Attic Black-Figured Pottery (Athenian Agora vol. 23)

THE

AGORA ATHENIAN RESULTS OF EXCAVATIONS CONDUCTED BY

THE AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS

VOLUME XXIII

ATTIC

POTTERY BLACK-FIGURED BY

MARY B. MOORE AND MARY ZELIA PEASE PHILIPPIDES WITH THE COLLABORATION OF

DIETRICH VON BOTHMER

THE AMERICANSCHOOLOF CLASSICALSTUDIESAT ATHENS PRINCETON,NEW JERSEY 1986

ALL RIGHTS RESERVED

Library of Congress Cataloging-in-Publication Data 1937Moore, Mary B. Attic black-figuredpottery. (The Athenian Agora ; v. 23) Includes bibliographicalreferencesand indexes. 1. Agora (Athens, Greece)-Catalogs. 2. Vases, Black-figured-GreeceAthens-Catalogs. 3. Greece-Antiquities-Catalogs. 4. Athens (Greece)Antiquities-Catalogs. I. Philippides, Mary Zelia Pease, 1906- . II. Von Bothmer, Dietrich, 1918- . III. American School of Classical Studies at Athens. IV. Title. V. Series. DF287.A23A5 vol. 23 938'.5 s [938'.5] 86-20615 ISBN 0-87661-223-0

TYPOGRAPHY BY THE AMERICAN SCHOOL OF CLASSICALSTUDIES PUBLICATIONS OFFICE C/O INSTITUTE FOR ADVANCED STUDY, PRINCETON, NEW JERSEY PLATES BY THE MERIDEN GRAVURE COMPANY, MERIDEN, CONNECTICUT PRINTED IN THE UNITED STATES OF AMERICA BY THE TOWN HOUSE PRESS, SPRING VALLEY, NEW YORK

To

THE MEMORY OF

LUCY TALCOTT

FOREWvORD This volume contains the Attic black-figuredpottery found in the Agora excavationsbetween 1931 and 1967 during the directorshipsof T. Leslie Shear and Homer A. Thompson. Many of these vases and fragments have already appeared in various excavationreports or in special studies. In this volume, however, all of them are presentedtogether for the first time in order to give as full a recordas possible of this richly varied material. We wish to thank most Homer A. Thompson for the opportunityto publish these vases and no less for his unfailing support of the projectand his interest in it. We remembergratefully the late Lucy Talcott for all kinds of invaluable adviceand help as well as for establishingthe Agora system of recordkeeping, which enabled us to retrieveinformationso easily. Our special debt to the work of Sir John Beazley and our dependence upon it during all phases of our collaborationwill be apparent throughoutthe entire volume. We invited Dietrich von Bothmer to tollaborate with us. He read the manuscript and offered numerous helpful suggestions for improvementand changes that saved us from many errors. During her three-term leave from Hunter College in New York, he gave MBM the use of an office in the Greek and Roman Department at the Metropolitan Museum of Art as well as access to his photographicarchive, personal notes on vases, departmentbooks and offprints. These ideal working conditions enabled the research to proceed with much greater speed than would have been possible otherwise, and the special material made availablehas greatly enrichedthe contentsof this volume. We wish to express special thanks and gratitude to the staff of the Agora excavations for its friendly and cheerful cooperationduring all phases of this study:T. Leslie Shear, Jr., Field Director; John McK. Camp II, Assistant Field Director;Lucy Krystallis and Helen Townsend who, as successive secretaries,coped uncomplaininglywith our requests and questions;William B. Dinsmoor, Jr., for the plan indicating the deposits; Alison Frantz for the majority of photographs; Robert K. Vincent, Jr. for much of the new photography;Nicholas Restakisand KyriakeMoustaki for their care in printing the photographs;and Stephen Koob for restorationwork. We also thank the following colleagues and friends for various kinds of help and support: Peter H. von Blanckenhagen, Andrew Clark, Poly Demolini, Charles Edwards, Evelyn B. Harrison, Caroline Houser, Henry Immerwahr, David Jordan, Phyllis Williams Lehmann, Mary Aiken Littauer, Joan R. Mertens, Martin Robertson,Gerhard Schmidt, Evelyn Lord Smithson, Eugene Vanderpool, and Marjorie Venit. During the time we shared the work on this volume, we were separatedby a considerablegeographic distance. It was, therefore, necessary to divide our labors in a manner that would not impede our progress. MZP wrote a preliminary description of all the entries. These were then rewritten to conform to the format we had decided upon, and for some the content was revised. Most descriptionsare basically hers. She set up a picture file, made a detailed check list (typed in duplicate and meticulously checked by Ann Brownlee), and gathered and organized the deposit

viii

FOREWORD

informationfrom the excavationrecords.MBM is primarilyresponsiblefor the comparandain the Catalogue, the discussionof all the shapes, the chapteron pottersand painters,the concordanceand andto large extent, for the selection of vases to be illustratedas well as for the layout of indexes, and, the plates. The profile drawings are by Helen Townsend; the other drawings are by MBM. During the three years that MBM worked on the project, she was the fortunate recipient of financial support from the following sources: a stipend from the American School of Classical Studies, Octoberto December, 1978; an NEH Fellowship for 1979; two summer grants, one from the American Philosophical Society, the other from the Faculty Research Award Program of the City University of New York. During the summers 1977 and 1980, she enjoyedthe hospitalityand facilities of the American School of Classical Studies and wishes to thank its staff for helping to make her visits to Athens both comfortableand productive.MZP wishes to thank the Agora for fellowships granted in 1957/1958 and in 1966/1967. New York and Athens September, 1985

MBM and MZP

TABLE OF CONTENTS .

vii

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LISTOF ILLUSTRATIONS

xii

. FOREWORD

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ABBREVIATIONS. INTRODUCTION.

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SHAPESTUDIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pis. 1-15 ......................... ONE-PIECEAMPHORAE 1-127 Decorated on neck and body; figures not set in panels 1-6

xiv .

1

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4 4

Panel amphorae 7-116 Special one-piece amphorae 117-119 Scheme of decoration uncertain 120-127 Pls. 16-26

NECK-AMPHORAE 128-225

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7

Late 7th century 128-137 Non-standard:first half of the 6th century 138-164 Ovoid neck-amphorae165-177 Panel neck-amphorae178-182 Neck-amphorae of Panathenaic shape 183-188

Standardneck-amphorae189-205 Small late neck-amphorae206-225 PANATHENAIC AMPHORAE226-338

Pis. 26-34

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12

Prize vases 226-318 Non-prize vase 319

Uncertain if prize or non-prize vases 320-337 Miniature Panathenaic amphora 338 AMPHORAE, TYPE UNCERTAIN339-366

Pis. 34-36

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P1. 36 . . . . . . . . . . . . . . . . . . . . . . . . . . . .

AMPHORALIDS 367-372 LOUTROPHOROI373-389

Pls. 36-38 ..........................

18 18 18

Hydriai 373-376 Amphora 377 Type uncertain 378-389 PELIKAI 390-397 PSYKTER 398

PI. 38 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

20

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20

P1. 39

SKYPHOS-KRATERS399-413

Pis. 39-41 .........................

22

Pls. 41-46 . .........

23

Bowls 399-403 Lids 404-413 COLUMN-KRATERS414-490

TABLE OF CONTENTS

x

Pls. 46 and 47.......

VOLUTE-KRATERS 491-500

25 .......

Pls. 47 and 48 ...............

CALYX-KRATERS 501-509 LEBETESGAMIKOI 510-518

Pis. 48 and 49

519-525 KRATERS,TYPEUNCERTAIN

26 ...

......

. . 27 29

P1. 50 ..............

STANDS 526-602 Pls. 51-56 . . . . . . . . . . . . . . . . . . . . . . . . . . . . Conical supports 526-560 Cylindricalsupports 561-586 Supports, type uncertain587-601 Sosian stand 602

32

Pls. 56 and 57.....................

LOUTERIA 603-607

Pls. 57 and 58 ........... Bowls 608-614 Stands 615-617

33

DINOI608-617

HYDRIAI 618-669 Pls. 59-63 . Round-bodiedhydriai 618-624 Shoulderedhydriai 625-649 Kalpides 650-669 OINOCHOAI 670-786 Pls. 64-73. 670-722 Olpai Oinochoai 723-776 Olpai or oinochoai 777-786

35 . . . . . . . . . . . . .... . . . ... . . . .... . . . . ..........

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P1. 88

PHORMISKOI 1258 and 1259

KOTHONS 1260-1264 PYXIDES 1265-1296

47

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48

P1. 88 ...........

49

Pls. 88 and 89 ........ Pls. 89-91 .

39

43

LEKYTHOI ........... 787-1256 Pls. 73-87 .. Earliest 787-791 The lekythos painters, I: chiefly earlier 792-868 The lekythos painters, II: the Gela Painter 869-883 The lekythos painters, III: the Edinburgh Painter 884-886 The lekythos painters, IV: the Class of Athens 581 887-1124 Unattributed lekythoi:late 6th or 5th centuryB.C.1125-1159 The lekythos painters, V: the Sappho Painter and the Diosphos Painter 1160-1180 The lekythos painters, VI: the Theseus Painter and the Athena Painter 1181 The lekythos painters, VII: the Haimon Group 1182-1237 Unattributedlekythoi: 1238-1256 ALABASTRON 1257

29

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49

Corinthian type 1265 and 1266 Tripod-pyxides 1267-1278

Type A 1279-1286 Powder pyxides 1287-1289

Lids 1290-1296 LEKANIDES 1297-1360

Pls. 91-93 ..................

Lidless 1297-1329 Lidded 1330-1355 Uncertain if lidless or lidded 1356-1360

51

TABLE OF CONTENTS LIDS1361-1387

Pls. 94 and 95 ..............

53

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53

PLATES 1388-1426 Pis. 95-97 Type A 1388-1410 Type B 1411-1424 Other 1425 and 1426

Pls. 97 and 98

PHIALAI 1427-1439 MASTOID1440

xi

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56 57

P1. 98 ................

57

P1S. 98 and 99 .............

1441-1450 CHALICES

SKYPHOI 1451-1657 Pis. 99-107 ............. Corinthian type 1451-1471 Attic type 1472-1656 Special 1657

58

CuPs 1658-1846 Pis. 108-118 . Komast cups 1658 and 1659 Siana cups 1660-1684 Little Master cups 1685-1745 Cassel cup 1746 Droop cups 1747-1752 Type A and Sub-A 1753-1779 Type B 1780 Stemless cups 1781-1800 Cups, type uncertain 1801-1846

62

BOWL1847

P1. 118 .

.............

............... PI. 118.

EPINETRA 1848-1850 THYMIATERIA 1851-1853

68 ...........................

OPEN VASES, SHAPE UNCERTAIN1909-1932

Pls. 119-121 Pls. . 121-123.

P1. 123 . .

MISCELLANEOUS 1933-1935

DISKS1947-1949

69

P1. 119 ..............

CLOSED VASES, SHAPE UNCERTAIN1854-1908

PLAQUES 1936-1946

Pls. 123 and 124

CONCORDANCE

70

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71 72

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DEPOSIT SUMMARIES

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PI. 124 ....

POTTERS AND PAINTERS ..... CATALOGUE

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99 329 337

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INDEX I: POTTERS, PAINTERS, GROUPS, AND CLASSES

355

INDEX II: SUBJECTS ......

359

INDEX III: GENERAL

363

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INDEX IV: SHAPE AND ORNAMENT INDEX V: COLLECTIONS

PLATES

368 371

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INDEX VI: INSCRIBED NAMES

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382

LIST OF ILLUSTRATIONS FIGURES IN TEXT

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22

. . . . . . . . . . . One piece amphora 1 (P 6155 a) ...... . 6 . . . . . . . . . . One-piece amphora (P 15088) ... . 34 . . . . . . . . . . One-piece amphora (P 1250), graffito . . . . . . . . . ....... . . 139 (P 13113) Neck-amphora ...... . . . . . . . . . 140 (P 17966) Neck-amphora . . . . . . . . . . ...... . 179 (P 25013) Neck-amphora . .. . . . . . . . . . ...... Amphora 341 (P 20678) . . . . . . . . . . . ...... Amphora 342 (P 26642) . . . . . . . . . . . Amphora 347 (P 25338) ........ . . . . . . . . . . . Amphora 358 (P 22999), dipinto. ..... . . . . . . . . . . . Psykter 398 (P 27885) ........ . . . . . . . . . . . Skyphos-krater400 (P 6577) ...... Dinos stands 615 (P 26619), 616 (P 21708), and 617 (P 13271) . . . . . . . . . . . . . . . . . . . . . . Olpe 698 (P 6457) ........ ..... . . . . . . . . . . . 1150 (P 24411), dipinto Lekythos . ...... . . . . . . . . . . lid 1293 (P 15545) Pyxis . . . . . . . . . . . Lid 1382 (P 15387) ....... . . . . . . . . . . . Skyphos 1559 (P 1270), graffito ...... ... . . . . . . . . . . . . 1615 (P 23175), graffito Skyphos ... . . . . ...311 ... . 1793 (P 6552), graffito Cup . . . . . . . . . . . .. . 1833 (P 4928), graffito Cup . . . . . . . . . . ...... vase 1931 (P 21186) Open

PLATES

1-15 16-25 26 27-33 34 35 36 37 38 39 40 41 42-45 46 47 48

One-piece Amphorae Neck-amphorae Neck-amphorae.PanathenaicAmphorae PanathenaicAmphorae PanathenaicAmphorae.Amphorae,Type Uncertain Amphorae,Type Uncertain Amphorae,Type Uncertain. Amphora Lids. Loutrophoroi Loutrophoroi Loutrophoroi.Pelikai Psykter. Skyphos-kraters Skyphos-kraters Skyphos-kraters.Column-kraters Column-kraters Column-kraters.Volute-krater Volute-kraters.Calyx-kraters Calyx-kraters.Lebetes Gamikoi

99 100 104 118 119 125 143 144 145 146 151 152 180 192 241 257 267 287 293 315 324

LIST OF ILLUSTRATIONS 49 50 51-55 56 57 58 59-63 64-72 73 74-87 88 89 90 91 92-93 94 95 96 97 98 99 100-107 108-117 118 119 120 121 122 123 124

Lebetes Gamikoi Kraters, Type Uncertain Stands Stanlds.Louteria Louterion. Dinoi Dinoi Hydriai Oinochoai Oinochoai. Lekythos Lekythoi Alabastron. Phormiskoi. Kothons Kothons. Pyxides Pyxides Pyxides. Lekanides Lekanides Lids Lids. Plates Plates Plates. Phialai Phialai. Mastoid. Chalices Chalices. Skyphoi Skyphoi Cups Cups. Bowl. Epinetra Thymiateria. Closed Shapes Closed Shapes Closed and Open Shapes Open Shapes Open Shapes. Miscellaneous. Plaques Plaques. Disks

PLAN The Athenian Agora showing the Location of Deposits

xiii

ABBREVIATIONS * "p."and"no."in references understood

AA AAA ABL *ABV AC Agora VIII Agora XII Agora Picture Book AJA AK Albizzati Arias ArtBull *ARV2 'ApX'ED AthMitt BABesch Bakir, Sophilos BCH Beazley, Development Beazley, EVP BJb BMFA Boardman,ABFV Boardmanand Hayes, Tocra, 1963-1965 Bohr, Schaukelmaler Bothmer,Amazons Bothmer,Amasis Painter Brann. See Agora VIII Brijder,Siana Cups I Brommer,Heldensage3 BSA Buitron, New England Collections Callipolitis-Feytmans, Les plats attiques

= = = = = =

ArchdologischerAnzeiger Athens Annals of Archaeology C. H. E. Haspels, Attic Black-figuredLekythoi,Paris 1936 J. D. Beazley, Attic Black-Figure Vase-Painters,Oxford 1956 Archeologiaclassica E. T. H. Brann, The Athenian Agora, VIII, Late Geometricand ProtoatticPottery, Princeton 1962 = B. Sparkes and L. Talcott, The Athenian Agora, XII, Black and Plain Pottery of the 6th, 5th and 4th CenturiesB.C., Princeton 1970 = Excavationsof the AthenianAgora Picture Books = AmericanJournal of Archaeology = Antike Kunst

= C. A. Albizzati, Vasiantichi dipinti del Vaticano,Rome 1925-1939 = P. E. Arias, M. Hirmer, and B. Shelton, A History of Greek VasePainting, New York 1963 = Art Bulletin

= J. D. Beazley, Attic Red-Figure Vase-Painters,2nd edition, Oxford 1963 = 'ApXaLoAoytcK'E7,epls E

= = = = = = = = = =

Mitteilungen des DeutschenArchdologischenInstituts,AthenischeAbteilung Bulletin van de Vereenigingtot Bevorderingder Kennis van de antieke Beschaving G. Bakir, Sophilos.Ein Beitrag zu seinem Stil, Mainz 1981 Bulletin de correspondancehellenique J. D. Beazley, The Developmentof Attic Black-figure,Berkeley 1951, corr. ed. 1964 J. D. Beazley, Etruscan VasePainting, Oxford 1947 BonnerJahrbiicher Bulletin of the Museum of Fine Arts, Boston J. Boardman,Athenian Black Figure Vases,London 1974 J. Boardmanand J. Hayes, Excavationsat Tocra, 1963-1965, The Archaic Deposits, London 1966 = E. Bohr, Kerameus,IV, Der Schaukelmaler,Mainz 1982 = D. von Bothmer,Amazons in GreekArt, Oxford 1957 = D. von Bothmer, The Amasis Painter and his World,New York and London, 1985 = = = =

H. A. G. Brijder,Siana Cups I and KomastCups, Amsterdam1983 F. Brommer, Vasenlistenzur griechischenHeldensage, 3rd ed., Marburg 1973 British School at Athens, Annual D. Buitron, Attic VasePainting in New England Collections,Cambridge,Mass. 1972

= D. Callipolitis-Feytmans,Les plats attiquesafigures noires, Paris 1974

ABBREVIATIONS

xv

= D. Callipolitis-Feytmans, Les "louteria"attiques,Athens 1965 Callipolitis-Feytmans, "Louteria" = C. Clairmont, Das Parisurteilin der antiken Kunst, Zurich 1951 Clairmont, Parisurteil Cristofani, VasoFranqois = M. Cristofani,Materialiper servirealla storiadel vaso Franqois[Bolletinod'Arte,Serie Speciale 1], Rome 1980 = Corpus VasorumAntiquorum CVA = Deutsches ArchaologischesInstitut, Athen D.A.I. = 'ApxaloXoyLKbvoLAerTo AEAT = Enciclopedia dell'arteantica, classicae orientale EAA = FestschriftfiirFrank Brommer,Mainz 1977 FestschriftBrommer = A. Furtwangler, K. Reichhold, et al., GriechischeVasenmalerei,Munich 1904-1932 FR = J. Frel, Panathenaic Prize Amphoras,Athens 1973 Frel, PPA = E. Gerhard, Auserlesenegriechische Vasenbilder,Berlin 1840-1858 Gerhard,A V = Greek,Roman and Byzantine Studies GRBS = B. Graef, Die antiken Vasen von der Akropoliszu Athen, Berlin 1925-1933 Graef = A. Greifenhagen, Eine attischeschwarzfigurigeVasengattungund die Darstellungdes Greifenhagen Komosim VI. Jahrhundert,Konigsberg1929 = Greek Vasesin the J. Paul Getty Museum, OccasionalPapers on Antiquities Greek Vasesin the J. Paul Getty Museum Hoffmann, Ten Centuries = H. Hoffman, Ten Centuriesthat Shaped the West, Houston 1971 = IllustratedLondon News ILN = Jahrbuchdes deutschenarchiologischenInstituts JdI = Journal of Hellenic Studies JHS = Jahresheftedes bsterreichischenarchiiologischenInstitutes JOAI = Jahrbuchdes Rimisch-GermanischenZentralmuseumsMainz JR-GZM Karouzou, Amasis Painter = S. Karouzou, The Amasis Painter, Oxford 1956 Karouzou,

'Avayvpovvros KerameikosVI, ii Kurtz, Athenian White Lekythoi Langlotz MadrMitt Mertens, Attic White-Ground MJb MMSt Mommsen, Affecter MonAnt MonPiot Moon, Midwestern Collections Muller, L6wen und Mischwesen NC Noble, Techniques Notable Aquisitions 1975-1979 OCD

= S. Karouzou, BLt/3AoL07K r ^js v 'AOrvaLs 'ApXaroAoyCLKl 'EEraLplas, XLVIII, 'Ayyeia rov 'Avayvpov^ros, Athens 1963

= K. Kubler, Kerameikos.Ergebnisseder Ausgrabungen,VI, ii, Die Nekropoledes spiten 8. bisfrihen 6. Jahrhunderts,Berlin 1970 = D. C. Kurtz, Athenian White Lekythoi,Patternsand Painters, Oxford 1975 = E. Langlotz, GriechischeVasen in Wiirzburg,Munich 1932 = Mitteilungen des deutschenarchdologischenInstituts, MadriderAbteilung = J. R. Mertens, Attic White-Ground.Its Developmenton Shapes Other than Lekythoi, New York 1977 = Minchener Jahrbuchder bildendenKunst = MetropolitanMuseum Studies = H. Mommsen, Kerameus,I, Der Affecter,Mainz 1975 = Monumenti antichi = Fondation E. Piot, Monuments et me'moirespublies par l'Academiedes Inscriptionset Belles-Lettres = Greek Vase-Paintingin Midwestern Collections,W. G. Moon, ed., Chicago 1979 = P. Miiller, Lbwen und Mischwesen in der archaischengriechischenKunst, Zurich 1978 = H. Payne, Necrocorinthia.A Study of Corinthian Art in the Archaic Period, Oxford 1931 = J. Noble, The Techniquesof Painted Attic Pottery, New York 1965 = MetropolitanMuseum of Art, Notable Acquisitions 1975-1979, New York 1979 = OxfordClassicalDictionary

xvi 01. Ber. *Paralip. RA REA Richter and Milne, Shapes and Names Roberts,Pyxis Studi Misc. Tiverios Ure, Sixth

ABBREVIATIONS = Bericht iiber die Ausgrabungenin Olympia = J. D. Beazley, Paralipomena.Additionsto Attic Black-Figure Vase-Paintersand Attic Red-Figure Vase-Painters,Oxford 1971 = Revue archeologique = Revue des etudesanciennes = G. Richter and M. Milne, Shapesand Names of Athenian Vases,New York 1935 = S. Roberts, The Attic Pyxis, Chicago 1978 = ?r7AJ T70 KoYroAeovros,Athens 1980 sroo fs iuPl.rv NLKoAdov = Studi Miscellanei = M. Tiverios, tO Avbos KaLTrOEpyo rov, Athens 1976

= P. N. Ure, Sixth and Fifth CenturyPotteryfrom Rhitsona, London 1927

INTRODUCTION The Attic black-figuredpottery found in the Agora spans the entire periodof the productionof this fabric and provides a nearly complete picture of the developmentof its shapes and the style of its painters. Many of the vases, especially the smaller ones, are complete or retain enough of their original characterto allow plaster restorationof the missing parts, but by far the larger proportion of the material consists of fragments. Making sense and order of these small scraps has been a particularly stimulating challenge, though not without many pitfalls; thus, we have kept in mind that "fragmentsare dangerous allies, and extra care must be taken in finding the whole shape to which they belong."' Attic black-figuredpottery has been found all over the Agora, but most of it comes from dumped fillings associated with houses, shops, or civic buildings, in particular from wells and cisterns located around the bordersof the square.2A few cremationand inhumationburials, chiefly from the Archaic Cemetery on the west slope of the Areopagus, also yielded Attic black-figuredmaterial, primarily lekythoi. The dating of these various findspots,whether wells, graves, or other kinds of deposits, is based to a large extent on the figuredpotteryfound in them. Some of these deposits,such as the upper fill of the Rectangular Rock-cut Shaft (G 6:3) or the large well found beneath the gutter of the Stoa of Attalos (Q 12:3),3probablyindicate the presenceof potters'workshopsin the area; the Stoa Gutter Well may also reflectthe massive clean-up operationafter the Persian Sack. Thus, the latest pottery in such deposits is of particular importance for the light it sheds on the characterof late Attic black figure in relation to its historicalbackground. The Plan following the Plates shows the Agora around 300 B.C., and on it the wells, cisterns,and burials useful for this volume are indicated.We have retainedthe four symbols used in Agora XII for wells and cisterns, since very many of these deposits containedblack figure, and we have added one for burials:

O Wells

which went out of use by or before 525

B.C.

{ Wells in use between 525 and 480 B.C. * Wells dated between 480 and 400 B.C.

) 0 Wellsandcisternsof the 4th centuryB.C. A Burials of the 6th century B.C.

On pp. 329-336, there is a list of these deposits that includes all those indicatedon the plan as well as many others. If a deposit has been describedin a previousAgora volume, the informationis not repeated. For each of these we give only its grid location, type (i.e., well, burial, pit, etc.) and date, followed by the pertinent catalogue numbers;for the descriptionof such deposits, the appropriate referenceis given, and if a deposit has been publishedseparately,this sourceis also included. In the case of deposits that have not previouslybeen described,a summaryof the general character

IAgora XII, p. 2.

2

For the characterand contents of a typical well, cf. Agora VIII, pp. 107-108; also, Agora XII, p. 44. 3 The material from the Rectangular Rock-cut Shaft was published by E. Vanderpool in Hesperia 7, 1938, pp. 363-411

and Hesperia 15, 1946, pp. 265-336. The potteryfrom the Stoa Gutter Well is published by S. R. Roberts (Hesperia 55, 1986, pp. 1-72) who has studied its workshop implications. All the Attic black figure from these two deposits is included in this volume.

2

INTRODUCTION

appears before the catalogue numbers. In the Catalogue itself, we give a deposit or grid reference for all entries except those that are sporadic or stray finds and therefore have no reference. For these, we use the term "No grid".Whenever possible, the level is indicatedby the following letters: POU = Period Of Use; L = Lower; M = Middle; U = Upper. Range and quality of the Agora black figure offer importantevidencefor the characterof decorated pottery associated with an ancient civic and industrial center or used in domestic quarters. Shapes mass-producedin the late 6th or early 5th centuries B.C., chiefly small lekythoi, cups, and skyphoi, naturally representthe largest amount of Attic black figure. But noteworthyis the quantity of material datablebetween 625 and 580 B.C., the period when Attic potterywas not yet exported to other parts of the Mediterranean.4Besides the Agora, only the Akropolis,the Kerameikos,and the cemeteryat Vari have yielded very early Attic black figure in any quantity. In addition,we have includedseveral of the thelatest vases published in the volume of Geometricand Protoatticpottery (AgoraVIII) since they illustrate well the transitionfrom Protoatticto black figure. Nearly every shape decoratedin black figure has been found in the Agora, although of course some are known only from small fragments. Of the pots, the largest number are amphorae:onepiece panel amphorae;neck-amphorae,including several variants of the shape; and Panathenaic amphorae,for which there is an uninterruptedsequence,beginning with the very earliest of about 560 B.C.and lasting until the late 4th century B.C.,the period when this study stops.5 Only one amphoraType A, 1934 (PI. 123), has been identifiedin the Agora material,and it is perhaps ironic that one cannot determine if it was decoratedin black figure or in red igure, because all that remains of the decoration is the lotus-palmette chain above the panel. Next in quantity after the amphoraeare the column-kraters,and there are also a good numberof stands, includingone of the rare Sosian type, 602 (P1. 56). There are not very many hydriai, yet examples of each type, the round-bodied,the shouldered,and the kalpis, have been found. Missing among the large shapes are stamnoi, which are mainly decoratedin red figure,6and neck-amphoraewith figures on both the shoulder and the body. The latter, to judge by the known provenancesof the attributedexamples, may have been intended mainly for export.7Among the smaller vases, lekythoi are by far the most numerous, particularly those of the Class of Athens 581 and those from the Haimon Workshop. These are followed in quantity by skyphoi, cups of various types, including severalof the Segment Class, and oinochoai. Missing are two shapes rarely found in Attic black figure: aryballoi and kantharoi;also absent are kyathoi and mastoi, although in the Agora, examples of the latter are known in black pattern as well as in plain black and of the former,only in plain black.8 Examples of less commonshapes in Agora black figure include loutrophoroi(both the hydria and the neck-amphoravarieties), pelikai including 391 (PI. 38), the unique one with rays above the foot, skyphos-kraters,volute-kraters,chalices, calyx-kraters,lebetes gamikoi, louteria, dinoi, and pyxides. Among the rare shapes, the Agora excavations have producedthe earliest known Attic black-figuredalabastron,a psykter,two phormiskoi,four kothons,a few epinetra,thymiateria,and phialai. The section on shapes concludeswith plaques and disks. The earliest exported Attic black-figuredvase is still the fragment by the Nettos Painter found at Cervetri and once in Leipzig, but it seems to be an isolated example. Cf. ABV 5, 3; Paralip. 2, 5; W. Herrmann, WissenschaftlicheZeitschriftder UniversitdtRostock,XVI, Die griechische Vase, Rostock 1967, pp. 455-456. 5 For Panathenaicamphoraeof the Hellenistic and Roman periods, cf. footnote7 below, p. 13. 6 For stamnoi, cf. B. Philippaki, The AtticStamnos,Oxford 1967, especially chapter 2 for the black-figuredexamples;also, 4

C. Isler-Kerenyi,Stamnoi, Lugano 1977, pp. 18-28. 7 Footnote 2 below, p. 8. 8 Agora XII, p. 143. For mastoi, the inventorynumbersare P 1217 and P 24556, both in black pattern;P 25277, the knob reserved,the rest black. Although publicationof the black-patternedvases fromthe Agora was plannedfor this volume(Agora XII, p. 57, note 11), owing to the large quantityof black-figured material, we decidedto exclude the patternedpieces. They will be the subjectof a separate study by MZP.

INTRODUCTION

3

Many of the Agora vases were already attributedby Beazley and appear in the pages of AB V or Paralipomena. Quite a few more have been attributed,and for these, following Beazley's example, the name of the scholar attributing the vase appears in brackets after the name of the painter. During the course of the work on this volume, the painters of a good many other vases were detected, and here the pertinent comparisons are cited, except for many of the late lekythoi where the attribution is based on comparisonwith the plentiful examples in the Agora. Some of the painters, such as Kleitias or the Antimenes Painter, are representedin the Agora only by one or two small sherds;the work of others, such as those decoratinglekythoi of the Class of Athens 581, the Haemonians, or the painters of the CHC Group, is so well representedthat one is temptedto suggest that their workshops were very close to the Agora, perhaps even within its boundaries. As rich as the Agora black figure is with regard to the variety of shapes and the large number of painters who decoratedthem, this volume is not intended to be a history of Attic black figure, but instead it tries to show how the black figure from the Agora fits into the existing chronologicaland stylistic framework for shapes and artists and how, in certain cases, it increases our knowledge of their development. The organization of our material and the format of the catalogue entries are modeled on those of two previous Agora pottery volumes, VIII and XII, with small changes made to accommodatethe features of black figure not found in Protoatticor in plain black. The sequence of shapes is based on that in the index of ABV for the Agora and other Athenian collections. For each shape or its variants, the arrangementis generally chronological,with painters or groups of painters and contemporarythough unattributedpieces appearing together. In the Catalogue, we have cited as much comparativematerial as necessary, not only to increase the usefulness of the study but in the case of small fragmentsto renderthem more intelligible in shape and decoration. It has been impossible to illustrate all the Agora black-figuredpottery in this volume, but the selection we have made gives a comprehensiveview of the material. All the important pieces are shown, whether previously published or not, and all whole vases or fragmentsthat present unusual or puzzling features are illustratedas well. In the case of the large quantity of late lekythoi,many of which are virtually duplicatesof one another,we have let a few examples stand for very many. The chronologicalorganizationof the material within each shape has meant that very often large, wellpreservedpots or even big fragmentsappear together on the same plate with very small ones, and, for each piece to be intelligible to the reader,there was no way in which the scale of reductioncould be kept consistent within a single plate. Thus, on the same plate, there are sometimes as many scales as there are figures. This procedureof selectionand illustrationdiffers considerablyfrom the presentationof pottery in Agora volumes VIII and XII, where all the vases describedin the catalogue were picturedand where in most cases the characterof the materialpermitteda single scale to be used for a given plate. Therefore, to visualize the size of the pot or fragment,the readerwill have to rely on the measurements given in the Catalogue. Since the discussion of each shape is not a monographic study but only a brief sketch, we have included profile drawings only of those vases that present odd featuresor whose contoursare not easily understoodin a photograph.In the case of certain fragments, we have attempted full or partial reconstructiondrawings to help clarify the figure or the composition.All measurementsare given in meters.One furthernote. Since references to the CVA appear constantly, it was necessaryto devise a formula for citing it that would be both brief and intelligible. Thus: CVA, Boston 1 [USA 14], pl. 12 [624]:1 CVA, M.F.A. Boston, fascicule 1 [USA fascicule 14], pl. 12 [USA plate 624], fig. 1.

SHAPE STUDIES ONE-PIECE AMPHORAE 1-127

Figs. 1-3

Pls. 1-15

The one-piece amphora, distinguished primarily by the continuous curve of its profile between mouth and foot, is a favoriteshape among Attic black-figurepainters. Three varietiesare known in figured ware: Type A with flanged handles, flaring mouth, and foot in two degrees;Type B, the oldest of the three, with round handles, flaring mouth, and echinus foot; and Type C, like Type B but with torus mouth.1 In Attic black figure, Type B is preferred,and all but one of the Agora fragments, even the later ones, come from amphorae Type B, rather than the larger and showier Type A, which was probably introducedinto the repertoryof Attic shapes by Exekias during the late third quarter of the 6th century B.C.2Type A seems to have been intendedmainly for export.3 The only certainamphoraType A fromthe Agora is 1934 (PI. 123), a late 6th-centuryone with the figureddecorationnot preserved,and no example of the rare Type C has been identifiedamong the black-figuredfragments,although this variety appears in plain black.4 The largest number of one-piece amphoraefrom the Agora date in the secondand third quarters of the 6th century B.C., the years when the shape enjoys its greatest popularity. The earliest onepiece amphoraehave separate subjectson the neck and body, a decorativearrangementthat is soon given up in favorof one with the figuresset in panels, a schemewhich becomesthe normalone from the beginning of the 6th century on. 117-119 (Pls. 13-15), three large fragmentaryamphorae, which preservespecial schemesof decoration,help to roundout the picture. 120-127 (P1. 15) come from one-piece amphoraeof normal size, but they do not preserveenough of the figures for us to be certain of the systems of decoration. The three types were distinguished by Beazley, JHS 42, 1922, pp. 70-71. Cf., also, Beazley, AK 4, 1961, pp. 49-50; R. Lullies, AK 7, 1964, pp. 85-88, especially for Type B. For Types B and C, cf. Mommsen, Affecter,pp. 48-51. 2 Vatican 344 (ABV 145, 13; Paralip. 60, 13) is still the earliest example of the canonicaltype. Its antecedentsare to be found in Group E: Louvre F 53 (ABV 136, 49; Paralip. 55, 49), which is Type B except for its flaring foot; Berlin 1699 (ABV 136, 53; Paralip. 55, 53), Berlin 1698 (ABV 136, 54), London, B.M. B 205 (ABV 136, 55), and London, B.M. B 194 (ABV 135, 56; Paralip. 55, 56), which have Type A handles and a flaring foot without base fillet; Kassel T. 384 (ABV 137, 57; Paralip. 55, 57; CVA, Kassel 1 [Germany35], pls. 21 [1701]:1, 22 [1702]) and Budapest 9132 (ABV 137, 58; Paralip. 55, 58), which have an echinus foot. Canonicalamphoraeof Type A are usually well over 0.50 m. in height, thus considerably larger than most amphorae Type B, although exceptions in this variety exist, e.g., Berlin, inv. no. 4823 by the Painter of Acropolis606: 0.80 m. (ABV 81, 4; Paralip. 30, 4; CVA, Berlin 5 [Germany45], pls. 1 [2146]:2,

3 [2148]); New York, M.M.A. 51.11.3, related to Lydos: 0.557 m. (ABV 119, II, 6; Paralip. 48, II, 6); Boston, M.F.A. 89.257, by the Swing Painter: 0.52 m. (ABV 304, 2; CVA, Boston 1 [USA 14], pl. 3 [625]; Bohr, Schaukelmaler,pl. 2); New York, M.M.A. 12.198.4, the Bateman Group: 0.555 m. (ABV 258, 5; Paralip. 114, 5); and New York, M.M.A. 41.85, the Group of Toronto 305: 0.542 m. (ABV283, 13 and 391, 1; Paralip. 124, 13). 3 Among the attributed amphorae Type A with known provenances,very few come from Greeceand the East. Four are known to us, none from Athens. One, by the Amasis Painter, is from Samos (ABV 151, 18; Paralip. 63, 18; Bothmer, Amasis Painter, p. 109, fig. 67); another, in the mannerof the Antimenes Painter, was found on Cyprus (ABV 279, 48); and two come from Kamiros, London, B.M. B 197 by the Painter of Berlin 1686 (ABV 296, 1; Paralip. 128, 1) and Rhodes 14093 by the Swing Painter (ABV 307, 57; Bohr, Schaukelmaler, pls. 79, 80). The last two are close in date and may even have been part of the same shipment. 4 AgoraXII, p. 48.

ONE-PIECE AMPHORAE DECORATED

ON NECK AND BODY; FIGURES NOT SET IN PANELS

5 1-6

P1. 1

A small number of early one-piece amphoraeare decoratedaccordingto the principleestablished for neck-amphorae,the large area of figured or ornamental decorationon the neck being clearly separatedfrom the figures on the body and the body decorationnot framedat the sides. On the onepiece amphorae, one or two lines of glaze divide neck from body decoration.The area below the main body decorationmay be supplementedby an animal frieze or a pattern and by rays above the foot, or it may be left in plain black glaze. The earliest known examples are four early works by the Nettos Painter that have figures on both neck and body.51 (PI. 1) is near the Nettos Painter in style, 2 is not far from him, and both were probably decoratedas those by the painter himself. Slightly later than these is 3 (P1. 1), which has a frieze of rosettes on the neck with the body decoration ending at about the level of the handle root, comparableto the lower limit of the earliestAttic blackfigured panels (cf. below, p. 6). Later examples of these amphorae,such as the one by the Gorgon Painter, Louvre E 817,6 have an ornamentalpatternon the neck and figureddecorationon the body that continues well below the maximum diameter. This manner of decoratingthe one-piece amphora disappears by the second quarter of the 6th century. 6 (P1. 1) by Sophilos with its three animal friezes on the body and the lotus-palmettefestoonon the neck is one of the latest examples,7 and it looks ahead to the type of ovoid neck-amphorawith the figureddecorationon the body set in friezes (below, pp. 9-10). PANEL AMPHORAE 7-116

Pis. 2-12

In Attic black figure, the one-piece amphoramost often has the figureddecorationset in reserved panels, and in the Agora, the panel amphora is one of the most numerousof the large shapes. This variety does not develop from the one-piece amphora with separate areas of decorationon the neck and body, for the type exists already in the first half of the 7th century B.C., one of the earliest examples being one from the Agora that has ornamentaldecorationin a small panel set high on the vase.8It is not certain who was the first to decorateAttic potterywith figuredpanels, but examples are known by the third quarter of the 7th centuryB.C., and aroundAthens the idea may have begun with the Ram-jug Painter who decorated each of two olpai with a lion protome set in a broad panel.9 One of the earliest Attic black-figured panel amphorae is the Siren amphora, which has been linked with the Nettos Painter, although not firmly attributedto him.10With its exceptionally 5Aigina 565 (ABV 3, 1; Paralip. 1, 1); London, B.M. 1874.4-10.1, formerlyA 1531 (ABV3, 2; Paralip. 2, 2); Eleusis Z 21 (ABV 679, 2 bis; Paralip. 2, 3); Kerameikos,inv. no. 658 (AB V 3; Paralip. 1; KerameikosVI, ii, no. 116 and pls. 89-91; for the attribution, cf. footnote 11 below, p. 74). The fragment recently acquired by the J. Paul Getty Museum is from an amphora probably decorated according to this scheme (81.AE.114.30: J. Frel, "Three Notes on Attic Black Figure in Malibu," Greek Vases in the J. Paul Getty Museum 1, 1983, p. 36, figs. 1, 2). One may also mention the one-piece amphora in Berlin (1961.7), decoratedon one side only (neck:confronted panthers; body: confronted griffins), the reverse being plain black glaze (CVA, Berlin 5 [Germany 45], pls. 1 [2146]:1, 2 [2147]). This amphora has been comparedwith the work of the Nettos Painter by F. Brommer (Jahr. Berl. Museen 4, 1962, pp. 1-16), but he rightly concludesthat it is not by this artist. A further argument is the stiff symmetrical composition, a decorativearrangementnot found on the four amphoraeby the painter himself. This type of amphora and its decorationhave been discussedbriefly by I. Scheibler (JdI 76, 1981, pp. 40-42) and by K. Kubler (KerameikosVI, ii, pp. 153-156).

6 ABV

9, 7; Paralip. 6, 7. 7 Later still are the versions by the Polos Painter (ABV 44, 1-4) and Berlin 31139 by the Prometheus Painter (CVA, Berlin 5 [Germany 45], pi. 4 [2149]:1, 2). Boardman(JHS 95, 1975, p. 7) suggests that the figured frieze above the panel on Reggio 4001 in the manner of Exekias (ABV 147, 6; Paralip. 61, 6) may have extended to the mouth of the vase. 8 P 6463 (Agora VIII, p. 32, no. 21, pl. 2); also P 12582 (AgoraVIII, p. 89, no. 514, pl. 82) and the amphora found on Piraeus Street (AeAT 17, 1961/62 [1963], pl. 26:a). 9 So, Karouzou,Amasis Painter, p. 42; see also, AgoraVIII, no. 578 (here, 7) and p. 24. It is surely no accidentthat the idea of a decorativepanel surroundedby black glaze was first tried out on one-piece amphorae and olpai, for their continuouscurvedshapes lend themselveswell to this schemeof decoration, as rightly emphasized by Scheibler (JdI 76, 1961, pp. 32-33). Recently, Sarah Morris has argued that the Black and White Style of Protoattic pottery, to which the work of the Ram-jug Painter belongs, is the productof an Aeginetanworkshop,not a mainland one (The Black and White Style, New Haven 1984). 10Athens, N.M. 221 (ABV 6: "The pictures are already in

6

SHAPE STUDIES

broad panels framed very near the handles, it stands a little apart from the other early panel amphorae, which have somewhat small panels often placed rather high on the vase emphasizing the incurvingcontourof the shoulderand neck, e.g. 10, 14, 17 (Pls. 2, 3). On these, the pictorialarea is very limited, filling ornament is sparse or omitted altogether, and there is no pattern above the panel. The appearance is rather somber and subdued. The subjects in these early black-figured panels are single or confrontedanimals and monsters, or else they are protomes, which may be human, subhuman, or animal. 7-10 are the examples from the Agora. 8 (PI. 2) gives some of the forepartsof an animal, surely one of a confrontedpair; 7 (PI. 2) is the earliest preservedAttic blackfigured example of a human head in the panel of an amphora;tIthe odd beardedhead terminating in a truncatedsnaky form on 10 (P1.2) still awaits an interpretation. The Gorgon Painter is the first Attic black-figurepainter to favor decorationset in panels and to explore the possibilities of this scheme of decoration,particularlyon his one-piece amphoraeand olpai.'2 12 (PI. 2), attributedhere, is the only panel amphoraby him found in the Agora, but another, 11 (PI. 2), is in his manner. During the first quarter of the 6th century, the panel becomes considerablywider, and it often extends below the maximumdiameterof the body, which results in a more unified appearanceof shape and decoration,e.g. 12, 33 (PI. 4), 34 (PI. 5). In this period, an ornamentalfrieze may appear abovethe panel, and there are often rays abovethe foot, two features that become standard.'3The ornament may be simple rosettes or a more intricate lotus-palmette pattern, either a chain or a festoon, e.g. 34. 4 In the panels new subjectsare introduced,perhaps by the Gorgon Painter, in particularan animal moving to right (not simply standingstill) and a single horseman on a galloping mount.1511 and 12, 24 (PI. 3), and 29 (PI. 4) are the earliest examples from the Agora. The largest numberof panel amphoraein the Agora (35-96) come fromthe middledecadesof the 6th century, i.e., 560-530/20 B.C., the period when the shape is most popular, particularlyin the work of Lydos and his companion, the Painter of Louvre F 6 (49, 50, 54-59: Pls. 6-8), also the painters of Group E (74: PI. 9), and the Swing Painter (77: PI. 9). During these decades,the onepiece amphora tends to become much taller in proportionto its width, although there is considerable variationfrom potterto potter. The size of the panel is governedby the proportionsof the vase, and there are usually areas of contrastingblack surroundingit. 47 (P1.6) with its very broadpanels that reach almost to the handles is an exception. In additionto the lotus-palmettefestoonor chain panels";Paralip. 6). J. M. Cook (BSA 35, 1934/35, pp. 199200), followed by Karouzou ('Avayvpovvros, pp. 129 and 134), thought that this amphora might be an early work of the Nettos Painter, but this attributiondoes not seem quite convincing. To be sure, there are similarities, but the drawing is less skillful and somewhat sketchycomparedwith the firm drawing of the painter himself. Equally unconvincingis the attribution of 7 (P1.2) to the Nettos Painter, and the Woman Head amphora in Munich also ought to be kept apart (ABV 16, 2; Paralip. 9, 2), although H. Diepolder (Festschriftfur Carl Weickert, Berlin 1955, pp. 111-120) and Karouzou ('AvayvpoVvTos!, p. 135, no. 23) thought it, too, might be by the Nettos Painter. Panels may also be seen on the neck-amphoraeby the Lion Painter and the Bellerophon Painter. These are very broad, reaching almost to the handles. Lion Painter: Athens, N.M. 16393 (ABV 2, 1); Athens, N.M. 16392 (ABV 2, 2); Bellerophon Painter: Athens, N.M. 16389 (ABV 2, -, 1); Athens, N.M. 16391 (ABV 2, -, 2; Paralip. 1, 2). Add also, Athens, N.M. 16380, an unpublishedone that bears resemblancesto the work of the Nettos Painter: on the neck: A, woman's head in outline; B, the like; on the body:A, boar; B, the like. 11See catalogue entry below.

12 For a panel neck-amphora by the Gorgon Painter, cf. Richmond62.1.10, attributedby Bothmer (H. C. T. Reed and P. Near, AncientArt in the VirginiaMuseum, Richmond1973, no. 86, wrongly called Corinthian). 13 Ornamental friezes appear at about the same time on olpai (see below, p. 40). 14Rosettes: e.g., Louvre C 10620 by the Gorgon Painter (ABV 9, 9; Paralip. 7, 9) and Louvre CA 3327 in his manner (ABV 9, 8; Paralip. 7, 8; 8). Compare also the contemporary amphora in Leipzig, T 3299 (CVA, Leipzig 2 [DDR 2], pl. 1 [62]:1, 2) that looks like a panel amphora except for the lack of side frames:on each side is a lion to right; above, five rosettes. The earliestfestoonabovethe panel of an amphorais very likely the one by Sophilos on the Jena amphora (ABV 39, 7; Paralip. 18, 7; Baklr, Sophilos, pls. 11, 12). An oddity is the lotus-palmette chain abovethe panel of a Horse-head amphorafound in Athens, Ephoria F, no. 1144 (M. Piccozzi, Studi Misc. XVIII, Rome 1971, p. 15, no. 9), for these panels are normallywithout ornament. Here, the thick units are similar to the Gorgon Painter's use of this ornament on his namepiece (ABV 8, 1; Paralip. 6, 1).

15 See

below, p. 76.

NECK-AMPHORAE

7

above the panel, other types of ornamentappear, in particularivy leaves (e.g. 55 and 57: PI. 7) and hanging lotus buds (e.g. 69: P1. 8, 77, 81). Most of the Agora panel amphoraeare too fragmentary to illustrate the entire shape very well, and not many are attributed,but three of them preserveodd or unusual ornamental features that deserve mention. The widely spaced units of the lotus-palmette festoon on 76 (PI. 9) are uncommonand comparebest with some examples in the Princeton Group. The palmette chain without lotuses on 41 (PI. 5) is an odd ornamentbest paralleled in the work of the St. Audries Painter. 96 (PI. 11) has a net pattern above the panel, an ornamentthat is more at home above the panels of other shapes, e.g. kalpides (657, 658 and 663, 664: Pls. 62, 63), olpai (687-689: Pls. 66, 67), or choes (755-757: PI. 72) than it is on amphorae. From 530 B.C.on, the best of the black-figuredpanel amphorae are of the larger and more impressive Type A rather than Type B. Exekias may have introducedthe new type, for the earliest canonical example is by him, the famous one in the Vatican with the double signature.l6 1934 (PI. 123) is the only certain amphora Type A from the Agora, but since we cannotbe sure whether the figured decorationwas in black figure or in red figure, we have included it in the small miscellaneous category at the end of this chapter (p. 71). The rest of the Agora panel amphorae are too fragmentaryto determinethe type they are, for none preservestracesof a flangedhandle or a foot in two degrees, and the size of each comparedwith the thicknessof its wall suggests a vase of modest proportions. SPECIAL ONE-PIECE AMPHORAE

117-119

Pls. 13-15

Three one-piece amphorae stand somewhat apart from those with separate decorationon body and neck and from those with panels. 117 (P1. 13) by the Nettos Painter is the earliest of the three, and it shows a single subjectextending over both neck and body without framing ornament at the sides,17the only Attic black-figuredexample to do so for certain.18The two fragments118 (PI. 14) and 119 (PI. 15) come from large amphoraewith the decorationprobablyset in several friezes, an unusual arrangementof both figures and ornament.They could perhaps be includedwith the onepiece amphorae discussed above that are decoratedaccordingto the principle establishedfor neckamphorae (1-6), but because so little of the decorationremains, it is difficultto be sure of the complete arrangement, and it is best to keep them apart. 118 is decoratedon one side only and very likely was a tomb marker.19 NECK-AMPHORAE 128-225

Figs. 4-6

Pls. 16-26

The neck-amphorais distinguishedfrom the one-piece amphorachiefly by having its neck sharply set off from its shoulderand body.' In Attic black figure, neck-amphoraeare very common,particularly in the second half of the 6th century. In the late 7th and early 6th centuries, they are outnumberedby one-piece amphoraeand large kraters,but by about 560 B.C. they are being produced 16Cf. footnote 2

above, p. 4. area given to the figured decoration,the Siren amphora,Athens, N.M. 221 (ABV6; Paralip. 6), is similar to 117 (PI. 13), except that the figure on each side is set in a very broad panel, the sides of which appear next to the handles. 18 120, 121, and 123 (PI. 15) may come from amphoraedecorated as 117, but too little is preservedto be certain. 19 For Protoattic and earlier black-figured amphorae and 17 In the amount of

kraters used as grave markers, cf. Miiller, Liwen und Mischwesen, pp. 112-117; for some decoratedon one side only, cf. ibid., p. 116. 117 was probablyalso a grave marker. 'Cf. Agora XII, p. 47, note 1; also K. Stahler, JOAI 49, 1968-1971, pp. 87-97; Mommsen, Affecter,pp. 8-11.

SHAPE STUDIES

8

in quantity by various workshops, and many painters, such as those of the Tyrrhenian Group, specialize in the shape. Neck-amphorae come in more varieties of shape and size than any other type of pot in the Attic repertory,and their schemesof decorationalso vary considerably.The neckamphorae from the Agora, although for the most part quite fragmentary,illustrate this range in both size and shape, as well as in decoration.2 LATE7TH CENTURY 128-137

P1. 16

The earliest Attic black-figured neck-amphoraeare large pots, close in size to their one-piece counterparts,and, like them, they probablyhad a funeraryuse. Some, such as the Piraeus Painter's amphoraor the namepieceof the Nettos Painter,3are decoratedwith figureson one side only.4This scheme of decorationis not found for certain among the Agora neck-amphorae,owing largely perhaps to their fragmentarystate, but it occurs on 118 (PI. 14), a large one-piece amphora of ca. 560-550 B.C. 136 (PI. 16), though decoratedon both sides, seems in size and style to be a direct ancestorof the Piraeus Painter's namepiece,5and 131 is probablyfrom a neck-amphoraof similar size.6 The handles providea natural frame for the decorationon the necks;on the bodies, the decoration may be set in panels like two from Vari by the BellerophonPainter,7or it may extend to the handle zone without limits, as it does on the Piraeus Painter's neck-amphora.8 NON-STANDARD: FIRST HALF OF THE 6TH CENTURY

138-164

Pls. 17-20

Early 6th-century black-figuredneck-amphoraeare smaller than those of the late 7th century. There are not very many examples, yet there is considerablevariety within the shape. Some have a flaring mouth, usually decoratedwith a frieze of geese on the sloping inner surface, with a molded verticalexterior that may have an ornamentalpattern.The handles are concave,the body is ovoid:9 141-144 and 147 (P1. 18) are good, though fragmentary,examples from the Agora. Sophilos may have introduceda long-neckedversionwith flaring mouth and foot that is very likely inspiredby the loutrophoros,'0 but it lacks mourning figures, hence it is not classed by Beazley as a loutrophoros but as a neck-amphora.140 (P1. 17) may come from such a neck-amphora,and perhaps also 152 and 153 (P1. 19), which are fragmentsof tall, slender necks decoratedwith animals. The version used by the Polos Painter is a variantof the one with groovedrim, concavehandles, and ovoidbody. 2

Among the varietiesof large size, the type with the figured decorationon the shoulder and body is not known among the neck-amphoraefrom the Agora. It is the type used by Exekias and by painters close to him, including some of Group E. It was also used by the Princeton Painter and his companion, the Painter of Berlin 1686, as well as by the Amasis Painter. Its period of productionis the third quarter of the 6th century B.C. It may be pure chance that all the attributed examples with known provenances come from sites outside Greece, mainly from Italy with exception of the fragmentaryone by Exekias in Narbonne (ABV 144, 2), but it may also indicate that this type of neck-amphorawas intendedmainly for export. Cf. also footnote 37 below, p. 12. 3 Athens, N.M. 353 (ABV 2; Paralip. 1, 1); Athens, N.M. 1002 (ABV4, 1; Paralip. 2, 6). 4 The Piraeus Painter's neck-amphorahas loopworkon the back, which recalls such well-known Protoatticexamples as the New York Nessos amphora and the Polyphemos amphora at Eleusis, which have mere ornament on the reverse. For

these and other vases used as grave markers, cf. footnote 19 above, p. 7. 5 R. Young, Hesperia, Suppl. II, Athens 1939, p. 119. 6 E. Brann, Hesperia 30, 1961, p. 361, H 9. 7 Cf. footnote 10 above, p. 6. 8AB V2;Paralip. 1,1. 9 The shape of the foot is less certain. Two examples, 141 (PI. 18) in the mannerof the Gorgon Painter and Florencen.n., by Sophilos (ABV38, 3; Baklr,Sophilos,pl. 25), do not preserve the foot. The namepieceof the Painter of Eleusis 767 (ABV 21, 1;Paralip. 13, 1) has a flaringfoot, and those by the Polos Painter (ABV 44, 5 and 9), which are later, have an echinus foot. 10Athens, N.M. 991 (ABV 38, 1; Bakir, Sophilos, pls. 4951) and Warsaw 138537 (Paralip. 18, 1 bis; Baklr, Sophilos, pi. 71: here [p. 72] the vase is considereda workshop piece). Athens, N.M. 1036 (ABV 38, 2) is similar but with a shorter neck, ribbed rather than flat handles, and a more ovoid body. The namepiece of the Anagyrus Painter (ABV 20, 1) is a less able version of these.

NECK-AMPHORAE

9

It is squatter and less elegant than those of his predecessors.1 160 (Pl. 20) is his best preserved example from the Agora, but 161 is from the same type. Akin to these is the small one relatedto the Swan Group, 164 (P1. 20), the latest vase in this section. The decorationon early 6th-centuryblack-figuredneck-amphoraeas a rule is set in friezes,12 and 138 (PI. 17) in the manner of the Gorgon Painter may be the earliest example of this schemeon this shape. Normally the figures are animals and monsters,although human figures appear occasionally on the shoulder,13sometimes on the neck,14but rarely in a mythologicalnarrativecontext. 141 (P1. 18), with the figure of Aristaios on the neck, is the only Agora example of a mythologicalfigure on a neck-amphoraof this period. The scheme of decorationon 164 is odd:two zones of ornament on the neck, figures on the shoulder, the rest of the body black. Superficiallyit resemblesthose by the Camtar Painter discussedbelow. OVOID NECK-AMPHORAE

165-177

Pls. 20, 21

The type of neck-amphoracharacterizedby an ovoid body, echinus mouth and foot, and round handles is preferredduring the secondquarterof the 6th centuryB.C.15 One of the earliest examples is the fragmentary one in Oxford attributed to Sophilos,16which should belong to the late first quarter of the century. Since the four neck-amphoraepainted by Sophilos vary considerablyand since Sophilos was probably both a potter and a painter,17it is possible that he may have played a role in creatingthis type of neck-amphora.The generationafter Sophilossees the adventof painters who specialize in decorating ovoid neck-amphorae:the painters of the Tyrrhenian Group, the Camtar Painter, and the Painter of Vatican 309, a companion of Lydos. Three early works by Lydos are ovoid neck-amphorae,18and 172 (PI. 21) is perhaps by him. The decorationon the bodies of ovoid neck-amphoraemay appear in friezes, as it does on most Tyrrhenians,19or it may be set in panels like those by the Painter of Vatican 309 and by the Painter of Louvre F 6, another companionof Lydos. Lydos, himself, tried out both schemes.20A variant of the panel type is the one preferredby the Camtar Painter, which allows the figured decorationto reach the handles without a framing device and usually has no decorationbelow the figures, not even rays.21On this type, the decoration on the neck varies. Most frequently, it is ornamental, 1 Brussels R 219 (ABV 44, 5); Louvre E 814 (ABV 44, 9).

An exception is the neck-amphora in Richmond by the Gorgon Painter (footnote 12 above, p. 6). Here, the decoration on the body is in a panel complete with framing lines that is similar to those on contemporaryone-piece amphorae:A, panther to right; B, the like. On the neck:A, rosette;B, the like. Just below the panel, three lines that continue round the vase;below that three more lines. No rays above the foot. For others, cf. footnote 10 above, pp. 5-6. 13 Cf., e.g., two by Sophilos:Athens, N.M. 1036 (ABV38, 2; Baklr, Sophilos, pi. 30, fig. 53) and Florence n.n. (ABV 38, 3; Baklr, Sophilos, pl. 25). 14 The best example is the namepieceof the Painter of Eleusis 767 (ABV 21, 1; Paralip. 13, 1). 15The ovoid neck-amphorasurvives in the work of the Affecter who fashioned his own version that does not seem to depend upon the type used by his precedessors.Cf. Mommsen, Affecter, pp. 8-9. An odd late example is Boston, M.F.A. 01.8052, which is like those by the Affecter in shape and ornamental decoration,but its figureddecorationis in the mannerof 12

the LysippidesPainter (ABV 242, 35 and 259, 26; Paralip. 110; Mommsen, Affecter,p. 109, no. 102). 16Oxford G.128.20 (ABV 38, 4; Baklr, Sophilos, pl. 65, fig. 127). 17Cf. Athens, N.M. 15499 (ABV 39, 16; Paralip. 18, 16; Baklr, Sophilos, pi. 6, fig. 10), which very likely has a double signature. Cf. footnote 53 below, p. 79 and also Beazley, Development, pp. 18-19. Without a potter'ssignature, it is always difficultto be certainwho shaped a vase, but the varietyof shapes decoratedby Sophilos suggests that he took considerable interest in shapes as well as decoration. 18 ABV 110, 30-32. 19For exceptions,cf. Mommsen, Affecter,p. 8, note 30. 20 Friezes: Florence 70995 (ABV 110, 32; Paralip. 44, 32; Tiverios, pls. 22, 23). Panels: Louvre E 868 (ABV 110, 30; Tiverios, pl. 3) and Louvre C 10634 (ABV 110, 31; Paralip. 44, 31; Tiverios, pls. 10, 11:a). 21 The examples are given by Mommsen (Affecter,p. 8, note 30). Exceptions to this scheme of decorationin the work of the Camtar Painter are Louvre C 10521 (ABV 84, 4; Paralip. 31,

SHAPE STUDIES

10

usually a lotus-palmette cross (166: PI. 20; 171), occasionally a festoon or, more rarely, a star pattern.22Neither of these last two appearsamong the preservedovoidsin the Agora. Rare, too, are ovoids with animals on the necks (175: PI. 21).23 There are not too many ovoid neck-amphorae from the Agora, but the two main systemsof body decoration,panels and friezes, are representedby fragmentaryexamples. This section includes all the ovoid neck-amphoraethat cannot be shown with certainty to come from the panel type. With exception of the neck-amphoraeof Panathenaic shape, all panel neck-amphorae,whether ovoid or not, are presentedin the next section as a separate variant. PANEL NECK-AMPHORAE

178-182

Pls. 21, 22

Neck-amphoraewith their decorationset in very broad panels, known in late 7th-centuryAttic black figure and on the early 6th-century ovoid panel neck-amphorain Richmond, have already been noted (p. 6, footnotes 10 and 12). These few are, however, exceptional for their time. In the second quarter of the 6th century, many ovoid neck-amphoraeare decoratedwith panels, a tongue pattern appears above the panel at the junction with the neck, and on the neck itself there is a male head to left, usually between wavy lines. Ovoid neck-amphoraeby the Painter of Vatican 309, who prefers this type of neck-amphora,and the Painter of Louvre F 6 are decoratedin this manner. Earlier painters of ovoid panel neck-amphoraeoccasionallyglaze the area between the top of the panel and the ring, and they usually omit the wavy lines on the neck.24179 (P1.21) was decorated accordingto this principle and perhaps also 180 (PI. 21), for there are no lines next to the face, but without some of the shoulderof the vessel it is difficultto be certain. 178 (PI. 21) is unusual, for the head faces to right.25Sometimesthe neck is decoratedwith a lotus-palmettecross,and at least once during the secondquarter of the century, it was left black.26 After the middle of the 6th century,it becomesunusual for neck-amphoraeto have the decoration set in panels. 181 (PI. 22) with its squat proportions,rilled mouth, and torus foot with groove is a special example that seems to have no exact parallel. 182 (Pl. 22) is probablya neck-amphoraof standardshape. NECK-AMPHORAEOF PANATHENAICSHAPE 183-188

Pls. 22, 23

These neck-amphoraetake their shape from the prize vase, but their schemes of decorationand 4), band of lotus-palmette festoon below the figures; Laon 371017 (Paralip. 31, 9), frieze of upright lotuses and below that, animals. 22 For the festoon, cf., e.g., most of the ovoids by the Camtar Painter. For the much rarer star pattern, cf., e.g., Madrid 10929 (CVA, Madrid 1 [Spain 1], pl. 1 [17]:6); New York, M.M.A. L.1985.5. 23 Cf. also the following: Tiibingen D 7 (S./715), by the Camtar Painter (Paralip. 31, 8; CVA, Tiibingen 2 [Germany 44], pl. 34 [2135]); Florence 70995 by Lydos (ABV 110, 32; Paralip. 44, 32; Tiverios, pls. 22, 23); and an unattributedexample in the Bareiss Collection once on loan to the Metropolitan Museum (L.69.11.7) that is decoratedwith figureson the neck only:A, panther;B, the like; tongue patternon shoulderatjunction with neck;rays abovefoot. Perhapsadd also, the ovoidneckamphora that has a horse protomewith forelegs in each panel and a dolphin to left on the neck (Paralip. 10; Moon, Midwestern Collections,Chicago 1979, pp. 48-50, no. 29). Later examples of this system of decoration,but not necessarilyon ovoids, are given by H. Hoffmann, CVA, Boston 1 [USA 14], pp. 14-15. Cf. also the brief discussionby Mommsen, Affecter,p. 31.

24Glaze between top of panel and ring: New York,M.M.A. 56.171.16 by the Painter of London B 76 (ABV 87, 14;Paralip. 32, 14; CVA, New York 4 [USA 16], pl. 12 [740]:1, 2); Munich 1449, unattributed (CVA, Munich 7 [Germany 32], pl. 328 [1542]:3,4). No lines next to head on neck:New York, M.M.A. 56.171.16; Geneva MF 153 by the Painter of Acropolis 606 (ABV 81, 6; CVA, Geneva 2 [Switz. 3], pl. 52 [108]:1-4); one near him, Munich 1447 (ABV 81, 1; Paralip. 30, 1; CVA, Munich 7 [Germany 32], pl. 328 [1542]:1, 2); Munich 1448, near the Painter of London B 76 (ABV 88; CVA, Munich 7 [Germany 32], pl. 329 [1543]:2, 3) and Florence 3770 near the Painter of Vatican 309 (ABV 122, 1). Munich 1448 is unusual in that the panel reaches to the ring at the junction of the neck, as it does on the Richmondneck-amphora,p. 6 abovewith footnote 12 and footnote 12 above, p. 9). 25 Cf. Geneva MF 153 by the Painter of Acropolis 606 (ABV 81, 6; CVA, Geneva 2 [Switz. 3], pl. 52 [108]:1-4) and one near him, Munich 1447 (ABV81, 1; Paralip. 30, 1; CVA, Munich 7 [Germany32], pl. 328 [1542]:1, 2). 26New York, M.M.A. 06.1021.29, unattributed (CVA, New York 4 [USA 16], pl. 12 [740]:3, 4).

NECK-AMPHORAE

11

their subjects are, as a rule, very different. Not many examples are known, and nearly all are productsof the second half of the 6th century. The earliest preservedexample, Oxford 1920.107,27 belongs, however, to the Burgon Group, which producedthe earliest known prize vase.28On the Oxford piece, the figures (the Return of Hephaistos) appear on the shoulderonly, the one example decoratedin this manner. On its neck is the rare star pattern. Examples of these neck-amphorae after the middle of the century may show the figured decorationcontinuing round the vase,29or it may be set in the more conventionalpanels,30184, 185, and 188 (P1. 23) being certain panel examples from the Agora. The other three, 183 (P1.22), 186, and 187 (P1.22), do not preserveany of the edge of the panel, so one may not be certain of the system of decoration.Normally, there is a tongue pattern at the junction with the neck and on the neck, a lotus-palmette chain. On those where the figured decorationcontinues round the vase, an ornamentalfrieze often appears below the figure zone,31as is customaryon standardneck-amphoraeof the time. The subjectsare usually mythologicalones, occasionallyunidentifiednarratives.A few vases show Athena as she appearson true Panathenaics but with accompanyingfigures, instead of alone.32188 comes from such a vase; 183 is more likely from a Gigantomachy,as Beazley suggested,33especially since Athena strides to right, not to left. The other Agora examples, 184-187, are too fragmentaryto allow a precise interpretation of the subjectmatter. Although no painter may be said to have specialized in decorating neck-amphoraeof Panathenaic shape that are not true Panathenaics,three are by the Princeton Painter and two others by his colleague, the Swing Painter;34183 is close to the Swing Painter, and 187 by the Rycroft Painter adds a new artist to those known to have decoratedthis rather rare type of neck-amphora.35 NECK-AMPHORAE STANDARD 189-205

Pls. 23, 24

From about 540-530 B.C.on, the favoritetype of neck-amphorahas a ratherovoid body, echinus mouth, triple handles, and torus foot. A configurationof palmettes and buds under each handle separates the figured decorationon the two sides, a tongue pattern on the shoulder at the junction with the neck outlines it above, and ornamentalbands, most frequentlyupright lotus buds that may or may not be accompaniedby the key pattern, terminateit below. The neck usually has the lotuspalmette chain. This is the main arrangement,but the sequence of patterns below the figures and 27

ABV 89, 2; Paralip. 33, 2. London, B.M. B 130 (ABV 89, 1; Paralip. 33, 1). 29 Tarquinia RC 1061 by Group E (Paralip. 56, 58 bis); London, B.M. B 208 in the manner of the Lysippides Painter (ABV 260, 29); Princeton 169 by the Princeton Painter (ABV 298, 6); Rhodes 12174 by the Bucci Painter (ABV315, 5); London, B.M. B 206 of the Leagros Group (ABV 369, 120; Paralip. 162, 120); five unattributedexamples, London, B.M. B 207 (CVA, London 4 [GB 5], pl. 47 [192]), Naples, inv. no. 81103 (CVA, Naples 1 [Italy 20], pl. 11 [955]), Boston, M.F.A. 01.8059 (CVA, Boston 1 [USA 14], pls. 36 [658], 38 [660]:1, 2), Munich 1437 (CVA, Munich 7 [Germany 32], pls. 339, 340 [1553, 1554]), and Munich 1438 (CVA, Munich 7 [Germany 32], pl. 341 [1555]). Although the figured decorationon these amphorae continues under the handles, only the one in Boston and the two in Munich show continuity of subject.The others have different subjectson each side. 30 Two by the Princeton Painter, New York, M.M.A. 53.11.1 (ABV298, 5; CVA, New York 4 [USA 16], pl. 13 [741]) and Swiss, private (Paralip. 130, 5 bis); two by the Swing Painter, Copenhagen 3672 (ABV 307, 58; Bohr, Schaukelmaler, pl. 88) and Brooklyn L.68.155.1 (ABV 307, 61; Paralip. 133, 61; Bohr, Schaukelmaler,pl. 172 and p. 110, no. P 5 where 28

the attributionis removedfromthe Swing Painterand said to be near the Princeton Painter); three by the Acheloos Painter, London, B.M. B 167 (ABV 382, 1; Paralip. 168, 1), Florence 3871 (ABV 383, 2), and Toledo 58.69 A (Paralip. 168, 2 bis; CVA, Toledo 1 [USA 17], pl. 14 [794]);two unattributedexamples, Liverpool56.19.27 (Gerhard,AV, pl. 66) and Vatican 356 (Albizzati, pl. 46). 31 Two, Boston, M.F.A. 01.8059 and London, B.M. B 208, have ornamentalfriezes similar to those on standardneck-amphorae. Two others, Naples, inv. no. 81103 and Rhodes 12174, have upright lotus buds with dots, and London,B.M. B 207 has the same but without the dots. Princeton 169 has a chain of upright lotuses and palmettes. The three by the Acheloos Painter have upright lotus buds with dots. 32 On Liverpool 56.19.27, she stridesto left toward Hermes, the two gods between columns surmountedby cocks. On New York, M.M.A. 53.11.1, she faces an aulos player;behind her is a young girl carryinga folded peplos on her head and holding a fillet in her right hand. For these, cf. footnote30 above. 33ABV693. 34 Cf. footnotes29 and 30 above. 35 For other artists, cf. footnotes27, 29, and 30 above.

12

SHAPE STUDIES

details of the handle ornamentvary a good bit from painterto painter and even within the work of a painter. Three early examples of this schemeof decorationappear on neck-amphoraeby Exekias,36 who perhaps played a role in determiningthe canonical scheme of late Archaic neck-amphorae.37 Unfortunately, the examples from the Agora are too fragmentaryto illustrate very well the basic characteristicsof this shape and the variationsin decoration. SMALL LATE NECK-AMPHORAE

206-225

Pls. 24-26

In details of shape, these neck-amphorae are by and large diminutive, often hastily worked counterpartsof standardneck-amphorae,and frequently they exhibit the same decorativescheme as well. 209 (PI. 24) is the best preservedexample from the Agora, and 215 (PI. 25) by the Edinburgh Painter is similar except for the up-and-down palmetteornamenton its neck, a patternthat frequently occurs on small late neck-amphoraeand may have been borrowedfrom the painters of lekythoiwho often used this ornamenton the shouldersof their vessels. The up-and-downpalmette ornament, instead of the normal lotus-bud frieze, below the figures on 223 (PI. 26) seems to be unparalleled on neck-amphorae. It appears, however, below the panel of the Rycroft Painter's amphoraType A in Worcester38and is well known on shoulderedhydriai. PANATHENAIC AMPHORAE 226-338

Pls. 26-34

Panathenaic amphoraetake their name from the festival held every four years in Athens, for they contained the oil that was awarded as prizes in the games.1 According to historical tradition, the Panathenaic festival was reorganized around 566 B.C., and at that time new competitions, especially athletic contests and perhaps also horse races, were introduced.2The earliest preserved 36

One of these, Berlin 1720 (ABV 143, 1; Paralip. 59, 1; Bothmer,AmasisPainter, p. 29, fig. 16), bearsthe doublesignature of Exekias and is probablyhis earliest preservedwork. The other two, London, B.M. B 209 (ABV 144, 8; Paralip. 60, 8) and Dublin 1921.97 (Paralip. 61; AJA 72, 1968, pl. 122:7), are later and belong with his signed neck-amphora in London (ABV 144, 7; Paralip. 60, 7). See footnote 37 below. 37There is considerablevariation in shape and in scheme of decorationamong the ten neck-amphoraeby Exekias (ABV 143144, 1-8; Paralip. 59-60, 1-8 and 1 bis;also 61). Stahler (JOAI 49, 1968-71, p. 93) has suggestedthat the shape of the late Archaic neck-amphorais based to a large extent on the potting of Exekias, but he does not make enough of a distinctionbetween the type with very broadshouldersoften decoratedwith figures, which enjoys a brief vogue in the third quarterof the 6th century, and the more slender ovoid type, which becomes the standard shape in the late 6th centuryB.c. Exekias signs both types as potter, Berlin 1720 and London, B.M. B 210, and on four unsigned neck-amphoraeincludes figureson the shoulder:Narbonne (ABV 144, 2); New York, M.M.A. 17.230.14 (ABV 144, 3; Paralip. 59, 3; CVA, New York 4 [USA 16], pls. 16-19 [744747]); Boston, M.F.A. 89.273 (ABV 144, 4; Paralip. 59, 4; CVA, Boston 1 [USA 14], pls. 29-32 [651-654]); and Munich 1470 (ABV 144, 6; CVA, Munich 7 [Germany 32], pls. 351354 [1565-1568]). The configurationof palmettes and lotuses appears under each handle of the early signed neck-amphorain Berlin (1720). London, B.M. B 210, his other signed neck-

amphora,is a reworkingof the shape and becauseof its slender proportions is closer to the late 6th-century type than to its predecessors.Its ornamentaldecoration,but for the handle configuration which consists of elegantly drawn spirals, is that of the normal scheme. London, B.M. B 209 and Dublin 1921.97, both contemporarywith London, B.M. B 210, are particularly close to the standardtype in shape and ornament. 38 Paralip. 148, 5 bis; Buitron, New England Collections, pp. 44-45, no. 17. The literatureon Panathenaicamphoraeis vast. Cf., particularly, Beazley, Development, chap. VIII (with bibliography); also, D. A. Amyx, Hesperia 27, 1958, pp. 178-186 (the listings of Panathenaicamphoraein the Attic stelai); Frel, PPA; AEAr 29, 1974 [1977], pp. 142M. Tiverios, 69 M 17:4 Wall fragmentwith two wide bands of glaze on inside. Max. dim. 0.053. Brownwash on insideand outside. Panther (head, neck) to left; part of an()ther animal (hindquarters).Red: neck. White: markingson face, contour strip at neck;markingson hindquarters. Third quarterof the 6th centuryB.C. P 8953 G 14 Wall fragment,slightlyconvex.Max. dim. ().042. Uncertainsubjectthat lookslike a woman (someof head and shoulder)standingto left, her himationwrappedtightly andperhapsheldout with her righthand.On tlherightis the shaftof an object,andnext to it is someglazethat maybe the rim of a drinkinghornor an ivy leaf. On the l eft,two small areasof glaze that maybelongto anotherfigure. Red:panel of chiton; core of rosette on cloak. White: fResh;dots of rosette. Third quarterof the 6th centuryB.c. 1926 PI. 122

P 4,925 N 10:1 1927 Rim fragment, thickened slightly near top. Max. dim. 0.052. Wide blackbandon insideat rim. Woman (head and shoulders)to left witi right hand raised.On the left is anotherwoman (tip of her hand) facing, with a basket(?).Red: fillet;stripeson cloak;bandon inside.White:women'sflesh. Ca. 540-530 B.C. P 13245 H9 1928 PI. 122 Fragment.Max. dim. 0.073. Rim and flariing wall, with start of cul(?) at bottom.Vanderpool,Hespe:ria 15, 1946, p. 130, no. 18, pl. 22:3. Herakles(?)and two pigs. On the right, the head of the hero(?)protectedby the lionskin(?);below it 1his right arm and hand seizingthe right hind leg of a pig wthotries to get away.Then comesanotherpig (hindleg), to leftt.In thebackground,a tree. Above,four lines; below, thre(e. Red: small patchbelowtail of pig on right.White:teethof lionskin. The man'shead protectedby a pelt immedi,atelysuggests Herakles,but the long noseof the animaldoesrnotseemparticularlyfeline,and the end of its lowerjaw she)uldbe under the man's chin insteadof alongsidehis cheek.Also, in ArchaicGreekart, Heraklesusuallyhas a shorter beardthan that of the figureon 1928. For a typical rendering of both

lionskinandbeard,see the figureof Herakleson New York, M.M.A. 58.32 by the LysippidesPainter(Paralip.114, 10 bis).Therefore,we havequestionedthe identificationof this figureas Herakleswithoutgivingit up altogether.The subject is also puzzling.The person,whoeverhe is, seizes two sows or youngpigs, not boars,forthereare no bristlesalong their spinesand their size is small in relationto the human who capturesthem, unlike boarswhich threatenor attack. Cf., e.g., New York,M.M.A. 46.11.7 by the Painterof London B 620, which shows Peleustreedby a huge boarand a fiercelion (ABV434, 3; Paralip.187, 3). The positionof the man was probablyvery like that of Dolon on a red-figured lekythosin the Louvre,CA 1802 (RA, 1980, p. 11, fig. 9), only reversed.What remainsof the compositionon 1928 also recalls the scene in the Odyssey,Book XIV, where Eumaios,the swineherdof Odysseus,selects two pigs for sacrifice,whichhe then roastsandsets beforeOdysseuswho has appearedin disguise.The sceneon 1928 maybe a general one and simply representtwo pigs being capturedfor sacrifice,but withoutmoreto go on, it is difficultto be more precise. For such sacrifices,cf. Orth in RE II, A, cols. 812-813 (Schwein);also, C. Roebuck,Hesperia 9, 1940, p. 183. Last quarterof the 6th centuryB.C. P 19849 D 17 1929 P. 123 Wall fragment.Max. dim. 0.027. Recutfor use as a disk or a stopper.Silhouettetechnique. Male (feet)to left. Late 6th centuryB.C. 1930 P1.123 P24275 Q7 Wall and rim fragment.Max. dim. 0.093. Rim slightly inset. Someof the glaze misfired. Komos.On the left is a man (head,arms,drapery)seated to right, playingthe aulos, and in frontof him is a komast (partof right leg missing)dancingto right,lookingaround. In the field,a branch.On top of rim:

]p I (paintedin glaze). Late 6th centuryB.C.

FIG.22. Open vase 1931 (P 21186). Scale 1:2

1931 Fig. 22, P1.123 P 21186 Q 10:4 Two non-joiningwall fragments.Max. dim. a) 0.035, b) 0.103. Each fragmentpreservespart of a raised panel

325

PLAQUES with figureddecoration,which appearsabovea scoredunglazed surface.Fragmentb gives the profileof the rim:flat, wider at the top taperingto the resting surfacefor the lid (the joint markedon the outside by a ring), then a curved wall turningtowardan almostflat bottom. Fragmentb preservestwo male heads (mostof one; neck and shoulderof the other)to left. Fragmenta showsthe back of a head to right. Red:fillets. The scoredsurfacelooksas if this was wherea horizontal

handlewas onceattachedbut brokeoff. On such a vase,the handlewouldhaveoverlappedpartof the figureddecoration. Late 6th or early 5th centuryB.C. P7295

1932

C 12:3

Wall fragment.Max. dim. 0.06. Woman (head, right hand) to left, holdingsomethingin each hand,perhapsa torch(?).White:flesh. Early 5th century B.C.

MISCELLANEOUS 1933-1935 P1.123

1933 P1. 123

P 16811 G 15

Neck or rim fragment.Max. dim. 0.16. The fragment turnsoutwardat the bottom. Youthfulrider(horsemissingexceptfor someof back)to right. Red:chiton. Ca. 550 B.C.

1934 P1. 123

P 15970 F 19:4

Fragment of amphora Type A. P.H. 0.205; diam. of mouth 0.275. Mouth and neck down to ornamentabove panel, one handle, the attachmentof the other. Flaring mouth,flat on top. Flangedhandlesdecoratedwith ivy. Figured decoration lost. Above panel, lotus-palmette chainwithoutincision.Red:two lines on neck. Ca. 510-500 B.C.

1935 P1.123

P 5442 F 12:5

Fragmentof handle.Max. dim. 0.157. The sides are decoratedwith zigzags with tongues between. The concaveouter surfacehas wavy lines with dots and loopsbetween.White:designs. The zigzag line is similar to that on three unattributed late 6th-century loutrophoros-amphorae:New York, M.M.A. 27.228 (J. Noble, Techniques,fig. 169); Berlin 1888 (AthMitt53, 1928, Beil. 13);andAthens,Benaki7676 (AthMitt78, 1963, Beil. 50, 51). 1935 was probablysimilar to these in size and decoration,but the concaveoutersurface of each handleis decoratedwith rosettesinsteadof a wavy line as on 1935. For the latter, cf. two red-figuredloutrophoros-amphorae:Louvre CA 453 by the Kleophrades Painter (ARV2 184, 22) and Berlin 3209 near the Talos Painter(AthMitt16, 1891, p. 372) now augmented(AK 14, 1971, pp. 74-83). These, however,lackthe loopsand dots. Late 6th century B.C.

PLAQUES 1936-1946 Pls. 123 and 124

1936 PI. 123

P 539 H 17:4

A disk cut from a plaque. Max. dim. 0.053; Th. 0.01. Finished edge at the bottom.Agora VIII, p. 96, no. 571, pl. 35. Chariot(partof wheel and pole;hindquartersand tail of horse)to right. Connecteddot rosettesfor filling ornament. Third quarterof the 7th centuryB.C. 1937 P1. 123

P 6731 D-E 8-9:1

Fragment of top edge. Max. dim. 0.053; Th. 0.007. Framing line alongside preserved edge; side reserved. Brownish black glaze. Vanderpool, Hesperia 15, 1946, p. 134, no. 29, pl. 23:7.

Man (head,shoulders,raisedleft hand)to right, holding a spear.Red:hair and beard. Mannerof the C Painter(ABV 60, 21). Ca. 560

B.C.

1938

P1125bis G15 Fragment of left side. Max. dim. 0.125; Th. 0.028. Coarse gritty clay, with painted surface slipped smooth. Traces of burningnear top. J. Boardman,BSA 49, 1954, pl. 16:3. Bandnear left edge,then partof a verticalinscription: Red:letters. Ca. 550 B.C.

326

CATALOGUE P 13849 U 25:2 (L)

1939

Lower right corner with part of right edge. Max. dim. 0.045; Th. 0.009. Bottom edge uncertain.Sides reserved.Line roundperimeter. Draped figure (lower parts) sitting to left on a throne with elaboratelyturned legs ending in animal feet; at the left, above,tracesof anotherfigure,andbetweenthe two, the lowerpartof a staff. Below, frameof tongues(?), carelessly drawn.Red:garmentof seatedfigure. Ca. 550 B.c. P 14688 S 20

1940

Broken all around; back rough. Max. dim. 0.132; Th. 0.035-0.037. Gritty clay with a layer of finer clay (0.005 thick) applied for the decoratedsurface,which was slipped.J. Boardman,BSA 49, 1954, pl. 16:5. Part of shield seen fromthe inside. Red:insideof shield; coreof dot rosetteon rim. White:dotsof rosette. Ca. 550

B.C.

1941 PI. 123

P 10513 T 19

Fragment,brokenall around.Max. dim.0.068;Th. 0.01. Heraklesin battle.Herakles(body,legs, rightarm), clad in a shortchitonand lionskin,attacksto rightwith his sword drawn. On the left is anotherfigure (short chiton,left leg, rim of shield, end of scabbard)to left. The meaningof the diagonal object between the figures is difficult to understand. Perhapsit is the end of a very long scabbard.Red: stripeon chitonof figureto left;dotson rimof shield;skirtof Herakles'chiton. Third quarterof the 6th centuryB.C. P20754 R 12:1 1942 PI. 124 Fragment, broken all around. Max. dim. 0.085; est. Th. 0.03. J. Boardman,BSA 50, 1955, p. 60, no. 13, pl. 3:a, b. Man and youth (heads,raised arm) to right. Red: forelocks;beards(youthhas a very shortbeard,not incised). Ca. 530 B.C.

1943 PI. 124

P340

G 14

Fragment of upper right corner. Max. dim. 0.059; Th. 0.006. Hole for suspension.Borderand sidesglazed.

Hermes (legs missing),holdinghis kerykeionin his left hand, a vase(?) in his right, standsto left facinga woman (head,shoulder,arm) who holds out a wreath.Small blobs of glaze in the field. Red: fillet; eye and cloak of woman; hair, cap, and chitonof Hermes.White:fleshof woman. Third quarterof the 6th centuryB.C. 1944 PI. 124

P3090 K 12 Fragment, broken all around. Max. dim. 0.071; Th. 0.009. Rider (foot; part of forelegsof mount) to right accompaniedby a dog (head).In frontis a man (drapery,partof leg) also to right. Ca. 510 B.c. 1945 P1. 124

P 20852 D 17:10

Two non-joiningfragments.Max. dim.a) 0.13, b) 0.048; Th. 0.012. Chariotsceneto right.Fragmenta preservesthe top of the headof a tracehorseandthe upperpartsof a womanfacing. Top frame,crossedmaeanderwith squares;lateral frame, key patternto left. Fragmentb gives partof the chariotrail and breastwork,the tail of a pole horse,a traceline, a bit of the charioteer'schiton,andsomeof his goad.On the left side of the team is a standingwarrior(scabbard,spear, chiton, cloak)to right.Red:filletof woman;stripesanddotson garments;mane and tail; loop on chariotrail; side of plaque. White:woman'sflesh;charioteer'schiton;end of scabbard; dotsroundincisedcrosseson garments. For the crossedmaeanderwith squares,cf. these by the Gela Painter:Syracuse2358 (ABL, p. 208, no. 63;); New York,M.M.A. 06.1021.79 (ABL,p. 214, no. 180). Late 6th centuryB.C. 1946 P1.124

P 25868 R-V 23-28

Fragmentfromloweredge. Max. dim. 0.052; Th. 0.007. Brownwash on sides and back. Bandof glaze (now flaked) roundperimeter. Chariot(part of wheel and pole; hind legs of horses)to right. Last quarterof the 6th centuryB.C.

DISKS 1947-1949 P1. 124 P 5280 E 13:1 1947 P1. 124 Rim fragmentwith vertical edge reserved.Max. dim. 0.045; Th. 0.09. Undersidereserved.D. Callipolitis-Feytmans,BCH79, 1955, p. 469, fig. 1:5,pl. 20:6.

Male dancer(someof head, left arm, torso)to right. On the left at the break,handof another.Dot rosettefor filling ornament.Red:hair. Early6th centuryB.c.

DISKS 1948 PI. 124

P 12253 H 12:9

Fragment.Max. dim. 0.095; max. Th. 0.011. On underside, two concentriccircles and central dot. Clay grayish (burned?). D. Callipolitis-Feytmans, BCH 79, 1955, p. 469, fig. 1:6,pl. 20:5. Woman (draperywith veil held out, right hand) to right holding a wreath and facing a man (some of drapery,one hand) holding a staff. Red: stripes on garments. White: woman'sflesh;wreath. Ca. 550

B.C.

327

1949 P1. 124

P 990 I 16:4

Complete.Diam. 0.089;Th. of torus0.11. Convexcenter surroundedby a torus. Smoothon underside.Much of the glaze firedred. Center'helmet,with doublecrest. Ca. 550 B.C.

DEPOSIT SUMMARIES The locations of the deposits are shown on the Plan of the Agora following the Plates. If a deposit is describedin a previous Agora volume, we have not repeatedthat informationhere but just cite the reference.For each deposit we give the grid number,the type of deposit, and its date, as well as a list of the black-figuredpieces found in it. We have also retained the conventionsthat indicate separate fillings in wells: POU, use filling or Period Of Use; L, M, U, dumped fillings, Lower, Middle, Upper; S, Top or Supplementary filling. A 17:1 Well Ca. 575-560 B.C. L: 731 U: 3, 17, 20, 408, 604, 673, 724, 1319, 1341, 1404, 1474 Agora XII, p. 383; Agora XXI, p. 96. A 17:2 Well 1392, 1408 Agora XII, p. 383.

Ca. 565-550 B.C.

A 18:2 Burial Ca. 525-500 B.C. Outside archaic cemetery,cremationburial. 829, 830, 836 Hesperia 20, 1951, pp. 108-109, Grave 50 (Young). A 18:6 Pit 1435 Agora XXI, p. 96.

Late 4th to early 3rd c. B.C.

A 18-19:1

Ca. 500-450 B.C. Filling 76, 91, 92, 110, 140, 174, 182, 221, 238, 513, 514(?), 515(?) Agora XII, p. 383; Agora XXI, p. 96.

A 19:1 Sacrificialpyre 283 Agora XII, p. 383.

First quarter of 4th c. B.C.

A 19:5 Pit 631 Agora XII, p. 383. A-B 19-20:2 Great Drain South 199, 1853 Agora XII, p. 384.

Ca. 325-300 B.C.

Various levels and dates

A-B 21-22:1 Terrace fillings 1643, 1848 Agora XII, p. 384; Agora XXI, p. 96.

Ca. 420-390 B.C.

B 13:5 Well 256, 1726 Agora XII, p. 384; Agora XXI, p. 96.

Ca. 425-400 B.C.

B 13:6 Well 769 Agora XII, p. 384. B 14:5 Storagepit 138, 589, 704, 1300 Agora XII, p. 384.

L: ca. 425-400 B.c.

7th c. to ca. 585-575 B.C.

B 15:1 Well 338 Agora XII, p. 384; Agora XXI, p. 96.

Ca. 425-400 B.c.

B 17:1 Herulian destructionin a house 1155 Agora XXI, p. 96.

3rd c. after Christ

B 18:6 Well 1181 Agora XII, p. 385.

Ca. 500-480 B.C.

B 19:2 Burial Third quarter of 6th c. B.C. Outside archaiccemetery,inhumationburial. 793 Hesperia 20, 1951, p. 108, Grave 49 (Young). B 19:10 Well 491 Agora XII, p. 385.

Ca. 500-480 B.C.

B 20:3 Burial Late 6th c. B.C. Archaic cemetery,inhumationburial. 813, 857 Hesperia 20, 1951, pp. 97-98, Grave 16 (Young). B 20:4 Burial Ca. 530 B.C. Archaic cemetery,inhumationburial. 797 Hesperia 20, 1951, pp. 92-93, Grave 11 (Young). B 21:3 Burial Late 6th c. B.C. Archaic cemetery, inhumation burial. 831, 832, 842, 843, 851 Hesperia 20, 1951, pp. 98-99, Grave 17 (Young).

330

DEPOSIT SUMMARIES

B 21:5 Burial Ca. 520-525 B.C. Archaic cemetery,inhumation burial. 792, 800 Agora XII, p. 385.

C 18:4 Constructionfillings First half of 5th c. B.C. 1912 48, 595, 824, 825, AgoraXII, p. 386; Agora XXI, p. 97.

B 21:7 Burial Ca. 525-500 Archaic cemetery,inhumation burial. 854 Hesperia 20, 1951, p. 96, Grave 14 (Young).

C 18:8 Well

B.C.

POU: ca. 575-550 B.C.

717, 1366,1441 Agora XII, p. 386.

B 21:9 Burial Late 6th c. B.C. Archaic cemetery,inhumation burial. 796 Hesperia 20, 1951, pp. 95-96, Grave 13 (Young).

C 18:11 Early drain channel 46, 546 Agora XII, p. 386; Agora XXI, p. 97.

Ca. 490-480 B.C.

B 21:12

C 19:5 House fillings 166 Agora XII, p. 386; AgoraXXI, p. 97.

5th-4th c. B.C.

Burial

Late 6th c. B.C.

Archaic cemetery,inhumation burial. 837, 841, 856 Hesperia 20, 1951, pp. 96-97, Grave 15 (Young). B 21:14 Burial Ca. 525-500 or slightly later Archaic cemetery, inhumation burial. 811, 812, 816, 1272, 1288, 1429 Agora XII, p. 385. B 21:18

Burial

Late 6th c. B.C.

D 11:1 Well

Late 1st c. B.C. to mid-ist c. after Christ

820 Agora IV, p. 236; Agora V, p. 124; Agora VI, p. 98; Agora VII, p. 225.

Archaic cemetery,cremationburial. 855 Hesperia 20, 1951, pp. 101-102, Grave 20 (Young). B 21:19 Burial Ca. 550-525 Archaic cemetery,cremationburial. 798 Hesperia 20, 1951, pp. 89-90, Grave 7 (Young).

D 7:2 Packing under cobblestones Ca. 500-470 B.C. 204, 394, 512, 650, 669, 744, 822, 1183, 1188, 1503, 1505, 1847 Agora XII, p. 387.

B.C.

D 12:4

Pit

Ca. 470-450 B.C.

1214-1216, 1220, 1221, 1227, 1228, 1253 Agora XII, p. 387.

B 21:20 Burial Ca. 550-530 B.C. Archaic cemetery,cremationburial. 791, 1700 Hesperia 20, 1951, p. 89, Grave 6 (Young).

D 15:1 Well

Ca. 525-500 B.C. B 21:21 Burial Archaic cemetery,cremationburial. 799, 807-809, 823 Agora XII, p. 385.

D 17:2 Pit

B 21:22 Burial Archaic cemetery,cremationburial. 810 Agora XII, p. 385.

D 17:4 Cistern 1865 Hesperia 20, 1951, p. 182 (Young).

Ca. 225-150 B.C.

D 17:7 Pit 252 Agora XII, p. 387.

Ca. 400-375 B.C.

D 17:9 Well

Ca. 400-385 B.C.

C 9:6 Pit

Ca. 525-500 B.C.

Ca. 450 B.C.

190, 531, 661, 1186 Agora XII, p. 386; Agora XXI, p. 96. C 9:15

Pit

6th c. B.C.

Rectangularcutting in bedrockcontainingmany Archaicfigurines. 1467 Early 5th c. B.C.

Rectangularpit in bedrock.1932 C 13:2 Well 525 Agora XII, p. 386; Agora XXI, p. 97.

Roman, stratified

Ca. 480-475 B.C.

1225, 1226 Agora XII, p. 387.

229, 243, 259 Agora XII, p. 387. D 17:10 Well

C 12:3 Pit

Ca. 500-480 B.c.

205, 517, 741, 1197, 1504, 1583, 1590, 1591, 1776 Agora XII, p. 387.

Ca. 520-480 B.C.

79,1148,1649,1774,1945 Agora XII, p. 388. D 19:1 Cistern 264 Agora XII, p. 388.

Ca. 420-400 B.C.

331

DEPOSIT SUMMARIES D-E 8-9:1 Cistern system 1937 Agora XII, p. 388; Agora XXI, p. 97. Road packing 25, 458(?), 1318, 1406 Agora XII, p. 388.

D-E 18-19

Ca. 330-305 B.C.

Various levels and dates

Secondhalf of 4th c. B.C. F 11:2 Well (with F 12:3 and G 11:4) 274, 301 Agora XII, p. 389; Agora XXI, p. 97. 7th c. to ca. 570 B.C.

F 12:5 Well 141, 400, 605, 670, 1323, 1919, 1935 Agora XII, p. 389; Agora XXI, p. 97.

E 2:3 Foundry pit 272 Agora XII, p. 388; Agora XXI, p. 97.

Ca. 375-350 B.c.

E 13:1 Well 1539, 1947 Agora XII, p. 388; Agora XXI, p. 97.

Ca. 470-425 B.C.

F 12:6 Well

Ca. 575-550

B.C.

28, 623, 1340, 1344, 1346 Agora XII, p. 389. Hellenistic and modern F 12:7 Cistern and passage Part of cistern system later used as a modern cesspool. 217

Ca. 520-490 B.C. 393, 506, 516, 738, 772, 921,933, 1431, 1569, 1581, 1620 Agora XII, p. 388; Agora XXI, p. 97.

F 13:3 Well 1297 Agora XII, p. 389.

Second half of 4th c. B.c.

7th c. to ca. 575 B.c.

F 14:1 Cutting 277 Agora XII, p. 389.

Ca. 400-375 B.c.

F 19:4 Well

Ca. 490-450 B.c.

E 14:5 Well

E 14:8 Pit 1, 2, 406, 715, 1427 Agora XII, p. 388. E 14:11 Great Drain South

Various levels and dates

39, 71, 75, 103, 105, 214, 228, 353, 403(?), 410, 416, 691, 714(?), 762(?), 1125, 1335, 1345, 1398, 1589(?), 1616, 1679, 1696, 1807, 1817, 1821, 1867, 1918 Agora XII, pp. 388-389. Ca. 500-480 B.c.

E 15:6 Well

176, 666, 764, 782, 1184, 1187, 1289, 1449, 1450, 1502, 1518, 1934 Agora XII, p. 390; Agora XXI, p. 98. F 19:5 Well

Ca. 520-480 B.C.

223, 871,929, 1144, 1432, 1519 Agora XII, p. 390; Agora XXI, p. 98.

328, 335, 472, 510, 651, 657, 887, 1127, 1192, 1211, 1354, 1497 Agora XII, p. 389; Agora XXI, p. 97.

F-G 12:1 Early North-South Road

Second half of 5th c. B.C. E 19:5 Pits 1439 Agora XII, p. 389; Agora XXI, p. 97.

77, 128, 129, 136, 423, 639, 698, 1154, 1307, 1596, 1691, 1719, 1721(?), 1862, 1863, 1883(?) Agora XII, p. 390; Agora XXI, p. 98.

E 19:7 House fillings

Late 6th-early 5th c. B.C.

499, 614, 1294 Agora XII, p. 389. E 29:4 House of Greek mosaic Stroses in courtj. 371 E-F 12-14

Constructionfillings

Early 3rd c. B.C.

First half of 5th c. to ca. 460-450 B.c.

31, 54, 94, 104, 111, 134, 137, 187, 189, 208,211(?), 212(?), 224,340,346,361,365,369,385,412,466,467,480,481,483, 486,488,493,555,556,559,569-574,635,636,648,759,817, 838, 846, 1110, 1141, 1278, 1303, 1309, 1360, 1415, 1430, 1436, 1448, 1536, 1563, 1695, 1741, 1793, 1841, 1881, 1892, 1896,1917 Agora XII, p. 389. 4th c. B.C. F 10:1 Pocket Pocket behind heavy Roman retaining wall. 298

Levels of 7th and 6th c. B.C.

G 3:1 Pit 775 Agora XII, p. 390; Agora XXI, p. 98. G 6:3 RectangularRock-cut Shaft

Ca. 500-470 B.C.

L: ca. 575-535 B.C. U: ca. 510-480 B.c.

L: 21, 34, 35, 41, 70, 72, 117, 123, 164, 375, 680, 683, 748, 767, 815, 1266, 1350, 1685, 1688, 1690, 1699, 1708, 1713, 1718 U: 213, 222, 370, 395-397, 470, 471, 479, 508, 607, 660, 663,682,687-689,737,747,756,758,771,773,774,781,783, 784,819,847,852,859,860,863,867,873-877,926,927,930, 934-937, 965, 968, 975, 1066, 1095-1098, 1116, 1124, 1128, 1130-1140, 1162-1173, 1177-1180, 1189, 1191, 1193-1196, 1198-1204, 1206-1209, 1217, 1218, 1222-1224, 1229, 1231-1234, 1236, 1238-1251, 1407, 1414, 1433, 1484, 1486-1490, 1492, 1500, 1501, 1506-1511, 1517, 1521, 1523, 1524, 1526, 1529-1531, 1534, 1537, 1538, 1543-1553, 1558-1562, 1571, 1573, 1580, 1584, 1600, 1602-1608, 1614,

DEPOSIT SUMMARIES

332

1617, 1618, 1624, 1628, 1633, 1639, 1645, 1646, 1650-1652, 1657, 1767-1769, 1825, 1902 Agora XII, p. 390; Agora XXI, p. 98. POU: ca. 500-480 B.C. U: ca. 480-470 B.C.or soon after 116, 391,653, 665, 739, 740, 776, 1190, 1275, 1542, 1653 Agora XII, pp. 390-391.

G 11:3 Well

G 11:5 Filling 240, 1697, 1698, 1709,1717,1879 Agora IV, p. 239.

Ca. 550-500

G 11:6 Pits 1235 Agora XII, p. 391.

Ca. 500-470 B.C.

G 11:8 Well 56, 735 Agora XII, p. 391.

POU: ca. 550-500 B.C.

B.C.

Ca. 600 B.C. G 12:1 Burial Outside archaic cemetery,inhumation burial. 727, 1279 Agora XII, p. 391. G 12:21 Well 1907 Agora XII, p. 391.

Various levels and dates

G-I 11-12

Various levels and dates Fillings 93, 210, 347, 617, 655, 1182, 1271, 1396, 1456,1613, 1703, 1803, 1914 Agora XII, p. 392.

H 5-6

5th c. B.C.

Fillings 255, 331, 453(?) Agora XII, p. 392.

H 8-10

Various levels and dates Fillings 24, 87, 88, 112, 160, 178, 228, 323, 348(?), 449, 464, 590, 611, 706, 779(?), 1265, 1308, 1312-1315(?), 1373-1375(?), 1377, 1481, 1482, 1658, 1681(?), 1732, 1737, 1753, 1781, 1813(?), 1855 Agora XII, p. 392. H 8:1 Pit Pit in bedrock.1882

6th c. B.C.

H 10:2 Pit

Ca. 575-525 B.C.

446, 541, 1671, 1686, 1702 Agora XII, p. 392; Agora XXI, p. 98. POU and U: ca. 425-400 B.c. H 12:6 Well 66, 602 Agora XII, p. 392; Agora XXI, p. 98.

Ca. 500-475 B.c. and later

196, 485, 1145, 1146, 1554 Agora XII, p. 391. POU and U: ca. 500 B.c.

G 15:1 Well

1269,1274, 198,686,736,804,834,848,865,866,888,893, 1330, 1457, 1567, 1568, 1578, 1587, 1588, 1592-1594, 1597, 1598,1630,1631,1766,1783,1784,1797-1800,1827 Agora XII, p. 391; Agora XXI, p. 98. POU: ca. 550-525 B.C.

G 15:2 Well

85, 553, 1336,1446 Agora XII, p. 391; Agora XXI, p. 98. Early 6th c. B.C. with some later material

G 15:6 Filling 154, 1304, 1316, 1462, 1472 Agora XII, p. 391.

Ca. 600-550

Ca. 425-400 1574 1256, 1540, Agora XII, pp. 391-392; Agora XXI, p. 98.

G 18:1 Well

Fillings 226, 1263, 1659, 1802 Agora XII, p. 392.

Ca. 430-400 B.C.

G 13:1 Pocket

G 15:3 Filling 14, 27, 610, 726

G-H 10-11

B.C.

B.C.

and earlier

H 12:9 Early North-South Road 1948 Agora XII, p. 392. H 12:11 Well

Various levels

POU: ca. 410-390 B.C. U: 390-375 B.C.

622 Agora XII, p. 392; Agora XXI, p. 98. H 12:14 Pit 554, 565, 1579 Agora XII, p. 393.

Ca. 490-480 and later

POU and U: ca. 520-480 H 12:15 Well POU: 209, 658, 694, 757, 1610, 1762 L: 97, 477, 478,840, 1491 U: 475, 931, 1512, 1513, 1532, 1555-1557, 1637, 1763 Level uncertain:389, 1572, 1615 Agora XII, p. 393. H 12:18 House fillings 1418, 1795 Agora XII, p. 393.

B.C.

6th and early 5th c. B.c.

DEPOSIT SUMMARIES H 12:21 Pit 414, 1857

7th and early 6th c. B.C.

H 13:4 Well 1158 Agora XII, p. 393.

J 14:3 Well 699, 766 Agora XII, p. 394.

Ca. 600-570 B.C.

Ca. 425-375 B.C.

J 18:2 Well 560

H 13:5 Pit

Ca. 480 B.C.

Roman

J 18:4 Storagepit

L: ca. 550 B.C. U: ca. 525-500 B.C.

398, 566, 577, 1060, 1516, 1894 Agora XXI, p. 98. H 17:4 Filling 130, 1936 Agora VIII, pp. 128-129.

333

7th c. down to (630-625 B.C.

H-I 10:1 Early North-South Levels of 7th and 6th c. B.C. Road Exploratory trench running east-west between the east foundationof the Metroon and the Great Drain. 30(?), 519 H-K 12-14

Constructionfilling To ca. 150 B.C. 32, 290, 293, 307, 315, 363, 415, 720, 1923 Agora XII, p. 393.

L: 421,520,1357,1372,1391,1464-1466,1473,1694,1811 U: 55, 200, 749 Agora XII, p. 394; Agora XXI, p. 98. K 13:1 Pocket Ca. 375-350 B.C. Small pocketnear modernwell. Probablyaccumulatedwhen the well was dug. 1160 K 14:1 Pit 1287 Agora XII, p. 394. K 17:1 Filling Scanty filling over bedrock.188 L 18:2 Well

I 9:1 Early road fill 145, 1668, 1680, 1689, 1801 Agora XXI, p. 98.

Ca. 575-525 B.C.

I 10:1 Well

Ca. 600-550 B.C.

L-M 7:1 Pit

Ca. 625-570 B.c.

L-M 17-18:1

144, 343, 522, 677, 678, 1683, 1869 Agora XXI, p. 98. I 14:1 Well 404, 746, 787, 1913 Agora XII, p. 393. I 16:1 Well 1522 Agora XXI, p. 98.

Late 6th c. B.C.

8th c. B.c.

Dumped filling at top of 8th-centurywell on lower slopes of the Areopagus. 576 Agora XII, p. 394. 7th-5th c. B.C. Stone-curbedpit to north of the Altar of Ares. 1640 Hesperia 27, 1958, pp. 148-153 (Thompson). House levels

Various dates

219, 1219 Agora XII, p. 394. Roman

M 11:3 Well

F:OU: ca. 600-540 B.C. 627,671, 1329, 1476, 1949 Agora XII, p. 393; Agora XXI, p. 98.

M 17:4 Well

I 16:4 Well

I 17:1 Well 624 Agora XII, p. 393; Agora XXI, p. 98.

Modern context

Ca. 450-425 B.C.

Secondhalf of 7th c. B.C. 1854 7, 131,146, 1362, Agora XII, p. 394; Agora XXI, p. 99.

108, 207, 218, 575, 664, 763, 1495, 1599, 1714, 1824, 1839, 1925 Agora XII, p. 394. M 17:7 Pit

I 17:2 Well 422, 1410 Agora XII, p. 393.

Ca. 500 B.C.

J 12:3 Filling 296 Agora XII, p. 394.

Ca. 350-290 B.C.

Ca. 520-475 B.C.and shortly after

Ca. 450-425 B.C.

114,473,644 Agora XII, p. 394. M 18:2 Filling Late 2nd c. B.C. masses of Hellenistic Filling containing pottery. 435 M 18:6 Burial Ca. 525-500 B.C. Outside Archaic cemetery,inhumationburial. 805, 1626 Agora XII, p. 395.

DEPOSIT SUMMARIES

334 M 18:8 Well 170, 387 Agora XII, p. 395. M 20:3 Well

Ca. 430-420 B.C.

L: 420-400 B.C. S: ca. 400-380 B.C.

L: 1422 Level uncertain:1779 Agora XII, p. 395. M-N 15:1 Constructionfilling 433, 725, 1676, 1891 N 7:3 Well

2nd c. B.C.

Ca. 460-440 B.C.

4, 1634, 1846, 1908 Agora XII, p. 395; Agora XXI, p. 99. N 10:1 Cellar

Modern context

233, 241, 260, 275, 287, 288, 291, 294, 299, 300, 303-305, 309,310,312,317,318,374,381,382,626,632,634,642,801, 1157, 1302, 1306, 1353, 1424, 1669, 1756, 1759, 1780, 1833, 1927 Agora XII, p. 395. N 12:3 Well 1831 Agora XII, p. 395.

S: ca. 500 B.C.

N 18:2 Pocket 1461, 1701 Agora XII, p. 395.

Ca. 550-525 B.C.

N 18:5 Cistern 231 Agora XXI, p. 99.

4th c. after Christ

N 18:6 Pocket 377 Agora XII, p. 395.

Ca. 500-450 B.C.

N 18:7 Well

Ca. 520-500 B.c.

185, 1262, 1425, 1920 Agora XII, p. 395. N 18:7 or 8 183 N 18:8 Great hole 625

M: 7th-5th c. B.C.

N 21:9 Cistern 563 Agora XII, p. 395. N-P 20:1 Street packing 580 Agora XII, p. 395; Agora XXI, p. 99.

Various levels

Ca. 580-565 O 7:9 Well 152, 407, 427, 616, 778, 1261, 1320, 1371, 1399, 1452 Agora XII, p. 396.

Ca. 600-550 07:15 Pit Pit over bedrock.Scanty filling. 43, 1321

O 12:1 Well 587 Agora XII, p. 396; Agora XXI, p. 99. O 12:2 Well 133, 401, 712, 1361 AgoraXII, p. 396.

B.C.

7th-6th c. B.C.

O 7:12 Filling 411, 675 Agora VIII, p. 130.

B.c.

7th c. B.C.

Late 7th c. to ca. 575 B.c.

O 17:2 Dealer's dump 992, 1264

Modern context

0 19:3 Burial(?) 1237 Agora XII, p. 396.

Ca. 480-470 B.C.

O 19:4 Well 557 Agora XII, p. 396; Agora XXI, p. 99.

Ca. 425-400 B.c.

O 19:7 Deposit 1437, 1648 Agora XII, p. 396.

Ca. 475-460 B.C.

O 22:1 Cistern 225, 1835 Agora XII, p. 396.

Ca. 360-325 B.c.

5th c. B.C. 0-Q 16-17 Stratifiedfill: South Road House Fountain Investigationsin the area of the Southeast and the Mint. 733, 1656, 1692 Agora XIII, p. 274. Constructionfillings 1888 548, 584, Agora XII, p. 396.

N 20:8 Burial Cremationburial. 850, 861 Hesperia 8, 1939, p. 215 (Shear).

Ca. 510-490 B.C.

O-R 7-10

N 21:2 Cutting 101

Ca. 400-350 B.C.

P 7:2

Agora XII, p. 395.

3rd c. B.C.

Well

700 Agora XII, p. 396.

4th c. B.C.and earlier

S: 5th c. B.C.

DEPOSIT SUMMARIES P 7:5 Well

Ca. 600-550 B.c.

428, 528, 732, 1451 P 7:9

Ca. 600-550 B.C.

Pit

1299 Agora XII, p. 396. P 8:1 Filling 526 Agora XXI, p. 100. P 8:5

First half of 2nd c. after Christ

Well

Ca. 580-560 B.C.

12, 676, 1317, 1359 Agora XII, p. 397. P-R 6-12

Constructionfilling 99, 558, 884, 1740, 1859 Agora XII, p. 397.

Q 7:1 Pit 57, 83, 447, 768, 833, 1785, 1826 Agora XII, p. 397.

To ca. 150 B.C.

Ca. 550-500 B.c.

Late 6th to mid-4th c. B.C. Q 8:9 Pit Classical pit above a Geometricwell with a small amount of pottery from the late 6th to the middle of the 4th c. B.C. 1901 Agora VIII, p. 130. Q 10:1 Filling 73, 543, 1749 Agora XII, p. 397. Q 10:4 Well

Ca. 325-300 (?)

B.C.

5th c. B.C.

482,1931 Agora XXI, p. 100. Q 12:2 Well 608 Agora XII, p. 397.

335

First half of 6th c. B.C. Q 13-14:1 Cistern L: 1706 U: 125, 383, 534, 535, 603, 707, 708, 710, 1870 Agora XII, p. 397. Ca. 420-400 B.C. Q 15:2 Well 785, 1577 Agora XII, pp. 397-398; Agora XXI, p. 100. Q 17:2 Well 33, 1280 AgoraVIII, p. 130.

First half of 6th c.

Q17:8 Well 402 Agora XII, p. 398.

POU: ca. 575-500 B.C.

POU and U: ca. 550-525 B.C. Q 18:1 Well 29, 322, 360, 734, 750, 1257, 1325, 1342, 1746, 1818, 1874, 1880 Agora XII, p. 398; Agora XXI, p. 100. Q20:1 Pit 562,1729 Agora XII, p. 398.

Ca. 520-480

B.C.

Ca. 520-490 B.C. Q 12:3 Well 102, 216, 474, 507, 509, 552, 643, 743, 802, 821, 826-828, 835,839, 853,869,870,872,878-883,885,889-892,894-920, 922-925, 928, 932, 938-964, 966, 967, 969, 971-974, 976-991, 993-1030, 1032-1059, 1061-1065, 1067-1073, 1075-1094, 1099-1109, 1111-1115, 1117-1123, 1126, 1129, 1149-1152, 1156, 1159, 1161, 1175, 1176, 1185, 1286, 1328, 1515, 1525, 1527, 1564-1566, 1582, 1758, 1761, 1836 Agora XII, p. 397; Agora XXI, p. 100; Hesperia 55, 1986, pp. 1-74. Ca. 575-540 B.C. Q13:5 Well 10, 40, 125, 320, 436, 443, 459, 536, 537, 679, 723, 1277, 1376, 1722, 1744 Agora XII, p. 397.

B.C.

R 8:2 Well Third into last quarterof 7th c. B.C. 695, 697 Agora XII, p. 398; Agora XXI, p. 100. R 10:1 Well 1395 Agora XXI, p. 100.

Early 1st c. after Christ

R 11:2 Well POU: ca. 600-575

B.C.

Ca. 600-550 B.C.

350, 619, 1281, 1678 Agora XII, p. 398. R 12:1

Well

Ca. 520-480 B.C.

372,844,845,849,862,1031,1074,1147,1514,1609,1611, 1612, 1632, 1764, 1771, 1772, 1830, 1942 Agora XII, p. 398. R 12:3 Well

POU and U: ca. 525-500 376, 438, 476, 1326 Agora XII, p. 398; Agora XXI, p. 100.

R 12:4 Well

POU and U: ca. 520-480

B.C.

B.C.

96, 181,319, 652, 681,753, 754, 864, 1365 Agora XII, p. 398; Agora XXI, p. 100. R 13:3 Well 417, 426, 705, 709, 765, 1332, 1333 Agora XII, p. 398.

Ca. 600-550

B.C.

DEPOSIT SUMMARIES

336 R 13:4 Well 465(?), 1205 Agora XII, p. 398; Agora XXI, p. 100.

Ca. 440-425

R 17:3 Well 13, 139, 716 Agora XII, p. 398.

Ca. 600-570 B.C.

R21:3

Well

B.C.

S 17:1 Cuttings 354, 701 Agora XII, p. 399.

To ca. 500 B.C.

Ca. 425-400 B.C.

5th c. B.C. and earlier

To ca. 330-320 B.C.

Ca. 500 B.C.and earlier

T-U 19:1 Filling 1673 Agora IV, p. 245.

Late 6th c. B.c.

T-U 19-20

6th and early 5th c. B.C. Constructionfillings (I): 342, 618, 1739, 1873 (II): 22, 42, 47, 1479, 1480, 1654, 1727, 1748 (III): 47, 90, 637, 1837, 1838, 1893 Agora XII, p. 399.

POU and U: ca. 600-575 B.C.

U: 500 B.C.and earlier 1819 95, 356, 434, 803, 1470, 1789, 1796, Agora XII, p. 399.

T 18:1 Well

5th c. B.C.

722, 770, 1483, 1498, 1723 Agora XII, p. 399. U 22:5

Ca. 600-550 B.c. S 21:2 Well The mid-6th-century date of 437 lowers by about two decades the date of this well given in Agora XII and XXI. 6, 437, 1301, 1455 Agora XII, p. 399; Agora XXI, p. 100.

4th c. B.C.

Filling

Trial cut inside circularbuilding. Scanty filling. 279 To ca. 500 or soon after U 23:2 Well L: 659 M: 1282(?), 1331, 1358, 1383,1402, 1736, 1755, 1809, 1887 Agora XII, p. 399; Agora XXI, p. 100. U 24:1 Well 1804 Agora XII, p. 399.

POU and U: to ca. 500 B.C.

U 24:2 Well 742 Agora XIII, p. 275.

POU and U: early 5th c. B.C.

U 25:2

6th c. B.C. to ca. 520-500 B.C.

Ca. 575-500 B.C.

T 18:2 Well 455, 615, 1453, 1454, 1872 Agora XII, p. 399; Agora XXI, p. 100.

Ca. 600-550 B.C. T 18:3 Filling: Eleusinion area 1788 16, 58, 67, 74, 345, 367, 432, 1369, 1751, Agora XII, p. 399; Agora XXI, p. 100. 6th c. B.c. and earlier 1868 469, 628, 684, 790, 1298, 1347, 1381, Agora XII, p. 399.

T 18:4 Pit

T 19:1 Well

T 25:2 Well 50 Agora XII, p. 399.

U 19:2 Well

S 19:3 Cistern 276, 313 Agora XII, p. 399.

S 22:1 Well 672 Agora XII, p. 399.

POU and U: ca. 500 B.C. and earlier

18, 36, 118, 150, 721, 780, 1463, 1661, 1820 AgoraXII, p. 399.

1293, 1378, 1382, 1493, 1851, 1900 Agora XII, p. 398. S 16:1 Well 9 Agora XII, p. 398; Agora XXI, p. 100.

T 24:3 Well

POU and U: ca. 550-500 B.C.

62, 82, 106, 191, 344, 356, 630, 640, 693, 751, 814, 1258, 1370, 1417, 1621, 1622, 1635, 1636, 1638, 1675, 1720, 1752, 1840, 1878, 1885, 1886, 1895, 1898, 1922 Agora XII, p. 399. T 19:6 Pocket Early 6th c. B.C. Pocket in bedrock.Dumped filling. 702, 729, 730

Well

L: 63, 232, 235, 321, 419, 49, 523, 788, 789, 1305, 1324, 1349, 1379, 1468, 1469,1471, 1475, 1619, 1750,1939 M: 69, 162, 357, 547, 1386, 1724, 1815, 1816 U: 38, 60, 65, 81,115,177, 549, 719,806, 1276, 1595,1625, 1704, 1754, 1791, 1823 Agora XII, p. 399. U 26:3 Pit 529 V 23:1 Well U: ca. 500-490 B.C. 327, 384,692, 786 Agora XII, p. 399. V 24:2 Well L: 215, 246, 461,550 U: 52, 201, 324, 1292 Agora XII, p. 399.

3rd c. B.C.

POU: ca. 525-500 B.C.

Ca. 525-500 B.c.

CONCORDANCE AGORAEXCAVATIONS : POTTERY INVENTORY NUMBERS A deposit referenceis given only if the piece is listed in the Deposit Summaries,pp. 329-336.

Inv. No. 3 4 12 21 24 31 31 g 47 48 53 60 61 66 77 81 113 116 127 130 131 143 198 206 210 249 267 268 270 277 281 289 290 322 323 334 340

Cat. No. 1428 26 1806 638 460 286 306 255 1528 1212 1924 284 265 1520 331 273 453 270 567 1535 148 439 452 1442 147 124 489 1311 1860 641 27 14 1655 1356 610 1943

Deposit

H5-6

341 349 354 365 384 387 411 418 419 441 444 454

-456

H5-6 H5-6(?)

470 479 480 483 495 539 648 671

-755 -771

G 15:3 G 15:3

G 15:3

774 825 830 853 860 990 997 998 999 1000 1058 1122 1123 1125

1728 1477 718 122 1576 1268485 1269 196 1348 45 257 1715 1339 1921 154 613 15861936 143 530 1440 624 244 149 553 1522 728 1949 671 627 1329 1476 366 127017101445

G 13:1 G 15:1 G 13:1

G15:6

H 17:4

117:1

G15;2 116:1 116:4 I16:4 I 16:4 116:4 116:4

338

CONCORDANCE 1125 bis 1127 1130 1131 1132 1134 1135 1136 1137 1138 1139 1140 1141 1142 1143 1144 1145 1146 1147 1148 1149 1150 1151 1152 1153 1154 1155 1156 1157 1158 1159 1160 1161 1162 1163 1227 1229 1233 1234 1235 1237 1238 1240 1241 1242 1243 1244 1245 1246 1247 1248 1249 1250 1254 1255 1257 1261

1938 489 1336 1446 85 736 686 1330 1567 1568 1578 1588 1587 1597 1598 1630 1592 1631 1593 1594 893 888 866 1783 1784 1766 1797 1798 1799 1800 804 1588 865 1827 1457 680 41 767 70 123 72 1350 1699 1708 1685 1688 1713 1718 35 117 21 1690 34 815 748 1266 375

G 15:2 G 15:2 G 15:2 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G15:1 G 15:1 G 15:1 G15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G 15:1 G6:3 (L) G 6:3 (L) G6:3 (L) G6:3 (L) G6:3 (L) G6:3 (L) G 6:3 (L) G6:3 (L) G6:3 (L) G 6:3 (L) G 6:3 (L) G6:3 (L) G6:3 (L) G6:3 (L) G 6:3 (L) G 6:3 (L) G6:3 (L) G6:3 (L) G 6:3 (L) G 6:3 (L) G6:3 (L) G6:3 (L)

1262 1263 1266 1269 1270 1276 1277 1278 1279 1280 1281 1282 1283 1284 1285 1286 1287 1288 1289 1290 1293 1295 1296 1297 1298 1299 1300 1301 1302 1303 1311 1312 1313 1314 1315 1316 1317 1318 1319 1320 1321 1322 1323 1331 1337 1338 1339 1342 1343 1344 1345 1346 1353 1354 1355 1356 1357

164 683 1162 874 1559 819 1165 847 1128 1239 1240 927 1130 1166

1180 867 1131

1095 1217 1547 370 1167

1177 1166 1169 1171 1168

1179 852 930 1116

860 1238 1124

1096 1241 1242 1646 1550 1545 1549 1523 1617 873 747 1604 1600 1614 876 1231 1193

934 1132 1164 1172 1178 1163

G 6:3 (L) G 6:3 (L) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U)

339

CONCORDANCE 1359 1360 1361 1362 1363 1364 1365/1366 1367 1368 1369 1370 1383 1384 1386 1391 1392 1393 1394 1395 1396 1397 1398 1399 1400 1401 1413 1425 1543 1544 1545 1546 1547 1548 1549 1550/1551. 1552 1553 1554 1555 1556 1557 1558 1559 1560 1561 1562 1563 1599 1684 1739 1847 1869 1905 1990 2028 2031 2032

1558 1507 1510 1509 1511 1508 1561 1560 1524 1526 1537 1657 1825 1407 1552 1534 1639 1605 771 773 756 774 1207 1232 1133 1915 1160 1485 1486 1484 1490 1489 1487 1488 1492 1501 975 1243 926 1251 689 756 758 1546 1548 1651 1433 1426 53 130 289 633 1899 1706 464 1308 1312

G 6:3(U) G 6:3(U) G 6:3(U) G 6:3 (U) G6:3(U) G 6:3(U) G 6:3(U) G 6:3(U) G 6:3 (U) G6:3(U) G 6:3(U) G 6:3(U) G 6:3(U) G 6:3(U) G 6:3 (U) G 6:3(U) G6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3(U) G 6:3(U) -2565 K 13:1 G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U)

H 17:4

Q 13-14:1 (L) H 8-10 H 8-10 H 8-10

2032 bis 2033 2034 2035 2036 2037 2040 2045 2071 2071 g 2093 2106 2324 2325 2394 2395 2397 2398 a 2398 b 2399 2560 2561 2562 2563 2564 2568 2569 2570 2571 2586 2587 2588 2589 2590 2591 2592 2612 2613 2614 2621 2622 2623 2624 2625 2626 2627 2628 2629 2630 2632 2633 2641 2642 2643 2644/2645 2646

1313 1314 590 1377 1265 24 1855 281 228 323 646 296 465 1205 348 706 178 88 87 449 863 1097 1206 783 937 1650 213 875 1769 479 1639 1624 975 1229 1236 1196 1222 471 1768 1608 1902 1645 1553 1551 663 1066 781 1233 1134 1135 1136 1199 470 660 395 396 688

H 8-10 H8-10 H8-10 H 8-10 H8-10 H8-10 H 8-10 H8-10 H 8-10 J 12:3 R 13:4(?) R 13:4 H 8-10 (?) H8-10 H8-10 H 8-10 H 8-10 H 8-10 G 6:3 (U) G 6:3 (U) G 6:3 (U) G6:3(U) G6:3(U) G 6:3(U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U)

340

CONCORDANCE 2647 2648 2658 2659 2660 2661 2662 2663 2664 2665 2666 2667 2668 2669 2670 2671 2672 2673 2674 2675 2676 2677 2678 2679 2680 2681 2682 2683 2684 2695 2699 2700 2709 2710 2711 2712 2713 2714 2715 2716 2717 2718 2719 2720 2721 2722 2723 2724 2725 2726 2730 2731 2737 2738 2739 2740 2741

687 877 663 1137 1138 1209 1139 1170 1218 1140 1244 1223 1245 859 1191 1199 965 1203 1246 1189 1195 1562 1529 1538 1529 1544 1543 1652 784 1198 1531 682 607 1607 1580 1584 1602 1603 968 1202 1201 1204 1194 1200 1208 968 1098 936 935 1247 1628 1606 1521 1529 1189 1234 737

G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U)

2742 2743 2744 2755 2766 2767 2768 2769 2770 2771 2788 2789 2790 2791 2792 2793 2794 2801 2824 2909 2955 2987 2989 3012 3012 bis 3015 3016 3019 3038 3039 3040 3040 bis 3040 ter 3040 quater 30405 30406 30407 30408 3041 3073 3074 3083 3090 3120 3139 3167 3223 3241 3256 3259 3267 3268 3269 3271 3287 3300 3301

1506 1571 1573 397 1414 1222 1500 1517 1767 1224 222 508 1530 1529 1247 1248 1249 1250 622 1263 545 1478 258 1332 1333 417 709 765 1660 444 1662 1663 1664 1665 1666 1667 1670 1672 1687 1738 171 236 1944 285 1765 195 1563 746 636 456 1918 1679 1867 1355 787 217 574

G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) G 6:3 (U) H 12:11 G-H 10-11

R 13:3 R 13:3 R 13:3 R 13:3 R 13:3

E-F 12-14 I 14:1

E 14:11 E 14:11 E 14:11 I14:1 F 12:7

CONCORDANCE 3307 3433 3433 bis 3434 3435 3437 3442 3468 3535 3555 3557 3566 3575 3576 3579 3580 a-e, g,h 3588 3616 3631 3650 3652 3660 3663 3666 a, b, e 3666 c 3666 d 3703 3704 3777 3782 3795 3798 3805 3853 3854 3857 3858 3861 3882 3971 3988 4121 4152 4153 4217 4222 4225 4226 4234 4235 4236 4237 4238 4239 4240 4241 4243

1345 1481 1482 160 1658 1781 1913 611 1813 175 301 214 71 103 158 1770 112 404 298 490 352 1315 779 1373 1374 1375 30 519 564 274 120 277 155 1697 1717 1879 240 333 1287 1681 1644 1844 1585 1773 23 1822 1616 1252 105 691 1589 416 1696 1807 1398 410 1821

E 14:11 H 8-10 H8-10 H 8-10 H8-10 H 8-10 114:1 H8-10 H8-10(?) F 11:2 E 14:11 E 14:11 E 14:11

H 8-10 I14:1 F 10:1

H 8-10 (?) H 8-10 (?) H 8-10 (?) H 8-10 (?) H 8-10 (?) H-I 10:1 (?) H-I 10:1 F 11:2 F 14:1 G 11:5 G 11:5 G 11:5 G 11:5 K 14:1 H8-10(?)

4251 4255 4276 4277 4303 4304 4305 4337 4338 4339 4340 4342 4346 4347 4552 4573 4578 4585 4590 4591 4596 4601 4602 4626 4628 4629 4630 4631 4632 4633 4634 4636 4637 4638 4656 4657 4670 4671 4672 4673 4677 4678 4680 4684

-4685 E 14:11 E 14:11 E 14:11 E 14:11(?) E 14:11 E 14:11 E 14:11 E 14:11 E 14:11 E 14:11

4686 4687 4689 4690 4691 4712 4727 4745 4746a 4746b 4746 c, d 4746 e, g

341 39 157 762 403 253 268 68 714 1125 353 228 1335 1817 75 726 761 249 1658 107 1213 127 727 1279 136 1862 423 1691 1307 1863 77 639 1154 1719 1596 1601 1747 1695 54 1741 481 1303 1309 559 1278 488 648 555 572 466 208 1881 141 365 569 570 571 572

E 14:11 E 14:11(?) E 14:11(?)

E 14:11(?) E 14:11 E 14:11 E 14:11 E 14:11 E 14:11 E 14:11 G 15:3

G 12:1 G 12:1 F-G 12:1 F-G 12:1 F-G 12:1 F-G 12:1 F-G 12:1 F-G 12:1 F-G 12:1 F-G 12:1 F-G 12:1 F-G 12:1 F-G 12:1

E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 F 12:5 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14

342

CONCORDANCE 4746 f 4749 4750 4754 4803 4807 4815 4818 4822 4823 4824 4837 4888 a 4888 b 4889 4905 4910 4925 4926 4927 4928 4930 4946 4947 4951 4953 4954 4992 4993 4994 a, c-e 4994 b 4995 5001 5002 5008 5014 5016 5023 5024 5047 5078 5084 5085 5086 5087 5103 5112 5201 5202 5207 5209 5224a 5224b,c,e 5224d 5224 f 5226 5228

573 187 189 480 104 346 251 556 466 187 153 382 838 846 1360 636 1413 1927 1353 1780 1833 300 1883 1721 574 224 1841 369 340 211 212 1892 1415 817 156 1141 1896 1340 28 430 568 1346 1344 690 1143 336 540 623 493 1536 759 260 299 294 317 632 626

E-F E-F E-F E-F E-F E-F

12-14 12-14 12-14 12-14 12-14 12-14

E-F 12-14 E-F 12-14 -5297 N 10:1 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 N 10:1 N 10:1 N 10:1 N 10:1 N 10:1 F-G 12:1 (?) F-G 12:1 (?) E-F 12-14 E-F 12-14 (?) E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 (?) E-F 12-14 (?) E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 F 12:6 F 12:6

F 12:6 F 12:6 -6078 -6079 --6089 F 12:6 E-F 12-14 E-F 12-14 E-F 12-14 N 10:1 N 10:1 N10:1 N 10:1 N 10:1 N 10:1

5229 5230 5231 5232 5237 5280 5294 5295 5296 5300 5302 5303 5341 5354 5363 5364 5365 5398 5442 5463 5467 5468 5520 5549 5687 5891 5892 5893 a, b 5893 c 5893 d 5894 5895 5980 6033 6048 6059 6065 6066 6068 6069 6070 6077

6080 6090 6091 6102 6104 6106 6116 6136 6137 6138 6155a

381 1756 1669 1302 801 1947 361 111 1917 137 31 100 412 332 1297 1323 1919 605 670 1935 735 620 1444 413 483 1786 1659 1734 1735 1733 1730 1782 51 380 440 1423 1682 145 1680 1668 1689 44 1737 87 1753 1801 1732 502 760 328 335 510 406 472 1211 1192 1

N 10:1 N 10:1 N 10:1 N 10:1 N 10:1 E13:1 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 F 13:3 F 12:5 F 12:5 F 12:5 F 12:5 F 12:5 G11:8

E-F 12-14 G-H 10-11

19:1 19:1 1 9:1 1 9:1 H 8-10 H 8-10 H 8-10 19:1 H 8-10

E 15:6 E 15:6 E 15:6 E 14:8 E15:6 E 15:6 E 15:6 E 14:8

CONCORDANCE 6155 b-c 6156 6157 6176 6177 6178 6180 6181 6182 6221 6457 6478 6481 6486 6517 6548 6552 6554 6557 6560 6561 6564 6566 6568 6571 6577 6587 6628 6635 6660 6661 6684 6726 6731 6753 6822 6999 7036 7047 7095 7109 7135 7136 7137 7218 7219 7223 7224 7227 7237 7238 7239 7268 7269 7295 7419 7442

2 715 1427 1368 1497 1354 657 1127 887 1831 698 1787 128 134 1539 56 1793 1430 467 94 385 635 1436 1110 1448 400 486 165 651 5 161 1388 1467 1937 498 1443 820 1859 1909 1789 494 1745 1808 1790 247 330 95 803 95 512 650 394 1847 744 1932 78 497

E 14:8 E 14:8 E 14:8 E 15:6 E 15:6 E 15:6 E 15:6 E 15:6 N 12:3 F-G 12:1 F-G 12:1 E-F 12-14 E 13:1 G 11:8 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 E-F 12-14 F 12:5 E-F 12-14 E 15:6

C9:15 D-E 8-9:1

D 11:1 P-R 6-12 T 18:1

T 18:1 T 18:1 T18:1 D7:2 D7:2 D7:2 D7:2 D7:2 C 12:3

7446 7530 7560 7806 7807 7826 7835 7866 7888 7891 7893 7896 7897 7898 7902 7903 7906 8536 8538 8539 8540 8541 8556 8733 8737 8739 8778 8779 8788 8795 8796 8797 8798 8799 8800 8878 8883 8886 8888 8901 8918 8919 8953 8956 8963 8964 8965 8966 8967 8968 8973 8995 9060 9082 9264 9266 9267

343 197 769 409 373 1627 1183 339 405 1431 921 516 506 516 1620 1752 82 492 1188 204 822 1503 1505 669 1351 1701 1461 1777 542 524 933 1581 1569 393 772 738 1707 191 751 1675 61 805 1626 1926 1400 777 359 1401 1316 1462 1472 1304 560 1296 647 220 664 218

B 13:6

D 7:2

E 14:5 E 14:5 E 14:5 E 14:5 E 14:5 E 14:5 T 19:1 T 19:1 D 7:2 D7:2 D 7:2 D7:2 D 7:2 D 7:2 N 18:2 N 18:2

E 14:5 E 14:5 E 14:5 E 14:5 E 14:5 E 14:5 T 19:1 T 19:1 T 19:1 M 18:6 M 18:6

G 15:6 G 15:6 G 15:6 G 15:6 J 18:2

M 17:4 M 17:4

344

CONCORDANCE 9269 9270 9273 9275 9276 9277 9278 9283 9284 9320 9326 9327 9358 9449 9457 9459 9460 9512 9529 9730 9977 9992 10007 10036 10092 10155 10175 10192 10194 10195 10202 10203 10204 10262 10432 10507 10513 10575 10650 10651 10652 10653 10674 10716 10776 10782 10785 10786 10787 10808 10825 10826 10845 10864 10905 10961 11027

1925 108 1495 575 207 1714 763 1599 1824 188 435 1839 170 1779 279 661 190 1364 231 80 564 692 256 1850 1422 1642 327 387 1300 138 451 1802 226 388 311 126 1941 1197 704 138 589 138 1504 1271 368 203 457 1709 1698 184 1757 392 109 1384 1726 338 1590

M 17:4 M 17:4 M 17:4 M 17:4 M 17:4 M 17:4 M 17:4 M 17:4 M 17:4 K 17:1 M 18:2 M 17:4 M 18:8 M 20:3 U 22:5 C 9:6 C9:6 N 18:5

V 23:1 B 13:5 M 20:3 (L) V 23:1 M 18:8 B 14:5 B 14:5 G-H 10-11 G-H 10-11

D15:1 B 14:5 B 14:5 B 14:5 B 14:5 D15:1 G-I 11-12

G 11:5 G11:5

B 13:5 B 15:1 D 15:1

11028 11029 11030 11031 11032 11071 11394 11395 11400 11666 11988 11989 12015 12019 12020 12046 12061 12069 12208 12211 12230 12230 bis 12231 12235 12236 12252 12253 12255 12304 12379 12380 12382 12449 12450 12495 12496 12500 12526 12527 12533 12540 12561 12581 12627 12628 12630 12631 12653 12669 12670 12671 12673 12674 12676 12686 12689 12752

1591 1583 741 1776 517 205 426 705 1363 1438 861 850 386 621 1409 399 503 1237 132 1271 84 868 1337 1418 1795 484 1948 1283 1843 158 66 210 576 1874 750 29 377 13 716 1705 1275 391 700 734 1257 80 557 1805 52 324 1292 12 1317 1359 676 1142 116

D 15:1 D 15:1 D 15:1 D 15:1 D 15:1 D 15:1 R 13:3 R 13:3

N 20:8 N 20:8

O19:3 G-I 11-12

H 12:18 H 12:18 H 12:9

H 12:6 G-H 11-12 L 18:2 Q 18:1 Q18:1 Q18:1 N 18:6 R 17:3 R 17:3 G 11:3 G 11:3 P 7:2 Q18:1 Q 18:1 019:4 V 24:2 (U) V 24:2 (U) V 24:2 (U) P8:5 P8:5 P8:5 P8:5 G 11:3

CONCORDANCE 12753 12765 12768 12769 12777 12778 12779 12790 12811 12966 12994 13010 13012 13013 13015 13019 13020 13025 13026 13027 13030 13031 13032 13034 13036 13039 13041 13105 13113 13123 13125 13126 13127 a-d, f-o 13127 e 13204 13237 13245 13246 13249 13250 13255 13257 13266 13268 13271 13275 13323 13332 13337 13338 13339 13340 13345 13346 13347 13348 13349

665 1190 740 1542 653 739 776 1653 609 668 194 742 550 215 461 806 1791 719 38 60 1823 549 1704 1276 69 1754 1812 424 139 523 1804 118 789 788 325 655 1928 1743 227 1684 602 1803 1182 1456 617 1613 129 463 1882 230 1864 351 541 446 1671 1702 1686

G11:3 G11:3 G11:3 G11:3 G11:3 G11:3 G11:3 G11:3

U24:2 V24:2(L) V24:2(L) V24:2(L) U25:2(U) U25:2 (U) U 25:2 (U) U25:2 (U) U25:2 (U) U25:2 (U) U25:2 (U) U25:2 (U) U 25:2 (U) U 25:2(M) U25:2 (U)

R17:3 U25:2(L) U 24:1 T24:3 U 25:2 (L) U 25:2 (L)

-13822 H 12:6 H-I 11-12 G- 11-12 H- 11-12 H-I 11-12 H- 11-12 F-G12:1 H8:1

H H H H H

10:2 10:2 10:2 10:2 10:2

13373 13383 13385 13387 13425 13426 13427 13428 13456 13507 13523 13575 13576 13618 13621 13653 13735 13736 13745 13746 13747 13748 13749 13750 13750 bis 13751 13757 13763 13764 13766 13781 13782 13783 13784 13785 13786 13813 13814 13815 13823 13826 13829 13834 13835 13842 13843 13844 13845 13846 13847 13848 13849 13850 13851 13852 13853

345 1494 1619 18 36 185 1262 1920 1425 580 1845 183 1264 992 500 1235 356 786 384 1809 1887 1755 1383 1736 1358 1331 1402 659 1282 201 246 81 65 177 115 1625 1595 1816 1815 1724 162 357 547 1386 1475 1750 1305 1324 63 321 235 232 419 1939 1379 1468 1469 1471

U25:2(L) T24:3 T24:3 N18:7 N18:7 N 18:7 N18:7 N-P20:1

017:2 017:2 G11:6 T19:1 V23:1 V23:1 U23:2(M) U23:2(M) U 23:2(M) U23:2(M) U23:2(M) U23:2(M) U 23:2(M) U23:2(M) U23:2(L) U23:2(M?) V24:2(U) V24:2(L) U 25:2(U) U25:2(U) U 25:2 (U) U 25:2 (U) U 25:2 (U) U 25:2 (U) U 25:2(M) U25:2(M) U25:2(M) U 25:2(M) U25:2 (M) U 25:2 (M) U25:2(M) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L) U25:2(L)

346

CONCORDANCE 13854 13856 13857 13858 13859 13862 13863 13864 14039 14049 14050 14051 14052 14053 14054 14208 14283 14326 14367 14368 14370 14371 14372 a,b,d,e 14372c 14378 14379 14380 14485 14498 14564 14577 14626 14661 14688 14689 14690 14809 14862 14939 14940 14945 14946 14947 14951 15002 15009 15020 15059 15088 15089 15114 15128 15191 15196 15199 15247 15248

1349 496 1820 1661 1463 721 780 150 1327 322 360 1342 1818 1746 1325 1533 1880 1447 1470 1819 434 374 642 634 1306 1424 1759 11 169 448 1835 272 775 1940 437 1301 225 557 614 499 871 1519 1144 929 672 1502 1294 101 6 1455 1289 1187 1260 1834 1493 831 832

U 25:2 (L) U 25:2 (L) T24:3 T24:3 T24:3 T24:3 T24:3 T24:3 Q18:1 Q18:1 Q18:1 Q18:1 Q18:1 Q18:1 Q18:1 T 18:1 T18:1 T 18:1 N 10:1 N 10:1 N 10:1 N 10:1 N 10:1 N 10:1

022:1 E2:3 G3:1 S21:2 S21:2 0 22:1 E 19:7 E 19:7 F 19:5 F 19:5 F 19:5 F 19:5 S22:1 F 19:4 E 19:7 N 21:2 S21:2 S21:2 F 19:4 F 19:4

R21:3 B21:3 B21:3

15249 15250 15251 15262 15263 15271 15353 15355 15366 15374 15375 15376 15377 15387 15389 15390 15430 15439 15440 15441 15442 15443 15452 15455 15456 15457 15508 15536 15545 15618 15648 15649 15654 15723 15724 15725 15726 15865 15887 15888 15920 15922 15953 15954 15956 15957 15958 15959 15959 bis 15970 16296 16325 16450 16452 16562 16563 16564

842 843 851 800 792 855 1318 1256 1259 798 854 791 1700 1382 1851 1900 796 808 799 809 807 823 46 837 841 856 810 1378 1293 546 813 857 797 755 1285 1380 89 1186 25 458 223 1432 1184 782 666 764 1518 1449 1450 1934 1396 625 1540 1574 1876 49 462

B 21:3 B21:3 B21:3 B21:5 B21:5 B 21:18 D-E 18-19 G 18:1 B 21:19 B21:7 B 21:20 B 21:20 R21:3 R21:3 R21:3 B21:9 B21:21 B21:21 B21:21 B21:21 B21:21 C 18:11 B21:12 B21:12 B21:12 B 21:22 R21:3 R21:3 C 18:11 B 20:3 B 20:3 B 20:4

C 9:6 D-E 18-19 D-E 18-19(?) F 19:5 F 19:5 F 19:4 F 19:4 F 19:4 F 19:4 F 19:4 F 19:4 F 19:4 F 19:4 G-I 11-12 G 18:1

G 18:1

347

CONCORDANCE 16567 16568 16569 16582 16586 16587 16588 16589 16591 16620 16633 16745 16763 16766 16779 16792 16793 16811 16813 16814 16823 16824 16825 16964 17060 17084 17140 17155 17223 17337 17339 17340 17341 17393 17429 17466 17467 17486 17489 17493 17779 a, c-f 17779 b 17780 17781 17800 17801 17805 17806 17811 17829 17830 17831 17858 17888 17918 17962 17963

606 818 1403 1272 816 811 812 1429 1288 654 495 1848 1173 1618 1633 848 834 1933 1274 198 1145 1146 1554 1643 219 413 752 588 199 1362 1854 131 146 7 1853 749 1391 520 1473 1811 91 92 110 174 55 200 1464 421 1694 1465 1466 1372 1357 563 349 836 829

B 21:14 B21:14 B21:14 B21:14 B21:14 B 21:14

A-B 21-22:1 G 6:3 (U) G 6:3 (U) G 6:3 (U) G 15:1 G 15:1 G 15:1 G 15:1 G 13:1 G 13:1 G 13:1 A-B 21-22:1 L-M 17-18:1

A-B 19-20:2 M 11:3 M 11:3 M 11:3 M 11:3 M 11:3 A-B 19-20:2 J 18:4 (U) J 18:4 (L) J 18:4 (L) J 18:4 (L) J 18:4 (L) A 18-19:1 A 18-19:1 A 18-19:1 A 18-19:1 J 18:4 (U) J 18:4 (U) J 18:4 (L) J 18:4 (L) J 18:4 (L) J 18:4 (L) J 18:4 (L) J18:4(L) J 18:4 (L) N21:9 A 18:2 A 18:2

17964 17966 17967 18006 18270 18275 18277 18349 18502 18503 18524 18526 18527 18528 18529 18530 18531 18533 18567 18612 18628 18633 18635 18795 18950 19001 19045 19079 19129 19136 19137 19163 19215 19289 19319 19465 19481 19482 19483 19530 19531 19583 19584 19585 19597 a-h,k-o 19597 i,j 19667 19697 19741 19748 19835 19848 19849 19879 19933 19999 20007

830 140 513 793 1341 724 1474 245 1225 1226 3 1404 1319 17 20 724 673 731 1912 166 252 121 278 491 1570 1267 182 266 48 825 824 595 264 858 1181 283 261 250 1310 313 276 76 182 238 514 515 1435 1408 1420 884 113 280 1929 192 1865 237 1725

A 18:2 A 18-19:1 A 18-19:1 B 19:2 A 17:1 (U) A 17:1 (U) A 17:1 (U) D 17:2 D 17:2 A 17:1 (U) A 17:1 (U) A 17:1 (U) A 17:1 (U) A 17:1 (U) A 17:1 (U) A 17:1 (U) A 17:1 (L) C 18:4 C 19:5 D 17:7

B 19:10

A 18-19:1 C 18:4 C 18:4 C 18:4 C 18:4 D 19:1 B 18:6 A 19:1

S 19:3 S 19:3 A 18-19:1 A 18-19:1 A 18-19:1 A 18-19:1(?) A 18-19:1 (?) A 18:6 A 17:2 P-R 6-12

D 17:4

CONCORDANCE

348 20018 20029 20033 20110 20111 20112 20236 20241 20299 20324 20378 20379 20380 20381 20384 20393 20551 20552 20553 20566 20567 20596 20645 20651 20678 20679 20681 20691 20707 20708 20716 20737 20738 20739 20740 20741 20742 20743 20744 20745 20746 20747 20748 20749 20751 20752 20753 20754 20780 20851 20852 20869 20870 20871 20872 20892 21180

193 1155 745 259 243 229 239 379 584 314 295 267 302 292 1775 221 717 1366 1441 99 1740 93 711 535 341 1343 350 1749 619 1281 1678 1764 1771 1772 1830 1609 1514 1611 1612 1632 849 845 862 844 1147 1031 1074 1942 372 163 1945 1774 79 1649 1148 37 468

B17:1 D17:9 D17:9 D 17:9 -21558 -21562 O-R 7-10

21186 21221 21285 21371 21382 21531

21565 21566 21568

-21569 21571 -21572 A 18-19:1 C 18:8 C 18:8 C 18:8 P-R 6-12 P-R 6-12 G-H 11-12 Q 13-14:1 (U)

R11:2 Q 10:1 R 11:2 R 11:2 R 11:2 R12:1 R 12:1 R12:1 R12:1 R 12:1 R 12:1 R 12:1 R12:1 R 12:1 R 12:1 R 12:1 R 12:1 R 12:1 R12:1 R12:1 R 12:1 R12:1 R 12:1 D 17:10 D 17:10 D 17:10 D 17:10 D 17:10

21692 21693 21699 21702 21703 21705 21708 21709 21711 21712 21713 21797 21834 21863 21864 21865 22134 22151 22158 22165 22167 22175 22176 22177 22178 22179 22180 22181 22216 22268 22308 22310 22317 22320 22321 22330 22331 a 22331b 22332 22333 22335 22340 22341

1931 482 1760 173 526 675 1575 152 407 1320 1399 1371 1452 778 297 168 411 378 1856 1299 616 427 1261 1910 1321 1395 525 1846 1634 1908 429 8 445 1273 629 1785 447 57 768 83 833 1826 73 1390 539 142 43 1742 551 420 794 795 1459 1460 454 1693 1416

Q 10:4 Q10:4

P8:1 07:12 0 7:9 07:9 07:9 07:9 07:9 07:9 07:9

07:12

P 7:9 07:9 07:9 07:9 07:15 R10:1 C 13:2 N 7:3 N 7:3 N 7:3

Q7:1 Q7:1 Q7:1 Q7:1 Q7:1 Q7:1 Q7:l Q 10:1

07:15

CONCORDANCE 22418 22465 22466 22471 22494 22532 22537 22695 22839 22840 22844 22866 22884 22898 22899 22903 22916 22926 22957 22985 22986 22989 22997 22999 23014 23017 23033 23034 23046 23049 23090 23097 23124 23132 23147 23149 23150 23153 23155 23158 23159 23162 23164 23169 a, d,f 23169 b,c,e 23171 23174 23175 23196 23197 23198 23199 23200 23211 23215 23222 23223

135 1267 1367 543 1387 33 1280 587 415 32 1923 720 151 1891 1676 594 290 308 1421 293 1829 282 565 358 554 1579 307 315 725 433 538 593 1572 1295 1512 1704 1394 475 931 119 521 511 97 477 478 389 1491 1615 694 658 1610 1762 209 441 532 544 1352

Q 10:1 Q17:2 Q 17:2 O 12:1 H-K 12-14 H-K 12-14 H-K 12-14 H-K 12-14 M-N 15:1 M-N 15:1 H-K 12-14

H-K 12-14

H 12:14 H 12:14 H 12:14 H-K 12-14 H-K 12-14 M-N 15:1 M-N 15:1

H 12:15 H 12:15 (U)

H 12:15 (U) H 12:15 (U)

H 12:15 (L) H 12:15 (L) H 12:15 (L) H 12:15 H 12:15 (L) H 12:15 H12:15 (POU) H 12:15 (POU) H12:15 (POU) H 12:15 (POU) H 12:15 (POU)

23232 23235 23265 23267 23268 23273 23276 23305 23311 23321 23322 23323 23324 23325 23332 23333 23342 23355 23404 23405 23406 23451 23468 23470 23483 23489 23528 23542 23543 23544 23545 23621 23622 23664 23665 23676 23730 23762 23890 23891 23911 24013 24036 24045 24049 24055 24059 24060 24067 24079 24104 24105 24106 24107 24108 24109 24117

349 649 1731 1623 1712 1906 600 442 1828 586 1513 1555 1556 1557 1637 1763 1532 757 840 1716 1711 1842 697 695 699 766 1866 713 528 428 1451 732 1792 86 431 703 1901 98 1338 1871 1334 1577 785 202 558 1888 890 969 932 872 1158 821 870 869 899 891 889 1761

H H H H H H H H H

12:15 (U) 12:15 (U) 12:15 (U) 12:15 (U) 12:15 (U) 12:15 (U) 12:15 (U) 12:15 (POU) 12:15 (L)

R 8:2 R8:2 J 14:3 J 14:3

P7:5 P 7:5 P7:5 P7:5

Q 8:9

Q 15:2 Q 15:2 P-R 6-12 O-R 7-10 Q 12:3 Q 12:3 Q 12:3 Q 12:3 H 13:4 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3

350

CONCORDANCE 24123 24219 24261 24275 24278 24297 24312 24316 24317 24318 24319 24320 24321 24322 24323 24324 24325 24326 24327 24328 24329 24330 24331 24332 24333 24334 24335 24336 24337 24338 24339 24340 24341 24342 24343 24344 24345 24346 24347 24348 24349 24350 24351 24352 24353 24354 24355 24356 24357 24358 24359 24360 24361 24362 24363 24364 24365

474 1322 548 1930 1230 1890 608 950 952 1049 915 916 917 951 954 956 955 1030 1027 1028 1029 1037 892 989 1117 1104 839 1045 1042 1044 977 976 982 978 979 980 981 985 984 983 1047 1043 986 987 988 958 960 959 918 957 895 827 894 828 902 1106 1053

Q 12:3 O-R 7-10

Q 12:2 Q 12:3 Q 12:3 Q12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q12:3 Q12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q12:3 Q12:3 Q12:3 Q 12:3 Q12:3 Q12:3 Q 12:3 Q12:3 Q 12:3 Q12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3

24366 24367 24368 24369 24370 24371 24372 24373 24374 24375 24376 24377 24378 24379 24380 24381 24382 24383 24384 24385 24386 24387 24388 24389 24390 24391 24392 24393 24394 24395 24396 24397 24398 24399 24400 24401 24402 24403 24404 24405 24406 24407 24408 24409 24410 24411 24412 24413 24414 24415 24416 24417 24418 24419 24420 24421 24422

990 991 922 923 993 1118 1016 1018 1017 1015

Q 12:3 Q12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3

1011

Q12:3 Q12:3 Q 12:3 Q12:3 Q12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q12;3 Q12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q12:3 Q12:3 Q 12:3

994 995 1013 997 1012 1000 998 996 1009 999 1019 1001 1111 1021 1020 1003 1005 1006 1004 1008 1119 1149 1090 1014 1007 1002 1054 1091 903 914 949 925 973 1109

1150 910 938 940 941 942 943 944 1061

1062 1114 1063

CONCORDANCE 24423 24424 24425 24426 24427 24428 24429 24430 24431 24432 24433 24434 24435 24436 24437 24438 24439 24440 24441 24442 24443 24444 24445 24446 24447 24448 24449 24450 24451 24452 24453 24454 24455 24456 24457 24458 24459 24460 24461 24462 24463 24464 24465 24466 24467 24468 24469 24470 24471 24472 24473 24474 24475 24476 24477 24478 24479

939 1065 1064 1068 1048 911 912 913 945 947 946 948 1112 1041 1046 1075 1078 1077 1076 1056 1057 1067 1058 1059 1113 1084 1082 1073 1080 1079 1081 1083 1085 1086 1087 1088 1089 1108 1010 1072 1092 1115 1055 907 974 905 906 1070 1093 908 1069 853 1071 900 928 1103 1100

Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3

24480 24481 24482 24483 24484 24485 24486 24487 24488 24489 24490 24491 24492 24493 24494 24495 24496 24497 24498 24499 24500 24501 24502 24503 24504 24505 24506 24507 24508 24509 24510 24511 24512 24513 24514 24515 24516 24517 24518 24519 24520 24521 24522 24523 24524 24525 24533 24534 24535 24536 24537 24538 24539 24540 24542 24544 24545

351 1101 1102 1099 901 1151 1120 1023 1022 1121 1122 1025 1024 1032 1026 1035 1123 896 1033 964 961 971 962 963 1034 967 966 897 898 953 1040 1039 1036 904 1094 1038 972 1185 802 1107 919 920 1052 924 1050 1051 909 880 881 883 882 878 879 1152 885 1105 826 835

Q12:3 Q12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3

352

CONCORDANCE 24546 24547 24548 24555 24557 24577 24578 24579 24580 24581 24582 24643 24644 24645 24646 24647 24648 24650 24651 24652 24661 24673 24675 24677 24679 24680 24681 24690 24693 24694 24697 24699 24721 24743 24750 24755 24773 24781 24868 24904 24906 24943 24944 24945 24946 24947 24948 24949 a-c 24949 e 24950 24951 24952 24953 24954 24955 24956 25013

1176 1161 1175 1286 743 1582 1525 1527 1564 1565 1566 102 643 216 552 501 1794 1291 591 1385 319 681 754 181 96 652 753 364 505 64 1814 329 561 886 263 596 390 234 1434 864 1365 436 10 723 679 1376 1277 536 537 1744 1722 125 40 320 443 459 179

Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 -25338

25014 25268 25272 25273 25274 25278 25295 25299 25308 25312 25314 25315 25316 25324 25332 25343 25344

-25345 R 12:4 R 12:4 R 12:4 R 12:4 R12:4 R12:4 R12:4

R 12:4 R12:4 Q13:5 Q13:5 Q 13:5 Q 13:5 Q13:5 Q13:5 Q 13:5 Q 13:5 Q 13:5 Q 13:5 Q 13:5 Q13:5 Q 13:5 Q 13:5 Q 13:5

25349 25351 25352 25353 25354 25355 25364 25365 25366 25367 25368 25369 25370 25371 25375 25378 25380 25382 25384 25385 25389 25390 25392 25417 25453 25469 25490 25511 25512 25513 25514 25515 25516 25517 25518 25577 25581 25600

1889 408 1326 476 376 438 1907 1703 1284 362 1439 176 1406 159 1914 347 344 1405 1673 172 42 15 1911 592 1458 603 707 708 710 534 1870 125 383 531 450 504 167 674 1392 1392 180 133 4 1153 1858 316 1216 1215 1227 1220 1253 1228 1214 1221 59 1852 1629

A 17:1 (U) R 12:3 R 12:3 R 12:3 R 12:3 G 12:21 G-H 11-12

E 19:5 F 19:4 D-E 18-19 110 G-H 11-12 G-I 11-12 T 19:1 T-U 19:1

Q 13-14:1 (U) Q 13-14:1 (U) Q 13-14:1 (U) Q13-14:1 (U) Q13-14:1 (U) Q13-14:1 (U) Q13-14:1 (U) Q 13-14:1 (U) C 9:6

A 17:2 012:2 N 7:3

D D D D D D D D

12:4 12:4 12:4 12:4 12:4 12:4 12:4 12:4

CONCORDANCE 25601 25649 25654 25661 25694 25695 25702 25703 25713 25717 25784 25809 25811 25823 25827 25835 25839 25840 25854 25855 25868 25882 25883 25889 25890 25903 25911 25912 25913 25914 25915 25916 25919 25920 25921 25928 25932 25956 25961 25962 25963 25966 25967 25968 25971 25977 25980 25982 26073 26182 26210 26211 26212 26223 26231 26241 26289

254 712 1361 401 1832 1290 1437 1648 1692 1656 733 1877 1393 1904 601 631 1897 667 529 1677 1946 1905 1254 1411 326 1861 334 1849 1496 585 581 473 1174 644 114 1647 206 1640 97 582 1397 656 518 583 645 562 578 1499 248 662 579 1778 1219 1419 1729 970 414

O12:2 012:2 012:2 -26440 019:7 O 19:7 0-Q16-17 0-Q16-17 -Q 16-17

26290 26295 26437 26438 26439 26441 26442 26443 26460 26507 26508 26530 26531

-26532 A 19:5 -26534

26533

U26:3

26536 26537 26538

-26540 26541 -26542 26544 26545 26546 26549 -26562 26609 -26615 -26617 M 17:7 -26629 M 17:7 M17:7 -26632 L-M7:1

-26642 -26643 -26645 -26646 -26647 Q20:1 -26649 -26650 -26651 -26652 -26656 -26668 L-M 17-18:1 Q20:1 H 12:21

26619 26630 26631 26636 26637 26638 26639

26648

26726 26741 26742 26743 26747

353 1857 604 1796 356 1370 1720 1885 640 1258 355 422 1410 74 1788 58 67 367 1369 432 1751 684 469 1868 628 1347 1298 354 701 790 1872 455 615 637 487 19 47 16 1875 533 1389 342 1739 1723 1674 1480 1498 1837 90 47 1483 402 696 722 1838 42 22 1727

H 12:21 A 17:1 (U) T 18:1 T 18:1 T 19:1 T19:1 T 19:1 T 19:1 T 19:1 I17:2 117:2 T18:3 T 18:3 T 18:3 T 18:3 T 18:3 T18:3 T 18:3 T 18:3 T 18:4 T 18:4 T 18:4 T 18:4 T 18:4 T 18:4 S 17:1 S 17:1 T18:4 T 18:2 T 18:2 T 18:2 T-U 19-20

T-U 19-20 T 18:3

T-U 19-20 T-U 19-20 U 19:2 T-U 19-20 U 19:2 T-U 19-20 T-U 19-20 T-U 19-20 U 19:2 Q17:8 U 19:2 T-U 19-20 T-U 19-20 T-U 19-20 T-U 19-20

354

CONCORDANCE 26748 26749 26750 26753 26755 26756 26757 26758 26760 26769 26770 26771 26773 26776 26777 26781 a, b 26781 c

26782 26787 26788 26794 26795 26796 26797 26798 26799 26800 26801 26802 26803 26805 26809 26810 26811 26818 26819 26820 26822 26823 26824 26877 26953 26975 27074 27075 27076 27077 27078

1748 1654 1479 1893 598 599 1884 612 345 1641 597 1381 770 618 1873 729 730 702 1453 1454 1417 1898 1878 1622 693 106 630 62 1840 1886 1922 527 138 425 1621 1636 1638 814 1635 1895 1255 685 50 242 304 303 305 291

T-U T-U T-U T-U

19-20 19-20 19-20 19-20

T 18:3

T 18:4 U 19:2 T-U 19-20 T-U 19-20 T 19:6 T 19:6 T 19:6 T 18:2 T 18:2 T 19:1 T 19:1 T 19:1 T 19:1 T 19:1 T 19:1 T 19:1 T 19:1 T 19:1 T 19:1 T 19:1

T T T T T T

19:1 19:1 19:1 19:1 19:1 19:1

T25:2 N N N N

10:1 10:1 10:1 10:1

27079 27080 27081 27082 27083 27087 27090 27091 27092 27096 27189 27233 27320 27324 27371 27426 27427 27468 27556 27586 27588 27626 27748 27749 27794 27805 27839 a, c,d 27839 b 27845 27846 27885 27887 30999 31003 31005 31010 31013 31014 31016 31021 31030 31031 31075 31088 31089 31090 31091 31116

275 233 241 288 287 318 312 310 309 1157 371 1810 1903 9 262 1541 337 363 271 418 1916 1412 678 677 269 1210 566 577 1060 1516 398 1894 1156 1126 1758 1129 507 509 1515 1159 1836 1328 1683 144 522 1869 343 186

N N N N N N N N N N

10:1 10:1 10:1 10:1 10:1 10:1 10:1 10:1 10:1 10:1

S 16:1

H-J 12-14

I10:1 I10:1

H 13:5 H 13:5 H 13:5 H 13:5 H 13:5 H 13:5 Q12:3 Q12:3 Q12:3 Q 12:3 Q 12:3 Q 12:3 Q 12:3 Q12:3 Q12:3 Q12:3 I10:1 I10:1 I10:1 I10:1 I10:1

INDEXES INDEX I: POTTERS,PAINTERS,GROUPS,AND CLASSES PROTOATTIC Analatos Painter 18, 35 KynosargesPainter 734 Pair Painter 734 Ram-jug Painter 5, 59

CORINTHIAN Timonidas, Potter 1183

Andokides,potter 6 Antidoros 1813 Antimenes Painter 3, 20, 203, 219, 2212,

1678, 1683, 1802, 1806; related to 63, 81, 1669, 1670 Cactus Painter 821

27, 277, 332, 353, 3718, 86, 89, 90, 90144, 91148, 89, 90,197, 361,614,636, 1385; mannerof 43, 203, 219, 2213,276, 3410, 90, 361, 491; related to 203, 277;

Camtar Painter 9, 921, 1022, 23, 82, 83, 6,

circle of 92, Antimenean 32, 391, 476, "brother"of Psiax 90, connectedwith Nikosthenes 90, 90142 Antiope Painter, near 369 Archippe Painter 36, 3612, 13; closest to

ATTIC BLACK FIGURE ACHELOOS PAINTER1130-31, 31, 357, 640; manner of 218, 3820; recalls 197

Achilles Painter 15, 1518, 1728, 97, 255, 268, 337; perhaps by 254 Acropolis 601, Painter of 284 Acropolis 606, Painter of 42, 1024, 25, 264, 36; near 1024, 25

Acropolis 627, Painter of 83 Affecter 915, 197

Agora A-P 428, Painter of 96, 1397 Agora P 1241, Painter of 91, 1708 Agora P 7891, Group of 921-923 Agora P 24327, Group of 95, 1027-1029; near 1030; comparewith 1031, 1032 Agora P 24340, Group of 95, 976-989, 1110 Agora P 24366, Group of 95, 990-993 Agora P 24377, Group of 95, 994-1000; near 1001; comparewith 1111 Agora P 24381, Group of 95, 1011-1014 Agora P 24377 and P 24381, Neighborhood of the Groups of 1009, 1010 Agora P 24402, Group of 95, 1002-1008 Agora P 24486, Group of 95, 1022-1025; compare with 1026 Amasis, potter 4012, 42, 44, 4411, 483,

1391 Arming Lekythoi, Group of 824-828 Athena Painter 47, 96, 759, 1181 Athens 533, Painter of 1807 Athens 581, Class of 2, 3, 46, 95 Athens 581 i, Class of 46, 887-925; perhaps 926-928 Athens 581 ii, Class of 47, 929-1096 Athens 581 i or ii, Class of 1097-1124 Athens 1104, Class of 623 BAKCHIOS, POTTER 16, 274

166 CapodimonteGroup 95, 822 Caylus Painter 57, 96, 1768, 1769, 1776-1778 CeramicusPainter 19, 194,227, 394, 4010, 513, 77, 7741, 78, 535-537; compared with 609; perhaps by 1356 CHC Group 3, 60, 61, 96, 1578-1601, 1605; connected with 1604, 16061608, 1611, 1612; probably1602, 1603 Chimaera Painter 74; not far from 407; perhaps recalls 406 Chiusi Painter, connectedwith 569 Cock Group 45, 46, 92, 95, 95182,793, 837-863 Copenhagen68, Class of 745 Copenhagen 99, Group of 17, 97, 325, 326; comparedwith 329

DANCER, CLASS OF THE 1413 Bareiss Painter 1803 Delos 636, Workshopof 92, 1409 Bateman Group 42 Diosphos Painter 31, 47, 48, 486, 69, 694, Beldam Painter or manner of 192 95, 96, 433, 575, 864, 1848; near 96, Bellerophon Painter 610,8, 342, 698 1161, 1501; by or near 1160 Berlin Painter 15, 1518, 1628, 97, 249, Dog Group 96, 1606-1608 337 252, Dolphin Group 44, 4413,505, 91, 92,797, Berlin 1686, Painter of 43, 82, 86, 76; rerelatedto 796 798; calls 88, 73 Dot-ivy Class 693, 694 Berlin 2034, Class of 1286 Dot-ivy Group 749, 755 Berlin A 34, Painter of 224, 74, 340; close Dresden Lekanis, Group of the 22, 227, to 588; perhaps from the workshop of 50, 513, 52, 52", 70, 78, 150, 413, 541, 134 591, 1303, 1443, 1444, 1859; compare BMN Painter 1881 5, 592; connectedwith 610 Boeotian Horse-bird Group, compare with 1300 8392, 87; vases signed by 4411, 6736 Boston C.A., Painter of 637 Amasis Painter 43, 82, 42, 4223, 44, EARLYOLPAI,GROUPOFTHE 39, 395, 41, Boulogne 441, Painter of 193, 242 4410, 1, 48, 483, 572, 60, 6736, 682, 82, 149, 675-678, 713-716 Bucci Painter 1129 86, 87, 87122,88, 94, 95,172,680, 681, Burgon Group 11, 1411,1514,82, 767 Edinburgh Painter 12, 31, 45, 47, 92, 94, 94176, 95, 192, 215, 884, 885; near 494; 720, 750, 970, 1257, 1657, 1687; recalls 1753; influenced by the Heidelby or near 564; recalls 886 berg Painter 82; pupil of Kleitias 87122 C PAINTER44, 449, 49, 497, 5315, 59, 593, Elaious I, Painter of 61, 96, 1536, 1780, 626, 63, 6311, 6525, 79, 81, 8167, 68, 82, 1830; compare 1032, 1537, 1538 Anagyrus Painter 810,571, 78, 7843,540 1458, 1660-1667; manner of 626, 63, Elbows Out 44, 682, 791, 1701; manner Anavysos Painter, workshop of 97, 97205, 1417 of 1714 6525, 81, 1668, 1937; recalls 68, 82,

INDEXES

356 Eleusis 767, Painter of 89, 914, 78, 7843,

HAEMONIAN47, 61, 96, 961-967,

590 Emporion Painter 48, 486, 192; manner of 486; connectedwith 486 Ergotimos26, 3219,80 Eridanos Workshop 80, 1389, 1390 Eucharides Painter 15, 1518, 249; perhaps by 188

975, 1529, 1530, 1534, 1535 Haimon Group 3, 47, 60, 61, 1528, 1830; compare908 Haimon Painter 60, 96, 97, 1182; manner of 57, 61, 67, 95, 96,965,968, 969, 1183, 1186-1217, 1220-1236, 1286, 1295, 1502-1512, 1514-1527, 15311533, 1760, 1829; near 1513; probably by 1218, 1219; perhapsby 1185; painter or manner of 1184 Haimon Workshop 2, 46 Half Palmettes, Painter of 97, 665 Heidelberg Painter 63, 6311,79, 81, 8167, 82, 87, 63, 1671, 1672, 1678, 1679, 1682; close to 1684; influence of the Amasis Painter 82 Hermione Group 796 Hermogenes, potter 59, 64, 91, 91150, 1473, 1806, 1811 Hermogenian Class of skyphoi 59, 61 Heron Class 60, 61, 94, 96, 1629 Hobble Group 294 Honolulu Class, near 92, 683 Hoplite-leaving-home, Group of the 46, 829-834 Horse-bird Group 78 Horse-head Amphorae,Group of the 6'4, 76, 7631, 77, 14-23; Corinthian imitation of 7631 Hound-and-hare Group 47, 95, 11771180 Hypereides, potter 14, 226 Hypobibazon Class 93; may come from 99, 100

Euphiletos Painter 138, 14, 1413, 15, 181,

228 Exekias, potter 1236,262, 66, 85105 Exekias 4, 7, 82, 12, 1236,37, 1411, 15, 1514, 26, 27, 35, 623, 66, 71, 72, 728,

86, 86114, 87, 88, 84, 197, 279, 322, 370, 886, 1912; Greek find spots of 87, 87118; manner

of 57, 276,7,

87118;

patterns favored by 27; shapes signed by 262 Eye-siren Group 644

FALLOW-DEER PAINTER31 Fat-runner Group 44, 4413, 92, 95, 800-

802 Ferrara T.800, Group of 96, 1609, 1610; compare 1611, 1612 Flat-mouthed Oinochoai, A 735 FP Class of cups 60

GELAPAINTER46, 92, 95, 95182, 772,869-

879, 970, 1945; might be by 880-883; near 835 Geron Group 95, 899-901, 1099-1103 Golonos Group 69, 575, 1848; akin to 1848 Gorgon Painter 5, 6, 612, 614, 912, 19, 23, 239, 285 30, 33, 3514, 39, 396, 4010, 4012, 43, 49, 494, 51, 54, 549, 75-77, 7732, 7739, 40, 78, 79, 8170, 4, 6, 11, 12,

123, 138-140, 145, 341, 342, 349, 412, 421, 671, 708, 1297, 1367-1369, manner of 614, 89, 9, 39-40, 396, 4012, 41, 43, 75, 7518, 76, 77, 4, 10, 12, 26, 123,

138, 141-143, 399, 410, 421, 672, 680, 703, 705-708, 717, 723, 725, 726, 1857; compare manner of 125, 531, 710, 1911; painter or manner of 123, 532, 673, 704, 709, 777, 1370; workshop of 39-40, 41, 7523; Boeotian imitator of 7518 Griffin-bird Painter 63, 638, 10, ; recalls 449 Group E 42, 6, 82, 1129, 1910, 37, 85105,

86, 87, 87115,88, 30, 48, 74, 632, 1881; near 1910; Greek findspots of 87, 87118

Group P 910-920, 938-960, 1109

969-

ISTANBULPAINTER7518

to 251; recalls the black-figuredneckamphoraeby 192 Kolchos,potter 8392 Komast Group 23, 24, 2414, 49, 497, 59, 594, 62, 623, 78, 7850, 79, 80, 8170, 417,

1369,1453, 1454, 1658, 1659; connected with 2413, 594 Kriton Group 4012

Kriton, potter 394 KrokotosPainter 60; related to 1483 KX Painter 19, 194, 196, 35, 51, 513, 52, 529, 5211, 59, 5934, 78, 79, 8059, 26,

126, 151, 351, 523, 791, 1310, 1336, 1452; manner of 513, 594, 616, 1337;

recalls 78, 609; Boeotian imitators of 1303 KY Painter 249,

11,13,15,

62, 7630, 79,

418, 422, 716, 1658; mannerof 594, 79, 146, 716 Kuban Group 97, 259-261, 264

LANCUTGROUP61, 96, 1539-1541; con-

nected with 1542 Leafless Group 57, 67, 68, 96, 17611765, 1767-1778, 1833; probably 1834, 1835 Leagros Group 1129, 2521, 31, 353, 3822,

45, 92, 93,94, 101,197,324, 328, 362, 392, 492, 493, 654, 736, 818-821, 1183; perhaps by a painter of 505, 569 Light-make Class 214 Lindos Group 61, 96, 1570-1577 Lion Painter 610, 77

Little-lion Class 47, 96, 1161-1175; near 1176 Little Master Cups: Signatures, the Name Missing 1743, 1744 London B 76, Painter of 1024, 199, 2417, 353, 36, 3612, 37, 3715, 493, 82, 83, 31,

KALINDERU GROUP 95, 924, 1074-1089,

1113-1115; compare 1550 Kallikles, potter 1411 "KarithaiosPainter"101 Kittos Group 16, 1625,97, 275; probably 277 Kittos, potter 16, 97, 274 Kleiboulos Painter 56, 96, 1414, 1415 Kleimachos,potter 3714 Kleisophos215 Kleitias 3, 26, 3219, 37, 3715, 70, 79, 80, 8064,65,

81, 8168, 8170, 87, 47, 118,

625, 1810, 1874; teacherof the Amasis Painter 87122 Kleophrades Painter 15, 1518, 1628, 97,

324, 329, 336; compare manner of 97, 250; goes with others that may belong

34, 118, 459, 551,611,626,1346; near 1024,178, 179, 620, 767 London B 174, Painter of 87 London B 343, Painter of 94, 650 London B 620, Painter of 1928 Long-nose Painter 193 Louvre C 11266, Painter of 476, 487; related to 476; close to 476, 487 Louvre E 876, Painter of 332, 34, 613

Louvre F 6, Painter of 6, 9, 10, 24, 28, 83, 85, 86, 92, 54-56, 58, 59, 63, 447,448, 510, 561, 768, 1922; manner of 86, 57, 1351; may be by 442-445, 449; near 1330; connectedwith 1409 Louvre F 51, Painter of 231 Louvre F 120, Painter of 1749 Lydos 6, 9, 1023, 1411, 24-25, 24-2517-19,

INDEX I: POTTERS, 15 44, 4411, 49, 546, 279, 34, 37, 3714 55, 5511, 58, 83, 8390, 8392, 93, 84, 85, 86, 88, 90, 90139, 49-52, 82, 118, 119,

172, 228, 378, 422, 429,430, 476, 627, 789, 1262, 1349, 1446, 1447, 1809, 1877, 1888; manner of 25, 2520, 515, 85, 436, 437, 442-445, 1350; related to 42, 9, 2416, 546, 85, 439-441;

perhaps

by 9, 60, 84, 85, 435, 628, 790, 1475 Lydos, as potter and painter 3714 Lysippides Painter 86, 87, 87118,84, 193, 1928; manner of 915, 1129, 134, 86, 87,

191, 640; related to 1704 MADRID PAINTER, NEAR 3820, 3823, 95189

Marmaro Painter 91, 1426 Mastos Painter 193, 329 Michigan Painter 92-93, 239, 324, 362 Munich 1379, Painter of 76 Munich 1393, Painter of 63 Munich 1410, Painter of 89, 82 Munich 1519, Painter of 93, 362 Munich 2418, Class of 101 NEARCHOS, POTTER 64

Nettos Painter 24, 5, 610,7, 8, 19, 22, 224, 23, 238, 262, 285, 30, 395, 51, 512,7, 52, 5212, 73, 74, 7411, 75, 77, 7732, 8170,

1-3, 7, 8, 14, 15, 117, 137, 341-344, 346, 399, 400, 406,408, 410, 527, 528, 530, 698, 708, 725; near 137,401, 407, 520, 603, 1362; close to 527, 697; follower of 223, 238;comparedwith 55, 137, 405; perhaps near 1, 121, 409, 1363 Nicosia Olpe, Painter of the 680, 752 Nicosia C 975, Painter of 60, 94, 1657, 1825(?) Nikias, potter 14, 228 Nikomachos Series 97, 286, 290-292, 302, 312; probably293, 295 Nikosthenes Painter 89 Nikosthenes, potter 20, 574, 66, 8392, 86, 89, 89137, 90139, 90142, 491,

1175,

1353, 1752; connected with 574; vases found in Athens 89, 89137 Nikoxenos Painter 3824,93, 653 North Slope Group 92, 60, 748 North Slope AP 942, Group of 82, 83, 375 OAKESHOTT PAINTER 1692

Oxford 236, Painter of 96, 96202,1775(?) Oxford 237, Painter of 96, 96202,1773 Oxford Lid, Group of the 59, 92, 14631465; compare 1466, 1467

PAINTERS,

GROUPS, AND CLASSES

Oxford Siren-jug, Associated with the Class of the 734

PALERMO GORGONEION, COMPARE THE PAINTER OF THE 1787

Palmette-and-swanGroup 1289 Panther Painter 51, 512, 517, 77, 7741,

349, 399; close to 534 Paseas 55, 5518 Phanyllis Group 45, 46, 92, 95, 95182,

824-835 Pholos Painter 96, 1237 Phrynos Painter 1810; probablyby 750 Piraeus Painter 8, 84, 18, 74, 7732, 341,

725 Pistias Class 61, 96, 1614-1616; may be from 1617 Polos Painter 57, 8, 89, 49, 497, 51, 54, 55, 5512, 70, 82, 151, 158, 160, 161, 427,

594, 620, 621, 733, 1263, 1271, 13111321, 1344, 1377, 1399-1405, 18621868; near 622; companion of 623, 1345 Priam Painter 357, 92, 645 Princeton Group 7, 86; recalls 76 Princeton Painter 82, 11, 1129,30,76, 459 Prometheus Painter 57, 325, 82, 83, 606; recalls 83, 170 Psiax 45, 48, 55, 5518, 56, 61, 86, 89, 90, 90144, 91, 93, 1425, 1615; by or near 817; "brother"of the Antimenes Paint-

er 90, 90144 Ptoon Painter 249, 2411, 2413, 637; resem-

bles 430

357

ST. AUDRIES PAINTER 7, 30

Salax, potter 55, 97, 1407 Sandal Painter 449;near 449;not far from 449; related to 449 Sappho Painter 47, 69, 693'4, 95, 95189,

1495; probably1850 Segment Class 2, 68, 6841 42,1795-1800 Snake-and-spots Group 97, 97205; prob-

ably belongs to 1418 Sophilos 5, 614, 8, 89, 9, 913, 917 248, 1113, 26, 28, 284, 30, 32, 323, 325, 33, 3312, 332, 3514, 43, 513, 571, 58, 59, 728, 78, 7850, 79, 80, 8065, 8170, 6, 29,

47, 118, 140, 145-147, 419, 421, 542, 606, 610, 778, 1369; may be by 1912; near 308, 11, 26, 30; not far from 33, 3312, 606 Sophilos, potter 917, 32, 323, 7953

Swan Group 50, 52, 5210,56, 562, 59, 98, 732, 765, 1275, 1276, 1281, 1287, 1294, 1427; related to 9, 164, 1445 Swing Painter 42 3, 6, 11, 1130, 134, 1413,

1733,409, 70, 86, 88, 88130,89, 53, 77, 79,116, 190,639, 1803, 1883; compare 183 TALEIDESPAINTER3714, 42, 4223, 4411,

750; recalls 91 Taleides, potter 42 Tarquinia RC 6847, Painter of 93; perhaps by 514; comparedwith 512 Theseus Painter 47, 60, 92, 94, 94177, 95,

790, 1484-1496, 1657; perhaps by 1499; recalls 1497 Three-line Group 1425 Timagoras, potter 3714, 91

RAGUSAGROUP620

Ready Painter 86; near 515, 1330; compared with 52 Red-bodied Oinochoai of Shape 3, Class of 42,660, 764 Red-bodiedOlpai 660, 682 Red-line Painter 97, 657; manner of 353, 395, 396; compare560; associatedwith 658; compare with the manner of 209, 395, 396 Rhodes Pelike, Painter of the 97, 737; connectedwith 395, 396 Ring-collar Oinochoe 724, 728 Robinson Group 134, 15, 97, 256; perhaps by a painter of 257 Rodin 1000, Painter of 94, 1500 Rouen 531, Painter of 610 Rycroft Painter 11, 12, 2521, 27, 92, 93, 101, 187, 195, 196, 513; perhaps by 470; near 514; recalls 467

Timenor, potter 91153 Timiades Painter 1803 Tleson Painter 1686, 1692 Tleson, potter 64, 91, 91150, 1686

Top-band StemlessCups, Class of 67, 68, 6846, 1784

Toronto 305, Group of 42 Towry Whyte Painter 87 Trefoil Olpai, Group of 4011,679, 680 Tyrrhenian Group 8, 9, 82, 84, 118, 170, 1803 URE'S CLASS OF SKYPHOI A 1 60,

1480 Ure's Class of Skyphoi A 2 60, 1481, 1482 Ure's Class of Skyphoi B 60 Ure's Class of Skyphoi K 2 61, 96, 1501, 1504-1516, 1537, 1542, 15581562, 1564-1568; may be 1563, 1569 Ure's Class of Skyphoi K 2 or Pinchbase 1519-1528; probably 1530

INDEXES

358 Ure's Class of Skyphoi K 2, silhouette 1557; may be 1543-1556 Ure's Class of Skyphoi R 61, 1502

Wurzburg 351, Painter of 687

KLEOPHRADES, POTTER 4411

KleophradesPainter 369, 1160, 1935 XANTHOS

A 6.3444, PAINTER OF 80, 127 MAKRON1495

VATICAN MOURNER,

PAINTER OF THE

515, 87, 460 Vatican 309, Painter of 9, 10, 2416, 83,

Menon, potter 90, 90146 Myson 214

ZENOKLES, POTTER 64

85, 86, 176, 446; near 1024, 545

Vatican 342, Painter of 711 Vatican 359, comparethe painter of 1912 Vatican G. 47, Class of 42, 101 Vatican G. 49, Group of 687 Vatican G. 50, Class of 687, 688, 755757 Vatican G. 52, Group of 44, 4413, 92, 805-813 Villa Giulia M. 482, Painter of 97, 754 Vogell Pelike, Painter of the 214, 215

NIKOXENOS PAINTER 369

ATTIC RED FIGURE

OLTOS 90, 90140, 1900, 1912

ANDOKIDES, POTTER 90, 90146

Andokides Painter

94176,

886

Antiphon Painter, mannerof the 214 CERBERUSPAINTER214

PAIDIKOS ALABASTRON, GROUP OF THE 48

Pan Painter 1495 Paseas 55, 5518, 1425 Phintias 2710 Psiax 55, 5518, 90

DIKAIOS PAINTER 369 SOSIAS, POTTER 32

WARSAW PANTHENAIC, PAINTER OF THE

324 White Heron Class. See Heron Class Woman Painter. See Painter of Berlin A 34 Wraith Painter 1809 Wurzburg 199, Group of 203, 92, 502; comparedwith 362

EPIKTETOS 55, 5518, 90, 90140

EpidromosPainter 1495 EucharidesPainter 276 Euphronios2710

TALOS PAINTER 1935

HILINOS, POTTER 90

WINCHESTER PAINTER 1495

Telephos Painter 1428 Thalia Painter 214

359

INDEX II: SUBJECTS and Memnon 81, 8168, 1396, ACHILLEUS: 1846(?); receiving armor 79, 8059, 88, 88125, and Troilos 353, 81, 8168, 610, 1183 Achilleus and Aias Gaming 84, 915-917, 950-952, 1049 Aias: and Kassandra 72; and Teukros 79(?); carryingAchilleus 116(?), 1810 Aineas carrying Anchises 116, 657, 684 Akademos79 Akastos 610 Amazon 692, 741, 918, 957, 968, 1903; with chariot wheeling round 742, 1578, 1580, 1581. See also Herakles Amazonomachy 2710, 173, 776, 975, 1278, 1382, 1628, 1768, 1804, 1816 Animal, upside down 5210, 66, 6628, 1329, 1748. See also Swan Animal foreparts,type uncertain 8 Animal frieze 5, 8, 9, 1021, 19, 24, 25, 2518, 28, 29, 2911, 30, 31, 3110, 33, 34,

35, 48, 52, 53, 77, 82, 83, 8494,6, 138, 151-156, 351-356, 368, 380,412, 413, 421, 476, 477, 536, 550, 604, 608-610, 616, 621, 639, 729, 1260, 1263, 1301, 1302, 1307, 1323, 1324, 1329, 1332, 1338, 1340, 1341, 1343, 1350, 1359, 1369, 1373, 1400, 1436, 1453, 1456, 1748, 1860, 1865, 1871, 1873, 1918 Antilochos, Departure or Death of 1912 Aphroditewith Eros 16, 302 Apollo 79, 74, 182, 184(?), 195, 207, 486(?), 514, 566, 574(?), 575, 600, 821, 873, 875, 932, 1151(?), 1191, 1222, 1246, 1505, 1521, 1522; and Artemis 875, 1222(?), 1224, 1531(?); Apollo, Artemis, and Leto 901, 1231. See also Herakles and the Tripod Archer 650, 684, 902 Ariadne 466(?), 885(?). See also Dionysos

Arming. See Warrior Artemis 207, 486(?), 574(?), 575, 875, 1222(?), 1257(?). See also Apollo Aristaios 9, 77, 141, 434 Atalanta 610 Athena 11, 13, 14, 15, 16, 1627, 17, 73, 89, 97, 68(?), 110, 112(?), 183, 188, 193, 204, 216, 225, 226-229, 231-235, 237, 239-241,243, 247, 250-252, 254, 256,258,260,261,266,271,272,274276, 286-291,293, 301-307, 319-322, 324, 329, 331,332, 338, 366, 470, 474, 556, 736, 818, 821,835, 885, 896, 897, 915-917, 950-953, 1049, 1392(?), 1824; Birth of 81, 8168, 87, 90, 74, 90; and Dionysos 686, 694, 899, 928; feast in Honor of 88; and giant 183, 864,

954-956, 1027-1031, 1139, 1165, 1558, 1634; with Dionysos and Hephaistos 900(?); with Dionysos, Hermes, and Apollo 932; Athena Polias 13 Athlete 268, 272, 286, 337, 836(?), 856, 879, 1184, 1719. See also Boxer, Boy runner, Jumper, Pentathlon, Runner, Wrestler BEE83. See also Index III, Shield device Bellerophon 1597; and the Chimaera 30, 342 Bird 22, 24, 693, 85, 2, 6, 153-156(?), 158(?), 159, 160(?), 161, 163, 350(?), 411(?), 516, 526, 621(?), 677, 695(?), 700(?), 792, 1271, 1322, 1341, 1359(?), 1360(?), 1457, 1460, 1469(?), 1576(?), 1630, 1631,1640, 1643,1913, 1918, 1920(?); preening 25, 442-444. See also Cock, Crane, Duck, Eagle, Goose, Guinea hen, Heron, Owl, Swan, Water bird Boar 610, 31, 138, 154, 353, 354(?), 403(?), 405, 406, 409, 476-478, 536, 540, 542, 550, 596(?), 609, 610, 649, 675, 676, 728-730, 1340, 1364, 1374, 1395, 1517, 1601, 1633, 1913. See also Calydonian Boar Hunt Boxer 264(?), 267, 269(?), 326(?), 461, 494, 682, 1895 Boy runner 793 Bull 638, 138, 151(?), 354(?), 413, 534(?), 610, 712, 729, 745, 758, 1301, 1327, 1328, 1561, 1872; at laver 872. See also Tierkampf CALYDONIAN BOARHUNT31, 610 Cattle 1450 Cavalcade.See Horseman Centaur 165, 803(?), 1720, 1808(?) Centauromachy118, 823, 858 Chariot 1411, 73, 85, 93, 86, 87, 91-93, 97, 105, 108, 109, 194(?), 196, 210-212, 221,223, 256, 341,377, 435, 468, 470, 481,486, 491,492,498, 509, 512, 554, 565, 566, 579, 600,634, 638, 639, 651,658, 664, 689, 737, 740, 770, 789,990-992,1096,1126,1157,11861197, 1214, 1222, 1225, 1226, 1246, 1269, 1282, 1382, 1391, 1393, 1394, 1446, 1500, 1526, 1528, 1650, 1760, 1882, 1893, 1903, 1921, 1936, 1945, 1946; departure with 88130, 80, 215, 457, 493, 495, 650, 870, 902, 993, 1269(?), 1500, 1505, 1516, 1518, 1521-1523, 1531, 1707; frontal 84, 85,

87, 87116,54, 361, 421, 606, 627, 632, 778, 1799, 1875, 1912; race 27, 3110, 270(?), 276(?), 284, 309-311, 319, 327, 369, 482, 930, 1504, 1552(?); wedded pair in 19, 1910,89, 182, 184, 190(?), 195, 471, 513, 514, 516, 563, 643(?), 970, 1447; wheeling round 106, 209, 1506, 1533, 1579. See also Amazon with chariot wheeling round; Goddess mounting chariot Chimaera 30, 399(?), 402, 533, 698, 708. See also Bellerophon Cock 1132,15, 16, 17, 84, 136, 236, 248, 249, 257, 266, 332, 333, 550, 551, 787, 790, 791,793, 837-839, 841-855, 862, 863, 1461, 1470, 1611, 1612, 1626, 1637, 1681, 1714, 1741, 1742; on altar 790. See also Index III, Shield device Combat. See Fight Conversationscene 1266 Courting scene 796, 871, 1582, 1583, 1822, 1889 Crane 1258, 1460(?). See also Pygmies and Cranes

DANCER60, 201(?), 348, 396, 488(?), 756, 1453, 1483, 1586, 1587, 1643, 1677, 1746, 1812, 1947. See also Komast Deer 637, 638, 76, 490, 696, 789, 875, 1260(?), 1333(?), 1432, 1493, 1619, 1662,1687, 1700, 1703, 1731(?), 1734, 1735, 1739, 1740(?), 1748(?), 1870 Demeter 192(?) Departure of Amphiaraos 199 Departure 86, 71(?). See also Chariot; Warrior Diaulos 263 Dionysos 182, 197, 198, 207, 223, 363(?), 390, 397, 500(?), 507(?), 513, 580, 582, 586(?), 661(?), 681(?), 690, 693, 722, 736, 737, 753, 760, 932, 1040(?), 1073, 1079-1086, 1100, 1101, 1103, 1151(?), 1188-1190, 1214, 1222, 1225, 1226, 1249(?), 1251, 1429, 1505(?), 1518, 1521, 1534, 1547(?), 1559, 1564, 1566, 1606(?), 1682(?), 1690, 1776(?), 1795, 1838, 1894,1904; and Ariadne 102, 198(?), 224, 501(?), 554(?), 666, 693(?), 755, 903(?), 1060, 1233; and Ariadnewith satyr 890, 891, 1124, 1771; and Ariadne with satyr and maenad 1769; and Athena and giant 899, 928, 1037; and Herakles 1039(?), with satyrs and a deer 1493; and Ikarios 88, 681(?); and Oinopion 88, 681(?); in a symposion 483, 925,

360 1054, 1090, 1119, 1149, 1150, 1204, 1498; mounting chariot 921-923; on a mule with maenad 1095, 1146; on a mule with satyr and maenad 218, 880, 974(?), 1389(?); with Ariadne mounting a chariot, satyr 1053, 1106; with maenad 91, 95, 111, 214(?), 472, 773, 781(?), 906, 911-913, 945-947, 10551059, 1067, 1075-1078, 1092, 1113, 1115, 1168, 1174, 1238, 1498, 1527; with maenad on a donkey or mule 907, 973, 1130, 1217, 1228, 1761 (and satyr), 1780(?); in a mule cart 1498; with satyr 82, 89(?), 96, 107, 213, 214, 391,395, 751,847, 848, 878, 901, 910, 926, 931, 938-944, 1020, 1021, 1061-1066, 1093, 1114, 1116, 1127, 1132,1137,1171,1563,1569,1606(?), 1682, 1762 (and reclining man), 1772 (and a man), 1847; with satyr and maenad2710,876,881,883, 905, 1099, 1262, 1389(?), 1529, 1588, 1770; with satyr, maenad, and donkey 880; with satyr and man 1764. See also Athena; Hephaistos, Return of Discus thrower 228, 1780 Dog 85, 96, 63, 210(?), 215, 486, 610, 717, 789, 791, 870, 1291, 1428, 1478, 1607, 1906. See also Hounds pursuing hare;Index III, Shield device Dolon 1928 Dolphin 1023, 3410, 68, 91-92, 347, 1138,

1353, 1697, 1761, 1762, 1798-1800. See also Index III, Shield device Donkey 1421(?). See also Dionysos; Maenad; Satyr Duck 368(?), 559 Duel 81 EAGLE 234,

2, 6, 28, 50, 343(?), 421, 512, 550, 603(?), 679, 699, 791(?), 1288, 1379, 1758, 1769, 1774, 1831. See also Index III, Shield device Eileithyiai. See Athena, Birth of Eirene and Ploutos 16, 287 Ekphora 72 Ephedrismos1490, 1491 Eros. See Aphrodite Erotic scene 1723, 1724, 1822 Eumaios 1928 FAWN638, 210(?), 1481 Feline 24, 6, 10(?), 146, 152-155, 156, 158, 176, 352(?), 354, 412, 418, 421, 521,530, 535-537, 542, 543, 545, 558, 608, 616, 621(?), 636, 653, 705, 726, 1260, 1280, 1301, 1302, 1306-1309, 1311(?), 1323, 1325, 1340(?), 1352, 1358, 1360, 1368, 1369, 1374, 1390,

INDEXES 1398, 1436, 1451, 1455, 1456, 1517, 1680, 1701-1703, 1866(?), 1873, 1918. See also Lion; Panther; Index III, Shield device Fight 85, 86, 88, 47(?), 72, 209, 216, 473, 491,611,637, 646, 656, 748, 754, 794, 819, 826, 837-840, 867, 887, 892, 989, 1042, 1044, 1045, 1104, 1110, 1117, 1148, 1161, 1163, 1164, 1172, 1175, 1181, 1254, 1349, 1385; with chariot 1382; with horseman 1074. See also Warrior Foot race 100, 253, 255, 262, 263, 271, 308, 315, 317, 318, 323, 325, 1050, 1051. See also Runner Fountain scene 642, 645, 655, 660, 869 Fox 169, 595 Funeral games. See Patroklos;Pelias

GooSE 8, 75, 141-144, 344, 351, 352, 354, 367, 540, 550, 595, 671, 1339, 1356, 1373, 1643(?), 1911 Giant 1877(?) Gigantomachy 11, 183. See also Athena and giant; Dionysos and Athena and giant Girl 132; on swing 88

the Boar 968; and the Bull 362, 896, 971, 1022-1026, 1033, 1035, 11211123, 1202, 1215, 1525; and the Centaurs 80, 8056;in a chariot drawn by centaurs 1266; and Dionysos, with satyrs and a deer 1493; feasting 1484, 1485; and Hermes 877, 966; and the Hesperides 94, 94176, and a goddess

1852; and the Hydra 359, 1155; and Iolaos 89; and Kerberos 102, 216(?), 640(?), 1428(?); and Kyknos1378; and Lamia 94177; and the Lion 89, 89'33, 94, 94176, 394,474,857,897,961-967,

1034, 1198, 1199, 1239, 1240, 1512, 1519, 1776, 1830, 1883; and pigs 1928(?); and Nessos 168, 1392; and the Tripod 3220, 365, 1036, 1152, 1182, 1237, 1502; and Triton 53, 816, 1038, 1142, 1346. See also Symposion Hermes 1132,72, 53, 91, 207, 211, 212, 217, 225, 471, 497(?), 502, 513, 516, 568(?), 578, 581(?), 582, 640, 643, 662(?), 736, 753, 818, 877, 932, 966, 1120,1295, 1484(?), 1500, 1776,1809, 1852, 1892(?), 1943 Heron 60, 94, 1484, 1485, 1500 Hippalectryon,youth riding a 1476 Hismene 1453 Homecoming47 Hoplite. See Warrior Hoplitodromos277, 315

Goat 76, 6, 154, 177, 351, 355, 356, 421, 423, 425, 436, 437, 479, 542(?), 560, 609(?), 639(?), 729(?), 731, 1260(?), 1297,1301,1302,1329, 1333(?), 1340, Horse 73, 7732, 93, 40, 49, 53, 69, 70, 83, 94, 104, 142, 189, 199, 270, 435, 475, 1358,1371,1486,1489, 1497, 1739(?), 548, 581,610, 633, 718, 817, 884, 894, 1740(?), 1748(?), 1860; satyr-headed 218 1154, 1567, 1589, 1653, 1660, 1717, Goddess mounting chariot 223, 1774, 1800(?), 1818, 1829; being led: 1143, 1154, 1608, 1698; grazing 133, 1186-1188, 1190, 1214, 1222, 1225, 408, 1361, 1678; in profile with head 1226, 1505, 1518, 1521-1523, 1531 shown frontally 101; winged 60, 874, God 8390,207. See also individualdeities 1341. See also Chariot;Horseman 1644 1641(?), Gorgon Horse foreparts399 Greeting 47 Horse race 12, 1890(?), 262, 263, Griffins, confronted55 Horse taming 88, 88125 Guinea hen 1618 Horse-bird 78 Horsehead 614, 1023, 73, 748, 76, 7733, HARE 789(?), 791, 796, 1747, 1821 13-23, 132, 138 Horseman 6, 19, 2110, 24, 3220, 33, 70, Helios(?) 874 Helmsman 1704 71,75,76,81,89,1,11,29,35-38,50, Hen 1438 69, 82, 101, 125, 128, 166, 172, 179, 186, 360, 364, 422, 435(?), 476, 606, Hephaistos: on a mule with satyr and maenad 974(?); Return of 11, 500(?), 620, 632, 648, 673, 679, 685, 697, 701, 709, 717, 752, 791,792, 895, 959, 960, 507(?), 1389(?), 1646 Hera 821 986, 1074, 1166, 1167, 1177, 1267, Herakles 90, 62, 68(?), 112(?), 193(?), 1283, 1291, 1295, 1296, 1381, 1434, 1435, 1458, 1501, 1553, 1557, 1628, 721, 775, 904(?), 914(?), 1156; and the Amazons 91, 96, 395, 687, 789, 929, 1630, 1631, 1648, 1660, 1668, 1669, 1688, 1693, 1711-1715, 1766, 1826, 1414, 1426, 1803; and Antaios 654; 1899, 1916, 1933, 1944. See also Apotheosisof 643(?), 736, 821, 835(?), Warrior, mounted;Squire 898(?), 953(?), 1039(?), 1040(?), 1492(?), 1852(?); in battle 1941; and Hounds pursuing hare 638, 791, 866,

361

INDEX II: SUBJECTS 1433. See also Dog; Pandareos and the Golden Hound Human foreparts 10 Hunter 84, 85104, 169, 789

IOLAOS89, 474, 789, 896, 966, 1034, 1198, 1199, 1392(?), 1830 Iris 173, 469(?), 516(?), 1409(?), 1453, 1641(?) JAVELIN THROWER 228

Judge 494(?) Judgment of Paris 79, 81, 8168, 94, 433, 556(?), 564 Jumper 228, 489(?), 1750(?) KERBEROS 216. See also Herakles

"Knights",Chorus of 88 Komast 62, 79, 203, 398, 417, 474, 610, 635, 1452, 1454, 1461, 1621, 16571659, 1699, 1775, 1801. See also Komos Komos 1486, 1487, 1489, 1494(?), 1584, 1585, 1729, 1930. See also Komast LENAIA 908 Leopard 670 Leto 207 Lion 6'4, 47, 7,

77740, 26, 30, 67, 138,

140, 145, 146, 151,155,156, 160, 350, 368, 399(?), 407, 412, 476, 479, 490, 522, 532(?), 535, 540, 550, 593, 625, 652, 678, 702-704, 706, 707, 710, 711, 714, 729, 777, 788, 798, 1107, 1131, 1173, 1227, 1263, 1265, 1271-1273, 1277, 1285, 1300, 1305, 1306, 1324, 1329, 1332, 1341, 1345, 1347, 1358, 1365(?), 1368, 1370, 1371, 1375, 1456, 1457, 1472, 1514, 1517, 1555, 1601, 1620, 1633, 1781, 1834, 1857, 1858, 1871, 1913, 1914, 1919; confronted pair 34; protome 5. See also Feline; Herakles; Lioness; Tierkampf; Index III, Shield device Lioness 560(?) MAENAD 60, 6628, 91,114,

214,220,393,

499, 507(?), 557(?), 610, 822, 868(?), 1087-1089, 1169, 1218, 1230, 1536, 1542(?), 1546, 1677(?), 1773, 1823; on bull 1615; meanad on donkey 1844, between satyrs 1780; maenad on mule 96, 1109, 1200-1203, 1205. See also Dionysos; Satyr Male siren. See Siren Man 46, 47, 56, 61,63, 64, 65,68, 76, 78, 81, 88, 92, 93, 97, 98, 108, 109, 112, 174, 178, 181,184, 190, 200-202, 215,

222, 334, 335, 365, 375, 377,380, 382, 384, 388, 392, 416,430, 450, 461,465, 484, 492,497,503, 504, 506, 536, 555, 558, 559, 561,569-571,576, 579, 598, 601,630, 636, 641,644,646, 647,661, 662, 680, 681,685, 707,720, 739, 747, 759, 768, 776, 781,784, 785, 789, 817, 833, 840-842, 870, 888, 893, 899, 902, 914, 949, 967, 969, 973, 1041, 1043, 1141, 1147, 1046-1048, 1102 111111, 1154, 1159, 1194, 1195, 1212, 1241, 1242, 1249, 1269, 1270, 1283, 1284, 1292, 1295, 1372, 1386, 1415, 1422, 1428, 1434, 1440, 1466, 1468, 1475, 1477, 1478, 1480, 1483, 1487-1489, 1495(?), 1496, 1500, 1544, 1560, 1561, 1599, 1602, 1623, 1624, 1640, 1642, 1649, 1661, 1662, 1669, 1671, 1685, 1719, 1757, 1764, 1768, 1770-1772, 1798, 1802, 1814, 1825, 1828, 1830, 1833, 1835, 1842, 1850, 1887, 1888, 1897, 1907, 1912, 1937, 1942, 1948; winged 158 Man's head 10, 25, 637, 69, 748, 85, 1, 10, 129(?), 179, 180, 439-441, 446-448, 451-456, 458; confrontedpair 748. See also Index III, Shield device Meleager 610 Menelaos and Helen, Wedding of 80, 8057 Minotaur, human-headed 96. See also Theseus Mourner 8, 19, 394, 513, 72, 84, 374, 1259. See also Prothesis Mule 96, 500, 507, 769, 958, 970, 1800(?). See also Dionysos; Hephaistos, Return of; Satyr; Maenad Musician. See Index III, Musical Instrument NEREID927, 972, 1513. See also Poseidon Nereus 10 Nessos 84 Nike 292, 469(?), 516(?), 518, 764, 889, 1409(?), 1551, 1829, 1846. See also Index III, Shield device

OARSMAN1704

Octopus 659. See also Index III, Shield device

478, 519, 532(?), 536, 539, 546, 547, 550, 679, 746, 797, 1260, 1280, 1301, 1302, 1306, 1326, 1329, 1330, 1338, 1340, 1341, 1343, 1350, 1359, 1387, 1436, 1453, 1465, 1469, 1472, 1617, 1651, 1687, 1700, 1701, 1703, 17301733, 1735, 1807, 1860, 1917, 1918, 1923, 1925; confronted 55. See also Pantheress;Index III, Shield device Pantheress560(?), 1692 Patroklos, Funeral Games for 80, 8056, 610 Pegasos 1628, 1597, 1716. See also Bellerophon and the Chimaera;Index III, Shield device Pelias, Funeral Games for 610 Peleus: seizing Thetis 208, 653, 927, 972, 1185, 1235, 1503,1513,1532,1902(?); and Thetis, Wedding of 80, 8056,8171, 47, 182(?), 419, 514(?) "Penguin"woman 375, 617(?) Pentathlon 14, 228 Persephone 191(?) Perseus 434, 1891(?); and the Gorgons 75, 81, 8168

Phalanx 82 Polyphemos84 Poseidon: on a sea-horse with Nereid 1138; Stable of 88, 88125 Potnia Theron 595 Priam, Death of 656(?) Procession 29, 30, 35, 82, 191, 207, 373, 378, 381,387 Prothesis 19, 1910, 48, 72. See also Mourner Protome 6, 74, 748, 77. See also Animal foreparts; Lion; Horsehead; Human foreparts; Man's head; Satyr head; Woman'shead;Index III, Shielddevice Pygmies and Cranes 1471, 1722

RAM 9(?), 12, 154, 155, 157, 534(?), 542(?), 550, 609(?), 616, 639(?), 1159, 1436, 1606, 1620, 1629, 1701, 17361738, 1740(?) Reveler 79, 503, 1885(?) Rider. See Horseman Runner 82, 92, 230, 231, 791, 800. See also Boy runner; Foot race; Hoplitodromos

Odysseus and the Sirens 94, 94176

Owl 319, 1499. See also Index III, Shield device PADDEDDANCER.See Komast

Pandareosand the Golden Hound 82 Panther 912, 1023, 2411, 6, 67, 145, 148, 151,163, 380, 382, 413,426, 438,449,

SACRIFICE 782

Satyr head, confrontedpair 76, 10, 723. See also Index III, Shield device Satyr 76, 82, 85, 89, 42, 51, 77, 96, 165, 214, 219, 466, 607, 661(?), 723, 774, 803(?), 865, 868(?), 899, 1070, 1158, 1242(?), 1247, 1252,1255,1348, 1384,

INDEXES

362 1389, 1554, 1562, 1568, 1571-1573, 1607, 1619, 1674, 1675, 1682, 1726, 1727, 1749, 1755, 1760-1763, 1765, 1767, 1776-1779, 1797, 1808(?), 1832, 1841, 1908; and maenad 91, 57, 96, 214, 466(?), 499, 610, 663, 665, 667, 688, 738, 744, 757, 783, 849-853, 882, 1068, 1069, 1112, 1136, 1144, 1170, 1179, 1507-1511, 1539, 1540, 1590, 1591, 1600, 1639, 1645, 1647, 1708, 1780, 1796, 1853; picking grapes 1071. See also Dionysos; Hephaistos, Return of Scythian 79, 1382 Siren 5, 717, 234, 2519, 75, 76, 82, 84, 1, 2(?), 5, 6(?), 33, 61, 121, 137, 139, 149, 152, 153-156 (?), 158(?), 160(?), 343(?), 349, 350(?), 351, 355, 373, 377, 380, 411(?), 413, 415, 416, 421(?), 423, 424, 427, 450, 520, 528, 537, 547, 550, 596, 602, 603(?), 608, 610, 621(?), 622, 623, 626, 671, 695(?), 700(?), 713, 715, 716, 725, 727, 733, 734, 797, 798, 1261, 1263, 1271, 1280, 1299, 1301, 1310, 1311, 1314, 1321-1325, 1329, 1330, 1332, 1355, 1358, 1334, 1338-1343, 1359(?), 1360(?), 1367, 1369, 1373, 1400, 1439, 1462, 1464, 1465, 1469(?), 1691, 1863-1865, 1867-1869, 1871, 1880, 1918(?), 1920(?); bearded 129(?); confronted 33; flying 85105; male 73, 129(?), 133, 1303, 1357. See also Odysseus and the Sirens; Siren or sphinx; Index III, Shield device Siren or sphinx 43, 120, 123, 124, 127, 130,150, 153, 160, 379, 401,415, 421, 438, 529, 538, 548, 592,608, 618, 621, 674, 799, 1307, 1309, 1313, 1316, 1320, 1324, 1331, 1341, 1369, 1377, 1401, 1404, 1441-1444, 1463, 1468, 1638, 1862, 1871, 1909. See also Siren; Sphinx Snake 234, 227, 303-305, 379 Spectator 82, 86, 88, 92, 100, 242, 379, 461, 487, 491, 494(?), 748, 754, 796, 801,810, 827, 830, 836, 839-842, 844, 845, 849-852, 854-857, 885, 892, 894, 897, 952, 989, 1031, 1117, 1163, 1164, 1177, 1198, 1199, 1254, 1385, 1459, 1476, 1609, 1697, 1709, 1895 Sphinx 2411,2519,30, 75, 82, 84, 92, 1, 3, 10(?), 117, 128, 139, 140, 149, 152, 160, 162, 176(?), 352(?), 357,400, 450, 510, 523, 528, 541, 543, 560, 590, 591, 594, 621(?), 622, 700(?), 733, 802, 862, 863, 1267, 1271, 1274, 1311(?), 1312, 1315, 1316(?), 1317-1319, 13211324, 1335, 1340(?), 1341, 1344, 1350, 1351, 1369, 1388, 1390, 1398-1400, 1402, 1403, 1404(?), 1405, 1409(?), 1441, 1462, 1467, 1576(?), 1582, 1583, 1585, 1587, 1589, 1592-1599, 1604,

1605, 1632, 1636, 1638, 1656, 1669, 1859, 1866(?), 1873(?), 1884; confronted pair 82, 176(?), 510. See also Siren or sphinx; Theban Sphinx Squire 41, 82. See also Iolaos Stag 612, 1260, 1301(?). See also Deer Swan 24", 638, 75, 27, 122, 135, 164, 175, 340, 368(?), 373, 410, 412, 414, 425, 436, 437, 445, 449, 519, 550, 587, 619, 672, 732, 746, 766, 792(?), 1266, 1275-1277, 1281, 1285, 1287, 1289, 1294, 1298, 1363, 1427, 1445, 1476, 1627, 1910, 1918; paintedupside down 98 Swimmer 1430(?) Symposion 214, 24, 81, 420, 430-432, 480, 553, 681, 903, 914, 949, 994-1019, 1054, 1091, 1145, 1205, 1206, 1286, 1418, 1498, 1667, 1759; with Herakles 1109(?). See also Dionysos THEBAN SPHINX 96, 1216

Theseus 68(?); and the Minotaur 96, 171, 885, 1162, 1268, 1881; and Prokroustes 96, 391, 1160; Rescue of the Athenian Youths and Maidens 80 Thetis. See Peleus Tierkampf 67, 625, 1107, 1227, 1266, 1872 Tityos 228 Trainer 100, 242, 272, 286, 494(?), 836(?), 879, 909, 1184 Triptolemos 192 Triton 724, 1244(?), 1697. See also Herakles Troilos. See Achilleus

Water bird 130, 1279. See also Heron; Swan Wedding scene 190, 191(?), 511, 513, 516, 517, 563, 970 Woman 74, 82, 97,46, 61, 68, 71, 76, 9294, 105, 112, 113, 167, 181, 185, 187, 190, 191,194, 198, 199, 205, 209, 215, 376, 377, 380, 382, 383, 385, 386, 388, 394, 450, 460, 464,491,492,497,505, 508, 509, 513, 527, 554, 557, 560, 567, 568, 570, 571, 576-578, 583-585, 588, 589, 597, 599, 600, 613, 630,636, 638, 643, 644,654, 660, 668,680,691,693, 739, 747, 761, 763, 767, 770, 778, 780, 789, 796, 799, 804, 813, 823, 824,828, 844, 845, 858, 861,868, 869,902, 904, 914, 917, 934-936, 948-950, 963, 970, 993, 1039, 1040, 1097, 1098, 1109, 1133, 1134, 1140, 1145, 1149, 1151, 1160, 1176, 1181, 1192, 1194, 12061214, 1219, 1220, 1223, 1225, 1229, 1232, 1234, 1236, 1241, 1244, 1245, 1248, 1250, 1253, 1256(?), 1269, 1270, 1292, 1295, 1354, 1391, 1393, 1397, 1417, 1419, 1420, 1446-1449, 1453, 1488, 1494, 1500, 1537, 1541, 1542, 1548, 1649, 1672, 1677, 1721, 1723, 1757, 1760, 1767, 1782, 1795, 1802, 1837, 1845, 1850, 1851, 1855, 1859, 1896, 1905, 1912, 1916, 1920, 1926, 1927, 1932, 1943, 1945, 1948; carrying hydria 642; in orchard 924, 1052; leading cow or bull 919, 920, 1221; working wool 69, 1848 Woman's head 610, 69, 75, 88, 7, 439, 458, 1753 Wool working 516, 1848 Wrestling 100, 230, 242, 264(?), 269(?), 314(?), 326(?), 1609, 1610, 1709

VINTAGESCENE88, 88125

Victor 328 Youth 56, 60, 63, 69, 91, 97, 98, 126, 166, 184, 194, 330, 375, 385,429,461,467, WARRIOR 81, 85, 89, 93, 32, 34, 48, 49, 493, 512, 562, 572, 631,633,646, 647, 52, 55, 58, 59, 72, 73, 79, 82, 103, 170, 658, 681,756, 762, 767, 771,791,796, 213, 215, 457, 464, 485,487,491,496, 799-801,805-815, 817,824,828,829, 614, 626,629,646,679,719,749,750, 831-834, 836,854,855,859,866, 884, 768, 820, 831, 832, 860, 886, 887, 892, 893,895, 902, 904,937,958-960, 967, 989-992, 1044-1046, 1102, 1105, 986, 989, 993, 1033, 1046, 1048, 1072, 1125, 1180, 1243, 1248, 1290, 1459, 1094, 1128, 1135, 1162, 1166, 1167, 1479, 1501, 1565, 1663-1666, 1169, 1172, 1176-1178, 1205, 1212, 1669(?), 1676, 1678, 1679, 1683, 1688, 1234, 1253, 1257, 1268, 1351, 1355, 1707, 1751, 1766, 1774, 1815, 1819, 1383, 1386, 1392, 1480, 1487, 1490, 1877, 1878, 1901, 1945; arming 735, 1491, 1538, 1543, 1622, 1630, 1632, 815, 827, 1689, 1886(?); departing 1635, 1652-1654, 1662, 1673, 1685, 71(?), 103, 215, 493, 495, 628, 680, 1698, 1713, 1718, 1723, 1728, 1756, 683, 747, 824, 825, 828-830,833, 841, 1783, 1806, 1839, 1840, 1843, 1849, 842, 844-846, 888, 976-988, 1043, 1874, 1876, 1886, 1922, 1924, 1942 1047, 1147, 1640(?); departing with chariot 902; in chariot 79, 614; mounted 24, 41, 82, 206; mounting chariot 889, 1153, 1354; mounting ZELUS83, 821, 1378. See also Athena, Birth of horse 93. See also Fight

363

INDEX III: GENERAL INDEX AGORA,Archaic Cemetery 1

Agora, North Slope 26, 29, 75, 83, 87118 Agora, Rectangular Rock-cut Shaft (deposit G 6:3) 1, 13;shapes not found in Attic black figure 2; Stoa of Attalos 1, 433; Stoa Gutter Well (deposit Q 12:3) 1, 13, 433. See also Deposit Lists Aigina 74 Altar 782, 790(?), 1530(?); with flames 1295; oxtail on 1495 Amphora. See Vase, representation of; Index IV Animal skin 170 Archon 15-17, 271, 273, 274, 278, 286, 289, 290, 296-298 Armor:corslet 32, 80, 118, 209, 216, 487, 611,637, 684, 741,742, 794, 827, 952, 1689, 1877; greaves 71, 106, 118, 173, 209, 215, 450, 473,491,626, 639, 657, 679, 680, 719, 735, 741,747, 749, 754, 815, 820, 825-827, 829-832, 888, 1105, 1290, 1459, 1479, 1665, 1678, 1689(?), 1810; helmet 476, 886, Attic 24, 183, 204, 240, 254, 261, 290, 322, 324, 332, 470, 556, 686, 692, 694, 736, 835, 899, 900, 929, 932, 953, 1027-1031, 1382, 1426, 1492, 1580, 1804, caplike 15, Corinthian 4012, 32, 34, 41, 48, 52, 55, 58, 59, 79, 82, 118, 206, 209, 213, 215,216, 485, 487,491, 496, 611,614, 626, 629, 637, 679, 741, 742, 748, 749, 794, 819, 825-832, 837, 838, 846, 888, 889, 892,902,915-917, 950, 951, 954-957, 968, 976-978, 1027-1031, 1043-1047, 1074, 1105, 1110, 1125, 1143, 1147, 1161, 1163, 1164, 1172, 1175, 1197, 1243, 1382, 1396, 1663-1666, 1679, 1689, 1751, 1774, 1810, 1815, 1816, 1819, 1877, 1878, 1901, 1949, "Illyrian" 1152, 1153; vambrace52. See also Plumes on helmet Athena Polias 13

Athens: Akropolis 18, 56, 58, 76, 78, 83, 87, 87118;Areopagus 1, 56, 96; Hill of the Nymphs 56, 96; Shrine of Nymphe 18, 19, 691; South Slope 18 Aulos. See Musical instrument

BARBITON.See Musical instrument

Basket 516, 554(?), 644(?), 924, 1097, 1418, 1511, 1623, 1848, Bilingual 5518, 90, 90145,146

Bit burr 471, 581 Block seat. See Furniture Boeotian 7518, 78

Box 376, 377(?), 516, 554(?), 644(?)

Bracelet. See Jewelry Branch 818; held by someone 57, 192, 328, 681, 925, 1808, 1861; in the field 102, 217, 222, 224, 328, 395-397, 554, 644, 655, 664, 687, 688, 737, 739-741, 771-774, 780, 818(?), 835, 847, 853, 869,876, 878, 880-883, 889, 890, 897, 898, 901,903,905-918,921-923, 925, 928-930, 933-935, 938-953,957-973, 986, 990, 993, 1002-1028, 1033, 1034, 1036, 1037, 1039, 1040, 1048, 10531055, 1058-1066, 1068, 1069, 1072, 1073, 1075-1092, 1095-1098, 11051107, 1109, 1111, 1113-1115, 1119, 1121, 1128, 1134, 1137, 1140, 1151-1153, 1169, 1171, 1174, 1183, 1185, 1192, 1194, 1196, 1198-1201, 1208-1210, 1213, 1224, 1225, 1227, 1229, 1231, 1232, 1239, 1240, 1242, 1247, 1250, 1251, 1256, 1278, 1295, 1419, 1440, 1484-1488, 1490, 1492, 1497-1500, 1502, 1509-1514, 15231526, 1530, 1532-1534, 1537, 1538, 1541-1553, 1555, 1556, 1558-1564, 1624, 1639, 1648, 1690, 1756, 1759, 1762, 1771, 1798, 1837, 1847, 1852, 1894, 1897, 1904, 1905, 1930 Building 640; fountain house 47, 645, 655, 660, 869, 1625(?), 1896(?); house 419; palace 47, 821; temple 47 Burnedvase 109, 113, 115, 166, 187,189, 250, 251,335, 341,345, 352, 365, 381, 426,480, 540, 611,791,798, 799,801, 807-810, 823, 829, 830, 836, 896, 934, 992, 1230, 1302, 1424, 1471, 1599, 1606, 1832, 1863, 1865, 1948(?) Bush 1295(?)

Corinthian 23, 42, 49, 58-59, 592, 623,

69; borrowing from Attic 43; imitation of Attic 7631;influence on Attic 23-24, 2417,43, 48, 58, 62, 75, 79, 81,8170, 82 Cornucopia287, 288 Corslet. See Armor Couch. See Furniture Cradle kithara. See Musical instrument

Crosshatching 528, 725, 1366, 1704, 1900 Cushion: used in carrying hydriai 357, 660; used in carrying chests and boxes 516, 644. See also Furniture, cushion and pillow Cycladic, influence on Attic 73-74 DENT in vase 35, 116, 657, 686, 694, 776,

839, 870, 877, 883, 925, 1000, 1002, 1030 Dilute glaze. See Glaze Dipinto 358, 1150 Dioros 1490 Dolphin-wheel 1900 Doric: building 47. See also Column Double line. See Drawing Drawing: double incised line 12, 15, 20, 341,342, 346, 399,437, 606, 708, 709, 725; outline 73, 7, 32, 47, 256, 407, 520, 527, 588, 610, 1453, 1753; redrawing 451, 474; upside-down 98, 1747, 1748 Drinking horn. See Vase, representation of EARRING.See Jewelry Eleusis 78

Ependytes228, 563 hero 79 CALYX-KRATER. See Vase, representation Eponymous Eridanos 80 of; Index IV Euboean 4513 Cave 878(?), 906, 1070(?) Exergue 54, 545, 68 Cervetri 87 Exports 2, 24, 4, 82, 18, 36, 63, 78, 82, 89 Chair. See Furniture Eye 40, 409, 57, 61, 66, 67, 672, 673, 680, Chamfer 67 681, 705, 860-863, 1010, 1079-1086, Chest 516 1108, 1128, 1129, 1247, 1376, 1601, Chian 57-58 1608, 1610, 1651(?), 1749, 1753Column 1132, 13, 14, 15, 16, 17, 47, 85, 1756, 1778, 1781-1784, 1824 116, 237, 248, 249, 252, 256, 257, 260, 265, 266, 271-274, 276, 278-283, 285, 286, 290, 296-300, 302, 319, 332, 333, FENESTRATED WALL (STAND) 30, 32 419, 527(?), 645, 655, 660, 790(?), Fillet: around head 56, 57, 65, 76, 81, 90, 818, 821, 869-871, 875, 1853, 1856(?) 93, 96-98, 105, 111, 114, 117, 120, Column-krater.See Vase, representation 123,139,165,181,187,190,199,207of; Index IV 209, 213, 215, 217, 218, 220,222, 376, Coral red 91, 1822 379, 385, 393, 396, 397, 400, 439, 447, Corfu 52 448, 454, 466, 472,493,499, 500, 504, Corinth 78 510,514,516,517,523,527,529,548,

364 554,557,562,574,575, 578, 584-586, 589, 592,602,613,660,663,666,691, 720, 735, 736,748, 752, 755-757, 768, 786, 791,798,813,815,817,818,824, 827,834, 839-842,844,845,849-855, 858, 873,880,881,884,885,888,890, 893, 894,898,901,904,905,907,908, 912-914, 918, 920, 922, 924, 925, 927, 930-933,936, 937, 945, 946, 948-950, 957, 961,963,964,967,971-973,977, 978, 981, 983, 987-991, 993-1004, 1011-1013, 1015-1018, 1026, 1027, 1034, 1036, 1039, 1040, 1047, 1048, 1052, 1053, 1056, 1058, 1059, 1072, 1075-1078, 1090, 1094, 1098, 1111, 1113, 1115, 1121, 1127, 1130, 1132, 1134, 1136, 1147, 1149, 1160, 1163-1165, 1167-1172, 1177, 1181, 1182, 1184, 1187, 1188, 1192, 1197-1200, 1205, 1206, 1209, 1211, 1215, 1216, 1219, 1220, 1222, 1225, 1226, 1228, 1229, 1236, 1238, 1257, 1259, 1262, 1268, 1369, 1391, 1396, 1418, 1447, 1448, 1482, 1484, 1486, 1487, 1489-1491, 1521, 1527, 1531, 1563, 1564, 1578, 1581-1585, 1587, 1590, 1591, 1595, 1597-1600, 1606, 1607, 1609, 1639, 1640, 1642, 1652, 1655, 1671, 1699, 1708, 1756, 1762, 1764, 1766, 1770-1772, 1783, 1837, 1839, 1876, 1884, 1896, 1902, 1908, 1916, 1927, 1931, 1943, 1945; around neck 203, 398, 904, 925, 1348; around shoulders 77, 474, 688, 1094(?), 1384, 1610(?), 1621; held by someone 1132, 804, 890, 1066, 1247, 1418, 1419; on helmet 55, 58, 206, 324, 487, 683, 692, 694, 828, 835, 837, 838, 842, 846, 915, 917, 952, 954, 956, 968, 977, 1028-1030, 1042, 1074, 1110, 1152, 1161, 1163, 1164, 1172, 1774, 1901, 1903; on wall 181, 375, 516, 561, 564, 568, 574, 800, 805, 841, 851, 1783, 1826 Flower 181, 191(?), 567, 585(?), 695, 817, 1151 Fountain house. See Building Furniture: block seat 736, 878, 893, 910-913, 938-942, 945-947, 953, 1040, 1058, 1207, 1211; chair 388, 1097; couch 374, 382, 388, 420, 431, 480, 553, 681,760,876,890,891,903, 914, 925, 949, 973, 1054, 1091, 1109, 1145, 1204, 1206, 1207, 1233, 1418, 1498(?), 1524, 1667, 1759, 1767(?), 1822, 1856(?); cushion 388(?), 1484, 1606; hassock 821; mattress 388(?), 480, 760, 1116, 1606, 1667, 1761, 1783, 1784, 1798; okladias 63, 181, 392,516,574,647,666,722,736,767, 799, 836, 841-845,847,854,855,873,

INDEXES 888, 899, 900, 903, 909,924,932,933, 940, 1002-1008, 1014, 1039-1041, 1046, 1048, 1049, 1054, 1056-1068, 1073, 1075-1090, 1100, 1101, 1103, 1108, 1112-1114, 1119, 1124, 1127, 1137, 1149, 1168, 1171, 1174, 1187, 1188, 1192, 1206, 1209-1211, 1213, 1214, 1216, 1220, 1221, 1226, 1245, 1249, 1253, 1420, 1424, 1429, 1434, 1437, 1477, 1534, 1550, 1559, 1563, 1569, 1592-1596, 1632, 1653, 1685, 1759, 1762-1764, 1767, 1771. See also Shield device; pillow 904, 925, 973, 1145,1429, 1485, 1493; stool 516, 736, 739, 781, 1667; table 388, 420, 431, 681, 876, 890, 903, 925, 949, 1054, 1091, 1109, 1145, 1204, 1206, 1207, 1233, 1418, 1524, 1623, 1667, 1759; throne 497, 821, 1721, 1939

See "Neck-piece" of chiton; Oriental dress; Scythian cap; Shawl; Thracian cloak Garment, red 432, 851 (part), 1459, 1476, 1672 (part), 1697 (part), 1698 (part), 1802, 1851 (part), 1859, 1926 (part); chiton 31, 80, 224, 385, 536, 544, 646, 673, 697 (part), 719 (skirt), 748, 929 (skirt), 1099 (skirt), 1268, 1269, 1378, 1426, 1454, 1641, 1658, 1659, 1709, 1753, 1806, 1819, 1941 (skirt); cloak 169, 433, 630 (part), 673(?), 679, 680, 701, 767, 1378,1391, 1479 (part), 1662, 1671 (part), 1912, 1943; corslet32; himation 1920; peplos 167 (overfold), 322, 767, 804, 1257 (overfold), 1292, 1446 (overfold), 1677, 1708 (overfold),1916, 1920 Garment, white: chiton 69, 108, 169, 186, 207,217,256,369,433,450,471,482, 495, 562, 575, 576, 632, 650, 651,666, 694, 722,755,810,905, 906, 910-913, 915, 916,921,922,931,933,938, 940, 942-945, 952, 953, 974, 990, 991, 1036, 1037, 1053, 1056, 1059-1065, 1073, 1076-1079, 1081, 1083-1086, 1092, 1095 (part), 1099, 1103, 1113, 1114, 1124, 1162, 1187-1190, 1197, 1226, 1282, 1290, 1346, 1426, 1476, 1483, 1500, 1569, 1581, 1592, 1595, 1609, 1612, 1631, 1661, 1662, 1683, 1690, 1693, 1707, 1763, 1764, 1802, 1842, 1850, 1875, 1945; corslet 952, 1689; himation 647; skirt 1262 Garment decoration: circle 373, 382; cross 39, 92, 375, 555, 563, 599, 636, 767, 1725, 1945; dot cluster 76, 84, 90, 92, 105, 181, 201, 202, 209, 213, 215, 218, 252, 254, 319, 331, 363, 387, 390-392,450,466,470,486,492-494, GARMENT.

502, 555, 560,580,583,637,640, 644, 653, 660, 686,747,756,767,773,877, 881,883,885,890,896,898-900, 906, 907, 909, 917, 925, 942, 944, 946, 952, 963, 966, 971-973, 1033, 1052, 1092, 1093, 1097, 1106, 1132, 1138, 1198, 1204, 1209, 1214, 1269, 1498, 1761, 1769; dot rosette 73, 460, 630, 1383, 1649, 1795; dots 24, 47, 56, 61, 68, 71, 76, 88, 89, 93-96, 102, 103, 107, 167, 172, 174,182, 184,187,188, 195, 197, 198, 202, 205, 207-209, 213, 215, 223, 224, 239, 243, 252, 254, 258, 331,363, 380, 381, 386, 387, 391-393,395, 430, 461,465, 466,473,487,488,491-494, 497,499, 502, 508, 516, 555, 558, 564, 568-571,574-576, 578-581, 597, 636, 643, 644, 646, 656-658, 660, 673, 679, 681,686, 687, 691, 694, 719, 736-739, 741,747, 749, 756, 757, 773, 760, 776, 780, 781, 783, 791,800, 802, 804, 813, 821, 822, 835, 837, 838, 840,849, 851, 853-855, 860, 868, 870, 871, 873, 876-879, 881-885, 889, 890, 893, 896-899,901-903, 905, 906, 908, 911, 912, 914, 915, 932, 938, 940, 947-950, 953-955, 958, 962, 975, 984, 990, 1019, 1030, 1037, 1039, 1040, 1042, 1047, 1048, 1052, 1055-1057, 1059, 1061, 1063, 1066, 1095, 1097-1100, 1102, 1103, 1106, 1109, 1117, 1124, 1126, 1127, 1132, 1139, 1159-1161, 1163-1165, 1168, 1171, 1172, 1174, 1179, 1185, 1190, 1207, 1211, 1235, 1238, 1240, 1248, 1257, 1268, 1278, 1286, 1290, 1385, 1419, 1459, 1460, 1477, 1484, 1486, 1488, 1495, 1498, 1500, 1527, 1528, 1531, 1536, 1559, 1563, 1569, 1591, 1593, 1606, 1630, 1639, 1640, 1653, 1708, 1709, 1711, 1728, 1762-1764, 1770-1772, 1776, 1784, 1803, 1830, 1847, 1848, 1851, 1885, 1900, 1945; key pattern 167; maeander763; rosette69, 95, 381, 564, 568, 633, 680, 681, 833, 1257, 1698, 1719, 1916, 1926; stripe 57, 60, 71, 74, 81, 88, 92, 94, 96, 105, 107, 181, 182, 191,200, 201,207, 211,215, 217, 218, 225,364, 374, 377, 381,384, 450, 461, 471,487, 491-494, 501,502, 514, 557, 564, 568, 578, 613,628, 636, 637, 646, 647, 665, 681,683, 686, 693, 722, 735, 736, 738, 742, 748, 749, 751,753, 754, 764, 767, 770, 776, 781, 786, 789, 807, 808, 813, 816, 821,827, 828, 831, 832, 839-842, 844,845, 847-849, 853-855, 861,866, 885,888, 889, 891, 893, 894, 899-901,904, 905, 907,909, 911-913, 915-925, 927-929, 932, 933, 937-940, 942-952, 957-963, 966, 967, 969, 971-974, 977, 981,983-986, 989-991,

INDEX III: GENERAL 993-1004, 1007, 1010-1013, 10151018, 1021, 1024-1026, 1028, 1029, 1032-1036, 1039, 1043, 1047-1049, 1053, 1054, 1056, 1058, 1059, 1062, 1065, 1066, 1073, 1074, 1076-1092, 1094, 1099-1103, 1106, 1109-1117, 1119, 1120, 1123, 1124, 1132, 1137, 1144, 1145, 1149, 1150, 1152, 1159, 1160, 1163-1165, 1168-1172, 1177, 1180-1183, 1187, 1188, 1190, 1197, 1198, 1201-1204, 1206-1209, 1211, 1213-1217, 1219, 1220, 1222, 1225, 1226, 1230, 1231, 1233, 1235, 1236, 1254, 1256, 1266, 1351, 1382, 1393, 1420, 1460, 1476, 1521, 1528, 1559, 1563, 1564, 1586-1588, 1594, 1595, 1612, 1644, 1647, 1713, 1751, 1760, 1764, 1769-1771, 1776, 1783, 1798, 1809, 1814, 1824, 1830, 1837, 1848, 1852, 1859, 1876, 1921, 1927, 1941, 1945, 1948; wavy line 799, 1176; zigzag line 72 Geometric 20, 22, 23, 30, 32, 39, 531, 583, 471

Glaze: abraded (worn) 3, 8, 14, 46, 69, 72, 96, 116, 118, 143, 156, 161, 179, 181,215,253,267,343,374,401,410, 411,413,522,528,550,554,581,594, 624, 630, 631, 669, 673, 694-696, 698-701,716,717,722,731,757,798, 802,814,821,829,855, 863, 898, 911, 912,924,931,939,941,943, 945, 960, 977, 985, 997, 999, 1004, 1007, 1009, 1010, 1012, 1014, 1018, 1027, 1028, 1038, 1043, 1061, 1069, 1073, 1078-1080, 1124, 1145, 1268, 1292, 1304, 1312, 1315, 1396, 1399, 1403, 1422, 1484, 1553, 1598, 1630, 1678, 1700, 1759, 1831; cracked 40, 899; dilute 170, 191, 517, 630, 641, 1809; flaked 117, 128, 129, 132, 133, 135, 137,276,322,339,353,374,401, 519, 522,546,729,792,798,802, 830, 851, 896, 912, 939, 943, 978, 985, 1014, 1020, 1038, 1061, 1067, 1069, 1073, 1079, 1080, 1094, 1132, 1215, 1260, 1266, 1305, 1314, 1322, 1328, 1345, 1393, 1451, 1472, 1484, 1490, 1556, 1587, 1759, 1766, 1772, 1856, 1863, 1946; misfired, 3, 7, 12, 14, 16, 35, 39, 45,71,73,83,119,122,127,131,145, 153,164,181,215,246,251, 286, 306, 316,339,366,368,375,393, 398, 430, 434, 436,441,445,463,483, 507, 525, 528,538,543,546,592,604, 611, 612, 615,617,624,627,647,653,659, 661, 666,682,684,700,712,728, 744, 748, 862, 887, 765,787,797,828,839,848, 940, 946, 895,897,914,919,920,929, 968,979,983,1006,1047,1054,1061, 1072, 1077, 1083, 1116, 1181, 1206,

INDEX

1217, 1276, 1277, 1280, 1286, 1296, 1299, 1301, 1305, 1307, 1309, 1311, 1317, 1318, 1320, 1322, 1325, 1328-1330, 1368, 1371, 1387, 1389, 1398, 1399, 1402, 1404, 1405, 1412, 1423, 1435, 1437, 1447, 1455, 1456, 1461, 1477, 1506, 1509, 1512, 1515, 1522, 1541, 1547, 1551, 1556, 1576, 1589, 1593, 1596, 1609, 1614, 1616, 1627, 1631, 1637, 1646, 1736, 1810, 1820, 1821, 1832, 1834, 1846, 1881, 1914, 1917-1919, 1921, 1930, 1937, 1949; mottled 83, 228, 321, 489, 694, 793, 995, 1437, 1532, 1542; smeared 481; streakof 657; streaky100. See also Burned vase; Wash Goal post 263, 308, 369, 664, 930, 1051, 1197, 1504, 1531, 1533, 1557 Gorgoneion 55, 56, 66, 67, 305, 1423, 1785-1793, 1805. See also Shield device Graffito 34, 1559, 1603, 1615, 1833 Grave marker 7, 719, 84, 22, 74, 118

Greaves. See Armor

228 Hassock. See Furniture Headdress 205. See also Sakkos; Stephane; Wreath Helmet. See Armor Herm 1530 Hole: in bottom 402, 798, 1796; for libations 374; in top of closed shape 70, 1906; near top of pyxis 1284, of stand 516, 553, 594; for suspension 48, 53, 72, 1399, 1431, 1432, 1434, 1943; to vent gases 282 House. See Building Hydria. See Vase, representation of; Index IV HALTERES

INFIBULATION 1486, 1489 Inscription 1411, 13, 18, 25, 47, 84, 126,

168, 187, 468, 480, 524, 546, 553, 817, 819, 820, 1381, 1407, 1414, 1416, 1425, 1430, 1432, 1473, 1474, 1686, 1694, 1705-1707, 1743, 1744, 1752, 1802, 1804, 1806, 1809, 1813, 1874, 1912,

1930,

1938;

imitation

375,

434(?), 782, 1181, 1212, 1268-1270, 1292,1424,1434, 1572(?), 1573,1669, 1685,1688, 1749,1815,1816, 1847(?), 1851, 1853(?); in added red 1411553, 610, 1430, 1912; nonsense 115, 381, 503, 575, 750, 752, 782, 791,871, 872, 879, 1448, 1689, 1695, 1696, 1745, 1814, 1820, 1899; on Panathenaic 18(?), archon 14, 271, 273, 278, 286, 289, 290, 296, 297, 298, prize 1411,

365 237, 238, 244, 245, 256, 260, 265, 271, 274, 276, 279, 283, 285, 299-301, potter 274; written kionedon 16, 276, 286, 289, 290, 296-301. See also Kalos name; Index VI Ionian alphabet 17 Ionian influence 6633 Incense 69 JAVELIN228

Jewelry: bracelet 292, 644; earring 183, 644, 1391; necklace 644, 789, 1884; ring 292 KALOS NAME: Andokides 3714,

91; Antimenes 90; Eumares 55 Kamiros43 Kantharos.See Vase, representationof Kerameikos46, 78, 80, 87, 87118 Kithara. See Musical instrument Krater.See Vase, representationof Krobylos567 Krotala. See Musical instrument Kuban 97 Kynosarges73 LACONIAN CUP6842 Ladle 214 Laver 872 Lebes gamikos. See Vase, representation of; Index IV Lekanis. See Vase, representation of; Index IV Loutrophoros. See Vase, representation of; Index IV Lyre. See Musical instrument MASS PRODUCTION 2

Mattress. See Furniture Menidi 32 Mended in antiquity 159, 169, 188, 272, 321, 398, 472, 553, 681, 753, 786, 1270, 1341, 1373, 1491, 1749. See also Re-used in antiquity; Trimmed in antiquity Metal prototype 26, 33, 35, 353, 36, 40, 41, 43, 51, 56,69 Misfiring. See Glaze, misfired Mistake 686, 897, 922, 1038,1044, 1187, 1414 Musical instrument:aulos 45, 165, 598, 661,681,879, 1486, 1487,1489,1493, 1494, 1524, 1588; barbiton 203, 506, 772, 1136, 1286, 1413; cradle kithara 1486; kithara 74, 182, 184, 195, 202(?), 207, 486, 514, 566, 600, 821, 901, 1242; krotala 1068, 1146, 1170, 1483, 1507, 1508, 1527, 1546; lyre

366 219, 433, 574, 575, 583, 764(?), 873, 875, 932, 1151, 1187, 1191, 1209, 1211, 1220, 1222, 1224, 1225, 1231, 1246, 1253, 1431, 1516, 1521, 1522, 1531, 1920 Myrrhinous 87 18 NEBRIS80, 102(?), 158, 215, 487, 1162,

1641, 1823, 1891 "Neck-piece"of chiton 1707 Necklace. See Jewelry OKLADIAS. See Furniture;Shield device

Olympieion 4 Oriental dress 1678 Ostrakon 56, 5622,96, 546 Outline. See Drawing PALACE.See Building

Palm branch 312(?) Palm tree 22, 528, 575, 872, 875 Palmette 74, 97, 1, 1397. See also Index IV Panathenaic,competitionsample 274 Panathenaiccommission 1517 PanathenaicFestival 12-13, 134 Panel: earliest 5, 59;unframed36, 82 Panther head 118 Patronymic 14, 226 Pelta 929, 1166, 1177, 1178; device on, balls 929 Persian Sack 1, 46 Pick 141 Pickaback1490 Pillar 1216, 1856(?). See also Column Pillow. See Furniture Plant 702(?), 1906. See also Flower; Palm tree; Poppy; Tree; Vine Plastic snake 20 Plumes on helmet 206, 819, 1125, 1766 Polos 82, 594, 622, 1320, 1322, 1388 Polychrome47 Pomegranate74, 588 Poppy 74 Predella 45, 91, 636, 638, 639, 817 Preliminarysketch 1446 Protoattic pottery 5, 719, 20, 23, 30, 32, 395, 531, 73, 77, 520 RED, applied directly on the clay 466, 1329, 1889 Red, splash of 853 Red contour419, 1912 Red face 31, 32, 121, 123, 124, 126, 178, 400, 417, 440, 441,451-453,455, 456, 529, 541, 610, 671, 723, 724, 797, 1299, 1303,1369, 1388, 1442, 1467 Red figure 2, 26, 2756, 10, 32, 33, 38,

INDEXES 4014, 47, 48, 55, 55"1)l , 581, 67, 71,

73, 89, 90, 91, 92, 93, 94, 192; influence on black figure 93

Red-bodied40, 42 Re-used in antiquity 1929, 1936. See also Trimmed in antiquity

Rhodes 62 Riding crop 24, 182, 701 Rim, figures on top of 476 Ring. See Jewelry Rock 1002, 1038, 1070, 1107 Roof tiles 69, 692, 71, 471

SAKKOS 113, 871,904 Samos 6524

Scale pattern. See Garment decoration Scepter 181 Scythian cap 79 Shawl 17 Shield 345(?), Boeotian 215, 450, 457, 464, 637, 657,742, 867,902, 975-982, 985-989, 992, 1037, 1049,1110,1117, 1148, 1414, 1766; round34, 41, 48, 72, 76, 79, 91, 100, 103, 118, 188, 209, 213, 215, 216, 228, 234, 237,239, 240, 247, 250-252, 256, 258, 260, 271, 277, 282, 293, 298,303,305,315,319,321324, 329, 336, 366, 395, 450, 473,485, 487, 491,495, 496, 611,614, 626, 628, 637, 646, 650, 679, 680, 683,686, 687, 692, 694, 719, 735, 741,747-749, 754, 768, 789, 794, 815, 819, 825, 826, 828-832, 837-842, 844-846, 864, 887, 888, 892, 898-900, 902, 928, 929, 954-956, 983, 984, 990, 1027-1031, 1042-1045, 1047, 1074, 1102, 1105, 1110, 1139, 1147, 1148, 1161, 1163-1165, 1172, 1175, 1180, 1181, 1197, 1243, 1248, 1278, 1290, 1349, 1378, 1382, 1426, 1501, 1558, 1565, 1581, 1628, 1634, 1640, 1663-1666, 1669, 1676, 1678, 1679, 1683, 1766, 1768, 1815, 1816, 1819, 1824, 1877, 1878, 1901, 1940. See also Pelta Shield device 16, 1627;anchor 209; arc 956; balls 91, 103, 215, 487, 495, 637, 650,748,749,768, 826,837,841,844, 845, 846(?), 954(?), 1030, 1031, 1047, 1110, 1147, 1161, 1163-1165, 1172, 1501, 1628(?), 1766,1815,1816,1824; ball and circle 955, 1628(?); ball with ivy 91; bee or wasp 628; blob 1248; bow 1382; bull's head 260(?), 687, 719, 741; chariot box 473, 680; circle, arcs, balls 692; circle and dot 209; circles 1042, 1044, 1139, 1181; cock 1105; dog 366(?); dolphin 319, 322, 815, 828, 831, 832; dot and arc 867; dots 1027, 1768; eagle 118, 646; female leg 213, 450(?), 464, 491, 686, 694,

735, 819, 892; frame 735; Gorgoneion 1728; horse foreparts 450; horsehead 435, 898, 1679(?); leaf 213; lion 366(?); lion's head 1663, 1665, 1679(?); man's head 1678; Nike 256; octopus 747; okladias 825; owl on tendril 239; panther head 464; Pegasos 1628, 251, 329(?), 336; rings 1816; rosette899; satyr head 51; serpent 213, 1029 (three-dimensional),1047, 1815; siren 324(?); star 34, 228, 277, 321, 900 (with dots), 1378; star rosette, compass drawn 679, 899, 902, 1102, 1278; thunderbolt 260(?), 976(?), 979-982, 985-988, 1037, 1110, 1117, 1148; tripod 209, 240(?), 683, 735, 742, 864, 892, 975; Tyrant Slayers 17; wreath 637, 954(?), 1028; wreath and ball 76. See also Pelta Ships on rims 34, 3410, 65, 614, 1704

Siana 62-63 Silhouette technique 3220, 52, 56-57, 61, 66, 6628,68, 73,96,476-479,490,604, 727, 732, 745, 746, 764, 765, 937, 1008, 1041, 1070, 1256, 1279, 1285, 1294, 1295, 1329, 1387, 1420, 1424, 1427, 1429, 1434-1440, 1449, 1450, 1539, 1541-1557, 1570-1577, 1596, 1604, 1605, 1611, 1615, 1617, 1626, 1633, 1636, 1637, 1643, 1645, 1656, 1729, 1747, 1779, 1794, 1801, 1821, 1842, 1843, 1845, 1847, 1906, 1929 Six's technique 484, 56, 5621,563, 90, 91, 1175, 1411, 1430-1433 Slip 94, 1, 3, 8, 120, 122, 135, 344, 346, 349, 399, 415, 539, 596, 603, 675, 700, 787, 1918(?), 1938, 1940 Sosian 32 Spata 43 Stephane 511, 557. See also Wreath Stone 118, 391, 610, 771(?), 858, 1268, 1720 Stool. See Furniture Stopper 71, 1758, 1929 Subgeometricpottery 55, 623 TABLE.See Furniture Taranto 63 Temple. See Building Test vase 134 Thebes 87118,96 Thracian cloak 895, 1501 Throne. See Furniture Torch 471, 472, 511, 514, 517, 563, 668(?), 785(?) Tree 118, 187, 391, 654, 924, 1052, 1093(?), 1131, 1215, 1237, 1493, 1497, 1498, 1503, 1517, 1550, 1905(?). See also Palm tree Trimmed in antiquity 1368. See also

INDEX III: GENERAL Mended in antiquity; Re-used in antiquity Tripod 1910, 365, 610, 764(?), 1036, 1135(?), 1152, 1182, 1237, 1502 Tyrant-Slayers. See Shield device

VAMBRACE. See Armor

Vari 51, 77, 78 Vase, representationof: amphora Type B 462; amphora, pointed 1486, 1487; calyx-krater 1422; column-krater610, 1286; cup 1286, 1729, 1885; drinking horn 63, 85, 51, 96, 111, 198, 207,218, 223, 224, 391,395, 472, 501,610, 666, 693, 694, 722, 737, 753, 755, 773, 878, 901, 903, 904, 906, 910-914, 931, 938-945, 947(?), 949, 952,1015,1018, 1056, 1059, 1062-1066, 1092, 1094, 1114, 1130, 1171, 1187, 1188, 1214, 1217, 1222, 1228, 1249, 1429, 1431, 1484, 1485, 1527, 1529, 1532(?), 1559, 1568, 1569, 1571, 1606, 1682, 1727, 1760(?), 1762, 1764,1770, 1772,1838, 1841, 1847, 1861, 1926; hydria 642, 660, 869; kantharos 102, 214, 582, 610, 681,690, 736, 847, 891,899, 900, 928, 1014, 1020, 1021, 1057, 1061, 1073, 1075, 1077, 1090, 1099-1101, 1103, 1113, 1115, 1146, 1149, 1251, 1493, 1518, 1795, 1817; krater 1511(?); lebes gamikos 471; lekanis 553; loutrophoros 386; skyphos 1422, 1560; volute-krater463 Vine 27, 91, 96, 98(?), 102, 114, 188, 198, 211,213, 218, 223, 390, 393, 472,

INDEX

483, 486, 506, 507, 509, 513, 557,563, 569-571,658, 686, 688-690, 693, 694, 722, 736, 738, 743, 744, 755, 759, 760, 781, 783, 818(?), 873, 899, 904, 919, 926, 974, 1001, 1031, 1056, 1093, 1094, 1099-1103, 1110, 1112, 1116, 1120, 1141, 1146, 1150, 1155, 1160, 1182, 1184, 1187, 1188, 1205, 1211, 1219, 1238, 1286, 1389(?), 1412, 1415, 1421, 1422, 1424, 1429, 1491, 1493, 1507, 1508, 1519, 1520, 1527, 1536, 1554, 1565, 1566, 1569, 1646, 1647, 1653, 1761, 1763-1766, 1768-1770, 1772-1774, 1776, 1780, 1795, 1830, 1838, 1845, 1897, 1904; held by someone 931, 932; staves for 1483 Vraona 41, 42, 43, 82 Vulci 87

1606 Wash 53, 78, 91, 102, 106, 110, 113, 186, 187,224, 226, 245, 259, 262, 277,282, 308, 327, 331,356, 361,397, 398,489, 500, 511,514, 555, 557, 564, 570, 575, 585, 636, 661, 761, 1385, 1585, 1596, 1601, 1750, 1897, 1908, 1925, 1946. See also Glaze Weathering 117 Wheat 192 White for figures, applied directly on the clay 47, 256 (part), 303, 306, 308, 310, 338, 419, 597,660, 687, 908, 914, 924, 949, 1211, 1220, 1226, 1453, 1484, 1485, 1500, 1584, 1587, 1588, 1590, 1600, 1708, 1724, 1760, 1768, 1861, 1903 (part), 1912 WARPING 35,

367 White ground 3718, 45, 4517, 47, 48, 481, 484, 52, 56, 57, 61, 89136, 90, 90142, 90145,91, 91148, 94, 96, 219, 477, 772,

817, 822, 840, 869, 872, 874, 875, 923, 993, 1001, 1024, 1032, 1049, 1054, 1071, 1136, 1137, 1145, 1152, 1160, 1181, 1183, 1216, 1222, 1227, 1237, 1256, 1286, 1295, 1329, 1414, 1570, 1571, 1573-1577, 1615, 1617, 1637, 1823 Wine 1733,20, 214, 39, 40 Wineskin 1554, 1779 Women's flesh left black 994-999, 10021009, 1011-1013, 1049, 1054, 1075-1078, 1087, 1090, 1112, 1113, 1151, 1160, 1181, 1182, 1234, 1250, 1262, 1483, 1503, 1505, 1513, 1518, 1524, 1532 Wool 69, 516, 1848 Workshop 1, 3, 23, 31, 39, 4012,41, 4223, 433, 45 Wreath: around head 111, 181, 182, 192, 197, 198, 207, 214, 223, 328, 390, 395, 474, 484, 505, 514, 554, 575, 580, 598, 667, 681,686, 690, 693, 694, 737, 759, 761,817, 870, 890, 891,899, 900, 921, 923, 926, 928, 940, 974, 1002, 1037, 1053, 1062, 1072, 1075, 1081, 1084, 1090, 1092, 1103, 1115, 1116, 1119, 1130, 1152, 1153, 1168, 1187, 1222, 1262, 1429, 1486, 1487, 1541, 1564, 1690, 1753, 1761, 1773, 1838, 1839, 1849; hanging 98(?), 1461; held by someone 878, 910, 947(?), 1061, 1068,

1072, 1114, 1266, 1541, 1753, 1761, 1769, 1829, 1948; round penis of mule 500, 1109. See also Shield device

368

INDEX IV: SHAPE AND ORNAMENT Entries in small capitals appear in the text as main headings;these referencesare italicized. We have given other referencesto the same shape that we consideruseful to the reader. Omitted are commonornamentsused in the standardmanner, such as the tongue pattern on the shoulder at the junction with the neck, or rays above the foot, or palmettes at handles. Instead we have listed these ornamentsonly when they occur in non-standardcontexts or on rare shapes.

ALABASTRA 47-48, 87, 90, 94178 Amphora Type A 2, 46, 94174; antecedents 42; known provenances 43

71, 91; Komast 79; Lip-cup 65, 91; Little Master 89137, 90139, 91; Proto-A 91; Siana 81, 82, 85; Type A 89137, 91

Cup-skyphos 94 Amphora Type B 83; oversize 42 See also Neck-amphorae; Cup, standed 302 Amphorae. Panathenaicamphorae AMPHORAE,ONE-PIECE4-7, 70, 74, 75, 76, 77, 7740, 78, 79, 80, 82, 83, 85, 85105, 86, 87, 88, 89, 90, 90139, 91, 92,

93. See also under Psykter Amphorae,three types distinguished41 AMPHORAE, TYPE UNCERTAIN 18, 71(?) AMPHORAE

LIDS 18

Dicing 412, 413, 621, 665, 1338, 1399, 1400, 1405, 1662, 1805, 1806 DINOI32, 33-35, 70, 75, 78, 7850,79, 82,

Guilloche 337, 51,343, 1299

83; black-bodied 331 Dinoid vessel 344, 1186 DIsKS 71, 72; cut from a plaque 73

Handle: concave 8, 353, 39, 4012, 41, 43,

Dot band 47, 160, 210, 394, 516, 592, 665,691,818,819,914,929,936,973, 975, 994, 1001, 1012, 1027-1030, Band with dots 563 1043, 1066, 1071, 1074-1078, 1133, Base. See Ring base 1146, 1147, 1189-1193, 1197, 1202, Biconicalbody 43 1205, 1212, 1214-1216, 1219-1229, Blob 60, 159, 163, 593, 732, 746, 766, 1234, 1237, 1264, 1286, 1291, 1293, 1050, 1260, 1263, 1272, 1285, 1287, 1297, 1299, 1307, 1312, 1318, 1319, 1306, 1312, 1314, 1315, 1319, 13211322, 1335, 1336, 1380, 1403, 1831, 1324, 1329, 1330, 1341, 1360, 1398, 1868 1399, 1427, 1467, 1871, 1943 Dot ivy 61, 692-694, 749, 1423, 1499, Borderof esses 52, 58, 141-143, 404, 414, 1578, 1580, 1581-1584, 1588, 1589, 439, 617, 1302, 1310, 1447. See also 1599-1602, 1606-1608, 1628, 1629, Z's 1639, 1640 BowLS68, 70, 71 Dots 31, 42, 52, 58, 144, 147, 486, 616, Bud-palmettefrieze 76 631, 741, 742, 744, 771, 782(?), 886, 937, 1155, 1161, 1280, 1287, 1294, 1300, 1332, 1403, 1434, 1441, 1463, CALYX-KRATERS 26-27, 46, 90, 92, 93 1469, 1472, 1603, 1916, 1918. See also Chain of upright lotuses and palmettes Index III, Garment decoration 1131,683 Drip ring 43, 44 CHALICES 57-58, 71, 84, 85

Aryballos 87

Checkerboard 2414, 41,46, 686, 687,692,

1137 Chevrons 31, 576, 1748 Chous. See Oinochoai

Circles 128, 615, 1682, 1831, 1834; with dots 130. See also Index III, Garment decoration CLOSED VASES, TYPE UNCERTAIN 70

Collar, ring 736 COLUMN-KRATERS 23-25, 32, 65, 79, 80, 82, 83, 84, 85, 86, 88, 88130, 93 Crenellation 61, 695, 1615, 1849

Cross 120, 423, 603, 674(?), 1279, 1299, 1341, 1361; with triangle 1909. See also Index III, Garment decoration Cul 26, 27, 57, 58 CUPS62-68, 83, 84, 88, 89137, 90, 96; Band-cup 65, 91; Droop 89; Gordian

rilled 35, 615; signed on underside of 1813; spreading 20; torus 10, 11, 21, 25, 28, 285, 29, 30, 37, 38, 39, 41, 45, 46, 47, 59, 60, 61, 67, 181, 398, 516, 543, 587, 669

EPINETRA69, 95 Exaleiptron. See Kothons

44; cylindrical49; double 28, 39, 4012, 43, 512, 673; flat 810;flanged 4, 7, 26, 147, 1934; lug 47, 49; oval 37; ribbed 810;ridged 37, 41, 42, 686; round 37; segmental 20; strap 19, 22, 40, 181, 619; triple 11; upright, double 28, loop 29, 32 Herringbonepattern 162 HYDRIAI 35-38, 44, 70, 80, 82, 83, 84, 86, 8613, 87, 88, 88126, 90, 91, 92, 93, 97;

methodsof carrying357; plain 368 IvY 1330, 1396, 1408, 1637, 1772; above figures 59, 720, 876; below panel 650; below rim 504, 1439; frames 37, 84, 470,474,480,626,627,632,642,646, 652, 769, 784; frieze 7, 2110,38, 41,42, 70, 55, 57, 58, 60, 62, 119, 370, 1330, 1439; on flange 1851, 1934; on handles 26, 491; on lid 370, 1293; on lip 63, 637, 1680; on neck 742, 835; on rim 25, 27, 34, 54, 60, 63, 637, 476-478, 490, 1409, 1483, 1484, 1486-1490, 1492, 1493, 1498, 1499; on shoulder 635, 800, 801, 837, 839, 841, 844, 845, 847-855, 859-863

Fanlike ornament 136

Fillet 45, 46, 60, 66, 67, 1786, Kantharos71, 90 1788-1791, 1794, 1796 Key pattern 11, 20, 219, 277, 319, 37, 38, Rim See 3823, 41, 46, 47, 69, 728, 84, 93, 375, Handle; Lid; Flange. Floral 34, 117, 128, 138, 142, 436, 550, 396, 404, 644,645, 650,669,685-688, 689(?), 690, 790, 821, 835, 870, 877, 626, 670, 1439, 1616, 1681 Foot: conical 51, 57, 63; with chamfered 879,917,930,1182,1184,1188,1199, 1200, 1208, 1209, 1211, 1218, 1328, edge 1813; with concave edge 67; disk 1945; above panel 99, 100, 685; below 13, 39, 45, 47; echinus 4, 89, 13, 18, 20, 332, 34, 36, 41, 32, 39, 37, 38, 25, 22, figures 27', 31, 200; on side of rim 26, 491, 495, 496. See also Index II1, 43, 44, 50, 227; flaring 89, 18, 42, 49, Garment decoration 60, 66, 71; flat 64, 1752; in two degrees KOTHONS49, 84 4, 7, 18, 21, 223, 25, 26, 46,47,61,56;

INDEX IV: SHAPE AND ORNAMENT

369

653, 816, 835, 886, 1152; influencedby lekythoi 12; inverted 223, 1289; upand-down 12, 213-215, 223, 643, 821, 869, 883, 885, 1184; upright 829-834 AMPHORAE PANATHENAIC 12-17, 88, 93, 97,72 Panathenaic amphora, competition sample 134, 274 Panathenaic amphora, glazed on inside Maeander 31, 132, 136, 582, 1288, 1292, 15 1408, 1426, 1945. See also Index III, Panathenaicamphora,test vase 134 Leaves 214, 1410, 1613, 1759, 1764, Garment decoration Panathenaic amphora, undersized but 1766-1768, 1771. See also Ivy; Myrtle Molding 1853 prize 134, 14 GAMIKOI LEBETES 27-29, 79, 7954,86, 88 MASTOID 57 Panathenaic amphora, uninscribed, full Leg, tripod 49 Medallion, reserved34, 345 size 134 LEKANIDES 51-53, 75, 77, 78, 7847, 8059, Mouth: calyx-shaped 45, 46, 47; echinus Panathenaic amphora, without columns 81, 82, 85, 86 11, 13, 47; flaring 4, 8, 13, 18, 37, 45, 14, 17(?) LEKYTHOI 43-47, 76, 84, 91, 92, 93, 94, 128, 171, 1934; flat 396; in two degrees Panels, unframed614,33, 179 95, 96; sub-Deianeira 91; lekythos, top 18; plain 39, 41; rilled 10, 181; torus 4, PELIKAI 20, 93, 97. See also Neck-pelike of mouth glazed 924,1006,1021,1025, 20, 37, 38, 339; trefoil 39, 41, 42, 670, PHIALAI 56-57, 98 1029, 1055, 1077, 1084-1088; 671, 674 48 PHORMISKOI LIDS53, 72, 748, 75, 76, 82, 85, 89137; Myrtle 1413, 1418, 1678, 1679, 1682, Pithos 71 domed 22; flanged 50, 367-369, 371 1749, 1886 45, 71-72, 73, 79, 7954, 81, 83, PLAQUES Lip, offset 59, 62, 64, 67 91 Loops 21, 520 PLATES 53-56, 72, 75, 76, 80, 82, 8392, NECK-AMPHORAE Loopwork 84, 22 7-12, 70, 74, 748, 76, 89137,91, 96, 97; tripod-plate91 Lotus 532, 1299, 1300,1316, 1321, 1498, 77, 7732, 35, 7847,82, 83, 84, 86, 88, 89, Plates, standed 302 1659, 1702 90, 92, 93, 97, 82. See also under Pomegranate60, 1657, 1825 Lotus-bud frieze 12, 134 Psykter PSYKTERS 20-22, 90, 90142;psykter-amLotus buds 69, 34, 528, 816, 1498, 1854; Neck-amphora, decorated on shoulder phora 8392;psykter-neck-amphora89 ornament 550; and body 82, 37 hanging 7, 28, filling PYXIDES 49-50, 81, 82, 92, 98 29, 31, 319, 38, 3823,42,45,46,47, 89, Neck-amphora, varieties preferred by 69, 77, 81, 86, 98, 118, 197, 391, 514, Exekias 1237 516, 517, 655, 679, 723, 736, 753, Neck-pelike 94178 796-798,818,824, 825,827,828,869Net pattern 7, 38, 41, 42, 46, 593, 637, 95, Rays 52, 5210, 53, 637, 69, 1257; above 876, 878-883, 887-890, 892-928, figures 31; above foot 2, 20, 2212, 23, 96, 395, 396, 650, 657, 658, 663, 1129, 1132, 1145, 1162-1169, 1181, 30, 31, 59, 60, 61, 62, 66, 391, 587, 686-689, 692, 737, 740, 747, 751, 1182, 1259, 1382; on top side of rim 24, 791, 1297, 1302, 1455, 1465, 1476, 755-757, 772, 782(?), 822, 869, 871, 25, 2518, 54, 459, 474, 479, 611, 1396; 1613, 1659, 1749; below figures 1302, 874, 875, 1130, 1152, 1181, 1217, 1319, 1322, 1459, 1460, 1472; below upright 1021,11, 1131,2212,28,31,38, 1246, 1293, 1380, 1613 rim 572, 574; inverted 2212, 28, 285, 637, 66, 200, 201, 213, 215, 514-516, OINOCHOAI 39-43, 70, 748, 75, 76, 77, 82, 583, 598, 642, 653, 750, 790, 1258, in 2911, 30, 31, 118, 132(?), 516, 530, bronze 39 86, 88, 91, 92, 96, 97, 98; 1406, 1461 544, 553-555, 559,560, 563,568, 569, Olpe. See Oinochoai Lotus buds and lotus flowers 197 571, 573, 577, 587; on cul 27, 58; on OPEN VASES, TYPE UNCERTAIN 70-71 foot 35, 616; on lids 18, 53, 370, 413, Lotus-palmette chain 29, 30, 637, 148, Oval 162, 1627 557, 1678; above panel 2, 6, 50, 52, 75, 1330, 1336, 1338, 1341, 1343, 1345, 79, 89, 97, 101, 112, 683, 1934; 1347, 1350, 1351, 1353, 1380, 1386; inverted 767; on lip 1684; on neck 11, Palmette 27, 45, 46, 59, 60, 61, 637, 64, on rims 24, 249, 337, 52, 54, 436, 437, 13, 14, 15, 17, 185, 188, 198, 204, 209, 97, 137, 196, 373, 436, 477, 479, 445, 447, 1299, 1300, 1399, 1401319, 358; on rim 27 582(?), 660, 763, 823(?), 836, 1350, 1403; on shoulder 47, 132(?); stacked 1378, 1391, 1854. See also Index III 76, 138 Lotus-palmettecomplex 542 Ribbon pattern: 219'10, 31, 578, 1293, Lotus-palmettecross 10, 14, 54, 139, 141, Palmette chain 7, 637, 30, 41, 114, 1779 1382 166, 171, 176(?), 228, 523, 531, 551, Palmette complex 378 Palmette with ivy 92, 805-808, 810-813, Ridge 214, 616 591(?), 626, 1444, 1868 815 Rim: concave 650; corrugated 353, 36; Lotus-palmette festoon 66, 728, 118, 610, 721, 752, 1362, 1385, 1390; above Palmette with spirals or volutes 25, 131, flanged 22, 50, 52; flaring 332, 60; flat 474 33, 40, 606; grooved 8, 28; incurving panel 6, 7, 40, 34, 673, 680; below figures 1021;on neck 5, 10, 1022,4,6, 119, Palmette, buds, and volutes under han22; plain 36, 57; rilled 28, 512, 516, dles 11, 1237,200-202, 207, 213, 215, 491; on shoulder 2412;on top of rim 24, 620; rolled 34; rounded33,604; special 54, 80, 428, 523, 1389, 216, 218; adorsed diagonal 404; 332; torus 26, 27, 40, 72, 522, 565, 602 circumscribed 277, 3823,24, 42, 223, Ring base 51 Lotus-palmetteornament 176, 1860(?)

Krater, spouted. See Louteria Krater. See Calyx-kraters; Columnkraters; Skyphos-kraters; Volutekraters Krater, standed 285, 302 KRATERS, TYPE UNCERTAIN 29, 70, 7850, 79 Kyathos 8390,89136,90

Lotus-palmette tendril 62 (perhaps combined with something else) LOUTERIA32-33, 75; influenced by column-krater32, 338 LOUTROPHOROI 18-20, 45, 71, 83, 84, 8718, 88, 91 Lozenge 587, 615, 701, 1345

370 Ring rosette. See Rosette as filling ornament Ring 41, 146, 163, 165, 166, 171, 178, 179, 181, 185, 188, 192, 198, 204, 213, 215, 259, 387, 516, 729. See also Drip ring Rosette 912 Rosette as filling ornament 1457, 1471, 1801, 1860-1863, 1867, 1918; blob 153, 160, 164, 357, 368, 373,408,427, 538, 594, 604,621-623,678, 700, 727, 733, 746, 1271, 1305, 1311, 1313, 1325, 1345, 1377, 1402, 1404, 1856, 1913; circle 1341; dot 76, 117, 133, 136, 138, 139, 145, 160, 154,344,405, 409-411,416, 532, 589, 593,672,675, 678, 701, 702, 729, 1305, 1306, 1334, 1345, 1363, 1365, 1370, 1376, 1441, 1856, 1859, 1871, 1909, 1936, 1947; dot-wheel 75, 1, 671; incised 40, 92, 2, 3, 5, 9, 29, 30, 34, 122, 123(?), 125, 143, 145, 146, , 138, 140(?), 142, 150-152, 154-156, 158, 160,339,346, 348-351, 353, 356,357,368,375,379, 399,407,413,417,422,436,520,530, 543-545, 547, 548,550,590,591,595, 608,609,615,618,619,621,623,672, 674(?), 696, 698, 702, 704, 706, 708, 710, 714, 717, 723, 725, 726, 728, 729, 733, 734, 766, 787, 1258, 1260, 1263, 1271, 1273, 1280, 1298, 1302, 1304, 1307, 1308, 1310-1312, 1314-1316, 1317, 1318, 1322, 1323, 1326, 1331, 1334, 1335, 1337, 1343, 1344, 1357, 1359, 1363, 1369, 1371, 1373, 1388, 1398-1404, 1441, 1444, 1451-1453, 1456, 1462-1466, 1857, 1864-1866, 1868, 1871, 1873, 1911, 1913, 1914, 1918, 1919; part solid, part outline 519; plain 702; ring 136,399,412,414,

INDEXES 701, 727, 746, 1265, 1272, 1299, 1306, 1324, 1329, 1330, 1371; solid 373,729, 1299, 1873; wheel 75, 121, 134, 136, 340, 615, 678. See also Index III, Garment decoration Rosettes, frieze of 5, 30, 31, 51, 552, 575, 582(?), 673; above panel 6, 614; on handle 147, 160; on neck 3, 143; on rims 23, 24, 249, 32, 327, 54, 459, 605607, 1397, 1399; on side of mouth 6, 34, 117, 138; on top side of mouth 327 S-shaped filling ornament730 St. Andrew's cross 587, 670 Scale pattern 69, 1849 Shapes not found in the black figure from the Agora 2 SKYPHOI 58-61, 623, 77, 84, 91, 94, 95, 96, Corinthian type of 62, 623, 79, 89137,92; Hermogenian 71, 91; Heron Class 94 SKYPHOS-KRATERS 22-23, 75, 7521;lid of 74 SOS pattern 608 Spiral 1237,224, 60, 402, 406, 520, 1657; hanging 40, 76, 1, 117, 133, 134, 136, 138, 399, 400, 401, 675, 678, 701, 1451, 1909, 1910; upright 405 Stamnos 93 STANDS28, 29-32, 77, 78, 82, 86; conical 22, 75, 76, 79; cylindrical 93, 94; pierced 28, 73; Sosian 72. See also Dinoi Star pattern 10, 11 Star 1341 Step pattern 337, 87, 133, 404, 405(?), 406, 408, 519 Stroke: short 164, 746, 1275, 1277; transverse1305; vertical160-162, 403,

1276, 1281, 1298, 1329, 1330, 1442, 1443, 1445, 1627 Support. See Stands Swastika 133, 526

69-70 THYMIATERIA

Tongue pattern 279, 33, 3310, 46, 47, 54, 56, 574, 58, 593, 60, 61, 637, 65, 70, 728, 93, 598, 1257, 1428, 1446, 1447, 1939(?); abovefoot 586, 60'4, 61, 1483, 1484, 1486, 1498, 1500, 1578, 1583, 1587, 1588, 1590, 1591, 1594, 1606, 1608, 1628; above panel 63, 66; below figures 597, 1852; below rim 279, 58, 1324, 1326; on cul 27; on lid 1264, 1291, 1293, 294, 1346, 1380; on lip 65, 1746; on rim 279, 337, 54, 1410; around tondo 1408, 1662, 1669, 1806; to distinguish obverse from reverse 2520

Torus molding 527. See also Foot; Mouth

VOLUTE-KRATERS 25-26, 65, 79, 7954, 93

Wavy line 10, 20, 31, 37, 377, 383, 389, 577,635,746, 1935. See also Index III, Garment decoration Whirligig 34, 51(?), 1297(?) White on black glaze 19-20, 31

Z's, Frieze of 2410. See also Border of esses Zigzag 20, 2417, 483, 52, 117, 128, 129, 133, 136, 164, 399, 409, 519, 596, 603, 678, 1257, 1301, 1303; with tongues

371

INDEX V: COLLECTIONS AND PROVENANCES * = Attic red figure

Museum AIGINA, amphora 565

ATHENS, Agora Museum from the North

55, 74, 1, 342,

698, 708 column-krater 1175a pyxis

2411 4411

ADOLPHSECK, Prince Philipp of Hesse

amphora 2

632

Greco-Roman Museum ALEXANDRIA,

Panathenaic 18239

273

ALTENBURG, Staatliches Lindenau-

Museum hydria 222 neck-amphora 212 216

** = Non-Attic

(636

Slope of the Akropolis beakerlikevessel 4411 R. 294 calyx-krater A-P 1044 262, 87118 various kraters, 187 A-P 296 lebes gamikos 2910 A-P 15 2910 A-P 74 2910 A-P 104 2910 A-P 398 2910 A-P 680 2910 K 4-5 plate A-P 428 skyphos A-P 1786 skyphos-krater A-P 1734

1353

ATHENS, Agora Museum amphora 734 P 22299 chalice 572 P2745 c572 P5210 c572 P6582 cup P 17837 (623 column-krater P 7006 egg-shaped krater 229, 520 P 4948 fragment 734 P 13279 mastos

ATHENS,Akropolis Museum from the

28 58 58

P 24556

28

P25277

28

South Slope of the Akropolis chalice 1957-NAK 1580 571 column-krater 1957-NAK 1192 476 1957-NAK 1217 476 476 1960-NAK 315 thymiaterion 691 ATHENS, Benaki Museum

loutrophoros ATHENS, Ephoria F

amphora

lekythos 1184 cup

-~7733

P 25336 405 Panathenaic amphora P 10353 P 10361

plate P 17678 P 17970 stand P 6575

614

ATHENS, Kanellopoulos Collection

neck-amphora P 22551

198, 1910 1935

1144

1411 1411 5622 5622 3220

~

2913

513 513 449

louterion inv. no. 1295 loutrophoros inv. no. 1680 inv. no. 1682 inv. no. 2865 oinochoe inv. no. 39 inv. no. 40 inv. no. 41 inv. no. 42

337,8

1910,2011 1910,20" 194, 6 87118

535 394, 4010,535, 536 536, 1356 536

oon

oo~- ~ 1259 Panathenaicamphora PA 157 274 PA 443

14, 1514, 100,

226 phormiskos inv. no. 691 plate inv. no. 74 inv. no. 1637 pyxis inv. no. 44 skyphos inv. no. 66 skyphos-krater inv. no. 101 inv. no. 129 inv. no. 153 inv. no. 154 inv. no. 801 inv. no. 1365

1781

ATHENS, KerameikosM[useum amphora inv. no. 48 93170 inv. no. 658 55, 7411, 75,

1259 7733, 726

545 506, 145

158 137, 405 224 224 342, 698 224 344,401, 520 528

National Museum alabastron 12768 487 amphora

ATHENS,

7516, 1, 697, 701

221

510, 717, 589

51, 1809, 1888

1003 16402

77 14

cup fragment inv. no. 109

85, 435 lebes gamikos inv. no. 79 lekanis inv. no. 39 inv. no.41 lekythos

239, 75, 7520,

76, 121,140, 349, 777

P 1217 P 6463 P 12582

3714, 84, 84101,

1397

361 1B6,191

7676

hydria

33

419 87118

bottle **C.C 620

1183

372

INDEXES

calyx-krater

15918

323, 337, 7953, 8056, 118

15920

337

15929 15933 15934 16385 16386 16387 19168

324, 3310 324,3310 309, 324, 3310 337, 3312

87118

chalice 995 column-krater 441 1001 12587 16388

cup 529 531 534 1044 19161 dinos 15499

epinetron 2184 2185 hydria 313 kothon 12688 19172 kraters,various

571, 587 2413 2411 248, 9,11

23 2411 2517

loutrophoros

1684 593, 1806

neck-amphora

337,8 337,8

199 353

838, 181, 7732, 341

673 991 1002

179 810,140, 421 3, 410

1036 16380

810, 913, 145 610

16389 16391

610,342, 698 610,342, 698

16392 16393

610 610, 7734

6310 87118

1746 917, 323, 332, 334, 7953, 8056 8065

693 693

oinochoe 355

1045 16285

215 4010, 7742

146

19175

752

49, 494, 5

19176

4012, 76

1369 lekanis 296 997 988 999 16353 16354 16355 16356 16357 16358 16359 16361 16362 16366 lekythos 371 404 413 415 430 574 595 1056 1130 2184 12274 louterion 2341 15442

337,8

529, 26 513 513 513 534 534 399, 534 534 534 399, 534 534 399 349 15, 399 449 4410 449 449

-(5)

skyphos 640 19044 skyphos-krater 907 16382

449 94176

648 649 650

263

228 87118 87118 87118

cup

1632c

1877

1746

89137

1747

89137

1748 1749

89137 89137

dinos 334, 7953, 80.

8056,8063,419, 1453

585 a 585 b

728 728 728

epinetron 2599 fragments 491 503

715, 715, 715, 715,

87118 87118 87118 87118

593 595 227, 535 224, 285, 306, 1, 2, 343, 344, 400, 528, 530, 725

16383

682

332

346, 83, 8390,91, 8393,8495,50, 51, 1877

dinoid vessel

7411, 75, 7521,

192 835 1495

87118

87118

column-krater 631 c

545

plaque 2410 2412 2413 2414 2415 2416 2417

821

bowllike vessel 1241 calyx-krater 615

1627, 1729 1626, 286

plate 19758

3115 3220

Collection amphora

590 607

1413

223, 238 224, 118

ATHENS,National Museum, Akropolis

587

766 Panathenaicamphora 2468 - (2)

16399 16400 stand 501 961

224 5, 285, 306, 7411, 75, 7516 7521, 14, 343,

344 344

575 1369 528

597

8168

674 758 759

187 1369 421

802 a

50

802 b 853

435

1408 a

89137

87118

kothon 506 49, 496 kraters,various, and stands 391 262, 520 474

285, 76, 7625,

528, 697, 725

625

123, 341,421, 1369 264

647

87118

323, 337, 7953

224, 285, 30, 307, 74, 7411, 75, 7521, 7, 343,

8056

344, 346, 527

1850 835 16384

604

674 lekanis -(three)

187 515

INDEX V: COLLECTIONS AND PROVENANCES lid 471 1296 1297

ATHENS, once

1366 89137 89137 5315 5315

2112 2116

loutrophoros m~- ~ neck-amphora 789 790

199 87118 87118

921

1413

926

87118

Panathenaic amphora 917 228 921 1413 927 239 1411

1086

plaque 2546 plate 515

435 1369

1074 2401 2402

5621 546 4411

2414 2421

89137 1392

~~-

~

1397

pyxis

197

BERKELEY, University of California 7739

145

BALTIMORE, Walters Art Gallery

amphora 48.13 96 cup 48.36 638 oinochoe 42.2 687 Panathenaicamphora 257 ~257 ~plate 48.215 54, 544, 549, 75, 7523, 76, 11,

123, 140, 341, 342, 532, 708, 709, 1369 Museo Arqueologico BARCELONA,

lekythos 449

50, 506

2187 skyphos 603

172

1409

89137

1410

89137

1411

89137 89137

1453

skyphos-krater 496 497 498 stand 584

227 227 227

BASEL,Antikenmuseum und Sammlung

Ludwig amphora 88125

column-krater 3410,476, 1353 cup B.S. 405 neck-amphora

1692 632

plate 421

91

308

ATHENS, from the Olympieion

fragments _-

BASEL, Bloch

neck-amphora 8385, 6

4 BASEL, Cahn

ATHENS, from the Pnyx

fragment P 492

261

volute-krater HA 1418

263

amphora

lekythos

88

94176

Vlasto Collection chalice

-~~-

~

94 1687 1785

571, 7844

lebes gamikos

~~~- ~

plaque _~-

~

620 lekythos

7954, 1888

81, 8172, 1806

Staatliche Museen amphora 1685 8392,172 1686 88, 88127 1693 89133 1697 88, 88127 1698 42 1699 42, 87, 87116 1961.7 55, 145 inv.no.3210 1753 inv. no. 4823 42, 36 calyx-krater *2180 2710 column-krater inv. no. 3763 2417 7952 3987 cup 1800 6523,1704 1958.7 1798 *2264 1912 *inv. no. 3232 1495 *inv. no. 3251 214 inv. no. 4281 6310 hydria 1656 620 inv. no. 3281 659 krater, fragment inv. no. 31 333 7732 lekythos inv. no. 3260 821 inv.no.3261 821 inv. no. 3764 10,145, 707 *1960.32 214 louterion 1682 337, 73, 737, 341, 408 1722 325, 3378, 8606 loutrophoros

BERLIN,

1888

1720

1910

1935 197 1236 37, 262, 197

1732

864

8392,

Panathenaicamphora 1832 337 3980

hydria 2912, 309, 88130

76

oinochoe

cups ATHENS,

amphora 8/60 cup 8/1

*3209 neck-amphora 1718

BASELMARKET

ATHENS,Goulandris

"Kerylos" Panathenaicamphora 226

Municipal

amphora 50 80

52

510

BEAULIEU-SUR-MER, Villa Grecque

private loutrophoros

AVALLON, Musee

373

3983 phiale *S.M.2310

1621

725 1428

93,

52, 435

374

INDEXES

plate 2099 plaque 1811-1826 stand *2315

1425

3218

hydria 86113

oinochoe 76, 7628, 10 BERNE, Jucker

lid 369 BEVERLY HILLS, Prinzmetal

neck-amphora 192 BEVERLYHILLS,Summa Galleries

amphora 63 BLOOMINGTON (Indiana), Indiana University Art Museum neck-amphora 7735 74.10.1 psykter 2110 75.102.1 BOLOGNA, Museo Civico

column-krater 50 52 cup PU 270 lekythos PU 204

89, 89130, 134

1881

cup 715, 728, 87118

BERLIN, University

amphora 41292

00.331 60.1

101 711

476 505 1160 449

Panathenaicamphora 11 268 12 337 BONN,University, Akademisches Kunstmuseum amphoriskos inv. 597 7518 neck-amphora inv. no. 39 656 pelike 214,5 inv. no. 574 BONN,Himmelmann

hydria 659 Museum of Fine Arts BOSTON, amphora 63 80.605 94174

89.256 89.257 98.918

42, 88130, 89132 88, 88129

98.919 00.330

187 632

03.784 5210, 6628 60.1172 1798 column-krater 68.777 3410 dinos 34.212 31 90.154 3514 hydria 01.8060 101 28.46 640 67.1006 36, 3611 76.34 620 lekythos 93.102 821 neck-amphora 89.273 1237 98.916 1803 98.923 750 4411 01.8026 01.8027 4411, 88125 915 01.8052 01.8059 1129, 1131 21.21 166 22.404 361 oinochoe 10.210 42, 750 1973.9 4012 Panathenaicamphora 01.8127 134 psykter-neck-amphora 00.331

skyphos 97.366 tripod-kothon 98.915

89, 89134, 53

A 1652

26, 791 421

hydria 406 357 Panathenaicamphora 441 1100 BRAURON,Museum

11392

218,

10, 11

2212 13

pyxis A 2072

1426

BUCHAREST, Institute of Archaeology

cup

1353 BUDAPEST, Hungarian Museum of

Fine Arts amphora 9132

oinochoe 51.95

42

683

BUFFALO,Albright Art Gallery

oinochoe G 600

76, 7628

CAMBRIDGE, Fitzwilliam Museum

dinos N 128 fragments -(2)

Muse Communal BOULOGNE,

plate 237 pyxis

kothon A3 493, 34 neck-amphora A 2951 361 911 R219 R388 1353 oinochoe R 256 686 Panathenaicamphora A 1703 277 psykter

hydria 56 lekythos 5.1963 neck-amphora 44

334, 606 536

101 822 166

CAMBRIDGE (Massachusetts),

Harvard

University, Fogg Art Museum column-krater 1925.30.125 2417,2518,19, 8494

Panathenaicamphora 60.309 337

87118 BROOKLYN, Brooklyn Museum

neck-amphora 62.147.2

505

L.68.155.1

1130

BRUNSWICK, Herzog Anton Ulrich

Museum amphora 241

skyphos 1353 (Once) CANINO,Prince Lucien

Bonaparte oinochoe 4411

86113

Musees Royaux BRUSSELS,

dinos R 222

CANBERRA, University House

(Once) CASTLEASHBY

mastoid 571

34, 347, 8, 3514,

612

neck-amphora 1353

INDEX V: COLLECTIONS AND PROVENANCES CERVETRI,once Prince Ruspoli

~-

DETROIT, Institute of Arts

column-krater

cup 1809

Museum of Art CLEVELAND, lekythos 29.135 loutrophoros

27.145

192 1910,387

COLOGNE, University

cup P5

637 National Museum

amphora 13796 748, 10, 145 inv.no.7068 87118 cup inv. no. 5179 82, 8277 dinos inv. no. 4219 3410, 1353 hydria 13536 353, 620 lekanis inv. no. 7327 513 lekythos inv. no. 14067 4410 neck-amphora 13110 491 1130 3672 oinochoe 8076 394 V20 683 Panathenaicamphora 99 325, 326 volute-krater inv. no. Chr. VIII 3410 754 louterion E 61.09

325, 327, 3311, 12,606

CORINTH, Museum

cup CP-552

81, 8174, 1660

CYRENE,Museum

lid 416.17

63.17 DIJON,Musee cup 1299

1385

DELOS,Museum

621, 622 790

476

V 102 9674

volute-krater 4209

638

DRESDEN, Albertinum

hydria 1757

ZV 1779 ZV 1780 ZV 1464

3718

3718 513, 7847

National Museum of Ireland neck-amphora 1921.97 1236, 37

620, 621

89, 914

125/B

94176

Ortiz GENEVA, hydria -

1024,25

659

GENEVAMARKET

skyphos 17

3220

1615

GOTTINGEN, University hydria 3714, 84, 8499,

50

70

FLORENCE, Museo Archeologico Etrusco

amphora

1803

GOLUCHOW (see Warsaw) GREENWICH (Connecticut),Bareiss hydria 3822, 23

6415 1495

neck-amphora

90140

13 oinochoe

191 720 3821, 3823

635 1024 1130 920, 1023, 84,

8494,97 86113 , 76359

GELA,Cav. Cesare Navarra-Salonia lekythos

neck-amphora MF153

83

172,430 574

223

GENEVA, Musee d'Art et d'Histoire

198

3714

395, 347

-~-~

55, 74, 7414, 8

Panathenaicamphora - (3) 278 287 stand 1244 3116,

cup inv. no. 3897 *3930 *2 B 11 hydria 3790 3809 3858 inv. 94323 neck-amphora 3770 3871 70995

Museum fur Vor- und Fruhgeschichte mastoid VF 313 571 571 VF,8315 neck-amphora VF 326 361

GELA,Museo Civico neck-amphora 435

hydria 266 loutrophoros 765 766 neck-amphora 767

263, 8065,8171, 31, 47, 118,

FRANKFORT,

DUBLIN,

Museum ELEUSIS, amphora Z21

546, 430 546

1471,1810, 1874

659

lekanis

thymiaterion -(2)

CORFU,Museum

hydria 589 lekythos 598 oinochoe 591 phiale 640

85

34

Musee CHATILLON-SUR-SEINE,

COPENHAGEN,

89, 913, 147 1353 Panathenaicamphora 1411 14" pelike *8 B 17 214 plate

DELPHI,Museum

column-krater

neck-amphora

375

83, 8383

1023

1425 684

pyxis

~- ~

1268

GREIFSWALD, University

cup *316

214

THEHAGUE,Museum MeermannoWestreenianum cup 1746

376

INDEXES dinos

HALLE,University

Panathenaicamphora inv. no. 560 1413,228 HAMBURG,Museum fir Kunst

und Gewerbe cup 1908.255 1962.171 hydria 1917.476 1917.987 neck-amphora 1917.473 1927.143 oinochoe 1960.6

638,9

6843, 1796 101, 513

334, 606 fragment 11 Panathenaicamphora 1253 1731 Hearst HILLSBOROUGH,

cup 637 HONOLULU,Academyof Arts

361 575 140, 532, 1370

HANOVER,Kestner Museum

cup

3591 lebes gamikos 34.129

1965.13

7739, 12

353, 636 371 571 1353

HANOVER(New Hampshire),

Dartmouth College Panathanaicamphora

~~-

249

HARROGATE,Kent

column-krater 451 HAVANA,once Conde Lagunillas

HOUSTON,de Menil Collection

636

INNSBRUCK, University

hydria II 12 (6)

659

ISTANBUL,Archaeological Museum lekythos inv. no. 7314 7518

lid A15.1176a-cand 1113 fragment

phiale

~~-

~

1428

80, 8058 Panathenaicamphora L.3149

16, 1622

hydria IZMIR,Archaeological Museum lebes gamikos 284, 30, 7954, 8057

88125 6526

KIEL,Schauenburg

~~-

~

2710

KING'S POINT(New York), Schimmel cup psykter 1900 LAON,Mus& lekythoi

37890 37891 37.894

835 835 433

neck-amphora 1021, 166

LEIPZIG,University amphora

T 3299 fragment hydria T 49 psykter T 367 LENINGRAD, Museum

353, 101

203, 219 of the Hermitage

alabastron 381

1303 8276

JENA,University amphora psykter 2111

353

214 3410

Museum HERAKLEION,

KARLSRUHE, Badisches Landesmuseum

alabastron 242 90145 lekythos B 306 822 Panathenaicamphora 65.45

84, 84100

2710

column-krater 614, 79

3514

88125

calyx-krater *inv. no. 1843

6843

484, 1615

amphora inv. no. 161

lekanis

HEIDELBERG, University

cup 285 iv. 29 a dinos 63/20 hydria 72/1 skyphos 279 volute-krater S39

amphora 983 a cup

37.1017 1385

3613

Panathanaicamphora -~239

65, 6524

6310,1678

88125

20, 217'9'10

lekythos 1184

3820

psykter

ITALIANART MARKET

hydria

140, 532

KAVALA,Museum

calyx-krater 286, 86, 86111,

510

hydria 1965.30 lid 752 mastoid 759 neck-amphora 1961.23

42

T. 669 hydria T. 683 cup inv. no. A 37 T. 663

638

HOUSTON,Museum of Fine Arts

amphora

cup 217

T. 384

Pelizaeus HILDESHEIM,

3821,23

Kassel, Hessisches Landesmuseum amphora

14", 15, 1514, 1516, 279, 322

1524 (St. 55)

409, 88130

430 neck-amphora inv. no. 2417 284

166 181

Panathenaic amphora

inv. no. 17553 skyphos 116

259, 264 1160

LEYDEN,Rijksmuseum van Oudheden

epinetron I 1955/1

693

INDEX V: COLLECTIONS AND PROVENANCES hydria PC 63 90, 90141 lid 370 PC 40 PC 76 370 PC 85 370 Panathenaic amphora PC 8 228 LILLE,Musee kothon 763

494, 8168 71,

1458 Public Museums LIVERPOOL, neck-amphora 56.19.27 1130,32 Panathenaicamphora 56.19.23 134 British Museum LONDON, alabastron A 1351 78 1900.6-11.1 484, 1615 amphora B166 76 B 170 94174, 192 B 182 116 *B 193 94176 B 194 42, 48,632 B 197 43, 88126 B 205 42 *E 254 369 1874.4-10.1 55, 74, 7414,2, 406 column-krater B 101 248, 13,450 88.6-5.599 24'4 1928.1-17.39 2411 1948.10-15.1 2417,84, 8498, 51,172, 430, 440, 790 cup B 379 626, 6525 B 380 626, 639, 6525 B 382 81, 8173 74 1662 B458 6845 B 601.41 1684 90.7-31.30 6526 1906.12-15.3 637 1947.7-14.16 1678 *E 36 1160 dinos B 100 334 B 601.26 334 B 103.14.2 344, 11 B 103.16 165 1971.11-1.1 344, 3514,79, 7953, 8056, 63,

47,419

epinetron B 598

1848

hydria B 76 353, 369 B 303 101 B 307 353 B 324 1183 B 329 645 B332 357 lebes gamikos B 298 28, 2912 lebes gamikos or the like 284 B601.13 lekythos B 30 1905.7-11.1

43 4327

neck-amphora B 167 1130, 3113,315 B 206 1129 B 207 1129, 31 B 208 1129, 31 191 B 209 1236, 37, 886 B 210 1236, 37, 262 B211 84 B244 90 B 271 505 B 273 197 B 274 197 B 277 362 B 294 223 1922.6-15.1 551 1926.6-28.7 505 90146 1980.11-29.1 oinochoe B 32 4012 B33 777 B471 441, 680 88.6-1.566 395 Panathenaicamphora B 130

1128, 14, 141, 12, 1514,

B 134 B 135 B 144 B 603 B 604 B 605 B 606 B 607 B610 B 611 B612 1903.2-17.1 phiale B 368 B 678

228 138, 1413,228 134 134, 1413,1733 365 275, 277 1625 97217, 274, 277 173, 259 259 290-292, 312 312 295 277 261 574 574

377

plate B589 B 590 B591 psykter B 299 psykter-amphora B 148 pyxis B 593 skyphos 1902.12-18.3 volute-krater B 364

1425 1425 1425 2212 4411, 8392

1268 1499 491

Mrs. Leonard Russell LONDON, lekythos 76, 7625,139, ~~- ~ 1369 LONDON MARKET, Sotheby amphora 63 76 calyx-krater 2710 column-krater 465 476 -(2) neck-amphora 575 Los ANGELES, Mrs. Aaron Dechter lekythos 835 LUCERNEMARKET

fragment 399 LYONS,Musee

amphora 34 MADRID,Museo Arqueologico

dinos 10902 neck-amphora 10929 11008

332, 614 1022 90146

Panathenaicamphora 10901 134 MADRID, Gomez-Moreno

amphora

~-

~

513

MAINZ, University

cup 89

81, 8174, 1660

J. Paul Getty Museum amphora 81.AE.114.30 55

MALIBU,

cup

79.AE.197

4411

INDEXES

378 lekythos 76.AE.48

4411

Musee Borely

MARSEILLES,

cup 3000

1806

MILAN, Bernareggi

cup 6846 MILAN, MARKET

Panathenaicamphora 1517 MONTCLAIR (New Jersey), Mrs. John

Dusenbery hydria 1267 lekythos 88124 MONTREAL,

Museum of Fine Arts

cup 59.Cb.2 hydria 39.Cb.1

81, 8174, 1660 3824, 653

Moscow, Pushkin Museum volute-krater 263 ~~- ~ (now Staatliche Antikensammlungen) alabastron 484 2294 amphora 1360

610, 748, 10

1365 1370

63 63

1375 1380

88126

1391 1393 1395 1402 1403 1406 1407 1416 *2305 cup 2044 2121

2170 inv. no. 7739 hydria 1681 1720 1722 1730 kothon 6072

176

1447 1448 1449

1024, 25 1024, 178, 179 1024, 179

1237 1470 197 1481 1496 116 116 1537 197 1555 89133 1559 193 1557 193 1560 193 1562 1803 1567 1575 193 1587 223 191 S.L. 458 oinochoe inv. no. 8757 12, 532 Panathenaicamphora 1413 1451 1454 239,324 100 1461 inv. no. 8746

249

2213

MUNICH,once Loeb

column-krater 2521

MUNICH,private

632

86 63 89133 82 30 569 362 328, 505 369 262, 66, 6634 638

1687 82, 8277 83, 8393,51, 172, 430, 1475 101,187 353 659 492

loutrophoros 194 NEW YORK,Cristos Bastis

amphora 6 NEW YORK,David Rockefeller

amphora 89131 NEW YORK,Metropolitan Museum of

Art: aryballos 62.11.11

hydria 986

659

NAPLES, Museo Nazionale

amphora 2503 2770 cup Stg. 268 2454 lid

89 133 83, 8393,85, 85 107, 50, 435 1678 16'78 53 5, 81, 8176

neck-amphora inv. no. 81103 1129,1131 181 inv. no. 86362 Panathenaicamphora 254 RC 184 1413 112848 134 NAPLES,Astarita

fragment 143

483, 87, 87123 88125

amphora 06.1021.67 06.1021.68 12.198.4 41.85 41.162.103 41.162.184 51.11.3 56.171.8 56.171.12 58.32 L.66.31 column-krater 07.286.76 24.97.95 31.11.11

101, 187 502 42 42

168 89131

42

30 87117, 30, 632,

1881 1928 63 2521, 3410, 476

476 2518, 19 83,

8393, 8495, 476

394

172

NARBONNE,Musee

neck-amphora 1129, 183

NEW JERSEY,private

oinochoe MYKONOS,Museum

neck-amphora 1437

1129

1445

psykter SL 461

MUNICH,Museum antiker Kleinkunst

8716,

1438

82, 1237

cup X.248.16 01.8.6 12.234.2 12.234.3 20.250 25.78.6 44.11.1 epinetron 10.210.13 hydria 74.51.1331 06.1021.48

6526 8168

637 637 1781 6632 1809 1848 3613

369, 3612,

13,

1183 06.1021.50 45.11.2 L. 69.11.12 krateror dinos 1977.193 lebes gamikos 57.12.8 lekythos 06.1021.62 41.162.29 56.11.1 loutrophoros 27.288 neck-amphora X.21.26

353 353, 3612, 34 3822, 23

7850, 80, 8058 288, 2911, 319, 1

822 1495 970 1910, 1935

86, 87

INDEX V: COLLECTIONS 06.1021.29 1026 84 11.210.1 17.230.8 53, 79 17.230.14 1237, 3718, 370 505 41.162.179 41.162.193 362 1130, 32 53.11.1 56.171.9 76 56.171.16 1024,179, 551 56.171.19 361 59.64 430 oinochoe 1945 06.1021.79 46.11.7 1928 59.11.17 680 1978.11.22 4223 Panathenaic amphora 07.286.79 324, 329 07.286.80 324 14.130.12 14, 149 16.71 329 56.171.3 249 56.171.4 324 56.171.5 329 277 56.171.6 1978.11.13 14, 1412, 13 1514, 228

plaque 14.146.3 a, b skyphos L. 1982.27.7 stand 31.11.4 volute-krater 1977.11.2

714 1615 3219 262, 7850, 7954

NEW YORKMARKET,Parke-Bernet

amphora -

~

63

NEW YORKMARKET,Sotheby's

hydria

~-

~

659

NIKOSIA,Cyprus Museum

amphora 1934.iv-4.4 C 440

cup C 975 lekythos 1958.iv-223

43 8392, 90139

94

10, 145, 707 Oberlin OBERLIN, College Art Museum lekythos 449 41.44 ODESSA,Museum

alabastron *__

90145

cup *-

90140

ORVIETO, Faina Collection

amphora 52

8931

AND PROVENANCES

70 72 73

87 97207 88126

379

PARIS, Musee du Louvre

amphora C 10620

614, 7739, 12,

C 10630 C 10635 C 10627 CA 823 CA 3327 E816

140, 145 176 36 33 7518, 140 614,532, 777 6

E817

5,7625,4,6,

E818 E 824 F 29

139, 140, 145, 531 6 36 83, 8391,8494 118, 119 172

63 ORVIETO, Museo

Civico

lekythos 296

449

OXFORD, Ashmolean Museum

amphora 1911.256 470 1965.118 187, 514 column-krater 2414 G 128.18 G 131.32 1453 G 131.31 1453 510 G 190 cup *1911.617 1495 1939.118 1657 1965.120 637 1966.768 8392, 90, 90139 hydria 1932.732 620 lekythos 449 1934.353 loutrophoros 2011 1930.619 neck-amphora G 128.2 6,63 2414 G 128.18 916 G 128.20 9, 11 1920.107 oinochoe 680 1929.19 Panathenaicamphora 141 G 141.45 plate *310 1425 skyphos 1939.118 6019 stand w~~ 3220 Museo Nazionale PALERMO,

bowl 682

cup *V661

1495

PARIS,Bibliotheque Nationale, Cabinet

des Medailles hydriai 253 3613 257 736 _~84, 8499, 50 neck-amphora 222 441, 1753 Panathenaicamphora 293, 302 phiale 574 334

F36 F 53 *G 1 *G 45 *G 46 -

42, 85105

~

calyx-krater C 11292

886 369 369 34 277

C11298

277,10

CA 5950 F315 F316 *G 163

2710 2712 277 276 2713

chalice CA 2988 column-krater C 11249

571, 586,7, 1353 249, 2411, 2413,

422 C 11250 C 11253

248,2413 2416 2520

C 11256

2520

C 11252

C 11257

2520, 437

C 11266 C 11270 C 11277 C 11278 C 11285 C 11286 C 11288

476,487 3410 476,487 187 482 476 476

C 12251

249

C 12252 CA 1750

2416 2411

E 623

249,11, 13

10,13

**E 635

2412,422

E677

2520

E 678 E 679 cup A 478 CA 1778 CA 1812 CA 2918 F 65

449 449 82, 8278 91153 1499 1687 1660

INDEXES

380 F 120 F 123 F 131 bis F 145 dinos C 11243 E 720 E 738 E 873 E 874

E875 E876 hydria C 10651 C 10660 C 10693 C 10661 C 12532 E735 E 804 E 869 F7 F8 F 38 F39 F52 lekythos CA 99 CA 156 CA 178 CA 823 *CA 1802 G37 MNB 910 lid F317 F318 loutrophoros *CA 453 mastoid F70 neck-amphora C 10521 C 10634 E814 E 822 E 868 F 114 F 239 F241 F 240 oinochoe A474 F28 F 30

1749 89137 5210, 6628

6523, 1704 345 7 3514

347

334, 421, 606, 778 333, 3514, 75,

7518,7732,40, 12, 123, 341, 532, 707 1803 613 88126

639 3821

646 659 3714

51,172, 430, 1475 3613 720 1267 3714, 91152

Panathenaicamphora MN 704 2!93, 295 MN 705 2:93 3)12 MN 706 MNB 3223 2;93 psykter 2;03,2212 C 12296 2;03 F319 2;03 F320 203, 2213 F321 pyxis 831,8168, 71, 75 CA616 skyphos 9 6'193 El. 1 599,593,6 MNC 676 volute-krater 4L91 F198 PARIS,Petit Palais

lebes gamikos 309 PARIS,Musee Rodin

lekythos 237 PARIS, Darthes

neck-amphora PARIS,Jameson

821 1850 791 7518, 10, 777 1928 791 1850

PARIS,de Larosiere

1935 572

lekythos -

~

amphora -_

1353

920,628 911 748 920, 84, 8498, 99

628 1175 362 640 362

amphora 57

4001 RHODES,Museum

amphora 14093

43,639

cup

12307 lekanis 5008 neck-amphora 12174 oinochoe 13489

1798 7952, 8059 1129,31

687

RICHMOND (Virginia), Virginia Museum

of Art 62.1.15 neck-amphora 62.1.10

1701 612, 912, 10, 1024

RIEHEN,Kuhn 84, 84102, 790

1615 ~~~-

(Once) RIEHEN, Gsell-Busse

amphora 63 48

RIMMINI, Museo Civico

hydria

PARISMARKET

column-krater 2521

-~-

~

191

ROME,Fondazione Lerici

hydria PHILADELPHIA, The

University Museum

amphora 3442

1912

*5399

90146

oinochoe 2493

101

National Museum lekythos 192 1867

pyxis

22.88

509

8385 ROME, Museo del Palazzo dei Conservatori(Musei Capittolini) amphora

6 (72) 212

170

3820, 23

169

pyxis 48.54

249,11,13,15

418,422 ROME, Museo Nazionale di Villa Giulia amphora M.468 36 8392, 90139

PRINCETON (New Jersey), Art Museum

of PrincetonUniversity amphora 86 166 hydria

89131

column-krater

bowl 682

column-krater 50763 M. 447

476 476 2521

neck-amphora 149 680 4411, 172, 680

821

REGGIO(Calabria), Museo Nazionale

lekythos

PRAGUE,

921

of Design lekythos 22.216

cup

4[49

3714 644

369 369

2!82, 2913, 319

PROVIDENCE, Rhode Island School

1129,31

505

cup 16336 63613

81, 8172

1753

INDEX V: COLLECTIONS AND PROVENANCES dinos 50599 hydria 22308 M. 430 kyathos

column-krater inv. no. 825

84, 8498 2517

369' 13

790 8390

SAMOS,Museum

amphora 43, 1753

lekythos cup 97207

361 686 203 2212

1184 hydria

1453

429

Museum SAMOTHRACE,

column-krater

356

3821 3823 92

amphora 243.24874

369

SARAJEVO, City Museum oinochoe 656 686 SCARBOROUGH-ON-HUDSON (New York), Vanderlip column-krater _-_

~ ~

SMYRNA Museum lekanis __~-

~

1130

7847

SOFIA,National Museum lekythos 449 6285

369

1678 National Museum STOCKHOLM,

amphora inv. no. 2228

cup

-~~-

1798

~

3822

TARANTO 52130 I.G.4412 I.G. 4434 I.G. 4435 neck-amphora 52.148

85, 85109,790 790 1813 1813 1814 34 7847

oinochoe onco76, 7628,10 Panathenaicamphora inv. no. 9887 324 Museo Civico amphora RC 3984 63 RC 6847 514 RC7170 48 RC 8262 86, 87 inv. 617 632 cup 1796 RC 1637 neck-amphora RC 1061 1129 RC 5564 166

TARQUINIA,

from Rhitsona oinochoe 687 skyphos 49.265

93170 THERA, from Sellada

6310

179 TOCRA,Museum amphora

SWITZERLAND, private

amphora -_~_ hydria

60, 1476

cup

neck-amphora

~

711 3612, 34

1130 Panathenaicamphora 141, 1413 plate 546

SALERNO, Museo Nazionale

__~-

THEBES,

cup

neck-amphora 470

TAMPA(Florida), Tampa Museum hydria

STETTIN, Museum

ROUEN,Musee Departemental des

Antiquites amphora 447 lid 2059

2521

STUTTGART MARKET,Kricheldorf

362 1353 Panathenaic amphora 374 239 375 249,337

1945

459

3821

430 431 lekythos 448 neck-amphora

277

cup

35

SAN FRANCISCO, de Young Museum

ROME,Museo Vaticano amphora 311 63 344 42, 7, 84 76 346 460 350 G36 88130 G37 89131 cup 244 6846, 1785 317 1810 335 8168 369 a 4411 dinos 306 29, 332, 3514, 523, 551 hydriai 416 736 417 357 428 3821

calyx-krater lekythos 2358

88125

4410

neck-amphora M. 488 5195 oinochoe 861 psykter 50674 73655

SYRACUSE,Museo Nazionale

Museum SALONICA, 3512

381

SYDNEY, Nicholson Museum hydria 46.04 3820

63 cup -

637

TOLEDO (Ohio), Art Museum amphora 1961.23 645 calyx-krater 63.26 2712 hydria 1956.70 636 lekythos 29.49 835

382

INDEXES

neck-amphora 58.69 A stand 58.69 B

cup 1130 3111,13,15

TORONTO, Royal Ontario Museum

stand 919.5.140

hydria 3613 psykter IV 3069

3613 2213

TOBINGEN,University

amphora S./10 1298 S./706 dinos S./10 1508 neck-amphora S./715 oinochoe 5445/28 volute-krater 6211

36 63 3410 1023, 166

391

6844

KunsthistorischesMuseum amphora 3596 632 3598 470, 513

VIENNA,

column-krater inv. no. 198560 cup 198521 epinetron 142454, ex Goluchow 225 neck-amphora 138537 oinochoe 14249

265

1353 422 6310

69, 695

394

WASHINGTON, Corcoran Gallery

amphora 26.664 WORCESTER

63 (Massachusetts),

Museum amphora 1956.83

Art

3821

University lid (ETH)7

1806 90140 612

1615 515

369 4411, 680 574

ZURICH,

187, 470, 51 4 12, 1238

HrfaiaoS610 [v[ftI]a' 271 fnv]d08r[Aov(?)290 idAaa 1407 TAto-r]wv1686

'A]Kaoros 610

Oeodpao-ro]s(?) 278

'AraA[advrr610 BdKXtos(?)274

O'pov 610 1425 Ka]X[X]La[s(?) KaAA,]Ir7?j7/ 286 KaAAh[evo9546

A,qFlotK[Aefsb7296

KLrro]v(?) 274

273 cPpa]orTK[AEtir?(?)

Ep,uoyyvrl,1473 1407 Evt.aprsT

ME[Aeaypos610 1425 Mt]A[r]ia[tbS?(?) 1752 NLKOor[Ovt77

553 4PpvvLwv

289

88125

324

'Aptrr]dio'?,o(?) 290

OEi[crroKA7^

94174

86, 87 369

INDEX VI: INSCRIBED NAMES

546 'AproTo[vvYi4ov

87 48 96

*507 cup 451 *468 dinos 453 hydria kyathos 436 lekanis 442 lid 297 oinochoe 332 phiale 429

81o

4010, 708

Museo di Antichita

cup 5776 (4112)

WARSAW, National Mu Iseum

Martin von

University,

Wagner-Museum amphora 192 244 261 266 267

31,31'14 15

Musee St. Raymond TOULOUSE, cup 347 1806

TURIN,

WURZBURG,

214

*137

XaplKXA?1S11(?)278

370

PLATES

PLATE 1

ONE-PIECE AMPHORAE -........

mam

3 (P 18524 a), view 1

:~t~;';J~:

3 (P 18524 a), view 2

1 (P 6155 a)

4 (P 25417)

.

?2.

?..'? . ......,

$

PLATE 2

ONE-PIECE AMPHORAE

7 (P 17393 b) 8 (P 22151)

10 (P 24944) 10, detail

ONE-PIECE AMPHORAE

PLATE 3

Ns^*^fi-iiil..

15 (P 25352) 14 (P 290), Side A

16 (P 26636)

17 (P 18528 a), Side A

1

., 18 (P 13385), Side A

I

.

m a

_,

24 (P 2037)

.r

.

.

' .

. ,,VI !i

i

ONE-PIECE AMPHORAE

PLATE 4

...

r

. ?

.r

27 (P 289)

29 (P 12496)

i

31 (P 5300 a)

31 (P 5300 b) 30 (P 3703)

32 (P 22840)

..04WA.,

.0w

"q N ."'

A.

ONE-PIECE AMPHORAE

34 (P 1250), Side A

34, Side B

6( , . r,e

36 (P 13387), Side A

41 (P 1229 a)

43 (P 22317)

PLATE 6

ONE-PIECE AMPHORAE

47 (P 26651)

47 (P 26632 a)

47 (P 26632 c) 47 (P 26632 b + d)

49 (P 16563)

48 (P 19129)

PLATE 7

ONE-PIECE AMPHORAE

51 (P 5895)

54 (P 4671)

52 (P 12669)

-i .

55 (P 17800) 53 (P 1684)

4

.-

.-

X

... -j'

d

57 (P 22177), Side A

PLATE 8

.~~~~~~~~~~~~~~~~~~ A

.

I 4k

58 (P 26532)

59 (P 25577)

60 (P 13027), Side B

68 (P 4305) 63 (P 13844)

?I_ wr.

El

~

_ a;n

INI=,0Xr\).~M~-a7?S

PLATE 9

ONE-PIECE AMPHORAE

73 (P 22216)

72 (P 1237)

.\ 74 (P 26530)

76 (P 19583 a)

79 (P 20870)

PLATE 10

ONE-PIECE AMPHORAE

80 (P 9730)

82 (P 7903)

83 (P 22179) 86 (P 23622)

84 (P 12230)

87 (P 2398 b + P 6078)

ONE-PIECE AMPHORAE

PLATE 11

J

90 (P 26650) 93 (P 20596)

b

(P 7227 a), Side B

~~~~~b~95

95 (P 7223), Side A

95 (P 7227 b), Side B

. ]s

fc

\

-.j''L?

1.%

rrr

PLATE 12

ONE-PIECE AMPHORAE

97 (P 25961)

97 (P 23164)

99 (P 20566) 98 (P 23730)

ONE-PIECE AMPHORAE

PLATE13

+~~~~~~~~~~~~~~~~~~~~ ?II'~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I

.

..

?Zi

?

.

.,'

rr~~~~~~~~~~~~~~~ ":"

,,.~I

4"

,? .

'.

d -?,4

..%:. .t;~~~~~~~~~~~Piiq~~~~~~~~~~~~~~LrL? ? ~~~~~~~~~~~~~~I, ?

..

~~~~~~~,?? :.~

..

.

b~~~~~~~~~~~~~~;L~~~~~~~~~~? C~~~~~~~~~~.~~~~~~~?~~ ii; ~~~~~~~~~~~~~~~~L~~~~~~~L~~~~~~~

i~~~~~~~~~~~~~~~~~~~~t ' rl

~

~'I t~ ~

' ,,.

~ ~

~ ~

~ .,

?~,

?~

~~~~~1~~~? ,i

~?"

,

~

1

. '-

;.

i:i:;

3i.

i_

t

.

f~ ;,~_ ~~~~~~~~~~~~~~-,,,.

~. _~ ~3' . ? . rir, tl ~~~?r;li~~~..1 r~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~: .-.~ '-' '~-

~;:~" .. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~-~ ,~~~ ;'~~~c` i~

.

~~~~~~~' ~

~ ~y,

~

~' '5. ' i'~

~

i ~ ~ ~ f '~~~~~~~~~~~~~~~~~~~~~~*r .i ~~~~~~~~~~~~~~~~~~~~~~'~~

.~.-,:

~c

r~~~~~~~~~~~~~~~~~~~~~~~~~~~

,.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~...., ..:

':'?'~~~~*'

~~~~~~~~~~~..:..?'' ?"a~

C-

'~.r..

.r: . '

?

,;

,;

1"-

ONE-PIECE AMPHORAE

I

118 (P 13126)

1,_

\ L:1* :1T~~~~?*

L

PLATE 15

ONE-PIECE AMPHORAE

-7 119 (P 23158)

120 (P 3795)

121 (P 18633)

122 (P 365)

125 (P 24952 a, b)

125 (P 25370)

123 (P 1235)

124 (P 267) 127 (P 4596)

PLATE 16

NECK-AMPHORAE

132 (P 12208) 128 (P 6481), Side A

? ..

r?

.r..

..

.

t__ ._

.

't.F

'i.

..

133 (P 25392), Side A

133, Side B

NECK-AMPHORAE

PLATE 17 i

7?

'

- -

138 (P 10651) 138 (P 10195)

138 (P 10653)

138 (P 26810)

.a

NECK-AMPHORAE

PLATE 18

141, Side A 141 (P 4727), top view

142 (P 22310), top view

145 (P 6065)

143 (P 648), top view

148 (P 143)

PLATE 19

NECK-AMPHORAE

150 (P 13864)

149 (P 825)

153 (P 4824)

151 (P 22884 b)

151 (P 22884 a)

a

152 (P 21562)

c

PLATE 20

NECK-AMPHORAE

160 (P 3434) 164 (P 1262)

165 (P 6628)

167 (P 25382)

166 (P 18612)

N`

PLATE 21

NECK-AMPHORAE

173 (P 21371)

172 (P 25349)

170 (P 9358)

174 (P 17781)

175 (P 3555) 176 (P 25315)

177 (P 13783)

..

' I. ..

178 (P 2397)

179 (P 25013 a+b)

NECK-AMPHORAE

PLATE 22

181, Side B

182 (P 19045 b)

182 (P 19045 a+ P 19584 a)

f

it

:N

187 (P 4749 a)

PLATE 23

NECK-AMPHORAE

190 (P 9460)

189 (P 4750) 188 (P 9320 a)

a.

t

.

191 (P 8883)

193 (P 20018)

192 (P 19879)

194 (P 12994)

195 (P 3167)

I~~~~~~~~~~~~~:???cr

196 (P 419)

PLATE 24

NECK-AMPHORAE

202 (P 24036)

203 (P 10782)

201 (P 13764)

a

206 (P 25932)

Ao

b

207 (P 9276) 208 (P 4691)

NECK-AMPHORAE

PLATE 25 4,44,k

I

213 (P 2568), Side A

215 (P 13013), Side A

213, Side B

215, Side B

b

a

219 (P 17060)

226 (P 10204)

223 (P 15920 a)

228 (P 4340)

228 (P 2071 a, b), Side A

PANATHENAIC AMPHORAE

PLATE 27

e

j

c

f

228 (P 2071 c, e, f, h-j), Side B

232 (P 13847) 231 (P 9529 a)

235 (13846)

PLATE 28

238 (P 19585)

PANATHENAIC AMPHORAE

239 (P 20236 b)

239 (P 20236 a)

248 (P 26073)

249 (P 4578)

246 (P 13766)

250 (P 19482)

(

251 (P 4815)

PANATHENAIC AMPHORAE

2

PLATE 29

5..

254 (P 25601)

255 (P 47)

r?: h:

k, ii

256 (P 10007), Side A 256, Side A, detail

257 (P 454)

;?

d

j

PLATE 30

PANATHENAIC AMPHORAE .o

.., --va

,

-

I-;,

-

I

258 (P 2989)

261 (P 19481) 259 (P 20110)

273 (P 113) 264 (P 19215)

271 (P 27556 a), Side A

266 (P 19079)

PANATHENAIC AMPHORAE

PLATE 31

274 (P 3782)

278 (P 18635) 277 (P 3798)

279 (P 9457)

286 (P 31 a-c), Side A

290 (P 22916 a)

290 (P 22916 b)

PLATE 32

PANATHENAIC AMPHORAE

293 (P 22985)

302 (P 20380) 296 (P 2106)

_.t

311 (P 10432)

312 (P 27090)

314 (P 20324)

PLATE 33

PANATHENAIC AMPHORAE

A\

,

?I

320 (P 24954) 324 (P 12670) 325 (P 13204)

321 (P 13845)

326 (P 25890)

0

327 (P 10175)

328 (P 6102)

PLATE 34

PANATHENAIC AMPHORAE. AMPHORAE, TYPE UNCERTAIN a-

m

.-A&I

332 (P 5341) 333 (P 3861)

331 (P 81)

335 (P 6104)

) 337 (P 27427)

334 (P 25911)

336 (P 5103)

PLATE 35

AMPHORAE, TYPE UNCERTAIN

345 (P 26760)

342 (P 26642) 343 (P 31091)

. ."

0.*.

.

(P 25343)

*L

347 (P 25338) 348 (P 2394)

344 (P 25343)

349 (P 17918)

351 (P 13340)

AMPHORAE, TYPE UNCERTAIN. AMPHORA LIDS. LOUTROPHOROI

PLATE 36

363 (P 27468)

365 (P 4745)

366 (P 1058)

'

368 (P 10776) 369 (P 4992)

uI

V

.

1

PLATE 37

LOUTROPHOROI

378 (P 21702)

375(P 1261), Side A375,

375 (P 1261), Side A

Side B

375, Side B

379 (P 20241)

383 (P 25371) 385 (P 6561)

380 (P 5980)

I

LOUTROPHOROI. PELIKAI

PLATE 38

388 (P 10262)

386 (P 12015)

I

387 (P 10192)

S.

390 (P 24773)

391 (P 12561), Side B

391, Side A

PLATE 39

PSYKTER. SKYPHOS-KRATERS

398 (P 27885 a)

398 (P 27885 c)

--

.. . ..

. .;;i.

rt,

398 (P 27885 d)

398 (P 27885 b)

398 (P 27885 h)

I'.

29

I..

)

400 (P 6577) 399 (P 12046)

PLATE 40

SKYPHOS-KRATERS

b

403 (P 4277)

405 (P 7866)

404 (P 3616 a, b)

'P

7 409 (P 7560)

406 (P 6116)

I408(P 2

PLATE 41

SKYPHOS-KRATERS. COLUMN-KRATERS

413 (P 5520 and P 17084) 410 (P 4241)

417 (P 3015)

412 (P 5303)

a *

VA,

|W

N'

.1,

v

_

A.

.

PLATE 42

COLUMN-KRATERS

w 'Ilk

419 (P 13848)

420 (P 22330)

428 (P 23543)

421 (P 17806 b)

421 (P 17806 a)

430 (P 5047)

431 (P 23664)

429 (P 22134) 433 (P 23049)

PLATE 43

COLUMN-KRATERS

435 (P 9326) 437 (P 14689)

'. I'o

~l ,

,i

:

..

I~

436, Side B

436 (P 24943), Side A

I3

(P18

...4

439 (P 198)

440 (P 6033)

441 (P 23211)

COLUMN-KRATERS

PLATE 44

r

1| A*i

^

.-'l

f :

..

....

.-.

*

. .4

I

...^

51 (P

..10202)...

I

,

448 (P 14564)

451 (P 10202)

455 (P 26617)

459 (P 24956) 457 (P 10785)

460 (P 24)

461 (P 13015)

464 (P 2028) 462 (P 16564)

463 (P 13332)

PLATE 45

COLUMN-KRATERS

470 (P 2641 e)

4 470 (P 2641 a) 470 (P 2641 b,c)

471 (P 2612 d), Side B

471 (P 2612 a), Side A

471 (P 2612 c), Side B

472 (P 6136) 473 (P 25916)

PLATE 46

COLUMN-KRATERS. VOLUTE-KRATER

476 (P 25273)

483 (P 5549) 479 (P 2571)

487 (P 26630 a) 484 (P 12252)

h e+g

489 (P 268) 491 (P 18795 e, g, h)

PLATE 47

VOLUTE-KRATERS. CALYX-KRATERS

493 (P 5202) 492 (P 7906)

495 (P 16633)

494 (P 7109)

500 (P 13618) 497 (P 7442)

502

PLATE 48

CALYX-KRATERS. LEBETES GAMIKOI

505(P 24693)

505 (P 24693)

507 (P 31013) 506 (P 7896)

'1

i

I 510 (P 6106 a) /t

511 (P 23162) 512 (P 7237), Side A

513 (P 17967 a) .

.

,

w

.wOS

.4't

.

.

If

I

q1 mF

b

a

PLATE 49

LEBETES GAMIKOI

514 (P 19597 n) b

514 (P 19597 a, b, d, e)

518 (P 25967 a)

PLATE 50

KRATERS, TYPE UNCERTAIN

??

1QtP::

r;cF*irx? .. ??? ?

520 (P 17486), Side A

520, Side B

522 (P 31089 a) 521 (P 23159)

STANDS

526 (P 21382)

PLATE 51

527 (P 26809)530

528 (P 23542)

(P 671)

531 (P 25375)

534 (P 25368)

533 (P 26638)

532 (P 23215)

534 (P 25368)

STANDS

PLATE 52

541 (P 13345) 541~

548 (P 24261)

540 (P 5112)

542 (P 8779 b) 542 (P 8779 a)

PLATE 53

STANDS

.1 -OA

551 (P 22321)

553 (P 830)

554 (P 23014 a)

(PI ,557 4

557 (P 14862)

556 (P 4818)

557 (P 12631)

c

PLATE 54

STANDS

563 (P 17888 b) 561 (P 24721)

563 (P 17888 a)

J 563 (P 17888 c)

564 (P 9977)

564 (P 3777)

566 (P 27839 a)

PLATE 55

STANDS

575 (P 9275), view 1

575,view 3

575, view 2

575, view 3

582 (P 25962)

583 (P 25968)

578 (P 25980)

585 (P 25914) 586 (P 23311)

587 (P 22695) S

F*d'

,.

ie*-.

-? "6rs

??

4

r

c.

Ji;i

PLATE 56

STANDS. LOUTERIA

!-q I' 591 (P 24651)

597 (P 26770)

592 (P 25354)

598 (P 26755)

593 (P 23097)

599 (P 26756)

603 (P 25364) 600 (P 23273)

602 (P 13255)

4

1

Iaimmml '"m

'..

*

PLATE 57

LOUTERION. DINOI

608 (P 24312)

607 (P 2709)

611 (P 3468)

609 (P 12811)

614 (P 14939) 612 (P 26758) 613 (P 483)

616 (P 21708)

PLATE 58

DINOI

'

iI.

;~

,

sw610,

detail 2

PLATE 59

HYDRIAI

620 (P 5467) '"

k?...... .o? 618 (P 26776 a)

623 (P 5201) m

621 (P 12019)

a

625 (P 16325) 626 (P 5228 b)

*esO

'w~ia,4b

628 (P 26544) 632 (P

629 (P 22167) 627 (P 998)

635 (P 6564 b)

v

633 (P 1869)

635 (P 6564 a)

632 (P 5226 b)

PLATE 61

HYDRIAI

(

I .

..:.

636 2W. (P 4905) ...:

636 (P 3256) 637 (P 26629)

I

640 (P 26442)

639 (P 4634 a) 638 (P 21)

644 (P 25920)

642 (P 14372 a, b)

PLATE 62

HYDRIAI

:S: .i .

...8
, %.";. % ..

.

e..,

.-

I

.

. .1 , -' - oI ."'...:. * ..

. . ........ . j:. ". . ...

016-

I

b 1327 (P 14039) 1311 (P 270)

-

1330 (P 1136)

1330, top of lid

I

1336 (P 1130)

.

1337 (P 12231)

1338 (P 23762)

LEKANIDES

PLATE 93

1343 (P 20679)

1344 (P 5085) 1346 (P 5084)

1349 (P 13854) 1347 (P 26545)

I

1350 (P 1238)

1351 (P 8733 a)

1354 (P 6178) 1353 (P 4926)

- *I

b

.

PLATE 94

LIDS

1361 (P 25654)

1362 (P 17337)

1364 (P 9512)

1363 (P 11400)

1365 (P 24906) 1367 (P 22466)

1367 (P 22466) .--.._

1368 (P 6176) 1369 (P 26536)

1366 (P 20552)

1370 (P 26439)

LIDS. PLATES

1381 (P 26771)

PLATE 95

1386 (P 13829)

1382 (P 15387)

b

1388 (P 6684) 1389 (P 26639 a, b)

1390 (P 22268) 1389 (P 26639 d)

1392 (P 25385)

PLATE 96

._^

PLATES

.a

1395 (P 21797)

1397 (P 25963)

1401 (P 8965) ..* 4t

1399 (P 21568) 1406 (P 25316) 1404 (P 18526)

1409 (P 12020)

1411 (P 25889)

1410 (P 26508)

vtL;

. .

PLATES. PHIALAI

PLATE 97

*?-!,...

1417 (P 26794)

1415 (P 5001)

1418 (P 12235)

1419 (P 26223)

1422 (P 10092)

1425 (P 13428)

1416 (P 22341)

1426 (P 1599)

1428 (P 3)

1435 (P 19667)

1433 (P 1563)

1439

1434 (P 24868)

1438 (P 11666) -.t

1442 (P 210)

1443 (P 6822) 1444 (P 5468 a)

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1447 (P 14326)

1446 (P 1131) .I k

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1453 (P 26787 a)

1452 (P 21571)

1453 (P 26787 b)

1454 (P 26788)

1461 (P 87

k,

1458 (P 25355)

C

1460 (P 22333)

1463 (P 13859)

1464 (P 17805 a)

PLATE 100

SKYPHOI

ii

,..'I ^.

A 1475 (P 13834)

1476 (P 1000)

1480 (P 26647 a)

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1483 (P 26652)

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1484 (P 1545), Side A

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SKYPHOI

PLATE 101

1488 (P 1549)

1487 (P 1548)

di

1490 (P 1546) 1491 (P 23174)

1493 (P 15199 b) 1493 (P 15199 a)

SKYPHOI

PLATE 102

1497 (P 6177)

1498 (P 26648), Side A

1501 (P 1552 a)

1499 (P 25982)

1498, Side B

1502 (P 15009)

SKYPHOI

PLATE 103

1506 (P 2742)

1508 (P 1364)

1509 (P 1362)

1513 (P 23321), Side A

1511 (P 1363 a)

1516 (P 27846)

1519 (P 14946 a)

1524 (P 1368)

1523 (P 1322)

1528 (P 48 a) i

PLATE 104

1536 (P 5207 a)

SKYPHOI

1540 (P 16450), Side A

1548 (P 1561) 1541 (P 27426)

1557 (P 23324) 1555 (P 23322)

1564 (P 24580) 1565 (P 24581)

1550 (P 1319 a)

SKYPHOI

PLATE 105

I

1577 (P 23911)

1579 (P 23017)

1580 (P 2711)

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1592 (P 1145) 1588 (P 1140+P 1160), Side B .k...'.'.

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1603 (P 2714), graffito 1597 (P 1142)

1609 (P 20741), Side A

PLATE 106

SKYPHOI

0 (P A Side 23198),

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I

1610 (P 23198), Side A

1613 (P 13275)

V 1615 (P 23175 b)

1620 (P 7898), Side A 1615 (P 23175 a) ^..1

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d F Ie

e 1619 (P 13383)

1623 (P 23265)

PLATE 107

SKYPHOI

1628 (P 2730), Side A

1630 (P 1144) * b,

1631 (P 1146)

1642 (P 10155)

1641 (P 26769)

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1644 (P 3988)

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1647 (P 25928)

1657, detail

PLATE 108

CUPS

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1659 (P 5891 a-c)

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1658 (P 3435)

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1660 (P 3038 a, b, d-f)

1662 (P 3040j, q, r), interior 1661 (P 13858)

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PLATE 109

CUPS

z

1663 (P 3040 bis a, c, z) 1668 (P 6068)

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1674 (P 26646)

1675 (P 8888)

1678 (P 20716), interior 1677 (P 25855)

PLATE 110

CUPS

A'

t 1680 (P 6066)

1682 (P 6059)

; s ' _'S 1679 (P 3268)

1684 (P 13250) 1685 (P 1242)

1687 (P 3041) 1692 (P 25713)

1691 (P 4630)

1689 (P 6069)

1693 (P 22340)

1694 (P 17811)

PLATE 111

CUPS

1700 (P 15377)

1697 (P 3853)

b a

1704 (P 23149), interior

1704 (P 13032), interior

1705 (P 12533) 1706 (P 1990) 1707 (P 8878)

1711 (P 23405)

1710 (P 1123)

1716 (P 23404)

1708 (P 1241)

,

1720 (P 26440) 1714 (P 9277)

PLATE 112

CUPS

1721 (P 4947)

1726 (P 10905)

1731 (P 23235) 1722 (P 24951 a)

1723 (P 26645 a) 1727 (P 26747)

1743 (P 13246)

1729 (P 26231) 1744 (P 24950)

1737 (P 6077)

1745 (P 7135)

1746 (P 14053)

a

1747 (P 4657)

1748 (P 26748)

1750 (P 13835)

PLATE 113

CUPS

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1753 (P 6079)

1754 (P 13039)

1756 (P 5230) .iV

762 (P 23199), Side Side A A 1762 (P 23199),

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1777 (P 8778)

1775 (P 20384) 1773 (P 4153)

1780 (P 4927), Side A

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PLATE 114

4

4I 1783 (P 1152), Side A

1781 (P 3437)

1784 (P 1153)

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1787 (P64 1786 1786 (P 5687) 5687)

1787 (P 6478)

1788 (P 26531)

1794 (P 24648)

PLATE 115

CUPS

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1796 (P 26437)

1795 (P 12236)

1791 (P 13020)

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1797 (P 1155)

1798 (P 1156)

1800 (P 1158)

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PLATE 116

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1804 (P 13125)

1803 (P 13257)

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1806 (P 12)

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1808 (P 7136)