Jacques Derrida
Spurs Nietzsche's Styles tperuns Lcs Styles de Nietzsche T fit roduction by Stefano Agosti P face de St...
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Jacques Derrida
Spurs Nietzsche's Styles tperuns Lcs Styles de Nietzsche T fit roduction by Stefano Agosti P face de Stefano Agosti English Translation by Barbara Harlow Drawings by Francois LoLIbrieu Dessins de Francois Lrnibrieu
The University of Chicago Press Chicago and London
Contents
The 1.;:ni•ersity of ChicaRn ThelJnivvrs.ity of C.:hicagn 1
Chicago. 64163 7 LOndOEI
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and Frcsk h on EJL Ltij.; frirloilvs hihIlagraphic.al reirrenixs. Wahtlrn, 18-14 -1900.
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l'A].rr for Primed
Eperons: Les Styles de Nietzsche Spurs: Nietz5che's Srylcs 34 /35 La question du style I The question of scYlii! 34/35 Distances 36/37 Voiles I Veils 4 6 /47 rites/Truths 54/51 Parures I Adornments 62/63 La. simulation I Simulation 66/67 er I Iistoire (-rune errcur a r - History of ;11.f1 error" 70171 Femina vita 82/83 Positions 94/95 Le regard ciTh(lipe / The gaze of Oedipus I 00/10 Le coup de don i o8/ t o9 Abiffies de la verire / Abysses of truth 1 18.1 .1.19 oubh& mon parapluie I "1 have forgotten my umbrella" .1 2 2 / 1 2 Mores 146/1 47
tperons Les Styles de Nietzsche Spurs Nietzsche's Styles
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Mais– la femme sera mon st.ijct. Il resteiait sc lcroondcr si eela tvvient all mique – fro A name-
Ilowever—it is woman w'ho subject_ Still, one might wonder whethe
question du style Kr, sans doute l'ave?.vous reconnue, c'est une citation, voulu Inarquer clue je n'avoneerai tics ici qui n'appartienne l'espace degage au cours (le ccs dell x dernCeres annets par des lectures qui ouvrent une phase nouvelle clans tin prc)c es d'interpr.aation (1.6construc-
IX
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trice, Cest•A-dire atiirmative. Si je ire rite pas ccs (ravatioz auxquels je
dais beaucoup, pas rnélne Vcrsiom du Yoleil qui me &nix: cc titre, ouvrant lc- champ probl6matique et jticcilI'L la ro rge c lans ! a quae, a tele derive pros, je me tiendrai, cc ne sera ni par omission ni par pre'somption d'independance. Plutãt pour tit pas fragmeaner dote et pour l a pre'siipposer chaquic instant en sa totalitt. J.,a cimstion du slylc, c'cit toiijours l'ex:irnen, Patrol's fi eule• le pesant (run objet ment divine plume, Mais aussi hint dun stylet, noire d'un poignard. A l'aide &sequels 011 13.CLIt, certes, .t ta3C]1]cr C r UCI1CMC11 Cc a (poi la philosophic en appell• sous le nom de tnatiere ou de =trice, pour y cnfoncer one marque, y laisser tine einpreinte ou um:. forme,. rnais aussi pour repousser ILL/ IC forme mcnacanle, la lenir n distance, I, relotiier, s'en !larder – sc pliant alors ou repliant, en fuite, derriere des voiles.
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the other, The .ec question of st}.le o. is, as you have no doubt rtougoizcd, a quotation. Thus it serves t1.1 indicate that wilrIE I shall put forth here. is already a part of ;hat space which certain readings, in launching a new phase in the process of deconstructive allirmative) interpretation, have (le —rnar(aux! durirkg the last 0,vo years. I ov..e these. readings a great debt and it is neither through omission nor in a spirit of presumptuous inilcpendeney that I do not (not even to icier to them soleil which provided the title Verrifors for this text). But., because they have opened lip WA prohiciruiLic field to the very margin in which (aside from those mumenrs when I deviate from it) l shall remain. that debt itself should nut be fragmented here, but at each moment presupposed in its totality. to
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In the question of style there is always the weight or examen of some pointed ohject. At times this ohjcct might he only a quill or a stylus_ But it could just as easily he a stiletto, or even a rapier_ Such objects might be used in 3 V IC iOUS attack against what philosophy apvcois to in 1 hr. name of matter or matrix, an attack whose thmsr could not but !cave its mark, could not but inscrib-c there some imprint or form. Mit they 'night also be used as protection against the thrrat of such an attack, in order to li:cep it at a distance, to repel it—as am; btads or recoils I,,k-, o rc its force-, in flight, behind veils and salk (de.t. voiles), 37
But let us [cave this c17„..tron to float Laisscns IP6lytre flotter entre rnaseulin et between the masculine and the feminine., Notre I Li ngLJC ROLLS CIL aSSU re la Our tongue, in any case, promises us such CIU iSSarlte 1)1 1 I IWO Ll cm n'articule pas. rinvidcd [CO St I h LII L %%IC Lk) lit quart aux voiles, nous y sommes, iculate.' nI)t :art Nietzsche aura pratiqu4 tour its genres. And as far as sails and veils are concerned, '
.
Lc htylc s ovolicer2it aliMS COrilinc riperog, le CCII.11 par exemple Chin VILiSSC;911 l
ro.ftrilM, cette saillie qui va au devant, brise Irattaque fendre la surface adverse, Encore., toujours cn wrtnes de 11141,1jr1C. Clet1C 9uNs.i il;peron pointc de rochcr qu'on et qui .rompt 6 lames a l'entr6e (Fun havre 1-C Styli: prat dune amui tie. son 6peron i1roi6ger runtrc la Illerl1Ce tCrrifiarar, avcuglantc et mortelle (cle ce) qui se pre setae, se donne voir avec entetement: IA presence, done, It COntelki, la chose meJrne, 'cns, moins clue cc Isc soit — deid l'abyme deflot6 unit cc d6.1Toilcmcnt de la difi6tence. Depa, nom de. ce qui s'efface ou d'avance sonstrair, lais.sout n6anmoins vine signature sousunite dans Ma RP pre'zient c'a'l: meme dont it se retire — dont it faudrait tenir compte. Ce que je fera.i, mais cette operation ne se laisse simplifier ni cifilcr crull scul c.oup. L'eperon, cc, francic1LIC ou
a
38
,
now that we have happened into them, Nietir.SChe must have becn fillniliOr with all genres. Thus the style would seem to advance in the manner of a 3 ,tner of sorts (eperatg). Like the prow, I[Of example, of a salting vc-ssel, its rostrum, Liu! projec•tion of the ship which surges ahead to meet the sea's amilck and cleave its hostile! surface. Or yet again, and still in nautical tcrrnincdogy, the style might be eomprired to that rocky pcint, also called an jperon, on which the waves break at the harbor's entrance_ So, it seems, style also LI SC:S HS spur ( eperan as a menns of protection against the terrifying, blinding, mortal threat ( o f th a t) which presenes itself, which obstinacel!.. thrusts itsidi into view. And stvlc thcruby laroiCCtS the preSellCe.„ the content , the thing itself, meaning, truth--on the condition at lease that it should not already (dj)a) lie that gaping chasm which has been itn cif the LlifFeicneu. cieltowerc4.1 in the Lira Already ftield), sLith 3S. the name for what has been effaced or subtracted beforehand, but which has no.iertheless left behind a mark, a signaiure which is rertneteci in thin %wry thing from which it is. ‘,.....iihdrawn. Withdrawn from the here and now, the here and now which must be accounted fol. Which T am going to aCCU1111( for. lint skid) an operation cannot be simplified, nor can its fine point be honed in a single stroke (Sun seut coup). The 4'perfw.r, wLik...11 is translated Sporn -
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gaelique spot, (eta se di( en anglais 5,pur awls 1.1 5. "'mix (Died*, Mallarme le rapproche de sprern, mepriser, repot'sNer ., iejeter avec raepris. nest pas une fascinante homonyniie, mais (rune Lague A l'al Li PL! [ 4.]1345rE1.1 1.0/ 41 111311• ne CeSSi tj I ii s roriquc ct s&riantique: le spur anglAi5, l'k'peron, es( le .41 rarrie mot K.. que lc Spur allemand; trace, sillage, indite, inargur,t. Le style perorinant, l'objct long, oblong, perfnre, la points arrnc de parade arrant oblongifoli'ee tenant sa puissance apotropaILytle des tis so s, toiles, voiles qui se bandent„ ("est sL ploient ou deploicnt autour aussi, pc pas l'oublier, le parapluic. Par exemple, mais ne roublier. Et pour insister sur ce qui in writ= Jo inar• .(k sty1.6 duns. Li Ltucstion de 12 femme — je ne clis pas, sclnn la locution si souvelll rectie, 1a figure de La femme, — s'agira. ici de la vole s'enlever, la question (k. la figure C (ant 't la fois ouverte et . if 31 1162; par ie qui s'appelle ]a femme —; pour antioncer aussi, 4.l s rnaintenant, cc qui regle le jet) des voiles (par exemple Sun navire) stir l'angaisNe apotropaique; pour laisser enrin paraiirc (11,1041 11C,7 {14..11u rise entre le style 1,1 femme de Nietzsche, void (Iiiclques lignes dot Gai SaVotr, depuis la belle tradoction dc Pierre Klossowski_ Lc.5 f•rnmes et leter opCrolichn ji distorrce (ibre Wirkung ill rf r4. Ferree). 1[ imp Jo .3 5rwoaci . 9 1! inq 'ut,:wogYL 30 t[irui. 7)11,19A11011 lla.) im qes. 14 4r 'US V:cir :Nil sr liu!Efi Sf 31091 Opt! SIC 1.1179 1..)3 JI h a:5RX' isa i ) tLiFui attimr.:9 9 op 01 S:L[idap cRoiLliciap sect ti raild!. 91(1 .A,Lr II 'oilad sc pue s[Roti a}3113 LIU sa.optino5 ip.apuriq .a&.s[t.:1 DS: - PJCILLIOS ! L1 EION)S! p levidosoutO atia pttv 0[ nj11.0.1114 Dl '9]9!idElld g/n01. '93pET;p1 Jo 'Aiquptiossa jr.,} apS3.5. mEigyl '.p)!pri. vuossa 'pk.r0.1 Stirs "uu Kisoisp luny. sjiatr;) i1Js '01(pu0t1mi1in sires 1 111.103 Jrci alfoAlf.-/ `11:1U-K3Callia Nr-d put sso[rua istridp orp jo ]no ips.r.79 JO -
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41onne unc allure prometteuse, re)iceute, puclique, ironiqu•, ailit rvi. si4duisfm rc, Okti, la vie est femme! Nlais diautre part, a cette verit6: qui est femme, lc philci.sophe croft, cljduic et iLi; ['OHMIC ;) la femme, dogmatique, a h.) n'a rien commis.. E nFa rich compris ni ve'rit6 Ili a la femme. Car si 12 fe.inme est v6i iE6. ells :sail. quid n'y a pas 121. clue Ea veriti5 n'a iras lice el qu'on Ia VO" rittl . T.11 ceSt femme el] rant q u' e lle ne critc, done a ce guide (Tait Pas, elle, (2E,. A ce gu'on croit e.st, (FOC don,: clic West pas. Ainsi opere 6 distance lorsqu'elle propre de la femme, de'sarcorme le [thilosop-he cavalier, :a moins gut. celui•ci ne reruive femme clle•rnme. 6pVT(1115, coups de style ou coups de poignard dont re'change brouille alors ridentite sexuelle: 441 Que quelqu'un ne puisse se daendre et par enns.aluent nOn plus le Lire, yank, nos yeux, qui ne serait point pour lui on sujet de. honte: mail nous n'avons guere d'eslime pour qui ni 13 volont6 de se venger – pe1.3 11111)011C (1k1 . 11 S ' agi 11E11131TIC 011 CPU d'une femme. Hst-ce nulune femme pourtait nous reeenir (ou comme on dit, nous fasciner dont on n'imaginerait pas, le rrt (c•htzant, qu'elle sacile punier le poignard (rCimporte cluel genre de pol l:01;1rd,, n-vigeleine Ani von ..L.Mrb) con; re torn? ou hien 4,...ontre elle•merne: ce qui 4,ians eertains cas constiiuerail ink° vengyance plus sensible (6 vengeance chinoisc) 0 9 11. La femme ., la maitresse, mattresse feinrne dt Nietzsche ressemble parfois Peothe'sile. (Avec Shakespeare, Kleist est city, dons la propos de la 1 7 a or I. I ,4 r r puissant c, violence infligec au lecteur et du *plaisir de la dissimulation D., Kleist avait aussi
mocking, sympathetic, seductive. Yes, life is a woman! v. Rut, on the other hand, the credulous and dogmatic philosopher who believes in the trutli [hat i5 Woman,. who believes in truth just as he believes in WOnlall, this philosopher has understood ',tithing. Tic kis understood nothing of truth, nor anything of woman. Because, indeed, if woman is truth, she least knows that there is no truth, that Mall S no ploce here and tliat no one has a place for truth, And she is woman precisely because she herself does not believe in truth itself, I.X:CafilSc she does mil believe in what she is, in whit she is L.)elievtil to he, in what she thus is not, fn its maneuvers distance strips the lady 01 her identity and unseats the philosopher1 1 -MS not alrea dy been .- he if knight. twice-spurted by the woman_ The exchange of stylistic blows or We thrust of a dagger That a person confuses sexual identity.: cannot and conseqiiently will nc cid C. Lid hi Eli SAE JEWS t yet disgrace him in our eyes; but we despise the person who his neither the ability nor the goodwill for revenge—whether it be a rm'in or a wthilint. Would ti woman he .nl p[e to captivate us (or, as people say, to letter • us) whom we did not credit with knowing how to employ likC dagger (any kind of dagger, irgetnirtne cl.gzJiMlb 13E 13 DC r Ari Von .1.101C.6) re main circumstances? Or against herself which in a certain case might he the ScVcrtSE revenge (the Chinese revenge)*. (69) \Willi-in, mistress, Niet7SChe'S womanmistress, it lintel resern1-)1t.s Penthe:silea, (lInth Shake-pears and Klrist are cited in The Will to Power with respect to the violence Ilia is pc1peLr.tLccl thcr on ills: reader as well as for their pleasure in dissimulation. x.• Karla, 100, had written t3
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t'crit Line Priere de Zoroastre Sem: voile cu transparence, la point,: retournec curare soi, c'cst aussi Ca Luerece claput::e plc Cr]mach_ Comment 1;: femme peot elle, tarts la veertte, ne pas croite a la v&ite? Mais aussi bitn continent etre la ve_=riti::: en y croyarkt encore? °overture h A supposer clue v6rite sprit Line femme., n'Hurait-on rns dc soupronner que tour lcs philosophes, daps ]n mt.-sure oi..E its 6taient des dogislAiques., opt Mal eompris les femines (sicb Trihreeb, cut/ IX/el/7er verstanden, s sont mat emend!' en fernmes)? Lt que Se'riC1.3X efirCiyi.11:11e, -
.
galClie '1.11(11iscre:ti011
it, errs poursuivi in
etnient (les moyens maladroits et malsi.ants (ungescbickee fad unschickliche Mete!) pour prendre Utie (Fralionimmer, teime tole idle facile)? xi-
VbrItEr Nietnche a cet instant fait virer Ia v&ite alt 1a C.N51115; Li V.[Lit de v&itc.:. •. 11 ust c•rtain qu'elle rte s'est pas laissi_:e preikdre — chnque espece cue doginatique se tient I) aujourd'hui dans le contenance piteuse et de'priitici:ce A nippier M6uc qu'elle se tienne encore dchour! La femme (ia vt5rire) TIC se laisse pas prendre. A /3 v6rite 1N femme, la v&he aye se laisse pas prendre., Cc qui la vtcrit6 DC se laisse pas prendre est — cc qu'il ne Nut pas s'empresser de traduire par la Qininite., la fe minifé la femme, is EcxLia[i kr.rninine et auttcs fe tiches essentialisants go_ SIAM ilInterrierlt ce qu'on croit prendte quand on cry reste niaisrrie du phi]osophe dogrnatiquc, l'artiste OU tlu !a_'cill(1.1.1.3r SAILS exi4ricmcc. .
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HIOIC firHAV !NS. en11.!gi.lry SIMUL1,11C3n, ci f rriCnintellanIV) it Silt Mid he recalled that even at the moment of This equivoc:.41 eu[ogy (which in fact is not so far from An indictment) the con.cpt of the :ink( is irEcIr n{3[ Not kinly there the artist.histrion, car kiflirmative dissimulation, but there is also the artisthysteric whose reactive dissimulation is LhAt Of LILL -{{ Er2{M[Urrl fli'LES[,* TE3 fact, it is ihis 13trcr dint Nietzsche compares. to tc srrmIt womr.n Airtcl .4., poor women _ . _ agitated and uncertain. xi. In a parody of Atisioll .Nietzscbc just as devastatingly OVCrWhdinl 1111C'Sq $lnall ❑ Ornien. CTOyfrar F5cioni , 7 5 , The Third Sex) a And 04.11' artis[s are too closely related to little hysterical WOHltrl. BUL this :LS Eti speak against 'today' and not r2
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Alzhougll this; play on .0: to give ., e4 to give oneb.c.•1.. and to give oiteNeli for ([1.1 45111('Srir airs) is imnInhili7crl here. for the moment, irs debt will rertaifilv f:111 due It is iff§pOSSible tra diSSOCine th1. COCStiell1S Of art, style and truth from tile question of the wonion. Nevertliele!-J s:.LIIL quencion ▪ what is wc_Irrian? xi. is itself suspended by the simplc fOrrntilladon cif [hcir common. prclIci.unatic. One can no [flinger seek her, no more than one could lenrck for 1.voirinn's femininity or female sexuality. And she is certainly not ro be found in any of [he tylodcs of eancel,t ur knowlcdg.t. Yet it is impoE61-,le to resist looking for her_
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"I•acL. kna t Lt 'LatA 1-ransc_endava bectcin- C.I0n1 'afar in die Ferne•. 1.1r, 'float in the distance. '11.1e. (\te a m of aealAi beg;ns., it is ....12oman, i '11)e tiuu vo..3r1d- unattainable for now, but promised for the the pious, Ole virtuous man (0 for the .. ,ioncr wino repents 0, (Progress of the idea: it becomes more subtic, insidious, inciimprehensible • it
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expticiter et analyser le elle devient ferule Nietrzsdle 2joute ci zee 'ird 4:.t fertile la parenthse. chrisatch •utte ix:trendiest Cest dons 1 c::poiiiic qu'on petit tenter d'entrainer cette aff;k1m. laden very le rnocif de la castration clans verli lei TtxrE riittzsch6cn, l'6nigme d une non-pr6ence de la ve"ri16. Ce skit s'enseigne en lettres rouges dans le rile devient femme. elle devient je VaiS CSSayer de dermontrer glut parce ePe.s.taS1.3 1 5lY u •elle (se.) C • Lk( pl;i5.-s at her cam qu'elle est ch:“ree, elle joie si castration ra tit )r) in The par[uillc tico] epoch. SIR! feigus her castration—•which is .at once dans lItl:p(kitic dune parenillese, elle rein( la — pour maitriser suffered and inflicted. From afar she would castration — subic et &k it et master 1.110 master lint] with the Silanc L10. ,1,' in Je maitre de loin, pour produire A Lt tiSeri a Ch05C ),, IC her 01 (El• S:Line lhing 1.0 That produced Ids r4c.!Nt clii rriC mc. desire, kill him. A period, a neceAsary periphrase, has been I'llase est periphrase r[Lessaire dans l'histoirc niarked in the history of 'woman-truth, friiiiric-v&ite, tic la femme commv WOinan trU1112 t f rehirication fc:minisation. v6ritc', de la v&ificatioo Cr 01 ic in isat ion , (
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cit.,e1 point Cc sont I setplement — .mer — a (23 t ). Et dins Et cry bowl° (Poterquoi j'erriy si bons livrrs), deux pa.ragrapites se fun( suite (TV et V) clans lesquels rnro.nrc 54ECCe . :F, SiV('Ment rpfi.] un grand nombre (le styks possibles quid a pas de en. pUiN -.commit bier!, feinmes [ou fetnelle, !4'1'j Cela fait partic cl n3011 patrimoi-
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presuppos.{..3. it, this ondecidability. Somewhere here, bcyon4.1 the inylbology cif the signature., beyond authorial theology, the biographical desire has been inscribed in. the text_ The mark which it has 'behind, irreducible ihough it In:013.r he., is itisi as. irreducibly plural. Their (of these marks) .0; granite stratum of spirhual fate 3.1 ho I1 coulters and receives marks.. From them it fortn Dint[Er_ EV.p.t.cfirin torbbe." hit1gniphical. tcyk, which hiic hcen ri:Kccl and stabilized for an indeterminate duration, constiruteA a tong vr.hi.le the .humovable stele , Ne.vcrthelcss tll C...g.ze.i.egenth84.. had rec..eignized beforehand the risks invoked in its monlimenfairp hricl reCOgfli:md that the granite stratum is a ysiern of c precietetpuirtated decision and :insia.•ri- to prractCrininated s.elected In the ease of e, -y cardinal ['problem [here speaks an u.nchangeable das bin ich {.-.4 this is 1 ;4); ataut woman anti philosophy, for example.. a ihinker cannot relt-arn iT
iiimleraen) kilt only buirn fully (arirkp Me0 -
—
only discover all Thar is 'firm and settled' with him on this s u biecr „_Ilavirsg just paid myself such a deal of prctty compliiiiems [Ow futc 1171 -past been described as our stur'idiiyy 1 [nay perhaps be more readily permitted to utter :1 rev,. Ltuths aiK31111. VR5111E111 1124 Such : LINS.1.1rTilng I t i5 now under5tood from Ow ourset to how great an extent These are or] ly—wy Irtfehs. (3.1) .And in /1:z c c./law° (Why I \Virile ..S'r.u. 1) (oaf BOCYLC), i11 1 . :0 SIICCUC{Ii3T (IV and 1.7 ), Nict7sche follows his declarntion that he is capable of many kinds of style, or else t1Not th.eic is no sue]] thing fts a siyk in ihelf,. with 111,1. he knows woman I or rather. the Female. 1Vethlein J ; .g Thi s kno....eledge is. part of ]
'
-
.
-
11
105
'
ne fliimysiaciiie. Qui sait? Peut-42ite suis-je ]r premier psychologue (lc nl'aiment routes , cicst tine vieille historic, exccpte les fernelles accident4es (verunglUcktcri Weilblei.o.:), les 'e i.n.anok.es.`, ernes qLi ruancluent 4,1. 1 0[1.6e VOW filire (IC's CrifilDt5. TiCtITCUSellieni le ne iiisposé. 51 me laisser t.I.4chivcr; la femme acc4....rnplie dread cllt aime Des !ors qL1C [11 6'2 ir2 1113t34.1 SIISPCMCI rCIPPCISITI . C)11. de'riclah10 lri vrai el r111 non-vrai„ insTaktre lie re:girrie deN guillemeis pout sous les concepts appartemant systeme de Cette philosophictite, disqualific le proja herrili:;11cuLitluc.7 postulant le sens vr:3i (Fun teme. lib:r:Te 1;1 lecture (le L' horizonsens de retire nu Lie [a vi...!rit6 de 1. c.rc, dcs valeurs di prucluet LOrl. EL.1 124..it1lli.t di!. prclEcnCe , que, smite de. Klossowski,u je Tr-nonce traduire, A une proposition clans etre lui•mErne eSt r6.11.3iL (Ads Erei,gnis er — eignet). EIL1FI- luS detlx; ... rind 10 'loch einmfdi in der tuig4..nen Anifingnis die reine Uribedarftigkeit sich ereignen tdxgt, die selbst Abglaflz. rfit des Ahhinglithen, das airs iir-ei g Arting arty Wilbrhvit fn. .04.1 K.. Et cn.fin la question de hi production tlu faire et de la machination, de l'eve nonent (Cebt kin des sens de Ereegnes) avant .6-te arrachee. a l'ontologie, 1}ropris:;rt1 ou la propliation du propru CSC 111'6Cis6TIcrNI. 11Coni• romme ce qu] n'est propre 5 rien, done a personne, De d6cide plus de l'approde ['Etre, renvoie Clans priation de L le Roos-fond l'abyrne la ve'rit6 commr e near]-v6riti..:'!„ le d' voilement eornme voilement, I' e~lairement coninie dissimulation, l'histoire de retre comMe histoire dins laquelle rich, inais seulentent le nc.v.ent Eluctin e taint nI ; propriet6 prod-s sans fond de l'Frrignis, de l'abyrne (des Rigenrum des Ab-gruncies1 qui est ne cessairentent l'abyme de la propric, la violence auissi (Fu[, 4:wt.:nem-In qui :icivient sans .hre. L'abyme de 1:1 verite' .
.
relation of metaphysics to its other can no lourr he OM! Of Abyfsel a? truth
Mcraphysieal questions and the question of metaphysics have only to be inscribed in the rnorc pov..crful question of prow in.tiolt for their space to be reorganized. This omits quite regularly., if not in fact spectacularly. Its first incidence in the final chapter of Nicizsche (Die Erinnerung in die Metaphysik) i4 not a fortuitous 0114.,!. Here a proposition of the type 0 Das Sein sctbst sick ereignet (which, as Klossuwski has ohservuki,36 4,10ics it2ndation.) givcs way to ;1 prOpOSitiOn
in which ( Being XI. itself is reduced Mas er-eignetgives way, but only aftcr (he intervention between them of .4( rille.1 so nod) cinmal in der- eigenun fjrr ithgnis die reine rinbediirftigkeit ereignoi id$1, die maw ci. Abgldnz itt de iingikben, dal (41 L: "-eignring. der W abrbeit skb creignet. }I [1]CO, UnC_C 1110 cI iOn Of prOCIOCtiOn, doing. machination: the question of the event (which is one meaning of Err:g..12 %1 has bt Tn uprooted r4) in ornology, the propert.y or propriation is named as exactly that which is proper I I to nothing and no (int. Truth, koweiling, illumination are no longer decided in the appruptiation of the mak of beiug, but are CASi into its bottomless abyss as non-truth, veiling and dissimulation. The history of Being becomes a hiSalry ill which no being, nothing, happens except Ervigni5' 1.2111:.11110inal31U 13tC)1:CSN. The proper-ty of the (elor Figeneurn de .5" Ab-gr.r.meies) is necessarily the abyss of properly,. the violence of an event which befalls without .
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Perhaps truth's abyss as non-truth, IIg
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un simple renverstment et fain: de ll'cre as particulier ou une espece du genre err prier, dimmer/Fent/IC la viella tin cas de l't.:'v6iicrnent en On&al nomm6: •icl•gger pr6vient eontrC lai 1 -5 1- 11 Iittt Fretvfir. et 1C non riveriu (11 ' Ian tel TC1IVCrW117unt C011CeptiICI de l'esp'ece et du genre." Tc[[c ZiCtAit la piste ., pout-art, stir ]aquell.c relancer la lecture de Nietzsche par IIeidegger, la voler hors du ccrcle herm6.neuun champ tique, avec tout CC immense. Dont la rnesure ne se donne sons doutc qu'au pas de colombe. Id pourrait commencer un autre diSCOUrs sur colomb:ire de Nietzsche_
r
ouhliii moo ParaPhilex ' a i ci bli man parapluie ». Parini les fragments ineklits de Nietzsche, on trouv' ces mots, tout seals, entre •
,
Petit-Eire one citation. Pcut-kr• a-t-elle t prc:I'lev& quelque part. (.1C cntendue ici ou Pcui-We Pcut-tre ttait-ce lc propos &Pune phrase (..:erire 1c1. ou Ia, Nous n'avons aucun morn infailliblc dc savedr oU k pra'&vemeni 9 en Iicu, sur quoi la greffe attrait pu prendre, Nous Ile serous jamai s assureJ savoir cC clue Nietzsche a voulu Lire cu dire en natant ces mots_ Ni s'il a von t/ quoi clue cc fCit. A supposer encore qu'on trait aticun doute sur sa signature autographs et qu'on sitche quoi rnettre sous le concept crautographie et la forme d'un seing. A cet ard, La note des Miteurs qui ont
22
should, by a simple reversal, transform Being into a particular case or species of the genus pro pri er , give/take, life/denth. I leidegger himself cautions against mak Mg lleing lucre incident in the ei....cnt called d.,:rrip.:)./IN and warns or the futile nullity of conccptual reversal of this sort bet wc(..-11 species rind genus On such a track one might flush out once again Ilcidegger's reading of .4, Nietzsche 5and abscond with it outside the speculum and the hermeneutic circle and everything it points out 1 eogg e qu'il firf.z.:h.e) towards an enormous field of dimensions iir_mensurahle—except perhaps by the steps )
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of a dove_
Another discourse on Nictischc's ber, in her e_ columbariurri Might
hape Argo! en my umbra/a" ' 1 have forwitt•n my umbrella. & These i.vords were found, isolated in quotation marks, among Nictzschc's unpublished manuscripts." Maybe a citation. It might have hem a sample picked up somewhere, or overheard hcaz. Or there. Perhaps it was the note for some phrase to he written here or there. There is no infallible way of knowing the occasion of this sample or what ii. could have been inter grafted onto_ We never will know for vire what Nietzsche wanted to say or do when he noted these words, nor even that he actually wanfrd anything,. And even this is still assuming, of course, that there is no doulm that it is Nietzsche's autograph signature here, assuming also ihat one ev u n knows what is included under the concept of au tog ea phy and the form of a seing, 19 GivcC1 this Jack of Assurance, the nate 12 3
classe ces inedits est un munament de soulnamhulisme herrn1=i-nentique clout c. - haque mot recouvre 4.1 vcc In tranquillitei; la plus insouciante une fourtnilli.Lre de questions critiques, II fandrait la paSscr :01 Ctilile plur fake tiOits MIN Ics probRilles lc occupent ici_ EitUrcirs-DoUS kin jour rine' est le contexts: signi ant de cc parapluic, Les Mireurs le savent pew-Etre, quoiqu'ils n'en disent rien; ils &RI:trent n'avoir retenu, dais lour travail cle selection et dc rnise au point des manuscrits, que cenx qui communiquent jugent kre un travailelabore» avec ce de Nietzsche?' Pent-Etre un joiir, avec du tra...rail et de la contexte chance, pourra-t-on re.constituer ce i'ai oubli6. man interne ou externs factuelle paraphlic*. Or tote soil Marcia chins hi n'empchcra jamais mructure de ce fragment (milk le concept di- fraginnynt n'y suffit plus, it en appeile sa fracture au cornpV2inen1 lotalisant 1, [Rip puisse t /a lois rester cutler et it tout jamais sans aLLCI'C contexte, cuupc non 4,C1.51C dc prOd1.1cli011 IM1IS dc ment tic s.ori mule intention Ou VoulOir dirc de Nietzsche, cc: vouluir-dire et setts: signature appropriante nous ciemeurant au principe inacces:
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Non qut cet inaccessible snit lit profonri_eur dui secret, il petit!ere inconsistant., gnifia.nt. Nietzsche n'a peut4-3..tre rien voulu
7 2 4.
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which the editors have appended to their classification of these unpublished pieces is a monument to hermeneutic somnambulism, In blithest complacency their every word obscures so well a veritable beehive of critical questions that only the it scrutiny could p,iissihly recover there those (pest ions whicli preoccupy us bc.:re_ One day thoujh, we 4611 perhaps know the signifiant context of this umbrella. Perhaps the editors themselves already know. But if they do, they are not saying. According to their testimony they urolAd have withheld nothing in their selection and appointment of the manuscripts but those cif Nietzsche's fragments which correspond to what they judge to he an t% over-i,vrought wor k of his.' Nevertheless, by dint of dilip,ence and good fortune, the internal and external context of the ix 1 have forgotten my umbrella » could twn one clay be reconstructed. Such a factuiti possibility, however., does not alter the fact of 11)411 other possibility which is marked in the fragment's very structurc. (The cc..meept of fragment, however, since its fracturedness is itself an appeal to some totalizing. complement, is no longer sufficient here,) For it is always possible that the :., (Z.rer Sciir.Wrage)
,
(-1 7-5- 1 973).
...42
145
