Appalachian Children's Literature: An Annotated Bibliography

Appalachian Children’s Literature

The 13 States of the Appalachian Region

CONTRIBUTIONS TO SOUTHERN APPALACHIAN STUDIES 1. Memoirs of Grassy Creek: Growing Up in the Mountains on the Virginia–North Carolina Line. Zetta Barker Hamby. 1998 2. The Pond Mountain Chronicle: Self-Portrait of a Southern Appalachian Community. Edited by Leland R. Cooper and Mary Lee Cooper. 1998 3. Traditional Musicians of the Central Blue Ridge: Old Time, Early Country, Folk and Bluegrass Label Recording Artists, with Discographies. Marty McGee. 2000 4. W.R. Trivett, Appalachian Pictureman: Photographs of a Bygone Time. Ralph E. Lentz II. 2001 5. The People of the New River: Oral Histories from the Ashe, Alleghany and Watauga Counties of North Carolina. Edited by Leland R. Cooper and Mary Lee Cooper. 2001 6. John Fox, Jr., Appalachian Author. Bill York. 2003 7. The Thistle and the Brier: Historical Links and Cultural Parallels Between Scotland and Appalachia. Richard Blaustein. 2003 8. Tales from Sacred Wind: Coming of Age in Appalachia. The Cratis Williams Chronicles. Cratis D. Williams. Edited by David Cratis Williams and Patricia D. Beaver. 2003 9. Willard Gayheart, Appalachian Artist. Willard Gayheart and Donia S. Eley. 2003 10. The Forest City Lynching of 1900: Populism, Racism, and White Supremacy in Rutherford County, North Carolina. J. Timothy Cole. 2003 11. The Brevard Rosenwald School: Black Education and Community Building in a Southern Appalachian Town, 1920–1966. Betty J. Reed. 2004 12. The Bristol Sessions: Writings About the Big Bang of Country Music. Edited by Charles K. Wolfe and Ted Olson. 2005 13. Community and Change in the North Carolina Mountains: Oral Histories and Profiles of People from Western Watauga County. Compiled by Nannie Greene and Catherine Stokes Sheppard. 2006 14. Ashe County: A History; A New Edition. Arthur Lloyd Fletcher. 2009 [2006] 15. The New River Controversy; A New Edition. Thomas J. Schoenbaum. Epilogue by R. Seth Woodard. 2007 16. The Blue Ridge Parkway by Foot: A Park Ranger’s Memoir. Tim Pegram. 2007 17. James Still: Critical Essays on the Dean of Appalachian Literature. Edited by Ted Olson and Kathy H. Olson. 2008 18. Owsley County, Kentucky, and the Perpetuation of Poverty. John R. Burch, Jr. 2008 19. Asheville: A History. Nan K. Chase. 2007 20. Southern Appalachian Poetry: An Antholog y of Works by 37 Poets. Edited by Marita Garin. 2008 21. Ball, Bat and Bitumen: A History of Coalfield Baseball in the Appalachian South. L.M. Sutter. 2009 22. The Frontier Nursing Service: America’s First Rural Nurse-Midwife Service and School. Marie Bartlett. 2009 23. James Still in Interviews, Oral Histories and Memoirs. Edited by Ted Olson. 2009 24. The Millstone Quarries of Powell County, Kentucky. Charles D. Hockensmith. 2009 25. The Bibliography of Appalachia: More Than 4,700 Books, Articles, Monographs and Dissertations, Topically Arranged and Indexed. Compiled by John R. Burch, Jr. 2009 26. Appalachian Children’s Literature: An Annotated Bibliography. Compiled by Roberta Teague Herrin and Sheila Quinn Oliver. 2009

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Appalachian Children’s Literature An Annotated Bibliography Compiled by ROBERTA TEAGUE HERRIN and SHEILA QUINN OLIVER Foreword by George Ella Lyon CONTRIBUTIONS TO SOUTHERN APPALACHIAN STUDIES, 26

McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London

LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA

p.

Herrin, Roberta T. Appalachian children’s literature : an annotated bibliography / compiled by Roberta Teague Herrin and Sheila Quinn Oliver ; foreword by George Ella Lyon. cm. — (Contributions to southern Appalachian studies ; 26) Includes bibliographical references and index. ISBN 978-0-7864-1040-8 softcover : 50# alkaline paper

1. Appalachian Region — Juvenile literature — Bibliography. 2. Appalchian Region, Southern — Juvenile literature — Bibliography. I. Oliver, Sheila Quinn. II. Title. Z1251.A7H47 2010 016.974 — dc22 2009019859 [F106] British Library cataloguing data are available ©2010 Roberta Teague Herrin and Sheila Quinn Oliver. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: schoolchildren of Vardy, Tennessee, in the late 1930s: left to right, Charles Sizemore, the late Charlotte Williams, Dan Williams, Jean Sizemore, Margaret Williams and the late Leona Moore (photograph courtesy of the Vardy Community Historical Society); inset ©2009 Shutterstock Manufactured in the United States of America

McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com

Contents Acknowledgments viii Foreword by George Ella Lyon 1 Preface 3

THE BIBLIOGRAPHY 13 Appendix I: Counties in Appalachia 283 Appendix II: Grade Levels (Authors, Titles) 285 Author, Title, Illustrator Index 309 Subject Index 335

vii

Acknowledgments A bibliographer is always something of a parasite, living off the effort of others. For the past twenty-two years I have depended on the work and goodwill of colleagues, writers, librarians, students, and other bibliographers. (Tina Hanlon, Judy Teaford, Judy Martin, George Brosi, and Jim Stokely, to name just a few.) Begun before the Internet came into popular use, the early research for this bibliography focused on print material and relied heavily on the resources of the interlibrary loan division of Sherrod Library at East Tennessee State University. The staff have been accommodating, stalwart supporters of this project. The staff at the Spartanburg County Public Library, the University of South Carolina Library, and the Library of Congress were tireless sleuths as well. Dr. Patricia E. Feehan with the School of Library and Information Science at the University of South Carolina deserves special recognition for her assistance and support. The ETSU Department of English provided the support of graduate assistants, including Jennifer Bunn, Susan Isaac, the late Junius Griffin, Heather Grindstaff, Christy Price Johnson, Jennifer Luther, Dan Mills, Misty Powers, Chris Robertson, Carla Garber Todaro, and Keith Wolverton. Many undergraduate student workers were also involved, including Jonathan Pleasant, Jennifer O’Hara, Allison Schlather, Ka-

leena Dugger, and Sarah Needham in the Center for Appalachian Studies and Services; Ruth Hausman, Sara Peters, Mark Sharman, and Randy Sanders also gave of their time and energy. The School of Graduate Studies supported the part-time assistance of Annie “Dixie” Michal. Brown University awarded me the George A. and Eliza Gardner Howard Fellowship, 1992-93, which supported a year-long sabbatical, when much of the critical research for the project was begun. The research assistance of Tara Jenness and Meghan Johnson has been invaluable, along with the general support of Dr. Vernon Prosser, principal, Broome High School, Spartanburg School District 3, Spartanburg, South Carolina. Judy Teaford provided expert proofreading. And finally, this work would never have been completed without the assistance of Sheila Quinn Oliver, who graciously agreed to join the project in 2006. Without her knowledge of books and publishing, her technical skills in information retrieval, her expertise in children’s literature, and her dogged, tireless sleuthing for titles and publication information, this bibliography would still be sitting in file boxes on bookshelves. Her dedication to this project revived it and gave it legs. RTH viii

Foreword by George Ella Lyon If what we read is a critical ingredient in how we think and who we are, then the books and stories we read or listen to as children are the foundation of our literate becoming. While we may identify with what is universal in all stories, to feel like full participants in our culture, we have to see ourselves and our place in its story-life. Without that cultural mirror we are excluded or have only the projected images made by outsiders. The world worthy of story is elsewhere. We aren’t the kind of people you meet in books. This is a crippling notion. If we do find characters who are supposed to be us in books and their depiction is demeaning and embarrassing, this reading only alienates us from ourselves. We are not those people, so if they are Appalachian we must not be. With this perception we are displaced, disinherited. Just like that. But what if there are books which depict and reflect Appalachian experience but parents, teachers, and child readers don’t know how to find them or, if they do, how to discern which ones are of interest and quality? Here is the enormous gift this bibliography offers. It has been said that for a region’s literature to become visible and legitimate, it has to be written about by scholars who give it context and present it in ways that we understand and respect. Roberta Teague Herrin has been doing that for twenty-five years. She

is not alone in this work, but she is the prime mover. She has midwifed this field into the world, constantly researching, speaking at conferences, writing essays, providing resource material for scholars and teachers, promoting writers’ and illustrators’ work (my own included), and laboring in innumerable library vineyards to bring us the harvest of this book. In his essay “The Commerce of the Creative Spirit” Lewis Hyde defines a broader context for this bibliography’s contribution: There is a larger self, a species-essence, which is a general possession of the race. And the symbolizations ... all works of art, paintings, songs ... constitute the speech by which that larger self articulates and renews its spirit.... The work of art is a copula: a bond, a band, a link by which the several are knit into one [The Gift, 153].

Hyde goes on to say that you can kill this larger self by destroying or devaluing its art. The reverse of this is likewise true: You strengthen the spirit of that larger self when you gather and value its art. This bibliography stands as a guide to 2,000 articulations of Appalachian experience. It honors, illuminates, and strengthens our culture. It invites general readers to explore the wealth of this material. Most important, it opens the library door for today’s mountain children to meet themselves in a story, to know that they come from a rich, diverse region, and to feel at home in the book world and in themselves. 1

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Preface Appalachian children’s literature became important to me in the 1980s when I was teaching a general survey of children’s literature. Occasionally an Appalachian children’s title would appear in a reference book or a bibliography, and I began to wonder why Appalachian children’s titles were so scarce when the region’s literature for adults was enjoying a renaissance. As I began to search for Appalachian children’s books, it became clear that a rich body of literature existed, but finding these titles would require digging through publishers’ catalogs, other bibliographies, library catalogs, biographies of writers, and references works. With the advent of the Internet in the 1990s, the search became somewhat easier, and so I continued to dig. The result is this volume, representing more than twenty years of research and more than 2000 titles. The sheer number of Appalachian titles for children was a revelation to me because my Appalachian public-school education had not exposed me to this literary heritage. In first and second grades, I attended a one-room school in the Tennessee mountains that had no books other than textbooks. For the third grade, I moved to a larger elementary school that had a “book room,” with a few books that were not cataloged. We had no librarian, and no one encouraged us to browse or read these books. Fortunately, my parents were readers, and my mother routinely read aloud from the funny papers, serialized adventures in Grit

magazine, and Little Golden Books. Early on, she took me to the Elizabethton/Carter County Public Library for a library card. The first two books I ever checked out of a library — in my own name — were Robert Lawson’s marvelous fantasies Rabbit Hill and The Tough Winter. During long winter days, I sat on my mother’s lap, my head resting against her chest, listening to her heartbeat and the sound of her voice as she read to me. I was hooked on Father and Mother Rabbit, Little Georgie, and Uncle Analdas, universal characters that connect with all readers, but particularly a child whose daily life included the standard farm animals and wildlife. Later my mother would read aloud Harper Lee’s To Kill a Mockingbird and Jesse Stuart’s Hie to the Hunters. Then I began to read independently books such as Gene Porter-Stratton’s early 20th-century titles A Girl of the Limberlost and Freckles. Except for Stuart’s, these were not Appalachian titles, but looking back on that experience, I remark that we intuitively sought out books that connected with our rural, mountain experience. I wonder how our “interior lives” would have been different if teachers and librarians had guided our reading toward Appalachian titles. This line of thought is anachronistic, because the notion that children’s reading material should mirror and validate their experiences is fairly new. It would have been the rare teacher, in the 1950s, who emphasized regional literature. A related con3

4 • Preface

cept, “bibliotherapy,” was not coined until the late 1960s by Margaret Edwards. But it is noteworthy that my first exposure to an Appalachian title came from my mother, who had an eighth-grade education. Had it not been for her, I would not have encountered an Appalachian book until undergraduate and graduate courses in college, in which we read the Appalachian classics, by writers such as Anne Armstrong, Harriette Arnow, George Washington Harris, Mary Noailles Murfree, Elizabeth Madox Roberts, and James Still. Historically, regional literature and children’s literature have not been given the attention or respect that mainstream, adult literature enjoys, so it stands to reason that a body of regional children’s literature would suffer an even worse fate. Until very recently, it has been ignored as a category in textbooks, anthologies, publishers’ catalogs, and book review sources. The 2006 Crosscurrents of Children’s Literature, edited by Stahl, Keyser, and Hanlon, is the exception; it includes more Appalachian titles than previous general anthologies of children’s literature. In the seventies and eighties, the few available bibliographies were excellent beginning points. Chris Stafford’s Say That You Love Me: A Teacher’s Guide to Appalachian Awareness (Cincinnati: Cincinnati Association for the Education of Young Children, Membership Action Group, 1979) includes a good listing of Appalachian titles, along with books whose themes are merely rural — how a seed grows, why and how trees are useful, and so on. Judy Martin’s Choosing Books for Appalachian Children (Berea, Kentucky: Berea College Draper Service Center, 1982) was for its time an excellent, singular resource, but it also includes many non–Appalachian titles — generic books on quilting, moonshining, riflery, and animals. For many years, a reliable resource for new and out-of-print children’s titles was George Brosi’s Appalachian Mountain Books, but the first significant national publication to focus attention specifically on Appalachian children’s titles did not appear until the 1990s when two

issues of Book Links, May 1991 and May 1996, were devoted to Appalachian literature. In the 1990s, Children’s Books in Print identified fewer than 20 titles as Appalachian, some of which were adult, at least one of which was set in the Ozarks. The common assumption is that the Internet has offset these limitations and made the printed bibliography obsolete. It is true that book lists are readily available on the Internet, such as AppLit, developed at Ferrum College by Tina Hanlon and Judy Teaford and which won the Appalachian Studies Association’s E-Appalachia award in 2002. It is also true that the Library of Congress’ online catalog and commercial databases have made the search for Appalachian children’s books easier. On the other hand, “Appalachian” and “Appalachia” are still not widely used as subject entries, and electronic searches pick up the term in book reviews and titles, not in the subject entries. A case in point is Ruth Yaffe Radin’s 1989 High in the Mountains. This title surfaced because one reviewer surmised that the “lovely, wild” setting “might be the Appalachians” (Publishers Weekly, April 14, 1989). The same search, however, produced a School Library Journal review that identified the setting as the Colorado Rockies. Book Industry Standards and Communications (BISAC) was developed by the Book Industry Study Group, Inc., to establish subject codes and standardize book categories based on content. Neither “Appalachia” nor “Appalachian” is recognized as a descriptor by BISAC. As recently as December 2008, a subject search through EBSCO’s online Book Index with Reviews produced fewer than 100 Appalachian children’s titles. Though the Internet is an efficient research tool, writers and publishers can improve its usefulness by using accurate regional descriptors in the subject entries. Until that happens, the need for print bibliographies of Appalachian materials will remain as strong as it was twenty years ago. When I set out in the 1980s to meet this need, my intent was to publish an exhaustive,

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annotated reference work. The impossibility of that goal became quickly apparent. The search was like digging crabgrass: Every discovery led to a “shoot,” a long, underground root, which led to another author or subject, and that little “set” of information uncovered another “shoot,” and so on. Inclusiveness became the most problematic of the criteria. Where to begin was not an issue, but where to end was. Undiscovered writers and titles surfaced regularly. New writers, titles, topics, and genres increased exponentially in the 1980s and 1990s, the golden age of Appalachian children’s literature, as the genre gained momentum and writers gained national recognition as Appalachian authors. As a consequence, this bibliography is by no means exhaustive; at best, it represents an exhaustive attempt to identify most of the significant Appalachian children’s titles, though some categories have been intentionally pared. Two prime examples are biographies of Andrew Jackson and Rosa Parks. Another category is books about Native Americans. It was impossible to include all the titles about the many tribes historically affiliated with the region. Of necessity, the Cherokee are predominantly represented in the bibliography. Books about the Shawnee are limited, however, except for titles about Tecumseh’s presence in the region. In short, this project could — and almost did — live forever. Of necessity, the bibliography ends with a purely arbitrary date: 2007. Establishing the selection criteria for this bibliography was no easy task because delimitations are mostly arbitrary. For example, this is not a bibliography of books by Appalachian children’s writers, though such a bibliography would be desirable and useful. Rather, it features books written about or set in the region, including books about individuals born in the region. Defining the region geographically was a challenge, but, in the end, adopting the Appalachian Regional Commission boundaries seemed expedient: 420 counties in Alabama, Georgia, Kentucky, Maryland, Mississippi, New York, North Carolina, Ohio,

Pennsylvania, South Carolina, Tennessee, Virginia, and West Virginia, as enumerated in the Appendix. Grade levels, which are identified in bold, are also arbitrary: The line between middle-school and young-adult reading levels is broad, so the decision was made to include books whose lowest reading level was identified in at least one resource as seventh grade. Many titles in this category are suitable for all ages, and my hope is that adults will use this bibliography as a selection guide for their own reading material as well as a research tool. These selection criteria call for the inclusion of titles that do not match popular notions about what is “Appalachian.” The reverse is also true; the criteria compel the exclusion of some titles that match perfectly those same popular notions. These decisions may be questioned, and the approach may, indeed, have flaws, but it has been thoughtful and deliberate. In some cases, decisions about specific titles rested on personal phone conversations or correspondence with writers. A phone conversation with Marc Harshman induced me to include All the Way to Morning and Red Are the Apples; he knew the source material for these books, and I accepted his judgment that they belong in the bibliography. Sheila Quinn Oliver’s phone conversation with Tony Johnston confirmed that Bone by Bone by Bone is set in Chattanooga. One would assume that a finite geographical boundary would promote an easy, though arbitrary, selection process. Unfortunately, not every title has a transparent and obvious setting. A case in point is Robert Burch’s Queenie Peavy, a title that regularly appears on Appalachian children’s literature bibliographies (including some of my own). An excellent essay by Carolyn Mathews Hinson, “Appalachian Literature and the Adolescent Reader” (ALAN Review, fall 1983), promoted Burch’s novel as an effective portrayal of Appalachian mountain life. While the novel includes characteristics that are common to rural, poor communities, including dialect, Burch stated in a telephone interview on Jan-

6 • Preface

uary 19, 2007, that the story, which is set near Newnan, Georgia, just south of Atlanta, is definitively not Appalachian. Sleuthing out details such as these may seem a ridiculous waste of time, but the important point is that geography matters: The mere presence of conventional, rural characteristics is not sufficient to label a work “Appalachian.” But as we have also said, the absence of typical mountain cultural markers is no reason to exclude a book. If the region includes 37 counties in Alabama, then biographies of Rosa Parks, Condoleezza Rice, William C. Handy, and Helen Keller —figures not readily identified with the region — are by definition “Appalachian.” The same is true for fiction set in Alabama, such as Dorothy Baughman’s Piney’s Summer, Christopher Curtis’ The Watsons Go to Birmingham, Faye Gibbons’ King Shoes and Clown Pockets, and Angela Johnson’s Bird. Though demographic data have long shown that “about half of the region’s population now lives in urbanized areas” (Maloney and Obermiller, Encyclopedia of Appalachia, 347), the inclusion of this urban material goes against tradition. Pittsburgh, one of the large urban centers of the region, is the setting for fiction that is incongruent with popular notions of what is Appalachian. Examples include Anika D. Thomas’ Life in the Ghetto, the story of a thirteen-year-old black girl who grows up in a Pittsburgh inner-city neighborhood; Robert J. Norrell’s We Want Jobs! A Story of the Great Depression; and Olive M. Price’s Three Golden Rivers, the story of four orphans who move from their farm to settle in an immigrant neighborhood in Pittsburgh. The inclusion of books about professional sports teams (Steelers, Penguins, and Pirates); biographies of professional and college athletes (Mario Lemieux, Roberto Clemente, and former University of Tennessee quarterback Peyton Manning); and life histories of noted African Americans ( Jesse Jackson, Booker T. Washington, Ida B. Wells) also go against the grain. But these seeming anomalies show the geographical and cultural diversity of the re-

gion. Titles depicting middle-class, urban experiences and stories of contemporary life help to dispel the notion that the region is “stuck” in a frontier time warp. Other decisions about the parameters of the book are worthy of explanation. The bibliography does not include audio or video materials, textbooks, workbooks, or collective editions (such as collective biographies), unless the collection is applicable to the entire region. J. J. Reneaux’s How Animals Saved the People: Animal Tales from the South was excluded because Appalachian tales are but one component, along with Cajun, Creole, African American, and Choctaw. Kathryn Windham’s Thirteen Tennessee Ghosts and Jeffrey includes some Appalachian tales, but they are not predominant. From the outset, the bibliography was designed to include annotations — specifically, evaluations that are contemporaneous with the book’s earliest publication date. Where possible, I have excerpted pertinent evaluations from multiple reviews and have provided comparative analysis of the excerpts, which often disagree about a book’s quality. If information about a book was unclear as to its appropriateness for the bibliography, I made every effort to find the title and read it. If it met the selection criteria, it was included. This process was applied to hundreds of titles included in the bibliography and hundreds more that have been excluded. For approximately 200 titles, where reviews were not readily available or not helpful, I wrote an evaluation. This decision to include annotations was motivated by the desire to give teachers, parents, and scholars a ready platform for research. It is my hope that this bibliography will be a catalyst for scholarship that will nurture and sustain the discipline. The potential for research is great: Theses and dissertations need to explore the lives and work of early writers in the broad context of children’s literature—May Justus and Ellis Credle; Ruth and Latrobe Carroll; William O. and Mary Q. Steele and their literary family, including

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Emily Govan West and Christine Noble Govan; Mary and John Chapman (Maristan Chapman). We need examinations of art and artists’ depictions of the region. We need explorations of class distinctions, along with cultural, political, and social attitudes as they are expressed in the literature, artists’ interpretations, and in reviewers’ perceptions. Relationships between children’s and adult literature of the region also need to be examined. Authors known primarily for their adult literature often write for children as well: Mary Lee Settle, Jim Wayne Miller, James Still, Elizabeth Madox Roberts, Jesse Stuart, Jo Carson, even Truman Capote. One topic that no one has addressed is the national presence of Appalachian children’s literature beginning in the early 1900s. In the first half of the 20th century, nationally prominent authors wrote children’s books about Appalachia: Marguerite De Angeli, Laura Benét, Elizabeth Coatsworth, Jean Fritz, Lois Lenski, Elizabeth Madox Roberts, Evelyn Scott, and Stewart Edward White. Popular series books often featured the region, as in Frank Gee Patchin’s The Pony Rider Boys on the Blue Ridge; or, A Lucky Find in the Carolina Mountains (1924), one of twelve titles in the Pony Rider Boys adventure series. Major publishing houses printed these works, such as Lippincott, Doubleday, Doran, Coward-McCann. Many appeared in major periodicals prior to publication as children’s books. For example, Percy MacKaye’s Tall Tales of the Kentucky Mountains (1926) first appeared under the title “A Mountain Munchhausen” in the July-November 1924 issue of the Century Magazine. Jesse Stuart’s A Ride with Huey, the Engineer (1966) first appeared in Esquire in August 1937. Children’s books set in Appalachia were reviewed by the nation’s major, preeminent periodicals — the New York Times, the New Yorker, the Peabody Journal of Education, the Saturday Review of Literature—and the prominent children’s review sources of the day —Library Journal, Booklist, and Anne Carroll Moore’s Three Owls.

Though the audience for the books was children, these writers, publishing houses, and review sources shaped the nation’s perceptions of and attitudes toward the region as surely as did the travel literature and other major types of writing that have been identified by several decades of scholars. Appalachian language and dialect are often at the forefront of reviewers’ comments about a book. Writing about Payne Erskine’s The Mountain Girl (1912), the New York Times surmises that Erskine “has plainly lived among the people of the mountains, learned the tricks of their odd dialect with its bookish phrases and its errors in grammar, studied their dignity and their simplicity, their wild ways and their kindliness” (March 31, 1912). This view of mountain people as having “dignity and simplicity” along with “wild ways” and “kindliness” is a common theme. A New York Times review of Maristan Chapman’s Mill Creek Mystery (1940) praises Chapman’s handling of dialect as “restrained and skillful,” but the more important assessment is that Chapman provides “a genuine understanding and appreciation of the ... mountaineers” ( January 26, 1941). Genevieve May Fox’s 1930s fiction is said to provide “an excellent picture of a particular section of American life that New England young people need to know” (Library Journal, September 15, 1934). The Library Journal review of Lois Lenski’s 1946 Blue Ridge Billy says, “She presents with accuracy, sympathy, and understanding the colorful natives and their customs,” which include “quaint expressions” (November 1, 1946). Researchers need to explore these early judgments about the “colorful natives and their customs,” many of which originated in the New York Times. A review of Dorothy Scarborough’s Song Catcher in Southern Mountains: American Folksongs of British Ancestry (1937) goes one step further; it juxtaposes “continuity of ignorance” alongside the continuity of the oral tradition. Miss Scarborough’s words, although she is writing of the Southern hill people in the twentieth century, would apply equally well to the people of the Scottish border in those times, centuries

8 • Preface back, when these ballads came into being. The continuity of ignorance, as well as the continuity of language and of customs, accounts for the presence of this folk minstrelsy across 3,000 miles of intervening sea [New York Times, April 11, 1937].

Teachers and scholars need to examine assessments such as these for their influence on generations of parents who selected reading material for their children — and for themselves. Another goal is that this bibliography will influence the future of Appalachian children’s literature by exposing its strengths, weaknesses, and sometimes plain absurdities. A quick overview of genres common to all children’s literature reveals surprising unevenness. Appalachian historical fiction and realistic fiction are fairly complete categories. Appalachian children’s literature owes its beginnings to the historical accounts of early exploration and settlement of the region. A good example is Filson’s Kentucke: A Facsimile Reproduction of the Original Wilmington Edition of 1784, which was reprinted in 1930 and 1966 under different titles. The facsimile edition cited here was published by Burt Franklin in 1972, and appears on several juvenile bibliographies. Today this title would not be classified as juvenile, but it offers a rare piece of historical writing that is accessible to young scholars. Another such title is Robert Montgomery Bird’s Nick of the Woods, a fictional adventure story so popular that it was supposedly reprinted twenty times between 1837 and 1928. Elisha Sterling King’s Wild Rose of Cherokee or Nancy Ward, “The Pocohontas of the West”: A Story of the Early Exploration, Occupancy and Settlement of the State of Tennessee, published in 1895, reprinted in 1938, 1974, and 1980, was typical of literature for children in its time. Written for grades five and above, it delivers a highly-romanticized, frontier Native American story that today would appeal to a much older reader. These writers and dozens of others like them ( Joseph Altsheler, William O. Steele, Rebecca Caudill) established the

tradition of fiction about the early frontier and settlement of Appalachia, including conflicts with Native Americans. The genre is heavy on 18th- and 19th-century history but lacks an equal number of books about the World Wars and the Vietnam War, Houston’s But No Candy, The Year of the Perfect Christmas Tree, and Littlejim stories, and Rylant’s I Had Seen Castles being notable exceptions. Appalachian realistic fiction has received the most notice and acclaim. From the early local color examples, such as Payne Erskine’s 1912 The Mountain Girl, to the Cleavers’ 1969 classic Where the Lilies Bloom, the genre has evolved and matured. Contemporary realistic fiction is flourishing and has received national recognition. Three books in this category have won the Newbery Award: Armstrong’s Sounder, in 1970; Naylor’s Shiloh, in 1992; and Rylant’s Missing May, in 1993. The genre is heavy on rural culture but gaining strength in urban stories, such as George Ella Lyon’s Borrowed Children (1988) and Megan McDonald’s The Bridge to Nowhere (1993). The category of informational books is also fairly balanced, though three sub-categories are surprisingly underrepresented: counting books, ABC books, and concept books. But in general, basic information about a wide variety of topics is covered (geography, social and cultural issues, national parks, the Appalachian Trail, the Trail of Tears, the Underground Railroad). Two recent gems are Susan Bartoletti’s Growing up in Coal Country— a photo-essay of the immigrant experience in the Pennsylvania mines 100 years ago — and Nancy Hoffman’s Eleanor Roosevelt and the Arthurdale Experiment. Many informational books appear in picture-book format, a rich category. Doris Gove’s One Rainy Night (1994); Marc Harshman and Cheryl Ryan’s Red Are the Apples (2001); and Heather Henson’s Angel Coming (2005) are good examples. From the earliest writers to the present, the picture book has been a favorite with writers and artists and children. In 1983, Cynthia Rylant’s When I Was Young in the Moun-

Preface • 9

tains won a Caldecott Honor Award and focused the national spotlight on Appalachian picture books. But Ruth and Latrobe Carroll, May Justus, Ellis Credle, and others had set the local-color standard in the early to mid– 1900s. In the last half of the 20th century, writers and artists have continued to enrich the genre, which includes dozens of single, illustrated editions of folktales. Many of these draw from Richard Chase’s versions of the Grandfather Tales and Jack Tales. William Hooks’s Snowbear Whittington: An Appalachian Beauty and the Beast and Joanne Compton’s Ashpet: An Appalachian Tale are good examples. Picture-book editions of Cherokee myths and legends also add to this category, many of which draw from James Mooney’s seminal work Myths and Sacred Formulas of the Cherokees (1900). Literary folk tales and literary tall tales are plentiful, along with stories of folk characters and heroes, such as John Henry and Johnny Appleseed, most in picture-book format. Another feature of the picture-book category is the artwork. For more than a century, award-winning artists with national and international reputations have illustrated books on Appalachian topics: Aliki, Barbara Cooney, James Daugherty, Paul Galdone, Diane Goode, Gail Haley, Paul Brett Johnson, Ezra Jack Keats, Stephen Kellogg, Robert Lawson, Robert McCloskey, Barry Moser, Feodor Rojankovsky, Glen Rounds, James Stevenson, and Garth Williams, just to name a few. Ironically, the two sparest genres are Appalachian poetry and fantasy, though a hallmark of Appalachian literature for adults is its poetic tradition and imaginative prose. The bibliography contains fewer than 30 titles of poetry, excluding picture books that have rhyming text. Classics include Elizabeth Madox Roberts’ Under the Tree (1922) and Rebecca Caudill’s Come Along! (1969); contemporary editions include Cynthia Rylant’s Waiting to Waltz (1984) and Soda Jerk (1990); and Jo Carson’s Stories I Ain’t Told Nobody Yet (1989). Folk rhymes are usually offered in picture-

book formats: James Still’s Appalachian Mother Goose (1998) and Wolfpen Rusties (1975) and Gerald Milnes’ Granny Will Your Dog Bite? (1990) are examples. Part of the problem may lie with publishers who opt for the lucrative picture-book format over poetry collections. A popular trend in Appalachian children’s literature is the conversion of poems into the picture-book format. Nikki Giovanni’s Knoxville, Tennessee and Jeff Danny Marion’s Hello, Crow are two prime examples. While the poetry hasn’t disappeared, attention to it as an art form has, and I’m not sure that these picture-book “conversions” (lovely though they be) are sufficient to meet the child’s need for a wide range of poetry about nature, the everyday world, nonsense and humor, and so on. Appalachian children’s literature needs the equivalents of Shel Silverstein and Jack Prelutsky, Walter de la Mare and Vachel Lindsay, Karla Kuskin and David McCord. One may argue that poetry is less tied to region than fiction or biography, but I don’t think so. A hallmark of Appalachian poetry for adults is its rootedness in place, story, and people. It is logical that Appalachian poetry for children, anchored in place, culture, and people, would be equally abundant. If poetry is the leanest genre on the bibliography, biography is the most bloated. Hundreds of biographies exist about largely mainstream historical figures: Davy Crockett, Daniel Boone, Andrew Jackson, Stonewall Jackson, Andrew Johnson, Helen Keller, Ida B. Wells, Sam Houston, Sequoyah. Most biographies of people such as Crockett and Boone are derivative, repetitive, and stereotyped. One can read twenty books about Helen Keller without learning one new fact. A ray of hope lies with current autobiographies of writers such as Cynthia Rylant and Betsy Byars. These books promote children’s writers in accessible, accurate, interesting formats. Another welcome trend is biographies of ordinary women and men who are not cultural or historical icons but who are, nevertheless, note-

10 • Preface

worthy. Julia Taylor Ebel’s Addie Clawson: Appalachian Mail Carrier is a straightforward biography of a remarkable civil servant in Watauga County, North Carolina, from 1936 to 1966, an era when carrying the mail was considered men’s work. Clawson’s story is also the region’s story, featuring floods, snowstorms, and local characters. In a different vein is Deborah Hopkinson’s Girl Wonder: A Baseball Story in Nine Innings, the biography of Alta Weiss, who pitched on an all-male, semipro baseball team and later went on to complete medical school. A recent trend toward biographies of female athletes in general may be a hopeful sign. Examples include Kristi Nelson’s The Chamique Holdsclaw Story (2000), Mark Stewart’s Chamique Holdsclaw: Driving Force (2000), and Joan Anderson’s Rookie: Tamika Whitmore’s First Year with the WNBA, illustrated by Michelle V. Agins (2000). Unfortunately, the quality of children’s sports biographies in general is abysmal, and books about women are faring as poorly as books about men. Publishers and writers need to forego the repetitious mainstream, predictable biographies and turn their attentions to contemporary regional figures, both ordinary and unique: Doc Watson, Myles Horton, Lee Smith, Wilma Dykeman — the potential is limitless. Another spare genre is fantasy—few fantasies for children are set in Appalachia. Perhaps one explanation for the dearth of Appalachian fantasy is the relative youth of the region itself. When British writers such as Lewis Carroll, George Macdonald, Beatrix Potter, and Kenneth Grahame were producing classic children’s fantasies, Appalachian children’s writers were producing moralistic and predictable frontier adventures, mainly for boys, Robert Montgomery Bird being a prime example. Few Appalachian fantasy titles appeared before the 1960s, Evelyn Scott’s Witch Perkins being an exception. But a more central cause may be the nature of fantasy itself. Eleanor Cameron has observed that fantasy worlds provide

a contrast with the everyday world, creating a kind of reverberation arising from the fact that within this everyday world a little pool of magic exists possessing a strange, private, yet quite powerful and convincing reality of its own [Horn Book, February 1983, 23–24].

Some fantasy literature is set wholly in an imaginary landscape, with no reference to the world as we know it, such as Lois Lowry’s The Giver. Just as often, however, the fantasy plot is rooted firmly in the real estate: Perfect examples are The Wind in the Willows, Paddington Bear, and Tuck Everlasting. In these fantasies, magic and the supernatural impinge on comfortable, familiar geography and social conventions. In other fantasies, a patch of familiar geography is the launching pad or the anchor for the fantasy: C. S. Lewis’ World War II English country manor and L. Frank Baum’s Kansas farm are examples. Even Harry Potter’s wizardly adventures shift between the real Muggle world of London and the fantastical world of Hogwarts. Be it Kansas or London, actual geographical landscapes are rarely far from the fantastical worlds. Appalachian landscapes, however, have not readily served for the contrast and reverberation between the everyday and the magical of which Cameron speaks. The dearth of Appalachian fantasy may be owing to the place of the region in the national consciousness. As Alan Batteau (The Invention of Appalachia, 1990), Henry Shapiro (Appalachia on Our Mind, 1986), Helen Hollingsworth and Kevin O’Donnell (Seekers of Scenery, 2006) and other recent scholars have demonstrated, Appalachia is a fantasy landscape in the American imagination. Consequently, it may be unsuitable as a concrete stage from which to launch an imaginary story. If the “jumping off place” for a fantastical voyage must be comfortably recognizable, acceptable, and unobtrusive (New York, Boston, or Kansas), then the writer who is averse to risks will not opt for Appalachia. After all, the real world is incidental to fantasy — it must not upstage the imaginary setting.

Preface • 11

But the assumption that a writer cannot easily spin one fantasy world out of another does not hold true for Appalachia. The most successful Appalachian fantasy builds upon the unique history, geology, mythology, and diversity of the region. Writers who have taken the rare risk, with varying degrees of success, include Alexander Key, Jane Louise Curry, Virginia Hamilton, Phyllis Reynolds Naylor, Jodi Lynn Anderson, Mary Downing Hahn, and George Ella Lyon. Their work deserves a level of analysis that is not possible here. It may be true that Appalachia cannot serve as an unobtrusive, convenient backdrop for a story in the way that London or New York or Kansas can, but the region offers fertile soil that can “grow” a new strain or species of fantasy. An overlooked piece of fantasy is Evelyn Scott’s Witch Perkins: A Story of the Kentucky Hills (1929), which was reviewed by Stephen Benét in the Saturday Review of Literature and by Laura Benét in The Three Owls: Volume III. Both acknowledge its uniqueness, but Laura Benét argues that Scott’s story “cannot properly be called ‘A Story of the Kentucky Hills’” because it is a “kaleidoscopic” fantasy. Scott has chosen Pikeville, Kentucky, which is well

known to her, and used it as the runway, so to speak, for her “imagination,” giving it a “wide range” (New York: Coward-McCann, 1931). Marly Youmans takes a different sort of risk in Curse of the Raven Mocker (2003). He fashions a fantasy about the mythical Adantans, people of mixed Cherokee, Irish, and Scots blood, in the Great Smoky Mountains of western North Carolina and eastern Tennessee. Booklist calls this a piece of “high fantasy with a truly American setting” that is “original, imaginative” and “well-researched” (September 1, 2003). My hope is that this bibliography will “grow” a variety of good, innovative products, not a new strain of fantasy only. My hope is that biographers will capture the lives of interesting Appalachian people; that the region’s poets will turn their attention to the child’s world; that modern history will make its way into informational and historical fiction books; and that informational books will dig below the surface of cultural clichés. Most important, my hope is that this work inspires quality scholarship and motivates deep reading so that Appalachian children and adults can appreciate their own literary heritage.

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THE BIBLIOGRAPHY Aaseng , Nathan

Adams, Colleen

Billy Graham. New York: Zondervan, 1993.

The Courage of Helen Keller. New York: Rosen, 2003.

3–7 This title in the Today’s Heroes series relates the life of William Franklin Graham, Jr., a Southern Baptist minister and one of America’s most prominent evangelists. Though born in Charlotte, North Carolina, he later moved to Montreat, North Carolina, in the Blue Ridge Mountains.

3–6 A brief biography of Helen Keller and the influence wielded by her teacher Annie Sullivan. A title in Rosen’s Reading Room Collection 4: Great Men and Women series.

Adams, James Taylor, ed.

Cherokee Nation Versus Georgia: The Forced Removal of a People. San Diego, CA: Lucent, 2000.

Death in the Dark: A Collection of Factual Ballads of American Mine Disasters. Big Laurel, VA: Adams-Mullins, 1941; Philadelphia: R. West, 1977.

7–10 Aaseng’s title in the Famous Trials series “clearly explain[s] the legal issues” surrounding efforts to safeguard the rights of the Cherokee (Horn Book, Sept. 1, 2000).

7–up The 23 ballads in this collection focus on mining tragedies in Pennsylvania, Kentucky, Virginia, West Virginia, and Tennessee, not the western states. Duncan Emrich writes that “an unfortunate percentage of them were written by observers of mining life rather than by actual participants in the daily round. They suffer further from ‘literary inspiration.’” Emrich also comments that the Foreword “contains much informative and firsthand material about the daily life of a coal camp,” but he can’t resist pointing out the misspelling of “Forward” (California Folklore Quarterly, Jan. 1943). According to a review in Barbara Mertins’ Kentucky, Tennessee, West Virginia: Reading for Young People, “There is very little beauty in the Appalachian coal fields,” which spawned these tragic songs, and Adams “notes the actual details concerning each situation and from whom the ballad was received” (American Library Association, 1985). It should be noted that having had no wide circulation, these are not folk ballads, per se, but are more properly categorized as literary ballads. This volume has undergone three reprints by various publishers, the most recent being 1977.

Abrams, Dennis Ty Cobb. New York: Chelsea, 2007. 6–up From the Baseball Superstars series, Abrams presents the story of Franklin County, Georgia, native and baseball player Ty Cobb.

Accorsi, William Rachel Carson, illus. by author. New York: Holiday, 1993. 1–3 This picture-book biography of one of America’s most famous environmentalists is illustrated by Accorsi’s own folk art, which Booklist calls “mainly decorative” and questions whether the art style is suitable because it does not allow for distinguishing characteristics of individuals (Nov. 15, 1993). On the other hand, School Library Journal says the illustrations are “colorful and clear” and that the text provides an “adequate overview” of Carson’s life (Dec. 1, 1993). Accorsi covers only the most significant aspects of Carson’s childhood, work, and major life events (summarized in a list of important dates), but unlike many biographies for this age group, he touches on her personal problems as well.

Adams, Julia Davis Stonewall, illus. by Cameron Wright. New York: Dutton, 1931. 13

14 • Adams 7–up This somewhat fictionalized biography of Stonewall Jackson begins with his youth and shows him to be a responsible and religious young man who fought in the Mexican War after graduating from West Point. He eventually taught at what is now Washington and Lee University and entered the Civil War on the side of the Confederacy. He died before the war’s end of a gunshot delivered, ironically and mistakenly, by his own troops. The Saturday Review of Literature says the book does not stint in depicting the “seamy side” of war, though Adams is not entirely objective: “[S]he seems at times to brighten the colors for the Confederacy and shade down those for the North.” Nevertheless, Adams “succeeds admirably in developing his character ... and ... has caught his spirit as it revealed itself in battle, on the march, and among the wounded and the dead” (Oct. 17, 1931).

Adams, Robert G. Nancy Ward: Beautiful Woman of Two Worlds. Chattanooga, TN: Hampton, 1979. 7–up Adams has produced a more attractive book than Pat Alderman’s Nancy Ward: Cherokee Chieftainess, but it is, unfortunately, more romanticized and fictionalized. Adams explains in the Preface, “In order to make this account more human, I have inserted between the facts and legends such actions and words as I feel would likely have been used by my characters under the conditions and situations in which they found themselves.” While such fictionalization is common in biography and history for young readers, the florid style will put off the very age group commonly targeted for biographical fiction. Beyond these flaws, the book is a “good read” which weaves an exciting, historical narrative and includes a bibliography for further reading. (RH)

Adelson, Bruce David Farragut: Union Admiral. Philadelphia: Chelsea, 2002. 3–7 Adelson’s biography is a title in the Famous Figures of the Civil War Era series, which is designed collectively to present the opposing perspectives and “relative merits” of both sides of the conflict (The Book Report, May/June 2002). School Library Journal describes the series as “[s]traightforward but flawed overviews”: “The individual problems with these books may be small, but there are enough of them to warrant mention.” Includes a glossary, chronology, a Civil War timeline, list of books for further reading, and index.

Adler, David A. Helen Keller, illus. by John Wallner. New York: Holiday, (1990) 2003. 1–3 Originally published in 1990 as A Picture Book of Helen Keller for grades two through four [see below], this title was adapted in 2003 for grades one

through three. Booklist is more positive about the new edition than about the original: “The elemental narrative is truly inspiring because it is told without rhetoric or direct message” ( July 2003). School Library Journal, on the other hand, points to an error in the 2003 adaptation; the date when Keller “began her work with the American Foundation for the Blind” was 1924, not 1900. Nevertheless, the review acknowledges this beginning reader as an “attractive and accessible introduction” to one of America’s most famous women (Nov. 2003).

A Picture Book of Davy Crockett, illus. by John Wallner and Alexandra Wallner. New York: Holiday, 1996. K–3 A Picture Book of Davy Crockett is a slim but notable presentation of legends, tall tales, and significant events of the life of Davy Crockett. In this “straightforward account” (Horn Book, Sept. 1996), Adler demonstrates his “near-miraculous ability to share an entire lifetime in a few words.” He reveals “Crockett’s faults” but also “allows his character and forthrightness to be seen in an admirable light” (School Library Journal, May 1996). Included in the Picture Book Biography series.

A Picture Book of Helen Keller, illus. by John Wallner and Alexandra Wallner. New York: Holiday, 1990. 2–4 A Booklist review says this title “misses the mark,” making Keller’s life seem “pale” and omitting nearly 40 years in the important dates at the end (Dec. 15, 1990). This title, included in the Picture Book Biography series, was adapted in 2003 for grades one through three and issued under the title Helen Keller [see above].

A Picture Book of Jesse Owens, illus. by Robert Casilla. New York: Holiday, 1992. K–3 Adler’s “brief [yet] accurate” (School Library Journal, Dec. 1, 1992)) biography of Jesse Owens presents a straightforward portrait of his life and accomplishments. Casilla’s “vigorous watercolors” enliven and extend the text (Horn Book, Mar. 1993). A title in the Picture Book Biography series, the biography of the Alabama native includes author notes and a chronology.

A Picture Book of Rosa Parks, illus. by Robert Casilla. New York: Holiday, 1993. 2–4 Included in the Picture Book Biography series, Adler’s volume frames the life of Rosa Parks within the context of the civil rights movement. Emphasizing separate water fountains and torches of the Ku Klux Klan, Casilla’s “dramatic color illustrations show the discrimination that was common when Parks was growing up” (Booklist, Oct. 15, 1993).

Satchel Paige: Don’t Look Back, illus. by Terry Widener. Orlando, FL: Harcourt, 2007.

Alderman • 15 K–3 David Adler’s picture-book biography of Alabama native and baseball great Satchel Paige “ably conveys Paige’s larger-than-life personality” (Horn Book Guide, Oct. 2007). Illustrator Terry Widener’s “acrylic paintings elongate and exaggerate the figures, using a rubbery perspective and old-fashioned hues to great effect” (Booklist, Jan. 1, 2007).

Aerial Photography Services Great Smoky Mountains National Park, illus. with photographs by Jim Doane, et al. Charlotte, NC: Aerial Photography Services, 1981. K–up A photographic tour of the Great Smoky Mountains.

Alagna, Magdalena Elvis Presley. New York: Rosen, 2002. 5–9 This title in the Rock and Roll Hall of Famers series is naïve and unbalanced in its approach to the life of Elvis Presley. It presents information and vocabulary without adequate explanation or definition, and it glosses over the “seamier” aspects of Elvis’ relationships and career, especially his drug use and association with Tom Parker. “Alagna tries to make it sound as if poor ol’ Elvis just didn’t know what all those gosh darn drugs were and believed he needed the ‘medicine’ his doctors prescribed for him.” The book does not compare favorably with biographies by Denenberg [see below] and Torr (School Library Journal, Oct. 2002).

Albrecht, Val Larger Than Life: Joe Namath, illus. with photographs by Ron Koch and Bruce Curtis. Chicago: Raintree, 1976. 4–6 This and other titles in these sports biographies have little to recommend them, other than the “profuse color photographs.” School Library Journal says the writing is “silly,” “mediocre,” and lacking all “understanding of Namath’s physical grace and magnetism.” Albrecht “presents a misleading portrait of a glamorous superstar who just happens to play football” (Sept. 1976).

Alder, Elizabeth Crossing the Panther’s Path. New York: Farrar, Straus and Giroux, 2002. 6–8 This is a fictionalized account of the life of Billy Caldwell, a 16-year-old who serves as Tecumseh’s interpreter in the chief ’s efforts to unite native American tribes. A “novel rich in history.... Readers will identify with Tecumseh’s plight and come to understand, if not agree with, the British and American points of view” (Booklist, May, 2002).

Alderman, John Biggs “Pat” Greasy Cove in Unicoi County: Authentic Folklore. Johnson City, TN: Overmountain, 1975.

7–up Pat Alderman is something of a legend in East Tennessee for his devotion to the history, folklore, and naturalism of the region, particularly Unicoi County. In this little volume of 48 pages, he provides history and folklore, including short sketches of people and places, hiking information, recipes, and blackand-white photographs of the community, the natural beauty, and scenes from the outdoor drama The Overmountain Men. Though the reading level is above sixth grade, Alderman’s books are valuable because locale-specific information of this nature is not available elsewhere. Libraries and homes fortunate enough to have these well-worn titles in their collection should hang on to them. (RH)

In the Shadow of Big Bald, illus. by Edyth Price, Ken Ferguson, and Elene Bond. Mars Hill, NC: Bald Mountain Development Corporation, 1972. 7–up The print is small, the layout unattractive, but the content has merit. Alderman has focused on the geographical, historical, botanical, and cultural milieu of Big Bald Mountain, which straddles the Tennessee/North Carolina state line. The book is arranged somewhat chronologically, beginning with the Native Americans and ending with the Wolf Laurel golf and ski developments in the 1970s. The illustrations consist of sketches, reproduced paintings, and photography — both color and black-and-white. Because Alderman tries to cover too much in 80 pages, the book seems unfocused, but its strength is Alderman’s emphasis on centuries of life evolving and changing, literally “in the shadow” of the mountain. If a young reader can sift through the flowery prose, this is a good informational book (a short bibliography is provided). (RH)

Nancy Ward: Cherokee Chieftainess; Dragging Canoe: Cherokee-Chickamauga War Chief, illus. by Edyth Price. Johnson City, TN: Overmountain, 1978. 7–up In its format, type, and illustrations, this is not an attractive or easy-to-read book. The style is cumbersome, making the content inaccessible to young readers. Nevertheless, the book contains excellent resource material, a good bibliography, maps, and photographs of artifacts. Alderman also wrote the script for a Public Television (WSJK-TV) documentary based on the book. Excellent details of Cherokee history and culture, including myths and stories, make this an important library holding. (RH)

One Heroic Hour at King’s Mountain. Erwin, TN: Publisher Unknown, 1968; Johnson City, TN: Overmountain, 1990. 7–up Published in 1968 as a 94-page booklet, this title is included in The Overmountain Men [see below].

16 • Aliki

The Overmountain Men, illus. by Bernie Andrews, et al. Johnson City, TN: Overmountain, (1970) 1986. 7–up Five titles, published previously as small, individual paperbacks, are collected in this 286-page volume. The Overmountain Men: Early Tennessee History (1958, 1960) is devoted to the period between 1760 and 1780. One Heroic Hour at King’s Mountain, October 7, 1780 (1968) contains information that is available in other accounts, but Alderman focuses on the contributions of East Tennessee people and places. The Cumberland Decade focuses on the Cumberland valley and middle Tennessee from 1780 to 1789. The State of Franklin details the events that led up to the creation and ultimate demise of the “Lost” State of Franklin. The Southwest Territory concludes the volume. Because Alderman’s strength is in details, these collected volumes provide excellent resource material, along with good maps, copious photographs, and excellent bibliographies. (RH)

The Wonders of the Unakas in Unicoi County. Erwin, TN: Publisher Unknown, 1964. 7–up A 44-page, illustrated booklet. Contains maps.

Aliki [Aliki Brandenberg] Go Tell Aunt Rhody, illus. by author. New York: Macmillan, 1974. K–3 Publishers Weekly praises Aliki’s prose adaptation of this familiar folk song as “unusually lovely” ( June 3, 1996), an assessment echoed by the Bulletin: The illustrations include “the pond and the millrace, a sampler by a younger Rhoda Jane Kellogg (Aunt Rhody)” making for a “neat, bright little book” ( Jan. 1975). School Library Journal comments that the illustrations convey “nostalgia and a light touch of humor.... Rich in pastoral detail, this is a good addition to the growing collection of single edition songs in picture-book format” (Sept. 15, 1974). In the tradition of Randolph Caldecott, the illustrations extend and complement the text by telling their own story. The lyrics, music, and a note on the song’s history are included.

Hush Little Baby: A Folk Lullaby, illus. by author. Englewood Cliffs, NJ: Prentice-Hall, 1968. K–2 School Library Journal says that Aliki’s color illustrations of this beloved folk lullaby are “thoroughly reassuring,” “blatantly quaint,” and that they leave “the cloying after-taste of 20th-century saccharin.” Nevertheless, each item in this familiar song (mockingbird, diamond ring, looking glass, billy goat, cart and bull, dog named Rover, and horse and cart) is visually rendered in the context of a child’s world. School Library Journal says further, “The book is strongly reminiscent of Harve and Margot Zemach’s Mommy, Buy Me a China Doll (Follett, 1966), but un-

fortunately suffers in comparison” ( Jan. 15, 1969). The song lyrics and music are included, along with a note that this English lullaby “became a favorite in the Appalachian mountain region.”

The Story of Johnny Appleseed, illus. by author. Englewood Cliffs, NJ: Prentice-Hall, 1963. 1–2 Simple, cartoon-like illustrations show a smiling, energetic, fun-loving Johnny Appleseed interacting with pioneers, Native Americans, children, and animals. School Library Journal recommends this easy reader as a “brief and simple tale” with “charming illustrations” and text that emphasizes Appleseed’s “gentleness and love of people” (Nov. 15, 1963.)

Allen, Charles Fletcher David Crockett, Scout: Small Boy, Pilgrim, Mountaineer, Soldier, Bear-Hunter and Congressman: Defender of the Alamo, illus. by Frank McKernan. Philadelphia: Lippincott, (1911) 1938; Washington, D.C.: Regnery 2000. 6–up According to the New York Times (Oct. 9, 1938), this title was one of 20 volumes reissued in the Lippincott Junior series in 1938. Allen’s biography was in good company among works by noted authors such as Lewis Carroll, Washington Irving, Johanna Spyri, and Arthur Ransome. Originally published by Lippincott in 1911 under the title David Crockett, Scout, the 309-page book has enjoyed numerous reprints, largely because it is a still readable, wellwritten account that avoids the usual pitfalls of children’s biography, such as fictionalized scenes and dialogue. On the other hand, Allen quotes heavily from Crockett’s own material, which, according to Allen, was “beloved” by children in the mid–19th century (174). Typical of its day, the book includes sparse (five) full-page illustrations, only the first of which is in color. (RH)

Allen, Nancy Kelly Daniel Boone: Trailblazer, illus. by Joan C. Waites. Gretna, LA: Pelican, 2005. K–7 Boone’s biography for children is considered “flawed” by Horn Book, but the reviewer notes that the “stiff illustrations have an appropriate homespun quality” ( Jan, 1, 2006). Despite the School Library Journal reviewer’s dissatisfaction with the “awkward, colloquial language,” she regards Boone’s ability to “shoot a tick off a wildcat’s nose from one hundred yards” a positive indication of his “folk-hero stature” (Dec. 2005).

Aller, Susan Bibin Tecumseh. Minneapolis: Lerner, 2004. 4–6 Included in the History Maker Biographies series, Aller’s biography of Tecumseh is useful for reports, but “the cartoon drawings at the beginning

Altsheler • 17 of each chaplet are awkward and tacky” (School Library Journal, May 2004).

Allman, C. B. (Clarence Brent) Lewis Wetzel: The Life and Times of a Frontier Hero. Scottdale, PA: Mennonite, 1932; Apollo, PA: Closson/William Hintzen, 2002. 6–up Originally issued by Mennonite Publishing Company in 1932 under the title The Life and Times of Lewis Wetzel, this book has since undergone four reprints, most recently in 2002. Wetzel was “a contemporary of Daniel Boone, roaming and fighting in the familiar back country of early Pennsylvania, West Virginia, and Kentucky.... Wetzel’s life story is ... representative of the frontier, both in its better documented details and in what it says of a classic family and folk tradition” (School Library Journal, Sept. 15, 1961).

Alphin, Elaine Marie Davy Crockett, illus. by Tim Parlin. Minneapolis, MN: Lerner, 2003. 2–4 This brief biography in the History Maker Bios series, targeting young readers, “does a good job of separating the man from the myth” (School Library Journal, Dec. 2002). Alphin explains that Crockett did not wear a coonskin cap and was not called “Davy” by his contemporaries. The text covers his boyhood, political career, and his death at the Alamo. A variety of illustrations, including cartoon drawings, and sidebar information add interest to the book.

Ghost Cadet. New York: Holt, 1991. 3–6 When 12-year-old Benjy Stark and his 16year-old sister, Fran, spend the summer with their grandmother, Miss Leota, in New Market, Virginia, Benjy encounters Hugh McDowell, the ghost of a Virginia Military Institute cadet who died in the Battle of New Market in 1864 [see Susan Provost Beller’s Cadets at War, 1991]. The book is “based on [a] faulty premise,” which includes a Civil War reenactment, and the character motivation is not “believable” (Horn Book Guide, Sept. 1, 1991). Publishers Weekly agrees that Benjy’s development from “[b]ookish” and “withdrawn” to “daring and gregarious” is “too abrupt to be believable.” Additionally, it is unfortunate that both the author and Miss Leota “need to teach a romanticized, white, Southern view” of the Civil War (May 17, 1991). Alphin’s “first novel falls victim to its author’s well-intentioned agenda,” and the narrative “voice seems less like Benjy’s than Alphin’s” (Kirkus Reviews, May 15, 1991). Booklist offers a kinder assessment of the book, calling this first novel “unusually good.” It possesses “a strong sense of place and a southern sense of time in which past and present sometimes seem to coexist” (May 01, 1991). School Library Journal also praises the book for its “touching climax” but says the ending is “just a bit banal”: “Written from the South-

ern point of view, Ghost Cadet is refreshingly different from other Civil War stories” (May 01, 1991). Two additional novels based on reenactment of Civil War battles are George Ella Lyon’s Here and Then (1994) and Margaret Whitman Blair’s Brothers at War (1997). [Though New Market, Virginia, does not fall within the Appalachian region, technically, the Virginia Military Institute does.]

Altsheler, Joseph Alexander Border Watch. New York: Appleton, 1912. 7–up “He is a bold man who essays to don the mantle of Fenimore Cooper, and Mr. Altsheler may be congratulated if upon nothing else at least upon his courage. He does not even fear to handicap himself by adopting the foolish modern convention that the hero of a book for boys must be a boy himself. His boy hero, Henry Ware, despite his superhuman feats of skill and strength, cuts but a poor figure compared to the immortal Natty Bumpo, whose human weaknesses Mr. Altsheler should have studied more closely had he wished Henry Ware to carry conviction, or his four admiring companions to resemble a Greek chorus less closely. He makes another mistake when he endeavors to ‘combine instruction with amusement,’ providing ethno-graphical details valuable enough in their way, but apt to detract from the ‘go’ of an adventure story. On the other hand, he undoubtedly provides a stirring mélange of exciting incidents of border and Indian warfare, centering round immortal figures of Daniel Boone and Rogers Clark, and his book may be recommended as a vehicle for imparting to American boyhood the earlier history of its own country” (New York Times, May 12, 1912).

The Forest Runners. New York: Appleton, 1908. 7–up “‘The Forest Runners,’ ... is a story of the great war trail in early Kentucky. It is a tale of a wild country with wild savages and wild animals. The frontispiece gives an idea of the adventures of the two boys who are the heroes of the book. A big black bear, disturbed in its Winter quarters, falls through the thatched roof of the hut where Paul, one of the boys and a companion, Shif ’less Sol, are keeping house for the rest of the party. There is excitement until the bear is ‘put to sleep’” (New York Times, Oct. 3, 1908).

The Guns of Shiloh: A Story of the Great Western Campaign. New York: Appleton, 1914. 6–up “The complement of The Guns of Bull Run, this begins with Bull Run and follows events to the battle of Shiloh, giving the northern side. The hero of this tale is also the great-grandson of the hero of an earlier story [Kentuckian Henry Ware]. The stories are unprejudiced and give pretty straight history seen through the eyes of young paragons. Will be popular” (Booklist, June 1914).

Kentucky Frontiersman: The Adventures of Henry Ware, Hunter and Border Fighter, illus. by

18 • Amper

Todd Doney. Nashville, TN: Voyageur, 1988. 6–up This reprint of the 1907 title The Young Trailers: A Story of Early Kentucky [see below] continues the adventures of 15-year-old Henry Ware who “is overwhelmingly attracted” to life in the Kentucky wilderness and “uniquely adept at learning the lessons necessary for survival in it.” In this tale, he is captured by the Indians and assimilates so readily into their culture that he is adopted by Chief Black Cloud. “Much later, a reawakened sense of duty to his family compels Henry to return home with warning of an impending Shawnee attack.” Already the epitome of the frontiersman, his “masterful assimilation of Indian skills” makes him a “legendary warrior within the tribe, a savior to the settlement, and an undefeatable spirit enemy to the Shawnee adversaries.” Altsheler’s fiction is typical of its age, depicting Indians as noble savages and largely ignoring women: “[T]he dramatic excitement of Altsheler’s Kentucky frontier is reserved for men only. His is a tale for boys who would appreciate also such mythmakers as Howard Pyle, Jane Porter, and James Fenimore Cooper” (School Library Journal, Mar. 1989). This characterization of Altsheler’s books sparked opposing letters to the editor in a subsequent issue of School Library Journal. Denice Thornhill objects to labeling Altsheler as an author of boy’s fiction, saying that she has enjoyed his fiction since fourth grade. On the other hand, Katherine Bruner argues that girls “probably won’t” read the books, which “may fit more easily on a collector’s shelf than on a typical reading list for girls and boys” (Sept. 1989). A good research companion to this volume is Filson’s Kentucke: A Facsimile Reproduction of the Original Wilmington Edition of 1784 (1972) [see below].

The Scouts of Stonewall: The Story of the Great Valley Campaign. New York: Appleton, 1914. 6–up “The third of the Civil War series, which continues the fortunes of the hero of Guns of Bull Run.... Harry Kenton now acts as aide on the staff of Stonewall Jackson, and in the narration of the movements in the Valley of Virginia campaign the great southern leader with his army is vividly portrayed” (Booklist, Nov. 14, 1914).

The Sword of Antietam: A Story of the Nation’s Crisis, illus. by Charles L. Wrenn. New York: Appleton, (1914) 2007. 6–up “Dick Mason, who appeared in the Guns of Shiloh ... takes an important part in three great battles, Second Manassas, Antietam, and Murfreesborough, and as in the aforenamed book the northern point of view is given, now with McClellan as the chief historical character” (Booklist, Nov. 14, 1914). This book has undergone multiple reprints.

The Young Trailers: A Story of Early Kentucky. New York: Appleton, 1907.

6–up In 1988, this book was reissued by Voyageur under the title Kentucky Frontiersman: The Adventures of Henry Ware, Hunter and Border Fighter [see above].

Amper, Thomas Booker T. Washington, illus. by Jeni Reeves. Minneapolis: Carolrhoda, 1998. 1–4 “A fine little biography” in the On My Own series (Booklist, Nov. 15, 1998) that imparts the struggles of a young Booker T. Washington (ages 7 to 16) to obtain an education. School Library Journal calls it an “inspiring story told in a style simple enough for young readers to comprehend” and points out that Patricia and Fredrick McKissack’s Booker T. Washington (Enslow, 1992) and Margo McLoone’s Booker T. Washington (Bridgestone, 1997) “cover his entire life for the same age level” (Nov. 1998). Horn Book Guide recommends it, in spite of its “minor flaws” (Spring 1999). Includes an Afterword and a timeline.

Andersen, Hans Christian The Tinderbox, ad. and illus. by Barry Moser. Boston: Little, Brown, 1990. 2–5 This retelling of Hans Christian Andersen’s 1835 story is set in Appalachia just after the Civil War. In fact, Moser’s Afterword specifically identifies the “ogre-curmudgeon” as “an East Tennessee mountain man, the likes of which I saw many a time as I grew up there.” A Horn Book review says it is “inaccurate to credit Andersen as the author” because Moser has so completely “recast” the story and illustrated it with “strikingly imaginative” art ( Jan./Feb. 1991). Booklist agrees, praising all aspects of the book, “From the dark, mysterious painting on the dust jacket to the thoughtful afterword” (Oct. 15, 1990). The design and format of the book are classic, making this old tale new again.

Anderson, J. I. I Can Read About Johnny Appleseed, illus. by Drew Brook Cormack. Mahwah, NJ: Troll, 2002. K–3 An introduction to the life of the man whose distribution of apple seeds and trees across the Midwest made him a legend and left a legacy still enjoyed today.

Anderson, Joan Pioneer Children of Appalachia, illus. with photographs by George Ancona. New York: Clarion, 1986. 2–5 Anderson and Ancona have previously collaborated on living-history “documentaries” centered on holidays, such as The First Thanksgiving Feast and Christmas on the Prairie, but this title is a departure in that it focuses on the routine, daily lives of the fictional Davis family at Fort New Salem, West Vir-

Andrist • 19 ginia. Ancona’s black-and-white photographs capture the recreated 19th-century pioneer activities, such as soap making, basket weaving, spinning, making corn husk dolls, and burning out stumps. A Bulletin review says this title “does not flow quite as smoothly” as Anderson and Ancona’s other books. The photographs are “posed,” and the book gives a “laundered” view of “the old mountain way of life” (Dec. 1986). School Library Journal asks, “Were the children (and adults) always that clean performing their strenuous tasks?” But this review deems the book “inviting and accessible” nevertheless (Nov. 1986).

Rookie: Tamika Whitmore’s First Year with the WNBA, illus. by Michelle V. Agins. New York: Dutton, 2000. 4–8 A behind-the-scenes look at the life of Tupelo, Mississippi, native Tamika Whitmore and her career with the New York Liberty, a team in the Women’s National Basketball Association. Whitmore “reflects on her feelings during the WNBA draft, her difficult adjustment in moving from Tupelo to New York, and a game well played and won” (Booklist, July 27, 2007). Whitmore “became determined to learn basketball at the relatively late age of 13, when she discovered that another girl in her hometown had earned a college scholarship by playing ball” (Publishers Weekly, June 26, 2000). In Rookie, Anderson “touches on some of the WNBA star’s values and feelings and gives ample information about her workouts and pregame rituals” (School Library Journal, Sept. 2000). Includes appealing color photographs.

Anderson, Jodi Lynn May Bird Among the Stars, illus. by Leonid Gore. New York: Atheneum, 2006. 5–7 In the sequel to May Bird and the Ever After, May and her cat are still in the Afterlife, but looking for a way home. “May remains torn between going home and saving the Ever After from Evil Bo Cleevil. In some scenes Anderson deflates the suspense with contrivance, making the danger seem too cartoonish, but her readable novel gives kids a cast of likable characters and a quirky world to explore” (Booklist, Dec. 1, 2006). The Horn Book Guide suggests Anderson’s sequel contains humor that will appeal only to adults, but recommends the title as a “sweet, gentle adventure story” (Spring 2007).

May Bird and the Ever After, illus. by Leonid Gore. New York: Atheneum, 2005. 5–7 This tale of May Bird and her cat, Somber Kitty, evokes strong reactions, both negative and positive. Through a series of eerie events, May gets caught up in the world of Ever After and develops the ability to see ghosts. “The setting of the book is confusing.... Character motivation is also an issue,” making this book a “secondary purchase” (School Library Journal, Dec. 2005). On the other hand, Kirkus calls the

book “Rare fun”: “The Wizard of Oz meets Beetlejuice” in a book that is “vividly envisioned” (Sept. 15, 2005). Booklist says that what “could easily have been just another formulaic story of a loner on a quest” is instead a title that “Kids will love” (Oct. 15, 2005). Whatever the reaction, Anderson’s first title in the May Bird trilogy offers horror, fantasy, terror, and ghoulishness “with a leavening of humor” (Booklist, Oct. 15, 2005).

May Bird, Warrior Princess. New York: Atheneum, 2007. 5–7 In the closing title of the May Bird trilogy, Anderson sends May Bird back to the Ever After to confront Evil Bo Cleevil. Though May Bird, Warrior Princess “needed some padding,” it supplies a “satisfying end to a wonderfully droll and scary series” (Kirkus Reviews, Aug. 15, 2007).

Anderson, LaVere The Story of Johnny Appleseed, illus. by Kelly Oechsli. Champaign, IL: Garrard, 1974. 2–5 Calling the events “speculative” and the narrative “plodding,” School Library Journal suggests that this title “will turn off its intended audience of beginning or slow readers.” Instead, Aliki’s The Story of Johnny Appleseed (1968) is recommended for younger readers and Hunt’s Trail of Apple Blossoms (1968) for older children (Sept. 15, 1974).

Andrews, Peter Sergeant York: Reluctant Hero, illus. by Charles Brey. New York: Putnam, 1969. 2–5 The life of Tennessee’s most famous World War I hero is depicted in this American Hero series biography for the middle grades. A conscientious objector who was nevertheless sent to battle, York distinguished himself as an undisputed hero. This “wellpaced account” gives sufficient “detail ... for readers to appreciate the mountaineers’ life style, York’s difficult decision regarding military service, and his eventual heroism” (School Library Journal, Oct. 15, 1970). Kirkus Reviews, on the other hand, is not so laudatory: “[York] wouldn’t make the grade — any grade — today because of his paucity of education.” The Kirkus reviewer wonders whether York “is a hasbeen or just too hard to handle” (Oct. 15, 1969).

Andrist, Ralph K. Andrew Jackson: Soldier and Statesman. New York: American Heritage, 1963. 6–up Typical of the American Heritage Junior Library series, this text is attractive, readable, and historically balanced. The excellent illustrations represent a full range of archival materials — maps, political cartoons, engravings, paintings, Matthew Brady daguerreotypes. The treatment of Jackson is honest and objective, as in the discussion of his marriage to

20 • Andryszewski Rachel before her divorce from Lewis Robards. This is good source material for any elementary or middle school library and should not be discarded because of its age. (RH)

Andryszewski, Tricia Step by Step Along the Appalachian Trail, illus. with photographs. Brookfield, CT: TwentyFirst Century, 1998. 4–8 This title is a companion to Step by Step Along the Pacific Crest Trail, both of which begin with the history and geology of the trails and then take readers on a journey that has a “‘you are there’ immediacy.” Students merely looking for report information will “get wrapped up in the vivid descriptions, while nature lovers and budding adventurers will want to pack up and start walking” (School Library Journal, Apr. 1, 1999). The books contain maps, safety tips, sidebar quotations from hikers, and color photographs to illustrate the trail experience. Booklist deems these titles “[u]seful resources for libraries” (Mar. 1, 1999).

Ansley, Delight The Sword and the Spirit: A Life of John Brown. New York: Crowell, 1955. 6–up A somewhat biased biography that “[m]inimizes [the] possibility of Brown’s insanity” and “stresses his humanitarian interest in his enslaved ‘brother.’” “Narrative is episodic and reportorial” (School Library Journal, Apr. 15, 1955).

Appelt, Kathi The Best Kind of Gift, illus. by Paul Brett Johnson. New York: HarperCollins, 2003. K–2 When the Dogwood All Faith Tabernacle gets a new parson, the congregation decides to give him a “pounding,” which is a customary welcoming party where everyone gives the honoree a pound of something — eggs, sugar, flour, or in this case, rocks. Being too small to contribute the usual gifts (a pie or a bucket of fresh milk), Jory Timmons brings a bag of rocks — the sort he would use for throwing. School Library Journal compares this title with the work of Cynthia Rylant and Libba Moore Gray; it “captures the warmth of an Appalachian community, and Johnson’s convivial paintings make both the setting and the characters shine” ( June 1, 2003). Kirkus Reviews calls it a “sweetly old-fashioned tale”; it is a “genuinely warm-hearted story of gift-giving” through which runs the “low thrum of kindliness” (Mar. 1, 2003).

Down Cut Shin Creek: The Packhorse Librarians of Kentucky, illus. by Jeanne Cannella Schmitzer. New York: HarperCollins, 2001. 3–6 Though the Works Progress Administration (WPA) and other New Deal programs of the 1930s and 1940s in general have been presented in myriad children’s books, the librarians of Kentucky

have been slighted. This title, along with Rosemary Wells’s Mary on Horseback (1999), corrects this historical faux pas. “Appelt and Schmitzer present an indepth look at this unusual book-delivery system” that existed between 1935 and 1943. “With clear, thorough information, they take readers back to Depression-era Appalachia” (School Library Journal, May 1, 2001). Booklist calls this a “slim but evocative account” of courageous individuals who “rose before dawn and followed dangerous mountain trails” to serve “some of America’s poorest people” ( July 2001). The Bulletin is not so enthusiastic: “The information is a little sketchy,” and the “tone is occasionally unconsciously condescending.” Though “the authors have a tendency toward romanticism,” the Bulletin review concludes that these women nevertheless “deserve laurels and lauds” (Oct. 2001). Historical photographs and a superb bibliography make this volume particularly useful, and when paired with Rosemary Wells’ title and Julia Taylor Ebel’s Addie Clawson: Appalachian Mail Carrier (2002), readers will develop a new appreciation for women as public and civil servants.

Archibald, Alecia Sherard Tallulah Bankhead: Alabama’s Bad Girl Star. Birmingham, AL: Seacoast, 2003. 3–6 Included in the Alabama Roots Biography series, Archibald presents the life of actress Tallulah Bankhead, the political influence of her family, the death of her mother, and her acting career.

Armistead, John The Return of Gabriel, illus. by Fran Gregory. Minneapolis: Milkweed, 2002. 6–up When civil rights workers register black voters in a small town near Tupelo, Mississippi, three friends whose lives are intertwined are put to the test — Cooper Grant, Jubal Harris, and “Squirrel” Kogan. Set in the summer of 1964, the “friendship between Cooper, a white 13-year-old, and his AfricanAmerican neighbor, Jubal, is suddenly threatened when liberal-minded college students arrive from California, determined to bring change to Cooper’s segregated Mississippi town” (Publishers Weekly, Oct. 28, 2002). School Library Journal praises the book as “a suspenseful, compelling story of boys having to grapple with decisions that are well beyond their years. Their determination to keep their friendship intact despite all the pressures to end it will resonate with readers” (Dec. 2002). “Armistead tells a powerful story, with solid characterizations and a finely paced, page-turning plot.... [A] potent, thought-provoking political scenario” (Booklist, Dec. 15, 2002).

Armstrong , Jennifer Theodore Roosevelt: Letters from a Young Coal Miner. Delray Beach, FL: Winslow, 2000.

Ash • 21 4–7 First in the Dear Mr. President series, Theodore Roosevelt: Letters from a Young Coal Miner presents fictionalized correspondence between Frank Kovacs, a Polish immigrant working in the coal mines of eastern Pennsylvania, and Theodore Roosevelt after he assumes the presidency on September 14, 1901. Armstrong reveals reasons for the 1902 strike and the hardships endured by the miners, and “[a]s always, [her] research is solid and her prose strong” (Booklist, Mar. 1, 2001). Kirkus Reviews identifies a “few bobbles,” but agrees that this is a “well-told story” that “will score with readers” ( Jan. 15, 2001). Includes introductory and concluding essays, archival photographs, websites, bibliography, and index.

Armstrong , William H. The MacLeod Place. New York: Coward, McCann, and Geoghegan, 1972. 6–up During World War II, Angus MacLeod lost two sons, and now he is about to lose his ancestral farm in the Virginia Blue Ridge Mountains to progress—an extension of a national park and a highway. MacLeod had hoped that his ten-year-old grandson Tor would inherit the farm, love it, and work it, but he loses out to the United States government. Almost too predictably, MacLeod’s Mennonite neighbors dismantle, move, and rebuild all the farm buildings on another property. Booklist calls this novel a “slow-moving but thought-provoking story for better readers” (Feb. 1, 1973).

The Mills of God, illus. by David Armstrong. Garden City, NY: Doubleday, 1973. 5–7 This boy-loves-dog story set in Depression-era Appalachia does not have the intensity or beauty of Armstrong’s Newbery Award–winning Sounder. Twelve-year-old Aaron Skinner has little more in his life than his dog, which he is forced to give up but later retrieves through an odd turn of plot. According to the Bulletin, “The pace of the book is plodding, with long passages of static exposition, and the characterization is superficial.” The review also calls the ending “awkwardly abrupt” (Dec. 1973).

Sounder, illus. by James Barkley. New York: Harper and Row, 1969. 6–up Winner of the 1970 Newbery Award, this is a story of broken spirits and broken bodies, both human and animal. When a black sharecropper is caught and imprisoned for stealing food, his coon dog Sounder attempts a rescue. Ultimately, both die. The dog, the only named character in the book, “roots the story in its historical time and place” in the Appalachian south. “An extraordinarily sensitive book” (School Library Journal, Dec. 15, 1969).

Sour Land. New York: Harper and Row, 1971. 6–up Having won the Newbery Medal for Sounder in 1970, Armstrong once again tells a power-

ful and intense story — the story of Moses Waters, the “intellectual and spiritual leader” in Sour Land. A review in English Journal says, “As a parable Sour Land is superb. As an adolescent novel, it is severely limited.” Calling this novel “a good attempt to dramatize essential conflicts in human nature,” the reviewer’s main criticism is that Moses Waters is “an Everyman who has no personal identity.” Because he is a “saint,” readers — particularly young readers — will find it “impossible” to identify with him (Sept. 1970).

Arneach, Lloyd The Animal’s Ballgame, illus. by Lydia Halverson. Chicago: Childrens, 1992. K–3 Cherokee folktale of a ballgame between the birds and mammals that explains animal behavior. A title in the Adventures in Storytelling series, this book includes suggested storytelling activities.

Arnow, Harriette Simpson Old Burnside. Lexington, KY: University Press of Kentucky, 1977. 7–up Known best for her adult novel The Dollmaker (1954), Harriette Arnow relates the story of her growing up in Burnside, Kentucky, which — like many towns in the region—was inundated by the river that had been its very life. A review in Barbara Mertins’ Kentucky, Tennessee, West Virginia: Reading for Young People characterizes Arnow’s autobiography as “vivid” and “a clear, sensitive, and engaging picture of life in a small Kentucky town of the early 1900’s” (American Library Association, 1985). Old Burnside is Arnow’s memoir and her final book; it is the tale of a native Kentucky hill woman who realizes at the end that she must leave the mountains (Belles Lettres, Jan. 3, 1988). Old Burnside is a title in the Kentucky Bicentennial Bookshelf series.

Ash, Jerry Wayne, and Stratton L. Douthat West Virginia USA, illus. with photographs by Bill Kuykendall and Harry Seawell. Parkersburg, WV: Seawell Multimedia, 1976. 7–up A title in the Appalachia USA series, this history of West Virginia is told through color photographs and interviews. Designed to reflect spirit and state pride, a wide variety of personal stories and viewpoints is represented. A review in Barbara Mertins’ Kentucky, Tennessee, West Virginia: Reading for Young People says that “Stereotyped images have been replaced by a realistic portrayal of West Virginia” (American Library Association, 1985), but the book has all the flavor of a public relations effort as opposed to serious history. The thin bibliography and timeline going all the way back to 1200 B.C. cannot redeem the book, though it may be useful for report writing.

22 • Atkins

Atkins, Tonya Smith

Ayres, Carter

The ABC’s of Clemson: For Tigers of All Ages, illus. by Todd Lowe. Spartanburg, SC: Whimsical Creations, 2001.

Chuck Yeager: Fighter Pilot. Minneapolis, MN: Lerner, 1988.

K–3 An alphabet book featuring Clemson University.

Atkinson, Eleanor Johnny Appleseed: The Romance of the Sower, illus. by Frank T. Merrill. New York: Harper, 1915. 5–up Eleanor Atkinson’s review of this title describes John Chapman’s story as a “cross–Appalachian migration.” While Atkinson’s “prose account” is a “pedestrian rendering,” it is nevertheless “a better introduction to the historic legend” than other versions. Merrill’s illustrations “assist but do not distinguish the story,” which overall contains “a certain substitution of sentiment and patriotism for poetry and universal ‘moral’” (The Three Owls, Volume III. New York: Coward-McCann, 1931).

Atkinson, Linda Mother Jones: The Most Dangerous Woman in America. New York: Crown, 1978. 7–up The life of Mother Jones, the most famous female labor activist in America, is rendered for the upper-grade reader in all its harsh detail. Calling it “a grim” but “inspiring” record of the “dedication and courage” of her life, the Bulletin praises the book’s “serious, forthright style” and says it is “well-organized and well-researched” (Oct. 1978). Of Irish descent, Mary Jones lived in Toronto, Tennessee, and later in Chicago, where she became involved with the Knights of Labor. Thereafter and into her nineties, she worked passionately for the rights of coal miners (both in the western United States and in Appalachia), steel workers, textile workers, and for child labor laws. Kirkus Reviews describes her as an “outside agitator par excellence” who is “presented here more crisply and intelligently than in Werstein’s Labor’s Defiant Lady (1969)” (May 1, 1978).

Averill, Esther Daniel Boone, illus. by Feodor Rojankovsky. New York: Harper, 1946. 3–6 This 1945 edition of Rojankovsky’s original 1931 title, published in both French and English, is reduced to a more “practical size,” but none of the “effectiveness” and “jewel-like brilliancy” has been lost. “The balance of pattern and design is a joy; details are authentic and admirably selected.” Additionally, Averill has “enriched” the text, resulting in a “well-rounded account of Boone’s life,” which has “drama and strength” (New York Times, Nov. 11, 1945).

5–7 Ayers’ book is judged to be of lesser quality than Levinson’s Chuck Yeager, The Man who Broke the Sound Barrier (1988). “The title is somewhat misleading since a majority of the book is devoted to Yeager’s life as a test pilot.” Additionally, the “light, breezy text talks down to readers and includes some awkward sentence constructions”; photograph captions are “worded oddly.” A glossary and index would have improved the book (School Library Journal, May 1, 1988).

Ayres, Katherine Macaroni Boy. New York: Delacorte, 2003. 4–7 The title of this book comes from bully Andy Simms, who taunts Mike Costa because his Italian family owns Costa Brothers Fine Foods. Set in Pittsburgh during the Depression, the plot centers on the mysterious illnesses of Mike’s grandfather, the deaths of two hobos, and dying rats. “Ayres peppers her story with vivid period details (including descriptions of the city’s immigrant population), but the historical color cannot salvage a disappointing, often unappetizing plot” (Publishers Weekly, Jan. 20, 2003). Other reviews are more favorable. School Library Journal says the title offers “an involving and informative kid’seye look at several aspects of city life in the 1930s” (Feb. 1, 2003). Booklist emphasizes Mike’s “loving extended family” that offsets the grimness of the novel and “helps him gradually gain a more mature understanding of the world” ( Jan. 1, 2003). A Kirkus review notes that characters are not “ethnically” developed, but that “vivid touches abound.” Boys will be interested in the “grisly rat details” and “bravado”; girls will like the “local color, familial comfort, and historical minutiae” (Dec. 15, 2002).

Voices at Whisper Bend. Middleton, WI: Pleasant, 1999. 3–6 Set in 1942 on the Monongahela River in Pennsylvania, this book tells the story of a young girl’s desire to participate in the war effort. Charlotte’s mother, brother, and father are doing their parts, so she invents a plan to collect scrap metal, which is stolen from the school basement where Charlotte and her classmates are storing it. Ayers handles “social issues” with “sensitivity and thoughtfulness,” especially the bias toward Charlotte’s German friend. The book is characterized by “clarity and a strong sense of place” (School Library Journal, Feb. 1, 2000). A title in the American Girl Collection series.

Baber, Bob Henry, ed. If I Fell in Love with a Watermelon: Poems and Stories by Children from Whitesburg Elementary. Whitesburg: KY: Letcher County Arts Council, 1989.

Bake • 23 3–up These poems and stories began as writing assignments for school children at Whitesburg Elementary School in Letcher County, Kentucky, which is in the heart of Eastern Kentucky coal-mining territory. George Brosi’s publication Appalachian Mountain Books calls the collection “delightful” and praises Baber as “a promising young regional poet”: “It is important to get this book in the hands of teachers and elementary pupils to show what can be done inside the public schools” (Vol. 5, No. 2, 1989).

Bailey, Bernadine

ing and interpreting history: A Gallery of the Dead (142–149) contains graphic black-and-white photographs of the Antietam dead, by Alexander Gardner, which were displayed in New York by Matthew Brady. An Officer’s View of the Battle (110–119) contains the panoramic paintings of landscape artist Captain James Hope of the 2nd Vermont Volunteers. He was discharged in 1862 and worked on these five paintings for the next 20 years. These sections, the readable prose, and other illustrations will engage casual readers, but the book will disappoint serious scholars of any age because of the unattributed quotations. (RH)

Picture Book of West Virginia, illus. by Kurt Wiese. Chicago: Whitman, (1956) 1965.

Bailey, Tom

K–3 This alphabet book of West Virginia is illustrated by noted German artist Kurt Wiese, whose first illustrated children’s book was the 1928 Bambi.

Bailey, Carolyn Sherwin Stories from an Indian Cave: The Cherokee Cave Builders, illus. by Joseph Eugene Dash. Chicago: Whitman, 1924. 3–up Twenty-five timeless Cherokee tales are included in a format suitable for easy reading. Mostly pourquoi tales, many of these are familiar, such as “Why the Rabbit Has a Short Tale.” Others illustrate the universal nature of folk motifs: “The Rabbit and the Pine-Gum Wolf ” is a Cherokee version of the African-American Tar Baby story, known to most readers as “Brer Rabbit and the Tar Baby.” “How Fire Came to the Cave People” and “How the Seasons Came to Earth” are Cherokee versions of the Greek stories of Prometheus and Persephone and Demeter. Other stories in the collection will be familiar because they have appeared recently in picture-book format: “How Strawberries Came to the Earth” has been retold by Joseph Bruchac as The First Strawberries (Dial, 1993). The orange and black illustrations are typical of the era and may strike today’s readers as insensitive, but the collection is excellent for reading aloud and for making important connections among ethnic versions of many common tales. (RH)

Bailey, Ronald H., and Time-Life eds. The Bloodiest Day: The Battle of Antietam. Alexandria, VA: Time-Life, 1984. 6–up A title in the Time-Life Civil War series, this book is not for the very young, but its readable prose, in spite of occasional difficult words, and good narrative flow make it accessible to children below sixth grade who have an interest in the Civil War. Dialogue and direct quotations from primary sources add narrative interest, but they are unattributed in the text. The absence of endnotes is somewhat offset by a good bibliography. Similarly, the photographs, drawings, and tactical maps are unattributed in the captions. Two noteworthy sections make this book useful for a discussion of the role of art in record-

A. G. Gaston: Visionary Businessman. Birmingham, AL: Seacoast, 2003. 3–6 Bailey presents the story of the Alabama businessman Arthur George Gaston who worked his way up through low-paying jobs to owning or controlling nine corporations. Included in the Alabama Roots Biographies series.

Jennifer Chandler: Olympic Champion Diver. Birmingham, AL: Seacoast, 2005. 3–6 This title in the Alabama Roots Biography series presents the life of Alabama native and Olympic Gold Medal winner Jennifer Chandler.

Sam Dale: Alabama Frontiersman. Birmingham, AL: Seacoast, 2001. 3–6 This title in the Alabama Roots Biography series presents the life of Sam Dale, an early 19thcentury adventurer and Alabama frontiersman.

Sequoyah: Genius Cherokee Inventor. Birmingham, AL: Seacoast, 2007. 3–6 This title in the Alabama Roots Biography series presents the life of Sequoyah and emphasizes his work to create a Cherokee alphabet.

Tuskalusa: The Black Warrior. Birmingham, AL: Seacoast, 2007. 3–6 Included in the Alabama Roots Biography series, this is a brief biography of Tuskalusa, Choctaw chief for whom Tuscaloosa, Alabama, was named. Tuskalusa is known for leading a battle against conquistador Hernando de Soto.

Bake, William The Blue Ridge, illus. with photographs by author. New York: Viking, 1977. 6–up This “reflective report” addresses all aspects of the Blue Ridge Mountains, using Bake’s personal experience as a naturalist and his photographs, which communicate “near–Sierra Club splendor” (Kirkus Reviews, June 1, 1977). Bake explores the flora, fauna, and social history, including the work of entities such as the National Park Service, the U.S. Forest Service, and the Appalachian Trail Conference. He “has a rapport with these mountains similar to

24 • Bakeless Ansel Adams’ with the Sierras. His book both interprets the qualities of this ancient mountain range and evokes its essence for the reader who likes the hills (School Library Journal, June 15, 1977). Though not intended for children, the text is accessible to the middle grades, and the photographs will appeal to all ages.

Bakeless, John Edwin Fighting Frontiersman, The Life of Daniel Boone, illus. by Edward Shenton. New York: Morrow, 1948. 5–up Bakeless’ biography for children is adapted from his 1939 adult title Daniel Boone, Master of the Wilderness. The English Journal considers it a “gripping and lively story” about Boone, “the greatest of the Indian fighters and the settlers’ most trusted leader” ( June 1949). The Peabody Journal of Education considers it “realistic” and “well illustrated” ( July 1949).

Baker, Julie Up Molasses Mountain. New York: Wendy Lamb, 2002. 5–up Set in Clay, West Virginia, in 1953, this novel explores the social tensions inherent in coalfield union conflicts. The main characters tell the story in alternating chapters, distinguished by different fonts: 15-year-old Elizabeth, who is talented and sensitive to her cultural surroundings, and 14-year-old Clarence, who is shy and suffers from a disfiguring cleft palate. Baker’s first novel has its flaws, but it is largely successful. The “alternating voices of Elizabeth and Clarence are not well differentiated,” but “the plot is fast paced and exciting, and the layers of personal and working relationships are interestingly depicted” (School Library Journal, July 1, 2002). Kirkus Reviews agrees that shifts between narrators “could be tighter,” but this is “an admirable first novel,” remarkable for its “vivid picture of time and place” (May 1, 2002). This is not “just an issue-driven story”; it offers “a deeply moving psychological portrait of a tormented boy who finds a way outside himself ” (Booklist, May 15, 2002).

Balcziak, Bill Johnny Appleseed, illus. by Jason Millet. Minneapolis, MN: Compass Point, 2003. 3–4 In this “dull, unattractive” biography, Balcziak fails to distinguish fact from legend (School Library Journal, July 2003). One of the Tall Tale series, the book contains a bibliography, including websites, a glossary, and an apple muffin recipe.

Ball, Zachary [pseud. of Kelly R. Masters] Bristle Face. New York: Holiday, 1962. 5–up Set in the Mississippi hill country, in 1900, this is the story of Jase Landers, age 14, an or-

phan who leaves his abusive uncle and heads out for Memphis. Along the way, he meets up with a stray dog, Bristle Face, and is befriended by Lute Swank, who gives him a home and begins to court Pansy. The story is told with “humor and restrained pathos.” “Boys mature enough to handle regional dialect will thoroughly enjoy” the book. Ball’s previous titles include Kep and Young Mike Fink (School Library Journal, May 15, 1962).

Sputters. New York: Holiday, 1963. 5–up At the end of Bristle Face, Jase loses his prized dog. In this sequel, Jase is a year older and gets a new dog, Sputters, who is the littermate of Bristle Face. Sputters is so named because he does not bark but makes sputtering sounds, a condition unbefitting a foxhound. The courtship between Lute Swank and Pansy is complicated by the arrival of Pansy’s sister Petunia, but the wedding comes off according to plan. Jase continues his friendship with Emory, who trains foxhounds, and Sputters eventually finds his “bark.” When Emory dies, Jase inherits his hunting horn. This coming-of-age tale is well crafted with a fine balance of humor and feeling, though it is never sentimental. The details of hounds and foxhunts are well drawn, informative, and entertaining. These two books will delight children and adults equally. (RH)

Bang , Molly Chattanooga Sludge, illus. by author. San Diego, CA: Harcourt Brace, 1996. 2–5 Reviewers react strongly to Bang’s case study of a scientific attempt to clean up Chattanooga Creek, calling it “unique” and “unusual” but also “dense” and “tedious.” The Chattanooga, Tennessee, City Council asks scientist John Todd to employ his Living Machine (bacteria and microbial plants) to literally “eat up” industrial pollutants in the water. Bang provides a prehistory of the Appalachian Mountains to explain how Chattanooga Creek was created, followed by the history of manufacturing that resulted in its toxic pollution. “This is science with a purpose,” and the book is “packed (perhaps overpacked) with information”: “Despite its drawbacks, this unique book will provoke curiosity about microbes, chemistry, and biology, topics that are seldom presented to children in such an involving way” (Booklist, May 1, 1996). The scientific facts are “superbly” illustrated through “exquisite collages that turn the subject of sludge into an airy ode to green, clean living” (Kirkus Reviews, Mar. 15, 1996). School Library Journal faults Bang for “the lack of documentation,” but praises her “stunning collage artwork (perhaps her best to date)” (Aug. 1, 1998). Publishers Weekly stands alone in its thoroughly negative evaluation: The book represents “a tedious dissection of one man’s experiments” and its “writing style and substance are at odds.” Though the subject is important, “it wallows in this particular execution” (Apr. 22, 1996).

Bartoletti • 25

Banks, Sara H. Remember My Name, illus. by Birgitta Saflund. Niwot, CO: Roberts Rinehart, 1993. 3–6 Banks’s novel is a title in the Council for Indian Education series, described in the Council Chronicle as having been “selected for cultural authenticity and accuracy of experience in native traditions and history” (Sept. 1993). Against a backdrop of the 1838 Indian Removal Act, the book explores political and ethnic dilemmas among the Cherokee and African-American populations in Georgia. The main character is 11-year-old Annie Rising Fawn, who is half–Cherokee, half–Scottish. Having lost both her parents, she leaves her Cherokee grandmother to live with an interracial couple, her Cherokee uncle and his Caucasian wife, in the Cherokee capital New Echota, Georgia. When the Cherokee are ordered to join the march to the west, the “Trail of Tears,” she and Righteous Cry, a young slave girl, escape to the north Georgia mountains. Banks’ “simply worded adventure” gives good insight into the Cherokee culture (School Library Journal, June 1, 1993). “Banks undercuts herself in her portrayal of Righteous Cry, who alone speaks in dialect,” but the “novel conveys great feeling” and is “wholly engrossing” (Publishers Weekly, May 17, 1993).

Bannon, Kay Thorpe Uncle Thunder: A Cherokee Legend. Rockport, MA: Lobster Cove, 2005. K–5 The Learning Tree (Fall 2004) considers this third title in the Reverend Robert H. Bushyhead series to represent the “classic struggle between good and evil [which is] found in numerous Cherokee thunder legends.” In this story, the Cherokee spirit Thunder “declares himself Uncle to the Cherokee, and gives them special words ... that can be said” during a thunderstorm to prevent destruction of their corn. According to The Learning Tree, “Mr. Bushyhead, and his daughter, Jean, can remember their mother and grandmother ... whispering the formula to oncoming thunder” (www.tltree.com/TLTSFall042.pdf ).

Banting , Erinn Condoleezza Rice. New York: Weigl, 2007. 3–6

A title in the Remarkable People series.

Barasch, Lynne Knockin’ on Wood: Starring Peg Leg Bates. New York: Lee and Low, 2004. 1–4 Barasch presents the inspiring story of Greenville, South Carolina, native Clayton “Peg Leg” Bates who lost a leg in a cotton mill accident in 1919 when he was twelve. Bates, a sharecropper’s son, never let his disability hamper his aspiration to dance, and he became a professional dancer who performed at the Apollo Theatre, the Cotton Club, and resorts and

clubs throughout the world. “This biography balances the impact of discrimination ... with his irrepressible spirit” (Horn Book, Oct. 2004). “Sprightly ink-andwatercolor art ably depicts both the poverty of Bates’ early life and the colorful world of entertainment ... [and shows] many small images of Bates in various tap dancing positions” (Booklist, June 1, 2004).

Barnes, James Midshipman Farragut. New York: Appleton, (1896) 1902. 4–7 Barnes’ book is listed in the December 5, 1915, New York Times article “Three Hundred Books Boys Like Best,” compiled by the Library Commission of the Boy Scouts of America as “a practical help for parents purchasing holiday books.” Includes maps.

Barrett, Tracy The Trail of Tears: An American Tragedy. Logan, IA: Perfection Learning, 2000. 4–8 A 72-page history of the Cherokee Indians from the Ice Age to the 20th century included in the Cover to Cover series.

Bartoletti, Susan Campbell A Coal Miner’s Bride: The Diary of Anetka Kaminska. New York: Scholastic, 2000. 4–up In 1896 Anetka Kaminska’s father forces her to leave Poland for an arranged marriage in America. At age 14, she weds a coal miner in Lattimer, Pennsylvania, and becomes stepmother to his three children from a previous marriage. The story is told through diary entries, a format that “makes the story immediate and accessible” but is at bottom “totally ridiculous”: “Anetka, who works like a mule ... and who regrets that she can’t find a minute to write a letter to her beloved grandmother in Poland” would hardly have time to keep a diary (Booklist, Apr. 1, 2000). A review in School Library Journal points to the Epilogue, which may confuse readers. On the one hand, it provides a “historical note that describes the characters as fictional”; on the other, it explains what happens to them after the book ends. In spite of these flaws the book is “accessible and evocative” (Aug. 2000). Additionally, it contains good historical information on the Lattimer Massacre, labor conflicts, ethnic prejudice, and immigration.

Growing up in Coal Country, illus. with photographs. Boston: Houghton Mifflin, 1996. 5–up This photo-essay about 19th-century boys working in the coal mines in northeastern Pennsylvania offers “compelling” black-and-white historical photographs, some taken by Lewis Hines. Bartoletti shows “eight-year-old breaker boys sorting coal surrounded by deafening noise and black clouds of dust, steam, and smoke; what it was like to be a mule driver underground; what it meant to be a spragger,

26 • Basel a butty, a nipper” (Booklist, Dec. 1, 1996). Bartoletti has also used oral histories and archival documents to render this nonfiction appraisal of child mining labor. This well-researched book is “a first-rate, accessible study of a time and place that played an important role in American economic and social history” (School Library Journal, Feb. 1997).

Basel, Roberta Sequoyah: Inventor of Written Cherokee. Minneapolis, MN: Compass Point, 2007. 5–8 Basel’s biography of Sequoyah, a title in the Signature Lives series, is “not a top choice,” but “adequately fulfills report needs” (School Library Journal, July 2007). Includes photographs, bibliography, chronology, a glossary, index, and suggested reading.

Bates, Artie Ann Ragsale, illus. by Jeff Chapman-Crane. Boston: Houghton Mifflin, 1995. K–5 Bates tells the story of four Appalachians (grandmother, mother, and two sisters) searching “ragsales” (known also as garage sales or tag sales) for second-hand items that they can afford. According to the Kingsport Times-News, Bates, a native of Letcher County, Kentucky, “thought [the book] needed to be illustrated by somebody from the Appalachian region” because the characters are based on actual “residents of Letcher County.” Kingsport, Tennessee, native Chapman-Crane was selected: “We sat on Artie’s front porch and read through the story, decided where to divide the text, and came up with ideas for each scene’” (May 1, 1995). Though praising Chapman-Crane’s illustrations as “[n]early photographic in their precision and clarity,” Publishers Weekly says the “art seems likelier to strike a chord in adults than to engage children,” making the book “narrow in its appeal” (Feb. 20, 1995). Horn Book is more complimentary, saying that Bates and Chapman-Crane have delivered “a realistic slice of life ... part social, part economic, part treasure hunt.” The book “reaffirms traditional values” and celebrates “innate dignity and pride.” It presents “a warm and affectionate look” at Appalachia, “a region too little understood and too often stereotyped” (Sept./Oct. 1995).

Bates, Martine G. Chris Sheats: The Man Who Refused to Secede. Birmingham, AL: Seacoast, 2004. 3–6 This title in the Alabama Roots Biography series presents the life of Chris Sheats. Although Sheats was elected a member of the secession convention in 1860, he refused to sign the ordinance of secession.

Heather Whitestone: Inspirational Miss America. Birmingham, AL: Seacoast, 2007.

3–6 Bates presents a brief biography of Heather Whitestone. Deaf since the age of 18 months, Whitestone won the 1995 Miss America Beauty Pageant. Included in the Alabama Roots Biography series.

William Lowndes Yancey: Alabama Secession Leader. Birmingham, AL: Seacoast, 2006. 3–6 Included in the Alabama Roots Biography series, Bates’ biography presents an examination of the life and career of William L. Yancey, American journalist and politician who campaigned for the state of Alabama to secede from the Union.

Bathurst, Dana Brewer Eva Dykes: A Star to Show the Way, illus. by John Gilbert. Huntsville, AL: Writers Consortium, 1989. 2–4 This title in the Recollections of Valor: Alabama series presents the life of Eva Dykes, one of the first black women in the United States to receive a Ph.D. In 1944 Dr. Dykes joined the faculty of Oakwood College in Huntsville, Alabama, where she chaired the English Department.

Bauer, Jennifer A. Wildlife, Wildflowers, and Wild Activities: Exploring Southern Appalachia, illus. by Janet Brown. Johnson City, TN: Overmountain, 2006. 4–6 Includes suggested activities to promote exploration and study of Southern Appalachian flora and fauna. Illustrated in part with photographs by Ken Murray and Jerry Nagel.

Baughman, Dorothy Piney’s Summer, illus. by Tom Allen. New York: Coward, McCann, and Geoghegan, 1976. 2–5 Piney’s Summer, set in rural Alabama, is the tale of a young boy’s “typical” summer adventures. “Episodic” and “colloquial” are words used to describe the events, which include the usual trickster pranks and coming-of-age experiences. This title is suited “to readers wading from picture books to novels” (Booklist, Jan. 1, 1977). Kirkus Reviews observes that Baughman “has kept her childhood memories spruce and accent agile” but that the book “soon cloys” (Nov. 1, 1976).

Bealer, Alex W. Only the Names Remain: The Cherokees and the Trail of Tears, illus. by William Sauts Bock. Boston: Little, Brown, 1972; illus. by Kristina Rodanas. Boston: Little, Brown, 1996. 4–6 This solid history of the Cherokee, which begins prior to the coming of the white man in 1540 and ends with the Trail of Tears, “is as interesting for its inherent drama as it is useful.” Bock’s black-and-

Beebe • 27 white illustrations are described in 1973 as “effective” and “authentically-detailed” (Bulletin, Apr. 1973). Reprinted in 1996, the “unrevised” text “remains elegantly elegiac, bringing both clarity and immediacy to a complicated story.” Rodanas’ illustrations for the 1996 edition “soberly present Cherokee artifacts ... and make this slender work even more accessible and vital” than it was in 1972 (Kirkus Reviews, Mar. 15, 1996).

Beatty, John, and Patricia Beatty

5–up This fact-based novel explores the littleknown story of how the Civil War affected southern mill towns. When Union soldiers send Hannalee and her brother Jem north to Indiana, they escape and find their way back to Georgia. “More serious than most of Beatty’s stories,” this novel is “effective” in “structure, characterization, and style” (Bulletin, Nov. 1984). School Library Journal calls this “A fast-moving novel based upon an actual historical incident with a spunky heroine and fine historical detail” ( Jan. 1985). Excellent historical notes provide background.

Who Comes to King’s Mountain? New York: Morrow, 1975.

Who Comes with Cannons? New York: Morrow, 1992.

6–up In typical Beatty fashion, this historical novel is well researched, well written, educational, and entertaining. In this Revolutionary War story of the Battle of King’s Mountain, South Carolina, the authors present “a facet of the American Revolution that is little known: the divided loyalties of the Scottish southerners” (Bulletin, Jan. 1976.) Alec MacLeod and his father are loyal to the crown, though his grandfather believes Prince Charles to be the true monarch, but events cause Alec to join Francis Marion, the Swamp Fox. Ironically, Alec ends up pressed into service with the British and, consequently, fights in the Battle of King’s Mountain. “The Beattys’ final collaboration is one of their best, a tight weave of historical fact and good storytelling that informs under the guise of expert entertainment” (Booklist, Nov. 1, 1975). The Beattys provide excellent historical background notes.

Beatty, Patricia Charley Skedaddle. New York: Morrow, 1987. 5–7 In this coming-of-age story set in 1864, 12-year-old Charley Quinn, an Irish-Catholic Bowery Boy, joins the Union army —140th New York Veteran Volunteers — as a drummer boy. He is enamored of war and hopes to revenge the death of his brother, who was killed at Gettysburg. His name, “Charley Skedaddle” is given to him when he runs from battle. He is taken in by Granny Bent, an old woman in the Blue Ridge Mountains, and eventually their attachment to each other grows. “The setting is vivid, the characterization strong, and structure solid” (Bulletin, Oct. 1987). “Beatty brings history to life with thorough research, unusual characters and events, and fascinating historical detail” (School Library Journal, Nov. 1, 1987). Kirkus Reviews praises the book’s “shimmer and forward thrust,” and its “rich detail,” as Charles adjusts to mountain life and gains self respect (Sept. 15, 1987). Publishers Weekly says this is a “well-crafted, somewhat episodic novel” and “one of Beatty’s best” (Oct. 9, 1987). As usual, Beatty provides extensive historical background, including an explanation for her use of Appalachian mountain dialect.

Turn Homeward, Hannalee. New York: Morrow, 1984.

5–up When Truth Hopkins becomes orphaned just prior to the Civil War, she goes to live with her relatives in North Carolina. Her family are Quakers, involved in the Underground Railroad, whose activities Truth soon joins. Published after Beatty’s death, this novel takes the risk of creating “a heroine who plays a passive role for much of the story” but it “succeeds in the end,” as readers “view the Civil War from the perspective of a group persecuted by both sides” (Publishers Weekly, Sept. 14, 1992). Horn Book describes the book as “believable, nicely paced, and rich in historical detail” ( Jan./Feb. 1993).

Becker, Helaine John Brown. Woodbridge, CT: Blackbirch, 2001. 4–7 This title in the Triangle Histories series covers the entire life of John Brown, the man who led the 1859 raid on Harpers Ferry, West Virginia. It explores Brown’s childhood in Connecticut and the development of his abolitionist perspective as he grows into an adult, “examining the impact of the man’s life and work within the context of his times and beyond” (School Library Journal, Apr. 1, 2002). The Horn Book Guide says this is a “readable, factually sound” depiction of Brown’s life (Spring 2002). The format makes use of sidebars as well as archival materials and portraits. A bibliography, index, and glossary round out the book.

Beckman, Pat R. From the Ashes, illus. by Paulette Livers Lambert. Boulder, CO: Rinehart, 1996. 4–7 Included in the Council for Indian Education series, Beckman’s novel is set in Ohio in the late 1700s. Davey Jones is determined to rescue his brother who has been kidnapped by the Shawnee.

Beebe, Burdetta F. Appalachian Elk, illus. by James Ralph Johnson. New York: McKay, 1962. 5–up Told from the perspective of forest ranger Dave Beebe, this is the biography of one elk, Smoky, in Virginia’s Jefferson National Forest. The

28 • Beecher writing is solid, but the narrative stalls amid details of forestry, wildlife, reintroduction of native species, and park management, and the author frequently attributes human thoughts and qualities to Smoky. On the other hand, patient readers who can overlook these weaknesses will come away from the book with a wealth of knowledge. Appalachian Elk is a nice companion volume for George Laycock’s similar but more interesting story of a black bear, Big Nick (1967). (RH)

Beecher, Elizabeth Walt Disney’s Davy Crockett, King of the Wild Frontier, illus. by Walt Disney Studio and adapted by Al Schmidt. New York: Simon and Schuster, 1955. K–3 Fictional portrayal of Davy Crockett. Included in the Big Golden Book series.

Belew, M. Wendell The Dark’s a-Creepin’, illus. by H. Don Fields. Nashville, TN: Broadman, 1964; Nashville, TN, B & H, 1979. K–6 After their mother dies and their father is disabled with black lung disease, 11-year-old Chip and his younger sister receive assistance from the minister in their Appalachian community.

Bell, Corydon John Rattling-Gourd of Big Cove, illus. by author. New York: Macmillan, 1955. 3–6 This 1955 collection of Native American folktales is a forerunner to the many collections and picture-book editions available today. “Unified by a narrative framework, these Cherokee nature myths describe how various animals acquired their coats or other characteristics or positions in the animal world.” The narrator, John Rattling-Gourd, is the Cherokee storyteller who renders these “simple, quiet tales” (School Library Journal, June 15, 1955).

Bell, Thelma Harrington Mountain Boy, illus. by Corydon Bell. New York: Viking, 1947. 1–3 Randy is a “mountain boy” who can “read” animal and weather “signs” but refuses to learn “the three R’s.” His mother enlists the “unwitting” assistance of their mule, Jinny, to convince Randy of the “virtues of education,” including reading and writing. “The moral is presented, quite simply, quietly.” While the book lacks “drama,” it does have “humor and a sense of the mountain background,” in both the text and the illustrations (New York Times, Aug. 10, 1947).

Pawnee, illus. by Corydon Bell. New York: Viking, 1950. 1–4 Pawnee is an Indian doll, dressed in buckskin, which comes alive, though Bobby’s parents do

not quite believe that it is Pawnee who creates disturbances and havoc. Much of the humor lies in the discrepancy between Pawnee’s reported actions and what the parents (and the reader) believe and know. Pawnee then joins a Wild West show, “with consequences which are surprising and satisfactory.” This doll’s “yearning” to be free is wistful, humorous, and exciting, and while the illustrations are “not inspiring,” the “action and fun” somewhat compensate (New York Times, Mar. 9, 1950).

Yaller-Eye, illus. by Corydon Bell. New York: Viking, 1951. 1–5 The protagonist of this book, Randy Reed, lives in the Carolina mountains. When his cat YallerEye loses a paw in a trap, his father pronounces the animal useless, much to his son’s dismay. Daddy Reed attributes more importance to work and a realistic view of life than to pets. A predictable plot ensues, wherein the family and the teacher “contrive” to change the father’s mind. “Although the story presents friendly rural folk and a beautiful country background it is not as convincing as the author’s earlier book, Mountain Boy” (New York Times Book Review, Jan. 13, 1952).

Beller, Susan Provost Cadets at War: The True Story of Teenage Heroism at the Battle of New Market, illus. with photographs. White Hall, VA: Shoe Tree, 1991. 5–7 On May 15, 1864, in New Market, Virginia, cadets from nearby Virginia Military Institute in Lexington were enlisted to fight under the command of General Breckinridge against Union soldiers and suffered significant casualties. Beller uses “carefully researched” primary materials, including letters, “to give a fascinating, readable account” (School Library Journal, June 1, 1991). A Bulletin review agrees that the book is “carefully detailed” but argues that it “has more tedious facts than historical flow”: “The writing style is plodding, the book an amalgam of military fervor and romanticizing of war” that is “not likely to have broad appeal” ( July/Aug. 1991). Includes an index, bibliography, and notes.

Belton, Sandra From Miss Ida’s Porch, illus. by Floyd Cooper. New York: Macmillan, 1993. 3–6 Sandra Belton, born in Bluefield, West Virginia, sets her first book on Miss Ida’s front porch, on Church Street. It is a summer evening, and the children have gathered round to listen to the adults reminisce, telling stories about the days of Jim Crow laws, Duke Ellington, and Marian Anderson. “In an easy conversational style which is layered with rich, descriptive language, the author successfully blends together fact and fiction” (Horn Book, Dec. 1993). Belton’s “historical continuity” is complemented by Cooper’s illustrations, “in which past and present mingle in warm medleys of brown and gold” (Kirkus

Benge • 29 Reviews, Sept. 1, 1993). Publishers Weekly also praises Cooper’s “full-page paintings,” which “capture the fading light on the young and old faces and complement the nostalgic quality of the story” (Sept. 26, 1993).

McKendree. New York: Greenwillow, 2000. 6–9 McKendree is the name of an assisted living home for elderly African Americans where Tilara Haynes, age 14, volunteers. Though she lives in Boston, she has come to spend the summer of 1948 with her Aunt Cloelle in West Virginia, the ancestral home of her father. Over the course of the summer, she struggles with her own notions of beauty and the intraracial prejudice against dark-skinned African Americans. “The mountain scenery provides an elegant backdrop for the action, but the strength of this book is the evocative, finely crafted characterizations” (School Library Journal, July 2000). Though Belton “seems too anxious to teach her readers lessons, ... her love for the characters and for the time and place of her period setting is infectious” (Booklist, Aug. 1, 2000). A Publishers Weekly review finds the novel “too cluttered with tangential issues and unresolved romantic triangles” ( June 5, 2000), but Kirkus Reviews finds “the romantic entanglements” to be “realistically resolved”: “What distinguishes this book is its honest exploration of prejudice as it existed within a culture — and perhaps still does” (May 1, 2000).

Benagh, Jim Terry Bradshaw: Superarm of Pro Football. New York: Putnam, 1976. 5–7 This biography of Pittsburgh Steelers quarterback Terry Bradshaw, a title in the Sports Shelf series, does not do justice to its subject. Though Benagh defends Bradshaw “against the cavils of fans and sportswriters,” he does not succeed in “beefing up the Bradshaw image.” Other flaws are typos and the “short shrift” the author gives to Super Bowl X and the playoffs leading up to it (Kirkus Reviews, May 1, 1976). “Unfortunately, the author’s skill and candor in exploring Bradshaw’s personal problems ... are not matched by an ability to capture the excitement” of the game. Benagh’s prose sounds “like dry newspaper accounts”; nevertheless, the biography is “a cut above” the usual sports book (School Library Journal, Sept. 1976).

Benét, Laura Caleb’s Luck, illus. by Ellis Credle. New York: Grosset and Dunlap, 1937 (1942). K–3 Caleb Waters, age 10, lives in Turkey Creek Bottom, which is 15 miles from the High Ridge Community School in the North Carolina mountains. He hopes to “git schoolin’” there because his “skullpiece is better’n [his] pa’s” and he “kin nuther read nor write” (np), but he doesn’t have the money. When he walks to High Ridge School, Miss Cranston, the teacher, befriends him by helping him find a place to stay and telling him about a garnet mine nearby. He

mines a packet of gems and takes them to Ed Jones, who will sell them to the “summer folks.” On the way back home, Caleb picks up a piece of quartz for a doorstop that, unknown to him, holds a rare blue beryl. Two weeks before the opening of school, he goes back to High Ridge to claim his money for the garnets; Ed Jones gives him 25 cents and says he threw most of the gems away, but a geologist gives him ten dollars for the blue beryl, assuring that he can go to school and buy his mother a ring. The plot of this Story Parade Picture Book is slight and predictable: Caleb’s father is an angry moonshiner who has no use for “schoolin’”; his mother is supportive and encouraging. The dialect is heavy, and the text features typical foods (corn pone, black-eyed peas, bacon) and events (Caleb gets sprayed by a skunk). Credle’s illustrations, both black-and-white and four-color, depict the mountain culture but do not extend or interpret the text. Her illustrations for her own stories are more successful. (RH)

Benét, Rosemary, and Stephen Vincent Benét Johnny Appleseed, illus. by S. D. Schindler. New York: McElderry, 2001. K–2 Illustrator S. D. Schindler “convey[s] the spirit as well as the humor of [the] legend” of Johnny Appleseed (Kirkus Reviews, May 15, 2001), first published as a poem in the Benéts’ Book of Americans (1933). “The poem’s simple structure, pulsing cadence and clever thematic imagery ... boost its impact as a read-aloud” (Publishers Weekly, June 25, 2001). The endnote from Thomas C. Benét provides background information and explains the “stalking Indian” (School Library Journal, Aug. 2001), which Booklist considers “a bit of political incorrectness” ( June 15, 2001).

Benét, Stephen Vincent The Ballad of William Sycamore, illus. by Brinton Turkle. New York: Little, Brown, (1959) 1972. 1–5 Steven Vincent Benét’s poem first appeared in 1923 as a biography in verse of a Kentucky pioneer. Fifty years later, the poem seems a little dated: “the rhyming ... is sometimes forced and the imagery tired.” But Brinton Turkle’s illustrations are deemed “superior,” “stunning,” and “more impressive than the text” (New York Times Book Review, Jan. 28, 1973). This picture-book version of an older Benét poem will make a nice companion to the Benéts’ Johnny Appleseed, originally published in 1933 and issued as a picture book in 2001.

Benge, Janet, and Geoff Benge Helen Keller: Facing Her Challenges, Challenging the World, illus. by Kennon James. Houston, TX: Advance, 2000.

30 • Benjamin 2–3 Though Helen Keller led a remarkable life, all aspects of this biography are “of rather poor quality,” from the “lackluster” formatting, to the “bland, cartoony illustrations” (Horn Book Guide, Fall 2001).

Benjamin, Anne Young Helen Keller: Woman of Courage, illus. by Julie Durrell. Mahwah, NJ: Troll, 1992. 1–4 A simple, easy-to-read biography, Benjamin’s book focuses mainly on Keller’s childhood and the influence of her teacher and companion Annie Sullivan. As with many biographies, this title adds little or no new information, and does not compare favorably with David Adler’s A Picture Book of Helen Keller (1990). Though the illustrations are “sprightly,” they “are not outstanding” (School Library Journal, Sept. 1, 1992).

Young Rosa Parks: Civil Rights Heroine, illus. by Ellen Beier. Mahwah, NJ: Troll, 1995.

The “interesting” style “never really engages the reader” because Bennett’s narrative has a “distancing nostalgic patina”; “the book is not particularly memorable” (Kirkus Reviews, Sept. 15, 1987). On the other hand, School Library Journal praises the novel as “done skillfully.” The writing is “elusive and ambivalent in meaning,” but “it catches a profundity”: “Candid and profane at times, the novel’s overall texture is one of vibrant moral revelations of the human condition during adolescence” (Dec. 1, 1987).

Bernstein, Ross Randy Moss: Star Wide Receiver. Berkeley Heights, NJ: Enslow, 2002. 4–10 From the Sports Reports series, this biography of West Virginia native Randy Moss covers his experience as a high school, college, and professional football player. Intended for reluctant readers, this title covers Moss’s “determination to overcome some poor decisions he made as a young adult” (Horn Book, Oct. 1, 2002).

K–3 Included in the First Start Biography series, Young Rosa Parks is a “visually appealing” life story intended for young readers (Booklist, Feb. 15, 1996).

Berry, Erick [pseud. of Allena Champlin and Herbert Best]

Bennett, Barbara J.

One-String Fiddle, illus. by author. Chicago: John C. Winston, 1939.

Stonewall Jackson: Lee’s Greatest Lieutenant, illus. by Alex Bloch. Englewood Cliffs, NJ: Silver Burdett, 1991. 5–up This well-documented, attractive biography is liberally illustrated with maps, photographs, and interpretive timelines, making it an excellent educational tool. The battle accounts are especially well done and easy to follow. In the tradition of late 20thcentury biographers, Bennett’s prose succeeds in presenting an objective picture of the whole man, not a paragon of virtue. Good index and bibliography. (RH)

Bennett, Paul Follow the River. New York: Orchard, 1987. 7–up Bennett’s first novel receives mixed reviews for its plot and writing style. Set in a small Ohio town, the book is divided into four sections, one each for 1930, 1934, 1936, and 1937. (A note on the book jacket places it in Appalachia.) Harry Lighthorse Lee is one of seven children born into a poverty-stricken family; Harry falls for Nancy Sutton, the beautiful daughter of a banker and an alcoholic mother. “The connections between the two families seem “deliberate” and “contrived.” The plot is “uneven in pace, occasionally obtrusive in writing style.” The characterization is “variable.” “Not a bad first novel, but it has a concocted quality (Bulletin, Feb. 1988). A Publishers Weekly review says the novel “fails to form a coherent whole,” and that Bennett’s interspersed poetry is “more compelling than the ... prose” (Nov. 13, 1987).

3–7 This 1939 book is typical for its time, and though the story may seem too tame by today’s standards, it represents the classic boy-loves-dog plot. Irby’s dog Billiam needs a collar. To earn money to buy a collar, Irby makes up a fiddle tune and enters a fiddling contest, where he plays his handmade, onestring, cigar-box fiddle, which has no bow. Interspersed throughout the text is the music for Irby’s song. “A spontaneous book, of humor and charm, with a feeling for Tennessee mountain folk” (Booklist, Sept. 1939). Includes music by Lillian Webster. The story is reminiscent of the work of May Justus, Ellis Credle, and Ruth and Latrobe Carroll.

Bethell, Jean Three Cheers for Mother Jones, illus. by Kathleen Garry-McCord. New York: Holt, Rinehart and Winston, 1980. 1–3 Bethell tells the story of the 1903 Children’s Crusade, when Mother Jones led a march of mill children to the gates of President Roosevelt’s Long Island summer home, in an attempt to promote change in child labor laws. A Kirkus Reviews evaluation is wholly negative toward Mother Jones —“What she accomplished then or ever is tenuous.”— and toward all aspects of the book. Bethell’s prose is described as “inadequate, easy-readerese,” and “perfunctory”: “A well-intentioned wide miss” (Sept. 1, 1980). Booklist is more positive, calling the book a “worthwhile account of a grim historical time” (Dec. 15, 1980).

Bice • 31

Bial, Raymond Mist Over the Mountains: Appalachia and Its People. Boston: Houghton Mifflin, 1997. 4–7 Bial is often praised for his photo essays [see With Needle and Tread (1996), Shaker Home (1994), Portrait of a Farm Family (1995)], but this one does not strike a happy chord with all reviewers. His “portrait [of Appalachia] is no more than a basic sketch,” and while the cultural elements are “touched on,” they “are never quite given life.” The full-color photographs “offer some gorgeous glimpses of the area and its inhabitants but not a real sense of the landscape” (School Library Journal, May 1, 1994). Another review notes that the “text deals frankly with the more troubled aspects” of the Appalachian region, but Bial “consistently emphasizes the strengths of the people, their unique traditions, and the beauty of the landscape.” Bial has presented no images of strip mining or poverty, for example (Kirkus Reviews, Feb. 15, 1997). Booklist says the book is “too limited to fully illuminate Appalachia,” but that Bial has presented the material “with care and respect” (Mar. 1, 1997). “Though somewhat touristy and pristine, this is not an entirely romanticized view of life in the mountains” (Bulletin, June 1997). A list of suggested reading is including, but the book has no bibliography, no map, and no glossary. School Library Journal and Kirkus Reviews compare it unfavorably with Cynthia Rylant’s Appalachia: The Voices of Sleeping Birds (1991), and School Library Journal suggests that Jo Carson’s Stories I Ain’t Told Nobody Yet (1989) gives “a deeper look at a vibrant way of life.”

The Cherokee. New York: Benchmark, 1999. 4–7 Included in Marshall Cavendish’s Lifeways series, The Cherokee presents information on the history and traditions of the Cherokee people. “Lavishly illustrated ... [and] clearly written” (Horn Book Guide, Fall 1999). Bibliography, chronology, and a list of notable Cherokee people are appended.

The Shawnee. New York: Benchmark, 2004. 5–up Included in Marshall Cavendish’s Lifeways series, The Shawnee is “handsome and useful.” It includes good material and a “thoughtful discussion” from a historical perspective, making for a “respectful and informative” book (Horn Book, Oct. 1, 2004). Includes brief biographies of notable Shawnee people, a directory, a reading list, timeline, websites, bibliography, glossary, and index.

Bice, David A. The Legend of John Henry, the Steel Driving Man, illus. by Larry Pauley. Charleston, WV: Jalamap, 1980. 4–6 The text is static and sometimes vague: “Before [the railroad] could be built, a person had to ride out to look at the land.” Nevertheless, Bice tells succinctly the story of John Henry and explains the

exact function of the “steel drivin’ man” as well as the drill. Most picture-book versions omit the technical details such as the roles of the surveyor, the “shaker,” the “powder monkey,” and the “shooter.” The basic information of building a railroad “a long time ago” is solid and useful. Pauley’s illustrations clarify the text but do not add interest or action to the story. A version of the “Ballad of John Henry” is included. (RH)

Mad Anne Bailey, illus. by Rebecca Wilson. Charleston, WV: Jalamap, 1980. 4–6 This is the story of a frontier woman in western Virginia (prior to the creation of the state of West Virginia) who serves as an indentured servant, becomes a farmer’s wife, and when she is widowed, takes on the persona of Mad Anne Bailey, a “feared and respected” male Indian fighter. “This amusing look at a truly liberated heroine is reminiscent of Jean Fritz’s approach to biography” (Mertins, Barbara, ed. Kentucky, Tennessee, West Virginia: Reading for Young People Series. American Library Association, 1985).

The Pringle Tree, illus. by Charles Fry. Charleston, WV: Jalamap, 1977; Charleston, WV: David A. Bice, 1981. 2–4 This is the story of two brothers, John and Samuel Pringle, who were cowardly British soldiers. They deserted their fort during the French and Indian War and fled to what is now West Virginia. Without shelter, they discovered a hollow tree and survived there for four years. They became eager to return to civilization but were afraid they would be caught, so John went to seek civilization while Samuel stayed behind. When John returned, he explained that “the soldiers no longer were looking for them. The French and Indian War was over.” The book ends with the moral: “All of the Pringle brothers’ fears had been unnecessary.” The story is supposedly set in Buckhannon where a descendant of the hollow Pringle tree still stands. This 54-page, large-print book seems to have been designed as a beginning reader, but it lacks motivation and plot. The three-color cartoon drawings add little interest. It is probably of local interest to residents of Buckhannon, West Virginia. (The 1977 edition, in hardback, has 32 pages, small print, and four-color illustrations, published by Jalamap.) (RH)

Bice, David A., and Helen Jones West Virginia and the Appalachians, illus. by Jack Crane. Charleston, WV: Jalamap, 1983. 7–up This attractive book contains 12 chapters: History, Geography, Forming West Virginia, Animals and Vegetation, Natural Resources, Transportation, Communication, Manufacturing and Industry, Recreation, Education, Housing, and Reliving the Past. The appendix, glossary, bibliography, and index make it especially usable, as do the excellent activi-

32 • Bigland ties interspersed among the chapters—projects such as collecting oral histories and stringing leather britches beans make this a good resource for teachers. The illustrations — photographs, drawings, and maps — extend and illustrate the text. The book presents the past and the present without glorifying either. (RH)

Bigland, Eileen Helen Keller, illus. by Lili Cassel. New York: S. G. Phillips, 1967. 7–up This story of Helen Keller’s life compares unfavorably with previous biographies, such as Peare’s Helen Keller Story (1959), Waite’s Valiant Companions (1959), and Keller’s autobiography, Story of My Life (1903). Described as a book that “offers no new materials or interpretations,” this title should be purchased by libraries only if they hold no Keller biographies in their collections, in which case, this will serve as a “smoothly-told, informative account of her life” (School Library Journal, Sept. 15, 1967).

Bildner, Phil Shoeless Joe and Black Betsy, illus. by C. F. Payne. New York: Simon and Schuster, 2002. K–3 Joseph Jefferson Jackson earned the nickname of “Shoeless Joe” when he played a baseball game in his stocking feet. He made his way from the minor leagues to the majors, where he played from 1908 to 1920, and was involved in the 1919 Black Sox scandal, which ended his career. This picture-book biography focuses on Shoeless Joe’s bat Betsy, which is made by South Carolinian Charlie Ferguson. Through trial and error (spiced with a healthy dose of superstition), “Ol’ Charlie” and Shoeless Joe finally create the perfect bat and the right frame of mind for Joe. “Rookie Bildner hits a home run here, zeroing in on the bat as just the right lens through which to view” this baseball legend. The text is “conversational” and punctuated with “appealing colloquialisms.” Payne’s illustrations are described as having “a tall-tale quality” and “a riveting blend of humor and gravity” (Publishers Weekly, Mar. 2001). Booklist calls Bildner’s book “an amusing picture-book tall tale,” and also praises Payne’s illustrations, which “do the story justice, capturing the look of baseball in the teens and ’20s.” This review notes that the author glosses over Jackson’s involvement in the 1919 scandal (Feb. 1, 2002), a perception also voiced in School Library Journal: “Bildner’s bias in favor of his subject is evident in the afterword describing the allegations against Joe and his teammates” (Apr. 1, 2002). But Kirkus Reviews says “Bildner sticks mostly to the main facts and resists a romanticization of the game.” In keeping with all evaluations of this book, Kirkus praises the illustrations: “The fuzz is in the flannel and the light is just right” (Dec. 15, 2001). The Afterword gives full historical detail that is omitted in the text, including in-

formation on the 1919 scandal, along with Shoeless Joe’s baseball statistics.

Billus, Kathleen Judy Johnson. New York: Rosen, 2002. 6–9 This text presents the life of the famed Negro League third baseman and discusses segregation in America, the formation of the Negro Leagues, and the integration of professional baseball in 1947. Billus presents an “unvarnished picture of racism and how it impacted amateur and professional baseball from 1868 onward” (Book Report, Sept./Oct. 2002).

Birchfield, D. L. Cherokee. Milwaukee, WI: Gareth Stevens, 2004. 4–8 This title in the Native American Peoples series provides “both current and historical information” about the tribe. “In spite of ... errors,” this volume will provide good information for reports” (School Library Journal, May 2004). Birchfield’s text is “quite brief and full of generalizations” (Horn Book, Fall 2004). The book is illustrated with photographs and makes extensive use of sidebars. The back matter includes a reading list, glossary, and timeline.

Tecumseh, Leader. Parsippany, NJ: Modern Curriculum, 1994. 1–4

Included in the Beginning Biographies se-

ries.

Bird, Robert Montgomery Nick of the Woods: Or the Jibbenainosay, A tale of Kentucky. Philadelphia: Carey, Lea and Blanchard, 1837. 7–up Robert Bird’s Nick of the Woods was first published in 1837, and according to the Saturday Review of Literature, it “went through some twenty editions” between 1837 and 1928. Typical of its time, this Kentucky pioneer adventure story, set in the years after the Revolutionary War, presents a “highly prejudiced impression” of Native Americans as “bloody, base, and merciless savages,” a view contrasted to “the noble red man of Fenimore Cooper.” This review laments the fact that Bird’s book “has been kept available in the cheap fifty-cent reprints that today have an obscure but constant sale” (Saturday Review of Literature, Sept. 29, 1928).

Bird, Traveller (Tsisghwanai) The Path to Snowbird Mountain: Cherokee Legends, illus. by author. New York: Farrar, Straus and Giroux, 1972. 4–6 The stories in this collection will feel familiar to readers well versed in classic fables and myths, but they are presented here in “the original Indian style,” which School Library Journal compares unfavorably with Scheer’s Cherokee Animal Tales

Blackhurst • 33 (1968). “Unfortunately, the introductory paragraphs to each tale are sometimes self-conscious or trite.” Collections holding Scheers’s book “will not need this one” (Dec. 15, 1972). Since 1972, a number of collections of Cherokee tales and picture-book editions have appeared, but Bird’s volume should not necessarily be cast aside; his native voice has the ring of authenticity.

Birdseye, Tom Look Out, Jack! The Giant Is Back!, illus. by Will Hillenbrand. New York: Holiday, 2001. 1–4 After Jack kills the giant in the English folktale “Jack and the Beanstalk,” he and his mother take their booty and move to a farm in the mountains of North Carolina. All is well until the giant’s revengeful brother comes to the United States in search of his brother’s killer. “Birdseye’s forced story line and descriptions never gel”; this post–fairy tale/tall tale is just humdrum” (Publishers Weekly, Sept. 10, 2001). Though the text may not be to everyone’s liking, most agree that “Hillenbrand captures the spirit of the text with lively, humor-filled illustrations.... [R]eaders will love this tale about Jack (School Library Journal, Oct. 1, 2001). Booklist agrees that the “comedy is a bit tame,” but the humor is “mostly in the down-home twang of the telling ... and in the pictures” (Sept. 1. 2001). The “folksy style” and “American vernacular” are also noted by Kirkus Reviews, which pronounces the book to be “Great fun” (Sept. 1, 2001).

A Regular Flood of Mishap, illus. by Megan Lloyd. New York: Holiday, 1994. K–3 When six-year-old Ima Bean inadvertently brings a string of calamities to her family, she packs her bag with every intention of leaving Mossyrock Creek. In the tradition of Alexander and the Terrible, Horrible, No Good, Very Bad Day, Ima is naively well-meaning and, unfortunately, a typical child. Of course her family brings her back home with love and reassurance. “Expressive, humorous language ... combined with a backwoods setting and dialect,” “ludicrous situations and a reassuring ending” will make the book a hit (Booklist, Feb. 1, 1995). School Library Journal pronounces it “a winner, and a great readaloud choice” Mar. 1, 1994). Kirkus Reviews calls it a “comical, reassuring tale” (Feb. 15, 1994). Publishers Weekly stands alone in saying the “plot devices are strained, and [Birdseye’s] often vivid mountain-folk lingo gets buried by laggardly pacing and awkward use of repetition” (Dec. 20, 1993).

Soap! Soap! Don’t Forget the Soap!: An Appalachian Folktale, illus. by Andrew Glass. New York: Holiday, 1993. K–2 Though Birdseye doesn’t identify Richard Chase’s Grandfather Tales as the source of this variant, it follows the familiar pattern of “Soap, Soap, Soap.” Horn Book calls it an “amusing Appalachian version of

the Epaminondas theme” (May/June 1993). The main character in Birdseye’s version is named Plug Honeycutt, a name that, like the illustrations, “underscores conventional, even stereotyped, images of Appalachian hill people” (Bulletin, May/June 1993). “Birdseye’s vivid language, use of repetition, and tone invite oral readings” (School Library Journal, Oct. 1, 1993). According to Kirkus Reviews, “Glass’s affectionately caricatured mountain folk cavort in sunny colored pencils and watercolor” (May 1, 1993). Publishers Weekly calls the 1996 reprint an “engagingly retold yarn” with “suitably slapdash” illustrations ( Jan. 1, 1996).

Birdseye, Tom, and Debbie Holsclaw Birdseye She’ll Be Comin’ Round the Mountain, illus. by Andrew Glass. New York: Holiday, 1994. K–3 Based on the popular song, this story adds interest with Oma and Opa Sweet, the twins, and an upscale Tootie who arrives in a fancy car and evening attire. The Birdseyes’ “characters are hillbilly folk,” rendered in Glass’s illustrations as “jiggly, bony figures” (Publishers Weekly, Aug. 1, 1994). This is a “rather rural Appalachian family” depicted in Glass’s art with “just the right rusty twang” and in the Birdseyes’ text with appropriate “homespun colloquialisms” (School Library Journal, Sept. 1, 1994). The Sweets’ “world is a combination of Grand Old Opry and everybody’s backyard” (Booklist, Sept. 1, 1994). Includes eight verses of the song, the music, and background on this favorite American folk song. According to the Authors’ Note, the song is based on an African-American spiritual (“When the Chariot Comes”), which “became a popular Appalachian song during the 1800s.”

Bjarkman, Peter C. Roberto Clemente. New York: Chelsea, 1991. 4–6 A “succinct and appropriate” tribute to Puerto Rico’s most famous baseball star, who played for the Pittsburgh Pirates (Horn Book, Sept. 1991). Clemente died in an airplane crash in 1972. Includes bibliography and index.

Blackburn, Joyce Martha Berry: Little Woman with a Big Dream. Philadelphia: Lippincott, 1968. 7–up Martha Berry’s dream was to get “underprivileged Southern mountain children to the Berry Schools” where they could study basic academics and learn skills that made them employable; “charged with love, charm and genius, she inspired both poor and wealthy” to join her campaign for education (Publishers Weekly, Oct. 14, 1968).

Blackhurst, W. E. Of Men and a Mighty Mountain. Parsons, WV: McClain, 1965.

34 • Blair 7–up Using the first-person points of view, 45 different characters relate fictionalized accounts of the early history of Cass, West Virginia. The stories, strongly autobiographical, represent the diverse ethnic makeup of the town, along with “sketches that paint a picture of the kinds of people whose labors, dreams, disappointments, and fulfillments became the history of Cass” (Barbara Mertins, ed. Kentucky, Tennessee, West Virginia: Reading for Young People Series. American Library Association, 1985).

Blair, Margaret Whitman Brothers at War. Shippensburg, PA: White Mane, 1996. 4–7 Brothers participating in a Civil War reenactment are transported to 1862 to the Battle of Antietam. “The time travel device works well in this story, allowing the characters to experience events from the past without romanticizing them” (Booklist, Aug. 1997). This title in the White Mane Kids series echoes George Ella Lyon’s Here and Then (1994) and Elaine Marie Alphin’s Ghost Cadet (1991).

Blakely, Gloria Condoleezza Rice. Philadelphia: Chelsea, 2003. 6–12 Biography focuses on Dr. Rice’s position as National Security Advisor to President George W. Bush. Content covers “aspects of social history relevant to the time period” (Horn Book, Oct. 1, 2004).

Blanton, Catherine Trouble on Old Smoky, illus. by Anne Merriman Peck. New York: Whittlesey, 1951. 5–up Sunny Anderson’s family sells land to the Federal government to create the Great Smoky Mountains National Park, though they retain a life interest in it. Set in the vicinity of Mount LeConte, this is a typical story of a young boy’s ambition in conflict with “his father’s prejudice against book learning and outsiders.” An “interesting story [that] gives a realistic picture of mountain people” (School Library Journal, Jan. 1, 1952). According to the New York Times, the author “has drawn ... a moving portrait” of a child caught “between the traditions of his people and a new world.” The characters represent the “independence of the mountain people,” but they are “individuals, not types” (Sept. 23, 1951).

Blassingame, Wyatt How Davy Crockett Got a Bearskin Coat, illus. by Mimi Korach. Champaign, IL: Garrard, 1972. 2–5 This “flat and over-long yarn” is a pourquoi tale of why the bear has a short tail. “Mimi Korach’s illustrations picture Davy as a stocky, stupid lumber jack,” and “Blassingame does nothing to provide depth of focus” for early readers, “nor does he substantiate his picture of Crockett” (School Library Journal, Dec. 15, 1972).

John Henry and Paul Bunyan Play Baseball, illus. by Raymond Burns. Champaign, IL: Garrard, 1971. 2–5 This typical tall tale takes two folk heroes out of their native regions and pits them against each other in a game of baseball — John Henry pitching to Paul Bunyan. The game is new to both heroes who are not only larger than life but larger than the game itself. The ball is too small for John Henry, so he forms one by squeezing a bale of cotton; Paul Bunyan breaks a limb from an oak tree for a bat. While there is no Appalachian setting or content ( John Henry is identified simply as “the greatest steel-driving man in the South”), the story illustrates the extension of an Appalachian hero beyond his original geographical milieu through tall-tale exaggeration. The story is flat and predictable but contains some good puns — Bunyan thinks “batter” is “pancake batter.” (RH)

Bleeker, Sonia The Cherokee: Indians of the Mountains, illus. by Althea Karr. New York: Morrow, 1952. 3–7 Bleeker surveys Cherokee cultural and social history, including Sequoyah and the Trail of Tears. The “format is good, with clear print and suitable illustrations in black and white” (School Library Journal, Jan. 15, 1953). Includes an index.

Blevins, Wade And Then the Feather Fell, illus. by author. Prairie Grove, AR: Ozark, 1996. K–8 In this title from the Cherokee Indian Legend series, a young Cherokee girl copes with her grandmother’s illness.

A-ta-ga-hi’s Gift, illus. by author. Prairie Grove, AR: Ozark, 1996. 4–7 Near disaster jeopardizes Tommy’s hopes to be a ceremonial dancer, but he looks to a challenging Cherokee ceremony for a remedy.

Ganseti and the Legend of the Little People, illus. by author. Prairie Grove, AR: Ozark, 1996. 2–up In this title from the Cherokee Indian Legend series, Ganseti hears the tale of the Little People from his grandmother and searches for them in a cave.

Legend of Little Deer, illus. by author. Prairie Grove, AR: Ozark, 1996. 2–up In this title from the Cherokee Indian Legend series, a young Cherokee boy finds his humanity in his own generosity.

Path of Destiny, illus. by author. Prairie Grove, AR: Ozark, 1996. 2–up Jenny’s grandmother explains that a nightmare can mean an Old One seeks to communicate with the young girl about her future.

Boraas • 35

Se-lu’s Song, illus. by author. Prairie Grove, AR: Ozark, 1996. 4–7 In this title from the Cherokee Indian Legend series, Blevins tells the story of a Cherokee family forced to leave the Smoky Mountains and settle in Oklahoma. The family had no luck growing corn in their new home until they prayed to Se-lu the Corn Maiden.

The Wisdom Circle, illus. by author. Prairie Grove, AR: Ozark, 1996. K–8 A favorite uncle’s calm declaration that he is dying forces Jamie to reflect on the Cherokee wisdom circle of life.

Blevins, Wiley Once Upon a Hill: An Appalachian Tale, illus. by Fian Arroyo. New York: Scholastic, 1998. 1–3 Except for the subtitle, there is nothing Appalachian about this Scholastic Phonics Chapter Book. The cartoonish illustrations look western, and the weak version of “Cinder-Elly” that accounts for half the book bears no regional characteristics. (RH)

Block, Irvin The Lives of Pearl Buck: A Tale of China and America. New York: Crowell, 1973. 7–up Not usually thought of as an Appalachian, Pearl Buck was born in Hillsboro, West Virginia. The daughter of missionaries, she lived in China for the first half of her life. Block’s biography “truly conveys the warmth and vitality of her personality” and briefly discusses Buck as a writer. The work is “smoothly-written and balanced,” giving a portrait of Buck as “forceful and compassionate” (Bulletin, Mar. 1974). Includes a recommended reading list and index.

Bodie, Idella The Old Wagoner. Orangeburg, SC: Sandlapper, 2002. 2–3 This biography of Daniel Morgan for young readers covers his childhood and military life, with emphasis on the American Revolution in the South.

The Wizard Owl. Orangeburg, SC: Sandlapper, 2003. 3–up This biography of General Andrew Pickens, a title in the Heroes and Heroines of the American Revolution series, focuses on Pickens’ role in the defeat of British troops at the Battle of Cowpens in the Revolutionary War. After the war, General Pickens established his home in the upper northwest part of South Carolina and served as the state’s first United States representative from the Pendleton district.

Bolden, Tonya Through Loona’s Door: A Tammy and Owen Adventure with Carter G. Woodson, illus. by Luther Knox. Oakland, CA: Corporation for Cultural Literacy, 1997; San Francisco: Cedar Grove, 2003. K–5 Aided by an eccentric bookseller, two children travel back in time to meet Carter G. Woodson, the father of black history. A title in the America’s Family Books series.

Bolton, Linda Andy Warhol. New York: Franklin Watts, 2002. 4–up This title in the Artists in Their Time series portrays the life, art, and influence of Pop artist Andy Warhol, who was from Pittsburgh, Pennsylvania. An index and timeline are included.

Bone, Patrick Aliens of Transylvania County. Johnson City, TN: Overmountain, 2002. 4–8 This title in the Silver Dagger Mysteries series is based on a legend about Devil’s Mountain, near Brevard, North Carolina. Set in the 1950s, the firstperson narrative “combines mild chills, authentic Appalachian folklore, and atmosphere” in a story about abduction by aliens who steal blood. The plot involving Chester Cumberland, John Croshaw, and Hannah Jane Goins is “somewhat rambling,” though “Bone has a fine ear for dialogue” (Voice of Youth Advocates, Dec. 2002). Bone’s “novel is seriously hampered by poor pacing and an amateurish writing style.... Marginal, seriously flawed” (Horn Book Guide, Fall 2002).

Bontemps, Arna Young Booker: Booker T. Washington’s Early Days. New York: Dodd Mead, 1972. 4–up Bontemps outlines Booker T. Washington’s youth and early career.

Boraas, Tracey Daniel Boone: Frontier Scout. Mankato, MN: Bridgestone, 2003. 3–4 Apparently published to support National Standards for History, Daniel Boone: Frontier Scout is one of six titles included in the Let Freedom Ring biographical series. “[D]ry prose and poor followthrough on significant events and people” render these volumes less than helpful (Horn Book, Apr. 2003).

Sam Houston: Soldier and Statesman. Mankato, MN: Bridgestone, 2003. K–4 A title in the Let Freedom Ring biographical series, Sam Houston: Soldier and Statesman includes information on Houston’s early life with the

36 • Borland Cherokee. Considered “marginal” and “seriously flawed” by the Horn Book Guide (2003).

Borland, Kathryn, and Helen Speicher Good-by to Stony Crick, illus. by Deanne Hollinger. New York: McGraw-Hill, 1974. 4–6 This novel addresses the familiar problem of assimilation when the seven Weatherheads move from Kentucky to Chicago. Reminiscent of Arnow’s adult novel The Dollmaker, the characters have difficulty fitting in and suffer from prejudiced attitudes, especially the oldest child, Jeremy. The Bulletin compares this novel with the Cleavers’ Mimosa Tree (1970) and Raymond’s Up from Appalachia (1966). The work “is weakened by the inclusion of so many minor themes and characters” and the characterization is flat, but “the writing style is adequate” (Sept. 1975). The emphasis throughout is on Jeremy’s feelings rather than events; “his efforts to find a niche in a strange environment will strike a responsive chord in middle graders” (School Library Journal, Sept. 1975). For a similar nonfiction account, see Gail Hardin and R. Conrad Stein’s The Road from West Virginia (1971).

Borton, Lady Junk Pile!, illus. by Kimberly Bulcken Root. New York: Philomel, 1997. K–3 Jamie Kay is shy and stutters, so she spends her days in her father’s junkyard, learning about automobile parts and exercising her imagination. According to the Bulletin, Borton’s story “celebrates invention” in a “run-down” Appalachian setting (May 1997). Booklist says that “Root’s line-and-watercolor illustrations perfectly express the intricate glory of the junkyard” as well as the characters (Apr. 15, 1997). “Deceptive in its simplicity,” this is an “effervescent, life-affirming tale” (Publishers Weekly, Feb. 10, 1997). “Told with a minimum of words that effectively portray the characters,” this book offers a “bibliotherapeutic message” that is “understated but firmly interwoven into the tale” (School Library Journal, Apr. 1, 1997).

1950s” (Feb. 15, 2000). “Sam’s introspective voice rings true for his age and background,” and his maturity and the setting lend a “slightly sophisticated one” to this beginning reader” (School Library Journal, June 1, 2000).

Bowman, James Cloyd John Henry: The Rambling Black Ulysses, illus. by Roy La Grone. Chicago: Whitman, 1942. 5–up This life of folk hero John Henry begins with Aunt Liza conjuring a “boy-chile” because Uncle Dan complains that they have nothing but daughters. Her trips to the “black bayou” on the Virginia coast and her “goofer dust” result in the magical appearance of “an overgrown black boy,” floating in the bayou, who tells her that his name is John Henry (15–27). Thus is born the larger-thanlife African-American hero who falls in love with Polly Ann, is separated from her, and searches for her throughout the southeastern United States — New Orleans, Mobile, Nashville, Charleston, Hopkinsville, Montgomery. In every location, he solves labor conflicts by leading and motivating workers. Bosses beg him to stay, but he searches on. Eventually he and Polly Ann are reunited and married; he wins the contest with the steam drill in the Big Bend Tunnel; and he collapses immediately afterward. The wandering–Ulysses theme is a repetitive frame for folklore, song, and the nation’s labor and transportation history, including cotton, mining, railroads, and steamboats. (Lyrics and melodies are included for many of the songs.) The African-American characters and dialect will be considered stereotyped and offensive in the 21st century, and young children will not be able to master the book, but scholars will find it useful on many levels. Bowman’s endnote, “How I Uncovered the Folklore for JOHN HENRY,” credits his oral-history sources, one of whom claims to have worked with three men who worked with John Henry on the Big Bend Tunnel. (RH)

Bowman, John

Bowdish, Lynea

Andrew Carnegie: Steel Tycoon. Englewood Cliffs, NJ: Silver Burdett, 1989

Brooklyn, Bugsy, and Me, illus. by Nancy Carpenter. New York: Farrar, Straus and Giroux, 2000.

4–8 This “simple yet balanced” life of Carnegie emphasizes his “remarkable energy,” paternalism, and “philanthropy.” A title in the American Dream series (Horn Book Guide, 1989).

2–5 Set in 1953, this is the first-person story of nine-year-old Sam, whose father was killed in World War II. Having lost her job, his mother decides to move from West Virginia to live with Gramps, known as Bugsy, in Brooklyn. An urn containing Sam’s father’s ashes travels with them. “This quiet tale of adapting to a new home will likely offer comfort to readers faced with unexpected change” (Publishers Weekly, Feb. 14, 2000). Booklist calls this a “funny and touching chapter-book retake on Brooklyn in the

Boyd, Lorenz Follow the Butterfly Stream, illus. with photographs by the author. Nashville, TN: Abingdon, 1971. 3–up Boyd explores the path of a mountain stream in the Great Smoky Mountains. The color photographs extend the text and display the mountain scenery.

Bradley • 37

Brackett, Virginia John Brown: Abolitionist. Philadelphia: Chelsea, 2002. 3–7 Brackett’s biography is a title in the Famous Figures of the Civil War Era series, which is designed collectively to present the opposing perspectives and “relative merits” of both sides of the conflict (The Book Report, May/June 2002). School Library Journal considers these titles to be “[s]traightforward but flawed overviews”: “The individual problems with these books may be small, but there are enough of them to warrant mention.” For example, “a photo caption ... cites [John Brown’s] meeting with Frederick Douglass as ‘1948,’ instead of ‘1848’” (May 1, 2002).

Bradby, Marie More Than Anything Else, illus. by Chris K. Soentpiet. New York: Orchard, 1995. K–4 More Than Anything Else is a fictionalized account of Booker T. Washington’s quest to learn how to read because he instinctively knew that literacy is the key to success. “Bradby frequently crosses the line between inspiration and sentimentality, attributing to the boy somewhat florid and adult verbiage.” The author also fails to identify Washington’s full name as well as his “identity and historical significance” (Bulletin, Oct. 1995). Kirkus Reviews, on the other hand, deems this title “an immensely satisfying, accomplished work” and praises the Soentpiet’s illustrations as “beautifully executed, luminous” (Aug. 1, 1995).

Braden, Beulah Brummett When Grandma Was a Girl, illus. by Clifford Smith. Oak Ridge, TN: The Oak Ridger and The Clinton Courier-News, 1976. 4–up This nostalgic “memoir” of Grandma’s life as a child may be of more interest to adults than children. Each chapter is devoted to a question about the past, such as “What did Grandma do for fun?” This “well-designed” book may “stimulate a young person’s interest in family history” (Barbara Mertins, ed. Kentucky, Tennessee, West Virginia: Reading for Young People Series. American Library Association, 1985).

Bradley, Kimberly Brubaker Half way to the Sky. New York: Delacorte, 2002. 5–8 The Appalachian Trail figures prominently in the life of 12-year-old Dani. Her parents met and were married on the Trail, and she and her brother were named for its two anchoring mountains: Katahdin (Dani) and Springer (her brother). So when 13-year-old Springer dies from muscular dystrophy and her parents divorce soon afterward, Dani naturally runs to the Trail. When her mother finds her on

her third day out, Dani convinces her to come along. The resulting two-month hike brings healing and coming of age. It is implausible that Dani’s mother would be able to leave work for two months, but “The book’s setting provides a unique backdrop to their mutual journeys of discovery” (School Library Journal, Apr. 1, 2002). “Teenagers will readily relate to the angst and anger,” as well as “the details about the Trail” (Kirkus Reviews, Jan. 15, 2002). An “outdoorsy bonding story about women” that presents “affecting” family tension and “drama” (Bulletin, May 2002). The journal format is suited to the plot, and “[c]haracterization is honest and very real.” These features, along with the fast pace, makes the book “hard to put down” (Book Report, Nov./Dec. 2002). Booklist deems the story “remarkably affecting” for its “gutsy heroine” (Apr. 1, 2002). Contains an Afterword with historical information on the Appalachian Trail.

Weaver’s Daughter. New York: Delacorte, 2000. 4–6 Set in the Southwest Territory in the 1790s, this is a remarkable story of asthmatic ten-yearold Lizzy who falls seriously ill every autumn. Her family sells a prized handwoven coverlet to raise the money to take Lizzy to a doctor in Jonesboro, Tennessee, for treatment that is ultimately ineffective. Narrated by Lizzy, the story draws the reader into her suffering and sense of her own mortality. “Bradley describes the frightening sensations of a severe asthma attack with the authenticity of personal experience” and “gives thoughtful treatment to the dubious morality of slavery.... A surprisingly rich book, given its slimness” (School Library Journal, Oct. 2000). “Bradley is careful neither to sentimentalize nor exploit” Lizzy’s illness, lending “complexity” to the characters and “an aching sadness” to the novel (Booklist, Aug. 2000). Publishers Weekly says the book offers “a comforting message” (Mar. 18, 2002), and a Kirkus review says the book is “charming” (Oct. 15, 2000). An Afterword gives information on 18th-century treatments for asthma and discusses Bradley’s personal battle with the affliction.

Bradley, Michael Peyton Manning. New York: Benchmark, 2004. 3–6 One of the best children’s biographies of Peyton Manning, Bradley’s contribution to the Benchmark All-stars series emphasizes hard work and dedication as the keys to success. Bradley’s experience as a sports writer and broadcaster lifts the prose above the usual formulaic writing of a series and renders its subject as a real and flawed human being, not a star. The narrative is interesting and easy to follow. Though the book is not didactic or preachy, young readers will come away from this book understanding the value of persistence, dedication, and focus. The photographs extend rather than decorate the text, and the end matter is useful: Statistics, Glossary, Web Sites, Books, and an Index (RH). Horn Book praises these Benchmark biographies as “noteworthy” because they

38 • Brandt provide “interesting anecdotes and well-balanced accounts” (Spring 2004).

Brandt, Keith Daniel Boone: Frontier Adventures, illus. by John Lawn. Mahwah, NJ: Troll, (1983) 1997. 3–5 Brandt’s biography is a “straightforward, mostly unfictionalized” account, reissued in 1997 as a title in the Easy Biography series. There is an unbalanced emphasis on Boone’s youth, leaving little room for his adult life and “scant mention of anything negative”; nevertheless, these are “viable introductions” to important figures (Booklist, Sept. 1, 1983).

Braun, Eric Booker T. Washington: Great American Educator, illus. by Cynthia Martin. Mankato, MN: Capstone, 2006. 2–6 A title in the Graphic Biographies series, this beginning-reader biography is considered “[r]eadable and inviting” and a “good basic introduction” to Washington. “While not outstanding, the art is engaging and bright, and the format will appeal to graphicnovel fans as well as reluctant readers searching for a simple biography” (School Library Journal, Mar. 2006). Formatting allows readers to distinguish between directly-quoted primary sources and fictionalized conversations.

Braun, Thomas Football’s Powerful Runner: Franco Harris. Mankato, MN: Creative Education, 1977. 2–6 A beginning-reader biography of Franco Harris, running back for the Pittsburgh Steelers.

Franco Harris, illus. by Harold Henriksen. Mankato, MN: Creative Education, 1975. 3–6 A biography of the Pittsburgh Steelers’ running back and MVP in the 1974 Super Bowl IX.

John Havlicek, illus. by John Keely. Mankato, MN: Creative Education, 1976. 3–7 Biography of NBA basketball player, John Havlicek, born in Martins Ferry, Ohio.

Breeding , Robert L. Appalachian Haven. Maynardville, TN: Ireland Cooke, 1981. 4–7 A revised edition of the 1979 self-published title, From London to Appalachia [see below].

From London to Appalachia, illus. by Erin C. Moore. Self Published, 1979; Knoxville, TN: Thriftecon, 1991. 4–7 This 219-page story, a cross between Moll Flanders and Oliver Twist, stretches some 40 years, from London in the early 1700s to East Tennessee. It begins when six-year-old Jamie, an orphan, is purchased to become a chimney-sweep. He runs away

and eventually finds a protector in Doc Bing. When Doc dies, Jamie is kidnapped at age 12 and shipped to America, where he works as an indentured servant in the tobacco fields. Eight years later, in 1740, he runs away into the hills of southeast Virginia and travels westward, meeting up with a Scottish woman, Mary, who has been traded to the Cherokee Indians. Jamie and Mary create a family and settle in East Tennessee, building a home in the Pellisippi Valley. The book’s cover says they “become the first non–Indian people (other than the Melungeons) to enter the hidden valleys west of the Appalachian Mountains.” The book is too ambitious in its scope and perspective; children will not like the overuse of narration and absence of action and dialogue. For example, all of Chapter 5, pages 111–163, is a history lesson with Jamie telling the history of Europe, and Mary of the Cherokee. Cherokee stories and ceremonies, along with mention of the “Melungos,” add historical interest, and the maps of London and the illustrations are high quality pen and ink drawings. Simple sentences make the text readable for early grades; vocabulary words are emphasized in bold print. (RH)

Brenner, Barbara A Killing Season. New York: Four Winds, 1981. 6–up Sixteen-year-old Allie Turner lives in Pennsylvania with her 21-year-old brother Billy after their parents are killed. Allie respects the black bears, but her brother does not share her view — thus their “prickly relationship.” This is a novel of young love and developing self confidence. “The bears’ story and Allie’s are skillfully combined into a satisfying read,” though the book suffers from “stereotyping.” Nevertheless, “the characterizations will appeal” and the book will “draw browsers, especially girls” (School Library Journal, Sept. 1981).

Brestensky, Dennis F., Evelyn A. Hovanec, and Albert N. Skomra Patch Work Voices: The Culture and Lore of a Mining People. Pittsburgh: University of Pittsburgh Center for International Studies, (1978) 1991. 6–up In the early 1900s, immigrants from a vast array of cultures poured into the Pennsylvania coal-mining towns (called “patches”). The editors of this volume have collected these mixed “voices” or oral histories to document the stories of their lives, including the work, the animals, social activities, and labor conflicts. KLIATT Review calls this “a labor of love,” that “deserves a wider audience” and compares it with the Foxfire books (Apr. 1992). Contains a bibliography and glossary.

Bridgers, Sue Ellen Permanent Connections. New York: Harper and Row, 1987.

Bruchac • 39 7–up Rob Dickson is forced to accompany his father to visit Uncle Fairlee, Aunt Coralee, and Grandpa in the hills of North Carolina. A typical “morose and sullen” 17-year-old, Rob is left behind to help on the farm when his father returns home to New Jersey. A love-interest develops with Ellery, a young woman who exercises “a strong stabilizing influence” during Rob’s entanglement in a drug raid. “All of the characters have depth and substance”; Bridgers has written a novel with the “rich intricacy of a Persian rug” (Bulletin, Mar. 1987). “A moving, emotionally-charged novel” (Kirkus Reviews, Feb. 1, 1987).

Brill, Marlene Targ The Trail of Tears: The Cherokee Journey from Home. Brookfield, CT: Millbrook, 1995. 4–6 From the Spotlight on America series, The Trail of Tears is a “fast-paced but uninspired” account of the Cherokee removal from their homeland in 1838 (Horn Book, Sept. 1995). School Library Journal compares Brill’s Trail of Tears to Alex W. Bealer’s Only the Names Remain (Little, 1972) and R. Conrad Stein’s The Story of the Trail of Tears (Childrens, 1985) noting that this title “is a thorough account of the history of the Cherokee Nation’s conflicts with white colonizers ... and a handsome volume that is a fine addition to literature on the subject” (Apr. 1, 1995).

Brimner, Larry Dane Davy Crockett, illus. by Donna Berger. Minneapolis, MN: Compass Point, 2004.

Brown, Elizabeth Ferguson Coal Country Christmas, illus. by Harvey Stevenson. Honesdale, PA: Boyds Mills, 2003. 1–4 Coal Country Christmas is a solemn tale of a child’s Christmas visit to her grandmother’s home in a coal mining region of Pennsylvania. “Harsh, yet upbeat,” this is a “moving seasonal story of a real place (Booklist, Oct. 15, 2003).

Brown, John Mason Daniel Boone: The Opening of the Wilderness. New York: Random House, 1952. 5–up According to School Library Journal, this biography of Daniel Boone offers “a fresh life” that “gives a vivid picture of the dangers of the frontier, Indian and white treachery and massacres, and the struggle between the English and French” (School Library Journal, Oct. 1, 1952).

Brown, Jonatha A. West Virginia. Milwaukee, WI: Gareth Stevens, 2007. 3–4 A title in the Portraits of the States series, West Virginia is an exploration of the land, history, government and people of the state.

Bruchac, Joseph The Dark Pond, illus. by Sally Wern Comport. New York: HarperCollins, 2004.

Brondfield, Jerry

5–8 Bruchac sets this tale in Upstate New York and combines the elements of Native American mysticism with a horror story. Armin Katchatorian, a Shawnee-Armenian-American senses an unnatural presence coming from a pond behind the school and teams with a classmate to discover its secret. “Effectively illustrated by Comport, this eerie story skillfully entwines Native American lore [and] suspense” (School Library Journal, Aug. 2004).

Roberto Clemente: Pride of the Pirates, illus. by Victor Mays. Champaign, IL: Garrard, 1976.

The First Strawberries: A Cherokee Story, illus. by Anna Vojtech. New York: Dial, 1993.

4–7 Included in the Sports Library Books series, this biography of Roberto Clemente is “bland” (School Library Journal, May 1976).

K–2 A Cherokee folktale about the first man and woman and their first quarrel. The strawberry is sent as a gift from the Sun, intended to heal marital disharmony. When the woman stops to pick the sweet fruit, her pace slows so that her husband can catch up and apologize. Bruchac’s “own telling” of a story he supposedly learned from “an elderly Cherokee friend” is “skillfully rendered” (Bulletin, Sept. 1993). “Spare text, an uncomplicated story line and gentle illustrations” make this book a success. “Bruchac ... brings simplicity and lyricism” to this Cherokee tale (Publishers Weekly, June 28, 1993). “Complete harmony of text and pictures: altogether lovely” (Kirkus Reviews, July 15, 1993).

3–4 Published as part of the Imagination series, Davy Crockett is a “serviceable tall-tale” (School Library Journal, July 2004). The title includes historical facts, a chronology, a website, glossary, and a recipe for grits.

Brooks, Maurice The Appalachians. Boston: Houghton Mifflin, 1965. 7–up Born in West Virginia, Maurice Brooks, was a forester and professor at the University of West Virginia who knew Appalachia and the Appalachian Trail well. Brooks “has looked with a knowing, sensitive and loving eye” on the region, “attentive and alert all the while to the richness and wholeness of the life to be found on, above, and below its many angled surfaces.” This “warm, hand-in-hand tour” is a “delight” (School Library Journal, Nov. 1, 1965).

The Journal of Jesse Smoke: A Cherokee Boy. New York: Scholastic, 2001.

40 • Bruchac 4–9 Written in diary format, this title in the My Name is America series tells the story of 16-yearold Jesse Smoke, beginning in 1837, as he and his family prepare for and endure the Trail of Tears. “Bruchac demonstrates his extensive knowledge the Cherokee people,” folding into the narrative the folklore, religion, history, and political issues of the Cherokee (Booklist, July 2001). Unfortunately, Bruchac’s “need to tell a story vies with the imperative to educate, all within a patently artificial format,” which makes the text “acutely self-conscious.” Nevertheless, a “likable character emerges,” and readers cannot help but learn the story of the forced removal (Kirkus Reviews, May 1, 2001). Horn Book argues that the inclusion of so much factual material “strains at the confines” of the novel’s “format” and “slows the pace” (Fall 2001). School Library Journal agrees that “the characters are bland” and the events “numb rather than touch readers’ hearts.... The characters are names only” ( July 1, 2001). In spite of these flaws, the appended material is excellent, including Bruchac’s explanatory and historical notes, photographs, and a map.

The choice to set the tale in the 1800s is explained in the appended notes.

The Trail of Tears, illus. by Diana Magnuson. New York: Random, 1999.

K–4 Brusca and Wilson present an Argentine folktale that parallels a well-known motif that is found in many cultures, including the well-known Appalachian version “Wicked John and the Devil,” from Richard Chase’s Grandfather Tales [see below]. This story is “humorously realized” through Brusca’s “lively, satirical illustrations” (Kirkus Reviews, Sept. 15, 1992). School Library Journal (Nov. 1, 1992) compares the book with Mary Calhoun’s Big Sixteen (1983), and Publishers Weekly identifies the motif as “the Faust legend” (Oct. 26, 1992). Issued in both English and Spanish (El Herrero y el Diablo), this picture book presents a good story and a good opportunity for comparative research. It will be particularly useful in Appalachian classrooms with a mix of Hispanic students.

2–4 This title in the Step into Reading series is a nonfiction (and perhaps more successful) precursor to Bruchac’s The Journal of Jesse Smoke (2001). Telling the story of how the Cherokee endured the forced removal of their people from north Georgia to Oklahoma in 1838, Bruchac places the events “within a wider, quite detailed narrative of the Cherokee nation’s struggle and resistance.” Magnuson’s illustrations are a “little bright” for such a bleak topic, but the book is largely successful (Booklist, Dec. 1, 1999).

Bruchac, Joseph, and Gayle Ross The Story of the Milky Way: A Cherokee Tale, illus. by Virginia A. Stroud. New York: Dial, 1995. K–4 This traditional Cherokee pourquoi tale, which explains the creation of the Milky Way, is “gracefully told” and successfully illustrated in picture-book format (Horn Book, Oct. 1995). By casting the book as “a story recounted by a father to his children,” the authors “underscore the role of tradition in shaping narrative” (Publishers Weekly, Oct. 2, 1995). Booklist praises the book as “beautifully illustrated” and a “charming retelling” of a folktale that will attract all ages (Sept. 1, 1995). School Library Journal agrees that the “clear, straightforward style” makes the book “accessible on many levels.” Stroud’s illustrations make use of “sprigged calicoes,” placing the events in the 1800s, “a time when clothing was made of cloth rather than buckskin” (Sept. 1, 1995). Though the tale is ancient and comes from “a time when the world was new,” Stroud accurately demonstrates that this type of clothing was “fashionable among the Cherokee” in the early 19th century (Kirkus Reviews, Aug. 15, 1995).

Bruchac, Joseph, and James Bruchac How Chipmunk Got His Stripes: A Tale of Bragging and Teasing, illus. by Jose Aruego and Ariane Dewey. New York: Dial, 2001. K–3 This father and son team explain in their Introduction that this version of an old Cherokee pourquoi tale reflects Abenaki and Mohawk variants, which they have expanded by using their storytelling experience and artists’ license. “The result is polished, cohesive, and energetic. While the story begs to be told, Aruego and Dewey’s vibrantly hued trademark watercolors add significantly to the humor” (School Library Journal, Feb. 1, 2001).

Brusca, María Cristina, and Toña Wilson The Blacksmith and the Devils, illus. by María Cristina Brusca. New York: Holt, 1992.

Bryant, Bernice Morgan Dan Morgan: Wilderness Boy, illus. by Nathan Goldstein. Indianapolis, IN: Bobbs-Merrill, (1952) 1962. 3–7 A biography of Morgan in the Childhoods of Famous Americans series.

Buck, Ray Dave Parker: The Cobra Swirl. Chicago: Childrens, 1981. 3–4 A biography of the Pittsburgh Pirates baseball star.

Buckley, James Jr. Peyton Manning. New York: Dorling Kindersley, 2001. K–4 Buckley has written an appealing biography of Peyton Manning: “Sure to interest young fans”

Burgan • 41 (Horn Book, Apr. 1, 2002). This is a title in the Dorling Kindersley Reading Alone series.

ten to win the popularity it deserves” (Booklist, Nov. 15, 1995).

Roberto Clemente. New York: Dorling Kindersley, 2001.

Burch, Robert

2–3 A title in the Dorling Kindersley Reading Alone series, this is a biography of the Puerto Rican who played right field for the Pittsburgh Pirates.

Bulla, Clyde R. Daniel’s Duck, illus. by Joan Sandin. New York: Harper and Row, 1979. 1–3 An I-Can-Read book, this title gives “a glimpse of life years ago in the Tennessee hills where the long winters are given over to quilting and carving for the spring fair.” Sandin’s “beautiful muted illustrations,” combined with “an ending which gives insight on the nature of art,” make this early reader a winner (School Library Journal, Dec. 1979). This is an “account of a traditional Appalachian family” and a boy struggling to feel competent and affirmed (Horn Book, Dec. 1979).

White Bird, illus. by Leonard Weisgard. New York: Crowell, 1966; illus. by Donald Cook. New York: Random, 1990. 4–6 This story of a boy’s love of a white crow, which he raises from a chick, is “[c]hildlike in its simplicity, adult in the spare beauty of the writing.” Like the crow, Luke is a foundling who is “reared by a hermit in the wilderness of the Tennessee mountains” in the 1800s. At the end, Luke must face the death of the crow but also the possibilities of a new future. “A fine, dignified, moving story of pioneer days, with excellent illustrations” (School Library Journal, June 15, 1966). Horn Book Guide says that Cook’s 1990 illustrations “lack the artistry of the original Weisgard” art (Fall 2005).

Christmas with Ida Early. New York: Viking, 1983. 4–6 This sequel to Ida Early Comes Over the Mountain continues the story and adventures of Ida as she cares for the Sutton children. This seasonal story, filled with humor, “culminates in an animated Christmas program.... A blithe and comic tale” (Bulletin, Nov. 1983).

Ida Early Comes Over the Mountain. New York: Viking, 1980. 4–6 “A Depression-era, Blue Ridge Mary Poppins” comes to rural Georgia to care for the four Sutton children and their father after the death of their mother. Ida Early is “a real, zesty original” who “won’t hesitate to teach a hard lesson when it’s called for” (Kirkus Reviews, Oct. 1, 1981). The plot is “episodic” but “written with a light, sure touch” (Bulletin, Dec. 1980). “A lovely, earthy, human comedy,” this title continues to be reprinted (Publishers Weekly, Nov. 16, 1990). In a telephone interview, Burch confirmed that the setting of the Ida-Early books is the Appalachian region of north Georgia, but that Queenie Peavy, which is often identified as Appalachian, is set outside the region. (RH)

Burchard, Marshall Sports Hero: Terry Bradshaw. New York: Putnam, 1980. 5–7

A title in the Putnam Sports Heroes se-

ries

Burchard, Marshall, and Sue Burchard

Bunin, Sherry

Sports Hero: Joe Namath. New York: Putnam, 1971.

Dear Great American Writers School. Boston: Houghton Mifflin, 1995.

3–5 An easy-to-read biography of the New York Jets’ quarterback and Alabama native.

6–up Bobby Lee Pomeroy is a 14-year-old girl, not a boy, as she must frequently point out. Bobby Lee enrolls in a correspondence course for writers, and beginning in 1944, she spends sixteen months writing letters to the editor of the correspondence school, relating the events of Twin Branch, Kentucky. “A stereotypical ‘coming of age’ novel” with a “satisfying conclusion,” this is Bunin’s first book for this age group (School Library Journal, Oct. 1995). The Appalachian setting “is rendered without sentimentality,” and Bobby Lee’s naïve view of the world is “refreshingly untouched by tragedy.” Readers who liked Sharon Creech’s Walk Two Moons (1994) will like this book (Bulletin, Nov. 1995). A “well-executed first novel, with a remarkable heroine” (Kirkus Reviews, Sept. 15, 1995), the book may not have wide appeal because it is “too innocent, too wise, and simply too well writ-

Burchard, S. H. (Sue) Franco Harris. New York: Harcourt Brace Jovanovich, 1976. 1–5

A title in the Sports Star series.

“Mean” Joe Greene. New York: Harcourt Brace Jovanovich, 1976. 1–5

A title in the Sports Star Series.

Burgan, Michael The Trail of Tears. Minneapolis, MN: Compass Point, 2001. 3–5 This nonfiction account of the Cherokee removal from Georgia to Oklahoma is “less detailed” than similar books (see Joseph Bruchac, David K. Fremon, and R. Conrad Stein), but “gives a concise,

42 • Burke blow-by-blow account of the events” preceeding the actual march to Oklahoma: “The brief text makes the full impact of the injustice amply clear without losing objectivity.” The result is a book that is “well suited to the informational needs of younger students” (School Library Journal, June 1, 2001). Appended material includes a glossary, chronology, list of important names, bibliography, index, and a “Did You Know?” section.

Burke, Rick Andrew Jackson. Chicago: Heinemann, 2003. K–4 A title in the American Lives series, these biographies of U.S. presidents are “so brief as to be misleading.” Considered “marginal, seriously flawed, but with some redeeming quality” (Horn Book Guide, Fall 2003). Contains photographs, maps, a suggested reading list, glossary, and index.

Daniel Boone. Chicago: Heinemann, 2004. K–4 This title in the American Lives series includes a bibliography and index.

Davy Crockett. Chicago: Heinemann, 2004. 3–5 Burke’s biography includes factual as well as legendary information about Davy Crockett. Part of the American Lives series, this title is easy to read and visually appealing. Includes bibliography and index.

Burnham, Brad Mammoth Cave: The World’s Longest Cave System. New York: Rosen, 2003. 4–6 This title in the Famous Caves of the World series explains how this Kentucky cave system was formed and gives information about ancient explorers, size, and Mammoth Cave National Park activities.

Bushyhead, Robert H. Curious One: A Cherokee Story, illus. by Ravina Rene Sneed. Gloucester, MA: Lobster Cove, 2001. K–5 Kay Thorpe Bannon has adapted the Reverend Robert H. Bushyhead’s telling of a tale about curiosity, obedience, and peaceful co-existence between humans and nature. Foreword by Joseph Bruchac.

Yonder Mountain: A Cherokee Legend, illus. by Anna Lombardo. Gloucester, MA: Lobster Cove, 1999; illus. by Kristina Rodanas. New York: Marshall Cavendish, 2002. K–4 Kay Thorpe Bannon’s text for this picture book is adapted from Reverend Robert H. Bushyhead’s previously unpublished version of a Cherokee “teaching story,” a genre that Joseph Bruchac explains in the Foreword to the 2002 edition. Rodanas’ illustrations “effectively capture the Smoky Mountains in

all their autumnal glory,” but “the faces of the three young men are virtually identical. This flaw aside, the book makes a solid contribution to folklore shelves in need of more and better representation in this area” (School Library Journal, Dec. 1, 2002). “Beautifully illustrated ... this story folds its altruistic message into a vivid, entertaining tale” (Booklist, Feb. 15, 2003). Bannon writes “clear and straightforward prose that reads well aloud” (Kirkus Reviews, Aug. 15, 2002). The Horn Book Guide lauds Rodanas’ “detailed, near-panoramic images” and the story’s “timeless reminder to look beyond our own suffering to acknowledge that of others” (Fall 2003). A glossary is included.

Byars, Betsy C. After the Goat Man, illus. by Ronald Himler. New York: Viking, 1974. 5–7 This novel about Figgy and his grandfather, called the Goat Man, is the take of an old man’s loss of his land to a superhighway and Figgy’s role in the drama of relocation and adjustment. Byars’ “characterization” of the four main players and “deft dialogue” achieve a “fine balance; her writing style flows smoothly and the plot is tightly structured and convincing” (Bulletin, Mar. 1975). Kirkus Reviews is not so enthusiastic about the book, calling the plot and ending “pat”: “Slight in body, trite in plot, but very nicely handled” (Oct. 1, 1974).

The Glory Girl. New York: Viking, 1983. 5–7 Anna Glory belongs to a gifted musical family, but having no talent of her own, she is relegated to support tasks (such as selling the family’s recordings) when the Glory Gospel Singers go on the road. Through a series of events, she earns the respect of all, especially Uncle Newt, who is seriously flawed but redeemable. Though “capably written, with firm characterization and dialogue,” the book does not manifest Byars’ usual “cohesion” or “emotional impact” (Bulletin, Dec. 1983). This is a “gratifying and entertaining picture” of a young girl “coming into her own” amid “an unglamorous, snappily projected family” (Kirkus Reviews, Sept. 1, 1983).

Good-bye, Chicken Little. New York: Harper and Row, 1979. 3–6 After Jimmie Little’s father dies in a mining accident, Jimmie deems himself a coward and adopts the name “Chicken Little,” a moniker that is intensified when he watches his irresponsible Uncle Pete fall through the ice and drown in the river. Byars tells Jimmie’s story “with sympathy but not with sentimentality” (Bulletin, June 1979). Though Byars has difficulty balancing “Pete’s tragic childishness” with the “amusing ... foibles” of the Little family, she nevertheless renders “in depth” the feelings of a young boy; “the story hums with the currents that flow between him and the others” (Kirkus Reviews, Mar. 1,

Cammarano • 43 1979). Byars’ “master strokes of characterization” motivate Jimmie’s “final solace” as he discovers that his odd family is a “life-affirming force” (Booklist, Mar. 15, 1979). Horn Book praises Byars’ “extended terse dialogue” and “understated, often wry humor” (Apr. 1979).

The Moon and I. New York: Messner, 1991. 4–7 The “Moon” of this title is a big blacksnake, which Betsy Byars uses as the frame for a memoir that links her childhood experiences with her fiction and gives readers a glimpse into her craft. Using Moon as the “centerpiece” of the book “is a truly inspired choice” (School Library Journal, Apr. 1, 1992). “How Byars writes her books, and the way that method’s changed, is carefully curlicued (like a snake) throughout” (Booklist, May 15, 1992). All reviewers agree that this piece of nonfiction is above the usual cut. Kirkus Reviews uses descriptors such as “adroit,” “ingenuous,” “nifty,” and “ebullient.” This autobiographical book “is so delightfully informal that it may seem artless; actually ... [it] is extraordinarily skillful” (Mar, 15, 1992). Publishers Weekly praises Byars’ “appealingly idiosyncratic narrative that seamlessly weaves together the Newbery winner’s life and art.... It is pure pleasure and privilege to be thus invited into the world of such a warm and engaging artist” (Apr. 20, 1992). Includes black-and-white photographs.

The Summer of the Swans, illus. by Ted CoConis. New York: Viking, 1970. 5–7 Though 14-year-old Sara Godfrey is consumed with teenage angst and self-consciousness, she becomes newly aware of her “beloved small brother, Charlie, as retarded.” When he goes in search of the swans that attracted his attention on a lake, Sara sets out to find him and grows “from awkward flight” to “confidence.” Byars presents “sharp characterization” along with “good dialogue” and sufficient action (Bulletin, Feb. 1971). “Percipient characterization and realistic dialogue heighten the impact of the low-keyed but penetrating story of human relationships and emotions” (Booklist, June 15, 1970).

Bynum, Rusty Julia Tutwiler: The Pathfinder, illus. by Carla Ring. Huntsville, AL: Writers Consortium, 1989.

stein High School travel from Manhattan to Hominy Knob, West Virginia, as volunteers in the Northeast Division of Housing for the Hopeful. The general goal is to build a 1200 square-foot home for the Harmeyer family, who lives in a double-wide trailer, but Mia’s personal goal is to have quality make-out time with her boyfriend, Michael. The story suffers from the usual Princess Mia conventions and the usual patronizing attitudes toward the Appalachian poor, with references to Nell, Christy, and Deliverance. But there is also a refreshing exchange between Mia and Mrs. Harmeyer, who asks Mia why a princess is spending her spring break in West Virginia. Mia tells her that she came out of a “keen sense of duty and a desire to learn new skills,” which Mrs. Harmeyer doesn’t “buy.” So Mia tells her the truth: “I was there to make out with my boyfriend,” a statement that Mrs. Harmeyer fully understands. The book could be set anywhere; West Virginia merely offers a readymade and contrived backdrop for another Princess Mia story. (RH)

Calhoun, Mary [pseud. of Mary Huiskamp Wilkins] The Traveling Ball of String, illus. by Janet McCaffrey. New York: Morrow, 1969. K–3 Widow Tuckett is a woman who saves things, especially string, which she winds into a giant ball. The ball of string gets so big that it bursts through the shed where she stores it and rolls through the community, leaving a wake of destruction. This is a “slaphappy tall tale” with illustrations that “are as bold and funny as the tale” (Horn Book, Dec. 1969).

Calvert, Patricia Daniel Boone: Beyond the Mountains. New York: Benchmark, 2002. 4–8 The Horn Book Guide considers the Great Explorations series to be “useful” for report writing because the titles offer “engaging introductions” to the subjects’ lives (Spring 2002). School Library Journal suggests that Calvert’s biography of Boone will complement “social-studies curricula” because it “include[s] a good deal of personal detail” about Boone’s life. This is a “user-friendly” title” (Mar. 1, 2002).

7–up Presents the life of Julia Tutwiler, Alabama native and educational leader. Included in the Recollections of Valor: Alabama series.

Cammarano, Rita

Cabot, Meg

5–8 A title in the series Who Wrote That?, which focuses on children’s authors. Information about Byars’ personal life is “elided or sanitized”; some details are “skimpy.” Illustrations are “tangentially” significant, and the books are “of limited use” (Horn Book Guide, Spring 2003). On the other hand, Book Report judges these titles to be “well-indexed” and “an excellent resource” (Nov./Dec. 2002).

The Princess Diaries, Volume IV and a Half: Project Princess. New York: Harper Trophy, 2003. 5–7 This 50-page vignette covers seven days in the ongoing saga of Princess Mia. She and her classmates in the Gifted and Talented class of Albert Ein-

Betsy Byars, illus. with photographs. Philadelphia: Chelsea, 2002.

44 • Campbell

Campbell, C. W. Sequoyah. Minneapolis, MN: Dillon, 1973. 5–up “A well-written, succinct biography” in which Campbell “grippingly describes” the Trail of Tears and the life of the Cherokee Sequoyah, who invented a syllabary for his people. “Unfortunately, the later fate of the Cherokees in Oklahoma, especially the ruthless suppression of their schools in the 1890’s, is not mentioned; however, this is otherwise an excellent account” (School Library Journal, Jan. 15, 1974).

Campbell, Carlos C., William F. Hutson, and Aaron J. Sharp Great Smoky Mountains Wildflowers, illus. with photographs. Knoxville: University of Tennessee Press, 1962. 7–up “This small field guide is [s]imple in format and direct in language.” The descriptions of approximately 170 species are “short and informative”; the photographs “range from adequate to exceptional” (Southern Living, Sept. 1978). Contains an index.

Campbell, Marie Cloud-Walking, illus. by John Adams Spelman. New York: Farrar and Rinehart, 1942. 7–up School Library Journal praises Campbell’s work largely for its depiction of a people and interpretation of their lives. These “simple narratives” of “Kentucky mountain folk” in a settlement-school community are collected first hand by Campbell, who taught in the school. “Language of the people is reproduced with great exactness, and the major part of the thoughts and actions of the characters is set down in the folk speech. Recommended for public libraries as a further contribution to sympathetic understanding of a still little-known section of our Southern mountain region” (Oct. 15, 1942).

Tales from the Cloud Walking Country, illus. by Clare Leighton. Bloomington, IN: Indiana University Press (1958) Greenwood, 1976; University of Georgia Press, 2000. 7–up This reprint of a collection of Kentucky, first-hand narratives was originally published in 1942 under the title Cloud-Walking; this reissue contains a “new nine-page introduction” (School Library Journal, Nov. 1, 1971).

Campbell, Peter A. Boston Pilgrims vs. Pittsburgh Pirates: The First Modern World Series, illus. by author. Brookfield, CT: Millbrook, 2003. 3–6 A paperback reissue of Old-Time Base Ball and the First Modern World Series [see below].

Old-Time Base Ball and the First Modern World Series, illus. by author. Brookfield, CT: Millbrook, 2002.

3–6 Campbell gives a history of baseball, beginning in the 18th century, includes information on the first regulated game (1846), and provides details of the first World Series (1903), in which the Pittsburgh Pirates played the Boston Pilgrims. Readers in the 21st century “will appreciate this informative look” at the evolution of this sport (Horn Book, Apr. 1, 2003). In 2003, this title was issued as a paperback under the title Boston Pilgrims vs. Pittsburgh Pirates: The First Modern World Series.

Cannon, Bettie A Bellsong for Sarah Raines. New York: Scribner, 1987. 7–up Sarah Raines, age 14, and her mother move from Detroit back to Kentucky after her father kills himself. Set during the Depression, the novel depicts the urban poverty of Detroit in contrast to the large, comfortable home, with a housekeeper, to which the family returns in Hanlon, a coal-mining town. Cannon’s debut as a children’s author is “overburdened with too many themes and sub-plots,” but it is “strong in characterization, establishment of setting, and authorial voice” (Bulletin, June 1987). School Library Journal agrees that the “characters are wellrounded and fully realized.... A compelling story, filled with vitality and resonating with emotion” ( July 1, 1987). As Sara Raines struggles to deal with her father’s death and the move to a small, unfamiliar community, she comes of age: “At times diffuse and focused,” the story is “nevertheless rich” in its characterization and “truly felt descriptions of time and place” (Kirkus Reviews, Mar. 15, 1987).

Canyon, Christopher John Denver’s Take Me Home, Country Roads, illus. by author. Nevada City, CA: Dawn, 2005. K–3 Canyon’s illustrations for this picturebook adaptation of Denver’s song add the story of a family reunion, depicted through a quilt motif, which stylizes the West Virginia mountain setting. The illustrations are so realistically detailed that “even hardcore quilters might be fooled into thinking this was the work of a needle and thread” (Kirkus Reviews, Oct. 1, 2005). Publishers Weekly praises the “[j]aunty artwork with the busy color and texture” (Oct. 10, 2005). A review in Horn Book Guide is not so enthusiastic, saying that the song “doesn’t lend itself to a children’s book format,” and “some imagery will confound young readers” (Spring 2006). A CD is included.

Capote, Truman I Remember Grandpa: A Story by Truman Capote, illus. by Barry Moser. Atlanta, GA: Peachtree, 1987. 3–6 Capote wrote this “innocuous, very faintly charming short story” for his aunt, supposedly as a

Carroll • 45 tribute to his uncle, when he was only 22; it was published in December, 1986, in Redbook and is here presented with little success for young readers. Moser’s illustrations are both “striking” and “saccharine,” and the text is “at best a minor ... footnote to the author’s work” (Kirkus Reviews, Aug. 15, 1987). This story of a boy and his parents who leave their West-Virginia farm so the boy can get an education is flawed by “the absence of characterization” and the “blandness of the prose.” On the other hand, Moser’s paintings “vigorously render ... the hard-working folk we imagine them to be and add credibility” to Capote’s weak story (Publishers Weekly, July 17, 1987).

Capps, Mary Joyce Yellow Leaf, illus. by Don Kueker. St. Louis, MO: Concordia, 1974. 5–6 On the Trail of Tears, a young Indian girl, Yellow Leaf, becomes lost from her family and winds up with a trapper, Cagle, who dies and leaves her his property. She sets out to find her family and return them to their original home in the Appalachian mountains. Booklist calls this tale “enjoyable though patly constructed”: “Her arduous journey works primarily as a device to display the strong anti–Indian sentiment of the times.” The action is “predictable,” but young readers “will derive emotional satisfaction from the story” (Apr. 15, 1974).

isfactory version of an exciting incident in American folklore” (School Library Journal, Oct. 15, 1965).

Carpenter, Allan Stonewall Jackson: The Eccentric Genius. Vero Beach, FL: Rourke, 1987. 7–up Carpenter’s biography of this Civil War hero is a “boring, dull, bland” book characterized by “wordiness, poor organization, awkward transitions, and generally clumsy writing.” It is plagued by “misspellings, incorrect punctuation, internal inconsistencies, and major factual errors,” as well as “inadequate background information.” This book pales beside Jean Fritz’s Stonewall (1979), which “is a superb, fascinating, skillfully written biography that conveys a true empathy for an understanding” of the man known as Stonewall Jackson (School Library Journal, Jan. 1, 1988).

West Virginia, illus. by Phil Austin. Chicago: Childrens (1968), 1979. 4–up Included in the Enchantment of America series, this historical survey of West Virginia includes prominent citizens, natural resources, and points of interest. Includes a chronology, list of annual events, list of notable West Virginians, and an index.

Carpenter, Eric

Carlson, Judy

Young Davy Crockett: Frontier Pioneer, illus. by Jenny Williams. Mahwah, NJ: Troll, 1996.

“Nothing Is Impossible,” Said Nellie Bly, illus. by Mike Eagle. Milwaukee: Raintree, 1989.

K–2 This title in the Troll First Start Biographies series offers a brief look at the life of Tennessee’s woodsman, politician, and soldier.

K–3 Biography of Pennsylvania native and journalist Nellie Bly. Included in the Real Readers series.

Carlson, Natalie Savage School Bell in the Valley, illus. by Gilbert Riswold. New York: Harcourt, Brace and World, 1963. 4–7 Belle Mundy, age 10, moves from the backwoods to Keep Tryst, Maryland, a town on the Virginia-Maryland Border near Harpers Ferry, West Virginia. Set in 1900, the story focuses on literacy and attitudes toward schooling, particularly, Belle’s desire to read. According to the New York Times Book Review, Carlson’s “touch is simple, warm, light and firm. She handles well and credibly connects” three “levels” of social life in the small town: “the securely respectable, the precariously decent, the blatantly abandoned.” A “richly human story” (Nov. 10, 1963).

Carmer, Elizabeth, and Carl Carmer Tony Beaver: Griddle Skater, illus. by Mimi Korach. Champaign, IL: Garrard, 1965. 3–5 This tall tale pits the West-Virginia folk hero Tony Beaver against his Minnesota “cousin,” Paul Bunyan, in a skating contest on a giant griddle. “Sat-

Carroll, Ruth, and Latrobe Carroll Beanie, illus. by Ruth Carroll. New York: Oxford University Press, 1953. K–4 Because all the Tatums except Beanie have a pet, he gets a special birthday gift — a puppy named Tough Enough. Feeling just a bit selfish, he runs away with Tough Enough, intending to hunt bears, and almost loses the dog in the bargain. But all works out at the end when both get home in time for Beanie’s birthday celebration. “This beautifully illustrated story of the Great Smoky Mountains should captivate children six-to-ten years old” (School Library Journal, Oct. 15, 1953). The New York Times describes Ruth Carroll’s illustrations as “real-life.... The music provided for the hillbilly song, however, is decidedly unappealing” (Oct. 11, 1953).

The Managing Hen and the Floppy Hound, illus. by Ruth Carroll. New York: Walck, 1972. K–3 A hound dog, “Floppy,” appears in Miss Lucy Gudger’s barnyard and drives Hester, the hen, to distraction. Ultimately, the hound wins the praise and approval of the animals and Miss Lucy. “Animal and human characters speak in the vernacular of the Great Smoky Mountains area.” The “engaging story” and

46 • Carson its “realistic black-and-white drawings of back-country farmlife” will appeal to this age group (School Library Journal, June 15, 1972).

“There is a rich and distinctive world in the smoky illustrations and colorful language.... Regional values too” (Kirkus Reviews, Sept. 1, 1958).

Runaway Pony, Runaway Dog, illus. by Ruth Carroll. New York: Walck, 1963.

Tough Enough’s Indians, illus. by Ruth Carroll. New York: Walck, 1960.

2–5 Like the Carrolls’ other books about the Tatum family, this tale is set in Sourwood Cove, Hemphill Valley, Haywood County, North Carolina. It is dedicated to “the children in the Asheville Orthopedic Hospital.” The main characters are Beanie’s pets Tough Enough, the dog, and Sassy, his pony friend. When Sassy gets a lame right foreleg, Tough Enough goes with him to the animal hospital to keep him company. They escape and are picked up (stolen) by Will Bumgarner who takes them to Tennessee and puts them in “the Great Bumgarner Zoo,” a menagerie of animals he has acquired under suspicious circumstances — a wild boar, a bear, a wildcat, an opossum, a skunk, a raccoon, a fox, and a hawk. Will dresses Tough Enough and Sassy in human clothes to hide their markings and turns them into a “new attracshun.” When a storm comes, the two escape again and make their way back home. They arrive during a church service, and a happy reunion ensues. This is typical Carroll fiction — the poor-but-happy Tatums, the humanized animals: “Often [Tough Enough] would dream of the Tatum farm—dreams bright with remembered good times with Beanie and Beanie’s brothers and sisters” (15). Nevertheless, this is wholesome, good reading and good fun. (RH)

3–7 The Tatum children, their dog Tough Enough, and their pony Sassy are featured in yet another story about this popular Smoky Mountain family and pets. While Pa is off fighting a forest fire, Beanie and his brothers and sisters go off to hunt firewood, find refuge from the fire under a waterfall, and seek help from a Cherokee Indian family. As usual, Tough Enough’s nose saves the day and leads the scared, lost children “right into the back yard of the Indian family.” The book is “warmly told and authentically illustrated” (Peabody Journal of Education, May 1961).

Salt and Pepper, illus. by Ruth Carroll. New York: Walck, 1952. K–3 “Salt” is a dog belonging to “Pepper,” an irritable little boy. The move to a new home upsets both, but the outcome is positive. “This is one the authors’ best stories” (School Library Journal, Sept. 15, 1952).

Tough Enough, illus. by Ruth Carroll. New York: Oxford University Press, 1954. 2–4 This story continues the tale of Beanie and his dog Tough Enough, who has developed into a typical, troublesome young dog. But he redeems himself when a flood threatens Beanie and his sister. This is an “agreeable story” whose “illustrations ... reflect the drama and humor” as well as “the beauty of the setting, the Great Smoky Mountains” (Booklist, Sept. 1, 1954). This is a book that “will prove alluring” (Kirkus Reviews, Aug. 15, 1954).

Tough Enough and Sassy, illus. by Ruth Carroll. New York: Walck, 1958. 3–7 Because the Tatums suffer financial difficulties, Beanie is faced with having to sell Sassy, the wild pony that they brought home with them from a trip to the Outer Banks [see Tough Enough’s Pony below]. But in true Carrolls fashion, the pony accidentally provides the means by which the family can make attractive crafts, which the tourists readily purchase.

Tough Enough’s Pony, illus. by Ruth Carroll. New York: Oxford University Press, 1957. 2–4 When the Tatums venture outside their Smoky Mountain home to visit great-grandparents on Shackleford Banks, off the coast of North Carolina, Tough Enough discovers an injured wild colt. Beanie nurses “Sassy” back to health, and she goes back to the mountains with the family when they depart the island. “The subject and pictures of the present heart-warming story are likely to have even more appeal than those of the earlier books” (Booklist, Sept. 15, 1957). This is the fourth story about Beanie and Tough Enough.

Tough Enough’s Trip, illus. by Ruth Carroll. New York: Walck, 1956. 2–5 This third Carroll book about Beanie and Tough Enough finds the entertaining dog hiding under quilts so that he can go with the Tatum family to visit grandparents in the North Carolina Outer Banks. “Of all the Tatum Clan stories, this best catches the warmth, simplicity and kindliness of the Great Smoky Mountain People” and gives an “unobtrusive geography lesson” along the way (New York Herald Tribune, Nov. 18, 1956). “Attractive duotone illustrations by Ruth Carroll enliven the text” (Library Journal, Dec. 15, 1956).

Carson, Jo Pulling My Leg, illus. by Julie Downing. New York: Orchard, 1990. K–3 When the red-haired, freckled protagonist of this story gets a loose tooth, her Uncle Tom “pulls her leg” by sending her to fetch an assortment of tools that he will use to extract it: a hammer, screwdriver, pliers. School Library Journal praises Downing’s “colorful pencil drawings, with a hint of Gammell’s style” and Carson’s “jovial story” (Nov. 1990). The Horn Book calls attention to the “cheery colored-pencil illustrations” that add to the humor (Feb. 1991). Though the threat of losing a tooth may be traumatic,

Caudill • 47 the illustrations clearly show that Uncle Tom is not serious: “This glimpse of a warm, irrepressible family” offers a “slight” but “engaging” book (Kirkus Reviews, June 15, 1990).

Stories I Ain’t Told Nobody Yet: Selections from the People Pieces. New York: Orchard, 1989. 7–up Though Carson’s 49 pieces included in this volume are intended for oral presentation, and they are best heard in Carson’s own voice, they also read well. Her Preface explains that she has snatched these pieces from conversations she heard in East Tennessee. They are arranged in five categories: Neighbors and Kin, Observations, Relationships, Work, and We Say of Ourselves. “These are voices roughened by labor and tried by tribulation.... Students taking speech or drama classes will find some inspiring pieces here, as will those interested in collecting oral history or researching their roots” (Bulletin, Feb. 1989). Kirkus argues that these pieces are not easily categorized as poetry or prose, but they “capture dialogue well” ( Jan. 15, 1989). These “poetically distilled” pieces “celebrate the bonds of community and also voice its pain” (Booklist, Jan. 15, 1990).

You Hold Me and I’ll Hold You, illus. by Annie Cannon. New York: Orchard, 1992. K–2 When Great-Aunt Ann dies, a little girl and her father go to Tennessee for the funeral. In trying to figure out the nature of death, she remembers the death of Henry, her sister’s hamster; her goldfish; and her parents’ divorce. Because “precious few” books deal with the “stress-ridden occasion of a funeral,” parents “will welcome the book” (Bulletin, July/Aug. 1992). The author “has created an engaging and straightforward heroine” and “a family of reassuringly lovable people” (Publishers Weekly, Mar. 30, 1992). “Lovely watercolor paintings ... capture the moods and feelings ... and convey the love and security shared in this intergenerational family” (Booklist, Mar. 1, 1992). Horn Book calls this a “fresh and poetic first-person narration” (Sept. 1992). “Without preaching or false sentiment,” Carson gives a “realistic, consoling picture” of grief (Kirkus Reviews, Feb. 1, 1992). This book “charms as it comforts” (School Library Journal, Mar. 1992).

Carter, Forrest The Education of Little Tree. New York: Delacorte, 1976. 7–up Forrest Carter initially claimed that this book was autobiographical, a stance that was later proven to be false. In spite of the controversy, the book remains a good read and continues to be endorsed by Native American proponents of reading. Booklist, like so many review sources, calls it a “tender reminiscence from the author’s boyhood.” Though Little Tree, the main character, is clearly not Carter, the fact remains that this is indeed a “tender” story, set in the East Ten-

nessee mountains. “Held firmly in a circle of love,” Little Tree’s education is “a mixture of Indian and mountain folklore.” (Sept. 1, 1976). This story of the strong relationship between a child and his grandparents is generally considered engaging, heartwarming, and uplifting, but not all reviewers agree: “Unfortunately, the down-home manner of narration is so heavy-handed, so larded with sentimentality, pseudonaiveté, and cracker-barrel philosophy, that all serious intentions are rendered bathetic.” The presentation of “the fatuous whites and freedom-loving Indians” is “stereotypic and wooden.” The book’s only “saving grace is its detailed descriptions of natural phenomena in the mountains” (Library Journal, Nov. 15, 1976).

Caudill, Rebecca Barrie and Daughter, illus. by Berkeley Williams. New York: Viking, 1943. 7–up Caudill’s first novel, set in the Kentucky Hills in the early 1900s, is highly autobiographical. This father-daughter story is a welcome change from the typical views of fathers in Appalachian fiction. Fern Barrie shares a unique bond with her father, along with an “imagination,” “a sense of beauty,” “sympathy for others” and “courage.” “The story has to do with real people and with keenly invigorating situations” (Horn Book, Nov. 1943.)

The Best-Loved Doll, illus. by Elliott Gilbert. New York: Holt, Rinehart and Winston, 1962; Holt, 1992. 2–4 Susan Anderson invites Betsy to a party and asks that she bring a doll; prizes will be handed out for various categories, such as the oldest, the best dressed, and most talented. After much deliberation, Betsy takes her “best-loved” doll, which—of course— wins a special prize. “A grand story for little girls” (Library Journal, Nov. 15, 1962). “Direct writing” and “endearing line drawings” make this reprint attractive “for a new generation of doll-lovers” (Horn Book, Mar. 1993).

A Certain Small Shepherd, illus. by William Pene du Bois. New York: Holt, Rinehart and Winston, 1965. 2–4 Expectant parents traveling on Christmas Eve can find no place to stay during a snowstorm, so they are allowed to stay in the church. Jamie, who is a mute child, is moved to speak when he witnesses the birth of the baby in the church setting. This remarkable and “gentle” story is all the more unique because the illustrations reveal the new parents to be black; there is no hint of their ethnicity in the text. A Saturday Review article by Zena Sutherland notes that a “national magazine that circulates in grocery stores reprinted the story, but used another illustrator” who depicted the parents as white (Mar. 16, 1968). Only one review notes that Jamie is Appalachian (Publishers Weekly, Oct. 6, 1997), demonstrating that the point of

48 • Caudill Caudill’s text and William Pene du Bois’s illustrations is lost on most reviewers — the importance of a black family traveling in an Appalachian community in the 1960s. Fortunately, this story of a mute child who is moved to speak transcends ethnicity and prejudice and remains a favorite Christmas story. (RH)

Come Along!, illus. by Ellen Raskin. New York: Holt, Rinehart and Winston, 1969. K–5 This collection of haiku is marked by “fleeting moods and metaphoric images” that are captured in “splendidly brilliant pictures” on rice paper (Horn Book, Dec. 1969). Though a Booklist review calls it “formal and cramped,” it is at the same time “inviting,” “notable,” and “pleasing” (Dec. 1, 1969).

Did You Carry the Flag Today, Charley?, illus. by Nancy Grossman. New York: Holt, Rinehart and Winston, 1966. 2–4 Charley is a typical “nearly-five-year-old” who has difficulty settling in and conforming at school. Every day one child is allowed to carry the flag as a reward for good behavior, and when Charlie comes home each afternoon, his family asks, “Did you carry the flag today, Charley?” Finally, his behavior is rewarded and he is selected to carry the flag to the school bus. This is a “humorous story, wryly written and filled with the simple activities young children know” (Grade Teacher, Mar. 1972). “Small children may not recognize the Appalachian setting, but they can hear the authenticity of the speech patterns and the fact that Charley’s comments and observations sound the way a five-year-old’s should” (Zena Sutherland and May Hill Arbuthnot, Children and Books, 8th ed. New York: HarperCollins, 1991).

The Far-Off Land, illus. by Brinton Turkle. New York: Viking, 1964. 6–8 Caudill writes for an older audience in this “adventurous romance,” set in the wilderness of Kentucky and Tennessee in 1780. Sixteen-year-old Ketty is an orphan who has been taken in by Moravians and has adopted their beliefs of human equality. She leaves this community for an arduous flatboat trip with her brother to French Lick, and her beliefs are tested when she witnesses the white man’s attitude and violence toward the Indians. “Story is weakened by too many melodramatic incidents and sentimentality and lacks the strengths and freshness of author’s Tree of Freedom” (School Library Journal, Nov. 15, 1964).

grades, but third graders can read it alone (School Library Journal, Jan. 1, 1948). Caudill published some of the episodes previously in Trails and Child Life.

The House of the Fifers. New York: Longmans, Green, 1954. 6–up Monica Fifer spends the summer on the family’s homeplace, a Kentucky farm, with her uncle, aunt, and cousins. As she watches the family endure a devastating drought, she matures and ends the summer with “self-reliance” and a new understanding of “fortitude.” “The theme is serious but the tone is never too heavy” (New York Times Book Review, June 6, 1954).

My Appalachia: A Reminiscence, illus. with photographs by Edward Wallowitch. New York: Holt, Rinehart and Winston, 1966. 7–up Rebecca Caudill’s memoir of growing up in Poor Folk, Kentucky, is considered “nostalgic” but worthwhile: “Her compelling narrative is enhanced by beautiful, delicate imagery which vividly brings to life her beloved mountains and youthful remembrances.” Wallowitch’s black-and-white photographs “help to make this an unusually attractive book” (School Library Journal, Nov. 15, 1967).

A Pocketful of Cricket, illus. by Evaline Ness. New York: Holt, Rinehart and Winston, 1964. K–3 A little boy takes his pet cricket with him on his first day of school. Grade Teacher describes him as a child “who knows and appreciates nature” (Apr. 1972). School Library Journal has this to say: “A little pastoral with a simple plot that molds the verse-like prose into a warm picture-story for children.... Adults reading this story aloud will appreciate the perfect blend of text and pictures; they, too, will savor the smell of the apples and the sight of the corn ripening on the stalks” (Nov. 15, 1964).

Schoolhouse in the Woods, illus. by Decie Merwin. Philadelphia: Winston, 1949. 3–5 Bonnie Fairchild’s first-grade experiences, capped by a Christmas party, are the topic of this highly-praised continuation of the Fairchild family stories. “While younger children will want this story read to them, girls who like old-fashioned family stories will enjoy reading” this book alone. “Profuse black-and-white illustrations by Decie Merwin add much to the book’s atmosphere. Format, too, is good” (Library Journal, Dec. 15, 1949).

Happy Little Family, illus. by Decie Merwin. Philadelphia: Winston, 1947.

Schoolroom in the Parlor, illus. by Decie Merwin. Philadelphia: Winston, 1959.

3–5 Set in Appalachian Kentucky in the early 1900s, this episodic story of four-year-old Bonnie Fairchild is called a “heart-warming” account of a “lovable” child “in a large, harmonious family.... Decie Merwin’s ... illustrations are in perfect keeping with the text.” The book is a nice read-aloud for the K–2

3–5 In this fourth book about the Fairchilds, set in the Cumberland Mountains, Caudill presents “strong values and satisfaction in an old-fashioned picture of family solidarity and simple pleasures.” Because school is closed between January and August, the children continue lessons at home, led by the

Chaffin • 49 mother and oldest daughter. “The story is as real as a grandmother’s reminiscence, which makes the extraspecial goodness of the children natural.” Horn Book compares Caudill’s stories of the five Fairchild children with Wilder’s Little House books (Aug. 1959).

June 1969). Caudill’s tale is listed in the New York Times Book Review, November 9, 1969, as an outstanding book of the year.

Susan Cornish. New York: Viking, 1955.

Daniel Boone and the Opening of the Ohio Country. New York: Chelsea, 1991.

7–up Set in the community of Pickwick Mill, this novel explores a downtrodden community’s attitude toward education. At age 18, Susan Cornish refuses to return to college to finish her senior year; instead, she takes a teaching job in a one-room school and sets out to revive the community’s spirit by instilling the love of life and learning among its children. Caudill’s characters “all have individuality,” and “the whole community comes alive” in a story where “teaching is pictured as a challenging and rewarding vocation” (Horn Book, Aug. 1955).

Tree of Freedom, illus. by Dorothy B. Morse. New York: Viking, 1949. 6–up Set on the Kentucky frontier in 1780, this is the story of Stephanie Venable, age 13, and her brother Noel, who have moved from the Carolinas to Harrod’s Fort, Kentucky. School Library Journal says they represent the “best traditions of the past and a hope for their country’s future.” One criticism of the book is that the “profusion of incident hampers the dramatic impact of the story. Lack of romance will limit interest” for ages 10–14. Nevertheless, it is “highly recommended for historical or ethical values” (May 15, 1949). The New York Times calls this a “welcome” pioneer story because “it deals with the opening up of Kentucky, a phase rarely dealt with.... It is doubtful that Stephanie was quite as far-seeing about the ... Revolution” as Caudill implies, but the narrative is, nevertheless, “sound, rich in perspective,” and “rewarding” (May 8, 1949).

Up and Down the River, illus. by Decie Merwin. Philadelphia: Winston, 1951. 3–5 This title is the third in a series about the Fairchild family, which is supposedly based on Caudill’s own childhood in the Kentucky mountains. In this story, Bonnie and her sister Debbie set out to earn money and “get rich.” “Real little girl adventures pleasingly illustrated” (Booklist, May 15, 1951). A shortened version of the story was previously published in Jack and Jill magazine.

Caudill, Rebecca, and James Ayars Contrary Jenkins, illus. by Glen Rounds. New York: Holt, Rinehart and Winston, 1969. K–3 This tall tale about a Tennessee mountaineer whose contrariness sets off a chain of exaggerated events is deemed a “superb collaboration.” The illustrations are typical of Glen Rounds, a “perfectly chosen illustrator” for this tale. He “contributes his own lusty humor,” depicting Contrary “in angular sketches that spread freely over the pages” (Horn Book,

Cavan, Seamus 3–6 This title in the World Explorers series includes an index, chronology, and biography.

Ceder, Georgiana Dorcas Winter Without Salt, illus. by Charles Walter. New York: Morrow, 1962. 3–6 Peter, age 12, must contend with hardships of Kentucky frontier life in the winter, which include the lack of salt. He is also obsessed with anger toward the Indians, who killed his parents. Somewhat stereotypical, the book is nevertheless recommended, and its characterization is considered “fine” and “sympathetic.... Not a great book, but a good one” (School Library Journal, Apr. 15, 1962).

Celsi, Teresa Jesse Jackson and Political Power. Brookfield, CT: Millbrook, 1991. 3–6 Biography of U.S. Presidential hopeful Jesse Jackson from the Gateway Civil Rights series. Booklist notes there is “nothing extraordinary about either text or format,” but recommends the title for its clear presentation of information and appealing photographs ( Jan. 1, 1992). School Library Journal adds its endorsement, citing “the combination of a high-interest subject, profuse illustrations, and an easy vocabulary,” which will appeal to reluctant readers ( Jan. 1992).

Chadwick, Bruce Joe Namath. New York: Chelsea, 1995. 4–6 This biography in the Football Legends series includes an Introduction by Chuck Noll.

Chaffin, Lillie D. Coal: Energy and Crisis, illus. by Ray Abel. New York: Harvey, 1974. 4–7 While this title is not specifically Appalachian, it deserves attention because Chaffin grew up in Pike County, Kentucky, and understood first-hand the issues surrounding coal. The Instructor considers the book “comprehensive,” with a “balanced” view of the subject and attention to current issues, such as “the environmental destructiveness of unrestricted strip mining” (May/June 1975).

Freeman. New York: Macmillan, 1972. 4–7 Set in “bleak” Kentucky strip-mining territory, this is the story of Freeman Sloan, whose family isolates itself because of a feud. He discovers that his parents are alive and that he is actually living with

50 • Chaffin his grandparents. “Like his close cousin John Henry McCoy (1971) Freeman grows to meet the demands of a difficult family situation.” This book may appeal to readers whose family histories are clouded and whose circumstances are less than ideal (Kirkus Reviews, July 1, 1973).

John Henry McCoy, illus. by Emanuel Schongut. New York: Macmillan, 1971. 4–6 This story of a young boy’s desire to keep his family in their Kentucky home instead of moving with the father to Columbus, Ohio, is a refreshing change from the typical assimilation narratives [see Borland and Speicher’s Good-by to Stony Crick (1975)]. The Bulletin considers this to be a “sensitive story” that accurately recreates “locale and speech-patterns.” While the “pace” may be “sedate,” it suits the plot, and “the characters ring true.” Chaffin’s novel describes well the “plight of the Southern Appalachian worker” but avoids becoming a “treatise.” This is a subtle book, not an adventure story, marked by “depth and tenderness” (Apr. 1972).

We Be Warm Till Springtime Comes, illus. by Lloyd Bloom. New York: Macmillan, 1980. 1–3 Abject poverty is at the core of this book about an Appalachian family surviving the winter. Told from the perspective of young Jimmy Jack Blackburn, the narrative emphasizes his efforts to gather coal and firewood to keep the cabin warm, where his mother and sister, Baby Mary, huddle in bed for warmth. His trips to haul coal in a toy wagon are emblematic of his heroic efforts. “A somber story, somberly illustrated with billowy, windswept, luminous black-and-white paintings” (School Library Journal, Nov. 1980). The New York Times Book Review is not enthusiastic about the title: “Neither story nor pictures ignite more than a momentary glow” (Dec. 7, 1970).

Chaffin, Lillie D., and R. Conrad Stein A World of Books. Chicago: Childrens, 1970. 6–up A World of Books is a title in the Open Door Books series, which focuses on individuals who have succeeded despite such negative forces as poverty, social limitations, and prejudice. Lillie Chaffin’s autobiographical account of her poverty-stricken, Kentucky, upbringing is inspirational in its emphasis on imagination, belief in self, and hard work. “She attributes her achievements to self-confidence and the compulsion to write — certainly prerequisites in this highly competitive field” (School Library Journal, Mar. 15, 1972).

Chaplik, Dorothy Up with Hope: A Biography of Jesse Jackson. Minneapolis, MN: Dillon, 1986. 5–7 Chaplik provides a creditable biography of Jackson, though it is not without flaws. “Many of

the black-and-white photographs are identical” to illustrations in Westman’s Jesse Jackson: I Am Somebody (1980) and Halliburton’s The Picture Life of Jesse Jackson (1984), but this title is intended for older readers. Its format is “appealing,” and its style is “smooth” and “straightforward,” but it is “sexist” in that the Appendix lists only men among other significant AfricanAmerican biographies (School Library Journal, Feb. 1, 1987).

Chapman, Maristan [pseud. of John Stanton Higham Chapman and Mary Isley Chapman] Clue of the Faded Dress, illus. by James Daugherty. New York: Appleton-Century, 1938 4–6 A display advertisement in the January 22, 1939, New York Times describes this Tennessee-mountain mystery as a “lively exciting story” about a sleuthing “group of boys and girls.”

Eagle Cliff, illus. by James C. McKell. New York: Appleton-Century, 1934. 6–up The third in the Glen Hazard series, Eagle Cliff again sets the four boy-heroes (Dale Gillow, Sadler, Vester, and Martin) on an adventure that is not dependent on the other titles. “The description of the mountain people and the handling of the mountain speech are wholly admirable,” demonstrating the Chapmans’ “thorough knowledge” of and “respect for a fine people.” They deliver “a vivid and trustworthy picture of a characteristic part of the country.” This title compares favorably with Govan’s Those Plummer Children (New York Times, Jan. 6, 1935).

Flood in Glen Hazard, illus. by James C. McKell. New York: Appleton-Century, 1939. 6–up The Tennessee hill country of Glen Hazard is the setting of a disastrous flood in this continuation of the adventure-mystery series. “There is enough of tragedy and terror implied in the story to make it realistic, but it is saved from too much horror by the gallant spirit of the people who are struggling to survive.” The “exciting” plot “escapes being merely sensational. It may even awaken some interest in the problem of flood control; for the description of the flood water sounds all too familiar. It has a feeling of validity to which older boys and girls will respond” (Library Journal, June 15, 1939).

Girls of Glen Hazard, illus. by James Daugherty. New York: Appleton-Century, 1937. 5–7 The Chapmans deliver a mystery with girls at center stage in this latest Glen Hazard story. According to Library Journal, “The distinctive speech of the mountains is modified but still pungent, and the characterization is good.” The relationships among the girls —“fussing and spats”— are “lifelike,” and the plot has “flavor and vitality.” Library Journal ques-

Chapman • 51 tions the girls’ ethical stance and the permissive attitude toward their “injudicious and dangerous acts.” “Perhaps mountain children are more used to roaming than others” (Feb. 1, 1938).

Glen Hazard, illus. by Horace Raymond Bishop. New York: Knopf, 1933. 7–up Set in the Tennessee mountains, this mystery story continues the tale of Glen Hazard, a small, “undisturbed” town. The Chapmans invoke “the same rich and expressive mountain dialect” that characterized their other tales. This title, however, “is less important and less moving than the earlier novels” because it relies “chiefly upon intricacy of plot” for its “effect.” “Nevertheless, it is an adroit and amusing tale, capable of providing any reader with a more than usually pleasant hour or two” (New York Times, Mar. 5, 1933).

Glen Hazard Cowboys, illus. by James C. McKell. New York: Appleton-Century, 1940. 6–up The ninth volume in the Glen Hazard series takes the Tennessee boys, and the dog Rock Bottom, to Arizona. The plot is a “little slow” and “does not have quite the same immediate punch as some of its predecessors,” but its tone and humor are consistent with the series, and the “writing is as picturesque and effective as ever” (New York Times, May 26, 1940).

Marsh Island Mystery, illus. by James C. McKell. New York: Appleton-Century, 1936. 6–up This Glen Hazard mystery includes the typical adventure that readers have come to expect of the series. “The atmosphere of the Tennessee mountains is delightful, and the wise simplicity of the mountaineers will appeal to older boys and girls.” The Chapmans’ “distinctive style” and “humorous drawing of the characters” raises this title above the level of the “average adventure story” (Library Journal, Sept. 1, 1936). According to the New York Times Book Review, the Chapmans “have mingled humor and action with the authentic flavor of the mountain country.” The dialogue is marked by “picturesque and highly idiomatic speech not only as typical hillmen but as distinct personages in themselves” (Mar. 15, 1936).

Mill Creek Mystery, illus. by Edward Shenton. New York: Appleton-Century, 1940. 6–up Set on Christmas Eve, this book features the four Glen Hazard girls, one of whom — Jane — disappears when the community searches for her lost baby brother. A New York Times display advertisement, August 25, 1940, promises another “perilous adventure” from the girls of Glen Hazard. A later review says that these girls “are less well developed than the boys of the first stories,” but “they are nevertheless real individuals.” The review praises the Chapmans’ handling of dialect as “restrained and skillful”: They use “mountain speech” to give “flavor to the dialogue

without confusing the young reader.” The Chapmans “write with humor and knowledge of human nature” and provide “a genuine understanding and appreciation of the North Carolina mountaineers” ( Jan. 26, 1941). [This review mistakenly identifies the setting as North Carolina, rather than Tennessee.]

Mountain Mystery, illus. by Edward Shenton. New York: Appleton-Century, 1941. 4–6 Another East Tennessee, Glen-Hazard mystery is set in motion when Beth Gillow and Lyn Wayland receive a note of warning from Marcia Morgan. The note, encased in an apple, tells them to avoid Marcia’s Uncle Lum, because “Something terrable is going to happen.” Lum Morgan is trying to reclaim Broken Key farm, which was restored to Marcia’s parents by the Glen Hazard boys in the sixth Chapman mystery [see Mystery of the Broken Key below], and the girls, of course, save the farm a second time. Their adventures, such as being jailed and getting caught up in a circus, require the reader to suspend all disbelief, and the characters’ language (they say “efn” instead of “if ”) does not wear well. These books may be of interest to 20th-century researchers, but not to young readers. (RH)

Mystery of the Broken Key, illus. by James C. McKell. New York: Appleton-Century, 1938. 4–6 The sixth Chapman mystery about the Glen Hazard boys involves their friend Martin Morgan, who is a “poorland boy,” in the usual escapades, including a lion hunt in a winter blizzard. The New York Times comments that the Glen Hazard books “are becoming more expertly and compactly constructed as regards plot and action,” but this volume fails to develop the individual natures of the characters. This aside, the series continues to be marked by “that flavorsome portrayal of the upland people.” Other positive characteristics include “their pride and generosity and forthrightness,” as well as “their mouthfilling, idiomatic speech,” which creates for these titles a “distinctive place among contemporary stories for boys” (Mar. 20, 1938).

The Mystery Dogs of Glen Hazard, illus. by Kurt Wiese. New York: Grosset and Dunlap, 1941. 4–6 This volume in the Story Parade Adventure series is “A story of the Tennessee mountains for younger children” (New York Times, Apr. 13, 1941).

Mystery of the Missing Car, illus. by Alice Caddy. New York: Appleton-Century, 1939. 6–up Following the pattern of Girls of Glen Hazard, the Chapmans again give girls center stage in this mystery. Beth, Lyn, Jennifer, and Marcia enjoy adventures that are equal to the Glen Hazard boys’ escapades. “Older children who like the Glen Hazard stories will find this quite as enjoyable as the preceding ones, possibly a little easier to follow, but with so many of this series now on hand perhaps the librarian

52 • Chase will wish to make a selective list of only the best of these Tennessee mountain tales” (Library Journal, Oct. 1, 1939).

Rogue’s March. Philadelphia: Lippincott, 1949. 7–up Saturday Review of Literature begins its highly unfavorable review of this novel with the following: “Coonskin drama in the frontier mountains of Tennessee.” Set during the Revolutionary War, “Cornwallis struts, Whigs and Tories vie for untrammeled spoils, while the wild woodlands shelter oldstyle heroes. Villains come neatly packaged, as do lovely ladies.” The review continues with the observation that “the unpillared South” is on display in this Chapman novel, along with “half-breeds [who] fight side by side with contented slaves to push the dream to Yorktown.” The book is marred by a plot that doesn’t support “ideas” (Dec. 10, 1949). The New York Times agrees that the story is “confused and melodramatic,” but it is a “clean book which is unusual” for historical novels (Nov. 13, 1949). The New York Herald Tribune, on the other hand, says this is the first book to give King’s Mountain its due. The novel “does it justice” in a “professional” rendering of “backwoods tradition brought to life” (Oct. 23, 1949).

interesting section of the United States” (Sept. 10, 1933).

The Treasure Hunters, illus. by Mary Stevens. New York: Appleton-Century, 1945.

6–up In this title, the four “intrepid Tennessee mountain boys” continue in “the best adventure stories of contemporary American life”: “Vigorous and swift paced, they do not depend on action alone for interest, but combine an authentic portrayal of regional life with a humorously understanding delineation of boyish characters and enthusiasms” (New York Times, Mar. 28, 1937).

6–up During World War II, Beth Gillow’s parents close Gillow’s General Store in Glen Hazard, in East Tennessee, and go to Kentucky because Uncle Merle has been “called up” and Aunt Tempe needs help with the children, who have measles. Beth is sent to Aunt Lori’s big house in Grassy Cove, and she doesn’t want to go, but she manages to take with her three other Glen Hazard children and a dog: Marsha Morgan, Jane and Teddy Lister, and Teddy’s Skye terrier Pip-pip. Being an imaginative child, Beth wants to explore Marsh Island, the setting of Marsh Island Mystery (1936), a Glen Hazard boys mystery. Beth expects to find “all kinds of valuable stuff in that swamp that people had forgotten about” (15). What she and her companions find is a stolen Chinese baby and a cache of guns. The girls wind up in serious peril, which is diffused by the authorities. Underlying the story is the very real tension surrounding Japanese internment camps, but the heaviness of the wartime setting is offset by Beth’s temperament and the humor of her escapades. At the end, Aunt Lori’s house is burned by a mob, and she and the children travel back to Glen Hazard to stay in Travett’s Hotel, which has collapsed from age and being too near the train tracks. Beth writes her parents a hilarious, incendiary letter, which is, ironically, intended to lay their fears to rest. While the events seem “over the top,” the humor is rich, and children will identify with the main characters’ exploits. The book also demonstrates that the effects of World War II reached the most remote parts of the country. (RH)

Secret of Wild Cat Cave, illus. by James McKell. New York: Appleton-Century, 1944.

Wild Cat Ridge, illus. by James McKell. New York: Appleton, 1932.

6–up In this Glen Hazard mystery set during WWII, the four boys are young adults but not quite old enough to go to war. “This story isn’t as full-bodied as most of its predecessors, but, after all, any Glen Hazard story is better than none” (New York Times, Apr. 9, 1944).

5–up The New York Times praises the Chapmans’ latest mystery, its Tennessee mountain town, and its inhabitants: “It is a delight to find a picturesque district and a distinctive idiom treated with such complete understanding and freedom from self-consciousness.” The main characters “are genuine boys, likable, resourceful and plucky.... The story, like the boys, ... wastes no time in getting on its way.” Avoiding “elaborate descriptions,” the Chapmans create “swift and dramatic” action that gives “an understanding and appreciation of both the mountain country and the mountain people” (Sept. 11, 1932).

Rogues on Red Hill, illus. by James C. McKell. New York: Appleton-Century, 1937.

The Timber Trail, illus. by James McKell. New York: Appleton-Century, 1933. 6–up The four Glen Hazard boys get involved with “an unscrupulous representative of a lumber company.” The result is another adventure for these Tennessee mountain boys (Booklist, Nov. 1933). The New York Times considers this sequel to Wild Cat Ridge “better than its predecessor.” The plot is “wellwoven,” and the authors never resort to “melodrama” or “stock villains and heroes.” The characters have the “mixed qualities of human nature” and are “presented with the charm and humor native to the mountain country.” The “idiom is perfectly reproduced” in this “faithful description of life in a picturesque and

Chase, Richard, ad. American Folk Tales and Songs and Other Examples of English-American Tradition as Preserved in the Appalachian Mountains and Elsewhere in the United States, illus. by Joshua Tolford. New York: New American Library, 1956. New York: Dover, 1971.

Chase • 53 4–up In 1971, Dover Publications reprinted Richard Chase’ collection of American Folk Tales and Songs, originally published by Signet in 1956. This 1972 review cites Warren E. Roberts’ assessment that the original “cheap and pulpy” publication “was largely limited to the Southern Appalachians, that texts were rewritten, the notes were inadequate, and the volume of material was small.” Nevertheless, the volume was and still is useful, especially to classrooms and folklorists, and particularly for the accompanying LP recording (Journal of American Folklore, Oct.-Dec. 1972).

Billy Boy, illus. by Glen Rounds. San Carlos, CA: Golden Gate, 1966. K–up In his Introduction, Richard Chase says that this old, beloved folk song is rendered here “mostly as folks sing it in the southern Appalachian mountains. That is why our pictures show Billy as a mountain boy.” He goes on to say that, while there are “many versions” of the song, he has compiled these verses from many sources. The illustrations are typical of Rounds’s work. (RH)

Grandfather Tales: American-English Folk Tales, illus. by Berkeley Williams, Jr. Boston: Houghton Mifflin, 1948. Multiple reprints. 4–up Chase’s 24 tales and a mummers’ play, from North Carolina, Virginia, and Kentucky, are framed by a storytelling “bee” on Old Christmas, or Twelfth Night. Since its original publication, it has enjoyed multiple reprints and remains in print today. In 1948, Library Journal praises the book: “The magic of the festival prevails, though many of the tales are richly humorous. Colorful mountain speech comes to life” (Sept. 1, 1948). In 2003, Publishers Weekly says the tales originated in England but “have taken on a distinct American flavor” including “backcountry characters” (Aug. 18, 2003). In 2004, Horn Book calls this title and Chase’s Jack Tales “two stellar collections,” that are “robust” and tinted with “colorful Appalachian dialect” (Apr. 1, 2004). Includes an Appendix of source notes.

Hullabaloo and Other Singing Folk Games, illus. by Joshua Tolford. Boston: Houghton Mifflin, 1949. 2–6 This collection of English-American singing games and folk games is deemed “[e]ssential for school and public libraries.” Tolford’s illustrations are “[l]ively and helpful,” as is the inclusion of the music, lyrics, and good instructional material for teachers (Library Journal, May 1, 1949).

Jack and the Three Sillies, illus. by Joshua Tolford. Boston: Houghton Mifflin, 1950. 1–3 A review of this picture book in the New York Times Book Review compares it with similar “fools” tales, such as the English “The Three Sillies” ( Jacobs); the German “Clever Elsie” (Grimm); and

the Scandinavian “Gudbrand.” “The pictures are delightful, giving the feeling of the Great Smoky Mountains where this story originated” (Nov. 12, 1950). Library Journal considers it a “successful collaboration” Between Chase and Tolford: “The figures are as folksy as the dialogue, the action depicted as inane as it is described” (Aug. 1950). Booklist says that the text “gives the effect of an oral telling” (Sept. 15, 1950).

The Jack Tales: Folk Tales from the Southern Appalachians, Told by R. M. Ward and His Kindred in the Beech Mountain Section of Western North Carolina and by Other Descendants of Council Harmon (1803–1896) Elsewhere in the Southern Mountains; with Three Tales from Wise County, Virginia — Set Down from These Sources and Edited by Richard Chase, illus. by Berkeley Williams, Jr. Boston: Houghton Mifflin, 1943. Multiple reprints. 4–up “Humor, freshness, colorful American background, and the use of one character as a central figure in the cycle mark these 18 folk tales, told here in the dialect of the mountain country of North Carolina” (Booklist, Sept. 1943). Since its first publication, multiple reprints have kept this collection in print. In 2003, Publishers Weekly notes that Williams’ illustrations continue to “add to the handsome package” (Aug. 18, 2003). Horn Book comments on the “colorful Appalachian dialect” as well as the “scholarly notes” in the Appendix (Apr. 1, 2004).

Old Songs and Singing Games. Chapel Hill, NC: University of North Carolina Press, 1938. 4–up Chase’s Foreword, written from Beech Creek, North Carolina, in 1937, states, “These songs are not ‘mountain music,’ although many of the people who have given us tunes or verses do live in the Appalachians.” Includes 21 songs and notes for teachers, as well as information on modes and shape-notes. (RH)

Singing Games and Playparty Games, illus. by Joshua Tolford. New York: Dover, (1949) 1967. 4–6 First published in 1949 under the title Hullabaloo and Other Singing Folk Games [see above].

Wicked John and the Devil, illus. by Joshua Tolford. Boston: Houghton Mifflin, 1951. 3–6 This picture-book edition of one of the Grandfather Tales is similar in format to the 1950 Jack and the Three Sillies, which was taken from Chase’s Jack Tales. These “tales of the southern mountain folk” are “profusely illustrated by Joshua Tolford” and “have an unlimited appeal. They may seem rather expensive [$2.00] for small libraries with limited funds” (Library Journal, Nov. 15, 1951). For an Argentine version of this tale, see Brusca and Wilson’s The Blacksmith and the Devils (1992).

54 • Cheek

Cheek, Angie, and Lacy Hunter Nix , eds.

solid Andrew Jackson (1965)” (School Library Journal, Nov. 1976).

The Foxfire 40th Anniversary Book: Faith, Family, and the Land, illus. with photographs. New York: Anchor, 2006.

Chiltoskey, Mary Regina Ulmer

7–up To commemorate 40 years of the Foxfire movement, begun by Eliot Wigginton in 1966, the Foxfire Fund has assembled this “treasury” of material from previous Foxfire magazines. Booklist says the core of the volume is “the life lessons of men and women of few possessions but a wealth of know-how, faith, and humor” (Sept. 1, 2006). Library Journal is more enthusiastic in describing “the almost hypnotic quality of these voices, which transport the reader to a place of harsh beauty peopled by proud survivors” (Aug. 1, 2006). In spite of these positive views of the book, Publishers Weekly views the Preface negatively: “Prefatory comments from the editors are more admiring of the culture described ... and condemning of modern society than they are informative and objective. Best to overlook them and let the Appalachian elders speak for themselves” ( July 17, 2006).

Cheek, Pauline Binkley Appalachian Scrapbook: An ABC of Growing up in the Mountains, illus. by author. Boone, NC: Appalachian Consortium, 1988. 3–6 Pauline Cheek, of Mars Hill, North Carolina, illustrated and wrote this book with the help of her children and students. Told through the eyes of Emma Carter, who is nine years old, the book “reminds us that American culture is not lying silent in museum display cases, but wakes up every morning and continues on. This charming book ... is a sort of Whole Earth Catalog for school children interested in finding out how Americans still live in an area where tall tales were hatched and heroes were born” (Curriculum Review, Jan. 1989). Appalachian Scrapbook was the only children’s book ever published by the Appalachian Consortium Press. Still in use today, it is a serviceable model and format for students and teachers who wish to engage in personal, cultural, and historical research. (RH)

Aunt Mary, Tell Me a Story: A Collection of Cherokee Legends and Tales as Told by Mary Chiltoskey, illus. by John B. Galloway and Libby Lambert. Cherokee, NC: Cherokee Communication, 1991. 4–7

A collection of 30 Cherokee legends.

Cherokee Words with Pictures, illus. by Lib Lambert Langdale. Asheville, NC: Stephens, 1972. 4–up Using the unfinished work of Will West Long, who began a dictionary of Cherokee words and phrases in the late 1940s, Chiltoskey has created a simple, 55-page book, which she dedicates to “boys and girls of all ages who like Indians and especially for those who are interested in the Cherokee language.” The first half of the book translates simple words into Cherokee using Sequoyah’s syllabary; the second half translates phrases and proper names. In addition to the translations, Chiltoskey includes photographs of herself, her husband Goingback, and her brother-inlaw Watty Chiltoskie [sic], both of whom helped her with the book. Also useful is the brief background on Sequoyah, Long, and the Cherokee people. This small volume is, indeed, appropriate for readers of all ages who have an interest in the Cherokee and their language. (RH)

Chittum, Ida A Nutty Business, illus. by Stephen Gammell. New York: Putnam, 1973. 1–4 Farmer Flint makes a slim living on his persimmon and sassafras farm, but not enough money to put his wife and daughter in new dresses. To supplement his income, he decides to gather nuts, but he doesn’t count on having to fight squirrels for them. Slapstick comedy “and a good deal of corny punning” provide humor, along with Gammell’s illustrations “of long-nosed, toothy hillbillies and capering squirrels in sneakers” (Kirkus Reviews, July 1, 1973).

Chidsey, Donald B.

Christensen, Bonnie

Andrew Jackson, Hero. Nashville, TN: Nelson, 1976.

The Daring Nellie Bly: America’s Star Reporter, illus. by the author. New York: Knopf, 2003.

7–up This biography of Andrew Jackson, the seventh president of the United States and “the first non-aristocrat to hold that office” is for older readers. “Chidsey is at his best describing dramatic action or confrontation, and there was much of both in Old Hickory’s stormy life.” Chidsey’s prose is “vigorous,” even though his use of uncommon words makes it seem pedantic. “Such false erudition mars an otherwise animated, useful contribution — one which should supplement, but not supplant, Margaret Coit’s

2–6 With “lively” illustrations and “exciting” prose (School Library Journal, Mar. 2006) Christensen provides a “rousing profile” (Kirkus, Sept. 15, 2003) of Nellie Bly, pseudonym of Elizabeth Cochrane Seaman, Pennsylvania native and renowned journalist.

Christopher, Matt On the Ice with Mario Lemieux. Boston: Little, Brown, 2002.

Clark • 55 3–6 A biography of the professional ice hockey center who played for the Pittsburgh Penguins.

Clark, Billy Curtis The Champion of Sourwood Mountain, illus. by Harold Eldridge. New York: Putnam, 1966. 7–up Clark delivers “another very pleasant ramble along the same path in the backwoods of eastern Kentucky” that he traveled in previous books. This boy-wants-dog story provides a hefty dose of humor, wit, and wisdom in the characters of Eb Ringtom, 13-year-old Aram Tate, and Ringtom’s “old and sly” hound dog Thusla (School Library Journal, June 1, 1966).

Goodbye Kate, illus. by Harold Eldridge. New York: Putnam, 1964. 6–up Clark’s style is described as “delightfully folksy,” which is appropriate to this “charming” episodic story of a Kentucky boy and a mule. The vignettes are “well told”; the plot “moves swiftly after a slow start and the character development is excellent. In addition, the customs and language of the people in the story are faithfully reproduced.” Clark’s story compares with the work of Jesse Stuart and Ralph Moody (School Library Journal, Jan. 15, 1965).

The Mooneyed Hound, illus. by Nedda Walker. New York: Putnam, 1958. 3–6 In this sequel to Trail of the Hunter’s Horn, Mooneye wins the Kentucky Championship Coon Dog Field Trial. “Libraries where the first book was popular will want this one which has more action” (School Library Journal, Nov. 15, 1958).

Riverboy, illus. by Seymour Fleishman. New York: Putnam, 1958. 4–6 Set in the Kentucky hills, this is the story of Bard and his relationship with riverman Dan Tuckett. “Conflict between old and new is vividly portrayed in the boy’s doubts and loyalties. Well-written and thoughtful story, but moves slowly, and its theme will probably be meaningful to only a few children. Good regional material” (School Library Journal, Mar. 15, 1959).

Song of the River, illus. by Ezra Jack Keats. New York: Crowell, 1957. 4–6 Clark’s first novel is set on the Big Sandy River in eastern Kentucky and centers on the Scrapiron, the big catfish, and Old John’s attempts to hook him. “Song of the River is a simple and moving story and should be in large fiction collections” (School Library Journal, July 1957).

Sourwood Tales, illus. by Harold Eldridge. New York: Putnam, 1968. 7–up Clark’s 18 stories about the Sourwood community in the mid–1900s, is set in the Big Sandy Valley. “Clark is one of the ablest local color writers of

our time.... [He] knows the sounds and smells of his home country, and the mongrel dogs, small boys, and rustic music of the region.” Characterized by “subtle Kentucky humor and an abundant insight into basic human motivations,” the stories may be “autobiographical,” a “circumstance” that “lends a special authenticity to the collection” (School Library Journal, Apr. 1, 1968).

The Trail of the Hunter’s Horn, illus. by Veronica Reed. New York: Putnam, 1957. 3–6 When Jeb finally gets the two things he really wants, a hunter’s horn and a hound dog, “the Kentucky mountaineer’s symbols of manhood,” he is disappointed to find the dog has a “moon eye.” The dog’s “patient devotion” wins Jeb’s heart. Clark’s story is missing “the universal appeal” of May Justus’ Appalachian stories, but Reed’s “illustrations make this a beautiful book” (School Library Journal, Sept. 15, 1957).

Useless Dog. New York: Putnam, 1961. 5–7 “Fine regional story” is the School Library Journal assessment of Clark’s tale about Caleb, a 13year-old, and his hound dog. “Simple, direct action, such as hill farmers swapping and hunting despite the danger of rattlers,” frames the “relationship of boy and family and neighbors. Kentucky speech is suggested but difficult dialect avoided” (Sept. 15, 1961).

Clark, Electa Cherokee Chief: The Life of John Ross, illus. by John Wagner. New York: Crowell-Collier, 1970. 5–up Though this well-known story “leads inevitably to the Trail of Tears,” this book offers “a change from the usual Indians-cavalry motif.” Clark’s story focuses Ross’s “diplomatic efforts” and “gives a capable introduction to the Cherokees and their way of life. The tribal council scenes are especially well done.” Avoiding “Indian stereotypes,” Clark’s “writing is brisk and concise, making this a highly readable book.” Wagner’s “muted pencil drawings capture the essence of a temporarily defeated but nevertheless resolute people” (School Library Journal, Dec. 15, 1970).

Clark, Joe Back Home. Kingsport, TN: Tennessee Squire Association, 1965. 4–up These black-and-white photographs (approximately 40) make a nice companion to other pictorial studies of Appalachia by photographers such as Earl Palmer and Kenneth Murray, as well as Wendy Ewald’s collection of student photographs and essays Portraits and Dreams. The Foreword, written by Tom Flaherty, Associate Editor of Life Magazine, offers a tribute to Joe Clark, known as the “Hillbilly Snap Shooter” and explains — accurately — that the book is

56 • Clark not a history; rather, it “sings a paean” to Tennessee. The photographs capture early rural scenes of all phases of everyday life from early– to mid–20th century, the most noteworthy of which are the individual portraits. The photographs are accompanied by poetry, which is undistinguished but often amusing and sometimes poignant in its simplicity. Though not intended for children, the book is an excellent research tool for young readers. (RH)

Tennessee Hill Folk. Nashville: Vanderbilt University Press, 1972. 4–up Clark’s career was “launched” in the 1920s when he photographed mountain people from his native Tennessee. Eighty pictures make up this collection, which includes an Introduction by Jesse Stuart. “Every page shows something pertinent to a study of regional folkways, from dances, cabins, farms, and fences to craftsmen, work bees, loafers’ benches, and folk religious practices” (Journal of American Folklore, Apr./June, 1973). American Notes and Queries describes the work as “having “historical interest and literary appeal.” The Introduction, written by the “always felicitous” Jesse Stuart, reflects “the poetic mood” of the “handsome” photographs (Nov. 1972).

Clark, Michael J. Lazar and Boone Stop Strip Mining Bully to Save Apple Valley and Buttermilk Creek: A Story for Children and Mature Adults, illus. by Margaret Gregg. Huntington, WV: Appalachian Movement, 1973. 2–6 Boone is a “long-eared” mule; Lazar is a toad who can read. These two characters act in concert with Farmer Caudill to thwart the strip mine bully, a bulldozer who terrorizes the valley. Lazar tries to reason with it and, failing in the attempt, acts with Farmer Caudill to blow up the bully with dynamite. This is a moral tale with thinly disguised connections to real life. A “backward” written by the “other” Mike Clark and printed at the end of the story explains, “The story of Lazar and Boone and Farmer Caudill proves, once again, that mountain people and their friends will solve their own problems if they can find the necessary tools.” Simple line drawings illustrate the text. (RH)

Claro, Nicole The Cherokee Indians. New York: Chelsea, (1992) 1999. 3–5 Claro’s book for middle grades, a title in the Junior Library of American Indians series, “describes the changing ways of life of the Cherokee people,” with emphasis on the consequences of their contact with white settlers. Booklist labels the prose “undistinguished” and notes that many of the illustrations appeared in Theda Perdue’s The Cherokee (1989) (Oct. 15, 1991). Kirkus agrees that the style is “undis-

tinguished ... and overabbreviated,” but the book is “well organized and useful” (Sept. 1, 1991).

Cleaver, Vera, and Bill Cleaver A Little Destiny, illus. by Wendell Minor. New York: Lothrop, Lee and Shepard, 1979. 6–up Fearing that Mr. Clegg was instrumental in the death of her father, Lucy Commander confronts him but finds “that revenge is too bitter an emotion.” The Cleavers’ “plot verges on turgidity ... and the book is marred by other passages that are ornate and by phrases that are redolent of an earlier time” though the north Georgia setting appears to be modern (Bulletin, Nov. 1979). According to the Horn Book, “evil and peril” and “moral questioning of unusual depth” are the hallmarks of the book, which also exhibits “occasional flashes of humor” and “immense courage and fortitude” (Dec. 1979).

The Mimosa Tree. Philadelphia: Lippincott, 1970. 6–up Like Mary Call Luther, Marvella, age 14 and the eldest of five, must take on the responsibilities of an adult. The family moves from their “moribund” farm in North Carolina to Chicago, where their plight worsens. With a blind father and a stepmother who abandons the family, Marvella herself drives the family back to their farm, where they are “inexplicably” welcomed by previously unkind neighbors. The Bulletin considers the ending “unconvincing,” though the “squalor and deprivation are real.” The book has similarities with Where the Lilies Bloom (1969) but lacks its “vitality” (Mar. 1971). This novel provides a good contrast to stories of successful, happy assimilation, such as Charles Raymond’s Up from Appalachia.

Trial Valley. Philadelphia: Lippincott, 1977. 6–up In the sequel to Where the Lilies Bloom, Mary Call has matured to age 16 and becomes the love interest of Thad Yancey and Gaither Graybeal. Still proud and independent, she continues to shoulder the responsibilities of an adult, especially when she finds an abandoned child, Jack, in the forest. The Bulletin calls the prose “fluent” and the “dialogue excellent,” except for the Cleavers’ “heavy” use of “local idiom,” which makes Mary Call sometimes sound “like a young, poetic philosopher” and sometimes “like an educated hillbilly.” Nevertheless, the setting and characters are “vividly evoked” ( June 1977). The Cleavers “have fashioned” a novel that is “bracing and resolutely unsentimental” (School Library Journal, Mar. 1977).

Where the Lilies Bloom. Philadelphia: Lippincott, 1969. 6–up When Mary Call Luther’s father dies, she promises him that she will keep the family together. At age 14, she is the caretaker of an older “cloudyheaded” sister, and two younger siblings, all of whom resent her harshness and determination. Set in

Coatsworth • 57 the North Carolina mountains, the book is a veritable compendium of “wildcrafting,” the gathering and selling of medicinal herbs, which is their only means of support. Mary Call is “an unforgettable character, tough and courageous, tenacious as a bittersweet vine.” When cold weather comes, she moves the farm animals into the house; later she moves the family to a cave, adding the final gruesome touch to a “fascinating” setting and the Cleavers’ “distinctive” style (Bulletin, Dec. 1969).

Climo, Shirley A Month of Seven Days. New York: Crowell, 1987. 5–7 Set in the north Georgia mountains in 1864, this Civil War novel earns mixed reviews. Zoe and her mother survive the absence of the father, who is fighting in the Confederate Army, and the Yankee occupation of their home and farm. The Bulletin says the writing is adequate and the characters “are well defined,” though “nuance” is not Climo’s strength. The “structure seems too dense” and relies too heavily on the Yankee Captain Hatcher’s susceptibility to Zoe’s scare tactics (Oct. 1987). Kirkus Reviews praises the characterization: “Zoe is believable,” and her “mother is memorable.” The other characters “seem rudimentary,” making for a story that is “slight but effective” (Nov. 15, 1987).

not need to share Esta Lea’s religious beliefs in order to appreciate her conflicts and to become engrossed in her concerns” (Publishers Weekly, Aug. 6, 2001). Booklist describes the language as “rich with down-home southern humor,” though the story itself “places unusual, gripping moments into a predictable plot that loses momentum.... Teens will appreciate the comic approach to such an earnest subject” (Booklist, Oct. 1, 2001). The Horn Book Guide agrees that “the novel’s tone is uneven,” though the religious topic is “respectfully portrayed” (Spring 2002). “Clinton has a good ear for language, but this offering needs some work” (Kirkus Reviews, July 1, 2001). School Library Journal says Climo’s first book is a “humorous, sincere account of faith healing” that “begs for a sequel” (Aug. 1, 2001). A superb companion to Clinton’s book would be Rylant’s A Fine White Dust (1986) [see below].

Coatsworth, Elizabeth Down Tumbledown Mountain, illus. by Aldren Watson. White Plains, NY: Row, Peterson, 1958.

Clinton, Cathryn

2–5 Randall’s mother sends him down Tumbledown Mountain to get corn ground at the mill. He tells his mother, “I’ll remember every pretty thing I see and tell you about it when I get home” (12). As he rides Speckles the mule, he sings “The Swapping Song,” whose verses mirror his experience in the reverse. He accumulates ten “things to remember.” Some are small, such as seeing birds and butterflies; some are important, such as helping Aunt Mandy catch her pig, seeing his first truck, and learning that a road is being built in the mountains. There is little plot, but the juxtaposition of the song with Randall’s journey adds subtle depth that is often absent from this type of book. Coatsworth’s prose is clear and easy to read; she conveys dialect not through altered spelling but through vocabulary and colloquial language. Set in the Cumberland Mountains, the story is never condescending or patronizing, unlike many children’s books of the period. Watson’s black-andwhite ink sketches do not always accurately interpret the text, but they add visual interest. The music and lyrics to Jean Ritchie’s version of “The Swapping Song” [see below] are appended. (RH)

The Calling. Cambridge, MA: Candlewick, 2001.

The Golden Horseshoe, illus. by Robert Lawson. New York: Macmillan, 1935.

5–up Clinton’s first novel, set in South Carolina in the early 1960s, will prepare children for later reading of adult novels such as Sinclair Lewis’ classic Elmer Gantry (1927) and Lee Smith’s Saving Grace (1995). Children’s fiction rarely tackles religious issues that The Calling explores, head-on. Twelve-year-old Esta Lee discovers that she has healing powers, a beginning that seems “like farce,” though the novel ultimately deals with serious “questions of religious faith and practice,” including charlatan ministers and human frailty in a “taut story line. The audience does

5–8 Coatsworth’s historical novel begins on the James River, where Tamar, half Indian and half white, lives with her father Colonel Stafford and her half-brother Roger. Tamar’s most cherished possession is the crown that her mother, an Indian princess, wore at Williamsburg. When she learns from her Indian Uncle Opechancanough that the French plan to take the land west of the Virginia mountains, she warns Governor Spotswood, who forms a party to explore the western lands. Unfortunately, she is not allowed to go along because she is a girl. Disappointed

Cline-Ransome, Lesa Satchel Paige, illus. by James E. Ransome. New York: Simon and Schuster, 2000. 1–5 With “conversational prose” and “spectacle-filled pictures,” Lesa Cline-Ransome and husband James Ransome team to present a picture-book biography of Alabama native and baseball great Satchel Paige (Horn Book, Mar. 2000). Cline-Ransome “plays up [Paige’s] mythic elements in her rollicking narrative” (Booklist, Dec. 15, 1999). Ransome’s “rich oil illustrations establish a sense of time and place” (School Library Journal, Mar. 2000), and “capture the on-field prowess as well as the personality of the quick-witted, feisty Paige” (Publishers Weekly, Jan. 10, 2000).

58 • Cober and angry, she bets her mother’s crown against Roger’s horse that she will eventually join the group. Roger has boasted that “it will be like the knights of old riding out on a quest” (82). Disguised as the Indian boy Raccoon and aided by her Indian relatives, she crosses the mountains with the party, wins the wager, and saves the day. In addition to the naming of Mount Spotswood, the Governor also names Mount Raccoon in her honor. According to the New York Times Book Review, “Tamar’s story is a wholly charming one, in which a character is truly created, and a deeply felt sense of the past is conveyed in fresh and vivid prose” (Oct. 27, 1935). While the setting is not strictly within the Appalachian region, this historical event became the foundation for the Knights (and Ladies) of the Golden Horseshoe award for excellence in West Virginia history, an educational tradition that still thrives today [see Frances Gunter’s The Golden Horseshoe and The Golden Horseshoe II below]. (RH)

Old Whirlwind. New York: Macmillan, 1953. 3–5 Coatsworth uses a factual story from Davy Crockett’s life for this “fictionalized account of his trip to Baltimore, when at the age of twelve he was hired out to a drover by his father.” An “exciting ... and ... interesting introduction” to Crockett and a “[w]ellwritten story, with good illustrations, print, and binding” (School Library Journal, Oct. 15, 1953).

Cober, Mary E. The Remarkable History of Tony Beaver, West Virginian. New York: McKay, 1953. 4–up This life of Tony Beaver, the well-known West Virginia tall-tale, folk hero, is recounted here “with a contagious humor,” that will “have regional appeal ... but will be just as valuable for its subject and simple text” (School Library Journal, Dec. 1, 1953).

Coblentz, Catherine Cate Sequoya, illus. by Ralph Ray, Jr. New York: Longmans, Green, 1946. 7–up Library Journal says that this 1946 life of the inventor of the Cherokee alphabet is “told for the first time” for young readers. Coblentz “has used the most consistent of the folklore about” Sequoyah, including “sequential and definite information gathered from authorities on the Cherokees” (Dec. 15, 1946). A 1958 reprint is described as “[i]mportant because it gives the Indian point of view of the westward movement” and the “tragic yet glorious history of the Cherokees” (Library Journal, Feb. 15, 1958).

Cohen, Carol Lee Sally Ann Thunder Ann Whirlwind Crockett, illus. by Ariane Dewey. New York: Greenwillow, 1985. 2–3 A tall tale in which Davy Crockett’s wife bests Mike Fink in a “match ... arranged by Davy and

easily won by Sally Ann.” Though characterized by the expected exaggeration, the book “lacks contrast”; the “illustrations have a rough vitality” (Bulletin, June 1985).

Cohen, Joel H. Manny Sanguillen: Jolly Pirate. New York: Putnam, 1975. 5–up Cohen presents a biography of Panamanian-born Pittsburgh Pirate Manny Sanguillen. From the Putnam Sports Shelf series, this title describes the day-to-day routine of the baseball player.

Cohlene, Terri Dancing Drum: A Cherokee Legend, illus. by Charles Reasoner. Vero Beach, FL: Rourke, 1990. 4–6 The first part of this title in the Native American Legends series relates the Cherokee version of the Demeter and Persephone myth. In this story, Grandmother Sun becomes angry and dries up the earth. Dancing Drum assumes the shape of a snake and bites Daughter of the Sun, who dies. Dancing Drum travels to the Darkening-land and the Land of the Spirits to capture the spirit of Daughter of the Sun and return her to Grandmother Sun. When her spirit is tightly sealed in a basket, Dancing Drum is warned not to look inside, but he disobeys, and as he lifts the lid, she flies away in the form of a redbird. At this, Grandmother Sun begins to weep and floods the land. Dancing Drum plays his special drum to appease her, and she is so pleased that once again she smiles on her “Children of the Mountain” (30). Reasoner’s flat, collage-like illustrations are well designed and appropriate to the text. Unfortunately, the second part of the book weakens the story and conflicts with Reasoner’s art. It presents over-simplified information on the Cherokee, including the statement that the Cherokee removal in 1838 was the direct result of the discovery of gold on Cherokee land. The map, photographs (both historical and contemporary), glossary, and important dates are too insubstantial to be of use, but the story itself is excellent. (RH)

Coit, Margaret Andrew Jackson, illus. by Milton Johnson. Boston: Houghton Mifflin, 1965. 6–up The author of this title is a winner of the Pulitzer Prize. Here she delivers the biography of Jackson with “verve and color, with compassion and feeling.” Biographies by Genevieve Foster (1951) and Jeanette Nolan (1949) [see below] “lack the sparkle and intensity” of Coit’s book, though they are written for younger readers. “Miss Coit’s enthusiasm for her subject and her considerable talent as a writer are combined here in a decidedly superior biography” (School Library Journal, June 15, 1965).

Collier • 59

Cole, Norma The Final Tide. New York: McElderry, 1990. 6–up Set in 1948 on the Cumberland River, in Appalachian Kentucky, this novel explores a common regional theme: the displacement of families by TVA dams. Fourteen-year-old Geneva Haw, her family, and her community are faced with the obliteration of their “personal landmarks.” “Resourcefully mixing humor and melancholia, Cole skillfully backlights some subcultural cross-currents of thought that are still operational today. She reconstructs the speech patterns of rural Kentucky” making them “much easier to read than the dialect found in Janice Holt Giles’ novels.” Described as “a good story by a talented outsider,” the novel “distill[s] what is rare and special about a time and a region so that readers can find some new level of understanding about people and the choices they make” (School Library Journal, Nov. 1990). Horn Book calls the book “predictable” (Feb. 1991), but Kirkus Reviews describes it as “full of mountain grit and stubbornness and humor” (Nov. 1, 1990).

Collard, Sneed B. David Crockett: Fearless Frontiersman. New York: Marshall Cavendish Benchmark, 2006. 2–6 With “unique anecdotes and clear thoughtful descriptions [Collard] skillfully manages to provide young readers with a true sense of [David Crockett’s] ... humanity [and] accomplishments” (Library Media Connection, Aug/Sept. 2007). Included in the American Heroes series, this well-designed title provides information on Crockett’s political views and adventures. Large print format with a glossary, bibliography, and index (Children’s Bookwatch, Feb. 2007).

Rosa Parks: The Courage to Make a Difference. New York: Marshall Cavendish Benchmark, 2007. 3–5 Included in the American Heroes series, Rosa Parks: The Courage to Make a Difference is a “basic, accurate overview” of Parks life and her contribution to the American civil rights movement (School Library Journal, Mar., 2007). Illustrated with reproductions, the title includes a chronology, lists for further reading, a glossary, an index, and suggested websites.

Collier, James Lincoln The Tecumseh You Never Knew, illus. by Greg Copeland. New York: Childrens, 2004. 4–8 Included in the “inviting” You Never Knew series, Collier’s biography provides information about Tecumseh’s life, achievements, success, and failures. “Easy-to-read type on spacious white pages may tempt children into reading biographies” (School Library Journal, Apr. 2005).

Collier, James Lincoln, and Christopher Collier The Bloody Country. New York: Four Winds, (1976) 1985. 6–up Ben Buck and his family move from Connecticut to the Wyoming Valley of Pennsylvania prior to the Revolutionary War. As other families join them, they fall victim to the Pennamites, Pennsylvanians who tried to rid the territory of Connecticut settlers. Ben’s mother, brother-in-law, and childhood friend are killed; later his sister Annie goes back to Connecticut. The New York Times Book Review deems this an “interesting” and “convincing” historical novel, “well based historically and smoothly written” by two Newbery-Honor-Award-winning brothers (May 2, 1976). Language Arts praises the book as an “authoritative, honest look at brutal fighting and killing” over a property dispute; it is in many ways a “disturbing book,” but it gives a “real feeling for the times” ( Jan. 1977). Horn Book agrees that this is a “gripping and dramatic presentation of the personal problems, attitudes, emotions, and controversies” of Revolutionary War times ( June 1976). The Bulletin argues that the book is “especially valuable for its exploration of issues and philosophy,” which makes it a “fine example of historical fiction” (Dec. 1976). According to Booklist, the “smooth storytelling in modern speech patterns is sharp and speedy.” It is good that the Colliers have avoided the “bleakness” of My Brother Sam Is Dead, which would have made this novel “sensationalized” ( June 1, 1976).

With Every Drop of Blood: A Novel of the Civil War. New York: Delacorte, 1994. 6–9 Like characters in many titles for this age group, 14-year-old Johnny makes a deathbed promise to his father that he will keep the farm and take care of his mother and sisters. Johnny’s family, which has strong Confederate sympathies and highly-prejudicial attitudes toward African Americans, lives in the White Top mountains in the Virginia Blue Ridge, and the opening is set near Harrisonburg. School Library Journal compares this title with Patricia Beatty’s Turn Homeward, Hannalee (1994) [see above]: “Richly drawn,” main characters Johnny and Cush, who is black, “exhibit many of the foibles found in people everywhere, and their developing friendship is believable” (Aug. 1994). Book Report recommends the title highly as “quality historical fiction” (Mar./Apr. 1995). In spite of the “sense of the Southern kid who’s not at all sure what he’s fighting for,” both characters come to “know that racism is still a bitter reality” (Booklist, July 1994). Horn Book calls it a “gripping story” (Mar. 1995). One of the most useful features is the Foreword entitled About the Use of the Word Nigger in This Book, which explains the evolution of the epithet.

60 • Collier

Collier, Kristi Jericho Walls. New York: Holt, 2002. 5–6 Collier’s first novel is set in 1957 Jerico, South Carolina, where Jo Clawson, age 11, and her family have moved from Illinois. Jo’s father is a Baptist minister whose opinions are decidedly narrower than those held by Jo and her part–Cherokee mother. Jo’s friendship with African-American Lucas is the source of much of the tension and conflict, played out against the national backdrop of the civil-rights movement. Jo sometimes appears “more sophisticated than her years might allow,” and her action sometimes “strains believability.” The recurring mockingbird “motif ” is “overdone”: Collier “strikes the right notes, but she hits them a little too hard” (Publishers Weekly, Apr. 15, 2002). School Library Journal says that “the unimaginative and predictable plot detracts from the book’s overall effectiveness” (Apr. 1, 2002). Kirkus Reviews is more positive: “The story’s climax is realistic,” showing that “actions based on moral choices may have unpredictable outcomes” (Apr. 15, 2002). Booklist disagrees, calling the book a “didactic” tale with characters that “simply serve as mouthpieces” (Apr. 1. 2002).

Collier, Peter When Shall They Rest? The Cherokees’ Long Struggle with America. New York: Holt, Rinehart and Winston, 1973. 5–up The Cherokees’ decision to assimilate with white culture did not save them from removal to the West and the Trail of Tears. Collier’s narrative is “sympathetic but factual”; it “criticizes the present tribal organization,” which, in his view, is “more interested in constructing tourist attractions than in providing much needed assistance” for the Cherokee (Booklist, Feb. 15, 1974).

Collins, James L. John Brown and the Fight Against Slavery. Brookfield, CT: Millbrook, 1991. 4–8 This biography of abolitionist John Brown, a title in the Gateway Civil Rights series, includes a bibliography and index.

Collins, Kaye Carver, and Angie Cheek, eds. Foxfire 12: War Stories, Cherokee Traditions, Summer Camps, Square Dancing, Crafts, and More Affairs of Plain Living. New York: Anchor, 2004. 7–up After a five-year lapse in publication, this Foxfire volume “has the familiar charm” of previous volumes but suffers from “repetitiveness.” Nevertheless, fans of the series will “relish” the material. “There is an informative chapter about Cherokee stories and some very interesting accounts by people who at-

tended three different summer camps in the area” (Publishers Weekly, Aug. 30, 2004).

Collins, Kaye Carver, and Lacy Hunter, eds. Foxfire 11: Wild Plant Uses, Gardening Wit and Wisdom, Beekeeping, Tool Making, Fishing and More Affairs of Plain Living. New York: Anchor, 1999. 7–up Volume number 11 in the popular Foxfire series.

Colman, Penny Mother Jones and the March of the Mill Children. Brookfield, CT: Millbrook, 1994. 3–6 Coleman relates the story of the 1903 child-labor protest march, led by Mary Harris Jones, which wound up on the doorstep of President Theodore Roosevelt’s home at Oyster Bay. Unfortunately, the historical importance of the march takes back seat to Jones’s biography and the cause of child labor. “Photographs of working children and of the march, along with clippings and editorial cartoons that appeared at the time, will attract readers” (Booklist, May 1, 1994). “A solid biography” and “a good introduction to the labor movement” (Horn Book, Sept. 1994). Includes important dates, a bibliography, and an index.

Compton, Joanne Ashpet: An Appalachian Tale, illus. by Kenn Compton. New York: Holiday, 1994. K–2 This picture-book adaptation of Richard Chase’s Appalachian Cinderella, from the Grandfather Tales, offers “frisky dialogue” and “zesty” characters, though it loses the “romantic underpinnings of the tale.” The illustrations “set amiably doltish cartooned figures against a gentle landscape” (Bulletin, June 1994). Publishers Weekly calls this a “capably handled hillbilly version of Cinderella”: “Joann Compton dots the tale with ‘backwoods’ lingo,” and Kenn Compton “opts for the artistic” touch in his illustrations (Feb. 14, 1994).

Sody Sallyratus, illus. by Kenn Compton. New York: Holiday, 1995. K–2 Following on their success with Jack the Giant Chaser (1993) and Ashpet (1994), the Comptons adapt another of Richard Chase’s Appalachian folktales from the Grandfather Tales. The illustrations have “exaggerated action and characterization,” which “add immensely to the humor of the story” (Booklist, Feb. 1, 1995). “Traditionalists may holler” about the changes to the original tale, but “stories that are still alive are always changing” (School Library Journal, Apr. 1, 1995). This tale about a journey to buy baking soda (which was once called “sody sallyratus”), is peopled with a “hillbilly cast” and “the occasional

Cooper • 61 colloquialism” (Publishers Weekly, Jan. 30, 1995). This Appalachian variant of the “Three Billy Goats Gruff ” motif is a nice addition to the growing number of picture-book adaptations of Appalachian folktales.

Compton, Kenn, and Joanne Compton Jack the Giant Chaser: An Appalachian Tale, illus. by authors. New York: Holiday, 1993. K–2 This picture book is a somewhat tame adaptation of “Jack and the Giants’ Newground” from Richard Chase’s collection of Jack tales. The “slapstick watercolors ... will appeal mightily to the cartoon crowd” (Bulletin, June 1993). The Comptons offer a “direct, folksy view of down-home mountain kin” along with a “ubiquitous pooch” that adds humor (Publishers Weekly, May 10, 1993). Kirkus Reviews suggests that older readers will be able to compare this adaptation with Chase’s original (Apr. 15, 1993), and with the European version. School Library Journal notes that the Comptons include “regional details,” such as “cornbread, greens, and ham” (Apr. 1, 1993). “The informal speech patterns and the jaunty black line and color wash drawings reflect a Southern Appalachian setting” (Booklist, Mar. 1, 1993). Others may find the illustrations stereotypical and not at all flattering of the region.

Conley, Philip Mallory West Virginia Reader: Stories of Early Days. Charleston, WV: Education Foundation, 1970. 5–up According to Barbara Mertins’ Kentucky, Tennessee, West Virginia: Reading for Young People, Conley “has helped West Virginia history come to life for young readers” in this collection of stories about West Virginia. Individuals discussed include Cornstalk, the Shawnee Chief Tecumseh, “Mad” Anne Bailey, Lewis Wetzel, James Rumsey, John Brown, Stonewall Jackson, Belle Boyd, and Booker T. Washington, along with factual information on a wide variety of topics. Photographs, drawings, and an index make the book useful for the classroom (American Library Association, 1985).

Conley, Robert J. The Witch of Goingsnake: And Other Stories. Norman: University of Oklahoma Press, 1988. 7–up According to Publishers Weekly, Conley is “a Cherokee Indian and a leader in the indigenous literature movement,” credentials that lend authenticity to these traditional and contemporary tales. “Powerful, often dealing with cruel events, ... these stories reflect the range of Cherokee culture and the differences among the full and mixed-blood inheritors” (Sept. 9, 1988). Booklist judges Conley’s prose to be “repetitious” and absent of “imaginative power.” Its

strength lies in the details of “Cherokee heritage” (Sept. 1, 1988).

Conn, Frances G. Ida Tarbell, Muckraker. Nashville: Nelson, 1972. 6–up A biography of the woman who pioneered a new style of journalism by exposing the malpractices of the oil industry at the turn of the century in her 1904 book The History of the Standard Oil Company.

Connell, Kaye These Lands Are Ours: Tecumseh’s Fight for the Old Northwest, illus. by Jan Naimo Jones. Austin, TX: Raintree Steck-Vaughn, 1993. 3–6 Included in the Nonfiction Bookbag series, this title presents the life of Tecumseh and his effort to unite Native Americans in their quest to prevent the loss of their land. “Recommended, with minor flaws” (Horn Book, Sept. 1993).

Cooke, David C. Tecumseh, Destiny’s Warrior. New York: Messner, 1959. 6–up Included in the Messner Biography series, Cooke’s biography presents the life of the Shawnee Chief Tecumseh and his attempt to prevent the American Government from taking land inhabited by Native Americans.

Cooper, Ann Goode Lawyer Will: The Story of an Appalachian Lawyer, illus. by Diana Jessee. Boone, NC: Parkway, 2004. 3–5 Cooper’s 72-page biography of her uncle, William Harrison Bowlin, is two books in one: She relates the non-fictional account of his life on the lefthand pages and a fictional account on the right. This format makes for an awkward publication that will be confusing to young readers, and Jessee’s stiff sketches contribute little to the book. Other illustrations, consisting of archival documents and photographs, are more appropriate to the text. In spite of its flaws, Goode’s biography is important because it renders the life of an extraordinary, ordinary man, born in Virginia and educated totally in Appalachia, who practiced law in Kingsport, Tennessee, and was appointed to the Tennessee Supreme Court. Children’s books of this nature are rare and should be promoted in local school systems [see also Ebel’s Addie Clawson: Appalachian Mail Carrier, Parkway, 2003]. (RH)

Cooper, Jason Great Smoky Mountains. Vero Beach, FL: Rourke, 1995. 2–6

A title in the Natural Wonders series.

62 • Cooper

Cooper, Richard

3–5 Biography of the U.S. Supreme Court justice, who grew up in Ashland, Alabama, and practiced law in Birmingham.

poignancy of this bleak chapter in history should rivet even the most callous readers,” but the book has its flaws. “Truncated conversations in clipped sentences” mar the book, “and the self-conscious dialogue adds little to the story’s overall impact.” The ending is “uncharacteristically rosy,” but children will probably respond positively to the book, which includes a historical note at the end (Bulletin, Dec. 1998). According to Booklist, the “historical facts are authentic ... but the writing is flat, with idealized characters, a contrived subplot, and purposive bits of culture and history patched on to the story.” Nevertheless, readers will be held by the “personal drama of the terror” rendered here through a child’s eyes (Aug. 1998). The Horn Book Guide considers Cornelissen’s fictionalized account “accessible and poignant” (Fall 1999).

Julia Tutwiler: Teacher, Leader. Mankato, MN: Creative, 1987.

Cornelius, Kay

Billy Graham: Preacher to the World. Mankato, MN: Creative, 1985. 3–5 A biography of the internationally-known evangelist.

Dr. Mary Martin Sloop: The Woman Who Moved Mountains. Mankato, MN: Creative, 1988. 3–5 This title in the Famous Tar Heels series tells the life story of Mary Martin Sloop who, along with her husband Eustace, built the Crossnore School in Crossnore, North Carolina.

Hugo Black. Mankato, MN: Creative, 1987.

3–5 A biography of the Alabama educator and social reformer who fought for women’s rights and better conditions for prisoners.

Chamique Holdsclaw. Philadelphia: Chelsea, 2001.

3–5 A biography of the famous Appalachian novelist who lived in Asheville, North Carolina.

4–8 This title in the Women Who Win series employs “a simple, colloquial style” and focuses on Holdsclaw’s “childhood, influences, career, and success.” The illustrative photographs are “of excellent quality and frequently are interspersed throughout the text” (Book Report, Mar./Apr. 2001).

W. C. Handy: Doctor of the Blues. Mankato, MN: Creative, 1987.

Countess, Mary Alice

3–5 Biography of the “father of the Blues,” who grew up in Florence, Alabama.

Cowpath Days, illus. by Susan Daggett. Pleasant Garden, NC: Viewpoint, 2001.

Corfman, Ann

4–8 Cowpath Days presents the story of four children living on their grandparents’ farm in Stokes County, North Carolina.

Thomas Wolfe: Voice of the Mountains. Mankato, MN: Creative, 1985.

A is for Appleseed, illus. by Sherry Farmer. Urbana, IL: Urbana University Press, 2006. 3–5 To appreciate this book, students will already need to know the story of Johnny Appleseed ( John Chapman). Corfman’s biography, told in rhyming quatrains with forced syntax and near rhyme, will be difficult for young readers, and the ABC format will not appeal to older readers. The illustrations are not successful. For example, “R is for rescue” is illustrated with a gun and bow and arrow. “Q is for quiet” shows a sleeping rabbit, and “Z is for Zeal” is illustrated by a photo album. Layout is inconsistent, and the use of two fonts on each page is unattractive. A bibliography, glossary, and activities are included, but the instructions for each activity are poorly written. An adult would need to supervise and interpret. Both the author and illustrator are members of the Johnny Appleseed Society. (RH)

Cornelissen, Cornelia Soft Rain: A Story of the Cherokee Trail of Tears. New York: Delacorte, 1998. 3–6 Set in North Carolina, this novel relates the story of Soft Rain’s family who is forced to join the Trail of Tears along with their fellow Cherokee. “The

Cox , Clinton Fiery Vision: The Life and Death of John Brown. New York: Scholastic, 1997. 7–up The Bulletin praises this biography of John Brown as “highly readable,” “sympathetic without being sentimental,” and it provides “insights into the complexities of a man that devoted his life and his family to the cause of abolition.” Cox has written a “riveting narrative that will galvanize readers up to the fateful meeting at Harpers Ferry” ( July/Aug. 1997). Booklist says the biography contains “minutiae,” making for “too much chronological detail,” but the “particulars are powerful” in the “accounts of slavery” (Feb. 15, 1997). According to Horn Book, Cox “places a human face on the historical icon” who “was destined” to advocate for justice (Mar. 1998). School Library Journal agrees that “the man ... often summed up as a martyr, a madman, or a mystery” is revealed in “this thorough and clearly written biography” as “a loving family man and not-too-successful businessman” ( June 1997). Contains archival black-and-white photographs, a prologue, epilogue, bibliography, and index.

Creech • 63

Craats, Rennay The Cherokee, illus. by Marilyn “Angel” Wynn. Philadelphia: Chelsea, 2004. 3–5 From the American Indian Art and Culture series, Craats presents the history and culture of the Cherokee for middle-grade readers.

Credle, Ellis Big Doin’s on Razorback Ridge, illus. by author. New York: Thomas Nelson, (1956) 1978. 5–6 Razorback Ridge gets ready for a visit from the President to honor a new dam. “Wonderfully consistent in its Blue Ridge Mountain flavor,” this book displays “originality and suspense.” Credle shows “affection and respect for the people about whom he [sic] writes (School Library Journal, Nov. 15, 1956). A 1978 reissue of the book is praised by Booklist as homey and old fashioned”: “Still resonant with the old Appalachian ways,” its appearance is welcome after a 17-year absence (Oct. 1, 1978).

Down, Down the Mountain, illus. by author. New York: Thomas Nelson, 1934. K–3 Hetty and Hank, who live in the Blue Ridge Mountains, raise turnips, hoping to swap them for shoes. “A short, delightful story that gives a simple, pleasant picture of mountain life.” The format and illustrations suit the text (Booklist, Nov. 1934). Library Journal calls it “[o]ne of the most distinguished picture-story books of the year.... The story and the pictures alike give the full flavor of the mountain folk and country side” (Nov. 1, 1934). The New York Times agrees that Credle’s illustrations “have zest and humor and a sympathetic understanding of the mountain country” (Nov. 4, 1934).

The Goat That Went to School, illus. by author. New York: Grosset and Dunlap, 1940. K–3 Hubert is a mountain boy who wants store-bought clothes to wear to school, but his pet goat thwarts his plans. He “butts and eats his ingratiating way through the story,” but all ends happily. Credle brings to this book “her easy, fluid style” in both text and illustration (New York Times Book Review, June 16, 1940).

Janey’s Shoes, illus. by author. New York: Grosset and Dunlap, 1944. K–3 Granny tells the story of riding and walking without shoes from South Carolina to the Appalachian mountains, specifically the trail to White Doe Mountain. Credle’s “pictures point up [Granny’s] courage” (New York Times, July 1, 1945).

Johnny and His Mule, illus. with photographs by Charles Townsend. New York: Oxford University Press, 1946. 2–5 Johnny bids five cents on a balky old mule and must get it home. Though Johnny fears his fa-

ther will be angry with him, he is thrilled. The book attracts “special interest for its photographs of scenes and people of the Great Smoky mountains” (Booklist, Oct. 15, 1946).

Pig-O-Wee, illus. by author. New York: RandMcNally, 1936. K–4 Pig-O-Wee is so skinny that the storekeeper refuses to accept her in trade for a music box, which Lem wants for the family. When Pig-O-Wee has four piglets, the storekeeper relents, and the Blue Ridge community folk reward their skinny pig. “Delightful illustrations” make this a book of typical Credle quality (Library Journal, Sept. 1, 1936). The “sturdy simplicity,” along with “humor” and “liveliness,” convey a sense of Credle’s “Blue Ridge country and the mountain folk she knows so well” (New York Times, Apr. 19, 1936).

Tall Tales from the High Hills and Other Stories, illus. by Richard Bennett. New York: Nelson, 1957. 6–up This collection of 20 “gay, lively tales handed down by word of mouth among mountain folk of the Blue Ridge” includes the “universal themes of folklore.” Credle relates the stories “with the color and flavor of the Southern Highlands” (School Library Journal, Oct. 15, 1957). The New York Times describes the collection as “little-known, freshly flavored yarns from the North Carolina Blue Ridge” (May 13, 1962).

Creech, Sharon Absolutely Normal Chaos. New York: HarperCollins, 1995. 5–8 Newbery-Award-winning writer Sharon Creech receives mixed reviews for this novel. Mary Lou Finney, age 13, lives in Euclid, Ohio, and relates this story through journal entries, which are a summer English assignment. She struggles with the various trials of being a teenager, including acceptance of her “slovenly and monosyllabic” cousin Carl Ray, who is visiting from West Virginia. The plot is “over-thetop” and “seems weakly contrived.” Additionally, Carl Ray’s “circumstances ... are well-nigh unbelievable.” Creech “seems as oblivious as Mary Lou herself to [the book’s] hokey devices” (Bulletin, Nov. 1995). Booklist offers a more positive review: “Absolutely Normal Chaos is absolutely normal 13-year-old angst” (Oct. 1, 1995). School Library Journal says, “Those in search of a light, humorous read will find it; those in search of something a little deeper will also be rewarded” (Nov. 1, 1995). According to Kirkus Reviews, Mary Lou’s “voice rings 100 percent true,” along with the “playful use of language.” The implausible plot is offset by “believable” characterization (Aug. 15, 1995). Publishers Weekly calls the plot “formulaic” and “creaky.” Nevertheless, Mary Lou’s “bouncy” journaling is “a lot of fun” (Aug. 14, 1995).

64 • Crewe

Chasing Redbird. New York: HarperCollins, 1997. 6–9 Zinnia Taylor (called Zinny) is 13 and the middle child in a large family. This book “isn’t as tightly woven as Walk Two Moons,” which won the Newbery Award, but it contains similar “themes,” “lyricism, tenderness, and wonder” (Bulletin, Mar. 1997). It is similar to other books “about the rural South with wonderfully quirky characters and a focus on the setting of the natural world,” and it is “much fresher and tangibly more in the present than most” books (School Library Journal, Apr. 1, 1997). Another School Library Journal review of a 1999 sound recording of the novel says that when Zinny sets out to clear a 20-mile trail between Bybanks and Chocton, she “emerges more assertive and with a new level of self-awareness” ( July 1, 1999). “The characterizations are strong,” but some aspects of the novel are “overdone” and “unbelievable.” Better readers will be able to master the novel’s “more ponderous moments” (Booklist, Mar. 15, 1997). Though the plot is sometimes “capricious,” the “wonderful characters, proficient dialogue, bracing descriptions, and a merry use of language” save the novel (Kirkus Reviews, Feb. 15, 1997).

Crewe, Sabrina, and Michael V. Uschan The Scopes “Monkey” Trial. Milwaukee, WI: Gareth Stevens, 2005. 3–6 This title in the Events That Shaped America series tells the story of John Scopes, who in 1925 was tried in Dayton, Tennessee, for teaching Darwin’s theory of evolution in the public schools. In 2005, Uschan produced a book by the same title but in a different series designed for grades 5–8 [see Uschan, Michael V., below]. Includes a bibliography and index.

Cribben, Patrick Uniquely West Virginia. Chicago: Heinemann, 2004. 3–6 This title in the Heinemann State Studies series includes an index and bibliography.

Crist-Evans, Craig Moon Over Tennessee: A Boy’s Civil War Journal, illus. by Bonnie Christensen. Boston, MA: Houghton Mifflin, 1999. 3–up The 13-year-old narrator relates this Civil-War story, set in 1863, in free-verse diary entries; he and his father leave their Silver Bluff, Tennessee, farm to fight for the Confederacy (a map traces their journey). Book Report says the novel “is an excellent example of the use of journals” (Nov./Dec. 1999). Though the African-American character of John, the narrator’s best friend, “apparently exists only to show readers that a person could have been against slavery and still have fought for the South,” the book is “an

otherwise evocative” work, with “vibrant” language” (Booklist, May 15, 1999). Publishers Weekly says, “Some readers may think the book’s disavowal of slavery as a decisive factor in the war teeters close to revisionist history,” but the writing makes this “stance” consistent (May 24, 1999). The “ripe elements” in the plot “are dropped almost as soon as they are introduced.” Additionally, the prose is often “too loose and merely adequate.” The book, nevertheless, “has moments of real poetry” (School Library Journal, Aug. 1999). Includes an Afterword.

Crook, Beverly Courtney Fair Annie of Old Mule Hollow. New York: McGraw-Hill, 1978. 6–up This stereotype-laden novel, set in the 1960s, receives more positive reviews than it deserves (RH). “Down in Appalachia,” Fair Annie lives “a bittersweet existence” that is threatened by strip mining. This “slice-of-life picture” of Appalachia has been better-drawn by Bill and Vera Cleaver. “But this view has credibility” (Horn Book, Apr. 1979). “Occasional didacticism mars the telling,” but this is a “quiet, inarticulate love story” with a “powerful conclusion” (School Library Journal, Mar. 1979).

Crook, James F. Jack in the Mountains, illus. by Charles Livingston Bull. Boston: Page, 1926. 4–7 Jack Calhoun, age 10, has moved with his parents from New York to a small city in South Carolina. During hog-killing season, his Uncle Dick takes him to Spreading Rock, a small town in the mountains of western North Carolina, for a two-day visit with the Williams family. There is much discussion of the differences between mountain life and city life. Uncle Dick tells Jack, “Indeed it has been truly said that it is here that the real Anglo-Saxon stock is to be found” (100). The plot is a small, weak thread on which are strung explanations of mountain life, moralistic tales, and history lessons. For example, on the way to Spreading Rock, they pass King’s Mountain, and Jack gets a lesson on the battles of King’s Mountain and Cowpens, as well as the value of pigeons and black birds. Later history lessons ensue on the Battle of Hastings, Robin Hood, and the settling of Australia. Jack learns (or is told how to) hunt quail, catch wild turkey, roast quail heads, render lard, make sausage, smoke hams, tell time by the sun, skin a rattlesnake, shoot a bow and arrow, set traps, catch a fish, and hunt possum. Jack’s parents are absent from the book, as are women in general, except as household workers. The women do all of the work in processing the hog meat, for example. While contemporary children will have little interest in this book, it is a good example of the type of story written for Appalachian children in the first quarter of the 20th century. (RH)

Cummings • 65

Cross, Helen Reeder

Culin, Charlotte

Isabella Mine, illus. by Catherine Stock. New York: Lothrop, Lee and Shepard, 1982.

Cages of Glass, Flowers of Time. Scarsdale, NY: Bradbury, 1979.

5–6 Set in the Great Smoky Mountains, near Ducktown, Tennessee, in the Copper Basin, this 1930s story is deemed weak by reviewers. The main characters, Molly and Kate, attend a small school populated by the children of mining officials. Some “period details” make the story realistic, as when Molly learns the Charleston and writes a poem for St. Nicholas magazine, but in spite of its “regional flavor,” there is “no strong story line” (Bulletin, June 1982). The book’s “weaknesses are many”: “Nowhere do characters really achieve full dimension.” The prose is “condescending,” the beginning is “weak,” and the ending is “inconclusive” (School Library Journal, Apr. 1982).

6–up Claire Burden, age 14, is the child of generational abuse, in a small Carolina mountain town. “The book has strong characterization, and a fluent writing style,” which depict Claire’s confusion “with insight and conviction.” Its pace is “slowed” by episodes that “halt rather than expedite” the plot (Bulletin, Mar. 1980). Such features as a “beer-guzzling” mother who breaks Claire’s arm make the book “too serious and too chilling for comfortable reading” (School Library Journal, Oct. 1979).

Crum, Shutta My Mountain Song, illus. by Ted Rand. New York: Clarion, 2004. K–3 Brenda Gail loves to hear her Kentucky Gran Pap’s morning song; he tells her that all mountain people have a song inside them, composed of life. Brenda Gail seeks to create her own song and learns that “the best songs (and families) encompass a variety of emotions. Crum’s lyrical words work well with Rand’s fluid watercolors,” resulting in “a delight for the senses that harmonizes the coziness of a close-knit family with the gentle ambience of old-fashioned farm life” (School Library Journal, June 1, 2004). “Written in folksy language,” this is a “tender story” for young readers (Booklist, May 1, 2004). Kirkus Reviews is less kind in its evaluation of the book: “Pleasant but bland watercolors” are disproportional to the “length and complexity” of the text (May 1, 2004). Publishers Weekly calls Rand’s illustrations “bucolic” ( June 14, 2004).

Spitting Image. New York: Clarion, 2003. 3–6 Crum’s first novel is set in Baylor, Beulah County, Kentucky, in 1967. Narrator Jessie Bovey is an illegitimate child whose life is affected by President Johnson’s War on Poverty, including Head Start and a VISTA worker. Kentucky-born Crum tells the story “without sentimentality ... and does a great job of humanizing the backwoods stereotypes, even as she’s honest about the hardscrabble poverty” (Booklist, Mar. 1, 2003). “Through Jessie’s authentic, resounding voice,” Crum “ably balances the humorous and the heart-wrenching” (Publishers Weekly, Apr. 21, 2003). Library Media Connection points to a few flaws, including “uneven” prose, a weak portrait of the setting, and the fact that “Jessie talks as if she’s an adult in a child’s body” (Feb. 2004). “Backwoods, small-town flavor” and “bigotry, hatred, moonshiners, and religious snake-handling” are woven throughout (Kirkus Reviews, Apr. 15, 2003). School Library Journal compares the book with White’s Belle Prater’s Boy (1996) for its “cultural truth” (Apr. 1, 2003).

Cullen, Lynn Little Scraggly Hair: A Dog on Noah’s Ark, illus. by Jacqueline Rogers. New York: Holiday, 2003. K–3 This Appalachian take on Noah’s Ark is also a pourquoi tale, explaining why a dog’s nose is always cold and wet and why a deep bond exists between dogs and human beings. Reviews are contradictory and mixed. Cullen’s decision to set the story of Noah’s Ark in Appalachia is “disconcerting and confusing.” “The text is written in a southern Appalachian dialect. The soft, realistic watercolor illustrations bring in the visual elements of this region — wooden cabins, rag rugs, mountains — as well as the drama of the Flood” (School Library Journal, Dec. 1, 2003). Booklist has a more favorable view: “Cullen’s sprightly storytelling is well matched by Rogers’ watercolor illustrations” (Nov. 1, 2003). The Horn Book Guide takes the opposite view, saying the “illustrations fail to match” the prose, though the “Southern mountain dialect” is a positive feature (Spring 2004). Publishers Weekly calls the book a “dog-lover’s delight” (Nov. 10, 2003). Kirkus Reviews deems the book a “refreshing take on the biblical story, less religious, more human nature” (Oct. 1, 2003).

Cummings, Betty Sue Hew Against the Grain. New York: Atheneum, 1977. 7–up Set on the “new” border between Virginia and West Virginia, this Civil-War tale of a politically-divided family is “often harsh.” Mattilda’s life and home are destroyed; she is raped at age fifteen and mortally wounds the attacker; and she struggles to hang on to “resources, courage” and “spirit.” Cummings’ “style lacks finesse, and characterization is never more than adequate, but she is effective at portraying the inglorious, unglamorous aspects of war” (School Library Journal, Apr. 1977). The “blood and death ... are disproportionately powerful.” Modern readers “are better prepared to accept rape and disembowelment” than the subtle “dilemma” of slavery and war. Though Mattilda is “an empathic character,” she may be “too much of the typical

66 • Cunningham breed of adolescent heroine” (Kirkus Reviews, Mar. 1, 1977).

Cunningham, Kevin Condoleezza Rice: U.S. Secretary of State. Chanhassen, MN: Child’s World, 2005. 5–8 An easy-to-read title in the Journey to Freedom series, this volume is “quality ... both in content and design. Cunningham describes the many successes that led to Rice’s current position as secretary of state.” The book is illustrated with archival and contemporary photographs (School Library Journal, Aug. 1, 2005).

Cunningham, Maggi The Cherokee Tale-Teller, illus. by Patrick Des Jarlait. Minneapolis, MN: Dillon, 1978. 3–5 This collection of tales is interwoven with the history and folk traditions of the Cherokee and stresses “the roles of child protagonists and the advice of their teachers.” This device “slows the plot.” The prose is “flat and occasionally solecistic,” but the illustrations are “oddly attractive in spite of the look-alike faces of most of the characters.” Corydon Bell’s John Rattling-Gourd of Big Cove (1955) is a better choice (School Library Journal, Nov. 1979).

Cupper, Dan The Pennsylvania Turnpike: A History. Lebanon, PA: Applied Arts, (1990) 2001. 5–up This history of the famous expressway that connected eastern and western Pennsylvania was authorized by the Pennsylvania Turnpike Commission on the occasion of the highway’s 60th anniversary in 2000. When the first section of the toll road opened in 1940, it was considered the first “rural” expressway in the United States.

Curry, Jane Louise The Big Smith Snatch. New York: Macmillan/ McElderry, 1989. 4–7 The Smiths cannot afford to join their father in Pittsburgh and wind up living with the homeless. When the mother falls ill, four of the children go to live with a foster family, J. D. and Peachie Dockett, who are burglars. “The plot is delightfully complex, and the children believable individuals” (Publishers Weekly, July 18, 1989). “The narrative’s “delight” lies in the “poverty, warmth, and loyalty” of this large family. “A good, involving story” (School Library Journal, Oct. 1, 1989). Though the plot relies on “coincidence,” and the Docketts’ “modus operandi is all too plausible,” Curry gives her readers excellent “suspense” (Kirkus Reviews, Aug. 15, 1989).

The Birdstones. New York: Atheneum, 1977 5–6 In this sequel to The Daybreakers (1970), mischievous sixth-grade girls make up a fictional stu-

dent named Dayla Jones, and then discover that she is real. “Dalea” has used three magic stone birds to time-shift from pre–Columbian times to the present. Though Curry’s prose is an able mixture of “fantasy and realism,” the novel is “marred” by “coincidences” and the “complexity of ... a too-large cast of contemporary and time-shift characters” (Bulletin, Dec. 1977). According to Kirkus Reviews, the book “rings false.” The “italicized hints of ancient mystery read almost like a parody of fantasy,” and the “self-consciously contemporary slang and multi-ethnic casting” do not gel (Sept. 1, 1977).

The Daybreakers, illus. by Charles Robinson. New York: Harcourt, Brace and World, 1970. 4–6 Callie Rivers lives in Apple Lock, West Virginia, a mill town. When she climbs a hill and makes seven snowmen, she sets in motion a time-shift experience, which takes her and her classmates to Abaloc, “an ancient community of an Ohio Valley mound culture” (Horn Book, June 1970). Like its sequel, the complex plot demands focus; not a book for all readers, even lovers of fantasy.

The Great Flood Mystery. New York: Atheneum, 1985. 4–6 Young sleuths look for gold coins lost in the Johnstown Flood of 1889. “While the resolution depends heavily on coincidence, ... this mystery ... provides satisfying, if undemanding, entertainment” (School Library Journal, Mar. 1986).

The Great Smith House Hustle. New York: Macmillan, 1993. 4–7 In this sequel to The Big Smith Snatch (1989), the Smiths face eviction from their Pittsburgh home, where they live with their grandmother. “The premise of kids solving a crime that has baffled police is an appealing one,” and the mystery is “plausible” (Booklist, May 1, 1993). True to Curry’s talent, “the setting is carefully drawn” and the plot is “zippy,” making for “good humor” and “nail-biting suspense” (Kirkus Reviews, May 1, 1993). The Horn Book disagrees: “The characters defy credibility, and the dialogue is “awkward” (Sept. 1993).

A Stolen Life. New York: McElderry, 1999. 5–8 In 1758, Jamesina Mackenzie is stolen away from the Scottish Highlands by “spiriters” who transport her to America and sell her to a Virginia plantation owner. After a series of adventures, including being captured by the Cherokee Indians, she is somewhat implausibly returned to her family. “From a literary standpoint, the novel isn’t entirely successful” because “Jamesina functions more as an observer than as a participant,” and “younger readers may have difficulty with the liberal use of Gaelic and Cherokee words.” In spite of these “minor flaws,” however, Curry excels at “depiction of the various lifestyles and interests that existed during the time of

Dadey • 67 the French and Indian Wars” (Booklist, Nov. 1, 1999). Publishers Weekly considers this to be a “densely layered, fast-paced historical novel [that] encompasses an impressive range of settings.” The author “paints the corrupt injustice of indentured servitude and slavery, and she textures the varied settings with detail and colorful language.” Unfortunately, “relationships among the characters are not always convincing ... but the likable, brave heroine and the energetic storytelling are well worth the suspension of disbelief ” (Oct. 1999). Kirkus Reviews concurs: “Curry successfully combines little-known facts about US history with a page-turning tale of hardships overcome” (Oct. 15, 1999).

The Watchers. New York: Atheneum, 1975. 5–7 Ray, age 13, is sent to live with relatives in Twillys’ Green, a “hick” West Virginia town. He gets caught up in the story of an ancient place, Tul Isgrun, and modern coal-mining complexities. The title comes from the “ancestral Watchers,” who time shift to guard the sacred site. “The two themes are adroitly meshed,” with Curry’s “colorful set of characters, a well-constructed story, and a vivid setting” (Bulletin, Mar. 1976). The book is “resonant and eerie” and requires a “dizzying leap into a twice removed, remote mountain hideaway” (Oct. 1, 1975).

What the Dickens! New York: McElderry, 1991. 4–6 Based on an undocumented episode in Charles Dickens’ life and a fictional manuscript theft, this book is set in 1842 on the Juniata Canal in Pennsylvania. Three children in the Dobbs family become involved in the mystery because they work on their father’s canal boat. “The plot has more momentum than believability,” and the heavy “idiom and dialect” are ineffective; “coincidence” figures too heavily, though the writing is “capable” (Bulletin, Jan. 1992). Booklist calls 11-year-old Cherry, the main character, “a delight.” The book may inspire students to read Dickens (Oct. 1, 1991). Some characters are “romanticized,” but the “adventure” is “rip-roaring” (Kirkus Reviews, Sept. 15, 1991). Curry delivers “engagingly off beat subjects” and a “lighthearted historical adventure” that will teach readers “a lot about an esoteric aspect of American history” (School Library Journal, Sept. 1, 1991).

Curtis, Christopher Paul The Watsons Go to Birmingham —1963. Austin, TX: Holt, Rinehart and Winston, 1995. 6–up The “Weird Watsons” live in Flint, Michigan, but decide to return to Birmingham, where their mother’s family lives. The trip reveals the cultural texture of the Jim Crow era, and the plot involves a civil-rights conflict. “Written in a fullthroated, hearty voice, this is a perfectly described piece of past imperfect.” The author has crafted a story about the “strength of family love and endurance,”

spiced with “humor, sly sibling digs, and a totally believable child’s view of the world” (School Library Journal, Oct. 1995). The Bulletin praises Curtis’ “unexpectedly subtle fiction.” A “startling, innovative, and effective” first novel with a powerful ending (Bulletin, Jan. 1996). Curtis’ first novel won a Newbery Honor award and the Coretta Scott King Honor award.

Cwiklik, Robert Sequoyah and the Cherokee Alphabet, illus. by T. Lewis. Englewood Cliffs, NJ: Silver Burdett, 1989. 5–up This title in Alvin Josephy’s Biography of the American Indians series is “carefully researched” and characterized by “involving narratives and dialogue.” Cwiklik “captures the clash within the Cherokee nation between a desire to adapt to the white man’s ways and to preserve their unique culture.” Though the book is “well organized and readable,” and it contains maps and drawings, the absence of an index limits its usefulness (School Library Journal, Apr. 1990).

Tecumseh: Shawnee Rebel. New York: Chelsea, 1993. 7–up Cwiklik’s biography of Tecumseh presents the Shawnee Chief in an admirable light and portrays him as an “effective political leader, a thoughtful counselor, and arbiter” (School Library Journal, July 1993). Included in the North American Indians of Achievement series.

Dadey, Debbie Cherokee Sister. New York: Delacorte, 2000. 4–6 Set in the autumn of 1838 in north Georgia, this is a different twist on an Indian-captivity story. Twelve-year-old Allie, a white girl, is visiting her Cherokee friend, Leaf Sweetwater, when U.S. soldiers force the Indians to abandon their homes and set out on the Trail of Tears for Oklahoma. Because Allie has dark skin and was wearing Leaf ’s buckskin dress, she is mistaken for a Cherokee and forced to go with Leaf ’s family. Booklist says the plot “moves along somewhat mechanically” and the book contains “some pejorative language,” but there is value in the focus on “friendly relationships between local whites and Cherokees” (Apr. 1, 2000). The Horn Book Guide says that Allie’s rescue “strains credulity” (Spring 2001). On the other hand, Library Talk sees the story as “welltold with strong female characters” (Sept./Oct. 2000). School Library Journal agrees that the story is “interesting and thought-provoking” with “vivid descriptions of objects and surroundings.... Unfortunately, the setting is not revealed until almost the middle of the book,” and “the reasons for the Cherokee’s threatening attack on Allie’s family are not sufficiently explained.” In spite of these flaws, however, Dadey “presents a balanced account of both the Native and white experience” (Apr. 2000).

68 • Dahlstedt

Whistler’s Hollow. New York: Bloomsbury, 2002. 4–6 When Lillie Mae is orphaned at age 11, she is sent to live with Great-Aunt Esther and Uncle Dallas on their Kentucky farm, where moonshine is made in the attic. Set in the 1920s, the novel’s “carry through and resolution” are weak, though Lillie Mae’s character “is highly empathetic and understandable” (Kirkus Reviews, June 1, 2002). Publishers Weekly criticizes the “heavy-handed revelations and forced dialogue [that] exacerbate the feeling of melodrama” ( June 10, 2002). School Library Journal, on the other hand, finds the novel to be “a quiet, lovely story about extended family, acceptance, and the power of secrets” ( July 1, 2002).

Dahlstedt, Marden A. The Terrible Wave, illus. by Charles Robinson. New York: Coward, McCann, and Geoghegan, 1972. 4–7 The 1889 Johnstown, Pennsylvania, flood has positive effects on a previously shallow teen-age girl as she strives to be reunited with her family and friends.

Daily, Robert Elvis Presley: The King of Rock ‘n’ Roll. New York: Watts, 1996. 6–9 Daily’s biography of Elvis Presley offers “an upbeat but honest look at the man who changed (some would say invented) the face of rock and roll” (School Library Journal, Feb. 1997). Presenting “a roller-coaster ride of the singer’s ups and downs, ... we watch [Presley] go from a two-room shack in Tupelo, Mississippi, to the shag-carpeted splendor of Graceland” (Booklist, Apr. 1, 1997).

Daniels, Jonathan Stonewall Jackson, illus. by William Moyers. New York: Random, 1959. 6–up This biography is “succinct,” rendering Confederate General Jackson’s life “with vividness, revealing the character and abilities which won him the love and respect of his men.” The book also includes details of battle in the Shenandoah Valley and maps (Booklist, Feb. 1, 1960).

Dash, Joan The World at Her Fingertips: The Story of Helen Keller. New York: Scholastic, 2001. 4–up Though this biography begins with Keller’s childhood, it affords “riveting” accounts of her life as a young woman and adult, of which many children are unaware. “The use of primary-source material (although not footnoted) brings the subject’s vibrant personality, intelligence, and sensitivity to life in a way no narrative alone could (School Library Jour-

nal, Apr. 2001). Booklist praises the biography as “well researched,” “straightforward,” and “closer to reality than the more idealized” accounts of Keller’s life (Feb. 15, 2001). Kirkus Reviews notes that Dash “does not shrink from describing the social and class divisions” that idealized biographies omit (Dec. 15, 2000).

Daugherty, James Henry Daniel Boone, illus. by author. New York: Viking, 1939. 4–up In 1926, James Daugherty illustrated Stewart Edward White’s Daniel Boone: Wilderness Scout. Thirteen years later, he wrote and illustrated his own story of Boone, which earns unusually high praise, both for the text and the art. “We thought we knew these pioneers, but a sharp new focus, wrought by a great artist’s pen and brush, brings us face to face with their ‘tough true breed.’” Daugherty has given us a “stirring portrait,” with “fine drawings and bloodtingling prose.... The abundance of illustrations in bronze and green make [sic] a biography that will catch the eye of readers ten years old, or in high school, or of booklovers of any age. Every detail in the production is worthy of the contents” (Booklist, Dec. 15, 1939). The Horn Book reviewed it in two issues, calling it “the most important book” of 1939 — “a beautiful book in every sense of the word” (Sept. 1939). In January 1940, this same publication again drew attention to its “ringing words and buoyant pictures,” coupled with “humor,” “power and exuberance.” According to Library Journal, “A great book. It reaches back to the freedom, stillness, and danger of the untrod forests, beyond the borders of settlement. Its singing, muscular prose” renders Boone “as every child should know him” (Nov. 1, 1939). “This is a book to be loved and treasured by Americans of all ages” (New York Times, Nov. 12, 1939). Commonweal says this is “no more a children’s book than would be a good piece of limburger cheese. Fine for adults” (Dec. 1, 1939).

Davidson, Margaret Helen Keller, illus. by Wendy Watson. New York: Scholastic, 1969; illus. by Vicki Fox. New York: Hastings, (1969) 1971. 2–5 Davidson “recreates” Keller’s “bewildering and frustrating growing-up experiences and her education under the guidance of ‘Teacher’ Annie Sullivan.” Her life after graduating from Radcliffe College is covered in a single chapter. School Library Journal says the “easy vocabulary and appealing format” make the book appropriate for older, slower readers ( June 15, 1972). Includes the finger alphabet for the deaf. This title has undergone multiple reprints.

Davidson, Sue Getting the Real Story: Nellie Bly and Ida B. Wells. Seattle, WA: Seal, 1992.

Davis • 69 4–6 Davidson presents a fictionalized portrayal of journalists Nellie Bly and Ida B. Wells in parallel biographies of the two women. The book is “readable and interesting” in spite of Davidson’s “imaginative reconstruction of events” (School Library Journal, July 1992).

Davis, Burke Mr. Lincoln’s Whiskers, illus. by Douglas Gorsline. New York: Coward, McCann and Geoghegan, 1978. 2–up On October 15, 1860, Grace Bedell, age 11, of Westfield, New York, wrote Abraham Lincoln a letter suggesting that he grow a beard.

Davis, C. L. The Christmas Barn, illus. by Raul Colon. Middleton, WI: Pleasant, 2001. 4–6 Twelve-year-old Roxie Dockery lives with her family in Depression-era western North Carolina. When a fallen tree destroys their log cabin, they move into the barn and shift the animals to the damaged house, an arrangement that works surprisingly well for Christmas. Though Davis’ attempt at dialect “gets a little tiresome,” he succeeds with “vivid descriptions of everyday life and a believable, funny, and-above all-loving family” (School Library Journal, Oct. 1, 2001). Publishers Weekly compares the “heartwarming” story with Laura Ingalls Wilder’s fiction (Sept. 24, 2001). Booklist agrees that the dialect “quickly becomes tiresome,” but the “narrative otherwise reads well” (Sept. 2001). The Horn Book Guide echoes the “heartwarming” assessment, but says that the characters are poorly developed (Spring 2002). An endnote explains that this story is autobiographical; 1930s family photographs are also included.

Davis, Donald Jack Always Seeks His Fortune: Authentic Appalachian Jack Tales. Little Rock, AR: August, 1992. 6–up A natural-born storyteller, Davis relates these 13 Jack tales with the skill of someone who learned them as a child in western North Carolina. The Foreword, Introduction, and brief introductions to individual tales give good background information. “While many collections of oral tales seem flat on the printed page, Davis’ stories capture the flavor of Appalachian storytelling so well that you can almost hear his voice as you read. He keeps dialect to a minimum, instead using humor, a lively conversational style, and a rural American flavor to add color” (School Library Journal, Mar. 1993).

Jack and the Animals, illus. by Kitty Harvill. Little Rock, AR: August, 1995. K–2 This Jack tale is an Appalachian version of the classic Grimms’ “Bremen Town Musicians,” re-

lated here by a master storyteller. “Children will delight” in Davis’ inventive use of animal sounds and in the “riotous paintings,” though some of the composite scenes “may be confusing.” The inclusion of notes makes this a valuable addition to the genre (Booklist, Oct. 1, 1995). Horn Book suggests that “the writing lacks polish” (Mar. 1996), but School Library Journal finds the “simple text” and illustrations to be sufficient ( Jan. 1996). Includes source notes.

Mama Learns to Drive. Little Rock, AR: August, 2005. 4–7 This collection of eight stories for older readers, previously released as a CD, centers on Davis’ mother — specifically, her growing up in 1930s western North Carolina. “The heavy nostalgic tone” makes the book unsuitable for today’s young readers, but “baby boomers” will be “enthusiastic” about it. The “timeless family scenarios” will be easily recognized by 21st-century readers of all ages (Booklist, Aug. 1, 2005). “Adults may identify with or be charmed by these stories. Children may find the slow pace and somewhat fusty voice of the storyteller off-putting, but they’ll also envy Donald’s freedom and the coziness of his family life, school, and community” (School Library Journal, Oct. 1, 2005).

The Pig Who Went Home on Sunday: An Appalachian Folktale, illus. by Jennifer Mazzucco. Little Rock, AR: August, 2001. K–4 This Appalachian variant of the classic “The Three Little Pigs” includes “mountain wisdom” and “big and bright” artwork “that echoes the Appalachian Mountains.” In an endnote, Davis gives background on the folktale and autobiographical information related to the story (School Library Journal, Aug. 2004). Though Davis bases the tale on his grandmother’s telling of this story, which features a red fox instead of a wolf, not all reviewers find its “uninflected writing and heavy-handed message” attractive. The “flat illustrations ... may well have kids wishing for the classic’s huffing and puffing wolf ” (Publishers Weekly, July 12, 2004).

Davis, Jenny Checking on the Moon. New York: Orchard, 1991. 5–up Thirteen-year-old Cab, who earned her name for having been born in a taxi, and her older brother Bill are left in the care of their grandmother while their mother and her new boyfriend tour Europe. Told in first person, this is the story of a girl’s view of what it takes to turn a bad Pittsburgh neighborhood, Washco, into a “safer place to live.” The tone is “sometimes a little too cozy” for the dangers of the neighborhood, and the “happy, tidy ending seems like wishful thinking” (Bulletin, Nov. 1991). Booklist, on the other hand, praises the novel’s “strong portrait of community solidarity, the power of people pulling to-

70 • Davis gether” (Sept. 15, 1991). Horn Book sees it as “fastpaced, positive” (Mar. 1992). Publishers Weekly is willing to forgive the sometimes “unwieldy” plot because the “array of generous, vividly depicted characters” and the town are “very nearly palpable” ( July 15, 1992).

Good-Bye and Keep Cold. New York: Orchard, 1987. 7–up Edda Combs narrates this story from the perspective of a 22-year-old, looking back to her life at age eight in Cauley’s Creek, Kentucky. When Edda’s father is killed in a mining accident, her mother abdicates responsibility to Edda and her uncle Banker. In Davis’ first novel, she effectively invokes the motif of the child-parent, as Edda becomes the emotional support for her mother. This “impressive” work is made up of a solid “style, good characters, a good read” (Bulletin, Sept. 1987). “This is a fine first novel, rich in character, plot, and meaning” (School Library Journal, Aug. 1987). Davis has written a “moving and powerful story” that “never talks down to its audience” (Publishers Weekly, July 10, 1987). Davis’ subtle humor gives balance to an otherwise serious tone. The title is borrowed from Robert Frost’s poem.

Davis, Julia A Valley and Song: The Story of the Shenandoah River, illus. by Joan Berg. New York: Holt, 1963. 5–up Julia Davis is a sixth-generation resident of the Shenandoah River valley, the subject of this “chronicle.” “The thorough treatment of the Revolutionary and Civil War periods will attract lovers of war history” (School Library Journal, Feb. 12, 1964).

Davis, Kenneth C. Don’t Know Much About Rosa Parks, illus. by Sergio Martinez. New York: HarperCollins, 2005. 4–7 Presents the life story of Alabama native and civil rights activist Rosa Parks in a question-andanswer format. “Far from the myth of the naive little seamstress, this biography shows Parks as a longtime human rights activist whose refusal to give up her seat on the bus in 1955 grew from her many years of political work” (Booklist, Feb. 1, 2005). This title in the Don’t Know Much About series includes a chronology and a bibliography.

Davis, Ossie Just Like Martin. New York: Simon and Schuster, 1992. 5–up Isaac Stone is 16 when his two classmates are killed in a bomb explosion at the Sixteenth Street Baptist Church in Birmingham, Alabama. As a result, he parts with his father to take up the civil rights cause and organize a children’s march in the autumn of 1963.

Davis, Terry Roll Tide! The Alabama Crimson Tide Story. Mankato, MN: Creative Education, 2000. 4–7 Included in the College Sports Today series, Roll Tide! provides information on significant individuals and key moments in the history of University of Alabama football.

De Angeli, Marguerite Up the Hill, illus. by author. Garden City, NY: Doubleday, Doran, 1942. 3–6 Set in a “little Pennsylvania mining town,” this story begins on Christmas Eve and ends on Easter morning. Told from the perspective of Aniela, the text brings the reader into the warm circle of her Polish family, which includes her older brother Tadek, who wants to be an artist; her mother, who works at a factory; and her father, who is a classical musician. Details of everyday life form the center of the book, including religious rituals, food, and the cultural diversity and heritage of the community: Bohemians, Slovaks, Poles, Russians, Welsh, English, Scotch, and Germans. A subtext is Tadek’s desire to be an artist, though he is working in the coal mines as a child. De Angeli’s characteristic illustrations (black-and-white sketches and full-color plates) capture the warmth of the story. While there is little action, the details of Polish immigrant life are rich. A two-page front glossary of Polish words and letters is especially useful. (RH)

DeAngelis, Therese The Cherokee: Native Basket Weavers. Mankato, MN: Blue Earth, 2003. 3–5 This title in the America’s First Peoples series, which focuses solely on basket weaving, is of limited value. The format makes use of sidebars, which include historical information, but the recommended websites are “too advanced for this age group.” Illustrated with good photographs and paintings, but, unfortunately, no maps (School Library Journal, Oct. 2003).

De Capua, Sarah The Wilderness Road. Minneapolis, MN: Compass Point, 2006. 4–7 This title in the We the People series focuses on Daniel Boone’s role in establishing the Wilderness Road that facilitated settlement west of the Appalachian mountains.

Deegan, Paul Jerry West: Superstar. Mankato, MN: Creative Education/Childrens, 1974. 3–4 Deegan “fails to score” in this biography of Los Angeles Laker Jerry West. Though “the roughness of the sport and the high incidence of injuries

deLeeuw • 71 among players” is discussed, the book fails to deliver the core of West’s personality and popularity. “The citing of games played, championships won or lost, point totals, and years played wears thin (School Library Journal, May 15, 1974).

Deem, James M. 3NBs of Julian Drew. Boston, MA: Houghton, 1994. 7–up The Horn Book says this novel “must have been a copyeditor’s nightmare” because the 15year-old diarist, Julian, tells his story in code. Julian is an abused child, ignored by his one-dimensional father and stepmother, who are “unrelievedly monstrous.” He runs away from home and returns to West Virginia as a young adult who is trying to come to terms with his past, an ending that is “entirely implausible” (Dec. 1994). Many readers will be too put off by the code to make their way through the book; others may be fascinated and intrigued. On the other hand, in 2008, the code may not seem so odd to teens who are accustomed to text messaging.

DeFelice, Cynthia Bringing Ezra Back. New York: Farrar, 2006. 4–7 DeFelice waited 16 years to deliver this “worthy Sequel” to Weasel. When Nathan Fowler learns that Ezra Ketcham may be the “White Injun” who is now connected with a western Pennsylvania freak show, he sets out to find him. Along the way, Nathan learns to “read people” and to “hone his instincts.” Narrated in first person by Nathan, “this adventure treats readers to a double-dip cliff-hanging plot and heart-searing maturation” (School Library Journal, Sept. 2006). DeFelice uses characterization to “capture the historical setting,” and “Nathan is everyboy,” trying to know himself and the world (Horn Book, Sept./Oct. 2006). According to Kirkus Reviews, the first-person narrator is successful, the “adventures are exciting,” and readers will not be disappointed with DeFelice’s “long-awaited sequel” ( July 1, 2006). Booklist considers this book “not as tightly focused as” Weasel, but a “thoughtful adventure,” nevertheless (Aug. 1, 2006).

Weasel. New York: Macmillan, 1990. 4–7 Eleven-year-old Nathan Fowler narrates this story of two motherless children on the Ohio frontier in 1839. Nathan and his younger sister, Molly, go into the wilderness to find their father, Ezra, who has been left to die in an abandoned cabin by an evil and destructive man, Weasel. Nathan later rejects his opportunity to avenge the cruelty visited on his father (and his community) but has matured sufficiently to know that revenge is not a solution. Horn Book says that DeFelice “never successfully conveys” the “maleficence implied in the action” (Sept. 1990). A Publishers Weekly review judges the story to be some-

times “moralistic,” and the conclusion “too neat,” but DeFelice is adept at “building tension” and at presenting the dilemmas of “human frailties” (Mar. 4, 1990). Defelice’s prose is “fairly smooth, the characters colorful but lacking depth” (Bulletin, May 1990). School Library Journal offers a more positive review: “Written in spare, vivid language, often poetic, the novel is plausible historic fiction that deals with the inhumane treatment of native Americans from a different angle — by turning the brutal results of hate back on the white race itself. The character of Nathan is unforgettable” (May 1990).

DeGering , Etta Wilderness Wife: The Story of Rebecca Bryan Boone, illus. by Ursula Koering. New York: McKay, 1966. 5–7 This biography of Rebecca Boone, Daniel Boone’s wife, “falls short” because it relies too much on the life of her husband for its “adventure” and the genealogy is cumbersome. On the other hand, the book presents “much excellent background material” on frontier life, and the plot is “fast moving.” In spite of its “wide gaps and unevenness of time sequences and the many clichés, this will have general appeal” (Library Journal, Sept. 15, 1966).

De Kay, Ormonde Meet Andrew Jackson, illus. by Isa Barnett. New York: Random, 1967. 1–3 De Kay’s “skillful shaping of a factual, biographical narrative ... doesn’t overwhelm the progressing reader and yet offers him a fair challenge (New York Times Book Review, Nov. 5, 1967).

deLeeuw, Adele John Henry: Steel Drivin’ Man, illus. by Gordon Laite. Champaign, IL: Garrard, 1966. 2–5 This version of the tale of John Henry is well written, with a good pace, and illustrated with the cartoon art of Gordon Laite. The Journal of Negro Education objects to the illustrations, however, and to the descriptions of food as “exceedingly stereotyped and quite offensive.” While it is true that everything about this larger-than-life folk hero is exaggerated, this is, after all, a tall tale. Most readers probably won’t agree that John Henry is singled out for ridicule and “depicted as a grinning, moronic, black man.” True, he is “dressed in an orange-red shirt and large checkered black and white trousers,” but all the characters are exaggerated, including the ethnically diverse railroad workers. Even the animals are depicted with humor and over-the-top facial expressions. On the other hand, the Journal’s final assessment may ring true for some readers: “It seems a pity that Miss deLeeuw has allowed her book to be ruined for all black people by the illustrations of Mr. Laite” (Fall 1969).

72 • Dell

Uncle Davy Lane: Mighty Hunter, illus. by Herman B. Vestal. Champaign, IL: Garrard, 1970. 2–5 This title in the Reading Shelf Books series tells the story of Uncle Davy Lane, a North Carolina hunter whose tall-tale experiences include “a snake with horns and a deer with a peach tree growing on its back.” The book is “average-quality,” but may “be useful for remedial reading in the upper grades.” “It is unfortunate that the stories’ sources have not been listed” because tales about Uncle Davy Lane rarely appear in collections for children (Library Journal, May 1971).

Dell, Pamela Aquila’s Drinking Gourd: A Story of the Underground Railroad. Excelsior, MN: Tradition, 2003. 4–6 A title in the Scrapbooks of America series, this piece of historical fiction tells the story of an 11-year-old slave girl, Aquila, who is taken from her home at Oak Rest Plantation in West Virginia and sold to the Widow Brockett. Aquila takes one prized possession with her, a drinking gourd carved by her father on her eleventh birthday, May 17, 1859. Her father had also carved lines on the gourd “in the shape of stars” representing the Big Dipper, the North Star, and the path to freedom. The Widow Brockett locks Aquila in a cellar, from which she is rescued by Moss and taken to freedom across the Ohio River at Gallipolis. There is little motivation for the events of the story, but the scrapbook format, including photographs, captions, and notations, is visually interesting and offers good historical information (RH). School Library Journal says of the entire series, “Unfamiliar words are highlighted in the text ... and defined in the glossary. Each book concludes with a time line, suggested activities for creative writing and discovering family history, and a craft” (May 1, 2003).

Denenberg , Barry All Shook Up: The Life and Death of Elvis Presley. New York: Scholastic, (2001) 2003. 5–up All Shook Up “chronicles ... the turbulent life of Elvis [and] the sweeping shifts he brought to popular culture.” It will give readers “a new appreciation of the pop icon” (Publishers Weekly, Sept. 8, 2003). School Library Journal agrees that Denenberg’s book is a “good introduction to the magic and mystique that was Elvis Presley and a true portrait of the mid–20th-century U.S. music scene.” Its “casual, chatty tone ... will keep readers engaged,” and its “distillation of many adult biographies” makes for an excellent first look at the origin of rock and roll ( Jan. 2002). Kirkus Reviews says that it “constructs the tragedy of Elvis Presley’s life” in a book that is “extremely accessible” (Oct. 1, 2001). Only the Bulletin gives the biography a negative review, calling it “opin-

ionated,” “choppy,” and “an incomplete portrait” (Oct. 1, 2001).

Dennis, Yvonne Wakim Sequoyah, 1770–1843. Mankato, MN: Blue Earth, 2004. 3–4 Published in the American Indian Biographies series, Sequoyah, 1770–1843 is “well illustrated with maps, photographs, and paintings, and offer[s] an introduction to American Indian history as well as specific information for reports.” It includes a chronology, glossary, reading list, and websites, which are “useful and appropriate” (Booklist, June 1, 2004). “Easy to read prose amplified by handsome works of art” (School Library Journal, July 2004).

Denzel, Justin F. Champion of Liberty, Henry Knox. New York: Messner, 1969. 5–up Knox was the first Secretary of War of the United States and a founder of the state of Maine. Contains a bibliography.

Depew, Lanette A Bridge Spanning Time. Johnson City, TN: Overmountain, 2002. 6–up The story of the 1882 covered bridge that spans the Doe River in Elizabethton, Tennessee.

Devaney, John Bo Jackson: A Star for All Seasons. New York: Walker, (1988) 1992. 4–8 This biography of the first major leaguer to play professional baseball and football presents a realistic look at Birmingham, Alabama, native Bo Jackson. An exceptional athlete, Jackson played football and baseball at Auburn University and was awarded the Heisman Trophy for his performance in the 1985 football season. Though the “fictionalized dialogue ... seems forced” (Booklist, Feb. 15, 1989), Devaney’s “above average” (Horn Book Guide, Spring 1992) portrayal of Bo Jackson’s childhood and career provides young readers with a glimpse of “the human he is, not [an] unblemished deity” (School Library Journal, Dec. 1992). Illustrated with photographs and indexed.

The Picture Story of Terry Bradshaw, illus. with photographs. New York: Messner, 1977. 4–6 A biography of the famous Pittsburgh Steelers quarterback.

DeVillier, Christy Davy Crockett. Edina, MN: Abdo, 2004. K–4 Included in Abdo’s Buddy Books: First Biographies series, this title presents Crockett’s life as a “choppy ... outline” that “won’t excite many readers” (Horn Book, Apr. 2005). Includes a timeline, glossary, and index.

Dixon • 73

Helen Keller. Edina, MN: Abdo, 2004. 2–3 Included in Abdo’s Buddy Books: First Biographies series, this title is considered a “short, choppy ... outline,” characterized as “flatly” presented and “[l]ackluster” (Horn Book, Apr. 2005). Includes a timeline, glossary, and index.

Dewey, Ariane The Narrow Escapes of Davy Crockett from a Bear, a Boa Constrictor, a Hoop Snake, an Elk, an Owl, Eagles, Rattlesnakes, Wildcats, Trees, Tornadoes, a Sinking Ship, and Niagara Falls, illus. by author. New York: Greenwillow, 1990. K–2 With this title, Dewey has illustrated seven picture books featuring tall-tale characters, which “do a lot to restore that dusty and faded genre.” The “animated” and “brightly colored” illustrations are compared with “the non-stop style of an Indiana Jones movie, as the hero jumps from one adventure to the next.... Lively and gruesome” (Bulletin, June 1990). School Library Journal notes that the “rollicking prose” and “outlandish exploits” make this “a merry picturebook tribute” to Crockett (May 1990).

The Tea Squall, illus. by author. New York: Greenwillow, 1988. K–4 When Betsey Blizzard’s pet buzzard delivers invitations to the annual spring Tea Squall, folkheroines (Florinda Fury, Katy Goodgrit, Zipporina, and Sally Ann Thunder Ann Whirlwind Crockett) arrive in Kentucky from all points. “Folkloric exaggeration, eccentric tall tales and delightful peculiarities” complement the “catalogue” of teas and 40 varieties of cornbread (Publishers Weekly, May 13, 1988.)

Di Piazza, Domenica West Virginia. Minneapolis, MN: Lerner, (1995) 2002.

Condoleezza Rice: National Security Advisor. New York: Franklin Watts, 2003. 5–8 A biography in the new Great Life Stories series, relates “blazing success, without a hint of criticism or failure.” The author relates Rice’s growing up in Birmingham, Alabama, during the era of segregation and traces her rise to become the first woman to hold the post of National Security Advisor. Ditchfield’s book has “an open design, with lots of photos and boxed insets” (Booklist, Dec. 15, 2003). Includes a chronology and index but weak source references.

Dixon, Franklin W. [pseud. of Edward Stratemeyer and Harriet S. Adams] The Hardy Boys #169: Ghost of a Chance. New York: Pocket, 2001. 3–7 Frank and Joe Hardy engage in their usual sleuthing, but this time they are working on a movie set in the Great Smoky Mountains, near the fictitious town of Crosscook, “high in an isolated area of eastern Tennessee.” They are “assistant” wranglers for tame animal actors, Gus the black bear and Omar the mountain lion, who feature prominently in the movie based on the life of Jake “Jumper” Herman, Dropped into Danger. Jumper supposedly stole a large cache of Canadian “archaeological treasures” that were lost when his plane crashed in the Smokies 25 years earlier. Because he was never seen again, stories of him and his treasure abound, and the Hardy Boys get caught up in the intrigue of sabotaged stunt gear, disguises, and encounters with bears (or is it an Appalachian Big Foot?) in the woods. The plot is thin, the characters lack motivation, the mystery is contrived. This is the usual Hardy Boys fare and will appeal to avid readers of the series, but there is nothing specific to the locale. The setting is rendered in the most generic of “mountain” characteristics. (RH)

4–6 This title in the Hello U.S.A. series features information on the history of the Mountain State, including mining, the economy, and the environment. Includes a bibliography and index.

Dixon, Max

Disney (Walt) Productions

7–up This story of the Watauga Association is a title in the series called Tennessee in the Eighteenth Century, which was created to commemorate America’s bicentennial. President Theodore Roosevelt referred to the Watauga Association as the first “free and independent community on the continent,” according to the Dixon’s preface. Barbara Mertins’ Kentucky, Tennessee, West Virginia: Reading for Young People says the Association “was formed by the rugged settlers in the mountainous and fertile valley area of what is now the northeast corner of Tennessee.” This 76-page booklet, not originally intended for children, is nevertheless a source of good historical information about “the period from the 1760’s to the 1770’s.” The book

Walt Disney Legends of Davy Crockett. Racine, WS: Whitman, 1955. 5–up Fictionalized account of the legends associated with Davy Crockett.

Ditchfield, Christin Condoleezza Rice: America’s Leading Stateswoman. New York: Franklin Watts, 2007. 6–8 This biography in the Great Life Stories series covers Rice’s life from her childhood to her position as one of the most powerful women in the world. Includes a bibliography and index.

The Wataugans. Nashville, TN: Tennessee American Revolution Bicentennial Commission, 1976.

74 • Doak contains inset tidbits of information, maps, photographs, drawings, two appendices with archival documents, and suggestions for additional reading (American Library Association, 1985). Not all photographs and drawings are sufficiently captioned, and the writing may be a bit dull for young readers, but students interested in this time period will find this a good resource, in spite of the absence of an index. (RH)

Doak, Robin Santos Thomas “Stonewall” Jackson: Confederate General. Minneapolis, MN: Compass Point, 2006. 4–6 This biography in the Signature Lives series covers the life of Stonewall Jackson, including his fortunes and misfortunes and his legacy.

Dolan, Sean Helen Keller. New York: Childrens, 2005. 1–2 This title in the Rookie Biography series includes an index.

Dolan, Terrance The Shawnee Indians. New York: Chelsea, 1996. 4–7 The Horn Book considers Dolan’s narrative “informative” but notes that his explanation of why “little is known about Shawnee history” could give readers the impression that the Shawnee were “mysterious” (Mar. 1, 1997). Included in the Junior Library of American Indians series, the title includes a glossary and index.

Dolson, Hildegarde Disaster at Johnstown: The Great Flood, illus. by Joseph Cellini. New York: Random, 1965. 4–8 Dolson details the May 31, 1889, Johnstown, Pennsylvania, flood that killed 2,000 people and destroyed the town when the South Fork Dam burst. According to the New York Times Book Review, Dolson provides a “fresh, swiftly paced account”: “Dozens of moving vignettes animate her pages — poignant” (May 9, 1965).

The Great Oildorado: The Gaudy and Turbulent Years of the First Oil Rush: Pennsylvania, 1859–1880. New York: Random, 1959. 7–up A February 17, 1959, New York Times review of this title says that Dolson “strike[s] where the irony is hot,” emphasizing personal stories of “lavish” success and lost wealth in the Titusville, Pennsylvania, oil rush. One colorful example is Coal Oil Johnny, who supposedly earned $7,000 a day during the Civil War. Another interesting story involves John Wilkes Booth, who sought his fortune in the Pennsylvania oil fields. A New York Times Book Review essay, on February 22, 1959, offers more historical background and cultural analysis: “Thus began an industry which sparked wars and the automotive and aviation ages,

displaced the iron horse and thousands of coal miners, revolutionized home heating, paved roads, killed insects, aided low-calorie diets, brought us artificial rubber and fabrics and other synthetics, and turned the Middle East upside down and inside out.” Written 50 years ago, this prophetic statement is matched by Dolson’s “irreverent and chatty” style, which “is as sure a preventative of sleepiness as Benzedrine or caffeine.”

Dominic, Gloria First Woman and the Strawberry: A Cherokee Legend, illus. by Charles Reasoner. Vero Beach, FL: Rourke, 1996; Mahwah, NJ: Troll, (1999) 2003. 2–5 This Cherokee tale is part of the Native American Lore and Legend series by Troll and Rourke. The original version of this legend was meant to be a “profound story of conflict and resolution ... [and] a metaphor for all fights.” Dominic has simplified and distorted the tale and “demonstrate[d] a lack of respect for both the story and the children for whom it was intended” (A Broken Flute, 2005). Joseph Bruchac’s The First Strawberries: A Cherokee Story, illustrated by Anna Vojtech (Dial, 1993), is a far superior rendering of this classic Cherokee tale.

Donovan, Sandra Billy Graham. Minneapolis, MN: Twenty–First Century, 2007. 5–up This biography of one of America’s most prominent evangelists begins with his rural boyhood and follows his life as a spiritual leader and political personality. A title in the A and E Biographies series.

Doolittle, Jerome The Southern Appalachians. New York: TimeLife, 1975. 6–up One of the American Wilderness series, this Time-Life book examines the southern Appalachian mountains in 179 pages of text and photographs, both black-and-white and color. The opening essay, Mountains of Subtle Majesty, is a lyrical, personal tribute and introduction to the majesty and mystery of the mountains from one who knows them as a hiker, a writer, and a photographer; Doolittle “spent his youth in the foothills of Virginia’s Blue Ridge.” Subsequent chapters feature the flora and fauna, forest floor and scenic heights, rivers and mountain peaks that make up the Appalachians. The sections on Linville Gorge, the black bear, the Chattooga River, and winter in the Smoky Mountains are as informative as they are aesthetically pleasing. Though the book is not designed for children, it makes an excellent source for research about this great mountain chain. Its color photographs of wildflowers and salamanders will make any reader eager to explore; its black-and-white images of 1913 loggers will

Du Bois • 75 encourage additional research. More importantly, it introduces explorers and botanists such as Bartram, Fraser, and Michaux in highly readable text. The index and short bibliography will also serve child readers well. (RH)

life and character of the Appalachian mountain people” (Barbara Mertins, ed. Kentucky, Tennessee, West Virginia: Reading for Young People. American Library Association, 1985).

Douty, Esther Morris

Young Helen Keller, illus. by James Flux. Mahwah, NJ: Educational Reading Service, 1970.

The Story of Stephen Foster, illus. by Jo Polseno. New York: Grosset and Dunlap, 1954. 3–5 Douty’s “breezy, warmhearted” (Library Journal, Feb. 15, 1955) presentation of the life of Stephen Foster “indicates his weaknesses without detracting from [his] wistful charm” (New York Times, Nov. 14, 1954). Included in the Signature Books series.

Dowell, Frances O’Roark Dovey Coe. New York: Atheneum, 2000. 4–9 Twelve-year-old Dovey Coe narrates this first novel about a family in 1928 Indian Creek, North Carolina, where they have lived since 1844. Dovey has a younger brother, Amos, who is deaf, and a 16-yearold sister, Caroline. As Caroline gets ready to attend college in Boone, North Carolina, she gets a marriage proposal from Parnell Caraway, who is murdered. Dovey is accused of the deed, and what follows is a series of events that could be implausible, but the result is solid. “Dowell does a good job of balancing out the pre-crime and post-crime narrative.... The book also keeps pretty clear of Appalachian stereotypes” (Bulletin, June 2000). Library Talk comments on the use of dialect, which “does take a while to get used to” (Nov./Dec. 2000). School Library Journal acknowledges Dovey’s “mountain twang that brings the vivid setting to life without distracting from the plot. The background and characters are carefully developed and appealing” (May 2000). “Dovey’s fresh, clear voice in southern dialect cuts through the social behavior of the locale and time period to speak the truth.” Dovey is a “fabulously feisty heroine” (Kirkus Reviews, May 15, 2000). Booklist describes Dovey as “quick-witted and honest to a fault.... Although the mountain dialect is occasionally jarring,” the book has “substance” (Apr. 15, 2000). Publishers Weekly concurs that in spite of the book’s flaws (a “rushed” ending, for example), “This is an author well worth watching” (May 22, 2000).

Dressler, Muriel Miller Appalachia. Charleston, WV: MHC Publishers, 1977. 3–up Dressler writes poetry about her native region, in general, and West Virginia, in particular. Some of the subject matter may be too adult for the very young readers (such as “Graveyard Monologues” and Absentee Landlords”), but all age groups can find something appropriate in the collection. “This modern West Virginia poet effectively portrays the way of

Drexler, Carol Joan 2–4 Though half the book is devoted to Helen’s life before the coming of Anne Sullivan, this is essentially The Miracle Worker retold in picturebook format. Both black-and-white and color illustrations effectively interpret the text. The emphasis on Helen’s naughtiness and temper tantrums is climaxed with the famous scene at the water pump. The remainder of her life is summarized in three pages. Drexler has presented a bare-bones introduction to Keller’s early life through episodes that young children will probably find interesting enough to spark further reading about her. (RH)

Driskill, Frank Davy Crockett: The Untold Story. Austin, TX: Eakin, 1981. 5–up Because this biography fills in the details of the time between Crockett’s leaving his wife Betsy for Texas (1835) and his death at the Alamo (1836), it is a good addition to the glut of Crockett biographies, which typically emphasize his early years and his Indian fighting. The first chapter quickly tells the story of his childhood. Chapter 2 focuses on his marriage to Mary (Polly) Finley in 1806 and Chapter 3 his marriage to Elizabeth Patton. Thereafter, the emphasis is on his interest in the Texas cause (a good map is included) and his relationships with Jed Roberts, Adolph Sterne, and Andy Gossett. The final chapter details events leading up to the Battle of the Alamo, the battle itself, and Houston’s subsequent defeat of Santa Anna. Dialect is used sparingly but effectively (“Meskins,” for example); the interest level and format are fairly adult. The Epilogue describes various tributes and statues to Crockett. (RH)

Dubois, Muriel L. Helen Keller. Mankato, MN: Bridgestone, 2003. 2–3 A Horn Book Guide review judges this biography to be “[o]ccasionally dry” but “adequately” told. The format causes confusion between images and captions (Fall 2003). Includes a timeline, suggested further readings, glossary, index, and websites (Fall 2003).

Du Bois, Shirley Graham Booker T. Washington: Educator of Hand, Head, and Heart. New York: Messner, 1955. 5–up School Library Journal considers this a “sympathetic” and “warm and human” biography of

76 • Dubowski the extraordinary man who established the Tuskegee Normal and Industrial School. In 1955, this was one of few biographies about Washington for children, and the only “source of bibliographical material,” other than Washington’s own Up from Slavery, for young readers (Nov. 15, 1955). Includes a bibliography and index.

Dunnahoo, Terry

Dubowski, Cathy East

Durbin, William

Andrew Johnson: Rebuilding the Union. Englewood Cliffs, NJ: Silver Burdett, 1991. 4–up With an Introduction by Henry Steele Commager, this 126-page biography in the History of the Civil War series contains an index, timetable, bibliography, and suggested reading. It opens with an effective Civil War time line showing events between 1854 and 1869. Because the focus of the book is on the Civil War, Johnson’s early life, from 1808 to 1843, is covered in four chapters. The rest of the biography features his rise in politics as Tennessee’s Governor, a U.S. Senator, Vice President, and finally President. The use of primary sources, photographs, and good summaries of information in outline format make this an excellent resource book. One of the more interesting illustrations is a newspaper drawing of his deathbed scene. Dubowski’s biography is excellent in that it explores the conflicts and contradictions of Johnson without making him a saint yet preserves his integrity and judgment. The Epilogue states that Johnson is the “only President ever humiliated by an impeachment trial” (116)—a reminder that even good, recent biographies can quickly become outdated. (RH)

Dunham, Montrew Roberto Clemente: Young Baseball Player, illus. by Meryl Henderson. New York: Aladdin, 1997. 4–6 This title in the Childhood of Famous Americans series traces the personal life and baseball career of the Puerto Rican baseball superstar, from his childhood love of the game through his professional career and untimely death to his election to the Hall of Fame in 1973.

Dunn, Marion Herndon Tenase Brave, illus. by June Moore. Nashville, TN: Aurora, 1971. 3–5 A pre–Columbian Cherokee boy named Brother sets out to earn “a real name” through a series of brave deeds. School Library Journal calls this a “poorly executed adventure” whose writing is “forced.” The book also includes folk stories “to teach lessons to Cherokee children, ... and Indian customs are interestingly described,” but “a better picture of the Cherokee way of life for the age group can be gained from the more effectively written Cherokee Animal Tales by George Scheer” (1968) (School Library Journal, May 15, 1972).

Nellie Bly: A Portrait. Chicago: Reilly and Lee, 1970. 6–8 Biography of Pennsylvania native Nellie Bly, who became a newspaper reporter over objections that journalism was not a suitable career for young women in the 1880s.

Arnold Palmer. Philadelphia: Chelsea, 1998. 4–7 Biography of one of the most popular golfers in the United States. “Recommended with minor flaws” (Horn Book Guide, Sept. 1998).

Durden, Robert F. Carter G. Woodson: Father of African-American History, illus. with photographs. Springfield, NJ: Enslow, 1998. 6–up This is a “balanced and documented” biography of the man who promoted the study of African-American history through a “research association and journal, ... a publishing company, and ... a nationwide observance of Negro History Week.” It includes his flaws as well as his positive features. School Library Journal points out that “Patricia and Fredrick McKissack’s Carter G. Woodson (Enslow, 1991) is the only other biography of Woodson for young people and Durden does a good job of highlighting his contribution toward raising an awareness of AfricanAmerican cultural heritage” ( Jan. 1999). Contains black-and-white photographs.

Durrant, Lynda Betsy Zane: The Rose of Fort Henry. New York: Clarion, 2000. 4–8 Betsy Zane was a real woman who moved from Philadelphia to the wilderness of Virginia (what is now West Virginia). Told in first person, Betsy relates her arduous journey on the Buffalo Trail to Pittsburgh, and a trip down the Ohio on a flatboat, which takes her to her brothers (Eb, Silas, Jonathan, and Isaac) at Zane Station. During an attack on Fort Henry by British and Indian forces, Betsy makes “a heroic dash for gunpowder.” The story starts out “as a mild frontier road trip ... but the pace accelerates and provocative questions emerge” (Bulletin, Oct. 2000). Durrant “has delved deeply into the complex, shifting relations between European settlers and native populations” (Booklist, Sept. 15, 2000). She “weaves in historical data from 17 sources,” making this book a “real winner” (Kirkus Reviews, Aug. 15, 2000). Though this is a “compelling work of period fiction strongly rooted in fact,” Durrant “has trouble letting [her family’s] exploits speak for themselves.” Nevertheless, this is a remarkable book about “a mere child who risked her life in a bloody battle rather than surrender” (School Library Journal, Apr. 2001). Contains an Afterword with excellent source notes.

Duvall • 77

Dutton, Sandra Tales of Belva Jean Copenhagen, illus. by author. New York: Atheneum, 1989. 4–6 First-person narrator, Belva Jean, who moves to Ohio from “the south,” tells this episodic story with “sprightly humor” and forthright “exaggerations” in a “pure country” dialect, which is the topic of the final chapter. This is the story of a “likeable” child in an “ordinary, lower-middle-class — and benevolent”— situation. The “gawky” illustrations look as though they may have been done by Belva Jean herself (Bulletin, Mar. 1989). “Some of the stories reveal self-discovery, while others seem to be simply notations on special occurrences such as a picnic or a family visit. The lack of plot and continuity may leave some readers with a feeling of dissatisfaction, but the humor and brevity may appeal to reluctant readers (School Library Journal, May 1, 1989). The narration is “authentic-sounding, readable” and “brims with funny, quirky perceptions about life,” which are “matched” by Dutton’s illustrations (Publishers Weekly, Mar. 10, 1989).

Duvall, Deborah L. The Great Ball Game of the Birds and Animals. Albuquerque: University of New Mexico Press, 2002. K–3 A retelling of the Cherokee tale in which animals challenge birds to a game of stickball, this title is volume one in the Grandmother Stories series. The Horn Book lauds the “patterned borders and animals in traditional costume [which] convey the spirit and origins of the tale” (Apr. 2003), but School Library Journal finds the writing stiff and the illustrations “static” ( Jan. 2003).

How Medicine Came to the People: A Tale of the Ancient Cherokees, illus. by Murv Jacob. Albuquerque: University of New Mexico Press, 2003. K–4 This pourquoi tale, volume two of the Grandmother Stories, explains the origin of illness as well as healing. The animals sent physical illness to humans who refused to live with them peacefully but hunted and killed them instead. The plant kingdom took mercy on human beings and sent them healing, medicinal knowledge. The white-on-black scratchboard illustrations are mostly circular discs that cleverly use the medicine-wheel motif, though the rectangular double-page spreads are also effective. The busyness of the drawings is a nice contrast to the simplicity of the text, as are the white-on-green endpapers. However, the illustrations for the appended herbarium are not effective because the detail does not aid in identifying the plants. No source notes or bibliography is included. (RH)

How Rabbit Lost His Tail: A Traditional Cherokee Legend, illus. by Murv Jacob. Albu-

querque: University of New Mexico Press, 2003. K–4 Duvall’s retelling of this Cherokee pourquoi tale is “entertaining” and “sophisticated” (Horn Book, Apr. 1, 2004). This title is number three in the Grandmother Stories series.

The Opossum’s Tale: A Grandmother Story, illus. by Murv Jacob. Albuquerque: University of New Mexico Press, 2005. K–4 According to Cherokee legend, Opossum once had a large furry tail of which he was extremely proud. For his arrogance, Rabbit played a trick on him, which resulted in a permanent loss of fur. Duvall changes the ending of this traditional tale so that Opossum saves Rabbit’s life. According to the Horn Book Guide, the modified ending “softens the traditional” tale “but offers its own satisfactions” (Fall 2006). School Library Journal disagrees: “This ending alters the rhythm of the story; it feels tacked on and makes a questionable purchase out of an otherwise lovely book” (Feb. 2006). All reviewers are in accord in their admiration of Jacob’s illustrations and have high praise for “the elaborately patterned, intricate, black-and-white ink drawings [which] bring this entertaining, instructive story to life” (Booklist, Mar. 15, 2006). This title is number seven in the Grandmother Stories series.

Rabbit and the Bears: A Traditional Cherokee Legend, illus. by Murv Jacob. Albuquerque: University of New Mexico Press, 2004. 4–7 Fourth in the series of Grandmother Stories, this is the tale of Yona the bear, who takes Ji-Stu the rabbit to Lake Ata-Gahi, a place sacred to all animals in the Smoky Mountains. Jacob’s “intricate white-on-black illustrations teem with Smoky Mountain wildlife,” (Horn Book, Oct. 2004) and “take on a vintage printmaking quality” (Publishers Weekly, May 10, 2004).

Rabbit and the Wolves, illus. by Murv Jacob. Albuquerque: University of New Mexico Press, 2005. K–4 Rabbit and the Wolves, the sixth volume in the Grandmother Stories series, is a combination of two Cherokee legends. This retelling finds Rabbit failing in his attempt to become an accomplished singer like the Redbird and having to use his wits to avoid being eaten by wolves. Duvall’s “conclusion about finding one’s own song seems tacked on to [Rabbit’s] amusing adventures” (Horn Book Guide, Spring 2006).

Rabbit Goes Duck Hunting: A Traditional Cherokee Legend, illus. by Murv Jacob. Albuquerque: University of New Mexico Press, 2004. K–4 Number five in the Grandmother Stories series and a finalist in the 2005 Oklahoma Book

78 • Eady Award, this is the story of Trickster Rabbit who goes on a “hare raising” flight in the clutches of the Chief of All the Wood Ducks. Jacob’s black-and-white illustrations “add a contemplative dimension to this amusing folktale” (Horn Book Guide, Apr. 2005).

Rabbit Plants the Forest: A Cherokee World Story, illus. by Murv Jacob. Albuquerque: University of New Mexico Press, 2006. K–4 Rabbit Plants the Forest is based on ancient Cherokee lore that squirrels are useful creatures and should not be hunted for food. Jacob’s “handsome detailed illustrations ... depict woodland flora and fauna” and complement the plant listing at the end of the book (Horn Book Guide, Fall 2006).

Eady, Ellen Pardon Me — Is That the Chattanooga ChooChoo?, illus. by Kelly Guhne. Chattanooga, TN: Majestic, 2000. K–3 Harry, a hopping mouse, and his family are on their way to Chattanooga for a stay in the historic train. Harry becomes lost and learns about the city as he searches for his family and the Choo Choo.

Earley, Tony Jim the Boy. Boston: Little, Brown, 2000. 6–up Ten-year-old Jim, whose father died before he was born, is being raised by a still-grieving mother and three stern but compassionate uncles. “Earley creates memorable, parable-like stories while maintaining mesmerizingly simple language and a child’s emotional point of view” (Voice of Youth Advocates, Dec. 2000). “While the narrative is free-flowing and loose, it is anchored by the constancy of its characters, a constancy which provides the firm context of Jim’s slow, unsteady coming of age” (Five Owls, Jan./ Feb. 2001).

Easton, Richard A Real American. New York: Clarion, 2002. 4–7 Easton’s first novel is about racism and prejudice in Manorville, in western Pennsylvania, in the 1890s, a time when coal mines were replacing farmland and Italian immigrants were moving into the region. Eleven-year-old Nathan McClelland, the only first-generation American boy left in the neighborhood, becomes friends with Arturo Tozzi, who is Italian, and predictable conflicts ensue. Reviews of the book are mixed. Library Talk deems it a “wonderful read aloud” (Nov./Dec. 2002). School Library Journal finds the story “engaging,” with a plot that “flows swiftly and builds to a satisfying conclusion” (Mar. 1, 2002). According to Booklist, “The setting is realistic, and the characters are drawn with complexity. There are neither saints nor demons among the natives or the newcomers.” Easton makes “the labor history comes alive” in this “fine companion to Susan

Bartoletti’s Growing up in Coal Country (1996)” (May 15, 2002). Horn Book Guide is slightly less favorable in its assessment that the pace is “occasionally bogged down” by didactic comments but the story is “believable” and the setting is “well realized” (Fall 2002). Kirkus offers the most negative assessment, arguing that the only fully-developed characters are Arturo, Nathan, and his mother. The story is “mired in its stylistic faults” (Apr. 15, 2002).

Ebel, Julia Taylor Addie Clawson: Appalachian Mail Carrier, illus. by Sherry Jensen. Boone, NC: Parkway, 2003. 2–5 Ebel has written a straightforward biography of Addie Clawson, who became a rural mail carrier in Watauga County, North Carolina, from 1936 to 1966, an era when carrying the mail was considered men’s work. The story is filled with vignettes and details: Miss Addie wore jodhpurs, which were frowned upon for women; she had to cover part of the route on a horse because some of the route was inaccessible by car; she brought the first Army Jeep to the area; she made two runs on Christmas Eve so that catalog orders would reach children by Christmas Day; and her daughters wrote letters for her to deliver to Tommy Critches who wanted to receive “real” mail. Readers may wish for more factual information about this woman’s life, such as dates of birth, death, and marriages, but the story is refreshing among the sea of trite and repetitive children’s biographies. The book contains good historical information, and the photographs and sketches add visual interest. (RH)

Eckert, Allan W. Blue Jacket: War Chief of the Shawnees. Boston: Little Brown, 1969; Ashland, KY: Jesse Stuart Foundation, 2003. 7–up This is the story of Marmaduke Van Swearingen and his younger brother who were captured by Shawnee warriors in 1771 western Virginia. Marmaduke negotiated his brother’s release by joining the Shawnee tribe and became known as Blue Jacket, an Indian warrior in every aspect: “in fealty, in life style, in consuming hatred for the white man.” Eckert approaches his subject with “precise fidelity to the facts” (Horn Book, Apr. 1969). Blue Jacket won notoriety as the only white Shawnee war chief. The title was reprinted in 2003 by the Jesse Stuart Foundation.

Johnny Logan: Shawnee Spy. Boston: Little, Brown, 1983. 7–up In Blue Jacket, Eckert tells the true story of an American boy who becomes a Shawnee. In this novel, he relates the true story of a young Shawnee boy named Spemica Lawba, Tecumseh’s nephew, who

Emerson • 79 leads a life of cultural turns and twists, eventually becoming Johnny Logan, an American spy. At his death, he was given military honors. The story is set in the late 1770s Ohio and includes the War of 1812. Kirkus Reviews finds the narrative “curiously sterile.... Heavy on bare-bones research but scanty on illumination,” the book is “disappointing” (Oct. 1, 1983). Booklist finds the dialogue to be “authentic” but suggests that Eckert could have developed more fully the fascinating character of Logan. The author’s strength “lies more firmly in his vivid depiction of frontier history and Shawnee culture and customs, which he details with both care and control” (Booklist, Sept. 1, 1983).

Edge, Laura Bufano Andrew Carnegie. Minneapolis, MN: Lerner, 2004. 6–up With “clear text” (Booklist, June 2004) and “nicely reproduced black-and-white images” (Horn Book, Apr. 1, 2004), this title in the Lerner Biographies series will give children a solid impression of philanthropist Andrew Carnegie. Includes a bibliography, glossary, and list of websites.

Edwards, Pat Little John and Plutie. Boston: Houghton, 1988. 4–6 Set in 1897 in the South, this is the story of friendship between Little John Greer, who is white and from a farm family, and Plutie, who is black and street-wise. The two meet when Little John and his mother leave their alcoholic father to live with the grandmother. The interracial friendship is “smoothly fused, and Edwards writes perceptively of racial conflict, of prejudice on both sides, and of the integrity and compassion that could, at times, supersede prejudice, even in the South, even in 1897.” Characterization and dialogue are “strong,” and the conclusion is “credible” (Bulletin, Oct. 1988). Kirkus deems this a “serious story” and an “honest look at racial prejudice” (Sept. 15, 1988). Publishers Weekly finds the climax “too muted” but the “contradictions of bigotry and the suffering it causes” are handled “forthrightly” (Oct. 28. 1988). School Library Journal suggests that the offhand inclusion of elements such as the Ku Klux Klan and minstrel shows do not “work to create a sense of time and place,” but the book has “well-written dialogue, felicitous insights, and well-realized characters all slightly out of focus in time” (Nov. 1, 1988).

Ehrlich, Elizabeth Nellie Bly. New York: Chelsea, 1989. 5–up Included in the American Women of Achievement series, Ehrlich’s portrayal of journalist Nellie Bly is merely a “cursory view of [her] background and character” (Booklist, June 1989). A chronology, bibliography, and index are included.

Eldred, Patricia Mulrooney Joe Namath, illus. by John Keely. Mankato, MN: Creative Education, 1976. 3–6 A biography of Joe Namath, whose ability to pass has made him an outstanding professional quarterback.

Football’s Great Quarterback, Joe Namath. Mankato, MN: Creative Education, 1977. 2–6

Brief biography from Creative Allstars se-

ries.

Elish, Dan The Trail of Tears: The Story of the Cherokee Removal, maps by Rodica Prato. New York: Benchmark, 2002. 5–up This title in the Great Journeys series tells the story of the 1838–39 forced march of the Cherokee from Georgia to Oklahoma. The “photographs and illustrations are well placed,” but the “concepts and presentation are difficult to understand,” and the narrative is “dry” (Book Report, Mar./Apr. 2002). The plot “is related in a clearly written text.” It makes use of oral histories from governmental representatives and the Cherokee, which give “opposing perspectives” (Horn Book Guide, Fall 2002). School Library Journal considers the entire series to be “[e]xcellent resources for middle-school students and useful starting points for older researchers” (Mar. 1, 2002). Includes historical photographs, maps, a bibliography, and an index.

Elliott, Lawrence The Long Hunter. New York: Reader’s Digest, 1976. 6–up Atlantic Monthly considers Elliott’s biography of Daniel Boone to be “brisk, unpretentious.” The author opts for historical accuracy and casts aside the “mass of frontier tall tales,” giving “considerable information on why settlers rushed west into Kentucky’s bloody ground” (Apr. 1976). Kirkus agrees that this book presents a “successful blend of narrative flair and history,” along with Boone’s “flaws and failures.” The result is a “convincing picture” of this American hero (Mar. 1, 1976). Contains source notes and a bibliography.

Emerson, Kathy Lynn Making Headlines: A Biography of Nellie Bly. Minneapolis, MN: Dillon, 1989. 4–8 Emerson traces the life and achievements of Nellie Bly, the reporter who pursued a career in journalism at a time when such a career was not proper for a woman. Included in the People in Focus series, “Emerson’s highly readable text is bolstered by many black-and-white photographs and other reproductions” (Booklist, July 1, 1989).

80 • Emery

Emery, Anne

Hearts of Stone. New York: Dutton, 2006.

Mountain Laurel. New York: Putnam, 1948.

6–8 When Hannah Cameron, age 15, her brother, Jasper, and twin sisters are orphaned during the Civil War, they leave their Cumberland Mountain, Tennessee, farm for Nashville. Hoping to live with Aunt Ellen, they find instead that she, too, has died. Reminiscent of Vera and Bill Cleaver’s Where the Lilies Bloom, this is a novel about children surviving without adult support. While Ernst gives excellent details of Nashville life during wartime, “the value of the story lies not in its historical content, but in the description of the mixed emotions and suffering of friends and neighbors who suddenly find themselves on opposite sides of a conflict, the desperation of civilians in wartime, and the unending attempt of a teen to uphold a promise” (School Library Journal, Dec. 1, 2006). “Ernst movingly shows ... the calamity and upheaval of war” (Booklist, Nov. 1, 2006). Her prose is described as “lively,” and the action “dramatic.... Historical details never overwhelm the story” (Kirkus Reviews, Nov. 1, 2006).

5–up Laurel, age 15, would like to be a nurse, but instead of leaving her home in the Great Smoky Mountains to get an education, she must take on the adult responsibilities of caring for her family, whose mother has died. “Here are Americans to be proud of—dignified mountaineers with a well preserved culture as creative weavers and folk musicians, and a stalwart integrity despite inadequacies in educational opportunity, physical comforts, and medical care. Teen-age girls will appreciate the touch of romance and find excitement in the surviving remnants of feuding” (Library Journal, Oct. 15, 1948).

Engel, Trudie We’ll Never Forget You, Roberto Clemente. New York: Scholastic, 1999. 7–up A biography of the famous Puerto Rican baseball superstar right-fielder, who played for the Pittsburgh Pirates.

Englar, Mary The Cherokee and Their History. Minneapolis, MN: Compass Point, 2006. 3–5 A title in the We the People series, this book follows a series template: “Each book begins by detailing a major historical conflict and its outcome,” in this case the “Trail Where They Cried.” Englar “describes the tribe’s history as it relates to its geography, environment, religion, and customs before and after European contact,” as well as “life today, and tribal achievements.... These clearly written books are suitable for reports” (School Library Journal, Sept. 2006). The binding and paper quality make these books “a good choice for heavy use situations” (Christian Library Journal, June 2006). Includes color and blackand-white photographs and drawings.

Epstein, Sam, and Beryl Epstein Willie Mays: Baseball Superstar, illus. by Victor Mays. Champaign, IL: Garrard, 1975. 4–6 This biography in the Sports Library series offers the usual “catalog of ... accomplishments”: “While information is accurate, the writing style is pedestrian and any discussion of a player’s prowess rapidly develops into overt adulation” (School Library Journal, Sept. 1975).

Ernst, Kathleen The Bravest Girl in Sharpsburg. Shippensburg, PA: White Mane, 1997. 6–up Friendships are tested when three young girls take sides during the Civil War. “All of the characters are well drawn [and] historical photographs of the real Sharpsburg ... add to the atmosphere of the novel” (School Library Journal, Sept. 1998).

Midnight in Lonesome Hollow: A Kit Mystery. Middleton, WI: American Girl, 2007. 3–6 While Kit is visiting her Aunt Millie in the Kentucky mountains, Lucy Vanderpool, a folklorist from Chicago, arrives to document basket weaving, and predictable cultural clashes ensue. This title contains every theme, topic, and motif recognizable to students of Appalachian literature, but all is cloaked in political correctness: the Craft Revival, pack-horse libraries, dulcimers, outsiders, timbering, mining, moonshining, and dialect. The tone is patronizing and preachy. For example, the locals object to being made to “look like quaint old-fashioned hillbillies” (47). In spite of these flaws, it towers over other series books set in Appalachia, such as The Hardy Boys #169, a Great Smoky Mountain mystery; The Bobbsey Twins: The Smoky Mountain Mystery; and Out of Place, Sweet Valley Twins #22, in which a “hillbilly” from Stony Gap, Tennessee, visits her aunt in Sweet Valley. Booklist mistakenly applauds Ernst for “showing not only the poverty of Appalachia during the Depression but also the ingenuity of its people” but correctly observes that “The historical backdrop is bolstered by the back matter” (May 15, 2007). School Library Journal echoes the Booklist assessment: These series mysteries “integrate historical information” well (May 1, 2007). (RH)

The Night Riders of Harpers Ferry. Shippensburg, PA: White Mane, 1996. 6–9 When 17-year-old Solomon Hargreave, a Union Army scout, rescues Mahalia from the Potomac River, he becomes involved with her and her family while the battle at Harpers Ferry plays out. According to School Library Journal, “the action and the dialogue keep the story moving briskly; and both female and male characters defy stereotype and surprise readers” (May 1997). Ernst’s first-person narrative

Evernden • 81 “conveys the strain of divided families, misguided loyalties, and the hardscrabble existence” of the Civil War era (Booklist, Jan. 1, 1997). Includes archival photographs.

Retreat from Gettysburg. Shippensburg, PA: White Mane, 2000. 5–9 After the conclusion of the Battle of Gettysburg in 1963, Chigger O’Malley, age 14, narrates this tale of emotional and national conflict as the Confederate Army retreats. Set in Williamsport, Maryland, near the Potomac River, this story is “perhaps too large to develop well in such a short novel,” but Ernst’s “[m]eticulous attention to history” is its strength (Booklist, Sept. 15, 2000). Chigger’s first-person account is “clear and compelling. An excellent example of how to teach history through fiction” (School Library Journal, Dec. 1, 2000).

Ernesto, Lilly

Evans, Mari-Lynn, et al, eds. The Appalachians: America’s First and Last Frontier. New York: Random, 2004. 6–up This title is a companion to the PBS documentary produced by Mari-Lynn Evans, a figure in West Virginia television. It presents “an engaging overview of Appalachian life in words, songs, and art” and features interviews with public figures, such as Johnny Cash and Senator Robert Byrd, as well as historians, educators, scholars, and traditional artisans. The book gives readers “a new understanding of ” and “appreciation for” a region that is “much misunderstood and ... maligned.” It is as “intriguing as a ride through Appalachia’s back hills” and comes “highly recommended” (Library Journal, Apr. 15, 2004). The appearance of both the documentary and the book coincided with the Smithsonian Institution’s declaration of 2004 as “The Year of Appalachia.”

How Grandmother Spider Got the Sun: A Cherokee Tale, illus. by Michael Grejniec. Boston: Houghton Mifflin, 1995.

Everett, Gwen

K–3 A 16-page title in the Invitations to Literacy series.

3–up Annie Brown, the 16-year-old daughter of abolitionist John Brown, narrates this “stirring picture book” about the raid on Harpers Ferry. The narrator provides historical background from a personal perspective and, by adding her emotional misgivings about the raid and the Civil War, makes the history “dynamic.” The inclusion of African-American artist Jacob Lawrence’s gouache paintings depicting the events of the Raid is particularly significant. Sixteen of the original series of 22 “are reproduced here — bold, dramatic artwork that will stay with readers like dreams at night” (Booklist, June 1, 1993). Horn Book agrees that this is a “striking and unique picture book.” That Lawrence’s 1941 “paintings have been made available in a book format is a wonder.... Together, words and images give new meaning to history” (Oct. 1993).

Erskine, Payne The Mountain Girl. Boston: Little, Brown, 1912. 7–up According to the New York Times, this novel has “little originality, but much sweetness.” Its “commonplace plot has little to recommend it.” The main character, Cassandra Merlin, is an “untrained creature of the hills” who marries David Thryng, “a man of education and social position.” Nevertheless, the Times finds “real charm” in Erskine’s character as well as the other “appealing human folk. The author of The Mountain Girl has plainly lived among the people of the mountains, learned the tricks of their odd dialect with its bookish phrases and its errors in grammar, studied their dignity and their simplicity, their wild ways and their kindliness. It is too bad that Mr. Erskine has wasted so much of charm upon such a hackneyed situation and has doomed his delightful Cassandra to the stupid and circumscribed life of an English chatelaine.” Erskine’s story is so “strained and unnatural” that the reader finishes it “with a feeling of irritation. The Mountain Girl ought to be much better than it is” (Mar. 31, 1912).

Ethan, Eric Winston 500. Milwaukee, WI: Gareth Stevens, 1999. 1–up A “randomly organized, uninspired” description of the Winston 500, an automobile race held at the Talladega Superspeedway in Alabama (Horn Book, Sept. 01, 2000). Glossary and index are included.

John Brown: One Man Against Slavery, illus. by Jacob Lawrence. New York: Rizzoli, 1993.

Evernden, Margery Lyncoya. New York: Walck, 1973. 4–6 This book covers the lives of Andrew Jackson’s adopted sons, particularly the life of a Native American boy, Lyncoya, as told by Andrew Jackson, Jr.

Wilderness Boy. New York: Putnam, 1955; Pittsburgh: University of Pittsburgh Press, 2001. 5–8 In the summer of 1794, 16-year-old Jonathon Garrett finds his courage and family loyalties tested when a group of farmers demands Jonathon help them erect a liberty pole in protest to a new tax. The Foreword and Afterword by Mary Margaret Kimmel provide historical background on the Whiskey Rebellion. A Golden Triangle publication.

82 • Eversole

Eversole, Robyn Harbert The Magic House, illus. by Peter Palagonia. New York: Orchard, 1992. K–2 Eversole identifies the setting for this book as Bridgeport, West Virginia, though the setting is really immaterial. The book is about the transformative power of a child’s imagination. April sees her house as filled with magical, incongruent wonders, but her older sister, Meredith, is of a more mature, matter-of-fact bent; thus a conflict between a child and a “know-it-all” big sister evolves and resolves itself. “The dreamlike quality of the illustrations is perfect for this story,” though it “does not leave much to readers’ imaginations.” (School Library Journal, Mar. 1992). Kirkus Reviews calls the combined efforts of Eversole and Palagonia “excellent debuts” and praises the “carefully structured surreal art.” This is “a story with real substance and appeal” (Feb. 15, 1992). Publishers Weekly agrees that “this is a magical and promising first effort” ( Jan. 6, 1992). Booklist calls it “both weird and cheerful” ( Jan. 1, 1992).

Faris, John T. Nolichucky Jack, illus. by D. Cammerota. London: Lippincott, 1927. 6–up A fictionalized biography of John Sevier. Includes maps.

Fast, Howard The Tall Hunter, illus. by Rafaello Busoni. New York: Harper, 1942. 3–5 Fast relates the story of Richard Hammon, his great-grandfather, “who followed Daniel Boone into the wilderness [and] his years of wandering interrupted by brief periods of happiness with Ellen, his wife.... Moving but slight story.... Style vigorous and graphic but uneven. Outstanding format, with black-andwhite illustrations” (Library Journal, Oct. 15, 1942).

Fazio, Wende West Virginia. New York: Childrens, 2000. 4–6 This title in the America the Beautiful series describes the geography, plants, animals, history, economy, religions, culture, sports, arts, and people of the Mountain State. Includes a bibliography and index.

Feeney, Kathy Davy Crockett. Mankato, MN: Capstone, 2002. 2–4 Published in the Photo-Illustrated Biographies series, this title chronicles Davy Crockett’s life and “clearly separates fact and legend” (School Library Journal, July 2002).

Feinstein, Stephen Read About Helen Keller. Berkeley Heights, NJ: Enslow, 2004. 2–3

A title in the I Like Biographies! series.

Read About Johnny Appleseed. Berkeley Heights, NJ: Enslow, 2006. 2–4 Included in the I Like Biographies! series, Feinstein’s biography of John Chapman “suffers from poor editing” (Horn Book Guide, Fall 2006).

Felton, Harold W. John Henry and His Hammer, illus. by Aldren A. Watson. New York: Knopf, 1950. 5–up Library Journal praises Felton’s book as “especially beautiful and moving.” The story of this railroad hero is depicted as gifted with a “generous and great spirit coupled with great physical strength. Harold Felton has made John Henry more than a legend; he has made him alive. Aldren Watson’s illustrations make this a beautiful book to look at as well as to read” ( Jan. 1, 1951).

Nancy Ward, Cherokee, illus. by Carolyn Bertrand. New York: Dodd, 1975. 4–6 Nancy ward, the daughter of a Cherokee woman and an English soldier, was known as Ghigau — Beloved Woman — and was so revered as the leader of the Cherokee people that she was invited to sit with the Tribal Council. She supported the American cause during the Revolutionary War but was unable to prevent the Trail of Tears. Felton “does her little service by the repeated use of adulatory and fulsome remarks. The writing style is a blend of choppy writing and trite or flowery phrases, and the book is further weakened by uneven treatment” of Ward’s two marriages (Bulletin, Nov. 1975). School Library Journal considers the book “well written.” Though it states that this was in 1975 “the only fulllength biography of Nancy Ward” (May 1975), Elisha Sterling King’s Wild Rose of Cherokee or Nancy Ward was first published in 1895 and was kept in print at least into the 1980s.

Fenton, Edward Duffy’s Rocks. New York: Dutton, 1974. 7–up Kirkus opens its review of Fenton’s novel with this observation: “This sort of bleak naturalism is no longer the fashion in adult fiction, but the longing for escape from a depressed, aging town and a claustrophobic, aging family must still be a powerful theme for young people” (Mar. 1, 1974). Duffy’s Rocks, a small, poor town near Pittsburgh, is the setting of this Depression-era story about Timothy Francis Brennan, who seeks a way out of poverty and family dysfunction. He runs away to New York but returns to a family who voices prejudice and bigotry toward Italian and Slavic immigrants. This is a story of father’s abandonment and a son’s search for his cultural and social place in the world. This title was reprinted in 1999 by the University of Pittsburgh Press with a Foreword and Afterword by Margaret Mary Kimmel. (RH)

Fitterer • 83

Fetty, Margaret Helen Keller: Break Down the Walls! New York: Bearport, 2007. 3–up series.

A biography in the Defining Moments

Filson, John Filson’s Kentucke: A Facsimile Reproduction of the Original Wilmington Edition of 1784. New York: Burt Franklin, 1973. This title was first published in 1784 under the title The Discovery, Settlement, and Present State of Kentucke, Wilmington, DE: James Adams. Reprinted in 1929, by J. P. Morton; in 1930 by J. P. Morton as # 35 of Filson Club publications; and in 1966, under the title The Discovery and Settlement of Kentucke, by University Microfilms. 7–up Not a children’s book, this title is important for young readers because it is one of the earliest histories of Kentucky, and it includes early material on Daniel Boone that supposedly gave rise to his legendary status. This facsimile of the 1784 edition includes the first published map of Kentucky, which was printed separately from the book. According to Barbara Mertins’ Kentucky, Tennessee, West Virginia: Reading for Young People Series, Filson traveled to Kentucky in 1782 or 1783, and his history includes all aspects of the state (American Library Association, 1985).

Finlayson, Ann Greenhorn on the Frontier, illus. by W. T. Mars. New York: Warne, 1974; Pittsburgh: University of Pittsburgh Press, 2000. 5–8 Just before the Revolutionary War, 19year-old Harry and his 23-year-old sister, Sukey, move their few possessions by hand cart to start their own farm on the western Pennsylvania frontier. The Foreword and Afterword by Mary Margaret Kimmel provide historical background. A Golden Triangle Book.

Fischer, David Roberto Clemente. Milwaukee, WI: World Almanac Library, 2005. 4–6 This biography in the Trailblazers of the Modern World series includes a bibliography and index.

Fischer, Laura Life on the Trail of Tears. Chicago: Heinemann, 2003. 2–4 Life on the Trail of Tears draws attention to the impact of the forced relocation on the children of the Cherokee. “Well-organized [and] heavily illustrated” (School Library Journal, June 2004), this title in the Picture the Past series includes a recipe, map,

photographs, a time line, list of titles for additional reading, a glossary, and index.

Fitch, Bob, and Lynne Fitch Grandfather’s Land, illus. with photographs. Mankato, MN: Amecus Street, 1972. 5–up An endnote explains that Bob and Lynne Fitch conceived of this and a series of similar books (published under the Amecus Street imprint) when they worked on the staff of the Southern Christian Leadership Conference and Lynne was secretary to Mrs. Martin Luther King, Jr. The purpose of the book is clearly to introduce a region and its people through one example — the Townsend family. Though young Gary Townsend narrates the text in first person, there is no story. Its matter-of-fact flow is bland, and the people are never revealed, but the details are excellent as reference or resource materials. After a brief description and history of Grandfather Mountain, North Carolina, the text and photographs turn quickly to the immediate and extended Townsend family, then to the “Townsend place” in Avery County and the Boone area — Banner Elk, Beech Mountain, Foscoe, Valle Crucis, and Mast’s Store. The book is an inventory of daily life: farm chores (milking, churning butter, making cottage cheese, butchering hogs, growing and preserving food), typical meals, hunting, fishing for blue gill, harvesting herbs. Gary laments the growing tourist and ski developments and gives details of his parents’ and grandparents’ lives — how much items used to cost, (forty cents for a wedding dress) and how they lived before electricity. The book is a good resource for children interested in rural life in Appalachia 30 or 50 years ago. The weakness is its impersonal tone; Gary is but an excuse for the inventory. The blackand-white photographs document the culture well and provide personal glimpses of the Townsend family — especially the children. (RH)

Fitterer, C. Ann Sequoyah: Native American Scholar. Chanhassen, MN: Child’s World, 2002. 2–4 This title in the Spirit of America: Our People series provides fundamental information about the inventor of the Cherokee alphabet and “presents a balanced look at our government’s mistreatment of Native peoples” (School Library Journal, Dec. 2002). Includes a glossary, suggested reading, a chronology, websites, and index.

Tecumseh: Chief of the Shawnee. Chanhassen, MN: Child’s World, 2003. 2–4 Included in the Spirit of America: Our People series, Fitterer presents the life of Tecumseh, a Shawnee warrior, orator, and leader who united a confederacy of Indians in an effort to save Indian land from the advance of white soldiers and settlers. Includes reproductions, a chronology, further reading,

84 • Fitzgerald a glossary, index, and suggested websites. The title covers the “basics” and presents a “balanced” view of the mistreatment of native people (School Library Journal, Dec. 2002).

Fitzgerald, Stephanie The Scopes Trial: The Battle Over Teaching Evolution. Minneapolis, MN: Compass Point, 2006. 5–8 This title in the Snapshots in History series recounts the Scopes Monkey Trial in Dayton, Tennessee, in 1925. Includes bibliography, photographs, diagrams, timelines, and an index.

Flaherty, Mildred The Great Saint Patrick’s Day Flood. Pittsburgh: Local History, 2004. 3–6 Flaherty draws upon family history and first-hand accounts to tell the story of the March, 1936, Pittsburgh flood, when the Monongahela, Allegheny, and Ohio Rivers rose well beyond their banks. Told from the perspective of Billy Flynn and his Irish-Catholic family, the book is better-than-average, with believable child responses, such as the naïve glee when school is dismissed, the loss of a pet kitten, and Billy’s feelings of shame that his father works for the WPA digging ditches. The writing, including dialogue, is mostly natural and flows well. The format includes isolated news bulletins that document the gradual rise and ebb of the flood waters, and the details of living in a big city without electricity and water add authenticity. Descriptions of the aftermath are especially vivid, as is Billy’s growing appreciation for his father, who rescues stranded flood victims and helps remove mud and water-soaked materials from buildings when the waters recede. The back matter includes excerpts from oral histories, flood trivia, including a map showing the flooded areas near the rivers, and a bibliography. The one major flaw in an otherwise good book is the placement of archival photographs in a center section so that they interrupt the text. (RH)

Flanagan, Alice K. Mrs. Scott’s Beautiful Art, illus. by Romie Flanagan. New York: Scholastic, 1999.

Fleischer, Jane Tecumseh, Shawnee War Chief, illus. by Hal Frenck. Mahwah, NJ: Troll, (1979) 1997. 4–7 Included in the Native American Biographies series, this title presents the life of Tecumseh who tried to unite the Native American Indians against the invasion of white settlers.

Fleischmann, Glen The Cherokee Removal 1838: An Entire Indian Nation Is Forced Out of Its Homeland. New York: Watts, 1971. 6–up This is “a lucid, forthright account” of the 1838 forced removal of the Cherokee Nation from its homeland. Fleischmann begins with an account of the Cherokees’ peaceful, “prosperous, settled way of life” at the turn of the 19th century and ends with their “journey in which one fifth of the Cherokees died” (Booklist, June 15, 1971). Illustrated with photographs and maps and documented with primary sources.

Fleming , Alice Mulcahey Ida Tarbell: First of the Muckrakers. New York: Crowell, 1971. 4–7 This biography of the woman who pioneered a new style of journalism in exposing the malpractices of the oil industry at the turn of the century is included in the Women of America series. Tarbell’s 1904 book The History of the Standard Oil Company exposed the malpractices of the oil industry at the turn of the century. Bibliography included.

Fontes, Justine, and Ron Fontes Rachel Carson. New York: Childrens, 2005. 2–5 A biography of America’s most famous female science writer and environmental advocate. Included in the Rookie Biographies series.

West Virginia: The Mountain State. Milwaukee, WI: World Almanac Library, 2003. 4–6 This title in the World Almanac Library of the States series presents the history, geography, people, politics and government, economy, culture and lifestyle, state events and attractions, and notable people of West Virginia. Includes a bibliography and index.

K–3 Included in the Our Neighborhood series, this title illustrates traditional Cherokee artistry using natural materials. “Recommended, with minor flaws” (Horn Book, Sept. 1999).

Fontes, Ron, and Justine Korman

The Shawnee. New York: Childrens, 1998.

3–4 A biography in the American Frontier series, which is said to be “written with an eye toward historical accuracy.” The events depicted in this Disney product may not be factual, but young readers “should enjoy Crockett’s outwitting and capturing of a group of scoundrels who are terrorizing settlers to get

2–4 Included in the True Books series, Flanagan’s title presents a “well-organized,” fact-filled portrayal of the Shawnee Nation (School Library Journal, Aug. 1998). Includes a list of websites for additional information.

Davy Crockett and the Highwaymen: A Historical Novel, illus. by Charlie Shaw. New York: Disney, 1992.

Forman • 85 their land” (School Library Journal, Apr. 1993). This title in Disney’s American Frontier series includes maps and factual statements that offset the exaggeration and myth.

Davy Crockett Meets Death Hug: A Historical Novel, illus. by Charlie Shaw. New York: Disney, 1993. 2–5 This title in Disney’s American Frontier series tells the story of Davy Crockett and his friend Georgie Russel who decide to hunt down Death Hug, a rogue bear that is making trouble for the local farmers in Tennessee.

Ford, Anne Davy Crockett, illus. by Leonard Vosburgh. New York: Putnam, 1961. 1–2 The necessary “oversimplification” for an easy reader “eliminates the adventure, romance, and humor” that characterize Crockett. “A tame, dull, recital, with little to whet the appetite for later reading” (Library Journal, Nov. 15, 1961).

Ford, Carin T. Andy Warhol: The Life of an Artist. Berkeley Heights, NJ: Enslow, 2002. 1–5 This short biography provides a “strong picture” of artist Andy Warhol’s life and work. Though published for primary grade readers, the “language and sophisticated ideas make the book more appropriate for middle graders” (Horn Book, Oct. 1, 2003). Included in the Artist Biographies series.

Andy Warhol: Pioneer of Pop Art, with illustrations by Andy Warhol. Berkeley Heights, NJ: Enslow, 2001. 6–up Included in the People to Know series, Ford’s biography of Andy Warhol is “flatly written ... [with] little analysis” of the man’s work (Horn Book, Apr. 1, 2002). The School Library Journal assessment of this title is somewhat more positive: “Readers will be drawn into the narrative more through the accounts of the man’s idiosyncrasies than through its compelling prose.... [T]his is a well-documented title that will be useful where there is an interest in the subject” (Oct. 2001).

Helen Keller: Lighting the Way for the Blind and Deaf. Berkeley Heights, NJ: Enslow, 2001. 6–up “This well-researched and well-documented biography provides keen insight into the life of this extraordinary woman.” The “clear, concise prose” and “crisp design” help make this a “welcome research tool and a readable narrative” (School Library Journal, May 1, 2001).

Helen Keller: Meet a Woman of Courage. Berkeley Heights, NJ: Enslow, 2002. 3–4 This biography in the Meeting Famous People series emphasizes Keller’s overcoming her lim-

itations to become a speaker, writer, and advocate for people with disabilities.

Roberto Clemente: Baseball Legend. Berkeley Heights, NJ: Enslow, 2005. 4–7 A title in the Latino Biography Library series, this biography includes both the positive and negative aspects of Clemente’s life. In spite of “the frequent disconnect between the main text and adjacent pull-quotes and photos,” the book “ensures an exciting read” (Booklist, Sept. 1, 2005). According to Horn Book, Ford could have provided “better photos” and “more attention” to Clemente’s childhood, but this is nevertheless a “balanced portrait of the first Latino Hall of Famer” (Apr. 1, 2006). Library Media Connection notes the “engaging text and informative sidebars” (Feb. 2006). Includes timeline, source notes, suggested readings, and websites.

Ford, Ernest J. Tennessee Ernie Ford’s Book of Favorite Hymns. Englewood Cliffs, NJ: Prentice-Hall, 1962. 4–up This collection contains words and music for 50 hymns (including six Christmas carols), each with a brief, first-person introductory note written by Ford himself. An index of titles, of first lines, and a chord chart make it an extremely usable book, especially for beginners. Ford’s introductory essay, Music in My Life, contains good autobiographical material about his life in Bristol, Tennessee, and his road to fame. Throughout, the tone is folksy, comfortable, inviting, and celebratory — much like Ford’s popular persona. (RH)

Forman, James A Ballad for Hogskin Hill. New York: Farrar, Straus and Giroux, 1979. 7–up “This entertaining, thought-provoking novel” explores issues of strip mining among “independent hill folk.” The biblical David-versus-Goliath theme of the weak pitted against the strong is even born out by the names. The main character is David Kinkaid, who with his father, Samson, stages the battle against the “machine,” both literally and figuratively: the strip-mining machinery and the Utopia Coal Company. Forman’s “adventure is high and the pace is fast”: “A book with a lot of spirit and some ideas worth pondering” (School Library Journal, Jan. 1980). The story’s “vitality and its direction” lie with the characters. The “expansive, larger-than-life humor and humanity” cause readers to “like and line up with” the “hillbilly family” and its community (Kirkus Reviews, Oct. 1, 1979).

Song of Jubilee. New York: Farrar, Straus and Giroux, 1971. 7–up Horn Book compares Forman’s novel with William Styron’s The Confessions of Nat Turner and deems it a “success.” Told from the first-person

86 • Foster point of view by Jim Chase, a slave on the McAdam farm, the book is set in the Shenandoah Valley of Virginia between 1860 and the era of Reconstruction after the end of the Civil War. Forman develops the friendship between Myles and Jim, but the “peculiar” friendship between Jim and Myles’ sister Sharon is “skirted.” In spite of the characterization, the “richly detailed” setting, and a story that is “smoothly and excitingly told,” “clichés” emerge and some characters are “pigeonholed glibly.” On the other hand, this is a good examination of the political and social era and a “balanced and solid adventure story” (Aug. 1971).

Foster, G. Allen Impeached: The President Who Almost Lost His Job. New York: Criterion, 1964. 7–up Foster’s biography of Andrew Johnson depicts the “crucial period” of Reconstruction, 1865– 1868, and Johnson’s mammoth task of trying to keep the Union together. School Library Journal points to the “style flaws” and the author’s use anachronistic language, which “seems to strain for adolescent attention” (Dec. 15, 1964). The author also misspells the name of Johnson’s home, Greeneville, Tennessee.

Foster, Genevieve Andrew Jackson. New York: Scribner’s, 1951. 4–6 Booklist considers this “a well-rounded, authentic portrait of Andrew Jackson—boy and man, personal and public life — in an animated style for younger readers” (Dec. 15, 1951).

Foster, Leila Merrell David Glasgow Farragut: Courageous Naval Commander. Chicago: Childrens, 1991. 4–up From the People of Distinction Biographies series, Foster presents a biography of Knoxville, Tennessee, native David Farragut.

The Story of Rachel Carson and the Environmental Movement. Chicago: Childrens, 1990. 4–6 In 30 pages, The Story of Rachel Carson (Cornerstones of Freedom series) emphasizes Carson’s achievements as an environmentalist. The book offers spare biographical information, but provides excellent details on the publication history of each book, its success or failure, public reaction to Carson’s “cause,” and her many awards and honors. Sounding a bit like an encyclopedia entry, the large print will aid early readers, but the photographs are not appealing. An index is helpful for researchers, but the absence of a bibliography is limiting. On the other hand, because so little is written for children about this native of Springdale, Pennsylvania, the book is important: It makes available the basic facts of Carson’s life and lauds her influence as a pioneer in the environmental movement. (RH)

Fox , Genevieve May Cynthia of Bee-Tree Hollow. Boston: Little, Brown, 1948. 6–9 Fox’s story examines a common theme in Appalachian literature, the displacement of families and whole communities by “progress.” In this case, when Cynthia is displaced by the building of a dam, she adapts. She is typical of Fox’s female characters in that she is enterprising and desires an education. “Slight but good picture of the reactions of Southern Mountain people of many ages and temperaments to the building of dams and to the various people who try to turn them to more modern ways” (Library Journal, Jan. 15, 1949).

Mountain Girl, illus. by F. W. Orr. Boston: Little, Brown, 1932. 6–up Booklist compares Fox’s novel with Ester Greenacre Hall’s The Here-to-Yonder Girl (1932) as having a similar “purpose and scene.” Set on Wildcat Ridge in the Kentucky mountains, this is the story of Sairy Ann Hall who battles her family and community to complete high school, become a nurse, and embark on “bettering the life of the mountain people.” Unfortunately, Fox’s book is “a much more usual story” than Hall’s (May 1932.)

Mountain Girl Comes Home. Boston: Little, Brown, 1934. 7–up In this sequel to Mountain Girl, Sairy Ann is married to a doctor. When she brings him back to Wildcat Ridge, the “hill folks” are suspect — both of him and his medical knowledge. Predictable events, including a flood and a feud, give him sufficient opportunity to prove himself and become accepted. “The mountain dialect is used sparingly enough to keep the story pleasant reading.” This “is an excellent picture of a particular section of American life that New England young people need to know” (Library Journal, Sept. 15, 1934).

Fradin, Dennis Brindell The Trail of Tears. New York: Marshall Cavendish Benchmark, 2007. 4–up A title in the Turning Points in U.S. History series, this account of the Cherokee Indian removal is divided into seven chapters and offers sidebar information on major Cherokee figures, including Wilma Mankiller.

West Virginia in Words and Pictures, illus. by Richard Wahl. Chicago: Childrens, 1980. 3–4 A History and description of the Mountain State.

Fradin, Dennis Brindell, and Judith Bloom Fradin Ida B. Wells: Mother of the Civil Rights Movement. New York: Clarion, 2000.

Fremon • 87 6–up Ida B. Wells-Barnett was born a slave but became a teacher, editor, journalist, activist, crusader against Jim Crow laws and lynchings, and one of the founders of the NAACP. In this remarkable biography, the Fradins provide “brutal, explicit accounts of several lynchings and race riots,” as well as “horrifying photos that alternate with formal portraits of Wells’s family and prominent associates.... Of the several recent biographies of this colorful reformer for young readers, this is by far the most moving and complete” (Booklist, Feb. 15, 2000). This is a “wellsustained” account that uses primary materials to advantage. The authors “have remained constant to Wells as a person amidst the history” that could well have overwhelmed her story (Horn Book, May/June 2000). The “well-researched” book provides a “concise ... chronology of Wells’s life” along with “societal views during the late 1800s” (Book Report, Nov./ Dec. 2000). The Fradins include information on Wells’ contemporaries as well as later advocates for civil rights and show how her work made the “civilrights movement of the 1950s and 1960s” possible. This biography is “stellar” and “compelling” (School Library Journal, Apr. 2000). Contains a bibliography and index but no direct citations for primary source materials.

West Virginia. Chicago: Childrens, 1994. 4–6 This history of the Mountain State in the Sea to Shining Sea series includes an index.

Frankl, Ron Terry Bradshaw. New York: Chelsea, 1995. 3–7 This biography in the Football Legends series includes a bibliography and index.

Frazee, Maria Hush, Little Baby: A Folk Song, illus. by author. San Diego, CA: Browndeer, 1999. Pre–K Capitalizing on this song’s “Appalachian roots, Frazee sets the traditional lullaby in the hills of West Virginia” and through her illustrations adds the unique twist of a jealous sister, who purposely wakes the baby. “Frazee’s clear narrative pictures in acrylics and pencil capture the rhythm of the words, the historic particulars of the place, the nighttime farce, and the universal family scenarios of jealousy and love” (Booklist, Nov. 15, 1999). This is a “unique, imaginative interpretation” that results in a “perfect picture book” (School Library Journal, Oct. 1, 1999). Publishers Weekly finds that “a few too many exaggerated gestures and bugged eyes send the illustrations from the animated toward the cartoonish,” with results that are “mixed” (Aug. 30, 1999). “A funny, earthy interpretation, with plenty of scenic details to pore over” (Kirkus Reviews, Aug. 15, 1999). Lyrics and music are included at the end.

Fredeen, Charles Nellie Bly: Daredevil Reporter. Minneapolis, MN: Lerner, 2000. 5–9 Fredeen presents an “engaging” biography of Pennsylvania native and journalist, Nellie Bly (School Library Journal, Mar. 2000). Includes bibliographical references and an index.

Freedman, Russell Martha Graham: A Dancer’s Life. New York: Clarion, 1998. 4–up Freedman captures the essence of Martha Graham’s life and art in this “elegant” biography (Kirkus Reviews, Apr. 1, 1998). “Photographs of startling imagery further illuminate” the expressive prose (Horn Book Guide, 1998).

Freedman, Suzanne Ida B. Wells-Barnett and the Anti-Lynching Crusade. Brookfield, CT: Millbrook, 1994. 4–6 According to School Library Journal, this biography of Ida B. Wells “may seem stranger than fiction to today’s students, but the historical blackand-white photographs are compelling and chilling” (School Library Journal, May 1, 1994).

Freeman, Martha The Year My Parents Ruined My Life. New York: Holiday, 1997. 5–8 Kate, age 12, moves with her parents from California to Bellatoona, Pennsylvania, near Pittsburgh. She is not happy with the shift from sun to snow and runs away to return to her best friend Molly and her boyfriend. Back in California, she is faced with the realities of an insincere Molly and fickle boyfriend, so she returns to her family. “The dialogue is brisk, and the action (even if snowbound) is quick.” This is “well-written, character-driven light fiction” that excels over “generic series grindouts” (Bulletin, Feb. 1998). Though the book is generally “predictable,” Freeman “plants enough surprises to keep readers alert and satisfied” (Publishers Weekly, Sept. 15, 1997). “The author captures the dilemma of young people when they must leave behind people and places they know and love” (School Library Journal, Dec. 1997).

Fremon, David K. The Trail of Tears. New York: New Discovery, 1994. 7–up A title in the American Events series, this book is deemed “attractive,” with an “accessible” style and “unobtrusive documentation by chapter at the back of the book” (Booklist, July 1994). Horn Book calls this a “somber, detailed account” of the forced move of the Cherokee people from their Appalachian mountain homelands. This tragic story in American history is told “clearly and poignantly” (Sept. 1994).

88 • Frisaro

Frisaro, Joe

Fritz, Jean

5–up Confederate General Thomas Jonathan “Stonewall” Jackson is a “singularly unattractive personality,” but Fritz manages to show how his “compulsive regimens” and “exaggerated attention to detail” made him a superb military tactician and disciplinarian. Fritz has produced a “superior example of biographical writing” (School Library Journal, Nov. 1979). Here she delivers a “penetrating view of Jackson’s character. His rigid sense of duty and awkward, humorless intensity made Jackson out of place in civilian life ... but war provided him with the opportunity” to excel (Horn Book, Oct. 1979). “Fritz’s battle reporting is another victory for her method.... Well done” (Kirkus Reviews, Sept. 1, 1979). Contains a bibliography.

Brady, illus. by Lynd Ward. New York: CowardMcCann, 1960; New York: Puffin, 1987.

Frost, Helen

Peyton Manning: Passing Legacy. Champaign, IL: Sports, 1999. 4–7 Peyton Manning, former quarterback for the University of Tennessee, is featured in Sports Publishing’s Football Superstar series. This attractive title covers Manning’s family, high school career, reason for selecting the University of Tennessee, work ethic and career. The “numerous pictures, large print, nonthreatening vocabulary, and short chapters” will appeal to reluctant readers (Voice of Youth Advocates, June 1, 2000).

5–8 In the 1830s, Brady Minton experiences ambivalence about slavery in his farming community of Washington County, Pennsylvania, though his father is a minister with abolitionist convictions and is a conductor on the Underground Railroad. When Brady encounters a runaway slave, he decides to keep the secret and takes pride in his decision.

Let’s Meet Booker T. Washington. Philadelphia: Chelsea, 2004.

The Cabin Faced West, illus. by Feodor Rojankovsky. New York: Coward-McCann, 1958.

Let’s Meet Ida B. Wells-Barnett. Philadelphia: Chelsea, 2004.

2–5 In 1784, ten-year-old Ann Hamilton moves to the western Pennsylvania frontier from Gettysburg. A lonely little girl, her dull life is enlivened when General George Washington comes to dinner, giving Ann’s mother a reason to display the seldomused good dishes. The episode, which is based on the true story of Fritz’s great-great-grandmother, gives Ann reason to be proud of her family’s role in settling the frontier. Fritz tells “an appealing story with good characterizations. Format is good, with illustrations in black and white” (School Library Journal, Apr. 15, 1958).

Make Way for Sam Houston, illus. by Elise Primavera. New York: Putnam, 1986. 6–up Fritz depicts the “colorful, almost largerthan-life figure” of Sam Houston, who became President of the Republic of Texas and then Governor and Senator of the state of Texas. “Fritz’ wry voice lends interest to her vigorous and thoroughly documented account,” which includes primary sources that create “a sense of the authentic dimensions of his character.... Lively, readable, and solidly researched, this is the kind of biography children need” (Booklist, June 1, 1986). The author “never fails to give him credit for achievements ... but she never makes him a likable man, perhaps intentionally.” In spite of a few “lapses in style,” this is a most “competent” book (Bulletin, May 1986). Includes a bibliography, good source notes, and an index.

Stonewall, illus. by Stephen Gammell. New York: Putnam, (1979) 1997.

3–4 According to the Horn Book Guide, Frost’s biography is “engaging and clearly written,” though the “brevity” is sometimes bothersome (Fall 2004). This title in the Let’s Meet Biographies series includes photographs, a reading list, websites, glossary, and index.

K–3 This title in the Let’s Meet Biographies series uses simple text and photographs to introduce the life of Ida B. Wells-Barnett, a journalist who wrote about and spoke against the unfair treatment of African Americans. Includes a bibliography and index.

Frost, John Pictorial Life of Andrew Jackson; Embracing Anecdotes, Illustrative of His Character. For Young People. By the Author of “Life of Washington.” Philadelphia: Lindsay and Blakiston, 1845. 5–up Published shortly after Andrew Jackson’s death, this title represents one of the earliest biographies of Jackson for children. It remains surprisingly readable today and would be suitable for 21st-century middle-schoolers, though attitudes toward Native Americans do not meet today’s standards of political correctness, and Frost is unabashedly biased toward Jackson. His marriage to Rachel Donelson before she was divorced is glossed over. The duel with Charles Dickinson, which resulted in Dickinson’s death, is excused thusly: “There are few, however, except the immediate friends of Dickinson, who attach any blame to Jackson” (39). Beginning with Jackson’s birth and background, the 27 chapters cover the major points of his life, including dueling, the War of 1812, the Battle of New Orleans, Jackson’s presidency, and his death. Because digital copies of this book are available on the Internet, it can be used at any age level for comparative research. (RH)

Furstinger • 89

Fry, Annette R. The Orphan Trains. New York: New Discovery, 1994. 7–up This “compelling” title in the American Events series draws “on the personal letters, interviews, and snapshots of poor and abandoned slum children who were sent on the orphan trains to homes in the West.” Fry’s account covers the “social conditions at the time, but the drama is in the stories of what it was like for the young people: where they went, what happened to them in their new families, how they grew up, and how some of them repressed the past while others went searching for their roots” (Booklist, July 1994.) The phenomenon called “orphan trains” was begun in 1854 by the Children’s Aid Society of New York and continued into the first quarter of the 20th century. The routes generally began in the East, some running through the Appalachian areas and ending in the South and West. This “[i]nformative, well researched” volume is mostly “upbeat,” focusing on “the placements that turned out well, only hinting at the mistreatment that some of the children encountered in their foster homes” (School Library Journal, Jan. 1, 1995).

Frye, Dennis E. 1862 Facts About the Battle of Antietam. Collingswood, N.J.: C. W. Historicals, 2001. 6–up An informational book about the Battle of Antietam for the middle grades.

Fugate, Clara Talton From Massacre to Matriarch: Six Weeks in the Life of Fanny Scott, illus. by Caren Ertmann Gallimore. Blacksburg, VA: Pocahontas, 1989. 4–7 This Indian captivity story, a title in Fugate’s Tales of the Virginia Wilderness series, is based on an historical event that took place on June 29, 1795, in the Powell River Valley, Virginia. When Archibald Scott and his family, including four children, traveled the Wilderness Road on their way to the Ohio Valley, they were beset by Cherokee Indians. All were massacred except Fanny, who escaped and walked the 60 miles back to Clinch, Virginia. This account is “notable for its Virginia setting and for its balanced portrayal of the heartache endured by both the pioneers and the Indians.” The book is bilingual — both English and Spanish (Roanoke Times and World-News, June 24, 1990). At the end, there is a mention of Johnson City, Tennessee, and Grundy, Virginia.

The Legend of Natural Tunnel, illus. by Caren L. Ertmann. Blacksburg, VA: Pocahontas, 1986. 4–7 Fugate’s bilingual story (English and Spanish) relates the legend of thwarted lovers. Black

Hawk, Chief of the Sac and Fox Indians, refused to allow his daughter Winnoa to marry Swift-Foot, so they jumped to their deaths from Lovers’ Leap in what is now Natural Tunnel State Park near Duffield, Virginia. The story may be of interest to pre-teens, but the lackluster prose and wooden illustrations will not attract readers. This title is the first in the Tales of the Virginia Wilderness series. Contains maps by Vera G. Good. (RH)

Furbee, Mary Rodd Anne Bailey: Frontier Scout. Greensboro, NC: Morgan Reynolds, 2002. 4–7 Anne Bailey immigrated to America from her poverty-stricken circumstances in Liverpool, England, in 1761. When her husband died, and she was left to survive on her own in western Virginia, she became legendary as a Revolutionary War scout. “Despite a lengthy bibliography, this biography is ... short on facts” and contains “fictionalized” emotional details. This is a “lightweight title” (School Library Journal, Mar. 1, 2002). Booklist is more positive about Furbee’s “straightforward ... brisk, engaging” book about a “courageous” but “whiskey-swigging roustabout,” who is ultimately someone young readers will want to know (Mar. 1, 2002).

Shawnee Captive: The Story of Mary Draper Ingles. Greensboro, NC: Morgan Reynolds, 2001. 5–8 In “a readable biography of a daring frontier woman” (School Library Journal, June 2001), Mary Rodd Furbee recounts the true tale of the abduction of Mary Draper Ingles, her two sons, and her sisterin-law by Shawnee Indians in 1745. This title in the Women of the Frontier series includes a bibliography and an index.

Wild Rose: Nancy Ward and the Cherokee Nation. Greensboro, NC: Morgan Reynolds, 2002. 6–up Furbee’s well-researched biography is “linear” and “somewhat romanticized,” but it “captures both the adventure and scope” of Nancy Ward’s life. Ward, born in 1737, became the respected “Beloved Woman” and tribal leader of the Cherokee who sat on the Council of Chiefs. She married a white man and advocated for peace between the whites and the Indians. “The style is lively, engaging, and accessible, and the story is fascinating” (School Library Journal, Sept. 1, 2001). Horn Book Guide takes an opposite view, saying the tale is “told in overwritten prose that gushes over the natural beauty of the frontier and falls into numerous stereotypes about Native Americans” (Spring 2002). Includes maps and line drawings.

Furstinger, Nancy Davy Crockett. Mankato, MN: Weigl, 2003. 3–7

A title in the Folk Heroes series.

90 • Gage

Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele] Big Blue Island, illus. by Glen Rounds. Cleveland, OH: World, 1964. 4–6 Darrell, age 11, is abandoned by his father, so when his mother dies he is sent from Detroit to live with his curmudgeonly great-uncle. The real story is Darrell’s transition from urban street life to life in a hovel on an island in the middle of the Tennessee River. The title comes from the big blue herons that live on the island, which is a game preserve. Much like the main character in Byars’ The Midnight Fox, Darrell comes of age through his relationship to these creatures, whose values are also mirrored “in the proud, free-spirited old man living in perfect communion with nature. The author’s deep conviction and honest, dispassionate writing give intense realism to both characters and story” (Horn Book, Feb. 1965).

The Crow and Mrs. Gaddy, illus. by Marylin Hafner. New York: Greenwillow, 1984. 1–4 This title in the Greenwillow Read-Alone series features Mrs. Gaddy’s struggle with a crow who eats the grains of corn that she tries to plant, pulls her laundry off the line, and generally thwarts her work. In every case of “preposterous” and “mutual trickery,” both the crow and Mrs. Gaddy enjoy “each other’s discomfiture” and plans for “further bedevilments” (Horn Book, June 1984).

Cully Cully and the Bear, illus. by James Stevenson. New York: Greenwillow, 1983. K–2 When Cully Cully shoots an arrow into a bear’s nose, a chase ensues. As the two speed round and round a tree, the distinction between chaser and chasee is soon lost, making for a “clever,” “laugh out loud” story. “Stevenson’s irrepressible watercolor illustrations provide rollicking fun” (School Library Journal, Aug. 1983). An “amusing go-round” and an “invigorating runaround” that is “a surefire read-aloud activator” (Kirkus Reviews, Apr. 1, 1983).

Down in the Boondocks, illus. by Glen Rounds. New York: Greenwillow, 1977. 1–3 This title in the Greenwillow Read-Alone series features a farmer who is unbothered by all the noise on the farm because he is deaf. The lines of poetry “almost sing themselves,” and the illustrations are “brisk, flyaway ... comic” interpretations of the rhymes (Bulletin, Feb. 1978). Rounds’s “characteristic line drawings ... appropriately depict the shabby rusticity of the farmer’s way of life” (Horn Book, Feb. 1978). School Library Journal is a bit more critical: “The irony may be a little subtle for the intended audience,” and this title “lacks the stimulating plot” of the GageRounds Squash Pie (Dec. 1977). While the “boondocks” setting is fairly generic, the illustrations and content have a decidedly regional slant.

The Ghost of Five Owl Farm, illus. by Paul Galdone. Cleveland, OH: World, 1966. 5–7 When Ted and his family move to a farm, his pleasure in their new home is dulled by a visit from two cousins, Winkie and Bobbin, who are younger than sixth-grade Ted. He and his father set out to entertain the twins by creating a “ghost,” in the barn, but they are surprised when a “real” ghost appears. Throughout the mystery, Ted ceases to think of his cousins as “thin, pale, and not quite with it” and begins to see them as “courageous and intelligent.” The “characterization is good, the twins being odd but not exaggerated; the country background is evocatively described; and the story has pace and an economy of construction” (Bulletin, Sept. 1966). “A regular comedy of errors” with “plenty of suspense” (Library Journal, May 15, 1966).

Mike’s Toads, illus. by Glen Rounds. New York: World, 1970; New York: Greenwillow, 1990. 3–5 Bobby Madison is going away for the summer, so Mike volunteers his brother David to babysit Bobby’s terrarium — without first asking. He has forgotten that David is going to camp, so he must take care of the toads, and in the process, he learns a great deal of “amphibialia,” along with “compassion for the encaged.” Unfortunately, the book is “[b]landly intra-terrarial” (Kirkus Reviews, Apr. 15, 1970). The Bulletin is more positive than Kirkus: The style is “easy, natural”; Gage melds information about toads “unobtrusively” (Feb. 1971). Top of the News agrees that Gage provides “attention-holding information on toads and frogs,” and Glen Rounds’s illustrations are “delightful” ( Jan. 1971). In August 1970, the Horn Book observes that Gage is “at her best when she combines her realistic understanding of boys with her enthusiasm for the world of nature.” Twenty years later, Horn Book finds the 1990 reissue still “spontaneous, funny,” and filled with “natural conversation and interesting predicaments” ( July/Aug. 1990). The Reading Teacher agrees that this is a “funny, perceptive” book (May 1991). Though the setting is not identified, the language (particularly Mrs. Dunwoody’s exchanges) and the geography are typical of southeastern Tennessee or western North Carolina. This book, paired with Gage’s 1961 title A Wild Goose Tale, offers excellent reading for all ages; 21st-century adults may enjoy these tales more than children. (RH)

Miss Osborne-the-Mop, illus. by Paul Galdone. Cleveland, OH: World, 1963. 4–6 While spending the summer in the western North Carolina mountains with her cousin Dill, who is something of a pain, Jody accidentally turns him into a squirrel and thereby learns that she has unusual powers. Thinking that her newfound talents will provide endless summer entertainment, the children get a surprise when their mop turns into a female taskmaster. Horn Book points to the “humor” and

Gage • 91 Gage’s “ability to create realistic children” (Aug. 1963). According to the New York Herald Tribune, “The magic appears rather abruptly ... but it wins our willing suspension of disbelief ” because Gage has delivered “such natural youngsters” (May 12, 1963). Saturday Review pronounces the book “Good fun” (May 11, 1963).

Mrs. Gaddy and the Fast-Growing Vine, illus. by Marylin Hafner. New York: Greenwillow, 1985. 1–4 Mrs. Gaddy buys a vine that grows so fast that it takes over her life. A title in the Greenwillow Read-Alone series.

Mrs. Gaddy and the Ghost, illus. by Marylin Hafner. New York: Greenwillow, 1979. 1–4 This title in the Greenwillow Read-Alone series features Mrs. Gaddy’s hilarious feud with a hungry ghost who destroys her peaceful farm life. At the end of her wits, she decides to write the ghost a letter, politely asking it to move elsewhere. When the “benign creature” reads the letter, it is so distraught that Mrs. Gaddy decides to let it stay. The “witty and imaginative detail” of the illustrations complement the “simple text” (Horn Book, Oct. 1979).

My Stars, It’s Mrs. Gaddy!: The Three Mrs. Gaddy Stories, illus. by Marylin Hafner. New York: Greenwillow, 1991. 1–4 This “attractive volume” contains three previously-published Mrs. Gaddy stories, which makes for a “good introduction” to her “rollicking adventures” on the farm: Mrs. Gaddy and the Ghost (1979), The Crow and Mrs. Gaddy (1984), and Mrs. Gaddy and the Fast-Growing Vine (1985) (Booklist, Oct. 15, 1991).

The Secret of Fiery Gorge, illus. by Mary Stevens. Cleveland, OH: World, 1960. 4–5 Marjorie, Tom, and Jeff spend a summer in the Appalachian mountains with their botanist father and get caught up in “mysteries,” some of which are fed by imagination, that are explained at the end. “A satisfying conclusion brings a logical explanation of the puzzling events, but all along, there are lots of amusing, pleasant family incidents. Authentic nature lore is brought in quite naturally to add to the good mystery” (School Library Journal, Apr. 15, 1960). Booklist agrees that this is a “lively mystery story with a logical solution, good characterization, and pleasant family relationships” ( June 15, 1960). Horn Book suggests that the mystery has a “rather ordinary outcome,” but children will find the attempts to solve it humorous. The book is “deftly” narrated with good characterization (Aug. 1960). The New York Times Book Review agrees that the mystery is “flimsy,” but concludes that no one cares because Gage draws her “family group portraits ... so ebulliently” ( June 12, 1960).

Secret of the Indian Mound, illus. by Mary Stevens. Cleveland, OH: World, 1958; New York: Washington Square, 1969; New York: Simon and Schuster, 1974. 3–7 Thievery and a mystery develop when two cousins, Alec and Jimmy, one from the city and one from the country, practice amateur archaeology by excavating an historic Indian burial mound with their Uncle Zan. The result is a “good mystery for boys from eight to twelve” (Publishers Weekly, Feb. 17, 1969). The Chicago Sunday Tribune notes the “excellent characterization, lots of humor, and a fine regional flavor” ( July 16, 1958). According to the New York Times, the title is “Genial, leisurely, with a nice sense of the region” ( June 8, 1958). Library Journal considers it “somewhat slangy,” but its style will appeal to reluctant readers” (May 15, 1958). (Written before the enactment of the Native American Graves Protection and Repatriation Act, this story will not meet standards of political correctness in the 21st century, but it is an excellent reminder of how attitudes toward Native Americans have changed. (RH)

Squash Pie, illus. by Glen Rounds. New York: Greenwillow, 1976. 1–4 This tall tale in the Greenwillow ReadAlone series features a farmer whose favorite dish is squash pie. When his squash harvest is stolen, he replants and adds potatoes with “eyes” and corn with “ears” so his garden is secure. The tale is enlivened by puns and word-play, along with Rounds’s illustrations of a “slow-witted and stubborn” farmer (School Library Journal, Dec. 1976).

A Wild Goose Tale, illus. by Glen Rounds. Cleveland, OH: World, 1961. 4–7 This sensitive, delicate, funny story entwines the lives of Chuck, a nine-year-old boy, and Chen, a one-year-old Canada goose. Chuck has a penchant for getting into scrapes, so when he has a holiday from school, his parents send him on a camping trip with his favorite Uncle Bill. They travel to a lake in the Great Smoky Mountains where Bill watches migrating geese. He tells Chuck the story of Chen, a gosling who also gets into scrapes and who eventually comes to the lake to winter. At the end, the reader has learned a great deal about Canada geese and their migratory habits, and Chuck has learned a great deal about life and being a kid. Gage excels at nature writing and at capturing the peculiarities of children of any species. Her no-nonsense but real adults are a refreshing change from the glut of cookie-cutter, fictional grown-ups. An excellent book (RH). The New York Times Book Review praises this “double narrative” for its “authentic nature lore” and “the kind of humor that children adore.” The writing in this “splendid story” is “beautiful,” as are Rounds’ blackand-white illustrations (Apr. 9, 1961). Booklist also praises the “authentic wildlife information” ( July 1,

92 • Gainer 1961), and Kirkus calls it a “zany laugh-filled comedy” (Feb. 1, 1961).

Flood of 1889. “[B]landly written” (Horn Book, Sept. 1, 1999).

Gainer, Patrick

Gallagher, Jim

Folksongs from the West Virginia Hills. Grantsville, WV: Seneca, 1975.

Daniel Morgan: Fighting Frontiersman. Stockton, NJ: OTTN, 2006.

4–up Patrick Gainer, a folklorist from West Virginia University, spent more than 60 years collecting songs and tales. This collection of 108 songs, divided into five sections, “is a good book for both scholar and layman.” Music, lyrics, and historical notes are included, making for a “succinct but pertinent and informative introduction, which helps to give a better idea of the people and what makes a folksong” (Choice, Nov. 1975). Includes a bibliography and index.

5–11 Included in the Forgotten Heroes of the American Revolution series, this title is “competently done” (Horn Book, Apr. 1, 2007). Through this biography, “readers get a picture of what the frontier was like in the early nation while they learn about the types of guns used in the Revolutionary War and the way fighting units conducted themselves during battles” (Voice of Youth Advocates, Feb. 1, 2007). Includes a list for further reading, timeline, websites, glossary, and index.

Witches, Ghosts and Signs: Folklore of the Southern Appalachians. Grantsville, WV: Seneca, 1975.

The Johnstown Flood. Philadelphia: Chelsea, 2000.

6–up This “slight” collection of approximately 70 tales from the West Virginia mountains is considered “less than scholarly” but useful. In his notes, Gainer abandons the objectivity of a folklorist and defends the mountaineers’ “belief in witchcraft and superstition,” but the “bits and pieces of regional folk history” will entertain (School Library Journal, Feb. 1, 1976).

Gaines, Richard M. The Cherokee. Edina, MN: Abdo, 2000. 2–5 This Native American series uses “short, simple declarative sentences, making the information accessible to the targeted audience.” Formatting is somewhat successful, but websites included are “in no way geared to the audience for these books. Despite the flaws, these titles [in the series] do offer younger children a positive view of American Indian cultures” (School Library Journal, June 2001).

Galdone, Joanna The Tailypo: A Ghost Story, illus. by Paul Galdone. New York: Seabury, 1977.

4–6 This title in the Great Disasters series describes the events surrounding the tragic flood that overwhelmed Johnstown, Pennsylvania, and nearby areas in 1889.

Garcia, Kimberly Roberto Clemente. Bear, DE: Mitchell Lane, 2003. 4–6 This title in the Real Life Reader Biography series emphasizes the philanthropic deeds as well as the athletic achievements, of the Hall of Fame baseball player from Puerto Rico who died in a plane crash in 1972. Includes an index.

Garfunkel, Trudy Letter to the World: The Life and Dances of Martha Graham. Boston: Little, Brown, 1995. 4–7 Horn Book reports that Letter to the World is a “brisk, clear account” of the life of Pittsburgh native Martha Graham (Sept. 1, 1995). Booklist maintains that the “grounding metaphor of Garfunkel’s biography of Graham is dance as language, and Graham’s transformative role in American dance comes to life here” ( June 1, 1995). Using black-andwhite photos to illustrate the text, Garfunkel has presented a biography that “affords a useful introduction to the dancer and the dance” (Publishers Weekly, May 8, 1995).

5–up Joanna Galdone sets her version of this ancient folktale in the Tennessee mountains. The story came from her grandfather, and her father, Paul Galdone, provides illustrations that are “lively, more comic than scary, like the author’s text” (Publishers Weekly, Oct. 17, 1977). The illustrations “form a strong accompaniment to the clean, vigorous storytelling” (Horn Book, Feb. 1978).

Garlick, Phyllis Louisa

Gale, Stephen, and Peg Kehret

Conqueror of Darkness: Story of Helen Keller. London: Lutterworth, (1958, 1986) 1997.

The Flood Disaster. New York: Simon and Schuster, 1999. 4–7 Included in the Frightmares series, this is the story of two children who use an “Instant Commuter” device to travel back in time to the Johnstown

4–7 This title in the Stories of Faith and Fame series is a short, straightforward biography of Helen Keller, who conquered blindness and deafness to become one of the most powerful women in America.

Gibbons • 93

Garrett, Leslie Helen Keller. New York: Dorling Kindersley, 2004. 5–up This title in the Dorling Kindersley series A Photographic Story of a Life is “attractive” and “highly readable” with “worthwhile overviews” that offer a “fascinating first look” at Keller. Format and design are excellent (Booklist, June 1, 2004). From the quality of the paper to the page design, “these books are wonderful to look at and most interesting to read” (KLIATT, Jan. 2005). Horn Book Guide is less enthusiastic: The biographies in this series are “wellrounded,” though they are “hampered by an occasional glibness of tone,” and the pages suffer from overcrowding (Spring 2005). Includes a timeline, index, websites, and bibliography.

Gay, Kathlyn Mother Jones. Greensboro, NC: Morgan Reynolds, 2006. 6–up Gay’s biography of Mary Harris outshines Josephson’s 1997 biography in its “background information” and rendering of “Jones’s character.” “This is a serviceable biography” (School Library Journal, May 1, 2006).

Geary, Charles, and Leonard Grossman What I’m About Is People. Chicago: Childrens, 1970. 6–up Charles Geary, a “hillbilly from Jugville, Kentucky,” moved to “Uptown” Chicago and suffered hunger, poverty, and “exploitation by the organized powers-that-be.... Unlike many professional community social workers — whose activities are described in the career guidance section — Geary has a first-hand knowledge of poverty and hopelessness which makes his account especially interesting” (School Library Journal, Mar. 15, 1972).

Gentry, Tony Jesse Owens. Philadelphia: Chelsea, (1990) 2005. 4–7 This biography of the track and field star who won three gold medals in the 1936 Summer Olympics in Berlin is a title in the Black Americans of Achievement series. This book was reissued in 2005 under the title Jesse Owens, Champion Athlete, with additional material by Heather Lehr Wagner. Includes a bibliography and index.

George, Jean Craighead The Moon of the Bears, illus. by Mac Shepard. New York: Crowell, 1967; New York: HarperCollins, 1993. 4–7 Included in the Thirteen Moons series, George presents detailed information about the life of a black bear as she emerges from hibernation in the

Smoky Mountains of Tennessee. Reviewing the 1993 reprint of this title, Science Books for Young People declares the series “handsome” and maintains that it will motivate children to learn more about the animals and habitats profiled in the books (Fall 1993). Includes bibliographical references and an index.

Gerson, Noel Bertram Franklin, America’s “Lost State.” New York: Crowell-Collier, 1968. 7–up This story of the creation of the State of Franklin in 1784, which lost its identity in 1789 when it was included in the Southwest Territory of the United States, is told “[t]horoughly, but not vividly”: “In the absence of other, livelier sources, this is a competent addition to American History bookshelves, and the detailed account of the political maneuvers involved should interest those with a political bent as well as history buffs” (Library Journal, Mar. 15, 1969). This book will be of particular interest to readers interested in the early history of Tennessee and North Carolina.

Sam Houston: A Biographical Novel. Garden City, NY: Doubleday, 1968. 7–up Gerson “presents a sympathetic portrayal of that enigmatic soldier and first president of the Republic of Texas.” This fictionalized account of the years between 1805 and 1863 is “acceptable,” but readers will not be able “to picture the lusty, robust, ambitious wheeler-dealer” without reading “between the lines” (Library Journal, Oct. 1, 1968).

Trial of Andrew Johnson. Nashville, TN: Nelson, 1977. 7–up Gerson’s “popularized reconstruction” begins with Johnson’s life as Governor of Tennessee and progresses to “the significant events that led to his congressional impeachment, the election of Ulysses S. Grant, and Johnson’s subsequent triumph as U.S. senator. An adulatory portrait, but readable and illuminating” (Booklist, May 1, 1977). Includes a bibliography.

Gibbons, Faye The Day the Picture Man Came, illus. by Sherry Meidell. Honesdale, PA: Boyds Mills, 2003. K–2 One day Cecil Bramlett, the picture man, appears at the Howard farm, hoping to take a family portrait. The confusion and “mayhem” of trying to corral Ma and Pa Howard, their five children, a cat, two dogs, and Peter, the goat, for a photograph set the scene for this lively picture book. Told in “drawling mountain dialect,” this “slapstick” comedy “gets funnier and funnier, encouraged by Meidell’s watercolors, which delightfully exaggerate the animals’ antics and the humans’ reactions.” The book ends with a “dignified, sepia-tone family portrait ... alongside a second picture that captures the family members as

94 • Gibbons they hiss, wiggle, and prepare to faint dead away” (Booklist, Feb. 15, 2003). Meidell’s illustrations for this Georgia mountain farm story are “appropriately comic,” but the “book tries too hard to be humorous,” and the text contains “unnecessary detail” (Horn Book Guide, Fall 2003). Kirkus Reviews compares this book unfavorably with Nancy Willard’s Simple Pictures Are Best (1977) and criticizes Meidell’s art as having “a heavy, paint-by-numbers look” (Feb. 1, 2003). On the other hand, Library Media Connection praises the illustrations as “beautiful” and the story “excellent” and “Highly Recommended” (Aug./Sept. 2003). Publishers Weekly comments on the “fast-paced, dialect-peppered text and the playful illustrations” (Dec. 16, 2002). According to School Library Journal, “The story is slight and the watercolor illustrations lack finesse and sparkle. A so-so slice of Americana” (Mar. 1, 2003).

Emma Jo’s Song, illus. by Sherry Meidell. Honesdale, PA: Boyds Mills, 2001. K–3 Emma Jo Puckett comes from a musical family, but she cannot sing, and Rip, the hound dog, always howls when she tries. At a family reunion, Emma Jo is put on the spot, but Rip eases the tension, and her relatives give her support. “The humorous climax comes at just the right moment, breaking the tension of Emma Jo’s awkward stand in the spotlight.” This is a “pleasant slice-of-life story” (Booklist, Apr. 1, 2001). Meidell’s watercolor illustrations are “distinctive” (Horn Book Guide, Fall 2001). School Library Journal takes the opposite view: “This Appalachian story is thin — readers won’t really care about Emma Jo or her large extended family. The pastel illustrations are mediocre. The color is muddy and splotchy, making it difficult to distinguish characters, especially in the crowd of aunts, uncles, and cousins. This musical story falls flat” (May 1, 2001).

Full Steam Ahead, illus. by Sherry Meidell. Honesdale, PA: Boyds Mills, 2002. K–3 Sammy, the narrator in this story, wants to be a train engineer, and when a steam engine rolls into Turkey Creek, Georgia, one week early, he and Grandpa have an adventure, which ends in a ride on the train. “The narrative is lean on plot but heavy on atmosphere, using onomatopoeia and regional colloquialisms to good effect.... Today’s readers may not grasp how the arrival of a train ever generated so much excitement. Additionally, the characterization and dialogue are somewhat stereotypical and stilted” (School Library Journal, July 1, 2002). “Meidell’s energetic watercolors convey the journey’s urgency” (Publishers Weekly, Feb. 4, 2002). Booklist praises “Meidell’s expressive, richly textured watercolors [that] capture the joy of the close-knit community and the thrill of the event,” along with Gibbons’ “pacing and authentic language” (Apr. 1, 2002). Horn Book Guide, on the other hand, points to the “[s]omewhat stereotyped language and [flat] characters,” but finds the

“[d]etailed illustrations” to be effective (Fall 2002). Library Talk suggests that the book “may resonate” with train “enthusiasts” but that it is not a must-purchase title (Nov./Dec. 2002).

Hook Moon Night: Spooky Tales from the Georgia Mountains, illus. by Ronald Himler. New York: Morrow, 1997. 3–6 Gibbons’ front-porch stories (loosely based on tales she heard as a child) are characterized by “[t]ight plots and punchy conclusions.” Though they “strain the [front-porch] frame after awhile, ... they are inherently creepy if not spectacularly scary” (Bulletin, Nov. 1997). “Laced with flavorful dialogue,” the stories provide “no real nightmare material.” The illustrations “add a good deal to the atmosphere” (Booklist, Nov. 1, 1997). “This careful blending of dialogue and narrative creates a safe environment for readers to experience the scary elements of each haunting tale. The author gives familiar folklore themes a fresh twist and, through the use of language, character, and setting, introduces readers to this [Georgia] mountain setting” (School Library Journal, Nov. 1997).

King Shoes and Clown Pockets. New York: Morrow, 1989. 3–6 Raymond Brock, age 10, moves with his family from a Tennessee farm to a trailer park outside Fuller, Alabama. Having left behind his beloved Grandpa Jasper, he makes friends with Bruce, the son of a junk dealer, and Bruce’s dog Floppy. “The dynamics of the novel are solid, ... The prose, however, is drawn-out with less than selective detail, and the ending contrived with a happy twist.” This “regional fiction ... will appeal ... to dog lovers” (Bulletin, Nov. 1989). The characters in this “rambling, disjointed story ... never quite emerge” (Horn Book, Feb. 1990). Gibbons “does not do well with characters, especially females” and her “efforts to give everyone a redeeming feature are not convincing” (Kirkus Reviews, Oct. 15, 1989).

Mama and Me and the Model-T, illus. by Ted Rand. New York: Morrow, 1999. K–3 This sequel to Mountain Wedding (1996) features a “bouncy ride around the farm” in Mr. Long’s motorcar. When Mama tries to show everyone that women can drive, too, disaster ensues. “Rand’s delightful watercolors display the heartfelt warmth and humor of the noisy blended family that disagrees yet still gets along. Mr. Long’s acceptance of his wife’s new talents is a refreshing plus” (Booklist, Nov. 15, 1999). “This boisterous tip of the hat toward equality of the sexes is as fit and funny as a family story ought to be” (Kirkus Reviews, Sept. 15, 1999).

Mighty Close to Heaven. New York: Morrow, 1985. 5–up When his mother dies, Dave Lawson, age 12, runs away from his “stern grandparents” to

Giovanni • 95 find his father. He quickly becomes lost in the mountains but meets up with a granny woman who helps him. This novel fuses the motifs of survival and coming-of-age. “Gibbons vividly evokes the north Georgia setting through characterization, dialogue, and description. The adventurous plot is tight-knit and takes Dave from conflict against his undemonstrative (grand)Dad through dangers of hunger, fatigue, snake, and mountain lion on his wilderness trek to disillusionment with his irresponsible father. This well-written work combines the appeal of a survival story with a satisfying though difficult resolution of the need to belong” (Language Arts, Sept. 1985).

Mountain Wedding, illus. by Ted Rand. New York: Morrow, 1996. K–2 Kirkus describes this as a “perky tale of a backwoods Brady Bunch.” The Widow Searcy and the Widower Long unite the five Searcy children and the seven Long children in a raucous wedding that is beset by bickering and bees. The illustrations are “particularly fine ... and well matched to the text” (Feb. 15, 1996). Gibbons’ “narrative is filled with regional and turn-of-the-century colloquialisms. Muted watercolor illustrations accurately convey both the soft, old-fashioned charm of Georgia mountain life and the impending insurrection. The artist pokes gentle fun at adults—Mr. Long’s borrowed suit literally bursts at the seams; the minister and his wife are wonderful stereotypes.... A delightful, lighthearted treatment of a common dilemma” (School Library Journal, Apr. 1996). This is a “pleasant and unassuming story” that is “splendidly augmented” by Rand’s illustrations. “A winning combination” (Horn Book, May/June 1996).

Some Glad Morning. New York: Morrow, 1982. 5–up Set in 1947, Gibbons’ first novel tells the story of a mother and her three children who leave their alcoholic husband and father and return to the Georgia mountains to live among the mother’s “shiftless relatives.” Horn Book praises the novel as “impressive.” It “presents a homely and realistic picture of a time and place” (Aug. 1982). The main character, tenyear-old Maude, “must improbably endure” a host of trials, but “readers should persevere” with the novel. In the end it is a rewarding coming-of-age story (School Library Journal, Aug. 1982).

Gifford, James M., Owen B. Nance, and Patricia A. Hall, eds. Appalachian Christmas Stories. Ashland, KY: Jesse Stuart Foundation, 1997. 6–up Includes eleven short stories, essays, and poems by various artists, including Jesse Stuart and Billy C. Clark.

Gigliotti, Jim Peyton Manning. Chanhassen, MN: Child’s World, 2007.

1–5 Biography of University of Tennessee football great, Peyton Manning. Included in the World’s Greatest Athletes series.

Gilbert, John Pittsburgh Penguins. Mankato, MN: Creative Education, 1996. 3–4 Brief history of the Pittsburgh Penguins professional ice hockey team.

Gilbert, Thomas W. Roberto Clemente. New York: Chelsea, 1991. 3–4 This title in the Hispanics of Achievement series includes a bibliography and index.

Roberto Clemente: Puerto Rican Baseball Player. New York: Chelsea, 1999. 7–up A revision of the 1991 title for older readers.

Gillespie, Paul F., ed. Foxfire 7. Garden City, NY: Doubleday, 1982. 7–up With the departure of Eliot Wigginton as editor of the Foxfire series, Paul Gillespie continues the Foxfire publications with students who explore Appalachian Christianity in this volume. Dr. Bill J. Leonard, from Kentucky, offers a historical context for each of the eight denominations that are explored largely through oral interviews. “Black-and-white photographs capture the individuals interviewed and visually document follow-up sections that deal with special aspects of religious practice including foot washing, snake handling, baptism, and the use of shorthand musical notation (shaped notes)” (Booklist, Apr. 1, 1982).

Gillis, Jennifer Blizin Jesse Jackson. Chicago: Heinemann, 2006. 3–6 This weak biography in the American Lives series doesn’t “flesh out [Jackson’s] personality, and the photos and captions do little to extend the text.” Contains a reading list, timeline, index, and “inadequate” glossary (Horn Book Guide, Fall 2006).

Giovanni, Nikki Ego-Tripping and Other Poems for Young People, illus. by George Fort. Chicago: Lawrence Hill, (1973) 1993. 5–up George Fort’s “vigorous black and white pictures” illustrate previously-published poems collected here for young readers. “Some of the poems are about children, tender or impassioned, some are about Giovanni’s childhood; some of the poems are angry and some ebullient explosions of love or pride; all of them are a celebration of blackness” (Bulletin, May 1974). In 1994, Giovanni added ten new poems and a Foreword by Virginia Hamilton. Giovanni “writes of struggle and liberation. She’s upbeat and celebratory

96 • Glancy without minimizing hard times” (Booklist, Apr. 15, 1994). Giovanni was born in Knoxville, Tennessee, and spent part of her teenage years there.

Knoxville, Tennessee, illus. by Larry Johnson. New York: Scholastic, 1994. K–up Giovanni’s 68-word poem “about summertime in the rural South,” originally published in 1968, “makes for a sunny picture book.... The very short text here forces a reliance on mood and tone, with great success.... Johnson’s artwork extends Giovanni’s words, depicting verdant fields in crisp contrast to white houses and dresses. A church picnic never looked so tasty” (Publishers Weekly, Jan. 24, 1994). Johnson’s illustrations are “warm and wonderful.... The verdant, impressionistic artwork is filled with ... a spirit that transcends and transforms even the most everyday activities.... Knoxville represents the home of heart, where everyone is welcome” (Booklist, Feb. 15, 1994). “Johnson’s painterly illustrations envelop readers in a lush, green world suffused with an overwhelming sense of family and community love” (Horn Book, Sept. 1994). This is a “fine picture book debut” for the artist, but the price is steep, considering “the limited content” (Kirkus Reviews, Jan. 1, 1994).

Rosa, illus. by Bryan Collier. New York: Holt, 2005. 3–5 Giovanni presents an “idealized” view of Parks in a book that is, nevertheless, successful: “Purposeful in its telling, this is a handsome and thoughtprovoking introduction to these watershed acts of civil disobedience.... Collier’s watercolor and collage scenes are deeply hued and luminous, incorporating abstract and surreal elements along with the realistic figures” (School Library Journal, Sept. 2005). NEA Today considers this “beautifully illustrated children’s book” to be “a glorious tribute” to Parks (Feb. 2006). Booklist agrees that this “beautiful” life story, which is told in “passionate, direct words,” is well complemented by the “large watercolor-and-collage illustrations”: “The history comes clear in the astonishing combination of the personal and the political” (Nov. 15, 2005). Publishers Weekly deems Giovanni’s biography a “fresh take on a remarkable historic event and on Mrs. Parks’s extraordinary integrity and resolve” (Aug. 29, 2005), and Kirkus Reviews considers it an “essential volume for classrooms and libraries” ( July 15, 2005).

Spin a Soft Black Song: Poems for Children, illus. by Charles Bible. New York: Hill and Wang, 1971; illus. by George Martins. New York: Hill and Wang, 1985. 3–6 This collection of 35 “short, evocative” poems is “honest and nonsentimental in concept and expression.” Illustrated in “muted shades of black and brown of oddly proportioned and frequently somberfaced figures,” the poems are “generally interesting” and “deal with universal childhood feelings and concerns,” though some poems “are unique to the black

experience” (Booklist, May 1, 1972). The 1985 revised edition rearranges and presents the poems in a new format with new illustrations by Martins, making for “happier or gentler people.” A poetic essay replaces the original Introduction. These are “delightful presentations of life as experienced by black children” and “a fine collection” with illustrations that “complement them most congenially” (School Library Journal, May 1985).

Vacation Time: Poems for Children. New York: Morrow, 1980. 2–4 Most of the poems in this collection have been previously published; “many are humorous, some are lyric, some narrative. The number of poems that have vision or depth is minimal, most of them being slight or even superficial if merry.” The poet sometimes stoops to “contrivance to achieve scansion,” and “an occasional rhyme ... seems forced” (Bulletin, Oct. 1980).

Glancy, Diane Pushing the Bear. New York: Harcourt Brace, 1996. 6–up Diane Glancy won an American Book Award for Claiming Breath, and her first novel wins acclaim as “an exquisitely sad tale” of the Trail of Tears. Glancy relates the story of the 1838 forced removal of 13,000 Cherokee from their homeland through multiple voices, but the primary voices are Maritole and Knobowtee, her husband. “Using the voices of both the captive Cherokee and the white soldiers, and subtly incorporating her extensive research on the subject, Glancy provides a moving firsthand account of a terrible moment in U.S. history” (Booklist, Aug. 1996). “The fictional testimony creates a graphic and compelling mosaic of human tragedy” (Library Journal, July 1, 1996). Publishers Weekly calls this a “bonetrue tale” of the “sorrow, struggle and betrayal” that characterize the 900-mile march. “At times, the novel proceeds as slowly as the march itself, but it rewards the reader with a visceral, honest presentation of the Cherokee conception of story as the indestructible chain linking people, earth and ancestry” ( June 17, 1996).

Glaser, Dianne The Diary of Trilby Frost. New York: Holiday, 1976. 5–up Thirteen-year-old Trilby Frost records in her journal the loss of her father, younger brother, and best friend Saul, a half Cherokee whom she came to love. Using this narrative method, Glaser relates Trilby’s story sometimes “in extravagantly elegant language and sometimes in down-to-earth country talk.” Set in Sobby County, Tennessee, in 1899, the book is “melodramatic in plot and unresolved in conclusion” but “vital enough to make an impact on the reader” (Horn Book, Aug. 1976). Kirkus Reviews praises the “credibly and unsentimentally” told story: “None of

Gleiter • 97

Glass, Andrew

Wise’s 1968 volume. Older readers should opt for Washington’s own Up from Slavery; younger readers may find this laudatory “version” more accessible than Washington’s original, but it is not a biography that presents the “whole man.” (RH)

Folks Call Me Appleseed John, illus. by author. New York: Doubleday, 1995.

Daniel Boone, illus. by Leslie Tryon. Milwaukee, WI: Raintree, 1985.

these disasters seems gratuitous; on the contrary, having to grow up in harder times will be among Trilby’s attractions” (Apr. 1, 1976).

1–4 Though supposedly grounded in the facts of John Chapman’s life, this story “is embellished with imagined events, scenes, and dialogue.” Glass relates the story of John and his younger brother Nathaniel, who is left to survive a winter in a hollow sycamore tree in western Pennsylvania. Befriended by Seneca Indians, Nathaniel not only survives but learns the ways of the wilderness. “It is written in the first person from John’s point of view, which gives it a folksy, informal tone. Well-composed full-color illustrations heighten the drama and the humor of the story” (Booklist, Sept. 1, 1995). “The action-packed, large-figured cartoon illustrations” give Appleseed a “rough, skuzzy, backwoods look.... A good read-aloud with historical content that will make the tale useful in classrooms” (School Library Journal, Aug. 1, 1995). Glass relates the tale “with a real old-time, storytelling flair, full of ten-dollar words, fancy figures of speech, and philosophical asides, all comically cobbled together” (Kirkus Reviews, July 15, 1995). Publishers Weekly describes Glass’s prose as “pleasing vernacular” that is matched by his own “rough-hewn tone” in the illustrations ( July 10, 1995). Contains a map and a full biography of Chapman’s life.

Bewildered for Three Days: As to Why Daniel Boone Never Wore His Coonskin Cap. New York: Holiday, 2000. K–3 Hiding in a hollow log, Daniel Boone spends the night with a mother raccoon and her offspring. Safe the next morning, a grateful Boone vows to the mother raccoon to “never again wear any of your kin on my head.” The “[v]igorous colored pencil and oil pastel illustrations bring out Boone’s nervous energy” (Horn Book Guide, Oct. 2001) and are “well suited to the tall-tale genre” (School Library Journal, Oct. 2000).

Gleiter, Jan, and Kathleen Thompson Booker T. Washington, illus. by Rick Whipple. Milwaukee, WI: Raintree, (1988) 1999. 3–5 Typical of the Raintree biographies, the text and illustrations idealize their subject. Taken mostly from Washington’s autobiography, the wellknown events of his life are recounted: eating boiled corn that was meant for the farm animals, hating to wear his new burlap shirts, carrying school books for the girls in the big house, being freed, etc. Washington’s work at Tuskegee is summarized quickly with final emphasis on hard work. While these events of Washington’s life are interesting, they have been presented in many other biographies, including William

2–4 The title is misleading because this is not a biography but the story of two years out of Boone’s life. Beginning with a statement of the uniqueness of Kentucky and the Indians’ ownership of it, the story then shifts to a scene with Boone and John Stuart “in a clearing under high trees” just after they had been robbed by Indians of their furs and skins. Boone’s party begins with six men, but he is eventually left alone to survive in the wilderness. The dialogue is awkward, and there is not much story beyond encounters with Indians and theft, but the emphasis on Boone as a woodsman may be attractive to young readers. The text is superimposed on colorful illustrations. (RH)

David Farragut, illus. by Francis Balistreri. Milwaukee, WI: Raintree, 1989. 3–6 Biography of Knoxville, Tennessee, native David Farragut.

Sam Houston, illus. by Joel F. Naprstek. Milwaukee, WI: Raintree, 1988. 1–3 This first-person narrative is not effective as a biography because it emphasizes Houston’s cockiness of speech and person, making it hard for the reader to sympathize with him. Houston’s ambivalence toward the white and the Cherokee is aptly conveyed, making it clear that he was a man caught between two cultures. The authors emphasize his impatience with education, especially geometry, and his ability to learn quickly — passing the bar exam after studying law only six months. Confusing passages describe his marriage as one that “ended in sadness,” and he is said to have rejoined his “Indian Father”— a phrase that would need clear explanation for early readers. Chronology is often dismissed with phrases such as “after more years passed.” At the end, we find Houston speaking to the Texas convention, after which he rushes out to save the Alamo—too late, of course. The biography ends with Houston telling us, “I am an old man, now.” He charges young readers to “Stop and think before you take action outside the Constitution” (31), an admonition that doesn’t fit the life of one of Tennessee’s most colorful governors. This book illustrates the difficult task of writing biography for beginning readers, even when the material is a hero of Sam Houston’s stature. (RH)

Sequoya, illus. by Tom Redman. Milwaukee, WI: Raintree, 1988. 1–3 This “selective and sentimentalized biography” opens in 1812 and ends with the evolution of

98 • Goldberg a Cherokee newspaper. Much of Sequoya’s life in between is omitted. “Two obvious unanswered questions might be: what Sequoya is wearing on his head, and why ... his name [is] often spelled differently from book to book.” This book does not compare favorably with Alice Marriott’s Sequoyah: Leader of the Cherokees (1956) or Dorothea Snow’s Sequoyah: Young Cherokee Guide (1960). “Although Sequoya is a worthy subject for an up-to-date study, this new biography contributes fewer details than an encyclopedia article, and leaves more important questions unanswered than answered” (School Library Journal, Sept. 1988).

Goldberg , Jake Rachel Carson, illus. with photographs. New York: Chelsea, 1991. 4–6 This title in the Junior World Biography series “popularizes science” and demonstrates how Carson’s work “made the problem of pollution a national concern” (Booklist, June 1, 1991). According to the Bulletin, the biography “is shaped with clarity and balance” and has an “impartial” tone ( July/Aug. 1991). Science Books and Films says Goldberg puts Carson “in historical context.” Though intended for young readers, the book is appropriate for all ages ( June/July 1991). Contains a chronology, glossary, and black-andwhite photographs.

Goodman, Michael E. The History of the Pittsburgh Pirates. Mankato, MN: Creative Education, 1999. 3–up Goodman’s history of the Pittsburgh Pirates is a title in the Baseball, the Great American Game series.

Pittsburgh Pirates: NL East. Mankato, MN: Creative Education, 1992. 3–up History of the baseball team, the Pittsburgh Pirates.

Gosda, Randy T. Booker T. Washington. Edina, MN: Abdo, 2002. 2–3 Included in the Buddy Book First Biography series, Gosda’s Booker T. Washington is “superficial [and] uninspired.” The Horn Book Guide advises “report writers [to] look elsewhere” Oct. 1, 2002).

Daniel Boone. Edina, MN: Abdo, 2002. 2–up Included in the Buddy Book First Biography series, Gosda’s Daniel Boone is “superficial [and] uninspired.” The Horn Book Guide advises “report writers [to] look elsewhere” (Oct. 1, 2002).

Govan, Christine Noble Carolina Caravan, illus. by Helen Blair. Boston: Houghton Mifflin, 1942. 5–9 Though this title is set on the coast of South Carolina, it begins in the North Carolina

mountains, a setting that is never far from the characters’ consciousness. Kitty McKensie, age 16, is left to care for her younger siblings (Gordon, age 15, and Polly, age 10) when their mother dies, their father having died seven years earlier. Fighting their neighbors’ attempts to break up the family, they accept an invitation to summer in a cabin on Fiddler’s Island in South Carolina, and they rent their North Carolina mountain cabin to a “young writer and his wife.” Caroline, a little black girl who had been “given” to Kitty by her grandmother, is Kitty’s close “companion,” so she naturally accompanies the children on their journey. At the end of the summer, which is filled with adventure, hard work, and financial struggles, they get news that the young couple wants to stay the winter with the children in their mountain cabin, and so they go back to their home with confidence that they will not be separated. The New York Times Book Review praises Govan’s prose as having “a fine spontaneity and a delightful humor” and her characters as “amazingly alive and thoroughly likable” (Mar. 22, 1942). Horn Book notes the “natural children,” “wealth of lively conversation,” and “well described” Carolina coast setting (Mar. 1942). The New Yorker considers this a “human, modern story” having “authentic Southern atmosphere and dialect” (May 23, 1942). Twenty-first century readers, however, will see the depiction of Caroline as politically “incorrect.” (RH)

The Delectable Mountain, illus. by Theresa Sherman. Cleveland, OH: World, 1962. 4–6 Set in the “college town” of Arcady, Tennessee, which is “up in the mountains,” Govan’s book explores the city-children-go-to-the-mountains theme. When Tracy Taylor, age nine, and her brother Sam move to Tennessee from New York, their adjustment takes time. “Most appealing in this story is the author’s very evident appreciation of the beauties of nature and the way of life in the Tennessee mountain country.... There are moments of keen insight into the simple pleasures of these mountain folk but, as a whole, the story seems contrived.” The title is deemed “another satisfying story for little girls” (School Library Journal, Nov. 15, 1962). According to the New York Times, “Govan’s fine book, like all her regional stories, has flavor, wisdom, humor and warmth,” but it “deserved better drawn illustrations” (Nov. 11, 1962).

Five at Ashefield, illus. by Hattie Longstreet Price. Boston: Houghton Mifflin, 1935. 4–7 When the four Ashe siblings, “spoiled city children,” are orphaned, they go to live with their Aunt Annie on her farm in the foothills of the Tennessee mountains. Accustomed to a life of wealth and luxury, they learn not only to adjust but to love their “overall-clad existence with only owls and whip-poorwills to keep them company.” Govan’s PlummerChildren stories have more “harum-scarum gayety,” but the characterization is good, and Aunt Annie ranks “among the most lovable aunts in children’s literature”

Govan • 99 (New York Times Book Review, Sept. 29, 1935). “Wholesome though given to improbabilities of plot,” such as finding a way to cure a “crippled neighbor,” the book is not as “amusing” as the Plummer-Children stories (Library Journal, Nov. 1, 1935).

Mr. Hermit Miser and the Neighborly Pumpkin, illus. by Anne Merriman Peck. New York: Aladdin, 1949. 2–4 Mr. Hermit Miser lives on Gillygreen Lane where all the houses are “painted green and white” (1). His unpainted, unkempt house is indicative of his general attitude and temperament: He is stingy and unkind. When a pumpkin vine grows in his yard and through his fence into his neighbors’ yards, he learns a lesson about nurturing and sharing and being a good neighbor. While the setting is generic, Peck’s green and orange illustrations depict a tidy, orderly neighborhood with characters in turn-of-thecentury dress. The New York Times considers this moral tale to be too long for the younger child “who would be its most appreciative audience” (Nov. 6, 1949).

Phinny’s Fine Summer, illus. by Leonard Shortall. Cleveland, OH: World, 1968. 4–7 Govan’s novel, set at the turn of the 19th century, is yet another city-boy-gets-sent-to-the-country story with a predictable outcome. Phinny Eaton “is dismayed” to be forced to leave Atlanta for a summer in the Georgia hills, but of course he learns his lessons and has a pleasant experience. Govan depicts “good summer times” with a “sure touch.” Though “some of the characters verge on stereotypes, they are often astonishingly real” (Horn Book, Apr. 1969).

The Pink Maple House, illus. by Sari [pseud. of Anne Elizabeth Fleur]. New York: Aladdin, 1950.

3–5 This typical biography in the Childhood of Famous Americans series presents a fictionalized childhood of Andrew Jackson’s wife, Rachel Donaldson. At age 12, she makes a “memorable thousand mile journey on a flatboat from Virginia to French Salt Lick, Tennessee, later to become Nashville.” Govan gives “more information on pioneer life than biography” (School Library Journal, June 15, 1955). The New York Times says this addition to the Bobbs-Merrill series “bolster[s] its well-earned reputation.” Rachel is presented as a “tomboy” who dislikes “women’s work,” but her character changes as a result of the family’s difficult journey from Virginia to Tennessee. Govan has “skillfully interlaced facts with ... discipline and conscience to enhance this fast-paced story” of the young girl who later became Andrew Jackson’s wife (Aug. 21, 1955).

The Surprising Summer, illus. by Sari [pseud. of Anne Elizabeth Fleur]. New York: Aladdin, 1951. 3–6 Polly and Jenny, who first appeared in The Pink Maple House, are now age nine and excited about their first trip to their Uncle Ben’s farm, which is “in deep country.” They are sad to leave Tilly behind, but — predictably — she comes to visit, making their summer adventures complete. “Written with spontaneity and an easy humor, this is a good story” for girls in this age group (New York Times, Oct. 21, 1951). Library Journal notes that this title depicts “all the wholesome fun and enjoyment that little girls can experience.” It can be read “independently” of The Pink Maple House or in sequence (Nov. 1, 1951). Kirkus Reviews deems it “Not important” but “pleasant,” although Sari’s illustrations “have zest and verve” (May 1, 1952). The New York Herald Tribune says the “children’s talk is particularly good” (Nov. 16, 1952).

Sweet ’Possum Valley, illus. by Manning de V. Lee. Boston: Houghton, 1940.

3–6 This title launches the adventures of Polly, Jenny, and Tilly, all three of whom appear in the later Surprising Summer (1951) and Tilly’s Strange Secret (1952). Polly names her new home the “pink maple house” because on the day she and her family move into it the autumn light glancing off the colored leaves casts a pink glow on its white paint. Polly and her friend Jenny enjoy adventures and mystery in this “nice homey story for little girls” (Christian Science Monitor, Nov. 13, 1950). The Horn Book praises its “warmth and understanding” (Sept. 1950), and the New York Times emphasizes “its humor, its sentiment, and its understanding” (Nov. 12, 1950). Kirkus Reviews, on the other hand, insists that Govan has included “too much adult participation and direction” (Oct. 15, 1950).

4–8 Set in McMinnville, Tennessee, and the Sequatchie Valley, this story gives a glimpse of “Southern plantation life after the Civil War [when] five cousins spend a happy summer with Great-aunt Eliza and Great-uncle Sam at the farm in Sweet ‘Possum Valley. The five children, with their colored playmates,” set out to solve a mystery, which results in a story that “should prove a popular title.” The characters are described as “natural, wholesome boys and girls,” but the “southern dialect” may be a deterrent for some readers (Library Journal, Dec. 15, 1940). New York Times Book Review compares this title with the Plummer-Children series and refers to “special little colored playmates who took valiant if underprivileged parts” in the Civil-War games the children devise ( Jan. 19, 1941).

Rachel Jackson: Tennessee Girl, illus. by Sandra James. Indianapolis, IN: Bobbs-Merrill, 1955; illus. by Robert Doremus. Indianapolis, IN: Bobbs-Merrill, 1962.

Tilly’s Strange Secret, illus. by Sari [pseud. of Anne Elizabeth Fleur]. New York: Aladdin, 1952. 3–6 The third installment in the series about Polly and Jenny focuses on their less fortunate friend

100 • Govan Tilly, who has moved to the country to live with Aunt Ellen and Uncle Ben. Tilly has become an avid reader, and when she discovers that the school has no books, she creates a plan to remedy the lack. Tilly’s secret, “the country fun and a surprise for Tilly herself, make a story that many little girls will enjoy.” This is an “attractive” book with black-and-white drawings of “natural looking children” (New York Times Book Review, July 6, 1952).

Govan, Christine Noble, and Emily Govan West The Mystery at Fearsome Lake, illus. by Irv Docktor. New York: Sterling, 1960. 4–7 The Cherokees and the Lookouts are united during a vacation at Camp Chickasaw when the Randalls, the Wrens, and the Cordell children are invited to spend a week there prior to its opening for the summer. Immediately upon their arrival at the camp, a convoluted mystery begins with a strange footprint and a strange rock; other events, such as an arsonist’s attempt to burn the kitchen, are never fully explained. The final dangerous scene, when a man atop the water tower threatens to blow everyone up with dynamite, is dismissed as the action of a man who lost his job and was jealous of his cousin, the camp caretaker. The many clues and bizarre events do not lead to a convincing conclusion, though readers may enjoy the camp setting. (RH)

Mystery at Ghost Lodge, illus. by Stephen Serrano. New York: Sterling, 1963. 4–7 The Lookouts’ Irish friend Duffy invites the six club members to spend a week at his new hunting lodge. Conveniently, his wife’s niece Wilma, a college junior, will also be staying there, relieving the children of the need to be accompanied by a parent. Viney Garden takes his fiddle and entertains the group with old ballads, and the Lookouts invite neighbor children who teach them to square dance. A “mystery” involving silver streaks of light in the darkness, two strange men, and two hound dogs with unusual collars occupies most of their time. The characters lack development, and the conclusion is weak: The two men painted the dogs with reflective pigment so the hounds would lead them to wildlife, which they are filming at night. At the end, the Lookouts are treated to an evening of wildlife films. Too many red-herring clues and too little valid mystery make for a disappointing book, number 14 in the series. (RH)

The Mystery at Moccasin Bend, illus. by Frederick T. Chapman. New York: Sterling, 1957. 4–7 Mystery number four in this series of books about the Lookouts involves a bank robbery and a showboat. Set at Moccasin Bend in Chattanooga, Tennessee, this is “[g]ood fare for the younger mystery fans” (Library Journal, June 15, 1957).

Mystery at Plum Nelly, illus. by Irv Docktor. New York: Sterling, 1959. 4–7 This Lookout Club mystery, number nine in the series, is set at a real place on Lookout Mountain, Tennessee, called Plum Nelly, and depicts a real person, Miss Fannie Mennen (named Manning in the book), who launched the Plum Nelly Clothesline Art Show in 1947. Miss Manning invites the six Lookouts and four Cherokees to help her stage a two-day arts and crafts fair at Plum Nelly, which is ten miles up the mountain. They spend most of one day helping to set up for the fair, in which Jimmy enters a painting that sells for fifty dollars — his first sale as an artist. Another painting by Mr. Skinner, however, is the core of the mystery. Imbedded in its frame is film containing secret information about a new radar screen developed at Barnsville. In typical fashion, the Lookouts and Cherokees capture Mr. Skinner and his cohort in crime, Mr. Easton, and foil their plot to sell U.S. Government secrets. The characterization of the children is flat, but Miss Manning is better developed than most adults in the Govan-West series and the mystery is more engaging than many of the later volumes in the series. (RH)

Mystery at Rock City. New York: Sterling, 1960. 4–7 Set in the famous tourist attraction, Rock City, on Lookout Mountain, Chattanooga, Tennessee, this mystery (number 11 in the series) continues the adventures of the Lookout children. It contains the usual plot devices and characters, including FBI agents, thieves, and statues that mysteriously move on their own. “Exciting reading” (Peabody Journal of Education, Nov. 1963).

The Mystery at Shingle Rock, illus. by Frederick T. Chapman. New York: Sterling, 1955. 4–7 This is the first title in the Lookout Mountain-Chattanooga, Tennessee, mystery series by Govan and West, mother and daughter. The Randall children are left to themselves while their elders are absorbed with training racing ponies, so they engage in typical childhood “adventures,” which take an atypical and mysterious turn involving a cave and a stolen racehorse. “This fast-moving story of wholesome family life and friendships will appeal to girls 10–12 and some boys” (Library Journal, Jan. 15, 1956). The Chicago Sunday Tribune praises the “excellent local color of the country” near Lookout Mountain (Nov. 13, 1955).

The Mystery at the Deserted Mill, illus. by Frederick T. Chapman. New York: Sterling, 1958. 4–7 This title is number seven in the mystery series about the adventures of a group of upper-middle-class children in Chattanooga and Lookout Mountain, Tennessee, who interact with the “mountain” people and Cherokee culture. “It is certain that young mystery fans will enjoy the impossible situations that these children solve so conveniently. How-

Govan • 101 ever, the book is not as good as the earlier ones in the series and is not recommended” (Library Journal, July 1958). According to the New York Times Book Review, this title is not “so persuasive as earlier books but good, easy reading” ( June 8, 1958). Dialect representation is stereotypical.

Mystery at the Echoing Cave, illus. by Stephen Serrano. New York: Sterling, 1965. 4–7 Earlier titles in the Lookout Club Mystery series received better reviews than this one, number 16. According to Library Journal, this Govan-West mystery “has far less quality than the ‘Boxcar Children’ series but might be put on the remedial reading shelf until something better comes along” (Nov. 15, 1965).

The Mystery at the Haunted House, illus. by Irv Docktor. New York: Sterling, 1959. 4–7 Mystery at the Haunted House continues the adventures of the Lookouts, “those irrepressible boys and girls of Chattanooga.” In this story (number eight in the series), they are involved in typical, implausible “complicated shenanigans.” This motherdaughter product is “persuasive and it is all great fun” (New York Times Book Review, June 14, 1959). The Peabody Journal of Education suggests that the characters and plot may be “a bit obscure” if one has not read the previous titles in the Lookout series. Nevertheless, “these mountain children” engage in the usual high-action adventures, though their sleuthing successes remain a “questionable point” ( Jan. 1960).

The Mystery at the Indian Hide-Out, illus. by Frederick T. Chapman. New York: Sterling, 1957. 4–7 In this Govan-West mystery, number five in the series, Jimmy Randall finds himself lonely when his older sister Mickey and the other members of the Cherokee Club (Buzz Watson and Ted and Bitsy Cordell) become teenagers and tire of the club’s adventures. Fortunately, Rob Wren, his twin sisters Becky and Judy, and the Wrens’ cousin Billy Thrasher move into the old McGrady place, and the five children establish a successor club to the Cherokees, called the Lookouts. Thus begins the first title in the Lookout series, set on Lookout Mountain near Chattanooga, Tennessee. The children quickly establish a clubhouse in an abandoned Cherokee log house, once the home of an important Cherokee chief. They discover an underground tunnel and a secret room in the chimney, both of which help them thwart a cattle rancher who pays men to steal his herd of Brahmans for the insurance money. The children and adults lack characterization, in spite of attempts to distinguish them: Billy, the youngest, is ridiculed as fat and eats constantly; Jimmy paints; Rob collects stamps; and the twin girls are stereotypical twins. Nevertheless, the action is good and will keep the interest of mystery fans, especially slow readers. (RH)

The Mystery at the Mountain Face, illus. by Frederick T. Chapman. New York: Sterling, 1956. 4–7 The second in the mystery series about five upper-middle-class children whose parents raise racing ponies on a farm in Chattanooga, Tennessee, involves an auto theft and an unlikely series of clues. “Plot and characterizations are fairly standard, but dialogue and background details are good” (Library Journal, Sept. 15, 1956).

The Mystery at the Shuttered Hotel, illus. by Frederick T. Chapman. New York: Sterling, 1956. 4–7 This mystery is the third in the series involving the Randall children and their adventures on Lookout Mountain, Tennessee. Set in a “mountain hotel that is closed for the season, [the title] has exciting action and foreboding atmosphere, but is somewhat lacking in characterization.” Nevertheless it is “[b]ound to be popular with the 8–12’s” (Library Journal, Jan. 15, 1957). The New York Times argues that the adventures may seem “to grown-ups to be a little beyond most children,” but young readers “won’t think so — not for a moment” (Nov. 18, 1956)!

Mystery at the Snowed-In Cabin, illus. by Irv Docktor. New York: Sterling, 1961. 4–7 When a teachers’ meeting gives the six Lookouts a free Friday and a long weekend, they set out with Mrs. Randall for a log cabin on Lookout Mountain. In spite of the icy rain, Dr. Randall has told them to go ahead and he will join them later. What ensues is a mystery, number 12 in the series, set during an ice storm of monstrous proportions, based on the actual Lookout Mountain ice storm of March 1960. The six children and Mrs. Randall are isolated in a huge, cold cabin without electricity, while all around them they can hear trees snapping and falling. Amid the storm, they find a mysterious woman who appears to be fleeing someone who wants to harm her. They take her in and care for her. Then Billy is kidnapped by a man living in the basement of a nearby cabin. All is explained at the end, though not satisfactorily. The conclusion cheapens the many clues and derails a plot that had potential. The characterization is typical of this Govan-West series, but the descriptions of the ice storm and its effect on nature — both beautiful and destructive—are elegant and sometimes poetic. (RH)

Mystery at the Weird Ruins. New York: Sterling, 1964. 4–7 Title number 15 in the Lookout series continues the adventures of the six children who form the Lookout Club on Lookout Mountain, Tennessee. In this book, their amateur archaeology helps find a robber (New York Times, Jan. 26, 1965).

102 • Gove

Mystery of the Dancing Skeleton, illus. by Joseph Papin. New York: Sterling, 1962.

some answers to that question in this fine selection” (School Library Journal, June 1994).

4–7 Set during the Lookout Mountain Halloween Carnival, this mystery, number 13 in the series, hangs on a particularly weak plot involving stolen horses that are dyed to disguise their identity, stolen star sapphires, and a stolen skeleton costume. The Lookouts become involved when they are hired to manage the pony rides for children. They are quickly caught up in the chaos of the carnival, the thefts, and the final chase scene, when they steal the fire engine and pursue the horse thieves’ van down the mountain. Readers may enjoy the descriptions of the carnival, such as the gory Spook House, but Viney’s “mountain boy” character (“Like many native backwoods boys, Viney played the fiddle as easily as he breathed.”) and the weak plot will disappoint. (RH)

Red-Spotted Newt, illus. by Beverly Duncan. New York: Atheneum, 1994.

The Mystery of the Vanishing Stamp, illus. by Irv Docktor. New York: Sterling, 1958. 4–7 In this Govan-West mystery, number six in the series, the five children in the original Lookout Club are joined again by Viney Garden, a stereotyped, poor “mountain boy,” who lives with his mother, grandfather, and little sister Lindy. As in the previous title, The Mystery at the Deserted Mill, Viney speaks in mountain dialect, which he is often pressed to explain, and of course he plays the fiddle. The children discover that the Garden family has a collection of Civil War letters, complete with covers and stamps, which are worth $2,900. Two ruffians hide the most valuable Knoxville stamp in a book in Mr. Barret’s shop, intending to return and steal it, but their plot is unveiled, and the stamp is recovered. The children decide to reserve ten percent from the sale of the stamps for the Lookout Club treasury; the rest they will give to Viney to support him through high school and to pay for violin lessons. Characterization is particularly flimsy, but the plot is more believable than many of the other mysteries in the series. (RH)

Gove, Doris One Rainy Night, illus. by Walter Lyon Krudop. New York: Atheneum, 1994. K–4 According to Booklist, “this is fine nature writing.” On a rainy night in the North Carolina mountains, a boy learns the lessons of nature from his mother, who is director of a nature center. As his father drives the car and the headlights illuminate various creatures, the boy and mother discuss their habits, how to collect them, and how to care for them with respect. “Without a word of preaching, this book finds adventure in conservation” (Mar. 15, 1994). Krudop’s illustrations are “painterly” and have “rich, dark hues.... An inspiring look at finding out about nature while treating it kindly” (Kirkus Reviews, Apr. 15, 1994). “Children who have wondered where the animals in a nature center come from will find at least

4–8 Gove’s “biography” of a female red-spotted newt is “as well written, interesting, and readable as good fiction” and uses the picture-book format to advantage for older readers (Booklist, Dec. 1, 1994). “Gove’s lucid text will pique interest in this unique creature” (Horn Book, Mar. 1995). According to School Library Journal, “Readers will feel an affinity for this particular newt after following every detail of its life, and they will certainly gain an understanding of what exactly an amphibian is — more than a frog, different from a reptile, and a creature capable of amazing transformations” (Dec. 1994).

The Smokies Yukky Book, illus. by Lisa Horstman. Gatlinburg, TN: Great Smoky Mountains Natural History Association, 2006. 2–6 Designed to appeal to a child’s fondness for the gross and “yucky,” this title nevertheless teaches about the flora and fauna in the Great Smoky Mountains. Photographs and cartoon-like drawings illustrate the text.

A Water Snake’s Year, illus. by Beverly Duncan. New York: Atheneum, 1991. 3–5 Gove presents a “handsome look at a hypothetical year in the life of a Northern Water Snake” whose habitat is the Middle Prong of the Little River in the Great Smoky Mountains National Park of Tennessee. “Attractive, accurate, clearly written, this is a nice introduction to a nonpoisonous member of a much-maligned species” (School Library Journal, Oct. 1991). Duncan’s illustrations “suit the leisurely detail and quiet tone of the careful presentation” (Horn Book, Mar. 1992). This is a book that will also appeal to older readers because it doesn’t “sensationalize the reptile’s predatory instincts” (Booklist, Oct. 15, 1991). Includes an index.

Gow, Mary Johnstown Flood: The Day the Dam Burst. Berkeley Heights, NJ: Enslow, 2003. 4–10 Designed for reluctant readers, Johnstown Flood: the Day the Dam Burst is an account of one of the major disasters in the history of the United States. “The book recounts the construction — and eventual failure — of the South Fork Dam, includes anecdotal information about those caught in the flood, and explains how the town recovered from tragedy” (Horn Book, Oct. 01, 2003).

Grabowski, John Stan Musial. New York: Chelsea, 1994. 4–7 From the Baseball Legends series, Grabowski presents a portrait of baseball great and Pitts-

Grant • 103 burgh native Stan Musial. “Recommended” (Horn Book, Mar. 1994).

Willie Mays. New York: Chelsea, 1990. 4–6 This biography of Alabama native Willie Mays is recommended by the Horn Book (Sept. 1990).

Graf, Mike Great Smoky Mountains National Park. Mankato, MN: Bridgestone, 2003. 2–4 This title provides basic information on the location, cultural and natural history, plants, animals, and weather of the Great Smoky Mountains National Park. It is “extensively illustrated with average-quality, full-color maps and photographs” (School Library Journal, Apr. 2003). According to Horn Book Guide, the “dry formulaic text and uneven color photographs” lack the spark needed to motivate young readers (Apr. 2003). Also includes discussion of problems related to managing a national park, park-sponsored activities, a map-activity for children, bibliography, index, and websites.

Mammoth Cave National Park. Mankato, MN: Bridgestone, 2004. 2–3 This introduction to the famous national park in Kentucky meets National Geography Standards and National History Standards.

Graff, Polly Anne Colver [Mrs. Stewart Graff ] Bread-and-Butter Indian, illus. by Garth Williams. New York: Holt, Rinehart and Winston, 1964. 3–6 Based on a true story, this well-written account of frontier life in Burnt Cabins, Pennsylvania, may not meet current standards of political correctness, but it will delight adult and child readers. Barbara Baum, a lonely child who wishes for “a-little-girl-myown-age,” must entertain herself. One day, her mother gives her a slice of bread and butter, sprinkled with sugar, which Barbara enjoys with her doll at a fantasy tea party on an imaginatively laid out “stump-table” beside the creek. There she meets an Indian and gives him her treat, in spite of her parents’ stern warnings about Indians. When fighting breaks out between the Indians and the settlers, Barbara warns her Breadand-Butter Indian, making it possible for him to escape; he returns the favor by secretly freeing her from an Indian camp when she is captured. Added to the drama is the excitement of a visit from her Aunt Dossy, who falls in love with and marries young Pastor Franz. Reminiscent of the Little House books, Graff ’s story is filled with the details of material culture and history of the period. (RH)

Bread-and-Butter Journey, illus. by Garth Williams. New York: Holt, Rinehart and Winston, 1970.

3–6 In this sequel to Bread-and-Butter Indian, Barbara Baum has barely made friends in Burnt Cabins, Pennsylvania, when her family decides to move farther west to Mead’s Landing, the site of presentday Meadville, Pennsylvania. Graff bases her story on primary materials, such as a family diary dating back to 1784. As with the first title, this story is filled with the details of pioneer life and material culture.

Graff, Stewart, and Polly Anne Colver Graff Helen Keller: Crusader for the Blind and Deaf, illus. by Wayne Alfano. Dell, (1965) 1991. 2–5 A biography of Helen Keller for the young reader.

Helen Keller: Toward the Light, illus. by Paul Frame. Champaign, IL: Garrard, 1965; New York: Chelsea, 1992. 3–6 Graff ’s biography of Keller is “simplified and popularly presented” but “essentially accurate.” Photographs would have given the title “greater authenticity than the three-color illustrations” (School Library Journal, Nov. 15, 1965).

Graham, Brenda Knight The Pattersons at Turkey Hill House, illus. by Charles Shaw. Nashville, TN: Broadman, 1979. 3–6 Set in the north Georgia mountains, this is the story of an Atlanta physician’s family who spends the summer at their country home. Consisting of a “simplistic plot, pat solutions, and one-dimensional characters,” the story nevertheless “moves quickly.” When the Patterson children beg the father to leave Atlanta and live on the farm, he predictably, and unrealistically, agrees. “Very light reading for the younger set” (School Library Journal, Apr. 1980).

Graham, Lorenz John Brown: A Cry for Freedom. New York: Crowell, 1980. 5–7 This “clear introduction to the life of John Brown” is based on primary materials, such as letters, newspaper articles, and oral histories. From his rejection of slavery at age 12 to his conviction and hanging, this is a “welcome addition” to existing material on this famous abolitionist (School Library Journal, Jan. 1981).

Grant, Matthew G. Daniel Boone in the Wilderness, illus. by Harold Henriksen. Chicago: Childrens, 1974. 2–4 “Although well designed, clearly lettered, and colorfully illustrated,” this title presents “only bare and scattered facts” on the life of Daniel Boone, who is “presented as almost mythological.” Grant provides

104 • Gravelle “little historical background,” and “neither the role of wilderness scouts nor the Indian viewpoint is treated realistically” (School Library Journal, Sept. 15, 1974).

Davy Crockett: Frontier Adventurer, illus. by Jack Norman. Mankato, MN: Creative Education, 1974. 2–4 “Although well designed, clearly lettered, and colorfully illustrated,” this title presents “only bare and scattered facts” on the life of Davy Crockett, who is “presented as almost mythological.” Grant provides “little historical background,” and “neither the role of wilderness scouts nor the Indian viewpoint is treated realistically” (School Library Journal, Sept. 15, 1974).

Gravelle, Karen Growing up in a Holler in the Mountains: An Appalachian Childhood. New York: Franklin Watts, 1997. 4–6 This title in the Growing up in America series features ten-year-old Joseph Ratliff, who lives on Stephens Branch in Eastern Kentucky. According to the Horn Book, “Gravelle ably presents the commonalities of life in Appalachia” (Mar. 1998). School Library Journal disagrees: “Inevitably, both the culture and the individual’s life are glossed over in so brief an overview” that the “book becomes little more than a collection of generalities.” Booklist offers a more positive view, saying that Gravelle uses “interviews, color photographs, and background history to show how the children, their families, and their communities are part of the contemporary mainstream and also how they are separate and proud of their special heritage. The tone is very positive, hitting hard at stereotypes of the poor and uneducated” ( Jan. 1 and 15, 1998). Bordered insets include information about the region (some of it stereotypical and misleading) and photographs. Includes an index, glossary, a section called More about Appalachia, and a list of titles for further reading. Unfortunately, the only biography mentioned is Stevenson’s Daniel Boone, originally published in 1953 but cited here as a 1986 publication. (RH)

Van Allsburg’s work. Changes in perspective also add interest, and the palette of greens, golds, and rusts effectively serves as a backdrop for the black vehicle.” Gray’s title doesn’t have “quite the same emotional impact” as Virginia Lee Burton’s The Little House (1978) (School Library Journal, Aug. 1994), but her “simple text, filled with rhythm and repetition, will satisfy young children who have insatiable appetites for truck books” (Horn Book, Sept. 1994). The illustrations lend “the little black truck ... an aura of affection” (Booklist, June 1, 1994).

My Mama Had a Dancing Heart, illus. by Raul Colon. New York: Orchard, 1995. K–3 Gray’s “trademark hyphenated, onomatopoetic descriptions” take the reader through four seasons of the mother’s celebration of life and, ultimately, dance. “The end of the story is sentimental and perhaps nostalgic beyond children’s understanding. But what is clear is that the daughter credits her mother with her joy of movement. Also special is the closeness the two share whether sipping hot tea or cutting out paper snowflakes” (School Library Journal, Sept. 1, 1995). This is “the stuff of dreams, [with] gloriously colored, evocative pictures that somehow capture the elusive qualities of memory and love” (Booklist, Sept. 15, 1995). According to Kirkus Reviews, the “reflective mood may appeal — at first — more to adults, but the sharing of this book between generations creates a nice parallel to the intimacy of parent and child in the story” (Aug. 15, 1995). Gray’s imagery may be “precious,” but she “has crafted a genuinely affectionate, personal tribute to someone who embraced life wholeheartedly” (Publishers Weekly, Sept. 25, 1995).

When Uncle Took the Fiddle, illus. by Lloyd Bloom. New York: Orchard, 1999.

3–6 Included in the Cornerstones of Freedom, Second series.

K–1 Uncle takes the fiddle and plays a rousing tune that awakens an exhausted, drowsy, nodding Appalachian family. Then the music lures neighbors with their assorted instruments. “There’s lots of footstompin’ and hip-swingin’ energy here, ... and Bloom’s hardscrabble cast kick up their heels against stylized minimal backgrounds with willowy grace” (Bulletin, Nov. 1999). The illustrations are dominated by “weathered grays, faded blues, and greens [that] fit the humble country setting.... When the music is in full swing, the onomatopoetic text makes this a fine but challenging read-aloud” (Booklist, Sept. 15, 1999).

Gray, Libba Moore

Green, Connie Jordan

The Little Black Truck, illus. by Elizabeth Sayles. New York: Simon and Schuster, 1994.

Emmy. New York: McElderry, 1992.

Graves, Renee The Scopes Trial. New York: Scholastic, (2003) 2007.

K–1 This “biography” of a 1940s black truck takes the reader through its youth, its abandonment after it breaks down, and its rebirth when a young man finds and restores it. Sayles’ “large, impressionistic, full-color illustrations have soft, sculptural shapes and rounded use of line reminiscent of Chris

5–up Green delivers a “grittily unsentimental depiction” of life in a 1924 Kentucky coal-mining town —“before labor unions, OSHA regulations and child labor laws.” The Mourfield family is deeply affected when the father is maimed in a mine accident. Emmy, age 11, must care for her four younger siblings and help her mother, who has taken in boarders. The

Gregson • 105 author “refrains from editorializing and, in letting her characters speak for themselves, deftly shows how a brave and loving spirit can empower and ennoble the otherwise humble and downtrodden” (Publishers Weekly, Nov. 9, 1992). The Horn Book calls this a “powerful and gripping story” that “creates a convincing picture” of coal-mining “horrors” and the “small pleasures of childhood in the mountains” (Mar. 1993). Emmy’s story will move readers as her family survives in spite of “the restrictive, exploitative environment of a company mining town” (Booklist, Dec. 1, 1992). Bulletin presents a mixed view: “The family’s poverty and mutual loyalty sometimes border on the melodramatic ... but the author maintains realism by giving the family some happiness without a trite ending.” The book will appeal to “the thoughtful, sophisticated reader” (Feb. 1993).

The War at Home. New York: McElderry, 1989. 6–up Green delivers one of the few children’s books set in the “secret city” of Oak Ridge, Tennessee, in 1945, where the first atomic bomb is being developed. Mattie, age 13, rejects her cousin Virgil, age 12, who comes to live with her family, but they make their peace in the end. “Although the pace of the book is uneven, the author gives a good picture of the period and of the atmosphere of the sealed community in which she herself spent her childhood” (Bulletin, June 1989). The story explores Mattie’s awareness of her value in a chauvinistic world and “captures the setting very well.... The details aren’t perfect here ... but they add up to an authentic portrait of an interesting time” (Kirkus Reviews, Mar. 15, 1989).

Green, Margaret Defender of the Constitution: Andrew Johnson. New York: Messner, 1962. 7–up Green’s “biography is sympathetic and forgiving and presents ... detail on events in the Washington period.” The style and format are “typical of the Messner biographies” (Library Journal, Mar. 15, 1962). Includes a bibliography.

Green, Michelle Y. Willie Pearl, illus. by Steve McCracken. Temple Hills, MD: William Ruth, 1990. K–5 This is the story of Christmas in a 1930s Kentucky mining town. The holiday “could be bleak, but Willie Pearl’s family made hers the best ever” (American Visions, Dec. 1991). According to George Brosi’s Appalachian Mountain Books, Green’s “father still lives in Number 6 holler, Jenkins, Kentucky, where the author was raised. This is an upbeat story by a Black author about a Black family living in an Eastern Kentucky coal camp” ( July 1995).

Willie Pearl: Under the Mountain, illus. by Steve McCracken. Temple Hills, MD: William Ruth, 1992.

K–5 This sequel to Willie Pearl (1990) continues the story of ten-year-old, African-American Willie Pearl and her family in a Depression-era, eastern– Kentucky mining town. According to an Appalshop 1995 catalog, the book is “approved as core curriculum for fourth grade in Compton, California School District and Montgomery and Prince George’s counties, Maryland.” According to Appalachian Mountain Books, the book “is based on the life of the author’s mother. It is a strong testament to enduring family values, a very positive addition to middle-elementary literature” ( July 1995).

Greene, Carol Daniel Boone, Man of the Forests. Chicago: Childrens, 1990. 2–4 This title in the Rookie Biography series includes an index and list of important dates.

John Chapman: The Man Who Was Johnny Appleseed. Chicago: Childrens, 1991. 1–6 Carol Greene’s biography of John Chapman “makes for delightful reading” and includes information about his contribution to the establishment of nurseries in Ohio and Indiana (Science Books and Films, Vol. 28 No. 2). School Library Journal notes that this title from the Rookie Biography series provides more factual information than either Steven Kellogg’s Johnny Appleseed (1988) or Aliki’s The Story of Johnny Appleseed (1987) (Apr. 1992).

Roberto Clemente: Baseball Superstar. Chicago: Childrens, 1991. 2–4 This title in A Rookie Biography series describes the athletic achievements and philanthropic deeds of the professional baseball player who died in a plane crash in 1972. Includes an index.

Greene, Lee The Johnny Unitas Story. New York: Putnam, 1962. 6–up Greene relates the story of Johnny Unitas “with clarity, warmth, and action-filled scenes and marks himself as an author to watch. Recommended” (School Library Journal, Sept. 15, 1962).

Gregson, Susan R. Tecumseh: Shawnee Leader. Mankato, MN: Bridgestone, 2003. 3–4 Gregson’s biography of Tecumseh, a title in the Let Freedom Ring series, presents a “dry, sanitized” picture of the Shawnee chief who tried to unite American Indians in their struggles to retain their land in the 1800’s (Horn Book, Oct. 1, 2003). Includes a list of further reading, map, timeline, glossary, and index.

106 • Griffin

Griffin, Pegg y Ann Talking Treasures: Folkstories of African Americans in Appalachia, illus. by Darrell Pulliam. Chicago: Scribes, 1995. 3–6 The subtitle of this book makes an important distinction: These are not traditional African American tales; rather they are family stories that Griffin learned in the area around Big Stone Gap, Virginia. Griffin’s Foreword says the five stories are meant to be “moral instructors.” Moral intent aside, some tales will be familiar to the folklorist: “To the Fair” is a pourquoi tale; “Just Like a Butterfly” is an extended fable. “Uphill Downhill” is a classic trickster story, in this case, a snipe hunt. The plots have little motivation and too much extraneous detail, but the characters may have been recognizable within the family context. The cartoon-like drawings of people are more successful than the drawings of animals and plants. (RH)

Griffith, Helen V. Georgia Music, illus. by James Stevenson. New York: Greenwillow, 1986. K–3 When a young girl visits her grandfather in his Georgia cabin near the railroad tracks, the two enjoy the garden, his harmonica, and the summer sounds, especially the mockingbird. The next summer, Grandfather is not quite himself, so his daughter and granddaughter take him back to live with them in Baltimore. He adjusts poorly to his new surroundings until the girl brings out the old man’s harmonica and creates sounds that remind him of the mockingbird back in Georgia. This is a “tender story” and a “sensitive portrayal of the vital connection between young and old” (Booklist, Oct. 1, 1986). Publishers Weekly praises the “lovely, lyrical story” and Stevenson’s illustrations, which “capture the stoical character of the old man” (Aug. 22, 1986). Griffith’s story “unwinds slowly and with an appealing gentleness, matched beautifully by Stevenson’s softly-toned water colors, and the relationship between the old man and his granddaughter is delineated in a delightfully understated manner” (School Library Journal, Oct. 1986). According to Horn Book, “James Stevenson is the perfect illustrator” for this “blissful idyll of a nearly vanished style of life and a picture of quiet affection between generations” (Nov./Dec. 1986).

Grandaddy and Janetta, illus. by James Stevenson. New York: Greenwillow, 1993. 1–3 In this third book about Grandaddy and Janetta, Griffith demonstrates her “gift for compressed but unhurried development through selective dialogue.... It’s satisfying to find a low-key wit that reaches both children and adults at their different levels of experience” (Bulletin, Apr. 1993). In this story, Janetta travels alone on the train to visit her grandfather and takes a kitten back to Baltimore with her. “A

loving, serene tribute to family devotion, perfectly allied to James Stevenson’s tranquil rural illustrations” (Horn Book, May/June 1993).

Grandaddy and Janetta Together: The Three Stories in One Book, illus. by James Stevenson. New York: Greenwillow, 2001. 2–up Without altering the text, HarperCollins has combined Griffith’s Grandaddy’s Place (1987), Grandaddy and Janetta (1993), and Grandaddy and Janetta Together (1995) into one sequential chapter book for young readers. James Stevenson’s original watercolors are converted to black and white, “effectively reducing what were charmingly antic, beautifully complementary illustrations.... Something vital has been eliminated from the illustrative stew, but the ironically ebullient text survives.” The relationship between Janetta and her grandfather “continues to shine unsentimentally but affectingly” (Kirkus Reviews, Dec. 1, 2000).

Grandaddy’s Place, illus. by James Stevenson. New York: Greenwillow, 1987. 1–3 This prequel to Georgia Music explains Janetta’s first introduction to her grandfather and his Georgia farm life. “Stevenson’s loose line-and-wash drawings set the scenes with affection and energy; fans of Georgia Music will enjoy this as well” (Booklist, Sept. 1, 1987).

Grandaddy’s Stars, illus. by James Stevenson. New York: Greenwillow, 1995. 1–3 In this fourth book about Janetta and Grandaddy, she introduces him to her life in Baltimore, including her cat Star. “Stevenson’s art offers warm and cheerful scenes of companionship and some light-hearted vignettes (the mule on the White House lawn, for instance) illustrating Grandaddy’s stories” (Bulletin, Apr. 1995). Griffith again displays an “ability to provide Grandaddy with the right turn of phrase for every situation” (Horn Book, May/June 1995). Booklist concurs that the “dialogue is tender, comical, and down to earth, and the love between grandfather and child flows plainly across the pages.... It’s also present in Stevenson’s unpretentious pictures” (Apr. 15, 1995).

Gross, Virginia T. The Day It Rained Forever: A Story of the Johnstown Flood, illus. by Ronald Himler. New York: Viking, 1991. 3–6 According to Horn Book, Gross’s “[p]lausible characters and nonstop action create a taut plot” (Sept. 1991). This historical novel tells the story of the 1889 Johnstown Flood through the fictional character Christina and her family. Occasionally “the dialogue and narrative seem calculated to project the historical setting,” but “offsetting occasional stylistic awkwardness is a neat turn of language.... An involving and appropriately unsettling look at U.S. history” (Bulletin, Apr. 1991).

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Guerin-Fermigier, Franette, and Richard Nicolas Warhol: Ten Lizes. New York: Abrams, 1991. K–up Describing Warhol: Ten Lizes as a “sophisticated, experimental approach to introducing children to modern art,” School Library Journal states, “This book addresses the relationship of art and image, the concepts of beauty and reality, and captures Warhol’s fascination with contemporary pop culture” ( June 1991). The Horn Book suggests this “well made” title is more suitable for older, more mature readers (Sept. 1991).

Gunter, Frances B. The Golden Horseshoe. New York: Vantage, 1990. 6–8 Gunter’s time-shift mystery is designed to prepare students to become a Knight or Lady of the Golden Horseshoe, an award for excellence in the study of West Virginia history, which began in 1929–1930 and continues today. In this story, three teenagers, Ginny, Brad, and Chelsea, travel backward in time to experience such historic events as John Brown’s death by hanging and the Battle of Blair Mountain. This title won a Citation of Merit Award in 1992 from the West Virginia State Reading Council. See also Elizabeth Coatsworth’s The Golden Horseshoe [above], and Sylvia Soupart’s Stories of West Virginia for Boys and Girls [below]. (RH)

The Golden Horseshoe II. Charleston, WV: Elk River, 2003. 6–8 Gunter continues the mystery-adventures of Ginny, Brad, and Chelsea, who were first introduced in the 1990 title The Golden Horseshoe [see above]. In this volume, the three teenagers follow clues to recover the golden horseshoe pendant, which has been stolen from the West Virginia Cultural Center in the capitol city, Charleston. Every clue, of course, offers a history lesson as well as the potential to win a reward: two nights in every state park in West Virginia over the next two years. While the desire to make history interesting is laudable, the mystery is a bit plodding, and the writing bland. See also Elizabeth Coatsworth’s The Golden Horseshoe [above], and Sylvia Soupart’s Stories of West Virginia for Boys and Girls [below]. (RH)

Gurko, Leo Thomas Wolfe: Beyond the Romantic Ego. New York: Crowell, 1975. 6–up Gurko’s biography begins with an “unabashedly partisan” overview of the general criticisms of Wolfe as writer and individual, but “he does display a sensitivity to these ... barriers which might stand between Wolfe and contemporary students.” This is an “informed appreciation” that “confirms Leo Gurko’s reputation as a first class guide to American writing”

(Kirkus Reviews, May 1, 1975). According to the Horn Book, Gurko “treats adolescents as discerning readers” with “simple, direct literary criticism” and a “smooth often ironic style,” making this “a truly brilliant introduction for the novice” (Oct. 1975).

Gutman, Bill Bo Jackson. Topeka, KS: Topeka, 1991. 4–7 Biography of Alabama native Bo Jackson, emphasizing his achievements in football and baseball. The title covers the Heisman winner’s childhood, play in high school and college, and his professional career. Includes information on the negative reaction engendered when Jackson signed to play football with the Oakland Raiders (Booklist, June 15, 1991).

Mario Lemieux: Wizard with a Puck. Brookfield, CT: Millbrook, (1992) 1994. 3–6 This title in the Millbrook Sports World Series biography details Lemieux’s career as an ice hockey superstar with the Pittsburgh Penguins. Includes a bibliography and index.

Refrigerator Perry and the Super Bowl Bears. New York: Simon and Schuster, 1986. 4–up Biography of former Clemson University football standout, William “The Refrigerator” Perry. “Gutman’s lively style flows smoothly to incorporate game highlights ... that will delight fans” (Booklist, Dec. 1, 1986).

Reggie White: Star Defensive Lineman. Brookfield, CT: Millbrook, 1994. 3–6 Gutman presents the story of National Football League player and Chattanooga, Tennessee, native Reggie White. This title in the Millbrook Sports World series includes bibliographic references.

Gutman, Dan Honus and Me: A Baseball Card Adventure. New York: Avon, 1997. 3–6 Twelve-year-old Joe Stoshack finds a T206 Honus Wagner 1909 baseball card, worth $450,000, while cleaning out the attic of 100-yearold Miss Young. The card proves to be magic and transports Joe and Honus back and forward in time so that they can interact with each other and Joe can experience the 1909 World Series. “Gutman’s direct, nofrills writing style and the inclusion of vintage photos of Wagner in his heyday add a nostalgic quality to the book.... For sports fans who like a snappy plot along with the play-by-play, this novel hits at least a triple” (Publishers Weekly, Feb. 10, 1997). This fantasy is “well researched and should delight young baseball fans” as well as non-sports readers who like fantasy (Booklist, Apr. 15, 1997). Horn Book is not so enthusiastic: “Baseball fans will enjoy the sports action; others will find the protagonist remote and the prose more efficient than inspired” (Sept. 1997). Includes an ap-

108 • Hagaman pendix, which “helps readers sort out fact from fantasy.... An enjoyable escape into another decade” (School Library Journal, June 1997).

Shoeless Joe and Me: A Baseball Card Adventure. New York: HarperCollins, 2002. 4–7 Time traveler Joe Stoshack uses an old baseball card to transport himself to meet Shoeless Joe Jackson and tries to prevent the World Series gambling scandal of 1919. “[F]ast-paced and exciting,” this book “creates a strong sense of time and place using photographs and newspaper clippings” (Kirkus Reviews, Feb. 15, 2002). Fourth in the Baseball Card Adventure series, Shoeless Joe and Me “is an intriguing melding of sports history and science fiction that should be a hit with middle-school readers” (School Library Journal, Mar. 2002). Booklist considers the book a “not-quite-believable” piece of time-shift fantasy ( Jan. 1, 2002). The Horn Book Guide says it is “less satisfying than others in the series” (Fall 2002).

Hagaman, Clara Governor John Sevier’s Farm Home, Marble Springs: Home of Tennessee’s First Governor, John Sevier. Knoxville, TN: Governor John Sevier Memorial Association, 1987. 3–up An introduction to Marble Springs, near Knoxville, Tennessee.

Hahn, James, and Lynn Hahn Franco Harris: The Quiet Ironman. St. Paul, MN: EMC, 1979. 3–5 This biography of the star running back for the Pittsburgh Steelers is a title in Their Champions and Challengers II series.

Hahn, Mary Downing The Time of the Witch. New York: Clarion, 1982. 4–up Laura, age 12, and her brother Jason, age five, have been sent to rural West Virginia for the summer. When Laura consults a supposed witch-woman, Maude Blackthorne, to help prevent her parents’ divorce, the results are somewhat menacing but effective in the end because Laura comes to terms with reality. Horn Book considers Hahn’s novel “an unusually convincing blend of the supernatural and the real.” Because she is “[s]ulky and opinionated, Laura is not a particularly attractive character” (Feb. 1993).

Witch Catcher. New York: Clarion, 2006. 4–7 Jen, age 12, and her father move from Maryland to rural West Virginia when her father inherits Mostyn Castle from his eccentric great-uncle Thaddeus. Jen discovers that her father has become bewitched by the evil Moura Winters, a witch who is out to possess a glass globe, which imprisons the fairy Kieryn. Jen battles Moura for control of her father and the fairy world, making for a “fast-paced, suspenseful fantasy” (Booklist, June 1, 2006). School Li-

brary Journal agrees that the “pace ... is sustained with page-turning suspense,” though “some characters are developed more than others” (Aug. 2006). Horn Book compares the title with other of Hahn’s “expert gothics.” Kieryn’s “rather convenient” tactics for evading Moura and Jen’s naïveté are weaknesses, but the book is, overall, a successful “friends-and-family story with the thrill of a fight to defeat dark forces” ( July/Aug. 2006). Kirkus Reviews considers the novel “an original fantasy/horror adventure” in spite of the “stock idea” of the “evil woman bent on” becoming the stepmother ( June 1, 2006).

Haldeman, Myrtle Long Cassie After Antietam. Hagerstown, MD: Review and Herald, 2004. 6–up In this sequel to Cassie: The Girl with the Hero’s Heart, Haldeman completes the life story of Cassie Long through maturity, marriage, and motherhood.

Cassie: The Girl with the Hero’s Heart, illus. by Elizabet Bame. Hagerstown, MD: Review and Herald, 1997. 6–up The story of a Maryland farm girl who assists Clara Barton during the Battle of Antietam.

Hale, Sarah Elder, ed. Antietam: Day of Courage and Sacrifice, illus. with photographs. Peterborough, NH: Cobblestone, 2005. 4–6 Antietam: Day of Courage and Sacrifice, a title in Cobblestone’s The Civil War series, is comprised of short chapters taken from articles published in Cobblestone, Appleseeds, and Dig magazines. “The writing is clear and accessible, and the pages are attractively designed” (Booklist, Jan. 1, 2006). The “magazine-piece origins” of the information are evidenced by the writing, which is, nevertheless, “engaging” (Horn Book Guide, Fall 2006). Sidebars feature information about notable individuals and eyewitness observations. Includes photographs, maps, glossary, index, and a timeline.

Haley, Gail E. Jack and the Bean Tree. New York: Crown, 1986. K–3 Haley’s adaptation of Joseph Jacobs’ “Jack and the Beanstalk” is set in Appalachia and narrated by Poppyseed, an old woman. The Bulletin notes the differences between Haley’s version and Richard Chase’s and suggests that explanatory notes would have been preferred. Haley’s version is considered “fairly elaborate,” but the “long text and heavy palette” make it suitable for readers who already know the story ( July/Aug. 1986). According to Kirkus, the book may best be “shared aloud,” though Haley’s illustrations are excellent. This is “a fine tribute to Appalachia’s heritage of story” ( June 15, 1986).

Hall • 109

Jack and the Fire Dragon. New York: Crown, 1988. K–3 In Haley’s second picture book devoted to the famous Jack, the trickster hero has just returned from service in the U.S. Army. Before he can establish his home, a cabin, he must fight the Fire Dragaman and win the hand of a princess. “Related in a dialect of the Appalachian mountains, this story is garnished with folksy descriptions and the prankish good humor that characterizes oral storytelling ... making this an unusual offering for folklore fans” (Publishers Weekly, June 10, 1988). According to Kirkus, Haley’s illustrations “have the additional value of having merit as art” (May 15, 1988).

Mountain Jack Tales. New York: Dutton, 1992. 3–up Haley presents ten North Carolina folktales about Jack in a “lucid, vibrant voice.” The “diverting introduction” and Afterword offer context and background for the adventures of this “folktale Everyman,” and “Haley’s use of metaphor, hyperbole, and dialect captures the playful spirit of mountain lore.” Her wood-engraving illustrations are “emotive, elaborate,” making for a “buoyant anthology” (Publishers Weekly, Nov. 9, 1992). “The dialect adds color but in no way obscures the stories” (Horn Book, Jan. 1993).

Two Bad Boys: A Very Old Cherokee Tale, illus. by author. New York: Dutton, 1996. 3–6 The 1996 Dutton Children’s Books catalog says that Haley collected this story from her North Carolina neighbors, who are “descendants of the Cherokee who originally told the story” (Apr.-Aug. 1996). This Cherokee genesis story “acknowledges the punishing aspect of labor, the human tendency to curiosity and meddling, and the adolescent desire for self-sufficiency. Here, however, the ungovernable impulse to follow one’s own will is recognized as a wild, undomesticated side of the self: Freud’s id anticipated.” Though Haley’s illustrations are “stylized,” “the overall effect is realistic.... The presentation is culturally specific, but the story’s themes have a universal and timeless resonance” (School Library Journal, Aug. 1996). The March 1997 Horn Book Guide calls Haley’s illustrations “expressive.”

Hall, Esther Greenacre The Here-to-Yonder Girl, illus. by Willard Bonte. New York: Macmillan, 1932. 7–up Tassie Tyler, an orphan who lives in Crooked Creek, Kentucky, overcomes poverty and hardship through her “delight in nature” and hard work. “In the last chapter she takes the little family she has adopted to live and work at the Singing Branch School.... Tassie seems to have been written for love of her kind of folk, and illustrates a phase of life almost eradicated from this country” (Saturday Review of Literature, Apr. 30, 1932). This is a “well told story of mountain folk in one of the sequestered regions of

Kentucky” that is “particularly successful in revealing the people’s primitive life and their heritage of song and music, superstition, and ancient customs” (Booklist, Apr. 1932).

Up Creek and Down Creek, illus. by Anna Parker Braune. New York: Random, 1936. 6–up This collection of ten short stories about ten heroic young girls is set in southeastern Kentucky. Written between 1930 and 1935, seven of the stories had appeared previously in The American Girl and one in Portal. Every story but one is illustrated by a one-page, black-and-white drawing. Hall’s Preface advances the common notion that Appalachian mountain people “have preserved an almost Chaucerian English embellished by their own picturesque homegrown idioms.” Her attempt to “reproduce this dialect as accurately as possible” probably strikes the modern reader as having missed its mark; the writing gets in the way of reading. A mail-order catalog is called a “send-and-fotch book” (15); “we-alls” is used instead of “us” (86). Though the plots are formulaic, they feature young women acting out of courage and good sense to overcoming backwardness, ignorance, and poverty. All limitations aside, Up Creek and Down Creek gives young readers strong female role models. In 1936, this title was a Junior Literary Guild selection, and Eleanor Roosevelt was a member of the Editorial Board that chose it. (RH)

Hall, Francie Appalachian ABCs, illus. by Kent Oehm. Johnson City, TN: Overmountain, 1998. K–2 The title of this book is a misnomer. The illustrations are lovely, but readers looking for Appalachian material will be disappointed because much of it is generic, not Appalachian: “B is for the Bears,” “H is for Honeybees,” “I is for Indian,” and “K is for Kayak.” Out of the 26 letters, approximately five are truly Appalachian. The book is illogical both in the concepts and in the illustrations. Snow skiing is illustrated twice, once for the letter “S” and once for “X,” which shows crossed skis. Each page contains a border of flowers, which is sometimes odd, as when “sneezeweed” is combined with “snow skiing.” This book violates all conventions of design and coherence. (RH)

Scottish Highland Games, illus. by Kent Oehm. Johnson City, TN: Overmountain, 2002. K–4 Francie Hall and Kent Oehm team to introduce young readers to the Scottish Highland Games Festival held each summer in western North Carolina. “There’s an immeasurable amount of collective strength in those who compete in Scotland’s [sic] Highland Games, but readers may need an equal amount of fortitude to get through this rhyming description of the games” (Horn Book Guide, Spring 2003).

110 • Hall

Hall, Tom T. The Storyteller’s Nashville. Garden City, NY: Doubleday, 1979. 7–up Tom T. Hall was born on Tygarts Creek in Olive Hill, Carter County, Kentucky. Booklist calls his autobiography “unlaundered” and a “blunt but blithe record,” with “language [that] is a bit earthier than his lyrics might lead readers to expect as he describes how he began to write songs and what inspired him, his strange adventures in Nashville’s dives and hangouts, and his bouts with drugs and liquor.” Readers will also gain information about the Nashville music industry (Booklist, Dec. 15, 1979). This “gritsto-riches memoir” shows Hall to be a “surprisingly stylish and quirky fellow, laconically comic and appealing.” This “free-form personal essay has more realNashville flavor than a lot of bigger, more substantial Music City books” (Kirkus Reviews, Oct. 1, 1979).

Halliburton, Warren The Picture Life of Jesse Jackson, illus. with photographs. New York: Watts, (1972) 1984. K–3 Originally published in 1972, this edition is “so simplistic and worshipful ... that it is downright embarrassing.” The omissions and errors are serious, making “it sound like he single-handedly integrated the United States.... Juvenile readers and Jackson, himself, deserve better than this” (School Library Journal, Aug. 1984). A title in the Picture Life Books series.

illustrations. Multiple names make the writing confusing, and readers attracted to graphic novels will probably skip this one (Library Media Connection, Aug./ Sept. 2007).

Hamel, Paul B., and Mary Ulmer Chiltoskey Cherokee Plants and Their Uses: A 400 Year History. Sylva, NC: Herald, 1975. 5–up The first 16 pages give an overview of the importance of plants in Cherokee culture, including religion and medicine, social activities (such as bartering), and everyday life. A useful herbarium, bibliography, and index follow. While this is not designed as a children’s book, it can be read by middle-graders and used for research or extended curriculum activities. This brief, information-packed book is deceptively simple but rich. (RH)

Hamilton, Anna Blanche Rabbit Goes Duck Hunting: A Cherokee Indian Legend, illus. by students at the Cherokee Indian School, Cherokee, North Carolina. Washington, DC: U.S. Department of the Interior, Bureau of Indian Affairs, Branch of Education, 1954. K–3 A classic story of the Cherokee trickster figure, Rabbit.

Hallman, Ruth

Hamilton, Dorothy

Search Without Fear. New York: Dodd, Mead, 1987.

Neva’s Patchwork Pillow, illus. by Esther Rose. Scottsdale, PA: Herald, 1975.

7–up When her grandmother dies, Dee, a sophomore in high school, is forced to move from Oregon to Virginia to live with her older brother David, who is a Virginia State Trooper. Though the book is packed with action and described as a “pageturner” by School Library Journal, it is limited by “[p]oor writing,” awkward dialogue, and “slight” characterization ( Jan. 1, 1988). “Stiffly posed photographs of mediocre quality” do not add value to a plodding story created “primarily” to showcase the Canine Unit of the Virginia State Police. Details about troopers and dogs are “laboriously introduced into dialogue and exposition,” making for a book with “no redeeming literary qualities” (Bulletin, Jan. 1988).

Hama, Larry The Battle of Antietam: “The Bloodiest Day of Battle,” illus. by Scott Moore. New York: Osprey, 2006; New York: Rosen, 2007. 4–6 Presented in a comic book format, the historical information will appeal to students in spite of the “slightly stiff ” art (School Library Journal, May 2007). This title in the Graphic Battles of the Civil War series presents “realistic” artwork; however, readers must depend on the “heavy text” to complete the

3–5 Lonely and insecure Neva moves to Cincinnati from the Kentucky mountains and suffers the usual problems of assimilation. “Slickly written and full of sermonizing, the theme of helping others overtakes the extremely weak plots. Characters are one-dimensionally good with only a thin overlay of human flaws, and Neva’s growth to maturity comes too easily.” The “super-inspirational message” is more appropriate for church libraries than for the classroom (School Library Journal, Sept. 1975).

Hamilton, John Great Smoky Mountains National Park. Edina, MN: Abdo, 2005. 4–7 This title in the National Parks series presents “challenges” to Park preservation, includes quality photographs, and is a good source of information for report-writing (Horn Book Guide, Fall 2005). Includes an index.

Hamilton, Virginia Cousins. New York: Philomel, 1990. 5–up Hamilton’s novel, set in Ohio, is a story of jealousy and conflict between cousins Cammy

Hammond • 111 Coleman and Patty Ann. They are part of a complex, ultimately loving family whose difficult interrelationships come to a head when Patty Ann drowns. This “is a powerful portrayal of guilt and emotional survival” (Horn Book, Nov. 1990). According to School Library Journal, “Hamilton allows readers to experience the wide-ranging and sometimes lightning-quick changes of emotion of an adolescent girl through a partially stream-of-consciousness style and, at times, abrupt, staccato thoughts.... While the drowning scene takes on a surrealistic, slow-motion quality, ... this is not a story that depends on action to advance the plot” (Dec. 1990). Publishers Weekly praises the novel as “an elegant, stirring tapestry of life” and a “superlative” work ( July 27, 1990).

The House of Dies Drear, illus. by Eros Keith. New York: Macmillan, 1968. 5–up Thomas Small and his family move from North Carolina to a house in Ohio that was a station on the Underground Railroad because his father has taken a job as professor of history at a local college. Whey the family moves into the mysterious house, once owned by abolitionist Dies Drear, a strange series of events designed to scare them away leads instead to their discovery of an amazing piece of history. “Miss Hamilton establishes an almost Gothic atmosphere” alongside “the plain and everyday [such as] the realistic details of household management and the service in the little African Methodist church” (Horn Book, Oct. 1968).

M. C. Higgins, the Great. New York: Macmillan, 1974. 6–up M. C. Higgins, age 13, considers himself “The Great” and sets out to make his mother a star vocalist when a researcher from the city comes into their mountain world with a tape recorder, hoping to capture ballads. “The richly detailed story of the Appalachian Hills” is set on Sarah’s Mountain, named for the Higgins ancestor who escaped slavery and came to own this piece of property in West Virginia. A primary thread running throughout the story is the slag heap, a product of strip mining, that threatens to destroy the Higginses’ cabin. Another theme is the community prejudice toward a Melungeon-like mountain family that has webbed fingers. “Visual images are strong and vivid; and many passages are poetic in their beauty” (Horn Book, Oct. 1974). This winner of the Newbery Medal “is a rare book” (Publishers Weekly, Oct. 9, 1987).

The Magical Adventures of Pretty Pearl. New York: Harper and Row, 1983. 5–up Pretty Pearl is a “god-child” who comes with her brother John De Conquer from Mount Highness in Africa to the red clay of the north Georgia hills. They sleep for 200 years and awaken during the Reconstruction era to find a secret, black community called Promise Land, which is aided by nearby Cherokees. Hamilton has created a “rich blend of fan-

tasy, African and American folklore, history, and marvelous invention” into which is woven her own Perry family history (Bulletin, May 1983). Folk and mythic characters such as John Henry and High John the Conqueror struggle with issues such as immortality and prejudice alongside the native Cherokee and black characters. “The whole invention has more the quality of a pageant than a novel.” This is “an impressive construction” (Kirkus Reviews, Apr. 1, 1983).

The Mystery of Drear House: The Conclusion of the Dies Drear Chronicle. New York: Greenwillow, 1987. 5–up In this sequel to The House of Dies Drear, Hamilton continues to explore the mysteries that were unleashed in the first story, all of which involve the treasure trove, the Darrow neighbors, the mythic character Pluto, and Grandmother Rhetty. “Perhaps no one but Hamilton could invent so thrilling and credible a story about people, sensitively individualized. One feels their relationship symbolizes a treasure to rival the tunnel’s fabulous contents” (Publishers Weekly, Apr. 10, 1987). The “colorful” characterization and “eerie, suspenseful mood” are successful, though this effort is not “Hamilton at her very best” (School Library Journal, July 1, 1987). Hamilton has created “an accessible tale” that is “complex, multileveled” and presented in a “clean, spare style” (Kirkus Reviews, Feb. 15, 1987).

Second Cousins. New York: Blue Sky, 1998. 5–8 Hamilton’s sequel to Cousins, set one year later, explores the growing, close relationship between Cammy and her poor cousin, Elody, following the drowning of Patty Ann. Cammy also discovers that she has a half-sister, Jahnina. The Bulletin considers this title an “absorbing if disjointed sequel” and praises Hamilton’s “sure touch with the dynamics of intense interpersonal and family relationships.” Though the plot and narrative lack “cohesion,” Hamilton’s skillful writing will keep readers interested all the way to the “neatly wrapped up, if somewhat anticlimactic, conclusion” (Nov. 1998). This sequel is not as “focused” as the first novel, and the “metaphors are sometimes overworked,” but the “drama between the mean and the nice in everyone” is carried off (Booklist, Aug. 1, 1998). School Library Journal finds the plot to be “thin and the tone somewhat uneven” though Hamilton excels at “dialect and believable outcomes” (Nov. 1, 1998). On the other hand, Kirkus Reviews deems the story line to be “strong” and the focus to be “masterfully choreograph[ed]” (Sept. 1, 1998). Above all, “Hamilton conveys the eternal, unshakable love that binds family members together” (Publishers Weekly, Aug. 17, 1998).

Hammond, Mildred Square Dancing Is for Me, illus. with photographs by James C. Tabb. Minneapolis, MN: Lerner, 1983.

112 • Hamner 4–6 Using photographs as well as diagrams for the dance positions, Hammond shows eight children learning to square dance in West Virginia. “The text and pictures are [well] matched.... The instructions are clear; terms are explained.” This how-to book conveys the joy of competition and performance (Bulletin, May 1983). A helpful glossary of terms is included in this title in the Sports for Me Books series.

Hamner, Earl, Jr. The Homecoming: A Novel About Spencer’s Mountain. New York: Random, 1970. 6–up This sequel to Spencer’s Mountain is set on Christmas Eve in Depression-era Virginia. The Spencer children and their mother eagerly await the arrival of their father, who has been caught in a storm. Clay-Boy’s search for his father is at the center of the plot, though the community and Christmas season feature heavily. “The picture of everyday happenings in a small mountain community and of close family relationships amid the hardships of the depression [sic] years is painted with simplicity and charm. Those who enjoyed Spencer’s Mountain will like this, too” (School Library Journal, Nov. 15, 1970.

Spencer’s Mountain. New York: Dial, 1961. 6–up Hamner (creator of the celebrated Waltons of television fame), writes a coming-of-age story about Clay-Boy Spencer, the oldest of nine children. “Among the God-fearing Blue Ridge folk of New Dominion where young-uns are born and raised in company houses and bend their backs in soapstone quarries,” Clay-Boy eventually goes off to college. “A novel filled with joie de vivre, frank simplicity, a little sinning, and much human goodness” (School Library Journal, Jan. 15, 1962).

in the North Carolina mountains, was filmed by Walt Disney Productions for television. The story is stereotyped, and Jamie, the “innocent, honest, courageous [and] too-good-to-be-true” hero is perfect for a Disney production (School Library Journal, Jan. 15, 1969).

Hanson, Freya Ottem The Scopes Monkey Trial: A Headline Court Case. Berkeley Heights, NJ: Enslow, 2000. 6–10 The Scopes Monkey Trial is a “solidly researched” (School Library Journal, Sept. 2000) account of the Tennessee case challenging the theory of evolution. Included in the Headline Court Case series, this title “effectively convey[s] the importance of [the] case, although the prose is sometimes vague” (Horn Book, Apr. 2001).

Hardin, Gail, and R. Conrad Stein The Road from West Virginia. Chicago: Childrens, 1970. 6–up The Road from West Virginia, a title in the Open Door Books series, tells the story of Gail Hardin’s move from an Appalachian mining town to “Uptown,” Chicago, where she is considered a hillbilly and encounters the typical problems of outmigration and assimilation. After a series of low-paying, unfulfilling jobs, Hardin gets her high-school diploma. Library Journal considers this series of books “inspirational, simply written autobiographies” that includes “good photographs of the author and his or her environment from childhood on; front and back cover photographs show the subjects at work.” In 1970, “semiskilled workers [made] up the largest occupational group in the nation” (Mar. 15, 1972).

Harding , Donal

Hampton, Wilborn

The Leaving Summer. New York: Morrow, 1996.

Elvis Presley: A Twentieth Century Life. New York: Viking, 2007.

4–6 Set in 1958 in western North Carolina, Harding’s tale about Austin Carroll’s coming-of-age takes place during the protagonist’s 11th summer. Because his mother leaves, he is left in the care of housekeeper Miss Dixie and well-educated Aunt Ada. The plot involves two escaped convicts, one of whom becomes the love interest of Aunt Ada. The novel “is an entertaining blend of plot, character, and social commentary” with “an interesting cast of supporting characters.... Austin’s observations, experiences, and reactions during an unforgettable summer should engage readers” (School Library Journal, Apr. 1996). “Harding’s first novel touches the issue of racism ... and explores the mysteries and disappointments of love ... in a story that has a good balance of action and reflection as well as a strong sense of place” (Kirkus Reviews, Apr. 15, 1996). Publishers Weekly is less enthusiastic, calling the novel “quaint.” The characters “have little individuality and speak so often in platitudes that it is difficult to identify with them.” The racial conflicts “are resolved with a pat optimism,” and Austin’s “character

4–7 “Deeply engaging” and honest, Hampton’s biography is “written by someone who clearly loved Elvis and wants to share his story with a new generation.” This book will appeal to three generations of readers (Kirkus Reviews, June 1, 2007). From the Up Close Biography series, “the lively and accessible text ... delves not only into Elvis’s life but also [illustrates] his impact on music and American culture” (School Library Journal, June 2007). Elvis Presley was a native of Tupelo, Mississippi.

Hancock, M. A. Menace on the Mountain, illus. by H. Tom Hall. Philadelphia: Macrae, 1968. 5–6 During the Civil War, Jamie MacIver, age 13, is left at home to care for his crippled grandfather, his mother, and younger brother because his father joins the Confederacy. This coming-of-age story, set

Harrington • 113 is flavorless” (May 13, 1996). According to the Bulletin, “The self-consciously literary language undercuts the immediacy of Austin’s experiences” and makes the book more appropriate for adults who prefer a nostalgic view of their teen years (Sept. 1996).

sionate force of Carson’s efforts to ... effect change.” The result is a “well-focused portrait” (Oct. 1, 1989). The extensive bibliography, the index, and the effectively-used primary materials and photographs make for an excellent resource.

Hare, James

Harness, Cheryl

From Katahdin to Springer Mountain: The Best Stories of Hiking the Appalachian Trail. Emmaus, PA: Rodale, 1977.

The Trailblazing Life of Daniel Boone and How Early Americans Took to the Road. New York: National Geographic Society, 2007.

7–up The Appalachian Trail, which is 2,000 miles long and stretches from Georgia to Maine, is the subject of this collection of accounts, which first appeared in the two volumes of Hiking the Appalachian Trail (1975). It includes personal experiences and memories of hikers, “ranging from the humorous to near-tragic,” as well as suggestions for surviving the trail. “Recommended for both armchair backpackers and those contemplating the long hike” (Booklist, June 1, 1977).

5–9 “Written in a style more folksy than authoritative,” The Trailblazing Life of Daniel Boone provides an introduction to Boone’s life and adventures. “Though occasionally vivid, the colloquial writing style sometimes distracts from Harness’ main points” (Booklist, Dec. 1, 2007). Included in the Cheryl Harness Histories series, the title includes a chronology of events, list of books, and historical sites.

Hargrove, Jim

John Ross. Minneapolis, MN: Dillon, 1979.

Daniel Boone: Pioneer Trailblazer. New York: Scholastic, 1985. 5–7 Hargrove secured an endorsement from School Library Journal for his biography of Daniel Boone. Noting a “dull format” the reviewer considered the title “informative and balanced.... Content touches upon family life, explorations on the frontier and dealings with the Indians (friendly and otherwise). Negative aspects of Boone’s life are included; Hargrove discloses that Boone lost most of his assets, primarily land, because of inattention to financial and legal details. Enough historical background is given to put Boone’s activities into the context of the times” (Mar. 1986). The absence of a map is a major flaw, though a timeline is included.

Harkins, Susan Sales Breaking the Sound Barrier: The Story of Chuck Yeager. Hockessin, DE: Mitchell Lane, 2005. 4–6 Harkins’ brief biography is a title in the Monumental Milestones series, which the Horn Book Guide considers to be “dry but informative accounts of milestones in aviation history” intended for the reluctant reader (Spring 2006). Includes a glossary, index, timeline, suggested reading, and websites.

Harlan, Judith Sounding the Alarm: A Biography of Rachel Carson. Minneapolis, MN: Dillon, 1989. 4–6 This biography of America’s foremost woman environmentalist and science writer is “lively and appealing” (Appraisal, Winter 1990). According to Booklist, “Harlan captures Carson’s integrity, vitality, and ability to cherish the most minute aspects of the natural world.” The biography includes details of Carson’s family life and schooling, highlighting the “pas-

Harrell, Sara Gordon 4–7 Included in the Story of an American Indian series, this portrayal of Cherokee Chief John Ross is “laced with tribal history and culture ... with no contrived dialogue or obvious fictionalization” (School Library Journal, Mar. 1980). Booklist disagrees, pointing to a number of flaws, primarily the absence of good documentation and the implied fictionalization that “exists in attributing thoughts and actions without qualification.” In spite of its weaknesses, the content is a cut above routine encyclopedia entries (Oct. 1979).

Harrington, Janice N. The Chicken-Chasing Queen of Lamar County, illus. by Shelley Jackson. New York: Farrar, Straus and Giroux, 2007. K–3 An African-American girl loves to chase chickens in spite of Big Mama’s warnings to leave the birds alone. When she finally catches Miss Hen, she finds that the chicken is a mama, too, surrounded by her baby chicks, so she decides not to disturb her. School Library Journal praises Harrington’s “exceptionally colorful and descriptive language,” which is well rendered through Jackson’s “intriguing collages.” The result is a “delicious read-aloud” that captures life on a farm (Apr. 2007). Publishers Weekly notes Harrington’s “lyrical, creatively visual language”: “Lively chicken chat ... makes this a spirited readaloud” (Apr. 16, 2007). Book Links (Mar. 2007) and Booklist argue that “Kids will easily recognize the irresistible allure of a subversive game as well as the deep bond with an animal friend.” This “simple story” is a “rollicking, well-told delight” (Feb. 1, 2007). Harrington grew up in Vernon, Alabama, which is in Lamar County.

Going North, illus. by Jerome Lagarrigue. New York: Farrar, Straus and Giroux, 2004.

114 • Harrison K–3 Harrington’s autobiographical tale is based on her growing up in Lamar County, Alabama, and moving to Lincoln, Nebraska, in 1964. Jessie hates to leave her home and Big Mama, but moving day comes. As her African-American family makes its way through the South, they encounter segregation at its worst. As they make the transition to the North, they are encouraged that life may be better there. According to Book Links and Booklist, the author “brings close the stark realities blacks faced in the segregated South.” Lagarrigue’s illustrations “beautifully capture” this story about “bittersweet hope” and promise (Sept. 15, 2004). School Library Journal agrees that the “subdued but powerful” illustrations are “well-suited to Harrington’s somber, poetic narrative voice” making this a “solid choice” (Oct. 2004). Includes an author’s note and a map, which details the family’s journey.

Harrison, David L. Johnny Appleseed: My Story, illus. by Mike Wohnoutka. New York: Random, 2001. 1–2 Told as if John Chapman were narrating his life story to pioneer children, this tale from the Step into Reading series, is “adequate for beginning readers” (Horn Book Guide, Spring 2002). Mike Wohnoutka’s “buoyant paintings ... capture the beauty of the landscape, the innocent goodness of the people, and the slightly larger-than-life persona of Johnny Appleseed” in this “briskly told, cheerful story” (Booklist, Feb. 1, 2002).

Harshman, Marc All the Way to Morning, illus. by Felipe Davalos. New York: Marshall Cavendish, 1999. K–1 In a phone conversation with Roberta Herrin, Marc Harshman identified this title as Appalachian because of the setting of the camping trip, which frames this “look at what children all over the world might hear at night.” At bedtime, a son asks his father about other children, which gives the father an opportunity to explain that “children are similar even in their differences.... Double-page, acrylic paintings resemble tinted woodcuts and each child’s face is framed against a background depicting the source of the sound: grandpa’s violin, waves, a foghorn, or Abuela’s rocking chair” (Library Journal, Nov. 1999). Booklist considers this title “a thoughtful and intelligent introduction to some of the many cultures around the world.... Because the book features only one child per country, some of the depictions may seem stereotypical, but this is still an attractive book that will give children plenty to look at and to ask questions about” (Sept. 15, 1999).

A Little Excitement, illus. by Ted Rand. New York: Cobblehill, 1989. K–4 The protagonist of this story, Willie, suffers from typical winter ennui and wishes for “a little excitement.” His grandmother wisely warns him to

“Be careful what you wish for,” and a chimney fire makes her warning real. “The true meaning of community is revealed as the fire is contained and successfully extinguished.... Harshman’s story, with its folksy appeal, is well plotted and gripping. An impressive debut from a welcome new voice” (Horn Book, Sept./Oct. 1989). Publishers Weekly considers Harshman’s first picture-book effort a “splendid piece of storytelling ... with all the details meticulously evoked and smoothly described” ( July 14, 1989). Rand’s “watercolor illustrations provide strong support for the story,” which will draw children into it (School Library Journal, Sept. 1, 1989). According to Kirkus Reviews, “Willie’s concluding insight ... isn’t really justified by what has happened,” but Rand’s artwork is “realistic” and “wonderfully evocative” (Aug. 15, 1989).

Moving Days, illus. by Wendy Popp. New York: Dutton, 1994. 2–4 When Tommy’s parents tell him they are moving from the country to the city, he is understandably sad. As he begins to pack, he relives memories evoked by various objects, including a snake skin and photographs. “Without being maudlin, the first-person narrative quietly evokes the mixture of sadness, fear, and anticipation that comes with leaving the old and beginning anew.” Rand’s illustrations, which are “hazy and dreamlike, yet firmly anchored in concrete details, capture a small, close-knit family and a boy’s swirling emotions” (Booklist, Sept. 1, 1994).

Harshman, Marc, and Bonnie Collins Rocks in My Pockets, illus. by Toni Goffe. New York: Cobblehill/Dutton, 1991. K–3 The “dirt poor” Woods family carries rocks in their pockets to anchor them in the high winds on the high mountain where they live. By a quirk of fate, two “foolish, fancy city people” discover the rocks and attract throngs of people, which alters the Woods’ simple Appalachian life. Harshman and Collins “recount their tall tale with dry understatement that makes it all the funnier” (Kirkus Reviews, Aug. 15, 1991). They “give the Woods family the true folksy feeling that they deserve. Their story is simply told, yet moves along at a comfortable pace that will keep children both interested and involved. Goffe’s pen-and-watercolor cartoons are pleasing and full of motion” (School Library Journal, Sept. 1991). Booklist calls the story “an original fable, which is reinforced by the angular, wittily exaggerated paintings” (Dec. 15, 1991). Wilson Library Bulletin points out that this entertaining, charming story also offers “social satire” (Apr. 1992).

Harshman, Marc, and Cheryl Ryan Red Are the Apples, illus. by Wade Zahares. San Diego, CA: Gulliver, 2001. K–2 In this rhyming picture book, Harshman and Ryan, a husband-wife team, inventory an autumn

Hawks • 115 harvest from the point of view of a boy with his wagon. “The poetry is a bit bumpy at times,” and though “the illustrations are well designed,” they occasionally misrepresent the text. “The book ends on a pleasant note,” but “the detail needed in a good picture book is lacking here” (School Library Journal, Sept. 2001). On the other hand, Publishers Weekly, considers the book “a feast for the eyes” (Nov. 12, 2001).

Hasegawa, Sam Terry Bradshaw. Mankato, MN: Creative Education, 1977. 3–4 A biography of the Pittsburgh Steelers’ star quarterback and a title in the Creative Education Sports Superstars series.

Haseley, Dennis Shadows, illus. by Leslie Bowman. New York: Farrar, Straus and Giroux, 1991. 3–7 According to Kirkus Reviews, this is a “sensitive, evocative story of a solitary child among adults who are new to him” (May 1, 1991). When Jamie’s father dies, his mother goes off to Connecticut to find a job, and Jamie is sent to live with his Aunt Elena and Uncle Edward in rural West Virginia. While there, Jamie develops a special but vague relationship with his grandfather. Ultimately, this is a coming-ofage story. The “narrative is selectively but vividly detailed, the dialogue natural, and the shadow motif projected on both literal and symbolic levels” (Bulletin, July/Aug. 1991). Booklist also comments on the subtle nature of Haseley’s novel: “This is a story worth pondering, but one that requires a thoughtful reader willing to take the time to read between the lines” ( July 1, 1991). School Library Journal, however, finds that the plot “leaves too many unanswered questions” ( June 1, 1991).

Haskins, James I Am Somebody!: A Biography of Jesse Jackson. Hillside, NJ: Enslow, 1992. 6–up School Library Journal calls this biography in the People to Know series “incisive”; it conveys Jackson’s “strengths and flaws in a balanced manner.” The author “objectively examines Jackson’s rise to international prominence and his impact as a civil rights spokesperson, politician, and social crusader.” The book is “unbiased,” though the “poorly-reproduced” photographs “add little to the text” (Aug. 1, 1992). Booklist has a slightly different assessment: “Haskins makes no attempt to be an objective biographer of Jesse Jackson,” but he “does not let his bias blind him to his subject’s faults” ( July 1, 1992). Kirkus Reviews calls this a “complete but plodding” biography that “doesn’t convey Jackson’s ‘heart’ appeal” (Feb. 15, 1992). According to Horn Book, this is a “warts and all” biography of Jesse Jackson (Sept. 1,

1992). Contains a good bibliography (including periodicals) and index, which make it a good source for reports.

Jesse Jackson: Civil Rights Activist. Berkeley Heights, NJ: Enslow, 2000. 6–up This updated edition of I am Somebody! (1992) is “a balanced and readable” biography of Jackson, which “recounts Jackson’s South Carolina upbringing during the ’40s and ’50s, his education, and his involvement in the civil rights movement.” Haskins delivers an “easy-to-follow biography” that exposes the shortcomings that “have thrown impediments in Jackson’s road to success” (School Library Journal, Nov. 1, 2000).

Haskins, James, and Kathleen Benson Carter G. Woodson: The Man Who Put “Black” in American History, illus. by Melanie K. Reim. Minneapolis, MN: Lerner, 2000. 4–6 This title in the Inspiring People series profiles the life of Carter G. Woodson, creator of the Association for the Study of Negro Life and History in 1915 and founder of Negro History Week in 1926. Haskins and Benson present a “well-written, balanced portrayal of Woodson’s life and achievements” (School Library Journal, July 2000). Booklist considers it to be a “well-rounded” biography of Woodson that “effectively conveys his importance in encouraging black pride and the recognition of blacks’ diverse contributions to American history” (Apr. 1, 2000).

Havill, Juanita Kentucky Troll, illus. by Bert Dodson. New York: Lothrop, 1993. K–2 A young Swedish Troll leaves his homeland to start a new life in America and winds up in Appalachian Kentucky. His attempts to live a “normal” life and establish a home and family are fodder for much of the humor. “The realistic watercolors show details of past rural life, although neither they nor the text specifically depict Kentucky” (School Library Journal, July 1993). The tale is told “in a droll and gentle style that falls pleasantly on the ear,” but the details “never build to a satisfying climax — instead the thwarted protagonist simply withdraws from society, concluding that people and trolls were never intended to mix” (Publishers Weekly, Mar. 8, 1993).

Hawks, Francis L. Adventures of Daniel Boone, the Kentucky Rifleman. New York, Appleton, 1844. 4–7 Francis L. Hawks wrote juvenile books under the pseudonym of Uncle Philip, many in a series called Uncle Philip’s Conversations. This 147page book, Volume V in A Library for My Young Countrymen, edited by Hawks, consists of eight chapters and a 30-page appendix, written by Boone

116 • Hawxhurst himself: The Adventures of Colonel Daniel Boone, Formerly a Hunter; Containing a Narrative of the Wars of Kentucky, As Given by Himself. (RH)

Hawxhurst, Joan C. Mother Jones: Labor Crusader. Austin, TX: Raintree Steck-Vaughn, 1994. 6–up This title in the American Troublemaker series provides “readers with both biographical information and considerable background about the historical setting in which the subject lived.” Unfortunately, the titles in the series are generally “rather dry and will not hold the attention of young readers,” though they may be useful for reports (Book Report, Mar./Apr. 1994). School Library Journal considers this biography “accurate but bland”: “Mother Jones’s personal life is barely mentioned once she begins her work on behalf of laborers. Hawxhurst’s tone tends to be preachy with her constant descriptions of the plight of poor workers and the conditions they endured at the hands of the rich capitalists” (Mar. 1, 1994).

Malcolm, who helps them search for Daisy. After they take a tumble in the creek, Malcom and Granny Duncan invite them into their old house for a warm fire and a Scottish celebration complete with “Halloween buns and friedcakes” (42), kilts, bagpipes, and the “dance to the crossed blades” (46). Hays, who has written a series of books about holidays, begins this story with a prologue, which offers an oversimplified explanation of the Celtic and Christian roots of Halloween celebrations. The dialogue and pace are good, but the characters, Scottish dialect, and customs are stereotyped and flat. In spite of its flaws, however, it is a better book than most of this ilk. (RH)

Hazen, Barbara Shook Davy Crockett, Indian Fighter: From the Walt Disney Productions Film, illus. by Joseph Guarino. New York: Pyramid, 1975.

Haynes, Richard M.

3–8 Davy Crockett, Indian Fighter is adapted from the television series, The Wonderful World of Disney, and based on the story written by Tom Blackburn, composer of the lyrics to “Ballad of Davy Crockett.”

Ida B. Wells: Antilynching Crusader. Austin, TX: Raintree Steck-Vaughn, 1994.

Heaster, Georgia Golden

6–up School Library Journal considers this title in the American Troublemaker series “accurate but bland.” Haynes gives a “brief ” history of Wells’ early years and then emphasizes her “crusading efforts. The dry tone of the narrative and its lack of objectivity limit the book’s readability.” Though Haynes “gives insight into Wells’s public personality as an advocate of antilynching laws,” he also “tends to proselytize.” The illustrations are inadequate and “poorly captioned” (School Library Journal, Mar. 1, 1994). According to Book Report, Haynes’ biography of Wells is “the best” of the series, “largely because [he] uses diary entries to capture her dynamic personality in addition to providing the details of her life-long crusade to end lynching” (Mar./Apr. 1994). Includes a timeline, glossary, bibliography, and index.

Hays, Wilma Pitchford Highland Halloween, illus. by Peter Burchard. New York: Coward-McCann, 1962. 3–5 Robbie Cameron and his friend Archie Blake search for Robbie’s cow Daisy, who has wandered into Hidden Hollow in the Great Smoky Mountains. The Hollow is said to be haunted because old Granny Duncan’s husband and sons were murdered there when she was a young woman, 40 years earlier. Afterward, she stayed alone in the Hollow, earning the reputation of being bitter and fearsome. Because it is Halloween, Robbie and Archie are eager to find the cow and make their way back to town for the school bonfire party, and they are more than a little scared. As darkness overtakes them, they see a “ghost” and meet Granny Duncan’s grandnephew

Betty Zane. Parsons, WV: McClain, 1976. 5–up This 81-page fictionalized biography is based on two main exploits of Elizabeth Zane during the Revolutionary War. Betty is credited at age 17 with stealing a string of horses from Tory soldiers who stop at her Quaker aunt’s house and demand food. To protect her, William Zane, her father, sends her to Wheeling and Fort Henry to be with her brothers, one of whom, Isaac, has become assimilated into the Indian culture. She meets Lewis Wetzel, a young man who hates Indians. She survives an Indian raid in 1777 and is sent back East in 1782 to finish her schooling, after which she returns to Wheeling and Fort Henry. She not only survives another Indian attack but saves the Fort when its supply of gunpowder dwindles by making a mad “40-rod” dash from the Fort to her brother’s cabin to carry gunpowder in a table cloth. Other than the opening and closing heroic deeds, action and character development are limited, though the details of the Indian raids are good. Heaster provides a bibliography and acknowledges the “written accounts” of Betty Zane’s children and grandchildren. (RH)

Heinrichs, Ann West Virginia, illus. by Matt Kania. Minneapolis, MN: Compass Point, 2006. 3–5 School Library Journal compares this title to a “family’s vacation scrapbook.... A red station wagon loaded with family and luggage shows the location of the photographed site opposite. On both pages, fact boxes that look like road signs are scattered about.” Heinrichs’ title in the Welcome to the U.S.A.

Henderson • 117 series is “attractive, kid-friendly” and presents “a great deal of information” (School Library Journal, Feb. 1, 2006).

Heldreth, Nancy Marie Country Christmas, illus. by Delores Ryan. Grafton, WV: Heldreth, 1979. K–3 This self-published, scratch-and-sniff book tells the story of Jimmy and Sweet Sue who visit Grandpa and Grandma during Christmas. It begins on Christmas Eve and features the typical holiday treats and events: candy canes, hot chocolate, cracking black walnuts, singing carols, digging up the Christmas tree, making gingerbread men, stringing popcorn, Pepper the pony pulling Grandpa’s sleigh, Christmas Eve supper with oyster stew, Christmas dinner with turkey and ham. The series of events is episodic and expected, leading up to a predictable ending: “How come, Mommy, when we were kissing Grandma and Grandpa bye-bye, they had tiny little tears in their eyes?” (35). Though written in rhymed couplets, the text is organized as prose. The text is also generic, though information on the back inside cover says Nancy Marie is the youngest in a West Virginia family of 23. The story illogically shifts from Grandma and Grandpa to Mama and Daddy on Christmas Eve; it is not clear from the beginning that Mama and Daddy are there, too. The book offers nothing new but provides the comfort and predictability of nostalgia, which is, after all, what we sometimes want in a Christmas story. (RH)

Hemingway, Edith M., and Jacqueline C. Shields Rebel Hart. Shippensburg, PA: White Mane, 2000. 7–up A young girl from the mountains of Virginia, an area that eventually became West Virginia, joins Civil War rebels who strike Union encampments.

Hendershot, Judith In Coal Country, illus. by Thomas B. Allen. New York: Knopf, 1987.

Helldorfer, M. C.

1–3 Set in 1930s Ohio, this is the story of a coal-mining family told from the point of view of a little girl who waits for her father to return from a day in the mines. “A well-wrought complement of firstperson narrative and evocative art.... The picture here is rendered vivid not only by the color contrast but also by an imaginative detail: the child narrator, running to meet her father, is brightly reflected in the miner’s mirror crowning his begrimed hat.” The Bulletin compares the mood of this story with Rylant’s When I Was Young in the Mountains ( June 1987). According to Kirkus Reviews, Hendershot has based the story on her family’s personal experiences of life in a mining town. Allen’s illustrations “make the book,” rendering a “handsome, reflective” reminiscence about Depression era life (May 1, 1987). A review in the Five Owls comments on Hendershot’s “vivid, detailed, and surprisingly non-judgmental” approach to describing daily life and the “smudgy reminders of the omnipresent coal mines” (May/June 1987).

Hog Music, illus. by S. D. Schindler. New York: Viking, 2000.

Up the Tracks to Grandma’s, illus. by Thomas B. Allen. New York: Knopf, 1993.

K–4 This is the story of a hat and wooden box that travel the National Public Road from Western Maryland to Illinois. When Lucy’s family decides to move west, Aunt Liza refuses to go, saying, “Nothing but hog music out there.” Later, she sends Lucy a straw hat as a birthday gift, which has its own adventure before it reaches Lucy. “Each leg of the journey is packed with details about life at that time and conveys the message of how people helped one another out in simple ways. Schindler’s charming, detailed illustrations give more information about the journey and what life was like on the road: where people slept, what they did for entertainment, who traveled, and mishaps that might have occurred” (School Library Journal, May 2000). According to Publishers Weekly, “Jaunty watercolor and gouache illustrations on parchment paper set the tone for this rollicking 1840s adventure tale.... Schindler’s ... artwork wrings the most out of the tale’s humorous elements ... while maintaining the precision of miniatures” (May 22, 2000). The Horn Book Guide considers the folk art illustrations “simplistic at times,” though they “provide a homey, comfortable atmosphere” (Fall 2000).

K–3 Hendershot’s “simple but special story,” set in Appalachian Ohio in the 1940s, depicts the close relationship between a little girl and her grandmother. The book shows them engaged in daily farm chores, which the little girl continues on her own after Grandma leaves to care for her ailing daughter. Allen’s “illustrations, done in pastels, charcoal, and colored pencils, fail to capture the mood and expressions on the people’s faces,” though he “does his best work on the frantic chickens, juicy red tomatoes, and bunches of beautiful daisies” (School Library Journal, Apr. 1994). According to Booklist, Hendershot “draws on [her] childhood memories of her family in rural Ohio” to create this story of intergenerational love. “The picture of bespectacled Grandma in her late husband’s boots and mining helmet, his big old overalls pulled over her flowered dress, is unforgettable” (Dec. 15, 1993).

Henderson, Aileen Kilgore Hard Times for Jake Smith: A Story of the Depression Era. Minneapolis, MN: Milkweed, 2004.

118 • Henderson 5–8 Abandoned by her family in Depressionera Alabama, Mary Jake Wildsmith assumes the persona of a teenage boy and finds a home with an elderly widow. With “well-developed” characters (School Library Journal, Sept. 2004), Henderson “invests the story with a strong visceral sense of the daily struggle for food and shelter” (Booklist, Apr. 15, 2004).

The Summer of the Bonepile Monster, illus. by Kim Cooper. Minneapolis, MN: Milkweed, 1995. 3–6 Reviews of Henderson’s fantasy novel are mixed in the extreme. While their parents are trying to save their troubled marriage, Hollis and his older sister Lou are sent to Grancy’s rural home in Alabama, which is next door to Bonepile Hollow, a repository of fossilized bones and the seat of a horrible mystery. Horn Book praises Henderson’s effort as a “satisfying novel with strong atmosphere, good characterizations, and an expert control of suspense” (Sept. 1995). Booklist considers this city-kid-goes-to-the-country plot a “simmering” mystery and fresh “story of a family in crisis.” Hollis’ change “from a fearful, downcast city boy to a courageous, self-reliant young man is gradual and subtle” (May 1, 1995). The Bulletin disagrees: “The novel starts out with promise but zigzags in too many directions and finally degenerates into melodrama.” Henderson’s style is “fraught with obvious tease-lines,” resulting in a combination of “domestic realism, mystery, and fantasy” that are “resolved by an unnaturally neat ending” ( July/Aug. 1995). Publishers Weekly concurs: “This first novel serves up a flabby horror-story plot alongside a flimsy lesson in self-reliance.” The violence, implausibility, “tenuous” emotional connections render this a weak novel ( June 19, 1995).

Henderson, Le Grand see Le Grand Henderson, Marguerite Robby and His Contrary Country Cousin. New York: Vantage, 1977. 4–6 According to Judy Martin, Henderson “draws on her own childhood experiences in the Kentucky mountains in telling the story of eight-year-old Robb’s visit to the mountain farm of his cousin, Tim,” who initially has little respect for Rob (Choosing Books for Appalachian Children, Berea College Draper Service Center, 1982). When Tim takes a fall from a grapevine swing, Robby has the opportunity to prove and redeem himself in his cousin’s eyes. A predictable story about conflict and misperceptions between city and country relatives.

Henry, Joanne Landers Andrew Carnegie, illus. by George Armstrong. Indianapolis: Bobbs-Merrill, 1966. 4–6 Included in the Childhood of Famous Americans series, this biography emphasizes the youth

of one of America’s wealthiest and most philanthropic men.

Henson, Heather Angel Coming, illus. by Susan Gaber. New York: Atheneum, 2005. K–2 Henson’s story about a little girl’s anticipation of a new sibling is also a tribute to the Frontier Nursing Service and the midwives who were called “angels on horseback.” Set in the mountains of Kentucky, the story follows a 1920s family as it prepares for the arrival of the baby. School Library Journal describes the story as a “pleasant,” “quiet narrative” with “lyrical text [that] reads like poetry.... Attractive, realistic acrylic paintings show the family’s preparations” ( July 1, 2005). According to Kirkus Reviews, “This lovely story reflects the historical reality of the 1920s Eastern Kentucky” (May 15, 2005). Gaber’s “impressionistic acrylics” depict “abundant riches” of “close-knit neighbors who work and dance together” (Publishers Weekly, May 2, 2005). Booklist says that “both story and art evoke the beauty of the Appalachian setting,” which Gaber renders with “finesse.... A quiet, memorable picture book ( July 1, 2005).

Hermes, Patricia Sweet By and By. New York: HarperCollins, 2002. 4–6 Eleven-year-old Blessing became an orphan when she was two years old and has lived with her grandmother Monnie ever since. As Monnie’s heart weakens, she prepares Blessing for her death by telling her she must choose another Tennessee mountain family with whom to make her home after Monnie is gone. Set during World War II, Hermes’ novel “is filled with memorable characters and heart” and is “rich with stories, music, and love.... Written in poetic prose, this heartfelt story about saying good-bye and carrying on is reminiscent of Ruth White’s Belle Prater’s Boy (Farrar, 1996)” (School Library Journal, Oct. 1, 2002). Though Hermes’ writing is “never maudlin,” the relentlessly somber tone” will make for “a four-hankie cry” (Booklist, Oct. 1, 2002). Publishers Weekly calls this a “gracefully composed story of love, loss and courage” (Nov. 11, 2002). Kirkus Reviews, on the other hand, calls the prose “[m]audlin and manipulative.... Blessing’s voice seems too mature and too remarkably reflective for an 11-year-old mountain girl in the 1940s.... Uneven and almost unbearably sad, this is a tale that drowns in its own good intentions” (Oct. 15, 2002).

Herring , Reuben Fire in the Canebrake. Nashville, TN: Broadman, 1980. 6–up Traveling the Wilderness Road, blazed by Daniel Boone, Luke Miller leaves Virginia with his wife and son Silas, seeking a new life in frontier

High • 119 Kentucky. After his wife dies giving birth, he becomes “called” to the ministry. Using this theme, Herring provides information about frontier religious life, a topic that is rare in children’s books. “Unfortunately, the story’s action is better developed than the characters,” and when Silas turns to drink in rebellion against his father, the “conflict ... is solved a bit too neatly, as are other problems the pair face. But the subject matter, uncommon in historical fiction, justifies purchase” (School Library Journal, Feb. 1981).

Hesse, Karen Just Juice, illus. by Robert Andrew Parker. New York: HarperCollins, 1998. 3–5 Justus “Juice” Faulstich, age nine, is already a troubled truant in a poor and troubled family. Pa is illiterate and out of work; Ma is a pregnant diabetic, expecting her sixth child. “Despite the absence of welfare, food stamps, and unemployment benefits, this is a contemporary story. The setting is Appalachia and the narrative is flavored with hill speech. Though the locale may seem foreign to urban or suburban children, the unity of the Faulstich family and the dignity with which they approach their poverty are absorbing and convincing.... All in all, a trim package with pared-down prose, a memorable main character, and enough complexities to provide ample food for thought” (School Library Journal, Oct. 1, 1998). Hesse, who won a Newbery Award in 1998, offers “no sentimental solution”; her “plain, beautiful world tells of the harsh dailiness of poverty through the eyes of a child” (Booklist, Nov. 1, 1998). Hesse has written a “poignant story of love and endurance” that “never shouts” (Kirkus Reviews, Oct. 1, 1998). According to Publishers Weekly, “Juice’s resourcefulness and faith in her father set him onto a vocational path, but also lead her to the realization that, as she learns to read, she may have to leave him behind” (Sept. 21, 1998).

Hewson, Martha S. Stonewall Jackson: Confederate Philadelphia: Chelsea, 2001.

General.

4–6 This title in the Famous Figures of the Civil War Era series includes a bibliography and index.

Hickok, Lorena A. The Story of Helen Keller, illus. by Jo Polseno. New York: Grosset and Dunlap, 1958. 3–6 This title in the Signature Books series was written by Eleanor Roosevelt’s close friend, Lorena Hickok.

Hicks, Ray, and Lynn Salsi The Jack Tales, illus. by Owen Smith. New York: Callaway, 2000.

2–5 Three Appalachian Jack tales, written by Lynn Salsi, are based on tellings by Ray Hicks, a North Carolina native teller of Jack tales and a favorite at the National Storytelling Festival in Jonesborough, Tennessee, until his death in 2003. Salsi employs “crisp literary language with some dialect” in these variants of “Jack and the Northwest Wind,” “Jack and the Bean Tree,” and “Jack and the Robbers” that “are shorter than Richard Chase’s classic renditions found in The Jack Tales (Houghton, 1943), but are bare of simile compared with James Still’s Jack and the Wonder Beans (Putnam, 1977)” (School Library Journal, Nov. 2000). Smith’s illustrations are “part Thomas Hart Benton, part Robert McCloskey ... with fullpage rustic, warmly hued scenes.” This collection offers a “rare link between the modern storytelling movement and an older tradition,” represented by Hicks (Booklist, Nov. 15, 2000). The book is accompanied by a CD featuring Hicks’s oral telling of each story.

Higgins, Helen Boyd Stephen Foster: Boy Minstrel, illus. by Clothilde Embree Funk. Indianapolis: Bobbs-Merrill, (1944) 1953; illus. by Al Fiorentino. Indianapolis: Bobbs-Merrill, 1963. 4–6 This fictionalized biography of Stephen Foster is a title in the Childhood of Famous Americans series

High, Linda Oatman Hound Heaven. New York: Holiday, 1995. 5–7 Set on Muckwater Mountain in West Virginia, High’s story of Silver Iris Nickles gets mixed reviews. Silver has lived with her grandfather since her parents and baby sister were killed in a car wreck. She desperately wants a dog, but her grandfather refuses, so she get gets a job with a dog breeder. According to the Bulletin, “Characterization here isn’t deep, ... and the plot is often contrived” (Dec. 1995). A Kirkus Review agrees that High abandons all “credibility” but, nevertheless, “endows her story with sneaky, knockyou-over charm”: “This quirky novel is satisfying despite its odd detachment from reality” (Sept. 15, 1995). School Library Journal is totally positive about the novel, however: “Silver is a memorable heroine full of life, humor and determination,” who represents the “resilience of the human spirit and the power of love and faith” (Nov. 1, 1995).

Maizie. New York: Holiday, 1995. 4–7 Maizie’s mother has run off, leaving her with her alcoholic father and baby sister in a trailer on Welsh Mountain in Pennsylvania. At age 12, she must help run the household and help pay bills, so she gets a job at the local Blue Moon Nursing Home. “Maizie copes with the difficulties of life in a stalwart, matter-of-fact way” which saves the novel, but she is “unrealistically plucky.” The characters are “sketchily

120 • Hill drawn,” but they impart “texture,” and the “rural setting lends color” (Bulletin, Apr. 1995). Though “the book starts slowly, Maizie becomes a memorable character. In less talented hands, Maizie’s father would be despicable. Here, he is sad and oddly lovable” (Booklist, Apr. 15, 1995). According to the Horn Book Guide, High’s “characters are fresh, the dialogue is natural, and the realistic plot contains liberal amounts of humor” (Sept. 1995). The novel’s flaws include “a heroine who’s too good to be true and some underdeveloped story elements.... While Maizie is presented as an accepting child buoyed by her Christian faith, which unfortunately, she expresses in platitudes, readers may ... wonder how Maizie will manage to keep it all together” at the end (School Library Journal, Apr. 1995).

Hill, Malcolm W. “Chip,” Jr. Black Lizard’s Startling Encounter. Wilson, NC: Star, 1991. 4–up In 1755, Chuck Christian and ten angels bring “the word of God to the Appalachian mountains” as they war against demons and Indians.

Hines, Gary Midnight Forests: A Story of Gifford Pinchot and Our National Forests, illus. by Robert Casilla. Honesdale, PA: Boyds Mills, 2005. 2–4 Gifford Pinchot was the first American trained as a professional forester. He managed the forests of the Biltmore Estate in Asheville, North Carolina, and later served as head of the newly formed Forestry Service, assisting President Theodore Roosevelt in promoting the preservation of National Forests (School Library Journal, Apr. 2005). “The straightforward narration is broken up by occasional unattributed quotations. The pictures occasionally lack perspective, but clearly portray Pinchot and his quest to preserve America’s forests” (Library Media Connection, Nov./Dec. 2005).

Hiser, Berniece T. The Adventure of Charlie and His Wheat-Straw Hat: A Memorat, illus. by Mary Szilagyi. New York: Dodd, Mead, 1986. K–3 This “memorat” is supposedly based on a true Civil War story involving Charlie, age seven, and his efforts to protect his straw hat from Confederate soldiers. For the first half of the book, readers learn the process by which Charlie and his grandmother make the hat, soaking the wheat straw in water and weaving the crown and brim. The second half features Charlie’s “accidental heroism” as he saves his neighbor’s animals from “scavenging troops” and protects his hat as well. “Hiser has managed the difficult task of blending the Appalachian dialects of narrator and characters in a readable adaptation,” though some words that should appear in the glossary do not (such as

“piggin’“). Szilagyi’s illustrations are “dramatically modern” and thereby provide a “contrast” that succeeds because of simple “artistic elements” (Bulletin, Dec. 1986).

Hite, Sid It’s Nothing to a Mountain. New York: Holt, 1994. 7–up After the death of their parents in an automobile accident in 1969, Lisette Sutter, age 14, and her brother Riley, age 12, go to live with their grandparents in the Blue Ridge Mountains of Virginia. Hite’s story of their coming to terms with their grief is laden with flaws and is compared unfavorably with his 1992 Dither Farm. Booklist considers the plot “disjointed” and “predictable,” though “it pulls together swiftly at the end in a satisfying ... way” (May 15, 1994). According to the Bulletin, Hite writes with a “sensibility” that is “adult and the emphasis is on philosophy rather than plot.” Thick imagery and the “frequent pondering of eternal verities” render the novel “ponderous” ( June 1994). School Library Journal notes the “omniscient narrator’s smug and superior commentary,” which includes the geological history of the Blue Ridge Mountains and history of 1969: “If the majesty of the mountains, which loom prominently over the tale, diminishes the plight of the humans, then why tell the story” ( June 1994)? The Horn Book Guide agrees that these “interludes ... are intrusive” (Sept. 1994). Two sources, on the other hand, are more positive about Hite’s novel. Publishers Weekly believes that the book, in spite of its flaws, “will most satisfy readers with a strong imagination and contemplative nature” (Apr. 25, 1994). And Book Report suggests that “though the author’s voice occasionally intrudes, ... this does not happen often enough to bother most readers or to break the tension of the plot” (Nov./Dec. 1994).

Hodges, Margaret The True Tale of Johnny Appleseed, illus. by Kimberly Bulcken Root. New York: Holiday, 1997. 1–3 Hodges’ biography of John Chapman is compared unfavorably with Kellogg’s (1988) and Lawlor’s (1995): “Hodges’ sentimentalized take on the American legend” shows Appleseed to be a “devout ... eccentric but universally-loved do-gooder.” The typeface is inconsistent with the artwork. On the other hand, the basics of Chapman’s travels are “accurate” (Bulletin, Sept. 1997). The “text has a fine, seamless quality, though it is “sometimes difficult to tell fact from legend within the story” (Booklist, July 1997). Root’s “full-page watercolor scenes are lighthearted in tone and detail,” making for a “felicitous blend of biography and folklore” (School Library Journal, Sept. 1997). Unfortunately, the author’s note, which gives fairly good information on the settling of

Holberg • 121 the West, does not clarify what is legend and what is fact, and sources are not identified.

Hodgkins, Fran West Virginia. Mankato, MN: Capstone, 2004. 3–4 This title in the Land of Liberty series includes an index and bibliography.

Hodson, Debbie A Mountain Rainbow, illus. by Miriam Moyer. Emmalena, KY: IvyStone, 2004. 2–4 Hodson presents the story of Nellie who leaves her mountain home so her father can find work in a factory.

Roosevelt interacting with the people. This is not “a seamless narrative,” though it “should be a dynamic piece of historical writing” (Kirkus Reviews, Aug. 1, 2001). Horn Book considers the text “straightforward” (Apr. 1, 2002). School Library Journal calls it “conversational” (Dec. 1, 2001). Booklist praises it as an “engaging slice of history [that] will lead students to a fuller understanding of the period” (Oct. 15, 2001). Illustrated with black-and-white archival photographs; includes a bibliography and an index.

West Virginia. New York: Benchmark, 1999; with Joyce Hart, New York : Marshall Cavendish Benchmark, 2007. 4–6

A title in the Celebrate the States series.

Hoffman, Edwin

Hoig , Stan

Fighting Mountaineers: The Struggle for Justice in the Appalachians. Boston: HoughtonMifflin, 1979.

Night of the Cruel Moon: Cherokee Removal and the Trail of Tears. New York: Facts on File, 1996.

7–up Using a variety of sources, including oral histories, Hoffman relates “compelling, dramatically told” accounts of “how groups of Appalachians have been able to work cooperatively for a common cause.” Subjects include the Cherokee resistance to the Trail of Tears, the anti–Confederate Virginia Order of the Heroes of America, miners uprisings in Tennessee and West Virginia, and Georgia women mill workers who established their own factory in the 1970s (Booklist, Jan. 1, 1980). Kirkus Reviews praises the “hardhitting chapters,” which demonstrate the inaccuracy of the “popular caricature” of Appalachians (Oct. 1, 1980).

Hoffman, Mary Ann Peyton Manning: Football Star. New York: PowerKids, 2007. K–3 Included in the PowerKids Press series, this biography of football great and University of Tennessee standout Peyton Manning includes information about his family, college days, and professional career.

Hoffman, Nancy Eleanor Roosevelt and the Arthurdale Experiment. North Haven, CT: Linnet, 2001. 5–8 Hoffman presents for children a unique piece of Appalachian history. During the Depression, one of the New Deal projects was Arthurdale, West Virginia, an experiment in “social engineering” that was championed by Eleanor Roosevelt. This attempt by the Federal government to alleviate poverty and suffering among coal-mining families ultimately failed for a variety of reasons, not the least of which was the inherent prejudice that did not allow African Americans to be residents of the town. Hoffman’s “story never quite comes alive,” in spite of the reliance on first-hand accounts and photographs showing Mrs.

7–up This title in the Library of American Indian History series offers “a detailed account” of removal of the Cherokee from their Appalachian homes to Oklahoma. Hoig begins with the pre–1824 relationships between the Cherokee and the Europeans but centers on the era between 1834 and 1839, the intertribal conflicts among the Cherokee, and the conflicts involving state and U.S. governments. “While this highly specialized text does not wholly ignore other aspects of Cherokee culture, they are treated essentially from a political point of view.” Hoig’s writing is “polished” but rhetorically “naïve” (Kirkus Reviews, Feb. 15, 1996). The story is a “welldocumented” and “factual” rather than “personalized” record. Some sidebars are “lengthy and out of context” (Booklist, July 1996). Journal entries of a U.S. Army Lieutenant and a missionary “add immediacy” (Horn Book, Sept. 1, 1996).

Holberg , Ruth Langland Restless Johnny: The Story of Johnny Appleseed. New York: Crowell, 1950. 5–9 Holberg’s story begins with John Chapman at age 18 when he and his half-brother, age 11, leave Springfield, Massachusetts, for the Ohio frontier. “The tale of how he collected the seeds scattered on the ground near the Pennsylvania cider mills is a part of American folklore,” along with his eccentricity and religious bent. “The portrait of this strong, gentle, Bible-reading woodsman in tattered clothes, who never got lost, who was a friend of the Indians and the wild animals as well as to the pioneers, is told here in convincing terms. The writing is sensitive and gives the sound and feel of the story” (Saturday Review of Literature, May 13, 1950). Chapman is presented as a “saintly messenger of good will, who spent his life in an honest effort to make life easier for the earlier settlers” (Library Journal, Apr. 1, 1950).

122 • Holbrook

Holbrook, Stewart Davy Crockett. New York: Random, 1955. 5–up School Library Journal considers Holbrook’s fictionalized biography to be “well-written,” “easy to read and full of those exciting and colorful deeds which have made Crockett’s life so appealing to youngsters.” Fortunately, the author “has included some of his less praise-worthy actions as well as the heroic ones” (School Library Journal, Dec. 15, 1955).

Holdsclaw, Chamique, and Jennifer Frey Chamique Holdsclaw: My Story. New York: Aladdin, 2001. 6–12 “With admirable humility,” Holdsclaw tells her story of growing up in a dysfunctional family and her reliance on her grandmother June, “an unwavering emotional anchor.” The story “moves smoothly” and tells the “frank and realistic” account of her life, “even including insight into her muchpublicized clashes with Tennessee coach Pat Summitt.” Ultimately, this is a sports biography about an “inspiring” young athlete who “reverently credits her own wisdom to her beloved grandmother” (Booklist, Sept. 1, 2001). Includes an insert of photographs.

ithets of “po white trash” and “nigger,” but their fathers “talk it out” and no serious conflict ensues. In fact, a weakness of the book is the absence of interesting action and conflict. Even the drowning of Jamie’s two cousins is not depicted with energy or strong feeling. The text reads more like an adult reminiscence than a children’s book; the dialogue is stiff, the dialect uneven, the tone preachy and pedantic. There is much emphasis on words and what they mean. But, for all its flaws, it fills the need for good stories about the African-American experience in Appalachia and is a forerunner of Michelle Green’s Willie Pearl books. Coal mining is an issue throughout, and at the end, Jamie’s father is diagnosed with black lung disease, forcing the family to move from Peel Chestnut Mountain to “the city.” It ends with the hope that the family will return to the mountain. (RH)

Hollis, Marcia The Witch of Shakerag Hollow: And Other Sewanee Ghosts. Sewanee, TN: University Press of Sewanee, 1973.

2–3 “A simplified, superficial biography” that compares unfavorably with Jean Latham’s Sam Houston (1965) for the same age group, which “gives far more factual detail of Houston’s life and career” (School Library Journal, Sept. 15, 1968).

3–up Hollis has written six stories involving Sewanee, its campus, history, and traditions, drawn from her experience there in 1966 when her husband studied at the Graduate School of Theology. The stories don’t take themselves too seriously; nevertheless, they are well written, with a good pace and a lighthearted tone. Anyone familiar with Sewanee will enjoy this collection, but the stories are equally accessible to readers unfamiliar with Sewanee’s traditions and history because they are so well written. The title story explains that Sewanee once had a Witch College, but a love potion gone awry disrupted campus, and the Witch College was closed down, causing The Witch of Shakerag Hollow to put a spell on the campus: “No girls would study there for a hundred years” (9). Such tongue-in-cheek humor runs throughout the remaining five stories, poking fun at the institution and its traditions. Not unlike the Lady from Philadelphia in The Peterkin Papers, the Witch of Shakerag Hollow is frequently called in to rescue the Vice Chancellor or to solve a critical dilemma. (RH)

Holley, Juliette Ann

Holway, John

Jamie Lemme See. Radford, VA: Commonwealth, 1975.

Josh Gibson. New York: Chelsea, 1995.

Holland, Gini Johnny Appleseed, illus. by Kim Palmer. Austin, TX: Raintree/Steck-Vaughn, 1997. K–4 In spite of “minor flaws” the Horn Book Guide (Fall 1997) recommends this brief biography included in the First Biographies series.

Hollander, Paul Sam Houston, illus. by Salem Tamer. New York: Putnam, 1968.

5–up The book details one year in the life of James Edward Riley Pettigrew, a six-year-old AfricanAmerican boy who lives with his mother, father, eight-year-old sister Elsie Marie, and 16-month-old brother Tommy on Peel Chestnut Mountain, West Virginia. Jamie is a typical, imaginative, inquisitive child who entangles himself in the usual scrapes — falling out of a tree into a rose bush, getting stuck in a 100-year-old cradle, wandering away from home, watching his dog, Fancy, have puppies. Jamie and Elsie Marie clash with the white children who live over Bear Wallow mountain, exchanging the usual ep-

5–up Included in the Black Americans of Achievement series, Holway presents the life story of baseball great Josh Gibson who played in the Negro Leagues for the Homestead Grays and Pittsburg Crawfords. A powerful home-run hitter, Gibson was inducted into the Baseball Hall of Fame in 1972.

Hoobler, Dorothy, Thomas Hoobler, and Carey-Greenberg Associates The Trail on Which They Wept: The Story of a Cherokee Girl, illus. by S. S. Burrus. Englewood Cliffs, NJ: Silver Burdett, 1992.

Hornbostel • 123 4–6 Though Sarah is Cherokee, she and her family own Georgia plantations and have assimilated into the white, Christian culture. Without explanation, her family is driven off its lands and forced to join the march to the West. Through her Cherokee grandmother, Sarah “gains the determination needed to survive the long and tragic ... walk to the Indian Territory in Oklahoma.” The Hooblers’ account of the Trail of Tears provides “multifaceted characters and a clear look at the times” (Horn Book Guide, July-Dec. 1992). A title in the Her Story series.

Hooks, William H. Snowbear Whittington: An Appalachian Beauty and the Beast, illus. by Victoria Lisi. New York: Macmillan, 1994. K–3 Snowbear Whittington is an Appalachian variant of “East o’ the Sun and West o’ the Moon” and “Beauty and the Beast,” which appears in Richard Chase’s Grandfather Tales under the title “Whitebear Whittington.” Lisi’s illustrations include “such regional trappings as quilts, dulcimers, homespun clothing, and baskets. Endpapers capture the blue beauty of the mountains first in winter and then in spring.” The text is “straightforward,” and the “animals are realistically rendered and believable while the human characters have vacant expressions that detract from their appeal” (School Library Journal, Nov. 1994). Booklist agrees that the illustrations, “though technically well rendered, seem posed and stiff, and the faces ... lack expression.” Nevertheless, this folktale, set in the Great Smoky Mountains, “is handled nicely enough to lend itself to both storytelling and reading aloud” (Oct. 15, 1994).

The Three Little Pigs and the Fox, illus. by S. D. Schindler. New York: Macmillan, 1989. K–2 This Appalachian variant of the British “Three Little Pigs” appears in Richard Chase’s Grandfather Tales, but Hooks says his retelling is based on oral versions he has personally heard in the Great Smoky Mountains. One remarkable feature is the addition of Hamlet, the female runt, who is smarter than her two older brothers and ultimately tricks the wily fox. The Bulletin praises Hooks’s “perfect storytelling balance of invention and convention” with “satisfyingly patterned repetitions” and “well-timed surprises.” Hooks has an “ear for colloquial wit and an eye on the family dynamic that sends these characters on their journey of maturation” ( Jan. 1990). Schindler’s artwork “suggests the beauty of the mountain setting while deriving considerable humor from the older pigs’ gluttonous self-indulgence and the fox’s sly greed” (Kirkus Reviews, Aug. 1, 1989).

Hope, Laura Lee [pseud. of Nancy S. Axelrad] The Bobbsey Twins: The Smoky Mountain Mystery. New York: Grosset and Dunlap, 1977.

3–6 The six Bobbseys fly to Knoxville, Tennessee, rent a car, and drive to “bee-yoo-ti-ful” (13) Gatlinburg where the two sets of twins are engaged to solve a mystery: Someone has been stealing native, handmade toys from the Smoky Mountain Market. The Southern Handicrafts Guild and the Craftsman’s Fair are featured prominently, along with the obligatory dulcimers, groundhogs, mountain cabins, and feuding among the crafts people. Mountaineers and mountain life form the basis for this implausible story with flat characters, including the usual indistinguishable children. They compete with detective Dashback, hoping to solve the mystery before he does, and of course, they do. The book, which is number 70 in the series, is formulaic and clichéd. (RH)

Hopkinson, Deborah Girl Wonder: A Baseball Story in Nine Innings, illus. by Terry Widener. New York: Atheneum, 2003. K–3 In the early 1900s, Ohio farm girl Alta Weiss practiced pitching to bales of hay, and the cows were her “first fans.” In 1907 and 1908, she pitched for the Vermilion Independents, a semipro, all-male team, and in 1914 earned a medical degree, the only woman in her class. Hopkinson’s slightly fictionalized biography receives multiple, positive reviews, both for its text and for Widener’s illustrations, which are “in perfect pitch with the winning tone of Hopkinson’s ... story.... Cleverly organized into nine brief ‘innings,’ this graphically rich, rewarding tale will inspire readers — on several counts” (Publishers Weekly, Dec. 23, 2002). Hopkinson’s prose contains “vivid details, lively language, varied pacing — and her subject is worth the effort” (Horn Book, Mar./Apr. 2003). Kirkus Reviews says this “author-illustrator team hits a home run” in a book that is “a pleasure to look at and read aloud” (Feb. 1, 2003). According to Booklist, Hopkinson’s note at the end “enriches her burnished prose” ( Jan. 1, 2003). A section on “Highlights of Women in Baseball” is also appended.

Horn, Geoffrey M. Peyton Manning. Milwaukee, WI: Gareth Stevens, 2006. 3–4

A title in Today’s Superstars series.

Hornbostel, Lois The Classroom Dulcimer. New Haven, CT: Backyard Music, 1991. 4–up A basic introduction to the dulcimer (emphasizing its history in Appalachian Kentucky, Tennessee, Virginia, West Virginia, and North Carolina), this book provides basic information on how to play the instrument, including how to tune it and string it. Most of the book is given to songs, a few of which are traditional Appalachian tunes. Clear illustrations and well-written instructions, along with

124 • Horstman Teachers’ Notes and background information on the songs, make this a highly useful book for aspiring dulcimer players of any age. (RH)

Horstman, Lisa The Great Smoky Mountain Salamander Ball, illus. by author. Gatlinburg, TN: Great Smoky Mountains Natural History Association, 1997. K–3 Designed to impart information about salamanders—types of salamanders, how to treat salamanders, how not to treat salamanders — Horstman’s fantasy of a gala salamander ball is told in better-thanaverage verse modeled after Dr. Seuss’s classic patterns. Sara, who is visiting the Smokies with her parents, joins the park’s Junior Rangers and works hard to earn her badge. That night, when she cannot sleep, she sneaks outside, finds tiny footprints, and a tiny printed invitation to the Salamander Ball, which she attends, of course. She enjoys the parade and the dancing of the Pigmy, Hellbender, Zigzag, Redcheeked, and Mud salamanders before she is discovered. But all ends well. Sara learns the Two Golden Rules of Salamandering and is awarded the honorific of Ambassador. Horstman’s colorful illustrations complement the text well and achieve a nice balance between the fanciful and the didactic. (RH)

The Troublesome Cub in the Great Smoky Mountains, illus. by author. Gatlinburg, TN: Great Smoky Mountains Natural History Association, 2001. K–3 A true story told in rhyme about a bear cub that was discovered in a dumpster when the garbage was collected.

Smoky Mountain Wee Ones, illus. by author. Gatlinburg, TN: Great Smoky Mountains Natural History Association, 2003. K–4 This board book introduces the youngest readers to the similarities between human and animal babies.

Horton, Madelyn The Importance of Mother Jones. San Diego, CA: Lucent, 1996. 6–9 Horton’s biography of this important labor activist is “well-written and informative,” though it has “that dry, dull look ... that screams out ‘for reports only,’”; it is also “surprisingly readable.” In addition to the life of Mother Jones, the book provides “an insightful overview of the labor movement.” Horton’s use of primary sources lends “immediacy,” and good historical photographs “are plentiful” (School Library Journal, July 1, 1996).

Horwitz, Elinor L. Mountain People, Mountain Crafts, illus. with photographs by Joshua Horwitz and An-

thony Horwitz. Philadelphia: Lippincott, 1974. 7–9 Hurwitz’s “vivid appreciative narrative and the many excellent photographs by her teenage sons evoke a telling sense of the mountain people and their way of life.” Beginning with a brief history of the Appalachian region and its tradition of handicrafts, Horwitz then presents interviews with crafts people, which “bring to life individuals and her explanations of the crafts — musical instruments and toy making, wood carving, and domestic arts — can almost serve as a how-to-do-it guide” (Booklist, July 15, 1974). She “quotes [her informants] directly and describes their work with respect for the strength and traditions, informed appreciation of their artistry, and a sharp ear for their eloquent speech” (Kirkus Reviews, May 1, 1974).

Houston, Gloria Bright Freedom’s Song: A Story of the Underground Railroad. San Diego, CA: Harcourt, 1998. 4–8 When she is six years old, Bright Cameron is accidentally introduced to her parents’ “secret work” on the Underground Railroad in the North Carolina mountains. By the time she is 15, she is fully invested in the cause. Featuring the details of daily life among a family of abolitionists, Houston’s book shows the danger inherent in their actions. “Though Bright’s mother and Marcus are flat characters that serve to drive the plot, Bright is well drawn as a dedicated daughter and tough young woman and her father as a man who is driven to help others. Readable and well-researched historical fiction” (School Library Journal, Dec. 1998). One of Houston’s underlying premises is the “connection between the experience of indentured servants in this country and their willingness, once freed, to help slaves escape.” Expressed in her Preface and Afterword, this and other “facts and convictions ... inform her at times ponderous novel.” In spite of her “stiff dialogue designed to impart historical details and weigh moral issues,” Houston nevertheless “shapes an affecting family portrait” (Publishers Weekly, Oct. 19, 1998). Booklist agrees that “Houston’s characters tend to lecture or converse woodenly, ... [but] few children’s novels of this kind are set in the deep south” (Nov. 1, 1998).

But No Candy, illus. by Lloyd Bloom. New York: Philomel, 1992. K–3 In this “rather lengthy and subdued story,” Houston explores a fact of childhood: Children understand events and history largely through material culture, and in this case, it is a Hershey Bar, which is absent from the candy counter in a little girl’s father’s store during World War II. She misses the candy, and she also misses her Uncle Ted, but by the time he returns from the war, she has ceased to be self-focused and understands more about the war and

Houston • 125 herself. “The metaphor is certainly appropriately childlike, but the story is static.” Nevertheless, “the tone and memory ring true and honest, a feeling helped by Bloom’s warm, dark, and thickly textured paintings” (Bulletin, Jan. 1993). School Library Journal praises Houston’s “succinct, well-crafted story” and Bloom’s illustrations, which “have a wonderful ’40s quality about them” (Dec. 1, 1992). Likewise, Publishers Weekly comments on the “unfettered freedom of childhood,” which Bloom’s oil paintings capture “with an underlying thoughtfulness” (Oct. 12, 1992). And Kirkus Reviews describes the artwork as “mannered, beautifully constructed” and “pensive, even somber” (Sept. 15, 1992). According to Booklist, “An innocent child’s eyes are opened to a wider world in this quiet sensitive story” (Oct. 15, 1992).

Littlejim. New York: Philomel, 1990. 3–7 Like The Year of the Perfect Christmas Tree and My Great-Aunt Arizona, this story, which is set in the early 1900s, is based on Houston’s family history in Spruce Pine, North Carolina. Littlejim Houston, age 12, is respected in the community as a good student and writer, but Bigjim, his father, does not value these qualities. Hoping to win his father’s approval and praise, Littlejim enters and wins an essay contest with an essay on “What it means to be an American.” Houston explores the multi-ethnic nature of the community as Littlejim searches for approval and for an understanding of his heritage. “Although the protagonist’s final triumphs are fairly predictable and themes of patriotism are perhaps overdrawn, the unfolding of the story’s events is suspenseful and engaging.” Houston’s “clear, unembellished prose ... describes day-to-day life on a farm, reveals Littlejim’s growth toward manhood and conveys the love that lies beneath his father’s gruff exterior. This book succeeds in capturing the spirit of immigrant Americans who overcame obstacles to accomplish their dreams” (Publishers Weekly, Nov. 2, 1990). School Library Journal compares this title with the Cleavers’ Where the Lilies Bloom (1969); Hamilton’s M. C. Higgins, the Great (1974); and Lowry’s Rabble Starkey (1987) saying “it also increases readers’ understanding of the Appalachian region and its people” (Feb. 1, 1991). Kirkus Reviews is not so enthusiastic about the novel. “The text’s folksy, friendly tone sometimes shifts abruptly to a more formal style and is occasionally difficult to follow.” Houston’s “familiar idea” is “unredeemed by its presentation” (Oct. 15, 1990).

Littlejim’s Dreams, illus. by Thomas B. Allen. San Diego, CA: Harcourt Brace, 1997. 3–7 This sequel to Littlejim and Littlejim’s Gift shows a teenage Littlejim Houston dreaming about college and becoming a teacher or an airplane pilot, though his still-stern father expects him to continue in his footsteps. “Once again Littlejim’s ability to put his thoughts on paper proves to be his most valuable weapon: a letter to the editor in the Philadelphia In-

quirer not only brings powerful attorneys to Bigjim’s aid but also clears misconceptions about ‘hill-billie’ ignorance.” Houston “captures the dialect, values and work ethic of self-sufficient mountain people faced with change during the early 1920s,” though “the characters and neatly packaged resolutions are too reminiscent of a Waltons episode for some tastes.” Still, “many readers will savor the book’s local color and down-home flavor” (Publishers Weekly, Mar. 24, 1997). Though Houston “cites some of the best background materials” on the Appalachian region, “the research tends to get in the way of the story, with many incidents and conversations seemingly designed more to lecture readers than to help them identify with the characters” ( July 1, 1997). Kirkus Reviews appraises the novel more favorably, calling it “a heartwarming story of family ties and friendship, set in an earlier era and another culture. Fans of the previous books ... will not be disappointed” (Mar. 15, 1997).

Littlejim’s Gift: An Appalachian Christmas Story, illus. by Thomas B. Allen. New York: Philomel, 1994. 1–5 In this sequel to Littlejim, Houston continues the story of a son’s struggle to earn his father’s respect and approval. While helping Bigjim in his timbering business, Littlejim is injured, but he “manages to win the [Bible verse] contest, purchase the doll that his younger sister longs for, and soften his father’s stony demeanor in this unabashedly sentimental — but affecting — tale.” Allen’s illustrations “contribute to the story’s nostalgic aura” (Publishers Weekly, Sept. 19, 1994). Booklist agrees that Houston’s story “comes close to sentimentality,” but the “period details create a realistic setting without overwhelming the story,” and child readers will empathize with Littlejim’s longing for “love from a distant parent” (Aug. 1, 1994). Kirkus Reviews is less favorably inclined toward Houston’s novel. “Not a book to brace and inspire: The message is all but lost in the story’s depressing tone” (Sept. 15, 1994).

Mountain Valor, illus. by Thomas B. Allen. New York: Philomel, 1994. 5–8 As with her other books, reviews of Houston’s Civil War story about Valor, a ten-year-girl in the Appalachian mountains of North Carolina, are mixed. Having been named for her father’s medal for “valor,” she is conscious of the legacy and vows to avenge the wrongs her family suffers at the hands of Yankee soldiers and one “red-bearded soldier,” in particular. The Bulletin points to “an extremely busy plot” that is “dominated by purposive intent” and awkward story line that is too “loaded with information.” The “action and touch of romance at the end” do not atone for “one-dimensional characters” and “over-programmed historical fiction” ( June 1994). School Library Journal agrees that the writing is “melodramatic and repetitious,” though “Houston has moments of eloquence.” The plot “falls flat with unbelievable

126 • Howard turns.” Though the book has “potential, it falls short in execution lacking the engaging plot and steady tension” of Bright Freedom’s Song ( June 1, 1994). Publishers Weekly and Kirkus Reviews, on the other hand, are extremely positive about the novel. “Houston, ... who grew up in the Appalachian mountains, offers a profound definition of bravery in this engrossing adventure story. Her evocative prose expresses the terror, determination and stoicism of women and children left on the home front” (Publishers Weekly, May 9, 1994). According to Kirkus Reviews, “The story’s grounding in reality” makes for a “taut, unusually authentic novel” (Apr. 15, 1994).

My Great-Aunt Arizona, illus. by Susan Condie Lamb. New York: HarperCollins, 1992. K–2 This picture book is based on Houston’s Great-Aunt Arizona Houston Hughes, who lived on Henson Creek in the North Carolina mountains. As a fourth-grade teacher, she influenced generations of students, encouraging them to travel and achieve. Though she never leaves the mountains, “Arizona’s life seems none the less satisfying.” She “charges through each illustration with an infectious energy,” which also assures that ‘she goes with us in our minds’” (Bulletin, Apr. 1992). Lamb’s “impressionistic outdoor scenes are especially attractive,” resulting in a “nostalgic but appealing portrait of another generation” (Kirkus Reviews, Feb. 15, 1992). School Library Journal says Lamb’s “pictures reflect an idyllic world of lightfilled joy and simplicity,” and they show the “continuity” of Arizona’s life (Mar. 1, 1992). Booklist is particularly laudatory about the book: “The pleasant, conversational rhythm of the prose, the unobtrusive use of repetition, and the ability to sum up the unique quality of life in a few telling phrases give the writing its substance.... Sunny and lively, the watercolor paintings have a naïve quality that suits the story well” ( Jan. 1, 1992).

The Year of the Perfect Christmas Tree, illus. by Barbara Cooney. New York: Dial, 1988. K–3 Houston’s first picture book, based on her family life and stories in Spruce Pine, North Carolina, has engendered an industry of dolls and novelty merchandise that is marketed at the Home of the Perfect Christmas Tree Store in Spruce Pine and heavily promoted by the Mitchell County Chamber of Commerce. The book tells the story of Ruthie, her mother and her father, who is a soldier during World War I. In spite of the Armistice, he has not returned home by Christmas of 1918. In his absence, Ruthie and her mother meet the responsibility of providing the church Christmas tree, a balsam that Ruthie and her father had identified in the spring. Cooney’s illustrations convey a “sense of the spacious solitude of the setting, the patient loneliness of waiting, the strength of the hills and those who inhabit them” (Bulletin, Oct. 1988). Publishers Weekly praises Houston’s book as an “accomplished, fluid telling” that is complemented by

Cooney’s “moonlit paintings of wintry evenings and the welcoming glow of fire and lanterns.” This is “a harmonious blending of text and pictures” ( July 19, 1988). Kirkus Reviews agrees that this is a “heartwarming holiday story, simply told and graced with true sentiment.” Cooney’s illustrations are “lucid, serene” (Aug. 15, 1988).

Howard, Elizabeth Fitzgerald Virgie Goes to School with Us Boys, illus. by E. B. Lewis. New York: Simon and Schuster, 1999. 1–4 Howard’s book is based on a true story about her African-American great aunt during Reconstruction in East Tennessee. Virgie has five older brothers who walk seven miles to Jonesborough, Tennessee, every Monday morning to attend a Quaker boarding school for free blacks. Her family insists that she is too young to make the trip and then stay the week at the school, but she convinces them otherwise and is allowed to attend in the fall. Booklist says, “A much-loved and often-told family story does not always translate into a compelling and engaging picture book, but this one sure does” (Nov. 1, 1999). Publishers Weekly calls Virgie “a radiant heroine.... The easy flow of vernacular effortlessly propels the story, and Howard proves herself adept at plucking a large-scale episode from history and adapting it to the scale of a picture book.” Lewis’s watercolor illustrations “fairly burst with life” (Dec. 20, 1999). School Library Journal also praises both the art and text: The “illustrations capture the characters with warmth and dignity.... There is a blush of dialect and two thrilling references to Raw Head and Bloody Bones waiting in the woods to catch the children on their way to school” (School Library Journal, Mar. 2000.) An author’s note gives information about the school and Howard’s family story.

Hoyt, Edwin Palmer [pseud. of Christopher Martin] Andrew Johnson. Chicago: Reilly and Lee, 1965. 7–up According to The Christian Science Monitor, “Mr. Hoyt’s search for historical truth throws welcome light on the grim and vengeful days of Civil War Reconstruction” (May 6, 1965). This title “concentrates on Johnson’s character, with less emphasis on the clash of personalities during his political difficulties.... Excellent details of the 1864–1868 Reconstruction problems that have a bearing on civil rights issues today” (Library Journal, Feb. 15, 1965).

Your National Parks: Great Smoky Mountains. New York: Putnam, 1965. 5–up This first volume in the National Parks series is a presentation of the history, animals, people, and ecology of the Great Smoky Mountains National Park. Novelist Al Hine writes, “I can’t imagine any child reader age 10 and up with a bent toward nature

Hughes • 127 not finding delight in this varied grab bag of the Great Smokies” (New York Times Book Review, Feb. 28, 1965).

Hubbard, Fran Animal Friends of the Smokies, illus. by Bob Hines. Fredericksburg, TX: Awani, 1978. 4–6 This picture book for the middle grades contains brief but good information on 31 mammals. Each black-and-white illustration is accompanied by a short text — one full page each for the black bear, the white-tailed deer, and the mountain lion, but single paragraphs for others such as the gray squirrel and the opossum. Additionally, an Introduction answers the question “Why Do We Have National Parks?” and other sections give information on mammals’ teeth and feet and how mammals survive the winter. The text introduces environmental themes, such as extinction and the introduction of non-native species, without being preachy. (RH)

Hubbard, Margaret Ann The Hickory Limb, illus. by Dorothy Bayley. New York: Macmillan, 1942. 6–up According to the New York Times Book Review, Hubbard’s history of the Battle of King’s Mountain treats an “unaccountably neglected” period in pioneer history and “opens up a place” for characters such as Nancy Ward and John Sevier. The narrator of the story is Tremble Lovelace, age 13, who, along with Mrs. Bean, was captured by the Cherokees and eventually freed by Nolichucky Jack himself. A “fearsome chase down the rapids of the Tennessee” River and “a game of hide and seek with the British” at King’s Mountain make up the two core events of the book. “The effect of the story is diffused and weakened between the two major events, but it is certainly never dull.” The two themes of “backwoods” valor and “the ultimate tragedy of the Cherokees ... are interpreted with ... clarity” (Sept. 27, 1942).

Hughes, Christopher A. Andrew Johnson. Woodbridge, CT: Blackbirch, 2001. 5–8 A title in the Triangle Histories of the Civil War series, this biography offers information on Johnson’s early life and his military years.

Antietam. Brookfield, CT: Twenty-First Century, 1998. 5–8 In addition to supplying good introductory information about the Battle of Antietam and the Civil War, this title also provides significant material that will pique the interest of readers who want to go beyond the basics. Major points of the battle are presented “clearly without oversimplification” (School Library Journal, Aug. 1998). A title in the Battlefields Across America series.

The Battle of Antietam. Woodbridge, CT: Blackbirch, 2001. 4–8 This title in the Triangle Histories of the Civil War series uses “judicious” though unattributed quotations from participants in the battle and “consistently” produces “readable text” (Horn Book, Apr. 1, 2002). “The recitation of casualty numbers and an explanation of how the Civil War was the first modern war with its weapons and use of technology, including the railroad, are significant features” (School Library Journal, Mar. 1, 2002).

Stonewall Jackson. Woodbridge, CT: Blackbirch, 2001. 4–6 This title in the Triangle Histories of the Civil War series “offers readable, factually sound” information on Jackson, including information on his early years. Sidebars cross reference other significant Civil War figures, especially subjects of other biographies in the series (Horn Book Guide, Spring 2002).

Hughes, Morgan Mario Lemieux: Beating the Odds. Minneapolis, MN: Lerner, 1996. 4–6 Hughes’s title in the Sports Achievers series includes information on Lemieux’s early life as well as his rise to “prominence.” Unfortunately, the information is undocumented, and Hughes provides no bibliography. The biography is guilty of “extolling” its subject’s “virtues” but also shows “that the road to fame is not always smooth” (School Library Journal, Sept. 1, 1996). Includes career highlights and photographs.

Hughes, Patrice Raccio The Breaker Boys. New York: Farrar, Straus and Giroux, 2004. 4–up Based on historical events in Hazelton, Pennsylvania, which Hughes explains in an author’s note, this is the story of troubled Nate Turner, who is 12 in 1897. Having been kicked out of boarding school, Nate makes friends with a Polish breaker boy, Johnny, and gets caught between the perspective of workers in the collieries, which his family owns, and the perspective of his family. “Hughes has created a complex protagonist who’s likable even when acting ‘ugly.’ The author doesn’t provide pat answers, but offers the hope that the questions Nate faces will be resolved” (School Library Journal, Nov. 1, 2004). Booklist suggests that this title will make a good companion to Susan Bartoletti’s 1996 title Growing up in Coal Country. And though the conclusion “is a bit too neat,” Hughes “never minimizes the meanness, the anger and the hurt. Most affecting are the facts about child labor and the social history in the late nineteenth century” (Sept. 15, 2004). Kirkus Reviews considers this a “strong story of family and friendship” from which readers will “learn a fair amount” about a “fascinating period in American history” (Aug. 1, 2004).

128 • Humphrey

Humphrey, Kathryn L.

Hunter, Nigel

Satchel Paige. New York: Scholastic, 1988.

Helen Keller, illus. by Richard Hook. New York: Bookwright, 1986.

6–9 Included in the Impact Biographies series, Humphrey’s “creditable” and “[w]ell written” biography of Alabama native and baseball great Satchel Paige presents his “interesting life against the background of racism in America” (Booklist, Apr. 1988).

Hunt, Irene Trail of Apple Blossoms, illus. by Don Bolognese. Chicago: Follett, 1968.

4–6 This title in the Great Lives series recounts the life and achievements of Helen Keller, who overcame being deaf and blind.

Hurmence, Belinda A Girl Called Boy. New York: Ticknor and Fields, 1982.

7–9 In the Foreword, Louis Bromfield says of this book, “It is both important and charming.” Hunt’s “heart-warming” and “well documented” story about John Chapman carries “an assurance of authenticity to the factual and charm to the legendary” because the author is known to have “long” studied this folk hero. “The words are the words of Johnny and his times; the descriptive passages give the reader the feel of the earth that Johnny loved, tramped, and planted” (School Library Journal, Sept. 1, 1950).

5–7 Blanche Overtha Yancey, age 11, is tired of her father’s focus on his slave ancestry. On a picnic in the Smoky Mountains, she jokingly asks a soapstone talisman to carry her “over the water,” and is transported back in time to an 1853 plantation where she is known as Yancey’s Boy, who has escaped from his owner. In this setting, Blanche absorbs the details of slave life, and she is eventually transported back to the present through an encounter with Lookup, who turns out to be her father’s relative. The contemporary setting “adds little ... being simply a launching pad for a story of slavery.... This has adequate structure, a writing style with considerable vitality, and adequate characterization, but the effort (not unsuccessful) to depict the lives of slaves seems at times so purposive as to outbalance the narrative” (Bulletin, Sept. 1982). Kirkus Reviews considers Hurmence’s novel to be a “cross-section of slave life, with no social-science didacticism, ... with no preachment” (Apr. 1, 1982).

Hunter, C. W.

Hurst, Hawk

The Green Gourd: A North Carolina Folktale, illus. by Tony Griego. New York: Putnam, 1992.

The Story of the First Flute: Based on an Ancient Cherokee Legend, illus. by Lindley Sharp. Boone, NC: Parkway, 2001.

K–3 The Green Gourd is a variant of a North Carolina folktale contained in Richard Chase’s Grandfather Tales (1973). Hunter’s version is a “wild, amusing” account of an old woman who ignores the superstition that pulling a green gourd will “witch ye sure.” As a result, she suffers a series of mishaps until a little boy flattens the gourd. According to Publishers Weekly, this “debut” effort of both author and illustrator results in a “gleeful picture book,” though the “cartoony illustrations give the book a Disney look,” and the tale “ends a bit too abruptly” (Mar. 2, 1992). School Library Journal expresses a kinder view: “Hunter has done a wonderful job of capturing the Appalachian dialect and putting the story into a form that will work well for storytelling. With a commendable layout and design, the watercolor and coloredpencil drawings, done in a folk-art style, match the action and mood of the text” ( July 1992). Booklist also notes the “speech rhythms of the hills,” along with the “text [that] doesn’t read as smoothly as one might expect” (May 1, 1992). Griego’s illustrations are “satisfyingly funny” and capture the gourd’s “wicked ways and the stylized settings and figures bursting with energy” (Mar. 15, 1992).

K–3 Feeling that he is a failure in his own village, a Cherokee Indian boy goes into the forest, where the creatures present him with a magical flute.

4–6 This book explores the impact of Johnny Appleseed on an Ohio pioneer family.

Hunt, Mabel L. Better Known as Johnny Appleseed. Philadelphia, PA: Lippincott, 1950.

Hurwitz, Johanna Helen Keller: Courage in the Dark, illus. by Neverne Covington. New York: Random, (1997) 2003. 2–3 This biography in the Step into Reading series tells the story of blind and deaf Helen Keller, who overcame both handicaps with the help of her teacher, Annie Sullivan.

Hutchins, Ross E. Hidden Valley of the Smokies: With a Naturalist in the Great Smoky Mountains, illus. by author. New York: Dodd, Mead, 1971. 6–up Hutchins introduces the reader to the flora and fauna of a “little-frequented area in the Smokies in spring, summer, and autumn.... His personal experiences and excellent black-and-white photographs add appeal to a book which is fascinating to a nature lover” (Booklist, Dec. 15, 1971).

Israel • 129

Iger, Eve Marie John Brown: His Soul Goes Marching On. New York: Young Scott, 1969. 4–7 The “riddle” and “motives” of John Brown’s ill fated, now historic raid on Harpers Ferry cannot be made transparent in a children’s biography, especially one where the author “has a difficult time matching her skill at presenting facts with the demands engendered by the enigmatic personality” of its subject. Iger’s synthesis of fact, interpretation, and analysis is “choppy” and “stilted. However, her facts are accurate, and the judicious blend of interesting illustrations and large type, combined with the narrative, create an easily read and understood brief portrait that average fourth graders can handle.” This review compares Iger’s biography with Ansley’s The Sword and the Spirit (1955), saying Ansley’s work “is still preferred for better readers” (Library Journal, Jan. 15, 1971). A review in the New York Times begins with the observation that “Civil disobedience, like violence, is an American folkway”; consequently, this is a “timely” biography for the late 1960s and early 1970s. Iger’s biography is considered a “thorough, scholarly study” that does not explain how Brown became “an avenging fury.” Iger also “skirts the question” of Brown’s “sanity” and fails to capture his “overwhelming sense of drama.” As a result, the biography will not inspire “activists” in the 20th century (Apr. 19, 1970).

Immell, Myra, and William H. Immell Tecumseh. San Diego, CA: Lucent, 1997. 6–9 A “well-written, generously illustrated” biography of Tecumseh, the Shawnee Chief who tried to unite Native American tribes in 1800s (School Library Journal, Aug. 1997). This title in The Importance Of series includes an annotated bibliography, maps, and an index.

Ingle, Sheila Courageous Kate: A Daughter of the American Revolution, illus. by John Ingle. Spartanburg, SC: Hub City, 2006. 7–9 A fictional biography, Courageous Kate is the story of Kate Moore Barry and her role in helping General Daniel Morgan defeat the British at the Battle of Cowpens.

Ingoglia, Gina Johnny Appleseed and the Planting of the West, illus. by Charlie Shaw. New York: Disney, 1992. 3–4 The titles in the America Frontier series are said to be “written with an eye toward historical accuracy.” Ingoglia’s Johnny Appleseed, though “clearly fictional” makes use of the generally known facts of John Chapman’s life. In this version of his life and work, his “planting of orchards and nurseries is pre-

sented as a business venture as well as an altruistic endeavor.” A “readable” piece of historical fiction (School Library Journal, Apr. 1993).

Tecumseh: One Nation for His People, illus. by Charlie Shaw. New York: Disney, 1993. 3–7 Ingoglia presents a fictionalized account of the Shawnee Chief Tecumseh. Included in Disney’s American Frontier series.

Isaacs, Anne Swamp Angel, illus. by Paul O. Zelinsky. New York: Dutton, 1994. 1–4 Isaacs and Zelinsky present a tall tale about a competition between Angelica Longrider, a Tennessee woodswoman, and Thundering Tarnation, a giant bear. Angelica was born on August 1, 1815, and grew to become a female version of the biggest American tall-tale heroes, such as Paul Bunyan. Ultimately, the fight between Angelica and Thundering Tarnation ends with her throwing the bear up into the sky, where he hits the stars, forming the well-known constellation Ursa Major (Latin for Great Bear), better known as the Big Dipper. “It’s a tale in the best backwoods tradition.... It’s feminist and it’s funny.” The text is beautifully interpreted by “Zelinsky’s noteworthy artistic repertoire” (Bulletin, Nov. 1994). This is a “feisty tall tale” and an “energy-charged narrative” that “is casually overstated” and “certain” to delight young readers (Publishers Weekly, Oct. 3, 1994).

Isbell, Rebecca, and Marilyn Buchanan Everyone Has a Story to Tell, illus. by William B. Bledsoe. Jonesborough, TN: Old Towne, 2004. 2–4 Two children, Ben and Sarah, and their parents happen upon Jonesborough, Tennessee, during the annual National Storytelling Festival. In their search for stories, the children encounter a number of town residents and professional storytellers. Each tells a brief story that is captured in a textbox on the lower right corner of the right-hand page. Based on real people, a real town, and a real festival, Isbell, Buchanan, and Bledsoe, themselves residents of Jonesborough, introduce the concept of story and deliver a glimpse into the community as well as the festival. Ending with Sarah’s own story is a nice way to emphasize that even children have stories to tell. Bledsoe’s colorful illustrations depict actual, recognizable residents and tellers, including Jimmy Neil Smith, founder of the Festival, and Ray Hicks, the famous teller of traditional Jack tales. (RH)

Israel, Marion Louise Cherokees, illus. by Harry Timmins. Chicago: Melmont, 1961. 2–4 Developed for beginning readers, this title provides information on early Cherokee society.

130 • Italia

Italia, Robert Andie MacDowell, illus. with photographs. Edina, MN: Abdo, 1992. 3–6 This brief, weak biography of actress and fashion model Andie MacDowell is a title in the Cover Girls series. Andie, a native of Gaffney, South Carolina, is the daughter of an alcoholic mother; her parents were divorced when she was six. Her three older sisters are depicted as good daughters, but Andie “developed a rebellious nature” (6). Eight pages are devoted to her childhood; the rest of the book focuses on her modeling and film careers. Illustrations consist largely of glamour shots and photographs from her films. There is some attempt to depict a real person, but also much about being a star, including beauty advice. (RH)

The Pittsburgh Steelers. Edina, MN: Abdo, 1996. 4–6 A history of the Pittsburgh football team for middle-grade readers.

Jackson, Caary Paul, and O. B. Jackson Hillbilly Pitcher, illus. by Robert Henneberger. New York: Whittlesey, 1956. 3–5 Wilson Hadley is a Tennessee hill boy, “country, accent and all,” who moves to a northern school. Though he is a good pitcher, he is “rattled” by needling and harassment by opponents and one teammate: “Hey, Cornpone” and “Hillbilly” are typical jeers. The results are predictable as Hadley finally stands up to his tormentors and gets his “pitching guts” (New York Times, June 3, 1956).

Jackson, Robert B. Joe Namath, Superstar. New York: Walck, (1968) 1974. 4–7 Originally published in 1968, this revision adds details of Namath’s life after the Jets won Super Bowl III. “A readable and up-to-date sketch of an undisputed superstar” (School Library Journal, Feb. 1975).

Jakoubek, Robert E. Jesse Jackson. New York: Chelsea, 1991. 4–6 Includes an introductory essay by Coretta Scott King [see Jesse Jackson: Civil Rights Leader and Politician below].

Jesse Jackson: Civil Rights Leader and Politician. Philadelphia: Chelsea, (1991) 2005. 5–8 This biography in the Black Americans of Achievement series is an update of earlier editions. It “raises awareness” and integrates details of Jackson’s “personal experiences and public achievements” (Horn Book Guide, Fall 2005). Contains photographs and makes use of the sidebar-format; includes reading list, timeline, and an index. The 1991 edition includes an in-

troductory essay by Coretta Scott King; the 2005 edition contains additional text written by Gloria Blakely.

James, Bessie Rowland Happy Animals of Ata-Ga-Hi, illus. by W. R. Lohse. New York: Bobbs-Merrill, (1935) 1985. 2–3 In this collection of animal stories, James retells Cherokee myths, collected in Smithsonian ethnographies, about Ata-Ga-Hi, a legendary place in the Great Smoky Mountains where animals live in harmony without the destructive influence of humankind. Horn Book praises the illustrations and the “delightful absurdity” of the tales, which are excellent for storytelling (Nov. 1935). On the other hand, the New York Times argues that “modernization seems a bit overdone,” and the stories “are “lacking something” when compared with Sioux retellings. In spite of these flaws, however, the tales are a “diverting collection of animal lore” (Oct. 27, 1935).

James, Bessie Rowland, and Marquis James The Courageous Heart, illus. by Lowell Balcom. Indianapolis, IN: Bobbs-Merrill, 1934. 6–up Described by the Chicago Daily Tribune as “interesting and stimulating,” this biography of Andrew Jackson is considered authoritative (Nov. 10, 1934). The Horn Book agrees: “It presents the man vividly and interestingly” (Nov. 1934).

Six Feet Six: The Heroic Story of Sam Houston, illus. by Lowell Balcom. Indianapolis, IN: Bobbs-Merrill, 1931. 7–up This biography begins with Houston’s childhood on a Virginia plantation, covers his political life, and ends with his death. “All that lies outside the comprehension or interests of boyhood has been deftly passed over: all that might be essential to a boy’s understanding of the man of action has been retained.” Adult readers “will lay the book aside with reluctance.” On the other hand, “the vocabulary is sometimes better suited to adults than to boys; the style is choppy” and seems unnatural to the author. In spite of these flaws, the book will “win devoted readers among lads of spirit with the salt of masculine adventure in them” (The Saturday Review of Literature, Jan. 23, 1932). Bessie James has adapted this biography for children from her husband Marquis James’ adult biography The Raven (1930). “It is written in an easy style” and illustrated with “woodcuts” (Booklist, Jan. 1932).

James, Otis Dolly Parton: A Personal Portrait, illus. with photographs. New York: Quick Fox, 1978. 7–up The life of Tennessee native, Dolly Parton, is detailed from her birth in 1946 into a family of 12 children to her stardom. James leaves unanswered

Johnson • 131 questions, but “Dolly is unique and just where fact leaves off and fiction takes over is not important.” The text gives “a breezy introduction” to this country-music star; the photographs would be more effective were they captioned (School Library Journal, May 1976).

Jameson, W. C. Buried Treasures of the Appalachians: Legends of Homestead Caches, Indian Mines, and Loot from Civil War Raids. Little Rock, AR: August, 1991. 6–up This is a collection of 40 legends about lost or buried treasure in the Appalachian states of Alabama, Georgia, Kentucky, Tennessee, North Carolina, South Carolina, Virginia, and West Virginia. The tales are based on oral interviews that expand and expound on the legends, which “entice sleuths to resolve the clues and attempt to find potential fortunes that others have been unable to locate in the wilderness.... Readers learn that indeed some of the gold has been found, and this should motivate them to get lucky and search on their own.” The text can become “a bit monotonous,” but if read in segments, it will provide “a few minutes of entertainment” at each sitting (School Library Journal, Dec. 1991).

Janoski, Elizabeth Mountain Song. Unionville, NY: Royal Fireworks, 2005. 6–8 Following his father’s death in World War II, Jedadiah and his mother move from their West Virginia farm to a mining town.

Jensen, Patsy John Henry and His Mighty Hammer, illus. by Roseanne Litzinger. Mahwah, NJ: Troll, 1994. 1–3 A title in the Troll First-Start Tall Tale series, this is a spare, beginning-reader version of the familiar story. An Introduction describes John Henry as a “pretend person” who may have lived; then it defines the tall tale as “an unusual story that has been exaggerated as it is retold over the years.” The text recounts John Henry’s birth in Tennessee, his early, innate desire to be a “steel-driving man,” his marriage to Polly Ann, their move to West Virginia, the nowfamous contest, and his death. Though the bones of the story are here, it lacks spirit, energy, and creativity. The illustrations are static and contribute little to the story. While it introduces John Henry to early readers, it lacks the interest level that a good beginning reader ought to have. I would opt for better versions that can be read aloud to young readers. (RH)

Jezer, Marty Rachel Carson. New York: Chelsea, 1988. 6–9 This title in the American Women of Achievement series provides background for Carson’s

“ambitions and abilities,” which were “nurtured” by a mother who encouraged her to ignore “sexual stereotypes.” Consequently, Carson became a marine zoologist who “used her literary skills to communicate information about nature; best-sellers were the result.... She took on the onerous task of exposing [environmental] havoc and arrogance towards nature through the uncontrolled use of pesticides.” Her “courage, determination, and eloquence” are “admirably” rendered in this biography (Booklist, Sept. 1, 1988). Kirkus Reviews praises Jezer’s “[v]ivid writing, carefully selected photos, thoughtful organization, and special aids,” all of which make for an “inspirational” book. “Throughout, Carson speaks for herself in carefully selected quotes” ( June 15, 1988). Contains a reading list, timeline, and index.

Johnson, Allen My Brother’s Story, illus. by Leanna Leithauser Lesley. ReadingMatter.com, 2000. 5–up Identical twin brothers are separated when their parents die. Johnny is sent to live with his abusive Aunt Min in Columbia, Tennessee; Will is sent to a loving, prosperous couple in Birmingham, Alabama. Through a quirk of fate, each twin gets a brief glimpse of the other as Will passes through Columbia on a train, and their search to be reunited begins. Set in 1937, the book uses the language of the times, such as “colored people” and “nigger.” School Library Journal accurately describes Aunt Min as “the most interesting character,” though she is “never fully developed” or adequately motivated. Other characters are “one-dimensional, portrayed as either good or bad.” “The novel shows abuse, prejudice, and humor in a formulaic way” ( July 1, 2000). In spite of these and other flaws, such as Lesley’s illustrations, the narrative style moves fairly well as Johnny and Will give alternate first-person accounts. The book is a good, if imperfect, read. (RH)

Johnson, Angela Bird. New York: Dial, 2004. 5–6 This “open-ended, interconnected narrative” is told by three characters: Bird, age 13, who runs away from her Ohio home to Acorn, Alabama, in search of her stepfather, Cecil; Ethan, a reclusive boy who is waiting for a heart transplant; and Jay, whose dead brother, Derek, provides the heart for Ethan’s transplant. “Johnson reveals the inner thoughts of these characters, as they move around one another, occasionally touching, but preoccupied with their individual problems. Readers see how small kindnesses can ease the grip of grief and how large gestures — the literal giving of a heart — can redound to the giver’s credit. Much is left unresolved by the conclusion of the book, but the many truths about human emotion and interaction are exposed for readers’ examination” (School Library Journal, Sept. 1, 2004). Publishers

132 • Johnson Weekly says that Johnson’s fiction suffers “occasional lapses in verisimilitude,” which is offset by “overwhelming kindness of these characters” (Oct. 18, 2004). Horn Book praises the writing as “eloquent and poetic, ... though it could stand to be more concrete at times” (Sept. 1, 2005). Booklist agrees that “Johnson writes with a poet’s knowledge of rhythm and knows how to use the spaces between the words.” Though some of the “connections between characters seem stretched,” the author “creates a visceral sense of each character’s search for love and connection” (Sept. 1, 2004). According to Voice of Youth Advocates, “Johnson balances extremely conflicting feelings affecting all three characters with the resolution that life goes on” (Feb. 1, 2005).

Just Like Josh Gibson, illus. by Beth Peck. New York: Simon and Schuster, 2004. K–3 An African-American girl tells the story of her grandmother who was a good baseball player — just like Josh Gibson — but was never allowed to play in the white-male-dominated world of baseball in the mid–twentieth century. Reviewers express praise for the book, with a few exceptions. “Everyone is nearly always smiling — even the young Grandmama as she stands outside the fence, watching the boys play without her. This glossing over of the girl’s emotions weakens the text, too, which focuses on Grandmama’s one day in the sun. Still, readers can’t help but identify with the heroine when she joyfully participates in the sport she loves, however briefly” (Publishers Weekly, Jan. 12, 2004). Booklist is somewhat more laudatory: “Johnson tempers what could have been a sentimental tale with Grandmama’s contagious enthusiasm and sense of empowerment, and her text has a baseball announcer’s suspenseful rhythm” (Feb. 15, 2004). Kirkus Reviews considers this a “sweetly powerful and slyly subversive tale” (Dec. 15, 2003). School Library Journal focuses on Peck’s illustrations, which are “well-designed, richly colored” depictions of “people with emotion and depth” (Mar. 1, 2004). The Horn Book Guide adds that the book opens up the discussion about “the cost of exclusion based on race or gender” (Fall 2004). An appended author’s note gives a biography of Josh Gibson, who was known as the Babe Ruth of the Negro Leagues.

The Other Side: Shorter Poems. New York: Scholastic, 1998. 5–up Johnson’s collection of 30 poems, in colloquial, free verse, is based on her memories of growing up in Shorter, Alabama, a town that no longer exists. Voice of Youth Advocates describes the poems as “succinct” expressions of “a time when life was simpler and cleaner” (Feb. 1, 1999). Publishers Weekly calls this a “touching collection” illustrated with “blurred photographs from a family album,” which include members of Johnson’s African-American family (Nov. 16, 1998). Booklist says the collection “packs a powerful punch” (Nov. 15, 1998), a sentiment echoed by Horn

Book and School Library Journal, both of which emphasize the absence of nostalgia. “This slim volume just may open up increased awareness and understanding about the way things were — and how they sometimes still are” (School Library Journal, Oct. 1, 1998).

Johnson, Ann Donegan The Value of Determination: The Story of Helen Keller, illus. by Steven Pileggi. La Jolla, CA: Value, 1976. First edition published by Value in 1975 under the title The ValueTale [sic] of Helen Keller. K–6 A biography of Helen Keller in the ValueTales series.

The Value of Fairness: The Story of Nellie Bly, illus. by Steve Pileggi. La Jolla, CA: Value, 1977 3–6 Included in the ValueTale series, Johnson demonstrates the value of fairness in the life of the turn-of-the-century journalist Nellie Bly.

The Value of Laughter: The Story of Lucille Ball. San Diego, CA: Oak Tree, 1990. K–6 A biography of New York native Lucille Ball in the ValueTales series.

The Value of Love: The Story of Johnny Appleseed, illus. by Steven Pileggi. La Jolla, CA: Value, 1979. K–6

A title in the ValueTale series.

Johnson, F. Roy Stories of the Old Cherokees: A Collection, illus. by F. Mark Johnson. Murfreesboro, NC: Johnson, 1975. 4–8 This 112-page collection of brief stories begins with a Preface that addresses the Cherokee people, their movements, name, language, migration legends, and their decline. The stories are grouped in three sections: 19 sacred stories, 9 wonder stories, and 7 monster stories. The brown ink illustrations are naive, primitive-looking drawings; the stories are short enough for use with fourth or fifth graders. The collection contains the usual genesis and pourquoi tales that became popular in the 1980s and 1990s in picturebook format: “The Water Spider, Bringer of Fire,” “How the Cherokees Got Tobacco,” “The Origin of Disease and Medicine,” and “The Origin of Strawberries,” which has been made popular by Joseph Bruchac’s The First Strawberries (1993). The book contains unfortunate editorial comment such as “Perhaps this was a symbolic act” to explain the following line: “Then the brother took a fish and struck his sister with it and he told her to multiply; and so she did.” Nevertheless, this is a good collection that could be used for comparative exercises with the new flood of picture-book editions of Cherokee tales. (RH)

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Johnson, Fred

Johnson, Patty T.

Jim Boy, illus. by Eideen Malloy. New York: Vantage, 1977.

Helen Keller: Girl from Alabama. Huntsville, AL: Strode, 1980.

3–5 It is April on Hardscuffle Road in north Alabama, and 14-year-old Jon Jon Mullenhead decides to buy a mule, Jim Boy, from Mr. Hody. The ensuing story (loosely autobiographical) of this stubborn, hapless mule and his abusive former owner is sometimes funny but disappointing in its craft. For example, Jon Jon’s sister Polly asks the unlikely question, “What’s a mule?” Johnson also draws an unbelievable scene where Jon Jon, not knowing what a skunk is, calls “kitty, kitty, kitty” to try to catch a skunk family, with predictable results. Mrs. Mullenhead is a nagging, shadowy character, though her dialogue is the most convincing of all, and Mr. Mullenhead isn’t mentioned until page 60 of the 82-page book. The ending is forced: Mr. Ben restores Jim boy to his former youthful condition in little more than a week, and Jim Boy is named king of the mule festival. His winnings will be used to pay Polly’s hospital bill— Polly has mysteriously fainted at school and must be transported 20 miles to the Riverside Hospital. The only diagnosis is that she needs a transfusion of type A-Negative blood every six months. In spite of these weaknesses, however, readers will like the details of rural life, such as carrying fish worms in a salmon can and saving money in a Prince Albert tobacco can. The slapstick humor will be attractive to fourth and fifth graders. (RH)

4–6 A brief biography of Helen Keller written by a niece of the famous woman whose sight and hearing were destroyed by illness before she was two years old.

Johnson, Kathleen Jeffrie Dumb Love. New Milford, CT: Roaring Brook, 2005. 6–up Carlotta and her mother move to a small Appalachian town, hoping that the mountain air will cure her mother’s boyfriend’s alcoholism. Carlotta suffers the usual high-school burdens, which are complicated by her obesity but enlivened by a healthy dose of humor. School Library Journal finds the plot weak: “Plot threads are picked up and then dropped, making it seem as though part of the story is missing, or that it is unfinished, and the characters never quite develop enough to fully engage readers” (Nov. 1, 2005). Booklist excuses the weak plot, saying “plot, split between Carlotta’s wildly imagined family and romantic schemes, isn’t the strength here. What will appeal most are the unforgettable characters and Johnson’s southern-tinged prose, which mixes the florid language of romance novels with perfectly timed comedy” (Sept. 15, 2005). Publishers Weekly believes that “readers will take a shine to these characters” in Johnson’s “small-town story big on funny moments, details and big-hearted” people (Oct. 17, 2005). Kirkus acknowledges that that the story is “a bit too choppy” but is graced with “a beating heart” ( July 15, 2005).

Johnson, Paul Brett Bearhide and Crow, illus. by author. New York: Holiday, 2000. 2–5 One day Amos Dyer traded his wife’s award-winning gourd for Sam Hankins’ bearhide. A series of slapstick events ends in a trickster’s bargain through which Dyer gets the better of Hankins. “Oftencountered folktale elements and bits of Appalachian lore combine in this humorous tale.” Johnson’s “human figures are sometimes awkwardly drafted,” but this is “a good-natured tale of tables turned and wicked ways avenged” that lends itself to reading aloud and storytelling (Bulletin, May 2000). Booklist calls this “an original story with twentieth-century characters, but it has the flavor of an Appalachian folktale and can be read as a modern variation on traditional trickster tales from other cultures” (Apr. 1, 2000). Johnson’s illustrations place the tale “among steep hills and dirt roads that seem to shimmer, thanks to impressionistic daubs of color” (Publishers Weekly, Feb. 28, 2000). School Library Journal calls attention to the jacket illustration, which shows “cheerful Amos marching down an Appalachian road draped in the mangy bearhide and clutching a crow tied to a string,” which is a “deft introduction” to the story (May 2000).

The Cow Who Wouldn’t Come Down, illus. by author. New York: Orchard, 1993. K–3 Johnson’s debut picture book earns high praise from reviewers as “a delightful piece of nonsense that has the advantage of just the right art to illustrate the fun. The “delightful nonsense” involves a cow who flies above the farm and refuses to honor Miss Rosemary’s attempts to bring her down. Johnson’s “eye-catching acrylic artwork ... shows finesse as well as fun” (Booklist, Feb. 1, 1993). “Executed in pastel tones with backgrounds reminiscent of Seurat, these fine illustrations reveal the changing moods and gradual dishevelment of this fine country lady and the bliss experienced by her cow. Youngsters will enjoy noticing Miss Rosemary’s goose and pig, whose expressions range from perplexity to aggravation to satisfaction to complete amazement. A virtuoso debut” (School Library Journal, May 1993)! Kirkus Reviews points out that Johnson is “a well-known painter from Kentucky’s Appalachian coalfields,” which is set “firmly in mountain farm country” (Feb. 1, 1993). Publishers Weekly also identifies “the flavor of his native Kentucky Appalachians” in the acrylic paintings (Mar. 19, 1993).

134 • Johnson

Fearless Jack, illus. by author. New York: McElderry, 2001. K–4 Johnson’s picture book is inspired by Richard Chase’s The Jack Tales, but he also credits the stories he heard as a child growing up in the Kentucky mountains. “Johnson’s retelling ... is entertaining in word and picture. The Appalachian mountain dialect, which begs to be read aloud, provides a lot of flavor; the acrylic-on-canvas paintings convey perfectly the ‘rough around the edges’ spirit of the tall tale. Closer inspection reveals the impressionistic layering of strokes and dabs of color, a style that infuses each scene with vitality and warmth” (School Library Journal, July 1, 2001). Booklist comments on the “Appalachian twang, complete with distinct vocabulary and speech patterns” ( July 2001). Horn Book comments on the “aw-shucks tone” that is “just right for this wily, self-deprecating hero” (Sept./Oct. 2001). Kirkus Reviews notes the artwork, which “gives the tale a freely-drawn Appalachian setting, dressing his woolyhaired hero in rumpled country clothing” (May 1, 2001). And Publishers Weekly compliments Johnson’s “appropriately homespun feel” for this Appalachian variant of “Jack and the Giant Killer” (May 28, 2001).

The Goose Who Went Off in a Huff, illus. by author. New York: Orchard, 2001. K–2 Readers who liked Miss Rosemary and her farm animals in The Cow Who Wouldn’t Come Down will also delight in this story about Magnolia, a goose who, according to School Library Journal is “melancholy” and “harbors strong maternal urges” that “manifest themselves in some curious behavior.... Comical, cartoon like yet painterly illustrations perfectly suit this entertaining tale. Miss Rosemary’s charming country lilt comes through effectively in the text, making this a read-aloud full of personality” ( July 1, 2001). Booklist calls Johnson’s acrylic illustrations “a hoot.... The story is as funny as the pictures” (May 15, 2001). The Horn Book Guide is critical of the “somewhat random” ending but praises the “downhome story and pointillist illustrations” (Fall 2001). Johnson depicts “a rural vista of steep blue hillsides, wood-frame barns and a dusty dirt path” and “provides his trademark, light-speckled Appalachian settings” (Publishers Weekly, Apr. 23, 2001).

Jack Outwits the Giants, illus. by author. New York: McElderry, 2002. K–2 Johnson’s second picture-version of a Jack tale (see Fearless Jack, 2001) is as popular with reviewers as the first one. In this tale of the famous trickster hero, “Johnson interweaves several familiar motifs from many traditions while bringing an authentic mountain twang to his telling” (Horn Book Guide, Fall 2002). When Jack finds himself “caught in an Appalachian downpour,” he and his hound dog seek shelter in a “remote farmhouse” belonging to a twoheaded giant and his wife. “Appalachian dialect,

down-home common sense, and quick-thinking,” along with “nimble wit,” make Jack’s escape possible. Johnson provides a “bright, new twist to a familiar folktale” (Booklist, June 1, 2002). His illustrations depict the “wooly haired, overall-clad trickster” and his “oversized adversaries with mottled skin, green nails, zero fashion sense and an increasingly avid look that clearly spells out their ill intentions” (Kirkus Reviews, May 15, 2002). School Library Journal notes Johnson’s “liberal use of similes and metaphors, as well as the moderate but humorous dialect.... From the eyecatching cover of the two-headed giant licking his lips as he contemplates Jack to the author’s note briefly tracing the ‘Jack Tale’ tradition, this down-home yarn is a fine sequel to Fearless Jack” (Nov. 1, 2002).

Old Dry Frye: A Deliciously Funny Tall Tale, illus. by author. New York: Scholastic, 1999. 2–4 School Library Journal considers Johnson’s picture book a “gentler version of an Appalachian folktale told in Richard Chase’s Grandfather Tales” (Sept. 1999), but other review sources question its gentleness. The humor in this tale about Old Dry Frye, a preacher who lives on Troublesome Creek and loves fried chicken, is darker than that of Johnson’s other books. Library Talk notes the “macabre” tone that may put off young children ( Jan./Feb. 2000), but Publishers Weekly compares the conclusion (a “cadaver bouncing along on a wild horse”) with Irving’s “Legend of Sleepy Hollow” and argues that the “tall-tale mood emanates from Johnson’s scenes of Appalachia and the exaggerated expressions of its inhabitants” (Oct. 11, 1999).

Johnson, Rick L. Bo Jackson: Baseball/Football Superstar. New York: Dillon, 1991. 3–7 Included in the Taking Part series, Johnson’s biography covers Jackson’s childhood, high school and college play, and career in professional baseball and football.

Johnson, William Sam Houston: The Tallest Texan. New York: Random, 1953. 4–7 Johnson presents the “many phases of Houston’s long career,” which include his service as Governor of Tennessee and President of Texas, “with a fine sense of historical and local color” (Library Journal, Sept. 15, 1953).

Johnston, Marianne Davy Crockett. New York: Rosen, 2001. 2–3 Johnston’s biography of Davy Crockett has “solid historical information,” but the writing often drifts to explanations of the basis of legends associated with the man (School Library Journal, June 2001).

Jones • 135

Johnston, Tony Amber on the Mountain, illus. by Robert Duncan. New York: Dial, 1994. K–3 This story about Amber’s quest for literacy in a remote Appalachian mountain community gets mixed reviews. School Library Journal finds little to praise in a book “that doesn’t quite work.... Johnston, who has used poetic language to great effect in previous books, seems to be straining to be descriptive here.” She uses clichés and “expressions that seem to evoke an Appalachian setting,” but “Duncan’s large, lush oil paintings unfortunately confuse the issues of time and place. While the frontispiece painting and the details of housing have an Appalachian look, the mountains have the sharp ridges of the Rockies. (The cover painting of the girls on a grassy hillside in front of imposing peaks even evokes strong images of Heidi.) While the setting includes no modern touches, the two children’s wardrobes seem to be directly out of the current L. L. Bean catalog” (Aug. 1994). Booklist, on the other hand, says that Duncan “captures the beauty of the mountain setting,” and that “Johnston’s way with words gives this quiet story a certain punch and originality.” The one slight negative observation is that “there’s no real conflict or even a flicker of doubt that Amber will succeed” in learning to read (Sept. 1, 1994). Publishers Weekly finds “believable characters and deft construction,” along with “recurring themes, lyrical images, and picturesque and convincing dialogue.... Duncan’s splendid oil paintings detail the beauty of mountain folk, misty clouds and glorious meadows dotted with wildflowers” ( June 1994). Kirkus praises the “beautifully honed narrative [that] glows with mountain imagery” and Duncan’s “luminous oil paintings of the remote farmland and ebullient children” (May 15, 1994).

Bone by Bone by Bone. New York: Roaring Brook, 2007. 6–up In this title, Johnston explores racism and friendship in 1950s segregated, rural Tennessee. Ten-year-old David Church’s racist father Franklin refuses to let him associate with his best friend Malcolm, an African American boy. He even goes so far as to threaten to shoot Malcolm if he comes in the house. David is close to his physician father, who has taught him anatomy (thus the title), but he cannot accept his brutal bigotry. “This beautifully written and haunting novel will leave readers with a deeper understanding of the country’s past and of the heavy price that sometimes must be paid in order to live with integrity” (School Library Journal, Oct. 1, 2007). While Johnston uses “raw language,” she makes no excuses for it. “Although perhaps no more raw than rap lyrics today, Johnston’s powerful prose is far more thought provoking and poignant” (Voice of Youth Advocates, Oct. 1, 2007). The prose is “compelling, sometimes harrowing” (Publishers Weekly, Aug. 20, 2007). According to Booklist, “Readers ... will feel haunted

by this powerful story of a child awakening to family secrets and violence, and the racially motivated terrorism enforced by the Jim Crow South” (Aug. 1, 2007).

Trail of Tears, illus. by Barry Moser. New York: Scholastic, 1998. K–4 Forced to leave their native homeland, Native Americans suffer and die along the Trail of Tears.

Yonder, illus. by Lloyd Bloom. New York: Dial, 1988; Salt Lake City: Gibbs Smith, 2002. K–3 A plum tree shows the change of seasons and the changing patterns of three generations in a 19th-century farmer’s family. “Johnston’s evocative verse inspires Bloom to brilliant use of color and style as each passage of the farmer’s life is mirrored in the changing seasons” (Booklist, May 1, 1988). The text is marked by “gentle rolling rhythms.... Human bonds echo through the pages, from one generation to the next, in poses and postures effectively conveyed with line” (School Library Journal, May 1, 1988). In 2003, the Horn Book considered the book a “welcome reissue” marked by the “eloquent simplicity of a Shaker hymn” (Apr. 1, 2003).

Jones, Adrienne Whistle Down a Dark Lane. New York: Harper and Row, 1982. 6–9 The narrator, Margery, relates the post–World War I story of her father’s abandonment of her and her sister Blainey when they were seven and ten years old. Set in a summer vacation area in the Blue Ridge Mountains, the story explores interrelationships and social changes, including the presence of the Ku Klux Klan. The Bulletin calls this a “good period story” with “trenchant and sensitive observations” on race relations and women’s fight for voting rights. “A strong story, smoothly structured and written” (Nov. 1982).

Jones, Veda Boyd Nellie the Brave. Uhrichsville, OH: Barbour, 2006. 4–7 This fictional account of a young Cherokee girl, who is forced to leave her home in Tennessee and travel the Trail of Tears to the Oklahoma Indian Territory, is a title in the Sisters in Time series. The main character, Nellie Starr, must rely on her courage and faith, core qualities of this Christian series of 24 titles designed for girls aged 8–12. (RH)

Jones, Weyman The Talking Leaf, illus. by E. Harper Johnson. New York: Dial, 1965. 5–7 Atsee is a Cherokee boy who is faced with the dilemma of whether to adopt the “customs of the white man.” Jones’ short historical novel takes place during the presidency of Monroe and includes Se-

136 • Joseph quoyah as a character. Atsee is an “appealing hero,” and Jones’s “style is excellent, although the last chapter is weak; particularly effective is the skillful use of snatches of Cherokee legend, which advance rather than slow the narrative” (Library Journal, Feb. 15, 1966).

Joseph, Paul West Virginia. Edina, MN: Abdo, 1998. 3–4 This title in the United States series provides brief introduction to the geography, history, natural resources, industries, cities, and people of West Virginia. Includes an index and bibliography.

Josephs, Anna Catherine Mountain Boy, illus. by Bill Ersland. Milwaukee, WI: Raintree, 1985. 1–3 Anna Catherine Josephs, age nine, won Raintree’s 1985 “Publish a Book” contest with this true Civil War story about Tommy Zachary, age 14, who courageously led Union soldiers on a 52-day journey from South Carolina, through the mountains, to safety. The story “gets its holding power from the inherent drama of events rather than from characterization.... The story works well as a picture-book history lesson; accompanying full-color illustrations have dramatic presence, though line work is sometimes overly sketchy and some faces are stiff ” (Booklist, Mar. 1, 1986).

Josephson, Judith Pinkerton Jesse Owens, Track and Field Legend. Springfield, NJ: Enslow, 1997. 6–10 This title in the African-American biographies series examines the life and accomplishments of Jesse Owens, Alabama native and African-American Olympic gold medalist in track and field. The “text is choppy [but] ... include[s] interesting tidbits” about Owens’ life (Horn Book Guide, Spring 1998). The “strong focus” on Owens’ childhood in Alabama and Ohio is a considerable strength (School Library Journal, Jan. 1998). A chronology, bibliography, and index are included.

Mother Jones: Fierce Fighter for Workers’ Rights. Minneapolis, MN: Lerner, 1997. 4–up This biography of labor leader Mother Jones is compared by Booklist to Kraft’s Mother Jones (1995) and Bartoletti’s Growing up in Coal Country (1996). “Compelling” photographs and “unobtrusively documented” primary sources make this an important book (Feb. 1, 1997). “The author deals gracefully with the various gaps that exist in Jones’s life and with her wonderfully apt and grammatically lapsed letters. An accessible, genuine volume on a worthy figure in our history” (School Library Journal, Apr. 1, 1997).

5–up This biography tells the story of a poor Scotsman who immigrated to Pittsburgh, amassed great wealth, and then became known as one of America’s most philanthropic private citizens. According to the Foreword, written by Mary Jane Judson Rice ( Judson’s daughter), Judson’s biographies for children are designed to show how American heroes and figures such as Carnegie helped solidify the basic beliefs of the American Dream, one of which is the rags-toriches theme. According to Marilyn Jurich, Judson focuses on Carnegie’s successes and his drive, depicting him as “the allegorical American figure of ‘the gogetter.’” Jurich comments further that “Riches are not justified if the rags have not been flaunted beforehand. In biographies of Andrew Carnegie for children, ... the hero’s early life is marked by poverty,” but one wonders whether that poverty is emphasized to the exclusion of assistance that he garnered from family and acquaintances who lived in Pittsburgh (“What’s Left Out of Biography for Children.” In How Much Truth Do We Tell the Children?: The Politics of Children’s Literature, edited by Betty Bacon. Minneapolis, MN: MEP, 1988).

Andrew Jackson: Frontier Statesman. Chicago: Wilcox and Follett, 1954. 5–up Judson “highlights the dramatic incidents” of Jackson’s political and military career but “underplays the social scandals which haunted him.” She displays “[e]xcellent literary style combined with charming drawings and handsome format,” while showing the nation as “ready for a frontier statesman” (Library Journal, Mar. 15, 1955).

Justus, May At the Foot of Windy Low, illus. by Carrie Dudley. Joliet, IL: Volland, 1930. 2–5 Set in “an elbow crook of the Great Smoky Mountains” (7), Windy-Low Mountain is the home of Letty Ann Oliver, her widowed mother (a weaver), Simple Simon (an “outlander”), Sukey the cow, Tobe Ellison, Granny Ogelvie, Miss Annie (the schoolteacher), and a host of other neighbors. The brightlycolored, cartoon-like illustrations depict a place and a people that have more in common with the Swiss Alps and Heidi than Appalachia. In this 1930 publication, Justus does not use the heavy dialect that characterizes her later books. (RH)

Banjo Billy and Mr. Bones. Chicago: Whitman, 1944.

Judson, Clara Ingram

2–5 Billy is a mountain boy looking for a place for him, his banjo, and his dog to stay. Aunt Mary and Uncle Billy O’Dear take him in, in exchange for which he tries to make himself useful. “Tennessee mountain folk and life presented by an author who specializes in this type of story” (Library Journal, Nov. 15, 1944).

Andrew Carnegie, illus. by Steele Savage. Chicago: Follett, 1964.

Barney, Bring Your Banjo, illus. by Jean Tamburine. New York: Holt, 1959.

Justus • 137 1–3 Library Journal compares this title with Ellis Credle’s work because of the subject matter and the setting. Barney goes “down, down the mountain” to find all the verses to “Tale of a Pig,” which he hopes to play on his banjo for a play-party. “Delightfully told, attractively illustrated by Jean Tamburine, including the words and music of the song, this simple, short tale should be enjoyed by younger readers” than the age group that typically enjoys Justus’ stories ( June 15, 1959). Kirkus Reviews describes the book as “rich in detail of mountain life.” Justus “unobtrusively introduces the stages through which a song collector would go in piecing together a traditional ballad” (Apr. 1, 1959). The San Francisco Chronicle considers it a “joyful tale” that provides “excellent background of Tennessee mountain life” (Sept. 27, 1959).

Betty Lou of Big Log Mountain, illus. by Starr Gephart. New York: Doubleday, Doran, 1928; New York: Sun Dial, 1937. 6–up This title in the Young Moderns Bookshelf series was originally 243 pages; it was shortened to 184 pages and reissued as Big Log Mountain, illustrated by Jean Tamburine, in 1958 [see below].

Big Log Mountain, illus. by Jean Tamburine. New York: Holt, 1958. 6–up Dr. Dane, his daughter Betty Lou, and Aunt Sue leave their comfortable life in Louisville, Kentucky, for the mission on Big Log Mountain. Dane’s father established the mission, which is now run by Professor and Mrs. Poget and Marian Lindsey, the schoolteacher-nurse. The plot centers on Betty Lou’s friendship with Milly Moore, a local girl who wants to go away to school but does not have the money. She and Betty Lou make a plan to market wooden animals carved by Uncle Pete Sams, who is an invalid. Of course, their plan succeeds; in addition, they capture the outlaw Wes Wilkins, for whom there is a $500 reward. All works out in the end as the community builds a hospital, Dr. Dane marries Marian, and Betty Lou and Milly go off to school with the promise that they will return next summer. The predictable plot moves well, though the characters lack development. The bits of interspersed folklore, songs, and dialect add interest. (RH)

Bluebird, Fly Up!, illus. by Helen Finger. New York: Lippincott, 1943. 3–6 This collection of short stories features Glory and Matt, who live in a Great Smoky Mountains community in Tennessee. In addition to the typical adventures, the collection includes folklore and songs. “Only one who knows and loves the Southern mountaineers could write as intimately about their daily lives. Unexpected turns of phrase and unfamiliar words keep the less able ten- and 11-year-old readers from many of the books of May Justus, but without her use of dialect much of the charm would disappear” (Library Journal, June 15, 1943). Book Week

notes the “real tang of the mountains,” which is found “in the talk of the people, in the way they live, in their homely pleasures and sometimes bitterly serious problems.... A fine picture for the rest of America of how one little known part of the country lives” ( June 20, 1943).

Cabin on Kettle Creek, illus. by Helen Finger. New York: Lippincott, 1941. 4–6 Matt and Glory, along with their mother and grandfather, engage in the typical “mountain” activities that have come to characterize Justus’ work. Library Journal notes that Justus is known for her “authentic descriptions of the Tennessee mountaineers, of their cabin homes and their hospitality, of their fiddling and the songs they sing, of their simple pleasures and what seem to us their ‘peculiarsome’ ways.... Less plot is to be found than in some of her other books, but even more emphasis on folkways.” The book is recommended for “better readers ... who can take unfamiliar words and turns of phrase in their stride” (Nov. 15, 1941). The Saturday Review of Literature considers it “Interesting if not exciting” (Nov. 8, 1941).

Children of the Great Smoky Mountains, illus. by Robert Henneberger. New York: Dutton, 1952. 3–6 This collection of 15 stories about an East Tennessee mountain community includes folklore and songs. Library Journal says that the tales are too short for readers in this age group and recommends the title for “use in connection with study of mountain life” (Oct. 1, 1952). The New York Times Book Review concurs: “No one knows the people and the place better than May Justus,” and the stories have a “comfortable, homely” feel to them, but the characters are not well drawn and the book has a “certain monotony” (Nov. 30, 1952).

The Complete Peddler’s Pack, illus. by Jean Tamburine. Knoxville, TN: University of Tennessee Press, 1967. 2–6 This collection of Tennessee Mountain folklore, first published under the title The Peddler’s Pack (1957), includes the typical sayings, games, songs, rhymes, and riddles, and the 1967 reprint includes the words and music to 19 songs along with an Introduction by Edwin C. Kirkland. “When correctly introduced, these old sayings have as great appeal to youth today as to children of yesterday. Black-and-white illustrations by Jean Tamburine add interest and life” (Library Journal, June 15, 1957).

Dixie Decides, illus. by Aldren A. Watson. New York: Random, 1942. 6–up In 1942, Library Journal considered this Justus novel a “[m]odern story of [a] Tennessee mountain girl.” Dixie O’Dell, age 16, develops a friendship with Si Rector, whose family is the enemy of her own.

138 • Justus Si sparks her interest in education and “the outside world.” The characters “are all very real people and make this an exceptionally fine story for girls in their teens” (Oct. 1, 1942). Horn Book describes this title as “the most ambitious of May Justus’ books.” Dixie represents “the best type of a strong, generous people, weighed down by superstition and lack of opportunity” (Sept. 1942). A New York Times review called the novel “unassuming” but “sound and sweet as a russet apple in its portrayal of a girl reaching for and finding a more gracious way of life. Miss Justus does not romanticize the mountain people, but she does know their instinctive kindliness and generosity, their proud sense of honor as well as their stubbornness and suspicion of change” ( Jan. 10, 1943).

Eben and the Rattlesnake, illus. by Carol Wilde. Champaign, IL: Garrard, 1969. 3–5 This tall tale, set in the Great Smoky Mountains of Tennessee, recounts the story of Eben whose hoe handle is bitten by a rattlesnake. In true tall-tale fashion, Justus explains how the handle swells so that it can be used for lumber to build a corn crib, but as the venom subsides, the structure shrinks to become a dog house. “Also appearing in the story is a circuit-riding preacher, who gives the industrious Eben a leaflet with a cautionary tale on laziness. Penand-ink sketches, highlighted in gold, accompany the story which can be used for independent reading, supplementary reading, and story hours” (Library Journal, June 15, 1970).

Fiddle Away, illus. by Erick Berry [pseud. of Allena Champlin Best]. New York: Grosset and Dunlap, 1942. 4–5 This 28-page book is part of the Story Parade Picture Book series. The words and music for “The Swapping Song” are included, making this title a nice companion to Jean Ritchie’s The Swapping Song Book (1952). (RH)

Fiddlers’ Fair, illus. by Christine Chisholm. Chicago: Whitman, 1945. 4–5 Described by Library Journal as a “neat little boy-and-girl story for the fourth and fifth grade group,” this title presents the story of two feuding Appalachian families. “Characters are May Justus’ lively mountaineer youngsters fighting a feud and fighting against it. And it all comes out right for Andy and Sally, Ann and Jim and the Fiddlers’ Fair” (Dec. 1, 1945).

Fun for Hunkydory, illus. by Sue d’Avignon. Racine, WI: Western, (1963) 1976. K–2 This Little Golden Book features Hunkydory, who first appeared in Toby Has a Dog in 1949, followed by Whoop-ee, Hunkydory! in 1952 [see below]. In this story, Hunkydory is left in charge of the yard while his master Toby goes off to town. Hunkydory leaves the yard to explore “real fun” with various farm animals and concludes that “staying-at-home dogg y

fun” is better than colt fun, pig fun, goat fun, squirrel fun, or raccoon fun. Though the text does not identify the story as Appalachian, d’Avignon’s illustrations depict a rural farm setting. (RH)

Here Comes Mary Ellen, illus. by Helen Finger. New York: Lippincott, 1940. 4–6 Mary Ellen, a character from Near-Sideand-Far, goes to stay a second year with Granny Allen and attend the Mission School. She and the characters engage in the activities that have come to characterize Justus’ fiction and “which give to the book the flavor of the [Tennessee] mountain country this author knows well.” In this volume, Mary Ellen is rendered by a new illustrator, Helen Finger, who creates a “more convincing” character than is depicted in the 1936 title. “In the writing, however, she is the same capable person for her years” (Library Journal, June 15, 1940). The Boston Transcript remarks on the “superstitious and quaint speech of the mountain people” that “add[s] charm to the story” ( June 15, 1940). The Christian Science Monitor considers this to be a “true picture of Tennessee Mountain life,” which is a “less familiar but fascinating corner where simple living, friendliness and adventure may be found” (Aug. 26, 1940). The New York Times Book Review notes the absence of plot, but the “chapters are almost complete stories in themselves of that friendly, hospitable life of ballad-singing and housewarmings, of recitation day at school, and of neighborly acts performed with grace and simplicity.” Though the subjects are repetitive of other Justus books, they are “nevertheless, told with the same warmth and charm, the same flavor of picturesque speech and custom” ( June 9, 1940).

Holidays in No-End Hollow, illus. by Vivian Berger. Champaign, IL: Garrard, 1970. 2–5 Library Journal considers this collection of four stories to be “lackluster accounts of celebrations in the Tennessee hills.... The characters are too selfsacrificing to be believable,” and the illustrations reflect “more personality” than does the text. “The unexciting stories will leave readers waiting for something to happen” (Feb. 15, 1971).

Honey Jane, illus. by Charles Smith. Garden City, NY: Doubleday, Doran, 1935. 4–6 This is the story of Honey Jane’s visit with her father to their McCreary relatives on Thunder Mountain, where they help end the Oliver-McCreary feud. The New York Times says that with the possible exception of Charlie May Simon, Justus, more than any other writer, “richly portrays both the spirit and the physical aspects of life among the mountain people.” Honey Jane is described as a “wholly lovable character, forthright, impulsive and generous, and the story of her adventures [is] wholly satisfying” (Dec. 22, 1935). Horn Book considers this a “good story filled with the ballads and ways of Tennessee Mountain village life” (Oct. 1935).

Justus • 139

The House in No-End Hollow, illus. by Erick Berry [pseud. of Allena Champlin Best]. New York: Doubleday, Doran, 1938. 4–6 Becky Turner, age 15, must give up school to care for her younger siblings, Jessie and Jeff, when their father dies. This is “a simple, true picture of mountain life,” including “the wonder of glass windows and pink soap, the extreme hospitality and courtesy of mountain people, their admiration for the young, progressive school teacher who encourages craft work of all kinds, and, most of all, what the courage and the longing of the fifteen-year-old Becky for an education can do for the whole community” (Library Journal, Nov. 15, 1938). Horn Book sees this as the “beginning of mountain industries, weaving, carving, pottery” (Nov. 1938). The Christian Science Monitor calls this “A vigorous and dramatic story” (Nov. 17, 1938).

Hurrah for Jerry Jake, illus. by Christine Chisholm. Chicago: Whitman, 1945. 3–5 When Ben Bailey begins to tear down a log structure that serves as both schoolhouse and church on Kettle Creek, the community is distressed, but Jerry Jake “saves the day.” “Some school-bound youngsters of the middle years may have a little trouble figuring out just why Jerry Jake was so anxious to save the little log schoolhouse in the Cumberland Mountains from old Ben Bailey’s greedy hands, but he tries so hard that they will rejoice when he finally does” (New York Times, Feb. 3, 1946). Kirkus considers this Justus title to be “good regional material” and “a thoroughly readable story” (Aug. 15, 1945). The Springfield Republican praises the “charming and realistic” illustrations and suggests that “the many local expressions will please readers” (Feb. 3, 1946).

It Happened in No-End Hollow, illus. by Mimi Korach. Champaign, IL: Garrard, 1968. 3–5 In her author’s note, Justus explains that these are the kind of tales she heard around the hearth as she grew up “in the shadow of the Great Smoky Mountains.” All three stories are set in No-End Hollow. “Old Ben Bailey Meets His Match” is a typical boy-loves-dog tale about Lester’s foxhound Funny Face. “Little Lihu’s Lucky Day” is a reverse Goldilocks story about superstition. “Don’t Be a Silly-Billy” is a tale in the tradition of numbskulls or sillies, but with a twist. In all three stories, the characters may be attractive to children, but the punch line will appeal more to adults. Two of these stories were previously published as Luck for Little Lihu (1950) and Lester and His Hound Pup (1960). The unattractive illustrations — green color on black-ink sketches — are reminiscent of Glen Rounds’ art. A title in the Reading Shelf series. (RH)

Jerry Jake Carries On, illus. by Christine Chisholm. Chicago: Whitman, 1943. 4–5 When his grandfather gets a sawmill job, Jerry Jake must take on the farm chores at home,

which include taking care of his grandmother. “Although story is slight, the atmosphere of the Southern mountaineers is good” (Library Journal, Sept. 15, 1943).

Jumping Johnny and Skedaddle, illus. by Robert Henneberger. Evanston, IL: Row, Peterson, 1958. 2–5 This story of Jumping Johnny and his trained mule Skedaddle is rendered “with humor and directness” and “has the mountain folk quality we have come to expect from this author” (Library Journal, Dec. 15, 1958).

Jumping Johnny Outwits Skedaddle, illus. by Raymond Burns. Champaign, IL: Garrard, 1971. 2–5 Set in the Tennessee mountains, this is the story of Jumping Johnny and his strong-willed, untrainable mule Skeddadle. “Johnny eventually figures out how to train his mule to do farm work and carry heavy loads, and Johnny and Skedaddle successfully journey through the mountains during a snowstorm to fetch a doctor for the many sick people in Johnny’s settlement, ‘No-End Hollow.’” This “wellpaced story moves agreeably from dilemma to dilemma and should sustain reader interest” (Library Journal, July 1972). A title in the Folk Tales series and in the Reading Shelf series.

Lester and His Hound Pup, illus. with photographs by Joan Balfour Payne. New York: Hastings, 1960. 3–5 This boy-loves-dog story set in the Tennessee mountains “may have more general appeal than some of the author’s previous books.” It depicts mountain people and place with “[f ]ine feeling.” The book compares with Billy Clark’s Mooneyed Hound, which is for older readers (Library Journal, June 15, 1960). The novel “appeals ... as an adventure story, as a depiction of the habits and temperament of the hound dog, and as a rich portrayal of life among the Tennessee mountaineers.” Payne’s illustrations lend “strong support to well paced text” (Kirkus Reviews, Feb. 1, 1960). According to Saturday Review, urban children will find the Cumberland Mountains setting “as unfamiliar as an exotic Eastern land.” The “simple and warm” story is “filled with the special flavor of the region” and depicts “a way of life that still can be found in this country but is fast disappearing” (May 7, 1960).

Lizzie, illus. by Christine Chisholm. Chicago: Whitman, 1944. 4–6 Lizzie earns money by selling flowers to the owner of a hotel in the Tennessee mountains. She makes friends with a “little city girl” and is able to leave her mountain home for a city visit with her new friend. “Lizzie is a charming character, and the mountaineer expressions and bits of description” lend the

140 • Justus story “atmosphere.” Except for Lizzie and Gramps, “the characters are wooden,” but Justus delivers a “pleasant regional story,” nevertheless, with “[a]ttractive illustrations” (Library Journal, May 15, 1944). The Peabody Journal of Education comments that any new Justus “mountain story ... is cause for rejoicing.” In this case, the “dialect is not overdone,” and though the “quaint expressions and phrases” do not really qualify as dialect, the effect is “charming” (Sept. 1944).

Luck for Little Lihu, illus. by Frederick T. Chapman. New York: Aladdin, 1950. 3–5 “Slight but pleasant story” about the fortunes of Lihu, who is the 13th child in his Tennessee mountain family. “Major happenings are the acquisition of a mule, making it possible for Little Lihu to go to school, and his learning to read the Good Book as a Christmas present for his mother” (Booklist, Dec. 1, 1950). Lihu also learns to read Robinson Crusoe, which was a present from his grandfather. “A Tennessee Mountain woman herself, May Justus is able to write simply and sincerely” about this character (Horn Book, Nov. 1950). She “has written a simple, flavorsome tale of the mountain people,” with “more substance” than much of her “recent work. The color of the regional speech is conveyed in words and rhythm, rather than in literal, hard-to-read dialect” (New York Times, Oct. 29, 1950).

Lucky Penny, illus. by Frederick T. Chapman. New York: Aladdin, 1951. 3–4 This story of a hound dog (Snapper), two mules (Sampson and Dilly-dally), and two boys (Davy Carr and Mimmy Greer), set in No-End Hollow in the Tennessee mountains, “come[s] alive” with Justus’ “vigorous” plot. As in Luck for Little Lihu, she has altered her presentation of dialect, using “the turn of phrase and unusual wording typical of this section without allowing the reading to become too difficult. There is a definite plot, too, which holds one’s attention.” Unfortunately, Chapman’s illustrations are “mediocre” (Library Journal, Aug. 1951).

The Mail Wagon Mystery, illus. by Lucia Patton. Chicago: Whitman, 1940. 4–6 This is a Tennessee-mountain story about the robbery of the mail wagon, which brings the payroll to miners; includes a feud between the Murrays and the Coomers.

Mary Ellen. Nashville, TN: Broadman, 1947. 3–5 Mary Ellen first appeared as a character in the Justus title Near-Side-and-Far in 1936, followed by Here Comes Mary Ellen in 1940. According to the Peabody Journal of Education, this is another story about “East Tennessee mountain people told as only May Justus can tell a story” (Sept. 1948).

Mr. Songcatcher and Company, illus. by Howard Simon. New York: Doubleday, Doran, 1940. 3–6 Joe Purdy, who wants a fiddle, accompanies the “outlander” Mr. Songcatcher in his search for

old ballads. Together they travel to places with names such as Kettle Creek, Look-A-Yonder, and Far Beyant, interviewing neighbors and taking notes. The New York Times praises the “genuine and human qualities” of Justus’ story, which are “well expressed” in the illustrations, making for a deserving book (Nov. 10, 1940). Library Journal disagrees but finds redeeming qualities, nevertheless: “There is no absorbing plot; the numbers of characters are confusing; folkways are packed in rather solidly. But all those who love the Smokies rejoice to have another book for children which presents so well life in the more remote parts of the mountains” (Sept. 1, 1940).

Nancy of Apple Tree Hill, illus. by Lucia Patton. Chicago: Whitman, 1942. 6–up Nancy and Dan Turner must care for their ten younger siblings while their father is ill, so they move to their father’s old Tennessee home where they work at Apple Tree Hill and earn enough money to keep the family together and settle debts. This title is characterized by “much less emphasis on background of the Smokies and customs of the mountaineers than in [the] majority of [Justus’] books” (Library Journal, Nov. 1, 1942). According to the Peabody Journal of Education, “Another Tennessee book by Miss Justus is always welcomed with delight.” The action and adventure are appealing, and though “the children earn the living” in this story, “there is no unbelievable good fortune or ability beyond their ages” (May 1943).

Near-Side-and-Far, illus. by Grace Mallon. New York: Suttonhouse, 1936. 3–4 Mary Ellen is the middle child and can “be spared best,” so she is sent to spend the winter with Granny Allen, who lives on Big Log Mountain. Mary Ellen is happy with the opportunity to attend school (which has glass windows), buy a pair of shoes, experience a Thanksgiving feast, and make friends with Lovey Jane. Justus’ story “is simply told and peopled with kindly folk.... The dialect is unobtrusive and the black and white illustrations ... are well suited to the story” (Library Journal, Apr. 1, 1937). The New York Times is effusive in its praise of the book: Justus “knows ... the courage and ingenuity with which the hill people face” poverty, and she renders their story with “effective simplicity.” On the other hand, this title is not as “substantial in plot and characterization” as Justus’ previous titles, though the “authenticity of detail” continues to “distinguish her best work” (Feb. 14, 1937).

The Other Side of the Mountain, illus. by Berkeley Williams. Garden City, NY: Doubleday, Doran, 1931; New York: Hastings, 1957. 3–5 Until she is ten years old, Glory Allison lives on Little Twin Mountain in Tennessee; then she is able to visit “Far Beyant,” and adventures follow. Justus depicts the ordinary “happenings of mountain

Justus • 141 children as well as the glory of the Twin Mountain in the Great Smoky Ranges” (Wisconsin Library Bulletin, Oct. 1931).

agrees that the “style is somewhat young” for the targeted age group, and the book can be read aloud for the younger grades (Oct. 1, 1953).

Peddler’s Pack, illus. by Jean Tamburine. New York: Holt, 1957.

Peter Pocket’s Book, Including Peter Pocket and Peter Pocket’s Luck, illus. by Mabel Pugh. New York: Doubleday, Doran, 1934.

1–5 In the Introduction, Justus says she has known most of these “play party games, songs, riddles, and rhymes” all her life: “As a child in the Great Smoky Mountains I learned them from my neighbors and kin. I learned them in my log-cabin home and in the old log schoolhouse where I went to school to my father. My mother ... taught me most of the playparty songs ... [and my] father gave me most of the tunes” (14). Booklist considers the collection a “pleasant, attractively illustrated bit of Americana” ( July 1, 1957). According to Horn Book, “Children think these are great fun, and lower-grade teachers find them useful in teaching phonics” (Aug. 1957).

2–4 In this sequel to Justus’ 1927 tale about Peter Pocket, the main character has advanced three years to age nine. “In this he has his ninth birthday, goes to the mountain school, and to the village to sell firewood, and continues to play his merry tunes and to sing” (Booklist, Nov. 1930). A title in the Junior Books series.

Peter Pocket: A Little Boy of the Cumberland Mountains, illus. by Mabel Pugh. Garden City, NY: Doubleday, 1927.

The Right House for Rowdy, illus. by Jean Tamburine. New York: Holt, Rinehart, and Winston, 1960.

1–3 Justus relates an episodic story about Peter Pocket, who lives in the Cumberland Mountains and is much loved by his community, his teacher Miss Maggie, his Granny Messer, and his dog Pickle Pup. Peter enjoys a happy life and eventually gets the fiddle he so desperately wants. The final message, that love “counts far more than riches, ... was proved in the story” (Booklist, Dec. 1927). A Bookman review is incredibly enthusiastic about the verisimilitude of this tale: “The reader feels with him — his affections, his loyalties, his suffering poverty and self-denials, his passion for music. So much do I care for Peter and this little book that I found myself at the end ... dreaming dreams of Peter’s future musical career! It’s an enchanting story, full of freshness and poignancy” (Nov. 1927). Peter Pocket is May Justus’ first book for children.

Peter Pocket and His Pickle Pup, illus. by Jean Tamburine. New York: Holt, 1953. 2–4 The character Peter Pocket first appeared in 1927; in this collection of 13 “chapters” in a year of his life, his adventures continue on Pine Mountain, with Granny Messer and Pickle Pup, his dog. According to the Chicago Sunday Tribune, Justus’ personal experience of attending a Tennessee mountain school informs the story with “good local color, fine every day sights and sounds, old sayings and customs, and the speech of a genuine, warm, friendly sort of mountain folk” (Nov. 15, 1953). The New York Times Book Review describes Peter’s “mountain world” as full of “the pleasures and the privations of backwoods cabin folk.” Justus’ tale is “easy-going,” though she does not stint in presenting the difficulties of Peter’s life. The “tongue-twisting names make for stumbly reading aloud,” but the book is, on the whole, easy reading for the age group (Sept. 20, 1953). Library Journal

1–4 A reissue of two titles previously published in 1927 and 1930.

Peter Pocket’s Luck, illus. by Mabel Pugh. Garden City, NY: Doubleday, Doran, 1930.

1–3 Tib Turner, who lives in a cabin with his parents in No-End Hollow, needs a house for his dog Rowdy. “This story answers the demand by young readers of the author’s previous books who asked for another dog story. Very nice black-and-white drawings by Jean Tamburine show cozy interiors and the outdoor activities of a Tennessee mountain family” (Library Journal, Sept. 15, 1960). According to Kirkus Reviews, “May Justus ... writes knowingly of the locale ... [and] incorporates a very believable situation into a framework of natural humor and gentle fantasy” (Sept. 1, 1960).

Sammy, illus. by Christine Chisholm. Chicago: Whitman, 1946. 2–4 Sammy Pennybacker, who lives in the Tennessee mountains, wants new clothes for the lastday-of-school program, when he plans to sing a song and accompany himself on the banjo. Sammy is able to help Mr. Songcatcher in his search for a particular ballad, “There Was a Little Tree,” and as a result, gets his wish. Justus includes the words and music for the ballad. “Authentic details of mountain life, an engaging little boy, and colorful illustrations compensate for lack of plot in this happy story” (New York Times Book Review, Sept. 1, 1946). Kirkus notes the “[p]leasant family relations, quaint speech and customs” (Aug. 15, 1946), and Library Journal says the tale is “told absorbingly” (Oct. 1, 1946).

Smoky Mountain Sampler, illus. by Jean Tamburine. New York: Abingdon, 1962. 4–6 A collection of seven stories from Justus’ previously-published titles, including Dixie Decides (1942), The House in No-End Hollow (1938), Honey Jane (1935), Cabin on Kettle Creek (1942), Mr. Songcatcher and Company (1940), and Bluebird, Fly Up! (1943). Also includes songs from Raine’s Land of

142 • Justus Saddle-bags. “Juvenile admirers of the May Justus stories will recognize the episodes, but most libraries will find hardly enough use for this to justify purchase” (Library Journal, Jan. 1963).

Step Along and Jerry Jake, illus. by Christine Chisholm. Chicago: Whitman, 1942. 4–6 Step Along, a Tennessee Cumberland Mountain peddler, and Jerry Jake develop a mutually beneficial friendship, which allows Jerry to realize his dream of visiting “Far Beyant.” “Wholesome, unpretentious story of Tennessee mountain folk, with nice atmosphere and satisfactory characterization.” The title will be “useful also for slow readers somewhat older, though Christine Chisholm’s illustrations picture Jerry as much younger than going on eleven, as he is supposed to be” (Library Journal, Aug. 1942). This title is praised by the Peabody Journal of Education as “another of May Justus’s delightful stories of the Tennessee mountains” (May 1943).

Surprise for Peter Pocket, illus. by Jean Tamburine. New York: Holt, 1955. 4–6 The Peabody Journal of Education considers this Justus title a “precious story” about Peter Pocket, Granny Messer, and his Pickle Pup, who live the “simple life” on Pine Mountain, “which Justus has made famous” (Sept. 1955). The plot concerns Peter’s collection of his father’s songs, which is eventually published as a book. The New York Times Book Review deems this a “fine regional tale” about Peter and the “warmhearted mountain people.” The book could have been better, however, if Justus “had let a smidgen of human orneriness mingle with that pure mountain air” (May 1, 1955).

Susie, illus. by Christine Chisholm. Chicago: Whitman, 1947. 4–5 The Tennessee mountain peddler, Step Along, who appeared in Justus’ 1942 title Step Along and Jerry Jake, comes down with a cold and stays two nights with the Linders family on Little Twin Mountain. “Susie and her brothers enjoy company food, music, and singing during his visit. Most of all, they like the ‘pretties’ he carries in his pack and the ‘fancyfine treasures’ he gives them when he leaves. Authentic regional material with fine illustrations” (Library Journal, Apr. 1, 1948). Kirkus Reviews considers the story “Excellent supplementary reading as well as entertainment” (Mar. 1, 1948).

Tale of a Pig: Adaptation of an American Folk Song, illus. by Frank Aloise. New York, Abingdon, 1963. K–3 This title is a 25-page adaptation of an old folk song that appears on page 72 of Justus’s Peddler’s Pack [see above]. Contains music and words of the song.

Tales from Near-Side and Far, illus. by Herman B. Vestal. Champaign, IL: Garrard, 1970.

2–5 This collection of four stories from the Great Smoky Mountains of Tennessee (“Hound Pup Names Himself,” “Here Comes Step-Along,” “A Good Stay-Place,” and “Jumping Johnny”) features “authentic regional atmosphere and dialect” with illustrations “that are reminiscent of McCloskey’s for Journey Cake, Ho!” (Library Journal, Nov. 15, 1970).

Then Came Mr. Billy Barker, illus. by Joan Balfour Payne. New York: Hastings, 1959. 2–4 Mr. Billy Barker builds a cabin and plants a garden at the foot of Big Log Mountain, which is home to Slippy Coon, Snoopy Possum, and an assortment of other animals. They decide to force him to move by destroying his garden. When Mr. Billy Barker erects a scarecrow that looks amazingly like himself, the animals think there are two of him and decide to leave. They find a good home on the other side of Big Log Mountain in Barker’s former cabin, which had fallen down and which is surrounded by a good supply of persimmons and wild grapes. The absence of dialect in this 45-page story makes it easier to read than many of Justus’ other books, but the length and the loose plot make it unsuitable for very young readers. (RH)

Toby Has a Dog, illus. by Sanford Tousey. Chicago: Whitman, 1949. 1–4 Uncle Tobe gives his nine-year-old namesake Toby Tolliver a dog. Toby lives on a farm in NoEnd Hollow on Little Twin Mountain. All the farm animals have names (Molasses the mule, Missy the cow), but Toby cannot find the right name for the “hound pup.” His father suggests “Worthless” because the dog, unlike the other animals, does not earn his keep and causes more trouble than he is worth. When the family goes to Big Meeting Day to hear the Circuit Rider preach, Toby instructs the dog to guard their picnic basket, and the dog saves it from Traipsing Tom, who tries to steal it. Toby is so happy he yells, “Whoop-ee! I’ve thought of a name for you, hound pup. It’s Hunky-dory!” (30) Everyone agrees that the name suits the dog, especially Uncle Tobe, who is proud of both Toby and Hunky-dory. The simple story is decorated with black-and-white drawings and four-color illustrations that do not interpret the text accurately and depict Toby as much older than age nine. Justus uses no dialect in this title but relies on vocabulary to convey a sense of regional speech. Hunkydory (spelled without the hyphen) appears again in two Little Golden Books Fun for Hunkydory (1952) [see above] and Whoop-ee, Hunkydory! (1963) [see below]. (RH)

Use Your Head, Hildy, illus. by Jean Tamburine. New York: Holt, 1956. 2–4 Hildy’s mother goes away to “Far Beyant” to care for her sister. In her mother’s absence, Hildy, age 12, is left with the responsibility of caring for her family, but she takes advantage of her mother’s saying,

Kastner • 143 “Use your head, Hildy.” Booklist considers the title “unessential but agreeable and flavorsome” ( June 1, 1956). According to the New York Times, “The narrative is slight, but for any small girl who likes to housekeep there is a satisfyingly warm picture of family life.” The illustrations and “folksongs from this Tennessee author’s own collection add to the homely appeal of this little regional story” (May 6, 1956). Saturday Review considers this “a choice story of family relationships” (May 12, 1956).

Whoop-ee, Hunkydory!, illus. by Eileen Fox Vaughan. Racine, WI: Whitman, 1952. K–2 This Little Golden Book continues the tale of Hunkydory, a “hound pup,” and his master, Toby, who were first introduced in the 1949 title Toby Has a Dog [see above]. When Toby yells, “Sic that rabbit — go after him!” Hunkydory tries his best but is ashamed that he cannot catch the rabbit, which disappears into the turnip patch. More than anything, Hunkydory wants to learn to run “as fast as the wind,” so he makes friends with Molasses, the mule, and learns that he must wait until he grows up. Then he will be able to run fast. This didactic tale features rural characteristics and colloquial language, but the setting is not specifically identified as Appalachian, and Justus avoids the heavy dialect of many of her stories. (RH)

Winds a’Blowing, illus. by Jean Tamburine. New York: Abingdon, 1961. 2–5 Justus’ collection of 64 poems for young children reflects her experience and life among the Tennessee mountains. According to the Peabody Journal of Education, Justus has “captured” the “charm” of that life, as well as the “friendliness of mountain people” (Nov. 1961). Gwendolyn Brooks’s review for the Chicago Sunday Tribune deems these “Exuberant little lyrics that feature simple charm and melody” (Nov. 12, 1961). Not all reviewers agree, however. Kirkus Reviews argues that the “old fashioned charm” may be “alien” to urban children, and the illustrations depict younger children than the age group that will “best enjoy these poems” ( June 1, 1961). Library Journal does not recommend the book: “Rhythms and diction as well as [the] illustrations are amateurish” ( July 1961).

You’re Sure Silly, Billy!, illus. by Herman B. Vestal. Champaign, IL: Garrard, 1972. 1–4 Justus’ title in the Venture Book Reading Program series is the story of Silly Billy who has no common sense and creates chaos because he “follows directions to the letter.” Like other titles in the series, it is “not overly funny.” However, the illustrations depict the “absurdity” well (School Library Journal, May 1973). Silly Billy is Justus’ adaptation of the ancient character known as Epamanondas, one of the original characters in the tradition of sillies. The tale is also compared with the Galdone Jack tale variant, Obedient Jack (1971).

Kassem, Lou Listen for Rachel. New York: McElderry, 1986. 6–9 Kassem’s coming-of-age story is set at the beginning of the Civil War. When Rachel’s parents die in a fire that destroys their store in Nashville, Tennessee, she goes to live with her “feisty, wise, humorous” grandparents in the mountains of East Tennessee. Rachel’s primary problem is adjustment: “Friends her own age are harder to find; city manners and outspoken intelligence put off the unsophisticated mountaineers.” While nursing the wounded Yankee Ben, she falls in love, and he decides to return to the “mountains she has come to love” when the war ends. “Kassem’s deft pen has made [her] real enough to sustain the story” (Kirkus Reviews, Sept. 1, 1986). The Bulletin is less positive: “The plot devices” are “artificial,” and the style is “old-fashioned and occasionally trite.” But the “setting is strong, the dialect handled naturally, and the romance between Rachel and the Yankee soldier ... innocently appealing” ( Jan. 1987).

A Summer for Secrets. New York: Avon, 1989. 5–up At age six, Laura Vail discovered that she had the gift of foreknowledge of events. Now a teenager, she is embarrassed by her “difference” from her peers but is strong enough to be an individual. At her family’s summer chalet in the Virginia mountains, near the West Virginia border, she renews her sevenyear friendship with 14-year-old Toby Lancaster, who works at Crystal Mountain Stables. Toby helps her learn that uniqueness is not necessarily weirdness. When Laura’s gift of “sight” into the future helps rescue a kidnapped child, she confides in Toby, and he proves to be a good friend. The weak plot and sketchily drawn adults probably will not weaken the appeal of this pre–love-interest novel for early teens. (RH)

Kastner, Jill Snake Hunt, illus. by author. New York: Four Winds, Macmillan, 1993. K–2 Kastner’s story is based on memories of hiking with her grandfather in the Tennessee mountains. The exaggerated premise of the book is that Jesse and her Granddad go on a snake hunt, because snake tastes like chicken and can be served for dinner, but along the way they are startled by a flock of birds. “Kastner’s oil strokes on gessoed paper continue to contrast Granddad’s humorous fantasies of the hunt with his granddaughter’s cautious anticipation and apprehensions” (Booklist, Dec. 15, 1993). “It’s left to the reader to determine if Granddad is a storyteller who likes to play games, or if his storytelling has inflated his notion of his own hunting prowess.... These expressive oil paintings and comic side panels are among Kastner’s best work, ... and their theatricality is a counterpoint to the subtle humor of her words” (Publishers Weekly, July 19, 1993).

144 • Kavanagh

Kavanagh, Jack Honus Wagner. New York: Chelsea, 1994. 7–up A biography of Wagner, shortstop for the Pittsburgh Pirates.

Shoeless Joe Jackson. New York: Chelsea, 1995. 3–up A biography of South Carolina native and baseball player “Shoeless” Joe Jackson.

Sports Great Joe Montana. Hillside, NJ: Enslow, 1992. 3–6 This “typical offering of its type” focuses on Montana’s sports career through 1990 but ignores his personal life. The book emphasizes his achievements at Notre Dame and as an NFL pro player, including Super Bowl appearances (School Library Journal, Oct. 1, 1992). Includes black-and-white photographs.

Kay, Alan N. The following two titles from the Young Heroes of History series have Appalachian settings. Each includes bibliographical references.

No Girls Allowed. Shippensburg, PA: White Mane, 2003. 4–6 Two young girls join forces at the Battle of Antietam in the Civil War. “Mention of historical figures and places allows readers to learn facts in an easy-to-read format” (School Library Journal, Oct. 2004). Number five in the Young Heroes of History series.

Nowhere to Turn. Shippensburg, PA: White Mane, 2002. 7–9 Orphaned and living with an aunt and uncle, young Thomas runs away from their farm near Philadelphia to join the Union Army in 1862. Thomas and his dog Blue wind up in the thick of battle, from which the 12-year-old runs, but he returns and fights in the Battle of Antietam. “Although the characters are not very well rounded, the action and coming-ofage struggles make this book potentially popular for readers of historical fiction” (Voice of Youth Advocates, Oct. 2003). School Library Journal says that “themes such as antislavery, supporting the troops, and preserving the Union are balanced with Thomas’s personal problems and experiences. Some unresolved relationships will lead readers to the next installment in this series” (Nov. 1, 2003). Number four in the Young Heroes of History series.

Keams, Geri Grandmother Spider Brings the Sun: A Cherokee Story, illus. by James Bernadin. Flagstaff, AZ: Northland, 1995. K–3 Keams presents her version of a Cherokee legend where Possum, Buzzard, and Grandmother Spider attempt to bring the light to their dark side of the world. Keams relays this tale in a “lively, informal

style that lends itself to reading aloud” (School Library Journal, Nov. 1995). Illustrator Bernardin’s “portrayal” of the earth before and after sunlight is introduced is complemented by his “animal characterizations” (Horn Book Guide, Mar. 1996).

Keats, Ezra Jack John Henry: An American Legend, illus. by author. New York: Pantheon, 1965. K–3 The story of folk hero John Henry “is captured in a simple rhythmic picture book including the episodes of his birth with a hammer in his hand, work on the riverboat, driving spikes for the railroads, and beating the steam drill machine through the mountain.” Newbery-Medalist Keats’s illustrations are “dramatic and colorful ... with large bold figures [that] express the feeling of this tall tale” (School Library Journal, June 15, 1965). “Collage art and folk literature combine seamlessly” (Publishers Weekly, Apr. 10, 1987).

Keehn, Sally M. Anna Sunday. New York: Philomel, 2002. 5–8 Keehn presents a Civil War story about motherless Anna Sunday, age 12, and her younger brother Jed, whose father is wounded in the first Battle of Winchester while fighting for the Union. The two children travel from their New Oxford, Pennsylvania, home through Maryland to Winchester, Virginia, to find their father, with Anna posing as a boy, Adam. Booklist considers this historical novel “well-researched” and says that “Keehn creates a number of vivid settings and original, believable characters, whose idiosyncrasies add texture and occasional humor to the story” ( June 1, 2002). Though the children have “possibly too many” adventures, they learn that “stereotypes don’t hold true” (Kirkus Reviews, May 1, 2002). According to Publishers Weekly, Keehn’s “involved tale ... is at least plausible if not always fully believable” ( June 17, 2002). “Anna’s lively, first-person narrative and the novel’s girl-in-disguise intrigue create not only an absorbing perspective of the Civil War’s impact on the home front but also an understanding of 19th-century gender roles.” Though “Keehn is a bit heavy-handed with Anna’s ‘Look what I can do now that I’m in trousers!’ moralizing, she offers a well-paced coming-of-age story in which love and courage transcend war and politics” (School Library Journal, June 1, 2002). “This work of historical fiction ... will offer exciting reading for youngsters who enjoy stories of adventure, bravery, and triumph against great odds” (Childhood Education, Fall 2002).

Gnat Stokes and the Fogg y Bottom Swamp Queen. New York: Philomel, 2005. 5–8 Keehn adapts the Scottish ballad “Tam Lin” to an Appalachian, post–Civil War setting and tells the story through the voice of heroine Gnat Stokes. This “magical Appalachian tall tale ... is by turns, creepy, laugh-aloud funny, touching, and utterly

Kellogg • 145 satisfying.” The narration is “sassy and straight out of the Tennessee hills” (Booklist, Mar. 1, 2005). “Sally Keehn has created a remarkable heroine with an authentic Smoky Mountain voice. The dialect helps create the world of post–Civil War era mountain folk” (Library Media Connection, Jan. 2006). Kirkus Reviews considers this a “warm, suspenseful, over-the-top adventure that bubbles up with swamp wisdom” (Mar. 1, 2005). School Library Journal has this to say: “Told in Gnat’s mountain-tinged, irreverent voice, this imaginative tale is strewn with laughter from humor involving the consumption of beans to send-ups of self-righteous community figures who don’t favor education” (Apr. 1, 2005). The Horn Book Guide is alone in its somewhat negative assessment: “This Appalachian story ... is rich in colloquial language and characters, but the jumpy narrative ... is sometimes confusing” (Fall 2005).

I am Regina. New York: Philomel, 1991. 6–8 Keehn’s Indian captivity story is set in 1755 at the beginning of the French and Indian Wars in western Pennsylvania. Regina is kidnapped, given the name Tskinnak, and adjusts so readily to her new life that she comes to hate the British. In the end, she rejoins her mother. The novel is a “well-researched account of a factual story,” which “neither shies away from the horrible truths of war nor sentimentalizes its emotional content” (Publishers Weekly, Dec. 17, 2001). According to the Bulletin, “Characterization is adequate, and details of period and place are convincing; the writing has good pace, with a present-tense, firstperson narrative that is at times compelling” (Apr. 1991).

ume — West Virginia. In a totally implausible and thinly constructed mystery, Hannah gets transported from a science field trip in Wisconsin to a West Virginia community that is preparing for a festival. She quickly makes friends with Anne Megan Jones and her brother Jack, champion fiddler of the community. Hannah’s angels reveal that Zack has been kidnapped by his arch rival, Ben Turner; then they assist her and Annie in finding Zack and getting him to the festival just in time to win the fiddle contest. Throughout the adventure, Hannah keeps a journal to share with her best friend Katie when she returns to Wisconsin. The adults and the angels in the story are shadowy figures with no character development; West Virginia is depicted through the usual stereotypes — strip mining, fiddling, quilting, dialect, etc. A glossary at the end, titled “Cool Appalachian Stuff,” features characteristics (apple butter, good and bad mushrooms, quilting bee, raccoons, willow) that are not distinctive to the region. (RH)

Keller, Helen The Story of My Life. New York: Doubleday, 1902.

4–12 This biography of singer, and composer Dolly Parton is included in the Rock ’n Pop Stars series.

6–up Keller’s autobiography has remained in print since its first publication in 1902. A lengthy 1906 review in the New York Times begins with this observation: “The tedious steps of the process of awakening the intelligence of a human being deprived of all of the ordinary means of communication with her fellows at an age so early that practically no foundation had been laid by normal means — such is the material of this book on the life of Helen Keller, written partly by herself. The scientific interest of the process is great, both in itself and for the light it throws on the unconscious and unobserved processes by which children with all their senses learn the same things that have been laboriously acquired by this girl, stricken blind and deaf before she was two years old. The human interest of the story is hardly less great” (Mar. 21, 1906). In 2003 Norton reissued the original, reformatted 1903 edition with a new Foreword and Afterword by Roger Shattuck. Library Journal notes that the New York Public Library named Keller’s autobiography “one of the 100 most important books of the 20th century” and that this centennial edition contains ten illustrations, an index, and a suggested reading list, but more importantly, “material not found in previous editions, including accounts by teacher Anne Sullivan and assistant John Macy.” It is a “gem” (Mar. 1, 2003).

Keep, Linda Lowery

Kellogg , Steven

Notes from Blue Mountain: Hannah and the Angels. New York: Random, 1998.

Johnny Appleseed: A Tall Tale, illus. by author. New York: Morrow, 1988.

2–5 Hannah Martin lives in Geneva, Wisconsin, but angels send her on altruistic trips around the world: Australia, Kenya, Mexico, and — in this vol-

2–4 According to School Library Journal, Kellogg’s “brief text combining legend with fact, coupled with the picture book format, makes this life of

Magpie Gabbard and the Quest for the Buried Moon. New York: Philomel, 2007. 5–8 In an “enchanting tall tale from a talented raconteur” (Publishers Weekly, Feb. 12, 2007), Keehn presents the story of 13-year-old Magpie who relies on her “cussedness” to retrieve the moon buried by goblins and to save her family. Keehn “draw[s] on elements of British folklore consistent with Appalachian heritage [and] writes an original, down-home American fantasy about a girl with ... gumption” (Booklist, Apr. 15, 2007).

Keely, John Dolly Parton. Mankato, MN: Creative, 1979.

146 • Kelton Johnny Appleseed the most accessible and entertaining one available for young children.” The “one disturbing flaw” is that Chapman does not age during the book (Oct. 1998). Publishers Weekly considers this a “succinct rendition” of Chapman’s life “in a polished blend of fact and fiction” (Aug. 12, 1988). The Bulletin emphasizes the oversized format of the book, which gives Kellogg “a fine opportunity for pictures that are on a large scale, colorful and animated if often busy with details.” Additionally, he manages to delineate fact from myth. “There’s some exaggeration, but on the whole the biography is factual and written with clarity” (Nov. 1988).

Sally Ann Thunder Ann Whirlwind Crockett: A Tall Tale, illus. by author. New York: Morrow, 1995. K–3 Kellogg’s story about Davy Crockett’s tall-tale wife is “scrupulously sourced” and illustrated with his “characteristically energetic paintings” that match “this story’s kinetic hyperbole” (Bulletin, Sept. 1995). According to Publishers Weekly, Kellogg’s retelling is “flawed by some jarring transitions and an overly abrupt ending,” but it is, nevertheless, “a merry tale” illustrated by “buoyant colored ink, watercolor and acrylic art. Here he comically captures the boundless energy of his larger-than-life heroine” (Sept. 25, 1995).

Kelton, Nancy The Finger Game Miracle, illus. by Ron Recchio. Milwaukee: Raintree; Chicago: Childrens, 1977. 2–3

A biography of Helen Keller.

Kemp, Steve Who Pooped in the Park?, illus. by Robert Rath. Helena, MT: Farcountry, 2005. 2–5 Kemp’s text provides excellent information on how to identify animals in the Great Smoky Mountains National Park by their scat, tracks, and other signs. Eight animals are presented: the cottontail rabbit, white-tailed deer, beaver, coyote, wild turkey, skunk, wild hog, and black bear. Each is featured in a two-page identification chart in the back, which could serve as a simplistic field guide. Unfortunately, the awkward, stiff dialogue and unattractive illustrations detract from the information, which would have been more effective if presented as a straightforward informational book. Boxed insets labeled “The Straight Poop” offer tidbits of additional information and contribute to the overall humorous tone of the book, which may appeal to some readers. (RH)

Kendall, Martha E. Nellie Bly: Reporter for the World. Brookfield, CT: Millbrook, 1992.

4–7 Kendall presents a “jaunty” biography of Pennsylvania native and journalist Nellie Bly (Horn Book Guide, Spring 1992). Included in A Gateway Biography series.

Kent, Deborah Helen Keller: Author and Advocate for the Disabled. Chanhassen, MN: Child’s World, 2003. 3–6 A biography with “minimal fictionalization” of conversation and emotion; though it is “idealistic and simplified, the texts are fluid and appropriate for the target audience.” Includes sidebar tidbits, some of which “explain the text, while others are merely trivia.” Black-and-white photographs are of “average-quality” (School Library Journal, Apr. 2004).

Kent, Zachary Andrew Carnegie: Steel King and Friend to Libraries. Hillside, NJ: Enslow, 1999. 6–up Included in the Historical American Biographies series, Kent’s biography provides a “balanced” and “well-researched” (Kirkus, Dec. 1998) portrayal of philanthropist Andrew Carnegie. Includes photographs, maps, chronology, glossary, recommended titles for further reading, and an index.

Andrew Johnson: Seventeenth President of the United States. Chicago: Childrens, 1989. 4–7 Kent’s biography in the Encyclopedia of Presidents series focuses on “controversial situations” such as Johnson’s impeachment trial, which ended in acquittal as he sternly battled Congress in efforts to carry out Lincoln’s wishes in the South.... Extensive use of black-and-white photographs and engravings adds visual interest to these well-rounded texts” (Booklist, July 1989).

The Battle of Antietam. Chicago: Childrens, 1992. 3–6 Describes the events surrounding the bloody confrontation between Union and Confederate troops in the Maryland countryside on September 17, 1862.

The Story of John Brown’s Raid on Harpers Ferry, illus. with photographs. Chicago: Childrens, 1988. 4–6 In this title from the Cornerstones of Freedom series, “Kent deals with the issue of slavery as well as the complex causes of the Civil War as he tells the story of John Brown and his raid.” He presents the story “factually but with excitement, using many quotes from eyewitnesses” and giving “more than the standard encyclopedia information for reports or for students curious about the particular events.” The illustrations “come from contemporary sources, thus adding a sense of historic realism” (School Library Journal, Sept. 1988).

Key • 147

Tecumseh. Chicago: Childrens, 1992. 3–5 Kent’s title in the Cornerstones of Freedom series is a welcome addition to the scant information about this Shawnee Chief available for this grade range (School Library Journal, Jan. 1993). Includes color photographs, and reproductions of prints and paintings.

Kessel, Kristin Martha Graham. New York: Rosen, 2005. 2–5 From the Library of American Choreographers series, Kessel presents a brief biography of choreographer and Pittsburgh native Martha Graham.

Ketchum, Liza Orphan Journey Home, illus. by C. B. Mordan. New York: Avon, 2000. 4–7 Set in 1828, this piece of historical fiction follows two children from Illinois to Kentucky. When their parents die from “milk fever,” Jesse, the 12-yearold narrator, and her older brother return to their Kentucky family, hoping for a better life. “Based on fact and originally published as a newspaper serial, the book boasts the same rough-hewn scratchboard illustrations that accompanied the first printing.... Ketchum creates realistic problems for her believably drawn young protagonists.... The author depicts an America that was often unremittingly cruel through the narrative voice of a quick-witted, resourceful young girl” (School Library Journal, Aug. 1, 2000). Booklist says that Ketchum “avoids melodrama,” and though the tale is “based on a true family account, ... her research doesn’t swamp the plot” ( June 1 and 15, 2000). The Horn Book Guide notes the “fast-paced, present-tense narrative” that is “written in short, cliffhanger chapters” (Fall 2000).

Key, Alexander Cherokee Boy. Philadelphia: Westminster, 1957. 5–7 Tsi-ya is a Cherokee boy on the Trail of Tears who escapes from an Illinois stockade, hoping to return to his home in the Carolina mountains. Key’s historical novel is “[v]ividly told” and exposes the “tragic and badly managed removal of the five civilized tribes of Indians” from their native lands to Oklahoma. Tsi-ya leads four other escapees over 500 miles “with Indian intuitiveness” until they reach “the hidden valley and safety” (Library Journal, May 15, 1957).

Escape To Witch Mountain, illus. by Leon B. Wisdom, Jr. Philadelphia: Westminster, 1968. 5–8 Described as a “fascinating, thought-provoking story,” this rare piece of Appalachian fantasy relates the adventures of Tony and Tia, two extraterrestrial children who are searching for their “former compatriots now presumed to be living in the vicin-

ity of a southern Blue Ridge Mountain community.” The children have supernatural powers and speech capabilities, which cause them to be pursued as “witches” (Booklist, Apr. 15, 1968). In 1975, Disney released a film version of the book but set it on the coast of California.

The Forgotten Door. Philadelphia: Westminster, 1965. 4–6 Jon is a child from another planet who accidentally falls through a “doorway” into Southern Appalachia. Because of his supernatural powers, particularly his ability to communicate with animals, he is considered “suspicious” but is befriended by a local family. “A competently written space fantasy with certain overtones that widen its range of interest” (Horn Book, Aug. 1965).

Jagger, the Dog from Elsewhere. Philadelphia: Westminster, 1976. 5–7 Jagger is an extraterrestrial dog who winds up in north Alabama because of a cosmic time shift. Accustomed to a utopian society and telepathy, he is unsuited to a world of exploitation and fear. He is befriended by two children, whom he guards by performing heroic deeds. “Key uses the book as a vehicle for disapproval of the violence in our society, but he does it quite openly, so that it does not become a burden to the plot.” Key’s book is not without its weaknesses: There is a “surfeit” of action; characters successfully “guess what Jagger is trying to communicate”; and the action is too neatly concluded. The “awful beast kills Tess, her husband confesses the murder plot, the hunters understand that Jagger is not evil, the children’s long-lost father appears, and Jagger is delighted when someone from his own world comes to take him home” (Bulletin, Mar. 1977).

Mystery of the Sassafras Chair, illus. by Louis Segal. Philadelphia: Westminster, 1967. 5–7 Key’s departure “from his previously successful science-fiction framework for fantasy” involves a magic chair made of sassafras wood. When the dead sit in this chair, people attuned to other dimensions of life can communicate with them. “The characters are exaggerated stereotypes, and the plot defies all logic” (Library Journal, May 15, 1967).

The Preposterous Adventures of Swimmer. Philadelphia: Westminster, 1973. 5–9 This “lightly written story” about an otter that can think and communicate with humans is set in the Great Smoky Mountains. Swimmer experiences multiple conflicts, the least of which are ill-intended individuals who would exploit his talents. “A folksy Appalachian atmosphere gives flavor to the writing” (Horn Book, Apr. 1974). School Library Journal says, “The many characters, both animal and human, make this animal fantasy hard to follow; plot development is artificial, and events fall too neatly into place” (Oct. 15, 1973).

148 • Kidd

With Daniel Boone on the Caroliny Trail. Chicago: Winston, 1941. 5–7 Key delivers a fictionalized biography of Boone that emphasizes his daring and adventuresome nature from his childhood. Key also includes a fictional friendship between Boone and George Washington, who helps the Boones to settle in the Yadkin Valley. “Swift action, strong characterization, and lively style make this story very readable. The meeting between Boone and Washington is pure fiction, the author admits. But it could have happened” (Library Journal, Feb. 1, 1941).

Kidd, Ronald Monkey Town: The Summer of the Scopes Trial. New York: Simon and Schuster, 2006. 5–up Ronald Kidd’s characters manipulate the challenge to evolution to bring attention to their small town. Told through the eyes of 15-year-old Frances Robinson, this historical fiction is an “engaging presentation” (Horn Book Guide, Oct. 2006) and readers “will be pleased by the depth of character and ideas” (Kirkus Reviews, Dec. 15, 2005). Kidd “admirably describes the carnival-like atmosphere in Dayton during the trial, while documenting a sheltered girl’s struggle to make sense of a broader world” (Voice of Youth Advocates, Feb. 2006).

On Top of Old Smoky: A Collection of Songs and Stories from Appalachia, illus. by Linda Anderson. Nashville, TN: Ideals, 1992. K–up Eleven song lyrics without music and three folktales make up this collection of Appalachian material. Booklist calls this volume “a showcase” for Appalachian native Linda Anderson’s “handsome examples of folk art” (Dec. 1, 1992). Songs such as “The Frog He Went A-Courting” and “Hush Little Baby,” along with classic tales such as “Jack and the Bean Tree” are included, but the absence of a table of contents, index, and music is a flaw. Kidd employs Appalachian dialect somewhat successfully, but his Introduction “adopts a cloying storybook tone” and “provides little in the way of specific information,” according to Publishers Weekly: “The book’s design is particularly attractive, with the borders that frame each picture repeated to set off the accompanying text” (Oct. 5, 1992).

Kiely Miller, Barbara Sam Houston. Milwaukee, WI: Gareth Stevens, 2007. 2–4 Developed for early readers, this brief biography in the Great Americans series covers the teen years of Tennessee native Sam Houston, including his relationships with the Cherokee and his service as a representative and governor of Tennessee. Houston “fail[s] to come to life, and students will not likely be inspired to read more” (School Library Journal, Nov. 2007).

Kile, Robin Propst ...And They Named Me “Hope,” illus. by Emily Megan Chambers. Victoria, BC: Trafford, 2005. K–3 Tells the story of a Farmall H tractor that was sold to a West Virginia farmer in 1945.

I Am a Miracle! Scout’s Story, illus. by Emily Megan Chambers. Victoria, B.C.: Trafford, 2004. K–3 Kile presents a motivational story about Scout, a lamb born on the Short’s farm near Franklin, West Virginia.

Killens, John Oliver A Man Ain’t Nothin’ but a Man: The Adventures of John Henry. Boston: Little, Brown, 1975. 6–up Killens’ fictionalized biography of “the legendary Black strong man, John Henry” is “speculative” but “believable,” placing “more emphasis on John Henry’s love life, emotions, and friendships than on his fabled feats of strength.” Because of the “several instances of swearing and sexual descriptions which are appropriate to the story,” this book is more suitable for older readers than is Harold Felton’s John Henry and His Hammer (1950) or Ezra Jack Keats’ John Henry: An American Legend (1965) (School Library Journal, Nov. 1975).

Kimball, Dean Constructing the Mountain Dulcimer. New York: McKay, 1975. 7–up Booklist considers Kimball’s how-to book an “extensive, well-illustrated manual on building an appealing folk instrument, combining rudimentary woodworking and musical interests.” A cautionary note is included, explaining that building a dulcimer is a “complicated and exacting process,” but it is “well described,” making it seem that “patience” is “the only skill required” ( Jan. 15, 1976). Includes appendices and bibliography.

King , Elisha Sterling Wild Rose of Cherokee or Nancy Ward, “The Pocohontas of the West”: A Story of the Early Exploration, Occupancy and Settlement of the State of Tennessee. Nashville: University Press, 1895; Etowah, TN: Myrtle K. Tatum, 1938. 5–up “Wild Rose” is the Cherokee name of Nancy Ward, who was the daughter of an English woman, Lady Lucy Ward, and the Cherokee chief Oconostota. This highly romanticized account of a true story of love between English Lieutenant Sir Francis Ward and the Cherokee Wild Rose takes place in East Tennessee (what was then the State of Franklin). The story is overwritten and condescending to the Native American: “Ug! Ug! Did the ugly

Knapp • 149 pale face think he steal my pet, my ‘Wild Rose’? Where is he? Me hack him to pieces — me tie him to a stake, and roast him like venison” (9). Other examples border on disrespect: “Tenassee [sic] [was] their chief city.... You will laugh, when I tell you what kind of a city it was.... It ... was only a scattering village of miserable huts and wigwams.... This old insignificant Indian town would never have been known in history, had it not given a name to one of the noblest rivers and commonwealths in America” (20–21). The early chapters give the historical background for the French and Indian War and explain Lady Lucy Ward’s role in securing Cherokee support for the English. Later chapters focus on the love theme and characters such as Tame Doe and her dog Foxie who aid Wild Rose, Dragging Canoe, and the English. The book is valuable for its early rendering of this tale, peopled by such now-famous historical figures as Daniel Boone, William Bean and his wife, and the French Baron Des Johnnes. Though the book was intended for a juvenile audience, its style, format, and syntax are not suited for today’s child reader. It makes excellent fodder for research, however, and students in the middle grades would enjoy comparing this 19thcentury account of East Tennessee history with contemporary texts. (RH)

Kingsbury, Robert Roberto Clemente. New York: Rosen, 2003.

Klausner, Janet Sequoyah’s Gift: A Portrait of the Cherokee Leader. New York: HarperCollins, 1993. 4–7 Klausner’s “evenhanded” biography of Sequoyah focuses on his creation of the Cherokee syllabary, as well as his role in the Trail of Tears. She includes discussion of the “criticism and ridicule Sequoyah endured from his people while developing the syllabary and discusses the disagreements among Cherokee leaders over leaving their homeland.... This is a solid work with many applications for study” (Booklist, Sept. 1, 1993). The Horn Book Guide considers this an “informative and readable account,” which “acknowledges that both conjectural and factual material make up what is known about the legendary wise man” (Sept. 1993).

Klein, Jeff Z. Mario Lemieux, Ice Hockey Star. New York: Chelsea, 1995. 7–up This title in the Great Achievers series glosses over Lemieux’s struggle with Hodgkin’s disease, and though Klein gives a “thorough” account of the hockey player’s life, he is viewed from a distance, and his personality remains obscure” (Horn Book Guide, Sept. 1995).

Klingle, Cynthia, and Robert B. Noyed

4–7 This biography in the Baseball Hall of Famers series includes information on Clemente’s childhood and the various ethnic prejudices that he endured. The text is “straightforward” and “lack[s] the sort of interesting anecdotes and colorful language that can draw in readers.” This title may be suitable for reluctant readers (School Library Journal, June 1, 2003). Includes both color and black-and-white photographs in a format suitable for easy reading.

Helen Keller: A Level Two Reader. Chanhassen, MN: Child’s World, 2002.

Klass, Sheila Solomon

4–6 This biography of the black teacher, journalist, and civil rights activist is included in the Black Americans of Achievement series.

Kool Ada. New York: Scholastic, 1991. 5–7 When Ada loses her father to black lung disease, she goes to live in an inner-city Chicago neighborhood. Having suffered the tragedy of her parents’ and brother’s deaths and being uprooted from “her beloved Appalachia,” she ceases to speak and is abused by her classmates as a “retard,” but through the support of people who love her, she adapts and thrives (Horn Book Guide, Mar. 1992). An article about children who have lost one or both of their parents, in the Wilson Library Bulletin, features Ada as an example of the type of character —“a discipline problem and underachiever”— with whom middlegrade readers will identify because she is a survivor and worth the “investment” of others in her well being ( June 1992). Booklist agrees that Ada is a character kids will care about; she’s feisty, brave, and willing to take a stand (Oct. 15, 1991).

K–3 Included in the Wonder Books series, Klingel’s “formulaic” biography of Helen Keller fails to provide readers a “clear sense [of her] accomplishments” (Horn Book, Apr. 1, 2002).

Klots, Steve Ida Wells-Barnett. New York: Chelsea, 1994.

Knapp, Ron Charles Barkley: Star Forward. Springfield, NJ: Enslow, 1996. 4–7 Knapp presents the life story and basketball career of Alabama native Charles Barkley. Included in the Sports Reports series, the biography includes bibliographical references and an index.

Sports Great Bo Jackson. Hillside, NJ: Enslow, 1990. 5–8 Included in the Sports Great Books series, Knapp’s biography presents the life and playing career of Alabama native and football and baseball standout Bo Jackson. The Horn Book Guide reviewer is disappointed in the title and notes that the attempt to “humanize [Jackson] is trivializing” ( July 1990). In

150 • Knudsen spite of “choppy writing and awkward phrasing,” the book will appeal to young readers (Booklist, Oct. 15, 1990). Includes an index.

that this series includes “not only details about the subject’s life but historical background as well” (Fall 2004).

Sports Great Bobby Bonilla. Hillside, NJ: Enslow, 1995.

The Story of Mother Jones. Philadelphia: Chelsea, 2004.

4–10 A brief introduction to the career of Bobby Bonilla, who played with the Pittsburgh Pirates from 1986–1991. Included in the Sports Great Books series, this formulaic title is “[r]ecommended, with minor flaws” (Horn Book, Mar. 1, 1994). Includes an index.

3–4 A biography of the labor leader who grew up in Ireland, emigrated to the United States, lost her family to yellow fever, and helped the working class, especially coal miners and child mill workers, achieve better working conditions in the late 1800s and early 1900s. This title in the Breakthrough Biographies series includes an index.

Sports Great Mario Lemieux. Hillside, NJ: Enslow, 1995. 4–6 A biography in the Sports Great Books series of the French Canadian ice hockey player who played for the Pittsburgh Penguins. Includes an index.

Knudsen, Shannon Nellie Bly. Minneapolis, MN: Lerner, 2006. 3–7 Biography of Pennsylvania native and journalist Nellie Bly. Included in the History Maker Bios series, the title presents historical illustrations, maps, and sidebars, but Horn Book Guide considers the “cartoony chapter-openers ... garish” (Spring 2006). Knudsen recommends books for further reading and includes a list of websites, a selected bibliography, and an index.

Koenig , Teresa Lionel Richie. Mankato, MN: Crestwood, 1986. 3–6 Koenig examines the life of Alabama musician and songwriter Lionel Richie. The Macon County native achieved prominence singing with the Commodores.

Koestler-Grack, Rachel A. Chief John Ross. Chicago: Heinemann, 2004. K–4 Included in the Native American Biographies series, Koestler-Grack presents a brief biography of John Ross, principal chief of the Cherokee people on the Trail of Tears. In spite of a “somewhat cluttered design,” the Horn Book Guide (Spring, 2005) recommends the title. Includes maps, a reading list, a glossary, and an index.

The Story of Helen Keller. Philadelphia: Chelsea, 2004. 2–4 This biography in the Breakthrough Biographies series is considered “readable” with “clear” chapters that are “accompanied by photographs, reproductions, and quotations.” The book “provides information about sign language and Braille and includes a Web site [sic] where readers can view the Braille alphabet and type in a name to read it in Braille.” The book is “carefully researched, presenting good and respectful coverage” of a remarkable life (School Library Journal, Apr. 1, 2004). The Horn Book Guide concurs

Tecumseh. Mankato, MN: Blue Earth, 2003. 3–6 “[I]n a sympathetic, yet neutral, tone,” Koestler-Grack presents an adequate portrayal of Tecumseh’s attempt to unite Native American tribes into one nation (School Library Journal, Apr. 2003). Included in the American Indian Biographies series, the title is illustrated with drawings and photographs.

Kohn, Bernice Talking Leaves: The Story of Sequoyah, illus. by Valli [pseud. of Valli Van de Bovenkamp]. New York: Hawthorn, 1969. 1–3 Kohn’s biography is marred by “oversimplification and generalization,” but it is, nevertheless, a “whole clear, factual” introduction to Sequoyah for children. She emphasizes his creation of the Cherokee syllabary but includes personal information as well. “While Valli’s stylized illustrations feature appealing, glowing colors on alternate spreads, ... the attempt to portray Indian types has only succeeded in the creation of grotesque, carnival-like, distorted figures, not at all Indian in feeling and lacking the dignity of the subject matter.” In spite of the “dearth of excellent titles on this subject for this age group,” this title does not fill the gap (School Library Journal, Feb. 15, 1970).

Kollock, John These Gentle Hills. Lakemont, GA: Copple, 1976. 6–up The title refers to the hills of Georgia, the setting of this 95-page book, which Kollock describes as a “rambling” history (71). The book jacket says that Kollock has “preserved what he knew as a child of the farm life and historical sites” and that “he is after the essence of ... the Blue Ridge.” Though the eye is immediately attracted to the line drawings and the ten color plates in the center of the book, this is more than a coffee-table book. It is well written, easy to read, and done with a sufficient degree of objectivity to render it superior to Cynthia Rylant’s contemporary Appalachia: The Voices of Sleeping Birds. It covers exploration, expansion, architecture, travel, timbering, milling, and the slow life of the people. It is, in short, an evaluation of a lifestyle and a place. The absence of a table of contents and an index lim-

Krishef • 151 its its usefulness to researchers, but the bibliography is helpful. (RH)

Korman, Justine Davy Crockett and the Creek Indians, illus. by Charlie Shaw. New York: Disney, 1991. 1–5 Korman’s title, based on the Walt Disney television show, is number two in Disney’s American Frontier series.

Davy Crockett at the Alamo, illus. by Charlie Shaw. New York: Disney, 1991 1–5 Davy Crockett at the Alamo, the fourth title in Disney’s American Frontier series, is based on the Walt Disney television show.

Kornfeld, Anita Clay In a Bluebird’s Eye. New York: Holt, Rinehart and Winston, 1975. 6–up Honor Jane Whitfield, age 11, lives in Depression-era Margate, Tennessee, a coal-mining town in the Great Smoky Mountains. Her faith is tested by her parents’ dysfunctions and the town’s prejudices. Kornfeld develops this “moving story of a lonely, imaginative girl” with a “deep sense of poignancy leavened by the author’s light-handed touch.” In spite of Honor Jane’s youth, “she is so convincing and human that teenagers will be able to identify with her experiences, dreams, and rebelliousness” (Booklist, Sept. 1, 1975).

Kosof, Anna Jesse Jackson, illus. with photographs. New York: Watts, 1987. 6–up In contrast to Halliburton’s biased biography of Jackson (1972, 1984), this “sympathetic but not uncritical” account presents “the real Jesse Jackson — both pro and con.... It is a good beginning spot from which to construct a fair picture of Jackson and his political ideas” (School Library Journal, Jan. 1988). Kosof draws from her personal involvement with civil rights issues to create a picture of Jackson that is “straightforward and simple without being condescending” (Kirkus Reviews, Sept. 15, 1987).

(May 8, 1995). The Horn Book Guide praises the biography as “accessible” with “clear text” and good illustrations (Sept. 1995).

Kramer, Jon Bo Jackson. Austin, TX: Raintree SteckVaughn, 1996. 2–4 Included in the Overcoming the Odds series, Kramer presents the life and career of Alabama native Bo Jackson, including a discussion of how Jackson devoted himself to baseball after an injury ended his football career.

Kramer, Sydelle A. Ty Cobb: Bad Boy of Baseball. New York: Random, 1995. K–3 From the Step into Reading series, Kramer presents the story of Franklin, Georgia, native and baseball player Ty Cobb. Known for his surly temperament, the “Georgia Peach” was often referred to as the most hated man in baseball. Though “meant to lend immediacy to the account [the short choppy sentences are] irritating” (Horn Book, Sept. 1, 1995).

Krensky, Stephen Davy Crockett: A Life on the Frontier, illus. by Debra Bandelin and Bab Dacey. New York: Aladdin, 2004. 1–3 This portrayal of Davy Crockett gives beginning readers a balanced view of his life. From the Ready-to-Read Stories of Famous Americans series, Davy Crockett: A Life on the Frontier is “clearly and entertainingly conveyed” (Horn Book Guide, Apr. 2005) and a “stimulating introduction to the king of the wild frontier” (Booklist, Dec. 2004).

Nellie Bly: A Name to Be Reckoned With, illus. by Rebecca Guay. New York: Aladdin, 2003.

Kraft, Betsy Harvey

3–4 Krensky’s portrayal of Pennsylvania native Nellie Bly is a “vivid account” of her career as a journalist (Booklist, June 2003. Using direct quotes from Bly’s published works, Krensky’s narrative “resembles thought and dialogue, [and he] avoids fictionalization of speech and feelings” (School Library Journal, Sept. 2003). This title in the Milestone Books series includes a chronology and a bibliography.

Mother Jones: One Woman’s Fight for Labor. New York: Clarion, 1995.

Krishef, Robert K.

6–up Publishers Weekly considers Kraft’s biography “scintillating” and “well-illustrated”; it “achieves the formidable task of doing justice to its redoubtable subject, Mary Harris Jones,” labor leader and activist. “Kraft chronicles her triumphs ... but she also discusses Jones’s blatant self-promotion and her scattered but costly defeats.” Kraft makes “sophisticated use” of Jones’s less-than-objective autobiography, along with “other primary sources,” including “personal anecdotes that reveal Jones’s remarkable conviction”

4–up Typical of titles in the Country Music Library series, this 69-page biography of Dolly Parton is divided into short chapters that focus on the significant people and events in her life: Avie Lee and Robert Lee Parton (her parents), Bill Owens, Carl Dean, and Porter Wagoner. The opening chapter, titled Cinderella, establishes the theme: “poor little mountain girl” rises to become a star and a shrewd manager/business woman. The chapter on Joseph ex-

Dolly Parton. Minneapolis, MN: Lerner, 1980.

152 • Krishef plains how Parton came to write “Coat of Many Colors” and provides good material for the child interested in Parton’s book of the same name or in Ann Bates’ Ragsale. The chapter on Emmylou Harris and Linda Ronstadt places Parton in a context beyond traditional country music. Though largely flattering, the book addresses the major controversies of her career from a relatively balanced perspective. An index and discography are included. The period black and white photographs will appeal more to adults than to children. (RH)

cise” as well as “readable and well-paced profile.” Emphasis is placed on “Ball’s role as an innovator who set the groundwork not only for comedians, but for women in general by becoming the first female to own a television production company. The final chapters present her personal problems and professional life after I Love Lucy” ( July 1, 1992).

Loretta Lynn. Minneapolis, MN: Lerner, 1978.

6–up Barbara must decide whether she wants to go to college or have a career. When she opens a summer camp in the North Carolina mountains, her career flourishes but college suffers. “Older girls will like Babs and her friends, but will find very limited interest in the career. Story is well told” (Library Journal, Oct. 15, 1956).

5–8 Another Krishef title in the Country Music Library series offers “a straightforward account of the entertainer’s life without fictionalization or adulation” and outlines “the long, hard road to what may seem ‘overnight success.’” Krishef “takes the trouble to show how exhausting and unsatisfying success can be once the star is made.” Another important theme is that Lynn “worked hard for what [she] got, and [her] talent was second only to [her] determination,” a “message” that is absent from the “more glamorized biographies.” Unfortunately, the title glosses over “hard-core personality problems,” but it is nevertheless a good introduction to country music’s “reigning queen” (Booklist, July 1978). Includes an index and discography.

Krishef, Robert K., and Stacy Harris The Carter Family: Country Music’s First Family. Minneapolis, MN: Lerner, 1978. 5–up Krishef ’s title in the Country Music Library series is considered a cut above the usual series biography of this nature. “One of the things that emerges most clearly is the important place of business and entertainment right up there alongside appreciation of pure music.” The fact that country music is “gaining in historical stature” makes this title significant (Booklist, Dec. 15, 1978). The “combination of attractive format with an informative text that is better written than most of this type may even stir the interest of non-country fans” (School Library Journal, Feb. 1979). The Carter family home place and Carter Fold, a performance venue, in Hiltons, Virginia, are part of the Crooked Road: Virginia’s Music Heritage Trail.

Kroll, Harry Harrison My Heart’s in the Hills. Philadelphia: Westminster, 1956.

Kudlinski, Kathleen V. Helen Keller: A Light for the Blind, illus. by Donna Diamond. New York: Viking Kestrel, 1989. 3–6 Kudlinski’s “useful” biography represents a “smooth recounting of Keller’s remarkable life, making clear the emotional burdens as well as the physical difficulties created by Keller’s dual handicap.” Keller’s personal life “is only briefly sketched, and some readers may wonder about the woman behind the very public image,” though “there are hints of negative elements” (Booklist, Feb. 15, 1990). The Horn Book Guide considers the biography to be “a bit too idealized and reductive” and the illustrations “overly pretty” ( July-Dec. 1989).

Rachel Carson: Pioneer of Ecolog y, illus. by Ted Lewin. New York: Viking Kestrel, 1988.

Krohn, Katherine E.

3–6 Carson, born in Springdale, Pennsylvania, in 1907, knew early on that she wanted to be a writer and published her first story in St. Nicholas when she was ten. Though she excelled equally at English and science while in college, she chose to focus on science. The result was two classic pieces of American literature: The Sea Around Us and Silent Spring. “Kudlinski has admirably captured the driving force of a shy but courageous woman in a succinct, respectful approach” that makes a superb “curriculum resource” (Booklist, Mar. 15, 1988).

Lucille Ball: Pioneer of Comedy. Minneapolis, MN: Lerner, 1992.

Kuhn, Betsy

5–8 According to Booklist, “It’s hard to translate the visual hilarity” of Lucille Ball’s famous television show into print. The opening of Krohn’s book makes such an attempt, trying to describe the famous candy-conveyor-belt scene for young readers. The biography is “better at details than at bringing Lucy to life” ( June 1, 1992). School Library Journal considers the book’s opening “unsuccessful,” though it is a “con-

4–6 Ellen Cummings is in the sixth grade in Bells Gap, Pennsylvania, and wants to be an archaeologist, but she is also talented at writing countrymusic songs and aspires to be a star. She and her best friend Valery eventually sing at a Kiwanis cookout, and Ellen finds an artifact (a handle) in her back yard,

Not Exactly Nashville. New York: Delacorte, 1998.

Lambert • 153 but she never wins the First Annual Rising Star Contest as she had hoped. Kirkus Reviews considers this a “lively and readable tale” that renders “the inner turmoil, aspirations, and confusion” of preteens (May 1, 1998). Booklist notes the “rather truncated climax,” but praises the “good pacing and respectable character development.” The book’s best feature, however, is its country-western milieu, one not often noticed in children’s books (Apr. 15, 1998). “Though there is a maze of plot-twisting details, Kuhn keeps everything in hand with easy humorous dialogue and fast pacing,” along with the usual “ridiculous ... preteen triumphs and woes.” This debut novel will be a hit with young readers (Bulletin, Sept. 1998). Publishers Weekly agrees that the plot is “sluggish” and burdened by “minutiae about clothing and menus” ( June 1, 1998).

the infusion of fantasy elements distracts and confuses the reader. (RH)

Kummer, Patricia K.

West Virginia. New York: Childrens, 2006.

West Virginia. Mankato, MN: Capstone, 1998.

1–2 This title in the Rookie Read about Geography series provides beginning readers with an introduction to the state’s geography, people, and wildlife.

3–4 This title in the One Nation series provides an overview of the Mountain State, including its history, geography, people, and living conditions. Includes a bibliography and index.

Kunstler, James H. Davy Crockett, illus. by Steve Brodner. New York: Rabbit Ears, 1995.

Kurtz, Jane Johnny Appleseed, illus. by Mary Haverfield. New York: Aladdin, 2004. K–4 Included in the Ready to Read series, Kurtz’s biography of Johnny Appleseed provides “[a]n appealing way to open discussions of our country’s historical or legendary past,” (Kirkus Reviews, Aug. 15, 2004). In spite of minor flaws, the Horn Book Guide recommends the title, suggesting that the “[s]entimental watercolor illustrations idealistically picture Appleseed’s westward travels along the Ohio River” (Fall 2005).

LaBella, Susan

Lace, William W. The Pittsburgh Steelers Football Team. Springfield, NJ: Enslow, 1999.

2–5 Kunstler has spun “a nonstop, rollicking tale of the real and legendary feats” of Davy Crockett. The writing is robust, but the illustrations fail to measure up (School Library Journal, Feb. 1996).

4–6 This title in the Great Sports Teams series covers the history of the team that has played in Pittsburgh for more than sixty years, discussing some key players, coaches, and important games. Includes a bibliography and index.

Kuntz, John L.

Lakin, Patricia

Tennessee Tiger, illus. by Tina Wells Davenport. Nashville, TN: Scythe, 1996. 3–6 John L. Kuntz “was surrounded by storytelling while growing up near Roan Mountain,” Tennessee, and his first children’s book is based on a local story that is also a family story. Geneva Whitehead, Kuntz’s grandmother, passed down the story of his great-great-great-uncle, Tiger Whitehead, “a local man immortalized by the fact he killed 99 bears during his lifetime but spared the life of a 100th bear brought to him on his deathbed.” Kuntz says he had two reasons for writing the book: “First, he wanted to emphasize how the people of the mountains are great storytellers,” and second, he wanted “to incorporate some elements of mythology into his work.” He also wanted to undo negative perceptions of “the people of the mountains” and to “show young people a positive side to kids who live in the mountains.” Kuntz tells the story through a “fictionalized young protagonist, James Thor Whitehead, a seven-year-old boy growing up on Tiger Creek” in Carter County, Tennessee (Elizabethton Star, May 19, 1996). Unfortunately, the meandering and illogical plot and static characterization do not do justice to this important local story, and

Helen Keller and the Big Storm, illus. by Diana Magnuson. New York: Aladdin, 2002. 1–2 This “straightforward” beginning reader in the Ready to Read: Childhood of Famous Americans series focuses on one incident in Keller’s life as a frame on which to attach biographical details. In this case, it is the story of Keller’s being rescued from a tree during a storm. The cartoon-like illustrations “flow across the pages and complement the text” (School Library Journal, July 1, 2002). The Horn Book Guide finds the illustrations “stiff,” though the book gives a “fairly entertaining” account of Keller’s life (Fall 2002). Includes a chronology.

Lambert, Paulette Livers Evening: An Appalachian Lullaby, illus. by author. Boulder, CO: Roberts Rinehart, 1995. K–3 The Horn Book Guide considers Lambert’s picture book an “amusing, satisfying adaptation of a traditional Kentucky song [that] describes what rural animals do as night comes on” (Spring 1996). Publishers Weekly points out that while the text tells the story of “the sights and sounds of a farm at moonrise,” the illustrations show a father helping pre-

154 • Landau pare his two sons for bed: “unfortunately, the palette is harsh, even garish, and at odds with the tranquil theme of the song” (Nov. 20, 1995). Music is included.

Landau, Elaine The Cherokees. New York: Watts, 1992. 4–6 This title in A First Book series presents past and present overviews of the Cherokee. Includes color photographs, a bibliography, and index.

The Shawnee. New York: Franklin Watts, 1997. 4–6 Landau’s description of the Shawnee is a “clearly written” account of the history, tradition, and practices of the tribe (Horn Book, Sept. 1, 1997). Included in A First Book series, this title provides a comprehensive discussion of conflicts with European settlers. Glossary, bibliography, and index are included.

Lane, John, and Betsy Wakefield Teter, eds. The Place I Live: Hub City Kids Write About Home. Spartanburg, SC: Hub City Writers Project, 2001. 2–up This anthology features the work of more than 100 Spartanburg, South Carolina, poets, prose writers, and artists, from grades one through six. It is a handsome collection of children’s work, which often reflects the usual classroom “prompts” and assignments, such as “The place I live ... ,” “I am a ... ,” and “My House....” The result is sometimes ordinary and sometimes not. The art work is striking (Pathammavong, Zorn, Campbell-Cook), and some of the poetry is remarkable (Vaughn’s “Hearse”). Though books of this nature appeal largely to a limited audience, The Place I Live is a good model for student projects that bring together a community and its schools. (RH)

Langstaff, John, ed. Frog Went A-Courtin’, illus. by Feodor Rojankovsky. New York: Harcourt, Brace, 1955; San Diego, CA: Harcourt Brace Jovanovich, 1991 K–2 Langstaff ’s picture-book adaptation of an old ballad, “The Frog and the Mouse,” is “one of the gayest of picture books,” with “swinging rhythm” and “bright, detailed full-page illustrations [that] blend verse and pictures.” The musical accompaniment is “the tune as sung in the Southern mountains” (Saturday Review of Literature, May 14, 1955).

Over in the Meadow, illus. by Feodor Rojankovsky. New York: Harcourt, Brace, 1957; San Diego, CA: Harcourt Brace Jovanovich, (1972) 1992. K–1 The Saturday Review of Literature considers this an “enchanting rendition of the tuneful old

counting song about our meadowland neighbors.” Rojankovsky’s “superb illustrations ... surpass any he has ever done,” except for those in Langstaff ’s Frog Went A-Courtin’, which won the Caldecott Medal. Rojankovsky’s drawings are “in exactly the right key” and “add new life and freshness to a story song written more than four hundred years ago for children in Scotland” (Sept. 21, 1957). Includes music and words.

The Swapping Boy, illus. by Beth and Joe Krush. New York: Harcourt, Brace, 1960. K–3 Following the success of Frog Went ACourtin’ and Over in the Meadow, Langstaff presents another picture-book version of an Appalachian folk song. He has adapted the words from multiple variants, but the tune “was discovered in the southern Appalachian Mountains by Cecil Sharp, collector of folk music in that section.” The illustrations “are in perfect accord with the broad humor of the text” (Library Journal, Sept. 15, 1960).

Lansing , Elizabeth Hubbard Liza of the Hundredfold. New York: Crowell, 1960. 5–7 Since the death of her mother, Liza, age 12, has struggled with whether to be a tomboy or please her father and become a domestic young lady. “A feud with the neighbors over selling off the timber and a flood bring matters to a climax in this three-dimensional story of Kentucky mountain people.” The characterization is a strength in this above-average coming-of-age story (Library Journal, May 15, 1960).

Shoot for a Mule, illus. by Susanne Suba. New York: Crowell, 1951. 4–6 Jeb, age 11, rescues a mule from a river and competes in a shooting match to win permanent ownership of it. “Unusually good regional flavor and characterization,” combined with illustrations that “seem exactly right,” make for a good story about a “Kentucky mountain boy” (Booklist, Jan. 1, 1952).

Laskas, Gretchen Moran The Miner’s Daughter. New York: Simon and Schuster, 2007. 5–up This historical novel, which is set in a West Virginia coal-mine community during the Depression, tells the story of Arthurdale, a New Deal planned community that is promoted by Eleanor Roosevelt. Like a number of girls in novels for this age group, 16-year-old Willa Laura Lowell passes herself off as a boy in order to help the family survive [see Ernst’s The Night Riders of Harpers Ferry (2007) and Houston’s Mountain Valor (1994)]. Willa finds solace in books, but she is also keenly aware of harsh 1932 reality. Poverty and the ugliness of a mining camp are “beautifully realized” (Kirkus Reviews, Dec. 15, 2006). “Richly drawn characters and plot make this an excellent novel” (School Library Journal, Feb. 1, 2007. It is

Lawlor • 155 “bittersweet” and filled with “emotional resonance” (Booklist, Feb. 15, 2007). “Strong, believable characters, an engaging plot, and lyrical prose” are the strengths of the book (Voice of Youth Advocates, Apr. 1, 2007). Laskas draws upon her personal experiences to create a compelling story.

Latham, Jean Lee Anchor’s Aweigh: The Story of David Glasgow Farragut, illus. by Eros Keith. New York: Harper and Row, 1968. 5–8 In this biography of naval hero Farragut, whose career with the U.S. Navy began when he was ten years old, Latham delivers a “lively narrative account replete with authentically drawn scenes of marine warfare and life aboard sailing vessels” (Booklist, Feb. 15, 1969).

David Glasgow Farragut: Our First Admiral, illus. by Paul Frame. New York: Chelsea, 1991. K–3 Included in the Discovery Biography series but considered “unacceptable” by Horn Book Guide (Sept. 1, 1991).

Rachel Carson: Who Loved the Sea, illus. by Victor Mays. Champaign, IL: Garrard, 1973. 3–5 Latham’s biography of Carson focuses on her childhood, the gender biases she encountered, and her successes as a writer and environmental advocate. “Latham’s book, in a large print format, will be useful for third graders who know about ecology and conservation as well as for visually handicapped older readers” (School Library Journal, Sept. 15, 1973).

Retreat to Glory: The Story of Sam Houston. New York: Harper and Row, 1965. 5–7 Library Journal says there was no need to create such a “highly fictionized” biography, including invented “dialogue and incidents,” of “such a colorful person” as Sam Houston. Readers “should be told that it is not authentic.” Latham “does not present a clear, accurate picture” of Houston, “the writing is undistinguished, and there are a number of careless inaccuracies.” Given that other better biographies exist, this title is unnecessary (Library Journal, May 15, 1965). The New York Times takes the opposite view: “With impressively swift pace, Miss Latham, who knows what to omit or merely suggest, does not skimp Sam’s character at all.... This superior account makes both man and history clear and absorbing” ( June 13, 1965).

Sam Houston: Hero of Texas, illus. by Paul Frame. Champaign, IL: Garrard, 1965; New York: Chelsea, 1991. 3–4 “Jean Lee Latham has selected colorful, exciting incidents to present an authentic, actionpacked picture of Sam Houston,” using “[s]hort, crisp sentences and simple dialogue” (Library Journal, May

15, 1965). This title in the Discovery Books series was reissued by Chelsea in 1991 as a Discovery Biography under the title of Sam Houston.

Lauterer, Jock Wouldn’t Take Nothin’ for My Journey Now. Chapel Hill, NC: University of North Carolina Press, 1980. 7–12 Jock Lauterer “sensitively” photographs and interviews more than 35 “old people living in an isolated mountain valley of North Carolina.... Besides the visual charm of Lauterer’s tender black-and-white photographs, there is a lovely sweetness in the way he has captured the simplicity and wisdom of these ‘remnants of a vanishing human landscape’ who ‘possess unsung skills passed down from their elders, strong beliefs, and an undergirding faith in their fellow man which is all but disappearing from more urban societies’” (Booklist, Feb. 15, 1981).

Lawlor, Laurie Adventure on the Wilderness Road, 1775. New York: Pocket Books, 1999. 3–6 For this title in Lawlor’s American Sisters series, she uses actual accounts of the Poage family’s 1775 migration along the Wilderness Road from Virginia to Boonesborough, Kentucky. Along the way, narrator Elizabeth Poage, age 11, reads Gulliver’s Travels and uses the extra pages in the back of the book as a journal, describing “the arduous, lonesome journey by foot,” their encounters with Cherokee Indians, and her conflicts with her sister, Martha. Lawlor’s “meticulous” research reflects the white point of view and her appended author’s note “points out that the Indian way of life was threatened and that atrocities were committed by both Indians and whites. Still, the racism is hard to read: on the first page, and on nearly every page after that, the whites are afraid of panthers and wolves, but even more so of the lurking savage Indians with scalping knives.” Unfortunately, “the Indians’ displacement is barely registered” (Booklist, Apr. 1, 1999.) The Horn Book Guide considers the book “formulaic,” but the characters are “realistic” and the plot “well-paced” (Spring 2000). Library Journal argues that the characters are “not well developed,” but the story line is “fresh.” The “historically accurate setting” is a plus (Nov. 1, 1999).

Daniel Boone, illus. by Bert Dodson and with photographs. Niles, IL: Whitman, 1989. 5–9 For this “riveting account” of Daniel Boone’s life, Lawlor uses primary source documents that were collected by Lyman Draper, a 19th-century scholar of Boone’s life. Her Introduction establishes at the outset her desire to dispel the myth of Boone, and unlike most accounts of his life, Lawlor’s “real story is more interesting than the cultural myth.” Lawlor provides copious footnotes and exposes “unflinchingly” the war between the whites and the Indians. Boone’s

156 • Lawrence character flaws are also addressed; he “nevertheless emerges, on balance, as a man whose physical and moral stature, augmented by an irrepressible sense of humor, made him memorable in the eyes of Indians as well as whites.” This biography “is as solidly researched and dynamic as children’s biography should be” (Bulletin, Feb. 15, 1989). Lawlor delivers this account of a life with “penetrating insight” and “peppers” her prose with Boone’s wit, resulting in a “powerfully drawn biography” (Booklist, Feb. 15, 1989).

attend Highcliff College. Their interest in geology provides the reader with “smoothly integrated, factual material on rare earth minerals, gemstones, and daily life in Appalachia.” Major and minor characters are “generally believable” and substantive (Library Journal, Dec. 15, 1971.)

Helen Keller: Rebellious Spirit. New York: Holiday, 2001.

5–9 Morgan James is the main character in “this whopper of a yarn” set at the end of the War of 1812. Morgan’s search for a minister who will marry him to “the luscious” Annabel Lee takes him to New Orleans. There he “singlehandedly” wins the war. “This tale brims with the same sort of screwball characters, fantastic situations and rattling pace found in a vintage Sid Fleischman story — and it’s just as much fun” (Publishers Weekly, Oct. 27, 1989). Booklist also invokes a comparison with Sid Fleischman’s fiction, saying that Lawson’s work is “more complex” and that the “story becomes somewhat befuddled” by this complexity. Nevertheless, the laughs are worth the read (Oct. 15, 1989). The Horn Book Guide considers the characters “interesting,” but the plot “is severely confused by the brevity of style” ( July-Dec. 1989).

4–up Reviewers are in agreement in their praise for Lawlor’s “well-researched” biography that “places Keller squarely in the context of her time” and “delves into more complex issues.... Photographs and prints effectively join the narrative in vivifying this determined and inspiring woman” (Publishers Weekly, July 2, 2001). Lawlor “has done her homework” in presenting “the whole woman” with “affection and honesty” (Booklist, Sept. 1, 2001). The use of primary materials “brings Keller’s interior thoughts to life and hints at her highly-developed sense of humor” (School Library Journal, Sept. 1, 2001). Lawlor “makes a fascinating, living being out of the plaster saint” (Kirkus Reviews, June 15, 2001).

The Real Johnny Appleseed, illus. by Mary Thompson. Morton Grove, IL: Whitman, 1995. 3–5 Lawlor presents yet another well-documented biography, this one focused on an American folk hero, John Chapman, who became known as Johnny Appleseed. At age 21, Chapman left his home in Massachusetts and traveled through Pennsylvania and Ohio frontier territory. As with her other biographies, Lawlor exposes the myths and “details his extensive travels (which lasted more than 50 years), outlines his contributions to American horticulture, and offers possible reasons for his legendary status. Original wood engravings and nineteenth-century woodcuts enhance an informative, readable book” (Booklist, Sept. 1, 1995). The Bulletin considers her book a “credible portrait of an astute, albeit eccentric, entrepreneur who despite financial setbacks, amassed and maintained extensive landholdings.... Thompson’s wood engravings [are] based closely on descriptions offered by Chapman’s contemporaries” (Nov. 1995). Includes a reading list, extensive bibliography, and index.

Lawrence, Mildred Walk a Rocky Road. New York: Harcourt Brace Jovanovich, 1971. 7–up Silverbell Kershaw and Kelsey McLeod are high-school seniors from Curiosity Cove, Appalachia, who work in an Appalachian Studies Program and are trying to earn a scholarship in order to

Lawson, John If Pigs Could Fly. Boston: Houghton Mifflin, 1989.

You Better Come Home with Me, illus. by Arnold Spilka. New York: Crowell, 1966. 4–up Lawson’s fantasy is about a talking, walking scarecrow who takes seriously the casual invitation to “come home with me.” Publishers Weekly sees the book as a piece of writing “that will be defined by the character” and insight of the reader. “For this reader, this story of a boy who comes to the Appalachians looking for the place where he belongs is a gallant quest that challenges the saddest words in the world, ‘You can never go home again’” (Sept. 26, 1966).

Lawton, Val West Virginia. Mankato, MN: Weigl, 2002. 3–4 This title in the series A Guide to American States includes a bibliography and index.

Laycock, George Big Nick: The Story of a Remarkable Black Bear, illus. by Nancy Grossman. New York: Grosset and Dunlap, 1967. 5–up Big Nick is the story of 11 years in the life of a black bear in the Great Smoky Mountains National Park. It is also the story of “bears in the parks who are petted, pampered and taught to beg, but feared for their size and punished for their strength” (New York Times Book Review, June 25, 1967). Laycock relates the many threats to bears, both human and beast, including tourists and traffic in the park. As a cub, Big Nick is freed from a trap and captured by

Le Grand • 157 Johnny Swope, the first of many adventures in Big Nick’s life. His mother frees him from the shed where Johnny hides him. When she is later killed by a bear hunter, he is befriended by another female bear, who has lost her cubs. He is captured again as an adult, but he manages to free himself and continues to raid campgrounds and tourists’ vehicles. While the story is sad, Laycock tells it beautifully. (RH)

according to the Bulletin. But Lee’s “perceptive interpretation of cultural patterns in Southern Appalachia, her fine characterization and her sensitivity to the complexities of human relationships” save the book from convention, triteness, and cultural cliché ( Jan. 1981).

Leathers, Daniel

7–12 Enie Singleton comes from large family who lives in Depression-era Alabama, but she is different from the rest of the family. She longs for an education, but is burdened with housework and childcare after her mother dies. Then her father remarries, and life changes. “Although it is primarily her story, other members of the family are so delicately drawn that each comes to life on the page.... Seldom does a book for older girls offer such perfect portrayal of characters and such perfect feeling for time and place. A story like this doesn’t come along very often but it stays for a long, long while” (Library Journal, Nov. 1963).

The Johnstown Flood, 1889. Hockessin, DE: Mitchell Lane, 2007. 3–6 Included in the Natural Disasters series, Leathers explains the cause of the Johnstown Flood and provides a scientific explanation of the disaster. Intended as a chapter book for beginning readers, this and other titles in the series “might be more useful to reluctant report writers than to those fascinated by the subjects” (School Library Journal, May 1, 2008). Includes a timeline, glossary, bibliography, and index.

Leavitt, Amie Helen Keller. Hockessin, DE: Mitchell Lane, 2007. 1–4 Biography of Helen Keller included in the What’s So Great About ... ? series.

Leavitt, Dorothy Adventure on the Tennessee. Boston: Little, Brown, 1952. 5–9 Leavitt’s story takes Representative Cabitor and family on a visit to TVA dams, starting in Virginia and traveling through the Tennessee Valley, ending at Muscle Shoals, Alabama, and visiting Watauga Dam in Carter County, Tennessee, along the way. “This authentic picture of TVA and its significance is not only pleasant reading ... but contains much information about interesting people and places along the route” (Library Journal, Apr. 1, 1952).

LeBoutillier, Nate Pittsburgh Steelers. Mankato, MN: Creative Education, 2006. 1–4 This title in the Super Bowl Champions series includes an index.

Lee, Mildred The People Therein. New York: Houghton Mifflin/Clarion, 1980. 6–8 Mildred Lee sets this novel in Dewfall Gap in the Great Smoky Mountains. Lanthy Farr, who is lame, has a relationship with Drew Thorndike, a botanist from Boston who is also an alcoholic. Lanthy becomes pregnant with Drew’s child and gives birth while he is back in Boston, caring for his dying sister. He returns to Lanthy and marries her, providing a “happy ending to a fairly conventional romance,”

The Rock and the Willow. New York: Lothrop, Lee and Shepard, 1965.

Lee, S. C. Little League Leader, illus. with photographs by Jerry Robinson and Santiago Rivera. Huntsville, AL: Strode, 1974. 4–7 The main character of this baseball story is nine-year-old Paul Daley. The Daleys and the Saylors have just moved to Huntsville, Alabama, because the fathers follow construction work. Unfortunately, they arrive in Huntsville during a labor strike, and Paul is faced with the ethical dilemma of whether to join the Little League team or tell the coach that his family might have to move again. Mack Rust and his father — both bullies —figure heavily in the plot, as does Paul’s spooky neighbor Mr. Borman, who is a gardener with a heavy German accent. Mr. Borman is threatened with being fired from his job as the school janitor because he tells the principal about strange men he has seen snooping around the school. The boys get involved and uncover a Communist Russian plot, which concludes with their being captured. The ending, complete with Russian spies, is silly and weak, but the baseball story is good, if predictable. (RH)

Young Bear: The Legend of Bear Bryant’s Boyhood. Tomball, TX: Circle, 1983. 7–up Biography of the legendary Alabama football coach, Paul “Bear” Bryant.

Le Grand [pseud. of Le Grand Henderson] Augustus and the Mountains, illus. by author. Indianapolis, New York: Bobbs-Merrill, 1941. 4–6 Augustus’ family lives on a houseboat on the Mississippi River. When his mother is invited to visit relatives in Piney Pass, Kentucky, his father trades

158 • Lenski the boat for a car, and the family sets out for an adventure, which involves an Indian reservation and illintentioned locals. Augustus, of course, “saves the day.” “It is just such an adventure as any small boy who ever heard of Indians dreams of for himself. Le Grand, who apparently knows boys as well as he knows the South, has told it with a humorous pithy style in prose and pictures” (New York Times, Oct. 5, 1941). Booklist considers the family adventures to be “hilarious” and notes the significance of Augustus’ meeting “face to face with real Indians” (Dec. 1, 1941).

theme park, located between Boone and Blowing Rock, North Carolina. Lentz includes a brief history about the real Tweetsie, a narrow-gauge railroad that was vital to East Tennessee and western North Carolina during the first half of the 20th century. Unfortunately, the Wild-West motif of the theme park, which is the core of the book, conflicts with the Appalachian history of this train and captures none of its importance. Nevertheless, it will appeal to all train enthusiasts and to young children who have visited or plan to visit the park. (RH)

Lenski, Lois

Leppard, Lois Gladys

Blue Ridge Billy. New York: Lippincott, 1946.

According to Leppard, the Mandie series and the Young Mandie Mystery series, numbering more than 45 books combined, offer Christian stories based on her mother’s childhood. These titles are “especially for all you people in and around Franklin, North Carolina, and Macon, Swain, Jackson, Buncombe, and Transylvania Counties.” The mysteries are set mostly in Charley Gap, North Carolina, and environs, but Mandie’s adventures often take her to places such as New York, London, Belfast, Paris, and Rome. Only the titles having Appalachian settings are included below. (RH)

3–7 Set near Boone, North Carolina, Lenski’s story of Billy Honeycutt is the third title in her series about American geographical regions. The plot is predictable, and the dialect seems gratuitous, but according to Library Journal, “she presents with accuracy, sympathy, and understanding the colorful natives and their customs. Quaint expressions and distortions in spelling may hinder the reading for some, but an attractive format and appealing plot will make it generally welcome” (Nov. 1, 1946).

Coal Camp Girl. Philadelphia: Lippincott, 1959. 3–6 Another title in Lenski’s series of stories about American geographical regions, this one set in the West Virginia coal fields, where coal is the center of life. “It is the children’s life, too, giving them good times and bad, happiness and trouble. Seen through the eyes of Tina, whose father and uncles are miners, this is a realistic, richly detailed picture of a life strange to most children” (Library Journal, Dec. 15, 1959).

Lentz, Alice B

The Haunted Shop. New York: Bantam, 2002. 3–5 Mandie and Irene plan to visit Bryson City, North Carolina, with Miss Abigail, but their friend Joe dismisses the opportunity because he has been there before and he finds the town “stuffy.” The adventure that develops proves him wrong, however. This title is number seven in the Young Mandie Mystery series.

Mandie and Her Missing Kin. Minneapolis, MN: Bethany, 1995.

2–up In many ways, this title is a nostalgic journey for adults rather than a story that will capture child readers. David Griffin’s beautiful paintings express the joy and beauty of the mountain setting where five generations have enjoyed visits to Grandmother’s house. Told in first person by one of four siblings (a female), the story has religious undertones and reads more like a bedside book for the guest room than a children’s book. It is lovely, attractive, and inspiring, but the plot and characters are vague. While no specific setting is identified, Ruth Bell Graham, who lived in Buncombe County, North Carolina, wrote the four-sentence Foreword, which says the book “is very much like the place where I live.” (RH)

3–5 Volume 25 in the series finds Mandie making a visit to Joe Woodward and the cabin where she and her father lived. “Joe and Mandie get no response when they knock on the door, but they are sure someone is living in the old cabin. When shots are fired at the house from up in the hills, they head for home. There are several mysteries brewing. Joe’s dog has disappeared. Also someone seems to be getting into the old schoolhouse and writing notes on the board. Is a romance brewing between the schoolmaster and Miss Abigail? A typical Mandie story, Snowball and all” (Librarian’s World, Spring 1996). C. B. Review says the books are “well-written with interesting plots,” but the “direct Christian content ... is slight,” and some aspects are “incongruous, but most children probably won’t notice.” Examples include “the stereotypical English used by Indians in old, old Westerns” ( Jan./Feb. 1996).

Tweetsie Adventure, illus. by Carol B. Murray. Johnson City, TN: Overmountain, 1995.

Mandie and Joe’s Christmas Surprise. Minneapolis, MN: Bethany, 1995.

K–3 This is the story of a little boy, Marc, enjoying the drama and fantasy of the Tweetsie Railroad

3–5 Finding herself in charge of the Christmas Eve pageant, Mandie is determined to remind

Mountain Magic: A Family’s Legacy of Faith, illus. by David Griffin. Nashville, TN: Thomas Nelson, 1998.

Leppard • 159 her Franklin, North Carolina, community of the true meaning of Christmas. She and Joe Woodard collect the town’s orphans and house them in the church basement, hoping that the play will move the community to find homes for the children. Designed as a Christmas giftbook, this publication also includes the script of the play.

Mandie and Mollie and the Angel’s Visit. Minneapolis, MN: Bethany, 1998. 3–5 During Mandie’s European tour with Celia Hamilton, Mrs. Taft, and Senator Morton, they visit Belfast, Ireland, where Mandie saves a young girl, Mollie, from a linen-mill fire. In this title, Mollie joins Celia for Easter vacation at Mandie’s house; then she disappears. Mandie and her friends and family look for Mollie, while Mollie learns about Jesus and looks for angels. Mollie’s aunt also figures in the story at the end. As with Mandie and Joe’s Christmas Surprise, this Mandie holiday adventure includes the script of a play that children can perform.

Mandie and the Abandoned Mine. Minneapolis, MN: Bethany, 1987. 3–5 In volume eight of the Mandie series, an abandoned ruby mine on property belonging to Mandie’s uncle is the source of a secret to which only the Cherokee Ned knows the answer. Mandie and her friends intend to explore the mine, but their Thanksgiving Holiday holds other events in store. “There’s plenty of mystery and excitement as Mandie and Joe are kidnapped and left by the kidnappers in an oarless boat careening down the river. Those who have followed the adventures of Mandie will enjoy this new adventure and continue to marvel that Snowball, Mandie’s beloved pet, has managed to remain a kitten through all 8 books” (Librarian’s World, Fourth Qtr. 1987–1988). Mandie possesses a “guileless and winsome spirit.... The reader is introduced to a variety of interesting characters of different races who speak in dialect” (Moody, Dec. 1987).

Mandie and the Angel’s Secret. Minneapolis, MN: Bethany House, 1993. 3–5 Title number 22 of the Mandie series begins in London with Grandmother Taft, Molly, Uncle Ned, and Mandie hurriedly making arrangements to return to America. Mrs. Taft and Uncle Ned are obviously keeping something from Mandie, and their desire for secrecy is explained only when Mandie returns home to find her mother ill with fever and her little brother Samuel dead. Mandie meets an angel who gives her the idea to wire Dr. Plumbley in New York to come and save her mother’s life. He does, of course. Woven throughout is a weak mystery of a woman in black who intermittently appears, sobs, and vanishes when Mandie sees her. She turns out to be cousin Isabelle who was in love with Mandie’s father before he married Elizabeth, her mother. This Isabelle subplot serves no causal or motivational purpose in

the story, and the ending is implausible. There is little plot or action, making the story totally dependent on dialogue. Mandie is a bit too melodramatic as the center of attention. The attempts at African American dialect in the character of Liza and Native American dialect in the character of Uncle Ned are gratuitous. The story is a throwback to the didactic sentimentalism of the 19th century. (RH)

Mandie and the Buried Stranger. Minneapolis, MN: Bethany House, 1999. 3–5 During spring break from the Misses Heathwood’s School for Girls, Mandie returns home, eager to spend time with her friend Joe Woodard, whom she has not seen since he left for college after Christmas. The two engage in a mystery involving the mountains, a pile of mica, and a stolen wagon. This title, set in 1902, is volume 31 in the Mandie series.

Mandie and the Cherokee Legend. Minneapolis, MN: Bethany, 1983. 3–5 In this second title in the Mandie series, the protagonist travels for a first visit with her Cherokee relatives. Mandie quickly wins over the whole lot, except for a cruel cousin who is suspicious of her and toward whom she feels hatred. Her discovery of Indian golden treasure in a cave only complicates matters. “There’s plenty of action in this book, but, at the end, the resolutions of the problems are somewhat simplistic” (Christian Book and Librarian, Oct. 1983). This “wholesome entertainment” is “exciting, fast moving, and teaches how to relate to people who are hard to get along with” (Provident Book Finder, July-Aug. 1984).

Mandie and the Courtroom Battle. Minneapolis, MN: Bethany, 1996. 4–7 Volume 27 in the Mandie series presents a “prissy and unbelievably good” Mandie dealing with the loss of her father’s will. “The demeaning portrayal of black servants and a Native American, all of whom speak in dialect, adds to the stilted, distracting quality of writing. The plot is overly complicated and confusing, with unclear allusions to what has transpired in past books, and some subplots, such as one about a ruby mine, that add nothing to the story at hand.” Though Leppard intends the series to convey Christian ideals, these values are “unclear” with the exception of “Mandie reciting a favorite Bible verse when she is afraid” (School Library Journal, Mar. 1997).

Mandie and the Dangerous Impostors. Minneapolis, MN: Bethany, 1994. 3–5 At the end of her summer vacation, Mandie visits Uncle Ned and his granddaughter Sallie, where she gets a message that the Cherokee boy Tsa’ni wants to see her. Tsa’ni has the reputation of being a trouble maker. Accordingly, “When Mandie arrives, Tsa’ni is nowhere to be found, and she dis-

160 • Leppard covers that her Uncle Wirt has disappeared as well” (Teach, Spring 1995). This title is volume 23 in the Mandie series.

Mandie and the Dark Alley. Minneapolis, MN: Bethany House, 2000. 3–5 When Mandie and Celia rush to meet curfew at school, they take a shortcut through a dark alley where Mandie loses her locket. At the same time, one of Mrs. Taft’s valuable heirlooms disappears, and Mandie believes the theft is connected with the dangerous alley because she has heard suspicious noises coming from a warehouse nearby. Against all caution, Mandie and Celia return to the dangerous alley to investigate the theft. This title is volume 33 in the Mandie series.

Mandie and the Forbidden Attic. Minneapolis, MN: Bethany, 1985. 3–5 In the fourth book in the Mandie series, Mandie is sent away to boarding school, where she struggles to adjust and fit in. Eventually she meets a new friend, Celia, and the typical Mandie adventures follow. “Mysterious noises in the school attic, being discovered while investigating, punishment, and finally, a surprising discovery, all go into making this story one to be enjoyed” (Calvary Review, Winter 1985). “The accurate descriptions” of the early 1900s and the “wholesome” nature of the fiction make it “interesting and insightful for young people today” (Christian Renewal, Oct. 7, 1985).

Mandie and the Ghost Bandits. Minneapolis, MN: Bethany, 1984.

following their Florida vacation with Senator Morton, and discover that a huge crack has appeared in the secret tunnel underneath her house. The crack begins to widen, and Mandie finds a huge cavern behind it. The mystery that evolves threatens the collapse of her house and shakes her courage.

Mandie and the Hidden Treasure. Minneapolis, MN: Bethany, 1987. 3–5 Having found an old treasure map that was drawn by her Aunt Ruby, Mandie sets out to find the treasure. The map begins adventure number nine in the Mandie series, which involves Mandie’s friend Joe, and Sally, the granddaughter of Mandie’s beloved Indian friend, Uncle Ned. “Those who have followed Mandie through her escapades in previous books, will enjoy this new story with a surprise awaiting at the end” (Librarian’s World, First Qtr. 1987).

Mandie and the Holiday Surprise. Minneapolis, MN: Bethany, 1988. 3–5 The 11th book in the Mandie series is a Christmas mystery set at the boarding school attended by Mandie and her friend Celia. “The story revolves around the preparations for Christmas, and the disappearance and reappearance of the Christmas presents Mandie has wrapped and put under the tree. As Christmas arrives and Mandie discovers the secret, she’s not sure she wants it. Light reading for Mandie fans” (Librarian’s World, First Qtr. 1989). Moody Monthly describes Mandie as a “sort of Christian Shirley Temple,” all of whose friends —“black, Indian, southern, and northern—are back in this book” ( June 1989).

3–5 The third book in the Mandie series involves the secret transfer of Cherokee gold from a small bank in Bryson City to one in Asheville, North Carolina. The discovery of the planned transfer results in a train robbery, injury to Uncle Ned, and the kidnapping of Mandie. “This exciting story revolves around the search for the stolen gold. Good junior-age fiction” (Librarian’s World, Fourth Qtr. 1984). The Prairie Overcomer praises the plot as “believable, but so exciting” ( Jan. 1985)!

3–5 Mandie and Celia get involved in yet another mystery, number 24 in the Mandie series, at the Misses Heathwood School for Girls in Asheville, North Carolina. Librarian’s World considers this an additional “typical Mandy story” (Spring, 1995), but Teach considers it a “great new tale in the popular Mandie series” (Fall 1995).

Mandie and the Graduation Mystery. Minneapolis, MN: Bethany House, 2004.

Mandie and the Long Goodbye. Minneapolis, MN: Bethany, 1998.

3–5 In volume number 40 of the Mandie series, Mandie and Celia prepare to graduate from the Misses Heathwood’s School for Girls. Mandie looks back at all her adventures and anticipates an exciting future, which includes her grandmother’s (Mrs. Taft’s) graduation gift of a European tour for both girls. But her immediate problem is that someone is rifling through Mandie’s and Celia’s rooms and Mandie’s graduation dress goes missing.

3–5 After the Christmas holidays, Mandie learns that her good friend Joe Woodard is leaving Charley Gap, North Carolina, for college. He gets a warm send-off with a going-away party that results in a mystery for Mandie and her friends, and as he is leaving on the train, he yells something to Mandie that she cannot quite make out. This title is number 30 in the Mandie series.

Mandie and the Hidden Past. Minneapolis, MN: Bethany, 2003. 3–5 In volume 38 of the Mandie series, Mandie and her friends return to Franklin, North Carolina,

Mandie and the Invisible Troublemaker. Minneapolis, MN: Bethany, 1994.

Mandie and the Medicine Man. Minneapolis, MN: Bethany, 1986. 3–5 Number six in the Mandie series, this book finds progress on Mandie’s hospital for the Cherokee Indians being sabotaged. Christian Readers

Leppard • 161 Review reports that children like the book but have critical comments, such as the difficulty of “keeping all Mandie’s Indian relations straight,” the anachronistic nature of her detective activities, and her “uncontrolled temper” (Dec. 1986). “The books have a high moral tone but they are not ‘religious over much.’ In fact, we do not recall anyone going to church” (Biblical Evangelist, Jan. 1988).

Mandie and the Secret Tunnel. Minneapolis, MN: Bethany, 1983.

Mandie and the Midnight Journey. Minneapolis, MN: Bethany, 1989.

Mandie and the Tornado. Minneapolis, MN: Bethany, 2001.

3–5 When a new baby brother comes into the house, Mandie runs away from home, intending to live with her relatives among the Cherokee Indians. This title is number 13 in the Mandie series.

3–5 As Mandie prepares to leave school for the spring holiday, she receives a letter from home that says someone is living in the old, abandoned house on the edge of the Shaw property. But no one knows who it is. Upon her arrival at home, Mandie sets out to discover the mystery of the flickering light and who is hiding in the old house. This title is volume 34 in the Mandie Series.

Mandie and the Missing Schoolmarm. Minneapolis, MN: Bethany, 2004. 3–5 In volume 39 of the Mandie series, her teacher, Miss Hope, goes missing during summer vacation. Her sister Prudence enlists Mrs. Taft’s aid in searching for Hope, and Mandie fears that if she is not found, her grandmother will take her place. After all, Mrs. Taft owns the building. This thought spurs Mandie and her friends to mount their own search for their missing teacher.

Mandie and the Mysterious Bells. Minneapolis, MN: Bethany, 1988. 3–5 In volume ten of the Mandie series, Mandie sets out to discover why the church bells chime 13 times at midnight and becomes involved in a series of strange events. “The Asheville townspeople become alarmed, and when the flu epidemic hits the town, many people are ready to blame it on the weird goings-on at the church. Mandie, however, solves the mystery and helps the town get back to normal.” This latest installment in the Mandie series offers “quick reading, interesting, and intriguing” situations that will “not disappoint” (Bookstore Journal, Oct. 1988).

Mandie and the Quilt Mystery. Minneapolis, MN: Bethany, 2002. 3–5 Rummaging in the attic, Mandie finds a mysterious and disappearing quilt that bears a Cherokee message. Instructions are included for making a quilt block identical to Mandie’s. This title is number 35 in the Mandie series.

Mandie and the Schoohouse’s Secret. Minneapolis, MN: Bethany, 1996. 3–5 Mandie’s grandmother, Mrs. Taft, buys the building where the Misses Heathwood hold their school and decides to modernize it with electricity and a furnace. The renovation leaves holes in the floor and wall of Celia and Mandie’s room, through which they hear odd nighttime noises. Then Mandie’s cat Snowball disappears, and the girls’ search for him in the mysterious building leads them to hidden pirate treasure, which they try to return to its rightful owners. This title is number 26 in the Mandie series.

3–5 In volume one of the Mandie series, Mandie’s father has just died and she runs away to live with an uncle in his mansion. Her Indian friend Ned comes to her assistance. “There are many adventures and surprises in this junior-age story of life in bygone days” (Librarian’s World, Third Qtr. 1983).

Mandie and the Trunk’s Secret. Minneapolis, MN: Bethany, 1985. 3–5 This fifth Mandie title involves the contents of a trunk discovered in the boarding school’s attic. The girls “learn it isn’t right to pry into other people’s business. It would be helpful to have read the preceding books, but not essential, since this one manages to recap quite a bit. Though the mystery alludes to star-crossed lovers, the writing style is better suited to younger girls of about nine or ten” (Christian Bookseller, Dec. 1985).

Mandie and the Unwanted Gift. Minneapolis, MN: Bethany, 1997. 3–5 As Mandie prepares to go home for Christmas, she is excited but also worried because she has invited Jonathan Guyer and his father to visit them during the holidays and she has not told her grandmother, Mrs. Taft, who is not fond of Mr. Guyer. Another concern is that Jonathan and Mandie’s friend Joe Woodard do not appear to like each other. At the Shaw home, a strange gift for Mandie appears on the doorstep and complicates the holidays even further. This title is volume number 29 in the Mandie series.

Mandie’s Cookbook. Minneapolis, MN: Bethany, 1991. K–3 This cookbook, designed to reflect food from the era of the Mandie series, offers period recipes that are “heavy on fats and sweets.” It gives “minimal” instructions for measuring and mixing and is “entirely lacking in safety precautions. Unsuitable” (Horn Book Guide, Jan.-June 1992).

Merry Christmas from Mandie. New York: Bantam, 2000. 3–5 Miss Abigail invites the entire school to help trim the Christmas tree. Abigail, who doesn’t usually have a Christmas tree and who lives in the loveliest house in all of Swain County, is putting up

162 • Lepthien a tree this year mainly for Faith, who is living with her temporarily. As Mandie prepares for the party, gifts begin appearing on her doorstep that would be perfect for all her friends, and she must solve the mystery of their appearance. This title is a special edition of the Young Mandie Mystery series.

The Missing Book. New York: Bantam, 2002. 3–5 This Young Mandie Mystery, number six in the series, is set in motion when her book disappears. Joe, who carries her books to and from school, has not seen it, and Mandie is worried about the expense of replacing it, as well as her teacher’s (Mr. Tallent’s) disapproval. A craft project is included.

The Mystery at Miss Abigail’s. New York: Bantam, 1999. 3–5 As Mandie anticipates Miss Abigail’s Christmas party, she and Faith discover that Abigail’s prized china teapot is missing. Worried that residents of Charley Gap may have to start locking their doors to prevent further thefts, the girls are determined to find the teapot and solve the mystery in time for the party. This title is number three in the Young Mandie Mystery series.

New Girl. New York: Bantam, 1999. 3–5 Sarah, a girl Mandie’s age, moves into the old cabin on the hill. Mandie is eager to make a new friend, but Sarah is strangely distant, so Mandie sets out to discover why. This title is number two in the Young Mandie Mystery series.

The Secret in the Woods. New York: Bantam, 2001 3–5 The woods surrounding the homes in Charley Gap turn mysterious, with strange noises, shadows, and voices. Though Joe Woodard tries to convince his friend Mandie to leave well enough alone, she refuses and sets out to discover the secrets of the woods. This title is number five in the Young Mandie Mystery series.

The Talking Snowman. New York: Bantam, 2001. 3–5 With the onset of winter in Charley Gap and a huge snowfall, Mandie and Joe make a snowman on her front lawn. During the night, Mandie hears someone talking outside her window. She looks out to find only the snowman and wonders whether he can talk. This mystery, number four in the Young Mandie Mystery series, sets her on yet another adventure.

Who’s Mandie? New York: Bantam, 1999. 3–5 When Mandie and Joe Woodard find an abandoned kitten, Spot, in the woods, they set out to solve the mystery of who left it there. Unfortunately, solving the mystery may mean giving up the first pet Mandie has ever had, but Mandie gets Spot’s kitten Windy in the end. This is the first title in the Young Mandie Mystery series.

Lepthien, Emilie U. The Cherokee, illus. with photographs. Chicago: Childrens, 1985. 2–4 Lepthien’s title in the New True Books series gives “a concise overview” of the Cherokee, “clearly highlighting their history, peoples and culture.” The “simple” style “conveys a sense of outrage at the past, mixed with admiration of a proud people.” While the content of this book is available elsewhere, it is, nevertheless, a good overview for young readers. Illustrations, formatting, and an index are also plusses (School Library Journal, Mar. 1986). Booklist also notes the “comprehensive (for the age level) simple” nature of the title, as well as the format and end matter (Dec. 1, 1985).

LeSourd, Nancy Christy: Christmastime at Cutter Gap, illus. by Bill Farnsworth. Grand Rapids, MI: Zonderkidz, 2003. K–3 LeSourd bases this title on the main character of Catherine Marshall’s novel Christy. (Marshall was LeSourd’s mother-in-law.) LeSourd’s popular adaptations of Christy are designed for a television audience and for older readers. This is her first picturebook adaptation. “Here Christy helps an injured student and reminds everyone that the greatest gift of all is Jesus” (Publishers Weekly, Sept. 22, 2003).

Lester, Julius John Henry, illus. by Jerry Pinkney. New York: Dial, 1994. K–3 Lester’s award-winning picture book about John Henry and the construction of the railroad tunnel through the West Virginia Allegheny Mountains “is a tall tale and a heroic myth, a celebration of the human spirit.” He tells the story, based on several variants of the folk legend, “with rhythm and wit, humor and exaggeration, and with a heart-catching immediacy that connects the human and the natural world.” Pinkney’s “dappled pencil-and-watercolor illustrations capture the individuality of the great working man, who is part of the community and who has the strength of rock and wind” (Booklist, June 1994). The Bulletin praises the “successful melding of rich prose and challenging visual imagery” (Oct. 1994), and the Horn Book Guide calls the book “little short of magnificent” (1994).

Le Sueur, Meridel Chanticleer of Wilderness Road: A Story of Davy Crockett, illus. by Aldren A. Watson. New York: Knopf, 1951. 5–8 Le Sueur’s biography “has the strong, poetic, humorous quality of frontier vernacular, with many verbatim accounts from original sources.... Robustly illustrated by Aldren A. Watson” (Library Journal, Dec. 1, 1951).

Libal • 163

Little Brother of the Wilderness: The Story of Johnny Appleseed, illus. by Betty Alden. New York: Knopf, 1947.

and folksy, patriotic personality.” This is a “clear, thoroughly researched portrait” (Mar. 15, 1988). Includes a glossary and index.

4–5 The style of this biography of Jonathan Chapman is “simple, dignified and readable.” Alden’s illustrations “have humor and a folk-tale quality,” and the type “is large and clear” (Library Journal, May 15, 1947).

Levitt, Steve

Nancy Hanks of Wilderness Road: A Story of Abraham Lincoln’s Mother, illus. by Betty Alden. New York: Knopf, 1949. 3–7 Library Journal deems this a “beautiful story of Nancy Hanks, of her marriage to Tom Lincoln and the childhood of Abe Lincoln,” with “charming poetic” prose that compares with Daugherty’s Daniel Boone. Though the book is for young readers, “older readers will probably have a keener appreciation of its style.” Alden’s illustrations “supplement the story beautifully” (Nov. 1, 1949).

Levine, Ellen Rachel Carson. New York: Viking, 2007. 6–9 Included in the Up Close series, Levine’s “honest and engaging” (Horn Book Guide, Oct. 2007) biography of Rachel Carson is a “balanced, thoroughly researched introduction to an original scientist whose work remains of urgent importance today” (Booklist, Feb. 15, 2007).

Levinson, Nancy Smiler Clara and the Bookwagon, illus. by Carolyn Croll. New York: Harper and Row, 1988. 1–3 The Bulletin begins its review of Levinson’s title with this observation: “This is one of those books you want to put in every six-year-old’s hands— personable, easy-to-read historical fiction about a period when books were hard to get and reading was a privilege.” Set in 1905 and based on a true story of the nation’s first bookmobile, the story is told through the perspective of Clara, whose father thinks reading is not for farm people. The plot “builds naturally,” and the “style is contained without becoming contrived.” The illustrations are “doll-like,” conveying a sense of the “Pennsylvania Dutch than a Maryland setting,” but the “rounded shapes and blended tones” are appealing (Feb. 1988).

Chuck Yeager, the Man Who Broke the Sound Barrier: A Science Biography. New York: Walker, 1988. 3–6 School Library Journal considers Levinson’s title to be “far more complete and readable” than Ayres’ Chuck Yeager: Fighter Pilot (1988). It is “obviously based on extensive research,” and the “writing is fresh, crisp, and fast-moving” (May 1, 1988). Kirkus agrees that Levinson successfully explains “why Yeager is famous, capturing both his technical brilliance

Journey to the Mountain — A Roots Tale. Lulu. com, 2006. 3–6 According to Steve Levitt’s blog, this self-published title is an “historical fiction adventure story” that “uses the journeys and challenges faced by a Cherokee girl, an African American slave and an Irish immigrant boy to uncover the historical roots of Southern Appalachian culture and the origins of the American traditional folk dance ‘clogging.’” Leavitt lives in a cabin in Efland, North Carolina. (RH)

Lewis, J. Patrick The Moonbow of Mr. B. Bones, illus. by Dirk Zimmer. New York: Knopf, 1992. 1–4 A note explains that this picture book is based on a natural phenomenon that can be observed at Kentucky’s Cumberland Falls when the weather conditions are right. Lewis writes a fictional explanation of the mystery through the character of Mr. Bones who peddles practical items and jars filled with magical weather oddities, such as Sundrops, Snowrays, and Moonbows. These are prized by the community until a literal-minded outsider dispels their charm. “Zimmer reinforces the legendary tone with a rustic setting and homespun characters.” The “pictorial frames” are “ingeniously varied with insets and overlays” (Bulletin, June 1992). According to Booklist, “Lewis tells the story with a lilting, colloquial rhythm.” The illustrations, which are “pen and color with detailed cross-hatching,” create a “boisterous, comic-book style”: “The world is transformed” ( Jan. 15, 1992).

Libal, Joyce Southern Appalachia. Philadelphia: Mason Crest, 2005. 5–8 Though Libal’s cookbook cites The Culinary Institute of America as a consultant to the American Regional Cooking Library series, to which this title belongs, School Library Journal considers the book “disappointing.” It “fail[s] to provide the clear, explicit instructions that characterize excellent cookbooks for kids,” and it is fraught with errors: A “photo of a blender is captioned ‘electric mixer’”; “ingredients are not consistently listed in the order used, the number of servings produced is not noted, and nutritional information is not given. Instructions are presented in a single paragraph and are at times vague.” While this title provides cultural and traditional culinary information and the illustrations are attractive, there are other, better books available for children (Aug. 1, 2005).

164 • Lillard

Lillard, David West Virginia. Berkeley Heights, NJ: MyReportLinks.com, 2003. 4–6 This title in the States series discusses the land and climate, economy, government, and history of the state of West Virginia. Includes websites, a bibliography, and an index.

Lindbergh, Reeve Johnny Appleseed, illus. by Kathy Jakobsen. Boston: Joy Street, 1990. K–3 This story of Johnny Appleseed is told in verse from the perspective of a fictional frontier grandmother, Hannah. The Bulletin praises Lindberg’s poem as “plain spoken” with “the sturdy rhythm of a sampler verse.” Jakobsen’s folk-art illustrations are “cozy and balanced ... with small particulars that will hold a child’s eye” (Oct. 1990). Horn Book evaluates this volume as “outstanding” and “a splendid production” (Mar. 1, 1991). “Lindbergh’s quiet tale emphasizes the man’s true religious nature. It’s a treasure” (School Library Journal, Sept. 01, 1990). “An eye-catching book that should intrigue browsers and fit curriculum needs nicely too” (Booklist, Sept. 1, 1990). Publishers Weekly notes that, unlike the myriad other books about this folk hero, Lindbergh does not depict him as a “superhero; this work shows him as a gentle, religious man on a mission, a lover of the land with a consuming interest in the environment” ( July 13, 1990). Includes a historical note about John Chapman and a map.

Linzey, Alicia V., and Donald W. Linzey

and extinct species. The map has been dropped, but the excellent appendices, glossary, and bibliography are retained. While the photographs are good, they may not compare well with photographs in other contemporary children’s informational books because of their size; in some cases, they are so small as to render the details indistinguishable. (RH)

Lisandrelli, Elaine Slivinski Ida B. Wells-Barnett: Crusader Against Lynching. Springfield, NJ: Enslow, 1998. 6–up Lisandrelli’s title in the African-American Biographies series “brings to life the heroic tale of Ida B. Wells-Barnett.” Though born into slavery in 1862, Wells was a life-long activist for racial equality and against lynchings. “Students looking for material on this well-known crusader will appreciate this clearly written biography” (School Library Journal, Sept. 1, 1998). The Horn Book Guide is less enthusiastic: This title “dutifully (and somewhat dully)” presents Wells’s amazing life (Fall 1998).

Littlesugar, Amy Shake Rag: From the Life of Elvis Presley, illus. by Floyd Cooper. New York: Philomel, 1998. K–3 Intended for young readers, this biography of Elvis Presley provides a glimpse into his childhood and the influence of the blues on his music. The author “has turned a hardscrabble youth into the rhythm of myth and the wail of the blues.” This easyreader title “exalts the power of music, and because it’s about such a legendary figure, it exerts an even greater hold” (Kirkus Reviews, Sept. 1, 1998).

Mammals of Great Smoky Mountains National Park. Knoxville, TN: University of Tennessee Press, 1971.

Locker, Thomas, and Joseph Bruchac

5–up The Linzeys, who worked as mammologists in the Great Smoky Mountains National Park, based this book on research they began in 1963, though it is supplemented with older studies as well. Created as a guide for visitors, it functions as a handy aid for identifying and understanding Park mammals. “There are 32 excellent photographs, a map of the Park area, a checklist, and glossary. The literature cited section will be of great value to those who wish to find more technical information pertaining to the natural history of the Park and should prove a valuable aid to the amateur naturalist visiting this part of the Southern Appalachians” (Choice, Nov. 1971).

2–6 Booklist considers Locker and Bruchac’s collaboration a “handsome picture-book biography” in which “Bruchac writes lyrically about [Carson’s] love of nature, particularly the ocean, and concludes with an appreciation of her impact on the environment.” Locker’s illustrations depict “dramatically lit scenes that capture the beauty and majesty of nature” ( July 1, 2004). School Library Journal agrees that Locker’s paintings are “lush and serene” but considers the biography of this “complex woman” to be “very cursory,” making for a “marginal” book, though it is “unfailingly lovely” ( June 1, 2004.). Horn Book Guide is severe in its criticism, calling the text “mawkish” and the illustrations “yellowish landscapes [that] do little to elucidate the subject of this barely-a-biography” (Fall 2004). Unattributed quotations are appended.

Linzey, Donald W. Mammals of Great Smoky Mountains National Park. Blacksburg, VA: McDonald and Woodward, 1995. 5–up This revision of the Linzeys’ 1971 edition includes 70 mammals, new locality and elevation records, new Park territory, and updates on rare

Rachel Carson: Preserving a Sense of Wonder. Golden, CO: Fulcrum, 2004.

Logue, Mary Trust: The Story of Helen Keller. Chanhassen, MN: Child’s World, 2001.

Love • 165 3–4 A biography of Helen Keller, who overcame deafness and blindness.

Lomask, Milton Andy Johnson: The Tailor Who Became President. New York: Ariel, 1962. 7–9 Library Journal says that “little has been written for this age level” about this President and emphasizes Johnson’s “courage, sufferings, and great faith in the Union, presenting him in a more favorable light than many accounts in history books.” Lomask, who wrote the adult account of Johnson’s impeachment, “utilizes new material on Johnson’s wife and gives a detailed character study depicting the man and his personal philosophy as well as conveying the spirit of the times, particularly through language of the period.” The book is recommended as “superior in style of writing and historical flavor” (Mar. 15, 1962).

London, Jonathan Where’s Home? New York: Viking, 1995. 5–7 With this title, London explores the theme of Appalachian outmigration. Adrian, age 14, and his father, a Vietnam veteran, leave West Virginia for Detroit and then hitchhike to San Francisco, where they join the ranks of the unemployed and homeless. “Like many stories about the homeless on the road, London’s first novel is hushed and reverential, the characters too perfect.... What will keep kids reading is the nightmare of homelessness brought close and the spare poetry of London’s style.... Every page reveals metaphor and music in ordinary things” (Booklist, June 1 and 15, 1995). According to the Horn Book Guide, the book has “some affecting moments,” but it is “essentially a pastiche of dreams, memories and surreal characters and situations that distance the reader from the narrative” (Spring 1996). The Bulletin argues that there is “more artistry than emotional impact” (Oct. 1995). ALAN Review says it is easy to read but not easy to “digest” (Winter 1996).

Long , Cathryn The Cherokee. San Diego, CA: Lucent, 2000. 4–6 This title in the Indigenous Peoples of North America series discusses the traditional life of the Cherokee peoples in the southern Appalachian Mountains, their beliefs and sense of community, culture, their forced migration along the Trail of Tears to Oklahoma, and life in the 20th century and beyond. Includes an index and bibliography.

Long , Laura David Farragut: Boy Midshipman. Indianapolis: Bobbs-Merrill, 1950. 3–7 Long’s title in the Childhood of Famous Americans series “will have an Horatio-Alger appeal” because of Farragut’s boyhood adventures in the War of 1812 (Library Journal, Nov. 1, 1950).

Lorenzo, Carol Lee Heart-of-Snowbird. New York: Harper and Row, 1975. 6–8 Lorenzo’s story of Laurel Ivy is a “warm and vivid piece of regional fiction, full of minutiae that bring Appalachia into clear focus.” Laurel Ivy has a pet opossum and an Indian friend, Hank Bearfoot, who is the source of bigotry and small-mindedness. Lorenzo uses the “interrelationships” among these and other characters to “supply the tensions that make the fiction move.” Laurel Ivy has few successful “attachments,” but Hank is an exception because he is “a born naturalist, who, like herself, falls under the spell of the mountains.... Laurel Ivy stands as an indomitable, free spirit” (Horn Book, Aug. 1975).

Lossiah, Lynn King Cherokee Little People: The Secrets and Mysteries of the Yunwi Tsunsdi, illus. by author. Cherokee, NC: Cherokee, 1998. 4–7 As stated in the “Forward” [sic], this book is an introduction to “a vital part of the Cherokee culture as it has never before been presented, the secrets and mysteries of the Cherokee Little People” (8), also called the Little-People-Who-Wore-White. The stories and bits of folklore in this volume are adapted from James Mooney’s Myths and Sacred Formulas of the Cherokees (1900) and from oral histories collected on the Qualla in North Carolina. Some of the stories tell how the Little People come to the aid of the Cherokee; some are cautionary tales intended to make children behave; and some are stories of sightings. All are written in simple, poetic language that sets an appropriate mood and is excellent for easy reading. Lossiah’s black-and-white illustrations are romantic renderings of animals and Cherokee figures, and the chapters are marked by stylized drawings of Cherokee faces. In several instances, the text is superimposed on the drawings, making for very difficult reading, and the variety of page layouts creates an uneven flow. An appended order form (which is cross-referenced in the text) offers for sale four, poster-size drawings from the book and makes one wonder whether the text is merely a frame for the art work. MariJo Moore’s essay in A Broken Flute admits that “there are many who doubt that these magical, mystical people actually exist. But as they stand on their reasoning and look for proof, those of us who do believe are sitting back and continuing to enjoy the wisdom and gifts of the Yunwi Tsunsdi” (New York: AltaMira, 2005). No source notes, bibliography, or index is included. Its flaws aside, the book presents interesting material that will attract young children. Researchers will want to use the original Mooney text. (RH)

Love, Robert Elvis Presley. New York: Watts, 1986. 3–up This title in the Impact Biography series includes a bibliography, discography, and filmography.

166 • Lowe

Lowe, Felix C. John Ross, illus. by Patrick Soper. Austin, TX: Steck-Vaughn, 1990. 3–6 This title in the American Indian Stories series presents the life of Chief John Ross and his attempt to prevent the forced removal of the Cherokee from their land.

Lowenstein, Sallie The Mt. Olympus Zoo, illus. by author. Kensington, MD: Lion Stone, 1997. 4–7 Every summer Harold Powers takes his family on a “weird” vacation, and this year he has bought a “packaged tour of odd-ball, off-the-beatentrack zoos in the Appalachian Mountains” (2). Young Nicholas Powers narrates this first-person account of the family’s trek into a mountainous region where they encounter the Mt. Olympus Zoo, which is a collection of mythological creatures run by the Keeper and an assortment of Gargoyles. During the first half of the book, Nick, his dad, his sister Olivia, age seven and one-half, and their mother Martha tour the zoo, a weak plot device designed to introduce the mythological bestiary, illustrated in pen-and-ink sketches by the author. The second half of the book involves a plan to save the zoo from the local community and Zoning Commission. Harold just happens to be an attorney, and Martha just happens to be good at writing promotional brochures. In the end, the zoo is promoted as an educational experience and is passed off as a hoax or cleverly-designed theme park, though the Powers family and the reader know that the creatures are real. The previously-suspicious community is inexplicably charmed into enthusiastic acceptance of the zoo. The thin and predictable plot is part Jurassic Park (the hatching of a Fire Drake) and part Harry Potter series (an encounter with a Hippogryph and the uprooting of a plant whose screams necessitate the wearing of ear plugs). Though the book is set in Appalachia, there is nothing Appalachian about it, and one wonders what the author intended by her choice of settings. When the setting occasionally shifts to woodlands and the area surrounding the Zoo, Lowenstein could have developed the Appalachian flora and fauna in contrast to the mythology that is at the core of her novel; alas, she does not. The locals are identified by their non-standard English, but it doesn’t pass as dialect. The book concludes with a 12-page Alphabetical Listing of Mythological References, prepared by John Kenny; no citations are included. This volume would have been more successful if Mr. Kenny had fully developed and documented his mythological bestiary and Ms. Lowenstein had omitted the story. (RH)

4–8 In this award-winning novel, Lowry presents a “change from her usual ... suburban, middleclass protagonists.” Rabble Starkey, age 12, is abandoned by her father and lives with her mother in West Virginia among an assortment of characters whose lives are anything but stable and successful. Against this backdrop, she nevertheless survives, even thrives. “The action is slight, but the small-town, down-home ambiance feels authentic; the rhythm of the local speech throughout is enjoyable but understandable; the humor is low-key; and the characterization is splendid.... Rabble is an interested and understanding observer of life, truthful but compassionate, hardworking and unresentful of her problems, an agreeable and distinct personality” (Horn Book, July/Aug. 1987).

Lucas, Eileen The Cherokees: People of the Southeast. Brookfield, CT: Millbrook, 1993. 4–8 This title in the Native Americans series follows a template format in giving data about “current populations” and “facts about traditional ways and historical houses and foods.” Unfortunately it also perpetuates misconceptions by showing “a man standing in a stereotypical pose wearing distinctly non– Cherokee clothing” (School Library Journal, Jan. 1994). The Horn Book Guide is more positive, calling this a “[t]horough and attractive” book that supplies “clear information” about the Cherokees, along with “their history and current ways of life” (Spring 1993).

Ludwig , Charles Stonewall Jackson: Loved in the South, Admired in the North. Fenton, MI: Mott Media, 1989. 3–4 A biography of Thomas Jonathan “Stonewall” Jackson, the famous Civil War Confederate General.

Lund, Bill The Cherokee Indians. Mankato, MN: Bridgestone, 1997. 2–3 This title in the Native Peoples Series provides an overview of the past and present lives of the Cherokee people, covering their daily life, customs, relations with the government and others, and more. Includes a bibliography and index.

Lundell, Margo A Girl Named Helen Keller, illus. by Irene Trivas. New York: Scholastic, 1995. 3–6

A biography in the Hello Reader! series.

Lundgren, Hal

Lowry, Lois

Mary Lou Retton: Gold Medal Gymnast. Chicago: Childrens, 1985.

Rabble Starkey. Boston: Houghton Mifflin, 1987.

3–up School Library Journal considers this title to be formulaic and “adulatory to the point of utter

Lynn • 167 boredom.” The writing style and format are inconsistent with the reading level, and the absence of front matter and end matter renders them unsuitable for reports. “Only for libraries with an insatiable demand for sports biographies” (School Library Journal, Mar. 1, 1986).

Lydon, Kerry Raines A Birthday for Blue, illus. by Michael Hays. Niles, IL: Whitman, 1989. 2–3 This book for early readers tells the story of one day — Blue’s seventh birthday — when he travels with his family along the Cumberland Road toward the west. The Bulletin considers the style to be “a bit plodding,” but the story is “simple enough to be comprehended (both in the sense of concepts and of vocabulary difficulty) by primary grades readers.” Though the story isn’t “very exciting, ... it does give a picture of one segment of the pioneer experience in westward expansion” (May 1989). Includes a map and a note with historical information about the Cumberland Road, which became known as the National Road.

Lynch, Emma Helen Keller. Chicago: Heinemann, 2005. 2–4 The biography “offers basic information in mostly short and choppy sentences” that “reiterate rather than impart new information.” A few blatant inaccuracies are offset by details that “lend a level of authenticity and interest to the text.” David Adler’s A Picture Book of Helen Keller (1990) and Helen Keller (2003) [see above] are better books (School Library Journal, Oct. 2005). Contains a fact file, timeline, glossary, suggested reading, and index.

Lynn, Jodi Blue Girl. New York: Puffin, 2003. 5–8 Blue Girl, the third title in the Glory series, finds Glory Bee Mason, age 13, still expecting that she will die from the “poison” she was forced to drink when she was ejected from her West Virginia community. In a foster home in Brookline, Massachusetts, outside Boston, she struggles to adjust to a new life with her foster family, the Kellys, and she is insecure in a new school among strangers. A reader does not necessarily need to have read the first two books, but knowledge of the background details will be of help. “Adolescents will relate to Glory’s awkward moments and to the loyalty she feels for Katie. However, an impending sense of doom builds, and the final scenes in this installment seem more forlorn than anticipatory. As a whole, the twists and turns in the story line do not quite ring true” (School Library Journal, Oct. 1, 2003). The Horn Book Guide considers the books “overwritten” and “melodramatic” (Spring 2004).

Forget Me Not. New York: Puffin, 2003. 5–7 This fourth and last title in the Glory series takes Glory from the Kellys in Brookline, a com-

munity near Boston, back to Dogwood, West Virginia, where she observes her family literally from a distance — from outside the circle of community. Needing to “connect” with her family one more time, she runs away from the Kellys and hitchikes to West Virginia, a plot line that is annoyingly “tidy.” At the grave of her friend Katie, she meets her mother, who tells her that the “Water of Judgment” was not poison; it was merely water and was meant to be symbolic. Freed from the belief that she is going to die, she asks her mother if she can stay in Dogwood; her mother merely answers, “You’ll be fine.” So Glory leaves Dogwood for the last time and calls the Kellys, who take her back to Boston, which is now her home, and adopt her. The novel ends with references to the Appalachian Mountains and with the wish that someday her Dogwood family will visit her. (RH)

Glory. New York: Puffin, 2003. 5–8 Lynn’s series of four novels about Glory Bee Mason get mixed reviews. Glory is the daughter of a town leader in Dogwood, West Virginia, a fundamentalist, isolationist Christian community that shuns all vestiges of modern life, including electricity, cars, and telephones. At age 13, Glory is a typical, inquisitive child, eager to challenge authority. Unfortunately, a bit of teenage acting-out results in the death of her friend, Katie. As a result, the community forces her to drink the “Water of Judgment,” which is supposedly poison, and expels her from the community. She manages to survive in the woods and is eventually befriended by a young man, Jake, who helps her on her journey to Boston, “a symbol of her future as an individual.” Glory is “likable,” but her “first-person voice is not totally successful, and some plot elements are never resolved.... Overall, this is a book with potential, but it reads more like a rough draft than a finished novel” (School Library Journal, Mar. 1, 2003). According to the Bulletin, the “setup of the cult-like situation initially involves some forced dialogue, expository description, and stock secondary characters, but ... the pace [eventually] becomes compelling.” Her survival in the woods is “barely credible” but appealing as a “survival” story. Readers will like Glory’s “willful determination” and the “semiromantic relationship” with Jake (May 2003). A review in Voice of Youth Advocates is less kind: “The plot limps along predictably ... and the foreshadowing is spread thickly.” The book “provides only dim enjoyment” (Apr. 2003). According to Kirkus Reviews, Lynn’s first novel shows Glory to be “likable,” but the “predictable plot is marred by implausible situations” (Mar. 15, 2003).

Shadow Tree. New York: Puffin, 2003. 5–8 This second installment in the Glory series finds the protagonist in the town of Shadow Tree, where she is befriended by Becky and given a job in her jewelry shop. Knowing that the Child Welfare agency is looking into her situation, she leaves the se-

168 • Lyon curity of Becky’s home and friendship and makes it to Boston. “Mediocre writing leaves the protagonist and the supporting characters somewhat bland and unconvincing. While the book holds potential for an interesting plot and character development, that potential is unrealized and Shadow Tree falls flat” (School Library Journal, June 1, 2003). Understanding this title depends heavily on knowledge of Glory, the first title in the series

Lyon, George Ella A B Cedar: An Alphabet of Trees, illus. by Tom Parker. New York: Orchard, 1989. K–3 Lyon’s alphabet book is intended to teach trees, not letters, and according to Horn Book, it “might well foster an early awareness of the variety and beneficence of trees.” The book also presents multicultural and intergenerational concepts in the hands that hold the leaves; the leaves themselves are botanically correct and could be used as field guides. The format is also remarkable, making use of double-page spreads that emphasize the letters in relationship to the names of the trees. “After the alphabetical arrangement, the illustrations show a profusion of hands and of leaves with visible seasonal changes, and a brief statement provides a satisfying conclusion to a carefully planned, highly original production” (Sept./Oct. 1989).

Ada’s Pal, illus. by Marguerite Casparian. New York: Orchard, 1996. K–3 Ada is a dog, a “black mop-without-ahandle”; her best friend is another dog, Troublesome, “your big knock-the-mail-carrier-down dog.” When Troublesome dies, Ada mourns his loss so severely that the only cure is a new puppy for her to love. School Library Journal says this is a “moving tale about dogs’ true best friends: other dogs.... Vivid, poetic language is paired with realistic colored-pencil and watercolor illustrations. Though the text directs readers’ attention to canine relationships, the pictures develop the supporting theme as well; it’s obvious how deeply the girl cares about her dogs. The illustrations are full of energy, conveying motion and change” (Sept. 1996). According to Booklist, Casparian’s “realistic illustrations ... add warmth to the story and clearly show the distinctive personalities of the dogs,” resulting in a “heartwarmer” of a book (Sept. 15, 1996). The Horn Book Guide praises the illustrations as conveying “a strong sense of motion” (1996).

Basket, illus. by Mary Szilagyi. New York: Orchard, 1990. K–2 Lyon’s “simple picture book” tells the story of a basket that “assumes mythic proportions as time goes by.” First, it was an egg basket; then it became the repository for an assortment of essential items: scissors, plums, and finally, a spool of thread. “The basket becomes ingrained in family folklore, in-

creasing in importance even when it gets lost in Grandmother’s move to an apartment.” Szilagyi’s illustrations are “subdued” and “quiet,” but “their quiet tones aren’t matched by the awkward drafting” (Bulletin, Oct. 1990). The Horn Book Guide judges the illustrations to be “a match for the warmly appealing book” (1990). Kirkus Reviews praises “Lyon’s nicely cadenced, quietly allusive text — poetically evoking generations of productive, nurturing women,” which “outshines Szilagyi’s prosaic illustrations” ( June 15, 1990).

Borrowed Children. New York: Orchard, 1988. 5–7 Amanda, age 12, must leave school to care for the house and her new baby brother. As the oldest child, in a poor family living in Depression-era Goose Rock, Kentucky, Mandy comes to resent her burdens and is aware that her brothers get “preferred treatment.” As a reward for her effort, she is allowed to visit her grandparents in Memphis during the Christmas holidays. In Memphis, she is introduced to blues music, a new set of traditions, and, most importantly, the fact that Aunt Laura is an alcoholic in an unhappy marriage. Lyon’s theme is “clear” but not “simplistic,” and the settings are not “generalized.” Omie and Opie, the Memphis grandparents, “are well delineated as an older couple who make peace with their past in the shape of children who have not turned out as expected.” But the “book’s strongest point ... is subtleties of human exchange” (Bulletin, Mar. 1988).

Cecil’s Story, illus. by Peter Catalanotto. New York: Orchard, 1991. K–3 Lyon’s Civil War story is, according to Horn Book, a place where the “concerns of times past and times present merge in a poignant, masterfully illustrated picture story.” Told in an unusual secondperson, conditional-tense point of view, from the perspective of a young boy left behind as his father goes off to war, it focuses on his fears and tensions as he waits. The emphasis in the illustrations is on the passage of time, demonstrated by the movement of the sun and the hatching of chicks. Catalanotto’s illustrations “translate the uncomplicated, straightforward text into visual representations of the boy’s imaginings” with “muted” colors that convey “an interior reality, creating a series of impressions rather than a photo-documentary.... Words become inadequate substitutes for the experience of reading this book. It speaks for itself— directly to the heart” (May/June 1991). The Bulletin is critical of Catalanotto’s illustrations that depict the passage of time and suggests that these will need to be explained by an adult. “Although it’s more a mood piece than a story, the mood is wellevoked, and the final message ... is a gentle assurance of emotional constancy in the face of physical change” (Mar. 1991).

Come a Tide, illus. by Stephen Gammell. New York: Orchard, 1990.

Lyon • 169 K–3 Much has been written about Kentucky floods, but Lyon’s picture book invokes a different point of view. While the danger of the rising waters is always present, the text and illustrations offer a humorous perspective that offsets the threat. “Capturing the diction and homely imagery of a down-to-earth rural community, the first-person text richly evokes the sturdy qualities of folks who, beset by spring floods, respond to nature’s challenges with common sense and wry humor.” Lyon’s “narrative has been honed to perfection, unmarred by an excess word.” Gammell’s “energetic illustrations” are “remarkable for their expressive lines and elegant use of watercolor” (Horn Book, Mar./Apr. 1990). The Bulletin is a bit less positive: “Appalachian residents may find the verbal and visual imagery a bit quaint ... but the child’s-eye view of disaster-as-exciting-adventure offers a tonal balance of enthusiastic bounce and reassuring warmth” (Apr. 1990)

Counting on the Woods, illus. with photographs by Ann W. Olson. New York: Dorling Kindersley, 1998. K–3 George Ella Lyon and Ann W. Olson, who are good friends, have collaborated on a counting book that invites readers to look closely at the natural world. Publishers Weekly praises Lyon’s “lyrical text” and Olson’s “crisp color photographs” that combine for a “beguiling counting book” that engages readers with nature. “The poem’s gentle and reflective tone” encourages readers to notice the detail and “stretches the imagination.... While a few of Lyon’s more elliptical or syntactically complex lines may be a bit challenging, Olson’s photographs, taken in eastern Kentucky, shed light on their meanings and will delight nature-lovers of any age” (Feb. 23, 1998). Booklist calls this a “gem of a counting book” that is “deceptively simple” and can also be used as a “science lesson” (Mar. 1, 1998).

Gina.Jamie.Father.Bear. New York: Atheneum, 2002. 6–up Lyon’s novel is an ingenious blend of contemporary realism and classic myth, a magical and archetypal piece of artistry. There is something new and fresh in the interwoven stories of two motherless families in two parallel centuries and settings that eventually converge. In Cleveland, Ohio, Gina lives with her brother Marty and her surgeon father, Dr. Ourisman. In another century and another place, Jamie lives with his father (Da) and two sisters, Anadel and Lily, in a stone cottage with a mountain at its “back door” (12). Eventually Gina and Jamie meet in a place and time “in between” contemporary Cleveland and ancient Bridestowe. In fashioning this dual tale, Lyon has “dipped her ladle into the cauldron of story,” as Tolkien would describe it (“On Fairy-Stories,” The Tolkien Reader, Ballantine, 1966, pp. 25–26), and has pulled up a classic motif best known in the tales of “Beauty and the Beast,” “East of the Sun and West of

the Moon,” “The Black Bull of Norroway,” and the Appalachian variant “Whitebear Whittington” (RH). The Horn Book considers this melding of myth and contemporary life an “intriguing, if not entirely satisfying, puzzle.” But “like a complicated dream,” the book “has the capacity to keep readers entranced while they try to sort through what it all means” (Sept./Oct. 2002). School Library Journal agrees that the book is “thought-provoking”; its “intriguing” patterns “resist easy interpretation” (Aug. 2002). Publishers Weekly offers strong praise for a “finely drawn tale”: “Lyon stitches more than a touch of magic into the story’s fabric,” and her “poet-roots inform her vivid imagery ... and metaphoric prose,” making for a “lyrical, memorable tale” (Sept. 9, 2002). And according to Booklist, Lyon’s “language — beautiful, precise, lush, and musical, with a poet’s attention to sound—will enable readers (even those who aren’t attracted to fantasy) to fly through the more esoteric passages and to connect with this mysterious, affecting story about uncovering family secrets and the fierce power of love between parents and children” (Dec. 15, 2002).

Here and Then. New York: Orchard, 1994. 5–8 Abby is a seventh-grader who reluctantly participates in a Civil War reenactment at a Kentucky battleground to mollify her parents. When she takes on the role of Eliza Hoskins, a Civil War nurse, the line between past and present disappears. Abby and her friend Harper are able to help Eliza by supplying medical supplies that Eliza needs. This time-shift novel gets mixed reviews. “The premise is dramatic, but the novel is sketchily outlined.... There are also some confusing shifts between Abby seeing Eliza and Abby being Eliza, and the book as a whole resists logical development in favor of a dreamy ambiguity that ultimately fails to justify its mystery” (Bulletin, Nov. 1994). Booklist is more positive: “The story is slight but is well paced and does have the occasional powerful moment as Abby reacts to the horrors of war as seen through Eliza’s eyes” (Oct. 1, 1994). The Horn Book Guide says, “The succinct and passionate first-person narrative brings the characters to life” (1994).

Mama Is a Miner, illus. by Peter Catalanotto. New York: Orchard, 1994. 1–4 Lyon’s picture book treats a rare topic for children’s literature — women miners, but it meets with mixed reviews. The Bulletin considers it “confusing” and “oblique.” “While the mining details have interest, they’re underexplained for the picture-book audience ... and occasional sidebar poems ... distract rather than enhance.” The child’s concern for her mother gives the book a “strong center,” but the father is, unfortunately, glossed over (Sept. 1994). The Horn Book Guide considers it “[o]bscure but deeply touching” and a story “that sensitive children will feel” though they may not cognitively understand it (Spring 1995).

170 • MacDonald

Red Rover, Red Rover. New York: Orchard, 1989. [Reissued as a paperback in 1997 under the title The Stranger I Left Behind. See below.]

The Stranger I Left Behind. Mahwah, NJ: Troll, 1997.

5–7 This is a novel about change. Stephanie Ann Mitchell (Sumi) is twelve when her grandfather dies; her older brother goes off to boarding school; her best friend moves; and her mother is so self-absorbed with her own grief that she is unavailable to Sumi, who is experiencing the onset of puberty. Though it has “all the earmarks of soap opera,” it “avoids self-pity and melodrama.... The author follows Sumi’s hesitant steps from a secure childhood into the puzzling world of adults with both perception and compassion and gives considerable insight into one girl’s troubling pre-adolescent experience” (Horn Book, Jan./Feb. 1990). According to the Five Owls, Sumi is faced with physical and emotional change that is “mystifying”: “This novel is carefully crafted around its theme and offers a philosophical and compassionate understanding of how change as an internal and external force can powerfully affect certain times in one’s life” (Nov./Dec. 1989).

A Traveling Cat, illus. by Paul Brett Johnson. New York: Orchard, 1998.

A Regular Rolling Noah, illus. by Stephen Gammell. New York: Bradbury, 1986. K–3 In this picture-book adaptation of a Lyon poem about an incident in her grandfather’s life, a young boy is hired to accompany a neighbor’s animals on a train because the family is moving from Kentucky to Canada. He considers himself “a regular, rolling Noah.” He manages his first trip out of the mountains with skill and competence and gladly returns home at the end of his adventure. Horn Book praises Gammell’s watercolor illustrations; they “glow with warmth and good humor,” providing “visual” pleasure (Nov./Dec. 1986).

A Sign, illus. by Chris K. Soentpiet. New York: Orchard, 1998. K–3 This picture book is based on a snippet from A Wordful Child, Lyon’s autobiography for children. It explains that she was first attracted to a neon sign and wanted to be a sign maker. After the typical series of imagined career choices, she becomes a writer, “making words glow like the neon, balancing them on the high wire, and sending them out like a rocket to the hearts of her readers. Soentpiet’s realistic watercolors are suffused with light and bring this very autobiographical essay to colorful life” (School Library Journal, Mar. 1998). The Bulletin suggests that the “similes are forced” but that the “child’s-eye-view memories” are appealing. The conclusion “may be a bit vague,” but “young readers will easily identify with the child’s changing desires for her future” (Apr. 1998). Booklist feels that readers will identify with Lyon’s story. Soentpiet’s artwork “evokes the 1950s and 1960s, when Lyon was growing up,” and “extends Lyon’s point about the various ways dreams can come true” (Feb. 15, 1998).

5–7

[See Red Rover, Red Rover above.]

K–2 A little girl named Ruth finds a cat at the drive-in theater and names it Boulevard, because she knew it was a “traveling cat.” In the course of a year, Bouvie has five kittens but moves on, and Ruth is left with a kitten. “Written with simplicity and dignity, this story conveys both the child’s emotions and the cat’s independence without the fuss and gush so often associated with pet stories.” The illustrations “portray emotions with restraint” (Booklist, Nov. 15, 1998). The Horn Book Guide agrees that the story is “[n]either sentimental nor maudlin, the text ... is understated yet evocative” (Spring 1999).

Who Came Down That Road?, illus. by Peter Catalanotto. New York: Orchard, 1992. K–2 Lyon and Catalanotto “offer a lean, lyrical text and shimmering, luminous paintings to produce and extraordinary picture book that both clarifies but doesn’t oversimplify the difficult concept of historical time and evolution.” It ends with the “mysteries of creation,” and Catalanotto’s artwork “complements Lyon’s ... poetic text with stunning and evocative watercolors that are filled with light and beauty” (Publishers Weekly, June 29, 1992). Booklist is equally enthusiastic about the book: “Lyon’s tranquil story takes children on a journey through time.... The majestic leap from concrete to abstract may be difficult for children to grasp, but the narrative is brief and plainly spoken.” The book is “filled with an unmistakable sense of joyful respect” which is mirrored by Catalanotto’s watercolors (Sept. 1, 1992).

A Wordful Child, illus. with photographs by Ann W. Olson. Katonah, NY: Owen, 1996. K–4 In this title in the Meet the Author series “Lyon ... speaks eloquently about her love of words” and her family’s tradition of storytelling. The book has “excellent-quality full-color photographs and reproductions.” While most of the details about Lyon’s life can be found in Something About the Author, this book is “on an easier reading level” and is “far more visually appealing” (School Library Journal, Jan. 1997). Booklist considers these titles to be “a fine series” (Sept. 1, 1996). The Horn Book Guide says the title is a “highly readable and individualistic” story of Lyon’s life (1996).

MacDonald, Margaret Read The Old Woman and Her Pig: An Appalachian Folktale, illus. by John Kanzler. New York: HarperCollins, 2007. K–2 Finding a penny, an old woman sets off to town to buy a pig, but upon their return the pig re-

Madden • 171 fuses to cross a bridge, so the woman enlists the aid of a cat, a rat, and a dog to coax the pig across. MacDonald’s “knack for toddler-friendly patterning and dialogue is evident” (Bulletin, Apr. 2007). Combining “mountain flavor” with “folksy fun,” MacDonald’s adaptation of this Appalachian cumulative tale “is in fine fettle with its down-home cadence, rustic setting and spunky characterizations” (Kirkus Reviews, Dec. 2006).

Macht, Norman L. Christy Mathewson. New York: Chelsea, 1991.

“vivid, magic, full of dry irresistible humor, unexpected turns and dramatic effect.” They are described as “epic in quality,” and rendered in “mountain vernacular, plain and unsmoothed, the broad, homely speech of the soil.” MacKinstry’s illustrations make for a “perfect collaboration between author and artist” (New York: Coward-McCann, 1928). These tales first appeared under the title “A Mountain Munchhausen” in the July-November, 1924, issue of the Century Magazine.

MacLeod, Elizabeth

4–7 Macht’s biography highlights the life and career of Factoryville, Pennsylvania, native Christy Mathewson. Considered one of the best baseball players of all time, Mathewson pitched three shutouts for the New York Giants in their win over the Philadelphia Athletics in the 1905 World Series. Inducted into the inaugural Baseball Hall of Fame in 1936, Mathewson pitched two no-hitters, 80 shutouts, and is credited with 373 career wins. He wrote five fiction books about baseball and co-wrote Pitching in a Pinch (Putnam, 1912) with John N. Wheeler. Published in the Baseball Legends series, Christy Mathewson includes bibliographical references and an index.

Helen Keller: A Determined Life. Toronto: Kids Can, 2004.

Roberto Clemente. New York: Chelsea, 1994.

Macnow, Glen

3–4 Biography of the Puerto Rican baseball player, who played 18 years with the Pittsburgh Pirates.

Satchel Paige. Mankato, MN: Chelsea, 1991. 4–6 Macht presents the life of Alabama native and baseball great, Satchel Paige. “Recommended” for middle-grade students (Horn Book, Mar. 1, 1992).

Ty Cobb. Mankato, MN: Chelsea, 1992. 4–7 This biography of baseball legend Ty Cobb is “Recommended” (Horn Book, Sept. 1, 1993).

MacKaye, Percy Tall Tales of the Kentucky Mountains, illus. by Elizabeth MacKinstry. New York: Doran, 1926; New York: Longmans, Green, 1930; Westport, CT: Greenwood, 1973. 4–up From the first line of the Foreword, the reader is drawn into an Appalachia that is remote, isolated, and foreign: “In the mountain heart of our New World, the Old still survives. Beyond the blue crests of the Kentucky Ridges broods a fabulous Land of Long Ago” (9). The tales were collected “during a lucky sojourn in the mountains, spent in close friendly touch with the native people” (10). One particular informant, who is the core of the collection, is a legendary character known as Solomon “Sol” Shell, who supposedly wore a coonskin cap and lived to be 98. A review in The Three Owls, Volume II, says Sol was “spiritual kin” to the 18th-century tale teller Munchhausen, but Sol’s tales have more to recommend them:

3–6 A title in the Snapshots: Images of People and Places in History series, the book has a “scrapbook-like” design: “MacLeod’s commentary is a collection of bits and pieces about Keller, smoothly integrated to reveal the struggle, the sadness, and the success” of Keller’s life (Booklist, Mar. 1, 2004). Other interesting components include “a sample of Keller’s handwriting and charts that demonstrate sign language and Braille” (School Library Journal, May 1, 2004). Includes a variety of photographs and a timeline.

Sports Great Charles Barkley. Springfield, NJ: Enslow, (1992) 1998. 2–6 This title in the Sports Great Books series profiles the life of one of the top basketball forwards in NBA history.

Madden, Kerry Gentle’s Holler. New York: Viking, 2005. 4–8 Twelve-year-old Livvy Two is the third of nine children in a family that lives in a Maggie Valley, North Carolina, “holler” in the 1960s. Her father is a musician-dreamer, and her mother is burdened by work, pregnancies, and responsibilities; nevertheless, they provide a stable marriage and a secure, though poor, home for the family. Libby Two is frustrated and angry about having to shoulder many of the responsibilities of housework and caring for Gentle, her blind, three-year-old sister. Livvy Two experiences the typical conflicts of a teenage girl and, when her father suffers an accident, she comes of age. “Women in professional roles and references to the Civil Rights movement tie the story to national events. Livy’s narration rings true and is wonderfully voiced, and Madden’s message about the importance of forgiveness will be well received” (School Library Journal, June 1, 2005). Booklist emphasizes the family “love and light,” and the “very human” characters (Mar. 1, 2005). Kirkus focuses on the humor, the details of life in the Smoky Mountains, and the depiction of poverty but questions the plot, which sometimes stretches “credibility.” The “graceful, spirited” writing is the

172 • Mader book’s strength (Feb. 15, 2005). Grandma Horace and Uncle Hazard the dog provide comic relief in a story that “will burrow deeply into the hearts of young readers” (Publishers Weekly, Mar. 28, 2005).

Louisiana’s Song. New York: Viking, 2007. 5–8 With “fluid and heartfelt storytelling” Madden continues the tale of the Weems family and their “hardscrabble” existence (Kirkus Reviews, May 15, 2007). Set in the mountains of North Carolina, this sequel to Gentle’s Holler is “[b]eautifully written and true to its setting” (Booklist, June 1, 2007).

brary Journal, Nov. 2003). Includes a timeline, reading list, glossary, and index, as well as sidebar information from primary sources.

Manger, Ted The Pittsburgh Pirates. New York: Random, 1993. 4–7

A title in the Inside Pitch series.

Mara, Wil Roberto Clemente. New York: Childrens, 2005.

Mader, Jan

1–2 This title in the Rookie Biographies series includes an index.

Appalachian Mountains. New York: Childrens, 2004.

Margolin, H. Ellen

K–4 chain.

Introduces the Appalachian Mountain

Malakoff, Anna, and Frances D. Powdrell Minkapee, illus. by Donna D. Segal. Glendale, CA: Great Western, 1983. 4–7 Fictional account of Minkapee, a Cherokee Indian chief, who brought about peace between settlers in the Tennessee-Kentucky frontier and the Cherokee.

Mandel, Peter Say Hey: A Song of Willie Mays, illus. by Don Tate. New York: Jump at the Sun/Hyperion, 2000. K–3 Willie Mays, who played center field for the New York Giants, was known as the “Say Hey Kid” because of his positive, effervescent attitude. Mandel uses the nickname as a refrain in this biography told in rhyming couplets, which School Library Journal considers “forced and awkward.” The “simplicity of the narrative often results in confusion and lack of clarity,” but Tate’s illustrations provide “exciting movement and action.” Though there is little available about Mays for this age group, readers “wanting some substance on this famous ballplayer will have to look further” (Aug. 8, 2000). Booklist offers a more laudatory view of the book, emphasizing Mays’s “playground exuberance” that contrasts to modern players who emphasize contracts and salaries. While the rhyming narrative “can’t stand alone as a biography,” and the illustrations miss the mark (in one scene showing Mays to be throwing left-handed), readers may overlook these shortcomings (Feb. 15, 2000). The Horn Book Guide also notes that the illustrations don’t do justice to Mays’s “exquisite skill and grace” (Fall 2000).

Manera, Alexandria Bessie Smith. Chicago: Raintree, 2003. 2–5 Manera presents a “[s]imple, clear, objective overview” of singer Bessie Smith’s life (School Li-

Goin’ to Boston: An Exuberant Journey in Song, illus. by Emily Bolam. New York: Handprint, 2002. K–2 The history of this 1920s Appalachian folk song is presented in an author’s note at the end, which includes the music. Margolin has adapted and extended the original song, transforming it into a long cumulative tale, but the real content of the book is delivered in Bolam’s illustrations of the motley assortment of individuals that accompanies a “bluesmocked girl” to Boston Common. The result is a “jaunty lyrical tale” and song that “celebrate communal green spaces” (Publishers Weekly, May 6, 2002). Horn Book Guide compares one of Bolam’s doublepage spreads with Seurat’s painting “Sunday Afternoon on the Island of La Grande Jatte” (Fall 2002). School Library Journal also praises “Bolam’s bright and cheery illustrations” rendered in “a spring palette of new greens, sunny yellows, and clear blues” ( July 1, 2002). Kirkus Reviews is alone in its assessment that this is “an unfortunate coupling of rather plain illustrations with a very, very long song” ( June 1, 2002).

Marino, Dan, and Steve Delsohn Marino! Chicago: Contemporary, 1986. 6–9 Pittsburgh native Dan Marino relates his autobiography with assistance from Steve Delsohn. Though readers can find Marino’s statistics in other books, his “personal” viewpoint and “insight into separating personal performance from fan expectations and media hype” are not available elsewhere (Booklist, Dec. 1, 1986). Includes photographs.

Marion, Jeff Daniel Hello, Crow, illus. by Leslie Bowman. New York: Orchard, 1992. K–4 When a grandfather brings home a crow fledgling, his grandson becomes charmed by its mischievous and mysterious nature, its attraction to glittering objects, and its thievery. As he goes about his farm chores, he calls out, “Hello, Crow,” expecting a greeting, which eventually comes, but then the crow

Marsh • 173 disappears. When the boy ages to become himself a grandfather, he still muses and reminisces about the crow and whether it really answered him. Bowman’s illustrations are an “evocative accompaniment to this simple story” (Horn Book, Nov./Dec. 1992). Booklist concurs that the “simple poetic words” and Bowman’s illustrations tell the story of “common things transformed”: “The story captures the power of ordinary things to make us wonder” (Oct. 1, 1992). Marion bases this story on a family tale; he is a native Tennessean and formerly a faculty member at CarsonNewman College in Jefferson City, Tennessee.

mente’s life offset the book’s limitations (Mar. 15, 2005). The Horn Book Guide points to the useful sidebars, which provide “entertaining anecdotes” (Fall 2005). Voice of Youth Advocates says the “tension in the book relies on the hyped expectations of sports stories,” but the story of Clemente’s life is nevertheless “adequate” ( June 2005). Includes appendices, websites, and a bibliography.

Markham, Lois

6–up Marrin’s biography presents Jackson as a “product of a rough-hewn, eye-for-an-eye backwoods culture ... and paints a vivid picture of Jacksonian society” (Booklist, Dec. 1, 2004). School Library Journal considers the title a “fine study of our seventh president [and] a history and analysis of the times in which he lived” (Dec. 2004). Illustrated with reproductions of photographs and political cartoons; contains suggested titles for additional reading, a bibliography, and index.

Helen Keller. New York: Franklin Watts, 1993. 4–6 This is a “well-written biography” with “clear prose,” though it “includes some unattributed dialogue.” The book dispels some of the heroic myths about Keller and presents her as a “very human woman” (School Library Journal, June 1, 1993). Includes photographs of Keller with Patty Duke, the child actress who portrayed her in the movie The Miracle Worker.

Markle, Sandra The Fledglings. New York: Bantam, 1992.

Marrin, Albert Old Hickory: Andrew Jackson and the American People. New York: Dutton, 2004.

Marriott, Alice Sequoyah: Leader of the Cherokees. New York: Random, 1956.

6–9 Kate, age 15, is orphaned when her mother dies in an automobile accident. She refuses to live with her aunt and cousins, whom she barely knows but dislikes, so she runs away to live with her grandfather, Tsan, a Cherokee Indian living on Snowbird Mountain, near Cherokee, North Carolina. He is less than enthusiastic about having her in his life, but they become drawn together as he teaches her about her heritage and she nurtures and tames an eagle fledgling. According to the Bulletin, readers who like Jean Craighead George’s fiction will like Markle’s novel, though it functions at the “melodramatic level,” and certain plot elements are “not always convincing.” But the “sentimental” aspects are offset by a “briskness” (Sept. 1992). Includes a glossary of Cherokee words.

4–6 Marriott, who is considered well versed in Indian traditional crafts, emphasizes Sequoyah’s “craftsmanship,” his creation of the Cherokee syllabary, and the history and “customs” of the Cherokee. This book is suitable for older, less-advanced readers, as well as its intended younger audience (School Library Journal, Oct. 15, 1956). Includes an index.

Márquez, Herón

ries.

Roberto Clemente: Baseball’s Humanitarian Hero. Minneapolis, MN: Carolrhoda, 2005.

The Great Clemson Football Mystery, illus. by Priscilla Rhodes. Peachtree City, GA: Gallopade, 1983.

4–up School Library Journal considers this an “excellent biography” that is “well organized and enlivened with interesting details and anecdotes.” It covers his childhood in Puerto Rico, the major statics of his 18 years with the Pittsburgh Pirates, his struggles with ethnic prejudice, and his untimely death in a plane crash in Nicaragua. “Balancing facts with insightful perspective, this is a readable, well-rounded portrait of a remarkable individual” (May 1, 2005). Booklist, on the other hand, considers the biography merely “serviceable” with writing that is “not scintillating” and photographs that seem to have been selected “at random.” Fortunately, the details of Cle-

Marsh, Carole [Longmeyer] Carole Marsh is such a prolific publisher (more than 10,000 titles) that only a sampling of her work has been included.

Davy Crockett. Peachtree City, GA: Gallopade, 2002. 2–6

A title in the One Thousand Readers se-

3–5 Like other Gallopade mysteries, this disappointing title has little to recommend it. Designed as a “Pic-a-Point Sportsmystery” [sic], the book allows readers to make choices that lead to different outcomes and endings. The plots are illogical and thin; the writing is flawed. Consider, for example, this sentence: “Before you know it, it’s the end of the game and nothing awful has happened except your team won” (47). The clumsy illustrations add no value. Though the book is supposedly set at Clemson, the university is mentioned by name only once in an endnote that promotes another “Pic-a-Point” mystery. (RH)

174 • Marsh

The Mystery of Biltmore House, illus. with photographs by author. Peachtree City, GA: Gallopade, 1982.

Marsh, Olive V.

3–5 Stacy Brown’s mother is teaching at a mystery writers’ workshop held at the Biltmore House in Asheville, North Carolina. She and three other children, whose parents are also attending the workshop, get caught up in the implausible mystery of the missing chess set that belonged to Napoleon. Left to roam the Biltmore house and grounds without supervision, the children solve the mystery, following a series of “clues” that stretch credulity. Information about the Vanderbilts, the house itself, the Grove Park Inn, Thomas Wolfe’s house, and Carl Sandburg’s home at Flat Rock is preachy, incidental, and has little relation to the characters or plot. The author’s black-andwhite photographs of the children in various Biltmore House locations are gratuitous and of poor quality. (RH)

6–up In the tradition of Appalachian apologetics, this 95-page book is more treatise than story. When Virginia and Roger, twins, are orphaned, they are sent to live in Left Fork, Kentucky, with their father’s sister. There they are met with a good many kin and a style of living to which they easily adjust. Marsh sermonizes about the “people of the southern mountains [who] have the purest Anglo-Saxon blood in America” (11). Descriptive passages glorify the mountain culture: “Mountaineer beliefs and customs were still much as they had been in pioneer days” (62). And though the twins’s relatives are clearly mountaineers— they all farm, weave, and sing old ballads — they are depicted as “above” the mountain culture or as a higher class of mountaineer. Virginia and Roger’s experience in Left Fork turns out happily, largely because they are quick to realize the virtues of mountain life. The book ends with the opening of an important new schoolhouse and bridge, whereupon Virginia exclaims, “I’m glad, glad, glad that we came” (95). The twins are high-school juniors, but they will strike modern readers as much younger. In short, Marsh does too much “telling,” does not develop characters well, and does not allow her characters to act. (RH)

The Mystery of the World’s Fair, illus. with photographs by author. Peachtree City, GA: Gallopade, 1981. 3–5 Though this book is set in Knoxville, Tennessee, the site of the 1982 World’s Fair, there is no detail to identify the locale or the Fair setting. Eight children discover and foil a plot to create a computergenerated blackout on the opening day of the Fair. They tour the city, and they have free-run of the World’s Fairgrounds, but all aspects of the setting (including a map of the Fairgrounds), plot, and characters are stock, generic, and implausible. There is an attempt to introduce computer terminology, such as “chips,” “bugs,” and “menu,” but assumptions about computers (even in 1982) are simplistic and misleading, including the role of a real “mouse.” An underlying theme of world’s fairs in general offers a few facts about the history of world exhibitions. The author’s black-and-white photographs of eight children, identified as the “real” characters in the book, add little to this weak volume. (RH)

Secret Christmas Potpourri and Tussie Mussie Story Kit. Peachtree City, GA: Gallopade, 1998; Topeka, KS: Tandem, 2003. K–2 A typical Marsh “product,” this book is set in Appalachia on Christmas Eve and includes instructions for making potpourri and “tussie mussies.” (RH)

Tecumseh: An Ohio Experience Reader. Peachtree City, GA: Gallopade, 2001. K–5 Biography of Tecumseh written by the highly productive Carole Marsh.

The Virginia Reader: Davy Crockett. Peachtree City, GA: Gallopade, 2001. K–5 series.

A title in the of the Virginia Experience

Southern Highland Summer. Columbus, OH: Wartburg, 1945.

Marshall, Catherine Christy, adapted by Anna Wilson Fishel. New York: McGraw-Hill, 1967. 4–8 When Catherine Marshall’s Christy was first published in 1967 as a 450-page novel for adults, it was met with mixed reviews. Library Journal acknowledges that the story was based on the experiences of Marshall’s mother, who taught school in the Tennessee mountains in the early 1900s, and quotes Marshall as saying that she “‘scarcely knew where truth stopped and fiction began.’” The book was described as having “the usual trappings” of Appalachian life (Oct. 1, 1967). The Christian Science Monitor considered it “impossibly idealistic” (Oct. 12, 1967). Nearly 30 years later, Marshall’s work has been adapted for a much younger audience, “resulting in inevitable losses in depth and detail.” However, the basic story of a 19-year-old teacher in a mission school in Cutter Gap, Tennessee, remains intact, along with the Appalachian “trappings” noted in 1967 — feuding, moonshining, religious crises, and details of daily life. “Christy and the mountain people are well portrayed and realistic, and children who enjoy the TV show [CBS 1994–1995] will probably like the book.” On the other hand, the original text is accessible to “good sixthand seventh-graders” (School Library Journal, July 1995).

Martin, Michael J. Chuck Yeager. San Diego, CA: Lucent, 2003.

Mattern • 175 7–up This biography for older readers of the noted Air Force test pilot from West Virginia relates how Chuck Yeager distinguished himself as a young pilot in World War II and subsequently became the first person to break the sonic barrier.

Martin, Mollie Pittsburgh Pirates. Mankato, MN: Creative Education, 1982. 4–6 From the Baseball Today series, Martin presents a history of the Pittsburgh Pirates.

Martin, Patricia Miles

promised” by “occasional awkwardness in the use of dialect.” Gayheart’s illustrations tend “toward the cartoonish” at times but present “beautiful detail” as well ( Jan./Feb. 1989). The Macon [Mississippi] Beacon references the pure nostalgia of the “delightful little volume” ( June 15, 1989). And George Brosi’s Appalachian Mountain Books considers it a “wonderful book of good ole boyhood nostalgia” (Vol.5, No.2, 1989). Willard Gayheart is from Galax, Virginia.

Mason, Miriam E. Becky and Her Brave Cat, Bluegrass, illus. by Robert MacLean. New York: Macmillan, 1960.

2–4 This title in the See and Read Beginning to Read series is “idealized yet factual ... with dramatic highlights” from all phases of Andrew Jackson’s life and career. It follows the same format as all other titles in the series (Library Journal, Nov. 15, 1966).

3–6 Library Journal points out that this title repeats material contained in Enid Meadowcroft’s Daniel Boone biographies; however, Mason’s title focuses on the “younger Boone children” and the perspective of the smallest Boone child, Becky. For this reason, it is more suitable for a younger audience than is Meadowcroft’s work. “Good characterization of people and pets” (Sept. 15, 1960).

Daniel Boone, illus. by Glen Dines. Putnam, 1965.

Daniel Boone: Wilderness Trailblazer, illus. by Harve Stein. Boston: Houghton Mifflin, 1961.

2–4 This title in the See and Read Beginning to Read series captures the “feeling and spirit” of Boone’s life. The illustrations, standard for the series, are “realistic and informative” (School Library Journal, Mar. 15, 1965).

3–6 This title in the Piper Books Biographies series is less than objective. In spite of the author’s note at the end, which explains how Mason conducted her research and that she fictionalized only in the dialogue, the depiction of Boone’s thoughts cannot be considered authentic. The biography opens with the birth of Boone’s sister Mary when he is two and onehalf years old. It ends with the siege of Boonesborough when he is 50, and his last years are glossed over in a final chapter. Maps and pronunciation guides are good, but the book doesn’t add much to the glut of biographies on this frontier hero. (RH)

Andrew Jackson, illus. by Salem Tamer. New York: Putnam, 1965.

Martin, Patricia Stone Jesse Jackson: A Rainbow Leader. Vero Beach, FL: Rourke, 1987. 2–4 A title in the Reaching Your Goal series, Martin’s biography of Jackson is deemed weak, at best: “Even if one were to accept the premise that firmly didactic biographies are still valid additions to library collections for children,” this series is “so poorly written and so badly illustrated that they do not meet this long-discarded ... goal.” Criticized for its “pasteup of dates, broad statements, and unsubstantiated impressions,” this book is “not worthy of its subject” (School Library Journal, Jan. 1988).

Mashburn, William Mountain Summer, illus. by Willard Gayheart. Blacksburg, VA: Pocahontas, 1988. 7–up Mashburn grew up in the 1930s in a community called Birch, near Beaver Creek, between the Notley and Hiwassee rivers. Birch was eventually purchased by the Tennessee Valley Authority and inundated by what is now Hiwassee Lake. Mashburn went on to become a professor of mechanical engineering at Virginia Polytechnic Institute and State University, and began this book as a Christmas gift to his mother. The Roanoke Times and World News compares the book with the fiction of Jesse Stuart (Sept. 24, 1989). Blue Ridge Country comments on the “generally true ring” of the fiction, though it is “com-

Masters, Susan Rowan Summer Song. New York: Clarion, 1995. 4–7 Etta May was born to a single mother, who left her with her grandparents, Manny and Gent, in their trailer, which is adorned by Gent’s prized rose garden. When Manny dies, Etta May’s mother reappears to assist with the failing Gent, and she must come to terms with her somewhat selfish, flawed mother. Booklist considers this a “sprightly” book written by a “natural, graceful narrative hand.... The novel grapples constructively with painful reality (Sept. 1995). The Bulletin considers it a “sweet if completely predictable” novel, though Etta May’s struggles “will elicit empathy,” and her “downhome narration [is] warm and credible” (Dec. 1995). “Superior” and “bittersweet” characterize the novel for the Horn Book Guide (1995).

Mattern, Joanne Peyton Manning. Hockessin, DE: Mitchell Lane, 2007. 4–8 From the Blue Banner series, Mattern covers the life and career of football standout Peyton Manning.

176 • May

May, Julian Joe Namath, High-Flying Quarterback. Mankato, MN: Crestwood, 1975. 3–6 A biography of Joe Namath, who, despite personal injuries and professional setbacks, became a top professional quarterback. A title in the Sports Close-up Books series.

Willie Mays: Most Valuable Player. Mankato, MN: Crestwood, 1972. 3–6 This title in the Sports Close-up Books series presents a brief biography of the baseball star who spent most of his career with the Giants and was twice named Most Valuable Player.

May, Kathy Molasses Man, illus. by Felicia Marshall. New York: Holiday, 2000. 1–3 May has written a how-to book on molasses making, told from the point of view of a young African American boy who helps his family with this annual tradition, from cutting the sorghum cane to selling jars of the molasses at a roadside stand. Though the book is “well-researched,” the “description of the lengthy procedure seems to drone on.” The illustrations are of uneven quality (School Library Journal, Oct. 2000). Booklist considers this a “down-home story of familial love and tradition, with all the makings of a sweet read” (Oct. 1, 2000).

Maynard, Charles W. The Appalachians. New York: PowerKids, 2004. 2–5 This addition to the Great Mountain Ranges of the World series follows a “somewhat formulaic” format. It presents factual information about the Appalachian Mountains, including geology, flora, fauna, and culture. Like the other “slim” and “glossy” books in the series, this volume is suitable for young readers in its presentation of “fascinating facts.” The writing is good, and the color photographs are “superb” (School Library Journal, Aug. 1, 2004). Includes an index.

2–5 Tecumseh was a Shawnee Chief who died fighting for the British in the War of 1812. He worked to unify Indian tribes and to motivate their resistance to the white man’s intrusion into their lands. According to Library Journal, this “highly fictionized” [sic] biography “sketches the story of his life until the last battle.” McCague’s biography provides middle ground between Augusta Stevenson’s Tecumseh: Shawnee Boy (1955), a title in the Bobbs-Merrill Childhood of Famous Americans series that focuses solely on Tecumseh’s early life, and Cooke’s Tecumseh: Destiny’s Warrior (1959), which is for more advanced readers (Nov. 15, 1970).

McCall, Barbara A. The Cherokee, illus. by Luciano Lazzarino. Vero Beach, FL: Rourke, 1989. 4–6 According to Linda Veltze’s Exploring the Southeast States Through Literature, McCall’s history of the Cherokee for young readers includes an index and a list of dates, which make it “useful as a reference tool for readers who might not be motivated to read the entire text” (Phoenix, AZ: Oryx, 1994).

McCall, Edith Adventures Along the Cumberland Gap. Unionville, NY: Royal Fireworks, 2001. 3–7 Volume number six in the Adventures on the American Frontiers series.

Cumberland Gap and Trails West, illus. with photographs by Carol Rogers. Chicago: Childrens, (1961) 1980.

7–up Willie Mays offers baseball tips to children and relays highlights of his life. Introduction by Joe Garagiola.

3–5 This title is one of 16 in Her Frontiers of America series, promoted as new editions of the original 1961 publications. It recounts the adventures of six men including George Washington and Daniel Boone, whose explorations of the Appalachian Mountain area during the 17th and 18th centuries opened up the way west. School Library Journal is not enthusiastic about the original or the reprint: “Except for the covers, everything about this disappointing set of ... books ... is the same. Fictionalizing is so extensive that readers have a hard time picking out the concrete facts from the folklore.” The books are “didactic” and use “[s]exist language” along with “old stereotypes of women and minorities” (Feb. 1981). The absence of back matter renders this and the other 15 titles not very useful.

Mays, Willie, with Charles Einstein

McClung , Robert M.

Mays, Willie, with Maxine Berger “Play Ball!” New York: Wanderer, 1980.

Born to Play Ball. New York: Putnam, (1955) 1975. 6–up

A title in the Putnam Sports Shelf series.

McCague, James Tecumseh: Shawnee Warrior-Statesman, illus. by Victor Dowd. Champaign, IL: Garrard, 1970.

Whitetail, illus. by Irene Brady. New York: Morrow, 1987. 4–6 McClung uses a narrative framework to relate the facts of a whitetailed deer’s life, showing its struggle with natural and human dangers such as a bobcat, dogs, bitter winter weather, hunters, snowmobiles, and cars. According to Booklist, he avoids

McKissack • 177 “anthropomorphism,” though the deer, named Star, has occasional encounters with a young boy named Sam, who is sensitive to the deer’s natural beauty and vulnerability. Brady’s illustrations are a “fitting accompaniment” to the story, which is “[c]learly written and moving.” McClung includes opposing views of hunting in an “even-handed way” and provides a good bibliography ( July 1987). The Five Owls is equally enthusiastic about Whitetail: McClung “goes beyond facts” to help the reader understand “the world of a deer,” including the “smell and feel” of its natural environment and the “sensation” of growing antlers. Set in the Pennsylvania Alleghenies, this excellent story, with its useful Appendix, is a good springboard for discussions about the relationships among humans, animals, and the natural world, along with conservation issues and dilemmas (May/June 1987).

McCormack, Shaun Cool Papa Bell. New York: Rosen, 2002. 5–8 Included in the Baseball Hall of Famers of the Negro Leagues series, McCormack presents the life story of Starkville, Mississippi, native James Thomas “Cool Papa” Bell. Inducted into the National Baseball Hall of Fame in 1974, Bell was a National Negro League all-star who played for the Pittsburgh Crawfords and the Homestead Grays. Bell regularly batted over 300 and is considered by many baseball enthusiasts to be the fastest man to have ever played the game.

Willie Mays. New York: Rosen, 2003. 3–4 This title in the Baseball Hall of Famers series examines the personal life and baseball career of the man considered by many sports experts to be the greatest baseball player of all time. Includes a bibliography and index.

McDaniel, Lurlene Hit and Run. New York: Delacorte, 2007. 7–up Set in Asheville, North Carolina, this is the story of a popular athlete who hits a bicyclist with his car, leaves the scene of the accident, and covers up his crime. “McDaniel ... has a simplistic style” (School Library Journal, Nov. 2007), but her fans will not “be disappointed by the expected emotional roller coaster” (Horn Book, Oct. 2007).

McDonald, Megan The Bridge to Nowhere. New York: Orchard, 1993. 6–8 Hallie O’Shea’s father Jim is working on a never-completed span of bridge across the Allegheny River in Pittsburgh when he loses his job. To cope with his depression, he isolates himself in his workshop and constructs metal “sculptures,” an act that pushes his family even further away. In the midst of this crisis, Hallie also struggles with her first, typical, sev-

enth-grade relationship with an older boy, Crane Henderson, and ultimately “finds a new strength and the ability to cope.” McDonald has published several picture books, but her first novel is a “welcome” effort that “offers realistic characters, an attention-holding plot ... and an upbeat ending” (Booklist, Apr. 1, 1993). According to the Horn Book Guide, the novel is “engaging,” and the writing is “well-paced” (1993).

McGuire, Edna Daniel Boone, illus. by Jack Merryweather. Chicago: Wheeler, 1945. 4–7 This 250-page biography, a title in the American Adventure series, begins, typically, with the gift of Boone’s first rifle at age 12 and ends with his death in Missouri in 1820. Though it is fictionalized appropriately for the targeted age level, it includes good detail without becoming too tedious for the young reader. The sparing use of dialect and dialogue is effective. Boone’s court martial, his family, and his financial problems are glossed over, and discrepant dates are given for his birth: October 22 and November 2, 1734. Sentences are short and simple. Alternate chapters have study questions of a cognitive, objective nature that are not designed to encourage discussion, and a minimal wordlist is given. While the book doesn’t overly glorify Boone, neither does it add anything new to his story. (RH)

McKinley, Michael The Magnificent One: The Story of Mario Lemieux. New York: Grosset and Dunlap, 2002. 7–up series.

A title in the Coolest Books on Earth

McKissack, Patricia C. Jesse Jackson: A Biography, illus. with photographs. New York: Scholastic, 1989. 3–up One of the better biographies of Jackson, this “well balanced” account is considered an update of Chaplik’s Up with Hope (1986) and Kosof ’s Jesse Jackson (1987). “While McKissack’s respect for Jackson is evident in her writing, she is not afraid to deal with the less than pleasant episodes of Jackson’s life.” The author also addresses perceived inequities in how “white” assertiveness is labeled “uppity, audacious and arrogant” in a black man (School Library Journal, Dec. 1989). Publishers Weekly considers this “everything a biography should be.” It leaves readers to decide whether Jackson is “aggressive and overbearing or simply intense and flamboyant” (Oct. 27, 1989).

Ma Dear’s Aprons, illus. by Floyd Cooper. New York: Atheneum, 1997. K–3 Ma Dear is a character fashioned after the life of McKissack’s great-grandmother Leanna in early 1900s Alabama. The narrator of this unusual story is

178 • McKissack her son, David Earl, who can tell the days of the week by the apron Leanna is wearing. On Sunday, she wears no apron at all because this is her one day of rest. The Bulletin considers the ending to be “perplexingly abrupt” and the illustrations “uneven” and “generic,” though they do convey the love between Ma Dear and David Earl ( June 1997). Though representative of Ma Dear’s role as a domestic worker, the apron is also a “metaphor” for the “closeness” between mother and son that results from the shared, hard work. “The pride taken in good, honest work is complicated by race and class,” a “tension” that will not be lost on children (Five Owls, May/June 1997). Booklist applauds McKissack’s emphasis on the cultural and social role of a domestic worker, a topic that is “seldom the focus” of a children’s book. The illustrations demonstrate both the “exhausting work” and the “proud and loving bonds” of this African American family (Feb. 15, 1997).

McKissack, Patricia, and Fredrick McKissack Booker T. Washington: Leader and Educator. Hillside, NJ: Enslow, 1992. 2–4 Originally published in 1992, this revised title in the Great African Americans series still contains “unexceptional text,” though “the visuals and formats have been much improved.” Photographs have replaced the original illustrations, and format has been updated. Chronology, updated further reading, and websites have also been added to the back matter. In spite of its flaws, the biography presents “solid, straightforward” information for beginning readers (Booklist, Jan. 1, 2002). The Horn Book Guide considered the original issue of this title “a rich resource” (1992).

Carter G. Woodson: The Father of Black History, illus. by Ned O. [pseud. of Edward Ostendorf ]. Berkeley Heights, NJ: Enslow, (1991) 2002. 2–4 Originally published in 1991, this title in the Great African Americans series offers “simplified [vocabulary], large print, and plenty of black-andwhite photographs and illustrations.” Though the revision is an improvement, the flaws have not been totally eliminated. The choice of vocabulary in the Words to Know section seems “capricious, and the definitions [are] simplistic to the point of inaccuracy.” Additionally the “liberal use of exclamation points and choppy sentences lend an old-fashioned primer quality to the books.” In spite of these limitations, the biography fills a need for this age group (School Library Journal, Feb. 1992). The Horn Book Guide agrees that this “simple, authoritative” biography is a welcome addition for the beginning reader (1991).

Ida B. Wells-Barnett: A Voice Against Violence, illus. by Ned O. [pseud. of Edward Osten-

dorf ]. Berkeley Heights, NJ: Enslow, (1991) 2001. 2–4 Ida B. Wells’ life is rendered for the young reader in this title in the Great African Americans series. In spite of the need for beginning-reader biographies, this title is marked by a “didactic feel” and “utilitarian line drawings.” The absence of back matter further limits the book’s usefulness (Kirkus Reviews, Mar. 15, 1991). School Library Journal offers a slightly more positive assessment. The writing is “simple, clear, and matter-of-fact. Fictionalizing is kept to a minimum.... Accuracy, style, and content are consistent throughout.” On the other hand, the word selection for the Glossary could be improved (Nov. 1991). A much-improved, revised edition was issued in 2001, which includes websites, a glossary, a good bibliography, and index (Horn Book Guide, Spring 2002).

Jesse Owens: Olympic Star. Berkeley Heights, NJ: Enslow, (1992) 2001. 2–5 First published in 1992, the McKissacks’ revision of Jesse Owens’ biography is “more appealing than the original” due in large part to the replacement of black and white photographs with appealing artistic shots” (School Library Journal, Aug. 2001). Includes websites, a chronology, and lists for further reading.

Satchel Paige: The Best Arm in Baseball. Berkeley Heights, NJ: Enslow, (1992) 2002. 3–4 The McKissacks team up again to present an “accessible introduction” (School Library Journal, Jan. 1993) to the life of Alabama native and baseball great Satchel Paige. Having endorsed the book as “recommended” in March 1993, Horn Book revised its assessment a decade later and pronounced the title a “brief, somewhat superficial profile” of the legendary Paige (Apr. 2003). Included in the Great African Americans series.

The Story of Booker T. Washington. Chicago: Childrens, 1991. 2–4 A biography in the Cornerstones of Freedom series featuring large print and color illustrations.

McLeese, Don Helen Keller. Vero Beach, FL: Rourke, 2003. 1–3 Designed as an easy-reader, this short book tries unsuccessfully “to distill the life of Helen Keller into 24 pages, including an index and a glossary.” Though beginning readers can master the biography, “one might wonder what they will learn by doing so.” Dull photographs are “poorly reproduced” (School Library Journal, Mar. 1, 2003).

Stonewall Jackson. Vero Beach, FL: Rourke, 2006 1–2 This title in the Military Leaders of the Civil War series details Jackson’s life from his early days as an orphan to his untimely death. Includes a bibliography and index.

Meadowcroft • 179

Tecumseh. Vero Beach, FL: Rourke, 2004.

McNeer, May Yonge

2–4 Included in the Native American Legends series, this is a brief biography of the Shawnee chief who tried to unite Native American tribes.

The Story of the Southern Highlands, illus. by Cornelius Hugh De Witt. New York: Harper, 1945.

McLoone, Margo 2–3 This title in the Read and Discover Photo Illustrated Biographies series tells the story of Washington, who was born a slave and worked in salt mines as a youth but became a national leader for the education of African Americans and founder of Tuskegee Institute.

3–up May McNeer published more than 40 books in her lifetime, several of which focused on particular geographic regions of the United States. The New York Times considers this title weaker than the others in The Story Of series of “pictorial geographies”: “The primitive, gusty life of the mountaineers” is rendered with “color and sympathy,” but the illustrator has failed to capture “the grandeur” of the mountains that “dominates and molds” the people (Dec. 30, 1945).

McMahon, Tom

McSpadden, Mary Catherine

Orient: Hero Dog Guide of the Appalachian Trail, illus. by Erin Mauterer. Waco, TX: WRS, 1995.

Merrily Strum: Mountain Dulcimer for Children. Mountain View, AR: Dulcimer Shoppe, 1975.

Booker T. Washington: A Photo-Illustrated Biography. Mankato, MN: Bridgestone, 1997.

2–4 This true story of Bill Irwin, the first blind person to hike the Appalachian Trail, is told with emphasis on Orient, his German shepherd guide dog. The opening explains how Orient is trained in a seeing-eye school for guide dogs before he meets his blind master, Bill, from North Carolina. A colorful map of the entire trail, from Georgia to Maine, is appropriately “stamped” with a paw print and sets the tone of the story. Maps throughout the book show the progress of Bill and Orient along the trail, and television and newspapers document their progress through Damascus, Virginia; Pennsylvania; Connecticut; and New Hampshire, ending in Maine where friends and family wait to greet them. The trip, which takes eight months, is strenuous for both Bill and Orient, who gets leather boots for his paws. This is a story of spirit, courage, and faith that teaches lessons in overcoming obstacles without being preachy. (RH)

McMeekin, Isabel McLennan Journey Cake, illus. by Nicholas Panesis. New York: Messner, 1942. 4–8 Library Journal notes that this title won the 1942 Julia Ellsworth Ford Award. McMeekin’s “[v]igorous, idiomatic writing and sturdy characterization” complement the frontier setting and theme. Daniel Boone and Johnny Appleseed both make appearances in this “exciting, very American, very readable” book (Dec. 1, 1942).

Juba’s New Moon. New York: Messner, 1944. 4–8 This story of the Shadrow family, which settles on the Kentucky frontier in 1794, is “convincingly portrayed” for this age group, showing the challenges, relationships, struggles, as well as the positive aspects of their life (Library Journal, Nov. 1, 1944).

3–up A 28-page instruction book for playing the Appalachian mountain dulcimer.

Meadowcroft, Enid LaMonte [pseud. of Mrs. Donald Wright] By Wagon and Flatboat, illus. by Ninon MacKnight. New York: Crowell, 1938. 4–6 Set in the late 1700s, this is the story of the three Burd children and their parents who move by Conestoga wagon from a settlement near Philadelphia to Pittsburgh, where Uncle Nat joins them. Then they travel by flatboat down the river to Losantiville, which later became Cincinnati. The action begins with announcement that George Washington has been elected President, whereupon the family loads their belongings into the wagon and sets out on an adventure, which includes danger and encounters with Indians. Along the way, details of frontier history give readers a sense of daily life. The Horn Book finds the book “attractively made, with interesting pictures” ( Jan. 1939). Social Studies praises the “exciting plot” and the “real” characters invented by a “charming story teller” ( Jan. 1939). The New York Times speculates that the “excellent” illustrations are the first to show “what it is like to be inside a Conestoga wagon looking out at the road ahead.” The characters are well drawn, showing their “courage and resourcefulness” (Nov. 13, 1938).

Holding the Fort with Daniel Boone, illus. by Lloyd Coe. New York: Crowell, 1958. 3–6 According to the Peabody Journal of Education, Meadowcroft delivers “a child’s adventure story in classic tradition” with “heroic struggles, tender scenes and the lush scenery of frontier Boonesborough” ( July 1958). Set in 1775 at the outset of the Revolutionary War, the story centers on Daniel Boone and his daughter Jemima as they and their

180 • Meadows neighbors defend “Boonesboro [sic] against overwhelming odds,” which include both Indians and Redcoats. While the conflicts supply the core of the book, the details of everyday frontier life are also prominent. Meadowcroft’s “lively style, with generous use of dialogue and detail” renders “the people and the setting real.” Coe’s illustrations “point up the main events” (New York Times Book Review, Apr. 27, 1958).

On Indian Trails with Daniel Boone, illus. by Lloyd Coe. New York: Crowell, 1947. 4–6 Israel Boone, age 15, not his father Daniel, is the focus of this story, which begins in 1771 when the Boone family leaves North Carolina to travel 300 miles to Kentucky. Boone leaves his wife and children at a settlement mid-way on the trip and takes Israel with him to cross the Cumberland Mountains. The result of the long journey is the establishment of Boonesborough. According to the New York Times Book Review, Meadowcroft “vitalizes facts by weaving them into a simple and exciting story.” The “lively conversations,” “very human young Boones, and the dramatic” illustrations make for good reading ( July 27, 1947).

The Story of Andrew Jackson, illus. by David Hendrickson. New York: Grosset and Dunlap, 1953. 4–5 Meadowcroft presents a credible biography of the President who wasted his inheritance on horseracing and cock fights, fatally wounded a lawyer in a pistol duel, and married Rachel Donelson before she was divorced.

The Story of Davy Crockett, illus. by Charles B. Falls. New York: Grosset, 1952. 4–5 Meadowcroft contributes yet another title to the Signature Books series, designed for readers who have outgrown the Childhood of Famous Americans series. In this “interestingly written” biography of Crockett, she “gives an authentic description of the hardships and dangers of pioneer life and of Crockett’s contributions to our heritage.” Falls’s illustrations are “excellent,” and the end matter is useful (Library Journal, Nov. 1, 1952).

Meadows, James Jesse Jackson. Chanhassen, MN: Child’s World, 2000. 4–6 This “brief, prosaic” title in the Journey to Freedom series may offer “basic appreciation” for its subject, but it is “incomplete.” It dwells on “accomplishments,” while ignoring the “personal” Jackson (Horn Book, Apr. 1, 2001). Includes historical photographs.

3–5 A title in the Rainbow Biography series, this book relates the life story of Ida B. Wells, born in 1862, one of America’s most noted activists. As a teacher, a journalist, and a founder of the NAACP, she worked for civil rights in general and to ban the practice of lynching in particular. Though Medearis bases her biography on primary sources, “this is not the author’s best” work. It does make clear, however, “the power of the written word” (Kirkus Reviews, Sept. 15, 1997). “Excerpts from her journal are coupled with a readable text,” making the story of a remarkable woman “accessible” to children (Booklist, Dec. 1, 1997). School Library Journal considers this a “readable” and “inspirational account” of Wells’s “strong will and passion” (Dec. 1, 1997). Includes black-and-white photographs, a chronology, notes, bibliography, and index.

Mellage, Nanette Van Wright Coming Home: A Story of Josh Gibson, Baseball’s Greatest Home Run Hitter, illus. by Cornelius Van Wright and Ying-Hwa Hu. Mahwah, NJ: Troll, 2001. K–3 In this biography for young readers, author Nannette Van Wright Mellage “weaves in” history of the Negro Baseball Leagues, segregated teams, and the impressive baseball career of Josh Gibson (School Library Journal, May 2001). Telling his grandson about Josh Gibson, a powerful hitter for the Homestead Grays, a grandfather recalls the time he saw Gibson play in Yankee Stadium. “Mellage’s easy conversational rhythm accommodates natural-sounding descriptions, [and] [s]ensitive watercolor portraits by Van Wright and Hu capture the vigor of the sport, the edge-of-the-seat thrill of the fans and the affection between the characters” (Publishers Weekly, Apr. 9, 2001). Historical information on segregation is included in an Afterword.

Meltzer, Milton Underground Man, maps by Eros Keith. Scarsdale, NY: Bradbury, 1972. 6–up Meltzer’s historical novel is considered “stiff ” and lacking in “depth and intensity,” particularly in his portrayal of black characters, who come off as “types.” Supposedly based on “actual memoirs” of a 16-year-old farmer’s son, who first becomes a minister and then an abolitionist, the Underground Man devotes his life to helping slaves escape along the Underground Railroad. “Meltzer’s nonfiction accounts of black history are much richer and tighter in their illumination of time and place” (School Library Journal, Apr. 1973).

Mercer, Charles

Medearis, Angela Shelf

Roberto Clemente, illus. by George Loh. New York: Putnam, 1974.

Princess of the Press: The Story of Ida B. WellsBarnett. New York: Lodestar, 1997.

2–4 This is considered a “realistic outline” of the life of Puerto Rico’s great baseball star who died in a

Millen • 181 plane crash in 1972. “There is some fictionalizing of situations and dialogue,” and Mercer avoids Clemente’s “experience with racial prejudice.” Nevertheless, it is a “balanced, highly informative” title in the See and Read Biography series (School Library Journal, Feb. 1975).

Merrill, Jean A Song for Gar, illus. by Ronni Solbert. New York: Whittlesey, 1957. 3–5 Absalom Marvell, his parents, and his five brothers live on Sour Cherry Ridge, along with his pet raccoon Barbary Allen. All the brothers have good singing voices, except Absalom whose voice is scratchy. His brother Gar wants to enter the Song Swapping competition, hoping to win the $100 prize so he can marry. Absalom unknowingly provides the song for Gar, who overhears Absalom singing to Barbary Allen. The “spontaneous” birth of Absalom’s song “suggests how any folk song might be born” (Horn Book, June 1957). According to the Christian Science Monitor, Merrill delivers a “lovely story, with plenty of mountain atmosphere.” Jesse Stuart praised its “flavor of hill music and dancing feet” (May 9, 1957). Booklist considers it an “entertaining and flavorsome story of hill people” (Mar. 15, 1957). Kirkus’ Bookshop Service notes that this is Merrill and Solbert’s first departure from books set in the city, but the story of “Eastern mountain folk” is “engaging” ( Jan. 1, 1957). Library Journal agrees that the story is “rollicking,” and — although brief— it “has humor, mountain flavor, and good family relationships” (Mar. 15, 1957). Music and words for the song are appended.

Meyers, Madeleine The Cherokee Nation: Life Before the Tears. Lowell, MA: Discovery Enterprises, 1994. 3–6

A title in the Perspectives on History se-

ries.

Micklish, Rita Sugar Bee, illus. by Ted Lewin. New York: Delacorte, 1972. 4–6 Micklish tells the story of two girls, one black and one blind. Stephanie “Sugar Bee” Harris is an 11-year-old black child who lives in a Pittsburgh apartment. As a reward for good grades, she is chosen to spend Easter vacation with Rosemary Martin, a blind white child who lives in the country. Horn Book praises the “spontaneous, unforced day-to-day” account of their experiences, which is delivered “without overt didacticism or sentimentalism” ( June 1972). Booklist considers this a “low-key, generally believable story with good characterization and little action” ( July 1, 1972).

Mierka, Gregg A. Nathanael Greene: The General Who Saved the Revolution. Stockton, NJ: OTTN, 2006.

5–11 General Nathanael Greene’s successful campaigns in the South led to victory for the Patriots in the American Revolution. Counties in Pennsylvania, South Carolina, and Tennessee were named in his honor. Included in the Forgotten Heroes of the American series, this title is “competently done” (Horn Book, Apr. 1, 2007). This is a “lively profile [which] combines an engrossing account of the Revolutionary War with healthy measures of images and passages drawn from primary — and sometimes previously unpublished — sources” (Booklist, Jan. 1, 2007). Includes a glossary, timeline, websites, suggested reading, and index.

Miles, Miska Gertrude’s Pocket, illus. by Emily McCully. Boston: Little, Brown, 1970. 3–5 Gertrude Tolliver’s school dress is made from her grandmother’s old dress, and her underwear is made from flour sacks. When she earns a dollar for being a good Samaritan, and her nemesis, Watson Pike, continues to taunt her, she learns something about human pride and dignity. “Poverty is neither glamorized nor sentimentalized” in this Appalachian story that is “as plain and unassuming as the unselfconscious people” at its center (Horn Book, Apr. 1971).

Hoagie’s Rifle-Gun, illus. by John Schoenherr. Boston: Little, Brown, 1970. K–3 Horn Book begins its review of Miles’s book with a dramatic statement: “Hunger, as bony and lean as an old bobcat, stalks the pages of the brief tale of an incident in Appalachia.” Hoagie’s father is unemployed, and the family is living off potatoes, so he goes hunting for meat with his brother, taking the rifle and one bullet. When he confronts a bobcat, who is also searching for its dinner, he cannot shoot it. “The stark prose bares Hoagie’s desperation and records the mounting tension of his hatred until it is resolved in the knowledge that the cat shares a kinship with his family in their struggle for survival. The terse language and the rugged black-and-white drawings convey the staunch independence and spiritual strength of the mountain people” ( June 1970).

Millen, C. M. Blue Bowl Down: An Appalachian Rhyme, illus. by Holly Meade. Cambridge, MA: Candlewick, 2004. K–2 Every evening a little boy and his mother take down the big blue bowl and make bread. Told as a rhyming lullaby, the story celebrates the “joy and delicious rewards of working together.” Meade’s “evocative” illustrations establish the setting, but details of making the bread are absent. Cynthia Rylant’s When I Was Young in the Mountains (1982) or Appalachia: The Voices of Sleeping Birds (1991) provides “richer Appalachian cadences” (School Library Journal, Sept. 1, 2004). Booklist suggests that “Millen’s

182 • Miller syntax may leave readers unfamiliar with Appalachian dialects fumbling to catch the rhythm,” but the “wholesome comforts” of the ritual and Meade’s illustrations are winners (May 1, 2004). Kirkus Reviews considers this a “[s]weet and wonderful” picture book (May 1, 2004), and Library Media Connection echoes the assessment: “Sweet and reminiscent of a wonderfully different time in our history” (Aug./Sept. 2004). An author’s note at the end explains the impetus for the book.

Miller, Connie Colwell Mother Jones: Labor Leader, illus. by Steve Erwin and Charles Barnett, III. Mankato, MN: Capstone, 2007. 3–9 Miller presents the life story of Mother Jones in a graphic novel format.

Miller, Jim Wayne Newfound. New York: Orchard, 1989. 7–10 Jim Wayne Miller’s first novel is somewhat autobiographical. Told from the point of view of Robert Wells, this is the story of a young boy’s life from the sixth grade, when his parents divorce, to his going away to Berea College in Kentucky. Living with his mother, brother, and sister in Newfound, Tennessee, Wells experiences life in a close-knit Appalachian mountain community, including the usual family conflicts and tribulations. Miller is able to depict the community “vividly ... without ever rendering it quaint or representative.” He “distinctively” characterizes the people and creates a “setting resonant with rich traditions” (Bulletin, Nov. 1989). School Library Journal points to Miller’s obvious “love of language” that shapes this “lyrical memoir.... Unlike so many novels about Appalachia which rely on dialect and inclusion of folk stereotypes, Newfound is a collection of careful and gentle portraits of people and events drawn against the beauties of the Appalachian countryside” (Oct. 1989). The Horn Book Guide describes it as an “impressionistic novel” whose “skeletal plotline” depicts Appalachian people and life ( July 1989).

Miller, Raymond H. Jaromir Jagr. San Diego, CA: Kidhaven, 2003. 3–4 A biography of the Pittsburgh Penguins ice hockey player from Czechoslovakia.

Miller, Sarah Elizabeth Miss Spitfire: Reaching Helen Keller. New York: Atheneum, 2007. 5–9 Told from Annie Sullivan’s point of view, this fictional account of Sullivan’s first encounter with Helen Keller exceeds the usual biographical fare to “delve into the hearts and minds” of the people in Helen Keller’s life, “creating realistic, believable characters” (Voice of Youth Advocates, Aug. 1, 2007). Ac-

cording to Kirkus Reviews, Miller “nails her audience” in a book that focuses on a few weeks in Keller’s and Sullivan’s relationship ( June 1, 2006). This is “compelling reading even for those familiar with the Keller/ Sullivan experience” (School Library Journal, July 2007).

Mills, Lauren The Rag Coat, illus. by author. Boston: Little, Brown, 1991. K–3 In an author’s note, Mills acknowledges Dolly Parton’s song “Coat of Many Colors” as an inspiration for this book about Minna, a little girl who has no coat. With her father dead of black lung disease, and no money in the house, the Quilting Mothers of the community make Minna a patchwork coat, which she proudly wears to school. Mills’s characterization of Minna “walks a fine line between the Little Match Girl and Pollyanna,” though the familiar plot is “sturdy.” The final transformation of the children from taunting to accepting is too abrupt to be realistic, and “Minna seems noble to the point of martyrdom.” The illustrations are out of sync with the depictions of “Appalachian poverty” in the text (Bulletin, Jan. 1992). The Horn Book Guide agrees that the setting is “strong,” and judges the “nostalgic story” to be “well matched” by the illustrations (1991). Booklist points out that this story “celebrates community,” as do many books about Appalachia. Mills’s illustrations show “extraordinary depth” in a “clear and moving” tale that echoes the biblical Joseph and his “coat of many colors” (Oct. 15, 1991).

Mills, Patricia Until the Cows Come Home, illus. by author. New York: North-South, 1993. 4–6 Patricia Mills’s photo essay is composed of “[e]xquisite, hand-colored photographs” that convey a “nostalgic look” to this tribute to rural life in a time gone by. Each page carries a single line of text, resulting in a “satisfying visual experience” (School Library Journal, May 1993). Set where the Appalachian mountains bleed into lowlands on the border of West Virginia and Maryland, the book engenders a “pleasant sense of stillness and harmony” (Five Owls, Mar./Apr. 1993).

Milnes, Gerald Granny Will Your Dog Bite and Other Mountain Rhymes, illus. by Kimberly Bulcken Root. New York: Knopf, 1990; Little Rock, AR: August, 1999. K–2 Milnes’s collection consists of approximately 50 West Virginia folk rhymes and riddles, many of which children will easily recognize as variants of traditional Mother Goose rhymes. The picture book is also available with an accompanying cassette that features Milnes playing banjo and fiddle and vocals by Homer Fleming and nine-year-old Sonja

Monsell • 183 Bird. Root’s illustrations lend “a rural flavor,” adding value to the “quirky, down-home, regional fare” (Bulletin, Dec. 1990). Publishers Weekly notes that no one rhyme or illustration stands out; rather, the collection is noteworthy as a “cumulative portrait of a hardy, proud people and their rich, idiosyncratic and often heroic appreciation of life” (Nov. 16, 1990). The Horn Book Guide laments the absence of the printed music, and says the book will not be attractive to a wide audience. On the other hand, the illustrations “catch the flavor and spirit” of the West Virginia and Appalachian hill people (Spring 1990). Contains an index.

79 and his niece Sara Jean is an adult, he finally gets his barber shop and stays up all night cutting hair. The Bulletin praises the book because it avoids the pitfall that often sinks historical fiction for young readers: They “bathe in nostalgia that subverts their history, but this book is honest” about the poverty and Jim Crow laws (Sept. 1993). Booklist chooses to praise another feature of the book, the illustrations. They are its “real strength.” They extend the story adding a “homey” quality (Sept. 1, 1993). The Horn Book Guide considers Mitchell’s book a “warm portrait” of “a dream deferred” (1993).

Milton, Hilary H.

Molzahn, Arlene Bourgeois

Mayday! Mayday! New York: Watts, 1979.

Randy Moss. Mankato, MN: Capstone, 2002.

5–7 After a small airplane crashes on a mountainside near Birmingham, Alabama, two children must make their way down the mountain on a January night to get help for the survivors.

3–4 Included in the Sports Heroes series, this biography of West Virginia native and professional football player Randy Moss is intended for beginning readers.

Mitchell, Betsy

Monjo, F. N.

Journey to the Bottomless Pit: The Story of Stephen Bishop and Mammoth Cave. New York: Viking, 2004

Indian Summer, illus. by Anita Lobel. New York: Harper and Row, 1968.

4–8 This fictionalized account of Stephen Bishop, a Kentucky slave, is based on the few available factual tidbits about one of the earliest and youngest (age 17) explorers and tour guides of Mammoth Cave. According to School Library Journal, the book could be used for pre- or post-visits to Mammoth Cave (Dec. 2004). The Horn Book Guide considers the book “useful,” in spite of its “stiff ” narrative (Apr. 1, 2005). Booklist notes that Mitchell “cites no sources” for Bishop’s life or the history of slavery that she weaves into the text (Nov. 1, 2004). Kirkus Reviews agrees that Mitchell has added to the “skimpy historical record with invented dialogue and details,” but lauds the title because it “effectively raises the profile” of a black man who is largely ignored in American history (Oct. 1, 2005). The Bulletin offers the least favorable review. “The bland fictionalized dialogue recalls the bad old days of old-fashioned series biography, and the absence of any source information raises questions about the representation of Bishop’s viewpoints and opinions.” On the other hand, the book presents the life of a man heretofore largely ignored ( Jan. 2005). Includes a timeline and Afterword.

Mitchell, Margaree King Uncle Jed’s Barbershop, illus. by James Ransome. New York: Simon and Schuster, 1993. K–4 Told from the point of view of Sara Jean, this North Mississippi story of Depression-era poverty and segregation is ultimately about dreams, generosity, and love. Uncle Jed is a black barber who travels on horseback from house to house in Holly Springs. He saves his pennies, hoping to own his own barber shop, but life and a failed bank intervene. When he is

K–3 Indian Summer tells the story of two boys in pioneer Kentucky whose father is away fighting in the Revolutionary War. The children recognize that the hooting owls they hear are not birds but Indians warning their family, who has time to prepare and protect itself. Library Journal praises Lobel’s “excellent pictures” and the text, which is more realistic than many “juvenile book reductions” where Indians “miraculously become dearest friends” of the settlers (Nov. 15, 1968).

Monroe, Judy Jesse Owens: Track-and-Field Champion. Mankato, MN: Capstone, 2005. K–3 Monroe’s biography of Alabama native and Olympic champion Jesse Owens, a title in the Fact Finders series, includes a bibliography and index.

Monsell, Helen A. Young Stonewall. Indianapolis, IN: Bobbs-Merrill, 1942. 4–8 This title in the Boyhood of Famous Americans series shows a young Stonewall Jackson to be “a lively and lovable character.” Monsell uses “[s]imple words [and] simple sentences” to create text that would be suitable for “remedial reading” in middle-school grades (Library Journal, Oct. 15, 1942). This title was reprinted in 1953 and 1961 under two different titles, each having a different illustrator [see below].

Young Stonewall: Tom Jackson, illus. by Charles John. Indianapolis, IN: Bobbs-Merrill, 1953. 4–8 An illustrated reissue of the 1942 Monsell title, Young Stonewall, as part of the Childhood of Famous Americans series.

184 • Montgomery

Tom Jackson, Young Stonewall, illus. by Maurice Rawson. Indianapolis, IN: Bobbs-Merrill, 1961.

dramatic” (Bulletin, June 1970). Includes a bibliography, index, selected discography, and a list of songs written by Smith.

4–8 A newly illustrated reissue of the 1953 Monsell title, Young Stonewall: Tom Jackson, as part of the Childhood of Famous Americans series.

Moore, Heidi

Montgomery, Elizabeth Rider William C. Handy: Father of the Blues, illus. by David Hodges. Champaign, IL: Garrard, 1968. 3–4 Montgomery presents a “clear, fictionized” biography of the man who composed “Saint Louis Blues” and is known as the father of the blues. Born in Florence, Alabama, he endured segregation, rose to become one of America’s most celebrated black musicians, and lived to the age of 84. “Episodes of race prejudice ... are related within the context of the narrative and do not obstruct the story line; and the warm, two-colored illustrations enliven the story” (Library Journal, May 1969).

Mooney, Booth Sam Houston, illus. by George Roth. Chicago: Follett, 1966. 4–6 According to Library Journal, “This fictionized biography is written down and rather poorly done, at that.” Its minor flaws are unfortunate and make it of lesser quality and appeal than William Johnson’s Sam Houston, The Tallest Texan (1953) and Six Feet Six, by Bessie and Marquis James (1931) (Library Journal, Feb. 15, 1967).

Mooney, James Cherokee Animal Tales. Edited by George F. Scheer, illus. by Robert Frankenberg. New York: Holiday, 1968; Tulsa, OK: Council Oak, 1992. 4–7 These 13 Cherokee stories are adapted for children from James Mooney’s Myths of the Cherokee, originally published in 1900. Includes a good introduction to Cherokee history. “Pleasant, standard fare” (Horn Book Guide, Fall 1992).

Moore, Carman Somebody’s Angel Child: The Story of Bessie Smith. New York: Crowell, 1969. 4–7 Written by Carman Moore, a black musician, this biography of Bessie Smith, from Chattanooga, Tennessee, is “dramatic and sad — a blues story.” It tells the story of Smith’s childhood as an orphan, when she was already singing, and her hard life as an adult, both its ups and downs. She was known as “Empress of the Blues” but died as a penniless alcoholic prior to her 40th birthday. The inclusion of lyrics doesn’t quite work but may be attractive to some readers. The “writing is honest, the story inherently

Ida B. Wells-Barnett. Chicago: Heinemann, 2004. 2–4 A title in the American Lives series, this easy reader biography follows the series format, which features “large print; two-page, easy-to-read chapters; very limited facts; and a picture on every page.” It includes facsimiles of primary source documents, but these are considered “primarily fillers.” This biography contains little information that is not already available in reference books and other biographies (School Library Journal, Nov. 1, 2004). Contains both blackand-white and full-color photographs, illustrations, maps, and a timeline.

Moore, Jim Super Bowl IX: Pittsburgh Steelers vs. Minnesota Vikings, January 12, 1975, New Orleans Tulane Stadium. Mankato, MN: Creative Education, 1983. 3–6 Describes the winning performance of the Pittsburgh Steelers in their Super Bowl victory over the Minnesota Vikings in 1975.

Moore, MariJo The Cherokee Little People: A Native American Tale, illus. by Emma Shaw-Smith. Cherokee, NC: Cherokee, 2000. K–2 This 16-page, small paperback in the Rigby Literacy series is a Cherokee version of the folk motif best known as the Grimms’ “The Elves and the Shoemaker.” Tooni and Polly, a Cherokee couple, raise such a flourishing crop of corn that they cannot harvest it without help. During the night, the Cherokee Little People harvest the corn. Out of gratitude, the couple makes little moccasins and cornbread, which they leave under a big pine tree. Colorful illustrations in the folk art tradition are appropriate to the spare, simple text and add sufficient detail to attract interest from beginning readers. (RH)

The First Fire: A Traditional Native American Tale, illus. by Anthony Chee Emerson. Barrington, IL: Rigby, 2000. 1–2 This book relates the tale of how the Cherokee acquired fire. After several animals fail in their attempts to bring fire to the earth, the little water spider succeeds.

The Ice Man: A Traditional Native American Tale, illus. by Yoshi Miyake. Crystal Lake, IL: Rigby, 2000. 1–2 While burning fall leaves, the Cherokee allow the fire to spread beyond their control. Little

Moore • 185 Squirrel and Young Deer go to the land of the Ice Man, who sends rain and hail to extinguish the fire.

Moore, Robin The Bread Sister of Sinking Creek. New York: Lippincott, 1990. 5–7 This story of 14-year-old Maggie Callahan and her adventures in 1776 Pennsylvania is not well received by reviewers. Maggie leaves Philadelphia, hoping to join her Aunt Franny in Pennsylvania. Unfortunately, Franny has left for Ohio, and Maggie must fend for herself. She earns money by baking bread, using her family’s recipe and filling the role of “Bread Sister” left vacant by her aunt. She lives for a time with the McGrew family, but then runs away to find Franny, incredibly surviving wilderness and disaster. The Horn Book Guide considers the “seriously flawed” book an “amateurish mishmash” attached to a “weak” structure (Fall 1990). The Bulletin suggests that “Moore seems so intent on showing Maggie’s resourcefulness, courage, and diligence that he loses perspective on realistic behavior.” His use of dialect is “awkward,” and the “too-busy” story is flawed (Sept. 1990). Kirkus Reviews labels Moore’s book anachronistic because he attaches “modern feminist ideals” to Maggie and writes “without much thought to accuracy” (Apr. 15, 1990). Publishers Weekly, on the other hand, says Moore “expertly blends” the adventure of Maggie’s situation with the “earthy process of bread baking. Maggie emerges as a down-to-earth, sensible girl with a streak of wildness that readers will find irresistible” (Apr. 13, 1990).

The Cherry Tree Buck and Other Stories, illus. by Kees deKiefte. New York: Knopf, 1995. 3–5 Moore, a professional writer and storyteller, follows his 1994 success (When the Moon Is Full) with this collection of six “nostalgic” stories from his childhood in central Pennsylvania mountain country. The tall tales feature his and his grandfather’s adventures with animals who have mysterious powers. Humor and exaggeration, along with Moore’s “straightforward style, short sentences, and accessible large print,” make the tales attractive to children. The stories are complemented by deKiefte’s illustrations (School Library Journal, June 1, 1995). Booklist agrees that the “combination of animals, environmentalism, and the supernatural” make this a good book for children (Apr. 15, 1995). The Bulletin praises Moore’s “wry tone” and knowledge of animals ( July/Aug. 1995). The Horn Book Guide notes that the prose is sometimes “flat,” but the tales are “generally engaging” (Fall 1995). Adult readers will recognize traditional folk patterns and motifs in the stories.

Maggie Among the Seneca. New York: Lippincott, 1990. 5–8 This sequel to The Bread Sister of Sinking Creek (1990) continues the tale of Maggie Callahan, age

16, who is captured by the Seneca in central Pennsylvania during the summer of 1778. She assimilates into their tribe, marries a Seneca, and gives birth to his child. At the end, she makes her way back to her aunt’s tavern on the Allegheny River. According to School Library Journal, “So many things happen to Maggie that there is little space for anything else, and her strength through all of these adversities borders on the unbelievable.” Characterization is weak and the “prose is flawed.” While the reading level is appropriate to middle grades, “many of the events will be lost on them, or will be beyond their emotional ken” (Oct. 1990). On the other hand, Social Education listed this title among Notable 1990 Children’s Trade Books in the Field of Social Studies, calling it a “respectful portrayal of Native American culture” (Apr./May 1991).

Up the Frozen River, illus. by William Sauts Bock. Springhouse, PA: Groundhog, 1993. 5–8 In this conclusion to the Bread Sister trilogy, Maggie returns with Jake Logan to the burnedout Seneca village to search for her child, Hoot Owl, who was taken from her by the mysterious Seneca Ragpicker in the second volume.

When the Moon Is Full: Supernatural Stories from the Old Pennsylvania Mountains. New York: Knopf, 1994. 5–7 Moore’s collection of six “spooky” tales, most of which feature animals, is “beautifully written and quietly chilling (Kirkus Reviews, Dec. 15, 1994). The “down-home style” and idioms “lend an air of authenticity even as readers understand that they cannot possibly be true.” In all, the tales may attract the reluctant or slow reader (School Library Journal, Dec. 1, 1994). According to Booklist, “Moore puts flesh on folktale bones” to produce “unsensationalized” stories of the bizarre and supernatural. This collection offers “a welcome alternative to mass-market horror stories” ( Jan. 15, 1995). The Horn Book Guide considers these “haunting, rustic” tales that dissolve the “distinctions” between human and animal (Spring 1994). Contains an Afterword that explains the source of the tales.

Moore, Ruth Nulton Mystery at Indian Rocks, illus. by Magi Bond. Scottdale, PA: Herald, 1981. 6–8 Betty Jo Simpson and her father, Clint, have for a decade lived under a cloud of suspicion in the community of Back Mountain. When the payroll was stolen from Walker Lumber Company, Clint Simpson was accused of the theft and fired. But their lives take a turn for the better when they get summer jobs at Pioneer Village, a craft and heritage center in the West Virginia Mountains. On her first day at work, Betty Jo discovers that Hal Turner, one of her Lumberton High classmates, is also working at Pioneer Village, and the two of them quickly become caught up in a mystery involving a rock shelter on her fa-

186 • Moriarty ther’s property, which adjoins Pioneer Village. A series of predictable events, including two thefts, results in a predictable solution, including the clearing of Clint’s name. By the end of the summer, Betty Jo and her father are on the road toward a new life, and Hal has declared that Betty Jo will be his “best girl” during the oncoming year at Lumberton. A formulaic story with little to recommend it, the novel may appeal to mystery enthusiasts; otherwise, readers should look for more substantive fiction. (RH)

Morris, Gilbert

Peace Treaty, illus. by Marvin Espe. Scottdale, PA: Herald, 1977.

Hugo L. Black: Justice for All. Birmingham, AL: Seacoast, 2001.

5–8 Held captive by Indians near Fort Duquesne, a young Moravian boy uses his faith in God to promote peace. “The elements of early pioneer and Indian life add some interest, but the heavy sectarian message ... restricts its audience” (School Library Journal, Apr. 1978).

Wilderness Journey, illus. by Allan Eitzen. Scottdale, PA: Herald, 1979. 4–6 This easy-to-read piece of historical fiction is based on the true story from Moore’s husband’s family. James and John Graham, from Northern Ireland, are left to travel alone from Philadelphia, across the Alleghenies, to Pittsburgh, when their father dies at sea and their mother goes ahead to establish a home and a living. “Lovingly researched details, authentic minor characters, and a plot that carries readers rapidly to the end makes this a good choice” for readers who like historical fiction about pioneer life (School Library Journal, Apr. 1980).

Moriarty, J. T. Davy Crockett: Frontier Hero. New York: Rosen, 2003. 4–8 This title in the Primary Sources of Famous People in American History series surveys the life of the American frontiersman who became a member of Congress and died trying to defend the Alamo.

Morris, Ann Grandma Lois Remembers: An African-American Family Story, illus. by Peter Linenthal. Brookfield, CT: Millbrook, 2002. K–3 Grandma Lois lives in Queens, New York, but grew up in Birmingham, Alabama, probably in the 1920s (no specific date is given). In this photo-essay, she tells her grandson what it was like to grow up in the South, mentioning segregation and hard times, but she never states or implies any negativity. The Horn Book Guide notes that a few of the photographs are “blurred” and the use of multiple font sizes is “confusing”; nevertheless, the book presents a “personalized” look at cultural heritage (Fall 2002). Like the other titles in the What Was It Like, Grandma? series, this book includes a recipe, an activity, and the words to a song —“Amazing Grace.”

The Soldier Boy’s Discovery. Chicago: Moody, 1996. 5–7 From the Bonnets and Bugles series, Christian writer Gilbert Morris sets this story in Maryland during the Battle of Antietam. Fifteen-yearold Jeff Majors, a drummer in the Confederate Army, learns valuable life lessons.

Morris, Roz 5–8 This title in the Alabama Roots Biography series covers the life of Supreme Court Justice Hugo LaFayette Black.

Julia Tutwiler: Alabama Crusader. Birmingham, AL: Seacoast, 2000. 5–8 Morris presents a biography of Julia Tutwiler, native of Tuscaloosa, Alabama, who is known for her educational and prison reforms. A title in the Alabama Roots Biography series.

Moseley, Elizabeth R. Davy Crockett: Hero of the Wild Frontier, illus. by Thomas Beecham. Champaign, IL: Garrard, 1967. 2–5 A Discovery Book, this biography of Crockett is more factual and has more believable dialogue than the typical Bobbs-Merrill biography for the same age group (see Aileen Wells Parks’s Davy Crockett: Young Rifleman, 1949). It details Davy’s difficulties with his father, his running away from home, and the fact that he became interested in learning to read and write only when he was rejected by a girl who married a teacher. His marriages, his inability to stick to farming, and his attitude toward the “murdering Red Sticks” (41) are all accurately portrayed, as are his political and financial ventures. The book essentially ends when Crockett disagrees with President Jackson’s plan to move the Indians west of the Mississippi and suffers political defeat as a consequence. The last chapter glosses over his trip to Texas and briefly details the loss to Santa Anna, but it ends in predictable style emphasizing that he died at the Alamo with “Old Betsy” by his side. The Horn Book Guide judges this volume’s “style, content, and/or illustration” to be “unacceptable” (Sept. 1, 1991). (RH)

Moser, Barry Good and Perfect Gifts: An Illustrated Retelling of O. Henry’s “The Gift of the Magi,” illus. by author. Boston: Little, Brown, 1997. 3–6 O. Henry’s classic short story “The Gift of the Magi” has been told and retold in many versions, including a Disney animated Christmas cartoon featuring Mickey and Minnie Mouse. In Moser’s version, which is set in modern-day Appalachia, Rebecca

Mullins • 187 sells her prized quilt to buy a tool chest for Fenton, her husband, and he sells his tools to buy her a chest for the quilt. The couple lives in a trailer, and work at typical middle-class jobs: He is a carpenter and an auto mechanic; she is a waitress and hairdresser. Booklist says Moser’s text is somewhat “heavy-handed,” but the “realistic, sepia-tone illustrations capture the wonder of the Christmas story in ordinary life” (Sept. 1, 1997). According to Horn Book, Moser is true to the “spirit of the original” story, and his illustrations “have a homespun quality” (Mar. 1998). Kirkus Reviews agrees that Moser “retains both the sweetness and the irony” of the original tale, but the names of the characters and his attempt at dialect “are overdone to the point of caricature.” The illustrations, on the other hand, are “masterly” (Sept. 1, 1997). School Library Journal finds the opening scene highly flawed, but the story redeems itself in the end, and the illustrations emphasize “the rustic setting.” Ultimately, however, this is a book for adults, not children (Oct. 1, 1997).

readers wonder whether the events can, indeed, take place in their worlds (Mar. 1, 1994). The Horn Book Guide notes the dialect and the illustrations, which are “compelling” in their “use of light and dark” (Fall 1994).

Polly Vaughn: A Traditional British Ballad, illus. by author. Boston: Little, Brown, 1992.

1–3 Moss has brought to life for children a little-known sports story about a remarkable woman, Jackie Mitchell, who pitched for the Chattanooga, Tennessee, Lookouts. On April 2, 1931, Mitchell struck out Babe Ruth and Lou Gehrig of the New York Yankees in an exhibition game in Chattanooga. According to Booklist, this is a “powerful read-aloud,” and “Payne has well and truly captured the tone with his wonderful pictures” that are reminiscent of Thomas Hart Benton. Booklist asks, “How come we didn’t know about her?” ( Jan. 1, 2004). While Moss “indulges in some minor fictionalizing,” the story has the “air of an experience remembered” and is well illustrated by Payne (School Library Journal, Feb. 2004). Kirkus Reviews is critical of Moss’s decision to relegate important information (Mitchell was later banned from baseball) to an author’s note instead of weaving it into the story ( Jan. 15, 2004). The Bulletin points out that there are unanswered questions: How did Mitchell, a girl, come to be signed by the Lookouts? Why was she, at age eight, coached by Dazzy Vance, the star pitcher for the Dodgers? (Mar. 2004). All, including the Horn Book Guide, praise Payne’s illustrations. They are “expressive, sculptural renderings” (Fall 2004).

4–up This is a story about feuding families, which School Library Journal compares with other literary feuds, such as the Montagues and Capulets or the Hatfields and McCoys. In this case, it’s the Randalls and Vaughns, but the feud is centuries old. As Moser’s Afterword explains, the source is a folk ballad that comes from the British Isles, “Molly Bawn.” “Moser fleshes out an Appalachian ballad with full characters and a vivid setting,” but the dialect is “cloying.” As usual, the illustrations win higher praise than the text; they are “typical of Moser’s impeccable style” ( July 1992). Booklist says that while the subject matter may be “the stuff of tabloids,” the illustrations depict “no stereotypes.” They render the “jurors, the small-town ‘characters,’ in all “their narrowness, their hypocrisy, and their need.” Its one flaw is that the ballad loses something when it is “recast in prose” (Mar. 1, 1992). The Horn Book Guide notes the somewhat didactic message about guns and hunting but praises Moser’s “splendidly illustrated” book (1992).

Tucker Pfeffercorn: An Old Story Retold, illus. by author. Boston: Little, Brown, 1994. 1–3 As in his Polly Vaughn (1992), Barry Moser retells another classic folktale —“Rumpelstiltskin.” In this version, Bessie Grace Kinzalow must guess the name Tucker Pfeffercorn or her daughter, Claretta, will be murdered by the evil Hezekiah Sweatt. In a lengthy review, the Bulletin describes Bessie Grace as an “angel” straight out of a country music lyric and compares Sweatt with Carson McCullers’ “grotesques.” “By putting a European folktale into an American context, old roots in new soil, Moser surprises our expectations—that’s not supposed to happen here—so we see the story and the setting each in a new light” ( June 1994.) Booklist takes a similar view; the “colloquial voice” and the familiar look of the characters make

Moses, Will Johnny Appleseed: The Story of a Legend, illus. by author. New York: Philomel, 2001. 4–6 In this fictionalized biography, Moses (a direct descendant of artist Grandma Moses) portrays the legendary John Chapman with an “appealing folkart style [and] thoughtful prose” (Kirkus Reviews, July 1, 2001).

Moss, Marissa Mighty Jackie: The Strike Out Queen, illus. by C. F. Payne. New York: Simon and Schuster, 2004.

Mounts, Willard The Rugged Southern Appalachia: Early Settlement, Early Feuds, Strikes, Drugs, Poverty, Schools, Beauty, 1700–Present. Denver, CO: Ginwill, 1997. 3–up This history of the Appalachian region includes maps, photographs, a bibliography, and index.

Mullins, Norman D. Mountain Boy: The Adventures of Orion Saddler. Chapmanville, WV: Woodland, 2004.

188 • Munzer 3–7 This is a fairly typical city-kid-gets-sentto-the-country story, with the usual conflicts, embarrassments, and coming-of-age triumphs. Orion Saddler is the Ohio city kid who gets sent for a summer to live with his grandparents, Poppy John and Mammaw Saddler, on their West Virginia farm. “Sophisticated students may think Orion’s early school behavior is fairly innocuous, and some may find the ending a bit preachy.” In all, however, this is a “nicely flowing adventure of a unique summer” that will attract young readers (KLIATT, Sept. 2004).

Munzer, Martha E. Valley of Vision: The TVA Years. New York: Knopf, 1969. 6–up In a review of Valley of Vision, the New York Times laments that the details of history “are too often petty and inaccurate reflections of their times.” But this observation cannot be applied to Munzer’s work because she “has been faithful to her subject and its era.” Munzer gives an accurate history of the TVA, including its origin in the presidency of Theodore Roosevelt, not Franklin D. Roosevelt. She acknowledges that the “‘Hill People’” looked upon it with distrust, “suspicion and fear” because it displaced 13,500 families and flooded 610,000 acres in five states. Munzer defends the TVA, saying that it provided employment and food and “quickly changed fear into hope and finally into complete acceptance.... Here is an example of how constructive effort can be employed in changing society for the better. Solutions are possible when men of vision such as the Pinchots, Norrises, the Hugo Blacks, the Morgans and the Lilienthals dare to dream impossible dreams. Our times offer the same kind of challenge” (New York Times, Aug. 3, 1969). Even in 1969, this perspective would have been challenged; in the 21st century, the book provides a perfect example of how political and social viewpoints gain and lose favor. (RH)

Murdico, Suzanne J. Mario Lemieux. Austin, TX: Raintree SteckVaughn, 1998. 4–6 This title in the Overcoming the Odds series traces the ice hockey career of the Pittsburgh Penguins star, Mario Lemieux, and discusses the challenge he faced in his battle against Hodgkin’s disease. Includes a bibliography and index.

Murphy, Rita Harmony. New York: Delacorte, 2002. 5–up Murphy sets this piece of magical realism in the Hamlin Mountains of northeast Tennessee, where the main character’s, Harmony’s, back yard adjoins three states: Tennessee, North Carolina, and Virginia. The story goes that one August evening she fell — as a star — through the roof of the chicken coop belonging to Felix McGuillicuddy and his wife Net-

tie Mae, who is part Cherokee, a midwife, raises chickens, and teaches Harmony about the magic of nature and the need to protect it. Harmony discovers that she has special powers, a gift that she fears because it makes her an outsider. “This touching story combines the trials and tribulations of growing up with the problems of having extrasensory perception.... A wonderful story of a teen who is coming to terms with being different and learning to accept her gift” (School Library Journal, Oct. 1, 2002). Murphy’s first novel is written in “sweet, sharp language as clear as the scent of pine” (Booklist, Sept. 15, 2002). Murphy depicts a “palpable sense of place” and “a supporting cast of full-blooded, eccentric mountain people” (Publishers Weekly, Sept. 23, 2002). Kirkus Reviews agrees that “Murphy has created a magical story written with a light, lyrical touch, always rooted in the particulars of the mountain setting” (Sept. 1, 2002).

Murray, Marguerite A Peaceable Warrior. New York: Atheneum, 1986. 6–8 Rod and Julie Patterson usually vacation at the beach, but this year they go to a cabin in the Blue Ridge Mountains. Fortunately, their friends, the Kendricks, are ensconced in a neighboring cabin, so the four young people explore and take their ease. Their vacation is clouded by Copperhead, a criminal suspected of unlawful disposal of toxic waste. Rod, a typical young boy, susceptible to angst and conflict with his father, captures Copperhead and comes to terms with life’s incongruities. Murray’s “story sometimes moves slowly but does have a taut finish. Rod is well characterized, but some secondary characters are not.” In spite of these flaws, Rod’s dilemma concerning nonviolence will spark good discussions (Booklist, Aug. 1986).

Musgrave, Florence Oh, Sarah, illus. by Robert Candy. New York: Ariel, 1953. 5–up Musgrave’s story is somewhat autobiographical and modeled after her childhood as the daughter of a Methodist minister. Sarah is a “refreshingly candid young heroine,” though somewhat “rebellious” and resentful of the expectation that she conform. She also resents her seeming poverty and the orphaned twin cousins that her parents bring into the home. Sarah’s humor, her personal growth, and her struggles will be attractive to young female readers (Horn Book, June 1953).

Robert E. New York: Hastings, 1957. 5–up Robert, age 10, has spent his life in the Appalachian mountains. When he goes to the Midwest with his grandfather and mother, he is “proud, reserved, and given to fighting” as he adjusts to a new world and new people. School Library Journal considers this book to be “hard reading” for its intended age

Naden • 189 range and questions whether Robert’s difficulties, which are not presented through the typical “adventure and sport” frames, will be attractive to young boys. “Not recommended” ( July, 1957).

Sarah Hastings. New York: Hastings, 1960. 5–up This sequel to Oh, Sarah is set in a 1917 coal-mining town, Mountain City, when Sarah is 15 and beginning to be interested in boys. Musgrave capably shapes the story about prejudice toward a German family and balances it with the daily life of the community. “An authentic flavor and lively action recommend this for girls who enjoy stories of yesterday” (Horn Book, Oct. 1960).

Musick, Ruth Ann Coffin Hollow and Other Ghost Tales. Lexington, KY: University Press of Kentucky, 1977. 6–up This title offers 96 tales that were collected by Musick’s students prior to her death in 1974. Most of the stories are from West Virginia, though a few come from southwestern Pennsylvania. “Unfortunately, Coffin Hollow has a number of shortcomings of which anyone seriously interested in legendry should be aware. First of all, the tales are presented in a vacuum.... Another problem is that all the stories are literary production, and they read like short stories. The voices of the folk narrators fade away under the compositional skills of the student-collector.... Finally, comparative notes about the tales are limited.” In spite of these flaws, the book will be useful to readers searching for tales of the supernatural (Journal of American Folklore, Jan. 1980).

Green Hills of Magic: West Virginia Folktales from Europe. Lexington, KY: University Press of Kentucky, 1970. 6–up Choice compares this collection to those of Richard Chase, Leonard Roberts, Marie Campbell, and Vance Randolph. The volume illustrates the great ethnic diversity of folktales in Appalachia, as well as “the rich variety of contemporary American narrative traditions.” Indexes of tale types and motifs, along with background on informants, make the collection particularly useful to researchers (Dec. 1970).

The Telltale Lilac Bush and Other West Virginia Ghost Tales. Lexington, KY: University Press of Kentucky, 1965. 6–up These West Virginia ghost tales were collected “over a period of 18 years.” Musick has provided notes on motifs, along with background on the informants (Antiquarian Bookman, May 1965).

Myers, Elisabeth P.

is considered “well researched,” and compares favorably with Coit’s 1965 biography as well as Andrist’s and Schlesinger’s 1963 work (School Library Journal, June 15, 1971). A title in the President series, the book contains a bibliography and index.

Angel of Appalachia: Martha Berry. New York: Messner, 1968. 6–9 Rebecca Caudill begins her New York Times review of this biographical novel with a quotation from Thomas Berry, Martha Berry’s father: “Think no little thoughts.” This maxim is indicative of the “big” results of Martha Berry’s life and work, and Myers’ “account ... of Miss Berry’s ingenuity, daring and pluck” will be attractive to children. Caudill also feels that Myers’ book is timely because of the 1960s “national interest focused on Appalachia and its problems.” She does fault the use of dialect, however, saying that it is “more nearly that of the uneducated among both white and black of the Deep South than of the mountaineer” (Apr. 21, 1968). Library Journal also finds flaws: “The first four chapters, which deal with Miss Berry’s youth, are weakened considerably by the fictionizing and the insertion of cumbersome dialect simulating the speech of the Georgia Highlanders both white and Negro. Characterizations lack depth so that Martha seems a curiously wooden individual.” Myers does a better job depicting Berry as an adult, and young readers will be captivated by her integrity and courage (Mar. 15, 1968). Contains an index.

Myers, Walter Dean The Journal of Biddy Owens: The Negro Leagues. New York: Scholastic, 2001. 4–9 This title in the My Name is America series is the fictional journal of Biddy Owens, age 17, who is a gofer and player for the Birmingham Black Barons in 1948. Myers’ book is considered “solid,” though the voice of the journal is more conscious of the racial tensions than is consistent with the atmosphere of 1948. On the other hand, “this is not too intrusive and is quickly overshadowed by Biddy’s agreeable voice.” Myers presents the full “historical context” of the Negro Leagues, “fully realized characters, great baseball action, and trademark Myers humor” (Kirkus Reviews, Mar. 15, 2001). The Bulletin finds Owens’ voice to be “honest but not overly reflective” ( July/Aug. 2001). Booklist points out that this is more than one boy’s story; it is the story of Southern prejudice against black ballplayers (Feb. 15, 2001). “Myers presents the excitement and promise of professional black baseball against a backdrop of Jim Crow laws” (Voice of Youth Advocates, Aug. 2001). A historical note and archival photographs of the Black Barons are appended.

Andrew Jackson. Chicago: Reilly and Lee, 1970.

Naden, Corinne J., and Rose Blue

7–9 This biography of “Old Hickory” is considered to be a “highly readable, thorough account,” inviting readers to “love or hate him” as they will. It

3–7 A title in Raintree’s African-American Biographies series, Naden provides a satisfactory look

Condoleezza Rice. Chicago: Raintree, 2006.

190 • Naylor at Rice’s early years, but the text is described as “choppy” and guilty of “simplifying complex events” (Horn Book, Apr. 1, 2006). Contains photographs, glossary, timeline, reading list, and index.

John Henry: Steel-Driving Man, illus. by Bert Dodson. Mahwah, NJ: Troll, 1980. 1–4 Naden’s contribution to the Folk Tales of America series follows the series template, which is described as having “much ... that pleases.” The paper, the binding, and the cost are plusses, and though Dodson’s illustrations are “well drafted, ... they do not really extend” the story. Otherwise, the series can claim “mixed success”: “Some of the language difficulties come from weaknesses that no successful storyteller can afford, especially the tendency to explain what is better left unexplained. The intrusion of literalism very much weakens the retelling of these tales” (School Library Journal, Oct. 1980).

Naylor, Phyllis Reynolds Boys Against Girls. New York: Delacorte, 1994. 4–6 This third title in Naylor’s humorous comedy series about the feuding West Virginia Malloy sisters and Hatford brothers centers on the abaguchie, a large creature that several people have supposedly glimpsed but not fully seen. It eats small animals but, more importantly, provides good fodder for the pranks, tricks, and scare tactics that are the core of this series. The story is told from the alternating viewpoints of Wally Hatford and Caroline Malloy. “Naylor mixes in some real suspense with the farce and the folklore,” all of which ends with a Thanksgiving feast (Booklist, Sept. 1, 1994). Given the similarity to the first two books, this plot is “predictable” and “lacks development.” On the other hand, the energy of the feud and Naylor’s “ever-lively” prose make for a pretty good read (Bulletin, Nov. 1994).

Boys in Control. New York: Delacorte, 2003. 3–6 The ninth title in the Hatford-Malloy series finds the boys and girls cooperating yet still feuding. Eddie Malloy, a girl, and Jake Hatford are on the Buckman Badgers sixth-grade baseball team. As they prepare for the championship game, Jake helps Eddie practice, and Wally and Caroline both help with the community yard sale. The feud rekindles, however, when embarrassing pictures of the Hatford boys surface and blackmail ensues. An additional subplot “provides suspense but strains credulity.” On the other hand, “this is a fast-paced read, and fans of the series will welcome it.” The baseball action will attract sports readers, and it is a plus to have a girl featured as a player (School Library Journal, Oct. 1, 2003).

The Boys Return. New York: Delacorte, 2001. 3–6 Title number seven in the Buckman, West Virginia, series about the feuding Hatfords and Malloys involves the five Benson brothers who return to Buckman for a visit with the Hatfords. The addition

of five more boys complicates the Malloy sisters’ plots against the Hatford boys and adds a boy-girl romantic attraction. As with the other titles, all rise to the challenge of providing practical jokes and plots, this time a scheme to catch a cougar that is on the loose. “Readers will wish they could have this much fun with their neighbors and friends.” While no title in the series is dependent on another, they are “more fun” if read in sequence (School Library Journal, Oct. 2001). The Horn Book Guide recommends the title and says that Naylor maintains the “humor and excitement” that readers have come to expect (Spring 2002).

The Boys Start the War. New York: Delacorte, 1993. 3–6 This title is the first in the series about the four Hatford boys and the three Malloy girls, who live in Buckman, West Virginia. The Hatfords are native West Virginians, but the Malloys are outsiders from Ohio. The two sets of siblings engage in a feud, drawn strictly on gender lines, that includes ruses, tricks, pranks, and slapstick humor. The Bulletin describes Naylor as a “versatile author” who has created a “rambunctious tale” involving “ferocious” battles and “obstreperous humor.” Everything from stolen underwear to feigned death seasons a fast-paced plot (Apr. 26, 1993). Publishers Weekly describes the book as a “blithe and boisterous romp through the middle-grade gender wars.” Naylor provides a “smooth regional accent” for this novel, which also promotes “strong family values” and “wholesome, if stock, characterizations” (Apr. 26, 1993). According to Booklist, this story does not carry the “anguish” of Naylor’s Alice books (Feb. 15, 1993).

The Girls Get Even. New York: Delacorte, 1993. 3–6 This sequel to The Boys Start the War presents “the same joyful combination of farce, embarrassment, and vulgar insult” as the Malloy-Hatford feud continues. Some of the humor lags because the plot is slightly repetitious of the first in the series, but “Naylor captures the way kids play, especially the intensity about enemies,” which is extended by the plot reversals and attempts to get even. The parents, of course, are clueless, a feature that is most attractive to child readers (Booklist, Aug. 1993). The Bulletin agrees that the plot “lacks a satisfying structure” because there is “no beginning, middle, or end. Feuds are like that,” perhaps (Nov. 1993). The ALAN Review describes this installment as a “short, funny book” with a “lighthearted and humorous” tone (Spring 1994).

The Girls’ Revenge. New York: Delacorte, 1998. 3–5 The feud continues in this fourth installment in the series about the Hatford boys and the Malloy girls. This story involves Christmas and the fear that both Caroline and Wally may fail fourth grade. “Introduce middle readers to all the books so that they can enjoy the feud in its entirety” (Booklist, Sept. 1, 1998). The Horn Book Guide deems the nar-

Naylor • 191 rative “humorous” and argues that the “moments of rapprochement add interest” (Spring 1999).

Girls Rule! New York: Delacorte, 2004. 3–6 The tenth title in the series about the feuding Hadfords and Malloys is set in June. As in previous titles, they cooperate briefly (on a car-wash fundraiser), but the lure of war is too strong for a truce to last long. There is also the question of whether the Malloys will move back to Ohio or stay in Buckman, a question that inspires the children toward even higher hijinks. “With its likable characters and descriptions of school and family life, the novel will satisfy series fans, and new readers will be able to join in on the fun” (School Library Journal, Oct. 1, 2004). Booklist is critical of one plot device that features a class assignment, which trips up Naylor “on the old stereotype of an Africa with Tarzan types swinging in the jungle.” In spite of this flaw, children will “grab” this book (Dec. 1, 2004).

The Girls Take Over. New York: Delacorte, 2002. 3–6 Volume number eight in the feuding Hatford-Malloy series involves a message-in-a-bottle plot and yet another “drama-queen” episode where Caroline falls into the river. In this title, sixth-graders Eddie Malloy, a girl, and Jake Hatford both try out for the baseball team, and fourth-graders Caroline and Wally face off in a spelling bee. The book can stand alone but is also an “entertaining addition to the series” (School Library Journal, Sept. 1, 2002). According to Booklist, Naylor “takes friends-and-enemies fun beyond formula” in this addition to the series, which is characterized by “a strong sense of the small West Virginia town” of Buckman, where it is set (Sept. 15, 2002). In spite of its “few dull spots early on” and the myriad “characters to keep track of,” this installment will be “ambrosia” to readers hooked on the series (Kirkus Reviews, July 1, 2002).

Josie’s Troubles, illus. by Shelley Matheis. New York: Atheneum, 1992. 3–7 Set in Webster Springs, West Virginia, this is the story of Josephine and her best friend, Sara Prescott, typical little girls who get into trouble without meaning to. Their trouble includes a disastrous plan to earn money by caring for plants and pets, as well as their struggle to maintain a friendship. Publishers Weekly praises Naylor’s “adroit” handling of “humor and intrigue,” as well as her “[d]eft characterization and lively narration” (Aug. 17, 1992). Booklist finds this to be a “pleasant reworking of a familiar story,” seasoned with much humor (Sept. 1, 1992). In spite of Naylor’s unfortunate tendency to elevate and defer to physicians, the book is a good read (RH).

Night Cry. New York: Atheneum, 1984. 4–8 During the summer following eighth grade, Ellen’s natural self confidence begins to wane because her world is changing. She is afraid of Sleet,

the horse that caused her brother’s death a year back. She misses her father, who is on the road much of the time. Even the kudzu around her north Mississippi home is stifling. But when called upon to intervene in a kidnapping, Ellen finds the strength and presence of mind to rescue a child. “The dialogue is enriched by the backwoods dialect” and the setting is “integral” to the plot (Horn Book, June 1984).

Sang Spell. New York: Atheneum, 1998. 6–up Josh Vardy, a high-school junior, is orphaned when his mother dies in an automobile accident, and so he runs away from his Boston home, hoping to hitchhike to Dallas. Along the way, he is beaten, robbed, and abandoned beside the road, where he is rescued by a woman who takes him by wagon to a mythical, mystical community in the Appalachian mountains called Canara. There he finds himself trapped in a mysterious community of Melungeons, which Naylor describes as a mixed race of Portuguese and Indian. They live an isolated life, cultivating and harvesting ginseng. Canara has the feel of a secret, dystopian Brigadoon, tethered to the cycles of the moon, from which Josh eventually manages to escape. Of course, Josh is forced into self analysis and eventually comes to understand more about himself, his past, and his future. Most reviewers, unfortunately, “buy into” Naylor’s depiction of the Melungeons, who are a real people living in Tennessee (RH). The Horn Book praises her for revealing this “little-known piece of American history.” Though Naylor’s “ambitious melding of history, fantasy, mystery, and psychology” is a bit unwieldy, the “intriguing setting and dilemma” are sufficient (Nov./Dec. 1998). KLIATT finds the book to be an “atmospheric, suspenseful read,” propelled by Naylor’s skill in creating the “odd, enchanted world of Canara” ( Jan. 1999). Voice of Youth Advocates concurs that Naylor has given us a “memorable story” and a “believable character” in Josh. “The reader is aware that Canara’s people will live on as they hover between their world and the world as we know it” (Feb. 1999). Booklist praises the novel as a “masterfully crafted tale of mystery, magic, and madness,” which provides a “rare glimpse of a nearly forgotten episode in our history” (Sept. 15, 1998). The Bulletin is alone in its negative assessment of the book. While Naylor has rendered the setting “realistically tangible,” the “psychological realities” are vague. Characters are “flat and undifferentiated” and the “logistics” of certain features, such as buildings, that appear and recede “lack logic and clarity.” The “pacing” is “uneven,” and too many questions are left hanging ( Jan. 1999). Historians, sociologists, anthropologists, and other scholars of Melungeon history will find the story laughable, and one wonders what the Melungeon community itself thinks of it. Ironically, Naylor has chosen the name of an actual Melungeon community — Vardy, near Sneedville, Tennessee — as the surname for her main character (RH).

192 • Naylor

Saving Shiloh. New York: Atheneum, 1997. 4–8 The final installment in Naylor’s boyloves-dog trilogy about Marty and Shiloh focuses not so much on the dog as on its original “nemesis,” Judd Travers. Judd has begun to soften and to engage with the community, so when he is accused of murder and robbery, Marty comes to his defense. Naylor provides “complex” characterization and “moral dilemmas,” as well as a more grown up Marty. The book is infused with the same “heart” as the first two in the trilogy, though the conclusion is “a bit pat,” if “satisfyingly, emotionally right” (Bulletin, Sept. 1997). Booklist points out that Marty demonstrates “exemplary patience and compassion” toward Travers and lauds Naylor’s “intriguing plot” and “gripping” ending — a “masterfully written conclusion to a sterling trilogy” (Sept. 1, 1997). The Horn Book Guide considers the plot “lackadaisical,” though the “writing has its customary ease and generosity” (1997).

Send No Blessings. New York: Atheneum, 1990. 7–up This novel invokes an often-used theme in Appalachian fiction: A young girl who is bright and eager to learn but burdened with parenting her younger siblings vows to escape poverty and hardship and make a good life for herself. Beth, age 15, has mothered her younger siblings, the “blessings,” for as long as she can remember. When she falls for the older Harless Prather, she must choose between the life she has dreamed of and the one that beckons her through the love of this good man. Though she may have to leave her native West Virginia, Beth is determined to avoid a life like the one she shares with her parents and seven other children in a trailer. “Rarely do we find a female rite-of-passage story of such quality.” This is a story that “may help young women reevaluate their own goals” (English Journal, Sept. 1991). The Horn Book Guide describes Naylor’s novel as a “beautifully written story” that emphasizes the “importance of choice,” no matter what the age (Spring 1990).

Shiloh. New York: Atheneum, 1991. 4–6 This Newbery-Award-winning novel is the first of the Shiloh trilogy about Marty Preston (age 11), the beagle he loves, and his struggling family. Set in Friendly, West Virginia, the story has a no-nonsense attitude toward hunting and the place of animals. Nevertheless, Marty rescues the abused Shiloh from Judd Travers and hides him from his father, who is not favorably disposed to keeping a pet. Naylor depicts the “complex nature of moral action” as Marty deals with his family, Travers, and Shiloh. The “suspenseful plot” and “memorable characterizations” will not be impeded by the “mild dialect” (Bulletin, Oct. 1991). According to Booklist, Naylor presents a “moving and powerful look” at human nature, including the “shades of gray” that highlight “most of life’s dilemmas” (Dec. 1, 1991). The Five Owls cites John Gardner’s observation in The Art of Fiction that “vivid de-

tail is the life blood of fiction” and concludes that Shiloh, then, “teems with life.” Marty’s first-person narrative provides the internal, emotional detail that forms the core of the dilemma, and his “West Virginia dialect richly seasons the true-to-life dialogue” ( Jan./Feb. 1992). Though most reviews of this awardwinning book are laudatory, the New York Times Book Review questions whether it really deserved the Newbery Medal for 1992: “Surely there must have been a book more important than this agreeable but slight story” (May 10, 1992).

Shiloh Season. New York: Atheneum, 1996. 6–up This second title in the Shiloh trilogy begins well; Marty has possession of the dog. Unfortunately, his ownership is tenuous, as the recalcitrant Judd Travers reclaims his dog. There is humor and pathos in Marty’s determination to coax goodness out of Judd. “Naylor has a fine hand with the nuances and complexities of her characters,” showing that Judd, like all people, may be redeemable (Bulletin, Dec. 1996). Booklist points to the “taut” suspense and the “authentic West Virginia dialect” as qualities that help make this book “compelling” (Nov. 15, 1996). The Horn Book Guide agrees that the “tension is well paced” and the depiction of the Preston family adds “comfort and contrast” (1996). Publishers Weekly considers the novel somewhat flawed in the “labored” conflicts, though they are overcome by Marty’s devotion to the dog and his fear for its safety. This review also singles out the scene where Marty’s teacher explains to him the difference between dialect and standard English ( July 1, 1996).

A Spy among the Girls. New York: Delacorte, 2000. 3–6 The sixth volume in the Hatford-Malloy series, set in West Virginia, resurrects the abaguchie that featured so prominently in volume three, but it also explores a relatively new topic for the feuding boys and girls—love. Hand-holding and jealousy lead to the usual chaos and shenanigans, though all is resolved in the end. Fans of the series will enjoy this “lighthearted, fast-paced” addition (School Library Journal, Sept. 2000). Kirkus Reviews considers this a “terrific sequel” (Aug. 15, 2000), and Booklist deems it “another page-turner in this humorous series” (Sept. 1, 2000).

A Traitor among the Boys. New York: Delacorte, 1999. 4–6 The fifth installment in Naylor’s series about the feuding Hatford boys and Malloy Girls (set in West Virginia) begins with a New Year’s resolution that the Malloy girls must honor the Hatford boys’ rules. This declaration sets in motion a typical series of pranks, though there is the introduction of romance between Josh and Beth, which flowers in the sixth installment. Naylor delivers “high-flying humor” in this “refreshing series” (Booklist, Sept. 1, 1999).

Noble • 193

Who Won the War? New York: Random, 2006. 4–7 The pranks continue in volume number 12 of Naylor’s boy/girl battle series. The Malloy girls learn they are returning to Ohio, but before the move a power failure in Ohio causes their family to move in with the Hatfords. The boys and girls explore an abandoned coal mine and team up to help solve a mystery. Who Won the War? is “lighthearted [and] lively” (Voice of Youth Advocates, Oct. 1, 2006) with “well developed” characters (School Library Journal, Sept. 2006).

Wrestle the Mountain. Chicago: Follett, 1971. 5–9 School Library Journal considers this title a “below-average regional novel.” Jed Jefferson, age 11, comes from five generations of West Virginia coal miners, but he wants to become a wood carver. His teacher praises his work, which is featured, to great success, at the Tin Creek Crafts. “Characters fall in and out of focus during the episodic plot, and each is drawn to stereotype specifications,” which include a mining accident and a feud. The work of Rebecca Caudill and Lois Lenski “more authentically portray[s] the people and the region” (School Library Journal, Mar. 15, 1972).

Nazel, Joseph Ida B. Wells. Los Angeles: Melrose Square, 1995. 6–up A title in the Melrose Square Black American series.

Nelson, Kristi The Chamique Holdsclaw Story. New York: Scholastic, 2000. 3–6 This title in the Fast Breaks series presents a biography of basketball’s superstar who played for the University of Tennessee Lady Vols.

Newcombe, Jack Six Days to Saturday. New York: Farrar, Straus and Giroux, 1974. 5–8 The New York Times considers this book to be “a recruiting brochure” for the Penn State football program. It treats the “players as nameless objects,” while showing preparations during a typical week prior to Saturday’s game day. While “the quality of prose and art and production ... is far superior” to most sports books for children, it exemplifies the weaknesses of the genre: “It’s like letting Tony the Tiger and Cap’n Crunch feed the children every morning” (Nov. 3, 1974).

Newman, Gerald, and Eleanor Newman Martha Graham: Founder of Modern Dance. New York: Scholastic, 1998. 6–9 The Newmans’ chronicle of choreographer Martha Graham does not measure up to Freedman’s Martha Graham: A Dancer’s Life (1998), but this title

is intended for middle school students. Noting that the Freedman book is “more sophisticated with adult appeal,” Booklist contends that the Newmans’ biography is “accurate ... and lively, especially when the authors quote liberally from Graham herself ” ( Jan. 1, 1999).

Neyland, James Booker T. Washington: Educator. Los Angeles: Melrose Square, 1992. 4–6 A title in the Melrose Square Black American series.

Nicholson, Lois P. Booker T. Washington. Philadelphia: Chelsea, 1997. 4–7 School Library Journal considers Nicholson’s biography of the man who created Tuskegee Institute of Alabama to be a “readable introduction” that is “well written” in a “straightforward, chronological narrative.” Its six chapters provide ample details about Washington’s life, but the lack of citations is a flaw. Additionally, the list of suggested further reading includes only Chelsea House titles, other than Washington’s own books (School Library Journal, Oct. 1997). Includes a glossary, chronology, suggested further reading, and an index. Reissued under a different title in 2001 [see below].

Booker T. Washington: A Modern Moses. New York: Chelsea, 2001. 4–6

A reissue of the 1997 title [see above].

Helen Keller: Humanitarian. New York: Chelsea, 1996. 7–9 School Library Journal considers this biography of Keller to be an “attractive, well-researched” volume, though it presents little new information. Nicholson uses direct quotations and details to good effect, and the style is “properly pedagogical” ( Jan. 1, 1996). Illustrated with black-and-white photographs.

Nicolay, Helen Andrew Jackson, the Fighting President. New York: Century, 1929. 6–up Though 335 pages long, this 1929 biography of Andrew Jackson is a juvenile book intended for boys. The Saturday Review of Literature praises Nicolay’s “dignified, but animated” style as a cut above the typical fare of the day for young readers. Her biography of “the fiery Andy” is objective and fair, and she “pays her readers the compliment” of delivering “something more than a colorful panorama” (Nov. 16, 1929).

Noble, Iris Nellie Bly, First Woman Reporter. New York: Messner, 1956. 7–up Noble presents the story of Nellie Bly, pioneering journalist who in the late 1800s wrote

194 • Nobleman “blistering articles” to reveal appalling conditions in slums, factories, and mental health institutions (New York Times, Apr. 29, 1956).

Nobleman, Marc Tyler The Johnstown Flood. Minneapolis, MN: Compass Point, 2006. 4–7 This title in the We the People series explores the causes of the 1889 Johnstown, Pennsylvania, Flood when the dam on the Little Conemaugh River failed.

Nolan, Han When We Were Saints. Orlando, FL: Harcourt, 2003. 6–up In this novel, Nolan explores a 14-yearold boy’s search for spiritual meaning and faith, a rare topic in Appalachian fiction. When Archie Caswell’s curmudgeonly, pious grandfather dies, he pronounces the boy a “saint” and sets Archie on a quest that involves the “beautiful and enigmatic” Clare, who influences him toward becoming a religious “ecstatic” like her. Nolan has crafted a “powerfully written novel” that describes the “intensity” of religious experience, though the plot may seem “overlong to some” (School Library Journal, Nov. 1, 2003). The Horn Book finds it “exceptionally grounded and refreshingly open.” Even scenes such as Archie’s “spiritual awakening” on a mountain top on their farm in Appalachia are “believably wrought.” Clare is “compellingly complex,” and both she and Archie are “true seekers” (Horn Book, Jan./Feb. 2004). Nolan handles well the “gray area between dedication and fanaticism” to create a novel that will “hold readers rapt” (Publishers Weekly, Oct. 20, 2003). According to Booklist, “mysticism intersects madness” in this “unsettling, compelling story” that explores the “thin line” between “religiosity” and “mental illness.” Though there are “logistical problems ... that compromise credulity,” this story is “mostly a fable” (Oct. 1, 2003). Kirkus Reviews agrees that the “notion of a 21st-century saint ... is a fascinating one,” but Archie’s ambivalence is “tedious,” and his “revelation” about Clare “smacks not a little of deus ex machina.” In brief, Nolan has invoked a “narrative strategy” that is “more than a little frustrating” (Oct. 1, 2003).

Nolan, Jeannette Covert Andrew Jackson, illus. by Lee James. New York: Messner, 1949. 6–9 Nolan “captures the turbulent, ‘self-made’ personality” of Andrew Jackson, beginning when he was nine, in this “slightly fictionalized biography,” considered a “supplement” to Helen Nicolay’s biography Andrew Jackson, the Fighting President (Library Journal, May 1, 1949).

Belle Boyd: Secret Agent. New York: Messner, 1967.

7–9 Belle Boyd was a young, beautiful Confederate spy whose biography is fictionalized to create a true, teenage, war heroine. Her “spying exploits” are “attributed” to her zest for “excitement and fame” more than to “love of country.” The main action takes place in Martinsburg, Virginia, now West Virginia (School Library Journal, Nov. 15, 1967).

John Brown. New York: Messner, 1950. 7–up This “powerful story of religious zeal carried to fantastical ends” offers a superb “character study” of John Brown and a good overview of the days prior to the Civil War. “Dramatic story well written” (Library Journal, Nov. 1950).

Norman, Gertrude Johnny Appleseed. New York: Putnam, 1960. K–3 This See and Read Biography may fill a “remedial need, but treatment is too superficial” for it to be of much value otherwise (School Library Journal, Jan. 1961).

Norrell, Robert J. We Want Jobs!: A Story of the Great Depression, illus. by Jan Naimo Jones. Austin, TX: Raintree Steck-Vaughn, 1993. 4–6 Set in Pittsburgh during the Depression, this is the story of an unemployed steel worker and his family. Based on an interview with John Waskowitz in 1974.

Nuwer, Hank The Legend of Jesse Owens. New York: Franklin Watts, 1998. 5–9 Nuwer presents a “well-balanced” biography of Alabama native and Olympic star Jesse Owens (School Library Journal, Jan. 1999), exploring Owens’s personal life, athletic accomplishments, and career, which results in a “broad portrait” (Horn Book Guide, Spring 1999). However, the “densely detailed biography occasionally sags under the weight of redundancy” (Booklist, Jan. 1, 1999). Included in the Impact Biographies series, the title includes related websites, source notes, a list of books for additional reading, and an index.

O’Connor, Barbara Beethoven in Paradise. New York: Farrar, Straus and Giroux, 1997. 5–8 Martin Pittman loves music, all kinds of music, from classical to country, and he has talent, but his boorish father, Ed, has a mean attitude toward the 12-year-old’s musical interests. Martin lives with his parents in the Paradise Trailer Park in Six Mile, South Carolina, near Greenville, among a cast of unusual characters, including the rotund, middle-aged Wylene, who gives him a violin. Predictably, his father destroys the instrument, prompting Martin to stand

O’Dell • 195 against Ed and assert his own claim on life. O’Connor’s first novel “sparkles with richly drawn characters — emotionally guarded and tart-tongued, but deeply humane” (Bulletin, May 1997). According to Booklist, “the power of this novel is in the hardscrabble portrait of the people and the place, the harshness and sorrow and affection.” Another positive aspect is that there is “no reverence about the music.” O’Connor lets Martin experience it fully “in the dirt and gravel of the trailer park” (Booklist, Apr. 15, 1997).

Me and Rupert Goody. New York: Farrar, Straus and Giroux, 1999. 4–7 O’Connor’s second novel, set in the North Carolina Great Smoky Mountains, is about Jennalee Helton, age 11, who considers her chaotic, poor home life to be pure hell. To escape, she spends most of her time at Beauregard Goody’s general store. Known to the community as Uncle Beau, he listens and supports Jennalee. She depends on the order of his world and the sense of belonging she feels while in it. When Rupert Goody, a black, mentally-challenged young man, comes into their lives, claiming to be Uncle Beau’s son, Jennalee must deal with her fear, resentment, and hatred. Booklist considers the ending to be “Flannery O’Connorish” but emphasizes that the core of the story is “the capacity for love in the human heart” (Nov. 1, 1999). In Jennalee, the author has drawn “an amazingly realistic and multidimensional character with whom readers will empathize, even when she is behaving badly.” She has a “fresh and authentic child’s voice.” The “very real, down-home sense of place” makes for an “absorbing story peopled with carefully drawn and memorable characters” (School Library Journal, Oct. 1999). Place is one of the strengths of the book. O’Connor has “lovingly” created an Appalachian community that is “insular but not narrowminded,” and Rupert’s disposition is “sunny” but “never buffoonish” (Bulletin, Oct. 1999). The Horn Book Guide deems the novel a “gracefully written” twist on the old “sibling-rivalry” plot motif (Spring 2000).

Moonpie and Ivy. New York: Farrar, Straus and Giroux, 2001. 5–7 O’Connor’s story about two neglected if not abandoned children echoes Katherine Paterson’s The Great Gilly Hopkins and Ruth White’s Belle Prater’s Boy in its theme of children who are abandoned by adults, find stable homes, and then must leave them. Pearl’s mother leaves her with Aunt Ivy in her Georgia countryside farmhouse. There she meets an odd child, Moonpie, who lives with his dying grandmother, Mama Nell. Aunt Ivy has enough love for both children, but she makes it clear to Pearl, age 12, that her mother will return for her and Pearl will have to go. “Even though this may not be what is best for the girl, readers are left with the sense that because of her time with Moonpie and Ivy, Pearl has gained the inner resources she needs to deal with her

mother.” O’Connon’s setting is “fully realized through gentle and descriptive prose,” and the “style is moody and Southern, much like Pearl herself ” (School Library Journal, May 1, 2001). Unlike many children’s books, this one has “no happy ending and no message, just the heartrending drama” of Pearl’s situation (Booklist, May 1, 2001). From Mama Nell and others in the community, Pearl gains a sense of her mother’s character and the reasons for it. From O’Connor’s “gritty descriptions,” readers learn that “neither the people nor the place need be perfect” to give these children the support they need (Horn Book, May/June 2001). According to Kirkus Reviews, “The squalor of poverty is rendered without sentimentality,” as are the “shrewd observations” about the “tangles of human relationships” (Feb. 1, 2001). Even the “ambiguous” ending cannot mar the hopefulness of the book (Publishers Weekly, Jan. 22, 2001).

Taking Care of Moses. New York: Farrar, Straus and Giroux, 2004. 4–7 Randall Mackey, age 11, lives in Foley, South Carolina. One night, he sees a young black mother of six children abandon her baby on the steps of the Rock of Ages Baptist Church. If Randall tells his secret, he will only add to the conflict and controversy in the community, which is inflaming blackwhite relationships surrounding baby “Moses,” as he is named. “Randall’s reluctance and indecision are a little drawn out,” but in general the story is “funny and touching,” showing “how barriers between the races can be broken down by simple friendliness.” Other strengths of the novel are the “earthy humor” and good dialogue, which is “right on target” (School Library Journal, Oct. 1, 2004). O’Connor’s “suspenseful clue-filled story line” and its “ethical dilemma” will keep readers’ attention to the end (Kirkus Reviews, Oct. 1, 2004). The Horn Book compares the plot motif to another biblical tale, in addition to the obvious Moses story: the tale of King Solomon, who must identify the true mother of a child. The “narrative resolutely avoids easy answers” in this “subtle, boy’s-eyeview” of racial conflict in a small South Carolina town (Nov./Dec. 2004). Booklist praises this title for its “memorable, convincing portrayals of interracial friendships and spats” (Aug. 1, 2004).

O’Dell, Scott Journey to Jericho, illus. by Leonard Weisgard. Boston: Houghton-Mifflin, 1969. 1–5 David’s mother teaches school, his father mines coal, and his Grandma May is known for her watermelon pickles. They live in Big Loop, West Virginia, where generations of their family have worked in the coal mines. David, age nine, likes to explore the dangerous mine shafts, disobeys the admonition to stay clear of them, and nearly loses his life. This episode is followed by a mining disaster that prompts David’s parents to move to northern California, where

196 • Ogburn his father gets a job in the timbering business. The journey from West Virginia to California wouldn’t be complete without a jar of Grandma May’s watermelon pickles. O’Dell’s book is a “quiet, beautifully told but fragmentary story, somewhat disappointing to readers” who might have expected more depth, though Weisgard’s illustrations are “effective” (Horn Book, Apr. 1970).

Ogburn, Charlton Winespring Mountain. New York: Morrow, 1973. 7–up Winespring Mountain is the setting for Ogburn’s tale of Sedgwick “Wick” Carter, a highschool senior who forges a check in his father’s name and, for punishment, is sent to work in the West Virginia coal mines. While there, he falls in love with Letty, who is blind, and gets caught up in a strip-mining controversy involving the coal company of which his father is president. Though “caught between two worlds,” Wick ultimately sides with the Appalachian mountaineers against his father in an attempt to save Winespring Mountain from the bulldozer. Ogburn, a well-established nature writer, honors the “natural wilderness of Appalachia” and emphasizes the “economic exploitation” of the mountaineers, who have been called “America’s ‘living ancestors’”; their devotion to “freedom has kept them in their hills despite degradation and adversity” (Horn Book, Oct. 1973).

O’Kelley, Mattie Lou Circus!, illus. by author. Boston: Atlantic Monthly, 1986. K–2 Through her folk art and a first-person narrative, O’Kelley documents the excitement and anticipation of a circus coming to town. The folk art may be more attractive to adults than children, “although both should enjoy the vitality and color of the circus scenes” (Bulletin, Feb. 1987).

From the Hills of Georgia, illus. by author. Boston: Little, Brown, 1983. 2–4 The Bulletin compares O’Kelley’s folk art with Grandma Moses’ work: Both are self-taught. The “naïve ... wonderfully detailed” paintings are supported by brief descriptive text about life in the Georgia hills. “Homespun-stylized, the paintings are fresh and distinctive in style; the minimal text is terse and direct, giving a picture of a rural childhood and the bustling life of a big farm family” (Bulletin, Jan. 1984).

Mattie Lou O’Kelley: Folk Artist. Boston: Little, Brown, 1989. 5–up This adult title will be attractive to researchers of any age who are interested in regional art, in general, and in O’Kelley, who was born in Maysville, Georgia, in 1908.

Moving to Town, illus. by author. Boston: Little, Brown, 1991.

K–3 Publishers Weekly considers O’Kelley’s fourth picture book a “fetching tale” about a family’s move from the north Georgia mountains to a big city, which is not named but could be Atlanta in the early 1900s. “Lavishly detailed folk-art paintings” are the core of this book about exploring the wonders of the big city but missing the country and returning home to it just before Christmas. O’Kelley “is as successful depicting the vibrant color and constant stir of the city as she is the tranquility of the countryside,” and her work compares favorably with the art of Grandma Moses (Aug. 30, 1991). Booklist praises the “exquisite detail” and the “contagious” anticipation of the move (Sept. 15, 1991). While most reviewers emphasize the art, the Horn Book Guide lauds the “engaging text bursting with the personalities of the characters” (Spring 1991). At the time this book was published, O’Kelley was 83 years old.

Olgin, Joseph Sam Houston: Friend of the Indians, illus. by Andre le Blanc. Boston: Houghton Mifflin, 1958. 4–7 This easy-reader, a title in the Piper Books series, is “semi-fictionized,” but “the fabricated incidents have been kept close to the spirit of the hero and of his environment.” The book is more appropriate for older readers than Augusta Stevenson’s 1944 title, Sam Houston: Boy Chieftain, in the Bobbs-Merrill Childhood of Famous Americans series. As a good book for older, slower readers, “this will find a place in the steadily growing shelf of juvenile biographies of the Texas hero” (School Library Journal, Feb. 15, 1959).

Oliver-Miles, Zelda Amelia Gayle Gorgas: First Woman of Position. Birmingham, AL: Seacoast, 2005. 3–6 This title in the Alabama Roots Biography series presents the early life of Amelia Gayle Gorgas, her father’s election as governor of Alabama, her marriage to Josiah Gorgas, and her work at the University of Alabama where she served as hospital matron and librarian until her retirement at age 80 in 1907. A native of Hale County, Alabama, Gorgas was the first female librarian at the University of Alabama, and the Amelia Gayle Gorgas Library was the first academic building at the University named in honor of a woman.

Olmstead, Mary Roberto Clemente. Chicago: Raintree, 2005. 3–4 This title in the Hispanic-American Biographies series details the life of Puerto Rican Clemente, who rose from poverty to fame playing baseball for the Pittsburgh Pirates. The work is “adequate,” but the absence of sources and “unattributed thoughts are quotations” are weaknesses (Horn Book Guide, Fall 2005). Includes a glossary, timeline,

Ormsby • 197 Clemente’s baseball statistics, a reading list, and an index.

Olsen, James T. Arnold Palmer: King on the Course, illus. by Harold Henriksen. Mankato, MN: Creative Education, 1974. 3–7 This biography in Creative’s Superstars series presents the life of the world-famous golfer who once worked as a paint salesman and eventually owned eight companies worth millions of dollars.

Joe Namath: The King of Football, illus. by Montie Salmela. Mankato, MN: Creative Education, 1974. 3–6 This biography in Creative’s Superstars series presents the life of the football player who rose to fame as quarterback of the New York Jets.

Roberto Clemente: The Great One, illus. by Harold Henriksen. Mankato, MN: Creative Education, 1974. 3–6 This biography in Creative’s Superstars series emphasizes the career and the kind deeds of the Puerto Rican baseball star who played for the Pittsburgh Pirates.

Olson, Steven P. The Trial of John T. Scopes: A Primary Source Account. New York: Rosen, 2004. 5–8 Included in the Great Trials of the Twentieth Century series, The Trial of John T. Scopes uses photographs, transcripts, and political cartoons to convey the essence of the courtroom drama. The prose “evokes the ‘broiling courtroom’ of July 1925 in Tennessee” and is considered “excellent” by School Library Journal (Aug. 2004). Includes photographs, a glossary, suggested websites, recommended sources for further reading, a bibliography, and an index,

O’Malley, Kevin Frogg y Went a-Courtin’, illus. by author. Lebanon, IN: Stewart, Tabori and Chang, 1992. 2–4 O’Malley’s adaptation of an old Appalachian folk song is deemed “a sheer delight” by School Library Journal. Cast as “the Bugsy of the animal kingdom” and driving a gangster car (a 1930 Packard), Froggy robs a bank and escapes to Miss Mousie’s nightclub. Miss Mousie is “the Mae West of this story,” who tempts Froggy into a marriage proposal. A “forced” wedding, complete with “shady animal characters,” ends with Froggy’s arrest by feline cops. “This is a book for those familiar with the song; they’re sure to appreciate this new interpretation of it” (Dec. 1, 1992). In the view of Booklist, “Lots of kids will miss the historical allusion; they won’t miss the message though: CRIME DOESN’T PAY.” The

“clever visual satire” rendered in the “dynamic pictures” is the book’s strength (Oct. 1, 1992). Publishers Weekly considers O’Malley’s adaptation to be a “new tale told in pictures” rather than “an illustrated version of the familiar folk song” and wonders whether the author/illustrator’s “fast-and-loose-approach, though stylishly executed, may confuse children.” The art is akin to Ralph Bakshi’s animation and will appeal to “aficionados” of The Untouchables (Sept. 28, 1992).

O’Neill, Jean Cotton Top. New York: Lothrop, Lee and Shephard, 1953. K–3 “‘Heavenly days! I reckon I surely do have everything in this world that anyone could ever want,’ said Cotton Top, a very small girl who lived in a cabin on the side of Possum-Trot Mountain” in the North Carolina Blue Ridge Mountains. Cotton Top “had counted her blessings and found they were many — Mommy, Poppy, Granny Pris, cornbread and butter and molasses, banty hen’s eggs, her picture book, her little rocking chair.” Above all, Cotton Top loved her doll, Tildy, who was made of a stocking. All is well until her city cousin, Serena, visits, wearing “beautiful city clothes” and bringing Rose, “the most wonderful doll in the world.” The result is a “folktale kind of story with refreshing originality in text and pictures. Little girls will love it” (Horn Book, Feb. 1954). School Library Journal notes the “[c]harming illustrations and place names” such as “Possum-Trot Mountain” and “Chinkie-Pin Hollow,” which render the story “appealing and convincing.” However, the opening purple prose about “mist and dew drops” will “fail” to attract a child’s interest, though the ending is “satisfactory” ( Jan. 1, 1954).

Oppenheim, Joanne Sequoyah, Cherokee Hero, illus. by Bert Dodson. Mahwah, NJ: Troll, 1979. 3–4 The Bulletin considers this biography of Sequoyah “simple and rather static” with dull text that “often elides fact.” It omits important information about Sequoyah’s wife and daughter, who move west, and fails to explain the subsequent appearance of Sally, the woman with whom Sequoyah lives. The story focuses on Sequoyah’s invention of the Cherokee syllabary; the illustrations are “pedestrian” (Nov. 1979).

Ormsby, Virginia Cunning Is Better Than Strong, illus. by author. Philadelphia: Lippincott, 1960. 4–6 Set in the north Georgia mountains, this is the story of Lee, who wants a possum and a raccoon for pets. His attempts to catch these animals, which extend through Halloween, Thanksgiving, and Christmas, teach him that wit is more valuable than strength and that wild animals need to be left in the wild. The Chicago Sunday Tribune considers the story

198 • Osinski “slight” but “an interesting picture of daily life in the Georgia backwoods” (Nov. 6, 1960). The Christian Science Monitor emphasizes love as the “keynote of this warm and convincing story,” which is noteworthy for its “literary value, too” (Nov. 3, 1960). Library Journal also acknowledges the “warmth and dignity” of the family in a story that rises above “the level of adult reminiscence” (Oct. 15, 1960). According to Kirkus, Ormsby “acquits herself admirably” in this “parable of the fox and the hare.” Her story mixes “credible action” with “colorful local and domestic details” ( July 15, 1960).

Otfinoski, Steven

Long Lonesome Train Whistle, illus. by author. Philadelphia: Lippincott, 1961.

Music from a Place Called Half Moon. Boston: Houghton Mifflin, 1995.

4–6 This sequel to Cunning Is Better Than Strong is also set in the north Georgia mountains. It tells the story of Lee, age ten, who listens to the train’s whistle and longs to ride it to Atlanta. As a result of his heroic act, Lee gets his wish. The illustrations “add humor and reality”; the book will be of interest to readers who liked its predecessor (School Library Journal, Nov. 15, 1961).

Mountain Magic for Rosy, illus. by Paul E. Kennedy. New York: Crown, 1969. 4–6 Set in the mountains of North Carolina near the Tennessee border, this is the story of Rosy Ray, the oldest of six children. Rosy’s poor family cannot afford for her to compete in the Mountain Folk Festival because they need money for the baby’s medical bills. When Rosy visits Granny Fite (considered by some to be a witch) and asks for a healing “spell” for the baby, she meets instead a folklorist who pays Rosy for her help. With the money she earns, the family takes the baby to a doctor in Knoxville, Tennessee, and Rosy gets to enter the contest. “The atmosphere, the people, and the dialogue are good,” but Ormsby fails to develop fully all the child characters, emphasizing one little boy to the exclusion of the others. Additionally, Rosy’s change in perspective is not well motivated (Bulletin, Nov. 1969).

Osinski, Alice Andrew Jackson: Seventh President of the United States. Chicago: Childrens, 1987. 5–8 Osinski’s easy-to-read biography in the Encyclopedia of Presidents series opens “with an attention-getting chapter” and stays fairly true to the facts. It does not “augment character development with imaginary events, places, or people” but relies on direct use of primary materials. Illustrations, including archival documents, “add interest and authenticity” (School Library Journal, Jan. 1988). Osinski shows Jackson to be a man who “relied on his instincts and intuition,” who commanded “tireless energy,” and became an “excellent backwoods judge” (Booklist, Oct. 15, 1987). Includes a timeline of American history and an index.

Jesse Jackson: A Voice for Change. New York: Fawcett Columbine, (1989) 1990. 5–8 A title in the Great Lives series, this is considered a “readable, fast-moving” account of Jackson’s life. It is “well-written and objective, pointing out the weaknesses as well as the considerable strengths” of the man. Jackson is depicted as “a gifted and complex man of vision and character” (School Library Journal, June 1990).

Oughton, Jerrie 5–8 Set during the summer of 1956 in Half Moon, North Carolina, this is a well-crafted story of ethnic prejudice and conflict as well as coming-of-age themes. Book Report considers it a “book of inspiration” (Sept./Oct. 1995). Edie Jo Houp is 13 and afraid of the Cherokees in her community and school, especially Cherokee Fish, whom she has seen fighting. But she and Cherokee are drawn together through their interests in poetry and music, and she begins to examine the racial hatred that infuses her environment. Cherokee’s untimely death is the catalyst for change, both in the community and in Edie. “Oughton takes the issue of integration to a personal level as she limns the ethical inconsistencies of Edie’s family with deft strokes.” The tale is “bittersweet” and “deeply satisfying” (Bulletin, Apr. 1995). Booklist criticizes the text as “sometimes too articulate” but the characters are “drawn with complexity” (May 1, 1995). Publishers Weekly compares the “tenderness” of this work with Ruth White’s Sweet Creek Holler. In spite of its clichéd plot devices and over-the-top scenes, Oughton’s “careful and atmospheric construction” makes it believable. “Understated and candid” (Apr. 17, 1995). According to School Library Journal, “Mood and tone are perfectly achieved through flawless first-person narration.... A riveting contribution to the literature of compassion, without being trite or preachy” (Apr. 1995).

Owens, Jesse, and Paul G. Neimark The Jesse Owens Story. New York: Putnam, 1970. 5–8 Alabama native and Olympic champion Jesse Owens presents his life story.

Pace, Dianne Wages Odel’s Diner, illus. by Doug Allen. Florence, AL: Lambert, 2007. 2–up Though Odel’s Diner is designed as a picture book, its intended audience is unclear. It opens with seven double-page spreads, each of which introduces a character who eats cornbread with a southern food: figgy jam, fried green “maters,” black-eyed

Paige • 199 peas, turnip greens, chicken and “dumplins” [sic], and blackberry cobbler. The rhyming text repeats the same two lines on every left-hand page: “Carolina Openheimer/Worked uptown at Odel’s Diner.” On the right-hand page, four lines of text introduce a new character and a new food: “There she met/Linny Lester Lees/Who ate cornbread/with black-eyed peas.” While these pages may appeal to children, the seven double-page spreads that follow will not because they feature recipes for the seven foods mentioned in the rhyme. The final four pages are left blank for recording recipes, which would be nearly impossible on the high-gloss paper. Allen’s illustrations of the diner show an open, vacant-looking counter largely empty of people; his illustrations for the recipes are more successful. The author’s note says she wrote the book because “few books [have] been written about Appalachian culture for young children.” Pace grew up in “the Appalachian foothills of northwest Alabama.” (RH)

Pace, Mildred Mastin Home Is Where the Heart Is. New York: Whittlesey, 1954. 6–up When her mother dies, Brady Allen, age 13, is sent to live with the Marstons in their large old house that has been home to four generations. She adapts to the change from living in one-room cabins and finds love and security in the bargain. According to the New York Times, Pace captures well the “patriarchal life in the old tradition ... with an affectionate eye for its details.” This “well-written story” conveys a “rich flavor of the region” (Mar. 21, 1954). The Horn Book calls Pace’s novel a “fresh story of Kentucky mountain life, with a well-handled plot and theme” (Apr. 1954). Library Journal agrees: “Characters and plot are well defined, and this warm and memorable pioneer story will delight girls of 12–16” (Apr. 15, 1954). The Chicago Sunday Tribune praises the “excitement and suspense” as well as the “picturesque speech, so well rendered” by Pace (Apr. 25, 1954).

Pack, Linda Hager A Is for Appalachia: The Alphabet Book of Appalachian Heritage, illus. by Pat Banks. Prospect, KY: Harmony, 2003. 3–6 A Is for Appalachia offers a basic, though nostalgic, introduction to the history and culture of the region, but the alphabet-book format sometimes distracts from otherwise good information. For example, some choices are illogical: “E is for the expressions Appalachians used” and “O is for the one-room school.” “X is for Xmas (Christmas)” is justified thusly: “Early Christians used the X as a symbol to represent their Christian identity”; unfortunately, there is no explanation to connect “early Christians” with Appalachians. Sometimes the information seems disjointed, as in “D is for dulcimer,” which includes

this statement: “You won’t find a fiddle on this page. No, Sir! Churchgoing people considered it to be the ‘devil’s box’!” Throughout, the author addresses readers directly and includes unnecessary expletives, such as “No, sir!” and “Of course!” Occasional generalizations and misinformation (Appalachian dialect, for example) are somewhat offset by Banks’s handsome illustrations. Pack is from Hamlin, West Virginia. (RH)

Page, Linda Garland, and Hilton Smith, eds. Foxfire Book of Appalachian Cookery. New York: Gramercy, 2001. 6–up This title in the Foxfire series is a collection of recipes, stories, and photographs about Appalachian cooking and foodways, depicting “an age gone by”: “The book is far more than a cookbook, and the stories of cooking on wood-burning stoves, directions for skinning a turtle and the handy ‘how-to’s’ for oldfashioned cooks make fascinating reading.” Directions for recipes are “clear and concise” (School Library Journal, Oct. 1984). Includes an index.

The Foxfire Book of Appalachian Toys and Games. Chapel Hill, NC: University of North Carolina Press, 1993. 5–up This title is a reissue of the 1985 The Foxfire Book of Toys and Games: Reminiscences and Instructions from Appalachia [see below]. Includes a new Introduction by Simon J. Bronner, a bibliography, and index.

The Foxfire Book of Toys and Games: Reminiscences and Instructions from Appalachia. New York: Dutton, 1985. 5–up Volume 20 in the Foxfire series continues the well-known tradition and format of providing not only information but oral histories and photographs of the informants who are older-generation Appalachians. Various games (fox and geese, lemon relay, clothespins, horseshoes), instructions for making toys (cornshuck dolls), and traditional rhymes (riddles, jump-rope songs) are included. “Other works may describe the same games, but the oral history of the Foxfire books provides an extra dimension to this collection” (School Library Journal, Oct. 1, 1985). Includes an index. The University of North Carolina Press reissued this book in 1993 under the title The Foxfire Book of Appalachian Toys and Games [see above].

Paige, David Lucille Ball. Mankato, MN: Creative, 1977. 4–up From the Stars of Stage and Screen series, a biography of New York native, Lucille Ball.

Paige, Leroy (Satchel), with David Lipman

200 • Paley

Maybe I’ll Pitch Forever: A Great Baseball Player Tells the Hilarious Story Behind the Legend. Garden City, NY: Doubleday, 1962; Lincoln: University of Nebraska Press, 1993.

Parish, Pegg y

7–up Mobile, Alabama, native Satchel Paige began his career as a professional baseball player with the Negro Baseball Leagues in 1926. Making the transition to the American League in 1948, Paige was the first black pitcher in the league. “Satch pitched superbly ... and gave white America a glimpse of the talent it had long shunned.... [T]his reissue of Paige’s autobiography will introduce a new generation of baseball fans to one of the most remarkable men to ever play the game” (KLIATT, May 1993).

1–5 While this instructional, how-to book is not specific to Boone’s life, its premise is that the featured objects and artifacts would have been part of the material culture of his world. Parish’s approach is sometimes “over-simplified for the audience,” but the instructions are clear, and most of the objects can be made with materials easily found around the house (Bulletin, Nov. 1967).

Paley, Alan L. Andrew Johnson: The President Impeached. Charlotteville, NY: SamHar, 1972. 7–12 Paley’s biography of Andrew Johnson, who became President when Lincoln was assassinated, emphasizes his turbulent years in the White House. This title in the Outstanding Personalities series includes a bibliography.

Pancella, Pegg y Great Smoky Mountains National Park. Chicago: Heinemann, 2006. K–3 From the Symbols of Freedom series, this straightforward introduction to the Great Smoky Mountains National Park presents the history of the park and draws attention to plants, animals, and places of interest. “The thoughtful, eye-pleasing design makes navigation easy” (Horn Book Guide, Apr. 1, 2007). Includes photographs, maps, a glossary, timeline, and reading list.

Stephen Foster: The Man Behind Our Best-Loved Songs. Chicago: Heinemann, 2006. 1–3 Pancella’s biography of Stephen Foster provides a view of his early musical education and calls attention to the influence of slave songs on his compositions. Included in the Lives and Times series, the title is illustrated with photographs and reproductions of sheet music. “Good for beginning research and interesting reading” (School Library Journal, Feb. 2006). A glossary, chronology, suggested titles for further reading, and index are appended.

Paradis, Adrian A. Ida M. Tarbell, Pioneer Woman Journalist and Biographer. Chicago: Childrens, 1985. 5–up A biography of Pennsylvania native and journalist Ida M. Tarbell, whose 1904 book, The History of the Standard Oil Company, exposed the malpractices of the oil industry at the turn of the century. Includes an index.

Let’s Be Early Settlers with Daniel Boone, illus. by Arnold Lobel. New York: Harper and Row, 1967.

Parker, Lewis K. Andrew Carnegie and the Steel Industry. New York: Rosen, 2003. 3–up Included in the Reading Power series, this brief biography of Andrew Carnegie is designed to appeal to reluctant readers.

Parks, Aileen Wells Davy Crockett: Young Rifleman, illus. by Charles V. John. Indianapolis, IN: Bobbs-Merrill, 1949; illus. by Justin Pearson. Indianapolis, IN: Bobbs-Merrill, (1983) 1986. 3–6 This “glamorous historical biography,” a title in the Childhood of Famous Americans series, is a mixture of fact and fiction that will be attractive to fans of the “backwoods boy who became the hero of Tennessee and Texas” (School Library Journal, Apr. 15, 1949).

Parks, Rosa, and Jim Haskins I am Rosa Parks, illus. by Wil Clay. New York: Dial, 1997. 2–4 With co-writer Jim Haskins, Alabama native Rosa Parks presents a simplified version of her earlier biography and relates her role in the quest for civil rights. Booklist considers this a “clear and direct” biography for young readers (Mar. 1, 2000).

Rosa Parks: My Story. New York: Dial, 1992. 4–up Relaying her life story in an “absorbing” autobiography, Alabama native Rosa Parks provides readers with background information that led to her refusal to give up her seat on a Montgomery city bus (Publishers Weekly, Nov. 29, 1991). Booklist considers the 1999 Puffin reprint a “straightforward, uncompromising” story of Parks’s life (Sept. 15, 1999).

Parks, Rosa, and Gregory J. Reed Dear Mrs. Parks: A Dialogue with Today’s Youth. New York: Lee and Low, 1996. 4–6 Presents correspondence between Alabama native Rosa Parks and children who have written to her. “Infused with a deep sense of religious belief and informed by a wide range of experience, the answers

Paterson • 201 reflect Parks’s upbringing and her character” (Booklist, Dec. 1, 1996).

Parlin, John Andrew Jackson: Pioneer and President, illus. by William Hutchinson. Champaign, IL: Garrard, 1962. 2–5 A Discovery Book, this biography is typical in its black, orange, and green illustrations, large print, and controlled vocabulary. The life of Jackson is contained in eleven chapters, beginning when “Andy” was nine years old. It recounts most of the heroic, legendary stories of Jackson’s life but avoids all controversial elements such as his marriage to Rachel Robards. A biography typical of its age, it may attract beginning readers but it is weak on information. (RH)

Parton, Dolly Coat of Many Colors, illus. by Judith Sutton. New York: HarperCollins, 1994. K–3 Sutton has illustrated Parton’s popular song for the picture-book audience; unfortunately, without the music, the lyrics “do not dance.” Instead, they come across as “ungrammatical” and out of sync with the illustrations. In the scene where the protagonist is being teased, her schoolmates appear to be “admiring” the coat, and “nothing about her wardrobe or surroundings conveys her putative poverty.” Though Lauren Mills’ The Rag Coat (1992), adapted from the same song, is equally nostalgic, it is more successful as a picture book (Bulletin, Sept. 1994). The Horn Book Guide considers this a “sentimental, slight story (Spring 1994), and Kirkus Reviews agrees: Parton’s song “has a hard time standing on its own” ( July 15, 1994).

Partridge, Elizabeth Clara and the HooDoo Man. New York: Dutton, 1996. 4–6 Clara breaks her mother’s ten-gallon crock and goes to Red Owl Mountain with her sister Bessie to collect ginseng, which she plans to sell for money to buy a new crock. She and Bessie encounter Old Sugar, the hoodoo man, and get caught in a storm. The next day, Bessie is sick, and Clara must fetch the hoodoo man for an herbal cure, the very person who is said to be able to cast spells and may be the cause of Bessie’s illness. According to the Bulletin, the plot is “predictable” and the cure for Bessie is “a little speedily worked,” but the “details of rural life, including the isolation and the importance of neighborliness, are vivid and convincing, if a little rosily painted” (Sept. 1996). Publishers Weekly considers the characterization “subtle” and the writing “luminescent”: “This exceptional first novel is as dear and sharp as a heady whiff of sage” ( June 15, 1996). Booklist notes the “colorful speech and specific detail” that establish a “strong

sense of place” where “Christianity blends with superstition, slaves are learning to be free, and children work hard to help their families survive” (Sept. 1, 1996). The Horn Book says that the “period setting and the African-American characters are convincingly drawn” (Mar. 1997). Only Kirkus Reviews deems the characters and setting to be “somewhat flat,” though the “details of home and herbal remedies are utterly engrossing” (May 1, 1996). Partridge bases her first novel on a true story told to her by Clara Raglan, a black woman who grew up in the late 19th- early 20th-century Tennessee mountains. Being a practitioner of Chinese traditional medicine, Partridge draws from her own knowledge of herbal healing, as well as from her informant’s.

Patchin, Frank Gee The Pony Rider Boys on the Blue Ridge; or, A Lucky Find in the Carolina Mountains. Akron, OH: Saalfield, 1924. 5–up This title, one of twelve in the Pony Rider Boys series, is typical of Patchin’s adventure stories for boys. Compared with James Fenimore Cooper’s Leatherstocking Tales, the books are set in the 20th century and feature four young men and their mentor-guardian who spend their summers exploring regions of America, from the Rockies to Louisiana to New England. In this volume, Tad Butler, Ned Rector, Stacy “Chunky” Brown (referred to as the “fat boy”), Walter Perkins, and Professor Zepplin are accompanied by a “colored” guide and cook named Billy Veal, whom they call “Chops.” Equipped with tents and provisions, they set out on horses (“ponies”) from Asheville, North Carolina, through Smoky Pass to a spur of the Black Mountains. They make it to Smoky Bald in “The Land of the Sky.” Though Professor Zepplin reins in and lectures the boys along the way, Tad is clearly the hero-leader. In any situation requiring brains or brawn, he wins out. They face a flood, a bully, and outlaws, and they thwart con men who “salt” the ground with gold to swindle investors. The plot is thin but packed with enough derring-do to attract young readers even today. Unfortunately, the stereotyped depiction of and cruel attitude toward Billy Veal — along with the group’s ridicule of him — do not pass today’s standards of political correctness. Without this major flaw, the books could be read and enjoyed today; Patchin’s dialogue is fast-paced and surprisingly contemporary in its effect. (RH)

Paterson, Katherine Come Sing, Jimmy Jo. New York: Dutton, 1985. 6–9 The English Journal emphasizes the adults’ “selfish ambitions” and jealousy in this story of James, age 11, whose stage name is Jimmy Jo (Nov. 1987). His country-music family, which performs throughout West Virginia and Virginia, is elevated to stardom when he joins their band, but the fame is not wel-

202 • Patrick come when he discovers his real father on the road and must deal with the family conflicts that result from the pressures of travel and success. The Bulletin describes this story as “tender” and “touching” with a “realignment of perspectives” for James. The characters are “strong”; the dialogue is “convincing” ( June 1985). Books for Keeps is a bit less enthusiastic about the prose: “With a tighter hand on the editing” that would have “trimmed” it of “some spare flesh,” the book could have been “outstanding” instead of merely “good” (Sept. 1987). The book jacket says that Paterson “portrays the way of life and the people of Appalachia” in this “luminous story.”

Patrick, Jean L. S. The Girl Who Struck Out Babe Ruth, illus. by Jeni Reeves. Minneapolis, MN: Carolrhoda, 2000. 2–4 Patrick captures an often-neglected piece of baseball history in this story of Jackie Mitchell who struck out Babe Ruth and Lou Gehrig in an April 2, 1931, exhibition game between the New York Yankees and the Chattanooga Lookouts. Mitchell was 17 and a pitcher for the Lookouts, a minor-league men’s team. “Fiery play action” and “[c]lipped sentences” that read like “an announcer’s play-by-play” make for easy reading and high interest. The illustrations pull readers “onto the diamond and reinforce the text” (Bulletin, June 2000). School Library Journal agrees that the text is well-suited to “beginning and reluctant readers,” but the illustrations “don’t really add anything” (Aug. 1, 2000). The Horn Book Guide considers the book “inspiring,” though the illustrations are “mediocre” (Fall 2000). Booklist points out that the book contains good information on prominent baseball figures of the time (Apr. 15, 2000). A concluding note explores the controversy and prejudice surrounding Mitchell’s baseball career: She was thereafter banned from professional baseball, and there were accusations that the Lookouts’ manager, Joe Engel, may have paid the two hitters to strike out.

Patterson, Lillie Booker T. Washington: Leader of His People, illus. by Anthony D’Adamo. Champaign, IL: Garrard, 1962; New York: Chelsea, 1991. 3–5 Patterson’s title in the Discovery Book series is an 80-page, typical, fictionalized biography for beginning readers, consisting of 11 chapters. It covers the major events of Washington’s life, most of which are made famous in his own autobiography: getting a rough new shirt; carrying books for the Burroughs’ children; moving with his family to Malden, West Virginia; seeing another Negro reading; giving himself a name; working in the coal mines; working for Mrs. Raffner; going to Hampton, Virginia; teaching at Malden; going to Washington; and finally going to Tuskegee and buying an old plantation. The latter

part of the book is not as interesting as the first, though the emphasis on Washington’s belief in applied learning is accurate. Ending with his peaceful death in 1915, the biography offers material to early readers in a format that is accessible if not unique. (RH)

Sequoyah: The Cherokee Who Captured Words, illus. by Herman B. Vestal. Champaign, IL: Garrard, 1975. 2–5 This easy-reader biography features “fictionalized dialogue and is sometimes difficult to follow,” as when it fails to explain Sequoyah’s relationship with his first wife. It does not compare favorably with Kohn’s Talking Leaves: The Story of Sequoyah (1969), which is more “factual” and “more attractively illustrated” (School Library Journal, Oct. 1975).

Patterson, Nancy Ruth A Simple Gift. New York: Farrar, Straus and Giroux, 2003. 3–6 Carrie O’Connor, age 10, lives in New York with her mother, author of the award-winning, Mike Madigan children’s book series. One of the books is being staged as a play in her mother’s North Carolina mountain hometown, and Carrie wins a role. The director is her mother’s former schoolmate, who is now a famous Broadway director. Carrie mishandles the knowledge that the fourth-grade star cannot read, and she experiences the typical jealousies and competitiveness of actors in a production. The story “progresses interestingly” and concludes “beautifully” (Kirkus Reviews, May 1, 2003). School Library Journal finds the characterization and plot to be “good” (May 1, 2003, but Booklist points to several flaws: For a New York city girl, Carrie seems very young. “There are too many stock characters.” And why is a famous Broadway director involved in a play in North Carolina? The Horn Book Guide is even less positive about the book: It has a “saccharine air” and “‘Leave It to Beaver’ dialogue,” which is “heavily dated” and “didactic” (Spring 2004).

Paxton, Collin Wilcox , and Gary Carden Papa’s Angels: A Christmas Story. Novato, CA: New World Library, 1996. 5–up When Becca Jenkins’ mother dies, she and her four siblings are left with their depressed father who retreats to the barn, turns to drink, and refuses to allow them to celebrate Christmas. But the children bring in a Yule log and their mother’s Christmas ornaments, which lift their father out of his grief. This story, first published as a play, is told through 12-year-old Becca’s diary, which “paints a poignant picture of an aching Appalachian family through her dialect and insightful descriptions” (Publishers Weekly, Sept. 30, 1996). The ALAN Review compares the

Perdue • 203 “power and richly drawn characters” of this title with Truman Capote’s A Christmas Memory, but the Horn Book says the “Southern charm is layered on rather thickly,” and the story is “choppy [and] underdeveloped” (Mar. 1997). School Library Journal describes this as a “Waltonesque story ... that pulls at every heartstring imaginable.” The subject is “difficult and depressing,” and the authors’ “attempts to write in a child’s voice” create a “strained” result (Oct. 1996). According to Booklist, the book “should be read aloud by someone able to play the guitar for Papa’s songs,” which are appended (Sept. 1, 1996).

Payne, Joan General Billycock’s Pigs, illus. by author. New York: Hastings, 1961. 2–5 General Billycock retires from fighting Indians and the British, but his peace is shattered when wild pigs overrun his property. As his health deteriorates, everyone searches for a cure. Only his daughter Betsy is able to rid the estate of the pigs and, consequently, restore the General’s health and temperament. Library Journal describes Payne’s story as a “rollicking tall tale of Tennessee”: “Good humorous story with suitable illustrations” (May 15, 1961).

Peare, Catherine Owens The Helen Keller Story. New York: Crowell, 1959. 5–6 The “simple style” of this “timely” biography captures “all the drama” of Keller’s life (School Library Journal, Nov. 15, 1959). The sections at the end are dated and inappropriate to 21st-century readers: How to Behave with a Deaf, a Blind or a DeafBlind Person and The One-hand Alphabet used by the Deaf-Blind People. Contains a bibliography and index. (RH)

Stephen Foster: His Life, illus. by Margaret Ayer. New York: Holt, 1952. 4–7 Peare presents a “brief but revealing” (Chicago Sunday Tribune, Nov. 9, 1952) biography of Stephen Foster.

Peel, Alfreda Marion Witch in the Mill. Richmond, VA: Dietz, 1947. 6–up This collection of Appalachian Virginia tales is praised by Saturday Review of Literature in 1949: “Unusually well written, fascinating, hitherto unpublished folklore tales,” which contain a “virgin amount of material” making for a “mighty attractive book” (Nov. 26, 1949).

Peerson, Marie Graham Joseph Wheeler: The Fearless ‘Fightin’ Joe.’ Birmingham, AL: Seacoast, 2003. 3–6 This title in the Alabama Roots Biography series presents the life of Joseph Wheeler, resi-

dent of Courtland, Alabama. A graduate of West Point in 1859, Wheeler resigned his commission from the U.S. Army and served as an officer in the Confederate Cavalry. Wheeler practiced law in Alabama, was elected to the U. S. House of Representatives, and served as a major general in the Spanish American War.

Penn, Audrey The Whistling Tree, illus. by Barbara Leonard Gibson. Washington, D.C.: Child and Family, 2003. 2–4 Penny hears whistling and sees “tiny pinlights” while she is sleeping, but one night the phenomenon abruptly stops. Then one day she finds a pine headboard in the attic, which was carved by her great-great grandfather, a Cherokee from Woodpecker Hollow in the North Carolina mountains. When she puts the headboard in her room, the whistling and the lights reappear. Penny’s parents take her to Woodpecker Hollow to meet her great-great uncle Johnny Elk, who tells her about her Cherokee heritage, including a story about the tree from which her headboard was made. He names her Penny Who Hears the Trees because the Great Spirit has chosen her to “see the lights and hear the whistling trees.” The characters and plot are thin, and the prose suffers from overwriting (“the western sky blushed in shy, pastel pinks), but the nostalgic fantasy may appeal to readers interested in Native American stories. (RH)

Pennington, Daniel Itse Selu: Cherokee Harvest Festival, illus. by Don Stewart. Watertown, MA: Charlesbridge, 1994. K–3 Presenting a fictionalized account of the Cherokee harvest festival, Pennington portrays life as a Cherokee before the arrival of Europeans. Publishers Weekly considers the text “disjointed [and] unfocused” but gives the author credit for “string[ing] together a few valuable and engaging bits of Cherokee education and ritual. Through considerable collaboration with anthropologists and historians, Pennington provides authentic accounts of the feast, a traditional folktale and the sacred corn dance” (Apr. 25, 1994). A syllabary is included.

Perdue, Theda The Cherokee. New York: Chelsea, (1989) 2005. 6–up This title in the Indians of North America series, originally published in 1989, was revised and updated in 2005. In 1989, Booklist notes that good information is presented on the “relationships between the tribes and the federal government,” including attempts at that time to “enhance” the Cherokees’ well being. The layout is considered good, and illustrations feature the “beautiful art and crafts of these people” (Mar. 1, 1989). In 2005, Voice of Youth Advocates notes that the text deals with current topics such as

204 • Perez tribal gambling rights, and though Perdue is “partisan” toward the Cherokee, she offers “historical fact rather than didacticism or castigation” ( June 2005). Updated edition includes websites.

Perez, N. A. Breaker. Boston: Houghton Mifflin, 1988. 7–up A “breaker boy” is usually a young boy who is employed in the coal mines, in the days before child labor laws, to break apart chunks of coal and pick out refuse such as rocks. Perez tells the story of one such breaker boy, Pat McFarlane, whose father dies in a mining accident. Pat, age 14, must drop out of school and join his brother Cal in the mines. Their family are Irish Catholics working in the mines of the “hard coal region of Pennsylvania,” and their prejudice toward Polish immigrants is challenged when they work alongside them and join with them in the 1902 strike. While the plot is “perfectly adequate and believable,” it is smothered in factual information. Its “compelling picture of the grimness of the conditions in which miners worked, of the obstacles against unionization, and of the hardships endured by child laborers ... obtrude on the narrative” (Bulletin, July/Aug. 1988). The Five Owls is more positive: Perez delivers “a vivid cast of characters.” Teachers should opt for this took over textbooks to teach about labor unions ( July/Aug. 1988).

Pflueger, Lynda Stonewall Jackson: Confederate Springfield, NJ: Enslow, 1997.

General.

6–up This title in the Historical American Biographies series covers Jackson’s life in a “readable style” without “analysis.” Her approach results in “gaps,” but the book “provides a solid basis for research,” in spite of its flaws (Kirkus Reviews, Dec. 1, 1996). Booklist notes the emphasis Jackson placed on family and the respect that soldiers had for him. Noteworthy, also, is Jackson’s decision to fight for the South even though he was not philosophically aligned with the Confederate stance (Oct. 1, 1997). The Horn Book is not enthusiastic about the “unexciting” format but finds the information to be “thorough” (Sept. 1, 1997). Includes military campaign maps (Chancellorsville and Gettysburg), black-and-white photographs, a glossary, timeline, suggested reading, and an index.

Phelan, Mary K. Martha Berry, illus. by Charles W. Walker. New York: Crowell, 1972.

3–6 Hiking through the Appalachian Mountains, the Ringers learn of a scheme to rob Fort Knox. In the Plot Your Own Adventure series, readers choose alternative plot lines to determine the outcome of the book.

3–5 Phelan’s biography of Berry covers her life from her childhood among the Appalachians of the north Georgia mountains to her death in 1942. The nationally famous Berry schools began with Berry’s teaching Bible lessons, which quickly extended to teaching literacy. The result was a boys boarding school, where children worked for their keep, followed by one for girls. The prose is “straightforward” and has “little fictionalization,” unlike Myers’ Angel of Appalachia: Martha Berry (1968) and Kane and Henry’s Miracle in the Mountains (1956), which is a biography for adults. In spite of the “occasionally awkward” writing, the subject matter will be attractive to children (Library Journal, Sept. 15, 1972).

Peterson, David

Pittsburgh Children’s Museum

Great Smoky Mountains National Park. New York: Scholastic, (1993) 1996.

Kids Cook with Stuffee. Nashville, TN: Favorite Recipes, 1988.

Petersen, Randy The Appalachian Ambush. Wheaton, IL: Tyndale, 1994.

K–4

From the New True Books series.

Petreycik, Rick West Virginia. New York: Marshall Cavendish, 2007. 4–6 This title in the It’s My State! series surveys the history, geography, economy, and people of West Virginia. Includes a bibliography and index.

Petrini, Catherine M.

3–up A collection of recipes submitted by children from the Pittsburgh area. Includes an index.

Plantz, Connie Elvis Presley: Music Legend, Movie Star, the King. Berkeley Heights, NJ: Enslow, 2004. 6–up From the People to Know series, this biography of Tupelo, Mississippi, native Elvis Presley is “incompletely told” (Horn Book, Apr. 1, 2005).

The Cherokee. San Diego, CA: Kidhaven, 2004.

Polakoff, P. Byron

4–6 This title in the North American Indians series discusses the Cherokee people, their customs, family, organizations, food gathering, religion, war, housing, and other aspects of daily life. Includes a bibliography and index.

K–3 This biography of the famous golfer is a story in rhyme.

Arnold Palmer and the Golfin’ Dolphin, illus. by Deborah Mackall. Chicago: Turbull and Willoughby, 1984.

Presley • 205

Poliniak, Louis When Coal Was King: Mining Pennsylvania’s Anthracite: Early Coal Mining in Picture and Story in the Land of the Mollie Maguires. Lebanon, PA: Applied Arts, 1970. 4–8 A 32-page exploration of anthracite coal mining in Pennsylvania.

Polzer, Tim Peyton Manning: Leader on and off the Field. Berkeley Heights, NJ: Enslow, 2006. 4–6 Included in the Sports Stars with Heart series, this biography covers Peyton Manning as a “personal and professional role-model” (Horn Book Guide, Oct. 2007).

Porte, Barbara Ann Something Terrible Happened: A Novel. New York: Orchard, 1994. 5–8 Porte’s novel begins when Gillian is nine and ends when she is in the eighth grade. The intervening years include her mother’s death from AIDS and her subsequent move from New York to live with relatives near Oak Ridge, Tennessee. Gillian is of mixed race (West Indian and white), and she has difficulty adjusting to her all-white, distant relatives whom she barely knows. Porte’s unusual plot technique is both praised and reviled by reviewers. Kirkus Reviews considers it a “refreshingly cliché-free narrative” that is “cleareyed; beautifully written” (Sept. 15, 1994). Book Report criticizes the use of “different voices” to tell the story, which impedes the flow of the action (Mar./Apr. 1994). Booklist also notes that the “action ... zigzags in convoluted fashion,” and the “melodrama is unabashed,” but the novel has “some truly splendid moments” (Sept. 15, 1994). School Library Journal agrees that the novel is “not entirely successful,” but “Porte does not sidestep the issue of AIDS” and writes with “an eye for just the right detail” (Oct. 1994). According to Publishers Weekly, “This unusual book charts its own serendipitous course,” but when the reader is finally “in concert with its unique rhythm,” the result will be compelling (Oct. 10, 1994). The Horn Book describes it as “sometimes gritty, often heart-wrenching, and always engaging” (Mar. 1995). And the Bulletin considers “the final effect [to be] dreamy and somewhat adult, but there’s a verisimilitude in the wandering and an intimacy in the portrayals” (Dec. 1994).

Porter, Dena Williams Sullivan County, Tennessee. Johnson City, TN: Overmountain, 2003. 5–up In this premier title published in the Overmountain History Series for Young Readers, Porter describes the history of Sullivan County, explains the development of major cities in the area, and

gives biographical information about significant citizens.

Powell, Irene, and Lisa Hays Birds of My Hollow: A Guide to West Virginia Birds, illus. by Michelle Wellings. Glenville, WV: Glenville State College, 2000. 4–up Birds of My Hollow is a small, 48-page paperback illustrated with black-and-white sketches of 45 birds. An opening letter from Glenville State College President Thomas H. Powell explains that the book “has a dual purpose.” It is designed as a guide to the Glenville collection of Claude Kemper’s bird carvings and as a field guide. The Introduction explains that Claude Kemper began carving birds in 1975 when he revisited the “hollow” where he grew up on Tanner Creek Road in Gilmer County, West Virginia. Glenville owns one of the few complete collections of Kemper’s carvings. The text, though not intended for children per se, is clear, crisp, and simple, making it accessible to any age reader. Wellings’ sketches are sufficiently detailed for identifying birds in the field, and the size of the book makes it suitable for a backpack or pocket. The one-page Bird Watcher’s Checklist may interest children in watching and identifying birds and recording their sightings. (RH)

Power, J. Tracy Stonewall Jackson: Hero of the Confederacy. New York: PowerPlus, 2005. 2–3 This title in the Library of American Times and Lives series details Jackson’s life from his youth and years at West Point to his death. Includes a bibliography and index.

Power, Susan C. Art of the Cherokee: Prehistory to the Present, illus. with photographs. Athens, GA: University of Georgia Press, 2007. 6–up Art of the Cherokee is not a children’s book, but because so little information regarding Appalachian and Cherokee art exists, this is an important resource for teachers and students. Illustrations consist of black-and-white archival photographs and color reproductions of art and crafts. The substantive glossary, endnotes, and bibliography make this an excellent reference book. (RH)

Pratt, Paula B. Martha Graham. San Diego, CA: Lucent, 1995. 4–up Pratt has written a “visually appealing, well-researched” biography of choreographer and Pittsburgh native Martha Graham (School Library Journal, Jan. 1995). A title in The Importance Of series.

Presley, Elvis, and Vera Matson Love Me Tender, illus. by Tom Browning. New York: HarperCollins, 2003.

206 • Press K–2 Using the lyrics of Elvis Presley’s classic song “Love Me Tender,” Tom Browning has created a “lovely read-aloud for children.” The illustrations consist of “full-bleed paintings, with beautifully loose and fluid brushwork,” and “sunlit colors” (Kirkus Reviews, Mar. 2003). Though intended as an adult love song, the lyrics are appropriately extended and interpreted by the artwork.

the beginning gives background on the song and information about the author/artist. The music and 11 verses of the song are included at the end, along with a double-page spread called “Welcome to Aunt Rhody’s Goose-Fest,” which gives recipes, riddles, games, and poems—all related to geese, of course. (RH)

Press, Petra

3–5 Quackenbush’s biography “captures the essence” of Crockett with a “straightforward writing style [and] little fictionalization.” The author deals with Crockett’s mythical personality and feats in a format (raccoon asides that add humor and interest) that is suitable and attractive. Though the illustrations show Crockett donning a coonskin cap, the Epilogue dispels this myth along with others. Santrey’s Davy Crockett: Young Pioneer (1983) “contains more fictionalized dialogue,” and Ford’s Davy Crockett (1961) is written for younger readers (School Library Journal, Sept. 1987).

The Cherokee. Minneapolis, MN: Compass Point, 2002. 2–4 Included in the First Reports series, this title presents a “well-meaning but flawed tribal profile that [is] the status quo in children’s literature” (School Library Journal, Nov. 2001).

The Shawnee. Minneapolis, MN: Compass Point, 2002. 3–up This title in the First Reports series presents an historical and contemporary look at the Shawnee. Includes a timeline, glossary, and index.

Price, Olive M. Three Golden Rivers. Indianapolis, IN: BobbsMerrill, (1948). 7–up Set in 1850, this novel tells the story of the four orphaned Bayards who are forced to move from their farm to Pittsburgh’s south side, an “immigrant neighborhood.” There they survive through hard work and determination (Publishers Weekly, Sept. 6, 1999). The novel is filled with historical information and characters, such as Andrew Carnegie, Charles Dickens, and Stephen Foster.

Probosz, Kathilyn S. Martha Graham. Englewood Cliffs, NJ: Silver Burdett, 1995. 5–up Probosz’s biography of Martha Graham “gives a solid impression of Graham’s youth and early influences upon her art.” The title falls short in portraying Graham as a professional dancer and choreographer and presents highlights of her career in a perfunctory fashion (School Library Journal, Oct. 1995).

Quackenbush, Robert Go Tell Aunt Rhody, illus. by author. Philadelphia, PA: Lippincott, 1973. K–4 Colorful cartoon illustrations decorate this rebus interpretation of the classic American folk song, along with scattered directives to “find the hidden goose in the picture.” The humor is typical Quackenbush, but it may not be totally successful for the very young reader. While the cartoon drawings fit the tone, they obscure shapes and details, especially in the rebus puzzle-drawings. Quackenbush dedicates the book to his mother who carried on the generational tradition of singing the song to him. A note at

Quit Pulling My Leg, illus. by author. New York: Prentice-Hall, 1987.

Stop the Presses, Nellie’s Got a Scoop: A Story of Nellie Bly. New York: Simon and Schuster, 1992. 3–6 Quackenbush recounts the life of Pennsylvania native and journalist Nellie Bly. Horn Book Guide regards the title as “upbeat” and the illustrations “lively” (Spring 1992), but Booklist considers Quackenbush’s description “dry,” recommending the title only because of the scarcity of information on Bly ( Jan. 15, 1993).

Who Let Muddy Boots into the White House?, illus. by author. New York: Prentice-Hall, 1986. 2–4 According to the Bulletin, Quackenbush’s “text and illustration,” including the Epilogue, render “a myth-perpetuating treatment” of Andrew Jackson’s life. This failing, along with the “silly cartoons of two children and a parrot,” “clutter up the pages,” making this biography one of the “less successful in Quackenbush’s series.” Jackson’s “stormy personality and career” are inconsistent with the “jolly format” (Feb. 1987). Kirkus Reviews expresses a more favorable opinion of the cartoon children and parrot, saying they “offer irreverent comments and background information.” The “muddy boots” of the title as a reference to the “backwoodsmen and old soldiers” who accompanied Jackson to the White House. In all, Quackenbush’s biography will “attract and hold” the child reader (Oct. 15, 1986).

Raatma, Lucia Jesse Owens: Track-and-Field Olympian. Chanhassen, MN: Child’s World, 2004. 3–7 This biography of Alabama native and Olympic champion Jesse Owens is a title in the Journey to Freedom series. Includes a bibliography and index.

Ransom • 207

Raber, Thomas R.

Rambeck, Richard

Bo Jackson, Pro Sports Superstar. Minneapolis, MN: Lerner, 1990.

Super Bowl X: Pittsburgh Steelers vs. Dallas Cowboys, January 18, 1967, Miami Orange Bowl. Mankato, MN: Creative Education, 1983.

4–6 This biography focuses primarily on Jackson’s professional careers in football and baseball, covering childhood, high school, and college in one chapter. A title in the Achievers series.

3–6 Describes the winning performance of the Pittsburgh Steelers in their 1976 Super Bowl victory over the Dallas Cowboys.

Joe Montana: Comeback Quarterback. Minneapolis, MN: Lerner, 1989.

Ramen, Fred

4–6 Raber’s title in the Achievers series is a “one-dimensional” and “[p]oorly structured” biography of Montana, from Monongahelia, Pennsylvania, who played for Notre Dame and the San Francisco Forty-Niners (Horn Book Guide, July-Dec. 1989).

Jerry West. New York: Rosen, 2002. 4–8 Ramen profiles the life and career of West Virginia native and basketball great, Jerry West. From the Basketball Hall of Famers series.

Radford, Ruby L.

4–8 This easy-to-read biography focuses on Montana’s work ethic and athletic ability, as well as his impressive statistics. This title in the Football Hall of Famers series includes a bibliography and index.

Sequoya, illus. by Unada. New York: Putnam, 1969. 2–4 Library Journal considers Radford’s biography of the inventor of the Cherokee syllabary to have “plausible fictionized dialogue.” This title in the See and Read series is appealing for its design and illustrations (School Library Journal, Feb. 15, 1969).

Radin, Ruth Yaffe A Winter Place, illus. by Mattie Lou O’Kelley. Boston: Little, Brown, 1982. 2–4 Radin writes about a family’s journey from an urban setting to a skating place in the hills and back home. According to the Bulletin, there is “no story about individuals”; instead, Radin writes about the simple “joys” of the excursion ( Jan. 1983). School Library Journal is less positive, calling this a “sparse, humdrum narrative.” Fortunately, O’Kelley’s paintings “are something else.” Reminiscent of Grandma Moses, they are “aglow with dazzling colors” and “stand out a mile” (Sept. 1982).

Radlauer, Ruth Shaw Great Smoky Mountains National Park, illus. with photographs by Rolf Zillmer. Chicago: Childrens, 1976. 3–5 This title emphasizes the “flora, fauna, and bits of early settlement history” of the Great Smoky Mountains National Park in a format that will attract young readers (Booklist, Dec. 15, 1976). Includes a map and color photographs.

Mammoth Cave National Park, illus. by Edward Radlauer. Chicago: Childrens, 1978. 3–up According to Linda Veltze’s Exploring the Southeast States Through Literature, Radlaur emphasizes “animal and insect life unique to caves” as well as “spectacular geological formations and breathtaking scenery.” The “concise, descriptive prose [is] supported by quality photographs” of this Kentucky cave (Phoenix, AZ: Oryx, 1994).

Joe Montana. New York: Rosen, 2003.

Ramsey, M. K. Misty the Freeway Foxhound: The Dog Who Became a Legend. Bloomington, IN: Authorhouse, 2006. 2–4 Ramsay presents the story of Misty, a foxhound who lives with an elderly man and follows his car every day when he goes to work. When her master dies, she continues to wait for him by the roadside and cannot be persuaded to leave.

Ransom, Candice F. Danger at Sand Cave, illus. by Den Schofield. Minneapolis, MN: Lerner, 2000. K–4 Included in the On My Own History series and based on an actual event, Ransom’s story is about Floyd Collins, an experienced spelunker who was trapped in a fatal accident in Sand Cave, Kentucky. Arly Dunbar, a fictitious ten-year-old, tells the story of the unsuccessful attempt to rescue Collins. “Ransom effectively conveys Arly’s frustration but refrains from turning his foolhardy act into a dramatic rescue,” focusing instead on the “historical conclusion of the event” (Horn Book, July 2000). “Realistic drawings dominated by shades of gray and brown depict the clothing of the period and add clarification to the text for readers unfamiliar with caves, shafts, and lanterns” (School Library Journal, Aug. 2000).

Finding Day’s Bottom. Minneapolis, MN: Lerner, 2006. 3–7 Following her father’s death in a sawmill accident, 11-year-old Jane-Ery struggles with her grief but finds solace in her relationship with her grandfather, who is “a warm and soulful spirit,” and in their Virginia mountain home. Ransom’s “narrative strikes just the right delicate and childlike tones,” and the “language of the southern backwoods sings throughout the book” (Publishers Weekly, Oct. 30,

208 • Raphael 2006). The first-person point of view reveals JaneEry’s “quiet voice and sometimes-colorful local vocabulary”; the setting is “well-realized” and the “characters and emotions are universal” (Booklist, Oct. 15, 2006).

Listening to Crickets: A Story About Rachel Carson, illus. by Shelly O. Haas. Minneapolis, MN: Carolrhoda, 1993. 3–4 Booklist explains that the title of this biography is misleading, because it “implies a focus on one incident” in her life, and that the first chapter “recreates or imagines” her childhood. Otherwise, this is a “solid” work, and the illustrations have “distinction” (May 15, 1993). School Library Journal considers this to be a “fluid account” that “brings out the warmth of her personality and her passion for learning.” Ransom does not gloss over the “difficulties of the Depression and of being a female marine biologist in the early ’50s.” Readers come to know Carson as an excellent writer whose Silent Spring made an important contribution to ending pesticide use and inspiring reverence for the natural world. This title is designed more for younger audiences than are Stwertka’s Rachel Carson (1991), Harlan’s Sounding the Alarm (1989), and Jake Goldberg’s Rachel Carson (1991) ( July 1993).

One Christmas Dawn, illus. by Peter Fiore. Mahwah, NJ: Troll, 1996. K–3 It is the bitter winter of 1917, and the quarry in southwest Virginia, where Daddy works, has closed, so he finds work at a sawmill in Bristol, a town that sits squarely on the Tennessee-Virginia state line. When Christmas Eve comes, Daddy has not returned, but when the little girl looks out her window at dawn (or dreams that she does), she sees a lawn full of blooming flowers. When she finally awakens, her father is home, bearing gifts and oysters for Christmas dinner. Booklist compares this nostalgic work with Earl Hamner’s The Homecoming and praises the “everyday poetry” of the writing. The illustrations present “some stiffness, ... but the outdoor scenes are majestic” (Oct. 15, 1996). The Horn Book agrees that the “homey illustrations” depict “awkwardly rendered” forms, but Ransom delivers a “nostalgic glimpse” of life in the Appalachian mountains in 1917 (Mar. 1997). School Library Journal has this to say: “Luminous oil paintings and a text with a gentle tone mark this holiday reminiscence of a time and place far removed.... Blues and purples dominate the palette during the winter scenes. The apt turns of phrase and quietly understated story make this a lovely family history for the holidays” (Oct. 1996). According to Publishers Weekly, this “version of a mountain legend nearly sighs with longing before it begins to tingle with anticipation” of Daddy’s return (Sept. 30, 1996). The author’s note explains the girl’s dream by connecting it with the legend of the Glastonbury roses that bloom on Christmas.

The Promise Quilt, illus. by Ellen Beier. New York: Walker, 1999. 2–4 Addie’s father goes off to war as General Lee’s guide and never returns, leaving Addie, her mother, and her brother to survive alone on their Virginia farm. When Addie goes to school, she is “dismayed” to discover its lack of educational materials, so Mama makes a raffle quilt to raise money. Addie contributes to the quilt the only thing she has left that connects her to her father—his red flannel shirt. School Library Journal describes the book as “realistic” and “touching”: “Themes of resiliency, sacrifice, and hard work rewarded are gracefully woven into the narrative” (Nov. 1, 1999). The Horn Book compliments the “expressive” illustrations, which “capture” the setting and the “vulnerability and strength” of Addie and her family (Apr. 1, 2000). Booklist agrees that the “pastoral watercolor paintings reflect both the mood and the ambience of a difficult time in history and a family’s resolve to cope” (Nov. 1, 1999).

When the Whippoorwill Calls, illus. by Kimberly Bulcken Root. New York: Tambourine, 1995. 3–6 The Bulletin says Ransom’s story of a family displaced by progress is “rooted in the hard facts of a materially poor but naturally beautiful home” without “nostalgic evocations of past and place.” Polly’s family, tenant farmers, are forced to move out of their Blue Ridge Mountain home when the owner sells his land to the federal government to create the Shenandoah National park. In the end, they move into a modern home in the “flatlands,” which they must admit is better than their old cabin. “The idea that moving is often bittersweet is a much richer field of exploration than is simplistic yearning,” and Ransom has captured the subtleties well (Dec. 1995). Booklist agrees that the author did not “take the easy way out” by “lamenting a vanished way of life” but captures the “nuances” of change instead (Sept. 15, 1995). The Horn Book considers it “thoughtful and sensitive” with “homely, understated text and illustrations” (Mar. 1996). School Library Journal deems the text and illustrations to be a “stunning effort” (Nov. 1995).

Raphael, Elaine, and Don Bolognese Daniel Boone: Frontier Hero. New York: Scholastic, 1996. K–3 The Horn Book describes this biography of Boone as a “simplistic, unexciting” book with “average illustrations (Sept. 1996). School Library Journal is more positive, though the “almost impressionistic” account of Boone’s life “presents isolated events and fictionalized dialogue.” The book also includes instructions for drawing characters (including an American Indian), a log cabin, a Conestoga wagon, and a canoe. “The drawing lessons are also a vehicle for providing several facts about the material aspects of frontier life” (Mar. 1, 1996).

Ray • 209

Rappaport, Doreen

Rau, Dana Meachen

Trouble at the Mines, illus. by Joan Sandin. New York: Crowell, 1987.

Andrew Carnegie: Captain of Industry. Minneapolis, MN: Compass Point, 2006.

3–5 Following a mine disaster in December of 1898, coal miners in Arnot, Pennsylvania, were motivated to strike in July 1899. In Rappaport’s novel, this historical event is related by the fictional character Rosie Wilson, the daughter of union organizer Bryan Wilson. Because Rosie’s two brothers and her Uncle Jack also work in the mines, the focus is largely on how the strike affects the family, especially the women. Mother Jones features prominently in the book, “by far the most rounded character.” While the “narrative has its simplistic aspects,” children will relate to Rosie’s expression of “fear and determination” (Kirkus Reviews, Apr. 1, 1987). “Moderately successful as historical fiction,” the narrative is “accessible” and features an historical event that is rarely presented for this grade range (Bulletin, Mar. 1987). “Feminists will enjoy Mother Jones” in this story that “brings alive an unhappy period in American history.” The black-andwhite illustrations are “striking” and lend “poignancy” to the narrative (Five Owls, July/Aug. 1987). Contains a bibliography and an author’s note explaining that the story is drawn from newspaper accounts of the strike.

5–8 Included in the Signature Lives series, Rau’s biography of industrialist Andrew Carnegie is “[e]xpertly written [and] profusely illustrated” (Children’s Bookwatch, Dec. 2007). Includes a glossary, timeline, source notes, list of places to visit, websites, and suggestions for further reading.

Rappaport, Ken Bobby Bonilla. New York: Walker, 1993. 5–up A “well-written” biography of former Pittsburgh Pirate, Bobby Bonilla (School Library Journal, May 1, 1993).

Mario Lemieux: Star Center. Springfield, NJ: Enslow, 1998. 4–6 Rappoport’s profile of Pittsburgh ice hockey great Mario Lemieux “emphasize[s] his professional achievements but reveal[s] limited information” about his personal qualities Horn Book Guide, Fall 1999). The book may appeal to reluctant readers. This title in the Sports Reports series includes a list of statistics and an index.

Super Sports Star Peyton Manning. Berkeley Heights, NJ: Enslow, 2003. 1–4 Rappaport’s biography of Peyton Manning provides “superficial” coverage of his high school, college, and professional career, but this title in the Super Sports Star series will appeal to young readers (Horn Book Guide, Apr. 2004). Simple, declarative sentences may make for easy reading, but they create a static and weak biography of a remarkable athlete. The cut-out, posed photographs add no visual interest, and though the text covers Manning’s high-school and college careers, all photographs show him in a Colts uniform. Rappaport glorifies Manning with generalizations and skims over important details. The text relies so heavily on statistics that the story of Manning’s life is lost. The end matter includes a glossary, websites, short bibliography, and index. (RH)

Ray, Deborah Kogan My Dog, Trip, illus. by author. New York: Holiday, 1987. K–3 Allie’s father brings home a stray, sickly puppy that quickly grows into a healthy dog. Named “Trip” because he is constantly underfoot, he quickly becomes Allie’s closest companion and friend. When Trip disappears for a week, Allie and her family are distraught until Trip is found and all is once again well. Though the story is set in a West Virginia mining town, the emphasis is on the family and the dog, not the setting. Language, however, is the defining feature of the book, and Ray’s use of dialect receives mixed reviews. The Bulletin considers the dialect to be “direct, natural, and graceful” ( Jan. 1988.) The Five Owls finds the dialect in this “predictable plot” to be problematic: Though the “language has a richness of its own” and violates standard English “in a consistent, and therefore presumably authentic, manner,” the effect of “grammar [gone] amuck” may be disconcerting for an age group that is just beginning to learn the rules ( Jan./Feb. 1988). Kirkus Reviews finds the dialect to be “irritating” and wonders whether it will “cause problems” for its intended audience. This girlloves-dog story is unabashedly “sentimental,” but it may appeal to children who love their dogs and who have “outgrown controlled vocabulary books” (Oct. 1, 1987).

Ray, Delia Ghost Girl: A Blue Ridge Mountain Story. New York: Clarion, 2003. 5–8 April Sloane, age 11, lives on Doubletop Mountain in the Virginia Blue Ridge Mountains, where President and Mrs. Hoover have a summer home. When Hoover decides to build a school in this isolated community, April’s life changes. “Ghost girl” is a reference to April’s nearly-white hair and pale eyes, but, more importantly, it describes the way April feels because she is unnoticed and unloved by her mother, who is depressed and grieving the death of April’s little brother Riley. After the school is built and April meets the remarkable teacher, Miss Vest, she learns to read, reveals the secret of Riley’s death, and develops the strength to find her own way even if it means defying her parents. Ray’s first novel is universally praised. According to Booklist, “there’s no patched-on happy solution to the poverty, anger, and sorrow”

210 • Raymond (Nov. 15, 2003). School Library Journal gives the book high marks: “There are many novels out about the lives of mountain children, but this excellent portrayal of four important years in a girl’s life rises to the top.” Every library should purchase the book (Nov. 1, 2003). The Horn Book agrees: “Nothing is pat or predictable” because Ray “cares too much about the complicated characters and setting” to indulge in “sentimentality.” The mountain setting is “beautiful and sustaining, yet suffocating,” and April’s struggle is “poignant, realistic, and somber” ( Jan./Feb. 2004). Kirkus Reviews also notes “Ray’s loving attention to setting, character, and detail,” which results in a “quiet and subtle evocation of a time and a place” (Sept. 1, 2003). Ray’s Afterword explains that the story is based on a real teacher, Christine Vest, whose letters provide detail and events.

Singing Hands. New York: Clarion, 2006. 4–8 A novel about the hearing impaired, Singing Hands is set in Birmingham, Alabama, during the summer of 1948. Twelve-year-old Gussie Davis and her two sisters have deaf parents; their father is the minister at St. Jude’s Church for the Deaf. Gussie’s need to “act out” in this environment provides much of the humor of the story, but Ray has interwoven it with serious commentary about prejudice and civil rights. “The prose doesn’t always sing,” but the novel has redeeming features (Booklist, May 1, 2006). “The focus on Gussie’s rebellion and growth [is] the real heart of the story” (Horn Book, May/June 2006). Ray creates “realistically sympathetic characters,” but advocates for the hearing impaired may find much to criticize in the novel, and others may be “annoyed that every loose end is tied up in the happiest of ways” (Kirkus Reviews, Apr. 1, 2006). School Library Journal objects to the “excess of subplots, ... but the exploration of Gussie’s feelings toward her parents and the hearing world ... is heartfelt” ( July 1, 2006). Library Media Connection praises the “lively characters and a tightly woven plot that is satisfying to the end” (Oct. 2006). Ray has drawn upon her personal experiences as the granddaughter of a deaf missionary.

Raymond, Charles Jud. Boston: Houghton, 1968. 4–8 Raymond delivers a fairly predictable cityfamily-moves-to-the-country story in both its plot and character development. When Jud’s father temporarily moves the family to the Smoky Mountains because of his work assignment, Jud is upset. On their mountain farm, they survive without television and with animals (including a milk cow). When it is time to return to their city life, Jud has misgivings because of the strong ties he has developed to the place, the animals, and the people. “The atmosphere and setting” are well drawn, but “the lack of a strong story line” is a major flaw (Bulletin, Sept. 1968).

Up from Appalachia. Chicago: Follett, 1966. 4–8 In this novel, Raymond focuses on the Cantrell family, who move from their “played out” farm in Harlan County, Kentucky, to a tenement in Chicago. The writing is adequate, but the plot lacks motivation, conflict, and resolution. Told from the point of view of Lathe Cantrell, age nine, the story emphasizes the generosity, problem-solving skills, and wisdom of Gramma. Ma, Pa, Bart, and Sissy are static characters; Lathe and his younger twin sibling, Pusey, are slightly better developed. Except for Gramma, the female characters are flimsy, shadow figures. The family encounters the usual epithets of “hillbilly” and “briarhopper,” but they are resilient and patient with the prejudice and bigotry, and Gramma finds a logical, expedient solution for every situation. She draws the Presbyterian minister into the community, turns around the young boys in the Wolverine Gang, and oversees the transformation of a vacant lot into a neighborhood park named Gramma’s Flowerpot. Unlike the fictional characters of Arnow or Borland and Speicher, three generations of Cantrells assimilate smoothly into the urban environment without emotional or social consequences. When Gramma’s Flowerpot becomes a paved parking lot, the characters accept it without anger or resentment. Even the death of the hound dog Pruf is met with improbable resoluteness. The final chapters show the Cantrells as community leaders, with Pa taking center stage as a beloved musician. The book jacket says that Raymond is a “blue collar” construction worker who got the idea for this book when he was “doing remodeling work in a Chicago area where many of the hill people” lived. He witnessed first hand the problems described in this book — buildings in disrepair, infested with rats and roaches, as well as prejudice and conflict among residents who come from different ethnic backgrounds. The reader is left to wonder whether Raymond has not told the tale he wished he had encountered in the tenements, rather than the real story. Readers looking for a fairy-tale version of Appalachian outmigration will find it in this novel. (RH)

Reaver, Chap Bill. New York: Delacorte, 1994. 5–8 Chap Reaver’s “perfect sense of pace, flawless downhome style, humorously individualized characterizations, and absolute fidelity to the protagonist’s viewpoint” save this novel from becoming “formula fiction.” Jessica Gates, age 13, lives in the Kentucky backwoods with her alcoholic, moonshining father and her stalwart dog-companion, Bill. The time is Prohibition-era 1920s. Both Jessica and Bill are “smart, funny” characters who lend seriousness and humor to the plot. Jessica is befriended by a revenuer, Shaft Dudley, and his wife, who want to take her away from her abusive father, and Bill is wounded but recovers. According to the Bulletin, “all this unfolds naturally with a light touch and witty tone,” which speaks well for

Reilly • 211 Reaver’s skill. “The writing shows how well dialect can be managed when it’s not artificially strained, and the narrator reveals herself unselfconsciously” (Bulletin, May 1994). Reaver’s final novel is “filled with great humor and affection,” along with “wonderful, well-realized characters” (Booklist, Apr. 1, 1994). This girl-lovesdog story “is well plotted, has a strong, clearly drawn female protagonist,” though Bill may be the stronger character (ALAN Review, Fall 1994). While the book is a basic mystery story, on one level, its greater depth lies in its “moral dilemma” about a child’s loyalty to an undeserving parent (Five Owls, Sept./Oct. 1994).

Red Earth Selu and Kana’ti: Cherokee Corn Mother and Lucky Hunter, illus. by author. Greenvale, NY: MONDO, 1998. K–4 When the children of the Corn Mother and the Lucky Hunter learn how their parents provide their food, they cause the death of the parents but learn a new way of life for themselves. From the MONDO Folktale series.

Reed, Marcelina Seven Clans of the Cherokee Society, illus. by William Taylor. Cherokee, NC: Cherokee, (1993) 1999. 5–up Reed provides an historical examination of Cherokee society.

Reeder, Carolyn Grandpa’s Mountain. New York: Macmillan, 1991. 4–6 Reeder explores the loss of family property to the state of Virginia when the Shenandoah State Park was created during the Depression. Carrie, age 11, lives in Washington, D. C., but visits her grandparents’ home in the Blue Ridge Mountains every summer. Grandma and Grandpa Griffin keep a store, run a lunchroom, and farm, all of which make for a comfortable place among neighbors and community. This secure and familiar pattern is disrupted when Grandpa loses his hard-fought battle to save his property. “The story has a realistic ending ... and a believable adjustment” to the loss. Reeder’s characters and prose are strong, but the plot is marred by the overriding “emphasis” on the controversy of eminent domain and the “overstated” point of the book (Bulletin, Dec. 1991). The historical information is accurate, and the “characters ring true” (Horn Book, Nov./Dec. 1991). Though the plot is “slow-moving,” it explores the strong connections that people have with their land and the “wisdom of accepting what cannot be changed” (Booklist, Nov. 15, 1991).

conflict between religion and moonshining. June Higgins is a moonshiner, who intends to pass on the family craft to his son Tom, age 12. Moonshine features prominently at community events and is an accepted part of life, but it is challenged by the new minister in town, a flatlander, and his daughter, Amy Taylor. Reeder presents a conflict that is “often humorous and sometimes tense” and believably depicts the “honorbound world of the mountain folk” (Horn Book, Sept./Oct. 1993). The Bulletin is less favorably disposed toward the book: The core of the story is Tom’s feelings about his mother, who took his two sisters and ran away, and his father, who is determined to make a moonshiner of him. Reeder is inclined to “introduce information via conversation, ... or “downright explanation of the obvious,” and she “sometimes seems to be following an outline” (Sept. 1993).

Rees, Douglas Lightning Time. New York: Dorling Kindersley, 1997. 6–9 Rees’s first novel is well received and praised as a “historically accurate, richly detailed” work and “a welcome change from” formulaic Civil War accounts. Theodore Worth, age 14, becomes captivated by abolitionist John Brown and joins him in the Battle of Harpers Ferry, West Virginia (School Library Journal, Dec. 1997). According to the Bulletin, this first-person narrative is “tightly drawn” and “historically derived”; it “never stops gathering momentum.” It is a “perfect complement” to Clinton Cox’s 1997 Fiery Vision: The Life and Death of John Brown ( Jan. 1998). Given its solid grounding in historical detail, readers not already familiar with the story of John Brown “may find themselves confused at times” (Booklist, Jan. 1, 1998), but “Rees lights his story with flashes of lyricism that make plain the ambiguities of Brown’s case” (Kirkus Reviews, Oct. 15, 1997). The Horn Book Guide considers this a “valuable addition to Civil War literature” (Mar. 1998). Contains an Afterword and compares well with Alan Kay’s On the Trail of John Brown’s Body (2001).

Reger, James P. The Battle of Antietam. San Diego, CA: Lucent, 1997. 5–up Reger briefly explains the reasons for the Civil War and covers the period prior to the Battle of Antietam, the “bloodiest day” of the war. This is a “well-written” narrative with appealing human interest content (School Library Journal, July 1997).

Reilly, Robert T.

Moonshiner’s Son. New York: Macmillan, 1993.

Rebels in the Shadows. Milwaukee, WI: Bruce, 1962; Pittsburgh: University of Pittsburgh Press, 1979.

5–8 Set during Prohibition in the Virginia Blue Ridge Mountains, Reader’s story explores the

6–up Set in 1870s Pennsylvania coalfields, this book features the violence of the Molly Maguires and

212 • Reiss a family of Irish immigrants. Sean, age 15, and his family are caught in the social violence, and Sean’s older brother is killed. According to KLIATT, “The historical facts are accurate and the writing will interest even those who are not history buffs” (Sept. 2000).

Reiss, Bob, and Gary Wohl Franco Harris. San Diego, CA: Tempo, 1977. 4–up Biography of Franco Harris, standout running back for the Pittsburgh Steelers from 1972 to 1983.

Remini, Robert V. The Revolutionary Age of Andrew Jackson. New York: Harper and Row, 1976. 7–up Remini’s biography of Jackson “is not adulatory,” though his “esteem” for his subject is obvious. He shows how Jackson’s actions and decisions affected the politics and policies of the country. A professor of history, Remini draws upon primary materials and “adroitly balances detailed explanations” with “broad movements and issues.” His style is “lively,” and he includes in the suggested reading list a variety of books that advance opposing views (Bulletin, July 1976). Includes an index.

Rennert, Richard S. Jesse Owens: Champion Athlete. New York: Chelsea, 1992. 4–7 Biography of Alabama native and Olympic track and field star Jesse Owens. Included in the Junior World Biographies series, Rennert’s portrayal of Owens is told “simply, directly, and inspiringly” (School Library Journal, Sept. 1991). The title includes a glossary and chronology.

Retan, Walter The Story of Daniel Boone, Wilderness Explorer, illus. by Steven James Petruccio. New York: Dell, 1992. 3–up A title in the Dell Yearling Biography series.

The Story of Davy Crockett: Frontier Hero, illus. by Steven James Petruccio. New York: Dell, 1993; Milwaukee, WI: Gareth Stevens, 1997. 3–up This title in the Famous Lives series describes the life of Davy Crockett, one of the Old West’s outstanding hunters, frontiersmen, and legislators. Includes a bibliography and index.

Reynolds, George P., and Susan W. Walker, eds. Foxfire 10: Railroad Lore, Boardinghouses, Depression-Era Appalachia, Chairmaking, Whirligigs, Snake Canes, and Gourd Art. New York: Doubleday, 1993.

7–up In its 20th year of publication, the latest Foxfire book continues the high-school, oral-history project begun by Eliot Wigginton in Rabun Gap, Georgia. “Like the previous nine volumes, this collection is created by students yet has ample polish and fine material to earn a place among quality American history and folklore titles (Booklist, Mar. 15, 1993). KLIATT notes that the absence of an index continues to thwart researchers and, consequently, weakens the series ( July 1993).

Rice, Otis K. West Virginia: The State and Its People. Parsons, WV: McClain, 1972. 7–up Beginning with prehistory, this title explores all aspects of West Virginia, with emphasis on “Pride in the Mountain State.” Rice designed the book for public-school use (Barbara Mertins, ed. Kentucky, Tennessee, West Virginia: Reading for Young People. Chicago: American Library Association, 1985). Includes black-and-white illustrations, photographs, and an index.

Riddell, Ruth Haunted Journey. New York: Atheneum, 1988. 7–up When Obadiah’s father dies, leaving the family in poverty, he sets out to harvest freshwater pearls. Obie, age 14, and his friend, Bas, are haunted by tales of the Cherokee Nun Yuna Wie, “immortals known as jealous guardians of the rich mussel beds.” Nevertheless, the two boys successfully harvest the pearls and pay off the family debt, but their lives are still fraught with disappointment and conflict. Obie hopes to escape “his 1930 Tennessee hillbilly life” for a “good-paying job in Michigan.” Finally, he is presented with the opportunity for a college scholarship and is encouraged to assert himself with his “overbearing mother.” Though “Riddell’s gift for suspense is riveting,” the mix of Cherokee folklore, adventure, danger, and “the homecoming scene with its abrupt shift to the straightforward and commonplace” make for a difficult read. “One is never quite sure what haunted Obie’s journey, nor if it is fully resolved” (School Library Journal, Oct. 1988).

Riehecky, Janet Daniel Boone. Austin: TX: Raintree SteckVaughn, 2003. 3–6 This title in the Raintree Biographies series follows a “[c]ookie-cutter format.” Nevertheless, it has much to offer and, according to School Library Journal, is a “more appropriate choice” than Daugherty’s 1939, “now-dated Newbery award-winning Daniel Boone.” Riehecky has captured Boone’s complex personality and relationships and delivers a book that is “clearly designed as report fare.” A major flaw is that the cover shows Boone wearing a coonskin cap, though the text “debunks” the myth (Mar. 1, 2003).

Rinaldi • 213 The Horn Book Guide considers the series to be “dryly written” (Spring 2003). Includes a glossary, timeline, bibliography, and index.

Riehle, Mary Ann McCabe M is for Mountain State: A West Virginia Alphabet, illus. by Laura J. Bryant. Chelsea, MI: Sleeping Bear, 2004. 2–6 Though this book is designed for a wide grade range, it fails both reading levels. Weak, trite rhyming text identifies each letter of the alphabet, which is also extended with “expository text written for older readers,” according to the book jacket. The “expository text” is informative but dry and dull as a bad geography text book. The illustrations and rhyming text are incongruous, as in the letter “K,” which is for “Kanawah,” but the main focal point of the illustration is a family of opossums clinging to tree branches. Back matter includes 18 (not 26) plodding, objective questions about West Virginia with answers. Both early and accomplished readers should avoid the book. (RH)

Rimer, David, and William P. Robertson The Bucktails’ Antietam Trials. Shippensburg, PA: White Mane, 2005. 4–7 Included in the White Mane Kids series, this title presents the losses endured by the Union army at Antietam.

Rinaldi, Ann The Coffin Quilt: The Feud Between the Hatfields and the McCoys. San Diego, CA: Harcourt, 1999. 5–10 Rinaldi “has kept close to the actual sequence of events” in this tale of the famous HatfieldMcCoy feud that dates to 1878. She has also “introduced elements of her own creation” in an attempt to explain the underlying reasons for the conflict, some of which are “difficult to accept.” The story is told from the point of view of Fanny McCoy, the youngest sister of Roseanna, who loves Johnse Hatfield, and Alifair, who abuses Fanny. Rinaldi’s interjection of this “gratuitous cruelty” is questionable (School Library Journal, May 2000). The characterization is “strong,” and “a brooding sense of tragedy” that permeates the book is “symbolized by the coffin quilt” that Roseanna constructs throughout. Fanny’s “perspective and freshness ... rescue the book from sheer bleakness” (Booklist, Sept. 1, 1999). The Bulletin notes the “sensational sweep” of the plot ( Jan. 2000), which, according to the Horn Book Guide, renders “the novel somewhat difficult to follow” (Spring 2000). Voice of Youth Advocates says that the “Kentucky setting is reflected in the dialect” (Oct. 1999). An endnote provides good historical information that helps separate fact from fiction.

Mine Eyes Have Seen. New York: Scholastic, 1998. 7–10 Rinaldi’s historical novel about John Brown and the Raid on Harpers Ferry “skillfully” incorporates “fact and fiction into a textured historical tapestry.” The story is told in first-person by 15-yearold Annie, Brown’s daughter, who serves as lookout on the Kennedy’s farm in western Maryland, where Brown hides and plots strategy. Rinaldi maintains “suspense” and “dramatic intensity.” Brief explanatory notes head each chapter, and the author’s note provides good historical background information. This title can be effectively paired with Douglas Rees’ Lightning Time (1997) (Bulletin, Apr. 1998). Booklist notes the reference to Louisa May Alcott’s encouraging Annie to keep a journal but finds that Annie’s perspective keeps the book “slightly off center.” Nevertheless, this is a “detailed, informative” piece of historical fiction (Feb. 15, 1998). The Horn Book Guide is less enthusiastic about the book, finding the many characters to be “indistinguishable” and the “romantic subplot” absent of “passion” (Fall 1998). Though the story “bogs down in the middle,” it is recommended by Voice of Youth Advocates for research projects (Apr. 1998). The author’s note contains good historical background information.

The Second Bend in the River. New York: Scholastic, 1997. 5–8 Rebecca Galloway narrates this story of pioneer adventure and romance on the Ohio frontier, which covers 15 years in her life. At the turn of the 18th century, Rebecca meets the Shawnee Indian Chief Tecumseh when she is a small child. When she is 16, he asks her to marry him, and she must choose between her love for him and her loyalty to her white family and culture. A few years later, as the wife of a farmer, she learns of his death. The Galloway family is depicted as having principles and integrity: They oppose slavery and are sympathetic to the plight of the Native Americans. Though Rinaldi has “skillfully conveyed” the details of pioneer life and Tecumseh’s role as a liaison among whites and various tribes, the romance is “short of convincing.” However, readers of historical fiction may overlook this flaw and relish the “pioneer family saga” (Bulletin, Mar. 1997). Kirkus Reviews agrees that this is a “disappointing historical offering” from a writer who produces unusually strong fiction. Rinaldi “never creates a clear picture” of the place or the people ( Jan. 1, 1997). Publishers Weekly, on the other hand, praises the novel as “elegant and moving” with a strong character in Rebecca, who will be attractive to readers “on the threshold of womanhood” ( Jan. 13, 1997). School Library Journal praises the novel as “wellwritten and carefully researched” ( June 1997). As with her other historical novels, Rinaldi provides a good endnote that helps sort out what is fact and what is fiction.

214 • Ritchie

Ritchie, Jean The Dulcimer Book. New York: Oak, 1963.

its unique flavor.” Musical arrangements are by A. K. Fossner and Edward Tripp. (RH)

5–up Ritchie’s short “pamphlet” about the three-stringed Appalachian dulcimer is described as a “self-instructor by an authority.” She includes information on its background, as well as instructions for playing and tuning the instrument. Ritchie also includes “recollections of its local history in Perry and Knott Counties, Kentucky, and some observations on the probable origins of the instrument in the old countries of Europe.” Songs such as “Barb’ry Ellen” and “Go Tell Aunt Rhodie” are included (Library Journal, Dec. 15, 1963).

Singing Family of the Cumberlands, illus. by Maurice Sendak. New York: Oxford University Press, 1955.

Folk Songs of the Southern Appalachians as Sung by Jean Ritchie. New York: Oak, 1965; Lexington: University Press of Kentucky, 1997.

The Swapping Song Book, illus. with photographs by George Pickow. New York: Oxford University Press, 1952.

5–up This collection of Ritchie family songs and ballads is a “companion volume” to Ritchie’s Singing Family of the Cumberlands (1955); it “amplifies the songs” in the earlier collection. The 1965 edition carries a Foreword by Alan Lomax; the 1997 edition adds a Foreword by Ron Pen. Ritchie provides brief “informal notes” on the history of each song (Booklist, Jan. 15, 1966). Includes photographs, a discography, filmography, index, and the music to 81 Appalachian folk songs.

3–up Ritchie provides anecdotal information about each of the 21 folk songs from Kentucky’s Cumberland Mountains, where she grew up. “Excellent photographs by George Pickow depict mountain life beautifully” (Library Journal, Dec. 1, 1952). Musical arrangements are by A. K. Fossner and Edward Tripp. This volume was reissued under the title Jean Ritchie’s Swapping Song Book in 1964 and 1999 [see above].

A Garland of Mountain Song, illus. by Alberta Sordoni. New York: Broadcast Music, 1953.

Choosing up Sides. New York: Philomel, 1998.

5–up This volume of Ritchie family ballads and singing games, including piano accompaniments, is a nice companion to The Swapping Song Book, published one year earlier. A review in Notes argues that the “inclusion of two Irish songs” and a “Western ballad” breaks the “collection’s unity.” On the other hand, the review praises “folksy quality” of Ritchie’s notes, saying that they lend a “picturesque setting” for the songs ( June 1954).

Jean Ritchie’s Swapping Song Book, illus. with photographs. New York: Walck, 1964; Lexington: University Press of Kentucky, 1999. 5–up Originally published by Oxford University Press in 1952, under the title The Swapping Song Book [see below], this 1999 edition contains a Foreword by Charles Wolfe, along with Oscar Brand’s Foreword to the 1964 edition. Each of the 21 songs from Ritchie’s childhood is presented in a four-page segment, or two double-page spreads. Text on the left page gives cultural context to the song; the right page contains a black-and-white photograph taken at the Hindman Settlement School by Ritchie’s husband George Pickow. The second double-page spread presents the music on the left and the lyrics on the right. The text and photographs do not always fit the lyrics. As Wolfe’s Foreword notes, “Jean Ritchie’s introductions to these songs do not deal with the academic or historic background of the songs, and they give the book

5–up Using “the idiom of the corner of the Cumberland Mountains in Kentucky where she lived,” Ritchie tells the story of her growing up, convincing the reader that she is a “born” folk singer, “not a made one like Burl Ives or Pete Seeger.... Forty-two folk tunes with their words, many of them unfamiliar, are worked into the narrative at the moments when the family actually sang” (Library Journal, Mar. 1, 1955).

Ritter, John H. 5–9 Jake Bledsoe, the 13-year-old son of a “fire and brimstone” preacher, is left-handed. His father believes that the left hand is associated with evil and forbids Jake to do the thing at which he excels — pitch a baseball. Jake must decide between honoring his father’s dictum and honoring his own talent. “The novel is really more a coming-of-age tale than a sports story,” and Ritter “captures the feel” of 1921 Crown Falls, Ohio, “as well as the lure of the ball field. Readers may find Jake’s father’s obsession with left-handedness a little hard to believe and the story’s conclusion too pat, but they’ll still admire Jake’s courageous stand” (Booklist, May 1998). KLIATT comments that “the details of both the religion and the baseball do seem accurate” (Sept. 1988). In its Big Picture review, the Bulletin agrees that Ritter’s first novel “treats both” religion and baseball “with cathartic understanding,” which makes for a “morality tale” that also conveys “the pure joy of baseball” along with “its redemptive power” ( June 1998). The Horn Book Guide notes that the ending is “slightly melodramatic,” but this flaw is overcome by the “unique historical perspective” and Ritter’s “good ear for language” (Fall 1998). The Voice of Youth Advocates says this book begins “with one of the best opening paragraphs in recent memory,” which offsets its “clichéd climax” (Dec. 1998).

Roberts, Andre William Perry: The Refrigerator, illus. with photographs. Danbury, CT: Scholastic, 1986.

Roberts • 215 2–7 Roberts’ title in the Sports Stars series presents a brief biography of former Clemson University football player William “The Refrigerator” Perry. A freshman on Clemson’s 1981 National Championship team, Perry was named All-American in 1982, 1983, and 1984, earning the distinction of being the first three-time All-American in Clemson history. In 1984, he joined the Chicago Bears and in 1986 scored a touchdown in Super Bowl XX. In spite of its interesting subject, the biography is flat and disorganized with short, choppy sentences and confusing tense shifts. Only four of the black-and-white photographs represent his life before his professional career. (RH)

Roberts, Bruce, and Nancy Roberts Where Time Stood Still: A Portrait of Appalachia. New York: Crowell-Collier, 1970. 5–up Nancy and Bruce Roberts deliver a “portrait” of Appalachia, in an oversized format, that pairs good writing with good photography. “The straightforward, unsentimental writing creates a clear picture of poverty, suffering, ignorance and stubbornness contrasted with beauty, loyalty and hope. The history, people, crafts, livelihoods, education, politics, customs and welfare of the area are all treated with knowledge and concern.” The book compares with Peg Shull’s Children of Appalachia (1969), but “this superior factual report delves much more deeply into the problems of today, and will enlighten older and more discerning readers. It stimulates concern for all humanity and challenges readers to help combat poverty and hopelessness” (School Library Journal, Sept. 15, 1970).

Roberts, Elizabeth Madox Under the Tree. New York: Huebsch, 1922; illus. by F. D. Bedford. New York: Viking, 1930; Lexington: University Press of Kentucky, 1985. 4–up This collection, which first appeared in 1922, is described by Booklist as “Fifty or more little poems in the language of a child that reflect the incidents and imaginings of childhood. In selection of incident and treatment many will be compared to Stevenson’s Child’s Garden of Verses; others are reminiscent of the humor and fancy of De La Mare [sic]” ( July 1923). The New York Times also compares Roberts’ artistry with Stevenson’s ( Jan. 28, 1923), and The New York Tribune calls this volume a “most delightful book of children’s verse” that is “sincere and true and charming” ( Jan. 28, 1923). The book is reminiscent of Kate Greenaway’s Under the Window (1878) both in title and approach to its subject matter, which is drawn from Roberts’ childhood on a Kentucky farm. The 1985 edition contains an Afterword by William H. Slavick. (RH)

Roberts, Jack L. Booker T. Washington: Educator and Leader. Brookfield, CT: Millbrook, 1995. 3–4 This title in the Gateway Civil Rights series includes a bibliography and index.

Roberts, Jerry Roberto Clemente: Baseball Player. New York: Ferguson, 2005. 4–6 This title in the Ferguson Career Biographies series includes a bibliography and index.

Roberts, Leonard W. Roberts’ collections of folklore, songs, tales, and family histories were not intended for children, but selected titles are included on this bibliography because they can be read and enjoyed by middle-grade readers as well as adults. Additionally, so many modern children’s folktale books (see Anne Shelby’s Molly Whuppie) have been influenced by Roberts’ work that it would be unthinkable to omit him.

I Bought Me a Dog: A Dozen Authentic Folktales from the Southern Mountains, illus. by Mary Rogers. Berea, KY: Council of the Southern Mountains, 1954. 3–up This thin volume contains 12 tales, interspersed with 13 riddles, collected by Leonard Roberts in the mountains of Eastern Kentucky and previously published in Mountain Life and Work magazine. Of the two Jack tales, “The One-Eyed Giant” is a variant of Ulysses’ encounter with the Cyclops, but this version set in 1901 in Mississippi at Camp Shelby. The stories are short and, though the vocabulary may be above the third-grade level, they would be excellent for reading aloud in the third, fourth, and fifth grades. The Foreword is by Richard Chase. (RH)

Nippy and Yankee Doodle: And More Folk Tales from the Southern Mountains, illus. by Mary Rogers. Berea, KY: Council of the Southern Mountains, 1958. 3–up This booklet-collection of ten tales, accented with eight riddles, is easily accessible to children. Each tale is accompanied by a note about its type and motifs. The Foreword, by Chad Drake, and the Preface give good background information. Drake explains that a “Yankee Doodle” is a “pottery fife with five finger holes,” also called a “chanter,” that is used by Scotch shepherds.” Roberts’ Preface assures folklorists that “these are authentic oral tales, ... faithfully transcribed as they were told by my informants.” Like the tales in I Bought Me a Dog, these were originally published in Mountain Life and Work. Any library that still owns copies of these booklets is fortunate. (RH)

Old Greasybeard: Tales from the Cumberland Gap, illus. by Leonard Epstein. Detroit: Folklore Associates, 1969.

216 • Roberts 7–up Roberts’ substantial Introduction to this collection provides good cultural and historical background for these fifty tales collected in the 1940s and 1950s from people who “lived within fifty miles of Cumberland Gap” (1). Roberts explains how he worked, who helped him, and why the tales are valuable. Divided into three sections (Animal Tales, Hero and Giant Tales, and Humorous and Tall Tales), the stories are sufficiently brief and interesting for middle-grade students. In a Journal of American Folklore review of this book, Henry Glassie praises the “consistently high quality that American folklorists have come to expect” from Roberts. “In a departure from typical methods, more than half of these texts (twentyeight) were written by informants themselves.... Only a few minor typographical errors flaw this excellent anthology” (Apr. 1971).

Sang Branch Settlers: Folk Songs and Tales of a Kentucky Mountain Family. Austin, TX: American Folklore Society, 1974. 7–up This volume combines slightly revised material from Roberts’ 1959 Up Cutshin and Down Greasy with the printed versions of the Couch family songs and tales, some of which were heretofore available only on microcard. Included are Child ballads, broadsides, hymns, and tunes (including musical chords), along with oral histories of life in Harlan and Leslie Counties. “Three of the 161 folk tales included here have not been found elsewhere in North America.... Some of the editorial judgements (i.e. the arrangement of tales in the order collected rather than by the Arne-Thompson system) are questionable, but the scholarly apparatus included is usable and complete” (Choice, Feb. 1975).

South from Hell-Fer-Sartin. Lexington: University of Kentucky Press (1955), 1987; Berea, KY: Council of Southern Mountains, 1964. 7–up This collection of 105 tales was taken from Roberts’ doctoral dissertation, which was completed in 1954 (Sang Branch Settlers, xx). The stories, which are grouped as Animal Tales, Ordinary Tales, Jokes and Anecdotes, and Myths and Local Legends, are the core of the book, but a folklorist or student of the folktale will find the notes to be valuable. In each note, Roberts identifies the source, type, motif, and parallels, and frequently adds explanatory remarks. “In his brief, attractive introduction he tells something of the hill people and the way they live, and so the reader can visualize the telling of these tales.... Inevitably their contributions vary in quality, but even a dull artless tale holds one’s interest because of its authentic flavor” (Saturday Review, July 16, 1955). In 1964, the Council of Southern Mountains at Berea, Kentucky, reissued the book in paperback, which The Journal of American Folklore praises as having “the same ring of authenticity” as when it first appeared ( Jan.–Mar. 1967).

Up Cutshin and Down Greasy: Folkways of a Kentucky Mountain Family. Lexington: University Press of Kentucky, 1959. 7–up Roberts’ Preface explains that “Cutshin” and “Greasy” are locations in Harlan and Leslie counties of southeastern Kentucky, where he collected the materials from Jim and Dave Couch from 1952 to 1955. The Journal of American Folklore review says, “Theirs is a good story, impressive in its simple dignity and honesty.” The reviewer makes the astute comment that “Roberts’ book may of course seem somewhat pedestrian to readers who know the people of Appalachia only through the exaggerated image created by some of our popular media” ( Jan.–Mar. 1960). Western Folklore begins its review of this title with the statement “We need more people like Leonard W. Roberts,” and praises the book as not only “valuable to the professional folklorist,” but also “most delightful to any ordinary reader” (Oct. 1960). The book is divided into six chapters and contains an index and an appended list of the 100 tales and songs that were included on an accompanying microcard volume Tales and Songs of the Couch Family.

Roberts, Nancy Appalachian Ghosts, illus. with photographs by Bruce Roberts. Garden City, NY: Doubleday, 1978. 5–7 The 12 short tales in this collection “evoke the mysterious atmosphere of the Appalachian region.... Simply and easily written with enough chill to satisfy, these stories are accompanied by black-andwhite photographs taken on foggy mornings and moonlit or stormy nights and supported, at times, by trick elements. Tempting for reluctant readers” (Booklist, Nov. 15, 1978).

Roberts, Russell Davy Crockett. Hockessin, DE: Mitchell Lane, 2006. 2–4 This banal biography of Crockett does little to motivate children to read. “The writing is poor and uninspired, and the illustrations convey little information or sense of excitement” (School Library Journal, Dec. 2006).

Robertson, James I. Standing Like a Stone Wall: The Life of General Thomas J. Jackson. New York: Atheneum, 2001. 5–8 This biography of Thomas “Stonewall” Jackson, Confederate general in the American Civil War, earns praise from a variety of review sources. Using ample archival materials, James I. Robertson, “a well-respected authority on Virginia and Civil War era history” (Voice of Youth Advocates, Dec. 2001), “finds a good balance between Jackson’s life before [the Mexican American War] and his experiences in

Rodman • 217 the campaigns that made him famous” (Booklist, May 2001). School Library Journal calls the book a “strong and complete biography” by a writer who “does not shrink from pointing out Jackson’s failings” ( June 2001). “Fans of biographies will enjoy the personal details in the book, like his complex relationship with his sister and his tendency toward hypochondria” (Book Report, Jan./Feb. 2002). Horn Book Guide echoes the praise of other reviews, calling it a “clearly written portrait” (Oct. 2001). The good index, bibliography, and notes make this volume exceptionally useful.

Robinson, Tom Trigger John’s Son, illus. by Robert McCloskey. Viking (1934) 1949. 6–up First published in 1934, this title was reissued in 1949 and illustrated by Robert McCloskey. It tells the story of an orphan named Trigger who is sent from Maine to live with adoptive parents in Beechwood, Pennsylvania. Instead of joining his new parents right away, he takes a detour and joins the Goosetown Gang for a time. In 1935, The New York Times Book Review says that Robinson “has drawn a group of genuinely real ... boys and some adult characters who also ring true” ( Jan 20, 1935). In 1950, the Peabody Journal of Education agrees, praising the reissue as a “vitally illustrated edition.... Trigger John’s son and the Goosetown Gang are as much a part of our literature as Huck Finn and Tom Sawyer” (Mar. 1950).

Rockwood, Joyce Enoch’s Place. New York: Holt, Rinehart and Winston, 1980. 7–up Fifteen-year-old Enoch Callahan leaves his “tiny, close-knit Appalachian community,” Kettle Creek, to live with his uncle in Raleigh, North Carolina, because he questions whether his parents’ “spare, self-sufficient ‘hippie-style’ life” is the life he wants. He quickly becomes dissatisfied with urban life and returns to the mountain community (east of Asheville) his parents helped create. “Rockwood’s novel is slow to take off, and her picture of big-city life and its modern technology is too harshly slanted, but her descriptive writing abilities still shine through as she evokes the beauty of a modern-day Appalachian wilderness and conjures up an appealing vision of a simpler existence where human relationships, intellect and sensitivity have ample room to blossom. A striking departure from her previous junior novels” (Booklist, Mar. 1, 1980). The Bulletin agrees that Rockwood’s “deprecation of almost every aspect of urban living” is extreme, but her portrayal of family life is “convincing,” the characters “come alive and are believable,” and the “style is fluid” (Sept. 1980).

Groundhog’s Horse, illus. by Victor Kalin. New York: Holt, Rinehart and Winston, 1978. 3–7 Groundhog, age 11, is an Appalachian Cherokee living in the mid–1700s. When his prized

horse Midnight is stolen by Creek Indians and the Cherokee warriors refuse to rescue him, Groundhog sets out to retrieve him on his own — and he succeeds. The Bulletin considers the story “well-structured and believable,” though the dialogue is sometimes “uncomfortably modern.” For the most part, Rockwood’s writing is “smooth, and the details of setting and culture are effortlessly incorporated” (Bulletin, Sept. 1978).

Long Man’s Song. New York: Holt, Rinehart and Winston, 1975. 6–up Rockwood’s first novel, set in pre– Columbian Appalachia, tells the story of young Cherokee Soaring Hawk, who is in training to become a healer, and his classic, mythical struggle in the wilderness “to exorcise an evil spirit” that is making Redbird, his sister, mortally ill. The wise elder, Owl, and Chestnut Bread, whom Soaring Hawk loves, are strong characters. The title is a reference to Long Man, a Cherokee spirit so tall that his body stretches from the mountains (his head) to the sea (his feet). Unfortunately, the strong qualities of the book are “diminished by a contrived happy ending” (New York Times, Aug. 24, 1975). School Library Journal considers the book to be an “absorbing” tale that “transports readers to an earlier time” but agrees that the ending is weak: “So convincing is [Soaring Hawk’s] belief in this overwhelming evil, so agonizing his efforts to win, that it is hard to accept the revelation that the evil is not real but rather that the contest is a trial of manhood.” In spite of this weakness, the book contains a “wealth of anthropological information” and excellent “details of a traditional Indian way of life and belief,” all of which are “subtly woven into dialogue and narrative” (Nov. 1975).

To Spoil the Sun. New York: Holt, Rinehart and Winston, 1976. 7–up Rain Dove is a Cherokee living in 16thcentury Mulberry Town, in the southern Appalachians. She witnesses the coming of the white man and the spread of smallpox among the Seven Clans, and through her perspective, the reader sees what it was like to be a young Cherokee woman, twice married, and mother of two children. “Rockwood has that gift of the best writers of historical fiction, of immersing herself ... completely in the spirit as well as the facts of a past culture” (Bulletin, Apr. 1977). Kirkus Reviews agrees that the author’s “insight” into the historical era and “her attention to detail” create a “gem” (Aug. 1, 2003). The Horn Book Guide considers it “meticulously researched” and “an affecting look” at early Cherokee life (Spring 2004).

Rodman, Bella Lions in the Way. Chicago: Follett, 1966. 6–up This story about integration, set in 1960 in Jameson, Tennessee, features Robby Jones and the first black students who were admitted to Fayette High

218 • Rojankovsky School. The first week of school is filled with the expected conflicts and violence, which the New York Times Book Review describes as a “familiar chain of events.” Unfortunately, the book’s message is “bogged down with explanation,” and the point of view shifts so often that neither Robby nor the story is fully realized. “As a case study of a community, this is an accurate, predictable, thorough piece of work,” but it is rendered so “tediously” as to be “embarrassingly overdone” (May 8, 1966).

Rojankovsky, Feodor Daniel Boone: Historic Adventures of an American Hunter Among the Indians, Eds. Esther Averill and Lila Stanley, illus. by author. Paris: Domino, 1931; New York: Harper, 1945. 3–6 Daniel Boone was Rojankovsky’s first major book, published by Domino Press in both French and English in 1931. The New York Times review considers it a “beautiful picture book” whose “particular charm” comes from Rojankovsky’s “delight” in the person and era that he depicts. While Averill and Stanley’s text is “clear and simple,” the “pictures themselves tell the story,” with “vitality” and an “almost luminous quality” (Aug. 14, 1932). According to The Journal of Decorative and Propaganda Arts, Domino Press was the “brainchild of two Parisbased American ladies, Miss Esther Averill and Miss Lila Stanley.” Its first publication in October 1931, “a watershed date,” was Rojankovsky’s Daniel Boone, a “revolutionary event” because it “launched Rojankovsky into his new career and ushered in the renaissance of French children’s books.” The volume was “a tall, slender album of fourteen pages” decorated with “an explosion of gaily colored pictures.... Although the illustrations are stylized, they convey a feeling of action, of life itself, harsh and challenging” (Winter 1989). This title was reissued in 1945 with expanded text by Esther Averill [see above].

the baseball diamond but also for his humanitarian efforts. Includes a glossary and index.

Roop, Peter, and Connie Roop Ahyoka and the Talking Leaves, illus. by Yoshi Miyake. New York: Lothrop, Lee and Shepard, 1992. 3–6 Ahyoka is the six-year-old daughter of Sequoyah, known primarily as the man who gave the Cherokee a written alphabet or syllabary. In this short historical novel, Sequoyah’s wife burns the “talking leaves,” which are his obsession, so he leaves her and his child. Eventually, Ahyoka leaves her mother and “helps her father with his quest,” and it is she who “discovers that English letters must represent sounds, not words, and finds the starting point for Sequoyah’s work. The short novel is readable and intriguing.” The research is “solid” and appropriate to this “childcentered story, for the authors have carefully woven details of Cherokee culture into the text. For example, Sequoyah’s wife, who does not support his work, divorces him by placing his clothes outside the walls of their lodge” (Horn Book, July/Aug. 1992). According to Booklist, the “text contains absorbing insights” about the Cherokee, in general, and this family, in particular (Apr. 1, 1992). Includes an epilogue and bibliography, which help children separate fact from fiction.

If You Lived with the Cherokee, illus. by Kevin Smith. New York: Scholastic, 1998. 4–7 This third title in the If You Lived With ... series reveals what it was like to grow up in a Cherokee family 200 years ago in the Great Smoky Mountains.

Take Command, Captain Farragut!, illus. by Michael McCurdy. New York: Atheneum, 2001.

Romero, Maritza

3–5 A “well-researched” account of David Farragut’s early life aboard the Essex, adventures at sea, and brief imprisonment. In this impressive title, the Roops present the Knoxville native’s story as a series of letters to his father. “The writing style, the vocabulary, the typeface, and the complementary scratchboard illustrations lend an air of authenticity to the volume” (School Library Journal, Apr. 2002). Kirkus Reviews praises the eight “commanding” illustrations, done in “McCurdy’s signature technique,” and the “voice” of the fictional letters ( Jan. 15, 2002). Publishers Weekly emphasizes the fact that young people can influence history, as evidenced by Farragut’s rise to the rank of Captain at age 12 (May 20, 2002). Booklist praises the first-person, epistolary framework, which lends “immediacy” to a book that “seems to straddle fiction and nonfiction” (Apr. 15, 2002).

Roberto Clemente: Baseball Hall of Famer. New York: PowerKids, 1997.

Roper, William L.

3–4 A biography of the famed Pittsburg Pirates baseball player, known not only for his skill on

Sequoyah and His Miracle, illus. by Alex Bull Tail. Billings MT: Council for Indian Edu-

Rolfe, John Bo Jackson. Minneapolis, MN: Lerner, 1991. 4–7 Rolfe’s biography of Alabama native and star athlete Bo Jackson provides information on Jackson’s childhood, high school and college play, his winning the Heisman Trophy, and his professional career in football and baseball. Included in the Sports Illustrated for Kids series, the title “features color photographs, playing field diagrams, football formations, and a brief glossary of terms for young readers” (Booklist, June 15, 1991).

Roth • 219

cation and Montana Indian Publications, 1972. 5–up This 32-page pamphlet begins with Sequoyah’s visit to a Moravian school to learn the Cherokee alphabet. Finding there was none, he invented his own. The story details the suspicion aroused by his strange markings and the test or trial of his alphabet. It discusses his fame and his influence, as well as his role in the Trail of Tears. The book is dull, the alphabet shown on page 10 is too small to be read, and the interest level is higher than the reading level. However, this paperback is an adequate source of basic information about Sequoyah, including modern linguistic interest in his work and the legacy of the giant Sequoyah redwood tree. (RH)

Ross, Gayle

compliments Jacobs’ illustrations and their “earthtoned palette” (Sept. 1995). According to Booklist, Ross gives the tale “a flavor all its own,” and Jacobs’ “distinctive” illustrations provide “scenes rich in colors and patterns” ( Jan. 15, 1995). Ross’s source note explains that she fashioned this pourquoi tale from a version she heard as a child and from written sources. An endnote gives a brief history of the Cherokee.

Ross, Margie Dover Emma Sansom: Confederate Heroine. Birmingham, AL: Seacoast, 2001. 3–6 Included in the Alabama Roots Biography series, this biography presents the life of Emma Sansom, who aided Confederate troops led by General Nathan Bedford Forrest.

How Rabbit Tricked Otter and Other Cherokee Trickster Stories, illus. by Murv Jacob. New York: HarperCollins, 1994.

Ross, Rennie

4–6 Gayle Ross, a Cherokee storyteller, and Murv Jacob, a Kentucky artist of Cherokee lineage, deliver 15 traditional Cherokee tales “with a no-frills simplicity that foregrounds the animal characters in a broad range of shenanigans.” While the illustrations are “sober, there’s straight faced humor in the animals’ expressions and postures, and the drafting is excellent” (Bulletin, June 1994). The “shenanigans” and humor include the antics of the noted trickster Rabbit in tales such as “Rabbit and the Tar Wolf,” which is a variant of the tar-baby motif common in many cultures [for the African American version, “Doc Rabbit, Br’er Fox, and Tar Baby,” see Virginia Hamilton’s The People Could Fly (1985)]. Booklist praises the “highly readable stories” and the illustrations, which “create striking visual images” ( July 1994). According to Kirkus, these tales are “[e]xcellent for telling or reading aloud, to accompany Native American studies, or to compare with rabbit tales from other traditions.” While the Kirkus review laments the absence of source notes, it praises the book as a “valuable resource” ( June 15, 1994). The Horn Book Guide calls the book “[s]uperior, well above average” (Fall 1994). Includes a Foreword by Wilma Mankiller and a map.

4–up This title in the NHL Today series presents the history of the Pittsburgh Penguins ice hockey team.

How Turtle’s Back Was Cracked: A Traditional Cherokee Tale, illus. by Murv Jacob. New York: Dial, 1995.

2–5 This field guide to Cherokee mythic places includes black-and-white photographs, site descriptions, a keyed map, and a brief explanatory summary for each site.

K–3 When Wolf chokes on a persimmon, Turtle brags that he killed the wolf and goes about brandishing his spoons, which were fashioned out of Wolf ’s ears. The Wolves hear about Turtle’s boasting, capture him, and set out to kill him. Like Brer Rabbit, Turtle saves himself through “quick-wittedness,” begging the wolves not to throw him into the river. Of course they do, and his shell cracks when he lands upside down on a rock. Ross’s story has “sparkle and personality” along with “some sharp edges,” but the result is solid (Bulletin, Feb. 1995). The Horn Book

Pittsburgh Penguins. Mankato, MN: Creative Education, 1990.

Rossiter, Sean Mario Lemieux. New York: Greystone, 2001. 4–up This title in the Hockey Heroes series is an “all-business, career-oriented” biography of the legendary Pittsburgh-Penguin player Mario Lemieux. While most of the book focuses on games and statistics, it includes “a few memorable anecdotes” that will attract young readers. Lemieux is known for his “determination and strength that brought him back to the rink as player and owner despite back surgery and debilitating cancer treatments” (Booklist, Feb. 15, 2002).

Rossman, Douglas Athon Where Legends Live: A Pictorial Guide to Cherokee Mythic Places, illus. by Nancy-Lou Patterson and with photographs by William E. Sanderson and Douglas A Rossman. Cherokee, NC: Cherokee, 1988.

Roth, Susan L., ad. Kanahena: A Cherokee Story, illus. by author. New York: St. Martin’s, 1988. K–3 Kanahena is cornmeal mush, which is made by stirring cornmeal into boiling water. In this book, it forms the core of the Cherokee pourquois tale of how Terrapin’s back was cracked [see also Gayle Ross]. When Wolf chokes on a persimmon and dies, Terrapin eats Kanahena using spoons that he made

220 • Rothaus from Wolf ’s ears. The book has “storytelling appeal as well as striking pictorial effects,” though it is “occasionally repetitive in design and not always graceful” (Bulletin, Oct. 1988). Roth’s collage illustrations complement the “terse, colorful language” (Kirkus Reviews, June 15, 1988). Includes a recipe for Kanahena and source notes.

The Story of Light, illus. by author. New York: Morrow, 1990. K–3 In an attempt to bring light to the dark side of the world, Possum and Buzzard try to steal from the sun. Both get too close and are singed (Possum’s tail and Buzzard’s head), but the tiny Water Spider, with her little clay pot, is successful. This pourquois tale explains why the Possum’s tail is slick and he avoids the sun, why Buzzard’s head is bare, and why Spider’s web is shaped like the sun’s rays. “Roth’s tale is briefly and elegantly told” with a natural “cadence,” and her illustrations are “dramatic and intricate woodcuts, using a palette limited to black, white, and yellow.... The animals’ eyes glow spookily in the dark and, on one stunning, totally yellow double-page spread, readers intrinsically feel what it is like to approach the sun so closely.... In its simplicity, this book outshines many of its kind” (Horn Book, Nov./Dec. 1990). Kirkus Reviews praises it as “retold with wise simplicity.” It is “striking” and “distinguished” in its use of “graphics” ( June 15, 1990). Other variants of this Cherokee myth can be found in Leach’s How the People Sang the Mountains Up: How and Why Stories (Viking, 1967) and Scheer’s Cherokee Animal Tales (1968), as well as James Mooney’s original Myths of the Cherokee (1900).

Rothaus, James R. Bo Jackson. Mankato, MN: Child’s World, 1991. 1–5 Included in the Sports Superstars series, Rothaus’ biography presents the life story of Alabama native and football and baseball great Bo Jackson.

Pittsburgh Pirates. Mankato, MN: Creative, 1987. 4–10 Rothaus presents a history of the Pittsburg Pirates professional baseball team.

Rourke, Constance Davy Crockett, illus. by James MacDonald. New York: Harcourt, Brace, 1934. 7–9 Davy Crockett was born in Tennessee but at age 12 left for Virginia and spent the rest of his life as an independent frontiersman and defender of the rights of Indians. He was elected to the Tennessee state legislature in 1821 and to the 21st U. S. Congress in 1827. He moved to west Tennessee and then to Texas, where he died fighting at the Alamo. Rourke’s life of Crockett is “vividly drawn” and her “style is a delight, for she tells the story in a rich, straightforward manner with a delightful dash of humor.” McDonald’s

woodcut illustrations are “full of the spirit of the times” (Library Journal, June 1, 1934).

Roza, Greg Terry Bradshaw. New York: Rosen, 2003. 4–up Roza’s title in the Football Hall of Famers series offers a “balanced” account of Bradshaw’s life growing up in Shreveport, Louisiana, and details his professional career as a Pittsburgh Steelers quarterback and a television sports commentator. The text focuses on significant games and events in Bradshaw’s life (Book Links, July 2004). Includes both black-and-white and color photographs and an index.

Rubel, David Elvis Presley: The Rise of Rock and Roll. Brookfield, CT: Millbrook, 1991. 6–up A biography of the Tupelo, Mississippi, native for the middle grades.

Rubin, Robert Satchel Paige: All-Time Baseball Great. New York: Putnam, 1974. 5–up Included in the Putnam Sports Shelf series, Rubin’s biography of Alabama native and baseball great Satchel Paige is largely a “rip off ” of Paige’s 1962 autobiography, Maybe I’ll Pitch Forever: A Great Baseball Player Tells the Hilarious Story Behind the Legend (1962). Reviewing sports titles for children, author Robert Lipsyte recommends Paige’s adult autobiography over Satchel Paige: All-Time Baseball Great (New York Times, Nov. 3, 1974).

Ty Cobb: The Greatest. New York: Putnam, 1978. 5–up This biography of Franklin, Georgia, native and baseball great Ty Cobb is included in the Putnam Sports Shelf series.

Rubin, Susan Goldman Andy Warhol: Pop Art Painter. New York: Abrams, 2006. 5–9 According to Booklist, Rubin’s “concise, picture-book biography” of pop artist Andy Warhol is an “appealing introduction to the icon” (Nov. 1, 2006). Conversely, Publishers Weekly refers to the biography as “glancing” and “all-surface” (Nov. 27, 2006). Horn Book concurs, stating that Rubin presents “an incomplete portrait of the enigmatic and often dark artist” (Oct. 1, 2007).

Rubio, Gwyn Hyman Icy Sparks. New York: Viking, 1998. 7–up Icy Sparks is an orphan living with loving and supporting grandparents, but at age ten, she begins to suffer from uncontrollable spasms and cursing. As an adult, Icy looks back on her life in 1950s rural Kentucky and narrates this story of what it was

Ryan • 221 like to grow up with Tourette’s Syndrome, which wasn’t diagnosed until she was a grown woman. Rubio delivers a “sensitive portrayal” of Icy’s affliction and the community’s response, which includes rejection, verbal abuse, and institutionalization. The sympathetic, obese Miss Emily gives Icy comfort and helps her realize that she has singing talent. “If Rubio sometimes loses track of Icy’s voice, indulges in unconvincing magical realism and takes unearned poetic license with the speech of her Appalachian grandparents,” she can be forgiven because this “first novel is remarkable for its often funny portrayal of a child’s fears, loves and struggles with an affliction she doesn’t know isn’t her fault” (Publishers Weekly, June 15, 1998).

Rudeen, Kenneth Roberto Clemente, illus. by Frank Mullins. New York: Crowell, 1974; illus. by Robert Brown. New York: HarperTrophy, 1996. 3–4 Roberto Clemente knew that baseball was a means to escape a “hard life” in Puerto Rico, and he capitalized on the opportunity to become one of the most respected players of the game, but life in the major leagues was anything but easy. According to Kirkus Reviews, Rudeen is “candid” about the prejudice toward black players “that prevailed at the time of Roberto’s arrival and sympathetic to the isolation and confusion experienced by Roberto and other Latins.” Rudeen also “takes the trouble to describe the spectacular Clemente style,” making this biography “as sharp and lifelike as any you’ll find” (May 1, 1974). The New York Times considers this “a standard, simple” overview of Clemente’s life and “a fine springboard for further talk” (Nov. 3, 1974). School Library Journal notes that the emphasis is on Clemente’s personal life — his “cheerfulness, humility, compassion for others”— rather than his sports career, and considers the biography “adequate” (Oct. 1974).

Rumford, James Sequoyah: The Cherokee Man Who Gave His People Writing, illus. by author. Translated by Anna Sixkiller Huckaby. Boston: Houghton Mifflin, 2004. 1–4 The frame for this bilingual (English and Cherokee) biography is a family vacation to the California Giant Sequoias, during which a father tells his children about the Cherokee Sequoyah, for whom the trees are named. Rumford’s account of the “seminal events in Sequoyah’s life,” including his creation of a Cherokee syllabary, is delivered “with a concise eloquence that echoes the oral tradition and makes this one of those rare gems of read-aloud nonfiction.” Both the technique and the style of the illustrations complement the text well and create “scenes reminiscent of 19th-century woodblock prints.... The perfect finishing element is the parallel text in Cherokee, which not only demonstrates the product of Se-

quoyah’s genius but also makes this beautiful book readily accessible to Cherokee children in their own language” (School Library Journal, Oct. 2004). Booklist agrees that Rumford has produced a “fascinating biography, presented in a tall, slim format” that mirrors the tall trees. The illustrations have a “primitive quality” that match the “strength and deceptive simplicity of the text” (Oct. 15, 2004). The Horn Book praises the biography as “handsome,” though Rumford includes “invented dialogue and simplified explanations” (Nov./Dec. 2004). Kirkus Reviews praises the style, which reflects the “cadences of legend” (Oct. 15, 2004), and Publishers Weekly points to the “economical yet lyrically told” text (Nov. 8, 2004). Includes Sequoyah’s complete syllabary, a timeline, and an author’s note.

Ryan, Bernard Condoleezza Rice: National Security Advisor and Musician. New York: Ferguson, 2004. 5–8 This title in the Ferguson Career Biographies series relates Rice’s “host of accomplishments, including becoming a concert pianist; serving as Provost at Stanford University; becoming an adviser on foreign policy to George Herbert Walker Bush, and obtaining her current position in George W. Bush’s administration.” The author does not shirk from “criticism” and “projects” that Rice’s “future ... might hold a run for the presidency or (her dream job) of becoming commissioner of the National Football League.” Ditchfield’s Condoleezza Rice (2003) “is more visually appealing” and shows Rice in a better historical “context,” but this biography is “a solid addition” to the dozens of Rice biographies (School Library Journal, May 1, 2004). Voice of Youth Advocates characterizes the titles in this series as “not particularly compelling” but “merely plodding” (Aug. 2004). The end matter includes a chronology, titles for suggested reading, and an index.

Ryan, Cheryl Sally Arnold, illus. by Bill Farnsworth. New York: Dutton, 1996. K–3 Jenny Fox goes to spend the summer with her grandfather, who runs a country store in rural West Virginia. At first, she fears Sally Arnold, an old woman whom Jenny believes to be a witch, but a close relationship develops, and Jenny learns to appreciate the old woman’s skill in making baskets from found objects and natural materials. Publishers Weekly calls the book a “comfortably predictable story from a firsttime author.... There are no hairpin plot twists to watch out for — this is just a pleasant, slow Sunday drive in which the scenery is the point” (May 13, 1996). School Library Journal agrees that the story is “sweet” and “effective,” though it lacks “action or tension.” Ryan’s “short, almost phrase-like, sentences ... quicken the pace of the story and dialogue” (Apr.

222 • Ryan 1996). Booklist points to the incongruity of the illustrations, which show Sally Arnold to be a “pleasantlooking, even attractive woman,” though the text describes her as “scary” and witch-like (May 1, 1996). The Horn Book is less positive: The message is “heavyhanded” and the illustrations are “too bland to hold the reader’s interest” (Mar. 1997).

Ryan, Martha Cherokee. San Diego, CA: Blackbirch, 2002. 3–5 Though this book is promoted by the publisher as meeting national history standards, School Library Journal notes that census figures are from 1990 and recommended websites provide information too advanced for the targeted age group. “Skip ... and wait for something better to come along” ( June 2003).

Rylant, Cynthia Appalachia: The Voices of Sleeping Birds, illus. by Barry Moser. San Diego, CA: Harcourt, Brace, 1991. K–up Rylant opens her paean to Appalachia with a quote from James Agee’s Knoxville: Summer 1915, which is the source of the title. According to the Horn Book, Rylant captures the “essence of a very special part of America” in the “poetic text” that “speaks volumes” about the region (Sept. 1991). The “running narrative description of the dogs, people, houses, seasons, and lifestyles of Appalachia,” combined with the “long, loosely rhythmed sentences,” creates a “streamof-consciousness flow” that is a “nostalgic mood piece.” “Given a book so spare and simple, the selfcongratulatory back cover blurb seems superfluous” (Bulletin, June 1991). Publishers Weekly compares the book with a “cherished photograph album” that is “suffused with memories made golden by time.” The story is “pure nostalgia,” but the text and illustrations are delivered with “affection and sensitivity” (Mar. 1, 1991).

Best Wishes, illus. with photographs by Carlo Ontal. Katonah, NY: Owen, 1992. 1–3 Like other titles in the Meet the Author biographical series, Best Wishes uses “a first-person, conversational style” and takes the reader into writers’ “homes and offices to meet their families, friends, and pets.” Using “good, simple writing and appealing photographs” the series makes authors seem like real people (Booklist, Aug. 1992). The Bulletin praises the photographs for their “candid snapshot quality that contributes to the friendly informality of the text” and renders a “somewhat rosy” view of life; Rylant, for example, “makes writing seem like a snap” (Sept. 1992). Older readers will be equally attracted to these biographies through which “authors’ personalities shine” (Horn Book Guide, Fall 1992). Each volume includes a regional map and a bibliography of the author’s titles.

A Blue-Eyed Daisy. New York: Bradbury, 1985. 5–7 This realistic novel covers one year in the life of 11-year-old Ellie, who is the youngest of five girls. Ellie’s father, who is injured and unable to hunt or work in the coal mines, drinks too much, but Ellie understands his feelings. Unlike her older sisters, she develops a closeness with him and their new hound dog. She also develops a best friend and gets her first kiss. According to the Bulletin, the absence of a strong plot is offset by the writing, which is characterized by “grace and nuance and momentum” (Sept. 1985).

The Blue Hill Meadows, illus. by Ellen Beier. San Diego, CA: Harcourt, 1997. 3–7 This easy reader contains four short chapters, each devoted to a different season in one year in the life of Willie Meadow and his family, who live in rural Blue Hill, Virginia. “Rylant’s spare writing and hushed tone” highlight the “small details” that make up everyday life in Willie’s family. “A lovely volume” (Publishers Weekly, June 16, 1997). Kirkus Reviews calls the book “a quiet, old-fashioned” story with “lyrical prose, fine attention to detail, and understated humor” (Aug. 15, 1997). Booklist notes that the illustrations mirror the “cozy tone of the writing” and “masterfully catch tiny, specific details” (Sept. 1, 1997). School Library Journal suggests that defining the book’s audience is a problem because its easy-reader format doesn’t match the tone, which will appeal to older readers (Oct. 1, 1997).

But I’ll Be Back Again: An Album. New York: Orchard, 1989. 5–9 The Bulletin gives Rylant’s autobiography a “mixed” evaluation. While it is “well written and revealing of Rylant’s painful childhood,” the current glut of author autobiographies for children renders it undistinguished. Some aspects, such as her first kiss, will appeal to readers, but other features, such as the fates of her childhood friends, will not be of interest. The inclusion of verses from Beatles songs is extraneous, but the photographs of a young Rylant are good. “Honest and heartfelt” ( July/Aug. 1989). Kirkus is effusive in its praise of the book, calling it a “compelling story” that is “refreshing, ingenuously honest” and a “disarmingly candid, delightful self-portrait” (Apr. 15, 1989).

Children of Christmas: Stories for the Season, illus. by S. D. Schindler. New York: Orchard, 1987. 4–up Rylant’s collection of six Christmas stories is “brief, capably written, and touching,” with a combination of “sophistication and sentiment.” Unfortunately, the book is designed for children, but the stories themselves will appeal more directly to adults (Bulletin, Oct. 1987). Kirkus Reviews considers this collection of “vignettes” to be “uneven” but “stylish in their execution.” Rylant frequently “slips into the sentimental,” but her “distinctive, sharply concrete

Rylant • 223 prose” comes to the rescue (Aug. 1, 1987). The Five Owls considers the stories to be “warmly sympathetic” with a “subtle complexity,” and Shindler’s illustrations are “clear,” “precise,” and “well suited” to the prose (Nov./Dec. 1987).

Christmas in the Country, illus. by Diane Goode. New York: Blue Sky, 2002. K–5 The author-illustrator team that won a Newbery Medal for When I Was Young in the Mountains (1982) pairs up again in this story of a little girl who “leads an old-fashioned life in a cozy home with her grandparents.” The unnamed child narrates the story in first person, emphasizing the “predictability of family tradition that all children love.” The setting and time are not identified, but the depiction of a “much calmer and simpler time” is the book’s hallmark (Kirkus Reviews, Nov. 1, 2002). The book is not so much “jubilant and celebratory” as it is “quietly joyful” and “nostalgic” (Booklist, Sept. 15, 2002). Though the illustrations give an “idealized” view, the narrative “anchors” and lends “credibility” to the book (School Library Journal, Oct. 1, 2002). Goode’s illustrations fit the “warmth and intimacy” of the narrative (Horn Book Guide, Spring 2003). Midwest Book Review considers this title “comfortable as an old quilt” (Dec. 2002).

A Fine White Dust. New York: Bradbury, 1986. 5–8 Peter Cassidy is 13 and searching to understand faith. Unlike his parents, he attends church, but his best friend, Rufus, is an avowed atheist. When the Reverend James Carson comes to his small North Carolina town for a revival, Pete becomes enamored of this “charismatic evangelist” and decides to run away from home with Carson at the end of the week. Pete’s heart is broken when he discovers that Carson leaves instead with a girl who works at the drug store. The Bulletin considers the book to be “an outline” rather than a “fully realized novel,” though Pete’s character is well drawn. The development of Pete’s parents and Rufus is “limited but credible”; however, Carson is not “totally convincing” (Sept. 1986). A Five Owls review is more positive. The narrative is “engaging” and “strikes an effective balance between ... maudlin religiosity and fascist absolutism,” exploring religious questions with “sophistication” that is consistent with a 13-year-old’s maturity level (Sept./Oct. 1986).

I Had Seen Castles. San Diego, CA: Harcourt, 1993. 6–up Narrator John Dante is 67 years old, a retired professor, and looking back 50 years to the time when he left Pittsburgh for World War II in 1942. This “lyrically compressed story of love and war” will appeal to young readers because it emphasizes the feelings of a young man and woman in love. Rylant’s use of first-person point of view lends “the impact more of action than of explanation or reminiscence” (Bulletin, Nov. 1993). According to Booklist, the “battle

scenes are particularly strong, though John’s girlfriend Ginny is “too perfect” and the “antiwar messages” are too heavy, but the “plain prose and the physical images” save the book (Sept. 1, 1993). ALAN Review is effusive about this “powerful, powerful book,” comparing it with Crane’s The Red Badge of Courage (Spring 1994). Publishers Weekly considers it “finely drawn” and compares it with Remarque’s All Quiet on the Western Front (Nov. 29, 1994). The bottom line is that Dante’s “ability to lead a normal life has been permanently” compromised, though the story ends with an “air of acceptance and resignation” (Horn Book, Nov./ Dec. 1993).

Miss Maggie, illus. by Thomas DiGrazia. New York: Dutton, 1983. K–2 Nat is afraid of and embarrassed by Miss Maggie who lives in a falling-down cabin and supposedly keeps a pet snake. Though his family sends him to Miss Maggie’s with food, and his grandfather gives her a ride into town, he keeps his distance. When he discovers her alone one day in her cold cabin grieving her dead pet bird, he warms to her and they become good friends. This Appalachian story is “slight,” but its “economical structure” makes it “effective, a vivid fragment.” DiGrazia’s illustrations are “soft” and “evocative” of the “spare, wintry” setting (Bulletin, May 1983).

Missing May. New York: Orchard, 1992. 5–up Summer has lived for six years with Aunt May and Uncle Ob, when May suddenly dies leaving Summer and Ob grief-stricken. The story includes a trip with her oddball neighbor, Cletus Underwood, to Charleston, West Virginia, in search of the Reverend Miriam Young, who can supposedly communicate with the dead. Though they do not find Reverend Young, the journey miraculously brings Ob back to life. The Bulletin considers this to be “[o]ne of Rylant’s most smoothly concentrated works,” with “nuances of despair and hope” (Mar. 1992). Summer’s “direct, matter-of-fact voice occasionally laced with irony and wry humor” lends “discerning insights about sorrow and loss,” but the story’s “emotional turning point is difficult to grasp” (Publishers Weekly, Feb. 3, 1992). School Library Journal praises Rylant’s “earthy sense of humor” and “sense of the spiritual” (Mar. 1992). “There is a freshness here that feels like a cool breeze” (Booklist, Feb. 15, 1992). This title won a Boston Globe-Horn Book Award and the 1993 Newbery Medal.

Night in the Country, illus. by Mary Szilagyi. New York: Bradbury, 1986. K–2 Rylant and Szilagyi have created a “felicitous mood piece” in this book about night in the country, though the “narrative line” occasionally “seems arbitrary” and “out of sequence.” Nevertheless, the illustrations “evoke the mystery ... as well as the coziness” of the subject (Bulletin, Sept. 1986).

224 • Rylant

The Relatives Came, illus. by Stephen Gammell. New York: Bradbury, 1985.

This Year’s Garden, illus. by Mary Szilagyi. Scarsdale, NY: Bradbury, 1984.

K–2 According to the Bulletin, Gammell’s “exuberant, exaggerated color pencil drawings” carry Rylant’s “thin” plot, which nevertheless has “warmth and cheerfulness.” The story “speaks humorously, ... and ... wistfully” about relatives who come “up” to West Virginia from Virginia, flood the household with activity and “new breathing,” and then depart (Dec. 1985). This title won a Caldecott Medal Honor Award in 1986.

K–2 This “poetic but narrow” story follows the growing cycle of a garden, from the dead stalks of winter, through the bounty of summer and autumn’s harvest, ending where it began with the barren patch. The story can be used as a concept book to teach the seasons, but it is “not informative enough” to teach gardening and “too static” for reading aloud (Bulletin, Oct. 1984). School Library Journal praises Rylant’s “flowing style,” but the “dark and ominous” illustrations, with their “shifting and confusing perspectives,” “overpower” the text (Dec. 1984).

Silver Packages: An Appalachian Christmas Story, illus. by Chris K. Soentpiet. New York: Orchard, 1997. K–3 This story is taken from Rylant’s Children of Christmas: Stories for the Season (1987) and illustrated by Soentpiet as a picture book. Frankie is a wealthy physician who is “rescued” by “Appalachian hill folk” after an automobile accident. Afterward, he returns to ride the Christmas train every year, throwing packages to children along the tracks. In doing so, he recalls his own childhood, when he waited for the same train to bring him a doctor’s kit, which he never got. “With restraint and an economy of words, Rylant’s emotionally rich story ... speaks eloquently of gratitude and social responsibility. Soentpiet’s handsome, realistic paintings capture the drama, rural landscape, and full range of human emotion” (Booklist, Sept. 1, 1997). The Bulletin finds the story’s “simplistic warm fuzzy message about benevolent humanity” to be a bit much, but the fact that Frankie doesn’t get the gift he desperately wants somewhat “mitigates the sentimentality.” The illustrations are “photorealistic” and seem “posed,” but the “landscapes” are more successful (Dec. 1997). School Library Journal notes that the story is “loosely based” on the true story of the Appalachian Santa Train. The illustrations offer “panoramic views” of the locale, “strengthening the sense of place” (Oct. 1997). The Horn Book Guide considers the story “preachy but appealing” (Spring 1998). The Santa Train, which began delivering gifts along its tracks in 1943, runs annually on the Saturday before Thanksgiving from Shelby, Kentucky, to Kingsport, Tennessee.

Soda Jerk, illus. by Peter Catalanotto. New York: Orchard, 1990. 7–10 This collection of 28, free-verse poems details life in a small Virginia town. The first-person narrator is a soda jerk who observes and comments on this life and the community “without prettification.” Some of the narrator’s insights are “unbelievingly knowing,” and the “style tends to be rambling and unfocused” (Bulletin, Mar. 1990). The Horn Book finds the picture-book format inappropriate for its audience and notes that Rylant doesn’t handle “the male voice” of the narrator very well (Sept. 1990). Kirkus Reviews agrees that this is a “disappointing” effort from a Newbery Medalist (Mar. 1, 1990).

The Ticky-Tacky Doll, illus. by Harvey Stevenson. San Diego, CA: Harcourt Brace, 2002. K–3 Rylant’s title explores a little girl’s anxiety when she must attend school and leave her beloved, handmade doll at home. Among the adults, only Grandmama understands why the child fails to adapt to school, so she sews a miniature version of the doll that can travel in a school bag or hide in a pocket. Stevenson’s artwork lends a “magic glow” and “resembles the loving patchwork of the doll itself ” (Publishers Weekly, Aug. 5, 2002). Kirkus Reviews agrees that the illustrations “are an elegant extension of Rylant’s deeply moving story” (Aug. 1, 2002). School Library Journal says that the illustrations “coordinate perfectly” with Rylant’s text (Nov. 1, 2002), but Booklist says the artwork is “less successful”: Stevenson depicts the doll effectively but “has problems drawing” the “human figures” (Nov. 1, 2002).

Waiting to Waltz: A Childhood, illus. by Stephen Gammell. Scarsdale, NY: Bradbury, 1984. 6–8 This collection of 30 free-verse “conversational” poems about a girl’s life in Beaver, West Virginia, focuses on “establishing an identity and achieving status.” Gammell’s “mysteriously misty pencil drawings” lend softness to these “nostalgic” poems, which may appeal more to adults than to children and which “occasionally” reach the level of good poetry (Bulletin, Jan. 1985).

When I Was Young in the Mountains, illus. by Diane Goode. New York: Dutton, 1982. K–3 Rylant bases her first book on memories of growing up with her grandparents in West Virginia. According to Publishers Weekly, “Nothing happens, but everything happens that makes up life.” Goode’s illustrations demonstrate “empathy with the people” through her “gently shaded, loving paintings.” Rylant “proves she knows precisely how to tell a story” (Mar. 19, 1982). Language Arts considers the text “elegant”: “Its art and design evokes [sic] a poetic image of the place, and the time” (Oct. 1982). Youth Services in Libraries says Rylant’s “simple, understandable, and eloquent language” delivers “a very real sense of rural life” in the mid–1950s (Fall 1995). Though the Bulletin considers the book “nostalgic,” it is “evocatively illus-

St. George • 225 trated” and well told. “Quiet, almost static,” the “simplicity” of the story renders the “daily satisfaction” and “occasional joys” of rural life (Apr. 1982). The Reading Teacher also praises the “[s]oft, muted illustrations” and the “pastoral” setting of the book (Oct. 1983). This title won a Caldecott Medal Honor Award in 1983.

3–6 A brief biography of John Chapman, who for nearly fifty years wandered the Midwest, planting appleseeds and spreading the word of God.

Sabin, Edwin Legrand

Willie Mays, Young Superstar, illus. by John R. Jones. Mahwah, NJ: Troll, 1990.

In the Ranks of Old Hickory, When with the Western Riflemen in Defense Against Attack from Within and Without, Young and Old of All Degrees United Under Andrew Jackson to Make the Republic’s Borders Safe, illus. by Frank Eltonhead. Philadelphia: Lippincott, 1927. 6–up This fictionalized title in the Trail Blazers series begins in 1813 when the Creek Indians raid Fort Mims in what was then the Mississippi Territory, 45 miles north of Mobile and the Gulf of Mexico. It ends 350 pages later with the Battle of New Orleans. In between, it follows the adventures of Andrew Jackson Craig, a young boy captured by the Creek Indians who escapes, encounters Davy Crockett, fights with General Andrew Jackson, and helps win the battle. The details of politics among the Indians, British, and Americans are complex, and the vocabulary is difficult. While there are intense, high-adventure passages, the military maneuverings and negative depictions of blacks and Indians make the book an unlikely choice for 21st-century children. On the other hand, it may offer research fodder for sociologists and historians. (RH)

Sabin, Francene The Courage of Helen Keller, illus. by Jean Meyer. Mahwah, NJ: Troll, 1982. 2–4 This unoriginal title in the Famous Americans series offers little new information, though it does “seem to offer the reader a taste of life and customs during the given time period in addition to a view of [Keller] during childhood/adolescence.” Generally, the book offers a “good view of the family and upbringing” through the use of “uncited” primary materials (School Library Journal, Mar. 1983).

Jesse Owens, Olympic Hero, illus. by Hal Frenck. Mahwah, NJ: Troll, 1986. 4–7 A brief biography of Alabama native and Olympic track and field champion Jesse Owens.

Sabin, Louis Andrew Jackson: Frontier Patriot, illus. by Dick Smolinski. Mahwah, NJ: Troll, 1986. 3–6 A biography of Andrew Jackson, the first frontiersman to become a President of the United States.

Johnny Appleseed, illus. by Dick Smolinski. Mahwah, NJ: Troll, 1985.

Roberto Clemente: Young Baseball Hero, illus. by Marie DeJohn. Mahwah, NJ: Troll, 1992. 4–6 A biography of the great Puerto Rican–born baseball star who played for the Pittsburgh Pirates.

3–4 According to Linda Veltze’s Exploring the Southeast States Through Literature, Sabin depicts Mays’s early, Depression-era years in Alabama, with emphasis on his father’s influence. “The tone of this biography is warm, focusing on the human factors, such as family support, enthusiasm, and hard work along with superior ability” (Phoenix, AZ: Oryx, 1994).

St. George, Judith Dear Doctor Bell... Your Friend, Helen Keller. New York: Putnam, 1992. 5–8 St. George delivers one biography of two individuals, Helen Keller and Alexander Graham Bell, whose friendship began when she was six and continued until 1922, when he died. His advice to her parents and his continued interest in her well being were major influences in the direction of her life. According to Kirkus Reviews, Keller “comes alive more effectively” than Bell, who is shown to be a “pompous enigma.” St. George has researched her subjects well, drawing heavily from their correspondence. The result is an “interesting angle on both lives” (Oct. 1, 1992). The Bulletin finds the biography to be a “candid portrait” and a refreshing change from books that connect Keller primarily with Anne Sullivan. While readers will pick up the book mainly for the Keller story, “they will find tandem biographies that bring a new context” to the common public understanding of both individuals (Feb. 1993). The Horn Book Guide considers the work to be “an admiring but judicious account ... of the two mythic figures” (1992). Includes photographs of both individuals, archival pictures of the era, and the Manual Alphabet.

Mason and Dixon’s Line of Fire. New York: Putnam, 1991. 5–9 As in her previous titles, St. George delivers a well-researched, solid book about the dividing line between the North and the South during the Civil War: the boundary between Maryland and Pennsylvania. Her “lively prose” and thorough treatment of the subject are strengths. “But the book’s true strength lies in the obscure information seamlessly blended with textbook material.” Even the account of Charles Mason and Jeremiah Dixon’s “actual survey” of the line “makes for intriguing reading all on its own” (Publishers Weekly, Sept. 20, 1991). Booklist points out that there are practically no children’s books on this topic, but considers some of the text to be “dry” (Nov. 15,

226 • Salas 1991). Horn Book points out that St. George provides a “fascinating” broad overview of history from the 1730s to the 1880s (Mar. 1992). Includes photographs, maps, a bibliography, and index.

prose is adequate, though not stellar. Young’s cartoon illustrations detract from the story and do not do justice to the man. Occasional lapses in punctuation and grammar mar the text. (RH)

Salas, Laura Purdie

Sanders, Margaret Webb

The Trail of Tears, 1838. Mankato, MN: Bridgestone, 2003.

The Year of the Mintie May. New York: Putnam, 1954.

4–6 The Horn Book Guide considers Salas’ title in the New Nation Events: Let Freedom Ring series to be “dry, sanitized,” and a simplification of history that relies on “generalizations” and “pallid” observations” (Fall 2003). Other reviews are more positive. Library Media Connection says Salas offers “a new perspective and refreshing authenticity,” as well as a “balanced” view of the removal of the Cherokee Indians from Appalachia to Oklahoma (Nov. 2003). Contains photographs, maps, a glossary, timeline, suggestions for further reading, and an index.

5–7 This title explores a topic that is usually ignored in children’s books — the discovery of oil in Pennsylvania in mid-to-late 19th century and the effects on the economy, the people, and the culture. Sanders’ story focuses on Arny, age 13, who joins two family members in an oil-well deal with disastrous results. “The well fails, but the family is drawn closer together. An unusually good family story as well as one that depicts an exciting period in American life” (Library Journal, Jan. 15, 1955).

The Wilderness Road, 1775. Mankato, MN: Bridgestone, 2003. 4–6 This title in the New Nation Events: Let Freedom Ring series explains the creation of the Wilderness Road, a major artery for pioneer travel from North Carolina to Kentucky in the 18th century. Major topics include Daniel Boone and altercations with Native Americans. The title may “bolster American history units,” but the illustrations are not outstanding (School Library Journal, Dec. 1, 2003). Contains photographs, maps, a glossary, timeline, suggestions for further reading, and an index.

Salsi, Lynn Young Ray Hicks Learns the Jack Tales: A Biographical Novel About the Childhood of America’s Master Storyteller, Ray Hicks, illus. by James Young. Brown Summit, NC: Forza Reanea, 2005. 4–7 Salsi presents a fictionalized account of the life of storyteller Leonard Ray Hicks, from Beech Mountain, North Carolina, beginning when he was ten. Ray is depicted as a shy, sensitive boy who pays close attention to the weather, has a romantic perspective on nature, loves to hear his Grandfather John Benjamin Hicks tell stories, and contemplates “the mystery of things” (16). The chapters are filled with the details of everyday farming life, mountain lore, and anecdotes from Ray’s childhood, such as his getting lost in a blizzard, but Ray’s desire to become a storyteller is the underlying theme. In a secret spot on top of the mountain, Ray practices telling stories and playing the French harp. When his teacher, Miss Trivette, announces a storytelling contest to be held at school, he is determined to win. Predictably, he wins the prize of a knife from the Mast Store in Valle Crucis. Salsi’s Introduction says, “Most of the incidents are true,” but some “instances have been ‘stretched’ in storytelling style that would have made Ray proud.” The

Sanfield, Steve A Natural Man: The True Story of John Henry, illus. by Peter J. Thornton. Boston: Godine, 1986. 2–6 Though folk hero John Henry has been presented in dozens of children’s books, Sanfield “tells the legend anew,” combining familiar details with “splendid poetic images.” The result is a “triumphant book about a genuine hero” (Publishers Weekly, Jan. 16, 1987). John Henry is “an almost Aristotelian figure: an innocent loving man whose only fault was his overriding pride.” His story is rendered with a “cadence ... and a pacing” that control the emotional response of the reader. Unlike Ezra Jack Keats’s 1965 adaptation, which relies for effect on illustration, the “drama here is in the telling,” though the illustrations and text are well matched (Five Owls, Jan./Feb. 1987). The prose is “subtly rhythmic” and “punctuated by sound effects” that pit John Henry against the steam drill. “The black hero is larger than life, yet humanly expressive in context of the ordinary folk surrounding him. In both art and narrative, this is a durable edition worthy of the folk tradition it reflects” (Bulletin, Feb. 1987). Includes music and 12 verses of the song.

Sanford, William Reynolds, and Carl R. Green Davy Crockett: Defender of the Alamo. Springfield, NJ: Enslow, 1996. 4–7 Published in the Legendary Heroes of the Wild West series, this biography of Davy Crockett is intended to appeal to the reluctant reader. The Horn Book notes “minor flaws,” but recommends the title (Sept. 1996).

Joe Namath. New York: Crestwood, 1993. 3–6 A “flat and uninteresting” biography of Joe Namath from the Sports Immortals series (Horn Book Guide, Spring 1994).

Savoldi • 227

Santella, Andrew

Sargent, Sarah

The Cherokee. New York: Childrens, 2001.

Secret Lies. New York: Crown, 1981.

3–5 From the True Books series, a summary of the history of the Cherokee for middle-grade readers.

6–up Elvira, age 13, goes to live with her aunt in the Virginia hills when her mother elopes. She is given to fantasies about her absent father and eventually learns about long buried family secrets.

Daniel Boone and the Cumberland Gap. New York: Childrens, (2002) 2007. 4–6 From the Cornerstones of Freedom series, this biography of Daniel Boone “suffer[s] from sloppy editing and sweeping statements that have little or no factual support in the text” (School Library Journal, Dec. 1, 2002).

Santrey, Laurence Davy Crockett: Young Pioneer, illus. by Francis Livingston. Mahwah, NJ: Troll, 1983 3–5 According to a Booklist review of ten Troll biographies, including Davy Crockett: Young Pioneer, these titles are “straightforward, mostly unfictionalized” accounts. There is an unbalanced emphasis on Crockett’s youth, leaving little room for his adult life and “scant mention of anything negative”; nevertheless, these are “viable introductions” to important figures (Sept. 1, 1983).

Helen Keller, illus. by Hal Frenck. Mahwah, NJ: Troll, 1985. 3–4 A biography of the blind and deaf woman who overcame her handicaps with the help of her teacher, Anne Sullivan.

Sargent, Dave, and Pat Sargent Grady: (Dappled Grey) Proud to Be an American, illus. by Jane Lenoir. Prairie Grove, AR: Ozark, 2003. 1–3 Included in the Saddle Up series, Grady is similar to Robert Lawson’s Ben and Me (1939) and Mr. Revere and I (1953) in that it relates history from the perspective of an animal, in this case, Sam Houston’s horse. School Library Journal notes that “the idea of historical fiction from a steed’s perspective is an intriguing premise,” but in this case it is “poorly developed” (Mar. 2004).

Saunders, Susan Dolly Parton: Country Goin’ to Town, illus. by Rodney Pate. New York: Viking, 1985. 3–8 Saunders’ brief biography in the Women of Our Time series introduces children to countrymusic-star Dolly Parton in well-researched, though undocumented, prose that is “often choppy, abrupt [and] tedious.” Its flaws aside, the book is “more substantial” than Keely’s Dolly Parton (1979) and more current than Robert Krishef ’s Dolly Parton (1980) (School Library Journal, Nov. 1985).

Savage, Jeff Peyton Manning: Precision Passer. Minneapolis, MN: Lerner (2001), 2007. 2–4 A title in the Amazing Athletes series, this book begins with a 2003 Colts game against Tampa Bay, which may be confusing for early readers, because Chapter Two focuses on Manning’s family life and high-school athletic career, and Chapter Three on his achievements at the University of Tennessee. Chapter Four then shifts back to the Indianapolis Colts. The glossary, which is designed to teach basic football terms, is not consistent with the text, which relies heavily on play description and statistics that would be difficult for novices to follow or understand. Photographs and insets provide visual interest; sections titled Selected Career Highlights, Further Reading, and Websites may encourage readers to find biographies that do justice to Manning’s family and career (RH). Horn Book notes the “conversational text” and the “poor quality” of some of the photographs (Oct. 1, 2002). [Subtitle is dropped in recent editions of this popular title, which has undergone multiple reprints.]

Savoldi, Gloria Root

Hoot, illus. by Jane Lenoir. Prairie Grove, AR: Ozark, 2002.

Tennessee Boy. Philadelphia, PA: Westminster, 1972.

1–3 Included in the Saddle Up series, Hoot tells the story of Sequoyah’s grullo horse, which helps him locate a peaceful place where he can develop the Cherokee alphabet. The “lack of research [is] apparent” in this title, which is illustrated with “coloringbook-quality art.” Like Grady, this book brings to mind Robert Lawson’s humorous fantasies, which use animal narrators to relate history. School Library Journal considers “the idea of historical fiction from a steed’s perspective” to be “an intriguing premise,” but Sargent fails to pull it off (Mar. 2004).

3–6 Clay Gatlin, age 13, lives in the Great Smoky Mountains during the Civil War. His father dies of a wound suffered while fighting for the Confederacy in Knoxville, Tennessee. Shortly thereafter, Clay’s mother dies, leaving him alone. While checking his traps one day, Clay finds a young black boy, Foxy, ensnared in the lines and decides to help him, though he is not favorably disposed toward blacks. They travel to Washington City, where they see Abraham Lincoln enter Ford’s Theater. Their journey takes them through the war-torn territory, and they wit-

228 • Sawyer ness the horrors of the conflict. Along the way, they mature and become friends. “Clay’s fitful growth and development are carefully portrayed, and the various factors in the story are tightly controlled” (School Library Journal, 1973).

Sawyer, Ruth Journey Cake, Ho!, illus. by Robert McCloskey. New York: Viking, 1953. K–2 When times get hard on Tip Top Mountain, Johnny, a “bound-out boy,” leaves the old woman, Merry, and the old man, Grumble, to look for a new master and a better fortune. The last thing Merry packs in his sack is a Journey Cake, which is known in various regions by different names, such as Johnnycake, ashcake, Shawnee cake, or jonakin. This particular cake runs away, and Johnny, the farm animals, and the family give chase. This variant of “The Gingerbread Man” is well-told by master storyteller Sawyer and beautifully illustrated by award-winning artist McCloskey. Though no specific setting is identified, the text compares well with Appalachian variants [see Anne Shelby’s The Adventures of Molly Whuppie and Other Appalachian Folktales; Leonard Roberts’ Old Greasybeard: Tales from the Cumberland Gap; and Isabel McMeekin’s Journey Cake]. “Robert McCloskey’s spirited two-toned pictures in blue-gray, red-brown, and white of the gay and amusing chase ... will please many a young picture-book lover. Excellent for reading aloud and for the storyteller” (Library Journal, Nov. 15, 1953). This Sawyer-McCloskey collaboration won a 1954 Caldecott Honor Award.

Scally, Mary Anthony Walking Proud: The Story of Dr. Carter Godwin Woodson, illus. by Betty Humphreys. Washington, D. C.: Associated, 1983. 6–up This biography of Dr. Carter G. Woodson includes an index and bibliography.

Scarborough, Dorothy A Song Catcher in Southern Mountains: American Folksongs of British Ancestry. New York: Columbia University Press, 1937 7–up Scarborough’s classic collection of traditional songs and ballads, which she collected in the Appalachian mountains, is “accompanied by delightful descriptions of the mountain folk of Virginia and North Carolina, who had preserved them and who sang them for the collector” (Booklist, June, 1937). An Associate Professor of English at Columbia University, Scarborough is compared with George Lyman Kittredge and is praised for her understanding of the mountaineers as well as for her scholarship: “Miss Scarborough’s words, although she is writing of the Southern hill people in the twentieth century, would apply equally well to the people of the Scottish bor-

der in those times, centuries back, when these ballads came into being. The continuity of ignorance, as well as the continuity of language of customs, accounts for the presence of this folk minstrelsy across 3,000 miles of intervening sea” (New York Times, Apr. 11, 1937). Includes the music and notes on variants.

Scarbro, Maxine Sewell One Room Schoolgames: Children’s Games of Yesteryear. Charleston, WV: Quarrier, (1992) 2003. 4–up A collection of games and songs traditionally played in a one-room schoolhouse.

Schaefer, Adam R. Bristol Motor Speedway. Mankato, MN: Capstone, 2006. 3–7 Presents information on the motor racetrack in Bristol, Tennessee. From the Edge Books NASCAR Racing series, this title includes a bibliography and index.

Talladega Superspeedway. Mankato, MN: Capstone, 2007. 3–7 Presents information on the motor racetrack in Talladega, Alabama. From the Edge Books NASCAR Racing series, this title includes a bibliography and index.

Schaefer, Lola M. Booker T. Washington. Mankato, MN: Pebble, 2003. 3–4 This title in the First Biographies series uses simple text and photographs to introduce the life of Booker T. Washington.

Schanzer, Rosalyn Davy Crockett Saves the World, illus. by author. New York: HarperCollins, 2001. 1–6 Schanzer’s “feisty tall tale” is based on the Davy Crockett almanacs published after he became a Congressman. The tale accordingly involves Crockett’s assisting the President of the United States in saving Earth from a collision with Haley’s Comet. Publishers Weekly judges Schanzer’s “picaresque” prose to be appropriate to the myth of Crockett, having a “lickety-split pace and ... equal parts swagger and sass.” Her illustrations are equally apt, consisting of “vibrant, color-drenched paintings” that demonstrate “comic detail and visual echoes of the genre’s hallmark exaggeration” ( July 23, 2001). School Library Journal agrees that the “frolicsome illustrations feature bold colors and cartoon characters that underline the humor of the story” (Aug. 1, 2001).

Scheer, George F., ed. Cherokee Animal Tales, illus. by Robert Frankenberg. New York: Holiday, 1968.

Schraff • 229 3–5 Scheer retells thirteen of James Mooney’s original Myths of the Cherokee, published in 1900 in the 19th Annual Report of the Bureau of American Ethnology. According to School Library Journal, Scheer’s adaptations “have not undergone the editorial embellishment” as other collections, namely Carolyn Bailey’s Stories from an Indian Cave (1924) and Corydon Bell’s John Rattling-Gourd of Big Cove (1955). Scheer includes information on the place of animals in Cherokee mythology. He includes classic stories about the trickster Rabbit; the tar wolf, a variant of the tar baby story; and the rabbit and the terrapin, a variant of Aesop’s fable. “Soft, realistic pencil sketches capture the humor inherent in these tales.” By comparison, “the stories gathered by Corydon Bell are still the most important collection of Cherokee folklore for children” (May 15, 1968).

Scheer, Julian, and Elizabeth McDonald Black Tweetsie: The Blue Ridge Stemwinder, illus. by Lee Kolbe. Charlotte, NC: Heritage, 1958; Johnson City, TN: Overmountain, 1991. 4–up The Foreword explains that this book is not a history but a “song to Tweetsie,” the train that was chartered by the Tennessee Legislature in 1866. It began operation in the early 1880s and became a vital feature of mountain life in East Tennessee and western North Carolina until 1950. The authors write “lovingly and glowingly” of Tweetsie, hoping “‘to rekindle the mood and spirit of the train, the people who operated her, and the people of the Blue Ridge who rode and loved her.’ This the authors have done, and at the same time have given us the thoroughly delightful story of the railroad.” The book concludes with the 1957 opening of the Tweetsie theme park in Blowing Rock, North Carolina, and a “Tweetsie Album,” containing railroad memorabilia (School Library Journal, Sept. 1958). Includes a map showing the railroad from Johnson City, Tennessee, to Boone, North Carolina. The absence of a bibliography and index is unfortunate. (RH)

Schlappi, Elizabeth Roy Acuff: The Smoky Mountain Boy. Gretna, LA: Pelican, 1978. 7–up Roy Acuff, born in Maynardville, Tennessee, was a member of the Grand Ole Opry and the first living performer inducted into the Country Music Hall of Fame. Schlappi presents a “carefully researched and detailed biography,” but the writing is weak and needs thorough editing. Fortunately, the subject “outweighs” the awkward “literary style” (School Library Journal, Oct. 15, 1978). Includes an appendix.

Schmalzbauer, Adam The History of the Pittsburgh Steelers. Mankato, MN: Creative Education, 2005. 4–7 This title in the NFL Today series traces the history of the Pittsburgh Steelers from the team’s beginnings to 2002.

Schmidt, Julie Satchel Paige. New York: Rosen, 2002. 4–7 Included in the Baseball Hall of Famers of the Negro League series, this biography of Alabama native and baseball great Satchel Paige “will help young readers grasp the reality of racism in the first half of the twentieth century” (Booklist, July 2002). Schmidt’s biography “explains the setup of the Negro Leagues and details what life was like for African Americans living during the early 1900s” (Voice of Youth Advocates, June 1, 2002).

Schoor, Gene The Stan Musial Story. New York: Messner, 1955. 5–up A biography of the baseball player who was born in Donora, Pennsylvania.

The Story of Ty Cobb: Baseball’s Greatest Player. New York: Messner, 1952; New York: Simon and Schuster, 1977. [The 1977 reprint contains no subtitle.] 3–up Schoor presents Cobb’s life with “freshness and vividness.... Excellent reading” (School Library Journal, May 1, 1952).

Schiel, Katy

Schraff, Anne E.

The Whiskey Rebellion: An Early Challenge to America’s New Government. New York: Rosen, 2004.

Booker T. Washington: “Character is Power.” Berkeley Heights, NJ: Enslow, 2006.

4–7 Schiel’s title presents information on the first challenge to the new federal government of the United States, which began in 1794 when citizens of western Pennsylvania took up arms to fight against a new federal excise tax on whiskey. A part of the Life in the New American Nation series, the title includes a glossary, a list of suggested websites, bibliographical references, and an index.

7–9 This story of the life and accomplishments of Booker T. Washington includes a bibliography and index.

Tecumseh. Minneapolis, MN: Dillon, 1979. 4–8 This biography in the Story of an American Indian series relates the life of the great Shawnee Chief who worked to create a confederacy of Indians and to prevent the white man’s usurpation of Indian lands. Schraff follows the series template, focusing on

230 • Schroeder Tecumseh’s youth and his political and diplomatic prowess, which brought him recognition and respect. “Lack of documentation is the books’ chief weakness. Though gross fictionalization is avoided (there is no dialogue), a subtler sort exists in attributing thoughts and actions without qualification. Nor are there sources listed, even where direct quotes from historical sources appear.... Despite the need for clarification and improvement,” this book provides “useful information” that is “more explicit than standard encyclopedia sources” (Booklist, Oct. 1, 1979).

Schroeder, Alan Booker T. Washington: Educator and Racial Spokesman. Philadelphia, PA: Chelsea, (1992) 2005. 4–6 This title in the Black Americans of Achievement series was reissued in 2005 with additional material by Anne Beier. Includes a bibliography and index.

Smoky Mountain Rose: An Appalachian Cinderella, illus. by Brad Sneed. New York: Dial, 1997. K–3 Though Schroeder provides an author’s note on the Appalachian variants of “Cinderella,” he bases this picture-book adaptation on Perrault’s French “Cendrillon.” Rose is the daughter of a trapper; her fairy godmother is a hog; and her prince is Seb, a man who amassed a “fortune in sowbellies and grits.” Schroeder’s characters, Smoky Mountain setting, and heavy dialect meet with mixed reviews. The Bulletin describes the dialect as “hokey”: “Fakelore it is, but fun if you can put up with the slapstick patois.” Below this “excess,” however, lie some “droll lines,” and Sneed’s illustrations “poke fun” at the exaggerations ( July/Aug. 1997). Booklist is more positive: Schroeder’s Appalachian “spin” on the classic French tale is “down-home and downright enchanting,” making for a “spirited rendition” (May 15, 1997). The Horn Book considers the artwork “dynamic” (Sept. 1997), and Kirkus Reviews compares Sneed’s “elongated figures and skewed perspective” with the work of Thomas Hart Benton (Apr. 15, 1997).

The Tale of Willie Monroe, illus. by Andrew Glass. New York: Clarion, 1999. 1–5 Following his Appalachian adaptation of the French “Cendrillon” in Smoky Mountain Rose (1997), Schroeder turns to a 13th-century Japanese folktale in The Tale of Willie Monroe. Willie, the selfproclaimed strongest man in Tennessee, sets out to win a Carolina contest of strength. He meets up with Delilah and her 99-year-old mother, who detain him for serious strength training. The result is a “rollicking yarn” with well-matched “exuberant” illustrations (School Library Journal, June 1, 1999). The Bulletin notes Schroeder’s “talent for slapstick humor,” and praises Glass’s “bucolic landscapes,” along with the

“considerable vigor” of the figures ( June 1999). According to Booklist, Schroeder gives the original tale a “face-lift by staging it in a hillbilly-country setting”; the tale has “energy” and is “phrased nicely for reading aloud” (Apr. 15, 1999). The Horn Book refers to the “corn-pone dialect,” which sometimes is “just a bit too thick to swallow,” but praises Glass’s “robust illustrations” (Mar./ Apr. 1999). Publishers Weekly, on the other hand, finds the adaptation “right at home in rural Tennessee.” Glass’s illustrations “handle the hyperbole with deadpan flair” (Apr. 12, 1999). An author’s note explains that the original Japanese tale can be found in Claus Stamm’s Three Strong Women (1990).

Scofield, S. R. Hidden Sunbeams: Real Incidents in Frontier Life in Western New York. Philadelphia: Presbyterian Board of Publication, 1886. 6–up This 304-page history of the pioneer Sturgis family is primarily a religious treatise for 19thcentury juvenile readers.

Scott, Carol J. Kentucky Daughter. New York: Houghton, 1985. 6–up Mary Fred looks forward to attending an urban high school in Virginia, so she leaves her poor Kentucky mining town and mother to stay with an aunt and uncle. At school, her enthusiasm is quickly dampened by the verbal abuse, the inappropriate sexual advances of a teacher, and the hillbilly stereotype she endures. While Scott’s novel has some strengths, the plot is thin and the ending is too neatly resolved. “The first-person narrative is convincing as the work of a child, although it is not outstanding” (Bulletin, June 1985).

Scott, Evelyn [pseud. of Elsie Dunn Scott Wellman, later Metcalfe] Witch Perkins: A Story of the Kentucky Hills. New York: Holt, 1929. 5–up This fantasy novel, set in Kentucky, tells the story of Ella who lives next door to the Perkins family. Mrs. Perkins, believed to be a witch, is a bit eccentric, but when the Perkins home is destroyed by fire, Ella’s parents take in the frail Maimie Perkins. Witch Perkins is Evelyn Scott’s second children’s book but the only one to be set in Appalachia. Steven Vincent Benét reviewed the novel for the Saturday Review of Literature, saying this children’s book “is not cut to pattern.” Rather, “It is full of color and fantasy” and “gives a sense of life. The themes ... are native to our own ground. And there is not a trace of patronage in it” (Nov. 16, 1929). According to Peggy Bach, this is Scott’s “most autobiographical” book for children and reflects her relationship with Clarksville, Tennessee,

Seckar • 231 friend Mary. “Witch Perkins is the story of two little girls, Ella and Maimie, and their friendship, which survives despite the inhibiting circumstance of their being opposites culturally, economically and socially.” It is also a story about dolls, which Bach compares with Lewis Carroll’s fantasies. “Instead of falling down a rabbit hole, Ella enters her nightmare through a dollhouse” (Southern Quarterly, Summer 1990). Tammy Horn calls the book “an Appalachian Huck Finn or Wizard of Oz” and speculates that it “lapsed in obscurity” because it “does not perpetuate negative stereotypes of Kentucky” (“Re-examining the Negative Appalachian Stereotypes in the Southern Highlands,” Appalachian Heritage, Summer 2002). A review in The Three Owls, Volume III, by Laura Benét, argues that the book “cannot properly be called ‘A Story of the Kentucky Hills’” because it is a “kaleidoscopic” fantasy. Scott has “taken a background [Pikesville] with which she is thoroughly familiar” and used that as the runway, so to speak, for her “imagination,” giving it a “wide range” (New York: Coward-McCann, 1931).

Seabrooke, Brenda The Haunting of Swain’s Fancy. New York: Dutton, 2003. 4–7 Taylor, age 11, looks forward to spending the summer with her father, but she must adjust to his new wife Sylvia, and her step-siblings, Peter, age ten, and Nicole, age 12. She quickly discovers that their West Virginia pre–Revolutionary War house, named Swain’s Fancy, is haunted by the ghosts of two brothers who fought on opposite sides of the Civil War. The ghosts draw the children into a historical mystery, which ultimately makes the children closer. The novel follows the template of Seabrooke’s earlier historical mysteries, so it is “predictable” and “formulaic”; nevertheless, “it’s a formula that works well enough” (Bulletin, Sept. 2003). Kirkus Reviews considers it a “satisfyingly spooky ... historical frisson” ( June 15, 2003). “This is a well-done, historical-mystery, ghost story with suspenseful pacing that will draw readers in. The added plot of adjusting to a new stepfamily is well integrated into the story” (School Library Journal, Aug. 1, 2003). In fact, the real heart of the story is the step-sibling conflict, which is “realistically portrayed,” making for a “good mix of fantasy and reality” (Booklist, May 15, 2003).

The Vampire in My Bathtub. New York: Holiday, 1999. 3–6 Jeffrey Martin, age 13, moves with his mother from Washington, D. C., to Wicklow, West Virginia, which has a population of less than 2000. Jeff finds an ancient, dust-covered chest in a locked closet of the old house they are renting. When he opens the chest, he releases a 400-year-old vampire, Eugene Carondelet, who has been asleep since 1852. The plot involves Jeff ’s attempts to hide Eugene, sat-

isfy his enormous appetite, and protect him from his arch-enemy, vampire-cousin Vennard, who lives in New Orleans. While Booklist considers the prose to be “personable, well-paced,” and “engaging,” not all critics agree ( Jan. 1, 2000). According to Publishers Weekly, the narrative comes off as “stilted” and having “little suspense” ( Jan. 3, 2000). Library Journal argues that the inclusion of time frames never achieves its intended “tension,” and the “characters don’t have much heft to them,” but this is an “easy, entertaining read” and a “logical step up” for fans of the Goosebumps series (Dec. 1, 1999).

Searcy, Margaret Zehmer The Charm of the Bear Claw Necklace: A Story of Stone Age Southeastern Indians. Tuscaloosa: University of Alabama Press, 1981. 5–7 Searcy, an anthropologist at the University of Alabama, delivers “expectedly accurate details” about Native Americans in the Archaic Period, which is some 7,000 years ago. The plot (a young man “woos” a young woman and wins her respect) is considered “adequate if not strong,” and the writing “passable.” The major weakness is that information intrudes on the story; another is the use of modern photographs as illustrations (Bulletin, Oct. 1987).

Ikwa of the Mound-Builder Indians. Tuscaloosa: University of Alabama Press, 1974; Gretna, LA: Pelican, 1989. 5–7 Published in 1974 under the title Ikwa of the Temple Mounds, this is the story of 12-year-old Ikwa’s first offering to the sun god, which brings a sign that foretells great changes in her life.

Wolf Dog of the Woodland Indians, illus. by Hazel Brough. Tuscaloosa: University of Alabama Press, 1982; Gretna, LA: Pelican, 1991. 5–7 This sequel to Ikwa of the Temple Mounds [Ikwa of the Mound-Builder Indians] and The Charm of the Bear Claw Necklace traces the adventures of a prehistoric Indian boy and his dog living in the forests of eastern North America.

Seckar, Alvena Misko, illus. by Decie Merwin. New York: Oxford University Press, 1956; Wauconda, IL: Bolchazy-Carducci, 1999. 4–7 Ten-year-old Misko, his mother, and his younger sister must find a new home with fellow East European immigrants after his father’s death in a coal mining accident. According to the Peabody Journal of Education, Seckar’s story provides a “realistic picture of a coal-mining community” and its problems, which Misko faces with a positive attitude; “he is alert and understanding and ready to help others” ( Jan. 1957).

Zuska of the Burning Hills. New York: Oxford University Press, 1952.

232 • Sehnert 3–5 According to the Peabody Journal of Education, this “interesting and informative” story about West Virginia coal-mining families will attract young readers who are “interested in social problems” (Sept. 1952).

Sehnert, Chris W. Pittsburgh Pirates. Edina, MN: Abdo, 1997. 3–8 A title in the America’s Game series, this history of the Pittsburgh Pirates focuses on major players and the city itself. Includes a glossary, timeline, and index.

Settle, Mary Lee The Scopes Trial: The State of Tennessee v. John Thomas Scopes. New York: Watts, 1972. 6–up Settle’s book begins with an overview of Darwin and the theory of evolution, then quickly moves to the controversy over the inclusion of evolution in public-school curricula. She depicts the antievolutionists as poor and uneducated, while the proponents are upper-class “liberals.” Settle also identifies the “real purpose of arresting Scopes” as a publicity stunt for Dayton, Tennessee, and suggests that Bryan and Darrow both “had ulterior motives for volunteering their services for the trial.” Her “court scenes” are “concise,” making this “simple account ... useful to students reading Lawrence’s Inherit the Wind” (Booklist, Nov. 15, 1972). Includes a bibliography.

Severn, Bill In Lincoln’s Footsteps: The Life of Andrew Johnson. New York: Washburn, 1966. 7–9 School Library Journal considers this biography of Andrew Johnson to be a “[b]alanced, detailed treatment” that covers his “early life and career in Congress as well as the critical period of Civil War and Reconstruction. Impeachment proceedings are matter-of-factly told in 22 pages.” This title is “less fictionalized” than Green’s Defender of the Constitution (1962) or Lomask’s Andy Johnson: The Tailor Who Became President (1962). “Well placed quotes from speeches and official papers lend authority to the readable style.” The absence of a bibliography and index is unfortunate (Mar. 15, 1966).

Shannon, Mike Willie Mays: Art in the Outfield. Tuscaloosa: University of Alabama Press, 2007. 4–6 A biography of Willie Mays, who played for the Chattanooga Choo-Choos and the Birmingham Black Barons of the Negro American League and went on to become one of the most famous baseball players of all time.

Willie Stargell. New York: Chelsea, 1992. 4–6 This biography of Willie Stargell, powerful slugger for the Pittsburgh Pirates, is a title in the

Baseball Legends series. Includes a bibliography and index.

Shapiro, Irwin Joe Magarac and His U.S.A. Citizen Papers, illus. by James Daugherty. New York: Messner, 1948; Pittsburgh: University of Pittsburgh Press, (1962) 1979. 4–6 This tall tale, which also appears in Shapiro’s Heroes in American Folklore (1962), “celebrates the deeds of the steel giant Joe Magarac. Known for his ability to stir steel with his hands and taste it to see if it is right, Joe travels to Washington, D. C., where he finally gets what he wants — U.S. citizen papers. Original black-and-white illustrations by Daugherty embellish the exaggeration and fun” (Booklist, Sept. 1, 1979).

John Henry and the Double Jointed Steam Drill, illus. by James Daugherty. New York: Messner, 1945. K–4 In Shapiro’s adaptation of the famous John Henry legend, the hero dies but cheats death to come back and master the steam drill.According to the Saturday Review of Literature, this version is absent the humor of previous adaptations, in the text, the dialogue, and in Daugherty’s illustrations. “Both John Henry and Pollie Ann are shown in physical strenuous action. They are never shown ‘at ease.’ We do not see them wearing and enjoying their legendary clothes; the high silk hat, striped trousers, white vest, and ‘Prince Albert’ coat for John Henry, the silks and satins and feathers for Pollie Ann” (Oct. 20, 1945).

Walt Disney’s Davy Crockett’s Keelboat Race. New York: Simon and Schuster, 1955. 1–3

A fictional portrayal of Davy Crockett.

Yankee Thunder: The Legendary Life of Davy Crockett, illus. by James Daugherty. New York: Messner, (1944) 1962. 4–6 School Library Journal considers this an “exuberant” tall tale that is “vigorously and humorously presented, and complemented with dynamic, robust pictures by James Daugherty.” Crockett “emerges an heroic figure, to accomplish incredible, fantastic deeds” ( June, 1944). The New York Times Book Review describes the biography as “a legendary life of Davy Crockett woven from the choicest traditional whoppers” (May 13, 1962).

Shapp, Charles, and Martha Shapp Let’s Find Out About Daniel Boone, illus. by Vic Donahue. New York: Watts, 1967. K–3 This picture-book account of Boone’s life incorporates the usual adventures: “Indians prowl, capture, or attack on just about every page” (New York Times Book Review, Nov. 1967).

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Shelby, Anne The Adventures of Molly Whuppie and Other Appalachian Folktales, illus. by Paula McArdle. Chapel Hill: University of North Carolina Press. 2007. 3–6 Though Molly Whuppie has existed for centuries, she has not enjoyed the good press of her more retiring peers, such as Cinderella, Snow White, or Rapunzel, who were content to wait for handsome princes to extricate them from abuse and imprisonment. Molly is a take-charge woman, and Anne Shelby has done Molly proud in this collection of 14 stories, which are inspired by and adapted from Leonard Roberts’ well-known collections of eastern Kentucky folktales. Not all of the stories feature Molly, but in all of the tales Shelby is true to her purpose: She has delivered admirable role models and thoughtful stories in an exquisite narrative style that is as comfortable and “homey” as Leonard Roberts’ language, which she so admired (RH). Kirkus Reviews describes Molly as “a mix of Pippi Longstocking and Jack the Giant Killer.” The volume also includes “Appalachian versions of other stories that readers will find familiar.” Shelby “uses warmth, folksy humor and unexpected turns of phrase to bring this plucky heroine to life.” McArdle’s black-and-white illustrations lend a “comic touch” (Sept. 15, 2007).

Homeplace, illus. by Wendy Anderson Halperin. New York: Orchard, 1995. 5–8 Shelby tells the story of a house and its families over seven generations and 185 years, coming down to the present. According to the Bulletin, its theme is “constancy and change,” well rendered in Shelby’s “gentle storytelling prose.” Shelby presents the “American romantic ideal” that is now such a “rarity” that “many contemporary youngsters may well find it exotic” (May 1995). Booklist points to the illustrations, which are “rich in detail,” and to the timeline of objects that will keep young readers busy searching in the artwork. The book is a “warm, charming paean to family ties and the bedrock of home” (Feb. 15, 1995).

We Keep a Store, illus. by John Ward. New York: Orchard, 1990. K–2 According to School Library Journal, the title of this book is a bit misleading because the emphasis is on the “social life that revolves around a small country store, as seen through the eyes of a young girl,” and not on the actual store itself. Though Shelby’s text describes the activities of maintaining the stock and meeting customers’ needs, “this part of the book is curiously flat.” The illustrations accurately depict the African-American family of store keepers, but “the establishment is shown primarily as one perfectly clean counter backed by a series of semiempty shelves.” The images fail to convey the “clutter, bustle, and just plain hard work” of keeping a

store, making for a “gentle and nostalgic, but not entirely convincing, portrait of country storekeeping” ( Jan. 1991).

Sherman, John Daniel Boone Bedtime Stories, illus. by June Weber. Hendersonville, NC: Privately Printed by Author, 1977. 1–4 Sherman has written 12 stories (two—four pages each) about the exploits of Daniel Boone. Each vignette is sufficiently brief for reading or telling at bedtime, and each delivers a predictable encounter between Daniel and Indians or dangerous animals. In all cases, Daniel is presented as a type of trickster figure who outwits his captors and enemies. The stories are designed to teach woods lore and survival skills and to convey a general sense of history. The writing is adequate, but the sameness of the stories and the print quality are serious limitations, and the attitudes toward Native Americans do not meet 21st-century standards. (RH)

Shichtman, Sandra H. Helen Keller: Out of a Dark and Silent World. Brookfield, CT: Millbrook, 2002. 2–4 From the Gateway Biography series, Shichtman presents a “bare bones treatment” of Helen Keller (Horn Book, Apr. 1, 2003).

Shingleton, Samuel Woods Braddock’s Gold: A Story of Adventure. Parsons, WV: McClain, 1980. 5–up Shingleton bases his adventure on an old legend that in 1755 a member of General Braddock’s Quartermaster Corps, Johnson, absconded with the gold they carried on seven pack mules and hid it in a cave near Tygart Lake in Barbour and Taylor Counties, West Virginia. More than 200 years later, 15year-old Tom Mason and his friend Jack Wheeler set out to find this gold, assisted by Mr. Wheeler, Jack’s father, who is a mining engineer, and Ike, their cook. When they rent a boat and take a romantic, adventuresome tour of the lake looking for the buried treasure, they find a dead body and are chased by a villain from Mr. Wheeler’s past. At the end, Mr. Wheeler finds Germanium in the Bakerstown seam, which is described as a rare metal that is useful in an “invention” called a “transistor.” The plot is weak and improbable with no motivation or causality. The ending is a propaganda statement for mining and an argument that mining doesn’t have to be destructive. (RH)

Shippen, Katherine Andrew Carnegie and the Age of Steel. New York: Random, 1964. 4–6 This biography of steel magnate Andrew Carnegie is a title in the Landmark Books series.

234 • Shirley

Shirley, David Satchel Paige: Baseball Great. New York: Chelsea, 1993. 5–7 Included in the Black Americans of Achievement series, this biography of Alabama native and baseball great Satchel Paige provides an exploration of “the problems of African-American players and the history of the Negro League” (Horn Book, Sept. 1, 1993).

Shone, Rob Rosa Parks: The Life of a Civil Rights Heroine, illus. by Nick Spender. New York: Rosen, 2007. 3–8 Included in the Graphic Biographies series, Shone’s biography of the Alabama native “makes clear that [Parks] was not simply a tired woman who didn’t want to give up her seat but an active member of the NAACP who was willing to be arrested in order to fight bus segregation.” The illustrations are visually appealing and are “reminiscent of vibrantly colored woodcuts” (School Library Journal, Mar. 2007). A glossary, a list of titles for further reading, and an index are included.

Shorto, Russell David Farragut and the Great Naval Blockade. Englewood Cliffs, NJ: Silver Burdett, 1991. 5–up The Horn Book cites “minor flaws” in this marginal biography of Knoxville, Tennessee, native David Farragut (Sept. 1, 2001). A title in the Histories of the Civil War series.

Tecumseh and the Dream of an American Indian Nation, illus. by Tim Sisco. Englewood Cliffs, NJ: Silver Burdett, 1989. 5–8 This title in Alvin Josephy’s Biography of American Indians series is “carefully researched” and has “involving narratives and dialogue.” Tecumseh’s efforts to unite the Indian tribes and his diplomatic skill won him “grudging admiration” from his detractors. (School Library Journal, Apr. 1990). Kirkus Reviews finds the book guilty of “considerable fictionalizing,” and the illustrations “do little to advance the text.” Nevertheless, the book is “serviceable” (Oct. 15, 1989). Includes scattered black-and-white illustrations, maps, and suggested reading, but the absence of an index compromises the title’s usefulness for report-writing.

Showell, Ellen Harvey Cecelia and the Blue Mountain Boy, illus. by Margot Tomes. New York: Lothrop, Lee and Shepard, 1983. 5–7 The narrator of this story is on his way to compete in the Chester Music Festival when he meets a boy and a girl who relate a “romantic fantasy” about how the festival came into existence. This frame sets the story of Cecelia, whose father forbids her to dance.

She becomes enchanted by a fiddler and nearly dies when he, his music, and dancing are withheld from her. In the end, they are reunited at the festival and the two are never again seen. The black-and-white illustrations “have a delicate appeal,” and “the story is adequately told” if slow, but “the framing device seems extraneous” (Bulletin, May 1983).

The Ghost of Tillie Jean Cassaway, illus. by Stephen Gammell. New York: Four Winds, 1978. 4–7 Willie, age 12, likes to paint, and so he visits a secluded spot in Holmans Hollow to do a landscape of the mountains. It happens that this is also the site where Tillie Jean Cassaway drowned. When Willie begins to hear and see mysterious things, his sister Hilary and their grandmother unravel the “ghostly” events: An orphan is trying to scare them away. According to School Library Journal, the “story is pretty forgettable but it may be a change for Hardy Boys fans drawn in by the eerie mood maintained throughout with details such as a beheaded doll staring out a window” (Sept. 1978). The Horn Book notes that the book is set in contemporary Appalachia and finds its “leisurely” pace and “lack of dramatic action” to be somewhat offset by its “vivid characterization and background” (Oct. 1978).

Our Mountain, illus. by Nancy Carpenter. New York: Bradbury, 1991. 3–5 Showell’s great-nephews, Jimmy and Cory Allder, relate to her this “idyllic picture” of life in the country. During her visits to their rural West Virginia home, Showell has captured their life, activities, and every-day observations, supposedly in their voices. “The lack of plot makes the first-person narrative seem rambling and sometimes anti-climactic, but the total effect is amiable” (Bulletin, May 1991). Kirkus Reviews argues that the book’s strengths can offset the title’s “lack of drama and incident” ( Jan. 15, 1991). The Horn Book Guide agrees that it is a “slight but enjoyable work” (Fall 1991).

Shull, Margaret (Peg ) Wise The Children of Appalachia, illus. with photographs by the author. New York: Messner, 1969. 3–6 According to the Bulletin, Shull’s book is “neither critically analytical nor sentimental.” While it is somewhat fictionalized and the dialect has “full charm,” the conveying of information is awkward and contrived. The book includes discussions of isolation, Kentucky history, federal programs, poverty, and strip mining (Dec. 1969). Includes an index.

Silverstein, Herma Mary Lou Retton and the New Gymnasts. New York: Franklin Watts, 1985. 4–8 According to School Library Journal, Silverstein’s title “covers some of the same information”

Skidmore • 235 as two other 1985 biographies: Washington’s Mary Lou Retton: Power Gymnast and Sullivan’s Mary Lou Retton: A Biography. On the other hand, Silverstein “focuses more on an overall picture of modern gymnastics” and devotes only one chapter to Retton’s accomplishments. “The writing style is enthusiastic, clear and anecdotal” (Dec. 1, 1985.)

Simon, Charlie May Hogue The Andrew Carnegie Story. New York: Dutton, 1965. 7–up According to Library Journal, this biography of the American industrialist and philanthropist Andrew Carnegie is “inspiring.” Simon includes information on his “relationships with his family and friends,” along with his “abiding love for his native Scotland” (Apr. 15, 1965). Best Seller suggests that Simon’s portrait may be too “sympathetic,” making it hard to believe that Carnegie was a “competitive giant in business.” The book offers a good introduction to the man and his times, but the personal information is better than Simon’s “attempts to explain his business dealings” ( June 15, 1965). Virginia Kirkus’ Service finds the book “well written, well documented”; it is the “sort of biography that is a pleasure to recommend to younger readers” (Apr. 1, 1965).

The Long Hunt, illus. by Rus Anderson. New York: Dutton, 1952 6–up Jim Blake yearns to be old enough to go on a “long hunt.” When his father goes off to fight the British and does not return, Jim goes in search of him. Library Journal considers the book a “well-written, absorbing account of the part played by Tennessee Mountain people in the War of 1812” ( Jan. 15, 1953).

Simon, Charnan Andrew Carnegie: Builder of Libraries. New York: Childrens, 1997. 2–6 Included in the Community Builders series, this title describes the efforts of Andrew Carnegie to build public libraries as a way of improving community life in Pittsburgh and other places. “Recommended” (Horn Book, Mar. 1, 1998). Includes bibliographical references and index.

Jesse Jackson: I Am Somebody! New York: Childrens, (1997) 2003. 3–5 A title in the Community Builders series, this attractive and well-designed biography of Jesse Jackson is riddled with flaws. School Library Journal notes the “patronizing” tone and the unfortunate use of second person ( Jan. 1, 1998). On the other hand, Horn Book recommends the book as “adequately written” and illustrated with black-and-white and color photographs, including archival images (Mar. 1, 1998). Includes a timeline, bibliography, and index.

Singer, A. L. Davy Crockett and the King of the River, illus. by Mike Wepplo. New York: Disney, 1991. 1–4 This is the first title in Disney’s American Frontier series.

Davy Crockett and the Pirates at Cave-in Rock: Based on the Walt Disney Television Show, illus. by Charlie Shaw. New York: Disney, 1991. 1–4 This is the third title in Disney’s American Frontier series.

Skidmore, Hubert

Lonnie’s Landing, illus. by Howard Simon. New York: Dutton, 1942.

Hill Doctor. New York: Doubleday, Doran, 1940.

4–7 Grandpa Bly, Bruce, and Lonnie move from Louisville to New London, Tennessee, by flatboat on the Mississippi in 1838. Though they expected New London to be a town, they discover instead a wilderness, which they and other families, including a Native American family, tame. Eventually, the site became known as Lonnie’s Landing. “Interesting material, well presented” (Library Journal, Feb. 1, 1942).

7–up As a boy, York Allen promised he would return to his Blue Ridge Mountains home to practice medicine when he earned his medical degree. In this sequel to River Rising, Allen makes good on his promise, only to be met with “ignorance, superstition, and distrust.” Amid the conflicts of timber companies that plague the community, Allen also fights typhoid fever. This “exciting and interesting” book stands alone and is “not dependent” on the previous title (Library Journal, Aug. 15, 1940).

Younger Brother, illus. by Howard Simon. New York: Dutton, 1942. 5–7 This is the story of Sungi, a Tennessee Cherokee boy whose friends call him “Younger Brother” because they believe he lacks the qualities to become a brave. His grandfather nurtures him and teaches him the true meaning of bravery and courage; “every man is afraid some time, but only a coward shows it.” Eventually, he earns the right to be considered a brave and to wear the tribe’s eagle feathers. At the end, Sungi’s father brings Sequoyah’s syllabary and news that the Cherokee are moving west (Library Journal, Aug. 1942).

Hill Lawyer. New York: Doubleday, Doran, 1942. 7–up Hill Lawyer, a sequel to Skidmore’s Hill Doctor, continues the story of York Allen. In this novel, he teams up with Jim Martin, a young lawyer, to end the violence and terrorism of Red Clute and his gang who are out to steal mining rights from land owners. The Peabody Journal of Education describes this title as an “exciting story of struggle against lawlessness in the mountains of West Virginia” (May 1943). The New York Times Book Review says that

236 • Skinner “Skidmore writes of the mountain country with vigor and conviction,” and these heroes “are young Americans of whom we may be proud, in a typically American setting” (Nov. 15, 1942).

River Rising!, illus. by Benton Spruance. New York: Doubleday, 1939. 7–up Library Journal considers River Rising! to be an “old plot but a well-written, worthwhile book.” To earn money for medical school, York Allen, age 18, teaches school in Cherry Valley. Because his parents had died when he was a child, he vows that he will earn a medical degree and return to the Blue Ridge Mountains to help his people. When the school is burned down, he builds a new one and continues to defy the local “ruffians.” His struggles and successes, including conflicts with dishonest timber company employees, make for a “thrilling, vigorous story” (Sept. 1, 1939).

Skinner, Constance Lindsay Becky Landers: Frontier Warrior. New York: Macmillan, 1926; Bathgate, ND: Bethlehem, 2006. 4–6 In 1778, Becky Landers, age 15, is the “man” of the house, so she makes a plan to join George Rogers Clark on a mission to bring gunpowder to capture the British forts of Kaskaskia and Vincennes, which are in present-day Illinois and Indiana. She hopes also to rescue her brother from his Indian captors while there. Her Kentucky wilderness adventures feature Daniel Boone and his daughter Jemmy, as well as survival and domestic skills. The Saturday Review of Literature is thoroughly enthusiastic about this “simple, unsentimental, and vigorous” book, calling Landers “American through and through” and suggesting that “the most sophisticated sub-flapper” of 1926 will “kindle” to Landers’ “struggle.” Her “adventures in the days of frontier warfare and Indian attacks in the wilderness of Kentucky make fascinating reading” (Dec. 4, 1926).

Silent Scott. New York: Macmillan, 1925. 5–up Skinner’s historical novel about the Revolutionary War and the Battle of King’s Mountain, including the importance of the Overmountain Men and Sycamore Shoals, is a collection of loosely-heldtogether tales. It includes famous frontier characters such as Nolichucky Jack, Dragging Canoe, Patrick Ferguson, and John Sevier, and it is praised as “a boy’s book,” in 1926. A reviewer in The Three Owls, Volume II, comments, “that it was written by a woman is a matter for astonishment.” In spite of its high adventure and its exceptional style, it is deemed “not so skillfully done as to deceive any one into believing that [it] is a wellrounded story” (New York: Coward-McCann, 1928).

Skurzynski, Gloria Goodbye, Billy Radish. New York: Macmillan, 1992.

5–up Skurzynski’s story about Hank Kerner and his friend Bazyli Radichevych (Billy Radish) is a stand-alone sequel, for slightly younger readers, to The Tempering (1983). Set in Duquesne, Pennsylvania (called Canaan in the novel), during World War I, the gritty novel portrays the lives of steel-worker families, the conflicts of diverse immigrant cultures, and the struggles of 11-year-old Hank as he comes of age. Hank confronts his fears of being trapped in a steelworker’s job and the death of his friend Billy. “The immigrant experience and Eastern Orthodox customs of the Radichevych family are an integral part of the story. Details of time and place are deft, and welldrawn secondary characters evoke a credible array of male concerns. Two culminating events give Hank a vision of his future: his dramatic role in assisting with the premature birth of his sister-in-law’s baby and Billy Radish’s death in an influenza epidemic awaken an interest in becoming a doctor” (Horn Book, Nov./Dec. 1992). Booklist considers this title a “vivid portrayal” and a “fine example of historical fiction” (Oct. 15, 1992). Kirkus Reviews cautions that the book is not “for the squeamish,” but it is nevertheless “firstrate historical fiction” (Nov. 1, 1992). Illustrated with black-and-white photographs.

The Tempering. New York: Clarion, 1983. 7–up Set in the summer of 1911 in Duquesne, Pennsylvania (called Canaan in the novel), The Tempering focuses on three young men and their lives in the steelmaking industry. Main character Karl wants to quit school and join the steel-mill work force, but he falls in love with his teacher. Hoping to escape the conflicts in his life, he runs away to Erie, Pennsylvania. Jame, the jokester, falls in love with Karl’s sister. Andy is deeply devoted to steelworkers’ rights and resents the label “hunky.” “Using the steel-making process as an ingenious framework, Skurzynski fashions an involving, well-told story of [these] three young men.... The author skillfully flavors her book with ethnic customs, peoples it with believable, working-class characters, and underscores it with a rich atmosphere that evokes a bygone era. The teacher’s involvement seems somewhat melodramatic and contrived but serves its purpose of helping Karl decide about his future (Booklist, Apr. 1, 1983).

Skurzynski, Gloria, and Alane Ferguson Night of the Black Bear: A Mystery in Great Smoky Mountains National Park. Washington, D.C.: National Geographic Society, 2007. 3–7 Skurzynski and Ferguson are a motherdaughter team that visits national parks and then writes mystery stories about them — the Mysteries in Our National Park series. This title in the series is set in the Great Smoky Mountains National Park, in

Smalley • 237 North Carolina and Tennessee. Ashley and Jack Landon accompany their parents from Jackson Hole, Wyoming, to the Great Smoky Mountains so their mother Olivia, a wildlife veterinarian, can consult about the elk. While they are there, Olivia investigates a series of bear attacks in and near Gatlinburg, Tennessee, and Jack and Ashley help solve the riddle of why bears are attacking tourists. They make friends with Yonah Firekiller, the son of a Cherokee park ranger, and with a local boy, Merle, who has a significant role in baiting bears so that tourists can get a good look at them. The book includes preachy passages about the Cherokees and displacement of families to create the park. It is also burdened by the typical references to country music and moonshining, but it is a cut above the usual series books of this nature, such as the Hardy Boys, Sweet Valley Twins, and Carole Marsh mysteries. It includes a good map of the park, and the writing is acceptable, though the ending is contrived and unrealistic. (RH)

Slate, Joseph Crossing the Trestle. New York: Cavendish, 1999. 3–up It is the summer of 1944 in rural West Virginia, and Petey, age 11, is facing a number of challenges. His artist-sister Loni, age 14, has lost an eye in an automobile accident that took the life of their father. Petey fears that his grieving mother may remarry. Underlying these problems is his fear of the train trestle, which he must cross to get to the new school he must attend in the fall. Reviews of this title are mixed: According to Booklist, “Slate has created an entire cast of thoroughly likable, believable characters, and he provides vivid descriptions of wartime conditions in West Virginia and Pittsburgh.” While the outcome is fully predictable, “it’s a pleasure to see how the gentle story unfolds” ( Jan. 1, 2000). Kirkus Reviews is slightly less enthusiastic than Booklist: The story is “slow-moving,” and in spite of its “unconventional elements,” readers may find it lacking. Ultimately, however, its “lively narrative style” and focus on a “loving family” will be rewarding to readers who stick with it (Oct. 15, 1999). School Library Journal, on the other hand, considers the novel “as generic a comingof-age novel as its metaphoric title suggests.” Its “predictability might be more tolerable if the journey at least had some original or exciting twists.” Instead, the characters and plot “seem recycled and hackneyed.” Though the sub-plots and humor are “meant to be endearing,” they become “tiresome”: “There is little here to entice most kids” (Oct. 1999).

Sloan, Carolyn Helen Keller, illus. by Karen Heywood. London: Hamilton, 1985; North Pomfret, VT: Trafalgar Square, 1991. 5–9 School Library Journal considers this “brief biographical sketch” in the Profiles series to be a “well-

done introduction” to Keller’s life. The biography begins with background on Helen and her teacher Anne Sullivan; then it focuses on their entwined lives, providing “sufficient detail to make the people and the events come alive without being bogged down in the minutiae of information that is available.” The narrative “moves at a good pace” and lives up to its purpose as a “profile.... The few bits of British English that appear will present no problem to comprehension, and the author is careful to indicate, unobtrusively, that the quoted statements are in fact from a diary entry, a letter or another verifiable source” (May 1985). Includes black-and-white illustrations rendered from photographs.

Sloat, Teri Sody Sallyratus, illus. by author. New York: Dutton, 1997. K–3 Sloat’s adaptation of this Appalachian folktale is taken from Richard Chase’s version in Grandfather Tales. The cumulative tale involves a family’s search for baking soda, which makes biscuits rise. Each family member goes to the store to buy “sody sallyratus” but along the way gets eaten by a bear, who is hiding in a berry patch. The family’s pet squirrel comes to their rescue, by tricking the bear, and facilitates a politically-correct ending: Bear and family survive. “The bountiful drawings, filled with the colors of autumn, have an exaggerated and rustic quality befitting a tale that has engaging humor, rhythm, and repetition. Librarians will want to have this energetic picture book on hand for story times” (Booklist, Dec. 15, 1996). The Horn Book also notes the “cheerful autumnal” artwork and the “homey backwoods design” (Sept. 1997). Kirkus Reviews says the “illustrations capture the boisterous energy of the story” (Dec. 15, 1996). Includes source notes, information on baking soda, and a biscuit recipe.

Small, Terry Legend of John Henry, illus. by author. New York: Delacorte, 1994. K–3 Small provides a “lengthy” but “valid new version” of the classic tale of John Henry. The illustrations of the narrative poem bring to mind the murals of the Works Projects Administration “with John Henry posed dramatically as the hero of the African American worker” (Publishers Weekly, Nov. 29, 1993).

Smalley, Ruth An Interview with Andrew Jackson: Seventh President of the United States of America. Johnson City, TN: Overmountain, 2001. 5–up Fictionalized account of the life of United States President Andrew Jackson. Included in the Overmountain History Series for Young Readers.

238 • Smith

An Interview with Andrew Johnson. Johnson City, TN: Overmountain, 2003. 5–up This fictionalized account of the life of Andrew Johnson, 17th President of the United States, is included in the Overmountain History Series for Young Readers.

Smith, Doris Buchanan Moonshadow of Cherry Mountain. New York: Four Winds, 1982. 6–7 For six years, Greg and his black Lab Moonshadow have enjoyed free run of Cherry Mountain, but a new family moves into their Appalachian mountain neighborhood and brings change. Both Greg and Moonshadow feel that they must defend their territory: the dog by chasing the neighbors’ cats; 15-year-old Greg by resisting his nine-year-old adopted sister, who fears and is allergic to dogs and doesn’t like the woods. “The intertwined stories of territorial intrusion move realistically toward a respect for rights and an easing of tension rather than a declaration of peace. The point of view slides skillfully from dog to boy and eventually to Clara. While utilizing strong action and types rather than stereotypes, the narrative evades the sentimentality which often plagues stories of both animals and adoption and develops the themes of tolerance and accommodation with evenhandedness and insight” (Horn Book, Apr. 1983).

Return to Bitter Creek. New York: Viking, 1986. 5–7 As an unwed mother, Campbell deserted Bitter Creek, North Carolina, to escape her mother’s overbearing personality and her attempts to gain custody of her grandchild, Lacey. Ten years later, when Lacey is 12, they return with Campbell’s boyfriend, David, a blacksmith who works at the Mountain Craft School. When David is killed in an accident, grief and resentment eventually give way to love and trust among the three generations of women. According to Kirkus Reviews, David “seems too good to be true,” but Lacey, Campbell, and Grandmom “show a believable blend of quirky foibles.” The Appalachian mountain setting provides a nice counterpoint to the family conflicts, which “are as old as the hills” (Bulletin, Apr. 1986). The “drama” is “subtle, without cliché, and full of poignant vignettes,” making for a “fine book” (Kirkus Reviews, July 1, 1986).

Smith, E. S. Bear Bryant: Football’s Winning Coach. New York: Walker, 1984. 6–9 Smith presents an “adulatory biography” of Paul “Bear” Bryant who coached football at the University of Alabama for 25 years. Bryant could be demanding of his players, and the reviewer emphasizes that few details of his “famous temper” are included in the book (School Library Journal, Dec. 1984).

Smith, Hilton, and Margie Bennett, eds. Foxfire Book of Wine Making: Recipes and Memories in the Appalachian Tradition. New York: Dutton, 1987. 7–up According to Publishers Weekly, this title is “a delight for anyone interested in wine, and/or the oral storytelling tradition or Appalachia.” Recipes for libations such as persimmon beer and peach, elderberry, and dandelion wine are appended (Feb. 20, 1987).

Smith, Linda J. Willie Mays: The Say Hey Kid. Birmingham, AL: Seacoast, 2005. 3–6 This biography of baseball legend Willie Mays is a title in the Alabama Roots Biography series.

Smithwick, John Meet Peyton Manning: Football’s Top Quarterback. New York: PowerKids, 2007. 4–6 This title in the All-Star Players series includes an introduction to Manning and his family, along with information on Manning’s professional career and his Peyback Foundation. Includes an index.

Smucker, Anna Egan A History of West Virginia. Charleston, WV: West Virginia Humanities Council, (1997) 2003. 3–6

A brief history of West Virginia.

No Star Nights, illus. by Steve Johnson. New York: Knopf, (1989) 1994. K–2 The Bulletin describes Smucker’s autobiographical picture book as a “steel-mill mood piece” that “summons” the sounds and colors that defined a steel worker’s family life in West Virginia. The “real characters” are the “fearsomely powerful machines” and the “smoke and grit” that block out the stars. While the book is somewhat nostalgic, it compares with Hendershot’s In Coal Country (1987) and Rylant’s When I Was Young in the Mountains (1982) (Dec. 1989). Publishers Weekly describes the book as an “oral history” that is illustrated with “richly textured and subtly shaded paintings” (Oct. 24, 1994). The Horn Book Guide also suggests that this 1950s “reminiscence” makes a nice companion to Hendershot’s book (Spring 1989).

Sneve, Virginia Driving Hawk The Cherokees, illus. by Ronald Himler. New York: Holiday, 1996. 2–4 The Horn Book considers this title to be a “solid entry” in the First Americans series: “Any book that begins with a wonderfully clear, cleanly drawn map starts off on the right foot.” Sneve delivers a

Spencer • 239 “sound treatment” of the Cherokee people and culture in “direct, uncomplicated sentences.... The division of the people into Eastern and Western groups following their removal from Georgia is described, as are the many treaties made and broken by the United States government. The delivery of the information is straightforward, with no editorial comment, but the facts alone speak volumes of blame. Nicely executed paintings add detail, clarify the text, and contribute to the reader’s understanding of history” (May/June 1996). School Library Journal praises Sneve’s “even-handed tone” and Himler’s “rich, warm, and serene” watercolors. While this title is “not as thorough” as Lepthien’s The Cherokee (1985), its breadth will “serve ... readers well” (Apr. 1, 1996).

Somervill, Barbara A.

Snow, Dorothea J.

Sonneborn, Liz

Jeb and the Flying Jenny, illus. by Joshua Tolford. Boston: Houghton Mifflin, 1954.

The Cherokee. New York: Franklin Watts, 2003.

3–5 Jeb likes to whittle. His family feels that he is wasting good time until he eventually carves a merry-go-round with all the necessary animals. Set in 19th-century Tennessee, Snow’s book is “[t]old in mountain dialect,” which conveys the “flavor” of the time and the setting. Tolford’s “colored and blackand-white illustrations” are “excellent” (Library Journal, Nov. 15, 1954).

Sequoyah: Young Cherokee Guide, illus. by Frank Giacoia. Indianapolis, IN: Bobbs-Merrill, 1960. 3–7 Snow’s biography begins in 1775 when Sequoyah is five and ends with his death in 1843. Early chapters detail the Cherokee way of life, and (as is common for titles in the Childhood of Famous Americans series) establish Sequoyah’s early interest in language and an alphabet. Conflicts and hardships of the Cherokee Nation are downplayed — the Trail of Tears is barely mentioned. A major weakness is the vague portrayal of Sequoyah’s two wives and his children, though his mother is fully characterized. The book lacks adventure, but its emphasis on words rather than action is appropriate for the subject, and it glamorizes the individual less than do most biographies in this series. The timeline, glossary, suggested titles for further reading, and study questions are useful for teachers. The subtitle—Young Cherokee Guide—is misleading, as are some of the illustrations. Children will wonder, for example, why Sequoyah wears a turban when the other Cherokee children and adults are shown with feather bands. (RH)

Sobol, Donald J. The Lost Dispatch: A Story of Antietam, illus. by Anthony Palumbo. New York: Franklin Watts, 1958. 7–up A fictionalized account of the Battle of Antietam during the Civil War.

Ida Tarbell: Pioneer Investigative Reporter. Greensboro, NC: Reynolds, 2002. 6–up Included in the World Writers series, Somervill provides a “satisfying biography” of Pennsylvania native Ida Tarbell, the first “muckraker” journalist (Booklist, Mar. 1, 2002). Includes black-andwhite photographs, a glossary, source notes, a bibliography, and index.

West Virginia. New York: Childrens, 2003. 4–6 This title in the From Sea to Shining Sea series explores the geography, history, government, and culture of the Mountain State. Includes a bibliography and index.

3–6 The writing, organization, and balanced perspective of Sonneborn’s history of the Cherokee make it better than most for this age group. The black-and-white archival photographs, color reproductions, and maps add interest; the use of sidebars is engaging. This title in the Watts Library series includes chapters on origins, encounters with first explorers, adaptation, the Trail of Tears, subsequent life in Oklahoma and North Carolina, and the modern Cherokee, along with a glossary, timeline, list of websites, bibliography, and index. (RH)

Soupart, Sylvia Stories of West Virginia for Boys and Girls. Morgantown, WV: West Virginia U, 1934. 6–up Soupart’s Foreword explains that this book was written to engage West Virginia sixthgraders in their state’s history. While there is no direct evidence that this book was used to prepare students for the Knights and Ladies of the Golden Horseshoe educational tradition, its appearance in 1934 makes that possibility likely [see Elizabeth Coatsworth and Frances Gunter above]. Part I contains 27 chapters, beginning with prehistory and ending with John Brown’s raid. Part II contains 21 chapters, beginning with West Virginia statehood and ending with thencontemporary 1930 events. Each chapter is followed by suggested activities and references. (RH)

Spencer, Cornelia [pseud. of Grace Sydenstricker Yaukey] Pearl Buck: Revealing the Human Heart. Chicago: Encyclopedia Britannica, 1964. 7–up School Library Journal describes Spencer’s style as “somewhat fictionalized and breezy” in this biography of Pearl Buck, a title in the Great Lives series. Spencer’s approach “results in repetition and confusion” because she divides the work into three segments: Buck’s “girlhood, her writing, and an analysis

240 • Spradlin of her works.” She relies heavily on Buck’s autobiography, My Several Worlds, which she has abridged for children. While Spencer’s biography contains “material not available in any of Mrs. Buck’s writings, ... it lacks a distinctive style, [and] good editing.” Additionally, “the age level toward which it is directed is not mature enough for the information given about her works” (Mar. 15, 1964). Grace Sydenstricker Yaukey is the sister of Pearl S. Buck, who was born in Hillsboro, West Virginia.

Spradlin, Mike Daniel Boone’s Great Escape, illus. by Ard Hoyt. New York: Walker, 2007. K–3 This title is based on a little known episode in the life of Daniel Boone when he is taken hostage by the Shawnee, lives with them, and becomes accustomed to their ways. When he learns the Shawnee are preparing to attack settlers, he escapes to warn them.

The Legend of Blue Jacket, illus. by Ronald Himler. New York: HarperCollins, 2002. 3–6 In Spradlin’s first book for children, he advances the theory that the Shawnee warrior Blue Jacket was a Virginia white man (perhaps Marmaduke Van Swearingen) who was captured by the Shawnee in the late 1700s, became acculturated to the Shawnee way of life, and fought with the Indians and the British against the Americans during the Revolutionary War. This first-person, fictionalized autobiography, which is documented by an Introduction and a Conclusion, receives mixed reviews: The Horn Book considers it “informative but rather distant” (Apr. 1, 2003). Kirkus Reviews describes it as a “long and unvarying” text that “sits heavily on the page.” The illustrations “do little to enliven the sedate narrative” (Nov. 15, 2002). School Library Journal argues that this speculative account “does not ring true” and that Spradlin “seems to stretch to avoid certain issues.... Although this book is clearly a well-researched labor of love, beautifully and accurately illustrated with Himler’s paintings, the author glosses over the essential story” (Nov. 1, 2002). Booklist is more positive about the volume and the explanatory material. “The many watercolor illustrations that depict the lush Ohio Valley forests and Shawnee villages put this in the category of picture books for older children,” ultimately making for an “attractive biography” (Nov. 1, 2002).

Springer, Nancy Secret Star. New York: Philomel, 1997. 5–7 Fourteen-year-old Tess Mathis lives in a West Virginia shack with her wheel-chair-ridden stepfather. Tess’s severe memory loss is the impetus for the plot, which is quickened by the arrival of Kamo Rojahin, who is searching for his father. Kirkus Reviews criticizes the book for its awkward shifts in point of view and for the “overwrought and inauthentic”

depictions of Tess’s love of music, but says that Springer excels with “utterly convincing depictions” of the characters and their poverty (Apr. 15, 1997). Voice of Youth Advocates says, “This is one of those books that is worth reading more than once” (Dec. 1997). The Bulletin disagrees, labeling it “marginal” and condemning the “deep purple prose and the shallow movie-of-the-week characterizations” ( June 1997). School Library Journal agrees that it is a “cliché-ridden soap opera more appropriate as a lurid daytime talk show” than as a children’s book (May 1, 1997). Booklist agrees that the plot is “implausible, melodramatic, and didactic,” but argues that the main character “disturbs stereotypes” and that some readers will like it, “however heavily the messages are spelled out” (Apr. 1, 1997).

Stanley, George Edward Mr. Rogers, illus. by Meryl Henderson. New York: Aladdin, 2004. 3–8 Included in the Childhood of Famous Americans series, Stanley’s biography of Latrobe, Pennsylvania, native Fred McFeely Rogers surveys of the life of the host of the television show Mr. Rogers’ Neighborhood.

Stauffacher, Sue Bessie Smith and the Night Riders, illus. by John Holyfield. New York: Putnam, 2006. K–3 Bessie Smith and the Night Riders is based on an actual event in July 1927 when blues singer Bessie Smith’s performance in Concord, North Carolina, was challenged by Night Riders of the Ku Klux Klan. The fictional narrator, Emmarene, shows Smith standing up to the men by “cussing up a blue streak.... The story comes across overly cheerful, but both text and acrylic illustrations effectively convey Smith’s courageous behavior (Horn Book, Oct. 1, 2006). This “tale of courage would make a fine addition to units on the Civil Rights movement” (Booklist, Feb. 1, 2006). “Holyfield’s brilliantly colored acrylic spreads aptly depict a larger-than-life individual” who was from Chattanooga, Tennessee (School Library Journal, Jan. 1, 2006).

Steele, Mary Q. see also Wilson Gage Steele, Mary Q., and William O. Steele The Eye in the Forest. New York: Dutton, 1975. 5–8 Kontu is a young Indian novitiate who travels with three Indian brothers, led by his priest Yovo, to find the “lost worshipping grounds” and origin of the Adenas, a tribe in pre-historic Ohio. Along the way, he meets Neeka, a runaway Indian slave, in whom the Steeles have “forged an incarnation of Diana, Minerva and Venus.” Neeka, who has forsworn all religion, severely tests Kontu, who must “reconcile his affection for her with his passion for the

Steele • 241 gods.” Unfortunately, the “lesson” of this book “may not stick,” because Neeka is by far the stronger, more attractive character (New York Times, Aug. 24, 1975). According to School Library Journal, the authors “have effectively recreated a world long gone in which the inhabitants of the forest live in close harmony with nature, reading its signs, honoring ancient taboos, and seeking the protection of benevolent spirits.” This is “an epic story” (May 1975).

Steele, Philip Jesse Owens: An Unauthorized Biography. Chicago: Heinemann, 2001. 4–6 Reviewing this biography of Alabama native and Olympic champion Jesse Owens, Horn Book Guide notes a “busy” layout and “choppy” text, but finds value in various quotations and photographs (Spring 2002).

Steele, William O. William O. Steele wrote more than 100 books, mostly adventure stories about Appalachian frontier and pioneer life during the 1700s and the Revolutionary and Civil Wars. The following list of titles is not exhaustive, but an attempt has been made to feature the full range of Steele’s work as well as the most popular and most often reprinted titles.

Andy Jackson’s Water Well, illus. by Michael Ramus. New York: Harcourt, 1959. 3–6 “This fabulous tall tale is in the best tradition of American folklore,” and Michael Ramus’ art work “captures the hilarious mood.” Steele “uses the same imaginative vocabulary” for this tale as he has used in his other books (School Library Journal, May 15, 1959). Steele begins the tale with Jackson’s establishing a law practice in Nashville, Tennessee, “but from there on the tale is one of [his] own fantastic embroidery.” The story involves a trip to East Tennessee with Chief Ticklepitcher, including a tussle with Land Pirates. “Michael Ramus’ heavy drawings are just right to complement Mr. Steele’s delightful and unusual tale” (New York Times, May 10, 1959).

The Buffalo Knife. New York: Harcourt, Brace, 1952. 4–6 According to the New York Times Book Review, this story of two families, the Browns and the Clarks, who make a 1,000 mile flatboat trip on three rivers, the Tennessee, Cumberland, and Ohio, is so “vividly” written that “you feel that you have been right there ... during the whole trip and have come to know these pioneers as real people” (Apr. 20, 1952). The story is “well-written” with “[g]ood character development” and “plenty of excitement, with attacks by Indians, and the battle with shoals and rapids.” The two young heroes, Andy Clark and Isaac Brown, “learn to appreciate fine qualities in people who do not think or act as they do” (School Library Journal,

Mar. 15, 1952). This title has remained in print and has undergone several reissues. Jean Fritz wrote the Introduction to a 1990 edition.

The Cherokee Crown of Tannassy. WinstonSalem, NC: Blair, 1977. 7–8 Scotch baronet, Sir Alexander Cuming, who ultimately “cost the Cherokees their land,” tries to rule the Cherokee Indians and own their Crown of Tannassy. “His diplomacy and charismatic presence made that audacious venture a success; but on his return to England with six Cherokee in tow as proof of his accomplishment, royalty and government rebuffed his plans, preferring instead to forge their own treaty with these unofficial Cherokee representatives.” Steele has a “subjective fascination for this obscure historical figure” that flavors the story, and though he does not omit Cuming’s seamier side, he is clearly intrigued by his subject’s personality and actions. This is an “interesting” and “well documented” chapter in history, but it is “slightly embellished” to fill in the gaps (Booklist, Apr. 15, 1978). Includes an appendix, notes, and a bibliography.

Daniel Boone’s Echo, illus. by Nicolas [pseud. of Nicolas Mordvinoff ]. New York: Harcourt, 1957. 3–5 In this companion volume to Davy Crockett’s Earthquake, Aaron Adamsale leaves Pumpkin Grove on a tall-tale adventure with Daniel Boone to find Kentucky monsters, such as One-Eyed Gluts and SlingTailed Galootises. Nicholas’ “scribbledy-scrabbledy sketches” match the tall-tale spirit of the book (New York Times, June 26, 1958). Aaron and Daniel build a “cabin in a valley so wide it took all night for the echo of their shouts to come back and wake them next morning!” Young children and tall-tale enthusiasts will like this story (School Library Journal, Nov. 15, 1957).

Davy Crockett’s Earthquake, illus. by Nicolas. New York: Harcourt, Brace, 1956. 3–5 Though this is a west–Tennessee story, it is a tall-tale companion to Daniel Boone’s Echo. With his two dogs, Rattler and Whirlwind, Davy meets up with a comet, an earthquake, the Eye-Gouger, and bears, with whom he plays leap-frog. “This amusing tall tale ... will appeal to followers of Davy Crockett and to any boy who relishes adventure.” Nicolas’ illustrations “give additional flavor to this fast-moving story” (School Library Journal, Sept. 15, 1956). Steele’s “straightforward, tongue-in-cheek presentation points up the exaggeration and humor, and the vigorous line drawings by Nicholas stretch the truth even further than the text” ( July 15, 1956).

The Far Frontier, illus. by Paul Galdone. New York: Harcourt, Brace, 1959. 4–7 In 1791, when William Blount was Governor of the Tennessee Territory south of the Ohio River, Tobias Bledsoe, a Tennessee wilderness boy, becomes “bound out to a rather eccentric naturalist,”

242 • Steele Asa Twistletree, who changes Tobe’s attitudes toward life. “Excellent feeling for the period, good character development, appropriate black-and-white illustrations by Paul Galdone, [and] suitable make-up” characterize this “exciting story” (School Library Journal, Feb. 15, 1960). According to the New York Times, Steele “has a knack of making situations seem natural instead of contrived.” Steele’s books also have “little object lessons,” and in this case, Tobe learns that there is “a far frontier just waiting for somebody to lay claim to it” (Nov. 15, 1959).

Flaming Arrows, illus. by Paul Galdone. New York: Harcourt, Brace, 1957.

3–5 Steele presents a biography of John Sevier, called Nolichucky Jack, who was governor of the State of Franklin and first governor of Tennessee, an office to which he was elected five times. Sevier was also a leader in the Battle of King’s Mountain. This title in the Childhood of Famous Americans series focuses on Sevier’s childhood, ages four to fourteen. Barbara Mertins says the biography “tends to glorify” Sevier’s life but fills a need for “material on an important historical figure for this age group” (Kentucky, Tennessee, West Virginia: Reading for Young People. Chicago: American Library Association, 1985).

The Lone Hunt, illus. by Paul Galdone. New York: Harcourt, Brace, 1956.

5–8 Chad Raburn, age 11, and his family are besieged by raiding Chickamauga Indians in a fort, but they withstand the attack and learn something about prejudice and bravery. School Library Journal questions the appropriateness of this “intense” title for children because its “sadistic” topics, which include murder, “cruelty, and revenge,” are “emphasized and glorified rather than played down” ( July 1957). Steele “has again hit the mark” with “crisp dialogue, authentic background and furious action — plus the excellent message that not always is father-like-son” (New York Times, July 14, 1957). This title has remained in print and has undergone several reissues. Jean Fritz wrote the Introduction to a 1990 edition. In 2005, Harcourt reissued the title as part of a set, which the Horn Book Guide considers appealing in spite of a “quaint” style that may put off 21st-century readers (Spring 2005).

4–7 In 1810, Yance Caywood, age 11, discovers signs of buffalo on the Cumberland Plateau in East Tennessee, though the buffalo had long since disappeared, and he is immediately captivated by the notion of the hunt. Unfortunately, he has been left to do the home chores for his mother while his older brother is on a hunt. In spite of his responsibilities, he sets out to kill the last buffalo. “His courage and determination as he continues his hunt alone and his grief at losing his dog make a telling story, outstanding because of the author’s feeling for the period, splendid dialogue, and excellent characterization” (School Library Journal, Jan. 15, 1957). According to the New York Times, Steele’s novel is “more than a topflight adventure story”; it is also the story of “a boy in furious, unreasonable rebellion against apron-strings and childhood” (Feb. 3, 1957).

The Golden Root, illus. by Fritz Kredel. New York: Aladdin, 1951.

The Man with the Silver Eyes. New York: Harcourt, Brace, Jovanovich, 1976.

3–5 Steele’s story of a poor, North Carolina mountain family, the Menefees, features the French botanist, Andre Michaux, who explored the Appalachian mountains in the 18th century. David, Ginnie, and Granny Menefee want to return to their Kentucky home, but they do not have the money. Michaux teaches them about herbs, the knowledge of which helps them reach their goal. “Well-written, easy to read,” Steele’s story presents a “clear picture of one segment of our pioneer life” (New York Times, Oct. 28, 1951).

5–7 The time is 1780, and Talatu, a young Cherokee boy, is sent by his great-uncle to live for a year with a Quaker man named Shinn. Talatu hates whites, but he comes to trust Shinn, especially when the white man defies his own pacifism and kills a man to save Talatu’s life. In a deathbed confession, Shinn reveals that he is really Talatu’s father, a fact that disgusts Talatu, but he accepts this new knowledge and returns to his Cherokee culture. According to the Bulletin, Steele’s story is “convincing in its recreation of place and time ... but it may be limited in appeal to readers because of the slow pace” (May 1977).

Hound Dog Zip to the Rescue, illus. by Mimi Korach. Champaign, IL: Garrard, 1970. 3–5 Steele’s tall tale is reminiscent of “Puss in Boots,” but in this case it is a smart, talking hound dog, not a cat, that “turns the tables” on an unkind man who “outsmarts” Foolish Tom, Zip’s master. Library Journal considers this an “average-quality” tale and points out that there is “no indication ... of the locale” of the story, but Korach’s cartoon illustrations give it a clichéd, rural setting (May 15, 1971). A title in the Reading Shelf series.

John Sevier, Pioneer Boy, illus. by Sandra James. Indianapolis, IN: Bobbs-Merrill, 1953.

The No-Name Man of the Mountain, illus. by Jack Davis. New York: Harcourt, Brace, 1964. 1–5 This title is a “full-length tall tale in southern mountain style” wherein two older brothers tease the youngest. They prevent him from knowing his real name and give him poor mountain land for a farm. “A wacky yarn told with verve and the slapstick humor of an animated cartoon” (School Library Journal, Nov. 15, 1964).

The Old Wilderness Road: An American Journey. New York: Harcourt, Brace, 1968.

Steele • 243 7–up Set in the late 1700s, this book tells the story of four frontiersmen who “hacked their way through what was then Western Virginia” to create the Wilderness Road into Kentucky: Dr. Thomas Walker, Elisha Wallen, Daniel Boone, and John Filson. Though given to “occasional fictionalizing,” Steele relates the “woodsman’s way of life, his food, clothing, and ability to survive in such a hostile environment.” The author adds a “bibliographical essay,” which makes the book particularly useful, not only for its adventure but also for research (School Library Journal, Feb. 1969). The New York Times describes this title as a “fictionalized fact book that has a fascinating you-are-there quality.” Steele provides “clear how-to passages” on such diverse topics as building a log cabin and tanning hides. Some terms could be better explained, and in some passages Steele “jumps ahead of his story,” but these “faults are minor” (Nov. 3, 1968).

Over-Mountain Boy, illus. by Fritz Kredel. New York: Aladdin, 1952. 5–8 This title in the American Heritage series relates the role of the Overmountain Men in Tennessee and North Carolina during two years of the American Revolution, 1778–1780. The Watauga Territory and East Tennessee locales are featured (Buffalo Mountain, Gap Creek, Doe River, Nolichucky River) along with historic characters such as Dragging Canoe and John Sevier. Frontier life is “vividly pictured.... Action, adventure, and information are skillfully interwoven to make a good story” (School Library Journal, Sept. 15, 1952).

The Perilous Road, illus. by Paul Galdone. New York: Harcourt, Brace, 1958. 3–7 Steele sets this Civil War novel in the mountains of East Tennessee, where sympathies were divided. The characterization of the protagonist, tenyear-old Chris Brabson, is “good” and shows him caught in the dilemmas of loyalty and bravery. “Only when his spy report threatens his brother’s life and he himself is caught in a cavalry raid does he realize the meaning of his father’s words, ‘war is the worst thing that can happen to folks’” (School Library Journal, May 15, 1958). Steele “makes the tensions and excitements of the Brothers’ War very real,” along with the “customs” and “speech” of the “mountain people” (New York Times Book Review, Apr. 27, 1958). This title has remained in print and has undergone several reissues. Jean Fritz wrote the Introduction to a 1990 edition. In 2005, Harcourt reissued the title as part of a set, which the Horn Book Guide considers appealing in spite of a “quaint” style that may put off 21st-century readers (Spring 2005).

The Spooky Thing. New York: Harcourt, Brace, 1960. 2–5 Meriweather and Gist, who are “trifling and all-fired mean,” meet their match when they encounter the Spooky Thing in the woods. Steele’s “elab-

oration” of the Tennessee tale known as “ChickyLicky-Chow-Chow-Chow” is “too long and overloaded with folk idiom,” making it less successful than previous tall tales by this author (Library Journal, Jan. 15, 1961). The New York Times agrees that it has been “stretched beyond its natural limits.... This is the old tale of pursuit by a creature of unknown horridness, interspersed with plenty of horseplay, backwoods style. It’s an ancient and honorable tradition but there’s just a little too much” (Oct. 23, 1960).

The Story of Daniel Boone, illus. by Warren Baumgartner. New York: Grosset and Dunlap, 1953. 3–6 This title in the Signature Books series covers Boone’s life from boyhood through 1799. Steele’s story is “competent” and “has a hearty backwoods flavor,” but it lacks the “three-dimensional quality of the author’s best fiction” (New York Times Book Review, Nov. 15, 1953). Library Journal agrees, pointing to the “cursory” treatment of history; on the other hand, the book “[r]eads smoothly” (Dec. 15, 1953).

Tomahawks and Trouble, illus. by Paul Galdone. New York: Harcourt, Brace, 1955. 4–5 Library Journal considers Steele’s “easyto-read” Indian captivity story to be “exciting” and “well-written.” Laird Whitlock and two friends are captured by the Indians. “The suspense mounts, as the children finally escape with the help of the old Indian chief, only to be almost recaptured later” (Feb. 1956). Locales include Sycamore Shoals, Fort Chiswell, and the north fork of the Holston River.

Trail Through Danger, illus. by Charles Beck. New York: Harcourt, Brace, 1965. 4–6 Lafe Birdwell, age 11, is ashamed that his father left the white culture and joined the Indians. He runs from this “disgrace” by joining a buffalo hunt, during which he learns that he cannot escape his family history; consequently, he matures. “Consistent with past performances of this author, here is another tale of adventure in the wilderness, which successfully combines cliff-hanger chapter endings with good character development and excellent style” (Library Journal, Dec. 15, 1965).

Triple Trouble for Hound Dog Zip, illus. by Mimi Korach. Champaign, IL: Garrard, 1972. 3–5 Hound Dog Zip is an Appalachian Pussin-Boots character who rescues his master, Foolish Tom, from embarrassment and loss. This volume contains three tall tales, set somewhere in “the hill country of Tennessee” (5): “Zip and the Fishing Contest,” “Zip and the Talking Shoes,” and “Zip and the Terrible Snout.” In each story, Zip is an industrious, smart farmer; Tom is a lazy rube who is easily taken advantage of. The language is colloquial, and the humor is wry. Korach’s cartoon illustrations are ade-

244 • Steele quate, though they do not extend the text or add much value, and some readers will object to the stereotypical depiction of the men. Though published more than 35 years ago, these tales are still readable and will be useful for comparisons with other trickster tales. (RH)

The War Party, illus. by Lorinda Bryan Cauley. New York: Harcourt, Brace, Jovanovich, 1978. K–4 Booklist describes this title as a “remarkable narrative study of a sixteenth-century Cherokee tribe and the impact of war” on a young warrior. Though he “is eager to show his bravery,” he discovers that amid the “realistically violent heat of battle” he is emotionally affected by death and his own suffering. “Numerous details of daily living, ritual, and feeling form a backdrop for the story as the tribe prepares for a war party against a neighboring village.” Steele brings “new depth to easy reading” in a title that is “not only quick-paced but provocative.” The book is flawed, however, by the absence of clear references to time and setting. “The black-and-white drawings, though not skillfully executed, are carefully detailed and hence informative” (Nov. 15, 1978). School Library Journal is less enthusiastic than Booklist. Though Steele conducted “exhaustive” research for the background of this book, “the build-up becomes tedious,” particularly when Steele “slips into the stylistic pitfall of the beginning reader: repetitious sentence structures.” On the other hand, the book succeeds in showing the “horror” of war (Dec. 1978). This title in the Let Me Read series includes a glossary.

Wayah of the Real People, illus. by Isa Barnett. Williamsburg, VA: Colonial Williamsburg, 1964. 4–6 As a good-faith gesture of peace, the Cherokee send young Wayah, the Wolf, from Chota on the Little Tennessee River to Williamsburg, Virginia, where he attends Brafferton Hall for one year. As he is introduced to white civilization, he fears that he will lose his native culture because Otonee, his grandfather, has taught him that “An Indian who takes on the white man’s ways is like an oak tree struck by lightning.... He is no longer one good tree, but two worthless ones” (6). At the school, he endures ridicule and prejudice, especially from the Shawnee boy William Squirrel, but he makes friends with a white boy, Duncan, and learns new skills that serve him and his people well when he returns to Chota. Readers who enjoy Steele’s frontier adventure stories will excuse this title’s dated perspectives on Native Americans. (RH)

Westward Adventure: The True Stories of Six Pioneers, maps by Kathleen Voute. New York: Harcourt, Brace, 1962. 4–6 The six stories that make up this volume are “all true and based on authentic old journals and

diaries, of people who took different routes for different reasons into the wilderness.” The six include Mary Ingles and “five lesser-known men” whose stories deserve to be told because they “contribute to our knowledge of why people pushed onward into the land of the ‘Western Waters’” (Library Journal, June 15, 1962). Includes a bibliography.

Wilderness Journey, illus. by Paul Galdone. New York: Harcourt, Brace, 1953. 4–5 Flan Taylor is a “small, sickly ten-yearold” who “toughens up on the ‘long-hunt’ trail around pioneer Kentucky.” Flan and long hunter Chapman Green maneuver through the wilderness to reach eventually the French Salt Lick. Though characterized by “realism in events and details,” the characters are “stereotyped,” but the adventure is “satisfying” if sometimes preachy (Library Journal, Mar. 15, 1953). Readers who enjoyed Steele’s The Buffalo Knife “will find this an even better story” (New York Times, Mar. 29, 1953).

Winter Danger, illus. by Paul Galdone. New York, Harcourt, Brace, 1954. 4–6 According to the Chicago Sunday Tribune, Steele’s third tale about 18th-century, Tennessee frontier life “is as exciting and authentic as the others” (Mar. 21, 1954). Caje Amis, whose mother is dead, lives with his father in the 1780s on the Tennessee frontier. Cage enjoys the “precarious life of a ‘woodsy’.... Never settling, finding shelter in hollow trees, they depend upon game for food, but Caje longs for a real home.” When Caje must spend a tough winter with relatives because his father is gone, he comes of age. Library Journal recommends the book for the middle grades and for “retarded readers in grades 7–8” (Apr. 15, 1954). The New York Times Book Review comments that while “Pioneer stories are legion,” this title from Steele is “distinguished” both in its “clear evocation of the sense of physical danger, of hunger and cold” and in the realistic “emotions of a boy who is fiercely independent but wants to belong” (Apr. 11, 1954). This title has remained in print and has undergone several reissues. Jean Fritz wrote the Introduction to a 1990 edition. In 2005, Harcourt reissued Winter Danger as part of a set, which the Horn Book Guide considers appealing in spite of a “quaint” style that may put off 21st-century readers (Spring 2005). This title was included in a 1954 New York Times Book Review selected list of one hundred outstanding books for young readers (Nov. 14, 1954).

The Year of the Bloody Sevens, illus. by Charles Beck. New York: Harcourt, Brace, 1963. 4–6 Steele’s historical novel is characterized by his trademark “flavorful woodsy talk and a sharp picturing of background.” Set in 1777, “a year of many Indian massacres,” this is the story of Kelsey Bond, age 11, who follows the Wilderness Trail from Virginia to Logan’s Fort, Kentucky. “The adventure is not un-

Stein • 245 usual in kind, but the drama and reality given it through an effectively drawn collection of human types, both strong and weak, set the story above the usual. Portions of the narrative hold the reader spellbound” (Horn Book, Dec. 1963). Library Journal offers equal praise for Steele’s story, which is characterized by “breathless reality,” “authenticity, vividness of background and a fast-moving plot.” A “special quality” of the book is Kel’s growth from “an experienced child to a young boy on the threshold of self-knowledge” (Nov. 15, 1963). The New York Times considers the work “a moving and powerful story.” Unfortunately, the final chapter “seems tacked on,” but this is “a minor flaw in an otherwise outstanding book” (Nov. 10, 1963).

Steffens, Bradley, and Dan Woog Jesse Jackson. San Diego, CA: Lucent, 2000. 5–up This title in the People in the News series covers the life of Jesse Jackson, including his civil rights activities, political campaigns, diplomatic efforts, and humanitarian interests.

Stefoff, Rebecca Tecumseh and the Shawnee Confederation. New York: Facts on File, 1998. 6–up Presenting an “evenhanded” biography of Tecumseh and his vision to create a united Indian nation, Rebecca Stefoff “covers interesting facets of Shawnee life, explains and dispels myths, and weighs evidence carefully where there are conflicting historical accounts” (School Library Journal, July 1998). Included in the Library of American Indian History series, the biography includes bibliographical references and an index.

Stein, R. Conrad America the Beautiful: West Virginia. Chicago: Childrens, 1991. 4–6 Stein discusses the geography, history, people, government, economy, and recreation of West Virginia. This title in the America the Beautiful States series includes an index.

Chuck Yeager Breaks the Sound Barrier. New York: Childrens, 1997. 3–6 Horn Book considers Stein’s book a “thin account” of Yeager’s life and achievements. The “choppy and uninspired writing,” combined with the “[l]ackluster” illustrations, results in a “sonic bust.” On the other hand, the inclusion of scientific background and Yeager’s influence on flight history is useful (Sept. 1997). Includes a glossary and index.

David Farragut: First Admiral of the U. S. Navy. Chanhassen, MN: Child’s World, 2005. 3–6 This “[s]tudent friendly” biography of Knoxville, Tennessee, native David Farragut (School Library Journal, June 2005) is a title in A Proud Heritage series. Includes a bibliography and index.

John Brown’s Raid on Harpers Ferry. Berkeley Heights, NJ: Enslow, 1999. 4–6 This title focuses on the story of John Brown’s 1859 attempt to lead a slave uprising against the arsenal at Harpers Ferry, West Virginia. Includes a bibliography and index.

Steel Driving Man: The Legend of John Henry, illus. by Darrell Wiskur. Chicago: Childrens, 1969. 4–6 Stein’s retelling of the legend of John Henry is considered inferior to other portraits of this folk hero. Library Journal suggests that Stein strips John Henry of his hero status and “demeans” him by “making a sociological tract” out of the story. “His heavy-handed version, with its emphasis on realism ... leaves readers bored and heavy-hearted.” Unfortunately, Wiskur’s illustrations, while “quite attractive, ... emphasize the mundane textual rendering” ( June 15, 1970).

The Story of the Johnstown Flood, illus. by David J. Catrow, III. Chicago: Childrens, 1984. 3–5 This title in the Cornerstones of Freedom series describes the devastating tidal wave that hit the city of Johnstown and several Pennsylvania villages on Memorial Day, 1889, when the South Fork Dam above the city collapsed as a result of spring rains.

The Story of the Trail of Tears, illus. by David J. Catrow, III. Chicago: Childrens, 1985. 3–5 This title in the Cornerstones of Freedom series focuses primarily on the Cherokee, though the four other civilized tribes are briefly mentioned in one-half page of text. It was reissued by Childrens Press in 1993 under the title The Trail of Tears [see below]. The writing style adds narrative drama and interest for young readers; unfortunately, the result is a highly biased, emotional account that borders on fiction. Unnecessary qualifiers undermine objectivity, as in the description of the “cruel practice of slavery” (9) and the “devilish” Indian Removal plan (16). The whites are described as “land-hungry ... vultures” and “pirates.” “Sequoya” [sic] is said to have created the syllabary using a “worn pen,” an inaccurate statement that grossly oversimplifies his feat. Frequent quotations and dialogue are unattributed. The large print is designed for young readers, but the vocabulary and some of the direct quotations are too advanced for the age level. The book ends with the story of Tsali, which makes for an odd conclusion. The usefulness to beginning readers is somewhat offset by the lack of objectivity, source notes, and a bibliography. (RH)

The Trail of Tears, illus. by David J. Catrow, III. Chicago: Childrens, 1993. 3–5 A reprint of Stein’s The Story of the Trail of Tears with a revised title [see above].

246 • Stemple

Stemple, David High Ridge Gobbler: A Story of the American Wild Turkey, illus. by Ted Lewin. New York: Collins, 1979. 2–5 Stemple introduces young readers to the American wild turkey by focusing on a hen and her nest. Set in the West Virginia mountains, the story follows the “hen’s watch over her nest, ... the hatching process, early training, food searches, and warning devices that young gobblers are taught.” The center of attention is “one white-tailed tom as his voice and plumage develop and as he rivals his brothers for mates, leadership, and territories” (Booklist, Dec. 15, 1979.) Includes an author’s note on the status of the wild turkey in 20th-century America but no index.

Stephens, Mary Jo Witch of the Cumberlands, illus. by Arvis Stewart. Boston: Houghton Mifflin, 1974. 4–9 Dr. McGregor and his three children (Susan, Betsy, and Robin) move to The Lodge, which once belonged to Lucius Byrd, a coal mine owner. Byrd’s daughter, Miss Birdie, works as the McGregors’ housekeeper and introduces the children to “herb charms.” She also conducts a séance, which raises a spirit. “Past and present are drawn together in the ferreting out of what lay behind the entombment of miners some forty years ago, what happened to the young union organizer whom Miss Birdie loved, and why evil old Broughton still lurks about. The book is a mélange, barely supported by the strong scenes and characters; but it has a sense of atmosphere.” In spite of its weaknesses, the book “has an authentic Cumberland setting,” is “[f ]rank about the evils of strip mining and flavored with Kentucky Mountain folklore” (Horn Book, Aug. 1974).

Sterling , Philip Sea and Earth: The Life of Rachel Carson. New York: Crowell, 1970. 7–up Rachel Carson began her college career as an English major, but she switched to biology when a science course captivated her. In 1937, she submitted her first essay to Atlantic Monthly, and thus began her remarkable career as a scientist, writer, and conservation advocate. Sterling’s well-researched and well-documented biography is “objective in tone, smoothly and seriously written” (Saturday Review, Sept. 19, 1970). Illustrated with photographs; contains an excellent bibliography.

to be filled with “wry particulars” and “skillful indeed.” When a stranger appears “from the wrong side of Which-Way Mountain,” readers get the notion that Aunt Skilly is unwise in sharing the details of her unprotected and vulnerable situation. But when the thief returns to steal her quilts, her wisdom is apparent. Parker’s illustrations “bolster” the story’s “plotted twists and surprises” ( July 11, 1994). Booklist agrees: “Parker’s free ink-and-watercolor illustrations capture the understated style of the story and the strength of the self-reliant woman in her home in the mountains” (Oct. 1, 1994). School Library Journal also notes that the “charming story has the flavor of an Appalachian folktale.” The writing is characterized by “graceful images” and “exquisite timing of the carefully plotted” story (Oct. 1994). The Horn Book considers it “a simple pleasure of a story” (Mar. 1995).

Stevens, Rita Andrew Johnson: 17th President of the United States. Ada, OK: Garrett, 1989. 5–8 According to Library Talk, this title in the Presidents of the United States series is “very readable.” Stevens has not only researched the life of the 17th President, but she has also included “current theories” about Johnson’s motivations and actions. The result is that he is presented as a whole person. This biography “reflects a new realism in children’s nonfiction, a healthy respect for the truth, and the expectation that readers have good comprehension skills” ( Jan. 1990). Includes a timeline, bibliography, and index.

Stevenson, Augusta Andy Jackson: Boy Soldier, illus. by Paul Laune. New York: Bobbs-Merrill, (1942, 1952); illus. by Claudine Nankivel, 1962. 3–7 This easy-to-read, highly fictionalized title follows the Childhood of Famous Americans series formula. It features Jackson’s “pugnacious boyhood, his school fights, his adventures with Indians, rascally trappers, and Tory spies” (School Library Journal, Oct. 1, 1942). The illustrations are simple silhouettes, which came to characterize these books.

Booker T. Washington: Ambitious Boy, illus. by Mel Bolden. Indianapolis, IN: Bobbs-Merrill, (1950) 1960.

Aunt Skilly and the Stranger, illus. by Robert Andrew Parker. New York: Houghton Mifflin, 1994.

3–6 Stevenson’s highly fictionalized biography follows the Childhood of Famous Americans series template. It offers an introduction to issues surrounding slavery and the life of free blacks, but the major emphasis is on Washington’s “efforts to go to school and the incidents of his childhood when, with courage and honesty, he exposed thieves and mine saboteurs” (School Library Journal, Jan. 15, 1951).

K–3 Publishers Weekly considers this a “wellmade, Appalachian-flavored tale” about Aunt Skilly

Daniel Boone: Boy Hunter, illus. by Paul Laune. New York: Bobbs-Merrill, 1943; illus. by

Stevens, Kathleen

Stewart • 247

Robert Doremus. New York: Bobbs-Merrill, (1961) 1986. 4–5 Stevenson’s biography of Boone follows the Childhood of Famous Americans series template and format: easy-to-read, large print; fictionalized dialogue and events; and characteristic silhouette illustrations. “There is no literary value to a book of this kind written in short choppy sentences.... Last two chapters which tell of Boone as an older man are out of place in a book designed to give story of his boyhood” (School Library Journal, Nov. 15, 1943).

Nancy Hanks: Kentucky Girl, illus. by Gray Morrow. Indianapolis, IN: Bobbs-Merrill, 1962. 3–7 Though typical of the Childhood of Famous Americans series, this book is significant because so few books on Hanks exist. The biography suffers from the usual flaws: the fictional dialogue is stilted and stiff; the text says she married Thomas Lincoln in 1806, but the chronology in the back says she married in 1801. Nevertheless, the details of her life up to the time of her marriage are engaging and show today’s children the hardships of pioneer life for women. After her father dies, her mother marries Henry Sparrow. In the spring of 1788, they move to Kentucky along a trail that is constantly under the threat of Indian attack. The children rode in baskets, and their mothers prepared them for the trip by teaching them not to cry. Nancy is the object of prejudice: “I was afraid the boys wouldn’t want a girl around” (13). She is described as a bright, sensitive girl interested in music and reading. Because she is quiet and observant, she frequently comes into secret knowledge that is helpful to the community. The final chapter follows the series format by shifting to the future and showing contemporary children the importance of the subject. The usual study questions, activities, glossary, and reading list conclude the book. (RH)

Sam Houston: Boy Chieftain, illus. by Paul Laune. Indianapolis, IN: Bobbs-Merrill, (1944) 1953; illus. by Katharin Sampson. Indianapolis, IN: Bobbs-Merrill, 1962. 4–6 This biography of Houston follows the Childhood of Famous Americans template (including the characteristic silhouette illustrations). It focuses on a fictionalized childhood and devotes the last chapter to Houston’s adulthood. Houston is depicted as a “lively boy who, at the age of fourteen, ran away from home and lived with the Cherokee Indians until the time came that he felt he could help his Indian friends more by presenting their cause to the whites” (School Library Journal, May 1, 1944).

Tecumseh: Shawnee Boy, illus. by Clotilde Embree Funk. Indianapolis, IN: Bobbs-Merrill, 1955; illus. by Vic Dowd. Indianapolis, IN: Bobbs-Merrill, 1962.

3–7 Six silhouette illustrations grace this better-than-usual biography in the Childhoods of Famous Americans series, though it suffers from the usual fictionalized events and dialogue. In the summer of 1777, Tecumseh is nine years old and saddled with the “girls’ work” of watching his four-year-old triplet brothers. The presence of his older brother Cheeseekau provides an opportunity to learn about the rituals of adolescence in Piqua on the Little Miami River — the appropriate length of the hair, how to track animals by listening and observing, the quality of bravery. All play in the village is designed to teach the children hunting and survival skills. In 1778 Daniel Boone is captured by Cheeseekau and brought as a prisoner to the village, but Tecumseh befriends him and prevents a bloody attack on Boonesboro. In the spring of 1779, the Piqua settlement splits over whether to fight with the white man, and the Peace Party leaves for the West. The book ends in 1809 with Chief Tecumseh speaking to a Wynadotte tribe in the presence of William Henry Harrison’s spies. He argues for one Indian state and says, “I’ll work for it till the day I die.” The dialogue is often awkward and unrealistic (the triplets call Cheeseekau “Cheese”), but the details of American Indian culture will be interesting to young readers. (RH)

Stewart, Elisabeth Jane On the Long Trail Home. New York: Clarion, 1994. 3–8 Stewart’s novel is based on the true story of her great-grandmother’s escape during the 1838 forced removal of the Cherokee from their Appalachian mountain homelands. On the march, Meli, age nine, gets separated from her family, but when she is reunited with her brother Tahli, the two escape from a Kentucky encampment and make their way back to the North Carolina mountains. Meli’s mother and baby sister are murdered, but she is finally reunited with her father. Her survival story makes for good adventure, but there is little “insight” into the historical Trail of Tears. Additionally, the dialogue “reinforces those stereotyped images of Indians and frontiersmen popularized at Saturday matinees” (Bulletin, Dec. 1994). Because the book is based on a true story, it doesn’t necessarily “plot well,” but Stewart has taken pains to depict the Cherokee culture accurately (School Library Journal, Dec. 1994). According to Booklist, “There’s no tension or surprise.... Some of the writing is purposive and over-explanatory” (Oct. 15, 1994). Though the ending is “a bit unrealistic,” this is an “engrossing story” (Horn Book, Mar. 1995).

Stewart, Mark Chamique Holdsclaw: Driving Force. Brookfield, CT: Millbrook, 2000. 2–4 This title in the Basketball’s New Wave series profiles the life and career of Chamique Hold-

248 • Stewart sclaw, a member of the University of Tennessee Lady Vols basketball team and later star of the Washington Mystics. Includes an index.

ments, and key personalities of the football team. Includes a glossary, timeline, quotations, maps, websites, bibliographical references, and an index.

Kordell Stewart: Steelers Sensation. New York: Childrens, 1999.

Randy Moss: First in Flight. Brookfield, CT: Millbrook, 2000.

3–4 Noting minor flaws, the Horn Book Guide recommends this brief biography spotlighting the career of Pittsburgh Steeler Kordell Stewart (Fall 1999).

4–6 In a composite review of Stewart’s biographies of Peyton Manning and Randy Moss, School Library Journal points to the differences between the backgrounds of Peyton Manning and Randy Moss. Manning “comes from a storybook/fairy-tale background” and a football family. “Moss came from a poor, segregated West Virginia town” and has suffered from “poor choices” as an adult. “Both of these easyto-read biographies have plenty of information, statistical charts, and color photographs” ( Jan. 1, 2001). The Horn Book acknowledges the detailed “descriptions of crucial games,” but suggests that readers who want to know more about the individuals’ lives “off the field will have to look elsewhere” (Sept. 1, 2000).

Mario Lemieux: Owns the Ice. Brookfield, CT: Millbrook, 2002. 4–8 Born in Canada, Lemieux became a star player on the Pittsburgh Penguins ice hockey team. With “readable text,” Stewart focuses on Lemieux’s “early discovery of his natural talent and the training and successes that helped him turn his passion into a career” that was cut short by Hodgkin’s disease. This biography “moves beyond the typical athlete’s chronology by describing Lemieux’s drive and attitude toward the game and giving readers a sense of what it takes to succeed at that level.” The photographs and format add to the overall quality of a biography that “is an inspirational portrait of an athlete who is confident, courageous, driven, and compassionate” (Booklist, Sept. 15, 2002). According to the ALAN Review, the book is “so well photographed, captioned, and researched” that it will be a “good read” for any reader (Fall 2002). Includes black-and-white photographs and an index.

Orlando Merced. New York: Childrens, 1996. 4–6 Biography of the Pittsburgh Pirates AllStar outfielder and a title in the Grolier All-Pro Biographies series.

Peyton Manning: Rising Son. Brookfield, CT: Millbrook, 2000. 4–6 In a composite review of Stewart’s biographies of Peyton Manning and Randy Moss, School Library Journal points to the differences between these two stars’ backgrounds. Manning “comes from a storybook/fairy-tale background” and a football family. “Moss came from a poor, segregated West Virginia town” and has suffered from “poor choices” as an adult. “Both of these easy-to-read biographies have plenty of information, statistical charts, and color photographs” ( Jan. 1, 2001). The Horn Book acknowledges the detailed “descriptions of crucial games,” but suggests that readers who want to know more about the individuals’ lives “off the field will have to look elsewhere” (Sept. 1, 2000). The Book Report describes the writing as “light and casual.” While the format, with sidebars and inserts, is good, the “limited scope of the book” makes it unsuited for “serious research” (Sept./Oct. 2000).

The Pittsburgh Steelers. Chicago: Norwood, 2007. 4–6 Included in the Team Spirit series, The Pittsburgh Steelers presents the history, accomplish-

Stewart, Philip Cherokee. Philadelphia: Mason Crest, 2004. 5–up Stewart presents the history, stories, current government, religion, social structure, contributions, arts, and culture of the Cherokee. From the North American Indians Today series, the title includes bibliographical references and an index.

Stewart, Wayne The History of the Pittsburgh Pirates. Mankato, MN: Creative Education, 2002. 1–2 A history of the Pittsburgh Pirates, a team that began playing baseball in the 1880s.

Stiles, Martha Bennett Kate of Still Waters. New York: Macmillan, 1990. 5–7 Kate Chiddens, age 13, worries whether the family will be able to keep its Kentucky sheep and cattle farm and whether she will be competent to run it when she is grown. She experiences the daily chores, joys, and disappointments of farm life, growing in confidence and understanding. Kirkus Reviews compares Stiles’s “animal husbandry scenes” with Herriot’s: “A sensitive, honest picture of a threatened way of life” ( July 1990). The Horn Book Guide considers the book “exceptional” in its character development and its “unusual, unromanticized portrait of contemporary farm life” (Spring 1990). The Bulletin agrees that Stiles’s depiction of farm life is “realistic, albeit a bit accelerated,” and the “disaster scale runs a little high”: The many setbacks and impediments seem too numerous for one year, and the “melodrama” is a bit much. Nevertheless, the characters are “strong and believable.... It is refreshing for fictional teenagers to be goal-oriented and sometimes serious, instead of superficially suburban” (Dec. 1990).

Street • 249

Sarah, the Dragon Lady. New York: Macmillan, 1986. 4–7 Told in first-person point of view by Sarah, this novel explores a transitional summer between third and fourth grades when Sarah’s parents separate and she moves with her mother from New York to Meterboro, Kentucky, near Lexington. Her mother is an artist and “not the sort” of parent that “inspires confidence,” but they need the income from her mother’s art work. A happy ending finds Sarah and her mother back in New York with her father, but there is no real “resolution.” Additionally, “Sarah herself is more cynical than any fourth-grader has a right to be, even by New York standards” (Bulletin, Feb. 1987). Kirkus Reviews is more positive about the book than is the Bulletin: The characters and realism are “sketched with sure precision and humor,” making for Beverly Cleary-like “wisdom and incident” (Oct. 1, 1986).

Still, James An Appalachian Mother Goose, illus. by Paul Brett Johnson. Lexington: University Press of Kentucky, 1998. 3–6 Kirkus Reviews refers to Still as a “gatherer of folklore [who] puts a backwoods twist on familiar nursery rhymes.” He adds elements that “fit into the rhymes as if they’d been there all along,” making for a “very gratifying” collection of nursery rhymes that have both a traditional and a “contemporary” feel (Oct. 15, 1998). Booklist remarks on Still’s language, which contains the “rhythms and locutions of Appalachia,” and compares Johnson’s illustrations with the art of Thomas Hart Benton (Mar. 1, 1999).

Jack and the Wonder Beans, illus. by Margot Tomes. New York: Putnam, (1977) 1996. K–3 This “funny Appalachian version” of “Jack and the Beanstalk” is excellent for “storytelling, after which listeners can get an eye-load of Tomes’ oafish overgrowns and Jack’s humble ‘homeseat’ on Wolfpen Creek, colored in browns, blues, and grays” (Booklist, Nov. 15, 1977).

Rusties and Riddles & Gee-Haw Whimmy-Diddles, illus. by Janet McCaffery. Lexington: University Press of Kentucky, 1989. 3–7 In this publication, the University Press of Kentucky combines two previously-published books by Still: Way Down Yonder on Troublesome Creek (Putnam, 1974) and The Wolfpen Rusties (Putnam, 1975). Includes explanatory notes.

Sporty Creek: A Novel About an Appalachian Boyhood, illus. by Janet McCaffery. New York: Putnam, 1977. 6–up Still’s autobiographical novel about growing up in Depression-era Kentucky is rendered with “honesty and humor”: “The characters — bare-

foot, hungry, fun-loving boys; trickster Uncle Jolly; luckless miner Pap; a teacher so grumpy the kids call her Mama Bear — are appealing and the story reads well, though some young readers might fuss at the sprinkling of hill idiom” (School Library Journal, Sept. 1977). Includes annotations of some dialect features.

Way Down Yonder on Troublesome Creek, illus. by Janet McCaffery. New York: Putnam, 1974. 3–5 Troublesome Creek, Kentucky, is the source of Still’s collection of Appalachian folk riddles, rhymes, and “rusties.” He includes explanations of vocabulary and usage, which “aid in giving hints to outsiders on just what the solution might be.” The book will be useful to storytellers and to libraries interested in expanding their collections of Appalachian material and humor (Booklist, Mar. 15, 1974).

The Wolfpen Rusties: Appalachian Riddles and Gee-Haw Whimmy-Diddles, illus. by Janet McCaffery. New York: Putnam, 1975. 3–7 According to the book jacket for this collection of Appalachian folklore, a rusty is a “turn of wit or a common prank” common on Wolfpen Creek, Kentucky. “Some of the riddles are well-known although written somewhat differently than in familiar versions. The collection is fun to read and folksy; however, the quaint language and odd phrases will dissuade reluctant readers” (School Library Journal, Nov. 1975).

Stolz, Mary King Emmett the Second, illus. by Garth Williams. New York: Greenwillow, 1991. 3–5 Stolz’s novel is a sequel to a book she wrote for younger readers in 1959; Emmett’s Pig was a title in the Harper I Can Read series. Thirty-two years later, she picks up the story again, this time exploring a “delightfully unsentimental variation on two familiar themes: a child’s coming to terms with a move to a new community and with the concept of death. One day Emmett receives two appalling pieces of news: first, his father has a new job, and the family must leave New York to live far away in a small town in Ohio; second, his beloved pig is dead.” Emmett is predictably upset and bent on loathing Ohio; instead, he makes a new friend and gets a new pet, a dog named “King.” This is a “restrained yet sensitive narrative lightly touched with wisdom and humor” (Horn Book, July/Aug. 1991). Kirkus Reviews considers the novel to be a “pleasant story of necessary adjustments made with good intentions and some realistic parentchild negotiations” (May 1, 1991).

Street, James, and Don Tracy Pride of Possession. New York: Lippincott, 1960. 5–8 Don Tracy combines two James Street stories, previously published in the Saturday Evening Post,

250 • Street which are complete with “boys, dogs, and the country of western North Carolina.” Kiah McCable, age 13, who does not want his mother to remarry, sets out to kill the wild boar that killed his father. “Readers seeking leisurely fiction sprinkled with regionalisms might read to the end to discover the predictable answers.” This “inoffensive” book compares with Gipson’s Old Yeller (1956) and Ruark’s Old Man and the Boy (1957) (School Library Journal, Feb. 1, 1960).

Street, Julia Montgomery Moccasin Tracks, illus. by Frank Kramer. New York: Dodd, Mead, 1958. 5–up Street gives an unusual twist to the typical Indian captivity story in this narrative about William Holland Thomas and his eight-year-old sister Nellie. Thomas was born to white settlers in Waynesville, North Carolina, but was later adopted by Cherokee Chief Yonaguska, studied law, and became legal counsel to the Cherokees in 1831. The drama in this children’s book centers on “unscrupulous” whites who steal Nellie, hoping to sell her for ransom. Library Journal recommends this title as an “unusually good story of life among the Cherokee and white settlers in the Smoky Mountain region of North Carolina in 1821. The author has followed history closely” (Oct. 15, 1958).

Streeter, James Von Home Is Over the Mountains: The Journey of Five Black Children. Champaign, IL: Garrard, 1972.

John Brown, illus. by Ralph L. Ramstad. Minneapolis, MN: Lerner, 1999. 2–4 Included in the On my Own Biographies series, Streissguth’s biography of John Brown is “wellsuited” for beginning readers (Library Journal, Nov. 1, 1999). Includes a timeline and Afterword.

Strickland, Brad When Mack Came Back. New York: Dial, 2000. 3–6 This boy-loves-dog story is set during World War II in Appalachian Georgia (according to the author’s website) and has been compared with Rawls’s Where the Red Fern Grows (1984) and Naylor’s Shiloh (1991). But School Library Journal says that “Strickland steps somewhat out of the mold of the typical dog story or coming-of-age tale in his characterization of Maury as a lover of books.... The author excels at giving insight into the daily life in rural households of the period and in suggesting the impact of the war on ordinary Americans” ( June 2000). Booklist praises the “vivid setting details and character development” (Oct. 15, 2000). Kirkus Reviews comments that this is not an action-packed story; rather it “is a quiet story of a boy who learns to accept himself ” ( June 1, 2000). The “subdued tone” may not appeal to all readers, but this World War II novel is “simply and gracefully written” (Horn Book Guide, Fall 2000).

Strober, Gerald S. Billy Graham, His Life and Faith. Waco, TX: Word, 1977.

3–6 This book is based on a real incident in the life of James Streeter, who grew up in Pine Ridge, Mississippi, in a family of 12 children. Set in 1915, it tells the story of five of the children who were forced to leave their Mississippi cabin in search of their parents. Their journey takes them into the Tennessee mountains and, ultimately, through danger and suspense. They travel the Underground Railroad as they not only survive but reach their goal. Streeter, called “Son” in the novel, narrates the story in first person. “Old and young alike will thoroughly enjoy reading this little book which is highly recommended” (Negro History Bulletin, Dec. 1973).

4–up A biography of the influential, world famous evangelist.

Streissguth, Thomas

Henry Knox: Washington’s Artilleryman. Stockton, NJ: OTTN, 2007.

Jesse Owens. Minneapolis, MN: Lerner, (1999) 2005. 4–7 Streissguth presents a “readable account” of the life of Alabama native and Olympic champion Jesse Owens (Booklist, Feb. 15, 2000). Part of the A & E Biography series, the title includes a bibliography and an index. This book was reissued in 2005 as a title in the Just the Facts Biographies series, and in 2006 as a title in the Sports Heroes and Legends series.

Stroud, Virginia A Walk to the Great Mystery, illus. by author. New York: Dial, 1995. K–3 While exploring the woods with their grandmother, who is a Cherokee medicine woman, two children learn about the spirit of life that is around and within them. A “slightly preachy but worthy picture book” (Horn Book Guide, Sept. 1, 1995).

Strum, Richard M. 5–10 A general in the Revolutionary War and George Washington’s Secretary of War, Henry Knox made significant contributions to the defeat of the British in the American Revolution. In 1791 the territorial capitol of Tennessee, James White’s Fort, was renamed Knoxville in his honor. Included in the Forgotten Heroes of the American Revolution series, this title is “competently done” (Horn Book Guide, Spring 2007). Includes a glossary, timeline, websites, reading list, and index.

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Stuart, Jesse Andy Finds a Way. New York: Whittlesey, 1961; Ashland, KY: Jesse Stuart Foundation, 1982. 4–6 When Gypsy, the milk cow, births a bull calf instead of a heifer, which the Scotts need, Andy hides the calf and collects ginseng to sell so that he can purchase it. “Thin plot with choppy, repetitive style. Much of content might be beyond ken of city or suburban child. Lacks the color, warmth, and appeal of The Beatinest Boy and Stuart’s adult books” (Library Journal, June 15, 1961).

The Beatinest Boy, illus. by Robert Henneberger. New York: Whittlesey, 1953. 3–7 The Horn Book considers this story of Stuart’s Kentucky “simply realistic.” Stuart “writes with understanding of an orphan boy David, the kind of lad who likes to climb a mountain and ‘stick his hand through a cloud.’ He tells of David’s new-found hound dog, Orphan, and of Grandma, who is ‘the smartest, most wonderful woman in the world.’” Trying to earn enough money to buy Grandma a Christmas gift, David engages in adventures that do not pan out, but they do provide humor. “What he finally succeeds in making will surprise readers as much as it does both him and Grandma” (Dec. 1953).

Come to My Tomorrowland. Nashville, TN: Aurora, 1971; Ashland, KY: Jesse Stuart Foundation, 1995. 3–7 A young girl who suffers from polio finds a lame albino fawn and, naturally, feels compassion for its plight. She coaxes it back to health, and her success feeds her optimism about her own condition. While this is a “sentimental child’s story,” the American Book Collector considers it to be “gripping.” “This juvenile novel shows Stuart’s love for the young, nature, and animals. Illustrations might have made it more appealing for its intended audience” (Mar. 1972).

Hie to the Hunters. New York: Whittlesey, 1950; Ashland, KY: Jesse Stuart Foundation, 1996. 6–up “Did,” age 14, runs away from his city home to visit his friend Sparkie, age 16, who lives in a Kentucky mountain cabin. Considered something of a “softie,” Did is defended against bullies by Sparkie, who understands fighting and determines to make Did into a man. Though the book is somewhat sentimental, it has the “ring of authenticity.” Stuart “paints” Kentucky mountaineers “in warm, likable colors” alongside their “crudities,” which are “merely surface overlay for their sterling worth” (Kirkus Reviews, Mar. 1, 1950). Library Journal agrees that Stuart “knows mountain people and their life and portrays them with affection and insight” (Apr. 1, 1950).

Huey, the Engineer, illus. by Mallett Dean. St. Helena, CA: Beard, 1960. 3–4 First published in Esquire in August 1937, this story was reprinted in 1966 under the title A Ride

with Huey, the Engineer, illustrated by Robert Henneberger [see below].

A Jesse Stuart Reader. New York: McGraw Hill, 1963; Ashland, KY: Jesse Stuart Foundation, (1993) 2003. 7–up This collection includes eighteen stories, 26 poems, and eight selections from Stuart’s autobiographies and his father’s biography. Stuart “portrays a way of life that has almost disappeared from the American scene.” Introductions to each selection provide good background material and “insights” (Barbara Mertins, ed. Kentucky, Tennessee, West Virginia: Reading for Young People. Chicago: American Library Association, 1985). The 1993 reprint includes a Foreword by Max Bogart and Introduction by Jim Wayne Miller.

My Land Has a Voice. New York: McGraw, 1966. 7–up Stuart’s collection of twenty short stories has universal appeal, though it is set in the Kentucky mountains. “Critics who dismiss Stuart and his colloquialisms with a shrug should take a long look at this collection” from a writer who “gets better with age” (Library Journal, Jan. 1967).

Old Ben, illus. by Richard Cuffari. New York: McGraw, 1970; Ashland, KY: Jesse Stuart Foundation, 1992. 3–6 Old Ben is a bull black snake who lives in the corn crib and eats the rats that would eat the corn. Shan, who appears in A Penny’s Worth of Character (1954), and his family protect the snake through the summer, but when fall weather arrives, Old Ben disappears. This story of a “winning, useful pet” is an “easy, pleasant story for boys” (Booklist, June 15, 1970).

A Penny’s Worth of Character, illus. by Robert Henneberger. New York: Whittlesey, 1954; Ashland, KY: Jesse Stuart Foundation, 1982. 5–7 This is a simple story of Shan, who lives in The Valley and makes a trip to the country store where he is faced with the temptation to cheat. This is a “distinguished story” of a Kentucky “boy’s world” wherein his “feelings come through clearly” (Library Journal, Jan. 15, 1955).

Red Mule. New York: Whittlesey, 1955; Ashland, KY: Jesse Stuart Foundation, 1993. 3–7 Scrappie Lykins insists that Red Mule is superior to tractors. When the tractors get stuck in the mud, and Red Mule is needed to pull them out, Scrappie gets a letter from the President encouraging him to raise mules. This is a “well-written story illustrating a bit of Kentucky Americana” (School Library Journal, Jan. 15, 1956).

A Ride with Huey, the Engineer, illus. by Robert Henneberger. New York: McGraw-Hill, 1966; Ashland, KY: Jesse Stuart Foundation, 1988.

252 • Sturm 3–4 Sunny is so enamored with the railroad and Huey, the engineer, that he skips school for a ride. The Kentucky setting for this “simple story,” cannot save the “flat characterization, predictable plot, and unimaginative style,” which “provide little to hold one’s interest” (Library Journal, Oct. 15, 1966). Originally published under the title Huey, the Engineer [see above].

pecially the headings and subheadings, but praises the “fine color photos.” The final “pragmatic” chapter on pollution is “useful” ( June 1, 1991). The Bulletin agrees that the design is “visually distractive.” Additionally, the emphasis on “Carson’s life and her struggle, as a woman, for acceptance in the scientific” world limits the “picture” of her “as a person” ( July/Aug. 1991). Includes a bibliography and index.

The Rightful Owner, illus. by Robert Henneberger. New York: Whittlesey, 1960.

Sullivan, George

5–7 Mike finds a foxhound, Speckles, which goes on a “night-long” fox hunt. As Mike and his father listen to the bay of the hounds, Speckles hears the horn of his “rightful owner” and answers it. There is a “poignancy” to Mike’s “brief ownership,” and Stuart “makes his Southern Mountain countryside of hills and fox hunts real” (Horn Book, Aug. 1960). While this is a “realistic story filled with the out-of-doors, foxhunting, and campfires on the ridge,” it is “not one of Mr. Stuart’s best stories” (Library Journal, May 15, 1960).

Sturm, James Satchel Paige: Striking Out Jim Crow, illus. by Rich Tommasso. New York: Jump at the Sun, 2007. 5–up A graphic novel by Eisner-Award-winner James Sturm about Emmet Wilson, “a [fictional] black farmer whose moment of glory as a player in the Negro Leagues came when he scored a run off the great pitcher Satchel Paige.” Set in the South during the 1940s, this story explores baseball in the context of racism and Jim Crow laws. A “visually powerful, suspenseful, even profound story” and “an excellent choice for readers interested in baseball or in the history of race relations” (Booklist, Nov. 1, 2007). According to Publishers Weekly, “The narrative and duotone art are largely understated, with stark exceptions: among them, a lynching victim hanging from a tree and an epithet, directed at Paige, which roars across the infield. By emphasizing Paige’s influence and mythos rather than focusing on details about his life or career, Sturm and Tommaso offer a powerful and unique testimony to his legacy” ( Jan. 7, 2008). Contains an Introduction by Gerald Early.

Stwertka, Eve Rachel Carson. New York: Watts, 1991. 4–7 This title in the First Book series gets mixed reviews. School Library Journal acknowledges its brevity but says it serves as a “basic introduction” to Carson, “her beliefs, and the environmental issues to which she was attuned.” Though it does not measure up to Kudlinski’s and Jezer’s biographies, Stwertka’s purpose is to “inspire readers and remind them to be continually concerned and involved in caring for the planet” ( June 1991). Booklist, on the other hand, considers the style “plodding” and the design “busy,” es-

Davy Crockett. New York: Scholastic, 2001. 3–6 Sullivan’s biography in the In Their Own Words series includes bibliographical references and an index.

Helen Keller. New York: Scholastic, 2002. 3–6 Reviewers disagree in their evaluation of this title from the In Their Own Words series. Booklist praises the format and the use of autobiographical materials, which “Sullivan seamlessly interweaves”: This book is a good “early-grade” biography (Apr. 1, 2001). School Library Journal, on the other hand, says the book doesn’t “quite live up to [its] billing,” yet it is “well written, fast moving, and highly readable” (Apr. 1, 2001). Kirkus argues that the “compelling” material of Keller’s life is rendered in “a choppy, flat, rehashing of the now-familiar story.” The biography is too short to allow for “depth and insight [that] a fuller telling allows” ( Jan. 15, 2002).

Mary Lou Retton: A Biography. New York: Simon and Schuster, 1985. 4–6 Sullivan’s biography of Retton, the first American woman to win an Olympic gold medal in gymnastics, emphasizes her achievements and consequent popularity, as well as her “hard work, dedication and defiant courage.” Though he is clearly “pro–Retton,” he does include some of the negative aspects of her career and life. The action shots of gymnastic moves are informative, but the small print is not “inviting” (School Library Journal, Sept. 1985).

On the Run: Franco Harris. Milwaukee, WI: Raintree, 1976. 4–6 A biography of the Pittsburg Steeler running back.

Willie Mays, illus. by David Brown. New York: Putnam, 1973. 2–4 This biography of baseball standout and Westfield, Alabama, native Willie Mays is a title in the See and Read Beginning to Read Biography series.

Summers, Thomas Osmund Joseph Brown or The Young Tennessean Whose Life Was Saved by the Power of Prayer. Nashville: Stevenson and Evans, 1856. Reissued as Joseph Brown: or, The Young Tennessean. New York: Garland, 1977.

Swain • 253 6–up This Indian captivity story recounts the life of a Tennessee boy captured by the Cherokee and Creek Indians in 1875. Summers, a Methodist minister, supposedly acquired the book from a young Tennessee woman and edited it as a religious tract for children. This title is Volume 67 in the series called Garland Library of Narratives of North American Indian Captivities.

Sutcliffe, Jane Jesse Owens, illus. by Lee Porter. Minneapolis, MN: Carolrhoda, 2001 1–3 A “somewhat superficial” introduction to the life of Alabama native and Olympic champion Jesse Owens (Horn Book Guide, Fall 2001). Part of the On My Own Biographies series, the title includes a chronology.

Helen Keller, illus. by Elaine Verstraete. Minneapolis, MN: Carolrhoda, 2002. 2–4 The format makes “this biography ... just right for emerging readers.” The book has “a fast, reader-friendly pace” and “soft-focused watercolor illustrations [that] complement the text” (School Library Journal, Dec. 1, 2002). According to the Horn Book Guide, this is “yet another” easy-reader biography that fails to provide “detailed information,” though it is an “adequate introduction” to Keller’s life (Spring 2003).

Suzanne, Jamie Out of Place. New York: Bantam, 1988. 3–5 Title number 22 of the Sweet Valley Twins series tells the story of Ginny Lu Culpepper, a “hillbilly” (3) from Stony Gap in the Smoky Mountains of Tennessee who comes to live with her aunt Barbara Waldron in Sweet Valley. Ginny Lu is ogleeyed at Aunt Barbara’s house: “It looks like one of those fancy doll houses in the mail-order catalogs” (13). The Sweet Valley Mall looks to her like “a magic kingdom” (18). Ginny Lu is the dupe of Ellen Riteman and Lila Fowler who, under the pretext of helping her shed her hillbilly clothes, dress her in outlandish garb, but she is quickly befriended by twins Jessica and Elizabeth Wakefield. Ginny Lu whittles wooden dolls —“a lovely example of Appalachian folk art” (51), says Mrs. Wakefield, who proclaims her work “exquisite” (51). When Elizabeth learns of Ginny Lu’s talent, she urges her to enter an arts and crafts fair at school. She is ridiculed, but her entry—complete with homemade quilt, preserves, and churn — wins first prize. And though Ellen has tormented her relentlessly, she miraculously becomes Ginny Lu’s friend when she saves Ellen’s horse’s colt. All attitudes toward Ginny Lu are both gratuitous and patronizing, making this book a prime example of how not to depict the Appalachian region for children — or for adults. (RH)

Swager, Christine R. Come to the Cow Pens! The Story of the Battle of Cowpens, January 17, 1781, illus. by John Robertson. Spartanburg, SC: Hub City Writers Project, 2002. 6–up This somewhat biased historical account of the Battle of Cowpens, South Carolina, is suitable for older readers who already have a firm grounding in the history of the American Revolution. Swager opens with background information on the ScotsIrish settlement of the Carolina backcountry and the Battle of Kings Mountain in 1780. Then she devotes individual chapters to the biographies of Nathanael Greene and Daniel Morgan. The last half of the book details events leading up to the battle and the battle itself. The poetry, which is interspersed with the prose, would be better in the Epilogue, and the one recipe for Chicken Perlow (p. 20) adds little. The illustrations, especially the maps, are a strong feature, along with the biographical sketches in the Epilogue and the references for further reading. (RH)

Swain, Gwenyth A Hunger for Learning: A Story about Booker T. Washington, illus. by Larry Johnson. Minneapolis, MN: Millbrook, 2006. 4–6 This title in the Creative Minds Biography series includes a bibliography and an index.

I Wonder as I Wander, illus. by Ronald Himler. Grand Rapids, MI: Eerdmans, 2003. 2–5 According to an author’s note, Annie Morgan sang this Christmas hymn to John Jacob Niles at a revival in Murphy, North Carolina, in 1933. This fictionalized account adds the context of Annie’s having lost her mother. She and her father, a preacher, “wander the country, speaking to any folks who will listen to them. Annie composes a song to express her religious questions, which she sings to a crowd. Later, her father tells her that her mother would have been proud of her.” Swain “captures Appalachian cadences as surely as Cynthia Rylant and George Ella Lyon do in several of their titles.” Himler’s illustrations bring the story to life, making for a “treasure” of a book (School Library Journal, Feb. 1, 2004). Publishers Weekly agrees that the book is “heartwarming and stimulating.” One of its saving features is that Swain “commendably” avoids explaining away the religious paradoxes that Annie ponders. Himler’s “artwork complements the text’s homey period flavor and regional dialect” (Sept. 22, 2003). Booklist also notes that Annie’s questions remain a puzzle, but the book “captures hard times—personal and global—in a way children can understand” (Dec. 1, 2003). Includes song lyrics and music.

Johnny Appleseed, illus. by Janice Lee Porter. Minneapolis, MN: Carolrhoda, 2001.

254 • Swenson 1–4 This beginning reader in the On My Own series “focuses on the facts rather than the myths” surrounding the life of John Chapman. While there are many books about this folk hero, a beginning reader may fill a niche (School Library Journal, Mar. 2002).

Swenson, Virginia, and Lawrence Tamblyn The Power of Overcoming: Featuring the Story of Helen Keller, illus. by Stephen P. Krause. Antioch, CA: Eagle Systems, 1984. K–3 A Spaniel dog narrates the life story of Helen Keller, hoping to inspire others.

Tames, Richard Helen Keller. New York: Watts, 1989. 4–6 This Keller biography in the Lifetimes series makes use of “boxed information” and “numerous photographs” for a “manageable” book for middlegrade readers (Booklist, Nov. 1, 1989). Considered “useful and instructive,” this text draws on Keller’s “classic” material and includes “data pertinent and peripheral” to her original autobiography (Horn Book Guide, JulyDec. 1989). Includes a bibliography and glossary.

Tarcy, Brian Mario Lemieux. Philadelphia, PA: Chelsea, 1998. 4–6 This title in the Ice Hockey Legends series profiles the life of the star Pittsburgh Penguins ice hockey player, known for his scoring prowess and stickhandling skill. Includes a bibliography and index.

Taylor, Richard L. The First Supersonic Flight: Captain Charles E. Yeager Breaks the Barrier. New York: Franklin Watts, 1994. 4–6 This biography of Chuck Yeager, a title in A First Book series, includes an index.

Taylor, Vincent Frank David Crockett: The Bravest of Them All Who Died at the Alamo. San Antonio, TX: Naylor, 1955. 5–up This 77-page book consists of seven chapters, an Epilogue, and a bibliography of adult references. Hap Taylor, the author’s son, age ten, is acknowledged for “roughing out some of the sketches.” Beginning on the night of the eleventh day of fighting at the Alamo, each chapter covers a different period in Crockett’s life, as Davy reminisces during the night watch before the final attack. The book has good, factual details of his political and personal life, thus supplying a good context for historical analysis. Though it relies heavily on Crockett’s autobiography, it seems to have done so judiciously, providing a nice

balance of past and present. The biography is well written with minimal glorification of this oftenglorified hero. (RH)

Taylor-Butler, Christine Booker T. Washington. New York: Childrens, 2007. 1–2 This short biography is a title in the Rookie Biographies series.

Temple, Bob Randy Moss. Chanhassen, MN: Child’s World, 2001. 2–6 Included in the Sports Superstars series, this biography of West Virginia native and professional football player Randy Moss is a “starting point” for reluctant readers (Horn Book, Oct. 1, 2001).

Tenney, Noel W., and Judy P. Byers, eds. Hillchild: A Folklore Chapbook About, for, and by West Virginia Children. Vols 1–3: West Virginia Folklife Center at Fairmont State College, 2002–2006. 3–5 Each issue of this attractive and well-designed chapbook series features a different theme: story (vol. 1, 2002); nature (vol. 2, 2003); local history (vol. 3, 2005–2006), and fun and games for the promised volume four. Student work, folklore, historical information, fiction, poetry, puzzles, games, and good illustrations are appropriate and well-selected for the audience. Additionally, each issue features one West Virginia children’s author: Cheryl Ware, Anna Egan Smucker, and Marc Harshman. These little volumes fill a large gap in Appalachian offerings for children because there are few materials of this nature specific to the region. Teachers and parents ought to be clamoring for their continued publication. (RH)

Terry, Walter The Frontiers of Dance: The Life of Martha Graham. New York: Crowell, 1975. 5–9 Included in the Women of America series, this title profiles the life and career of dancer and Pittsburgh, Pennsylvania, native Martha Graham. Includes a bibliography and an index.

Thoennes Keller, Kristin Booker T. Washington: Educator and Leader. Mankato, MN: Capstone, 2006. 2–3 This biography for early readers is a title in the Fact Finders series.

Booker T. Washington: Innovative Educator. Minneapolis, MN: Compass Point, 2007. 7–up Thoennes Keller examines the life and influence of Booker T. Washington, who established the Tuskegee Normal and Industrial Institute in Al-

Thurman • 255 abama. Included in the Signature Lives series, the book includes a glossary, world timeline, personal timeline, suggestions for further reading, bibliography, and an index.

Thomas, Anika D. Life in the Ghetto, illus. by author. Kansas City, MO: Landmark, 1991. 4–7 This story of a 13-year-old black girl, who grows up in a Pittsburgh inner-city neighborhood, was nominated for the Robert F. Kennedy Book Award in 1991. A title in the Books for Students by Students series.

Thomas, Florence, with McFarland eds. The Art of Florence Thomas. Jefferson, NC: McFarland, 2004. 4–up Though not designed as a children’s book, this portfolio-like presentation of Florence Thomas’ art is accessible to any reader. Each painting is accompanied by Thomas’ own commentary, sometimes an explanation of what she was thinking when she painted it, often a statement about composition. Born in 1909 “on Bee Tree Road in the Horse Creek section of Ashe County,” North Carolina, Thomas established herself as “one of the best-known painters in the Appalachian high country” (Introduction, 9). So little Appalachian art is available for children that this book is a must for every library. (RH)

Thomas, Jeanette Bell Devil’s Ditties: Stories of Kentucky Mountain People Told by Jean Thomas, illus. by Cyril Mullen. Chicago: Wilbur Hatfield, 1931. 7–up Jean Thomas was a court reporter in Morehead, Kentucky, the county seat of Rowan County. When an old fiddler, “Blind Jilson” Setters, captured her attention, she recorded his songs and tales. “The first part of the collection gives the mountain setting — lively and faithful word-pictures of mountaineer gatherings at wedding or funeral, or the more intimate duet of courting; the second portion of the volume is a compilation of some three-score songs and ballads with harmonization.” Unfortunately, the collection is “disappointing” because “outside forces” have corrupted it. Many of the songs are “neither indigenous to the region nor modifications of the noble or affecting ballads brought by mountaineer ancestors from England and Scotland” (New York Times Book Review, Jan. 31, 1932).

Thomas, Maude Morgan Sing in the Dark: A Story of the Welsh in Pennsylvania, illus. by Clifford H. Schule. Philadelphia: Winston, 1954. 7–up This late 19th-century story about immigrant Welsh coal miners in western Pennsylvania (in

the anthracite region) recounts the experiences of Huw, a young boy who works in the mines. It “could have been a longer book,” had Thomas used fully her wealth of knowledge. More specifically, the Eisteddfod Festival should have been explained in greater detail because there is so little information about it for children (Horn Book, Aug. 1954). Kirkus agrees that the book is “[a]uthentic and sympathetic” in depicting the Welch miners “in their richness and their plight” (Feb. 15, 1954). According to the New York Times, the emphasis on religion and music is informative, making for a “moving account” of the “back-breaking, often heartbreaking drudgery” which the miners face with “dignity and courage” (Apr. 25, 1954).

Thompson, Gare Who Was Helen Keller?, illus. by Nancy Harrison. New York: Grosset and Dunlap, 2003. 3–4 While the text reads “smoothly,” this title in the Who Was ... ? series is “lackluster” (Horn Book Guide, Spring 2004). Includes a timeline and bibliography.

Thompson, Kathleen West Virginia. Milwaukee, WI: Raintree, 1988. 3–4 This title, which is based on the Portrait of America television series, includes an index.

Thornley, Stew Super Sports Star Randy Moss. Berkeley Heights, NJ: Enslow, 2003. K–3 This biography in the Super Sports Star series is “superficial.” While Thornley “touches on” Moss’s personal life and emphasizes the value of hard work, the primary emphasis is on “exciting game details and statistics.” The format and photography may be attractive to reluctant readers (Horn Book Guide, Fall 2003).

Thurman, Evelyn Christmas in Kentucky with Little Bernel, illus. by Marci Carpenter. Self Published, (1976) 1981. 2–4 Little Bernel’s father is dead and his family is poor, so he works in a grocery store and runs errands. On Christmas Eve, he is asked to retrieve a heavy package from the hardware store, which turns out to be a bicycle for him. Various townspeople give him the accoutrements to make the bicycle complete, such as a basket, handle bar grippers, and a light. The frontispiece says the book is set in the mid–1920s in southeast Kentucky, and Thurman’s 1986 autograph note on a purchased copy says, “This book is based on a true fact.” Though the book may be factual, it lacks interest, character development, motivation, and a sturdy plot. (RH)

256 • Time-Life

A Pioneer Civil War Story for Molly and Ben, illus. by Marci Carpenter. New York: Vantage, 1979. 3–6 In the early summer of 1890, Molly and Ben visit Uncle Charlie in Pine Ridge. They sit on the front porch and listen to Charlie’s stories of his parents’ coming “through Cumberland Gap from North Carolina,” stopping in Washington County, Tennessee, long enough for Charlie to be born, and then moving on to Kentucky in 1836. Charlie describes their lives and his experiences in the Civil War, including what it meant to “preserve the union.” The tone is preachy, and the unrealistic, stilted dialogue merely serves to prompt Charlie’s story. While some of the details are interesting, such as Charlie’s mother hiding the money in the ashes in the fireplace, these gems get lost in the mundane prose. (RH)

Time-Life Books Editors Antietam. Alexandria, VA: Time-Life, 1996. 6–up This title in the Voices of the Civil War series offers first-hand accounts of the Battle of Antietam using primary materials such as diaries, letters, journals, and newspapers.

Todd, Anne M. Chief Tecumseh. Chicago: Heinemann, 2004. 3–6 This title in the Native American Biographies series presents the life of Chief Tecumseh and his dream to unite Native American tribes in the early 1800s. Design is “cluttered” (Horn Book Guide, Spring 2005). Includes timeline, reading lists, glossary, and index.

Sequoyah. Chicago: Heinemann, 2004. 3–6 This title in the Native American Biographies series describes the life of Sequoyah who was responsible for creating a syllabary for the Cherokee language. Design is “somewhat cluttered” (Horn Book Guide, Spring 2005). Includes a glossary, timeline, reading list, and index.

Tolan, Stephanie S. Surviving the Applewhites. New York: HarperCollins, 2002. 5–8 Jake Semple, age 13, is a Rhode Island juvenile delinquent who is suspected of burning down his elementary school and has been expelled from any number of schools. His several piercings, spiked red hair, and black clothing epitomize his rebellion and anger. Sent to live with his grandfather in rural North Carolina, he attends the Creative Academy, a homeschool on the Applewhites’ 16-acre farm called Wit’s End. The family is eccentric, artistic, and oblivious to Jake, who is left to educate himself. This hilarious tale is alternately narrated by Jake and E. D., the 12-yearold Applewhite girl whose genius runs to organization, not creativity. When the family sets out to stage

The Sound of Music, E. D. is the only one capable of pulling it all together, and Jake finds an interest in theater. “The Applewhites’ over-the-top personalities mark them as literary kin of Helen Cresswell’s Bagthorpes. Running beneath the narrative that gently pokes fun at everything from sculpture to TV documentaries, though, is also the story of a boy allowing himself to belong and begin to discover his own potential.” This is a “terrific,” “laugh-out-loud” book (School Library Journal, Sept. 1, 2002). Two review sources, Booklist and Kirkus Reviews, compare the novel favorably with You Can’t Take It with You, by Kaufman and Hart (1937), but a third source, the Bulletin, considers Tolan’s work a cheap knock-off of the play. Though Tolan “employs” some of the “old movie conventions, ... “this always feels fresh, and Jake’s road to self-discovery is the strong linchpin holding the story together” (Booklist, Nov. 1, 2002). The author handles the point of view with finesse, and her “wellbuilt characterizations” exist in a “structure that smoothly organizes the chaos” created by the Applewhites (Kirkus Reviews, July 15, 2002). The Bulletin, on the other hand, is not enthusiastic about Tolan’s work. Jake’s rebelliousness is “overexplained ... but never really addressed,” and the members of the Applewhite clan are more nearly “labels than characters.” As such, they are “surprisingly superficial and charmless,” and the plot is “contrived with a heavy hand” (Oct. 2002). The ALAN Review disagrees: “This book will pique the interest of even the most reluctant reader” (Spring/Summer 2003).

Toone, Betty Appalachia: The Mountains, the Place and the People, illus. with photographs by Joyce Hoffman. New York: Franklin Watts, 1972. 5–8 Toone’s overview of Appalachia includes its geology, geography, history, and the Hatfield-McCoy legend, along with a “personal view” of three contemporary Appalachian children representing three different parts of the region (Elementary School Library Collection, 1979). According to Appalachian Notes, Hoffman’s photographs “will have an enduring place in the iconography of the region” (Second Quarter, 1973).

Torres, John Albert Bobby Bonilla. Hockessin, DE: Mitchell Lane, 1999. 4–7 Included in the Latinos in Baseball series, this brief biography of Bobby Bonilla covers his career with various teams, including the Pittsburgh Pirates from 1986 to 1991.

Townsend, Tom Davy Crockett: An American Hero, illus. by Nancy Grobe. Austin, TX: Eakin, 1987. 4–6 While the writing is “straightforward and clear,” Townsend’s biography has its flaws. The use of

Tyler • 257 flashbacks to tell the story of Crockett’s early years is “confusing,” and the “fictionalized dialogue is distracting.” Though the author is “sympathetic” to Crockett, he does include details of Crockett’s failures as a farmer and businessman. Unfortunately, “the legendary aspects of Crockett’s life have been emphasized at the expense of factual material.” In spite of its weaknesses, Townsend’s biography is “more balanced and offers a more realistic insight” than does Blassingame’s How Davy Crockett Got a Bearskin Coat (1972) (School Library Journal, Apr. 1988). Kirkus Reviews argues that Townsend gives “perfunctory treatment” in which “the lessons of history are lost” (Dec. 15, 1987).

Traylor, Sarah M. The Red Wind. Nashville, TN: Abingdon, 1977. 6–up In this historical novel, Traylor tells the story of Angus Ferguson, who leaves Scotland in the mid–18th century and sails to Charles Town, South Carolina. When he witnesses sailors drowning slaves, he tells the authorities and is almost murdered as a consequence. To protect him, sympathetic people take him to Fort Loudon, in Cherokee territory, where he becomes involved with yet another type of conflict between the Cherokees and the English. “This is a powerful novel that reveals the terrible effects of war on innocent victims” (Publishers Weekly, Sept. 19, 1977).

Trotman, Felicity, and Shirley Greenway Davy Crockett, illus. by Chris Molan. Austin, TX: Raintree Steck-Vaughn (1986) 1995. K–3 This title in the First Biographies series tells the life story of the famous American frontiersman Davy Crockett.

Troy, Don Booker T. Washington. Chanhassen, MN: Child’s World, 1999. 4–6 This title in the Journey to Freedom series profiles the life of Booker T. Washington, with emphasis on his accomplishments as an educator, and his impact on the fight for equality. Includes a bibliography and index.

Tunis, John R. Son of the Valley. New York: Morrow, 1949. 4–up The Heiskells had owned their land since 1785, when the family came to Tennessee from North Carolina. As the farm land became depleted, and the family suffered poverty, TVA moved them from their Tennessee Valley farm to Cat Creek, where the land was equally over-farmed. Though Johnny Heiskell “bitterly resented” the TVA project, he was, according to the Saturday Review of Literature, forced to learn

new farming methods and to develop “from a puzzled, irresponsible boy into a competent, independent farmer during that struggle of his with ignorance and prejudice and the forces of Nature. Mr. Tunis’s picture of the methods and policy of the TVA, of the landagent and the 4-H Clubs, of the spirit of cooperation that spread slowly but steadily through the valley is convincing and deeply American. Reading it, we wonder if in any other country just such a record could be made. The stubborn independence of the valley people, the scope and immensity of the engineering and agricultural projects, the individual thought and effort that were so freely given—all these things lie below the story of Johnny Heiskell and his valiant struggle to make a living out of the land.” This pro–TVA book is overly praised by the Saturday Review of Literature, whose reviewer claims to have witnessed first hand the “primitive cabins blazing with electric lights and boasting electric washing machines and refrigerators,” as well as the “renewal of the land itself ” (Mar. 12, 1949).

Turner, Thomas Noel Hillbilly Night Afore Christmas, illus. by James Rice. Gretna, LA: Pelican, 1983. K–up Turner’s adaptation of Clement Clarke Moore’s classic 1822 poem “A Visit from St. Nicholas” is rife with Appalachian pseudo dialect. Nevertheless, Come-All-Ye considers the book stellar: “The illustrations by James Rica are especially appealing. Scholars of American dialect and linguistics will find the poetic dialect here of significant authenticity” (Summer 1983). This title is one of a series of regional adaptations of the classic Christmas poem and should be considered a parody rather than a serious rendering of dialect. (RH)

Twemlow, Nick Josh Gibson. New York: Rosen, 2002. 6–9 Included in the Baseball Hall of Famers of the Negro Leagues series, Josh Gibson is a biography of the powerful home run hitter who played for the Homestead Grays and Pittsburg Crawfords. Chronicling the history of African American participation in organized baseball, the formation of the Negro Leagues, and racial politics in America, Twemlow presents an “unvarnished picture of racism and how it impacted amateur and professional baseball from 1868 onward” (Book Report, Sept./Oct. 2002).

Tyler, Gillian Frogg y Went a-Courtin’, illus. by author. Cambridge, MA: Candlewick, 2005. K–2 School Library Journal considers this a “welcome adaptation” of the ancient Appalachian ballad ( Jan. 1, 2005). Booklist agrees that there has been a dearth of new versions since the Langstaff-Rojankovsky collaboration in 1955 that won the Calde-

258 • Ulmer cott award. “Tyler’s watercolor-and-ink illustrations in blushing pastels are a bold departure from Rojankovsky’s carnival colors and broad humor.... Children will want time to examine all the delicate details, from Miss Mouse’s demure, empire-waist wedding gown to the primly attired bugs in the bridal party” ( Jan. 1, 2005). Library Media Connection considers the book “a beautiful piece of work” (Apr./May 2005), and Publishers Weekly compares the art with Beatrix Potter’s “nature-loving” illustrations ( Jan. 17, 2005). Includes an author’s source note.

the “shimmering mystic lake” where the bear bathes and heals its wounds. The hunter is immediately warned by the Great Spirit never to follow an animal to the lake again or it would “dry up and your bear and deer will vanish forever.” The tale lacks drama, action, and interest, and the illustrations are marginal, but because this is a story not often collected, it may be of interest. (RH)

Ulmer [Chiltoskey], Mary, and Samuel E. Beck, eds.

4–up The title of this 48-page publication is somewhat misleading because it focuses almost exclusively on the Eastern Band of the Cherokee. Divided into six chapters, the book begins with the first appearance of Indians on the North American continent and ends with the creation of the Qualla Indian Boundary in North Carolina. The story is uneven: One chapter is devoted to Sequoyah and one to the Trail of Tears (including the seven-page, first-person account of John G. Burnett, a Private in Captain Abraham McClellan’s Mounted Infantry, which accompanied the Cherokee on the march to Oklahoma). The final chapter, The Cherokee Today, focuses solely on the North Carolina Cherokee with no mention of the Oklahoma Reservation. Some of the content appears in Underwood’s 1956 publication Cherokee Legends and the Trail of Tears. The text glosses over details and occasionally suffers from awkward writing, but the information is sound and more objective than some accounts, such as R. Conrad Stein’s The Story of the Trail of Tears (1985), which is for younger readers. Black-and-white sketches and scattered color illustrations add little to the text. A map showing the westward march is useful, and readers may find Sequoyah’s syllabary interesting. No index, bibliography, or source notes are included. [Review based on 1961 edition] (RH)

Cherokee Cooklore: Preparing Cherokee Foods, illus. with photographs by Juanita Wilson and drawings by Goingback Chiltoskey. Cherokee, NC: Cherokee, 1951. 3–up The first half of the book consists of step-by-step instructions for making bean bread, narrated in first person by Aggie Lossiah, granddaughter of Chief John Ross. Wilson’s photographs accurately capture every important stage of Lossiah’s process. The second half consists of historical information about Cherokee culture and the origin of the recipes included, the names of which are given in English and Cherokee. A brief herbarium and a menu for a Cherokee feast round out the book. A small, useful paperback that will be of interest to adults and children who want to know more about the Cherokee. (RH)

Underwood, Thomas Bryan Cherokee Legends and the Trail of Tears, illus. by Amanda Crowe. Cherokee, NC: Cherokee, 1956. 3–up This collection of twelve stories has gone through 20 printings since its publication in 1956, testimony to its popularity. The stories are short and simple, except for “Removal of the Cherokees,” which is told by Private John G. Burnett on his 80th birthday in 1890. The pourquoi stories explain various phenomena, “How the Milky Way Came to Be,” “Why the Mink Smells,” etc.; the Cherokee genesis myth is retold in “How the Earth Was Made.” Maps and simple illustrations round out this 32-page paperback — a highly useful collection. (RH)

The Magic Lake: A Mystical Healing Lake of the Cherokee, illus. by Shirley Simmons. Cherokee, NC: Cherokee, (1969) 1982. 1–3 This “Legendary Story for Children” is about Walk The Forest [sic], a “Great Hunter” of the Cherokee Deer Clan who lived in the Smoking Mountains. He was mentored by the great Chief Running Deer, who taught him about tracking and trailing animals that are wounded in the hunt. When Walk The Forest wounds the great and wise black bear, he tracks him deep into the forest and discovers

The Story of the Cherokee People, illus. by Jacob Anchutin. Cherokee, NC: Cherokee, 1961; Kila, MT: Kessinger, 2006.

Uschan, Michael V. The Scopes “Monkey” Trial. Milwaukee, WI: World Almanac, 2005. 5–8 This title, included in the Landmark Events in American History series, tells the story of John Scopes who was tried in Dayton, Tennessee, in 1925, for teaching Darwin’s theory of evolution in the public schools. In 2005, Uschan and Crewe produced a book by the same title but in a different series designed for lower grades [see Crewe, Sabrina, above]. Includes a bibliography and index.

Van Fleet, Alanson Tennessee Valley Authority. New York, Chelsea, 1987. 4–6 This title in the Know Your Government series focuses on the creation of the TVA and its impact on flood control, electricity, and outdoor recreation. Includes a bibliography and index.

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Van Leeuwen, Jean Cabin on Trouble Creek. New York: Dial, 2004. 4–7 In 1803, two brothers — Daniel, age eleven, and Will, age nine — travel with their father from Pennsylvania to Ohio where they plan to settle their new land. Pa builds a cabin on Trouble Creek, in what is now Meigs County, and returns to Pennsylvania to retrieve Ma and the rest of the family, leaving the two boys on their own. When Pa and the family do not return in the expected five or six weeks, the two boys must survive the harsh winter on their own. Luckily, an old Lenape Indian trapper befriends them, teaching them basic survival skills. “Excellent pacing is what makes this novel work so well. From an actionpacked beginning to the challenges of a difficult winter, the suspense builds consistently. The boys’ struggle is portrayed realistically, without sugarcoating nature’s harshness” (School Library Journal, July 1, 2004). According to Booklist, “The boys’ resilience is believable, as is their relationship,” all of which makes for a “dynamic picture of survival in the wilderness” ( June 1, 2004). The Horn Book Guide considers the book a “solid historical novel” (Fall 2004), and Kirkus Reviews deems it a “fine story of wilderness, family, absence, and new strengths found” (May 15, 2004). Van Leeuwen has based this piece of historical fiction on a true story.

Nothing Here but Trees, illus. by Phil Boatwright. New York: Dial, 1998. K–4 Van Leeuwen explains in an author’s note that during the first half of the 1800s, pioneers moved westward from Pennsylvania and New York into Ohio, where they found ancient, virgin forest and huge trees. Her picture book depicts one such family who moved from New York, tamed this Ohio wilderness, and made a life. Told in the “insouciant voice of a young boy,” the story depicts the hard work of all, even the youngest children. Boatwright’s illustrations “amply portray the beauty of the land and the homespun environment” in this “[e]ngaging, entertaining, unsentimental” book (Kirkus Reviews, Aug. 1, 1998). Booklist compares the book with Laura Ingalls Wilder’s work: This is the story of a “close-knit family in a wilderness that is lonely, scary, and exciting” (Sept. 1, 1998). The Horn Book Guide lauds the “clear, informative” writing and the “evocative” artwork (Spring 1999); School Library Journal considers the book to be a “heartwarming” and “satisfying glimpse into the past” (Nov. 1998).

Van Steenwyk, Elizabeth Ida B. Wells-Barnett: Woman of Courage. New York: Franklin Watts, 1992. 7–up Ida B. Wells, born to a Mississippi slave couple in 1862, became one of America’s most remarkable advocates for civil rights. A teacher at age 16, she went on to become a journalist and public figure

whose main causes were anti-lynching and suffrage. She was a politician, wife, and mother who lived “an incredibly active, often highly dramatic life.” Van Steenwyk has delivered a “well-crafted biography” of an important woman (Kirkus Reviews, Mar. 15, 1992). “At times the writing is dry,” but the information is “solid” (School Library Journal, May 1, 1992). Includes a glossary, black-and-white photographs, source notes, an extensive bibliography, and an index.

Vance, Marguerite The Jacksons of Tennessee, illus. by Nedda Walker. New York: Dutton, 1953. 5–up Vance relates the story of Rachel and Andrew Jackson’s life together, ending the book on the eve of Jackson’s inauguration when Rachel died. “Necessarily prominent is the illegality of their marriage and the unhappiness it was to cause.” Though the “fire and on-the-scene feeling of Stone’s President’s Lady,” an adult title, is missing, the account is nevertheless “warm, well-written, [and] factual” (Library Journal, Oct. 1, 1953).

Vandalay, Martha Pittsburgh: A to Z, illus. by Christopher M. Evoy. Tarentum, PA: Word Association, 2003. K–3 Two children and their dog explore the city of Pittsburgh, Pennsylvania, and learn the alphabet during their trip.

Vaughn, Margaret Britton, and Carol Brown Knuth The Birthday Dolly, illus. by Lucille Lundquist. Bell Buckle, TN: Bell Buckle, 2000. 2–6 Miss Dolly herself narrates the events of her life, beginning in the Company Store in Beckley, West Virginia, in 1949. After waiting a very long time, she is finally purchased by “Miz Paty” for her daughter Becky’s fifth birthday. Over the years, Dolly’s hair, eyes, and fingernails are painted different colors, in an attempt to “remake” her because the parents cannot afford another doll. When Becky’s father dies, the family moves to Bell Buckle, Tennessee, to live with her grandparents, and there she enters first grade and a whole new world. Eventually she outgrows Dolly, paints her skin and eyes brown and her hair black, and gives her to an African American girl for her birthday. Dolly lives in her “home of a different color” and experiences what it is like to be black in the 1950s. Eventually, she winds up in an antique shop, and many years later her original owner, Becky, purchases Dolly for her own granddaughter. This story is vaguely reminiscent of Rachel Field’s Hitty, Her First Hundred Years, though it lacks Field’s polished style and is a bit preachy. Still, it is a unique tale that will appeal to young readers. (RH)

260 • Vogel

Vogel, Carol Lynne My Mommy’s in Prison, illus. by Amy Mulhollen. Ebensburg, PA: Pennsylvania Mountain Service Corps, 1996. K–2 This 12-page paperback features the perspectives of children whose mothers are in prison. Written in simple but elegant prose, the tiny volume emphasizes the child’s feelings (angry, sad, lonely, scared) and the struggle to understand the mother’s predicament. The soft illustrations show a variety of children, not just one child, engaged in activities related to the experience, from marking days off on the calendar to drawing a picture of “Mommy.” One illustration shows a somber child in a pose of withdrawal. The dedication —“to the children with incarcerated mothers”—makes an important point about an overlooked and needy child audience. (RH)

Voigt, Cynthia Building Blocks. New York: Atheneum, 1984. 4–7 Brann Connell holds a fairly typical attitude toward his father, Kevin, who is not ambitious and frequently says, “It’s fate.” Brann thinks Kevin is too passive and should be more assertive, like his mother, Di. But he changes his mind when he is transported back in time to when his father is ten years old and working on the family farm with a demanding father of his own. “The relationship that develops between Brann and his dad after this experience is heartwarming and hopeful. A story that poses a unique approach to understanding one’s parents and oneself ” (Journal of Reading, Feb. 1986). Voigt renders this story “with grace and conviction: the characters are skillfully realized” (Publishers Weekly, Apr. 27, 1984).

Wach, Martin, and Delia Bowman Wach Teddy Bear Guardians of the Rain Forest: The Great West Virginia Snow Adventure, illus. by Delia Bowman Wach. Terra Alta, WV: Creative Learning, 2006. 3–5 Three Rain Forest teddy bears, Juba, Cuffy, and Koromanti, are entranced by the concept of four seasons, so they devise a plan to visit the North and learn about cold weather, snow, and how to make a snowman. They tie notes around their necks asking to be sent to “the Great Forest of the North” and then to be shipped back home. They sneak into a Suriname school room, pretend to be toys, and become the impetus for a class exchange project when their teacher, Miss Silva, mails them to Becky Wilson’s classroom in Fairfax School, West Virginia. To teach the concept of seasons, the West Virginia students illustrate a calendar, which accompanies the teddy bears back to the Suriname school. The idea of Rain Forest teddy bears is a bit of a stretch, and the concept-book frame-

work is too young for the reading level. On the other hand, the writing and illustrations are adequate, and the exchange project is well integrated into the story. In fact, the main value of the book is its promotion of cultural exchange activities. The Teddy Bear Guardians of the Rain Forest series helps raise funds to build a Suriname school; the endpapers solicit donations. (RH)

Wade, Linda R. Condoleezza Rice. Bear, DE: Mitchell Lane, (2003) 2005. 2–6 This 2003 biography of the Secretary of State during the Presidency of George W. Bush is a title in the Real-Life Reader Biography series.

Wade, Mary Dodson Condoleezza Rice. Brookfield, CT: Millbrook, 2005. 2–4 This revised edition of Wade’s 2003 title [see below] is also a title in the Gateway Biography series.

Condoleezza Rice: Being the Best. Brookfield, CT: Millbrook, 2003. 4–7 Rice, the daughter of middle-class, educated parents in Birmingham, is presented as a child prodigy — reading music before books and giving piano performances by age four. She opted for a career in “international relations” instead of music and was influenced by important figures in both Bush administrations. The emphasis is on Rice’s personal accomplishments, though her role as National Security Advisor is included. According to Booklist, this “wellpaced biography” gives “the impression that Rice is darn near perfect.” Wade includes good direct quotes, though they are not documented. Black-and-white and color photographs round out this “attractive addition to the Gateway Biography series” (Mar. 1, 2003). The Bulletin is less enthusiastic, though it does point out that Wade includes material on segregation and the civil rights movement. The “choppy” style and unattributed, unexamined quotations (such as Brent Scowcroft’s calling her a “slip of a girl”) are flaws (May 2003). The Horn Book Guide considers Wade’s biography to be adequate, though the “writing can be confusing” and the quality can be “uneven.” All books in the series except this title include bibliographies (Fall 2003). This title in the Gateway Biography series includes a timeline, suggested reading, and index.

David Crockett: Sure He Was Right, illus. by Pat Finney. Austin, TX: Eakin, 1992. K–3 The Horn Book Guide considers this book “unattractive,” especially with its “orange and black illustrations” and the “choppy style of an “old-fashioned primer” (Horn Book Guide, Spring 1992).

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I Am Houston, illus. by Pat Finney. Houston, TX: Colophon, 1993. 3–5 To commemorate the March 2, 1993, bicentennial of Sam Houston’s birth, Wade introduces his life and provides “highlights of his early years (including time spent living among the Cherokees), his military career, and his various forays into politics (Tennessee congressman and governor, president of the Republic of Texas, and governor of the state of Texas).” In spite of praise for Houston, Wade also “acknowledges his shortcomings, especially his problems with alcohol and his two early divorces.” Houston’s signature itself is the source of the title; “he always separated the S from the am, making it appear to be I am Houston.” Booklist compares Wade’s “fascinating” biography with Fritz’s Make Way for Sam Houston (1986), which is for older readers (Apr. 15, 1993). Includes an author’s note.

Wadsworth, Olive A. [pseud. of Katherine Floyd Dana] Over in the Meadow, illus. by Ezra Jack Keats. New York: Four Winds, 1971; New York: Viking, 1999. K–1 According to School Library Journal, “Ezra Jack Keats provides fresh, appealing illustrations for this favorite southern Appalachian counting rhyme,” written by Olive A. Wadsworth. Keats’ collage illustrations give an “overall ... bright and cheerful” effect. “Keats’ book differs from John Langstaff ’s excellent version (Harcourt, 1957) in the selection of animals and lacks the simple musical arrangement” (School Library Journal, Sept. 1972). Horn Book says that the “book glows with color” and with “backgrounds that vary to suit the different environmental areas of the meadow” and to showcase the different animals (Aug. 1972).

Over in the Meadow: An Old Counting Rhyme, illus. by David Carter. New York: Scholastic, 1992. K–3 Animals introduce the numbers one through ten as they carry out their daily lives in the meadow.

Over in the Meadow: A Counting-Out Rhyme, illus. by Mary Maki Rae. New York: Viking Kestrel, 1985. K–3 According to School Library Journal, “Rae’s version of the familiar counting song is colorful and attractive.” Unlike Ezra Jack Keats’ version (1971), which “gives more feeling of the outdoors and the activities of real animals,” Rae’s adaptation is “closer to the artistic style of the child.” Rojankovsky’s illustrations (1967) “are even more lifelike” (Aug. 1985).

Over in the Meadow: A Counting Rhyme, illus. by Anna Vojtech. New York: North-South, 2002.

K–3 This “slightly oversized, attractive edition” of Wadsworth’s “classic rhyme” offers an “accessible rendition that children will enjoy in storytime and on their own.” Vojtech includes a cumulative counting feature that is most effective: “Sharp eyes will notice, especially as the numbers get higher, that each picture also contains other animals, insects, objects, or plants in the same numbers. For example, there are not only four baby ratties in the barn; there are four hens, four eggs, four trees seen through the barn door, and four prongs in the pitchfork” (School Library Journal, Apr. 2002). Publishers Weekly considers this title a “lively variation” with “appealing and energetic” illustrations (Aug. 25, 2003). The Horn Book Guide finds the Langstaff/Rojankovsky adaptation to be “far superior” (Fall 2002). Booklist notes the “warm, detailed” and “comforting” watercolor illustrations. Vojtech has also framed the rhyme as one day in the animals’ lives, ending with the sun setting “on a sleeping beaver family” (Apr. 15, 2002). Kirkus Reviews notes the “intimate” and “idyllic” features of the book, as well as some of its difficult language, such as “beave.” Kirkus also prefers this version to the Langstaff/Rojankovsky title (Feb. 1, 2002).

Wahl, Jan Little Eight John, illus. by Wil Clay. New York: Lodestar, 1992. K–3 Jan Wahl and Wil Clay follow the success of Tailypo! (1991) with this retelling of a North Carolina African American folktale. Little Eight John ignores his mother’s admonitions regarding bad luck: Don’t kick toad frogs, sit backwards in a chair, count your teeth, etc. When misfortunes befall the family, John laughs; but when they befall him, he changes his ways. “The lush acrylics brim with life, capturing the warm family relationships and the challenging personality that every mother will recognize” (Publishers Weekly, Sept. 21, 1992). Wahl, who says she first learned the story in West Virginia, renders the tale “in simple, brief sentences” with good “pace and cadences.” The result is nevertheless a “flawed” version of this “old fashioned cautionary tale” (Kirkus Reviews, July 15, 1992). Booklist calls this a “winning combination” of “vivid storytelling” and “bright” illustrations ( July 1992). The Horn Book goes so far as to label Clay’s illustrations as mystic (Mar. 1993). School Library Journal points to the “didactic” nature of the tale and the use of the “vernacular of its regional setting.” Clay’s illustrations offer “an excellent extension” of the tale, which also appears in Virginia Hamilton’s The People Could Fly (1985) (Nov. 1992).

Tailypo!, illus. by Wil Clay. New York: Holt, 1991. 1–4 Wahl and Clay adapt an African American folktale to a Tennessee mountain setting in a “picture-book version [that] brings out all the drama and spookiness of the story. A black man living in a Ten-

262 • Waite nessee cabin spies a strange creature climbing the wall. The man whacks off its tail, which he cooks up and eats for dinner.” During the night, the creature comes looking for its tail, saying, “Tailypo, tailypo. All I want is my tailypo.” Wahl achieves “dramatic and eerie effect,” and “Clay’s vivid acrylic paintings in his first picture book artwork show a strong narrative sense, though some viewers may object to the fact that the mysterious creature, never clearly shown, seems to shift shapes from reptilian to furry.” Galdone’s “milder” version of the story is better suited to younger readers (Booklist, June 1, 1991). The details of the cabin are “carefully rendered,” including the glow of the firelight.” The depiction of the creature is “indistinct,” all “the better to terrify by innuendo” (Kirkus Reviews, Apr. 15, 1991). The Horn Book Guide praises the illustrations, but fears that the “concrete exactitude” and “luridness” may be unsettling to some readers (Fall 1991).

Walker, Paul Robert Head for the Hills!: The Amazing True Story of the Johnstown Flood, illus. by Gonzalez Vicente. New York: Random, 1993. 3–5 Head for the Hills!, a title in the Read it to Believe It! series, is a description of the “circumstances that gave rise to the tragic 1889 flood that leveled Johnstown, Pennsylvania. It combines vivid descriptions of the relentless sweep of the water with insights into some of the people caught up in the water’s deadly path” (Booklist, Jan. 1, 1994). The Horn Book Guide calls the book “plodding,” “impersonal,” and “unattractive,” saying it “fail[s] to convey the emotional impact” of the tragedy (Spring 1994).

Pride of Puerto Rico: The Life of Roberto Clemente. San Diego, CA: Harcourt Brace Jovanovich, (1988) 1991.

6–9 School Library Journal says that Waite’s story of the relationship between Anne Sullivan Macy and Helen Keller is rendered “with sympathy and understanding.” “Considerable information is woven into the story on the development, over the years, of ways and means of educating the deaf and the blind.” This biography will prepare young readers for Keller’s autobiography “and the trying circumstances under which it was accomplished” (Oct. 15, 1959).

4–6 Roberto Clemente’s life as an athlete and a humanitarian, along with his 1972 death in an airplane crash, is a “fascinating subject” for a children’s biography. Walker begins with Clemente’s Puerto Rican childhood, but the opening chapters are “marred by an excess of fictionalized dialogue and oversimplification.” As Walker moves into Clemente’s adult life (major league career, injuries, ethnic prejudice, compassion), the biography “improves.” The final impression is that the Pittsburgh Pirates’ right fielder is one of baseball’s “all-time greats.” The absence of illustrations and an index is a “weakness,” but a bibliography and chart of statistics are included (School Library Journal, Jan. 1, 1989).

Waldron, Anna

Ware, Cheryl

Scaredy Cat. New York: Dutton, 1978.

Catty-Cornered, illus. by Paul Yalowitz. New York: Orchard, 1998.

Waite, Helen E. Valiant Companions. Philadelphia, PA: Macrae Smith, 1959.

4–6 In the summer of 1934, Jane spends part of her time in Birmingham, where she is “preoccupied” with the Lindberg tragedy. When her family moves to their farm on Shades Mountain, she becomes more at ease and enjoys typical days with cousins, “reading Delineator magazines or entertaining a friend or two from town. Reminders of hard times filter through in the fortunes of acquaintances: Charlie Calder’s father loses his job; a family in town might lose their house. Jane’s own family gets by adequately enough on her father’s three days of work per week.” The narrative is “episodic,” but the high point of the action is Jane’s being “locked in the corncrib of a deserted farm by a local resident about to make a moonshine run. Easygoing and unpretentious, with a weak focus offset by Jane’s friendliness and quiet independence” (Booklist, May 1, 1978).

Walker, Pam Helen Keller. New York: Childrens, 2001. K–2 A biography of the woman who overcame deafness and blindness to become an important world figure.

4–6 When her grandfather dies, Venola Mae Cutright, age 11, starts a diary. Because Grandma is afraid to stay by herself in her trailer, Venola Mae must spend every night with her. For two months, Grandma’s mind and her surroundings begin to deteriorate, and her 13 cats don’t help matters. She is eventually diagnosed with diabetes, and as her health improves, Venola Mae is allowed to go back home. “If this sounds a bit heavy with problems, it’s all delivered with a surprisingly light touch and accompanied by [Yalowitz’s] childlike ink drawings from the ‘diary.’” Strengths of the book are the “details of school life and pre-teen attitudes” along with the “quite readable and entertaining” diary entries. Unfortunately, the “novel as a whole is less satisfying than its individual journal entries” (Booklist, Apr. 1998). Kirkus Reviews finds Venola Mae’s “wicked sense of humor” a nice counterpoint to her “numerous insecurities.” Additionally, her “voice is consistently winning” and believable (Feb. 1, 1998). School Library Journal agrees that Venola Mae’s voice is “worth listening to,” and while there are “no surprises” in the novel, Ware pres-

Warner • 263 ents “an interesting coming-of-age story” (Mar. 1998). Set in Belington, West Virginia, this is Ware’s second book about Venola Mae.

Flea Circus Summer. New York: Orchard, 1997; originally published by Orchard in 1996 under the title Sea Monkey Summer. [See below.] Sea Monkey Summer. New York: Orchard, 1996; reissued in 1997 by Orchard under the title Flea Circus Summer. 4–6 Ware’s first book is an epistolary novel, based on the letters of Venola Mae Cutright, age 11, who is left alone in Belington, West Virginia, for the summer because her best friend, Sally, goes away to camp. Venola Mae writes letters to Sally and to the circulation department of the local newspaper and the mail-order company from which she ordered disappointing “sea monkeys” (brine shrimp eggs). Venola Mae is “lively and outspoken, a junior feminist among her more traditional family and peers.” Eventually, she gets a paper route and develops a relationship with Miss Wilma, who lives over the local funeral home. Though the book has a contemporary setting, it has “an old-fashioned tone,” and though Venola Mae “is a likable protagonist, her unrelenting energy and cheerfulness begin to wear on readers, as does the predictable, slightly plodding plot and the epistolary format. An acceptable, but not outstanding, first novel” (School Library Journal, June 1996). Other review sources are more enthusiastic than School Library Journal: Publishers Weekly notes that the point of view is “one-sided,” but “readers will take a shining to” Venola Mae’s “peppy, dramatic personality” (Apr. 15, 1996). According to Booklist, Venola sometimes “seems younger than her years—or perhaps like a kid from an earlier era, when sea monkeys” would absorb a sixthgrader — but the book is a “fast, breezy read” (Apr. 15, 1996). The Bulletin argues that the “tone and approach rely a little too much on Venola Mae’s naïveté,” but “the style is lively,” making the book “an easy reach” for young readers (Mar. 1996). The Horn Book Guide sums it up as “Sometimes rambling but generally entertaining” (Fall 1996).

Venola in Love, illus. by Kristin Sorra. New York: Orchard, 2000. 4–6 This third story about Venola Mae Cutright, also set in Belington, West Virginia, finds her in seventh grade and “almost ready to fall in love.” Like the previous two Venola Mae books, this one relies on journal entries, but e-mails and class notes are added. Venola Mae develops a crush on the new, handsome boy in class, Nathan Racine; discovers that her parents are expecting a seventh child; and finds that her friends shoplift. “The message is fairly heavy at the end, but Venola’s voice remains true to her fun and witty character throughout.” Unfortunately, the “plot elements concern tired devices,” but in spite of

these flaws, “the novel is lighthearted and humorous. Preteens, including reluctant readers, will enjoy the amusing illustrations and the quick-paced structure” (School Library Journal, Oct. 2000). Publishers Weekly likes the “heroine’s ingenuous voice” and Sorra’s “humorous doodles” (Nov. 6, 2000), but Kirkus Reviews is not so kind: “Overall, in spite of the interesting format, Venola’s story is insipid and uninspiring” (Oct. 15, 2000). The Bulletin agrees that “the writing is sometimes clumsy, and Venola’s voice is too self-consciously aware,” but suggests that Ware has, nevertheless, captured “the life of a seventh grader” (Oct. 2000).

Warhola, James Uncle Andy’s: A Faabbulous Visit with Andy Warhol, illus. by author. New York: Putnam, 2003. 1–4 Author and artist James Warhola describes a 1962 trip from rural Pennsylvania to Uncle Andy Warhol’s house. Jamie’s father (Andy’s brother) is a junk man. When the five children and their parents visit Uncle Andy in New York, they take him a gift of junk, which delights the artist and shows that the two families (one rural, one urbane) are not so different. The success of Warhola’s book lies in how he reveals the importance of one artist’s influence on another. School Library Journal notes that the “author’s evident admiration for the man who invigorated his own artistic talent shines in this story” (Apr. 2003). The Horn Book praises Warhola’s “conversational style and childlike precision” in a book that “celebrates freedom from convention,” which is an occasional necessity for everyone (Mar. 1, 2003). Publishers Weekly describes the book as “an outrageously prosaic chapter” from Warhol’s “ultra-hip life” ( Jan. 27, 2003). Andy Warhol dropped the final “a” from his name.

Warner, Glenn “Pop” Scobey, with Frank J. Taylor and Lawton Wright Pop Warner’s Book for Boys, illus. by Richard Stevens. New York: McBride, 1934; New York: Dodd, Mead, (1942) 1945. 2–up Written by one of the most successful college coaches of the early twentieth century, Pop Warner’s Book for Boys is a handbook for young boys interested in sports. Pat Williams, author of Read for Your Life: 11 Ways to Transform Your Life with Books (HCI 2007) credits Warner’s Book for Boys as a motivating force in his life. Given the book when he was seven, Williams notes that it is “not only a great book about football, but also a foundational book about the game of life” (Coaching Your Kids to be Leaders, Faithwords, 2005). Pop Warner coached at Cornell University and the University of Pittsburgh.

264 • Waryncia

Waryncia, Lou, and Meg Chorlian

Wasileski, Bryan

Stonewall Jackson: Spirit of the South. Peterborough, NH: Cobblestone, 2005.

The April Snow. Publisher unknown, 1980.

3–6 This biography of the Civil War General who fought on the side of the Confederacy is a title in the Civil War series.

Waryncia, Lou, and Sarah Elder Hale, eds. Antietam: Day of Courage and Sacrifice. Peterborough, NH: Cobblestone, 2005. 4–6 From Cobblestone’s The Civil War series, this title and others in the series are based on articles published in Cobblestone, Appleseeds, and Dig magazines. Booklist commends the title for its “clear and accessible” description and “attractive” design. Though praising the book in general, Booklist calls attention to the last page, which contains an advertisement for the series ( Jan. 1, 2006). Horn Book Guide finds fault with the “abrupt transitions between topics,” but considers the text “engaging” (Fall 2006). Includes maps, illustrations, a glossary, and time-line.

Washington, Booker T. Up from Slavery: An Autobiography. New York: A. L. Burt, 1901. 6–up “The story which Booker T. Washington tells of his rise from the depths of slavery to his present honorable and useful position is indeed a moving one, and he tells it well. A more manly, upright, reasonable, and unselfish spirit that looks out at the reader from these pages it would be difficult to find. He is proud of the record he has made, and well may be, since few have as good a one; but there is not one hint in the book that he feels superior to the less fortunate members of his race, and his gratitude to all who have aided in his life and work is unbounded. Indeed, he says that he is proud of his race, and has never wished to belong to any other, a fact that is attested by his constant refusal to make capital for himself out of the public regard for his attainments and the entire devotion of his time to the betterment of the Southern negroes” (New York Times, Mar. 9, 1901).

Washington, Rosemary G. Mary Lou Retton: Power Gymnast. Minneapolis, MN: Lerner, 1985. 3–6 This biography in the Achievers series focuses on the 1984 Olympics and Retton’s being the first American woman gymnast to win a gold medal. Because Washington tries to “explain the background and techniques of each event,” the text is “choppy and sometimes confusing,” though the author includes good detail. “Weak points ... include some slight fictionalizing of [Retton’s] emotions, lack of indexes and uninteresting black-and-white photographs” (School Library Journal, July/Aug. 1985).

6–up Only 100 copies of this 12-page storypoem, written by a high-school freshman, were published. One copy is available in the University of Kentucky Special Collections. (RH)

Watkins, Samuel Rush The Diary of Sam Watkins, A Confederate Soldier, edited by Ruth Ashby, illus. by Laszlo Kubinyi. Tarrytown, NY: Benchmark, 2004. 5–7 This title from the In My Own Words series is an abridged memoir of Samuel Rush Watkins, who joined Company H of the First Tennessee Infantry Regiment in April 1861. In creating his 1990 documentary on the Civil War, Ken Burns relied heavily on this memoir of an ordinary soldier, which was published twenty years after the Civil War under the title “Co. Aytch” Maury’s Grays, First Tennessee Regiment: or, A Side Show of the Big Show (Nashville, TN: Cumberland Presbyterian, 1882). Watkins’ “vivid personalities” make the book “particularly enjoyable” as “an engaging history lesson,” though the textbook nature of the design and construction is “offputting” (Horn Book Guide, Spring 2004). Includes a glossary, websites, reading list, bibliography, and index.

Watkins, Sherrin Green Snake Ceremony, illus. by Kim Doner. Tulsa, OK: Council Oak, 1995. K–2 This second title in the Greyfeather series describes the Shawnee tradition of placing a green snake in a child’s mouth to secure good luck and good health. School Library Journal considers the book an “excellent, well-illustrated look at a contemporary Shawnee custom” that results in a “charming tale” (Dec. 1996), but the Horn Book thinks otherwise: The “silly cartoon-style” green snake who hears all and refuses to cooperate is a “forced attempt at humor” (Sept. 1, 1996).

White Bead Ceremony, illus. by Kim Doner. Tulsa, OK: Council Oak, 1995. 1–5 Watkins, whose background is Shawnee and Cherokee, explains the traditional Shawnee naming ceremony in a contemporary setting. When the family of four-year-old Mary Greyfeather gathers to celebrate the presentation of her name, her Aunt Laura, who was designated to bring the traditional white bead necklace, doesn’t show, but Mary’s grandmother improvises with a button necklace. The Horn Book considers this first title in the Greyfeather series “genuinely interesting [but] overly didactic” (Mar. 1, 1995). According to Publishers Weekly, Watkins “provides a welcome glimpse at how tribal traditions are woven into the fabric of modern-day life.” The book is “sympathetic if wordy” ( June 13, 1994). Includes

Weddle • 265 Shawnee vocabulary “flashcards” and a brief history of the Shawnee people.

Wavra, Grace McCloskey The First Families of West Virginia, illus. by author. Huntington, WV: University Editions, 1990. 4–6 According to Linda Veltze’s Exploring the Southeast States Through Literature, this title uses “[a]rcheological evidence, rather than written records” to illuminate the history of the Native Americans who lived in West Virginia prior to the coming of Europeans. Includes maps (Phoenix, AZ: Oryx, 1994).

Waxman, Laura Hamilton Sequoyah. Minneapolis, MN: Lerner, 2004. 3–6 From the History Maker Biographies series, this “straightforward” account provides significant events in Sequoyah’s life, but “amateurish cartoon illustrations” weaken the book (Horn Book, Oct. 1, 2004).

Way, Jennifer West Virginia. New York: PowerKids, 2006. 2–3 A bilingual history of the Mountain State with Spanish text by Maria Cristina Brusca.

Wayne, Bennett, ed. Men of the Wild Frontier. Champaign, IL: Garrard, 1974. 3–6 This collective biography contains short, easy-to-read sketches of four heroes, each written by a different individual and previously published by Garrard as a separate biography: “Daniel Boone: Taming the Wilds,” by Katherine E. Wilkie; “Andrew Jackson: Pioneer and President,” by John Parlin; “Davy Crockett: Hero of the Wild Frontier,” by Elizabeth R. Moseley; and “Sam Houston: Hero of Texas,” by Jean Lee Latham. Historical accuracy has been sacrificed for brevity and generalization, making the material too thin to be of much value. A bibliography and citations for the archival illustrations would have helped. As high-interest, introductory biographies for the early grades, the book is successful, but good readers looking for detailed information will be put off by the tone, style, and lack of content. (RH)

Weatherford, Carole Boston Birmingham, 1963. Honesdale, PA: Boyds Mills, 2007. 4–7 Using free verse and archival photographs, Weatherford relays the events that led to the bombing of the Sixteenth Street Baptist Church in Birmingham, Alabama, in 1963. Told from the point of view of a ten-year-old girl, the events are related from a simple, direct, childlike perspective. This “quiet yet arresting book will inspire readers” (Booklist, Sept. 15,

2007). Kirkus Reviews is effusive in its praise for the “searing poetic evocation” of this historic event, calling it a “gorgeous memorial” to the four people who died and to “the thousands of children who braved violence” to bring about racial equality (Aug. 15, 2007).

Jesse Owens: Fastest Man Alive, illus. by Eric Velasquez. New York: Walker, 2007. 2–6 Weatherford’s “clearly researched” (School Library Journal, Mar. 2007) picture book biography focuses on the Alabama native’s accomplishments at the 1936 Olympics in Berlin. Complementing the text, “Velasquez’s pleasingly grainy pastels easily convey the movement and speed, determination and triumph at the core of Owens’s uplifting story” (Publishers Weekly, Jan. 1, 2007). Weatherford provides a reading list and background information in the endnotes.

Webb, Robert N. The Raid on Harpers Ferry, Oct. 16, 1859: A Brutal Skirmish Widens the Rift Between North and South. New York: Watts, 1971. 6–up Webb’s biography of John Brown, a title in the Focus Books series, does not match up to Delight Ansley’s The Sword and the Spirit (1955) or to Iger’s John Brown (1970), which is for early readers. The absence of a bibliography is a weakness (School Library Journal, May 15, 1971).

Webb, Shirley G. Tales from the Keeper of the Myths: Cherokee Stories for Children. Lincoln, NE: iUniverse, 2003. 5–up According to the Introduction, Shirley G. Webb grew up in Depression-era West Virginia, where she learned stories from her grandmother Ivory Howell. Each of the ten stories retold in this volume is prefaced by a brief explanation of its origin and significance to the Cherokee. A bibliography of sources, including James Mooney’s classic Myths of the Cherokee, is also appended. Occasional sloppiness is regrettable, but the stories themselves are sound. (RH)

Weddle, Ethel Harshbarger Alvin C. York, Young Marksman, illus. by Nathan Goldstein. Indianapolis, IN: BobbsMerrill, 1967. 3–5 Alvin York was a Tennessee mountaineer and a conscientious objector when he entered World War I and became internationally famous for capturing 132 German prisoners. This title in the Childhood of Famous Americans series focuses on York’s early years, from age six to fifteen, and then skips to age 30 at the end. “The secluded existence, economic plight, strong religious background, and ingrained work ethic of the Tennessee mountain people are

266 • Welch clearly portrayed.... The book’s stilted dialogue marks it to a degree” (Barbara Mertins, ed. Kentucky, Tennessee, West Virginia: Reading for Young People Series. Chicago: American Library Association, 1985). Includes a timeline, discussion questions, suggested projects, and a glossary.

Welch, Catherine A. Danger at the Breaker, illus. by Andrea Shine. Minneapolis, MN: Carolrhoda, 1992.

When Roy Coulter returns from college and discovers that the feud is at a full boil, his attentions to Polly Wilse of the Searcy family do not help matters. Set in the Smoky Mountains in the early 1900s, the book has an “awkward beginning marked by stilted dialogue.” Though it “doesn’t measure up to the author’s best work,” it may “refute television-promoted, simplistic stereotypes of ‘feudin’ hillbillies and revenooers’” (School Library Journal, Apr. 15, 1969).

1–4 Though Andrew Pulaksi is only eight years old, he must quit school and work as a breaker boy in the northeastern Pennsylvania coal mines. Breaker boys sort debris and rocks from the coal, a task that is boring but necessary and dangerous. During an explosion and cave-in, Andrew’s father is feared dead. Booklist describes Welch’s prose as “simple yet never condescending.” She “offers vivid descriptions of the screeching machinery, omnipresent gray coal dust, and grave dangers inherent in this difficult occupation.... The author brings a new (and welcome) level of realism to the easy-reader format, and Shine’s arresting, richly colored illustrations will draw readers deep inside the emotions of the characters.” This book is for older readers than Hendershot’s In Coal Country (1987) (Mar. 1, 1993). According to the Horn Book, Welch has provided a slice of history, but the book is “dark and depressing” (Mar. 1993). This title in the On My Own series includes an author’s note, which gives background information on 1880s mining conditions.

Wellman, Sam

Ida B. Wells-Barnett: Powerhouse with a Pen. Minneapolis, MN: Carolrhoda, 2000.

Mary on Horseback: Three Mountain Stories. New York: Dial, 1998.

4–6 School Library Journal considers this biography of Ida B. Wells-Barnett to be a “marginal account [that] does not do justice to this important figure in the early 20th-century women’s and civil rights movements.” The text is “repetitive and the writing is simplistic to the point of being misleading. The prose is didactic and lacks smooth transitions between chapters.” Another major flaw is the lack of documentation for sources and thoughts attributed to Wells-Barnett. Welch’s biography is inferior to Klots’s Ida Wells-Barnett (1994) and the Fradins’ Ida B. Wells: Mother of the Civil Rights Movement (2000) ( July 1, 2000). Booklist points out that many of the photographs document lynchings that “apparently occurred several decades later,” but the book is “competently written” ( June 2000). Voice of Youth Advocates calls attention to “a few lapses into colloquialisms” in this “easy-to-read resource” (Feb. 2001). This title in the Trailblazer Biography series includes an index, black-and-white photographs and illustrations as well as a notes section.

Wellman, Manly Wade Mountain Feud. New York: Washburn, 1969. 6–up The feud between the North Carolina Coulters and Searcys has been simmering for decades.

Billy Graham: The Great Evangelist. Uhrichsville, OH: Barbour, 1996; New York: Chelsea, 1999. 4–7 A title in the Heroes of Faith series, this biography is “heavily fictionalized” and attributes undocumented “dialogue, thoughts, and emotions” to Graham (Horn Book Guide, Spring 1999). Includes a bibliography and index.

Wells, Rhea An American Farm, illus. by author. Garden City, NY: Doubleday, Doran, 1928. 5–up An advertisement for this book in the December 16, 1928, New York Times Book Review describes it thusly: “Two boys on a Tennessee hill farm. Many illustrations.”

Wells, Rosemary 3–6 Wells presents three “very poignant vignettes” from the life of Mary Breckenridge, who founded the Kentucky Frontier Nursing Service in 1925. The first story is told from the perspective of “a child whose father has been severely injured in a logging accident.” In this section, readers learn about “the poverty-stricken conditions of the mountain people” and first meet Mary, who transforms her own personal hardships into “positive action.” The second story is related by a nurse “who came to help Mary and found herself immediately dispensing precious diphtheria serum to the children of the woods.” The third story is also told “by a child who, after being grief stricken into silence, by the death of her mother, eventually finds her voice through helping Mary and the other nurses.” Wells provides “beautifully written” if not “happy” insights into a deserving subject (Booklist, Sept. 1, 1998). The sentimentality of the stories is “mitigated by the drama of their circumstances,” but the Afterword makes for “more interesting reading” than these stories. Nevertheless, this is an “interesting” and well-documented “angle” on Breckenridge’s life (Bulletin, Jan. 1999). The Horn Book Guide says these “compelling vignettes” make for an “outstanding” book (Spring 1999).

West • 267

Welvaert, Scott R. Helen Keller: Courageous Advocate, illus. by Cynthia Martin and Keith Tucker. Mankato, MN: Capstone, 2006. 3–4 A graphic novel based on the life of Helen Keller, who was the first deaf and blind person to attend a university. Designed for reluctant readers, this title in the Graphic Library’s Graphic Biographies series includes a glossary, websites, suggestions for further reading, bibliography, and index.

Wepman, Dennis Helen Keller. New York: Chelsea, (1987) 1999. 6–up Wepman’s biography of Helen Keller is the first title in the American Women of Achievement series. Booklist considers it to be “[c]lear and complete,” focusing on “all aspects of Keller’s life, from her dark childhood in Alabama, through her fortuitous relationship with teacher Annie Sullivan, and into the inspiring life she led as a crusader for many causes.” The author relates Keller’s “remarkable accomplishments without deifying her” (Booklist, Aug. 1987). School Library Journal argues that in spite of the dozens of Keller biographies, this one “succinctly covers the highlights of her life” and includes interesting quotations, such as George Bernard Shaw’s 1932 negative comments about Keller. The photographs alone make it a good purchase (Sept. 1, 1987). Includes quotations from Keller’s writings, black-and-white photographs, a chronology, suggested further reading, bibliography, and index.

Werstein, Irving Labor’s Defiant Lady: The Story of Mother Jones. New York: Crowell, 1969. 6–up Werstein’s biography of Mother Jones is a “clear, occasionally fictionized [sic], well researched account” of her life. Considered by many to be a dangerous labor activist, as well as a “saint and martyr,” she crusaded until she died at age 100. Jones’s personal life is largely omitted, but her public activities and reputation are well covered. The author “points up the one-sided nature of Mother Jones’s ardent zeal which made her deride labor leaders with whom she disagreed — John Mitchell, for example.” This is “[s]olid labor history,” but the absence of photographs is disappointing (Library Journal, July 1969). This title in the Women of America series includes a bibliography and index.

West, Alan Roberto Clemente: Baseball Legend. Brookfield, CT: Millbrook, 1993. 2–3 This biography of Clemente, Pittsburgh Pirates rightfielder and the first Latino to gain international fame as a baseball player, is a title in the Hispanic Heritage series. “Recommended” by the Horn

Book Guide (Spring 1993). Includes a bibliography and an index.

West, Emily Govan (Emmy), and Christine Govan Danger Downriver, illus. by Charles Robinson. New York: Viking, 1972. 4–6 According to the Author’s Note, this novel, set in 1810 near the Tennessee River, is based on the true story of John Brown, a tavern owner; a Cherokee tavern keeper named Doherty, who was known for murdering travelers of means; and Cherokee Chief Joseph Vann, owner of a plantation in Chatsworth, Georgia. Ben Walker, age ten, and his father Dave have the misfortune to stay the night in the ill-fated tavern. When Ben’s father disappears and Ben assumes he has been murdered, he has no choice but to work for the tavern owner, but he makes friends with Amos, a young boy in a similar predicament, and Skinner, a drover. Aided by Cherokee Indians, Ben and Amos escape to the plantation of Chief Joseph Vann, where they find Davy recovering from the attempted murder. The Author’s Note calls for a better “understanding” of Indians, and the story is “satisfactorily scathing,” but readers will be “plumb ready to travel on” at its conclusion (Kirkus Reviews, Apr. 15, 1972). “The ending ... might seem too good to be true,” but young readers “will accept it.” With its “well developed” characters and “realistic” dialogue, “there is sufficient suspense to hold interest” (Library Journal, Sept. 15, 1972). The New York Times Book Review considers it a “thrilling adventure story” to which Robinson’s illustrations “add historical authenticity” (May 7, 1972).

West, Jerry, with Bill Libby Mr. Clutch: The Jerry West Story. Englewood Cliffs, NJ: Prentice-Hall, 1969. 6–up This “informal autobiography” of West Virginia native Jerry West focuses on his childhood, high-school years, college days at West Virginia University, and his professional career with the Los Angeles Lakers. West takes pains to address some of the public negative criticism of him and emphasizes that he is a misunderstood hard worker. “Not an outstanding book, but one that will have readership among sports followers” (School Library Journal, 1969).

West, Joe Watching the Hokies with Daddy, illus. by meshirt.com. Roanoke, VA: Titan, 2004. 2–4 Jack watches the last Virginia Tech football game of the season with his father, who surrounds himself with “a mountain” of food. After eating a hot dog, Jack falls asleep on his dad’s lap and dreams of scoring the winning touchdown and kicking the extra point. The dream is related in vague play-by-play descriptions; the text is dull and error-ridden (“Jack ... spots the other teams [sic] biggest and meanest player,

268 • Westman Big Bill.”). Cartoon drawings add little to the weak text, especially because they depict Jack as too big to sit on his father’s lap. The layout is unattractive, and the absence of a mother is regrettable. (RH)

Westman, Paul Billy Graham: Reaching Out to the World. Minneapolis, MN: Dillon, 1981. 3–5 Westman’s treatment of Graham is considered “uncritical.” He “skims the surface” and, in an attempt to “humanize the subject,” includes stories from Graham’s early years, which have little relevance (Booklist, Apr. 15, 1982). This is a title in the Taking Part biography series.

Jesse Jackson: I Am Somebody, illus. by Judith Leo. Minneapolis, MN: Dillon, 1981. 3–6 This title is considered “sounder” than others in the “dubious” Taking Part series; nevertheless, Kirkus Reviews judges it to be “marginal” (Feb. 1, 1981). School Library Journal disagrees: “The straightforward story of Jackson’s personal life is enriched with details of the civil rights movement and with abundant photos and illustrations” (Nov. 1981).

Wheeler, Arville White Squaw: The True Story of Jennie Wiley, illus. by Ture Bengtz. Boston: Heath, 1958. 4–7 White Squaw is a nonfiction account of the Indian captivity of Jennie Wiley, who was taken from her cabin in Walker’s Gap, Kentucky, and enslaved by a Shawnee Chief and his small band for approximately one year. The writing does not fully capitalize on the potential for adventure and emotion. For example, her escape and homecoming are almost anticlimactic. But the vivid and accurate details of Jennie’s life as the sole female among a small band of male Indians would be attractive to the middle-grade reader who first understands history from details of everyday life. Jennie’s courage and strength form the heart of the story, and children (or adults) will respond to her determination and spirit. Published in 1958, the book is dated in its view of Native Americans but accurate in its information about hunting, fishing, trapping, cooking, tanning hides, etc. It also gives some degree of insight into the political motivations for the Indian raids as well as the conflicts among the Shawnees and Cherokees. A map in the back shows Jennie’s travels from her cabin up the Tug River, the Big Sandy, the Ohio, down the Little Sandy, and finally Jennie’s Creek. (RH)

Wheeler, Jill C. The Lame One: The Story of Sequoyah. Bloomington, MN: Abdo, 1989. 2–5 This 31-page biography of the famous Cherokee leader follows the pattern typical of the Famous American Indian Leaders series. It contains four, ineffective black-and-white illustrations and a map

showing the Trail of Tears, from north Georgia to Oklahoma. With emphasis on his childhood, his lameness, and his talents, the book presents information in a matter-of-fact style and limits glorification more successfully than some biographies. The dialogue is somewhat ineffective, and the depiction of his family (Ah-yoka, Utiya, and Tessee) is shallow. Still, the book presents the major events in Sequoyah’s life in a format accessible to early readers. It deals openly with Utiya’s burning of his manuscript, his leaving her, and meeting Sally, his second wife. It ends with his interest in the Mexican language and his death in 1844 while on a journey to Mexico. (RH)

Wheeler, Opal Stephen Foster and His Little Dog Tray, illus. by Mary Greenwalt. New York: Dutton, 1941. 3–6 Wheeler’s fictionalized biography of Stephen Foster provides a “colorful delineation” of the 1800s (New York Times, Nov. 2, 1941). Words and music of thirteen compositions are included.

Wheeler, Richard We Knew Stonewall Jackson. New York: Crowell, 1977. 6–up Wheeler’s biography of Confederate General Stonewall Jackson “consists of eyewitness accounts linked by rapid narrative summaries.” Jackson is depicted as an “awkward but dogged” cadet at WestPoint and a hero in the Mexican War. The biography is “self-contained,” and though the writer is favorably disposed toward his subject and presents no “adverse” points of view, the work is “convincing” (Kirkus Reviews, Mar. 1, 1977).

Whitaker, Kent Why Are the Mountains Smoky? Neat Facts About the Southern Appalachian Mountains, illus. by author. Johnson City, TN: Overmountain, 2004. 3–up Designed to accompany a visit to the Smoky Mountains, the book is divided into eight sections: Why Are the Mountains Smoky? Who Are the Cherokee Indians? How Big Is a Black Bear? What Other Animals Live in the Mountains? How Big Can a Tree Grow? What Are Grits? What Is the Appalachian Trail? and Bonus Pages. Large print and simple illustrations make the book suitable for casual reading in a car. The Bonus Pages section includes miscellaneous facts, folk remedies, websites about the Smoky Mountains and national parks, and a bibliography. The association of grits with the Great Smoky Mountains is questionable. (RH)

White, Alana Come Next Spring. New York: Clarion, 1990. 5–7 In 1949, 12-year-old Salina Harris is faced with changes to her life in the Smoky Mountains of

White • 269 Tennessee. She learns that a highway will intersect the farm. On top of that, her brother and sister become distant as they mature into young adults, and her best friend has become “citified.” Though some of the characters are “typecast,” the “dynamics of friendship are well realized.” The writing is uneven (sometimes “natural,” sometimes “forced”), and the plot is “slowpaced” (Bulletin, July/Aug. 1990). White has “authentically delineated” a mountain “community festering with old biases,” and Salina’s coming to terms with change is “wholly believable” (Kirkus Reviews, Mar. 15, 1990). A “superior” and “finely crafted first novel” (Horn Book Guide, Fall 1990).

White, Ellen Emerson Bo Jackson: Playing the Games. New York: Scholastic, 1990. 3–7 According to Booklist, White’s biography of Alabama native and football and baseball standout Bo Jackson “provides useful background” information, color photographs, and a list of achievements ( June 15, 1991). School Library Journal argues that the book consists “mainly of gee-whiz statistics, anecdotes, and game summaries.” Unfortunately, the “secondary sources are not credited,” and given the “transient nature” of athletic fame, the information will become quickly outdated. “Young sports fans may swallow it whole, but will find little nourishment” (Apr. 1991).

White, Ruth Belle Prater’s Boy. New York: Farrar Straus Giroux, 1996. 6–up Gypsy Arbutus Leemaster, age 12, narrates this story about her cousin Woodrow who comes to live with his grandparents next door when his mother, Belle Prater, disappears. Woodrow is crosseyed, poor, and considered a hillbilly in 1954 Coal Station, Virginia. But he and Gypsy become good friends, largely because they are both bright, inquisitive, and sensitive children, each harboring a mystery. Reviews of this title are uniformly positive. “White paints a vivid picture of small town Appalachia in the 1950s, from the ostracism of a blind ‘sin eater’ to the preening social ‘wannabes.’ Characterization is superb.” White seasons her “message” with “dollops of humor and love” (School Library Journal, Apr. 1996). “Both central and secondary characters are vividly realized” in this story that infuses family relationships with “tension and energy.” White displays her “characteristically fine style,” which was honed in her two previous works (Bulletin, Apr. 1996). The Five Owls notes that the book is filled with 1950’s popular culture that reflects “the inner lives of the characters,” making for a “warm and amusing” novel. The book is partly a “cautionary tale” and partly an exploration of how adult “suffering” provides “vexing challenges” for children (Sept./Oct. 1996). Booklist praises it as an

“unpretentious, moving” Appalachian story wherein two children learn a truth that “some grown-ups never learn” (Apr. 15, 1996). This title won a Newbery Honor Award in 1997.

Buttermilk Hill. New York: Farrar Straus Giroux, 2004. 5–up Piper Berry is ten years old in 1973 and living in a trailer in Buttermilk Hill, North Carolina. Her life seems solid and comfortable, but her dissatisfied mother Tiny (from White’s Weeping Willow) gets a divorce and moves to Charlotte, North Carolina. Then her father Denver remarries. To cope with her confusion and heartbreak, Piper writes poetry, which appears throughout the book. White’s novel isn’t as widely praised as her earlier work: “Unfortunately, this well-trod territory is presented without much of the author’s characteristic insight, and some of the Southern fixtures seem overly familiar.” On the other hand, she “authentically conveys” Piper’s experience in a book that may be a “salve” for other children whose parents are divorced (Publishers Weekly, Nov. 8, 2004). The Horn Book considers Piper’s poetry to be “sophisticated and beyond her years” (Apr. 1, 2005). Booklist points to an “unrealistic” subplot and the “fairytale” ending, but likes White’s “balance of happiness and hard knocks” (Aug. 2004). Kirkus Reviews focuses on the theme of lost dreams: Tiny dreams of becoming a music teacher; Denver sacrificed his dream of becoming a baseball player. White delivers a “wonderfully languid, down-home look at childhood” along with a “compassionate exploration” of “hopes and dreams” (Aug. 1, 2004). School Library Journal is critical of White’s attempt to “cover so much territory,” which results in a plot that “sometimes jumps abruptly from one situation to the next” and characters that are sometimes “underdeveloped.” Piper is, nevertheless, “real” (Sept. 1, 2004).

Memories of Summer. New York: Farrar Straus Giroux, 2000. 5–up Summer and Lyric Compton, 16 and 13, are living in 1950s Glory Bottom, Virginia, which is in Appalachian coal country, when their father decides to move to Flint, Michigan. There are many stories that explore the themes of outmigration and assimilation, but none approach it from White’s perspective, which includes Summer’s gradual descent into mental illness. Lyric tells the story in her firstperson “evocative drawl,” detailing Summer’s change from the merely eccentric to the full-blown irrational, while Lyric gradually adapts to life in Michigan, making friends and learning to lose her Appalachian dialect. “Summer’s disintegration inspires confusion, anger and palpable frustration in Lyric before she finally understands her sister’s plight. The result is a wise and thoughtful novel, painfully well realized and gently revealed” (Publishers Weekly, July 31, 2000). According to Booklist, “White excels at the music of hillcountry speech, but here proves she has an ear for city

270 • White voices as well” (Sept. 1, 2000). School Library Journal comments on White’s “beautifully reconstructed” 1950s era popular culture and “social attitudes” (Aug. 2000). Lyric’s story is “honest,” “loving,” and “humorous”: an “authentic picture” that is both “heartbreaking at times and unforgettable” (Book Report, Jan./Feb. 2001). Kirkus Reviews points to White’s “compassion and caring sensitivity” in developing the sisters’ characters ( July 15, 2000). The Horn Book considers White’s fourth novel her “most moving offering to date” (Sept./Oct. 2000).

The Search for Belle Prater. New York: Farrar Straus Giroux, 2005. 4–7 This sequel to White’s Newbery Honor Book, Belle Prater’s Boy (1996), finds Woodrow and Gypsy searching for Bell Prater in 1955. They travel to Bluefield, West Virginia, an experience that introduces Woodrow to segregation and “colored” people. “Characterization, dialogue, and setting are among White’s many literary strengths, and she doesn’t disappoint here,” though the “plot seems a bit tidy” (Booklist, Feb. 15, 2005). Kirkus Reviews says that readers will be “deeply satisfied by this elegantly conceived” continuation of Woodrow and Gypsy’s story, “with its tiny glints of magic” (Apr. 1, 2005). Though their search does not end with the reunion of Woodrow and Belle, the conclusion is nevertheless “satisfying”; he finds a letter that she left for him and is “reassured” that she loved him. Having read Belle Prater’s Boy will be a plus but not a necessity for enjoying its sequel (School Library Journal, Apr. 1, 2005). Library Media Connection considers White’s book to be a “clear picture of life in the mountains of Virginia and West Virginia” in the 1950s, showing “the way this small spot of America relates to the rest of the country.” The book is “refreshingly quaint without being hokey” (Nov./Dec. 2005). The ALAN Review agrees that White delivers “a charming and memorable portrait of 1950s rural Appalachia, its people, and language” (Spring/Summer 2005).

Sweet Creek Holler. New York: Farrar Straus Giroux, 1988. 6–up When Ginny Shortt’s father is murdered in a Virginia coal camp, her mother moves the family from the company house to a tarpaper shack in Sweet Creek Holler. The story evolves over the next six years, as Ginny enjoys a typical childhood in the Appalachian mountains. But the community consists of highly-flawed individuals, with which White is “patient, allowing individuals’ good and bad qualities to emerge from a realistic plot.” Though the ending “tries to encompass too much,” the story is “haunting” and “well written.” This is a “first novel of aspiring proportions” (Bulletin, Oct. 1988). White’s “graceful prose,” not the characters, carries the story, but her “unforgiving” depiction of life in Sweet Creek Holler has a “gratuitously happy-ever-after ending” (Kirkus Reviews, Sept. 1, 1988).

Tadpole. New York: Farrar, Straus and Giroux, 2003. 5–8 Carolina Collins, age ten, feels inferior to her three older sisters (Virginia, Georgia, and Kentucky) who are outgoing and recognized in their 1955 Polly’s Fork, Kentucky, community. When their cousin, the orphaned Tadpole Birch, runs away from his abusive uncle, he comes to live with Carolina’s fatherless family and transforms them with his lively, charming personality and his music. White’s story is told through the “age-appropriate voice” of Carolina, who uses “the colorful, hill-country language” that is characteristic of White’s prose. She also shows Carolina’s “gradually widening view of the world,” which includes change and a mother, Serilda, who develops a life of her own (Booklist, May 1, 2003). In the view of Horn Book, White’s novel is thin on plot “but doesn’t stint” on characterization, with 13-year-old Tadpole being the “story’s heart” (May/June, 2003). The transformation of Carolina’s “happy-go-lucky and irresponsible” sisters is “fairly obvious and programmatic,” but White’s “amiability” makes it “easy to swallow” (Kirkus Reviews, Feb. 1, 2003). School Library Journal says that Carolina’s first-person narrative is “told in the lilting tones of Kentucky hill-country speech,” and White’s “superbly drawn characters possess the resiliency of spirit necessary to transform themselves” (Mar. 1, 2003). Publishers Weekly agrees that White again develops “individuals who transmute their pain and suffering into compassion and even art.” The “homespun language” delivers “insights both finely honed and enriching” (Dec. 23, 2002). The Bulletin argues that in spite of its predictability and lack of “depth,” “the chipper writing, big loud cast prone to playful dialogue, and plentiful action” make this easy-to-read book a success (Apr. 2003).

Way Down Deep. New York: Farrar Straus Giroux, 2007. 4–7 Abandoned in the summer of 1944 at the age of two, in the West Virginia town of Way Down Deep, Ruby Jane is taken in by Miss Arbus Ward, owner of the boardinghouse. The mystery of her abandonment and connections to a family begin to emerge when outsiders come to town when Ruby is 12. A “colorful cast of characters” adds to “the rich Appalachian tone” and lends “sweet humor, timeless truths, and expert foreshadowing” (School Library Journal, Apr. 1, 2007). Booklist also comments on the “cavalcade of idiosyncratic characters” and White’s Appalachian setting, and though the author “dabbles in magic realism,” she introduces “profound questions.” In short, White delivers a “story as tender as a breeze and as sharp as a tack” (Mar. 1, 2007). Kirkus Reviews notes the “[e]ccentric characters, snappy dialogue, and richly defined setting” that will attract new readers to White’s fiction (Mar. 2007). Though the story “teeters on the wobbly edge of farce,” White controls her odd

Wigginton • 271 assembly of characters, and “the story finds an emotional center” (Publishers Weekly, Feb. 19, 2007).

Weeping Willow. New York: Farrar Straus Giroux, 1992. 6–9 Tiny Lambert endures the abuse of her stepfather, Vern, and the neglect of her mother in an unhappy, dysfunctional Appalachian family. High school offers Tiny a reprieve. She makes friends and falls in love with Jesse Compton. Seeing her happiness and growth, Vern rapes her (the rape is not depicted explicitly), but Tiny manages to develop confidence and self respect. “The unaffected, simple pleasures of small-town life in the 1950s, as well as its limitations, are portrayed in well-remembered detail.... The convincing and optimistic first-person narrative moves with a smooth, natural grace that easily engages the reader. While the females are more sympathetically portrayed and better realized than are the males, there is depth of feeling in all the characterizations, and White handles a difficult subject without sensationalizing” (Horn Book, Sept./Oct. 1992). The Bulletin considers White’s second novel to be a “fine” piece of work. “The end is telescoped too neatly,” but the “blend” of details, characters, and family issues is “ultimately a smooth one” ( June 1992). According to Booklist, “White beautifully conveys hill-country people and small-town life in this leisurely paced, uplifting novel” ( June 15, 1992). Kirkus Reviews argues that the men in the story are “ciphers,” but the women “are splendidly realized.... Beautifully written, heartwarming, and — ultimately — joyous” ( June 1, 1992).

White, Stewart Edward Daniel Boone: Wilderness Scout. The Life Story and True Adventures of the Great Hunter, Long Knife, Who First Blazed the Wilderness Trail Through the Indian’s Country to Kentucky, illus. by James Daugherty. Garden City, NY: Doubleday, (1922) 1926. 5–up This title was originally published by Doubleday in 1922 and illustrated by Remington Schuyler. International Book Review calls the 1922 edition “an inspiring book, one which any father would be glad to place in the hands of his growing son” (Feb. 1923), and the Springfield Republican views it as a “clear account” of Boone’s life (Nov. 19, 1922). Through the years, it was reprinted multiple times, and different artists’ illustrations graced its pages. The most notable illustrator, however, was James Daugherty, whose art work for the 1926 edition is lauded by Horn Book. Anne Carroll Moore writes that White’s book was “popular ... in its own right, but James Daugherty has now made it distinctive by his excellent cover design, end papers, and pictures. Daring and adventure are in them, whether expressed in full color or in black and white, and it is hoped that no inferior reproduction will ever be made” (My Roads to Childhood, New York: Doubleday Doran, 1939).

Moore writes in The Three Owls, Volume II, that “next to Carl Sandburg’s “Abraham Lincoln: The Prairie Years,” Mr. Daugherty’s pictures stand out as the richest imaginative contribution to the reading and study of American history which has been made in my time” (New York: Coward-McCann, 1928). The New York Times praises the 1926 reprint as “a particularly good book” for its honest depiction of frontier life rather than “that mistaken sentiment” that ultimately makes pioneers seem like “martyrs.” The author presents a balanced and just view of the whites and the Indians, and this is judged a “fine tribute” to Boone. The reviewer is not so enthusiastic about Daugherty’s illustrations, however: “What young peoples’ [sic] reaction to them will be is uncertain, for they are done in the very modern style, stressing design rather than representation, and more or less symbolic in method, and they would have been considered quite outlandish by illustrators of a generation ago” (Sept. 26, 1926). Daugherty’s illustrations for this edition received such attention that one was used to illustrate a Sept. 4, 1927, New York Times article on Boone, written by Archibald Henderson. White’s book featuring Daugherty’s art work was included in an exhibition mounted by the Institute of Graphic Arts in New York, in December 1926. In 1939, Daugherty wrote and illustrated Daniel Boone (Viking) for a younger audience; it won the 1940 Newbery Award [see above].

Whitelaw, Nancy Andrew Jackson: Frontier President. Greensboro, NC: Morgan Reynolds, 2001. 7–up From the Notable Americans series, Whitelaw presents the seventh President of the United States as “complicated, admirable, and unbearable,” Booklist applauds the book as “finely written” (Nov. 1, 2000). Horn Book Guide is less appreciative of the title, noting that the text is “sometimes confusing and sketchy ... [and the illustrations are] fuzzy” (Spring 2001). A chronology, bibliography, and index are included.

The Homestead Steel Strike of 1892. Greensboro, NC: Morgan Reynolds, 2006. 6–up Included in the American Workers series, this title relays the story of the clash between the Amalgamated Association of Iron and Steel Workers and factory owners Andrew Carnegie and Henry C. Frick, who were determined to break the labor union. Whitelaw provides a “substantial, well-documented account” of the July 1892 strike in the Homestead Steel Mill (Horn Book, Oct. 1, 2006). A “riveting story ... well-written [and] lively ... with well-placed, goodquality reproductions and drawings throughout the text” (School Library Journal, Apr. 2006). Includes a timeline, websites, a bibliography, and index.

Wigginton, Eliot, ed. The Foxfire Book: Hog Dressing; Log Cabin Building; Mountain Crafts, Foods, Planting

272 • Wigginton

by the Signs, Snake Lore, Hunting Tales, Faith Healing, Moonshining, and Other Affairs of Plain Living. Garden City, NY: Doubleday, 1972.

of the chapters. In his Introduction Wigginton defends the interviews and writing projects as a highly effective educational technique and one that preserves the record of a way of life” (Booklist, Sept. 1, 1973).

7–up The Foxfire project was conceived by Eliott Wigginton and his Rabun Gap high-school students in North Georgia. They collected information on traditional culture from local residents and first published it as a periodical; later their interviews were published in annual collections. This first volume “contains information ... on crafts, arts, wisdom, and way of life of parents, grandparents, and earlier generations, in part a record of almost vanished southern Appalachian knowledge and lore.” It is at times a howto book: “Complete instructions for building log houses, chimney building, and dressing hogs and small game are among the practical as well as entertaining sections that cover such similar close-to-the-land fact and lore as chair making, cooking on a fireplace, planting by the signs of the zodiac, and moonshining—complete with diagrams of the construction and operation of a still” (Booklist, July 15, 1972).

Foxfire 3: Animal Care, Banjos and Dulcimers, Hide Tanning, Summer and Fall Wild Plant Foods, Butter Churns, Ginseng, and Still More Affairs of Plain Living. Garden City, NY: Anchor, 1975.

A Foxfire Christmas: Appalachian Memories and Traditions. New York: Doubleday, 1990; Chapel Hill, NC: University of North Carolina Press, 1996. 7–up This popular collection of Christmas memories and lore first appeared in 1985 as a 64-page Christmas card for Doubleday friends and clients under the title A Foxfire Christmas and Other Affairs of Just Plain Living. It was expanded and published as a full-length Foxfire title in 1990 and reprinted in 1996 by the University of North Carolina Press, with a new Preface by Bobby Ann Starnes. In keeping with the tradition, this volume of Appalachian Christmas traditions and stories was produced by Wigginton’s highschool English students in Rabun Gap, Georgia. It focuses on “the food, the people, the decorations, and the customs. There is a chapter of recipes, instructions for making decorations and toys, and lots of stories and anecdotes transcribed from taped interviews about Christmases in the 1930s (when celebrations were sometimes meager but memories were heartily cherished)” (Booklist, Oct. 15, 1990).

Foxfire 2: Ghost Stories, Spring Wild Plant Foods, Spinning and Weaving, Midwifing, Burial Customs, Corn Shuckin’s, Wagon Making, and More Affairs of Plain Living. Garden City, NY: Anchor/Doubleday, 1973. 7–up In Volume 2 of the Foxfire series, material from the magazine is again published in one volume, this one including “lore, crafts, everyday life, and homely philosophy from the southern Appalachians.... The longest section here — 84 pages — is on spinning and weaving wool, and the next longest—48 pages — is on spring wild plant foods. Both drawings and photographs do a good job of illustrating most

7–up Nine years after Wigginton and his Rabun Gap, Georgia, high-school English students began the Foxfire magazine, Volume 3 in the series was published. This collection includes student “essays and interviews on the unspoiled hill life of Rabun County with Wigginton’s editorial insight that gives, as Simmie Free would say, ‘the mostest of the bestest.’” Long essays are devoted to banjos and dulcimers, wild plant foods, and ginseng, along with short essays on other topics such as churning butter and making brooms (Library Journal, Oct. 15, 1975). Includes a cumulative index for the first three volumes.

Foxfire 4: Water Systems, Fiddle Making, Logging, Gardening, Sassafras Tea, Wood Carving, and Further Affairs of Plain Living. Garden City, NY: Anchor, 1977. 7–up Booklist describes Volume 4 as a continuation of the “unique project based on experiential rather than passive education,” which “continue[s] to provide a rich record of indigenous Appalachian culture and folk history” (Mar. 1, 1978). Includes an Afterword by noted folklorist Richard Dorson and an index.

Foxfire 5: Ironmaking and Blacksmithing, Flintlock Rifles, Bear Hunting, Flutter Mills, and Yet More Affairs of Plain Living. Garden City, NY: Anchor/Doubleday, 1979. 7–up Library Journal describes Foxfire 5 as “the tape-recorded history of an Appalachian valley.” In this volume, however, the focus is different from the previous four: “In the earlier books older residents demonstrated simple skills like oak-split basket-weaving while telling stories of their childhoods.” This volume “is a cultural history” with emphasis on the lives of the informants, such as Will Zoellner and Carrie Stewart. The “how-to” focus is still present, but the “history and techniques of these complicated processes become confusing with the repetitions inherent in the interview system.” Nevertheless, this title is “an invaluable addition to the archives of our country’s past” ( June 15, 1979). Includes an index and bibliography.

Foxfire 6: Shoemaking, 100 Toys and Games, Gourd Banjos and Songbows, Wooden Locks, a Water-Powered Sawmill, and Other Affairs of Just Plain Living. Garden City, NY: Anchor/Doubleday, 1980.

Wilkie • 273 7–up Foxfire 6 appeals to both the spiritual and the practical needs and interests of readers: “For the spirit, one finds instructions for playing 50 games and making gourd banjos, cornstalk fiddles, and 60 toys. For more earthly needs, the authors lay out plans for mountain homes and farms, as well as giving a detailed look at a sawmill. A must for all” (Booklist, Oct. 1, 1980). Includes a cumulative index for volumes four, five, and six.

Foxfire: 25 Years. Garden City, NY: Anchor, 1991. 7–up This retrospective of the Foxfire project is an “oral history of both the school and the publications whose educational philosophy sparked 25 years of experimentation and achievement among the residents of Appalachia.” Readers unfamiliar with the magazine and the annual publications “may be left a bit high and dry, however, since most of the accounts are too anecdotal and uncritical to give a fair assessment of either its techniques or its objectives.” For readers well acquainted with the project and its creator, “this volume will function as an excellent souvenir. Wigginton and his many students recall their learning experiences and reacquaint readers with some of the more fascinating stories and characters constituting the Foxfire legend” (Booklist, Apr. 15, 1991).

“I Wish I Could Give My Son a Wild Raccoon.” Garden City, NY: Anchor, 1976. 7–up In a Bicentennial publication for Reading is Fundamental, this volume “crosses cultural and regional barriers in a penetrating slice of oral history.” Eliot Wigginton has edited 39 interviews, collected by his high-school students from older informants who “speak out to young people, reflecting on the past and advising on the future.” The narrative essays vary in length; “each is prefaced by a brief biographic profile” and includes photographs, making for a “celebration of American courage and diversity suggested” (Booklist, Apr. 1, 1977).

Wigginton, Eliot, and Margie Bennett, eds. Foxfire 8. Garden City, NY: Anchor/Doubleday, 1984. 7–up Eliot Wigginton contributes an “extensive” Introduction to the eighth volume in the Foxfire series, commenting on the project’s history, “accomplishments and his aspirations for the future in the Appalachian town of Mountain City.” Though Volume 7 focused on a central theme, Christianity, “this volume returns the series’ focus to mountain customs, history, and crafts.” It also includes “[i]nterviews with several black residents,” which show the diversity of the region and “offer a unique slant to the local history.... Amusing, evocative accounts of cockfighting and mule-swapping round out this volume” (Booklist, Apr. 1, 1984). Includes an index of people.

Foxfire 9. Garden City, NY: Anchor/Doubleday, 1986. 7–up Booklist praises the Foxfire “experiment” as an “enduring example of a practical and effective educational philosophy.” While some of the material in this volume has appeared in preceding collections, it is “freshly presented” here. “Especially interesting is an in-depth look at general stores, the part they played in community life, and how they utilized the barter system” (Booklist, Oct. 1, 1986).

Wilkie, Katherine E. Daniel Boone. Champaign, IL: Garrard, 1960. 2–4 Wilkie’s title in the Discovery Books series achieves the series’ purpose: “to provide informative stories which are easy to read (grades 2–4) and of interest also to upper elementary grades.” Because Wilkie is “an authority” on Boone, the book consists of “accurate, high-interest-level, significant, true anecdotes” that “bring to life” her subject. Illustrations, format, and binding contribute to this “authentic, introductory, total-life biography” (Library Journal, Nov. 15, 1960).

Helen Keller: From Tragedy to Triumph, illus. by Robert Doremus. Indianapolis, IN: BobbsMerrill, 1983; New York: Aladdin, 1999. 3–4 First published in 1969 under the title Helen Keller: Handicapped Girl [see below], this biography in the Childhood of Famous Americans series focuses on Keller’s childhood and how she overcame being deaf and blind with the help of her teacher, Annie Sullivan.

Helen Keller: Handicapped Girl, illus. by Robert Doremus. Indianapolis, IN: Bobbs-Merrill, 1969. 5–7 Wilkie’s biography is of better quality than most books in the Childhood of Famous Americans series, perhaps because there is more known about Keller’s childhood and Wilkie doesn’t have to fictionalize to create interest. The early part of the story will be familiar to anyone who knows The Miracle Worker, especially the epiphany at the water pump. Children will also enjoy the chapter on Helen’s first visit to a circus. Miss Sullivan’s poor background and her lame brother’s death in a poorhouse add interest, as does the frank story of Helen’s being accused of plagiarizing Canby’s “The Frost Fairies.” Wilkie glosses over the death of Keller’s father but emphasizes the rift between Miss Sullivan and Mr. Gilman, who was briefly appointed her guardian. These details balance the usual glorification of Keller’s life without diminishing her accomplishments. However, Wilkie does not make clear that Keller’s opportunities are due in large part to her family’s resources and influential friends. As with other titles in the series, the biography contains a glossary, suggested further reading and activities, study questions, and a chronology. This

274 • Wilkie title was reissued in 1983 under the title Helen Keller: From Tragedy to Triumph [see above]. (RH)

John Sevier: Son of Tennessee. New York: Messner, 1958. 7–9 This highly fictionalized biography of “the pioneer, soldier, Indian fighter, and first governor of Tennessee, who was instrumental in the founding of the state” delivers “an interesting adventure story” and “a graphic account of the period.” In spite of the fictionalization, Library Journal considers the information to be “historically correct” ( Jan. 15, 1959). Includes an index and bibliography.

Simon Kenton: Young Trail Blazer, illus. by Gray Morrow. Indianapolis, IN: Bobbs-Merrill, 1960. 3–7 This biography from the Childhood of Famous Americans series tells the story of how Simon Kenton, who had heard of Daniel Boone and wanted to be like him, became a wilderness man and Indian fighter. His family, tobacco growers, lived on Bull Run Mountain in Virginia. The story emphasizes young Simon’s interest in hunting and the outdoors, which makes him different from his brothers who like farming and books. All the brothers are treated with equal respect, and he is praised for his hunting skill, which supplies meat for the table. Little is said of his four sisters, however. At age 16, Simon falls in love with Ellen Cummins, but when she marries another man, he lights out for the Ohio River and Kentucky. He becomes a guide and scout, leading many who came through the Cumberland Gap or down the Ohio. He is captured by Indians, tortured, and finally escapes to return to Virginia. There he persuades all his family except Mary and Mark to go with him to Kentucky. Eventually he marries and settles down to become known as “the Watchdog of the Frontier.” Kenton’s Station, which eventually became Washington, the seat of Mason County, is named for him. The ineffective last chapter is set in a tavern in 1827, when Kenton was 72, where an Easterner is being told the story of “General” Kenton’s life. Details are good and adventure is plentiful, but today the book comes across as unrealistic and dated. (RH)

Wilkie, Katherine E., and Elizabeth R. Moseley Frontier Nurse: Mary Breckinridge. New York: Messner, 1969. 4–7 School Library Journal describes this biography of a “promising subject” as a “mediocre, ... superficial, dull” account that “relates the potentially fascinating story of how Mrs. Breckinridge introduced nursing service to the remote areas of the Kentucky mountains, where medical aid was hardly known and desperately needed.” In spite of the impediments to her “dream,” such as “no roads or buildings, scanty personnel and enormous local ignorance, superstition and

poverty,” she nevertheless created an institution. Sadly, “almost nothing” of her struggle and triumph “comes through here.” The book is “sympathetic, enthusiastic and faithful to the facts,” but it provides little “more than a chronological retelling of events” (Nov. 1969). Includes an index.

Wilkinson, Brenda Scott Jesse Jackson: Still Fighting for the Dream. Englewood Cliffs, NJ: Silver Burdette, 1990. 7–up According to School Library Journal, Wilkinson provides a “gracefully written account of Jackson’s life,” though the biography “suffers from paraphrasing of supposed direct quotations” (May 1, 1991). Kirkus Reviews compares this biography to McKissack’s Jesse Jackson (1989), calling this “an admiring” portrait, though its “ink drawings” are “pointless” (Nov. 15, 1990). Contains black-and-white photographs and an Introduction by Andrew Young, along with a bibliography and index.

Williams, Colleen Madonna Flood Chuck Yeager. Philadelphia, PA: Chelsea, 2003. 7–up The Horn Book Guide considers this title in the Famous Flyers series to be “well-written” and strong on historical details (Fall 2003). Includes an essay on “Famous Firsts in Aviation,” archival photographs, a bibliography, and index.

Williams, Suzanne Morgan Cherokee Indians. Chicago: Heinemann, 2003. K–4 In this “serviceable introduction,” Williams provides “basic information” about the culture and history of the Cherokee (Horn Book Guide, Spring 2004). This title in the Native Americans series includes archival photographs, maps, a glossary, reading list, bibliography, and index.

Williams, Sylvia B. Paul Bryant: Football Legend. Birmingham, AL: Seacoast, 2002. 3–6 Williams presents the life story of Paul “Bear” Bryant, football coach at the University of Alabama.

Williams, Tony L. West Virginia: Our State, illus. by Eve S. Harvey and Cliff Harvey. Charleston, WV: West Virginia Historical Education Foundation, 1990. 4–up A title in the West Virginia Studies series.

West Virginia: Our State 2000 C. E., illus. by Eve S. Harvey, Cliff Harvey, Beverly Suratt, and Robin Kimball. Charleston, WV: West Virginia Historical Education Foundation, 1997. 4–up

Includes an index.

Wilson • 275

Williamson, Mary Lynn The Life of General Thomas J. Jackson. Richmond, VA: Johnson, 1918. 4–up The Preface states that the book, a title in the Biographical Readers series, was designed for fourth grade, but the absence of personalized action, the chronicle of military movements, and the nature of the details (erection of a statue in 1891 in Lexington, building of Jackson Memorial Hall at Virginia Military Institute) will certainly not interest a 21stcentury fourth-grader. Williamson, who was from New Market, Virginia, extols Stonewall Jackson’s “Christian Virtues” and military genius and liberally uses such descriptions as “our hero” and “our beloved General.” Her decidedly Southern bias results in an interesting view on why the Civil War began. The book ends with a collection of seven poems commemorating Jackson; each chapter ends with vocabulary words and study questions. A book of this nature provides an excellent contrast to current biography and is of primary use to researchers who seek good illustrations of how far children’s biography has come. (RH)

Willis, Patricia Danger Along the Ohio. New York: Clarion, 1997 4–6 In 1793, Amos, Clara, and Jonathan Dunn, along with Queen Anne, their cow, become lost from their father amid a Shawnee raid at Wheeling on the Ohio River. They float downstream on their flatboat but go ashore when it catches fire. Thinking they can reach Marietta on foot, they endure rain, cold, and fever but manage to survive by living on wild nuts and berries. Eventually they are befriended by Red Moccasin, an Indian boy who, in keeping with this genre of story, argues on their behalf against his tribe. Though “Willis provides a couple of novel twists,” she is given to “overexplanations” and “formulaic” prose. In spite of its flaws, the title may be “entertaining” (Bulletin, Apr. 1997). Book Report also considers the title “entertaining although a bit overdone” (Sept./Oct. 1997). Kirkus Reviews praises it as a “bracing work of historical fiction” and a “rousing adventure” (Feb. 15, 1997). School Library Journal agrees that this is a quality novel of adventure: “Willis combines the suspense of a page-turner, the danger level of a thriller, the fascination of a survival story, and the ease of a hi/lo vocabulary” (Maya 1997). Booklist points out that the author has also successfully captured the “anti–Indian prejudice of 1795 when white easterners fought to settle Ohio” (May 1, 1997).

Wilner, Barry Sports Great Peyton Manning. Berkeley Heights, NJ: Enslow, 2003. 4–6 The Horn Book Guide uses such terms as “formulaic” and “adulatory” in describing this title in

the Sports Great Books series. Though the book mentions “controversial issues,” they are “glossed over” (Fall 2003). Includes statistics, websites, and an index.

Wilsdon, Christina Johnny Appleseed: A Story of Generosity, illus. by Jeff Fischer. Pleasantville, NY: Reader’s Digest, 2006. 3–7

A title in the Famous Fables series.

Wilson, Hoyt R Joe Louis: The Brown Bomber. Birmingham, AL: Seacoast, 2005. 5–up Biography of professional boxer and Chambers County, Alabama, native Joe Louis.

Wilson, Jane, and Michaele Haas MeeMa’s Memory Quilt: Treasured Stories of Watauga County History, illus. by school children from Watauga County, North Carolina. Boone, NC: Parkway, 1999. 2–6 A young boy and his grandmother engage over a quilt whose squares depict the 150-year history of Watauga County, North Carolina. The publisher suggests that this title matches North Carolina’s fourth-grade curriculum standards.

Wilson, Leon This Boy Cody, illus. by Ursula Koering. New York: Watts, 1950. 4–6 A reviewer for the Horn Book says Wilson’s title “appeared with such a fanfare of advance publicity as to leave one hesitant to read the book. I liked it, however, and felt it true to its environment, full of life and humor with a brother and younger sister and a father and mother relationship which stems from the joy of living freely in close companionship” (Horn Book, Sept. 1950). The New York Times Book Review calls this title “one of the liveliest of recent stories of Southern highlands life” (Nov. 30, 1952). Wilson sets this story of Cody Capshaw in the Cumberland Mountains of Tennessee.

This Boy Cody and His Friends, illus. by Ursula Koering. New York: Franklin Watts, 1952. 4–6 Cody Capshaw’s adventures in the Appalachian mountains “form a more connected story” than did the first title This Boy Cody. “The local flavor is robust,” but Cody and his sister Omalia are “not just types” (New York Times Book Review, Nov. 30, 1952). Cody makes a fiddle but has to borrow one to win honorable mention in the Old Time Fiddlers Contest because the cow, Maud, destroys his homemade instrument. The book is characterized by “radiant good humor,” and “mountain expressions add color to the narrative” (Horn Book, Dec. 1952).

276 • Winders

Winders, Richard Bruce Davy Crockett: The Legend of the Wild Frontier. New York: PowerPlus, 2003. 4–8 This title in the Library of American Lives and Times series includes a bibliography and index.

Winter, Jonah Roberto Clemente: Pride of the Pittsburgh Pirates, illus. by Raúl Colón. New York: Atheneum, 2005. K–3 According to a School Library Journal review, this is a “sparkling picture-book biography” and “worthy tribute to an individual whose greatness extended beyond the baseball field and whose stature continues to grow.” The book is characterized by “lively text” and excellent illustrations that are “perfectly suited” (May, 2005). Horn Book concurs: “The impressionistic account” is perfectly matched by both the “emotion-laden watercolor portraits and blackand-white action shots” (Oct. 1, 2005). Booklist says this biography is “unabashedly inspirational”: “Baseball history brought vividly to life for a younger audience” (Feb. 15, 2005). Publishers Weekly stands alone in its negative assessment of both the text and the art: The “uneven narrative” results in a “spotty biography,” and “Colon’s art is inconsistent” (Feb. 7, 2005).

Wise, William Booker T. Washington, illus. by Paul Frame. New York: Putnam, 1968. 3–4 This title in the See and Read Biography series uses “short-sentence text” that is “logically reasoned” and “correct” but “dry.” It follows Washington’s life from slavery to “fame as head of Tuskegee Institute.” Its treatment of the Civil War, both in the text and the illustrations, mars an otherwise “attractive” book (School Library Journal, Oct. 15, 1968).

Wisler, G. Clifton Jericho’s Journey. New York: Lodestar, 1993. 4–7 Approximately half of this story of an 1852 migration to Texas is set in Appalachian Tennessee. Jerico Wetherby, age 12, and his family learn of cheap land in Texas, so after the fall harvest, they set out from Roane County, Tennessee, for a new home with Uncle Dan. Though Jerico has longed for adventures like Davy Crockett’s and Sam Houston’s, he is unprepared for the hard trip. Narrated in first person, he documents not only the trip, but his growth toward maturity. Publishers Weekly considers the novel “flawed by the characterization of older sister Mary Jane as a single-minded shrew,” but it is “otherwise sound, traditional historical fiction [that] furnishes a groundlevel view of western expansion” ( June 28, 1993). Booklist acknowledges the “lively, unassuming firstperson narrative,” and its “great local color” (Sept.

1993). Book Report points out that the novel’s “ring” of truth is largely due to its source; it is based on the diary of John English Deatherage ( Jan./Feb. 1994). The Horn Book Guide agrees that it “has an authentic ring” (Spring 1994), but Kirkus Reviews argues that “the characters remain a bit sketchy” ( July 1, 1993).

King’s Mountain. New York: HarperCollins, 2002. 5–8 Francis (Frank) Livingstone is 14 when he is sent with his sister Kate from the North Carolina mountains to Camden, South Carolina, to assist their grandmother in running her tavern. He is quickly caught up in the divided loyalties and conflicts of the Revolutionary War, including ambivalent feelings about hostilities toward the Cherokees, who are his relatives. Frank struggles with his pacificist leanings, but ultimately fights in the Battle of King’s Mountain. According to School Library Journal, Frank “is a fully fleshed-out character. His fears, doubts, and concerns are all on display, from his revulsion at shooting another human being to seeking his father’s love and approval” ( July 1, 2002). Booklist argues that the pace is “slowed by detailed tallies of atrocities and troop movements,” but the “story is rich in inner as well as outer conflict” (Mar. 15, 2002). The Horn Book Guide, on the other hand, finds the plot “predictable” though the “writing is sound” (Fall 2002). KLIATT Review has this to say: “Wisler conveys the difficulty of the times, especially for a sensitive boy who has no desire to kill or be killed” ( July 2002).

Red Cap. New York: Lodestar, 1991. 6–8 Wisler’s Civil War novel includes forays into West Virginia, and the opening is reflective of the Appalachian region, though not all of it is set in Appalachia. Based on the life of an actual drummer boy, this first-person account is “intimate and vivid and stark.” When Ransom Powell, age 13, runs away from his Maryland home to join the 10th Virginia Regiment of the Union Army in 1862, he is faced with the horrors of war, including imprisonment at Andersonville, Georgia. As with his other historical novels, Wisler bases his fiction on “careful research,” and produces “convincing” prose that “eschews hyperbole” while capturing the “grimness of war and prison” along with the “courage and tenacity of Union and Confederate troops” (Bulletin, July/Aug. 1991). The Horn Book praises the “accurate” setting and “believable” characters (Sept. 1991).

Wolff, Ruth A Crack in the Sidewalk. New York: John Day, 1965. 7–up According to the Horn Book, this “unpretentious” title is “for the girls who are ready for something beyond girls’ stories.” While the setting is not specific, the narrative makes reference to the Appalachian mountains, which was home for the

Woodson • 277 you just where we live in Kentucky,” but then proceeds to give clues that establish the setting as a threeday walk from the Big Sandy River. The nostalgic tone is patronizing, and “mountain people,” with their black felt hats, are depicted most unfavorably. (RH)

Templetons’ mother and father. “The Templeton family, poor but proud, are crowded into a three-room apartment in the wrong part of town where grass has long given way to cement. It is a loving family though the strict Bible-reading father keeps his six children on a tight rein and considers almost every relaxation but music sinful.” The story is told by Linsey, “whose years from thirteen to nineteen cover tragedies and joys in the family. Linsey might be considered a dropout but her lovely, though untrained, voice and her intimate knowledge of folksongs and mountain ballads offer hope for her future” (Dec. 1965).

Woodhouse, Jayne

Wood, D. K.

Woodruff, Elvira

Nightmare at Indian Cave. Self Published [Xlibris], 2006.

Ghosts Don’t Get Goose Bumps, illus. by Joel Iskowitz. New York: Holiday, 1993.

5–7 According to the book jacket, this timeshift, historical fantasy is set in Guest’s Crossing, Virginia, “at the head of Powell Valley, near Big Stone Gap” in Scott County. In August of 2004, three boys, Billy, Tony, and John, literally fall through a hole in the mountainside and find themselves transported to August of 1774. They are taken prisoners and quickly become embroiled in the conflicts surrounding the “half-breed” Benge, supposed to be a Shawnee, and his white-man companion, Hargus. These two villainous characters are offset by gentle Emily (“her smile made him feel warm inside” 49), who seems to know the boys’ fates. The book includes historical characters, such as Daniel Boone, and references to events, such as the Lost Colony of Roanoke Island, but the writing is weak (“Billy’s mind walked back along the creek” 102) and the plot convoluted. Attitudes and dialogue from the 1700s are anachronistic, and the political incorrectness is shocking in a 2006 title. (RH)

3–6 When Jenna, age 11, and her younger brother Nelson spend the summer at their aunt and uncle’s West Virginia farm, they discover that the farm is situated on an old, haunted marble factory. According to School Library Journal, this novel features “ghosts, asthma, a selectively mute five-year-old, and an aging mentally ill man” in a mix that — amazingly —“works,” and it avoids the “saccharine” to boot. Woodruff has delivered “a feel-good novel with a fast-paced, well-written story.... about strong friendships and lots of love between a brother and sister” (Oct. 1993). Booklist agrees that it succeeds with “believable characterizations, humorous conversations, and smooth narrative flow” (Nov. 15, 1993).

Wood, James Playsted Kentucky Time. Reading, MA: Addison-Wesley, 1977. 7–9 Verge Trewbridge, age ten, “is a survivor, albeit a slightly damaged one. In his wealthy Kentucky family, a beloved 91-year-old servant named Liz and a self-possessed physician uncle, Henry, are Verge’s sounding boards. Their unobtrusive sensibility anchors him in the face of preoccupied parents whose incompatibility has turned his father into a recluse professor and his mother into an ambitious civic and political leader.” The story focuses on Verge’s growth and maturity against the backdrop of these adult perspectives. “The authorial view of Verge’s mother is a bit muddled; she’s presented as selfishly uncaring and largely insensitive to family currents for a good portion of the story; then suddenly the reader is called on to be forgiving—her public career is something she has to do.” Wood needed to have done more “groundwork” for his “flawed” but “fierce” story (Booklist, Feb. 1, 1978). Verge declares, “I won’t tell

Helen Keller. Des Plaines, IL: Heinemann, 1999. 2–3 This introduction to the life of Helen Keller for younger readers is a title in the Lives and Times series.

Woodson, Jacqueline I Hadn’t Meant to Tell You This. New York: Delacorte, 1994. 7–up Publishers Weekly considers Woodson’s novel about incest and abuse to be “sensitive yet gritty.” The narrator is Marie, a black girl from a middle-class family who makes friends with “whitetrash” Lena Bright. Woodson does not shy away from the “sticky” race questions or the theme of incest. When all attempts to solve Lena’s dilemma fail, she runs away. “Told in adroitly sequenced flashbacks, Woodson’s novel is wrenchingly honest and, despite its sad themes, full of hope and inspiration” (Apr. 18, 1994). According to Booklist, this is a “quiet, beautiful friendship story” about two girls who “resist the bigotry in their school and the sorrow in their families.” Woodson delivers “complicated” characters, and “the casual dialogue is sharp with pain, soft with affection.” The novel is not perfect (one “didactic chapter ... seems patched on”), but the “candor is welcome” (Feb. 15, 1994). The Bulletin considers this Woodson’s “best” book, its “rough-edged and ambivalent” emotions rendered with an “elegiac quality,” though the “structure is a little neat” (Mar. 1994). The Horn Book Guide praises the “deftly drawn, whole” characters, the “spare prose and crystal images” (Fall 1994). School Library Journal praises Woodson’s “exceptional book” that

278 • Woog provides “no easy answers for either girl” but delivers “honesty, growth, and love” (May 1, 1994).

Lena. New York: Delacorte, 1999. 5–up This sequel to I Hadn’t Meant to Tell You This finds Lena Bright and her little sister, Dion, fleeing Ohio and their abusive father for Pine Mountain, Kentucky, where her mother was born. “Writing in Lena’s voice, striking for its balance of toughmindedness and tenderness, Woodson conveys the love that the protective heroine feels for her sister as well as the compassion of strangers” who come to their aid. “Soulful, wise and sometimes wrenching, this taut story never loses its grip on the reader” (Publishers Weekly, Dec. 14, 1998). Booklist asserts that the primary “appeal” of the novel “is the survival story” (Feb. 1, 1999). KLIATT Review also praises the novel as a “quiet, affecting” stand-alone to the previous title ( Jan. 1999). The Bulletin also finds it to be “ultimately a tender and loving story” (Apr. 1999). The Five Owls calls it “remarkable and painful” (Sept./Oct. 1999), and the Horn Book Guide considers it a “thoughtful study” (Fall 1999). School Library Journal points to Woodson’s “excruciating clarity about difficult issues of childhood” (May 1, 1999). Other review sources point to flaws. Voice of Youth Advocates mentions the “too tidy” ending (Feb. 1999), and Kirkus Reviews criticizes its “severely unbalanced structure” and its “shrink-wrapped” ending, both of which make for a “weak sequel” (Dec. 15, 1999).

Woog , Adam Lucille Ball. San Diego, CA: Lucent, 2002. 7–up From the Importance Of series, this is the life story of New York native and entertainer Lucille Ball. Includes a bibliography and index.

Wooldridge, Connie Nordhielm Wicked Jack, illus. by Will Hillenbrand. New York: Holiday, 1995. K–3 Wooldridge’s picture-book adaptation of this old folktale finds Wicked Jack being true to form: Upon his death, the devil himself refuses Jack entrance to Hell, and he is forced to roam the Great Dismal Swamp forever. Wooldridge writes with “rhythmic phrases and colorful expressions” in “an assured voice, using a sly understatement that provides a terrific backdrop for the” illustrations. “And Jack himself is priceless, a lumbering oaf with a massive body and ridiculously delicate little feet. Hillenbrand can create figures that will provoke a laugh just by being there” (School Library Journal, Dec. 1995). Richard Chase and Zora Neale Hurston have both collected this tale, which Wooldridge and Hillenbrand render in a “lively” style with “no demeaning cuteness.” For comparative studies, the book can be used with Brusca’s The Blacksmith and the Devils (1992) and Calhoun’s Big Sixteen (1983) (Bulletin, Dec. 1995). Booklist considers this title an “auspicious debut” for

Wooldridge, a “folktale adaptation that works” (Nov. 1, 1995). Publishers Weekly says “this pleasingly tart” variant is told “with a breezy Southern twang.” Hillenbrand’s “characters are both idiosyncratic and lassic [sic], giving the book the feel of a well-loved fairy tale” (Oct. 2, 1995).

Wooten, Sara McIntosh Billy Graham: World-Famous Evangelist. Berkeley Heights, NJ: Enslow, 2001. 6–up Though Horn Book Guide judges this title to be “flatly written” but “sufficient for report writing” (Apr. 2002), the Booklist review is more approving: “This solid, engaging entry in the People to Know series begins with an attention-grabbing, detailed account of an early crusade that made Graham famous.” Stories from Graham’s childhood and teen years, along with anecdotes from family members and his wife Ruth, liven up the “straightforward and evenhanded” account of Graham’s life (Oct. 2001).

Wright, Anna Rose Hungry Hollow. New York: Friendship, 1951. 3–5 Set in an “inaccessible settlement” in the Great Smoky Mountains, this is a city-boy-goes-tothe-country tale. Dick Gregory, from New York, visits a mission doctor and makes friends among the mountain people. Wright “accents the integrity, pride, and way of life of the mountaineers. Phraseology and dialect seem accurate,” but the style is “mediocre” (Library Journal, Sept. 1951).

Wright, Frances Fitzpatrick Andrew Jackson: Fighting Frontiersman, illus. by Raymond Abel. New York: Abingdon, 1958. 3–6 According to Library Journal, this “factual” account of Andrew Jackson’s life “reads more like a good history text than a biography.” While Wright’s rendering is “acceptable, it just isn’t the type of book which will spark a great enthusiasm for biography,” and it does not compare favorably with Genevieve Foster’s Andrew Jackson (1951) (Apr. 15, 1958).

Sam Houston: Fighter and Leader, illus. by Robert Burns. Nashville, TN: AbingdonCokesbury, 1953. 4–5 Wright’s biography of Sam Houston is “adequate” in its depiction of “the events of his life and his understanding of the Indian and his loyalty to the country” (Library Journal, Oct. 1, 1953).

Wyman, Andrea Faith, Hope, and Chicken Feathers. New York: Holiday, 1994. 5–7 At mid-year, three new kids join the sixth grade at Whispering Springs Elementary School in Morgantown, West Virginia: Sophie, who suffers from obesity; YL, an African-American boy who won’t dis-

Youmans • 279 close his real name; and Harper, who believes her father was killed in Vietnam but discovers otherwise. These misfits bond as they withstand hazing and humiliation from their classmates. “They’re all outsiders who to some extent stay that way.” The teacher, Mrs. TenBroeck, reads aloud a novel that is “distracting and dispensable” and “not terribly interesting.” The novel ends without resolution (Bulletin, July/Aug. 1994). The plot is “sometimes too complicated,” but readers will identify with the “well-developed” characters (Kirkus Reviews, Apr. 15, 1994). Wyman has delivered a “portrait of a gifted teacher and a realistic look at intraclass rivalries” that is “witty without being flip” (Booklist, July 1994). In spite of its strengths, the “overly long” novel suffers from “lack of focus” (Horn Book Guide, Fall 1994).

Yacowitz, Caryn Shawnee Indians. Chicago: Heinemann, 2003. 2–4 Included in the Native Americans series, this title presents a brief description of the history, culture, and customs of the Shawnee. A “serviceable addition” to a library collection (School Library Journal, May 1, 2004).

Yeager, Alice Lurleen B. Wallace: Alabama’s First Woman Governor. Birmingham, AL: Seacoast, 2003. 3–6 Included in the Alabama Roots Biographies series, this volume presents the life of Tuscaloosa native Lurleen B. Wallace. Yeager discusses her childhood in Fosters, Alabama; her schooling; her political life; and her battle with cancer. Mrs. Wallace, wife of Governor George Wallace, was elected Governor of the State of Alabama in 1966 and died shortly thereafter.

W. C. Handy: Father of the Blues. Birmingham, AL: Seacoast, 2003. 3–6 Included in the Alabama Roots Biography series, this volume presents the life story of blues composer and musician, W. C. Handy, known as the “Father of the Blues.”

Yep, Laurence Dream Soul. New York: HarperCollins, 2000. 4–8 This sequel to The Star Fisher (1991) continues the story of Joanie Lee, age 15, who is the oldest child in the Lee family and responsible for her two siblings. Set in 1927 in Clarksburg, West Virginia, the story centers on the children’s desire to celebrate Christmas as their peers do and their strictly Chinese father’s reluctance to acknowledge the American celebration. When Mr. Lee becomes ill, Joanie reclaims her heritage in a loving gesture, and the family enjoys a “secular” Christmas celebration that “radiates the warmth and spirit of the season in a jubilant conclusion” (Booklist, Dec. 1, 2000). The novel is “smooth, tightly woven, and thoroughly satisfying,” though the

use of italics to indicate spoken English is “distracting” (Kirkus Reviews, Aug. 15, 2000). Joanie faces her father’s illness “with what she once passively rejected” and “fuses the wisdom of Chinese folklore with her own American grit to find her way. Details of landscape, climate, and period are quite evocative,” and “characters are fully developed. Even the minor figures are interesting” (School Library Journal, Oct. 2000). According to Yep, the novel is drawn from his mother’s experience of moving from Ohio to West Virginia, which lends it an “inside intimacy” and gives it “a core of truth that will resonate with readers” (Bulletin, Dec. 2000). The Horn Book says that Yep succeeds in “nicely evoking the 1927 West Virginia setting” with a style reminiscent of Laura Ingalls Wilder’s ( Jan. 2001). Publishers Weekly praises the story as “original and surprising” (Oct. 21, 2002).

The Star Fisher. New York: Morrow, 1991. 6–9 Yep’s story about Joanie Lee, age 15, is set in 1927 Clarksburg, West Virginia, and drawn from his mother’s experience of moving from Ohio to West Virginia as a teenager. Her family ran a laundry in an old school and were determined to escape the Chinatowns of New York and San Francisco. The title comes from a Chinese folktale in which a beautiful woman, who is really a kingfisher, catches stars in the sky, a “symbol of the dispossessed belonging, or not, to two worlds.” This novel is “the author’s mythic experience of becoming American” (Five Owls, May/June 1991). The family endures prejudice and bigotry, which Yep delivers as “a forceful picture” balanced by the “courage and patience” of the Lee family (Bulletin, Apr. 1991). Kirkus Reviews considers the book a “likable, thoughtful story about a young woman learning to value her own differences” (May 15, 1991). The Horn Book Guide deems the book a “pleasure” that “educates” the heart (Fall 1991).

York, Carol Beach Johnny Appleseed, illus. by Joan Goodman. Mahwah, NJ: Troll, 1980. 1–4 This title in the Folk Tales of America series is fairly attractive, “inexpensive,” well-constructed, and well-designed. The “illustrations are uniformly well drafted, and although they do not really extend the texts, they at least do no violence to them.” Beyond these positive aspects, however, “the series meets with mixed success,” especially “York’s self-consciously cute non sequiturs. Some of the language difficulties come from weaknesses that no successful storyteller can afford, especially the tendency to explain what is better left unexplained. The intrusion of literalism very much weakens” the book (School Library Journal, Oct. 1980).

Youmans, Marly The Curse of the Raven Mocker. New York: Farrar, Straus and Giroux, 2003.

280 • Young 5–8 In Appalachian children’s literature, fantasy is rare. Youmans’ novel is an exception. It tells the story of the mythical Adantans, people of mixed Cherokee, Irish, and Scots blood, in the Great Smoky Mountains of western North Carolina and eastern Tennessee. Adanta’s father, Jess, falls ill and goes in search of Atagahi, a secret, mystical lake whose waters have healing power. Then Adanta’s mother is caught in the spell of a Raven Mocker, an evil creature that steals life. Left alone, Adanta sets out to find her parents and in so doing, she becomes enmeshed in the mystical world of Cherokee little people and shape shifters and European witches and wizards. The novel gets mixed reviews. Booklist argues that lovers of fantasy will appreciate a “high fantasy with a truly American setting” that is “original, imaginative” and “well-researched” (Sept. 1, 2003). According to School Library Journal, the “cultures blend and the lines of reality and fantasy blur.... There are a lot of good, exciting characters and events — people being stolen, men changed into other creatures — but the intricate plot has many side steps that can be difficult to keep straight, and it will take an excellent reader to keep them all sorted out. In the end, the story cannot quite stand up to the weight of all the characters and all that is going on in it” (Dec. 1, 2003). Kirkus Reviews labels this an “ambitious fantasy” wherein the “fusion of Appalachian and Cherokee cultures is compelling ... though it could be smoother” (Sept. 1, 2003). The Horn Book Guide says it is “difficult” to tell which “elements come from traditional sources” and which come from Youmans’ “imagination” (Spring 2004). Library Media Connection agrees that the “intricately woven plot ... sometimes lacks tension,” and the many characters and events “require concentration,” but good readers can master it (Dec. 1, 2003). Includes a glossary of Adantan terms.

Ingledove. New York: Farrar, Straus and Giroux, 2005. 5–up In the sequel to The Curse of the Raven Mocker, Ingledove and her brother Lang set off on a quest to the mythical Adantis in the Blue Ridge Mountains. In this “richly imagined setting,” the pair learn that Adantis is populated with mixed descendants of Celtic immigrants and Cherokee Indians, and their deceased mother was a member of the group (Booklist, Apr. 15, 2005). Lang is bewitched, and Ingledove must seek out a witchmaster who will save his life. Ingledove’s search, “lovingly enriched by Celtic and Cherokee mythology,” ends abruptly “with too little personal growth for conventional fiction.” However, readers will find the book’s premise and the writing to be “fascinating” (Kirkus Reviews, Apr. 15, 2005). The Bulletin concurs: “Deft writing and the unusual yet down-home setting make this an engaging fantasy (May, 2005). Includes a glossary of Adantan terms.

Young , Stanley Young Hickory: A Story of the Frontier Boyhood and Youth of Andrew Jackson, illus. by Robert Fawcett. New York: Farrar and Rinehart, 1940. 5–up The New York Times Book Review considers this biography of the young Andrew Jackson to be a welcome addition to the usual accounts of the “hardbitten countenance” of the adult. Young’s narrative follows Jackson’s life from age 13 to the year he was engaged to Rachel Donelson. Old Hickory is shown to be a “character which developed logically into the stormy, not by any means wholly admirable, but always picturesque leader.” He is shown to be “a wholly engaging character, likable for his boyish, forthright faults, his self-doubts, his quick temper, as well as for his courage, his sportsmanship and his deep integrity.” The biography is episodic, and Young enlivens the era with “vivid details of back-country life and the luxurious existence of the seaboard, with a sense of humor which brings out the salty qualities of many minor figures of that bustling, growing age.” This is a “meaty book” (Nov. 24, 1940).

Yuhas, Thomas, Ray Duke, and Erma Konitsky, eds. Out of the Dark. Barnesboro, PA: Northern Cambria High School, (1975) 1976. 7–up An introductory paragraph states, “An anthology of student writing on the subject of mining, Out of the Dark commemorates the 79 men who lost their lives in the Spangler Reilly Mine Explosion, and is dedicated to all Cambria County miners, past and present.” This 80-page paperback contains poetry and short biographical essays (including one interview) about the students’ family members and neighbors. Black-and-white photographs add stark realism, making for an important collection of local history. (RH)

Out of the Dark 2: Mining Folk. Barnesboro, PA: Northern Cambria High School, 1977. 7–up Following the successful first volume, Out of the Dark 2 continues the Barnesboro, Pennsylvania, high-school project that was created to encourage students to “explore their heritage as members of a coal mining community and to express in various artistic forms (including poetry) the information and values they discover.” It “affords a personalized portrait of life in a coal mining community ... and draws on family memories in prose pieces of varying lengths” (Booklist, June 15, 1977). Illustrated with photographs.

Zadra, Dan Daniel Boone: In the Wilderness (1734–1820), illus. by Harold Henriksen. Mankato, MN: Creative, 1988.

Zronik • 281 2–4 An easy-to-read biography of Daniel Boone included in the We the People series.

Davy Crockett. Mankato, MN: Creative, 1992. 2–4 This brief biography of the Tennessee woodsman, renowned as a hunter, scout, politician, and soldier, is a title in the We the People series.

Sam Houston. Creative, 1988. 2–4 This easy-to-read biography of the soldier and politician who helped gain Texas’ independence from Mexico and became president of the new Republic of Texas in 1836 is a title in the We the People series.

Zannos, Susan The Life and Times of Stephen Foster. Hockessin, DE: Mitchell Lane, 2004. 4–7 Zannos presents a “well-researched” (Horn Book Guide, Spring 2004) biography of Pittsburgh native Stephen Foster. Published in the Masters of Music series, the book includes a glossary, chronology, websites, suggestions for additional reading, bibliography, and index.

Zarzycki, Daryl Davis Johnny Appleseed. Hockessin, DE: Mitchell Lane, 2007. 1–4 This title in the Robbie Reader: What’s so Great About ... ? series explores the background, accomplishments, and stories of American folk hero Johnny Appleseed. Includes a bibliography.

Zaunders, Bo The Great Bridge-Building Contest, illus. by Roxie Munro. New York: Abrams, 2004. 3–5 Lemuel Chenoweth, described as “a humble cabinetmaker” from northwestern Virginia, which is now West Virginia, competed with professional engineers to design the Tygart River Bridge at Philippi, Virginia. When he presented a wooden model, not a set of blueprints, he won the contract, and the bridge

was built in 1852. This is a “charmingly illustrated” book that includes related information on the Civil War (Booklist, Dec. 1, 2004). Horn Book describes the text as “conversational” (Apr. 1, 2005). School Library Journal says the title is “misleading,” because the book is a “tribute” to Chenoweth, not a history of the bridge. Some words may be above the comprehension level of the targeted audience. But on the whole, this “informative book about the accomplishments of an ingenious man will interest children who enjoy reading about engineering feats” (Mar. 1, 2005).

Ziefert, Harriet, ad. Sleepy-O!, illus. by Laura Rader. Boston: Houghton Mifflin, 1997. K–1 This “folksy, musical frolic” is a picturebook adaptation of a Jean Ritchie song about trying to get the baby to sleep. “Cartoonish watercolor-andpen illustrations feature an energetic rural family where even the farm animals look disgusted with the wailing child” (Bulletin, Oct. 1997). Music to the song is included.

Zonderman, Jon Helen Keller and Annie Sullivan: Working Miracles Together, illus. by Jerry Harston. Woodbridge, CT: Blackbirch, 1994. 2–3 This title in the Partners series includes a bibliography and index.

Zronik, John Daniel Boone: Woodsman of Kentucky. New York: Crabtree, 2006. K–6 This “enduring” biography of Daniel Boone provides “good descriptions of settler life, and descriptions of the lifestyles of American Native Indians of the time” (Resource Links, Oct. 2006). Includes Boone’s legendary exploits as a trapper and soldier, his meetings with the Shawnee and Cherokee, and his lasting legacy in helping to build the Wilderness Road—one of the most historic highways in America.

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Appendix I: Counties in Appalachia The following counties are within the Appalachian region as defined by the Appalachian Regional Commission. Forsyth, Graham, Haywood, Henderson, Jackson, McDowell, Macon, Madison, Mitchell, Polk, Rutherford, Stokes, Surry, Swain, Transylvania, Watauga, Wilkes, Yadkin, and Yancey

Alabama: Bibb, Blount, Calhoun, Chambers, Cherokee, Chilton, Clay, Cleburne, Colbert, Coosa, Cullman, De Kalb, Elmore, Etowah, Fayette, Franklin, Hale, Jackson, Jefferson, Lamar, Lauderdale, Lawrence, Limestone, Macon, Madison, Marion, Marshall, Morgan, Pickens, Randolph, St. Clair, Shelby, Talladega, Tallapoosa, Tuscaloosa, Walker, and Winston

Ohio: Adams, Ashtabula, Athens, Belmont, Brown, Carroll, Clermont, Columbiana, Coshocton, Gallia, Guernsey, Harrison, Highland, Hocking, Holmes, Jackson, Jefferson, Lawrence, Mahoning, Meigs, Monroe, Morgan, Muskingum, Noble, Perry, Pike, Ross, Scioto, Trumbull, Tuscarawas, Vinton, and Washington

Georgia: Banks, Barrow, Bartow, Carroll, Catoosa, Chattooga, Cherokee, Dade, Dawson, Douglas, Elbert, Fannin, Floyd, Forsyth, Franklin, Gilmer, Gordon, Gwinnett, Habersham, Hall, Haralson, Hart, Heard, Jackson, Lumpkin, Madison, Murray, Paulding, Pickens, Polk, Rabun, Stephens, Towns, Union, Walker, White, and Whitfield

Pennsylvania: Allegheny, Armstrong, Beaver, Bedford, Blair, Bradford, Butler, Cambria, Cameron, Carbon, Centre, Clarion, Clearfield, Clinton, Columbia, Crawford, Elk, Erie, Fayette, Forest, Fulton, Greene, Huntingdon, Indiana, Jefferson, Juniata, Lackawanna, Lawrence, Luzerne, Lycoming, McKean, Mercer, Mifflin, Monroe, Montour, Northumberland, Perry, Pike, Potter, Schuylkill, Snyder, Somerset, Sullivan, Susquehanna, Tioga, Union, Venango, Warren, Washington, Wayne, Westmoreland, and Wyoming

Kentucky: Adair, Bath, Bell, Boyd, Breathitt, Carter, Casey, Clark, Clay, Clinton, Cumberland, Edmonson, Elliott, Estill, Fleming, Floyd, Garrard, Green, Greenup, Harlan, Hart, Jackson, Johnson, Knott, Knox, Laurel, Lawrence, Lee, Leslie, Letcher, Lewis, Lincoln, McCreary, Madison, Magoffin, Martin, Menifee, Metcalfe, Monroe, Montgomery, Morgan, Nicholas, Owsley, Perry, Pike, Powell, Pulaski, Robertson, Rockcastle, Rowan, Russell, Wayne, Whitley, and Wolfe

South Carolina: Anderson, Cherokee, Greenville, Oconee, Pickens, and Spartanburg

Maryland: Allegany, Garrett, and Washington

Tennessee : Anderson, Bledsoe, Blount, Bradley, Campbell, Cannon, Carter, Claiborne, Clay, Cocke, Coffee, Cumberland, De Kalb, Fentress, Franklin, Grainger, Greene, Grundy, Hamblen, Hamilton, Hancock, Hawkins, Jackson, Jefferson, Johnson, Knox, Lawrence, Lewis, Loudon, McMinn, Macon, Marion, Meigs, Monroe, Morgan, Overton, Pickett, Polk, Putnam, Rhea, Roane, Scott, Sequatchie, Sevier, Smith, Sullivan, Unicoi, Union, Van Buren, Warren, Washington, and White

Mississippi: Alcorn, Benton, Calhoun, Chickasaw, Choctaw, Clay, Itawamba, Kemper, Lee, Lowndes, Marshall, Monroe, Montgomery, Noxubee, Oktibbeha, Panola, Pontotoc, Prentiss, Tippah, Tishomingo, Union, Webster, Winston, and Yalobusha New York : Allegany, Broome, Cattaraugus, Chautauqua, Chemung, Chenango, Cortland, Delaware, Otsego, Schoharie, Schuyler, Steuben, Tioga, and Tompkins

Virginia: Alleghany, Bath, Bland, Botetourt, Buchanan, Carroll, Craig, Dickenson, Floyd, Giles, Grayson, Henry, Highland, Lee, Montgomery, Patrick, Pu-

North Carolina: Alexander, Alleghany, Ashe, Avery, Buncombe, Burke, Caldwell, Cherokee, Clay, Davie,

283

284 • Appendix I: Counties in Appalachia laski, Rockbridge, Russell, Scott, Smyth, Tazewell, Washington, Wise/Norton, and Wythe. The following independent cities in Virginia are also within the Appalachian Region: Bristol, Buena Vista, Covington, Galax, Lexington, Martinsville, Norton, and Radford. West Virginia: All counties: Barbour, Berkeley, Boone, Braxton, Brooke, Cabell, Calhoun, Clay, Doddridge,

Fayette, Gilmer, Grant, Greenbrier, Hampshire, Hancock, Hardy, Harrison, Jackson, Jefferson, Kanawha, Lewis, Lincoln, Logan, Marion, Marshall, Mason, McDowell, Mercer, Mineral, Mingo, Monongalia, Monroe, Morgan, Nicholas, Ohio, Pendleton, Pleasants, Pocahontas, Preston, Putnam, Raleigh, Randolph, Ritchie, Roane, Summers, Taylor, Tucker, Tyler, Upshur, Wayne, Webster, Wetzel, Wirt, Wood, and Wyoming

Appendix II: Grade Levels (Authors, Titles) GRADE LEVEL PRE-K

Hooks, William H. The Three Little Pigs and the Fox Houston, Gloria. My Great-Aunt Arizona Johnson, Paul Brett. The Goose Who Went off in a Huff _____. Jack Outwits the Giants Justus, May. Fun for Hunkydory _____. Whoop-ee, Hunkydory! Kastner, Jill. Snake Hunt Langstaff, John, ed. Frog Went A-Courtin’ Lyon, George Ella. Basket _____. A Traveling Cat _____. Who Came Down That Road? MacDonald, Margaret Read. The Old Woman and Her Pig: An Appalachian Folktale Margolin, H. Ellen. Goin’ to Boston: An Exuberant Journey in Song Marsh, Carole [Longmeyer]. Secret Christmas Potpourri and Tussie Mussie Story Kit Millen, C. M. Blue Bowl Down: An Appalachian Rhyme Milnes, Gerald. Granny Will Your Dog Bite and Other Mountain Rhymes Moore, MariJo. The Cherokee Little People: A Native American Tale O’Kelley, Mattie Lou. Circus! Presley, Elvis, and Vera Matson. Love Me Tender Rylant, Cynthia. Miss Maggie _____. Night in the Country _____. The Relatives Came _____. This Year’s Garden Sawyer, Ruth. Journey Cake, Ho! Shelby, Anne. We Keep a Store Smucker, Anna Egan. No Star Nights Tyler, Gillian. Frogg y Went a-Courtin’ Vogel, Carol Lynne. My Mommy’s in Prison Walker, Pam. Helen Keller Watkins, Sherrin. Green Snake Ceremony

Frazee, Maria. Hush, Little Baby: A Folk Song

GRADE LEVEL K-1 Gray, Libba Moore. The Little Black Truck _____. When Uncle Took the Fiddle Harshman, Marc. All the Way to Morning Langstaff, John, ed. Over in the Meadow Wadsworth, Olive A. [pseud. of Katherine Floyd Dana]. Over in the Meadow Ziefert, Harriet, ad. Sleepy-O!

GRADE LEVEL K-2 Aliki [Aliki Brandenberg]. Hush Little Baby: A Folk Lullaby Appelt, Kathi. The Best Kind of Gift Benét, Rosemary, and Stephen Vincent Benét. Johnny Appleseed Birdseye, Tom. Soap! Soap! Don’t Forget the Soap!: An Appalachian Folktale Bruchac, Joseph. The First Strawberries: A Cherokee Story Carpenter, Eric. Young Davy Crockett: Frontier Pioneer Carson, Jo. You Hold Me and I’ll Hold You Compton, Joanne. Ashpet: An Appalachian Tale _____. Sody Sallyratus Compton, Kenn, and Joanne Compton. Jack the Giant Chaser: An Appalachian Tale Davis, Donald. Jack and the Animals Dewey, Ariane. The Narrow Escapes of Davy Crockett from a Bear, a Boa Constrictor, a Hoop Snake, an Elk, an Owl, Eagles, Rattlesnakes, Wildcats, Trees, Tornadoes, a Sinking Ship, and Niagara Falls Eversole, Robyn Harbert. The Magic House Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele]. Cully Cully and the Bear Gibbons, Faye. The Day the Picture Man Came _____. Mountain Wedding Hall, Francie. Appalachian ABCs Harshman, Marc, and Cheryl Ryan. Red Are the Apples Havill, Juanita. Kentucky Troll Henson, Heather. Angel Coming

GRADE LEVEL K-3 Adler, David A. A Picture Book of Davy Crockett _____. A Picture Book of Jesse Owens _____. Satchel Paige: Don’t Look Back Aliki [Aliki Brandenberg]. Go Tell Aunt Rhody Anderson, J. I. I Can Read About Johnny Appleseed

285

286 • Appendix II: Grade Levels (Authors, Titles) Arneach, Lloyd. The Animal’s Ballgame Atkins, Tonya Smith. The ABC’s of Clemson: For Tigers of All Ages Bailey, Bernadine. Picture Book of West Virginia Beecher, Elizabeth. Walt Disney’s Davy Crockett, King of the Wild Frontier Benét, Laura. Caleb’s Luck Benjamin, Anne. Young Rosa Parks: Civil Rights Heroine Bildner, Phil. Shoeless Joe and Black Betsy Birdseye, Tom. A Regular Flood of Mishap Birdseye, Tom, and Debbie Holsclaw Birdseye. She’ll Be Comin’ Round the Mountain Borton, Lady. Junk Pile! Bruchac, Joseph, and James Bruchac. How Chipmunk Got His Stripes: A Tale of Bragging and Teasing Calhoun, Mary [pseud. of Mary Huiskamp Wilkins]. The Traveling Ball of String Canyon, Christopher. John Denver’s Take Me Home, Country Roads Carlson, Judy. Nothing Is impossible, said Nellie Bly Carroll, Ruth, and Latrobe Carroll. The Managing Hen and the Floppy Hound _____. Salt and Pepper Carson, Jo. Pulling My Leg Caudill, Rebecca. A Pocketful of Cricket Caudill, Rebecca, and James Ayars. Contrary Jenkins Credle, Ellis. Down, Down the Mountain _____. The Goat That Went to School _____. Janey’s Shoes Crum, Shutta. My Mountain Song Cullen, Lynn. Little Scraggly Hair: A Dog on Noah’s Ark Duvall, Deborah L. The Great Ball Game of the Birds and Animals Eady, Ellen. Pardon Me — Is That the Chattanooga ChooChoo? Ernesto, Lilly. How Grandmother Spider Got the Sun: A Cherokee Tale Flanagan, Alice K. Mrs. Scott’s Beautiful Art Frost, Helen. Let’s Meet Ida B. Wells-Barnett Gibbons, Faye. Emma Jo’s Song _____. Full Steam Ahead _____. Mama and Me and the Model-T Glass, Andrew. Bewildered for Three Days: As to Why Daniel Boone Never Wore His Coonskin Cap Gray, Libba Moore. My Mama Had a Dancing Heart Griffith, Helen V. Georgia Music Haley, Gail E. Jack and the Bean Tree _____. Jack and the Fire Dragon Halliburton, Warren. The Picture Life of Jesse Jackson Hamilton, Anna Blanche. Rabbit Goes Duck Hunting: A Cherokee Indian Legend Harrington, Janice N. The Chicken-Chasing Queen of Lamar County _____. Going North Harshman, Marc, and Bonnie Collins. Rocks in My Pockets Heldreth, Nancy Marie. Country Christmas Hendershot, Judith. Up the Tracks to Grandma’s Hiser, Berniece T. The Adventure of Charlie and His Wheat-Straw Hat: A Memorat Hoffman, Mary Ann. Peyton Manning: Football Star Hooks, William H. Snowbear Whittington: An Appalachian Beauty and the Beast

Hopkinson, Deborah. Girl Wonder: A Baseball Story in Nine Innings Horstman, Lisa. The Great Smoky Mountain Salamander Ball _____. The Troublesome Cub in the Great Smoky Mountains Houston, Gloria. But No Candy _____. The Year of the Perfect Christmas Tree Hunter, C. W. The Green Gourd: A North Carolina Folktale Hurst, Hawk. The Story of the First Flute: Based on an Ancient Cherokee Legend Johnson, Angela. Just Like Josh Gibson Johnson, Paul Brett. The Cow Who Wouldn’t Come Down Johnston, Tony. Amber on the Mountain _____. Yonder Justus, May. Tale of a Pig: Adaptation of an American Folk Song Keams, Geri. Grandmother Spider Brings the Sun: A Cherokee Story Keats, Ezra Jack. John Henry: An American Legend Kellogg, Steven. Sally Ann Thunder Ann Whirlwind Crockett: A Tall Tale Kile, Robin Propst. ...And They Named Me “Hope” _____. I Am a Miracle! Scout’s Story Klingle, Cynthia, and Robert B. Noyed. Helen Keller: A Level Two Reader Kramer, Sydelle A. Ty Cobb: Bad Boy of Baseball Lambert, Paulette Livers. Evening: An Appalachian Lullaby Langstaff, John, ed. The Swapping Boy Latham, Jean Lee. David Glasgow Farragut: Our First Admiral Lentz, Alice B. Tweetsie Adventure Leppard, Lois Gladys. Mandie’s Cookbook LeSourd, Nancy. Christy: Christmastime at Cutter Gap Lester, Julius. John Henry Lindbergh, Reeve. Johnny Appleseed Littlesugar, Amy. Shake Rag: From the Life of Elvis Presley Lyon, George Ella. A B Cedar: An Alphabet of Trees _____. Ada’s Pal _____. Cecil’s Story _____. Come a Tide _____. Counting on the Woods _____. A Regular Rolling Noah _____. A Sign Mandel, Peter. Say Hey: A Song of Willie Mays McKissack, Patricia C. Ma Dear’s Aprons Mellage, Nanette Van Wright. Coming Home: A Story of Josh Gibson, Baseball’s Greatest Home Run Hitter Miles, Miska. Hoagie’s Rifle-Gun Mills, Lauren. The Rag Coat Monjo, F. N. Indian Summer Monroe, Judy. Jesse Owens: Track-and-Field Champion Morris, Ann. Grandma Lois Remembers: An AfricanAmerican Family Story Norman, Gertrude. Johnny Appleseed O’Kelley, Mattie Lou. Moving to Town O’Neill, Jean. Cotton Top Pancella, Peggy. Great Smoky Mountains National Park Parton, Dolly. Coat of Many Colors Pennington, Daniel. Itse Selu: Cherokee Harvest Festival Polakoff, P. Byron. Arnold Palmer and the Golfin’ Dolphin

Appendix II: Grade Levels (Authors, Titles) • 287 Ransom, Candice F. One Christmas Dawn Raphael, Elaine, and Don Bolognese. Daniel Boone: Frontier Hero Ray, Deborah Kogan. My Dog, Trip Ross, Gayle. How Turtle’s Back Was Cracked: A Traditional Cherokee Tale Roth, Susan L., ad. Kanahena: A Cherokee Story Roth, Susan L., The Story of Light Ryan, Cheryl. Sally Arnold Rylant, Cynthia. Silver Packages: An Appalachian Christmas Story _____. The Ticky-Tacky Doll _____. When I Was Young in the Mountains Schroeder, Alan. Smoky Mountain Rose: An Appalachian Cinderella Shapp, Charles, and Martha Shapp. Let’s Find Out About Daniel Boone Sloat, Teri. Sody Sallyratus Small, Terry. Legend of John Henry Spradlin, Mike. Daniel Boone’s Great Escape Stauffacher, Sue. Bessie Smith and the Night Riders Stevens, Kathleen. Aunt Skilly and the Stranger Still, James. Jack and the Wonder Beans Stroud, Virginia. A Walk to the Great Mystery Swenson, Virginia, and Lawrence Tamblyn. The Power of Overcoming: Featuring the Story of Helen Keller Thornley, Stew. Super Sports Star Randy Moss Trotman, Felicity, and Shirley Greenway. Davy Crockett Vandalay, Martha. Pittsburgh: A to Z Wade, Mary Dodson. David Crockett: Sure He Was Right Wadsworth, Olive A. [pseud. of Katherine Floyd Dana]. Over in the Meadow: An Old Counting Rhyme _____. Over in the Meadow: A Counting-Out Rhyme _____. Over in the Meadow: A Counting Rhyme Wahl, Jan. Little Eight John Winter, Jonah. Roberto Clemente: Pride of the Pittsburgh Pirates Wooldridge, Connie Nordhielm. Wicked Jack

GRADE LEVEL K-4 Boraas, Tracey. Sam Houston: Soldier and Statesman Bradby, Marie. More Than Anything Else Bruchac, Joseph, and Gayle Ross. The Story of the Milky Way: A Cherokee Tale Brusca, María Cristina, and Toña Wilson. The Blacksmith and the Devils Buckley, James Jr. Peyton Manning Burke, Rick. Andrew Jackson _____. Daniel Boone Bushyhead, Robert H. Yonder Mountain: A Cherokee Legend Carroll, Ruth, and Latrobe Carroll. Beanie Credle, Ellis. Pig-O-Wee Davis, Donald. The Pig Who Went Home on Sunday: An Appalachian Folktale DeVillier, Christy. Davy Crockett Dewey, Ariane. The Tea Squall Duvall, Deborah L. How Medicine Came to the People: A Tale of the Ancient Cherokees _____. How Rabbit Lost His Tail: A Traditional Cherokee Legend _____. The Opossum’s Tale: A Grandmother Story _____. Rabbit and the Wolves

_____. Rabbit Goes Duck Hunting: A Traditional Cherokee Legend _____. Rabbit Plants the Forest: A Cherokee World Story Gove, Doris. One Rainy Night Hall, Francie. Scottish Highland Games Harshman, Marc. A Little Excitement Helldorfer, M. C. Hog Music Holland, Gini. Johnny Appleseed Horstman, Lisa. Smoky Mountain Wee Ones Johnson, Paul Brett. Fearless Jack Johnston, Tony. Trail of Tears Koestler-Grack, Rachel A. Chief John Ross Kurtz, Jane. Johnny Appleseed Lyon, George Ella. A Wordful Child Mader, Jan. Appalachian Mountains Marion, Jeff Daniel. Hello, Crow Mitchell, Margaree King. Uncle Jed’s Barbershop Peterson, David. Great Smoky Mountains National Park Quackenbush, Robert. Go Tell Aunt Rhody Ransom, Candice F. Danger at Sand Cave Red Earth. Selu and Kana’ti: Cherokee Corn Mother and Lucky Hunter Shapiro, Irwin. John Henry and the Double Jointed Steam Drill Steele, William O. The War Party Van Leeuwen, Jean. Nothing Here but Trees Williams, Suzanne Morgan. Cherokee Indians

GRADE LEVEL K-5 Bannon, Kay Thorpe. Uncle Thunder: A Cherokee Legend Bates, Artie Ann. Ragsale Bolden, Tonya. Through Loona’s Door: A Tammy and Owen Adventure with Carter G. Woodson Bushyhead, Robert H. Curious One: A Cherokee Story Caudill, Rebecca. Come Along! Green, Michelle Y. Willie Pearl _____. Willie Pearl: Under the Mountain Marsh, Carole [Longmeyer]. Tecumseh: An Ohio Experience Reader _____. The Virginia Reader: Davy Crockett Rylant, Cynthia. Christmas in the Country

GRADE LEVEL K-6 Belew, M. Wendell. The Dark’s a-Creepin’ Johnson, Ann Donegan. The Value of Determination: The Story of Helen Keller _____. The Value of Laughter: The Story of Lucille Ball _____. The Value of Love: The Story of Johnny Appleseed Zronik, John. Daniel Boone: Woodsman of Kentucky

GRADE LEVEL K-7 Allen, Nancy Kelly. Daniel Boone: Trailblazer

GRADE LEVEL K-8 Blevins, Wade. And Then the Feather Fell _____. The Wisdom Circle

GRADE LEVEL K-UP Aerial Photography Services. Great Smoky Mountains National Park

288 • Appendix II: Grade Levels (Authors, Titles) Chase, Richard, ad. Billy Boy Giovanni, Nikki. Knoxville, Tennessee Guerin-Fermigier, Franette, and Richard Nicolas. Warhol: Ten Lizes Kidd, Ronald. On Top of Old Smoky: A Collection of Songs and Stories from Appalachia Rylant, Cynthia. Appalachia: The Voices of Sleeping Birds Turner, Thomas Noel. Hillbilly Night Afore Christmas

GRADE LEVEL 1–2 Aliki [Aliki Brandenberg]. The Story of Johnny Appleseed Dolan, Sean. Helen Keller Ford, Anne. Davy Crockett Harrison, David L. Johnny Appleseed: My Story LaBella, Susan. West Virginia Lakin, Patricia. Helen Keller and the Big Storm Mara, Wil. Roberto Clemente McLeese, Don. Stonewall Jackson Moore, MariJo. The First Fire: A Traditional Native American Tale _____. The Ice Man: A Traditional Native American Tale Stewart, Wayne. The History of the Pittsburgh Pirates Taylor-Butler, Christine. Booker T. Washington

GRADE LEVEL 1–3 Accorsi, William. Rachel Carson Adler, David A. Helen Keller Bell, Thelma Harrington. Mountain Boy Bethell, Jean. Three Cheers for Mother Jones Blevins, Wiley. Once Upon a Hill: An Appalachian Tale Bulla, Clyde R. Daniel’s Duck Chaffin, Lillie D. We Be Warm Till Springtime Comes Chase, Richard, ad. Jack and the Three Sillies De Kay, Ormonde. Meet Andrew Jackson Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele]. Down in the Boondocks Gleiter, Jan, and Kathleen Thompson. Sam Houston _____. Sequoya Griffith, Helen V. Grandaddy and Janetta _____. Grandaddy’s Place _____. Grandaddy’s Stars Hendershot, Judith. In Coal Country Hodges, Margaret. The True Tale of Johnny Appleseed Jensen, Patsy. John Henry and His Mighty Hammer Josephs, Anna Catherine. Mountain Boy Justus, May. Barney, Bring Your Banjo _____. Peter Pocket: A Little Boy of the Cumberland Mountains _____. The Right House for Rowdy Kohn, Bernice. Talking Leaves: The Story of Sequoyah Krensky, Stephen. Davy Crockett: A Life on the Frontier Levinson, Nancy Smiler. Clara and the Bookwagon May, Kathy. Molasses Man McLeese, Don. Helen Keller Moser, Barry. Tucker Pfeffercorn: An Old Story Retold Moss, Marissa. Mighty Jackie: The Strike Out Queen Pancella, Peggy. Stephen Foster: The Man Behind Our Best-Loved Songs Rylant, Cynthia. Best Wishes Sargent, Dave, and Pat Sargent. Grady: (Dappled Grey) Proud to Be an American _____. Hoot

Shapiro, Irwin. Walt Disney’s Davy Crockett’s Keelboat Race Sutcliffe, Jane. Jesse Owens Underwood, Thomas Bryan. The Magic Lake: A Mystical Healing Lake of the Cherokee

GRADE LEVEL 1–4 Amper, Thomas. Booker T. Washington Barasch, Lynne. Knockin’ on Wood: Starring Peg Leg Bates Bell, Thelma Harrington. Pawnee Benjamin, Anne. Young Helen Keller: Woman of Courage Birchfield, D. L. Tecumseh, Leader Birdseye, Tom. Look Out, Jack! The Giant Is Back! Brown, Elizabeth Ferguson. Coal Country Christmas Chittum, Ida. A Nutty Business Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele]. The Crow and Mrs. Gaddy _____. Mrs. Gaddy and the Fast-Growing Vine _____. Mrs. Gaddy and the Ghost _____. My Stars, It’s Mrs. Gaddy!: The Three Mrs. Gaddy Stories _____. Squash Pie Glass, Andrew. Folks Call Me Appleseed John Howard, Elizabeth Fitzgerald. Virgie Goes to School with Us Boys Isaacs, Anne. Swamp Angel Justus, May. Peter Pocket’s Book, Including Peter Pocket and Peter Pocket’s Luck _____. Toby Has a Dog _____. You’re Sure Silly, Billy! Leavitt, Amie. Helen Keller LeBoutillier, Nate. Pittsburgh Steelers Lewis, J. Patrick. The Moonbow of Mr. B. Bones Lyon, George Ella. Mama Is a Miner Naden, Corinne J., and Rose Blue. John Henry: SteelDriving Man Rappaport, Ken. Super Sports Star Peyton Manning Rumford, James. Sequoyah: The Cherokee Man Who Gave His People Writing Sherman, John. Daniel Boone Bedtime Stories Singer, A. L. Davy Crockett and the King of the River _____. Davy Crockett and the Pirates at Cave-in Rock: Based on the Walt Disney Television Show Swain, Gwenyth. Johnny Appleseed Wahl, Jan. Tailypo! Warhola, James. Uncle Andy’s: A Faabbulous Visit with Andy Warhol Welch, Catherine A. Danger at the Breaker York, Carol Beach. Johnny Appleseed Zarzycki, Daryl Davis Johnny Appleseed

GRADE LEVEL 1–5 Bell, Thelma Harrington. Yaller-Eye Benét, Stephen Vincent. The Ballad of William Sycamore Burchard, S. H. (Sue). Franco Harris _____. Mean Joe Greene Cline-Ransome, Lesa Satchel Paige Ford, Carin T. Andy Warhol: The Life of an Artist Gigliotti, Jim. Peyton Manning Houston, Gloria. Littlejim’s Gift: An Appalachian Christmas Story

Appendix II: Grade Levels (Authors, Titles) • 289 Justus, May. Peddler’s Pack Korman, Justine. Davy Crockett and the Creek Indians _____. Davy Crockett at the Alamo O’Dell, Scott. Journey to Jericho Parish, Peggy. Let’s Be Early Settlers with Daniel Boone Rothaus, James R. Bo Jackson Schroeder, Alan. The Tale of Willie Monroe Steele, William O. The No-Name Man of the Mountain Watkins, Sherrin. White Bead Ceremony

GRADE LEVEL 1–6 Greene, Carol. John Chapman: The Man Who Was Johnny Appleseed Schanzer, Rosalyn. Davy Crockett Saves the World

GRADE LEVEL 1-UP Ethan, Eric Winston 500

GRADE LEVEL 2–3 Benge, Janet, and Geoff Benge. Helen Keller: Facing Her Challenges, Challenging the World Bodie, Idella. The Old Wagoner Buckley, James Jr. Roberto Clemente Cohen, Carol Lee. Sally Ann Thunder Ann Whirlwind Crockett DeVillier, Christy. Helen Keller Dubois, Muriel L. Helen Keller Feinstein, Stephen. Read About Helen Keller Gosda, Randy T. Booker T. Washington Graf, Mike. Mammoth Cave National Park Hollander, Paul. Sam Houston Hurwitz, Johanna. Helen Keller: Courage in the Dark James, Bessie Rowland. Happy Animals of Ata-Ga-Hi Johnston, Marianne. Davy Crockett Kelton, Nancy. The Finger Game Miracle Lund, Bill. The Cherokee Indians Lydon, Kerry Raines. A Birthday for Blue McLoone, Margo. Booker T. Washington: A Photo-Illustrated Biography Power, J. Tracy. Stonewall Jackson: Hero of the Confederacy Thoennes Keller, Kristin. Booker T. Washington: Educator and Leader Way, Jennifer. West Virginia West, Alan. Roberto Clemente: Baseball Legend Woodhouse, Jayne. Helen Keller Zonderman, Jon. Helen Keller and Annie Sullivan: Working Miracles Together

GRADE LEVEL 2–4 Adler, David A. A Picture Book of Helen Keller _____. A Picture Book of Rosa Parks Alphin, Elaine Marie. Davy Crockett Bathurst, Dana Brewer. Eva Dykes: A Star to Show the Way Bice, David A. The Pringle Tree Bruchac, Joseph. The Trail of Tears Carroll, Ruth, and Latrobe Carroll. Tough Enough _____. Tough Enough’s Pony Caudill, Rebecca. The Best-Loved Doll

_____. A Certain Small Shepherd _____. Did You Carry the Flag Today, Charley? Drexler, Carol Joan. Young Helen Keller Feeney, Kathy. Davy Crockett Feinstein, Stephen. Read About Johnny Appleseed Fischer, Laura Life on the Trail of Tears Fitterer, C. Ann. Sequoyah: Native American Scholar _____. Tecumseh: Chief of the Shawnee Flanagan, Alice K. The Shawnee Giovanni, Nikki. Vacation Time: Poems for Children Gleiter, Jan, and Kathleen Thompson. Daniel Boone Govan, Christine Noble. Mr. Hermit Miser and the Neighborly Pumpkin Graf, Mike. Great Smoky Mountains National Park Grant, Matthew G. Daniel Boone in the Wilderness _____. Davy Crockett: Frontier Adventurer Greene, Carol. Daniel Boone, Man of the Forests _____. Roberto Clemente: Baseball Superstar Harshman, Marc. Moving Days Hines, Gary. Midnight Forests: A Story of Gifford Pinchot and Our National Forests Hodson, Debbie. A Mountain Rainbow Isbell, Rebecca, and Marilyn Buchanan. Everyone Has a Story to Tell Israel, Marion Louise. Cherokees Johnson, Paul Brett. Old Dry Frye: A Deliciously Funny Tall Tale Justus, May. Peter Pocket and His Pickle Pup _____. Peter Pocket’s Luck _____. Sammy _____. Then Came Mr. Billy Barker _____. Use Your Head, Hildy Kellogg, Steven. Johnny Appleseed: A Tall Tale Kiely Miller, Barbara. Sam Houston Koestler-Grack, Rachel A. The Story of Helen Keller Kramer, Jon. Bo Jackson Lepthien, Emilie U. The Cherokee Lynch, Emma. Helen Keller Martin, Patricia Miles. Andrew Jackson _____. Daniel Boone _____. Jesse Jackson: A Rainbow Leader McKissack, Patricia, and Fredrick McKissack. Booker T. Washington: Leader and Educator _____. Carter G. Woodson: The Father of Black History _____. Ida B. Wells-Barnett: A Voice Against Violence _____. The Story of Booker T. Washington McLeese, Don. Tecumseh McMahon, Tom. Orient: Hero Dog Guide of the Appalachian Trail Mercer, Charles. Roberto Clemente Moore, Heidi. Ida B. Wells-Barnett O’Kelley, Mattie Lou. From the Hills of Georgia O’Malley, Kevin. Frogg y Went a-Courtin’ Parks, Rosa, and Jim Haskins. I am Rosa Parks Patrick, Jean L. S. The Girl Who Struck Out Babe Ruth Penn, Audrey. The Whistling Tree Press, Petra. The Cherokee Quackenbush, Robert. Who Let Muddy Boots into the White House? Radford, Ruby L. Sequoya Radin, Ruth Yaffe. A Winter Place Ramsey, M. K. Misty the Freeway Foxhound: The Dog Who Became a Legend Ransom, Candice F. The Promise Quilt

290 • Appendix II: Grade Levels (Authors, Titles) Roberts, Russell. Davy Crockett Sabin, Francene. The Courage of Helen Keller Savage, Jeff. Peyton Manning: Precision Passer Shichtman, Sandra H. Helen Keller: Out of a Dark and Silent World Sneve, Virginia Driving Hawk. The Cherokees Stewart, Mark. Chamique Holdsclaw: Driving Force Streissguth, Thomas. John Brown Sullivan, George. Willie Mays Sutcliffe, Jane. Helen Keller Thurman, Evelyn. Christmas in Kentucky with Little Bernel Wade, Mary Dodson. Condoleezza Rice West, Joe. Watching the Hokies with Daddy Wilkie, Katherine E. Daniel Boone Yacowitz, Caryn. Shawnee Indians Zadra, Dan. Daniel Boone: In the Wilderness (1734–1820) _____. Davy Crockett _____. Sam Houston

Manera, Alexandria. Bessie Smith Maynard, Charles W. The Appalachians McCague, James. Tecumseh: Shawnee Warrior-Statesman McKissack, Patricia, and Fredrick McKissack. Jesse Owens: Olympic Star Moseley, Elizabeth R. Davy Crockett: Hero of the Wild Frontier Parlin, John. Andrew Jackson: Pioneer and President Patterson, Lillie. Sequoyah: The Cherokee Who Captured Words Payne, Joan. General Billycock’s Pigs Rossman, Douglas Athon. Where Legends Live: A Pictorial Guide to Cherokee Mythic Places Steele, William O. The Spooky Thing Stemple, David. High Ridge Gobbler: A Story of the American Wild Turkey Swain, Gwenyth. I Wonder as I Wander Wheeler, Jill C. The Lame One: The Story of Sequoyah

GRADE LEVEL 2–5

GRADE LEVEL 2–6

Andersen, Hans Christian. The Tinderbox Anderson, Joan. Pioneer Children of Appalachia Anderson, LaVere. The Story of Johnny Appleseed Andrews, Peter. Sergeant York: Reluctant Hero Bang, Molly. Chattanooga Sludge Baughman, Dorothy. Piney’s Summer Blassingame, Wyatt. How Davy Crockett Got a Bearskin Coat _____. John Henry and Paul Bunyan Play Baseball Bowdish, Lynea. Brooklyn, Bugsy, and Me Carroll, Ruth, and Latrobe Carroll. Runaway Pony, Runaway Dog _____. Tough Enough’s Trip Coatsworth, Elizabeth. Down Tumbledown Mountain Credle, Ellis. Johnny and His Mule Davidson, Margaret. Helen Keller deLeeuw, Adele. John Henry: Steel Drivin’ Man _____. Uncle Davy Lane: Mighty Hunter Dominic, Gloria. First Woman and the Strawberry: A Cherokee Legend Ebel, Julia Taylor. Addie Clawson: Appalachian Mail Carrier Fontes, Justine, and Ron Fontes. Rachel Carson Fontes, Ron, and Justine Korman. Davy Crockett Meets Death Hug: A Historical Novel Fritz, Jean. The Cabin Faced West Gaines, Richard M. The Cherokee Graff, Stewart, and Polly Anne Colver Graff. Helen Keller: Crusader for the Blind and Deaf Hicks, Ray, and Lynn Salsi. The Jack Tales Johnson, Paul Brett. Bearhide and Crow Justus, May. At the Foot of Windy Low _____. Banjo Billy and Mr. Bones _____. Holidays in No-End Hollow _____. Jumping Johnny and Skedaddle _____. Jumping Johnny Outwits Skedaddle _____. Tales from Near-Side and Far _____. Winds a’Blowing Keep, Linda Lowery. Notes from Blue Mountain: Hannah and the Angels Kemp, Steve. Who Pooped in the Park? Kessel, Kristin. Martha Graham Kunstler, James H. Davy Crockett

Braun, Eric. Booker T. Washington: Great American Educator Braun, Thomas. Football’s Powerful Runner: Franco Harris Chase, Richard, ad. Hullabaloo and Other Singing Folk Games Christensen, Bonnie. The Daring Nellie Bly: America’s Star Reporter Clark, Michael J. Lazar and Boone Stop Strip Mining Bully to Save Apple Valley and Buttermilk Creek: A Story for Children and Mature Adults Collard, Sneed B. David Crockett: Fearless Frontiersman Cooper, Jason. Great Smoky Mountains Eldred, Patricia Mulrooney. Football’s Great Quarterback, Joe Namath Gove, Doris. The Smokies Yukky Book Justus, May. The Complete Peddler’s Pack Locker, Thomas, and Joseph Bruchac. Rachel Carson: Preserving a Sense of Wonder Macnow, Glen. Sports Great Charles Barkley Marsh, Carole [Longmeyer]. Davy Crockett Riehle, Mary Ann McCabe. M is for Mountain State: A West Virginia Alphabet Sanfield, Steve. A Natural Man: The True Story of John Henry Simon, Charnan. Andrew Carnegie: Builder of Libraries Temple, Bob. Randy Moss Vaughn, Margaret Britton, and Carol Brown Knuth. The Birthday Dolly Wade, Linda R. Condoleezza Rice Weatherford, Carole Boston. Jesse Owens: Fastest Man Alive Wilson, Jane, and Michaele Haas. MeeMa’s Memory Quilt: Treasured Stories of Watauga County History

GRADE LEVEL 2–7 Roberts, Andre. William Perry: The Refrigerator

GRADE LEVEL 2-UP Blevins, Wade. Ganseti and the Legend of the Little People

Appendix II: Grade Levels (Authors, Titles) • 291 _____. Legend of Little Deer _____. Path of Destiny Davis, Burke. Mr. Lincoln’s Whiskers Gosda, Randy T. Daniel Boone Griffith, Helen V. Grandaddy and Janetta Together: The Three Stories in One Book Lane, John, and Betsy Wakefield Teter, eds. The Place I Live: Hub City Kids Write About Home Lentz, Alice B. Mountain Magic: A Family’s Legacy of Faith Pace, Dianne Wages. Odel’s Diner Warner, Glenn “Pop” Scobey, with Frank J. Taylor and Lawton Wright. Pop Warner’s Book for Boys

Rudeen, Kenneth. Roberto Clemente Sabin, Louis. Willie Mays, Young Superstar Santrey, Laurence. Helen Keller Schaefer, Lola M. Booker T. Washington Stewart, Mark. Kordell Stewart: Steelers Sensation Stuart, Jesse. Huey, the Engineer _____. A Ride with Huey, the Engineer Thompson, Gare. Who Was Helen Keller? Thompson, Kathleen. West Virginia Welvaert, Scott R. Helen Keller: Courageous Advocate Wilkie, Katherine E. Helen Keller: From Tragedy to Triumph Wise, William. Booker T. Washington

GRADE LEVEL 3–4

GRADE LEVEL 3–5

Balcziak, Bill. Johnny Appleseed Boraas, Tracey. Daniel Boone: Frontier Scout Brimner, Larry Dane. Davy Crockett Brown, Jonatha A. West Virginia Buck, Ray. Dave Parker: The Cobra Swirl Deegan, Paul. Jerry West: Superstar Dennis, Yvonne Wakim. Sequoyah, 1770–1843 Fontes, Ron, and Justine Korman. Davy Crockett and the Highwaymen: A Historical Novel Ford, Carin T. Helen Keller: Meet a Woman of Courage Fradin, Dennis Brindell. West Virginia in Words and Pictures Frost, Helen. Let’s Meet Booker T. Washington Gilbert, John. Pittsburgh Penguins Gilbert, Thomas W. Roberto Clemente Gregson, Susan R. Tecumseh: Shawnee Leader Hasegawa, Sam. Terry Bradshaw Hodgkins, Fran. West Virginia Horn, Geoffrey M. Peyton Manning Ingoglia, Gina. Johnny Appleseed and the Planting of the West Joseph, Paul. West Virginia Justus, May. Lucky Penny _____. Near-Side-and-Far Koestler-Grack, Rachel A. The Story of Mother Jones Krensky, Stephen. Nellie Bly: A Name to Be Reckoned With Kummer, Patricia K. West Virginia Latham, Jean Lee. Sam Houston: Hero of Texas Lawton, Val. West Virginia Logue, Mary. Trust: The Story of Helen Keller Ludwig, Charles. Stonewall Jackson: Loved in the South, Admired in the North Macht, Norman L. Roberto Clemente McCormack, Shaun. Willie Mays McKissack, Patricia, and Fredrick McKissack. Satchel Paige: The Best Arm in Baseball Miller, Raymond H. Jaromir Jagr Molzahn, Arlene Bourgeois Randy Moss Montgomery, Elizabeth Rider. William C. Handy: Father of the Blues Olmstead, Mary. Roberto Clemente Oppenheim, Joanne. Sequoyah, Cherokee Hero Ransom, Candice F. Listening to Crickets: A Story About Rachel Carson Roberts, Jack L. Booker T. Washington: Educator and Leader Romero, Maritza. Roberto Clemente: Baseball Hall of Famer

Brandt, Keith. Daniel Boone: Frontier Adventures Burchard, Marshall, and Sue Burchard. Sports Hero: Joe Namath Burgan, Michael. The Trail of Tears Burke, Rick. Davy Crockett Carmer, Elizabeth, and Carl Carmer. Tony Beaver: Griddle Skater Caudill, Rebecca. Happy Little Family _____. Schoolhouse in the Woods _____. Schoolroom in the Parlor _____. Up and Down the River Claro, Nicole. The Cherokee Indians Coatsworth, Elizabeth. Old Whirlwind Collard, Sneed B. Rosa Parks: The Courage to Make a Difference Cooper, Ann Goode. Lawyer Will: The Story of an Appalachian Lawyer Cooper, Richard. Billy Graham: Preacher to the World _____. Dr. Mary Martin Sloop: The Woman Who Moved Mountains _____. Hugo Black _____. Julia Tutwiler: Teacher, Leader _____. Thomas Wolfe: Voice of the Mountains _____. W. C. Handy: Doctor of the Blues Corfman, Ann. A is for Appleseed Craats, Rennay. The Cherokee Cunningham, Maggi. The Cherokee Tale-Teller DeAngelis, Therese. The Cherokee: Native Basket Weavers Douty, Esther Morris. The Story of Stephen Foster Dunn, Marion Herndon. Tenase Brave Englar, Mary. The Cherokee and Their History Fast, Howard. The Tall Hunter Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele]. Mike’s Toads Giovanni, Nikki. Rosa Gleiter, Jan, and Kathleen Thompson. Booker T. Washington Govan, Christine Noble. Rachel Jackson: Tennessee Girl Gove, Doris. A Water Snake’s Year Hahn, James, and Lynn Hahn. Franco Harris: The Quiet Ironman Hamilton, Dorothy. Neva’s Patchwork Pillow Hays, Wilma Pitchford. Highland Halloween Heinrichs, Ann. West Virginia Hesse, Karen Just Juice Jackson, Caary Paul, and O. B. Jackson. Hillbilly Pitcher Johnson, Fred. Jim Boy Justus, May. Eben and the Rattlesnake

292 • Appendix II: Grade Levels (Authors, Titles) _____. Hurrah for Jerry Jake _____. It Happened in No-End Hollow _____. Lester and His Hound Pup _____. Luck for Little Lihu _____. Mary Ellen _____. The Other Side of the Mountain Kent, Zachary. Tecumseh Latham, Jean Lee. Rachel Carson: Who Loved the Sea Lawlor, Laurie. The Real Johnny Appleseed Leppard, Lois Gladys. The Haunted Shop _____. Mandie and Her Missing Kin _____. Mandie and Joe’s Christmas Surprise _____. Mandie and Mollie and the Angel’s Visit _____. Mandie and the Abandoned Mine _____. Mandie and the Angel’s Secret _____. Mandie and the Buried Stranger _____. Mandie and the Cherokee Legend _____. Mandie and the Dangerous Impostors _____. Mandie and the Dark Alley _____. Mandie and the Forbidden Attic _____. Mandie and the Ghost Bandits _____. Mandie and the Graduation Mystery _____. Mandie and the Hidden Past _____. Mandie and the Hidden Treasure _____. Mandie and the Holiday Surprise _____. Mandie and the Invisible Troublemaker _____. Mandie and the Long Goodbye _____. Mandie and the Medicine Man _____. Mandie and the Midnight Journey _____. Mandie and the Missing Schoolmarm _____. Mandie and the Mysterious Bells _____. Mandie and the Quilt Mystery _____. Mandie and the Schoohouse’s Secret _____. Mandie and the Secret Tunnel _____. Mandie and the Tornado _____. Mandie and the Trunk’s Secret _____. Mandie and the Unwanted Gift _____. Merry Christmas from Mandie _____. The Missing Book _____. The Mystery at Miss Abigail’s _____. New Girl _____. The Secret in the Woods _____. The Talking Snowman _____. Who’s Mandie? Marsh, Carole [Longmeyer]. The Great Clemson Football Mystery _____. The Mystery of Biltmore House _____. The Mystery of the World’s Fair McCall, Edith. Cumberland Gap and Trails West Medearis, Angela Shelf. Princess of the Press: The Story of Ida B. Wells-Barnett Merrill, Jean. A Song for Gar Miles, Miska. Gertrude’s Pocket Moore, Robin. The Cherry Tree Buck and Other Stories Naylor, Phyllis Reynolds. The Girls’ Revenge Patterson, Lillie. Booker T. Washington: Leader of His People Phelan, Mary K. Martha Berry Quackenbush, Robert. Quit Pulling My Leg Radlauer, Ruth Shaw. Great Smoky Mountains National Park Rappaport, Doreen. Trouble at the Mines Roop, Peter, and Connie Roop. Take Command, Captain Farragut!

Ryan, Martha. Cherokee Santella, Andrew. The Cherokee Santrey, Laurence. Davy Crockett: Young Pioneer Scheer, George F., ed. Cherokee Animal Tales Seckar, Alvena. Zuska of the Burning Hills Showell, Ellen Harvey. Our Mountain Simon, Charnan. Jesse Jackson: I Am Somebody! Snow, Dorothea J. Jeb and the Flying Jenny Steele, William O. Daniel Boone’s Echo _____. Davy Crockett’s Earthquake _____. The Golden Root _____. Hound Dog Zip to the Rescue _____. John Sevier, Pioneer Boy _____. Triple Trouble for Hound Dog Zip Stein, R. Conrad. The Story of the Johnstown Flood _____. The Story of the Trail of Tears _____. The Trail of Tears Still, James. Way Down Yonder on Troublesome Creek Stolz, Mary. King Emmett the Second Suzanne, Jamie. Out of Place Tenney, Noel W., and Judy P. Byers, eds. Hillchild: A Folklore Chapbook About, for, and by West Virginia Children Wach, Martin, and Delia Bowman Wach. Teddy Bear Guardians of the Rain Forest: The Great West Virginia Snow Adventure Wade, Mary Dodson. I Am Houston Walker, Paul Robert. Head for the Hills!: The Amazing True Story of the Johnstown Flood Weddle, Ethel Harshbarger. Alvin C. York, Young Marksman Westman, Paul. Billy Graham: Reaching Out to the World Wright, Anna Rose. Hungry Hollow Zaunders, Bo. The Great Bridge-Building Contest

GRADE LEVEL 3–6 Adams, Colleen. The Courage of Helen Keller Alphin, Elaine Marie. Ghost Cadet Appelt, Kathi. Down Cut Shin Creek: The Packhorse Librarians of Kentucky Archibald, Alecia Sherard. Tallulah Bankhead: Alabama’s Bad Girl Star Averill, Esther. Daniel Boone Ayres, Katherine. Voices at Whisper Bend Bailey, Tom. A. G. Gaston: Visionary Businessman _____. Jennifer Chandler: Olympic Champion Diver _____. Sam Dale: Alabama Frontiersman _____. Sequoyah: Genius Cherokee Inventor _____. Tuskalusa: The Black Warrior Banks, Sara H. Remember My Name Banting, Erinn. Condoleezza Rice Bates, Martine G. Chris Sheats: The Man Who Refused to Secede _____. Heather Whitestone: Inspirational Miss America _____. William Lowndes Yancey: Alabama Secession Leader Bell, Corydon. John Rattling-Gourd of Big Cove Belton, Sandra. From Miss Ida’s Porch Bradley, Michael. Peyton Manning Braun, Thomas. Franco Harris Byars, Betsy C. Good-bye, Chicken Little Campbell, Peter A. Boston Pilgrims vs. Pittsburgh Pirates: The First Modern World Series

Appendix II: Grade Levels (Authors, Titles) • 293 _____. Old-Time Base Ball and the First Modern World Series Capote, Truman. I Remember Grandpa: A Story by Truman Capote Cavan, Seamus. Daniel Boone and the Opening of the Ohio Country Ceder, Georgiana Dorcas. Winter Without Salt Celsi, Teresa. Jesse Jackson and Political Power Chase, Richard, ad. Wicked John and the Devil Cheek, Pauline Binkley. Appalachian Scrapbook: An ABC of Growing up in the Mountains Christopher, Matt. On the Ice with Mario Lemieux Clark, Billy Curtis. The Mooneyed Hound _____. The Trail of the Hunter’s Horn Colman, Penny. Mother Jones and the March of the Mill Children Connell, Kaye. These Lands Are Ours: Tecumseh’s Fight for the Old Northwest Cornelissen, Cornelia. Soft Rain: A Story of the Cherokee Trail of Tears Crewe, Sabrina, and Michael V. Uschan. The Scopes “Monkey” Trial Cribben, Patrick. Uniquely West Virginia Crum, Shutta. Spitting Image De Angeli, Marguerite. Up the Hill Eldred, Patricia Mulrooney. Joe Namath Ernst, Kathleen. Midnight in Lonesome Hollow: A Kit Mystery Flaherty, Mildred. The Great Saint Patrick’s Day Flood Gibbons, Faye. Hook Moon Night: Spooky Tales from the Georgia Mountains _____. King Shoes and Clown Pockets Gillis, Jennifer Blizin. Jesse Jackson Giovanni, Nikki. Spin a Soft Black Song: Poems for Children Gleiter, Jan, and Kathleen Thompson. David Farragut Govan, Christine Noble. The Pink Maple House _____. The Surprising Summer _____. Tilly’s Strange Secret Graff, Polly Anne Colver [Mrs. Stewart Graff ]. Breadand-Butter Indian _____. Bread-and-Butter Journey Graff, Stewart, and Polly Anne Colver Graff. Helen Keller: Toward the Light Graham, Brenda Knight. The Pattersons at Turkey Hill House Graves, Renee. The Scopes Trial Griffin, Peggy Ann. Talking Treasures: Folkstories of African Americans in Appalachia Gross, Virginia T. The Day It Rained Forever: A Story of the Johnstown Flood Gutman, Bill. Mario Lemieux: Wizard with a Puck _____. Reggie White: Star Defensive Lineman Gutman, Dan. Honus and Me: A Baseball Card Adventure Haley, Gail E. Two Bad Boys: A Very Old Cherokee Tale Henderson, Aileen Kilgore. The Summer of the Bonepile Monster Hickok, Lorena A. The Story of Helen Keller Hope, Laura Lee [pseud. of Nancy S. Axelrad]. The Bobbsey Twins: The Smoky Mountain Mystery Italia, Robert. Andie MacDowell Johnson, Ann Donegan. The Value of Fairness: The Story of Nellie Bly

Justus, May. Bluebird, Fly Up! _____. Children of the Great Smoky Mountains _____. Mr. Songcatcher and Company Kavanagh, Jack. Sports Great Joe Montana Kent, Deborah. Helen Keller: Author and Advocate for the Disabled Kent, Zachary. The Battle of Antietam Koenig, Teresa. Lionel Richie Koestler-Grack, Rachel A. Tecumseh Kudlinski, Kathleen V. Helen Keller: A Light for the Blind _____. Rachel Carson: Pioneer of Ecolog y Kuntz, John L. Tennessee Tiger Lawlor, Laurie. Adventure on the Wilderness Road, 1775 Leathers, Daniel. The Johnstown Flood, 1889 Lenski, Lois. Coal Camp Girl Levinson, Nancy Smiler. Chuck Yeager, The Man Who Broke the Sound Barrier: A Science Biography Levitt, Steve. Journey to the Mountain — A Roots Tale Lowe, Felix C. John Ross Lundell, Margo. A Girl Named Helen Keller MacLeod, Elizabeth. Helen Keller: A Determined Life Mason, Miriam E. Becky and Her Brave Cat, Bluegrass _____. Daniel Boone: Wilderness Trailblazer May, Julian. Joe Namath, High-Flying Quarterback _____. Willie Mays: Most Valuable Player Meadowcroft, Enid LaMonte [pseud. of Mrs. Donald Wright]. Holding the Fort with Daniel Boone Meyers, Madeleine. The Cherokee Nation: Life Before the Tears Moore, Jim. Super Bowl IX: Pittsburgh Steelers vs. Minnesota Vikings, January 12, 1975, New Orleans Tulane Stadium Moser, Barry. Good and Perfect Gifts: An Illustrated Retelling of O. Henry’s “The Gift of the Magi” Naylor, Phyllis Reynolds. Boys in Control _____. The Boys Return _____. The Boys Start the War _____. The Girls Get Even _____. Girls Rule! _____. The Girls Take Over _____. A Spy Among the Girls Nelson, Kristi. The Chamique Holdsclaw Story Oliver-Miles, Zelda. Amelia Gayle Gorgas: First Woman of Position Olsen, James T. Joe Namath: The King of Football _____. Roberto Clemente: The Great One Pack, Linda Hager. A Is for Appalachia: The Alphabet Book of Appalachian Heritage Parks, Aileen Wells. Davy Crockett: Young Rifleman Patterson, Nancy Ruth. A Simple Gift Peerson, Marie Graham. Joseph Wheeler: The Fearless ‘Fightin’ Joe’ Petersen, Randy. The Appalachian Ambush Quackenbush, Robert. Stop the Presses, Nellie’s Got a Scoop: A Story of Nellie Bly Rambeck, Richard. Super Bowl X: Pittsburgh Steelers vs. Dallas Cowboys, January 18, 1967, Miami Orange Bowl Ransom, Candice F. When the Whippoorwill Calls Riehecky, Janet. Daniel Boone Rojankovsky, Feodor. Daniel Boone: Historic Adventures of an American Hunter Among the Indians Roop, Peter, and Connie Roop. Ahyoka and the Talking Leaves

294 • Appendix II: Grade Levels (Authors, Titles) Ross, Margie Dover. Emma Sansom: Confederate Heroine Sabin, Louis. Andrew Jackson: Frontier Patriot _____. Johnny Appleseed Sanford, William Reynolds, and Carl R. Green. Joe Namath Savoldi, Gloria Root. Tennessee Boy Seabrooke, Brenda. The Vampire in My Bathtub Shelby, Anne. The Adventures of Molly Whuppie and Other Appalachian Folktales Shull, Margaret (Peg) Wise. The Children of Appalachia Smith, Linda J. Willie Mays: The Say Hey Kid Smucker, Anna Egan. A History of West Virginia Sonneborn, Liz. The Cherokee Spradlin, Mike. The Legend of Blue Jacket Steele, William O. Andy Jackson’s Water Well _____. The Story of Daniel Boone Stein, R. Conrad. Chuck Yeager Breaks the Sound Barrier _____. David Farragut: First Admiral of the U. S. Navy Stevenson, Augusta. Booker T. Washington: Ambitious Boy Still, James. An Appalachian Mother Goose Streeter, James Von. Home Is Over the Mountains: The Journey of Five Black Children Strickland, Brad. When Mack Came Back Stuart, Jesse. Old Ben Sullivan, George. Davy Crockett _____. Helen Keller Thurman, Evelyn. A Pioneer Civil War Story for Molly and Ben Todd, Anne M. Chief Tecumseh _____. Sequoyah Ware, Cheryl. Flea Circus Summer Waryncia, Lou, and Meg Chorlian. Stonewall Jackson: Spirit of the South Washington, Rosemary G. Mary Lou Retton: Power Gymnast Waxman, Laura Hamilton. Sequoyah Wayne, Bennett, ed. Men of the Wild Frontier Wells, Rosemary. Mary on Horseback: Three Mountain Stories Westman, Paul. Jesse Jackson: I Am Somebody Wheeler, Opal. Stephen Foster and His Little Dog Tray Williams, Sylvia B. Paul Bryant: Football Legend Woodruff, Elvira. Ghosts Don’t Get Goose Bumps Wright, Frances Fitzpatrick. Andrew Jackson: Fighting Frontiersman Yeager, Alice. Lurleen B. Wallace: Alabama’s First Woman Governor _____. W. C. Handy: Father of the Blues

_____. Tough Enough’s Indians Dixon, Franklin W. [pseud. of Edward Stratemeyer and Harriet S. Adams]. The Hardy Boys #169: Ghost of a Chance Frankl, Ron. Terry Bradshaw Furstinger, Nancy. Davy Crockett Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele]. Secret of the Indian Mound Haseley, Dennis. Shadows Houston, Gloria. Littlejim _____. Littlejim’s Dreams Ingoglia, Gina. Tecumseh: One Nation for His People Johnson, Rick L. Bo Jackson: Baseball/Football Superstar Knudsen, Shannon. Nellie Bly Lenski, Lois. Blue Ridge Billy Le Sueur, Meridel. Nancy Hanks of Wilderness Road: A Story of Abraham Lincoln’s Mother Long, Laura. David Farragut: Boy Midshipman McCall, Edith. Adventures Along the Cumberland Gap Mullins, Norman D. Mountain Boy: The Adventures of Orion Saddler Naden, Corinne J., and Rose Blue. Condoleezza Rice Naylor, Phyllis Reynolds. Josie’s Troubles Olsen, James T. Arnold Palmer: King on the Course Raatma, Lucia. Jesse Owens: Track-and-Field Olympian Ransom, Candice F. Finding Day’s Bottom Rockwood, Joyce. Groundhog’s Horse Rylant, Cynthia. The Blue Hill Meadows Schaefer, Adam R. Bristol Motor Speedway _____. Talladega Superspeedway Skurzynski, Gloria, and Alane Ferguson. Night of the Black Bear; A Mystery in Great Smoky Mountains National Park Snow, Dorothea J. Sequoyah: Young Cherokee Guide Steele, William O. The Perilous Road Stevenson, Augusta. Andy Jackson: Boy Soldier _____. Nancy Hanks: Kentucky Girl _____. Tecumseh: Shawnee Boy Still, James. Rusties and Riddles & Gee-Haw WhimmyDiddles _____. The Wolfpen Rusties: Appalachian Riddles and Gee-Haw Whimmy-Diddles Stuart, Jesse. The Beatinest Boy _____. Come to My Tomorrowland _____. Red Mule White, Ellen Emerson. Bo Jackson: Playing the Games Wilkie, Katherine E. Simon Kenton: Young Trail Blazer Wilsdon, Christina. Johnny Appleseed: A Story of Generosity

GRADE LEVEL 3–7

Hazen, Barbara Shook. Davy Crockett, Indian Fighter: From the Walt Disney Productions Film Saunders, Susan. Dolly Parton: Country Goin’ to Town Sehnert, Chris W. Pittsburgh Pirates Shone, Rob. Rosa Parks: The Life of a Civil Rights Heroine Stanley, George Edward. Mr. Rogers Stewart, Elisabeth Jane. On the Long Trail Home

Aaseng, Nathan. Billy Graham Adelson, Bruce. David Farragut: Union Admiral Berry, Erick [pseud. of Allena Champlin and Herbert Best]. One-String Fiddle Bleeker, Sonia. The Cherokee: Indians of the Mountains Brackett, Virginia. John Brown: Abolitionist Braun, Thomas. John Havlicek Bryant, Bernice Morgan. Dan Morgan: Wilderness Boy Carroll, Ruth, and Latrobe Carroll. Tough Enough and Sassy

GRADE LEVEL 3–8

GRADE LEVEL 3–9 Miller, Connie Colwell. Mother Jones: Labor Leader

Appendix II: Grade Levels (Authors, Titles) • 295

GRADE LEVEL 3-UP Baber, Bob Henry, ed. If I Fell in Love with a Watermelon: Poems and Stories by Children from Whitesburg Elementary Bailey, Carolyn Sherwin. Stories from an Indian Cave: The Cherokee Cave Builders Bodie, Idella. The Wizard Owl Boyd, Lorenz. Follow the Butterfly Stream Crist-Evans, Craig. Moon Over Tennessee: A Boy’s Civil War Journal Dressler, Muriel Miller. Appalachia Everett, Gwen. John Brown: One Man Against Slavery Fetty, Margaret Helen Keller: Break Down the Walls! Goodman, Michael E. The History of the Pittsburgh Pirates _____. Pittsburgh Pirates: NL East Hagaman, Clara. Governor John Sevier’s Farm Home, Marble Springs: Home of Tennessee’s First Governor, John Sevier Haley, Gail E. Mountain Jack Tales Hollis, Marcia. The Witch of Shakerag Hollow: And Other Sewanee Ghosts Kavanagh, Jack. Shoeless Joe Jackson Love, Robert. Elvis Presley Lundgren, Hal Mary Lou Retton: Gold Medal Gymnast McKissack, Patricia C. Jesse Jackson: A Biography McNeer, May Yonge. The Story of the Southern Highlands McSpadden, Mary Catherine. Merrily Strum: Mountain Dulcimer for Children Mounts, Willard. The Rugged Southern Appalachia: Early Settlement, Early Feuds, Strikes, Drugs, Poverty, Schools, Beauty, 1700-Present Parker, Lewis K. Andrew Carnegie and the Steel Industry Pittsburgh Children’s Museum. Kids Cook with Stuffee Press, Petra. The Shawnee Radlauer, Ruth Shaw. Mammoth Cave National Park Retan, Walter. The Story of Daniel Boone, Wilderness Explorer _____. The Story of Davy Crockett: Frontier Hero Ritchie, Jean. The Swapping Song Book Roberts, Jerry. I Bought Me a Dog: A Dozen Authentic Folktales from the Southern Mountains _____. Nippy and Yankee Doodle: And More Folk Tales from the Southern Mountains Schoor, Gene. The Story of Ty Cobb: Baseball’s Greatest Player Slate, Joseph. Crossing the Trestle Ulmer [Chiltoskey], Mary, and Samuel E. Beck, eds. Cherokee Cooklore: Preparing Cherokee Foods Underwood, Thomas Bryan. Cherokee Legends and the Trail of Tears Whitaker, Kent. Why Are the Mountains Smoky? Neat Facts About the Southern Appalachian Mountains

GRADE LEVEL 4–5 Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele]. The Secret of Fiery Gorge Justus, May. Fiddle Away _____. Fiddlers’ Fair _____. Jerry Jake Carries On

_____. Susie Le Sueur, Meridel. Little Brother of the Wilderness: The Story of Johnny Appleseed Meadowcroft, Enid LaMonte [pseud. of Mrs. Donald Wright]. The Story of Andrew Jackson _____. The Story of Davy Crockett Steele, William O. Tomahawks and Trouble _____. Wilderness Journey Stevenson, Augusta. Daniel Boone: Boy Hunter Wright, Frances Fitzpatrick. Sam Houston: Fighter and Leader

GRADE LEVEL 4–6 Albrecht, Val. Larger Than Life: Joe Namath Aller, Susan Bibin. Tecumseh Bauer, Jennifer A. Wildlife, Wildflowers, and Wild Activities: Exploring Southern Appalachia Bealer, Alex W. Only the Names Remain: The Cherokees and the Trail of Tears Bice, David A. The Legend of John Henry, the Steel Driving Man _____. Mad Anne Bailey Bird, Traveller (Tsisghwanai). The Path to Snowbird Mountain: Cherokee Legends Bjarkman, Peter C. Roberto Clemente Borland, Kathryn, and Helen Speicher. Good-by to Stony Crick Bradley, Kimberly Brubaker. Weaver’s Daughter Brill, Marlene Targ. The Trail of Tears: The Cherokee Journey from Home Bulla, Clyde R. White Bird Burch, Robert. Christmas with Ida Early _____. Ida Early Comes Over the Mountain Burnham, Brad. Mammoth Cave: The World’s Longest Cave System Chadwick, Bruce. Joe Namath Chaffin, Lillie D. John Henry McCoy Chapman, Maristan [pseud. of John Stanton Higham Chapman and Mary Isley Chapman]. Clue of the Faded Dress _____. Mountain Mystery _____. Mystery of the Broken Key _____. The Mystery Dogs of Glen Hazard Chase, Richard, ad. Singing Games and Playparty Games Clark, Billy Curtis. Riverboy _____. Song of the River Cohlene, Terri. Dancing Drum: A Cherokee Legend Curry, Jane Louise. The Daybreakers _____. The Great Flood Mystery _____. What the Dickens! Dadey, Debbie. Cherokee Sister _____. Whistler’s Hollow Davidson, Sue. Getting the Real Story: Nellie Bly and Ida B. Wells Davis, C. L. The Christmas Barn Dell, Pamela. Aquila’s Drinking Gourd: A Story of the Underground Railroad Devaney, John. The Picture Story of Terry Bradshaw Di Piazza, Domenica. West Virginia Doak, Robin Santos. Thomas “Stonewall” Jackson: Confederate General Dunham, Montrew. Roberto Clemente: Young Baseball Player

296 • Appendix II: Grade Levels (Authors, Titles) Dutton, Sandra. Tales of Belva Jean Copenhagen Edwards, Pat. Little John and Plutie Epstein, Sam, and Beryl Epstein. Willie Mays: Baseball Superstar Evernden, Margery. Lyncoya Fazio, Wende. West Virginia Felton, Harold W. Nancy Ward, Cherokee Fischer, David. Roberto Clemente Fontes, Justine, and Ron Fontes. West Virginia: The Mountain State Foster, Genevieve. Andrew Jackson Foster, Leila Merrell. The Story of Rachel Carson and the Environmental Movement Fradin, Dennis Brindell, and Judith Bloom Fradin. West Virginia Freedman, Suzanne. Ida B. Wells-Barnett and the AntiLynching Crusade Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele]. Big Blue Island _____. Miss Osborne-the-Mop Gallagher, Jim. The Johnstown Flood Garcia, Kimberly. Roberto Clemente Goldberg, Jake. Rachel Carson Govan, Christine Noble. The Delectable Mountain Grabowski, John. Willie Mays Gravelle, Karen. Growing up in a Holler in the Mountains: An Appalachian Childhood Hale, Sarah Elder, ed. Antietam: Day of Courage and Sacrifice Hama, Larry. The Battle of Antietam: “The Bloodiest Day of Battle” Hammond, Mildred. Square Dancing Is for Me Harding, Donal. The Leaving Summer Harkins, Susan Sales. Breaking the Sound Barrier: The Story of Chuck Yeager Harlan, Judith. Sounding the Alarm: A Biography of Rachel Carson Haskins, James, and Kathleen Benson. Carter G. Woodson: The Man Who Put “Black” in American History Henderson, Marguerite. Robby and His Contrary Country Cousin Henry, Joanne Landers. Andrew Carnegie Hermes, Patricia. Sweet by and by Hewson, Martha S. Stonewall Jackson: Confederate General Higgins, Helen Boyd Stephen Foster: Boy Minstrel Hoffman, Nancy. West Virginia Hoobler, Dorothy, Thomas Hoobler, and CareyGreenberg Associates. The Trail on Which They Wept: The Story of a Cherokee Girl Hubbard, Fran. Animal Friends of the Smokies Hughes, Christopher A. Stonewall Jackson Hughes, Morgan. Mario Lemieux: Beating the Odds Hunt, Irene. Trail of Apple Blossoms Hunter, Nigel. Helen Keller Italia, Robert. The Pittsburgh Steelers Jakoubek, Robert E. Jesse Jackson Johnson, Patty T. Helen Keller: Girl from Alabama Justus, May. Cabin on Kettle Creek _____. Here Comes Mary Ellen _____. Honey Jane _____. The House in No-End Hollow _____. Lizzie _____. The Mail Wagon Mystery

_____. Smoky Mountain Sampler _____. Step Along and Jerry Jake _____. Surprise for Peter Pocket Kay, Alan N. No Girls Allowed Kent, Zachary. The Story of John Brown’s Raid on Harpers Ferry Key, Alexander. The Forgotten Door Klots, Steve. Ida Wells-Barnett Knapp, Ron. Sports Great Mario Lemieux Kuhn, Betsy. Not Exactly Nashville Lace, William W. The Pittsburgh Steelers Football Team Landau, Elaine. The Cherokees _____. The Shawnee Lansing, Elizabeth Hubbard. Shoot for a Mule Le Grand [pseud. of Le Grand Henderson]. Augustus and the Mountains Lillard, David. West Virginia Long, Cathryn. The Cherokee Macht, Norman L. Satchel Paige Markham, Lois. Helen Keller Marriott, Alice. Sequoyah: Leader of the Cherokees Martin, Mollie. Pittsburgh Pirates McCall, Barbara A. The Cherokee McClung, Robert M. Whitetail Meadowcroft, Enid LaMonte [pseud. of Mrs. Donald Wright]. By Wagon and Flatboat _____. On Indian Trails with Daniel Boone Meadows, James. Jesse Jackson Micklish, Rita. Sugar Bee Mills, Patricia. Until the Cows Come Home Mooney, Booth. Sam Houston Moore, Ruth Nulton. Wilderness Journey Moses, Will. Johnny Appleseed: The Story of a Legend Murdico, Suzanne J. Mario Lemieux Naylor, Phyllis Reynolds. Boys Against Girls _____. Shiloh _____. A Traitor Among the Boys Neyland, James. Booker T. Washington: Educator Nicholson, Lois P. Booker T. Washington: A Modern Moses Norrell, Robert J. We Want Jobs!: A Story of the Great Depression Ormsby, Virginia. Cunning Is Better Than Strong _____. Long Lonesome Train Whistle _____. Mountain Magic for Rosy Parks, Rosa, and Gregory J. Reed. Dear Mrs. Parks: A Dialogue with Today’s Youth Partridge, Elizabeth. Clara and the HooDoo Man Petreycik, Rick. West Virginia Petrini, Catherine M. The Cherokee Polzer, Tim. Peyton Manning: Leader on and off the Field Raber, Thomas R. Bo Jackson, Pro Sports Superstar _____. Joe Montana: Comeback Quarterback Rappaport, Ken. Mario Lemieux: Star Center Reeder, Carolyn. Grandpa’s Mountain Roberts, Jerry. Roberto Clemente: Baseball Player Ross, Gayle. How Rabbit Tricked Otter and Other Cherokee Trickster Stories Sabin, Louis. Roberto Clemente: Young Baseball Hero Salas, Laura Purdie. The Trail of Tears, 1838 _____. The Wilderness Road, 1775 Santella, Andrew. Daniel Boone and the Cumberland Gap Schroeder, Alan. Booker T. Washington: Educator and Racial Spokesman

Appendix II: Grade Levels (Authors, Titles) • 297 Shannon, Mike. Willie Mays: Art in the Outfield _____. Willie Stargell Shapiro, Irwin. Joe Magarac and His U.S.A. Citizen Papers _____. Yankee Thunder: The Legendary Life of Davy Crockett Shippen, Katherine. Andrew Carnegie and the Age of Steel Skinner, Constance Lindsay. Becky Landers: Frontier Warrior Smithwick, John. Meet Peyton Manning: Football’s Top Quarterback Somervill, Barbara A. West Virginia Steele, Philip. Jesse Owens: An Unauthorized Biography Steele, William O. The Buffalo Knife _____. Trail Through Danger _____. Wayah of the Real People _____. Westward Adventure: The True Stories of Six Pioneers _____. Winter Danger _____. The Year of the Bloody Sevens Stein, R. Conrad. America the Beautiful. West Virginia _____. John Brown’s Raid on Harpers Ferry _____. Steel Driving Man: The Legend of John Henry Stevenson, Augusta. Sam Houston: Boy Chieftain Stewart, Mark. Orlando Merced _____. Peyton Manning: Rising Son _____. The Pittsburgh Steelers _____. Randy Moss: First in Flight Stuart, Jesse. Andy Finds a Way Sullivan, George. Mary Lou Retton: A Biography _____. On the Run: Franco Harris Swain, Gwenyth. A Hunger for Learning: A Story About Booker T. Washington Tames, Richard. Helen Keller Tarcy, Brian. Mario Lemieux Taylor, Richard L. The First Supersonic Flight: Captain Charles E. Yeager Breaks the Barrier Townsend, Tom. Davy Crockett: An American Hero Troy, Don. Booker T. Washington Van Fleet, Alanson. Tennessee Valley Authority Waldron, Anna. Scaredy Cat Walker, Paul Robert. Pride of Puerto Rico: The Life of Roberto Clemente Ware, Cheryl. Catty-Cornered _____. Sea Monkey Summer _____. Venola in Love Waryncia, Lou, and Sarah Elder Hale, eds. Antietam: Day of Courage and Sacrifice Wavra, Grace McCloskey. The First Families of West Virginia Welch, Catherine A. Ida B. Wells-Barnett: Powerhouse with a Pen West, Emmy, and Christine Govan. Danger Downriver Willis, Patricia. Danger Along the Ohio Wilner, Barry. Sports Great Peyton Manning Wilson, Leon. This Boy Cody _____. This Boy Cody and His Friends

GRADE LEVEL 4–7 Armstrong, Jennifer. Theodore Roosevelt: Letters from a Young Coal Miner Ayres, Katherine. Macaroni Boy

Barnes, James. Midshipman Farragut Becker, Helaine. John Brown Beckman, Pat R. From the Ashes Bial, Raymond. Mist Over the Mountains: Appalachia and Its People _____. The Cherokee Blair, Margaret Whitman. Brothers at War Blevins, Wade. A-ta-ga-hi’s Gift _____. Se-lu’s Song Breeding, Robert L. Appalachian Haven _____. From London to Appalachia Brondfield, Jerry. Roberto Clemente: Pride of the Pirates Byars, Betsy C. The Moon and I Carlson, Natalie Savage. School Bell in the Valley Chaffin, Lillie D. Coal: Energ y and Crisis _____. Freeman Chiltoskey, Mary Regina Ulmer. Aunt Mary, Tell Me a Story: A Collection of Cherokee Legends and Tales as Told by Mary Chiltoskey Crook, James F. Jack in the Mountains Curry, Jane Louise. The Big Smith Snatch _____. The Great Smith House Hustle Dahlstedt, Marden A. The Terrible Wave Davis, Donald. Mama Learns to Drive Davis, Kenneth C. Don’t Know Much About Rosa Parks Davis, Terry. Roll Tide! The Alabama Crimson Tide Story De Capua, Sarah. The Wilderness Road DeFelice, Cynthia. Bringing Ezra Back _____. Weasel Dolan, Terrance. The Shawnee Indians Durbin, William. Arnold Palmer Duvall, Deborah L. Rabbit and the Bears: A Traditional Cherokee Legend Easton, Richard. A Real American Fleischer, Jane. Tecumseh, Shawnee War Chief Fleming, Alice Mulcahey. Ida Tarbell: First of the Muckrakers Ford, Carin T. Roberto Clemente: Baseball Legend Frisaro, Joe. Peyton Manning: Passing Legacy Fugate, Clara Talton. From Massacre to Matriarch: Six Weeks in the Life of Fanny Scott _____. The Legend of Natural Tunnel Furbee, Mary Rodd. Anne Bailey: Frontier Scout Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele]. A Wild Goose Tale Gale, Stephen and Peg Kehret. The Flood Disaster Garfunkel, Trudy. Letter to the World: The Life and Dances of Martha Graham Garlick, Phyllis Louisa. Conqueror of Darkness: Story of Helen Keller Gentry, Tony. Jesse Owens George, Jean Craighead. The Moon of the Bears Govan, Christine Noble. Five at Ashefield _____. Phinny’s Fine Summer Govan, Christine Noble, and Emily Govan West. The Mystery at Fearsome Lake _____. Mystery at Ghost Lodge _____. The Mystery at Moccasin Bend _____. Mystery at Plum Nelly _____. Mystery at Rock City _____. The Mystery at Shingle Rock _____. The Mystery at the Deserted Mill _____. Mystery at the Echoing Cave _____. The Mystery at the Haunted House

298 • Appendix II: Grade Levels (Authors, Titles) _____. The Mystery at the Indian Hide-Out _____. The Mystery at the Mountain Face _____. The Mystery at the Shuttered Hotel _____. Mystery at the Snowed-In Cabin _____. Mystery at the Weird Ruins _____. Mystery of the Dancing Skeleton _____. The Mystery of the Vanishing Stamp Grabowski, John. Stan Musial Gutman, Bill. Bo Jackson Gutman, Dan. Shoeless Joe and Me: A Baseball Card Adventure Hahn, Mary Downing. Witch Catcher Hamilton, John. Great Smoky Mountains National Park Hampton, Wilborn Elvis Presley: A Twentieth Century Life Harrell, Sara Gordon. John Ross Hawks, Francis L. Adventures of Daniel Boone, the Kentucky Rifleman High, Linda Oatman. Maizie Iger, Eve Marie. John Brown: His Soul Goes Marching On Jackson, Robert B. Joe Namath, Superstar Johnson, William. Sam Houston: The Tallest Texan Jones, Veda Boyd. Nellie the Brave Kendall, Martha E. Nellie Bly: Reporter for the World Kent, Zachary. Andrew Johnson: Seventeenth President of the United States Ketchum, Liza. Orphan Journey Home Kingsbury, Robert. Roberto Clemente Klausner, Janet. Sequoyah’s Gift: A Portrait of the Cherokee Leader Knapp, Ron. Charles Barkley: Star Forward Lee, S. C. Little League Leader Leppard, Lois Gladys. Mandie and the Courtroom Battle Lossiah, Lynn King. Cherokee Little People: The Secrets and Mysteries of the Yunwi Tsunsdi Lowenstein, Sallie. The Mt. Olympus Zoo Macht, Norman L. Christy Mathewson _____. Ty Cobb Malakoff, Anna, and Frances D. Powdrell. Minkapee Manger, Ted. The Pittsburgh Pirates Masters, Susan Rowan. Summer Song McGuire, Edna. Daniel Boone Mooney, James. Cherokee Animal Tales Moore, Carman. Somebody’s Angel Child: The Story of Bessie Smith Naylor, Phyllis Reynolds. Who Won the War? Nicholson, Lois P. Booker T. Washington Nobleman, Marc Tyler. The Johnstown Flood O’Connor, Barbara. Me and Rupert Goody _____. Taking Care of Moses Olgin, Joseph. Sam Houston: Friend of the Indians Peare, Catherine Owens. Stephen Foster: His Life Rennert, Richard S. Jesse Owens: Champion Athlete Rimer, David, and William P. Robertson. The Bucktails’ Antietam Trials Rolfe, John. Bo Jackson Roop, Peter, and Connie Roop. If You Lived with the Cherokee Sabin, Francene. Jesse Owens, Olympic Hero Salsi, Lynn. Young Ray Hicks Learns the Jack Tales: A Biographical Novel About the Childhood of America’s Master Storyteller, Ray Hicks

Sanford, William Reynolds, and Carl R. Green. Davy Crockett: Defender of the Alamo Schiel, Katy. The Whiskey Rebellion: An Early Challenge to America’s New Government Schmalzbauer, Adam. The History of the Pittsburgh Steelers Schmidt, Julie. Satchel Paige Seabrooke, Brenda. The Haunting of Swain’s Fancy Seckar, Alvena. Misko Showell, Ellen Harvey. The Ghost of Tillie Jean Cassaway Simon, Charlie May Hogue. Lonnie’s Landing Steele, William O. The Far Frontier _____. The Lone Hunt Stiles, Martha Bennett. Sarah, the Dragon Lady Streissguth, Thomas. Jesse Owens Stwertka, Eve. Rachel Carson Thomas, Anika D. Life in the Ghetto Torres, John Albert. Bobby Bonilla Van Leeuwen, Jean. Cabin on Trouble Creek Voigt, Cynthia. Building Blocks Wade, Mary Dodson. Condoleezza Rice: Being the Best Weatherford, Carole Boston. Birmingham, 1963 Wellman, Sam. Billy Graham: The Great Evangelist Wheeler, Arville. White Squaw: The True Story of Jennie Wiley White, Ruth. The Search for Belle Prater _____. Way Down Deep Wilkie, Katherine E., and Elizabeth R. Moseley. Frontier Nurse: Mary Breckinridge Wisler, G. Clifton. Jericho’s Journey Zannos, Susan. The Life and Times of Stephen Foster

GRADE LEVEL 4–8 Anderson, Joan. Rookie: Tamika Whitmore’s First Year with the WNBA Andryszewski, Tricia. Step by Step Along the Appalachian Trail Barrett, Tracy. The Trail of Tears: An American Tragedy Birchfield, D. L. Cherokee Bone, Patrick. Aliens of Transylvania County Bowman, John. Andrew Carnegie: Steel Tycoon Calvert, Patricia. Daniel Boone: Beyond the Mountains Collier, James Lincoln. The Tecumseh You Never Knew Collins, James L. John Brown and the Fight Against Slavery Cornelius, Kay. Chamique Holdsclaw Countess, Mary Alice. Cowpath Days Devaney, John. Bo Jackson: A Star for All Seasons Dolson, Hildegarde. Disaster at Johnstown: The Great Flood Durrant, Lynda. Betsy Zane: The Rose of Fort Henry Emerson, Kathy Lynn. Making Headlines: A Biography of Nellie Bly Govan, Christine Noble. Sweet ‘Possum Valley Gove, Doris. Red-Spotted Newt Houston, Gloria. Bright Freedom’s Song: A Story of the Underground Railroad Hughes, Christopher A. The Battle of Antietam Johnson, F. Roy. Stories of the Old Cherokees: A Collection Lowry, Lois. Rabble Starkey Lucas, Eileen. The Cherokees: People of the Southeast

Appendix II: Grade Levels (Authors, Titles) • 299 Madden, Kerry. Gentle’s Holler Marshall, Catherine. Christy, adapted by Anna Wilson Fishel Mattern, Joanne. Peyton Manning McMeekin, Isabel McLennan. Journey Cake _____. Juba’s New Moon Mitchell, Betsy. Journey to the Bottomless Pit: The Story of Stephen Bishop and Mammoth Cave Monsell, Helen A. Tom Jackson, Young Stonewall _____. Young Stonewall _____. Young Stonewall: Tom Jackson Moriarty, J. T. Davy Crockett: Frontier Hero Naylor, Phyllis Reynolds. Night Cry _____. Saving Shiloh Poliniak, Louis. When Coal Was King: Mining Pennsylvania’s Anthracite: Early Coal Mining in Picture and Story in the Land of the Mollie Maguires Ramen, Fred. Jerry West _____. Joe Montana Ray, Delia. Singing Hands Raymond, Charles. Jud _____. Up from Appalachia Schraff, Anne E. Tecumseh Silverstein, Herma. Mary Lou Retton and the New Gymnasts Stewart, Mark. Mario Lemieux: Owns the Ice Winders, Richard Bruce. Davy Crockett: The Legend of the Wild Frontier Yep, Laurence. Dream Soul

GRADE LEVEL 4–9 Bruchac, Joseph. The Journal of Jesse Smoke: A Cherokee Boy Dowell, Frances O’Roark. Dovey Coe Myers, Walter Dean. The Journal of Biddy Owens: The Negro Leagues Stephens, Mary Jo. Witch of the Cumberlands

GRADE LEVEL 4–10 Bernstein, Ross. Randy Moss: Star Wide Receiver Gow, Mary. Johnstown Flood: The Day the Dam Burst Knapp, Ron. Sports Great Bobby Bonilla Rothaus, James R. Pittsburgh Pirates

GRADE LEVEL 4–12 Keely, John. Dolly Parton

GRADE LEVEL 4-UP Bartoletti, Susan Campbell. A Coal Miner’s Bride: The Diary of Anetka Kaminska Bolton, Linda. Andy Warhol Bontemps, Arna. Young Booker: Booker T. Washington’s Early Days Braden, Beulah Brummett. When Grandma Was a Girl Carpenter, Allan. West Virginia Chase, Richard, ad. American Folk Tales and Songs and Other Examples of English-American Tradition as Preserved in the Appalachian Mountains and Elsewhere in the United States _____. Grandfather Tales: American-English Folk Tales

_____. The Jack Tales: Folk Tales from the Southern Appalachians, Told by R. M. Ward and His Kindred in the Beech Mountain Section of Western North Carolina and by Other Descendants of Council Harmon (1803–1896) Elsewhere in the Southern Mountains; with Three Tales from Wise County, Virginia —Set Down from These Sources and Edited by Richard Chase Chase, Richard, ad. Old Songs and Singing Games Chiltoskey, Mary Regina Ulmer. Cherokee Words with Pictures Clark, Joe. Back Home _____. Tennessee Hill Folk Cober, Mary E. The Remarkable History of Tony Beaver, West Virginian Dash, Joan. The World at Her Fingertips: The Story of Helen Keller Daugherty, James Henry. Daniel Boone Dubowski, Cathy East. Andrew Johnson: Rebuilding the Union Ford, Ernest J. Tennessee Ernie Ford’s Book of Favorite Hymns Foster, Leila Merrell. David Glasgow Farragut: Courageous Naval Commander Fradin, Dennis Brindell. The Trail of Tears Freedman, Russell. Martha Graham: A Dancer’s Life Gainer, Patrick. Folksongs from the West Virginia Hills Gutman, Bill. Refrigerator Perry and the Super Bowl Bears Hahn, Mary Downing. The Time of the Witch Hill, Malcolm W. “Chip,” Jr. Black Lizard’s Startling Encounter Hornbostel, Lois. The Classroom Dulcimer Hughes, Patrice Raccio. The Breaker Boys Josephson, Judith Pinkerton. Mother Jones: Fierce Fighter for Workers’ Rights Krishef, Robert K. Dolly Parton Lawlor, Laurie. Helen Keller: Rebellious Spirit Lawson, John. You Better Come Home with Me MacKaye, Percy. Tall Tales of the Kentucky Mountains Márquez, Herón. Roberto Clemente: Baseball’s Humanitarian Hero Moser, Barry. Polly Vaughn: A Traditional British Ballad Paige, David. Lucille Ball Parks, Rosa, and Jim Haskins. Rosa Parks: My Story Powell, Irene, and Lisa Hays. Birds of My Hollow: A Guide to West Virginia Birds Pratt, Paula B. Martha Graham Reiss, Bob, and Gary Wohl. Franco Harris Roberts, Elizabeth Madox. Under the Tree Ross, Rennie. Pittsburgh Penguins Rossiter, Sean. Mario Lemieux Roza, Greg. Terry Bradshaw Rylant, Cynthia. Children of Christmas: Stories for the Season Scarbro, Maxine Sewell. One Room Schoolgames: Children’s Games of Yesteryear Scheer, Julian, and Elizabeth McDonald Black. Tweetsie: The Blue Ridge Stemwinder Strober, Gerald S. Billy Graham, His Life and Faith Thomas, Florence, with McFarland eds. The Art of Florence Thomas Tunis, John R. Son of the Valley Underwood, Thomas Bryan. The Story of the Cherokee People Williams, Tony L. West Virginia: Our State

300 • Appendix II: Grade Levels (Authors, Titles) _____. West Virginia: Our State 2000 C. E. Williamson, Mary Lynn. The Life of General Thomas J. Jackson

GRADE LEVEL 5–6 Capps, Mary Joyce. Yellow Leaf Collier, Kristi. Jericho Walls Credle, Ellis. Big Doin’s on Razorback Ridge Cross, Helen Reeder. Isabella Mine Curry, Jane Louise. The Birdstones Hancock, M. A. Menace on the Mountain Johnson, Angela. Bird Peare, Catherine Owens. The Helen Keller Story

GRADE LEVEL 5–7 Anderson, Jodi Lynn. May Bird Among the Stars _____. May Bird and the Ever After _____. May Bird, Warrior Princess Armstrong, William H. The Mills of God Ayres, Carter. Chuck Yeager: Fighter Pilot Beatty, Patricia. Charley Skedaddle Beller, Susan Provost. Cadets at War: The True Story of Teenage Heroism at the Battle of New Market Benagh, Jim. Terry Bradshaw: Superarm of Pro Football Burchard, Marshall. Sports Hero: Terry Bradshaw Byars, Betsy C. After the Goat Man _____. The Glory Girl _____. The Summer of the Swans Cabot, Meg. The Princess Diaries, Volume IV and a Half: Project Princess Chaplik, Dorothy. Up with Hope: A Biography of Jesse Jackson Chapman, Maristan [pseud. of John Stanton Higham Chapman and Mary Isley Chapman]. Girls of Glen Hazard Clark, Billy Curtis. Useless Dog Climo, Shirley. A Month of Seven Days Curry, Jane Louise. The Watchers DeGering, Etta. Wilderness Wife: The Story of Rebecca Bryan Boone Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele]. The Ghost of Five Owl Farm Graham, Lorenz. John Brown: A Cry for Freedom Hargrove, Jim Daniel Boone: Pioneer Trailblazer High, Linda Oatman. Hound Heaven Hurmence, Belinda. A Girl Called Boy Jones, Weyman. The Talking Leaf Key, Alexander. Cherokee Boy _____. Jagger, the Dog from Elsewhere _____. Mystery of the Sassafras Chair _____. With Daniel Boone on the Caroliny Trail Klass, Sheila Solomon. Kool Ada Lansing, Elizabeth Hubbard. Liza of the Hundredfold Latham, Jean Lee. Retreat to Glory: The Story of Sam Houston London, Jonathan. Where’s Home? Lynn, Jodi. Forget Me Not Lyon, George Ella. Borrowed Children _____. Red Rover, Red Rover _____. The Stranger I Left Behind Milton, Hilary H. Mayday! Mayday! New York: Watts, 1979.

Moore, Robin. The Bread Sister of Sinking Creek _____. When the Moon Is Full: Supernatural Stories from the Old Pennsylvania Mountains Morris, Gilbert. The Soldier Boy’s Discovery O’Connor, Barbara. Moonpie and Ivy Roberts, Nancy. Appalachian Ghosts Rylant, Cynthia. A Blue-Eyed Daisy Sanders, Margaret Webb. The Year of the Mintie May Searcy, Margaret Zehmer. The Charm of the Bear Claw Necklace: A Story of Stone Age Southeastern Indians _____. Ikwa of the Mound-Builder Indians _____. Wolf Dog of the Woodland Indians Shirley, David. Satchel Paige: Baseball Great Showell, Ellen Harvey. Cecelia and the Blue Mountain Boy Simon, Charlie May Hogue. Younger Brother Smith, Doris Buchanan. Return to Bitter Creek Springer, Nancy. Secret Star Steele, William O. The Man with the Silver Eyes Stiles, Martha Bennett. Kate of Still Waters Stuart, Jesse. A Penny’s Worth of Character _____. The Rightful Owner Watkins, Samuel Rush. The Diary of Sam Watkins, a Confederate Soldier White, Alana. Come Next Spring Wilkie, Katherine E. Helen Keller: Handicapped Girl Wood, D. K. Nightmare at Indian Cave Wyman, Andrea. Faith, Hope, and Chicken Feathers

GRADE LEVEL 5–8 Basel, Roberta. Sequoyah: Inventor of Written Cherokee Bradley, Kimberly Brubaker. Half way to the Sky Bruchac, Joseph. The Dark Pond Cammarano, Rita. Betsy Byars Coatsworth, Elizabeth. The Golden Horseshoe Creech, Sharon. Absolutely Normal Chaos Cunningham, Kevin. Condoleezza Rice: U. S. Secretary of State Curry, Jane Louise. A Stolen Life Ditchfield, Christin. Condoleezza Rice: National Security Advisor Evernden, Margery. Wilderness Boy Finlayson, Ann. Greenhorn on the Frontier Fitzgerald, Stephanie. The Scopes Trial: The Battle Over Teaching Evolution Freeman, Martha. The Year My Parents Ruined My Life Fritz, Jean. Brady Furbee, Mary Rodd. Shawnee Captive: The Story of Mary Draper Ingles Hamilton, Virginia. Second Cousins Henderson, Aileen Kilgore. Hard Times for Jake Smith: A Story of the Depression Era Hoffman, Nancy. Eleanor Roosevelt and the Arthurdale Experiment Houston, Gloria. Mountain Valor Hughes, Christopher A. Andrew Johnson _____. Antietam Jakoubek, Robert E. Jesse Jackson: Civil Rights Leader and Politician Keehn, Sally M. Anna Sunday _____. Gnat Stokes and the Fogg y Bottom Swamp Queen _____. Magpie Gabbard and the Quest for the Buried Moon

Appendix II: Grade Levels (Authors, Titles) • 301 Key, Alexander. Escape to Witch Mountain Knapp, Ron. Sports Great Bo Jackson Krishef, Robert K. Loretta Lynn Krohn, Katherine E. Lucille Ball: Pioneer of Comedy Latham, Jean Lee. Anchor’s Aweigh: The Story of David Glasgow Farragut Le Sueur, Meridel. Chanticleer of Wilderness Road: A Story of Davy Crockett Libal, Joyce. Southern Appalachia Lynn, Jodi. Blue Girl _____. Glory _____. Shadow Tree Lyon, George Ella. Here and Then Madden, Kerry. Louisiana’s Song McCormack, Shaun. Cool Papa Bell Moore, Robin. Maggie Among the Seneca _____. Up the Frozen River Moore, Ruth Nulton. Peace Treaty Morris, Roz. Hugo L. Black: Justice for All _____. Julia Tutwiler: Alabama Crusader Newcombe, Jack. Six Days to Saturday O’Connor, Barbara. Beethoven in Paradise Olson, Steven P. The Trial of John T. Scopes: A Primary Source Account Osinski, Alice. Andrew Jackson: Seventh President of the United States Otfinoski, Steven. Jesse Jackson: A Voice for Change Oughton, Jerrie. Music from a Place Called Half Moon Owens, Jesse, and Paul G. Neimark. The Jesse Owens Story Porte, Barbara Ann. Something Terrible Happened: A Novel Rau, Dana Meachen. Andrew Carnegie: Captain of Industry Ray, Delia. Ghost Girl: A Blue Ridge Mountain Story Reaver, Chap. Bill Reeder, Carolyn. Moonshiner’s Son Rinaldi, Ann. The Second Bend in the River Robertson, James I. Standing Like a Stone Wall: The Life of General Thomas J. Jackson Ryan, Bernard. Condoleezza Rice: National Security Advisor and Musician Rylant, Cynthia. A Fine White Dust St. George, Judith. Dear Doctor Bell...Your Friend, Helen Keller Shelby, Anne. Homeplace Shorto, Russell. Tecumseh and the Dream of an American Indian Nation Steele, Mary Q., and William O. Steele. The Eye in the Forest Steele, William O. Flaming Arrows _____. Over-Mountain Boy Stevens, Rita. Andrew Johnson: 17th President of the United States Street, James, and Don Tracy. Pride of Possession Tolan, Stephanie S. Surviving the Applewhites Toone, Betty. Appalachia: The Mountains, the Place and the People Uschan, Michael V. The Scopes “Monkey” Trial White, Ruth. Tadpole Wisler, G. Clifton. King’s Mountain Youmans, Marly. The Curse of the Raven Mocker

GRADE LEVEL 5–9 Alagna, Magdalena. Elvis Presley Ernst, Kathleen. Retreat from Gettysburg Fredeen, Charles. Nellie Bly: Daredevil Reporter Govan, Christine Noble. Carolina Caravan Harness, Cheryl. The Trailblazing Life of Daniel Boone and How Early Americans Took to the Road Holberg, Ruth Langland. Restless Johnny: The Story of Johnny Appleseed Key, Alexander. The Preposterous Adventures of Swimmer Lawlor, Laurie. Daniel Boone Lawson, John. If Pigs Could Fly Leavitt, Dorothy. Adventure on the Tennessee Miller, Sarah Elizabeth. Miss Spitfire: Reaching Helen Keller Naylor, Phyllis Reynolds. Wrestle the Mountain Nuwer, Hank. The Legend of Jesse Owens Ritter, John H. Choosing up Sides Rubin, Susan Goldman. Andy Warhol: Pop Art Painter Rylant, Cynthia. But I’ll Be Back Again: An Album St. George, Judith. Mason and Dixon’s Line of Fire Sloan, Carolyn. Helen Keller Terry, Walter. The Frontiers of Dance: The Life of Martha Graham

GRADE LEVEL 5–10 Rinaldi, Ann. The Coffin Quilt: The Feud Between the Hatfields and the McCoys Strum, Richard M. Henry Knox: Washington’s Artilleryman

GRADE LEVEL 5–11 Gallagher, Jim. Daniel Morgan: Fighting Frontiersman Mierka, Gregg A. Nathanael Greene: The General Who Saved the Revolution

GRADE LEVEL 5-UP Atkinson, Eleanor. Johnny Appleseed: The Romance of the Sower Bakeless, John Edwin. Fighting Frontiersman, the Life of Daniel Boone Baker, Julie. Up Molasses Mountain Ball, Zachary [pseud. of Kelly R. Masters]. Bristle Face _____. Sputters Bartoletti, Susan Campbell. Growing up in Coal Country Beatty, Patricia. Turn Homeward, Hannalee _____. Who Comes with Cannons? Beebe, Burdetta F. Appalachian Elk Bennett, Barbara J. Stonewall Jackson: Lee’s Greatest Lieutenant Bial, Raymond. The Shawnee Blanton, Catherine. Trouble on Old Smoky Bowman, James Cloyd. John Henry: The Rambling Black Ulysses Brown, John Mason. Daniel Boone: The Opening of the Wilderness Campbell, C. W. Sequoyah Chapman, Maristan [pseud. of John Stanton Higham Chapman and Mary Isley Chapman]. Wild Cat Ridge Clark, Electa. Cherokee Chief: The Life of John Ross Clinton, Cathryn. The Calling Cohen, Joel H. Manny Sanguillen: Jolly Pirate

302 • Appendix II: Grade Levels (Authors, Titles) Collier, Peter. When Shall They Rest? The Cherokees’ Long Struggle with America Conley, Philip Mallory. West Virginia Reader: Stories of Early Days Cupper, Dan. The Pennsylvania Turnpike: A History Cwiklik, Robert. Sequoyah and the Cherokee Alphabet Davis, Jenny. Checking on the Moon Davis, Julia. A Valley and Song: The Story of the Shenandoah River Davis, Ossie. Just Like Martin Denenberg, Barry. All Shook Up: The Life and Death of Elvis Presley Denzel, Justin F. Champion of Liberty, Henry Knox Disney (Walt) Productions. Walt Disney Legends of Davy Crockett Donovan, Sandra. Billy Graham Driskill, Frank. Davy Crockett: The Untold Story Du Bois, Shirley Graham. Booker T. Washington: Educator of Hand, Head, and Heart Ehrlich, Elizabeth. Nellie Bly Elish, Dan. The Trail of Tears: The Story of the Cherokee Removal Emery, Anne. Mountain Laurel Felton, Harold W. John Henry and His Hammer Fitch, Bob, and Lynne Fitch. Grandfather’s Land Fritz, Jean. Stonewall Frost, John. Pictorial Life of Andrew Jackson; Embracing Anecdotes, Illustrative of His Character. For Young People. Galdone, Joanna. The Tailypo: A Ghost Story Garrett, Leslie. Helen Keller Gibbons, Faye. Mighty Close to Heaven _____. Some Glad Morning Giovanni, Nikki. Ego-Tripping and Other Poems for Young People Glaser, Dianne. The Diary of Trilby Frost Green, Connie Jordan. Emmy Hamel, Paul B., and Mary Ulmer Chiltoskey. Cherokee Plants and Their Uses: A 400 Year History Hamilton, Virginia. Cousins _____. The House of Dies Drear _____. The Magical Adventures of Pretty Pearl _____. The Mystery of Drear House: The Conclusion of the Dies Drear Chronicle Heaster, Georgia Golden. Betty Zane Holbrook, Stewart. Davy Crockett Holley, Juliette Ann. Jamie Lemme See Holway, John. Josh Gibson Hoyt, Edwin Palmer [pseud. of Christopher Martin]. Your National Parks: Great Smoky Mountains Johnson, Allen. My Brother’s Story Johnson, Angela. The Other Side: Shorter Poems Judson, Clara Ingram. Andrew Carnegie _____. Andrew Jackson: Frontier Statesman Kassem, Lou. A Summer for Secrets Kidd, Ronald. Monkey Town: The Summer of the Scopes Trial King, Elisha Sterling. Wild Rose of Cherokee or Nancy Ward, “The Pocohontas of the West”: A Story of the Early Exploration, Occupancy and Settlement of the State of Tennessee Krishef, Robert K., and Stacy Harris. The Carter Family: Country Music’s First Family Laskas, Gretchen Moran. The Miner’s Daughter

Laycock, George. Big Nick: The Story of a Remarkable Black Bear Linzey, Alicia V., and Donald W. Linzey. Mammals of Great Smoky Mountains National Park Linzey, Donald W. Mammals of Great Smoky Mountains National Park Murphy, Rita. Harmony Musgrave, Florence. Oh, Sarah _____. Robert E _____. Sarah Hastings O’Kelley, Mattie Lou. Mattie Lou O’Kelley: Folk Artist Page, Linda Garland, and Hilton Smith, eds. The Foxfire Book of Appalachian Toys and Games _____. The Foxfire Book of Toys and Games: Reminiscences and Instructions from Appalachia Paradis, Adrian A. Ida M. Tarbell, Pioneer Woman Journalist and Biographer Patchin, Frank Gee. The Pony Rider Boys on the Blue Ridge; or, A Lucky Find in the Carolina Mountains Paxton, Collin Wilcox, and Gary Carden. Papa’s Angels: A Christmas Story Porter, Dena Williams. Sullivan County, Tennessee Probosz, Kathilyn S. Martha Graham Rappaport, Ken. Bobby Bonilla Reed, Marcelina. Seven Clans of the Cherokee Society Reger, James P. The Battle of Antietam Ritchie, Jean. The Dulcimer Book _____. Folk Songs of the Southern Appalachians as Sung by Jean Ritchie _____. A Garland of Mountain Song _____. Jean Ritchie’s Swapping Song Book _____. Singing Family of the Cumberlands Roberts, Bruce, and Nancy Roberts. Where Time Stood Still: A Portrait of Appalachia Roper, William L. Sequoyah and His Miracle Rubin, Robert. Satchel Paige: All-Time Baseball Great _____. Ty Cobb: The Greatest Rylant, Cynthia. Missing May Schoor, Gene. The Stan Musial Story Scott, Evelyn [pseud. of Elsie Dunn Scott Wellman, later Metcalfe]. Witch Perkins: A Story of the Kentucky Hills Shingleton, Samuel Woods. Braddock’s Gold: A Story of Adventure Shorto, Russell. David Farragut and the Great Naval Blockade Skinner, Constance Lindsay. Silent Scott Skurzynski, Gloria. Goodbye, Billy Radish Smalley, Ruth. An Interview with Andrew Jackson: Seventh President of the United States of America _____. An Interview with Andrew Johnson Steffens, Bradley, and Dan Woog. Jesse Jackson Stewart, Philip. Cherokee Street, Julia Montgomery. Moccasin Tracks Sturm, James. Satchel Paige: Striking Out Jim Crow Taylor, Vincent Frank. David Crockett: The Bravest of Them All Who Died at the Alamo Vance, Marguerite. The Jacksons of Tennessee Webb, Shirley G. Tales from the Keeper of the Myths: Cherokee Stories for Children Wells, Rhea. An American Farm White, Ruth. Buttermilk Hill _____. Memories of Summer White, Stewart Edward. Daniel Boone: Wilderness Scout. The Life Story and True Adventures of the Great Hunter,

Appendix II: Grade Levels (Authors, Titles) • 303 Long Knife, Who First Blazed the Wilderness Trail Through the Indian’s Country to Kentucky Wilson, Hoyt R. Joe Louis: The Brown Bomber Woodson, Jacqueline. Lena Youmans, Marly. Ingledove Young, Stanley. Young Hickory: A Story of the Frontier Boyhood and Youth of Andrew Jackson

GRADE LEVEL 6–10

GRADE LEVEL 6–7

Blakely, Gloria. Condoleezza Rice Holdsclaw, Chamique, and Jennifer Frey. Chamique Holdsclaw: My Story

Smith, Doris Buchanan. Moonshadow of Cherry Mountain

GRADE LEVEL 6–8 Alder, Elizabeth. Crossing the Panther’s Path Caudill, Rebecca. The Far-Off Land Ditchfield, Christin. Condoleezza Rice: America’s Leading Stateswoman Dunnahoo, Terry. Nellie Bly: A Portrait Ernst, Kathleen. Hearts of Stone Gunter, Frances B. The Golden Horseshoe _____. The Golden Horseshoe II Janoski, Elizabeth. Mountain Song Keehn, Sally M. I am Regina Lee, Mildred. The People Therein Lorenzo, Carol Lee. Heart-of-Snowbird McDonald, Megan. The Bridge to Nowhere Moore, Ruth Nulton. Mystery at Indian Rocks Murray, Marguerite. A Peaceable Warrior Rylant, Cynthia. Waiting to Waltz: A Childhood Wisler, G. Clifton. Red Cap

GRADE LEVEL 6–9 Belton, Sandra. McKendree Billus, Kathleen. Judy Johnson Collier, James Lincoln, and Christopher Collier. With Every Drop of Blood: A Novel of the Civil War Creech, Sharon. Chasing Redbird Daily, Robert. Elvis Presley: The King of Rock ‘n’ Roll Ernst, Kathleen. The Night Riders of Harpers Ferry Fox, Genevieve May. Cynthia of Bee-Tree Hollow Horton, Madelyn. The Importance of Mother Jones Humphrey, Kathryn L. Satchel Paige Immell, Myra, and William H. Immell. Tecumseh Jezer, Marty. Rachel Carson Jones, Adrienne. Whistle Down a Dark Lane Kassem, Lou. Listen for Rachel Levine, Ellen. Rachel Carson Marino, Dan, and Steve Delsohn. Marino! Markle, Sandra. The Fledglings Myers, Elisabeth P. Angel of Appalachia: Martha Berry Newman, Gerald, and Eleanor Newman. Martha Graham: Founder of Modern Dance Nolan, Jeannette Covert. Andrew Jackson Paterson, Katherine. Come Sing, Jimmy Jo Rees, Douglas. Lightning Time Smith, E. S. Bear Bryant: Football’s Winning Coach Twemlow, Nick. Josh Gibson Waite, Helen E. Valiant Companions White, Ruth. Weeping Willow Yep, Laurence. The Star Fisher

Hanson, Freya Ottem. The Scopes Monkey Trial: A Headline Court Case Josephson, Judith Pinkerton. Jesse Owens, Track and Field Legend

GRADE LEVEL 6–12

GRADE LEVEL 6-UP Abrams, Dennis. Ty Cobb Allen, Charles Fletcher. David Crockett, Scout: Small Boy, Pilgrim, Mountaineer, Soldier, Bear-Hunter and Congressman: Defender of the Alamo Allman, C. B. (Clarence Brent). Lewis Wetzel: The Life and Times of a Frontier Hero Altsheler, Joseph Alexander. The Guns of Shiloh: A Story of the Great Western Campaign _____. Kentucky Frontiersman: The Adventures of Henry Ware, Hunter and Border Fighter _____. The Scouts of Stonewall: The Story of the Great Valley Campaign _____. The Sword of Antietam: A Story of the Nation’s Crisis _____. The Young Trailers: A Story of Early Kentucky Andrist, Ralph K. Andrew Jackson: Soldier and Statesman Ansley, Delight. The Sword and the Spirit: A Life of John Brown Armistead, John. The Return of Gabriel Armstrong, William H. The MacLeod Place _____. Sounder _____. Sour Land Bailey, Ronald H., and Time-Life eds. The Bloodiest Day: The Battle of Antietam Bake, William. The Blue Ridge Beatty, John, and Patricia Beatty. Who Comes to King’s Mountain? Brenner, Barbara. A Killing Season Brestensky, Dennis F., Evelyn A. Hovanec, and Albert N. Skomra. Patch Work Voices: The Culture and Lore of a Mining People Bunin, Sherry. Dear Great American Writers School Caudill, Rebecca. The House of the Fifers _____. Tree of Freedom Chaffin, Lillie D., and R. Conrad Stein. A World of Books Chapman, Maristan [pseud. of John Stanton Higham Chapman and Mary Isley Chapman]. Eagle Cliff _____. Flood in Glen Hazard _____. Glen Hazard Cowboys _____. Marsh Island Mystery _____. Mill Creek Mystery _____. Mystery of the Missing Car _____. Rogues on Red Hill _____. Secret of Wild Cat Cave _____. The Timber Trail _____. The Treasure Hunters Clark, Billy Curtis. Goodbye Kate Cleaver, Vera, and Bill Cleaver. A Little Destiny

304 • Appendix II: Grade Levels (Authors, Titles) _____. The Mimosa Tree _____. Trial Valley _____. Where the Lilies Bloom Coit, Margaret. Andrew Jackson Cole, Norma. The Final Tide Collier, James Lincoln, and Christopher Collier. The Bloody Country Conn, Frances G. Ida Tarbell, Muckraker Cooke, David C. Tecumseh, Destiny’s Warrior Credle, Ellis. Tall Tales from the High Hills and Other Stories Crook, Beverly Courtney. Fair Annie of Old Mule Hollow Culin, Charlotte. Cages of Glass, Flowers of Time Curtis, Christopher Paul. The Watsons Go to Birmingham —1963 Daniels, Jonathan. Stonewall Jackson Davis, Donald. Jack Always Seeks His Fortune: Authentic Appalachian Jack Tales Depew, Lanette. A Bridge Spanning Time Doolittle, Jerome. The Southern Appalachians Durden, Robert F. Carter G. Woodson: Father of AfricanAmerican History Earley, Tony. Jim the Boy Edge, Laura Bufano. Andrew Carnegie Elliott, Lawrence. The Long Hunter Ernst, Kathleen. The Bravest Girl in Sharpsburg Evans, Mari-Lynn, et al, eds. The Appalachians: America’s First and Last Frontier Faris, John T. Nolichucky Jack Fleischmann, Glen. The Cherokee Removal 1838: An Entire Indian Nation Is Forced Out of Its Homeland Ford, Carin T. Andy Warhol: Pioneer of Pop Art _____. Helen Keller: Lighting the Way for the Blind and Deaf Fox, Genevieve May. Mountain Girl Fradin, Dennis Brindell, and Judith Bloom Fradin. Ida B. Wells: Mother of the Civil Rights Movement Fritz, Jean. Make Way for Sam Houston Furbee, Mary Rodd. Wild Rose: Nancy Ward and the Cherokee Nation Frye, Dennis E. 1862 Facts About the Battle of Antietam Gainer, Patrick. Witches, Ghosts and Signs: Folklore of the Southern Appalachians Gay, Kathlyn. Mother Jones Geary, Charles, and Leonard Grossman. What I’m About Is People Gifford, James M., Owen B. Nance, and Patricia A. Hall, eds. Appalachian Christmas Stories Glancy, Diane Pushing the Bear Green, Connie Jordan. The War at Home Greene, Lee. The Johnny Unitas Story Gurko, Leo. Thomas Wolfe: Beyond the Romantic Ego Haldeman, Myrtle Long. Cassie After Antietam _____. Cassie: The Girl with the Hero’s Heart Hall, Esther Greenacre. Up Creek and Down Creek Hamilton, Virginia. M. C. Higgins, the Great Hamner, Earl, Jr. The Homecoming: A Novel About Spencer’s Mountain _____. Spencer’s Mountain Hardin, Gail, and R. Conrad Stein. The Road from West Virginia Haskins, James. I Am Somebody!: A Biography of Jesse Jackson

_____. Jesse Jackson: Civil Rights Activist Hawxhurst, Joan C. Mother Jones: Labor Crusader Haynes, Richard M. Ida B. Wells: Antilynching Crusader Herring, Reuben. Fire in the Canebrake Hubbard, Margaret Ann. The Hickory Limb Hutchins, Ross E. Hidden Valley of the Smokies: With a Naturalist in the Great Smoky Mountains James, Bessie Rowland, and Marquis James. The Courageous Heart Jameson, W. C. Buried Treasures of the Appalachians: Legends of Homestead Caches, Indian Mines, and Loot from Civil War Raids Johnson, Kathleen Jeffrie. Dumb Love Johnston, Tony. Bone by Bone by Bone Justus, May. Betty Lou of Big Log Mountain _____. Big Log Mountain _____. Dixie Decides _____. Nancy of Apple Tree Hill Keller, Helen. The Story of My Life Kent, Zachary. Andrew Carnegie: Steel King and Friend to Libraries Killens, John Oliver. A Man Ain’t Nothin’ but a Man: The Adventures of John Henry Kollock, John. These Gentle Hills Kornfeld, Anita Clay. In a Bluebird’s Eye Kosof, Anna. Jesse Jackson Kraft, Betsy Harvey. Mother Jones: One Woman’s Fight for Labor Kroll, Harry Harrison. My Heart’s in the Hills Lisandrelli, Elaine Slivinski. Ida B. Wells-Barnett: Crusader Against Lynching Lyon, George Ella. Gina.Jamie.Father.Bear Marrin, Albert. Old Hickory: Andrew Jackson and the American People Marsh, Olive V. Southern Highland Summer Mays, Willie, with Charles Einstein. Born to Play Ball Meltzer, Milton. Underground Man Munzer, Martha E. Valley of Vision: The TVA Years Musick, Ruth Ann. Coffin Hollow and Other Ghost Tales _____. Green Hills of Magic: West Virginia Folktales from Europe _____. The Telltale Lilac Bush and Other West Virginia Ghost Tales Naylor, Phyllis Reynolds. Sang Spell _____. Shiloh Season Nazel, Joseph. Ida B. Wells Nicolay, Helen. Andrew Jackson, the Fighting President Nolan, Han. When We Were Saints Pace, Mildred Mastin. Home Is Where the Heart Is Page, Linda Garland, and Hilton Smith, eds. Foxfire Book of Appalachian Cookery Peel, Alfreda Marion. Witch in the Mill Perdue, Theda. The Cherokee Pflueger, Lynda. Stonewall Jackson: Confederate General Plantz, Connie. Elvis Presley: Music Legend, Movie Star, the King Power, Susan C. Art of the Cherokee: Prehistory to the Present Reilly, Robert T. Rebels in the Shadows Robinson, Tom. Trigger John’s Son Rockwood, Joyce. Long Man’s Song Rodman, Bella. Lions in the Way Rubel, David. Elvis Presley: The Rise of Rock and Roll Rylant, Cynthia. I Had Seen Castles

Appendix II: Grade Levels (Authors, Titles) • 305 Sabin, Edwin Legrand. In the Ranks of Old Hickory, When with the Western Riflemen in Defense Against Attack from Within and Without, Young and Old of All Degrees United Under Andrew Jackson to Make the Republic’s Borders Safe Sargent, Sarah. Secret Lies Scally, Mary Anthony. Walking Proud: The Story of Dr. Carter Godwin Woodson Scofield, S. R. Hidden Sunbeams: Real Incidents in Frontier Life in Western New York Scott, Carol J. Kentucky Daughter Settle, Mary Lee. The Scopes Trial: The State of Tennessee v. John Thomas Scopes Simon, Charlie May Hogue. The Long Hunt Somervill, Barbara A. Ida Tarbell: Pioneer Investigative Reporter Soupart, Sylvia. Stories of West Virginia for Boys and Girls Stefoff, Rebecca. Tecumseh and the Shawnee Confederation Still, James. Sporty Creek: A Novel About an Appalachian Boyhood Stuart, Jesse. Hie to the Hunters Summers, Thomas Osmund. Joseph Brown or The Young Tennessean Whose Life Was Saved by the Power of Prayer Swager, Christine R. Come to the Cow Pens! The Story of the Battle of Cowpens, January 17, 1781 Time-Life Books Editors. Antietam Traylor, Sarah M. The Red Wind Washington, Booker T. Up from Slavery: An Autobiography Wasileski, Bryan. The April Snow Webb, Robert N. The Raid on Harpers Ferry, Oct. 16, 1859: A Brutal Skirmish Widens the Rift Between North and South Wellman, Manly Wade. Mountain Feud Wepman, Dennis. Helen Keller Werstein, Irving. Labor’s Defiant Lady: The Story of Mother Jones West, Jerry, with Bill Libby. Mr. Clutch: The Jerry West Story Wheeler, Richard. We Knew Stonewall Jackson White, Ruth. Belle Prater’s Boy _____. Sweet Creek Holler Whitelaw, Nancy. The Homestead Steel Strike of 1892 Wooten, Sara McIntosh. Billy Graham: World-Famous Evangelist

GRADE LEVEL 7–8 Steele, William O. The Cherokee Crown of Tannassy

GRADE LEVEL 7–9 Horwitz, Elinor L. Mountain People, Mountain Crafts Hunt, Mabel L. Better Known as Johnny Appleseed Ingle, Sheila. Courageous Kate: A Daughter of the American Revolution Kay, Alan N. Nowhere to Turn Lomask, Milton. Andy Johnson: The Tailor Who Became President Myers, Elisabeth P. Andrew Jackson Nicholson, Lois P. Helen Keller: Humanitarian Nolan, Jeannette Covert. Belle Boyd: Secret Agent

Rourke, Constance. Davy Crockett Schraff, Anne E. Booker T. Washington: “Character is Power” Severn, Bill. In Lincoln’s Footsteps: The Life of Andrew Johnson Wilkie, Katherine E. John Sevier: Son of Tennessee Wood, James Playsted. Kentucky Time

GRADE LEVEL 7–10 Aaseng, Nathan. Cherokee Nation Versus Georgia: The Forced Removal of a People Miller, Jim Wayne. Newfound Rinaldi, Ann. Mine Eyes Have Seen Rylant, Cynthia. Soda Jerk

GRADE LEVEL 7–12 Lauterer, Jock. Wouldn’t Take Nothin’ for My Journey Now Lee, Mildred. The Rock and the Willow Paley, Alan L. Andrew Johnson: The President Impeached

GRADE LEVEL 7-UP Adams, James Taylor, ed. Death in the Dark: A Collection of Factual Ballads of American Mine Disasters Adams, Julia Davis. Stonewall Adams, Robert G. Nancy Ward: Beautiful Woman of Two Worlds Alderman, John Biggs “Pat.” Greasy Cove in Unicoi County: Authentic Folklore _____. In the Shadow of Big Bald _____. Nancy Ward: Cherokee Chieftainess; Dragging Canoe: Cherokee-Chickamauga War Chief _____. One Heroic Hour at King’s Mountain _____. The Overmountain Men _____. The Wonders of the Unakas in Unicoi County Altsheler, Joseph Alexander. Border Watch _____. The Forest Runners Arnow, Harriette Simpson. Old Burnside Ash, Jerry Wayne, and Stratton L. Douthat. West Virginia USA Atkinson, Linda. Mother Jones: The Most Dangerous Woman in America Bennett, Paul. Follow the River Bice, David A., and Helen Jones. West Virginia and the Appalachians Bigland, Eileen. Helen Keller Bird, Robert Montgomery. Nick of the Woods: Or the Jibbenainosay, A tale of Kentucky Blackburn, Joyce. Martha Berry: Little Woman with a Big Dream Blackhurst, W. E. Of Men and a Mighty Mountain Block, Irvin. The Lives of Pearl Buck: A Tale of China and America Bridgers, Sue Ellen. Permanent Connections Brooks, Maurice. The Appalachians Bynum, Rusty. Julia Tutwiler: The Pathfinder Campbell, Carlos C., William F. Hutson, and Aaron J. Sharp. Great Smoky Mountains Wildflowers Campbell, Marie. Cloud-Walking _____. Tales from the Cloud Walking Country Cannon, Bettie. A Bellsong for Sarah Raines

306 • Appendix II: Grade Levels (Authors, Titles) Carpenter, Allan. Stonewall Jackson: The Eccentric Genius Carson, Jo. Stories I Ain’t Told Nobody Yet: Selections from the People Pieces Carter, Forrest. The Education of Little Tree Caudill, Rebecca. Barrie and Daughter _____. My Appalachia: A Reminiscence _____. Susan Cornish Chapman, Maristan [pseud. of John Stanton Higham Chapman and Mary Isley Chapman]. Glen Hazard _____. Rogue’s March Cheek, Angie, and Lacy Hunter Nix, eds. The Foxfire 40th Anniversary Book: Faith, Family, and the Land Chidsey, Donald B. Andrew Jackson, Hero Clark, Billy Curtis. The Champion of Sourwood Mountain _____. Sourwood Tales Coblentz, Catherine Cate. Sequoya Collins, Kaye Carver, and Lacy Hunter, eds. Foxfire 11: Wild Plant Uses, Gardening Wit and Wisdom, Beekeeping, Tool Making, Fishing and More Affairs of Plain Living Collins, Kaye Carver, and Angie Cheek, eds. Foxfire 12: War Stories, Cherokee Traditions, Summer Camps, Square Dancing, Crafts, and More Affairs of Plain Living Conley, Robert J. The Witch of Goingsnake: And Other Stories Cox, Clinton. Fiery Vision: The Life and Death of John Brown Cummings, Betty Sue. Hew Against the Grain Cwiklik, Robert. Tecumseh: Shawnee Rebel Davis, Jenny. Good-Bye and Keep Cold Deem, James M. 3NBs of Julian Drew Dixon, Max. The Wataugans Dolson, Hildegarde. The Great Oildorado: The Gaudy and Turbulent Years of the First Oil Rush: Pennsylvania, 1859–1880 Eckert, Allan W. Blue Jacket: War Chief of the Shawnees _____. Johnny Logan: Shawnee Spy Engel, Trudie. We’ll Never Forget You, Roberto Clemente Erskine, Payne. The Mountain Girl Fenton, Edward. Duffy’s Rocks Filson, John. Filson’s Kentucke: A Facsimile Reproduction of the Original Wilmington Edition of 1784 Forman, James. A Ballad for Hogskin Hill _____. Song of Jubilee Foster, G. Allen. Impeached: The President Who Almost Lost His Job Fox, Genevieve May. Mountain Girl Comes Home Fremon, David K. The Trail of Tears Fry, Annette R. The Orphan Trains Gerson, Noel Bertram. Franklin, America’s “Lost State” _____. Sam Houston: A Biographical Novel _____. Trial of Andrew Johnson Gilbert, Thomas W. Roberto Clemente: Puerto Rican Baseball Player Gillespie, Paul F., ed. Foxfire 7 Green, Margaret. Defender of the Constitution: Andrew Johnson Hall, Esther Greenacre. The Here-to-Yonder Girl Hall, Tom T. The Storyteller’s Nashville Hallman, Ruth. Search Without Fear Hare, James. From Katahdin to Springer Mountain: The Best Stories of Hiking the Appalachian Trail

Hemingway, Edith M., and Jacqueline C. Shields. Rebel Hart Hite, Sid. It’s Nothing to a Mountain Hoffman, Edwin. Fighting Mountaineers: The Struggle for Justice in the Appalachians Hoig, Stan. Night of the Cruel Moon: Cherokee Removal and the Trail of Tears Hoyt, Edwin Palmer [pseud. of Christopher Martin]. Andrew Johnson James, Bessie Rowland, and Marquis James. Six Feet Six: The Heroic Story of Sam Houston James, Otis. Dolly Parton: A Personal Portrait Kavanagh, Jack. Honus Wagner Kimball, Dean. Constructing the Mountain Dulcimer Klein, Jeff Z. Mario Lemieux, Ice Hockey Star Lawrence, Mildred. Walk a Rocky Road Lee, S. C. Young Bear: The Legend of Bear Bryant’s Boyhood Martin, Michael J. Chuck Yeager Mashburn, William. Mountain Summer Mays, Willie, with Maxine Berger. Play Ball! McDaniel, Lurlene. Hit and Run McKinley, Michael. The Magnificent One: The Story of Mario Lemieux Naylor, Phyllis Reynolds. Send No Blessings Noble, Iris. Nellie Bly, First Woman Reporter Nolan, Jeannette Covert. John Brown Ogburn, Charlton. Winespring Mountain Paige, Leroy (Satchel), with David Lipman. Maybe I’ll Pitch Forever: A Great Baseball Player Tells the Hilarious Story Behind the Legend Perez, N. A. Breaker Price, Olive M. Three Golden Rivers Remini, Robert V. The Revolutionary Age of Andrew Jackson Reynolds, George P., and Susan W. Walker, eds. Foxfire 10: Railroad Lore, Boardinghouses, Depression-Era Appalachia, Chairmaking, Whirligigs, Snake Canes, and Gourd Art Rice, Otis K. West Virginia: The State and Its People Riddell, Ruth. Haunted Journey Roberts, Jerry. Old Greasybeard: Tales from the Cumberland Gap _____. Sang Branch Settlers: Folk Songs and Tales of a Kentucky Mountain Family _____. South from Hell-Fer-Sartin _____. Up Cutshin and Down Greasy: Folkways of a Kentucky Mountain Family Rockwood, Joyce. Enoch’s Place _____. To Spoil the Sun Rubio, Gwyn Hyman. Icy Sparks Scarborough, Dorothy. A Song Catcher in Southern Mountains: American Folksongs of British Ancestry Schlappi, Elizabeth. Roy Acuff: The Smoky Mountain Boy Simon, Charlie May Hogue. The Andrew Carnegie Story Skidmore, Hubert. Hill Doctor _____. Hill Lawyer _____. River Rising! Skurzynski, Gloria. The Tempering Smith, Hilton, and Margie Bennett, eds. Foxfire Book of Wine Making: Recipes and Memories in the Appalachian Tradition Sobol, Donald J. The Lost Dispatch: A Story of Antietam Spencer, Cornelia [pseud. of Grace Sydenstricker

Appendix II: Grade Levels (Authors, Titles) • 307 Yaukey]. Pearl Buck: Revealing the Human Heart Steele, William O. The Old Wilderness Road: An American Journey Sterling, Philip. Sea and Earth: The Life of Rachel Carson Stuart, Jesse. A Jesse Stuart Reader _____. My Land Has a Voice Thoennes Keller, Kristin. Booker T. Washington: Innovative Educator Thomas, Jeanette Bell. Devil’s Ditties: Stories of Kentucky Mountain People Thomas, Maude Morgan. Sing in the Dark: A Story of the Welsh in Pennsylvania Van Steenwyk, Elizabeth. Ida B. Wells-Barnett: Woman of Courage Whitelaw, Nancy. Andrew Jackson: Frontier President Wigginton, Eliot, ed. The Foxfire Book: Hog Dressing; Log Cabin Building; Mountain Crafts, Foods, Planting By the Signs, Snake Lore, Hunting Tales, Faith Healing, Moonshining, and Other Affairs of Plain Living _____. Foxfire 2: Ghost Stories, Spring Wild Plant Foods, Spinning and Weaving, Midwifing, Burial Customs, Corn Shuckin’s, Wagon Making, and More Affairs of Plain Living _____. Foxfire 3: Animal Care, Banjos and Dulcimers, Hide Tanning, Summer and Fall Wild Plant Foods, Butter Churns, Ginseng, and Still More Affairs of Plain Living

_____. Foxfire 4: Water Systems, Fiddle Making, Logging, Gardening, Sassafras Tea, Wood Carving, and Further Affairs of Plain Living _____. Foxfire 5: Ironmaking and Blacksmithing, Flintlock Rifles, Bear Hunting, Flutter Mills, and Yet More Affairs of Plain Living _____. Foxfire 6: Shoemaking, 100 Toys and Games, Gourd Banjos and Songbows, Wooden Locks, a WaterPowered Sawmill, and Other Affairs of Just Plain Living _____. Foxfire: 25 Years _____. A Foxfire Christmas: Appalachian Memories and Traditions _____. I Wish I Could Give My Son a Wild Raccoon Wigginton, Eliot, and Margie Bennett, eds. Foxfire 8 _____. Foxfire 9 Wilkinson, Brenda Scott. Jesse Jackson: Still Fighting for the Dream Williams, Colleen Madonna Flood. Chuck Yeager Wolff, Ruth. A Crack in the Sidewalk Woodson, Jacqueline. I Hadn’t Meant to Tell You This Woog, Adam. Lucille Ball Yuhas, Thomas, Ray Duke, and Erma Konitsky, eds. Out of the Dark _____. Out of the Dark 2: Mining Folk

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Author, Title, Illustrator Index A Is for Appalachia: The Alphabet Book of Appalachian Heritage 199 A Is for Appleseed 62 Aaseng, Nathan 13 A B Cedar: An Alphabet of Trees 168 The ABC’s of Clemson: For Tigers of All Ages 22 Abel, Ray (Raymond) 49, 278 Abraham Lincoln: The Prairie Years 271 Abrams, Dennis 13 Absolutely Normal Chaos 63 Accorsi, William 13 Adams, Colleen 13 Adams, Harriet S. see Dixon, Franklin W. Adams, James Taylor 13 Adams, Julia Davis 13 Adams, Robert G. 14 Ada’s Pal 168 Addie Clawson: Appalachian Mail Carrier 10, 20, 61, 78 Adelson, Bruce 14 Adler, David A. 14, 30, 167 The Adventure of Charlie and His Wheat-Straw Hat: A Memorat 120 Adventure on the Tennessee 157 Adventure on the Wilderness Road, 1775 155 Adventures Along the Cumberland Gap 176 Adventures of Daniel Boone, the Kentucky Rifleman 115 The Adventures of Molly Whuppie and Other Appalachian Folktales 215, 228, 233 After the Goat Man 42 A.G. Gaston: Visionary Businessman 23 Agee, James 222 Agins, Michelle V. 19 Ahyoka and the Talking Leaves 218 Alagna, Magdalena 15 Albrecht, Val 15 Alcott, Louisa May 213 Alden, Betty 163 Alder, Elizabeth 15 Alderman, John Biggs “Pat” 14, 15 Alexander and the Terrible, Horrible, No Good, Very Bad Day 33

Alfano, Wayne 103 Alger, Horatio 165 Aliens of Transylvania County 35 Aliki [Aliki Brandenberg] 9, 16, 19 All Quiet on the Western Front 223 All Shook Up: The Life and Death of Elvis Presley 72 All the Way to Morning 5, 114 Allan, Eitzen 186 Allen, Charles Fletcher 16 Allen, Doug 198 Allen, Nancy Kelly 16 Allen, Thomas B. (Tom) 26, 117, 125 Aller, Susan Bibin 16 Allman, C. B. (Clarence Brent) 17 Aloise, Frank 142 Alphin, Elaine Marie 17, 34 Altsheler, Joseph Alexander. 8, 17 Alvin C. York, Young Marksman 265 Amber on the Mountain 135 Amelia Gayle Gorgas: First Woman of Position 196 America the Beautiful: West Virginia 245 An American Farm 266 American Folk Tales and Songs and Other Examples of EnglishAmerican Tradition as Preserved in the Appalachian Mountains and Elsewhere in the United States 52– 53 The American Girl 109 Amper, Thomas 18 Anchor’s Aweigh: The Story of David Glasgow Farragut 155 Anchutin, Jacob 258 And Then the Feather Fell 34 ... And They Named Me “Hope” 148 Andersen, Hans Christian 18 Anderson, J. I. 18 Anderson, Joan 10, 18 Anderson, Jodi Lynn 11, 19 Anderson, LaVere 19 Anderson, Linda 148 Anderson, Rus 235 Andie MacDowell 130 Andrew Carnegie (Edge) 79 Andrew Carnegie (Henry) 118 Andrew Carnegie ( Judson) 136

309

Andrew Carnegie and the Age of Steel 233 Andrew Carnegie and the Steel Industry 200 Andrew Carnegie: Builder of Libraries 235 Andrew Carnegie: Captain of Industry 209 Andrew Carnegie: Steel King and Friend to Libraries 146 Andrew Carnegie: Steel Tycoon 36 The Andrew Carnegie Story 235 Andrew Jackson (Burke) 42 Andrew Jackson (Chidsey) 54 Andrew Jackson (Coit) 58 Andrew Jackson (Foster) 86, 278 Andrew Jackson (Martin) 175 Andrew Jackson (Myers) 189 Andrew Jackson (Nolan) 194 Andrew Jackson: Fighting Frontiersman 278 Andrew Jackson: Frontier Patriot 225 Andrew Jackson: Frontier President 271 Andrew Jackson: Frontier Statesman 136 Andrew Jackson, Hero 54 Andrew Jackson: Pioneer and President 201 Andrew Jackson: Seventh President of the United States 198 Andrew Jackson: Soldier and Statesman 19 Andrew Jackson, the Fighting President 193 Andrew Johnson (Hoyt) 126 Andrew Johnson (Hughes) 127 Andrew Johnson: Rebuilding the Union 76 Andrew Johnson: Seventeenth President of the United States 146 Andrew Johnson: 17th President of the United States 246 Andrew Johnson: The President Impeached 200 Andrews, Bernie 16 Andrews, Peter 19 Andrist, Ralph K. 19 Andryszewski, Tricia 20

310 • Author, Title, Illustrator Index Andy Finds a Way 251 Andy Jackson: Boy Soldier 246 Andy Jackson’s Water Well 241 Andy Johnson: The Tailor Who Became President 165, 232 Andy Warhol 35 Andy Warhol: Pioneer of Pop Art 85 Andy Warhol: Pop Art Painter 220 Andy Warhol: The Life of an Artist 85 Angel Coming 8, 118 Angel of Appalachia: Martha Berry 189, 204 Animal Friends of the Smokies 127 The Animal’s Ballgame 21 Anna Sunday 144 Anne Bailey: Frontier Scout 89 Ansley, Delight 20, 129, 265 Antietam (Hughes) 127 Antietam (Time-Life Books Editors) 256 Antietam: Day of Courage and Sacrifice 108, 264 Appalachia 75 Appalachia on Our Mind 10 Appalachia: The Mountains, the Place and the People 256 Appalachia: The Voices of Sleeping Birds 31, 150, 181, 222 Appalachian ABCs 109 The Appalachian Ambush 204 Appalachian Christmas Stories 95 Appalachian Elk 27 Appalachian Ghosts 216 Appalachian Haven 38 “Appalachian Literature and the Adolescent Reader” 5 An Appalachian Mother Goose 9, 249 Appalachian Mountain Books 4 Appalachian Mountains 172 Appalachian Scrapbook: An ABC of Growing up in the Mountains 54 The Appalachians (Brooks) 39 The Appalachians (Maynard) 176 The Appalachians: America’s First and Last Frontier 81 Appelt, Kathi 20 Appleseeds 108, 264 The April Snow 264 Aquila’s Drinking Gourd: A Story of the Underground Railroad 72 Archibald, Alecia Sherard 20 Armistead, John 20 Armstrong, Anne 4 Armstrong, David 21 Armstrong, George 118 Armstrong, Jennifer 20 Armstrong, William H. 8, 21 Arneach, Lloyd 21 Arnold Palmer 76 Arnold Palmer and the Golfin’ Dolphin 204 Arnold Palmer: King on the Course 197 Arnow, Harriette Simpson 4, 21, 36, 210 Arroyo, Fian 35 The Art of Florence Thomas 255 Art of the Cherokee: Prehistory to the Present 205

Aruego, Jose 40 Ash, Jerry Wayne 21 Ashby, Ruth 264 Ashpet: An Appalachian Tale 9, 60 At the Foot of Windy Low 136 A-ta-ga-hi’s Gift 34 Atkins, Tonya Smith 22 Atkinson, Eleanor 22 Atkinson, Linda 22 Atlantic Monthly 246 Augustus and the Mountains 157 Aunt Mary, Tell Me a Story: A Collection of Cherokee Legends and Tales as Told by Mary Chiltoskey 54 Aunt Skilly and the Stranger 246 Austin, Phil 45 Averill, Esther 22, 218 Axelrad, Nancy S. see Hope, Laura Lee Ayars, James 49 Ayer, Margaret 203 Ayres, Carter 22, 163 Ayres, Katherine 22 Baber, Bob Henry 22 Back Home 55 Bagthorpes 256 Bailey, Bernadine 23 Bailey, Carolyn Sherwin 23, 229 Bailey, Ronald H. 23 Bailey, Tom 23 Bake, William 23 Bakeless, John Edwin 24 Baker, Julie 24 Bakshi, Ralph 197 Balcom, Lowell 130 Balcziak, Bill 24 Balistreri, Francis 97 Ball, Zachary [pseud. of Kelly R. Masters] 24 A Ballad for Hogskin Hill 85 “Ballad of Davy Crockett” 116 “Ballad of John Henry” 31 The Ballad of William Sycamore 29 Bambi 23 Bandelin, Debra 151 Bang, Molly 24 Banjo Billy and Mr. Bones 136 Banks, Pat 199 Banks, Sara H. 25 Bannon, Kay Thorpe 25 Banting, Erinn 25 Barasch, Lynne 25 “Barb’ry Ellen” 214 Barkley, James 21 Barnes, James 25 Barnett, Charles, III 182 Barnett, Isa 71, 244 Barney, Bring Your Banjo 136 Barrett, Tracy 25 Barrie and Daughter 47 Bartoletti, Susan Campbell 8, 25, 78, 127, 136, Basel, Roberta 26 Basket 168 Bates, Artie Ann 26, 152 Bates, Martine G. 26 Bathurst, Dana Brewer 26 Batteau, Alan 10

The Battle of Antietam (Hughes) 127 The Battle of Antietam (Kent) 146 The Battle of Antietam (Reger) 211 The Battle of Antietam: “The Bloodiest Day of Battle” 110 Bauer, Jennifer A. 26 Baughman, Dorothy 6, 26 Baum, L. Frank 10 Baumgartner, Warren 243 Bayley, Dorothy 127 Bealer, Alex W. 26, 39 Beanie 45 Bear Bryant: Football’s Winning Coach 238 Bearhide and Crow 133 The Beatinest Boy 251 Beatty, John 27 Beatty, Patricia 27, 59 “Beauty and the Beast” 123, 169 Beck, Charles 243, 244 Beck, Samuel E. 258 Becker, Helaine 27 Beckman, Pat R. 27 Becky and Her Brave Cat, Bluegrass 175 Becky Landers: Frontier Warrior 236 Bedford, F. D. 215 Beebe, Burdetta F. 27 Beecham, Thomas 186 Beecher, Elizabeth 28 Beethoven in Paradise 194 Beetlejuice 19 Beier, Ellen 30, 208, 222 Belew, M. Wendell 28 Bell, Corydon 28, 66, 229 Bell, Thelma Harrington 28 Belle Boyd: Secret Agent 194 Belle Prater’s Boy 65, 118, 195, 269, 270 Beller, Susan Provost 17, 28 A Bellsong for Sarah Raines 44 Belton, Sandra 28 Ben and Me 227 Benagh, Jim 29 Benét, Laura 7, 11, 29, 231 Benét, Rosemary 29 Benét, Stephen Vincent 11, 29, 230 Benge, Geoff 29 Benge, Janet 29 Bengtz, Ture 268 Benjamin, Anne 30 Bennett, Barbara J. 30 Bennett, Margie 238, 273 Bennett, Paul 30 Bennett, Richard 63 Benson, Kathleen 115 Benton, Thomas Hart 119, 230 Berg, Joan 70 Berger, Donna 39 Berger, Maxine 176 Berger, Vivian 137 Bernadin, James 144 Bernstein, Ross 30 Berry, Erick [pseud. of Allena Champlin and Herbert Best] 30, 138, 139 Bertrand, Carolyn 82 Bessie Smith 172 Bessie Smith and the Night Riders 240

Author, Title, Illustrator Index • 311 Best, Herbert see Berry, Erick The Best Kind of Gift 20 Best Wishes 222 The Best-Loved Doll 47 Bethell, Jean 30 Betsy Byars 43 Betsy Zane: The Rose of Fort Henry 76 Better Known as Johnny Appleseed 128 Betty Lou of Big Log Mountain 137 Betty Zane 116 Bewildered for Three Days: As to Why Daniel Boone Never Wore His Coonskin Cap 97 Bial, Raymond 31 Bible, Charles 96 Bice, David A. 31 Big Blue Island 90 Big Doin’s on Razorback Ridge 63 Big Log Mountain 137 Big Nick: The Story of a Remarkable Black Bear 28, 155 Big Sixteen 40, 278 The Big Smith Snatch 66 Bigland, Eileen 32 Bildner, Phil 32 Bill 210 Billus, Kathleen 32 Billy Boy 53 Billy Graham (Aaseng) 13 Billy Graham (Donovan) 74 Billy Graham, His Life and Faith 250 Billy Graham: Preacher to the World 62 Billy Graham: Reaching Out to the World 268 Billy Graham: The Great Evangelist 266 Billy Graham: World-Famous Evangelist 278 Birchfield, D. L. 32 Bird 6, 131 Bird, Robert Montgomery 8, 10, 32 Bird, Traveller (Tsisghwanai) 32 Birds of My Hollow: A Guide to West Virginia Birds 205 Birdseye, Debbie Holsclaw 33 Birdseye, Tom 33 The Birdstones 66 Birmingham, 1963 265 The Birthday Dolly 259 A Birthday for Blue 167 Bishop, Horace Raymond 51 Bjarkman, Peter C. 33 Black, Elizabeth McDonald 229 “The Black Bull of Norroway” 169 Black Lizard’s Startling Encounter 120 Blackburn, Joyce 33 Blackburn, Tom 116 Blackhurst, W. E. 33 The Blacksmith and the Devils 40, 53, 278 Blair, Helen 98 Blair, Margaret Whitman 17, 34 Blakely, Gloria 34, 130 Blanton, Catherine 34 Blassingame, Wyatt 34, 257 Bledsoe, William B. 129 Bleeker, Sonia 34 Blevins, Wiley 34, 35

Bloch, Alex 30 Block, Irvin 35 The Bloodiest Day: The Battle of Antietam 23 The Bloody Country 59 Bloom, Lloyd 50, 104, 124, 135 Blue, Rose 189 Blue Bowl Down: An Appalachian Rhyme 181 Blue Girl 167 The Blue Hill Meadows 222 Blue Jacket: War Chief of the Shawnees 78 The Blue Ridge 23 Blue Ridge Billy 7, 158 Bluebird, Fly Up! 137, 141 A Blue-Eyed Daisy 222 Bo Jackson (Gutman) 107 Bo Jackson (Kramer) 151 Bo Jackson (Rolfe) 218 Bo Jackson (Rothaus) 220 Bo Jackson: A Star for All Seasons 72 Bo Jackson: Baseball/Football Superstar 134 Bo Jackson: Playing the Games 269 Bo Jackson, Pro Sports Superstar 207 Boatwright, Phil 259 The Bobbsey Twins: The Smoky Mountain Mystery 80, 123 Bobby Bonilla (Rappaport) 209 Bobby Bonilla (Torres) 256 Bock, William Sauts 185 Bodie, Idella 35 Bogart, Max 251 Bolam, Emily 172 Bolden, Mel 246 Bolden, Tonya 35 Bolognese, Don 128, 208 Bolton, Linda 35 Bond, Elene 15 Bond, Magi 185 Bone, Patrick 35 Bone by Bone by Bone 5, 135 Bonte, Willard 109 Bontemps, Arna 35 Book Index with Reviews 4 Book Links 4 Book of Americans 29 Booker T. Washington (Amper) 18 Booker T. Washington (Gleiter and Thompson) 97 Booker T. Washington (Gosda) 98 Booker T. Washington (Nicholson) 193 Booker T. Washington (Schaefer) 228 Booker T. Washington (Taylor-Butler) 254 Booker T. Washington (Troy) 257 Booker T. Washington (Wise) 276 Booker T. Washington: A Modern Moses 193 Booker T. Washington: A PhotoIllustrated Biography 18, 179 Booker T. Washington: Ambitious Boy 246 Booker T. Washington: “Character is Power” 229 Booker T. Washington: Educator 193 Booker T. Washington: Educator and Leader (Roberts) 215

Booker T. Washington: Educator and Leader (Thoennes Keller) 254 Booker T. Washington: Educator and Racial Spokesman 230 Booker T. Washington: Educator of Hand, Head, and Heart 75 Booker T. Washington: Great American Educator 38 Booker T. Washington: Innovative Educator 254 Booker T. Washington: Leader and Educator 18, 178 Booker T. Washington: Leader of His People 202 Booklist 7, 11 Boraas, Tracey 35 Border Watch 17 Borland, Kathryn 36, 50, 210 Born to Play Ball 176 Borrowed Children 168 Borton, Lady 36 Boston Pilgrims vs. Pittsburgh Pirates: The first Modern World Series 44 Bowdish, Lynea 36 Bowlin, William Harrison 61 Bowman, James Cloyd 36 Bowman, John 36 Bowman, Leslie 115, 172 Boyd, Lorenz 36 Boys Against Girls 190 Boys in Control 190 The Boys Return 190 The Boys Start the War 190 Brackett, Virginia 37 Bradby, Marie 37 Braddock’s Gold: A Story of Adventure 233 Braden, Beulah Brummett 37 Bradley, Kimberly Brubaker 37 Bradley, Michael 37 Brady 88 Brady, Irene 176 Brady, Matthew 19 Brand, Oscar 214 Brandenberg, Aliki see Aliki Brandt, Keith 38 Braun, Eric 38 Braun, Thomas 38 Braune, Anna Parker 109 The Bravest Girl in Sharpsburg 80 Bread-and-Butter Indian 103 Bread-and-Butter Journey 103 The Bread Sister of Sinking Creek 185 Breaker 204 The Breaker Boys 127 Breaking the Sound Barrier: The Story of Chuck Yeager 113 Breeding, Robert L. 38 “Bremen Town Musicians” 69 Brenner, Barbara 38 “Brer Rabbit and the Tar Baby” 23 Brestensky, Dennis F. 38 Brey, Charles 19 A Bridge Spanning Time 72 The Bridge to Nowhere 8, 177 Bridgers, Sue Ellen 38 Bright Freedom’s Song: A Story of the Underground Railroad 124, 125 Brill, Marlene Targ 39

312 • Author, Title, Illustrator Index Brimner, Larry Dane 39 Bringing Ezra Back 71 Bristle Face 24 Bristol Motor Speedway 228 Brodner, Steve 153 A Broken Flute 74, 165 Brondfield, Jerry 39 Brooklyn, Bugsy, and Me 36 Brooks, Gwendolyn 143 Brooks, Maurice 39 Brosi, George 4 Brothers at War 17, 34 Brough, Hazel 231 Brown, David 252 Brown, Elizabeth Ferguson 39 Brown, Janet 26 Brown, John Mason 39 Brown, Jonatha A. 39 Brown, Robert 221 Browning, Tom 205 Bruchac, James 40 Bruchac, Joseph 23, 39, 40, 41, 42, 74, 132, 164 Brusca, María Cristina 40, 53, 278 Bryant, Bernice Morgan 40 Bryant, Laura J. 213 Buchanan, Marilyn 129 Buck, Ray 40 Buckley, James, Jr. 40 The Bucktails’ Antietam Trials 213 The Buffalo Knife 241, 244 Building Blocks 260 Bull, Charles Livingston 64 Bull Tail, Alex 218 Bulla, Clyde R. 41 Bunin, Sherry 41 Burch, Robert 5, 41 Burchard, Marshall 41 Burchard, Peter 116 Burchard, S. H. (Sue) 41 Burgan, Michael 41 Buried Treasures of the Appalachians: Legends of Homestead Caches, Indian Mines, and Loot from Civil War Raids 131 Burke, Rick 42 Burnett, John G. 258 Burnham, Brad 42 Burns, Raymond 34 Burns, Robert 278 Burrus, S. S. 122 Burton, Virginia Lee 104 Bushyhead, Robert H. 25, 42 Busoni, Rafaello 82 But I’ll Be Back Again: An Album 222 But No Candy 8, 124 Buttermilk Hill 269 By Wagon and Flatboat 179 Byars, Betsy C. 9, 42, 90 Byers, Judy P. 254 Bynum, Rusty 43 The Cabin Faced West 88 Cabin on Kettle Creek 137, 141 Cabin on Trouble Creek 259 Cabot, Meg 43 Caddy, Alice 51 Cadets at War: The True Story of

Teenage Heroism at the Battle of New Market 17, 28 Cages of Glass, Flowers of Time 65 Caleb’s Luck 29 Calhoun, Mary [pseud. of Mary Huiskamp Wilkins] 40, 43, 278 The Calling 57 Calvert, Patricia 43 Cameron, Eleanor 10 Cammarano, Rita 43 Cammerota, D. 82 Campbell, C. W. 44 Campbell, Carlos C. 44 Campbell, Marie 44 Campbell, Peter A. 44 Candy, Robert 188 Cannon, Annie 47 Cannon, Bettie 44 Canyon, Christopher 44 Capote, Truman 7, 44, 203 Capps, Mary Joyce 45 Carden, Gary 202 Carlson, Judy 45 Carlson, Natalie Savage 45 Carmer, Carl 45 Carmer, Elizabeth 45 Carole Marsh mysteries 237 Carolina Caravan 98 Carpenter, Allan 45 Carpenter, Eric 45 Carpenter, Marci 255, 256 Carpenter, Nancy 36, 234 Carroll, Latrobe 6, 9, 30, 45 Carroll, Lewis 10, 16, 231, 16 Carroll, Ruth 6, 9, 30, 45, 46 Carson, Jo 7, 9, 31, 46 Carter, David 261 Carter, Forrest 47 The Carter Family: Country Music’s First Family 152 Carter G. Woodson: Father of AfricanAmerican History 76 Carter G. Woodson: The Father of Black History 178 Carter G. Woodson: The Man Who Put “Black” in American History 76, 115 Casilla, Robert 14, 120 Cassel, Lili 32 Cassie After Antietam 108 Cassie: The Girl with the Hero’s Heart 108 Catalanotto, Peter 168, 169, 170, 224 Catrow, David J., III 245 Catty-Cornered 262 Caudill, Rebecca 8, 9, 47, 49 Cauley, Lorinda Bryan 244 Cavan, Seamus 49 Cecelia and the Blue Mountain Boy 234 Cecil’s Story 168 Ceder, Georgiana Dorcas 49 Cellini, Joseph 74 Celsi, Teresa 49 Century Magazine 7, 171 A Certain Small Shepherd 47 Chadwick, Bruce 49 Chaffin, Lillie D. 49, 50 Chambers, Emily Megan 148

Chamique Holdsclaw 62 Chamique Holdsclaw: Driving Force 10, 247 Chamique Holdsclaw: My Story 122 The Chamique Holdsclaw Story 10, 193 Champion of Liberty, Henry Knox 72 The Champion of Sourwood Mountain 55 Champlin, Allena see Berry, Erick Chanticleer of Wilderness Road: A Story of Davy Crockett 162 Chaplik, Dorothy 50, 177 Chapman, Frederick T. 100, 101, 140 Chapman, John Stanton Higham see Chapman, Maristan Chapman, Maristan [pseud. of John Stanton Higham Chapman and Mary Isley Chapman] 7, 50 Chapman, Mary Isley see Chapman, Maristan Chapman-Crane, Jeff 26 Charles Barkley: Star Forward 149 Charley Skedaddle 27 The Charm of the Bear Claw Necklace: A Story of Stone Age Southeastern Indians 231 Chase, Richard 9, 33, 40, 52, 60, 61, 108, 119, 123, 128, 134, 215, 237, 278 Chasing Redbird 64 Chattanooga Sludge 24 Checking on the Moon 69 Cheek, Angie 60 Cheek, Pauline Binkley 54 The Cherokee (Bial) 31 Cherokee (Birchfield) 32 The Cherokee (Craats) 63 The Cherokee (Gaines) 92 The Cherokee (Lepthien) 162, 238 The Cherokee (Long) 165 The Cherokee (McCall) 176 The Cherokee (Perdue) 56, 203 The Cherokee (Petrini) 204 The Cherokee (Press) 206 Cherokee (Ryan) 222 The Cherokee (Santella) 227 The Cherokee (Sonneborn) 239 Cherokee (Stewart) 248 The Cherokee and Their History 80 Cherokee Animal Tales 32, 76, 184, 220, 228–229, 228 Cherokee Boy 147 Cherokee Chief: The Life of John Ross 55 Cherokee Cooklore: Preparing Cherokee Foods 258 The Cherokee Crown of Tannassy 241 The Cherokee Indians (Claro) 56 The Cherokee Indians (Lund) 166 Cherokee Indians (Williams) 274 The Cherokee: Indians of the Mountains 34 Cherokee Legends and the Trail of Tears 258 The Cherokee Little People: A Native American Tale 184 Cherokee Little People: The Secrets and Mysteries of the Yunwi Tsunsdi 165

Author, Title, Illustrator Index • 313 The Cherokee Nation: Life Before the Tears 181 Cherokee Nation Versus Georgia: The Forced Removal of a People 13 The Cherokee: Native Basket Weavers 70 Cherokee Plants and Their Uses: A 400 Year History 110 The Cherokee Removal 1838: An Entire Indian Nation Is Forced Out of Its Homeland 84 Cherokee Sister 67 The Cherokee Tale-Teller 66 Cherokee Words with Pictures 54 Cherokees (Israel) 129 The Cherokees (Landau) 154 The Cherokees (Sneve) 238 The Cherokees: People of the Southeast 166 The Cherry Tree Buck and Other Stories 185 The Chicken-Chasing Queen of Lamar County 113 “Chicky-Licky-Chow-Chow-Chow” 243 Chidsey, Donald B. 54 Chief John Ross 150 Chief Tecumseh 256 Child Life 48 The Children of Appalachia 215, 234 Children of Christmas: Stories for the Season 222, 224 Children of the Great Smoky Mountains 137 Children’s Books in Print 4 A Child’s Garden of Verses 215 Chiltoskey, Goingback 258 Chiltoskey, Mary Regina Ulmer 54, 110 Chisholm, Christine 138, 139, 141, 142 Chittum, Ida 54 Choosing up Sides 214 Chorlian, Meg 264 Chris Sheats: The Man Who Refused to Secede 26 Christensen, Bonnie 54, 64 The Christmas Barn 69 Christmas in Kentucky with Little Bernel 255 Christmas in the Country 223 A Christmas Memory 203 Christmas on the Prarie 18 Christmas with Ida Early 41 Christopher, Matt 54 Christy (Fishel) 174 Christy (Marshall) 43, 162 Christy: Christmastime at Cutter Gap 162 Christy Mathewson 171 Chuck Yeager (Martin) 174 Chuck Yeager (Williams) 274 Chuck Yeager Breaks the Sound Barrier 245 Chuck Yeager: Fighter Pilot 22, 163 Chuck Yeager, The Man Who Broke the Sound Barrier: A Science Biography 22, 163 Cinderella 60

“Cinderella” 230 “Cindrillon” 230 Circus! 196 Claiming Breath 96 Clara and the Bookwagon 163 Clara and the HooDoo Man 201 Clark, Billy Curtis 55, 95, 139 Clark, Electa 55 Clark, Joe 55 Clark, Michael J. 56 Claro, Nicole 56 The Classroom Dulcimer 123 Clay, Wil 200, 261 Cleary, Beverly 249 Cleaver, Bill 8, 36, 56, 64, 80, 125 Cleaver, Vera 8, 36, 56, 64, 80, 125 “Clever Elsie” 53 Climo, Shirley 57 Cline-Ransome, Lesa 57 Clinton, Cathryn 57 Cloud-Walking 44 Clue of the Faded Dress 50 Coal Camp Girl 158 Coal Country Christmas 39 Coal: Energ y and Crisis 49 A Coal Miner’s Bride: The Diary of Anetka Kaminska 25 “Coat of Many Colors” 152, 182 Coat of Many Colors 182, 201 Coatsworth, Elizabeth 7, 57, 107, 239 Cobblestone 108, 264 Cober, Mary E. 58 Coblentz, Catherine Cate 58 CoConis, Ted 43 Coe, Lloyd 179, 180 Coffin Hollow and Other Ghost Tales 189 The Coffin Quilt: The Feud between the Hatfields and the McCoys 213 Cohen, Carol Lee 58 Cohen, Joel H. 58 Cohlene, Terri 58 Coit, Margaret 54, 58 Cole, Norma 59 Collard, Sneed B. 59 Collier, Bryan 96 Collier, Christopher 59 Collier, James Lincoln 59 Collier, Kristi 60 Collier, Peter 60 Collins, Bonnie 114 Collins, James L. 60 Collins, Kaye Carver 60 Colman, Penny 60 Colon, Raul 69, 104, 276 Come a Tide 168 Come Along! 9, 48 Come Next Spring 268 Come Sing, Jimmy Jo 201 Come to My Tomorrowland 251 Come to the Cow Pens! The Story of the Battle of Cowpens, January 17, 1781 253 Coming Home: A Story of Josh Gibson, Baseball’s Greatest Home Run Hitter 180 “Co. Aytch” Maury’s Grays, First Tennessee Regiment: or, A Side Show of the Big Show 264

The Complete Peddler’s Pack 137 Comport, Sally Wern 39 Compton, Joanne 9, 60, 61 Compton, Kenn 60, 61 Condoleezza Rice (Banting) 25 Condoleezza Rice (Blakely) 34 Condoleezza Rice (Naden and Rose Blue) 189 Condoleezza Rice (Wade, L.) 260 Condoleezza Rice (Wade, M.) 260 Condoleezza Rice: America’s Leading Stateswoman 73 Condoleezza Rice: Being the Best 260 Condoleezza Rice: National Security Advisor 73, 221 Condoleezza Rice: National Security Advisor and Musician 221 Condoleezza Rice: U. S. Secretary of State 66 The Confessions of Nat Turner 85 Conley, Philip Mallory 61 Conley, Robert J. 61 Conn, Frances G. 61 Connell, Kaye 61 Conqueror of Darkness: Story of Helen Keller 92 Constructing the Mountain Dulcimer 148 Contrary Jenkins 49 Cooke, David C. 61, 176 Cool Papa Bell 177 Cooney, Barbara 9, 126 Cooper, Ann Goode 61 Cooper, Floyd 28, 164, 177 Cooper, James Fenimore 17, 18, 32 Cooper, Jason 61 Cooper, Kim 118 Cooper, Richard 62 Copeland, Greg 59 Corfman, Ann 62 Cormack, Drew Brook 18 Cornelissen, Cornelia 62 Cornelius, Kay 62 Cotton Top 197 Countess, Mary Alice 62 Counting on the Woods 169 Country Christmas 117 The Courage of Helen Keller (Adams) 13 The Courage of Helen Keller (Sabin) 225 The Courageous Heart 130 Courageous Kate: A Daughter of the American Revolution 129 Cousins 110, 111 Covington, Neverne 128 The Cow Who Wouldn’t Come Down 133, 134 Cowpath Days 62 Cox, Clinton 62, 211 Craats, Rennay 63 A Crack in the Sidewalk 276 Crane, Jack 31 Crane, Stephen 223 Credle, Ellis 6, 9, 29, 30, 63, 137 Creech, Sharon 41, 63 Cresswell, Helen 256 Crewe, Sabrina 64, 258 Cribben, Patrick 64

314 • Author, Title, Illustrator Index Crist-Evans, Craig 64 Croll, Carolyn 163 Crook, Beverly Courtney 64 Crook, James F. 64 Cross, Helen Reeder 65 Crosscurrents of Children’s Literature 4 Crossing the Panther’s Path 15 Crossing the Trestle 237 The Crow and Mrs. Gaddy 90, 91 Crowe, Amanda 258 Crum, Shutta 65 Cuffari, Richard 251 Culin, Charlotte 65 Cullen, Lynn 65 Cully Cully and the Bear 90 The Cumberland Decade 16 Cumberland Gap and Trails West 176 Cummings, Betty Sue 65 Cunning Is Better Than Strong 197, 198 Cunningham, Kevin 66 Cunningham, Maggi 66 Cupper, Dan 66 Curious One: A Cherokee Story 42 Curry, Jane Louise 11, 66 The Curse of the Raven Mocker 11, 279, 280 Curtis, Christopher Paul 6, 67 Cwiklik, Robert 67 Cynthia of Bee-Tree Hollow 86 Dacey, Bab 151 Dadey, Debbie 67 Daggett, Susan 62 Dahlstedt, Marden A. 68 Daily, Robert 68 D’Amato, Anthony 202 Dan Morgan: Wilderness Boy 40 Dana, Katherine Floyd see Wadsworth, Olive A. Dancing Drum: A Cherokee Legend 58 Danger Along the Ohio 275 Danger at Sand Cave 207 Danger at the Breaker 266 Danger Downriver 267 Daniel Boone (Averill) 22 Daniel Boone (Burke) 42 Daniel Boone (Daugherty) 68, 163, 212, 271 Daniel Boone (Gleiter) 97 Daniel Boone (Gosda) 98 Daniel Boone (Lawlor) 155 Daniel Boone (Martin) 175 Daniel Boone (McGuire) 177 Daniel Boone (Riehecky) 212 Daniel Boone (Wilkie) 273 Daniel Boone and the Cumberland Gap 227 Daniel Boone and the Opening of the Ohio Country 49 Daniel Boone Bedtime Stories 233 Daniel Boone: Beyond the Mountains 43 Daniel Boone: Boy Hunter 104, 246 Daniel Boone: Frontier Adventures 38 Daniel Boone: Frontier Hero 208 Daniel Boone: Frontier Scout 35

Daniel Boone: Historic Adventures of an American Hunter Among the Indians 218 Daniel Boone in the Wilderness 103 Daniel Boone: In the Wilderness (1734–1820) 280 Daniel Boone, Man of the Forests 105 Daniel Boone, Master of the Wilderness 24 Daniel Boone: Pioneer Trailblazer 113 “Daniel Boone: Taming the Wilds” 265 Daniel Boone: The Opening of the Wilderness 39 Daniel Boone: Trailblazer 16 Daniel Boone: Wilderness Scout The Life Story and True Adventures of the Great Hunter, Long Knife, Who First Blazed the Wilderness Trail Through the Indian’s Country to Kentucky 68, 271 Daniel Boone: Wilderness Trailblazer 175 Daniel Boone: Woodsman of Kentucky 281 Daniel Boone’s Echo 241 Daniel Boone’s Great Escape 240 Daniel Morgan: Fighting Frontiersman 92 Daniels, Jonathan 68 Daniel’s Duck 41 The Daring Nellie Bly: America’s Star Reporter 54 The Dark Pond 39 The Dark’s a-Creepin’ 28 Dash, Joan 68 Dash, Joseph Eugene 23 Daugherty, James Henry 9, 50, 68, 163, 212, 232, 271 Davalos, Felipe 114 Dave Parker: The Cobra Swirl 40 Davenport, Tina Wells 153 David Crockett: Fearless Frontiersman 59 David Crockett, Scout: Small Boy, Pilgrim, Mountaineer, Soldier, BearHunter and Congressman: Defender of the Alamo 16 David Crockett: Sure He Was Right 260 David Crockett: The Bravest of Them All Who Died at the Alamo 254 David Farragut 97 David Farragut and the Great Naval Blockade 234 David Farragut: Boy Midshipman 165 David Farragut: First Admiral of the U. S. Navy 245 David Farragut: Union Admiral 14 David Glasgow Farragut: Courageous Naval Commander 86 David Glasgow Farragut: Our First Admiral 155 Davidson, Margaret 68 Davidson, Sue 68 d’Avignon, Sue 137 Davis, Burke 69 Davis, C. L. 69 Davis, Donald 69

Davis, Jack 242 Davis, Jenny 69 Davis, Kenneth C. 70 Davis, Ossie 70 Davis, Terry 70 Davy Crockett (Alphin) 17 Davy Crockett (Brimner) 39 Davy Crockett (Burke) 42 Davy Crockett (DeVillier) 72 Davy Crockett (Feeney) 82 Davy Crockett (Ford) 85, 206 Davy Crockett (Furstinger) 89 Davy Crockett (Holbrook) 122 Davy Crockett ( Johnston) 134 Davy Crockett (Kuntstler) 153 Davy Crockett (Marsh) 173 Davy Crockett (Roberts) 216 Davy Crockett (Rourke) 220 Davy Crockett (Sullivan) 252 Davy Crockett (Troutman and Greenway) 257 Davy Crockett (Zadra) 281 Davy Crockett: A Life on the Frontier 151 Davy Crockett: An American Hero 256 Davy Crockett and the Creek Indians 151 Davy Crockett and the Highwaymen: A Historical Novel 84 Davy Crockett and the King of the River 235 Davy Crockett and the Pirates at Cave-in Rock: Based on the Walt Disney Television Show 235 Davy Crockett at the Alamo 151 Davy Crockett: Defender of the Alamo 226 Davy Crockett: Frontier Adventurer 104 Davy Crockett: Frontier Hero 186 Davy Crockett: Hero of the Wild Frontier 186 Davy Crockett, Indian Fighter: From the Walt Disney Productions Film 116 Davy Crockett Meets Death Hug: A Historical Novel 85 Davy Crockett Saves the World 228 Davy Crockett: The Legend of the Wild Frontier 276 Davy Crockett: The Untold Story 75 Davy Crockett: Young Pioneer 206, 227 Davy Crockett: Young Rifleman 200 Davy Crockett’s Earthquake 241 The Day It Rained Forever: A Story of the Johnstown Flood 106 The Day the Picture Man Came 93 The Daybreakers 66 Dean, Mallett 251 De Angeli, Marguerite 7, 70 DeAngelis, Therese 70 Dear Doctor Bell...Your Friend, Helen Keller 225 Dear Great American Writers School 41 Dear Mrs. Parks: A Dialogue with Today’s Youth 200

Author, Title, Illustrator Index • 315 Death in the Dark: A Collection of Factual Ballads of American Mine Disasters 13 De Capua, Sarah 70 Deegan, Paul 70 Deem, James M. 71 DeFelice, Cynthia 71 Defender of the Constitution: Andrew Johnson 105, 232 DeGering, Etta 71 DeJohn, Marie 225 De Kay, Ormonde 71 deKiefte, Kees 185 de la Mare, Walter 9, 215 The Delectable Mountain 98 deLeeuw, Adele 71 Delineator 262 Deliverance 43 Dell, Pamela 72 Delsohn, Steve 172 Denenberg, Barry 72 Dennis, Yvonne Wakim 72 Denzel, Justin F. 72 Depew, Lanette 72 Des Jarlait, Patrick 66 Devaney, John 72 DeVillier, Christy 72 Devil’s Ditties: Stories of Kentucky Mountain People Told by Jean Thomas 255 Dewey, Ariane 40, 58, 73 De Witt, Cornelius Hugh 179 Diamond, Donna 152 The Diary of Sam Watkins, A Confederate Soldier 264 The Diary of Trilby Frost 96 Did You Carry the Flag Today, Charley? 48 Dig 108, 264 DiGrazia, Thomas 223 Dines, Glen 175 Di Piazza, Domenica 73 Disaster at Johnstown: The Great Flood 74 The Discovery and Settlement of Kentucke 83 The Discovery, Settlement, and Present State of Kentucke 83 Disney (Walt) Productions 73 Ditchfield, Christin 73, 221 Dither Farm 120 Dixie Decides 137, 141 Dixon, Franklin W. [pseud. of Edward Stratemeyer and Harriet S. Adams] 73 Dixon, Max 73 Doak, Robin Santos 74 “Doc Rabbit, Br’er Fox, and Tar Baby” 219 Docktor, Irv 100, 101, 102 Dr. Mary Martin Sloop: The Woman Who Moved Mountains 62 Dodson, Bert 115, 155, 190, 197 Dolan, Sean 74 Dolan, Terrance 74 The Dollmaker 21, 36 Dolly Parton (Keely) 145, 227 Dolly Parton (Krishef ) 151, 227 Dolly Parton: A Personal Portrait 130

Dolly Parton: Country Goin’ to Town 227 Dolson, Hildegarde 74 Dominic, Gloria 74 Donahue, Vic 232 Doner, Kim 264 Doney, Todd 18 Donovan, Sandra 74 “Don’t Be a Silly-Billy” 139 Don’t Know Much About Rosa Parks 70 Doolittle, Jerome 74 Doremus, Robert 99, 273 Dorson, Richard 272 Douthat, Stratton L. 21 Douty, Esther Morris 75 Dovey Coe 75 Dowd, Vic 247 Dowd, Victor 176 Dowell, Frances O’Roark 75 Down Cut Shin Creek: The Packhorse Librarians of Kentucky 20 Down, Down the Mountain 63 Down in the Boondocks 90 Down Tumbledown Mountain 57, 63 Downing, Julie 46 Drake, Chad 215 Draper, Lyman 155 Dream Soul 279 Dressler, Muriel Miller 75 Drexler, Carol Joan 75 Driskill, Frank 75 Dubois, Muriel L 75 Du Bois, Shirley Graham 75 du Bois, William Pene 47 Dubowski, Cathy East 76 Dudley, Carrie 136 Duffy’s Rocks 82 Duke, Ray 280 The Dulcimer Book 214 Dumb Love 13 Duncan, Beverly 102 Duncan, Robert 135 Dunham, Montrew 76 Dunn, Marion Herndon 76 Dunnahoo, Terry 76 Durbin, William 76 Durden, Robert F. 76 Durrant, Lynda 76 Durrell, Julie 30 Dutton, Sandra 77 Duvall, Deborah L. 77 Eady, Ellen 78 Eagle, Mike 45 Eagle Cliff 50 Earley, Tony 78 “East o’ the Sun and West o’ the Moon” 123, 169 Easton, Richard 78 Ebel, Julia Taylor 10, 20, 61, 78 Eben and the Rattlesnake 138 Eckert, Allan W. 78 Edge, Laura Bufano 79 The Education of Little Tree 47 Edwards, Pat 79 Ego-Tripping and Other Poems for Young People 95 Ehrlich, Elizabeth 79

1862 Facts About the Battle of Antietam 89 Einstein, Charles 176 Eldred, Patricia Mulrooney 79 Eldridge, Harold 55 Eleanor Roosevelt and the Arthurdale Experiment 8, 121 Elish, Dan 79 Elliott, Lawrence 79 Elmer Gantry 57 Eltonhead, Frank 225 “The Elves and the Shoemaker” 184 Elvis Presley (Alagna) 15 Elvis Presley (Love) 165 Elvis Presley: A Twentieth Century Life 112 Elvis Presley: Music Legend, Movie Star, the King 204 Elvis Presley: The King of Rock ‘n’ Roll 68 Elvis Presley: The Rise of Rock and Roll 220 Emerson, Anthony Chee 184 Emerson, Kathy Lynn 79 Emery, Anne 80 Emma Jo’s Song 94 Emma Sansom: Confederate Heroine 219 Emmett’s Pig 249 Emmy 104 Emrich, Duncan 13 Encyclopedia of Appalachia 6 Engel, Trudie 80 Englar, Mary 80 Enoch’s Place 217 Epstein, Beryl 80 Epstein, Leonard 215 Epstein, Sam 80 Ernesto, Lilly 81 Ernst, Kathleen 80, 154 Erskine, Payne 7, 8, 81 Ersland, Bill 136 Ertmann, Caren L. 89 Erwin, Steve 182 Escape To Witch Mountain 147 Espe, Marvin 186 Esquire 7, 251 Ethan, Eric 81 Eva Dykes: A Star to Show the Way 26 Evans, Mari-Lynn 81 Evening: An Appalachian Lullaby 153 Everett, Gwen 81 Evernden, Margery 81 Eversole, Robyn Harbert 82 Everyone Has a Story to Tell 129 Evoy, Christopher M. 259 The Eye in the Forest 240 Fair Annie of Old Mule Hollow 64 Faith, Hope, and Chicken Feathers 278 Falls, Charles B. 180 The Far Frontier 241 The Far-Off Land 48 Faris, John T. 82 Farmer, Sherry 62 Farnsworth, Bill 162, 221 Fast, Howard 82 Fawcett, Robert 280

316 • Author, Title, Illustrator Index Fazio, Wende 82 Fearless Jack 134 Feeney, Kathy 82 Feinstein, Stephen 82 Felton, Harold W. 82, 148 Fenton, Edward 82 Ferguson, Alane 236 Ferguson, Ken 15 Fetty, Margaret 83 Fiddle Away 138 Fiddlers’ Fair 138 Field, Rachel 259 Fields, H. Don 28 Fiery Vision: The Life and Death of John Brown 62, 211 Fighting Frontiersman, The Life of Daniel Boone 24 Fighting Mountaineers: The Struggle for Justice in the Appalachians 121 Filson, John 83 Filson’s Kentucke: A Facsimile Reproduction of the Original Wilmington Edition of 1784 8, 18, 83 The Final Tide 59 Finding Day’s Bottom 207 A Fine White Dust 57, 223 Finger, Helen 137 The Finger Game Miracle 146 Finlayson, Ann 83 Finney, Pat 260, 261 Fiore, Peter 208 Fiorentino, Al 119 Fire in the Canebrake 118 The First Families of West Virginia 265 The First Fire: A Traditional Native American Tale 184 The First Strawberries: A Cherokee Story 23, 39, 74, 132 The First Supersonic Flight: Captain Charles E. Yeager Breaks the Barrier 254 The First Thanksgiving Feast 18 First Woman and the Strawberry: A Cherokee Legend 74 Fischer, David 83 Fischer, Jeff 275 Fischer, Laura 83 Fishel, Anna Wilson 174 Fitch, Bob 83 Fitch, Lynne 83 Fitterer, C. Ann 83 Fitzgerald, Stephanie 84 Five at Ashefield 98 Flaherty, Mildred 84 Flaming Arrows 242 Flanagan, Alice K. 84 Flanagan, Ronnie 84 Flea Circus Summer 263 The Fledglings 173 Fleischer, Jane 84 Fleischman, Sid 156 Fleischmann, Glen 84 Fleishman, Seymour 55 Fleming, Alice Mulcahey 84 Fleur, Anne Elizabeth see Sari The Flood Disaster 92 Flood in Glen Hazard 50 Flux, James 75

Folk Songs of the Southern Appalachians as Sung by Jean Ritchie 214 Folks Call Me Appleseed John 97 Folksongs from the West Virginia Hills 92 Follow the Butterfly Stream 36 Follow the River 30 Fontes, Justine 84 Fontes, Ron 84 Football’s Great Quarterback, Joe Namath 79 Football’s Powerful Runner: Franco Harris 38 Ford, Anne 85, 206 Ford, Carin T. 85 Ford, Ernest J. 85 The Forest Runners 17 Forget Me Not 167 The Forgotten Door 147 Forman, James 85 Fort, George 95 Foster, G. Allen 86 Foster, Genevieve 58, 86, 278 Foster, Leila Merrell 86 Fox, Genevieve May 7, 86 Foxfire 38 Foxfire 2: Ghost Stories, Spring Wild Plant Foods, Spinning and Weaving, Midwifing, Burial Customs, Corn Shuckin’s, Wagon Making, and More Affairs of Plain Living 272 Foxfire 3: Animal Care, Banjos and Dulcimers, Hide Tanning, Summer and Fall Wild Plant Foods, Butter Churns, Ginseng, and Still More Affairs of Plain Living 272 Foxfire 4: Water Systems, Fiddle Making, Logging, Gardening, Sassafras Tea, Wood Carving, and Further Affairs of Plain Living 272 Foxfire 5: Ironmaking and Blacksmithing, Flintlock Rifles, Bear Hunting, Flutter Mills, and Yet More Affairs of Plain Living 272 Foxfire 6: Shoemaking, 100 Toys and Games, Gourd Banjos and Songbows, Wooden Locks, a WaterPowered Sawmill, and Other Affairs of Just Plain Living 272 Foxfire 7 95 Foxfire 8 273 Foxfire 9 273 Foxfire 10: Railroad Lore, Boardinghouses, Depression-Era Appalachia, Chairmaking, Whirligigs, Snake Canes, and Gourd Art 212 Foxfire 11: Wild Plant Uses, Gardening Wit and Wisdom, Beekeeping, Tool Making, Fishing and More Affairs of Plain Living 60 Foxfire 12: War Stories, Cherokee Traditions, Summer Camps, Square Dancing, Crafts, and More Affairs of Plain Living 60 Foxfire: 25 Years 273 The Foxfire 40th Anniversary Book: Faith, Family, and the Land 54 The Foxfire Book: Hog Dressing; Log Cabin Building; Mountain Crafts,

Foods, Planting by the Signs, Snake Lore, Hunting Tales, Faith Healing, Moonshining, and Other Affairs of Plain Living 271–272 Foxfire Book of Appalachian Cookery 199 The Foxfire Book of Appalachian Toys and Games 199 The Foxfire Book of Toys and Games: Reminiscences and Instructions from Appalachia 199 Foxfire Book of Wine Making: Recipes and Memories in the Appalachian Tradition 238 A Foxfire Christmas and Other Affairs of Just Plain Living 272 A Foxfire Christmas: Appalachian Memories and Traditions 272 Fradin, Dennis Brindell 86, 87, 266 Fradin, Judith Bloom 86, 87, 266 Frame, Paul 103, 155, 276 Franco Harris (Braun) 38 Franco Harris (Burchard) 41 Franco Harris (Reiss and Wohl) 212 Franco Harris: The Quiet Ironman 108 Frankenberg, Robert 184, 228 Frankl, Ron 87 Franklin, America’s “Lost State” 93 Frazee, Maria 87 Freckles 3 Fredeen, Charles 87 Freedman, Russell 87 Freedman, Suzanne 87 Freeman 49 Freeman, Martha 87 Fremon, David K. 41, 87 Frenck, Hal 84, 225, 227 Frey, Jennifer 122 Frisaro, Joe 88 Fritz, Jean 7, 31, 45, 88, 241, 242, 243, 244, 261 “The Frog and the Mouse” 154 “The Frog, He Went A-Courting” 148 Frog Went A-Courtin’ 154 Frogg y Went a-Courtin’ (Tyler) 257 Frogg y Went a-Courtin’ (O’Malley) 197 From Katahdin to Springer Mountain: The Best Stories of Hiking the Appalachian Trail 113 From London to Appalachia 38 From Massacre to Matriarch: Six Weeks in the Life of Fanny Scott 89 From Miss Ida’s Porch 28 From the Ashes 27 From the Hills of Georgia 196 Frontier Nurse: Mary Breckinridge 274 The Frontiers of Dance: The Life of Martha Graham 254 Frost, Helen 88 Frost, John 88 Frost, Robert 70 Fry, Annette R. 89 Fry, Charles 31 Frye, Dennis E. 89 Fugate, Clara Talton 89

Author, Title, Illustrator Index • 317 Full Steam Ahead 94 Fun for Hunkydory 138, 142 Funk, Clothilde Embree 119, 247 Furbee, Mary Rodd 89 Furstinger, Nancy 89 Gaber, Susan 118 Gage, Wilson [pseud. of Mary Q. (Quintard Govan) Steele] 90, 240 Gainer, Patrick 92 Gaines, Richard M. 92 Galdone, Joanna 92 Galdone, Paul 9, 90, 92, 143, 241, 242, 243, 244, 261 Gale, Stephen 92 Gallagher, Jim 92 Gallimore, Caren Ertmann 89 Galloway, John B. 54 Gammell, Stephen 54, 88, 168, 170, 224, 234 Ganseti and the Legend of the Little People 34 Garagiola, Joe 176 Garcia, Kimberly 92 Garfunkel, Trudy 92 A Garland of Mountain Song 214 Garlick, Phyllis Louisa 92 Garrett, Leslie 93 Garry-McCord, Kathleen 30 Gay, Kathlyn 93 Gayheart, Willard 175 Geary, Charles 93 Geisel, Theodore Seuss 124 General Billycock’s Pigs 203 Gentle’s Holler 171, 172 Gentry, Tony 93 George, Jean Craighead 93, 173 Georgia Music 106 Gephart, Starr 137 Gerson, Noel Bertram 93 Gertrude’s Pocket 181 Getting the Real Story: Nellie Bly and Ida B. Wells 68 Ghost Cadet 17, 34 Ghost Girl: A Blue Ridge Mountain Story 209 The Ghost of Five Owl Farm 90 The Ghost of Tillie Jean Cassaway 234 Ghosts Don’t Get Goose Bumps 277 Giacoia, Frank 239 Gibbons, Faye 6, 93 Gibson, Barbara Leonard 203 Gifford, James M. 95 Gigliotti, Jim 95 Gilbert, Elliott 47 Gilbert, John 26, 95 Gilbert, Thomas W. 95 Giles, Janice Holt 59 Gillespie, Paul F. 95 Gillis, Jennifer Blizin 95 Gina.Jamie.Father.Bear 169 “The Gingerbread Man” 228 Giovanni, Nikki 9, 95 Gipson, Fred 250 A Girl Called Boy 128 A Girl Named Helen Keller 166 A Girl of the Limberlost 3 The Girl Who Struck Out Babe Ruth 202

Girl Wonder: A Baseball Story in Nine Innings 10, 123 The Girls Get Even 190 Girls of Glen Hazard 50, 51 The Girls’ Revenge 190 Girls Rule! 191 The Girls Take Over 191 The Giver 10 Glancy, Diane 96 Glass, Andrew 33, 97, 230 Glassie, Henry 216 Gleiter, Jan 97 Glen Hazard 51 Glen Hazard Cowboys 51 Glory 167, 168 The Glory Girl 42 Gnat Stokes and the Fogg y Bottom Swamp Queen 144 “Go Tell Aunt Rhodie” 214 Go Tell Aunt Rhody (Aliki) 16 Go Tell Aunt Rhody (Quackenbush) 206 The Goat That Went to School 63 Goffe, Toni 114 Goin’ to Boston: An Exuberant Journey in Song 172 Going North 113 Goldberg, Jake 98, 208 The Golden Horseshoe (Coatsworth) 57, 107 The Golden Horseshoe (Gunter) 58, 107 The Golden Horseshoe II 58, 107 The Golden Root 242 Goldstein, Nathan 40, 265 Good and Perfect Gifts: An Illustrated Retelling of O. Henry’s “The Gift of the Magi” 186 “A Good Stay-Place” 142 Good-by to Stony Crick 36 Good-Bye and Keep Cold 70 Goodbye, Billy Radish 236 Good-bye, Chicken Little 42 Goodbye Kate 55 Goode, Diane 9, 223, 224 Goodman, Joan 279 Goodman, Michael E. 98 The Goose Who Went off in a Huff 134 Gore, Leonid 19 Gorsline, Douglas 69 Gosda, Randy T. 98 Govan, Christine Noble 7, 50, 98, 100, 267 Gove, Doris 8, 102 Governor John Sevier’s Farm Home, Marble Springs: Home of Tennessee’s First Governor, John Sevier 108 Gow, Mary 102 Grabowski, John 102 Grady: (Dappled Grey) Proud to Be an American 227 Graf, Mike 103 Graff, Polly Anne Colver [Mrs. Stewart Graff ] 103 Graff, Stewart 103 Graham, Brenda Knight 103 Graham, Lorenz 103 Graham, Ruth Bell 158 Grahame, Kenneth 10

Grandaddy and Janetta 106 Grandaddy and Janetta Together: The Three Stories in One Book 106 Grandaddy’s Place 106 Grandaddy’s Stars 106 Grandfather Tales: American-English Folk Tales 9, 33, 40, 53, 60, 123, 128, 134, 237 Grandfather’s Land 83 Grandma Lois Remembers: An African-American Family Story 186 Grandmother Spider Brings the Sun: A Cherokee Story 144 Grandpa’s Mountain 211 Granny Will Your Dog Bite and Other Mountain Rhymes 9, 182 Grant, Matthew G. 103 Gravelle, Karen 104 Graves, Renee 104 Gray, Libba Moore 20, 104 Greasy Cove in Unicoi County: Authentic Folklore 15 The Great Ball Game of the Birds and Animals 77 The Great Bridge-Building Contest 281 The Great Clemson Football Mystery 173 The Great Flood Mystery 66 The Great Gilly Hopkins 195 The Great Oildorado: The Gaudy and Turbulent Years of the First Oil Rush: Pennsylvania, 1859–1880 74 The Great Saint Patrick’s Day Flood 84 The Great Smith House Hustle 66 The Great Smoky Mountain Salamander Ball 124 Great Smoky Mountains 61 Great Smoky Mountains National Park (Aerial Photography Services) 15 Great Smoky Mountains National Park (Graf ) 103 Great Smoky Mountains National Park (Hamilton) 110 Great Smoky Mountains National Park (Pancella) 200 Great Smoky Mountains National Park (Peterson) 204 Great Smoky Mountains National Park (Radlauer) 207 Great Smoky Mountains Wildflowers 44 Green, Carl R. 226 Green, Connie Jordan 104 Green, Margaret 105, 232 Green, Michelle Y. 105 The Green Gourd: A North Carolina Folktale 128 Green Hills of Magic: West Virginia Folktales from Europe 189 Green Snake Ceremony 264 Greenaway, Kate 215 Greene, Carol 105 Greene, Lee 105 Greenhorn on the Frontier 83 Greenwalt, Mary 268 Greenway, Shirley 257 Gregg, Margaret 56

318 • Author, Title, Illustrator Index Gregory, Fran 20 Gregson, Susan R. 105 Grejniec, Michael 81 Griego, Tony 128 Griffin, David 158 Griffin, Peggy Ann 106 Griffith, Helen V. 106 Grimm, Jacob and Wilhelm 69, 184 Grit 3 Grobe, Nancy 256 Gross, Virginia T. 106 Grossman, Leonard 93 Grossman, Nancy 48, 155 Groundhog’s Horse 217 Growing up in a Holler in the Mountains: An Appalachian Childhood 104 Growing up in Coal Country 8, 25, 78, 127, 136 Guarino, Joseph 116 Guay, Rebecca 151 “Gudbrand” 53 Guerin-Fermigier, Franette 107 Guhne, Kelly 78 Gulliver’s Travels 155 The Guns of Bull Run 17, 18 The Guns of Shiloh: A Story of the Great Western Campaign 17, 18 Gunter, Frances B. 58, 107, 239 Gurko, Leo 107 Gutman, Bill 107 Gutman, Dan 107 Haas, Michaele 275 Haas, Shelly O. 208 Hafner, Marylin 90, 91 Hagaman, Clara 108 Hahn, James 108 Hahn, Lynn 108 Hahn, Mary Downing 11, 108 Haldeman, Myrtle Long 108 Hale, Sarah Elder 108, 264 Haley, Gail E. 9, 108 Half way to the Sky 37 Hall, Patricia A. 95 Hall, Esther Greenacre 86, 109 Hall, Francie 109 Hall, H. Tom 112 Hall, Tom T. 110 Halliburton, Warren 50, 110 Hallman, Ruth 110 Halperin, Wendy Anderson 233 Halverson, Lydia 21 Hama, Larry 110 Hamel, Paul B. 110 Hamilton, Anna Blanche 110 Hamilton, Dorothy 110 Hamilton, John 110 Hamilton, Virginia 11, 95, 110, 111, 125, 219, 261 Hammond, Mildred 111 Hamner, Earl, Jr. 112, 208 Hampton, Wilborn 112 Hancock, M. A. 112 Hanlon, Tina 4 Hanson, Freya Ottem 112 Happy Animals of Ata-Ga-Hi 130 Happy Little Family 48

Hard Times for Jake Smith: A Story of the Depression Era 117 Hardin, Gail 36, 112 Harding, Donal 112 Hardy Boys 237 The Hardy Boys #169: Ghost of a Chance 73, 80 Hare, James 113 Hargrove, Jim 113 Harkins, Susan Sales 113 Harlan, Judith 113, 208 Harmony 188 Harness, Cheryl 113 Harrell, Sara Gordon 113 Harrington, Janice N. 113 Harris, George Washington 4 Harris, Stacy 152 Harrison, David L. 114 Harrison, Nancy 255 Harshman, Marc 5, 8, 114, 254 Harston, Jerry 281 Hart, Moss 256 Harvey, Cliff Harvey 274 Harvey, Eve S. 274 Harvill, Kitty 69 Hasegawa, Sam 115 Haseley, Dennis 115 Haskins, James ( Jim) 115, 200 Haunted Journey 212 The Haunted Shop 158 The Haunting of Swain’s Fancy 231 Haverfield, Mary 153 Havill, Juanita 115 Hawks, Francis L. 115 Hawxhurst, Joan C. 116 Haynes, Richard M. 116 Hays, Lisa 205 Hays, Michael 167 Hays, Wilma Pitchford 116 Hazen, Barbara Shook 116 Head for the Hills! The Amazing True Story of the Johnstown Flood 262 Heart-of-Snowbird 165 Hearts of Stone 80 Heaster, Georgia Golden 116 Heather Whitestone: Inspirational Miss America 26 Heidi 135, 136 Heinrichs, Ann 116 Heldreth, Nancy Marie 117 Helen Keller (Adler) 14, 167 Helen Keller (Bigland) 32 Helen Keller (Davidson) 68 Helen Keller (De Villier) 73 Helen Keller (Dolan) 74 Helen Keller (Dubois) 75 Helen Keller (Garrett) 93 Helen Keller (Hunter) 128 Helen Keller (Leavitt) 157 Helen Keller (Lynch) 167 Helen Keller (Markham) 173 Helen Keller (McLeese) 178 Helen Keller (Santrey) 227 Helen Keller (Sloan) 237 Helen Keller (Sullivan) 252 Helen Keller (Sutcliffe) 253 Helen Keller (Tames) 254 Helen Keller (Walker) 262 Helen Keller (Wepman) 267

Helen Keller (Woodhouse) 277 Helen Keller: A Determined Life 171 Helen Keller: A Level Two Reader 149 Helen Keller: A Light for the Blind 152 Helen Keller and Annie Sullivan: Working Miracles Together 281 Helen Keller and the Big Storm 153 Helen Keller: Author and Advocate for the Disabled 146 Helen Keller: Break Down the Walls! 83 Helen Keller: Courage in the Dark 128 Helen Keller: Courageous Advocate 267 Helen Keller: Crusader for the Blind and Deaf 103 Helen Keller: Facing Her Challenges, Challenging the World 29 Helen Keller: From Tragedy to Triumph 273 Helen Keller: Girl from Alabama 133 Helen Keller: Handicapped Girl 273 Helen Keller: Humanitarian 193 Helen Keller: Lighting the Way for the Blind and Deaf 85 Helen Keller: Meet a Woman of Courage 85 Helen Keller: Out of a Dark and Silent World 233 Helen Keller: Rebellious Spirit 155 The Helen Keller Story 32, 203 Helen Keller: Toward the Light 103 Helldorfer, M. C. 117 Hello, Crow 9, 172 Hemingway, Edith M. 117 Hendershot, Judith 117, 238, 266 Henderson, Aileen Kilgore 117, 118 Henderson, Archibald 271 Henderson, Le Grand see Le Grand Henderson, Marguerite 118 Henderson, Meryl 76, 240 Hendrickson, David 180 Henneberger, Robert 130, 137, 139, 251, 252 Henriksen, Harold 38, 103, 197, 280 Henry, Inez 204 Henry, Joanne Landers 118 Henry Knox: Washington’s Artilleryman 250 Henson, Heather 8, 118 Here and Then 17, 34, 169 Here Comes Mary Ellen 137, 140 “Here Comes Step-Along” 142 The Here-to-Yonder Girl 86, 109 Hermes, Patricia 118 Heroes in American Folklore 232 El Herrero y el Diablo 40 Herring, Reuben 118 Herriot, James 248 Hesse, Karen 119 Hew Against the Grain 65 Hewson, Martha S. 119 Heywood, Karen 237 Hickok, Lorena A. 119 The Hickory Limb 127 Hicks, Ray 119 Hidden Sunbeams: Real Incidents in Frontier Life in Western New York 230

Author, Title, Illustrator Index • 319 Hidden Valley of the Smokies: With a Naturalist in the Great Smoky Mountains 128 Hie to the Hunters 3, 251 Higgins, Helen Boyd 119 High, Linda Oatman 119 High in the Mountains 4 High Ridge Gobbler: A Story of the American Wild Turkey 246 Highland Halloween 116 Hiking the Appalachian Trail 113 Hill, Malcolm W. “Chip,” Jr. 120 Hill Doctor 235 Hill Lawyer 235 Hillbilly Night Afore Christmas 257 Hillbilly Pitcher 130 Hillchild: A Folklore Chapbook About, for, and by West Virginia Children 254 Hillenbrand, Will 33, 278 Himler, Ronald 42, 94, 106, 238, 240, 253 Hines, Bob 127 Hines, Gary 120 Hinson, Carolyn Matthews 5 Hiser, Berniece T. 120 The History of the Pittsburgh Pirates (Goodman) 98 The History of the Pittsburgh Pirates (Stewart) 248 The History of the Pittsburgh Steelers 229 The History of the Standard Oil Company 61, 84, 200 A History of West Virginia 238 Hit and Run 177 Hite, Sid 120 Hitty, Her First Hundred Years 259 Hoagie’s Rifle-Gun 181 Hodges, David 184 Hodges, Margaret 120 Hodgkins, Fran 121 Hodson, Debbie 121 Hoffman, Edwin 8, 121 Hoffman, Joyce 256 Hoffman, Mary Ann 121 Hoffman, Nancy 8, 121 Hog Music 117 Hoig, Stan 121 Holberg, Ruth Langland 121 Holbrook, Stewart 122 Holding the Fort with Daniel Boone 179 Holdsclaw, Chamique 122 Holidays in No-End Hollow 138 Holland, Gini 122 Hollander, Paul 122 Holley, Juliette Ann 122 Hollinger, Deanne 36 Hollingsworth, Helen 10 Hollis, Marcia 122 Holway, John 122 Holyfield, John 240 Home Is Over the Mountains: The Journey of Five Black Children 250 Home Is Where the Heart Is 199 The Homecoming: A Novel About Spencer’s Mountain 112, 208 Homeplace 233

The Homestead Steel Strike of 1892 271 Honey Jane 138, 141 Honus and Me: A Baseball Card Adventure 107 Honus Wagner 144 Hoobler, Dorothy 122 Hoobler, Thomas 122 Hook, Richard 128 Hook Moon Night: Spooky Tales from the Georgia Mountains 94 Hooks, William H. 9, 123 Hoot 227 Hope, Laura Lee [pseud. of Nancy S. Axelrad] 123 Hopkinson, Deborah 10, 123 Horn, Geoffrey M. 123 Hornbostel, Lois 123 Horstman, Lisa 102, 124 Horton, Madelyn 124 Horwitz, Anthony 124 Horwitz, Elinor L. 124 Horwitz, Joshua 124 Hound Dog Zip to the Rescue 242 Hound Heaven 119 “Hound Pup Names Himself ” 142 The House in No-End Hollow 139, 141 The House of Dies Drear 111 The House of the Fifers 48 Houston, Gloria 8, 124, 154 Hovanec, Evelyn A. 38 How Animals Saved the People 6 How Chipmunk Got His Stripes: A Tale of Bragging and Teasing 40 How Davy Crockett Got a Bearskin Coat 34, 257 “How Fire Came to the Cave People” 23 How Grandmother Spider Got the Sun: A Cherokee Tale 81 How Medicine Came to the People: A Tale of the Ancient Cherokees 77 How Rabbit Lost His Tail: A Traditional Cherokee Legend 77 How Rabbit Tricked Otter and Other Cherokee Trickster Stories 219 “How Strawberries Came to the Earth” 23 “How the Cherokees Got Tobacco” 132 “How the Earth Was Made” 258 “How the Milky Way Came to Be” 258 How the People Sang the Mountains Up: How and Why Stories 220 “How the Seasons Came to Earth” 23 How Turtle’s Back Was Cracked: A Traditional Cherokee Tale 219 Howard, Elizabeth Fitzgerald 126 Hoyt, Ard 240 Hoyt, Edwin Palmer [pseud. of Christopher Martin] 126 Hu, Ying-Hwa 180 Hubbard, Fran 127 Hubbard, Margaret Ann 127 Huck Finn 231 Huckaby, Anna Sixkiller 221

Huey, the Engineer 251, 252 Hughes, Christopher A. 127 Hughes, Morgan 127 Hughes, Patrice Raccio 127 Hugo Black 62 Hugo L. Black: Justice for All 186 Hullabaloo and Other Singing Folk Games 53 Humphrey, Kathryn L. 128 Humphreys, Betty 228 A Hunger for Learning: A Story about Booker T. Washington 253 Hungry Hollow 278 Hunt, Irene 19, 128 Hunt, Mabel L. 128 Hunter, C. W. 128 Hunter, Nigel 128 Hurmence, Belinda 128 Hurrah for Jerry Jake 139 Hurst, Hawk 128 Hurston, Zora Neale 278 Hurwitz, Johanna 128 “Hush Little Baby” 148 Hush Little Baby: A Folk Lullaby 16 Hush, Little Baby: A Folk Song 87 Hutchins, Ross E. 128 Hutchinson, William 201 Hutson, William F. Hutson 44 I Am a Miracle! Scout’s Story 148 I Am Houston 261 I am Regina 145 I am Rosa Parks 200 I Am Somebody! A Biography of Jesse Jackson 115 I Bought Me a Dog: A Dozen Authentic Folktales from the Southern Mountains 215 I Can Read About Johnny Appleseed 18 I Had Seen Castles 8, 223 I Hadn’t Meant to Tell You This 277, 278 I Love Lucy 152 I Remember Grandpa: A Story by Truman Capote 44 “I Wish I Could Give My Son a Wild Raccoon” 273 I Wonder as I Wander 253 The Ice Man: A Traditional Native American Tale 184 Icy Sparks 220 Ida B. Wells (Nazel) 193 Ida B. Wells: Antilynching Crusader 116 Ida B. Wells: Mother of the Civil Rights Movement 86, 266 Ida B. Wells-Barnett (Moore) 184 Ida B. Wells-Barnett: A Voice Against Violence 178 Ida B. Wells-Barnett and the AntiLynching Crusade 87 Ida B. Wells-Barnett: Crusader Against Lynching 164 Ida B. Wells-Barnett: Powerhouse with a Pen 266 Ida B. Wells-Barnett: Woman of Courage 259 Ida Early Comes Over the Mountain 41

320 • Author, Title, Illustrator Index Ida M. Tarbell, Pioneer Woman Journalist and Biographer 200 Ida Tarbell: First of the Muckrakers 84 Ida Tarbell, Muckraker 61 Ida Tarbell: Pioneer Investigative Reporter 239 Ida Wells-Barnett 149, 266 If I Fell in Love with a Watermelon: Poems and Stories by Children from Whitesburg Elementary 22 If Pigs Could Fly 155 If You Lived with the Cherokee 218 Iger, Eve Marie 129, 265 Ikwa of the Mound-Builder Indians 231 Ikwa of the Temple Mounds 231 Immell, Myra 129 Immell, William H. 129 Impeached: The President Who Almost Lost His Job 86 The Importance of Mother Jones 124 In a Bluebird’s Eye 151 In Coal Country 117, 238, 266 In Lincoln’s Footsteps: The Life of Andrew Johnson 232 In the Ranks of Old Hickory, When with the Western Riflemen in Defense Against Attack from Within and Without, Young and Old of All Degrees United Under Andrew Jackson to Make the Republic’s Borders Safe 225 In the Shadow of Big Bald 15 Indian Summer 183 Ingle, John 129 Ingle, Sheila 129 Ingledove 280 Ingoglia, Gina 129 Inherit the Wind 232 An Interview with Andrew Jackson: Seventh President of the United States of America 237 An Interview with Andrew Johnson 238 The Invention of Appalachia 10 Irving, Washington 16, 134 Isaacs, Anne 129 Isabella Mine 65 Isbell, Rebecca 129 Iskowitz, Joel 277 Israel, Marion Louise 129 It Happened in No-End Hollow 139 Italia, Robert 130 It’s Nothing to a Mountain 120 Itse Selu: Cherokee Harvest Festival 203 Jack Always Seeks His Fortune: Authentic Appalachian Jack Tales 69 Jack and Jill 49 Jack and the Animals 69 “Jack and the Bean Tree” 119, 148 Jack and the Bean Tree 108 “Jack and the Beanstalk” 33, 108, 249 Jack and the Fire Dragon 109 “Jack and the Giant Killer” 134 “Jack and the Giants’ New Ground” 61

“Jack and the Northwest Wind” 119 “Jack and the Robbers” 119 Jack and the Three Sillies 53 Jack and the Wonder Beans 119, 249 Jack in the Mountains 64 Jack Outwits the Giants 134 The Jack Tales 119 The Jack Tales: Folk Tales from the Southern Appalachians, Told by R. M. Ward and His Kindred in the Beech Mountain Section of Western North Carolina and by Other Descendants of Council Harmon (1803–1896) Elsewhere in the Southern Mountains 9, 53, 119, 134 Jack the Giant Chaser: An Appalachian Tale 60, 61 Jackson, Caary Paul 130 Jackson, O. B. 130 Jackson, Robert B. 130 Jackson, Shelley 113 The Jacksons of Tennessee 259 Jacob, Murv 77, 78, 219 Jacobs, Joseph 108 Jagger, the Dog from Elsewhere 147 Jakobsen, Kathy 164 Jakoubek, Robert E. 130 James, Bessie Rowland 130, 184 James, Kennon 29 James, Lee 194 James, Marquis 130, 184 James, Otis 130 James, Sandra 99, 242 James Ralph, Johnson 27 Jameson, W. C. 131 Jamie Lemme See 122 Janey’s Shoes 63 Janoski, Elizabeth 131 Jaromir Jagr 182 Jean Ritchie’s Swapping Song Book 214 Jeb and the Flying Jenny 239 Jennifer Chandler: Olympic Champion Diver 23 Jensen, Patsy 131 Jensen, Sherry 78 Jericho Walls 60 Jericho’s Journey 276 Jerry Jake Carries On 139 Jerry West 207 Jerry West: Superstar 70 Jesse Jackson (Gillis) 95 Jesse Jackson ( Jakoubek) 130 Jesse Jackson (Kosof ) 151, 177 Jesse Jackson (Meadows) 180 Jesse Jackson (Steffens) 245 Jesse Jackson: A Biography 177 Jesse Jackson: A Rainbow Leader 175 Jesse Jackson: A Voice for Change 198 Jesse Jackson and Political Power 49 Jesse Jackson: Civil Rights Activist 115 Jesse Jackson: Civil Rights Leader and Politician 130 Jesse Jackson: I Am Somebody! (Simon) 50, 235 Jesse Jackson: I Am Somebody (Westman) 268 Jesse Jackson: Still Fighting for the Dream 274 Jesse Owens (Gentry) 93

Jesse Owens (Streissguth) 250 Jesse Owens (Sutcliffe) 253 Jesse Owens: An Unauthorized Biography 241 Jesse Owens: Champion Athlete 212 Jesse Owens: Fastest Man Alive 265 Jesse Owens, Olympic Hero 225 Jesse Owens: Olympic Star 178 The Jesse Owens Story 198 Jesse Owens: Track-and-Field Champion 183 Jesse Owens, Track and Field Legend 136 Jesse Owens: Track-and-Field Olympian 206 A Jesse Stuart Reader 251 Jessee, Diana 61 Jezer, Marty 131, 252 Jim Boy 133 Jim the Boy 78 Joe Louis: The Brown Bomber 275 Joe Magarac and His U.S.A. Citizen Papers 232 Joe Montana 207 Joe Montana: Comeback Quarterback 207 Joe Namath (Chadwick) 49 Joe Namath (Eldred) 79 Joe Namath (Sanford) 226 Joe Namath, High-Flying Quarterback 176 Joe Namath, Superstar 130 Joe Namath: The King of Football 197 John, Charles V. 183, 200 John Brown (Becker) 27 John Brown (Nolan) 194 John Brown (Streissguth) 250 John Brown: A Cry for Freedom 103 John Brown: Abolitionist 37 John Brown and the Fight against Slavery 60 John Brown: His Soul Goes Marching On 129, 265 John Brown: One Man Against Slavery 81 John Brown’s Raid on Harpers Ferry 245 John Chapman: The Man Who Was Johnny Appleseed 105 John Denver’s Take Me Home, Country Roads 44 John Havlicek 38 John Henry 162 John Henry: An American Legend 144, 148 John Henry and His Hammer 82, 148 John Henry and His Mighty Hammer 131 John Henry and Paul Bunyan Play Baseball 34 John Henry and the Double Jointed Steam Drill 232 John Henry McCoy 50 John Henry: Steel Drivin’ Man (deLeeuw) 71 John Henry: Steel-Driving Man (Naden) 190 John Henry: The Rambling Black Ulysses 36

Author, Title, Illustrator Index • 321 John Rattling-Gourd of Big Cove 28, 66, 229 John Ross (Harrell) 113 John Ross (Lowe) 166 John Sevier, Pioneer Boy 242 John Sevier: Son of Tennessee 274 Johnny and His Mule 63 Johnny Appleseed (Balcziak) 24 Johnny Appleseed (Benét) 29 Johnny Appleseed (Holland) 122 Johnny Appleseed (Kurtz) 153 Johnny Appleseed (Lindbergh) 164 Johnny Appleseed (Norman) 194 Johnny Appleseed (Sabin) 225 Johnny Appleseed (Swain) 253 Johnny Appleseed (York) 279 Johnny Appleseed (Zarzycki) 281 Johnny Appleseed: A Story of Generosity 275 Johnny Appleseed: A Tall Tale 105, 145 Johnny Appleseed and the Planting of the West 129 Johnny Appleseed: My Story 114 Johnny Appleseed: The Romance of the Sower 22 Johnny Appleseed: The Story of a Legend 187 Johnny Logan: Shawnee Spy 78 The Johnny Unitas Story 105 Johnson, Allen 131 Johnson, Angela 6, 131 Johnson, Ann Donegan 132 Johnson, E. Harper 135 Johnson, F. Mark 132 Johnson, F. Roy 132 Johnson, Fred 133 Johnson, Kathleen Jeffrie 133 Johnson, Larry 96, 253 Johnson, Milton 58 Johnson, Patty T. 133 Johnson, Paul Brett 9, 20, 133, 170, 249 Johnson, Rick L. 134 Johnson, Steve 238 Johnson, William 134, 184 Johnston, Marianne 134 Johnston, Tony 5, 135 The Johnstown Flood (Gallagher) 92 The Johnstown Flood (Nobleman) 194 The Johnstown Flood, 1889 (Leathers) 157 Johnstown Flood: The Day the Dam Burst 102 Jones, Adrienne 135 Jones, Helen 31 Jones, Jan Naimo 61, 194 Jones, John R. 225 Jones, Veda Boyd 135 Jones, Weyman 135 Joseph, Paul 136 Joseph Brown or The Young Tennessean 252 Joseph Brown or The Young Tennessean Whose Life Was Saved by the Power of Prayer 252 Joseph Wheeler: The Fearless “Fightin’ Joe” 203 Josephs, Anna Catherine 136 Josephson, Judith Pinkerton 93, 136

Josh Gibson (Holway) 122 Josh Gibson (Twemlow) 257 Josie’s Troubles 191 The Journal of Biddy Owens: The Negro Leagues 189 The Journal of Jesse Smoke: A Cherokee Boy 39, 40 Journey Cake 179, 228 Journey Cake, Ho! 142, 228 Journey to Jericho 195 Journey to the Bottomless Pit: The Story of Stephen Bishop and Mammoth Cave 183 Journey to the Mountain — A Roots Tale 163 Juba’s New Moon 179 Jud 210 Judson, Clara Ingram 136 Judy Johnson 32 Julia Tutwiler: Alabama Crusader 186 Julia Tutwiler: Teacher, Leader 62 Julia Tutwiler: The Pathfinder 43 “Jumping Johnny” 142 Jumping Johnny and Skedaddle 139 Jumping Johnny Outwits Skedaddle 139 Junk Pile! 36 Jurassic Park 166 Just Juice 119 Just Like Josh Gibson 132 Just Like Martin 70 Justus, May 6, 9, 30, 55, 136 Kalin, Victor 217 Kanahena: A Cherokee Story 219 Kane, Harnet T. 204 Kania, Matt 116 Kanzler, John 170 Karr, Althea 34 Kassem, Lou 143 Kastner, Jill 143 Kate of Still Waters 248 Kaufman, George S. 256 Kavanagh, Jack 144 Kay, Alan N. 144, 211 Keams, Geri 144 Keats, Ezra Jack 9, 55, 144, 148, 226, 261 Keehn, Sally M. 144 Keely, John 38, 79, 145, 227 Keep, Linda Lowery 145 Kehret, Peg 92 Keith, Eros 111, 155, 180 Keller, Helen 145 Kellogg, Steven 9, 105, 120, 145 Kelton, Nancy 146 Kemp, Steve 146 Kendall, Martha E. 146 Kennedy, Paul E. 198 Kent, Deborah 146 Kent, Zachary 146 Kentucky Daughter 230 Kentucky Frontiersman: The Adventures of Henry Ware, Hunter and Border Fighter 17, 18 Kentucky Time 277 Kentucky Troll 115 Kep 24 Kessel, Kristin 147

Ketchum, Liza 147 Key, Alexander 11, 147 Kidd, Ronald 148 Kids Cook with Stuffee 204 Kiely Miller, Barbara 148 Kile, Robin Propst 148 Killens, John Oliver 148 A Killing Season 38 Kimball, Dean 148 Kimball, Robin 274 King, Coretta Scott 130 King, Elisha Sterling 8, 82, 148 King Emmett the Second 249 King Shoes and Clown Pockets 6, 94 King’s Mountain 276 Kingsbury, Robert 149 Klass, Sheila Solomon 149 Klausner, Janet 149 Klein, Jeff Z. 149 Klingle, Cynthia 149 Klots, Steve 149, 266 Knapp, Ron 149 Knockin’ on Wood: Starring Peg Leg Bates 25 Knoxville: Summer 1915 222 Knoxville, Tennessee 9, 96 Knudsen, Shannon 150 Knuth, Carol Brown 259 Koenig, Teresa 150 Koering, Ursula 71, 275 Koestler-Grack, Rachel A. 150 Kohn, Bernice 150 Kolbe, Lee 229 Kollock, John 150 Konitsky, Erma 280 Kool Ada 149 Korach, Mimi 34, 45, 139, 242, 243 Kordell Stewart: Steelers Sensation 248 Korman, Justine 84, 151 Kornfeld, Anita Clay 151 Kosof, Anna 151 Kraft, Betsy Harvey 151 Kramer, Frank 250 Kramer, Jon 151 Kramer, Sydelle A. 151 Krause, Stephen P. 254 Kredel, Fritz 242, 243 Krensky, Stephen 151 Krishef, Robert K. 151, 152, 227 Krohn, Katherine E. 152 Kroll, Harry Harrison 152 Krudop, Walter Lyon 102 Krush, Beth and Joe 154 Kubinyi, Laszlo 264 Kudlinski, Kathleen V. 152, 252 Kueker, Don 45 Kuhn, Betsy 152 Kummer, Patricia K. 153 Kunstler, James H. 153 Kuntz, John L. 153 Kurtz, Jane 153 Kuskin, Karla 9 LaBella, Susan 153 Labor’s Defiant Lady: The Story of Mother Jones 22, 267 Lace, William W. 153 Lagarrigue, Jerome 113

322 • Author, Title, Illustrator Index La Grone, Roy 36 Laite, Gordon 71 Lakin, Patricia 153 Lamb, Susan Condie 126 Lambert, Libby 54 Lambert, Paulette Livers 27, 153 The Lame One: The Story of Sequoyah 268 Land of the Saddlebags 141–142 Landau, Elaine 154 Lane, John 154 Langdale, Lib Lambert 54 Langstaff, John 154, 257, 261 Lansing, Elizabeth Hubbard 154 Larger Than Life: Joe Namath 15 Laskas, Gretchen Moran 154 Latham, Jean Lee 122, 155, 265 Laune, Paul 246, 247 Lauterer, Jock 155 Lawlor, Laurie 120, 155 Lawn, John 38 Lawrence, Jacob 81 Lawrence, Jerome 232 Lawrence, Mildred 155 Lawson, John 155 Lawson, Robert 3, 9, 57, 227 Lawton, Val 155 Lawyer Will: The Story of an Appalachian Lawyer 61 Laycock, George 28, 155 Lazar and Boone Stop Strip Mining Bully to Save Apple Valley and Buttermilk Creek: A Story for Children and Mature Adults 56 Lazzarino, Luciano 176 Leach, Maria 220 Leathers, Daniel 157 The Leaving Summer 112–113 Leavitt, Amie 157 Leavitt, Dorothy 157 le Blanc, Andre 196 LeBoutillier, Nate 157 Lee, Harper 3 Lee, Manning de V. (Villeneuve) 99 Lee, Mildred 157 Lee, S. C. 157 The Legend of Blue Jacket 240 The Legend of Jesse Owens 194 Legend of John Henry 237 The Legend of John Henry, the Steel Driving Man 31 Legend of Little Deer 34 The Legend of Natural Tunnel 89 “Legend of Sleepy Hollow” 134 Le Grand [pseud. of Le Grand Henderson] 157 Leighton, Clare 44 Lena 278 Lenoir, Jane 227 Lenski, Lois 7, 158 Lentz, Alice B. 158 Leo, Judith 268 Leppard, Lois Gladys 158 Lepthien, Emilie U. 162 Lesley, Leanna Leithauser 131 LeSourd, Nancy 162 Lester, Julius 162 Lester and His Hound Pup 139 Le Sueur, Meridel 162

Let’s Meet Booker T. Washington 88 Let’s Meet Ida B. Wells-Barnett 88 Let’s Be Early Settlers with Daniel Boone 200 Let’s Find Out About Daniel Boone 232 Letter to the World: The Life and Dances of Martha Graham 92 Levine, Ellen 163 Levinson, Nancy Smiler 22 Levitt, Steve 163 Lewin, Ted 152, 181, 246 Lewis, C. S. 10 Lewis, E. B. 126 Lewis, J. Patrick 163 Lewis, Sinclair 57 Lewis, T. (Thomas) 67 Lewis Wetzel: The Life and Times of a Frontier Hero 17 Libal, Joyce 163 Libby, Bill 267 Library Journal 7 The Life and Times of Lewis Wetzel 17 The Life and Times of Stephen Foster 281 Life in the Ghetto 6, 255 Life Magazine 55 The Life of General Thomas J. Jackson 275 Life on the Trail of Tears 83 Lightning Time 211, 213 Lillard, David 164 Lindbergh, Reeve 164 Lindsay, Vachel 9 Linenthal, Peter 186 Linzey, Alicia V. 164 Linzey, Donald W. 164 Lionel Richie 150 Lions in the Way 217 Lipman, David 199 Lisandrelli, Elaine Slivinski 164 Lisi, Victoria 123 Listen for Rachel 143 Listening to Crickets: A Story about Rachel Carson 208 The Little Black Truck 104 Little Brother of the Wilderness: The Story of Johnny Appleseed 163 A Little Destiny 56 Little Eight John 261 A Little Excitement 114 The Little House 104 Little John and Plutie 79 Little League Leader 157 “Little Lihu’s Lucky Day” 139 Little Scraggly Hair: A Dog on Noah’s Ark 65 Littlejim 8, 125 Littlejim’s Dreams 125 Littlejim’s Gift: An Appalachian Christmas Story 125 Littlesugar, Amy 164 Litzinger, Roseanne 131 The Lives of Pearl Buck: A Tale of China and America 35 Livingston, Francis 227 Liza of the Hundredfold 154 Lizzie 139 Lloyd, Megan 33

Lobel, Anita 183 Locker, Thomas 164 Logue, Mary 164 Loh, George 180 Lohse, W. R. 130 Lomask, Milton 165, 232 Lomax, Alan 214 Lombardo, Anna 42 London, Jonathan 165 The Lone Hunt 242 Long, Cathryn 165 Long, Laura 165 The Long Hunt 235 The Long Hunter 79 Long Lonesome Train Whistle 198 Long Man’s Song 217 Lonnie’s Landing 235 Look Out, Jack! The Giant Is Back! 33 Lorenzo, Carol Lee 165 Loretta Lynn 152 Lossiah, Lynn King 165 The Lost Dispatch: A Story of Antietam 239 Louisiana’s Song 172 Love, Robert 165 Love Me Tender 205 Lowe, Felix C. 166 Lowe, Todd 22 Lowenstein, Sallie 166 Lowry, Lois 10, 125, 166 Lucas, Eileen 166 Lucille Ball (Paige) 199 Lucille Ball (Woog) 278 Lucille Ball: Pioneer of Comedy 152 Luck for Little Lihu 139 Lucky Penny 140 Ludwig, Charles 166 Lund, Bill 166 Lundell, Margo 166 Lundgren, Hal 166 Lundquist, Lucille 259 Lurleen B. Wallace: Alabama’s First Woman Governor 279 Lydon, Kerry Raines 167 Lynch, Emma 167 Lyncoya 81 Lynn, Jodi 167 Lyon, George Ella 8, 11, 17, 34, 168, 253 M is for Mountain State: A West Virginia Alphabet 213 Ma Dear’s Aprons 177 Macaroni Boy 22 MacDonald, George 10 MacDonald, James 220 MacDonald, Margaret Read 170 Macht, Norman L. 171 MacKaye, Percy 7, 171 MacKinstry, Elizabeth 171 MacKnight, Ninon 179 Maclean, Robert 175 MacLeod, Elizabeth 171 The MacLeod Place 21 Macnow, Glen 171 Mad Anne Bailey 31 Madden, Kerry 171 Mader, Jan 172 Maggie Among the Seneca 185

Author, Title, Illustrator Index • 323 The Magic House 82 The Magic Lake: A Mystical Healing Lake of the Cherokee 258 The Magical Adventures of Pretty Pearl 111 The Magnificent One: The Story of Mario Lemieux 177 Magnuson, Diana 40, 153 Magpie Gabbard and the Quest for the Buried Moon 145 The Mail Wagon Mystery 140 Maizie 119 Make Way for Sam Houston 88, 261 Making Headlines: A Biography of Nellie Bly 79 Malakoff, Anna 172 Mallon, Grace 140 Malloy, Eideen 133 Mama and Me and the Model-T 94 Mama Is a Miner 169 Mama Learns to Drive 69 Mammals of Great Smoky Mountains National Park 164 Mammoth Cave National Park (Graf ) 103 Mammoth Cave National Park (Radlauer) 207 Mammoth Cave: The World’s Longest Cave System 42 A Man Ain’t Nothin’ but a Man: The Adventures of John Henry 148 The Man with the Silver Eyes 242 The Managing Hen and the Floppy Hound 45 Mandel, Peter 172 Mandie and Her Missing Kin 158 Mandie and Joe’s Christmas Surprise 158 Mandie and Mollie and the Angel’s Visit 159 Mandie and the Abandoned Mine 159 Mandie and the Angel’s Secret 159 Mandie and the Buried Stranger 159 Mandie and the Cherokee Legend 159 Mandie and the Courtroom Battle 159 Mandie and the Dangerous Impostors 159 Mandie and the Dark Alley 160 Mandie and the Forbidden Attic 160 Mandie and the Ghost Bandits 160 Mandie and the Graduation Mystery 160 Mandie and the Hidden Past 160 Mandie and the Hidden Treasure 160 Mandie and the Holiday Surprise 160 Mandie and the Invisible Troublemaker 160 Mandie and the Long Goodbye 160 Mandie and the Medicine Man 160 Mandie and the Midnight Journey 161 Mandie and the Missing Schoolmarm 161 Mandie and the Mysterious Bells 161 Mandie and the Quilt Mystery 161 Mandie and the Schoolhouse’s Secret 161 Mandie and the Secret Tunnel 161 Mandie and the Tornado 161 Mandie and the Trunk’s Secret 161

Mandie and the Unwanted Gift 161 Mandie’s Cookbook 161 Manera, Alexandria 172 Manger, Ted 172 Mankiller, Wilma 219 Manny Sanguillen: Jolly Pirate 58 Mara, Wil 172 Margolin, H. Ellen 172 Marino! 172 Marino, Dan 172 Mario Lemieux (Murdico) 188 Mario Lemieux (Rossiter) 219 Mario Lemieux (Tarcy) 254 Mario Lemieux: Beating the Odds 127 Mario Lemieux, Ice Hockey Star 149 Mario Lemieux: Owns the Ice 248 Mario Lemieux: Star Center 209 Mario Lemieux: Wizard with a Puck 107 Marion, Jeff Daniel 9, 172 Markham, Lois 173 Markle, Sandra 173 Márquez, Herón 173 Marrin, Albert 173 Marriott, Alice 98, 173 Mars, W. T. 83 Marsh, Carole [Longmeyer] 173 Marsh, Olive V. 175 Marsh Island Mystery 51, 52 Marshall, Catherine 162, 174 Marshall, Felicia 176 Martha Berry 204 Martha Berry: Little Woman with a Big Dream 33 Martha Graham (Kessel) 147 Martha Graham (Pratt) 205 Martha Graham (Probosz) 206 Martha Graham: A Dancer’s Life 87 Martha Graham: Founder of Modern Dance 193 Martin, Christopher see Hoyt, Edwin Palmer Martin, Cynthia 38, 267 Martin, Judy 4 Martin, Michael J. 174 Martin, Mollie 175 Martin, Patricia Miles 175 Martin, Patricia Stone 175 Martinez, Sergio 70 Mary Ellen 140 Mary Lou Retton: A Biography 235, 252 Mary Lou Retton and the New Gymnasts 234 Mary Lou Retton: Gold Medal Gymnast 166 Mary Lou Retton: Power Gymnast 235, 264 Mary on Horseback: Three Mountain Stories 20, 266 Mashburn, William 175 Mason, Miriam E. (Miriam Evangeline) 175 Mason and Dixon’s Line of Fire 225 Masters, Kelly R. see Ball, Zachary Masters, Susan Rowan 175 Matson, Vera 205 Mattern, Joanne 175 Matthewson, Christy 171

Mattie Lou O’Kelley: Folk Artist 196 Mauterer, Erin 179 May, Julian 176 May, Kathy 176 May Bird Among the Stars 19 May Bird and the Ever After 19 May Bird, Warrior Princess 19 Maybe I’ll Pitch Forever: A Great Baseball Player Tells the Hilarious Story Behind the Legend 200, 220 Mayday! Mayday! 183 Maynard, Charles W. 176 Mays, Victor 39, 80, 155 Mays, Willie 176 Mazzucco, Jennifer 69 M. C. Higgins, the Great 111, 125 McArdle, Paula 233 McCaffrey, Janet 43, 249 McCague, James 176 McCall, Barbara A. 176 McCall, Edith 176 McCloskey, Robert 9, 119, 142, 217, 228 McClung, Robert M. 176 McCord, David 9 McCormack, Shaun 177 McCracken, Steve 105 McCully, Emily 181 McCurdy, Michael 218 McDaniel, Lurlene 177 McDonald, Megan 8, 177 McGuire, Edna 177 McKell, James C. 50, 51, 52 McKendree 29 McKernan, Frank 16 McKinley, Michael. 177 McKissack, Fredrick 18, 76, 178 McKissack, Patricia C. 18, 76, 177, 178 McLeese, Don 178 McLoone, Margo 18, 179 McMahon, Tom 179 McMeekin, Isabel McLennan 179, 228 McNeer, May Yonge 179 McSpadden, Mary Catherine 179 Me and Rupert Goody 195 Meade, Holly 181 Meadowcroft, Enid LaMonte [pseud. of Mrs. Donald Wright] 175, 179 Meadows, James 180 Mean Joe Greene 41 Medearis, Angela Shelf 180 MeeMa’s Memory Quilt: Treasured Stories of Watauga County History 275 Meet Andrew Jackson 71 Meet Peyton Manning: Football’s Top Quarterback 238 Meidell, Sherry 93, 94 Mellage, Nanette Van Wright 180 Meltzer, Milton 180 Memories of Summer 269 Men of the Wild Frontier 265 Menace on the Mountain 112 Mercer, Charles 180 Merrill, Frank T. 22 Merrill, Jean 181 Merrily Strum: Mountain Dulcimer for Children 179

324 • Author, Title, Illustrator Index Merry Christmas from Mandie 161 Merryweather, Jack 177 Merwin, Decie 48, 49, 231 Metcalfe, Elsie Dunn Scott Wellman see Scott, Evelyn Meyer, Jean 225 Meyers, Madeleine 181 Micklish, Rita 181 Midnight Forests: A Story of Gifford Pinchot and Our National Forests 120 The Midnight Fox 90 Midnight in Lonesome Hollow: A Kit Mystery 80 Midshipman Farragut 25 Mierka, Gregg A. 181 Mighty Close to Heaven 94 Mighty Jackie: The Strike Out Queen 187 Mike’s Toads 90 Miles, Miska 181 Mill Creek Mystery 7, 51 Millen, C. M. 181 Miller, Connie Colwell 182 Miller, Jim Wayne 7, 182, 251 Miller, Raymond H. 182 Miller, Sarah Elizabeth 182 Millet, Jason 24 Mills, Lauren 182, 201 Mills, Patricia 182 The Mills of God 21 Milnes, Gerald 9, 182 Milton, Hilary H. 183 The Mimosa Tree 36, 56 Mine Eyes Have Seen 213 The Miner’s Daughter 154 Minkapee 172 Minor, Wendell 56 Miracle in the Mountains 204 The Miracle Worker 75, 173, 273 Misko 231 Miss Maggie 223 Miss Osborne-the-Mop 90 Miss Spitfire: Reaching Helen Keller 182 The Missing Book 162 Missing May 8, 223 Mist Over the Mountains: Appalachia and Its People 31 Mr. Clutch: The Jerry West Story 267 Mr. Hermit Miser and the Neighborly Pumpkin 99 Mr. Lincoln’s Whiskers 69 Mr. Revere and I 227 Mr. Rogers 240 Mr. Rogers’ Neighborhood 240 Mr. Songcatcher and Company 140, 141 Misty the Freeway Foxhound: The Dog Who Became a Legend 207 Mitchell, Betsy 183 Mitchell, John 267 Mitchell, Margaree King 183 Miyake, Yoshi 184, 218 Moccasin Tracks 250 Molan, Chris 257 Molasses Man 176 Moll Flanders 38 Molzahn, Arlene Bourgeois 183

Mommy, Buy Me a China Doll 16 Monjo, F. N. 183 Monkey Town: The Summer of the Scopes Trial 148 Monroe, Judy 183 Monsell, Helen A. 183 Montgomery, Elizabeth Rider 184 A Month of Seven Days 57 Moody, Ralph 55 The Moon and I 43 The Moon of the Bears 93 Moon Over Tennessee: A Boy’s Civil War Journal 64 The Moonbow of Mr. B. Bones 163 Mooney, Booth 184 Mooney, James 9, 165, 184, 220, 229, 265 The Mooneyed Hound 55, 139 Moonpie and Ivy 195 Moonshadow of Cherry Mountain 238 Moonshiner’s Son 211 Moore, Anne Carroll 7, 271 Moore, Carman 184 Moore, Clement Clarke 257 Moore, Erin C. 38 Moore, Heidi 184 Moore, Jim 184 Moore, June 76 Moore, MariJo 165, 184 Moore, Robin 185 Moore, Ruth Nulton 185 Moore, Scott 110 Mordan, C. B. 147 Mordvinoff, Nicolas see Nicolas More Than Anything Else 37 Moriarty, J. T. 186 Morris, Ann 186 Morris, Gilbert 186 Morris, Roz 186 Morrow, Gray 247, 274 Morse, Dorothy B. 49 Moseley, Elizabeth R. 186, 265, 274 Moser, Barry 9, 18, 44, 45, 135, 186, 222 Moses, Will 187 Moss, Marissa 187 Mother Jones 93 Mother Jones and the March of the Mill Children 60 Mother Jones: Fierce Fighter for Workers 136 Mother Jones: Labor Crusader 116 Mother Jones: Labor Leader 182 Mother Jones: One Woman’s Fight for Labor 151 Mother Jones: The Most Dangerous Woman in America 22 The Mt. Olympus Zoo 166 Mountain Boy (Bell) 28 Mountain Boy ( Josephs) 136 Mountain Boy: The Adventures of Orion Saddler 187 Mountain Feud 266 The Mountain Girl (Erskine) 7, 8, 81 Mountain Girl (Fox) 86 Mountain Girl Comes Home 86 Mountain Jack Tales 109 Mountain Laurel 80 Mountain Life and Work 215

Mountain Magic for Rosy 198 Mountain Magic: A Family’s Legacy of Faith 158 “A Mountain Munchhausen” 171 Mountain Mystery 51 Mountain People, Mountain Crafts 124 A Mountain Rainbow 121 Mountain Song 131 Mountain Summer 175 Mountain Valor 125, 154 Mountain Wedding 94, 95 Mounts, Willard 187 Moving Days 114 Moving to Town 196 Moyer, Miriam 121 Moyers, William 68 Mrs. Gaddy and the Fast-Growing Vine 91 Mrs. Gaddy and the Ghost 91 Mrs. Scott’s Beautiful Art 84 Mulhollen, Amy 260 Mullins, Frank 221 Mullins, Norman D. 187 Munro, Roxie 281 Munzer, Martha E. 188 Murdico, Suzanne J. 188 Murfree, Mary Noailles 4 Murphy, Rita 188 Murray, Carol B. 158 Murray, Kenneth 26, 55 Murray, Marguerite 188 Musgrave, Florence 188 Music from a Place Called Half Moon 198 Musick, Ruth Ann 189 My Appalachia: A Reminiscence 48 My Brother Sam Is Dead 59 My Brother’s Story 131 My Dog, Trip 209 My Great-Aunt Arizona 125, 126 My Heart’s in the Hills 152 My Land Has a Voice 251 My Mama Had a Dancing Heart 104 My Mommy’s in Prison 260 My Mountain Song 65 My Roads to Childhood 271 My Several Worlds 240 My Stars, It’s Mrs. Gaddy! The Three Mrs. Gaddy Stories 91 Myers, Elisabeth P. 189, 204 Myers, Walter Dean 189 The Mystery at Fearsome Lake 100 Mystery at Ghost Lodge 100 Mystery at Indian Rocks 185 The Mystery at Miss Abigail’s 162 The Mystery at Moccasin Bend 100 Mystery at Plum Nelly 100 Mystery at Rock City 100 The Mystery at Shingle Rock 100 The Mystery at the Deserted Mill 100, 102 Mystery at the Echoing Cave 101 The Mystery at the Haunted House 101 The Mystery at the Indian Hide-Out 101 The Mystery at the Mountain Face 101 The Mystery at the Shuttered Hotel 101 Mystery at the Snowed-In Cabin 101

Author, Title, Illustrator Index • 325 Mystery at the Weird Ruins 101 The Mystery Dogs of Glen Hazard 51 The Mystery of Biltmore House 174 The Mystery of Drear House: The Conclusion of the Dies Drear Chronicle 111 Mystery of the Broken Key 51 Mystery of the Dancing Skeleton 102 Mystery of the Missing Car 51 Mystery of the Sassafras Chair 147 The Mystery of the Vanishing Stamp 102 The Mystery of the World’s Fair 174 Myths and Sacred Formulas of the Cherokees 9, 165 Myths of the Cherokees 184, 220, 229, 265 Naden, Corinne J. 189 Nagel, Jerry 26 Nance, Owen B. 95 Nancy Hanks: Kentucky Girl 247 Nancy Hanks of Wilderness Road: A Story of Abraham Lincoln’s Mother 163 Nancy of Apple Tree Hill 140 Nancy Ward: Beautiful Woman of Two Worlds 14 Nancy Ward, Cherokee 82 Nancy Ward: Cherokee Chieftainess 14 Nancy Ward: Cherokee Chieftainess; Dragging Canoe: CherokeeChickamauga War Chief 15 Naprstek, Joel F. 97 The Narrow Escapes of Davy Crockett from a Bear, a Boa Constrictor, a Hoop Snake, an Elk, an Owl, Eagles, Rattlesnakes, Wildcats, Trees, Tornadoes, a Sinking Ship, and Niagara Falls 73 Nathanael Greene: The General Who Saved the Revolution 181 A Natural Man: The True Story of John Henry 226 Naylor, Phyllis Reynolds 8, 11, 190, 250 Nazel, Joseph 193 Near-Side-and-Far 138, 140 Ned O. [pseud. of Edward Ostendorf ] 178 Neimark, Paul G. 198 Nell 43 Nellie Bly (Ehrlich) 79 Nellie Bly (Knudsen) 150 Nellie Bly: A Name to Be Reckoned With 151 Nellie Bly: A Portrait 76 Nellie Bly: Daredevil Reporter 87 Nellie Bly, First Woman Reporter 193 Nellie Bly: Reporter for the World 146 Nellie the Brave 135 Nelson, Kristi 10, 193 Ness, Evaline 48 Neva’s Patchwork Pillow 110 New Girl 162 New York Times 7 The New Yorker 7 Newcombe, Jack 193 Newfound 182

Newman, Eleanor 193 Newman, Gerald 193 Neyland, James 193 Nicholson, Lois P. 193 Nick of the Woods: Or the Jibbenainosay, A Tale of Kentucky 8, 32 Nicolas [pseud. of Nicolas Mordvinoff ] 241 Nicolas, Richard 107 Nicolay, Helen 193 Night Cry 191 Night in the Country 223 Night of the Black Bear; A Mystery in Great Smoky Mountains National Park 236 Night of the Cruel Moon: Cherokee Removal and the Trail of Tears 121 The Night Riders of Harpers Ferry 80, 154 Nightmare at Indian Cave 277 Niles, John Jacob 253 Nippy and Yankee Doodle: And More Folk Tales from the Southern Mountains 215 Nix, Lacy Hunter 54 No Girls Allowed 144 The No-Name Man of the Mountain 242 No Star Nights 238 Noble, Iris 193 Nobleman, Marc Tyler 194 Nolan, Han 194 Nolan, Jeannette Covert 58, 194 Nolichucky Jack 82 Norman, Gertrude 194 Norman, Jack 104 Norrell, Robert J. 6, 194 Not Exactly Nashville 152 Notes from Blue Mountain: Hannah and the Angels 145 Nothing Here but Trees 259 “Nothing Is Impossible,” Said Nellie Bly 45 Nowhere to Turn 144 Noyed, Robert B. 149 A Nutty Business 54 Nuwer, Hank 194 Obedient Jack 143 O’Connor, Barbara 194 O’Dell, Scott 195 Odel’s Diner 198 O’Donnell, Kevin 10 Oechsli, Kelly 19 Oehm, Kent 109 Of Men and a Mighty Mountain 33 Ogburn, Charlton 196 Oh, Sarah 188, 189 O’Kelley, Mattie Lou 196, 207 Old Ben 251 “Old Ben Bailey Meets His Match” 139 Old Burnside 21 Old Dry Frye: A Deliciously Funny Tall Tale 134 Old Greasybeard: Tales from the Cumberland Gap 215, 228 Old Hickory: Andrew Jackson and the American People 173

Old Man and the Boy: Pride of Possession 250 Old Songs and Singing Games 53 Old-Time Base Ball and the First Modern World Series 44 The Old Wagoner 35 Old Whirlwind 58 The Old Wilderness Road: An American Journey 242 The Old Woman and Her Pig: An Appalachian Folktale 170 Old Yeller 250 Olgin, Joseph 196 Oliver-Miles, Zelda 196 Oliver Twist 38 Olmstead, Mary 196 Olsen, James T. 197 Olson, Ann W. 169, 170 Olson, Steven P. 197 O’Malley, Kevin 197 On Indian Trails with Daniel Boone 180 On the Ice with Mario Lemieux 54 On the Long Trail Home 247 On the Run: Franco Harris 252 On the Trail of John Brown’s Body 211 On Top of Old Smoky: A Collection of Songs and Stories from Appalachia 148 Once Upon a Hill: An Appalachian Tale 35 One Christmas Dawn 208 “The One-Eyed Giant” 215 One Heroic Hour at King’s Mountain 15 One Heroic Hour at King’s Mountain, October 7, 1780 16 One Rainy Night 8, 102 One Room Schoolgames: Children’s Games of Yesteryear 228 One-String Fiddle 30 O’Neill, Jean 197 Only the Names Remain: The Cherokees and the Trail of Tears 26, 39 Ontal, Carlo 222 The Opossum’s Tale: A Grandmother Story 77 Oppenheim, Joanne 197 Orient: Hero Dog Guide of the Appalachian Trail 179 “The Origin of Disease and Medicine” 132 “The Origin of Strawberries” 132 Orlando Merced 248 Ormsby, Virginia 197 Orphan Journey Home 147 The Orphan Trains 89 Orr, F. W. 86 Osinski, Alice 198 Ostendorf, Edward see Ned O. Otfinoski, Steven 198 The Other Side of the Mountain 140 The Other Side: Shorter Poems 132 Oughton, Jerrie 198 Our Mountain 234 Out of Place 80, 253 Out of the Dark 280 Out of the Dark 2: Mining Folk 280 Over in the Meadow (Langstaff ) 154

326 • Author, Title, Illustrator Index Over in the Meadow (Wadsworth) 261 Over in the Meadow: A Counting Rhyme 261 Over in the Meadow: A Counting-Out Rhyme 261 Over in the Meadow: An Old Counting Rhyme 261 Over-Mountain Boy 243 The Overmountain Men 15, 16 The Overmountain Men (outdoor drama) 15 The Overmountain Men: Early Tennessee History 16 Owens, Jesse 198 Pace, Dianne Wages 198 Pace, Mildred Mastin 199 Pack, Linda Hager 199 Paddington Bear 10 Page, Linda Garland 199 Paige, David 199 Paige, Leroy (Satchel) 199 Palagonia, Peter 82 Paley, Alan L. 200 Palmer, Kim 122 Palumbo, Anthony 239 Pancella, Peggy 200 Panesis, Nicholas 179 Papa’s Angels: A Christmas Story 202 Papin, Joseph 102 Paradis, Adrian A. 200 Pardon Me — Is That the Chattanooga Choo-Choo? 78 Parish, Peggy 200 Parker, Lewis K. 200 Parker, Robert Andrew 119, 246 Parker, Tom 168 Parks, Aileen Wells 200 Parks, Rosa 200 Parlin, John 201, 265 Parlin, Tim 17 Parton, Dolly 152, 182, 201 Partridge, Elizabeth 201 Patch Work Voices: The Culture and Lore of a Mining People 38 Patchin, Frank Gee 7, 201 Paterson, Katherine 195, 201 Path of Destiny 34 The Path to Snowbird Mountain: Cherokee Legends 32 Patrick, Jean L. S. 202 Patterson, Lillie 202 Patterson, Nancy-Lou 219 Patterson, Nancy Ruth 202 The Pattersons at Turkey Hill House 103 Patton, Lucia 140 Paul Bryant: Football Legend 274 Pauley, Larry 31 Pawnee 28 Paxton, Collin Wilcox 202 Payne, C. F. 32, 187 Payne, Joan Balfour 139, 142, 203 The Peabody Journal of Education 7 Peace Treaty 186 A Peaceable Warrior 188 Peare, Catherine Owens 32, 203 Pearl Buck: Revealing the Human Heart 239

Pearson, Justin 200 Peck, Anne Merriman 34, 99 Peck, Beth 132 The Peddler’s Pack 137, 141, 142 Peel, Alfreda Marion 203 Peerson, Marie Graham 203 Pen, Ron 214 Penn, Audrey 203 Pennington, Daniel 203 The Pennsylvania Turnpike: A History 66 A Penny’s Worth of Character 251 The People Therein 157 The People Could Fly 219, 261 Perdue, Theda 56, 203 Perez, N. A. 204 The Perilous Road 243 Permanent Connections 38 Perrault, Charles 230 Peter Pocket: A Little Boy of the Cumberland Mountains 141 Peter Pocket and His Pickle Pup 141 Peter Pocket’s Book, Including Peter Pocket and Peter Pocket’s Luck 141 Peter Pocket’s Luck 141 The Peterkin Papers 122 Petersen, Randy 204 Peterson, David 204 Petreycik, Rick 204 Petrini, Catherine M. 204 Petruccio, Steven James 212 Peyton Manning (Bradley) 37 Peyton Manning (Buckley) 40 Peyton Manning (Gigliotti) 95 Peyton Manning (Horn) 123 Peyton Manning (Mattern) 175 Peyton Manning: Football Star 121 Peyton Manning: Leader on and off the Field 205 Peyton Manning: Passing Legacy 88 Peyton Manning: Precision Passer 227 Peyton Manning: Rising Son 248 Pflueger, Lynda 204 Phelan, Mary K. 204 Philadelphia Inquirer 125 Phinny’s Fine Summer 99 Pickow, George 214 Pictorial Life of Andrew Jackson; Embracing Anecdotes, Illustrative of His Character. For Young People. By the Author of “Life of Washington” 88 A Picture Book of Davy Crockett 14 A Picture Book of Helen Keller 14, 30, 167 A Picture Book of Jesse Owens 14 A Picture Book of Rosa Parks 14 Picture Book of West Virginia 23 The Picture Life of Jesse Jackson 50, 110 The Picture Story of Terry Bradshaw 72 The Pig Who Went Home on Sunday: An Appalachian Folktale 69 Pig-O-Wee 63 Pileggi, Steven 132 Piney’s Summer 6, 26 The Pink Maple House 99 Pinkney, Jerry 162 Pioneer Children of Appalachia 18

A Pioneer Civil War Story for Molly and Ben 256 Pitching in a Pinch 171 Pittsburgh: A to Z 259 Pittsburgh Penguins (Gilbert) 95 Pittsburgh Penguins (Ross) 219 The Pittsburgh Pirates (Manger) 172 Pittsburgh Pirates (Martin) 175 Pittsburgh Pirates (Rothaus) 220 Pittsburgh Pirates (Sehnert) 232 Pittsburgh Pirates: NL East 98 The Pittsburgh Steelers (Italia) 130 The Pittsburgh Steelers (Stewart) 248 Pittsburgh Steelers (LeBoutillier) 157 The Pittsburgh Steelers Football Team 153 The Place I Live: Hub City Kids Write About Home 154 Plantz, Connie 204 Play ball! 176 A Pocketful of Cricket 48 Polakoff, P. Byron 204 Poliniak, Louis 205 Polly Vaughn: A Traditional British Ballad 187 Polseno, Jo 75, 119 Polzer, Tim 205 The Pony Rider Boys on the Blue Ridge; or, A Lucky Find in the Carolina Mountains 7, 201 Pop Warner’s Book for Boys 263 Popp, Wendy 114 Portal 109 Porte, Barbara Ann 205 Porter, Dena Williams 205 Porter, Jane 18 Porter, Janice Lee 253 Porter-Stratton, Gene 3 Portrait of a Farm Family 31 Potter, Beatrix 10, 258 Powdrell, Frances D. 172 Powell, Irene 205 Power, J. Tracy 205 Power, Susan C. 205 The Power of Overcoming: Featuring the Story of Helen Keller 254 Pratt, Paula B. 205 Prelutsky, Jack 9 The Preposterous Adventures of Swimmer 147 President’s Lady 259 Presley, Elvis 205 Press, Petra 206 Price, Edyth 15 Price, Hattie Longstreet 98 Price, Olive M. 6, 206 Pride of Possession 249 Pride of Puerto Rico: The Life of Roberto Clemente 262 Primavera, Elise 88 The Princess Diaries, Volume IV and a Half: Project Princess 43 Princess of the Press: The Story of Ida B. Wells-Barnett 180 The Pringle Tree 31 Probosz, Kathilyn S. 206 The Promise Quilt 208 Pugh, Mabel 141 Pulliam, Darrell 106

Author, Title, Illustrator Index • 327 Pulling My Leg 46 Pushing the Bear 96 “Puss in Boots” 242 Pyle, Howard 18 Quackenbush, Robert 206 Queenie Peavy 5, 41 Quit Pulling My Leg 206 Raatma, Lucia 206 Rabbit and the Bears: A Traditional Cherokee Legend 77 “The Rabbit and the Pine-Gum Wolf ” 23 “Rabbit and the Tar Wolf ” 219 Rabbit and the Wolves 77 Rabbit Goes Duck Hunting: A Cherokee Indian Legend 110 Rabbit Goes Duck Hunting: A Traditional Cherokee Legend 77 Rabbit Hill 3 Rabbit Plants the Forest: A Cherokee World Story 78 Rabble Starkey 125, 166 Raber, Thomas R. 207 Rachel Carson (Accorsi) 13 Rachel Carson (Fontes) 84 Rachel Carson (Goldberg) 98, 208 Rachel Carson ( Jezer) 131 Rachel Carson (Levine) 163 Rachel Carson (Stsertka) 208, 252 Rachel Carson: Pioneer of Ecolog y 152 Rachel Carson: Preserving a Sense of Wonder 164 Rachel Carson: Who Loved the Sea 155 Rachel Jackson: Tennessee Girl 99 Rader, Laura 281 Radford, Ruby L. 207 Radin, Ruth Yaffe 4, 207 Radlauer, Edward 207 Radlauer, Ruth Shaw 207 Rae, Mary Maki 261 The Rag Coat 182, 201 Ragsale 26, 152 The Raid on Harpers Ferry, Oct 16, 1859: A Brutal Skirmish Widens the Rift Between North and South 265 Rambeck, Richard 207 Ramen, Fred 207 Ramsey, M. K. 207 Ramstad, Ralph L. 250 Rand, Ted 65, 94, 95, 114 Randy Moss (Molzahn) 183 Randy Moss (Temple) 254 Randy Moss: First in Flight 248 Randy Moss: Star Wide Receiver 30 Ransom, Candice F. 207 Ransome, Arthur 16 Ransome, James E. 57, 183 Raphael, Elaine 208 Rappaport, Doreen 209 Rappaport, Ken 209 Raskin, Ellen 48 Rath, Robert 146 Rau, Dana Meachen 209 The Raven 130 Rawls, Wilson 250 Rawson, Maurice 184 Ray, Deborah Kogan 209

Ray, Delia 209 Ray, Ralph, Jr. 58 Raymond, Charles 36, 56, 210 Read About Helen Keller 82 Read About Johnny Appleseed 82 Read for Your Life: 11 Ways to Transform Your Life with Books 263 A Real American 78 The Real Johnny Appleseed 155 Reasoner, Charles 58, 74 Reaver, Chap 210 Rebel Hart 117 Rebels in the Shadows 211 Recchio, Ron 146 Red Are the Apples 5, 8, 114 The Red Badge of Courage 223 Red Cap 276 Red Earth 211 Red Mule 251 Red Rover, Red Rover 170 Red-Spotted Newt 102 The Red Wind 257 Redbook 45 Redman, Tom 97 Reed, Gregory J. 200 Reed, Marcelina 211 Reed, Veronica 55 Reeder, Carolyn 211 Rees, Douglas 211, 213 Reeves, Jeni 18, 202 Refrigerator Perry and the Super Bowl Bears 107 Reger, James P. 211 Reggie White: Star Defensive Lineman 107 A Regular Flood of Mishap 33 A Regular Rolling Noah 170 Reilly, Robert T. 211 Reim, Melanie K. 115 Reiss, Bob 212 The Relatives Came 224 The Remarkable History of Tony Beaver, West Virginian 58 Remarque, Erich Maria 223 Remember My Name 25 Remini, Robert V. 212 “Removal of the Cherokees” 258 Reneaux, J. J. 6 Rennert, Richard S. 212 Restless Johnny: The Story of Johnny Appleseed 121 Retan, Walter 212 Retreat from Gettysburg 80 Retreat to Glory: The Story of Sam Houston 155 The Return of Gabriel 20 Return to Bitter Creek 238 The Revolutionary Age of Andrew Jackson 212 Reynolds, George P. 212 Rhodes, Priscilla 173 Rice, James 257 Rice, Otis K. 212 Riddell, Ruth 212 A Ride with Huey, the Engineer 7, 251 Riehecky, Janet 212 Riehle, Mary Ann McCabe 213 The Right House for Rowdy 141 The Rightful Owner 252

Rimer, David 213 Rinaldi, Ann 213 Ring, Carla 43 Riswold, Gilbert 45 Ritchie, Jean 138, 214, 281 Ritter, John H. 214 River Rising! 235, 236 Riverboy 55 The Road from West Virginia 36, 112 Robby and His Contrary Country Cousin 118 Robert E. 188 Roberto Clemente (Bjarkman) 33 Roberto Clemente (Buckley) 41 Roberto Clemente (Fishcher) 83 Roberto Clemente (Garcia) 92 Roberto Clemente (Gilbert) 95 Roberto Clemente (Kingsbury) 149 Roberto Clemente (Macht) 171 Roberto Clemente (Mara) 172 Roberto Clemente (Mercer) 180 Roberto Clemente (Olmstead) 196 Roberto Clemente (Rudeen) 221 Roberto Clemente: Baseball Hall of Famer 218 Roberto Clemente: Baseball Legend (Ford) 85 Roberto Clemente: Baseball Legend (West) 267 Roberto Clemente: Baseball Player 215 Roberto Clemente: Baseball Superstar 105 Roberto Clemente: Baseball’s Humanitarian Hero 173 Roberto Clemente: Pride of the Pirates 39 Roberto Clemente: Pride of the Pittsburgh Pirates 276 Roberto Clemente: Puerto Rican Baseball Player 95 Roberto Clemente: The Great One 197 Roberto Clemente: Young Baseball Hero 225 Roberto Clemente: Young Baseball Player 76 Roberts, Andre 214 Roberts, Bruce 215 Roberts, Elizabeth Madox 4, 7, 9, 215 Roberts, Jack L. 215 Roberts, Jerry 215 Roberts, Leonard W. 215, 228, 233 Roberts, Nancy 215, 216 Roberts, Russell 216 Robertson, James I. 216 Robertson, John 253 Robertson, William P. 213 Robinson, Charles 66, 68, 267 Robinson, Tom 217 Robinson Crusoe 140 The Rock and the Willow 157 Rocks in My Pockets 114 Rockwood, Joyce 217 Rodanas, Kristina 26, 42 Rodman, Bella 217 Rogers, Jacqueline 65 Rogers, Mary 215 Rogue’s March 52 Rogues on Red Hill 52

328 • Author, Title, Illustrator Index Rojankovsky, Feodor 9, 22, 88, 154, 218, 257, 258, 261 Rolfe, John 218 Roll Tide! The Alabama Crimson Tide Story 70 Romero, Maritza 218 Rookie: Tamika Whitmore’s First Year with the WNBA 10, 19 Roop, Connie 218 Roop, Peter 218 Root, Kimberly Bulcken 36, 120, 182, 208 Roper, William L. 218 Rosa 96 Rosa Parks: My Story 200 Rosa Parks: The Courage to Make a Difference 59 Rosa Parks: The Life of a Civil Rights Heroine 234 Rose, Esther 110 Ross, Gayle 40, 219 Ross, Margie Dover 219 Ross, Rennie 219 Rossiter, Sean 219 Rossman, Douglas Athon 219 Roth, George 184 Roth, Susan L. 219 Rothaus, James R. 220 Rounds, Glen 9, 49, 53, 90, 91 Rourke, Constance 220 Roy Acuff: The Smoky Mountain Boy 229 Roza, Greg 220 Ruark, Robert 250 Rubel, David 220 Rubin, Robert 220 Rubin, Susan Goldman 220 Rubio, Gwyn Hyman 220 Rudeen, Kenneth 221 The Rugged Southern Appalachia: Early Settlement, Early Feuds, Strikes, Drugs, Poverty, Schools, Beauty, 1700–Present 187 Rumford, James 221 Runaway Pony, Runaway Dog 46 Rusties and Riddles & Gee-Haw Whimmy-Diddles 249 Ryan, Bernard 221 Ryan, Cheryl 8, 221 Ryan, Delores 117 Ryan, Martha 222 Rylant, Cynthia 8, 9, 20, 31, 57, 117, 150, 181, 222, 238, 253 Sabin, Edwin Legrand 225 Sabin, Francene 225 Sabin, Louis 225 Saflund, Birgitta 25 St. George, Judith 225 St. Nicholas 152 Salas, Laura Purdie 226 Sally Ann Thunder Ann Whirlwind Crockett 58 Sally Ann Thunder Ann Whirlwind Crockett: A Tall Tale 146 Sally Arnold 221 Salmela, Montie 197 Salsi, Lynn 119, 226 Salt and Pepper 46

Sam Dale: Alabama Frontiersman 23 Sam Houston (Gleiter) 97 Sam Houston (Hollander) 122 Sam Houston (Kiely Miller) 148 Sam Houston (Latham) 122, 155 Sam Houston (Mooney) 184 Sam Houston (Zadra) 281 Sam Houston: A Biographical Novel 93 Sam Houston: Boy Chieftain 196, 247 Sam Houston: Fighter and Leader 278 Sam Houston: Friend of the Indians 196 Sam Houston: Hero of Texas 155 Sam Houston: Soldier and Statesman 35 Sam Houston: The Tallest Texan 134, 184 Sammy 141 Sampson, Katharin 247 Sandburg, Carl 271 Sanders, Margaret Webb 226 Sanderson, William E. 219 Sandin, Joan 41, 209 Sanfield, Steve 226 Sanford, William Reynolds 226 Sang Branch Settlers: Folk Songs and Tales of a Kentucky Mountain Family 216 Sang Spell 191 Santella, Andrew 227 Santrey, Laurence 206 Sarah Hastings 189 Sarah, the Dragon Lady 249 Sordoni, Alberta 214 Sargent, Dave 227 Sargent, Pat 227 Sargent, Sarah 227 Sari [pseud. of Anne Elizabeth Fleur] 99 Satchel Paige (Cline-Ransome) 57 Satchel Paige (Humphrey) 128 Satchel Paige (Macht) 171 Satchel Paige (Schmidt) 229 Satchel Paige: All-Time Baseball Great 220 Satchel Paige: Baseball Great 234 Satchel Paige: Don’t Look Back 14 Satchel Paige: Striking Out Jim Crow 252 Satchel Paige: The Best Arm in Baseball 178 Saturday Evening Post 249 The Saturday Review of Literature 7, 11 Saunders, Susan 227 Sauts Bock, William 26 Savage, Jeff 227 Savage, Steele 136 Saving Grace 57 Saving Shiloh 192 Savoldi, Gloria Root 227 Sawyer, Ruth 228 Say Hey: A Song of Willie Mays 172 Say That You Love Me 4 Sayles, Elizabeth 104 Scally, Mary Anthony 228 Scarborough, Dorothy 7, 228 Scarbro, Maxine Sewell 228

Scaredy Cat 262 Schaefer, Adam R. 228 Schaefer, Lola M. 228 Schanzer, Rosalyn 228 Scheer, George F. 32–33, 76, 184, 220, 228 Scheer, Julian 229 Schiel, Katy 229 Schindler, S. D. 29, 117, 123, 222 Schlappi, Elizabeth 229 Schmalzbauer, Adam 229 Schmidt, Al 28 Schmidt, Julie 229 Schmitzer, Jeanne Cannella 20 Schoenherr, John 181 Schofield, Den 207 Schongut, Emanuel 50 School Bell in the Valley 45 Schoolhouse in the Woods 48 Schoolroom in the Parlor 48 Schoor, Gene 229 Schraff, Anne E. 229 Schroeder, Alan 230 Schule, Clifford H. 255 Schuyler, Remington 271 Scofield, S. R. 230 The Scopes “Monkey” Trial (Crewe and Uschan) 64 The Scopes “Monkey” Trial (Uschan) 258 The Scopes Monkey Trial: A Headline Court Case 112 The Scopes Trial 104 The Scopes Trial: The Battle Over Teaching Evolution 84 The Scopes Trial: The State of Tennessee v. John Thomas Scopes 232 Scott, Carol J. 230 Scott, Evelyn [pseud. of Elsie Dunn Scott Wellman, later Metcalfe] 7, 10, 11, 230 Scottish Highland Games 109 The Scouts of Stonewall: The Story of the Great Valley Campaign 18 Sea and Earth: The Life of Rachel Carson 246 The Sea Around Us 152 Sea Monkey Summer 263 Seabrooke, Brenda 231 The Search for Belle Prater 270 Search Without Fear 110 Searcy, Margaret Zehmer 231 Seckar, Alvena 231 The Second Bend in the River 213 Second Cousins 111 Secret Christmas Potpourri and Tussie Mussie Story Kit 174 The Secret in the Woods 162 Secret Lies 227 The Secret of Fiery Gorge 91 Secret of the Indian Mound 91 Secret of Wild Cat Cave 52 Secret Star 240 Seekers of Scenery 10 Segal, Donna D. 172 Segal, Louis 147 Sehnert, Chris W. 232 Selu and Kana’ti: Cherokee Corn Mother and Lucky Hunter 211

Author, Title, Illustrator Index • 329 Se-lu’s Song 35 Send No Blessings 192 Sendak, Maurice 214 Sequoya (Coblentz) 58 Sequoya (Gleiter) 97 Sequoya (Radford) 207 Sequoyah (Campbell) 44 Sequoyah (Todd) 256 Sequoyah (Waxman) 265 Sequoyah and His Miracle 218 Sequoyah and the Cherokee Alphabet 67 Sequoyah, Cherokee Hero 197 Sequoyah: Genius Cherokee Inventor 23 Sequoyah: Inventor of Written Cherokee 26 Sequoyah: Leader of the Cherokees 98, 173 Sequoyah: Native American Scholar 83 Sequoyah, 1770–1843 72 Sequoyah: The Cherokee Man Who Gave His People Writing 221 Sequoyah: The Cherokee Who Captured Words 202 Sequoyah: Young Cherokee Guide 98, 239 Sequoyah’s Gift: A Portrait of the Cherokee Leader 149 Sergeant York: Reluctant Hero 19 Serrano, Stephen 100, 101 Settle, Mary Lee 7, 232 Seurat, Georges-Pierre 172 Seven Clans of the Cherokee Society 211 Severn, Bill 232 Shadow Tree 167, 168 Shadows 115 Shake Rag: From the Life of Elvis Presley 164 Shaker Home 31 Shannon, Mike 232 Shapiro, Henry 10 Shapiro, Irwin 232 Shapp, Charles 232 Shapp, Martha 232 Sharp, Aaron J. 44 Sharp, Lindley 128 Shattuck, Roger 145 Shaw, Charlie 84, 85, 103, 129, 151, 235 Shaw, George Bernard 267 The Shawnee (Bial) 31 The Shawnee (Flanagan) 84 The Shawnee (Landau) 154 The Shawnee (Press) 206 Shawnee Captive: The Story of Mary Draper Ingles 89 The Shawnee Indians 74 Shawnee Indians 279 Shaw-Smith, Emma 184 Shelby, Anne 215, 228, 233 She’ll Be Comin’ Round the Mountain 33 Shenton, Edward 24, 51 Shepard, Mac 93 Sherman, John 233 Sherman, Theresa 98

Shichtman, Sandra H. 233 Shields, Jacqueline C. 117 Shiloh 8, 192, 250 Shiloh Season 192 Shine, Andrea 266 Shingleton, Samuel Woods 233 Shippen, Katherine 233 Shirley, David 234 Shoeless Joe and Black Betsy 32 Shoeless Joe and Me: A Baseball Card Adventure 108 Shoeless Joe Jackson 144 Shone, Rob 234 Shoot for a Mule 154 Shortall, Leonard 99 Shorto, Russell 234 Showell, Ellen Harvey 234 Shull, Margaret (Peg) Wise 215, 234 A Sign 170 Silent Scott 236 Silent Spring 152, 208 Silver Packages: An Appalachian Christmas Story 224 Silverstein, Herma 234 Silverstein, Shel 9 Simmons, Shirley 258 Simon Kenton: Young Trail Blazer 274 Simon, Charlie May Hogue 235 Simon, Charnan 235 Simon, Howard 140, 235 A Simple Gift 202 Simple Pictures Are Best 94 Sing in the Dark: A Story of the Welsh in Pennsylvania 255 Singer, A. L. 235 Singing Family of the Cumberlands 214 Singing Games and Playparty Games 53 Singing Hands 210 Sisco, Tim 234 Six Days to Saturday 193 Six Feet Six: The Heroic Story of Sam Houston 130, 184 Skidmore, Hubert 235 Skinner, Constance Lindsay 236 Skomra, Albert N. 38 Skurzynski, Gloria 236 Slate, Joseph 237 Slavick, William H. 215 Sleepy-O! 281 Sloan, Carolyn 237 Sloat, Teri 237 Small, Terry 237 Smalley, Ruth 237 Smith, Charles 137 Smith, Clifford 37 Smith, Doris Buchanan 238 Smith, E. S. 238 Smith, Hilton 199, 238 Smith, Kevin 218 Smith, Lee 57 Smith, Linda J. 238 Smith, Owen 119 Smithwick, John 238 The Smokies Yukky Book 102 Smoky Mountain Rose: An Appalachian Cinderella 230 Smoky Mountain Sampler 141

Smoky Mountain Wee Ones 124 Smolinski, Dick 225 Smucker, Anna Egan 238, 254 Snake Hunt 143 Sneed, Brad 230 Sneed, Ravina Rene 42 Sneve, Virginia Driving Hawk 238 Snow, Dorothea J. 98, 239 Snowbear Whittington: An Appalachian Beauty and the Beast 9, 123 Soap! Soap! Don’t Forget the Soap!: An Appalachian Folktale 33 Sobol, Donald J. 239 Soda Jerk 9, 224 Sody Sallyratus (Compton) 60 Sody Sallyratus (Sloat) 237 Soentpiet, Chris K. 37, 170, 224 Soft Rain: A Story of the Cherokee Trail of Tears 62 Solbert, Ronni 181 The Soldier Boy’s Discovery 186 Some Glad Morning 95 Somebody’s Angel Child: The Story of Bessie Smith 184 Somervill, Barbara A. 239 Something About the Author 170 Something Terrible Happened: A Novel 205 Son of the Valley 257 A Song Catcher in Southern Mountains: American Folksongs of British Ancestry 7, 228 A Song for Gar 181 Song of Jubilee 85 Song of the River 55 Sonneborn, Liz 239 Soper, Patrick 166 Sorra, Kristin 263 The Sound of Music 256 Sounder 8, 21 Sounding the Alarm: A Biography of Rachel Carson 113, 208 Soupart, Sylvia 107, 239 Sour Land 21 Sourwood Tales 55 South from Hell-Fer-Sartin 216 Southern Appalachia 163 The Southern Appalachians 74 Southern Highland Summer 175 The Southwest Territory 16 Speicher, Helen 36, 50, 210 Spelman, John Adams 44 Spencer, Cornelia [pseud. of Grace Sydenstricker Yaukey] 239 Spencer’s Mountain 112 Spender, Nick 234 Spilka, Arnold 155 Spin a Soft Black Song: Poems for Children 96 Spitting Image 65 The Spooky Thing 243 Sports Great Bo Jackson 149 Sports Great Bobby Bonilla 150 Sports Great Charles Barkley 171 Sports Great Joe Montana 144 Sports Great Mario Lemieux 150 Sports Great Peyton Manning 275 Sports Hero: Joe Namath 41 Sports Hero: Terry Bradshaw 41

330 • Author, Title, Illustrator Index Sporty Creek: A Novel About an Appalachian Boyhood 249 Spradlin, Mike 240 Springer, Nancy 240 Spruance, Benton 236 Sputters 24 A Spy Among the Girls 192 Spyri, Johanna 16 Square Dancing Is for Me 112 Squash Pie 90, 91 Stafford, Chris 4 Stamm, Claus 230 Stan Musial 102 The Stan Musial Story 229 Standing Like a Stone Wall: The Life of General Thomas J. Jackson 216 Stanley, George Edward 240 Stanley, Lila 218 The Star Fisher 279 Starnes, Bobby Ann 272 The State of Franklin 16 Stauffacher, Sue 240 Steel Driving Man: The Legend of John Henry 245 Steele, Mary Q. 6, 240 Steele, Mary Q. (Quintard Govan) see Gage, Wilson Steele, Philip 241 Steele, William O. 6, 8, 240, 241 Steffens, Bradley 245 Stefoff, Rebecca 245 Stein, Harve 175 Stein, R. Conrad 36, 39, 41, 50, 112, 245, 258 Stemple, David 246 Step Along and Jerry Jake 142 Step by Step Along the Appalachian Trail 20 Stephen Foster and His Little Dog Tray 268 Stephen Foster: Boy Minstrel 119 Stephen Foster: His Life 203 Stephen Foster: The Man Behind Our Best-Loved Songs 200 Stephens, Mary Jo 246 Sterling, Philip 246 Stevens, Kathleen 246 Stevens, Mary 52, 91 Stevens, Richard 263 Stevens, Rita 246 Stevenson, Augusta 104, 176, 246 Stevenson, Harvey 39, 224 Stevenson, James 9, 90, 106 Stevenson, Robert Louis 215 Stewart, Arvis 246 Stewart, Don 203 Stewart, Elisabeth Jane 247 Stewart, Mark 10, 247 Stewart, Philip 248 Stewart, Wayne 248 Stiles, Martha Bennett 248 Still, James 4, 9, 119, 249 Stock, Catherine 65 A Stolen life 66 Stolz, Mary 249 Stone, Irving 259 Stonewall (Adams) 13 Stonewall (Carpenter) 45 Stonewall Jackson (Daniels) 68

Stonewall Jackson (Hughes) 127 Stonewall Jackson (McLeese) 178 Stonewall Jackson: Confederate General (Hewson) 119 Stonewall Jackson: Confederate General (Pflueger) 204 Stonewall Jackson: Hero of the Confederacy 205 Stonewall Jackson: Lee’s Greatest Lieutenant 30 Stonewall Jackson: Loved in the South, Admired in the North 166 Stonewall Jackson: Spirit of the South 264 Stonewall Jackson: The Eccentric Genius 45 Stop the Presses, Nellie’s Got a Scoop: A Story of Nellie Bly 206 Stories from an Indian Cave: The Cherokee Cave Builders 23, 229 Stories I Ain’t Told Nobody Yet: Selections from the People Pieces 9, 31, 47 Stories of the Old Cherokees: A Collection 132 Stories of West Virginia for Boys and Girls 107, 239 The Story of Andrew Jackson 180 The Story of Booker T. Washington 178 The Story of Daniel Boone 243 The Story of Daniel Boone, Wilderness Explorer 212 The Story of Davy Crockett 180 The Story of Davy Crockett: Frontier Hero 212 The Story of Helen Keller (Hickok) 119 The Story of Helen Keller (KoestlerGrack) 150 The Story of John Brown’s Raid on Harpers Ferry 146 The Story of Johnny Appleseed (Anderson) 19 The Story of Johnny Appleseed (Aliki) 16, 19, 105 The Story of Light 220 The Story of Mother Jones 150 The Story of My Life 32, 145 The Story of Rachel Carson and the Environmental Movement 86 The Story of Stephen Foster 75 The Story of the Cherokee People 258 The Story of the First Flute: Based on an Ancient Cherokee Legend 128 The Story of the Johnstown Flood 245 The Story of the Milky Way: A Cherokee Tale 40 The Story of the Southern Highlands 179 The Story of the Trail of Tears 39, 245, 258 The Story of Ty Cobb: Baseball’s Greatest Player 229 The Storyteller’s Nashville 110 The Stranger I Left Behind 170 Stratemeyer, Edward see Dixon, Franklin W. Street, James 249 Street, Julia Montgomery 250

Streeter, James Von 250 Streissguth, Thomas 250 Strickland, Brad 250 Strober, Gerald S. 250 Stroud, Virginia A. 40, 250 Strum, James 252 Strum, Richard M. 250 Stuart, Jesse 3, 7, 55, 56, 95, 175, 181, 251 Stwertka, Eve 208, 252 Styron, William 85 Suba, Susanne 154 Sugar Bee 181 Sullivan, George 235, 252 Sullivan County, Tennessee 205 A Summer for Secrets 143 The Summer of the Bonepile Monster 118 The Summer of the Swans 43 Summer Song 175 Summers, Thomas Osmund 252 “A Sunday Afternoon on the Island of La Grande Jatte” 172 Super Bowl IX: Pittsburgh Steelers vs. Minnesota Vikings, January 12, 1975, New Orleans Tulane Stadium 184 Super Bowl X: Pittsburgh Steelers vs. Dallas Cowboys, January 18, 1967, Miami Orange Bowl 207 Super Sports Star Peyton Manning 209 Super Sports Star Randy Moss 255 Suratt, Beverly 274 Surprise for Peter Pocket 142 The Surprising Summer 99 Surviving the Applewhites 256 Susan Cornish 49 Susie 142 Sutcliffe, Jane 253 Sutton, Judith 201 Suzanne, Jamie 253 Swager, Christine R. 253 Swain, Gwenyth 253 Swamp Angel 129 The Swapping Boy 154 “The Swapping Song” 57, 138 The Swapping Song Book 138, 214 Sweet by and By 118 Sweet Creek Holler 198, 270 Sweet ‘Possum Valley 99 Sweet Valley Twins 237 Swenson, Virginia 254 The Sword and the Spirit: A Life of John Brown 20, 265 The Sword of Antietam: A Story of the Nation’s Crisis 18 Szilagyi, Mary 120, 168, 223, 224 Tadpole 270 Tailypo! 261 The Tailypo: A Ghost Story 92 Take Command, Captain Farragut! 218 Taking Care of Moses 195 “Tale of a Pig” 137 Tale of a Pig: Adaptation of an American Folk Song 142 The Tale of Willie Monroe 230

Author, Title, Illustrator Index • 331 Tales and Songs of the Couch Family 216 Tales from Near-Side and Far 142 Tales from the Cloud Walking Country 44 Tales from the Keeper of the Myths: Cherokee Stories for Children 265 Tales of Belva Jean Copenhagen 77 The Talking Leaf 135 Talking Leaves: The Story of Sequoyah 150, 202 The Talking Snowman 162 Talking Treasures: Folkstories of African Americans in Appalachia 106 The Tall Hunter 82 Tall Tales from the High Hills and Other Stories 63 Tall Tales of the Kentucky Mountains 7, 171 Talladega Superspeedway 228 Tallulah Bankhead: Alabama’s Bad Girl Star 20 “Tam Lin” 144 Tamblyn, Lawrence 254 Tamburine, Jean 136, 137, 141, 142, 143 Tamer, Salem 122, 175 Tames, Richard 254 Tarcy, Brian 254 Tate, Don 172 Taylor, Frank J. 263 Taylor, Richard L. 254 Taylor, Vincent Frank 254 Taylor, William 211 Taylor-Butler, Christine 254 The Tea Squall 73 Teaford, Judy 4 Tecumseh (Aller) 16 Tecumseh (Immell) 129 Tecumseh (Kent) 147 Tecumseh (Koestler-Grack) 150 Tecumseh (McLeese) 179 Tecumseh (Schraff ) 229 Tecumseh: An Ohio Experience Reader 174 Tecumseh and the Dream of an American Indian Nation 234 Tecumseh and the Shawnee Confederation 245 Tecumseh: Chief of the Shawnee 83 Tecumseh: Destiny’s Warrior 61, 176 Tecumseh, Leader 32 Tecumseh: One Nation for His People 129 Tecumseh: Shawnee Boy 176, 247 Tecumseh: Shawnee Leader 105 Tecumseh: Shawnee Rebel 67 Tecumseh, Shawnee War Chief 84 Tecumseh: Shawnee Warrior-Statesman 176 The Tecumseh You Never Knew 59 Teddy Bear Guardians of the Rain Forest: The Great West Virginia Snow Adventure 260 The Telltale Lilac Bush and Other West Virginia Ghost Tales 189 The Tempering 236 Temple, Bob 254

Tenase Brave 76 Tennessee Boy 227 Tennessee Ernie Ford’s Book of Favorite Hymns 85 Tennessee Hill Folk 56 Tennessee Tiger 153 Tennessee Valley Authority 258 Tenney, Noel W. 254 The Terrible Wave 68 Terry, Walter 254 Terry Bradshaw (Frankl) 87 Terry Bradshaw (Hasegawa) 115 Terry Bradshaw (Roza) 220 Terry Bradshaw: Superarm of Pro Football 29 Teter, Betsy Wakefield 154 Then Came Mr. Billy Barker 142 Theodore Roosevelt: Letters from a Young Coal Miner 20 “There Was a Little Tree” 141 These Gentle Hills 150 These Lands Are Ours: Tecumseh’s Fight for the Old Northwest 61 Thirteen Tennessee Ghosts and Jeffrey 6 This Boy Cody 275 This Boy Cody and His Friends 275 This Year’s Garden 224 Thoennes Keller, Kristin 254 Thomas, Anika D. 6, 255 Thomas, Florence 255 Thomas, Jeanette Bell 255 Thomas, Maude Morgan 255 Thomas “Stonewall” Jackson: Confederate General 74 Thomas Wolfe: Beyond the Romantic Ego 107 Thomas Wolfe: Voice of the Mountains 62 Thompson, Gare 255 Thompson, Kathleen 97, 255 Thompson, Mary 155 Thornley, Stew 255 Thornton, Peter J. 226 Those Plummer Children 50 “Three Billy Goats Gruff ” 61 Three Cheers for Mother Jones 30 Three Golden Rivers 6, 206 “The Three Little Pigs” 69 “Three Little Pigs” 123 The Three Little Pigs and the Fox 123 3NBs of Julian Drew 71 The Three Owls 7 The Three Owls: Volume III 11 “The Three Sillies” 53 Three Strong Women 230 Through Loona’s Door: A Tammy and Owen Adventure with Carter G. Woodson 35 Thurman, Evelyn 255 The Ticky-Tacky Doll 224 Tilly’s Strange Secret 99 The Timber Trail 52 The Time of the Witch 108 Timmins, Harry 129 The Tinderbox 18 To Kill a Mockingbird 3 To Spoil the Sun 217 Toby Has a Dog 138, 142, 143 Todd, Anne M. 256

Tolan, Stephanie S. 256 Tolford, Joshua 52, 53, 239 Tolkien, J. R. R. 169 Tom Jackson, Young Stonewall 184 Tomahawks and Trouble 243 Tomes, Margot 234, 249 Tommasso, Rich 252 Tony Beaver: Griddle Skater 45 Toone, Betty 256 Torres, John Albert 256 Tough Enough 46 Tough Enough and Sassy 46 Tough Enough’s Indians 46 Tough Enough’s Pony 46 Tough Enough’s Trip 46 The Tough Winter 3 Tousey, Sanford 142 Townsend, Tom 256 Tracy, Don 249 Trail of Apple Blossoms 19, 128 The Trail of Tears (Bruchac) 40 The Trail of Tears (Burgan) 41 The Trail of Tears (Fradin) 86 The Trail of Tears (Fremon) 87 Trail of Tears ( Johnston) 135 The Trail of Tears (Stein) 245 The Trail of Tears: An American Tragedy 25 The Trail of Tears, 1838 226 The Trail of Tears: The Cherokee Journey from Home 39 The Trail of Tears: The Story of the Cherokee Removal 79 The Trail of the Hunter’s Horn 55 The Trail on Which They Wept: The Story of a Cherokee Girl 122 Trail Through Danger 243 The Trailblazing Life of Daniel Boone and How Early Americans Took to the Road 113 Trails 48 A Traitor Among the Boys 192 The Traveling Ball of String 43 A Traveling Cat 170 Traylor, Sarah M. 257 The Treasure Hunters 52 Tree of Freedom 49 Trial of Andrew Johnson 93 The Trial of John T. Scopes: A Primary Source Account 197 Trial Valley 56 Trigger John’s Son 217 Triple Trouble for Hound Dog Zip 243 Trivas, Irene 166 Trotman, Felicity 257 Trouble at the Mines 209 Trouble on Old Smoky 34 The Troublesome Cub in the Great Smoky Mountains 124 Troy, Don 257 The True Tale of Johnny Appleseed 120 Trust: The Story of Helen Keller 164 Tryon, Leslie 97 Tuck Everlasting 10 Tucker, Keith 267 Tucker Pfeffercorn: An Old Story Retold 187 Tunis, John R. 257 Turkle, Brinton 29, 48

332 • Author, Title, Illustrator Index Turn Homeward, Hannalee 27, 59 Turner, Thomas Noel 257 Tuskalusa: The Black Warrior 23 Tweetsie Adventure 158 Tweetsie: The Blue Ridge Stemwinder 229 Twemlow, Nick 257 Two Bad Boys: A Very Old Cherokee Tale 109 Ty Cobb (Abrams) 13 Ty Cobb (Macht) 171 Ty Cobb: Bad Boy of Baseball 151 Ty Cobb: The Greatest 220 Tyler, Gillian 257 Ulmer [Chiltoskey], Mary 258 Unada 207 Uncle Andy’s: A Faabbulous Visit with Andy Warhol 263 Uncle Davy Lane: Mighty Hunter 72 Uncle Jed’s Barbershop 183 Uncle Thunder: A Cherokee Legend 25 Under the Tree 9, 215 Under the Window 215 Underground Man 180 Underwood, Thomas Bryan 258 Uniquely West Virginia 64 Until the Cows Come Home 182 The Untouchables 197 Up and Down the River 49 Up Creek and Down Creek 109 Up Cutshin and Down Greasy: Folkways of a Kentucky Mountain Family 216 Up from Appalachia 36, 56, 210 Up from Slavery: An Autobiography 76, 97, 264, Up Molasses Mountain 24 Up the Frozen River 185 Up the Hill 70 Up the Tracks to Grandma’s 117 Up with Hope: A Biography of Jesse Jackson 50, 177 Uschan, Michael V. 64, 258 Use Your Head, Hildy 142 Useless Dog 55 Vacation Time: Poems for Children 96 Valiant Companions 32, 262 A Valley and Song: The Story of the Shenandoah River 70 Valley of Vision: The TVA Years 188 Valli [pseud. of Valli Van de Bovenkamp] 150 The Value of Determination: The Story of Helen Keller 132 The Value of Fairness: The Story of Nellie Bly 132 The Value of Laughter: The Story of Lucille Ball 132 The Value of Love: The Story of Johnny Appleseed 132 The Vampire in My Bathtub 231 Van Allsburg, Chris 104 Vance, Marguerite 259 Vandalay, Martha 259 Van de Bovenkamp, Valli see Valli Van Fleet, Alanson 258 Van Leeuwen, Jean 259

Van Steenwyk, Elizabeth 259 Van Wright, Cornelius 180 Vaughan, Eileen Fox 143 Vaughn, Margaret Britton 259 Velasquez, Eric 265 Venola in Love 263 Verstraete, Elaine 253 Vestal, Herman B. 72, 142, 143, 202 Vicente, Gonzalez 262 Virgie Goes to School with Us Boys 126 The Virginia Reader: Davy Crockett 174 “A Visit from St. Nicholas” 257 Vogel, Carol Lynne 260 Voices at Whisper Bend 22 Voigt, Cynthia 260 Vojtech, Anna 39, 74, 261 Vosburgh, Leonard 85 Voute, Kathleen 244 Wach, Delia Bowman 260 Wach, Martin 260 Wade, Linda R. 260 Wade, Mary Dodson 260 Wadsworth, Olive A. [pseud. of Katherine Floyd Dana] 261 Wagner, John 55 Wahl, Jan 261 Wahl, Richard 86 Waite, Helen E. 32, 262 Waites, Joan C. 16 Waiting to Waltz: A Childhood 9, 224 Waldron, Anna 262 Walk a Rocky Road 156 A Walk to the Great Mystery 250 Walk Two Moons 41, 64 Walker, Charles W. 204 Walker, Nedda 55, 259 Walker, Pam 262 Walker, Paul Robert 262 Walker, Susan W. 212 Walking Proud: The Story of Dr. Carter Godwin Woodson 228 Wallner, Alexandra 14 Wallner, John 14 Walt Disney Legends of Davy Crockett 73 Walt Disney Productions 73 Walt Disney’s Davy Crockett, King of the Wild Frontier 28 Walt Disney’s Davy Crockett’s Keelboat Race 232 Walter, Charles 49 The Waltons 125 The War at Home 105 The War Party 244 Ward, John 233 Ward, Lynd 88 Ware, Cheryl 254, 262 Warhol, Andy 85 Warhol: Ten Lizes 107 Warhola, James 263 Warner, Glenn “Pop” Scobey 263 Waryncia, Lou 264 Washington, Booker T. 76, 264 Washington, Rosemary G. 235, 264 Wasileski, Bryan 264 The Wataugans 73

The Watchers 67 Watching the Hokies with Daddy 267 A Water Snake’s Year 102 “The Water Spider, Bringer of Fire” 132 Watkins, Samuel Rush 264 Watkins, Sherrin 264 Watson, Aldren 57, 82, 137, 162 Watson, Wendy 68 The Watsons Go to Birmingham —1963 6, 67 Wavra, Grace McCloskey 265 Waxman, Laura Hamilton 265 Way, Jennifer 265 Way Down Deep 270 Way Down Yonder on Troublesome Creek 249 Wayah of the Real People 244 Wayne, Bennett 265 W. C. Handy: Doctor of the Blues 62 W. C. Handy: Father of the Blues 279 We Be Warm Till Springtime Comes 50 We Keep Store 233 We Knew Stonewall Jackson 268 We Want Jobs! A Story of the Great Depression 6, 194 Weasel 71 Weatherford, Carole Boston 265 Weaver’s Daughter 37 Webb, Robert N. 265 Webb, Shirley G. 265 Weber, June 233 Weddle, Ethel Harshbarger 265 Weeping Willow 269, 271 Weisgard, Leonard 41, 195 Welch, Catherine A. 266 We’ll Never Forget You, Roberto Clemente 80 Wellings, Michelle 205 Wellman, Elsie Dunn Scott see Scott, Evelyn Wellman, Manly Wade 266 Wellman, Sam 266 Wells, Rhea 266 Wells, Rosemary 20, 266 Welvaert, Scott R. 267 Wepman, Dennis 267 Wepplo, Mike 235 Werstein, Irving 22, 267 West, Alan 267 West, Emily Govan (Emmy) 7, 267, 100 West, Jerry 267 West, Joe 267 West Virginia (Brown) 39 West Virginia (Carpenter) 45 West Virginia (Di Piazza) 73 West Virginia (Fazio) 82 West Virginia (Fradin) 87 West Virginia (Heinrichs) 116 West Virginia (Hodgkins) 121 West Virginia (Hoffman) 121 West Virginia ( Joseph) 136 West Virginia (Kummer) 153 West Virginia (LaBella) 153 West Virginia (Lawton) 156 West Virginia (Lillard) 164 West Virginia (Petreycik) 204

Author, Title, Illustrator Index • 333 West Virginia (Somervill) 239 West Virginia (Thompson) 255 West Virginia (Way) 265 West Virginia and the Appalachians 31 West Virginia in Words and Pictures 86 West Virginia: Our State 274 West Virginia: Our State 2000 C. E. 274 West Virginia Reader: Stories of Early Days 61 West Virginia: The Mountain State 84 West Virginia: The State and Its People 212 West Virginia USA 21 Westman, Paul 50, 267 Westward Adventure: The True Stories of Six Pioneers 244 What I’m About Is People 93 What the Dickens! 67 Wheeler, Arville 268 Wheeler, Jill C. 268 Wheeler, John N. 171 Wheeler, Opal 268 Wheeler, Richard 268 When Coal Was King: Mining Pennsylvania’s Anthracite: Early Coal Mining in Picture and Story in the Land of the Mollie Maguires 205 When Grandma Was a Girl 37 When I Was Young in the Mountains 8, 117, 181, 224, 238 When Mack Came Back 250 When Shall They Rest? The Cherokees 60 When the Moon Is Full: Supernatural Stories from the Old Pennsylvania Mountains 185 When the Whippoorwill Calls 208 When Uncle Took the Fiddle 104 When We Were Saints 194 Where Legends Live: A Pictorial Guide to Cherokee Mythic Places 219 Where the Lilies Bloom 8, 56, 80, 125 Where the Red Fern Grows 250 Where Time Stood Still: A Portrait of Appalachia 215 Where’s Home? 165 Whipple, Rick 97 The Whiskey Rebellion: An Early Challenge to America’s New Government 229 Whistle Down a Dark Lane 135 Whistler’s Hollow 68 The Whistling Tree 203 Whitaker, Kent 268 White, Alana 268 White, Ellen Emerson 269 White, Ruth 65, 118, 195, 269 White, Stewart Edward 7, 68, 271 White Bead Ceremony 264 White Bird 41 White Squaw: The True Story of Jennie Wiley 268 “Whitebear Whittington” 123, 169 Whitelaw, Nancy 271 Whitetail 176 Who Came Down That Road? 170 Who Comes to King’s Mountain? 27

Who Comes with Cannons? 27 Who Let Muddy Boots into the White House? 206 Who Pooped in the Park? 146 Who Was Helen Keller? 255 Who Won the War? 193 Whole Earth Catalog 54 Whoop-ee, Hunkydory! 138, 142, 143 Who’s Mandie? 162 Why Are the Mountains Smoky? Neat Facts about the Southern Appalachian Mountains 268 “Why the Mink Smells” 258 “Why the Rabbit Has a Short Tale” 23 Wicked Jack 278 “Wicked John and the Devil” 40 Wicked John and the Devil 53 Widener, Terry 14, 123 Wiese, Kurt 23, 51 Wigginton, Eliot 54, 95, 271, 273 Wild Cat Ridge 52 A Wild Goose Tale 90, 91 Wild Rose: Nancy Ward and the Cherokee Nation 89 Wild Rose of Cherokee or Nancy Ward, “The Pocohontas of the West”: A Story of the Early Exploration, Occupancy and Settlement of the State of Tennessee 8, 82, 148 Wilde, Carol 137 Wilder, Laura Ingalls 49, 69, 259, 279 Wilderness Boy 81 Wilderness Journey (Moore) 186 Wilderness Journey (Steele) 244 The Wilderness Road 70 The Wilderness Road, 1775 226 Wilderness Wife: The Story of Rebecca Bryan Boone 71 Wildlife, Wildflowers, and Wild Activities: Exploring Southern Appalachia 26 Wilkie, Katherine E. 265, 273, 274 Wilkins, Mary Huiskamp see Calhoun, Mary Wilkinson, Brenda Scott 274 Willard, Nancy 94 William C. Handy: Father of the Blues 184 William Lowndes Yancey: Alabama Secession Leader 26 William Perry: The Refrigerator 214 Williams, Berkeley 47, 53, 140 Williams, Colleen Madonna Flood 274 Williams, Garth 9, 103, 249 Williams, Jenny 45 Williams, Pat 263 Williams, Suzanne Morgan 274 Williams, Sylvia B. 274 Williams, Tony L. 274 Williamson, Mary Lynn 275 Willie Mays (Grabowski) 103 Willie Mays (McCormack) 177 Willie Mays (Sullivan) 252 Willie Mays: Art in the Outfield 232 Willie Mays: Baseball Superstar 80 Willie Mays: Most Valuable Player 176

Willie Mays: The Say Hey Kid 238 Willie Mays, Young Superstar 225 Willie Pearl 105 Willie Pearl: Under the Mountain 105 Willie Stargell 232 Willis, Patricia 275 Wilner, Barry 275 Wilsdon, Christina 275 Wilson, Hoyt R. 275 Wilson, Jane 275 Wilson, Juanita 258 Wilson, Leon 275 Wilson, Rebecca 31 Wilson, Toña 40, 53 The Wind in the Willows 10 Winders, Richard Bruce 276 Windham, Kathryn 6 Winds a’Blowing 143 Winespring Mountain 196 Winston 500 81 Winter, Jonah 276 Winter Danger 244 A Winter Place 207 Winter Without Salt 49 Wisdom, Leon B., Jr. 147 The Wisdom Circle 35 Wise, William 97, 276 Wiskur, Darrell 245 Wisler, G. Clifton 276 Witch Catcher 108 Witch in the Mill 203 The Witch of Goingsnake: And Other Stories 61 The Witch of Shakerag Hollow: And Other Sewanee Ghosts 122 Witch of the Cumberlands 246 Witch Perkins: A Story of the Kentucky Hills 10, 11, 230 Witches, Ghosts and Signs: Folklore of the Southern Appalachians 92 With Daniel Boone on the Caroliny Trail 148 With Every Drop of Blood: A Novel of the Civil War 59 With Needle and Thread 31 The Wizard of Oz 19, 231 The Wizard Owl 35 Wohl, Gary 212 Wohnoutka, Mike 114 Wolf Dog of the Woodland Indians 231 Wolff, Charles 214 Wolff, Ruth 276 The Wolfpen Rusties: Appalachian Riddles and Gee-Haw WhimmyDiddles 9, 249 The Wonderful World of Disney (television series) 116 The Wonders of the Unakas in Unicoi County 16 Wood, D. K. 277 Wood, James Playsted 277 Woodhouse, Jayne 277 Woodruff, Elvira 277 Woodson, Jacqueline 277 Woog, Adam 278 Woog, Dan 245 Wooldridge, Connie Nordhielm 278 Wooten, Sara McIntosh 278 A Wordful Child 170

334 • Author, Title, Illustrator Index Works Progress Administration (WPA) 237 The World at Her Fingertips: The Story of Helen Keller 68 A World of Books 50 Wouldn’t Take Nothin’ for My Journey Now 155 Wrenn, Charles L. 18 Wrestle the Mountain 193 Wright, Lawton 263 Wright, Anna Rose 278 Wright, Cameron 13 Wright, Frances Fitzpatrick 278 Wright, Mrs. Donald see Meadowcroft, Enid LaMonte Wyman, Andrea 278 Wynn, Marilyn “Angel” 63 Yacowitz, Caryn 279 Yaller-Eye 28 Yalowitz, Paul 262 Yankee Thunder: The Legendary Life of Davy Crockett 232 Yaukey, Grace Sydenstricker see Spencer, Cornelia Yeager, Alice 279 The Year My Parents Ruined My Life 87 The Year of the Bloody Sevens 244

The Year of the Mintie May 226 The Year of the Perfect Christmas Tree 8, 125, 126 Yellow Leaf 45 Yep, Laurence 279 Yonder 135 Yonder Mountain: A Cherokee Legend 42 York, Carol Beach 279 You Better Come Home with Me 155 You Can’t Take It with You 256 You Hold Me and I’ll Hold You 47 Youmans, Marly 11, 279 Young, James 226 Young, Stanley 280 Young Bear: The Legend of Bear Bryant’s Boyhood 157 Young Booker: Booker T. Washington’s Early Days 35 Young Davy Crockett: Frontier Pioneer 45 Young Helen Keller 75 Young Helen Keller: Woman of Courage 30 Young Hickory: A Story of the Frontier Boyhood and Youth of Andrew Jackson 280 Young Mike Fink 24 Young Ray Hicks Learns the Jack Tales:

A Biographical Novel About the Childhood of America’s Master Storyteller, Ray Hicks 226 Young Rosa Parks: Civil Rights Heroine 30 Young Stonewall 183 Young Stonewall: Tom Jackson 183 The Young Trailers: A Story of Early Kentucky 18 Younger Brother 235 Your National Parks: Great Smoky Mountains 126 You’re Sure Silly, Billy! 143 Yuhas, Thomas 280 Zadra, Dan 280 Zahares, Wade 114 Zannos, Susan 281 Zarzycki, Daryl Davis 281 Zaunders, Bo 281 Zelinsky, Paul O. 129 Zemach, Harve and Margot 16 Ziefert, Harriet 281 Zillmer, Rolf 207 Zimmer, Dirk 163 Zonderman, Jon 281 Zronik, John 281 Zuska of the Burning Hills 231

Subject Index abaguchie 190, 192 abandonment 45, 56, 71, 82, 89, 90, 101, 104, 118, 135, 159, 161, 162, 166, 191, 193, 195, 270 ABC book 8, 54, 62 Abenaki 40 abolition 37, 60, 62, 81, 88, 103, 111, 124, 180, 211 abuse 24, 65, 71, 131, 133, 210, 221, 230, 233, 270, 271, 277, 278 acculturation 240 activism 20, 22, 70, 87, 124, 129, 149, 151, 164, 180 Acuff, Roy 229 Adams, Ansel 24 Adantans 280 Adantis 280 Adenas 240 adoption 18, 48, 81, 109, 238, 250 adventure 17–19, 20, 23, 25, 26, 32 35, 38, 41, 49, 50, 51, 52, 59, 66, 67, 71, 73, 76, 85, 86, 89, 91, 94, 98, 99, 100, 101, 102, 104, 107, 108, 109, 110, 111, 113, 115–116, 117, 120, 126, 130, 137, 138, 139, 140, 144, 147, 148, 155, 157, 158, 159, 160, 162, 163, 165, 169, 170, 176, 179, 185, 187, 189, 201, 212, 213, 218, 225, 228, 231, 233, 236, 239, 241, 242, 243, 244, 245, 246, 247, 251, 260, 267, 268, 271, 274, 275, 276 Aesop’s fables 229 Africa 111, 191 African Americans 6, 20, 23, 25, 29, 33, 36, 50, 59, 60, 64, 76, 81, 88, 105, 106, 113, 114, 121, 122, 126, 132, 135, 136, 159, 163, 176, 178, 179, 201, 219, 229, 233, 234, 237, 257, 259, 261, 278 African Methodist Church 111 AIDS 205 airplanes 33, 125, 183 Alabama 6, 14, 15, 20, 23, 26, 41, 43, 57, 62, 70, 72, 73, 81, 94, 103, 107, 113, 118, 128, 131, 132, 133, 136, 147, 149, 150, 151, 157, 171, 177, 178, 183, 193, 194, 196, 198, 199, 200, 203, 206, 212, 218, 219, 220, 225, 229, 234, 241, 250, 253, 267, 279

Alamo 16, 17, 75, 97, 151, 186, 220, 254, 254–255, 265, 269 alcohol 261 alcoholism 30, 79, 95, 119, 130, 133, 157, 168, 184, 210 Allegheny Mountains 162, 176, 186 Allegheny River 84, 177, 185 allergies 238 alphabet 22, 23, 168, 199, 239, 259; see also ABC book Amalgamated Association of Iron and Steel Workers 271 American League 200 American Revolution 27, 35, 181, 250, 253 amphibians 102 anachronism 86, 161, 185, 277 Anderson, Marian 28 angels 118, 120, 129, 145, 159, 184, 187, 189, 202, 204 Anglo-Saxons 64, 174 angst 37, 43, 63, 188 animal stories 130 anthropology 203, 217, 231 anthropomorphism 177 Antietam 18, 23, 34, 89, 108, 110, 127, 144, 186, 146, 211, 213, 239, 256, 264; see also Sharpsburg antislavery 144 Apollo Theatre 25 Appalachian Regional Commission 5 Appalachian Studies Program 156 Appalachian Trail 8, 20, 23, 37, 39, 113, 179, 268 apples 18, 19, 24, 48, 51, 56, 66, 114, 128, 138, 140, 145 Appleseed, Johnny see Johnny Appleseed; see also Chapman, John archaeology 91, 101, 152, 265 Archaic Period 231 Argentina 40, 53 Arizona 51 Armenia 39 Armistice 126 Arnot, Pennsylvania 209 Arnow, Harriette 21 art 23, 35, 41, 68, 81, 84, 87, 100, 107, 109, 196, 205, 255 Arthurdale, West Virginia 121, 154

335

artists 23, 35, 40, 41, 43, 60, 68, 70, 81, 84, 85, 95, 95, 96, 100, 120, 124, 129, 154, 165, 169, 171, 178, 187, 196, 206, 215, 219, 220, 228, 237, 249, 256, 261, 263, 263, 271, 280 arts 82, 100, 124, 248, 253, 272 ashcake 228 Ashe County, North Carolina 255 Asheville, North Carolina 62, 120, 160, 161, 174, 177, 201, 217 Asheville Orthopedic Hospital 46 Ashland, Alabama 62 assimilation 18, 36, 50, 56, 60, 110, 112, 116, 123, 185, 210 assisted living home 29 Association for the Study of Negro Life and History 115 asthma 37 Atagahi 280 atheism 223 athletes 10, 177 Atlanta 6, 99, 103, 196, 198 atomic bombs 105 attorney 166 Auburn University 72 Australia 64, 145 autobiography 9, 21, 32, 97, 110, 145, 151, 170, 172, 200, 202, 220, 222, 240, 249, 251, 252, 254, 262, 264, 267 automobile accidents 237 automobile races 81 autumn 37, 67, 70, 99, 114, 128, 224, 237 Avery County, North Carolina 83 aviation 74, 113 backwoods 33, 45, 52, 55, 60, 65, 95, 97, 102, 127, 129, 141, 173, 191, 198, 200, 206, 207, 210, 237, 243, 249 Bailey, “Mad” Anne 61, 89 Bakerstown seam 233 baking soda 60, 237 Ball, Lucille 132, 152, 199, 278 ballads 13, 29, 31, 85, 100, 111, 116, 137, 138, 138, 140, 141, 144, 154, 174, 187, 214, 216, 228, 255, 257

336 • Subject Index ballgames 21 ballplayers 172, 189 Baltimore 58, 106 banjos 136, 137, 141, 182, 272 Bankhead, Tallulah 20 Banner Elk, North Carolina 83 baptism 95 Baptists 13, 60 barber shop 183 Barbour County, West Virginia 233 Barkley, Charles 149, 171 Barnesboro, Pennsylvania 280 barns 69, 90, 202, 261 Barry, Kate Moore 129 Bartram, William 75 baseball 10, 13, 15, 32, 33, 34, 40, 44, 57, 58, 72, 76, 80, 85, 92, 95, 98, 102, 105, 107, 108, 122, 123, 128, 132, 134, 144, 149, 151, 157, 171, 176, 177, 178, 180, 187, 189, 190, 191, 196–197, 197, 200, 202, 207, 214, 218, 220, 225, 229, 232, 238, 248, 252, 257, 262, 267, 269 baseball cards 107, 108 Baseball Hall of Fame 122, 171 basket weaving 19, 70, 80, 272 basketballs 19, 38, 149, 171, 193, 207, 248 baskets 58, 123, 168, 221, 247 Bates, Clayton “Peg Leg” 25 battles 14, 17, 19, 18, 23, 27, 28, 30, 34, 35, 37, 64, 68, 75, 76, 80, 81, 84, 85, 88, 89, 92, 107, 108, 110, 127, 129, 144, 146, 159, 169, 176, 186, 190, 193, 211, 223, 225, 236, 239, 241, 242, 244, 253, 256, 276, 279 Baylor, Kentucky 64 Bean, William 149 bears 17, 34, 38, 45, 46, 73, 77, 85, 90, 109, 124, 129, 153, 231, 237, 241, 260, 272 bearskin 34, 257 Beatles 222 beauty 13, 15, 21, 26, 29, 31, 41, 46, 47, 54, 89, 107, 111, 123 Beaver, Tony see Tony Beaver Beaver, West Virginia 224 beavers 146 Beckley, West Virginia 259 Beech Creek, North Carolina 53, 175 Beech Mountain, North Carolina 83, 226 Beechwood, Pennsylvania 217 beer 65 beginning readers 14, 31, 36, 97, 114, 129, 131, 151, 153, 157, 178, 183, 184, 201, 202, 244, 245, 250, 254 Belfast, Ireland 158, 159 Belington, West Virginia 263 Bell, Alexander Graham 225 Bell, James Thomas “Cool Papa” 177 Bell Buckle, Tennessee 259 Benét, Thomas C. 29 Benton, Thomas Hart 249 Berea College 182 Berlin 93, 265 Berry, Martha 33, 189, 204

Berry, Thomas 189 Berry Schools 33, 204 bestiary 166 Beulah County, Kentucky 65 bewitched 280 biases 245, 269 Bible 65, 85, 121, 125, 159, 182, 195, 204 bibliotherapy 4, 36 Big Bald Mountain, North Carolina/ Tennessee 15 Big Bend Tunnel 36 Big Dipper 72, 129 Big Sandy River 55, 268 Big Sandy Valley 55 Big Stone Gap, Virginia 106 bigotry 65, 79, 82, 135, 165, 210, 277, 279 Biltmore Estate 120, 174 biography 9, 10 biology 208 birds 21, 31, 41, 57, 64, 66, 77, 113, 131, 143, 150, 181, 183, 205, 222, 223 Birmingham, Alabama 62, 67, 70, 72, 73, 131, 183, 186, 210, 260, 262, 265 Birmingham Black Barons 189, 232 birthdays 45, 72, 117, 141, 167, 184, 258, 259 Bishop, Stephen 183 black (race) 20, 26, 35, 36, 47, 48, 59, 71, 79, 96, 98, 105, 111, 115, 148, 149, 159, 160, 177, 180, 181, 183, 184, 189, 195, 200, 217, 221, 226, 227, 250, 252, 255, 259, 261, 273 Black, Hugo LaFayette 62, 186, 188 black bears 17, 28, 38, 73, 74, 93, 127, 146, 156–157, 236–237, 258, 268 black birds 64 Black Cloud, Chief 18 Black Hawk 89 black lung disease 28, 122, 182 Black Mountains, North Carolina 201 Black Sox scandal (1919) 32 black-eyed peas 29, 198–199 blacks (race) 114, 126, 246 blacksmithing 238, 272 Blair Mountain, battle of 107 blindness 51, 128, 145, 171, 179, 181, 196, 203, 226, 227, 262, 267, 269, 273 blizzards 51, 226 Blount, William 241 Blowing Rock, North Carolina 158, 229 blue herons 90 Blue Ridge Mountains 13, 21, 23, 27, 41, 59, 63, 74, 112, 120, 135, 147, 150, 188, 197, 208, 209, 211, 229, 235, 236, 280 bluebirds 137, 151 Bluefield, West Virginia 28, 270 blues (music) 62, 164, 168, 184, 279 Bly, Nellie 45, 54, 68–69, 76, 79, 87, 132, 146, 150, 151, 193, 206

boarding school 160, 161, 170, 204 boardinghouses 212, 270 boars 46, 250 bobcats 176, 181 Bohemians 70 bombing 265 bones 118 bonfires 116 Bonilla, Bobby 150, 209, 256 Book Industry Standards and Communications (BISAC) 4 bookmobiles 163 Boone, Daniel 16, 17, 22, 24, 35, 38, 39, 42, 43, 49, 68, 70, 71, 79, 82, 83, 97, 98, 103, 105, 113, 115–116, 118, 148, 149, 155, 175, 176, 177, 179, 180, 200, 208, 212, 218, 226, 227, 232, 233, 236, 240, 241, 243, 246, 247, 271, 273, 274, 280–281, 281 Boone, Rebecca Bryan 71, 175 Boone, North Carolina 75, 83, 158, 229 Boonesboro 247 Boonesborough, Kentucky 155, 175, 179, 180 Boston, Massachusetts 10, 29, 157, 167, 168, 191 Boston Common 172 Boston Globe-Horn Book Award 223 Boston Pilgrims 44 botany 75, 91, 157, 242 Boyd, Belle 61, 194 Braddock, Edward 233 Bradshaw, Terry 29, 41, 72, 87, 115, 220 Brady, Matthew 19, 23 Brafferton Hall 244 Braille 150, 171 bread 103, 181, 185, 258 breaker boys 25, 127, 204, 266 Breckinridge, Gen. John C. 28 Breckenridge, Mary 266 Brevard, North Carolina 35 Bridgeport, West Virginia 82 Brigadoon 191 Bristol, Tennessee 85, 208, 228 Bristol Motor Speedway 228 British Isles 187 broadsides 216 Broadway 202 Brooklyn, New York 36 brooms 272 Brown, John 20, 27, 37, 60, 61, 62, 81, 103, 107, 129, 146, 194, 211, 213, 239, 245, 250 Bryan, William Jennings 232 Bryant, Paul “Bear” 157, 238 Bryson City, North Carolina 158, 160 Buck, Pearl 35, 239 Buckhannon, West Virginia 31 buffalo 76, 241, 242, 243, 244 Buffalo Mountain 243 Buffalo Trail 76 Bull Run 17 Bull Run Mountain 274 Buncombe County, North Carolina 158

Subject Index • 337 Bunyan, Paul see Paul Bunyan burial customs 272 burlap 97 Burnett, John G. 258 Burnside, Kentucky 21 Burnt Cabins, Pennsylvania 103 Bush, George Herbert Walker 221 Bush, George W. 34, 221, 260 buzzards 73, 144, 220 Bybanks, Kentucky 64 Byrd, Sen. Robert C. 81 cabins 50, 56, 65, 69, 71, 88, 98, 101, 103, 106, 109, 111, 116, 123, 137, 141, 142, 158, 162, 163, 188, 197, 199, 208, 223, 241, 250, 251, 257, 259, 262, 268 Caldecott (award) 9, 154, 224, 225, 228, 257–258 Caldwell, Billy (Chief Sauganash) 15 California 20, 87, 147, 195–196 Cambria County, Pennsylvania 280 Camp Shelby 215 campfires 252 camping 91, 114 Canada 73, 170 candy 117, 124, 152 Canine Unit of the Virginia State Police 110 canoes 208 Capulets 187 caricatures 121, 187 Carnegie, Andrew 36, 79, 118, 136, 146, 200, 209, 233, 235, 271 carnivals 102, 148, 150 Carson, Rachel 13, 84, 86, 98, 113, 131, 152, 155, 163, 164, 208, 246, 252 Carson-Newman College 173 Carter County, Kentucky 110 Carter County, Tennessee 153, 157 Carter family 152 Carter Fold 152 carving 41, 124, 139, 205, 272 Cash, Johnny 81 Cass, West Virginia 34 cats 19, 28, 93, 106, 161, 170, 171, 181, 238, 242, 262 cattle 116, 123, 133, 134, 136, 142, 210, 248, 251, 275 cautionary tales 138, 165, 261, 269 cave-ins 235, 266 caverns 160 caves 23, 34, 42, 52, 57, 100, 101, 103, 159, 183, 207, 229, 233, 277 Celtic 116, 280 ceremonies 34, 38, 264 Chandler, Jennifer 23 chapbooks 254 Chapman, John 22, 62, 82, 97, 105, 114, 120, 121, 128, 129, 163, 187, 225, 254; see also Johnny Appleseed Charles Town, South Carolina 257 Charleston, West Virginia 107, 223 Charlotte, North Carolina 13, 269 Chatsworth, Georgia 267 Chattanooga, Tennessee 5, 24, 78, 100, 101, 107, 184, 187

Chattanooga Choo-Choos 232 Chattanooga Creek, Tennessee 24 Chattanooga Lookouts 187, 202 Chattooga River 74 Chenoweth, Lemuel 281 Cherokee, North Carolina 173 Cherokees 5, 11, 13, 14, 15, 23, 25, 26, 27, 31, 32, 33, 34, 35, 36, 38, 39, 40, 41, 42, 44, 46, 54, 55, 56, 60, 61, 62, 63, 66, 67, 70, 74, 76, 77, 78, 79, 80, 81, 82, 83, 84, 86, 87, 89, 92, 96, 97, 98, 100, 101, 109, 110, 111, 113, 121, 123, 127, 128, 129, 135, 147, 148, 149, 150, 154, 155, 159, 160, 161, 162, 163, 165, 166, 172, 173, 176, 181, 184, 188, 198, 204, 205, 206, 211, 212, 217, 218, 219, 221, 222, 226, 227, 235, 237, 238, 239, 241, 242, 244, 245, 247, 248, 250, 253, 256, 257, 258, 261, 264, 265, 267, 268, 280, 281; alphabet 23, 58, 67, 83, 149, 150, 173, 197, 207, 219, 227; feast 258; folklore 9, 21, 25, 28, 32, 33, 34, 35, 39, 42, 54, 58, 74, 74, 77, 78, 128, 130, 132, 136, 144, 159, 220, 229, 258, 280; Harvest Festival 203; Little People 165, 184, 280; log house 101; removal 39, 41, 58 Chicago 22, 36, 56, 80, 93, 112, 149, 210 Chicago Bears 215 Chickamauga 14, 242 chickens 42, 113, 117, 134, 143, 188, 199, 253, 278 child ballads 216 child labor 22, 26, 30, 60, 104, 127, 150, 204 Children’s Aid Society of New York 89 Children’s Crusade (1903) 30 Chiltoskey, Goingback 54 Chiltoskie, Watty 54 China 35, 52, 201, 279; folklore 279 Choctaw 23 Chocton 64 choreography 147, 193, 205, 206 Chota 244 Christianity 116, 120, 123, 135, 158, 159, 167, 186, 199, 201, 273 Christmas 39, 41, 47, 48, 51, 53, 69, 70, 78, 85, 95, 105, 112, 117, 125, 126, 140, 158–159, 159, 160, 161, 162, 168, 174, 175, 186, 187, 190, 196, 197, 199, 202, 208, 222, 223, 224, 251, 253, 255, 257, 272, 279 church 46, 47, 96, 126, 139, 159, 161, 195, 223 churning butter 272 cider mills 121 Cincinnati, Ohio 110, 179 Cinderella 60, 151, 233 Circuit Rider 142 circus 51, 196, 273 civil disobedience 96, 129 civil rights 14, 20, 30, 59, 60, 67, 70, 87, 115, 126, 149, 151, 171, 180, 200, 210, 240, 245, 259, 260, 268

civil servants 10 Civil War 14, 17, 18, 23, 27, 28, 34, 37, 45, 57, 59, 64, 65, 70, 74, 76, 80, 81, 86, 99, 102, 110, 112, 117, 119, 120, 125, 126, 127, 136, 143, 144, 145, 146, 166, 168, 178, 194, 211, 216, 225, 227, 231, 232, 234, 239, 241, 243, 256, 264, 281 Clark, George Rogers 236 Clark, Rogers 17 Clarksburg, West Virginia 279 Clarksville, Tennessee 230 Clay, West Virginia 24 Clemente, Roberto 6, 33, 39, 41, 76, 80, 83, 85, 92, 95, 105, 149, 171, 172, 173, 180, 196, 197, 215, 218, 221, 225, 262, 267 Clemson University 22, 107, 173, 215 Cleveland, Ohio 169 Clinch, Virginia 89 clogging 163 coal 13, 49, 24, 50, 133, 158, 211 coal mining 13, 21, 22, 23, 25, 38, 39, 44, 67, 74, 78, 104, 105, 117, 121, 122, 150, 151, 154, 158, 189, 193, 195, 196, 202, 204, 205, 209, 222, 231, 232, 246, 255, 266, 270, 280 Cobb, Ty 13, 151, 171, 220, 229 cockfighting 180, 273 coffins 213 collage artwork 24 college 6, 19, 20, 26, 30, 49, 68, 75, 98, 100, 107, 111, 112, 121, 122, 125, 134, 152, 156, 159, 160, 182, 207, 209, 212, 218, 246, 263, 266, 267 collieries 127; see also coal mines Collins, Floyd 207 colloquial language 16, 32, 33, 61, 94, 95, 113, 123, 145, 163, 187, 201, 243, 251 colts 138, 253 Columbia, Tennessee 131 Columbia University 228 Columbus, Ohio 50 comedians 152 coming-of-age 24, 26, 27, 37, 41, 78, 95, 112, 115, 143, 144, 154, 188, 198, 214, 237, 250, 263 Communism 157 Company Store 259 Compton, California School District 105 computers 174 concept books 8, 224, 260 Concord, North Carolina 240 Conestoga wagon 179, 208 Confederacy 14, 59, 64, 68, 80, 88, 112, 120, 146, 166, 186, 194, 203, 204, 219, 227, 264, 268 Confederate Army 57 Connecticut 27, 59, 115, 179 conscientious objector 19, 265 conservation 102, 155, 177, 246 construction worker 210 cookbooks 161, 199 cooking 199, 268, 272 coons 21, 55, 142 coonskin cap 17, 52, 97, 171, 206, 212

338 • Subject Index Copper Basin 65 corn 25, 29, 35, 48, 57, 90, 91, 97, 138, 184, 203, 251, 262, 272 corn husk dolls 19 Corn Mother 211 cornbread 61, 73, 184, 197, 198 Cornell University 263 cornmeal 219 Cornwallis, General Charles 52 cotton 25, 34, 36, 197 Cotton Club 25 cougars 190 counting books 8, 169 counting rhymes 261 counting songs 154, 261 country music 131, 152, 201, 229, 237 Courtland, Alabama 203 coverlets 37 Cowpens 64, 129, 253 coyotes 146 Craft Revival 80 crafts 43, 46, 56, 60, 72, 123, 124, 133, 139, 162, 173, 185, 193, 203, 205, 211, 215, 238, 271, 272, 273 Craftsman’s Fair 123 Creek Indians 151, 217, 225, 253 Crockett, David “Davy” 14, 16, 17, 28, 34, 39, 42, 45, 58, 59, 72, 73, 75, 82, 84, 85, 89, 116, 122, 134, 146, 151, 153, 162, 173, 174, 180, 186, 200, 206, 212, 216, 220, 225, 226, 227, 228, 232, 235, 241, 252, 254, 256–257, 257, 260, 281 Crockett, Elizabeth “Betsy” Patton 75 Crockett, Mary “Polly” Finley 75 Crockett, Sally Ann 58, 73, 146 The Crooked Road: Virginia Music Heritage Trail 152 Crossnore, North Carolina 62 Crossnore School 62 Crown of Tannassy 241 crows 41, 90, 133, 172 cruelty 72, 213, 242 crusade 30, 87, 103, 115, 116, 164, 186, 267, 278 Culinary Institute of America 163 cultural diversity 70 cultural heritage 76 Cumberland 246 Cumberland Falls 163 Cumberland Gap 176, 215–216, 216, 256, 274 Cumberland Mountains 48, 57, 80, 139, 141, 142, 180, 214, 242 Cumberland River 59, 241 Cumberland Road 167 Cuming, Alexander 241 cumulative tale 171, 172 cures 99, 133, 201, 203 customs 55, 76, 79, 80, 109, 116, 135, 138, 140, 141, 158, 166, 173, 174, 204, 215, 225, 228, 236, 243, 264, 272, 273, 279 Cut Shin Creek, Kentucky 20 Cyclops 215 Czechoslovakia 182

daguerreotypes 19 Dale, Sam 23 Dallas 191 Dallas Cowboys 207 Damascus, Virginia 179 dams 59, 63, 86, 194 dance 25, 56, 87, 92, 104, 112, 116, 118, 206, 234, 254 Darrow, Clarence 232 Darwin, Charles 64, 232, 258 Dayton, Tennessee 64, 84, 148, 232, 258 deafness 26, 68, 90, 92, 128, 145, 165, 203, 210, 227, 262, 267, 273 Dean, Carl 151 death 13, 17, 20, 22, 27, 41, 44, 47, 56, 59, 62, 65, 72, 75, 76, 78, 79, 85, 88, 89, 107, 118, 119, 120, 130, 131, 149, 153, 154, 167, 173, 177, 178, 189, 190, 191, 198, 202, 204, 205, 207, 209, 210, 211, 213, 231, 232, 236, 239, 242, 244, 249, 262, 266, 268, 273, 278 deer 34, 72, 127, 177, 185, 258 Demeter 23, 58 demons 78, 120 Denver, John 44 the Depression 20, 21, 22, 44, 69, 80, 82, 105, 112, 117, 118, 121, 151, 154, 168, 183, 194, 208, 211, 225, 249, 265 depression 202 de Soto, Hernando 23 Detroit 44, 90, 165 devil 278 Devil’s Mountain 35 diabetes 119, 262 dialects 5, 7, 24, 25, 27, 29, 33, 36, 51, 53, 55, 57, 59, 65, 67, 69, 75, 77, 80, 81, 86, 93, 94, 98, 99, 101, 102, 109, 111, 116, 119, 120, 122, 125, 126, 128, 134, 136, 137, 140, 142, 143, 145, 148, 158, 159, 166, 177, 182, 185, 187, 189, 191, 192, 199, 202, 209, 211, 213, 230, 234, 239, 253, 257, 269, 278 Diana 240 diaries 25, 40, 64, 96, 103, 116, 202, 237, 262, 264, 276 Dickens, Charles 67, 206 Dickinson, Charles 88 didacticism 37, 60, 64, 78, 124, 128, 143, 159, 175, 176, 178, 181, 187, 202, 204, 240, 261, 264 diners 199 diphtheria 266 disabilities 25, 28, 85, 146 discrimination 14 displacement 59, 86 divorces 20, 37, 47, 88, 108, 130, 180, 182, 218, 261, 269 Dixon, Jeremiah 225 doctors 15, 37, 62, 86, 139, 198, 224, 225, 235, 236, 278 Dodgers (New York) 187 Doe River 72, 243 dogs 16, 21, 24, 30, 45, 46, 51, 52, 55, 65, 93, 94, 100, 111, 119, 122, 134, 136, 138, 139, 140, 141, 142,

143, 144, 147, 149, 158, 168, 171, 172, 176, 179, 192, 209, 210, 222, 231, 238, 242, 249, 250, 251, 254, 259, 268 dolls 19, 28, 47, 103, 125, 126, 197, 199, 224, 231, 234, 253, 259 domestic workers 178 Donora, Pennsylvania 229 Donselson, Rachel 180, 280; see also Jackson, Rachel Donelson Robards Douglass, Frederick 37 Dragging Canoe 15, 149, 236, 243 drowning 42, 111, 122, 234, 257 drug store 223 drugs 15, 39, 110, 187 drummers 27, 186 Duck Town, Tennessee 65 ducks 41, 77–78, 110 duels 88, 180 Duffield, Virginia 89 Duke, Patty 173 dulcimers 80, 123, 148, 179, 199, 214, 272 Duquesne, Pennsylvania 236 Dykeman, Wilma 10 Dykes, Eva 26 dysfunction 82, 122, 151, 271 eagles 173 Easter 70, 159, 181 easy readers 16, 85, 184, 222, 253, 266 ecology 155 education 18, 19, 28, 31, 33, 38, 43, 45, 47, 49, 58, 62, 68, 75, 80, 81, 86, 97, 115, 138, 139, 145, 157, 178, 179, 186, 193, 200, 203, 208, 215, 230, 254, 257, 272, 273 Eisner-Award 252 Eisteddfod Festival 255 electricity 83, 84, 101, 161, 167, 257, 258 Elfland, North Carolina 163 Elizabethton, Tennessee 72 elk 27, 73, 237 Ellington, Duke 28 eminent domain 211 engineering 94, 175, 233, 251, 252, 257, 281 England 16, 22, 26, 33, 39, 40, 52, 53, 63, 70, 81, 82, 89, 109, 148, 149, 152, 158, 166, 192, 209, 218, 221, 228, 237, 241, 246, 255, 257, 258, 272, 279 entrepreneurs 155 environment 13, 49, 73, 80, 84, 86, 113, 127, 131, 155, 164, 185, 252 Epaminondas 33, 143 Erie, Pennsylvania 236 essays 280 ethnic prejudice 25, 149, 262 ethnicity 23, 25, 34, 198, 210, 236 Euclid, Ohio 63 Europe 38, 61, 69, 76, 80, 121, 154, 159, 160, 187, 203, 214, 231, 265, 280 evangelists 13, 62, 74, 223, 250, 266, 278 Evans, Mari-Lynn 81

Subject Index • 339 evil 25, 56, 71, 108, 147, 214, 217, 280 evolution 64, 84, 112, 170, 232, 258 Ewald, Wendy 55 exploitation 196 extrasensory perception 188 extraterrestrial life 147 fables 32, 106, 114, 194, 229 factories 70, 121, 194, 271, 277 Factoryville, Pennsylvania 171 Fairfax School, West Virginia 260 fairies 108 fairy godmother 230 fairy tales 33, 210, 248, 269, 278 faith 20, 54, 57, 120, 135, 151, 179, 186, 194, 223, 272 fall 184, 237, 251, 272, 276 family reunions 44, 94 fantasy 9, 10, 11, 19, 66, 103, 107, 108, 111, 118, 124, 141, 145, 147, 153, 156, 158, 169, 191, 203, 230–231, 234, 277, 280 farmers 54, 55, 56, 81, 85, 90, 91, 135, 148, 180, 213, 243, 252, 257 farms 21, 31, 33, 39, 45, 46, 48, 51, 54, 56, 57, 59, 62, 64, 65, 68, 78, 79, 80, 86, 88, 90, 91, 93, 94, 97, 98, 99, 101, 103, 106, 108, 113, 117, 118, 120, 123, 125, 131, 133, 134, 135, 138, 139, 142, 144, 148, 150, 153, 163, 172, 174, 186, 188, 194, 195, 196, 206, 208, 210, 211, 213, 215, 226, 228, 242, 248, 256, 257, 262, 266, 269, 273, 274, 277, 281 Farragut, David Glasgow 14, 25, 86, 97, 155, 165, 218, 234, 245 fauna 23, 26, 74, 78, 102, 128, 166, 176, 207 Faust legend 40 fawn 251 feminism 129, 185, 209, 263 Ferguson, Charlie 32 Ferguson, Patrick 237 feuding 49, 80, 86, 91, 123, 138, 140, 154, 174, 187, 190, 191, 192, 193, 213, 266 fiddles 30, 100, 102, 104, 138, 140, 141, 145, 182, 199, 234, 255, 272 field guides 44, 146, 168, 205, 219 figures of speech 97 Filson, John 243 finger alphabet 68 Fink, Mike see Mike Fink fire 23, 46, 114, 116, 118, 126, 132, 143, 159, 184, 185, 230, 275 fire dragons 109 fire engines 102 firelight 262 fireplaces 256, 272 firewood 46, 50, 141 fishing 60, 83, 268 Flat Rock, North Carolina 174 flatboats 48, 76, 99, 179, 235, 241, 275 flight history 245 Flint, Michigan 67, 269 floods 46, 50, 58, 65, 66, 68, 74, 84, 86, 92, 102, 106, 154, 169, 201, 258, 262

flora 23, 26, 74, 78, 102, 128, 166, 176, 207 Florence, Alabama 62, 184 Florida 160 flu see influenza flutes 128 folk art 13, 117, 128, 148, 164, 184, 187, 196, 253 folk heroes 16, 34, 36, 45, 58, 71, 73, 128, 144, 156, 164, 226, 245, 254, 281 folk motifs 23, 184, 185 folk remedies 268 folk rhymes 9, 182, 249 folk songs 13, 16, 33, 53, 92, 142, 154, 172, 181, 197, 206, 214 folklore 9, 15, 28, 33, 35, 36, 39, 40, 42, 45, 47, 52, 53, 58, 61, 63, 69, 80, 92, 94, 106, 109, 109, 111, 120, 121, 123, 128, 133, 134, 137, 145, 148, 162, 165, 168, 176, 185, 187, 189, 190, 198, 203, 212, 215, 216, 230, 237, 241, 246, 249, 254, 261, 272, 278, 279 folkways 56, 129, 137, 140 foot washing 95 football 70, 79, 95, 107, 121, 134, 149, 151, 157, 175, 183, 193, 197, 207, 218, 220, 227, 238, 247, 267, 269 Ford, Tennessee Ernie 85 Ford’s Theater 227 forest fires 46, 175 Forestry Service 120 Forrest, Nathan Bedford 219 Fort Chiswell 243 Fort Duquesne 186 Fort Henry 76, 116 Fort Knox 204 Fort Loudon 257 Fort Mims 225 Fort New Salem, West Virginia 18– 19 Foscoe, North Carolina 83 Foster, Stephen 75, 119, 200, 203, 206, 268, 281 foster homes 65, 89, 167 Fosters, Alabama 279 4-H Clubs 257 Fox Indians 89 foxes 46, 69, 123 Foxfire 54, 199 foxhound 24, 139, 207, 252 France 22, 39, 57, 149, 218, 230, 242 Franklin, Georgia 151, 220 Franklin, North Carolina 158, 159, 160 Franklin, State of 16, 93, 148 Franklin, West Virginia 148 Franklin County, Georgia 13, 151 Fraser, Charles 75 free verses 265 French and Indian War 31, 67, 145, 149 French harp 226 French Lick 48 French Salt Lick, Tennessee 99, 244 Freud, Sigmund 109

Frick, Henry C. 271 Friendly, West Virginia 192 frogs 90, 102, 261 frontier 17, 28, 31, 35, 38, 39, 45, 49, 52, 71, 76, 79, 81, 83, 88, 89, 92, 103, 104, 113, 118, 121, 136, 151, 156, 162, 164, 172, 175, 179, 180, 186, 208, 212, 213, 225, 230, 236, 241, 242, 243, 244, 254, 265, 266, 271, 274, 276, 280 Frontier Nursing Service 118, 266 frontiersmen 17, 18, 23, 24, 59, 92, 186, 212, 220, 225, 243, 247, 257, 278 fundamentalism 167 funeral homes 263 funerals 47, 255 Gaelic dialect 66 Gaffney, South Carolina 130 Galax, Virginia 175 Gallipolis 72 gambling 204 games 53, 137, 143, 199, 206, 228, 254, 272, 273 Gap Creek 243 garage sales 26 gardening 60, 157, 272 gardens 91, 106, 142, 175, 224 Gardner, Alexander 23 Gaston, Arthur George 23 Gatlinburg, Tennessee 123, 237 geese 90, 91, 133, 134, 182, 199, 206, 249, 277 Gehrig, Lou 187, 202 gems 29, 156 genesis tales 109, 132 Geneva, Wisconsin 145 geography 15, 31, 34, 46, 80, 82, 84, 90, 103, 136, 153, 158, 179, 204, 213, 239, 245, 256 geology 29, 156, 176, 256 Georgia 13, 25, 27, 40, 41, 57, 67, 79, 94, 99, 103, 106, 113, 121, 123, 131, 150, 179, 189, 195, 196, 197– 198, 204, 239, 250, 268, 272 Germanium 233 Germany 22, 23, 53, 70, 157, 189, 265 Gettysburg, Pennsylvania 27, 81, 88 ghost tales 189 ghosts 17, 19, 90, 91, 92, 116, 234 giant Sequoyahs 219, 221 Gibson, Josh 122, 132, 180, 257 Gilmer County, West Virginia 205 ginseng 191, 201, 251, 272 Glastonbury roses 208 Glenville State College 205 goats 63, 93, 138 goblins 145 God 21, 112, 120, 186, 225 gold 58, 66, 131, 160, 201, 233 golfers 76, 197, 204 Good Book 140 Goosebumps series 231 Gorgas, Amelia Gayle 196 gourd 72, 128 gourd banjos 273 Graceland 68

340 • Subject Index Graham, Martha 87, 92, 147, 193, 205, 206, 254 Graham, William “Billy” Franklin, Jr. 13, 62, 74, 250, 266, 268, 278 Grand Old Opry 229 Grandfather Mountain, North Carolina 83 Grant, Ulysses S. 93 grapes 142 graphic novels 38, 110, 182, 253, 267 Greasy Cove, Unicoi County, Tennessee 15 Great Depression 194 Great Dismal Swamp 278 Great Smoky Mountains 11, 15, 34, 35, 36, 42, 44, 45, 46, 53, 61, 63, 65, 73, 74, 77, 80, 91, 93, 102, 103, 110, 116, 123, 124, 126, 128, 130, 136, 137, 138, 140, 141, 142, 145, 146, 147, 151, 156, 157, 164, 171, 195, 200, 204, 207, 210, 218, 227, 230, 236, 237, 250, 253, 258, 266, 268, 278, 280 Great Spirit 203, 258 Great Valley Campaign (of Virginia) 18 greed 123, 139 Greek myths 23 Greene, “Mean” Joe 41 Greene, Nathanael 181, 253 Greeneville, Tennessee 86 Greenville, South Carolina 25, 194 grief 47, 78, 120, 131, 170, 202, 207, 209, 223, 237, 238, 242, 266 grits 268 Grove Park Inn 174 Grundy, Virginia 89 guide dogs 179 Gulf of Mexico 225 gunpowder 236 guns 52, 92, 187 gymnastics 235, 252, 264 haiku 48 hail 185 Hale County, Alabama 196 Haley’s Comet 228 Hall, Tom T. 110 Hall of Fame 229 Halloween 116, 197 Hamlin, West Virginia 199 Hampton, West Virginia 202 handicrafts 124 Handy, William C. 6, 62, 181, 279 hanging 103, 107 Hanks, Nancy 163, 247 hardscrabble 65, 81, 104, 164, 172, 195 Harlan County, Kentucky 210, 216 harmonica 106 Harpers Ferry 27, 45, 62, 80, 81, 129, 146, 211, 213, 245, 265 Harris, EmmyLou 152 Harris, Franco 38, 41, 108, 212, 252 Harrison, Willliam Henry 247 Harrisonburg 59 Harrod’s Fort, Kentucky 49 Harry Potter series 166 Hastings, battle of 64

Hatfield-McCoy 213 Hatfields 187 Havlicek, John 38 Haywood County, North Carolina 46 Hazelton, Pennsylvania 127 Head Start 65 healing 37, 57, 77, 198, 201, 217, 280 hearing impairment 210 heart transplants 131 Heisman Trophy 72, 107, 218 Henry, John see John Henry hens 45, 113, 197, 246, 261 Henson Creek, North Carolina 126 herbs 57, 77, 83, 110, 201, 242, 246, 258 hermits 41, 99 heroism 17, 18, 19, 27, 28, 31, 37, 41, 45, 47, 52, 54, 66, 67, 73, 75, 79, 82, 97, 108, 109, 112, 116, 119, 120, 121, 122, 126, 129, 132, 134, 136, 144, 146, 147, 155, 162, 164, 173, 175, 183, 188, 194, 196, 198, 200, 201, 216, 232, 233, 236, 237, 241, 254, 263, 265, 268, 275, 278 Hickok, Lorena 119 Hicks, John Benjamin 226 Hicks, Ray 119, 129, 226 High John the Conqueror 111 high school 30, 43, 68, 86, 88, 102, 107, 110, 112, 133, 134, 156, 174, 191, 196, 207, 209, 212, 217–218, 230, 264, 267, 271, 272, 273, 277, 280 hiking 15, 20, 37, 74, 113, 179 hillbillies 16, 19, 21, 33, 34, 45, 46, 49, 50, 51, 52, 53, 54, 55, 56, 60, 65, 75, 80, 85, 86, 92, 93, 109, 112, 119, 121, 123, 124, 125, 130, 137, 138, 139, 140, 142, 143, 154, 174, 179, 181, 183, 188, 189, 196, 210, 212, 216, 224, 228, 230, 235, 243, 251, 253, 255, 265, 266, 269, 270, 271, 272, 275, 277, 278 Hillsboro, West Virginia 35, 240 Hiltons, Virginia 152 Hindman Settlement School 214 Hines, Lewis 25 historical fiction 8, 59, 72, 119, 124, 125, 129, 144, 146, 147, 148, 163, 183, 186, 209, 213, 217, 227, 236, 257, 259, 275, 276 hitchhiking 165, 167, 191 Hiwassee Lake 175 Hiwassee River 175 Hodgkin’s disease 149, 188, 248 hoes 138 hogs 64, 83, 117, 146, 230, 271 Hogwarts 10 Holdsclaw, Chamique 62, 122, 193, 247–248 Holland, Thomas William 250 Holston River 243 home-school 256 homelessness 165 homeplace 48, 233 Homestead Grays 122, 177, 180, 257 Homestead Steel Mill 271 honeybees 109 Hoover, Herbert 209

Hoover, Louise Henry 209 Hope, Captain James 23 horror 19, 39, 50, 105, 108, 118, 169, 185, 238, 244, 276 Horse Creek, North Carolina 255 horseracing 180 horses 191, 201, 227 horticulture 156 Horton, Myles 10 hospitals 137, 160, 196 Houston, Sam 35, 75, 88, 93, 97, 122, 130, 134, 148, 155, 184, 227, 247, 261, 278, 281 Huck Finn 217 humanitarianism 20, 173, 193, 218, 245, 262 humor 9, 19, 43, 48, 49, 51, 52, 53, 54, 55, 56, 57, 59, 60, 61, 63, 65, 66, 67, 68, 69, 70, 71, 77, 90, 91, 94, 96, 98, 99, 109, 113, 117, 119, 120, 123, 131, 133, 134, 139, 143, 144, 145, 146, 153, 154, 156, 158, 162, 163, 166, 169, 170, 171, 181, 185, 188, 189, 190, 191, 192, 195, 196, 198, 203, 206, 210, 211, 216, 219, 220, 222, 223, 224, 227, 228, 230, 232, 233, 237, 241, 242, 243, 249, 251, 263, 264, 269, 270, 277, 280 hunger 93, 95, 181 hunting 16, 17, 18, 24, 52, 55, 55, 72, 77, 79, 82, 83, 100, 110, 116, 143, 147, 157, 176, 177, 181, 187, 192, 211, 212, 218, 244, 246, 247, 251, 258, 268, 271, 272, 274, 281 Huntsville, Alabama 26, 157 hymns 85, 135, 216, 253 I Love Lucy 152 ice 42, 184–185 Ice Age 25 ice hockey 55, 95, 107, 149, 150, 182, 188, 209, 254 ice storms 101 idioms 52, 56, 67, 109, 214, 249 ignorance 8, 109, 125, 215, 228, 235 Illinois 60, 147 illiteracy 119 immigration 8, 38, 78, 82, 111, 125, 163, 206, 231, 236, 255 immortality 111 impeachment 76, 93, 146, 165, 232 imprisonment 233 indentured servants 124 independence 34, 56, 73, 85, 138, 170, 181, 220, 244, 257, 262, 281 Indian Removal Act (1838) 25, 245 Indiana 27, 105 Indianapolis Colts 209, 227 Indians see Native Americans industrialism 209, 235 influenza 161, 236 informational books 8 Ingles, Mary Draper 89, 244 insects 74, 207, 261 Institute of Graphic Arts 271 integration (racial) 198, 217 Ireland 11, 150, 163, 186, 214, 280 Irish Catholicism 27, 84, 204

Subject Index • 341 Irish immigrants 212 isolation 234 Italian 22, 78, 82 Ives, Burl 214

Junior Literary Guild 109 junk dealers 94, 263 Jurassic Park 166 juvenile delinquents 256

Jack the Giant Killer 233 Jack tales 61, 69, 119, 129, 134, 215 Jackson, Andrew 5, 19, 42, 54, 58, 71, 81, 86, 88, 130, 136, 173, 175, 180, 186, 189, 193, 198, 201, 206, 212, 225, 237, 246, 259, 271, 278, 280; see also Old Hickory Jackson, Bo 72, 107, 134, 149, 151, 207, 218, 220, 269 Jackson, Jesse 6, 49, 50, 95, 110, 115, 130, 151, 175, 177, 180, 198, 235, 245, 268 Jackson, Joseph Jefferson “Shoeless Joe” 32, 108, 144 Jackson, Rachel Donelson Robards 20, 88, 99, 259; see also Donelson, Rachel; Robards, Rachel Jackson, Thomas Jonathan “Stonewall” 13–14, 18, 30, 45, 61, 68, 74, 88, 119, 127, 166, 178, 181, 184, 204, 205, 216, 264, 268 Jackson County, North Carolina 158 Jackson Hole, Wyoming 237 Jagr, Jaromir 182 James River 57 James White’s Fort 250 Jamestown, Tennessee 217 Jefferson City, Tennessee 173 Jefferson National Forest 27 Jenkins, Kentucky 105 Jesse Stuart Foundation 78 Jesus 159, 162 Jim Crow laws 28, 67, 87, 135, 183, 189, 252 John Henry 31, 34, 36, 71, 82, 111, 131, 144, 148, 162, 190, 237, 245 Johnny Appleseed 16, 18, 19, 24, 29, 62, 122, 128, 132, 146, 153, 156, 163, 179, 194, 226, 232, 279, 281; see also Chapman, John Johnnycake 228 Johnson, Andrew 76, 86, 93, 105, 126, 127, 146, 165, 200, 232, 238, 246 Johnson, Judy 32 Johnson, Lyndon B. 65 Johnson City, Tennessee 89, 229 Johnstown, Pennsylvania 245, 262 Johnstown Flood (1889) 66, 68, 74, 92, 102, 106, 157, 194 jonakin 228 Jones, Mary Harris “Mother” 22, 30, 60, 93, 116, 124, 136, 150, 151, 182, 209, 267 Jonesborough, Tennessee 37, 119, 126, 129 journalism 26, 45, 54, 61, 76, 79, 84, 87, 88, 146, 149, 150, 151, 180, 193, 200, 206, 239, 259 journals 37, 63, 69, 76, 96, 145, 155, 180, 189, 213, 262, 263 Journey cake 228 Julia Ellsworth Ford award 179 Juniata Canal 67

Kanahena 219–220 Kansas 10, 11 Kaskaskia, Illinois 236 kayaks 109 Keep Tryst, Maryland 45 Keller, Helen 6, 13, 14, 29, 30, 32, 68, 73, 74, 75, 82, 83, 85, 92, 93, 103, 119, 132, 133, 145, 146, 149, 150, 152, 153, 156, 157, 164, 167, 171, 173, 178, 182, 193, 203, 225, 227, 233, 237, 252, 253, 254, 255, 262, 267, 273, 281 Kemper, Claude 205 Kenton, Simon 274 Kentucky 13, 17, 18, 20, 21, 29, 32, 36, 41, 42, 44, 47, 48, 49, 50, 52, 53, 55, 59, 65, 68, 70, 73, 79, 80, 83, 86, 93, 95, 97, 104, 105, 109, 110, 115, 119, 123, 128, 131, 133, 134, 147, 153, 154, 155, 157, 163, 165, 166, 168, 169, 170, 171, 172, 174, 179, 182, 183, 199, 207, 210, 213, 214, 215, 216, 220, 230, 231, 233, 234, 236, 241, 242, 243, 244, 246, 247, 248, 249, 251, 252, 255, 256, 270, 274, 278 Kentucky Frontier Nursing Service 266 Kenya 145 King, Coretta Scott (Mrs. Martin Luther, Jr.) 83 King Solomon 195 kingfisher 279 King’s Mountain 15, 16, 27, 52, 64, 127, 236, 242, 253 Kingsport, Tennessee 26, 61, 224 kittens 84, 106, 159, 162, 170 Kittredge, George Lyman 228 Knight or Lady of the Golden Horseshoe 107, 239 Knights of Labor 22 Knights of the Golden Horseshoe 58 Knott County, Kentucky 214 Knox, Henry 72, 250 Knoxville, Tennessee 86, 96, 97, 102, 123, 174, 198, 218, 227, 234, 245, 250 Ku Klux Klan 14, 79, 240 kudzu 191 labor: activists 124, 267; conflicts 36; history 78, 267; leader 136, 151; strikes 157; unions 24, 104, 204, 271 Lamar County, Alabama 113, 114 lambs 148 Latrobe, Pennsylvania 240 Lattimer, Pennsylvania 25 law 61, 180, 203, 235, 241, 250 laziness 138 leadership 83, 246 Lee, Robert E. 208 legends 9, 14, 15, 18, 22, 24, 25, 29, 31, 32, 34, 35, 40, 42, 54, 58, 73,

74, 77, 82, 83, 85, 89, 110, 120, 121, 128, 130, 131, 132, 134, 136, 144, 145, 148, 149, 153, 156, 157, 159, 162, 163, 164, 171, 178, 187, 189, 194, 200, 201, 204, 207, 208, 216, 219, 220, 221, 226, 232, 233, 237, 238, 240, 245, 256, 257, 258, 267, 273, 274, 276, 281 Lemieux, Mario 6, 54, 107, 127, 149, 150, 177, 188, 209, 219, 248, 254 Lenape Indian 259 Leslie County, Kentucky 216 Letcher County, Kentucky 23, 26 Lexington, Kentucky 249 Lexington, Virginia 28 libraries 15, 20, 32, 44, 51, 53, 80, 96, 110, 142, 167, 175, 196, 210, 215, 235, 249, 255, 279 Lilienthal, David 188 Lincoln, Abraham “Abe” 69, 146, 163, 200, 227 Lincoln, Tom 163 Lincoln, Nebraska 114 Linville Gorge 74 lions 51, 73, 95, 127, 217 liquor 110 literacy 13, 37, 45, 135, 204 Little Conemaugh River 194 Little Golden Books 3, 138, 142, 143 Little League 157 Little Match Girl 182 Little Miami River 247 Little Sandy 268 Little Tennessee River 244 Liverpool, England 89 local color 9, 22, 55, 100, 141, 198 local speech 166 log cabin 69, 101, 208, 243, 271 Logan’s Fort, Kentucky 244 logging 74, 266, 272 London, England 10, 11, 38, 158, 159 Long, Will West 54 long hunt 235, 244 Long Island, New York 30 Lookout Mountain, Tennessee 100, 101, 102 Los Angeles Lakers 70, 267 Losantiville, Ohio 179 Louisiana 201 Louisville, Kentucky 137, 235 love (romantic) 96, 103, 112, 122, 133, 143, 148, 149, 159, 192, 196, 206, 213, 223, 236, 263, 271, 274 Lucky Hunter 211 lullabies 16, 87, 153, 181 lumber company 52 lynching 87, 116, 164, 180, 252 Lynn, Loretta 152 lyrics 16, 36, 53, 57, 64, 65, 74, 87, 92, 96, 106, 110, 113, 116, 118, 135, 143, 148, 155, 164, 169, 170, 172, 182, 184, 187, 188, 201, 206, 214, 221, 222, 223, 253 MacDowell, Andie 130 machinery 24, 85, 144, 238, 257, 266 Macon County, North Carolina 158 Macy, Anne Sullivan see Sullivan, Anne “Annie”

342 • Subject Index Magarac, Joe 232 Maggie Valley, North Carolina 171 magic 36, 66, 82, 91, 107, 111, 128, 147, 163, 165, 169, 171, 188, 189, 191, 221, 258, 270 mail carrier 78 mail wagon 140 Maine 72, 113, 179, 217 Malden, West Virginia 202 mammals 21, 127, 164 Mammoth Cave National Park 42, 183, 207 Manhattan, New York 43 Mankiller, Wilma 86 Manning, Peyton 6, 37, 40, 88, 95, 121, 123, 175, 205, 209, 227, 238, 248 manual alphabet 225 Marble Springs, Knoxville, Tennessee 108 Marino, Dan 172 Marion, Francis (the Swamp Fox) 27 marriage 19, 25, 75, 88, 97, 131, 163, 171, 196, 197, 201, 247, 259 Mars Hill, North Carolina 54 Martins Ferry, Ohio 38 Martinsburg, Virginia 194 Mary Poppins 41 Maryland 45, 108, 117, 144, 163, 182, 186, 213, 225 Mason, Charles 225 Mason County, Kentucky 274 Massachusetts 156, 167 massacres 39, 189, 244 Mast Store 83, 226 material culture 103, 124, 200 Mathewson, Christy 171 Mayesville, Georgia 196 Maynardville, Tennessee 229 Mays, Willie 80, 172, 176, 177, 225, 232, 238, 252 McClellan, Abraham 258 McClellan, George Brinton 18 McCoys 187 McMinnville, Tennessee 99 Meadville, Pennsylvania 103 measles 52 medicine 10, 15, 77, 80, 86, 110, 123, 169, 198, 201, 235, 236, 250, 274 Meigs County, Ohio 259 melodrama 48, 52, 68, 96, 105, 118, 125, 147, 159, 167, 170, 173, 205, 214, 236, 240, 248 Melungeons 38, 111, 191 Melungos 38 memoirs 21, 37, 43, 48, 110, 180, 182, 264 Memphis, Tennessee 24, 168 Mennen, Fannie 100 Mennonite 21 mental health 194, 195, 269 Merced, Orlando 248 Meterboro, Kentucky 249 Methodism 188, 253 Mexican American War 216 Mexican War 14, 268 Mexico 145, 268 mica 159 mice 78, 154, 174, 186, 258

Michaux, Andre 75, 242 Michigan 212, 269 Middle East 74 Midwest 18, 188, 225 midwives 118, 188, 272 migration 22, 132, 155, 165, 210, 276 Mike Fink 58 military 19, 28, 35, 79, 88, 127, 136, 204, 225, 261, 275, 204, 225, 261 milk fever 147 milking 83, 210, 251 Milky Way 40, 258 mills 21, 25, 27, 30, 49, 51, 57, 60, 66, 100, 102, 121, 150, 159, 203, 207, 236, 238, 271, 272 minerals 156 Minerva 240 mining 8, 13, 42, 70, 73, 80, 104, 105, 112, 117, 121, 154, 169, 209, 230, 233, 235, 246, 249, 280 ministry 13, 28, 57, 60, 88, 95, 119, 155, 180, 188, 210, 211, 253 Minkapee 172 Minnesota 45 Minnesota Vikings 184 minstrelsy 8, 79, 228 Miss America Beauty Pageant (1995) 26 mission schools 138, 174 missionaries 35, 121, 210 missions 137 Mississippi 24, 183, 191, 215, 225, 235, 250, 259 Mississippi River 157, 186 Missouri 177 Mr. Rogers’ Neighborhood 240 Mitchell, Jackie 187, 202 Mitchell County Chamber of Commerce 126 Mobile, Alabama 200, 225 Moccasin Bend 100 moccasins 184 mockingbird 60, 106 Mohawk 40 molasses 176, 197 Molly Maguires 211 Molly Whuppie 233 money 29, 30, 37, 49, 54, 101, 133, 137, 139, 140, 182, 185, 191, 198, 201, 208, 236, 242, 251, 256 Monongahela River, Pennsylvania 22, 84, 207 Monroe, James 135 monsters 117, 132, 241 Montagues 187 Montana, Joe 144, 207 Montgomery, Alabama 200 Montgomery County, Maryland 105 Montreat, North Carolina 13 moonshining 29, 65, 174, 210, 211, 262, 272 Moravians 48, 186, 219 Morehead, Kentucky 255 Morgan, General Daniel 35, 40, 92, 129, 253 Morgantown, West Virginia 278 Moses 195 Moses, Anna Mary Robertson “Grandma” 187, 196, 207

Moss, Randy 30, 183, 247, 254, 255 Mother Goose 182 motherlessness 169 motifs 23, 40, 44, 55, 60, 61, 70, 77, 80, 95, 115, 134, 158, 169, 184, 185, 189, 195, 215, 216, 219 Mount Katahdin 37, 113 Mount LeConte 34 Mount Raccoon 58 Mount Spotswood 58 mountain lion 73, 95, 127 mountaineers see hillbillies moving 19, 33, 36, 44, 46, 50, 59, 69, 78, 83, 87, 90, 91, 98, 99, 101, 103, 108, 110, 111, 112, 114, 117, 122, 131, 133, 140, 142, 157, 168, 170, 179, 186, 191, 193, 195, 196, 197, 202, 205, 206, 208, 210, 235, 246, 247, 249, 256, 269, 279 Muggle 10 mules 25, 28, 55, 56, 57, 63, 106, 133, 139, 140, 142, 143, 154, 251, 273 murals 237 murder 192, 242, 247, 257, 270 Murfreesborough, battle of 18 Murphy, North Carolina 253 Murray, Kenneth 55 Muscle Shoals, Alabama 157 Musial, Stan 102–103, 229 music 16, 30, 33, 42, 45, 53, 55, 57, 63, 69, 70, 72, 80, 85, 87, 92, 94, 95, 104, 109, 110, 112, 117, 118, 124, 131, 137, 138, 141, 142, 148, 150, 152, 154, 164, 165, 168, 169, 171, 172, 181, 183, 184, 187, 194, 195, 198, 200, 201, 204, 206, 210, 214, 216, 221, 226, 227, 228, 229, 234, 237, 240, 247, 253, 255, 256, 260, 261, 268, 269, 270, 277, 279, 281 mussel 212 mute 47, 48 mystery 50, 51, 52, 66, 91, 99, 100, 101, 107, 111, 118, 123, 158, 159, 160, 161, 162, 163, 169, 174, 185–186, 191, 211, 223, 231, 236, 269, 270 mysticism 194 mythology 103, 104, 153, 166, 229, 280 mythos 252 myths 15, 17, 18, 28, 32, 57, 58, 70, 85, 111, 130, 146, 155, 156, 162, 164, 165, 168, 169, 173, 184, 191, 206, 212, 216, 217, 219, 220, 225, 228, 229, 245, 254, 258, 265, 279, 280 Namath, Joe 15, 41, 49, 79, 130, 176, 197, 226 Napoleon 174 NASCAR 228 Nashville, Tennessee 80, 99, 110, 143, 241 National Association for the Advancement of Colored People (NAACP) 87, 180, 234 National Baseball Hall of Fame 177 National Basketball Association (NBA) 171

Subject Index • 343 National Football League (NFL) 107, 144, 221 National Forests 120 national history standards 222 National Negro League 177 National Park 15, 23, 34, 42, 102, 103, 110, 126, 127, 146, 156, 164, 200, 204, 207, 208, 236, 268 National Public Road 117 National Road 167 National Security Advisor 34, 260 National Storytelling Festival 119, 129 Native American Graves Protection and Repatriation Act (NAGPRA) 91 Native Americans 5, 8, 15, 16, 18, 24, 28, 29, 31, 32, 39, 45, 46, 47, 48, 49, 55, 57, 58, 61, 67, 71, 72, 76, 81, 83, 84, 88, 89, 91, 97, 103, 104, 105, 109, 113, 116, 120, 121, 129, 135, 145, 148, 149, 150, 155, 156, 158, 159, 160, 161, 165, 176, 179, 180, 183, 184, 185, 186, 191, 203, 208, 213, 219, 220, 225, 226, 229, 231, 232, 233, 234, 235, 240, 241, 243, 244, 245, 246, 247, 250, 253, 256, 258, 265, 268, 274, 278, 280, 281 natural history 103 Natural Tunnel State Park 89 naturalism 15, 82, 165, 241 Negro American League 232 Negro Baseball League 180, 200 Negro History Week 76, 115 Negro Leagues 32, 122, 132, 189, 229, 234, 252, 257 New Deal 20, 121, 154 New Echota, Georgia 25 New England 86, 201 New Hampshire 179 New Jersey 39 New London, Tennessee 235 New Market, Virginia 17, 28 New Orleans 88, 156, 225, 231 New Oxford, Pennsylvania 144 New York 11, 39, 64, 82, 98, 132, 158, 159, 199, 202, 205, 249, 259, 263, 271, 278, 279 New York Giants 171, 172, 176 New York Jets 41, 197 New York Veteran Volunteers (140th) 27 New York Yankees 187, 202 Newbery (award) 8, 21, 43, 59, 64, 67, 111, 119, 144, 192, 212, 223, 224, 269, 270, 271 Newnan, Georgia 6 Nicaragua 173 Noah 170 Noah’s Ark 65 Nolichucky Jack 127, 236, 242, 243; see also Sevier, John Noll, Chuck 49 no-nonsense 91, 192 nonsense 9, 133 nonviolence 188 Norris, George W. 1887 North Carolina 11, 27, 29, 33, 39,

46, 51, 53, 56, 57, 62, 63, 64, 69, 72, 75, 90, 93, 98, 102, 109, 111, 112, 119, 123, 124, 125, 128, 152, 155, 158, 160, 165, 172, 179, 180, 188, 195, 197, 198, 202, 203, 223, 226, 228, 229, 237, 238, 242, 243, 247, 250, 256, 257, 261, 266, 269, 280 nostalgia 16, 29, 30, 37, 48, 69, 104, 107, 113, 117, 125, 126, 132, 158, 175, 182, 185, 199, 201, 203, 208, 222, 223, 224, 233, 238, 277 Notley River 175 Notre Dame University 144, 207 novelist 62, 126 numbskulls 139 Nun Yuna Wie 212 nurseries 105, 129 nursery rhymes 249 nurses 46, 80, 86, 137, 169, 266, 274 Oak Ridge, Tennessee 105, 205 Oakland Raiders 107 Oakwood College 26 obesity 133 Occupational Health and Safety Administration (OSHA) 104 Oconostota 148 Ohio 27, 30, 66, 71, 76, 77, 79, 89, 105, 110, 111, 117, 121, 123, 128, 131, 136, 156, 185, 188, 190, 191, 193, 213, 214, 240, 249, 279 Ohio River 72, 84, 153, 241, 259, 268, 274, 278 oil industry 61, 74, 84, 200, 226 oil paintings 97, 125, 135, 143, 208 Oklahoma 35, 40, 41, 42, 44, 67, 79, 121, 123, 147, 165, 226, 239, 268 Oklahoma Book Award 77 Oklahoma Indian Territory 135 Oklahoma Reservation 258 Old Christmas 53 Old Hickory 54 Olive Hill, Kentucky 110 Olympics 23, 93, 136, 183, 194, 198, 206, 212, 225, 241, 250, 252, 253, 264, 265 One-Hand Alphabet 203 one-room schoolhouse 49, 199, 228 opossum 46, 64, 77, 127, 142, 144, 165, 197, 213, 220 oral histories 26, 36, 38, 47, 79, 84, 95, 103, 121, 131, 165, 199, 212, 215, 216, 238, 273 Oregon 110 orphans 6, 24, 27, 38, 48, 68, 80, 89, 98, 109, 118, 144, 147, 159, 173, 174, 178, 184, 188, 191, 206, 217, 220, 234, 251 otters 147 Outer Banks 46 outlanders 136, 140 outmigration 112, 165, 210, 269 Overmountain Men 15, 16, 236, 243 Owens, Bill 151 Owens, Jesse 14, 93, 136, 178, 183, 194, 198, 206, 212, 225, 241, 250, 253, 265

owls 35, 73, 90, 98, 183, 185, 201, 217 Oyster Bay 60 pack-horse libraries 80 Paige, Satchel 14–15, 57, 128, 171, 178, 200, 220, 229, 234, 252 Palmer, Arnold 76, 197, 204 Palmer, Earl 55 Panama 58 pancakes 228 panthers 155 parables 21, 78 Paris, France 158, 218 Parker, Dave 40 Parks, Rosa 5, 6, 14, 30, 59, 70, 96, 200, 234 parody 257 parrots 206 parsons 20 Parton, Avie Lee 151 Parton, Dolly 130, 145, 151, 152, 201, 227 Parton, Robert Lee 151 patchwork 182 patois 230 Paul Bunyan 34, 45, 129 pearls 212 pedagogue 193 peddlers 142 Peel Chestnut Mountain, West Virginia 122 Penn State 193 Pennamites 59 Pennsylvania 8, 13, 17, 21, 22, 38, 39, 45, 59, 66, 67, 70, 71, 74, 76, 78, 83, 87, 92, 97, 121, 145, 146, 150, 151, 152, 156, 163, 177, 179, 181, 185, 189, 194, 200, 204, 205, 206, 211, 217, 225, 226, 229, 239, 255, 258, 263, 266 Perry, William “The Refrigerator” 107, 214–215 Perry County, Kentucky 214 Persephone 23, 58 persimmon beer 238 persimmons 142 pesticides 131, 208 pets 28, 45, 46, 48, 63, 73, 84, 149, 159, 162, 165, 170, 175, 181, 191, 192, 197, 222, 223, 237, 249, 251 Peyback Foundation 238 Philadelphia 76, 144, 179, 185, 186 Philadelphia Athletics 171 philanthropy 79, 136, 146, 235 Philippi, Virginia 281 physicians 103, 135, 191, 224; see also medicine pianos 221, 260 Pickens, General Andrew 35 picnics 77, 96, 128, 142 picture books 8, 9, 13, 14, 15, 16, 23, 26, 28, 29, 30, 31, 32, 33, 40, 42, 44, 53, 57, 60, 61, 62, 73, 75, 81, 87, 93, 96, 102, 109, 114–115, 118, 126, 127, 128, 132, 133, 134, 136, 138, 144, 145, 153, 154, 162, 163, 164, 167, 168, 169, 170, 177, 182, 196, 198, 201, 218, 220, 224, 228,

344 • Subject Index 230, 232, 237, 238, 240, 250, 259, 261, 262, 265, 276, 278, 281 pigeons 64 pigs 57, 63, 69, 123, 133, 138, 142, 170, 203, 249 Pike County, Kentucky 49 pilots 22, 125, 163, 174–175 Pinchot, Gifford 120, 188 Pine Ridge, Mississippi 250 pioneers 16, 18–19, 29, 32, 41, 45, 49, 61, 68, 84, 85, 86, 89, 99, 103, 113, 114, 121, 127, 128, 152, 167, 174, 180, 183, 185–186, 193, 199, 200, 201, 206, 213, 226, 227, 230, 239, 241, 242, 244, 247, 256, 259, 265, 271, 274 Pippi Longstocking 233 Piqua 247 pistols 180 Pittsburgh, Pennsylvania 6, 22, 35, 66, 69, 76, 82, 87, 92, 102–103, 136, 147, 153, 172, 177, 179, 181, 186, 194, 204, 205, 206, 219, 220, 223, 235, 237, 254, 255, 259, 281 Pittsburgh Crawfords 122, 177, 257 Pittsburgh flood (1936) 84 Pittsburgh Penguins 6, 55, 95, 107, 150, 182, 188, 248, 254 Pittsburgh Pirates 6, 33, 40, 41, 44, 58, 80, 98, 144, 150, 171, 172, 173, 175, 196, 197, 209, 218, 220, 225, 232, 248, 256, 262, 267 Pittsburgh Steelers 6, 29, 38, 72, 108, 115, 130, 153, 157, 184, 207, 212, 229, 248, 252 plane crashes 181 planting by the signs 271–272 play-party 137 Plum Nelly, Lookout Mountain, Tennessee 100 Poage, Elizabeth 155 poetry 9, 22–23, 29, 30, 47, 56, 64, 65, 70, 75, 90, 95, 96, 115, 118, 132, 143, 154, 164, 165, 169, 170, 198, 206, 208, 215, 224, 237, 251, 253, 254, 257, 264, 269, 275, 280 poison 167 Poland 21, 25, 70, 127, 204 polio 251 politics 17, 19, 20, 25, 26, 29, 40, 45, 49, 59, 67, 70, 74, 76, 80, 84, 86, 88, 91, 93, 96, 98, 103, 115, 121, 126, 130, 136, 144, 151, 186, 188, 201, 212, 215, 225, 230, 237, 245, 254, 257, 259, 261, 268, 271, 277, 279, 281 pollution 24, 98, 252 Pollyanna 182 ponies 46, 102 Pony Rider Boys 7, 201 Poor Folk, Kentucky 48 popular culture 72, 269, 270 Porter, Jane 18 Portugal 191 potatoes 91, 181 Potomac River 80, 81 potpourri 174 pottery 139 pounding 20

pourquoi tale 23, 34, 40, 65, 77, 106, 132, 219, 220, 258 poverty 44, 50, 65, 66, 82, 89, 93, 105, 109, 119, 121, 136, 140, 141, 154, 171, 181, 182, 183, 188, 192, 195, 196, 198, 201, 208, 209, 212, 215, 234, 240, 242, 255, 257, 266, 269, 273 Powell River Valley, Virginia 89 preachers 134, 138, 214, 253 pregnancy 119, 157 prehistory 212, 231, 239, 240 prejudice 25, 29, 32, 34, 36, 48, 50, 78, 79, 82, 111, 121, 131, 149, 151, 173, 181, 184, 189, 198, 202, 204, 210, 221, 242, 244, 247, 257, 262, 275, 279, 202, 204, 221, 242, 244, 247, 279 Presbyterian 210 Presley, Elvis 15, 68, 72, 112, 164, 165, 204, 205–206, 220 Prince George’s County, Maryland 105 prisons 186, 260, 247, 276 professors 223 Prohibition 210, 211 Prometheus 23 puberty 170 Public Broadcasting System (PBS) 81 Puerto Rico 33, 41, 76, 80, 92, 171, 173, 180, 196, 197, 221, 225, 262 pumpkins 99 puppies 45, 122, 168, 209 Puss-in-Boots 243 Pyle, Howard 18 Quakers 27, 116, 126, 242 Qualla, North Carolina 165, 258 quarries 208 Queens, New York 186 quilts 41, 44, 46, 123, 145, 161, 182, 187, 208, 213, 223, 246, 253, 275 rabbits 23, 62, 77, 110, 143, 146, 219, 229, 231 Rabun Gap, Georgia 212, 272 raccoons 46, 97, 138, 145, 181, 197, 206 race-track 228 racism 32, 59, 78, 112, 128, 135, 155, 164, 178, 189, 195, 198, 229, 252, 257, 265 Radcliffe College 68 Raglan, Clara 201 ragsales 26 railroad 31, 36, 71, 82, 106, 127, 144, 158, 162, 212, 229, 252 rain 101, 185, 245, 260, 275 Raleigh, North Carolina 217 rape 65, 271 Rapunzel 233 rats 171, 210, 251 rattlesnake 138 reading 163, 247 realism 21, 24, 26, 28, 34, 43, 46, 47, 50, 60, 65, 66, 72, 78, 90, 91, 95, 96, 105, 109, 110, 111, 114, 115, 118, 120, 122, 125, 139, 147, 155, 158, 168, 169, 170, 177, 174, 175,

180, 182, 183, 185, 187, 195, 207, 208, 210, 211, 222, 224, 229, 231, 244, 245, 246, 248, 249, 251, 252, 257, 266, 267, 270, 279, 280 realistic fiction 8, 222 rebus 206 recipes 15, 185, 186, 199, 204, 206, 220, 237, 253, 258, 272 Reconstruction 86, 111, 126, 232 red-spotted newt 102 redbird 58, 64, 77, 217 Redcoats 180 reenactment 17, 34, 169 religion 40, 56, 70, 80, 95, 110, 164, 174, 194, 200, 204, 211, 214, 223, 230, 240, 248, 253, 255, 265 remedies 34, 201, 268 reporters 76, 79 reptiles 102 Repubic of Texas 261 Retton, Mary Lou 166–167, 234, 252, 264 revenuer 210, 266 revival 223, 253 revolutionary war 27, 32, 52, 59, 70, 82, 83, 89, 92, 116, 179, 183, 231, 236, 240, 241, 250 Rhode Island 256 rhymes 62, 90, 96, 117, 124, 137, 141, 181, 182, 199, 204, 249, 261 Rice, Condoleezza 6, 25, 34, 66, 73, 189–190, 221, 260 Richie, Lionel 150 riddles 129, 137, 141, 182, 199, 206, 215, 237, 249 rifles 177, 181, 272 Roan Mountain, Tennessee 153 Robards, Lewis 20 Robards, Rachel 201; see also Jackson, Rachel Donelson Robards robbery 192 Robert F. Kennedy Book Award 255 Robin Hood 64 rock and roll 68, 72 Rock City, Lookout Mountain, Tennessee 100 Rogers, Fred McFeely 240 romance 8, 22, 29, 48, 49, 60, 80, 85, 107, 125, 133, 157, 158, 165, 167, 190, 192, 213, 226, 233, 234 Rome, Italy 158 Ronstadt, Linda 152 Roosevelt, Eleanor 109, 119, 121, 154 Roosevelt, Franklin D. 188 Roosevelt, Theodore 20–21, 30, 50, 73, 120, 188 Ross, John 55, 113, 150, 166, 258 Rowan County, Kentucky 255 ruby mine 159 Rumsey, James 61 Russia 70, 157 rusty 249 Ruth, George Herman Jr. “Babe” 187, 202 Sac Indians 89 salamanders 74, 124 salt mines 179 San Francisco 165, 279

Subject Index • 345 San Francisco Forty-Niners 207 Sand Cave, Kentucky 207 Sandburg, Carl 174 Sanguillen, Manny 58 Sansom, Emma 219 Santa Anna 75, 186 Santa Train 224 sassafras 147 satire 114, 197 sawmills 139, 207, 208, 272–273 scalping 155 scarecrosw 142, 156 scat 146 school 48, 49, 136, 137, 138, 139, 140, 141, 158, 161, 162, 167, 174, 191, 195, 198, 204, 209, 236, 237, 246, 266 Scopes, John T. 64, 197, 232, 258 Scopes Monkey Trial 64, 84, 104, 112, 148, 232 Scotland 7, 11, 70, 66, 116, 136, 144, 154, 215, 228, 235, 241, 253, 255, 257, 280 Scottish Highland Games Festival 109 Scowcroft, Brent 260 sculptures 177 sea monkeys 263 Seaman, Elizabeth Cochrane 54; see also Bly, Nellie seasons 23, 39, 41, 104, 112, 135, 168, 222, 260, 279 secession 26 Second Manassas, battle of 18 Secretary of War 72, 250 Seeger, Pete 214 segregation 20, 32, 73, 114, 135, 180, 183, 184, 186, 234, 248, 260, 270 Selu (the Corn Maiden) 35, 203 Seneca Indians 97, 185 sensationalizing 271 sentiment 22, 24, 37, 41, 45, 47, 48, 62, 99, 104, 119, 125, 126, 132, 159, 170, 173, 181, 195, 201, 209, 210, 222, 224, 234, 238, 251, 266, 271 Sequatchie Valley 99 Sequoyah 23, 26, 34, 44, 54, 58, 67, 72, 83, 97–98, 135–136, 149, 150, 173, 197, 202, 207, 218, 219, 221, 227, 235, 239, 245, 256, 258, 268 Seurat, Georges 133 Sevier, John “Nolichucky Jack” 82, 108, 127, 236, 242, 243, 274; see also Nolichucky Jack Sewanee 122 sexism 50, 176, 230 Shackleford Banks 46 Shaker hymn 135 shape shifters 280 shaped notes 95 sharecropper 21, 25 Sharp, Cecil 154 Sharpsburg 80; see also Antietam Shawnee 5, 18, 27, 31, 39, 61, 67, 74, 78, 79, 83, 84, 89, 105, 129, 147, 154, 176, 179, 206, 213, 228, 229, 240, 244, 245, 247, 264, 265, 268, 279, 281 Sheats, Chris 26

sheep 248 Shelby, Kentucky 224 Shelter 31, 52, 118, 134, 185, 244 Shenandoah National Park 68, 70, 86, 208, 211 Shiloh, battle of 17 short stories 44, 95, 109, 137, 186, 189, 251 Shorter, Al 132 Shreveport, Louisiana 220 sickness 139, 201 Sierra Club 23 sight, gift of 143 sign language 150, 171 sin eater 269 singing 53, 172, 184, 214, 221 Sioux 130 Six Mile, South Carolina 194 Sixteenth Street Baptist Church 70, 265 skating 45, 207 skunks 29, 46, 133, 146 slang 66 slavery 25, 52, 64, 65, 67, 72, 86, 88, 103, 111, 124, 128, 146, 163, 164, 179, 183, 200, 201, 213, 245, 246, 257, 259, 264 Sloop, Mary Martin 62 Slovaks 70 slums 194 smallpox 217 Smith, Bessie 172, 184, 240 Smith, Jimmy Neal 129 Smith, Lee 10 Smithsonian Institution 81 snakes 43, 58, 65, 95, 102, 114, 143, 223, 251, 264, 272 Sneedville, Tennessee 191 snipe hunt 106 snow 87, 109, 162, 260 Snow White 233 soap making 19 social engineering 121 social history 23, 26, 34, 127 society 54, 62, 115 soda jerk 224 sody sallyratus 60, 237 soldiers 16, 19, 27, 28, 31, 35, 45, 67, 82, 83, 93, 96, 116, 120, 125, 126, 136, 143, 186, 204, 206, 246, 264, 274, 281 songbows 272 songcatcher 140, 141 songs 13, 16, 30, 33, 35, 36, 44, 45, 52–53, 55, 57, 65, 70, 77, 81, 85, 87, 92, 94, 96, 109, 110, 123–124, 126, 131, 137, 138, 141, 142, 148, 150, 152, 153, 154, 172, 175, 181, 182, 184, 186, 197, 199, 200, 201, 203, 206, 214, 215, 216, 217, 226, 228, 229, 253, 255, 261, 281 South Carolina 27, 32, 57, 60, 63, 64, 98, 115, 136, 144, 181, 194, 195, 253 South Fork Dam 74, 102, 245 Southern Baptist 13 Southern Christian Leadership Conference 83 Southern Handicrafts Guild 123

Southern Highlands 63 Southwest Territory 37, 93 Spain 40, 89, 265 Spangler Reilly Mine Explosion 280 Spanish American War 203 Sparrow, Harry 247 Spartanburg, South Carolina 154 speech 44, 47, 48, 50, 51, 55, 59, 61, 97, 119, 128, 134, 221, 124, 138, 140, 141, 142, 147, 151, 171, 189, 199, 201, 221, 243, 269, 270 spelling bee 191 spells 122, 165, 191, 198, 201, 280 spelunkers 207 spiders 184 spinning 19, 272 spirit 14, 17, 20, 25, 29, 33, 49, 50, 58, 65, 77, 82, 85, 96, 105, 109, 119, 125, 130, 131, 134, 138, 156, 159, 162, 165, 175, 179, 183, 187, 196, 207, 217, 220, 229, 241, 250, 257, 264, 268, 270, 273, 279 spiriters 66 spirits 21, 241, 246 Spotswood, Governor Alexander 57 spring 41, 43, 50, 73, 123, 126, 128, 159, 161, 169, 224, 245, 247, 268, 272 Springdale, Pennsylvania 86, 152 Springer Mountain 37, 113 Springfield, Massachusetts 121 Spruce Pine, North Carolina 125, 126 square dance 100, 112 squirrels 54, 78, 90, 127, 138, 185, 237 stamps 102 standard English 192, 209 Stanford University 221 Stargell, Willie 232 Starkville, Mississippi 177 stars 72, 129, 188, 238, 279 steam drills 232 steam engines 94 steel 232, 233, 236, 238 steel worker 22, 194, 236 Stephens Branch, Kentucky 104 stereotypes 9, 41, 47, 49, 55, 61, 64, 65, 71, 75, 80, 94, 95, 99, 101, 102, 104, 112, 114, 116, 144, 145, 147, 166, 176, 182, 187, 191, 193, 201, 230, 231, 238, 240, 244, 247, 266 Stewart, Kordell 248 stickball 77 Stokes County, North Carolina 62 stores 47, 52, 63, 83, 124, 126, 143, 195, 211, 221, 223, 226, 233, 237, 251, 255, 259, 273 storytelling 21, 40, 53, 69, 92, 109, 114, 119, 123, 128, 130, 133, 143, 153, 170, 185, 219, 220, 226, 228, 233, 238, 249, 261, 279 strikes 187, 204, 209, 271 strip mining 31, 49, 56, 85, 111, 145, 196, 234, 246 Sullivan, Anne “Annie” 13, 30, 68, 75, 128, 145, 182, 225, 227, 237, 262, 267, 273, 281 Sullivan County, Tennessee 205

346 • Subject Index summer 17, 26, 28, 29, 30, 48, 60, 63, 81, 90, 91, 98, 99, 100, 103, 106, 108, 109, 112, 118, 128, 135, 137, 143, 148, 152, 159, 161, 166, 174, 175, 183, 185, 188, 191, 198, 209, 210, 211, 221, 222, 231, 236, 237, 247, 249, 251, 256, 262, 263, 269, 270, 272, 277 Summitt, Pat 122 Super Bowl 144, 157 Super Bowl III 130 Super Bowl IX 38, 184 Super Bowl X 29, 207 Super Bowl XX 215 supernatural 147, 185, 189 supersonic 254 superstition 32, 92, 109, 138, 201, 235 Suriname 260 surrealism 111 survival 18, 95, 111, 167, 233, 236, 247, 259, 275, 278 Swain County, North Carolina 158, 161 swamps 27, 52, 129, 145 Sweden 115 Sweet Valley Twins 253 Swiss Alps 136 Sycamore Shoals 236, 243 syllabary 54, 149, 150, 203, 235, 245, 256, 258 talismans 128 tall tales 9, 14, 24, 32, 33, 34, 39, 43, 45, 49, 54, 58, 63, 71, 72, 73, 79, 91, 97, 114, 129, 131, 134, 138, 144, 145, 146, 162, 171, 185, 203, 216, 228, 232, 241, 242, 243 Talladega, Alabama 228 Talladega Superspeedway 81, 228 Tampa Bay 227 tanning 243, 268, 272 tar babies 23, 219, 229 tar wolves 229 Tarbell, Ida M. 61, 84, 200, 239 Tarzan 191 Taylor County, West Virginia 233 teachers 13, 23, 28, 29, 30, 42, 49, 62, 66, 68, 87, 101, 125, 126, 128, 141, 145, 149, 161, 162, 174, 180, 186, 192, 193, 209, 210, 226, 227, 230, 236, 237, 249, 259, 260, 267, 269, 273, 279 Tecumseh 5, 15, 16, 32, 59, 61, 67, 78, 83, 105, 129, 147, 150, 174, 176, 179, 213, 229, 234, 245, 247, 256 teeth 46 telepathy 147 Temple (Black), Shirley 160 tenant farmers 208 Tennessee 11, 13, 18, 22, 30, 38, 41, 45, 46, 47, 48, 50, 51, 56, 72, 73, 76, 80, 85, 90, 92, 93, 94, 96, 98, 112, 118, 121, 122, 123, 126, 129, 130, 131, 134, 135, 136, 137, 138, 139, 140, 142, 143, 145, 148, 149, 151, 157, 158, 172, 174, 181, 182, 188, 191, 197, 198, 200, 201, 203, 208, 212, 220, 229, 230, 235, 237,

239, 241, 242, 243, 244, 250, 253, 257, 261, 265, 266, 269, 274, 280, 281 Tennessee River 90, 127, 241, 267 Tennessee Supreme Court 61 Tennessee Valley Authority (TVA) 59, 157, 175, 188, 257, 258 terrapins 229 terror 19, 50, 62, 162 terrorism 135, 235 Texas 75, 88, 93, 97, 134, 186, 196, 200, 220, 261 textile workers 22 Thanksgiving 140, 159, 190, 197, 224 theaters 256 theft 185, 246 theme parks 229 Thomas, Florence 255 Tiger Creek, Tennessee 153 timber 80, 125, 150, 154, 196, 235, 236 time shifts 66, 67, 107, 108, 147, 169 Titusville, Pennsylvania 74 toads 56, 90, 261 tobacco 274 Tom Sawyer 217 tomboys 99, 154 Tony Beaver 45, 58 Tories 52 Toronto, Canada 22 Tourette’s Syndrome 221 tourism 46, 60, 83, 100, 156, 237 toxic waste 188 toys 50, 123, 124, 199, 260, 272, 273 track and field 93, 136, 212, 225 tractors 148, 251 tragedies 13, 25, 41, 50, 72, 102, 127, 149, 213, 262, 273, 274, 277 Trail of Tears 8, 25, 26, 34, 39, 40, 41, 44, 45, 55, 60, 62, 67, 79, 82, 83, 86, 87, 96, 121, 123, 135, 147, 149, 150, 165, 219, 239, 247, 258, 268 trailer park 94 trailers 43, 94, 119, 175, 187, 192, 194, 195, 226, 262, 269 trains 52, 78, 94, 131, 158, 160, 170, 198, 224, 237 Transylvania County, North Carolina 158 trapping 45, 230, 246, 259, 268, 281 treasures 52, 73, 111, 131, 159, 161, 233 trees 168 tricksters 26, 78, 106, 109, 110, 133, 134, 219, 229, 233, 244, 249 trolls 115 Troublesome Creek, Kentucky 249 trucks 37, 104 Tsali 245 Tug River 268 Tupelo, Mississippi 19, 20, 68, 112, 204, 220 turkeys 246 turnip patch 143 turtles 199, 219 Tuscaloosa, Alabama 23, 186, 279 Tuskalusa (Choctaw chief ) 23

Tuskegee, Alabama 97, 179, 202 Tuskegee Normal and Industrial Institute 76, 193, 237, 254 Tutwiler, Julia 43, 186 Tweetsie Railroad 158, 229 Twelfth Night 53 Tygart Lake, West Virginia 233 Tygart River Bridge 281 Tygarts Creek, Kentucky 110 typhoid 235 Ulysses 215 Unaka Mountains 16 Uncle Philip’s Conversations 115 Underground Railroad 27, 72, 111, 124, 180, 250 Unicoi County, Tennessee 15, 16 Union 14, 16, 26, 27, 28, 80, 86, 117, 136, 144, 146, 165, 213, 256 union organizer 209, 246 Unitas, Johnny 105 U.S. Air Force 175 U.S. Army 109, 203 U.S. Congress 220 U.S. Forest Service 23 U.S. House of Representatives 203 U.S. Navy 155 U.S. Secretary of State 65, 260 U.S. Supreme Court 62, 186 University of Alabama 70, 231, 238 University of Kentucky Special Collections 264 University of Pittsburgh 263 University of Tennessee 6, 88, 95, 121, 193, 227, 248 University of West Virginia 39 Ursa Major 129 utopian society 147 Valle Crucis, North Carolina 83, 226 vampires 231 Vance, Dazzy 187 Vanderbilts 174 Vann, Joseph 267 Van Swearingen, Marmaduke 240 Vardy, Tennessee 191 Venus 240 Vermillion Independents 123 Vermont Volunteers (2nd) 23 vernacular 33, 45, 97, 126, 162, 171, 261 Vernon, Alabama 113 veterinarians 237 Vietnam 8, 165, 279 Vincennes, Indiana 236 violence 48, 118, 129, 135, 147, 178, 212, 218, 235, 244, 265, 269, 279 virgin forest 259 Virginia 13, 21, 31, 36, 38, 45, 53, 57, 59, 61, 65, 74, 76, 78, 86, 89, 99, 110, 112, 117, 118, 130, 143, 155, 157, 188, 201, 203, 207, 208, 209, 211, 216, 220, 222, 224, 227, 228, 230, 240, 243, 244, 269, 270, 274, 281 Virginia Military Institute 17, 28 Virginia Order of the Heroes of America 121

Subject Index • 347 Virginia Polytechnic Institute and State University 175 Virginia State Trooper 110 Virginia Tech 267 Volunteers in Service to America (VISTA) 65 voting rights 135 Wagner, Honus 107, 144 Wagoner, Porter 151 wagons 115, 140, 159, 179, 191, 208, 272 Walker, Thomas 243 Walker’s Gap, Kentucky 268 Wallace, George 279 Wallace, Lurleen B. 279 Wallen, Elisha 243 Walt Disney Productions 112 Waltons (television series family) 112 War of 1812 79, 88, 156, 165, 176, 235 War on Poverty 65 Ward, Sir Francis 148 Ward, Lady Lucy 148–149 Ward, Nancy “Wild Rose of Cherokee” 14, 15, 82, 89, 127, 148–149 warfare 17, 155, 236 Warhol, Andy 35, 85, 107, 220, 263 Warner, Glenn “Pop” Scobey 263 Washington, Booker T. 6, 18, 35, 37, 38, 61, 75–76, 88, 97, 98, 178, 179, 193, 202, 215, 228, 229, 230, 246, 253, 254, 257, 264 Washington, George 88, 148, 176, 179, 250 Washington and Lee University 14 Washington City 227 Washington County, Pennsylvania 88 Washington County, Tennessee 256 Washington, D.C. 202, 211, 231, 232, 254 Washington, Kentucky 274 Washington Mystics 248 Waskowitz, John 194 Watauga Association 73 Watauga County, North Carolina 10, 78 Watauga Dam 157 Watauga Territory 243 water snakes 220 watermelon pickles 195–196 Watson, Arthel Lane “Doc” 10 Waynesville, North Carolina 250 weather 28, 57, 103, 163, 176, 226, 251, 260

weaving 80, 120, 136, 139, 272 Webster Springs, West Virginia 191 wedding 24, 83, 94, 95, 197, 255, 258 Weiss, Alta 10, 123 Wells, Ida B. (Barnett) 6, 68–69, 86–87, 87, 88, 116, 149, 164, 178, 180, 184, 193, 259 Welsh 70, 255 West, Jerry 70, 207, 267 West, Mae 197 West Field, New York 69 West Indian 205 West Point 14, 17, 203, 205, 268 West Virginia 13, 21, 23, 29, 30, 31, 36, 39, 43, 44, 45, 58, 61, 63, 64, 65, 66, 67, 71, 72, 73, 75, 76, 81, 82, 84, 86, 87, 107, 108, 111, 112, 115, 116, 117, 119, 121, 122, 123, 131, 136, 143, 145, 148, 153, 154, 156, 158, 162, 164, 165, 166, 167, 174, 182, 183, 185, 188, 189, 190, 191, 192, 194, 195–196, 196, 201, 203, 204, 207, 209, 211, 212, 213, 221, 224, 231, 232, 234, 235, 238, 239, 240, 243, 245, 246, 248, 255, 260, 261, 265, 267, 270, 279, 281 West Virginia University 92, 267 Westfield, Alabama 252 Wetzel, Lewis 17, 61, 116 Wheeler, Joseph 203 Wheeling, West Virginia 116 Whigs 52 whippoorwill 98 Whiskey Rebellion 81, 229 White, Reggie 107 White House 200, 206 white-tailed deer 127, 146, 176 White Top mountains 59 white trash 122 Whitehead, James “Tiger” 153 Whitesburg Elementary School, Whitesburg, Kentucky 23 Whitestone, Heather 26 Whitmore, Tamika 19 whittles 239, 253 wigwams 149 wild plant foods 272 wild turkeys 64, 146 Wild West shows 28 wildcrafting 57 Wilderness Road 70, 89, 118, 155, 162, 163, 226, 242–243, 281 Wilderness Trail 244 wildflowers 26, 44, 74, 135 wildlife 26, 91, 100, 153

Wiley, Jennie 268 Williamsburg, Virginia 57, 244 Williamsport, Maryland 81 Winchester, Virginia 144 wine 238 Winston 500 81 winter 17, 41, 49, 50, 51, 74, 91, 97, 98, 114, 123, 127, 140, 162, 176, 207, 208, 224, 244, 259 Wisconsin 145 witches 92, 108, 122, 128, 147, 198, 221, 230, 246, 280 wizards 280 Wolf Laurel, North Carolina 15 Wolfe, Thomas 62, 107, 174 Wolfpen Creek, Kentucky 249 wolves 23, 69, 77, 155, 219 Women’s National Basketball Association (WNBA) 19 wood-burning stove 199 wood carving 193 Woodson, Carter G. 35, 76, 115, 178, 228 Works Progress Administration (WPA) 20, 84 World Series (1903) 44 World Series (1905) 171 World Series (1909) 107 World Series (1919) 108 World War I 126, 135, 236, 265 World War II 10, 21, 36, 52, 118, 124, 131, 175, 223, 250 World’s Fair (1982) 174 Wynadotte 247 Wyoming Valley 59 Yadkin Valley 148 Yancey, William Lowndes 26 Yankee Doodle 215 Yankee Stadium 180 yankees 57, 125, 143 yard sales 190 Yeager, Chuck 22, 113, 163, 174, 245, 254 The Year of Appalachia (2004) 81 yellow fever 150 Yonaguska (Cherokee Chief ) 250 York, Alvin C. 19, 265 yule log 202 Yunwi Tsunsdi 165 Zane, Elizabeth “Betsy” 76, 116 zodiac 272 zoology 131 zoos 166

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