Creative Junctions - National Museum of China

首届北京国际设计三年展 2011

中国国家博物馆

First Beijing International Design Triennial 2011

National Museum of China

First Beijing International Design Triennial 2011 ren: GooD DesIGn national Museum of China sep. 28, 2011 - oct. 17, 2011

Gilda Bojardi Yang Dongjiang Curators

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0 2 D E S I G N E R < > C O O R D I N AT I O N

首届北京国际设计三年展 2011 仁：设计的善意 中国国家博物馆 2011年9月28日-10月17日

吉达·博亚迪 杨冬江 策展人

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Beijing International Design Triennial 2011 CREATIVE JUNCTIONS NATIONAl MUSEUM Of ChINA 28 September - 17 October 2011 Curators Gilda Bojardi Editor Interni and GCasa Yang Dongjiang Professor of Academy of Arts & Design, Tsinghua University

Editor Gilda Bojardi Art direction Christoph Radl Central Editor-in-chief Simonetta Fiorio Texts and photos Matteo Vercelloni

Project Coordinator Michelangelo Giombini Steering Committee Andrea Branzi with Lorenza Branzi Christoph Radl Matteo Vercelloni Rudi von Wedel Exhibition Design Christoph Radl, Art Director Matteo Vercelloni, Architect Guan Yunjia, Architect

Editorial Staff Cristina Monica Francesco Massoni Cristina Bonini Claudia Foresti Cecilia Giolli Publisher Daniela Sola Promotion Adriana Aureli

Product and image research Cristina Bonini Claudia Foresti Cristina Monica

Graphics and Layout Maura Soliman Simone Castagnini

General Organization Li Shiwen Zhou Yanyang Li Minmin Ma Sai Qiao Zhonglin Liu Yi

Secretariat Alessandra Fossati (Firms Directory) Adalisa Uboldi Azzurra Tornioli Chinese Staff Wang Peng Xie Xin

Transportation Coordinator Meng Fanshun

Proofreader Chen Anying

Video design The Fake Factory Special Thanks Tang Di, Istituto italiano di cultura in China Video Courtesy Massimiliano Adami, Ron Arad, Artemide, Axor, B&B Italia, Baccarat, Dror Benshetrit, Samantha Birt, Kitty Bolhoefer, Fernardo and Humberto Campana, Cappellini, Cassina, Ceramica Bardelli, Ceramics of Italy, Carlo Colombo, Coolhunting.com, Core77.com, Danese, Dedon, Driade, Edizioni Corraini, Edra, Elica, Emeco, Fabrica, Flos, Foscarini, Front, Stefano Giovannoni, Konstantin Grcic, InteractionDesignLab, INTERNI, Massimo Iosa Ghini, Kartell, James Bort Factory, La Triennale di Milano - Design Museum, Lea Ceramiche, Leonardo - Case & Stili, Javier Mariscal, Ingo Maurer, Mario Nanni, Luca Nichetto, Metamorphosi , Molteni, Moroso, Museo Alessi, Nanimarquina, Pastoe, Andrea Piccardo, Pirelli RE, Anna Pitscheider, Poltrona Frau, Sawaya & Moroni, Targetti, Trendease.tv, Patricia Urquiola, Theavantgardediaries.com, Venini, VideoTank, Vitra International, Vernissage.tv, Marcel Wanders, Yoox.com, Zanotta

Translations Transiting.eu / Steve Piccolo Chen Anying - Li Shiwen - Zhou Yanyang Qiao Xingye - Lian Xiaona Printed in China © Copyright 2011 ARNOLDO MONDADORI EDITORE 20090 Segrate - Milano INTERNI The magazine of interiors and contemporary design via D. Trentacoste 7 - 20134 Milano Ph. +39 02 215631 Fax +39 02 26410847 [email protected] BEIjING INTERNATIONAL DESIGN TRIENNIAL B341, Academy of Arts & Design, Tsinghua University, Haidian District, Beijing, P.R. China 100084 Ph. +86 10 62786998 Fax +86 10 62797681 [email protected]

Sponsor

C R E A T I V E

CATAlOGUE

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北京国际设计三年展2011 创意联结 中国国家博物馆 2011年9月28日-10月17日

工作人员名单

策展人 吉达·博亚迪 《INTERNI》杂志及《GCASA》杂志主编 杨冬江 清华大学美术学院教授

艺术总监 Christoph Radl

项目协调人 Michelangelo Giombini

文本照片提供 Matteo Vercelloni

指导委员会 Andrea Branzi 由 Lorenza Branzi Christoph Radl Matteo Vercelloni Rudi von Wedel

编辑人员 Cristina Monica Francesco Massoni Cristina Bonini Claudia Foresti Cecilia Giolli

展览策划 艺术总监 Christoph Radl 设计师 Matteo Vercelloni 设计师 管沄嘉 产品和形象研究 Cristina Bonini Claudia Foresti Cristina Monica 项目管理 李诗雯 周艳阳 李敏敏 马赛 乔忠林 刘一

主编 Gilda Bojardi

总编 Simonetta Fiorio

出版商 Daniela Sola 宣传推广 Adriana Aureli 平面设计 Maura Soliman Simone Castagnini 秘书 Alessandra Fossati 地址 Adalisa Uboldi Azzurra Tornioli

交通协调 孟凡顺

中方工作人员 王鹏 谢欣

视频策划 The Fake Factory

校对 陈岸瑛

特别感谢 意大利驻华文化处 汤荻

翻译 Transiting.eu / Steve Piccolo 陈岸瑛，李诗雯，周艳阳 乔兴业，廉晓娜

视频鸣谢 Massimiliano Adami, Ron Arad, Artemide, Axor, B&B Italia, Baccarat, Dror Benshetrit, Samantha Birt, Kitty Bolhoefer, Fernardo and Humberto Campana, Cappellini, Cassina, Ceramica Bardelli, Ceramics of Italy, Carlo Colombo, Coolhunting.com, Core77.com, Danese, Dedon, Driade, Edizioni Corraini, Edra, Elica, Emeco, Fabrica, Flos, Foscarini, Front, Stefano Giovannoni, Konstantin Grcic, InteractionDesignLab, INTERNI, Massimo Iosa Ghini, Kartell, James Bort Factory, La Triennale di Milano - Design Museum, Lea Ceramiche, Leonardo - Case & Stili, Javier Mariscal, Ingo Maurer, Mario Nanni, Luca Nichetto, Metamorphosi , Molteni, Moroso, Museo Alessi, Nanimarquina, Pastoe, Andrea Piccardo, Pirelli RE, Anna Pitscheider, Poltrona Frau, Sawaya & Moroni, Targetti, Trendease.tv, Patricia Urquiola, Theavantgardediaries.com, Venini, VideoTank, Vitra International, Vernissage.tv, Marcel Wanders, Yoox.com, Zanotta 赞助商

中国印刷 © 版权2011 蒙达多里出版社 20090米兰，赛古拉特 《INTERNI》杂志 室内当代设计杂志 米兰省特伦塔科斯特区 7 - 20134 电话：+39 02 215631 传真：+39 02 26410847 电子邮箱：[email protected] 北京国际设计三年展 中国 北京市海淀区 清华大学美术学院 B341室 100084 电话：+86 10 62786998 传真：+86 10 62797681 电子邮箱：[email protected]

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Summary 8

C R E A T I V E

The First Beijing International Design Triennial 2011 REN: GOOD DESIGN

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The Idea of Quality in Life and Design text by Attilio Massimo Iannucci, Italian Ambassador in China

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Transformations of Economy, Society and Culture in Today’s China text by Barbara Alighiero, Director Istituto italiano di cultura in China

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Design Writes a New Historical Chapter for the Museum text by Chen Lvsheng, Deputy Director of National Museum of China

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Tsinghua University, Academy of Arts & Design Committed to Cultural Heritage and Innovation text by Zheng Shuyang, Dean of Academy of Arts & Design, Tsinghua University

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Tsinghua University Campus Buildings by Mario Botta and Mario Cucinella text by Matteo Vercelloni

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China is inside us text by Andrea Branzi, Professor Politecnico di Milano, History of Design Critic

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The Exhibition Concept Curators Gilda Bojardi, Editor Interni and GCasa Yang Dongjiang, Professor of Academy of Arts & Design, Tsinghua University

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Project of the Exhibition Christoph Radl, Art Director, Matteo Vercelloni, Architect and Guan Yunjia, Architect

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Arcimboldo project by Martí Guixé

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Vertical Homes project by Andrea Branzi

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Exhibit Installations

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150 Designers

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700 Exhibits

72 100 112 134 146

Junction Junction Junction Junction Junction

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Advertising

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Designers and Authors Biographical Notes text by Francesco Massoni and Cristina Monica

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Firms Directory

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01: 02: 03: 04: 05:

Creativity < > Know-How Designer < > Coordination Tradition < > Technology Generations < > Sensibilities Orient < > Occident

目录 首届北京国际设计三年展2011 仁：设计的善意

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高品质诉求的设计与生活

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Attilio Massimo Iannucci,意大利驻华大使 今日中国的经济、社会、文化巨变

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Barbara Alighiero,意大利驻中国大使馆文化处参赞 设计为博物馆书写历史的新篇章 陈履生,中国国家博物馆副馆长

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清华大学美术学院 致力文化传承创新 郑曙旸,清华大学美术学院 院长／教授

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清华大学校园建筑 马里奥·博塔和马利奥·古奇内拉的设计

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Matteo Vercelloni 中国与我们同在

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Andrea Branzi,米兰理工大学设计史/设计批评教授 展览概念 策展人

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Gilda Bojardi,INTERNI / GCASA 主编

杨冬江,清华大学美术学院教授 展陈设计

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艺术指导：Christoph Radl,设计师：Matteo Vercelloni,管沄嘉 阿尔钦博托 设计：Martí Guixé

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垂直的家 设计：Andrea Branzi 展览装置

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150位设计师

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700件展品

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联结01：创意 < > 技艺

联结05：东方 < > 西方

71 72 100 112 134 146

广告

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设计师和作者简历

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联结02：设计师 < > 协作 联结03：传统 < > 科技 联结04：代际 < > 感受力

编辑整理：Francesco Massoni and Cristina Monica 地址

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首届北京国际设计三年展 2011

The First Beijing International Design Triennial 2011 Hosted by Ministry of Culture of the People’s Republic of China Ministry of Education of the People’s Republic of China China Federation of Literary and Art Circles People’s Government of Beijing Municipality

主办单位_

Organized by Tsinghua University Beijing Gehua Cultural Development Group Beijing Industrial Design Center

承办单位_

Exhibition Period Sept. 28, 2011 - Oct. 17, 2011

展览时间_

Exhibition Venue National Museum of China

展览地点_

中华人民共和国文化部 中华人民共和国教育部 中国文学艺术界联合会 北京市人民政府

清华大学 北京歌华文化发展集团 北京工业设计促进中心

2011年9月28日－10月17日

中国国家博物馆

REN: GOOD DESIGN 仁：设计的善意 Theme of Exhibition “Ren” is one of the most important concepts in Chinese tradition, which could also perfectly convey the spirit of “Good Design”. “Ren” means caring for others, caring for people. Good, outstanding designs also benefit people, reflecting the positive impact of design.

展览主题_ “仁”是中国传统文化中最重要的概念之一，同时体现出“好设 计”（Good Design）最完美的精神主旨。“仁”意味着对人的关 爱。好的设计在使人受益的同时也关照着仁爱精神。

The First Beijing International Design Triennial, with “Ren: Good Design” as the general theme, collectively presents the excellent design achievements acquired by contemporary human beings, to help Chinese people gain a better understanding of the value of design. Design concerns human life and social development. Good design can have a profound meaning to change the situation of China and the whole human society, improving quality of life.

以“仁：设计的善意”为主题的首届北京国际设计三年展，集中

Sub-themes of Exhibition 1 CREATIVE JUNCTIONS 2 RETHINKING BAMBOO 3 REASON DESIGN EMOTION 4 GOOD GUYS 5 WHAT IF

展览分主题_

展示当代人类所取得的优秀设计成果，以帮助中国公众更好地理 解设计的价值，体现设计改善人类社会境遇、提升生活品质、带 来和谐美好新境界的深远意义。

1、创意联结 2、知“竹” 3、理智设计情感 4、混合现实 5、可能的世界

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REN: GOOD DESIGN The First Beijing International Design Triennial

Background of Exhibition The First Beijing International Design Triennial is co-hosted by the Ministry of Culture of the People’s Republic of China, Ministry of Education of the People’s Republic of China, China Federation of Literary and Art Circles and the People’s Government of Beijing Municipality, and co-organized by Tsinghua University, Beijing Gehua Cultural Development Group and Beijing Industrial Design Center. The Exhibition aims to present a comprehensive overview of design of the greatest academic value, potential influence and highest quality. The Triennial is a new and important platform for global designers to present and publicize their innovative achievements. The Beijing International Design Triennial takes the prevailing international “triennial” mode as its basic operation mode. The First Beijing International Design Triennial is an important milestone, not only for China, but also for oriental design development. With the cycle of three years, it collects excellent international design works and opens dialogues on the themes of design and development of human society. The Exhibition features the participation of the world’s most outstanding designers from different countries, whose excellent design products are the main works on display. The number of participating designers is about 500, with over 2000 items exhibited.

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仁：设计的善意 首届北京国际设计三年展

展览背景_ 首届北京国际设计三年展（Beijing International Design Triennial, BIDT）由中华人民共和国文化 部、中华人民共和国教育部、中国文学艺术界联合会和北京市人民政府共同主办，由清华大学、北 京歌华文化发展集团和北京工业设计促进中心共同承办。 北京国际设计三年展采取国际通行的三年展模式，以三年为周期，邀请全球顶尖设计师和优秀设计 作品参展，致力成为目前国际上最具学术价值、最具前瞻影响、最具高端地位的综合性设计大展， 通过践行创新的理念，构建全球设计师展示创新成果的又一引人瞩目的平台。 首届北京国际设计三年展不仅是中国，而且是东方设计发展的一个重要里程碑。该展览以各国一流 设计师为参展主体，以代表性的设计产品为主要展示对象，集中展示当代人类所取得的优秀设计成 果，以帮助中国公众更好地理解设计的价值，体现设计改善人类社会境遇、提升生活品质、带来和 谐美好新境界的深远意义。参加本次展览的设计师约500位，展品超过2000件。

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The Idea of Quality in Life and Design Attilio Massimo Iannucci Italian Ambassador to China

Quality of life is an expression that becomes widespread when we develop the habit of examining everyday furnishings not only in terms of their functional performance, but also for other, added values: research on materials, fine workmanship, technological content, choice of style. Quality of life is a concept a society makes its own, as a sort of vehicle and indicator of its own social development. Quality of life also means design, as a process of creation and production that transforms the desire for beauty, fine craftsmanship, excellent materials and technological innovation into a tangible dimension of wellbeing. Therefore I am very pleased that one of the first events China has launched in the prestigious, recently restored National Museum is precisely about design. And above all I am honored to know that this first edition of the Beijing International Design Triennial has selected an outstanding Italian personality, Gilda Bojardi, already well known in China thanks to the exhibition “50+2Y Italian Design” created for the Year of Italy in China 2006, in collaboration with Professor Yang Dongjiang of the Academy of Arts & Design of Tsinghua University, to curate the most important section on the leading practitioners of international design and the products they create. A valid, authentic design product is the result, as the title of the exhibition “Creative Junctions / Design Ping Pong” emphasizes, of a spirit of confrontation, an ongoing relationship between past and present, between the design idea and the response of industry, the memory of craftsmanship and technological research, the culture of the creative mind and the needs of the global market. In this sense, Italy is the unrivaled world design leader, because as visitors to the exhibition will see, many products, though not necessarily created by Italian designers, are made in Italy. Italian industry, a reservoir of know-how in this field, in continuous search of new talents, open to dialogue with designers from different cultural backgrounds, receptive to new design expressions, has always known how to reinvent itself and how to transform, through research and technological innovation, creative ideas into products capable of defining our perception of living well, living better.

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高品质诉求的设计与生活 严农祺 意大利驻华大使

生活质量是种表述，当我们开始习惯于不仅从功能上来审视日常用品，而更多地考虑这些用品的附 加值——材料的讲究、工艺的精美、科技的含量、风格的选择——时，我们就会常把它放在嘴上。 生活质量是种理念，是一个国家发展的代言人及衡量这个国家社会进步的指数。 生活质量还意味着设计，即一种构思和实施的过程，把对美的崇尚、精湛的手艺、材料的研发和技 术的创新转化为可触可摸、实实在在的福利。 我因而非常高兴地看到，在扩建和开幕不久的享有盛望的国家博物馆中，中国推出的首批展览的其 中一个恰恰是有关设计的；我尤其荣幸地得知，曾策划了2006中国意大利年大型活动中《意大利设 计50年》展的意大利著名策展人吉达·博亚迪接到了首届北京国际设计三年展的委托，与清华大学 美术学院的杨东江教授合作策划三年展中最重要的一个主题展，通过展示设计大师的作品来介绍国 际设计界的代表人物。 如同这一主题展的题目“创意联结：设计乒乓”所强调的，一个有价值的、名副其实的设计产品是 在一种比较和对话的语境中诞生的，是在过去与现在、在设计理念与工业实体的吸纳能力、在手工 记忆与科技开发、在创造者自身的文化背景与全球市场的需求之间不断衔接磨合的过程中诞生的。 在这个意义上，意大利可说是世界设计舞台上不可非议的领先人物，这是因为，如同我们在展览上 可以亲眼见证的，即使有些产品的设计并非出自意大利人的手笔，但它们是在意大利生产的。作为 这一领域大量专有知识的拥有者，意大利工业界不断寻求新的才华，以开放的心态与不同文化背景 的设计师建立对话，积极采纳新的设计语言，通过技术研究和创新，它不断自我更新，把创意转化 为能够左右我们对美好生活及更好生活的感知的产品。

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Transformations of Economy, Society and Culture in Today’s China Barbara Alighiero Director Istituto italiano di cultura in China It was September 1975, the first time I saw Beijing. It had changed its name from the Pechino-PekingPékin I had known through all my years of studying China, old and new China. Everything was gray, no flowers, no birds. The colors were only those of politics: the red flags of the Revolution, the blue jackets of the workers, the green ones of the soldiers, the pink plum blossoms of the poem by Mao Zedong, the little white coupons for the rationing of cereals and cotton. Nevertheless, the town had its magic. One late Autumn afternoon, under the deep blue sky so usual at that time, riding my bike along the thousands of hutong (alleys) that were the very essence of the city, I found myself dreaming of living in one of those houses, behind the gray brick walls, where trees kept growing and dared to spire above the roofs, eluding the politics which forbid any beauty but that of the Revolution. Not everybody could afford a bike, only the well-off families had the four lun (wheels) – bike, sewing machine, radio and watch. TV sets were in communal places, the programming lasted just a few hours, all in black and white. But we were foreigners, we had privileges. We could indeed move around the town freely, but we could not talk to Chinese people on the street or sit at the same table with them in a restaurant. We were aliens, and therefore suspect. I loved that town. I still do, after almost 23 years here, first as a journalist and for the last three years as Cultural Counsellor of the Embassy and Director of the Istituto di cultura: the most interesting job anyone could aspire to in China now. The gray images are long gone, I live in a siheyuan (the traditional house of pavilions running around a courtyard I used to dream about), I have a garden and trees. Once again, I have a lot of privileges, but do not feel like an alien anymore, at least not so much. Economic development changes perspectives. Cultural exchanges gradually overcome cultural prejudices. My neighbor, the official cleaner of the alley, worries that I work too many hours. An old lady, a member of the neighborhood committee, wearing the red armband on an outmoded jacket, asks about my garde n. A young man, haircut sticky with gel, wearing tight jeans very low on the hips, inquires about how to get to Europe. The owner of a little dress shop listening to classical music mutters some words in Italian. He studied a bit of the language when he used to play the violin: years ago people were surprised that in Italy – such a tiny place (North of Africa?) - we had our own language and did not speak English. The taxi driver declares that Italy is the motherland of fine arts: years ago it would have been only the place of soccer and mafia. Italy is where everyone wants to travel, Italian is the food to eat, the shoes to wear, the furniture to decorate the home. The Italian language, or a sort of Italian, is used to invent the names for fashion stores, to be more appealing. Bicycles are electric today. China is the world’s leading producer of radios, TV sets, refrigerators, almost anything. The number of Chinese tourists visiting Europe has increased by 23% in one year, and the Chinese are becoming some of the main “shoppers” for luxury goods when they travel abroad. Beijing is crowded with 6 million cars moving on huge highways. Five ring roads surround the town, one right on the path of the old city walls, destroyed long ago. Not all the changes are good and not all of China has changed. In the recent years development, most of the “Northern capital” has disappeared, and what is left struggles to survive, as if under siege by the tall buildings. But there is now a new awareness, an everyday stronger sense of the necessity to preserve identity, increasing in the wake of growing acquaintance with different worlds. Opening to the West is giving China its chance to remember, reevaluate, recover and enrich the great, amazing civilization it gave to the world for many centuries. C R E A T I V E

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今日中国的 经济、社会、文化巨变 巴尔巴拉·阿利吉耶路 意大利驻中国大使馆文化处参赞 1975年9月，我第一次看到“Beijing”。北京的外文名字改变了，在我多年来对旧中国和新中国的 研究中，她曾经是Pechino，Peking和Pékin。 一切都是灰色的，没有花朵，没有飞鸟。只有代表政治的颜色：革命的红旗，工人的蓝制服，军人 的绿军装，毛泽东诗词中粉色的梅花，配给粮食和棉布用的小小的白色票子。尽管如此，这座城市 依然有种魔力。一个深秋的下午，在当时十分常见的深蓝色的天空下，我骑着自行车在上千条胡同 中穿行，它们是城市的本质所在，我梦想着自己也生活在那样的房子里，在那些灰色的砖墙后面， 那里的树木不断地生长，甚至敢于盘旋在屋顶上，似乎想要逃离除了革命需要而禁止一切美丽的政 策。当时并不是每个人都买得起自行车，只有富裕家庭才能拥有“四轮儿”——自行车，缝纫机， 收音机和手表。电视机都被安放在公共场所，每天只有几个小时黑白图像的节目。不过我们是外国 人，享有特权。我们可以在整个城市里自由行动，但不能在大街上与中国人交谈，或者和他们在餐 馆里共用一张餐桌。我们是外来者，所以都是值得怀疑的。 我爱这城市。现在也是，我在这里生活了将近23年，最初是作为记者，最近三年作为意大利驻华使 馆的文化参赞：这是一个外国人能想到的在中国最有意思的工作之一。灰色的影像一去不返，我住 在一个四合院里（四周的房间围绕着中心庭院，我一直以来的梦想），拥有自己的花园和树木。和 过去一样，我享有很多特权，但再也不会感到自己是个外来者，至少那感觉不强烈。经济发展改变 了人们的观点。文化交流逐渐克服了文化偏见。我的邻居，胡同的正式清洁员，为我每天工作的时 间太长而感到担心。带着红袖箍穿着过时外套的居委会老大妈，向我咨询花园的打理方法。头上抹 了发胶，穿着紧身低腰牛仔裤的年轻小伙子，问我怎样才能去欧洲。一家小服装店的老板，整天听 古典音乐，也能喃喃说几句意大利语，他过去练习小提琴的时候学过一点儿：几年前人们还会感到 惊奇，意大利这样一个小国家（是在北非吗？）居然也有自己的语言，而不说英语。出租车司机声 称意大利是艺术的发源地，在几年前她还只是足球和黑手党的地盘。意大利是每个人都想去的旅游 胜地，意大利代表美食，考究的皮鞋和精美的家具。时装店会选择意大利语，或者类似意大利语的 词作为自己的名字，以招揽顾客。 如今自行车都是电动的。中国是收音机、电视机、冰箱或者任何产品的最大制造国。前往欧洲旅行 的中国人在最近一年中增长了23%，他们在海外也即将成为最大的奢侈品消费军团。北京被600万辆 机动车填满，尽管道路又大又宽。五条环路围绕京城，其中一条刚好建在早已被毁坏的老城墙的位 置上。变化并非都是好的，中国并非已全部改变。最近几年的高速发展，使得“北方的首都”几乎 消失殆尽，所剩无几的老城区也在摩天大楼的围剿下苟延残喘。不过，新意识正在觉醒，保护自己 的民族身份已成为日益强烈的愿望，这种愿望在与世界其他国家不断增长的交往中显得更加突出。 对西方的开放给了中国一个回忆、审视、重振和丰富她几个世纪以来赠予世界灿烂文明的机会。

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Design Writes a New Historical Chapter for the Museum Chen Lvsheng Deputy Director of National Museum of China

博物馆的前方是天安门广场， 在博物馆的入口处，该建筑展 现出中轴对称的几何布局。 The museum complex in the context of Tienanmen Square, which it faces. To the side, the entrance to the museum, marked by a symmetrical geometric layout. Project by 设计： von Gerkan, Marg and Partners Photos by 版权： Christian Gahl

It can be said that the new National Museum of China in the heart of China’s capital is a work related with the design, for it solves the problem of combining the new museum and old museum, largely meets the functional requirements as the world’s largest museum and shows its historical development and present great progress. The conceptions implied by the design for the new National Museum of China are fully reflected in the culture connotation associated with the architecture. As the buildings of National Museum on behalf of the country bears the national culture, its renovation and expansion mean not only the size expansion and function improvement in the general sense, what’s more important, the corresponding enhancement of various museum services with the aid of hardware facilities which can make the museum a window on the national culture, a bridge between international cultural exchange and a venue for public education and relaxation. These social responsibilities and cultural aspirations associated with the buildings can be realized through the various designs in the expansion, which also shows the importance of design in the contemporary world. The new development orientation of the National Museum of China is “paying equal attention to both history and art”. History has been the work focus in the past long period and also the museum’s specialty enjoying a reputation in the industry. In comparison, art was its weaknesses. So, in order to achieve double success through balanced development, art will be the development focus. Based on this, we do not only carefully make arrangements, but also break the routine to show the great expectations for the “Beijing International Design Triennial” which it is expected to be beautiful scenery in the new National Museum of China and inscribed into the hundred-year development history and also an important exhibition brand through sustained development. Highly developed ancient Chinese civilization created outstanding arts and designs. The development achievements of material civilization since the ancient times, from the primitive pottery to the bronze ware in Xia, Shang and Zhou Dynasties, from the celadon porcelain in Six Dynasties to the three-color glazed pottery in Tang Dynasty, as well as the artwork made of variety of materials in Ming and Qing Dynasties, are almost a complete history of artist design. Especially, the works preserved in the National Museum of China, such as the pottery bowl decorated with fish and human mask from Neolithic Age, square zun with four sheep from Shang Dynasty, celadon vase representing a lotus topped by a another inverted lotus from the Northern Dynasties, all demonstrate the outstanding ingenuity and unique aesthetics. There are a great many traditional Chinese arts and crafts associated with the design including the mosaic, dyeing weaving, painting, sculpture, color painting which are admired for their quantity and quality when compared to those of any other country in the world.

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设计为博物馆书写 历史的新篇章 陈履生 中国国家博物馆副馆长

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Design Writes a New Historical Chapter for the Museum

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设计为博物馆书写 历史的新篇章 Beijing International Design Triennial is the exchange platform for Chinese design community and the international design community, where both the introduction and promotion will demonstrate the highest level of design in China and the world. It will promote China’s development and upgrade of the design, drive the design’s transformation into productive forces, and stimulate China’s cultural creative industries to become an aspect of China’s soft power. Conforming to the trend of the times, the National Museum of China embeds new cultural elements timely into its diversified exhibition structure to reflect the latest achievements of modern civilization, make itself with a hundred-year history restore the youth of times and provide aesthetic pleasure and creative associations for the industry and the public. So, in terms of the exhibition, the exhibition is a design of design. Beijing International Design Triennial is a sustainable large international exhibition of Chinese design, and also the first sustainable large-scale international exhibition of National Museum in its hundred-year history. Its appearance in the National Museum which takes on a completely new look after the renovation and expansion will be bound to attract the attentions from the academic community, design community and the public.

门厅和楼梯，通往中央大厅。 The entrance hall and the staircase leading to the central hall.

可以说，位于中国首都核心位置的新的中国国家博物馆就是与设计相关的一件作品。因为它很好地 解决了新馆和老馆结合的问题，基本上满足了作为世界第一大馆在功用上的要求，表现出了它的历 史发展与今天的腾飞。新的中国国家博物馆的设计的意匠充分反映在与建筑相关的文化内涵之上， 因为代表国家的博物馆建筑承载了国家文化，所以，博物馆改扩建不仅是一般意义上的面积的扩大 和功能的完善，更重要的是与之相应的借助于硬件设施的各项博物馆业务工作的提升，使之真正能 够成为国家文化的窗口，成为国际间文化交流的桥梁，成为公众接受教育和享受休闲的场所。这些 与建筑相关的社会责任，与建筑相联的文化诉求，通过改扩建中的各种设计而得以实现，由此也可 见设计在当代的重要性。在以“历史与艺术并重”的中国国家博物馆新的发展定位中，历史专业是 过去很长时期内的工作重点，也是其专长，在业内享有盛誉。 相比较而言，艺术专业则是其弱项，因此，它将成为一个重点发展的对象，只有这样的均衡发展才 有可能实现比翼齐飞。基于此，我们不仅精心安排，而且打破常规，表现出了对“北京设计三年展” 的厚望——预想中，它应该是新的中国国家博物馆内的一道亮丽的风景，将会铭记在百年发展的史册 上，而且通过持续的发展能够成为一个重要的展览品牌。高度发达的中国古代文明成就了杰出的艺术 设计，中国自远古以来物质文明的发展成果从原始的陶器到夏商周的青铜器，从六朝的青瓷到唐代的 三彩，直至明清各种材质的工艺品，几乎就是一部完整的艺术设计的历史。而其中像收藏在中国国家 博物馆内新石器时代的《人面鱼纹陶盆》，商代的《四羊铜尊》，北朝的《清釉仰覆莲花尊》等，无 不表现出了杰出的匠心和独特的美学思想。与设计相关的中国传统的手工艺有很多，镶嵌、染织、髹 漆、雕刻、彩绘等等，和世界上任何一个国家相比，其数量和品质都为世人所赞叹。 而在这一过程中“北京设计三年展”的意义就显得不同一般。“北京国际三年展”是中国设计界与 世界设计界交流的平台，其中的引进和推出都将在这个平台上展示中国与世界艺术设计的最高水 准，它将促进中国设计艺术的发展和提升，将带动设计转化为生产力，促进中国的文化创意产业成 为中国软实力的一个方面。中国国家博物馆顺应时代的潮流，及时地在其多元的展览结构中嵌入新 的文化元素，反映当代文明发展的最新成果，使具有百年发展历史的中国国家博物馆焕发时代的青 春，为业界和公众提供审美的愉悦和创意的联想。所以，就展览而言，这个展览是设计的设计。“ 北京国际设计三年展”是中国设计类具有连续性的大型国际展，也是国家博物馆百年历史上第一个 连续性的大型国际展，因此，它出现在经过改扩建而面貌一新的中国国家博物馆内，一定会引起学 术界、设计界以及公众的关注。

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Tsinghua University, Academy of Arts & Design Committed to Cultural Heritage and Innovation Zheng Shuyang Dean of Academy of Arts & Design, Tsinghua University

The composite architectural landscape of the campus of Tsinghua University, built in 1911 on the site of the historic royal gardens of the Qing dynasty.

Hu Jintao, President of the People’s Republic of China, delivered an address to the congress celebrating the 100th founding anniversary of Tsinghua University, elucidating the idea that Chinese higher-learning institutions “must vigorously carry forward cultural heritage and innovation”. Additionally, he stated that: “quality is the lifeline of higher education, and must run through the work of institutions of higher learning in talent training, scientific research, social services, and cultural heritage and innovation.” (1) In this speech, cultural heritage and innovation is set outside the three globally recognized university functions to radically improve the quality of Chinese higher education. Here, the concept of cultural heritage and innovation is the concept of developing higher education with Chinese characteristics. This holds a special significance for China’s art education, especially for the development of the Academy of Arts & Design of Tsinghua University, since the history of this school parallels the modern transformation of Chinese cultural development. The Central Academy of Arts & Design was established under the approval of the State Council in 1956. It was China’s first higher design institution where the country’s most outstanding art educators, researchers in ethnic folk arts, artists and designers gathered after studying overseas. Over nearly four decades since, Central Academy of Arts & Design had been the only independent art and design institution in China. In November 1999, during the nationwide reorganization of universities and departments, the Central Academy of Arts & Design was merged into Tsinghua University, and was renamed Academy of Arts & Design, Tsinghua University, opening up a new chapter in its history. Since its establishment in the 1950s, according to the state and social needs, the Academy has undertaken and participated in many important national art and design projects, playing a vital role as a state-level art and design institution. In the 1950s, the Academy participated in the building and decorative design of “Beijing’s top ten buildings”. In the 1970s, the Academy hosted the new China’s first large-scale wall painting, the Capital International Airport mural, a symbol of China’s opening to the rest of the world. In the 1980s, the Academy hosted and participated in the artistic design and construction of a series of important national projects: Chairman Mao Memorial Hall, Diaoyutai State Guesthouse, Ziguangge, Zhongnanhai, Beijing Hotel, China World Trade Center, Chinese embassies and consulates, etc. as landmark achievements of reform. In the new century, the Academy was responsible for design projects of the 2008 Beijing Olympic Games, the Paralympic Games, the 60th anniversary celebration of National Day in 2009, the World Expo of 2010 in Shanghai, the signage system of the high-speed railway, the new branch of China Science and Technology Museum, large-scale mural painting and relief sculpture in the National Museum of China, etc., reflecting China’s new situation in the international arena, as it began to be recognized by the world.

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清华大学 美术学院 致力文化传承创新

郑曙旸 清华大学美术学院 院长／教授

中华人民共和国主席胡锦涛《在庆祝清华大学建校100周年大会上的讲话》中明确对中国高等学校 提出了“必须大力推进文化传承创新”的理念。并指出：“不断提高质量，是高等教育的生命线，

清华大学建筑景观，1911年在清朝 皇家园林旧址上修建。上修建。

必须始终贯穿高等学校人才培养、科学研究、社会服务、文化传承创新各项工作之中。”1 这就为中 国高等教育全面提高质量的定位，提出了高于世界大学公认三项职能之外的全新目标——文化传承 创新。在这里文化传承创新的概念，就是中国特色高等教育的发展理念。对于中国的艺术教育，特 别是对清华大学美术学院的发展具有特殊意义。因为这所学校的全部历史，就是中国文化发展现代 转型的缩影。 20世纪50年代，经中国国务院批准于1956年成立中央工艺美术学院。这是中国第一所高等设计院 校，汇集了当时全国最优秀的美术教育家、民族民间艺术领域的杰出研究者和海外留学归来的艺术 家、设计家。在此后的近40年里，学院是中国设计领域唯一独立建置的高等设计院校。1999年11 月，在国家调整高等教育机构的背景下，学院并入清华大学，更名为清华大学美术学院，开始了在 综合性大学中发展设计学科的新篇章。 自上世纪50年代建院以来，学院就结合国家和社会需求，承担和参与了许多国家重要的设计项目， 发挥了国家级设计研究机构的作用。在50年代，学院参与了“北京十大建筑”的建筑及装饰设计。 在70年代，学院主持了新中国第一次大规模的壁画创作——首都国际机场壁画，被视为中国开放的 象征。进入新世纪以来，面貌一新的清华大学美术学院为国家建设所做出的贡献更为世人瞩目：学 院相继完成2008年北京奥运会、残奥会，2009年国庆60周年庆典，2010年上海世博会，中国高速 铁路信息导向系统，中国科技馆新馆和中国国家博物馆大型壁画和浮雕等国家级重大项目。 今日中国的文化发展植根于悠久的历史传统，中国历史上形成的思想体系，以道、儒、墨、法四家 的集合，在人类思想宝库的东方领域独树一帜。成为世界上唯一可能跨越农耕文明、工业文明、生 态文明的文化形态。实现文化传承创新，必须以传统文化精华的融会贯通为前提。正确理解的 “道 法自然”与“天人合一”传统文化观具有世界向生态文明转型的普适价值，以此建立的艺术与艺术 教育观同样具有世界向可持续发展之路迈进的普遍意义。

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Tsinghua University, Academy of Arts & Design Committed to Cultural Heritage and Innovation Today, China’s cultural development is rooted in a long historical tradition. The Chinese system of thought, with its integration of Taoism, Confucianism, Mohism, and Legalism, is a unique treasure in the human thought of the East, for it is the only worldly cultural pattern that has involved agricultural civilization, industrial civilization, and ecological civilization. A command of the essence of Taoism, Confucianism, Mohism and Legalism is a necessary prerequisite to the realization of cultural heritage and innovation. “Tao follows nature” and “unity of man and nature”, in traditional culture, are tenets of universal value in correctly understanding the world’s transition toward an ecological civilization, while the viewpoint of art and art education established on this is also of general significance (as the world is moving towards a path of sustainable development). A general survey of the contribution of the Academy to Chinese culture, and its task of carrying forward the outstanding legacy of Chinese cultural tradition, reveals a link link with the core position of the Environmental Design department. According to China’s most popular handbook, the “Tour of Major Chinese Universities”, the Academy of Arts & Design, Tsinghua University is “known for its applied arts, and its Environmental Design department is the best in the country,”(1) a reflection of the department’s position in the academy. Interior decoration, architectural decoration and interior design were once the department’s names, respectively in the 1950s, 1960s and 1980s. Finally, in 1988, it was named the Environmental Design department, establishing a professional approach to an the ecological civilization. As a discipline in Chinese colleges and universities, interior design is a specialty that keeps pace with the world, a specialty that can quickly change the conceptions of design, and a specialty that pilots Chinese design development. Environmental experience and characteristics of interior design have led to a specialty title with Chinese characteristics in the period of the modern transition of China, a specialty that is wide-ranging, profound and comprehensive; a specialty that is representative of the direction of design— Environmental Design. Environmental Design has become an emerging discipline, which studies design from the perspective of the environmental relations among nature, man and society, with sustainable strategies as guidance, by integrating the traditional cultural concept of creating harmony between man and nature with the concepts of environmental ecology. As concerns the aesthetic characteristics of environmental experience, focuses on architecture in an artificial environment, using artistic creativity and engineering in interior and exterior space, linking with natural environmental conditions, respecting the history of the humanities and social development. Such comprehensive design can be done in urban and rural landscapes, landscape architecture, microenvironments like interior architecture, etc. Today, more critical issues concerning how to develop products with the information age as the background, how to optimize the environment with urban and rural development as the vector, and how to do artistic creation with the cultural heritage as its basis, etc., raised by today’s economic and cultural development in China, will enter the research focus of the academy for some time in the future. The academy faculty and students are exploring the answers with a high level of national awareness and a sense of urgency, applying their efforts to achieve the goal of China’s sustainable development, as well as a better life for mankind.

1. Hu Jintao, “Address to the Congress on Celebration of the 100th Founding Anniversary of Tsinghua University”, (April 24, 2011), P 6, Beijing: People’s Press. The 1st Edition, April 2011, ISBN 978-7-01-009843-2. 2. Editorial office of A tour of Chinese famous universities, A tour of Chinese famous universities, p. 55, Shaanxi Normal University Press. The 1st Edition, January, 2007, ISBN 7-5613-3012-X/K·179.

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清华大学 美术学院 致力文化传承创新的 纵观清华大学美术学院对于中国文化发展的贡献，结合中国优秀文化积淀的传承之路，不难发现都 与学院发展中环境艺术设计系所处的核心位置相关。中国最畅销的游学手册《中国著名大学游》的 介绍：清华美院“以实用美术设计闻名，它的环境艺术设计系在全国是最棒的”2 从一个侧面反映了 该系在学院的地位。室内装饰、建筑装饰、室内设计曾经是环境艺术设计在20世纪50、60、80年代 的系名，1988年最终定名于环境艺术设计系，确立了专业发展面向生态文明的取向。 在中国高等学校的设计学科，室内设计是一个能与世界发展同步的专业，是一个能够迅速转换设计 观念的专业，是一个引领中国设计发展的专业。室内设计的环境体验特征，使它在中国的现代转型 期，造就了一个独具中国特色的专业称谓；一个内涵深广边缘综合的专业；一个代表设计发展方向 的专业。——环境艺术设计。环境艺术设计以可持续发展的国家战略为指导，融会人与自然和谐相 处的传统文化观与环境生态学的理念，成为研究自然、人工、社会三类环境关系中设计问题的新兴 学科。具有环境体验审美特征，以人工环境的建筑为主体，在其内外空间运用艺术创意与工程技 术，紧密结合自然环境条件，尊重人文社会发展历史，在城乡景观、风景园林、建筑室内等微观环 境进行综合性设计。 今天，以信息时代为背景的产品开发，以城乡建设为载体的环境优化，以文化遗产为基础的艺术创 作等当今中国经济和文化建设中遇到的较突出的难点问题将成为学院未来一段时间的重点研究方 向。学院师生正以高度的国家意识和紧迫感，积极探索答案，为中国的可持续发展而努力，为人类 更加美好的生活而努力。

1. 胡锦涛《在庆祝清华大学建校100周年大会上的讲话》（2011年4月24日）第6页 北京 人民出版社 2011年4月第1版 ISBN 978-7-01-009843-2 2. 《中国著名大学游》编辑部编著《中国著名大学游》第55页，陕西师范大学出版社，2007年1月第1版 ISBN 7-5613-3012-X/K·179

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Tsinghua University Campus Buildings by Mario Botta and Mario Cucinella Matteo Vercelloni

马里奥·博塔在2011年设计的图书 馆实体的外视图。在旁边：由一个 大型的天窗遮挡的内部广场，三层 阅览室都面向该广场。 Exterior views of the volumes of the library designed by Mario Botta in 2011. To the side: the internal square sheltered by a large skylight, faced by the three levels of the reading rooms. Photos by 版权：Fu Xing

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Built on the outskirts of the city of Beijing, the Campus of Tsinghua University was opened in 1911, so it has more than a century of history today. Besides the widely varied choice of subjects and degree programs (since 1952 the university has been a multidisciplinary polytechnic institute for engineering; then, in 1978, it added departments of law, sciences, economics and humanities; finally, in 1999, the educational offerings were completed with the Central Academy of Arts and Design), the university stands out for the series of works of architecture that have accumulated over time for its facilities. This history follows the pattern of that of any city, where architectural languages and urban planning choices, the design of collective spaces, historic gardens and new parks, public and recreational structures exist side by side in a necessarily pluralistic way, generating the ‘eclectic’ quality of any big city. The Campus of Tsinghua University can thus be interpreted as a micro-city, part of the larger metropolis that hosts it. Built on the site of the historic Qing Hua Yuan garden (the royal garden of the Qing dynasty), still conserved today as an exceptional historical monument over three centuries old, at first Tsinghua University was known as “Tsinghua Xuetang” (Tsinghua Imperial College), and trained students who would be sent to continue their studies in the United States. For this reason too, the main buildings conform to the European neoclassical style, an easily understood language, linear and replicable, selected for these reasons in America as a natural form of architectural communication of the ideals of democracy and freedom of the young 19th-century federation of the USA. The Auditorium with its central dome is a Greek-Roman revival, the Tsingua School a mixture of oriental overtones and northern European neoclassical style, the Old Gate that marks the entrance to the Campus, on axis with the Main Building, and the Gymnasium mingle occidental architectural imagery with pavilions and palaces (Palace of the Ancient Moon) that reflect the characteristics of traditional Chinese architecture. A sort of continuous face-off between architectures and cultures, marking the history and episodes of the university campus down to the present day, where the confrontation of contemporary works also becomes an opportunity for experimentation with technologies and eco-sustainable construction, or an urban opportunity to offer new collective spaces devoted to culture in the widest sense of the term. Bearing witness to this historical continuity open to the mingling of architectural languages and cultures, two recent works have enriched the composite landscape of the Campus: the SIEEB building by Mario Cucinella and the very recent library designed by Mario Botta. The SIEEB is one of the most interesting ‘sustainable buildings’ of the new millennium. Based on cooperation between the Ministry of the Environment and Protection of the Territory of the Italian Republic and the Ministry of Science and Technology of the People’s Republic of China, the SIEEB, designed by Cucinella in collaboration with the Milan Polytechnic (BEST Department, directed by Federico Bufera), contains a prestigious, advanced Chinese-Italian center for education, training and research on environmental protection and energy conservation. This center has become a point of reference in the field of responsible architecture, a concrete contribution toward the spread of an environmental awareness that has become one of the main priorities of the China of the new millennium.

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清华大学校园建筑

马里奥·博塔和马利奥·古奇内拉的设计 利玛窦·维尔切罗尼 建筑师

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剖面图显示了建筑组成：由开口控 制节奏的直线体积与倒置的圆锥体 整合在一起。 The section drawings show the architectural composition: the rectilinear volume paced by the rhythm of the openings is integrated with the overturned conical volume.

Besides this ‘symbolic’ role, the SIEEB introduces another fundamental aspect of ‘responsible architecture’, namely that of the relationship between technological solutions and energy savings, including the effectiveness and passive performance of interiors. In practice, this involves all the choices of optimization organized in relation to the compositional solutions, the ‘beauty’ of the construction. The solutions include not only ‘traditional’ factors like the plotting of changing directions of sunlight during the day, with related design responses in terms of plans and sections, but also the architectural translation of features like solar panels, ‘intelligent skins’ composed of glazings protected by brises-soleil, in this case integrated with roof gardens, also implying the ‘aesthetic’ design of the technological innovations required to transform the architecture into a new type of ‘machine for living’, in which – for example – rain water is recovered in underground cisterns and then used in the bathrooms. The SIEEB experience (completed in 2004) undoubtedly represents a complex path on multiple levels (education, management, planning, architectural and urban space design), where architecture can provide important answers. “To rethink the quality of public spaces, to improve the quality of social life, to see the suburbs as a great opportunity for the contemporary city, to look at the social fabric as a value, not a problem, to accept ethnic diversities and support the differences that unite us, to construct buildings that comply with the simplest criteria of efficiency and reduction of emissions is very important, because it indicates a new ethical vision of our job, as opposed to the criterion of aesthetics without ethics” (Mario Cucinella). These considerations also apply to the new University Library (opened in March 2011) designed by Mario Botta as a sort of new ‘civic pole’, a public landmark inside the university citadel. The building made with insulated masonry and clad with stone, a combination that guarantees good energy performance throughout the year, adapting to the hot summers and cold winters of Beijing. Monolithic and noble in its materic impact, the Library is composed of a rectilinear volume marked by a balanced, eloquent sequence of large windows used to form the rhythmical composition of the facade, treated as a single, full-height body in which to insert the large circle of an overturned conical volume. The latter, in the vertical cuts of the openings recessed with respect to the facade surface, conveys its ‘masonry role’ and the layering of the three levels contained inside. Open in different directions toward the greenery to activate a free flow of students and visitors, the Library features a large sheltered plaza with a ‘European conception’, where the overturned cone of the external body is shifted by 90°, with the base now wider than the top, covered by a large skylight, forming a perspective toward the sky and a full-height courtyard faced by the three levels of the reading rooms, sheltered by a screen composed of wooden slats that are a reminder, in a contemporary way, of the motifs and traditions of ancient Chinese architecture, reiterating in compositional terms that character of comparison, mixture and effective ‘creative junctions’ that the history of the university campus of Tsinghua has always taken forward with conviction and passion.

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清华大学校园建筑

马里奥·博塔和马利奥·古奇内拉的设计

清华大学校园始建于1911年，坐落在北京市郊区，至今已有一个多世纪的历史。除了广泛而多样化 的学科和学位课程外（自从1952年以来，该所大学一直是一个多学科的工科大学；在1978年，新 增了法律、科学、经济和人文学科；最后在1999年，原中央工艺美术学院并入之后，完成了综合 性大学的布局），清华大学还以随着时间积累起来的一系列校园建筑而著称。该历史与其他任何城 市的历史都相同，包括建筑语言和城市规划的选择，公共空间的设计，皇家园林和新建的公园，公 共和娱乐设施，都以一定的多元化的方式并存，形成了任何大城市都有的优良品质。因此可以把清 华大学校园看作是一个微型城市，是容纳它的更大的都市的一部分。清华大学的老校区建筑在历史 上著名的清华园（清朝皇家园林）遗址之上，是至今已经保存了三个多世纪的具有特殊意义的历史 名胜。清华大学的前身是清华学堂（清华帝国学院），是清政府建立的留美预备学校。出于这个原 因，主要的建筑物都具有欧洲新古典主义风格，采用了一种很容易理解的语言，具有线性和可复制 性，而这种建筑语言，正是19世纪年轻的美国联邦政府民主和自由理念的自然体现。礼堂的中央穹 顶是希腊-罗马复古式的，清华园是东方色调和北欧洲新古典主义风格的复合体，老校门是进入校园 的通道，与主建筑物在同一轴线上，体育馆把西方的建筑意象与体现中国传统建筑特点的亭子和宫 殿（古月堂）混杂在一起。这种建筑与文化的持久碰撞，伴随着大学校园变迁一直延续到今天，而 与它们面对面的当代建筑作品则不仅为新技术和生态可持续性建筑的发展提供了实验的机会，而且 为新的都市公共空间与广泛意义上的文化的有机融合提供了机遇。 作为对这一持续地融合建筑语言和文化的传统的见证，近期的两个建筑作品极大地丰富了校园综 合景观：马利奥·古奇内拉设计的中意清华环境节能楼（SIEBB）和马里奥·博塔最近设计的图书 馆。 清华环境节能楼是新千年最有趣的可持续建筑之一。在中华人民共和国科学技术部和意大利国土资 源与环境部共同合作的基础上，古奇内拉与米兰理工大学（以费德里科·布费拉为首的“最佳部 门”）一起合作设计了清华环境节能楼，它包括一个著名的、先进的中意环境和能源保护的教育、 培训和研究中心。该中心已经成为“负责的建筑”的经典代表，在新千年中，中国的一个主要任务 就是在扩展人们的环保意识方面做出具体的贡献。 除了这个“象征性”的角色之外，环境节能楼还引入了“负责的建筑”的另外一个基本方面，即技

利奥•古奇内拉与米兰理工大学在 2004年一起合作设计和修建的中意 清华环境节能楼的大样图和透视图。 Details and overall views of the SIEEB building designed and built in 2004 by Mario Cucinella in collaboration with the Milan Polytechnic.

术解决方案与节约能源之间的关系，包括内部的有效性和被动性。在实践中，包括选择所有结构化 的优化方案，以及建筑的“美”。这些解决方案不仅应包括“传统”的因素，如改变阳光的照射方 向，在平面和截面的设计方面采取相应的措施，还应包括一些功能的建筑体现，如太阳电池板，由 遮阳板保护的玻璃制成的“智能建筑表皮”（与屋顶花园整合在一起），以及把建筑物转变成一种 新型的“居住机器”时所需的技术创新的“审美”设计，在这一“居住机器”中，例如，雨水在地 下蓄水池中进行回收，处理后的中水用于卫生便器冲洗。

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Tsinghua University Campus Buildings by Mario Botta and Mario Cucinella

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清华大学校园建筑

马里奥·博塔和马利奥·古奇内拉的设计

清华环境节能楼（2004年竣工）无疑代表了一个多层次的复杂路线（教育、管理、规划、建筑和城 市空间设计），其中建筑设计可以提供重要的答案。“重新考虑公共空间的质量，提高社会生活的 质量，把郊区看成是当代城市很好的发展机会，把社会组织作为一种价值而不是一个问题来看待， 接受民族的多样性并支持使我们团结起来的差异，修建满足最简单的节能和减排标准的建筑物是非 常重要的，因为它代表了我们的工作的一个新的伦理视野，而不是不考虑道德的单纯的美学标准” （马里奥·古奇内拉）。马里奥·博塔在设计清华大学人文社科图书馆（2011年3月开放）时，也 考虑了这些因素，把图书馆建成了一个新的“城市标杆”，大学殿堂的一个公共地标。 建筑物由隔热石板和石头覆层建成，这一组合可以确保建筑在全年都有良好的能源性能，也适应北 京炎热的夏季和寒冷的冬季气候。图书馆所用的材料给人一种巨大、高贵的印象，它是一个直角形 的建筑单体，与一个倒置的锥形体相连，主要特征是一组平衡的、富于秩序感的大窗户序列构成的 有节奏的外立面。锥形体上垂直切挖的内陷式的开口，体现了石头的精神以及内部三个楼层的分层 情况。 在不同的方向都有通往温室的通道，可以使学生和游客自由地穿行。图书馆的特点在于一个大型的 欧洲风情的遮蔽的广场，在这里外部倒置的圆锥体被移动了90度，使得基座比顶部宽，并且由一个 大型的天窗覆盖，形成了一个朝向天空的远景以及三层阅览室都可以面向的全高庭院，在加上由木 板条制成的屏风形成的遮挡，以现代的方式体现了中国古建筑的主旨和传统，重申对比、混合和有 实效的“创意联结”这一理念，而清华大学的校园建筑在历史上一直都在坚持着这一理念。

中意环境和能源保护的教育、培训 和研究中心的其它图像。光伏太阳 能电池板组成的智能外层的特点是 悬垂的遮阳板遮挡的分层玻璃与露 台花园的有机整合。 Other images of the Sino-Italian center of education, training and research for environmental protection and conservation of energy. Its ‘ intelligent skin’ of photovoltaic solar panels features layered glazings screened by overhanging brises-soleil combined with terrace gardens.

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China is inside us Andrea Branzi Professor Politecnico di Milano, History of Design Critic

East and West have always been thought of by historians as utterly separate, independent cultural realities, but today things are changing: “globalization” has broken down old borders, the market is a worldwide market, industry and design culture have to learn to come to terms with worlds that are apparently distant in terms of geography and history, yet by now are true neighbors in terms of everyday life and the market. In Europe, where the concept of “modernity” was born at the start of the 20th century, the development of other continents has always been gauged in relation to the use of the “modern style”, both in architecture and in design; as if occidental forms could constitute the most evident paradigm of the complex of civil and political values achieved by a given country. This prejudice has hindered the meeting of distant, different cultures, because in every case the West felt it was its duty to “teach” the rest of the world how to design and how to build. While in the past countries attempted to modernize by adopting the “forms” of occidental modernity, today the West is slowly changing, under the influence of oriental thinking. This is why the international exhibition Creative Junctions in Beijing is such an important opportunity to reflect on our differences, our traditions and varying industrial strategies; starting from a new base, that of globalized markets and the internationalization of design. A future design that has to grow, in cultural terms, through the contribution of different anthropological experiences and important historical traditions. Let me try to outline a few general examples. In my view, philosophical diversities do exist (including very ancient ones) between our two countries regarding the “idea of home”; these ideas lead to a different way of evaluating domestic objects and their identity. In the history of ancient China the home was a sort of rigid, solid organism that defended its inhabitants against external dangers and a universe where the forces of Yin and Yang did combat, running the risk of setting off a cosmic explosion were it not for the work of man, who through Confucian respect for hierarchies, ceremonies and family/social traditions brought an order to the threatening chaos. This ancient vision led to the extreme formal and physical solidity of traditional Chinese furnishings, where values of domestic hospitality do not seem to play a central role, giving way to a focus on rigid respect for formal rituals inside the family group. Quality, luxury and aesthetics are applied to the areas of pottery, porcelain, lacquer, miniatures, reflecting the splendor of unattainable “celestial realms”. In the Occident, and above all in Europe, the home – on the other hand – is the place of “affects” instead of hierarchies, ceremonies, rites and cosmic nightmares; the furnishings are always optimistic, always different, and single objects are the absolute protagonists of a constantly changing stage. For this reason, in the “Vertical Home” seen against the backdrop of the exhibition one finds a series of small spaces inhabited by individual furnishing objects that rise upward, as in occidental cities that have always made the height of constructions an important symbolic value.

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中国与我们同在 安德里亚·布兰兹 米兰理工大学设计批评史教授

过去历史学家认为东西方文化是绝对不同、互相独立的文化，但是现在情况正在发生变化：“全球 化”已然打破旧的疆域的限制，市场是全球的市场，世界已经是明显不按地理和历史来划分的，到 如今，从日常生活和市场的角度来看，各国都是邻国，工业与设计文化也不得不学着适应这样的世 界。 在欧洲， “现代性”概念于20世纪初横空出世，其他大陆的发展也以此为衡量标准，在建筑和设计 上纷纷应用“现代风格”；就好像这种来自西方的样式是衡量一个国家是否文明开化的标准。这种 偏见阻碍了遥远的、不同文化之间的交流，因为西方人总觉得“教”世界上其他国家如何去设计和 建筑是其职责所在。 过去各国尝试用西方发达国家的方法来实现现代化，而今天，在东方思想的影响下，西方正慢慢地 改变着。“创意联结”这个在北京举办的国际性展览是个很重要的契机，它促使我们思考彼此间的 不同以及各自的传统，促使我们改变工业策略；在一个崭新的基础上，在全球化市场和国际化设计 的基础上，重新开始。从文化角度来看，未来设计需要在不同的人类经验和重大历史传统的基础上 发展起来。让我举几个很普通的例子。 在我看来，对于“家”的看法，我们两国的哲学（包括那些十分古老的哲学）的确有不同的解释， 由此产生了对家居用品的不同评价和定义方式。在中国古代，家是一种封闭的有机体，它使其居住 者免受外部危险的伤害，它也是一个阴阳相争的世界，在这个世界中，如果人们不通过遵守孔教的 社会等级、礼仪和家庭、社会习俗来使混沌的世界获得秩序，那么就会有宇宙爆炸的危险。这一古 老的观点导致了极端正统和一成不变的家居陈设，家作为舒适住所的观点并不重要，严守家族内部 的礼教才是重心所在。品质、奢华和美都被应用于陶器、瓷器、漆器和彩绘，反映出天国无上的华 贵。 在西方，尤其是欧洲——另一方面来说——家是一个充满感情的地方，而不是一个有着等级、礼 教、仪式和宇宙噩梦的地方；家居陈设多是充满乐观精神的、各式各样的单件家具，在不断变换的 舞台上作为独一无二的代表。因此，在“垂直的家”这件装置作品中，在展览背景的映衬下，我们 可以看到一系列小小的空间，其中栖居着直立着的单件家居物品，就像在西方的城市中，人们常常 把建筑物的高度看作是重要的价值尺度一样。 这些不同的观念导致了对创意、工业和手工艺之间关系的不同评价方式。在东方，手工艺捍卫着传 统风格和前工业时期的技术，为与传统有着千丝万缕联系的市场，制造贵重、工艺繁复、文雅和正 统的物品。工艺与工业的合作关系还有待进一步探索。 在欧洲，情况完全相反：手工艺者进行创新的实验和研究，他们不仅为工业生产提供原型产品，还 为有取代大众市场趋势的小众市场创造出限量版的创新产品。

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China is inside us These differing conceptions lead to a different way of evaluating the relationship of creativity, industry and craftsmanship. In the Orient craftsmanship safeguards historical styles and pre-industrial technologies, to produce precious, difficult, literary, orthodox objects for a market still widely linked to tradition. The relationships of collaboration between crafts and industry have yet to be explored… In Europe this situation is completely reversed: the craftsman plays the role of one who experiments with innovation, supporting research, not only providing industry with prototypes for production, but also creating limited or numbered editions of innovative objects, made for the trend niches that are taking the place of large mass markets. Investigating these differences can be important, because often they have given rise to misunderstandings. In fact, while in the West design has always been asked (like art and culture) to produce new and continuous transformations to come to terms with an increasingly fragmented, saturated market, responding with “creative” capacities to the ongoing demand for “novelty”, in the Orient (and in China in particular) aesthetic culture has always developed by working around the established formal models of the tradition, perfecting and refining them. These two different modes of working have wound up being interpreted in the most erroneous way, namely according to the idea that oriental industry develops by “copying” merchandise models invented in the West. The success of Chinese industry on all occidental markets demonstrates that it produces a completely specific kind of “innovation”, since by following its own historical model of perfecting of existing models, it is capable of modifying their price on the market and the time required to make them, with the support of a sales network that is create serious problems for all occidental manufacturers. The latter must come to terms with a competition that is able to “produce everything at a lower cost, and faster as well”. So this is an extremely effective model of “industrial innovation” that does not seem to involve design, as a critical-aesthetic culture, which traditionally would orient its contribution in relation to social and ethical values, but actually supplies our industrial system today, as it attempts to face worldwide competition (including that of China), with that energy of “innovation” that makes it possible to stay on the international market, by constantly updating offerings and strategies. In the context of the globalization, western design is changing its status and its role, and the designer helps the entrepreneur not only in terms of the aesthetics of products, but also by developing new market strategies, new policies of image and communication, new services and therefore new market niches. Products and creative performance have to follow a logic of “eternal innovation”, reversible solutions, temporary results. Young Chinese design seems to be moving along different lines, as it is faced with the legacy of a large (potential) mass market to which to supply not only furnishing components but also, and above all, objects from the great crafts tradition, at prices that cannot be matched by western competitors, guaranteeing that the objects will remain on the market for a long time: objects that go beyond trends, made for a society that wants to enhance its stability and its own identity. The confrontation stimulated by Creative Junctions might make us think about a future design that will produce dynamic scenarios, but with a higher level of “dramatization”; a design more open to approaching iconographic traditions, and less self-referential; less “aniconic” (non-figurative), more capable of transmitting emotions; capable of identifying less provisional merchandise for a society like ours, which does not have stable models of reference, yet is in constant pursuit of shared values. China, then, can teach us a lot, and we can teach a lot to this great country that used to be so far away…

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中国与我们同在 研究这些差别是十分重要的，因为它们常常会导致误解。事实上，在西方，设计需要（像艺术和文 学一样）制造出新的、不停的转变，以适应不断趋于碎片化和饱和的市场的需求，以创新能力来满 足不断涌现的对与“新颖”的需求，而在东方（尤其是中国），审美文化通常都是以传统中既有的 东西为原型，然后再加以完善和改良。 这两种不同的工作方式到后来被人们十分严重地误解了：东方工业必须依靠模仿西方发明出的商业 模式来发展。中国工业在所有西方市场的成功表明，它所生产的是一种十分特别的“创新”产品， 因为，按照中国自身的逻辑，所谓的创新只不过是对既有的典范进行完善，因此，辅之以销售网络 的支持——这种销售网络给西方制造商制造了严重的问题，使得他们不得不去面对廉价和快速生产 所带来的竞争——中国完全可以根据市场和生产时间来调整产品的价格。 所以，这是一种十分有效的“产业创新”模式，它不关注设计作为批判-审美文化的一面——这种意 义上的设计通常会定位于它对社会和伦理价值所做的贡献——但对于当今的产业系统而言，它的确 是一种有益的补充，因为，它可以帮助当今的产业系统应对世界范围内（包括来自中国）的竞争。 这种创新通过持续不断的服务和战略升级，以保全它在国际市场中的地位。 在全球化的背景下，西方设计正在改变它的地位和角色，设计师不仅在产品审美方面，还通过发展 新的市场战略、新的图像和广告策略、新的服务和新的小众市场来为企业家提供帮助。产品和创新 行为，需要遵循一种“永恒创新”的逻辑，没有永恒的解决方案，没有一成不变的结果。 年轻的中国设计似乎按着不同的路线来发展，因为它所继承和面对的是巨大的（潜在的）大众市 场，这一市场需要的不仅是家居产品，更重要的是出自伟大手工艺传统的产品，以一种西方竞争者 无法跟随的价格，保障该产品长期留存在市场中。这种产品超越于潮流之外，为一个希望借此增强 其稳定性和固有秩序的社会而存在。 由“创意联结”激发的中西对照，可以帮助我们思考设计多姿多彩的未来，这一设计会更加“戏剧 化”，对于传统的图像系统更加开放，更少自我指涉，更少“非-具象”，更能表达感情；这一设计 更少关注现今社会中的临时商品，现今的社会缺乏稳定的可供参考的典范、却又持续不断地追求着 共享的价值。因此，中国可以教会我们很多东西，反过来，我们也能教给中国这个一向遥远的国度 很多东西。

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The Exhibition Concept Curator Gilda Bojardi Editor Interni and G Casa Co-Curator Yang Dongjiang Professor of Academy of Arts & Design, Tsinghua University

“REN: Good Design” is the title of the 1st Beijing International Design Triennial, in the complex sense this term possesses in Chinese language and culture. “Ren”, in fact, takes on many different meanings (benevolence, mutual humanity, love and virtue); the character is composed of the root “man”, in the left part, and the sign for “two” on the right, underscoring the idea that man is never alone, but always seen in relation to other human beings. Therefore the title points to the value of human relations and exchange of ideas, in this case on the theme of design. This philosophy of reference is also seen in the exhibition “Creative Junctions”, located in the large central space of the prestigious National Museum of China, on Tienanmen Square, recently renovated with a project by the studio GMP – Von Gerkan, Marg and Partners Architects. In keeping with the theoretical accent on the concept of “REN”, the show offers a series of effective encounters between different creative realities capable of outlining a story composed of many stories, in pursuit of an increasingly widespread productive and design quality, through the synergetic encounter of Occident and Orient, of two cultures and civilizations, offered by an international selection of designers who propose works, all now in production, capable of representation in three-dimensional form, like a sort of “design Esperanto”, reflecting the relationship and the exchange of ideas (REN) and languages that share the same desire for quality. The Exhibition sets out to underline the wealth of talent of designers from different cultures and backgrounds, through processes of verification, comparison and transformation, with special focus on the importance of the designer-business relationship to bring out moments of technological innovation and industrial know-how along with crafts skills passed down over time. Ancient ties between East and West are revealed, the expression of a great potential of culture and exchange; a sort of ongoing “bounce effect” between people, works, products. The popular game of Ping Pong, widespread in China and Europe since the end of the 1800s, is a good representation of this in a symbolic form. The continuous, rapid two-directional movement becomes a convincing metaphor to describe the meaning of the exhibition in an immediate way, with its focus on the encounter of two different design cultures. The idea is to propose a selection of objects and products as glocal articles (global + local), to represent the capacity of an object to conserve the specific characteristics of the design of a country or a place, while also being able to approach the global market.

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展览理念 策展人：吉达·博亚迪 《Interni》和《G Casa》主编 联合策展人：杨冬江 清华大学美术学院教授

作为首届北京国际设计三年展的主题，“仁：设计的善意”在中国的语言和文化中有着复杂的含 义。“仁”事实上有各种不同的含义，如仁慈、以人道的方式相互对待、爱以及美德；“仁”字 由“人”和“二”两个偏旁组成，即突显了这样一层意思：人从来都不是单独存在的，而总是处在 与他人的关系之中。因此，这一主题强调了人际关系以及思想交流对于设计的价值。 这一哲学同样贯彻在“创意联结”展览单元中，这一展览将在中国国家博物馆中央大厅中举办—— 中国国家博物馆位于天安门广场，最近采用德国GMP建筑事务所的方案修葺一新。为了与“仁”这 一概念保持理论上的一致，本展览提供了不同的创意现实之间一系列具有实质意义的碰撞，通过东 方与西方这两大文化、文明体之间的交融互汇，通过在国际范围内遴选设计师，选择他们设计的、 已投入生产并以三维方式呈现的作品——这些作品就像是“设计的世界语”，体现了对品质有着共 同追求的不同思想（“仁”）和语言之间的沟通与交流——由此向观众讲述了一个由众多子故事组 成的、不断追求更高生产和设计品质的故事。 本展览通过验证、比较和转化，力图显示来自不同文化背景的设计师的天才创造力，并尤其强调“ 设计师-企业”这一关联对于促进技术革新、工业生产与历史悠久的手工技能相结合所具有的重要意 义。 我们认识到，东西方之间的古老纽带，反映了文化交流的巨大潜力，体现了人、作品和产品之间持 续不断的“反弹”效应。19世纪末以来流行于欧洲、后来又流行于中国的乒乓球运动，正是这一效 应的最佳象征。 乒乓球那不间断的、快速的双向运动，以一种直接的方式，成为表述本展览意义的令人信服的隐 喻，这一隐喻强调了两种不同设计文化之间的相遇和交流。 本展览所选择的展品既是国际化又是地域性的，也即是glocal（全球global + 地域local）的，既体现 了特定国家或地区的设计特色，同时又定位于全球市场。 “创意联结”意味着“相遇”和“比较”；这个创意的交叉系统，突出了每件设计作品的“示范价 值”以及设计背后的思想。 当代国际设计，呈现出复杂多元的局面。其中，不同传统和不同语言、工业制造和手工艺全都混杂 在一起。历史中流传下来的丰富多样的形式，或者成为可供学习的永恒经典（如同中国艺术史所做 的范例），或者成为一种可供追溯的记忆。 假如我们能时常回顾过去，那么我们就能更好地理解现在和不久的将来。

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The Exhibition Concept

Creative Junctions means “encounter, comparison”; a system of creative crossings that underline the “guiding value” of every design piece as the idea that lies behind the project. International design in the contemporary world, then, is a complex, multilinear scenario in which traditions and languages, industrial production processes and crafts skills mingle and mix. A panorama of forms and figures passed down by history as immutable models of reference, as we are taught by the history of Chinese art, or as memories to which to make reference. Our present and our near future seem to be more comprehensible if we look at the past. For design history, this also means looking at the great masters, the pioneers of modern design, included in the exhibition thanks to films, objects, iconic furnishings that are still very timely today. The work and the personality of designers/architects is also presented in films: a slice of life, of design approach and working knowledge, creativity and research of selected protagonists who form the present lively and versatile international design scene to which the exhibition refers. Rich iconographic material, including exceptional footage that documents international design in all its various creative phases. The themes of the exhibition, the complex scenario it will present to visitors (total exhibits 745, 155 designers of 24 nationalities), will take the form of an itinerary that emphasizes the relationship between project and realization also through 20 striking installations made with standard products or precious limited editions, shedding light on manual skills and technological know-how; a path that observes the relationship between design and its communication: a true encounter among different resources of creativity in international design. The exhibition is organized in 5 sections: 1. CREATIVITY < > KNOW-HOW 2. DESIGNER < > COORDINATION 3. TRADITION < > TECHNOLOGY 4. GENERATIONS < > SENSIBILITIES 5. ORIENT < > OCCIDENT

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展览理念

对于设计史，这同时意味着回望大师。借助影像、物品以及经典陈设，现代设计的先驱也被及时呈 现在本展览中。 我们选择了一部分具有代表性的设计师和建筑师，其人及其作品也同时出现在电影中：他们的生 活、设计方法、工作思路、创意和研究将以片段的形式展现在观众面前。正是他们造就了今日国际 设计界充满活力、多元并存的局面，而这正是本展览的着眼点所在。大量经典图像，包括珍稀电影 胶片，记录了国际设计各个充满创造力的侧面。 来自24个国家155位设计师的745件展品，连同本展览的主题，以一种复杂的展陈形式呈现在观众面 前，参观流线突出了设计方案与成品之间的关系，20个由标准产品和限量版产品所组成的令人震撼 的装置，突出了手工艺和工业技术之间的关联；这一参观流线考虑到设计与沟通之间的关系，力图 促成国际设计中不同创意来源之间的真实相遇。 本展览由五个部分组成： 1、创意 < > 技艺 2、设计师 < > 协作 3、传统 < > 科技 4、代际 < > 感性 5、东方 < > 西方

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Project of the Exhibition Christoph Radl Art Director Matteo Vercelloni Architect Guang Yunjia Architect There can be many conceptual links and affinities in the complex, multilinear landscape of international contemporary design, synergies and comparisons activated by observing projects and products that make up the changing scene of the languages of the world of design. In the exhibition “Creative Junctions” five categories have been identified from the many possible approaches, making it possible to create a visual, materic and compositional face-off between a series of design projects selected in the Orient and the Occident. A sort of design ping-pong that attempts to interpret and convey, in the form of an engaging exhibition itinerary, the Chinese concept reflected in the term “REN”, contained in the title of the first edition of the Beijing International Design Triennial (“REN: Good Design”) of which the exhibition “Creative Junctions” is an integral part. The term “Ren” in Chinese culture has a range of meanings. The one pertinent to the first Design Triennial of Beijing underscores the value of human relations and the need for fertile confrontation of ideas, ideas that on this occasion have to do with the theme of design. CREATIVITY< > KNOW-HOW organizes and shows the projects, the ideas (objects and accessories, furnishings and lamps) in different zones that interact with each other in an explicit approach to certain themes of reference, divided into five main sections. The theme of the correspondence between the project idea of the designer and the productive abilities of artisans and industry found in companies functions as a transverse, continuous link in the design history of every country: from Italy, where this relationship is the key to the success of Italian design in the world, to the East, where the legacy of crafts mixes with industrial mass production. DESIGNER< >COORDINATION examines the phenomenon of collaboration between a designer and different companies for the definition of a coordinated system of products that unite, in an ‘extended family’, different kinds of know-how and different productive and technical modes, in an open interchange between the design process and the industrial cycle. This phenomenon of close collaboration can also be seen in the relationship between design and the world of fashion, and in the more limited but significant area of independent production, where designers become the producers of their own works. TRADITION< >TECHNOLOGY deals with the value of ‘duration’ in time of a piece of design that remains in production across generations, going beyond categories of ‘taste’ and ‘fashion’, due to the iconic validity of its compositional invention, though without avoiding updates of production modes to keep pace with technological innovation. Together with this characteristic, we see a return of creativity, not as a revival of figurative motifs, decorations and forms from the past, ‘redesigned’ in a contemporary way in keeping with modern technologies, but as a way of approaching ancient forms of know-how and productive modes of the past, reinserting them in the processes of design and production of the present.

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展览方案 克里斯多夫·拉德尔 艺术指导 利玛窦·维尔切罗尼 建筑师 管云嘉 建筑师

通过审视那些促成世界设计语言不断变化的产品和项目，在当代国际设计复杂多元的格局中，不难 发现诸多的概念关联、协同作用以及相互之间的比较。

“创意联结”展中使用的五对范畴是从无数种可能性中精选出来的，以使从东西方精选的一系列设 计项目，能形成一种视觉的、物质的和结构性的对照。在参观路线的设计中，我们试图用“设计乒 乓”来诠释和传递“仁”的思想，这也是首届北京国际设计三年展的主题（仁：设计的善意）中所 包含的，“创意联结”正是这一展览不可缺少的一部分。在中国文化中，“仁”有许多含义。与本 次展览相契合的含义强调了人际沟通以及思想交流的价值。 创意 技艺 展览的理念以及包括家具和灯具在内的各种展品，被分为五个版块加以组织和展 示，它们分布在不同的区域，彼此之间形成互动，直指特定的主题。设计师的创作理念与企业的工 艺和工业制造能力之间的呼应，在世界各国的设计史中都起到一种横向的、连续的联结作用：对于 意大利，这一联结是意大利设计享誉世界的关键，对于东方，这一联结表现为传统工艺与批量生产 相结合。 设计师协作 审视单个设计师与不同公司之间的合作现象，这一协作系统可以看作是一个“大家 庭”，在设计过程与产业循环的开放交流中，不同的技艺和生产-技术模式联合在一起，并最终呈现 为产品。这种紧密合作的现象同样表现在设计与时尚界的关联中，此外也表现在更受局限但同样重 要的独立生产领域中，在那里，设计师成为了自己产品的制造者。 传统科技 面向历经数代而不衰的设计作品，由于其结构性的创新是如此的经典有效，这些作品 能超越于特定的趣味和时尚而不断被后人生产着，并且也并不回避根据最新的技术成果而革新自 己。连同这些特征一起，我们看到了一种创意的回归，这种回归并不是用现代科技来复兴过去的图 案、装饰和形式，而是把古代工艺和生产模式重新带入到现代的设计和产品中。 代际感受力 审视不同代的设计师如何在工作中保持一种连续性，从其创意中，不难发现他们对 于基本的价值和工作模式有一种共同的感受力。由此诞生了“大师”和“大师”的传奇，倾听他们 的叙述和个人故事已成为设计世界的文化遗产。 东方西方 试图搭建起一条研究东西方当代设计之间关联性的通道。东西方两种文化/文明体系之 间的比较与对接，体现为在国际范围内遴选出那些以品质为最高追求、已投入生产的设计作品，这 些作品就像是立体的“设计世界语”，像镜子那样反映了观念（仁）之间的交融互通。

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Project of the Exhibition

GENERATIONS< >SENSIBILITIES examines the relationship between designers of different generations who work with a sense of continuity, expressing a shared sensibility of values and project modes through creativity. The role and legacy of the ‘masters’ emerges, listening to lectures and personal histories that have become the cultural heritage of the world of design. ORIENT< >OCCIDENT constructs a path of research on affinities and contacts between eastern and western contemporary design. A synergetic comparison and encounter between Occident and Orient, between two cultures and civilizations, staged with an international selection of design pieces that are all in production, a kind of three-dimensional ‘design Esperanto’, a mirror of relationships and exchange of ideas (REN), in idioms that share the goal of high quality. The five sections have been organized in a linear, metaphorical itinerary that takes the monumental character of the entrance to the Museum, its geometries and its highly symmetrical layout into account. Discarding the option of concealing the exhibition area with respect to the host space, the installation project establishes an explicit relationship with the building. In particular, the regular pattern of the design of the ceiling has suggested the creation of a uniform grid in which to organize paths and platforms of different sizes and heights, mixed with a series of independent installations, spectacular ‘theatrical inventions’ that reinvent, in a series of free assemblages, the function and figure of the everyday useful object. A sort of urban metaphor is generated, a regular, compact micro-city, with its central square (the main zone of the installations, on axis with the steps leading to the central hall), a kind of operative downtown with street/ routes and monument/landmarks summed up at the two extremities of the entrance hall by the ‘vertical homes’ designed by Andrea Branzi, two exhibit structure that reinterpret the geometries of traditional Chinese bookcases, celebrating the encounter between contemporary design and the oriental tradition. The spaces contain a selection of iconic furnishings along with ‘symbols’ of Chinese figurative culture, including large Ming vases and sculptures with the classic figure of the dragon. As in any contemporary oriental city, there are also ‘media buildings’, works of architecture covered with large video screens that add color and movement to entire facades of towers and other structures. In the exhibition they are represented by the large projections on symmetrical panels flanking the steps that lead to the central hall. Finally, a cloud composed of thousands of ping-pong balls floats in the ‘sky’ of the entrance as a symbolic representation of continuous, rapid two-directional movement, a convincing metaphor to describe – in an immediate way, for the oriental and international audience – the meaning of the exhibition, on the confrontation of different cultures and design ideas in relation to their geographical specificities, but also aimed at the worldwide market.

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展览方案

考虑到博物馆入口雄伟、巨大、几何化和高度对称的布局，展览用一种线性的、隐喻式的参观路线 将五部分（展品）组织到一起。由于决定采用开放式展区的方案，装置作品体现出一种与建筑体的 明确关系。（开放式）天棚上规整的方格，形成了统一的格栅结构，将错落有致的参观路线和展台 整合到一起，其中还混杂着一系列独立的装置作品，类似“戏剧化的发明”，通过一系列自由组 合，重新发明出日常用品的新用途和新模样。由此产生一种城市的隐喻，一个规则的、紧凑的微型 城市，它有中心广场（安放装置作品的核心区域，沿此轴线可走上通往中央大厅的阶梯），以及街 巷密布、随处可见纪念碑或地标建筑的老城区，它结束在安德里亚•布兰兹位于大厅两侧的装置作 品“垂直的家”，该作品重新诠释了中国书架式的几何结构，体现了当代设计和东方传统的交汇。 这一作品运用了典型的中国家具，以及中国传统的象征——明代的大花瓶和龙的雕刻。就如同在任 何一个东方城市那样，总有些“媒体大厦”，楼体上覆盖着巨大的电视屏幕，给整座大厦的外墙和 其他建筑结构增添了色彩和动感。在此次展览中，置于通往中心大厅的阶梯两侧的对称的投影面板 便是其代表。最后，在入口处，由成千上万的乒乓球组成的漂浮在“天空”的云象征了乒乓球这一 持续的、快速的双向运动，这一令人信服的隐喻“以一种直接的方式，为东方和国际的观众”诠释 了本展览的意义，也即不同的文化和设计观念之间的碰撞与相遇，它们带有各自的地方色彩，但又 共同面向一个全球市场。

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创 意 联 结

Exhibition lay-out

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展览布局

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创 意 联 结

下

d6.0

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R A-050 No A-FM02 F A W 10600*5200 H 10700*5250 M AL/glass

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0,98 2,17 1,70

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2,403,60

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Door

R A-043 No A-046 F B C D 1420*2200 S 1600*2300 MF steel ML steel CD no A no Det. D_SB_02

R A-043 No A-046 F B C D 1420*2200 S 1600*2300 MF steel ML steel CD no A no Det. D_SB_02

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A VERTICAL HOME

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ARCIMBOLDO ARCIMBOLDO

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VERTICAL HOME

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General Plan Exhibition and Installations

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3,98

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R A-094 No A-FM03 F A W 10600*5200 H 10700*5250 M AL/glass

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RCIMBOLDO ARCIMBOLDO

强�� 5,77

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创 意 联 结

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Arcimboldo Project by Martí Guixé

The Lombard artist from the first half of the 1500s, Arcimboldo, is the focus of the installation by Martí Guixé that functions as the entrance gate to the exhibition, an intriguing creative threshold and effective ‘junction’ that sums up the idea of an intense face-off between designers and figures, materials and technologies, traditions and languages that is generated in the exhibition itinerary. Here theatrical invention utilizes objects and furnishings as ‘construction materials’ to make a different figure (the gate), just as Arcimboldo created his fantastic portraits: perfectly interlocking groupings of animals,

vegetables, elements from the natural world, but also books. In the case of the symbolic entrance gate, the threedimensional sum of objects, lamps and furnishings produces a work of micro-architecture that makes design, and its parts utilized here, into a dreamy world open to contaminations and creative transpositions. Courtesy Triennale Design MuseuM, Milano, 4T h eXhiBiTion, DreaM FacTories

阿尔钦博托 马蒂·奇塞

16世纪前半叶的伦巴第艺术家阿尔钦博托是Mart Guixe所做装置的 主题，作为展览的入口，这个引人思考的创意门槛和卓有成效的联 结，集中体现了参观流线中设计师与形象、材料与科技、传统与语 言之间的强烈对照。这一戏剧化的创造，以物品和家具为建筑材料， 搭建起一个与众不同的造型（门），就像阿尔钦博托创造他充满想象 力的人像，在那里，动植物、自然元素和书籍完美地交织在一起。这 个富于象征意义的大门用立体的物件、灯具和家具合成了一件微型建 筑，设计与它的元素被利用起来构成了一个梦幻世界，随时对外界的 污染与创意变换开放。

米兰三年展-三年展设计博物馆 4th 梦工厂

6,20 x 3,20 x h. 5,20 m.

Tatino, 1997, ENRICO BALERI and DENIS SANTACHIARA. CERRUTI BALERI Tatone, 1997, ENRICO BALERI and DENIS SANTACHIARA. CERRUTI BALERI Le Bambole ’07, 2007, MARIO BELLINI. B&B ITALIA Corallo, 2004, FERNANDO and HUMBERTO CAMPANA. EDRA Taraxacum 88, 1988, ACHILLE CASTIGLIONI. FLOS Biblia, 2008, ANTONIO CITTERIO. MAXALTO / B&B ITALIA Joe, 1970, JONATHAN DE PAS, DONATO D’URBINO and PAOLO LOMAZZI. POLTRONOVA Sacco, 1968, PIERO GATTI, CESARE PAOLINI and FRANCO TEODORO. ZANOTTA Xarxa, 2008, MARTÍ GUIXÉ. DANESE Genesy, 2009, ZAHA HADID. ARTEMIDE Smithfield, 2009, JASPER MORRISON. FLOS Falkland, 1964, BRUNO MUNARI. DANESE Forest, 2011, NENDO. DRIADE Tato, 1995, DENIS SANTACHIARA. CERRUTI BALERI Ultrafragola, 1970, ETTORE SOTTSASS. POLTRONOVA Bocca, 1970, STUDIO 65. GUFRAM Crinoline, 2008, PATRICIA URQUIOLA. B&B ITALIA Skygarden S2, 2007, MARCEL WANDERS. FLOS

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Vertical Homes Project by Andrea Branzi

The Vertical Homes designed by Andrea Branzi function as landmarks in the exhibition, concluding the perspective along the central axis of the entrance hall of the museum. The design of these vertical display structures reinterprets the geometric order of traditional Chinese bookcases, in a tribute to the encounter between contemporary design and the oriental tradition, while

Fossile Moderno, 2004, MASSIMILIANO ADAMI. SELF-PRODUCTION MT1, 2005, RON ARAD. DRIADE 100% Wood, 2008, SAM BARON with BEN CABELLI. FABRICA Via Lattea, 2007, MARIO BELLINI. MERITALIA Ghost, 1987, CINI BOERI. FIAM ITALIA Cabana, 2010, FERNANDO and HUMBERTO CAMPANA. EDRA AEO, 1973, PAOLO DEGANELLO. CASSINA Pylon, 1992, TOM DIXON. CAPPELLINI Show Time Indoor, 2006, JAIME HAYON. BD BARCELONA Thinking Man’s Chair, 1988, JASPER MORRISON. CAPPELLINI Gregg, 2007, LUDOVICA + ROBERTO PALOMBA. FOSCARINI Up 2000 Silver Special Edition, 2009, GAETANO PESCE. B&B ITALIA Carlton, 1981, ETTORE SOTTSASS. MEMPHIS Ashoka, 1981, ETTORE SOTTSASS. MEMPHIS

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introducing an evocative sense of vertical stratification, for a selection of iconic proposals flanked by two ‘symbols’ of Chinese figurative culture, the large Ming ceramic vase and a sculpture with the classic figure of the dragon. A ‘Vertical Junction’ conceived as a symbolic set, a point of reference, and a summary of the contents of the exhibition.

A

垂直的家 安德里亚·布兰兹

安德里亚·布兰兹设计的垂直家园在展览中起到地标的作用，是 美术馆入口大厅中轴线的视角终结点。这些垂直的展示结构对中 国传统书柜的几何秩序进行了再阐释，在融合了当代设计与东方 传统的同时，引入了垂直分层的概念，两侧有中国视觉文化的两 大标志，明代大花瓶和经典龙型雕塑。这一“垂直联结”可以理 解为是一个象征组合，一个参考点，以及对本展览内容的概括。

B

Spoon XL, 2005, BENEDINI ASSOCIATI. AGAPE Peacock, 2009, DROR BENSHETRIT. CAPPELLINI Vegetal, 2008, RONAN & ERwAN BOuROullEC. VItrA Diagrammi, 2011, ANDREA BRANZI. NILUFAr Mezzadro, 1957, ACHIllE and PIERGIACOMO CASTIGlIONI. ZANOttA Blow, 1967, JONATHAN DE PAS, DONATO D’uRBINO, PAOlO lOMAZZI with CARlA SCOlARI. ZANOttA Danae, 2008, MAuRIZIO GAlANTE with TAl lANCMAN. BOFFI Sacco, 1968, GATTI-PAOlINI-TEODORO. ZANOttA Hope, 2009, FRANCISCO GOMEZ PAZ with PAOlO RIZZATTO. LUCEPLAN Chair One, 2003, KONSTANTIN GRCIC. MAGIS Family Chair, 2010, JuNYA ISHIGAMI. LIVING DIVANI Wink, 1980, TOSHIYuKI KITA. CASSINA Nemo, 2010, FABIO NOVEMBRE. DrIADEStOrE/DrIADE Lady Costanza, 2008, PAOlO RIZZATTO. LUCEPLAN

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创 意 联 结

展品装置 Exhibit Installations

Stool 60, 1993, AlvAr AAlto. artek Do-Lo-Rez Sofa, 2007, ron ArAd. Moroso + Do-Lo-Rez Carpet, 2009, ron ArAd. NaNiMarquiNa Clouds, 2008, ronAn & ErwAn BouroullEc. kvadrat Vegetal, 2008, ronAn & ErwAn BouroullEc. vitra Snow, 2007, odoArdo FiorAvAnti. Pedrali Arc, 2010, normAn FostEr/FostEr+PArtnErs. MolteNi&C. Animal Things, 2006, Front. Moooi Chair One, 2003, KonstAntin Grcic. Magis Myto, 2008, KonstAntin Grcic. PlaNk Z-Bowl, 2008, ZAhA hAdid. sawaya & MoroNi IT, 2004, JAcoB + mAcFArlAnE. sawaya & MoroNi Vidun, 1987, vico mAGistrEtti. de Padova LED Wallpaper, 2011 + LED Bench, 2003, inGo mAurEr Testa Pensante, 1997, AlEssAndro mEndini. Bisazza Il Cavallino di Venini, 2008, AlEssAndro mEndini. veNiNi Superleggera 699, 1957, Gio Ponti. CassiNa + Superleggera 699, re-issue 2010, Gio Ponti. CassiNa Darwish, 1999, williAm sAwAyA. sawaya & MoroNi Bella Rifatta, 2002, williAm sAwAyA. sawaya & MoroNi Louis Ghost, 2002, PhiliPPE stArcK. kartell Waterdream, 2005, PAtriciA urquiolA. axor Bathroom Ambience, 2008, PAtriciA urquiolA. axor

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60号座椅 Stool 60, 1933 Alvar Aalto 此装置（直径450厘米）由60把60号座椅组成， 每把座椅高44厘米，直径38厘米。 Installation (ø 450 cm) made with 60 Stool 60 units. Each birch stool measures h. 44 cm and ø 38 cm. artek

Exhibit Installations 展品装置

699超轻椅, 1957原版，2010再版 Superleggera 699, 1957 and 2010 re-issue gio PoNti 此装置（长150x 150 x 高.240 厘米）由8把699超轻椅组成，有两种版本：5把白蜡木椅架（3把白色，2把自然 色）、印度竹藤椅面；3把把白蜡木椅架（2把白色，1把黑白）、填充椅面，椅面有3种色彩，黑色、酸绿色和红 色。每把椅子尺寸为长45 x宽 41 x 高83 厘米。 Installation (150 x 150 x h. 240 cm) made with 8 Superleggera 699 chairs, in two versions: 5 with ashwood frame (3 white and 2 in natural color) and Indian cane seat; 3 with ashwood frame (2 white and 1 black + white) with padded seat in 3 different colors - black, acid green and red. Each chair measures 45 x 41 x h. 83 cm. CassiNa

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创 意 联 结

Exhibit Installations

螺丝钉茶几 Vidun, 1987 viCo Magistretti 此装置（长240x 宽240 x高160 厘米)由1张螺丝钉桌子和2个螺丝钉支架组成：1张桌子，由抛光平板玻璃桌面 和山毛榉木材支架组成；1个红-黄-鹅喙色苯胺染色山毛榉木材支架；1个紫罗兰-松石绿苯胺染色山毛榉木材 支架。桌面直径为130厘米，支架尺寸为长75 x 宽70 x 高80厘米。 Installation (240 x 240 h. 160 cm) made with 1 Vidun table and 2 Vidun bases: 1 top in tempered plate glass with 1 natural beech base; 1 red-yellow-goosebeak aniline-stained beech base; 1 violet-turquoise-green aniline-stained beech base. The top has ø 130 cm, while each base measures 75 x 70 x h. 80 cm. de Padova

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展品装置 Exhibit Installations

掝 圢帄氕 厗垌壴, 賗 圛嬖嬨 蠬襱覾 焟

思想者 Testa Pensante, 1997 alessaNdro MeNdiNi 此装置（长70 x 宽70 x 高238 厘米）由1个“思想 者”和1个陈列柜组成。“思想者”，金色玻璃马赛 克饰面，长67 x 宽62,5 x 高13厘米。陈列柜，镀锌 板金属原料，长70 x 宽70 x高108厘米。 Installation (70 x 70 x h. 238 cm) made with 1 Testa Pensante and 1 cabinet. Testa Pensante, in golden and glass mosaic, measures 67 x 62,5 x h. 13 cm. The cabinet, in raw galvanized sheet metal, measures 70 x 70 x h. 108. Bisazza

Exhibit Installations

云 Clouds, 2008 roNaN & erwaN BouroulleC 此装置占地11平方米，由100片“云”组成， 是深蓝色和白色的瓷砖。 Installation 11 s.m. made with 100 Clouds, tiles in dark blue and white. kvadrat

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展品装置 Exhibit Installations

掝 圢帄氕 厗垌壴, 賗 圛嬖嬨 蠬襱覾 焟

LED, 2011 and 2003 iNgo Maurer 此装置（长320 x 宽120 x高450 厘米）由4张LED墙纸组成：纸质，LED和 电子设备，1张LED台：玻璃，LED和电子设备。每张LED墙纸的尺寸为长 60 x 厚0,1 x 高320 厘米，LED台的尺寸为长200 x 宽50 x 高 4厘米。 Installation (320 x 120 x h. 450 cm) made with 4 LED Wallpaper units: in paper, LEDs and electronics, and 1 LED Bench: in glass, LEDs and electronics. Each LED Wallpaper module measures 60 x 0,1 x h. 320 cm, while the LED Bench measures 200 x 50 x h. 40 cm. iNgo Maurer gMBH

Exhibit Installations “路易斯魂灵”扶手椅 Louis Ghost, 2002 PHiliPPe starCk 此装置（长200 x 宽55 x 高120 厘米)由20把“路易斯魂灵”扶手椅组成， 材料为聚碳酸酯，共有五种不同的颜色（透明，黄色，橘色，绿色和淡蓝色）。 每把椅子（每种颜色四把）的尺寸为长55 x宽54 x高94 厘米。 Installation (200 x 55 x h. 120 cm) made with 20 Louis Ghost models in polycarbonate in 5 different colors (transparent, yellow, orange, green and light blue). Each chair (4 chairs for each color) measures 54 x 55 x h. 94 cm. kartell

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展品装置

桌 Arc, 2010 NorMaN Foster/Foster+PartNers 此装置(长240 x 宽240 x 高150 厘米)由一张Arc桌面和两个Arc桌架组成：钢化玻璃的高亮 光桌面，直径为40 厘米，与此同时3个桌架采用了一种新的、由水泥和有机纤维构成的灰色 材料，每个高73 厘米。 Installation (240 x 240 x h. 150 cm) made with 1 Arc table and 2 Arc bases: the top in tempered glass has an extralight finish, and measures ø 40 cm 1, while the 3 bases, in an innovative material composed of cement and organic fiber with a gray color, measure h. 73 cm each. MolteNi&C

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Exhibit Installations

椅 Myto, 2008 koNstaNtiN grCiC 此装置(宽54 x 高155 厘米)由10把Myto椅子组成，椅子材料是巴斯夫高速塑料，有五种不同的颜色 （红色，橘色，黄色，淡蓝色和白色）。每把椅子（每种颜色两把）的尺寸为长55 x宽51 x高82 厘米。 Installation (54 x h. 155 cm) made with 10 Myto chairs in BASF Ultradur High Speed plastic, in 5 different colors (red, orange, yellow, light blue and white). Each chair (2 chairs for each color) measures 51 x 55 x h. 82 cm. PlaNk

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展品装置

一号座椅 Chair One, 2003 koNstaNtiN grCiC 此装置（长488 x 宽398 x 高300 厘米)由13把一号座椅（2003）组成：椅子腿材料是铸铝，座位材料是抛光压铸铝， 喷有氟化钛和红色的聚酯粉末。11把椅子尺寸为长50x宽30x高300 厘米，2把椅子的尺寸为长59x宽55x高82 厘米。 Installation (488 x 398 x h. 300 cm) made with 13 Chair One units (2003); legs in polished aluminium, seat in polished die-cast aluminium, treated with sputtered fluorinated titanium and painted with polyester powder in red. 11 chairs measure 30 x 50 x h. 300 cm, while 2 chairs measure 55 x 59 x h. 82 cm. Magis

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创 意 联 结

Exhibit Installations

沙发 IT, 2004 JaCoB & MaCFarlaNe 此装置（长190 x 宽170 x 高150 厘米)由一个沙发组成， 材料是红色抛光聚酯。 Installation (190 x 170 x h. 150 cm) made with 1 IT Chair in polished red polyester. sawaya & MoroNi

沙发 Darwish, 1999 williaM sawaya 此装置（直径130厘米，高75厘米）由一个 Darwish沙发组成，材质为抛光铸铜。 Installation (ø 130 cm and h. 75 cm) made with 1 Darwish Seat in polished cast bronze. sawaya & MoroNi

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展品装置

贝拉椅 Bella Rifatta, 2002 williaM sawaya 此装置(长93 x 宽54 x高210 厘米) 由18组贝拉椅组 成，椅子的材料为半透明聚碳酸酯，有6种颜色（黄 色，绿色，红色，紫罗兰，橘色和透明），尺寸为长 56.5 x 宽56 x 高81.3 厘米。 Installation (93 x 54 x h. 210 cm) made with 18 units of Bella Rifatta. Each chair, in translucent polycarbonate in 6 different colors (yellow, green, red, violet, orange and transparent), measures 56 x 56,5 x h. 81,3 cm. sawaya & MoroNi

Z-Bowl, 2008 zaHa Hadid 此装置(长150 x 宽80 x 高40 厘米)由一座Z-Bowl的雕 塑组成。此装置是签名、限量的，粉玫色，雕刻、抛 光的甲基丙烯酸酯体块。 Installation (150 x 80 x h. 40 cm) made with 1 Z-Bowl sculpture. This numbered and signed piece is a carved and polished solid block of methacrylate in fuchsia color. sawaya & MoroNi

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创 意 联 结

Exhibit Installations

Do-Lo-Rez, 2007 and 2009 roN arad 此装置(长276 x宽184 x 高56 厘米)由一组Do-Lo-Rez沙发和一组Do-Lo-Rez地毯组成。Do-Lo-Rez沙发，材料为木，泡沫塑料，尺寸为长 161 x 宽138 x高56 厘米；Do-Lo-Rez地毯，材料是100%羊毛。 Installation (184 x 276 x h. 56 cm) made with 1 Do-Lo-Rez Sofa and 1 Do-Lo-Rez Carpet. The Do-Lo-Rez Sofa, in wood and foam modules, measures 161 x 138 x h. 56 cm. The Do-Lo-Rez Carpet, in 100% wool, measures 184 x 276 x h. 0,36 cm. Moroso aNd NaNiMarquiNa

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植物椅 Vegetal, 2008 roNaN & erwaN BouroulleC 此装置（长150 x 宽120 x 高140 厘米）由5把植物椅子组成，每把椅子材质 为奶油色染色尼龙，尺寸为长60,6 x 宽55,2 x 高81,3 厘米 Installation (150 x 120 x h. 140 cm) made with 15 Vegetal chairs. Each chair, in polyamide batch-dyed in a cream color, measures 60,6 x 55,2 x h. 81,3 cm. vitra

展品装置 Exhibit Installations

Exhibit Installations

动物 Animal Things, 2006 FroNt 此装置(长250 x 宽250 x高240 厘米)由3个动物展品组成：马灯，长230 x 宽55 x 高 240 厘米；兔灯，长30 x 宽30 x 高52 厘米；猪桌，长60 x 宽60 x 高70 厘米。 Installation (250 x 250 x h. 240 cm) made with 3 Animal Things in black polyester: the Horse Lamp, 230 x 55 x h. 240 cm; the Rabbit Lamp, 30 x 30 x h. 52 cm; the Pig Table, 60 x 60 x h. 70 cm. Moooi Distributed in China by Design Republic

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展品装置 Exhibit Installations

水之梦 Waterdream, 2005 PatriCia urquiola 装置“水之梦”(120 x 240 厘米)由多种材质的展品元素组成。 以一个浴室的视角诠释着技术与梦境：泛着泡沫的五彩梦境气氛伴随着鸟儿的鸣唱、青蛙和蝴蝶。 Installation Waterdream (120 x 240 cm) made with various elements in mixed materials. A bathroom vision that floats between technology and dream: a sparkling colorful ambience animated with birdsong, frogs and butterflies. axor 浴室氛围 Bathroom Ambience, 2008 PatriCia urquiola 装置“浴室氛围”(120 x 240 cm)由多种展品元素 组成：Axor Urquiola的浴缸，盥洗池，水龙头组 合；Rosenthal Landscape的花瓶；Emu Re-Trouve 的椅子；Mutina D chirer的瓷砖。 Installation Bathroom Ambience (240 x 240 cm) made with various elements: bathtub, basin, washbasin and mixer faucet from the Axor Urquiola collection; vase from the Rosenthal Landscape collection; pouf from the Emu Re-Trouvé collection; tiles from the Mutina D Chirer Collection. axor

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创 意 联 结

Exhibit Installations

雪花椅 Snow, 2007 odoardo FioravaNti 此装置(宽55 x高120 厘米)由14把雪花椅组成，材料为聚丙 烯，有七种颜色（红色，橘色，蓝色，绿色，黑色，白色和沙 色）。每把椅子（每种颜色两把）的尺寸为长55 x 宽47 x高 80.5 厘米。 Installation (55 x h. 120 cm) made with 14 Snow chairs in polypropylene in 7 different colors (red, orange, blue, green, black, white and sand). Each chair (2 chairs for each color) measures 55 x 47 x h. 80,5 cm. Pedrali

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展品装置

Il Cavallino di Venini, 2008 alessaNdro MeNdiNi 此装置（长210 x宽75 x高 173 cm）由三匹威尼尼之马组成，每匹 马材料为玻璃，尺寸为长42 x宽 21 x 高 47 cm，其木底座尺寸为 长32 x宽 21 x 高 6 cm. Installation (platform 210 x 75 x h. 173 cm) made with three Venini Cavallino pieces. Each Venini Cavallino, in glass, measures 42 x 21 x h. 47 cm, while the base platform in wood measures 32 x 21 x h. 6 cm. veNiNi 69

创 意 联 结

150 Designers 5+1AA Alvar Aalto Massimiliano Adami Aksu/Suardi Tadao Ando Angeletti Ruzza Ron Arad Gae Aulenti François Azambourg Enrico Baleri Sam Baron Mario Bellini Benedini Associati Dror Benshetrit Francesco Binfaré Cini Boeri Tord Boontje Ronan & Erwan Bouroullec Andrea Branzi Fernando and Humberto Campana Giulio Cappellini Achille Castiglioni Pier Giacomo Castiglioni Ceretti, Derossi, Rosso Soo K. Chan Chang Yung Ho Chen Nan David Chipperfield Antonio Citterio Carlo Colombo Joe Colombo David Jia Michele De Lucchi De Pas - D’Urbino - Lomazzi Odile Decq Paolo Deganello Pietro Derossi Stefan Diez Tom Dixon Rodolfo Dordoni Doshi Levien Charles & Ray Eames Lapo Elkann Odoardo Fioravanti Barnaba Fornasetti Norman Foster Front Naoto Fukasawa Massimiliano and Doriana Fuksas Maurizio Galante Raffaello Galiotto

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Gao Yiqiang Gatti - Paolini - Teodoro Ron Gilad Stefano Giovannoni Francisco Gomez Paz Diego Grandi Konstantin Grcic Martí Guixé Zaha Hadid Jaime Hayon Adri Hazebroek Thomas Heatherwick Herzog & de Meuron Richard Hutten Massimo Iosa Ghini Junya Ishigami Liu Carl Jakob + Macfarlane Ole Jensen Jia Li Toshiyuki Kita Claudio La Viola Joris Laarman Ferruccio Laviani Arik Levy Li Hong Piero Lissoni Liu Feng aka Nathan Liu Liu Tiejun Paola Longoni Ross Lovegrove Ma Yansong Vico Magistretti Angelo Mangiarotti Javier Mariscal Jean-Marie Massaud Ingo Maurer Alessandro Mendini Mike Mak Marcello Morandini Andrea Morgante Jasper Morrison Bruno Munari Mario Nanni Natural Home Studio Paola Navone Nendo Neri&Hu Neuland Industriedesign Luca Nichetto Gwenael Nicolas

150位设计师 Patrick Norguet Jean Nouvel Fabio Novembre Ora-Ïto Ludovica+Roberto Palomba Gaetano Pesce Christophe Pillet Franco Poli Gio Ponti Bertjan Pot Qian Yiran Prospero Rasulo Raw-Edges Paolo Rizzatto Marc Sadler Roberto Sambonet Denis Santachiara William Sawaya Héctor Serrano Shao Fan Claudio Silvestrin Borek Sipek Ettore Sottsass Philippe Starck Studio65 Sun Yun Giovanna Talocci Mario Tessarollo Matteo Thun Attilio Tono Patricia Urquiola Vincent Van Duysen Marcel Wanders Norbert Wangen Wu Ling Zhi aka Vivian Wu Wu Qihua & Liu Yinan Xie Dong Xie Zaru Yeh Yu-Hsuan aka Jesus Yeh Tokujin Yoshioka Michael Young Yu Lizhan Zhang Lei & Liu Kaiwei Zhao Chao Zheng Shuyang Zhou Hongtao Zhou Shangyi Zhu Pei Zhu Xiaojie

700件展品

700 Exhibits 经由...提供 COURTESY OF Aboutwater Massimiliano Adami Agape Alessi Arita Nanakura Artek Artemide Axor by Hansgrohe B&B Italia Baccarat Baxter BD Barcelona Beijing Maysnow Company Bernardaud Bisazza Boffi Brix CapitalBio Corporation Cappellini Carl Liu Casalgrande Padana Casamania Cassina Poltrona Frau Ceramica Bardelli Ceramica Flaminia Cerruti Baleri Chen Nan Christofle Danese David Jia Da Vinci Dedon De Padova Design Republic Dialog Box Interlocking Foundation Dilmos Driade E15 Edra Elica Emeco/Coca-Cola Emmemobili Emu Estudio Campana Fabrica Fendi Casa - Club House Italia Fiam Italia Flexform Flos Flou

FontanaArte Formica Foscarini Fratelli Fantini Fratelli Guzzini Gao Yiqiang Gessi Glass Idromassaggio Gufram Guangzhou Hengfu Company iGuzzini I+I Ingo Maurer Jia Jia Li Kartell Kenzo Maison - Club House Italia Toshiyuki Kita KNIndustrie Kos Kvadrat L&W Design Studio Laufen Lea Ceramiche Lema Lithos Design Liu Tiejun Living Divani LKK Design Louis Poulsen Luceplan Ma Yansong Magis Marazzi Group Matteograssi Maxalto/B&B Italia MDF Italia Memphis Meritalia Metea Minotti Missoni Home - T&J Vestor Molteni & C Moooi Moroso Nanimarquina Nathan Liu Natural Home Design Studio Neri&Hu Nilufar Nodus

Opal Furniture Pastoe Pedrali Pega D&E Plank Poliform Poltrona Frau Poltronova Porro Produzione Privata Qian Yiran Rapsel Roda Rosenthal Sambonet Sawaya & Moroni Shao Fan Sharp Suck Uk Swarovski Elements Taniguchi Washi Targetti Sankey Technogym Teuco Trussardi Veneta Cucine Venini Viabizzuno Vitra Vitra International Vola When Objects Work Vivian Wu Wu Qihua & Liu Yinan Xie Dong Studio Yehidea Zanotta Zerodisegno Zheng Shuyang Zhou Hongtao Zhou Shangyi Zucchetti

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Diamante R20 Boa, 2010, 5+1 AA. CASALGRANDE PADANA Sharpei, 2008, MASSIMILIANO ADAMI. CAPPELLINI MT1, 2005, RON ARAD. DRIADESTORE/DRIADE PizzaKobra, 2006, RON ARAD. iGUZZINI Mr. Bugatti, 2006, FRANÇOIS AZAMBOURG. CAPPELLINI 100% Wood, 2008, SAM BARON with BEN CABELLI. FABRICA Grandpiano, 2007, MARIO BELLINI. FLOU Via Lattea, 2007, MARIO BELLINI. MERITALIA Spoon XL, 2005, BENEDINI ASSOCIATI. AGAPE Peacock, 2009, DROR BENSHETRIT. CAPPELLINI Flap Anniversary Edition, 2010, FRANCESCO BINFARÉ. EDRA Witch Chair, 2004, TORD BOONTJE. MOROSO Pitagora Mod. 2, 2005, ANDREA BRANZI. METEA Cabana, 2010, FERNANDO and HUMBERTO CAMPANA. EDRA Corallo, 2004, FERNANDO and HUMBERTO CAMPANA. EDRA Jenette, 2005, FERNANDO and HUMBERTO CAMPANA. EDRA Bong, 2004, GIULIO CAPPELLINI. CAPPELLINI Monowash, 2004, GIULIO CAPPELLINI. CERAMICA FLAMINIA Tea and Coffee Towers, 2003, DAVID CHIPPERFIELD. OFFICINA ALESSI Run Personal, 2009, ANTONIO CITTERIO with TOAN NGUYEN. TECHNOGYM Link, 2005, CARLO COLOMBO. POLIFORM ST 10 Jean, 2010, STEFAN DIEZ. E15 Pylon, 1992, TOM DIXON. CAPPELLINI Lumiere XXL, 2009, RODOLFO DORDONI. FOSCARINI Foodwear, 2011, RODOLFO DORDONI. KNINDUSTRIE Fiat 500 Design Collection: Panorama, 2011, LAPO ELKANN with MERITALIA. MERITALIA 111 Navy Chair, 2006, EMECO/COCA COLA PRODUCT DEVELOPMENT. EMECO/COCA COLA Sveva Walnut Canaletto, 2011, ODOARDO FIORAVANTI. FLOU Balancing Boxes, 2010, FRONT. PORRO Tea and Coffee Towers, 2003, MASSIMILIANO and DORIANA FUKSAS. OFFICINA ALESSI Danae, 2011, MAURIZIO GALANTE with TAL LANCMAN. BOFFI Wall Piercing 1x, 2010, RON GILAD. FLOS Bubble, 2010, STEFANO GIOVANNONI. ELICA Liquida, 2010, STEFANO GIOVANNONI with ELISA GARGAN. VENETA CUCINE City Cordusio Bronze 3D, 2007, DIEGO GRANDI. LEA CERAMICHE SlimTech Mauk, 2009, DIEGO GRANDI. LEA CERAMICHE 360° Container, 2010, KONSTANTIN GRCIC. MAGIS Chair One, 2003, KONSTANTIN GRCIC. MAGIS Crevasse, 2005/2010, ZAHA HADID. OFFICINA ALESSI Genesy, 2009, ZAHA HADID. ARTEMIDE Z.Scape Moraine, 2000, ZAHA HADID. SAWAYA & MORONI Cobra, 2001, ADRI HAZEBROEK. RAPSEL Spun, 2010, THOMAS HEATHERWICK. MAGIS Pipe, 2005, HERZOG & DE MEURON. ARTEMIDE Lens, 2010, MASSIMO IOSA GHINI. iGUZZINI OJ, 2010, OLE JENSEN. LOUIS POULSEN/TARGETTI POULSEN GROUP Maria, 1997, CLAUDIO LA VIOLA. VIABIZZUNO

Quake, 2008, ARIK LEVY. MOLTENI&C

Flaap AL/23, 2010, PIERO LISSONI. ABOUTWATER (BOFFI and FANTINI) Liquid, 2002, PIERO LISSONI. BOFFI Hati, 2009, PIERO LISSONI. LEMA Bubble Rock, 2005, PIERO LISSONI. LIVING DIVANI Wimbledon, 2010, PIERO LISSONI. MATTEOGRASSI Neve, 2010, PIERO LISSONI. PORRO Cosmic Angel, 2009, ROSS LOVEGROVE. ARTEMIDE Istanbul, 2006, ROSS LOVEGROVE. VITRA Sistema, 2009, MARAZZI GROUP STYLE CENTRE. MARAZZI GROUP

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Soho, 2008, MARAZZI GROUP STYLE CENTRE. MARAZZI GROUP Me Too: Villa Julia, 2009, JAVIER MARISCAL. MAGIS Alessandra, 1995, JAVIER MARISCAL. MOROSO Woodstock, 2010, JEAN-MARIE MASSAUD. POLIFORM Kennedee, 2006, JEAN-MARIE MASSAUD. POLTRONA FRAU Radarrr, 2011, INGO MAURER. INGO MAURER Monowash AZ, 2009, ALESSANDRO MENDINI. CERAMICA FLAMINIA Rocchetto, 2009, ALESSANDRO MENDINI. CERAMICA FLAMINIA Non c’è Italia senza spine, 2011, ALESSANDRO MENDINI. ZERODISEGNO Nivis, 2011, ANDREA MORGANTE. AGAPE Thinking Man’s Chair, 1988, JASPER MORRISON. CAPPELLINI Smithfield, 2009, JASPER MORRISON. FLOS Vulcano, 2006, PAOLA NAVONE. POLIFORM Forest, 2011, NENDO. DRIADE Random, 2005, NEULAND INDUSTRIEDESIGN. MDF ITALIA Poliart, 2010, LUCA NICHETTO. CASAMANIA Sen 0911, 2005, GWENAEL NICOLAS. AGAPE SlimTech Waves, 2010, PATRICK NORGUET. LEA CERAMICHE Tea and Coffee Towers, 2003, JEAN NOUVEL. OFFICINA ALESSI Less, 1994, JEAN NOUVEL. MOLTENI & C Skin, 2007, JEAN NOUVEL. MOLTENI & C Org, 2001, FABIO NOVEMBRE. CAPPELLINI Robox, 2011, FABIO NOVEMBRE. CASAMANIA Nemo, 2010, FABIO NOVEMBRE. DRIADESTORE/DRIADE One, 2002, LUDOVICA + ROBERTO PALOMBA with SERGIO MORI. CERAMICA FLAMINIA Twin Column, 1996, LUDOVICA + ROBERTO PALOMBA. CERAMICA FLAMINIA Gregg, 2007, LUDOVICA + ROBERTO PALOMBA. FOSCARINI Le Edizioni del Pesce: Big Surprise 1, 2010, GAETANO PESCE. MERITALIA Le Edizioni del Pesce: Fare, 2010, GAETANO PESCE. MERITALIA Le Edizioni del Pesce: Ghost, 2010, GAETANO PESCE. MERITALIA Montanara, 2009, GAETANO PESCE. MERITALIA Nouvelle Vague, 2005, CRISTOPHE PILLET. PORRO Aretè, 2007, FRANCO POLI. MATTEOGRASSI Carbon Chair, 2004, BERTJAN POT. MOOOI Plaid Bench, 2011, RAW-EDGES. DILMOS Tress, 2008, MARC SADLER. FOSCARINI Per Par Pum, 2009, MARC SADLER. LEMA Wosh, 2007, WILLIAM SAWAYA. ZUCCHETTI I Frammenti, 2006, CLAUDIO SILVESTRIN. BRIX Apollonio, 2010, BOREK SIPEK. DRIADEKOSMO/DRIADE Play, 2010, PHILIPPE STARCK with EUGENI QUITLLET. DEDON T59 Paper, 2010, GIOVANNA TALOCCI. TEUCO Decanter, 2011, TARGETTI R&D DEPT. TARGETTI SANKEY Wings, 2009, MARIO TESSAROLLO. BOFFI Ofurò, 2009, MATTEO THUN with ANTONIO RODRIGUEZ. RAPSEL Isy, 2001, MATTEO THUN with ANTONIO RODRIGUEZ. ZUCCHETTI Pavo Real, 2011, PATRICIA URQUIOLA. DRIADE Caboche, 2005, PATRICIA URQUIOLA. FOSCARINI Tropicalia, 2008, PATRICIA URQUIOLA. MOROSO Antibodi, 2006, PATRICIA URQUIOLA. MOROSO D.R.Y., 2011, VINCENT VAN DUYSEN. BRIX Totem G 300, 2010, VINCENT VAN DUYSEN. PASTOE FS3, 2009, VOLA RESEARCH & DEVELOPMENT STUDIO. VOLA Pipe, 2001, MARCEL WANDERS. BOFFI Venus, 2009, MARCEL WANDERS. POLIFORM k2, 2004, NORBERT WANGEN. BOFFI W1, 2006, NORBERT WANGEN. BOFFI

联结 JuNCTION

01

CREATIVITY < > KNOW-HOW 创意 < > 技艺 The theme of the correspondence between the project idea of the designer and the productive abilities of artisans and industry found in companies functions as a transverse, continuous link in the design history of every country: from Italy, where this relationship is the key to the success of Italian design in the world, to the East, where the legacy of crafts mixes with industrial mass production.

展览的理念以及包括家具和灯具在内的各种展 品，被分为五个版块加以组织和展示，它们分布 在不同的区域，彼此之间形成互动，直指特定的 主题。设计师的创作理念与企业的工艺和工业制 造能力之间的呼应，在世界各国的设计史中都起 到一种横向的、连续的联结作用：对于意大利， 这一联结是意大利设计享誉世界的关键，对于东 方，这一联结表现为传统工艺与批量生产相结合。

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BOA R20钻石 Diamante R20 Boa, 2010 5+1 AA 瓷，粗陶 tiles, porcelain stoneware 60 x 60 cm CASALGRANDE PADANA

“电线架”椅 Pylon, 1992 TOM DIXON 钢丝 chair, steel wire 67 x 60 x 128 cm CAPPELLINI

思想者安乐椅 Thinking Man’s Chair, 1988 JASPER MORRISON 上漆金属 easy chair, varnished metal 63,5 x 96 x 70cm CAPPELLINI

“裂缝”花瓶 Crevasse, 2005 ZAHA HADID 18/10不锈钢 flower vase, 18/10 stainless steel 8 x 6 x 42 cm OFFICINA ALESSI

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“裂缝”花瓶 Crevasse, 2010 18/10不锈钢，PVD涂层 flower vase, 18/10 stainless steel, PVD coating

系列 Foodwear, 2011 RODOLFO DORDONI 玻璃 glass for tajine/lantern, glass h. 26 cm, ø 20 cm 平底锅，盘，焙盘 Wonderplus 18/10不锈钢 pan/dish, pan/tray and casserole Wonderplus 18/10 stainless steel h. 8 cm, ø 20 cm - h. 9 cm, ø 34 cm h. 14 cm, ø 26 cm KNINDUSTRIE

斯薇拉胡桃木床 Sveva Walnut Canaletto, 2011 ODOARDO FIORAVANTI 木 bed, wood and bed accessories 217 x 175 x 97 cm FLOU

茶具&咖啡具 Tea and Coffee Towers, 2003 DAVID CHIPPERFIELD 银，陶瓷，热塑树脂 tea and coffee service, ceramic, 925/1000 silver, thermoplastic resin 99 copies limited edition 30,3 x 37,8 x 2,3 cm OFFICINA ALESSI

茶具&咖啡具 Tea and Coffee Towers, 2003 JEAN NOUVEL 925/1000银，热塑树脂 tea and coffee service (8 pieces), 925/1000 silver, thermoplastic resin 99 copies limited edition ø 35 cm OFFICINA ALESSI

茶具&咖啡具 Tea and Coffee Towers, 2003 MASSIMILIANO and DORIANA FUKSAS 925/1000银，瓷 tea and coffee service (14 pieces), 925/1000 silver, porcelain 99 copies limited edition 30,7 x 44 x 1,50 cm OFFICINA ALESSI

悬挂灯 Caboche, 2005 PATRICIA URQUIOLA 有机玻璃，吹制玻璃，铬合金 suspension lamp, polymethylmethacrylate, glass, chrome metal h. 28 cm, ø 70 cm FOSCARINI

“编织”地灯 Tress, 2008 MARC SADLER 合成材料，玻璃纤维 floor lamp, compound material, fibreglass h. 195 cm, ø 25 cm FOSCARINI

雷达落地灯 Radarrr, 2011 INGO MAURER 金属，铝，塑料，电子设备 floor lamp, metal, aluminium, plastic, electronics 80 x 80 x 190 cm INGO MAURER

卢米埃尔特大号台灯 Lumiere XXL, 2009 RODOLFO DORDONI 玻璃，铝 table lamp, glass, aluminium h. 57 cm, ø 37 cm FOSCARINI

格雷格地灯 Gregg, 2007 LUDOVICA + ROBERTO PALOMBA 玻璃，金属 table lamp, glass, metal 47 x 40 x h. 39 cm FOSCARINI

瓷砖 Soho, 2008 STYLE CENTRE 粗陶瓷 tiles, porcelain stoneware 60 x 120 cm MARAZZI GROUP

“系统”瓷砖 Sistema, 2009 STYLE CENTRE 晶状粗陶 tiles, crystalized porcelain stoneware 60 x 120 cm MARAZZI GROUP

悬挂灯 Lens, 2010 MASSIMO IOSA GHINI 铝，甲基丙烯酸酯 suspension lamp, aluminium, methacrylate 127,7 x 33 x h. 6,8 cm iGUZZINI

“特大汤勺”浴缸

盥洗池 Nivis, 2011 ANDREA MORGANTE Cristalplant 热塑性聚合物 washbasin, white Cristalplant 57 x 40 x 90 cm AGAPE

Spoon XL, 2005 BENEDINI ASSOCIATI

Cristalplant 热塑性聚合物

bathtub, white Cristalplant 180,9 x 98 x 49 cm AGAPE

Sen 0911盥洗池 Sen 0911, 2005 GWENAEL NICOLAS 氧化铝，镀黑面 washbasin single hole tap, brushed anodized aluminium, black finish 5 x 21 x 70 cm AGAPE

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“气泡”抽油烟机 Bubble, 2010 STEFANO GIOVANNONI 尼龙 cooker hood, technopolymer 60 x 32 cm, ø 60 cm ELICA

机器人书架 Robox, 2011 FABIO NOVEMBRE 彩绘金属 bookshelf, painted metal 78 x 31 x 184 cm CASAMANIA

威尼斯咖啡桌 Venice 47,1 x 28,4 x 41 cm

巴黎咖啡桌 Paris 45,5 x 42,7 x 49 cm

威尼斯咖啡桌 Poliart, 2010 LUCA NICHETTO 粉末喷涂型铝合金 coffe tables, powder coated aluminium CASAMANIA

巴塞罗那咖啡桌 Barcelona 51,2 x 43,7 x 33 cm 伊斯坦布尔咖啡桌 Istanbul 72 x 39,50 x 25 cm

椅 Sharpei, 2008 MASSIMILIANO ADAMI 木，织物 chair, wood, fabric 44 x 54 x 77 cm CAPPELLINI

“没有不带刺的意大利”书架 Non c’è Italia senza spine, 2011 ALESSANDRO MENDINI 聚苯乙烯，聚氨酯 wall bookcase, polystyrene, polyurethane 160 x 15 x 70 cm ZERODISEGNO

尼姆椅：红，白 Nemo, 2010 FABIO NOVEMBRE 聚乙烯 armchair white and red, polyethylene 90 x 83 x 135 cm DRIADESTORE/DRIADE

111海军椅 111 Navy Chair, 2006 EMECO/COCA COLA pRODuCT DEVELOpMENT 111个回收的塑料瓶 chair, recycled PET, fibreglass 39 x 50 x 86 cm EMECO/COCA COLA 版权所有 Courtesy of Design Republic

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单人盥洗池 Monowash, 2004 GIULIO CAPPELLINI 陶瓷火泥浆 freestanding washbasin, ceramic fireclay 40 x 40 x 85 cm CERAMICA FLAMINIA

双子柱盥洗池 Twin Column, 1996 LUDOVICA + ROBERTO PALOMBA 陶瓷火泥浆 freestanding washbasin, ceramic fireclay 42,5 x 42,5 x 85 cm “单一”水龙头 One, 2002 镀铬黄铜 freestanding basin mixer, chrome brass 14,6 x 26 x 108 cm CERAMICA FLAMINIA

单人AZ盥洗池 Monowash AZ , 2009 ALESSANDRO MENDINI 陶瓷火泥浆 decorated freestanding washbasin, ceramic fireclay 40 x 40 x 85 cm CERAMICA FLAMINIA

“线轴”凳 Rocchetto, 2009 ALESSANDRO MENDINI 陶瓷火泥浆 stool, ceramic fireclay 30 x 30 x 45,2 cm CERAMICA FLAMINIA

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“热带”椅 Tropicalia, 2008 PATRICIA URQUIOLA 钢，聚合纤维 armchair, steel, polymer strand weave 94 x 87 x 78 cm MOROSO

角桌 Bong, 2004 GIULIO CAPPELLINI 玻璃纤维 coffee table, fibreglass h. 45 cm, ø 48 cm CAPPELLINI

“火山”咖啡桌 Vulcano, 2006 PAOLA NAVONE 聚氨酯，哑光漆 coffee table, polyurethane, mdf 60 x 40 x 57 cm POLIFORM

椅 Antibodi, 2006 PATRICIA URQUIOLA 钢，织物，皮革 chaise longue, steel, fabric, leather 87 x 56 x 77 cm MOROSO

“达那厄”灯 Danae, 2011 MAURIZIO GALANTE with TAL LANCMAN 聚氯乙稀 suspension lamp, pvc h. 240 cm, ø 25 cm BOFFI

管状灯 Pipe, 2005 HERZOG & DE MEURON 钢，硅树脂，聚碳酸酯，铝 floor lamp, steel, platinic silicon, polycarbonate, aluminium h. 220 cm, ø 30 cm ARTEMIDE

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落地灯 Genesy, 2009 ZAHA HADID 注塑成型聚氨酯泡沫塑料 floor lamp, injection-moulded polyurethane foam 122 x h. 195 cm ARTEMIDE

“玛丽亚”灯 Maria, 1997 CLAUDIO LA VIOLA 钢 table lamp, steel 30 x 13 x 31 cm VIABIZZUNO

宇宙天使吊顶灯 Cosmic Angel, 2009 ROSS LOVEGROVE 热塑性材料，压铸铝，乳色玻璃 ceiling lamp, thermoplastic material, aluminium, polished chrome 178 x 80 x h. 20 cm ARTEMIDE

亚力桑德拉椅 Alessandra, 1995 JAVIER MARISCAL 泡沫塑料，钢，皮革，面料 armchair, steel, foam, leather, fabric 99 x 94 x 112 cm MOROSO 低角桌 Org, 2001 FABIO NOVEMBRE 玻璃，钢，聚丙烯绳 low sidetable, glass, steel, polypropylene rope h. 40 cm, ø 60 cm CAPPELLINI

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碎片1号 I Frammenti, 2006 CLAUDIO SILVESTRIN 粗陶瓷 tiles, porcelain stoneware 0,5 x 0,5 cm BRIX

瓷砖 D.R.Y., 2011 VINCENT VAN DUYSEN 粗陶瓷 tiles, porcelain stoneware 24,37 x 24,37 cm BRIX

玩乐扶手椅 Play, 2010 PHILIPPE STARCK with EUGENI QUITLLET 合成纤维，聚丙烯，玻璃纤维 chair, Dedon sinthetic fibre, polypropylene, fibreglass 57 x 52 x 82 cm DEDON

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“T59纸”浴缸 T59 Paper, 2010 GIOVANNA TALOCCI Duralight材料 hydroline bathtub, Duralight 200 x 100 x 59 cm TEUCO

“阿波罗尼奥”灯 Apollonio, 2010 BOREK SIPEK 黄铜，钢，玻璃 suspension lamp, brass, chromed steel, glass h. 105 cm, ø 65 cm DRIADEKOSMO/DRIADE

波浪饰面 SlimTech Waves, 2010 PATRICK NORGUET 粗陶薄板 floor/wall covering, laminated stoneware UGL 300 x 100 cm LEA CERAMICHE

饰面 SlimTech Mauk, 2009 DIEGO GRANDI 粗陶薄板 floor/wall covering, laminated stoneware UGL 13,5 x 25,8 cm LEA CERAMICHE

科尔杜索城市地图3D仿铜瓷砖 City Cordusio Bronze 3D, 2007 DIEGO GRANDI 整块粗陶 tiles , full-body glazed stoneware 60 x 30 cm LEA CERAMICHE

橱柜 k2, 2004 NORBERT WANGEN 不锈钢 stand-alone mono-block kitchen, stainless steel 234 x 70 x 96 cm (closed), 353 x 70 x 96 cm (open) BOFFI

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“森林”书架 Forest, 2011 NENDO 砾岩和实木 bookcase, conglomerate and solid wood 100 x 40 x 200 cm DRIADE

i椅 Hati, 2009 PIERO LISSONI 木材 chair, wood 58,5 x 52,6 x 77cm LEMA

mod.2花瓶 Pitagora Mod. 2, 2005 ANDREA BRANZI 树脂玻璃 vase, plexiglas 40 x 6 x 32 cm METEA 创 意 联 结 C R E A T I V E

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椅 Aretè, 2007 FRANCO POLI 铬，钢，泡沫塑料 armchair, chrome plated steel, polyurethane foam, coach hide 60 x 54 x 81 cm MATTEOGRASSI

“士美菲”灯 Smithfield, 2009 JASPER MORRISON 铝，聚碳酸酯 suspension lamp, aluminium, polycarbonate h. 21,5 cm, ø 60 cm FLOS

“链接”餐具柜 Link, 2005 CARLO COLOMBO 木，金属，镀铬钢 sideboard, wood, metal, chromed iron 234 x 54 x 63,8 cm POLIFORM

私人跑步机 Run Personal, 2009 ANTONIO CITTERIO with TOAN NGUYEN 钢，橡胶，玻璃 tapis roulant, steel, rubber, glass 80 x 121 x 147 cm TECHNOGYM

桌 Per Par Pum, 2009 MARC SADLER 上漆金属 small tables, epoxy powder painted metal 52 x 50 x 65 cm LEMA

摇摆茶几 Quake, 2008 ARIK LEVY 黑核桃木 coffee tables, american walnut h. 35 cm, ø 120 cm - h. 42 cm, ø 50 cm h. 48 cm, ø 60 cm MOLTENI & C

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“伊斯坦布尔”盥洗池 Istanbul, 2006 ROSS LOVEGROVE 玻璃瓷 washbasin with integrated pedestal and built-in basin mixer, vitreous china, brass 60,5 x 61,5 x 85 cm 12 x 19 x 22 cm VITRA

“翼”浴室水龙头 Wings, 2009 MARIO TESSAROLLO 不锈钢 bathroom taps, stainless steel 19 x h. 5 cm, ø 2,1 cm “液体”浴室水龙头 Liquid, 2002 piero lissoni 抛光铬铜 bathroom taps, polished chrome brass 16 x h. 18,3/29,3 cm

水龙头 Flaap AL/23, 2010 PIERO LISSONI 镀铬黄铜 washbasin mixer, chrome polished brass and washbasin mixer, powder coated brass, black finish 19,4 x h. 34 cm, ø 3,5 cm ABOUTWATER (BOFFI and FANTINI)

浴室水龙头 W1, 2006 norbert Wangen 不锈钢 bathroom taps, stainless steel 23 x h. 30 cm, ø 3,5 cm BOFFI

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“眼镜蛇”调温喷头 Cobra, 2001 ADRI HAZEBROEK 不锈钢 wall-mounted thermostatic shower, stainless steel 5 x 41, 5 x 184,5 cm RAPSEL

淋浴龙头 FS3, 2009 VOLA 铬 freestanding thermostatic shower with hand shower, chrome brass 54 x h. 120 cm VOLA

“管”淋浴头 Pipe, 2001 MARCEL WANDERS 不锈钢 shower column, stainless steel 40 x h. 230 cm, ø 8,9 cm BOFFI

盥洗组合 Isy, 2001 MATTEO THUN with ANTONIO RODRIGUEZ 黄铜 single lever basin mixer, brass 6,5 x 13 x h. 15/36 cm 6,5 x 21 x h. 22 cm 6,5 x 19 x h. 25 cm ZUCCHETTI

水龙头

Wosh, 2007 WILLIAM SAWAYA 黄铜 single lever basin mixer and 3 holes basin mixer, brass 10 x 16 x 22 cm - 6 x 26 x 28 cm ZUCCHETTI

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100%木材 100% Wood, 2008 SAM BARON with BEN CABELLI 木，干草 bench, wood, dry hay 150 x 58 x 47 cm FABRICA

牛仔高脚凳 ST 10 Jean, 2010 STEFAN DIEZ 天然橡木板 bar stool, oak wood 47x 48 x 79 cm E15 版权所有 Courtesy of Design Republic

日式木桶浴缸 Ofurò, 2009 MATTEO THUN with ANTONIO RODRIGUEZ 落叶松木 bathtub, movingui and larch woods 140 x 80 x h. 60 cm RAPSEL

“卡巴娜”储物柜 Cabana, 2010 FERNANDO and HUMBERTO CAMPANA 金属，防火酒椰纤维 storage unit, metal, fire-proofed raffia h. 196 cm, ø 100 cm EDRA

格子花呢长椅 Plaid Bench, 2011 RAW-EDGES 上漆木材 benches, painted wood 120 x 50 x 50 cm - 80 x 80 x 45 cm DILMOS

詹妮特椅 Jenette, 2005 FERNANDO and HUMBERTO CAMPANA 聚亚安酯，金属，PVC 材料 chair, metal, polyurethane, PVC stalks 41,2 x 50 x 94 cm EDRA

Z形“冰碛”沙发 Z.Scape Moraine, 2000 ZAHA HADID 防火泡沫塑料，小种马皮革 sofa, polyurethane foam, fantasy leather 338 x 120 x 42/75 cm SAWAYA & MORONI

“孔雀”户外椅 Pavo Real, 2011 PATRICIA URQUIOLA 铝管，塑料编织 outdoor armchair, tubular aluminium, braided plastic 110 x 89 x h. 130 cm DRIADE

周年庆纪念版沙发 Flap Anniversary Edition, 2010 FRANCESCO BINFARÉ 管状金属，镀铬钢，铝，橡胶，莱卡， 皮革，织物 armchair, brushed chrome-plated steel, polyurethane, Lycra, ecological fur 355 x 166 x h. max 84 cm EDRA

“皮”扶手椅 Skin, 2007 JEAN NOUVEL 铝，皮革，泡沫橡胶 armchair and pouf, aluminium, foam rubber, leather 77 x 77 x 81 cm 56 x 56 x 39 cm MOLTENI & C

女巫椅 Witch Chair, 2004 TORD BOONTJE 木，皮革 chair, wood, leather 71 x 63 x 83 cm MOROSO

细颈瓶形灯 Decanter, 2011 TARGETTI R&D Dept. 铝，聚甲基丙烯酸甲酯 suspension lamp, Baydur, aluminium, PMMA ø 48 cm TARGETTI SANKEY

灯 OJ, 2010 OLE JENSEN 钢 lamps, steel h. 48,5 cm, ø 27 cm (table) h. 17,8 cm, ø 13,9 cm (wall) LOUIS POULSEN/ TARGETTI POULSEN GROUP

大钢琴系列：床 Grandpiano, 2007 MARIO BELLINI 皮革，填充物 bed, padded with leather cover and bed accessories 284 x 357 x 82 cm FLOU

“新浪潮”躺椅 Nouvelle Vague, 2005 CRISTOPHE PILLET 热塑性塑料 chaise longue and pouf, thermoplastic material 64 x 100 x 73,4 cm 64 x 63 x 26,8 cm PORRO

眼镜蛇灯 PizzaKobra, 2006 RON ARAD 铝 table lamp, aluminium h. 28,5 cm, ø 29,5 cm (base), ø 1,8 cm (section) iGUZZINI 93

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“随机”书架 Random, 2005 NEULAND INDUSTRIEDESIGN 中密度木板 bookcase, medium-density wood fibreboards 81,6 x 25 x 216,3 cm MDF ITALIA

MT1扶手椅 MT1, 2005 RON ARAD 聚乙烯 armchair, polyethylene 73,5 x 74 x 83 cm DRIADESTORE/DRIADE

科拉罗椅 Corallo, 2004 FERNANDO and HUMBERTO CAMPANA 钢丝 armchair, steel wire 145 x 100 x 90 cm EDRA

Me Too:朱丽叶别墅 Me Too: Villa Julia, 2009 JAVIER MARISCAL 纸板，贴纸 small house, cardboard, stickers 165 x 120 x 135 cm MAGIS 创 意 联 结 C R E A T I V E

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图腾G 300橱柜 Totem G 300, 2010 VINCENT VAN DUYSEN 木材 cabinet, wood 45 x 45 x 185 cm PASTOE

360°柜 360° Container, 2010 KONSTANTIN GRCIC ABS材料，铝 container, ABS, aluminium 42 x 35 x 72/127 cm MAGIS

陀螺椅 Spun, 2010 THOMAS HEATHERWICK 聚乙烯 rotating chair, polyethylene h. 65 cm, ø 91 cm MAGIS

一号座椅 Chair One, 2003 KONSTANTIN GRCIC 铝 stacking chair, aluminium 55 x 59 x 82 cm MAGIS

椅 Neve, 2010 PIERO LISSONI 黑漆白蜡木 chair, black and red stained ash wood 50/58 x 45 x 75,5 cm PORRO

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沙发 Via Lattea, 2007 MARIO BELLINI 聚丙烯，气垫，LED灯 sofa, polypropylene, air cushions, LED lights 270 x 90 x h. 70 cm MERITALIA

“山岳”沙发 Montanara, 2009 GAETANO PESCE 木，金属，聚氨酯，棉花织物 sofa, wood, metal, fiberfill, polyurethane 283 x 94 x h. 110 cm MERITALIA

花瓶 Fare, 2010 树脂，织物 round vase, resin, fabric h. 41 cm, ø 30 cm

Fiat 500设计收藏：“全景”沙发 Fiat 500 Design Collection: Panorama, 2011 LAPO ELKANN with MERITALIA 钢，聚氨酯，织物 sofa, steel, polyurethane, fabric 133 x 85 x 100 cm MERITALIA

大惊喜1号 Big Surprise 1, 2010 硬树脂 centerpiece, hard resin h. 27 cm, ø 43 cm

Le Edizioni del Pesce: 鬼灯 Ghost, 2010 GAETANO PESCE 树脂 table lamp, resin 37 x 37 x h. 47 cm MERITALIA

穿墙壁灯1X Wall Piercing 1x, 2010 RON GILAD 铝，聚碳酸酯 wall lamp, aluminium, polycarbonate 60 x 26,4 x 60 cm FLOS

“巴加蒂先生”椅 Mr. Bugatti, 2006 FRANÇOIS AZAMBOURG 薄金属板，聚氨基甲酸乙酯泡沫 chair, thin metal plate, polyurethanic foam 34,5 x 52 x 80 cm CAPPELLINI

孔雀椅 Peacock, 2009 DROR BENSHETRIT 金属，毛毡 armchair, metal, sheets of felt 110 x 90 x 90 cm CAPPELLINI

气泡沙发 Bubble Rock, 2005 PIERO LISSONI 木，聚氨酯泡沫塑料，织物 sofa, wood, polyurethane foam, fabric h. 60 cm, ø 180 cm LIVING DIVANI

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极简茶几 Less, 1994 JEAN NOUVEL 金属 table, metal 190 x 90 x 72 cm MOLTENI & C

“平衡箱”桌子 Balancing Boxes, 2010 FRONT 可折叠金属薄片 small table, folded metal sheet 62,5 x 67,5 x 56 cm PORRO

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伍德斯托克咖啡桌 Woodstock, 2010 JEAN-MARIE MASSAUD 木 coffee table, wood 200 x 10,2 x 21,3 cm POLIFORM

厨房 Liquida, 2010 STEFANO GIOVANNONI with ELISA GARGAN 木，硬质PET kitchen, wood, hard PET 345 x 104 x 230 cm VENETA CUCINE

沙发 Kennedee, 2006 JEAN-MARIE MASSAUD 榉木，胶合板，聚氨酯泡沫，涤纶， 扶手，炮铜 modular sofa, seasoned beech, Dacron, leather, steel 332 x 94 x 72 cm POLTRONA FRAU

碳椅 Carbon Chair, 2004 BERTJAN POT 环氧树脂，碳纤维 chair, carbon fibre, epoxy resin 47 x 49 x 79 cm MOOOI 版权所有 Courtesy of Design Republic

维纳斯椅 Venus, 2009 MARCEL WANDERS 塑料，皮革 chair, plastic, leather 58,5 x 52 x 76,5 cm POLIFORM

温布顿椅 Wimbledon, 2010 PIERO LISSONI 铬钢 armchair, chromed steel, coach hide 86 x 93 x 64 cm MATTEOGRASSI

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Fossile Moderno, 2004, MASSIMILIANO ADAMI. SELF-PRODUCTION Erbe Mod. 1, 2011, ANDREA BRANZI. METEA Diagrammi, 2011, ANDREA BRANZI. NILUFAR City Breeze Shanghai, 2009, CARL LIU. SELF-PRODUCTION Expo Bike, 2010, CARL LIU. SELF-PRODUCTION Cumulus, 2009, CARL LIU. SELF-PRODUCTION Planto, 2009, CARL LIU. SELF-PRODUCTION Arco, 2008, CLUB HOUSE ITALIA. KENZO MAISON Tunica, 2008, CLUB HOUSE ITALIA. FENDI CASA Intrecci, 2009, CARLO COLOMBO. EMU Bonne Nuit, 2009, MICHELE DE LUCCHI with ALBERTO NASON. PRODUZIONE PRIVATA Dragonfly Fauna, 2006, MICHELE DE LUCCHI with ALBERTO NASON. PRODUZIONE PRIVATA Olive Flora, 2006, MICHELE DE LUCCHI with ALBERTO NASON. PRODUZIONE PRIVATA The Garden: Lemon Tree, 2005, MICHELE DE LUCCHI with ALBERTO NASON and SILVIA SUARDI. PRODUZIONE PRIVATA The Garden: Palm Tree, 2005, MICHELE DE LUCCHI with ALBERTO NASON and SILVIA SUARDI. PRODUZIONE PRIVATA The Garden: Rose Tree, 2005, MICHELE DE LUCCHI with ALBERTO NASON and SILVIA SUARDI. PRODUZIONE PRIVATA Treforchette, 1997, MICHELE DE LUCCHI. PRODUZIONE PRIVATA Eyeclock, 2008, MIKE MAK. SUCK UK Javelot MACRO, 2011, ODILE DECQ. LUCEPLAN IlBagnoAlessi One, 2010, STEFANO GIOVANNONI. ALESSI by LAUFEN Pattern, 2010, ARIK LEVY. EMU Proper Chair, 2011, LIU TIEJUN. SELF-PRODUCTION Fish Tank, 2004, MA YANSONG. SELF-PRODUCTION Proust, 1978, ALESSANDRO MENDINI. CAPPELLINI Magis Proust, 2011, ALESSANDRO MENDINI. MAGIS Puntaspillone, 2010, MISSONI HOME STUDIO. MISSONI HOME Bacchetta Magica, 2003, MARIO NANNI. VIABIZZUNO Ivy, 2008, PAOLA NAVONE. EMU The Open Cage, 2010, NATHAN LIU. SELF-PRODUCTION Morphing, 2010, LUDOVICA + ROBERTO PALOMBA. KOS Isy, 2001, MATTEO THUN wITH ANTONIO RODRIGUEZ. ZUCCHETTI Re-trouvé, 2009, PATRICIA URQUIOLA. EMU 100 Collection, 2011, MICHAEL YOUNG. TRUSSARDI Burniture, 2010, ZHOU HONGTAO. SELF-PRODUCTION

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DESIGNER < > COORDINATION 设计师 < > 协作 Examines the phenomenon of collaboration between a designer and different companies for the definition of a coordinated system of products that unite, in an ‘extended family’, different kinds of know-how and different productive and technical modes, in an open interchange between the design process and the industrial cycle. This phenomenon of close collaboration can also be seen in the relationship between design and the world of fashion, and in the more limited but significant area of independent production, where designers become the producers of their own works.

审视单个设计师与不同公司之间的合作现象， 这一协作系统可以看作是一个“大家庭”，在设 计过程与产业循环的开放交流中，不同的技艺 和生产-技术模式联合在一起，并最终呈现为产 品。这种紧密合作的现象同样表现在设计与时尚 界的关联中，此外也表现在更受局限但同样重要 的独立生产领域中，在那里，设计师成为了自己 产品的制造者。

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百年系列：椅子，咖啡桌 100 Collection, 2011 MICHAEL YOUNG 塑料，陶瓷，皮革 chair and coffee table, plastic, ceramic, leather 61,8 x 55,1 x 76,3 cm h. 53,8 cm, ø 40 cm TRUSSARDI

端椅 Proper Chair, 2011 LIU TIEJUN 硬木 chair, hard wood 60 x 75 x 84,8 cm SELF-PRODUCTION

凳 Puntaspillone, 2010 MISSONI HOME STUDIO 木，泡沫塑料 pouf, wood, foam h. 40 cm, ø 120 cm MISSONI HOME 㕷 㕙 㓦 㓤 㒥 㑳 㙺 㓦 㙎 㙟 㚪 㚬 㚰 C R E A T I V E

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普鲁斯特椅 Proust, 1978 ALESSANDRO MENDINI 木，织物 armchair, wood, fabric 105 x 93 x 109 cm CAPPELLINI

神圣普鲁斯特椅 Magis Proust, 2011 ALESSANDRO MENDINI 聚乙烯 armchair, polyethylene 104 x 90 x 105 cm MAGIS

淋浴组合 Isy, 2001 MATTEO THUN with ANTONIO RODRIGUEZ 黄铜 free standing single lever bathshower mixer, brass 11 x 32 x h. 94,5 cm ZUCCHETTI

变形浴缸 Morphing, 2010 LUDOVICA + ROBERTO PALOMBA 热塑性聚合物 frestanding bathtub, Cristalplant 180 x 80 x 56 cm KOS

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积云 Cumulus, 2009 CARL LIU 塑料 outdoor water container, plastic 33,8 x 14,4 x 20 cm SELF-PRODUCTION

上海微风 City Breeze Shanghai, 2009 乌木 fan, ebony 23 x 2 x 2,5 cm, ø 41 cm

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花。洒 Planto, 2009 塑料 watering pot, plastic 30 x 24 x 37,6 cm

鱼缸 Fish Tank, 2004 MA YANSONG 亚克力 fish tank, acrylic 30 x 30 x 40 cm SELF-PRODUCTION

眼钟 Eyeclock, 2008 MIKE MAK 苯乙烯 deskclock, ABS 18 x 10 x 6 cm SUCK UK

阿莱西盥洗池一 IlBagnoAlessi One, 2010 STEFANO GIOVANNONI 陶瓷 freestanding washbasin, ceramic 53 x 53 x h. 90 cm ALESSI by LAUFEN

开笼 The Open Cage, 2010 NATHAN LIU 竹 installation, bamboo 300 x 100 x 240 cm 180 x 50 x 60 cm SELF-PRODUCTION 105

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“摩登化石”衣柜 Fossile Moderno, 2004 MASSIMILIANO ADAMI 塑料,木 cabinet, polyurethane foam, plastic and wood objects 90 x 70 x 185 cm (closed) SELF-PRODUCTION

扶手椅 Intrecci, 2009 CARLO COLOMBO 金属 outdoor armchair, metal 89,5 x 79 x 61,5 cm EMU

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扶手椅 Re-trouvé, 2009 PATRICIA URQUIOLA 金属 outdoor armchair, metal 76 x 61 x 105 cm EMU 常青藤扶手椅 Ivy, 2008 PAOLA NAVONE 金属 outdoor armchair, metal 110 x 90 x 66 cm EMU

镂空花纹椅 Pattern, 2010 ARIK LEVY 金属 outdoor chair, metal 61 x 56 x 85 cm EMU 107

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“晚安”灯 Bonne Nuit, 2009 MICHELE DE LUCCHI with ALBERTO NASON 透明沙质吹制玻璃 table lamp, blown transparent and satin-finish borosilicate glass h. 35 cm, ø 17 cm PRODUZIONE PRIVATA

“三叉”灯 Treforchette, 1997 MICHELE DE LUCCHI 工具钢金属，陶瓷 table lamp, chromed metal, ceramic, pvc h. 47 cm, ø 20 cm PRODUZIONE PRIVATA

世博自行车 Expo Bike, 2010 CARL LIU 钢，铝合金，木 bicycle kit, aluminium, wood 210 x 180 x 20 cm SELF-PRODUCTION

魔杖 Bacchetta Magica, 2003 MARIO NANNI 玻璃，不锈钢 lamp, glass, stainless steel h. 154,5 cm, ø 2,2 cm VIABIZZUNO

双人沙发 Arco, 2008 CLUB HOUSE ITALIA 木框架，坐垫，靠垫，金属椅脚 love seat, wood fabric h. 74 cm, ø 140cm KENZO MAISON 创 意 联 结 C R E A T I V E

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扶手椅 Tunica, 2008 CLUB HOUSE ITALIA 木，皮革 armchair, wood, draped leather 67 x 88 x 82 cm FENDI CASA

蜻蜓灯 Dragonfly Fauna, 2006 MICHELE DE LUCCHI with ALBERTO NASON 镍板激光切割 suspension lamp, laser cut metal 20 x h. 185 cm PRODUZIONE PRIVATA

橄榄树灯 Olive Flora, 2006

花园系列：棕榈树 The Garden Collection: Palm Tree, 2005 MICHELE DE LUCCHI with ALBERTO NASON and SILVIA SUARDI 金属激光切割 object, protected raw laser cut metal 32 x 30 cm PRODUZIONE PRIVATA

花园系列：玫瑰 The Garden Collection: Rose Tree, 2005

花园系列：柠檬树 The Garden Collection: Lemon Tree, 2005

“图表”书柜 Diagrammi, 2011 ANDREA BRANZI 钢，玻璃，天然木材 bookcase, steel, glass, natural wood 650 x 42 x h. 220 cm NILUFAR

爱尔博 Erbe Mod. 1, 2011 ANDREA BRANZI 树脂玻璃 vase, plexiglas 62 x 8 x 22 cm METEA

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照明装置 Javelot MACRO, 2011 ODILE DECQ 铝，异丁烯酸树脂灯管 suspension lamp, aluminium, methacrylate 255 x h. 33 cm, ø 4 cm LUCEPLAN

燃烧椅 Burniture, 2010, ZHOU HONGTAO 蜡 chairs, wax 50 x 50 x 12 cm SELF-PRODUCTION

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Bulb, 2009, BBKen & CORRI. NATURAL HOME STUDIO Le Bambole ’07, 2007, MARIO BeLLInI. B&B ITALIA Ghost, 1987, CInI BOeRI. FIAM ITALIA Primavera, 2009, TORD BOOnTJe. CERAMICA BARDELLI Little Field of Flowers, 2006, TORD BOOnTJe. NANIMARQUINA Losanges, 2011, ROnAn & eRWAn BOUROULLeC. NANIMARQUINA Foglia, 2010, AnDReA BRAnZI. BERNARDAUD Architecture, 2011, CASALGRAnDe PADAnA. CASALGRANDE PADANA Taraxacum 88, 1988, ACHILLe CASTIGLIOnI. FLOS Mezzadro, 1957, ACHILLe and PIeRGIACOMO CASTIGLIOnI. ZANOTTA Pratone, 1971, CeReTTI-DeROSSI-ROSSO. GUFRAM Hulu Tableware, 2008, CHAnG YUnG HO. JIA Biblia, 2008, AnTOnIO CITTeRIO. MAXALTO / B&B ITALIA Kalos, 1997, AnTOnIO CITTeRIO. MAXALTO / B&B ITALIA A.B.C., 1998, AnTOnIO CITTeRIO. FLEXFORM Poltrona 4801, 1965 and 2011, JOe COLOMBO. KARTELL Joe, 1970, JOnATHAn De PAS, DOnATO D’URBInO with PAOLO LOMAZZI. POLTRONOVA Blow, 1967, JOnATHAn De PAS, DOnATO D’URBInO, PAOLO LOMAZZI with CARLA SCOLARI. ZANOTTA AEO, 1973, PAOLO DeGAneLLO. CASSINA Osmond, 2005, PIeTRO DeROSSI. DRIADEKOSMO/ DRIADE Andersen Slim, 2010, RODOLFO DORDOnI. MINOTTI Road, 2010, RODOLFO DORDOnI. RODA Fornasettiana, 2010, BARnABA FORnASeTTI. CERAMICA BARDELLI Muri di Pietra: Onda, 2009, RAFFAeLLO GALIOTTO. LITHOS DESIGN Sacco, 1968, GATTI-PAOLInI-TeODORO. ZANOTTA Candy Light, 2011, JAIMe HAYOn. BACCARAT Tale, 2011, JIA LI. SELF PRODUCTION Wink, 1980, TOSHIYUKI KITA. CASSINA San, 2005, TOSHIYUKI KITA. TANIGUCHI WASHI Toh, 2005, TOSHIYUKI KITA. TANIGUCHI WASHI Tsuki, 2005, TOSHIYUKI KITA. TANIGUCHI WASHI Bodhi, 2009, LI HOnG. GUANGZHOU HENGFU COMPANY Wind, 2009, LI HOnG. BEIJING MAYSNOW COMPANY Peggyspoon, 2008, PAOLA LOnGOnI with GIAnLUCA MARRAS. SAMBONET Maralunga, 1973, VICO MAGISTReTTI. CASSINA M Table, 1969, AnGeLO MAnGIAROTTI. AGAPE CASA Hommage to Philip Rosenthal, 2003, MARCeLLO MORAnDInI with ROSenTHAL CReATIVe CenTeR. ROSENTHAL

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Campanile di Luce, 2003, MARIO nAnnI. VIABIZZUNO Sga Bello, 2003, MARIO nAnnI. VIABIZZUNO Summer Arms Raccomodage, 2011, PAOLA nAVOne. BAXTER Damasco Love Seat, 2010, PAOLA nAVOne. BAXTER 1/3 Salt & Peppers, 2008, neRI&HU. SELF-PRODUCTION Lacquer Scale 2:1, 2008, neRI&HU. SELF-PRODUCTION 100 Piazze: Lucca, 2008, FABIO nOVeMBRe. DRIADEKOSMO/DRIADE 100 Piazze: Milano, 2008, FABIO nOVeMBRe. DRIADEKOSMO/DRIADE 100 Piazze: Palmanova, 2008, FABIO nOVeMBRe. DRIADEKOSMO/DRIADE Arborescence, 2010, ORA-ÏTO. CHRISTOFLE Up 2000 Silver Special Edition, 2009, GAeTAnO PeSCe. B&B ITALIA Lady Costanza, 2008, PAOLO RIZZATTO. LUCEPLAN Fish Dish, 1957, ROBeRTO SAMBOneT. SAMBONET Lotus, 2004, SHAO FAn. SELF-PRODUCTION Celine I, 1995, BOReK SIPeK. DRIADEKOSMO/DRIADE Maria Pia, 2001, BOReK SIPeK. DRIADEKOSMO/DRIADE Olga, 2001, BOReK SIPeK. DRIADEKOSMO/DRIADE Pierre, 1998, BOReK SIPeK. DRIADEKOSMO/DRIADE Ashoka, 1981, eTTORe SOTTSASS. MEMPHIS Carlton, 1981, eTTORe SOTTSASS. MEMPHIS Ultrafragola, 1970, eTTORe SOTTSASS. POLTRONOVA Darkside: Oups! , 2005, PHILIPPe STARCK. BACCARAT Darkside: Our Fire, 2005, PHILIPPe STARCK. BACCARAT Starck Zenith, 2003, PHILIPPe STARCK. BACCARAT Bocca, 1970, STUDIO 65. GUFRAM Venezia, 2008, MATTeO THUn with AnTOnIO RODRIGUeZ. FRATELLI FANTINI Stimolazione materica, 2000, ATTILIO TOnO. TARGETTI SANKEY Crinoline, 2008, PATRICIA URQUIOLA. B&B ITALIA Flying, 2009, VIVIAn WU. SELF-PRODUCTION Ivresse des Bois, 2010, MARCeL WAnDeRS. BACCARAT Roi de la Forêt, 2010, MARCeL WAnDeRS. BACCARAT Coffee Table, 2004, MARCeL WAnDeRS. BISAZZA HOME Iris, 2009, MARCeL WAnDeRS. CERAMICA BARDELLI Jardin d’Eden, 2009, MARCeL WAnDeRS. CHRISTOFLE Zeppelin 2, 2005, MARCeL WAnDeRS. FLOS Bamboo Vase, 2010, WU QIHUA & LIU YInAn. SELF-PRODUCTION Water Drop, 2008, YeH YU-HSUAn. YEHIDEA Dialogue, 2011, ZHenG SHUYAnG with TIAn QInG. SELF-PRODUCTION Coin Chair, 2010, ZHU XIAOJIe. OPAL FURNITURE

联结 JuNCTION

03

TRADITION < > TECHNOLOGY 传统 < > 科技 Deals with the value of ‘duration’ in time of a piece of design that remains in production across generations, going beyond categories of ‘taste’ and ‘fashion’, due to the iconic validity of its compositional invention, though without avoiding updates of production modes to keep pace with technological innovation. Together with this characteristic, we see a return of creativity, not as a revival of figurative motifs, decorations and forms from the past, ‘redesigned’ in a contemporary way in keeping with modern technologies, but as a way of approaching ancient forms of know-how and productive modes of the past, reinserting them in the processes of design and production of the present.

面向历经数代而不衰的设计作品，由于其结构 性的创新是如此的经典有效，这些作品能超越于 特定的趣味和时尚而不断被后人生产着，并且也 并不回避根据最新的技术成果而革新自己。连同 这些特征一起，我们看到了一种创意的回归，这 种回归并不是用现代科技来复兴过去的图案、装 饰和形式，而是把古代工艺和生产模式重新带入 到现代的设计和产品中。

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“圣经”书架 Biblia, 2008 ANTONIO CITTERIO 实木，橡木，钢铁，铝，塑料 modular bookcase, solid wood, oak finishing, steel, aluminium, plastic 120 x 44 x 212 cm MAXALTO / B&B ITALIA

卡洛斯手扶椅 Kalos, 1997 ANTONIO CITTERIO 钢，聚氨酯泡沫塑料，美利奴羊毛皮料 armchair, steel, polyurethane foam, polyester fibre, wood, leather/fabric 77 x 105 x 88 cm MAXALTO / B&B ITALIA

糖果灯 Candy Light, 2011 JAIME HAYON 水晶，铂金色、白色瓷， table lamp, crystal, white, copper and platinum ceramic, h. 51 cm, ø 23 cm BACCARAT

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灯泡 Bulb, 2009 BBKEN & CORRI 竹 light cover, bamboo 37 x 37 x 55 cm NATURAL HOME STUDIO

M桌 M Table, 1969 ANGELO MANGIAROTTI 卡拉拉白色大理石 table, white Carrara marble h. 72 cm, ø 135 cm AGAPE CASA

佩吉勺 Peggyspoon, 2008 PAOLA LONGONI with GIANLUCA MARRAS 镀银黄铜 spoon, silvered brass limited edition 25,30 x 7,5 x 11 cm SAMBONET

咖啡桌 Coffee Table, 2004 MARCEL WANDERS 玻璃马赛克 coffee tables, glass mosaic, single tiles in gold 102 x 110 x 44 cm 50 x 62 x 34 cm BISAZZA HOME

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“裙衬”椅 Crinoline , 2008 PATRICIA URQUIOLA 铜绳，天然纤维绳 armchair, steel, aluminium, polyurethane weave, natural fiber 83 x 102 x 153 cm B&B ITALIA

“夏日之翼”沙发 Summer Arms Raccomodage, 2011 PAOLA NAVONE 白色皮革、羽毛 limited edition, armchair, leather Plume 67 x 57 x 70 cm BAXTER

“上”系列2000银色特别版 Up 2000 Silver Special Edition, 2009 GAETANO PESCE 柔性冷弯成型聚氨酯泡沫塑料, 银丝弹力面料 armchair and pouf, polyurethane foam, silver stretch fabric 130 x 120 x 103 cm - ø 57 cm B&B ITALIA

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斯塔克“天顶” 枝形吊灯 Starck Zenith, 2003 PHILIPPE STARCK 黑水晶 chandelier, black crystal h. 110 cm, ø 105 cm BACCARAT

“森林之王”花瓶 Roi de la Forêt, 2010 MARCEL WANDERS 透明水晶与黑水晶 vase, clear crystal, gold plated brass h. 55 cm, ø 19,5 cm BACCARAT

“醉森林”细颈瓶, Ivresse des Bois, 2010 MARCEL WANDERS 透明水晶与红水晶 decanter with stopper, clear and red crystal h. 29,5 cm, ø 15 cm

主题：哦！花瓶 Darkside: Oups!, 2005 PHILIPPE STARCK 透明水晶与黑水晶 vase, clear and black crystal h. 35 cm, ø 15 cm

主题：火烛灯 Darkside: Our Fire, 2005 PHILIPPE STARCK 透明水晶 candlestick, clear crystal 27 x h. 47 cm

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传统 < > 科技 03 TRADITION < > TECHNOLOGY

小号落地灯 Toh, 2005 TOSHIYUKI KITA 和纸，钢 deskstand S lamp, Washi paper, steel h. 38,6 cm, ø 14,8 cm TANIGUCHI WASHI

落地灯 Tsuki, 2005 和纸，钢 floorstand lamp 21 x 12,8 x 42,3 cm

落地灯 San, 2005 和纸，钢 floorstand lamp h. 67 cm, ø 19 cm

中号落地灯 Toh, 2005 和纸，钢 floorstand M lamp h. 77 cm, ø 18 cm

沙发 Maralunga, 1973 VICO MAGISTRETTI 钢，塑料，涤纶填充物，聚酯 convertible sofa, steel, plastic material, CFC-free polyurethane foam, polyester 272 x 95 x 45/72/100 cm CASSINA 版权所有 Courtesy of Da Vinci

对话 Dialogue, 2011 ZHENG SHUYANG with TIAN QING 木材，毛，棉，麻，丝 work, wood, wool, cotton, gunny, silk 460 x 460 x 174 cm SELF-PRODUCTION

曲苑风荷作品一号 Lotus, 2004 SHAO FAN 亚克力，老榆木 limited edition work, acrylic, old elm 150 x 110 x 100 cm SELF-PRODUCTION

扶手椅 Poltrona 4801, 1965 JOE COLOMBO 弓形胶合板 armchair, bowed plywood 62 x 64 x 59 cm KARTELL

号扶手椅新版 Poltrona 4801, 2011 JOE COLOMBO 透明热塑性塑料 armchair, thermoplastic technopolymer 62 x 64 x 59 cm KARTELL

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传统 < > 科技 03 TRADITION < > TECHNOLOGY

广场系列摆饰 100 Piazze, 2008 FABIO NOVEMBRE 镀铜银 tray/centerpiece, silverplated brass DRIADEKOSMO/DRIADE

卢卡广场 Lucca 35 x 25 x 10 cm

帕尔马洛广场 Palmanova 67 x 58,5 x 10,5 cm

Milano 43 x 38,2 x 11,7 cm

奥斯蒙 Osmond, 2005 PIETRO DEROSSI 铝，镜子 mirror, extruded aluminium, mirror glass 159 x 12 x 159 cm DRIADEKOSMO/ DRIADE

塞里尼1号花瓶 Celine I, 1995 BOREK SIPEK 陶瓷，玻璃 vase, porcelain, glass 24 x 18 x 70 cm DRIADEKOSMO/DRIADE

玛利亚·皮亚花瓶 Maria Pia, 2001 玻璃 vase, glass 39 x 39 x 64 cm

奥尔加 Olga, 2001 玻璃 centerpiece, glass 25 x 25 x 50 cm

皮埃尔花瓶 Pierre, 1998 玻璃 vase, glass h. 64 cm, ø 17 cm

葫芦系列餐具：盘 Hulu Tableware, 2008 CHANG YUNG HO 油醋瓶, 红酒器 玻璃，不锈钢 oil and vinegar bottles, red wine decanter, glass, stainless steel h. 14 cm, ø 8,5 cm - h. 35 cm, ø 15,1 cm 调料瓶 , 亚克力，硅，不锈钢 salt & pepper set, acrylic, silicon, stainless steel h. 10,8 cm, ø 5,5/6,5 cm 瓷 side plates and serve plates, porcelain 17,6 x 18 x 3,15 cm (side plate) 36,4 x 21,4 x 3,4 cm, 32,4 x 21,1 x 3,4 cm, 36,6 x 21 x 3,4 cm (serve plates) JIA

唇形沙发 Bocca, 1970 STUDIO 65 聚氨酯，弹性面料 sofa, cold foamed polyurethane, elastic fabric 212 x 80 x 85 cm GUFRAM 版权所有 Courtesy of Da Vinci

草坪椅子 Pratone, 1971 CERETTI-DEROSSI -ROSSO 聚氨酯泡沫塑料, Guflac颜料 multipurpose seat, cold foamed polyurethane, Guflac paint 140 x 140 x 95 cm GUFRAM

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传统 < > 科技 03 TRADITION < > TECHNOLOGY

鸢尾花 Iris, 2009 MarCeL WanDers 陶瓷 tiles, ceramic 20 x 20 cm CeraMiCa barDeLLi

建筑 Architecture, 2011 CasaLGranDe PaDana 瓷，粗陶 tiles, porcelain stoneware 60 x 60 cm CasaLGranDe PaDana

弗纳塞蒂娜 Fornasettiana, 2010 barnaba Fornasetti 瓷砖 tiles, ceramic 20 x 20 cm CeraMiCa barDeLLi

“春天”瓷砖 Primavera, 2009 torD boontJe 陶瓷 tiles, ceramic 20 x 20 cm CeraMiCa barDeLLi

椅 Wink, 1980 tosHiYUKi Kita 钢，塑料，涤纶填充物，聚酯 adjustable armchair, steel, fabric/leather 90/200 x 83 x 38/102 cm Cassina

刺激物 Stimolazione materica, 2000 ATTILIO TONO 蜂蜡，树脂玻璃，氙气灯 light art work, bee wax, plexiglas, xenon lamps 120 x 30 x 120 cm TARGETTI SANKEY

波形石板 Muri di Pietra: Onda, 2009 RAFFAELLO GALIOTTO 石 screen/partition system, stone 520 x 20 x 100 cm LITHOS DESIGN

椅 AEO, 1973 PAOLO DEGANELLO 上漆钢，塑料，涤纶填充物，聚酯 armchair, lacquered steel 79 x 75 x 107 cm CASSINA

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传统 < > 科技 03 TRADITION < > TECHNOLOGY

“菩提清心”茶具 Bodhi, 2009 LI HONG 陶瓷 tea set, ceramic 30 x 40 cm (tray) GUANGZHOU HENGFU COMPANY

“风”茶具 Wind, 2009 LI HONG 陶瓷 coffee set, ceramic 30 x 40 cm (tray) BEIJING MAYSNOW COMPANY

鬼椅 Ghost, 1987 CINI BOERI 曲面玻璃 armchair, curved glass 95 x 75 x h. 68 cm FIAM ITALIA

ABC单人沙发 A.B.C. , 1998 ANTONIO CITTERIO 金属，聚氨酯，皮革或织物 armchair, metal, polyurethane, leather/fabric 90 x 65 x h. 70 cm FLEXFORM

蒲公英88 Taraxacum 88, 1988 ACHILLE CASTIGLIONI 铝 suspension lamp, aluminium ø 105 cm - ø 80 cm FLOS

鱼盘 Fish Dish, 1957 ROBERTO SAMBONET 不锈钢 fish dish, stainless steel 50 x 15,20 x 6,50 cm SAMBONET

威尼斯盥洗组合 Venezia, 2008 MATTEO THUN with ANTONIO RODRIGUEZ 铬，银色玻璃 3-hole washbasin mixer, chrome, silver, glass 17,3 x h. 27,7 cm, ø cm 6,2 FRATELLI FANTINI

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“超级草莓”镜 Ultrafragola, 1970 ETTORE SOTTSASS 乳白色塑料，霓虹灯，镜子 neon light, mirror glass, plastic 100 x 13 x 195 cm POLTRONOVA

发光的钟楼 Campanile di Luce, 2003 MARIO NANNI 合成纸 lantern, synthetic paper 10,5 x 10,5 x 41,5 cm VIABIZZUNO

“乔”手套沙发 Joe, 1970 JONATHAN DE PAS, DONATO D’URBINO with PAOLO LOMAZZI 钢，聚氨酯泡沫，皮革 glove-chair, steel, polyurethane foam, leather 175 x 110 x 95 cm POLTRONOVA

调料瓶 1/3 Salt & Peppers, 2008 NERI&HU 骨瓷 salt & pepper set, bone china h. 15 cm, ø 5,5 cm SELF -PRODUCTION

Lacquer Scale 2:1, 2008 NERI&HU 中密度板, 树脂, 漆器 trays and dishes, mdf, resin, lacquer 60 x 26 x 5 cm - 90 x 30 x 5 cm 124 x 34 x 5 cm ø 60 cm - ø 100 cm SELF -PRODUCTION

“道路”沙发 Road, 2010 RODOLFO DORDONI 柚木，面料 sofa, teak, stretch fabric 155 x 87 x h. 65 cm RODA

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伊甸园刀叉组合 Jardin d’Eden, 2009 MARCEL WANDERS 昆庭银 cutlery, Christofle silver h. 21,5/25 cm CHRISTOFLE

“叶子”茶壶 Foglia, 2010 ANDREA BRANZI 陶瓷 teapot, porcelain 20 x h. 16,5 cm BERNARDAUD

树枝烛台 Arborescence, 2010 ORA-ÏTO 昆庭银 candelabra, Christofle silver 16 x 38,3 cm CHRISTOFLE

地灯 Sga Bello, 2003 MARIO NANNI 木 floor lamp, wood 32 x 32 x 46 cm VIABIZZUNO

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致敬飞利浦·罗森塔尔 国际象棋限量版 Hommage to Philip Rosenthal, 2003 MARCELLO MORANDINI with ROSENTHAL CREATIVE CENTER 瓷，树脂玻璃，木 chess game, porcelain, plexiglas, wood limited art edition (99 pieces) 55 x 55 cm (chessboard) ROSENTHAL

水滴壶杯组 Water Drop, 2008 YEH YU-HSUAN 骨质瓷 tea set, bone china ø 13 x 6,5 x 10 cm YEHIDEA

童话 Tale, 2011 JIA LI 金属 fruit dish, metal SELF PRODUCTION

竹节花瓶 Bamboo Vase, 2010 WU QIHUA & LIU YINAN 骨瓷 vases, bone china h. 45 cm, ø 10 cm h. 30 cm, ø 10 cm SELF-PRODUCTION 129

传统 < > 科技 03 TRADITION < > TECHNOLOGY

逸 Flying, 2009 VIVIAN WU 陶瓷 suspension lamps, ceramic 21 x 32 cm self-PRODUCTION

大马士革双人沙发 Damasco Love Seat, 2010 PAOlA NAVONe 特别版, 皮革 limited edition, sofa, leather Evergreen Souple 157 x 114 x 78 cm BAXTeR

“花海”地毯 Little Field of Flowers, 2006 TORD BOONTJe 100%羊毛毡 carpet, dyed felt, 100% wool 200 x 300 x 6 cm NANIMARQUINA

充气椅 Blow, 1967 JONATHAN DE PAS, DONATO D’URBINO, PAOLO LOMAZZI with CARLA SCOLARI 透明PVC材料 inflatable armchair, pvc 110 x 102 x 83 cm ZANOTTA

凳 Mezzadro, 1957 ACHILLE and PIERGIACOMO CASTIGLIONI 钢，木 stool, steel, wood 49 x 51 x 51 cm ZANOTTA

豆袋沙发 Sacco, 1968 GATTI-PAOLINI -TEODORO 聚乙脂，织物，皮革 anatomical easy chair, expanded polystyrene, fabric/leather 80 x 80 x 68 cm ZANOTTA

菱形毯 Losanges, 2011 RONAN & ERWAN BOUROULLEC 羊毛 carpet, wool 290 x 410 x 0,4 cm NANIMARQUINA

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传统 < > 科技 03 TRADITION < > TECHNOLOGY

卡尔顿书架 Carlton, 1981 ETTORE SOTTSASS 磨砂塑料层压板 cabinet/room divider, plastic laminate 190 x 40 x 196 cm MEMPHIS

Andersen轻便沙发 Andersen Slim, 2010 RODOLFO DORDONI 木，金属，织物 sofa, wood, metal, polyurethane foam, fabric 288 x 103 x 85 cm MINOTTI

灯 Ashoka, 1981 ETTORE SOTTSASS 上漆金属 table lamp, painted metal 74 x h. 85 cm MEMPHIS

齐柏林灯2号 Zeppelin 2, 2005 MARCEL WANDERS 蚕丝，钢，水晶 suspension lamp, cocoon, steel, crystal h. 135 cm, ø180 cm FLOS

淑女灯 Lady Costanza, 2008 PAOLO RIZZATTO 铝，聚碳酸酯 floor lamp, aluminium, polycarbonate 36 x 36 cm, h. 217/250 cm, ø 50 cm LUCEPLAN

少女沙发’07 Le Bambole ’07, 2007 MARIO BELLINI 钢，聚氨酯泡沫塑料，织物或皮革 sofa, steel, polyurethane foam, leather/fabric 166 x 89 x 74 cm B&B ITALIA

钱币椅 Coin Chair, 2010 ZHU XIAOJIE 钢、海豹皮 chair, steel, seal fur 82 x 72 x 63 cm OPAL FURNITURE

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传统 < > 科技 03 TRADITION < > TECHNOLOGY

Framura Nido, 2009, AKsU/sUARDI. DE PADOVA Gocce, 2011, ANGELETTI RUZZA. FRATELLI GUZZINI Isola, 2011, ANGELETTI RUZZA. FRATELLI GUZZINI Nuvola, 2011, ANGELETTI RUZZA. FRATELLI GUZZINI Cestello, 1993, GAE AULENTI with PIERGIACOMO CAsTIGLIONI. iGUZZINI Tatino, 1997, ENRICO BALERI with DENIs sANTACHIARA. CERRUTI BALERI Tatone, 1997, ENRICO BALERI with DENIs sANTACHIARA. CERRUTI BALERI Circus, 2010, FERNANDO and HUMBERTO CAMPANA. NODUS Thick and Thin Paper Folding, 2009, CHANG YUNG HO. FORMICA Graphic Inscriptions on Oracle Bones, 2010, CHEN NAN. SELF-PRODUCTION Latina, 2010, CARLO COLOMBO. FRATELLI GUZZINI Shangshan-Tiger, 2009, DAVID JIA. LKK DESIGN Stone to Needle, 2011, DAVID JIA. LKK DESIGN La Chaise, 1948, CHARLEs and RAY EAMEs. VITRA Blow Away, 2009, FRONT. MOOOI Tatino Tattoo Carrara Marble, 2011, MAURIZIO GALANTE with TAL LANCMAN. CERRUTI BALERI Tatino Tattoo Grande Antico Marble, 2011, MAURIZIO GALANTE with TAL LANCMAN. CERRUTI BALERI Tatino Tattoo Portasanta Marble, 2011, MAURIZIO GALANTE with TAL LANCMAN. CERRUTI BALERI Hope, 2009, FRANCIsCO GOMEZ PAZ with PAOLO RIZZATTO. LUCEPLAN Xarxa, 2008, MARTÍ GUIXÉ. DANESE Show Time Indoor, 2006, JAIME HAYON. BD BARCELONA Playing with Tradition, 2009, RICHARD HUTTEN. I+I Nebula, 2007, JORIs LAARMAN. FLOS Evolution, 2009, FERRUCCIO LAVIANI. EMMEMOBILI Wallace, 2010, JEAN-MARIE MAssAUD. POLIFORM Falkland, 1964, BRUNO MUNARI. DANESE Mirage, 2008, LUCA NICHETTO. FRATELLI GUZZINI Pirellone, 1967, GIO PONTI. FONTANAARTE Goccia, 2010, PROsPERO RAsULO. GESSI Tato, 1995, DENIs sANTACHIARA. CERRUTI BALERI Carmen, 2011, HÉCTOR sERRANO. FONTANAARTE Hooo!!!, 2010, PHILIPPE sTARCK with JENNY HOLZER and MORITZ WALDEMEYER. FLOS Landscape Shibori Gold, 2008, PATRICIA URQUIOLA with ROsENTHAL CREATIVE CENTER. ROSENTHAL Skygarden S2, 2007, MARCEL WANDERs. FLOS Espressione of Han Dynasty, 2010, ZHOU sHANGYI. SELF-PRODUCTION

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联结 JuNcTION

04

GENERATIONS < > SENSIBILITIES 代际 < > 感受力 Examines the relationship between designers of different generations who work with a sense of continuity, expressing a shared sensibility of values and project modes through creativity. The role and legacy of the ‘masters’ emerges, listening to lectures and personal histories that have become the cultural heritage of the world of design.

审视不同代的设计师如何在工作中保持一种连 续性，从其创意中，不难发现他们对于基本的价 值和工作模式有一种共同的感受力。由此诞生 了“大师”和“大师”的传奇，倾听他们的叙述 和个人故事已成为设计世界的文化遗产。

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代际 < > 感受力 0 4 G E N E R AT I O N S < > 设 S E计 N S师 I B I< L I T>I E协 S 作

0 2 D E S I G N E R < > C O O R D I N AT I O N

休闲椅 La Chaise, 1948 CHARlES and RAY EAMES 玻璃纤维，铬，橡木 chaise longue, fiberglass, chromed rod, natural oak 150 x 90 x 87 cm VITRA

Tato, 1995 DENIS SANTACHIARA 聚氨酯，织物 pouf, CFC-free polyurethane, plastic material, stretch fabric 65 x 44 x 41,5 cm CERRUTI bAlERI

Tatone, 1997 DENIS SANTACHIARA with ENRICo bAlERI h. 37 cm, ø 78 cm Tatino, 1997 DENIS SANTACHIARA with ENRICo bAlERI h. 43,5 cm, ø 48,5 cm

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“马戏团”地毯 Circus, 2010 FERNANDO and HUMBERTO CAMPANA 麻，布偶 limited edition, carpet, rag dolls ø 200 cm, h. 3 cm NODUS

浮云雨伞筐 Nuvola, 2011 ANGELETTI RUZZA 亚克力 umbrella holder, SAN, PMMA 32 x 24,7 x h. 60 cm FRATELLI GUZZINI

伊索拉杂志筐 Isola, 2011 亚克力 magazine holder, SAN, PMMA 32 x 22,8 x h. 31 cm

红巢椅 Framura Nido, 2009 AKSU/SUARDI 上漆钢架铝管，缎带，坐垫 multiple seat, aluminium, steel, polyester, polyurethane foam, plastic h. 42 cm, ø 175 cm DE PADOVA 137

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希望之灯 Hope, 2009 FRANCISCO GOMEZ PAZ with PAOLO RIZZATTO 不锈钢，聚碳酸酯，棱透镜 suspension lamp, stainless steel, polycarbonate h. 66 cm, ø 110 cm LUCEPLAN

卡门台灯 Carmen, 2011 HÉCTOR SERRANO 钢 floor lamp and table lamp, steel h. 178 cm, ø 51 cm - h. 75 cm, ø 51 cm FONTANAARTE

华莱士扶手椅 Wallace, 2010 JEAN-MARIE MASSAUD 聚氨酯泡沫塑料，铝，皮革 armchair, polyurethane foam, aluminium, leather 200 x 86 x 73 cm POLIFORM 创 意 联 结 C R E A T I V E

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星云 Nebula, 2007 JORIS LAARMAN 铝，玻璃 suspension lamp, aluminium, glass 70 x h. 120 cm FLOS

灯 Pirellone, 1967 GIO PONTI 金属，玻璃 floor lamp, nickel-plated brass, glass 34 x 17 x 184 cm FONTANAARTE

厚薄折 Thick and Thin Paper Folding, 2009 CHANG YUNG HO 色丽石 screen, Surell 200 x 4 x 180 cm FORMICA

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天空花园灯 Skygarden S2, 2007 MARCEL WANDERS 石膏，玻璃，不锈钢 suspension lamp, plaster, glass, stainless steel h. 45 cm, ø 90 cm FLOS

金色扎染风景花瓶 Landscape Shibori Gold, 2008 PATRICIA URQUIOLA with ROSENTHAL CREATIVE CENTER 瓷 vases, porcelain 14 cm, ø 16,40 cm - 26 cm, ø 10,35 cm ROSENTHAL

室内娱乐时间 Show Time Indoor, 2006 JAIME HAYON 聚乙烯，皮革 armchair, polyethylene, leather 90 x 82 x h. 168 cm BD BARCELONA 版权所有 Courtesy of Design Republic

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随风而逝 花瓶 Blow Away, 2009 FRONT 代尔夫特皇家青花瓷 vase, porcelain 26 x h. 32 cm MOOOI 版权所有 Courtesy of Design Republic

拉蒂娜系列 Latina, 2010 CARLO COLOMBO 砂锅，炖锅 不锈钢，陶瓷，苯乙烯，ABS，铝，胶木 casserole and saucepan stainless steel, ceramic coating, SAN, ABS, aluminium, bakelite h. 13 cm, ø 24 cm - h. 8 cm, ø 28 cm 牛排锅，煎锅，炒锅 steak pan, frying pan and wok 28 x 28 x h. 6,6 cm - h. 7,7 cm, ø 30 cm h. 10,3 cm, ø 28 cm FRATELLI GUZZINI

餐具 Gocce, 2011 ANGELETTI RUZZA 苯乙烯有机玻璃 cutlery set, SAN, stainless steel 18/10 14,9 x 5,8 x h. 24,5 cm FRATELLI GUZZINI

幻想 Mirage, 2008 LUCA NICHETTO 苯乙烯-丙烯腈 bowls, SAN h. 14,5 cm, ø 30 cm - h. 12 cm, ø 25 cm h. 10 cm, ø 21 cm - h. 6 cm, ø 12 cm FRATELLI GUZZINI 141

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w

“福克兰”灯 Falkland, 1964 BRUNO MUNARI 铝结构，弹性面料 suspension lamp, steel, elastic fabric h. 65 cm, ø 40 cm DANESE Goccia落地龙头 Goccia, 2010 PROSPERO RASULO 镀铬铜，砂岩 floorstanding spout, chrome brass, gres 110,6 x h. 180 cm, ø 24 cm 砂岩 floorstanding washbasin, gres h. 90 cm, ø 54 cm GESSI

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印花卡拉拉大理石 Tatino Tattoo Carrara Marble, 2011 MAURIZIO GALANTE with TAL LANCMAN 无氟易变形聚氨酯，塑料，弹性面料 pouf, CFC-free polyurethane, plastic material, stretch fabric h. 43,5 cm, ø 48,5 cm CERRUTI BALERI

印花波尔塔桑塔大理石 Tatino Tattoo Portasanta Marble, 2011

灯 Cestello, 1993 GAE AULENTI with PIERGIACOMO CASTIGLIONI 铝 floorlamp, aluminium 43,5 x h. 450 cm iGUZZINI

HOOO灯 Hooo!!!, 2010 PHILIPPE STARCK with JENNY HOLZER and MORITZ WALDEMEYER 铝，水晶玻璃 limited edition table lamp, aluminium, Baccarat crystal 31,5 x h. 60 cm FLOS

印花仿古大理石 Tatino Tattoo Grande Antico Marble, 2011

戏说传统 Playing with Tradition, 2009 RICHARD HUTTEN 羊毛 carpet, wool 120 x 75 cm I+I

大汉风尚系列-瓶 Espressione of Han Dynasty, 2010 ZHOU SHANGYI 不锈钢 木材 plate and vase, stainless steel, wood 16 x 80 cm - h. 60 cm, ø 30 cm SELF-PRODUCTION

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“进化”橱柜 Evolution, 2009 FERRUCCIO LAVIANI 橡木，抛光黄铜 cabinet, oak wood, burnished brass 257 x 56 x 90 cm EMMEMOBILI

甲骨文字绘 Graphic Inscriptions on Oracle Bones, 2010 CHEN NAN 金属薄铝板 presswork, thin aluminium panel 25 x 18 cm SELF-PRODUCTION 上山虎 Shangshan-Tiger, 2009 DAVID JIA 瓷，鸡翅木，镀金 incense trays, ceramics, chicken wing wood, gold 28 x 7,7 x 10,6 cm - 18 x 5 x 6,8 cm LKK DESIgN

铁杵成针 Stone to Needle, 2011 石头 incense tray, stone 14 x 9 x 4 cm

网络 Xarxa, 2008 MARTÍ gUIXÉ 亚麻，棉，人造棉，聚酯 multipurpose seating, cotton, linen, viscose, polyester fabrics 90 x 90 x 50 cm DANESE

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Artglass Collection: Ando, 2011, TADAO ANDO. VENINI Banquete Chair with Pandas, 2006, FERNANDO and HUMBERTO CAMPANA. ESTUDIO CAMPANA Java, 2009, SOO K. CHAN. POLIFORM Livin’: Ananda, 2010, DOSHI LEVIEN. GLASS IDROMASSAGGIO Cylinder AF/21, 2010, NAOTO FUKASAWA. ABOUTWATER (BOFFI and FANTINI) Terra, 2006, NAOTO FUKASAWA. BOFFI Memory, 2010, GAO YIQIANG. SELF-PRODUCTION Family Chair, 2010, JUNYA ISHIGAMI. LIVING DIVANI Hana Series, 2002, TOSHIYUKI KITA. ARITA NANAKURA Tronco, 2007, TOSHIYUKI KITA. SELF PRODUCTION Aquos XJ1, 2008, TOSHIYUKI KITA. SHARP ZigZag, 2011, NENDO. LEMA Ren, 2011, NERI&HU. LEMA Wang, 2011, NERI&HU. LEMA un-Wired, 2010, NERI&HU. MERITALIA Eye of The Storm, 2009, QIAN YIRAN. SELF-PRODUCTION Angle of 11degree, 2010, SUN YUN. DIALOG BOX INTERLOCKING FOUNDATION Fellowship Groups7, 2010, SUN YUN. DIALOG BOX INTERLOCKING FOUNDATION The Series of Flowing Water, 2005, XIE DONG. XIE DONG STUDIO +/- Desk, 2011, XIE ZARU. PEGA D&E The Invisibles Collection, 2010, TOKUJIN YOSHIOKA. KARTELL Memory, 2010, TOKUJIN YOSHIOKA. MOROSO Intelligent Recognition, 2010, ZHANG LEI and LIU KAIWEI. L&W DESIGN STUDIO Intelligent Robot, 2010, ZHANG LEI and LIU KAIWEI. L&W DESIGN STUDIO LuxScan HT Microarray Scanner, 2008, ZHAO CHAO. CAPITALBIO CORPORATION Lotus Plate, 2009, ZHU PEI with TONG WU. WHEN OBJECTS WORK for SWAROVSKI ELEMENTS

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联结 Junction

05

orient < > occident 东方 < > 西方 Constructs a path of research on affinities and contacts between eastern and western contemporary design. A synergetic comparison and encounter between Occident and Orient, between two cultures and civilizations, staged with an international selection of design pieces that are all in production, a kind of threedimensional ‘design Esperanto’, a mirror of relationships and exchange of ideas (REN), in idioms that share the goal of high quality.

试图搭建起一条研究东西方当代设计之间关联 性的通道。东西方两种文化/文明体系之间的比 较与对接，体现为在国际范围内遴选出那些以品 质为最高追求、已投入生产的设计作品，这些作 品就像是立体的“设计世界语”，像镜子那样反 映了观念（仁）之间的交融互通。

9 9

东 方 < > 西 方 设 计 师 < > 协 作 147 05 orient < > occident 0 2 D E S I G N E R < > C O O R D I N AT I O N

家庭椅 Family Chair, 2010 JUNYA ISHIGAMI 钢 chair, steel 75 x 50 x 75 cm - 48 x 55 x 82 cm 40 x 58 x 110 cm - 46 x 49 x 54 cm 38 x 48 x 79 cm LIVING DIVANI

AF/21水龙头 Cylinder AF/21, 2010 NAOTO FUKASAWA 高氧化氮镀层，铬化黄铜 washbasin mixer, chrome polished brass, hi-nox finish 10,2 x h. 14,8 cm, ø 3 cm 高氧化氮镀层，铬化黄铜 3-hole washbasin mixer 19,2 x h. 24 cm, ø 3 cm ABOUTWATER (BOFFI and FANTINI)

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“大地”浴缸 Terra, 2006 NAOTO FUKASAWA Cristalplant©热塑性聚合物 bathtub, white Cristalplant 171 x 151 x 55 cm BOFFI

生活：“祝福”柜椅组：柜子 Livin’: Ananda, 2010 DOSHI LEVIEN 混凝土、玻璃、陶瓷 steam bath cabinet, concrete, glass, ceramic 100 x 54,3 x 92,6 cm 陶瓷 steam bath small bench, concrete, Ductal (top) 82,5 x 42 x 31,5 cm GLASS IDROMASSAGGIO

床 Java, 2009 SOO K. CHAN 木，聚氨酯泡沫塑料，织物/皮革/生态皮革 bed, wood, polyurethane foam, fabric/leather/eco leather 191 x 213 x 100,3 cm POLIFORM

无线 un-Wired, 2010 NERI&HU 施华洛世奇水晶，不锈钢，有色玻璃 side and coffe tables, stainless steel, swarovski crystal, colored glass h. 40 cm, ø 60 cm - h. 36 cm, ø 100 cm MERITALIA

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长凳 Tronco, 2007 TOSHIYUKI KITA 木，铝 bench, wood, aluminium 139 x 52 x 54 cm SELF PRODUCTION

+/- 桌 +/- Desk, 2011 XIE ZARU 塑料, 木材, 金属 workstation, plastic, wood, metal 140 x 75 x 80 cm PEGA D&E

11度 Angle of 11degree, 2010 SUN YUN 橡木 stool, oak wood 83 x 41,5 x 52 cm DIALOG BOX INTERLOCKING FOUNDATION

团契7 Fellowship Groups7, 2010 SUN YUN 多层板 seating, multi-layer boards 360 x 230 x 45 cm DIALOG BOX INTERLOCKING FOUNDATION

殇 Memory, 2010 GAO YIQIANG 尼龙 seating, polyamide 171,55 x 77,5 x 68,5 cm

SElF-PRODUCTION

之形架 ZigZag, 2011 NENDO 漆木 bookcase, wood 363,2 x 34 x 137,7 cm lEMA

熊猫椅 Banquete Chair with Pandas, 2006 FERNANDO and HUMBERTO CAMPANA 不锈钢，熊猫玩具 armchair, stainless steel, stuffed panda toys 85 x 130 x 100 cm ESTUDIO CAMPANA 151

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生物芯片扫描仪 LuxScan HT Microarray Scanner, 2008 ZHAO CHAO Abs塑料，金属，复合材质 fully automated microarray scanner, ABS plastic, metal, and multi-material 58 x 36,6 x 48 cm CAPITALBIO CORPORATION

Aquos XJ1 - S, 2008 TOSHIYUKI KITA 塑料，铝，钢 LCD display, plastic, aluminium, steel 100 x 2,5 x h. 75 cm SHARP 智能机器人 Intelligent Robot, 2010 ZHANG LEI and LIU KAIWEI 金属、工程塑料 robot, metal, engineering plastic 40 x 40 x 80 cm L&W DESIGN STUDIO

智能识别 Intelligent Recognition, 2010 金属、工程塑料 intelligent recognition, metal, engineering plastic 60 x 20 x 60 cm

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不可见的收藏系列：沙发 The Invisibles Collection, 2010 TOKUJIN YOSHIOKA 聚碳酸酯 small/big armchair, polycarbonate 62 x 57 x 79 cm - 73 x 65 x 66 cm 聚碳酸酯 big/side table, table 200 x 85 x 73 cm - 38,4 x 38,4 x 42 cm KARTELL

汉娜系列：大壶 Hana Series, 2002 TOSHIYUKI KITA 陶瓷 bowl and three legs bowl with cover, porcelain h. 15,5 cm, ø 23,4 cm - h. 9 cm, ø 14 cm 陶瓷, 陶瓷 sugar pot and creamer h. 10,5 cm, ø 8,5 cm - h. 8,4 cm, ø 6,7 cm 陶瓷 teapot (large/small) 19,2 x h. 23 cm, ø 22 cm 19 x h. 12,2 cm, ø 13,5 cm ARITA NANAKURA

艺术玻璃收藏：安藤 Artglass Collection: Ando, 2011 TADAO ANDO 玻璃 limited edition in 90 art pieces hand made blown glass (colors: aquamarine finished ‘rosetta’, ‘ghiaccio’, ‘velata’) 20 x 18 x 56,5 cm VENINI

风暴之眼 Eye of The Storm, 2009 QIAN YIRAN 塑料 watch, plastic 3,5 x 3,5 x h. 1 cm SELF-PRODUCTION

水纹系列：碗，花瓶 The Series of Flowing Water, 2005 XIE DONG 白骨瓷 bowls and vases, white bone china h. 31 cm, ø 29 cm - h. 25 cm, ø 20 cm h. 25 cm, ø 28 cm - h. 18 cm, ø 23 cm XIE DONG STUDIO

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殇 Memory, 2010 Tokujin yoshioka 尼龙 armchair, recycled aluminium fabric 88 x 48 x 83 cm MoRoso

人系列椅子 Ren, 2011 nERi&hu 橡木，喷漆钢管 chair, prototype LEMa

网系列凳子 Wang, 2011 nERi&hu 橡木 stool, prototype LEMa

荷盘 Lotus Plate, 2009 Zhu PEi with TonG Wu 玻璃，水晶 plate, glass, crystal 50 x 39 x 6 cm WhEn oBjECTs WoRk for sWaRoVski ELEMEnTs 155

东 方 < > 西 方 05 orient < > occident

Advertising AGAPE ALESSI ARTEMIDE AXOR B&B ITALIA BACCARAT BISAZZA BOFFI CASALGRANDE PADANA CERAMICA BARDELLI CERAMICA FLAMINIA CERAMICS OF ITALY DRIADE EDRA ELICA FENDI CASA FERRERO CHINA FLEXFORM FLOS FLOU FONTANAARTE FRATELLI FANTINI FRATELLI GUZZINI GLASS IDROMASSAGGIO IGUZZINI ILLUMINAZIONE INTESA SANPAOLO KARTELL KENZO MAISON LEMA LIVING DIVANI LITHOS LUCEPLAN MAGIS MAPEI MARAZZI MATTEOGRASSI MERITALIA MOLTENI & C MOROSO PLANK POLIFORM PORRO SAMBONET TARGETTI TECHNOGYM TEUCO GUZZINI VARENNA VENETA CUCINE VENINI ZUCCHETTI. KOS

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广告宣传

150 Designers Biographical notes

150位设计师

简历说明

5+1AA (Genoa, 1995)

Alfonso Femia (1966) and Gianluca Peluffo (1966), the founders of Studio 5+1AA, approach the city by confronting reality and how it changes. They designed the Visitors’ Center and Antiquarium of the Foro di Aquileia (Udine), Savona University Campus, the headquarters of the Ministry of the Interior in Rome, the Palazzo del Ghiaccio and Frigoriferi Milanesi buildings, and the Fiera Milano Business Centre. In 2003 the Italian Ministry of Culture awarded them for their research work. In 2005 they won the competition to design the new Palazzo del Cinema in Venice. In 2006/07 they opened a workshop in Milan, an agency in Paris and developed the Master Plan for Milan Expo 2015. In 2009 they won the competitions to redevelop Marseille Docks and build the Officine Grandi Riparazioni Ferroviarie in Turin. In 2010 they won the competition to design the Generali SGR residential complex in Milan.

Alvar Aalto (1898-1976)

Alvar Aalto, born in Kuortane (Finland), enjoyed an exceptionally rich and varied career as an architect and designer, both at home in Finland and abroad. After qualifying as an architect from Helsinki Institute of Technology (now part of the Aalto University) in 1921, he set up his first architectural practice in Jyväskylä. In 1933 he moved to Helsinki. It was characteristic of Aalto to treat each building as a complete work of art – right down to the furniture and light fittings. In 1935, Artek was formed to promote the growing production and sales of Aalto furniture. The design of his furniture combined practicality and aesthetics with serial production. From the 1950s on Aalto’s architectural practice was engaged mainly in the design of public buildings, such as Säynätsalo Town Hall (19481952), the Jyväskylä Institute – now the University of Jyväskylä (1951-1957) – and the House of Culture in Helsinki (1952-1956).

Massimiliano Adami (1969)

Massimiliano Adami, born in Monza (Italy), studied design at the Istituto Statale d’Arte of Monza and the Department of Design of the Milan Polytechnic. Today he lives and works in Milan. Since his debut in 1998 he has taken part in many competitions and exhibitions, including successful participations at the Salone Satellite from 2005 to 2008. Thanks to experimentation with materials and production methods with an accent on craftsmanship, his work is positioned between art and design, combining work for industry and self-production. His products have been shown in important design galleries, including Moss in New York, the Saatchi Gallery in London, Rossana Orlandi in Milan, Ottobarradieci in Bergamo, Italy. He works with leading companies like Cappellini, Refin Ceramiche, Zerodisegno. His Fossili Moderni were included in the Permanent Collection of the Milan Triennale Design Museum.

Aksu/Suardi (Milan, 2007)

Sezgin Aksu (Turkey, 1970), designer, studied in Germany (Akademie der Bildenden Künste Stuttgart) and France. Silvia Suardi (Italy, 1967), architect, took a degree at the Milan Polytechnic. They worked for about ten years in the studio of the architect Michele De Lucchi, and since 2001 they have had their own practice. In their Milan-based studio they work on interior, exhibit, product and visual design. The differences of their cultural backgrounds become a strong point for work of great breadth that touches on all aspects of design, from architecture to communication. Their main clients include: Antonangeli, Caimi Brevetti, De Padova, Eurizon Capital, Gebrüder Thonet Vienna, Koleksiyon, Nemo Cassina, Nurus, Olivetti, Poltrona Frau, Rubinetterie Teorema, Serafino Zani, Slide. With the Utoo system produced by Nurus (Turkey) they won the Red Dot Design Award 2007, Design Turkey Award 2008 and Good Design USA 2008.

Tadao Ando (1941)

Born in Osaka, Japan, from 1962 to 1969 Tadao Ando educated himself in architecture, traveling in the U.S.A., Europe and Africa. In 1969 he founded Tadao Ando Architect & Associates in Osaka. Among his most important architectural works: Rokko Housing (1983-1999) Kobe, Hyogo; Church of the Light, Ibaraki, Osaka (1989); Fabrica (Benetton Communications Research Center), Treviso, Italy (2000); Pulitzer Foundation for the Arts, St. Louis, U.S.A., Armani/Teatro, Milan, Italy (2001); Palazzo Grassi, Venice, Italy (2006); Punta della Dogana Contemporary Art Center, Venice, Italy (2009); Stone Sculpture Museum, Bad Münster am Stein, Germany (2010). Prizes and honors include: the 5th Alvar Aalto Medal, Finnish Association of Architects, Finland (1985); the Pritzker Architecture Prize, U.S.A. (1995); Chevalier de l’Ordre National de la Légion d’Honneur, France (2005).

Angeletti Ruzza (Rieti, 1994)

Since 1994 italian designers Daniele Ruzza(1967) and Silvana Angeletti (1969) have focused on industrial design. Their career began with F.lli Guzzini, a company for which they designed successful collections. They then worked with other companies like Fantini, Flaminia, Azzurra, Graff, Teuco, Gedy, Poltrona Frau and Nemo Cassina. In particular, the design of new scenarios for the bath environment has brought them many international honors, like the Design Plus, the Red Dot Award, the Good Design Award and a number of nominations for the Design Preis Deutschland 2011. They also work as creative directors, first with GSI, in 2005, and then with Azzurra Ceramica since 2007. The studio combines product design activity with teaching in design schools and interior design projects.

Ron Arad (1951)

Born in Tel Aviv (Israel), educated at the Jerusalem Academy of Art and later at the Architectural Association in London, Ron Arad co-founded with Caroline Thorman both the design and production studio One Off in 1981 and later, in 1989, Ron Arad Associates architecture and design practice. In 2008 Ron Arad Architects was established alongside Ron Arad Associates. Arad’s constant experimentation with the possibilities of materials and radical re-conception of the form and structure of furniture, have put him at the forefront of contemporary design. Arad designs for many leading international companies including Kartell, Vitra, Moroso, Fiam, Driade, Alessi, Cappellini, Cassina and Magis. His many architectural projects include, most recently, the National Design Museum in Holon, Israel, Mediacité, Liège, Belgium, and 154 Ha-Yarkon Street, Tel Aviv. He lives and works in London.

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150 Designers

简历说明

Biographical notes

Gae Aulenti (1927)

Born in Palazzolo dello Stella, Udine (Italy), she graduated in 1953 from the Milan Polytechnic. Since 1956 she has had a professional practice in Milan. In 2005 she founded Gae Aulenti Architetti Associati. After her work on the Musée d’Orsay in Paris (1980-86), she supervised the renovation of Palazzo Grassi in Venice (1985-86). In 2003, her New Asian Art Museum of San Francisco was opened. The Museu Nacional d’Art de Catalunya in Barcelona was completed in 2004. In 2005 the Italian Cultural Institute in Tokyo, the Palavela in Turin and Piazza San Giovanni in Gubbio were all completed with her designs. In 2009 she designed the Swank showroom in Beijing. Honors and awards include the title of Chevalier de la Légion d’Honneur (Paris, 1987), Honorary Member of the American Institute of Architects - Hon. FAIA (1990) and the Gran Croce della Repubblica Italiana (Rome, 1995).

François Azambourg (1963)

Born in Angoulême (France), he lives and works in Clichy, Paris. Guest of the Villa Médicis hors les murs programme in 2003, winner of the Grand Prix du Design de Paris 2004, three-time winner of the Top Plastique competition of the Musée des Arts Décoratifs, Paris, Azambourg focuses on technical issues and the applied arts. He took a DSAA degree in 1987 thanks to work on saxophones, which has continued for ten years with IRCAM. From 1999 to 2003, his works were shown by VIA. He has been named “Creator of the Year 2009” at the Salon du Meuble of Paris. In 2010, François Azambourg presented 15 objects in leather for “Intérieurs Cuir Acte 2”, and for Le Laboratoire in Paris he conducted a research project on water packaging. François Azambourg works with clients like Hermès, Cappellini, Poltrona Frau, Ligne Roset, Cinna, Domestic, Moustache, Kreo, DCS, Oxyo and CIAV Meisenthal.

Enrico Baleri (1942)

Born in Albino (Bergamo, Italy), Enrico Baleri lives in Bergamo, where, in 1965, encouraged by Dino Gavina, opened a furniture showroom, Baleri Designers. He was a founding member of the design research group Pluri, established in Milan in 1968, that would later become Baleri & Associati (1986-2004) and then Centro Ricerche Enrico Baleri (2004). He set up Alias in 1979, and was its art director until 1983. He has designed furniture, lighting and objects for Gavina, Flos, Knoll International and Alias. In 1984, together with Marilisa Decimo, he founded Baleri Italia, working with international designers: Hollein, Mendini, Starck, Dalisi and Wettstein. Appointed as Corporate Coordinator for ADI (Italian Association of Industrial Design) from 1994 to 1997 and after 2001, member of the board of ADI Foundation (2002-2006), he organizes and promotes industrial design and initiatives on architectural culture.

Sam Baron (1976)

Born in France, where he now lives, Sam Baron has a degree in Design from the Fine Arts School of Saint-Étienne and did postgraduate studies at the National Decorative Arts School of Paris. As independent designer and consultant for international groups such as Louis Vuitton, L’Oréal and Benetton, Sam Baron creates exhibition and interior designs, as well as crossover projects that mix art and design. He works with European brands like Ligne Roset, Christofle, Secondome edizioni, Bosa and Vista Alegre. Baron is also a consultant for the brand De Beers and the French jeweler Dinh Van, and is working as head of the design department of Fabrica, the research center based in Treviso. In 2009 he received the Grand Prix de la Création de la Ville de Paris and was selected by Philippe Starck at the latest Maison & Objet fair as one of the ten most important designers of the next decade.

Mario Bellini (1935)

Born in Milan, where he took a degree in architecture at the Polytechnic in 1959, Mario Bellini is internationally renowned as an architect and designer. Winner among others of eight Compasso d’Oro ADI awards and prestigious architecture awards including the Medaglia d’Oro conferred by the President of the Italian Republic. MoMA in New York, which held a solo show of his work, has 25 works of Mario Bellini in its permanent design collection. From the 1980s on he has designed projects such as the Portello Trade Fair district in Milan, the Exhibition Centre in Villa Erba on Lake Como, the Tokyo Design Center, Natuzzi America Headquarters, the Trade Fair in Essen, the National Gallery of Victoria in Melbourne and the headquarters of Deutsche Bank in Frankfurt. His new Milan Convention Center is presently under construction.

Benedini Associati (Mantua, 1999)

Benedini Associati was established in 1999 in Mantua, Italy, when Bibi (1953) and Camilla (1975) Benedini joined Giampaolo Benedini (1945), who had been working in the field of architecture and industrial design since 1973. The expertise developed in these parallel fields has resulted in an approach that involves constant research into innovative construction processes relevant to both sectors and applicable to restoration and renovation projects, as well as to newly built residential, commercial or industrial bulidings. This has allowed the studio to have a consistent approach to projects that combine architecture and interior design. Camilla Benedini graduated from the Milan Polytechnic in 2002. She first worked at Piero Lissoni’s studio and later moved to London, where she gained experience with British design culture at Michael Ginn Associates. After returning to Italy, she is now in charge of Benedini Associati’s Milan studio.

Dror Benshetrit (1977)

Born in Tel Aviv (Israel), Dror Benshetrit activity covers a wide range of projects on various scales and of different types. He works in the fields of architecture, art direction, product and interior design. In collaboration with a team of experts, Benshetrit conducts research on materials, technology and geometry. Based in New York, he works with clients like Alessi, Bentley, Boffi, Bombay Sapphire, Cappellini, Kiehl’s, Levi’s, Lualdi, Material ConneXion, Maya Romanoff, Marithé + François Girbaud, Puma, Rosenthal, Skins Footwear, Yigal Azrouël, Shvo, Swarovski and Target. He has lectured internationally and has received numerous design awards including the GE Plastics Competition “Merging Boundaries” (2001), iF Product Design Award (2006) and the Good Design Award (2008, 2010). His work is included in permanent collections of major museums in North America, Europe and the Middle East.

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Francesco Binfaré (1939)

Born in Milan, where he lives and works. Director of the Cassina Research Center from 1969 to 1975, head of research, design and communications for Cassina from 1973 to 1988, designer for Edra since 1992 and Magis since 2004, Francesco Binfaré has played an important role of experimentation, involving certain architects in the creation of iconic Italian design products. In 1980 he founded the Center for Design and Communication, collaborating with Cassina, Marcatrè, De Padova, Venini. His research has generated a number of installations, including Le Corbusier, Flowers grow on the ruins (1978), for Cassina, and Design, self-portrait with father and architecture (1979), for the Milan Triennale. In 1992 he began a new phase with the invention of large divans for Edra: L’homme et la femme, Flap, On the rocks. Recent projects include the Annett chair for Magis and the Sherazade, Sofa, Brenno divans for Edra.

Cini Boeri (1924)

Born in Milan. Cini Boeri took a degree in Architecture at the Milan Polytechnic in 1951. After a long period of collaboration with Marco Zanuso, she began her own professional practice in 1963, in the fields of architecture and industrial design. She has designed villas, apartments, banks and shops in Italy and abroad. Over the years she has worked with Arflex, Artemide, ICF, Valli & Valli, Venini, Knoll International and Rosenthal. Many of her works are included in the collections of international museums and featured in exhibitions. She has given lectures at universities in Italy and abroad, and participated in many juries for international competitions. The many prizes and honors she has received include the Compasso d’Oro ADI (1979), the IIC Lifetime Achievement Award di Los Angeles (2008) and the Good Design Award in Chicago (2008). She lives in Milan.

Tord Boontje (1968)

Born in Enschede (The Netherlands). He studied industrial design at the Design Academy in Eindhoven (1986-1991), and then took a Masters degree at the Royal College of Art in London (1992-1994). Studio Tord Boontje was founded in 1996. Boontje lived and worked in London from 1995 to 2005, when he moved his home and studio to Bourg-Argental, France. In 2009 he was appointed Professor and Head of Design Products at the Royal College of Art, and he has also continued to work at his London-based design studio. He has worked with many well-known design companies, including Moroso, Swarovski, Kvadrat, Meta, Artecnica and Habitat. His work can be seen in the public collections of many museums and art galleries, including the Victoria and Albert Museum of London, MoMA New York and the Stedelijk Museum, Amsterdam. A book on his growing portfolio of work was published by Rizzoli New York in 2007.

Ronan & Erwan Bouroullec (Saint-Denis - Paris, 1998)

Ronan (1971) & Erwan Bouroullec (1976) have been working together for over ten years. In 2007, they were spotted by Cappellini, leading to their first industrial design projects. Since then they have gone on to work with Vitra, Magis, Kvadrat, Kartell, Established & Sons, Ligne Roset, Alessi, Issey Miyake, Cappellini, Axor, Flos and Mattiazzi. From designing spaces to furniture, taking on architectural projects to designing textile wall systems or comprehensive collections, the designer brothers continue their experimental activity, especially with the Kreo Gallery in Paris. Designs by the Bouroullecs are part of international collections such as Centre Pompidou and Musée des Arts Décoratifs, in Paris, Museum of Modern Art in New York, Design Museum in London. Centre Pompidou Metz will welcome them to do a major monographic exhibition from October 7th 2011 until the summer of 2012. They live in Paris.

Andrea Branzi (1938)

Andrea Branzi, architect and designer, born in 1938 in Florence (Italy), where he graduated in 1966. He has lived and worked in Milan since 1973. From 1964 to 1974 he was a member of the Archizoom Associati. He has been editor of the magazine Modo, co-founder and director of Domus Academy school of design. Author of many books about history and theory of design, he has also curated many exhibitions. In 1987 he received the Compasso d’Oro ADI award for his career. He works in industrial and experimental design, architecture, urban planning, education and cultural promotion. He is professor at the Milan Polytechnic, and curator-adviser for the Triennale Design Museum. He has worked with many Italian design brands (Alessi, Cassina, Zanotta, Poltronova, Olivari, Danese, Magis). In May 2008 he received an honorary degree from the University of Rome, and he is an honorary member of the RSA society, London.

Fernando (1961) and Humberto (1953) Campana

Born in Brazil, in the province of São Paulo, Fernando in 1961 and Humberto in 1953, the former took a degree in architecture, the latter in law. Both attended courses in industrial design at the Brazilian Museum of Sculpture. Together they began to work in the field of artistic design, participating in international exhibitions and workshops with handmade pieces. They have worked with the Italian companies Oluce, Fontana Arte and Cappellini. At present they work with Edra and Alessi, and they are developing new products for Vitra. Their latest project with Vitra is the “Antibodies” exhibition, which will be shown in Brazil in 2011 and 2012. In 2011 Fernando and Humberto designed the Cafe of the Municipal Theater in São Paulo, which was reopened in June 2011. Still in 2011, the Campana brothers developed the “Privato Romano Interno” exhibition, in Rome, focusing on Brazilian Baroque aesthetics.

Giulio Cappellini (1954)

Born in Milan, where he lives and works, architect, art director, but above all talent scout, in 1979 Giulio Cappellini joined the family firm Cappellini S.p.A., giving it new creative impulses and making it a springboard for the most important designers. In 2004, Cappellini S.p.A. merged with Poltrona Frau Group in its project to create ‘a new pole for quality’. Giulio Cappellini concentrates on the art direction of Cappellini as well the company’s production and communication strategies. Several Cappellini products are part of the permanent collections of the most important design museums, such as the Museum of Modern Art in New York, the Museum of Modern Art in San Francisco, the Musée des Arts Décoratifs in Paris, the Museum für Angewandte Kunst in Cologne, the Victoria and Albert Museum in London, the Centre Georges Pompidou in Paris.

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Achille Castiglioni (1918-2002)

Achille Castiglioni was born in Milan. He took a degree in 1944, and began working in Milan, in the studio of his brothers Livio and Pier Giacomo, creating design objects, exhibition designs and restructuring projects. One of the founders of ADI, he participated in cultural associations and institutions for the promotion and development of design. From 1969 to 1977 he taught at the Dept. of Architecture of the Turin Polytechnic. Since 1981 he was professor of Interior Furnishings at the Milan Polytechnic. He worked with many companies including Flos, Zanotta, Alessi, Brionvega, Kartell, De Padova. His objects, seen in museums all over the world, have won many honors, including seven Compasso d’Oro awards (from ’55 to ’79), 1st prize at the Symposium Good Design Award (USA) in 1966 and 1972, and the Ikea Stiftung international grand prize in Zurich (1981). He died in Milan on 2 December 2002.

Pier Giacomo Castiglioni (1913-1968)

Born in Milan, he took a degree in Architecture at the Polytechnic, where he would later teach architectural composition. He started working with his brothers Achille and Livio soon after the war was over, in the fields of town planning, architecture and, in particular, industrial design. Together with Achille he met with great success, and six of their works are included in the collection of the Museum of Modern Art in New York; they also won five Compasso d’Oro prizes. The objects designed with his brother Achille, now part of the history of design, include: the Arco lamp for Flos, the Mezzadro stool and Servofumo ashtray, both for Zanotta, and the Sanluca chair for Bernini.

Ceretti - Derossi - Rosso - Gruppo Strum (Turin, 1971)

Founded in 1971 in Turin by Giorgio Ceretti (1932), Pietro Derossi (1933), Carlo Gianmarco, Riccardo Rosso (1941) and Maurizio Vogliazzo, the Strum group (an abbreviation of “for an instrumental architecture”) interpreted architecture as one of the means through which to participate in the social and political struggles of that period. The group’s activity took on didactic and sociopolitical functions, in relation to design and culture. They were part of the exhibition at MoMA New York “Italy: the New Domestic Landscape” in 1972, with the free distribution of picture-stories (Utopia; Le lotte per la casa; La città intermedia). The group’s ‘political’ activity continued inside the radical design movement, through seminars and critical-theoretical contributions. Their design works include the Pratone series (1971) produced by Gufram.

Soo K. Chan (1962)

Born in Penang (Malaysia), Soo K. Chan is an architect based in Singapore. He is the founder and design director of SCDA Architects Pte Ltd, established in 1995. He took a Masters degree in Architecture at Yale University in 1987, and is a registered architect in Singapore and the United States. Winner of the first President’s Design Award, Singapore Designer of the Year 2006, Soo Chan was also the recipient of the SIA-Getz Architecture Prize for Emergent Architecture in Asia, 2006. He was awarded the Royal Institute of British Architects Worldwide Award for the Lincoln Modern in 2005, and was highly commended at the ar+d 2002 World Emerging Architecture Award. In 2008 and 2010 four of his entries were shortlisted for the World Architecture Festival Award in Barcelona. Soo K. Chan’s portfolio includes master planning, hotels, commercial and institutional buildings, private homes.

Chang Yung Ho (1956)

Born and living in Beijing, Chang Yung Ho is the Principal Architect of Atelier Feichang Jianzhu established with Lijia Lu in 1993. He first studied from 1978 to 1981 in the Department of Architecture, Nanjing Institute of Technology in China. Then he took a Bachelor of Science in Environmental Design at Ball State University, Muncie (Indiana), in 1983, and a Master of Architecture degree at the University of California, Berkeley, in 1984. Founding Head and Professor at the Graduate Center of Architecture, Beijing University, Professor and former Head of the Architecture Department at MIT, Boston, Chang Yung Ho has won, among other honors, the 2000 UNESCO Prize for the Promotion of the Arts, the 2004 China Architectural Arts Award for Pingod Shopping Street project, the WA China Architectural Prize for Villa Shizilin project, in 2003, the China Architectural Arts Award for Hebei Education Publishing House, in 2004.

Chen Nan (1972)

Born in Tianjin (China), Nan Chen is currently an associate professor in the Department of Visual Communication Design, a Research Instructor and Director of the Graphic Design System Development Institute of Tsinghua University. He is also a member of the Chinese Artists Association, a China Packaging National Federation of Design committee member, and Director of the Beijing Industrial Design Promotion Association. He was in charge of the design of the 29th Olympic Games mascot “Fuwa”. Moreover, he was one of the 2009 Ten Outstanding Young Chinese Designers. The Olympic mascots and other related design products received the 2008 China Red Star Design Award “Special Award for Olympics Design”. He also won the Japan TDC International Design Competition, and the Hong Kong “IDN Decade Award” International Design Competition. He is the 2011 Tsinghua University Newcomer Academic Award winner.

David Chipperfield (1953)

Born in London, where he lives, David Chipperfield studied at the Kingston School of Art and the Architectural Association in London. After graduating he worked at the practices of Douglas Stephen, Richard Rogers and Norman Foster. David Chipperfield Architects was established in 1984, and now has offices in London, Berlin, Milan and Shanghai. The practice has won many national and international competitions, awards and citations for design excellence, including the Stirling Prize 2007, the European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2011 and the RIBA Royal Gold Medal for Architecture in 2011. Given in recognition of a lifetime’s work, the Royal Gold Medal is approved personally by Her Majesty the Queen.

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Antonio Citterio (1950)

Antonio Citterio was born in Meda (Italy). He lives in Milan. He graduated in architecture at the Milan Polytechnic in 1975. From 1987 to 1996 he worked in association with Terry Dwan, creating buildings in Europe and Japan. In 1999, with Patricia Viel, he founded Antonio Citterio and Partners. The firm operates on an international level, developing complex long-term projects on all scales and in synergy with a qualified network of specialist consultants. Antonio Citterio is working in the industrial design sector with companies such as Ansorg, Arclinea, Axor-Hansgrohe, Aubrilam, B&B Italia, Flexform, Flos, Fusital, Guzzini, Iittala, Inda, Kartell, Maxalto, Sanitec Group - Pozzi Ginori, Simon Urmet, Technogym, Tre Più and Vitra. In 1987 and in 1995 he received the Compasso d’Oro ADI award. In September 2009 the architectural office changed its name to Antonio Citterio Patricia Viel and Partners.

Carlo Colombo (1967)

Born in Carimate (Italy), he took a degree in Architecture at the Polytechnic in Milan, where in 1993 he opened his own studio, making his debut as a furniture designer for companies like Poliform, Varenna, Poltrona Frau, Cappellini, Zanotta, Moroso, Antonio Lupi, EMU, Sabattini, Arflex, De Padova, Artemide, Teuco, Guzzini, Riva 1920, Emmemobili, Oluce, Penta. He has curated exhibitions and events on Italian design culture around the world, and is the artistic director of Arflex and Stratex. He has received many international prizes and honors, including: Designer of the Year, Japan 2004, Elle Decor International Design Award (2005, 2008, 2010, 2011), Good Design Award USA (2010). Today his studio works on large-scale projects, from design to architecture, with a number of works now under construction in different parts of the world.

Joe Colombo (1930-1971)

Joe Colombo was born in Milan on 30 July 1930. From 1949 to 1954 he studied at the Milan Polytechnic and the Brera Fine Arts Academy of Milan. He concentrated on avant-garde painting and sculpture, joining the Movimento Nucleare and the MAC group (Movimento di Arte Concreta). In 1959 he became director of his family’s electrical equipment business, leading to his involvement with industrial design and experimentation with the new plastic materials. In 1963 he opened a studio in Milan, and in 1964 received the INARCH prize and three medals at the 13th Milan Triennale. Then came many other honors, like the Compasso d’Oro ADI in 1967 and 1970, and the Chicago International Award in 1968. Creator of living systems that revolutionized the traditional concept of habitation, he died prematurely in 1971. Some of his works are still in production, and many of his projects have been completed years after his death.

David Jia (1976)

Born in Ningxia and residing in Beijing, David Jia graduated in 2000 from Tianjin University of Science & Technology with a bachelor’s degree in Industrial Design. Division director of Lenovo Digital China from 2000 to 2004, he is Chairman of LKK Design Co. Ltd, founded in 2004, based in Beijing, with offices in Qingdao, Shenzhen, Chengdu and London, making it the first Chinese design company to operate on foreign markets. A member of the China Industrial Design Council and Industrial Designers Society of America, he has received 7 Red Dot Awards, 2 IF Product Design Prizes, 1 IDEA Award, 20 China Red Star Design Awards. LKK is now an internationally acclaimed design company, thanks to David Jia, who pioneered such integration of business strategy, research consultancy, industrial design, product promotion and brand management in China.

Michele De Lucchi (1951)

Michele De Lucchi was born in Ferrara (Italy) and took a degree in architecture in Florence. He was a prominent figure in movements like Alchimia and Memphis. He was the design director of Olivetti from 1992 to 2002, and has developed experimental projects for Compaq Computers, Philips, Siemens and Vitra. His architectural designs have been mainly for office buildings in Japan and Germany, and in Italy for Enel, Olivetti, Piaggio, Poste Italiane. For Poste Italiane, Telecom Italia, Hera, Intesa Sanpaolo and foreign banks he worked on the evolution of corporate image. In 1990 he founded Produzione Privata, a small-scale company whose products are made using crafts techniques. His works are included in the collections of the most important design museums. In 2000 he received the Order of Merit of the Italian Republic. He lives in Angera and his studio aMDL has its offices in Milan and Rome.

De Pas - D’Urbino - Lomazzi (Milan, 1966)

Donato D’Urbino (1935) and Paolo Lomazzi (1936) work in the field of architecture, installations, interior design and product design, together with some of the most renowned companies in Italy and abroad. In 1966 they founded their studio in Milan together with Jonathan De Pas (1932-1991). They have been part of the juries of many competitions and taught in several universities, including the Faculty of Design of the Polytechnic School of Milan and the IUAV in Venice, where they still teach today. Their production is documented in the historical literature on Italian design and in many important international publications. Their works are in the permanent design collections in leading museums around the world. They have received many awards including the Compasso d’Oro ADI award (Milan, 1979), BIO 7 and 9 (Ljubljana, 1977/81) and the IF Product Design Award (Hanover, 1998).

Odile Decq (1955)

Odile Decq was born in Laval, France, and graduated in 1978 at the École d’Architecture UP6 in Paris, where she lives and works. The next year she continued her studies, focusing on urban planning at the Institut d’Études Politiques. That same year she opened her studio, together with Benoît Cornette. Their work has been rewarded by the Leone d’Oro at the Venice Architecture Biennial in 1996. After Cornette’s death in 1998 Odile Decq remained alone at the helm of the ODBC studio. Her international renown was further established by her victory in the competition for the addition to the Museum of Contemporary Art of the city of Rome, the MACRO, opened in 2010. Starting in 2000, ODBC has also developed activities in the field of design. Named Commandeur des Arts et Lettres, Decq is also a member of the Académie Française d’Architecture and a Chevalier de la Légion d’Honneur.

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Paolo Deganello (1940)

Born in Este, in the province of Padua (Italy), lives and works in Milan. After taking a degree in Architecture in Florence, in 1966 he founded, with Branzi, Corretti and Morozzi, the radical architecture studio Archizoom Associati. An urban planner (Masterplan of Calenzano), architect (restoration of Orsanmichele building in Florence, Can Rafols winery in Avinyonet, Spain), interior designer (Schöner Wohnen store in Zurich, nine Stefanel stores in Florence and other cities, ArtDecò store in Verona), industrial designer for Poltronova, Cassina, Driade, Marcatrè, Venini, Zanotta, Vitra Edition, Stefanel, Italcementi, La Murrina, Steelcase, Greggio, he is also a very active contributor to publications like Casabella, Lotus, CasaAmica, Domus. He teaches Biodesign at the ISIA of Florence, Interior Architecture and Sustainable Architecture at the ESAD of Matosinhos (Portugal).

Pietro Derossi (1933)

Born in Turin (Italy), graduated from the School of Architecture, Turin, where he lives, Pietro Derossi has been Professor of Architectural Design at the School of Architecture, Milan Polytechnic, Visiting Professor at the Architectural Association School of Architecture, London, Professor at Pratt Institute and Columbia University, New York, Professor at the Department of Architecture, Lausanne Polytechnic, Visiting Professor at the Hochschüle der Künste, Berlin. He has taken part in numerous exhibitions in Italy and abroad. Among the main publications of Pietro Derossi: Progettare nella città, Umberto Allemandi & C., Chieri (Turin) 1988, Modernità senza avanguardia, Quaderni di Lotus, Electa, Milan 1990, Per un’architettura narrativa. Architetture e progetti dal 1959 al 2000, Skira, Milan 2000, Derossi Associati, Racconti di architettura, Skira, Milan 2006.

Stefan Diez (1971)

Born in Freising (Germany), Stefan Diez lives and works in Munich. He started his career with furniture in 1991, working as a cabinet maker. Diez went on to study at Staatliche Akademie der Bildenden Künste in Stuttgart, in 1996, where he took a Diploma in Industrial Design. He founded his studio in 2003 and since then has worked in various fields of design ranging from furniture and tableware to industrial design, as well as exhibition design for companies like Authentics, Bree, e15, Established & Sons, Moroso, Rosenthal, Thonet, Wilkhahn and others. Some of his products have received international design awards, including the Designpreis der Bundesrepublik Deutschland, the IF Gold award and the Red Dot Best of the Best Award. In 2008 he was art director of Authentics together with Mirko Borsche and Christian Gärtner. Diez works intensively with materials and technology, and is passionate in his quest to fathom their limitations.

Tom Dixon (1959)

Born in Tunisia, Tom Dixon moved to England in 1963. He now lives in London. He dropped out of Chelsea School of Art to play bass in the band Funkapolitan before teaching himself welding and going on to produce furniture. Dixon rose to prominence in the mid-1980s as “the talented untrained designer with a line in welded salvage furniture”. By the late 1980s he was working for the Italian brand Cappellini, for which he designed the iconic S chair. Tom Dixon was appointed head of design by Habitat in 1998 and later became Creative Director until 2008. Since setting up his own eponymous design company in 2002, Dixon’s work has gained acclaim for projects like Mirror Ball, Copper Shade, the Wingback chair and the Beat Light. Recent awards include Designer of the Year, London Design Museum, Best Lighting Design, ICFF, Best Accessory, Elle Decor, and Designer of the Year, Architektur & Wohnen.

Rodolfo Dordoni (1954)

Architect-designer Rodolfo Dordoni was born in Milan, where he took a degree in Architecture. He lives and works in Milan. Responsible over the years for the art direction of Artemide (glass collection), Cappellini, FontanaArte (furniture collection), Foscarini (lamps), Minotti and Roda, he designs for various companies, including: Artemide, Cappellini, Cassina, Ceramica Flaminia, Dada, Dornbracht, Driade, Emu, Ernestomeda, Fiam Italia, Flos, Flou, FontanaArte, Foscarini, Jab, Kettal, knIndustrie, MatteoGrassi, Minotti, Molteni&C., Moroso, Olivari, Pamar, Roda, RB Rossana, Salvatori, Sambonet, Serralunga, Tecno, The Rug Company, Venini. Dordoni Architetti, the studio founded in Milan by Rodolfo Dordoni, Luca Zaniboni and Alessandro Acerbi, works in the field of architectural planning and interior design in the residential, commercial and exhibition areas.

Doshi Levien (London, 2000)

Doshi Levien is a London-based design office established in 2000 by Nipa Doshi (1971) and Jonathan Levien (1972). Nipa was born in Bombay and grew up in India where she began her design studies. Jonathan began as a cabinet maker and developed a strong feeling for the physical and tactile properties of materials that became an essential part of his design process. The two met at the Royal College of Art in London in 1995. In 2000 they decided to work together and formed a partnership. Their work celebrates the hybrid and explores the coming together of cultures, technology, storytelling, industrial design and fine craftsmanship. The studio gives expert advice to global brands on cultural and social insights, leading to design opportunities. Doshi Levien work for a broad range of clients including Intel, Swarovski, Nokia, Authentics, Moroso and Cappellini.

Charles & Ray Eames (Los Angeles, 1941)

Charles Eames (1907-1978), born in St. Louis, Missouri, studied architecture at Washington University in St. Louis. After receiving a fellowship in 1938 from the Cranbrook Academy of Art, he moved to Michigan and assumed a teaching position in the design department. In 1940, he and Eero Saarinen won first prize for their joint entry in the competition “Organic Design in Home Furnishings” organized by the New York Museum of Modern Art. During the same year, Eames became head of the department of Industrial Design at Cranbrook, and in 1941 he married Ray Kaiser (1912-1988), born in Sacramento, California. Together they moved to Los Angeles and began their fabulous career. The influence of Charles and Ray Eames has been fundamental for the development of modern and contemporary design, and also for the Vitra company. Its activity as a furniture manufacturer began in 1957 with the production of their designs.

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Lapo Edvard Elkann (1977)

Founder and chairman of LA Holding, Italia Independent, Independent Ideas, consultant of Centro Stile Ferrari, Lapo Elkann is a New York-born Italian industrialist and creative entrepreneur. He graduated from London Guildhall University. In 2002 he moved back to Italy and started working in the family-owned Fiat SpA. In early 2007 he created the first of his companies: Italia Independent, a lifestyle brand featuring products conceived, developed, and produced in Italy. Independent Ideas, the communication and advertising agency, followed one year later. Lapo Elkann, with his brother John and his sister Ginevra, is a majority shareholder of Exor, the FiatGroup parent company. He is Global Ambassador of the Sheba Medical Center in Tel Hashomer, Israel, and Worldwide Ambassador for the Italian Design Museum/Triennale. He lives in Milan and London.

Odoardo Fioravanti (1974)

Born in Rome, he lives and works in Milan. He studied Industrial Design at the Milan Polytechnic. Since 2003 he has worked as an industrial designer, also focusing on graphic and exhibition design, founding Odoardo Fioravanti Design Studio in 2006 and winning many international awards. He teaches in design schools including the Milan Polytechnic, Istituto Marangoni, Scuola Politecnica di Design, Domus Academy. In 2010 the Design Museum of the Milan Triennale presented his solo show “Industrious Design”. He also works as a freelance journalist for design magazines, to explore the boundaries of design as a discipline. Odoardo Fioravanti Design Studio works for many companies, including Abet Laminati, Ballarini, Casamania, COOP, Desalto, Flou, Foscarini, Normann Copenhagen, Olivetti, Pedrali, Pircher, Vibram, Victorinox Swiss Army.

Barnaba Fornasetti (1950)

Barnaba Fornasetti, the only son of Piero Fornasetti (1913-1988), was born and lives in Milan. After studying at the Brera Fine Arts Academy in Milan, he worked with Ken Scott and Mondadori. In 1974 he moved to Tuscany, where he renovated farmhouses until 1982, when he returned to Milan to work on a full-time basis with his father. In 1988, following Piero’s death, Barnaba Fornasetti took the helm of the family business, continuing the tradition, also through licensing activities, as in the case of the ceramic tiles, fabrics, neckties, lamps, carpets and wallpapers. The latest tribute to Piero Fornasetti imagination and creativity is the two-volume monograph “Fornasetti: l’artista alchimista e la bottega fantastica” published by Electa in 2009. This book has been translated and published in English by Rizzoli USA in 2010, with the title “Fornasetti: the Complete Universe”.

Norman Foster (1935)

Norman Foster was born in Manchester (UK). After graduating from Manchester University School of Architecture and City Planning, in 1961 he took a Master’s Degree in Architecture at Yale University. He is the founder and chairman of Foster + Partners. Established in London in 1967, it is now a worldwide practice, with offices in more than twenty countries. Current and recent works include the largest single building on the planet, Beijing Airport, Millau Viaduct in France, the Swiss Re tower and the Great Court at the British Museum in London, the Hearst Headquarters tower in New York, the Robert and Arlene Kogod Courtyard at the Smithsonian Institution in Washington. He was awarded the Pritzker Architecture Prize, the Knight Commander’s Cross of the Order of Merit of the Federal Republic of Germany, and in 1999 he was honored with a Life Peerage, becoming Lord Foster of Thames Bank.

Front (Stockholm, 2004)

The Swedish design group Front are: Sofia Lagerkvist (1976), Charlotte von der Lancken (1978) and Anna Lindgren (1977). Front’s work is based on discussions and experiments, and their objects often communicate a story. For example, they have assigned part of the design process to animals, computers or machines. They have made a constantly changing interior, created objects with explosions, made robotic furniture and a range of furniture inspired by their fascination with magic. Collaboration is an important part of their work. They have worked with robot engineers, a chainsaw sculptor, magicians, glass blowers, electrical engineers, snakes and pyrotechnicians, amongst many others. Front design group, based in Stockolm, has created products for many companies, including: Kartell, Established & Sons, Moroso, Moooi, Porro, IKEA, Skitsch and Höganäs Keramik.

Naoto Fukasawa (1956)

Naoto Fukasawa was born in Yamanashi Prefecture (Japan). He graduated from Tama Art University in 1980. In 1989 he moved to the United States and joined the San Francisco design firm ID Two, where he worked on products related to computing and electronics technology. In 1996, he returned to Japan to start and head IDEO’s Tokyo office. He created the design for the wall-mounted CD player that was released by MUJI. In 2004, the Museum of Modern Art in New York selected this product for its permanent collection. In 2003 he founded, in Tokyo, Naoto Fukasawa Design. That same year he launched ±0, a new brand of electronic household appliances and other articles. Since 2005 he has worked on projects with major companies in Italy, Germany, Switzerland and Northern Europe, winning many prizes and receiving the title of Hon RDI- Honorable Royal Designer for Industry (Royal Society of Arts, UK).

Massimiliano (1944) and Doriana Fuksas

Of Lithuanian origin, Massimiliano Fuksas was born in 1944 in Rome, where he graduated in 1969 in Architecture at La Sapienza University. In 1967 he set up his own studio in Rome, followed by a second one in Paris in 1989. Since 2008 he also has an office in Shenzhen, China. In 2010 he was awarded the Légion d’Honneur by the French President Nicholas Sarkozy. From 1998 to 2000 he was Director of the VII International Architecture Exhibition in Venice, “Less Aesthetics, More Ethics”. Doriana O. Mandrelli Fuksas was born in Rome where she graduated in History of Modern and Contemporary Architecture in 1979 at La Sapienza University and in Architecture at ESA, Paris. Since 1985 she has worked with Massimiliano Fuksas and since 1997 she is the director of Fuksas Design. In 2002 she was decorated with Officier de l’Ordre des Arts et des Lettres de la République Française. They work and live in Rome and Paris.

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Maurizio Galante (1963)

Born in Latina. After studying architecture at the University of Rome and fashion at the Academy of Costume and Fashion, Maurizio Galante worked for fashion designer Roberto Capucci. He presented his first collection of ready-to-wear in Milan in 1986 under the name ‘Maurizio Galante X Circolare’. Since 1992, Galante has shown his collections in France, in the official calendar of haute couture. Settling in Paris in 1996, he founded the brand ‘Maurizio Galante’ the following year. In 2003, he joined Tal Lancman to form the company Interware. His creations are included in the collections of important international museums and he has participated in many exhibitions. Refusing to be labeled or to submit to restrictive notions of ‘season’, the creativity of Maurizio Galante is expressed beyond fashion, in design, as well as interior and exterior projects.

Raffaello Galiotto (1967)

Born in Chiampo (Vicenza, Italy), where he now lives, Raffaello Galiotto studied at the Fine Arts Academy of Venice. While still in school he entered the world of industry, collaborating on design projects. He set up his own activity as an industrial designer in 1993. At first he worked for companies in the furniture industry. Then he expanded his range from outdoor and indoor furniture to kitchens, items for pets and stone products. In the stone sector, in particular, he has created innovative products with new types of surfaces, winning national and international awards. In recent years he has organized important events on stone design; in collaboration with CMC (Consorzio Marmisti Chiampo) he has conducted two important events in particular: “Palladio and Stone Design” and “The Marble of the Doge”, both shown at the Marmomacc fair in Verona. In 2011 he had a solo show in Beijing, invited by the Stonetech fair.

Gao Yiqiang (1972)

Born in Harbin, People’s Republic of China, in 1992 he was admitted by the Industrial Design Department of the Academy of Arts & Design, Tsinghua University, and came to Beijing, where he graduated and started working as industrial and furniture designer. “Through the years, with the unbelievable speed of development of China, design is having a greater and greater impact on the everyday lives of people. Thousands of graphic designers, fashion designers, industrial designers, cartoon designers, you name it, were almost born overnight. With such quick ups and downs, I try to keep a focus on my own goals as a designer in today’s China. Various memories start to build up and release. The ins and outs, sharpness and heaviness, loudness and silence, the solid and the soft, cold Harbin the hot Beijing, whiteness and colors: the way to express myself, as you can see, is my memory”, says Gao Yiqiang about his work.

Gatti - Paolini - Teodoro (Turin, 1965)

The name of Piero Gatti (Turin, 1940) is associated with important industrial productions, including the easy chair Sacco, designed in 1968 with Cesare Paolini (1937-1983) and Franco Teodoro (Turin, 1939). In 1965 the three designers opened a studio in Turin, focusing on industrial and urban design, architecture and interior decoration, product image and development, graphics and photography. The Sacco model designed for Zanotta was awarded the first prize at the International Furniture Exhibition of Monza (MIA, 1968), Italy. This is a piece of non-design - design based on the idea that users can shape the object while using it. This historic product is part of the permanent collection of the MoMA in New York. Cesare Paolini died in Turin in 1983. Piero Gatti and Franco Teodoro still live and work in Turin.

Ron Gilad (1972)

Born in Tel Aviv (Israel), lives and works in New York City. Ron Gilad’s hybrid objects combine material wit with aesthetic play. They sit on the fat, delicious line between the abstract and the functional. His works deal with the relationship between the object and its function, questioning our perceptions. Varying from one-offs to limited editions and production pieces, the works have no “expiration date” and are included in both public and private collections worldwide. Gilad asks incessant questions in 3D form and fabricates answers that create an arena for fertile doubt. Metaphorically, Gilad is a linguist, creating his own language. He learns the origins of “words” and develops new “synonyms”. Gilad has taught conceptual 3D design at Shenkar Academy in Israel and Pratt Institute in NY. He works with companies like Flos, Driade, Zani&Zani, Moooi, Dilmos Milano and Cibone Japan.

Stefano Giovannoni (1954)

Born in La Spezia (Italy), he took a degree in architecture in Florence in 1978, and lives and works in Milan. From 1979 to 1991 he conducted research and teaching activities at the School of Architecture in Florence; he has taught at Domus Academy, Università del Progetto of Reggio Emilia and the School of Architecture of Genoa. He works as an industrial and interior designer and architect, specializing in plastic products. He collaborates with companies like Alessi, Amore Pacific, Artsana, Bisazza, Cedderoth, Deborah, Edra, Fabbrica Pelletterie Milano, Fiat, Flos, Hannstar, Helit, Henkel, Honeywell, Inda, KDDI, Kokuyo, Laufen, Lavazza, l’Oreal, LG Hausys, Magis, Mikakuto, Nissan, Ntt Docomo, Oras, Oregon Scientific, Puig, Pulsar, Samsung, Seiko, Siemens, SPC, 3M, Telecom, Toto, Veneta Cucine. Winner of many prizes and competitions, his works are included in the permanent collections of Centre Georges Pompidou and MoMA New York.

Francisco Gomez Paz (1975)

Born in Salta, Argentina. After taking an Industrial Design degree at the Universidad Nacional de Cordoba, he moved to Milan in 1998 and took a Masters in Design at Domus Academy. He opened his design office in Milan in 2004, developing products for leading design companies such as Artemide, Driade, Danese, Lensvelt, Luceplan, Olivetti and Sector, among others. Francisco has received several international honors including the Good Design Award 2010 and the Red Dot Award 2010; he has been honored together with Alberto Meda with the First Prize of the Index Award for the Solar Bottle, which has also been selected for the MoMA Study Collection. Recently he received the Prize of Prizes for Innovation in Design from Italy’s president Giorgio Napolitano for the Hope chandelier (Luceplan).

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Diego Grandi (1970)

Born in Rimini (Italy), Diego Grandi lives and works in Milan, where in 2002 he founded DGO_Diego Grandi Office, a planning firm dealing with product, interior and design consultancy. His focus on the visual and exterior side of design leads to research on the surface qualities of materials and their possible applications and contaminations. The research on new codes of living, observing everyday habits and behaviors, leads to this concentration on surfaces and the deeper qualities of two-dimensional things. He has worked with companies like Abet Laminati, Casamania, DuPont, Ferrino, Guzzini, Lea Ceramiche, Skitsch and Rosenthal/Sambonet. His projects have been selected for events, awards and international exhibitions, such as the Design Museum exhibition “Quali cose siamo” at the Milan Triennale, the Good Design Award of the Chicago Athenaeum and the ADI Design Index.

Konstantin Grcic (1965)

Born in Munich (Germany), Konstantin Grcic trained as a cabinet maker at Parnham College in England and studied design at the Royal College of Art in London. Since setting up his own practice – Konstantin Grcic Industrial Design (KGID) – in Munich in 1991, he has developed furniture, products and lighting for leading design companies. Many of his products have received international design awards (including the Compasso d’Oro 2001) and are included in the permanent collections of the world’s most prestigious museums. Solo exhibitions of his work have been held at the Boijmans van Beuningen Museum (Rotterdam, 2006), Haus der Kunst (Munich, 2006) and the Art Institute of Chicago (2009). The Royal Society for the Arts has appointed Konstantin Grcic Royal Designer for Industry; in 2010 he was a fellow at Villa Massimo in Rome. Design Miami named him Designer of the Year for 2010.

Martí Guixé (1964)

Born in Barcelona (Spain). After training in Barcelona and Milan as an interior and industrial designer, in 1994, living in Berlin, he formulated a new way to understand the culture of products. Guixé began showing his work in 1997, focusing on the search for new product systems, the introduction of design in the world of food, and on presentation through performance. His unconventional perspective leads to brilliant, simple ideas with curious and serious repercussions. He is based in Barcelona and Berlin and works as a designer for worldwide companies. His works have been featured in exhibitions at MoMA (New York), MuDAC (Lausanne), MACBA (Barcelona) and Centre Pompidou (Paris). He is the winner of the Ciutat de Barcelona Prize, 1999 and the National Design Prize of the Generalitat de Catalunya 2007.

Zaha Hadid (1950)

Born in Baghdad, working and living in London, Zaha Hadid, founder of Zaha Hadid Architects, was awarded the Pritzker Architecture Prize in 2004. Each of her innovative projects builds on over thirty years of research in the interrelated fields of urbanism, architecture and design. Working with senior office partner Patrik Schumacher, Hadid’s interest lies in the rigorous interface between architecture, landscape and geology, as her practice integrates natural topography and human-made systems, leading to experimentation with cutting-edge technologies. The MAXXI National Museum of 21st Century Arts in Rome, Italy, and the Guangzhou Opera House in China are excellent demonstrations of Hadid’s quest for complex, fluid space. Previous seminal buildings such as the Rosenthal Center for Contemporary Art in Cincinnati, USA, have also been hailed as architecture that transforms our vision of the future.

Jaime Hayon (1974)

Born in Madrid, he lives and works in Valencia (Spain). Jaime Hayon is one of a new breed of designers and artists who not only blur the lines between art and design, but also question what design actually is and could be. Using a hybrid of industrial design disciplines, crafts and new technologies, his creativity generates collections for clients like ArtQuitect, b.d. ediciones, Established & Sons, Moooi, Metalarte, Swarovski, Berhardt Design, Piper Heidsieck, Gaia and Gino, Bosa Ceramiche, Bisazza and Baccarat. He is also a creative consultant for the Spanish porcelain manufacturer Lladró, making his own collection Fantasy. Besides his acclaimed creations for Madrid’s La Terraza del Casino restaurant and the Camper footwear stores, Hayon is currently working on interiors for leading hotels, restaurants and retail establishments around the world.

Adri Hazebroek (1943)

Born in Ermelo (Holland), the interior designer Adri Hazebroek has been active in the world of bath fixtures for more than twenty-five years. Various designs such as the glass Handwater washbasin, the stainless steel Handaqua and the Cobra shower column are worldwide best-sellers. His latest design is the ultra-minimalist faucet series Stick. This series marks the beginning of a complete program based on simple lines. The Knick series in chrome and stainless steel is based on an extremely user-friendly concept for both right- and left-handed people. He lives in Belgium.

Thomas Heatherwick (1970)

Established by Thomas Heatherwick in 1994, Heatherwick Studio has an international reputation in the fields of architecture, urban infrastructure and design. The practice operates from studios in London and Hong Kong, where teams of architects, designers and makers work on projects that include bridges, hotels, apartment buildings, office towers, city master-plans and a power station. The studio is an environment in which projects are managed, implemented and delivered in conjunction with a process of hands-on experimentation with ideas, materials and manufacturing processes. Commissions include: a Benedictine monastery in the south of England; a 300-room hotel tower in Hong Kong; the UK Pavilion for the Shanghai Expo 2010; and the design of an energy efficient replacement for the iconic London bus. Thomas Heatherwick is an Honorary Fellow of the Royal Institute of British Architects.

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Herzog & de Meuron (Basel, 1978)

Herzog & de Meuron is a partnership led by Jacques Herzog (1950) and Pierre de Meuron (1950) along with Senior Partners Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. Established in 1978 in Basel, Switzerland, Herzog & de Meuron are known for designs that are at once highly inventive and sensitive to the site, geography, and culture of the region that hosts them. While many of their projects are highly acclaimed public facilities, such the conversion of the Bankside power plant into the Tate Modern, in London (2000), as well as the National Stadium, the main location of the 2008 Olympic Games in Beijing, China, they have also completed several distinguished private projects such as apartment buildings, offices and factories. The firm’s head office is in Basel. The practice has been awarded numerous prizes including the Pritzker Architecture Prize in 2001.

Richard Hutten (1967)

Born in the Netherlands, Richard Hutten set up his own design studio twenty years ago, right after graduating from Design Academy Eindhoven. Today he is considered one of the most successful and influential Dutch designers. Hailed as ‘the new Rietveld’, he is a key member of Droog Design. He has worked on a variety of projects, from industrial and furniture design to interior design. His clients include: Moooi, Sawaya & Moroni, Covo, Gispen, Lensvelt, Hidden, Unilever, Artifort, DSM, TNT Post, KPN Telecom, Royal VKB, E&Y, Idée, MUJI, Felissimo and Christofle Paris. For the past two years he has also been art director of Gispen. Hutten’s work can be found in museum collections including Vitra Design Museum, Weil am Rhein, Design Museum London, MoMA New York and San Francisco, Stedelijk Museum Amsterdam and Neue Sammlung, Munich. He lives and works in Rotterdam.

Massimo Iosa Ghini (1959)

Born in Bologna (Italy), Massimo Iosa Ghini studied architecture in Florence and then graduated from the Milan Polytechnic. Since 1985 he has been a part of at the avant-garde of architecture and Italian design; he founded the cultural movement Bolidismo and joined the Memphis group with Ettore Sottsass. In 1989 he opened Iosa Ghini Associates in Milan and Bologna. Today he conducts conferences and lectures in many universities, and has taught since 2007 at in the MBA program of the Alma Graduate School in Bologna; since 2008 he is also an Adjunct Professor at the Polytechnic of Hong Kong. His works can be seen in various museums and private collections. His projects have received important international awards, including the Roscoe Award USA, 1988, the Good Design Award in 2001, 2004, 2009 and 2010 of the Chicago Athenaeum, and the Red Dot Award in 2003. His studio has its offices in Milan and Bologna.

Junya Ishigami (1974)

Born in Kanagawa (Japan), Junya Ishigami, enfant prodige of Japanese architecture, began his career at Studio SANAA before opening his own studio, junya.ishigami+associates, in Tokyo in 2004. His most interesting designs include: Table, a table 10 meters in length with an ultra-thin rocking top, designed in 2005; Balloon, an enormous aerostatic balloon presented at the exhibition Space for Your Future at the Tokyo Museum of Contemporary Art in 2007; a multifunctional space on the campus of the Kanagawa Institute of Technology in Tokyo, also in 2007; and the Japanese Pavilion at the Venice Architecture Biennial in 2008.

Liu Carl (1966)

Born in Taipei (Taiwan), Carl is the founder of brand Carl Liu. He is a well-known Chinese industrial designer and currently works as partner/ design director of Idea Dao Design Shanghai. He took a design degree at the Art Center College of Design in the US and Switzerland. Later he worked at the award-winning design studio Astro and the Motorola advanced concept design group, for a total of almost seven years, before moving to China. Carl’s signature designs included Compaq iPaq PDA, Nike running watch Triax 300 and Triax 50. These products won international awards like G-Mark, IDSA and ID Magazine. He has published two design books, the Carl Liu Design Book and Innovative Product Design Practice since 2005. Liu Carl established his own design brand as a platform for talented designers to join forces and share experience. Green thinking is also one of the major criteria when Carl works on his new creations. So far he has filed over eighty design patents.

Jakob + MacFarlane (Paris, 1992)

Dominique Jakob (1966), born in France, received her degree in architecture from the Ecole d’Architecture Paris-Villemin (1991). Brendan MacFarlane (1961), born in New Zealand, received his B.Arch degree from the Southern California Institute of Architecture (1984), and his M.Arch degree from the Harvard Graduate School of Design (1990). Jakob+MacFarlane is an architectural firm based in Paris, France. Its work explores digital technology both as a conceptual consideration and as a means of fabrication, using new materials as a possibility to create a more flexible, responsive and immediate environment. Main projects include the restaurant Georges at the Pompidou Centre, Paris (2000), the Communication Center for Renault (2004), the Gorki Theatre in Rouen (2004), Fondation Ricard (2007) and the Docks of Paris project, which includes a fashion and design center (2007), and the Orange Cube in Lyon (2010).

Ole Jensen (1958)

Ceramist and designer, born in Holstebro, Denmark, Ole Jensen lives and works in Copenhagen. He graduated at the Design School in Kolding, 1985, and at The Royal Academy of Fine Arts in Copenhagen, 1990. Project leader at Denmark’s School of Design, Copenhagen, 1992-1999, Chairman of the Crafts and Design Committee of the Danish Arts Foundation, 2002-2005, is currently Board Member of Danish Crafts. Honors and awards (among others): Kay Bojesen Memorial Prize (1997), Thorvald Bindesbøll Medal of the Royal Academy of Fine Arts (2004), the Torsten and Wanja Söderberg Prize, Sweden (2006). His works are included in the collections of: Danish Museum of Art and Design, Copenhagen; Museum für Angewandte Kunst, Cologne; Victoria & Albert Museum, London. He works with many companies, including: Bing & Grøndahl Porcelain Factory, Royal Copenhagen, Normann Copenhagen, Muuto, Louis Poulsen Lighting A/S.

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Jia Li (1975)

Born in XinJiang Province, living and working in Beijing, Jia Li took his MA in Interior Design & IT in 2004 at Birmingham Institute of Art & Design, UK. Back in China, he founded and became creative director of Lispace in 2001, an interior design firm. Jia Li’s design is intellectual. He focuses on the expression of space-based works that are used to develop an understanding of social patterns. Jia Li works in the fields of architecture, interior design, household items, furniture and home accessories. First Prize for Conceptual Design of the China Hotel Design Award in 2007, Golden Award of China International Interior Design Biennial in 2008, finalist at 100% Design Shanghai, Design in China Competition in 2009, selected for OOO China exhibition at Messe Frankfurt Tendence in 2010. He seeks the perfect unity between spirit and function.

Toshiyuki Kita (1942)

Born in Osaka (Japan), where he lives, Toshiyuki Kita began his career in Japan and Milan, Italy, in 1969. He has produced numerous bestselling products for Italian, German and Japanese manufacturers, including the recent successful LCD TV and home robot products. Many of his works are part of the permanent collections of international museums, including MoMA New York, Centre Georges Pompidou, Paris, and Museum für Kunst und Gewerbe, Hamburg. Toshiyuki Kita is also involved in traditional craft design, promoting local industries in his role as a creative director. Guest professor at China Central Academy of Fine Arts and Professor of the Osaka University of Arts, he was in charge of the design direction of the 2010 Shanghai EXPO ‘Japan Industry Pavilion’.

Claudio La Viola (1948)

La Viola was born in Milan, where he lives and works. At a very young age he began to exercise his creativity in the field of fashion, where he achieved success as a designer during the 1970s. His menswear collections were famous for their ability to reinterpret classic cuts and proportions. The same characteristics accompanied his move to the world of design and architecture in 1990. His approach is purist, passionate and enthusiastic, always seeking emotions to convey in his work, for he maintains that “a soulless design is an undistinguished design”. He defines his working method as being characterized by a global vision of lifestyles and innate procedures, such as the innovative use of materials and the quest for detail. Over the years Claudio La Viola has worked for companies such as Agape, Falper, Rapsel, Richard Ginori, Viabizzuno, Zani&Zani and Brix, where he has been artistic director for the past ten years.

Joris Laarman (1979)

Joris Laarman was born in the Netherlands. He lives and works in Amsterdam. In 1998, he began his studies at the Design Academy in Eindhoven. After graduating cum laude in 2003, he gained acclaim with his neo-Rococo Heatwave radiator, that has been acquired by international museums and won several awards. That same year he started his own independent Joris Laarman Lab. The firm concentrates on product design and architecture, often combining a conceptual and poetic approach with style and engineering. Along with a collection of limited editions, he works for several well known international industrial design companies like Flos, Artecnica, Vitra, Droog and others. His work has been exhibited throughout the world in many museums and fairs, and is included in the permanent collections of MoMA New York, Centre Pompidou in Paris and the Vitra Design Museum, amongst others.

Ferruccio Laviani (1960)

Born in Cremona (Italy), he took a degree in 1984 at the Milan Polytechnic School of Design, and a degree in Architecture in 1986 at the Milan Polytechnic. Working first as a partner of Studio De Lucchi, he has designed for many companies, including Abet Laminati, Mandarina Duck, Memphis, Olivetti, Pelikan, Polaroid, Rb Rossana, Swatch. In 1991 he opened his own studio. In the past he has worked with clients like Tisettanta, Fontana Arte, Snaidero, Gruppo RAI, DePadova, Flos, Antonini, Piombo, Pandora Design, Cassina, Ceramica Ragno, Martini&Rossi, Citroen Italia, Renault. Today he continues to work with Kartell, Dolce&Gabbana, Emmemobili, Arketipo, Poltrona Frau, Misuraemme, La Rinascente, Dada, Moroso, Molteni & C., Limonta, Hennessy Gruppo Lvmh, Hansgrohe, Champagnes Piper Heidsieck, Barovier&Toso, Citco, Foscarini, Kme Italy, Panasonic. He lives in the province of Cremona and works in Milan.

Arik Levy (1963)

Born in Tel Aviv (Israel), Arik Levy is a designer, technician, artist, photographer and filmmaker. His skills are multi-disciplinary and his work can be seen in prestigious galleries and museums worldwide. Arik is best known for his furniture design, installations and limited editions. Hailing originally from Israel, he moved to Europe in 1988. Following studies in Industrial Design at the Art Center Europe in Switzerland, where he took a degree in 1991, Levy’s first international success came when he won the Seiko Epson Inc. competition. The founding of his firm with his associate Pippo Lionni led to a return to his first love, the combination of art and industrial design. Arik currently works in Paris with a team of about 20 designers, forming Ldesign. Under the guidance of Levy and Lionni, the studio also focuses on brand identity, packaging, exhibition and interior design.

Li Hong (1953)

Li Hong was born in Beijing. In 1982 he graduated from the Ceramic Art Design Department in the Central Academy of the Arts, and has been a teacher there since then. In the Academy of Fine Arts at Tsinghua University he has been an associate professor in the Department of Ceramic Art and Design. He acts as executive director of the China Industrial Design Association, and has been secretary general and deputy director in the Ceramic Art Design Commission. After graduating, Li Hong has mainly focused on research on forms and the teaching of ceramic art design, as well as practicing sculpture, fresco painting and interior design. He has participated in many exhibitions and won many prizes. His tea set design of “The Heart of PuTi” won the gold medal of the First HengFu Cup Innovation Design Contest in 2010.

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Piero Lissoni (1956)

Born in Seregno (Milan), Piero Lissoni graduated in Architecture at the Milan Polytechnic in 1985. In 1986, together with Nicoletta Canesi, Lissoni opened the studio Lissoni Associati in Milan. The work of the studio covers architecture, graphic, industrial, exhibit and interior design projects. The studio creates solutions for clients such as Alessi, Boffi, Cappellini, Cassina, Flos/Antares, Fritz Hansen, Glas Italia, Kartell, Knoll International, Lema, Living Divani, Lualdi, Matteograssi, Olivari, Poltrona Frau, Porro, Sabattini, Tecno and Thonet. Piero Lissoni won the Good Design Award 2000, 2002, 2006, 2007, 2009 of the Chicago Athenaeum Museum of Architecture and Design, the Hall of Fame 2005 International Design Award of Interior Design Magazine, Best of the Best International Innovation Award 2006 and 2010 in Cologne, and was named Designer of the Year in 2007 by the magazine Elle Decor.

Liu Feng also known as Nathan Liu (1978)

Born in Shandong Province, he lives and works in Beijing. After graduating from the Academy of Arts & Design of Tsinghua University, Liu Feng has worked independently on sculpture, landscape design, device art and in-depth pan-urban phenomena. As the founder of F+L design, he has also witnessed the “warm-up period” of the contemporary sphere of art and design in China. One of the founders of the “China Design Furniture Brand Alliance”, he has great influence in the sphere of household design in China. F+L design has departments of Trend & Strategy Research, Lifestyle Products and Integrated Branding. The company provides one-stop integrated design service with focus on product design.

Liu Tiejun (1968)

Born in Shenyang, she is Associate Professor at the Academy of Arts and Design of Tsinghua University, Beijing. She is also a member of the Ming-style Furniture Committee, Association of China Folk Arts and Crafts, Director of China Folk Arts and Crafts Association and Member of the South Korean Design Association. In 2003 her furniture design “Revolving” won third prize in the South Korean 5th Steel Furniture Design Competition. In 2009, with the furniture designs “Growth Ring” and “Between Sitting and Sitting”, she participated in the South Korean Seoul Design Olympics Exhibition. “Designing comes from the ground, and only a design deeply rooted in the soil can have great creativity and vitality”, is how she sums up her design philosophy.

Paola Longoni (1963)

Paola Longoni, born in Milan, studied Public Relations at IULM in Milan. Since 2001 she has been Marketing Director of Sambonet Paderno Industrie. In parallel, she has worked as the company’s art director, creating much of the design output of the Sambonet brand, alongside works by designers of the caliber of Gio’ Ponti and Rodolfo Dordoni. With her working experience, passing from the fashion sector to Sambonet Paderno Industrie, her involvement with design has led her appointment in 2008 to the Presidency of the Western Delegation of ADI (the Italian Association for Industrial Design). Today Paola Longoni is part of the Territorial Observatory of the ADI Delegation of Piedmont and Valle d’Aosta. She lives in Vercelli.

Ross Lovegrove (1958)

Ross Lovegrove is a designer inspired by the logic and beauty of nature. His designs express a trinity of technology, materials/science and intelligent organic form, creating what many industry leaders see as the new aesthetic expression for the 21st Century. Born in 1958 in Cardiff (Wales), he graduated from the Manchester Polytechnic in Industrial Design in 1980 and then took a Master’s degree at the Royal College of Art, London, in 1983. In the early 1980s he worked as a designer for Frog Design in West Germany, and later moved to Paris as a consultant to Knoll International, Cacharel, Louis Vuitton, Hermès and Dupont. After returning to London in 1986, where he lives and works, he has collaborated with many companies, including Airbus Industries, Kartell, Ceccotti, Cappellini, Idee, Moroso, Luceplan, Driade, Peugeot, Apple Computers, Issey Miyake, Vitra, Motorola, Biomega, LVMH, Yamagiwa Corporation, Tag Heuer, Hackman, Alias, Herman Miller, Artemide, Japan Airlines.

Ma Yansong (1975)

Beijing-born architect Ma Yansong is recognized as an important voice in a new generation of architects. Since the founding of MAD in 2004 his works have been widely published and exhibited. He studied at Beijing Institute of Civil Engineering and Architecture, holds a master degree in Architecture from Yale University and taught Architecture at the Central Academy of Fine Arts in Beijing. Ma Yansong received the American Institute of Architects Scholarship for Advanced Architectural Research in 2001, and won the 2006 Architecture League Young Architects Award. In 2010 he became the first architect from China to receive a RIBA fellowship. By the end of 2011 six of his projects will be built, including the Hutong Bubble 32 in Beijing, the Ordos Museum in Inner Mongolia and the Absolute towers near Toronto, Canada.

Vico Magistretti (1920-2006)

Vico Magistretti was born and died in Milan. He took a degree in architecture in 1945. His works have been honored with the Gold Medal of the 9th Milan Triennale in 1951, the Compasso d’Oro ADI award in 1967 for the Eclisse lamp, and in 1979 for the Atollo lamp. In 1995 he received the Compasso d’Oro for the career; the Golden Chair at Furniture Fair of Cologne in 1982; the Gold Medal S.I.A.D. (Society of Industrial Artists and Designers) in London in 1986; the “Apostolo del Design” Gold Medal in Milan, 1997. He worked with many important companies, including Artemide, Cassina, De Padova, Flou, FontanaArte, Fredericia, Fritz Hansen, Kartell, Oluce, Schiffini, Olivari, Campeggi, Röstrand, Covo, Gebrüder Thonet Vienna. Twelve of his design objects are included in the permanent collection of MoMA New York.

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Angelo Mangiarotti (1921)

Born in Milan, Angelo Mangiarotti, one of the leading exponents of 20th-century Italian design, is a brilliant designer who took on the ideals of the Modern Movement and actually exceeded them through his experimental and highly original work. Mangiarotti managed to apply his own ingenuity to both architecture and design, a razor-sharp exponent of rigorous functionalism, who, however, has never lost sight of elegance and beauty, taking his own work to the very verge of sculpture through clever studies of form, always using cutting-edge production processes and materials backed up by proper know-how and, above all, thinking. He has constantly drawn on ethical principles and a deep awareness of moral values, unique traits of this master, who, by brilliantly bringing together the dual qualities of ethics and aesthetics, has achieved ‘happiness’ through ‘correctness’. He lives in Milan.

Javier Mariscal (1950)

Javier Mariscal, born in Valencia (Spain), is primarily an image creator who develops his work using all kinds of media and disciplines. Together with the team of Estudio Mariscal, which he founded in Barcelona in 1989, he has done the interior design and graphics for the H&M store in Barcelona, a contract collection for Uno Design, the 11th floor of Hotel Puerta América Madrid for the Hoteles Silken group, the graphic image of the 32nd edition of the America’s Cup. An exhibition of his work, Mariscal Drawing Life, was held at the Design Museum of London. He has worked with companies such as Memphis, Akaba, Bidasoa, BD Ediciones de Diseño, Moroso, Nani Marquina, Vorwerk, Equipaje, Alessi, Sangetsu, Magis, Cosmic, Amat3, Santa & Cole, Camper, Conran Shop, Lalique, Phaidon, Vondom, Uno Design, Magis, Leuco, Nemo Cassina, Mobles 114 and Artemide.

Jean-Marie Massaud (1965)

Born in Toulouse, France. He lives and works in Paris. After graduating from the ENSCI in 1990, Jean-Marie Massaud has set out to achieve synthesis, reduction and lightness since his earliest design intuitions. He worked in a wide range of design fields, from furniture to industrial to equipment design. In 2000 in Paris he founded Studio Massaud, expanding his field of expertise to include architecture and brand development. He works with many companies, including B&B Italia, Axor Hansgrohe, Dedon, Lancôme and Renault. Avoiding trends and fashions, Massaud prefers to question existing things, working on evolution and attempting to develop alternative modes of consumption, where desires and responsibilities meet and match. Beyond ideas of status or ownership, objects and services can lead to an improved life experience, with respect to the community and the ecosystem.

Ingo Maurer (1932)

Born in 1932 on the island of Reichenau in Lake Constance, Germany, Ingo Maurer trained as a typographer and subsequently studied graphic design in Switzerland and in Munich, where he lives and works. In 1966, he set up his own company, Design M, in Munich, to make and market his own designs, the first of which was the celebrated “Bulb”, a Pop Art lamp within a lamp. In 1989 the Fondation Cartier pour l’Art Contemporain in Jouy-en-Josas near Paris staged the exhibition Ingo Maurer: Lumière Hasard Réflexion, which gave the designer his first opportunity to create lighting installations of a non-commercial nature. Since then, his designs – whether one-off commissions or mass-produced lamps from his regular collection – have been shown all over the world in many exhibitions. In 2010 Ingo Maurer received the Design Award of the Federal Republic of Germany.

Alessandro Mendini (1931)

The architect Alessandro Mendini was born in Milan, where he presently lives. He has been editor-in chief of the magazines Casabella, Modo and Domus. He designs objects, furniture, interiors, installations and architecture, and works as a design and image consultant. Collaborations include Alessi, Philips, Cartier, Swatch, Hermès and Venini. He was awarded the Compasso d’Oro ADI in 1979 and 1981, the French title of Chevalier des Arts et des Lettres, he has received an honorary degree from the Milan Polytechnic, in Italy, and he is an honorary professor in the Academic Council of the Gangzhou Academy of Fine Arts in China. With his brother Francesco Mendini, he opened Atelier Mendini in Milan in 1989. Among recents works: the renewal of three industrial areas with buildings in Milan, and a public project in Korea, Milan Design City, which includes a branch of the Milan Triennale.

Mike Mak (1984)

Born in Hong Kong, where he lives, he graduated from the Hong Kong Polytechnic University School of Design, taking a BA in Industrial Design in 2007. He founded Mike Mak Design in 2008. He is well known for design products like Eyeclock, Dear Van Gogh, Moon Reach Ladder and the Hua vase.

Marcello Morandini (1940)

Marcello Morandini was born in Mantua (Italy) and has lived in Varese since 1947. An artist, designer and architect, he began his professional career as a designer in 1960 in Milan, and as an artist in 1963. His first solo show was in 1965, in Genoa, followed by participation at the Venice Biennial and that of Sao Paulo, Brazil, Documenta in Kassel, and over 142 solo exhibitions in international museums and institutes of art and design. He designs products for the home for many European companies, especially for Rosenthal in Germany. He has also designed works of architecture in Italy, Germany, Singapore and Kuala Lumpur. He has been the director of the Museum of Ceramic Design of Laveno, professor of art and design in Italy, Switzerland, Austria and Germany, an honorary member of the Royal Designers for Industry of London, and a member of the jury of the Red Dot Design Award of Essen.

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Andrea Morgante (1972)

Andrea Morgante was born in Milan and lives in London. After working with RMJM London he joined Future Systems Architects from 2001 to 2008, where in 2006 he became Associate Director, working closely with the late Jan Kaplicky. In 2008 and 2009 he collaborated with Ross Lovegrove, directing several architectural projects. In 2009 he founded Shiro Studio, in London, a design practice committed to the creation of unique environments, architecture and objects. Poetry, lightness, peacefulness and tactile values are the points of reference that permeate every work produced. Currently Andrea Morgante is the Artistic Director and Chief Architect for the construction of the Enzo Ferrari Museum in Italy, while working with companies like D_Shape, MGX, DND, Alessi, Agape Design and Poltrona Frau.

Jasper Morrison (1959)

Jasper Morrison was born in London. In 1982 he graduated in Design at Kingston Polytechnic Design School, London, and attended the Royal College of Art for postgraduate studies (1982-85, MA Design). In 1984 he studied on a scholarship at the Hochschule der Künste Berlin. In 1986 he set up his design office in London. Today Jasper Morrison Ltd. consists of three design offices, a main office in London and two branch offices: one in Paris and one in Tokyo. The design services offered by Jasper Morrison Ltd. are wide ranging, from tableware and kitchen products to furniture and lighting, bath fixtures, electronics and appliance design, and more recently watches and clocks. Occasionally, Jasper Morrison Ltd. also works on urban design projects. In 2005, he founded Super Normal with Naoto Fukasawa. In June 2006, the first Super Normal exhibition was held in Tokyo. In 2009 the Jasper Morrison Limited Shop was opened in London.

Bruno Munari (1907-1998)

Bruno Munari was born and died in Milan. A successful painter and designer, he began to work when he was still very young, in the artistic context of Futurism. At the same time, he worked as an art director, creator of advertising and illustrator. In 1933 he made his first Useless Machines. In 1948 he founded the Movement for Concrete Art with Dorfles, Monnet, Attanasio and Soldati, gradually moving away from Futurism. In 1954 he received the Compasso d’Oro award for the Zizì monkey toy (Pigomma, 1952), and in 1979 for Abitacolo by Robots. Retrospective exhibitions of his work include the traveling show organized by Museo Fondación Soto of Ciudad Bolivar, Venezuela, and the major show held in 1986 in Milan, at Palazzo Reale. During the later years his focus shifted increasingly toward the problems of visual and art education. (Ph. Ada Ardessi - Courtesy Associazione Bruno Munari)

Mario Nanni (1955)

Born in Lugo, in the province of Ravenna (Italy), Mario Nanni is a draftsman. He works in his studios in Milan, London, Barcelona and Bologna. His interest in light and his relationship with internationally renowned architects and designers have led him to create italian lighting brand Viabizzuno, in 1994, and kept him involved with experimentation and design for more than 35 years, meeting constantly new challenges. Today his main activity is his ‘mario nanni progettista’ atelier, established in Bentivoglio, near Bologna (Italy), a workshop of ideas and projects, a school of thought, between poetry and crafts.

Natural Home Studio (2006)

Natural Home Studio was founded in Guangzhou in September 2006, by designer Chunyou Yi (also known as BBken, 1979) and Xuejiao Tan (also known as Corri, 1983). They explore natural materials and traditional handicrafts, seeking new thinking and design performance, creating natural household products suitable for modern life. In Natural Home Design studio every original artifact is unique and full of human warmth. Since 1999 BBken has been working on interior and architectural design. In 2006 he started to make use of bamboo and other natural materials for product design. A graduate of the Guangzhou Academy of Fine Arts Design Department, Corri is also fond of bamboo; her dream is to use this this traditional, very Chinese material to make interesting works of design.

Paola Navone (1950)

Born in Turin, she lives and works in Milan and Paris. She strives to be a true citizen of the world, looking around her and discovering herself as something of an anthropologist of artefacts. Her work as a designer includes collections and objects for Mondo, Driade, Poliform, Casamilano, Egizia, Baxter, Lando, Emu, Bontempi, Mamoli, Eumenes, Linteloo and Poltrona Frau. She works as Art Director of Abet Laminati, Gervasoni and Richard Ginori. Her work as an interior designer can be seen in many houses around the world, in restaurants in Athens and Mykonos, and in the international showrooms of Piazza Sempione. Her creative skills have been applied to the Illy Bar Concept, the Art Trading office in Moscow, the Dodo shops for Pomellato in Europe and the USA. She is also the creative force behind events, exhibitions and happenings all over the world.

Nendo (Tokyo, 2002)

Nendo is a design firm founded in 2002 in Tokyo, with the architect Oki Sato, born in Toronto, (Canada) in 1977, as its principal. The firm achieves its goal of bringing small surprises to people through multidisciplinary practice that includes architecture, interiors, furniture, industrial products and graphic design. nendo opened its Milan office in 2005, and has achieved international recognition for their award-winning designs for European manufacturers, including Cappellini, De Padova, Kartell and Driade.

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Neri&Hu (Shanghai, 2004) - Neri Lyndon & Hu Rossana

Founded in 2004 by partners Lyndon Neri (1965) and Rossana Hu (1968), Neri&Hu Design and Research Office is a multidisciplinary architectural design practice based in Shanghai, China. Neri&Hu works internationally providing architecture, interior, master planning, graphic, and product design services. Currently working on projects in many countries, Neri&Hu believes strongly in research as a design tool. They anchor their work on the dynamic interaction of experience, detail, material, form, and light rather than conforming to a formulaic style. Neri&Hu’s work has received many international design awards, including the AR Award for Emerging Architecture, World Architecture Festival, D&AD Award, Design Vanguard, Interior Design Magazine Best of Year Award and Gold Key Award, Chicago Athenaeum Good Design award, I.D. Magazine Annual Design Review, Red Dot Award.

Neuland Industriedesign (Munich, 1999)

Eva Paster (1971) and Michael Geldmacher (1968) met during their studies at the University of Munich, and founded their studio Neuland Industriedesign in the Bavarian capital in 1999. From 1999 to 2005 Eva Paster and Michael Geldmacher, who both now also work as lecturers, devoted themselves to classic industrial design (medical technology, outdoor products, games, cosmetics). Since 2005 they have concentrated on designing furniture for international clients such as Interlübke, MDF Italia, N.H. Moormann, Kristalia, b-line and others. They have received several prizes for their work, including the Elle Decoration International Design Award, a nomination for the Compasso d’Oro ADI award, the Chicago Good Design Award, the IF Product Design award, the Wallpaper design award, and a nomination for the Design Award of the Federal Republic of Germany.

Luca Nichetto (1976)

Born in Venice (Italy), where he still lives, Luca Nichetto took a degree in industrial design at IUAV, the University Institute of Architecture of Venice. In 1999 he began his professional activity by designing products for Salviati and working with Foscarini, for which he has created projects and conducted research on materials and product development (2001-2003). In 2006 he founded the studio Nichetto&Partners, and in 2011 he opened a new office in Stockholm, Sweden. He has received many important prizes, including the Good Design Award of the Chicago Atheneum Museum of Architecture 2008, the IF Product Design Award 2008 and the Elle Decoration International Design Award 2009. Today Luca Nichetto works with companies like Bosa, Casamania, Ceramiche Refin, Emmegi, Established & Sons, Fornasarig, Foscarini, Fratelli Guzzini, Gallotti & Radice, Italesse, Kristalia, Moroso, Offecct, Ogeborg, Salviati, Skitsch, Skultuna, Tacchini, Venini.

Gwenael Nicolas (1966)

Gwenael Nicolas was born in France, and lives and works in Tokyo. He studied at ESAG in Paris where he graduated in 1988 with a masters in Interior Design. After two years in London at The Royal College of Art, he graduated with a masters in Industrial Design. In 1991 he moved to Tokyo to collaborate with Water Studio and Issey Miyake for interior and perfume design. In 1998 he founded his studio Curiosity with producer Reiko Miyamoto, focusing on product design, interiors and architecture, creating products for Nintendo, Cassina Ixc, Ntt Docomo, LG, Arti, Inax, Yves Saint Laurent, and interiors for Sony, Tag Heuer, Issey Miyake, Aveda, Nissan, Uniqlo, Dupont Corian, Centre Georges Pompidou - Paris. He has won many prizes, including: IF Design Award (2003), Japan Society Commercial Space Designers Award (2004, 2007), Display Design Award (2005, 2006) and Interior Planning Award (2006).

Patrick Norguet (1969)

Born in Tours (France), Patrick Norguet is a designer who loves to stray from the beaten track. He has an insatiable curiosity, crossing disciplines and influences, leading him to open his own office in Paris in 1999. He focuses on different aspects of design: from industrial products to furniture and architecture. Patrick Norguet now works with many companies, including Cappellini, Alias, Artifort, Lapalma, Flaminia, Glas italia, Offecct, Poltrona Frau. He was named “Designer of the Year” at Maison et Objet in Paris in 2005, won the Grand Prix du Design of the city of Paris in 2005, and many other honors like the Design Plus Award at ISH Frankfurt in 2007, and the Wallpaper award for “furniture designer of the year” in 2009. His works are part of the permanent collections of many museums, including MoMA New York and Centre Georges Pompidou in Paris. He lives and works in Paris.

Jean Nouvel (1945)

Born in Fumel (France), he lives and works in Paris. Jean Nouvel has headed his own architectural practice since 1970. For his work he has won, among others, the Gold Medal of the French Academy of Architecture, the Royal Gold Medal of the Royal Institute of British Architects, the Aga Khan Prize for the Arab World Institute, honorary fellowships in the AIA, France’s National Grand Prize for Architecture, Japan’s Praemium Imperial Career Prize, and the Pritzker Prize in 2008. Among the projects currently under study or construction at Ateliers Jean Nouvel are: The Sea Center Museum in Le Havre, the City Hall in Montpellier, an office tower in Doha Qatar, the Louvre Museum in Abu Dhabi, the Philharmonic Hall in Paris, the Tour de Verre in New York, a mixed use high-rise building in Sydney, the Tour Signal in Paris La Défense, the National Qatar Museum.

Fabio Novembre (1966)

Fabio Novembre was born in Lecce, Italy. In 1984 he moved to Milan, where he graduated in Architecture at the Milan Polytechnic. In 1993 he went to New York and got to know Anna Molinari, for whom he created his first interior project, the Anna Molinari Blumarine store in Hong Kong. That same year he opened his studio in Milan, beginning work with design companies such as Cappellini, Driade, Meritalia, Flaminia and Casamania, and designing shops for fashion brands like Tardini, Blumarine, Meltin’ Pot and Stuart Weitzman. From 2000 to 2003 he was art director of Bisazza. In 2008 the City of Milan promoted his solo show Teach Me the Freedom of Swallows, while in 2009 the Triennale Design Museum of Milan invited him to create a personal exhibition, “Il Fiore di Novembre”. In 2010 the City of Milan asked him to create a solo exhibition in the Italian Pavilion at the Shanghai Expo.

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Ora-Ïto (1977)

Ora-Ïto is the label and nickname of the French designer, born in Marseille, who created the very first virtual brand when he was just 19 years old. This iconoclastic artist became globally famous at the end of the 1990s by hijacking, in 3D, the products of the most emblematic international brands, such as Vuitton, Apple, Nike and Bic. His bold talent and his original vision of the brands pushed him to the front of the international scene very early with an impressive catalogue of customers. Recently decorated as ‘‘Knight of the French Order of Arts and Letters’’, he unveiled in April at Milan two futuristic monotypics. In the next months, he will present in Paris the Hi Panda shop and will open his first hotel: the Hotel O. He lives in Paris.

Ludovica+Roberto Palomba (Milan, 1994)

Ludovica (1961) and Roberto (1963) Palomba, architects and designers, founders of Palomba Serafini Associati in Milan. Their work has always been rich in cultural references. Evident design: to give shape to desires. This is their mission. They have been working in this direction for the past twenty years, by creating products and works of architecture that have been chosen by thousands of people all over the world. They have won many international prizes, such as Red Dot, Design Plus, ADI Design Index and nomination for the Compasso d’Oro, as well as the Elle Decoration International Design Award, acknowledging the quality of their work and indicating them as the ‘golden duo’ of Italian design. Their clients include: Boffi, Brix, Cappellini, Dornbracht, Driade, Elica, Elmar, Flaminia, Foscarini, Kos, Lancia, Poltrona Frau, Sawaya & Moroni, When Objects Work, Zanotta, Zucchetti.

Gaetano Pesce (1939)

Gaetano Pesce, an architect and designer based in New York, was born in La Spezia (Italy). From his earliest manifesto at age 17, through his studies at the University of Venice School of Architecture, his travels, his experimentation, his teaching and his work with renowned manufacturers like Cassina, B & B Italia, Bernini, Meritalia and Knoll International, Pesce’s experience has been global, his innovations consistently groundbreaking. Pesce’s multi-disciplinary works are in the permanent collections of the MoMA and the Metropolitan Museum of New York, the Victoria and Albert Museum in London, Centre Georges Pompidou in Paris, and the Vitra Museum in Germany. His works – buildings, furniture, lighting, design, competitions, urban studies, museum installations and theater/performance – provoke, inspire, awaken and celebrate color, new materials, political dimensions, the human side of things, and all our senses.

Christophe Pillet (1959)

Born in the south of France, Christophe Pillet is a French designer who has won international acclaim for the range and quality of his creations. He lives and works in Paris. Architecture, objects, furniture, art direction: his signature is invariably associated with the finest brands and projects of ever-increasing weight and prestige. From transforming the Lancel boutiques across France and the rest of the world, designing the new Hotel Sezz in St Tropez, and the restaurant Guilo Guilo in Paris, to creating stands for Renault at international motor shows: the scope and variety of his projects reveal a common attitude, regardless of the scale. Whether as design director for Lacoste, or in long-term collaborations with Driade, Cappellini Emu, Porro, his thoughtful interpretations bear witness to the existence of a high-voltage chic, set apart by precision and rigor.

Franco Poli (1950)

Born in Padua (Italy), after studying art and architecture in Venice, in 1973 he created his first industrial product: a piezoelectric burner lighter that remained in production for 25 years. Over the last four decades he has designed objects of rare sensitivity, with great attention to the environment and human beings, favoring materials of natural origin and soft manufacturing techniques. He teaches design at the Fine Arts Academy of Venice, and conducts seminars and lectures all over the world. His products are included in the permanent collections of the Denver Art Museum, the Magma museum, the Fonds National d’Art Contemporain, the Farnesina Design collection and the Milan Triennale. He has won many prizes and honors, including the recent Good Design Award for the Exagon seat (Tonon) and the nomination of Loom (Matteograssi) for the Compasso d’Oro ADI award. He lives and works in Verona.

Gio Ponti (1897-1979)

The architect, designer and artist Gio Ponti was born and died in Milan. He took a degree in Milan in 1921. In 1927 he set up Labirinto, together with Lancia, Buzzi, Marelli, Venini and Chiesa, to design and produce high-quality furniture and objects. From 1923 to 1930 he was art director of Richard Ginori and, starting in 1933, of FontanaArte, for which he created lamps and tables. In 1926 he set up the magazine Domus, together with publisher Gianni Mazzocchi, which he directed until he died. He was a supporter of Italian design and he actively contributed to creating the Compasso d’Oro award (1954) and to setting up ADI (1956). As an architect Gio Ponti built what is now considered the symbol of the modern city of Milan, the Pirelli skyscraper, created in 1956, together with Fornaroli, Rosselli and Nervi.

Bertjan Pot (1975)

Born in Nieuwleusen, Holland, Bertjan Pot graduated in 1998 at the Design Academy Eindhoven, where he studied with Ulf Moritz. He then began work as a freelance designer, and together with his professional partner Daniel White founded the Monkey Boys studio, designing collections of furniture and lighting. In 2003 he opened Studio Bertjan Pot, working for furniture and lighting companies like Moooi, Arco, Goods, Montis, Drisag, Gelderland, Established & Sons, Richard Lampert, Domestic, Moustache. Some of his products included in the collections of the Victoria and Albert Museum, London, the Boijmans van Beuningen Museum, Rotterdam, the Stedelijk Museum, Amsterdam, MoMA New York. Awards received include: Elle Decor Award 2005, Dutch Design Prize 2007, IF Gold Award 2007. He lives in Rotterdam.

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Qian Yiran (1982)

Born in Nei Meng Gu, China, while still a child he began to learn drawing and Chinese calligraphy. After taking bachelor’s and master’s degrees at Zhejiang University of Science and Technology, in 2010 he went to Germany where he currently lives and works as a Product Designer in Hildesheim, near Hanover. His understanding and love of Chinese culture doesn’t weaken Yiran Qian’s interest in modern western design. In his works he tries to harmonize both cultural influences in a witty and original way. As in the case of his 2010 Red Dot Award winning design concept for ‘Eye of the Storm’, a faceless watch: a paradox, because at its centre is a void. You can read the time by pressing a button and turning on small lights around the central part: beyond the function, there is time for metaphysical reflection.

Prospero Rasulo (1953)

Prospero Rasulo was born in Matera (Italy). He lives in Milan. After he graduated in arts at the famous Fine Arts Academy of Brera, Milan, he opened a studio to work on painting, sculpture, set design and interior design. Rasulo soon realized that he could transfer his academic artistic culture into everyday useful objects, so he first established a collaboration with Studio Alchimia and Alessandro Mendini, and in 1982 he started to work as an independent industrial designer, though still taking part in art events. After founding Oxido Gallery in 1987, Prospero Rasulo achieved great acclaim, creating designs for the some of the most famous Italian companies in the furniture and lighting industry. He has worked for many years as a designer and art director with renowned faucet manufacturer.

Raw-Edges (London, 2007)

Yael Mer and Shay Alkalay were both born in Tel Aviv (Israel) in 1976, and attended the MA program of the Royal College of Art in 2006. Yael’s main focus is on turning two-dimensional sheet materials into functional forms, while Shay is fascinated by how things move, function and react. Raw-Edges has received important awards, including the British Council Talent Award, iF Gold Award, Dutch Design Award, Wallpaper Design Award in 2009, and the Elle Decoration International Design Award for best furniture in 2008/09. Recently they also received the Designer of the Future Award for 2009 from Design Miami-Basel. Their designs are included in the permanent collections of MoMa New York and the Design Museum of London, and are in production with Cappellini, Established & Sons and Arco. Yael and Shay are also involved in producing unique limited-edition designs in their own studio in London.

Paolo Rizzatto (1941)

Paolo Rizzatto was born in Milan, where he lives and works. He took a degree at the Polytechnic in Milan in 1965. In 1978 he founded Luceplan with Riccardo Sarfatti. In his studio he works in the fields of architecture and design, collaborating with companies like Alias, Arteluce, Artemide, Cassina, Fiam, Guzzini, Lensvelt, Luceplan, Molteni, Montina, Knoll, Kartell, Philips, Poltrona Frau, Serralunga, Thonet. His works are part of the permanent collections of many museums, including Victoria and Albert Museum (London), MoMA (New York), Centre Pompidou (Paris) and the Triennale Design Museum (Milan). He has received many prizes and honors: four Compasso d’Oro ADI awards, Milan; two Red Dot Awards, Essen; Industrie Forum Design Prize, Hanover; two Good Design Awards, Chicago; three Design Plus, Frankfurt; Light of the Future Energy Saving sources, Frankfurt; and the Prize of the Prizes for Innovation, Rome, in 2011.

Marc Sadler (1946)

A French citizen born in Innsbruck (Austria), he currently lives in Milan where he works as a designer for companies specializing in a large number of market sectors. In the 1970s he designed the first thermoplastic recyclable ski boot. His roots in the field of design for sports, where research and experimentation on new materials and production processes is common, has allowed him to transfer know-how into sectors where the concept of design has a more classical meaning. A winner of several Compasso d’Oro ADI awards (with Flos, 1994, Foscarini in 2001 and Caimi Brevetti in 2008), he has received many other important international design awards. The motorcycle back protector designed for Dainese is now part of MoMA’s permanent collection in New York, and the Mite lamp designed for Foscarini is part of Centre Pompidou design collection in Paris.

Roberto Sambonet (1924-1995)

Born in Vercelli (Italy), Roberto Sambonet studied Architecture in Milan, where he opened his own studio in the 1950s. Sambonet does not match the usual profile of the Italian designer: he was not an architect and considered himself to be first and foremost an artist. The ancient and the modern, the Renaissance and the Bauhaus, Alvar Aalto and tropical jungles, all destinations for voyages: for Sambonet nothing is just a citation, it becomes material with which to construct a new reality. He often said that in nature we can find models and solutions for design, and that his project of a “dining system” for Ginori was like designing a neighborhood, making architecture. Speaking of his Pesciera (1957), perhaps his most famous piece, seen in museums around the world, he said: “It comes from the study of nature, not as imitation, but as an example to go beyond”.

Denis Santachiara (1950)

Born in the province of Reggio Emilia (Italy), he lives and works in Milan. An ‘outsider’ designer on the international scene, he often walks on the borderline between art and design. In 1984 he created and installed the exhibition-manifesto “La Neomerce” (Milan Triennale and Centre Georges Pompidou, Paris), which made him an international reference point of lively “technopoetic, ironic, conceptual design”. His objects are included in the permanent collections of museums such as MoMA in New York, Musée des Arts Decoratifs and Centre Pompidou in Paris, Museum of Shanghai. He also curates and installs events on design and art. And work as a consultant with important brands in furnishings, automotive, technological innovation and banking sectors. For the 50th anniversary Salone del Mobile in Milan, he created the exhibition “Principia, Stanze e sostanze delle arti prossime”.

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William Sawaya (1948)

William Sawaya is an Italian architect and designer born in Beirut (Lebanon). Currently he lives and works in Milan where in 1982, together with Paolo Moroni, he founded Sawaya & Moroni Architectural Practice Studio and later in 1984 Sawaya & Moroni Contemporary Furniture. Among his recent projects: the Klapsons Hotel in Singapore, the Maddalena Hotel and Yacht Club in Sardinia; the SCF Sovcomflot Headquarters in St. Petersburg, and the M/Y VIKY megayacht. Sawaya’s product design is marked by the fluidity of its forms and defined by elegant streamlining with a twist of humor and sensuality. He has designed for other clients as well FIFA, Swissair, Baccarat, Zucchetti, Andreu World, Heller Intl. Among the prizes received he won the Catas Quality Award for best innovative design and technology for the Maxima collection of Sawaya&Moroni, the China Award 2009 EXPO for the Wosh collection by Zucchetti.

Héctor Serrano (1974)

Héctor Serrano was born in Valencia, Spain. He studied Industrial Design in Valencia before moving to London to take a master’s degree in Product Design at the Royal College of Art. He founded his design office in 2000 in London, where he lives. His client list includes companies like Fontana Arte, Roca, Moooi, Gandia Blasco, ICEX Spanish Ministry of Industry, Tourism and Trade, Droog Design, Metalarte, La Mediterránea, La Casa Encendida (Caja Madrid) and Valencia City Council. The office has received a number of awards, including the Peugeot Design Award and the Premio Nacional de Diseño No Aburridos, as well as Designer of the Year 2009 from AD magazine. Serrano’s products have been shown extensively in museums, including the Victoria & Albert Museum in London and the Cooper-Hewitt National Design Museum in New York.

Shao Fan (1964)

Born in Beijing into an old and renowned family of artists, in 1964. Both his mother Shao Jingkun and father Zhao Lu are well known oil painters and professors in the Central Academy of Fine Arts China. He lives and works in Beijing. Among his solo and group exhibitions: “Chairs about chairs” at the gallery of the Central Academy of Fine Arts, Beijing (1996), Shaofan solo exhibition, NEOTU Design Gallery Paris, France (2000), BIG TORINO, Biennial 2000, Turin, Italy, 2008 “Design China”, V&A Museum, London, “Seoul Design Fair 2010”, Olympic Stadium, Seoul, “New Realm--Chinese Contemporary art exhibition”, National Art Museum of China, National Museum of Australia, 2011. His works are included in museum collections including the Metropolitan Museum of New York, the V&A Museum of London, the Tomioka Museum in Japan, and the National Art Museum of China.

Claudio Silvestrin (1954)

Born in Zurich (Switzerland), Claudio Silvestrin studied under A.G. Fronzoni in Milan and at the Architectural Association in London. His integrity, clarity, inventiveness and attention to detail are reflected in his architecture: austere but not extreme, contemporary yet timeless, calming but not ascetic, strong but not intimidating, elegant but not ostentatious, simple but not soulless. Claudio Silvestrin Architects was established in 1989 with offices in London (where he lives), and since 2006 also in Milan. The work of the office includes real estate developments, newly built houses and resorts, art galleries and museums, domestic and retail interiors and furniture design. Clients include Giorgio Armani, illycaffé, Anish Kapoor, Calvin Klein, Poltrona Frau, Victoria Miro, the Fondazione Sandretto Re Rebaudengo and Kanye West.

Borek Sipek (1949)

Borek Sipek was born in Prague. After studying interior design at the School for Arts and Crafts in Prague (1964-68), he went to Germany to study architecture at the Kunsthochschule in Hamburg. In 1983 he moved to the Netherlands and set up the design office that would form the basis for his subsequent explorations of Oriental and Occidental arts and crafts. His fateful encounter with Driade, which resulted in furniture, objects and ideas that would eventually find their way into the Eidos, Malastrana and Follies collections, also dates back to this period. Sipek’s systematic revisitations of traditional craft techniques and materials have won him several prestigious awards. In 1992, Czech President Vaclav Havel appointed him Prague Castle Architect. While maintaining his major interest in art, since then he has increasingly worked as an architect.

Ettore Sottsass (1917-2007)

Born in Innsbruck (Austria). He graduated in architecture at the Turin Polytechnic in 1939. In 1947 he opened his own firm in Milan, where he worked on architecture and design projects. In 1958 he started to work for Olivetti as design consultant, a relationship that lasted over thirty years and brought him three Compasso d’Oro ADI awards. Among other things, he designed the first Italian electronic computer in 1959. In 1976 the Royal College of Art in London awarded him an honorary degree. In 1981 he started the Memphis group, which soon became the symbol of the ‘new design’ and a landmark for the contemporary avant-garde. One year later, he established Sottsass Associati to pursue his activities as an architect and designer. His works and projects are part of the permanent collections of many major museums worldwide.

Philippe Starck (1949)

Born in Paris, Philippe Starck is an internationally acclaimed French creator, designer and architect. This tireless and rebellious citizen of the world, who considers it his duty to share his ethical and subversive vision of a fairer planet, creates unconventional places and objects whose purpose is to be “good” before being beautiful. Most of his designs have become cult objects, and his hotels are timeless icons that have added a new dimension to the global cityscape. An enthusiastic advocate of sustainability, this visionary recently developed the revolutionary concept of “democratic ecology” by creating affordable wind turbines for the home, soon to be followed by innovative wooden prefabricated ecological houses and solar boats. He himself lives, with his wife Jasmine, mostly on airplanes, in Paris where is based his studio, Burano, and on his oyster farm in the southwest of France.

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Studio65 (Turin, 1965)

Studio65 was founded in Turin (Italy) by Franco Audrito (1943). An experimental vanguard group that through its ironic and irreverent design participated actively in the revolution of cultural and architectural languages during a period (1960s-1970s) of liberation of creativity and imagination, interpreting those times of change with objects (the Bocca sofa, Capitello, Mela) and works of architecture that still bear fresh witness to that revolution today. Towards the end of the 1970s Franco Audrito and Studio65 ventured abroad, moving in and around new architectural languages throughout the world with the same freedom, imagination and curiosity for knowledge, operating in Europe, Africa, the Middle East and Asia, where they still currently work.

Sun Yun (1970)

Born in Su Zhou and currently living in Hangzhou, Sun Yun graduated in 1992 from the Shanghai Theatre Academy, having majored in Set Design. That same time he also studied architectural design and sculpture. In 1995 he founded the Sun Yun Interior Design Studio and in 2003 became a founding partner of Interior Architecture Design company. This partnership specializes in the design and implementation of large-scale interiors and contributed to the Expo 2010 Shanghai exhibition, producing the design of the City Being zone and designing the top floor of the China pavilion. Recent projects include the head offices of Yahoo, Alibaba and Taobao. In 2007 he also established the MuGongFang furniture design studio. Currently he is involved in a project of fashion and lifestyle boutiques called DuiHuaKuang, with the design of a new range of fashion items.

Giovanna Talocci (1951)

Born in Rome, where she lives and works as industrial and interior designer since the 1970s, Giovanna Talocci has a natural curiosity for innovation, new materials and technology, based on acute, in-depth observation of the world around her. These qualities have led her to operate in a vast range of fields for prestigious brands like Teuco Guzzini, Effegibi, Foppapedretti, Fantini Rubinetterie, Poltrona Frau, Provex Industrie, Falper, Fratelli Guzzini, Fornara & Maulini, Luceplan, Rapsel, Viasat, Ferrarelle, San Lorenzo, Domo, and others. A member of ADI (the Association for Industrial Design) since 1979, she has been part of its Executive Committee since 2004. She was also a member of the first Italian Design Council, founded in June 2007 by the Ministry of Culture.

Mario Tessarollo (1955)

Born in Bassano del Grappa, Vicenza (Italy), Tessarollo graduated in Architecture at the IUAV in Venice in 1981. Since 1983 he has worked in the fields of architecture and urban planning, on many industrial, commercial and residential projects, and has also been shortlisted for many architecture awards and prizes. In 2006 he was selected for the residential building prize Dedalo Minosse and exhibited at the Basilica Palladiana in Vicenza. Over the years his interest in design has developed into a true passion. Tessarollo has worked with companies like Boffi, Cesana, Dimensione Disegno, PBA and Tubes. For Boffi he designed, together with Tiberio Cerato in 2002, the Cut faucets, winners of many awards including a nomination for the Compasso d’Oro, the Blueprint Award and the Red Dot Award. In 2008 Tessarollo designed the Wings line of faucets for Boffi.

Matteo Thun (1952)

Matteo Thun, architect and designer, born in Bolzano (Italy), studied at the Academy of Salzburg with Oskar Kokoschka and at the University of Florence. He was a cofounder of the Memphis Group in Milan, and a partner of Sottsass Associati from 1980 to 1984, when he opened his own studio in Milan. In addition, he acted as Art Director for Swatch from 1990 to 1993. In 2000 he started the M.T. Partnership (MTP) with the partners Luca Colombo, Herbert Rathmaier and Antonio Rodriguez. According to Matteo Thun, architecture and design must be simple and pure, based on long-lasting solutions. He has won many prizes, including three Compasso d’Oro ADI awards, and was inducted in 2004 into the Hall of Fame for Interior Design in New York. In 2004 he won the WWF Award for the Vigilius Mountain Resort (Merano, Italy), in 2010 he received two Wallpaper* Design Awards. He lives and works in Milan.

Attilio Tono (1976)

Born in Mariano Comense (Como), Attilio Tono is an indipendent artist living and working in Milan. He graduated from the Brera Fine Arts Academy (Milan) and the Glass Design School “Abate Zanetti” (Murano). He is a professor of Sculpture and Technology Materials at the Nuova Accademia di Belle Arti (NABA) in Milan. He creates site-specific sculptures, installations and art objects, seen as elements that establish a dialogue with their host spaces. For his works Attilio Tono uses different materials, with a constant preference for natural ones like beeswax, pigments, metals, glass, ceramic, paper, wood and edible goods. In 2000 he won the Targetti Light Art Award, an International competition for young artists who use artificial light as an expressive tool. Since 2003 he has worked with the artist Veronique Pozzi.

Patricia Urquiola (1961)

Patricia Urquiola was born in Oviedo (Spain). She lives and works in Milan. She attended the Schools of Architecture of the Madrid Polytechnic and Milan Polytechnic, where she graduated in 1989 under the guidance of Achille Castiglioni. From 1990 to 1996 she was the head of new product development for De Padova, working closely with Vico Magistretti. In 2001 she opened her own studio to work on product design, architecture and installations. She designs for important firms such as Agape, Alessi, Andreu World, Artelano, Axor, B&B Italia, Bisazza, BMW, Bosa, De Padova, De Vecchi, Driade, Emu, Fasem, Salvatore Ferragamo, Flos, Foscarini, Gallotti & Radice, Gandia Blasco, Glass Italia, Kartell, Maurice Lacroix, Liv’it, MDF Italia, Molteni, Moroso, Olivari, Panasonic, Paola Lenti, Rosenthal, San Lorenzo, Tronconi, Viccarbe. Her products are included the permanent collections of MoMA New York and other international museums.

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Vincent Van Duysen (1962)

Born in Lokeren (Belgium), Vincent Van Duysen studied at the Saint-Lucas Architecture Institute in Ghent, and founded his design studio in 1990 in Antwerp, where he lives, concentrating on interior design, with mostly residential projects. His use of pure, tactile materials generates clear, timeless design, an approach that covers all aspects, with respect to context and tradition, the senses and the physical experience of the space, materials and light, making the user the central point of reference. Functional quality, durability and comfort are the prime components of his work. Among his projects: Concordia Offices in Waregem, Belgium, Capco Offices in New York , USA, HU Residence, London, England, apartments in Beirut, Lebanon, and Milan, Italy, the National Dialogue Center in Riyadh, Saudi Arabia, the Residential Tower in Jeddah, Saudi Arabia. He works with many companies, including: Bulo, B&B Italia, Swarovski, Poliform, Tribu, De Padova.

Marcel Wanders (1963)

Born in Amsterdam, Marcel Wanders is a product and interior designer who drew international recognition for his Knotted Chair produced by Droog Design in 1996. He designs for leading international companies such as Flos, Alessi, Puma, KLM Royal Dutch Airlines, MAC Cosmetics, Cappellini, B&B Italia, Moroso and Target. Wanders also designs for architectural projects, such as the Kameha Grand hotel in Bonn, the Mondrian South Beach hotel in Miami and the Villa Moda store in Bahrain. In addition to running his studio, Wanders is co-founder and Artistic Director of the successful design label Moooi (2001). He exhibits widely and his work is included in such significant museum collections as MoMA New York, The Stedelijk Museum, Amsterdam, and the V&A Museum, London. Wanders has further published numerous books and is extensively profiled in many important global media.

Norbert Wangen (1962)

Born in Prüm (Germany), he lives in Vienna (Austria). He graduated in Architecture at the Munich Technical University. In 1995 he invented the first kitchen with a sliding work surface: the k2. In 1998 he was named one of the 100 best interior architects and designers by the magazine Architektur & Wohnen. In 2002 there was the presentation of the k10 kitchen with a new folding ventilation system in Cologne and Milan. In 2003 the Norbert Wangen trademark was transferred to Boffi. In the following years the kitchen collection was enriched with the k11 and k12 models. In 2004 he received an award from Wallpaper. In 2007 he launched the kitchen k14, innovative due to its pure, essential design, along with the L10 sink and the w1 kitchen. In 2008 his collection expanded with the B14 bathroom cabinets, which evolved into the B15 model in 2010. In 2009 he presented the k1 kitchen..

Wu Ling Zhi also known as Vivian Wu (1986) -

Born in Jingdezhen, a city which has more than a thousand years of history of production of ceramics, and a great legacy of related skills and crafts, Vivian Wu didn’t realize how precious these things were until she began her undergraduate stidoes at the Jingdezhen Ceramics Institute. With the spread of industrial manufacturing, many amazing traditional crafts of Jingdezhen were ignored or eliminated by modern times. Vivian Wu is interested in how to balance the relationship between the tradition and modernity in art and design. “What do modern people need in their daily life?”, she wondered. So she tries to integrate some traditional ceramic craft elements into her design work. “Chinese modern design needs Chinese traditional wisdom to help it and develop it. I will continue to explore, to discover and express these aspects”, says Vivian Wu.

Wu Qihua (1975) & Liu Yinan (1980)

Lexto Design was founded in Beijing in 2011 by interior designer Wu Qihua (1975) and product designer Liu Yinan (1980). They have been creating original products since 2009. The shift from interior design to product design makes their work more extensive. Wu Qihua has more than 12 years of experience as an interior designer, including many successful projects. From environmental art designer to senior magazine editor in home decoration and product design, Liu sticks to her passion for good design. Thanks to extensive media work experience, she has observed the rise of pioneering design and new theories in a diversified and open environment. Both partners agree that good design is made to serve life. Lexto Design combines artistic conception and commercial production, making an innovative approach to design into tangible products.

Xie Dong (1967)

Xie Dong, born in Beijing, China, is an artist rather than a designer. Her works include the Folded series, the Inflated series, the Melting Ice series and the Marine Organism series as “beauty moments” she wants to record. In 1988, Xie Dong graduated from Beijing Art & Design Academy. In 2005 she won the Best Tableware Design Award of Elle Decoration and then participated the 2006 Design Miami exhibition and the 2007 exhibition in China Today’s Art Museum. That same year she began to work with Driade as a designer. Also in 2007, she won the Best Lighting and Accessories award of Elle Decoration International Design Awards. In 2009 she took part in 100% Design Shanghai with a new work designed for Swarovski. In 2010 she participated in China New Design, the official celebration of the Chinese-Italian culture year, Beijing International Design Triennial.

Xie Zaru (1984)

Born in Hong Kong, she lives and works in Shanghai. Xie Zaru graduated in Industrial Design at Hong Kong Polytechnic University, School of Design (BA). Finding out that even in this post-digital age, physical chaos − in the form of growing piles of papers and devices − remains one of the banes of office productivity, she wondered: “What if objects that are useful but not needed all the time could conveniently be activated or deactivated just like software applications?”. Responding to this need, she has designed +/- Desk, a piece of furniture that can be used as a work surface, that also includes a lamp, a music player dock, a bookstand and a laptop stand, all of which can expand or contract according to the user’s needs and work patterns.

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Yeh Yu-Hsuan also known as Jesus Yeh (1960)

Born in Jiayi, Taiwan, Yeh Yu-Hsuan lives in Beijing where, after having worked in the advertising industry for over 20 years and having won more than two hundred awards, in 2006 he founded Yehidea Home Design Co. Ltd. In 2007, Yehidea’s works were selected for Designboom’s Handle With Care exhibition of contemporary ceramic wares and displayed at the London Design Festival. In 2009 the firm was awarded the German Red Dot Product Design award. In 2010 Jesus Yeh was honored as the Sohu Fashion Festival Best Creator 2009 and was invited to Messe Frankfurt for the exhibition OOO China for Tendence 2010. The home design team of Yehidea integrates the new strength of design, blending Asian and European influences. “Treating ‘human, cultural, natural, free’ as the spirit for creation, using an innovative approach to subvert the classic, to improve the classic”, Yehidea has the mission of producing useful works of art.

Tokujin Yoshioka (1967)

Born in Tokyo, where he opened his own studio, Tokujin Yoshioka Design, in 2000. He has worked with a range of well-known companies such as Hermès, Swarovski and Issey Miyake, including the design of stores and installations. Many of his works are included in the permanent collections of leading world museums like the Museum of Modern Art and Cooper-Hewitt National Design Museum in New York, Centre Georges Pompidou in Paris, Victoria and Albert Museum in London and Vitra Design Museum in Weil am Rhein. He has received prizes such as the Mainichi Design Award 2001, the Encourage Prize 2006 of the Ministry of Cultural Affairs of Japan, Design Miami Designer of the Year 2007, Elle Decoration International Design Awards Designer of the Year 2009, Tokyo Design & Art Environmental Awards / Artist of the Year 2010, and A&W Architektur & Wohnen/Designer of the Year 2011..

Michael Young (1966)

Born in Sunderland (England), Michael Young is one of the most successful and influential designers of his generation. Originally from the UK, Young began his career in London in 1992. His Woven Steel works were immediately acquired by public institutions such as Centre Pompidou and the Louvre Museum. Young’s mid-nineties collection of furnishings for E&Y Tokyo, described as creating a new formal language in design, was snapped up by design museums again, in London and Germany. Max Borka, director of the Kotrijk Design Biennial, commented on his work during the 1990s, saying “it is almost now impossible to pinpoint its dramatic influence, so copied was his work of this period”, and Terence Conran selected Young as his most inspirational British designer of 1997. In 2004 Young settled in Hong Kong and has continued to create design icons for his clients.

Yu Lizhan (1969)

Born in Xiamen, Fujian province. In 1996 he took a Bachelors and in 2007 a Masters of Arts at the Academy of Art & Design, Tsinghua University, Beijing. An artist and designer, Yu Lizhan has taken part in important exhibitions like BIA São Paulo International Biennial of Architecture and Design, in 2003, the 1st Architectural Biennial of Beijing in 2004, the Salone Satellite in Milan in 2006, 2008 and 2010, and Design Week in Zona Tortona, Milan, in 2011. He has received many honors and awards, including: the Silver Prize for the Beijing Supreme People’s Court Interior Design at the 4th National Biennial of Interior Design, Beijing 2002; Silver Prize for BTV Theater Interior Design of Bejing TV Center at the 5th National Biennial of Interior Design, Beijing 2004; Third Prize for Landscape Design of Beijing QianMen Avenue at the 11th National Exhibition of Fine Arts of China, Beijing, 2009.

Zhang Lei (1968) & Liu Kaiwei (1978)

Born in Beijing, Liu Kaiwei took a Bachelor’s degree in 2001 at the Department of Industrial Design, Academy of Arts & Design, Tsinghua University. Born in Heilongjiang Province, Zhang Lei took a Bachelor’s degree at the Department of Industrial Design, Central Academy of Arts & Design, Beijing. Both took Master’s degrees in 2004 at the University of Technology of Compiègne, France. Since 1999, Lei is Associate Professor at the Department of Industrial Design, Academy of Arts & Design, Tsinghua University. From 2006, Kaiwei is a Lecturer at the Department of Industrial Design, College of Architecture and Urban Planning, Beijing University of Technology. Zhang Lei has designed the TA-1 Hub for IBM, a digital control plate for industrial automation systems, electrice bicycles, and was key member of the design group for public facilities of the Olympic Village in 2008. Main clients include IBM, P&G China, Sinopec.

Zhao Chao (1973)

Born in Dalian, Zhao Chao lives in Beijing, working as Industrial Designer, and is Deputy Head of the Industrial Design Department at the Academy of Art and Design, Tsinghua University. One decade ago, he completed his BA and MA in Design at that same school. Later he took a PhD in Industrial Design at Australian University, in 2008. He then returned to China and began to design new products, from trains to mobile phones, printers, bath fixtures and biotechnology instruments. Among his clients: Microsoft, Procter & Gamble, LG, National Biotechnology R&D Centre, AVIVA Biosciences Corporation, Ministry of Railway Affairs of China and Dalian City Council. Some of his design works have received awards, including the Red Dot Award, Red Star Design Awards, National Significant Product Design Awards, and China National Excellent Art and Design Awards.

Zheng Shuyang (1953)

Born in Lanzhou, Gansu province, Zheng Shuyang is now a Professor, Doctoral Supervisor and Executive Vice-Dean at the Academy of Arts & Design, Tsinghua University. He is also Senior Interior architect and Director of the Design Committee of the China Building Decoration Association (CBDA); Senior Interior Designer and Vice-President of the Chinese Interior Decoration Association and of the Interior Design Branch of the Architectural Society of China. He has created 101 various design projects, published 30 books and 69 papers, and received 5 national awards. In particular, since 2004 he has been in charge of the interior Design of the Beijing TV Centre; from 2006 to 2008 he led the drafting of a scheme for the 2008 Beijing Olympic Games Urban Environmental Landscape Planning; in 2008 he won the “Outstanding Achievement Award for China Interior Design” of the Chinese Interior Decoration Association.

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Zhou Hongtao (1978)

Born in Helong county, Jilin province, a remote place in northeast China. Zhou Hongtao is an artist and designer working in the interdisciplinary areas of furniture design, sculpture and installation. He started college in Chemistry at Northeast Forestry University in Harbin, China. After one year of working on chemical formulas, he joined the Interior & Furniture Design program and received his B.S and M.S. He came to the U.S. in 2005 and received his Ph.D. in Furniture Design & Manufacturing from Purdue University in 2008. Presently he is a furniture designer and sculptor at the University of Wisconsin-Madison with a focus on sustainability and environmental issues. Hongtao’s recent achievements include: exhibitions at the Milwaukee Art Museum, artist profile in American Craft magazine and first place award in Design Emphasis, International Woodworking Fair in Atlanta.

Zhou Shangyi (1953)

Born in Beijing, she is a professor at the Academy of Arts & Design at Tsinghua University, Vice-President of the Metal Arts Professional Committee of China Arts and Crafts Society, Secretary-General of Metal Arts Professional Committee of Beijing Arts and Crafts Society, Member of the Sculpture Art Committee of Chinese Artists Society. Among her artworks: Great Song Fashion Series - the Big Dipper Bowl, winner of the Academic Award in China’s First Modern Arts and Crafts Academy Exhibition in 2006; Forever Blooming Bauhinia, a large gift sculpture, winner of the Achievement Award from the Ministry of Construction and Ministry of Culture in 2009. “Culture gives life to artistic works. Modern techniques bring them an epochal touch. Fashion makes them rich in aesthetic values. Therefore, rooted in traditional Chinese culture, my art design aims to reflect contemporary fashion by taking advantage of modern techniques”, she says.

Zhu Pei (1962)

Born in Beijing, educated at Tsinghua University and the University of Berkeley, California, in 2005 Zhu Pei founded Studio Pei-Zhu, a platform for research on the relationship between Chinese philosophy and contemporary architecture, an experimental practice dealing with future and tradition. Studio Pei-Zhu has won many important international designs competitions, including those for the Guggenheim Art Pavilion at Abu Dhabi, the Guggenheim Museum Beijing, the Control Center of the Beijing Olympics 2008, and was awarded the WA China Architectural Prize in 2004, the Design Vanguard Award from Architectural Record in 2007, the DFA Grand Award and Special Award for Culture, Hong Kong, in 2008. Among the exhibitions: Alors, la Chine?, Centre Pompidou (2003); China Design Now, Victoria and Albert Museum, UK (2008); 12th International Architecture Exhibition, Venice (2010).

Zhu Xiaojie (1955)

Born in Wenzhou, he started as a stonemason and then worked as a carpenter. After studying in Australia he returned to China to work as a craftsman and designer, founding the Opal furniture company in Wenzhou in 1993. Today he is CEO and Chief Furniture Designer of Opal, Vice-director of China Furniture Design Committee and Director of Shanghai Furniture Design Committee. “I find the design process comes naturally, and I get new ideas at any time, anywhere. Each time I get a new idea, I make a blueprint. What pleases me is that I have my own business, to make the idea become true instantly, in the workshop. Beautiful life originates from simplicity. This idea is reflected in my furniture design. People always ask me what is my design philosophy. Frankly speaking, I can’t give a definition. My furniture is not merely practical, more importantly it is a way of life with nature, good will and simplicity”, he says.

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Zheng Shuyang (1953)

Born in Lanzhou, Gansu province, Zheng Shuyang is now a Professor, Doctoral Supervisor and Executive Vice-Dean at the Academy of Arts & Design, Tsinghua University. He is also Senior Interior architect and Director of the Design Committee of the China Building Decoration Association (CBDA); Senior Interior Designer and Vice-President of the Chinese Interior Decoration Association and of the Interior Design Branch of the Architectural Society of China. He has created 101 various design projects, published 30 books and 69 papers, and received 5 national awards. In particular, since 2004 he has been in charge of the interior Design of the Beijing TV Centre; from 2006 to 2008 he led the drafting of a scheme for the 2008 Beijing Olympic Games Urban Environmental Landscape Planning; in 2008 he won the “Outstanding Achievement Award for China Interior Design” of the Chinese Interior Decoration Association.

Chen Lvsheng (1956)

Chen Lvsheng was born in Yangzhou. He took a masters degree in Art History and Theory in 1985, at the Department of Fine Arts, Nanjing Art College. In 1985 he began to work with the People’s Art Press, becoming chief editor of the Classical Art Department. Later, Chen was appointed Director of the Education Department of the National Fine Art Museum. He has published more than 50 books and hundreds of essays, including works on New Chinese Fine Art and Graphics, Fine Art during the period of the Revolution, research on themes from the Yan’an Period, etc. All his works have been assembled into 5 painting albums and 2 anthologies. Currently Chen is the director of the China Artist Association and vice-supervisor of the Art Theory Education Council. He is also vice-president of the Beijing Artist Association and the Chinese Painting Society.

Gilda Bojardi

Gilda Bojardi, born in Piacenza (Italy), lives and works in Milan. Since 1994 she has been the Editor of INTERNI, a monthly magazine of interiors and contemporary design, and of its system of publications (Interni/Panorama, Interni Guides, Interni International King Size). INTERNI also coordinates events and exhibitions, in an exploration of mutual roles and interfaces between designers, manufacturers and the general public. Since 2010 she is also the Editor of the monthly magazine GCasa. For her efforts to promote international awareness of design culture, she has received many awards and honors, including: Officer des Arts et des Lettres, French Ministry of Culture (2006); the Ambrogino d’Oro, City of Milan (2007) for the invention and development of the FuoriSalone of Milan, the first and most important Design Week in the world, founded in 1990.

Yang Dongjiang (1971)

Born in Harbin and living in Beijing, Yang Dongjiang graduated from the Environmental Art Design department at the Central Academy of Arts and Crafts, and from the School of Architecture, Central Academy of Fine Arts. Designer, Secretary-general of the Committee on Design, China National Interior Decoration Association, Associate Director of the Art Display & Decoration Committee of China, Vice-Dean of the Environmental Art Design Department, Academy of Arts & Design, Tsinghua University, he was the chief curator of the Seventh and Eighth China International Interior Design Biennials. He has won many prestigious awards, including the Gold Award of the Ninth National Art Exhibition. In 2008, he received the title “National Outstanding Young and Middle-aged Architect”. He was selected by the “New Century Excellent Talents in University” program by the Ministry of Education of the People’s Republic of China.

Barbara Alighiero

Born in Milan and living in Beijing. Journalist and writer, for twenty years covered China as correspondent and Bureau Chief of ANSA-Italian News Agency. Since 2001 to 2008, as special correspondent for the same news organization covered the wars in Afghanistan, Iraq and the Middle East and was Cairo Bureau Chief. In July 2008 has been appointed as Director of the Italian Cultural Institute in Beijing. With a degree in History of the Far East, at the University of Rome, and a diploma in Chinese language, in 1975 won a scholarship for one year in Beijing, she was one of the first Italian students to go to China after the establishment of diplomatic relations. Back to China in 1981, she started working as freelance for several newspapers until she was hired by ANSA. Between 1990 and 1992 she was President of the Foreign Correspondents’ Club in China.

Christoph Radl (1954)

Born in Switzerland, Austrian citizen, moves 1977 to Italy, Milano. After design school in Milano he starts to work with internationally known italian architect and designer Ettore Sottsass in 1980. Together with Sottsass he founded 1984 Italiana di Communicazione, a creative avant-garde communication agency. In 1993 he founded R.A.D.L.&. in Milan, offering consulting services of art direction and graphic design in the sectors of publishing, fashion and design. Christoph Radl has created many projects for publishing houses, museums and galleries. He is art director of the acclaimed contemporary design magazines Interni and GCasa and the international Art and Fashion magazine TAR. He has worked for many Italian fashion houses, including Armani, Ferragamo and Trussardi. In the design sector he created coordinated images, catalogues and advertising campaigns for many outstanding companies, including Alessi, Cassina, Sony, Magis, Plank, Zanotta.

Matteo Vercelloni (1961)

Matteo Vercelloni, architect, born in Milan, where he lives and works, in 1961. Besides practicing design on different scales – architectural, territorial, retail, product – he is a regular contributor to many magazines connected with the world of architecture and design, including “Casa Vogue”, “Interni”, “Costruire”, “Abitare”, “Domus”, “Casabella”, “D.E”, “Flare”, “D-Donna”, etc. Since 2000 he has been an editorial consultant on architecture for the magaziine “INTERNI”, Mondadori Editore. He has also written a number of books on interior design and architecture.He teaches at the Milan Polytechnic, conducting the course on Design History, and has also taught at the European Design Institute, the Brera Fine Arts Academy, the ISAD and the Polytechnic School of Design, all in Milan. 创 意 联 结 C R E A T I V E

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Firms Directory ABOUTWATER Via M. Buonarroti 4 28010 Pella NO - Italy phone +39 0322 918411 fax +39 0322 969530 e-mail: [email protected] www.aboutwater.it AGAPE Via Pitentino 6 46037 Governolo di Roncoferraro MN - Italy phone +39 0376 250311 fax +39 0376 250330 e-mail: [email protected] www.agapedesign.it Spazio Italia Distribution 2-216, Ausen idc, No. 1 XinLu Road, XinBang Town Song Jiang District Shanghai 201605 - China phone +86 21 64872277 fax +86 21 64871133 e-mail: [email protected] Badeluxe Beijing De Li Bao Building Materials Company Shop 02-03, Zone3, Ground Floor Beijing Building Materials Trade Tower No.14 Dongtucheng Road Chao Yang District Beijing 100013 - China phone +86 10 6427 6708 e-mail: [email protected] ALESSI Via Privata Alessi 6 28887 Crusinallo di Omegna VB - Italy phone +39 0323 868611 fax +39 0323 868804 e-mail: [email protected] www.alessi.com Alessi Beijing China World Boutique Shop NB142 China World Shopping Mall, No.1 Jianguomenwai Street Beijing - China phone +86 10 65051689 Bluebell China Room 815, Nanzheng Building A No. 580 Nanjing Road(W) Shanghai - China phone +86 21 62177501 fax +86 21 62177336 email: [email protected]

ARITA NANAKURA Tatenokawauchi, Yamauchi-Cho Takeoshi Saga pref., 849-2305 Japan phone +81 954 452501 fax +81 954 452502 e-mail: [email protected] www.toshiyukikita.com ARTEK Eteläesplanadi 18 00130 Helsinki - Finland phone +358 9 613250 fax +358 9 61325260 e-mail: [email protected] www.artek.fi Innermost Hong Kong 248 Hollywood Road Central Hong Kong - China phone +852 2857 5289 e-mail: [email protected] www.innermost.net ARTEMIDE Via Bergamo 18 20010 Pregnana Milanese MI - Italy phone +39 02 935181 fax +39 02 93590254 e-mail: [email protected] www.artemide.com Office Room 1515, 15/F, One Corporate Avenue, 222 Hubin Road Luwan District Shanghai 200021 - China phone +86 21 6122 3408 e-mail: [email protected] Showroom Unite A102-202, Wending Living Style Plaza, No. 258. Wending Road Shanghai 200030 - China phone +86 21 34601482 AxOR By HANSGROHE Auestrasse 5-9 77761 Schiltach - Germany phone +49 7836 51-0 fax +49 7836 51-1300 e-mail: [email protected] www.axor-design.com Hansgrohe Sanitary Products (Shanghai) Co. No. 2999 Shenggang Road Songjiang Industrial Zone (East) Shanghai 201611 - China phone +86 21 37742200 fax +86 21 37742202 e-mail: [email protected] www.axor-design.com

B&B ITALIA - MAxALTO Strada Provinciale 32, n° 15 22060 Novedrate CO - Italy phone +39 031 795111 fax +39 031 791592 e-mail: [email protected] www.bebitalia.com Design Republic Collection B&B Italia 88 Yu Qing Road Shanghai 200030 - China phone +86 21 60823788 fax +86 21 60823786 e-mail: [email protected] www.thedesignrepublic.com Domus Tiandi Collection Maxalto 288 An Fu Lu Shanghai - China phone +86 21 64668827 e-mail: [email protected] www.domustiandi.com MAISON BACCARAT 11, place des États-Unis 75116 Paris - France phone +33 1 40221100 fax +33 1 40221192 www.baccarat.com Baccarat China World Shopping Mall Shop L118 Beijing 100004 - China phone +86 10 6505 4989 Baccarat Shanghai ICF Shop L2-3, Level 2 No. 8 Century Avenue, Pudong Shanghai 200120 - China phone +86 21 50120958 BAxTER Via Costone 8 22040 Lurago d’Erba CO - Italy phone +39 031 35999 fax +39 031 3599999 e-mail: [email protected] www.baxter.it Domus Tiandi 21 Jin Bao Street Beijing 100006 - China phone +86 10 85116228 fax +86 10 65221800 e-mail: [email protected] www.domustiandi.com

BD BARCELONA DESIGN Pujades 63 08005 Barcelona - Spain phone +34 93 4570052 fax +34 93 2073697 e-mail: [email protected] www.bdbarcelona.com Domus Tiandi 21 Jin Bao Street Beijing 100006 - China phone +86 10 85116228 fax +86 10 65221800 e-mail: [email protected] www.domustiandi.com BEIJING MAySNOW COMPANy Guanghua Road, Chaoyang District, East Media Center, Block A Beijing - China phone +86 10 64405991 fax +86 10 64405545 www.maysnow.com BERNARDAUD 27, Avenue Albert Thomas 87050 Limoges - France phone +33 5 55105550 fax +33 5 55105555 e-mail: [email protected] www.bernardaud.fr Bernardaud Store Jingdezhen Franz Collection CO. B01-07, No. 2, Jian Guo Men Wai Street, Chaoyang District Beijing 100022 - China phone +86 10 85171311 Mrs Naya Yu - Store Manager mobile +86 135 52090728 BISAZZA Viale Milano 56 36075 Alte di Montecchio Maggiore VI - Italy phone +39 0444 707511 fax +39 0444 492088 e-mail: [email protected] www.bisazza.com Bisazza China Shanghai Office: Room1108, Tian Shan Maison, No. 30 Tian Shan Road, Chang Ning District Shanghai - China phone +86 21 5046 0623 fax +86 21 5046 0625 e-mail: [email protected]

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Bisazza Hong Kong RM 702 7/F Beverly House 93-107 Lockhart Road Wanchai Hong Kong - China phone +852 28613525 fax +852 28611742 e-mail: [email protected] BOFFI Via Oberdan 70 20823 Lentate sul Seveso MB - Italy phone +39 0362 5341 fax +39 0362 565077 e-mail: [email protected] www.boffi.com Muyi 1604, Building 3, Jianwai Soho 39 East 3rd-RingRoad Chaoyang District Beijing - China phone +86 10 85183106 fax +86 10 85183639 [email protected] www.cmyspace.com.cn BRIX Via Circonvallazione n/e 116 41049 Sassuolo MO - Italy phone +39 0536 812426 fax +39 0536 812680 e-mail: [email protected] www.brixweb.com CAPITALBIO COMPANY CapitalBio Corporation 18 Life Science Parkway Changping District Beijing 102206 - China phone +86 10 80715888/80726868 fax +86 10 80726898 www.capitalbio.com CAPPELLINI Via Busnelli 1 20821 Meda MB - Italy phone +39 031 759 111 fax +39 031 763 322 e-mail: [email protected] www.cappellini.it Da Vinci Shanghai No. 433 West Yan An Road Shanghai 200040 - China phone +86 21 64371230 e-mail: [email protected]

Da Vinci Beijing No. 17, Jian Guo Men Wai Main Street, Chaoyang District Beijing 100020 - China phone +86 10 65263333 e-mail: [email protected] CARL LIU Unit#210, building C, 1000 Chang Ping Road, Jing An District Shanghai 200042 - China phone +86 13818377401 fax +86 21 62319940 e-mail: [email protected] www.carlliu.com CASALGRANDE PADANA Strada Statale 467, 73 42013 Casalgrande RE - Italy phone +39 0522 9901 fax +39 0522 996121 e-mail: [email protected] www.casalgrandepadana.com Po Yick Building Materials Co. (Shanghai) Unit 249-256 Cimen, 320 Yi Shan Road, Xu Jia Hui, Shanghai - China phone +86 21 64383735 fax +86 21 64281607 CASAMANIA Via Ferret 11/9 31020 Vidor TV - Italy phone +39 0423 6753 fax +39 0423 819640 e-mail: [email protected] www.casamania.it Euro Home A Unit B232-235, Floor B2, Cofco Plaza, 8 JianGuoMenNei Street Beijing - China phone +86 10 65263965 / 8512 0983 fax +86 10 65263965 www.eurohome.com.cn CASSINA POLTRONA FRAU GROUP Via Busnelli 1 20821 Meda MB - Italy phone +39 0362 372.1 fax +39 0362 342246 / 340959 e-mail: [email protected] www.cassina.com Da Vinci Shanghai No. 433 West Yan An Road Shanghai 200040 - China phone +86 21 64371230 e-mail: [email protected]

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Da Vinci Beijing No. 17, Jian Guo Men Wai Main Street, Chaoyang District Beijing 100020 - China phone +86 10 65263333 e-mail: [email protected] CERAMICA BARDELLI GRUPPO ALTAECO Via G. Pascoli 4/6 20010 Vittuone MI - Italy phone +39 02 9025181 fax +39 02 90260766 e-mail: [email protected] www.bardelli.it Sitroom C109 No. 53 Huacheng Road Zhujiang New Town, Tianhe District Guangzhou City - China phone +86 20 38337199 e-mail: [email protected] CERAMICA FLAMINIA Strada Statale Flaminia km 54, 630 01033 Civita Castellana VT - Italy phone +39 0761 542030 fax +39 0761 540069 e-mail: ceramicaflaminia@ ceramicaflaminia.it www.ceramicaflaminia.it DC Design Beijing Showroom 30 Dongzhongjie Dongzhimen Dongcheng District Beijing 100027 - China phone +86 10 64152288 www.dcdesign.com.cn DC Design Shanghai Showroom 200 Zhenning Road Jing’An District Shanghai 200040 - China phone +86 21 62793335 www.dcdesign.com.cn CERRUTI BALERI Via F. Cavallotti 8 20122 Milano MI - Italy phone +39 02 76023954 fax +39 02 76023738 e-mail: info@cerrutibaleri. com;[email protected] www.cerrutibaleri.com

Cerruti | Da Vinci Showroom 8 Jian Guo Men Nei Da Jie Dong Chen Area Beijing 100005 - China phone +86 10 65263333 e-mail: [email protected] Cerruti | Da Vinci Showroom 433 Yan An Xi Road Shanghai 200040 - China phone +86 21 64718866 e-mail: [email protected] CHANG YUNG HO Yuan Ming Yuan East Gate Northside, Yard No.1 Hai Dian District Beijing - China phone: +86 10 82626123 fax +86 10 82622712 e-mail: [email protected] www.fcjz.com CHEN NAN Room 5, Building B North Fourth Ring Road Chaoyang District Beijing 108801 - China phone +86 13901360927 fax +86 10 84831985 e-mail: [email protected] CHRISTOFLE 9, rue Royale 75008 Paris - France phone +33 1 55 279900 fax +33 1 70607220 www.christofle.com Christofle Room 1405 Shanghai Mart 2299 Yan’an West Road Shanghai 200336 - China phone +86 21 6268 8538 e-mail: [email protected] Pavillon Christofle Plaza 66 - Unit 412 Plaza 66 No. 1266 West Nanjing Road Shanghai - China phone +86 21 6288 8896 e-mail: [email protected] www. christofle.com DANESE Via Canova 34 20145 Milano MI - Italy phone +39 02 349611 fax +39 02 34538211 e-mail: [email protected] www.danesemilano.com

公司目录

Firms Directory

Artemide Trading (Shanghai) Co. Corporate Avenue Bldg, Tower 2 Ground Floor/Shop 2 202 Hubin Road, Luwan District Shanghai 200021 - China phone +86 21 61223408 fax +86 21 61223410 e-mail: [email protected] DAVID JIA LKK Design Co. LKK Plaza, No. 6 North Fourth Ring East Road Chaoyang District Beijing - China phone +86 13911178022 e-mail: [email protected] www.lkkdesign.com DEDON Zeppelinstraße 22 21337 Lüneburg - Germany phone +49 41 31224470 fax +49 41 312244730 e-mail: [email protected] www.dedon.de Dedon® Asia Pacific Unit 3203-7, 32/F 248 Queen’s Road East, Wan Chai Hong Kong - China phone +852 2529 7993 fax +852 2529 7933 Ole W. Rauberg - Regional Sales Director - Asia Pacific Unit e-mail: [email protected] www.dedon.hk DE PADOVA Strada Padana Superiore 280 20090 Vimodrone MI - Italy phone +39 02 777201 fax +39 02 27439780 e-mail: [email protected] www.depadova.it DIALOG BOX INTERLOCKING FOUNDATION No. 49 TongYi RD Hangzhou 310015 - China phone +86 13306504999 fax +86 571 85232430-803 e-mail: [email protected] www.iad.cc

DILMOS Piazza San Marco 1 20121 Milano MI - Italy phone +39 02 29002437 fax +39 02 29002350 e-mail: [email protected] www.dilmos.com DRIADE Via Padana Inferiore 12 29012 Fossadello di Caorso PC - Italy phone +39 0523 818618 fax +39 0523 822628 e-mail: [email protected]; [email protected] www.driade.com Hnlin Design Center No. 3758 Qi Xin Road Min Hang District Shanghai - China phone +86 21 54796089 fax +86 21 54795066 e-mail: [email protected] Area Interiors No. 1366 Nanjing West Road Suite 3703, 37F, Plaza 66 Tower 2 Shanghai 200040 - China phone +86 21 6288777 fax +86 21 62889987 e-mail: [email protected] E15 DESIGN UND DISTRIBUTIONS Hospitalstrasse 4 61440 Oberursel - Germany phone +49 617197950 fax +49 61719795 90 e-mail: [email protected] www.e15.com Design Republic 88 Yu Qing Road Xuhui District Shanghai 200030 - China phone +86 21 60823788 fax +86 21 60823786 e-mail: [email protected] www.thedesignrepublic.com Design & Distribution Link 12th Floor SUP Tower Hong Kong - China phone +852 2838 8299 fax +852 2838 8766 www.designlink.com.hk

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EDRA Via Livornese Est 106 56035 Perignano di Lari PI - Italy phone +39 0587 616660 fax +39 0587 617500 e-mail: [email protected] www.edra.com ELICA Via Dante 288 60044 Fabriano AN - Italy phone +39 0732 6101 fax +39 0732 610740 e-mail: [email protected] www.elica.com Elica Rep. Office Shanghai Room 504 #58 Chuangliu Road Pudong district Shanghai 200120 - China phone +86 21 58766225 fax +86 21 58766125 [email protected] www.elica.com Putian No. 88 Putian Avenue Shengzhou 312400 Zhejiang - China phone +86 575 83366001 fax +86 575 83366000 e-mail: [email protected] www.putian.com EMECO c/o Design Republic 88 Yu Qing Road Xuhui District Shanghai 200030 - Cina phone +86 21 60823788 fax +86 21 60823786 e-mail: [email protected] Alev Larsson - [email protected] www.thedesignrepublic.com www.emeco.net www.emecowithcoke.com EMMEMOBILI Via Torino 29 22063 Cantù CO - Italy phone +39 031 710142 fax +39 031 713513 e-mail: [email protected] www.emmemobili.it

EMU GROUP Z.I. Marsciano 06055 Marsciano PG - Italy phone +39 075 874021 fax +39 075 8743903 e-mail: [email protected] www.emu.it ESTUDIO CAMPANA c/o Firmacasa Al Gabriel Monteiro da Silva 1487 Jardim Paulistano Sao Paulo 01441-001 SP - Brazil phone +11 3068 0377 e-mail: [email protected] www.firmacasa.com.br FABRICA Via Ferrarezza 31020 Catena di Villorba TV - Italy phone +39 0422 519111 fax +39 0422 516297 e-mail: [email protected] www.fabrica.it FENDI CASA CLUB HOUSE ITALIA Via Balzella 56 47122 Forlì - Italy phone +39 0543 791911 fax +39 0543 725244 e-mail: [email protected] www.fendi.com Classic Furniture No.10 Nongzhanguan South Road Chaoyang District Beijing 100125 - China phone +86 10 65060099 email: [email protected] FERRERO TRADING (SHANGHAI) CO. F9, LJZ Fund Tower 1528 Century Avenue Pudong New District Shanghai 200122 - China phone +8621 68756266 fax +86 21 58308621 www.ferrero.com.cn FIAM ITALIA Via Ancona 1/b 61010 Tavullia PU - Italy phone +39 0721 20051 fax +39 0721 202432 e-mail: [email protected] www.fiamitalia.it

公司目录

Firms Directory

Vita Furniture B11-B15 Undergroud second floor C building of COFCO Plaza, NO8, Jianguomen Nei AVE Dongcheng District Beijing 100005 - China Mr. Zhu Bin mobile: +86 10 85118000 e-mail: [email protected] www.vita-furniture.com FLEXFORM Via L. Einaudi 23/25 20821 Meda MB - Italy phone +39 0362 3991 fax +39 0362 399228 e-mail: [email protected] www.flexform.it Beijing DeYiJia Furniture Selling Co. D039-040, Zone C2, Central Plaza of Upper East Side (Yang Guang Shang Dong), No.6, North Road of East Forth-Ring, Chao Yang District Beijing 100016 - China phone: +86 10 51303952 FLOS Via Angelo Faini 2 25073 Bovezzo BS - Italy phone +39 030 24381 fax +39 030 2438250 e-mail: [email protected] www.flos.com Flos Lighting Design (Beijing) Co. phone +86 10 5208 3634 e-mail:[email protected] www.flos.com FLOU Via Luigi Cadorna 12 20821 Meda MB - Italy phone +39 0362 3731 fax +39 0362 74801 e-mail: [email protected] www.flou.it Vita Flagship Store No. 4167, Court 18, Shuangqiao East Road, Chaoyang District Beijing - China phone +86 10 85370666 e-mail: [email protected]

Hn Lin Shanghai Design Centre No. 3758 Qi Xin Rd., Qi Bao Town, Min Hang District Shanghai - China phone +86 21 54796089/54795066 e-mail: [email protected] FONTANAARTE Alzaia Trieste 49 20094 Corsico MI - Italy phone +39 02 45121 fax +39 02 4512560 e-mail: [email protected] www.fontanaarte.co FontanaArte Asia Pacific Co. The Bridge 8, Room 7-202, No. 10 Jianguo Zhong Road Shanghai - China phone +86 21 61379371 fax +86 21 61379372 email: [email protected] FORMICA 1701, Changcheng Building, No. 3000 Zhongshan North Road, Putuo, Shanghai, 200063 - China phone +86 21 22113668 fax +86 21 32522818 e-mail: [email protected] www.formica.com.cn FOSCARINI Via delle Industrie 27 30020 Marcon VE - Italy phone +39 041 5953811 fax +39 041 5953820 e-mail: [email protected] www.foscarini.com FRATELLI FANTINI Via M. Buonarroti 4 28010 Pella NO - Italy phone +39 0322 918411 fax +39 0322 969530 e-mail: [email protected] www.fantini.it FRATELLI GUZZINI C.da Mattonata 60 62019 Recanati MC - Italy phone +39 071 9891 fax +39 071 989260 e-mail: [email protected] www.fratelliguzzini.com

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Likuai China Room 552 New Century Hotel Office Tower Beijing Haidian District 1754-1755 Beijing - China phone +86 10 68403999 fax +86 10 68403777 www.likuaihomestore.com www.likuai.com Wayne Xiang (President) Lulu Zhang (Purchase Manager) GAO YI QIANG Hongsongyuan Beili Jia 1 Dongba Chaoyang District Beijing - China phone +86 13801122612 fax +86 10 80495508 e-mail: [email protected] www.hi.baidu.com/yiqiang_gao/home GESSI Parco Gessi 13037 Serravalle Sesia VC - Italy phone +39 0163 454111 fax +39 0163 459273 e-mail: [email protected] www.gessi.com DC Design Beijing Showroom 30 Dongzhongjie Dongzhimen Dongcheng District Beijing 100027 - China phone +86 10 64152288 www.dcdesign.com.cn DC Design Shanghai Showroom 200 Zhenning Road Jing’An District Shanghai 200040 - China phone +86 21 62793335 www.dcdesign.com.cn GLASS IDROMASSAGGIO Via Baite 12/e 31046 Oderzo TV - Italy phone +39 0422 7146 fax +39 0422 816839 e-mail: [email protected] www.glassidromassaggio.it Interni China G208, N°570 West Huai Hai Road Shanghai 200052 - China

GUFRAM POLTRONA FRAU GROUP Via Busnelli 1 20821 Meda MB - Italy phone +39 0362 372.1 fax +39 0362 342246-340959 e-mail: [email protected] www.gufram.com Da Vinci Shanghai No. 433 West Yan An Road Shanghai 200040 - China phone +86 21 64371230 e-mail: [email protected] Da Vinci Beijing No. 17, Jian Guo Men Wai Main Street, Chaoyang District Beijing 100020 - China phone +86 10 65263333 e-mail: [email protected] GUANGZHOU HENGFU COMPANY GuangZhou HengFu Tea Industry Co. 23F R&F Profit Plaza 76 West Huangpu Avenue Guangzhou 510623 - China National free advice hotline: 800-830-2127 Investment Hotline:15986332096 fax +86 20 38392065 email: [email protected] www.gzhengfu.com IDK DESIGN LABORATORY TOSHIYUKI KITA 2-6-9 Kouraibashi Chuko-Ku 541-0043 Osaka - Japan phone +81 6 62331948 fax +81 6 62331971 e-mail: [email protected] www.toshiyukikita.com IGUZZINI ILLUMINAZIONE Via Mariano Guzzini 37 62019 Recanati MC - Italy phone +39 071 75881 fax +39 071 7588295 e-mail: [email protected] www.iguzzini.com iGuzzini Lighting (China) Co. No. 2758 Huan Cheng West Road Fengxian Industrial Park Shanghai 201401 - China phone +86 021 6341 1199 fax +86 021 3365 5201 e-mail: [email protected] www.iguzzini.cn

公司目录

Firms Directory

I+I Via Salento 5 20141 Milano MI - Italy phone +39 02 89513620 fax +39 02 89546448 e-mail: [email protected] www.i-and-i.it INGO MAURER Kaiserstrasse 47 80801 München - Germany phone +49 89 3816060 fax +49 89 38160620 e-mail: [email protected] www.ingo-maurer.com Area Living No. 600, Shanxi North Road Jingan District Shanghai - China phone +86 21 6075 1000 fax +86 21 6075 1075 www.arealiving.cn JIA 1606, Tower III, Phase One Enterprise Square No. 9 Sheung Yuet Road Kowloon Bay Hong Kong - China phone +852 2750 5571 fax +852 2757 6032 e-mail: [email protected] www.jia-inc.com JIA LI - LISPACE E201, Buildings, Fangjiahutong Dongcheng District Beijing 100007 - China phone +86 10 87747807 fax +86 10 58859293 e-mail: [email protected] www.lispace.com.cn KARTELL Via delle Industrie 1 20082 Noviglio MI - Italy phone +39 02 900121 fax +39 02 9053316 e-mail: [email protected] www.kartell.it Kartell Beijing B1, Sanlitu Village North Nr 19 Sanlitun Rd., Chaoyang District Beijing - China e-mail: [email protected]

KENZO MAISON CLUB HOUSE ITALIA Via Balzella 56 47122 Forlì - Italy phone +39 0543 791911 fax +39 0543 725244 e-mail: [email protected] www.kenzo.com Classic Furniture No. 10 Nongzhanguan South Road Chaoyang District Beijing 100125 - China phone +86 10 65060099 e-mail: [email protected] KNINDUSTRIE Via Antonini 87 25068 Sarezzo BS - Italy phone +39 030 8935235 fax +39 030 8935250 e-mail: [email protected] www.knindustrie.it KOS Viale de la Comina 17 33170 Pordenone PN - Italy phone +39 0434 363405 fax +39 0434 55129 e-mail: [email protected] www.kositalia.com Shanghai Representative Office Room 624, Pine City, N° 8 Dong On Road, Xuhui District Shanghai 200032 - China phone +86 21 64180450 fax +86 21 64180484 Sara Cicognani: [email protected] KVADRAT Lundbergsvej 10 8400 Ebeltoft - Denmark phone +45 89531866 fax +45 89531800 e-mail: [email protected] www.kvadrat.dk Kvadrat China Co. Room 301, 425 Yaping Road Jing’an District Shanghai 200042 - China phone +86 21 6271 5515 fax +86 21 6271 5516 e-mail: [email protected] www.kvadrat.dk

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L&W DESIGN STUDIO 8-1-24a , No.39 Wangjing Bei Lu Chaoyang District Beijing - China phone +86 10 64796194 fax +86 10 64796194 e-mail: [email protected] LAUFEN BATHROOMS Wahlenstrasse 46 4242 Laufen - Switzerland phone +41 61 765 71 11 fax +41 61 761 36 60 e-mail: [email protected] www.laufen.com LEA CERAMICHE Via Cameazzo 21 41042 Fiorano Modenese MO - Italy phone +39 0536 837811 fax +39 0536 05360326 e-mail: [email protected] www.ceramichelea.com Panaria Group Trade Ms. Silvia Cicognani e-mail: silvia.cicognani@ panariagrouptrade.it mobile: +39 342 3417871 LEMA Strada Statale Briantea 2 22040 Alzate Brianza CO - Italy phone +39 031 630990 fax +39 031 632492 e-mail: [email protected] www.lemamobili.com Euro-Home Interiors Unit B232-235, Floor B2 Cofco Plaza 8 JianGuoMenNei Street Beijing 100005 - China phone +86 10 65263965/85120983 fax +86 10 65263965 www.eurohome.com.cn Jens Martin Jakobsson Export Area Manager e-mail: [email protected] LI WEI e-mail: [email protected] LITHOS DESIGN srl Via del Motto, 25 36070 San Pietro Mussolino VI - Italy phone +39 0444 687301 fax +39 0444 687398 e-mail: [email protected] www.lithosdesign.com

Bei Jing De Yi Jia De Furniture Co., One Design On Life 2-39, Building 1 Upper East Side 6 East 4th Ring Road Chaoyang District Beijing - China phone +86 10 51303852 fax +86 10 51303925 www.99home.cn LIU TIEJUN e-mail: [email protected] LIVING DIVANI Strada del Cavolto 22040 Anzano del Parco CO - Italy phone +39 031 630954 fax +39 031 632590 e-mail: [email protected] www.livingdivani.it Muyi 1F, 3T, Grand Moma No.1 Xiangheyuan Rd. Dongcheng District Beijing 100028 - China, phone +8610 85183106 fax +8610 85183639 [email protected] www.cmyspace.com.cn Banlan JSWB Home Furnishings Centre unit 311-312, the third floor No. 75 Lou Shan Guan Road Chang Ning District Shanghai - China phone +86 21-22157834 www.banlanhome.com LKK DESIGN CO. LKK Plaza No. 6 North Fourth Ring East Road Chaoyang District Beijing 100102 - China phone +86 13911178022 e-mail: [email protected] www.lkkdesign.com LOUIS POULSEN Nyhavn 11 1001 Copenhagen K - Denmark phone +45 33 141414 fax +45 33 146062 e-mail: [email protected] www.louispoulsen.com

公司目录

Firms Directory

Targetti Poulsen Lighting Industries (Beijing) Co. No. 032 & No. 035 Building 6 Beijing 22 Art Plaza Pingod Community No. 32 Baiziwan Road Chaoyang District Beijing 100022 - China e-mail: [email protected] www.louispoulsen.com LUCEPLAN Via E.T. Moneta 40 20161 Milano MI - Italy phone +39 02 662421 fax +39 02 66203400 e-mail: [email protected] www.luceplan.com DC Home (Beijing) Co. Nianhui Zhang N. 30 Dongzongjie, East District Beijing 100027 - China e-mail: [email protected] MA YANSONG MAD ARChITECTS 3rd Floor, West Building No.7, Ban Qiao Nan Xiang Bei Xin Qiao Beijing 100007 - China phone +86 10 64026632 fax +86 10 64023940 www.i-mad.com MAGIS Via Triestina Accesso E 30020 Torre di Mosto VE - Italy phone +39 0421 319600 fax +39 0421 319700 e-mail:[email protected] www.magisdesign.com Design Republic 88 Yu Qing Road Shanghai 200030 - China phone +86 21 60823788 fax +86 21 60823786 e-mail: [email protected] www.thedesignrepublic.com Vita Flagship Store No. 4167, Court 18, Shuangqiao East Road, Chaoyang District Beijing - China phone +86 10 85370666 [email protected] www.vita-furniture.com

MARAZZI - MARAZZI GROUP Viale Virgilio 30 41123 Modena MO - Italy phone +39 059 384111 e-mail: [email protected] www.marazzi.it Showroom Marazzi H 103 Red Town 570 Huaihai Rd (W) Shanghai - China phone +86 21 51757957 e-mail: marazzichina@ marazzigroup.com MASSIMILIANO ADAMI Via Giuseppe La Farina 18 20126 Milano MI - Italy phone/fax +39 02 6433778 e-mail: [email protected] www.massimilianoadami.it MATTEOGRASSI Via Monte Grappa 66/68 P.O. Box n. 57 Paina 20833 Giussano MB - Italy phone +39 0362 86621 fax +39 0362 866292 e-mail: [email protected] www.matteograssi.it Matteograssi S.E.A. Pte China Representative Office Suite 3305 The Center No. 989 Changle Road Shanghai 200031 - China phone +86 21 51531108 Beijing Vita Industry & Trade No. 2-1, 2-2 Jin Bao Street Dong Cheng District Beijing 100005 - China phone +86 10 85119000 e-mail: [email protected] www.vita-furniture.com MDF ITALIA spa Via Morimondo, 5/7 20143 Milano MI - Italy phone +39 02 81804100 fax +39 02 81804108 e-mail: [email protected] www.mdfitalia.it H.N. Lin Shanghai Design Centre No. 3758, Qi Xin Road Ming Hang District Shanghai - China phone +86 21 54796089 e-mail: [email protected]; [email protected]

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Link Design Center Room 118, No. 28, Tian He Bei. Rd., (Guangzhou Times Square) Tian he District Guang Zhou - China phone +86 20 3820 1988 e-mail: [email protected] MEMPhIS Via Olivetti 9 20010 Pregnana Milanese MI - Italy phone +39 02 93290663 fax +39 02 93591202 e-mail: [email protected] www.memphis-milano.it MERITALIA Via Como 76/78 22066 Mariano Comense CO - Italy phone +39 031 743100 fax +39 031 744460 e-mail: [email protected] www.meritalia.it METEA c/o GALLERIA SCACChI GIOVANNI Via Rivoli, 4 20121 Milano MI - Italy phone: +39 02 86915300 fax: +39 02 86918461 [email protected] www.metea.it MINOTTI Via Indipendenza 152 20821 MEDA MI - Italy phone +39 0362 343499 fax +39 0362 340319 e-mail: [email protected] www.minotti.com Domus Tiandi 21 Jin Bao Street Beijng 100006 - China phone +86 10 8511626228 e-mail: [email protected] Shanghai Expocasa 1st Floor,West Tower Xin An Mansion 200 Zhenning Rd. Shanghai 200040 - China phone +86 21 62471068 e-mail: [email protected]

MISSONI hOME T&J VESTOR Via Roma 71/b 21010 Golasecca VA - Italy phone +39 0331 950311 fax +39 0331 959011 e-mail: [email protected] www.missonihome.it Andrea Cucci at Missoni Home H.K. 40, Wong Chuk Hang Road 17/F, Unit C, Kwai Bo Building Wong Chuk Hang Hong Kong - China mobile +852 91926580 [email protected] MOLTENI & C Via Rossini 50 20833 Giussano MB - Italy phone +39 0362 3591 fax +39 0362 354448 e-mail: [email protected] www.molteni.it Vita Furniture Shuangqiao East Road No. 4168 Court 18, Shuangqiao East Road Chao Yang District Beijing 100121 - China phone +86 10 85373666 e-mail: [email protected] www.vita-furniture.com Shanghai Expocasa Furniture Co. 1.st Floor West Tower Xin An Mansion No. 200 Zhenning Road Shanghai 200040 - China phone +86 21 6247 1068 fax +86 21 6279 1571 MOOOI Minervum 7003 4817 ZL Breda - Netherlands phone +31 765784444 fax +31 765710621 e-mail: [email protected] www.moooi.com Design Republic 88 Yu Qing Road Shanghai 200030 - China phone +86 21 60823788 fax +86 21 60823786 e-mail: [email protected] www.thedesignrepublic.com

公司目录

Firms Directory

MOROSO Via Nazionale 60 33010 Cavalicco UD - Italy phone +39 0432 577111 fax +39 0432 570761 e-mail: [email protected] www.moroso.it Crossover No. 81, San Li Tun North Str. Chaoyang District Beijing 100027 - China phone +86 10 52086119 fax +86 10 52086123 www.crossovercenter.com.cn NANIMARQUINA c/Esglesia 4-6 - 10 3° d 08024 Barcelona - Spain phone +34 93 2376465 fax +34 93 2175774 e-mail: [email protected] www.nanimarquina.com Design Republic 88 Yu Qing Road Shanghai 200030 - China phone +86 21 60823788 fax +86 21 60823786 e-mail: [email protected] www.thedesignrepublic.com Jiangning Flagship Store 511 Jiang Ning Road Jing An District Shanghai - China NATHAN LIU - LIU FENG 751 Art District No. 4 Jiuxianqiao Lu Chaoyang District Beijing 100015 - China mobile +86 13381076078 phone +86 10 84599233 e-mail: [email protected] www.funlivingbj.com NATURAL HOME DESIGN STUDIO Jian She Liu Ma Lu Qing Cai Gang 55 Hao 102 Yuexiu District Guangzhou, Guangdong 510060 - China phone +86 20 83820013 fax +86 20 83820013 e-mail: [email protected] www.naturebamboo.com

NENDO 2-2-16-5F Shimomeguro Meguro-ku 153-0064 Tokyo - Japan phone +81 366613750 fax +81 366613751 e-mail: [email protected] www.nendo.jp NERI&HU DESIGN AND RESEARCH OFFICE 88 Yu Qing Road Shanghai 200030 - China phone +86 21 60823777 fax +86 21 60823778 e-mail: [email protected] www.nhdro.com NILUFAR Via Spiga 32 20121 Milano MI - Italy phone +39 02 780193 fax +39 02 76007657 e-mail: [email protected] www.nilufar.com NODUS c/o Il Piccolo - Via Delio Tessa 1 (ang. C.so Garibaldi) 20121 Milano MI - Italy phone +39 02 866838 fax +39 02 72022889 e-mail: [email protected] www.nodusrug.it OPAL FURNITURE CO. No.1 Yucangdong Road Economic Development Zone Wenzhou 325011 - China phone +86 57786551234 fax +86 57786552345 e-mail: [email protected] www.zhuxiaojie.com PASTOE Rotsoord 3 P.O. Box 2152 3500 GD Utrecht - Netherlands phone +31 30 2585555 fax +31 30 2522340 e-mail: [email protected] www.pastoe.com PEDRALI Strada Provinciale 122 24050 Mornico al Serio BG - Italy phone +39 035 8358840 fax +39 035 8358888 e-mail: [email protected] www.pedrali.it

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PEGA 4F, Building 4 No. 727 Dingxi Rd. Changning District Shanghai 200052 - China phone +86 21 61248668 fax +86 21 61248778 e-mail: [email protected] www.pegadesign.com PLANK COLLEZIONI Via Nazionale 35 39040 Ora BZ - Italy phone +39 0471 803500 fax +39 0471 803599 e-mail: [email protected] www.plank.it POLIFORM Via Montesanto 28 22044 Inverigo CO - Italy phone +39 031 6951 fax +39 031 699444 e-mail: [email protected] www.poliform.it POLTRONA FRAU Strada Statale 77 km 74,500 62029 Tolentino MC - Italy phone +39 0733 9091 fax +39 0733 971600 e-mail: [email protected] www.poltronafrau.it POLTRONOVA Via Provinciale Pratese 23 51037 Montale PT - Italy phone +39 0574 718351 fax +39 0574 711251 e-mail: [email protected] www.poltronova.it PORRO Via per Cantù 35 22060 Montesolaro CO - Italy phone +39 031 783266 fax +39 031 7832626 e-mail: [email protected] www.porro.com Muyi 1F, 3T, Grand Moma No.1 Xiangheyuan Rd. Dongcheng District Beijing 100028 - China phone +86 10 85183106 / 85183649 fax +86 10 85183639 e-mail: [email protected] www.cmyspace.com.cn

PRODUZIONE PRIVATA MICHELE DE LUCCHI Via Varese 15 20121 Milano - Italy Italy Sales manager: Carlo Pintacuda phone +39 02 63786817 fax +39 02 63786814 e-mail: [email protected] www.produzioneprivata.it Design Republic 88 Yu Qing Road Shanghai 200030 - China phone +86 21 60823788 fax +86 21 60823786 e-mail: [email protected] www.thedesignrepublic.com QIAN YIRAN Von-Steuben 16 31135 Hildesheim - Germany phone +49 176 32837292 e-mail: [email protected] www.yiran.110mb.com RAPSEL Via A. Volta 13 20019 Settimo Milanese MI - Italy phone +39 02 3355981 fax +39 02 33501306 e-mail: [email protected] www.rapsel.it Badeluxe Trading Unit D4, Basement 3 COFCO Plaza No. 8 Jian Guo Men Nei Avenue Dong Cheng District Beijing 100005 - China phone +86 10 65261363 fax +86 10 65261373 e-mail: [email protected] Miss Chen No. 8 Nansha Road Minhang Economic & Technological Development Zone Shanghai - China phone +86 21 54756399 fax +86 21 62780217 e-mail: [email protected] RODA Via Tinella 2 21026 Gavirate VA - Italy phone +39 0332 7486 fax +39 0332 748655 e-mail: [email protected] www.rodaonline.com

公司目录

Firms Directory

ROSENTHAL Philip-Rosenthal-Platz 1 95100 Selb - Germany phone +39 0362 3591 fax +39 0362 354448 e-mail: [email protected] www.rosenthal.de Rosenthal Lifestyle Trading Shanghai Co. Unit 221 Tower 1, German Centre No 88 Keyuan Road Shanghai 201203 - China phone +86 21 28986419/643 fax +86 21 28986439 e-mail: [email protected] www.rosenthal.cn SAMBONET PADERNO INDUSTRIE S. Regionale 11 km 84 28060 Orfengo di Casalino NO - Italy phone +39 0321 879711 fax +39 0321879811 e-mail: [email protected] www.sambonet.com SAWAYA & MORONI Via Andegari 18 20121 Milano MI - Italy phone +39 02 86395212 fax +39 02 86464831 e-mail: [email protected] www.sawayamoroni.com Shanghai Matsu Industrial Co. No. 686 Zhaojiabang Road Xuhui District Shanghai 200030 - China phone +86 21 6471 9898*8680 fax +86 21 64330997 www.matsu.cn SHAO FAN Beijing - China e-mail: [email protected] SHARP CORPORATION JAPAN 22-22 Nagaike-cho, Abeno-ku Osaka 545-8522 - Japan phone: +81 6 66211221 www.sharp.co.jp Sharp Electronics Sales (China) CO. 27-29F, Ocean Towers No. 550 East Yan An Road Huangpu District Shanghai 200001 - China phone +86 21 61048888 fax +86 21 6106600

SUCK UK 31 Regent Studios 8 Andrews Rd. London E8 4QN - UK phone +86 20 7923 0011 fax +86 20 7923 0099 e-mail: [email protected] www.suck.uk.com SWAROVSKI ELEMENTS www.swarovski-elements.com TANIGUCHI WASHI 358-1 Kawara, Aoya-cho 689-0515 Tottori pref. Tottori City - Japan phone 81 857 860116 fax +81 857 860117 e-mail: [email protected] www.toshiyukikita.com TARGETTI SANKEY Via Pratese 164 50145 Firenze FI - Italy phone +39 055 37911 fax +39 055 3791266 e-mail: [email protected] www.targetti.com Hangzhou Targetti Lighting Co. No.46 Gouyun Road, Gouzhuang Liang Zhu Town, Yuhang District Hangzhou 311112 - China phone +86 571 88746820 fax +86 571 88746995 e-mail: [email protected] Targetti Poulsen Lighting Industries (Beijing) Co. No. 032 & No. 035 Building 6 Beijing 22 Art Plaza Pingod Community No. 32 Baiziwan Road Chaoyang District Beijing 100022 - China e-mail: [email protected] www.targetti.com TECHNOGYM Via G. Perticari 20 47035 Gambettola FC - Italy phone +39 0547 56047 fax +39 0547 650555 e-mail: [email protected] www.technogym.com

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Technogym China Rm 101, N. 98-4 Yanping Rd. Jingan District Shanghai 200042 - China phone +86 21 5175 9833 fax +86 21 5888 6950 www.technogym.com/cn TEUCO GUZZINI Via Virgilio Guzzini 2 62010 Montelupone MC - Italy phone +39 0733 2201 fax +39 0733 220391 e-mail: [email protected] www.teuco.com Casajolie No. 9, Jin Bao Street Dongcheng District Beijing - China phone +86 10 65250065 fax +86 10 -65250680 e-mail: [email protected] Badeluxe Zone 3 02-03, Ground Floor, Beijing Building Material Trade Tower No. 14 Dong Tu Cheng Road Chaoyang District Beijing 100013 - China phone +86 10 -65261363 fax +86 10 65261373 e-mail: [email protected] TRUSSARDI Piazza della Scala, 5 20121 Milano MI - Italy phone +39 02 8068821 fax +39 02 76064269 e-mail: [email protected] www.trussardi.com VENETA CUCINE Via Paris Bordone 84 31056 Biancade TV - Italy phone +39 0422 8471 fax +39 0422 847501 e-mail: [email protected] www.venetacucine.com Distributore Nanjing Veneta Furniture CO. 29, Tianlin Road Dongshan Sub-District Jiangning District Nanjing 211100 - China

Flagship Store Veneta Cucine No. 418 Longpan Road Nanjing - China VENINI Fondamenta Vetrai 50 30141 Murano VE - Italy phone +39 041 2737211 fax +39 041 2737223 e-mail: [email protected] www.venini.com Link Design Center (Shanghai) Room 121, No. 3758, Qi Xin. Rd. Qi Bao Town Min Hang District Shanghai 201101 - China phone +86 21 54859799 fax +86 21 54795066 e-mail: [email protected] www.hnlin.cn Director Jason Lin mobile +86 139 18978886 Link Design Center (Guangzhou) Room 118, No. 28, Tian He N. Rd. (Guangzhou Time Square) Tian he District GuangZhou - China phone +86 20 38201988 fax +86 20 38202505 www.hnlin.cn Director Jason Lin mobile +86 139 18978886 VIABIZZUNO Via Romagnoli 10 40010 Bentivoglio BO - Italy phone +39 051 8908011 fax +39 051 8908089 e-mail: [email protected] www.viabizzuno.com VITRA Eczacıbaşı Merkez Ofis Büyükdere Cad., Ali Kaya Sok. No: 7 34394 Levent, Istanbul - Turkey phone +90 212 3508442 fax +90 212 3251342 www.eczacibasi.com.tr www.vitra.com.tr VitrA Asia Weihai Road No. 567, Crystal Century Tower Room 5H Shanghai 200041 - China phone +86 21 6288 5453 fax +86 21 6288 5442 www.enexp.vitra.com.tr

公司目录

Firms Directory

VITRA INTERNATIONAL Klünenfeldstrasse 22 4127 Birsfelden - Switzerland phone +41 61 37715090 fax +41 61 3771510 e-mail: [email protected] www.vitra.com Vitra Showroom No. 800 ChangDe Road 800 Show Building 9 Room 102 JingAn District Shanghai 200040 - China phone +86 21 6359 6870 fax +86 21 6359 6872 email: [email protected] VOLA Lunavej 2 8700 Horsens - Denmark phone +45 7023 5500 fax +45 7023 5511 e-mail: [email protected] www.vola.com Badeluxe Trading Unit D4, Basement 3 COFCO Plaza No. 8 Jian Guo Men Nei Avenue Dong Cheng District Beijing 100005 - China phone +86 10 65261363 fax +86 10 65261373 e-mail: [email protected] WHEN OBJECTS WORK Korte Gotevlietstraat 8000 Brugge - Belgium phone +32 50 613354 fax +32 50 340141 e-mail: [email protected] www.whenobjectswork.com WU LING ZHI - VIVIAN WU c/o No. 34 Building Tsinghua University Haidian District Beijing 100084 - China phone +86 15010732768 fax +86 20 62798827 e-mail: [email protected]

WU QIHUA & LIU YINAN LEXTO Creative Design Centre A5 Building, YANSHA No. 50 No. 50 Anjialou Road Chaoyang District Beijing 100125 - China phone +86 10 84793129 fax +86 10 84793129 e-mail: [email protected] www.wuweidesign.com XIE DONG STUDIO C-027 Huan Tie Art City Chao Yang District Beijing - China phone +86 13910911489 e-mail: [email protected] XILINMEN GROUP CO. Xilinmen Group Co. No. 1 Er Huan Bei Road Shaoxing, Zhejiang 312001 - China phone +86 575 85152090 fax +86 575 85160798 Reach Wang, Sales Manager e-mail: [email protected] YEHIDEA HOME DESIGN CO. Room B2-4 Building 2 Art Village 22 Baiziwan Lu Chaoyang District Beijing - China phone +86 10 58074865 fax +86 10 67180773 e-mail: [email protected] www.yehidea.com ZANOTTA Via Vittorio Veneto 57 20834 Nova Milanese MB - Italy phone +39 0362 4981 fax +39 0362 451038 e-mail: [email protected] www.zanotta.it H.N. Lin Enterprise Co. No. 3758 Qi Xin road Qi Bao Town Ming Hang District Shanghai - China phone +86 21 54796089 [email protected] www.hnlin.com.cn

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ZERODISEGNO CARLO POGGIO DESIGN Via Piacenza 71 15122 San Giuliano Vecchio AL - Italy phone +39 0131 388585 fax +39 0131 387358 e-mail: [email protected] www.zerodisegno.com ZHENG SHUYANG [email protected] ZHOU HONGTAO 6241 Humanities Building 455 North Park Street 53704 Madison, Wisconsin - U.S.A. phone +1 608 6580723 e-mail:[email protected] www.hongtaozhou.com ZHOU SHANGYI phone +86 13910629907 e-mail: [email protected] ZUCCHETTI RUBINETTERIA Via Molini di Resiga 29 28024 Gozzano NO - Italy phone +39 0322 954700 fax +39 0322 954823 e-mail: [email protected] www.zucchettidesign.it Representative Office Room 624, Pine City N° 8 Dong On Road Xuhui District Shanghai 200032 - China phone +86 21 64180450 fax +86 21 64180484 Sara Cicognani [email protected]

首届北京国际设计三年展 2011

中国国家博物馆

First Beijing International Design Triennial 2011

National Museum of China

首届北京国际设计三年展 2011

中国国家博物馆

First Beijing International Design Triennial 2011

National Museum of China

首届北京国际设计三年展 2011

中国国家博物馆

First Beijing International Design Triennial 2011

National Museum of China