Bibliographie de l'Art Byzantin et Postbyzantin. La contribution Grecque 2006-2010

ACADÉMIE D’ATHÈNES CENTRE DE RECHERCHES D’ART BYZANTIN ET POSTBYZANTIN

BIBLIOGRAPHIE DE L’ ART BYZANTIN ET POSTBYZANTIN LA CONTRIBUTION GRECQUE

2006-2010

ATHÈNES 2011

BIBLIOGRAPHIE DE L’ ART BYZANTIN ET POSTBYZANTIN LA CONTRIBUTION GRECQUE

2006-2010

BIB§IO°PAºIA TH™ BYZANTINH™ KAI TH™ METABYZANTINH™ TEXNH™ H E§§HNIKH ™YMBO§H

2006-2010

AKA¢HMIA A£HNøN ∫∂¡∆ƒ√ ∂ƒ∂À¡∞™ ∆∏™ µÀ∑∞¡∆π¡∏™ ∫∞π ª∂∆∞µÀ∑∞¡∆π¡∏™ ∆∂á∏™

BIB§IO°PAºIA TH™ BYZANTINH™ KAI TH™ METABYZANTINH™ TEXNH™ H E§§HNIKH ™YMBO§H

2006-2010

™‡ÓÙ·ÍË: ŸÏÁ· K·Ú·ÁÈÒÚÁÔ˘

ªÂ ÙËÓ Â˘Î·ÈÚ›· ÙÔ˘ 22Ô˘ ¢ÈÂıÓÔ‡˜ ™˘Ó‰ڛԢ µ˘˙·ÓÙÈÓÒÓ ™Ô˘‰ÒÓ ™fiÊÈ· 2011

A£HNA 2011

ACADÉMIE D’ATHÈNES CENTRE DE RECHERCHES D’ART BYZANTIN ET POSTBYZANTIN

BIBLIOGRAPHIE DE L’ ART BYZANTIN ET POSTBYZANTIN LA CONTRIBUTION GRECQUE

2006-2010

Rédigée par Olga Karagiorgou

Publiée à l'occasion du XXIIe Congrès International des Études Byzantines Sofia 2011

ATHÈNES 2011

` © 2011 ACADÉMIE D'ATH ENES CENTRE DE RECHERCHES D’ART BYZANTIN ET POSTBYZANTIN ∞nagnostopoulou 14, Athènes GR-10673, Tél. - FAX +30 210 3664652 © 2011 ∞∫∞¢∏ªπ∞ ∞£∏¡ø¡ ∫∂¡∆ƒ√ ∂ƒ∂À¡∞™ ∆∏™ µÀ∑∞¡∆π¡∏™ ∫∞π ª∂∆∞µÀ∑∞¡∆π¡∏™ ∆∂á∏™ ∞Ó·ÁÓˆÛÙÔÔ‡ÏÔ˘ 14, ∞ı‹Ó· 10673, ∆ËÏ. - FAX 210 3664652 e-mail: [email protected] www.academyofathens.gr

ISBN: 978-960-404-214-2

TABLE DES MATIÈRES – ¶EPIEXOMENA Avant Propos – ¶ÚÔÏÔÁÈο.................................................................................................................................................. 11 Bibliographie de l'Art Byzantin et Postbyzantin – BÈ‚ÏÈÔÁÚ·Ê›· Ù˘ B˘˙·ÓÙÈÓ‹˜ Î·È Ù˘ MÂÙ·‚˘˙·ÓÙÈÓ‹˜ T¤¯Ó˘: Les publications précédentes – √È ÚÔËÁÔ‡ÌÂÓ˜ ÂΉfiÛÂȘ .................................................... 15 Abréviations – ™˘ÓÙÔÌÔÁڷʛ˜

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17

Liste des publications 2006-2010 – ∫·Ù¿ÏÔÁÔ˜ ‰ËÌÔÛÈÂ˘Ì¿ÙˆÓ 2006-2010 ........................................................................................................................................................ 55 Index des auteurs – ∂˘ÚÂÙ‹ÚÈÔ Û˘ÁÁڷʤˆÓ Index artistique – K·ÏÏÈÙ¯ÓÈÎfi ¢ÚÂÙ‹ÚÈÔ

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229

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239

Index chronologique – XÚÔÓÔÏÔÁÈÎfi ¢ÚÂÙ‹ÚÈÔ .................................................................................. 240 Index par matières – £ÂÌ·ÙÔÏÔÁÈÎfi ¢ÚÂÙ‹ÚÈÔ

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245

Index géographique – ∆ÔÔÁÚ·ÊÈÎfi ¢ÚÂÙ‹ÚÈÔ .................................................................................. 257

L

a Bibliographie de l’Art Byzantin et Postbyzantin des années 2006-2010, est présentée par le Centre de Recherches d’Art Byzantin et Postbyzantin de l’Académie d’Athènes à l’occasion du XXIIe Congrès International des Études Byzantines à Sofia (22-27 août 2011). Ce fascicule fait suite aux publications analogues (v. Liste des publications précédentes, p. 15), parues sur l’initiative de Manolis Chatzidakis, Sécrétaire Général de l’Association Internationale des Études Byzantines (1976-1986), Président du Comité de l’Histoire de l’Art Byzantin/AIEB (1976-1998) et fondateur du Centre de Recherches d’Art Byzantin et Postbyzantin auprès de l’Académie d’Athènes. Le présent fascicule comprend les publications des byzantinistes grecs parues aussi bien en Grèce qu’à l’étranger pendant la période 2006-2010. Les articles parus dans des Encyclopédies, des Dictionnaires et dans la presse quotidienne ou hebdomadaire, les nécrologies et les comptes-rendus ou bien les publications non scientifiques ne sont pas compris dans cette Bibliographie. Il faut ajouter quelques informations utiles pour faciliter l’utilisation de cette Bibliographie: Les titres sont classés selon les noms des auteurs en suivant l’alphabet grec, même quand le nom apparaît dans la publication originale dans une autre langue. Par exemple le nom ªÔ‡Ú·˜ / Bouras est toujours classé entre les lettres § (L) et ¡ (N), et les noms commençant par la lettre grecque Ã, transcrite en Ch ou H, sont classés entre les lettres º (F) et æ (Ps). Les publications de chaque auteur sont classées par ordre chronologique. Les noms des auteurs grecs et les titres de leurs publications sont présentés sans traduction des titres grecs mais avec indication du résumé en langue étrangère, dans le cas où il y en aurait. La liste des publications est suivie de cinq indexes par auteurs, artistique, chronologique, par matières et géographique. La rédaction de la présente Bibliographie a été confiée à Mme Olga Karagiorgou, chercheur au Centre, ainsi que l’enregistrement des titres à l’ordinateur, lourde tâche, qui a été accomplie avec le concours à la dernière phase du projet de la bibliothécaire Mme Eugenia Koureta, collaboratrice du Centre, de M. Ioannis Vitaliotis et Mme Ioanna Christoforaki, chercheurs au Centre, et des étudiantes à master de l’Université d’Athènes Mme Vasso Klotsa et Mme Katerina Peppa. Le programme informatique établi ad hoc en 1990, a été renouvelé par Silktech et plus précisément par la programmatrice de l’ordinateur Mme Voula Vergeti en collaboration avec Mme Olga Karagiorgou. La coordination des différentes étapes du projet a été élaborée par la directrice par interim du Centre et responsable du programme scientifique Mme Ioanna Bitha. Enfin, il est de notre devoir d’exprimer nos vifs remerciements à plus de deux cents collègues qui, répondant à notre appel, ont mis à notre disposition la liste de leurs publications. Nous espérons que, malgré les inévitables lacunes, ce fascicule rendra service à nos collègues.

PANAYOTIS L. VOCOTOPOULOS Académicien Inspecteur Scientifique du Centre de Recherches d’Art Byzantin et Postbyzantin

∆

Ô ∫¤ÓÙÚÔ ŒÚ¢ӷ˜ Ù˘ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∆¤¯Ó˘ Ù˘ ∞η‰ËÌ›·˜ ∞ıËÓÒÓ ·ÚÔ˘ÛÈ¿˙ÂÈ ÙËÓ µÈ‚ÏÈÔÁÚ·Ê›· Ù˘ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∆¤¯Ó˘ ÙˆÓ ÂÙÒÓ 2006-2010, Ì ÙËÓ Â˘Î·ÈÚ›· ÙÔ˘ 22Ô˘ ¢ÈÂıÓÔ‡˜ ™˘Ó‰ڛԢ µ˘˙·ÓÙÈÓÒÓ ™Ô˘‰ÒÓ ÛÙË ™fiÊÈ· (22-27 ∞˘ÁÔ‡ÛÙÔ˘ 2011). ∆Ô Ù‡¯Ô˜ ·˘Ùfi Â›Ó·È Û˘Ó¤¯ÂÈ· ·Ó¿ÏÔÁˆÓ ÂΉfiÛÂˆÓ (‚Ï. ∫·Ù¿ÏÔÁÔ ÚÔËÁÔ‡ÌÂÓˆÓ ÂΉfiÛˆÓ, Û. 15) Ô˘ ›¯Â ÂÌÓ¢Ûı› Î·È ˘ÏÔÔÈ‹ÛÂÈ Ô ·Â›ÌÓËÛÙÔ˜ ‚˘˙·ÓÙÈÓÔÏfiÁÔ˜ Î·È ·Î·‰ËÌ·˚Îfi˜ ª·ÓfiÏ˘ ÷Ù˙ˉ¿Î˘, °ÂÓÈÎfi˜ °Ú·ÌÌ·Ù¤·˜ Ù˘ ¢ÈÂıÓÔ‡˜ ∂ÓÒÛˆ˜ µ˘˙·ÓÙÈÓÒÓ ™Ô˘‰ÒÓ (1976-1986), ¶Úfi‰ÚÔ˜ Ù˘ ∂ÈÙÚÔ‹˜ πÛÙÔÚ›·˜ Ù˘ µ˘˙·ÓÙÈÓ‹˜ ∆¤¯Ó˘ Ù˘ ¢ÈÂıÓÔ‡˜ ∂ÓÒÛˆ˜ µ˘˙·ÓÙÈÓÒÓ ™Ô˘‰ÒÓ (1976-1998), Î·È È‰Ú˘Ù‹˜ ÙÔ˘ ∫¤ÓÙÚÔ˘ ŒÚ¢ӷ˜ Ù˘ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∆¤¯Ó˘ ÛÙËÓ ∞η‰ËÌ›· ∞ıËÓÒÓ. ∆Ô Ù‡¯Ô˜ ·˘Ùfi ÂÚÈÏ·Ì‚¿ÓÂÈ Ù· ‰ËÌÔÛȇ̷ٷ ÙˆÓ ÂÏÏ‹ÓˆÓ ÂÈÛÙËÌfiÓˆÓ Î·Ù¿ ÙËÓ ÂÓÙ·ÂÙ›· 2006-2010. ÕÚıÚ· Ô˘ ‰ËÌÔÛȇıËÎ·Ó Û ÂÁ΢ÎÏÔ·›‰ÂȘ, Û ÏÂÍÈο Î·È ÛÙÔÓ ËÌÂÚ‹ÛÈÔ Î·È Â‚‰ÔÌ·‰È·›Ô Ù‡Ô ‹ Û ÌË ÂÈÛÙËÌÔÓÈο ‰ËÌÔÛȇ̷ٷ, ηıÒ˜ Î·È ÓÂÎÚÔÏÔÁ›Â˜ Î·È ‚È‚ÏÈÔÎÚÈۛ˜, ‰ÂÓ ÂÚÈÏ·Ì‚¿ÓÔÓÙ·È ÛÙËÓ ·ÚÔ‡Û· ‚È‚ÏÈÔÁÚ·ÊÈ΋ Û˘Ó·ÁˆÁ‹. ¶Ú¤ÂÈ Ó· ÚÔÛÙÂıÔ‡Ó ÌÂÚÈΤ˜ ¯Ú‹ÛÈ̘ ‰È¢ÎÚÈÓ‹ÛÂȘ Ô˘ ı· ‰È¢ÎÔχÓÔ˘Ó ÙË ¯Ú‹ÛË ÙÔ˘ Ù‡¯Ô˘˜: √È Ù›ÙÏÔÈ ÙˆÓ ¤ÚÁˆÓ ηٷ¯ˆÚÔ‡ÓÙ·È Ì ÙËÓ ·ÏÊ·‚ËÙÈ΋ ÛÂÈÚ¿ ÙˆÓ ÔÓÔÌ¿ÙˆÓ ÙˆÓ Û˘ÁÁڷʤˆÓ, Ì ‚¿ÛË ÙÔ ÂÏÏËÓÈÎfi ·ÏÊ¿‚ËÙÔ, ·ÎfiÌË Î·È fiÙ·Ó ÙÔ ¤ÚÁÔ ‰ËÌÔÛȇÂÙ·È Û ͤÓË ÁÏÒÛÛ·, .¯. ÙÔ fiÓÔÌ· Bouras / ªÔ‡Ú·˜ ÂÓÙ¿ÛÛÂÙ·È ·Ó¿ÌÂÛ· ÛÙ· ÁÚ¿ÌÌ·Ù· § (L) Î·È ¡ (N) Î·È Ù· ÔÓfiÌ·Ù· Ô˘ ·Ú¯›˙Ô˘Ó ·fi ÙÔ ÂÏÏËÓÈÎfi ÁÚ¿ÌÌ· Ã, Ô˘ ÌÂÙ·ÁÚ¿ÊÂÙ·È Ch ‹ H, ÂÓÙ¿ÛÛÔÓÙ·È ·Ó¿ÌÂÛ· ÛÙ· ÁÚ¿ÌÌ·Ù· º (F) Î·È æ (Ps). ∆· ‰ËÌÔÛȇ̷ٷ ÙÔ˘ οıÂ Û˘ÁÁڷʤ· ηٷ¯ˆÚÔ‡ÓÙ·È Û ¯ÚÔÓÔÏÔÁÈ΋ ÛÂÈÚ¿. √È ÂÏÏËÓÈÎÔ› Ù›ÙÏÔÈ ÙˆÓ Û˘ÁÁڷʤˆÓ ·ÚÔ˘ÛÈ¿˙ÔÓÙ·È ¯ˆÚ›˜ ÌÂÙ¿ÊÚ·ÛË, Ì ‰‹ÏˆÛË ÌfiÓÔ Ù˘ ÍÂÓfiÁψÛÛ˘ ÂÚ›Ï˄˘, fiÙ·Ó ·˘Ù‹ ˘¿Ú¯ÂÈ. ∆ÔÓ Î·Ù¿ÏÔÁÔ ÙˆÓ ‰ËÌÔÛÈÂ˘Ì¿ÙˆÓ ·ÎÔÏÔ˘ıÔ‡Ó ¤ÓÙ ¢ÚÂÙ‹ÚÈ·: ÙˆÓ ÔÓÔÌ¿ÙˆÓ ÙˆÓ Û˘ÁÁڷʤˆÓ, ηÏÏÈÙ¯ÓÈÎfi, ¯ÚÔÓÔÏÔÁÈÎfi, ıÂÌ·ÙÔÏÔÁÈÎfi Î·È ÙÔÔÁÚ·ÊÈÎfi. ∏ Û‡ÓÙ·ÍË Ù˘ µÈ‚ÏÈÔÁÚ·Ê›·˜ 2006-2010 ·Ó·Ù¤ıËΠÛÙËÓ ÂÚ¢ӋÙÚÈ· ÙÔ˘ ∫¤ÓÙÚÔ˘ Î. ŸÏÁ· ∫·Ú·ÁÈÒÚÁÔ˘, ÙËÓ ÔÔ›· Û˘Ó¤‰Ú·Ì·Ó ÛÙÔ ÙÂÏÈÎfi ÛÙ¿‰ÈÔ ÙÔ˘ ¤ÚÁÔ˘ Ë Û˘ÓÂÚÁ¿ÙȘ ÙÔ˘ ∫¤ÓÙÚÔ˘ ‚È‚ÏÈÔıËÎÔÓfiÌÔ˜ Î. ∂˘ÁÂÓ›· ∫Ô˘Ú¤Ù·, ÔÈ ÂÚ¢ÓËÙ¤˜ ÙÔ˘ ∫¤ÓÙÚÔ˘ Î. πˆ¿ÓÓ˘ µÈÙ·ÏÈÒÙ˘ Î·È Î. πˆ¿ÓÓ· ÃÚÈÛÙÔÊÔÚ¿ÎË, ηıÒ˜ Î·È ÔÈ ÌÂÙ·Ù˘¯È·Î¤˜ ÊÔÈÙ‹ÙÚȘ ÙÔ˘ ¶·ÓÂÈÛÙËÌ›Ô˘ ∞ıËÓÒÓ Î. µ¿Ûˆ ∫ÏÒÙÛ· Î·È Î. ∫·ÙÂÚ›Ó· ¶¤·. TÔ ˘¿Ú¯ÔÓ ·fi ÙÔ 1990 ËÏÂÎÙÚÔÓÈÎfi ÚfiÁÚ·ÌÌ· ÂÎÛ˘Á¯ÚÔÓ›ÛıËΠ·fi ÙËÓ ÂÙ·ÈÚ›· SilkTech Î·È Û˘ÁÎÂÎÚÈ̤ӷ ·fi ÙËÓ ÚÔÁÚ·ÌÌ·Ù›ÛÙÚÈ· Î. µÔ‡Ï· µÂÚÁ¤ÙË ÛÂ Û˘ÓÂÚÁ·Û›· Ì ÙËÓ Î. ŸÏÁ· ∫·Ú·ÁÈÒÚÁÔ˘. √ Û˘ÓÙÔÓÈÛÌfi˜ ÙˆÓ ‰È¿ÊÔÚˆÓ Ê¿ÛÂˆÓ ÙÔ˘ ÂÁ¯ÂÈÚ‹Ì·ÙÔ˜ ‰ÈÂÎÂÚ·ÈÒıËΠ·fi ÙË ‰È¢ı‡ÓÔ˘Û· ÙÔ ∫¤ÓÙÚÔ Î·È ˘‡ı˘ÓË ÙÔ˘ ÂÚ¢ÓËÙÈÎÔ‡ ÚÔÁÚ¿ÌÌ·ÙÔ˜ Î. πˆ¿ÓÓ· ª›ı·. ∆¤ÏÔ˜, ıÂṲ́˜ ¢¯·ÚÈÛٛ˜ ·¢ı‡ÓÔ˘Ì ÛÙÔ˘˜ Û˘Ó·‰¤ÏÊÔ˘˜ –ÂÚÈÛÛfiÙÂÚÔ˘˜ ·fi ‰È·ÎfiÛÈÔ˘˜– Ô˘ ·Ô‰¤¯ıËÎ·Ó ÙËÓ ÚfiÛÎÏËÛË Î·È ¤ıÂÛ·Ó ÛÙË ‰È¿ıÂÛ‹ Ì·˜ ηٿÏÔÁÔ ÙˆÓ ‰ËÌÔÛÈÂ˘Ì¿ÙˆÓ ÙÔ˘˜. ∂Ï›˙ÔÌ fiÙÈ, ·Ú¿ ÙȘ ·Ó·fiÊ¢ÎÙ˜ ·Ú·Ï›„ÂȘ, Ë Û˘Ó·ÁˆÁ‹ ·˘Ù‹ ı· Ê·Ó› ¯Ú‹ÛÈÌË ÛÙÔ˘˜ ÂӉȷÊÂÚÔ̤ÓÔ˘˜ Û˘Ó·‰¤ÏÊÔ˘˜.

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BIBLIOGRAPHIE DE L’ART BYZANTIN ET POSTBYZANTIN BIB§IO°PAºIA TH™ BYZANTINH™ KAI TH™ METABYZANTINH™ TEXNH™ LES PUBLICATIONS PRÉCÉDENTES – OI ¶POH°OYMENE™ EK¢O™EI™

ñ Bibliographie de l’Art Byzantin et Post-byzantin (1950-1965), publiée à l’occasion du Ier Congrès International des Études Balkaniques et Sud-Est Européenes (Sofia, Août 1966), Comité National Hellénique de l’Association Internationale d’Études du Sud-Est Européen, Athènes 1966. ñ Bibliographie de l’Art Byzantin et Post-byzantin (1945-1969), publiée à l’occasion du IIe Congrès International des Études Balkaniques et Sud-Est Européenes (Athènes, Mai 1970), Comité National Hellénique de l’Association Internationale d’Études du Sud-Est Européen, Athènes 1970. ñ ∂ÏÏËÓÈ΋ µÈ‚ÏÈÔÁÚ·Ê›· µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∆¤¯Ó˘ (19701974), ¢Ã∞∂, ÂÚ. ¢’, Ù. ∑’ (1974), Û. 160-207. ñ Bibliographie Byzantine. Publications des byzantinistes Grecs (1975-1990), publiée à l’occasion du XVIIIe Congrès International d’Études Byzantines (Moscou, 1991), Association Internationale des Études Byzantines, Comité Hellénique des Études Byzantines, Athènes 1991, Û. 107-295. ñ Bibliographie de l’Art Byzantin et Postbyzantin. La contribution grecque (19911996), publiée à l’occasion du XIXe Congrès International des Études Byzantines (Copenhague, 1996), Académie d’Athènes – Centre de Recherches d’Art Byzantin et Postbyzantin, Athènes 1996. ñ Bibliographie de l’Art Byzantin et Postbyzantin. La contribution grecque (19962000), publiée à l’occasion du XXe Congrès International des Études Byzantines (Paris, 2001), Académie d’Athènes – Centre de Recherches d’Art Byzantin et Postbyzantin, Athènes 2001. ñ Bibliographie de l’Art Byzantin et Postbyzantin. La contribution grecque (20012005), publiée à l’occasion du XXIe Congrès International des Études Byzantines (Londres, 2006), Académie d’Athènes – Centre de Recherches d’Art Byzantin et Postbyzantin, Athènes 2006.

NOTE DE LA RÉDACTION Afin de faciliter l’identification des abréviations, à part l’utilisation des mots-clés caractéristiques, on a ajouté des informations concernant la publication. Plus précisément: ñ Les abréviations des actes ou des résumés de Congrès sont suivies de la mention du mot ¶Ú·ÎÙÈο (= Actes) ou ¶ÂÚÈÏ‹„ÂȘ (= Résumés) et de la date de l’édition, p.ex. ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο ou ∞∂£™∂ 3 (2009), ¶ÂÚÈÏ‹„ÂȘ. ñ Les abréviations des Hommages sont constituées par le nom et la première lettre du prénom de la personne honorée, suivis par la date de l’édition du volume, p.ex. ª¶√Àƒ∞™ Ã. (2009). Quand il s’agit d’une personne décédée le mot MÓ‹ÌË (= Mémoire) a été ajouté avant la date, p.ex. ¶∞¶∞¢∞∫∏-OEKLAND ™Ù. ªÓ‹ÌË (2009). ñ Les abréviations des Catalogues d’expositions sont constituées par le titre de l’exposition, la ville où l’exposition a eu lieu, et la date de l’édition du catalogue, p.ex. Athos [Helsinki 2006]. ñ Les abréviations des Catalogues d’expositions permanentes des musées sont constituées par le mot ªÔ˘ÛÂ›Ô (= Musée) suivi par la date de l’édition qui est précédée par les lettres M∂ (= ªfiÓÈÌË ¤ÎıÂÛË = collection permanente), p.ex. ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008]. ™∏ª∂πøª∞ ∆∏™ ™À¡∆∞•∏™ √È Û˘ÓÙÔÌÔÁڷʛ˜ ·ÔÙÂÏÔ‡ÓÙ·È ·fi ϤÍÂȘ-ÎÏÂȉȿ Î·È ÚÔ˜ ‰È¢ÎfiÏ˘ÓÛË Ù˘ ¿ÌÂÛ˘ ·Ó·ÁÓÒÚÈÛ‹˜ ÙÔ˘˜ ¤¯ÂÈ ˘ÈÔıÂÙËı› ÙÔ ·Ú·Î¿Ùˆ Û‡ÛÙËÌ·: ñ √È Û˘ÓÙÔÌÔÁڷʛ˜ Ô˘ ·ÊÔÚÔ‡Ó ™˘Ó¤‰ÚÈ· ¤¯Ô˘Ó ÛÙÔ Ù¤ÏÔ˜ ÙË Ï¤ÍË ¶Ú·ÎÙÈο ‹ ¶ÂÚÈÏ‹„ÂȘ, .¯. ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο ‹ ∞∂£™∂ 3 (2009), ¶ÂÚÈÏ‹„ÂȘ, fiÔ˘ ÙÔ ¤ÙÔ˜ ÂÓÙfi˜ ·ÚÂÓı¤ÛÂˆÓ ‰ËÏÒÓÂÈ ÙÔ ¤ÙÔ˜ ‰ËÌÔÛ›Â˘Û‹˜ ÙÔ˘˜. ñ √È Û˘ÓÙÔÌÔÁڷʛ˜ Ô˘ ·ÊÔÚÔ‡Ó ∆ÈÌËÙÈÎÔ‡˜ ÙfiÌÔ˘˜ ·ÔÙÂÏÔ‡ÓÙ·È ·fi ÙÔ ÂÒÓ˘ÌÔ Î·È ÙÔ ·Ú¯ÈÎfi ÁÚ¿ÌÌ· ÙÔ˘ ÔÓfiÌ·ÙÔ˜ ÙÔ˘ ÙÈ̤̈ÓÔ˘ ÚÔÛÒÔ˘ Î·È ÙÔ ¤ÙÔ˜ ¤Î‰ÔÛ˘ ÂÓÙfi˜ ·ÚÂÓı¤ÛˆÓ, .¯. ª¶√Àƒ∞™ X. (2009). ™Â ÂÚ›ÙˆÛË ÙÈÌËÙÈÎÔ‡ ÙfiÌÔ˘ ÁÈ· ¿ÙÔÌÔ Ô˘ ‰ÂÓ Â›Ó·È ÂÓ ˙ˆ‹, Ô ÚÔ·Ó·ÊÂÚı›˜ Ù‡Ô˜ Û˘ÓÙÔÌÔÁÚ·Ê›·˜ ·ÎÔÏÔ˘ıÂ›Ù·È ·fi ÙË Ï¤ÍË ªÓ‹ÌË, .¯. ¶∞¶∞¢∞∫∏-OEKLAND ™Ù., ªÓ‹ÌË (2009). ñ √È Û˘ÓÙÔÌÔÁڷʛ˜ Ô˘ ·ÊÔÚÔ‡Ó ∫·Ù·ÏfiÁÔ˘˜ ∂Îı¤ÛÂˆÓ ·ÎÔÏÔ˘ıÔ‡ÓÙ·È ·fi ·Á·Ϙ Ô˘ ÂÚÈÏ·Ì‚¿ÓÔ˘Ó ÙËÓ fiÏË fiÔ˘ Ú·ÁÌ·ÙÔÔÈ‹ıËÎÂ Ë ¤ÎıÂÛË Î·È ÙÔ ¤ÙÔ˜ ¤Î‰ÔÛ˘, .¯. Athos [Helsinki 2006]. ñ √È Û˘ÓÙÔÌÔÁڷʛ˜ Ô˘ ·ÊÔÚÔ‡Ó ∫·Ù·ÏfiÁÔ˘˜ ∂Îı¤ÛÂˆÓ ÌfiÓÈÌˆÓ Û˘ÏÏÔÁÒÓ ·Ú¯›˙Ô˘Ó Ì ÙË Ï¤ÍË ªÔ˘Û›Ô, ÂÓÒ ÂÓÙfi˜ ·Á΢ÏÒÓ ˘¿Ú¯Ô˘Ó Ù· ÁÚ¿ÌÌ·Ù· ª∂ (= ªfiÓÈÌË ¤ÎıÂÛË) Î·È ÙÔ ¤ÙÔ˜ ¤Î‰ÔÛ˘, .¯. ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008].

ABRÉVIATIONS – ™YNTOMO°PAºIE™ REVUES – ¶EPIO¢IKA ∞∞∞ ÕÁ΢ڷ ∞¢ ∞∂ ∞∂˘‚ª ∞Ú¯·ÈÔÏÔÁ›· Î·È ∆¤¯Ó˜ ∞ø µ˘˙·ÓÙȷο µ˘˙·ÓÙÈÓ¿

µ˘˙¢fiÌÔ˜ ¢ÂοÙË ¢∫ª™ ¢˘ÙÈÎÔ̷ΉÔÓÈο ÁÚ¿ÌÌ·Ù· ¢Ã∞∂ ¢ˆ‰∞گ›ÔÓ ¢ˆ‰ÃÚ ¢ˆ‰ÒÓË

∂ÁÓ·Ù›·

∂∂µ™ ∂∂£ÂÔÏ™¶∞ ∂∂πª¶Ã ∂∂§Â˘Îª ∂Î ÃÈÔÓ¿‰ˆÓ

∞Ú¯·ÈÔÏÔÁÈο AÓ¿ÏÂÎÙ· ÂÍ ∞ıËÓÒÓ, ∞ı‹Ó· ÕÁ΢ڷ: ¢ÂÏÙ›Ô Ù˘ ∫·˚Ú›Ԣ µÈ‚ÏÈÔı‹Î˘, ÕÓ‰ÚÔ˜ ∞Ú¯·ÈÔÏÔÁÈÎfiÓ ¢ÂÏÙ›ÔÓ, ª¤ÚÔ˜ ∞' ªÂϤÙ˜, ª¤ÚÔ˜ µ' ÃÚÔÓÈο, ∞ı‹Ó· ∞Ú¯·ÈÔÏÔÁÈ΋ EÊËÌÂÚ›˜, ∞ı‹Ó· ∞گ›ÔÓ ∂˘‚Ô˚ÎÒÓ ªÂÏÂÙÒÓ, ∞ı‹Ó· ∆ÚÈÌËÓÈ·›Ô ÂÚÈÔ‰ÈÎfi (ÂΉ. ÕÓÓ· §·ÌÚ¿ÎË), ∞ı‹Ó· ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÙÔ˘ ™˘ÏÏfiÁÔ˘ ÀÔÙÚfiÊˆÓ ÙÔ˘ ∫ÔÈÓˆÊÂÏÔ‡˜ π‰Ú‡Ì·ÙÔ˜ ∞.™. øÓ¿Û˘, ∞ı‹Ó· ∂ÈÛÙËÌÔÓÈÎfi ŸÚÁ·ÓÔ Ù˘ ∂ÏÏËÓÈ΋˜ πÛÙÔÚÈ΋˜ ∂Ù·ÈÚ›·˜, £ÂÛÛ·ÏÔÓ›ÎË ∂Ù‹ÛÈ· ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÙÔ˘ ∫¤ÓÙÚÔ˘ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ (KBE) Ù˘ ºÈÏÔÛÔÊÈ΋˜ ™¯ÔÏ‹˜ ÙÔ˘ ∞ÚÈÛÙÔÙÂÏ›Ԣ ¶·ÓÂÈÛÙËÌ›Ô˘, £ÂÛÛ·ÏÔÓ›ÎË µ˘˙·ÓÙÈÓfi˜ ¢fiÌÔ˜. ¶ÂÚÈÔ‰ÈÎfi ÌÂ۷ȈÓÈ΋˜ ÂÏÏËÓÈ΋˜ ÈÛÙÔÚ›·˜ Î·È ÔÏÈÙÈÛÌÔ‡, ∞ı‹Ó· ∏ ¢ÂοÙË. ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË Ù˘ 10˘ ∂ÊÔÚ›·˜ µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, ¶ÔχÁ˘ÚÔ˜ ¢ÂÏÙ›Ô ∫¤ÓÙÚÔ˘ ªÈÎÚ·ÛÈ·ÙÈÎÒÓ ™Ô˘‰ÒÓ, ∞ı‹Ó· ∂Ù‹ÛÈÔ ÂÚÈÔ‰ÈÎfi Û‡ÁÁÚ·ÌÌ· ÙˆÓ ··ÓÙ·¯Ô‡ ¢˘ÙÈÎÔ̷ΉfiÓˆÓ, KÔ˙¿ÓË ¢ÂÏÙ›ÔÓ Ù˘ ÃÚÈÛÙÈ·ÓÈ΋˜ ∞Ú¯·ÈÔÏÔÁÈ΋˜ ∂Ù·ÈÚ›·˜, ∞ı‹Ó· ¢ˆ‰ÂηÓËÛÈ·Îfi ∞گ›Ô, ∞ı‹Ó·: ¢ˆ‰ÂηÓËÛȷ΋ IÛÙÔÚÈ΋ Î·È §·ÔÁÚ·ÊÈ΋ ∂Ù·ÈÚ›· ¢ˆ‰ÂηÓËÛȷο ÃÚÔÓÈο. ∂Ù‹ÛÈ· ÂÚÈÔ‰È΋ ¤Î‰ÔÛË Ù˘ ™Ù¤Á˘ °Ú·ÌÌ¿ÙˆÓ Î·È ∆¯ÓÒÓ ¢ˆ‰ÂηӋÛÔ˘ ∂ÈÛÙËÌÔÓÈ΋ ∂ÂÙËÚ›‰· ÙÔ˘ ∆Ì‹Ì·ÙÔ˜ πÛÙÔÚ›·˜ Î·È ∞Ú¯·ÈÔÏÔÁ›·˜ Ù˘ ºÈÏÔÛÔÊÈ΋˜ ™¯ÔÏ‹˜ ÙÔ˘ ¶·ÓÂÈÛÙËÌ›Ô˘ πˆ·ÓÓ›ÓˆÓ ∂ÈÛÙËÌÔÓÈ΋ ∂ÂÙËÚ›‰· Ù˘ ºÈÏÔÛÔÊÈ΋˜ ™¯ÔÏ‹˜ ÙÔ˘ ∆Ì‹Ì·ÙÔ˜ πÛÙÔÚ›·˜ Î·È ∞Ú¯·ÈÔÏÔÁ›·˜ ÙÔ˘ ∞ÚÈÛÙÔÙÂÏ›Ԣ ¶·ÓÂÈÛÙËÌ›Ô˘, £ÂÛÛ·ÏÔÓ›ÎË ∂ÂÙËÚ›˜ ∂Ù·ÈÚ›·˜ µ˘˙·ÓÙÈÓÒÓ ™Ô˘‰ÒÓ, ∞ı‹Ó· ∂ÈÛÙËÌÔÓÈ΋ ∂ÂÙËÚ›˜ £ÂÔÏÔÁÈ΋˜ ™¯ÔÏ‹˜ ¶·ÓÂÈÛÙËÌ›Ô˘ ∞ıËÓÒÓ ∂ÈÛÙËÌÔÓÈ΋ ∂ÂÙËÚ›‰· πÂÚ¿˜ ªËÙÚfiÔÏ˘ ¶¤ÙÚ·˜ Î·È ÃÂÚÚÔÓ‹ÛÔ˘ ∂ÂÙËÚ›˜ ∂Ù·ÈÚ›·˜ §Â˘Î·‰ÈÎÒÓ ªÂÏÂÙÒÓ ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÙÔ˘ ¶ÔÏÈÙÈÛÙÈÎÔ‡ ™˘ÏÏfiÁÔ˘ ÃÈÔÓ·‰ÈÙÒÓ

18

∂∫ªπªK‡ÎÎÔ˘ ∂ÏÈÌÂȷο ∂Ó·ÙÂÓ›ÛÂȘ

∂ÂÙËÚ›‰· ∫∂∂ ∏϶ڈ٠∏ÂÈÚ°Ú

∏ÂÈÚÃÚ ∏ÂÈÚˆÙÒÓ ∫ÔÈÓfiÓ £·Ûȷο £ÂÔÏÔÁ›· £ÂÛÛ·ÏÔÓÈΤˆÓ fiÏȘ £ÂÛÛ∏Ì £ËÛ·˘Ú›ÛÌ·Ù· £Ú·ÎÈ΋ ∂ÂÙËÚ›‰·

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EÈÛÙËÌÔÓÈ΋ ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÙÔ˘ ÙÌ‹Ì·ÙÔ˜ IÛÙÔÚ›·˜ ÙÔ˘ IÔÓ›Ô˘ ¶·ÓÂÈÛÙËÌ›Ô˘, K¤Ú΢ڷ

∫·Ú·ıȷο

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ABC ABzF Antiquité Tardive Archeologia Medievale ASAtene BCH

19 ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË Ù˘ ∂Ù·ÈÚ›·˜ ª·Î‰ÔÓÈÎÒÓ ™Ô˘‰ÒÓ, £ÂÛÛ·ÏÔÓ›ÎË ªÔ˘ÛÂ›Ô µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡. ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ ªÔ˘Û›Ԣ £ÂÛÛ·ÏÔӛ΢ ªÂÏÂÙ‹Ì·Ù· ∏Ì·ı›·˜. ∂Ù‹ÛÈÔ ÂÈÛÙËÌÔÓÈÎfi ÂÚÈÔ‰ÈÎfi Ù˘ ∂Ù·ÈÚ›·˜ ÁÈ· ÙË ªÂϤÙË Ù˘ πÛÙÔÚ›·˜ Î·È ÙÔ˘ ¶ÔÏÈÙÈÛÌÔ‡ ÙÔ˘ ¡ÔÌÔ‡ ∏Ì·ı›·˜ (∂ªπ¶∏), µ¤ÚÔÈ· ªÓËÌÂ›Ô Î·È ¶ÂÚÈ‚¿ÏÏÔÓ. ∂Ù‹ÛÈ· ÂÈÛÙËÌÔÓÈ΋ (Ì ÎÚÈÙ¤˜) ÂÚÈÔ‰È΋ ¤Î‰ÔÛË Ù˘ ∞›ÌÔ˜-∂ªª∞µ¶ ÁÈ· ÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÎÏËÚÔÓÔÌÈ¿, ÙËÓ ÈÛÙÔÚ›· Î·È ÙËÓ ÚÔÛÙ·Û›· Ù˘, £ÂÛÛ·ÏÔÓ›ÎË ∆Ô ÂÙ‹ÛÈÔ ÂÚÈÔ‰ÈÎfi ÙÔ˘ ªÔ˘Û›Ԣ ªÂÓ¿ÎË, ∞ı‹Ó· ¡¤· ™ÈÒÓ. ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÙÔ˘ ·ÙÚÈ·Ú¯Â›Ô˘ πÂÚÔÛÔχ̈Ó. πÂÚÔÛfiÏ˘Ì·, ∞ı‹Ó· ¡‹ÛÔ˜ ÕÓ‰ÚÔ˜. ¶·Ú¿‰ÔÛË, ¶ÔÏÈÙÈÛÌfi˜, ¶ÂÚÈ‚¿ÏÏÔÓ, ∞Ó¿Ù˘ÍË, ∫ÔÈÓˆÓ›·. ∂Ù‹ÛÈ· ÂÚÈÔ‰È΋ ¤Î‰ÔÛË, ∞ı‹Ó· ¶Ú·ÎÙÈο Ù˘ ∞η‰ËÌ›·˜ ∞ıËÓÒÓ, ∞ı‹Ó· ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË Ù˘ ∂Ù·ÈÚ›·˜ ¶ÂÏÔÔÓÓËÛÈ·ÎÒÓ ™Ô˘‰ÒÓ, ∞ı‹Ó· ∂ÈÛÙËÌÔÓÈ΋ ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÙÔ˘ ¶ÔÏÈÙÈÛÙÈÎÔ‡ ∞Ó·Ù˘ÍÈ·ÎÔ‡ ∫¤ÓÙÚÔ˘ £Ú¿Î˘, •¿ÓıË ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË Ù˘ πÔÓ›Ô˘ ∂Ù·ÈÚ›·˜ πÛÙÔÚÈÎÒÓ ªÂÏÂÙÒÓ, ∫¤Ú΢ڷ ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË Ù˘ ∫ÔÈÓˆÊÂÏÔ‡˜ ∂ȯ›ÚËÛ˘ ¶ÔÏÏ·Ï‹˜ ∞Ó¿Ù˘Í˘ (∫.∂.¶∞) ÙÔ˘ ¢‹ÌÔ˘ µ¤ÚÔÈ·˜ ∂Í·ÌËÓÈ·›· ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÈÛÙÔÚÈÎÒÓ ÛÔ˘‰ÒÓ, ∞ı‹Ó·: ª¤ÏÈÛÛ· ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÙÔ˘ ∫¤ÓÙÚÔ˘ ∂ÏÏËÓÈ΋˜ Î·È ƒˆÌ·˚΋˜ ∞Ú¯·ÈfiÙËÙÔ˜ (∫.∂.ƒ.∞.) ÙÔ˘ ∂ıÓÈÎÔ‡ π‰Ú‡Ì·ÙÔ˜ ∂Ú¢ÓÒÓ, ∞ı‹Ó· ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË Ù˘ ∂Ù·ÈÚ›·˜ ∆ËÓÈ·ÎÒÓ ªÂÏÂÙÒÓ, ∞ı‹Ó· ¶ÂÚÈÔ‰È΋ ¤Î‰ÔÛË ÙÔ˘ ºÈÏÔÏÔÁÈÎÔ‡ πÛÙÔÚÈÎÔ‡ §ÔÁÔÙ¯ÓÈÎÔ‡ ™˘Ó‰¤ÛÌÔ˘ (º.π.§√.™) ∆ÚÈοψÓ, ∆ڛηϷ Analytical and Bioanalytical Chemistry Acta Byzantina Fennica. An annual, refereed journal, published by the Finnish Society for Byzantine Studies Revue internationale d’histoire et d’archéologie (IVe - VIIIe siècles) publiée par l’Association pour l’Antiquité tardive Rivista annuale fondata da Riccardo Francovich, Firenze Annuario della Scuola Archeologica di Atene a delle Missioni Italiane in Oriente Bulletin de Correspondance Hellénique

20 BMGS BMSAP ByzSl ByzSym BZ

ABRÉVIATIONS – ™YNTOMO°PAºIE™ Byzantine and Modern Greek Studies Bulletins et Mémoires de la Société d’Anthropologie de Paris Byzantinoslavica µ˘˙·ÓÙÈÓ¿ ™‡ÌÌÂÈÎÙ·. ∞ı‹Ó·: ∂ıÓÈÎfi ÿ‰Ú˘Ì· ∂Ú¢ÓÒÓ, πÓÛÙÈÙÔ‡ÙÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ Byzantinische Zeitschrift

CahArch Cahiers Archéologiques CercNum Cercet™ri numismatice. Muzeul na∑ional de istorie Collectanea Christiana Orientalia Collectanea Christiana Orientalia. An International Journal related to Christian Studies published by the University of Cordoba DOP

Dumbarton Oaks Papers

Gephyra

Journal of Ancient History and Culture on the Territory of Modern Turkey, Akdeniz University, Antalya English-language journal of the International Center of Medieval Art (ICMA), New York Odeljenje istorijskih nauka, Académie serbe des sciences et des arts, Classe des sciences historiques, Belgrade

Gesta Glas Hesperia

The Journal of the American School of Classical Studies at Athens

IJO

International Journal of Osteoarchaeology, http://www3. interscience.wiley.com/journal/5488/home ILISSIA. A biannual museological journal published by the Byzantine and Christian Museum, Athens

Ilissia JÖB Journal of Glass Studies JRA JSAS JTAC

Jahrbuch der österreichischen Byzantinistik The Journal of Glass Studies. Annual journal of the Corning Museum of Glass, New York Journal of Roman Archaeology Journal of the Serbian Archaeological Society Journal of Thermal Analysis and Calorimetry (JTAC), published by Springer Science and Business Media in cooperation with Akadémiai Kiadó

MitChrA Monumentet MSpätAByz

Mitteilungen zur Christlichen Archäologie Instituti i Monumenteve të Kulturës, Tirana Mitteilungen zur Spätantiken Archäologie und Byzantinischen Kunstgeschichte (Verein Spätantike Archäologie und Byzantinische Kunstgeschichte, München)

NC

The Numismatic Chronicle, published annualy by The Royal Numismatic Society, London The Numismatic Circular, published five times a year by Spink, London The Journal of the International Society for the Study of

NCirc Peregrinations

REVUES – ¶EPIO¢IKA ñ CONGRÈS – ™YNE¢PIA

21

PMFIA

Pilgrimage Art, published online 3-4 times annually, http://peregrinations.kenyon.edu/about.html. Papers and Monographs of the Finnish Institute at Athens

RCRFA

Rei Cretariae Romanae Fautorum Acta

REB

Revue des Études byzantines

RömQSchr

Römische Quartalschrift für christliche Altertumskunde und für Kirchengeschichte

SBS

Studies in Byzantine Sigillography 9 (2006), eds. Cheynet J.Cl., Sode Cl.

Scriptorium

A biyearly, multilingual, international publication of mediaeval manuscripts studies, Institut de Recherche et d'Histoire des Textes (IRHT), Paris

The Historical Review / La Revue Historique

Annual journal of the Institute for Neohellenic Research of the Natinal Research Foundation, http://www.historicalreview. org/index.php/historicalReview A bilingual Modern Greek-English periodical, published annually by the Gennadius Library The Paper Conservator. Official journal of ICON (Institute of Conservation), London

The New Griffon The Paper Conservator Zograf ZRVI

Annual journal of the University of Belgrade, Serbia. Zbornik Radova Vizantinolo‰kog Instituta. Recueil des travaux de l'Institut d'études byzantines, Belgrade

` S – ™À¡∂¢ƒπA CONGRE ÕÁÈÔÓ ŸÚÔ˜ 2 (2006), ¶Ú·ÎÙÈο

µ’ ¢ÈÂıÓ¤˜ ™˘ÌfiÛÈÔ Ù˘ ∂Ù·ÈÚ›·˜ ª·Î‰ÔÓÈÎÒÓ ™Ô˘‰ÒÓ «ÕÁÈÔÓ ŸÚÔ˜ - ¶ÓÂ˘Ì·ÙÈÎfiÙËÙ· Î·È √ÚıÔ‰ÔÍ›·, ∆¤¯ÓË» (£ÂÛÛ·ÏÔÓ›ÎË, 11-13 ¡ÔÂÌ‚Ú›Ô˘ 2005), ¶Ú·ÎÙÈο, £ÂÛÛ·ÏÔÓ›ÎË: ∂Ù·ÈÚ›· ª·Î‰ÔÓÈÎÒÓ ™Ô˘‰ÒÓ, 2006.

∞ÁÈÔÚ∂ÛÙ›·˜ 3: ∞fi ÙÔÓ ¢ÈÔÓ‡ÛÈÔ ∞fi ÙÔÓ ¢ÈÔÓ‡ÛÈÔ ÂÎ ºÔ˘ÚÓ¿ ÛÙÔÓ ºÒÙË ∫fiÓÙÔÁÏÔ˘ Î·È ÂÎ ºÔ˘ÚÓ¿ ÛÙÔÓ ºÒÙË ∫fiÓÙÔÁÏÔ˘ ÛÙ· Û‡Á¯ÚÔÓ· ÂÈÎÔÓÔÁÚ·ÊÈο ÂÚÁ·ÛÙ‹ÚÈ· ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜. (2008), ¶ÂÚÈÏ‹„ÂȘ ∞ÁÈÔÚÂÈÙÈ΋ ∂ÛÙ›·: °’ EÈÛÙËÌÔÓÈÎfi ™˘Ó¤‰ÚÈÔ, ¢ËÌ‹ÙÚÈ· 2008 (£ÂÛÛ·ÏÔÓ›ÎË, 7-9 ¡ÔÂÌ‚Ú›Ô˘ 2008), ¶ÂÚÈÏ‹„ÂȘ ·Ó·ÎÔÈÓÒÛˆÓ, £ÂÛÛ·ÏÔÓ›ÎË 2008. ∞ÁÈÔÚ∂ÛÙ›·˜ 5: ∞Á›Ô˘ ŸÚÔ˘˜ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2010), ¶ÂÚÈÏ‹„ÂȘ

∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜. πÛÙÔÚ›· Î·È ¤Ú¢ӷ. ∞ÁÈÔÚÂÈÙÈ΋ ∂ÛÙ›·: ∂’ ∂ÈÛÙËÌÔÓÈÎfi ™˘Ó¤‰ÚÈÔ (£ÂÛÛ·ÏÔÓ›ÎË, 22-24 √ÎÙˆ‚Ú›Ô˘ 2010), ¶ÂÚÈÏ‹„ÂȘ ·Ó·ÎÔÈÓÒÛˆÓ, £ÂÛÛ·ÏÔÓ›ÎË 2010.

ÕÁÈÔ˜ ¡ÂfiÊ˘ÙÔ˜ Ô ŒÁÎÏÂÈÛÙÔ˜ (2010), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ∞’ ¢ÈÂıÓÔ‡˜ ™˘Ó‰ڛԢ «ÕÁÈÔ˜ ¡ÂfiÊ˘ÙÔ˜ Ô ŒÁÎÏÂÈÛÙÔ˜, πÛÙÔÚ›·, £ÂÔÏÔÁ›·, ¶ÔÏÈÙÈÛÌfi˜» (¶¿ÊÔ˜, 22.26.4.2009), ÂÈÌ. °ÈÔ‡ÏÙÛË µ., ¶¿ÊÔ˜: πÂÚ¿ µ·ÛÈÏÈ΋ ηÈ

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∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο

ABRÉVIATIONS – ™YNTOMO°PAºIE™ ™Ù·˘ÚÔËÁȷ΋ ªÔÓ‹ ∞Á›Ô˘ ¡ÂÔʇÙÔ˘, 2010 [=∂ÁÎÏÂÈÛÙÚȈÙÈο ∞Ó¿ÏÂÎÙ·, 1]. 1Ô ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ £ÂÛÛ·Ï›·˜ Î·È ™ÙÂÚ¿˜ ∂ÏÏ¿‰·˜, ¶Ú·ÎÙÈο ∂ÈÛÙËÌÔÓÈ΋˜ ™˘Ó¿ÓÙËÛ˘ (µfiÏÔ˜, 27 ºÂ‚ÚÔ˘·Ú›Ô˘ - 2 ª·ÚÙ›Ô˘ 2003), ÂÈÌ. ª·˙·Ú¿Î˘-∞ÈÓÈ¿Ó ∞., µfiÏÔ˜ 2006.

∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο

2Ô ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ £ÂÛÛ·Ï›·˜ Î·È ™ÙÂÚ¿˜ ∂ÏÏ¿‰·˜, ¶Ú·ÎÙÈο ∂ÈÛÙËÌÔÓÈ΋˜ ™˘Ó¿ÓÙËÛ˘ (µfiÏÔ˜, 16-19 ª·ÚÙ›Ô˘ 2006), ÂÈÌ. ª·˙·Ú¿Î˘-∞ÈÓÈ¿Ó ∞., µfiÏÔ˜ 2009.

∞∂£™∂ 3 (2009), ¶ÂÚÈÏ‹„ÂȘ

3Ô ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ £ÂÛÛ·Ï›·˜ Î·È ™ÙÂÚ¿˜ ∂ÏÏ¿‰·˜ 2006-2008. ∞fi ÙÔ˘˜ ¶ÚÔ˚ÛÙÔÚÈÎÔ‡˜ ÛÙÔ˘˜ ¡ÂfiÙÂÚÔ˘˜ ÃÚfiÓÔ˘˜ (µfiÏÔ˜, ¶·ÓÂÈÛÙ‹ÌÈÔ £ÂÛÛ·Ï›·˜, 12-15 ª·ÚÙ›Ô˘ 2009), ¶ÚfiÁÚ·ÌÌ· Î·È ÂÚÈÏ‹„ÂȘ, µfiÏÔ˜ 2009.

∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο

∆Ô ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ÛÙË ª·Î‰ÔÓ›· Î·È ÙË £Ú¿ÎË, ∫' ∂ÈÛÙËÌÔÓÈ΋ ™˘Ó¿ÓÙËÛË, ÂÈÌ. ∞‰¿Ì-µÂϤÓË ¶., ∆˙·Ó·‚¿ÚË ∫., £ÂÛÛ·ÏÔÓ›ÎË 2008.

∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο

∆Ô ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ÛÙË ª·Î‰ÔÓ›· Î·È ÛÙË £Ú¿ÎË, ∫∞' ∂ÈÛÙËÌÔÓÈ΋ ™˘Ó¿ÓÙËÛË, ÂÈÌ. ∞‰¿Ì-µÂϤÓË ¶., ∆˙·Ó·‚¿ÚË ∫., £ÂÛÛ·ÏÔÓ›ÎË 2010.

∞∂ª£ ∂¤ÙÂÈÔ˜ 20 ¯ÚfiÓˆÓ (2009), ¶Ú·ÎÙÈο

20 ¯ÚfiÓÈ·. ∆Ô ∞Ú¯·ÈÔÏÔÁÈÎfi ¤ÚÁÔ ÛÙË ª·Î‰ÔÓ›· Î·È ÛÙË £Ú¿ÎË. ∂ÂÙÂÈ·Îfi˜ ÙfiÌÔ˜, ÂÈÌ. ∞‰¿Ì-µÂϤÓË ¶., ∆˙·Ó·‚¿ÚË ∫., £ÂÛÛ·ÏÔÓ›ÎË: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡ Î·È ∆Ô˘ÚÈÛÌÔ‡, ∞ÚÈÛÙÔÙ¤ÏÂÈÔ ¶·ÓÂÈÛÙ‹ÌÈÔ, 2009.

∞πª√™ 1 (2006), ¶Ú·ÎÙÈο

∞›ÌÔ˜ – ∂Ù·ÈÚ›· ªÂϤÙ˘ Ù˘ ªÂ۷ȈÓÈ΋˜ ∞Ú¯ÈÙÂÎÙÔÓÈ΋˜ ÙˆÓ µ·ÏηӛˆÓ Î·È Ù˘ ¶ÚÔÛÙ·Û›·˜ Ù˘, ™ÂÌÈÓ¿ÚÈÔ 1Ô: µ˘˙·ÓÙÈÓ‹ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ Î·È §·ÙÚ¢ÙÈ΋ ¶Ú¿ÍË (ªË¯·ÓÈÒÓ· £ÂÛÛ·ÏÔӛ΢, 13 πÔ˘Ó›Ô˘ 2005), ¶Ú·ÎÙÈο, ÂÈÌ. ÷Ù˙ËÙڇʈÓÔ˜ ∂., ∫·Ú·ÁÈ¿ÓÓË ºÏ., £ÂÛÛ·ÏÔÓ›ÎË: University Studio Press, 2006.

∞πª√™ 2 (2008), ¶Ú·ÎÙÈο

∞›ÌÔ˜ – ∂Ù·ÈÚ›· ªÂϤÙ˘ Ù˘ ªÂ۷ȈÓÈ΋˜ ∞Ú¯ÈÙÂÎÙÔÓÈ΋˜ ÙˆÓ µ·ÏηӛˆÓ Î·È Ù˘ ¶ÚÔÛÙ·Û›·˜ Ù˘, ™ÂÌÈÓ¿ÚÈÔ 2Ô: ¶ÚÔÛÎÙ›ÛÌ·Ù· ÙˆÓ ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÒÓ, µ˘˙·ÓÙÈÓÒÓ Î·È ªÂÙ·‚˘˙·ÓÙÈÓÒÓ Ó·ÒÓ (£ÂÛÛ·ÏÔÓ›ÎË, ∞Ú¯·ÈÔÏÔÁÈÎfi ªÔ˘Û›Ô, 16 πÔ˘Ó›Ô˘ 2006), ¶Ú·ÎÙÈο, ÂÈÌ. ∫·Ú·ÁÈ¿ÓÓË ºÏ., £ÂÛÛ·ÏÔÓ›ÎË: University Studio Press, 2008.

∞πª√™ 3 (2009), ¶Ú·ÎÙÈο

∞›ÌÔ˜ – ∂Ù·ÈÚ›· ªÂϤÙ˘ Ù˘ ªÂ۷ȈÓÈ΋˜ ∞Ú¯ÈÙÂÎÙÔÓÈ΋˜ ÙˆÓ µ·ÏηӛˆÓ Î·È Ù˘ ¶ÚÔÛÙ·Û›·˜ Ù˘, ™ÂÌÈÓ¿ÚÈÔ 3Ô: ¶ÚÔÏ¿ÛÌ·Ù· ÛÙË ªÂ۷ȈÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋, µ˘˙¿ÓÙÈÔ, ¡∞ ∂˘ÚÒË, ∞Ó·ÙÔÏ›· (£ÂÛÛ·ÏÔÓ›ÎË, ∞Ú¯·ÈÔÏÔÁÈÎfi ªÔ˘Û›Ô, 1Ë πÔ˘Ó›Ô˘ 2007), ¶Ú·ÎÙÈο, ÂÈÌ. µ·Ú·Ï‹˜ π.¢., £ÂÛÛ·ÏÔÓ›ÎË: University Studio Press, 2009.

∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ŒÎÙÔ EÈÛÙËÌÔÓÈÎfi ™˘ÌfiÛÈÔ AÓ·Ûηʋ Î·È ŒÚ¢ӷ, ¶ÂÚÈÏ‹„ÂȘ VI: Afi ÙÔ ÂÚ¢ÓËÙÈÎfi ¤ÚÁÔ ÙÔ˘ TÔ̤· AÚ¯·ÈÔÏÔÁ›·˜ Î·È IÛÙÔÚ›·˜ Ù˘ T¤¯Ó˘ (¶·ÓÂÈÛÙ‹ÌÈÔ AıËÓÒÓ, 26-27 AÚÈÏ›Ô˘ 2007), ¶ÂÚÈÏ‹„ÂȘ ·Ó·ÎÔÈÓÒÛˆÓ, ∞ı‹Ó· 2007.

CONGRÈS – ™YNE¢PIA

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∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 7 (2009), Œ‚‰ÔÌÔ EÈÛÙËÌÔÓÈÎfi ™˘ÌfiÛÈÔ AÓ·Ûηʋ Î·È ŒÚ¢ӷ, ¶ÂÚÈÏ‹„ÂȘ VIπ: Afi ÙÔ ÂÚ¢ÓËÙÈÎfi ¤ÚÁÔ ÙÔ˘ TÔ̤· AÚ¯·ÈÔÏÔÁ›·˜ Î·È IÛÙÔÚ›·˜ Ù˘ T¤¯Ó˘ (¶·ÓÂÈÛÙ‹ÌÈÔ AıËÓÒÓ, 6-7 AÚÈÏ›Ô˘ 2009), ¶ÂÚÈÏ‹„ÂȘ ·Ó·ÎÔÈÓÒÛˆÓ, ∞ı‹Ó· 2009. ∞ÍÈÔÔ›ËÛË Î·È ·Ó¿‰ÂÈÍË / Enhancement and promotion (2006), ¶Ú·ÎÙÈο

∞ÍÈÔÔ›ËÛË Î·È ·Ó¿‰ÂÈÍË Ù˘ ÔÏÈÙÈÛÙÈ΋˜ ÎÏËÚÔÓÔÌÈ¿˜. ™ÂÌÈÓ¿ÚÈÔ ÛÙÔ Ï·›ÛÈÔ Ù˘ ∂ÏÏËÓÈ΋˜ ¶ÚÔ‰ڛ·˜ Ù˘ ∂˘Úˆ·˚΋˜ ŒÓˆÛ˘ ˘fi ÙËÓ ·ÈÁ›‰· ÙÔ˘ ÀÔ˘ÚÁ›Ԣ ¶ÔÏÈÙÈÛÌÔ‡ (∞ı‹Ó·-¢ÂÏÊÔ›, 17-19 ª·ÚÙ›Ô˘2003). ¶Ú·ÎÙÈο / Enhancement and promotion of Cultural Heritage. Seminar Held in the Context of the Greek Presidency of the European Union Under the Auspices of the Hellenic Ministry of Culture (Athens-Delphi, 17-19 March 2003). Proceedings, ∞ı‹Ó·/Athens: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, ∆·ÌÂ›Ô ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ¶fiÚˆÓ Î·È ∞·ÏÏÔÙÚÈÒÛˆÓ, ∂ÏÏËÓÈ΋ ¶ÚÔ‰ڛ· Ù˘ ∂˘Úˆ·˚΋˜ ŒÓˆÛ˘, 2006.

∞ÚÁÈı¤·˜ ∞ÁÚ¿ÊˆÓ πÛÙÔÚÈο 1 (2007), ¶Ú·ÎÙÈο

πÛÙÔÚÈο ∞ÚÁÈı¤·˜ ∞ÁڿʈÓ, ¶Ú·ÎÙÈο ∞’ ™˘Ó‰ڛԢ, ∏ ∞ÚÁÈı¤· ÛÙËÓ ∆Ô˘ÚÎÔÎÚ·Ù›· ˆ˜ ÙÔÓ 19Ô ·ÈÒÓ·, §ÂÔÓÙ›ÙÔ 2007.

∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο °’ ∆ÔÈÎÔ‡ ™˘Ó‰ڛԢ ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ (¡·‡ÏÈÔ, 18-20 ºÂ‚ÚÔ˘·Ú›Ô˘ 2005), ∞ı‹Ó·È 2006 [=¶ÂÏÔÔÓÓËÛȷο, ¶·Ú¿ÚÙËÌ· 26].

∞ÚÁÔÛ·ÚˆÓÈÎfi˜ 1 (2008), ¶Ú·ÎÙÈο

∞ÚÁÔÛ·ÚˆÓÈÎfi˜. ¶Ú·ÎÙÈο ∞’ ¢ÈÂıÓÔ‡˜ ™˘Ó‰ڛԢ πÛÙÔÚ›·˜ Î·È ∞Ú¯·ÈÔÏÔÁ›·˜ ÙÔ˘ ∞ÚÁÔÛ·ÚˆÓÈÎÔ‡ (¶fiÚÔ˜, 2629 πÔ˘Ó›Ô˘ 1998), ÂÈÌ. ∫ÔÓÛÔÏ¿ÎË-°È·ÓÓÔÔ‡ÏÔ˘ ∂., ∞ı‹Ó· 2008.

ÕÚÙ· 2 (2008), ¶Ú·ÎÙÈο

∏ µ˘˙·ÓÙÈÓ‹ ÕÚÙ· Î·È Ë ÂÚÈÔ¯‹ Ù˘, ¶Ú·ÎÙÈο µ’ ¢ÈÂıÓÔ‡˜ ∞Ú¯·ÈÔÏÔÁÈÎÔ‡ Î·È πÛÙÔÚÈÎÔ‡ ™˘Ó‰ڛԢ (ÕÚÙ·, 1214 ∞ÚÈÏ›Ô˘ 2002), ÂÈÌ. ™˘ÁΤÏÏÔ˘ ∂., ∞ı‹Ó· 2008.

∞Ú¯·›· ∂ÏÏËÓÈ΋ ∆¯ÓÔÏÔÁ›· 2 (2006), ¶Ú·ÎÙÈο

2Ô ¢ÈÂıÓ¤˜ ™˘Ó¤‰ÚÈÔ, ∞Ú¯·›· ∂ÏÏËÓÈ΋ ∆¯ÓÔÏÔÁ›· (∞ı‹Ó·, 17-21 √ÎÙˆ‚Ú›Ô˘ 2005), ∞ı‹Ó· 2006.

∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο

∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1. ¶Ú·ÎÙÈο Ù˘ 1˘ ™˘Ó¿ÓÙËÛ˘ (ƒ¤ı˘ÌÓÔ, 28-30 ¡ÔÂÌ‚Ú›Ô˘ 2008), ÂÈÌ. ∞Ó‰ÚÈ·Ó¿Î˘ ª., ∆˙·¯›ÏË π., ƒ¤ı˘ÌÓÔ 2010.

∞™¡¢∂ 1 (2006), ¶Ú·ÎÙÈο

∞’ ∞Ú¯·ÈÔÏÔÁÈ΋ ™‡ÓÔ‰Ô˜ ¡fiÙÈ·˜ Î·È ¢˘ÙÈ΋˜ ∂ÏÏ¿‰Ô˜. ™∆’ ∂ÊÔÚ›· ¶ÚÔ˚ÛÙÔÚÈÎÒÓ Î·È ∫Ï·ÛÈÎÒÓ ∞Ú¯·ÈÔًوÓ, 6Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ (¶¿ÙÚ·, 9-12 πÔ˘Ó›Ô˘ 1996). ¶Ú·ÎÙÈο, ∞ı‹Ó·: ∆∞¶∞, 2006.

µ·ÏηÓÈÎÒÓ πÛÙÔÚÈÎÒÓ ™Ô˘‰ÒÓ 2 (2009), ¶Ú·ÎÙÈο

µ’ ¢ÈÂıÓ¤˜ ™˘Ó¤‰ÚÈÔ µ·ÏηÓÈÎÒÓ πÛÙÔÚÈÎÒÓ ™Ô˘‰ÒÓ: ∏ ∫·‚¿Ï· Î·È Ù· µ·ÏοÓÈ· - ∏ ∫·‚¿Ï· Î·È ÙÔ ∞ÈÁ·›Ô, ∞fi ÙËÓ ·Ú¯·ÈfiÙËÙ· ̤¯ÚÈ Û‹ÌÂÚ·, πÛÙÔÚ›·-∆¤¯ÓË-¶ÔÏÈÙÈÛÌfi˜, πÛÙÔÚÈÎfi Î·È §ÔÁÔÙ¯ÓÈÎfi ∞Ú¯Â›Ô ∫·‚¿Ï·˜ (∫·‚¿Ï·, 1518 ™ÂÙÂÌ‚Ú›Ô˘ 2005), ¶Ú·ÎÙÈο, ∫·‚¿Ï· 2009.

µÂÓÂÙ›·-∂‡‚ÔÈ· (2006), ¶Ú·ÎÙÈο

µÂÓÂÙ›·-∂‡‚ÔÈ·: ∞fi ÙÔÓ ŒÁÚÈÔ ÛÙÔ ¡ÂÁÚÔfiÓÙÂ, ¶Ú·ÎÙÈο ¢ÈÂıÓÔ‡˜ ™˘Ó‰ڛԢ (÷ÏΛ‰·, 12-14 ¡ÔÂÌ‚Ú›Ô˘

24

ABRÉVIATIONS – ™YNTOMO°PAºIE™ 2004), ÂÈÌ. ª·ÏÙ¤˙Ô˘ ÃÚ., ¶··ÎÒÛÙ· ÃÚ., µÂÓÂÙ›·∞ı‹Ó· 2006.

µÈ‚ÏÈÔ‰ÂÛ›· ‚˘˙·ÓÙÈÓ‹ÌÂÙ·‚˘˙·ÓÙÈÓ‹ (2008), ¶Ú·ÎÙÈο

¢ÈÂıÓ¤˜ Û˘Ó¤‰ÚÈÔ «∆Ô ‚È‚Ï›Ô ÛÙÔ µ˘˙¿ÓÙÈÔ. µ˘˙·ÓÙÈÓ‹ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹ µÈ‚ÏÈÔ‰ÂÛ›·» (∞ı‹Ó·, 13-16 √ÎÙˆ‚Ú›Ô˘ 2005), ¶Ú·ÎÙÈο ÙÔ˘ ™˘Ó‰ڛԢ, ÂÈÌ. ∆ÛÈÚÒÓË ¡., ∞ı‹Ó· 2008 [=µÈ‚ÏÈÔ·ÌÊÈ¿ÛÙ˘ 3 (2008)].

µÔȈÙÈÎÒÓ ªÂÏÂÙÒÓ 6 (2010), ¶ÂÚÈÏ‹„ÂȘ

6ÔÓ ¢ÈÂıÓ¤˜ ™˘Ó¤‰ÚÈÔ µÔȈÙÈÎÒÓ ªÂÏÂÙÒÓ, ¶ÚfiÁÚ·ÌÌ· ∂ÚÁ·ÛÈÒÓ, §Â‚·‰ÂÈ¿: ∂Ù·ÈÚ›· µÔȈÙÈÎÒÓ ªÂÏÂÙÒÓ, 2010.

µ˘˙·ÓÙÈÓ‹ Ù¤¯ÓË Î·È ÔÚıfi‰ÔÍË ·Ú¿‰ÔÛË (2009), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ËÌÂÚ›‰·˜ «µ˘˙·ÓÙÈÓ‹ Ù¤¯ÓË Î·È ÔÚıfi‰ÔÍË ·Ú¿‰ÔÛË» (∞ı‹Ó·, √ÎÙÒ‚ÚÈÔ˜ 2009), ∞ı‹Ó·: ™‡ÏÏÔÁÔ˜ º›ÏˆÓ Ù˘ ¶·ÙÚÈ·Ú¯È΋˜ ªÂÁ¿Ï˘ ÙÔ˘ °¤ÓÔ˘˜ ™¯ÔÏ‹˜, 2009.

µ˘˙¿ÓÙÈÔ Î·È µÔ‡ÏÁ·ÚÔÈ (2008), ¶Ú·ÎÙÈο

¢ÈÂıÓ¤˜ ™˘ÌfiÛÈÔ «µ˘˙¿ÓÙÈÔ Î·È µÔ‡ÏÁ·ÚÔÈ (1018-1185)» (∞ı‹Ó·, 19-21 √ÎÙˆ‚Ú›Ô˘ 2000), ¢ÈÂıÓ‹ ™˘ÌfiÛÈ· 18, ∞ı‹Ó·, ∂ıÓÈÎfi ÿ‰Ú˘Ì· ∂Ú¢ÓÒÓ-πÓÛÙÈÙÔ‡ÙÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2008.

°·ÏËÓÔÙ¿ÙË / Serenissima (2009), H °·ÏËÓÔÙ¿ÙË Î·È Ë ∂˘ÁÂÓÂÛÙ¿ÙË, ÂÈÌ. ¡ÈÎÔÏ¿Ô˘-∫ÔÓ¶Ú·ÎÙÈο Ó·Ú‹ Õ., §Â˘ÎˆÛ›·: ¶ÔÏÈÙÈÛÙÈÎfi ÿ‰Ú˘Ì· ∆Ú·¤˙˘ ∫‡ÚÔ˘ / La Serenissima and La Nobilissima, ed. NicolaouKonnari A., Nicosia: Bank of Cyprus Cultural Foundation, 2009.

°¤ÚÔÓÙ·˜ πˆÛ‹Ê (2007), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ÙˆÓ ‰‡Ô ‰ÈÔÚıÔ‰fiÍˆÓ ÂÈÛÙËÌÔÓÈÎÒÓ Û˘Ó‰ڛˆÓ Ì ٛÙÏÔ «°¤ÚÔÓÙ·˜ πˆÛ‹Ê Ô ∏Û˘¯·ÛÙ‹˜ (1898-1959), ÕÁÈÔÓ ŸÚÔ˜ - ºÈÏÔηÏÈ΋ ÂÌÂÈÚ›·» (∞ı‹Ó·, 22-24 √ÎÙˆ‚Ú›Ô˘ 2004 Î·È §ÂÌÂÛfi˜, 21-23 √ÎÙˆ‚Ú›Ô˘ 2005), ÕÁÈÔÓ ŸÚÔ˜: πÂÚ¿ MÂÁ›ÛÙË MÔÓ‹ B·ÙÔ·È‰›Ô˘, 2007.

°Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο

°Ï˘ÙÈ΋ Î·È ÏÈıÔÍÔ˚΋ ÛÙË Ï·ÙÈÓÈ΋ ∞Ó·ÙÔÏ‹, 13Ô˜-17Ô˜ ·ÈÒÓ·˜, ¶Ú·ÎÙÈο ™˘ÌÔÛ›Ô˘ (ƒ¤ı˘ÌÓÔ, 4-6 √ÎÙˆ‚Ú›Ô˘ 2002), ÂÈÌ. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., ∏Ú¿ÎÏÂÈÔ: ¶·ÓÂÈÛÙËÌȷΤ˜ ÂΉfiÛÂȘ ∫Ú‹Ù˘, 2007.

¢ËÌ‹ÙÚÈ· 37-38, ™˘ÌfiÛÈÔ 16-17 ÃÚÈÛÙÈ·ÓÈ΋ £ÂÛÛ·ÏÔÓ›ÎË: √È ¿ÁÈÔÈ Ù˘ £ÂÛÛ·ÏÔӛ΢ (2009), ¶Ú·ÎÙÈο (∞): §∑’ ¢ËÌ‹ÙÚÈ·, ¶Ú·ÎÙÈο π™∆’ ¢ÈÂıÓÔ‡˜ ∂ÈÛÙËÌÔÓÈÎÔ‡ ™˘ÌÔÛ›Ô˘ (πÂÚ¿ ªÔÓ‹ µÏ·Ù¿‰ˆÓ, 7-9 ¡ÔÂÌ‚Ú›Ô˘ 2002) Î·È √È ¿ÁÈÔÈ Ù˘ £ÂÛÛ·ÏÔӛ΢ (µ): §∏’ ¢ËÌ‹ÙÚÈ·, ¶Ú·ÎÙÈο π∑’ ¢ÈÂıÓÔ‡˜ ∂ÈÛÙËÌÔÓÈÎÔ‡ ™˘ÌÔÛ›Ô˘ (πÂÚ¿ ªÔÓ‹ µÏ·Ù¿‰ˆÓ, 6-8 ¡ÔÂÌ‚Ú›Ô˘ 2003), £ÂÛÛ·ÏÔÓ›ÎË: University Studio Press, 2009.

¢ÔÌÈΤ˜ ηٷÛ΢¤˜ (2009), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.)

¶Ú·ÎÙÈο 1Ô˘ ∂ıÓÈÎÔ‡ ™˘Ó‰ڛԢ «πÛÙÔÚ›· ÙˆÓ ‰ÔÌÈÎÒÓ Î·Ù·Û΢ÒÓ» (•¿ÓıË, 29 ¡ÔÂÌ‚Ú›Ô˘-1 ¢ÂÎÂÌ‚Ú›Ô˘ 2007), ÂÈÌ. ª¿Úη˜ ¡., ∆Ì‹Ì· ∞Ú¯ÈÙÂÎÙfiÓˆÓ ªË¯·ÓÈÎÒÓ ¢¶£, æËÊȷ΋ ¤Î‰ÔÛË 06/2009.

¢Ô˘Î¿ÙÔ ∞ÈÁ·›Ô˘ / Ducato dell' Egeo (2009), ¶Ú·ÎÙÈο

∆Ô ¢Ô˘Î¿ÙÔ ÙÔ˘ ∞ÈÁ·›Ô˘. ¶Ú·ÎÙÈο ∂ÈÛÙËÌÔÓÈ΋˜ ™˘Ó¿ÓÙËÛ˘ (¡¿ÍÔ˜ - ∞ı‹Ó· 2007) / Il Ducato dell' Egeo, Atti dell' Incontro di Studio (Nasso - Atene 2007), eds. ªÔÛ¯ÔÓ¿˜ ¡., ™Ù˘ÏÈ·ÓÔ‡‰Ë §., ∞ı‹Ó·/Atene 2009.

CONGRÈS – ™YNE¢PIA ¢Ú¿Ì· 4 (2006), ¶Ú·ÎÙÈο

25 ¢’ ∂ÈÛÙËÌÔÓÈ΋ ™˘Ó¿ÓÙËÛË «∏ ¢Ú¿Ì· Î·È Ë ÂÚÈÔ¯‹ Ù˘, πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜» (¢Ú¿Ì·, 16-19 ª·˝Ô˘ 2002), ¶Ú·ÎÙÈο ™˘Ó¿ÓÙËÛ˘, ¢Ú¿Ì·: ¢ËÌÔÙÈ΋ ∂ȯ›ÚËÛË ∫ÔÈÓˆÓÈ΋˜, ¶ÔÏÈÙÈÛÙÈ΋˜ Î·È ∆Ô˘ÚÈÛÙÈ΋˜ ∞Ó¿Ù˘Í˘ ¢‹ÌÔ˘ ¢Ú¿Ì·˜ (¢.∂.∫.¶√.∆.∞.), 2006.

¢Ú¿Ì· 5 (2006), ¶ÂÚÈÏ‹„ÂȘ

∂’ ∂ÈÛÙËÌÔÓÈ΋ ™˘Ó¿ÓÙËÛË «∏ ¢Ú¿Ì· Î·È Ë ÂÚÈÔ¯‹ Ù˘, πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜» (¢ËÌÔÙÈÎfi ø‰Â›Ô ¢Ú¿Ì·˜, 18-21 ª·˝Ô˘ 2006), ¶ÂÚÈÏ‹„ÂȘ ∞Ó·ÎÔÈÓÒÛˆÓ, ¢Ú¿Ì·: ¢ËÌÔÙÈ΋ ∂ȯ›ÚËÛË ∫ÔÈÓˆÓÈ΋˜, ¶ÔÏÈÙÈÛÙÈ΋˜ Î·È ∆Ô˘ÚÈÛÙÈ΋˜ ∞Ó¿Ù˘Í˘ ¢‹ÌÔ˘ ¢Ú¿Ì·˜ (¢.∂.∫.¶√.∆.∞.), 2006.

¢‡ÌË (2006), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ÙÔ˘ ™˘Ó‰ڛԢ «¢‡ÌË: ºÚ·ÁÎÔÎÚ·Ù›·-µÂÓÂÙÔÎÚ·Ù›·-∞’ ∆Ô˘ÚÎÔÎÚ·Ù›·» (∫¿Ùˆ ∞¯·˝·, 1-2 √ÎÙˆ‚Ú›Ô˘ 2005), ÂÈÌ. ™·Ú¿ÓÙË ∂., 6Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ Î·È πÛÙÔÚÈ΋ Î·È ∂ıÓÔÏÔÁÈ΋ ∂Ù·ÈÚ›· Ù˘ ¶ÂÏÔÔÓÓ‹ÛÔ˘, ¶¿ÙÚ· 2006.

¢ˆ‰ÂηӋÛÔ˘ 13 (2007), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο π°’ ¶ÔÏÈÙÈÛÙÈÎÔ‡ Û˘ÌÔÛ›Ô˘ ¢ˆ‰ÂηӋÛÔ˘ (§ÂÈ„Ô›, 27-29 ∞˘ÁÔ‡ÛÙÔ˘ 2003) [= ¢ˆ‰ÃÚ 21 (2007)].

¢ˆ‰ÂηӋÛÔ˘ 14 (2008), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο π¢’ ¶ÔÏÈÙÈÛÙÈÎÔ‡ ™˘ÌÔÛ›Ô˘ ¢ˆ‰ÂηӋÛÔ˘ (ÿÏÎË, 6-8 πÔ˘Ï›Ô˘ 2005) [= ¢ˆ‰ÃÚ 22 (2008)].

∂Áη›ÓÈ· π. ¡. ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ª·ÚÎÔÔ‡ÏÔ˘ (2008), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ‰ÈËÌÂÚ›‰·˜ ·ÊÈÂڈ̤Ó˘ ÛÙ· 100 ¯ÚfiÓÈ· ·fi Ù· ÂÁη›ÓÈ· ÙÔ˘ πÂÚÔ‡ ¡·Ô‡ ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ª·ÚÎÔÔ‡ÏÔ˘, ∞Ú¯Âȷ΋ ¤Ú¢ӷ, ∞Ú¯ÈÙÂÎÙÔÓÈ΋, °Ï˘ÙÈ΋, ∑ˆÁÚ·ÊÈ΋ (ª·ÚÎfiÔ˘ÏÔ, 15-16 ª·˝Ô˘ 2004), ∞ı‹Ó· 2008.

Œ‰ÂÛÛ· 2 (2006), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο µ’ ¶·ÓÂÏÏ‹ÓÈÔ˘ ∂ÈÛÙËÌÔÓÈÎÔ‡ ™˘ÌÔÛ›Ô˘ Ì ı¤Ì· «∏ Œ‰ÂÛÛ· Î·È Ë ÂÚÈÔ¯‹ Ù˘. πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜» ( Œ‰ÂÛÛ·, 19-21 ™ÂÙÂÌ‚Ú›Ô˘ 1997), Œ‰ÂÛÛ· 2006.

∂ÏÏËÓÈ΋ ¶·Ï·ÈÔÁÚ·Ê›· 6 (2008), ¶Ú·ÎÙÈο

6Ô ¢ÈÂıÓ¤˜ ™˘ÌfiÛÈÔ ∂ÏÏËÓÈ΋˜ ¶·Ï·ÈÔÁÚ·Ê›·˜ (¢Ú¿Ì·, 21-27 ™ÂÙÂÌ‚Ú›Ô˘ 2003), ÂÈÌ. ∫·ÙÛ·Úfi˜ µ., ∆ÛÈÚÒÓË ¡., ∞ı‹Ó· 2008.

∂·Ú¯›· ∞Á›Ô˘ µ·ÛÈÏ›Ԣ (2008), ¶ÂÚÈÏ‹„ÂȘ

¢ÈÂıÓ¤˜ ÂÈÛÙËÌÔÓÈÎfi ™˘Ó¤‰ÚÈÔ: ∏ ÚÒËÓ Â·Ú¯›· ∞Á›Ô˘ µ·ÛÈÏ›Ԣ ·fi ÙËÓ ·Ú¯·ÈfiÙËÙ· ̤¯ÚÈ Û‹ÌÂÚ·. ¶ÂÚÈ‚¿ÏÏÔÓ-∞Ú¯·ÈÔÏÔÁ›·-πÛÙÔÚ›·-∫ÔÈÓˆÓ›· (™‹ÏÈ-¶Ï·ÎÈ¿˜, 1923 √ÎÙˆ‚Ú›Ô˘ 2008), ¶ÂÚÈÏ‹„ÂȘ ·Ó·ÎÔÈÓÒÛˆÓ, ™‹ÏȶϷÎÈ¿˜ 2008.

∂ÈÁÚ·ÊÈ΋ 2 (2009), ¶Ú·ÎÙÈο µ’ ¶·ÓÂÏÏ‹ÓÈÔ ™˘Ó¤‰ÚÈÔ ∂ÈÁÚ·ÊÈ΋˜ (£ÂÛÛ·ÏÔÓ›ÎË, 2425 ¡ÔÂÌ‚Ú›Ô˘ 2001) ¶Ú·ÎÙÈο (™ÙËÓ ÌÓ‹ÌË Ù˘ º·ÓԇϷ˜ ¶·¿˙ÔÁÏÔ˘), £ÂÛÛ·ÏÔÓ›ÎË 2009. ∂∆∂¶∞ª 1 (2006), ¶ÂÚÈÏ‹„ÂȘ / ∂∆∂¶∞ª 1 (2006), ¶Ú·ÎÙÈο, („ËÊ. ¤Î‰.)

1Ô ¶·ÓÂÏÏ‹ÓÈÔ ™˘Ó¤‰ÚÈÔ ∞Ó·ÛÙËÏÒÛÂˆÓ Ù˘ ∂Ù·ÈÚ›·˜ ŒÚ¢ӷ˜ Î·È ¶ÚÔÒıËÛ˘ Ù˘ ∂ÈÛÙËÌÔÓÈ΋˜ ∞Ó·ÛًψÛ˘ ªÓËÌ›ˆÓ (∂∆∂¶∞ª), (£ÂÛÛ·ÏÔÓ›ÎË, 14-17 πÔ˘Ó›Ô˘ 2006), ∆fiÌÔ˜ ¶ÂÚÈÏ‹„ˆÓ, £ÂÛÛ·ÏÔÓ›ÎË 2006. ¶Ú·ÎÙÈο ÙÔ˘ ™˘Ó‰ڛԢ, ÂÈÌ. £ÂÔ¯·Ú›‰Ô˘ ∫., æËÊÈ·Îfi˜ ‰›ÛÎÔ˜ ‰Â‰Ô̤ӈÓ, £ÂÛÛ·ÏÔÓ›ÎË 2006.

∂∆∂¶∞ª 2 (2009), ¶ÂÚÈÏ‹„ÂȘ

2Ô˘ ¶·ÓÂÏÏ‹ÓÈÔ ™˘Ó¤‰ÚÈÔ ∞Ó·ÛÙËÏÒÛÂˆÓ Ù˘ ∂Ù·ÈÚ›·˜

26 / ∂∆∂¶∞ª 2 (2009), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.)

ABRÉVIATIONS – ™YNTOMO°PAºIE™ ŒÚ¢ӷ˜ Î·È ¶ÚÔÒıËÛ˘ Ù˘ ∂ÈÛÙËÌÔÓÈ΋˜ ∞Ó·ÛًψÛ˘ ªÓËÌ›ˆÓ (∂∆∂¶∞ª), (∞ı‹Ó·, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË, 21-24 ª·˝Ô˘ 2009), ∆fiÌÔ˜ ¶ÂÚÈÏ‹„ˆÓ, ∞ı‹Ó· 2009. ¶Ú·ÎÙÈο ÙÔ˘ ™˘Ó‰ڛԢ, ÂÈÌ. ¢ÚfiÛÔ˘ ∫., £ÂÔ¯·Ú›‰Ô˘ ∫., æËÊÈ·Îfi˜ ‰›ÛÎÔ˜ ‰Â‰Ô̤ӈÓ, ∞ı‹Ó· 2009.

∏Ì·ı›·˜ ªÂÏÂÙ‹Ì·Ù· (2007), ¶Ú·ÎÙÈο

∏Ì·ı›·˜ ªÂÏÂÙ‹Ì·Ù·. ¶Ú·ÎÙÈο Ù˘ ËÌÂÚ›‰·˜ Ì ı¤Ì· «∏Ì·ı›·, ÈÛÙÔÚÈΤ˜ Î·È ·Ú¯·ÈÔÏÔÁÈΤ˜ ÚÔÛÂÁÁ›ÛÂȘ» Ô˘ ‰ÈÔÚÁ¿ÓˆÛ·Ó ÔÈ º›ÏÔÈ ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ ªÔ˘Û›Ԣ µÂÚÔ›·˜ ÛÂ Û˘ÓÂÚÁ·Û›· Ì ÙÔ À¶.¶√. (11Ë ∂µ∞) Î·È ÙË ¢È‡ı˘ÓÛË ¶ÚˆÙÔ‚¿ıÌÈ·˜ ∂Î·›‰Â˘Û˘ ¡ÔÌÔ‡ ∏Ì·ı›·˜ (µ¤ÚÔÈ·, µ˘˙·ÓÙÈÓfi ªÔ˘Û›Ô, 4 ¡ÔÂÌ‚Ú›Ô˘ 2006), µ¤ÚÔÈ· 2007.

◊Ș ∂ÂÌ‚¿ÛÂȘ 3 (2009), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ÙÔ˘ 3Ô˘ ∂ıÓÈÎÔ‡ ™˘Ó‰ڛԢ «◊Ș ÂÂÌ‚¿ÛÂȘ ÁÈ· ÙËÓ ÚÔÛÙ·Û›· ÙˆÓ ÈÛÙÔÚÈÎÒÓ Î·Ù·Û΢ÒÓ. ¡¤Â˜ Ù¿ÛÂȘ ۯ‰ȷÛÌÔ‡» (£ÂÛÛ·ÏÔÓ›ÎË, 9-11 ∞ÚÈÏ›Ô˘ 2009), ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, ∂ÊÔÚ›· ¡ÂˆÙ¤ÚˆÓ ªÓËÌ›ˆÓ ∫ÂÓÙÚÈ΋˜ ª·Î‰ÔÓ›·˜, ∆¯ÓÈÎfi ∂ÈÌÂÏËÙ‹ÚÈÔ ∂ÏÏ¿‰·˜ / ∆Ì‹Ì· ∫ÂÓÙÚÈ΋˜ ª·Î‰ÔÓ›·˜, £ÂÛÛ·ÏÔÓ›ÎË 2009.

£ÂÛÛ·Ï›·˜ πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜ 1 (2008), ¶Ú·ÎÙÈο

1Ô ¢ÈÂıÓ¤˜ ™˘Ó¤‰ÚÈÔ πÛÙÔÚ›·˜ Î·È ¶ÔÏÈÙÈÛÌÔ‡ Ù˘ £ÂÛÛ·Ï›·˜, ¶Ú·ÎÙÈο ™˘Ó‰ڛԢ (§¿ÚÈÛ·, ¢ËÌÔÙÈ΋ ¶ÈÓ·ÎÔı‹ÎË 9-11 ¡ÔÂÌ‚Ú›Ô˘ 2006), £ÂÛÛ·ÏÔÓ›ÎË 2008.

£Ú·ÎÈÎÒÓ ™Ô˘‰ÒÓ 4 (2007), ¶ÂÚÈÏ‹„ÂȘ

¢’ ¢ÈÂıÓ¤˜ ™˘ÌfiÛÈÔ £Ú·ÎÈÎÒÓ ™Ô˘‰ÒÓ «µ˘˙·ÓÙÈÓ‹ £Ú¿ÎË: ª·ÚÙ˘Ú›Â˜ Î·È Î·Ù¿ÏÔÈ·» (∫ÔÌÔÙËÓ‹, 18-22 ∞ÚÈÏ›Ô˘ 2007), ¶ÂÚÈÏ‹„ÂȘ ·Ó·ÎÔÈÓÒÛˆÓ, ∫ÔÌÔÙËÓ‹ 2007.

πηڛ·˜ 1 (2010), ¶Ú·ÎÙÈο

∏ ·Ú¯·ÈÔÏÔÁÈ΋ Ûη¿ÓË ÛÙËÓ πηڛ·. ∂‚‰ÔÌ‹ÓÙ· ¯ÚfiÓÈ· ·Ó·ÛηÊÈ΋˜ ¤Ú¢ӷ˜ Î·È ÌÂÏÏÔÓÙÈΤ˜ ÚÔÔÙÈΤ˜, ¶Ú·ÎÙÈο ∞’ ∞Ú¯·ÈÔÏÔÁÈÎÔ‡ ™˘Ó‰ڛԢ πηڛ·˜ (∞ÚÌÂÓÈÛÙ‹˜, 1-5 ™ÂÙÂÌ‚Ú›Ô˘ 2006), ∞ı‹Ó· 2010.

πÛÙÔÚ›· ÙÔ˘ ÂÏÏËÓÈÎÔ‡ Á¿Ï·ÎÙÔ˜ πÛÙÔÚ›· ÙÔ˘ ÂÏÏËÓÈÎÔ‡ Á¿Ï·ÎÙÔ˜ Î·È ÙˆÓ ÚÔ˚fiÓÙˆÓ ÙÔ˘. (2008), ¶Ú·ÎÙÈο 10Ô ∆ÚÈ‹ÌÂÚÔ ∂ÚÁ·Û›·˜ (•¿ÓıË, 7-8 √ÎÙˆ‚Ú›Ô˘ 2005), ∞ı‹Ó·: ¶ÔÏÈÙÈÛÙÈÎfi ÿ‰Ú˘Ì· √Ì›ÏÔ˘ ¶ÂÈÚ·ÈÒ˜, 2008.

πÛÙÔÚ›·˜ 5 (2007), ¶Ú·ÎÙÈο

∂’ ¢ÈÂıÓ¤˜ ™˘Ó¤‰ÚÈÔ πÛÙÔÚ›·˜ «ª˘ÙÈÏ‹ÓË Î·È ∞˚‚·Ï› (∫˘‰ˆÓ›Â˜), ª›· ·ÌÊ›‰ÚÔÌË Û¯¤ÛË ÛÙÔ ‚ÔÚÂÈÔ·Ó·ÙÔÏÈÎfi ∞ÈÁ·›Ô», ¶Ú·ÎÙÈο, ∂ıÓÈÎfi ÿ‰Ú˘Ì· ∂Ú¢ÓÒÓ, πÓÛÙÈÙÔ‡ÙÔ ¡ÂÔÂÏÏËÓÈÎÒÓ ∂Ú¢ÓÒÓ, ∞ı‹Ó· 2007.

πÛÙÔÚ›·˜ Î·È ¶·Ú¿‰ÔÛ˘ 1 (2008), ¶Ú·ÎÙÈο

∞’ ¶·ÓÂÏÏ‹ÓÈÔ ™˘Ó¤‰ÚÈÔ πÛÙÔÚ›·˜ Î·È ¶·Ú¿‰ÔÛ˘ (°Ú‚ÂÓ¿, 23 ª·˝Ô˘ 2004), ¶Ú·ÎÙÈο, £ÂÛÛ·ÏÔÓ›ÎË-°Ú‚ÂÓ¿ 2008.

πÛÙÔÚ›·˜ Ù˘ ∆¤¯Ó˘ 3 (2009), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο 3Ô˘ ™˘Ó‰ڛԢ πÛÙÔÚ›·˜ Ù˘ ∆¤¯Ó˘ «∏ Ù¤¯ÓË ÙÔ˘ 20Ô˘ ·ÈÒÓ·: πÛÙÔÚ›·-£ÂˆÚ›·-∂ÌÂÈÚ›·» (£ÂÛÛ·ÏÔÓ›ÎË, 2-4 ¡ÔÂÌ‚Ú›Ô˘ 2007), ÂÈÌ. πˆ·ÓÓ›‰Ô˘ ª., £ÂÛÛ·ÏÔÓ›ÎË 2009.

∫·Ú·Û›· (2010), ¶Ú·ÎÙÈο

∫·Ú·Û›·, ¶Ú·ÎÙÈο ∞’ ÂÈÛÙËÌÔÓÈÎÔ‡ Û˘Ó‰ڛԢ (§ÂÌÂÛfi˜, 4-5 ∞ÚÈÏ›Ô˘ 2009), ÂÈÌ. ¶··ÁˆÚÁ›Ô˘ ¶., §ÂÌÂÛfi˜ 2010.

CONGRÈS – ™YNE¢PIA ∫·Ù·Îfî˜ ª‹ÏÔ˘ (2010), ¶Ú·ÎÙÈο

27 ∫·Ù·Îfî˜ Ù˘ ª‹ÏÔ˘, ¶Ú·ÎÙÈο µ’ ∂ÈÛÙËÌÔÓÈ΋˜ ∏ÌÂÚ›‰Ô˜ (ª‹ÏÔ˜ 2008), ÂÈÌ. ª·ÌÔ‡Ó˘ Ã., ª‹ÏÔ˜ 2010.

∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ ∂ÈÛÙËÌÔÓÈ΋ ™˘Ó¿ÓÙËÛË ÁÈ· ÙËÓ ∫ÂÚ·ÌÈ΋ Ù˘ ⁄ÛÙÂÚ˘ (2010), ¶Ú·ÎÙÈο ∞Ú¯·ÈfiÙËÙ·˜ ÛÙÔÓ ÂÏÏ·‰ÈÎfi ¯ÒÚÔ, 3Ô˜-7Ô˜ ·È. Ì.Ã. (£ÂÛÛ·ÏÔÓ›ÎË, 12-16 ¡ÔÂÌ‚Ú›Ô˘ 2006), ¶Ú·ÎÙÈο, ÂÈÌ. ¶··ÓÈÎfiÏ· - ª·ÎÈÚÙ˙‹ ¢., ∫Ô˘ÛÔ˘Ï¿ÎÔ˘ ¡., £ÂÛÛ·ÏÔÓ›ÎË 2010.

∫ÔÌÔÙËÓ‹ (2006), ¶Ú·ÎÙÈο

H ∫ÔÌÔÙËÓ‹ Î·È Ô Â˘Ú‡ÙÂÚÔ˜ ¯ÒÚÔ˜ (·ÚÂÏıfiÓ-·ÚfiÓ̤ÏÏÔÓ). ∂ÈÛÙËÌÔÓÈÎfi ™˘Ó¤‰ÚÈÔ Ù˘ ∂Ù·ÈÚ›·˜ ¶·È‰·ÁˆÁÈÎÒÓ ∂ÈÛÙËÌÒÓ ∫ÔÌÔÙËÓ‹˜ (∫ÔÌÔÙËÓ‹, 8-9 ∞ÚÈÏ›Ô˘ 2005), ¶Ú·ÎÙÈο, ∫ÔÌÔÙËÓ‹ 2006.

∫ÔÚÈÓıÈ·ÎÒÓ ™Ô˘‰ÒÓ 1 (2009), ¶Ú·ÎÙÈο ÙÔ˘ 1Ô˘ ™˘Ó‰ڛԢ ∫ÔÚÈÓıÈ·ÎÒÓ ™Ô˘‰ÒÓ ¶Ú·ÎÙÈο «IÛÙÔÚÈο KÔÚÈÓıȷο MÔÓ·ÛÙ‹ÚÈ·» ÙÔ˘ ∫¤ÓÙÚÔ˘ πÛÙÔÚÈÎÒÓ Î·È §·ÔÁÚ·ÊÈÎÒÓ ™Ô˘‰ÒÓ ¡. ∫ÔÚÈÓı›·˜ Î·È ÙˆÓ °.∞.∫.-∞گ›ˆÓ ¡. ∫ÔÚÈÓı›·˜ (∫fiÚÈÓıÔ˜, 5-7 ª·˝Ô˘ 2006), ∫fiÚÈÓıÔ˜ 2009.

∫ÚËÙÔÏÔÁÈÎfi 10 (2006), ¶ÂÚÈÏ‹„ÂȘ

π’ ¢ÈÂıÓ¤˜ ∫ÚËÙÔÏÔÁÈÎfi ™˘Ó¤‰ÚÈÔ (÷ÓÈ¿, 1-8 √ÎÙˆ‚Ú›Ô˘ 2006), ¶ÂÚÈÏ‹„ÂȘ ·Ó·ÎÔÈÓÒÛˆÓ, ÷ÓÈ¿ 2006.

∫ÚËÙÔÏÔÁÈÎfi 10 (2010), ¶Ú·ÎÙÈο

¶ÂÚ·Á̤ӷ ÙÔ˘ π’ ¢ÈÂıÓÔ‡˜ ∫ÚËÙÔÏÔÁÈÎÔ‡ ™˘Ó‰ڛԢ (÷ÓÈ¿, 1-8 √ÎÙˆ‚Ú›Ô˘ 2006), ÷ÓÈ¿: ºÈÏÔÏÔÁÈÎfi˜ ™‡ÏÏÔÁÔ˜ «√ ÃÚ˘ÛfiÛÙÔÌÔ˜», 2010.

∫ÚËÙÔÏÔÁÈÎfi 9 (2006), ¶Ú·ÎÙÈο

¶ÂÚ·Á̤ӷ ÙÔ˘ £’ ¢ÈÂıÓÔ‡˜ ∫ÚËÙÔÏÔÁÈÎÔ‡ ™˘Ó‰ڛԢ (∂ÏÔ‡ÓÙ·, 1-6 √ÎÙˆ‚Ú›Ô˘ 2001), ∫ÂÓÙÚÈΤ˜ ∂ÈÛËÁ‹ÛÂȘ, ∏Ú¿ÎÏÂÈÔ: ∂Ù·ÈÚ›· ∫ÚËÙÈÎÒÓ πÛÙÔÚÈÎÒÓ ªÂÏÂÙÒÓ, 2006.

∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ

¢’ ¢ÈÂıÓ¤˜ ∫˘ÚÔÏÔÁÈÎfi ™˘Ó¤‰ÚÈÔ (§Â˘ÎˆÛ›·, 29 ∞ÚÈÏ›Ô˘-3 ª·˝Ô˘ 2008) / IV International Cyprological Congress (Lefkosia, 29 April-3 May 2008) / Uluslararasi Kiproloji Kongresi (Lefko≥a, 29 Nisan-3 Mayis 2008), ¶ÂÚÈÏ‹„ÂȘ ∞Ó·ÎÔÈÓÒÛÂˆÓ / Abstracts / Ozetler, ed. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã. / Chotzakoglou Ch., §Â˘ÎˆÛ›· / Lefkosia / Lefko≥a: ∂Ù·ÈÚ›· ∫˘ÚÈ·ÎÒÓ ™Ô˘‰ÒÓ, 2008.

§·˚Τ˜ ‰Ôͷۛ˜ / Croyances populaires (2008), ¶Ú·ÎÙÈο

§·˚Τ˜ ‰Ôͷۛ˜. ∆ÂÏÂÙÔ˘ÚÁ›Â˜ Î·È ·Ó··Ú·ÛÙ¿ÛÂȘ ÛÙËÓ ·Ó·ÙÔÏÈ΋ ªÂÛfiÁÂÈÔ / Croyances populaires. Rites et représentations en Méditerranée orientale, Actes du Colloque de Lille (2-4 décembre 2004), 2e colloque interuniversitaire des Universités Capodistrias d’Athènes et Charles-de-Gaulle-Lille 3, XVIIIe Colloque International de HALMA UMR 8142, éd. Bobas C., Evangelidis C., Milioni T., Muller A., Athènes 2008.

§ÂÈÌÒÓÔ˜ (2009), ¶Ú·ÎÙÈο

πÂÚ¿ ÌÔÓ‹ §ÂÈÌÒÓÔ˜. πÛÙÔÚ›·-¶·Ï·ÈÔÁÚ·Ê›·-∆¤¯ÓË, ¶Ú·ÎÙÈο ™˘Ó‰ڛԢ (ªÔÓ‹ §ÂÈÌÒÓÔ˜, 27-30 ™ÂÙÂÌ‚Ú›Ô˘ 2001), ∞ı‹Ó· 2009.

ª·ÚÙ‡ÚÈÔ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘ (2007), ¶Ú·ÎÙÈο

1700 ¤ÙË (305-2005) ·fi ÙÔ˘ ÛÂÙÔ‡ Ì·ÚÙ˘Ú›Ô˘ ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘. ¶Ú·ÎÙÈο ËÌÂÚ›‰·˜, πÂÚ¿ ªËÙÚfiÔÏȘ £ÂÛÛ·ÏÔӛ΢, πÂÚfi˜ ¡·fi˜ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘, £ÂÛÛ·ÏÔÓ›ÎË 2007.

28

ABRÉVIATIONS – ™YNTOMO°PAºIE™

ª·ÛÙÚÔÎÒÛÙ·˜ (2006), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ∏ÌÂÚ›‰·˜: ∂˘ı‡ÌÈÔ˜ ª·ÛÙÚÔÎÒÛÙ·˜, √ ‚›Ô˜ Î·È ÙÔ ·Ú¯·ÈÔÏÔÁÈÎfi ÙÔ˘ ¤ÚÁÔ (πÙ¤·, 19.01.2005) [= ºˆÎÃÚ 14 (2006)].

ªÂϤÙ˜ ÁÈ· ÙË ª‡ÎÔÓÔ (2009), ¶Ú·ÎÙÈο

ªÂϤÙ˜ Î·È ¤Ú¢Ó˜ ÁÈ· ÙËÓ ª‡ÎÔÓÔ ÛÙȘ ·ÓıÚˆÈÛÙÈΤ˜ ÂÈÛً̘. ¶Ú·ÎÙÈο ‰ÈËÌÂÚ›‰·˜ ¶ÔÏÈÙÈÛÙÈÎÔ‡, §·ÔÁÚ·ÊÈÎÔ‡ ™˘ÏÏfiÁÔ˘ °˘Ó·ÈÎÒÓ ª˘ÎfiÓÔ˘ (ª‡ÎÔÓÔ˜, 14-15 ºÂ‚ÚÔ˘·Ú›Ô˘ 2009), ª‡ÎÔÓÔ˜ 2009.

ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο

¢ÈÂıÓ¤˜ ∂ÈÛÙËÌÔÓÈÎfi ™˘Ó¤‰ÚÈÔ «15 ¯ÚfiÓÈ· ¤ÚÁˆÓ ·ÔηٿÛÙ·Û˘ ÛÙË ÌÂ۷ȈÓÈ΋ fiÏË Ù˘ ƒfi‰Ô˘» (ƒfi‰Ô˜, 1418 ¡ÔÂÌ‚Ú›Ô˘ 2001), ¶Ú·ÎÙÈο, (∞ı‹Ó·: ∆·ÌÂ›Ô ¢È·¯Â›ÚÈÛ˘ ¶ÈÛÙÒÛÂˆÓ ÁÈ· ÙËÓ ∂ÎÙ¤ÏÂÛË ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ŒÚÁˆÓ, 2007.

ªÈÎÚ·ÛÈ·ÙÈÎÔ‡ ¶ÔÏÈÙÈÛÌÔ‡ ¡. πˆÓ›·˜ 3 (2008), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ÙÔ˘ 3Ô˘ ™˘ÌÔÛ›Ô˘ ÙÔ˘ ∫¤ÓÙÚÔ˘ ªÈÎÚ·ÛÈ·ÙÈÎÔ‡ ¶ÔÏÈÙÈÛÌÔ‡ ÙÔ˘ ¢‹ÌÔ˘ ¡¤·˜ πˆÓ›·˜ (23-25 ¡ÔÂÌ‚Ú›Ô˘ 2007), ∞ı‹Ó· 2008.

ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο

∂ÈÛÙËÌÔÓÈÎfi Û˘ÌfiÛÈÔ ÛÙË ÌÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË ÁÈ· ÙË ‚˘˙·ÓÙÈÓ‹ ª¿ÓË (∫·Ú·‚ÔÛÙ¿ÛÈ √ÈÙ‡ÏÔ˘, 21-22 πÔ˘Ó›Ô˘ 2008), ¶Ú·ÎÙÈο ÙÔ˘ ™˘ÓÔÛ›Ô˘, ÂÈÌ. ∂Ï¢ıÂÚ›Ô˘ ∂. ¶., ª¤ÍÈ· ∞. ∫., ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡/5Ë ∂µ∞, ¢‹ÌÔ˜ √ÈÙ‡ÏÔ˘, ™¿ÚÙË 2008-2009.

ªÓ‹ÌË ∆·ÛԇϷ˜ √ÈÎÔÓfiÌÔ˘ (2009), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο Ù˘ ∂ÈÛÙËÌÔÓÈ΋˜ ∏ÌÂÚ›‰·˜ «ªÓ‹ÌË ∆·ÛԇϷ˜ √ÈÎÔÓfiÌÔ˘ (1998-2008)» (15 ¡ÔÂÌ‚Ú›Ô˘ 2007), ¶·ÓÂÈÛÙ‹ÌÈÔ £ÂÛÛ·Ï›·˜, ∆Ì‹Ì· πÛÙÔÚ›·˜, ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∫ÔÈÓˆÓÈ΋˜ ∞ÓıÚˆÔÏÔÁ›·˜ Î·È ¢‹ÌÔÈ ∞ÚÁ›ˆÓ Î·È ª˘ÎËÓ·›ˆÓ, µfiÏÔ˜ 2009.

ªÔ˘Û›· Û ÌÓËÌ›· (2008), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ËÌÂÚ›‰·˜ «ªÔ˘Û›· Û ÌÓËÌ›·. ªÈ· ÚfiÎÏËÛË» (∞ı‹Ó·, ¶¤ÌÙË 25 ∞ÚÈÏ›Ô˘ 2002), µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô: ªÈÎÚ¿ ªÔ˘ÛÂÈÔÏÔÁÈο 2, ∞ı‹Ó· 2008.

ª˘ÏÔfiÙ·ÌÔ˜ V (2006), ¶Ú·ÎÙÈο

√ ª˘ÏÔfiÙ·ÌÔ˜ ·fi ÙËÓ ·Ú¯·ÈfiÙËÙ· ˆ˜ Û‹ÌÂÚ·. ¶ÂÚÈ‚¿ÏÏÔÓ-∞Ú¯·ÈÔÏÔÁ›·-πÛÙÔÚ›·-§·ÔÁÚ·Ê›·-∫ÔÈÓˆÓÈÔÏÔÁ›·. ¶Ú·ÎÙÈο ™˘Ó‰ڛԢ (¶¿ÓÔÚÌÔ, 24-30 √ÎÙˆ‚Ú›Ô˘ 2003), Ù. V: µ˘˙·ÓÙÈÓÔ› ÃÚfiÓÔÈ, ÂÈÌ. °·‚ÚÈÏ¿ÎË ∂È., ∆˙ÈÊfiÔ˘ÏÔ˜ °. ∑., ƒ¤ı˘ÌÓÔ 2006.

¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 1 (2009), ¶Ú·ÎÙÈο

∞’ ∂ÈÛÙËÌÔÓÈÎfi ™˘ÌfiÛÈÔ Ù˘ ¡ÂÔÂÏÏËÓÈ΋˜ ∂ÎÎÏËÛÈ·ÛÙÈ΋˜ ∆¤¯Ó˘, ¶Ú·ÎÙÈο ÙÔ˘ ™˘Ó‰ڛԢ ¶·ÓÂÈÛÙ‹ÌÈÔ ∞ıËÓÒÓ, 14-15 ª·ÚÙ›Ô˘ 2008), ÂÈÌ. °fiÓ˘ ¢., ∞ı‹Ó· 2009.

¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ T¤¯ÓË 2 (2010), ¶ÂÚÈÏ‹„ÂȘ

µ’ ∂ÈÛÙËÌÔÓÈÎfi ™˘ÌfiÛÈÔ ¡ÂÔÂÏÏËÓÈ΋˜ ∂ÎÎÏËÛÈ·ÛÙÈ΋˜ ∆¤¯Ó˘ (∞ı‹Ó·, 26-27 ¡ÔÂÌ‚Ú›Ô˘ 2010), ¶ÂÚÈÏ‹„ÂȘ ∂ÈÛËÁ‹ÛˆÓ-∞Ó·ÎÔÈÓÒÛˆÓ, ∞ı‹Ó· 2010.

¡ÈÎfiÔÏȘ 2 (2007), ¶Ú·ÎÙÈο

¡ÈÎfiÔÏȘ µ’. ¶Ú·ÎÙÈο ÙÔ˘ ¢Â˘Ù¤ÚÔ˘ ¢ÈÂıÓÔ‡˜ ™˘ÌÔÛ›Ô˘ ÁÈ· ÙË ¡ÈÎfiÔÏË (¡ÈÎfiÔÏË, 11-15 ™ÂÙÂÌ‚Ú›Ô˘ 2002), ÂÈÌ. ∑¿¯Ô˜ ∫., ¶Ú¤‚Â˙·: ÿ‰Ú˘Ì· ∞ÎÙ›· ¡ÈÎfiÔÏȘ, 2007.

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¡fiÌÈÛÌ· ÛÙ· ¢ˆ‰ÂοÓËÛ· (2006), ¶Ú·ÎÙÈο

∆Ô ÓfiÌÈÛÌ· ÛÙ· ¢ˆ‰ÂοÓËÛ· Î·È ÙË ÌÈÎÚ·ÛÈ·ÙÈ΋ ÙÔ˘˜ ¶ÂÚ·›·. ¶Ú·ÎÙÈο ™˘Ó‰ڛԢ ¢’ ÂÈÛÙËÌÔÓÈ΋˜ Û˘Ó¿ÓÙËÛ˘ (∫ˆ˜, 30.5-2.6 2003), ∞ı‹Ó· 2006 [= √‚ÔÏfi˜ 8 (2006)].

¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο

∆Ô ÓfiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘: ¡ÔÌÈÛÌ·ÙÔÎÔ›·∫˘ÎÏÔÊÔÚ›·-∂ÈÎÔÓÔÁÚ·Ê›·-πÛÙÔÚ›·. ¶Ú·ÎÙÈο Û˘Ó‰ڛԢ Ù˘ ∂’ ÂÈÛÙËÌÔÓÈ΋˜ Û˘Ó¿ÓÙËÛ˘ (ª˘ÙÈÏ‹ÓË, 16-19 ™ÂÙÂÌ‚Ú›Ô˘ 2006) / Coins in the Aegean islands: Mints, Circulation, Iconography, History. Proceedings of the Fifth Scientific Meeting (Mytilene, 16-19 September 2006), ÂÈÌ. ∆Û¤ÏÂη˜ ¶., ∞ı‹Ó· 2010 [= √‚ÔÏfi˜ 9 (2010)].

√›ÓÔÓ ÈÛÙÔÚÒ 7 (2007), ¶Ú·ÎÙÈο

∂ÈÛÙËÌÔÓÈÎfi ™˘ÌfiÛÈÔ √›ÓÔÓ ÈÛÙÔÚÒ VII: ™Ù· oÈÓfi‰· ÙÔ˘ ¶·ÁÁ·›Ô˘ / In the vineyards of Paggaion Mountain (∫Ù‹Ì· µÈ‚Ï›· ÃÒÚ·, ∫ÔÎÎÈÓÔ¯ÒÚÈ ∫·‚¿Ï·˜, 2 πÔ˘Ó›Ô˘ 2007), ÂÈÌ. ¶›ÎÔ˘Ï·˜ °., ∞ı‹Ó· 2007.

√›ÓÔÓ ÈÛÙÔÚÒ 9 (2009), ¶Ú·ÎÙÈο

∂ÈÛÙËÌÔÓÈÎfi ™˘ÌfiÛÈÔ √›ÓÔÓ ÈÛÙÔÚÒ πÃ: ¶ÔÏ˘ÛÙ¿Ê˘ÏÔ˜ ¶ÂÏÔfiÓÓËÛÔ˜ (¡·‡ÏÈÔ, 9 ª·˝Ô˘ 2009), ÂÈÌ. ¶›ÎÔ˘Ï·˜ °., ∞ı‹Ó· 2009.

√¯˘ÚˆÌ·ÙÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ∞ÈÁ·›Ô˘ (2008), ¶ÂÚÈÏ‹„ÂȘ

∏ Ô¯˘ÚˆÌ·ÙÈ΋ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÛÙÔ ∞ÈÁ·›Ô Î·È Ô ÌÂ۷ȈÓÈÎfi˜ ÔÈÎÈÛÌfi˜ ∞Ó·‚¿ÙÔ˘ Ã›Ô˘, ¢ÈÂıÓ¤˜ ™˘Ó¤‰ÚÈÔ (√Ì‹ÚÂÈÔ ¶ÓÂ˘Ì·ÙÈÎfi ∫¤ÓÙÚÔ ¢‹ÌÔ˘ Ã›Ô˘, 26-28 ™ÂÙÂÌ‚Ú›Ô˘ 2008), ¶ÚfiÁÚ·ÌÌ· Î·È ÂÚÈÏ‹„ÂȘ ÂÈÛËÁ‹ÛÂˆÓ Î·È ·Ó·ÎÔÈÓÒÛˆÓ, ÛԘ 2008.

¶·ÓÈfiÓÈÔ 8 (2009), ¶Ú·ÎÙÈο

∏’ ¢ÈÂıÓ¤˜ ¶·ÓÈfiÓÈÔ ™˘Ó¤‰ÚÈÔ (ÃÒÚ· ∫˘ı‹ÚˆÓ, 21-25 ª·˝Ô˘ 2006), ¶Ú·ÎÙÈο, Ù. I-IV: I (∞Ú¯·ÈÔÏÔÁ›·-∞Ú¯ÈÙÂÎÙÔÓÈ΋, º˘ÛÈÎfi ÂÚÈ‚¿ÏÏÔÓ), II.∞ (∫ÔÈÓˆÓ›·-£ÂÛÌÔ›), ππ.µ (£ÂÛÌÔ›-§·ÔÁÚ·Ê›·), III (πÛÙÔÚ›·), IV.∞ (∂Ù·ÓËÛÈ·Îfi˜ ¶ÔÏÈÙÈÛÌfi˜), IV.µ (∂Ù·ÓËÛÈ·Îfi˜ ¶ÔÏÈÙÈÛÌfi˜), ∞ı‹Ó·: ∂Ù·ÈÚ›· ∫˘ıËÚ·˚ÎÒÓ ªÂÏÂÙÒÓ, 2009.

¶ÂÏÔÔÓÓËÛÈ·ÎÒÓ ™Ô˘‰ÒÓ 7 (2007), ¶Ú·ÎÙÈο

∑’ ¢ÈÂıÓ¤˜ ™˘Ó¤‰ÚÈÔ ∂Ù·ÈÚ›·˜ ¶ÂÏÔÔÓÓËÛÈ·ÎÒÓ ™Ô˘‰ÒÓ (¶‡ÚÁÔ˜-°·ÛÙÔ‡ÓË-∞Ì·ÏÈ¿‰·, 11-17 ™ÂÙÂÌ‚Ú›Ô˘ 2005), ¶Ú·ÎÙÈο, ∞ı‹Ó· 2007 [= ¶ÂÏÔÔÓÓËÛȷο, ¶·Ú¿ÚÙËÌ· 27].

¶ÈÂÚ›· 3 (2008), ¶Ú·ÎÙÈο

∏ ¶ÈÂÚ›· ÛÙ· ‚˘˙·ÓÙÈÓ¿ Î·È ÓÂfiÙÂÚ· ¯ÚfiÓÈ·. ¶Ú·ÎÙÈο 3Ô˘ ∂ÈÛÙËÌÔÓÈÎÔ‡ ™˘Ó‰ڛԢ (∫·ÙÂÚ›ÓË, 25-28 ¡ÔÂÌ‚Ú›Ô˘ 2003), ÂÈÌ. °Ú·›ÎÔ˜ ¡., ∫·ÙÂÚ›ÓË 2008.

¶Ú¤‚Â˙· 2 (2010), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ¢Â‡ÙÂÚÔ˘ ¢ÈÂıÓÔ‡˜ ™˘ÌÔÛ›Ô˘ ÁÈ· ÙËÓ ÈÛÙÔÚ›· Î·È ÙÔÓ ÔÏÈÙÈÛÌfi Ù˘ ¶Ú¤‚Â˙·˜ (¶Ú¤‚Â˙·, 16-20 ™ÂÙÂÌ‚Ú›Ô˘ 2009), ÂÈÌ. µÚ¤ÏÏË-∑¿¯Ô˘ ª., ™Ù·˘Ú¿ÎÔ˜ Ã., ÂÈÌ. ¤Î‰. ∫·Ú¿ÌÂÏ·˜ ¡., Stork ª., ¶·ÓÂÈÛÙ‹ÌÈÔ πˆ·ÓÓ›ÓˆÓ – ¢‹ÌÔ˜ ¶Ú¤‚Â˙·˜ – ÿ‰Ú˘Ì· ∞ÎÙ›· ¡ÈÎfiÔÏȘ, ¶Ú¤‚Â˙· 2010.

¶ÚÔÛÊÔÚ¿ Ù˘ ∞Ú¯·ÈÔÏÔÁÈ΋˜ ÀËÚÂÛ›·˜ (2007), ¶Ú·ÎÙÈο

™˘Ó¤‰ÚÈÔ ÙÔ˘ ™˘ÏÏfiÁÔ˘ ∂ÏÏ‹ÓˆÓ ∞Ú¯·ÈÔÏfiÁˆÓ Ì ÙÔÓ Ù›ÙÏÔ «∆Ô ·ÚfiÓ Î·È ÙÔ Ì¤ÏÏÔÓ ÙˆÓ ÌÓËÌ›ˆÓ Ì·˜. ¶ÔÏÈÙÈÛÙÈ΋ ÎÏËÚÔÓÔÌÈ¿ Î·È °’ ∫ÔÈÓÔÙÈÎfi ¶Ï·›ÛÈÔ ™Ù‹ÚÈ͢. ∏ ÚÔÛÊÔÚ¿ Ù˘ ∞Ú¯·ÈÔÏÔÁÈ΋˜ ÀËÚÂÛ›·˜ ÛÙËÓ ∫ÔÈÓˆÓ›· ÙˆÓ ¶ÔÏÈÙÒÓ», £ÂÛÛ·ÏÔÓ›ÎË 2007.

30 ƒÔ‡‚·˜ (2009), ¶Ú·ÎÙÈο

ABRÉVIATIONS – ™YNTOMO°PAºIE™ ¶Ú·ÎÙÈο ÙÔ˘ ∂ÈÛÙËÌÔÓÈÎÔ‡ ™˘Ó‰ڛԢ «ƒÔ‡‚·˜…πÛÙÔÚ›·, ¶ÔÏÈÙÈÛÌfi˜» (°¤ÚÁÂÚË, 10-11 ∞˘ÁÔ‡ÛÙÔ˘ 2007), ÂÈÌ. ∆ÛÈÎÓ¿Î˘ ∫., °¤ÚÁÂÚË 2009.

™ÈÊÓ·˚Îfi 2 (2005-2006), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο µ’ ¢ÈÂıÓÔ‡˜ ™ÈÊÓ·˚ÎÔ‡ ™˘ÌÔÛ›Ô˘ (™›ÊÓÔ˜, 2730 πÔ˘Ó›Ô˘ 2002), ∞ı‹Ó·: ™‡Ó‰ÂÛÌÔ˜ ™ÈÊÓ·˚ÎÒÓ ªÂÏÂÙÒÓ, 2005-2006.

™ÈÊÓ·˚Îfi 3 (2009), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο °’ ¢ÈÂıÓÔ‡˜ ™ÈÊÓ·˚ÎÔ‡ ™˘ÌÔÛ›Ô˘, ∂Ș ÌÓ‹ÌËÓ ¡ÈÎÔÏ¿Ô˘ µÂÚÓ›ÎÔ˘-∂˘ÁÂÓ›‰Ë (™›ÊÓÔ˜, 29 πÔ˘Ó›Ô˘-2 πÔ˘Ï›Ô˘ 2006), ∞ı‹Ó·: ™‡Ó‰ÂÛÌÔ˜ ™ÈÊÓ·˚ÎÒÓ ªÂÏÂÙÒÓ, 2009.

™˘Ó¤‰ÚÈÔ ¢‹ÌÔ˘ ¶ÂÙ·Ïȉ›Ô˘ (2009), ¶Ú·ÎÙÈο

√ÌËÚÈ΋ ∞›ÂÈ·-·Ú¯·›· ∫ÔÚÒÓË-¶ÂÙ·Ï›‰È: ·ÚÂÏıfiÓ·ÚfiÓ Î·È Ì¤ÏÏÔÓ, ∂ÈÛÙËÌÔÓÈÎfi ™˘Ó¤‰ÚÈÔ ‰‹ÌÔ˘ ¶ÂÙ·Ïȉ›Ô˘ (¶ÂÙ·Ï›‰È, 5-7 ∞˘ÁÔ‡ÛÙÔ˘ 2005), ¶Ú·ÎÙÈο, ¶ÂÙ·Ï›‰È 2009.

∆ÂÎÌËÚ›ˆÛË (2010), ¶ÂÚÈÏ‹„ÂȘ

¢È‹ÌÂÚÔ ™ÂÌÈÓ¿ÚÈÔ ∆ÂÎÌËÚ›ˆÛ˘ ˘fi ÙË ‰ÈÔÚÁ¿ÓˆÛË Ù˘ ¢È‡ı˘ÓÛ˘ ∂ıÓÈÎÔ‡ ∞Ú¯Â›Ô˘ ªÓËÌ›ˆÓ (∞ı‹Ó·, ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡ Î·È ∆Ô˘ÚÈÛÌÔ‡, 19-20.02.2010), µÈ‚Ï›Ô ¶ÂÚÈÏ‹„ˆÓ, ∞ı‹Ó· 2010.

∆ÂÙ¿ÚÙË ™Ù·˘ÚÔÊÔÚ›· / Fourth Crusade (2007), ¶Ú·ÎÙÈο

∏ µ˘˙·ÓÙÈÓ‹ ∆¤¯ÓË ÌÂÙ¿ ÙËÓ ∆ÂÙ¿ÚÙË ™Ù·˘ÚÔÊÔÚ›·. ∏ ∆ÂÙ¿ÚÙË ™Ù·˘ÚÔÊÔÚ›· Î·È ÔÈ ÂÈÙÒÛÂȘ Ù˘, ¶Ú·ÎÙÈο ¢ÈÂıÓÔ‡˜ ™˘Ó‰ڛԢ (∞η‰ËÌ›· ∞ıËÓÒÓ, 9-12 ª·ÚÙ›Ô˘ 2004), ÂÈÌ. µÔÎÔÙfiÔ˘ÏÔ˜ ¶.§., ∞ı‹Ó·: ∞η‰ËÌ›· ∞ıËÓÒÓ, ∫∂µª∆, 2007 / Byzantine Art in the Aftermath of the Fourth Crusade. The Fourth Crusade and its Consequences, International Congress (Academy of Athens, March 9-12, 2004), ed. Vocotopoulos P.L., Athens: Academy of Athens, Research Centre for Byzantine and Post-Byzanine Art, 2007.

∆˙Ô˘Ì¤Úη 1 (2008), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ∞’ ∂ÈÛÙËÌÔÓÈÎÔ‡ ™˘Ó‰ڛԢ ÁÈ· Ù· ∆˙Ô˘Ì¤Úη. √ ∆fiÔ˜ - Ë ∫ÔÈÓˆÓ›· - Ô ¶ÔÏÈÙÈÛÌfi˜. ¢È¿ÚÎÂȘ Î·È ∆Ô̤˜, ÂÈÌ. ªÂÚ¿ÓÙ˙·˜ Ã. ¢., πˆ¿ÓÓÈÓ· 2008.

∆ËÏÏ˘Ú›· (2010), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ™˘Ó‰ڛԢ «∆ËÏÏ˘Ú›·, ªÓ‹Ì˜, πÛÙÔÚ›· Î·È ∞Ú¯·ÈÔÏÔÁ›·» (4-5 ∞ÚÈÏ›Ô˘ 2009), ÂÈÌ. ¶ÂÚ‰›Î˘ ™., §Â˘ÎˆÛ›·: ªÔ˘Û›ÔÓ πÂÚ¿˜ ªÔÓ‹˜ ∫‡ÎÎÔ˘, 2010.

∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 7 (2006), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ÙÔ˘ 7Ô˘ ™˘ÌÔÛ›Ô˘ ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ (∆ڛηϷ, 11-13 ¡ÔÂÌ‚Ú›Ô˘ 2005), ∆ڛηϷ 2006 [= ∆ÚÈηÏÈÓ¿ 26 (2006)].

∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο ÙÔ˘ 8Ô˘ ™˘ÌÔÛ›Ô˘ ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ (∆ڛηϷ, 31 √ÎÙˆ‚Ú›Ô˘-2 ¡ÔÂÌ‚Ú›Ô˘ 2008), ∆ڛηϷ 2009 [= ∆ÚÈηÏÈÓ¿ 29 (2009)].

ºıȈÙÈ΋ πÛÙÔÚ›· 3 (2007), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο 3Ô˘ ™˘Ó‰ڛԢ ºıȈÙÈ΋˜ πÛÙÔÚ›·˜: πÛÙÔÚ›· – ∞Ú¯·ÈÔÏÔÁ›· – §·ÔÁÚ·Ê›· (§·Ì›·, 4-6 ¡ÔÂÌ‚Ú›Ô˘ 2005), ÂÈÌ. ª·ÎÚ‹˜ π., ∫·Ú·Ó·ÛÙ¿Û˘ ∞Ó., §·Ì›· 2007.

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ºıȈÙÈ΋ πÛÙÔÚ›· 4 (2010), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο 4Ô˘ ™˘Ó‰ڛԢ ºıȈÙÈ΋˜ πÛÙÔÚ›·˜ (§·Ì›·, 9-11 ¡ÔÂÌ‚Ú›Ô˘ 2007], §·Ì›· 2010.

ºfi‚Ô˜ (2007), ¶Ú·ÎÙÈο

√ Êfi‚Ô˜ ÛÙËÓ Ù¤¯ÓË Î·È ÙË ˙ˆ‹. ¶Ú·ÎÙÈο ™˘ÌÔÛ›Ô˘ (ª¤ÙÛÔ‚Ô, 30 πÔ˘Ó›Ô˘-2 πÔ˘Ï›Ô˘ 2006), ∞ı‹Ó· 2007.

Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ

ÃÚÈÛÙÈ·ÓÈ΋ ∞Ú¯·ÈÔÏÔÁÈ΋ ∂Ù·ÈÚ›·, ∂ÈÎÔÛÙfi ŒÎÙÔ ™˘ÌfiÛÈÔ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∆¤¯Ó˘ (∂ȉÈÎfi ÂÈÛÙËÌÔÓÈÎfi ı¤Ì· ËÌÂÚ›‰·˜: «∏ Á˘Ó·›Î· ÛÙÔ µ˘˙¿ÓÙÈÔ: Ï·ÙÚ›· Î·È Ù¤¯ÓË») (∞ı‹Ó·, 12-14 ª·˝Ô˘ 2006), ¶ÚfiÁÚ·ÌÌ· Î·È ÂÚÈÏ‹„ÂȘ ÂÈÛËÁ‹ÛÂˆÓ Î·È ·Ó·ÎÔÈÓÒÛˆÓ, ∞ı‹Ó· 2006.

Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ

ÃÚÈÛÙÈ·ÓÈ΋ ∞Ú¯·ÈÔÏÔÁÈ΋ ∂Ù·ÈÚ›·, ∂ÈÎÔÛÙfi Œ‚‰ÔÌÔ ™˘ÌfiÛÈÔ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∆¤¯Ó˘ (∂ȉÈÎfi ÂÈÛÙËÌÔÓÈÎfi ı¤Ì· ËÌÂÚ›‰·˜: «∆Ô ‚˘˙·ÓÙÈÓfi ‡Ê·ÛÌ·: ∆¤¯ÓË, Ù¯ÓÈ΋ Î·È ÔÈÎÔÓÔÌ›·») (∞ı‹Ó·, 11-13 ª·˝Ô˘ 2007), ¶ÚfiÁÚ·ÌÌ· Î·È ÂÚÈÏ‹„ÂȘ ÂÈÛËÁ‹ÛÂˆÓ Î·È ·Ó·ÎÔÈÓÒÛˆÓ, ∞ı‹Ó· 2007.

Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ

ÃÚÈÛÙÈ·ÓÈ΋ ∞Ú¯·ÈÔÏÔÁÈ΋ ∂Ù·ÈÚ›·, ∂ÈÎÔÛÙfi ŸÁ‰ÔÔ ™˘ÌfiÛÈÔ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∆¤¯Ó˘ (∂ȉÈÎfi ÂÈÛÙËÌÔÓÈÎfi ı¤Ì· ËÌÂÚ›‰·˜: «∫›ÌÂÓ· Û ·ÓÙÈΛÌÂÓ·») (∞ı‹Ó·, 16-18 ª·˝Ô˘ 2008), ¶ÚfiÁÚ·ÌÌ· Î·È ÂÚÈÏ‹„ÂȘ ÂÈÛËÁ‹ÛÂˆÓ Î·È ·Ó·ÎÔÈÓÒÛˆÓ, ∞ı‹Ó· 2008.

Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ

ÃÚÈÛÙÈ·ÓÈ΋ ∞Ú¯·ÈÔÏÔÁÈ΋ ∂Ù·ÈÚ›·, ∂ÈÎÔÛÙfi ŒÓ·ÙÔ ™˘ÌfiÛÈÔ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∆¤¯Ó˘ (∂ȉÈÎfi ÂÈÛÙËÌÔÓÈÎfi ı¤Ì· ËÌÂÚ›‰·˜: «∫›ÌÂÓ· Û ÌÓËÌ›·») (∞ı‹Ó·, 15-17 ª·˝Ô˘ 2009), ¶ÚfiÁÚ·ÌÌ· Î·È ÂÚÈÏ‹„ÂȘ ÂÈÛËÁ‹ÛÂˆÓ Î·È ·Ó·ÎÔÈÓÒÛˆÓ, ∞ı‹Ó· 2009.

Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ

ÃÚÈÛÙÈ·ÓÈ΋ ∞Ú¯·ÈÔÏÔÁÈ΋ ∂Ù·ÈÚ›·, ∆ÚÈ·ÎÔÛÙfi ™˘ÌfiÛÈÔ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∆¤¯Ó˘ ·ÊÈÂڈ̤ÓÔ ÛÙË ÌÓ‹ÌË ª·ÓfiÏË Ã·Ù˙ˉ¿ÎË (∂ȉÈÎfi ÂÈÛÙËÌÔÓÈÎfi ı¤Ì· ËÌÂÚ›‰·˜: «√È ˙ˆÁÚ¿ÊÔÈ Î·È Ù· ÂÚÁ·ÛÙ‹ÚÈ¿ ÙÔ˘˜ ηٿ ÙË ‚˘˙·ÓÙÈÓ‹ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô») (∞ı‹Ó·, 14-16 ª·˝Ô˘ 2010), ¶ÚfiÁÚ·ÌÌ· Î·È ÂÚÈÏ‹„ÂȘ ÂÈÛËÁ‹ÛÂˆÓ Î·È ·Ó·ÎÔÈÓÒÛˆÓ, ∞ı‹Ó· 2010.

ÃÚÈÛÙÈ·ÓÈ΋ £ÂÛÛ·ÏÔÓ›ÎË 10 (2007), ¶Ú·ÎÙÈο

¶Ú·ÎÙÈο π’ ¢ÈÂıÓÔ‡˜ ™˘ÌÔÛ›Ô˘, ÃÚÈÛÙÈ·ÓÈ΋ £ÂÛÛ·ÏÔÓ›ÎË (10-12 √ÎÙˆ‚Ú›Ô˘ 1996), £ÂÛÛ·ÏÔÓ›ÎË 2007.

ÃÚÈÛÙÈ·ÓÈ΋ £ÂÛÛ·ÏÔÓ›ÎË 11 (2006), ¶Ú·ÎÙÈο

ÃÚÈÛÙÈ·ÓÈ΋ £ÂÛÛ·ÏÔÓ›ÎË, fiÏȘ Û˘Ó·ÓÙ‹Ûˆ˜ ∞Ó·ÙÔÏ‹˜ Î·È ¢‡Ûˆ˜. ¶Ú·ÎÙÈο π∞’ ¢ÈÂıÓÔ‡˜ ∂ÈÛÙËÌÔÓÈÎÔ‡ ™˘ÌÔÛ›Ô˘ (πÂÚ¿ ªÔÓ‹ µÏ·Ù¿‰ˆÓ, 12-18 √ÎÙˆ‚Ú›Ô˘ 1997), £ÂÛÛ·ÏÔÓ›ÎË 2006.

æËÊ›‰· ÙËÓ „ËÊ›‰· (2008), ¶Ú·ÎÙÈο

æËÊ›‰· ÙËÓ „ËÊ›‰·. ¢ËÌÈÔ˘ÚÁ›· Î·È Û˘ÓÙ‹ÚËÛË „ËÊȉˆÙÔ‡, ¶Ú·ÎÙÈο ∏ÌÂÚ›‰·˜ (µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô, 28 ª·ÚÙ›Ô˘ 2007), ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô, 2008.

32 AIHV 17 (2006), ¶Ú·ÎÙÈο

ABRÉVIATIONS – ™YNTOMO°PAºIE™ 17th International Congress of the International Association for the History of Glass (Antwerp, 4-8 September 2005), Antwerp 2006.

AJPA ∞ª Suppl. 46 (2008), ¶ÂÚÈÏ‹„ÂȘ

∆he Scientific Program and abstracts of posters and podium presentations of the Annual Meeting of the American Association of Physical Anthropologists in 2008, published in the American Journal of Physical Anthropology (AJPA) Supplement «The Annual Meeting Issue».

Anthropology Congress 2 (2006), ¶ÂÚÈÏ‹„ÂȘ

2nd International Congress of Anthropology on «Human Evolution and Population. Bio-Diversity in SE-Europe» (Athens, 5-7 June 2006, Areopolis-Sparta, 8-10 June 2006), Abstracts, Athens 2006.

Archaeology and the Crusades (2007), ¶Ú·ÎÙÈο

Archaeology and the Crusades: Proceedings of the Round Table (Nicosia, 1 Feburary 2005), eds. Edbury P., KalopissiVerti S., Athens: Pierides Foundation, 2007.

Biomedical Sciences in Archaeology 1 (2008), ¶ÂÚÈÏ‹„ÂȘ

1st International Congress on Biomedical Sciences in Archaeology, organised by the Department of the History of Medicine, University of Crete, and the Archaeological Research Unit, University of Cyprus (Heraklion, Greece, 2426 September 2008), ¶ÂÚÈÏ‹„ÂȘ ·Ó·ÎÔÈÓÒÛˆÓ, Heraklion 2008.

Black Sea Coast (2008), ¶Ú·ÎÙÈο

Numismatic, Sphragistic and Epigraphic Contributions to the History of the Black Sea Coast. Proceedings of the International Conference in the Memory of Dr. Milko Mirchev (Varna, September 15th-17th, 2005) [= Acta Musei Varnaensis VII], vols. 1-2, Varna 2008.

Byzance et les Slaves (2007), ¶Ú·ÎÙÈο

Conférence International «Byzance et les Slaves». 20e Anniversaire du Centre des Recherches Slavo-byzantines «Ivan Dujãev» = Godi‰nik na Sofijskija Universitet Sv. Kliment Ochridski / Annuaire de l’Université de Sofia «St. Kliment Ohridski», Fac. hist.-phil., 96:15 (2007).

Byzantine Studies Conference 36 (2010), ¶ÂÚÈÏ‹„ÂȘ

Thirty-sixth Annual Byzantine Studies Conference (University of Pennsylvania, Philadelphia, 8-10 October 2010), Abstracts of Papers, Philadelphia 2010.

Byzantine Trade (2009), ¶Ú·ÎÙÈο

Byzantine Trade, 4th-12th Centuries: The Archaeology of Local, Regional, and International Exchange. Papers of the Thirty-eighth Spring Symposium of Byzantine Studies (St. John's College, University of Oxford, March 2004), ed. Mundell Mango M., Society for the Promotion of Byzantine Studies Publications 14, Farnham, Surrey: Ashgate, 2009.

Byzantium and Kievan Rus (2010), ¶Ú·ÎÙÈο

Architecture of Byzantium and Kievan Rus from the 9th to the 12th centuries = Transactions of the State Hermitage Museum LII (Saint Petersburg 2010).

¨anak (2007), ¶Ú·ÎÙÈο

¨anak. Late Antique and Medieval Pottery and Tiles in Mediterranean Archaeological Contexts. Proceedings of the

CONGRÈS – ™YNE¢PIA

33 First International Symposium on Late Antique, Byzantine, Seljuk, and Ottoman Pottery and Tiles in Archaeological Context (¨anakkale, 1-3 June 2005), eds. BöhlendorfArslan B., Uysal A. O., Witte-Orr J. (Byzas 7), Istanbul: Ege Yayinlari, 2007.

Cavalieri di San Giovanni (2009), Cavalieri di San Giovanni in Liguria e nell’Italia Set¶Ú·ÎÙÈο tentrionale, Quadri Regionali, Uomini e Documenti (Genova, 30 settembre-2 ottobre 2004), a cura di Costa Restagno J., Genova-Albenga 2009.

Cerámica Medieval 8 (2009), ¶Ú·ÎÙÈο

Actas del VIII Congresso Internacional de Cerámica Medieval en el Mediterréneo (Ciudad Real, 27 febrero-3 marzo 2007), vol. I-II, Ciudad Real-Almagro 2009.

Ceramica Medievale 9 (2009), ¶ÂÚÈÏ‹„ÂȘ

IX Congresso Internazionale sulla Ceramica Medievale nel Mediterraneo (Venezia, 23-29 novembre 2009), Venezia: Riassunti, 2009.

Chiesa e Palazzo (2007), ¶Ú·ÎÙÈο

Medioevo: la Chiesa e il Palazzo. Atti del Convegno internazionale di studi (Parma, 20-24 settembre 2005), I convegni di Parma, 8, Milano: Electa, 2007.

Christianity in our Life 2 (2007), ¶ÂÚÈÏ‹„ÂȘ

Proceedings of the Second International Symposium «Christianity in our Life. Past, Present, Future» (Tbilisi, 2227 November 2005), Tbilisi 2007.

CIAC 14 (2006), ¶Ú·ÎÙÈο

Acta Congressus Internationalis XIV Arcaeologiae Cristianae (Vindobonae, 19-26.9.1999). Frühes Christentum zwischen Rom und Konstantinopel, Pars I, Hrsg. Harreither R., Pergola Ph., Pillinger R., Pulz A., Città del Vaticano-Wien 2006.

CIAC 15 (2008), ¶ÂÚÈÏ‹„ÂȘ

XV International Congress of Christian Archaeology (XV CIAC), Episcopus, Giuitas, Territorium, PRE-ACTAS (Toledo, 8th-12th September 2008), Toledo 2008.

CIEB 21 (2006), ∂ÈÛËÁ‹ÛÂȘ

Proceedings of the 21st International Congress of Byzantine Studies (London, 21-26 August 2006), vol. I (Texts of the 28 plenary papers), London 2006.

CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ

Proceedings of the 21st International Congress of Byzantine Studies (London, 21-26 August 2006), vols. II (Abstracts of the Papers at the 64 separate Panels) and III (Abstarcts of ca. 700 Communications), London 2006.

Digital Heritage (2008), ¶Ú·ÎÙÈο

Digital Heritage in the New Knowledge Environment: Shared Spaces and Open Paths to Cultural Contents. Proceedings of the International Conference (Athens, 31.10. - 02.11.2008), ed. Tsipopoulou M., Hellenic Ministry of Culture/ Directorate of the National Archive of Monuments, Athens 2008.

Diplomatics in the Eastern Diplomatics in the Eastern Mediterranean, 1000-1500: Aspects Mediterranean (2008), ¶Ú·ÎÙÈο of Cross-Cultural Communication, Proceedings of a Conference at the University of Cyprus (Nicosia, 7-9 April 2006), eds. Beihammer A. D., Parani M. G., Schabel C. D., Leiden-Boston 2008.

34 Dopo le due cadute (2008), ¶Ú·ÎÙÈο

ABRÉVIATIONS – ™YNTOMO°PAºIE™ Dopo le due cadute di Costantinopoli (1204, 1453): Eredi ideologici di Bisanzio, Atti del Convegno Internazionale di Studi (Venezia, 4-5 dicembre 2006), a cura di Koumanoudi M. e Maltezou Ch., Venezia 2008.

East and West (2009), ¶Ú·ÎÙÈο East and West. Essays on Byzantine and Arab Worlds in the Middle Ages, Papers delivered at the 10th and 11th International Congresses on Graeco-Oriental and African Studies (Kryoneri Attikis, 25-28 August 2005 and Nicosia, Cyprus, 27-30 September 2007), and the Colloquium at the Museum of the City of Athens, Vouros-Eftaxias Foundation (Athens, 17-18 April 2008), eds. Monferrer-Sala J. P., Christides V., Papadopoullos T., New Jersey (Gorgias Press) 2009.

El Greco’s Studio (2007), ¶Ú·ÎÙÈο

El Greco’s Studio. Proceedings of the International Symposium (Rethymnon, Crete 2005), ÂÈÌ. ÷Ù˙ËÓÈÎÔÏ¿Ô˘ ¡., ƒ¤ı˘ÌÓÔ: ¶·ÓÂÈÛÙËÌȷΤ˜ ÂΉfiÛÂȘ ∫Ú‹Ù˘, 2007.

European Association of Archaeologists 13 (2007), ¶ÂÚÈÏ‹„ÂȘ

Abstracts of the 13th Annual Meeting of the European Association of Archaeologists (Zadar, 18-23 September 2007), Zadar 2007.

E·Ú¯›· ∞Ì·Ú›Ô˘ (2010), ¶ÂÚÈÏ‹„ÂȘ

¢ÈÂıÓ¤˜ ÂÈÛÙËÌÔÓÈÎfi Û˘Ó¤‰ÚÈÔ: ∏ Â·Ú¯›· ∞Ì·Ú›Ô˘ ·fi ÙËÓ ·Ú¯·ÈfiÙËÙ· ˆ˜ Û‹ÌÂÚ·, ¶ÂÚÈ‚¿ÏÏÔÓ-∞Ú¯·ÈÔÏÔÁ›·πÛÙÔÚ›·-§·ÔÁÚ·Ê›·-∫ÔÈÓˆÓ›· (ºÔ˘ÚÊÔ˘Ú¿˜–∞ÔÛÙfiÏÔÈ ∞Ì·Ú›Ô˘, 27-31 ∞˘ÁÔ‡ÛÙÔ˘ 2010), ¶ÚfiÁÚ·ÌÌ· ÂÚÁ·ÛÈÒÓ Î·È ÂÚÈÏ‹„ÂȘ ·Ó·ÎÔÈÓÒÛˆÓ, ƒ¤ı˘ÌÓÔ 2010.

Faith and Power (2006), ¶Ú·ÎÙÈο

Byzantium: Faith and Power (1261-1557). Perspectives on Late Byzantine Art and Culture. The Metropolitan Museum of Art Symposia, ed. Brooks S., New York 2006.

Fortifications des Croisades (2008), ¶Ú·ÎÙÈο

Un patrimoine commun en Méditerranée: Fortifications de l’époque des Croisades, ICOMOS France, Paris 2008.

Forum Restauronet (2006), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.)

Forum Restauronet de Réthymnon (17-18 Marzo 2005), Actes des Forums 1, Réthymnon et Silves („ËÊȷ΋ ÌÔÚÊ‹), Toscane 2006.

Fragmente (2010), ¶Ú·ÎÙÈο

Fragmente. Der Umgang mit lückenhafter Quellenüberlieferung in der Mittelalterforschung. Akten des internationalen Symposiums des Zentrums Mittelalterforschung der Österreichischen Akademie der Wissenschaften (Wien, 19.-21. März 2009), Hrsg. Gastgeber Ch., Glassner Ch., HolzerTobisch K., Spreitzer R., Wien 2010.

Griechische Ikonen (2010), ¶Ú·ÎÙÈο

Griechische Ikonen - Byzantinische und Nachbyzantinische Zeit, Symposium (Marburg 26.-29.6.2000), Hrsg. Gerousi ∂., Koch G., Athen 2010.

Hellenic Archaeometry 4 (2008), ¶Ú·ÎÙÈο

Proceedings of the 4th Symposium of the Hellenic Society for Archaeometry, (Athens, National Hellenich Research Foundation, 28-31 May 2003), eds. Facorellis Y., Zacharias

CONGRÈS – ™YNE¢PIA

35 N., Polikreti K., British Archaeological Reports Int. Ser. 1746, Oxford 2008.

Heritage of Serenissima (2006), ¶Ú·ÎÙÈο

The Heritage of Serenissima, The presentation of the architectural and archaeological remains of the Venetian Republic, Proceedings of a Conference (Izola-Venezia, 49.11.2005), eds. Gustin M., Gelichi S., Spindler K., Koper 2006.

Hierotopy (2006), ¶Ú·ÎÙÈο

Hierotopy. The Creation of Sacred Spaces in Byzantium and Medieval Russia, ed. Lidov A., Moscow 2006.

Hrizograf / Chrysograph 3 (2009), Hrizograf. Vypusk 3, Srednevekovye kniÏnye centry: mestnye ¶Ú·ÎÙÈο tradicii i meÏregional’nye svjazi: Trudy meÏdunarodnoj nauãnoj konferencii (Moskva, 5-7 sentjavrja 2005) / Chrysograph. Vol. 3, Mediaeval book centres: local traditions and inter-regional connections: Proceedings of the international symposium (Moscow, 5-7 September 2005), Moskva/Moscow: Scanrus, 2009.

Hybrid Cultures (2010), ¶Ú·ÎÙÈο Hybrid Cultures in Medieval Europe. Papers and Workshops of an International Spring School (Europa im Mittelalter, Abhandlungen und Beiträge zur historischen Komparatistik 15), Hrsg. µorgolte M., Sneidmüller B., Berlin: Akademie Verlag, 2010.

ICCM 10 (2008), ¶ÂÚÈÏ‹„ÂȘ

The 10th Conference of the International Committee for the Conservation of Mosaics (ICCM), Conservation, an Act of Discovery (Palermo, 20-26 October 2008), Abstracts of Papers, Palermo 2008.

ICCM 9 (2008), ¶Ú·ÎÙÈο

Proceedings of the 9th Conference of the International Committee for the Conservation of Mosaics (ICCM), «Lessons Learned: Reflecting on the Theory and Practice of Mosaic Conservation» (Hammamet, Tunisia, November 29December 3, 2005), eds. Ben Abed A., Demas M., Roby Th., Los Angeles: The Getty Conservation Institute, 2008.

Identités croisées-Chypre (2006), ¶Ú·ÎÙÈο

Actes du colloque «Identités croisées en un milieu méditerranéen: Le cas de Chypre» (Antiquité-Moyen Âge) (Rouen, 11-13 mars 2004), éd. Fourrier S., Grivaud G., Rouen 2006.

Ideologia e cultura artistica (2009), ¶Ú·ÎÙÈο

Ideologia e cultura artistica tra Adriatico e Mediterraneo orientale (IV-X secolo): Il ruolo dell’autorità ecclesiastica alla luce di nuovi scavi e ricerche, Atti del Convegno Internazionale (Bologna-Ravenna, 26-29 Novembre 2007), a cura di Farioli Campanati R. et al., Bologna 2009.

IKChrA 14 (2006), ¶Ú·ÎÙÈο

Akten des XIV. Internationalen Kongresses für Christliche Archäologie, Wien 1999 (Studi di Antichità Cristiana 62 = Archäologische Forschungen der ÖAW 14), B. 1-2, Città del Vaticano-Wien 2006.

Innovaciones en Museos (2008), ¶Ú·ÎÙÈο

Encuentro Internacional, Innovaciones en Museos Arqueologicos: Un panorama sobre recientes experiencians en

36

ABRÉVIATIONS – ™YNTOMO°PAºIE™ Europa (Museo Arqueologico de Alicante, 15-16 de diciembre de 2006) [= MARQ, Arqueologia y Museos 3 (2008)].

Intelligible Beauty (2010), ¶Ú·ÎÙÈο

«Intelligible Beauty»: Recent Research on Byzantine Jewellery, Papers presented at the Fifth Annual Conference on Byzantine Art (British Museum and King`s College, London, May 2008), eds. Entwistle Ch., Adams N., British Museum Research Publication 178, London 2010.

Junge Römer (2008), ¶Ú·ÎÙÈο

Junge Römer – Neue Griechen. Eine byzantinische Melange aus Wien, Hrsg. Popoviç M., Preiser-Kapeller J., Wien: Phoibos Verlag, 2008.

LRCW2 (2007), ¶Ú·ÎÙÈο

Late Roman Coarse Wares, Cooking Wares and Amphorae in the Mediterranean, Archaeology and Archaeometry, vol. II, eds. Bonifay ª., Treglia J.-C., British Archaeological Reports Int. Ser. 1662 (ππ), Oxford 2007.

Lychnological Acts 2 (2008), ¶Ú·ÎÙÈο

Lychnological Acts 2. Acts of the 2nd International Congress on Ancient and Middle Age Lighting Devices. Trade and Local Production of Lamps from the Prehistory until the Middle Age (Zal™u – Cluj-Napoca, 13-18 May 2006), eds. Roman C.-A., Gudea N., Cluj-Napoca 2008.

L’artista a Bisanzio (2007), ¶Ú·ÎÙÈο

L’artista a Bisanzio e nel mondo cristiano-orientale. Colloquio Internazionale: L’artista a Bisanzio e nel mondo cristiano-orientale (Pisa, Scuola Normale Superiore, 21-22 novembre 2003), a cura di Bacci M., Scuola Normale Superiore Pisa, Seminari e Convegni 12, Pisa 2007.

Material Culture (2007), ¶Ú·ÎÙÈο

Material Culture and Well-Being in Byzantium (400-1453), Proceedings of the International Conference (Cambridge, 810 September 2001), eds. Grünbart ª., Kislinger ∂., Muthesius ∞., Stathakopoulos D., Vienna 2007.

Material Spatiality (2007), ¶Ú·ÎÙÈο

Objects in Context, Objects in Use. Material Spatiality in Late Antiquity, eds. Lavan L., Swift E., Putzeys T. (Late Antique Archaeology 5), Leiden-Boston 2007.

Medieval and Post-Medieval Greece (2009), ¶Ú·ÎÙÈο

Medieval and Post-Medieval Greece: The Corfu Papers, eds. Bintliff J., Stöger, H., µritish Archaeological Reports Int. Ser. 2023, Oxford 2009.

Mediterranean Crossroads (2007), ¶Ú·ÎÙÈο

Mediterranean Crossroads. Proceedings of the International Archaeological Conference on Movements of People and Movement of Cultures (Athens, 10-13 May 2005), eds. Antoniadou S., Pace A., Athens: Pierides Foundation, 2007.

Movile≥tii (2006), ¶Ú·ÎÙÈο

Movile≥tii. Istorie ≥i spiritualitate Româneâsca. Ieremia Movil™. Domnul. Familia. Epoca (=The Movil™ Family. Romanian History and Spirituality. Ieremia Movil™. The Ruler. The Family. The Epoch), (Sucevi∑a Monastery, 30 April-3 May 2006), Sucevi∑a 2006.

CONGRÈS – ™YNE¢PIA

37

Museografia 2 (2007), ¶Ú·ÎÙÈο ππ Encuentro Internacional, Sobre Tecnologías en Museografía (Zaragoza, 25-27 septiembre 2006), ICOM – España 2007.

Navi militari (2010), ¶Ú·ÎÙÈο

Ricoveri per navi militari nei porti del Mediterraneo antico et medievale, Atti del Workshop (Ravello, 4-5 novembre 2005), Centro Universitario Europeo per i Beni Culturali, eds. Blackman D.J., Lentini M.C., Ravello-Bari 2010.

Ni‰ and Byzantium 6 (2008), ¶Ú·ÎÙÈο

Proceedings of the 6th International Symposium of Byzantologists «NI÷· AND BYZANTIUM», organised by the city of Ni‰ in cooperation with the University of Ni‰ (Ni‰, 35 June 2007), ed. Rakoãija M., Ni‰ 2008.

Ni‰ and Byzantium 7 (2009), ¶Ú·ÎÙÈο

Proceedings of the 7th International Symposium of Byzantologists «NI· AND BYZANTIUM», organised by the city of Ni‰ in cooperation with the University of Ni‰ (Ni‰, 35 June 2008), Ni‰ 2009.

NumCongress 14 (2009), ¶ÂÚÈÏ‹„ÂȘ

XIV International Numismatic Congress (Glasgow, 31 August-4 September 2009), Abstracts of Papers, Glasgow 2009.

Olio e vino (2007), ¶Ú·ÎÙÈο

Olio e vino nell’Alto Medioevo, Atti della LIV Settimana di studio (Spoleto, 20-26 aprile 2006), Fondazione Centro Italiano di Studi sull’Alto Medioevo, Spoleto 2007.

Paleopathology Association 16 (2006), ¶Ú·ÎÙÈο

16th Paleopathology Association European Meeting (August 28-September 1, 2006), ed. Manolis S., Hellenic Society of Biological Sciences, Santorini 2006.

POCA 5 (2008), ¶Ú·ÎÙÈο

Postgraduate Cypriot Archaeology (POCA) - 5th Annual Meeting of Young Researchers on Cypriot Archaeology (Dublin, 21-22 October 2005), Proceedings, ed. Papantoniou G., British Archaeological Reports Int.Ser. 1803, Oxford 2008.

POCA 8 (2008), ¶ÂÚÈÏ‹„ÂȘ

Religion und Kultur (2010), ¶Ú·ÎÙÈο

Postgraduate Cypriot Archaeology (POCA) - 8th Annual Meeting of Young Researchers on Cypriot Archaeology (Brussels, 27-29 November 2008), Abstracts, Brussels 2008. Religion und Kultur im albanisch-sprachigen Südosteuropa, Hrsg. Rathberger A., Frankfurt am Main: Pro Oriente-Peter Lang, 2010.

Reliure Médiévale (2008), ¶Ú·ÎÙÈο

La reliure médiévale. Pour une description normalisée. Actes du colloque international organisé par l’Institut de recherche et d’histoire des textes, CNRS (Paris, 22-24 mai 2003), ed. Lanoë G., Paris 2008.

Renaissance Society (2010), ¶ÂÚÈÏ‹„ÂȘ

The Renaissance Society of America. Annual Meeting (Venice, 8-10 April 2010), Program and Abstract Book, Venice 2010.

Romanian Principalities (2007), ¶Ú·ÎÙÈο

Romanian Principalities and the Holy Places Along the Centuries, Papers of the Symposium (Bucharest, 15-18 √ctober 2006), Bucharest 2007.

38 Rossia-Afon (2008), ¶Ú·ÎÙÈο

ABRÉVIATIONS – ™YNTOMO°PAºIE™
ОСС-ФО: С Л  ДУООГО

ДС  (ок, 1-4 oktiabria 2006) [= ƒˆÛ›·-

Õıˆ˜: ÃÈÏÈÂÙËÚ›‰· ÓÂ˘Ì·ÙÈ΋˜ ÂÓfiÙËÙ·˜ (ªfiÛ¯·, 1-4 √ÎÙˆ‚Ú›Ô˘ 2006)], ок 2008. Routes of Faith (2007), ¶ÂÚÈÏ‹„ÂȘ Routes of Faith in the Medieval Mediterranean, History, Monuments, People, Pilgrimage Perspectives. International Symposium (Thessalonike, 7-10 November 2007), Abstracts of Papers, Thessalonike 2007. Routes of Faith (2008), ¶Ú·ÎÙÈο Routes of Faith in the Medieval Mediterranean, History, Monuments, People, Pilgrimage Perspectives. Proceedings of an International Symposium (Thessaloniki, 7-10 November 2007), ed. Hadjitryphonos E., European Centre for Byzantine and Post-Byzantine Monuments (EKBMM), Thessaloniki: University Studio Press, 2008.

Roy James (2008), ¶Ú·ÎÙÈο

πÛÙÔڛ˜ ÁÈ· ÙËÓ ∞Ú¯·›· ∞Ú牛·. ¶Ú·ÎÙÈο ¢ÈÂıÓÔ‡˜ ™˘Ó‰ڛԢ ÚÔ˜ ÙÈÌ‹Ó ÙÔ˘ James Roy / Proceedings of the International Symposium in honour of James Roy, 50 ¯ÚfiÓÈ· ∞Úο˜ (1958-2008) (æ¿ÚÈ ∆ÚÈÎÔÏÒÓˆÓ, 9-10 ª·˝Ô˘ 2008), ÂÈÌ. ¶›ÎÔ˘Ï·˜ °. ∞., ™ÙÂÌÓ›ÙÛ· 2008.

Scholars, Travels, Archives (2009), Scholars, Travels, Archives: Greek History and Culture ¶Ú·ÎÙÈο through the British School at Athens. Proceedings of a Conference held at the National Research Foundation (Athens, 6-7 October 2006), eds. Smith M.L., Kitromilides P., Kalligas El., British School at Athens, Studies 17, Athens 2009.

Sculpture byzantine (2008), ¶Ú·ÎÙÈο

La sculpture byzantine, VIIe-XIIe siècles, Actes du colloque international organisé par la 2ème Éphorie des antiquités byzantines et l’École française d’Athènes (Athènes, 6-8 septembre 2000), éd. Pennas Ch., Vanderheyde C., Bulletin de Correspondance Hellénique Suppl. 49, Athènes-Paris 2008.

Serbian ArchSoc - 125th Anniversary (2008), ¶ÂÚÈÏ‹„ÂȘ

Abstracts of the Papers at the Annual Meeting and 125th Anniversary Celebration of the Serbian Archaeological Society (Zajeãar, 5-7 June 2008), Zajeãar 2008.

Sevgi Gönül BSS 1 (2010), ¶Ú·ÎÙÈο

First International Sevgi Gönül Byzantine Studies Symposium: Change in the Byzantine World in the Twelfth and Thirteenth Centuries (Istanbul, 25-29 June 2007), Proceedings, Istanbul 2010.

Simposio intercristiano 7 (2008), ¶Ú·ÎÙÈο

La Salvezza. Prospettive soteriologiche nella tradizione orientale e occidentale, Atti del VII Simposio intercristiano, (Reggio Calabria, 2-4 Settembre 2001), a cura di Zilio P., Borgese L., Venezia-Mestre 2008.

Skënderbeu dhe Evropa (2006), ¶Ú·ÎÙÈο

Konferenca Shkencore «Skënderbeu dhe Evropa» (9-10 dhjetor 2005), Me Rastin e 600-Vjetorit Të Lindjes së Gjergj Kastriotit-Skënderbeut, ed. Duka F., Tirana 2006.

CONGRÈS – ™YNE¢PIA

39

Sparta and Laconia (2009), ¶Ú·ÎÙÈο

Sparta and Laconia. From Prehistory to Pre-Modern. Proceedings of the Conference organized by the British School at Athens, the University of Nottingham, the 5th Ephoreia of Prehistoric and Classical Antiquities and the 5th Ephoreia of Byzantine Antiquities (Sparta, 17-20 March 2005), eds. Cavanagh W. G., Gallou C., Georgiadis M., British School at Athens, Studies 16, London 2009.

SSBS 42 (2009), ¶ÂÚÈÏ‹„ÂȘ

42nd Spring Symposium of Byzantine Studies, «Wonderful Things»: Byzantium through its Art (London, 20-22 March 2009), Abstracts of Communications = The Bulletin of British Byzantine Studies 35 (2009).

Sweet land-Cyprus (2006), ¶Ú·ÎÙÈο

«Sweet land...», Lectures on the history and culture of Cyprus, eds. Chrysostomides J., Dendrinos Ch., Camberley, Surrey: Porphyrogenitus, 2006.

The Greek World (2008), ¶Ú·ÎÙÈο

The Greek World under Ottoman and Western Domination: 15th-19th Centuries, Proceedings of the International Conference in conjunction with the exhibition «From Byzantium to Modern Greece: Hellenic Art in Adversity, 1453-1830» (December 15, 2005-May 6, 2006), Onassis Cultural Center, New York, eds. Kitromilides P., Arvanitakis D., ¡ew York 2008.

Thessalonikï, Religion and Archaeology (2010), ¶Ú·ÎÙÈο

From Roman to Early Christian Thessalonikï: Studies in Religion and Archaeology. Proceedings of a Conference entitled «From Roman to Early Christian Thessalonikï: A Conference on Religion and Archaeology» (Harvard Divinity School, Center for the Study of World Religion, 10-14 May 2007), eds. Nasrallah L., Bakirtzis Ch., Friesen St. J., Harvard Theological Studies 64, Cambridge, MA 2010.

Thresholds of the Sacred (2006), ¶Ú·ÎÙÈο

Thresholds of the Sacred. Architectural, Art Historical, Liturgical, and Theological Perspectives on Religious Screens, East and West, ed. Gerstel Sh., Washington, D.C., 2006.

Towards rewriting (2010), ¶Ú·ÎÙÈο

Towards rewriting? New approaches to Byzantine achaeology and art. Proceedings of the symposium on Byzantine art and archaeology (Cracow, September 8-10, 2008), eds. Grotowski P., Skrzyniarz S., Series Byzantina 8, Warsaw 2010.

Vasil Haralanov (2008), ¶Ú·ÎÙÈο Proceedings of the International Symposium dedicated to the Centennial of Dr. Vasil Haralanov (Shumen, 13-15 September 2007), Shumen 2008. Venetocrazia (2009), ¶Ú·ÎÙÈο

I Greci durante la venetocrazia: Uomini, spazio, idee (XIIIXVIII sec.), Atti del Convegno Internazionale di Studi (Venezia, 3-7 dicembre 2007), eds. Maltezou C., Tzavara A., Vlassi D., (Istituto ellenico di studi bizantini e postbizantini di Venezia, Convegni 13), Venezia 2009.

40 Verre soufflé-moulé (2010), ¶Ú·ÎÙÈο

ABRÉVIATIONS – ™YNTOMO°PAºIE™ D'Ennion au Val Saint-Lambert. Le verre soufflé-moulé. Actes des 23e Rencontres de l'Association française pour l'Archéologie du Verre - Colloque internationale (BruxellesNamur, 17-19 octobre 2008), Institut Royal Du Patrimoine Artistique (IRPA), Scientia Artis 5, Bruxelles 2010.

Verres antiques (2006), ¶Ú·ÎÙÈο

Corpus des signatures et marques sur verres antiques, éd. Foy D., Nenna M.-D., Association française pour l’archéologie du Verre, Aix-en-Provence - Lyon 2006.

Via Egnatia Revisited (2010), ¶Ú·ÎÙÈο

Via Egnatia Revisited: Common Past, Common Future. Proceedings of the Via Egnatia Foundation Conference (Bitola, February 2009), Driebergen 2010.

Water (2009), ¶Ú·ÎÙÈο

Collection of Works: Water – Life and Pleasure (Bansko, 27-30/11/2008), eds. Taseva Sl., Sekulov V.P., Georgieva V., Strumica 2009.

Water and Wastewater (2006), ¶Ú·ÎÙÈο

1st International Symposium on Water and Wastewater Technologies in Ancient Civilizations (Heraklion, 28-30 October 2006), Proceedings, ed. Angelakis A. N., Heraklion 2006.

World in your eyes (2007), ¶Ú·ÎÙÈο

The world is in your eyes, Proceedings of the International Conference «Computer Application in Archaeology» (Tomar, Portugal, March 2005), eds. Figueiredo A., Velho C., Tomar 2007.

MÉLANGES – ™Àªª∂π∫∆∞ ∞Á›· ª·Ú›Ó· ∫ÈÛÛÔ‡ (2009)

√ Ó·fi˜ Ù˘ ∞Á›·˜ ª·Ú›Ó·˜ ∫ÈÛÛÔ‡. πÛÙÔÚ›·-¶ÔÏÂÔ‰ÔÌ›·∞Ú¯ÈÙÂÎÙÔÓÈ΋-∂ÈÎÔÓÔÁÚ·Ê›·, ÂÈÌ. §·ÁfiÔ˘ÏÔ˜ ∞.-º., µfiÏÔ˜: ¶·ÓÂÈÛÙËÌȷΤ˜ ∂ΉfiÛÂȘ £ÂÛÛ·Ï›·˜, 2009.

ÕÁÈÔÓ ŸÚÔ˜ Î·È ÚÔ¯ÚÈÛÙÈ·ÓÈ΋ ·Ú¯·ÈfiÙËÙ· (2006)

ÕÁÈÔÓ ŸÚÔ˜ Î·È ÚÔ¯ÚÈÛÙÈ·ÓÈ΋ ·Ú¯·ÈfiÙËÙ·, £ÂÛÛ·ÏÔÓ›ÎË: ∫¤ÓÙÚÔ ¢È·Ê‡Ï·Í˘ ∞ÁÈÔÚ›ÙÈ΢ ∫ÏËÚÔÓÔÌÈ¿˜, 2006.

ÕÁÈÔ˜ ∞ı·Ó¿ÛÈÔ˜ æ˘¯ÈÎÔ‡ (2008) √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ∞ı·Ó·Û›Ô˘ ÛÙÔ æ˘¯ÈÎfi §¿ÚÈÛ·˜, §¿ÚÈÛ·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 7Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008.

ÕÁÈÔ˜ ∞ÓÙÒÓÈÔ˜ ™ËÏÈÒÓ (2010)

ÕÁÈÔ˜ ∞ÓÙÒÓÈÔ˜ ÙÔ˘ ÎfiÛÌÔ˘ ÙÔ˘ ÂÏÏËÓÈÛÌÔ‡ Ù˘ ∫‡ÚÔ˘ ÙˆÓ ™ËÏÈÒÓ, ÂÈÌ. ÃÚ˘Û¿ÓıÔ˘ ∞., §Â˘ÎˆÛ›· 2010.

ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ •˘ÏfiÔÚÙ·˜ / St. Demetrios Church in Ayvansaray (2006)

∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË: ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ •˘ÏfiÔÚÙ·˜. ∞ÔηٿÛÙ·ÛË ÂÈÎfiÓˆÓ Î·È Ù¤ÌÏÔ˘ / Istanbul: St. Demetrios Church in Ayvansaray. Restoration of the Icons and Iconostasis, ÂÈÌ. ÃÂΛÌÔÁÏÔ˘ ∂˘., £ÂÛÛ·ÏÔÓ›ÎË 2006.

ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘ (2010) ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘. πÛÙÔÚ›·- ∆¤¯ÓË- πÛÙÔÚÈ΋ ÁˆÁÚ·Ê›· ÙÔ˘ ÌÔÓ·ÛÙËÚÈÔ‡ Î·È Ù˘ ÂÚÈÔ¯‹˜ ÙˆÓ Â΂ÔÏÒÓ ÙÔ˘ ¶ËÓÂÈÔ‡, ÂÈÌ. °Ô˘ÏÔ‡Ï˘ ™., ™‰ÚfiÏÈ· ™., §¿ÚÈÛ·: ¡Ô̷گȷ΋ ∞˘ÙÔ‰ÈÔ›ÎËÛË §¿ÚÈÛ·˜, °ÂÓÈο ∞گ›· ÙÔ˘

41

MÉLANGES – ™Àªª∂π∫∆∞

∫Ú¿ÙÔ˘˜ / ∞گ›· ¡. §¿ÚÈÛ·˜, 7Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ §¿ÚÈÛ·˜, 2010.

∞ÔηٿÛÙ·ÛË ªÓËÌ›ˆÓ (2010) ™˘ÓÙ‹ÚËÛË, ∞Ó·ÛًψÛË Î·È ∞ÔηٿÛÙ·ÛË ªÓËÌ›ˆÓ ÛÙËÓ ∂ÏÏ¿‰·, 1950-2000, ÂÈÌ. ªÔ‡Ú·˜ Ã., ∆Ô˘ÚÓÈÎÈÒÙ˘ ¶., ∞ı‹Ó·: ¶ÔÏÈÙÈÛÙÈÎfi ÿ‰Ú˘Ì· √Ì›ÏÔ˘ ¶ÂÈÚ·ÈÒ˜, 2010.

∞ÔÛÙfiÏÔ˘ ∞Ó‰Ú¤Ô˘ Ó¤Ô˜ π.¡. (2008)

√ Ó¤Ô˜ πÂÚfi˜ ¡·fi˜ ÙÔ˘ ∞ÔÛÙfiÏÔ˘ ∞Ó‰Ú¤Ô˘ ¶·ÙÚÒÓ. 100 ¯ÚfiÓÈ· ·fi ÙË ıÂÌÂÏ›ˆÛ‹ ÙÔ˘, ¶¿ÙÚ· 2008.

∞ÔÛÙfiÏÔ˘ ¶·‡ÏÔ˘ ‚‹Ì·Ù· / Apostle Paul's footsteps (2009)

÷ÚÙÔÁÚ·ÊÒÓÙ·˜ Ù· ‚‹Ì·Ù· ÙÔ˘ ·ÔÛÙfiÏÔ˘ ¶·‡ÏÔ˘ / Mapping the footsteps of Apostle Paul, £ÂÛÛ·ÏÔÓ›ÎË: ∂ıÓÈ΋ ÷ÚÙÔı‹ÎË, 2009.

∞Ú牛· (2010)

∞Ú牛·, ∆fiÔ˜-¯ÚfiÓÔ˜-¿ÓıÚˆÔÈ, ÂÈÌ. ™·Ú·ÓÙ¿Î˘ ¶., ∞ı‹Ó·: ª›ÏËÙÔ˜, 2010.

∞گ›· (2010)

∞گ›·. ¶ËÁ¤˜ ÁÓÒÛ˘, ËÁ¤˜ ÌÓ‹Ì˘, ÂÈÌ. ¡ÔÙ·Ú¿˜ °., ÃÚ˘ÛÔ˘Ï¿ÎË ™Ù., ∞ı‹Ó· 2010.

µ¿ÛηÓÔ˜ √Êı·ÏÌfi˜ (2010)

µ¿ÛηÓÔ˜ √Êı·ÏÌfi˜. ™‡Ì‚ÔÏ· ª·Á›·˜ ·fi π‰ÈˆÙÈΤ˜ ∞Ú¯·ÈÔÏÔÁÈΤ˜ ™˘ÏÏÔÁ¤˜, ∞ı‹Ó· 2010.

µÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∂ÏÏ¿‰· (2010)

µÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∂ÏÏ¿‰·. ¶ÚÔÛÂÁÁ›˙ÔÓÙ·˜ ÙËÓ ÈÛÙÔÚ›· Ù˘, ÂÈÌ. ª·ÏÙ¤˙Ô˘ ÃÚ., ∂ÏÏËÓÈÎfi πÓÛÙÈÙÔ‡ÙÔ µ˘˙·ÓÙÈÓÒÓ Î·È ªÂÙ·‚˘˙·ÓÙÈÓÒÓ ™Ô˘‰ÒÓ µÂÓÂÙ›·˜, µÈ‚ÏÈÔı‹ÎË ·Ú. 30, ∞ı‹Ó·-µÂÓÂÙ›· 2010.

°ÂÚÔÛ΋Ô˘ (2008)

°ÂÚÔÛ΋Ô˘. ∞fi ÙËÓ ·Ú¯·ÈfiÙËÙ· ̤¯ÚÈ Û‹ÌÂÚ·, §Â˘ÎˆÛ›·: ¢‹ÌÔ˜ °ÂÚÔÛ΋Ô˘, 2008.

¢Ú·ÛÙËÚÈfiÙËÙ˜ ÂÚ› µ˘˙·ÓÙ›Ô˘ (2007)

∞Ú¯·ÈÔÏÔÁÈΤ˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜ ÂÚ› µ˘˙·ÓÙ›Ô˘ ÛÙËÓ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË, ÂÈÌ. ª·ÎÈÚÙ˙‹˜ Ã., ƒ¿Ù˘ ∫.£., ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ £ÂÛÛ·ÏÔӛ΢, £ÂÛÛ·ÏÔÓ›ÎË 2007.

¢˘ÙÈ΋ ª·Î‰ÔÓ›· (2008)

¢˘ÙÈ΋ ª·Î‰ÔÓ›·. πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜, ¶ÂÚÈʤÚÂÈ· ¢˘ÙÈ΋˜ ª·Î‰ÔÓ›·˜, ∞ı‹Ó· 2008.

∂ıÓÈ΋ Ô‰fi˜ £ÂÛÛ·ÏÔӛ΢ ºÏÒÚÈÓ·˜ (2008)

∂ıÓÈ΋ Ô‰fi˜ £ÂÛÛ·ÏÔӛ΢-ºÏÒÚÈÓ·˜. ™ˆÛÙÈΤ˜ ·Ó·Ûηʤ˜ ηٿ ÙÔ 2006-2008 ÛÙÔ ÙÌ‹Ì· ¡¤·˜ ÷ÏÎˉfiÓ·˜Œ‰ÂÛÛ·˜, ÂÈÌ. ÃÚ˘ÛÔÛÙfiÌÔ˘ ∞., £ÂÛÛ·ÏÔÓ›ÎË: ¶ÂÚÈʤÚÂÈ· ∫ÂÓÙÚÈ΋˜ ª·Î‰ÔÓ›·˜, π∑’ ∂.¶.∫.∞., 11Ë ∂.µ.∞., 2008.

∂χıÂÚÓ· ππ,3 (2008)

∫·Ï·Í‹˜ £., ¶Ô‡ÏÔ˘ ¡., °È·ÁοÎË ∞.°., •·ÓıÔÔ‡ÏÔ˘ ª., ª·ÓÙ·Ï¿Ú· §., ª˘ÏˆÓ¿ ¢., ∂χıÂÚÓ·, ∆Ô̤·˜ ππ. 3. µ˘˙·ÓÙÈÓfi Û›ÙÈ ÛÙËÓ ∞Á›· ÕÓÓ·, ƒ¤ı˘ÌÓÔ: ¶·ÓÂÈÛÙ‹ÌÈÔ ∫Ú‹Ù˘, 2008.

ŒÏÙ˘Ó·, Sconavi, ∫Ô˘Ó¿‚ÔÈ (2007)

ŒÏÙ˘Ó·, Sconavi, ∫Ô˘Ó¿‚ÔÈ. ∞fi Ù· ·Ú¯·˚ο ÛÙ· ÓÂÒÙÂÚ· ¯ÚfiÓÈ·, ÂÈÌ. ª˘ÏÔÔÙ·ÌÈÙ¿ÎË ∞ÈÎ., ∫Ô˘Ó¿‚ÔÈ: ¶ÔÏÈÙÈÛÙÈÎfi˜ ™‡ÏÏÔÁÔ˜ ∫Ô˘Ó¿‚ˆÓ, 2007.

ŒÚÁÔ ÂÈÙÚÔÒÓ (2006)

∆Ô ¤ÚÁÔ ÂÈÛÙËÌÔÓÈÎÒÓ ÂÈÙÚÔÒÓ ·Ó·ÛًψÛ˘, Û˘ÓÙ‹ÚËÛ˘ Î·È ·Ó¿‰ÂÈ͢ ÌÓËÌ›ˆÓ, ∞ı‹Ó·:À¶¶√-∆·ÌÂ›Ô ‰È·¯Â›ÚÈÛ˘ ÈÛÙÒÛÂˆÓ ÁÈ· ÙËÓ ÂÎÙ¤ÏÂÛË ·Ú¯·ÈÔÏÔÁÈÎÒÓ ¤ÚÁˆÓ, 2006.

42 ŒÚ¢Ó˜ ÛÙËÓ ∂·ÓÔÌ‹ (2009)

ABRÉVIATIONS – ™YNTOMO°PAºIE™ ∞Ó·ÛηÊÈΤ˜ ŒÚ¢Ó˜ ÛÙËÓ ÂÚÈÔ¯‹ ∂·ÓÔÌ‹˜ £ÂÛÛ·ÏÔӛ΢, ÂÈÌ. ¶·˙·Ú¿˜ £., µ˘˙·ÓÙÈÓ¿ ªÓËÌ›· 16, £ÂÛÛ·ÏÔÓ›ÎË: ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2009.

∏ ÂÏÈ¿ ÛÙËÓ ¶ÂÏÔfiÓÓËÛÔ (2007) «√ ‰Â ÙfiÔ˜ …ÂÏ·ÈÔÊfiÚÔ˜». ∏ ·ÚÔ˘Û›· Ù˘ ÂÏÈ¿˜ ÛÙËÓ ¶ÂÏÔfiÓÓËÛÔ, ÂÈÌ. ªÂÓ¤ÎË ∂., ∞ı‹Ó·: ¶ÔÏÈÙÈÛÙÈÎfi ÿ‰Ú˘Ì· √Ì›ÏÔ˘ ¶ÂÈÚ·ÈÒ˜, 2007.

∏Ú¿ÎÏÂÈÔ, ÕÁÓˆÛÙË IÛÙÔÚ›· (2008)

∏Ú¿ÎÏÂÈÔ. H ¿ÁÓˆÛÙË ÈÛÙÔÚ›· Ù˘ ·Ú¯·›·˜ fiÏ˘, ÂÈÌ.

πÂÚ¿ ªÔÓ‹ ∫‡ÎÎÔ˘ (2010)

πÂÚ¿ ªÔÓ‹ ∫‡ÎÎÔ˘ ÂÈÎÒÓ ·ÓÂÛ¤ÚÔ˘ ʈÙfi˜, ÂÈÌ. ∆ÛÂÏ›-

πˆ·ÓÓ›‰Ô˘-∫·Ú¤ÙÛÔ˘ ∞., HÚ¿ÎÏÂÈÔ 2008. η˜ ∞., ¶ÂÚ‰›Î˘ ™., ∞ı‹Ó·: ¶ÔÏÈÙÈÛÙÈÎfi ÿ‰Ú˘Ì· πÂÚ¿˜ ªÔÓ‹˜ ∫‡ÎÎÔ˘, 2010.

πfiÓÈÔÈ ¡‹ÛÔÈ (2007)

πfiÓÈÔÈ ¡‹ÛÔÈ. πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜, ∞ı‹Ó·: ¶ÂÚÈʤÚÂÈ· πÔÓ›ˆÓ ¡‹ÛˆÓ, 2007.

πÛÙÔÚ›· ÙÔ˘ ∂ÏÏËÓÈÎÔ‡ ŒıÓÔ˘˜ 18 (2009-2010)

∫. ¶··ÚËÁfiÔ˘ÏÔ˘, πÛÙÔÚ›· ÙÔ˘ ∂ÏÏËÓÈÎÔ‡ ŒıÓÔ˘˜ ÛÙËÓ ÎÔÈÓ‹ ÓÂÔÂÏÏËÓÈ΋ ÁÏÒÛÛ·, Ù. 18 (1453-1800), ∞ı‹Ó· (National Geographic Society-4¶ ∞.∂.) 2009-2010.

πÛÙÔÚ›· ÙˆÓ ∂ÏÏ‹ÓˆÓ 10 (2006)

πÛÙÔÚ›· ÙˆÓ ∂ÏÏ‹ÓˆÓ, Ù. 10: √ ÂÏÏËÓÈÛÌfi˜ ˘fi ͤÓË Î˘ÚÈ·Ú¯›· (1453-1821), ÂÈÌ. ∫·Ú‰¿Û˘ ª., ∞ı‹Ó·: ¢ÔÌ‹, 2006.

∫¿ÛÙÚˆÓ ¶ÂÚ›ÏÔ˘˜ (2008)

∫¿ÛÙÚˆÓ ÂÚ›ÏÔ˘˜ – Castrorum Circumnavigatio, ÂÈÌ. °ÂˆÚÁÔÔ‡ÏÔ˘-¡Ù’∞Ì›ÎÔ π., ∞Ú‚·ÓÈÙfiÔ˘ÏÔ˜ ™Ù., ∞ÏÌ¿ÓË ∆˙., ∞ı‹Ó·: À¶.¶√., ∆·ÌÂ›Ô ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ¶fiÚˆÓ Î·È ¢È‡ı˘ÓÛË ∞ÔÙ˘ÒÛˆÓ, 2008.

∫fiÛÙÔ˜ ‰È·ÙÚÔÊ‹˜ (2007)

¶fiÛÔ ÎÔÛÙ›˙ÂÈ ÙÈ... ∆Ô ÎfiÛÙÔ˜ Ù˘ ‰È·ÙÚÔÊ‹˜ ·fi ÙËÓ ·Ú¯·ÈfiÙËÙ· ¤ˆ˜ Û‹ÌÂÚ·, Y¶.¶O.-¡ÔÌÈÛÌ·ÙÈÎfi ªÔ˘Û›Ô, ∞ı‹Ó· 2007.

∫‡ÚÔ˜ (2007)

∫‡ÚÔ˜. ∞fi ÙËÓ ·Ú¯·ÈfiÙËÙ· ¤ˆ˜ Û‹ÌÂÚ·, ÂÈÌ. ª·Ú·ÁÎÔ‡ ∞., °ÂˆÚÁ‹˜ °., ™ÎÏ·‚ÂÓ›Ù˘ ∆., ™Ù¿ÈÎÔ˜ ∫., ∞ı‹Ó· 2007.

§ÂÌÂÛfi˜ (2006)

§ÂÌÂÛfi˜, ∆·Í›‰È ÛÙÔ˘˜ ¯ÚfiÓÔ˘˜ ÌÈ·˜ fiÏ˘, ÂÈÌ. ª·Ú·ÁÁÔ‡ Õ., §ÂÌÂÛfi˜ 2006.

ªÂÁ¿ÏÔÈ ŒÏÏËÓ˜ (2009) ªÂÏ›‚ÔÈ· (2010)

100 ÌÂÁ¿ÏÔÈ ŒÏÏËÓ˜. √È ÎÔÚ˘Ê·›ÔÈ fiÏˆÓ ÙˆÓ ÂÔ¯ÒÓ: ¢ÂοÙÔÌÔ πÛÙÔÚÈÎfi ŒÚÁÔ, ÂÈÌ. µÂÚ¤Ì˘ £., ∞ı‹Ó· 2009. ∞Ó·˙ËÙÒÓÙ·˜ ÙËÓ ∞Ú¯·›· ªÂÏ›‚ÔÈ·, ªÂÏ›‚ÔÈ·: ¢‹ÌÔ˜ ªÂÏÈ‚Ô›·˜, 2010.

ªÂÛÛËÓ›· (2007)

ªÂÛÛËÓ›·. ∆fiÔ˜-ÃÚfiÓÔ˜- ÕÓıÚˆÔÈ, ÂÈÌ. ª·ÙÛԇη ¶., ∞ı‹Ó·: ª›ÏËÙÔ˜, 2007.

ªÓËÌ›· ∏›ÚÔ˘ (2008)

∆· µ˘˙·ÓÙÈÓ¿ ªÓËÌ›· Ù˘ ∏›ÚÔ˘, ÂÈÌ. ¶··‰ÔÔ‡ÏÔ˘ µ. ¡., ∫·Ú·ÌÂÚ›‰Ë ∞., πˆ¿ÓÓÈÓ· 2008.

ªÓËÌ›· πˆ·ÓÓ›ÓˆÓ (2009)

ªÓËÌ›· ÙˆÓ πˆ·ÓÓ›ÓˆÓ: fiÏË, ÓËÛ› ÏÂηÓÔ¤‰ÈÔ, πˆ¿ÓÓÈÓ·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, °ÂÓÈ΋ ¢È‡ı˘ÓÛË ∞Ú¯·ÈÔÙ‹ÙˆÓ Î·È ¶ÔÏÈÙÈÛÙÈ΋˜ ∫ÏËÚÔÓÔÌÈ¿˜, 8Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2009.

43

MÉLANGES – ™Àªª∂π∫∆∞ ªÔÓ·ÛÙ‹ÚÈ· ∞¯·˝·˜ (2006)

µ˘˙·ÓÙÈÓ¿ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ¿ ÌÔÓ·ÛÙ‹ÚÈ· Ù˘ ∞¯·˝·˜, ÂÈÌ. ª. °ÂˆÚÁÔÔ‡ÏÔ˘, ∞ı‹Ó· 2006.

ªÔÓ·ÛÙ‹ÚÈ· ™ÙÚ˘ÌfiÓ· Î·È ƒÔ‰fi˘ (2010)

∆· ÌÔÓ·ÛÙ‹ÚÈ· ÙÔ˘ ™ÙÚ˘ÌfiÓ· Î·È Ù˘ ƒÔ‰fi˘, ÂÈÌ.

¡ÔÌ›ÛÌ·ÙÔ˜ πÛÙÔÚ›· (2008)

∏ πÛÙÔÚ›· ÙÔ˘ ¡ÔÌ›ÛÌ·ÙÔ˜, ÂÈÌ. ∞ÔÛÙfiÏÔ˘ ∂˘., ¡ÈÎÔ-

∑‹ÎÔ˜ ¡., ¶·˘ÏÈÎÈ¿ÓˆÊ ∫., ∆ÛÔ˘Ú‹˜ ∫., ÕÁÈÔÓ ŸÚÔ˜ 2010. Ï¿Ô˘ °., ∞ı‹Ó·: YÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, ¡ÔÌÈÛÌ·ÙÈÎfi ªÔ˘Û›Ô, 2008.

√ ¯Ú˘Ûfi˜ ÙˆÓ ª·Î‰fiÓˆÓ (2007)

√ ¯Ú˘Ûfi˜ ÙˆÓ M·Î‰fiÓˆÓ. ∞fi ÙËÓ ¤ÎıÂÛË ÙÔ˘ ∞Ú¯·ÈÔ ÏÔÁÈÎÔ‡ MÔ˘Û›Ԣ £ÂÛÛ·ÏÔӛ΢, ÂÈÌ. °Ú·Ì̤ÓÔ˜ ¢. µ., £ÂÛÛ·ÏÔÓ›ÎË 2007.

√‰ÔÈÔÚÈÎfi ∫˘ÚËÓ›·˜ (2006)

√‰ÔÈÔÚÈÎfi ÛÙ· ¯ÚÈÛÙÈ·ÓÈο ÌÓËÌ›· Ù˘ ÌËÙÚÔÔÏÈÙÈ΋˜ ÂÚÈʤÚÂÈ·˜ ∫˘ÚËÓ›·˜. ÕÙÏ·ÓÙ·˜ ÌÓËÌ›ˆÓ, ÂÈÌ. ÷Ù˙Ë-

√‰ÔÈÔÚÈÎfi ¡ÔÌÔ‡ ∫·Ú‰›ÙÛ·˜ (2007)

√‰ÔÈÔÚÈÎfi ÛÙ· ªÓËÌ›· ÙÔ˘ ¡ÔÌÔ‡ ∫·Ú‰›ÙÛ·˜, ∞Ú¯·ÈfiÙËÙ˜-¡·Ô›-¡ÂfiÙÂÚ· ªÓËÌ›·, ∫·Ú‰›ÙÛ·: ¡Ô̷گȷ΋

¯ÚÈÛÙÔ‰Ô‡ÏÔ˘ ÃÚ., §Â˘ÎˆÛ›· 2006.

∞˘ÙÔ‰ÈÔ›ÎËÛË ∫·Ú‰›ÙÛ·˜, 2007.

√ıˆÌ·ÓÈο ªÓËÌ›· (2009)

∏ Û˘ÓÙ‹ÚËÛË Î·È Ë ·ÔηٿÛÙ·ÛË ÙˆÓ ÔıˆÌ·ÓÈÎÒÓ ÌÓËÌ›ˆÓ ÛÙËÓ ∂ÏÏ¿‰·, ÂÈÌ. ™ÙÂÊ·Ó›‰Ô˘ ∞ÈÌ., £ÂÛÛ·ÏÔÓ›ÎË: ∞πª√™-∂ªª∞µ¶ (∂Ù·ÈÚ›· ÁÈ· ÙË ªÂϤÙË Ù˘ ªÂ۷ȈÓÈ΋˜ ∞Ú¯ÈÙÂÎÙÔÓÈ΋˜ ÙˆÓ µ·ÏηӛˆÓ Î·È Ù˘ ¶ÚÔÛÙ·Û›·˜ Ù˘), 2009.

√ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008) ∏ √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ÛÙËÓ ∂ÏÏ¿‰·, ÂÈÌ. ªÚÔ‡ÛηÚË ∂., ∞ı‹Ó·: À¶.¶√.-¢È‡ı˘ÓÛË µ˘˙·ÓÙÈÓÒÓ Î·È ªÂÙ·‚˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008 (en anglais aussi: Ottoman Architecture in Greece, ed. Brouskari E., Athens: Hellenic Ministry of Culture, 2008).

√ÈΛ˜ ÈÛÙÔڛ˜ (2008)

√ÈΛ˜ ÈÛÙÔڛ˜. ¢È·¯ÚÔÓÈΤ˜ ·ÊËÁ‹ÛÂȘ ÔÈÎÈÛÙÈ΋˜ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜ Î·È ÔÈÎÔÁÂÓÂÈ·ÎÔ‡ ‚›Ô˘, ÂÈÌ. ∫·Ï·Ì·Ú¿ ¶., ∞ı‹Ó· 2008.

√›ÓÔ˜: ÔÏÈÙÈÛÌfi˜ Î·È ÎÔÈÓˆÓ›· (2006)

√›ÓÔ˜: ÔÏÈÙÈÛÌfi˜ Î·È ÎÔÈÓˆÓ›·, ∞ı‹Ó·: ∂ıÓÈÎfi ÿ‰Ú˘Ì·

¶¿Ì ªÔ˘Û›Ô; (2010)

¶¿Ì ªÔ˘Û›Ô; ∂Î·È‰Â˘ÙÈο ¶ÚÔÁÚ¿ÌÌ·Ù· ÁÈ· ÙÔ ªÔ˘Û›Ô, ¢È‡ı˘ÓÛË ¶ÚˆÙÔ‚¿ıÌÈ·˜ ∂Î·›‰Â˘Û˘ ¡. ¢Ú¿Ì·˜,

∂Ú¢ÓÒÓ-√›ÓÔÓ ÈÛÙÔÚÒ, 2006.

∆Ô̤·˜ ¶ÔÏÈÙÈÛÙÈÎÒÓ £ÂÌ¿ÙˆÓ, ¢Ú¿Ì· 2010.

¶·Ó·Á›· ÙÔ˘ ™›ÓÙË (2006)

¶·Ó·Á›· ÙÔ˘ ™›ÓÙË. ªÂÙfi¯È· Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ∫‡ÎÎÔ˘, ÂÈÌ. ∫ÔÎÎÈÓfiÊÙ·˜ ∫., £ÂÔ¯·Ú›‰Ë˜ π., §Â˘ÎˆÛ›·: ∫¤ÓÙÚÔ ªÂÏÂÙÒÓ πÂÚ¿˜ ªÔÓ‹˜ ∫‡ÎÎÔ˘, 2006.

¶ÔÏÈÙÈÛÌfi˜ ÂÏ·ÈÔÎÔÌ›·˜ (2007)

√ ÔÏÈÙÈÛÌfi˜ Ù˘ ÂÏ·ÈÔÎÔÌ›·˜ ÛÙËÓ ∫Ú‹ÙË. ∞Ú¯·ÈÔÏÔÁÈο ÌÓËÌ›·, ÌÓËÌÂȷο ÂÏ·Èfi‰ÂÓÙÚ·, ÏÔÁÔÙ¯ӛ·-Ï·ÔÁÚ·Ê›·, ıÚËÛΛ·, ∏Ú¿ÎÏÂÈÔ: ™‡Ó‰ÂÛÌÔ˜ ÂÏ·ÈÔÎÔÌÈÎÒÓ ‰‹ÌˆÓ ∫Ú‹Ù˘, 2007.

¶fiÓÙÔ˜ (2008)

¶fiÓÙÔ˜: ÷ڷÎÙÈο-ÿÚÙ˜-¡ÔÌ›ÛÌ·Ù·, £ÂÛÛ·ÏÔÓ›ÎË: ∫˘ÚȷΛ‰Ë˜ ∆., 2008.

44

ABRÉVIATIONS – ™YNTOMO°PAºIE™

¶Ú›ÁÎËÔ˜ / Büyükada (2009)

¶Ú›ÁÎËÔ˜. ªËÙÚÔÔÏÈÙÈÎfi˜ Ó·fi˜ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘: ∞ÔηٿÛÙ·ÛË ÂÈÎfiÓˆÓ Î·È Ù¤ÌÏÔ˘ / Büyükada, St. Demetrios Cathedral Church: Restoration of the Icons and Iconostas, ÂÈÌ. ÃÂΛÌÔÁÏÔ˘ ∂˘., £ÂÛÛ·ÏÔÓ›ÎË 2009.

™ÂÚÚ·›ˆÓ ¢È¿ÛˆÛÌ· (2008)

™ÂÚÚ·›ˆÓ ¢È¿ÛˆÛÌ·. ¶ÓÂ˘Ì·ÙÈÎÔ› Î·È ∫·ÏÏÈÙ¯ÓÈÎÔ› £ËÛ·˘ÚÔ› Ù˘ ∂ÎÎÏËÛ›·˜ ÙˆÓ ™ÂÚÚÒÓ, ™¤ÚÚ˜ 2008.

™‡Ó·ÍË-Synaxis (2006)

™‡Ó·ÍË-Synaxis. An anthology of the most significant orthodox theology in Greece appearing in the Journal ™YNA•H from 1982 to 2002, Montréal: Alexander Press, 2006.

∆Ô ÂÏÏËÓÈÎfi ·È¯Ó›‰È (2008)

∆Ô ÂÏÏËÓÈÎfi ·È¯Ó›‰È. ¢È·‰ÚÔ̤˜ ÛÙËÓ ÈÛÙÔÚ›· ÙÔ˘, ÂÈÌ. °ÎÔ˘ÁÎÔ‡ÏË ∫Ï., ∫·Ú·Î·ÙÛ¿ÓË ¢., ∞ı‹Ó· 2008.

ºÈÏÔı¤Ë Ë ∞ıËÓ·›· (2006) ÃÂÈÚ ∞ÁÁ¤ÏÔ˘-∆¯ÓÈ΋ / Hand of Angelos-The Painting Method (2009)

ºÈÏÔı¤Ë ªÂÓÈ˙¤ÏÔ˘ Ë ∞ıËÓ·›·, ∞ı‹Ó·: ¶¿˘ÚÔ˜, 2006. ∂ÈÎfiÓ˜ Ì ÙËÓ ˘ÔÁÚ·Ê‹ «ÃÂÈÚ ∞ÁÁ¤ÏÔ˘». ∏ Ù¯ÓÈ΋ ÂÓfi˜ ∫ÚËÙÈÎÔ‡ ˙ˆÁÚ¿ÊÔ˘ ÙÔ˘ 15Ô˘ ·ÈÒÓ· / Icons by the of a fifteenth-century Cretan Painter, ∞ı‹Ó·: ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË, 2009.

ÃÚÈÛÙÈ·ÓÈ΋ ªÂÛÛËÓ›· (2010)

ÃÚÈÛÙÈ·ÓÈ΋ ªÂÛÛËÓ›·. ªÓËÌ›· Î·È ÈÛÙÔÚ›· Ù˘ πÂÚ¿˜ ªËÙÚÔfiψ˜ ªÂÛÛËÓ›·˜, ÂÈÌ. ™·Ú·ÓÙ¿Î˘ ¶., ∞ı‹Ó·: ª›ÏËÙÔ˜, 2010.

ÃÚ˘ÛÔÛÙÔÌÈÎfi ™˘ÌfiÛÈÔ (2007)

ÃÚ˘ÛÔÛÙÔÌÈÎfi ™˘ÌfiÛÈÔ, ∏ ÚÔÛˆÈÎfiÙËÙ· Î·È Ë ıÂÔÏÔÁ›· ·Á›Ô˘ πˆ¿ÓÓÔ˘ ÃÚ˘ÛÔÛÙfiÌÔ˘, ∞ı‹Ó·: ∞ÔÛÙÔÏÈ΋ ¢È·ÎÔÓ›· Ù˘ ∂ÎÎÏËÛ›·˜ Ù˘ ∂ÏÏ¿‰Ô˜, 2007.

øÚ·ÈfiηÛÙÚÔ (2010)

øÚ·ÈfiηÛÙÚÔ, ÈÛÙÔÚ›· 35 ·ÈÒÓˆÓ, £ÂÛÛ·ÏÔÓ›ÎË: ¢‹ÌÔ˜ øÚ·ÈÔοÛÙÚÔ˘, 2010.

Athos, La Sainte Montagne (2007) Athos, La Sainte Montagne. Tradition et Renouveau dans l'Art, éd. Galavaris G. (∞ıˆÓÈο ™‡ÌÌÂÈÎÙ· 10), Athènes: National Hellenic Research Foundation, Institute for Byzantine Research, 2007.

Byzantine World (2010) Candia e Cipro (2010)

The Byzantine World, ed. Stephenson P., √xford 2010. Candia e Cipro. Le due isole «maggiori» di Venezia, a cura di Scroccaro M., Andrianakis M. G., Milano 2010.

Companion to medieval art (2006) A companion to medieval art: Romanesque and Gothic in Northern Europe, ed. Rudolph C., √xford 2006. Cunning Chapters (2007)

Cunning Chapters. A collaborative artist’s book curated by Johanknecht S. and Meynell K., London: Gefn Press, 2007.

Cyprus of Saints (2006)

Cyprus, island of Saints. A religious tour, Nicosia: Methexis, 2006.

Egeria (2008)

Egeria, Monuments of Faith in the Medieval Mediterranean, Mediterranean Medieval Places of Pilgrimage network for the Documentation, Preservation and Enhancement of Monuments in the Euromediterranean Area, Athens: Greek

45

MÉLANGES – ™Àªª∂π∫∆∞

Ministry of Culture and participants of the EGERIA Program, 2008.

From Temple to Church (2008)

From Temple to Church: Destruction and Renewal of Local Cultic Topography in Late Antiquity, eds. Hahn J., Emmel S., Gotter U., Leiden-Boston 2008.

Frühchristliches Thessaloniki (2007)

Frühchristliches Thessaloniki, Studien und Texte zu Antike und Christentum/Studies and Texts in Antiquity and Christianity 44, Hrsg. Breytenbach C., Behrmann I., Tübingen 2007.

Kreta (2007)

Kreta. Kunst und Kultur im Mittelalter, Hrsg. HausteinBartsch E., Recklinghausen 2007.

La muerte en la infancia (2008)

Nasciturus, infans, puerulus vobis mater terra: la muerte en la infancia, eds. Gusi Jener F., Muriel S., Olària C., Diputacifi de Castellfi: Servei d'Investigacions Arqueològiques i Prehistòriques (SIAP), Castellfin (España) 2008.

Madonna delle Vittorie (2009)

La Madonna delle Vittorie a Piazza Armerina, a cura di Guida M.-K., Napoli: Electa, 2009.

Menologio de Basilio II (2008)

El «Menologio de Basilio II», ed. F. D’Aiuto, Città del Vaticano-Atenas-Madrid 2008.

Niketas Choniates (2009)

Niketas Choniates. A Historian and a Writer, eds. Simpson A., Efthymiadis S., Geneva 2009.

Notarial System (2009)

A History of the Greek Notarial System, Handbuch zur Geschichte des Notariats der europäischen Traditionen, eds. Schmoeckel M., Schubert W., Baden-Baden 2009.

OHBS (2008)

The Oxford Handbook of Byzantine Studies, eds. Jeffreys E., Haldon J., Cormack R., Oxford: Oxford University Press, 2008.

Post-Roman Towns (2007)

Millenium Studies. Post-Roman Towns, Trade and Settlement in Europe and Byzantium, vol. 2: Byzantium, Pliska and the Balkans, ed. Henning J., Berlin-New York 2007.

Prähistorische Olynth (2010)

Das prähistorische Olynth. Ausgrabungen in der Toumba Agios Mamas 1994-1996. Die Crabung und der Baubefund, Hrsg. Hänsel B., Aslanis I., Prähistorische Archäologie in Südosteuropa Band 23, Rahden-Westf. 2010.

Sailing in the Aegean (2008)

Sailing in the Aegean: Readings on the economy and trade routes, eds. Giannikouri A., Papageorgiadou Ch., Meletimata 53, Athens: National Hellenic Research Foundation, Institute of Greek and Roman Antiquity (IGRA), 2008.

Signum Salutis (2008)

Signum Salutis. Cruces de orfebreria de los siglos V al XII, ed. Cezar Garcia de Castro Valdes, Consejeria de Cultura y

46

ABRÉVIATIONS – ™YNTOMO°PAºIE™ Turismo del Principado de Asturias, Oviedo: KRK Ediciones, 2008.

Singular Antiquity (2008)

A Singular Antiquity. Archaeology and Hellenic Identity in twentieth-century Greece, eds. Damaskos D., Plantzos D., Athens: Benaki Museum, 2008.

HOMMAGES – TIMHTIKOI TOMOI ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010) ∞ÓÙ·fi‰ÔÛË. ªÂϤÙ˜ ‚˘˙·ÓÙÈÓ‹˜ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ‹˜ ·Ú¯·ÈÔÏÔÁ›·˜ Î·È Ù¤¯Ó˘ ÚÔ˜ ÙÈÌ‹Ó Ù˘ ηıËÁ‹ÙÚÈ·˜ ∂ϤÓ˘ ¢ÂÏËÁÈ¿ÓÓË-¢ˆÚ‹, ÂÈÌ. ∞Ú‚·Ó›ÙË ™Ì., °ÂˆÚÁ›Ô˘ ∞., ∫ÔÓÙÔÁÈ¿ÓÓ˘ ¡., ª·ÚÌ·Ú›ÙÛ· ∂., ¶¿ÏÏ˘ °., ∆ۿη ∫., ∞ı‹Ó· 2010.

¢∂∆√ƒ∞∫∏™ £. (2008)

¶·È‰Â›· Î·È ¶ÔÏÈÙÈÛÌfi˜ ÛÙËÓ ∫Ú‹ÙË. µ˘˙¿ÓÙÈÔ-µÂÓÂÙÔÎÚ·Ù›·. ªÂϤÙ˜ ·ÊÈÂڈ̤Ó˜ ÛÙÔÓ £ÂÔ¯¿ÚË ¢ÂÙÔÚ¿ÎË, ÂÈÌ. µ¿ÛÛ˘ π., ∫·ÎÏ·Ì¿Ó˘ ™Ù., §Ô˘Î¿ÎË ª., ∏Ú¿ÎÏÂÈÔ 2008.

∑∏µ∞™ ¢. (2007)

¶ÔÚ›·. ∆ÈÌËÙÈÎfi˜ ÙfiÌÔ˜ ÛÙÔÓ Î·ıËÁËÙ‹ ¢ÈÔÓ‡ÛË ∞. ∑‹‚·, ÂÈÌ. °Ú·Ê¿ÎÔ˘ M., ∫·Ú‰·Ì›ÙÛË-∞‰¿ÌË M., ª·˝ÛÙÚÔ˘ E., ∞ı‹Ó·: ∂ıÓÈÎfi ªÂÙÛfi‚ÈÔ ¶ÔÏ˘Ù¯Ó›Ô, ™¯ÔÏ‹ ∞Ú¯ÈÙÂÎÙfiÓˆÓ, 2007.

∑π∞∫∞™ °. (2008)

ºÈÏ›· Î·È ∫ÔÈÓˆÓ›·, ∆ÈÌËÙÈÎfi˜ ÙfiÌÔ˜ ÛÙÔÓ Î·ıËÁËÙ‹ °ÚËÁfiÚÈÔ ∑ȿη, £ÂÛÛ·ÏÔÓ›ÎË 2008.

∫∞ƒ¶√∑∏§√™ A. (2009)

Realia Byzantina. Festschrift in honour of Apostolos Karpozilos, Professor Emeritus of Byzantine Literature at the University of Ioannina, eds. Kotzabassi S., Mavromatis G., (Byzantinisches Archiv 22), Berlin-New York 2009.

∫√¡∆√™ ¶. (2006)

∂˘ÂÚÁÂÛ›Ë. ∆fiÌÔ˜ ¯·ÚÈÛÙ‹ÚÈÔ˜ ÛÙÔÓ Î·ıËÁËÙ‹ ¶·Ó·ÁÈÒÙË π. ∫ÔÓÙfi [= ¶·ÚÔ˘Û›· π∑’-π∏’ (2004-2005)], ÂÈÌ. ¶ÚÔÌÔÓ¿˜ π. ∫., µ·Ï·‚¿Ó˘ ¶., ∞ı‹Ó· 2006.

ª∞™∆ƒ√¢∏ª∏∆ƒ∏™ ¶. (2007) E˘Î·Ú›·˜ ¤·ÈÓÔ˜. ∞ÊȤڈ̷ ÛÙÔÓ Î·ıËÁËÙ‹ ¶·Ó·ÁÈÒÙË ¢. M·ÛÙÚÔ‰ËÌ‹ÙÚË, ÂÈÌ. ∞Ó‰ÚÂȈ̤ÓÔ˜ °., ∞ı‹Ó· 2007. ª¶√Àƒ∞™ X. (2009)

°È· ÙÔÓ Ã·Ú¿Ï·ÌÔ ªÔ‡Ú·, ÂÈÌ. ∫ÔÚÚ¤˜ ª., ª·Ì·ÏÔ‡ÎÔ˜ ™., ºÈÏÈ›‰Ë˜ ¢., ª›Ú˘ ª., ∫·Ú‰·Ì›ÙÛË-∞‰¿ÌË ª., Mango C., (µÈ‚ÏÈÔı‹ÎË ÙÔ˘ ªÔ˘Û›Ԣ ªÂÓ¿ÎË, ∆ÈÌ‹˜ ŒÓÂÎÂÓ 1), ∞ı‹Ó·: ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË, 2009.

¡π∫√¡∞¡√™ N. (2006)

¢ÒÚÔÓ. ∆ÈÌËÙÈÎfi˜ ÙfiÌÔ˜ ÛÙÔÓ Î·ıËÁËÙ‹ ¡›ÎÔ ¡ÈÎÔÓ¿ÓÔ, ÂÈÌ. ∫·Ú·‰¤‰Ô˜ °., ¢’ ∆Ô̤·˜ ∆Ì‹Ì·ÙÔ˜ ∞Ú¯ÈÙÂÎÙfiÓˆÓ Ù˘ ¶ÔÏ˘Ù¯ÓÈ΋˜ ™¯ÔÏ‹˜ ÙÔ˘ ∞.¶.£., 10Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ Ã·ÏÎȉÈ΋˜ Î·È ∞Á›Ô˘ ŸÚÔ˘˜, £ÂÛÛ·ÏÔÓ›ÎË 2006.

¶∞¶∞¢∞∫∏-OEKLAND ™Ù., ªÓ‹ÌË (2009)

æËÊ›‰Â˜. ªÂϤÙ˜ πÛÙÔÚ›·˜, ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∆¤¯Ó˘ ÛÙË ÌÓ‹ÌË Ù˘ ™Ù¤ÏÏ·˜ ¶··‰¿ÎË-Oekland, ÂÈÌ. °ÎÚ¿Ù˙ÈÔ˘

∏OMMAGES – TIMHTIKOI TOMOI

47

Ÿ., §Ô‡ÎÔ˜ Ã., ∏Ú¿ÎÏÂÈÔ: ¶·ÓÂÈÛÙËÌȷΤ˜ EΉfiÛÂȘ ∫Ú‹Ù˘, 2009.

¶√§∂ª∏™ ¢., ªÓ‹ÌË (2009)

∂‡·Ó‰ÚÔ˜. ∆fiÌÔ˜ ÂȘ ÌÓ‹ÌËÓ ¢ËÌËÙÚ›Ô˘ π. ¶ÔϤÌË, ÕÓ‰ÚÔ˜: ∫·˝ÚÂÈÔ˜ µÈ‚ÏÈÔı‹ÎË, 2009.

™√ºπ∞¡√™ ¢. (2007) ™∆∞Àƒπ¢∏ ∞., ªÓ‹ÌË (2008)

∆fiÌÔ˜ x·ÚÈÛÙ‹ÚÈÔ˜ ÛÙÔÓ ¢ËÌ‹ÙÚË ∑. ™ÔÊÈ·Ófi [= πfiÓÈÔ˜ §fiÁÔ˜ 1 (2007)]. Amicitiae Gratia, TfiÌÔ˜ ÛÙË ÌÓ‹ÌË ∞ÏÎÌ‹Ó˘ ™Ù·˘Ú›‰Ë, (¢ËÌÔÛȇ̷ٷ ÙÔ˘ ·Ú¯·ÈÔÏÔÁÈÎÔ‡ ‰ÂÏÙ›Ô˘ , ·Ú. 99), ∞ı‹Ó·: ∆·ÌÂ›Ô ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ¶fiÚˆÓ Î·È ∞·ÏÏÔÙÚÈÒÛˆÓ, 2008.

∆√Àƒ∞∆™√°§√À π. (2009)

«∫ÂÚÌ¿ÙÈ· ºÈÏ›·˜», ∆ÈÌËÙÈÎfi˜ ÙfiÌÔ˜ ÁÈ· ÙÔÓ πˆ¿ÓÓË ∆Ô˘Ú¿ÙÛÔÁÏÔ˘, ÂÈÌ. ¢ÚÔ‡ÁÔ˘ ™Ù., ∂˘ÁÂÓ›‰Ô˘ ¢., ∫Ú›Ù˙·˜ Ã., ∫·ÏÙÛ¿˜ ¡., ¶¤ÓÓ· µ., ∆ÛÔ‡ÚÙË ∏., °·Ï¿ÓË-∫Ú›ÎÔ˘ ª., ƒ¿ÏÏË ∂˘., ∞ı‹Ó· 2009.

º√À¡∆√À§∏™ I., ªÓ‹ÌË (2010) ∞ÓÙ›‰ˆÚÔÓ. ∆fiÌÔ˜ ÙÈÌ‹˜ Î·È ÌÓ‹Ì˘ ÂȘ ÙÔÓ Ì·Î·ÚÈÛÙfiÓ Î·ıËÁËÙ‹Ó Ù˘ §ÂÈÙÔ˘ÚÁÈ΋˜ πˆ¿ÓÓË ºÔ˘ÓÙÔ‡ÏË, £ÂÛÛ·ÏÔÓ›ÎË 2010.

Ã∞∆∑∏ºø∆∏™ π., ªÓ‹ÌË (2008) ∞ÏÂÍ·Ó‰ÚÈÓfi˜ ∞ÌËÙfi˜. ∞ÊȤڈ̷ ÛÙËÓ ÌÓ‹ÌË ÙÔ˘ π. ª. ÷Ù˙ËÊÒÙË, ÂÈÌ. ∆˙Ô˘Ì¤Úη˜ ¶., µ·Ú‚Ô‡Ó˘ °. ª., ∞ÏÂÍ¿Ó‰ÚÂÈ·: ¶·ÙÚÈ·Ú¯Â›Ô ∞ÏÂÍ·Ó‰Ú›·˜ 2008.

ÃÀ™√™∆√ª√™ µ’ ∫‡ÚÔ˘ (2008)

™Ù· ‚‹Ì·Ù· ÙÔ˘ ·fiÛÙÔÏÔ˘ µ·ÚÓ¿‚·. ÷ÚÈÛÙ‹ÚÈÔ˜ ÙfiÌÔ˜ ÚÔ˜ ÙÈÌ‹Ó ÙÔ˘ ∞Ú¯ÈÂÈÛÎfiÔ˘ ¡¤·˜ πÔ˘ÛÙÈÓÈ·Ó‹˜ Î·È ¿Û˘ ∫‡ÚÔ˘ Î.Î. ÃÚ˘ÛÔÛÙfiÌÔ˘ µ’ ÁÈ· Ù· ÙÚÈ¿ÓÙ· ¯ÚfiÓÈ· ·Ú¯ÈÂÚ·ÙÈ΋˜ ÙÔ˘ ‰È·ÎÔÓ›·˜, §Â˘ÎˆÛ›· 2008.

ÃÀ™√™∆√ª√™ µ’ ∑·Î‡ÓıÔ˘ (2009)

«ºÈfiÚ· ∆ÈÌ‹˜». ÷ÚÈÛÙ‹ÚÈÔ˜ ÙfiÌÔ˜ ÁÈ· ÙÔÓ ªËÙÚÔÔÏ›ÙË ∑·Î‡ÓıÔ˘ ÃÚ˘ÛfiÛÙÔÌÔ µ’ ™˘ÓÂÙfi, ÂÈÌ. °fiÓ˘ ¢., ∑¿Î˘ÓıÔ˜ 2009.

ANDREEV I., ªÓ‹ÌË (2009)

«Bulgaria, Land of the Blessed...», In Memoriam Professoris Iordani Andreevi, Veliko Tûrnovo 2009.

JORDANOV I. (2009)

Studia in honorem professoris Ivan Jordanov [= Numizmatika, Sfragistika i Epigrafika 5 (2009)].

KARPOV S. (2009)

Mare e litora. Essays presented to Sergei Karpov for his 60th birthday, ed. Shukurov R., Moscow 2009.

KODER J. (2007)

Byzantina Mediterranea. Festschrift für Johannes Koder zum 65. Geburtstag, Hrsg. Belke K., Kislinger E., Külzer A., Stassinopoulou M. A., Wien-Köln-Weimar 2007.

KOMEâ A. (2006)

™ÔÊ›·. Sbornik statei po iskusstvu Vizantii i Drevnei Rusi v ãest’ A. I. Komeãa, Moskva 2006.

METHODIOS of Boston (2008)

Legacy of Achievement: Metropolitan Methodios of Boston Festal Volume on the 25th Anniversary of His Consecration to the Episcopate, 1982-2007, ed. Dragas G., Boston: Greek Orthodox Metropolis of Boston, 2008.

48

ABRÉVIATIONS – ™YNTOMO°PAºIE™

OVADIAH A. (2006)

∫¿Ï·ıÔ˜. Studies in Honour of Asher Ovadiah [= Assaph 10-11 (2005-2006)].

POPOVA O. (2008)

Obraz Vizantii. Sbornik statej v ãest O.S.Popovj / Image of Byzantine Empire: A Collection of Articles Celebrating O.S. Popova, Moskva / Moscow 2008.

PRASCHKOV L. (2006)

Restavrator i Izkustvoved, Materiali ot nauchnata konferencia, posvetena na 70-godishninata na prof. d-r Liuben Praschkov, Sofia 2006.

SEIBT W. (2008)

Hypermachos. Studien zu Byzantinistik, Armenologie und Georgistik. Festschrift für Werner Seibt zum 65. Geburtstag. Hrsg. Stavrakos Ch., Wassiliou A.-K., (†) Krikorian M. K., (Oesterreichisch-Armenische Studiengesellschaft), Wiesbaden: Harrassowitz Verlag, 2008.

SPIESER J.-M. (2007)

The Material and the Ideal. Essays in Medieval Art and Archaeology in Honour of Jean-Michel Spieser, eds. Cutler A., Papaconstantinou A., Leiden-Boston 2007.

STRUBE C. (2009)

Syrien und seine Nachbarn von der Spätantike bis in die islamische Zeit. Festschrift Christine Strube, Hrsg. Eichner I., Tsamakda V., (Spätantike - Frühes Christentum - Byzanz, Band 25], Wiesbaden 2009.

WALTER C. (2006)

Ritual and Art: Byzantine Essays for Christopher Walter, ed. Armstrong P., London: The Pindar Press, 2006.

ZORZI M. (2008)

Philanagnostes, Studi in onore di Marino Zorzi, (Istituto ellenico di studi bizantini e postbizantini di Venezia, µÈ‚ÏÈÔı‹ÎË 27), Venezia 2008.

CATALOGUES D’EXPOSITIONS, DE COLLECTIONS ∫∞∆∞§√°√π ∂∫£∂™∂ø¡, ™À§§√°ø¡ ÕÁÈÔÓ ŸÚÔ˜-¶ÚˆÙ¿ÙÔ / Mount Athos-Treasury f Protaton [£ÂÛÛ·ÏÔÓ›ÎË 2006] ∞fiÛÙÔÏÔ˜ ∞Ó‰Ú¤·˜ [¶¿ÙÚ· 2007]

ÕÁÈÔÓ ŸÚÔ˜-∫ÂÈÌ‹ÏÈ· ¶ÚˆÙ¿ÙÔ˘. ∫·Ù¿ÏÔÁÔ˜ ŒÎıÂÛ˘ (∞ÁÈÔÚÂÈÙÈ΋ ∂ÛÙ›·, ª¿ÈÔ˜-√ÎÙÒ‚ÚÈÔ˜ 2006), ÂÈÌ. ™·ÏÈÛÙ‹˜ ¢., ºÔ˘ÛÙ¤Ú˘ °., ∆Ô˘Ùfi˜ ¡., ∂˘·ÁÁÂÏfiÔ˘ÏÔ˜ ™., £ÂÛÛ·ÏÔÓ›ÎË: ∞ÁÈÔÚÂÈÙÈ΋ ∂ÛÙ›·, 2006.

√ ·fiÛÙÔÏÔ˜ ∞Ó‰Ú¤·˜: ∂ÈÎfiÓ˜ Î·È ÎÂÈÌ‹ÏÈ· ·fi ÙËÓ ∫‡ÚÔ. ∫·Ù¿ÏÔÁÔ˜ ÂÎı¤Ûˆ˜ (¢ËÌÔÙÈ΋ ¶ÈÓ·ÎÔı‹ÎË ÙÔ˘ ¢‹ÌÔ˘ ¶·ÙÚ¤ˆÓ, 21/11-6/12/2007), ÂÈÌ. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., §Â˘ÎˆÛ›· 2007.

∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009]

∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ·. ¶ÚfiÛÏË„Ë Î·È ·Ó··Ú¿ÛÙ·ÛË Ù˘ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜ ÛÙË ‚˘˙·ÓÙÈÓ‹ ∆¤¯ÓË. ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (£ÂÛÛ·ÏÔÓ›ÎË, 6 ¡ÔÂÌ‚Ú›Ô˘ 2009- 31 π·ÓÔ˘·Ú›Ô˘ 2010), ÂÈÌ. ÷Ù˙ËÙڇʈÓÔ˜ ∂. - åurãiç S., £ÂÛÛ·ÏÔÓ›ÎË 2009. ∞ÁÁÏÈ΋ ·fi‰ÔÛË Ì ‰È·ÊÔÚÂÙÈ΋ ÛÂÏȉÔÔ›ËÛË ÛÙÔ Architecture as Icon [Princeton 2010].

CATALOGUES D’EXPOSITIONS, DE COLLECTIONS – ∫∞∆∞§√°√π ∂∫£∂™∂ø¡, ™À§§√°ø¡ µª ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ [∞ı‹Ó· 2006]

49

1884-1930. ∞fi ÙË ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ ÛÙÔ µ˘˙·ÓÙÈÓfi ªÔ˘Û›Ô, ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (∞ı‹Ó·, µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô, 29 ª·ÚÙ›Ô˘ 2002 - 7 π·ÓÔ˘·Ú›Ô˘ 2003), ÂÈÌ. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., §·˙·Ú›‰Ô˘ ∞., ∞ı‹Ó· 2006.

µ˘˙¿ÓÙÈÔ Î·È ¡ÂÒÙÂÚË ∆¤¯ÓË [∞ı‹Ó· 2009]

∆Ô µ˘˙¿ÓÙÈÔ Î·È Ë ¡ÂÒÙÂÚË ∆¤¯ÓË. ∏ ÚfiÛÏË„Ë Ù˘ ‚˘˙·ÓÙÈÓ‹˜ Ù¤¯Ó˘ ÛÙËÓ ÂÏÏËÓÈ΋ ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ ·’ ÌÈÛÔ‡ ÙÔ˘ 20Ô‡ ·ÈÒÓ·. ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô, 23 ª·ÚÙ›Ô˘-13 πÔ˘Ó›Ô˘ 2010), ÂÈÌ. ∞ÏÂÍ·Ó‰Ú‹ π., ∞ı‹Ó· 2009.

°ÎÚ¤ÎÔ / Greco [∞ı‹Ó· 2007]

√ °ÎÚ¤ÎÔ Î·È ÙÔ ÂÚÁ·ÛÙ‹ÚÈfi ÙÔ˘ / El Greco y su taller. ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (∞ı‹Ó·, ªÔ˘ÛÂ›Ô ∫˘ÎÏ·‰È΋˜ ∆¤¯Ó˘, 16 √ÎÙˆ‚Ú›Ô˘ 2007-5 π·ÓÔ˘·Ú›Ô˘ 2008), ÂÈÌ. ÷Ù˙ËÓÈÎÔÏ¿Ô˘ ¡., ∞ı‹Ó· 2007.

°˘¿ÏÈÓÔ˜ ∫fiÛÌÔ˜ / Glass Cosmos °˘¿ÏÈÓÔ˜ ∫fiÛÌÔ˜ / Glass Cosmos. ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ [£ÂÛÛ·ÏÔÓ›ÎË 2010] (∞Ú¯·ÈÔÏÔÁÈÎfi ªÔ˘ÛÂ›Ô £ÂÛÛ·ÏÔӛ΢, 20.09.2009 30.09.2011), ÂÈÌ. ∞‰¿Ì-µÂϤÓË ¶., πÁÓ·ÙÈ¿‰Ô˘ ¢., £ÂÛÛ·ÏÔÓ›ÎË: ∞Ú¯·ÈÔÏÔÁÈÎfi ªÔ˘ÛÂ›Ô £ÂÛÛ·ÏÔӛ΢, 2010.

∂ÈÎfiÓ˜ ∞Ï‚·Ó›·˜ [£ÂÛÛ·ÏÔÓ›ÎË 2006]

∂ÈÎfiÓ˜ ·fi ÙȘ ÔÚıfi‰Ô͘ ÎÔÈÓfiÙËÙ˜ Ù˘ ∞Ï‚·Ó›·˜, ™˘ÏÏÔÁ‹ ∂ıÓÈÎÔ‡ ªÔ˘Û›Ԣ ªÂ۷ȈÓÈ΋˜ ∆¤¯Ó˘ ∫ÔÚ˘ÙÛ¿˜, ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (£ÂÛÛ·ÏÔÓ›ÎË, 14 ª·ÚÙ›Ô˘-12 πÔ˘Ó›Ô˘ 2006), ÂÈÌ. ∆Ô‡ÚÙ· ∞Ó., ∞ı‹Ó· 2006 (en anglais aussi).

∂Ú¤ÙÚÈ· [∞ı‹Ó· 2010]

∂Ú¤ÙÚÈ· - ª·ÙȤ˜ Û ÌÈ· ·Ú¯·›· fiÏË. ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (∞ı‹Ó·, ∂ıÓÈÎfi ∞Ú¯·ÈÔÏÔÁÈÎfi ªÔ˘Û›Ô, 27 ∞ÚÈÏ›Ô˘ - 24 ∞˘ÁÔ‡ÛÙÔ˘ 2010), ∞ı‹Ó· 2010.

ŒÚˆ˜ [∞ı‹Ó· 2009]

ŒÚˆ˜. Afi ÙË £ÂÔÁÔÓ›· ÙÔ˘ HÛÈfi‰Ô˘ ÛÙËÓ ‡ÛÙÂÚË ·Ú¯·ÈfiÙËÙ·, K·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (∞ı‹Ó·, ªÔ˘ÛÂ›Ô K˘ÎÏ·‰È΋˜ T¤¯Ó˘, 10 ¢ÂÎÂÌ‚Ú›Ô˘ 2009 - 6 ∞ÚÈÏ›Ô˘ 2010), Aı‹Ó· 2009.

∂Ê˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ £Ú¿Î˘ [£ÂÛÛ·ÏÔÓ›ÎË 2007]

∂Ê˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ ˘ÛÙÂÚÔ‚˘˙·ÓÙÈÓÒÓ ¯ÚfiÓˆÓ ·fi ÙË £Ú¿ÎË: ∞fiÂÈÚ· ·Ó¿ÁÓˆÛ˘ ·Ó·ÛηÊÈÎÒÓ Â˘ÚËÌ¿ÙˆÓ, ÂÈÌ. ¶··ÓÈÎfiÏ·-ª·ÎÈÚÙ˙‹ ¢., ∑‹ÎÔ˜ ¡., £ÂÛÛ·ÏÔÓ›ÎË 2007.

£ÂÛÛ·ÏÔӛ΢ ·Ó¿‰ÂÈÍȘ [£ÂÛÛ·ÏÔÓ›ÎË 2008]

£ÂÛÛ·ÏÔӛ΢ ·Ó¿‰ÂÈÍȘ – ÷ÚÙÒÓ ·Ó·ÌÓ‹ÛÂȘ, ÂÈÌ. ™·‚‚·˝‰Ë˜ ¶., Û˘Óԉ¢ÙÈ΋ ¤Î‰ÔÛË Ù˘ ÔÌfiÙÈÙÏ˘ ¤ÎıÂÛ˘ «£ÂÛÛ·ÏÔӛ΢ ∞Ó¿‰ÂÈÍȘ - ÷ÚÙÒÓ ∞Ó·ÌÓ‹ÛÂȘ» (¢ËÌÔÙÈ΋ ¶ÈÓ·ÎÔı‹ÎË £ÂÛÛ·ÏÔӛ΢, 12.11 - 31.12. 2008) Ô˘ ‰ÈÔÚÁ·ÓÒıËΠ·fi ÙÔ ∂˘Úˆ·˚Îfi ∫¤ÓÙÚÔ ∂ÈÎÔÈÓˆÓ›·˜, ¶ÏËÚÔÊfiÚËÛ˘ Î·È ¶ÔÏÈÙÈÛÌÔ‡ Î·È ÙÔ ∂ıÓÈÎfi ∫¤ÓÙÚÔ Ã·ÚÙÒÓ Î·È Ã·ÚÙÔÁÚ·ÊÈ΋˜ ∫ÏËÚÔÓÔÌÈ¿˜ Î·È ÙËÓ ∂ıÓÈ΋ ÷ÚÙÔı‹ÎË (∂∫∂¶¶ - ∂∫∂ÃÃ∞∫) ÛÂ Û˘ÓÂÚÁ·Û›· Ì ÙËÓ ∞ÓÙȉËÌ·Ú¯›· ¶ÔÏÈÙÈÛÌÔ‡ Î·È ¡ÂÔÏ·›·˜ ÙÔ˘ ¢‹ÌÔ˘ £ÂÛÛ·ÏÔӛ΢ Î·È ÙË ¢ËÌÔÙÈ΋ ¶ÈÓ·ÎÔı‹ÎË, ÛÙÔ Ï·›ÛÈÔ ÙˆÓ 43ˆÓ ¢ËÌËÙÚ›ˆÓ, £ÂÛÛ·ÏÔÓ›ÎË 2008.

∫‡ÚÔ˜ Î·È πÙ·Ï›· / Cipro e l'Italia [Roma 2009]

∏ ∫‡ÚÔ˜ Î·È Ë πÙ·Ï›· ÛÙËÓ ÂÔ¯‹ ÙÔ˘ µ˘˙·ÓÙ›Ô˘. ∆Ô ·Ú¿‰ÂÈÁÌ· Ù˘ ÂÈÎfiÓ·˜ ÙÔ˘ ·Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ Ù˘ ™Ù¤Á˘ Ô˘

50

ABRÉVIATIONS – ™YNTOMO°PAºIE™ Û˘ÓÙËÚ‹ıËΠÛÙË ƒÒÌË / Cipro e l’Italia al tempo di Bisanzio. L’icona grande di San Nicola tis Stegis del XIII secolo restaurata a Roma (Palazzo Venezia, 23 πÔ˘Ó›Ô˘-26 πÔ˘Ï›Ô˘ 2009), ÂÈÌ. ∏ÏÈ¿‰Ë˜ π.∞., §Â˘ÎˆÛ›· 2009.

∫‡ÚÔ˜ Î·È πÙ·Ï›· / Cyprus and Italy / Cipro e l’Italia / Zypern und Italien [§Â˘ÎˆÛ›· 2010]

∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ «∫‡ÚÔ˜ Î·È πÙ·Ï›· ÛÙËÓ ÂÔ¯‹ ÙÔ˘ µ˘˙·ÓÙ›Ô˘. πÛÙÔÚÈΤ˜ Î·È Î·ÏÏÈÙ¯ÓÈΤ˜ Ì·ÚÙ˘Ú›Â˜ Ù˘ §·ÙÈÓÔÎÚ·ÙÚ›·˜ ÛÙËÓ ∫‡ÚÔ (1191-1571) / Cyprus and Italy during the time of the Byzantine Empire. Historical and Artistic Testimonies of the period of the Latin Rule in Cyprus (1191-1571) / Cipro e l’Italia ai tempi dell’impero bizantino. Testimonianze storiche e artistiche nel periodo della dominazione latina di Cipro (1191-1571) / Zypern und Italien in der Zeit des byzantinischen Kaiserreiches. Historische und künstlerische Belege aus der Zeit der Lateinerherrschaft in Zypern (1191-1571)» (§Â˘ÎˆÛ›·, µ˘˙·ÓÙÈÓfi ªÔ˘ÛÂ›Ô π‰Ú‡Ì·ÙÔ˜ ∞Ú¯ÈÂÈÛÎfiÔ˘ ª·Î·Ú›Ô˘ °’, 1.6.-30.11.2010), ÿ‰Ú˘Ì· ∞Ú¯ÈÂÈÛÎfiÔ˘ ª·Î·Ú›Ô˘ °’ - ∫˘ÚÈ·Îfi˜ √ÚÁ·ÓÈÛÌfi˜ ∆Ô˘ÚÈÛÌÔ‡ - πÙ·ÏÈ΋ ¶ÚÂۂ›·, §Â˘ÎˆÛ›· / Lefkosia 2010.

ª·˝ÛÙÔÚ˜ [∞ı‹Ó· 2006]

ª·˝ÛÙÔÚ˜. ºÒÙ˘ ∑·¯·Ú›Ô˘ – ∞ÓÙÒÓ˘ °ÎÏ›ÓÔ˜, ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (∞ı‹Ó·, µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô, 27 ºÂ‚ÚÔ˘·Ú›Ô˘-26 ∞ÚÈÏ›Ô˘ 2006), ÂÈÌ. °ÂÚÔÁÈÒÚÁË ™., ∞ı‹Ó· 2006.

ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008]

µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô. µ˘˙·ÓÙÈÓ¤˜ ™˘ÏÏÔÁ¤˜. ∏ ÌfiÓÈÌË ¤ÎıÂÛË, ÂÈÌ. ÷ÏÎÈ¿ ∂˘., ∞ı‹Ó· 2008.

ªÔ˘ÛÂ›Ô ∂ÎÎÏ. ⁄‰Ú·˜ [ª∂ 2009]

∆Ô ªÔÓ·ÛÙ‹ÚÈ Î·È ÙÔ ∂ÎÎÏËÛÈ·ÛÙÈÎfi ªÔ˘ÛÂ›Ô Ù˘ ⁄‰Ú·˜, ∞ı‹Ó· 2009.

ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ [ª∂ 2007]

µ˘˙·ÓÙÈÓ‹ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË, ªÔ˘ÛÂ›Ô ¶·‡ÏÔ˘ Î·È ∞ÏÂÍ¿Ó‰Ú·˜ ∫·ÓÂÏÏÔÔ‡ÏÔ˘, ÂÈÌ. ™Î·Ì·‚›·˜ ∫., ÷Ù˙ˉ¿ÎË ¡., ∞ı‹Ó· 2007.

√ ¿ÁÈÔ˜ §¿˙·ÚÔ˜ Î·È Ë ∫‡ÚÔ˜ [§Â˘ÎˆÛ›· 2010]

ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., √ ¿ÁÈÔ˜ §¿˙·ÚÔ˜ Î·È Ë ∫‡ÚÔ˜. ∆Ô ÚÔÛ·ÓËÌ·, Ë ÂÈÎÔÓÔÁÚ·Ê›·, Ë Ï·ÙÚ›· Î·È ÔÈ ·Ú·‰fiÛÂȘ ÙÔ˘ ·Á›Ô˘ ÛÙËÓ ∫‡ÚÔ, ŒÎıÂÛË ÂÈÎfiÓˆÓ Î·È ÎÂÈÌËÏ›ˆÓ ÛÙÔ µ˘˙·ÓÙÈÓfi ªÔ˘ÛÂ›Ô π‰Ú‡Ì·ÙÔ˜ ∞Ú¯ÈÂÈÛÎfiÔ˘ ª·Î·Ú›Ô˘ °’ (§Â˘ÎˆÛ›·, 2 ª·ÚÙ›Ô˘-8 ª·˝Ô˘ 2010), §Â˘ÎˆÛ›· 2010 / Saint Lazarus and Cyprus. His Church, iconography, veneration and traditions of Saint Lazarus in Cyprus, Exhibition of icons and relics in the Byzantine Museum of the Archbishop Makarios III Foundation (Lefkosia, 2 March - 8 May 2010), Lefkosia 2010.

¶ËÏfi˜ Î·È ÃÚÒÌ· [∞ı‹Ó· 2007] ¶ËÏfi˜ Î·È ÃÚÒÌ·. ¡ÂÒÙÂÚË ÎÂÚ·ÌÈ΋ ÙÔ˘ ÂÏÏ·‰ÈÎÔ‡ ¯ÒÚÔ˘, ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (∞ı‹Ó·, 21 ¢ÂÎÂÌ‚Ú›Ô˘ 2006 - 17 ºÂ‚ÚÔ˘·Ú›Ô˘ 2007), ÂÈÌ. ªÔÚÌÔ˘‰¿ÎË ª., ∞ı‹Ó· 2007.

™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008] ∞fi ÙË ™¿ÚΈÛË ÙÔ˘ §fiÁÔ˘ ÛÙË £¤ˆÛË ÙÔ˘ ∞ÓıÚÒÔ˘, µ˘˙·ÓÙÈÓ¤˜ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ¤˜ ÂÈÎfiÓ˜ ·fi ÙËÓ ∂ÏÏ¿‰·,

CATALOGUES D’EXPOSITIONS, DE COLLECTIONS – ∫∞∆∞§√°√π ∂∫£∂™∂ø¡, ™À§§√°ø¡

51

∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (∂ıÓÈÎfi ªÔ˘ÛÂ›Ô ∆¤¯Ó˘ Ù˘ ƒÔ˘Ì·Ó›·˜, 6 √ÎÙˆ‚Ú›Ô˘ 2008-15 π·ÓÔ˘·Ú›Ô˘ 2009), ∞ı‹Ó·: ∂ÏÏËÓÈÎfi ÿ‰Ú˘Ì· ¶ÔÏÈÙÈÛÌÔ‡, 2008. En anglais aussi: From the Incernation of Logos to the Theosis of Man. Byzantine and Post-Byzantine icons from Greece, Exhibition catalogue (National Museum of Art of Romania, 6 October 2008-15 January 2009), Athens: Hellenic Cultural Foundation, 2008. ™Ì¿ÏÙ· / Enamels [∞ı‹Ó· 2007] ™Ì¿ÏÙ·. ÃÚÒÌ· ̤۷ ÛÙÔ ¯ÚfiÓÔ / Enamels. Colour in the course of time. ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (∞ı‹Ó·, µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô, 21.12.2007-17.2.2008), ÂÈÌ. ∆ۿηÏÔ˜ ∞., ∞ı‹Ó· 2007.

∆· ¶ÔχÙÈÌ· Ù˘ ¶·Ú¿‰ÔÛ˘ [∞ı‹Ó· 2007]

∆· ¶ÔχÙÈÌ· Ù˘ ¶·Ú¿‰ÔÛ˘. ∫ÔÛÌ‹Ì·Ù·, ÛÙÔÏ›‰È· Î·È Ê˘Ï·ÎÙ¿ ·fi ÙȘ Û˘ÏÏÔÁ¤˜ ÙÔ˘ §·ÔÁÚ·ÊÈÎÔ‡ ªÔ˘Û›Ԣ ÙÔ˘ ∞¶£, ÙÔ˘ ªÔ˘Û›Ԣ µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡ Î·È ÙÔ˘ ªÔ˘Û›Ԣ ªÂÓ¿ÎË Î·È Ù· ‰·ÎÙ˘Ï›‰È·-ÁÏ˘Ù¿ Ù˘ ∞ÊÚÔ‰›Ù˘ §›ÙË, ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (ªÔ˘ÛÂ›Ô µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡ 6.7.2006-31.12.2006), ÂÈÌ. ™ÎÔ˘Ù¤ÚË-¢È‰·ÛοÏÔ˘ E., £ÂÛÛ·ÏÔÓ›ÎË 2007.

∆fiÔÈ [£ÂÛÛ·ÏÔÓ›ÎË 2007]

∆fiÔÈ: Ì›· ¤ÎıÂÛË, Ì›· ÚÔÛ¤ÁÁÈÛË, ¤Ó· ÌÔ˘Û›Ô, Ì›· ÈÛÙÔÚ›·: ∞fi„ÂȘ Ù˘ Ù¤¯Ó˘ ̤۷ ·fi ÙȘ Û˘ÏÏÔÁ¤˜ ÙÔ˘ ª·Î‰ÔÓÈÎÔ‡ ªÔ˘Û›Ԣ ™‡Á¯ÚÔÓ˘ ∆¤¯Ó˘, (∞ÓÒÙ·ÙË ™¯ÔÏ‹ ∫·ÏÒÓ ∆¯ÓÒÓ, 26 ™ÂÙÂÌ‚Ú›Ô˘-25 ¡ÔÂÌ‚Ú›Ô˘ 2007) ÂÈÌ. ∑·¯·ÚfiÔ˘ÏÔ˜ ¡Ù. , £ÂÛÛ·ÏÔÓ›ÎË 2007.

÷ڷÎÙÈο ∂‡‚ÔÈ·˜ [∞ı‹Ó· 2010]

÷ڷÎÙÈο Ù˘ ∂‡‚ÔÈ·˜. ¢È·‰ÚÔÌ‹ ÛÙÔ ¯ÚfiÓÔ. ∞fi ÙË Û˘ÏÏÔÁ‹ ÙÔ˘ πˆ¿ÓÓË ∫. ∫·Ú¿ÎˆÛÙ·. ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (ªÔ˘ÛÂ›Ô Ù˘ ¶fiψ˜ ÙˆÓ ∞ıËÓÒÓ - ÿ‰Ú˘Ì· µÔ‡ÚÔ˘∂˘Ù·Í›·, 29 π·ÓÔ˘·Ú›Ô˘-10 ª·ÚÙ›Ô˘ 2010), ∞ı‹Ó· 2010.

ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010]

ÃÂÈÚ ∞ÁÁ¤ÏÔ˘. ŒÓ·˜ ˙ˆÁÚ¿ÊÔ˜ ÂÈÎfiÓˆÓ ÛÙË ‚ÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∫Ú‹ÙË. ∫·Ù¿ÏÔÁÔ˜ ¤ÎıÂÛ˘ (∞ı‹Ó·, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË, 16 ¡ÔÂÌ‚Ú›Ô˘ - 31 π·ÓÔ˘·Ú›Ô˘ 2010), ÂÈÌ. µ·ÛÈÏ¿ÎË ª., ∞ı‹Ó· 2010 (en anglais aussi: The Hand of Angelos. An Icon Painter in Venetian Crete, ed. Vassilaki M., Athens 2010).

Anthivola [Berlin 2007]

Anthivola. Malvorlagen für sakrale Kunst (Staatliche Museen zu Berlin, Pergamon-Museum, 15 ªärz-10 Juni 2007), Hrsg. Effenberger A., Katselaki A., Nanou M., Athen 2007.

Anthivola [Cracow 2007]

Anthivola. Wzorniki z kolekcji Makrisa-Margaritisa / Painting-patterns from the Makris-Margaritis Collection (Cracow, Arsenal of the Princess Czartoryski Museum, Branch of the National Museum in Cracow, 12 October 2007-13 January 2008), Athens 2007.

Athos [Helsinki 2006]

Athos – Monastic Life of the Holy Mountain. Exhibition Catalogue (Helsinki City Art Museum, 18th August 2006 21st January 2007), Helsinki 2006.

52

ABRÉVIATIONS – ™YNTOMO°PAºIE™

Athos [Paris 2009]

Le Mont Athos et l’Empire byzantin. Trésors de la Sainte Montagne (Petit Palais-Musée des Beaux-Arts de la Ville de Paris, 10 avril-5 juillet 2009), Paris 2009.

Biennale 52 [Venezia 2007]

∞ÏÂ͛Ԣ ¡., The End, π. µÈ‚Ï›Ô, ππ. ∞ʛۘ, 52Ë ¢ÈÂıÓ‹˜ ŒÎıÂÛË ∆¤¯Ó˘ Biennale Ù˘ µÂÓÂÙ›·˜, ÂÈÌ. ∆˙ÈÚÙ˙ÈÏ¿Î˘ °., ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 2007.

Byzantium [London 2008]

Byzantium 330-1453, Exhibition Catalogue (London, Royal Academy of Arts, 25 October 2008-22 March 2009), eds. Cormack R., Vassilaki M., London: Royal Academy of Arts, 2008.

Capolavori dell'arte europea [Roma 2007]

Capolavori dell'arte europea (Roma, Palazzo del Quirinale, 24 marzo-20 maggio 2007), Roma 2007.

Chypre [Genève 2006]

Chypre: D’Aphrodite à Mélusine, Exposition sous la direction de Campagnolo M., Courtois Ch., MartinianiReber M., Michaelidou L., Musées d’art et d’histoire de la Ville de Genève, Fondation culturelle de la Banque de Chypre, Milan 2006.

El Greco origins [New York 2009] The Origins of El Greco: Icon Painting in Venetian Crete. Exhibition Catalogue (November 17, 2009 - February 27, 2010), ed. Drandaki A., New York: Alexander S. Onassis Public Benefit Foundation, USA., 2009.

Erzwungene Wege [Berlin 2006]

Erzwungene Wege. Flucht und Vertreibung im Europa des 20. Jahrhunderts. Eine Ausstellung (Berlin, Kronprinzenpalais, 11. August - 29. Oktober 2006), Berlin 2006.

Europe-Russia-Europe [Moscow 2007]

Catalogue of the international exhibition «Europe-RussiaEurope» (Moscow, State Tretyakov Gallery, 20 May-20 July 2007), Moscow 2007.

Khans [Montpellier 2006]

Khans, Fondouks et Caravanserails. Mémoire de la Méditerranée, section «Ailleurs et autrement». ∂xposition organisée par l'Union Européenne des Architectes et le Conseil Général de l'Héraul, en partenariat avec le Conseil d'Architecture et d'Environnement de l'Hérault et le Conseil Régional de l'Ordre des Architectes du Languedoc-Roussillon (Montpellier, 26-27 octobre 2006), Montpellier 2006.

Morsink Coll. [Amsterdam 2006] Russian and Greek Icons 15th-19th Century, The Morsink Collection, ed. Morsink S., Amsterdam 2006. Münzen und Poesie [Wien 2006]

Münzen und Poesie. Der griechische Dichter Konstantinos Kavafis. Katalog zur Ausstellung (Wien, Kunsthistorisches Museum, 27.11.2006 - 30.3.2007), eds. Geroulanos S., Dembski G., Penna V., Wien 2006.

Museo Civico di Cremona [2007] La Pinacoteca Ala Ponzone. Il Seicento (Catalogo delle collezioni del Museo Civico di Cremona), a cura di Marubbi M., Cinisello B., Milano 2007.

CATALOGUES D’EXPOSITIONS, DE COLLECTIONS – ∫∞∆∞§√°√π ∂∫£∂™∂ø¡, ™À§§√°ø¡ Pracht und Alltag [Bonn 2010]

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Byzanz: Pracht und Alltag. Katalogbuch zur Ausstellung (Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 26.02.2010 - 13.06.2010), München: Hirmer, 2010.

Quatrième croisade [Blois et Paris 2006]

1204, La quatrième croisade. De Blois à ConstantinopleÉclats d’empires. Catalogue d’exposition (Musée Château de Blois et Bibliothèque nationale de France, Musée du Cabinet des Médailles, octobre 2005-janvier 2006), ed. Villela-Petit I., Paris 2006.

Römerreich [Bonn 2010]

Byzanz-das Römerreich im Mittelalter, Katalogbuch zur Ausstellung (Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 26.02.2010 - 13.06.2010), Hrsg. Falko D., Drauschke J., Mainz: Verlag des RömischGermanischen Zentralmuseums, 2010.

San Nicola [Bari 2006]

San Nicola. Splendori d’arte d’Oriente e d’Occidente (Bari, Castello Svevo, 7 dicembre 2006 - 6 maggio 2007), a cura di Bacci ª., Pesaro-Milano: Arthemisia, Skira, Andy Warhol Foundation for the Visual Arts by SIAE, 2006.

Synaxis [Moscow 2010]

«Synaxis». Greek Art 1450-2000. Icons on Wood and Paper, Exhibition Catalogue (The State Pushkin Museum of fine Arts, Moscow, 13 July - 26 September 2010), Athens-Moscow 2010.

Torcello [Venezia 2009]

Torcello: alle origini di Venezia tra Occidente e Oriente. Catalogo a cura di Caputo G., Gentili G. (Venezia, Museo Diocesano 29.8.2009 - 10.1.2010), Venezia: Marsilio, 2009.

Velimezis coll. [Alexandria 2008]

Approaching Heaven, with Greek Icons from the Velimezis Collection (Alexandria, Bibliotheca Alexandrina, Arts Center, 27 Nov - 20 Dec. 2008), Exhibition Catalogue, Athens 2008.

Velimezis coll. [St. Petersburg 2009]

Holy Images. The Greek Icons from the Velimezis Collection (Saint Petersburg, The State Hermitage Museum, 11 September - 13 Decembre 2009), Exhibition Catalogue, Athens 2009.

LISTE DES PUBLICATIONS 2006-2010 KATA§O°O™ ¢HMO™IEYMATøN 2006-2010 1. ∞ÁÁÂÏ¿ÎË µ., ∏ ÌÔ˘ÛÂÈÔÏÔÁÈ΋ - ÌÔ˘ÛÂÈÔÁÚ·ÊÈ΋ ÌÂϤÙË ÁÈ· ÙÔ ÓÂfi ÌÔ˘ÛÂ›Ô Ù˘ ªÔÓ‹˜ ∞Úη‰›Ô˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 604-611 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 609: Museum of Arkadi Monastery: Presentation of the Museological Study). 2. ∞ÁÁ¤ÏÎÔ˘ ∂˘., ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ∫ÔÛÌ‹Ì·Ù· Î·È ÂÍ·ÚÙ‹Ì·Ù· ¤Ó‰˘Û˘ ·fi ÙÔ ÌÂÛÔ‚˘˙·ÓÙÈÓfi ∫›ÙÚÔ˜, ¢Ã∞∂ 27 (2006), Û. 381-390 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 390: Jewellery and Dress Accessories from Middle Byzantine Kitros). 3. ∞ÁÁ¤ÏÎÔ˘ ∂˘., ‚Ï. ·Ú. 1186. 4. ∞ÁÁ¤ÏÎÔ˘ ∂˘., Ÿ„ÂȘ Î·È ÌÓËÌ›· Ù˘ £ÂÛÛ·ÏÔӛ΢ ̤۷ ·fi ·ÏȤ˜ ηÚÙ-ÔÛÙ¿Ï, £ÂÛÛ·ÏÔÓÈΤˆÓ fiÏȘ 22 (πÔ‡ÓÈÔ˜ 2007), Û. 24-29. 5. ∞ÁÁ¤ÏÎÔ˘ ∂˘., ‚Ï. ·Ú. 1189. 6. Angelkou E., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 9.1-9.2 (Tomb with wall paintings, including Susanna and the Elders; Thessaloniki, early fifth century). 7. ∞ÁÁ¤ÏÎÔ˘ ∂˘., µ˘˙·ÓÙÈÓ¿ ÓÔÌ›ÛÌ·Ù· Ù˘ Û˘ÏÏÔÁ‹˜ ¶·Ó·ÁȈٛ‰Ë (11Ô˜–14Ô˜ ·È.) ·fi ÙËÓ ·Ú¯·›· ¶‡‰Ó· (‚˘˙·ÓÙÈÓfi ∫›ÙÚÔ˜), ¶ÈÂÚ›· 3 (2008), ¶Ú·ÎÙÈο, Û. 545-558. 8. ∞ÁÁ¤ÏÎÔ˘ ∂˘., ∫ÔÓÈfiÚ‰Ô˜ µ., √ ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ Î·È ÙÔ ¿ÁÓˆÛÙÔ ÏÔ˘ÙÚfi Ù˘ ∞Á›·˜ ™ÔÊ›·˜ ̤۷ ·fi ʈÙÔÁڷʛ˜, £ÂÛÛ·ÏÔÓÈΤˆÓ fiÏȘ 25 (™Â٤̂ÚÈÔ˜ 2008), Û. 27-33. 9. Angelkou E., Pracht und Alltag [Bonn 2010], Ï‹ÌÌ. ·Ú. 457, 463-464. 10. ∞ÁÁ¤ÏÎÔ˘ ∂˘., ‚Ï. ·Ú. 1200. 11. ∞ÁÁÂÏÔÌ¿ÙË-∆ÛÔ˘ÁÁ·Ú¿ÎË ∂., ∂ÚÁÔÁÚ·Ê›· ¢ËÌËÙÚ›Ô˘ ™ÔÊÈ·ÓÔ‡, ™√ºπ∞¡√™ ¢. (2007), Û. 225-245. 12. Aggelopoulou π., ‚Ï. ·Ú. 910. 13. ∞ÁÚ¤‚Ë ª., ÕÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ ÛÙÔ ŒÍˆ ¡‡ÊÈ Ù˘ ∫¿Ùˆ ª¿Ó˘. ∂ÈÎÔÓÔÁÚ·ÊÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ Û ¤Ó· ¿ÁÓˆÛÙÔ Û‡ÓÔÏÔ ÙÔȯÔÁÚ·ÊÈÒÓ ÙÔ˘ 1284/85, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 171-196. 14. ∞ÁÚ¤‚Ë ª., ÕÁÓˆÛÙË ÂÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ ∞Ó‰Ú¤· ∫Ú‹Ù˘ ÛÙË ªÔÓÂÌ‚·Û›·, ¤ÚÁÔ ÙÔ˘ ∂ÌÌ·ÓÔ˘‹Ï ∆˙¿ÓÂ, ¢Ã∞∂ 30 (2009), Û. 259-270 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 269-270: An unknown Icon of St Andrew of Crete at Monemvasia, Painted by Emmanuel Tzanes). 15. ∞ÁÚ¤‚Ë ª., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ •¤ÓÔ˘ ¢ÈÁÂÓ‹ ÛÙË ªÔÓ‹ ª˘ÚÙÈ¿˜ ∞Èوϛ·˜ (1491). ∏ Â›‰Ú·ÛË Ù˘ ÎÚËÙÈ΋˜ ˙ˆÁÚ·ÊÈ΋˜ ÛÙÔ ¤ÚÁÔ ÂÓfi˜ ¶ÂÏÔÔÓÓ‹ÛÈÔ˘ ˙ˆÁÚ¿ÊÔ˘, Leipzig: Eudora-Verlag, 2010: The wall paintings of Xenos Digenis

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LISTE DES PUBLICATIONS 2006-2010

in the katholikon of the Myrtia monastery of Aetolia (1491). The influence of Cretan painting on the work of a Peloponnesian painter. 16. ∞ı·Ó·Û›Ô˘ º,. ª¿Ï·Ì· µ., ª›˙· ª., ™·Ú·ÓÙ›‰Ô˘ ª., ¶Ï›ÓıÔÈ Î·È ÛÊÚ·Á›ÛÌ·Ù· ·fi Ù· ·Ó¿ÎÙÔÚ· ÙÔ˘ °·ÏÂÚ›Ô˘, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 299-317. 17. ∞ı·Ó·ÛÔ‡Ï˘ ¢., ∏ ¡·Ô‰ÔÌ›· ÛÙËÓ ∂ÈÛÎÔ‹ øϤÓ˘ ηٿ ÙËÓ Ì¤ÛË Î·È ÙËÓ ‡ÛÙÂÚË ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, ·‰ËÌÔÛ›Â˘ÙË ‰È‰·ÎÙÔÚÈ΋ ‰È·ÙÚÈ‚‹, £ÂÛÛ·ÏÔÓ›ÎË 2006. 18. ∞ı·Ó·ÛÔ‡Ï˘ ¢., ÕÓˆ ªÔÓ‹ ¢›‚Ú˘ (ªÔÓ‹ ÃÚ˘ÛÔËÁ‹˜), οو ªÔÓ‹ ¢›‚Ú˘, ªÔÓ·ÛÙ‹ÚÈ· ∞¯·˝·˜ (2006), Û. 152-160. 19. ∞ı·Ó·ÛÔ‡Ï˘ ¢., ¶··ı·Ó·Û›Ô˘ ∂˘., ÕÁÈÔ˜ ™Ù¤Ê·ÓÔ˜ ¶ÂÚÈÛÙ¤Ú·˜ / £ÂÚÈ·ÓÔ‡ (ÛÙ· ∫·ÙÛÔ˘Ï·›Èη) ¶·ÙÚÒÓ (∆ÔÔÁÚ·ÊÈ΋ Î·È ·Ó·ÛηÊÈ΋ ¤Ú¢ӷ: ¶ÂÚ›Ô‰Ô˜ π), ∞™¡¢∂ 1 (2006), ¶Ú·ÎÙÈο, Û. 131-154. 20. ∞ı·Ó·ÛÔ‡Ï˘ ¢., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ ∫¿ÛÙÚÔ˘ ÃÏÔ˘ÌÔ‡Ù˙È / Clermont, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 13-14. 21. ∞ı·Ó·ÛÔ‡Ï˘ ¢., ∆Ô Î·ıÔÏÈÎfi Ù˘ ªÔÓ‹˜ ºÚ·Áη‚›ÏÏ·˜ ÛÙËÓ ∞Ì·ÏÈ¿‰·, ∏϶ڈ٠2007, Û. 185-200. 22. Athanasoulis D., Baker J., Medieval Clarentza, The coins 1999-2004, with additional medieval coin finds from the nomos of Elis, NC 168 (2008), Û. 241-301. 23. Athanasoulis D., Le Château royal franc de Clermont (Chlemoutsi), Fortifications des Croisades (2008), ¶Ú·ÎÙÈο, Û. 85-88. 24. ∞ÏÂ͛Ԣ ∞., ¢‡Ô Ì·ÚÌ·ÚfiÁÏ˘Ù· Ù¤ÌÏ· ÙÔ˘ °. ∫··ÚÈ¿ ÛÙȘ µ. ™ÔÚ¿‰Â˜, ¡π∫√¡∞¡√™ N. (2006), Û. 237-248 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 248: Two Marble-Carved Templa Created by G. Kaparias at Sporades Islands). 25. ∞ÏÂÍÔÔ‡ÏÔ˘ ∞., ∫·ÌÈÓ¿ÚË ∞., ªÂϤÙË Î·È ÙÂÎÌËÚ›ˆÛË Ì ˘¤Ú˘ıÚË ·Ó·ÎÏ·ÛÙÔÁÚ·Ê›· Ù˘ ÂÈÎfiÓ·˜ «ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜» ÙÔ˘ ˙ˆÁÚ¿ÊÔ˘ ∞ÁÁ¤ÏÔ˘ / Study and documentation of an icon of «Saint George» by Angelos using infrared reflegtography, ÃÂÈÚ ∞ÁÁ¤ÏÔ˘-∆¯ÓÈ΋ / Hand of Angelos-The Painting Method (2009), Û. 152-161. 26. Alevras G., Kalopissi-Verti S., Panayotidi-Kesisoglou M., The Sanctuary of Apollo and the Early Christian Settlement at Kardamaina (Ancient Halasarna), on the Island of Kos, Athens 2006. 27. ∫ÔÎÎÔÚÔ‡-∞ÏÂ˘Ú¿ °., ∫·ÏÔ›ÛË-µ¤ÚÙË ™., ¶·Ó·ÁȈٛ‰Ë-∫ÂÛ›ÛÔÁÏÔ˘ ª., ∆Ô πÂÚfi ÙÔ˘ ∞fiÏψӷ Î·È Ô ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi˜ ÔÈÎÈÛÌfi˜ ÛÙËÓ ∫·Ú‰¿Ì·ÈÓ· (∞Ú¯·›· ∞Ï¿Û·ÚÓ·) Ù˘ ∫ˆ, ∞ı‹Ó· 2010. 28. ∞ÏÌ¿ÓË ∆˙., ∂ÈÎfiÓ· Ù˘ ¶·Ó·Á›·˜ «∂ÏÂÔ‡Û·˜» ÛÙË ‚˘˙·ÓÙÈÓ‹ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ‹ Û˘ÏÏÔÁ‹ ÷ӛˆÓ, ¢Ã∞∂ 27 (2006), Û. 271-282 (·ÁÁÏÈ΋ ÂÚ›ÏË-

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„Ë, Û. 282: An Icon of the Virgin «Eleousa» in the Byzantine and PostByzantine Collection of Chania). 29. ∞ÏÌ¿ÓË ∆˙., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ÛÙËÓ ∞Ífi ª˘ÏÔÔÙ¿ÌÔ˘, ª˘ÏÔfiÙ·ÌÔ˜ V (2006), ¶Ú·ÎÙÈο, Û. 159-190. 30. Albani J., Sins and Punishment. A Representation of the Last Judgement in the Church of St. John at Axos, Crete, Christianity in our Life 2 (2007), ¶Ú·ÎÙÈο, Û. 328-332. 31. ∞ÏÌ¿ÓË ∆˙., ŒÓ· Û›ÙÈ, ÔÏϤ˜ ÌÔÚʤ˜. ¶ÚÔÛÂÁÁ›˙ÔÓÙ·˜ ÙË ‚˘˙·ÓÙÈÓ‹ ηÙÔÈΛ·, √ÈΛ˜ ÈÛÙÔڛ˜ (2008), Û. 48-53. 32. Albani J., Elegance over the Borders. The Evidence of Middle Byzantine Earrings, Intelligible Beauty (2010), ¶Ú·ÎÙÈο, Û. 193-202. 33. ∞ÏÌ¿ÓË ∆˙., ∞گ›· Ù˘ µ˘˙·ÓÙÈÓ‹˜ ∞˘ÙÔÎÚ·ÙÔÚ›·˜, ∞گ›· (2010), Û. 1-8. 34. Aloupi ∂., ‚Ï. ·Ú. 378. 35. Amprazogoula K., Particularités iconographiques de l’école de la Grèce du nord-ouest dans la représentation des Stylites, ¢Ã∞∂ 28 (2007), Û. 225-236 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 236: ∂ÈÎÔÓÔÁÚ·ÊÈΤ˜ ȉȷÈÙÂÚfiÙËÙ˜ Ù˘ Û¯ÔÏ‹˜ Ù˘ ‚ÔÚÂÈÔ‰˘ÙÈ΋˜ ∂ÏÏ¿‰Ô˜ ÛÙËÓ ·ÂÈÎfiÓÈÛË ÙˆÓ ÛÙ˘ÏÈÙÒÓ). 36. Amprazogoula K., La vision de saint Eustathe dans la peinture postbyzantine, Zograf 32 (2008), Û. 163-172. 37. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., √ ‚˘˙·ÓÙÈÓfi˜ ÔÈÓÈÎfi˜ ÔÏÈÙÈÛÌfi˜, √›ÓÔ˜: ÔÏÈÙÈÛÌfi˜ Î·È ÎÔÈÓˆÓ›· (2006), Û. 38-67. 38. Anagnostakis I., Paroinia en pourpre: le pouvoir du vin et l’ivresse du pouvoir à Byzance, Olio e vino (2007), ¶Ú·ÎÙÈο, Û. 897-957. 39. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., «Oleum vero ex pauco». ∂ÏÈ¿ Î·È Ï¿‰È ÛÙËÓ ¶ÂÏÔfiÓÓËÛÔ Î·Ù¿ ÙËÓ ‡ÛÙÂÚË ·Ú¯·ÈfiÙËÙ· Î·È ÙÔ˘˜ ÚˆÙÔ‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜, ∏ ÂÏÈ¿ ÛÙËÓ ¶ÂÏÔfiÓÓËÛÔ (2007), Û. 48-59. 40. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., ∏ ‚˘˙·ÓÙÈÓ‹ ªÂÛÛËÓ›· 4Ô˜-12Ô˜ ·È., ªÂÛÛËÓ›· (2007), Û. 105-137. 41. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., ∏ ÂÏ·ÈÔÊfiÚÔ˜ ¶ÂÏÔfiÓÓËÛÔ˜ ÛÙÔ˘˜ ̤ÛÔ˘˜ ‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜, ∏ ÂÏÈ¿ ÛÙËÓ ¶ÂÏÔfiÓÓËÛÔ (2007), Û. 60-73. 42. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., µ˘˙·ÓÙÈÓfi˜ ÔÈÓÈÎfi˜ ÔÏÈÙÈÛÌfi˜. ∆Ô ·Ú¿‰ÂÈÁÌ· Ù˘ µÈı˘Ó›·˜, ∞ı‹Ó· 2008. 43. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., §·ÌÚÔÔ‡ÏÔ˘ Õ., ∆Ô ¿ı˘ÚÌ· ÛÙÔ µ˘˙¿ÓÙÈÔ. ¶ËÁ¤˜ Î·È ÚˆÙÔ‚˘˙·ÓÙÈÓ¿ ÙÂÎÌ‹ÚÈ·, ∆Ô ÂÏÏËÓÈÎfi ·È¯Ó›‰È (2008), Û. 68-89. 44. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., ¶··Ì·ÛÙÔÚ¿Î˘ ∆., ∞ÁÚ·˘ÏÔ‡ÓÙ˜ Î·È ·Ì¤ÏÁÔÓÙ˜, πÛÙÔÚ›· ÙÔ˘ ÂÏÏËÓÈÎÔ‡ Á¿Ï·ÎÙÔ˜ (2008), ¶Ú·ÎÙÈο, Û. 211-237.

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45. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., ‚Ï. ·Ú. 1638. 46. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., ªÂÙÔÓÔ̷ۛ˜-ÌÂÙÔÈÎÂۛ˜. ∏ ÂÚ›ÙˆÛË Ù˘ ∫ÔÚÒÓ˘, ∞›ÂÈ·-∫ÔÚÒÓË - ¶ÂÙ·Ï›‰È, ™˘Ó¤‰ÚÈÔ ¢‹ÌÔ˘ ¶ÂÙ·Ïȉ›Ô˘ (2009), ¶Ú·ÎÙÈο, Û. 45-69. 47. ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., √È ÂÈÛÎÔ¤˜ Î·È Ô ıÚËÛ΢ÙÈÎfi˜ ‚›Ô˜ ÛÙ· fiÚÈ· Ù˘ Ó˘Ó ªËÙÚÔfiψ˜ ªÂÛÛËÓ›·˜ ¤ˆ˜ ÙÔ 1204, ÃÚÈÛÙÈ·ÓÈ΋ ªÂÛÛËÓ›· (2010), Û. 113-146. 48. ∞Ó·ÛÙ·ÛÈ¿‰Ë˜ ∂˘., ‚Ï. ·Ú. 1103. 49. ∞Ó·ÛÙ·ÛÈ¿‰Ô˘ ∞., ∏ ·ÓˆÓ˘Ì›· ÙÔ˘ ‰ˆÚËÙ‹ ÛÙȘ ·ÊÈÂÚˆÙÈΤ˜ ÂÈÁڷʤ˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 12-13. 50. ∞Ó·ÛÙ·ÛÈ¿‰Ô˘ ∞., ∫ÔÓÙÔÁÈ·ÓÓÔÔ‡ÏÔ˘ ª., ∆Ô ÂÈه̂ÈÔ Â›ÁÚ·ÌÌ· ÂÓfi˜ ¶·Ï·ÈÔÏfiÁÔ˘ ÛÙË ª·ÎÚÈÓ›ÙÛ· ÙÔ˘ ¶ËÏ›Ô˘ Î·È Ë Û¯¤ÛË ÙÔ˘ Ì ٷ Ù·ÊÈο ÌÓËÌ›· ÙˆÓ ª·ÏÈ·ÛËÓÒÓ Ù˘ ª·ÁÓËÛ›·˜, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. π, Û. 525-537 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 533: The funerary metrical incsription of a Palaiologos in the church of Virgin, Makrinitsa and its relaition to the tombs of the Magnesian magnates Maliasenoi). 51. ∞Ó·ÛÙ·ÛÈ¿‰Ô˘ ∞., °È·ÏÔ‡ÚË Õ., ∂ÈÁڷʤ˜ ·fi ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ‚·ÛÈÏÈ΋ Ù˘ ∆ÈıÔÚ¤·˜, ºıȈÙÈ΋ πÛÙÔÚ›· 4 (2010), ¶Ú·ÎÙÈο, Û. 453-465. 52. ∞Ó‰Ú¿‰Ô˘ ∆., ¢‡Ô ÌÈÎÚ‹˜ Îϛ̷η˜ ÌÔ˘ÛÂÈ·ÎÔ› ¯ÒÚÔÈ ÛÙËÓ ¶ÈÂÚ›·, ¡π∫√¡∞¡√™ N. (2006), Û. 461-464 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 464: Two SmallScale Local Museum Spaces in Pieria, Northern Greece). 53. Andreou A., ‚Ï. ·Ú. 1267. 54. ∞Ó‰ÚÈ·Ó¿Î˘ ª., ∆Ô ¤ÚÁÔ Ù˘ ·Ó¿‰ÂÈ͢ ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ Î·È ‚ÂÓÂÙÛÈ¿ÓÈÎˆÓ Ô¯˘ÚÒÛÂˆÓ Ã·Ó›ˆÓ, ŒÚÁÔ ÂÈÙÚÔÒÓ (2006), Û. 475-489. (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 485). 55. ∞Ó‰ÚÈ·Ó¿Î˘ ª., ÃÚÈÛÙÈ·ÓÈο ÌÓËÌ›· Ù˘ Â·Ú¯›·˜ ª˘ÏÔÔÙ¿ÌÔ˘, ª˘ÏÔfiÙ·ÌÔ˜ V (2006), ¶Ú·ÎÙÈο, Û. 47-78. 56. ∞Ó‰ÚÈ·Ó¿Î˘ ª., ∞ÔηٿÛÙ·ÛË ÊÚÔ˘Ú›Ô˘ ºÈÚο, ¢›ÎÙ˘Ô ‚˘˙·ÓÙÈÓÒÓ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓÒÓ ÂÎÎÏËÛÈ·ÛÙÈÎÒÓ ÌÓËÌ›ˆÓ, ∞ÔηٿÛÙ·ÛË-·Ó¿‰ÂÈÍË πÂÚ¿˜ ªÔÓ‹˜ ∞Úη‰›Ô˘, ¶ÚÔÛÊÔÚ¿ Ù˘ ∞Ú¯·ÈÔÏÔÁÈ΋˜ ÀËÚÂÛ›·˜ (2007), ¶Ú·ÎÙÈο, Û. 394-397, 400-401, 404-405 (·ÁÁÏÈΤ˜ ÂÚÈÏ‹„ÂȘ ÛÙȘ ›‰È˜ ÛÂÏ›‰Â˜). 57. ∞Ó‰ÚÈ·Ó¿Î˘ ª., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÁÏ˘ÙÈ΋ ÛÙËÓ ∫Ú‹ÙË, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 14-33 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 33: Architectural sculpture in √rthodox church architecture on venetian-ruled Crete). 58. Andrianakis M., Aghios Ioannis Xenos and his cult, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 256-268 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 503-506: √ ¿ÁÈÔ˜ πˆ¿ÓÓ˘ •¤ÓÔ˜ Î·È Ë Ï·ÙÚ›· ÙÔ˘).

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59. ∞Ó‰ÚÈ·Ó¿Î˘ ª., ¡·fi˜ ¶·Ó·Á›·˜ °·Ï·ÎÙÔ‡Û·˜ ∞ÔÌ·ÚÌ¿, ƒÔ‡‚·˜ (2009), ¶Ú·ÎÙÈο, Û. 99-124. 60. Andrianakis M., Tutela dei monumenti veneziani a Creta, Candia e Cipro (2010), Û. 73-91. 61. ∞Ó‰ÚÈ·Ó¿Î˘ ª., ∆Ô ¤ÚÁÔ Ù˘ 28˘ ∂ÊÔÚ›·˜ µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 34-47 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 47: The work of the 28th Ephorate of Byzantine Antiquities). 62. ∞Ó‰ÚÈ·Ó¿Î˘ ª., ∆Ô ¤ÚÁÔ Ù˘ ÂÈÛÙËÌÔÓÈ΋˜ ÂÈÙÚÔ‹˜ ·Ó¿‰ÂÈ͢ ‚˘˙·ÓÙÈÓÔ‡ Î·È ‚ÂÓÂÙÛÈ¿ÓÈÎÔ˘ Ô¯˘ÚˆÌ·ÙÈÎÔ‡ ÂÚÈ‚fiÏÔ˘ ÷ӛˆÓ, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 93-101 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 100-101: The work of the Scientific Committee for the enhancement of the byzantine and venetian fortifications of Chania). 63. ∞Ó‰ÚÈÎfiÔ˘ÏÔ˜ ∫., ‚Ï. ·Ú. 483. 64. ∞Ó‰ÚÔÓ›ÎÔ˘ ∞., ∞ÂÈÎÔÓ›ÛÂȘ ÙÔ˘ ‚›Ô˘ Ù˘ ¶·Ó·Á›·˜ Û ΢Úȷο ÌÓËÌ›· (12Ô˜-16Ô˜ ·ÈÒÓ·˜), Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 14-15. 65. Androudis P., Khans [Montpellier 2006], Û. 14 [Khan de Loutra de Traïanoupolis-Evros (Thrace)]. 66. Androudis P., L’église principale (kyriakon) byzantine de la Skite de Saint-Démétrios de Vatopédi, au Mont Athos, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 337-338. 67. ∞Ó‰ÚÔ‡‰Ë˜ ¶., π. ¡. ∂˘·ÁÁÂÏÈÛÌÔ‡ ∞ÏÂÍ·Ó‰Ú›·˜. ™˘ÓÙ‹ÚËÛË Î·È ·ÔηٿÛÙ·ÛË 2002-2004. ¢ˆÚ¿ ∫ÔÈÓˆÊÂÏÔ‡˜ π‰Ú‡Ì·ÙÔ˜ «∞ϤͷӉÚÔ˜ ™. øÓ¿Û˘», ∞ø 33 (2006), Û. 44-46. 68. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ∫·Ú·ÁÈ¿ÓÓË ºÏ., √ ÎÂÚ·ÌÔÏ·ÛÙÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ Ó·ÒÓ Ù˘ µ¤ÚÔÈ·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 11-12. 69. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ª·ÚÙ˘Ú›Â˜ ÁÈ· Ù· «·˘ÙfiÌ·Ù·» ÛÙÔ µ˘˙¿ÓÙÈÔ Î·È ÙÔ˘˜ ÁÂÈÙÔÓÈÎÔ‡˜ ÙÔ˘ Ï·Ô‡˜, ∞Ú¯·›· ∂ÏÏËÓÈ΋∆¯ÓÔÏÔÁ›· 2 (2006), ¶Ú·ÎÙÈο, Û. 819-826. 70. ∞Ó‰ÚÔ‡‰Ë˜ ¶., √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘ ÛÙÔÓ ÕË°È¿ÓÓË ÙÔ˘ ¶ËÏ›Ô˘, ¡π∫√¡∞¡√™ ¡. (2006), Û. 249-257 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 257: The Church of St. John the Baptist at Agios Ioannis, Mount Pelion). 71. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ¶··ı·Ó·Û›Ô˘ ∂˘., ªÔÓ‹ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ¶·ÓÔÚ¿Ì·ÙÔ˜ (∫·Ï·ÔÙ›Ô˘), ¢Ú¿Ì· 5 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 29-31. 72. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ∆Ô ªÂÁ¿ÏÔ ∫·Ú·‚¿Ó-ÛÂÚ¿È (Büyük Kervansarayi) Ù˘ £ÂÛÛ·ÏÔӛ΢, £ÂÛÛ·ÏÔÓÈΤˆÓ ¶fiÏȘ 19 (2006), Û. 108-133. 73. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ∆Ô ªÂÁ¿ÏÔ ∫·Ú·‚¿Ó-ÛÂÚ¿È (Büyük Kervansarayi) Ù˘ £ÂÛÛ·ÏÔӛ΢. πÛÙÔÚÈΤ˜ Î·È ·Ú¯·ÈÔÏÔÁÈΤ˜ Ì·ÚÙ˘Ú›Â˜, ª·Î‰ÔÓÈο 35 (2005-2006), Û. 63-97 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 85: Historical and archaeological evidence on the great Karavan-Seray (Büyük kervansarayi) of Thessaloniki].

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74. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ÿÓÈ· Î·È Î·Ú·‚¿Ó-ÛÂÚ¿ÁÈ· ÛÙËÓ ∞‰ÚÈ·ÓÔ‡ÔÏË. πÛÙÔÚÈΤ˜ Î·È ·Ú¯·ÈÔÏÔÁÈΤ˜ Ì·ÚÙ˘Ú›Â˜, ¶ÂÚ› £Ú¿Î˘ 5 (2005-2006), Û. 69-94. 75. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ‚Ï. ·Ú. 1691. 76. ∞Ó‰ÚÔ‡‰Ë˜ ¶., °‡Úˆ ·fi ÙȘ ÂÚÁ·Û›Â˜ ·ÔηٿÛÙ·Û˘ ÛÙÔ˘˜ Ô¯˘ÚˆÌ·ÙÈÎÔ‡˜ ‡ÚÁÔ˘˜ Ù˘ ÌÔÓ‹˜ ÃÂÏ·Ó‰·Ú›Ô˘ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 528-535 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 534-535: Consolidation works in the fortified towers of the Monastery of Chilandari, Mt. Athos). 77. ∞Ó‰ÚÔ‡‰Ë˜ ¶., √ ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ (Karagedik Kilise) ÛÙËÓ ÎÔÈÏ¿‰· ÙÔ˘ ¶ÂÚÈÛÙÚ¤ÌÌ·ÙÔ˜ (Belisirma) Ù˘ ∫··‰ÔΛ·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 15-16. 78. ∞Ó‰ÚÔ‡‰Ë˜ ¶., √ ‚˘˙·ÓÙÈÓfi˜ ‡ÚÁÔ˜ ÛÙË ı¤ÛË «¶›Ó·Î·» Ù˘ ∫·ÛÛ¿Ó‰Ú·˜ ÛÙË Ã·ÏÎȉÈ΋, µ˘˙·ÓÙȷο 26 (2007), Û. 247-270. 79. ∞Ó‰ÚÔ‡‰Ë˜ ¶., √ Ó·fi˜ Ù˘ ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙËÓ ∂ÈÛÎÔ‹ ÕÓˆ µfiÏÔ˘ Î·È Ô ÂÓÙÔȯÈṲ̂ÓÔ˜ ÁÏ˘Ùfi˜ ÙÔ˘ ‰È¿ÎÔÛÌÔ˜, ¢Ã∞∂ 28 (2007), Û. 85-98 [(·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 97-98: The Church of the Dormition of the Virgin at Episkopi (Ano Volos) and its Sculptural Decoration]. 80. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙÔÓ Î·ÙÂÛÙÚ·Ì̤ÓÔ ‚˘˙·ÓÙÈÓfi Ó·fi ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÙÔ˘ ºÚ·ÓÙ˙‹ ÛÙË µ¤ÚÔÈ·, µ˘˙·ÓÙȷο 26 (2007), Û. 273-278. 81. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ¶ÚÒÈÌÔ ÔıˆÌ·ÓÈÎfi ÎËÚÔ‹ÁÈÔ ·fi ÙË ÌÔÓ‹ ¢Ô¯ÂÈ·Ú›Ô˘ ∞Á›Ô˘ ŸÚÔ˘˜, µ˘˙·ÓÙÈÓ¿ 27 (2007), Û. 193-303 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 300: An Ottoman Brass Candlestick from the Monastery of Docheiariou, Mount Athos). 82. Androudis P., Le catholicon du monastère byzantin de Saint-Démétrios (Chalkéôs) au Mont-Athos (actuel kyriakon de la Skite de Saint-Démétrios de Vatopédi), ¢Ã∞∂ 29 (2008), Û. 195-206 [ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 206: ∆Ô Î·ıÔÏÈÎfi Ù˘ ‚˘˙·ÓÙÈÓ‹˜ ÌÔÓ‹˜ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÙÔ˘ ÷ÏΤˆ˜ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜ (∫˘ÚÈ·Îfi Ù˘ µ·ÙÔ‰ÈÓ‹˜ Û΋Ù˘ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘)]. 83. ∞Ó‰ÚÔ‡‰Ë˜ ¶., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 51-66 (∫ÔÛÌÈ΋ √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ Ù˘ ∂ÏÏ¿‰·˜). 84. ∞Ó‰ÚÔ‡‰Ë˜ ¶., °‡Úˆ ·fi ¤Ó·Ó ¿ÁÓˆÛÙÔ ‚˘˙·ÓÙÈÓfi Ó·fi ÛÙËÓ ÂÚÈÔ¯‹ ÙÔ˘ §ÈÙÔ¯ÒÚÔ˘ ¶ÈÂÚ›·˜, ¶ÈÂÚ›· 3 (2008), ¶Ú·ÎÙÈο, Û. 665-684. 85. ∞Ó‰ÚÔ‡‰Ë˜ ¶., °‡Úˆ ·fi οÔÈ· ÌÂÛÔ‚˘˙·ÓÙÈÓ¿ Ù¤ÌÏ· ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 263-283 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 593: Á propos de quelques templa mésobyzantins du Mont Athos, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 605). 86. ∞Ó‰ÚÔ‡‰Ë˜ ¶., πÛÙÔÚÈΤ˜ Î·È ·Ú¯·ÈÔÏÔÁÈΤ˜ Ì·ÚÙ˘Ú›Â˜ ÁÈ· ÙÔ Û˘ÁÎÚfiÙËÌ· ÙÔ˘ ‚˘˙·ÓÙÈÓÔ‡ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ÛÙËÓ ¶ÚÔ‡Û·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 11-12. 87. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ¡ÙÈÓÙÈÔ‡ÌË ™., √È ÌÂ۷ȈÓÈΤ˜ Ô¯˘ÚÒÛÂȘ ÛÙÔÓ ¶ÂÚ›·-

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ÙÔ Î·È ÛÙȘ µÔ˘ÎÔÏȤ˜ Ù˘ ∫ˆ, √¯˘ÚˆÌ·ÙÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ∞ÈÁ·›Ô˘ (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 22. 88. ∞Ó‰ÚÔ‡‰Ë˜ ¶., √ ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ÛÙËÓ ¶ÚÔ‡Û·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 11-12. 89. ∞Ó‰ÚÔ‡‰Ë˜ ¶., √ ÌÂÛÔ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ (Karagedik Kilise) ÛÙËÓ ÎÔÈÏ¿‰· ÙÔ˘ ¶ÂÚÈÛÙÚ¤ÌÌ·ÙÔ˜ (Belisirma) Ù˘ ∫··‰ÔΛ·˜, µ˘˙·ÓÙÈÓ¿ 28 (2008), Û. 161-179. 90. ∞Ó‰ÚÔ‡‰Ë˜ ¶., √ ‡ÚÁÔ˜ ÙÔ˘ ÔÈËÙ‹ °. ¢ÚÔÛ›ÓË ÛÙȘ °Ô‡‚˜ ∂˘‚Ô›·˜, ∞∂˘‚ª 37 (2007) [2008], Û. 83-100. 91. ∞Ó‰ÚÔ‡‰Ë˜ ¶., √È ‚˘˙·ÓÙÈÓÔ› ÛÙ·˘ÚÔÂȉ›˜ ÂÁÁÂÁÚ·Ì̤ÓÔÈ Ó·Ô› Ù˘ ªÈÎÚ¿˜ ∞Û›·˜, ªÈÎÚ·ÛÈ·ÙÈÎÔ‡ ¶ÔÏÈÙÈÛÌÔ‡ ¡. πˆÓ›·˜ 3 (2008), ¶Ú·ÎÙÈο, Û. 121-139. 92. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ¶·Ï·ÈÔÏfiÁÂÈÔ ÎÈÔÓfiÎÚ·ÓÔ ·fi ÙËÓ ÎÚ‡ÙË ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ £ÂÛÛ·ÏÔӛ΢, £ÂÛÛ·ÏÔÓÈΤˆÓ ¶fiÏȘ 26 (2008), Û. 63-66. 93. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ‚Ï. ·Ú. 1110. 94. ∞Ó‰ÚÔ‡‰Ë˜ ¶., H ·ÎÚÈ‚‹˜ ¯ÚÔÓÔÏfiÁËÛË (1528) Ù˘ ·ÁÈÔÁÚ¿ÊËÛ˘ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ∑·‚Ï·ÓÙ›ˆÓ (¶·Ï·Èfi˘ÚÁÔ˜ ∆ÚÈοψÓ) Ì ‚¿ÛË ÌÈ· ¯·Ì¤ÓË ÂÈÁÚ·Ê‹, ∞∂£™∂ 3 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 2. 95. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ªÂϤÙË ·ÔηٿÛÙ·Û˘ ÙÔ˘ ª·˘ÛˆÏ›Ԣ ÙÔ˘ °·˙‹ ∂‚ÚÂÓfi˜ ª¤Ë ÛÙ· °È·ÓÓÈÙÛ¿, √ıˆÌ·ÓÈο ªÓËÌ›· (2009), Û. 390-406 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 389: Restoration of the mausoleum (türbe) of Gazi Evrenos bey in Giannitsa]. 96. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ªÂϤÙË ·ÔηٿÛÙ·Û˘ ÙÔ˘ ÔıˆÌ·ÓÈÎÔ‡ ¶‡ÚÁÔ˘ ÙÔ˘ ƒÔÏÔÁÈÔ‡ ÛÙ· °È·ÓÓÈÙÛ¿, √ıˆÌ·ÓÈο ÌÓËÌ›· (2009), Û. 593-603 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 593: Restoration of the ottoman clock-tower of Giannitsa). 97. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ¡ÙÈÓÙÈÔ‡ÌË ™., ¶·Ó·Á›· ∫·ÛÙÚÈ·ÓÒÓ. ∆Ô Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ÙÔ˘ √Û›Ô˘ ÃÚÈÛÙÔ‰Ô‡ÏÔ˘ ÛÙÔ ¶·Ï·Èfi ¶˘Ï› Ù˘ ∫ˆ, ¢Ã∞∂ 30 (2009), Û. 47-54 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 54: Panayia Kastrianon. The Katholikon of the Monastery of Hosios Christodoulos at Palio Pyli, on the Island of Kos). 98. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ∆Ô Ù˙·Ì› ÙÔ˘ Selim Pa≥a ‹ Saatli Camii £ÂÛÛ·ÏÔӛ΢. ™˘Ì‚ÔÏ‹ ÛÙËÓ ÈÛÙÔÚ›· Î·È ÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÂÓfi˜ ¯·Ì¤ÓÔ˘ ÔıˆÌ·ÓÈÎÔ‡ ÙÂ̤ÓÔ˘˜, £ÂÛÛ·ÏÔÓÈΤˆÓ ¶fiÏȘ 27 (2009), Û. 43-51. 99. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ‚Ï. ·Ú. 2028. 101. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ∞fi ÙÔ µ˘˙¿ÓÙÈÔ ÛÙÔÓ El Greco, ∞ø 47 (2010), Û. 43-46. 102. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ¶·Ï·ÈÔÏfiÁÂÈÔ ÎÈÔÓfiÎÚ·ÓÔ Ì ‚·ÛÈÏÈο ÂÌ‚Ï‹Ì·Ù· ·fi ÙËÓ ÎÚ‡ÙË ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ £ÂÛÛ·ÏÔӛ΢, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 11-12.

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103. ∞Ó‰ÚÔ‡‰Ë˜, ¶. √ ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÙˆÓ ∆·ÍÈ·Ú¯ÒÓ ÛÙÔ ¶·Ï·Èfi ¶˘Ï› Ù˘ ∫ˆ, ∫ˆ·Î¿ 11 (2010), Û. 1-18. 104. ∞Ó‰ÚÔ‡‰Ë˜, ¶., √ ÎÔÈÌËÙËÚÈ·Îfi˜ Ó·fi˜ Ù˘ ÌÔÓ‹˜ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙÔ ™ÙfiÌÈÔ (∆Û¿ÁÂ˙È), ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘ (2010), Û. 165-172 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 167: La chapelle cimetériale de monastère de saint Démétrios à Tsagézi). 105. ∞Ó‰ÚÔ‡‰Ë˜ ¶., ‚Ï. ·Ú. 1177, ª·ÓˆÏ‰¿Î˘ ª., ∞Ó‰ÚÔ‡‰Ë˜ ¶., ∆Ô Û‡ÛÙËÌ· ˘‰ÚÔÌ¿ÛÙ¢Û˘ (qanat) Ù˘ ∞Á›·˜ ¶·Ú·Û΢‹˜ ÃÔÚÙÈ¿ÙË, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 285-292. 106. ∞Ó‰ÚÔ˘Ïȉ¿ÎË ∞., √È ÂÚÁ·Û›Â˜ ·ÔηٿÛÙ·Û˘ ÙˆÓ Ó·ÒÓ ÙˆÓ ∞Á›ˆÓ ∞ÛˆÌ¿ÙˆÓ ÛÙÔ ∫Ô˘ÏÔ‡ÌÈ Î·È Ù˘ ∞Á›·˜ µ·Ú‚¿Ú·˜ ÛÙËÓ ŒÚËÌÔ, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 117-125. 107. ∞ÓÙÔ˘Ú¿Î˘ °., ªÂÙ·‚˘˙·ÓÙÈÓ‹ Ó·Ô‰ÔÌ›·. ¶ÂÚ›ÁÚ·ÌÌ· - ÔÚ›ÛÌ·Ù· ÂÚ¢ÓÒÓ, £ÂÔÏÔÁ›· 77.1 (2006), Û. 167-226. 108. ∞ÓÙÔ˘Ú¿Î˘ °., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈΤ˜ ‚·ÛÈÏÈΤ˜ Ù˘ ∂χıÂÚÓ·˜ Î·È ÙÔ˘ ¶·ÓfiÚÌÔ˘: ÏÂÈÙÔ˘ÚÁÈΤ˜ ηٷÛ΢¤˜ ÚÂÛ‚˘ÙÂÚ›Ô˘ (πÂÚÔ‡ µ‹Ì·ÙÔ˜), ª˘ÏÔfiÙ·ÌÔ˜ V (2006), ¶Ú·ÎÙÈο, Û. 41-57. 109. ∞ÓÙÔ˘Ú¿Î˘ °., ™ÎËÓ¤˜ ÙÔ˘ ‚›Ô˘ ·Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ª‡ÚˆÓ ÛÙÔ Î·ıÔÏÈÎfi Ù˘ ªÔÓ‹˜ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ∫·Ú˘¿˜ ∫˘ÓÔ˘Ú›·˜, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 231-240. 110. Antonaras A., A hare-in-a-flask from Dion, Macedonia, AIHV 17 (2006), ¶Ú·ÎÙÈο, Û. 70-73. 111. Antonaras A., Early Christian and Byzantine glass utensils: a discussion, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 61 112. Antonaras A., Glass Vessels from Roman and Early-Christian Thessaloniki and its surroundings (1st cent. B.C - 6th cent. A.D.), AIHV 17 (2006), ¶Ú·ÎÙÈο, Û. 74-79. 113. Antonaras A., New glass finds with base marks from Thessaloniki, Verres antiques (2006), ¶Ú·ÎÙÈο, vol. 2, Û. 413-420. 114. ∞ÓÙˆÓ¿Ú·˜ ∞., °˘¿ÏÈÓ· ÌÂÛÔ‚˘˙·ÓÙÈÓ¿ ‚Ú·¯ÈfiÏÈ·. ™˘Ì‚ÔÏ‹ Û ı¤Ì·Ù· ‰È¿‰ÔÛ˘, ·Ú·ÁˆÁ‹˜, Ù˘ÔÏÔÁ›·˜ Î·È ¯Ú‹Û˘, ¢Ã∞∂ 27 (2006), Û. 423-434 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 434: Middle Byzantine Glass Bracelets. Contribution to Issues of Distribution, Production, Typology and Use). 115. ∞ÓÙˆÓ¿Ú·˜ ∞., ∂Ӊ›ÍÂȘ ‰Ú·ÛÙËÚÈfiÙËÙ·˜ ÂÚÁ·ÛÙËÚ›ˆÓ À·ÏÔ˘ÚÁ›·˜ ÛÙË £ÂÛÛ·ÏÔÓ›ÎË, ∞Ú¯·›· ∂ÏÏËÓÈ΋ ∆¯ÓÔÏÔÁ›· 2 (2006), ¶Ú·ÎÙÈο, Û. 247-253. 116. ∞ÓÙˆÓ¿Ú·˜ ∞., πÁÓ·ÙÈ¿‰Ô˘ ¢., ¢›ÁψÛÛÔ ÏÂÍÈÎfi Ù˘ ·Ú¯·›·˜ Î·È ÌÂ۷ȈÓÈ΋˜ ˘·ÏÔ˘ÚÁ›·˜. ¶ÚÔ‚ÏËÌ·ÙÈÛÌÔ› Î·È ·‰È¤ÍÔ‰·, ∞Ú¯·›· ∂ÏÏËÓÈ΋ ∆¯ÓÔÏÔÁ›· 2 (2006), ¶Ú·ÎÙÈο, Û. 261-268.

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117. Antonaras A., Early Christian glass finds from the Museum’s Basilica, Philippi, Journal of Glass Studies 49 (2007), Û. 47-56. 118. Antonaras A., Tourta A., Glass objects in the permanent exhibition of the Museum of Byzantine Culture, Thessaloniki, or how the same objects are telling different stories, European Association of Archaeologists 13 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 308-309. 119. ∞ÓÙˆÓ¿Ú·˜ ∞., ™Ì¿ÏÙ· / Enamels [∞ı‹Ó· 2007], Ï‹ÌÌ. ·Ú. 6 (‰ÈÛÎÔÂȉ‹˜ fiÚË, 3Ô˜ ·È.), 10 (ÂÚÈοÚÈÔ, 9Ô˜-10Ô˜ ·È.), 52 (ËÌÈÛÂÏËÓÔÂȉ¤˜ ÛÎÔ˘Ï·Ú›ÎÈ, 14Ô˜-16Ô˜ ·È.). 120. ∞ÓÙˆÓ¿Ú·˜ ∞., ∆· ¶ÔχÙÈÌ· Ù˘ ¶·Ú¿‰ÔÛ˘ [∞ı‹Ó· 2007], Ï‹ÌÌ. ÛÙȘ Û. 87, 93, 107,124-127, 137, 142 (∫ÔÛÌ‹Ì·Ù· ÚˆÙÔ‚˘˙·ÓÙÈÓ‹˜ Î·È ÌÂÛÔ‚˘˙·ÓÙÈÓ‹˜ ÂÚÈfi‰Ô˘). 121. ∞ÓÙˆÓ¿Ú·˜ ∞., ∂ÈÌ·Ó›ÎÈÔ ÂÈÛÎfiÔ˘ £ÂÛÛ·ÏÔӛ΢ °ÂÚ·Û›ÌÔ˘ ∫ÚËÙfi˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 17-18. 122. Antonaras A., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 141 (Bracelet; Probably from Constantinople, ninth or tenth centuries). 123. Antonaras A., Glass and obsidian plaques from the Apostle Paul’s Basilica at Kephalari, Argos, Journal of Glass Studies 50 (2008), Û. 298-302. 124. Antonaras A., Glass Lamps of the Roman and Early Christian Periods. Evidence from the Thessaloniki Area, Lychnological Acts 2 (2008), ¶Ú·ÎÙÈο, Û. 23-30. 125. Antonaras A., Stari i novi nalazi vizantijskog stakla iz Severne Grãke (Old and Recent finds of Byzantine Glass from Northern Greece), Serbian ArchSoc - 125th Anniversary (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 87-88. 126. ∞ÓÙˆÓ¿Ú·˜ ∞., πÁÓ·ÙÈ¿‰Ô˘ ¢., À·ÏÔ˘ÚÁ›· ∞Ú¯·›· Î·È ªÂ۷ȈÓÈ΋. √ÚÔÏÔÁ›·, Ù¯ÓÔÏÔÁ›· Î·È Ù˘ÔÏÔÁ›·. ∂ÏÏËÓÔ·ÁÁÏÈÎfi-·ÁÁÏÔÂÏÏËÓÈÎfi ÏÂÍÈÎfi, £ÂÛÛ·ÏÔÓ›ÎË: ∫¤ÓÙÚÔ ∂ÏÏËÓÈ΋˜ °ÏÒÛÛ·˜, 2008. 127. Antonaras A., Torcello [Venezia 2009], Ï‹ÌÌ. ·Ú. 56 (Epitafio, inizi XIV secolo). 128. Antonaras A., Old and recent finds of byzantine glass from northern Greece, JSAS 25 (2009), Û. 83-101 (·ÁÁÏÈ΋ Î·È ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 83, ÂÎÙÂÓ¤ÛÙÂÚË ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 100: С  О Л   СКОГ СКЛ  С ГК). 129. ∞ÓÙˆÓ¿Ú·˜ ∞., ƒˆÌ·˚΋ Î·È ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ˘·ÏÔ˘ÚÁ›·. ∞ÁÁ›· ·fi ÙË £ÂÛÛ·ÏÔÓ›ÎË Î·È ÙËÓ ÂÚÈÔ¯‹ Ù˘, ∞ı‹Ó· 2009. 130. Antonaras A., Pracht und Alltag [Bonn 2010], Ï‹ÌÌ. ·Ú. 459-462, 467. 131. Antonaras A., Römerreich [Bonn 2010], Teil 1, Û. 383-430 (Early Christian and Byzantine Glass Vessels: Forms and Uses), (ÂÚÈÏ‹„ÂȘ ÛÙ· ÁÂÚÌ·ÓÈο, ·ÁÁÏÈο, Û. 429 Î·È Á·ÏÏÈο, Û. 429-430).

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132. Antonaras A., Glassware in Late Antique Thessalonikï, Thessalonikï, Religion and Archaeology (2010), ¶Ú·ÎÙÈο, Û. 301-334. 133. Antonaras ∞., Roman and Early Christian Mold-Blown Vessels from Thessaloniki and its Region, Verre soufflé-moulé (2010), ¶Ú·ÎÙÈο, Û. 241-252. 134. ∞ÓÙˆÓ¿Ú·˜ ∞., °˘¿ÏÈÓ· Î·È ÎÂÚ·ÌÈο ·ÁÁ›· 3Ô˘-7Ô˘ ·È. Ì.Ã. ·fi ÙËÓ £ÂÛÛ·ÏÔÓ›ÎË. ¢‡Ô fi„ÂȘ ÙÔ˘ ›‰ÈÔ˘ ÓÔÌ›ÛÌ·ÙÔ˜;, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 309-319 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 309: Glass and ceramic vases of the 3rd-7th c. A.D. Two sides of the same coin?). 135. ∞ÓÙˆÓ¿Ú·˜ ∞., ™ÙÔȯ›· Ù¯ÓÔÏÔÁ›·˜ Î·È ÔÚÔÏÔÁ›·˜ Á˘¿ÏÈÓˆÓ ·ÓÙÈÎÂÈ̤ӈÓ, ∆ÂÎÌËÚ›ˆÛË (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 12. 136. ∞ÓÙˆÓ¿Ú·˜ ∞., À·ÏÔÔÈ›· Î·È ˘·ÏÔ˘ÚÁ›· ÛÙÔ ÚˆÌ·˚Îfi Î·È ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi ÎfiÛÌÔ. À·ÏÔ˘ÚÁÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· ÛÙË £ÂÛÛ·ÏÔÓ›ÎË, ∞¢ 57 (2002) [2010], ªÂϤÙ˜, Û. 237-260 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë. Û. 237-260: Glassmaking and glassworking in the Roman and Early Christian world. Glassworking activity in Thessaloniki). 137. ∞ÓÙˆÓ¿Ú·˜ ∞., °˘¿ÏÈÓÔ˜ ∫fiÛÌÔ˜ / Glass Cosmos [£ÂÛÛ·ÏÔÓ›ÎË 2010], Û. 50-59 (∂ÌʇÛËÛË/Free blowing, À·ÏÔ›Ó·Î˜/Window glass, ∆¯ÓÈΤ˜ ‰È·ÎfiÛÌËÛ˘ ڈ̷ïÎÒÓ ¯ÚfiÓˆÓ/Decorative techniques in the Roman age), 86-89 (∞ÁÁ›· ڈ̷ïÎÒÓ ¯ÚfiÓˆÓ/Vessels from the Roman period), 100-105 (¶ÙËÓfiÛ¯Ë̘ Î·È ÛÊ·ÈÚÈΤ˜ ˘Í›‰Â˜ „ÈÌ˘ı›ˆÓ/Bird-shaped and round cosmeticpowder pyxides), 110-113 (ºˆÙÈÛÌfi˜/Lighting, À·ÏÔ›Ó·Î˜/Window glass) Î·È Ï‹ÌÌ. 58-59, 71, 99, 102, 127-139, 153-161, 169-175, 196-270, 278, 284-285, 393-414 (À¿ÏÈÓ· Â˘Ú‹Ì·Ù· ·fi µ¤ÚÔÈ·, ¶¤ÏÏ·, ¶ÈÂÚ›·, ڈ̷ï΋ £ÂÛÛ·ÏÔÓ›ÎË Î·È ∫ÂÓÙÚÈ΋ ª·Î‰ÔÓ›·, ڈ̷ï΋ ÂÚ›Ô‰Ô˜/Glass finds from Veroia, Pella, Pieria region, Roman Thessaloniki, Central Macedonia, Roman period). 138. ∞ÓÙˆÓ¿Ú·˜ ∞., ‚Ï. ·Ú. 641. 139. ∞ÓÙˆÓ›Ô˘ °., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Û˘ÁÎÚÔÙ‹Ì·ÙÔ˜ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙÔ ∫·Ì¿ÚÈ ∞ÌÔÚÁÔ‡, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 13-14. 140. ∞ÓÙˆÓfiÔ˘ÏÔ˜ ∏., ¶¿ÓÙ· ·ÙÂÏ‹, Î·È ¿ıÏÈ· Î·È ¿¯ÚËÛÙ·. ∫Ò‰ÈÍ Parisinus graecus 36 (14Ô˜-15Ô˜ ·È.), ÁÚ·ÊfiÌÂÓ· Î·È ˙ˆÁÚ·ÊÔ‡ÌÂÓ·, ™√ºπ∞¡√™ ¢. (2007), Û. 15-42. 141. ∞ÓÙˆÓfiÔ˘ÏÔ˜ ∏., ∆˘ ªÂψ‰›·˜ ÙÔ ·›ÓÈÁÌ·. √ ÌÂψ‰fi˜ Î·È Ë ¿Ú‰Úfi˜ ÙÔ˘ ÛÙÔÓ ÎÒ‰Èη Parisinus graecus 139 (Ê. 1‚), ¢Ã∞∂ 29 (2008), Û. 23-34 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 34: L'énigme de Mélodie. L'auteur des psaumes et sa parèdre dans le codex Parisinus graecus 139, fol. 1v). 142. Arvaniti Sm., Kontogiannis N. D., Commercial Activity in the Aegean of the 13th-16th century: The ceramic evidence from Andros, Mediterranean Crossroads (2007), ¶Ú·ÎÙÈο, Û. 623-641. 143. ∞Ú‚·Ó›ÙË ™Ì., ∆Ô ∫¿ÛÙÚÔ ÙÔ˘ ¶·Ú·Ï›Ô˘ ÕÛÙÚÔ˘˜ ∫˘ÓÔ˘Ú›·˜. ¶ÚÒÙ˜

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·Ú·ÙËÚ‹ÛÂȘ, ¶ÂÏÔÔÓÓËÛÈ·ÎÒÓ ™Ô˘‰ÒÓ 7 (2007), ¶Ú·ÎÙÈο, Û. 385-410 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 398-399: The fort of Paralio Astros in Kynouria, Arkadia: Preliminary remarks). 144. Arvaniti Sm., Kontogiannis N. D., The Medieval Kato Kastro (Lower Castle) of Andros: Excavation Data and Ceramic Material, ¨anak (2007), ¶Ú·ÎÙÈο, Û. 349-362 (ÙÔ˘ÚÎÈ΋ ÂÚ›ÏË„Ë, Û. 349-350). 145. ∞Ú‚·Ó›ÙË ™Ì., ÕÓ‰ÚÔ˜-∂¿Óˆ ∫¿ÛÙÚÔ. ∏ ·Ó·Ûηʋ ÙÔ˘ Ó·˝ÛÎÔ˘, ¶√§∂ª∏™ ¢., ªÓ‹ÌË (2009), Û. 177-194. 146. ∞Ú‚·Ó›ÙË ™Ì., √ ÌÂÙ·‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ÛÙÔÓ ÕÁÈÔ πˆ¿ÓÓË ∫˘ÓÔ˘Ú›·˜: Û˘ÓÔÙÈ΋ ·ÚÔ˘Û›·ÛË ÙÔ˘ ÌÓËÌ›Ԣ Î·È ÙÔ˘ ÂÈÎÔÓÔÁÚ·ÊÈÎÔ‡ ÙÔ˘ ÚÔÁÚ¿ÌÌ·ÙÔ˜, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 47-86 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 85-86: The Post-Byzantine Church of Saint George at the Village of Saint John, Arcadia, Peloponnese; Preliminary Presentation of the Monument and its Iconographical Program). 147. ∞Ú‚·ÓÈÙfiÔ˘ÏÔ˜ ™Ù. π., √ Îψ‚fi˜ ÛÙ· Ù›¯Ë ÙÔ˘ ª˘ÛÙÚ¿ Î·È Û ¿ÏϘ Ô¯˘ÚÒÛÂȘ Ù˘ ˘ÛÙÂÚÔ‚˘˙·ÓÙÈÓ‹˜ ÂÚÈfi‰Ô˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 19-20. 148. ∞Ú‚·ÓÈÙfiÔ˘ÏÔ˜ ™Ù. π., ∫¿ÛÙÚˆÓ ¶ÂÚ›ÏÔ˘˜ (2008), Û. 21-44 (∏ Ô¯˘ÚˆÌ·ÙÈ΋ Ù¤¯ÓË ÛÙÔÓ ÂÏÏ·‰ÈÎfi ¯ÒÚÔ ·fi ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ¤ˆ˜ ÙË ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô) Î·È Ï‹ÌÌ. ·Ú. 7, 11-17, 19-21, 23-27, 33-34, 36. 149. ∞Ú‚·ÓÈÙfiÔ˘ÏÔ˜ ™Ù. π., °Ú·Ù‹ Ì›ÌËÛË ·Ú¯ÈÙÂÎÙÔÓÈÎÒÓ ÛÙÔȯ›ˆÓ Û Â͈ÙÂÚÈΤ˜ fi„ÂȘ ÎÔÛÌÈÎÒÓ ÎÙËÚ›ˆÓ ÙÔ˘ ª˘ÛÙÚ¿, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 15-16. 150. ∞Ú‚·ÓÈÙfiÔ˘ÏÔ˜ ™Ù. π., ∆¿ÊÔÈ Î·È ¤ıÈÌ· ÂÓÙ·ÊÈ·ÛÌÔ‡ ÛÙÔ ª˘ÛÙÚ¿ ηٿ ÙËÓ ˘ÛÙÂÚÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, ∞∂ 2008, Û. 79-120. 151. ∞Ú‚·ÓÈÙfiÔ˘ÏÔ˜ ™Ù., ¢È·‰Ô¯ÈΤ˜ ˘fi ÁˆÓ›· ‡Ï˜ Û ‚˘˙·ÓÙÈÓ¤˜ Ô¯˘ÚÒÛÂȘ ÙˆÓ ‡ÛÙÂÚˆÓ ¯ÚfiÓˆÓ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 13-14. 152. ∞Ú¯ÔÓÙfiÔ˘ÏÔ˜ £., ¶··‚·ÛÈÏ›Ԣ ∂., ƒfi‰Ô˜: ¶ÏËÚÔÊÔڛ˜ ÁÈ· ÙËÓ ÈÛÙÔÚ›· ÙÔ˘ ÙfiÔ˘ ̤۷ ·fi ÙÔ ÁÂÁÔÓfi˜ ÙÔ˘ ı·Ó¿ÙÔ˘. ∆·ÊÈ΋ ÙÔÔÁÚ·Ê›· ÙÔ˘ ÓËÛÈÔ‡ ·fi ÙÔÓ 4Ô ·ÈÒÓ· Ì.Ã. ¤ˆ˜ ÙȘ ·Ú¯¤˜ ÙÔ˘ 16Ô˘ ·ÈÒÓ·, ∞∞∞ 39 (2006), Û. 193-210. 153. ∞Ú¯ÔÓÙfiÔ˘ÏÔ˜ £., ∫·ÙÛÈÒÙË ∞., H ˙ˆÁÚ·ÊÈ΋ ÛÙË ÌÂ۷ȈÓÈ΋ fiÏË Ù˘ Pfi‰Ô˘ ·fi ÙÔÓ 11Ô ·ÈÒÓ· ̤¯ÚÈ ÙËÓ Î·Ù¿ÏË„‹ Ù˘ ·fi ÙÔ˘˜ ∆Ô‡ÚÎÔ˘˜ (1522). MÈ· ÂÎÙ›ÌËÛË ÙˆÓ ‰Â‰Ô̤ӈÓ, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 454-466 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 466: Painting in the medieval town of Rhodes from the 11th century to the Turkish conquest (1522). An assessment of the facts]. 154. ∞Ú¯ÔÓÙfiÔ˘ÏÔ˜ £., √ Ó·fi˜ Ù˘ ∞Á›·˜ ∞ÈηÙÂÚ›Ó˘ ÛÙËÓ fiÏË Ù˘ ƒfi‰Ô˘ Î·È Ë ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ ‡ÛÙÂÚÔ˘ ÌÂÛ·›ˆÓ· ÛÙ· ¢ˆ‰ÂοÓËÛ· (1309-1453), ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡-∞Ú¯·ÈÔÏÔÁÈÎfi πÓÛÙÈÙÔ‡ÙÔ ∞ÈÁ·È·ÎÒÓ ™Ô˘‰ÒÓ, 2010.

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155. ∞ÛËÌ·ÎfiÔ˘ÏÔ˜ ¢., µÂϤÓ˘ °., ¶·Ú·ÙËÚ‹ÛÂȘ Û¯ÂÙÈο Ì ÙÔ Û‡ÛÙËÌ· ˘ÔÛهψÛ˘ Ù˘ µ·ÛÈÏÈ΋˜ µ’ ÛÙÔ˘˜ ºÈÏ›Ô˘˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 15-16. 156. ∞ÛËÌ·ÎÔÔ‡ÏÔ˘-∞Ù˙·Î¿ ¶., ∆Ì‹Ì· „ËÊȉˆÙÔ‡ Ì ·Ú¯ÈÙÂÎÙÔÓÈ΋ ·Ú¿ÛÙ·ÛË ÛÙÔ ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË 6 (2006), Û. 61-75 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 75: Part of a mosaic with an architectural representation from the Benaki Museum Collection). 157. ∞ÛËÌ·ÎÔÔ‡ÏÔ˘-∞Ù˙·Î¿ ¶., ∆· „ËÊȉˆÙ¿ ‰¿‰· Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘ Î·È Ù˘ £ÂÛÛ·ÏÔӛ΢ ηٿ ÙËÓ ‡ÛÙÂÚË ·Ú¯·ÈfiÙËÙ·. √ÌÔÈfiÙËÙ˜ Î·È ‰È·ÊÔÚ¤˜, µ˘˙·ÓÙÈÓ¿ 27 (2007), Û. 305-351. 158. Atzaka P., Chrysafi E., Papakyriakou Chr., Parcharidou M., Pliota A., Mosaic Icons in Greece: Techniques and Methods of Conservation, ICCM 9 (2008), ¶Ú·ÎÙÈο, Û. 335-339. 159. ∞ÛËÌ·ÎÔÔ‡ÏÔ˘-∞Ù˙·Î¿ ¶., æËÊȉˆÙ¿ ‰¿‰· Ù˘ £ÂÛÛ·ÏÔӛ΢ – ∂˘Ú‹Ì·Ù· ÚfiÛÊ·ÙˆÓ ·Ó·ÛηÊÈÎÒÓ ÂÚ¢ÓÒÓ (1998-2005). ¶·Ú·ÙËÚ‹ÛÂȘ Û¯ÂÙÈο Ì ÂÚÁ·ÛÙ‹ÚÈ· „ËÊÔıÂÙÒÓ Ù˘ fiÏ˘, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 413-420. 160. Assimakopoulou-Atzaka P., Parcharidou-Anagnostou M., Mosaici con iscrizioni vescovili in Grecia (dal IV al VII secolo), Ideologia e cultura artistica (2009), ¶Ú·ÎÙÈο, Û. 25-43. 161. ∞ÛËÌ·ÎÔÔ‡ÏÔ˘-∫ˆÓÛÙ·ÓÙ¿ÙÔ˘ ¢., √Ú¿ÚÈÔ Î·È ÂÁ¯Â›ÚÈÔ: ¯·Ú·ÎÙËÚÈÛÙÈο ÛÙÔȯ›· ¤Ó‰˘Û˘ (‰È·ÎÚÈÙÈο ‰È·ÎÔÓÈÎÔ‡ ÚfiÏÔ˘) Ù˘ £ÂÔÙfiÎÔ˘ ÛÙȘ ·ÂÈÎÔÓ›ÛÂȘ Ù˘ ·fi ÙÔÓ 4Ô-15Ô ·ÈÒÓ·, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 13-14. 162. ∞ÛÏ¿ÓË π., ‚Ï. ·Ú. 930. 163. ∞ÛÏ·Ó›‰Ë˜ ∫Ï., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ Ù˘ ∞Á›·˜ ∫˘Úȷ΋˜ ÛÙËÓ ∞›ڷÓıÔ Ù˘ ¡¿ÍÔ˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 21-22. 164. ∞ÛÏ·Ó›‰Ë˜ ∫Ï., ‚Ï. ·Ú. 1645. 165. ∞ÛÏ·Ó›‰Ë˜ ∫Ï., ‚Ï. ·Ú. 673. 166. Aslanidis Kl. Constantinopolitan features in the Middle-Byzantine church architecture of Naxos, Byzantium and Kievan Rus (2010), ¶Ú·ÎÙÈο, Û. 21-34 (ÚˆÛÈ΋ ÂÚ›ÏË„Ë, Û. 472-473). 167. ÕÙÛ·ÏÔ˜ µ., ‚Ï. ·Ú. 1615. 168. ∞¯ÂÈÌ¿ÛÙÔ˘-¶ÔÙ·ÌÈ¿ÓÔ˘ ª., ™ÙÔ £¿ÚÈ Ù˘ ƒfi‰Ô˘: √ Ó·fi˜ Î·È ÔÈ ÙÔȯÔÁڷʛ˜ Ù˘ ªÔÓ‹˜ ÙÔ˘ ∆·ÍÈ¿Ú¯Ë ªÈ¯·‹Ï, ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, ∆·ÌÂ›Ô ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ¶fiÚˆÓ, 2006. 169. ∞¯ÂÈÌ¿ÛÙÔ˘-¶ÔÙ·ÌÈ¿ÓÔ˘ ª., ºÔÚËÙ¤˜ ÂÈÎfiÓ˜ Ù˘ ËÂÈÚˆÙÈ΋˜ Û¯ÔÏ‹˜, ¢Ã∞∂ 27 (2006), Û. 305-320 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 319-320: Portable Icons of the Epirot School).

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170. Acheimastou-Potamianou M., Comments on the bilateral icon from Mytilini, ZRVI 44 (2007) [∞ÊȤڈ̷ ÛÙÔÓ ·Î·‰ËÌ·˚Îfi Î. Gojko Subotiç], Û. 473-479 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 478-479). 171. ∞¯ÂÈÌ¿ÛÙÔ˘-¶ÔÙ·ÌÈ¿ÓÔ˘ ª., ∏ ÌÓËÌÂȷ΋ ˙ˆÁÚ·ÊÈ΋ ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ ηٿ ÙÔ 13Ô ·ÈÒÓ·. ∏ ÂÚ›ÙˆÛË Ù˘ ƒfi‰Ô˘ Î·È Ù˘ ¡¿ÍÔ˘ / Monumental Painting on the Aegean Islands in the Thirteenth Century: Rhodes and Naxos, ∆ÂÙ¿ÚÙË ™Ù·˘ÚÔÊÔÚ›· / Fourth Crusade (2007), ¶Ú·ÎÙÈο, Û. 13-30. 172. ∞¯ÂÈÌ¿ÛÙÔ˘-¶ÔÙ·ÌÈ¿ÓÔ˘ ª., ∏ µÏ·¯¤ÚÓ· Ù˘ ÕÚÙ·˜, ∆ÔȯÔÁڷʛ˜, ∞ı‹Ó·È: ∏ ÂÓ ∞ı‹Ó·È˜ ∞Ú¯·ÈÔÏÔÁÈ΋ ∂Ù·ÈÚ›·, 2009. 173. ∞¯ÂÈÌ¿ÛÙÔ˘-¶ÔÙ·ÌÈ¿ÓÔ˘ ª., ¢‡Ô ·ÌÊÈÚfiÛˆ˜ ÂÈÎfiÓ˜ ÙÔ˘ ÃÚÈÛÙÔ‡ Î·È Ù˘ ¶·Ó·Á›·˜ ÛÙË ƒfi‰Ô, ¢Ã∞∂ 30 (2009), Û. 199-214 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 213-214: Two Bilateral Icons of Christ and the Virgin on Rhodes). 174. ∞¯ÂÈÌ¿ÛÙÔ˘-¶ÔÙ·ÌÈ¿ÓÔ˘ ª., ∆ÔȯÔÁڷʛ˜ ÙÔ˘ ªÂÁ¿ÏÔ˘ ∆·ÍÈ¿Ú¯Ë ÛÙË ªÂÛ·ÚÈ¿ Ù˘ ÕÓ‰ÚÔ˘. ™ÙÔȯ›· ÂÈÎÔÓÔÁÚ·Ê›·˜ Î·È Ù¤¯Ó˘, ¶∞¶∞¢∞∫∏OEKLAND ™Ù., ªÓ‹ÌË (2009), Û. 117-132. 175. ∞¯ÂÈÌ¿ÛÙÔ˘-¶ÔÙ·ÌÈ¿ÓÔ˘ ª., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 47 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÃÚÈÛÙfi˜ ¤ÓıÚÔÓÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 51 (∑ˆÁÚ¿ÊÔ˜ ∞Ó‰Ú¤·˜ ƒ›Ù˙Ô˜: ∞Ó¿ÏË„Ë, ∂ÙÔÈÌ·Û›·, ºÈÏÔÍÂÓ›· Î·È ¿ÁÈÔÈ, ‚’ ÌÈÛfi 15Ô˘ ·È.). 176. µ·‚·ÙÛÈԇϷ˜ √., √È ÔÈÎÔ‰ÔÌÈΤ˜ Ê¿ÛÂȘ Ù˘ ∫·ıÔÏÈ΋˜ ªËÙÚfiÔÏ˘ ÙÔ˘ ∫¿ÛÙÚÔ˘ ¡¿ÍÔ˘, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 16-17. 177. µ·ÁÂÓ¿ ∞., ‚Ï. ·Ú. 1547. 178. µ·Î·ÏÔ‡‰Ë ∞., µ˘˙·ÓÙÈÓ‹ ·ÛÙÈ΋ ηÙÔÈΛ· Î·È Ë Î·ıËÌÂÚÈÓ‹ ˙ˆ‹ Ù˘: ÙÔ ·Ú¿‰ÂÈÁÌ· Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘, µ˘˙¢fiÌÔ˜ 16 (2007-2008), Û. 327-349. 179. µ·ÎÔÓ‰›Ô˘ ª., ¢‡Ô «‰›‰˘Ì·» ÔÈÎfiÛËÌ· ÙˆÓ Ì¤ÛˆÓ ÙÔ˘ 16Ô˘ ·ÈÒÓ·, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 414-421 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 419: Two similar coats of arms dated in 1555). 180. µ·Ï¿ÎÔ˘ ¶., ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ [ª∂ 2007], Ï‹ÌÌ. ·Ú. 108 (√ ·Ú¯¿ÁÁÂÏÔ˜ ªÈ¯·‹Ï, ÂÚ› ÙÔ 1400), 117 (√ ¿ÁÈÔ˜ πˆ¿ÓÓ˘ Ô £ÂÔÏfiÁÔ˜, ‚’ ÌÈÛfi 15Ô˘ ·È.), 147 (√ ¿ÁÈÔ˜ ™¿‚‚·˜, Ù¤ÏË 15Ô˘-·Ú¯¤˜ 16Ô˘ ·È.), 148 (√ ¿ÁÈÔ˜ ¡ÈÎfiÏ·Ô˜, ·Ú¯¤˜ 16Ô˘ ·È.), 167 (∑ˆÁÚ¿ÊÔ˜ πÂÚÂÌ›·˜ ¶·ÏÏ·‰¿˜: √ ¿ÁÈÔ˜ °ÂÒÚÁÈÔ˜ ¤ÊÈÔ˜, ‰Ú·ÎÔÓÙÔÎÙfiÓÔ˜, ·’ ÌÈÛfi 17Ô˘ ·È.), 168 (√ ¿ÁÈÔ˜ °ÂÒÚÁÈÔ˜ ¤ÊÈÔ˜, ‰Ú·ÎÔÓÙÔÎÙfiÓÔ˜, 17Ô˜ ·È.), 182 (∑ˆÁÚ¿ÊÔ˜ °ÂÒÚÁÈÔ˜ °·‚·ÏÏ¿˜: √ ¿ÁÈÔ˜ °ÂÚ¿ÛÈÌÔ˜ Ô «Ó¤Ô˜ ·ÛÎËÙ‹˜», 17Ô˜ ·È.), 201 (√ ¿ÁÈÔ˜ £ˆÌ¿˜, ·Ú¯¤˜ 18Ô˘ ·È.), 218 (√È ∂Ù¿ ¶·›‰Â˜ ÂÓ ∂ʤۈ, ·Ú¯¤˜ 18Ô˘ ·È.). 181. µ·Ï¿ÎÔ˘ ¶., ¡ÔÌ›ÛÌ·Ù· Ù˘ °ÂÓÔ˘·ÙÔÎÚ·Ù›·˜ ÛÙË Ã›Ô (1346-1566), ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 109-118 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 118: Coins of the Genoese period in Chios (1346-1566). The collection of the Chios Byzantine Museum].

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182. Vaxevanis π., ‚Ï. ·Ú. 1309. 183. Varalis I. D., Prothesis and Diakonikon: Searching the Original Concept of the Subsidiary Spaces of the Byzantine Sanctuary, Hierotopy (2006), ¶Ú·ÎÙÈο, Û. 282-298 (ÚˆÛÈ΋ ÂÚ›ÏË„Ë, Û. 292-295). 184. Varalis I. D., San Nicola [Bari 2006], Ï‹ÌÌ. ·Ú. ππ.11, ππ.12, ππ.13. 185. µ·Ú·Ï‹˜ π. ¢., ÕÁÈÔÓ ŸÚÔ˜-¶ÚˆÙ¿ÙÔ [£ÂÛÛ·ÏÔÓ›ÎË 2006], Ï‹ÌÌ. ·Ú. 89 (·Óı›‚ÔÏÔ: √ ¿ÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ¤ÊÈÔ˜, 1851), 93·-‚ (·Óı›‚ÔÏÔ: ·Ú·‚ÔÏ‹ ÙˆÓ ¢¤Î· ¶·Úı¤ÓˆÓ, ·’ ÂÓËÓÙ·ÂÙ›· 19Ô˘ ·È.). 186. µ·Ú·Ï‹˜ π. ¢., ∏ Ó·Ô‰ÔÌ›· Ù˘ £ÂÛÛ·Ï›·˜ ηٿ ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÂÚ›Ô‰Ô, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. I, Û. 345-369 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 353). 187. µ·Ú·Ï‹˜ π. ¢., ∏ ÚfiıÂÛË Î·È ÙÔ ‰È·ÎÔÓÈÎfi ηٿ ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÂÚ›Ô‰Ô. ∆· ‰Â‰Ô̤ӷ ÙˆÓ ËÁÒÓ, ∞πª√™ 1 (2006), ¶Ú·ÎÙÈο, Û. 36-44. 188. µ·Ú·Ï‹˜ π. ¢., §ÒÏÔ˜ π., ∂ÓÂ›ÁÚ·ÊÔ ‚˘˙·ÓÙÈÓfi ÂÈÛÙ‡ÏÈÔ Ù¤ÌÏÔ˘ ÛÙÔÓ ÕÁÈÔ ¡ÈÎfiÏ·Ô µ·ÛÈÏÈÎÔ‡ ∫ÔÚÈÓı›·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 23. 189. µ·Ú·Ï‹˜ π. ¢., ∆· ¯·Ú·ÎÙËÚÈÛÙÈο Ù˘ ÂÎÎÏËÛÈ·ÛÙÈ΋˜ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜ Ù˘ ¡ÈÎfiÔÏ˘: ·Ú·ÏÏËϛ˜ Î·È ‰È·ÊÔÚÔÔÈ‹ÛÂȘ, ¡ÈÎfiÔÏȘ 2 (2007), ¶Ú·ÎÙÈο, Û. 595-607 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 603-604). 190. Varalis I. D., Reverend Prototypes? Constantinian Churches and their Later Imitations in the Balkans, Ni‰ and Byzantium 6 (2008), ¶Ú·ÎÙÈο, Û. 6982 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 82). 191. Varalis I. D., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 15 (Leaf of the consular diptych of Basilius; Rome(?), 541), 167 (Comb with personifications of Rome and Constantinople; Alexandria(?), second half of the sixth century), 168 (Comb with marine deities; Alexandria(?), sixth century). 192. µ·Ú·Ï‹˜ π. ¢., ∆· ÚÔÛÎÙ›ÛÌ·Ù· ÙˆÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÒÓ ÂÎÎÏËÛÈÒÓ, ∞πª√™ 2 (2008), ¶Ú·ÎÙÈο, Û. 70-83. 193. µ·Ú·Ï‹˜ π. ¢., ∆ÛÂΤ˜ °., ªÂÛÔ‚˘˙·ÓÙÈÓ¿ ÁÏ˘Ù¿ ·fi ÙËÓ ∞ÚÁÔÏ›‰·, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 359-373 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 595: Sculptures mésobyzantines d'Argolide, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 607). 194. µ·Ú·Ï‹˜ π. ¢., ∞ÓÙÈΛÌÂÓ· ·Á¿˘, ÂÓ·‡ÛÌ·Ù· ‰È·ÓfiËÛ˘ ·fi ÙË ™˘ÏÏÔÁ‹ ¡ÈÎÔÏ¿Ô˘ π. ¶·ÓÙ·˙ÔÔ‡ÏÔ˘, µfiÏÔ˜: ¢ËÌÔÙÈÎfi ∫¤ÓÙÚÔ πÛÙÔÚ›·˜ Î·È ∆ÂÎÌËÚ›ˆÛ˘, 2009. 195. µ·Ú·Ï‹˜ π. ¢., ∞ÌÂÏÔηÏÏȤÚÁÂÈ· Î·È ÔÈÓÔ·Ú·ÁˆÁ‹ ÛÙË ‚˘˙·ÓÙÈÓ‹ ∞ÚÁÔÏ›‰·, √›ÓÔÓ ÈÛÙÔÚÒ 9 (2009), ¶Ú·ÎÙÈο, Û. 133-148 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 148: Viticulture et production du vin en Argolide byzantine). 196. µ·Ú·Ï‹˜ π. ¢., ¢‡Ô ·Ó¿ÁÏ˘Ê˜ ÂÈÎfiÓ˜ ·fi ÙË £ÂÛÛ·Ï›· ÛÙÔ µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘ÛÂ›Ô ∞ıËÓÒÓ, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. π, Û. 503-

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523 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 516: Two relief icons from Thessaly at the Byzantine and Christian museum of Athens). 197. µ·Ú·Ï‹˜ π. ¢., ª·Î¤Ù˜ ‹ ∫Ù›ÚÈ·; ªÈÎÚÔÁÚ·ÊÈΤ˜ ·ÂÈÎÔÓ›ÛÂȘ ÂÎÎÏËÛÈÒÓ Î·Ù¿ ÙËÓ ·’ ¯ÈÏÈÂÙ›·, ∞πª√™ 3 (2009), ¶Ú·ÎÙÈο, Û. 22-32. 198. µ·Ú·Ï‹˜ π. ¢., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ·ÛÎËÙ·ÚÈÔ‡ Ù˘ ÌÔÓ‹˜ ∞‚ÁÔ‡ ∞ÚÁÔÏ›‰·˜, ªÓ‹ÌË ∆·ÛԇϷ˜ √ÈÎÔÓfiÌÔ˘ (2009), ¶Ú·ÎÙÈο, Û. 139-156 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 156: The wall-paintings of the Cave-church at the Avgou Monastery, Argolis). 199. µ·Ú·Ï‹˜ π. ¢., ¶ÚÔÏ¿ÛÌ·Ù· ÛÙË ªÂ۷ȈÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋. ∂ÈÛ·ÁˆÁ‹–ÂÈÛÎfiËÛË Ù˘ ¤Ú¢ӷ˜, ∞πª√™ 3 (2009), ¶Ú·ÎÙÈο, Û. 11-21. 200. µ·Ú·Ï‹˜ π. ¢., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 23 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: ÕÁÈÔ˜ º·ÓÔ‡ÚÈÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 45 (∫ˆÓÛÙ·ÓÙÈÓÔ˘ÔÏ›Ù˘ ˙ˆÁÚ¿ÊÔ˜; ‹ Ô ÕÁÁÂÏÔ˜;: ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 201. µ·Ú·Ï‹˜ π. ¢., ∂ÈÎÔÓ›‰ÈÔ ·fi ÛÙ·ٛÙË Ì ÙÔÓ ¿ÁÈÔ πˆ¿ÓÓË ÙÔ £ÂÔÏfiÁÔ ÛÙÔ ∞Ú¯·ÈÔÏÔÁÈÎfi ªÔ˘ÛÂ›Ô ÙˆÓ ™ÎÔ›ˆÓ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 17. 202. µ·Úı·Ï›ÙÔ˘ ¶., ∏ ÎÚ‹ÓË Bembo ÛÙÔÓ Ã¿Ó‰·Î·, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 152-163 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û.163: The fontana Bembo in Candia). 203. µ·Úı·Ï›ÙÔ˘ ¶., √ Ó·fi˜ Ù˘ ¶·Ó·Á›·˜ ÛÙÔ ºÔ˘ÚÊÔ˘Ú¿ ∞Ì·Ú›Ô˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 556-567 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 564: The church of the Virgin in Fourfouras, Rethumnon). 204. µ·Úı·Ï›ÙÔ˘ ¶., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙÔ ¤ÚÁÔ ÙÔ˘ ÎÚËÙÈÎÔ‡ ˙ˆÁÚ¿ÊÔ˘ ªÈ¯·‹Ï µÂÓ¤ÚË: ªÂ ·ÊÔÚÌ‹ ÙÔÓ ÙÔȯÔÁÚ·ÊÈÎfi ‰È¿ÎÔÛÌÔ ÙÔ˘ Ó·Ô‡ Ù˘ ∞Á›·˜ ¶·Ú·Û΢‹˜ ÛÙÔÓ ∞ÚÁÔ˘Ï¤ ™Ê·Î›ˆÓ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 18-19. 205. µ·ÛÈϷΤÚ˘ ∞., ∏ £ÂÛÛ·ÏÔÓ›ÎË ¯ˆÚ›˜ ¶·ÓÛ¤ÏËÓÔ; ∞Ó·˙‹ÙËÛË ÎÚÈÙËÚ›ˆÓ ÁÈ· ÙËÓ ÂÚÌËÓ›· Ù˘ ÔÌÔÈfiÙËÙ·˜ ÛÙËÓ ·Ï·ÈÔÏfiÁÂÈ· ˙ˆÁÚ·ÊÈ΋, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 18-19. 206. µ·ÛÈϷΤÚ˘ ∞., §fiÁÈÔÈ ˙ˆÁÚ¿ÊÔÈ ÛÙËÓ ·Ï·ÈÔÏfiÁÂÈ· ηÏÏÈÙ¯ÓÈ΋ ·Ú·ÁˆÁ‹: Ë Ì·ÚÙ˘Ú›· ÙˆÓ ¤ÚÁˆÓ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 20. 207. Vassilaki M., San Nicola [Bari 2006], Û. 71-76 Î·È Ï‹ÌÌ. ·Ú. IV.13. 208. µ·ÛÈÏ¿ÎË ª., ‚Ï. ·Ú. 407. 209. Vassilaki ª., The Portrait of the Artist in Byzantium revisited, L’artista a Bisanzio (2007), ¶Ú·ÎÙÈο, Û. 1-10. 210. µ·ÛÈÏ¿ÎË ª., ∞ÂÈÎÔÓ›ÛÂȘ ÙÔ˘ Êfi‚Ô˘ ÛÙË ‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË, ºfi‚Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 76-85. 211. µ·ÛÈÏ¿ÎË ª., ∏ ∫Ú‹ÙË ˘fi ‚ÂÓÂÙÈ΋ ΢ÚÈ·Ú¯›·. ∏ Ì·ÚÙ˘Ú›· ÙˆÓ ÌÓËÌ›ˆÓ ÙÔ˘ 13Ô˘ ·ÈÒÓ· / Crete under Venetian Rule. The Evidence of the

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thirteenth Century Monuments, ∆ÂÙ¿ÚÙË ™Ù·˘ÚÔÊÔÚ›· / Fourth Crusade (2007), ¶Ú·ÎÙÈο, Û. 31-46 . 212. Vassilaki M., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 240 (Icon of St John the Theologian; Constantinople or Thessaloniki, c. 1370-80), 241 (Icon of Christ Pantokrator; Constantinople or Thessaloniki, c. 1370-80), 251 (Icon with the Virgin and Child, Church Feasts and Saints; Venice(?), mid-fourteenth century), 263 (German artist(?), thirteenth century: Leaf from a model book, showing Christ and Zacchaeus, and St Theodore and St George), 264 (Commentary on Genesis with drawing of Christ, folio 155v; Cyprus(?), c.11751225; fifteenth century), 315 (Icon of St George and scenes of his life and miracles; Sinai(?), beginning of the thirteenth century), 316 (Icon of the Prophet Moses before the Burning Bush and receiving the Tablets of the Law; Sinai(?), late twelfth-early thirteenth century), 317 (Iconostasis beam with the Great Feasts and Deisis; Sinai(?), around 1200), 323 (Icon of the Heavenly Ladder of St John Klimakos; Constantinople or Sinai, late twelfth century). 213. Vassilaki M., The Painter Angelos and Icon-Painting in Venetian Crete, Aldershot 2008. 214. Vassilaki M., Icons, OHBS (2008), Û. 758-769. 215. Vassilaki M., Religious Art under Foreign Rule: the Case of the Painter, The Greek World (2008), ¶Ú·ÎÙÈο, Û. 80-92. 216. Vassilaki M., El Greco origins [New York 2009], Ï‹ÌÌ. ·Ú. 3 (Deesis. early 15th c.), 8 (Saint Phanourios, second quarter of th 15th c.). 217. Vassilaki M., Commissioning art in fifteenth-century Venetian Crete: the case of Sinai, Venetocrazia (2009), ¶Ú·ÎÙÈο, Û. 741-748. 218. µ·ÛÈÏ¿ÎË ª., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Û. 58-65 (∞fi ÙËÓ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË ÛÙÔÓ Ã¿Ó‰·Î·: ∏ ˙ˆÁÚ·ÊÈ΋ ÙˆÓ ÂÈÎfiÓˆÓ ÛÙËÓ ∫Ú‹ÙË Á‡Úˆ ÛÙÔ 1400), 114-123 (∏ Ù¤¯ÓË ÙÔ˘ ˙ˆÁÚ¿ÊÔ˘ ∞ÁÁ¤ÏÔ˘) Î·È Ï‹ÌÌ. ·Ú. 3 (¶·Ó·Á›· √‰ËÁ‹ÙÚÈ·, Ù¤ÏË 14Ô˘ ·È.), 8 (∏ ¶ÚÔÛ¢¯‹ ÛÙË °ÂıÛËÌ·Ó‹, Á‡Úˆ ÛÙÔ 1400), 9 (∏ ¢¤ËÛË, Á‡Úˆ ÛÙÔ 1400), 17 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÕÁÈÔ˜ º·ÓÔ‡ÚÈÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 18 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: ÕÁÈÔ˜ º·ÓÔ‡ÚÈÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 27 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: √ ∞Û·ÛÌfi˜ ÙˆÓ ∞ÔÛÙfiÏˆÓ ¶¤ÙÚÔ˘ Î·È ¶·‡ÏÔ˘, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 219. µ·ÛÈÏ·Ú¿ ™., ¶··‚·ÛÈÏ›Ԣ ∂., ∞ÔηٿÛÙ·ÛË Î·È ·Ó¿‰ÂÈÍË ÌÓËÌ›ˆÓ ÛÙËÓ ∆‹ÏÔ, ¢ˆ‰ÃÚ 22 (2008), Û. 714-721. 220. µ·ÛÈÏÂÈ¿‰Ô˘ ™Ù., ∂Ê˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ £Ú¿Î˘ [£ÂÛÛ·ÏÔÓ›ÎË 2007], Û. 27-33 (¶fiÚÔÈ: ∞Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ Î·È Ï‹ÌÌ. ·Ú. 1-21), 99-104 (°Ú·ÙÈ·ÓÔ‡: ∞Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ Î·È Ï‹ÌÌ. ·Ú. 99-105). 221. Vassiliadou St., ‚Ï. ·Ú. 1287. 222. Vassiliadou St., ‚Ï. ·Ú. 1290.

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223. Vassiliadou St., ‚Ï. ·Ú. 1743. 224. µ·ÛÈÏÂÈ¿‰Ô˘ ™Ù., ‚Ï. ·Ú. 1744. 225. µ·ÛÈÏÂÈ¿‰Ô˘ ™Ù., ¶·˙·Ú¿˜ ¡., ªÂÙÚfi £ÂÛÛ·ÏÔӛ΢ 2007, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 231-240. 226. Wassiliou-Seibt ∞.-∫., Einige bisher unbekannte Namen auf byzantinischen Bleisiegeln, SBS 9 (2006), Û. 69–80. 227. µ·ÛÈÏ›Ԣ-Seibt A.-K., ¡¤· ÛÙÔȯ›· ÁÈ· ÙË ‚˘˙·ÓÙÈÓ‹ ¡ÈÎfiÔÏË ‚¿ÛÂÈ ÛÊÚ·ÁÈÛÙÈÎÒÓ ‰Â‰Ô̤ӈÓ, ¡ÈÎfiÔÏȘ 2 (2007), ¶Ú·ÎÙÈο, Û. 587-593 (ÁÂÚÌ·ÓÈ΋ ÂÚ›ÏË„Ë, Û. 592). 228. Wassiliou-Seibt ∞.-∫., Gelesenes und Geschriebenes. Zur Interpretation byzantinischer Bleisiegel aus Bulgarien. Der Familienname Pegonites, Vasil Haralanov (2008), ¶Ú·ÎÙÈο, Û. 133-136. 229. Nesbitt J., Wassiliou-Seibt A.-K., Seibt W., Highlihts from the Robert Hecht, Jr., Collection of Byzantine Seals, £ÂÛÛ·ÏÔÓ›ÎË: ∞ÚÈÛÙÔÙ¤ÏÂÈÔ ¶·ÓÂÈÛÙ‹ÌÈÔ £ÂÛÛ·ÏÔӛ΢, ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2009. 230. Wassiliou-Seibt A.-K., Der Familienname Pegonites auf byzantinischen Siegeln und in anderen schriftlichen Quellen, ∫∞ƒ¶√∑∏§√™ ∞. (2009), Û. 303-319. 231. Wassiliou-Seibt A.-K., Stephanos Kontostephanos Komnenos und sein Siegel: Ein Identifizierungsvorschlag, ¶√§∂ª∏™ ¢., ªÓ‹ÌË (2009), Û. 343-348. 232. Wassiliou-Seibt A.-K., Der Name Alexios Kontostephanos Komnenos. Identifizierungsvorschläge anhand sigillographischer Funde, SBS 10 (2010), Û. 6-24. 233. Wassiliou-Seibt A.-K., Probleme des fragmentarischen Zustandes vieler byzantinischer Bleisiegel, Fragmente (2010), ¶Ú·ÎÙÈο, Û. 143-150. 234. µ·ÛÈÏÈÎÔ‡ ¡., ªÓËÌ›· ∏›ÚÔ˘ (2008), Û. 199-200 (√ Ó·fi˜ Ù˘ ªÂÙ·ÌfiÚʈÛ˘ ÙÔ˘ ™ˆÙ‹Ú· ÛÙË ƒÂÂÙ›ÛÙË), 239-240 (√ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙÔ ª·ÏÔ‡ÓÈ). 235. µ·ÛÈÏÈÎÔ‡ ¡., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ‚·ÛÈÏÈ΋ ÛÙËÓ ∫Ú˘ÛÙ·ÏÏÔËÁ‹ ¶·Ú·Ì˘ıÈ¿˜, PMFIA 15 (2009), Û. 197-206 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 204). 236. µ¿ÛÛË Ÿ., ∏ ÎÙËÙÔÚÈ΋ ÂÈÁÚ·Ê‹ Ù˘ ¶·Ó·Á›·˜ «∞ÁÚÂψÔ‡Û·ÈÓ·˜» ÛÙË Ã›Ô, ¢Ã∞∂ 27 (2006), Û. 463-470 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 470: The Donor Inscription in the Church of the Virgin «Agrelopousaina» on Chios). 237. µ¿ÛÛË Ÿ., ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ [ª∂ 2007], Ï‹ÌÌ. ·Ú. 5 (ÎÔ‡·, 13Ô˜ ·È.), 6 (ÎÔ‡·, Ù¤ÏË 13Ô˘-·Ú¯¤˜ 14Ô˘ ·È.), 7 (ÎÔ‡·, 14Ô˜ ·È.), 8 (ÎÔ‡·, ‚’ ÌÈÛfi 14Ô˘ ·È.), 9 (ÎÔ‡·, 15Ô˜ ·È.), 154 (√ ¿ÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ Î·È Ô ¿ÁÈÔ˜ ™¿‚‚·˜, 16Ô˜ ·È.), 155 (√È ∆ÚÂȘ πÂڿگ˜, ·’ ÌÈÛfi 16Ô˘ ·È.), 189 (¢ÈÏ‹ ÂÈÎfiÓ· Ì ÙË ¢¤ËÛË Î·È ÙÔÓ ¿ÁÈÔ °ÂÒÚÁÈÔ, ·’ ÌÈÛfi 17Ô˘ ·È.), 196 (√È ∆ÚÂȘ πÂڿگ˜, 17Ô˜ ·È.), 199 (√ ·fiÛÙÔÏÔ˜ ¶·‡ÏÔ˜ Ì ¿ÁÈÔ Ì¿ÚÙ˘Ú· Î·È ‰È¿ÎÔÓÔ, ·’ ÌÈÛfi 17Ô˘

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·È.), 202 (√ ¿ÁÈÔ˜ ∞ı·Ó¿ÛÈÔ˜ Ô ∞ıˆÓ›Ù˘, Ô ¿ÁÈÔ˜ ∞ÓÙÒÓÈÔ˜ Î·È Ô ¿ÁÈÔ˜ ¶¤ÙÚÔ˜ Ô ∞ıˆÓ›Ù˘, Ù¤ÏË 17Ô˘-·Ú¯¤˜ 18Ô˘ ·È.), 203 (√ ¿ÁÈÔ˜ °ÚËÁfiÚÈÔ˜ Ô ¶·Ï·Ì¿˜ Î·È Ô ¿ÁÈÔ˜ ¢ÈÔÓ‡ÛÈÔ˜ Ô ∞ÚÂÔ·Á›Ù˘, ‚’ ÌÈÛfi 17Ô˘ ·È.), 208 ( √È ¿ÁÈÔÈ ∞Ó‰Ú¤·˜, ∫ÔÛÌ¿˜, ¢·ÌÈ·Ófi˜ Î·È ™Ù¤Ê·ÓÔ˜, ·Ú¯¤˜ 17Ô˘ ·È.), 213 (√ ¿ÁÈÔ˜ ∫ˆÓÛÙ·ÓÙ›ÓÔ˜ ¤ÓıÚÔÓÔ˜, ÙÂÏÂ˘Ù·›Ô ٤ٷÚÙÔ 17Ô˘-·Ú¯¤˜ 18Ô˘ ·È.). 238. µ¿ÛÛË Ÿ., Spolia ·fi Ï·ÙÈÓÈÎÔ‡˜ Ó·Ô‡˜ Ù˘ Ã›Ô˘ ÙÔ˘ 15Ô˘ ·ÈÒÓ·, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 102-113 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 113: Spolia from 15th century latin-rite chunches on Chios). 239. µ¿ÛÛË Ÿ., ∞fiÎÚ˘„Ë «ıËÛ·˘ÚÔ‡» ÛÙË Ã›Ô ÛÙ· ̤۷ ÙÔ˘ 7Ô˘ ·È., ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 61-75 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 75: The concealment of a coin hoards in mid 7th c. Chios). 240. µ¿ÛÛË Ÿ., √ ‰Â‡ÙÂÚÔ˜ ÎÙ‹ÙÔÚ·˜ Ù˘ ¶·Ó·Á›·˜ ∫Ú‹Ó·˜ ÛÙË Ã›Ô: ·Ú·ÙËÚ‹ÛÂȘ Ì ·ÊÔÚÌ‹ Ì›· ·Ó·ÛηÊÈ΋ ¤Ú¢ӷ, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 87-106 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 106: The Second Donor («Ktetor») of Panaghia Krena, Chios]. 241. µ·ÊÂÈ¿‰Ë˜ ∫., ŒÓ· ˘ÛÙÂÚÔ‚˘˙·ÓÙÈÓfi ÂÈÙÚ·¯‹ÏÈÔ ·fi ÙË ÌÔÓ‹ ÙÔ˘ ª. ªÂÙÂÒÚÔ˘, ∑ËÙ‹Ì·Ù· ¯ÚÔÓÔÏfiÁËÛ˘, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. I, Û. 433449, (ÁÂÚÌ·ÓÈ΋ ÂÚ›ÏË„Ë, Û. 439: Ein Spät-byzastinisches Epitrachelion (Stola) vom Megalon Meteoron Kloster. Chronologische Aspekte). 242. µ·ÊÂÈ¿‰Ë˜ ∫., √ ˙ˆÁÚ¿ÊÔ˜ £ÂÔÊ¿Ó˘ Ô ∫Ú˘ Î·È Ë Ù¤¯ÓË ÛÙÔÓ Õıˆ Î·È Ù· ªÂÙ¤ˆÚ· ηٿ ÙÔ 16Ô ·ÈÒÓ·, ∫ÚËÙÔÏÔÁÈÎfi 10 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 148-149. 243. µ·ÊÂÈ¿‰Ë˜ ∫., ∆Ô ÛËÌ·ÛÈÔÏÔÁÈÎfi ˘fi‚·ıÚÔ ÙˆÓ Â˘ÏÔÁÈÒÓ Ù˘ ¶·Ï·ÈÛÙ›Ó˘, ¡¤· ™ÈÒÓ 6 (2006), Û. 205-236. 244. µ·ÊÂÈ¿‰Ë˜ ∫., ∏ ˙ˆÁÚ·ÊÈ΋ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜ ÛÙȘ ·Ú¯¤˜ ÙÔ˘ 17Ô˘ ·ÈÒÓ·, √ ˙ˆÁÚ¿ÊÔ˜ ¢·ÓÈ‹Ï ÌÔÓ·¯fi˜, £ÂÛÛ·ÏÔÓ›ÎË: ª˘Á‰ÔÓ›·, 2008. 245. µ·ÊÂÈ¿‰Ë˜ ∫., ∑ËÙ‹Ì·Ù· ¯ÚÔÓÔÏfiÁËÛ˘ ÙˆÓ ËÁÒÓ Ù˘ «∂ÚÌËÓ›·˜» ÙÔ˘ ¢ÈÔÓ˘Û›Ô˘ ÂÎ ºÔ˘ÚÓ¿. ¶ÚÒÙ· ÛÙÔȯ›·, ∞ÁÈÔÚ∂ÛÙ›·˜ 3: ∞fi ÙÔÓ ¢ÈÔÓ‡ÛÈÔ ÂÎ ºÔ˘ÚÓ¿ ÛÙÔÓ ºÒÙË ∫fiÓÙÔÁÏÔ˘ (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 13. 246. µ·ÊÂÈ¿‰Ë˜ ∫., ∂ÈÎfiÓ˜ ÙÔ˘ ·Á›Ô˘ πˆ¿ÓÓË ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘ ÛÙË ªÔÓ‹ ¢ÈÔÓ˘Û›Ô˘ (Ù¤ÏË 15Ô˘-Ù¤ÏË 16Ô˘ ·È.), Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 20-21. 247. µ·ÊÂÈ¿‰Ë˜ ∫., ∂ÈÎfiÓ˜ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘ ÛÙË π. ª. ¢ÈÔÓ˘Û›Ô˘ ∞Á›Ô˘ ŸÚÔ˘˜, 15Ô˜-17Ô˜ ·ÈÒÓ·˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 20-21. 248. µ·ÊÂÈ¿‰Ë˜ ∫., ¶ÂÚ› Ù˘ ÂÓ Õıˆ «ÎÚËÙÈ΋˜» ˙ˆÁÚ·ÊÈ΋˜: ∂ÈÎfiÓ˜ Î·È ÙÔȯÔÁڷʛ˜ Ù˘ π. ª. ¢ÈÔÓ˘Û›Ô˘ Î·È ÔÈ ‰ËÌÈÔ˘ÚÁÔ› ÙÔ˘˜ (‚’ ÌÈÛfi 14Ô˘ - ‚’ ÌÈÛfi 16Ô˘ ·ÈÒÓ·), ∞ı‹Ó·: ª·ÚÙ˙Ô˘ÏÈ¿ÓÔ˜ π. ∏Ï›·˜, 2010. 249. µ·ÊÂÈ¿‰Ë˜ ∫., ¶ÂÚ› ÙÔȯÔÁÚ·Ê›·˜: ∑ËÙ‹Ì·Ù· ÛËÌÂȈÙÈ΋˜ Î·È Ù¯ÓÈ΋˜ ‰ÂÔÓÙÔÏÔÁ›·˜, £ÂÛÛ·ÏÔÓ›ÎË: ª˘Á‰ÔÓ›·, 2010.

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250. µ·ÊÂÈ¿‰Ë˜ ∫., √ ˙ˆÁÚ¿ÊÔ˜ ∆˙ÒÚÙ˙˘ Î·È ÔÈ ÙÔȯÔÁڷʛ˜ ÙÔ˘ Ó¤Ô˘ ηıÔÏÈÎÔ‡ ÙÔ˘ ªÂÁ¿ÏÔ˘ ªÂÙÂÒÚÔ˘ (1552), ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 107-126 [Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 127: Le peintre Zorzis et la décoration murale du nouveau Katholikon au monastère du Grand Météore (1552)]. 251. µ·ÊÂÈ¿‰Ë˜ ∫., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ Markov. ™˘ÛÙ‹Ì·Ù· ÂÚÁ·Û›·˜ Î·È Û˘ÓÂÚÁ·Û›·˜ ÛÙÔ 14Ô ·ÈÒÓ·, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 21-22. 252. µ¤ÈÎÔ˘ ª., √¯˘ÚˆÌ¤Ó˜ ÔÈÎÈÛÙÈΤ˜ ı¤ÛÂȘ ÛÙË ‚˘˙·ÓÙÈÓ‹ ◊ÂÈÚÔ (9Ô˜-12Ô˜ ·ÈÒÓ·˜) / Fortified Settlements in Byzantine Epirus (9th-12th Centuries), ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 22-23. 253. µ¤ÈÎÔ˘ ª., √È ÌÂÛÔ‚˘˙·ÓÙÈÓÔ› ÔÈÎÈÛÌÔ› Ù˘ ‚fiÚÂÈ·˜ ·ÎÙ‹˜ ÙÔ˘ ∞Ì‚Ú·ÎÈÎÔ‡ ÎfiÏÔ˘: ‰Â‰Ô̤ӷ Î·È ÚÔ‚Ï‹Ì·Ù·, ÕÚÙ· 2 (2008), ¶Ú·ÎÙÈο, Û. 213-228 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 228). 254. Veikou M., «Rural towns» and «in-between spaces». Settlement patterns in Byzantine Epirus (7th-11th centuries) in an interdisciplinary approach, Archeologia Medievale 36 (2009), Û. 43-54. 255. Veikou M., Urban or rural? Theoretical Remarks on the Settlement Patterns in Byzantine Epirus (7th-11th centuries), BZ 103/1 (2010), Û. 171-193 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 192-193). 256. µÂϤÓ˘ °., µ˘˙·ÓÙÈÓ‹ ÂÓÂ›ÁÚ·ÊË Û·ÚÎÔÊ¿ÁÔ˜ ·fi Ù· ÛÏÈ· ¢¤Ó‰Ú· Ù˘ £ÂÛÛ·ÏÔӛ΢, ª·Î‰ÔÓÈο 35 (2005-2006), Û. 39-62 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 58: Un sarcophage byzantin portant inscription de Hilia Dendra de Thessalonique). 257. µÂϤÓ˘ °., ∏ ÁÚ·Ê‹ ÙÔ˘ ÎÚËÙÈÎÔ‡ ˙ˆÁÚ¿ÊÔ˘ £ÂÔÊ¿ÓË ª·ı¿, µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 211-240. 258. µÂϤÓ˘ °., √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ÃÔÚÙ·ÎÈÒÓ ÛÙË ™ˆÙ‹Ú· ∞ÌÌÔ¯ÒÛÙÔ˘, ¡π∫√¡∞¡√™ N. (2006), Û. 31-40. 259. µÂϤÓ˘ °., ¶ÚÒÙ˜ ÏËÚÔÊÔڛ˜ ÁÈ· ¤Ó·Ó ˙ˆÁÚ¿ÊÔ ÙÔ˘ 16Ô˘ ·ÈÒÓ· ·fi ÙËÓ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË, ∆ÚÈηÏÈÓ¿ 27 (2007), Û. 267-276 (ÁÂÚÌ·ÓÈ΋ ÂÚ›ÏË„Ë, Û. 276: Erster Hinweis auf einen Maler des 16 Jahrhunderts aus Konstantinopel). [∞Ó·‰ËÌÔÛ›Â˘ÛË ·fi ÙËÓ ∂ÈÛÙËÌÔÓÈ΋ ∂ÂÙËÚ›‰· Ù˘ ¶ÔÏ˘Ù¯ÓÈ΋˜ ™¯ÔÏ‹˜ ÙÔ˘ ∞ÚÈÛÙÔÙÂÏ›Ԣ ¶·ÓÂÈÛÙËÌ›Ô˘ £ÂÛÛ·ÏÔӛ΢, Ù. 6.2 (1974), Û. 93-98]. 260. µÂϤÓ˘ °., ∆·˘Ù›ÛÂȘ ˙ˆÁÚ¿ÊˆÓ Ì ‚¿ÛË ÙË ÁÚ·Ê‹, ∂ÁÓ·Ù›· 11 (2007), Û. 103-112. 261. µÂϤÓ˘ °., ∞Ú¯ÈÙÂÎÙÔÓÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ∞ÁÁÂÏfiÎÙÈÛÙË ∫ÈÙ›Ô˘, ∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 97-98. 262. µÂϤÓ˘ °., °Ú·Ù¤˜ ÂÈÁڷʤ˜ ·fi ÙÔ ÂÚ›ÛÙˆÔ ÙÔ˘ Ó·Ô‡ Ù˘ ¶·ÓÙ¿-

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Ó·ÛÛ·˜ ÛÙË ºÈÏÈÈ¿‰·, ¢Ã∞∂ 29 (2008), Û. 81-86 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 86: Painted Inscriptions from the Peristyle of the Church of the Pantanassa at Philippiada). 263. µÂϤÓ˘ °., ŒÌÌÂÙÚ˜ ΢ÚÈÏÏÈΤ˜ ÂÈÁڷʤ˜, µ˘˙¿ÓÙÈÔ Î·È µÔ‡ÏÁ·ÚÔÈ (2008), ¶Ú·ÎÙÈο, Û. 191-208. 264. µÂϤÓ˘ °., ∏ ÁÚ·Ê‹ ÙˆÓ ∫ÔÓÙ·Ú‹‰ˆÓ, ∆ÚÈηÏÈÓ¿ 28 (2008), Û. 49-78. 265. µÂϤÓ˘ °., ∏ ÂÏÏËÓÈ΋ ÁÚ·Ê‹ ÛÙË ‚˘˙·ÓÙÈÓ‹ ÌÈÎÚÔÙ¯ӛ·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 17. 266. µÂϤÓ˘ °., √ ÁÏ˘Ùfi˜ ‰È¿ÎÔÛÌÔ˜ Ù˘ ¶·Ó·Á›·˜ ÙˆÓ Ã·ÏΤˆÓ ÛÙËÓ £ÂÛÛ·ÏÔÓ›ÎË, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 231-247 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 593: Le décor sculpté de la Panagia ton Chalkeon à Thessalonique, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 604). 267. µÂϤÓ˘ °., ÃÚÔÓÔÏÔÁÈο Û˘ÛÙ‹Ì·Ù· Û ÂÈÁڷʤ˜ Î·È ¯ÂÈÚfiÁÚ·Ê· µ˘˙·ÓÙÈÓÒÓ Î·È ªÂÙ·‚˘˙·ÓÙÈÓÒÓ ¯ÚfiÓˆÓ, ∂ÏÏËÓÈ΋ ¶·Ï·ÈÔÁÚ·Ê›· 6 (2008), ¶Ú·ÎÙÈο, Û. 659-679. 268. µÂϤÓ˘ °., ÕÁÈÔ˜ ªËÓ¿˜ ªÔÓÔ‰ÂÓ‰Ú›Ô˘ ∏›ÚÔ˘: addenda et corrigenda, ∏ÂÈÚÃÚ 43 (2009), Û. 53-89. 269. µÂϤÓ˘ °., ∫·ÏÏȤÚÁ˘ «¿ÚÈÛÙÔ˜ ˙ˆÁÚ¿ÊÔ˜», Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 22-23. 270. µÂϤÓ˘ °., ∏ ÂÈÁÚ·Ê‹ ÙÔ˘ £‡ÚÛÔ˘ ÛÙËÓ ∆ÂÁ¤·, ∆√Àƒ∞∆™√°§√À π. (2009), Û. 133-141 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë ¯ˆÚ›˜ Ù›ÙÏÔ, Û. 133). 271. µÂϤÓ˘ °., ‚Ï. ·Ú. 155. 272. µÂÚ‡ÎÔÎÔ˘ ª.,«∫·È ¤ÁÂÈÓ ʈ˜». ¢‡Ô ÌÂÛÔ‚˘˙·ÓÙÈÓ¿ ÔÏ˘Î¿Ó‰ËÏ· ÙÔ˘ ªÔ˘Û›Ԣ ªÂÓ¿ÎË, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË 8 (2008), Û. 91-115 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 114-115: Two Byzantine brass polykandela in the Benaki Museum). 273. µÈÔÏ¿Ù˙˘ ª., ‚Ï. ·Ú. 1812. 274. Vitaliotis I., Quelques remarques sur la question de la fonction des compartiments dits «chapelles» des églises byzantines, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 256-257. 275. µÈÙ·ÏÈÒÙ˘ π., H Ï·ÙÚ¢ÙÈ΋ ¯Ú‹ÛË ÙˆÓ ‰˘ÙÈÎÒÓ «·ÚÂÎÎÏËÛ›ˆÓ» ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ÙÔ˘ √Û›Ô˘ §Ô˘Î¿ Î·È ÙÔ ˙‹ÙËÌ· Ù˘ ÏÂÈÙÔ˘ÚÁ›·˜ ÙˆÓ ·ÚÂÎÎÏËÛ›ˆÓ ÙÔ˘ Ó¿ÚıËη ÛÙÔ˘˜ ‚˘˙·ÓÙÈÓÔ‡˜ Ó·Ô‡˜, ∞πª√™ 1 (2006), ¶Ú·ÎÙÈο, Û. 44-56. 276. µÈÙ·ÏÈÒÙ˘ π., ªÂÙ·‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË: ∑ˆÁÚ·ÊÈ΋, πÛÙÔÚ›· ÙˆÓ ∂ÏÏ‹ÓˆÓ 10 (2006), Û. 268-329. 277. Vitaliotis I., Sarandë – Bazilika e 40 Shënjtoreve. Raport paraprak për afresket-pikturat paleokristiane, Monumentet 2007, Û. 69-77 (·ÁÁÏÈ΋ ÂÚ›ÏË-

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„Ë, Û. 77: Saranda – The Early Christian Frescoes in the Basilica of Forty Martyrs. A preliminary Report). 278. µÈÙ·ÏÈÒÙ˘ π., ∏ ÎÚ‡ÙË Ù˘ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ‚·ÛÈÏÈ΋˜ ÙˆÓ ∞Á›ˆÓ ∆ÂÛÛ·Ú¿ÎÔÓÙ· ÛÙÔ˘˜ ∞Á›Ô˘˜ ™·Ú¿ÓÙ· Ù˘ ∞Ï‚·Ó›·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 26-27. 279. Vitaliotis I., The Basilica of the Forty Martyrs, Albania. A Pilgrimage Church of the Early Christian Period, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 403413 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 522-525: ∏ ‚·ÛÈÏÈ΋ ÙˆÓ ∞Á›ˆÓ ™·Ú¿ÓÙ·, ∞Ï‚·Ó›·: ¶ÚÔÛ΢ÓËÌ·ÙÈÎfi˜ Ó·fi˜ Ù˘ ¶ÚÒÈÌ˘ ÃÚÈÛÙÈ·ÓÈ΋˜ ¶ÂÚÈfi‰Ô˘). 280. µÈÙ·ÏÈÒÙ˘ π., ∆Ô ¤ÚÁÔ ÙÔ˘ ·ÓÒÓ˘ÌÔ˘ «˙ˆÁÚ¿ÊÔ˘ ÙÔ˘ ∞Á›Ô˘ ™ÙÂÊ¿ÓÔ˘ ªÂÙÂÒÚˆÓ» ÛÙ· ªÂÁ¿Ï· µÚ·ÁÁÈ·Ó¿ ÙˆÓ ∞ÁڿʈÓ, µ˘˙·ÓÙÈÓ¿ 28 (2008), Û. 223-265. 281. µÈÙ·ÏÈÒÙ˘ π., µ˘˙·ÓÙÈÓ¤˜ ÙÔȯÔÁڷʛ˜ Û ÂÚÂÈˆÌ¤ÓÔ ÌÂ۷ȈÓÈÎfi Ó·fi ÛÙÔ Derven Ù˘ ÎÂÓÙÚÈ΋˜ ∞Ï‚·Ó›·˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 24-25. 282. µÏ·¯¿ÎË ª., ™˘ıȷοÎË-∫ÚÈÙÛÈÌ¿ÏÏË µ., ∫ÙËÚȷο Ï›„·Ó· ÛÙ· ¡¢ Ù˘ ‚·ÛÈÏÈ΋˜ ÙˆÓ ¢·ÊÓÔ˘Û›ˆÓ: ÚÒÙË ·ÚÔ˘Û›·ÛË ÙˆÓ ·ÔÙÂÏÂÛÌ¿ÙˆÓ Ù˘ ·Ó·ÛηÊÈ΋˜ ¤Ú¢ӷ˜, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. II, Û. 1119-1129 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 1124: Building remains to the SW of the Daphnousia Basilica). 283. µÏ·¯¿ÎË ª., £ËÛ·˘Úfi˜ ÓÔÌÈÛÌ¿ÙˆÓ ·fi ÙÔ ¶‡ıÈÔ ∂Ï·ÛÛfiÓ·˜, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 489-504 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 496: The Pythion hoard from Elassona). 284. µÏ·¯ÔÔ‡ÏÔ˘-∫·Ú·Ì›Ó· ∂., ∆Ô ÈÛÙÔÚË̤ÓÔ ‚˘˙·ÓÙÈÓfi ÂÎÎÏËÛÈ·ÛÙÈÎfi ‡Ê·ÛÌ·: ÂÍÂÏÈÎÙÈ΋ ÔÚ›·, ‰È¿ÎÔÛÌÔ˜, Û˘Ì‚ÔÏÈÎfi˜ ¯·Ú·ÎÙ‹Ú·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 24-25. 285. µÏ·¯ÔÔ‡ÏÔ˘-∫·Ú·Ì›Ó· ∂., √ ÛÏ·‚ÈÎfi˜ ·‹Ú Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ¢Ô˘Û›ÎÔ˘ ∆ÚÈÎ¿ÏˆÓ Ì ÌÈÎÚÔÁڷʛ˜ ∂˘·ÁÁÂÏÈÛÙÒÓ (15Ô˜ Î·È 17Ô˜ ·È.), ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 603-618 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 618: The Slavic aër of the Holy Monastery of Dussikon in Trikala (15th and 17th centuries). 286. µÏ·¯ÔÛÙ¤ÚÁÈÔ˜ π., ∆Ô ¯ÚÔÓÈÎfi ÙˆÓ Ô‰ÒÓ ÚÔÛÂÏ¿Ûˆ˜ ÛÙËÓ πÂÚ¿ ªÔÓ‹ µ·ÚÏ·¿Ì ªÂÙÂÒÚˆÓ, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. π, Û. 451-468 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 461:The chronicle of the approaching routes to the holy monastery of Varlaam of Meteora). 287. µÏ·¯ÔÛÙ¤ÚÁÈÔ˜ π., ∂ÚÁ·Û›Â˜ ·ÔηٿÛÙ·Û˘ ÙÌËÌ¿ÙˆÓ Î¿ÛÙÚÔ˘ º·Ó·Ú›Ô˘ ∫·Ú‰›ÙÛ·˜ 2002-2005, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 551-565 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 557: Restoration works at the Castle of Fanari, Karditsa, 2002-2005). 288. µÏËÛ›‰Ë˜ ™Ù., ‚Ï. ·Ú. 1394.

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289. µÔÁÈ·Ù˙‹˜ ™., On the building history of the Monastery of St John the Theologian on Patmos, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. II, Û. 268-270. 290. µÔÁÈ·Ù˙‹˜ ™., ∏ ÙÂÏÈ΋ Â͈ÙÂÚÈ΋ ÂÈÊ¿ÓÂÈ· ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ÎÙËÚ›ˆÓ. √È ÓÂÒÙÂÚ˜ ıˆڛ˜ Î·È Ë ÂÊ·ÚÌÔÁ‹ ÙÔ˘˜ ÛÙÔ Î·ıÔÏÈÎfi Ù˘ ¡¤·˜ ªÔÓ‹˜ Ù˘ Ã›Ô˘, ∂∆∂¶∞ª 1 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 48-49 / ∂∆∂¶∞ª 1 (2006), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.). 291. µÔÁÈ·Ù˙‹˜ ™., √ ÁÏ˘Ùfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ ∞Ó‰ÚÔÌÔÓ¿ÛÙËÚÔ˘ ªÂÛÛËÓ›·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 15-16. 292. µÔÁÈ·Ù˙‹˜ ™., √ ÁÏ˘Ùfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ Ó·Ô‡ ªÂÙ·ÌÔÚÊÒÛˆ˜ ™ˆÙ‹ÚÔ˜ ÛÙ· ∞ÏÂfiÛÈÙ· §·Ì›·˜, ¢Ã∞∂ 27 (2006), Û. 101-114 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 113-114: The Sculptural Decoration in the Church of the Metamorphosis at Alepospita, Lamia). 293. µÔÁÈ·Ù˙‹˜ ™., ¶ÚÒÙË ÚÔÛ¤ÁÁÈÛË ÛÙËÓ ÔÈÎÔ‰ÔÌÈ΋ ÈÛÙÔÚ›· ÙˆÓ ∞Á›ˆÓ ∞Ó·ÚÁ‡ÚˆÓ ∫ÔÚˆ›Ô˘ ∞ÙÙÈ΋˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 28-29. 294. µÔÁÈ·Ù˙‹˜ ™., ƒ·Ù¿ÎË ∞., ∆Ô Î¿ÛÙÚÔ Ù˘ ∫·ÛÛÈÒ˘, ¶ÂÚ› πÛÙÔÚ›·˜ 5 (2007), Û. 13-24. 295. µÔÁÈ·Ù˙‹˜ ™., ∆Ô Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ∆Û¿ÙÛ·ÚË. ŒÓ·˜ ¿ÁÓˆÛÙÔ˜ ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÎÔÓÙ¿ ÛÙËÓ ∞Ûˆ›· µÔȈٛ·˜, ¢Ã∞∂ 28 (2007), Û.75-84 (·ÁÁÏÈ΋ ÂڛτË, Û. 84: The Katholikon of the Tsatsaris Monastery. An Unknown Byzantine Church near Asopia, BoeÔtia.) 296. µÔÁÈ·Ù˙‹˜ ™., ∆Ô Ù¤ÌÂÓÔ˜ ÙÔ˘ ™Ô˘ÏÂ˚Ì¿Ó ÛÙË ÌÂ۷ȈÓÈ΋ fiÏË Ù˘ ƒfi‰Ô˘, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 396-406 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 406: The Suleimaniye Mosque in the Medieval Town of Rhodes). 297. µÔÁÈ·Ù˙‹˜ ™., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ÔÈÎÔ‰ÔÌÈ΋ ÈÛÙÔÚ›· Ù˘ ¶·Ó·Á›·˜ ∫·Ù·ÔÏÈ·Ó‹˜ ¶¿ÚÔ˘, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 18-19. 298. µÔÁÈ·Ù˙‹˜ ™., ™˘ıȷοÎË µ., √ ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙÔÓ ŒÍ·Ú¯Ô ºıÈÒÙȉԘ, ¢Ã∞∂ 29 (2008), Û. 207-220 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 220: The µyzantine Church of Ayios Nikolaos at Exarchos, Phthiotida). 299. Voyadjis S., The Katholikon of Nea Moni in Chios Unveiled, JÖB 59 (2009), Û. 229-242. 300. µÔÁÈ·Ù˙‹˜ ™., √ ÁÏ˘Ùfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ ∞Ó‰ÚÔÌÔÓ¿ÛÙËÚÔ˘ ªÂÛÛËÓ›·˜, ¢Ã∞∂ 30 (2009), Û. 129-140 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 139-140: The Sculpted Decoration of the Andromonastiro in Messenia). 301. µÔÁÈ·Ù˙‹˜ ™., ™Î¤„ÂȘ Î·È ÂÈηۛ˜ Á‡Úˆ ·fi ÙË ÊÈ¿ÏË Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ªÂÁ›ÛÙ˘ §·‡Ú·˜ ÛÙÔ ÕÁÈÔÓ √ÚÔ˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 26-27. 302. µÔÁÈ·Ù˙‹˜ ™., ∆Ô Ù˙·Ì› ÙÔ˘ √ÛÌ¿Ó ™·¯ Ì¤Ë ‹ ∫Ô˘ÚÛÔ‡Ì Ù˙·Ì› ÙˆÓ ∆ÚÈοψÓ, √ıˆÌ·ÓÈο ªÓËÌ›· (2009), Û. 159-172 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 155157: The mosque Osman ≤ah bey (Kur≥um) in Trikala, Thessaly].

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303. µÔÁÈ·Ù˙‹˜ ™., ∏ ∞Á›· ∂ÈÚ‹ÓË (ƒËÓ¿ÎÈ) ÛÙËÓ ¶Ï¿Î·, ¢Ã∞∂ 31 (2010), Û. 47-52 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 52: The church of St Irene (Rinaki) in Plaka]. 304. µÔÁÈ·Ù˙‹˜ ™., ¶·Ó·Á›· Ë ∫Ô˘ÎÔ˘˙¤ÏÈÛÛ· πÂÚ¿˜ ªÔÓ‹˜ ªÂÁ›ÛÙ˘ §·‡Ú·˜ ∞Á›Ô˘ ŸÚÔ˘˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 23-24. 305. Vocotopoulos P. L., A XVI-th Century Icon of Christ with St. John the Baptist in Jerusalem, OVADIAH A. (2006), Û. 497-503. 306. Vocotopoulos P. L., Le Corpus de la Peinture Monumentale Byzantine: Bilan et Perspectives, CIEB 21 (2006), ∂ÈÛËÁ‹ÛÂȘ, Û. 147-151. 307. Vocotopoulos P. L., The Miniatures of a Palaeologan New Testament at the Hagia Lavra Monastery near Kalavryta, WALTER C. (2006), Û. 106-121. 308. Vocotopoulos P. L., Une rare catégorie d’icônes: Les icônes despotiques doubles, KOMEâA A. (2006), Û. 589-594. 309. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∂ÈÎfiÓ˜ ∞Ï‚·Ó›·˜ [£ÂÛÛ·ÏÔÓ›ÎË, 2006], Û. 18-25 (∏ ıÚËÛ΢ÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ÛÙËÓ ∞Ï‚·Ó›· ·fi ÙÔÓ 10Ô ¤ˆ˜ ÙÔÓ 19Ô ·ÈÒÓ·). 310. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ŒÓ· ÙÚ›Ù˘¯Ô Ù¤¯Ó˘ °ÂˆÚÁ›Ô˘ ∫ÏfiÓÙ˙· ÛÙÔ µÔ˘ÎÔ˘Ú¤ÛÙÈ, ¢Ã∞∂ 27 (2006), Û. 335-352 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 352: A Triptych of the Art of George Klontzas in Bucharest). 311. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∏ calcatio ÛÙËÓ ‚˘˙·ÓÙÈÓ‹ Î·È ÙËÓ ÌÂÙ·‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË, ¶∞∞ 81, Ù¯. µ’ (2006), Û. 127-152. 312. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∏ ·ÎÙÈÓÔ‚ÔÏ›· Ù˘ ˙ˆÁÚ·ÊÈ΋˜ Ù˘ £ÂÛÛ·ÏÔӛ΢ ηٿ ÙËÓ Ì¤ÛË Î·È ‡ÛÙÂÚË ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, ÃÚÈÛÙÈ·ÓÈ΋ £ÂÛÛ·ÏÔÓ›ÎË 11 (2006), ¶Ú·ÎÙÈο, Û. 339-368. 313. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∏ ÎÙÈÙÔÚÈ΋ ÙÔȯÔÁÚ·Ê›· Ù˘ ¶·ÓÙ·Ó¿ÛÛ˘ ºÈÏÈÈ¿‰Ô˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 17. 314. Vocotopoulos P. L., La miniatura bizantina tra X e XI secolo: tipologie librarie e indirizzi stilistici, Chiesa e Palazzo (2007), ¶Ú·ÎÙÈο, Û. 220-227. 315. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ¶·ÓÙ¿Ó·ÛÛ· ºÈÏÈÈ¿‰Ô˜, (µÈ‚ÏÈÔı‹ÎË Ù˘ ÂÓ ∞ı‹Ó·È˜ ∞Ú¯·ÈÔÏÔÁÈ΋˜ ∂Ù·ÈÚ›·˜, ·Ú. 251, ∞Ú¯·›ÔÈ ÙfiÔÈ Î·È ÌÔ˘Û›· Ù˘ ∂ÏÏ¿‰Ô˜, 30), ∞ı‹Ó· 2007. 316. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∏ ∞η‰ËÌ›· ∞ıËÓÒÓ Î·È ÙÔ µ˘˙¿ÓÙÈÔ, ¶∞∞ 82, Ù¯. µ’ (2007), Û. 1-26. 317. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∏ Ù¤¯ÓË ÛÙËÓ ◊ÂÈÚÔ ÙÔÓ 13Ô ·ÈÒÓ· / Art in Epiros in the Thirteenth Century, ∆ÂÙ¿ÚÙË ™Ù·˘ÚÔÊÔÚ›· / Fourth Crusade (2007), ¶Ú·ÎÙÈο, Û. 47-62. 318. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ªÈ· ·Û˘Ó‹ıÈÛÙË ·Ú¿ÛÙ·ÛË ÙÔ˘ ·Á›Ô˘ °ÚËÁÔÚ›Ô˘ ÙÔ˘ ¶·Ï·Ì¿ ÛÙËÓ ¶¿ÙÌÔ, ¢ˆ‰ÃÚ 21 (2007), Û. 404-410. 319. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., √È ÌÈÎÚÔÁڷʛ˜ ÌÈ·˜ ∫·ÈÓ‹˜ ¢È·ı‹Î˘ Ù˘

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ªÔÓ‹˜ ∞Á›·˜ §·‡Ú·˜, ¶ÂÏÔÔÓÓËÛÈ·ÎÒÓ ™Ô˘‰ÒÓ 7 (2007), ¶Ú·ÎÙÈο, Ù. ¢’, Û. 5-15 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 11: Miniatures of a New Testament in the Monastery of Hagia Lavra). 320. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ¶··‰ÔÔ‡ÏÔ˘ µ., ∏ ‚˘˙·ÓÙÈÓ‹ ÌÔÓ‹ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙËÓ ∫˘„¤ÏË ¡ÔÌÔ‡ ¶Ú‚¤˙˘, ¶Ú¤‚Â˙·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 8Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2007. 321. Vocotopoulos P. L., L’influence de la peinture de la Renaissance dans l’Orient orthodoxe. Le cas de l’école crétoise, Glas CDX.14 (2008), Û. 41-53. 322. Vocotopoulos P. L., Un panorama de la miniatura bizantina de mediados del siglo X a mediados del siglo XI, Menologio de Basilio II (2008), Û. 27-44. 323. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ÕÁÈÔÓ ŸÚÔ˜. ºˆÙÔÁڷʛ˜ 1956-2001, £ÂÛÛ·ÏÔÓ›ÎË: ∞ÁÈÔÚÂÈÙÈ΋ ∂ÛÙ›·, 2008. 324. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∏ ÎÙÈÙÔÚÈ΋ ÙÔȯÔÁÚ·Ê›· ÛÙÔ ÂÚ›ÛÙˆÔ Ù˘ ¶·ÓÙ·Ó¿ÛÛ˘ ºÈÏÈÈ¿‰Ô˜, ¢Ã∞∂ 29 (2008), Û. 73-80 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 80: The Founder's Wall-paintings in the Peristyle of the Pantanassa at Philippiada). 325. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., √ ÌÂÙ·ÏÏÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÚÈÒÓ ‚˘˙·ÓÙÈÓÒÓ Îˆ‰›ÎˆÓ, µÈ‚ÏÈÔ‰ÂÛ›· ‚˘˙·ÓÙÈÓ‹-ÌÂÙ·‚˘˙·ÓÙÈÓ‹ (2008), ¶Ú·ÎÙÈο, Û. 201-218. 326. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∆Ô Î·ıÔÏÈÎfi Ù˘ ªÔÓ‹˜ ¶·ÓÙ·Ó¿ÛÛ˘ ºÈÏÈÈ¿‰Ô˜, ÕÚÙ· 2 (2008), ¶Ú·ÎÙÈο, Û. 269-301 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë). 327. Vocotopoulos P. L., Athos [Paris 2009], Û. 65-74 (Les manuscrits byzantins enluminés du Mont Athos). 328. Vocotopoulos P. L., Trois reliures byzantines, Hrizograf / Chrysograph (2009), ¶Ú·ÎÙÈο, Û. 458-476. 329. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., µ˘˙·ÓÙÈÓ¿ ÂÈÎÔÓÔÁÚ·ÊË̤ӷ ¯ÂÈÚfiÁÚ·Ê· Ù˘ ªÔÓ‹˜ §ÂÈÌÒÓÔ˜, §ÂÈÌÒÓÔ˜ (2009), ¶Ú·ÎÙÈο, Û. 91-110, 274-278. 330. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ¢‡Ô ·ÎfiÌË «ÎÔÓ›ÛÌ·Ù· ÌÈÎÚ¿ ÎÂʷϤ˜» ÙÔ˘ ∂ÌÌ·ÓÔ˘‹Ï ∆˙¿ÓÂ, ¶∞¶∞¢∞∫∏-OEKLAND ™Ù., ªÓ‹ÌË (2009), Û. 275-281. 331. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∫˘ÚȷΤ˜ ÂÈÎfiÓ˜ ÛÙËÓ ∞ÌÔÚÁfi, ¢Ã∞∂ 30 (2009), Û. 225-231 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 232: Cypriot icons on Amorgos). 332. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ∆Ô ∂˘ÚÂÙ‹ÚÈÔ µ˘˙·ÓÙÈÓÒÓ ∆ÔȯÔÁÚ·ÊÈÒÓ πÔÓ›ˆÓ ¡‹ÛˆÓ, ¶·ÓÈfiÓÈÔ 8 (2009), ¶Ú·ÎÙÈο, Û. 151-162 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 158: The Corpus of Byzantine Monumental Painting in the Ionian Islands). 333. µÔÎÔÙfiÔ˘ÏÔ˜ ¶. §., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 48 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÕÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ Î·È ÛÎËÓ¤˜ ÙÔ˘ ‚›Ô˘ ÙÔ˘, ‚’ ٤ٷÚÙÔ 15Ô˘ Î·È ‚’ ÌÈÛfi 16Ô˘ ·È.).

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334. µÔÏ·Ó¿Î˘ π., √ Ó·fi˜ Ù˘ ∫ÔÈÌ‹Ûˆ˜ £ÂÔÙfiÎÔ˘ ÛÙ· ¶Ï·Ù¿ÓÈ· ∞Ì·Ú›Ô˘ ƒÂı‡ÌÓ˘ ∫Ú‹Ù˘, £ÂÔÏÔÁ›· 78.1 (2007), Û. 285-368. 335. µÔÏ·Ó¿Î˘ π., ∆· ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈο ÌÓËÌ›· ÙˆÓ Ó‹ÛˆÓ Ã¿Ï΢ Î·È ∞ÏÈÌÓ›·˜ Ù˘ ¢ˆ‰ÂηӋÛÔ˘, ¢ˆ‰ÂηӋÛÔ˘ 14 (2008), ¶Ú·ÎÙÈο, Û. 74-94. 336. µÔÏ·Ó¿Î˘ π., ∞ӤΉÔÙ˜ ÂÈÁڷʤ˜ Î·È ¯·Ú¿ÁÌ·Ù· ·fi Ó·Ô‡˜ Î·È ÌÔÓ¤˜ ÙÔ˘ ÓÔÌÔ‡ ∏Ú·ÎÏ›Ԣ ∫Ú‹Ù˘, ∆√Àƒ∞∆™√°§√À π. (2009), Ù. µ’, Û. 161165 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë ¯ˆÚ›˜ Ù›ÙÏÔ, Û. 161). 337. µÔÏ·Ó¿Î˘ π., ∆Ô ·Ú¯·ÈÔÏÔÁÈÎfi ¤ÚÁÔ Ù˘ 13˘ ∂ÊÔÚ›·˜ µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ Î·Ù¿ ÙËÓ ÂÚ›Ô‰Ô 2004-2008, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 55-73 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 72-73: 13th Ephorate of Byzantine Antiquities: Works during the period 2004-2008). 338. µÔÏÙ˘Ú¿ÎË ∂., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙȘ Ù·ÊÈΤ˜ Û˘Ó‹ıÂȘ ÌÈÎÚÒÓ ÎÔÈÌËÙËÚÈ·ÎÒÓ Û˘ÓfiÏˆÓ Ù˘ µÔȈٛ·˜ ηٿ ÙË µ˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. II, Û. 1149-1163 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë Û. 1158). 339. µÔ˘ÏÁ·ÚÔÔ‡ÏÔ˘ ª., ∆Ô ÂÚÁ·ÛÙ‹ÚÈÔ ÙÔ˘ ∞ÁÁ¤ÏÔ˘ Î·È ÙÔ˘ ¢ÔÓ¿ÙÔ˘ ¶ÈÙ˙·Ì¿ÓÔ˘ Î·È Ë ‰È·ÌfiÚʈÛË ÙÔÈ΋˜ Û¯ÔÏ‹˜ ˙ˆÁÚ·ÊÈ΋˜ ÛÙÔ Otranto Ù˘ ∞Ô˘Ï›·˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 25-26. 340. µÔ˘Ú‚ÔÔ‡ÏÔ˘ ÃÚ., ‚Ï. ·Ú. 1256. 341. µÔ˘Ú‚ÔÔ‡ÏÔ˘ ÃÚ., ‚Ï. ·Ú. 1257. 342. µÔ‡ÚÔ˜ °., ∆Ô Ó·˛‰ÚÈÔ ÙÔ˘ ηı›ÛÌ·ÙÔ˜ Ù˘ ¶·Ó·Á›·˜ ¶ÔÚÙ·˝ÙÈÛÛ·˜ πÂÚ¿˜ ªÔÓ‹˜ π‚‹ÚˆÓ, ¡π∫√¡∞¡√™ N. (2006), Û. 259-268 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 268: The Small Church of the Panagia Portaïtissa «Kathisma» at the Iviron Monastery in Mount Athos). 343. µÚ·ÓÔÔ‡ÏÔ˘ §., ‚Ï. ·Ú. 1256 344. µÚ·ÓÔÔ‡ÏÔ˘ §., ‚Ï. ·Ú. 1257. 345. °·Ï¿‚·Ú˘ °., ‚Ï. ·Ú. 1854. 346. °·Ï¿‚·Ú˘ °., ‚Ï. ·Ú. 1218 347. °·Ï¿Ó˘ ™Ù., ∫··Ó‰Ú›ÙË ∞Ó., ¢‡Ô ÏÔ˘ÙÚ¿ ÙÔ˘ 16Ô˘ ·ÈÒÓ· ÛÙÔÓ ÌÂÙ·ÏÏ¢ÙÈÎfi ÔÈÎÈÛÌfi ÙˆÓ ™È‰ËÚÔη˘Û›ˆÓ. ¶ÚfiÙ·ÛË ·ÔηٿÛÙ·Û˘, ¢ÂοÙË 2 (2005-2006), Û. 43-55 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 54: Two 16th c. Ottoman baths at the missing settlement of Sidirokafsia. A proposal for restoration). 348. °ÂÚÌ·Ó›‰Ô˘ ™., ÕÁÓˆÛÙË ÂÈÎfiÓ· Ù˘ ∞ÔÙÔÌ‹˜ ÙˆÓ ·Á›ˆÓ ¢¤Î· Ì·ÚÙ‡ÚˆÓ Ù˘ ∫Ú‹Ù˘ ·fi ÙËÓ ™‡ÌË, ∂∂µ™ 52 (2004-2006), Û. 227-250 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 654: An uknown icon of the Saints' Ten Martyrs of Crete decapitation scene from the island of Syme) 349. Germanidou S., ‚Ï. ·Ú. 914, Kontogiannis N. D., Germanidou S., The iconographic program of the Prophet Elijah church in Thalames, Greece, BZ 101 (2008), Û. 57-88.

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350. °ÂÚÔÁÈÒÚÁË ™., µª ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ [∞ı‹Ó· 2006], ÂÈÛ·ÁˆÁÈο ΛÌÂÓ· ÛÙȘ Û. 186 (µ¤ÚÔÈ·), 348-350 (√ ÂÌÏÔ˘ÙÈÛÌfi˜ ÙˆÓ Û˘ÏÏÔÁÒÓ. ∞fi ÙË ªÔÓ‹ ∆ÈÌ›Ô˘ ¶ÚÔ‰ÚfiÌÔ˘ ™ÂÚÚÒÓ. ∞fi ÙË ºÈÏÈÔ‡ÔÏË Î·È ÙÔÓ ¶‡ÚÁÔ µÔ˘ÏÁ·Ú›·˜) Î·È ÏËÌÌ. ·Ú. 70, 76-77, 80, 137-139, 141-149, 152, 156, 189-191, 274, 299-302, 308-310, 315, 349-350, 399-401, 405, 407-408, 451, 480-481, 483-484, 601-602, 605, 608-612, 613-617, 618-620, 644. 351. °ÂÚÔÁÈÒÚÁË ™., ª·˝ÛÙÔÚ˜ [∞ı‹Ó· 2006], Û. 17 [ºÒÙ˘ ∑·¯·Ú›Ô˘ (1909-2001)], 21 (√ ¿ÓıÚˆÔ˜ ºÒÙ˘ ∑·¯·Ú›Ô˘). 352. °ÂÚÔÁÈÒÚÁË ™., ™Ì¿ÏÙ· / Enamels [∞ı‹Ó· 2007], Ï‹ÌÌ. ·Ú. 14 (ÂÈÛÙ‹ıÈÔ˜ ÛÙ·˘Úfi˜, 17Ô˜-18Ô˜ ·È.), 15 (·ÌÊÈÚfiÛˆÔ ÂÁÎfiÏÈÔ, ·’ ÌÈÛfi 17Ô˘ ·È.), 18 (˙ÒÓË Ì fiÚË, 1836), 19 (˙ÒÓË Ì fiÚË, 19Ô˜ ·È.), 27 (ÙÚ›Ù˘¯Ô, 1736), 28 (ÂÈÎÔÓ›‰ÈÔ, 18Ô˜ ·È.), 29 (ÔÙ‹ÚÈÔ, 1710), 30 (·ÚÙÔÊfiÚÈÔ, 1669), 31 (Ú¿‚‰Ô˜, 18Ô˜ ·È.), 32 (Â¤Ó‰˘ÛË ¯ÂÈÚÔÁÚ¿ÊÔ˘, 1705), 33 (ηÙ˙›, ·’ ÌÈÛfi 18Ô˘ ·È.), 34 (ÛÙ·˘Úfi˜ Ì Â¤Ó‰˘ÛË, 1654), 35 (ÛÙ·˘Úfi˜ Ì Â¤Ó‰˘ÛË, 18Ô˜ ·È.). 353. °ÂÚÔÁÈÒÚÁË ™., ªÂÙ·ÏÏÈΤ˜ ÂÂÓ‰‡ÛÂȘ ¢·ÁÁÂÏ›ˆÓ ÛÙÔ µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô. ∏ Û˘ÁÎÚfiÙËÛË Ù˘ Û˘ÏÏÔÁ‹˜, µÈ‚ÏÈÔ‰ÂÛ›· ‚˘˙·ÓÙÈÓ‹ÌÂÙ·‚˘˙·ÓÙÈÓ‹ (2008), ¶Ú·ÎÙÈο, Û. 439-450. 354. °ÂÚÔÁÈÒÚÁË ™., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 50 (™ÊÚ·Á›‰· Ì ·Ó··Ú¿ÛÙ·ÛË ÌÔÓ‹˜, 1670). 355. °ÂÚÔÁÈÒÚÁË ™., √È ÙÔȯÔÁڷʛ˜ ∂ÈÛÎÔ‹˜ ∂˘Ú˘Ù·Ó›·˜: ·fi ÙÔ ÌÓËÌÂ›Ô ÛÙÔ ÌÔ˘Û›Ô-Ë ÂÚÈ¤ÙÂÈ· ÂÓfi˜ ÌÓËÌ›Ԣ, Ilissia 5-6 (2010), Û. 122-125. 356. °ÂÚfiÏ˘ÌÔ˘ ∫., ‚Ï. ·Ú. 883. 357. Yeroulanou Ai., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 123 (Necklace; Antinoe, Egypt, fifth century), 138 (Pair of bracelets; Fourth or early fifth century), 139 (Pair of bracelets; Cyprus (?), sixth century), 147 (Finger ring with the Annunciation; Sixth or seventh century), 148 (Finger ring with monogram and eagle device; Sixth or seventh century), 149 (Finger ring with swivel bezel; Sixth-seventh century), 153 (Earrings, Fourth century), 154 (Earrings; Antinoe, Egypt, fifth century), 155 (Earrings, Fifth-sixth century), 157 (Earrings, Seventh century). 358. °ÂÚÔ˘Ï¿ÓÔ˘ ∞È., Byzantium 330-1453: Ì›· ÛËÌ·ÓÙÈ΋ ¤ÎıÂÛË ÛÙÔ Â͈ÙÂÚÈÎfi, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË (2009), Û. 45-59 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 59: Byzantium 330-1453: an important exhibition abroad). 359. Yeroulanou Ai., Römerreich [Bonn 2010], Teil 1, Û. 337-361 (Common elements in «treasures» of the Early Christian period), (ÂÚÈÏ‹„ÂȘ ÛÙ· ÁÂÚÌ·ÓÈο, ·ÁÁÏÈο, Û. 360 Î·È Á·ÏÏÈο, Û. 361). 360. µendermacher-Gerousi Eu., Die Grabhäuser des Friedhofs aus römischer und frühchristlicher Zeit in Perissa auf Thera, IKChrA 14 (2006), ¶Ú·ÎÙÈο, Û. 191-200.

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361. °ÂÚÔ‡ÛË ∂˘., ™ÙÔȯ›· ÁÈ· ÙËÓ ‚˘˙·ÓÙÈÓ‹ ªÂıÒÓË, Ë Ì·ÚÙ˘Ú›· ÙˆÓ ÁÏ˘ÙÒÓ, ¶ÂÏÔÔÓÓËÛÈ·ÎÒÓ ™Ô˘‰ÒÓ 7 (2007), ¶Ú·ÎÙÈο, Ù. ¢’, Û. 441-458 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 453: Information concerning Byzantine Methoni). 362. Gerousi-Bendermacher Eu., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 8 (Part of a mosaic pavement with personifications of the months; Thebes, early sixth century). 363. Gerousi Eu., Signierte Ikonen aus dem 17. Jahrhundert in der Sammlung von Pyrgos auf der Insel Thera (Santorin), Griechische Ikonen (2010), ¶Ú·ÎÙÈο, Û. 81-90 [ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 90: ∂Ó˘fiÁڷʘ ÂÈÎfiÓ˜ ÙÔ˘ 17Ô˘ ·È. ·fi ÙË ™˘ÏÏÔÁ‹ ¶‡ÚÁÔ˘ ÛÙË £‹Ú· (™·ÓÙÔÚ›ÓË)]. 364. °ÂÚÔ‡ÛË ∂˘., ∂Ú¤ÙÚÈ· [∞ı‹Ó· 2010], Û. 89-91 (∏ ∂Ú¤ÙÚÈ· ÛÙÔ˘˜ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜). 365. °ÂÚÔ‡ÛË ∂˘., ∏ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ‚·ÛÈÏÈ΋ Ù˘ ∞Á›·˜ ∂ÈÚ‹Ó˘ ÛÙËÓ ¶ÂÚ›ÛÛ· £‹Ú·˜. ª›· ÚÒÙË ÚÔÛ¤ÁÁÈÛË, ¢Ã∞∂ 31 (2010), Û. 17-32 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 31-32: The Early Christian Basilica of St. Irene at Perissa on Thera. A Preliminary Presentation). 366. °ÂÚÔ‡ÛË ∂˘., ∆· Ï˘¯Ó¿ÚÈ· ·fi ÙÔ ÓÂÎÚÔÙ·ÊÂ›Ô Ù˘ ‡ÛÙÂÚ˘ ·Ú¯·ÈfiÙËÙ·˜ Î·È ÙˆÓ ÚˆÙÔ‚˘˙·ÓÙÈÓÒÓ ¯ÚfiÓˆÓ ÛÙËÓ ¶ÂÚ›ÛÛ· £‹Ú·˜, ∫ÂÚ·ÌÈ΋ ÀÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 217-231 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 217: The lamps from the Late Antique and Early Byzantine Cemetery in Perissa in Thera). 367. °ÂˆÚÁ·ÎfiÔ˘ÏÔ˜ §., ‚Ï. ·Ú. 993. 368. °ÂˆÚÁ·ÏÏ‹ ª.-ÃÚ., πÂÚ¿ ªÔÓ‹ ∑ˆÔ‰fi¯Ô˘ ¶ËÁ‹˜ ¶¿ÙÌÔ˘: ŒÓ· ·Ú¿‰ÂÈÁÌ· Û˘Ó¿ÓÙËÛ˘ Ù˘ ÎÔÛÌÈ΋˜ Ì ÙËÓ ÂÎÎÏËÛÈ·ÛÙÈ΋ ·Ú¯ÈÙÂÎÙÔÓÈ΋, ¢ˆ‰ÃÚ 22 (2008), Û. 692-713. 369. Georganteli E˘., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 29 [Copy from a cast of a now lost gold medallion of Justinian I (527-65); Mint of Constantinople, 534(?)-538], 55.1-29 (Byzantine coins). 370. °ÂˆÚÁÈ¿‰Ë ∞., ∏ ÌÔÓ‹ ¶·ÓÙÔÎÚ¿ÙÔÚÔ˜ ÛÙËÓ ¶¿ÚÔ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 27-28. 371. °ÂˆÚÁÔÔ‡ÏÔ˘ µ., ‚Ï. ·Ú. 1500. 372. °ÂˆÚÁÔÔ‡ÏÔ˘-µ¤ÚÚ· ª., ª˘ÏˆÓ¿ ∑., ƒËÁ¿ÎÔ˘ ¢., ∞fi ÙËÓ Â˘ÊÔÚ›· Ù˘ ıˆڛ·˜ Î·È Ù˘ ÌÂıfi‰Ô˘ ÛÙËÓ ÚÔ‚ÏËÌ·ÙÈ΋ Ù˘ Ú¿Í˘. ∏ ¤Ú¢ӷ, Ë ·ÔηٿÛÙ·ÛË Î·È Ë ·Ó¿‰ÂÈÍË ÙˆÓ Î¿ÛÙÚˆÓ ÃÏÂÌÔ‡ÙÛÈ ∏Ï›·˜ Î·È ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ∫ÂÊ·ÏÔÓÈ¿˜, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 536-543 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 543: From the euphoria of theory and method to the difficulties of action. Research, restoration and enhacement of the castles of Chlemoutsi in Eleia and Saint George in Cephalonia).

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373. °ÂˆÚÁÔÔ‡ÏÔ˘-µ¤ÚÚ· ª., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 63 (∂ÈÎfiÓ· Ù˘ πÂÚÔ˘Û·Ï‹Ì Î·È ÙˆÓ ∞Á›ˆÓ ∆fiˆÓ, ·’ ÌÈÛfi 17Ô˘ ·È.). 374. Yangaki A. G., Amphores crétoises: le cas d’Eleutherna, en Crète, BCH 128-129 (2004-2005) [2006], Û. 503-523. 375. °È·ÁοÎË ∞. °., °Ú·Ù‹ ÂÊ˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ ·fi ÙËÓ ·Ó·Ûηʋ Ù˘ ·Ú¯·›·˜ ªÂÛÛ‹Ó˘, ¢Ã∞∂ 27 (2006), Û. 435-444 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 444: Painted Glazed Pottery from the Excavation of Ancient Messene). 376. °È·ÁοÎË ∞., ¶ÚˆÙÔ‚˘˙·ÓÙÈÓ‹ ÎÂÚ·ÌÈ΋ ·fi ÙËÓ ∂χıÂÚÓ·: ÂӉ›ÍÂȘ ÁÈ· ÙÔÈ΋ ·Ú·ÁˆÁ‹, ª˘ÏÔfiÙ·ÌÔ˜ V (2006), ¶Ú·ÎÙÈο, Û. 59-76. 377. Yangaki A. G., Amphores crétoises de forme globulaire: remarques préliminaires, LRCW2 (2007), ¶Ú·ÎÙÈο, Û. 767-774 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 767). 378. Yangaki A. G., Aloupi ∂., Kilikoglou V., Tsolakidou A., Themelis P., Imported and local pottery in eastern Mediterranean sites during the early byzantine period: the case of Eleutherna, Crete, Hellenic Archaeometry 4 (2008), ¶Ú·ÎÙÈο, Û. 313-325 (·ÁÁÏÈ΋ Î·È ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë ¯ˆÚ›˜ Ù›ÙÏÔ, Û. 313). 379. Yangaki A. G., Ave Maria Gra[tia] Plena: A Spanish Lustreware plate from the church of Panagia Eleousa, Crete, £ËÛ·˘Ú›ÛÌ·Ù· 38 (2008), Û. 213224 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 224: Ave Maria Gra[tia] Plena: ¤Ó· ÈÛ·ÓÈÎfi ÈÓ¿ÎÈÔ ·fi ÙËÓ ÂÎÎÏËÛ›· Ù˘ ¶·Ó·Á›·˜ ∂ÏÂÔ‡Û·˜ ÛÙËÓ ∫Ú‹ÙË). 380. °È·ÁοÎË ∞. °., ∂Á¯¿Ú·ÎÙË, ÂÊ˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ ·fi ÙËÓ ·Ó·Ûηʋ Ù˘ ·Ú¯·›·˜ ªÂÛÛ‹Ó˘, ∫ÚËÙ°Ú 21 (2008), Û. 301-323. 381. °È·ÁοÎË ∞. °., ∏ ÎÂÚ·ÌÈ΋ ·fi ÙÔ ‚˘˙·ÓÙÈÓfi ÔÈÎÔ‰ÔÌÈÎfi Û‡ÓÔÏÔ ÛÙÔ ¶˘ÚÁ› Ù˘ ∂χıÂÚÓ·˜, ∂χıÂÚÓ· ππ,3 (2008), Û. 189-307. 382. °È·ÁοÎË ∞. °., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙË ¯Ú‹ÛË ÙˆÓ ˘ÛÙÂÚÔڈ̷˚ÎÒÓ ‹ÏÈÓˆÓ ÂÓÛÊÚ¿ÁÈÛÙˆÓ «ÈÁ‰›ˆÓ»: Ë ÂÚ›ÙˆÛË ÙˆÓ ÈÁ‰›ˆÓ ·fi ÙË ‚fiÚÂÈÔ ™˘Ú›·, ByzSym 18 (2008), Û. 33-75 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 75: Observations on the use of Late Roman impressed clay mortars: The case of «North-Syrian mortaria»). 383. °È·ÁοÎË ∞. °., ÀÛÙÂÚÔڈ̷˚ο ‹ÏÈÓ· ÂÓÛÊÚ¿ÁÈÛÙ· «ÈÁ‰›·» ·fi ÙËÓ ·Ú¯·›· ªÂÛÛ‹ÓË, µ˘˙¢fiÌÔ˜ 16 (2007-2008), Û. 35-67 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 67: ªortiers estampillés de l'antiquité tardive trouvés à Messène). 384. Yangaki A. G., North-Syrian Mortaria and other Late Roman Personal and Utility Objects bearing Inscriptions of Good Luck, ByzSym 19 (2009), Û. 247-287 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 287: ¶‹ÏÈÓ· ÈÁ‰›· ·fi ÙË ‚fiÚÂÈÔ ™˘Ú›· Î·È ¿ÏÏ· ·ÓÙÈΛÌÂÓ· ÚÔÛˆÈ΋˜ Î·È Î·ıËÌÂÚÈÓ‹˜ ¯Ú‹Û˘ Ô˘ ʤÚÔ˘Ó ÂÈÁڷʤ˜ ÁÈ· ηϋ Ù‡¯Ë). 385. °È·ÁοÎË ∞. °., ∂ÈÛËÁ̤ÓÔÈ Ù‡ÔÈ ÎÂÚ·ÌÈ΋˜ ÛÙËÓ ∫Ú‹ÙË Î·È ÂÁ¯ÒÚȘ

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·ÔÌÈÌ‹ÛÂȘ ÙÔ˘˜: ÚÔηٷÚÎÙÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ÎÂÚ·ÌÈ΋ ÙÔ˘ 4Ô˘-8Ô˘ Î·È 12Ô˘-13Ô˘ ·È. Ì.Ã., ¶∞¶∞¢∞∫∏-OEKLAND ™Ù., ªÓ‹ÌË (2009), Û. 203-220. 386. Yangaki A. G., Römerreich [Bonn 2010], Teil 1, Û. 267-282 (The Scene of the «Holy Women at the Tomb» on a Ring from Ancient Messene and other Rings bearing the same Representation), (ÂÚÈÏ‹„ÂȘ ¯ˆÚ›˜ Ù›ÙÏÔ ÛÙ· ÁÂÚÌ·ÓÈο, Û. 281, ·ÁÁÏÈο Î·È Á·ÏÏÈο, Û. 282). 387. Yangaki A. G., Céramique glaçurée provenant de Nauplie et d’Argos (Ãππe-Ãπππe siècles): observations préliminaires, BCH 128-129 (2008) [2010], Û. 587-616 (Á·ÏÏÈ΋, ÂÏÏËÓÈ΋ Î·È ·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 587: ∂Ê˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ ·fi ÙÔ ¡·‡ÏÈÔ Î·È ÙÔ ÕÚÁÔ˜ (12Ô˜-13Ô˜ ·È.): ÚÔηٷÚÎÙÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ / Glazed pottery from Nauplion and Argos (12th-13th c.): preliminary observations). 388. °È·ÁοÎË ∞. °., ∂ÓÙÔȯÈṲ̂ӷ ÈÓ¿ÎÈ· Û ÂÎÎÏËۛ˜ Ù˘ ∫Ú‹Ù˘: ÌÈ· ÂÚ¢ÓËÙÈ΋ ÚfiÙ·ÛË, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 827840 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 837: Immured vessels on churches of Crete: a research proposal). 389. °È·ÁοÎË ∞. °., ‚Ï. ·Ú. 430. 390. Giakoumis K., Kisha e Shën Gjergjit në Kështjellën e Krujës dhe Tradita Bizantine, Skënderbeu dhe Evropa (2006), ¶Ú·ÎÙÈο, Û. 218-235. 391. Giakoumis K., Late Byzantine and Early Post-Byzantine Painting in Albania: Recent Discoveries, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 331-332. 392. Giakoumis K., Christidou A., Image and Power in the Age of Andronicos II and III Palaiologos: Imperial Patronage in the Western Provinces of Via Egnatia, Via Egnatia Revisited (2010), ¶Ú·ÎÙÈο, Û. 76-84. 393. Giakoumis K., The Orthodox Church in Albania During the Ottoman Rule (15th-19th century), Religion und Kultur (2010), Û. 69-110. 394. Giakoumis K., The Perception of the Crusader in Late Byzantine and Early Post-Byzantine Ecclesiastical Painting in Epiros (part two), Collectanea Christiana Orientalia 7 (2010), Û. 41-63. 395. Giakoumis K., The Perception of the Crusader in Late Byzantine and Early Post-Byzantine Ecclesiastical Painting in Epiros, East and West (2009), ¶Ú·ÎÙÈο, Û. 299-323. 396. °È·ÏÔ‡ÚË Õ., ∏ ÎÂÓÙÚÈ΋ ‰ÂÍ·ÌÂÓ‹ Ù˘ §¿ÚÈÛ·˜ ÛÙ· ڈ̷˚ο Î·È ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈο ¯ÚfiÓÈ·, ¡π∫√¡∞¡√™ ¡. (2006), Û. 41-51 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 51: The Central Cistern of Larissa in Roman and Early Christian Times). 397. °È·ÏÔ‡ÚË Õ., ∫Ô˘ÓÔ‡ÎÏ·˜ ¶., ∆Ô ÌÂÙfi¯È Ù˘ ªÔÓ‹˜ ªÂÙ·ÌÔÚÊÒÛˆ˜ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ∫·ÌÌ¤ÓˆÓ µÔ‡ÚÏˆÓ ÛÙË Ó‹ÛÔ ™ÙÚÔÁÁ˘Ï‹ ÛÙÔ ‚fiÚÂÈÔ ∂˘‚Ô˚Îfi ÎfiÏÔ, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. II, Û. 1185 -1197 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë Û. 1193).

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398. °È·ÏÔ‡ÚË Õ., √È ÊÚ·ÁÎÈÎÔ› ‡ÚÁÔÈ Ù˘ ºıÈÒÙȉ·˜, ºıȈÙÈ΋ πÛÙÔÚ›· 3 (2007), ¶Ú·ÎÙÈο, Û. 424-439. 399. °È·ÏÔ‡ÚË Õ., ∏ ‚˘˙·ÓÙÈÓ‹ §¿ÚÈÛ· ̤۷ ·fi ÙȘ ËÁ¤˜ Î·È Ù· ÌÓËÌ›·, £ÂÛÛ·Ï›·˜ πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜ 1 (2008), ¶Ú·ÎÙÈο, Ù. ππ, Û. 490-503. 400. °È·ÏÔ‡ÚË Õ., ∞ÁÚÔÈΛ· – ‚ÈÔÙ¯ÓÈ΋ ÂÁηٿÛÙ·ÛË ÛÙË ı¤ÛË «ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜» ∫·ÈÓÔ‡ÚÁÈÔ˘ ¡. ºıÈÒÙȉ·˜, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. Iπ, Û. 1247-1264 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 1256: Farmhouse-Industrial installation at «St. Demetrios»-Kainouryo in Phthiotis). 401. °È·ÏÔ‡ÚË Õ., ‚Ï. ·Ú. 51. 402. °È·ÓÓÔÔ‡ÏÔ˘ ª., ∆· ÎÚ·ÛÔ›ı·Ú· Ù˘ ¶ÂÏÔÔÓÓ‹ÛÔ˘, √›ÓÔÓ ÈÛÙÔÚÒ 9 (2009), ¶Ú·ÎÙÈο, Û. 153-173 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 164: The wine storage jars of Peloponnese). 403. °È·ÓÓÔÔ‡ÏÔ˘ ª., ¶ÂÚ› ηٷÛ΢‹˜ ›ıˆÓ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 65-80 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 65: Concerning the Manufacture of Pithoi). 404. °È·ÓÓÔ‡Ï˘ ¢., √È ÙÔȯÔÁڷʛ˜ ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ÌÓËÌ›ˆÓ Ù˘ ÕÚÙ·˜ ηٿ ÙËÓ ÂÚ›Ô‰Ô ÙÔ˘ ¢ÂÛÔÙ¿ÙÔ˘ Ù˘ ∏›ÚÔ˘, πˆ¿ÓÓÈÓ·: ∂Ù·ÈÚ›· ∏ÂÈÚˆÙÈÎÒÓ ªÂÏÂÙÒÓ, 2010: The wall paintings of the byzantine monuments of Arta during the period of the Despotate of Epirus. 405. °È·ÓÓÔ‡Ï˘ ª., ∏ ÛÎËÓ‹ Ù˘ ∂Ù·‚ËÌ·Ù›˙Ô˘Û·˜ ¶·Ó·Á›·˜ Î·È Ë ÂÈÎÔÓÔÁÚ·Ê›· ÙˆÓ ·Ú·ÛÙ¿ÛÂˆÓ Ù˘ Ó·ÓÈ΋˜ ËÏÈΛ·˜ ÙˆÓ ı›ˆÓ ÚÔÛÒˆÓ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 29-30. 406. °È·ÓÓÔ‡ÏÈ· ∂È., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 27 (∑ˆÁÚ¿ÊÔ˜ ¢ÔÌ‹ÓÈÎÔ˜ £ÂÔÙÔÎfiÔ˘ÏÔ˜: £ÚËÛ΢ÙÈÎfi˜ ›Ó·Î·˜ Ì ÈÛÙfiÚËÛË ÙÔ˘ fiÚÔ˘˜ Î·È Ù˘ ÌÔÓ‹˜ ™ÈÓ¿, ÂÚ›Ô˘ 1570). 407. °È·ÈÙÛfiÁÏÔ˘ ∫., µ·ÛÈÏ¿ÎË ª., πÂÚ¿ ªÔÓ‹ µˆÛ¿ÎÔ˘: ∂ÚÁ·Û›Â˜ ·ÔηٿÛÙ·Û˘ ηٿ Ù· ¤ÙË 1982-2002, ª˘ÏÔfiÙ·ÌÔ˜ V (2006), ¶Ú·ÎÙÈο, Û. 197-211. 408. °È·ÈÙÛfiÁÏÔ˘ ∫., √ ÙÔȯÔÁÚ·ÊÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ Ó·Ô‡ Ù˘ ¶·Ó·Á›·˜ ÛÙÔÓ ÕÁÈÔ πˆ¿ÓÓË ª˘ÏÔÔÙ¿ÌÔ˘, ª˘ÏÔfiÙ·ÌÔ˜ V (2006), ¶Ú·ÎÙÈο, Û. 121-157. 409. °È·ÈÙÛfiÁÏÔ˘ ∫., ‚Ï. ·Ú. 942, ∫Ô˘ÁϤÚË º., °È·ÈÙÛfiÁÏÔ˘ ∫., ¶·ÏÈ¿ ¶fiÏË ƒÂı‡ÌÓÔ˘. ∂ÂÌ‚¿ÛÂȘ - ¶ÚÔÛÙ·Û›· - ¶ÚÔÔÙÈΤ˜, Forum Restauronet (2006), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.), CD 1, Û. 1-21 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 1-7). 410. °È·ÈÙÛfiÁÏÔ˘ ∫., ∂Ï·ÈÔÎÔÌÈΤ˜ ÂÁηٷÛÙ¿ÛÂȘ ÛÙËÓ ∫Ú‹ÙË Ù· ÌÂÙ·‚˘˙·ÓÙÈÓ¿ ¯ÚfiÓÈ·, ¶ÔÏÈÙÈÛÌfi˜ ÂÏ·ÈÔÎÔÌ›·˜ (2007), Û. 39-56. 411. °È·ÈÙÛfiÁÏÔ˘ ∫., ∆Ô Ù·ÊÈÎfi ÌÓËÌÂ›Ô ÙˆÓ ∆˙·ÁηÚfiÏˆÓ ÛÙÔ Ó·fi Ù˘ ∑ˆÔ‰fi¯Ô˘ ¶ËÁ‹˜ ÛÙÔÓ ¶Ú›ÓÔ ª˘ÏÔÔÙ¿ÌÔ˘, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 140-151 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 151: The Zangaroli burial monument in the church of Zoodochos Pigi at Prinos, Mylopotamos (Crete)].

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412. °È·ÈÙÛfiÁÏÔ˘ ∫., ∏ ‰È·‰ÚÔÌ‹ ÂÓfi˜ ÌÓËÌ›Ԣ ÛÙÔ ¯ÚfiÓÔ: ∫·ıÔÏÈÎfi Ù˘ ªÔÓ‹˜ Santa Maria Ù˘ ªÔÓ‹˜ ÙˆÓ ∞˘ÁÔ˘ÛÙÈÓÈ·ÓÒÓ ªÔÓ·¯ÒÓ – ∆˙·Ì› °·˙‹ ¡ÙÂÏ‹ ÃÔ˘ÛÂ˚Ó ¶·Û¿ (¡ÂÚ·Ù˙¤) – ø‰Â›Ô, ƒ¤ı˘ÌÓÔ 2008. 413. °È·ÈÙÛfiÁÏÔ˘ ∫., √‰ËÁfi˜ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ µˆÛ¿ÎÔ˘, ƒ¤ı˘ÌÓÔ 2008. 414. °È·ÈÙÛfiÁÏÔ˘ ∫., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 419-423 [∆¤ÌÂÓÔ˜ ÙÔ˘ ∫ÈÔ˘ÙÛÔ‡Î Ã·Û¿Ó (‹ °È·Ï› Ù˙·Ì›)], Û. 432-433 (∆Ô ƒ¤ı˘ÌÓÔ ÛÙÔ˘˜ √ıˆÌ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜), Û. 434-435 (∆¤ÌÂÓÔ˜ ÙÔ˘ ÛÔ˘ÏÙ¿ÓÔ˘ πÌÚ·‹Ì), Û. 436439 (™˘ÁÎÚfiÙËÌ· °·˙‹ ¡ÙÂÏ‹ ÃÔ˘ÛÂ›Ó ¶·Û¿), Û. 440-441 (∆˙·Ì› ÙÔ˘ ∫·Ú¿ ªÔ˘Û¿ ¶·Û¿), Û. 442-443 (™˘ÁÎÚfiÙËÌ· µÂÏ‹ ¶·Û¿), Û. 446-447 (√È ÔÈ˘ Ù˘ fiÏ˘ ÙÔ˘ ƒÂı‡ÌÓÔ˘), Û. 448-449 (√È ÎÚ‹Ó˜ Ù˘ fiÏ˘ ÙÔ˘ ƒÂı‡ÌÓÔ˘). 415. °È·ÈÙÛfiÁÏÔ˘ ∫., ∫Ô˘ÁϤÚË º., ∆Ô Ù˙·Ì› πÌÚ·‹Ì Ã·Ó ÛÙÔ ÊÚÔ‡ÚÈÔ Ù˘ ºÔÚÙ¤Ù˙·˜ ƒÂı‡ÌÓÔ˘ Î·È Ë ·ÔηٿÛÙ·Û‹ ÙÔ˘, √ıˆÌ·ÓÈο ªÓËÌ›· (2009), Û. 233-258 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 233: Restoration of the mosque of Ibrahim han on the fortress Fortezza in Rethymnon). 416. Giapitsoglou K., Les arsenaux vénitiens de Crète, Navi militari (2010), ¶Ú·ÎÙÈο, Û. 141-152. 417. °È·ÈÙÛfiÁÏÔ˘ ∫., ™Ù· ‚‹Ì·Ù· ÙÔ˘ G. Gerola: ªÓËÌ›· Ù˘ µÂÓÂÙÔÎÚ·Ù›·˜ ÛÙÔ ¡ÔÌfi §·ÛÈı›Ô˘, ∂∂πª¶Ã 1 (2010), Û. 311-332. 418. °È·ÈÙÛfiÁÏÔ˘ ∫., ™˘Ì‚ÔÏ‹ ÛÙËÓ ÂÎÎÏËÛÈ·ÛÙÈ΋ ÈÛÙÔÚ›· ÙÔ˘ ƒÂı‡ÌÓÔ˘. ∆· ·ÔÙÂϤÛÌ·Ù· ·fi ÙȘ ÚfiÛÊ·Ù˜ ·Ó·ÛηÊÈΤ˜ ¤Ú¢Ó˜, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 578-588 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 585: Contribution to the religious history of the town of Rethymnon: Evidence from the recent excavations). 419. °È·Ú¤Ó˘ ∏., ∆Ô ¯ÂÈÚfiÁÚ·ÊÔ ·Ú. 20 Ù˘ ∑ˆÛÈÌ·›·˜ µÈ‚ÏÈÔı‹Î˘ πˆ·ÓÓ›ÓˆÓ. ŒÓ· ¯ÚÔÓÔÏÔÁË̤ÓÔ Î·È ÂÈÎÔÓÔÁÚ·ÊË̤ÓÔ ÂÏÏËÓÈÎfi ¯ÂÈÚfiÁÚ·ÊÔ, ™√ºπ∞¡√™ ¢. (2007), Û. 59-73. 420. °È·ÙÚÔ˘‰¿ÎË ∂., ‚Ï. ·Ú. 1201. 421. Ginalis A., Die byzantinische Seefahrt in den nördlichen Sporaden – Eine regionale Fallstudie auf archäologischer Basis, Junge Römer (2008), ¶Ú·ÎÙÈο, Û. 45-55. 422. °ÈÒÙ· ∂., ŒÓ· Û¿Ú·ÁÌ· ÂÈÎfiÓ·˜ ÙÔ˘ 11Ô˘ ·ÈÒÓ· ÛÙÔ ™ÈÓ¿ Î·È Ë Úˆ˚ÌfiÙÂÚË ÌÂÛÔ‚˘˙·ÓÙÈÓ‹ ·Ú¿ÛÙ·ÛË ·ÂÈÎfiÓÈÛ˘ ÙÔ˘ ÃÚÈÛÙÔ‡ Û ÛÎËÓ‹ ÙÔ˘ ∂˘·ÁÁÂÏÈÛÌÔ‡, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 30-31. 423. °Î·Ï¿-°ÂˆÚÁÈÏ¿ ∂., √ ıÂÛÌfi˜ Ù˘ «ÂÌʇÙ¢Û˘» ÛÙËÓ ÔÈÎÔ‰ÔÌÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· Î·È ÙËÓ ·ÁÔÚ¿ ·ÎÈÓ‹ÙˆÓ Ù˘ £ÂÛÛ·ÏÔӛ΢ (13Ô˜-15Ô˜ ·ÈÒÓ·˜), Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 18-19. 424. °Î¿Ï·-°ÂˆÚÁÈÏ¿ ∂., ∫·ÙÔÈ˘ Ù˘ ‚˘˙·ÓÙÈÓ‹˜ £ÂÛÛ·ÏÔӛ΢. ∆˘ÔÏÔÁ›· Î·È ‰È·ÌfiÚʈÛË Ì¤Û· ·fi Ù· ¤ÁÁÚ·Ê· ÙˆÓ ÌÔÓÒÓ ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 30-31.

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425. °Î·Ï›ÙÛÈÔ˜ ∞., ∏ ·Ú¿ÛÙ·ÛË ÙÔ˘ ·Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙËÓ ÚfiÛÔ„Ë ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ Ù˘ °Ô‡ÚÓ·˜, ÛÙË µ¤ÚÔÈ·, ªÂÏ∏Ì·ı›·˜ 1 (2009) [2010], Û. 255-310 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 290-291: The representation of St. Nicholas in the facade of the Church of «Agios Nikolaos tis Gurnas» in Veria). 426. °ÎÈÌÔ˘ÚÙ˙›Ó· ∞., ‚Ï. ·Ú. 1895. 427. Gkimourtzina A., ‚Ï. ·Ú. 642. 428. °ÎÈÌÔ˘ÚÙ˙›Ó· ∞., ‚Ï. ·Ú. 1902 429. Gini-Tsofopoulou E., ‚Ï. ·Ú. 1986. 430. °Î›ÓË-∆ÛÔÊÔÔ‡ÏÔ˘ ∂., °È·ÁοÎË ∞. °., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi ÓÂÎÚÔÙ·ÊÂ›Ô ÛÙË ı¤ÛË «¢Ú›‚ÏÈ·», ¶fiÚÙÔ ƒ¿ÊÙË: Ì›· ÚÒÙË ÚÔÛ¤ÁÁÈÛË Ù˘ ÎÂÚ·ÌÈ΋˜, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 689-711 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 689: An Early Christian cemetery at Drivlia, Porto Rafti: a preliminary approach to the pottery). 431. °ÎÈÔϤ˜ ¡., ∞ÁÈÔÏÔÁÈÎfi ΛÌÂÓÔ Î·È ÂÈÎfiÓ·. ∏ ÂÚ›ÙˆÛË ÙÔ˘ „ËÊȉˆÙÔ‡ Ù˘ ªÔÓ‹˜ §·ÙfiÌÔ˘ ÛÙË £ÂÛÛ·ÏÔÓ›ÎË, ∂∂µ™ 52 (2004-2006), Û. 205-226 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 654: Hagiographical text and image. The example of the mosaic at the Latomou monastery, Thessalonike). 432. °ÎÈÔϤ˜ ¡., √ ·ÓÂÈÛÙËÌÈ·Îfi˜ Ó·fi˜ Ù˘ ∫·ÓËηڤ·˜ ÛÙËÓ ∞ı‹Ó·. πÛÙÔÚÈΤ˜, ¯ÚÔÓÔÏÔÁÈΤ˜ Î·È ÌÔÚÊÔÏÔÁÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ, ∫√¡∆√™ ¶. (2006), Ù. µ’, Û. 519-544. 433. °ÎÈÔϤ˜ ¡., ∆Ô ÂÈÎÔÓÔÁÚ·ÊÈÎfi ÚfiÁÚ·ÌÌ· ÙÔ˘ πÂÚÔ‡ µ‹Ì·ÙÔ˜ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ¢ÈÔÓ˘Û›Ô˘ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜, ¡π∫√¡∞¡√™ ¡. (2006), Û. 269-277 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 277: The Decorative Programme in Sanctuary of the Katholikon in the Dionysiou Monastery, Mount Athos). 434. Gkioles ¡., The Church of Kapnikarea in Athens: a Monument of the University of Athens. Remarks on its History, Typology and Form, Zograf 31 (2006-2007), Û. 15-27 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 27). 435. °ÎÈÔϤ˜ ¡., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ªÓËÌÂȷ΋ ∑ˆÁÚ·ÊÈ΋ (. 300-726), ∞ı‹Ó· 2007. 436. °ÎÈÔϤ˜ ¡., ‚Ï. ·Ú. 1435. 437. °ÎÈÔϤ˜ ¡., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ∫·ıÔÏÈÎÔ‡ Ù˘ ªÔÓ‹˜ ¢ÈÔÓ˘Û›Ô˘ ÛÙÔ ÕÁÈÔ ŸÚÔ˜, (∆ÂÙÚ¿‰È· µ˘˙·ÓÙÈÓ‹˜ ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∆¤¯Ó˘ ·Ú. 9), ∞ı‹Ó· 2009. 438. °ÎÈÔϤ˜ ¡., ∞Ó·Ûηʤ˜ ÛÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ µ·ÛÈÏÈ΋ Ù˘ ∞ÁÔÚ¿˜ ÛÙËÓ ¶·Ï·ÈfiÔÏË Ù˘ ÕÓ‰ÚÔ˘, ¶√§∂ª∏™ ¢., ªÓ‹ÌË (2009), Û. 155-176. 439. °ÎÈÔϤ˜ ¡., ∏ ·Ó·Ûηʋ ÛÙÔ ∆ËÁ¿ÓÈ Ù˘ ª¤Û· ª¿Ó˘, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 61-77. 440. °ÎÈÔϤ˜ ¡., ∆Ô ÂÈÎÔÓÔÁÚ·ÊÈÎfi ÚfiÁÚ·ÌÌ· ÙÔ˘ Ó¿ÚıËη ÙÔ˘ ∫·ıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ÙÔ˘ √Û›Ô˘ §Ô˘Î¿, ∂∂µ™ 53 (2007-2009), Û. 139-160 (·ÁÁÏÈ΋

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ÂÚ›ÏË„Ë, Û. 587: The iconogrpahic programme in the narthex of the Catholikon of the Hosios Lucas Monastery). 441. °ÎÈÒÓ˘ µ., ‚Ï. ·Ú. 2105. 442. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., µª ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ [∞ı‹Ó· 2006], ÂÈÛ·ÁˆÁÈο ΛÌÂÓ· ÛÙȘ Û. 37-52 («…ÚÔ˜ ‰fiÍ·Ó Ù˘ Ù ÂÎÎÏËÛ›·˜ Î·È Ù˘ ·ÙÚ›‰Ô˜». ∆Ô ÃÚÈÛÙÈ·ÓÈÎfiÓ ∞Ú¯·ÈÔÏÔÁÈÎfiÓ ªÔ˘Û›ÔÓ Î·È Ô °ÂÒÚÁÈÔ˜ §·Ì¿Î˘), 160-161 (√ °ÂÒÚÁÈÔ˜ §·Ì¿Î˘ Î·È Ë ÔÈÎÔÁ¤ÓÂÈ¿ ÙÔ˘), 165 (√È ··Ú¯¤˜ ÙÔ˘ ªÔ˘Û›Ԣ ÃÚÈÛÙÈ·ÓÈ΋˜ ∞Ú¯·ÈÔÏÔÁ›·˜), 191 (º›ÏÈÔÈ), 267 (∏ Û˘ÁÎÚfiÙËÛË ÙˆÓ Û˘ÏÏÔÁÒÓ. ¶ÚÔÛÊÔÚ¤˜ Î·È ·ÁÔÚ¤˜), 272-273 (∞ÁÔÚ¤˜ ·fi ȉÈÒÙ˜ Î·È ÂÌfiÚÔ˘˜), 353 (√ ÂÌÏÔ˘ÙÈÛÌfi˜ ÙˆÓ Û˘ÏÏÔÁÒÓ. ∞ÁÔÚ¤˜ ·fi ȉÈÒÙ˜ Î·È ÂÌfiÚÔ˘˜) Î·È Ï‹ÌÌ. ·Ú. 60-63.1-2, 134.1-135.1-2, 402. 443. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., ¶··‰¿ÎË-Oekland ™Ù., ∏ ¤Ú¢ӷ Ù˘ ·Ú¯·ÈÔÏÔÁ›·˜ Î·È ÈÛÙÔÚ›·˜ Ù˘ Ù¤¯Ó˘ ÙÔ˘ ªÂÛ·›ˆÓ·, ∫ÚËÙÔÏÔÁÈÎfi 9 (2006), ¶Ú·ÎÙÈο, Û. 205-222. 444. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., ∞Ó·˙ËÙÒÓÙ·˜ ÙË ÁÏ˘ÙÈ΋ ÙˆÓ µÂÓÂÙÒÓ ÛÙËÓ ∫Ú‹ÙË, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 180-195 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 195: Searching for venetian sculpture on Crete). 445. Gratziou O., Venetian Monuments in Crete: a controversial Heritage, Singular Antiquity (2008), Û. 209-222. 446. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., ∏ ·Ó·Ó¤ˆÛË ÙˆÓ ÌÔ˘Û›ˆÓ, ÔÈ ·Ó·Î·Ù·Ù¿ÍÂȘ ÛÙËÓ ·ÓÒÙ·ÙË ÂÎ·›‰Â˘ÛË Î·È ÔÈ ÌÔ˘ÛÂȷΤ˜ ÛÔ˘‰¤˜ ÛÙËÓ ∂ÏÏ¿‰·, Ilissia 2 (2008), Û. 24-31. 447. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., ªËӇ̷ٷ ÙÔ˘ ηٷÛ΢·ÛÙ‹, ÛËÌ¿‰È· ÙÔ˘ ηÙfi¯Ô˘. ∂ÈÁڷʤ˜ Î·È ÛËÌÂÈÒÌ·Ù· Û ¯ÂÈÚfiÁÚ·Ê· ‚È‚Ï›·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 20-21. 448. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., √È ÂÈÎfiÓ˜ ÛÙËÓ ∫Ú‹ÙË Î·Ù¿ ÙË ‰Â‡ÙÂÚË ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô Î·È ·ÚÁfiÙÂÚ·: ÂÎÎÏËÛÈ·ÛÙÈ΋ ÔÏÈÙÈ΋ Î·È Ï·˚΋ Ï·ÙÚ›·, ¢∂∆√ƒ∞∫∏™ £. (2008), Û. 43-55. 449. Gratziou O., Evidenziare la diversità: Chiese doppie nella Creta Veneziana, Venetocrazia (2009), ¶Ú·ÎÙÈο, Û. 757-853. 450. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., ¶·Ó·Á›· Ë §·ÌËÓ‹. ™Ù· ›¯ÓË ÌÈ·˜ ¯·Ì¤Ó˘ ÌÂÛÔ‚˘˙·ÓÙÈÓ‹˜ ÂÈÎfiÓ·˜ ·fi ÙËÓ ∫Ú‹ÙË, ¶∞¶∞¢∞∫∏-OEKLAND ™Ù., ªÓ‹ÌË (2009), Û. 245-255. 451. °ÎÚ¿Ù˙ÈÔ˘ Ÿ., ∏ ∫Ú‹ÙË ÛÙËÓ ‡ÛÙÂÚË ÌÂ۷ȈÓÈ΋ ÂÔ¯‹. ∏ Ì·ÚÙ˘Ú›· Ù˘ ÂÎÎÏËÛÈ·ÛÙÈ΋˜ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜, ∏Ú¿ÎÏÂÈÔ: ¶·ÓÂÈÛÙËÌȷΤ˜ ∂ΉfiÛÂȘ ∫Ú‹Ù˘, 2010. 452. °Ô˘Ï¿ÎË-µÔ˘Ù˘Ú¿ ∞., ∫·Ú·‰¤‰Ô˜ °., ∞ÔÌÈÌ‹ÛÂȘ Ì·ÚÌ¿ÚÔ˘ ÛÙËÓ ÂÎÎÏËÛÈ·ÛÙÈ΋ Ì·ÚÌ·ÚÔÁÏ˘ÙÈ΋. ∏ ÛËÌ·Û›· ÙÔ˘ ˘ÏÈÎÔ‡ ÛÙËÓ ÂͤÏÈÍ‹ Ù˘, ¡π∫√¡∞¡√™ N. (2006), Û. 279-268 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 288: Imitation of

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Marble in the Ecclesiastic Marble-Carving. The Significance of the Material in its Development). 453. °Ô˘ÏÔ‡Ï˘ ™Ù., ŒÎÊÚ·ÛË ÏÔ˘ÙÚÔ‡ ÙÔ˘ §¤ÔÓÙ· ÃÔÈÚÔÛÊ¿ÎÙË: ÂÚÌËÓ›· ÂÓfi˜ ÎÔÛÌÈÎÔ‡ ÂÈηÛÙÈÎÔ‡ Û˘ÓfiÏÔ˘ ÙÔ˘ 5Ô˘ ·È., µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 415-468 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 463: Leo Choerosphachtes Ekphrasis Bath: Interpretation of a secular iconographical ensemble of 5th Century). 454. °Ô˘ÏÔ‡Ï˘ ™Ù., ∆Ô ‡Ê·ÛÌ· ˆ˜ ۇ̂ÔÏÔ Ù˘ Á¤ÓÓËÛ˘-·Ó·Á¤ÓÓËÛ˘. [°ÂÓ·ÏÔÁÈÎfi ‰¤Ó‰ÚÔ - ¢¤Ó‰ÚÔ ˙ˆ‹˜]. ∂ȉÈ΋ ·Ó·ÊÔÚ¿ ÛÙÔ ı¤Ì· Ù˘ ÁÂÓÈ¿˜ ÙÔ˘ ∞‚Ú·¿Ì, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 32-33. 455. °Ô˘ÏÔ‡Ï˘ ™Ù., ∞˘ıÂÓÙÈο ÔÚÙÚ·›Ù· ·Ú¯·›ˆÓ ∂ÏÏ‹ÓˆÓ ÊÈÏÔÛfiÊˆÓ ÛÙËÓ ÚfiÛÔ„Ë ÙÔ˘ ηı‰ÚÈÎÔ‡ Ó·Ô‡ ÙÔ˘ Orvieto, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 22-23. 456. °Ô˘ÏÔ‡Ï˘ ™Ù., ∏ «·Ô›ÎËÙÔ˜» §¿ÚÈÛ· Î·È Ë ·Ó·ÛًψÛË ÙÔ˘ ηı‰ÚÈÎÔ‡ Ó·Ô‡ ÙÔ˘ ∞Ú¯·ÁÁ¤ÏÔ˘ ªÈ¯·‹Ï ∆ÚÈÎ¿ÏˆÓ (c. 1332, 1362): ‚È‚ÏÈο ·Ú¯¤Ù˘· Î·È ÈÛÙÔÚÈο ·ÓÙ›Ù˘·, µ˘˙·ÓÙÈÓ¿ 29 (2009), Û. 163-198 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 198: The «Aninhabited» Larissa and the Restoration of the Archangel' s Michael Cathedral. Trikala (c. 1332, 1362): Biblical Archetypal and Historical Antitypal]. 457. °Ô˘ÏÔ‡Ï˘ ™Ù., ∏ ÂÈه̂ȷ ÂÈÁÚ·Ê‹ Î·È Ô ‚›Ô˜ ÙÔ˘ ÔÛ›Ô˘ ∞ı·Ó·Û›Ô˘: ¤Ó· ÔÈÎÔ‰ÔÌÈÎfi ¯ÚÔÓÈÎfi Ù˘ ª. ªÂÙÂÒÚÔ˘ (c. 1345-1381), Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 32-33. 458. °Ô˘ÏÔ‡Ï˘ ™Ù., «∞Á›· µ·Û›ÏÈÛÛ·» ‹ ÂÚ› ÙˆÓ ·Á›ˆÓ ª·ÚÙ‡ÚˆÓ πÂÚÔ˘Û·Ï‹Ì Î·È µ¿ÛÛ·˜: ÂÌÊ¿ÓÈÛË Ù˘ ∑ËÓÔ‚›·˜ Ù˘ ¶·Ï̇ڷ˜ ÛÙË ª·Î‰ÔÓ›·, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 31-32. 459. Goumatianos A., Athos [Paris 2009], Ï‹ÌÌ. ·Ú. 4 (Patria du mont Athos, XVIe siècle), 34 (Gerontikon, IXe siècle), 120 (Papadike, 1433), 142 (L’Échelle de saint Jean Climaque, XIVe siècle), 175 (Anastasimatarion-Anthologie, 1671). 460. °Ô‡Ó·Ú˘ °., ¶ÚÔÛÎ˘Ó‹Ì·Ù· Î·È ÌÂÁ¿Ï· ÌÔÓ·ÛÙÈο ΤÓÙÚ· ÛÙËÓ πÛ·˘Ú›· Î·È ∫ÈÏÈΛ·, µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 101-124 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 113: Shrines and Great Monastic Centers in Isauria and Cilicia). 461. Gounaris G., Frühchristlisches Thessaloniki (2007), Û. 79-89 (Die Wandmalereien aus dem Grab Nr. 18 der theologischen Fakultät der Aristoteles-Universität Thessaloniki). 462. Gounaris G., Byzantinische und nachbyzantinische Bematüren und ihre Ikonographie, Griechische Ikonen (2010), ¶Ú·ÎÙÈο, Û. 91-108 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 108: µ˘˙·ÓÙÈÓ¿ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ¿ ‚ËÌfiı˘Ú· Î·È Ë ÂÈÎÔÓÔÁÚ·Ê›· ÙÔ˘˜). 463. °Ú·ÈÎfi˜ π., ∫ÏÂÈÛÙ¿ Û‡ÓÔÏ· ÎÂÚ·ÌÈ΋˜ ·fi Ù· ÓÂÎÚÔÙ·Ê›· Ù˘ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ ÛÙË ¡¤· ∫·ÏÏÈÎÚ¿ÙÂÈ· ÷ÏÎȉÈ΋˜, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘

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∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 429-443 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 429: Closed pottery assemblages from cemeteries dating from Late Antiquity at Nea Kallicrateia, Chalkidiki). 464. °Ú·›ÎÔ˜ ¡., ∫Ô˘Ï·ÎÈÒÙ˜ ˙ˆÁÚ¿ÊÔÈ ÛÙËÓ Â˘Ú‡ÙÂÚË ÂÚÈÔ¯‹ Ù˘ ∫·ÙÂÚ›Ó˘ ηٿ ÙÔÓ 19Ô ·ÈÒÓ·, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 34-35. 465. °Ú·›ÎÔ˜ ¡., ∏ ÂÎÎÏËÛÈ·ÛÙÈ΋ ÂÈÎÔÓÔÁÚ·Ê›· ˆ˜ ËÁ‹ ÁÈ· ÙËÓ ÙÔÈ΋ ÈÛÙÔÚ›· Ù˘ ¶ÈÂÚ›·˜. ∫·ÏÏÈÙ¯ÓÈΤ˜ Ù¿ÛÂȘ Î·È Û‡ÓÔÏ· ÊÔÚËÙÒÓ ÂÈÎfiÓˆÓ ·fi ÙËÓ ¶ÈÂÚ›· (Ù¤ÏË 18Ô˘-̤۷ 20Ô˘ ·È.). ¶ÚÒÙË Û˘Ì‚ÔÏ‹, ¶ÈÂÚ›· 3 (2008), ¶Ú·ÎÙÈο, Û. 385-500. 466. °Ú·›ÎÔ˜ ¡., ª·Ú΋ ∂˘., «∂Î ÎÒÌ˘ ∫·ÙÂÚ›Ó˘». ºÔÚËÙ¤˜ ÂÈÎfiÓ˜ ·fi ÙËÓ fiÏË Ù˘ ∫·ÙÂÚ›Ó˘ (1831-1912), ¶ÈÂÚ›· 3 (2008), ¶Ú·ÎÙÈο, Û. 603-643. 467. °Ú·›ÎÔ˜ ¡., ¶ÚÔÛ¿ıÂÈ· ÔÚÈÔı¤ÙËÛ˘ ÙˆÓ Î‡ÚÈˆÓ ˙ˆÁÚ·ÊÈÎÒÓ Ù¿ÛÂˆÓ ÛÙËÓ ÂÎÎÏËÛÈ·ÛÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ 19Ô˘ ·È., Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 24-25. 468. °Ú·›ÎÔ˜ ¡., ∂È‚ÈÒÛÂȘ Ù˘ ·Î·‰ËÌ·˚΋˜ ÂÓÙÔ›¯È·˜ ÂÎÎÏËÛÈ·ÛÙÈ΋˜ ˙ˆÁÚ·ÊÈ΋˜ ÛÙÔÓ 20fi ·È. §·˚Τ˜ ÚÔÙÈÌ‹ÛÂȘ Î·È Î›ÓËÌ· ÂÈÛÙÚÔÊ‹˜ ÛÙËÓ «·Ú¿‰ÔÛË», πÛÙÔÚ›·˜ Ù˘ ∆¤¯Ó˘ 3 (2009), ¶Ú·ÎÙÈο, Û. 199-210. 469. °Ú·›ÎÔ˜ ¡., √ ˙ˆÁÚ·ÊÈÎfi˜ ¯ÒÚÔ˜ ÛÙËÓ ÂÏÏËÓÈ΋ ÂÎÎÏËÛÈ·ÛÙÈ΋ ˙ˆÁÚ·ÊÈ΋ (19Ô˜ - ·Ú¯¤˜ 20Ô‡ ·È.): ÛÙÔÈ¯Â›Ô «Û˘Ó¤¯ÂÈ·˜» ‹ «·Û˘Ó¤¯ÂÈ·˜» Ù˘ «·Ú¿‰ÔÛ˘», ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 1 (2009), ¶Ú·ÎÙÈο, Û. 265-284. 470. °Ú·ÙÛ›· ∂È., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÎÏËÚÔÓÔÌÈ¿ Ù˘ ¡¿ÍÔ˘ Ù˘ ÂÚÈfi‰Ô˘ Ù˘ ‚ÂÓÂÙÈ΋˜ Î·È Ù˘ ÔıˆÌ·ÓÈ΋˜ ΢ÚÈ·Ú¯›·˜: ¢È·¯Â›ÚÈÛË Î·È ÚÔÛÙ·Û›· / Il patrimonio architettonico di Nasso nel periodo della dominazione veneziana e ottomana: Gestione e tutela), ¢Ô˘Î¿ÙÔ ∞ÈÁ·›Ô˘ / Ducato dell' Egeo (2009), ¶Ú·ÎÙÈο, Û. 187-203. 471. °ÚËÁÔÚfiÔ˘ÏÔ˜ ¢., ∂ÈÙÚ·¤˙È· ÎÂÚ·ÌÈ΋ Î·È ·ÌÊÔÚ›˜ ÛÙÔÓ ¶ÂÈÚ·È¿ ηٿ ÙËÓ ‡ÛÙÂÚË ÚˆÌ·˚΋ ÂÚ›Ô‰Ô: ÁÂÓÈΤ˜ Ù¿ÛÂȘ ÛÙËÓ ÚÔÌ‹ıÂÈ· Î·È Î·Ù·Ó¿ÏˆÛË ·fi ÙÔÓ 3Ô Ì¤¯ÚÈ ÙÔÓ 6Ô ·È. Ì.Ã., ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 671-688 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 671: Tablewares and amphorae in Late Roman Piraeus: Genaral trends in ceramic supply between the 3rd and 6th centuries A.D.). 472. °ÚËÁÔÚÔÔ‡ÏÔ˘ π., ‚Ï. ·Ú. 918. 473. °ÚÈÙÛfiÔ˘ÏÔ˜ ∆., ∞ÁÈÔÁÚ·ÊÈο ÂÚÁ·ÛÙ‹ÚÈ· ¡·˘Ï›Ô˘. ªfiÛ¯ÔÈ Î·È ∫·Î·‚¿‰Â˜, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 33-120 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 120: Moschoi and Kakava, hagiographic workshops in Nafplio). 474. °Ú‡ÏÏ˘ π., ‚Ï. ·Ú. 1103. 476. ¢·‰¿ÎË ™Ù., §˘¯Ô‡Ó·˜ ª., ∆ÛÔ˘Ú‹˜ ∫., ÀÛÙÂÚÔڈ̷˚Τ˜ Î·È ‚˘˙·ÓÙÈÓ¤˜ Ô¯˘ÚÒÛÂȘ Ù˘ ¢ڇÙÂÚ˘ ‰ȿ‰·˜ ÙˆÓ ºÈÏ›ˆÓ, ¢Ú¿Ì· 4 (2006), ¶Ú·ÎÙÈο, Û. 117-126 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë ¯ˆÚ›˜ Ù›ÙÏÔ, Û. 117).

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477. ¢·‰¿ÎË ™Ù., À·›ıÚÈÔ˜ ÎÙÈÛÙfi˜ ÏËÓfi˜ ÛÙÔ √ÚÊ¿ÓÈÔ, √›ÓÔÓ ÈÛÙÔÚÒ 7 (2007), ¶Ú·ÎÙÈο, Û. 187-191 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë: An open-air built winepress at Orphanio). 478. ¢·‰¿ÎË ™Ù., ∂Ê˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ £Ú¿Î˘ [£ÂÛÛ·ÏÔÓ›ÎË 2007], Û. 17-24 (Õ‚‰ËÚ·-¶ÔχÛÙ˘ÏÔ, ∞Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ) Î·È Ï‹ÌÌ. ·Ú. 1-12. 479. ¢·‰¿ÎË ™Ù., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 277-278 (√È ™¤ÚÚ˜ ÛÙÔ˘˜ ÔıˆÌ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜/Serres in the Ottoman period), Û. 279-281 [∆˙·Ì› ªÂ¯Ì¤Ù ª¤Ë (Ë ∞ÁÈ¿ ™ÔÊÈ¿)/Mehmed Bey Mosque], Û. 282-283 [∆˙·Ì› ªÔ˘ÛÙ·Ê¿ ª¤Ë/Mustafa Bey Mosque], Û. 327 (°¤Ê˘Ú· ¶ÔÏ˘¿ÓıÔ˘/Polyanthoy Bridge),Û. 328-329 (∆Ô ¢È‰˘ÌfiÙÂÈ¯Ô ÛÙÔ˘˜ √ıˆÌ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜ / Didymoteicho), Û. 333 (ÿӷ/Chana). 480. ¢·‰¿ÎË ™Ù., Kozeli ∆., √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙÔÓ §È̤ӷ £¿ÛÔ˘, £·Ûȷο 14 (2009), Û. 123-141. 481. ¢·‰¿ÎË ™Ù., ¶ÚÒÈÌË ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ °ÂˆÚÁ›Ô˘ ‰Ú·ÎÔÓÙÔÎÙfiÓÔ˘ ÛÙË £¿ÛÔ, ¢Ã∞∂ 30 (2009), Û. 249-258 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 258: Early Post-Byzantine Icon of St George Slaying the Dragon on the Island of Thasos). 482. ¢·‰¿ÎË ™Ù., ∆Ô Ó·˛‰ÚÈÔ Ù˘ ¶·Ó·ÁÔ‡‰·˜ ÛÙÔ £ÂÔÏfiÁÔ £¿ÛÔ˘, ∫·‚¿Ï·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡ Î·È ∆Ô˘ÚÈÛÌÔ‡, 12Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2010. 483. ¢·ÓÈËÏ›· ÌÔÓ·¯‹, ªÈÓÔÔ‡ÏÔ˘ ∂., ∞Ó‰ÚÈÎfiÔ˘ÏÔ˜ ∫., ∫·Ú··Ó·ÁÈÒÙ˘ π., ∞Ó¿Ï˘ÛË ÔÚÁ·ÓÈÎÒÓ Î·È ·ÓfiÚÁ·ÓˆÓ ˘ÏÈÎÒÓ Î·È Ù¯ÓÈΤ˜ ÂÊ·ÚÌÔÁ‹˜ ÙÔ˘˜ Û ÂÈÎfiÓ˜ ÙÔ˘ ˙ˆÁÚ¿ÊÔ˘ ∞ÁÁ¤ÏÔ˘ / Analysis of organic and inorganic materials and their application on icons by Angelos, ÃÂÈÚ ∞ÁÁ¤ÏÔ˘-∆¯ÓÈ΋ / Hand of Angelos-The Painting Method (2009), Û. 115-149. 484. ¢¿Ú· ¶., ∂˘ÎÙ‹ÚÈ·: ¯ÒÚÔÈ ¯ÚÈÛÙÈ·ÓÈ΋˜ Ï·ÙÚ›·˜ Û ˘ÛÙÂÚÔڈ̷˚Τ˜ Â·‡ÏÂȘ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 33-34. 485. ¢ÂÏËÁÈ·ÓÓ¿Î˘ °., ∏ ÔÈÎÔÓÔÌ›· ÙˆÓ ÓËÛÈÒÓ ÙÔ˘ ÓÔÙÈÔ·Ó·ÙÔÏÈÎÔ‡ ∞ÈÁ·›Ô˘ ηٿ ÙËÓ ⁄ÛÙÂÚË ∞Ú¯·ÈfiÙËÙ·, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 37. 486. ¢ÂÏËÁÈ·ÓÓ¿Î˘ °., √ πÔ˘ÛÙÈÓÈ·Ófi˜ Î·È Ë Â·Ú¯›· ÙˆÓ Ó‹ÛˆÓ (provincia insularum). ª›· ͯ·Ṳ̂ÓË «‚˘˙·ÓÙÈÓ‹» ÂÈÁÚ·Ê‹ ·fi ÙË ƒfi‰Ô, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 26. 487. ¢ÂÏËÁÈ·ÓÓ¿Î˘ °., √ ÛÙ·˘Úfi˜ ¢ÏÔÁ›·˜ ·fi ÙÔ ªÂÛ·Ó·ÁÚfi: ™˘Ì‚ÔÏ‹ ÛÙË ÌÂϤÙË Ù˘ Ï·ÙÚ›·˜ Ù˘ £ÂÔÙfiÎÔ˘ ηٿ ÙÔ˘˜ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÔ‡˜ Î·È ÌÂÛÔ‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜, ¢ˆ‰ÃÚ 22 (2008), Û. 722-732. 488. ¢ÂÏËÁÈ·ÓÓ¿Î˘ °., ∞Á¿ÏÌ·Ù· Û ‰ËÌfiÛÈÔ˘˜ ¯ÒÚÔ˘˜ ηٿ ÙËÓ ˘ÛÙÂÚÔڈ̷˚΋ ÂÚ›Ô‰Ô: Û˘Ì‚ÔÏ‹ ÛÙË ÌÓËÌÂȷ΋ ÙÔÔÁÚ·Ê›· Ù˘ ڈ̷˚΋˜ Â·Ú¯›·˜ Ù˘ ∞¯·˝·˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 34-35.

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489. ¢ÂÏËÁÈ·ÓÓ¿Î˘ °., ∂ÈÁÚ·ÊÈΤ˜ Ì·ÚÙ˘Ú›Â˜ ÁÈ· ÙËÓ ‡·ÚÍË ÂÙÂÚfi‰ÔÍˆÓ ¯ÚÈÛÙÈ·ÓÈÎÒÓ ÎÔÈÓÔÙ‹ÙˆÓ ÛÙ· ÓËÛÈ¿ ÙÔ˘ ·Ó·ÙÔÏÈÎÔ‡ ∞ÈÁ·›Ô˘ ηٿ ÙÔÓ ¤ÌÙÔ Î·È ¤ÎÙÔ ·ÈÒÓ·, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 35-36. 490. ¢ÂÏËÁÈ¿ÓÓË-¢ˆÚ‹ ∂., ∏ ¤Ú¢ӷ ÛÙÔ ∂¿Óˆ ∫¿ÛÙÚÔ Ù˘ ÕÓ‰ÚÔ˘. ªÂÚÈΤ˜ ÛΤ„ÂȘ, ¢Ã∞∂ 27 (2006), Û. 471-480 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 479-480: An Archaeological Survey at the Epano Kastro of Andros. Some Considerations). 491. ¢ÂÏËÁÈ¿ÓÓË-¢ˆÚ‹ ∂., ªÈ¯·ËÏ›‰Ë˜ ª., ¡ÂfiÙÂÚ· ·fi ÙÔ ∂¿Óˆ ∫¿ÛÙÚÔ ÕÓ‰ÚÔ˘. ∏ ¤Ú¢ӷ ÙÔ˘ ™ÂÙÂÌ‚Ú›Ô˘ ÙÔ˘ 2006, ¶√§∂ª∏™ ¢., ªÓ‹ÌË (2009), Û. 195-205. 492. ¢ÂÏËÁÈ¿ÓÓË-¢ˆÚ‹ ∂., ¡ÈÎfiÏ·Ô˜ ¢Ú·Ó‰¿Î˘. ∏ ·Ú¯·ÈÔÏÔÁÈ΋ ¤Ú¢ӷ Î·È Ô ‰¿ÛηÏÔ˜, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 41-43. 493. ¢ÂÏËÁÈ¿ÓÓË-¢ˆÚ‹ ∂., ªË¯·ËÏ›‰Ë˜ ª., ¡ÂfiÙÂÚ· ·fi ÙȘ ·Ó·Ûηʤ˜ ÛÙÔ ∂¿Óˆ ∫¿ÛÙÚÔ Ù˘ ÕÓ‰ÚÔ˘ ÙÔ 2008, ÕÁ΢ڷ 3 (2010), Û. 87-101. 494. Delinikola E., Kalomoirakis D., Chronaki D., Restoration of the dominican church of St Peter in Herakleion, Crete, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 430-440 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 531-534: ∏ ·Ó·ÛًψÛË ÙÔ˘ π. ¡·Ô‡ ÙÔ˘ ∞Á›Ô˘ ¶¤ÙÚÔ˘ ÙˆÓ ¢ÔÌËÓÈηÓÒÓ ÛÙÔ ∏Ú¿ÎÏÂÈÔ ∫Ú‹Ù˘). 495. ¢Â̤ÛÙȯ· ™Ù., ∆Ô ÊÔÚÙ›Ô ÙÔ˘ ¡·˘·Á›Ô˘ 7 ÛÙÔÓ ¶·Á·ÛËÙÈÎfi ÎfiÏÔ. ¶ÚÒÙË ÂÚÌËÓ¢ÙÈ΋ ÚÔÛ¤ÁÁÈÛË, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 131-142 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 131: The cargo of shipwreck 7 in the Pagasitic gulf. A preliminary interpretation). 496. ¢ÂÚÈ˙ÈÒÙ˘ §., ∂ÈÎÒÓ ÙÔ˘ «∞ηı›ÛÙÔ˘ ⁄ÌÓÔ˘» ÂÎ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ªÂÙ·ÌÔÚÊÒÛˆ˜ ÙˆÓ MÂÙÂÒÚˆÓ, ¡π∫√¡∞¡√™ N. (2006), Û. 289-300 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 300: Icon of the «Akathistos Ymnos» from the Monastery of Metamorphosis, Meteora). 497. ¢ÂÚÈ˙ÈÒÙ˘ §., ∫Ô˘ÁÈÔ˘ÌÙ˙fiÁÏÔ˘ ™., ÃÚÈÛÙÈ·ÓÈ΋ ¶ÂÚÚ·È‚›·. ∆ÔÔÁÚ·ÊÈΤ˜ Î·È ·Ó·ÛηÊÈΤ˜ ¤Ú¢Ó˜, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. I, Û. 389-401. 498. ¢ÂÚÈ˙ÈÒÙ˘ §., √ ·ÁÈÔÁÚ¿ÊÔ˜ ∆˙ÈÒÚÙ˙˘ ÛÙËÓ £ÂÛÛ·Ï›·Ó, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. I, Û. 421-432. 499. ¢ÂÚÈ˙ÈÒÙ˘ §., ‚Ï. ·Ú. 1476. 500. ¢ÂÚÈ˙ÈÒÙ˘ §., πÂÚ¿ ªÔÓ‹ ªÂÁ¿ÏÔ˘ ªÂÙÂÒÚÔ˘ ªÂÙ·ÌÔÚÊÒÛˆ˜ ÙÔ˘ ™ˆÙ‹ÚÔ˜ – ÕÁÈ· ªÂÙ¤ˆÚ·. µ˘˙·ÓÙÈÓ‹ ·ÁÈÔÁÚ·Ê›·: ∂ÈÎfiÓ˜ Î·È ∆ÔȯÔÁڷʛ˜ / Holy Monastery of Great Meteoron, Transfiguration of Christ the Saviour – Holy Meteora. Byzantine Painting: Icons and Frescoes, ∆ڛηϷ / Trikala 2007. 501. ¢ÂÚÈ˙ÈÒÙ˘ §., ∫Ô˘ÁÈÔ˘ÌÙ˙fiÁÏÔ˘ ™., ∏ ¶ÂÚÚ·È‚È΋ ∆ÚÈÔÏ›ÙȘ ηٿ ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÂÚ›Ô‰Ô, ∫·ÛÙÚ› ¢ÔÏ›¯Ë˜, ¢‹ÌÔ˘ §È‚·‰›Ô˘, £ÂÛÛ∏Ì 51 (2007), Û. 33-64.

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502. ¢ÂÚÈ˙ÈÒÙ˘ §., ∫Ô˘ÁÈÔ˘ÌÙ˙fiÁÏÔ˘ ™., ¡ÂÒÙÂÚ˜ ¤Ú¢Ó˜ ÛÙËÓ ¯ÚÈÛÙÈ·ÓÈÎ‹Ó ¶ÂÚÚ·È‚›·Ó. AÓ·ÛηÊÈΤ˜ ÂÚÁ·Û›Â˜ ÛÙÔ «∫·ÛÙÚ›» ¢ÔÏ›¯Ë˜-§È‚·‰›Ô˘, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. π, Û. 475-487 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 482: New Research in Early Christian Perrhaibic Tripolis. Excavations at Kastri of Doliche-Livadi). 503. ¢ÂÚÈ˙ÈÒÙ˘ §., √‰ËÁ›Â˜ ÂÓfi˜ Ì·˝ÛÙÔÚÔ˜ Ù˘ ·ÁÈÔÁÚ·Ê›·˜ ÙÔ˘ 16Ô˘ ·ÈÒÓÔ˜, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 581-588 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 588: Directions by a master on 16th-century frescoes). 504. ¢ÂÙÔÚ¿Î˘ £., √È ÂÚÈ¤ÙÂȘ ÂÓfi˜ ÎÚËÙÈÎÔ‡ ¯ÂÈÚÔÁÚ¿ÊÔ˘. ∆Ô ¯ÂÈÚfiÁÚ·ÊÔ ·Ú. 4 Ù˘ ªÔÓ‹˜ °ˆÓÈ¿˜ ∫ÈÛ¿ÌÔ˘, ∂∂µ™ 53 (2007-2009), Û. 201-210 [Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 589: Les aventures d'un manuscrit crétois: Le manuscrit du Monastère de Notre-Dame de Gônia (Kissamos, Crète) 04]. 505. ¢ËÌËÙÚ·ÎfiÔ˘ÏÔ˜ º., ∞fi ÙËÓ ∫‡ÚÔ ÛÙË ™ÎÈ¿ıÔ. √ ÎÒ‰. 11 ∂˘·ÁÁÂÏÈÛÌÔ‡ ™ÎÈ¿ıÔ˘, ·’ ÌÈÛÔ‡ ÙÔ˘ 14Ô˘ ·È., ∂∂µ™ 53 (2007-2009), Û. 377-406 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 592: From Cyprus to Skiathos: the Ms Skiathos, Evangelismou 11, from the first half of the 14th cent.). 506. ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘ ¶., ∞Ú¯ÈÙÂÎÙÔÓÈο ÁÏ˘Ù¿ ‚˘˙·ÓÙÈÓ‹˜ ÂÚÈfi‰Ô˘ ·fi ÙË §Â˘Î¿‰·, ∂∂§Â˘ª 10 (2004-2005) [2006], Û. 11-35. 507. ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘ ¶., ¶ËÏfi˜ Î·È ÃÚÒÌ· [∞ı‹Ó· 2007], Ï‹ÌÌ. ·Ú. 41, 42, 47, 49, 50 (‹ÏÈÓ· ÂÈÙÚ·¤˙È· Û·Ë, Ù¤ÏË 18Ô˘ ·È.). 508. Dimitrakopoulou P., Papadopoulou B., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 89 (Jug with trefoil mouth; Arta, fourteenth century). 509. ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘ ¶., ªÓËÌ›· ∏›ÚÔ˘ (2008), Û. 107-114 (µÔ˘ÚÁ·Ú¤ÏÈ. ∏ ∫fiÎÎÈÓË ∂ÎÎÏËÛ›·), 219-226 (°ËÚÔ̤ÚÈ. ∏ ÌÔÓ‹ ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘), 257-270 [∫˘„¤ÏË (∆Ô˘ÚÎÔ¿ÏÔ˘ÎÔ) ∏ ÌÔÓ‹ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘], 271-278 (¡¤· ™·Ì„Ô‡ÓÙ·. √ Ó·fi˜ Ù˘ ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘. ¶·Ó·Á›· ÛÙÔ ∫Ô˙›ÏÈ). 510. ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘ ¶., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 174-175 (™˘ÁÎÚfiÙËÌ· µÂÏ‹ ¶·Û¿), Û. 193 (∫¿ÛÙÚÔ ∫È¿Ê·˜). 511. ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘ ¶., ‚Ï. ·Ú. 1540. 513. ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘ ¶., ∞Ú¯·ÈÔÏÔÁÈΤ˜ Ì·ÚÙ˘Ú›Â˜ ÁÈ· ÙË §Â˘Î¿‰· ·fi ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÂÚ›Ô‰Ô Ì¤¯ÚÈ ÙÔ 15Ô ·ÈÒÓ·, ¶·ÓÈfiÓÈÔ 8 (2009), ¶Ú·ÎÙÈο, Û. 182-212 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 205: Archaeological evidence dated from the early christian period till 15th century on the island of Lefkada). 514. ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘-ªÔ˘Ùۛη ¶., √ ˙ˆÁÚ·ÊÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘ ÛÙÔ ÕÏ·ÙÚÔ. ™˘Ì‚ÔÏ‹ ÛÙË ÌÂϤÙË Ù˘ ÂÓÙÔ›¯È·˜ ˙ˆÁÚ·ÊÈ΋˜ Ù˘ §Â˘Î¿‰·˜ ηٿ ÙÔ 17Ô ·ÈÒÓ·, ∞ı‹Ó·: ∂Ù·ÈÚ›· §Â˘Î·‰ÈÎÒÓ ªÂÏÂÙÒÓ, 2010. 515. ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘-™Î˘ÏÔÁÈ¿ÓÓË ¡., µª ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ [∞ı‹Ó·

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2006], ÂÈÛ·ÁˆÁÈο ΛÌÂÓ· ÛÙȘ Û. 276 (∏ Û˘ÁÎÚfiÙËÛË ÙˆÓ Û˘ÏÏÔÁÒÓ. ∞Ú¯·›· ·Ó‹ÎÔÓÙ· ÛÙÔ ∫Ú¿ÙÔ˜. ∏ Û˘Ì‚ÔÏ‹ Ù˘ ∞Ú¯·ÈÔÏÔÁÈ΋˜ ÀËÚÂÛ›·˜. ∂ÈÛ·ÁˆÁ‹ ·ÓÙÈÎÂÈÌ¤ÓˆÓ ·fi ÙÔ ∂ıÓÈÎfi ∞Ú¯·ÈÔÏÔÁÈÎfi ªÔ˘Û›Ô, 1915), 280-281 (∏ Û˘ÏÏÔÁ‹ £ËÛ›Ԣ) Î·È Ï‹ÌÌ. ·Ú. 232-233, 241-243, 280-281.1-2, 295, 335, 392-394, 397-398, 411-441, 462-473, 536-539, 541-542, 575-576, 586, 652-657, 672. 516. ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘-™Î˘ÏÔÁÈ¿ÓÓË ¡., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 121-123 (√ ·fi˯Ԙ Ù˘ ÎÚ›Û˘ ÛÙËÓ Ù¤¯ÓË), 124-126 (∏ ÁÏ˘ÙÈ΋ ÛÙÔÓ ‡ÛÙÂÚÔ 9Ô ·ÈÒÓ·), 190-191 (∏ ‰È·ÎfiÛÌËÛË ÙˆÓ ÎÔÛÌÈÎÒÓ ÎÙËÚ›ˆÓ). 517. ¢ËÌËÙÚÈ¿‰Ë˜ ∂˘., ∆ÛfiÙÛÔ˜ °., πÛÙÔÚÈ΋ ÁˆÁÚ·Ê›· Ù˘ £Ú¿Î˘ ηٿ ÙÔ √‰ÔÈÔÚÈÎfi ÙÔ˘ ∑ÒÙÔ˘ ªÔÏÔÛÛÔ‡, ¡π∫√¡∞¡√™ N. (2006), Û. 545-557 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 557: The Historical Geography of Thrace, According to the Travelogue by Zotos Molossos). 518. ¢ËÌËÙÚÔοÏÏ˘ °., ŒÓ·˜ ÌÂÛÔ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÛÙË ¡¿ÍÔ: √ ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ ÛÙ' ∞˘ÏÈ¿, ¡π∫√¡∞¡√™ N. (2006), Û. 53-56 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 56: Une Église Ìédiobyzantine dans l’ île de Naxos: Saint-Georges d’Avlia). 519. ¢ËÌËÙÚÔÔ‡ÏÔ˘ µ., °˘Ó·›Î˜ Ù˘ ·˘ÙÔÎÚ·ÙÔÚÈ΋˜ ÔÈÎÔÁ¤ÓÂÈ·˜ ÙˆÓ ∫ÔÌÓËÓÒÓ Î·È ıÚËÛ΢ÙÈ΋ ¯ÔÚËÁ›·, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 20. 520. Dimopoulos J., Byzantine Graffito Wares excavated in Sparta (12th13th centuries), ¨anak (2007), ¶Ú·ÎÙÈο, Û. 335-348. 521. ¢È·Ì·ÓÙ‹ ∫., ¶¿ÓÙÔ˘ ∂˘., ∆· ÌÔÓ·ÛÙ‹ÚÈ· ÛÙÔ Ê·Ú¿ÁÁÈ ÙÔ˘ §Ô‡ÛÈÔ˘ ÔÙ·ÌÔ‡ ÛÙËÓ ∞Ú牛·, ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, ∆·ÌÂ›Ô ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ¶fiÚˆÓ Î·È ∞·ÏÏÔÙÚÈÒÛˆÓ, 2006. 522. ¢È·Ì·ÓÙ‹ ∫., ∆Ô ¤ÚÁÔ Ù˘ ∞Ú¯·ÈÔÏÔÁÈ΋˜ ÀËÚÂÛ›·˜ ÁÈ· ÙË ‰È¿ÛˆÛË ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ÌÓËÌ›ˆÓ Ù˘ ª¿Ó˘, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 45-59. 523. ¢È·Ì·ÓÙ‹ ∫., ∏ ·Ú¿ÛÙ·ÛË ÙÔ˘ ‰ˆÚËÙ‹ ÛÙÔ Ó·fi ÙÔ˘ ™ˆÙ‹Ú· ÛÙË °·Ú‰ÂÓ›ÙÛ· Ù˘ ª¤Û· ª¿Ó˘, ¢∂§∏°π∞¡¡∏-¢øƒ∏ ∂. (2010), Û. 129-140 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 140: La représentation du donateur dans l'église du Sauveur à Gardenitsa en Magne occidental). 524. ¢È·Ì·ÓÙ‹ ∫., √È ÚˆÙÔ‚˘˙·ÓÙÈÓÔ› ¯ÚfiÓÔÈ ÛÙËÓ ∞Ú牛· (4Ô˜-8Ô˜ ·ÈÒÓ·˜), ∞Ú牛· (2010), Û. 101-121. 525. ¢È·Ì·ÓÙ‹ Ã., ¶·Ú·ÁˆÁ‹ Î·È ‰È·Î›ÓËÛË ÂÌÔÚÈÎÒÓ ·ÌÊÔÚ¤ˆÓ ÛÙËÓ ·Ó·ÙÔÏÈ΋ ªÂÛfiÁÂÈÔ (5Ô˜ - 7Ô˜ ·È.). ∏ Û˘Ì‚ÔÏ‹ ÙˆÓ ·ÌÊÔÚ¤ˆÓ ·fi ÙËÓ ·Ó·Ûηʋ ÙÔ˘ ¶·ÓÂÈÛÙËÌ›Ô˘ ∞ıËÓÒÓ ÛÙËÓ ∞Ï¿Û·ÚÓ· Ù˘ ∫ˆ / Production and Circulation of Commercial Amphoras in Eastern Mediterranean (5th-7th Cent.). The Contribution of Amphoras from the Excavation of the University of Athens at Halasarna in Kos, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 26-27. 526. ¢È·Ì·ÓÙ‹ Ã., ∏ ÛËÌ·Û›· ÙˆÓ ·Ú·Ï›ˆÓ Ù˘ ªÈÎÚ¿˜ ∞Û›·˜ ÛÙËÓ ·Ú·-

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ÁˆÁ‹ Î·È ‰È·Î›ÓËÛË ÙˆÓ ˘ÛÙÂÚÔڈ̷˚ÎÒÓ/ÚˆÙÔ‚˘˙·ÓÙÈÓÒÓ ·ÌÊÔÚ¤ˆÓ 1 (=LRA 1). ∞Ú¯·ÈÔÏÔÁÈΤ˜ Ì·ÚÙ˘Ú›Â˜ Î·È ÂÈÁÚ·ÊÈΤ˜ Û˘Ì‚ÔϤ˜, ¢∫ª™ 15 (2008), Û. 11-37 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 543). 527. ¢È·Ì·ÓÙ‹ Ã., ∫Ô˘˙¤ÏË ∫., ¡¤· ·Ú¯·ÈÔÏÔÁÈο Î·È ·Ú¯·ÈÔÌÂÙÚÈο ÛÙÔȯ›· ÁÈ· ÙËÓ ·Ú·ÁˆÁ‹ Î·È ÂÈÛ·ÁˆÁ‹ ÚˆÙÔ‚˘˙·ÓÙÈÓÒÓ ·ÌÊÔÚ¤ˆÓ ÛÙÔ ∞ÈÁ·›Ô: Ë ÂÚ›ÙˆÛË Ù˘ ∞Ï¿Û·ÚÓ·˜ ÛÙËÓ ∫ˆ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 36-37. 528. Diamanti Ch., Stamped Late Roman/Proto-Byzantine amphoras production from Halasarna of Kos, RCRFA 41 (2010), Û. 1-8. 529. ¢È·Ì·ÓÙ‹ Ã., ∂ÓÙfiÈ· ¶·Ú·ÁˆÁ‹ Î·È ∂ÈÛ·ÁˆÁ‹ ∞ÌÊÔÚ¤ˆÓ ÛÙËÓ ∞Ï¿Û·ÚÓ· Ù˘ ∫ˆ (5Ô˜ - 7Ô˜ ·È.). ™˘Ì‚ÔÏ‹ ÛÙËÓ ŒÚ¢ӷ Ù˘ ¶·Ú·ÁˆÁ‹˜ Î·È ¢È·Î›ÓËÛ˘ ÙˆÓ ÀÛÙÂÚÔڈ̷˚ÎÒÓ / ¶ÚˆÙÔ‚˘˙·ÓÙÈÓÒÓ ∞ÌÊÔÚ¤ˆÓ Ù˘ aÓ·ÙÔÏÈ΋˜ ªÂÛÔÁ›Ԣ, (™·ÚÈfiÏÂÈÔ˜ µÈ‚ÏÈÔı‹ÎË 115), ∞ı‹Ó· 2010. 530. ¢È·Ì·ÓÙ‹ Ã., ∂ÓÙfiÈÔÈ ˘ÛÙÂÚÔڈ̷˚ÎÔ› / ÚˆÙÔ‚˘˙·ÓÙÈÓÔ› ·ÌÊÔÚ›˜ ·fi ÙËÓ ∞Ï¿Û·ÚÓ· Ù˘ ∫ˆ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 143-152 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 143: Local Late Roman / Early Byzantine amphoras from Halasarna on Kos). 531. ¢›Î·˜ ∞., ∞ÁÈÔÚÂÈÙÈο ÌÓËÌ›·: ·Ú¯ÈÙÂÎÙÔÓÈΤ˜ ‰È·‰ÚÔ̤˜ Î·È ıÂÛÌÈΤ˜ ·Ú·Î¿Ì„ÂȘ, ¡π∫√¡∞¡√™ N. (2006), Û. 301-310 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 310: Mount Athos Monuments: Architectural Activities and Institutional ByPasses). 532. Dhoga-Toli M., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 120 (Necklace; c. 330-350). 533. ¢Ô˘Î·Ù¿-¢ÂÌÂÚÙ˙‹ ™., ∑‹ÎÔ˜ ¡., ∞Ú¯·ÈÔÏÔÁÈÎÔ› ¯ÒÚÔÈ Î·È ÌÓËÌ›· ÛÙÔ ¡ÔÌfi ƒÔ‰fi˘, ∫ÔÌÔÙËÓ‹ (2006), ¶Ú·ÎÙÈο, Û. 113-148. 534. ¢Ô˘Î·Ù¿-¢ÂÌÂÚÙ˙‹ ™., ∂ÏÂÊ·ÓÙÔÛÙ¤ÈÓ· Â˘Ú‹Ì·Ù· ·fi ÙËÓ «¶·ÏËfi¯ˆÚ·» ª·ÚÒÓÂÈ·˜, £Ú·ÎÈÎÒÓ ™Ô˘‰ÒÓ 4 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 28-29. 535. ¢Ô˘Î·Ù¿-¢ÂÌÂÚÙ˙‹ ™., ∂Ê˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ £Ú¿Î˘ [£ÂÛÛ·ÏÔÓ›ÎË 2007], Ï‹ÌÌ. ·Ú. 23-35. 536. ¢Ô˘Î·Ù¿-¢ÂÌÂÚÙ˙‹ ™., ¶·ÏËfi¯ˆÚ· ª·ÚÒÓÂÈ·˜. ∏ ·Ó·Ûηʋ Ù˘ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ‚·ÛÈÏÈ΋˜ Î·È ÙÔ˘ ÌÂÛÔ‚˘˙·ÓÙÈÓÔ‡ ÔÈÎÈÛÌÔ‡, ∫·‚¿Ï·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 12Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008. 537. ¢Ô˘Î·Ù¿-¢ÂÌÂÚÙ˙‹ ™., ¶ÚfiÛÊ·Ù· Â˘Ú‹Ì·Ù· ·fi ÙÔ ·Ó·ÙÔÏÈÎfi ÓÂÎÚÔÙ·ÊÂ›Ô ÙˆÓ ºÈÏ›ˆÓ, ™∆∞Àƒπ¢∏ ∞., ªÓ‹ÌË (2008), Û. 259-270 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 270: Recent finds from the eastern cemetery of Philippi). 538. ¢Ô˘Î·Ù¿-¢ÂÌÂÚÙ˙‹ ™., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 312-313 (∏ •¿ÓıË Î·È Ë °ÂÓÈÛ¤· ÛÙÔ˘˜ √ıˆÌ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜), Û. 320 (∏ ∫ÔÌÔÙËÓ‹ ÛÙÔ˘˜ √ıˆÌ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜), Û. 321-323 (°ÂÓ› Ù˙·Ì› ∫ÔÌÔÙËÓ‹˜), Û. 324-326 (πÌ·Ú¤Ù ∫ÔÌÔÙËÓ‹˜).

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539. ¢Ô˘Î·Ù¿-¢ÂÌÂÚÙ˙‹ ™., ¢È·ÎÔÛÌËÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ·fi ÙËÓ ∫·‚¿Ï· Î·È ÙÔ ¶·ÁÁ·›Ô, µ·ÏηÓÈÎÒÓ πÛÙÔÚÈÎÒÓ ™Ô˘‰ÒÓ 2 (2009), ¶Ú·ÎÙÈο, Ù. °’, Û. 289329. 540. ¢Ô˘ÏÁΤÚË ∂˘., ‚Ï. ·Ú. 1427. 541. ¢Ô˘ÏÁΤÚË ∂˘., ‚Ï. ·Ú. 1429. 542. Drakakis M., Sidiropoulos Kl., Un vasetto con medagli d'oro coll'impronto di Santa Helena et Constantino. ∞Ú¯Âȷο ÙÂÎÌ‹ÚÈ· ‡ÚÂÛ˘ «ıËÛ·˘ÚÒÓ» ·fi ÙË ‚ÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∫Ú‹ÙË, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 27-28. 543. ¢Ú·ÎÔÔ‡ÏÔ˘ ∂˘., ∂ÈÎfiÓ˜ ∞Ï‚·Ó›·˜ [£ÂÛÛ·ÏÔÓ›ÎË, 2006], Ï‹ÌÌ. ·Ú. 1-72 (ÂÈÎfiÓ˜ Ô˘ ¯ÚÔÓÔÏÔÁÔ‡ÓÙ·È ·fi ÙÔ 14Ô ¤ˆ˜ ÙÔÓ 19Ô ·È.). 544. ¢Ú·ÎÔÔ‡ÏÔ˘ ∂˘., ¢ÚfiÌÔÈ Ù˘ ıÚËÛ΢ÙÈ΋˜ Ù¤¯Ó˘ ÛÙÔ ‚ÔÚÂÈÔ·Ó·ÙÔÏÈÎfi ∞ÈÁ·›Ô (16Ô˜-18Ô˜ ·È.), πÛÙÔÚ›·˜ 5 (2007), ¶Ú·ÎÙÈο, Û. 381-392 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 392). 545. Drakopoulou E., The Itineraries of the Orthodox Painters in the Eighteenth Century: The Common Aesthetics in South-East Europe, The Historical Review / La Revue Historique 5 (2008), Û. 21-40. ∏ÏÂÎÙÚÔÓÈ΋ ¤Î‰ÔÛË: http://openarchives.gr/visit/303465). 546. ¢Ú·ÎÔÔ‡ÏÔ˘ ∂˘., ∞Ó·Ï˘ÙÈÎÔ› ¶›Ó·Î˜ ÙˆÓ ∂ÏÏ‹ÓˆÓ ∑ˆÁÚ¿ÊˆÓ Î·È ÙˆÓ ¤ÚÁˆÓ ÙÔ˘˜ (1450-1850), ∞ı‹Ó·: ∂ıÓÈÎfi ÿ‰Ú˘Ì· ∂Ú¢ÓÒÓ, IÓÛÙÈÙÔ‡ÙÔ ¡ÂÔÂÏÏËÓÈÎÒÓ ∂Ú¢ÓÒÓ, 2008. ∏ÏÂÎÙÚÔÓÈ΋ ¤Î‰ÔÛË: http://files.ekt.gr/n011020.pdf. 547. Drakopoulou E., British School at Athens research into Byzantine Attica, Scholars, Travels, Archives (2009), ¶Ú·ÎÙÈο, Û. 145-152. 548. ¢Ú·ÎÔÔ‡ÏÔ˘ ∂˘., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË, 2009], Ï‹ÌÌ. ·Ú. 35 (∂ÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘ Ì ·ÂÈÎfiÓÈÛË Ù˘ £ÂÛÛ·ÏÔӛ΢, 1725 ÂÚ›Ô˘). 549. ¢Ú·ÎÔÔ‡ÏÔ˘ ∂˘., ™ÙÔȯ›· ÁÈ· ÙË ıÚËÛ΢ÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ÛÙË ª‡ÎÔÓÔ ·fi ÙÔ ¤ÚÁÔ ÙÔ˘ ∂ıÓÈÎÔ‡ π‰Ú‡Ì·ÙÔ˜ ∂Ú¢ÓÒÓ «ŒÏÏËÓ˜ ∑ˆÁÚ¿ÊÔÈ ÌÂÙ¿ ÙËÓ ÕψÛË», ªÂϤÙ˜ ÁÈ· ÙË ª‡ÎÔÓÔ (2009), ¶Ú·ÎÙÈο, Û. 63-74. 550. ¢Ú·ÎÔÔ‡ÏÔ˘ ∂˘., ŒÏÏËÓ˜ ˙ˆÁÚ¿ÊÔÈ ÌÂÙ¿ ÙËÓ ÕψÛË (1450-1850), Ù. 3 (∞‚¤ÚÎÈÔ˜-πˆÛ‹Ê), (∂ıÓÈÎfi ÿ‰Ú˘Ì· ∂Ú¢ÓÒÓ, πÓÛÙÈÙÔ‡ÙÔ ¡ÂÔÂÏÏËÓÈÎÒÓ ∂Ú¢ÓÒÓ, 114), ∞ı‹Ó· 2010. 551. ¢Ú·ÎÔÔ‡ÏÔ˘ ∂˘., ∆Ô ¤ÚÁÔ ÙÔ˘ ª·ÓfiÏË Ã·Ù˙ˉ¿ÎË ŒÏÏËÓ˜ ˙ˆÁÚ¿ÊÔÈ ÌÂÙ¿ ÙËÓ ¿ÏˆÛË Î·È Ë ‰Ú·ÛÙËÚÈfiÙËÙ· ÙˆÓ ÌÂÙ·‚˘˙·ÓÙÈÓÒÓ ˙ˆÁڿʈÓ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 37-38. 552. ¢Ú·ÎÔÔ‡ÏÔ˘ ∂˘., ÀÔ‰Ô¯‹ Î·È ·ÊÔÌÔ›ˆÛË Ù˘ ‰˘ÙÈ΋˜ Ù¤¯Ó˘ ÛÙËÓ ˙ˆÁÚ·ÊÈ΋ ÙˆÓ ÔÚıÔ‰fiÍˆÓ Î·Ù¿ ÙÔÓ 18Ô ·ÈÒÓ·, ∆∞ π™∆√ƒπ∫∞ 52 (πÔ‡ÓÈÔ˜ 2010), Û. 133-148.

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553. ¢Ú·ÎÔ‡Ï˘ ¢., ∏ ÂÚÈÊÂÚÂȷ΋ ÔÚÁ¿ÓˆÛË ÙˆÓ ÔÈÎÈÛÌÒÓ Ù˘ ∞Ó·ÙÔÏÈ΋˜ ƒˆÌ·˚΋˜ ∞˘ÙÔÎÚ·ÙÔÚ›·˜ ηٿ ÙËÓ ÚÒÈÌË ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô (4Ô˜-6Ô˜ ·ÈÒÓ·˜), Ù. ∞’ (£Ú·ÎÈ΋-πÏÏ˘ÚÈÎfiÓ-∞ÛÈ·Ó‹), µ˘˙·ÓÙÈÓ¿ ∫›ÌÂÓ· Î·È ªÂÏ¤Ù·È 53∞, £ÂÛÛ·ÏÔÓ›ÎË: ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2009. 554. ¢Ú·ÎÔ‡Ï˘, ¢., ∆Ô ‰›ÎÙ˘Ô ÔÈÎÈÛÌÒÓ Ù˘ Â·Ú¯›·˜ ¶·Ï·È¿˜ ∏›ÚÔ˘ ÛÙËÓ ÚÒÈÌË ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, µ˘˙·ÓÙÈÓ¿ 29 (2009), Û. 199-229 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 226: Settlement ¡etwork of the Palaia Epeiros Province in the Early Byzantine Period). 555. Drandaki A., Through Pilgrims' Eyes: M∆ Sinai in Pilgrim Narratives of the Thirteenth and Fourteenth Centuries, ¢Ã∞∂ 27 (2006), Û. 491-504 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 504: ∏ ÌÔÓ‹ ™ÈÓ¿ ̤۷ ·fi Ù· ΛÌÂÓ· ÙˆÓ ÚÔÛ΢ÓËÙÒÓ ÙÔ˘ 13Ô˘ Î·È ÙÔ˘ 14Ô˘ ·ÈÒÓ·). 556. ¢Ú·Ó‰¿ÎË ∞., ∆¤ÛÛÂÚȘ ÂÈÎfiÓ˜ Î·È Ô ˙ˆÁÚ¿ÊÔ˜ ÙÔ˘˜ ÛÙË µ¤ÚÔÈ· ÙÔ˘ 1400, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË 6 (2006), Û. 77-91 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 90-91: Four icons from Veria and their painter, c. 1400). 557. Drandaki A., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 90 (Fish-shaped perfume flask; Egypt, fifth-sixth centuries), 98 (Bucket; Eastern Mediterranean, sixth century), 152 (Finger ring; Fourteenth century), 166 (Pair of child’s sandals; Egypt, fifth-seventh centuries), 169 (Small amphora; Egypt, fifth century), 189 (Processional cross; Constantinople, first half of eleventh century), 192 (The Cross of Adrianople; Late tenth century), 194 (Pectoral reliquary cross; Eleventh century), 206 (Icon with the Annunciation and saints; Late twelfth century), 207 (Handle of a standing censer (katzion); Constantinople, c. 1300), 219 (Oil lamp; Egypt, sixth century). 558. ¢Ú·Ó‰¿ÎË ∞., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], Ï‹ÌÌ. ·Ú. 18 (√ ¿ÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜, ‰Â‡ÙÂÚÔ ÌÈÛfi 15Ô˘ ·ÈÒÓ·), 20 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ∞Ó‰Ú¤· ƒ›Ù˙Ô: ∏ ¶·Ó·Á›· µÚÂÊÔÎÚ·ÙÔ‡Û· Ì ·ÁÁ¤ÏÔ˘˜, ·Á›Ô˘˜ Î·È ¯ÚÈÛÙÔÏÔÁÈΤ˜ ÛÎËÓ¤˜, ÂÚ› ÙÔ 1500), 22 (∏ ∞Á›· ∆ÚÈ¿‰·, ÂÚ› ÙÔ 1500), 30 (∑ˆÁÚ¿ÊÔ˜ ∂ÌÌ·ÓÔ˘‹Ï ∆˙¿Ó˜: √ ¿ÁÈÔ˜ ª¿ÚÎÔ˜, 1657). 559. ¢Ú·Ó‰¿ÎË ∞., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 15 (∂ÈÎfiÓ· Ù˘ º˘Á‹˜ ÛÙËÓ ∞›Á˘ÙÔ, ‚’ ÌÈÛfi 15Ô˘ ·È.), 48 (¢·¯Ù˘Ï›‰È Ì ·Ú¿ÛÙ·ÛË Èı·ÓfiÓ ÙÔ˘ ∞Á›Ô˘ ∆¿ÊÔ˘, 6Ô˜-7Ô˜ ·È.) 560. ¢Ú·Ó‰¿ÎË ∞., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 5 (∏ °¤ÓÓËÛË, ·’ ٤ٷÚÙÔ 15Ô˘ ·È.), 24 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ Î‡ÎÏÔ ÙÔ˘ ∞ÁÁ¤ÏÔ˘: ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜, ̤۷ 15Ô˘ ·È.), 53 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ∞Ó‰Ú¤· ƒ›Ù˙Ô ‹ ÛÂ Û˘ÓÂÚÁ¿ÙË ÙÔ˘: ∏ ¶·Ó·Á›· µÚÂÊÔÎÚ·ÙÔ‡Û· Ì ·ÁÁ¤ÏÔ˘˜, ·Á›Ô˘˜ Î·È ¯ÚÈÛÙÔÏÔÁÈΤ˜ ÛÎËÓ¤˜, Á‡Úˆ ÛÙÔ 1500). 561. ¢Ú·Ó‰¿Î˘ ¡., ÃÚÔÓÔÏÔÁË̤ӷ ‚˘˙·ÓÙÈÓ¿ ÁÏ˘Ù¿ Ù˘ ª¿Ó˘ ÙÔ˘ 11Ô˘ Î·È ÙÔ˘ 12Ô˘ ·ÈÒÓ·, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 409-417 (Á·ÏÏÈ΋

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ÂÚ›ÏË„Ë, Û. 596: Sculptures Byzantines du Mange datées du XIe et du XIIe siècle, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 609). 562. ¢ÚfiÛÔ˘ ¢., ∏ ηÙÔ›ÎËÛË ÛÙÔ £ÂÛÚˆÙÈÎfi ¯ÒÚÔ Î·Ù¿ ÙÔ˘˜ ‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜, ∏ÂÈÚÃÚ 40 (2006), Û. 277-304 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 294: The Inhabitance in Thesprotia at the Byzantine Years). 563. ∂Ï¢ıÂÚ›Ô˘ ∂˘., XÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ BM (2006), Ï‹ÌÌ. ·Ú. 95, 96, 97. 564. ∂Ï¢ıÂÚ›Ô˘ ∂˘. ¶., µ˘˙·ÓÙÈÓ¤˜ ·Ú¯·ÈfiÙËÙ˜ ÛÙÔ˘ §Ô˘Î¿ ∞Ú牛·˜. ¶ÚÒÙ˜ ·Ú·ÙËÚ‹ÛÂȘ, ¶ÂÏÔÔÓÓËÛÈ·ÎÒÓ ™Ô˘‰ÒÓ 7 (2007), ¶Ú·ÎÙÈο, Ù. ¢’, Û. 283-299 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 294: Antiquités byzantines dans la région de Louka, en Arcadie). 565. ∂Ï¢ıÂÚ›Ô˘ ∂˘., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 73-77 (√È Ó·Ô› Ù˘ Ó¤·˜ ıÚËÛΛ·˜), 82-84 (∏ ‚·ÛÈÏÈ΋ ÙÔ˘ πÏÈÛÛÔ‡), 85-86 (√ ÂίÚÈÛÙÈ·ÓÈÛÌfi˜ ÙˆÓ ·Ú¯·›ˆÓ ÈÂÚÒÓ), 86-87 (√ ¯ÚÈÛÙÈ·ÓÈÛÌfi˜ «ÂÁηı›ÛٷٷȻ ÛÙÔ˘˜ ·Ú¯·›Ô˘˜ Ó·Ô‡˜ ÙˆÓ ∞ıËÓÒÓ: ∏ ÌÂÙ·ÙÚÔ‹ ÙÔ˘ ¶·ÚıÂÓÒÓ· Û ¯ÚÈÛÙÈ·ÓÈÎfi Ó·fi). 566. ∂Ï¢ıÂÚ›Ô˘ ∂˘., ¶ÚˆÙÔ‚˘˙·ÓÙÈÓ‹ ∞Ú牛·. ∞fi ÙÔ ª·›Ó·ÏÔ ÛÙÔÓ §¿‰ˆÓ· Î·È ÙÔÓ ∞ÏÊÂÈfi, Roy James (2008), ¶Ú·ÎÙÈο, Û. 261-272 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 272). 567. ∂Ï¢ıÂÚ›Ô˘ ∂˘., µ˘˙·ÓÙÈÓ¿ Ô¯˘Ú¿ ÛÙÔÓ ·Ó·ÙÔÏÈÎfi ∫fi˙ȷη, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 563–580 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 579-580: Les sites fortifiés byzantins du Koziakas oriental). 568. ∂Ï¢ıÂÚ›Ô˘ ∂˘., µ˘˙·ÓÙÈÓ¤˜ Ì·ÚÌ¿ÚÈÓ˜ „¢‰ÔÛ·ÚÎÔÊ¿ÁÔÈ ÛÙË ª¤Û· ª¿ÓË, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 143-160. 569. ∂ÈÙÚÔ¿Î˘ ¶., √ Ó·fi˜ Ù˘ ªÂÙ·ÌÔÚÊÒÛˆ˜ ÙÔ˘ ™ˆÙ‹Ú· ÛÙÔ §Â˘ÎÔ¯ÒÚÈ ∏Ú·ÎÏ›Ԣ, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 390401 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 397-398: The temple of ªetamorphosis of the Savior in Lefkochori, Heraklion, Crete). 570. ∂ÈÙÚÔ¿Î˘ ¶., ªÔÓfi¯ˆÚ˜ η̷ÚÔÛΤ·ÛÙ˜ ‚·ÛÈÏÈΤ˜ Ì ÚÔÂͤ¯ÔÓ ¯·ÌËÏfi ÂÁοÚÛÈÔ ÎÏ›ÙÔ˜: ȉÈfiÚÚ˘ıÌÔÈ «ÛÙ·˘ÚÂ›ÛÙÂÁÔÈ» Ù˘ ÚÒÈÌ˘ ∂ÓÂÙÔÎÚ·Ù›·˜ ÛÙËÓ ∫Ú‹ÙË, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 141-152 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 152: Aisleless Cross Shaped Vaulted Basilicas with Lower Roofed Transept. An Unusual Early Venetian Architectural Type of Churches in the Island of Crete). 571. ∂Ù˙¤ÔÁÏÔ˘ ƒ., ªÂÛÔ‚˘˙·ÓÙÈÓfi Ù¤ÌÏÔ ÛÙËÓ ∫¿Ùˆ fiÏË Ù˘ ªÔÓÂÌ‚·Û›·˜, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 393-407 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 596: Un templon mésobyzantin de la ville basse de Monemvasie, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 608). 572. ∂Ù˙¤ÔÁÏÔ˘ ƒ., ∫›ÌÂÓÔ Î·È ÂÈÎfiÓ·: ·Ú·ÛÙ¿ÛÂȘ ÛÙÔÓ Ó¿ÚıËη ÙÔ˘ Ó·Ô‡ Ù˘ √‰ËÁ‹ÙÚÈ·˜ ÛÙÔÓ ª˘ÛÙÚ¿, ¶∞¶∞¢∞∫∏-OEKLAND ™Ù., ªÓ‹ÌË (2009), Û. 133-144.

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573. ∂Ù˙¤ÔÁÏÔ˘ ƒ., ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë Ã., √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ÛÙËÓ ∫›ÙÙ· Ù˘ ª¤Û· ª¿Ó˘ (1321). ªÈ¿ ÚÒÙË ÚÔÛ¤ÁÁÈÛË, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 213-219. 574. ∂Ù˙¤ÔÁÏÔ˘ ƒ., ¶ÂÚ‰ÈÎÔ‡ÏÈ·˜ ¶., ∂ÈÁڷʤ˜ ÛÙ· ‰˘ÙÈο ·ÚÂÎÎÏ‹ÛÈ· ÙÔ˘ Ó·Ô‡ Ù˘ √‰ËÁ‹ÙÚÈ·˜ ÛÙÔÓ ª˘ÛÙÚ¿, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 40-41. 575. ∂˘·ÁÁÂÏ¿ÙÔ˘ ª., ∆· ÂÈÎÔÓÔÁÚ·ÊË̤ӷ ÚˆÙÔÁÚ¿ÌÌ·Ù· ÙÔ˘ ÎÒ‰. Paris. Gr. 41, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 21. 576. ∂˘·ÁÁÂÏ¿ÙÔ˘-¡ÔÙ·Ú¿ ºÏ., µ˘˙·ÓÙÈÓÔ› ¯¿ÏÎÈÓÔÈ ÛÙ·˘ÚÔ› Û ȉȈÙÈ΋ Û˘ÏÏÔÁ‹, ¢Ã∞∂ 27 (2006), Û. 371-380 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 379-380: Bronze Crosses in a Private Collection). 577. ∂˘ÁÂÓ›‰Ô˘ ¢., ¡ÈÎÔÏ¿Ô˘ °., ºÔ˘ÓÙÔ‡ÏË ª., ∆Ô ÓfiÌÈÛÌ· ÛÙÔ µ˘˙·ÓÙÈÓfi ÎfiÛÌÔ, ¡ÔÌ›ÛÌ·ÙÔ˜ πÛÙÔÚ›· (2008), Û. 64-85. 578. ∂˘ÁÂÓ›‰Ô˘ ¢., ¡ÔÌ›ÛÌ·Ù· ·fi ÙË ™¿ÌÔ ÛÙÔ ¡ÔÌÈÛÌ·ÙÈÎfi ªÔ˘ÛÂ›Ô ∞ıËÓÒÓ, ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 119-134 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 134: Coins from Samos in the Athens Numismatic Museum). 579. ∂˘ÁÂÓÈÎfi˜ ¶., ¶·Ú·ÙËÚ‹ÛÂȘ Û ÂÈÎÔÓÈÛÙÈο ÁÏ˘Ù¿ Ù˘ ‡ÛÙÂÚ˘ ‚˘˙·ÓÙÈÓ‹˜ ÂÚÈfi‰Ô˘ ·fi ÙËÓ ÂÚÈÔ¯‹ ÙÔ˘ ¶ËÏ›Ô˘, µ˘˙·ÓÙÈÓ¿ 28 (2008), Û. 289-305 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 299: Observations in Marble Reliefs of the Late Byzantine Period in the Region of Pelion). 580. ∂˘ı˘ÌÈ¿‰Ë˜ ™Ù., ‚Ï. ·Ú. 1109. 581. ∂˘ı˘Ì›Ô˘ ∞., ∂˘·ÁÁÂÏÈÛÌfi˜-¶fiÎÔ˜. ∏ Ù·˘ÙÔÔ›ËÛË ÌÈ·˜ ÂÈÎÔÓÔÁÚ·ÊÈ΋˜ ÏÂÙÔ̤ÚÂÈ·˜ ·Ú·ÛÙ¿ÛÂˆÓ ÙÔ˘ ı¤Ì·ÙÔ˜ ÛÙËÓ ÂÚÈÔ¯‹ Ù˘ §·ÎˆÓ›·˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 39-40. 582. ∂˘ı˘Ì›Ô˘ √., √È ÙÔȯÔÁڷʛ˜ Ù˘ ÌÔÓ‹˜ ÙˆÓ ∞Á›ˆÓ ∞ÔÛÙfiÏˆÓ ÛÙËÓ ™ÂÏÈ¿Ó· ∞ÈÁ›ڷ˜, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 209-230 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 230: The fresco paintings in the monastery of Agioi Apostoloi in Seliana of Egeira). 583. ∂˘ÛÙ·ı›Ô˘ ∞., √ ÎÒ‰Èη˜ 1066 Ù˘ ∂µ∂ (ÚÔÂÚ¯fiÌÂÓÔ˜ ·fi ÙËÓ πÂÚ¿ ªÔÓ‹ ¢Ô˘Û›ÎÔ˘) Î·È Ù· ÁÚ·ÌÌ·ÙÈο ÂÚˆÙ‹Ì·Ù· ηٿ ÙËÓ ‡ÛÙÂÚË ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô), ™√ºπ∞¡√™ ¢. (2007), Û. 75-123. 584. ∑·‚‚Ô‡ ∂., ª·ÏÙ¤˙Ô˘ ∞., ƒˆÌ·˚΋ ÎÂÚ·ÌÈ΋ ·fi ÙȘ ϷΈÓÈΤ˜ fiÏÂȘ °‡ıÂÈÔ, ∞Ûˆfi Î·È µÔȤ˜, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 763-781 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 763: Roman pottery from the Laconian cities Gytheum, Asopos and Voies). 585. ∑·‚‚Ô‡ ∂., ‚Ï. ·Ú. 629. 586. ∑·Ú›Ê˘ ¡., ‚Ï. ·Ú. 2265. 587. ∑·ÚÔÁÈ¿ÓÓ˘ Õ., ‚Ï. ·Ú. 2264.

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588. ∑¿ÚÚ·˜ ¡., §fiÁÔ˜ Î·È ÂÈÎfiÓ·. √ ·Ó·ÛÙ¿ÛÈÌÔ˜ ·ÎÏÔ˜ ÛÙÔ Ó·fi ÙˆÓ ∞Á›ˆÓ ∞ÔÛÙfiÏˆÓ ÛÙËÓ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 22-23. 589. ∑¿ÚÚ·˜ ¡., √ ··Á¯ÔÓÈÛÌfi˜ ÙÔ˘ πÔ‡‰· ÛÙË ‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË, ∞Ú¯·ÈÔÏÔÁ›· Î·È ∆¤¯Ó˜ 99 (πÔ‡ÓÈÔ˜ 2006), Û. 30-36 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 36: Judas' suicide by hanging in byzantine art). ∏ÏÂÎÙÚÔÓÈ΋ ‰ËÌÔÛ›Â˘ÛË: http://www.arxaiologia.gr/assets/media/PDF/migrated/99_30-36.pdf. 590. Zarras N., ∆he Iconographical Cycle of the Eothina Evangelia in Churches from the Reign of King Milutin, ∑ograf 31 (2006-2007), Û. 95-113 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 113). 591. ∑¿ÚÚ·˜ N., ^√ ÃÚÈÛÙfi˜ âÓ ëÙ¤Ú÷· ÌÔÚÊFÉ, ¢Ã∞∂ 28 (2007), Û. 213-224 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 223-224: Christ âÓ ëÙ¤Ú÷· ÌÔÚÊFÉ). 592. ∑¿ÚÚ·˜ N., ™Ù¿‰È· ÚÔÂÙÔÈÌ·Û›·˜ ÙÔ˘ ÎÒ‰Èη Û ·Ú·ÛÙ¿ÛÂȘ ¢·ÁÁÂÏÈÛÙÒÓ Ù˘ ·Ï·ÈÔÏfiÁÂÈ·˜ ÂÔ¯‹˜, µ˘˙·ÓÙÈÓ¿ 28 (2008), Û. 511-528. 593. ∑¿ÚÚ·˜ ¡., ∂ÈÁڷʤ˜ ·fi ÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ÛÙÔ Staro Nagoriãino, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 44-45. 594. Zarras N., ‚Ï. ·Ú. 1859. 595. Zarras N., The Passion Cycle in Staro Nagoriãino, JÖB 60 (2010), Û. 181-213. 596. ∑¿ÚÚ·˜ N., ∂ÈÁڷʤ˜ ·fi ÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ÛÙÔ Staro Nagoriãino, ¢Ã∞∂ 31 (2010), Û. 115-126 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 125-126: Inscriptions from the Church of St George at Staro Nagoriãino). 597. ∑¿ÚÚ·˜ ¡., √ ÂÈÎÔÓÔÁÚ·ÊÈÎfi˜ ·ÎÏÔ˜ ÙˆÓ ÂˆıÈÓÒÓ Â˘·ÁÁÂÏ›ˆÓ ÛÙËÓ ·Ï·ÈÔÏfiÁÂÈ· ÌÓËÌÂȷ΋ ˙ˆÁÚ·ÊÈ΋ ÙˆÓ µ·ÏηӛˆÓ, (µ˘˙·ÓÙÈÓ¿ ∫›ÌÂÓ· Î·È ªÂϤÙ˜ 57), £ÂÛÛ·ÏÔÓ›ÎË: ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ 2010. 598. ∑¿ÚÚ·˜ ¡., O Ó·fi˜ ÙÔ˘ ∆ÈÌ›Ô˘ ™Ù·˘ÚÔ‡ ÛÙÔ ¶ÂϤӉÚÈ, §Â˘ÎˆÛ›· 2010. 599. ∑·Ê›Ú˘ °., ∞ÔηٿÛÙ·ÛË πÂÚÔ˘ ¡·Ô‡ ∆ÈÌ›Ô˘ ™Ù·˘ÚÔ‡ ¢ÔÏÈ·ÓÒÓ∫Ú·ÓÈ¿˜ ∞ÛÚÔÔÙ¿ÌÔ˘, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 633-646 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 646: The restoration of Timios Stavros [Holy Cross] Temple of Doliana-Krania villages of Aspropotamos). 600. ∑·¯·ÚÈ¿‰Ë˜ ™Ù., ∫·Ú·ÁÈ¿ÓÓË ºÏ., ™ÎÈ·‰·Ú¤Û˘ °., ¢‡Ô ¿ÁÓˆÛÙ· ÔıˆÌ·ÓÈο ÏÔ˘ÙÚ¿ ÛÙÔ ¡ÔÌfi ¶¤ÏÏ·˜, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 741-752. 601. ∑·¯·Ú›·˜ ¡., ‚Ï. ·Ú. 2099. 602. Zachos G., Keos in Late Roman Context, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 782-794 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë Û. 782: ∏ ∫¤· ÛÙÔ˘˜ ‡ÛÙÂÚÔ˘˜ ڈ̷˚ÎÔ‡˜ ¯ÚfiÓÔ˘˜). 603. ∑Áηʿ ∞., ‚Ï. ·Ú. 1902. 604. ∑‹Î·˜ ∫., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Ó·Ô‡ Ù˘ ∞Á›·˜ ¶·Ú·Û΢‹˜ ÛÙËÓ ƒÔ‰·˘Á‹ (¡ËÛ›ÛÙ·) ÕÚÙ·˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 46-47.

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605. ∑‹ÎÔ˜ ¡., ‚Ï. ·Ú. 533. 606. ∑‹ÎÔ˜ ¡., √ ÏÂÁfiÌÂÓÔ˜ ‡ÚÁÔ˜ Ù˘ ∞ÔÏψӛ·˜ Î·È Ô ÎÙ‹ÙˆÚ ÙÔ˘, ¡π∫√¡∞¡√™ N. (2006), Û. 57-67 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 67: The So-Called Tower of Apollonia and its Founder). 607. ∑›·˜ ¡., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], ÂÈÛ·ÁˆÁÈο ΛÌÂÓ· ÛÙȘ Û. xv-xvii (∆Ô ‚·ı‡ÙÂÚÔ ÓfiËÌ· ÙˆÓ ÂÈÎfiÓˆÓ Î·È Ù˘ ·ÈÛıËÙÈ΋˜ ÌÔÚÊ‹˜ ÙÔ˘˜), xixxxxi (∏ Ù¤¯ÓË ÙˆÓ ÂÈÎfiÓˆÓ ÛÙÔ µ˘˙¿ÓÙÈÔ: «∂åÎgÓ ÌbÓ ÔsÓ öÛÙÈÓ ïÌÔ›ˆÌ· ¯·Ú·ÎÙËÚ›˙ÔÓ Ùe ÚˆÙfiÙ˘ÔÓ ÌÂÙa ÙÔÜ Î·› ÙÈÓ· ‰È·ÊÔÚa ö¯ÂÈÓ Úe˜ ·éÙfi»). 608. ∑fiÌÔ˘-∞ÛËÌ‹ A., ƒ¿Ù˘ ∫., ∞¯ÂÈÚÔÔ›ËÙÔ˜ £ÂÛÛ·ÏÔӛ΢: ÂÌÂÈڛ˜, ÛΤ„ÂȘ Î·È Û˘ÌÂÚ¿ÛÌ·Ù· ÌÂÙ¿ ÙËÓ ÛÙÂÚ¤ˆÛË-·ÔηٿÛÙ·ÛË Ù˘ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ‚·ÛÈÏÈ΋˜, ∂∆∂¶∞ª 1 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 42-44 / ∂∆∂¶∞ª 1 (2006), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.). 609. ∑‡ÚÌ· ™., ‚Ï. ·Ú. 668 610. ∑ˆÁ¿ÎË ∞., ‚Ï. ·Ú. 1541. 611. Eliades I. ∞., Athos [Helsinki 2006], Û. 42-45 (The painting of Cyprus from the 13th to the 19th century. The Historical evolution of art in the island and the artistic relations of Cyprus with Mount Athos during the 18th-century), 242-246 (St Anthony the Great, St. John the Baptist, Triptych). 612. Eliades I. ∞., Erzwungene Wege [Berlin 2006], Û. 102 (Grablegung Christi). 613. Eliades π. ∞., Byzantine Museums and Sacristies, Cyprus of Saints (2006), Û. 3-12. 614. ∂liades I. ∞., San Nicola [Bari 2006], Û. 287-292 (San Nicola «del tetto», San Nicola a mezza figura da Arediou, Piccola Deisis, Porte del Bema, San Nicola e donatori). 615. ∏ÏÈ¿‰Ë˜ π. ∞., (∞Ó·)¯ÚÔÓÔÏÔÁÒÓÙ·˜ ¤ÚÁ· Ù˘ ΢ÚÔ˚Ù·ÏÈ΋˜ ˙ˆÁÚ·ÊÈ΋˜: ∏ ÂÚ›ÙˆÛË ÙÔ˘ ¢ˆ‰ÂηfiÚÙÔ˘ ÛÙo ÂÈÎÔÓÔÛÙ¿ÛÈÔ ÙÔ˘ ∆ÈÌ›Ô˘ ™Ù·˘ÚÔ‡ ÛÙÔ ¶ÂϤӉÚÈ §ÂÌÂÛÔ‡, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 28-29. 616. ∏ÏÈ¿‰Ë˜ π. ∞., √‰ÔÈÔÚÈÎfi ∫˘ÚËÓ›·˜ (2006), Û. 60-63, 154-173, 382405, 410-413, 462-465, 472-477, 482-491 (Ï‹ÌÌ. ÁÈ· ÙÔ˘˜ Ó·Ô‡˜ ÙˆÓ ¯ˆÚÈÒÓ ∞ÛÒÌ·ÙÔ˜, ∞Á›· ∂ÈÚ‹ÓË, ∫ÔÚ̷ΛÙ˘, ª¤ÏÏ··˚˜, ∫·˙¿Ê·ÓÈ, ∫·Ú¿ÛÈ·, ª‡ÚÙÔ˘, ¶·Ï·ÈfiÛÔÊÔ˜). 617. ∏ÏÈ¿‰Ë˜ π. ∞., ∏ ÈÙ·ÏÔ‚˘˙·ÓÙÈÓ‹ ˙ˆÁÚ·ÊÈ΋ Ù˘ ∫‡ÚÔ˘. ∆· ÚÔ‚Ï‹Ì·Ù· Ù˘ ¤Ú¢ӷ˜, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. ππ, Û. 50-51. 618. ∏ÏÈ¿‰Ë˜ π. ∞., √ ∫ÚËÙÈÎfi˜ ˙ˆÁÚ¿ÊÔ˜ πˆ¿ÓÓ˘ ∫ÔÚÓ¿ÚÔ˜ – ŒÓ· ·ÚÁ˘ÚÂ›¯Ú˘ÛÔ Î¿Ï˘ÌÌ· ¢·ÁÁÂÏ›Ô˘ ÛÙËÓ ∫‡ÚÔ (1806), ∫ÚËÙÔÏÔÁÈÎfi 10 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 155-157. 619. Eliades I. ∞., Capolavori dell'arte europea [Roma 2007], Û. 54-55 (La Comunione degli Apostoli).

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620. Eliades I. ∞., Europe-Russia-Europe [Moscow 2007], Û. 92-93 (Madonna Enthroned between St George and St Nicholas). 621. ∏ÏÈ¿‰Ë˜ π. ∞., ∞fiÛÙÔÏÔ˜ ∞Ó‰Ú¤·˜ [¶¿ÙÚ· 2007], Û. 20-21 (∆Ô ÂÓÙÔ›¯ÈÔ „ËÊȉˆÙfi Ù˘ ¶·Ó·Á›·˜ ∫·Ó·Î·ÚÈ¿˜ Î·È Ô ·fiÛÙÔÏÔ˜ ∞Ó‰Ú¤·˜), 23-25, 33-35, 40-41 (∂ÈÎfiÓ˜ ·ÔÛÙfiÏÔ˘ ∞Ó‰Ú¤·). 622. ∏ÏÈ¿‰Ë˜ π. ∞., ∂ÈÎfiÓ˜ Ù˘ ¶·Ó·Á›·˜ ÛÙÔ µ˘˙·ÓÙÈÓfi ªÔ˘ÛÂ›Ô π‰Ú‡Ì·ÙÔ˜ ∞Ú¯ÈÂÈÛÎfiÔ˘ ª·Î·Ú›Ô˘ ° ’, §Â˘ÎˆÛ›· 2009. 623. ∏ÏÈ¿‰Ë˜ π. ∞., ∫‡ÚÔ˜ Î·È πÙ·Ï›· / Cipro e l'Italia [Roma 2009], Û. 5267 (∏ ΢Úȷ΋ ˙ˆÁÚ·ÊÈ΋ Î·È ÔÈ Û¯¤ÛÂȘ Ù˘ Ì ÙËÓ Ù¤¯ÓË Ù˘ πÙ·Ï›·˜ ηٿ ÙË ºÚ·ÁÎÔÎÚ·Ù›· Î·È ÙË µÂÓÂÙÔÎÚ·Ù›·, 1191-1571), 90-97 (√ ÕÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ Ù˘ ™Ù¤Á˘). 624. ∏ÏÈ¿‰Ë˜ π. ∞., √ Ó·fi˜ Ù˘ ªÂÙ·ÌÔÚÊÒÛˆ˜ ÙÔ˘ ™ˆÙ‹ÚÔ˜ (∞Á›· ™ˆÙ‹Ú·) ¶·Ï·È¯ˆÚ›Ô˘: πÛÙÔÚ›·-·Ú¯ÈÙÂÎÙÔÓÈ΋ Î·È Ù¤¯ÓË, §Â˘ÎˆÛ›·: ™‡Ó‰ÂÛÌÔ˜ ¶ÚÔÛÙ·Û›·˜ ªÓËÌ›ˆÓ ¶·Ï·È¯ˆÚ›Ô˘, 2009. 625. ∏ÏÈ¿‰Ë˜ π. ∞., ŒÓ·˜ ∂Ù·Ó‹ÛÈÔ˜ ˙ˆÁÚ¿ÊÔ˜ ÛÙËÓ ∫‡ÚÔ: ∏ ÂÚ›ÙˆÛË ÙÔ˘ ∂ÌÌ·ÓÔ˘‹Ï ∆˙·ÓÊÔ˘ÚÓ¿ÚË Î·È Ë ÂÈÎfiÓ· ÙÔ˘ ∂˘·ÁÁÂÏÈÛÌÔ‡ ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ ªÔ˘Û›Ԣ π‰Ú‡Ì·ÙÔ˜ ∞Ú¯. ª·Î·Ú›Ô˘ ° ’, ¶·ÓÈfiÓÈÔ 8 (2009), ¶Ú·ÎÙÈο, Û. 242-262. 626. ∏ÏÈfiÔ˘ÏÔ˜ ¢., ∏ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ Ê¿ÛË ÎÙËÚ›Ô˘ Ì ÂÚÁ·ÛÙËÚÈ·ÎÔ‡˜ ¯ÒÚÔ˘˜ Î·È Î·Ù·ÛÙ‹Ì·Ù· ·fi ÙËÓ ◊Ïȉ·, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 43-44. 627. ∏ÏÈÔÔ‡ÏÔ˘ Ÿ., ‚Ï. ·Ú. 1902 628. Themelis P., ‚Ï. ·Ú. 378. 629. £¤ÌÔ˜ ∞., ∑·‚‚Ô‡ ∂., Pickersgill C., ∆ÛÔ‡ÏË ª., ⁄ÛÙÂÚË ÚˆÌ·˚΋ ÎÂÚ·ÌÈ΋ ·fi ÙËÓ ÂÚÈÔ¯‹ Ù˘ ¶ÈÙ¿Ó˘ ÛÙË ™¿ÚÙË, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 743-762 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 743: Late Roman pottery from the area of Pitane in Sparta). 630. Theocharis Y., Die Darstellung des kleinen Euphrasius in der Basilika von Poreã. Auf der Spur ihrer Bedeutung mit Hilfe der Synkrisis, JÖB 58 (2008), Û. 209-216. 631. £ÂÔ¯·Ú›‰Ë˜ ¶Ï., ∆Ô ·ÏÈfi ËÁÔ˘ÌÂÓ›Ô-Û΢ÔÊ˘Ï¿ÎÈÔ Ù˘ ªÂÁ›ÛÙ˘ §·‡Ú·˜. πÛÙÔÚ›·, ¤Ú¢ӷ Î·È ÚfiÙ·ÛË ·ÔηٿÛÙ·Û˘, ¢ÂοÙË 2 (2005-2006), Û. 76-87 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 86: The old abbot's quarters (hegoumeneion) and old sacristy (skevophylakion) of the Great Lavra. History, investigation and a restoration project). 632. Théocharidès Pl., Athos [Paris 2009], Û. 30-37 (Architecture et organisation spatiale dans l'Athos byzantin). 633. £ÂÔ¯·Ú›‰Ë˜ ¶Ï., ¶ÚÔÛ¿ıÂÈ· ·Ó··Ú¿ÛÙ·Û˘ ÙÔ˘ Û˘ÁÎÚÔÙ‹Ì·ÙÔ˜ Ù˘

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ªÂÁ›ÛÙ˘ §·‡Ú·˜ ηٿ ÙÔ˘˜ ª¤ÛÔ˘˜ ¯ÚfiÓÔ˘˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 48-49. 634. £ÂÔ¯·Ú›‰Ô˘ ∫., ªÔÓ‹ ∞Á›Ô˘ ¢ÈÔÓ˘Û›Ô˘ ÛÙÔÓ ŸÏ˘ÌÔ: ¡¤· ÛÙÔȯ›· ÁÈ· ÙË ‰˘ÙÈ΋ Ù¤Ú˘Á· Î·È ÙËÓ ÈÛÙÔÚ›· ›‰Ú˘Û˘ Ù˘ ÌÔÓ‹˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 50-51. 635. Theocharopoulou I., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 255 (Wall painting with St Catherine; 1233-1234). 636. Theocharopoulou I., Pracht und Alltag [Bonn 2010], Ï‹ÌÌ. ·Ú. 501 (Fresco mit der Darstellung der Hl. Katharina), 502 (Fresco mit der Darstellung eines Soldatenheiligen), 509 (Freskenfragment mit der Darstellung des Kopfes einer Heiligen). 637. £ÂÔ¯·ÚÔÔ‡ÏÔ˘ ∂È., √ ÙÔȯÔÁÚ·ÊÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ¶ÚÔ‰ÚfiÌÔ˘ ÛÙËÓ ∂ÈÛÎÔ‹ ¶Â‰È¿‰·˜, ¢∂§∏°π∞¡¡∏-¢øƒ∏ ∂. (2010), Û. 153-184 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 184: Les peintures murales de l'église de Saint-Jean le Précurseur à Episkopi de la province Pédiada, à Héraklion, Crète). 638. £ÂÔ¯·ÚÔÔ‡ÏÔ˘ ∂È., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ Ó·Ô‡ ÙˆÓ ∞Á›ˆÓ °ÂˆÚÁ›Ô˘ Î·È ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ ÛÙÔÓ ¶‡ÚÁÔ ªÔÓÔÊ·ÙÛ›Ô˘, ∞¢ 57 (2002) [2010], ªÂϤÙ˜, Û. 261-364. 639. πÁÓ·ÙÈ¿‰Ô˘ ¢., ‚Ï. ·Ú. 116. 640. πÁÓ·ÙÈ¿‰Ô˘ ¢., ‚Ï. ·Ú. 126. 641. πÁÓ·ÙÈ¿‰Ô˘ ¢., ∞ÓÙˆÓ¿Ú·˜ ∞., °˘¿ÏÈÓÔ˜ ∫fiÛÌÔ˜ / Glass Cosmos [£ÂÛÛ·ÏÔÓ›ÎË 2010], Û. 37-40 (À·ÏÔ˘ÚÁ›·, ∂ÁηٷÛÙ¿ÛÂȘ Î·È ÂÚÁ·Ï›· / Glassworking, Installations and tools), 119-124 (°˘·Ï› Î·È ı¿Ó·ÙÔ˜, ∆·ÊÈο ¤ıÈÌ· Î·È ¯Ú‹ÛÂȘ ÙÔ˘ Á˘·ÏÈÔ‡ ÛÙ· ÓÂÎÚÔÙ·Ê›· Ù˘ ‚fiÚÂÈ·˜ ∂ÏÏ¿‰·˜ / Glass and death, Burial customs and uses of glass in the cemeteries of Northern Greece). 642. Iordanidis A., Garcia-Guinea J., Strati A., Gkimourtzina A., Papoulidou A., Thermal, mineralogical and spectroscopic study of plasters from three post-Byzantine churches from Kastoria (¡orthern Greece), JTAC 103/2 (2010), Û. 577-586. 643. πˆ¿ÓÓÔ˘ ¶. ∫., °ÎÚ¤ÎÔ / Greco [∞ı‹Ó· 2007], Û. 69-95 (°È· ÙÔ ÂÚÁ·ÛÙ‹ÚÈÔ ÙÔ˘ °ÎÚ¤ÎÔ ÛÙË ƒÒÌË). 644. Ioannou P. K., El Greco origins [New York 2009], Ï‹ÌÌ. ·Ú. 40 (Saint Luke the Evangelist paints the Virgin, 1560-1567), 41 (The Dormition of the Virgin, before 1567), 42 (The Adoration of the Magi, ca. 1565-1567), 43 (The Baptism of Christ, ca 1570), 44 (The Adoration of the Shepherds, after 1570). 645. Ioannou P. K., Arte veneta nelle Isole Ionie. Documenti e congetture, Venetocrazia (2009), ¶Ú·ÎÙÈο, Û. 765-771.

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646. πˆ¿ÓÓÔ˘ ¶. ∫., ∏ ÎÚÈÙÈ΋ ˘Ô‰Ô¯‹ Ù˘ ÂÙ·ÓËÛȷ΋˜ Û¯ÔÏ‹˜ ˙ˆÁÚ·ÊÈ΋˜ ·fi ÙËÓ ÈÙ·ÏÈ΋ ÈÛÙÔÚÈÔÁÚ·Ê›·. ∏ ÂÚ›ÙˆÛË ÙÔ˘ Sergio Bettini, ¶·ÓÈfiÓÈÔ 8 (2009), ¶Ú·ÎÙÈο, Ù. IV, Û. 298-313. 647. ∫·ÁÈÔ‡ÏË ∞., ‚Ï. ·Ú. 2074. 648. ∫·ÁÈÔ‡ÏË ∞., ‚Ï. ·Ú. 2075. 649. ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª.., ∏ ¶·Ó·Á›· ÛÙȘ ÊÔÚËÙ¤˜ ÂÈÎfiÓ˜ ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜: ∂ÈÎÔÓÔÁÚ·ÊÈ΋ ™ËÌÂÈÔÏÔÁ›·, ÕÁÈÔÓ ŸÚÔ˜ 2 (2006), ¶Ú·ÎÙÈο, Û. 7185 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 85). 650. ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª., ¶ÂÚ› ÙˆÓ ÂÈÎfiÓˆÓ ÙÔ˘ Ó·Ô‡ / The Icons of the Church, ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ •˘ÏfiÔÚÙ·˜ / St. Demetrios Church in Ayvansaray (2006), Û. 48-94. 651. Kazamia-Tsernou M., La rappresentazione iconographica della Salvezza nell’arte bizantina, Simposio intercristiano 7 (2008), ¶Ú·ÎÙÈο, Û. 121-142. 652. ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª., ∫›ÌÂÓÔ Î·È ÌÓËÌ›Ô: ∏ ·ÏÏËÏÔÂÚȯÒÚËÛË ‰‡Ô ÈÛÙÔÚÈÎÒÓ ËÁÒÓ, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 31-32. 653. ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª., ™˘Ó·ÁˆÁ‹–∂ÎÎÏËÛ›·: ¢‡Ô ¤ÓÓÔȘ Û ·ÓÙÈ·Ú¿ıÂÛË;, ∑π∞∫∞™ °. (2008), Û. 195-220. 654. ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª., ªÓËÌÂȷ΋ ∆ÔÔÁÚ·Ê›· Ù˘ ¯ÚÈÛÙÈ·ÓÈ΋˜ £ÂÛÛ·ÏÔӛ΢. √È ¡·Ô›, 4Ô˜-8Ô˜ ·È., £ÂÛÛ·ÏÔÓ›ÎË: °Ú¿ÊËÌ·, 2009. 655. ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª., ∏ «ÂÎÙfi˜ ÙˆÓ ÙÂȯÒÓ» ¯ÚÈÛÙÈ·ÓÈ΋ £ÂÛÛ·ÏÔÓ›ÎË (1912-1951). ª›· ÚÒÙË ÚÔÛ¤ÁÁÈÛË, ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 1 (2009), ¶Ú·ÎÙÈο, Û. 101-116. 656. ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª., ¶ÂÚ› ÙˆÓ ÂÈÎfiÓˆÓ ÙÔ˘ Ó·Ô‡, ¶Ú›ÁÎËÔ˜ / Büyükada (2009), Û. 44-123. 657. ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª., ºÔÚËÙ¤˜ ÂÈÎfiÓ˜ ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘ (ÕÁÈÔ ŸÚÔ˜-ƒˆÛ›·), µ˘˙·ÓÙÈÓ¿ 29 (2009) Û. 283-301. 658. ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª., ∏ ÂÈÎÔÓÔÁÚ·Ê›· ÙÔ˘ ·Á›Ô˘ ª·Î·Ú›Ô˘ ¡ÔÙ·Ú¿ (ºÔÚËÙ¤˜ ÂÈÎfiÓ˜), º√À¡∆√À§∏™ π., ªÓ‹ÌË (2010), Ù. µ’, Û. 715-740. 659. ∫·˙·Ó¿ÎË-§¿· ª., ∂È·ڈÛË, ‰È‰·¯‹ Î·È ‰È·ÌÂÛÔÏ¿‚ËÛË: Ë ÏÂÈÙÔ˘ÚÁ›· ÙˆÓ ÂÈÁÚ·ÊÒÓ ÛÙȘ ‚˘˙·ÓÙÈÓ¤˜ ÂÈÎfiÓ˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 33-34. 660. ∫·˙·Ó¿ÎË-§¿· ª., ª·ÏÏÔ‡¯Ô˘-Tufano º., ∆· ‚˘˙·ÓÙÈÓ¿ ÌÓËÌ›· Ù˘ ∂ÏÏ¿‰Ô˜ ÛÙË ‰ÈÂıÓ‹ ¤ÎıÂÛË Ù˘ ƒÒÌ˘ ÙÔ˘ 1911. √È ÊˆÙÔÁڷʛ˜ ÙÔ˘ ºˆÙÔÌÂÙÚÈÎÔ‡ πÓÛÙÈÙÔ‡ÙÔ˘ ÙÔ˘ µÂÚÔÏ›ÓÔ˘ ÛÙÔ ∂ıÓÈÎfi πÛÙÔÚÈÎfi ªÔ˘Û›Ô, ∞ı‹Ó·: πÛÙÔÚÈ΋ Î·È ∂ıÓÔÏÔÁÈ΋ ∂Ù·ÈÚ›· Ù˘ ∂ÏÏ¿‰Ô˜, 2009. 661. ∫·˙·Ó¿ÎË-§¿· ª., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Û. 104-113 (∏ ‰È·ı‹ÎË ÙÔ˘ ∞ÁÁ¤ÏÔ˘ ∞ÎÔÙ¿ÓÙÔ˘) Î·È Ï‹ÌÌ. ·Ú. 12 (√È ÛÙÚ·ÙȈÙÈÎÔ› ¿ÁÈÔÈ °ÂÒÚ-

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ÁÈÔ˜ Î·È ªÂÚÎÔ‡ÚÈÔ˜, ·Ú¯¤˜ 15Ô˘ ·È.), 13 (¢Èη›ˆÓ „˘¯·› ÂÓ ¯ÂÈÚ› £ÂÔ‡, ·Ú¯¤˜ 15Ô˘ ·È.), 14 (∏ °¤ÓÓËÛË, ‚’ ÌÈÛfi 15Ô˘ ·È.), 54 (∑ˆÁÚ¿ÊÔ˜ ∞Ó‰Ú¤·˜ ¶·‚›·˜: ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, ‰’ ٤ٷÚÙÔ 15Ô˘ ·È.), 60 (∑ˆÁÚ¿ÊÔ˜ ∂ÌÌ·ÓÔ˘‹Ï §·Ì¿Ú‰Ô˜, √ ¿ÁÈÔ˜ πˆ¿ÓÓ˘ Ô £ÂÔÏfiÁÔ˜ Î·È Ô Ì·ıËÙ‹˜ ÙÔ˘ ¶Úfi¯ÔÚÔ˜ ÛÙÔ Û‹Ï·ÈÔ Ù˘ ¶¿ÙÌÔ˘, 1602). 662. ∫·˚¿Ê· ∞., ‚Ï. ·Ú. 2074. 663. ∫·˚¿Ê· ∞., ‚Ï. ·Ú. 2075. 664. Kakavas G., Dedicatory inscriptions and painter signatures in lateByzantine and post-Byzantine icons from the region of Kastoria, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 286-287. 665. ∫·Î·‚¿˜ °., ∆¿ÛÂȘ Ù˘ ÌÓËÌÂȷ΋˜ ˙ˆÁÚ·ÊÈ΋˜ ÛÙËÓ ∂‡‚ÔÈ· ÙÔ 14Ô ·ÈÒÓ·. ∏ ÂÚ›ÙˆÛË Ù˘ ∞Á›·˜ ÕÓÓ·˜ ÛÙÔÓ √͇ÏÈıÔ, µÂÓÂÙ›·-∂‡‚ÔÈ· (2006), ¶Ú·ÎÙÈο, Û. 267-289. 666. Kakavas G., Dionysios of Fourna (c. 1670-c. 1745). Artistic Creation and Literary Description, Leiden: Alexandros Press, 2008. 667. ∫·Î·‚¿˜ °., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 98-99 (∏ §·Ì›· ÛÙÔ˘˜ √ıˆÌ·ÓÈÎÔ‡˜ ÃÚfiÓÔ˘˜), Û. 100-102 (∫¿ÛÙÚÔ Ù˘ §·Ì›·˜). 668. ∫·Î·‚¿˜ °., ∑‡ÚÌ· ™., ¡¤· ·Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ ÁÈ· ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ Î·È ÚˆÙÔ‚˘˙·ÓÙÈÓ‹ ™·Ï·Ì›Ó·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 29-30. 669. ∫·Î·‚¿˜ °., §·ÌÚÈÓÔ‡ ª., √ Ô¯˘ÚˆÌ¤ÓÔ˜ ÔÈÎÈÛÌfi˜ Ù˘ ¶·Ï·Èfi¯ˆÚ·˜ ÛÙËÓ ∞›ÁÈÓ·, √¯˘ÚˆÌ·ÙÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ∞ÈÁ·›Ô˘ (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 52-53. 670. ∫·Î·‚¿˜ °., ¢·ÓÈ‹Ï ª., ∑‡ÚÌ· ™., ∏ ÂÎÎÏËÛÈ·ÛÙÈ΋ Ù¤¯ÓË ÛÙË ™·Ï·Ì›Ó·, 1830-1940, ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 1 (2009), ¶Ú·ÎÙÈο, Û. 31-88. 671. ∫·Î·‚¿˜ °., ¡ÂfiÙÂÚ˜ ¤Ú¢Ó˜, ·Ú¯·ÈÔÏÔÁÈΤ˜ Î·È ·Ó·ÛÙËψÙÈΤ˜ ÂÚÁ·Û›Â˜ ÛÙË ºıÈÒÙȉ·, ∂˘Ú˘Ù·Ó›· Î·È ºˆÎ›‰· (2008), ∞∂£™∂ 3 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 19. 672. ∫·Î·‚¿˜ °., ¶··‰ÔÔ‡ÏÔ˘ ∂., ∞Ú¯·ÈÔÏÔÁÈΤ˜ ÂÈÛËÌ¿ÓÛÂȘ ÛÙËÓ ∂‡‚ÔÈ· (2006), ∞∂£™∂ 3 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 19. 673. ∫·Î·‚¿˜ °., ¶ÈÓ¿ÙÛË ÃÚ., ∞ÛÏ·Ó›‰Ë˜ ∫Ï., ¡·fi˜ ªÂÙ·ÌfiÚʈÛ˘ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ÛÙËÓ ÕÌÊÈÛÛ·. ¡¤· Â˘Ú‹Ì·Ù·, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 54-55. 674. ∫·Î·‚¿˜ °., ÀÊ·ÓÙ‹ ∞., ªÂϤÙ˜ ·Ó¿‰ÂÈ͢ ÙÔ˘ ‚˘˙·ÓÙÈÓÔ‡ ∫¿ÛÙÚÔ˘ Ù˘ À¿Ù˘ Î·È ‰È·ÌfiÚʈÛ˘ ¤ÎıÂÛ˘ ·Ú¯·ÈÔÙ‹ÙˆÓ ÛÙÔÓ ·‡ÏÂÈÔ ¯ÒÚÔ ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ ªÔ˘Û›Ԣ À¿Ù˘, ∞∂£™∂ 3 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 19-20. 675. Kakavas G., Dedicatory inscriptions and painter signatures in lateByzantine and post-Byzantine icons from the region of Kastoria, ∞¢ 57 (2002) [2010], ªÂϤÙ˜, Û. 403-430. 676. ∫·Î·‚¿˜ °., ∫‡ÚÎÔ˜ ¡., ÀÊ·ÓÙ‹ ∞., ∏ ÂÎÎÏËÛÈ·ÛÙÈ΋ Ù¤¯ÓË ÛÙËÓ

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ÂÚÈÔ¯‹ Ù˘ ™ÂÚ¯ÂÈ¿‰·˜ ·fi ÙËÓ ›‰Ú˘ÛË ÙÔ˘ ¡¤Ô˘ ∂ÏÏËÓÈÎÔ‡ ∫Ú¿ÙÔ˘˜ ¤ˆ˜ ÙËÓ ÂÚ›Ô‰Ô ÙÔ˘ ªÂÛÔÔϤÌÔ˘ (1830-1940), ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 2 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 14. 677. ∫·ÎÏ·Ì¿ÓÔ˜ ¢., ∫·Ù¿ÏÔÁÔ˜ ·ÁÈÔÏÔÁÈÎÒÓ ¯ÂÈÚÔÁÚ¿ÊˆÓ Ù˘ µÈ‚ÏÈÔı‹Î˘ Ù˘ ∑·ÁÔÚ¿˜, µ˘˙·ÓÙÈÓ¿ 29 (2009), Û. 411-428. 678. ∫·ÎÔ‡Ú˘ π., ªÂÙ·‚˘˙·ÓÙÈÓ¿ ÂÚÁ·ÛÙ‹ÚÈ· ·ÁÈÔÁÚ·Ê›·˜ ·fi ÙÔ ÕÚÁÔ˜ Î·È ÙÔ ¡·‡ÏÈÔ Î·Ù¿ ÙÔÓ 17Ô ·È., ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 17-24 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 24: Post Byzantine icon painting workshops from Argos and Nauplion during the 17th century). 679. Cacouros M., Athos [Paris 2009], Ï‹ÌÌ. ·Ú. 33 (Tétraévangile, seconde moitié du Xe siècle), 36 (Tétraévangile, fin du Xe-début du XIe siècle), 39 (Evangéliaire, seconde moitié du Xe siècle), 80 (Grégoire de Nazianze, les seize Discours à usage liturgique, fin du XIe siècle), 140 (Synaxaire, 1284-1285), 146 (Extraits d’auteurs anciens, fin du XIIIe siècle-début du XIVe siècle). 680. Kalavrezou Io., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 23 (Ivory with the Annunciation; Eastern Mediterranean, late seventh or early eighth century), 71 (Icon with Virgin and Child; Second half of tenth century), 74 (Ivory panel with SS. Andrew and Peter; Constantinople, mid-tenth century or 1060s), 79 (Icon with the Koimesis; Constantinople, second half of the tenth century), 201 (Reliquary enkolpion; Mid-to late tenth century(?). 681. ∫·Ï·ÓÙ˙‹-™Ì˘Ú¿ÎË ∞È.,∆Ô ÂÚ¢ÓËÙÈÎfi ÂÚÁÔ Ù˘ 24˘ ∂ÊÔÚ›·˜ µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ Î·Ù¿ ÙÔÓ ¤Ó· ¯ÚfiÓÔ ÏÂÈÙÔ˘ÚÁ›·˜ Ù˘, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. II, Û. 1235-1246 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 1240: The activities of the 24th Ephorate of Byzantine Antiquities during the first year of its function). 682. ∫·Ï·ÓÙ˙›‰Ô˘ ∫., ∏ ‡ÚÂÛË ¯ÂÈÚÔÁÚ¿ÊˆÓ Î·È ÂÓÙ‡ˆÓ ÛÙÔ ÂÛˆÙÂÚÈÎfi ·ÌÊ›ˆÓ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ∞Úη‰›Ô˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 648-652 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë: Û. 652: Finding manuscripts and printed material within priestly vestments from the holy Monastery of Arkadi). 683. ∫·Ï·ÓÙ˙ÔÔ‡ÏÔ˘ ∆. ∆., ÕÁÓˆÛÙÔ˜ ÙÚÔ˘Ï·›Ô˜ Ó·fi˜ ÛÙËÓ ∞ı‹Ó·, ¢Ã∞∂ 27 (2006), Û. 73-74 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 74: An Unknown Domed Church in Athens). 684. Kalafati K.-Ph., Morsink Coll. [Amsterdam 2006], Û. ÂÈÛ·ÁˆÁÈÎfi ΛÌÂÓÔ «The Power of Icons» Î·È Ï‹ÌÌ. ·Ú. 1-7. 685. ∫·Ï·Ê¿ÙË ∫.-º., µª ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ [∞ı‹Ó· 2006], Ï‹ÌÌ. ·Ú. 69, 84-88, 118-120, 158, 270, 286-289, 313-314, 330-332.1-12, 359-361, 390-391, 396, 403-404, 442-444, 448-449, 474-479, 591.1, 593-597, 627, 631-636, 645-646, 649651, 664. 687. Kalafati ∫.-Ph., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 215 (The Raising of Lazarus; Twelfth century), 238 (Painter Angelos Akotantos: Icon with St

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Theodore; First half of the fifteenth century), 239 (Painter Angelos Akotantos: Icon with the Virgin Kardiotissa and Child; First half of fifteenth century). 688. ∫·Ï·Ê¿ÙË ∫.-º., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], Ï‹ÌÌ. ·Ú. 15 (ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ Î·È ¢¤ËÛË, 15Ô˜ ·È.), 16 (√ ÚÔÊ‹Ù˘ ¢·‚›‰, 15Ô˜ ·È.), 23 (√È Ì˘ÛÙÈÎÔ› ·ÚÚ·‚ÒÓ˜ Ù˘ ·Á›·˜ ∞ÈηÙÂÚ›Ó˘, 16Ô˜ ·È.), 24 (√ ¿ÁÈÔ˜ °ÂÒÚÁÈÔ˜ ÎÂÊ·ÏÔÊfiÚÔ˜, 16Ô˜ ·È.), 25 (∏ ∫Ô›ÌËÛË ÙÔ˘ ÔÛ›Ô˘ √ÓÔ˘ÊÚ›Ô˘, 16Ô˜ ·È.), 29 (∑ˆÁÚ¿ÊÔ˜ ∏Ï›·˜ ªfiÛÎÔ˜: ∏ ∞Ó¿ÛÙ·ÛË ÙÔ˘ ÃÚÈÛÙÔ‡, 1657), 49 (∑ˆÁÚ¿ÊÔ˜ µ›ÎÙˆÚ: √È ÙÚÂȘ ÈÂڿگ˜, ‰Â‡ÙÂÚÔ ÌÈÛfi 17Ô˘ ·È.). 689. Kalafati ∫.-Ph., El Greco origins [New York 2009], Ï‹ÌÌ. ·Ú. 27 (Virgin and Child with Saints Roch and George, 16th c.) 31 (Saint George on Horseback Slaying the Dragon, second half of the 16th c.). 690. ∫·Ï·Ê¿ÙË ∫-º., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 09 (∂ÈÎfiÓ· Ù˘ °¤ÓÓËÛ˘ ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘, 15Ô˜ ·È,), 10 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ∂ÈÎfiÓ· ÙˆÓ ∂ÈÛÔ‰›ˆÓ Ù˘ ¶·Ó·Á›·˜, ̤۷ 15Ô˘ ·È.), 12 (∂ÈÎfiÓ· ÙˆÓ ∂ÈÛÔ‰›ˆÓ Ù˘ £ÂÔÙfiÎÔ˘, 15Ô˜ ·È.). 691. ∫·Ï·Ê¿ÙË ∫.-º., ∆ÚÂȘ ÎÚËÙÈΤ˜ ÂÈÎfiÓ˜, £ËÛ·˘Ú›ÛÌ·Ù· 38 (2008) [2009], Û. 255-266 (ÈÙ·ÏÈ΋ ÂÚ›ÏË„Ë, Û. 266: Tre icone cretesi). 692. ∫·Ï·Ê¿ÙË ∫.-º., ‚Ï. ·Ú. 849. 693. ∫·Ï·Ê¿ÙË ∫.-º., ∏ p·Ú¿ÛÙ·ÛË Ù˘ µÚÂÊÔÎÙÔÓ›·˜ ÛÙÔ˘˜ ÌÂÙ·‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜ Ì ·ÊÔÚÌ‹ ÌÈ· ÂÈÎfiÓ· ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ Î·È ÃÚÈÛÙÈ·ÓÈÎÔ‡ ªÔ˘Û›Ԣ, ¢∂§∏°π∞¡¡∏-¢øƒ∏ ∂. (2010), Û. 185-198 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 198: The Representation of the Massacre of the Innocents in the Post-Byzantine Period on the Occasion of an Icon in the Byzantine and Christian Museum, Athens). 694. ∫·ÏÏÈÁ¿ ∞.-∂., ‚Ï. ·Ú. 1256. 695. ∫·ÏÏÈÁ¿ ∞.-∂., ‚Ï. ·Ú. 1257. 696. Kalligas H., Franceso Grimani at the Gennadius Library, The New Griffon 8 (2006), Û. 25-36. 697. ∫·ÏÏÈÁ¿ Ã., ‚Ï. ·Ú. 702. 698. Kalligas H., Monemvasia «a sopravento di Candia», ZORZI M. (2008), Û. 211-224. 699. Kalligas H., The Miniatures in the Chrysobulls of Andronikos II for Monemvasia, KARPOV S. (2009), Û. 366-378. 700. Kalligas H., Transformations of the urban space in Monemvasia (16901715), Venetocrazia (2009), ¶Ú·ÎÙÈο, Û. 551-561, 810-814. 701. Kalligas H., Monemvasia. A Byzantine City State, London-New York: Routledge, 2010.

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702. ∫·ÏÏÈÁ¿˜ ∞. °., ∫·ÏÏÈÁ¿ Ã. ∞., ªÔÓÂÌ‚·Û›·. •·Ó·ÁÚ¿ÊÔÓÙ·˜ Û ¶·Ï›Ì„ËÛÙ·, ∞ı‹Ó·: ¶ÔÙ·Ìfi˜, 2006. 703. ∫·ÏÏÈÓÙ˙‹ ∫., ¶··‰fiÔ˘ÏÔ˜ ™ÙÚ., √ ·Ú¯·ÈÔÏÔÁÈÎfi˜ ¯ÒÚÔ˜ ¢ÈÔÌˉ›·˜ ¡. •¿Óı˘, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 443-454 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 454: The Archaeological Site of Diomedeia, Prefecture of Xanthi). 704. ∫·ÏÏÈÓÙ˙‹ ∫., ÃÚ˘Û¿ÊË ª., ∫ÂÚ·ÌÈ΋ Ù˘ ⁄ÛÙÂÚ˘ ·Ú¯·ÈfiÙËÙ·˜ ·fi Ù· Õ‚‰ËÚ·, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 386401 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 386: Late Antique Pottery from Abdera). 705. ∫·ÏÏÈÓÙ˙‹ ∫., ÃÚ˘Û¿ÊË ª., ∫ÙËÚÈ·Îfi Û˘ÁÎÚfiÙËÌ· Ù˘ ‡ÛÙÂÚ˘ ·Ú¯·ÈfiÙËÙ·˜ ÛÙË ı¤ÛË ª‡ÏÔ˜ ∞‚‰‹ÚˆÓ: ÚÒÙË ·ÚÔ˘Û›·ÛË, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 455-464 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 464: Late Antiquity building Complex at the Site of Molos, Abdera: Initial Presentation). 706. ∫·ÏÔÁÈ¿ÓÓË ∂È., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 166 (∆¿ÊÔ˜ ÙÔ˘ ∞Ï‹ ¶·Û¿), Û. 171 (¶˘ÚÈÙȉ·Ôı‹ÎË). 707. Kalomoirakis D., ‚Ï. ·Ú. 494. 708. Kalopissi-Verti S., ‚Ï. ·Ú. 26. 709. KalopiÛsi-Verti S., Patterns of Patronage in the late Byzantine village, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. II, Û. 252. 710. Kalopissi-Verti S., Panayotidi M., Excavating on the Holy Summit (Gebel Musa) at Mt Sina: a proposal of heritage management, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. II, Û. 279-280. 711. Kalopissi-Verti S., Patronage and Artistic Production in Byzantium during the Palaiologan Period, Faith and Power (2006), ¶Ú·ÎÙÈο, Û. 76-97. 712. Kalopissi-Verti S., The «Proskynetaria» of the Templon and Narthex: Form, Imagery, Spatial Connections and Peception, Thresholds of the Sacred (2006), ¶Ú·ÎÙÈο, Û. 107-132. 713. ∫·ÏÔ›ÛË-µ¤ÚÙË ™., T¯ÓÔÙÚÔÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ ÛÙÔ ÁÚ·Ùfi ‰È¿ÎÔÛÌÔ ÙÔ˘ AÁ›Ô˘ NÈÎÔÏ¿Ô˘ A¯Ú·ÁÈ¿ §·ÎˆÓ›·˜, ¢XAE 27 (2006), Û. 181-192 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 191-192: Stylistic Observations on the Painted Decoration in St Nicholas at Achragias in Laconia). 714. Kalopissi-Verti S., Church Foundations by Entire Villages (13th-16th c.). A short note, ZRVI 44 (2007) [∞ÊȤڈ̷ ÛÙÔÓ ·Î·‰ËÌ·˚Îfi Î. Gojko Subotiç], Û. 333-340. 715. Kalopissi-Verti S., Painters’ Information on Themselves in Byzantine Inscriptions, L’artista a Bizanzio (2007), Û. 55-70. 716. Kalopissi-Verti S., Relations between East and West in the Lordship of Athens and Thebes after 1204: Archaeological and Artistic Evidence, Archaeology and the Crusades (2007), ¶Ú·ÎÙÈο, Û. 1-33.

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717. ∫·ÏÔ›ÛË-µ¤ÚÙË ™., EÈÙÒÛÂȘ Ù˘ ¢’ ™Ù·˘ÚÔÊÔÚ›·˜ ÛÙË ÌÓËÌÂȷ΋ ˙ˆÁÚ·ÊÈ΋ Ù˘ ¶ÂÏÔÔÓÓ‹ÛÔ˘ Î·È Ù˘ ·Ó·ÙÔÏÈ΋˜ ™ÙÂÚ¿˜ EÏÏ¿‰·˜ ˆ˜ Ù· Ù¤ÏË ÙÔ˘ 13Ô˘ ·ÈÒÓ· / The Impact of the Fourth Crusade on Monumental Painting in the Peloponnese and Eastern Central Greece up to the End of the Thirteenth Century, ∆ÂÙ¿ÚÙË ÛÙ·˘ÚÔÊÔÚ›· / Fourth Crusade (2007), ¶Ú·ÎÙÈο, Û. 63-88. 718. ∫·ÏÔ›ÛË-µ¤ÚÙË ™., ¶·Ó·ÁȈٛ‰Ë ª., AÓ·Ûηʋ Î·È ·Ó¿‰ÂÈÍË IÔ˘ÛÙÈÓÈ¿ÓÂÈ·˜ ‚·ÛÈÏÈ΋˜ ÛÙËÓ AÁ›· KÔÚ˘Ê‹ ÙÔ˘ ÓfiÙÈÔ˘ ™ÈÓ¿ / Excavation and Display of Justinianian Basilica at the Holy Summit of Southern Sinai, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 74-75. 719. Kalopissi-Verti S., Pilgrimage to Sinai. The evidence of icons displaying donor portraits and/or dedicatory inscriptions, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 202. 720. ∫·ÏÔ›ÛË-µ¤ÚÙË ™., EÈÎÔÓÔÁÚ·ÊÈΤ˜ ÂÈÛËÌ¿ÓÛÂȘ Û ‰‡Ô ÂÎÎÏËÛÈ·ÛÙÈο ÌÂٷ͈ٿ ˘Ê¿ÛÌ·Ù· ÙÔ˘ MÔ˘Û›Ԣ YÊ·ÛÌ¿ÙˆÓ Ù˘ Lyon, K˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 109. 721. Kalopissi-Verti S., Panayotidi M., Excavation of the Justinianic Basilica on the Holy Summit (Jabal Musa) on Mount Sinai, Ideologia e cultura artistica (2009), ¶Ú·ÎÙÈο, Û. 187-190. 722. ∫·ÏÔ›ÛË-µ¤ÚÙË ™., ∂ÈÁÚ·ÊÈΤ˜ Ì·ÚÙ˘Ú›Â˜ ·fi ÙË ‚˘˙·ÓÙÈÓ‹ ª¿ÓË, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 89-97. 723. ∫·ÏÔ›ÛË-µ¤ÚÙË ™., ¶·Ó·ÁȈٛ‰Ë ª., ∞Ó·Ûηʋ ÛÙÔÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi ÔÈÎÈÛÌfi Ù˘ ∫·Ú‰¿Ì·ÈÓ·˜ (·Ú¯·›·˜ ∞Ï¿Û·ÚÓ·˜) ÛÙËÓ ∫ˆ: ¤Ó·˜ ·ÔÏÔÁÈÛÌfi˜ ÂÈÎÔÛ·ÂÙ›·˜ / Excavating the Early Christian Settlement of Kardamaina (Ancient Halasarna) on Kos: A Twenty-year Assessment, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 7 (2009), ¶ÂÚÈÏ‹„ÂȘ, ¯ˆÚ›˜ ·Ú›ıÌËÛË ÛÂÏ›‰ˆÓ. 724. ∫·ÏÔ›ÛË-µ¤ÚÙË ™., ¶·Ó·ÁȈٛ‰Ë-∫ÂÛ›ÛÔÁÏÔ˘ ª. (ÂÈÌ.), ¶ÔχÁψÛÛÔ ÂÈÎÔÓÔÁÚ·ÊË̤ÓÔ ÏÂÍÈÎfi fiÚˆÓ ‚˘˙·ÓÙÈÓ‹˜ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜ Î·È ÁÏ˘ÙÈ΋˜. ∫›ÌÂÓÔ ÛÙ· ÂÏÏËÓÈο Î·È ·ÁÁÏÈο, ÌÂÙ·ÊÚ¿ÛÂȘ fiÚˆÓ ÛÙ· ·ÁÁÏÈο, ·Ï‚·ÓÈο, Á·ÏÏÈο, ÁÂÚÌ·ÓÈο, ÈÙ·ÏÈο, ÚÔ˘Ì¿ÓÈη, ‚Ô˘ÏÁ¿ÚÈη, ÚˆÛÈο Î·È ÛÂÚ‚Èο / Multilingual illustrated dictionary of byzantine architecture and sculpture terminology. Text in Greek and English, terms translated into English, Albanian, French, German, Italian, Rumanian, Bulgarian, Russian and Serbian, ∏Ú¿ÎÏÂÈÔ: ¶·ÓÂÈÛÙËÌȷΤ˜ ∂ΉfiÛÂȘ ∫Ú‹Ù˘, 2010. 725. ∫·ÏÔ›ÛË-µ¤ÚÙË ™., ‚Ï. ·Ú. 27. 726. ∫·ÏÙ··Ó›‰Ô˘-¶˘ÚÔ‚¤ÙÛË µ., ‚Ï. ·Ú. 771. 727. ∫·ÏÙ··Ó›‰Ô˘-¶˘ÚÔ‚¤ÙÛË µ., ‚Ï. ·Ú. 772. 728. ∫·ÏÙ··Ó›‰Ô˘-¶˘ÚÔ‚¤ÙÛË µ., ‚Ï. ·Ú. 1707. 729. ∫·ÌÂÓ›‰Ô˘ ª., ‚Ï. ·Ú. 1943, ∆fiÛη §., ªÈÙ˙ÈÎfiÔ˘ÏÔ˜ ¢., ∫·ÌÂÓ›‰Ô˘

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ª., ∞Ó·ÛηÊÈΤ˜ ¤Ú¢Ó˜ ÛÙÔ "‰È·Ù›¯ÈÛÌ· Ù˘ ∫·ÛÛ·Ó‰Ú›·˜. ¶ÚÔÔÙÈ΋ Î·È ÚÔ‚ÏËÌ·ÙÈÛÌÔ›, ¢ÂοÙË 2 (2005-2006), Û. 34-41 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 41: The archaeological research along the wall of Cassandreia, Chalkidiki: Perspectives and considerations). 730. ∫·ÌÈÓ¿ÚË ∞.-∞., ‚Ï. ·Ú. 25. 731. ∫·Ó¿ÎË ∂., ‚Ï. ·Ú. 1863. 732. Kanari Tr., Quatre paraboles et un miracle dans le sanctuaire du monastère de Galataki en Eubée et dans l'oeuvre des frères Kondaris (1586), ∞∂˘‚ª 36 (2005-2006) [2007], Û. 61-72 [ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 72: ∆¤ÛÛÂÚȘ ·Ú·‚ÔϤ˜ Î·È ¤Ó· ı·‡Ì· ÛÙË ªÔÓ‹ °·Ï·Ù¿ÎË ÛÙËÓ ∂‡‚ÔÈ· Î·È ÛÙÔ ¤ÚÁÔ ÙˆÓ ·‰ÂÏÊÒÓ ∫ÔÓÙ·Ú‹ (1568)]. 733. ∫·Ó¿ÚË ∆Ú., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ΢ڛˆ˜ Ó·Ô‡ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ªÔÓ‹˜ °·Ï·Ù¿ÎË ÛÙË §›ÌÓË ∂˘‚Ô›·˜ (°ÂÒÚÁÈÔ˜ Î·È ºÚ¿ÁÎÔ˜ ∫ÔÓÙ·Ú‹˜, 1586), ∞∂˘‚ª 37 (2007) [2008], Û. 19-70 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 67-70: The Wall Paintings of the Galataki Monastery Nave in Limni Evias (George and Frangos Kontaris, 1586]. 734. ∫·Ó¿ÚË ∆Ú., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙÔ ÓÂÒÙÂÚÔ ÛÙÚÒÌ· ÙÔȯÔÁÚ·ÊÈÒÓ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ ∞ı·Ó·Û›Ô˘ ÛÙÔ ∫fiÎÎÈÓÔ µÔȈٛ·˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 35-36. 735. ∫··Ó‰Ú›ÙË ∞., ‚Ï. ·Ú. 347. 736. ∫··Ó‰Ú›ÙË ∞., ‚Ï. ·Ú. 1921. 737. ∫·Ï¿ÓË °., ¡¿ÎË ∂., ∫·Ú‡‰Ë˜ ÃÚ., ÃÚ˘ÛÔΤÓÙËÙÔÈ ÂÈÙ¿ÊÈÔÈ ·fi ÙË Û˘ÏÏÔÁ‹ ÙÔ˘ ªÔ˘Û›Ԣ ∂ÏÏËÓÈ΋˜ §·˚΋˜ ∆¤¯Ó˘: ÎÂÈÌ‹ÏÈ· ÌÈÎÚ·ÛÈ·ÙÈÎÔ‡ ÂÏÏËÓÈÛÌÔ‡, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 42. 738. ∫¿·˜ ª., √ Ó·fi˜ Ù˘ ¶·ÓÙÔ‚·Û›ÏÈÛÛ·˜ ÛÙËÓ ∆Ú›ÁÏÂÈ·: Ù˘ÔÏÔÁÈΤ˜ ÂÈÛËÌ¿ÓÛÂȘ, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 30-31. 739. ∫¿·˜ ª., ºÔ˘ÛÙ¤Ú˘ °., ∂·ÓÂͤٷÛË ‰‡Ô Ó·ÒÓ ÙÔ˘ ™ÔÊÈÎÔ‡ ∫ÔÚÈÓı›·˜, ¢Ã∞∂ 27 (2006), Û. 61-72 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 72: The Reassessment of two Byzantine Churches at Sofiko, Corinthia). 740. ∫¿·˜ ª., √ Ó·fi˜ ÙÔ˘ ™ˆÙ‹Ú· ÛÙË §·Áο‰· Ù˘ ªÂÛÛËÓȷ΋˜ ª¿Ó˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 40-41. 741. ∫¿·˜ ª., √È ÛÙ·˘ÚÔÂȉ›˜ ÂÁÁÂÁÚ·Ì̤ÓÔÈ Ó·Ô› Ù˘ ÌÂ۷ȈÓÈ΋˜ fiÏ˘ Ù˘ ƒfi‰Ô˘, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 341-352 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 351-352: The cross-in-square churches of the medieval town of Rhodes). 742. ∫¿·˜ ª., √È ºÚ¿ÁÎÔÈ ÛÙË ªÂÛÛËÓ›· (1204-1460), ªÂÛÛËÓ›· (2007), Û. 139-163. 743. ∫¿·˜ ª., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Ó·Ô‡ ÙˆÓ ∞Á›ˆÓ ∞ÔÛÙfiÏˆÓ ÛÙÔ

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ÕÚÁÔ˜ ∫·Ï‡ÌÓÔ˘, ¢Ã∞∂ 30 (2009), Û. 55-66 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 65-66: The Architecture of the Church of the Ayioi Apostoloi at Argos on the Island of Kalymnos). 744. ∫¿·˜ ª., ∫¿ÛÙÚÔ ªÂıÒÓ˘: ∏ Ì·ÚÙ˘Ú›· ÌÈ·˜ ·‰ËÌÔÛ›Â˘Ù˘ ÂÈÁÚ·Ê‹˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 56-57. 745. Kappas M., The Church of Hagia Paraskevi at Trikorfo, Messenia. A Few Remarks about the Ecclesiastical Architecture in the South-West Peloponnese during the period of the Macedonian Dynasty, Byzantium and Kievan Rus (2010), ¶Ú·ÎÙÈο, Û. 58-73. 746. ∫¿·˜ ª., ∏ ÂÎÎÏËÛÈ·ÛÙÈ΋ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÛÙË ªÂÛÛËÓ›·, 7Ô˜-12Ô˜ ·È. Î·È ∂ÎÎÏËۛ˜ Ù˘ ªËÙÚÔfiψ˜ ªÂÛÛËÓ›·˜ ·fi ÙÔ 1204 ¤ˆ˜ Î·È ÙÔ 1500, ÃÚÈÛÙÈ·ÓÈ΋ ªÂÛÛËÓ›· (2010), Û. 147-187 Î·È 189-273. 747. ∫·Ú·‚ÂÏ›‰Ë˜ ª., ‚Ï. ·Ú. 1626. 748. ∫·Ú·ÁÈ¿ÓÓË ∞., ∞ÂÈÎÔÓ›ÛÂȘ ÛÙ·˘ÚÒÓ Û ‚˘˙·ÓÙÈÓ¤˜ ÂÎÎÏËۛ˜ ÙÔ˘ 9Ô˘-15Ô˘ ·ÈÒÓ· Î·È Ë Û¯¤ÛË ÙÔ˘˜ Ì ÙÔ ıÚËÛ΢ÙÈÎfi ÙÂÏÂÙÔ˘ÚÁÈÎfi Ù˘ 14˘ ™ÂÙÂÌ‚Ú›Ô˘, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 37-38. 749. ∫·Ú·ÁÈ¿ÓÓË ∞., √ ÛÙ·˘Úfi˜ ÛÙË ‚˘˙·ÓÙÈÓ‹ ÌÓËÌÂȷ΋ ˙ˆÁÚ·ÊÈ΋. ∏ ÏÂÈÙÔ˘ÚÁ›· Î·È ÙÔ ‰ÔÁÌ·ÙÈÎfi ÙÔ˘ ÂÚȯfiÌÂÓÔ, £ÂÛÛ·ÏÔÓ›ÎË: ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2010: The cross in the byzantine monumental painting. The function and its dogmatic content. 750. Karaghianni U., ‚Ï. ·Ú. 1309.. 751. ∫·Ú·ÁÈ¿ÓÓË √˘., ∂ÈÎfiÓ˜, ›Ó·Î˜ Î·È ¤ÚÁ· ÌÈÎÚÔÙ¯ӛ·˜ Û ηٷÁڷʤ˜ ÎÈÓËÙ‹˜ ÂÚÈÔ˘Û›·˜ ∂ÏÏ‹ÓˆÓ Ù˘ µÂÓÂÙ›·˜ (‚’ ÌÈÛfi 16Ô˘-17Ô˜ ·È.), £ËÛ·˘Ú›ÛÌ·Ù· 36 (2006), Û. 287-308 [ÈÙ·ÏÈ΋ ÂÚ›ÏË„Ë, Û. 307-308: Icone, dipinti e opere di artigiano e di oreficeria provenienti dagli inventari dei beni mobili di greci di Venezia (seconda metà del XVI-XVII sec.)]. 752. ∫·Ú·ÁÈ¿ÓÓË √˘., ∏ ÂÈÎfiÓ· Ù˘ £ÂÔÙfiÎÔ˘ ∑ˆÔ‰fi¯Ô˘ ¶ËÁ‹˜ (1650) ÛÙËÓ ÔÌÒÓ˘ÌË ÌÔÓ‹ ÙÔ˘ ¶fiÚÔ˘, £ËÛ·˘Ú›ÛÌ·Ù· 37 (2007), Û. 251-266 (ÈÙ·ÏÈ΋ ÂÚ›ÏË„Ë, Û. 266: L’icona della Madre di Dio Fonte di Vita (1650) nell’omonimo monastero di Poros). 753. ∫·Ú·ÁÈ¿ÓÓË √˘., ∏ ÂÈÎfiÓ· Ù˘ £ÂÔÙfiÎÔ˘ ∑ˆÔ‰fi¯Ô˘ ¶ËÁ‹˜ ÛÙËÓ ÔÌÒÓ˘ÌË ÌÔÓ‹ ÙÔ˘ ¶fiÚÔ˘ / The Icon of the Virgin Zoodochos Pege in the Homonymus Monastery of Poros, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 32-33. 754. Karaghianni U., Il paesaggio dei territori greci sotto il dominio veneziano attraverso materiale cartografico (XVI-XVIII sec.), Venetocrazia (2009), ¶Ú·ÎÙÈο, Û. 541-549. 755. ∫·Ú·ÁÈ¿ÓÓË √˘., µÈÔÁÚ·ÊÈο ÙÔ˘ ∞ıËÓ·›Ô˘ ªÈ¯·‹Ï §›ÌÔÓ· ÌÂ

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·ÊÔÚÌ‹ ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ ·ÂÈÎfiÓÈÛË Û ›Ó·Î· ÙÔ˘ 17Ô˘ ·ÈÒÓ· / Biographic Facts on the Athenian Michail Limbonas Starting from His Depiction in a 17th Century Painting, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 7 (2009), ¶ÂÚÈÏ‹„ÂȘ, ¯ˆÚ›˜ ·Ú›ıÌËÛË ÛÂÏ›‰ˆÓ. 756. ∫·Ú·ÁÈ¿ÓÓË √˘., ∞ı‹Ó·, ∆Ú¿Â˙· ¢Â‰ÔÌ¤ÓˆÓ ∆¯ÓÔÏÔÁÈÎÒÓ ¶ÏËÚÔÊÔÚÈÒÓ ÙÔ˘ ¶ÔÏÈÙÈÛÙÈÎÔ‡ π‰Ú‡Ì·ÙÔ˜ √Ì›ÏÔ˘ ¶ÂÈÚ·ÈÒ˜, µÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∂ÏÏ¿‰· (2010), Ù. µ’, Û. 955-958. 757. ∫·Ú·ÁÈ¿ÓÓË √˘., ∏ ˙ˆÁÚ·ÊÈ΋ ÂÈÎfiÓˆÓ Î·Ù¿ ÙËÓ fi„ÈÌË ‚ÂÓÂÙÔÎÚ·Ù›· (18Ô˜ ·È.), µÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∂ÏÏ¿‰· (2010), ÙÔÌ. ∞’, Û. 535-555. 758. ∫·Ú·ÁÈ¿ÓÓË √˘., ∏ ˙ˆÁÚ·ÊÈ΋ ÂÈÎfiÓˆÓ Î·Ù¿ ÙËÓ ÚÒÈÌË ‚ÂÓÂÙÔÎÚ·Ù›· (13Ô˜-14Ô˜ ·È.), µÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∂ÏÏ¿‰· (2010), ÙÔÌ. ∞’, Û. 479-491. 759. ∫·Ú·ÁÈ¿ÓÓË √˘., ∫ÚËÙÈÎÔ› ÛÙË µÂÓÂÙ›·: ŒÚÁ· Ù¤¯Ó˘ Î·È ¿ÏÏ· ·ÓÙÈΛÌÂÓ· ·Í›·˜ Û ηٷÁڷʤ˜ ÎÈÓËÙ‹˜ ÂÚÈÔ˘Û›·˜ ÙÔ˘˜ (‚’ ÌÈÛfi 17Ô˘ ·ÈÒÓ·), ∫ÚËÙÔÏÔÁÈÎfi 10 (2010), ¶Ú·ÎÙÈο, Û. 359-373. 760. ∫·Ú·ÁÈ¿ÓÓË √˘., √È ÙÔȯÔÁڷʛ˜ ÛÙË ‚ÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∂ÏÏ¿‰· (13Ô˜-18Ô˜ ·È.), µÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∂ÏÏ¿‰· (2010), Ù. ∞’, Û. 557-574. 761. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ‚Ï. ·Ú. 68, ∞Ó‰ÚÔ‡‰Ë˜ ¶., ∫·Ú·ÁÈ¿ÓÓË ºÏ., √ ÎÂÚ·ÌÔÏ·ÛÙÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ Ó·ÒÓ Ù˘ µ¤ÚÔÈ·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 11-12. 762. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙË ‰È·ÌfiÚʈÛË ÙÔ˘ ‰È·ÎÔÓÈÎÔ‡ ηٿ ÙË Ì¤ÛË Î·È ÙËÓ ‡ÛÙÂÚË ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 32-33. 763. ∫·Ú·ÁÈ¿ÓÓË ºÏ., √È ÏÂÈÙÔ˘ÚÁÈΤ˜ ηٷÛ΢¤˜ ÛÙÔ˘˜ ‚˘˙·ÓÙÈÓÔ‡˜ ηı‰ÚÈÎÔ‡˜ Ó·Ô‡˜, ∞πª√™ 1 (2006), ¶Ú·ÎÙÈο, Û. 69-77. 764. Karagianni Fl., Byzantine Churches of Pilgrimage as Ecclesiastical Centers and places of Worship, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 331-340 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 511-514). 765. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ‚Ï. ·Ú. 600. 766. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ∑ËÙ‹Ì·Ù· ÙÔÔÁÚ·Ê›·˜ Ù˘ ‚˘˙·ÓÙÈÓ‹˜ µ¤ÚÔÈ·˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 39-40. 767. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ∫ÔÛÌÈο ÚÔÛÎÙ›ÛÌ·Ù· ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ÂÈÛÎÔÈÎÒÓ Ó·ÒÓ, ∞πª√™ 2 (2008), ¶Ú·ÎÙÈο, Û. 113-124. 768. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙË ¯Ú‹ÛË Ù˘ ÌÈÎÚÔÁÚ¿ÌÌ·Ù˘ ÁÚ·Ê‹˜ ÛÙȘ ‚˘˙·ÓÙÈÓ¤˜ ÂÈÁڷʤ˜, ∂ÏÏËÓÈ΋ ¶·Ï·ÈÔÁÚ·Ê›· 6 (2008), ¶Ú·ÎÙÈο, Ù. µ’, Û. 681-688. 769. Karagianni Fl., ‚Ï. ·Ú. 2197. 770. Karagianni Fl., The Development of the Cities during the Transition

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from Late Antiquity to Early Christian Era, Ni‰ and Byzantium 7 (2009), ¶Ú·ÎÙÈο, Û. 119-128. 771. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ∫·ÏÙ··Ó›‰Ô˘-¶˘ÚÔ‚¤ÙÛË µ., ∞Ó¿‰ÂÈÍË ÙÔ˘ ·Ú¯·ÈÔÏÔÁÈÎÔ‡ ¯ÒÚÔ˘ ÙÔ˘ ∞Á›Ô˘ ¶·Ù·›Ô˘ ÛÙË µ¤ÚÔÈ·, ◊Ș ∂ÂÌ‚¿ÛÂȘ 3 (2009), ¶Ú·ÎÙÈο, Û. 143-150. 772. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ∫·ÏÙ··Ó›‰Ô˘-¶˘ÚÔ‚¤ÙÛË µ., √ ‰›‰˘ÌÔ˜ ÏÔ˘ÙÚÒÓ·˜ Ù˘ µ¤ÚÔÈ·˜, √ıˆÌ·ÓÈο ÌÓËÌ›· (2009), Û. 445-464 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 443: Veria. Double hamam). 773. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙË ‰È·ÌfiÚʈÛË ÙÔ˘ ‰È·ÎÔÓÈÎÔ‡ ηٿ ÙË Ì¤ÛË Î·È ÙËÓ ‡ÛÙÂÚË ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, ¢Ã∞∂ 30 (2009), Û. 95-102 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 102: Observations on the form of the Diakonikon in the Middle and Late Byzantine Period). 774. ∫·Ú·ÁÈ¿ÓÓË ºÏ., º¿ÏÏÈ· ª., ¶ÔÏÈÙÈÛÙÈΤ˜ ‰È·‰ÚÔ̤˜ ÛÙ· ·ÛÎËÙ·ÚÈ¿ Ù˘ ‚fiÚÂÈ·˜ ∂ÏÏ¿‰·˜. ∆· ·ÛÎËÙ·ÚÈ¿ Ù˘ ªÂÁ¿Ï˘ ¶Ú¤Û·˜, ªÓËÌÂ›Ô Î·È ¶ÂÚÈ‚¿ÏÏÔÓ 10 (2009), Û. 49-60. 775. ∫·Ú·ÁÈ¿ÓÓË ºÏ., √È ‚˘˙·ÓÙÈÓÔ› ÔÈÎÈÛÌÔ› ÛÙË ª·Î‰ÔÓ›· ̤۷ ·fi Ù· ·Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ, £ÂÛÛ·ÏÔÓ›ÎË 2010. 776. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ∑ËÙ‹Ì·Ù· ÙÔÔÁÚ·Ê›·˜ ‚˘˙·ÓÙÈÓ‹˜ µ¤ÚÔÈ·˜, ªÂÏ∏Ì·ı›·˜ 1 (2009) [2010], Û. 115-146 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 128-129: Topics on the Topography of Byzantine Veroia). 777. ∫·Ú·ÁÈ¿ÓÓË ºÏ., ∫ÂÚ·ÌÈ΋ Ì ÁÚ·Ùfi ‰È¿ÎÔÛÌÔ ·fi ÙËÓ ∞Ú¯·›· ∞ÁÔÚ¿ £ÂÛÛ·ÏÔӛ΢, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 295-308 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 295: Central Greek Painted Ware from the Ancient Agora of Thessaloniki). 778. Karagiorgou O., Die sigillographische Sammlung des Benaki Museums in Athen, SBS 9 (2006), Û. 33-47. 779. ∫·Ú·ÁÈÒÚÁÔ˘ Ÿ., ∞ÍȈ̷ÙÔ‡¯ÔÈ ÙÔ˘ ı¤Ì·ÙÔ˜ ∂ÏÏ¿‰Ô˜ Ì ‚Ô‡ÏÏ· (Ë ·Ú¯‹ ÂÓfi˜ ÂÚ¢ÓËÙÈÎÔ‡ ÚÔÁÚ¿ÌÌ·ÙÔ˜), Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 34-35. 780. Karagiorgou O., Marble fragments from the Bathhouse, ÛÙÔ Lightfoot C. S., Karagiorgou O., Koçyi…it O., Yaman H., Linscheid P., Foley J., The Amorion Project: Excavation and Research in 2003, DOP 61 (2007), Û. 366-367. 781. ∫·Ú·ÁÈÒÚÁÔ˘ Ÿ., ∞fi ÙÔ ÛÈÁÈÏÏÔÁÚ·ÊÈÎfi corpus ÙÔ˘ ı¤Ì·ÙÔ˜ ∂ÏÏ¿‰Ô˜: ™ÙÚ·ÙËÁÔ› ∂ÏÏ¿‰Ô˜ (ÚÔÛ¿ıÂÈ· ¯ÚÔÓÔÏÔÁÈ΋˜ ηٿٷ͢), Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 43-44. 782. Karagiorgou O., «àe §¿Ì˘ Ï·ÌÙÉÚ· ʈÛÊfiÚÔÓ âȉËÌÉÛ·È ÙÔÖ˜ ‚·ÛÈÏ›ÔȘ ÚÔÂÛ‹Ì·ÓÔÓ» (Attaleiates XII 9-10, Û. 175) – On the way to the throne: the career of Nikephoros III Botaneiates before 1078, SEIBT W. (2008), Û. 105-132. 783. ∫·Ú·ÁÈÒÚÁÔ˘ Ÿ., ∂ÈÁÚ·ÊÈΤ˜ Î·È ÂÈÎÔÓÔÁÚ·ÊÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ

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ÛÙ· ÌÔÏ˘‚‰fi‚Ô˘ÏÏ· ÙÔ˘ ¡ÈÎËÊfiÚÔ˘ µÔÙ·ÓÂÈ¿ÙË, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 41-42. 784. ∫·Ú·ÁÈÒÚÁÔ˘ Ÿ., ¶ÂÚ› ·ÏÊ·‚ËÙÈÛÌÔ‡, ·ÈÚ¤ÛˆÓ, ÂÈÎÔÓÔÁÚ·Ê›·˜ Î·È ÔÏÈÙÈÎÒÓ ÊÈÏÔ‰ÔÍÈÒÓ ÛÙ· ÌÔÏ˘‚‰fi‚Ô˘ÏÏ· ÙÔ˘ ¡ÈÎËÊfiÚÔ˘ µÔÙ·ÓÂÈ¿ÙË (ÂÚ. 1001/2-1081), ByzSym 18 (2008), Û. 77-122 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 117-122: About literacy, heresy, iconography and political ambition on the seals of Nikephoros Botaneiates (ca. 1001/2-1081)]. ∏ÏÂÎÙÚÔÓÈ΋ ‰ËÌÔÛ›Â˘ÛË: http://www.byzsym.org/index.php/bz/article/view/464/838. 785. Karagiorgou O., Byzantine themes and sigillography. I. The sigillographic corpora of the themes of Hellas, Opsikion and Armeniakon, ByzSl 67 (2009), Û. 24-31. 786. Karagiorgou O., Mapping Trade by the Amphora, Byzantine Trade (2009), ¶Ú·ÎÙÈο, Û. 37-58. 787. ∫·Ú·ÁÈÒÚÁÔ˘ Ÿ., §ÈıÔÍÔ˚ο ¯·Ú¿ÁÌ·Ù· Û ·Ú¯ÈÙÂÎÙÔÓÈο ̤ÏË ·fi ÙÔ ∞ÌfiÚÈÔ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 58-59. 788. ∫·Ú·‰¤‰Ô˜ °., ‚Ï. ·Ú. 452. 789. ∫·Ú·Ì‹ÙÚÔ˘-ªÂÓÙÂÛ›‰Ë °., ∞È·Ó‹ Î·È ÓÔÌfi˜ ∫Ô˙¿Ó˘: ‰¤Î· ¯ÚfiÓÈ· ¤Ú¢ӷ˜, ∞∂ª£ ∂¤ÙÂÈÔ˜ 20 ¯ÚfiÓˆÓ (2009), ¶Ú·ÎÙÈο, Û. 105-126 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 126: Aiani and the Prefecture of Kozani: ten years of research). 790. ∫·Ú·ÌÂÚ›‰Ë ∞., ‚Ï. ·Ú. 1533. 791. ∫·Ú·ÌÂÚ›‰Ë ∞. ∏ ÙÔȯÔÁÚ·Ê›· ÛÙËÓ ◊ÂÈÚÔ ÙÔ 17Ô ·ÈÒÓ·, ∏ÂÈÚ°Ú 13 (2008), Û. 405-408. 792. ∫·Ú·ÌÂÚ›‰Ë ∞., ∫¿Ùˆ ªÂÚfiË ¶ˆÁˆÓ›Ô˘, ∂ÎÎÏËÛȤ˜ Î·È ªÔÓ·ÛÙ‹ÚÈ·, πˆ¿ÓÓÈÓ·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 8Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008. 793. ∫·Ú·ÌÂÚ›‰Ë ∞., ªÓËÌ›· ∏›ÚÔ˘ (2008), Û. 153-160 (∏ ÌÔÓ‹ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÙˆÓ ºÈÏ·ÓıÚˆËÓÒÓ), 161-164 (∏ ÌÔÓ‹ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ™ÙÚ·ÙËÁÔÔ‡ÏÔ˘ ‹ ¡Ù›ÏÈÔ˘), 165-166 (∫ÏÂȉˆÓÈ¿. √ Ó·fi˜ Ù˘ ªÂÙ·ÌfiÚʈÛ˘ ÙÔ˘ ™ˆÙ‹Ú·), 167-170 (∫fiÓÈÙÛ·. ∏ ∫fiÎÎÈÓË ¶·Ó·ÁÈ¿), 177-188 (ªÔÏ˘‚‰ÔÛΤ·ÛÙÔ˜. ∏ ÌÔÓ‹ ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘), 189-192 (ªÔÏ˘‚‰ÔÛΤ·ÛÙÔ˜. √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘), 193-198 (ªÔÓÔ‰¤Ó‰ÚÈ. ∏ ÌÔÓ‹ Ù˘ ∞Á›·˜ ¶·Ú·Û΢‹˜ µ›ÎÔ˘). 794. ∫·Ú·ÌÂÚ›‰Ë ∞., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 187-188 (∞Ú¯ÔÓÙÈÎfi ÿÌΈ˜). 795. ∫·Ú·ÌÂÚ›‰Ë ∞., ∂ÈÎfiÓ· ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘ ·fi ÙËÓ ÌÔÓ‹ µÂÏÏ¿˜, ¤ÚÁÔ ÙÔ˘ ˙ˆÁÚ¿ÊÔ˘ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ ·fi ÙÔ §ÈÓÔÙfiÈ, ∏ÂÈÚÃÚ 42 (2008), Û. 75-94 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 88). 796. ∫·Ú·ÌÂÚ›‰Ë ∞., ∫·ÛοÓ˘ µ. ªÔÓ‹ ∫Ë›Ó·˜. πÛÙÔÚ›· Î·È ∆¤¯ÓË, ∆˙Ô˘Ì¤Úη 1 (2008), ¶Ú·ÎÙÈο, Û. 129-148.

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797. ∫·Ú·ÌÂÚ›‰Ë ∞., ∞Ú¯·ÈÔÏÔÁÈÎfi˜ ¯ÒÚÔ˜ √¿ÁÈ·˜ ¢ÔÏÈ·ÓÒÓ, πˆ¿ÓÓÈÓ·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 8Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008. 798. ∫·Ú·ÌÂÚ›‰Ë ∞., ∂ÈÎfiÓ· ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘ ·fi ÙË ÌÔÓ‹ µÂÏÏ¿˜ πˆ·ÓÓ›ÓˆÓ, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 43-44. 799. ∫·Ú·ÌÂÚ›‰Ë ∞., ‚Ï. ·Ú. 1543, ¶··‰ÔÔ‡ÏÔ˘ µ., ∫·Ú·ÌÂÚ›‰Ë ∞., ∆ÛÈ¿Ú· ∞., ∆Ô ºÂÙȯȤ ∆˙·Ì› ÛÙÔ ∫¿ÛÙÚÔ ÙˆÓ πˆ·ÓÓ›ÓˆÓ / The Fetiyie mosque in the Castle of Ioannina, πˆ¿ÓÓÈÓ·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 8Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008. 800. ∫·Ú·ÌÂÚ›‰Ë ∞., ∏ ªÔÓ‹ ¶·Ù¤ÚˆÓ Î·È Ë ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ 16Ô˘ Î·È 17Ô˘ ·ÈÒÓ· ÛÙËÓ ÂÚÈÔ¯‹ Ù˘ ∑›ÙÛ·˜ πˆ·ÓÓ›ÓˆÓ, πˆ¿ÓÓÈÓ·: ∂Ù·ÈÚ›· ∏ÂÈÚˆÙÈÎÒÓ ªÂÏÂÙÒÓ, 2009. 801. ∫·Ú·ÌÂÚ›‰Ë ∞., ‚Ï. ·Ú. 1547. 802. ∫·Ú¿ÓË π., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ∆·Ù¿ÚÓ·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 36-37. 803. ∫·Ú¿ÓË π., πÂÚfi˜ ¡·fi˜ ∫ÔÈÌ‹Ûˆ˜ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙÔ ÃÚ‡Ûˆ ∞ÁڿʈÓ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 45-46. 804. ∫·Ú¿ÓË π., √ÈÎÔ‰ÔÌÈΤ˜ ÂÂÌ‚¿ÛÂȘ ÛÙÔÓ Ó·fi Ù˘ ∞Á›·˜ ∞ÈηÙÂÚ›Ó˘ ÛÙËÓ ¶Ï¿Î· ηٿ ÙÔÓ 19Ô Î·È ÙȘ ·Ú¯¤˜ ÙÔ˘ 20Ô‡ ·ÈÒÓ·, ¢Ã∞∂ 28 (2007), Û. 147-156 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 156: Construction Interventions in the µyzantine Church of St Catherine in the Nineteenth and Twentieth Centuries). 805. ∫·Ú¿ÓË π., ™ÙÂÚ¤ˆÛË Î·È ·ÔηٿÛÙ·ÛË ÙˆÓ Ó·¸‰Ú›ˆÓ ÛÙË ™ËÏÈ¿ ¶ÂÓÙ¤Ï˘, ∂∆∂¶∞ª 2 (2009), ¶ÂÚÈÏ‹„ÂȘ / ∂∆∂¶∞ª 2 (2009), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.). 806. ∫·Ú¿ÓË π., ™˘Ì‚ÔÏ‹ ÛÙËÓ ÌÂϤÙË Ù˘ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜ Ù˘ ¶·Ó·Á›·˜ ∫Ú‹Ó·˜ Ã›Ô˘, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 45-46. 807. ∫·Ú··Ó·ÁÈÒÙ˘ π., ‚Ï. ·Ú. 483. 808. Karatasios I., ‚Ï. ·Ú. 1269. 809. ∫·Ú·Ù˙fiÁÏÔ˘ °., ŒÚ¢ӷ Û ‰‡Ô Ó·Ô‡˜ Ù˘ ªÂÁ·Ú›‰Ô˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 38. 810. ∫·Ú·Ù˙fiÁÏÔ˘ °., ¢È¿‰ÔÛË Î·È ·Ú·ÏÏ·Á¤˜ ÙÔ˘ ·ıˆÓ›ÙÈÎÔ˘ Ù‡Ô˘ Î·È Ë ÌÔÓ‹ ∞Á›Ô˘ ™˘ÌÂÒÓ ªÂÛÔÏÔÁÁ›Ô˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 47-48. 811. ∫·Ú·Ù˙fiÁÏÔ˘ °., ªÂÙ·‚˘˙·ÓÙÈÓÔ› Ó·Ô› Ù˘ £ÂÛÛ·ÏÈ΋˜ ƒÂÓÙ›Ó·˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 45-46. 812. ∫·Ú·Ù˙fiÁÏÔ˘ π., ªÂÙ·‚˘˙·ÓÙÈÓÔ› Ó·Ô› ÙÔ˘ ∆ÚÔ‚¿ÙÔ˘ ∂˘Ú˘Ù·Ó›·˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 60-61. 813. ∫·Ú·Ù˙fiÁÏÔ˘ °., ∏ ÌÔÓ‹ Ù˘ ∞Á›·˜ ¶·Ú·Û΢‹˜ µÚ·ÁÁÈ·ÓÒÓ Î·È Ô ∂˘Á¤ÓÈÔ˜ ∞ÈÙˆÏfi˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 47-48.

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814. ∫·Ú·¯¿ÏÈÔ˘ ∂., ¢›‰˘ÌË ‚·ÛÈÏÈ΋: √ Û˘Ó‰ÂÙÈÎfi˜ ÎÚ›ÎÔ˜ ÌÂٷ͇ ‰‡Ô ‰ÔÁÌ¿ÙˆÓ – ∏ ÂÚ›ÙˆÛË Ù˘ ¶·ÏÈÔ¯ÒÚ·˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 6263. 815. ∫·Ú‡‰·˜ ¡., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈΤ˜ ÔÈ˘ Ì ÙÚÈÎÏ›ÓÈÔ ÛÙË £ÂÛÛ·ÏÔÓ›ÎË-̤ÚÔ˜ ππ: ‰¤Î· ¯ÚfiÓÈ· ÌÂÙ¿, ∞∂ª£ ∂¤ÙÂÈÔ˜ 20 ¯ÚfiÓˆÓ (2009), ¶Ú·ÎÙÈο, Û. 127-141. 816. ∫·Ú‡‰Ë˜ ÃÚ., ‚Ï. ·Ú. 737. 817. ∫¿Û‰·ÁÏË Õ.-ª., ∂ÁηٷÛÙ¿ÛÂȘ ˘ÁÈÂÈÓ‹˜ ÛÙË ÌÂ۷ȈÓÈ΋ fiÏË Ù˘ ƒfi‰Ô˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 39-40. 818. ∫·Û‰¿ÁÏË Õ.-ª., ∫¿ÙÛÔ˘ °., ∏ ÎÔÈÓˆÓÈ΋ ‰È¿ÛÙ·ÛË ÛÙ· ÂÈه̂ȷ. ¢‡Ô ÚÔÛˆÔÁڷʛ˜, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 90101 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 101: The social content of tomb slabs: Two portraits). 819. ∫¿Û‰·ÁÏË Õ.-ª., ª·ÓÔ‡ÛÔ˘-¡Ù¤ÏÏ· ∫., √ ÚÔÌ·¯ÒÓ·˜ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘, ÙÔ ÈÔ ÂÍÂÏÈÁ̤ÓÔ Ô¯‡ÚˆÌ· ÙˆÓ πˆ·ÓÓÈÙÒÓ ÈÔÙÒÓ ÛÙË ƒfi‰Ô, ¢Ã∞∂ 28 (2007), Û. 115-130 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 129-130: The Bastion of St George, most Advanced Defence of the Knights Hospitaller on Rhodes). 820. ∫¿Û‰·ÁÏË Õ.-ª., ∆Ú›· ÌÂ۷ȈÓÈο ÎÔÛÌ‹Ì·Ù· ·fi ÙȘ ·Ó·Ûηʤ˜ Ù˘ ƒfi‰Ô˘. ™˘ÌÂÚ¿ÛÌ·Ù· Î·È ÚÔ‚Ï‹Ì·Ù·, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 49-50. 821. ∫¿Û‰·ÁÏË Õ.-ª., ª›ı· π., √ ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ «ÙˆÓ ÕÁÁψӻ ÛÙË ÌÂ۷ȈÓÈ΋ Ô¯‡ÚˆÛË Ù˘ ƒfi‰Ô˘, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 47-48. 822. ∫¿Û‰·ÁÏË Õ.-ª., ∆Ú›· ÌÂ۷ȈÓÈο ÎÔÛÌ‹Ì·Ù· ·fi ÙȘ ·Ó·Ûηʤ˜ Ù˘ ƒfi‰Ô˘. ™˘ÌÂÚ¿ÛÌ·Ù· Î·È ÚÔ‚Ï‹Ì·Ù·, ¢Ã∞∂ 30 (2009), Û. 283-292 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 292: Three Pieces of Medieval Jewellery from Archaeological Excavations in Rhodes: An Investigation). 823. ∫¿Û‰·ÁÏË Õ.-ª., ¡ÔÌ›ÛÌ·Ù· ÙˆÓ Ì¤ÛˆÓ ¯ÚfiÓˆÓ ÛÙËÓ ÂÎÙfi˜ ÙˆÓ ÌÂ۷ȈÓÈÎÒÓ ÙÂȯÒÓ fiÏË Ù˘ ƒfi‰Ô˘, ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 159-174 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 174: Coins of the Middle ages recovered in the town of Rhodes outside the Medieval walls). 824. ∫·ÛοÓ˘ µ., ‚Ï. ·Ú. 796. 825. ∫·ÛÙÚÈÓ¿Î˘ ¡., √ Greco ÙÔ˘ Antonio Palomino, ¢Ã∞∂ 29 (2008), Û. 185-194 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 194: Antonio Palomino's El Greco). 826. ∫·ÛÙÚÈÓ¿Î˘ ¡., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 31 (∂ÈÎfiÓ· ÙÔ˘ ı·‡Ì·ÙÔ˜ ÙÔ˘ ·Á›Ô˘ ™˘Ú›‰ˆÓ· ÛÙËÓ fiÏË Ù˘ ∫¤Ú΢ڷ˜, Ù¤ÏË 18Ô˘-·Ú¯¤˜ 19Ô˘ ·È.), 32 (∂ÈÎfiÓ· ÙÔ˘ ı·‡Ì·ÙÔ˜ ÙÔ˘ ·Á›Ô˘ ™˘Ú›‰ˆÓ· Ì ·Ú¿ÛÙ·ÛË Ù˘ ∫¤Ú΢ڷ˜, 19Ô˜ ·ÈÒÓ·˜), 33 (∂ÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ πˆ¿ÓÓË ÙÔ˘ ÃÚ˘ÛÔÛÙfiÌÔ˘ Î·È Ù˘ ·Ó·ÎÔÌȉ‹˜ ÙÔ˘ ÏÂÈ„¿ÓÔ˘ ÙÔ˘ Ì ·Ú¿ÛÙ·ÛË Ù˘ fiÏ˘ ∫fiÌ·Ó· ÙÔ˘ ¶fiÓÙÔ˘, Ù¤ÏË 17Ô˘ ·È.).

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827. ∫·ÛÙÚÈÓ¿Î˘ ¡., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 31 [∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ¶·Ó·Á›· °Ï˘ÎÔÊÈÏÔ‡Û· (∫·Ú‰ÈÒÙÈÛÛ·), ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.], 62 (∑ˆÁÚ¿ÊÔ˜ ∂ÌÌ·ÓÔ˘‹Ï ∆˙¿Ó˜: ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ ¤ÓıÚÔÓÔ˜, 1664). 828. ∫·ÙËÊfiÚË ª., ∞Ó·Ûηʋ ÛÙÔ Ó·fi ÙˆÓ ∞Á›ˆÓ ∞ÔÛÙfiÏˆÓ ÛÙËÓ ∫¿Ùˆ ∂ÈÛÎÔ‹ ™ËÙ›·˜: ∂›ÛÎÂ„Ë Û ¤Ó· ‚˘˙·ÓÙÈÓfi ÏÔ˘ÙÚfi, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 211-222 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 219: Excavation at St. Apostles church in Kato Episkopi, Siteia: Visit to a Byzantine bath). 829. ∫·ÙfiË ™., ∞fi ÙËÓ §fiÙ˙È· ÙÔ˘ ÿӉ·Î· ÛÙÔ ¢ËÌ·Ú¯Â›Ô ∏Ú·ÎÏ›Ԣ, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 432-441 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 439: From the Loggia of Candia to the Town Hall of Heraklion). 830. ∫·ÙÛ·Ï‹˜ °., ‚Ï. ·Ú. 1180, ª·Ú¿ÎË ∞., ∫·ÙÛ·Ï‹˜ °., ∞Ó·ÛÙËÏÒÓÔÓÙ·˜ ¤Ó· ÂÚ›ˆÌ¤ÓÔ ÌÔÓ·ÛÙ‹ÚÈ. ¶·Ó·Á›· ∫ÂÚ¿-∂ÏÂÔ‡Û· ¢‹ÌÔ˘ °Ô˘‚ÒÓ, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 414-431 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 427: Restoring a ruined monastery). 831. ∫·Ù۷ӛη-™ÙÂÊ¿ÓÔ˘ ∂., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 29-40 (∏ ÌÔ˘ÛÂÈÔÁÚ·ÊÈ΋ ÚfiÙ·ÛË). 832. ∫·ÙÛ·Úfi˜ µ., ∏ ·Ú¿ÛÙ·ÛË Ù˘ µ¿ÙÈÛ˘ ÛÙËÓ ¶·Ï·È¿ ªËÙÚfiÔÏË µÂÚÔ›·˜, ¢Ã∞∂ 27 (2006), Û. 169-180 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 180: The Representation of the Baptism in the Old Metropolis at Veroia). 833. ∫·ÙÛ·Úfi˜ µ., ¶ÂÚ› ÙÔ˘ È·Ì·ÙÈÎÔ‡ ÂÚÁ·ÌËÓÔ‡ ¯ÂÈÚÔÁÚ¿ÊÔ˘ ∂˘·ÁÁÂÏ›Ô˘ Ù˘ ÌÔÓ‹˜ ªÂÙ·ÌÔÚÊÒÛˆ˜ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ∫·Ú‰·Ì‡Ï˘ Ù˘ Â·Ú¯›·˜ √ÈÙ‡ÏÔ˘ Ù˘ ª¿Ó˘, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 99-115. 834. Katselaki A., Donors and iconography: the case of the Byzantine church of the Archangel Michael in Archanes (Heraklion, Crete, 1315-1316), CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 244-245. 835. K·ÙÛÂÏ¿ÎË ∞., µª ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ [∞ı‹Ó· 2006], Ï‹ÌÌ. ·Ú. 1012, 121, 137, 140, 155.1-2, 161-162, 172, 175.1-2, 180.1-3, 192.1-2, 210, 218-226, 230.1-6, 234-236, 238.1-3, 240.1-4, 244.1-7, 294, 561-563, 659-661. 836. ∫·ÙÛÂÏ¿ÎË ∞., ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ Î·È ¶·Ó·Á›· √‰ËÁ‹ÙÚÈ·: ˙‡ÁÔ˜ ‰ÂÛÔÙÈÎÒÓ ÂÈÎfiÓˆÓ ÙÔ˘ ∂ÌÌ·ÓÔ˘‹Ï ∆˙¿Ó ÛÙÔ µ˘˙·ÓÙÈÓfi ªÔ˘Û›Ô, ∫ÚËÙÔÏÔÁÈÎfi 10 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 162. 837. Katselaki A., ¡anou M., Anthivola [Berlin 2007], Û. 17-33 (Die Studie der Malvorlagen der Sammlung Makris-Margaritis). 838. Katselaki A., Anthivola [Berlin 2007], Ï‹ÌÌ. ·Ú. 1, 3, 5, 8, 10-11, 13, 1720, 22, M-MS/S. 2, 3, 4. 839. Katselaki A., Nanou M., Anthivola [Cracow 2007], Û. 8-14 (The case of the drawings in the Makris-Margaritis Collection) (en polonaise aussi). 840. Katselaki A., Byzantine Wall-Paintings in Euboea, Greece, CIAC 15 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 119.

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841. Katselaki A., Nanou M., Velimezis coll. [Alexandria 2008], Û. 67-89 (·Ú·‚Èο). 842. Katselaki A., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 184 (Closure panel with two peacocks; Thebes, twelfth century), 259 (Capital with angels; Thirteenth century). 843. ∫·ÙÛÂÏ¿ÎË ∞., N¿ÓÔ˘ ª., «ANTHIVOLA, Malvorlagen für sakrale Kunst» ∞Óı›‚ÔÏ· Î·È Û¯¤‰È· ÂÚÁ·Û›·˜ ÃÈÔÓÈ·‰ÈÙÒÓ ˙ˆÁÚ¿ÊˆÓ ÛÙÔ ªÔ˘ÛÂ›Ô Ù˘ ¶ÂÚÁ¿ÌÔ˘ ÛÙÔ µÂÚÔÏ›ÓÔ (15 ª·ÚÙ›Ô˘ ¤ˆ˜ 10 πÔ˘Ó›Ô˘ 2007), EÎ ÃÈÔÓÈ¿‰ˆÓ 11 (2008), Û. 13-32. 844. ∫·ÙÛÂÏ¿ÎË ∞., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 153-157 (√È ÙÔȯÔÁڷʛ˜ ÂÓfi˜ ‚˘˙·ÓÙÈÓÔ‡ Ó·Ô‡: ∏ ∂ÈÛÎÔ‹ ∂˘Ú˘Ù·Ó›·˜), 165-173 (∞ÙÙÈ΋: Ì›· ‚˘˙·ÓÙÈÓ‹ Â·Ú¯›·), 207-211 (∏ ·Ï·ÈÔÏfiÁÂÈ· ÂÚ›Ô‰Ô˜: Ë ÙÂÏÂ˘Ù·›· ·Ó·Ï·Ì‹ ÙÔ˘ µ˘˙·ÓÙ›Ô˘). 845. ∫·ÙÛÂÏ¿ÎË ∞., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 83-84 (∏ ÷ÏΛ‰· ÛÙÔ˘˜ √ıˆÌ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜), 93 (µÚ‡ÛË Ù˘ ∞ÚÂÙ‹˜), 94 (¶¤ÓÙ ‚Ú‡Û˜ ÙˆÓ ∂˘˙ÒÓˆÓ). 846. Katselaki A., Velimezis coll. [St. Petersburg 2009], Ï‹ÌÌ. ·Ú. 3 (·ÁÁÏÈοڈÛÈο). 847. K·ÙÛÂÏ¿ÎË ∞., ∏ ‚ÈÔÁÚ·ÊÈ΋ ÂÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ ÷ڷϿÌË ÛÙË ªÔÓ‹ §Â˘ÎÒÓ ∂˘‚Ô›·˜, ∞∂£™∂ 3 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 22. 848. Katselaki ∞., ‚Ï. ·Ú. 1368, Nanou M., Katselaki A., Anthivola from Chioniades, Museum of Greek Folk Art, Athens 2009. 849. ∫·ÙÛÂÏ¿ÎË ∞., ∫·Ï·Ê¿ÙË ∫.-º., ¢‡Ô ÂÙ·ÓËÛȷΤ˜ ÂÈÎfiÓ˜ ÛÙÔ µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô, ¶·ÓÈfiÓÈÔ 8 (2009), ¶Ú·ÎÙÈο, Ù. IV.∞, Û. 314-334. 850. ∫·ÙÛÂÏ¿ÎË ∞., ªÔ˘ÛÂ›Ô ∂ÎÎÏ. ⁄‰Ú·˜ [ª∂ 2009], Û. 105-109 (√È ™˘ÏÏÔÁ¤˜ ÙˆÓ ∫ÂÈÌËÏ›ˆÓ Ù˘ ªÔÓ‹˜ º·ÓÂڈ̤Ó˘) Î·È Ï‹ÌÌ. ·Ú. 1-201. 851. ∫·ÙÛÂÏ¿ÎË ∞., ¡¿ÓÔ˘ ª., ∞Óı›‚ÔÏ· ·fi ÙÔ˘˜ ÃÈÔÓÈ¿‰Â˜. ™˘ÏÏÔÁ‹ ª·ÎÚ‹-ª·ÚÁ·Ú›ÙË, ∞ı‹Ó·: ªÔ˘ÛÂ›Ô ∂ÏÏËÓÈ΋˜ §·˚΋˜ ∆¤¯Ó˘, 2009. 852. ∫·ÙÛÂÏ¿ÎË ∞., ¡¿ÓÔ˘ ª., ∞Óı›‚ÔÏ·-Û¯¤‰È· ÂÚÁ·Û›·˜ ·fi ÙË ™˘ÏÏÔÁ‹ ª·ÎÚ‹-ª·ÚÁ·Ú›ÙË Î·È Ë Û¯¤ÛË ÙÔ˘˜ Ì ٷ ÙÔÈο ηÏÏÈÙ¯ÓÈο ÂÚÁ·ÛÙ‹ÚÈ· Ù˘ ∏›ÚÔ˘ (18Ô˜-19Ô˜ ·È.), ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 1 (2009), ¶Ú·ÎÙÈο, Û. 299-326. 853. Katselaki A., ‚Ï. ·Ú. 1372. 854. ∫·ÙÛÂÏ¿ÎË ∞., ªÂÙ·‚˘˙·ÓÙÈÓ¤˜ ÂÈÎfiÓ˜ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ª·Î·ÚȈٛÛÛ˘, µÔȈÙÈÎÒÓ ªÂÏÂÙÒÓ 6 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 64. 855. ∫·ÙÛÂÏ¿ÎË ∞., √È ÂÈÎfiÓ˜ ÙÔ˘ 19Ô˘ ·ÈÒÓ· ÛÙÔÓ ÕÁÈÔ ¡ÈÎfiÏ·Ô ∂Ú¤ÙÚÈ·˜, ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 2 (2010), ¶ÂÚÈÏ‹„ÂȘ, ¯ˆÚ›˜ ·Ú›ıÌËÛË ÛÂÏ›‰ˆÓ.

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856. ∫·ÙÛ›Î˘ ∫., ¡ÂÒÙÂÚË ÂÈÎÔÓÔÁÚ·ÊÈ΋ ¤Ú¢ӷ ÁÈ· ÙÔ ‚›Ô ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 41-42. 857. ∫·ÙÛ›Î˘ ∫., ªÓËÌÂȷ΋ ˙ˆÁÚ·ÊÈ΋ 17Ô˘-18Ô˘ ·È. ÛÙÔ ÓÔÌfi °Ú‚ÂÓÒÓ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 51-52. 858. ∫·ÙÛ›Î˘ ∫., ÃÈÔÓ·‰›Ù˜ ˙ˆÁÚ¿ÊÔÈ ÛÙËÓ ÂÚÈÔ¯‹ ÙÔ˘ µÔ˝Ô˘ ÓÔÌÔ‡ ∫Ô˙¿Ó˘ (‚’ ÌÈÛfi 18Ô˘ - ·Ú¯¤˜ 19Ô˘ ·È.), Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 49-50. 859. ∫·ÙÛ›Î˘ ∫., ‚Ï. ·Ú. 1764. 860. ∫·ÙÛ›Î˘ ∫., √ ˙ˆÁÚ·ÊÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ ÌËÙÚÔÔÏÈÙÈÎÔ‡ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ∫Ô˙¿Ó˘ (1730), Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 64-65. 861. ∫·ÙÛ›Î˘ ∫., ∏ ¿ÁÓˆÛÙË ÚÒÙË Ê¿ÛË ÙÔȯÔÁÚ¿ÊËÛ˘ ÛÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ ∞¯ÈÏÏ›Ԣ ÛÙÔÓ ¶ÂÓÙ¿ÏÔÊÔ µÔ˝Ô˘, ¤ÚÁÔ ÙˆÓ ˙ˆÁÚ¿ÊˆÓ ¡ÈÎÔÏ¿Ô˘ Î·È £ÂÔ‰ÒÚÔ˘ ·fi Ù· πˆ¿ÓÓÈÓ· (1745), Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 49-50. 862. Katsioti A., Bairami K., Funerary monuments of late Roman and early Christian Period from Nisyros, ASAtene LXXXIV (2006), Û. 581-636 (ÈÙ·ÏÈ΋ ÂÚ›ÏË„Ë). 863. ∫·ÙÛÈÒÙË ∞., ‚Ï. ·Ú. 153. 864. Katsioti A., Aspects of the economic and commercial activity of Rhodes during Late Antiquity. The case of lamps, Sailing in the Aegean (2008), Û. 189-208. 865. ∫·ÙÛÈÒÙË ∞., ŒÚˆ˜ [∞ı‹Ó· 2009], Ï‹ÌÌ. ·Ú. 226 (Ï˘¯Ó¿ÚÈ ·fi ÙÔ ∞Ú¯·ÈÔÏÔÁÈÎfi ªÔ˘ÛÂ›Ô ¡ÈÛ‡ÚÔ˘). 866. ∫·ÙÛÈÒÙË ∞., ¶‹ÏÈÓ· ÊÈ·Ï›‰È·-¢ÏÔÁ›Â˜ ·fi Ù· ¢ˆ‰ÂοÓËÛ·, ¢Ã∞∂ 30 (2009), Û. 271-282 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 282: Pilgrim Flasks from the Dodecanese). 867. ∫·ÙÛÈÒÙË ∞., ‚Ï. ·Ú. 1498. 868. Katsioti A., The Double-Sided Icon of the Virgin Hodegetria and Saint Nicholas in Rhodes Reconsidered: Its Influence on the Art of the Dodecanese in the Fifteenth Century, Griechische Ikonen (2010), ¶Ú·ÎÙÈο, Û. 139-152 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 151-152: ∏ ·ÌÊ›ÁÚ·ÙË ÂÈÎfiÓ· Ù˘ £ÂÔÙfiÎÔ˘ √‰ËÁ‹ÙÚÈ·˜ ·Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙË ƒfi‰Ô Î·È Ë Â›‰Ú·Û‹ Ù˘ ÛÙËÓ Ù¤¯ÓË Ù˘ ¢ˆ‰ÂηӋÛÔ˘ ηٿ ÙÔÓ 15Ô ·ÈÒÓ·). 869. ∫·ÙÛÈÒÙË ∞., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 6 (∏ ÂÈÎfiÓ· Ù˘ ™Ù·‡ÚˆÛ˘ Ù˘ ÌÔÓ‹˜ ¶¿ÙÌÔ˘, ·’ ٤ٷÚÙÔ 15Ô˘ ·È.). 870. ∫·ÙÛÈÒÙË ∞., √Ì¿‰· Ï˘¯Ó·ÚÈÒÓ Ù˘ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ ·fi ÙËÓ ƒfi‰Ô, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 232-248 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 232: A froup of Late Antique lamps from Rhodes). 871. ∫¿ÙÛÔ˘ °., ‚Ï. ·Ú. 818, ∫·Û‰¿ÁÏË Õ.-ª., ∫¿ÙÛÔ˘ °., ∏ ÎÔÈÓˆÓÈ΋ ‰È¿ÛÙ·ÛË ÛÙ· ÂÈه̂ȷ. ¢‡Ô ÚÔÛˆÔÁڷʛ˜, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜

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(2007), ¶Ú·ÎÙÈο, Û. 90-101 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 101: The social content of tomb slabs: Two portraits). 872. ∫·˘ÛÔÎ·Ï˘‚›Ù˘ ¶., ÌÔÓ·¯fi˜, ÕÁÓˆÛÙ˜ ÊÔÚËÙ¤˜ ÂÈÎfiÓ˜ ÙÔ˘ ÈÂÚÔÌÔÓ¿¯Ô˘ ¢ÈÔÓ˘Û›Ô˘ ÙÔ˘ ÂÎ ºÔ˘ÚÓ¿ ÙˆÓ ∞ÁÚ¿ÊˆÓ ÛÙË Ó‹ÛÔ ™ÎfiÂÏÔ, £ÂÛÛ∏Ì 53 (2008), Û. 209. 873. ∫·„Ô‡‰·˜ ¶., ∆Ô Îˆ‰ˆÓÔÛÙ¿ÛÈÔ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ∞Á›Ô˘ ¶·‡ÏÔ˘ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 51-52. 874. Kepetzi V., Autour d'une inscription métrique et de la représentation des apôtres Pierre et Paul dans une église en Elide, WALTER C. (2006), Û. 160-181. 875. ∫¤ÂÙ˙Ë µ., ∂ÈÎfiÓ· Î·È Û‡Ì‚ÔÏÔ ÛÙË ÌÂÛÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô: ∏ ÂÚ›ÙˆÛË ÂÓfi˜ ÙÂÚ·ÙfiÌÔÚÊÔ˘ ˙ÒÔ˘ / Image et symbole dans l'art médiobyzantin: Le cas d'un animal monstrueux, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 7 (2009), ¶ÂÚÈÏ‹„ÂȘ, ¯ˆÚ›˜ ·Ú›ıÌËÛË ÛÂÏ›‰ˆÓ. 876. ∫ÂÊ·Ï¿ ∫., ∂ÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ πˆ¿ÓÓË ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘, ‰ÒÚËÌ· ÙÔ˘ ÈfiÙË Jacques de Bourbon (†1527), Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 43-44. 877. ∫ÂÊ·Ï¿ ∫., ∏ ÂÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ πˆ¿ÓÓË ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘ ÛÙËÓ ÔÌÒÓ˘ÌË ÂÎÎÏËÛ›· Ù˘ ƒfi‰Ô˘, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 445-453 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 453: The icon of St. John in the church of St. John in Rhodes). 878. ∫ÂÊ·Ï¿ ∫., ¶ÂÚ› ÙÔ˘ ÂÈÛÎfiÔ˘ ŒÏÔ˘˜ ¡ÈÎÔ‰‹ÌÔ˘, £ËÛ·˘Ú›ÛÌ·Ù· 38 (2008), Û. 371-385. 879. ∫ÂÊ·Ï¿ ∫., ª‹ÙËÚ £ÂÔ‡ Ë ∞ÎˉȈÎÙÂÓ‹. ∞Ó¿ÁÓˆÛË Î·È ÂÚÌËÓ›· ÌÈ·˜ ÂÈÁÚ·Ê‹˜ ·fi ÙË ƒfi‰Ô, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 66-67. 880. ∫ÂÊ·Ï¿ ∫., √ ÃÚÈÛÙfi˜ ·›ÚˆÓ ÙÔÓ ÛÙ·˘ÚfiÓ. ªÈ· Úԉȷ΋ ÂÈÎfiÓ· Ù˘ ÂÎÏÂÎÙÈ΋˜ Ù¿Û˘, ¢Ã∞∂ 30 (2009), Û. 215-224 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 223-224: Christ Carrying the Cross. A Rhodian Icon of the Eclectic Trend). 881. Kefala K., L’icône de Saint Jean le Précurseur du chevalier Jacques de Bourbon à la cathédrale d’Apt, CahArch 53 (2009-2010), Û. 143-157. 882. ∫ÂÊ·Ï¿ ∫., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 26 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: √ ∞Û·ÛÌfi˜ ÙˆÓ ·ÔÛÙfiÏˆÓ ¶¤ÙÚÔ˘ Î·È ¶·‡ÏÔ˘, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 35 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ¶·Ó·Á›· Ì ÙÔ ÃÚÈÛÙfi Î·È ∞Á›· ∞ÈηÙÂÚ›Ó·, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 883. ∫ÂÊ·ÏψӛÙÔ˘ ºÚ., °ÂÚfiÏ˘ÌÔ˘ ∫., ∂ÓÛÊÚ¿ÁÈÛÙÔÈ Î¤Ú·ÌÔÈ Î·È Ï›ÓıÔÈ ·fi ÙËÓ ¡ÈÎfiÔÏË Ù˘ ∏›ÚÔ˘, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 333-351 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 333: Stambled tiles and bricks from Nikopolis in Epiros). 884. Kilikoglou V., ‚Ï. ·Ú. 378. 885. Kiourtzian G., Krinon laskaraton ou retour sur un diptyque en ivoire, CahArch 53 (2009-2010), Û. 111-128.

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886. ∫›ÙÛÔ˘ ™., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 42 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: ÕÁÈÔ˜ πˆ¿ÓÓ˘ Ô £ÂÔÏfiÁÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 887. ∫ÔÈÏ¿ÎÔ˘ Ã., ∏ µÔȈٛ· ηٿ ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÂÚ›Ô‰Ô (4Ô˜7Ô˜). ªÈ· ÚÒÙË ÚÔÛ¤ÁÁÈÛË, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. II, Û. 1105-1118 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë Û. 1113). 888. ∫ÔÈÏ¿ÎÔ˘ Ã., √ √Ú¯ÔÌÂÓfi˜ ·fi ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÂÚ›Ô‰Ô ¤ˆ˜ ÙÔ˘˜ ÌÂÙ·‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 53. 889. Koilakou Ch., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 91 (Bowl with bird; Late twelfth-early thirteenth century), 92 (Bowl with fish; Mid-twelfth century), 95 (Plate with animal; Late twelfth-early thirteenth century). 890. ∫ÔÈÏ¿ÎÔ˘ Ã., √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ °ÚËÁÔÚ›Ô˘ ÙÔ˘ £ÂÔÏfiÁÔ˘ ÛÙË £‹‚·. ¡ÂÒÙÂÚ· ÛÙÔȯ›·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 51. 891. ∫ÔÎÎÈÓ¿ÎË ª., ‚Ï. ·Ú. 2056, ∆ÛÈÁˆÓ¿ÎË ÃÚ., ƒÔ˘ÌÂÏÈÒÙ˘ ¡., ™·ÓÔ‡ ¡., ∫ÔÎÎÈÓ¿ÎË ª., µ·ÛÈÏÈ΋ ∞’ Ù˘ πÙ¿ÓÔ˘: ÔÈ Ó¤Â˜ Ù¯ÓÔÏÔÁ›Â˜ ÛÙËÓ ˘ËÚÂÛ›· Ù˘ ·Ú¯·ÈÔÏÔÁÈ΋˜ ¤Ú¢ӷ˜ (¶˘ı·ÁfiÚ·˜ π, ∂¶∂∞∂∫ ππ), Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 95-96. 892. Kokkinos N., ‚Ï. ·Ú. 1290. 893. ∫ÔÎÎÔÙ¿ÎË ¡., ∆Ûfiη ∞., ª·ÚÒÓÂÈ·: ÃÚËÛÙÈ΋ ÎÂÚ·ÌÈ΋ ÙÔ˘ 3Ô˘-7Ô˘ Ì.Ã. ·fi ÙËÓ ·Ó·Ûηʋ ÛÙÔ ¯ÒÚÔ Ù˘ ƒˆÌ·˚΋˜ ∞ÁÔÚ¿˜. ªÈ· ÚÒÙË ÚÔÛ¤ÁÁÈÛË, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 367-385 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 367: Maroneia: Functional pottery of the 3rd-7th c. A.D. from the excavation in the Roman agora. A first approach). 894. ∫ÔÏÈÔ‡ ∞., ∞Ó·ÁÓÒÚÈÛË ¯ÚˆÛÙ‹ÚÔ˜ ∫·Î·‚¿ Û ÌË Ì·ÚÙ˘ÚÔ‡ÌÂÓ· ¤ÚÁ· ÙÔ˘ ÂÚÁ·ÛÙËÚ›Ô˘ ÙÔ˘, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 159184 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 184: A recognition of Kakavas' paint-brush in unknown paintings of his workshop). 895. ∫fiÏÏÈ·˜ H., ∏ ÌÂ۷ȈÓÈ΋ fiÏË Ù˘ ∫ˆ, NfiÌÈÛÌ· ÛÙ· ¢ˆ‰ÂοÓËÛ· (2006), ¶Ú·ÎÙÈο, Û. 227-252. 896. ∫fiÏÏÈ·˜ ∏., ∏ ·Ó¿‰ÂÈÍË Î·È Ë ‰È·¯Â›ÚÈÛË Ù˘ Ù¿ÊÚÔ˘ Ù˘ ÌÂ۷ȈÓÈ΋˜ fiÏ˘ Ù˘ ƒfi‰Ô˘, ∞ÍÈÔÔ›ËÛË Î·È ·Ó¿‰ÂÈÍË / Enhancement and promotion (2006), ¶Ú·ÎÙÈο, Û. 163-172. 897. ∫fiÏÏÈ·˜ ∏., ∏ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ‚·ÛÈÏÈ΋ Ù˘ ÕʈÙ˘ ÛÙ· ¶ËÁ¿‰È· ∫·Ú¿ıÔ˘, ∫·Ú·ıȷο 2 (2006), Û. 113-124. 898. ∫fiÏÏÈ·˜ ∏., ∆Ô ¤ÚÁÔ Ù˘ ∂ÈÙÚÔ‹˜ ¶·Ú·ÎÔÏÔ‡ıËÛ˘ ŒÚÁˆÓ ÛÙ· ÌÓËÌ›· Ù˘ ÌÂ۷ȈÓÈ΋˜ fiÏ˘ Ù˘ ƒfi‰Ô˘, ŒÚÁÔ ÂÈÙÚÔÒÓ (2006), Û. 251-271. 899. ∫fiÏÏÈ·˜ ∏., ∞Ó·˙ËÙÒÓÙ·˜ Ù· ¯·Ì¤Ó· ÌÓËÌ›· Ù˘ ÌÂ۷ȈÓÈ΋˜ fiÏ˘ Ù˘ ƒfi‰Ô˘, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 283-297 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 296-297: In search of the lost monuments of the medieval town of Rhodes).

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900. ∫fiÏÏÈ·˜ ∏., ∏ Û¯ÔÏ‹ ÙˆÓ ÏÈıÔÍfiˆÓ-Ì·ÛÙfiÚˆÓ Ù˘ ƒfi‰Ô˘ ÙËÓ ÂÚ›Ô‰Ô Ù˘ ∆Ô˘ÚÎÔÎÚ·Ù›·˜ (16Ô˜-19Ô˜ ·È.), °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 244-260 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 259-260: The «school» of master stone-cutters of Rhodes during the ottoman period (16th-19th c.)] 901. ∫fiÏÏÈ·˜ ∏., ÷Ï΋Ù˜ ¤ÔÈÎÔÈ ÛÙË ƒfi‰Ô ηٿ ÙÔÓ 15Ô ·ÈÒÓ·, ¢ˆ‰ÂηӋÛÔ˘ 14 (2008), ¶Ú·ÎÙÈο, Û. 135-139. 902. ∫ÔÏÏ˘ÚÔÔ‡ÏÔ˘ £., ∏ Á˘Ó·›Î· ÛÙ· ˘ÌÓÔÁÚ·ÊÈο ΛÌÂÓ·: ÙÔ ÚÔ‚·ÏÏfiÌÂÓÔ ÚfiÙ˘Ô Î·È Ë ı¤ÛË Ù˘ ÛÙȘ ·ÎÔÏÔ˘ı›Â˜ Ù˘ ÂÎÎÏËÛ›·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 45-46. 903. Koltsida-Makri I., New acquisitions of Byzantine lead seals in the Athens Numismatic Museum Collections, SBS 9 (2006), Û. 11-22. 904. Koltsida-Makri I., ‚Ï. ·Ú. 1945. 905. ∫ÔÏÙÛ›‰·-ª·ÎÚ‹ π., ∏ Û˘ÏÏÔÁ‹ ÌÔÏ˘‚‰Ô‚Ô‡ÏÏˆÓ ¢ËÌËÙÚ›Ô˘ ¢Ô‡Î·, SEIBT W. (2008), Û. 139-152. 906. ∫ÔÏÙÛ›‰·-ª·ÎÚ‹ π., ªÔÏ˘‚‰fi‚Ô˘ÏÏ· ™˘ÏÏÔÁ‹˜ ¡·Ô‡Ì ÙÔ˘ ªÔ˘Û›Ԣ ªÂÓ¿ÎË, ∆√Àƒ∞∆™√°§√À π. (2009), Ù. ∞’, Û. 581-591. 907. ∫ÔÏÙÛ›‰·-ª·ÎÚ‹ π., ∏ Û˘Ì‚ÔÏ‹ Ù˘ ÛÈÁÈÏÏÔÁÚ·ÊÈ΋˜ Ì·ÚÙ˘Ú›·˜ ÛÙË ÌÂϤÙË Ù˘ ‰ÈÔÈÎËÙÈ΋˜ Î·È ÂÎÎÏËÛÈ·ÛÙÈ΋˜ ÔÚÁ¿ÓˆÛ˘ Ù˘ Ã›Ô˘ (7Ô˜-12Ô˜ ·È.), ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 95-107 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 107: The administrative and ecclesiastical organization on Chios through the evidence of sigillography). 908. ª¤Í˘ ∞Ï., ∫ÔÌÌ¿Ù·˜ ¢., ¢›ÁψÛÛË ÂÈÁÚ·Ê‹ Û ÌÓËÌÂÈ·Îfi Ù¿ÊÔ ÛÙ· ÂÚ›È· ÙÔ˘ Ó·Ô‡ ¶·Ó·Á›·˜ ÛÙÔ ¯ˆÚÈfi ªÚ¿ÚÈ Ù˘ ÂÚÈÔ¯‹˜ ∆ÈÚ¿ÓˆÓ (ÎÂÓÙÚÈ΋ ∞Ï‚·Ó›·), Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 58-59. 909. ∫ÔÓÈfiÚ‰Ô˜ µ., ‚Ï. ·Ú. 8, ∞ÁÁ¤ÏÎÔ˘ ∂˘., ∫ÔÓÈfiÚ‰Ô˜ µ., √ ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ Î·È ÙÔ ¿ÁÓˆÛÙÔ ÏÔ˘ÙÚfi Ù˘ ∞Á›·˜ ™ÔÊ›·˜ ̤۷ ·fi ʈÙÔÁڷʛ˜, £ÂÛÛ·ÏÔÓÈΤˆÓ fiÏȘ 25 (™Â٤̂ÚÈÔ˜ 2008), Û. 27-33. 910. Kontogiannis N. D., Aggelopoulou, I., The Venetian City of Modone in SW Peloponnese: the archaeological evidence, Heritage of Serenissima (2006), ¶Ú·ÎÙÈο, Û. 221-228. 911. Kontogiannis N. D., ‚Ï. ·Ú. 142. 912. Kontogiannis N. D., ‚Ï. ·Ú. 144. 913. Kontogiannis N. D., Excavation of a 13th century Church near Vasilitsi, Southern Messenia, Hesperia 77 (2008), Û. 497-537. 914. Kontogiannis N. D., Germanidou S., The iconographic program of the Prophet Elijah church in Thalames, Greece, BZ 101 (2008), Û. 57-88. 915. Kontogiannis N. D., Tsaka K., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 185 (Double sided closure panel; Thebes, ninth century).

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916. ∫ÔÓÙÔÁÈ¿ÓÓ˘ ¡. ¢., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 90-92 (ºÚÔ‡ÚÈÔ ∫·Ú¿Ì·Ì·). 917. ∫ÔÓÙÔÁÈ¿ÓÓ˘ ¡. ¢., √‰ÔÈÔÚÈÎfi ÛÙ· ÌÂ۷ȈÓÈο οÛÙÚ· Î·È ÙȘ Ô¯˘ÚÒÛÂȘ Ù˘ Â·Ú¯›·˜ ∆ÚÔÈ˙ËÓ›·˜, ∞ÚÁÔÛ·ÚˆÓÈÎfi˜ 1 (2008), ¶Ú·ÎÙÈο, Û. 45-67 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 67). 918. ∫ÔÓÙÔÁÈ¿ÓÓ˘ ¡. ¢., °ÚËÁÔÚÔÔ‡ÏÔ˘ π. ª., ∆Ô Î¿ÛÙÚÔ Ù˘ ªÂıÒÓ˘, ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡ Î·È ∆Ô˘ÚÈÛÌÔ‡, ∆·ÌÂ›Ô ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ¶fiÚˆÓ Î·È ∞·ÏÏÔÙÚÈÒÛˆÓ, 2009. 919. ∫ÔÓÙÔÁÈ¿ÓÓ˘ ¡. ¢., ÃÚÈÛÙfiÔ˘ÏÔ˜ ∏., √ ËÏfi˜ ÙÔ˘ ∂¿Óˆ ∫¿ÛÙÚÔ˘: ¤Ó· ·Ú¿‰ÂÈÁÌ· ÂÈÚ·Ì·ÙÈ΋˜ ·Ú¯·ÈÔÏÔÁ›·˜ ÛÙËÓ ÕÓ‰ÚÔ, ¶√§∂ª∏™ ¢., ªÓ‹ÌË (2009), Û. 207-230. 920. Kontogiannis N. D., Settlements and countryside of Messenia during the late Middle Ages: the testimony of the fortifications, BMGS 34 (2010), Û. 3-29. 921. ∫ÔÓÙÔÁÈ¿ÓÓ˘ ¡. ¢., ∆Ô ¡ÈfiηÛÙÚÔ ¶‡ÏÔ˘ ̤۷ ·fi Ù· Û¯¤‰È· ÙˆÓ ÛÙÚ·ÙȈÙÈÎÒÓ Ì˯·ÓÈÎÒÓ ÙÔ˘ 17Ô˘-19Ô˘ ·ÈÒÓ·, ¢∂§∏°π∞¡¡∏-¢øƒ∏ ∂. (2010), Û. 199-223 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 224: The Fortress of Pylos (Niokastro) based on Military Architectural Plans of the 17th-19th Centuries]. 922. ∫ÔÓÙÔÁÈ·ÓÓÔÔ‡ÏÔ˘ ª., ‚Ï. ·Ú. 50. 923. Kondoleon Chr., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 37 (Silver pyxis with Christ, the Virgin and Archangels; Syria, sixth-seventh century), 119 (Gold pendant; Eastern Mediterranean or southern Baltic, sixth-seventh century), 187 (Silver chalice; Syria, sixth century). 924. ∫ÔÓÙÔ·Ó¿ÁÔ˘ ∞È.-∫., √È Î·ÂÛÔ‚›Ù˜ ˙ˆÁÚ¿ÊÔÈ πˆ¿ÓÓ˘ Î·È ∞Ó·ÛÙ¿ÛÈÔ˜ ∞Ó·ÁÓÒÛÙ˘ ÛÙÔÓ ÕÁÈÔ °ÂÒÚÁÈÔ ¡ÂÁ¿‰ˆÓ (1795), Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 54-55. 925. ∫fiډ˘ °., ∏ ÂÚÌËÓ›· Ù˘ ˙ˆÁÚ·ÊÈ΋˜ Ù¤¯Ó˘ ÙÔ˘ ¢ÈÔÓ˘Û›Ô˘ ÙÔ˘ ÂÎ ºÔ˘ÚÓ¿. ∞ÈÛıËÙÈο Î·È ÂÈηÛÙÈο Û¯fiÏÈ·, ∞ı‹Ó·: ∞ÚÌfi˜, 2006. 926. ∫fiډ˘ °., ¶·Ú¿‰ÔÛË Î·È ‰ËÌÈÔ˘ÚÁ›· ÛÙÔ ÂÈηÛÙÈÎfi ¤ÚÁÔ ÙÔ˘ ºÒÙË ∫fiÓÙÔÁÏÔ˘, ∞ı‹Ó·: ∞ÚÌfi˜, 2006. 927. ∫fiډ˘ °., √ ¯·Ú·ÎÙ‹Ú·˜ Î·È Ô ÏfiÁÔ˜ ÙˆÓ ·Ê·ÈÚÂÙÈÎÒÓ Ù¿ÛÂˆÓ Ù˘ ‚˘˙·ÓÙÈÓ‹˜ ˙ˆÁÚ·ÊÈ΋˜, ∞ı‹Ó·: ∞ÚÌfi˜, 2007. 928. ∫fiډ˘ °., ∞˘ÁÔÙ¤ÌÂÚ· Ì ˘Ô˙ˆÁÚ¿ÊÈÛË. ∆Ô ¯ÚÒÌ· ˆ˜ ʈ˜ ÛÙË ‚˘˙·ÓÙÈÓ‹ ˙ˆÁÚ·ÊÈ΋, ∞ı‹Ó·: ∞ÚÌfi˜, 2009. 929. ∫ÔÚÌ·˙ÔÔ‡ÏÔ˘ §., ÷Ù˙ËÏ·˙¿ÚÔ˘ ¢., ∆· ·ÁÁ›· ÙÔ˘ ÛËÏ·ÈÔ‚·Ú¿ıÚÔ˘ ∞Ó‰Ú›ÙÛ·˜ ∞ÚÁÔÏ›‰·˜. ¶ÚÔηٷÚÎÙÈ΋ ·ÚÔ˘Û›·ÛË ÂÓfi˜ ÎÏÂÈÛÙÔ‡ Û˘ÓfiÏÔ˘ ÙÔ˘ Ù¤ÏÔ˘˜ Ù˘ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ Î·È Î¿ÔȘ ·fiÂÈÚ˜ ÂÚÌËÓ›·˜, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 169-184 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 169: The pottery from the cave at Andritsa in the Argolid.

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Preliminary publication of a closed group dating from the end of Late Antiquity and some attempts at an interpretation). 930. ∫ÔÙ˙·Ì¿ÓË ¢., ∞ÛÏ¿ÓË π., ∆· ¯¿ÏÎÈÓ· ÔÏ˘Î¿Ó‰ËÏ· ÙÔ˘ ªÔ˘Û›Ԣ ªÂÓ¿ÎË (‰È·Ù‹ÚËÛË, ¯ËÌÈ΋ Û‡ÛÙ·ÛË, Ù¯ÓÔÏÔÁ›· ηٷÛ΢‹˜), ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË 8 (2008), Û. 107-114. 931. Cotsonis J., Nesbitt J., A Seal of Patriarch Nicholas II, REB 76 (2006), Û. 423-432. 932. Cotsonis J., Nesbitt, J., The Virgin Aigyptia (the Egyptian) on a Byzantine Lead Seal of Attaleia, REB 78 (2008), Û. 103-113. 933. Cotsonis J., Onomastics, Gender, Office and Images on Byzantine Lead Seals: A Means of Investigating Personal Piety, BMGS 32.1 (2008), Û. 1-37. 934. Cotsonis, J., The Imagery of Patriarch Methodios I’s Lead Seals and the New World Order of Ninth-Century Byzantium, METHODIOS of Boston (2008), Û. 366-387. 935. Cotsonis, J., Narrative Scenes on Byzantine Lead Seals (Sixth-Twelfth Centuries): Frequency, Iconography, and Clientele, Gesta 48.1 (2009), Û. 55-86. 936. ∫Ô˘‚¤ÏË ∞., ÀÛÙÂÚÔڈ̷˚΋ Î·È ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÎÂÚ·ÌÈ΋ ·fi ÙÔ ÊÚ¤·Ú 114 Ù˘ «√ÈΛ·˜ ∞» ÙÔ˘ ÔÈÎÔ¤‰Ô˘ ª·ÎÚ˘ÁÈ¿ÓÓË ÛÙËÓ ∞ı‹Ó·, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 610-632 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 610: Late Roman and Early Christian pottery from Well-shaft 114 of «House A» in the Makriyianni plot, Athens). 937. ∫Ô˘ÁÈÔ˘ÌÙ˙fiÁÏÔ˘ ™., ‚Ï. ·Ú. 497. 938. ∫Ô˘ÁÈÔ˘ÌÙ˙fiÁÏÔ˘ ™., ‚Ï. ·Ú. 501. 939. ∫Ô˘ÁÈÔ˘ÌÙ˙fiÁÏÔ˘ ™., ‚Ï. ·Ú. 502. 940. ∫Ô˘ÁÈÔ˘ÌÙ˙fiÁÏÔ˘ ™., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÎÂÚ·ÌÈ΋ ·fi ÙÔ˘˜ ·Ú¯·ÈÔÏÔÁÈÎÔ‡˜ ¯ÒÚÔ˘˜ Ù˘ ∞˙ÒÚÔ˘ Î·È Ù˘ ªËϤ·˜ Ù˘ Â·Ú¯›·˜ ∂Ï·ÛÛÒÓÔ˜ ÙÔ˘ ÓÔÌÔ‡ §·Ú›Û˘, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 548-562 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 548: Early Christian pottery from the archaeological sites of Azoros and Milea in the province of Elassona of the prefecture of Larisa). 941. ∫Ô˘ÁϤÚË º., ∞Ó·ÛًψÛË ÛÙËÓ Ú¿ÍË, ‰È¿ÛˆÛË ‹ ·ÏÏÔ›ˆÛË, ∂∆∂¶∞ª 1 (2006), ¶ÂÚÈÏ‹„ÂȘ / ∂∆∂¶∞ª 1 (2006), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.), Û. 1-11, ¿ÚıÚÔ 73. 942. ∫Ô˘ÁϤÚË º., °È·ÈÙÛfiÁÏÔ˘ ∫., ¶·ÏÈ¿ ¶fiÏË ƒÂı‡ÌÓÔ˘. ∂ÂÌ‚¿ÛÂȘ – ¶ÚÔÛÙ·Û›· – ¶ÚÔÔÙÈΤ˜, Forum Restauronet (2006), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.), CD 1, Û. 1-21 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 1-7). 943. ∫Ô˘ÁϤÚË º., ‚Ï. ·Ú. 415.

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944. ∫Ô˘ÁϤÚË º., ∂ÚÁ·Û›Â˜ Û˘ÓÙ‹ÚËÛ˘ Î·È Â·Ó¿¯ÚËÛ˘ ÛÙÔ ∆˙·Ì› ∫·Ú¿ ªÔ˘Û¿, ÛÙËÓ ¶·ÏÈ¿ ¶fiÏË ƒÂı‡ÌÓÔ˘, ∂∆∂¶∞ª 2 (2009), ¶ÂÚÈÏ‹„ÂȘ / ∂∆∂¶∞ª 2 (2009), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.), Û. 1-15, ¿ÚıÚÔ 43 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 15). 945. ∫Ô˘ÁϤÚË º., ∞Ó·ÛÙËψÙÈΤ˜ ÂÚÁ·Û›Â˜ ÛÙÔ ÊÚÔ‡ÚÈÔ ºÔÚÙ¤Ù˙· ƒÂı‡ÌÓÔ˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 589-603 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 599: Restoration works at Fortezza fortress in the city of Rethymnon). 946. ∫Ô˘˙¤ÏË ∫., ‚Ï. ·Ú. 527. 947. ∫Ô˘ÎÈ¿Ú˘ ™›Ï·˜, ·Ú¯ÈÌ·Ó‰Ú›Ù˘, ∆· ı·‡Ì·Ù·-ÂÌÊ·Ó›ÛÂȘ ÙˆÓ ·ÁÁ¤ÏˆÓ Î·È ·Ú¯·ÁÁ¤ÏˆÓ ÛÙË ÌÂÙ·‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË, ∞ı‹Ó· 2006. 948. ∫Ô˘ÎÈ¿Ú˘ ™›Ï·˜, ·Ú¯ÈÌ·Ó‰Ú›Ù˘, ∂ÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ ¶·ÓÙÂÏ‹ÌÔÓÔ˜ Ì ÛÎËÓ¤˜ ÙÔ˘ ‚›Ô˘ ÙÔ˘ ÛÙË ªÔÓ‹ ™ÈÓ¿, ¢Ã∞∂ 27 (2006), Û. 233-244 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 244: The Vita Icon of St. Panteleemon in the Sinai Monastery). 949. Koukiaris Silas, archimandrite, The Depiction of the Acts' Passage 6, 16, Zograf 32 (2008), Û. 23-28 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 28). 950. ∫Ô˘ÎÈ¿Ú˘ ™›Ï·˜, ·Ú¯ÈÌ·Ó‰Ú›Ù˘, ∆· ˙‡ÁË ÙˆÓ ·Á›ˆÓ ∞Ó·ÚÁ‡ÚˆÓ Û ÔÌ¿‰·. ªÂÚÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ, µ˘˙·ÓÙÈÓ¿ 28 (2008), Û. 307-320. 951. ∫Ô˘ÓÔ‡ÎÏ·˜ ¶., ‚Ï. ·Ú. 397. 952. ∫Ô˘ÓÔ˘ÈÒÙÔ˘-ª·ÓˆÏ¤ÛÛÔ˘ ∂., ªÂÛÔ‚˘˙·ÓÙÈÓ¿ ÁÏ˘Ù¿ Ì ˙Ò· ·fi ÙË Û˘ÏÏÔÁ‹ ÁÏ˘ÙÒÓ ÛÙÔ ∆˙·Ì› Ù˘ ÷ÏΛ‰·˜, ¢Ã∞∂ 29 (2008), Û. 221-232 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 232: Middle Byzantine Sculptures with ∞nimals in the Sculpture Collection of the Mosque of Chalkida). 953. ∫Ô˘ÚÎÔ˘Ù›‰Ô˘-¡ÈÎÔÏ·˝‰Ô˘ ∂˘., ¡·fi˜ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ÃÚÈÛÙÔ‡ £ÂÛÛ·ÏÔӛ΢ / The Church of Christ the Saviour Thessaloniki, ∂˘Úˆ·˚Îfi ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ Î·È ªÂÙ·‚˘˙·ÓÙÈÓÒÓ ªÓËÌ›ˆÓ, ∞ı‹Ó·: ∫·fiÓ, 2008. 954. ∫Ô˘ÛÔ˘ÏÔ‡ ∆., ∆Ô ¤ÚÁÔ Û˘ÓÙ‹ÚËÛ˘ ÙˆÓ ÈÂÚ·ÙÈÎÒÓ ·ÌÊ›ˆÓ Ù˘ πÂÚ¿˜ ÌÔÓ‹˜ ∞Úη‰›Ô˘ - ∂ÚÁ·Û›Â˜ Û˘ÓÙ‹ÚËÛ˘ ÙÔ˘ ÈÛÙÔÚÈÎÔ‡ §·‚¿ÚÔ˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 624-636 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 634: The conservation of the historic banner of Arkadi Monastery). 955. ∫Ô˘ÙÂÏ¿Î˘ Ã., √È ¯ÚÈÛÙÈ·ÓÈΤ˜ ÂÈÁڷʤ˜ Ù˘ ∫·Ú¿ıÔ˘, ∫·Ú·ıȷο 2 (2006), Û. 125-172. 956. ∫Ô˘ÙÂÏ¿Î˘ Ã., ™›ÊÓÈÔÈ ·ÁÁÂÈÔÏ¿ÛÙ˜ ÛÙËÓ ∆‹ÓÔ, ™ÈÊÓ·˚Îfi 2 (20052006), ¶Ú·ÎÙÈο, Ù. °’, Û. 271-278. 957. ∫Ô˘ÙÂÏ¿Î˘ Ã., √È «Î·ÏfiÁÂÚÔÈ» ÙÔ˘ ∞ÈÁ·›Ô˘, Ô ª¿ÍÈÌÔ˜ ¶Ï·ÓÔ‡‰Ë˜, Ô Buondelmonti Î·È ÙÔ Isolario ÙÔ˘, ¢ˆ‰ÂηӋÛÔ˘ 13 (2007), ¶Ú·ÎÙÈο, Û. 390-403. 958. ∫Ô˘ÙÂÏ¿Î˘ Ã., √È ÎÒ‰ÈΘ ÙˆÓ Ó·ÒÓ Î·È ÌÔÓÒÓ ∞ÚÓ›ı·˜ Î·È ªÂÛ·Ó·ÁÚÔ‡ ƒfi‰Ô˘, ¢ˆ‰ÃÚ 21 (2007), Û. 497-504.

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959. ∫Ô˘ÙÂÏ¿Î˘ Ã., ∆· ¶ËÁ¿‰È· ∫·Ú¿ıÔ˘, ¢ˆ‰∞گ›ÔÓ 8 (2007), Û. 77-89. 960. ∫Ô˘ÙÂÏ¿Î˘ Ã., ∆Ô ıˆÚÔ‡ÌÂÓÔ ˆ˜ «Í›ÊÔ˜ ÙÔ˘ ·Á›Ô˘ ºÈÏ‹ÌÔÓ·» ÛÙËÓ ÔÌÒÓ˘ÌË ÌÔÓ‹ Ù˘ ƒfi‰Ô˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 41-42. 961. ∫Ô˘ÙÂÏ¿Î˘ Ã., ∆‹ÏÔ˜ Ó‹ÛÔ˜, ¿ÚˆÌ· ·Ì·Ú¿ÎÈÓÔ. ∏ ÈÛÙÔÚ›· ÙÔ˘ ÓËÛÈÔ‡ Î·È ÙˆÓ ·ÓıÚÒˆÓ ÙÔ˘. ∂ÍÈÛÙfiÚÈÛË ‰È· ·Ú·ıÂÌ¿ÙˆÓ Î·È ÙÂÎÌËÚ›ˆÓ, Ù. ∞’-µ’, ∞ı‹Ó· 2008. 962. ∫Ô˘ÙÂÏ¿Î˘ Ã., ∞ÈÁ·›Ô Î·È ¯¿ÚÙ˜ Ì ·Ó·ÙÚÂÙÈ΋ Ì·ÙÈ¿. ∞Ó·ÌԯχÔÓÙ·˜ ÙËÓ ÈÛÙÔÚ›· ÙÔ˘ ∞ÈÁ·›Ô˘ ·fi ÙËÓ ¶ÚÔ˚ÛÙÔÚ›· ̤¯ÚÈ Û‹ÌÂÚ·: §¿ıË, ÛÊ¿ÏÌ·Ù· ÌÂÙ·ÁÚ·Ê‹˜, ÛÎÔÈÌfiÙËÙ˜ Î·È ÌÂÙ·ÎÈÓ‹ÛÂȘ ÙfiˆÓ (Ãı˜ - ™‹ÌÂÚ· - ∞‡ÚÈÔ, 61), ∞ı‹Ó·: ∂Ú›ÓÓË, 2008: The Aegean and its maps from a radical viewpoint (unearthing and reconstructing its history). 963. ∫Ô˘ÙÂÏ¿Î˘ Ã., ¢‡Ô Ì·ÚÌ¿ÚÈÓ· spolia ·fi ÙËÓ ∆‹ÏÔ, µ˘˙¢fiÌÔ˜ 15 (2008), Û. 25-36. 964. ∫Ô˘ÙÂÏ¿Î˘ Ã., ∆· ͢ÏfiÁÏ˘Ù· ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ª·ÚÎfiÔ˘ÏÔ˘ ∞ÙÙÈ΋˜, ∂Áη›ÓÈ· π. ¡. ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ª·ÚÎÔÔ‡ÏÔ˘ (2008), ¶Ú·ÎÙÈο, Û. 367-388. 965. ∫Ô˘ÙÂÏ¿Î˘ Ã., ºˆÛÎfiÏÔ˘ ∞., ŒÁÁÚ·Ê· ·fi Î·È ÁÈ· ÙËÓ Ã¿ÏÎË, ¢ˆ‰ÂηӋÛÔ˘ 14 (2008), ¶Ú·ÎÙÈο, Û. 220-247. 966. ∫Ô˘ÙÂÏ¿Î˘ Ã., ÃÚÈÛÙÈ·ÓÈΤ˜ ÂÈÁڷʤ˜ Ù˘ ÿÏ΢, ¢ˆ‰ÂηӋÛÔ˘ 14 (2008), ¶Ú·ÎÙÈο, Û. 140-168. 967. ∫Ô˘ÙÂÏ¿Î˘ Ã., ÃÚÈÛÙÈ·ÓÈΤ˜ ÂÈÁڷʤ˜ ÙÔ˘ ∫·ÛÙÂÏÏfiÚÈ˙Ô˘, Ã∞∆∑∏ºø∆∏™ π., ªÓ‹ÌË (2008), Û. 265-282. 968. ∫Ô˘ÙÂÏ¿Î˘ Ã., ∆Ô Ù¤ÌÏÔ Ù˘ ∞Á›·˜ ∆ÚÈ¿‰·˜ ∂χÌÔ˘ ∫·Ú¿ıÔ˘, ∫·Ú·ıȷο 3 (2009), Û. 109-114. 969. ∫Ô˘ÙÂÏ¿Î˘ Ã., ∂Óı˘Ì‹ÛÂȘ Â› ·Ú·Ê‡ÏÏˆÓ ÛÙÔ˘˜ Ó·Ô‡˜ Ù˘ ∑ˆÔ‰fi¯Ô˘ ¶ËÁ‹˜ Î·È ∞Á›·˜ ºˆÙÂÈÓ‹˜ ∫ÙÈο‰Ô˘-∫·ÏÔ˘ÌÂÓ¿‰Ô˘ ∆‹ÓÔ˘ Î·È ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ µ¿Ó˘, ∆ËÓȷο 4 (2010), Û. 337-353. 970. Koutsikou Chr., Icône hagiographique postbyzantine de saint Christophe dans une collection privée, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 290. 971. ∫Ô‡ÙÛÈÎÔ˘ ÃÚ., ÕÁÓˆÛÙË ÂÈÎfiÓ· ÙˆÓ ∆ÚÈÒÓ πÂÚ·Ú¯ÒÓ Ì ˘ÔÁÚ·Ê‹ ÙÔ˘ ∂ÌÌ·ÓÔ˘‹Ï ∆˙¿ÓÂ, ¢Ã∞∂ 27 (2006), Û. 353-364 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 363364: An Unknown Icon of the Three Hierarchs with the Signature of Emmanuel Tzanes). 972. ∫Ô‡ÙÛÈÎÔ˘ ÃÚ., µÈÔÁÚ·ÊÈ΋ ÂÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ °ÂˆÚÁ›Ô˘ ÛÙÔ ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË. ™˘Ì‚ÔÏ‹ ÛÙË ÌÂϤÙË ÙÔ˘ ÌÂÙ·‚˘˙·ÓÙÈÓÔ‡ ÂÈÎÔÓÔÁÚ·ÊÈÎÔ‡ ·ÎÏÔ˘ ÙÔ˘ ·Á›Ô˘, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË 7 (2007), Û. 67-93 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 92-93: The vita icon of Saint George in the Benaki Museum. Contribution to the study of the post-Byzantine cycle of the saint).

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973. Koutsikou Chr., La céramique chypriote médiévale dans les collections privées athéniennes, Ceramica Medievale 9 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 30. 974. ∫Ô‡ÙÛÈÎÔ˘ ÃÚ., ∏ ̤ıÔ‰Ô˜ ÙÔ˘ ‰È·‚fiÏÔ˘ Ì ÙÔ Ï·‰ÈÎfiÓ. ¶·Ú¿ÛÙ·ÛË ı·‡Ì·ÙÔ˜ ÙÔ˘ ·Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ Û ÌÂÙ·‚˘˙·ÓÙÈÓ¤˜ ÂÈÎfiÓ˜ ȉȈÙÈÎÒÓ Û˘ÏÏÔÁÒÓ, µ¿ÛηÓÔ˜ √Êı·ÏÌfi˜ (2010), Û. 155-166. 975. ∫ԇٯȷ ¡., ∏ ·ÚÔ˘Û›· ÙˆÓ ·ÁÈÔÁÚ¿ÊˆÓ ∫·Î·‚¿ ÛÙËÓ ∫ÔÚÈÓı›·, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 145-158 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 157: La présence des peintres religieux Kakavas en Corinthie). 976. ∫Ô˘ÊfiÔ˘ÏÔ˜ ¶., ª˘ÚÈ·Óı¤ˆ˜-∫Ô˘ÊÔÔ‡ÏÔ˘ ª., ∂ÈÙÔÌ‹ ÙÔ˘ ÚÒÈÌÔ˘ ÔÈÎÔ‰ÔÌÈÎÔ‡ ¯ÚÔÓÈÎÔ‡ Ù˘ ªÔÓ‹˜ ™ÈÓ¿, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 52-53. 977. Kyriakoudis E., The Scene of the Martyrdom of Saint Demetrios in PostByzantine Art, Zograf 31 (2006-2007), Û. 203-213 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 213). 978. ∫‡ÚÎÔ˜ ¡., ‚Ï. ·Ú. 676. 979. ∫‡ÚÔ˘ ∞., ¡ÔÌÈÛÌ·ÙÈΤ˜ Ì·ÚÙ˘Ú›Â˜ ÁÈ· ÙȘ ‚·Ú‚·ÚÈΤ˜ ÂȉÚÔ̤˜ ÛÙÔ ÓfiÙÈÔ ÂÏÏ·‰ÈÎfi ¯ÒÚÔ Î·Ù¿ ÙÔ˘˜ «ÛÎÔÙÂÈÓÔ‡˜ ·ÈÒÓ˜» ÙÔ˘ µ˘˙·ÓÙ›Ô˘, ¶ÂÏÔÔÓÓËÛȷο 29 (2008), Û. 225-258 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 250: Numismatic evidence on the barbaric raids in the south Helladic area during the so-called «Dark Ages» of the early Byzantine period). 980. ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë Ã., ∏ ¶·Ó·Á›· ÙˆÓ µÏ·¯ÂÚÓÒÓ ˆ˜ ¯¤ÁÁ˘Ô Ù˘ ‰ÈηÈÔÛ‡Ó˘: ∏ ÛÊÚ·Á›‰· ÙÔ˘ ™ÂÎÚ¤ÙÔ˘ Ì ÙÔÓ ªÈ¯·‹Ï ∏’ ¶·Ï·ÈÔÏfiÁÔ Î·È Ô ªÈ¯·‹Ï ∫·Îfi˜ ™ÂÓ·¯ËÚ›Ì, ¢Ã∞∂ 27 (2006), Û. 445-454 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 453-454: The Virgin of Vlachernai as Guarantor of Justice: The Seal of the Sekreton with Michael VIII Palaiologos and Michael Kakos Senachereim). 981. ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë Ã., √ ªÂÏÈÛÌfi˜. √È Û˘ÏÏÂÈÙÔ˘ÚÁÔ‡ÓÙ˜ ÈÂڿگ˜ Î·È ÔÈ ¿ÁÁÂÏÔÈ-‰È¿ÎÔÓÔÈ ÌÚÔÛÙ¿ ÛÙËÓ ·Á›· ÙÚ¿Â˙· Ì ٷ Ù›ÌÈ· ‰ÒÚ· ‹ ÙÔÓ Â˘¯·ÚÈÛÙÈ·Îfi ÃÚÈÛÙfi, (µ˘˙·ÓÙÈÓ¿ ªÓËÌ›·, ·Ú. 14), £ÂÛÛ·ÏÔÓ›ÎË: ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2008: The Melismos. The Co-officiating Hierarchs and the AngelDeacons flanked the Altar with the holy Bread and Wine or the Eucharistic Christ. 982. ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë Ã., ∏ £ÂÔÙfiÎÔ˜ ˆ˜ ™ÎËÓ‹ ÙÔ˘ ª·ÚÙ˘Ú›Ô˘ Ì ÙȘ ÚÔÂÈÎÔÓ›ÛÂȘ Î·È Ô ªÂÏÈÛÌfi˜ ÛÙËÓ ·„›‰· Ù˘ ∫fiÎÎÈÓ˘ ¶·Ó·ÁÈ¿˜ ÛÙËÓ ∫fiÓÈÙÛ·, ¢Ã∞∂ 29 (2008), Û. 87-100 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 99-100: The Virgin as Tent of Martyrdom with Prefigurations and the Melismos in the Apse of the Kokkini Panayia in Konitsa). 983. ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë Ã., ‚Ï. ·Ú. 573. 984. ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë˜ ∫., ŒÓ· ¯ÂÈÚfiÁÚ·ÊÔ ·fi Ù· ªÂÙ¤ˆÚ· ÛÙËÓ Û˘ÏÏÔÁ‹ ÙÔ˘ Robert Curzon: BL Additional 39618 , ∂∂µ™ 53 (2007-2009), Û. 407-442 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 592-593: A Manuscript from the Meteora in the Collection of Robert Curzon: BL Additional 39618].

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985. ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë˜ §., √ ÚfiÏÔ˜ Ù˘ Á˘Ó·ÈΛ·˜ ÌÔÚÊ‹˜ Û ‚˘˙·ÓÙÈÓ¤˜ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ¤˜ Û˘Ì‚ÔÏÈΤ˜ ·Ú·ÛÙ¿ÛÂȘ Ù˘ ¤ÓÓÔÈ·˜ ÙÔ˘ ¯ÚfiÓÔ˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 47-48. 986. ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë˜ §., ∆· ÌÔÙ›‚· ÙÔ˘ ÙÚÔ¯Ô‡ Î·È ÙÔ˘ ‰¤ÓÙÚÔ˘ Ù˘ ˙ˆ‹˜ ÛÙË ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ·Ú¿ÛÙ·ÛË Ù˘ «∑ˆ‹˜ ÙÔ˘ ∞ÓıÚÒÔ˘» ÛÙËÓ ÂÎÎÏËÛ›· ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘ ÛÙÔ ∞fi˙·ÚÈ ∫·ÛÙÔÚÈ¿˜: ÛËÌÂÈÔÏÔÁÈ΋ ÚÔÛ¤ÁÁÈÛË, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 58-59. 987. ∫ˆÓÛÙ·ÓÙÈÓ›‰Ô˘ ∞Ï., ªÔÓ·ÛÙÈ΋ ˙ˆ‹ ÛÙËÓ ¤ÚËÌÔ Ù˘ ™Î‹Ù˘ (Wadi Natrun, ∞›Á˘ÙÔ˜) ·fi ÙÔÓ 4Ô ˆ˜ ÙÔÓ 10 ·È. ∏ Û˘Ì‚ÔÏ‹ Ù˘ ÎÂÚ·ÌÈ΋˜ ·fi ÙËÓ ·Ú¯·›· ÌÔÓ‹ ÙˆÓ ƒˆÌ·›ˆÓ (Deir al-Baramus) / Monastic Life in the Desert of Sketis (Wadi Natrun, Egypt) from 4th to 10th Cent. The Contribution of the Pottery from Deir al-Baramus, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 46-47. 988. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¡., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], Ï‹ÌÌ. ·Ú. 27 (∑ˆÁÚ¿ÊÔ˜ ∂ÌÌ·ÓÔ˘‹Ï ∆˙¿Ó˜: ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ Î·È ÛÎËÓ¤˜ ÙÔ˘ ‚›Ô˘ ÙÔ˘, 1646), 28 (∑ˆÁÚ¿ÊÔ˜ ∏Ï›·˜ ªfiÛÎÔ˜: √ ÂÓ ∫·Ó¿ °¿ÌÔ˜, 1651), 45 (√È ÕÁÈÔÈ ¶¿ÓÙ˜, 17Ô˜ ·È.), 46 (∑ˆÁÚ¿ÊÔ˜ °ÂÒÚÁÈÔ˜ µÈ‰¿Ï˘: √ ÕÁÈÔ˜ πˆ¿ÓÓ˘ ¶Úfi‰ÚÔÌÔ˜, 17Ô˜ ·È.), 47 (√ ¢·ÁÁÂÏÈÛÙ‹˜ §Ô˘Î¿˜ ˙ˆÁÚ·Ê›˙ÂÈ ÙËÓ ÂÈÎfiÓ· Ù˘ ¶·Ó·Á›·˜, 17Ô˜ ·È.), 48 (∑ˆÁÚ¿ÊÔ˜ ∏Ï›·˜ ªfiÛÎÔ˜: ∞Ú¯¿ÁÁÂÏÔ˜ ªÈ¯·‹Ï, 17Ô˜ ·È.), 50 (∑ˆÁÚ¿ÊÔ˜ ∏Ï›·˜ ªfiÛÎÔ˜: √ ÚÔÊ‹Ù˘ ∑·¯·Ú›·˜, ‰Â‡ÙÂÚÔ ÌÈÛfi 17Ô˘ ·ÈÒÓ·), 52 (∑ˆÁÚ¿ÊÔ˜ ¡ÈÎfiÏ·Ô˜ ∫·ÏϤÚÁ˘: ∏ ÚÔÊËÙ›· ÙÔ˘ µ·Ï·¿Ì, 1722). 989. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., µª ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ [∞ı‹Ó· 2006], ÂÈÛ·ÁˆÁÈÎfi ΛÌÂÓÔ ÛÙȘ Û. 64-76 (°ÂÒÚÁÈÔ˜ ™ˆÙËÚ›Ô˘: À¤Ú ŒıÓÔ˘˜, £ÚËÛΛ·˜ Î·È ∂ÈÛÙ‹Ì˘). 990. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô: ªÈ· ¿ÏÏË ÔÏÈÙÈ΋ Â›Ó·È ÂÊÈÎÙ‹, Ilissia 1 (2007), Û. 4-13. 991. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., Introduction to Material Culture in the Byzantine and Christian Museum, Athens, Material Culture (2007), ¶Ú·ÎÙÈο, Û. 155-158. 992. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 13-27 (∏ ÌÔ˘ÛÂÈÔÏÔÁÈ΋ Ì·˜ ÚfiÙ·ÛË), 104-105 (√ ÎfiÛÌÔ˜ ÙÔ˘ µ˘˙·ÓÙ›Ô˘). 993. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., °ÂˆÚÁ·ÎfiÔ˘ÏÔ˜ §., πÏ›ÛÛÈ·: ÙÔ ÔÏÈÙÈÛÙÈÎfi ¿ÚÎÔ ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ Î·È ÃÚÈÛÙÈ·ÓÈÎÔ‡ ªÔ˘Û›Ԣ, Ilissia 2 (2008), Û. 76-83. 994. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢. , ªÂÙ·ÙÚ¤ÔÓÙ·È ÔÈ Ï·ÙÚ¢ÙÈÎÔ› ¯ÒÚÔÈ Û ÌÔ˘Û›·, ªÔ˘Û›· Û ÌÓËÌ›· (2008), ¶Ú·ÎÙÈο, Û. 171-183. 995. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., ªÔ˘ÛÂȷΤ˜ ÂÈ-ÛΤ„ÂȘ. µÂÚÔÏ›ÓÔ-µÚ˘Í¤ÏϘ, Ilissia 3 (2008), Û. 102-109. 996. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., ªÔ˘ÛÂȷΤ˜ ÛÔ˘‰¤˜: ÂÓ ÙÔȘ Ú¿ÁÌ·ÛÈ…, Ilissia 3 (2008), Û. 32-37.

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997. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., ∆· ‚˘˙·ÓÙÈÓ¿ ÌÓËÌ›· Ù˘ ∫‡ÚÔ˘ ̤۷ ·fi ÙÔ ·Ú¯Â›Ô °. ™ˆÙËÚ›Ô˘, ∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 115. 998. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., µ˘˙·ÓÙÈÓfi ªÔ˘Û›Ô. ∆Ô ¶·ÚÂÏıfiÓ, ÙÔ ¶·ÚfiÓ Î·È ÙÔ ª¤ÏÏÔÓ, ∞ı‹Ó· 2009. 999. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., ∏ πÛÙÔÚ›· Ù˘ ÃÚÈÛÙÈ·ÓÈ΋˜ ∞Ú¯·ÈÔÏÔÁÈ΋˜ ∂Ù·ÈÚ›·˜, ∞ı‹Ó· 2009. 1000. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô. ∏ ·ÏÏ·Á‹, ∞Ú¯·ÈÔÏÔÁ›· Î·È ∆¤¯Ó˜ 110 (2009), Û. 96-100. 1001. ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢., ∆Ô µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘ÛÂ›Ô ÔÏÔÎÏËÚÒÓÂÙ·È. ∆Ô µ˘˙·ÓÙÈÓfi ªÔ˘ÛÂ›Ô Á˘Ú›˙ÂÈ ÛÂÏ›‰·, Ilissia 5-6 (2010), Û. 4-11. 1002. Constantoudaki-Kitromilides ª., ∞lexios and Anghelos Apokafkos, Constantinopolitan painters in Crete (1399-1421). Documents from the State Archives in Venice, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 45-46. 1003. Constantoudaki-Kitromilides ª., San Nicola [Bari 2006], Ï‹ÌÌ. ·Ú. V.11 (Nikolaos Kalbos, prête: San Nicola e scene della sua vita). 1004. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ŒÚÁ· ÙÔ˘ ªÈ¯·‹Ï ¢·Ì·ÛÎËÓÔ‡ ÛÙÔ ÈÂÚfi ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ µÂÓÂÙ›·˜: ŒÍÔ‰· Î·È ·ÌÔÈ‚‹ (·Ó¤Î‰ÔÙ· ¤ÁÁÚ·Ê·, 1577-1579), ¢Ã∞∂ 27 (2006), Û. 505-510 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 510: Works by Michael Damaskinos in the Sanctuary of the Church of St George in Venice: Expenses and Remuneration (Unpublished Documents, 1577-1579)]. 1005. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ∏ ÎÚËÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ 15Ô˘ Î·È ÙÔ˘ 16Ô˘ ·ÈÒÓ· ÛÙÔ Â˘Úˆ·˚Îfi Ï·›ÛÈÔ Ù˘ ÂÔ¯‹˜ (ÛÙÚÔÁÁ˘Ï‹ ÙÚ¿Â˙·), ∫ÚËÙÔÏÔÁÈÎfi 10 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 165-166. 1006. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., √ ¿ÁÈÔ˜ πÂÚÒÓ˘ÌÔ˜ ˆ˜ ·Ù¤Ú·˜ Ù˘ ∂ÎÎÏËÛ›·˜ Î·È ˆ˜ ÂÚËÌ›Ù˘ Û ¤ÚÁ· ÎÚËÙÈ΋˜ Ù¤¯Ó˘. ∂ÈÎÔÓÔÁÚ·ÊÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ Î·È ÂÈÎÔÓÔÏÔÁÈΤ˜ ÚÔÂÎÙ¿ÛÂȘ, ∫ÚËÙÔÏÔÁÈÎfi 10 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 165. 1007. Constantoudaki-Kitromilides ª., Cretan Painters and Their Workshops in Sixteenth Century Candia: Early El Greco’s Professional Environment, El Greco’s Studio (2007), ¶Ú·ÎÙÈο, Û. 1-29. 1008. Constantoudaki-Kitromilides ª., Myrianthefs D., The Churches of the Virgin Podythou and of the Theotokos (or of the Archangel) in Galata, Nicosia 2007 / Die Kirchen der Panagia Podythou und der Theotokos (oder des Erzengels) in Galata, Lefkosia 2007. [∞ÁÁÏÈ΋ Î·È ÁÂÚÌ·ÓÈ΋ ¤Î‰ÔÛË ÙÔ˘ ÂÏÏËÓÈÎÔ‡ ÚˆÙfiÙ˘Ô˘ Ô˘ ÂΉfiıËΠÙÔ 2005: ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ª˘ÚÈ·Óı‡˜ ¢., √È Ó·Ô› Ù˘ ¶·Ó·Á›·˜ ¶Ô‰‡ıÔ˘ Î·È Ù˘ £ÂÔÙfiÎÔ˘ (‹ ÙÔ˘ ∞Ú¯·ÁÁ¤ÏÔ˘) ÛÙË °·Ï¿Ù·, §Â˘ÎˆÛ›·: ¶ÔÏÈÙÈÛÙÈÎfi ÿ‰Ú˘Ì· ∆Ú·¤˙˘ ∫‡ÚÔ˘, πÂÚ¿ ªËÙÚfiÔÏȘ ªfiÚÊÔ˘, ∆Ì‹Ì· ∞Ú¯·ÈÔÙ‹ÙˆÓ ∫‡ÚÔ˘, 2005].

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1009. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., Museo Civico di Cremona [2007], Ï‹ÌÌ. ·Ú. 250 (Madonna col Bambino, Madre della consolazione), 251 (Madonna col Bambino, Glykofiloussa), 252 (San Giorgio a cavallo che uccide il drago). 1010. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., °ÎÚ¤ÎÔ / Greco [∞ı‹Ó· 2007], Û. 41-67 (∂ÚÁ·ÛÙ‹ÚÈ· ηÏÏÈÙ¯ÓÒÓ ÛÙËÓ ∫Ú‹ÙË ÙÔ˘ £ÂÔÙÔÎfiÔ˘ÏÔ˘ / Talleres artísticos en la Creta de Theotokopoulos). 1011. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ÕÙÏ·ÓÙ˜, ÚÔÛˆ›·, ϤÔÓÙ˜: °Ï˘Ù¿ Ù˘ ‚ÂÓÂÙÈ΋˜ ÂÚÈfi‰Ô˘ ·fi ÙË ÌÔÓ‹ ∞ÁηڿıÔ˘, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 114-139 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 138-139: Atlantes, masks, lions: Sculptures of the Venetian period in the monastery of Angarathos, Crete). 1012. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., √ ÃÚÈÛÙfi˜ ∂ÏÎfiÌÂÓÔ˜ Â› ™Ù·˘ÚÔ‡ ÛÙÔ ªËÙÚÔÔÏÈÙÈÎfi ªÔ˘ÛÂ›Ô ∆¤¯Ó˘ Ù˘ ¡¤·˜ ÀfiÚ΢: ™‡ÓıÂÛË, ËÁ¤˜ Î·È ÂÚÈÏ·Ó‹ÛÂȘ ÙÔ˘ ¤ÚÁÔ˘ / Christ’s Way to Calvary by Nikolaos Tzafouris in the Metropolitan Museum of Art, New York: Composition, Sources, and Wanderings, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 48 ¶Ú‚Ï. ÙËÓ ËÏÂÎÙÚÔÓÈ΋ ‰ËÌÔÛ›Â˘ÛË: http://www.artopos.gr/print_it.asp?id=755 (∞Ú›ÏÈÔ˜ 2007). 1013. Constantoudaki-Kitromilides ª., Tradition and Diversity: Icon Painting in Crete, Venice, the Ionian Islands and El Greco’s Early Career, The Greek World (2008), ¶Ú·ÎÙÈο, Û. 55-79. 1014. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙȘ ÙÔȯÔÁڷʛ˜ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ÛÙ· ∞ÎÔ‡ÌÈ· ƒÂı‡ÌÓ˘, ∂·Ú¯›· ∞Á›Ô˘ µ·ÛÈÏ›Ԣ (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 57. 1015. Constantoudaki-Kitromilides ª., Viaggi di pittori tra Costantinopoli e Candia. Documenti d’archivio e influssi sull’arte (XIV-XV sec.), Venetocrazia (2009), ¶Ú·ÎÙÈο, Û. 709-723, 826-831. 1016. Constantoudaki-Kitromilides ª., ∂l Greco origins [New York 2009], Ï‹ÌÌ. ·Ú. 15 (Nikolaos Tzafouris, The Road to Calvary-Christ Elkomenos), 30 (Georgios Klontzas, Saint George on Horseback Slaying the Dragon), 34 (Michael Damaskenos, The Virgin in the Burning Bush), 35 (Michael Damaskenos, The Adoration of the Magi), 36 (Michael Damaskenos, The Last Supper), 37 (Michael Damaskenos, Noli me tangere and Other Scenes), 38 (Michael Damaskenos, The Celestial Liturgy and the Holy Trinity), 39 (Michael Damaskenos, The First Ecumenical Council of Nicaea). 1017. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 08 (∂ÈÎfiÓ· ÙÔ˘ ∂˘·ÁÁÂÏÈÛÌÔ‡ Ù˘ £ÂÔÙfiÎÔ˘ Ì ·Ú¿ÛÙ·ÛË Î‹Ô˘, ‚’ ÌÈÛfi 15Ô˘ ·È.).

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1018. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ¢ÔÌ‹ÓÈÎÔ˜ £ÂÔÙÔÎfiÔ˘ÏÔ˜, ªÂÁ¿ÏÔÈ ŒÏÏËÓ˜ (2009), Ù. ∞’, Û. 225-231. 1019. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ∏ Isabelle de Lusignan ∫·ÓÙ·ÎÔ˘˙ËÓ‹ Î·È Ù· ÙÈÌ·ÏÊ‹ Ù˘ ·fi ÙÔÓ ª˘ÛÙÚ¿ ÛÙËÓ ∫Ú‹ÙË, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 161-170. 1020. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., Ÿ„ÂȘ Ù˘ ˙ˆÁÚ·ÊÈ΋˜ ÂÈÎfiÓˆÓ ÛÙËÓ ∫‡ÚÔ Î·Ù¿ ÙË ‚ÂÓÂÙÈ΋ ÂÚ›Ô‰Ô Î·È ÔÈ Û¯¤ÛÂȘ Ì ÙË µÂÓÂÙ›· / Aspects of Icon Painting in Venetian Cyprus and Relations with Venice, °·ÏËÓÔÙ¿ÙË / Serenissima (2009), ¶Ú·ÎÙÈο, Û. 157-193. 1021. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ¶¤ÓÙ ˙ˆÁÚ¿ÊÔÈ, ¤Ó· ‰È·ÎÔÛÌË̤ÓÔ ·Ú·¤Ù·ÛÌ· Î·È ¤Ó·˜ ÊfiÓÔ˜ ÛÙË µÂÓÂÙ›· (1396): ∆Ô ÂÂÈÛfi‰ÈÔ Î·È ÔÈ ÚÔÂÎÙ¿ÛÂȘ ÙÔ˘, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 7 (2009), ¶ÂÚÈÏ‹„ÂȘ, ¯ˆÚ›˜ ·Ú›ıÌËÛË ÛÂÏ›‰ˆÓ [·ÁÁÏÈ΋ ·fi‰ÔÛË: Five Painters, a Decorated Curtain, and a Homicide in Venice (1396): An Incident and Its Implications]. 1022. Constantoudaki-Kitromilides ª., Cretan Icons and Venetian Art, Renaissance Society (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 60. 1023. Constantoudaki-Kitromilides ª., The Venetian Experience of Two Cretan Icon Painters and Its Impact on Their Work: Michael Damaskinos and Domenikos Theotokopoulos, Griechische Ikonen (2010), ¶Ú·ÎÙÈο, Û. 59-80 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 80: ∏ ‚ÂÓÂÙÈ΋ ÂÌÂÈÚ›· ‰‡Ô ∫ÚËÙÈÎÒÓ ˙ˆÁÚ¿ÊˆÓ ÂÈÎfiÓˆÓ Î·È Ë Â›‰Ú·Û‹ ÙÔ˘˜ ÛÙÔ ¤ÚÁÔ ÙÔ˘˜: ªÈ¯·‹Ï ¢·Ì·ÛÎËÓfi˜ Î·È ¢ÔÌ‹ÓÈÎÔ˜ £ÂÔÙÔÎfiÔ˘ÏÔ˜). 1024. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 15 (√ ¿ÁÈÔ˜ πÂÚÒÓ˘ÌÔ˜ ·Ê·ÈÚ› ·ÁοıÈ ·fi ÙÔ ¤ÏÌ· ÙÔ˘ ϤÔÓÙ·, Á’ ٤ٷÚÙÔ 15Ô˘ ·È.), ·Ú. 49 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: √ ÃÚÈÛÙfi˜ ÕÎÚ· ∆·›ӈÛË Ì ÙËÓ ¶·Ó·Á›· Î·È ÙÔÓ Â˘·ÁÁÂÏÈÛÙ‹ πˆ¿ÓÓË, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), ·Ú. 57 (∑ˆÁÚ¿ÊÔ˜ ¡ÈÎfiÏ·Ô˜ ∆˙·ÊÔ‡Ú˘: ÃÚÈÛÙfi˜ ∂ÏÎfiÌÂÓÔ˜ Â› ™Ù·˘ÚÔ‡, Ù¤ÏË 15Ô˘ ·È.), ·Ú. 59 (∑ˆÁÚ¿ÊÔ˜ ªÈ¯·‹Ï ¢·Ì·ÛÎËÓfi˜: ∆· ∂ÈÛfi‰È· Ù˘ ¶·Ó·Á›·˜ Î·È Ë À··ÓÙ‹ ÙÔ˘ ÃÚÈÛÙÔ‡, ÂÚ› ÙÔ 1570-1580), ·Ú. 63 (∑ˆÁÚ¿ÊÔ˜ ¢ÔÌ‹ÓÈÎÔ˜ £ÂÔÙÔÎfiÔ˘ÏÔ˜: ∏ ∫Ô›ÌËÛË Ù˘ £ÂÔÙfiÎÔ˘, Á‡Úˆ ÛÙÔ 1565-1567). 1025. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., £¤Ì·Ù· ÂÈÎÔÓÔÁÚ·Ê›·˜ Î·È ÛÙÔȯ›· Ú·ÁÌ·ÙÈÎfiÙËÙ·˜ ÛÙȘ ÙÔȯÔÁڷʛ˜ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ÛÙ· ∞ÎÔ‡ÌÈ· ƒÂı‡ÌÓ˘ (14Ô˜ ·È.), Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 53-54. 1026. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., √ Ó·fi˜ ÙˆÓ ∂ÈÛÔ‰›ˆÓ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙÔÓ ™ÌÈϤ ∞Ì·Ú›Ô˘, E·Ú¯›· ∞Ì·Ú›Ô˘ (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 50-51. 1027. ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., ∆¿ÛÂȘ Î·È Î˘ÚÈfiÙÂÚÔÈ ÂÎÚfiÛˆÔÈ Ù˘ ˙ˆÁÚ·ÊÈ΋˜ ÂÈÎfiÓˆÓ ÛÙËÓ ∫Ú‹ÙË, ÙËÓ ∫‡ÚÔ Î·È Ù· ∂Ù¿ÓËÛ· ÌÂÙ¿ ÙËÓ ÕψÛË, µÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓË ∂ÏÏ¿‰· (2010), Û. 493-534. 1028. ∫ˆÛÙ·ÎÔÔ‡ÏÔ˘ ª., Ruetten K., Issa M., ªÔÓ‹ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘, «√

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ÎÚ˘Ì̤ÓÔ˜ ıËÛ·˘Úfi˜ ÙˆÓ Ã·Ï·ÓÙÚÒÓ ¡¿ÍÔ˘», Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 68-69. 1029. ∫ˆÛÙ‹ π., ∂ÎÎÏËÛÈ·ÛÙÈο ¤ÚÁ· ·ÚÁ˘ÚÔ¯Ô˝·˜ ·fi ÙË Û˘ÏÏÔÁ‹ ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ ªÔ˘Û›Ԣ πˆ·ÓÓ›ÓˆÓ, ∏ÂÈÚÃÚ 40 (2006), Û. 421-439 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 430: Objets d' argent au Musée Byzantin de Ioannina). 1030. ∫ˆÛÙfiÔ˘ÏÔ˜ ¢., ∏ §¤ÚÔ˜ ÛÙÔ˘˜ ¯¿ÚÙ˜ ÙÔ˘ 16-17Ô˘ ·ÈÒÓ·. ∆Ô ÓËÛ› §Â›‰·, ¢ˆ‰ÃÚ 22 (2008), Û. 733-740. 1031. Kotoula D., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 253 (Gentile Bellini, d. 1507: Cardinal Bessarion and two Members of the Scuola della Carita in Prayer with the Bessarion reliquary; Venice, 1472-73). 1032. ∫ˆÙԇϷ ¢., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 16 (∂ÈÎfiÓ· Ì ÙÔ˘˜ ·Á›Ô˘˜ ∞˘ÁÔ˘ÛÙ›ÓÔ, πÂÚÒÓ˘ÌÔ Î·È µÂÓ¤‰ÈÎÙÔ, ̤۷ 15Ô˘ ·È.). 1033. §¿‚‚·˜ °., √ ·Ó›ÂÚÔ˜ Ó·fi˜ Ù˘ ∞Ó·ÛÙ¿Ûˆ˜ ÛÙ· πÂÚÔÛfiÏ˘Ì·, ∞ı‹Ó·: ∞η‰ËÌ›· ∞ıËÓÒÓ, 2009. 1034. §·˙·Ú›‰Ô˘ ∞., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 68 (¯·ÚÙÒÔ ¯ÂÈÚfiÁÚ·ÊÔ ÚÔÛ΢ÓËÙ¿ÚÈÔ, Ù¤ÏË 17Ô˘ ·È.). 1035. §·˝Ô˘ ∞., ∏ ı¤ÛË Ù˘ Á˘Ó·›Î·˜ ÛÙË ‚˘˙·ÓÙÈÓ‹ ÎÔÈÓˆÓ›·, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 49-50. 1036. §·ÌÚÈÓÔ‡ ª., ÿÚÙ˘ Ê˘ÛÈÎÒÓ fiÚˆÓ Î·È ·Ú¯·ÈÔÙ‹ÙˆÓ §Â˘Î¿‰·˜ Î·È ÂÚȯÒÚˆÓ ÙÔ˘ ¤ÙÔ˘˜ 1757, ∏ÂÈÚÃÚ 40 (2006), Û. 381-400 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 401: Map of the Island of Leukada and Ambacious Golf of the 18th Century). 1037. §·ÌÚÈÓÔ‡ ª., ∏ ÌÂ۷ȈÓÈ΋ Ô¯‡ÚˆÛË Î·È Ë ÚÒÈÌË ˘ÚÔ‚ÔÏ›· ÂÚ›Ô‰Ô˜ ÙÔ˘ ÊÚÔ˘Ú›Ô˘ ∞Á›·˜ ª·‡Ú·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 60-61. 1038. §·ÌÚÈÓÔ‡ M., ‚Ï. ·Ú. 669. 1039. §·ÌÚÔÔ‡ÏÔ˘ Õ., ‚Ï. ·Ú. 43,. 1040. §·ÌÚÔÔ‡ÏÔ˘ Õ., ‚Ï. ·Ú. 1638,. 1041. §¿ÌÚÔ˘ ∂˘., ‚Ï. ·Ú. 1476. 1042. §¿ÌÚÔ˘ ∂˘., ‚Ï. ·Ú. 1478. 1043. §ÂÁ¿Î˘ ∞., ‚Ï. ·Ú. 1266. 1044. §ÂÔÓÙ·ÎÈ·Ó¿ÎÔ˘ ∂È., ∞fi ÙËÓ ∫ÚËÙÈ΋ ÛÙËÓ ∂Ù·ÓËÛȷ΋ ™¯ÔÏ‹. ªÂÙ¿‚·ÛË ·fi ÙË Ï·ÙÚ¢ÙÈ΋ ÂÈÎfiÓ· ÛÙÔ ıÚËÛ΢ÙÈÎfi ›Ó·Î·, ∞Ú¯·ÈÔÏÔÁ›· Î·È ∆¤¯Ó˜ 99 (πÔ‡ÓÈÔ˜ 2006), Û. 48-54 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 54: From the Cretan to the Ionian School: The Transition from the Portable Icons to Religious Panel Painting). ∏ÏÂÎÙÚÔÓÈ΋ ¤Î‰ÔÛË: http://www.arxaiologia.gr/ assets/media/PDF/migrated/99_48-54.pdf. 1045. §ÂÔÓÙ·ÎÈ·Ó¿ÎÔ˘ ∂È., £ˆÚ¿ÎÈ· Ù¤ÌÏˆÓ Î·È ·Ó·ıËÌ·ÙÈΤ˜ ÂÈÎfiÓ˜

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ÛÙ· ∂Ù¿ÓËÛ· (17Ô˜ -18Ô˜ ·È.) ∞fi ÙË Ï·ÙÚ¢ÙÈ΋ ÂÈÎfiÓ· ÛÙÔ ıÚËÛ΢ÙÈÎfi ›Ó·Î·: π‰ÂÔÏÔÁÈΤ˜ Î·È ÎÔÈÓˆÓÈΤ˜ ÚÔÂÎÙ¿ÛÂȘ, ∞Ú¯·ÈÔÏÔÁ›· Î·È ∆¤¯Ó˜ 103 (πÔ‡ÓÈÔ˜ 2007), Û. 77-83 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 83: Iconostasis Closure Panels and Ex-votos in the Ionian Islands (17th-18th cent.). From the Devotional Icon to the Religious Panel Painting: Ideological and Social Implications). ∏ÏÂÎÙÚÔÓÈ΋ ¤Î‰ÔÛË: http://www.arxaiologia.gr/assets/media/PDFofIssues/2316.pdf. 1046. Leontakianakou I., L'arbre de Jessé avec la Vierge et ses parents: création et contenu dogmatique d'une icône d'Emmanuel Tzanès à l'Institut hellénique de Venise, ¢Ã∞∂ 29 (2008), Û. 159-168 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 168: ∏ ƒ›˙· ÙÔ˘ πÂÛÛ·› Ì ÙËÓ ¶·Ó·Á›· Î·È ÙÔ˘˜ ÁÔÓ›˜ Ù˘. ¢ËÌÈÔ˘ÚÁ›· Î·È ‰ÔÁÌ·ÙÈÎfi ÂÚȯfiÌÂÓÔ ÌÈ·˜ ÂÈÎfiÓ·˜ ÙÔ˘ ∂ÌÌ·ÓÔ˘‹Ï ∆˙¿Ó ÛÙÔ ∂ÏÏËÓÈÎfi πÓÛÙÈÙÔ‡ÙÔ Ù˘ µÂÓÂÙ›·˜). 1047. Leontakianakou I., Une création post-byzantine; l’archange Michel victorieux et psychopompe, Zograf 33 (2009), Û. 145-158 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 145: A post-byzantine creation: the archangel Michael triumphant and psychopomp, ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 158). 1048. §ÂÔÓÙ·ÎÈ·Ó¿ÎÔ˘ ∂È., ªÂÎÈ¿Ú˘ ∞., ∏ ÌÂÙ·‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË, πÛÙÔÚ›· ÙÔ˘ ∂ÏÏËÓÈÎÔ‡ ŒıÓÔ˘˜ 18 (2009-2010), Û. 92-111. 1049. §ÂÔÓÙÈ¿‰Ë˜ π., ªÔÏ˘‚‰fi‚Ô˘ÏÏ· ÙÔ˘ ªÔ˘Û›Ԣ µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡ £ÂÛÛ·ÏÔӛ΢, (µ˘˙·ÓÙÈÓ¿ ∫›ÌÂÓ· Î·È ªÂϤٷÈ, 40), £ÂÛÛ·ÏÔÓ›ÎË: ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2006. 1050. §È·ÎfiÔ˘ÏÔ˜ °., ∏ ·ÌÂÏÔηÏÏȤÚÁÂÈ· Î·È Ë ÔÈÓÔ·Ú·ÁˆÁ‹ ÛÙËÓ ÚÒÈÌË ÔıˆÌ·ÓÈ΋ ¶ÂÏÔfiÓÓËÛÔ, ‚¿ÛÂÈ ÙÔ˘ ηٿÛÙÈ¯Ô˘ ∆∆10-1/14662 (14601463), √›ÓÔÓ ÈÛÙÔÚÒ 9 (2009), ¶Ú·ÎÙÈο, Û. 197-222 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 211: The Viticulture and the Wine Production in the Early Ottoman Peloponnese on the Basis of the TT10-1/14662 Taxation Cadastre (1460-1463)]. 1051. §È¿ÎÔ˜ ¢., ªÂÚÙ˙È̤΢ ¡., ŒÚÁ· ͢ÏÔÁÏ˘ÙÈ΋˜ ÙÔ˘ 18Ô˘ Î·È 19Ô˘ ·È. ·fi ÙÔÓ ÂÓÔÚÈ·Îfi Ó·fi ÙÔ˘ ∞Á›Ô˘ ∞ı·Ó·Û›Ô˘ ÛÙË ™˘ÎÈ¿ ÷ÏÎȉÈ΋˜, ¡π∫√¡∞¡√™ ¡. (2006), Û. 311-322 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 322: Wood-Carving Works of the Eighteenth and Nineteenth Century from the Parish Church of Agios Athanasios in Sykia, Chalkidiki. 1052. §È¿ÎÔ˜ ¢., √ ÁÏ˘Ùfi˜ ‰È¿ÎÔÛÌÔ˜ Û ÎÚ‹Ó˜ Î·È ÊȿϘ ÙˆÓ ·ÁÈÔÚÂÈÙÈÎÒÓ ÌÔÓÒÓ, µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 347-368. 1053. §È¿ÎÔ˜ ¢., ‚Ï. ·Ú. 1918.. 1054. §È¿ÎÔ˜ ¢., Biennale 52 [Venezia 2007], Û. 47-60 (∆Ô ‚˘˙·ÓÙÈÓfi Ì·ÚÌ·ÚÔıÂÙË̤ÓÔ ‰¿Â‰Ô ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ π‚‹ÚˆÓ ∞Á›Ô˘ ŸÚÔ˘˜). 1055. §È¿ÎÔ˜ ¢., ªÂÙ·‚˘˙·ÓÙÈÓ¿ ͢ÏfiÁÏ˘Ù· ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜ (1600-1750), ¢Ã∞∂ 28 (2007), Û. 283-292 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 292: Post-Byzantine Woodcarvings on Mount Athos (1600-1750)].

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1056. §È¿ÎÔ˜ ¢., •˘ÏfiÁÏ˘ÙÔÈ ÛÙ·˘ÚÔ› Ì ÂÂÓ‰‡ÛÂȘ ÛÙËÓ ·ÁÈÔÚÂÈÙÈ΋ ÌÔÓ‹ π‚‹ÚˆÓ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 62-63. 1057. Liakos D., Signum Salutis (2008), Ï‹ÌÌ. ·Ú. 27. 1058. Liakos D., The Byzantine Opus Sectile Floor in the katholikon of Iviron Monastery on Mount Athos, Zograf 32 (2008), Û. 37-44 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 44). 1059. §È¿ÎÔ˜ ¢., ∞fi ÙÔ Û΢ÔÊ˘Ï¿ÎÈÔ Ù˘ ÌÔÓ‹˜ π‚‹ÚˆÓ: Úfi‰ÚÔ̘ ·Ú·ÙËÚ‹ÛÂȘ ÛÙË ÌÂϤÙË ÙˆÓ ¤ÚÁˆÓ ÌÈÎÚÔÙ¯ӛ·˜, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 539-550 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë Û. 548: De la sacristie du monastère Iviron du mont Athos. Les premières constations sur l'etude des petits d'œuvres d'art). 1060. §È¿ÎÔ˜ ¢., •˘ÏfiÁÏ˘ÙÔÈ ÛÙ·˘ÚÔ› Ì ÂÂÓ‰‡ÛÂȘ ÛÙËÓ ·ÁÈÔÚÂÈÙÈ΋ ÌÔÓ‹ π‚‹ÚˆÓ, µ˘˙·ÓÙÈÓ¿ 28 (2008), Û. 331-362. 1061. §È¿ÎÔ˜ ¢., ‚Ï. ·Ú. 1922. 1062. Liakos D., Athos [Paris 2009], Ï‹ÌÌ. ·Ú. 17 (Sakkos de «l’empereur Jean Tzimiskès», XVIe siècle), 61 (Calice, dit «le Jaspe», seconde moitié du XIVe siècle), 65 [Icône de saint Georges, XIe siècle (icône), XIVe siècle (revêtement)], 66 (Icône avec le Dodekaotron, XIVe siècle), 71 (Croix de l’ impératrice Hélène Paléologina, première moitié du XVe siècle), 78 (Plaque d’ un pseudo-sarcophague dit «des fondaterurs», XIVe siècle), 81 (Reliquaire dit le «Kratiras», fin XIVe-XVe siècle), 92 (Portes de bema, seconde moitié du Xe siècle), 123 (Revêtement d’un manuscrit, fin du XIIIe-début du XIVe siècle), 124 (Revêtement d’une staurothèque, XIe-XIIe siècle), 127 (Katzion ou encensoir, seconde moitié du XIVe-XVe siècle), 149 (Icône-Reliure de manuscrit, XIIIe siècle et XIVe siècles), 150 (Revêtement d’une reliure d’un tétraévangile, début XIVe et XVe siècle), 151 (Revêtement d’une reliure, première moitié du XIIIe et XIVe siècle), 152 (Fragment d’un reliquaire ou d’une staurothèque, dit «le bouclier de saint Mercure», XIIe-XIIIe siècle), 160 (Enkolpion avec des scènes du cycle de la vie du Christ, XIIe siècle). 1063. §È¿ÎÔ˜ ¢., ∞fi ÙËÓ ·ÓÒÓ˘ÌË ÛÙËÓ ÂÒÓ˘ÌË ÁÏ˘ÙÈ΋ ·Ú·ÁˆÁ‹. «¢ÚfiÌÔÈ» ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜, ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 1 (2009), ¶Ú·ÎÙÈο, Û. 521-540. 1064. §È¿ÎÔ˜ ¢., ªÂÚÙ˙È̤΢ ¡., ŒÓ· ¿ÁÓˆÛÙÔ ‰ÒÚÔ ÙÔ˘ ªÂÁ¿ÏÔ˘ ∫fiÌÈÛÔ˘ Ù˘ µÏ·¯›·˜ Neagoe ÛÙË ÌÔÓ‹ µ·ÙÔ‰›Ô˘, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 70-71. 1065. §È¿ÎÔ˜ ¢., ŒÚÁ· ͢ÏÔÁÏ˘ÙÈ΋˜ ÛÙË ÌÔÓ‹ π‚‹ÚˆÓ ∞Á›Ô˘ ŸÚÔ˘˜ (17Ô˜ Î·È 18Ô˜ ·È.), ¢Ã∞∂ 30 (2009), Û. 301-312 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 312: Woodcarvings in the Iveron Monastery on Mount Athos (17th-18th Century)]. 1066. §È¿ÎÔ˜ ¢., ¶ÂÚ› Ù˘ ÌÂÙ·‚˘˙·ÓÙÈÓ‹˜ ÁÏ˘ÙÈ΋˜ ÙÔ˘ £ÂÛÛ·ÏÈÎÔ‡

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¯ÒÚÔ˘, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 657-670 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 665: On the post-byzantine sculpture in Thessaly). 1067. Liakos D., Steatite icon with the Deposition at the monastery of Iveron on Mount Athos, Zograf 34 (2010), Û. 65-70 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë. Û. 70). 1068. §È¿ÎÔ˜ ¢., ∏ ͢ÏÔÁÏ˘ÙÈ΋ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜ ÙÔÓ 16Ô ·È., Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 55-56. 1069. §È¿ÎÔ˜ ¢., ‚Ï. ·Ú. 1241. 1070. §È¿ÏË £., πÂÚ·ÙÈο ¿ÌÊÈ· Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ∞Úη‰›Ô˘. ∏ Û˘ÓÙ‹ÚËÛ‹ ÙÔ˘˜ Ì ‚¿ÛË ÙËÓ ·Ú¯‹ Ù˘ ÂÏ¿¯ÈÛÙ˘ Â¤Ì‚·Û˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 637-647 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 643: Arkadi Monastery vestments' conservation methods, following the principles of minimum intervention). 1071. Lianta ∂., John II Comnenus (1118-1143) or John III Vatatzes (12221254)? (Distinguishing the Hyperpyra of John II from those of John III), NC 166 (2006), Û. 269-299. 1072. Lianta ∂., Notes on the Module Classification of the Latin Imitative Billon Trachea (1204-1261), NCirc 114 (2006), Û. 203-204. 1073. Lianta ∂., The Display of Sigla on Late Byzantine Coins, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 115. 1074. Lianta ∂., Palaeologan Half-Stavrata: The Case of Manuel II Palaeologus (1391-1425), CerNum 12-13 (2006-2007), Û. 155-208. 1075. Lianta E., The Development and Function of Sigla on Late Byzantine Coins (A.D. 1204-1453), µ˘˙¢fiÌÔ˜ 16 (2007-2008), Û. 249-260 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 261-262). 1076. Lianta ∂., A Die-Study of the Half-Stavrata of Manuel II Palaeologus (1391-1425), Black Sea Coast (2008), ¶Ú·ÎÙÈο, Ù. 1, Û. 447-456 (‚Ô˘ÏÁ·ÚÈ΋ ÂÚ›ÏË„Ë, Û. 455-456). 1077. Lianta ∂., Some ‘Stavraton’ Hoards Re-∂xamined, NCirc 116 (2008), Û. 121-124. 1078. §È¿ÓÙ· ∂., ¡ÔÌ›ÛÌ·Ù· ÙÔ˘ ¶fiÓÙÔ˘ ·fi ÙË Û˘ÏÏÔÁ‹ ÙÔ˘ ∆¿ÛÔ˘ ∫˘ÚȷΛ‰Ë, ¶fiÓÙÔ˜ (2008), Û. 281-302 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë). 1079. Lianta E., Late Byzantine Coins 1204-1453 in the Ashmolean Museum, University of Oxford, London: Spink, 2009. 1080. Lianta ∂., The Thessalonica/2007 Hoard of Byzantine ThirteenthCentury Billon Trachea, NumCongress 14 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 96. 1081. Liveri A., Die Biene und ihre Produkte in der Kunst und im Alltagsleben (Frühchristliche und byzantinische Zeit), ZRVI 47 (2010), Û. 9-38 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 37-38).

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1082. §ÈÓ¿Ú‰Ô˘ ∫., ∏ Û‚·ÛÙÔÎÚ·ÙfiÚÈÛÛ· ∂ÈÚ‹ÓË, ÔÈ ·Ó¤Î‰ÔÙ˜ ÂÈÛÙÔϤ˜ ÙÔ˘ ÌÔÓ·¯Ô‡ π·ÎÒ‚Ô˘ Î·È ÔÈ ÂÈÎÔÓÔÁÚ·ÊË̤Ó˜ ÔÌÈϛ˜ ÙÔ˘ π·ÎÒ‚Ô˘ Ù˘ ªÔÓ‹˜ ∫ÔÎÎÈÓÔ‚¿ÊÔ˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 51-52. 1083. Linardou K., The Kokkinobaphos manuscripts revisited: the internal evidence of the books, Scriptorium 61/2 (2007), Û. 384-407. 1084. Linardou K., Mary and her µooks in the Kokkinobaphos ªanuscripts. Female Literacy or Visual Strategies of Narration?, ¢Ã∞∂ 29 (2008), Û. 35-48 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 47-48: ∏ ¶·Ó·Á›· Î·È Ù· ‚È‚Ï›· Ù˘ ÛÙȘ ÂÈÎÔÓÔÁÚ·ÊË̤Ó˜ ÔÌÈϛ˜ ÙÔ˘ π·ÎÒ‚Ô˘ Ù˘ ÌÔÓ‹˜ ∫ÔÎÎÈÓÔ‚¿ÊÔ˘: °˘Ó·ÈΛ· ÂÁÁÚ·Ì·ÙÔÛ‡ÓË ‹ ÛÙÚ·ÙËÁÈΤ˜ ÂÈηÛÙÈ΋˜ ·Ê‹ÁËÛ˘;). 1085. §ÈÓ¿Ú‰Ô˘ ∫., √ ÎÒ‰Èη˜ Paris. gr. 135 Î·È Ë Û¯¤ÛË ÙÔ˘ Ì ÙÔÓ ÎÒ‰Èη Laud. gr. 86 Ù˘ Bodleian Library, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 72-73. 1086. Loverdou-Tsigaridas K., Athos [Helsinki 2006], Ï‹ÌÌ. ·Ú. ∞84, ∞95. 1087. §Ô‚¤Ú‰Ô˘-∆ÛÈÁ·Ú›‰· ∫., ∏ ∫Ú‡ÙË ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ £ÂÛÛ·ÏÔӛ΢, ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, ∆·ÌÂ›Ô ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ¶fiÚˆÓ Î·È ∞·ÏÏÔÙÚÈÒÛˆÓ, 2006 (en serbocroate aussi: Sklep hrana sv. Dimitrija v Salonika, ∞ı‹Ó· 2008). 1088. §Ô‚¤Ú‰Ô˘-∆ÛÈÁ·Ú›‰· ∫., ∆Ô Î¿ÛÙÚÔ ÙÔ˘ ¶Ï·Ù·ÌÒÓ·, ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, ∆·ÌÂ›Ô ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ¶fiÚˆÓ Î·È ∞·ÏÏÔÙÚÈÒÛˆÓ, 2006 (en anglais aussi: The castle of Platamon, Athens 2007). 1089. §Ô‚¤Ú‰Ô˘-∆ÛÈÁ·Ú›‰· ∫., ‚Ï. ·Ú. 2037. 1090. Loverdou-Tsigaridas K., Les oeuvres d’arts mineurs comme expression des relation du Mont Athos avec l’aristocratie ecclésiastique et politique de Byzance, Athos, La Sainte Montagne (2007), Û. 63-96. 1091. Loverdou-Tsigaridas K., Revêtement de l’icône de la Vierge Vimatarissa datant de l’époque des Paléologues, monastère de Vatopedi, ZRVI 44 (2007) [∞ÊȤڈ̷ ÛÙÔÓ ·Î·‰ËÌ·˚Îfi Î. Gojko Subotiç], Û. 423-433 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 433-434). 1092. §Ô‚¤Ú‰Ô˘-∆ÛÈÁ·Ú›‰· ∫., ∏ ¯ÚÈÛÙÈ·ÓÈ΋ ÂÚ›Ô‰Ô˜ ÙˆÓ ∞ÈÁÒÓ, ∏Ì·ı›·˜ ªÂÏÂÙ‹Ì·Ù· (2007), ¶Ú·ÎÙÈο, Û. 36-42. 1093. Loverdou-Tsigaridas ∫., Iwobrqcenie Bogomateri v severo–vostocnom kupole cervi evv: Apostolov v Fessalonikah, POPOVA O. (2008), Û. 275-286 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 649-650). 1094. Loverdou-Tsigaridas ∫., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 18 (Plaque with Nereid with fruit-filled basket; Egypt, possibly Alexandria, fifth c.). 1095. Loverdou-Tsigaridas ∫., Athos [Paris 2009], Û. 75-81 (Les arts mineurs, témoins des liens de la société byzantine avec le Mont Athos) Î·È Ï‹ÌÌ. ·Ú. 63 (Icône de la Crucifixion, fin du XIIIe-début XIVe siècle (icône),

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seconde moitié du XIVe siècle (revêtement)], 64 (Icône de sainte Anne, début du XIVe siècle), 67 (Icône de la Vierge «Espoir des désespères», fin XIVedébut du XVe siècle) 70 [Icône de saint Démétrios, XVe siècle (revêtement), XVe-XVIe siècle (icône)], 79 [Vierge Hodegetria XVIIIe siècle (icône), vers 1320 (revêtement)], 83 (Icône de la Crucifixion, Xe-XIe siècle), 148 (Icône de Transfiguration, seconde moitié du XIIIe siècle), 154 (Enkolpion-camée avec l’archange Michel, XIIe siècle), 155 (Enkolpion-camée avec saint Georges, XIe-XIIe siècle), 156 (Enkolpion-camée avec le Christ Pantocrator en buste, XIe siècle), 157 [Enkolpion-camée avec le prophète Daniel, XIIe siècle (camée), XVe siècle (monture)], 158 (Croix pectorale avec le Christ et la Vierge, XIe siècle), 159 [Enkolpion avec la Vierge Hodegetria et l’archange Michel, XIe-XIIe siècle, (camée), XVe siècle (monture)], 162 (Enkolpion avec le Christ et la Vierge Hodegetria, fin du XIIe siècle-début du XIIIe siècle), 163 [Enkolpion-camée avec le Christ Pantocrator, XIIIe (camée) et XVe siècle (monture)], 164 (Triptyque avec une Déisis, XIIIe siècle), 167 (Enkolpion avec le Christ Pantocrator et saint Démétrios, XIVe siècle), 168 (Enkolpion avec la Descente aux Limbes et saint Christophe, XVe siècle), 169 (Enkolpion avec le Dodekaorton, XIVe siècle). 1096. §Ô‚¤Ú‰Ô˘-∆ÛÈÁ·Ú›‰· ∫., √ ¿ÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ÛÙËÓ ‚˘˙·ÓÙÈÓ‹ ÌÈÎÚÔÙ¯ӛ· Ù˘ £ÂÛÛ·ÏÔӛ΢, ¢ËÌ‹ÙÚÈ· 37-™˘ÌfiÛÈÔ 16 (2009), ¶Ú·ÎÙÈο, Û. 135-144. 1097. §Ô‡‚Ë-∫›˙Ë ∞., √ Ó·fi˜ ÙˆÓ ∞Á›ˆÓ ∞ÔÛÙfiÏˆÓ ÛÙÔ §ÂÔÓÙ¿ÚÈ ∞Ú牛·˜, ¢Ã∞∂ 28 (2007), Û. 99-114 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 114: L'église ds Saints Apôtres à Leontari). 1098. §˘Î›‰Ô˘ ∏., ‚Ï. ·Ú. 2074. 1099. §˘ÌÂÚÔÔ‡ÏÔ˘ ∞., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 38 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÕÁÈÔ˜ πˆ¿ÓÓ˘ Ô ¶Úfi‰ÚÔÌÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 1100. §˘¯Ô‡Ó·˜ ª., ‚Ï. ·Ú. 476. 1101. §˘¯Ô‡Ó·˜ ª., ∂ÈÙ¿ÊÈÔ˜ ·fi ÙÔ ∞ÎÚÔ‚Ô‡ÓÈ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 74-75. 1102. §ÒÏÔ˜ I., ‚Ï. ·Ú. 188. 1103. ª¿ÁÔ˜ ∫., °Ú‡ÏÏ˘ π·Î., °Ú‡ÏÏ˘ ª·Ó., ∞Ó·ÛÙ·ÛÈ¿‰Ë˜ ∂˘ı., ∞ÔηٿÛÙ·ÛË ÙÚÈÒÓ ÂÎÎÏËÛÈÒÓ ÛÙÔÓ ÔÈÎÈÛÌfi «ÃˆÚÈfi» ÿÏ΢, ¢ˆ‰ÂηӋÛÔ˘ 14 (2008), ¶Ú·ÎÙÈο, Û. 188-207. 1104. ª·ÁÔ˘Ï¿ Ÿ., ∏ ÂÈÛ·ÁˆÁ‹ ‚˘˙·ÓÙÈÓÔ‡ ÂÓ‰˘Ì·ÙÔÏÔÁÈÎÔ‡ Û˘ÛÙ‹Ì·ÙÔ˜ ÛÙËÓ ªÂÚÔ‚›ÁÁÂÈ· ¢‡ÛË: Ë Ì·ÚÙ˘Ú›· Ù˘ ·Ú¯·ÈÔÏÔÁ›·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 64-65. 1105. ª·‰ÂÚ¿Î˘ ™Ù., ªÂÚÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ‚˘˙·ÓÙÈÓ‹ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ‹ Ó·Ô‰ÔÌ›· Ù˘ ∫Ú‹Ù˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 53-54. 1106. ª·‰ÂÚ¿Î˘ ™Ù., À¿Ú¯ÂÈ ÎˆÓÛÙ·ÓÙÈÓÔ˘ÔÏ›ÙÈÎË Ù¤¯ÓË Î·È ÌÓËÌ›·

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ÈÛÙÔÚË̤ӷ ·fi ˙ˆÁÚ¿ÊÔ˘˜ ·fi ÙËÓ ¶fiÏË ÛÙËÓ ∫Ú‹ÙË;, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 66-67. 1107. Mazarakis A., Zaccaria e Della Volta nell’Egeo Orientale, 1268-1329, Atene: A & B adversing, 2006. 1108. Mazarakis ∞., Il contesto istituzionale della dominazione e il governo dei Gattilusio a Mitilene (1355-1462), CercNum XII-XIII (2006-2007), Û. 251-269. 1109. ª·˙·Ú¿Î˘ A., ∂˘ı˘ÌÈ¿‰Ë˜ ™Ù., ºˆÎ·˚ο Û·Ú¿ÁÌ·Ù·, ¢∫ª™ 15 (2008), Û. 39-162. 1110. ª·˙·Ú¿Î˘ ∞., ∞Ó‰ÚÔ‡‰Ë˜ ¶., ªÂ۷ȈÓÈΤ˜ Ô¯˘ÚÒÛÂȘ (∫¿ÛÙÚÔ ÃÒÚ·˜, ¶‡ÚÁÔÈ ÛÙËÓ ¶·Ï·È¿ÔÏË, ¶‡ÚÁÔ˜ ÙÔ˘ ºÔÓÈ¿) ÛÙË ™·ÌÔıÚ¿ÎË, √¯˘ÚˆÌ·ÙÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ∞ÈÁ·›Ô˘ (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 66. 1111. Mazarakis ∞., The coins of Rhodos 1476-1522, Cavalieri di San Giovanni (2009), ¶Ú·ÎÙÈο, Û. 569-585. 1112. ª·˙·Ú¿Î˘ ∞., √ ıËÛ·˘Úfi˜ ·fi ÙÔ ƒ¿˚ÎÔ˜ ∫Ô˘ÚÂÓÙ›ˆÓ ∏›ÚÔ˘, ∆√Àƒ∞∆™√°§√À π. (2009), Ù. ∞’, Û. 555-567. 1113. Mazarakis A., The coins of Rhodes, 1310-1476, ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 191-229. 1114. Mailis Ath., The early Byzantine baptisteries of Crete, Antiquité Tardive 14 (2006), Û. 291-309. 1115. ª·˝Ï˘ ∞ı., ∆Ô ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi ‚·ÙÈÛÙ‹ÚÈÔ ÙÔ˘ ºfi‰ÂÏÂ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 70-71. 1116. ª·˝Ï˘ ∞ı., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 106 (µÚ‡Û˜ ÃÚ‡Ûˆ˜). 1117. ª·˝Ï˘ ∞ı., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ‚·ÛÈÏÈ΋ Î·È ÓÂÎÚÔÙ·ÊÂ›Ô ÙˆÓ «ÛÎÔÙÂÈÓÒÓ ·ÈÒÓˆÓ» ÛÙË ª·ÚÈÔÏ¿Ù· ºˆÎ›‰·˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 54-55. 1118. ª·ÎÚÔÔ‡ÏÔ˘ ¢., ∆¿ÊÔÈ Î·È Ù·Ê¤˜ ·fi ÙÔ ‰˘ÙÈÎfi ÓÂÎÚÔÙ·ÊÂ›Ô Ù˘ £ÂÛÛ·ÏÔӛ΢ (‚’ ÌÈÛfi 3Ô˘ ·ÈÒÓ· – 6Ô˜ ·ÈÒÓ·˜ Ì.Ã.). ¢ÔÌÈο ¯·Ú·ÎÙËÚÈÛÙÈο – ∆·ÊÈΤ˜ Ú·ÎÙÈΤ˜ – ∫ÈÓËÙ¿ ∂˘Ú‹Ì·Ù·, ‰È‰·ÎÙÔÚÈ΋ ‰È·ÙÚÈ‚‹, ∞ı‹Ó· 2007. 1119. ª·ÎÚÔÔ‡ÏÔ˘ ¢., ∆Ô ¤ÚÁÔ Ù˘ 15˘ ∂ÊÔÚ›·˜ µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ Ù· ¤ÙË 2006 Î·È 2007, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 487-492. 1120. ª·Ï·‰¿Î˘ µ., ∆·‚Ï¿Î˘ π., √ ÎÚÈÙ‹˜ £ÂÛÛ·ÏÔӛ΢ ™·ÌˆÓ¿˜, ÙÔ Î¿ÛÙÚÔÓ Ù˘ πÂÚÈÛÛÔ‡ Î·È Ë ÌÔÓ‹ ∫ÔÏÔ‚Ô‡: ·›ıÂÈ· Î·È ÛÎÏËÚfiÙ˘ ÙÔÓ 10Ô ·È., ¢ÂοÙË 2 (2005-2006), Û. 88-93 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 93: Judge Samonas of Thessaloniki, the kastron of Hierissos and the monastery of Kolovou: disÔbidience and obstinacy in the 10th c.). 1121. ª·Ï·‰¿Î˘ µ., ‚Ï. ·Ú. 1885. 1122. Maladakis V., The Coronation of the Emperor on Middle Byzantine

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Coinage: A Case of Christian Political Theology (10th-mid 11th c.), Black Sea Coast (2008), ¶Ú·ÎÙÈο, Û. 338-356. 1123. ª·Ï·‰¿Î˘ µ., ‚Ï. ·Ú. 1890. 1124. Maladakis V., Athos [Paris 2009], Ï‹ÌÌ. ·Ú. 12, (Acolouthie et Vie de saint Athanase l’Athonite, XIIIe siècle), 32 (Psautier, milieu du IXe siècle), 51 (Actes de Apôtres, XIe siècle), 85 (Psaulter, 1088), 103 (Typikon, 1346), 122 (Psautier, fin XIe-début du XIIe siècle), 126 (Rouleau de la liturgie de Jean Chrysostome et des Présanctifiés, XIIe siècle),137 (L’Échelle de saint Jean Climaque, seconde moitié du XIe siècle), 139 (Discours d’Éphrem le Syrien et de l’abbé Dorothéos, XIe siècle), 143 Œ uvres de saint Jean Chrysostome, manuscrit amputé du début et de la fin, milieu du XIVe siècle), 144 (Œ uvres de Théophylaktos de Bulgarie, XIVe siècle), 145 (Tétraévangile, Cosmas Indicopleustès et Ammonios, 1289-1290), 176 (L’Hymne acathiste, deuxième quart du XVIIe siècle). 1125. ª·Ï·‰¿Î˘ µ., ¡ÔÌ›ÛÌ·Ù·, ŒÚ¢Ó˜ ÛÙËÓ ∂·ÓÔÌ‹ (2009), Û. 153154, 164-165, 257-266, 272-273. 1126. ª¿Ï·Ì· µ., ‚Ï. ·Ú. 16. 1127. ª·ÏÏÔ‡¯Ô˘-Tufano ª., ‚Ï. ·Ú. 660. 1128. ª·ÏÙ¤˙Ô˘ ∞., ‚Ï. ·Ú. 584. 1129. ª·ÏÙ¤˙Ô˘ ÃÚ., √ ÙÔ›¯Ô˜ Ù˘ ¶Ï·Ù›·˜ ÙˆÓ ∂ÏÏ‹ÓˆÓ ÛÙË µÂÓÂÙ›· Î·È Ù· ·Ú¯Âȷο ÙÂÎÌ‹ÚÈ· ȉÈÔÎÙËÛ›·˜ ÙÔ˘, ¢Ã∞∂ 28 (2007), Û. 157-162 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 162: The Wall of the Campo dei Greci in Venice and the Archival Documentation of its Ownership). 1130. ª·ÏÙ¤˙Ô˘ ÃÚ., ∫·Ï·‚Ú˘ÙÈÓ¿ ·Ì¤ÏÈ· Û ËÁ¤˜ Ù˘ ÂÚÈfi‰Ô˘ Ù˘ µÂÓÂÙÔÎÚ·Ù›·˜ ÛÙÔÓ ªÔÚÈ¿, √›ÓÔÓ ÈÛÙÔÚÒ 9 (2009), ¶Ú·ÎÙÈο, Û. 175-195 (ÈÙ·ÏÈ΋ ÂÚ›ÏË„Ë, Û. 188: Vigne nel territorio di Calavrita durante il secondo periodo della venetocrazia in Morea). 1131. ª·ÏÙ¤˙Ô˘ ÃÚ., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Û. 26-37 (∏ ÈÛÙÔÚ›· Ù˘ ∫Ú‹Ù˘ ηٿ ÙÔÓ 15Ô ·ÈÒÓ· Ì ‚¿ÛË ·Ú¯Âȷο ÙÂÎÌ‹ÚÈ·). 1132. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ‚Ï. ·Ú. 762. 1133. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ ·Ú¯È΋ ÌÔÚÊ‹ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ∞Á›Ô˘ §·˘ÚÂÓÙ›Ô˘ ÛÙÔ ¶‹ÏÈÔ, ¡π∫√¡∞¡√™ ¡. (2006), Û. 69-78 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 78: The Initial Form of the Katholikon of the Hagios Lavrentios Monastery on Mount Pelion). 1134. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ÛÙÔ ∫¿ÛÙÚÔ Ù˘ ∑·Î‡ÓıÔ˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 55-56. 1135. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Û˘ÁÎÚÔÙ‹Ì·ÙÔ˜ ÙˆÓ ∞Á›ˆÓ ∞Ó·ÚÁ‡ÚˆÓ ÛÙÔ ∫¿Ùˆ ™·ÁÎÚ› ¡¿ÍÔ˘, ¢Ã∞∂ 27 (2006), Û. 49-58 (·ÁÁÏÈ΋ ÂÚ›-

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ÏË„Ë, Û. 59-60: The Architecture of the Hagioi Anargyroi Complex at Kato Sangri, Naxos). 1136. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ ÓÔÙÈÔ‰˘ÙÈ΋ Ù¤Ú˘Á· Ù˘ ÌÔÓ‹˜ ¢Ô˘Û›ÎÔ˘, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. I, Û. 483-494 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 488: The South-Western Wing of the Dousikou Monastery). 1137. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¶¤ÓÓ·˜ Ã., √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ÙÔ˘ £ÂÔÏfiÁÔ˘ ÛÙÔ ÕÓˆ ∫fiÚıÈ Ù˘ ÕÓ‰ÚÔ: ŒÓ· ¿ÁÓˆÛÙÔ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi ÌÓËÌ›Ô, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 57-58. 1138. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ™˘ÌÏËڈ̷ÙÈο ÛÙÔȯ›· ÁÈ· ÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ Ù˘ ∫·ıÔÏÈ΋˜ ∂ÎÎÏËÛ›·˜ (º·Ù›¯ ∆˙·Ì›) Ù˘ ∞›ÓÔ˘, ¶ÂÚ› £Ú¿Î˘ 5 (20052006), Û. 11-39 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 39: Additional notes on the architecture of the «Katholike Ekklesia» (Fatih Camii) at Ainos (Enez)]. 1139. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ‚Ï. ·Ú. 1479. 1140. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙË ‰È·ÌfiÚʈÛË ÙˆÓ ·ÓÔÈÁÌ¿ÙˆÓ ÙˆÓ ı˘ÚÒÓ Î·È ÙˆÓ ·Ú·ı‡ÚˆÓ ÛÙË ‚˘˙·ÓÙÈÓ‹ ·Ú¯ÈÙÂÎÙÔÓÈ΋, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 68-69. 1141. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ÛÙÔ ∫¿ÛÙÚÔ Ù˘ ∑·Î‡ÓıÔ˘, ∑∏µ∞™ ¢. (2007), Û. 322-335. 1142. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¶ÂÚÚ¿Î˘ π., √ Ó·fi˜ Ù˘ £ÂÔÙfiÎÔ˘ ÃÚ˘ÛÔËÁ‹˜ ÛÙËÓ ∞›ÓÔ, £Ú·ÎÈÎÒÓ ™Ô˘‰ÒÓ 4 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 47-48. 1143. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ ¶ÚÔÎÔ›Ô˘ ÛÙË ™‡ÁÎÚ·ÛË ∞ÌÌÔ¯ÒÛÙÔ˘, ∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 118-119. 1144. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ ÌÔÓ‹ ∞‚¿ÛÛÔ˘ ÛÙË §·ÎÎÔԇϷ Ù˘ ¶Ú¤‚Â˙·˜. πÛÙÔÚ›· Î·È ·Ú¯ÈÙÂÎÙÔÓÈ΋, ∏ÂÈÚˆÙÒÓ ∫ÔÈÓfiÓ 2 (2008), Û. 199-234. 1145. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¶ÈÓ¿ÙÛË ÃÚ., ™˘ÌÏËڈ̷ÙÈο ÛÙÔȯ›· ÁÈ· ÙÔ Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ¶ÂÚȂϤÙÔ˘ ÛÙ· ¶ÔÏÈÙÈο ∂‡‚ÔÈ·˜, ∞∂˘‚ª 37 (2007) [2008] Û. 71-82. 1146. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¶ÈÓ¿ÙÛË ÃÚ., ™˘ÌÏËڈ̷ÙÈο ÛÙÔȯ›· ÁÈ· ÙÔ Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ¶ÂÚȂϤÙÔ˘ ÛÙ· ¶ÔÏÈÙÈο ∂‡‚ÔÈ·˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 56-57. 1147. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ‚Ï. ·Ú. 773. 1148. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ ÚÔÛ¤ÁÁÈÛË Ù˘ ‰È·‰Èηۛ·˜ ÙÔ˘ ۯ‰ȷÛÌÔ‡ ÛÙË ‚˘˙·ÓÙÈÓ‹ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ̤۷ ·fi ÙË ÌÂϤÙË ÙˆÓ ÌÓËÌ›ˆÓ: ÌÈ· ·ÊÔÚÌ‹ ÁÈ· ÚÔ‚ÏËÌ·ÙÈÛÌfi Û¯ÂÙÈο Ì ÙË ¯Ú‹ÛË ÚÔÏ·ÛÌ¿ÙˆÓ ÛÙË ‚˘˙·ÓÙÈÓ‹ ·Ú¯ÈÙÂÎÙÔÓÈ΋, ∞πª√™ 3 (2009), ¶Ú·ÎÙÈο, Û. 37-46. 1149. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ Û˘Ì‚ÔÏ‹ ÙÔ˘ ηıËÁËÙ‹ ÷ڿϷÌÔ˘ ªÔ‡Ú· ÛÙË ÌÂϤÙË Ù˘ ‚˘˙·ÓÙÈÓ‹˜ Î·È Ù˘ ÌÂÙ·‚˘˙·ÓÙÈÓ‹˜ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜, ª¶√Àƒ∞™ Ã. (2009), Û. 41-50.

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1150. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ÔÈÎÔ‰ÔÌÈ΋ ÈÛÙÔÚ›· Î·È ÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ ÔÈÎÔ‰ÔÌÈÎÔ‡ Û˘ÁÎÚÔÙ‹Ì·ÙÔ˜ Ù˘ ÌÔÓ‹˜ ™·ÁÌ·Ù¿, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 76-77. 1151. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ™‰ÚfiÏÈ· ™Ù., ∞Ú¯·ÈÔÏÔÁÈο ηٿÏÔÈ· ÛÙÔ «ŸÚÔ˜ ÙˆÓ ∫ÂÏÏ›ˆÓ», ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 577-593 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 589: Archaeological Remains on Kellia Mountain (Kissavos)]. 1152. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∆Ô Ù¤ÏÔ˜ Ù˘ «·Ú¿‰ÔÛ˘» ÛÙË Ó·Ô‰ÔÌ›·. ∆Ô ·Ú¿‰ÂÈÁÌ· Ù˘ ∏›ÚÔ˘, ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 1 (2009), ¶Ú·ÎÙÈο, Û. 65-192. 1153. Mamaloukos St., Notes on the Constructional History and Architecture of the Church of the Porta-Panaghia, Thessaly, Greece, Byzantine Studies Conference 36 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 41-42. 1154. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ Ù˘ ηÙÔÈΛ·˜ ÛÙËÓ ¶Ú¤‚Â˙· ˆ˜ Ù· ̤۷ ÙÔ˘ 20Ô‡ ·ÈÒÓ·, ¶Ú¤‚Â˙· 2 (2010), ¶Ú·ÎÙÈο, Û. 251-278 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 259: The Domestic Architecture in the city of Preveza until the mid 20th century). 1155. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ ‰˘ÙÈ΋ Ù¤Ú˘Á· Ù˘ ªÔÓ‹˜ µ·ÙÔ‰›Ô˘, ∞ÁÈÔÚ∂ÛÙ›·˜ 5: ∞Á›Ô˘ ŸÚÔ˘˜ ·Ú¯ÈÙÂÎÙÔÓÈ΋ (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 21. 1156. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∏ Ó·Ô‰ÔÌ›· ÛÙËÓ fiÏË Ù˘ ¶Ú¤‚Â˙·˜ ηٿ ÙÔ 19Ô ·ÈÒÓ·, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 57-58. 1157. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ¡·fi˜ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙÔ ¶Ï·Ù¿ÓÈ ∞¯·˝·˜. ™˘ÌÏËڈ̷ÙÈο ÛÙÔȯ›·, ¢Ã∞∂ 31 (2010), Û. 33-46 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 4546: Additional Data on the Church of St Nicholaos at Platani in Achaia). 1158. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ™‰ÚfiÏÈ· ™Ù., ∞Ú¯·ÈÔÏÔÁÈο ηٿÏÔÈ· ÛÙÔ «ŸÚÔ˜ ÙˆÓ ∫ÂÏÏ›ˆÓ», ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘ (2010), Û. 205-258 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 220: Archaeological remains in the area of «Kellia» mountain). 1159. ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ™‰ÚfiÏÈ· ™Ù., ∆Ô ·Ú¯ÈÎfi ηıÔÏÈÎfi Î·È Ô ·Ï·Èfi˜ ÂÚ›‚ÔÏÔ˜ Ù˘ ªÔÓ‹˜ ™ÙÔÌ›Ô˘, ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘ (2010), Û. 92-106 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 97: The original catholicon and the old enclosure of the monastery of Stomion). 1160. ª·Ó‰¿ÎË ª., ‚Ï. ·Ú. 2074. 1161. ª·ÓfiÔ˘ÏÔ˜ °Ú., ∂ÈÛÙÔÏ‹ ˙ˆÁÚ¿ÊÔ˘ ÚÔ˜ ÔÌfiÙ¯Ófi ÙÔ˘ ÛÙ· Ù¤ÏË ÙÔ˘ 18Ô˘ ·ÈÒÓ·, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 59-60. 1162. ª·ÓÔ‡ÛÔ˘-¡Ù¤ÏÏ· ∫., ‚Ï. ·Ú. 819. 1163. ª·ÓÔ‡ÛÔ˘-¡Ù¤ÏÏ· ∫., ªÔÚÊÔÏÔÁÈο ÛÙÔȯ›· ÙˆÓ ÌÂ۷ȈÓÈÎÒÓ ˘ÏÒÓ Ù˘ fiÏ˘ Ù˘ ƒfi‰Ô˘, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 218-243 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 243: Medieval gates in Rodes town: A morphological analysis).

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1164. ª·ÓÔ‡ÛÔ˘-¡Ù¤ÏÏ· ∫., ¡¤· ÛÙÔȯ›· ÁÈ· ÙËÓ Ô¯‡ÚˆÛË ÙÔ˘ ÌÂ۷ȈÓÈÎÔ‡ ÏÈÌ·ÓÈÔ‡ Ù˘ fiÏ˘ Ù˘ ƒfi‰Ô˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 72-73. 1165. ª·ÓÔ‡ÛÔ˘-¡Ù¤ÏÏ· ∫., ¡Ù¤ÏÏ·˜ °., ∞Ú¯¤˜ ·ÔηٿÛÙ·Û˘-·Ó¿‰ÂÈ͢ ÙˆÓ ÌÓËÌ›ˆÓ Ù˘ ÌÂ۷ȈÓÈ΋˜ fiÏ˘ Ù˘ ƒfi‰Ô˘, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 49-63 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 62-63: Principles for the Restoration and Enhancement of Monuments in the Medieval Town of Rhodes). 1166. ª·ÓÔ‡ÛÔ˘-¡Ù¤ÏÏ· ∫., §›Ó‰Ô˜: ∆Ô ÔÏÈÙÈÛÙÈÎfi ÙÔ›Ô ÌÈ·˜ ·Ú¯·›·˜ fiÏ˘-ÎÚ¿ÙÔ˘˜. ¶ÚÔÙ¿ÛÂȘ ÚÔÛÙ·Û›·˜ Î·È Û‡Á¯ÚÔÓ˘ ·Ó¿‰ÂÈ͢, ¢ˆ‰ÃÚ 22 (2008), Û. 537-576. 1167. ª·ÓÔ‡ÛÔ˘-¡Ù¤ÏÏ· ∫., ¡Ù¤ÏÏ·˜ °., ªÂ۷ȈÓÈ΋ ¶fiÏË ƒfi‰Ô˘, ŒÚÁ· ·ÔηٿÛÙ·Û˘ 2000-2008, ƒfi‰Ô˜: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, ∆·ÌÂ›Ô ¢È·¯Â›ÚÈÛ˘ ¶ÈÛÙÒÛÂˆÓ ÁÈ· ÙËÓ ∂ÎÙ¤ÏÂÛË ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ŒÚÁˆÓ, 2008. 1168. ª·ÓÔ‡ÛÔ˘-¡Ù¤ÏÏ· ∫., √È ı·Ï¿ÛÛȘ Ô¯˘ÚÒÛÂȘ Î·È Ù· ÏÈÌ¿ÓÈ· Ù˘ fiÏ˘ Ù˘ ƒfi‰Ô˘, ¢Ã∞∂ 30 (2009), Û. 67-80 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 80: The Coastal Fortifications and Harbours of Rhodes Town). 1169. ª·ÓÙ¿˜ ∞., ¶·Ú·ÛÙ¿ÛÂȘ ·fi ÙÔÓ Î·ıËÌÂÚÈÓfi ‚›Ô ÙˆÓ Á˘Ó·ÈÎÒÓ ÛÙË ‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 59. 1170. Mantas Ap., Ikonographische Beobachtungen zu einer königlichen Pforte aus dem Leimonos-Kloster auf Lesbos (17. Jahrhundert), Griechische Ikonen (2010), ¶Ú·ÎÙÈο, Û. 165-174 [ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 174: ∂ÈÎÔÓÔÁÚ·ÊÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ Û ‚ËÌfiı˘ÚÔ Ù˘ ªÔÓ‹˜ §ÂÈÌÒÓÔ˜ ÛÙË §¤Û‚Ô (17Ô˜ ·È.)]. 1171. ª·ÓÙ˙·Ó¿ ∫Ú., πÂÚ¿ ªÔÓ‹ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ª˘ÚÔʇÏÏÔ˘. ∏ ‰È·ÛˆÛË ÂÓfi˜ ·fi Ù· ÈÔ ·ÍÈfiÏÔÁ· ÌÓËÌ›· ÙÔ˘ £ÂÛÛ·ÏÈÎÔ‡ ¯ÒÚÔ˘, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. I, Û. 495-508 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 500: The sacret monastery of St. George Miroffillou. The preservation one of the most brilliant monuments of the area of Thessalia). 1172. ª·ÓÙ˙·Ó¿ ∫Ú., πÂÚfi˜ Ó·fi˜ ∞Á›·˜ ¶·Ú·Û΢‹˜ ∫·ÏÔÌÔ›Ú·˜ ∫·Ï·Ì¿Î·˜: ¶ÚÔÛ¤ÁÁÈÛË ÛÙÔ ¤ÚÁÔ ÙˆÓ ÃÈÔÓÈ·‰ÈÙÒÓ ˙ˆÁÚ¿ÊˆÓ ÛÙËÓ ÂÚÈÔ¯‹ ∆ÚÈοψÓ, ¡π∫√¡∞¡√™ N. (2006), Û. 323-330 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 330: The Church of St. Paraskevi at Kalomoira, Kalambaka: an Approach to the Painters from the Village Chioniades in the Region of Trikala). 1173. ª·ÓÙ˙·Ó¿ ∫Ú., ªÓËÌ›· ‰‹ÌÔ˘ ÷ۛˆÓ. ¶ÚÔÙ¿ÛÂȘ ·ÔηٿÛÙ·Û˘ Î·È ·Ó¿‰ÂÈ͢ ·˘ÙÒÓ, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 7 (2006), ¶Ú·ÎÙÈο, Û. 381-400 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 389: The monuments of the Chasia Municipality in Trikala). 1174. ª·ÓÙ˙·Ó¿ ∫Ú., ∏ ·Ú¿ÛÙ·ÛË «∞Ó·ÂÛÒÓ» Û ÌÓËÌ›· Ù˘ ÂÚÈÔ¯‹˜ ∆ÚÈοψÓ, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 619-631 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 631: The «Reclining Christ» representation at a post-Byzantine monument in the Trikala region).

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1175. ª·ÓÙ˙·Ó¿ ∫Ú., √ ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ ÛÙË µ·ÛÈÏÈ΋ ∆ÚÈοψÓ, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 603-617 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 610: The churche of St. George at Vasiliki in Trikala). 1176. ª·ÓÙÔÔ‡ÏÔ˘-¶·Ó·ÁȈÙÔÔ‡ÏÔ˘ £., ‚Ï. ·Ú. 1634. 1177. ª·ÓˆÏ‰¿Î˘ ª., ∞Ó‰ÚÔ‡‰Ë˜ ¶., ∆Ô Û‡ÛÙËÌ· ˘‰ÚÔÌ¿ÛÙ¢Û˘ (qanat) Ù˘ ∞Á›·˜ ¶·Ú·Û΢‹˜ ÃÔÚÙÈ¿ÙË, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 285-292. 1178. ª·ÓˆÏ¤ÛÛÔ˘ ∂., °Ï˘Ù¿ ·fi ÙË ™˘ÏÏÔÁ‹ °Ï˘ÙÒÓ Ù˘ ∆Ú¿Â˙·˜ ÙÔ˘ √Û›Ô˘ §Ô˘Î¿, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 317-337 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 594: Sculptures de la collection du Réfectoire d’Hosios Loukas, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 606). 1179. ª·ÓÒÏË ∂È., ∫ÂÚ·ÌÈ΋ ·fi ÙÔ ºÚ¤·Ú 20 Ù˘ ˘ÛÙÂÚÔڈ̷˚΋˜ / ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ «√ÈΛ·˜ ∞» ÙÔ˘ ÔÈÎÔ¤‰Ô˘ ª·ÎÚ˘ÁÈ¿ÓÓË ÛÙËÓ ∞ı‹Ó·, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 633-648 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 633: Pottery from Well-shaft 20 of «House A» in the Makriyianni plot, Athens). 1180. ª·Ú¿ÎË ∞., ∫·ÙÛ·Ï‹˜ °., ∞Ó·ÛÙËÏÒÓÔÓÙ·˜ ¤Ó· ÂÚÂÈˆÌ¤ÓÔ ÌÔÓ·ÛÙ‹ÚÈ. ¶·Ó·Á›· ∫ÂÚ¿-∂ÏÂÔ‡Û· ¢‹ÌÔ˘ °Ô˘‚ÒÓ, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 414-431 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 427: Restoring a ruined monastery). 1181. ª·Ú‹ ª., ¢ÈÂÚ‡ÓËÛË ‚˘˙·ÓÙÈÓÔ‡ Ù›¯Ô˘˜ ÛÙËÓ ∫¿Ùˆ ªÂÚ¿ πÂÚ¿ÂÙÚ·˜, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 200-210 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 206: Investigation of the byzantine wall in Kato Mera, Ierapetra). 1182. ª·Ú›Ó˘ µ., ¶·Ú·ÙËÚ‹ÛÂȘ ÁÈ· ÙËÓ ÏÂÈÙÔ˘ÚÁ›· Î·È ÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÛÙË ÌÔÓ‹ ÙÔ˘ §È‚fi˜ ÛÙËÓ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË, ∞πª√™ 1 (2006), ¶Ú·ÎÙÈο, Û. 57-62. 1183. ª·Ú›ÓÔ˘ °., ¢˘ÙÈο ÁÏ˘Ù¿ ÛÙÔȯ›· ÛÙÔ ª˘ÛÙÚ¿, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 48-59 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 59: Western sculptural elements at Mistras). 1184. ª·Ú΋ ∂˘., ∏ ÓÂÎÚfiÔÏË Ù˘ £ÂÛÛ·ÏÔӛ΢ ÛÙÔ˘˜ ˘ÛÙÂÚÔڈ̷˚ÎÔ‡˜ Î·È ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜, (¢ËÌÔÛȇ̷ٷ ÙÔ˘ ∞Ú¯·ÈÔÏÔÁÈÎÔ‡ ¢ÂÏÙ›Ô˘, 95), ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, ∆·ÌÂ›Ô ∞Ú¯·ÈÔÏÔÁÈÎÒÓ ¶fiÚˆÓ Î·È ∞·ÏÏÔÙÚÈÒÛˆÓ, ¢È‡ı˘ÓÛË ¢ËÌÔÛÈÂ˘Ì¿ÙˆÓ, 2006: Le necropole de Thessalonique aux époques tardo-romaine et paléochretienne (du milieu du IIIe siècle au milieu du VIIIe siècle apr. J.C.). 1185. ª·Ú΋ ∂˘., √ ÕÁÈÔ˜ ∞ı·Ó¿ÛÈÔ˜ ¡¤·˜ ªÂÛËÌ‚Ú›·˜. πÛÙÔÚ›·, ∂ÈÎfiÓ˜, ∫ÂÈÌ‹ÏÈ·, £ÂÛÛ·ÏÔÓ›ÎË 2006. 1186. ª·Ú΋ ∂˘., ∞ÁÁ¤ÏÎÔ˘ ∂˘., ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ¢Ú·ÛÙËÚÈfiÙËÙ˜, ηÏψÈÛÌfi˜ ÎÈ ÂÓ‰˘Ì·Û›· Ù˘ Á˘Ó·›Î·˜ ÛÙÔÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi ÎfiÛÌÔ, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 60-61.

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1187. ª·Ú΋ ∂˘., °Ï˘Ù¿ Ù˘ ÌÂÛÔ‚˘˙·ÓÙÈÓ‹˜ ∂ÈÛÎÔ‹˜ ∫›ÙÚÔ˘˜, ¡π∫√¡∞¡√™ ¡. (2006), Û. 79-87 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 87: Sculptures from the Middle Byzantine Episcopal Church of Kitros). 1188. ªarki E., Frühchristlisches Thessaloniki (2007), Û. 11-41 (Das kreuzförmige Martyrion und die christlichen Gräber an der Tritis-SeptemvriouStrasse in Thessaloniki), 43-53 (Die ersten christlichen Friedhöfe in Thessaloniki), 55-63 (Die frühchristliche Grabmalerei in Thessaloniki), 65-78 (Frühchristliche Darstellungen und Motive, die die weltliche Malerei nachahmen, in einem Doppelgrab der Westnekropole von Thessaloniki). 1189. ª·Ú΋ ∂˘., ∞ÁÁ¤ÏÎÔ˘ ∂˘., ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ∏ ÎÂÚ·ÌÈ΋ ÂÓfi˜ ÌÂÛÔ‚˘˙·ÓÙÈÓÔ‡ ÏÈÌ·ÓÈÔ‡ Ù˘ ª·Î‰ÔÓ›·˜: ∏ ÂÚ›ÙˆÛË ÙÔ˘ ∫›ÙÚÔ˘˜, ¢Ã∞∂ 28 (2007), Û. 271-282 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 281-282: The Pottery of a Middle Byzantine Harbour Town in Macedonia: the Case of Kitros). 1190. ª·Ú΋ ∂˘., ∏ £ÂÛÛ·ÏÔÓ›ÎË Î·È Ë ·Ó·˙‹ÙËÛË ÙÔ˘ ·ÚÂÏıfiÓÙÔ˜ Ù˘, £ÂÛÛ·ÏÔÓÈΤˆÓ fiÏȘ 21 (2007), Û. 84-95. 1191. ª·Ú΋ ∂˘., ‚Ï. ·Ú. 466. 1192. ª·Ú΋ ∂˘., £ÂÛÛ·ÏÔӛ΢ ·Ó¿‰ÂÈÍȘ [£ÂÛÛ·ÏÔÓ›ÎË 2008], Û. 99-108 (∞Ó·˙ËÙÒÓÙ·˜ ÙË ‚˘˙·ÓÙÈÓ‹ £ÂÛÛ·ÏÔÓ›ÎË Ì¤Û· ·fi ÙÔ˘˜ ·ÏÈÔ‡˜ ¯¿ÚÙ˜). 1193. ª·Ú΋ ∂˘., ∞Ú¯·ÈÔÏÔÁÈΤ˜ ‰È·‰ÚÔ̤˜ ÛÙËÓ ¶ÈÂÚ›·, ¶ÈÂÚ›· 3 (2008), ¶Ú·ÎÙÈο, Û. 559-572. 1194. ª·Ú΋ ∂˘., ∆Ô Úfi‚ÏËÌ· Ù˘ ·Ó¿ÁÓˆÛ˘ ÙˆÓ ÛˆÛÙÈÎÒÓ ·Ó·ÛηÊÒÓ Ì ·ÊÔÚÌ‹ Ù· Â˘Ú‹Ì·Ù· ÙÔ˘ ÔÈÎÔ¤‰Ô˘ ÙˆÓ Ô‰ÒÓ ∂ÁÓ·Ù›· 67 Î·È ª·Î·ÙÛ¤ÏÔ˘ (ÚÒËÓ ªÂÓÂÏ¿Ô˘) ÛÙË £ÂÛÛ·ÏÔÓ›ÎË, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 455-466. 1195. ª·Ú΋ ∂˘., ∞Ú¯·ÈÔÏÔÁÈο ÙÂÎÌ‹ÚÈ· Ù˘ ·ÚÔ˘Û›·˜ ÙÔ˘ ·ÔÛÙfiÏÔ˘ ¶·‡ÏÔ˘ ÛÙË ª·Î‰ÔÓ›·, ∞ÔÛÙfiÏÔ˘ ¶·‡ÏÔ˘ ‚‹Ì·Ù· / Apostle Paul's footsteps (2009), Û. 127-139. 1196. ª·Ú΋ ∂˘., ∏ ·ÌÊ›ÂÛË ÛÙÔ˘˜ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÔ‡˜ Î·È ÚˆÙÔ‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜ Û ÌÓËÌ›· Ù˘ £ÂÛÛ·ÏÔӛ΢, ¢Ã∞∂ 30 (2009), Û. 293-300 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 300: Dress in the Early Christian art of Thessaloniki). 1197. ª·Ú΋ ∂˘., √È ÛˆÛÙÈΤ˜ ·Ó·Ûηʤ˜ ÛÙË £ÂÛÛ·ÏÔÓ›ÎË. ∆· ·ÔÙÂϤÛÌ·Ù· Î·È Ë ‰È·¯Â›ÚÈÛ‹ ÙÔ˘˜, ªÓËÌÂ›Ô Î·È ÂÚÈ‚¿ÏÏÔÓ 10 (2009), Û. 39-47. 1198. ª·Ú΋ ∂˘., √È ÛˆÛÙÈΤ˜ ·Ó·Ûηʤ˜, ·ÚÈÔ˜ ·Ú¿ÁˆÓ ‰È·ÌfiÚʈÛ˘ Ù˘ ÂÈÎfiÓ·˜ Ù˘ ‚˘˙·ÓÙÈÓ‹˜ £ÂÛÛ·ÏÔӛ΢, ∞∂ª£ ∂¤ÙÂÈÔ˜ 20 ¯ÚfiÓˆÓ (2009), ¶Ú·ÎÙÈο, Û. 205-219 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 219: Rescue excavations as the chief factor in forming our image of Byzantine Thessaloniki). 1199. ª·Ú΋ ∂˘., √È ÙfiÔÈ ·ıÏ‹Ûˆ˜ ÙˆÓ ıÂÛÛ·ÏÔÓÈΤˆÓ Ì·ÚÙ‡ÚˆÓ Î·È Ë Û˘Ì‚ÔÏ‹ Ù˘ ·Ú¯·ÈÔÏÔÁÈ΋˜ ¤Ú¢ӷ˜ ÛÙÔÓ ÂÓÙÔÈÛÌfi ÙÔ˘˜, ¢ËÌ‹ÙÚÈ· 37-38, ™˘ÌfiÛÈÔ 16-17 (2009), ¶Ú·ÎÙÈο, Û. 111-133.

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1200. ª·Ú΋ ∂˘., ∞ÁÁ¤ÏÎÔ˘ ∂˘., ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ∆· Ï˘¯Ó¿ÚÈ· ÙÔ˘ ÂÈÛÎÔÈÎÔ‡ Û˘ÁÎÚÔÙ‹Ì·ÙÔ˜ ÙˆÓ §Ô˘ÏÔ˘‰ÈÒÓ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞', Û. 208-216 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 208: The lamps from the bishop's complex at Louloudies). 1201. ª·Ú΋ ∂˘., °È·ÙÚÔ˘‰¿ÎË ∂., ∆Ûfiη˜ °Ú., ∆ÛÔ‡ÚÏÔ˜ ¶., ¡¤· ÛÙÔȯ›· ÁÈ· ÙËÓ ÂÚÈÔ¯‹ ÙÔ˘ ∞Ïη˙¿Ú ̤۷ ·fi ÙȘ ÂÚÁ·Û›Â˜ ÙÔ˘ ÌÂÙÚfi, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 223-230 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 229-230: New evidence for the Alkazar area from the Thessaloniki metro constuction works). 1202. ª·Ú΋ ∂˘., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈΤ˜ Î·È ‚˘˙·ÓÙÈÓ¤˜ ·Ú¯·ÈfiÙËÙ˜ ÛÙÔ ¶·Ï·ÈfiηÛÙÚÔ, øÚ·ÈfiηÛÙÚÔ (2010), Û. 25-39. 1203. ª·ÚÓ¤ÏÏÔ˘ ¡., ‚Ï. ·Ú. 1352. 1204. Martakos D., ‚Ï. ·Ú. 1267. 1205. ª¿ÛÙÔÚ· ¶., ∏ ÃÒÚ·, ∞fi ÙÔÓ £Âfi‰ˆÚÔ ªÂÙÔ¯›ÙË ÛÙÔÓ Thomas Whittemore. ŒÓ· ÌÓËÌ›Ô, ‰‡Ô ÌÓËÌÂÈÒ‰ÂȘ ÚÔÛˆÈÎfiÙËÙ˜, ¢Ú·ÛÙËÚÈfiÙËÙ˜ ÂÚ› µ˘˙·ÓÙ›Ô˘ (2007), Û. 7-19. 1206. Mastora P., ‚Ï. ·Ú. 1286 1207. Mastora P., ‚Ï. ·Ú. 1287. 1208. Mastora P., Raptis K., The Re-discovery of Coloured or Painted Mortar Frames of Wall Mosaics: Examination and Evaluation as Integral Parts of the Mosaic Decoration, ICCM 10 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 41-42. 1209. ª¿ÛÙÔÚ· ¶., ∞Ú¯·ÈÔÏÔÁÈ΋ ‰ÈÂÚ‡ÓËÛË ÙˆÓ „ËÊȉˆÙÒÓ ‰·¤‰ˆÓ Ù˘ ‚·ÛÈÏÈ΋˜ ∞ ÛÙÔÓ ÕÁÈÔ °ÂÒÚÁÈÔ ¶¤ÁÂÈ·˜, ∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 119-120. 1210. ª¿ÛÙÔÚ· ¶., ‚Ï. ·Ú. 1295. 1211. ª¿ÛÙÔÚ· ¶., √ „ËÊȉˆÙfi˜ ‰È¿ÎÔÛÌÔ˜ ÛÙȘ ʈÙÈÛÙÈΤ˜ ı˘Ú›‰Â˜ Ù˘ ƒÔÙfiÓÙ·˜ £ÂÛÛ·ÏÔӛ΢, ∞∂ 149 (2010), Û. 83-107. 1212. ª·ÙÛ›Ó˘ π., ‚Ï. ·Ú. 1626. 1213. ª·˘ÚÈÙÛ¿ÎË ª., ‚Ï. ·Ú. 1352. 1214. ª·˘ÚÔÔ‡ÏÔ˘-∆ÛÈÔ‡ÌË ÃÚ., ÕÁÈÔÓ ŸÚÔ˜-¶ÚˆÙ¿ÙÔ [£ÂÛÛ·ÏÔÓ›ÎË 2006], Û. 79-83 (∂ÈÎÔÓÔÁÚ·ÊË̤ӷ ¯ÂÈÚfiÁÚ·Ê·). 1215. ª·˘ÚÔÔ‡ÏÔ˘-∆ÛÈÔ‡ÌË ÃÚ., ∆·Ì¿ÎË ™., √ ¿ÁÈÔ˜ ¡ÈÎfiÏ·Ô˜. ∏ ·ÂÈÎfiÓÈÛ‹ ÙÔ˘ ÛÙȘ ÙÔȯÔÁڷʛ˜ Ù˘ ∫·ÛÙÔÚÈ¿˜, ¡π∫√¡∞¡√™ ¡. (2006), Û. 101115 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 115: St. Nicholas. His Representations in the WallPaintings of Kastoria). 1216. Mavropoulou-Tsioumi Chr., Frühchristlisches Thessaloniki (2007), Û. 91-101 (Susanna in einem frühchristlichen Grab von Thessaloniki). 1217. ª·˘ÚÔÔ‡ÏÔ˘-∆ÛÈÔ‡ÌË ÃÚ., ∆Ô „ËÊȉˆÙfi ÙÔ˘ ÙÚÔ‡ÏÔ˘ Ù˘ ∞Á›·˜

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™ÔÊ›·˜. ∆Ô ÈÛÙÔÚÈÎfi Ù˘ Û˘ÓÙ‹ÚËÛ‹˜ ÙÔ˘, ÃÚÈÛÙÈ·ÓÈ΋ £ÂÛÛ·ÏÔÓ›ÎË 10 (2007), ¶Ú·ÎÙÈο, Û. 131-147. 1218. ª·˘ÚÔÔ‡ÏÔ˘-∆ÛÈÔ‡ÌË ÃÚ., °·Ï¿‚·Ú˘ °., πÂÚ¿ ªÔÓ‹ ™Ù·˘ÚÔÓÈ΋ٷ. ∂ÈÎÔÓÔÁÚ·ÊË̤ӷ ¯ÂÈÚfiÁÚ·Ê·, ∞ı‹Ó·-£ÂÛÛ·ÏÔÓ›ÎË: ∞ÚÌfi˜, 2007-2008 (en anglais aussi: Holly Stavronikita Monastery. Illuminated Manuscripts). 1219. ª·˘ÚÔÔ‡ÏÔ˘-∆ÛÈÔ‡ÌË ÃÚ., ∂ÈÎfiÓ· ¤ÓıÚÔÓÔ˘ ÃÚÈÛÙÔ‡, ·ÊȤڈ̷ ÙÔ˘ πˆ·ÓÓ›ÎÈÔ˘, ÌËÙÚÔÔÏ›ÙË µÂÚÔ›·˜ Î·È ·ÙÚÈ¿Ú¯Ë ∞ÏÂÍ·Ó‰Ú›·˜ ηٿ ÙÔ 17Ô ·ÈÒÓ·. ∏ Û¯¤ÛË Ù˘ Ì ÙËÓ ÎÚËÙÈ΋ Ù¤¯ÓË, ¶∞¶∞¢∞∫∏-OEKLAND ™Ù., ªÓ‹ÌË (2009), Û. 291-299. 1220. ª·˘ÚÔÔ‡ÏÔ˘-∆ÛÈÔ‡ÌË ÃÚ., √ ¿ÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ÛÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ Î·È ‚˘˙·ÓÙÈÓ‹ ÌÓËÌÂȷ΋ ˙ˆÁÚ·ÊÈ΋ Ù˘ £ÂÛÛ·ÏÔӛ΢, ¢ËÌ‹ÙÚÈ· 37-38, ™˘ÌfiÛÈÔ 16-17 (2009), ¶Ú·ÎÙÈο, Û. 145-182. 1221. ª·˘ÚÔÔ‡ÏÔ˘-∆ÛÈÔ‡ÌË ÃÚ., √ fiÛÈÔ˜ ∂˘ı‡ÌÈÔ˜ Ô ¡¤Ô˜ Î·È ÙÔ ¤ÚÁÔ ÙÔ˘ ÛÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ ∞Ó‰Ú¤· Ù˘ ¶ÂÚÈÛÙÂÚ¿˜, ¢ËÌ‹ÙÚÈ· 37-38, ™˘ÌfiÛÈÔ 1617 (2009), ¶Ú·ÎÙÈο, Û. 291-306. 1222. ª·¯·›Ú· ¶., ∆¯ÓÔÙÚÔÈ΋ ·Ó¿Ï˘ÛË ÙÔ˘ ͢ÏfiÁÏ˘ÙÔ˘ Ù¤ÌÏÔ˘ ÙÔ˘ π.¡. ∞Á. ¡ÈÎÔÏ¿Ô˘ ÛÙË µ·ÛÈÏÈ΋ ∫·Ï·Ì¿Î·˜, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 647-654 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 650: Iconographically and technotropical analysis of the wooden templon of Ag. Nikolaos of Basiliki Kalabaka). 1223. ªÂÏ‚¿ÓÈ ¡., ∏ ÁÏ˘ÙÈ΋ ÛÙȘ «ÈÙ·ÏÔÎÚ·ÙÔ‡ÌÂÓ˜» Î·È «ÊÚ·ÁÎÔÎÚ·ÙÔ‡ÌÂÓ˜» ÂÚÈÔ¯¤˜ Ù˘ ·Ó·ÙÔÏÈ΋˜ ªÂÛÔÁ›Ԣ ηٿ ÙÔÓ 13Ô Î·È 14Ô ·È. ∏ ‰È›ۉ˘ÛË Ù˘ ÁÔÙıÈ΋˜ Ù¤¯Ó˘ Î·È Ë Û˘Ó‡·ÚÍ‹ Ù˘ Ì ÙË ‚˘˙·ÓÙÈÓ‹, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 34-47 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 47: Sculpture in areas of the Eastern Mediterranean under Italian and Frankish rule in the 13th and 14th century: The interaction between Gothic and Byzantine art and architecture). 1224. ªÂϤÓÙË ª., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 51 (∂ÈÎfiÓ· ·Á›ˆÓ ¶¤ÙÚÔ˘ Î·È ¶·‡ÏÔ˘ Ì ÙÔ ÔÌÔ›ˆÌ· Ù˘ ∂ÎÎÏËÛ›·˜, Ù¤ÏË 16Ô˘-·Ú¯¤˜ 17Ô˘ ·È.). 1225. ªÂÓÂÓ¿ÎÔ˘ ™., ∂ÈÎÔÓÔÁÚ·ÊÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ Û ÌÔÚʤ˜ ·Á›ˆÓ Î·È ÛÎËÓ¤˜ ·fi ÙÔ ‚›Ô ÙÔ˘˜ ÛÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ ™˘Ú›‰ˆÓÔ˜ ÛÙÔ˘˜ ªÔ˘Ï·ÚÈÔ‡˜ ÛÙË ª¿ÓË (1792), ¶ÂÏÔÔÓÓËÛÈ·ÎÒÓ ™Ô˘‰ÒÓ 7 (2007), ¶Ú·ÎÙÈο, Û. 65-77 [Á·ÏÏÈ΋ ÂÚ›ÏË„Ë Û. 73: Remarques sur l'iconographie des figures des Saints et des scènes de leur vie dans l'église du Saint Syridon à Boularioi dans le Magne (1792)]. 1226. ª¤ÓÙ˙Ô˜ ∞., ∂ÚÁ·ÛÙ‹ÚÈÔ ÁÏ˘ÙÈ΋˜ ÛÙË £ÂÛÛ·ÏÔÓ›ÎË ÛÙÔÓ 11Ô ·ÈÒÓ·, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 217-230 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 592: Un atelier de sculpture à Thessalonique au XIe siècle, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 604). 1227. ª¤ÓÙ˙Ô˜ ∞., ∑ËÙ‹Ì·Ù· Ù˘ ÂÈÎÔÓÔÁÚ·Ê›·˜ ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘, µ˘˙·ÓÙÈÓ¿ 28 (2008) Û. 363-392.

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1228. ª¤ÍÈ· ∞., ¢‡Ô Ì·ÚÌ¿ÚÈÓ˜ ‰È·ÎÔÛÌËÙÈΤ˜ ϿΘ ÛÙÔÓ ª˘ÛÙÚ¿, ¢Ã∞∂ 27 (2006), Û. 115-124 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 124: Two Decorative Marble Slabs in Mystras). 1229. ª¤ÍÈ· ∞., ÕÁÓˆÛÙÔÈ ‚˘˙·ÓÙÈÓÔ› Ó·Ô› ÛÙÔÓ ª·ÓÙÔÊfiÚÔ ÙÔ˘ ¶‡ÚÁÔ˘ ¢ÈÚÔ‡, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 127-142. 1230. ªÂÚ·Ì‚ÂÏȈٿÎË ∂., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 59-60 (∆· ÂÁÎfiÛÌÈ·), 61-63 (¢ËÌfiÛÈÔ˜ ‚›Ô˜), 63-65 (π‰ÈˆÙÈÎfi˜ ‚›Ô˜). 1231. Mertzimekis N., Marinescu F., Ieremia Movil™ ≥i Ajutorul Acordat Unor M™n™stiri de la Muntele Athos, Movile≥tii (2006), ¶Ú·ÎÙÈο, Û. 187-192. 1232. ªÂÚÙ˙È̤΢ ¡., ∂ÓÂ›ÁÚ·Ê· «ÂÌÚÔÛÙ¿ÏÈ· ·Á›ˆÓ ÂÈÎfiÓˆÓ» ·fi ÙËÓ ·ıˆÓÈ΋ ªÔÓ‹ ∑ˆÁÚ¿ÊÔ˘, ÕÁÈÔÓ ŸÚÔ˜ 2 (2006), ¶Ú·ÎÙÈο, Û. 195-215 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 205). 1233. ªÂÚÙ˙È̤΢ ¡. , ‚Ï. ·Ú. 1051. 1234. Mertzimekis N., New findings concerning the relations of the Athonite monastery Zographou with Moldavia, Romanian Principalities (2007), ¶Ú·ÎÙÈο, Û. 69-79. 1235. ªÂÚÙ˙È̤΢ ¡., ™ÈÒÌÎÔ˜ ¡., ¶ÂÚ› ÙÔ˘ ÁÚËÁÔÚÈ¿ÙÈÎÔ˘ ÎÂÏÈÔ‡ ÙÔ˘ ∞Á›Ô˘ ∆ڇʈӷ ÛÙȘ ∫·Ú˘¤˜ ∞Á›Ô˘ ŸÚÔ˘˜ Î·È Ù˘ ÈÛÙÔÚ‹Ûˆ˜ ÙÔ˘ Ó·Ô‡ ÙÔ˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 74-75. 1236. ªÂÚÙ˙È̤΢ ¡., ∂ÓÂ›Áڷʘ Ô‰¤Â˜ ÙÔ˘ ËÁÂÌfiÓ· Ù˘ ªÔω·‚›·˜ µ·ÛÈÏ›Ԣ §Ô‡Ô˘ (1634-1653) ÛÙËÓ πÂÚ¿ ªÔÓ‹ µ·ÙÔ‰›Ô˘, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 60-61. 1237. ªÂÚÙ˙È̤΢ ¡., ™¯¤ÛÂȘ Ù˘ ·ÁÈÔÚ›ÙÈ΢ ÌÔÓ‹˜ ∑ˆÁÚ¿ÊÔ˘ Ì ÙËÓ ÙÛ·ÚÈ΋ ƒˆÛ›· (ÛÙ· ÚˆÛÈο), Rossia-Afon (2008), ¶Ú·ÎÙÈο, Û. 250-255. 1238. Mertzimekis N., Athos [Paris 2009], Ï‹ÌÌ. ·Ú. 28 (Psautier avec des acolouthies, 1389-1402), 29 (Ménées de septembre à décembre, 1386-1418), 30 (Ménées panégyriques, fin XIVe-début XVIe siècle), 31 (Praxapostole, début du XIIIe siècle), 91 (Nouveau Testament, XIIe siècle), 101 (Tétraévangile, milieu du XIIIe siècle), 102 (Tétraévangile, milieu du XIIIe siècle), 118 (Epitrachelion représentant des scènes du Dodekaorton, première moitié du XVe siècle), 141 (Olympiodore, commentaires sur le Livre de Job, XIIe-XIIIe siècle), 165 (Croix-reliquaire du tsar bulgare Georges Ier Terter, seconde moitié du XIe au XIIIe siècle). 1239. ªÂÚÙ˙È̤΢ ¡., ¶ÂÚ› ÙˆÓ Û¯¤ÛÂˆÓ Ù˘ ·ıˆÓÈ΋˜ ªÔÓ‹˜ ∑ˆÁÚ¿ÊÔ˘ ÌÂÙ¿ Ù˘ ƒˆÛ›·˜ ÙˆÓ ÙÛ¿ÚˆÓ (16Ô˜-19Ô˜ ·È.), ANDREEV I., ªÓ‹ÌË (2009), Û. 541-560 (‚Ô˘ÏÁ·ÚÈ΋ ÂÚ›ÏË„Ë, Û. 554-555). 1240. ªÂÚÙ˙È̤΢ ¡., ‚Ï. ·Ú. 1064. 1241. ªÂÚÙ˙È̤΢ ¡., §È¿ÎÔ˜ ¢., ¢ˆÚ¤˜ «…‰È’ ÂÍfi‰Ô˘ Î·È ‰·¿Ó˘... ¯ÚÈ-

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ÛÙÈ·ÓÒÓ …ÂÎ fiÏÂˆÓ ƒÔ˘ÛÙÛÔ‡Î Î·È ∫·ÏfiÊÂÚ…» ÛÙËÓ ·ÁÈÔÚÂÈÙÈ΋ ÌÔÓ‹ ∑ˆÁÚ¿ÊÔ˘, ¢Ã∞∂ 31 (2010), Û. 127-138 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 138: Donations «…‰È’ ÂÍfi‰Ô˘ Î·È ‰·¿Ó˘...» of Christians «…ÂÎ fiÏÂˆÓ ƒÔ˘ÛÙÛÔ‡Î Î·È ∫·ÏfiÊÂÚ…» to the Athonite Zographou Monastery). 1242. ªÂÛÛ‹˜ µ., √ Û‡ÓıÂÙÔ˜ Î·È ËÌÈÛ‡ÓıÂÙÔ˜ ÛÙ·˘ÚÔÂȉ‹˜ ÂÁÁÂÁÚ·Ì̤ÓÔ˜ Ó·fi˜ ηٿ ÙË ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, ∂ÁÓ·Ù›· 12 (2008), Û. 203-216. 1243. ªÂÛÛ‹˜ µ., ∆Ô Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙÔ ∆Û¿ÁÂ˙È. ∑ËÙ‹Ì·Ù· ÔÈÎÔ‰ÔÌÈÎÒÓ Ê¿ÛˆÓ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 78-79. 1244. ªËÏ›ÙÛË ∂˘., πÛÙÔÚÈ΋ ÁˆÁÚ·Ê›· Ù˘ ∫ˆ Î·È ÙˆÓ ·¤Ó·ÓÙÈ ÌÈÎÚ·ÛÈ·ÙÈÎÒÓ ·ÎÙÒÓ, ¢ˆ‰ÃÚ 22 (2008), Û. 651-672. 1245. ªËÏ›ÙÛË ∂˘., ∆Ì‹Ì·Ù· ÌÂÛÔ‚˘˙·ÓÙÈÓÒÓ Ù¤ÌÏˆÓ ·fi ÙËÓ ∫ˆ, Sculpture Byzantine (2008), ¶Ú·ÎÙÈο, Û. 421-445 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 597: Fragments de templa mésobyzantins à Kos, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 609). 1246. ªËÏ›ÙÛË-∫¯·ÁÈ¿ ∂˘., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÁÏ˘ÙÈ΋ ∫ˆ. ™˘Ì‚ÔÏ‹ ÛÙË ÌÂϤÙË Ù˘ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜ ÁÏ˘ÙÈ΋˜ ÛÙËÓ ∫ˆ ηٿ ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ÂÚ›Ô‰Ô, 4Ô˜-7Ô˜ ·È., ·‰ËÌÔÛ›Â˘ÙË ‰È‰·ÎÙÔÚÈ΋ ‰È·ÙÚÈ‚‹, ¶·ÓÂÈÛÙ‹ÌÈÔ ∞ıËÓÒÓ, ∞ı‹Ó· 2008. 1247. ªËÏ›ÙÛË ∂˘., ªÂÛÔ‚˘˙·ÓÙÈÓ¿ ÁÏ˘Ù¿ ·fi ÙËÓ ·Ó·Ûηʋ ÛÙÔ Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ Ù˘ ¶·Ó·Á›·˜ ÙˆÓ ∫·ÛÙÚÈ·ÓÒÓ ÛÙÔ ¶·Ï·Èfi ¶˘Ï› Ù˘ ∫ˆ, ¢Ã∞∂ 30 (2009), Û. 119-128 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 128: Middle Byzantine Sculptures from the Excavation in the Katholikon of the Panayia Kastrianon Monastery at Palaio Pyli, on the Island of Kos). 1248. Mitropoulos Th., The Restoration of the Church of Golgotha in the Holy Sepulchre Church and the authenticity of the site of the Crucifixion, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 441-458 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 534-542: ∏ ·ÔηٿÛÙ·ÛË Ù˘ ÂÎÎÏËÛ›·˜ ÙÔ˘ °ÔÏÁÔı¿ ÛÙÔÓ π.¡. Ù˘ ∞Ó·ÛÙ¿Ûˆ˜ Î·È Ë ·˘ıÂÓÙÈÎfiÙËÙ· ÙÔ˘ ÙfiÔ˘ Ù˘ ™Ù·‡ÚˆÛ˘ ÙÔ˘ ∫˘Ú›Ô˘). 1249. ªËÙÛ¿ÓË ∞., ∏ ¯ÔÚËÁ›· ÛÙȘ ∫˘ÎÏ¿‰Â˜ ·fi ÙÔÓ 6Ô Ì¤¯ÚÈ ÙÔÓ 14Ô ·ÈÒÓ·. ∏ Ì·ÚÙ˘Ú›· ÙˆÓ ÂÈÁÚ·ÊÒÓ, ∂∂µ™ 52 (2004-2006), Û. 391-446 [Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 658: Le patronage artistique dans les Cyclades: le temoignage des inscriptions (VIe-XIVe siècles)]. 1250. ªËÙÛ¿ÓË ∞., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ª·‡ÚÈη ÛÙËÓ ∞›ÁÈÓ·, ∞¢ 56 (2001) [2006], ªÂϤÙ˜, Û. 365-382 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 382: The Wall-Paintings of the Church of Ayios Nikolaos Mavrika on Aigina). 1251. ªËÙÛ¿ÓË ∞., ∆Ô ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi Ù¤ÌÏÔ Ù˘ ∫·Ù·ÔÏÈ·Ó‹˜ ¶¿ÚÔ˘, ¢Ã∞∂ 27 (2006), Û. 75-90 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 89-90: The Early Christian Templon-Screen in the Katapoliani, Paros). 1252. ªËÙÛ¿ÓË ∞., ¶·Ó·Á›· Ë ¢·Ì·ÛÎËÓ‹: Ì›· ‚˘˙·ÓÙÈÓ‹ ÂÈÎfiÓ· ÛÙËÓ ÈÔÙÔÎÚ·ÙÔ‡ÌÂÓË fiÏË Ù˘ ƒfi‰Ô˘, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û.

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433-444 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 444: The Virgin of Damascus «Damascene»: A byzantine icon in the Knight Hospitalier town of Rhodes). 1253. Mitsani A., A Thirteenth-Century Vita-Icon of Saint John Lampadistis in Cyprus, Griechische Ikonen (2010), ¶Ú·ÎÙÈο, Û. 175-190 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 190: ∂ÈÎfiÓ· ÙÔ˘ 13Ô˘ ·ÈÒÓ· ÙÔ˘ ·Á›Ô˘ πˆ¿ÓÓË ÙÔ˘ §·Ì·‰ÈÛÙ‹ Ì ÛÎËÓ¤˜ Ù˘ ˙ˆ‹˜ ÙÔ˘ ·fi ÙËÓ ∫‡ÚÔ). 1254. ªËÙÛ¿ÓË ∞., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 19 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÕÁÈÔ˜ º·ÓÔ‡ÚÈÔ˜, ·’ ÌÈÛfi 15Ô˘ ·È.), 43 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: ¶·Ó·Á›· °Ï˘ÎÔÊÈÏÔ‡Û· Ë ∂ÁÁ·Ú‰˘fiÙÈÛÛ·, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 1255. ª›˙· ª., ‚Ï. ·Ú. 16. 1256. ªÈÏ¿ÓÔ˘ ∫., µÚ·ÓÔÔ‡ÏÔ˘ §., µÔ˘Ú‚ÔÔ‡ÏÔ˘ ÃÚ., ∫·ÏÏÈÁ¿ ∞.-∂., √ ¿ÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ Ì ˘ÔÁÚ·Ê‹ «ÃÂÈÚ ∞ÁÁ¤ÏÔ˘». ¶·Ú·ÙËÚ‹ÛÂȘ Û¯ÂÙÈΤ˜ Ì ٷ ˘ÏÈο ηٷÛ΢‹˜ Î·È ÙËÓ Ù¯ÓÈ΋ ÙÔ˘ ¤ÚÁÔ˘, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 62-63. 1257. ªÈÏ¿ÓÔ˘ ∫., µÔ˘Ú‚ÔÔ‡ÏÔ˘ Ã., µÚ·ÓÔÔ‡ÏÔ˘ §., ∫·ÏÏÈÁ¿ ∞.-∂., ∏ Ù¯ÓÈ΋ Ù˘ ˙ˆÁÚ·ÊÈ΋˜ ÙÔ˘ ∞ÁÁ¤ÏÔ˘. ∫·Ù·ÁÚ·Ê‹ Ù˘ ηٷÛ΢‹˜ ÙˆÓ ˘ÏÈÎÒÓ Î·È ÙÔ˘ ˙ˆÁÚ·ÊÈÎÔ‡ ÙÚfiÔ˘ ÂÙ¿ ÂÓ˘fiÁÚ·ÊˆÓ ÂÈÎfiÓˆÓ / Angelos's painting technique. A description of panel construction, materials and painting method based on a study of seven signed icons, ÃÂÈÚ ∞ÁÁ¤ÏÔ˘-∆¯ÓÈ΋ / Hand of AngelosThe Painting Method (2009), Û. 19-113. 1258. ªÈÛ·ËÏ›‰Ô˘ Õ., ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ [ª∂ 2007], Ï‹ÌÌ. ·Ú. 119 (∏ £ÂÔÙfiÎÔ˜ ¤ÓıÚÔÓÔ˜, 15Ô˜ ·È.), 137 (∏ ¶·Ó·Á›· ÙÔ˘ ¶¿ıÔ˘˜, Ù¤ÏÔ˜ 15Ô˘·Ú¯¤˜ 16Ô˘ ·È.), 157 (¶Ï¿ÁÈ· ʇÏÏ· ÙÚÈÙ‡¯Ô˘: √È ¿ÁÈÔÈ °ÂÒÚÁÈÔ˜, ∂˘ÛÙ¿ıÈÔ˜, ¢ËÌ‹ÙÚÈÔ˜ Î·È ∫ˆÓÛÙ·ÓÙ›ÓÔ˜, ‰Â‡ÙÂÚÔ ÌÈÛfi 16Ô˘ ·È.), 158 (√È ¿ÁÈÔÈ ¶¿ÓÙ˜, ‰Â‡ÙÂÚÔ ÌÈÛfi 16Ô˘ ·È.), 159 (∑ˆÁÚ¿ÊÔ˜ ™Ù˘ÏÈ·Ófi˜ ÈÂÚ‡˜: √È ¿ÁÈÔÈ ∂Ï¢ı¤ÚÈÔ˜, πˆ¿ÓÓ˘ Ô £ÂÔÏfiÁÔ˜ Î·È ¶·ÓÙÂÏ‹̈Ó, ÚÒÙÔ ÌÈÛfi 16Ô˘ ·È.), 161 (¢ÈÏfi ÙÚ›Ù˘¯Ô, ‰Â‡ÙÂÚÔ ÌÈÛfi 16Ô˘ ·È.), 184 (∆¤¯ÓË ∂ÌÌ. ∆˙¿ÓÂ: ∏ ÎÂÊ·Ï‹ ÙÔ˘ ÃÚÈÛÙÔ‡, ‰Â‡ÙÂÚÔ ÌÈÛfi-Ù¤ÏË 17Ô˘ ·È.), 209 (∆¤¯ÓË £ÂÔ‰ÒÚÔ˘ ¶Ô˘Ï¿ÎË: ∏ ¶·Ó·Á›· «ƒ›˙· πÂÛÛ·›» Ì ÙÔ˘˜ ·Á›Ô˘˜ πˆ·ÎÂ›Ì Î·È ÕÓÓ·, ‰Â‡ÙÂÚÔ ÌÈÛfi 17Ô˘ ·È.), 212 (∑ˆÁÚ¿ÊÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ¡ÔÌÈÎfi˜: ∆Ú›Ù˘¯Ô, 1660), 214 (∑ˆÁÚ¿ÊÔ˜ ¢ËÌ‹ÙÚÈÔ˜ §È‚¿˜: ‰›˙ˆÓË ÂÈÎfiÓ·, 1674). 1259. ªÈÛ›Ô˘ ¢., «∫·ÏfiÓ ·ÓıÚÒˆ Á˘Ó·ÈÎfi˜ ÌË ¿ÙÂÛı·È;» Ë ·¿ÓÙËÛË Ù˘ ıÚËÛ΢ÙÈ΋˜ Ù¤¯Ó˘ Î·È ˘ÌÓÔÁÚ·Ê›·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 62-63. 1260. ªÈ¯·ËÏ›‰Ë˜ ª., ‚Ï. ·Ú. 491. 1261. ªÈ¯·ËÏ›‰Ë˜ ª., ‚Ï. ·Ú. 493. 1262. ªÔÛ¯fi‚Ë °., ∫·Ù·Û΢·ÛÙÈÎÔ› Î·È ÌÔÚÊÔÏÔÁÈÎÔ› ÌÂÙ·Û¯ËÌ·ÙÈÛÌÔ› Û ӷԇ˜ Ù˘ ÚÒÈÌ˘ µÂÓÂÙÔÎÚ·Ù›·˜ ÛÙÔ ÓÔÌfi §·ÛÈı›Ô˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 251-263 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 256-257: Structural and format tranformation in early Venetian churches in Lassithi Prefecture).

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1263. ªfiÙÛÈ·ÓÔ˜ π., £˘ÌÈ·Ù›˙ÔÓÙ·˜ Ì ηӉ‹ÏÈ·: ÚÔ‚ÏËÌ·ÙÈÛÌÔ› ÁÈ· ÙÔÓ ‰È·¯ˆÚÈÛÌfi ÙˆÓ ÌÂÙ·ÏÏÈÎÒÓ ı˘ÌÈ·ÙËÚ›ˆÓ Î·È Î·Ó‰ËÏÈÒÓ Ù˘ ÚˆÙÔ‚˘˙·ÓÙÈÓ‹˜ ÂÔ¯‹˜ (4Ô˜-8Ô˜ ·È. Ì. Ã.), Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 76-77. 1264. ªfiÙÛÈ·ÓÔ˜ π., ∆Ô Ï˘Îfiʈ˜ ÙˆÓ Î·Ù·Û΢·ÛÌ¤ÓˆÓ Ì ̋ÙÚ· Ï˘¯Ó·ÚÈÒÓ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 270-281 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 270: Late Antiquity: the twilight of mouldmade lamps). 1265. ªÔ˘˙¿Î˘ ™Ù., µ˘˙·ÓÙÈÓ¤˜-ÌÂÙ·‚˘˙·ÓÙÈÓ¤˜ ÂÎÎÏËۛ˜ ‚fiÚÂÈ·˜ ∞ÙÙÈ΋˜ (12Ô˜-19Ô˜ ·È.). ∞Ú¯ÈÙÂÎÙÔÓÈ΋-ÂÈÎÔÓÔÁÚ·ÊÈ΋ ÂÚÈÁÚ·Ê‹, ∞ı‹Ó·: ∂ÈÛÙËÌÔÓÈ΋ ∂Ù·ÈÚ›· ∞ÙÙÈÎÒÓ ªÂÏÂÙÒÓ, 2010. 1266. ªÔ˘ÓÙÚ¿ÎË ∂., §ÂÁ¿Î˘ ∞., ™˘ÓÙ‹ÚËÛË Î·È ·ÔηٿÛÙ·ÛË Ù˘ ÎÚ‹Ó˘ ÙÔ˘ Ù˙·ÌÈÔ‡ πÂÚ¿ÂÙÚ·˜, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 264-275 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 269: The restoration of a 19th centrury Ottoman fountain in Ierapetra, Crete). 1267. Mourelatos D., Martakos D., Andreou A., Patsalu T., Creating a thesaurus of terms for Byzantine icons in the framework of a project for a virtual Museum for Sinai, World in your eyes (2007), ¶Ú·ÎÙÈο, Û. 263-267. 1268. Mourelatos D., The debate over Cretan Icons in twentieth-century Greek historiography and their incorporation into the national narrative, Singular Antiquity (2008), Û. 197-207. 1269. Mourelatos D., Hein A., Karatasios I., Byzantine wall paintings from Mani (Greece): microanalytical investigation of pigments and plasters, ABC 395.7 (2009), Û. 2061-2071. 1270. ªÔ˘ÙÛfiÔ˘ÏÔ˜ ¡., √ fiÛÈÔ˜ °ÂÚÌ·Ófi˜ Ô È‰Ú˘Ù‹˜ Ù˘ ÌÔÓ‹˜ ∂ÈÎÔÛÈÊÔÈÓ›ÛÛ˘ ÙÔ˘ ¶·ÁÁ·›Ô˘ Î·È Ô Ù¿ÊÔ˜ ÙÔ˘ ÛÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ °ÂÚÌ·ÓÔ‡ ÛÙËÓ ¶Ú¤Û·, ¡π∫√¡∞¡√™ N. (2006), Û. 117-125 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 125: Saint Germanos, fondateur du monastère Ikossifinissis sur le mont Pangée et sa tombe à l’église de Saint Germanos à Prespa). 1271. ªÔ˘ÙÛfiÔ˘ÏÔ˜ ¡., ∏ Ï·ÛÙ‹ ΢ÚÈÏÏÈ΋ ÂÈÁÚ·Ê‹ Ù˘ Œ‰ÂÛÛ·˜, µ˘˙·ÓÙÈÓ¿ 28 (2008), Û. 393-460. 1272. Bairami K., ‚Ï. ·Ú. 862. 1273. ª·˚Ú¿ÌË ∫., ∆·ÊÈÎfi Û‡ÓÔÏÔ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÒÓ Ï˘¯Ó·ÚÈÒÓ ·fi ÙËÓ Úԉȷ΋ ÓÂÎÚfiÔÏË, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 249-269 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 249: Grave group of Early Christian lamps from the Rodian necropolis). 1274. Bakirtzis √.-ª., ‚Ï. ·Ú. 1742. 1275. ª·ÎÈÚÙ˙‹ Ÿ.-ª., ‚Ï. ·Ú. 1745. 1276. ª·ÎÈÚÙ˙‹˜ ¡., ∏ ‚È‚ÏÈÔı‹ÎË ˆ˜ ÚfiÛÎÙÈÛÌ· ÌÔÓ·ÛÙËÚÈ·ÎÒÓ Ó·ÒÓ ÛÙÔ µ˘˙¿ÓÙÈÔ. ∏ ÂÚ›ÙˆÛË ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ªÔÓ‹˜ ∆ÈÌ›Ô˘ ¶ÚÔ‰ÚfiÌÔ˘ ™ÂÚÚÒÓ, ∞πª√™ 2 (2008), ¶Ú·ÎÙÈο, Û. 42-52.

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1277. Bakirtzis Ch., Chypre [Genève 2006], Û. 95-101 (Chypre byzantine). 1278. ª·ÎÈÚÙ˙‹˜ Ã., ∂¿ÓÔ‰Ô˜ ·fi ÙËÓ ∂ÏÏ¿‰·. √È ·Ú¯·ÈfiÙËÙ˜ ÛÙËÓ ·˘Á‹ ÙÔ˘ ÂÈÎÔÛÙÔ‡ ÚÒÙÔ˘ ·ÈÒÓ·, ∂Ù‹ÛÈ· ‰È¿ÏÂÍË ÂȘ ÌÓ‹ÌËÓ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ §Â‚¤ÓÙË (§Â‚¤ÓÙÂÈÔ ¢ËÌÔÙÈÎfi ªÔ˘ÛÂ›Ô §Â˘ÎˆÛ›·˜, 14 ¡ÔÂÌ‚Ú›Ô˘ 2005), §Â˘ÎˆÛ›· 2006. 1279. ª·ÎÈÚÙ˙‹˜ Ã., ∏ ‚˘˙·ÓÙÈÓ‹ £ÂÛÛ·ÏÔÓ›ÎË Î·È ÙÔ Û‡Á¯ÚÔÓÔ ÚfiÛˆÔ Ù˘ fiψ˜ / Byzantine Thessaloniki and the Modern Face of the City, ∞ÍÈÔÔ›ËÛË Î·È ·Ó¿‰ÂÈÍË / Enhancement and promotion (2006), ¶Ú·ÎÙÈο, Û. 155-162. 1280. ª·ÎÈÚÙ˙‹˜ Ã., ¶ÚÔÂÈÎÔÓÔÌ·¯ÈÎfi „ËÊȉˆÙfi ÙÔ˘ ·Á›Ô˘ °ÂˆÚÁ›Ô˘ ÛÙË £ÂÛÛ·ÏÔÓ›ÎË, ¡π∫√¡∞¡√™ ¡. (2006), Û. 127-134 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 134: A pre-Iconoclastic Mosaic of St George in Thessalonike). 1281. Bakirtzis Ch., Imports, exports and autarky in Byzantine Thessalonike from the seventh to the tenth century, Post-Roman Towns (2007), Û. 89-118. 1282. Ousterhout R., Bakirtzis Ch., The Byzantine Monuments of the Evros/Meriç River Valley, Thessaloniki: European Centre for Byzantine and Postbyzantine Monuments, 2007. 1283. ª·ÎÈÚÙ˙‹˜ Ã., ∆fiÔÈ [£ÂÛÛ·ÏÔÓ›ÎË 2007], Û. 4-5 (∏ £ÂÛÛ·ÏÔÓ›ÎË, ÙÔ ∂Ù·‡ÚÁÈÔ Î·È ÙÔ Î·ÏÏÈÙ¯ÓÈÎfi ‰ÈÂÈÛÙËÌÔÓÈÎfi Î·È ‰È·‰Ú·ÛÙÈÎfi ÂÚÁ·ÛÙ‹ÚÈ Ì ı¤Ì· ÙÔÓ ∂ÁÎÏÂÈÛÌfi Î·È ÙÔÓ Ã·Ì¤ÓÔ ÃÚfiÓÔ). 1284. ª·ÎÈÚÙ˙‹˜ Ã., √È ÌÂÙ·ÌÔÚÊÒÛÂȘ ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘, ª·ÚÙ‡ÚÈÔ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘ (2007), ¶Ú·ÎÙÈο, Û. 37-45. 1285. Bakirtzis Ch., Le culte de Saint Démétrios à Thessalonique, 14301493: des Byzantins aux Ottomans, §·˚Τ˜ ‰Ôͷۛ˜ / Croyances populaires (2008), ¶Ú·ÎÙÈο, Û. 171-188. 1286. Bakirtzis Ch., Mastora P., Pitsalidis N., The Conservation of Rotunda's Mosaics in Thessaloniki: An Act of Discovery, ICCM 10 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 27. 1287. Bakirtzis Ch., Mastora P., Vassiliadou St., Pitsalidis N., Lessons Learned in Theory and Practice of Mosaic Treatments. The Case of the Wall Mosaics in the Church of the Holy Apostles Thessaloniki, Greece, ICCM 9 (2008), ¶Ú·ÎÙÈο, Û. 57-63. 1288. Bakirtzis Ch., Secular and Military Buildings, OHBS (2008), Û. 373-384. 1289. Bakirtzis Ch., The Pilgrim’s Xenodocheion at Philippi, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 367-371 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 518-520: •ÂÓԉԯ›ÔÓ ÚÔÛ΢ÓËÙÒÓ ÛÙÔ˘˜ ºÈÏ›Ô˘˜). 1290. Bakirtzis Ch., Tzevreni St., Vassiliadou St., Kokkinos N., Potential Electronic Publication of Rescue Excavations: The Model of the Water Supply System of Thessaloniki II, Digital Heritage (2008), ¶Ú·ÎÙÈο, Û. 58-59. 1291. Bakirtzis Ch., ‚Ï. ·Ú. 1708.

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1292. ª·ÎÈÚÙ˙‹˜ Ã., ¶·˙·Ú¿˜ ¡. Î·È Û˘ÓÂÚÁ¿Ù˜, ªÂÙÚfi £ÂÛÛ·ÏÔӛ΢ 2006, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 431-454. 1293. Bakirtzis Ch., Céramiques en comblement des voûtes à Sainte Sophie de Thessalonique, Cerámica Medieval 8 (2009), ¶Ú·ÎÙÈο, Û. 697-702. 1294. ª·ÎÈÚÙ˙‹˜ Ã., πˆ¿ÓÓ˘ ∆Ô˘Ú¿ÙÛÔÁÏÔ˘, Ô ·Ú¯·ÈÔÏfiÁÔ˜, ∆√Àƒ∞∆™√°§√À π. (2009), Ù. ∞’, Û. 1-5. 1295. ª·ÎÈÚÙ˙‹˜ Ã., ª¿ÛÙÔÚ· ¶., ™¯ÂÙ›˙ÔÓÙ·È Ù· „ËÊȉˆÙ¿ Ù˘ ƒÔÙfiÓÙ·˜ £ÂÛÛ·ÏÔӛ΢ Ì ÙË ÌÂÙ·ÙÚÔ‹ Ù˘ Û ¯ÚÈÛÙÈ·ÓÈÎfi Ó·fi;, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 80-81. 1296. Ballian A., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 135 (Bracelet; Eleventh-twelfth century), 136 (Bracelet; Eleventh century), 145 (Pectoral cross; Thirteenth-fourteenth century), 161 (Fragment of a shawl; Egypt, Fayum, ninth-tenth century), 170 (Chandelier (choros); Thirteenth-fourteenth century), 210 (Chalice veil; Late thirteenth-early fourteenth century), 306 (Fragments of a dish; Syria, end of thirteenth-first half of fourteenth century), 309 (Candlestick; Konya, second half of thirteenth century). 1297. ª·ÏÏÈ¿Ó Õ., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 18 (Ó·fiÛ¯ËÌÔ ÎÈ‚ÒÙÈÔ, 1613), 53 (Ó·fiÛ¯ËÌÔ Î·Ù˙›ÔÓ, 1810), 76 (ÎÔ‡· Ì ·Ú¿ÛÙ·ÛË ÙÔ˘ ¶·Ó¿ÁÈÔ˘ ∆¿ÊÔ˘, 1722). 1298. ª·ÏÔÁÈ¿ÓÓË √˘., √ π. ¡·fi˜ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙËÓ ∞‡Ú· ∫·Ï·Ì¿Î·˜. ¶ÚÔÛ¤ÁÁÈÛË ÛÙËÓ Ù¤¯ÓË ÙˆÓ ™·Ì·ÚÈÓ·›ˆÓ ˙ˆÁڿʈÓ, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 655-664 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 664: The mural decorations of the Holy Temple of Saints Nicholas and Athanasios at Avra, Kalambaka. Getting aquainted with the art of Samarina painters). 1299. ª·ÏÙÔÁÈ¿ÓÓË ÃÚ., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 50 (∑ˆÁÚ¿ÊÔ˜ ∞Ó‰Ú¤·˜ ƒ›Ù˙Ô˜: ∏ ∫Ô›ÌËÛË Ù˘ £ÂÔÙfiÎÔ˘, ‚’ ÌÈÛfi ÙÔ˘ 15Ô˘ ·È.), 52 (∑ˆÁÚ¿ÊÔ˜ ∞Ó‰Ú¤·˜ ƒ›Ù˙Ô˜: √ ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, ‚’ ÌÈÛfi ÙÔ˘ 15Ô˘ ·È.). 1300. ª·ÚÌ·Ú›ÙÛ· ∂., ∂˘ÏÔÁ›· ̇ÚÔ˘ ·fi ÙÔ ∂¿Óˆ ∫¿ÛÙÚÔ ÕÓ‰ÚÔ˘, ¶√§∂ª∏™ ¢., ªÓ‹ÌË (2009), Û. 241-250. 1301. ª·ÚÌ·Ú›ÙÛ· ∂., £˘ÌÈ·Ù‹ÚÈ· Ù˘ ‡ÛÙÂÚ˘ ‚˘˙·ÓÙÈÓ‹˜ ÂÚÈfi‰Ô˘ (13Ô˜-15Ô˜ ·ÈÒÓ·˜), ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 225-245 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 245: The Censers of the Late Byzantine Period (13th-15th c.)]. 1302. ªÂÎÈ¿Ú˘ ∞., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 65 (ÚÔÛ΢ÓËÙ¿ÚÈÔ ÙˆÓ ∞Á›ˆÓ ∆fiˆÓ, 1793). 1303. ªÂÎÈ¿Ú˘ ∞., ‚Ï. ·Ú. 1048. 1304. ªÂÎÈ¿Ú˘ ∞., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 32 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ∆· ∂ÈÛfi‰È· Ù˘ £ÂÔÙfiÎÔ˘, ·’ ÌÈÛfi ÙÔ˘ 15Ô˘ ·È.), 33 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÕÁÈÔ˜ £Âfi‰ˆÚÔ˜ Ô ∆‹ÚˆÓ ‰Ú·ÎÔÓÙÔÎÙfiÓÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.).

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1305. ªÂÓ¿ÙÔ˘ ¶., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], Ï‹ÌÌ. ·Ú. 14 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ ¤ÊÈÔ˜ ‰Ú·ÎÔÓÙÔÎÙfiÓÔ˜, ‰Â‡ÙÂÚÔ Ù¤Ù·ÚÙÔ 15Ô˘ ·ÈÒÓ·). 1306. ªÂÓ¿ÙÔ˘ ¶., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 37 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ ¤ÊÈÔ˜ ‰Ú·ÎÔÓÙÔÎÙfiÓÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 1307. ªÂÙÂÈÓ¿Î˘ ª., ¡ˆÔÁÚ·Ê›· Î·È ‚˘˙·ÓÙÈÓ‹ ·ÁÈÔÁÚ·Ê›· / Fresco Painting and Byzantine Hagiography, HÚ¿ÎÏÂÈÔ: πÂÚ¿ ªËÙÚfiÔÏȘ πÂÚ·‡ÙÓ˘ Î·È ™ËÙ›·˜, 2008. 1308. Bitha I., Status dispay: donors, patronage and mural paintings in thriteenth-century Kythera, Greece, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 312. 1309. Bitha I., Vaxevanis I., Karaghianni U., Bibliographie de l’art byzantin et postbyzantin. La contribution grecque 2001-2005 / µÈ‚ÏÈÔÁÚ·Ê›· Ù˘ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∆¤¯Ó˘. ∏ ÂÏÏËÓÈ΋ Û˘Ì‚ÔÏ‹ 2001-2005, Athènes: Académie d'Athènes, 2006. 1310. ª›ı· π., ‚Ï. ·Ú. 821. 1311. ª›ı· π., ∂Ó‰˘Ì·ÙÔÏÔÁÈΤ˜ Ì·ÚÙ˘Ú›Â˜ ÛÙ· ‚˘˙·ÓÙÈÓ¿ ∫‡ıËÚ·, ¶·ÓÈfiÓÈo 8 (2009), ¶Ú·ÎÙÈο, Û. 270-296 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 289: Testimonies on Byzantine Costumes in Kythera). 1312. ª›ı· π., ™¯fiÏÈ· ÛÙËÓ ÎÙËÙÔÚÈ΋ ÂÈÁÚ·Ê‹ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ¶·¯˘Ì·¯ÈÒÙË ÛÙË §›Ó‰Ô Ù˘ ƒfi‰Ô˘ (1394/5), ¢Ã∞∂ 30 (2009), Û. 159-168 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 167-168: Comments on the founder’s inscription of the church of Ayios Georgios Pachymachiotis at Lindos, Rhodes (1394/5)]. 1313. ª›Ï˘ £., ª·ÁÓËÛ¿ÏË ª., ¶ÚfiÙ·ÛË ·fiÛ·Û˘ ·Ú¯ÈÙÂÎÙÔÓÈÎÒÓ ÌÂÏÒÓ ÙÔ˘ ÈÂÚÔ‡ ÙÔ˘ ∞Ì˘ÎÏ·›Ô˘ ∞fiÏψӷ ·fi ÂÎÎÏËÛ›‰È· ÛÙȘ ∞̇ÎϘ §·ÎˆÓ›·˜: ˙ËÙ‹Ì·Ù· ıˆڛ·˜ Î·È ÂÊ·ÚÌÔÁ‹˜, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË 9 (2009), Û. 9-20 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 20: Proposed removal of architectural members of the Temple of Amyklaian Apollo from chapels in Amykles in Lakonia: theory and practice). 1314. ªÈÙ˙ÈÎfiÔ˘ÏÔ˜ ¢., ‚Ï. ·Ú. 1943. 1315. ªÔÓfi‚·˜ ¡., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], Ï‹ÌÌ. ·Ú. 13 (¢›˙ˆÓË ÂÈÎfiÓ· Ì ÛÙÚ·ÙȈÙÈÎÔ‡˜ ·Á›Ô˘˜ Î·È ÙÔ˘˜ ·Á›Ô˘˜ ¶·ÓÙÂÏ‹ÌÔÓ· Î·È ∞ÓÙÒÓÈÔ, ·Ú¯¤˜ 15Ô˘ ·È.), 31 (√ ª˘ÛÙÈÎfi˜ ¢Â›ÓÔ˜, 16-17Ô˜ ·È.), 34 (∏ ⁄„ˆÛË ÙÔ˘ ∆ÈÌ›Ô˘ ™Ù·˘ÚÔ‡, 17Ô˜ ·È.), 35 (√ ∂ÈÙ¿ÊÈÔ˜ £Ú‹ÓÔ˜, 17Ô˜ ·È.), 36 (√ ∂ÈÙ¿ÊÈÔ˜ £Ú‹ÓÔ˜, 17Ô˜ ·È.), 38 (√È ÕÁÈÔÈ ¶¿ÓÙ˜, 17Ô˜ ·È.), 39 (√È ÕÁÈÔÈ ¶¿ÓÙ˜, 17Ô˜ ·È.), 40 (√È ÕÁÈÔÈ ¶¿ÓÙ˜ / √È ÕÁÈÔÈ ∆ÂÛÛ·Ú¿ÎÔÓÙ·, 17Ô˜ ·È.), 41 (∏ ¢¤ËÛË Ì ÛÂÈÚ¤˜ ·Á›ˆÓ, 17Ô˜ ·È.), 42 (∏ ¢Â˘Ù¤Ú· ¶·ÚÔ˘Û›·, 17Ô˜ ·È.), 43 ( ∏ ¶ÂÓÙËÎÔÛÙ‹, 17Ô˜ ·È.), 44 (√ ÃÚÈÛÙfi˜ «∏ ÕÌÂÏÔ˜», 17Ô˜ ·È.). 1316. Bonovas N., Athos [Paris 2009], Ï‹ÌÌ. ·Ú. 5 (L’arrivée miraculeuse de

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l’icône de la Vierge, milieu du XVIIIe siècle), 110 (Porte de bema avec l’Annonciation, XIVe-XVe siècle), 134 (Les saints Ioannikios, Saba, Pacôme, Éphrem le Syrien, première moitié du XVe siècle), 135 (Saint Syméon le Stylite et saint David de Thessalonique, milieu du XVe siècle), 136 (La Dormition de saint Éphrem le Syrien, deuxième moitié du XVe siècle). 1317. ªÔÓfi‚·˜ ¡., √È Â›ÁÔÓÔÈ ÙÔ˘ ¢ÈÔÓ˘Û›Ô˘ ÂÎ ºÔ˘ÚÓ¿ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 61-62. 1318. ªÔÚÌÔ˘‰¿ÎË ª., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 200-202 (¶·Ú·ÁˆÁ‹ ‹ÏÈÓˆÓ ·ÁÁ›ˆÓ), 203 (£·Ï¿ÛÛÈÔ ÂÌfiÚÈÔ ÎÂÚ·ÌÈÎÒÓ), 203-206 (√ÈÎȷο ÎÂÚ·ÌÈο Û·Ë). 1319. ªÔÚÌÔ˘‰¿ÎË ª., πÛÏ·ÌÈο ·ÁÁ›· ·fi ÙȘ Û˘ÏÏÔÁ¤˜ ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ Î·È ÃÚÈÛÙÈ·ÓÈÎÔ‡ ªÔ˘Û›Ԣ, ¢Ã∞∂ 31 (2010), Û. 177-190 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 190: Islamic Vases from the Collection of the Byzantine and Christian Museum, Athens). 1320. ªÔÚÌÔ˘‰¿Î˘ ª., £˘ÚÒÌ·Ù· Î·È ·Ú¿ı˘Ú· Û ÂÎÎÏËۛ˜ Ù˘ ∫Ú‹Ù˘ (Ù¤ÏÔ˜ 14Ô˘ - ̤۷ 15Ô˘ ·ÈÒÓ·), Û. 60-89 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 89: Portals and windows in 14th and 15th century Cretan churches). 1321. ªÔÚÌÔ˘‰¿Î˘ ª., £˘ÚÒÌ·Ù· Î·È ·Ú·ı˘Ú· Û ÂÎÎÏËۛ˜ Ù˘ ∫Ú‹Ù˘ (Ù¤ÏÔ˜ 14Ô˘ - ̤۷ 15Ô˘), °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 60-89 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 89: Portals and windows in 14th and 15th century cretan churches). 1322. ªÔÚÌÔ˘‰¿Î˘ ª., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 20 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: ÷›ÚÂÙÂ ÙˆÓ ª˘ÚÔÊfiÚˆÓ Î·È £·‡Ì· ÙÔ˘ ∞Á›Ô˘ º·ÓÔ˘Ú›Ô˘, ·’ ÌÈÛfi ÙÔ˘ 15Ô˘ ·È.), 21 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ∞ÌÊÈÚfiÛˆË ÂÈÎfiÓ· ∞. ÕÁÈÔ˜ º·ÓÔ‡ÚÈÔ˜, µ. ÕÁÈÔ˜ º·ÓÔ‡ÚÈÔ˜ Ì ÛÎËÓ¤˜ Û˘Ó·Í·Ú›Ô˘, ·’ ÌÈÛfi ÙÔ˘ 15Ô˘ ·È.), 22 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: ÕÁÈÔ˜ º·ÓÔ‡ÚÈÔ˜ ¤ÓıÚÔÓÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 25 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ∞Û·ÛÌfi˜ ¶¤ÙÚÔ˘ Î·È ¶·‡ÏÔ˘, ·’ ٤ٷÚÙÔ 15Ô˘ ·È.), 28 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÃÚÈÛÙfi˜ Ë ÕÌÂÏÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 29 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÃÚÈÛÙfi˜ Ë ÕÌÂÏÔ˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 30 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ÃÚÈÛÙfi˜ Ë ÕÌÂÏÔ˜, ·’ ÌÈÛfi 15Ô˘ ·È.), 34 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: £ÂÔÙfiÎÔ˜ ∑ˆÔ‰fi¯Ô˜ ¶ËÁ‹, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 46 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ∏ ¢¤ËÛË, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 1323. ªÔ˘‰·Ï‹˜ °., ∏ ÛÙ¿¯ˆÛË ÙÔ˘ ¯ÂÈÚfiÁÚ·ÊÔ˘ ÎÒ‰Èη µ¯Ê 25 ÙÔ˘ ªÔ˘Û›Ԣ µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡, ªµ¶ 13 (2006) [2008], Û. 36-62 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 50-55: The binding of codex µ¯Ê 25 of the Museum of Byzantine Culture, Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 56-62: La reliure du codex manuscrit µ¯Ê 25 du Musée de la Civilisation Byzantine). 1324. Boudalis G. Endbands in Greek-style bindings, The Paper Conservator 31 (2007), Û. 29-49. (·ÁÁÏÈ΋, Á·ÏÏÈ΋, ÁÂÚÌ·ÓÈ΋ Î·È ÈÛ·ÓÈ΋ ÂÚ›ÏË„Ë).

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1325. Boudalis G. The restoration and care of manuscripts in the St Catherine’s Monastery in Sinai in the 17th and 18th centuries, Cunning Chapters (2007), ¯ˆÚ›˜ ·Ú›ıÌËÛË ÛÂÏ›‰ˆÓ. 1326. Boudalis G., One research, two libraries: two methodological approaches for surveying bindings of the 15th-17th century in the Iviron monastery library on Mount Athos and the St. Catherine’s monastery library in Sinai, Reliure Médiévale (2008), ¶Ú·ÎÙÈο, Û. 117-131. 1327. ªÔ˘‰·Ï‹˜ °. ∆Ô ¤Ú·ÛÌ· ·fi ÙȘ ÛÙ·¯ÒÛÂȘ ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ¯ÚfiÓˆÓ ÛÙȘ ÛÙ·¯ÒÛÂȘ Ù˘ ÌÂÙ·‚˘˙·ÓÙÈÓ‹˜ ÂÔ¯‹˜: ÛÙ·ÙÈÛÙÈ΋ ¤ÎıÂÛË ÔÚÈÛÌ¤ÓˆÓ Î·ıÔÚÈÛÙÈÎÒÓ ·ÏÏ·ÁÒÓ, ∂ÏÏËÓÈ΋ ¶·Ï·ÈÔÁÚ·Ê›· 6 (2008), ¶Ú·ÎÙÈο, Û. 453478, 1148-1149. 1328. ªÔ˘‰·Ï‹˜ °., «‰È· ÙÔ ÛÙ¿¯ÔÌ·...». ªÈ· Ì·ÚÙ˘Ú›· ÁÈ· ÙËÓ ‰È·‰Èηۛ· Ù˘ ‚È‚ÏÈÔ‰ÂÛ›·˜ Î·È ÙËÓ ÔÚÔÏÔÁ›· Ù˘ ·fi ÙÔ ‚’ ÌÈÛfi ÙÔ˘ 18Ô˘ ·ÈÒÓ·, µÈ‚ÏÈÔ‰ÂÛ›· ‚˘˙·ÓÙÈÓ‹-ÌÂÙ·‚˘˙·ÓÙÈÓ‹ (2008), ¶Ú·ÎÙÈο, Û. 63-76. 1329. ªÔ‡˙· ¡., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ ¶¤ÙÚÔ˘ ÛÙËÓ ∫·ÛÙ¿ÓÈ· Ù˘ ªÂÛÛËÓȷ΋˜ ª¿Ó˘, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 247-265 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 266: Observations on the Church of St. Peter at Kastania in Messenian Mani). 1330. ªÔ˘ÓÙÔ‡Ú˘ ∫., ‚Ï. ·Ú. 2017. 1331. ªÔ‡Ú· §., ‚Ï. ·Ú. 1606, Bouras L., Parani M. G., Lighting in Early Byzantium, Washington D.C. 2008. 1332. ªÔ‡Ú·˜ Ã., ∂·ÓÂͤٷÛË Ù˘ ªÂÁ¿Ï˘ ¶·Ó·ÁÈ¿˜ ∞ıËÓÒÓ, ¢Ã∞∂ 27 (2006), Û. 25-34 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 34: Re-examination of the Megale Panagia Church, Athens). 1333. ªÔ‡Ú·˜ Ã., ¶ÚÔ‚Ï‹Ì·Ù· Ù˘ Ô¯˘ÚÒÛˆ˜ ÙˆÓ ∞ıËÓÒÓ Î·Ù¿ ÙË ÌÂÛÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 64-65. 1334. Bouras Ch., A Sketch Plan of Late Antiquity in Athens, ¢Ã∞∂ 28 (2007), Û. 31-34 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 34: ™¯¤‰ÈÔ Î·Ùfi„ˆ˜ Ù˘ fi„ÈÌ˘ ·Ú¯·ÈfiÙËÙ·˜ ÛÙËÓ ∞ı‹Ó·). 1335. ªÔ‡Ú·˜ Ã., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÛÙËÓ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË Î·Ù¿ ÙÔÓ 13Ô ·ÈÒÓ· / Architecture in Constantinople in the Thirteenth Century, ∆ÂÙ¿ÚÙË ™Ù·˘ÚÔÊÔÚ›· / Fourth Crusade (2007), ¶Ú·ÎÙÈο, Û. 105-112. 1336. ªÔ‡Ú·˜ Ã., ¢È¿ÙÚËÙ· Ì·ÚÌ¿ÚÈÓ· ÌÂÛÔ‚˘˙·ÓÙÈÓ¿ ÁÏ˘Ù¿ ÛÙËÓ ∂ÏÏ¿‰·, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 469-485 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 597: Sculptures mésobyzantines ajourées en marbre découvertes en Grèce, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 610). 1337. ªÔ‡Ú·˜ Ã., µ˘˙·ÓÙÈÓ‹ ∞ı‹Ó·, 10Ô˜-12Ô˜ ·È., (ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË, 6Ô ¶·Ú¿ÚÙËÌ·), ∞ı‹Ó· 2010.

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1338. ªÔ‡Ú·˜ Ã., ∆ÚfiÔÈ ÂÚÁ·Û›·˜ ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ·Ú¯ÈÙÂÎÙfiÓˆÓ Î·È ·Ú¯ÈÌ·ÛÙfiÚˆÓ, ªÓ‹ÌË ª·ÓfiÏË Ã·Ù˙ˉ¿ÎË (∞η‰ËÌ›· ∞ıËÓÒÓ, 4 ª·ÚÙ›Ô˘ 2008), ∞ı‹Ó· 2010: Working methods of the Byzantine architects and master builders. 1339. ªÔ‡Ú·˜ Ã., ∏ ·ÔηٿÛÙ·ÛË ÙˆÓ ·Ú¯ÈÙÂÎÙÔÓÈÎÒÓ ÌÓËÌ›ˆÓ ÛÙËÓ ∂ÏÏ¿‰· ηٿ ÙÔ ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 20Ô‡ ·ÈÒÓ·, ∞ÔηٿÛÙ·ÛË ªÓËÌ›ˆÓ (2010), Û. 29-72. 1340. ªÔ‡Ú·˜ Ã., ªÓ›˜ ÔÈÎÔ‰fïÓ, Ì·ÛÙfiÚˆÓ Î·È Î·Ù·Û΢·ÛÙÒÓ ÛÙÔ Ì¤ÛÔ Î·È ÙÔ ‡ÛÙÂÚÔ µ˘˙¿ÓÙÈÔ, ¢Ã∞∂ 31 (2010), Û. 11-16 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 16: Mentions of Builders, Master Craftsmen and Masons in the Middle and Late Byzantine periods). 1341. Bourbou Chr., ‚Ï. ·Ú. 2061. 1342. ªÔ‡ÚÌÔ˘ ÃÚ., ∏ ηıËÌÂÚÈÓ‹ ˙ˆ‹ ÛÙË ÌÂÛÔ‚˘˙·ÓÙÈÓ‹ ∫Ú‹ÙË (11Ô˜ ·È. Ì.Ã.): Ë ‚ÈÔ·Ú¯·ÈÔÏÔÁÈ΋ ÌÂϤÙË ÂÓfi˜ ·ÛÙÈÎÔ‡ ÓÂÎÚÔÙ·Ê›Ԣ ÛÙË ı¤ÛË ∫·ÛÙ¤ÏÏ· (∏Ú¿ÎÏÂÈÔ-∫Ú‹ÙË), Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 64. 1343. ªڛη˜ ∞., ‚Ï. ·Ú. 2092. 1344. ªÚÔηϿ΢ °., ∆· Â˘Ú‹Ì·Ù· ÙˆÓ Ù¿ÊˆÓ ·fi ÙË ‚·ÛÈÏÈ΋ Ù˘ ª·ÚÈÔÏ¿Ù·˜ ÛÙË ºˆÎ›‰·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 65. 1345. ªÚÔηϿ΢ °., √ ÕÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ ÛÙÔ ªÔ˘ÚÔ‡ÓÈ: ·Ó·ÛÙËψÙÈΤ˜ Î·È ·Ó·ÛηÊÈΘ ÂÚÁ·Û›Â˜, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 223-237 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 227: Restoration works and excavations at the church of St. Nikolaos in Bourouni). 1346. ªÚÔ‡ÛηÚË Œ., ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ [ª∂ 2007], Ï‹ÌÌ. ·Ú. 10 (ÙÌ‹Ì· ÎÔÙÈÎÔ‡ ˘Ê¿ÛÌ·ÙÔ˜, 6Ô˜ ·È.), 11 (ÙÌ‹Ì· ÎÔÙÈÎÔ‡ ˘Ê¿ÛÌ·ÙÔ˜, 7Ô˜ ·È.) 12 (ÙÌ‹Ì· ÎÔÙÈÎÔ‡ ˘Ê¿ÛÌ·ÙÔ˜, 7Ô˜-8Ô˜ ·È.), 13 (ÙÌ‹Ì· ÎÔÙÈÎÔ‡ ˘Ê¿ÛÌ·ÙÔ˜, 7Ô˜-8Ô˜ ·È.), 14 [ÏԢΤÙÔ Û ÌÔÚÊ‹ ÏÈÔÓÙ·ÚÈÔ‡, ‡ÛÙÂÚÔÈ ÚˆÌ·˚ÎÔ›-ÚÒÈÌÔÈ ‚˘˙·ÓÙÈÓÔ› ¯ÚfiÓÔÈ(;)], 15 (ÌÔÓfiÌ˘ÍÔ Ï˘¯Ó¿ÚÈ, 5Ô˜-6Ô˜ ·È.) 16 (ÙÚ›Ì˘ÍÔ Ï˘¯Ó¿ÚÈ, 5Ô˜-6Ô˜ ·È.) 17 (ÌÔÓfiÌ˘ÍÔ Ï˘¯Ó¿ÚÈ, 5Ô˜-6Ô˜ ·È.), 18 (ÌÔÓfiÌ˘ÍÔ Ï˘¯Ó¿ÚÈ, 5Ô˜6Ô˜ ·È.), 19 (ÌÔÓfiÌ˘ÍÔ Ï˘¯Ó¿ÚÈ, 5Ô˜-7Ô˜ ·È.), 20 (ÌÔÓfiÌ˘ÍÔ Ï˘¯Ó¿ÚÈ, 6Ô˜-7Ô˜ ·È.), 23 (ÙÚÈÊ˘ÏÏfiÛÙÔÌË ÔÈÓÔ¯fiË, 6Ô˜-7Ô˜ Î·È 10Ô˜-11Ô˜ ·È.), 75-80 (ÂÈÛÙ‹ıÈÔÈ ÛÙ·˘ÚÔ›-ÏÂÈ„·ÓÔı‹Î˜, 11Ô˜ ·È.), 81 (ÂÈÛÙ‹ıÈÔ˜ ÛÙ·˘Úfi˜-ÏÂÈ„·ÓÔı‹ÎË, 11Ô˜12Ô˜ ·È.), 83 (ÛÙ·˘Úfi˜, 8Ô˜-9Ô˜ ·È.), 84 (ÛÙ·˘Úfi˜ ÏÈÙ·Ó›·˜, 6Ô˜-7Ô˜ ·È.), 86 [ÛÙ·˘Úfi˜ ÏÈÙ·Ó›·˜(;), 11Ô˜ ·È.], 87 (ÛÙ·˘Úfi˜ ÏÈÙ·Ó›·˜, 11Ô˜ ·È.), 88 (ÛÙ·˘Úfi˜ ÏÈÙ·Ó›·˜, 11Ô˜-12Ô˜ ·È.), 224 (͢ÏfiÁÏ˘ÙÔ˜ ·ÌÊ›ÁÏ˘ÊÔ˜ ÛÙ·˘Úfi˜ ¢ÏÔÁ›·˜, 17Ô˜ ·È.), 225 (͢ÏfiÁÏ˘ÙÔ˜ ·ÌÊ›ÁÏ˘ÊÔ˜ ÛÙ·˘Úfi˜ ·ÁÈ·ÛÌÔ‡, 17Ô˜-18Ô˜ ·È.), 226 (͢ÏfiÁÏ˘ÙÔ˜ ·ÌÊ›ÁÏ˘ÊÔ˜ ÛÙ·˘Úfi˜ ·ÁÈ·ÛÌÔ‡, 1624), 228 (•˘ÏfiÁÏ˘ÙÔ ÙÚ›Ù˘¯Ô, 17Ô˜-18Ô˜ ·È.), 229 (͢ÏfiÁÏ˘ÙÔ ÙÚ›Ù˘¯Ô, 18Ô˜ ·È.), 230 (͢ÏfiÁÏ˘ÙÔ ÙÚ›Ù˘¯Ô, 18Ô˜-19Ô˜ ·È.), 231 (͢ÏfiÁÏ˘ÙÔ ÂÁÎfiÏÈÔ, 17Ô˜-18Ô˜ ·È.), 232 (͢ÏfiÁÏ˘ÙÔ ·ÌÊ›ÁÏ˘ÊÔ ÂÁÎfiÏÈÔ, 18Ô˜ ·È.), 233 (ÙÌ‹Ì· fiÚ˘, ‰Â‡ÙÂÚÔ ÌÈÛfi 17Ô˘

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·È.), 234 (fiÚË, ‰Â‡ÙÂÚÔ ÌÈÛfi 17Ô˘-·Ú¯¤˜ 18Ô˘ ·È.), 235 (ÂÁÎfiÏÈÔ ·ÌÊÈÚfiÛˆÔ, Ù¤ÏË 17Ô˘-18Ô˜ ·È.), 236 (¯Ú˘Ûfi˜ ÛÙ·˘Úfi˜, 17Ô˜-18Ô˜ ·È.), 237 (ÂÚÈÏ·›ÌÈÔ, 18Ô˜ ·È.), 238 (ÂÚÈÏ·›ÌÈÔ, 18Ô˜ ·È.), 239 [ÂÁÎfiÏÈÔ, 19Ô˜ ·È.(;)]. 1347. ªÚÔ‡ÛηÚË Œ., ÀÊ¿ÛÌ·Ù· ·fi ÙÔ ªÔ˘ÛÂ›Ô ¶. Î·È ∞. ∫·ÓÂÏÏÔÔ‡ÏÔ˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 78. 1348. Brouskari E., Examples of succesive religious cults on Cos (ancient funerary monuments and Christian worship), Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 281-289 [ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 506-509: ¶·Ú·‰Â›ÁÌ·Ù· ‰È·‰Ô¯È΋˜ Ï·ÙÚ›·˜ ÛÙËÓ ∫ˆ (·Ú¯·›· Ù·ÊÈο ÌÓËÌ›· Î·È ¯ÚÈÛÙÈ·ÓÈ΋ Ï·ÙÚ›·)]. 1349. ªÚÔ‡ÛηÚË Œ., ™ÊÚ·Á›‰· ¿ÚÙÔ˘ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÒÓ ¯ÚfiÓˆÓ ·fi ÙËÓ ∫ˆ, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 267-280 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 279-280: Early Christian Breadstamp from Kos). 1350. ª˘ÏÔÔÙ·ÌÈÙ¿ÎË ∞È., ¶·Ó·Á›· °ÎÔ˘‚ÂÚÓÈÒÙÈÛÛ·, ∫ÚËÙÈÎfi ¶·ÓfiÚ·Ì· 11 (2005-2006), Û. 102-109. 1351. ª˘ÏÔÔÙ·ÌÈÙ¿ÎË ∞È., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙˆÓ Ó·ÒÓ ÙÔ˘ ™ˆÙ‹ÚÔ˜ Î·È Ù˘ ¶·Ó·Á›·˜ ÛÙÔ˘˜ ∫Ô˘Ó¿‚Ô˘˜ ¶Â‰È¿‰Ô˜, ŒÏÙ˘Ó·, Sconavi, ∫Ô˘Ó¿‚ÔÈ (2007), Û. 35-48. 1352. ª˘ÏÔÔÙ·ÌÈÙ¿ÎË ∞È., ª·˘ÚÈÙÛ¿ÎË ª., ª·ÚÓ¤ÏÏÔ˘ ¡., √ ÌÂÛÔ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ Ù˘ ∞Á›·˜ ∆ÚÈ¿‰·˜ §ÈÁÔÚÙ‡ÓÔ˘ Î·È Ë ·Ó·Ûηʋ ÙÔ˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 378-389 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 384: The church of Saint Trinity of Ligortynos Heraklion). 1353. ª˘ÏˆÓ¿ °., ‚Ï. ·Ú. 1502. 1354. ª˘ÏˆÓ¿ ∑., ‚Ï. ·Ú. 372. 1355. ª˘ÚÈ·Óı¤ˆ˜-∫Ô˘ÊÔÔ‡ÏÔ˘ ª., ‚Ï. ·Ú. 976. 1356. Moraitou M., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 162 (Figurine; Fatimid, Egypt, late tenth-twelfth c.), 163 (Figurine; Fatimid, Egypt, tenthtwelfth c.), 164 (Figurine; Fatimid, Egypt, ninth-eleventh c.), 308 (Casket; Norman Sicily, twelfth c.), 310 (Lustre-painted bowl with giraffe; Egypt, late tenth-early eleventh c.), 311 (Bowl with leopard and trainer; Egypt, eleventh c.), 312 (Lustre-painted bowl with cup-bearer; Egypt, eleventh c.). 1357. ªˆ˘Û›‰Ô˘ °., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 42-45 (∂ÈÛ·ÁˆÁ‹ – ∏ µ˘˙·ÓÙÈÓ‹ ·˘ÙÔÎÚ·ÙÔÚ›·), 113-114 (∏ ÎÚ›ÛÈÌË Î·Ì‹), 118-120 (∏ ∂ÈÎÔÓÔÌ·¯›·), 213-215 (∏ ¿ÏˆÛË). 1358. ¡¿ÎË ∂., ‚Ï. ·Ú. 737. 1359. ¡¿ÎÔ˜ ∞ı., ∆Ô Í˘ÏfiÁÏ˘ÙÔ Ù¤ÌÏÔ ÙÔ˘ ·ÚÂÎÎÏËÛ›Ô˘ Ù˘ ºÔ‚ÂÚ¿˜ ¶ÚÔÛÙ·Û›·˜ ÛÙË ÌÔÓ‹ ∫Ô˘ÙÏÔ˘ÌÔ˘Û›Ô˘, ¢ÂοÙË 2 (2005-2006), Û. 56-63 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 62: The wood-carved iconostasis of the Chapel of Fovera Prostasia at the Monastery of Koutloumousi).

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1360. Nanou M., Peintures murales post-byzantines dans l’église du monastère de Saint-Lavrentios sur le Mont-Pélion (Thessalie de l’est, Grèce), CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. Iππ, Û. 248-249. 1361. ¡anou M., ‚Ï. ·Ú. 837. 1362. Nanou M., ‚Ï. ·Ú. 839. 1363. Nanou M., Dessins de calque et gravures religieuses d’intérêt balkanique dans les archives des peintres venant du village des Chioniades en Epire (Grèce du nord, XIXe-XXe s.), Byzance et les Slaves (2007), ¶Ú·ÎÙÈο, Û. 389-409. 1364. Nanou M., Anthivola [Berlin 2007], Ï‹ÌÌ. ·Ú. 2, 4, 6-7, 9, 12, 14-16, 21, 23-24, M-MS/S.1. 1365. ¡anou M., ‚Ï. ·Ú. 841. 1366. ¡¿ÓÔ˘ ª., ‚Ï. ·Ú. 843 1367. Nanou M., Velimezis coll. [St. Petersburg 2009], Ï‹ÌÌ. ·Ú. 1, 2 (·ÁÁÏÈο-ÚˆÛÈο). 1368. Nanou M., Katselaki A., Anthivola from Chioniades, Museum of Greek Folk Art, Athens 2009. 1369. ¡¿ÓÔ˘ ª., ‚Ï. ·Ú. 851. 1370. ¡¿ÓÔ˘ ª., ‚Ï. ·Ú. 852. 1371. Nanou M., Synaxis [Moscow 2010], Û. 197-202 (The Synaxis of the Archangels: the depiction of a triumph) (en russe aussi). 1372. Nanou M., Katselaki A., Synaxis [Moscow 2010], Û. 204-207 (About the Anthivola) (en russe aussi). 1373. ¡·˘ÏÈÒÙ˘-™·Ú·ÓÙËÓfi˜ π., √ÈÎfiÛËÌ· Ù˘ ÂÔ¯‹˜ ÙˆÓ ‰Ô˘ÎÒÓ ÛÙË ¡¿ÍÔ / Stemmi dell' epoca ducale a Nasso, ¢Ô˘Î¿ÙÔ ∞ÈÁ·›Ô˘ / Ducato dell' Egeo (2009), ¶Ú·ÎÙÈο, Û. 387-437. 1374. ¡ÈÁ‰ÂÏ‹˜ ¶., √ ¡¤ÛÙˆÚ, Ô §˘·›Ô˜ Î·È Ù· ¶‡ıÈ·. √ ‚›Ô˜ ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ˘fi ÙÔ Êˆ˜ Ó¤ˆÓ ÂÈÁÚ·ÊÈÎÒÓ Â˘ÚËÌ¿ÙˆÓ, ∆√Àƒ∞∆™√°§√À π. (2009), Ù. µ', Û. 151-159 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 151). 1375. Nika A., Graves-ossuaries of the Early Christian Basilica at Ialyssia on Rhodes. Combinated data from archaeological and anthropological research, Anthropology Congress 2 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 56 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 57: ∆¿ÊÔÈ-ÔÛÙÂÔÊ˘Ï¿ÎÈ· Ù˘ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ‚·ÛÈÏÈ΋˜ ÛÙËÓ π·Ï˘Û›· Ù˘ ƒfi‰Ô˘. ™˘Ó‰˘·ÛÙÈο ‰Â‰Ô̤ӷ ·Ú¯·ÈÔÏÔÁÈÎÒÓ Î·È ·ÓıÚˆÔÏÔÁÈÎÒÓ ÂÚ¢ÓÒÓ). 1376. ¡›Î· Õ., ÿÏÎÈÓ˜ fiÚ˜ ·fi ÙË ƒfi‰Ô. ∂Í¿ÚÙËÌ· ¤Ó‰˘Û˘ «ÊÔȉÂÚ¿ÙˆÓ» ‹ ‚˘˙·ÓÙÈÓÒÓ;, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 81-82. 1377. Nikolaou Y., Münzen und Poesie [Wien 2006], Ï‹ÌÌ. ·Ú. 68.2-3 (ÓÔÌ›ÛÌ·Ù· µ·ÛÈÏ›Ԣ ∞’ ÙÔ˘ ª·Î‰fiÓÔ˜), 69.2 (ÓfiÌÈÛÌ· ¡ÈÎËÊfiÚÔ˘ µÔÙ·ÓÂÈ¿ÙË),

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69.3 (ÌÔÏ˘‚‰fi‚Ô˘ÏÏÔ ¡ÈÎËÊfiÚÔ˘ µÔÙ·ÓÂÈ¿ÙË), 74.1 (ÓfiÌÈÛÌ· πˆ¿ÓÓË ∂’ ¶·Ï·ÈÔÏfiÁÔ˘ Î·È ÕÓÓ·˜ Ù˘ ™·‚Ô˝·˜), 75.1 (ÓfiÌÈÛÌ· πˆ¿ÓÓË ™Ù’ ∫·ÓÙ·ÎÔ˘˙ËÓÔ‡ Î·È πˆ¿ÓÓË ∂’ ¶·Ï·ÈÔÏfiÁÔ˘), 77.1 (ÓfiÌÈÛÌ· πˆ¿ÓÓË ¢’ ªÂÁ·ÏÔÎÔÌÓËÓÔ‡ ∆Ú·Â˙Ô‡ÓÙ·˜). 1378. Nikolaou Y., ‚Ï. ·Ú. 1945. 1379. ¡ÈÎÔÏ¿Ô˘ °., ¶fiÛÔ ÎÔÛÙ›˙ÂÈ ÙÈ... ÛÙÔÓ ‚˘˙·ÓÙÈÓfi ÎfiÛÌÔ, ∫fiÛÙÔ˜ ‰È·ÙÚÔÊ‹˜ (2007), Û. 30-39. 1380. ¡ÈÎÔÏ¿Ô˘ °., ‚Ï. ·Ú. 577. 1381. ¡ÈÎÔÏ¿Ô˘ °., ™ÙfiÁÈ·˜ °., ºÔ˘ÓÙÔ‡ÏË ª., ∆Ô ÓfiÌÈÛÌ· ÛÙÔ ¢˘ÙÈÎfi Î·È ∞Ó·ÙÔÏÈÎfi ªÂ۷ȈÓÈÎfi ÎfiÛÌÔ, ¡ÔÌ›ÛÌ·ÙÔ˜ πÛÙÔÚ›· (2008), Û. 86-97. 1382. ¡ÈÎÔÏ¿Ô˘ °., «Tfi £·‡Ì· ÙˆÓ B·ÛÈϤˆÓ Î·È Ë ¢›ÎË ÙÔ˘ ™ÂÎÚ¤ÙÔ˘»: M›· ÌÔÓ·‰È΋ ·˘ÙÔÎÚ·ÙÔÚÈ΋ ‚Ô‡ÏÏ· ·fi ÙȘ ™˘ÏÏÔÁ¤˜ ÙÔ˘ NÔÌÈÛÌ·ÙÈÎÔ‡ MÔ˘Û›Ԣ, ∆√Àƒ∞∆™√°§√À π. (2009), Ù. ∞’, Û. 593-603 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 593). 1383. ¡ÈÎÔÏ¿Ô˘ °., ™˘Ì‚ÔÏ‹ ÛÙË ÓÔÌÈÛÌ·ÙÈ΋ ΢ÎÏÔÊÔÚ›· ÙˆÓ NËÛÈÒÓ ÙÔ˘ AÈÁ·›Ô˘ ηٿ ÙÔÓ 7Ô ·È.: Ô «ıËÛ·˘Úfi˜» X›Ô˜/1998, ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 77-93 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 93: The Chios / 1998 hoard). 1384. Nikonanos N., «The mountain of cells», Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 290-295 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 509-511: «∆Ô ‚Ô˘ÓfiÓ ÙˆÓ ÎÂÏÏ›ˆÓ»). 1385. ¡Ù¿ÌÏÈ·˜ ÃÚ., ∞Ó·ÊÔÚ¤˜ ÛÙ· ∆ڛηϷ Î·È ÙË Á‡Úˆ ÂÚÈÔ¯‹ ÙËÓ ÂÚ›Ô‰Ô ÙÔ˘ 13Ô˘ ·ÈÒÓ·, ∆ÚÈηÏÈÓ¿ 28 (2008), Û. 229-233 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 233: Trikala and their area in 13th century). 1386. Dafi Eu., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 183 (Epistyle from the Church of the Koimesis at Skripou; 873/74). 1387. ¡Ù¿ÊË ∂˘., √È ÎÚËÙÈÎÔ› ·ÌÊÔÚ›˜ ·fi ÙȘ ·Ó·Ûηʤ˜ ÛÙÔ ÓÂÎÚÔÙ·ÊÂ›Ô ÙÔ˘ ÔÈÎÈÛÌÔ‡ Ù˘ ¶ÂÚ›ÛÛ·˜ £‹Ú·˜. ¶·Ú·ÙËÚ‹ÛÂȘ ÁÈ· ÙȘ ÌÂÙ·‚ÔϤ˜ ÛÙȘ ÂÈÛ·ÁˆÁ¤˜ ÙÔ˘˜ ·fi ÙÔ˘˜ ڈ̷˚ÎÔ‡˜ ¤ˆ˜ ÙÔ˘˜ ÚˆÙÔ‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜ Î·È ÚÔ‚ÏËÌ·ÙÈÛÌÔ› Û¯ÂÙÈο Ì ÙËÓ ¯Ú‹ÛË Î·È ÙÔÓ ÚÔÔÚÈÛÌfi ·˘ÙÒÓ ÙˆÓ ·ÁÁ›ˆÓ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 153-168 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 153: Cretan amphoras from the excavations in the cemetery of the settlement of Perissa, Thera. Observations on the changes in imports from Roman to Early Byzantine times and thoughts on the use and purpose of these vases). 1388. ¡Ù¤ÏÏ·˜ °., ‚Ï. ·Ú. 1165 . 1389. ¡Ù¤ÏÏ·˜ °., ªÔÚÊÔÏÔÁÈο ÛÙÔȯ›· ÙˆÓ ÈÔÙÈÎÒÓ ÂÎÎÏËÛÈÒÓ Ù˘ ƒfi‰Ô˘, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 196-217 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 217: Morphological features of the knights' churches on Rhodes). 1390. ¡Ù¤ÏÏ·˜ °., √È ÌÂÁ¿Ï˜ ÈÔÙÈΤ˜ ÂÎÎÏËۛ˜ Ù˘ ƒfi‰Ô˘. ¶·Ó·ÁÈ¿ ÙÔ˘

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∫¿ÛÙÚÔ˘, ÕÁÈÔ˜ πˆ¿ÓÓ˘ ÙÔ˘ ∫ÔÏÏ¿ÎÈÔ˘, ¶·Ó·ÁÈ¿ ÙÔ˘ ªÔ‡ÚÁÎÔ˘, ªÂ۷ȈÓÈ΋ ƒfi‰Ô˜ (2007), ¶Ú·ÎÙÈο, Û. 370-395 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 394-395: Large Hospitaller churches on Rhodes. Our Lady of the Castle, St. John of the Collachio, Our Lady of the Burgh). 1391. ¡Ù¤ÏÏ·˜ °., ‚Ï. ·Ú. 1167. 1392. ¡Ù¤ÏÏ·˜ °., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 360-363 (∆¤ÌÂÓÔ˜ ™Ô˘ÏÂ˚Ì¿Ó), Û. 364-365 (πÌÚ·‹Ì ¶·Û¿ Ù˙·Ì›), Û. 368-369 (ªÔ˘ÛÙ·Ê¿ Ù˙·Ì›), Û. 371-372 (ªÂ¯Ì¤Ù ∞Á¿ Ù˙·Ì›), Û. 376-377 [πÌ·Ú¤Ù (‹ ¶·ÏÈfi ™˘ÛÛ›ÙÈÔ) Î·È ÂÎÎÏËÛ›· ∞Á›ˆÓ ∞ÔÛÙfiψÓ]. 1393. ¡Ù¤ÏÏ·˜ °., √È ÂÎÎÏËۛ˜ Ù˘ ¶·Ó·Á›·˜ Ù˘ ¶˘ÚÁÈÒÙÈÛÛ·˜ Î·È ÙÔ˘ ∞Ú¯¿ÁÁÂÏÔ˘ ªÈ¯·‹Ï-∆·ÍÈ¿Ú¯Ë ÛÙÔ §È‚›ÛÈ Ù˘ ªÈÎÚ¿˜ ∞Û›·˜, ªÈÎÚ·ÛÈ·ÙÈÎÔ‡ ¶ÔÏÈÙÈÛÌÔ‡ ¡. πˆÓ›·˜ 3 (2008), ¶Ú·ÎÙÈο, Û. 141-156. 1394. ¡Ù¤ÏÏ·˜ °., µÏËÛ›‰Ë˜ ™Ù., ™ÙÂÊ·Ó‹˜ ∞., ∏ ·ÔηٿÛÙ·ÛË ÙÔ˘ Ù˙·ÌÈÔ‡ ™Ô˘ÏÂ˚Ì¿Ó ÛÙË ÌÂ۷ȈÓÈ΋ fiÏË Ù˘ ƒfi‰Ô˘, √ıˆÌ·ÓÈο ªÓËÌ›· (2009), Û. 129-154 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 129-130: The restoration of Suleiman mosque in the medieval town of Rhodes). 1395. ¡Ù¤ÏÏ·˜ °., ∏ Ù˘ÔÏÔÁ›· ÙˆÓ ÂÎÎÏËÛÈÒÓ Ù˘ ƒfi‰Ô˘ ηٿ ÙËÓ πÔÙÔÎÚ·Ù›· (1309-1522), ¢Ã∞∂ 30 (2009), Û. 81-94 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 93-94: The Typology of Rhodian Churches during the Hospitaller period (1309-1522)]. 1396. ¡Ù¤ÏÏ·˜ °., √È ÛÙ·˘ÚÔıÔÏȷΤ˜ ÂÎÎÏËۛ˜ Ù˘ ∫·Ú¿ıÔ˘, ∫·Ú·ıȷο 3 (2009), Û. 115-147. 1397. ¡Ù›Ó· ∞., ∂˘Ú‹Ì·Ù· ·Ó·ÛηÊÒÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ Î·È ‚˘˙·ÓÙÈÓ‹˜ ÂÔ¯‹˜ ÛÙËÓ ÂÚÈÔ¯‹ Ù˘ ∫¿ÚÏ·˜, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. π, Û. 371-387 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 378: Finds from excavation of the early Christian and Byzantine era in the area of Karla). 1398. Dina A., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 84 (Plate with lion attacking a deer; Mid-twelfth century), 85 (Large bowl; Mid-twelfth century), 86 (Plate with lioness; Mid-twelfth century). 1399. ¡Ù›Ó· ∞., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈΤ˜ ·Ú¯·ÈfiÙËÙ˜ ÛÙËÓ ·Ú·Ï›· ÙˆÓ ºıȈٛ‰ˆÓ £Ë‚ÒÓ-¡¤·˜ ∞Á¯È¿ÏÔ˘, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 423-439 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 428: Early Christian antiquities at the coast of Phthiotides Thebes-Nea Anchialos). 1400. ¡Ù›Ó· ∞., ∫ÂÚ·ÌÈ΋ ·fi ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ fiÏË ÙˆÓ ºıȈٛ‰ˆÓ £Ë‚ÒÓ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 563-579 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 563: Early Christian Pottery from Thebes Phthiotides). 1401. ¡ÙÈÓÙÈÔ‡ÌË ™., ‚Ï. ·Ú. 97. 1402. ¡ÙÈÓÙÈÔ‡ÌË ™., ∫ÂÚ·ÌÈ΋ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÒÓ ¯ÚfiÓˆÓ ·fi ÙËÓ ∫ˆ: ™ÙÚÒÌ· ηٷÛÙÚÔÊ‹˜ Û ÔÈÎfiÂ‰Ô Ù˘ fiÏ˘ Ù˘ ∫ˆ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘

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∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 795-827 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 795: Late Roman pottery from the island of Kos: Destruction layer on a plot of Kos town). 1403. ¡ÙÔÁοÚÔ˘ ÃÚ., ¶ÚÔ‰ÚÔÌÈΤ˜ ·Ó·ÊÔÚ¤˜ ÛÙÔÓ ∞οıÈÛÙÔ ⁄ÌÓÔ ÛÙË ÌÓËÌÂȷ΋ ˙ˆÁÚ·ÊÈ΋ Û ‰‡Ô ÌÓËÌ›· ÙÔ˘ 12Ô˘ Î·È ÙÔ˘ 13Ô˘ ·ÈÒÓ·, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 82-83. 1404. •·Óı¿ÎË £., ™ÎËÓ¤˜ ·fi ÙÔ ıÂÔÌËÙÔÚÈÎfi ·ÎÏÔ Û ÂÈÎfiÓ˜ ÎÚËÙÈ΋˜ Ù¤¯Ó˘ ·fi ÙËÓ ∫›ÌˆÏÔ, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 66-67. 1405. •·Óı¿ÎË £., √ Ó·fi˜ Ù˘ ¶·Ó·Á›·˜ ÛÙÔ ∞ÓÈÛ·Ú¿ÎÈ ∫·Ó‰¿ÓÔ˘: ÂÈÎÔÓÔÁÚ·ÊÈΤ˜ ȉȷÈÙÂÚfiÙËÙ˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 83-84. 1406. •·Óı¿ÎË £., ∆ÚÂȘ ÛÎËÓ¤˜ ·fi ÙÔÓ ıÂÔÌËÙÔÚÈÎfi ·ÎÏÔ Û ÙÌ‹Ì· ÂÈÎfiÓ·˜ ·fi ÙËÓ ∫›ÌˆÏÔ, ¢Ã∞∂ 28 (2007), Û. 203-212 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 211-212: Three Scenes from the Mariological Cycle on Part of an Icon from Kimolos). 1407. •·Óı¿ÎË £., √ ıÂÔÌËÙÔÚÈÎfi˜ ·ÎÏÔ˜ ÛÙÔÓ Ó·fi Ù˘ ∞Á›·˜ ª·ÙÚÒÓ·˜ ÛÙËÓ ∫›ÌˆÏÔ, ¢Ã∞∂ 29 (2008), Û. 169-184 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 183-184: The Mariological Cycle in the Church of Ayia Matrona on Kimolos). 1408. ÷Óı¿ÎË £., √ Ó·fi˜ Ù˘ ∞Á›·˜ ÕÓÓ·˜ ÛÙÔ ∞ÓÈÛ·Ú¿ÎÈ ∫·Ó‰¿ÓÔ˘: ·ÍÈÔÏfiÁËÛË Î·È ¯ÚÔÓÔÏfiÁËÛË ÙˆÓ ÙÔȯÔÁÚ·ÊÈÒÓ, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 66-67. 1409. •·Óı¿ÎË £., ¢‡Ô Ó·Ô› Ù˘ ¶·Ó·Á›·˜ ÛÙÔ ∫·ÎÔ‰›ÎÈ Î·È ÛÙÔ ∫¿‰ÚÔ˜ ∫·Ó‰¿ÓÔ˘, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 84-85. 1410. •·Óı¿ÎË £., √ ıÂÔÌËÙÔÚÈÎfi˜ ·ÎÏÔ˜ ÛÙÔÓ Ó·fi Ù˘ ¶·Ó·Á›·˜ ÛÙÔ ∞ÓÈÛ·Ú¿ÎÈ ∫·Ó‰¿ÓÔ˘: ∂ÈÎÔÓÔÁÚ·ÊÈΤ˜ ȉȷÈÙÂÚfiÙËÙ˜, ¢Ã∞∂ 30 (2009), Û. 187198 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 197-198: The Mariological Cycle in the church of the Panayia at Anisaraki, Kandanos: unusual iconographic features). 1411. •·Óı¿ÎË £., √ Ó·fi˜ Ù˘ ∞Á›·˜ ÕÓÓ·˜ ÛÙÔ ∞ÓÈÛ·Ú¿ÎÈ ∫·Ó‰¿ÓÔ˘: √ ·ÎÏÔ˜ Ù˘ ·Á›·˜, ÔÈ ·ÊÈÂÚˆÙ¤˜, Ë ¯ÚÔÓÔÏfiÁËÛË, ¢Ã∞∂ 31 (2010), Û. 71-86 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 85-86: The Church of St Anne at Anisaraki, Kandanos: the Cycle of the Saint, the Donors, the Dating). 1412. •·ÓıÔÔ‡ÏÔ˘ ª. ÛÙÔ Carando E., •·ÓıÔÔ‡ÏÔ˘ M., Itanos. Ricente ricerche nell’abitato, ∫ÚËÙÔÏÔÁÈÎfi 9 (2006), ¶Ú·ÎÙÈο, Û. 333-345. 1413. •·ÓıÔÔ‡ÏÔ˘ ª., ∆· ÌÂÙ·ÏÏÈο ·ÓÙÈΛÌÂÓ· Î·È Ë ÔÛÙ¤ÈÓË Ï·‚‹, ∂χıÂÚÓ· ππ,3 (2008), Û. 309-317. 1414. Xanthopoulou M., Les lampes en bronze à l’époque paléochrétienne, (Bibliothèque de l’Antiquité Tardive, 16), Turnhout 2010. 1415. •·Óıfi˜ µ., ‚Ï. ·Ú. 1745. 1416. •·Óıfi˜ µ., ‚Ï. ·Ú. 1746.

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1417. Ikonomaki-Papadopoulou Y., Shrines of pilgrimage: Relics of saints, reliquaries and dedications, Egeria (2008), Û. 191-200. 1418. √ÈÎÔÓfiÌÔ˘ ∞., ∂ÈÛÙ‹ıÈÔ˜ ÛÙ·˘Úfi˜ ·fi ÙËÓ ∫·ÏÏÈı¤· ÷ÏÎȉÈ΋˜, ¢ÂοÙË 2 (2005-2006), Û. 14-17 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 17: Reliquary cross frÔm Kallithea, Chalkidiki). 1419. √Ì‹ÚÔ˘ £., ‚Ï. ·Ú. 1746. 1420. ¶·˙·Ú¿˜ £. ¡., √È ÎÙËÙÔÚÈÎÔ› Ù¿ÊÔÈ ÛÙÔ Î·ıÔÏÈÎfi Ù˘ ªÔÓ‹˜ π‚‹ÚˆÓ, µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 125-151 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 136-139: The Founders' tombs in the Katholikon of Iviron Monastery). 1421. ¶·˙·Ú¿˜ £. ¡., µ˘˙·ÓÙÈÓ¿ ÁÏ˘Ù¿ ·fi ÙÔ ÎÂÏ› ÙÔ˘ ƒ·‚‰Ô‡¯Ô˘ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜, ¡π∫√¡∞¡√™ ¡. (2006), Û. 135-146 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 146: Byzantine Sculptures from the Ravdouchos Cell on Mount Athos). 1422. ¶·˙·Ú¿˜ £. ¡., °‡„ÈÓ˜ ·Ó¿ÁÏ˘Ê˜ ‰È·ÎÔÛÌ‹ÛÂȘ Ù˘ ÌÂÛÔ‚˘˙·ÓÙÈÓ‹˜ ÂÔ¯‹˜ ÛÙÔ Î·ıÔÏÈÎfi Ù˘ ªÔÓ‹˜ π‚‹ÚˆÓ, ª·Î‰ÔÓÈο 36 (2007), Û. 47-64 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 56: Middle-Byzantine plaster reliefs in the katholikon of Iviron monastery). 1423. ¶·˙·Ú¿˜ £. ¡., ∞Ó·Ûηʋ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ‚·ÛÈÏÈ΋˜ ÛÙÔ ªÁÈ·‰Ô‡‰È ∂·ÓˆÌ‹˜ (2005-2006), ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 515-526. 1424. ¶·˙·Ú¿˜ £. ¡., ∆· ‚˘˙·ÓÙÈÓ¿ ÁÏ˘Ù¿ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ µ·ÙÔ‰›Ô˘ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 249-261 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 593: Les sculptures byzantines du katholikon du monastère de Vatopèdi au mont Athos, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 605). 1425. ¶·˙·Ú¿˜ £. ¡., ∞Ó·ÛηÊÈΤ˜ ¤Ú¢Ó˜ ÙËÓ ÂÚÈÔ¯‹ Ù˘ ∂·ÓÔÌ‹˜ £ÂÛÛ·ÏÔӛ΢. ∆Ô ÓÂÎÚÔÙ·ÊÂ›Ô ÛÙÔ §ÈÌfiÚÈ Î·È Ë ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ‚·ÛÈÏÈ΋ ÛÙÔ ªÁÈ·‰Ô‡‰È, £ÂÛÛ·ÏÔÓ›ÎË: ∞ÚÈÛÙÔÙ¤ÏÂÈÔ ¶·ÓÂÈÛÙ‹ÌÈÔ £ÂÛÛ·ÏÔӛ΢, ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2009. 1426. ¶·˙·Ú¿˜ ¡., ∏ ÂÈÎÔÓÔÁÚ·ÊÈ΋ ÂͤÏÈÍË Ù˘ ·ÂÈÎfiÓÈÛ˘ ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘: ·fi ÙËÓ ÚÒÈÌË ÙÔÈ΋ ·Ú¿‰ÔÛË Ù˘ £ÂÛÛ·ÏÔӛ΢ ÛÙÔÓ ÁÂÓÈÎÂ˘Ì¤ÓÔ Ù‡Ô Ù˘ ̤Û˘ ‚˘˙·ÓÙÈÓ‹˜ ÂÚÈfi‰Ô˘, µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 369-394. 1427. ¶·˙·Ú¿˜ ¡., ¢Ô˘ÏÁΤÚË ∂., ∫ÂÓÙËÙfi˜ ÂÈÙ¿ÊÈÔ˜ Ù˘ ∫ÔÎÎÒÓ·˜ ÙÔ˘ πˆ¿ÓÓÔ˘ ·fi ÙÔ ·Ú¯·ÈÔˆÏÂ›Ô ∫·ÏÊ·ÁÈ¿Ó ÛÙË £ÂÛÛ·ÏÔÓ›ÎË, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 85. 1428. ¶·˙·Ú¿˜ ¡., ‚Ï. ·Ú. 1292. 1429. ¶·˙·Ú¿˜ ¡., ¢Ô˘ÏÁΤÚË ∂., ∫ÂÓÙËÙfi˜ ÂÈÙ¿ÊÈÔ˜ Ù˘ ∫ÔÎÎÒÓ·˜ ÙÔ˘ πˆ¿ÓÓÔ˘ ÛÙË £ÂÛÛ·ÏÔÓ›ÎË, ª·Î‰ÔÓÈο 37 (2008), Û. 89-104 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 98: An embroidered «Epitaphios» of the Constantinopolitan artisan «Kokkona tou Ioannou» at Thessaloniki). 1430. ¶·˙·Ú¿˜ ¡., ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ Ô «∞fiη˘ÎÔ˜»: ÌÈ· Ó¤· ÂÚÌËÓ¢ÙÈ΋ ÚÔÛ¤ÁÁÈÛË, µ˘˙·ÓÙÈÓ¿ 29 (2009), Û. 337-360.

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1431. ¶·˙·Ú¿˜ ¡., ‚Ï. ·Ú. 225. 1432. ¶·˚Û›‰Ô˘ ª., ∞ÌÊÈÚfiÛˆË ÊÔÚËÙ‹ ÂÈÎfiÓ· ÛÙËÓ ∞¯ÂÈÚÔÔ›ËÙÔ £ÂÛÛ·ÏÔӛ΢: ¶·Ó·Á›· ƒÂ˘Ì·ÙÔÎÚ·ÙfiÚÈÛÛ· – ™Ù·‡ÚˆÛË, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 86-87. 1433. ¶·˚Û›‰Ô˘ ª., ÷Ù˙ËȈ·ÓÓ›‰Ë˜ ∞Ï.., ∞Ú¯·ÈÔÏÔÁÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ ÛÙ· ‚fiÚÂÈ· Ù›¯Ë Ù˘ £ÂÛÛ·ÏÔӛ΢, ª·Î‰ÔÓÈο 38 (2009), Û. 21-47 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 30: Quelques remarques archéologiques concernant les remparts nordiques de Thessalonique). 1434. ¶·˚Û›‰Ô˘ ª., ∆·ÊÈ΋ ÎÂÚ·ÌÈ΋ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÔ‡ ÎÔÈÌËÙËÚ›Ô˘ ÛÙËÓ •ÈÊÈ·Ó‹ ∞Ï̈›·˜, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 520-534 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 520: Funerary pottery from the Early Christian cemetery at Xiphiani, Almopia). 1435. ¶·Ï·ÈÔÎÚ·ÛÛ¿-∫fiÈÙÛ· §., °ÎÈÔϤ˜ ¡., ¶·Ï·ÈfiÔÏË ÕÓ‰ÚÔ˘ 20052006 / Palaeopolis at Andros 2005-2006, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 66-67. 1436. ¶·ÏÈfiÌ¢ ™Ù., ‚Ï. ·Ú. 1505. 1437. ¶·ÏÈÔ‡Ú·˜ ∞ı., ¶ˆ˜ ·Ó·ÛÙËÏÒıËÎ·Ó Ì›· ‚˘˙·ÓÙÈÓ‹ ∞Á›· ∆Ú¿Â˙· Î·È ¤Ó· Ù¤ÌÏÔ, ¡π∫√¡∞¡√™ N. (2006), Û. 147-155 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 155: The Restoration of a Byzantine Holy Altar and a Chancel Screen). 1438. ¶¿ÏÏ·˜ ¢., ∞ÔÊfiÚËÙ·. ¶ÚÒÈÌÔ˜ ¯ÚÈÛÙÈ·ÓÈÎfi˜ Î·È ÌÂ۷ȈÓÈÎfi˜ ÂÏÏËÓÈÎfi˜ ÎfiÛÌÔ˜, ÂÈÌ. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢., ÷ÏÎÈ¿ ∂., ∞ı‹Ó· 2007. 1439. ¶¿ÏÏ˘ °., ¡ÂfiÙÂÚ· ÁÈ· ÙÔ ÂÚÁ·ÛÙ‹ÚÈÔ ÁÏ˘ÙÈ΋˜ Ù˘ ™·Ì·Ú›Ó·˜ (Ù¤ÏË 12Ô˘ - ·Ú¯¤˜ 13Ô˘ ·È.), ¢Ã∞∂ 27 (2006), Û. 91-100 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 99-100: New Evidence on the Sculpture Workshop of Samarina (Late TwelfthEarly Thirteenth Century)]. 1440. ¶¿ÏÏ˘ °., √ıˆÌ·ÓÈο ÌÓËÌ›· ÛÙÔÓ ¢ÔÌÔÎfi, £ÂÛÛ·Ï›·˜ πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜ 1 (2008), ¶Ú·ÎÙÈο, Ù. ππ, Û. 565-575. 1441. Pallis G., ∆he ∆opography of the Athenian Plain Under the Ottoman Rule (1456-1821), The Historical Review/La Revue Historique IV (2007), Û. 3358. 1442. ¶¿ÏÏ˘ °., ∏ ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ÌÔÓ‹ ÙÔ˘ ∞Á›Ô˘ ™˘Ú›‰ˆÓÔ˜ ÛÙÔÓ ¶ÂÈÚ·È¿ / The Post-Byzantine Monastery of Haghios Spyridon at Piraeus, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 72-73. 1443. ¶¿ÏÏ˘ °., ∆· ÔıˆÌ·ÓÈο ÌÓËÌ›· Ù˘ ∫ËÊÈÛÈ¿˜, ∞∞∞ 39 (2006) [2007], Û. 229-240 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 239-240: Ottoman monuments of Kiphisia). 1444. ¶¿ÏÏ˘ °., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 103 (Ã·Ì¿Ì ‚Ú‡ÛË), 14 (µÚ‡ÛË ∆Û·ÙÌ·Ï¿), 105 (µÚ‡ÛË ™Ô˘ÏÂ˚Ì¿Ó ‹ ¶·˙·Úfi‚Ú˘ÛË).

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1445. ¶¿ÏÏ˘ °., Spolia ÁÏ˘ÙÒÓ ·fi ÙËÓ ÂÚÈÔ¯‹ ∞Ì·ÚÔ˘Û›Ô˘ ∞ÙÙÈ΋˜, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 303-315 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 594: Sculptures réutilisées de la région d’Amaroussi en Attique, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 606). 1446. ¶¿ÏÏ˘ °., ∏ ÁÏ˘ÙÈ΋ Ù˘ ̤Û˘ ‚˘˙·ÓÙÈÓ‹˜ ÂÚÈfi‰Ô˘ ÛÙËÓ ÕÓ‰ÚÔ (9Ô˜-12Ô˜ ·ÈÒÓ·˜). ªÈ· ·ÔÙ›ÌËÛË, ¡‹ÛÔ˜ ÕÓ‰ÚÔ˜ 3 (2009), Û. 38-61. 1447. ¶¿ÏÏ˘ °., ª·ÚÙ˘Ú›Â˜ ÁÈ· ÙË ÌÔÓ‹ ¢·ÊÓ›Ô˘ ۠ΛÌÂÓ· ∂˘Úˆ·›ˆÓ ÂÚÈËÁËÙÒÓ, EEB™ 53 (2007-2009), Û. 127-138 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 586-587: Evidence for the monastery of Daphni in European travelllers texts (17th-19th c.)]. 1449. ¶¿ÏÏ˘ °., ªÂÛÔ‚˘˙·ÓÙÈÓ¿ ÂÓÂ›ÁÚ·Ê· Ù¤ÌÏ·, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 88-89. 1450. ¶¿ÏÏ˘ °., ∆ÔȯÔÁڷʛ˜ Û Û‹Ï·È· Ù˘ √›Ù˘, ¢Ã∞∂ 30 (2009), Û. 177-186 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 186: Wall-paintings in Caves of ªount Oita). 1451. ¶¿ÏÏ˘ °., ÃÚÈÛÙÈ·ÓÈο ÁÏ˘Ù¿ ·fi ÙÔ ∂¿Óˆ ∫¿ÛÙÚÔ Ù˘ ÕÓ‰ÚÔ˘, ¶√§∂ª∏™ ¢., ªÓ‹ÌË (2009), Û. 251-268. 1452. ¶¿ÏÏ˘ °., ∆ÔÔÁÚ·Ê›· ÙÔ˘ ·ıËÓ·˚ÎÔ‡ ‰›Ô˘ ηٿ ÙË ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô. √ÈÎÈÛÌÔ›, Ô‰ÈÎfi ‰›ÎÙ˘Ô Î·È ÌÓËÌ›·. ªÂÙ·‚˘˙·ÓÙÈÓ¿ ªÓËÌ›· 1, £ÂÛÛ·ÏÔÓ›ÎË: ∞ÚÈÛÙÔÙ¤ÏÂÈÔ ¶·ÓÂÈÛÙ‹ÌÈÔ £ÂÛÛ·ÏÔӛ΢, ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2009. 1453. ¶¿ÏÏ˘ °., ∏ ¤Ú¢ӷ Î·È Ë ÌÂϤÙË ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ÌÓËÌ›ˆÓ Ù˘ ºıÈÒÙȉ·˜. √È ··Ú¯¤˜ Î·È ÔÈ ÚÒÙ˜ Û˘Ì‚ÔϤ˜ (1884-1929), ºıȈÙÈ΋ πÛÙÔÚ›· 4 (2010), ¶Ú·ÎÙÈο, Û. 467-477 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 478-479). 1454. ¶¿ÏÏ˘ °., ªÓËÌ›· ÔıˆÌ·ÓÈ΋˜ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜ ÛÙÔ ÓÔÌfi ºıÈÒÙȉ·˜: Ì›· ÙÔÔÁÚ·ÊÈ΋ ÂÈÛÎfiËÛË, ¢∂§∏°π∞¡¡∏-¢øƒ∏ ∂. (2010), Û. 297317 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 317: Monuments of Ottoman Architecture in the Prefecture of Phthiotis). 1455. ¶·Ï˘‚Ô‡ ∫., ™Î¿ÚÔ˜: Ë ÚˆÙÂ‡Ô˘Û· Ù˘ ÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓ˘ £‹Ú·˜. πÛÙÔÚ›·, ·ÚfiÓ Î·È Ì¤ÏÏÔÓ, ¡π∫√¡∞¡√™ N. (2006), Û. 615-626 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 626: Scaros, the fortified Capital of Thera during the Venetian Occupation). 1456. Panayotidi-Kesisoglou M., ‚Ï. ·Ú. 26. 1457. Panayotidi M., ‚Ï. ·Ú. 710. 1458. ¶·Ó·ÁȈٛ‰Ë ª., ∏ ÚÔÛˆÈÎfiÙËÙ· ‰‡Ô ·Ú¯fiÓÙˆÓ Ù˘ ∫·ÛÙÔÚÈ¿˜ Î·È Ô ¯·Ú·ÎÙ‹Ú·˜ Ù˘ fiÏ˘ ÛÙÔ ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 12Ô˘ ·ÈÒÓ·, ¡π∫√¡∞¡√™ ¡. (2006), Û. 157-167 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 166-167: The Personality of two Kastoria «Archons» and the Town’s Character in the Second Half of the 12th Century). 1459. ¶·Ó·ÁȈٛ‰Ë ª., ¶·Ú·ÙËÚ‹ÛÂȘ ÁÈ· ¤Ó· ÙÔÈÎfi «ÂÚÁ·ÛÙ‹ÚÈ» ÛÙËÓ ÂÚÈÔ¯‹ Ù˘ ∂ȉ·‡ÚÔ˘ §ÈÌËÚ¿˜, ¢Ã∞∂ 27 (2006), Û. 193-206 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 206: Remarks on a Local «Workshop» in the Area of Epidaurs Limera).

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1460. Panayotidi-Kesisoglou ª., Le peintre en tant que scribe des inscriptions d’un monument et la question du niveau de sa connaissance grammaticale et orthographique, L’artista a Bisanzio (2007), ¶Ú·ÎÙÈο, Û. 71-116. 1461. ¶·Ó·ÁȈٛ‰Ë ª., ‚Ï. ·Ú. 718. 1462. Panagiotidi M., The question of 13th century art production at Saint Catherine's Monastery on Mount Sinai. The contribution of the pilgrimage movement, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 348. 1463. ¶·Ó·ÁȈٛ‰Ë-∫ÂÛ›ÛÔÁÏÔ˘ ª., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ™·Îο ÛÙËÓ ∫·Ú·Û›·, ∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 127. 1464. Panayotidi M., ‚Ï. ·Ú. 721. 1465. ¶·Ó·ÁȈٛ‰Ë-∫ÂÛ›ÛÔÁÏÔ˘ ª., ™¯ÔÏÈ¿˙ÔÓÙ·˜ ÙȘ ÂÈÁڷʤ˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 90-91. 1466. ¶·Ó·ÁȈٛ‰Ë ª., ‚Ï. ·Ú. 723. 1467. ¶·Ó·ÁȈٛ‰Ë ª., ™¯ÔÏÈ¿˙ÔÓÙ·˜ ÙÔ˘˜ ˙ˆÁÚ¿ÊÔ˘˜. ªÂÚÈο ·Ú·‰Â›ÁÌ·Ù· ÙÔȯÔÁÚ·ÊÈÒÓ ·fi ÙË ª¿ÓË, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 221-232. 1468. ¶·Ó·ÁȈٛ‰Ë ª., ‚Ï. ·Ú. 724 1469. ¶·Ó·ÁȈٛ‰Ë ª., ‚Ï. ·Ú. 27. 1470. ¶·Ó·ÁfiÔ˘ÏÔ˜ ™., ∞ÔηٿÛÙ·ÛË ÙÔ˘ ¡·Ô‡ ∫ÔÈÌ‹Ûˆ˜ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙËÓ ∫˘ÚÈ¿ÓÓ· ƒÂı‡ÌÓÔ˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 568-577 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 571: Restoration works at the church of the Dormition of the Virgin in Kyrianna, Rethymnon). 1471. ¶·Ó¤ÏË ∂., √ ÂÈÎÔÓÔÁÚ·ÊÈÎfi˜ Ù‡Ô˜ ÙÔ˘ ‰Â̤ÓÔ˘ Û ‰¤Ó‰ÚÔ ÎÚÈÔ‡ ÛÙËÓ ·Ú¿ÛÙ·ÛË Ù˘ ı˘Û›·˜ ÙÔ˘ ∞‚Ú·¿Ì ηٿ ÙÔ˘˜ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜, ¢Ã∞∂ 28 (2007), Û. 171-180 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 179-180: The Iconographic Motif of the Ram Tethered to a Tree in thw Scene of the Sacrifice of Abraham in Early Christian Times). 1472. ¶·Ó¤ÏË, ∂., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈΤ˜ Î·È ‚˘˙·ÓÙÈÓ¤˜ ·Ú·ÛÙ¿ÛÂȘ Ù˘ £˘Û›·˜ ÙÔ˘ ∞‚Ú·¿Ì: ÂÚÌËÓ¢ÙÈ΋ ÚÔÛ¤ÁÁÈÛË Ì ‚¿ÛË ÙȘ ÁÚ·Ù¤˜ ËÁ¤˜, µ˘˙·ÓÙÈÓ¿ 28 (2008), Û. 461-486. 1473. ¶·ÓÛÂÏ‹ÓÔ˘ ¡., ∂·Ú¯È·Îfi ÂÚÁ·ÛÙ‹ÚÈÔ ˙ˆÁÚ·ÊÈ΋˜ Ô˘ ·ÓȯÓ‡ÂÙ·È ·fi ÙÔÓ ÙÔȯÔÁÚ·ÊÈÎfi ‰È¿ÎÔÛÌÔ ÌÓËÌ›ˆÓ ÙÔ˘ 13Ô˘ ·ÈÒÓ· ÛÙËÓ ∞ÙÙÈ΋, ¡π∫√¡∞¡√™ ¡. (2006), Û. 169-176 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 176: A Provincial Painting Workshop Detected from the Wall-Paintings in Thirteenth-Century Monuments in Attica). 1474. ¶·ÓÛÂÏ‹ÓÔ˘ ¡., ªÓËÌ›·-∫·ıȉڇ̷ٷ Ù˘ √Û›·˜ ºÈÏÔı¤Ë˜, ºÈÏÔı¤Ë Ë ∞ıËÓ·›· (2006), Û. 123-152.

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1475. ¶·ÓÛÂÏ‹ÓÔ˘ ¡., ™‡ÓÙÔÌË ÈÛÙÔÚÈ΋ ·Ó·‰ÚÔÌ‹ ÛÙË ‰ËÌÈÔ˘ÚÁ›· Î·È ÙËÓ ÂͤÏÈÍË ÙÔ˘ „ËÊȉˆÙÔ‡, æËÊ›‰· ÙËÓ „ËÊ›‰· (2008), ¶Ú·ÎÙÈο, Û. 10-19. 1476. ¶·ÓÙ·˙‹˜ °., §¿ÌÚÔ˘ ∂˘., ¢ÂÚÈ˙ÈÒÙ˘ §., ¶ÚÔÛ‰ÈÔÚÈÛÌfi˜ ÙÔ˘ ÚÔÛ·Ó·ÙÔÏÈÛÌÔ‡ ÙˆÓ Ó·ÒÓ Ù˘ ÌÔÓ·ÛÙÈ΋˜ ÔÏÈÙ›·˜ ÙˆÓ ªÂÙÂÒÚˆÓ Ì ·ÛÙÚÔÁˆ‰·ÈÙÈ΋ ÌÂıÔ‰ÔÏÔÁ›·, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. π, Û. 469-481 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 478: Determination of the orientation of the «Meteora monastic community» churches by astrogeodetic methodology). 1477. ¶·ÓÙ·˙‹˜ °., ™ÔÊÈ·Ófi˜ ¢., √ ·ÛÙÚÔÓÔÌÈÎfi˜ ÚÔÛ·Ó·ÙÔÏÈÛÌfi˜ Î·È Ë ¯ÚÔÓÔÏfiÁËÛË ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ¢Ô˘ÛÈÎÔ˘, ∆ÚÈηÏÈÓ¿ 28 (2008), Û. 35-47 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 47: The Astronomical Orientation and dating of the Katholikon of Dousikon Monastery). 1478. ¶·ÓÙ·˙‹˜ °., §¿ÌÚÔ˘ ∂˘., ™ÔÊÈ·Ófi˜ ¢., ÃÚÔÓÔÏfiÁËÛË ÙÔ˘ Ó·Ô‡ Ù˘ À··ÓÙ‹˜ ÛÙ· ªÂÙ¤ˆÚ·, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 539-550 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 545: The dating of the catholikon of the Ascension monastery, Meteora). 1479. ¶·ÓÙÂÏ›‰Ô˘-∞ÏÂÍÈ¿‰Ô˘ ∞È., ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., ∆Ô ÊÚÔ‡ÚÈÔ Ù˘ °¤Ê˘Ú·˜ ÙÔ˘ ∂˘Ú›Ô˘, µÂÓÂÙ›·–∂‡‚ÔÈ· (2006), ¶Ú·ÎÙÈο, Û. 293-318. 1480. ¶·ÓÙ˙·Ú›‰Ë˜ ™., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ·ÚÂÎÎÏËÛ›Ô˘ ∫ÔÈÌ‹Ûˆ˜ £ÂÔÙfiÎÔ˘ ªÔÏ˘‚ÔÎÎÏËÛÈ¿˜, ∫·Ú˘¤˜, ÕÁÈÔÓ ŸÚÔ˜, £ÂÛÛ·ÏÔÓ›ÎË 2006. 1481. ¶·ÓÙ‹ ∞., ∫ÂÚ·ÌÈ΋ Ù˘ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ ·fi ÙÔ ·Ó·ÙÔÏÈÎfi ÓÂÎÚÔÙ·ÊÂ›Ô £ÂÛÛ·ÏÔӛ΢, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 466-485 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 466: Late Antique pottery dating from the eastern cemetery of Thessaloniki). 1482. ¶¿ÓÙÔ˘ ∂˘., ‚Ï. ·Ú. 521. 1483. ¶¿ÓÙÔ˘ ∂˘., ∞ÁÈÔÁÚ·ÊÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· ÛÙË §·ÎˆÓ›· ÙÔÓ fi„ÈÌÔ 19Ô ·ÈÒÓ·, ̤۷ ·fi Û˘Ì‚ÔÏ·ÈÔÁÚ·ÊÈΤ˜ Ú¿ÍÂȘ, ¶ÂÏÔÔÓÓËÛÈ·ÎÒÓ ™Ô˘‰ÒÓ 7 (2007), ¶Ú·ÎÙÈο, Ù. ¢’, Û. 300-322 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 318: Religious painting activity in Lakonia in the late 19th century through notarial acts). 1484. ¶¿ÓÙÔ˘ ∂˘., O §·Î‰·ÈÌÔÓ›·˜ ¿ÁÈÔ˜ £ÂfiÎÏËÙÔ˜: ÙÔÔÁÚ·ÊÈΤ˜ ÂÈÛËÌ¿ÓÛÂȘ, Sparta and Laconia (2009), ¶Ú·ÎÙÈο, Û. 343-349 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. XXVIII: The Lacedaimonian Saint Theoklitos). 1485. ¶¿ÓÙÔ˘ ∂˘., √È ·ÙÔÌÈÎÔ› ÎÔÏ·ÛÌÔ› ÙˆÓ ·Ì·ÚÙˆÏÒÓ Û ÌÂÙ·‚˘˙·ÓÙÈÓÔ‡˜ Ó·Ô‡˜ Ù˘ ª¿Ó˘, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 233-258. 1486. ¶¿ÓÙÔ˘ ∂˘., ∏ ‚˘˙·ÓÙÈÓ‹ ∞Ú牛· ˆ˜ ÙË ÊÚ¿ÁÎÈÎË Î·Ù¿ÎÙËÛË (9Ô˜ ·ÈÒÓ·˜-1204), ∞Ú牛· (2010), Û. 123-147. 1487. ¶··‚·ÚÓ¿‚·˜ ª., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ ∫·ıÔÏÈÎÔ‡ Ù˘ ªÔÓ‹˜ ∆ÈÌ›Ô˘ ¶ÚÔ‰ÚfiÌÔ˘ µÔÌ‚ÔÎÔ‡˜ ¡·˘·ÎÙ›·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 87-88.

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1488. ¶··‚·ÚÓ¿‚·˜ ª., ‚Ï. ·Ú. 1613. 1489. ¶··‚·ÚÓ¿‚·˜ ª., ¶·Ú¿Û¯Ô˘ ™., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ∫ÔÈÌ‹Ûˆ˜ Ù˘ £ÂÔÙfiÎÔ˘ ∞ÌÂÏ·ÎÈÒÙÈÛÛ·˜ ¡·˘·ÎÙ›·˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 92-93. 1490. ¶··‚·ÛÈÏ›Ԣ ∂., ‚Ï. ·Ú. 152. 1491. ¶··‚·ÛÈÏ›Ԣ ∂., ŒÓ·˜ ıËÛ·˘Úfi˜ ÙÔ˘ 19Ô˘ ·ÈÒÓ· ·fi ÙË ™¿Ï· ÷Ù˙Ë·Á·ËÙÔ‡ ÛÙË ™‡ÌË, ¡fiÌÈÛÌ· ÛÙ· ¢ˆ‰ÂοÓËÛ· (2006), ¶Ú·ÎÙÈο, Û. 403-413 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 414: 19th century hoard from Symi). 1492. ¶··‚·ÛÈÏ›Ԣ ∂., ŒÓ· Ì·ÚÌ¿ÚÈÓÔ ÎÂÊ¿ÏÈ ·Á¿ÏÌ·ÙÔ˜ ·fi ÙË ƒfi‰Ô Î·È Ë ÈÛÙÔÚ›· ÙÔ˘, ¢ˆ‰ÃÚ 21 (2007), Û. 372-389. 1493. ¶··‚·ÛÈÏ›Ԣ ∂., ‚Ï. ·Ú. 219. 1494. ¶··‚·ÛÈÏ›Ԣ ∂., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Ï‹ÌÌ. ·Ú. 153 (∆¤ÌÂÓÔ˜ ∫·ÛÙÂÏÏÔÚ›˙Ô˘). 1495. ¶··‚·ÛÈÏ›Ԣ ∂., ∏ ÚÔÛÊÔÚ¿ ÙÔ˘ Â›ÙÈÌÔ˘ ÂÊfiÚÔ˘ ∞Ú¯·ÈÔÙ‹ÙˆÓ ∏Ï›· ∫fiÏÏÈ· ̤۷ ·fi ÙË ‚È‚ÏÈÔÁÚ·ÊÈ΋ ·ÚÔ˘Û›· Ù˘ 4˘ ∂ÊÔÚ›·˜ µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, µ˘˙¢fiÌÔ˜ 16 (2007-2008), Û. 465-477. 1496. ¶··‚·ÛÈÏ›Ԣ ∂., πÛÙÔÚÈ΋ ™˘ÏÏÔÁ‹ ∫·ÛÙÂÏÏÔÚ›˙Ô˘, ∞Ú¯·ÈÔÏÔÁ›· Î·È ∆¤¯Ó˜ 106 (2008), Û. 104-105. 1497. ¶··‚·ÛÈÏ›Ԣ ∂., πÛÙÔÚÈ΋ ™˘ÏÏÔÁ‹ ∫·ÛÙÂÏÏÔÚ›˙Ô˘. ¶ÚÔ‚ÏËÌ·ÙÈÛÌÔ› Î·È ÂÌÂÈÚ›·, ¢ˆ‰ÃÚ 23 (2009), Û. 85-101. 1498. ¶··‚·ÛÈÏ›Ԣ ∂., ∫·ÙÛÈÒÙË ∞., ∏ ‚˘˙·ÓÙÈÓ‹ ∫¿Ú·ıÔ˜ ̤۷ ·fi Ù· ÂÎı¤Ì·Ù· ÙÔ˘ ∞Ú¯·ÈÔÏÔÁÈÎÔ‡ ªÔ˘Û›Ԣ ÙÔ˘ ÓËÛÈÔ‡, ∫·Ú·ıȷο 3 (2009), Û. 72-91. 1499. ¶··‚·ÛÈÏ›Ԣ ∂., ªÓËÌÂȷ΋ ∆ÔÔÁÚ·Ê›· Ù˘ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ™‡Ì˘, ¢Ã∞∂ 30 (2009), Û. 37-46 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 46: The MÔnumental Topography of Early Christian Symi). 1500. ¶··‚·ÛÈÏ›Ԣ ∂., °ÂˆÚÁÔÔ‡ÏÔ˘ µ., ∞Ú¯·ÈÔÏÔÁÈÎfi ªÔ˘ÛÂ›Ô ∫·Ú¿ıÔ˘. ªÈ· ¿ÁÓˆÛÙË ÙÔȯÔÁÚ·Ê›· ÙÔ˘ 14Ô˘ ·ÈÒÓ·, ¯ÚÔÓÈÎfi ‰È¿ÛˆÛ˘ Î·È ·Ó¿‰ÂÈ͢, ∞Ú¯·ÈÔÏÔÁ›· Î·È ∆¤¯Ó˜ 117 (2010), Û. 85-89. 1501. Papaggelos I., Athos [Helsinki 2006], Û. 137-140 (The Monastery of Zygou) Î·È Ï‹ÌÌ. A.117 (·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi ıˆÚ¿ÎÈÔ), A.118 (ÌÔÏ˘‚‰fi‚Ô˘ÏÏÔ ∞ı·Ó·Û›Ô˘ ∞ıˆÓ›ÙÔ˘), A.119 (ÂÈÛÙ‡ÏÈÔ Î·È ÂÛÛ›ÛÎÔÈ Ù¤ÌÏÔ˘), A.120 (Ì·ÚÌ¿ÚÈÓÔ ˘¤Úı˘ÚÔ), A.121 (ÌÔÏ˘‚‰fi‚Ô˘ÏÏÔ NÈÎËÊfiÚÔ˘ BÔÙ·ÓÂÈ¿ÙË), A.122124 (ÂÊ˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋), A.125 (˘¿ÏÈÓÔ Î·Ó‰‹ÏÈÔ), A.126 (Ì·ÚÌ·ÚÔıÂÙ‹Ì·Ù· ‰·¤‰Ô˘ ·fi ÙÔ K·ıÔÏÈÎfi Î·È ÙËÓ TÚ¿Â˙·), A.127 (Â›¯Ú˘ÛÔ ÌÂÙ¿ÏÏÈÔ ·Á. ¶·Ú·Û΢‹˜), A.128 (ÌÔÏ˘‚‰fi‚Ô˘ÏÏÔ ·ÍȈ̷ÙÔ‡¯Ô˘), A.129 (ÂÙ¿ ÎÏ›ÛÙÚ· ¯ÂÈÚÔÁڿʈÓ), A.130 (Ï›ıÈÓË ÛÊÚ·Á›‰·-ÂÁÎfiÏÈÔ). 1502. ¶·¿ÁÁÂÏÔ˜ π., M˘ÏˆÓ¿ °., ¶·Ú·ÛÙ¿ÛÂȘ ÊÈÏÔÛfiÊˆÓ ÛÙȘ ·ÁÈÔÚÂÈÙÈΤ˜ ÙÔȯÔÁڷʛ˜, ÕÁÈÔÓ ŸÚÔ˜ Î·È ÚÔ¯ÚÈÛÙÈ·ÓÈ΋ ·Ú¯·ÈfiÙËÙ· (2006), Û. 249-264.

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1503. ¶·¿ÁÁÂÏÔ˜ π., TÔ Ù¤ÏÔ˜ Ù˘ TÂÚÒÓ˘, ¡π∫√¡∞¡√™ ¡. (2006), Û. 177-188 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 188: The End of Terone). 1504. ¶·¿ÁÁÂÏÔ˜ π., ÕÁÈÔÓ ŸÚÔ˜-¶ÚˆÙ¿ÙÔ [£ÂÛÛ·ÏÔÓ›ÎË 2006], Û. 65-72, 149-151 (OÈ ÛÊÚ·Á›‰Â˜ ÙÔ˘ ¶ÚˆÙ¿ÙÔ˘) Î·È Ï‹ÌÌ. ·Ú. 20-21 (ÛÊÚ·Á›‰Â˜ Ù˘ πÂÚ¿˜ KÔÈÓfiÙËÙÔ˜ ÙÔ˘ 1851 Î·È 1912), 79 (ηÌ¿Ó· ÙÔ˘ ¶ÚˆÙ¿ÙÔ˘ ÙÔ˘ 1874). 1505. ¶·¿ÁÁÂÏÔ˜ π., ¶·ÏÈfiÌ¢ ™Ù., ¶ÚÔ¯ÚÈÛÙÈ·ÓÈΤ˜ ·Ú¯·ÈfiÙËÙ˜ ÛÙÔÓ Õıˆ, ÕÁÈÔÓ ŸÚÔ˜ Î·È ÚÔ¯ÚÈÛÙÈ·ÓÈ΋ ·Ú¯·ÈfiÙËÙ· (2006), Û. 53-70. 1506. ¶·¿ÁÁÂÏÔ˜ π., ∞ÁÚ·Ì¿‰Â˜ Î·È ÚÔÛ¯ˆÌ·ÙÈÎfi˜ ¯Ú˘Ûfi˜, √ ¯Ú˘Ûfi˜ ÙˆÓ ª·Î‰fiÓˆÓ (2007), Û. 63-71. 1507. ¶·¿ÁÁÂÏÔ˜ π., T· Ì·ÚÌ¿ÚÈÓ· ‰È¿ÛÙ˘Ï· Î·È ÙÔ Ù¤ÌÏÔ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ·ıˆÓÈ΋˜ ÌÔÓ‹˜ ÙÔ˘ Z˘ÁÔ‡, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 68-69. 1508. ¶·¿ÁÁÂÏÔ˜ π., ∂ÈÁÚ·Ê‹ ÙÔ˘ ¤ÙÔ˘˜ 917/8 ·fi ÙÔ ∫·ÛÙ¤ÏÏÈ ÙÔ˘ ¶·Ï·ÈÔ¯ˆÚ›Ô˘ ÷ÏÎȉÈ΋˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 94-95. 1509. ¶·¿ÁÁÂÏÔ˜ π., ¶··ı·Ó·Û›Ô˘ E˘., ∂ÈÁÚ·Ê‹ ÙÔ˘ 1552 ·fi Ù· ™È‰ËÚÔη‡ÛÈ· Ù˘ ÷ÏÎȉÈ΋˜, ∂ÈÁÚ·ÊÈ΋ 2 (2009), ¶Ú·ÎÙÈο, Û. 165-180. 1510. ¶·¿ÁÁÂÏÔ˜ π., √ £ÂÛÛ·ÏÔÓÈ·˜ ˙ˆÁÚ¿ÊÔ˜ ÙÔ˘ 14Ô˘ ·ÈÒÓÔ˜ «Î˘Úª·ÓÔ˘‹Ï», Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 63-64. 1511. ¶··ÁˆÚÁ›Ô˘ ¡., ∏ ·Ú¿ÛÙ·ÛË «√ £Ú›·Ì‚Ô˜ ÙÔ˘ £·Ó¿ÙÔ˘» ÛÙÔÓ Ó¿ÚıËη Ù˘ ªËÙÚfiÔÏ˘ ∫·Ï·Ì¿Î·˜, µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 265-291. 1512. ¶··ÁˆÚÁ›Ô˘ ¡., ∏ £ÂÔÙfiÎÔ˜ «ÕÍÈÔÓ ÂÛÙ›» ÛÙÔÓ Ó·fi Ù˘ ªÂÙ·ÌfiÚʈÛ˘ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ÛÙË ™·Ì·Ú›Ó· °Ú‚ÂÓÒÓ, µ˘˙·ÓÙÈÓ¿ 27 (2007), Û. 353368. 1513. ¶··ÁˆÚÁ›Ô˘ ¡., ∆Ô Î·ıÔÏÈÎfi Ù˘ ∞Á›·˜ ¶·Ú·Û΢‹˜ Î·È Ô Ó·fi˜ Ù˘ ªÂÙ·ÌfiÚʈÛ˘ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ™·Ì·Ú›Ó·˜ °Ú‚ÂÓÒÓ, ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ ∞.¶.£., £ÂÛÛ·ÏÔÓ›ÎË 2010. 1514. ¶··ÁˆÚÁ›Ô˘ ¡., √È ™·Ì·ÚÈÓÈÒÙ˜ ˙ˆÁÚ¿ÊÔÈ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 65-66. 1515. ¶··ÁˆÚÁ›Ô˘ ∆˙., ∏ ·ÂÈÎfiÓÈÛË ÙÔ˘ ·Á›Ô˘ πˆ¿ÓÓË ÙÔ˘ ¶ÚÔ‰ÚfiÌÔ˘ ÛÙÔ Ó·fi Ù˘ ∑ˆÔ‰fi¯Ô˘ ¶ËÁ‹˜ ÛÙÔ Î¿ÛÙÚÔ °ÂڷΛԢ §·ÎˆÓ›·˜: Ë ÂͤÏÈÍË Ù˘ ÂÈÎÔÓÔÁÚ·Ê›·˜ Ù˘ ÌÔÚÊ‹˜ ÛÙËÓ ·Ï·ÈÔÏfiÁÂÈ· Î·È ÚÒÈÌË ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ˙ˆÁÚ·ÊÈ΋, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 319-339 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 338-339: The Representation of Saint John the Baptist in the Church of Virgin Zoodochos Pege in the Medieval Fortress of Geraki in Laconia and the Development of the Iconography of the Saint in the Painting of the Palaiologan and the Early Post-Byzantine Period). 1516. Papagiannaki A.,«The couple of servants adore, as they should, the imperial couple, which is blessed by Christ»: An ivory casket in Rome and its patrons, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. II, Û. 129.

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1517. Papagiannaki A., Onur F., A Late Antique Flask from Side with a Curse Inscription, Gephyra 5 (2008), Û. 147-160. 1518. Papagiannaki A., The Workshop Production of medieval Byzantine Ivory and Bone caskets, SSBS 42 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 117. 1519. ¶··‰¿ÎË-Oekland ™Ù., ‚Ï. ·Ú. 443. 1520. Papadaki-Oekland St., Byzantine Illuminated Manuscripts of the Book of Job. A Preliminary Study of the Miniature Illustrations. Its Origin and Development, Athens: Brepols, 2009. 1521. Papadimitriou P., Athos [Helsinki 2006], Ï‹ÌÌ. ·Ú. ∞12, ∞13, ∞18, ∞21, 77, ∞35. 1522. ¶··‰ËÌËÙÚ›Ô˘ ¶., ‚Ï. ·Ú. 2043. 1523. ¶··‰ËÌËÙÚ›Ô˘ ¶., ∏ ÂͤÏÈÍË ÙÔ˘ Ù‡Ô˘ Î·È Ù˘ ÂÈÎÔÓÔÁÚ·Ê›·˜ ÙÔ˘ ‚ËÌÔı‡ÚÔ˘ ·fi ÙÔÓ 10Ô ¤ˆ˜ Î·È ÙÔÓ 18Ô ·ÈÒÓ·, (µ˘˙·ÓÙÈÓ¿ ΛÌÂÓ· Î·È ÌÂϤٷÈ, ·Ú. 49), £ÂÛÛ·ÏÔÓ›ÎË: ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, 2008: The development of the type and the iconography of bema doors from the 10th to the 18th century. 1524. ¶··‰ËÌËÙÚ›Ô˘ ¶., ∂ÚÁ·ÛÙ‹ÚÈ· ͢ÏfiÁÏ˘ÙˆÓ ‚ËÌÔı‡ÚˆÓ Ì ÂÈ‰fiÁÏ˘ÊË Ù¯ÓÈ΋ ÛÙÔ ¯ÒÚÔ ÙÔ˘ Prizren ÙÔ˘ Prilep-Slepcû Î·È Ù˘ ∞¯Ú›‰·˜ ·fi ÙÔÓ 15Ô ¤ˆ˜ ÙÔÓ 17Ô ·ÈÒÓ·, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 96-97. 1525. ¶··‰ËÌËÙÚ›Ô˘ ¶., ™‡ÓıÂÙË ÂÈÎfiÓ· Ù˘ ·Á›·˜ ¶·Ú·Û΢‹˜ Ì ÛÎËÓ¤˜ ÙÔ˘ ‚›Ô˘ Ù˘ ÛÙÔ ∂ÎÎÏËÛÈ·ÛÙÈÎfi ªÔ˘ÛÂ›Ô Ù˘ ™È¿ÙÈÛÙ·˜, ª·Î‰ÔÓÈο 38 (2009), Û. 59-95 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 82: Complex icon with saint Paraskevi and scenes from her Life in the Ecclesiastical Museum of Siatista). 1526. ¶··‰fiÔ˘ÏÔ˜ ∞., ‚Ï. ·Ú. 1797. 1527. ¶··‰fiÔ˘ÏÔ˜ ™ÙÚ., ¶··Ï·˙¿ÚÔ˘ µ., ∆ÛÔ˘ÙÛÔ˘Ì¤Ë-§ÈfiÏÈÔ˘ ™., ∞Ú¯·ÈÔÏÔÁÈΤ˜ ŒÚ¢Ó˜ ÛÙÔ ∫¿ÛÙÚÔ §ÈÌÂÓ·Ú›ˆÓ £¿ÛÔ˘, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 435-442 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 442: Arcaeological Investigations at the Castle of Limenaria, Thassos). 1528. ¶··‰fiÔ˘ÏÔ˜ ™ÙÚ., ‚Ï. ·Ú. 703. 1529. ¶··‰ÔÔ‡ÏÔ˘ µ., ∞Ó·Ûηʋ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ‚·ÛÈÏÈ΋˜ ÛÙË ™ÙÂÊ¿ÓË ¶Ú¤‚Â˙·˜, ∞™¡¢∂ 1 (2006), ¶Ú·ÎÙÈο, Û. 555-562. 1530. ¶··‰ÔÔ‡ÏÔ˘ µ., ÕÚÙ·. ∆Ô ‚˘˙·ÓÙÈÓfi Ù¤ÌÏÔ Ù˘ µÏ·¯¤ÚÓ·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 68. 1531. ¶··‰ÔÔ‡ÏÔ˘ µ., µ˘˙·ÓÙÈÓ‹ Ì·ÚÌ¿ÚÈÓË ÂÈÎfiÓ· Ù˘ ¶·Ó·Á›·˜ ÛÙÔ ∞Ú¯ÈÌ·Ó‰ÚÂÈfi ÙˆÓ πˆ·ÓÓ›ÓˆÓ, ¡π∫√¡∞¡√™ N. (2006), Û. 189-196 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 195-196: Byzantine Marble Icon of Virgin Mary at the Church of Archimandrion in Ioannina). 1532. ¶··‰ÔÔ‡ÏÔ˘ µ., °‡„ÈÓ· ˘ÛÙÂÚÔ‚˘˙·ÓÙÈÓ¿ ·Ó¿ÁÏ˘Ê· ·fi ÙËÓ

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◊ÂÈÚÔ, ∞¢ 56 (2001) [2006], ªÂϤÙ˜, Û. 341- 364 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 364: Byzantine Plaster Reliefs from Epiros). 1533. ¶··‰ÔÔ‡ÏÔ˘ µ., ∫·Ú·ÌÂÚ›‰Ë ∞., µ˘˙·ÓÙÈÓ¿ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ¿ ÌÓËÌ›· ªÔÏ˘‚‰ÔÛÎÂ¿ÛÙÔ˘, πˆ¿ÓÓÈÓ· 2006. 1534. ¶··‰ÔÔ‡ÏÔ˘ µ., ‚Ï. ·Ú. 320. 1535. ¶··‰ÔÔ‡ÏÔ˘ µ., ÕÚÙ·. √È ‚˘˙·ÓÙÈÓ¤˜ ÙÔȯÔÁڷʛ˜ Ù˘ ÌÔÓ‹˜ ∫¿Ùˆ ¶·Ó·ÁÈ¿˜, µ˘˙·ÓÙÈÓ¿ 27 (2007), Û. 369-396 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 385386: Arta. The byzantine wall paintings of the monastery of Kato Panagia). 1536. ¶··‰ÔÔ‡ÏÔ˘ µ., µ·ÛÈÏÈ΋ ∞ÏΛۈÓÔ˜. ∏ ·Ó·ÛηÊÈ΋ ¤Ú¢ӷ ÙˆÓ ÙÂÏÂ˘Ù·›ˆÓ ÂÙÒÓ, ¡ÈÎfiÔÏȘ 2 (2007), ¶Ú·ÎÙÈο, Û. 609-635, 399-420 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 632-633: The Basilica of Alkisson. The archaeological research of the last years). 1537. Papadopoulou B., ‚Ï. ·Ú. 508. 1538. ¶··‰ÔÔ‡ÏÔ˘ µ., ∏ ºˆÙÈ΋ Î·È Ù· ÌÓËÌ›· Ù˘, πˆ¿ÓÓÈÓ·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 8Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008. 1539. ¶··‰ÔÔ‡ÏÔ˘ µ., ªÓËÌ›· ∏›ÚÔ˘ (2008), Û. 29-96 (ÕÚÙ·: ∆Ô Î¿ÛÙÚÔ Ù˘ ÕÚÙ·˜, √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ µ·ÛÈÏ›Ԣ °¤Ê˘Ú·˜, √ Ó·fi˜ Ù˘ ∞Á›·˜ £ÂÔ‰ÒÚ·˜, ∏ ÌÔÓ‹ Ù˘ ∫¿Ùˆ ¶·Ó·ÁÈ¿˜, √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ µ·ÛÈÏ›Ԣ, ∏ ¶·ÚËÁÔÚ‹ÙÈÛÛ·, ∞Ì¤ÏÈ· ºÈÏÈÈ¿‰·˜: √ Ó·fi˜ Ù˘ ∞Á›·˜ ¶·Ú·Û΢‹˜ ÙÔ˘ ¢Ú¿ÎÔ˘), 115-130 (∫ÈÚÎÈ˙¿Ù˜, √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ Ù˘ ƒÔ‰È¿˜, ∫ÔÚˆÓËÛ›·, √ Ó·fi˜ Ù˘ ¶·Ó·Á›·˜, ¡ÂÔ¯ˆÚ¿ÎÈ, √ Ó·fi˜ Ù˘ ¶·Ó·Á›·˜ ªÚ˘ÒÓË), 143-152 (∆Ô Î¿ÛÙÚÔ ÙˆÓ πˆ·ÓÓ›ÓˆÓ), 227-234 (°Ï˘Î‹, µ·ÛÈÏÈ΋), 247-256 (¡¤· ∫ÂÚ·ÛÔ‡ÓÙ·, ∆Ô Î¿ÛÙÚÔ ÙˆÓ ƒˆÁÒÓ). 1540. ¶··‰ÔÔ‡ÏÔ˘ µ., ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘ ¶., √ ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÙÔ˘ ¶·ÓÙÔÎÚ¿ÙÔÚ· ÛÙÔ ªÔÓ·ÛÙËÚ¿ÎÈ ¡ÔÌÔ‡ ∞ÈÙˆÏԷηÚÓ·Ó›·˜, πˆ¿ÓÓÈÓ· 2008. 1541. ¶··‰ÔÔ‡ÏÔ˘ µ., ∑ˆÁ¿ÎË ∞., ÷ڷϿÌÔ˘˜ ™., ∏ ¶·Ú·Ì˘ıÈ¿ Î·È Ù· ÌÓËÌ›· Ù˘, πˆ¿ÓÓÈÓ·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 8Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008. 1542. ¶··‰ÔÔ‡ÏÔ˘ µ., ∏ ∫fiÎÎÈÓË ∂ÎÎÏËÛÈ¿ ÛÙÔ µÔ˘ÚÁ·Ú¤ÏÈ Ù˘ ÕÚÙ·˜. ™ÙÔȯ›· ·fi ÙË ÓÂfiÙÂÚË ¤Ú¢ӷ, ∏ÂÈÚÃÚ 42 (2008), Û. 323-345 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 333: Arta, Vourgareli: Kokkini Ekklesia (Red Church). An update in research]. 1543. ¶··‰ÔÔ‡ÏÔ˘ µ., ∫·Ú·ÌÂÚ›‰Ë ∞., ∆ÛÈ¿Ú· ∞., ∆Ô ºÂÙȯȤ ∆˙·Ì› ÛÙÔ ∫¿ÛÙÚÔ ÙˆÓ πˆ·ÓÓ›ÓˆÓ / The Fetiyie mosque in the Castle of Ioannina, πˆ¿ÓÓÈÓ·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 8Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008. 1544. ¶··‰ÔÔ‡ÏÔ˘ µ., ªÔχ‚‰ÈÓ· ÊÈ·Ï›‰È· ̇ÚÔ˘ (ÎÔ˘ÙÚÔ‡‚È·) ·fi ÙËÓ ◊ÂÈÚÔ, ∏ÂÈÚÃÚ 42 (2008), Û. 9-15 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 14: Two pilgrim's ampullae (ÎÔ˘ÙÚÔ‡‚È·) from Epirus].

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1545. ¶··‰ÔÔ‡ÏÔ˘ µ., ∆Ô ‚˘˙·ÓÙÈÓfi Ù¤ÌÏÔ ÙÔ˘ Ó·Ô‡ Ù˘ ∞Á›·˜ £ÂÔ‰ÒÚ·˜ ÛÙËÓ ÕÚÙ·, ¢Ã∞∂ 29 (2008), Û. 233-246 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 246: The Byzantine Iconostasis of the Church of St. Theodora in Arta). 1546. ¶··‰ÔÔ‡ÏÔ˘ µ., ∆ÛÈ¿Ú· ∞., ∂ÈÎfiÓ˜ Ù˘ ÕÚÙ·˜. ∏ ÂÎÎÏËÛÈ·ÛÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ÛÙËÓ ÂÚÈÔ¯‹ Ù˘ ÕÚÙ·˜ ηٿ ÙÔ˘˜ ‚˘˙·ÓÙÈÓÔ‡˜ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜, ÕÚÙ·: πÂÚ¿ ªËÙÚfiÔÏȘ ÕÚÙ˘, 2008. 1547. ¶··‰ÔÔ‡ÏÔ˘ µ., ∫·Ú·ÌÂÚ›‰Ë ∞., µ·ÁÂÓ¿ ∞., Î. ¿., πˆ¿ÓÓÈÓ·. ∞fi ÙË ‚˘˙·ÓÙÈÓ‹ ηÛÙÚÔÔÏÈÙ›· ÛÙËÓ ÔıˆÌ·ÓÈ΋ ÌÂÁ·ÏÔ‡ÔÏË / Ioannina. From the byzantine castle to the ottoman city, πˆ¿ÓÓÈÓ·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 8Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2009. 1548. ¶··‰ÔÔ‡ÏÔ˘ µ., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 56 (∑ˆÁÚ¿ÊÔ˜ ¡ÈÎfiÏ·Ô˜ ∆˙·ÊÔ‡Ú˘: ∏ ¢¤ËÛË, ‚’ ÌÈÛfi 15Ô˘ ·È.). 1549. ¶··‰ÔÔ‡ÏÔ˘ ∂Ì., ‚Ï. ·Ú. 672. 1550. Papadopoulou P. ÛÙÔ Morrisson C., Papadopoulou P., Quatrième croisade [Blois et Paris 2006], Û. 135-143 (L’éclatement du monnayage dans le monde byzantin après 1204: apparence ou réalité?). 1551. Papadopoulou P., Quatrième croisade [Blois et Paris 2006], Ï‹ÌÌ. ·Ú. 15-18, 35, 63-65, 68-71, 73-75. 1552. Papadopoulou P. ÛÙÔ Prigent V., Morrisson C., Papadopoulou P., Quatre tessères de plomb et un portrait de l’empereur Christophore Lécapène, JORDANOV I. (2009), Û. 201-213 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 212-213). 1553. Papadopoulou P., The Big Problem of Small Change in the Byzantine World (12th–13th centuries), Sevgi Gönül BSS 1 (2010), ¶Ú·ÎÙÈο, Û. 206-210. 1554. ¶··‰ÔÔ‡ÏÔ˘ ¶., ÃÚÈÛÙÈ·ÓÔ› Î·È ªÔ˘ÛÔ˘ÏÌ¿ÓÔÈ ÛÙË ªÂÛfiÁÂÈÔ: Ì ·ÊÔÚÌ‹ ÙÔ ıËÛ·˘Úfi ƒfi‰Ô˜/1998, ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 175-189 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 189: Christians and Muslims in the Mediterranean: In light of the Rhodes/1998 coin hoard). 1555. ¶··Â˘ı˘Ì›Ô˘ µ., ∆Ô ¯ÚÈÛÙÈ·ÓÈÎfi ∞ÛÎÏËÈÂ›Ô Ù˘ ∞ı‹Ó·˜ ̤۷ ·fi Ù· Â˘Ú‹Ì·Ù· ÙˆÓ ·Ó·ÛηÊÒÓ ÙˆÓ ÂÙÒÓ 1876-1877, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 67-68. 1556. Papathanassiou Eu., Stubborn Byzantium: Landscape, Archaeology and Society on Late Palaeologean Samothrace, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. III, Û. 49-50. 1557. ¶··ı·Ó·Û›Ô˘ ∂˘., ‚Ï. ·Ú. 19, ∞ı·Ó·ÛÔ‡Ï˘ ¢., ¶··ı·Ó·Û›Ô˘ ∂˘., ÕÁÈÔ˜ ™Ù¤Ê·ÓÔ˜ ¶ÂÚÈÛÙ¤Ú·˜/£ÂÚÈ·ÓÔ‡ (ÛÙ· ∫·ÙÛÔ˘Ï·›Èη) ¶·ÙÚÒÓ (∆ÔÔÁÚ·ÊÈ΋ Î·È ∞Ó·ÛηÊÈ΋ ¤Ú¢ӷ: ¶ÂÚ›Ô‰Ô˜ π), ∞™¡¢∂ 1 (2006), ¶Ú·ÎÙÈο, Û. 131-154. 1558. ¶··ı·Ó·Û›Ô˘ ∂˘., ‚Ï. ·Ú. 71, ∞Ó‰ÚÔ‡‰Ë˜ ¶., ¶··ı·Ó·Û›Ô˘ ∂˘.,

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ªÔÓ‹ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ¶·ÓÔÚ¿Ì·ÙÔ˜ (∫·Ï·ÔÙ›Ô˘), ¶ÂÚÈÏ‹„ÂȘ ¢Ú¿Ì· 5 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 29-31. 1559. ¶··ı·Ó·Û›Ô˘ ∂˘., √ ∂˘ı‡ÌÈÔ˜ ª·ÛÙÚÔÎÒÛÙ·˜ ÛÙ· ÌÔÓÔ¿ÙÈ· ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜, ª·ÛÙÚÔÎÒÛÙ·˜ (2006), ¶Ú·ÎÙÈο, Û. 45-63. 1560. ¶··ı·Ó·Û›Ô˘ ∂˘., ŸÛÈÔ˜ °ÂÚÌ·Ófi˜ (‰’ ٤ٷÚÙÔ 9Ô˘ ·ÈÒÓ·) - ¶¤ÙÚÔ˜ Ô ∫·ıÔÏÈÎfi˜ ÙˆÓ ∞ÚÌÂÓ›ˆÓ (1018-1058): ∏ Û¯¤ÛË ÙÔ˘˜ Ì ÙËÓ ¶·Ó·Á›· ™ËÏ·ÈÒÙÈÛÛ· (ÕÁÈÔ ª¿ÚÎÔ) ¶ÂÙÚÔ‡Û˘, ¢Ú¿Ì· 5 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 88-92. 1561. ¶··ı·Ó·Û›Ô˘ ∂˘., ∏ µÚÔÓÙÔ‡ √χÌÔ˘ Î·È ÙÔ ·Ú’ ·˘Ù‹Ó ÌÔÓ‡‰ÚÈÔÓ Ù˘ ∞Á›·˜ ∆ÚÈ¿‰Ô˜, £ÂÛÛ·ÏÔÓ›ÎË: ¢‹ÌÔ˜ ¢›Ô˘, 2007. 1562. ¶··ı·Ó·Û›Ô˘ ∂˘., √ ̇ÏÔ˜ ÛÙÔ ¶ÂÙÚÔ¯ÒÚÈ ¡. •¿Óı˘ (ÈӷΛ‰·), £Ú·ÎÈÎÒÓ ™Ô˘‰ÒÓ 4 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 59. 1563. ¶··ı·Ó·Û›Ô˘ ∂˘., ∫·ÛÙ¤ÏÏÈ· Î·È ‡ÚÁÔÈ ÛÙË ™·ÌÔıÚ¿ÎË ÚÈÓ ·fi ÙÔ˘˜ °·ÙÙÈÏÔ‡˙Ô˘˜, √¯˘ÚˆÌ·ÙÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ∞ÈÁ·›Ô˘ (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 92-93. 1564. ¶··ı·Ó·Û›Ô˘ ∂˘., ‚Ï. ·Ú. 1509. 1565. ¶··ı·Ó·Û›Ô˘ ∂˘., ∏ ÔÈÎÔ‰ÔÌÈ΋ ÂÈÁÚ·Ê‹ π. ¡. ∞Á›·˜ ¶·Ú·Û΢‹˜ ∞‚‰‹ÚˆÓ (ªÔÏÔ‡ÛÙÚ·˜), £Ú·ÎÈ΋ ∂ÂÙËÚ›‰· 11 (1999-2009), Û. 329-378. 1566. ¶··ı·Ó·Û›Ô˘ ∂˘., ∆Ô ∫·ÛÙÚ› ÛÙË ı¤ÛË «∫·ÛÙÚ›-§Ô˘ÙÚfi», ‚ÔÚ›ˆ˜ ªÂÛ·ÁοψÓ, Î·È Ë ÂÚÈÔ¯‹ ÙÔ˘: ÌÂÚÈΤ˜ ÛΤ„ÂȘ Î·È ·Ú·ÙËÚ‹ÛÂȘ, ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘ (2010), Û. 273-314 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 300: The castellum at the site «Kastri-Loutro», northern of Mesangkala (resort), in Peneus delta, and its surroundings: some thoughts and remarks). 1567. ¶··ıÂÔÊ¿ÓÔ˘˜-∆ÛÔ˘Ú‹ ∂˘., ¶·Ï·ÈÔÏfiÁÂÈ· ·ÌÊÈÚfiÛˆË ÂÈÎfiÓ· ·fi ÙÔ ¢È‰˘ÌfiÙÂȯÔ, ∞¢ 56 (2001) [2006], ªÂϤÙ˜, Û. 383-406 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 405-406: Une icône bilatérale de l'époque des Paléologues à Didymoteichon). 1568. ¶··ıÂÔÊ¿ÓÔ˘˜-∆ÛÔ˘Ú‹ ∂˘., ¡¤· ÛÙÔȯ›· Î·È ·Ú·ÙËÚ‹ÛÂȘ ÛÙȘ ‚˘˙·ÓÙÈÓ¤˜ ÙÔȯÔÁڷʛ˜ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ∂Ï·ÈÒÓ· ™ÂÚÚÒÓ, µ˘˙·ÓÙÈÓ¿ 29 (2009), Û. 311-326. 1569. Papakyriakou Chr., ‚Ï. ·Ú. 158. 1570. Papacostas T. ÛÙÔ Jeffreys M., Papacostas T., Prosopography of the Byzantine World (PBW), Digital Database http://www.pbw.kcl.ac.uk, London 2006. 1571. Papacostas T. ÛÙÔ Gothic in the East: Western architecture in Byzantine lands, Companion to medieval art (2006), Û. 510-530. 1572. ¶··ÎÒÛÙ·˜ ∆., Architecture et communautés étrangères à Chypre aux XIème et XIIème siècles, Identités croisées-Chypre (2006), ¶Ú·ÎÙÈο, Û. 223-240 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 425-425).

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1573. Papacostas T., The history and architecture of the monastery of Saint John Chrysostom at Koutsovendis, Cyprus, DOP 61 (2007), Û. 25-155. 1574. ¶··ÎÒÛÙ·˜ ∆., ªÈ· ͯ·Ṳ̂ÓË ÎÏËÚÔÓÔÌ›·. ∏ ÁÔÙıÈ΋ ·Ú¯ÈÙÂÎÙÔÓÈ΋ Ù˘ ∫‡ÚÔ˘, ∫‡ÚÔ˜ (2007), Û. 332-347. 1575. Papacostas T., Byzantine rite in a Gothic setting: aspects of cultural appropriation in late medieval Cyprus, Towards rewriting (2010), ¶Ú·ÎÙÈο, Û. 117-132. 1576. Papacostas T., Echoes of the Renaissance in the eastern confines of the Stato da mar: Architectural evidence from Venetian Cyprus, ABzF 3 (2010), Û. 136-172. 1577. Papacostas T., The medieval progeny of the Holy Apostles: trails of architectural imitation across the Mediterranean, Byzantine World (2010), Û. 386-405. 1578. ¶··Ï·˙¿ÚÔ˘ µ., ‚Ï. ·Ú. 1527. 1579. ¶··Ì·ÛÙÔÚ¿Î˘ ∆., µ˘˙·ÓÙÈÓ·› ·ÚÂÓ‰‡ÛÂȘ ∂ÓÂÙ›·˜. √È ÔÏ˘ÙÂÏ›˜ ÛÙ·¯ÒÛÂȘ Ù˘ ª·ÚÎÈ·Ó‹˜ µÈ‚ÏÈÔı‹Î˘, ¢Ã∞∂ 27 (2006), Û. 391-409 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 410: µ˘˙·ÓÙÈÓ·› ·ÚÂÓ‰‡ÛÂȘ ∂ÓÂÙ›·˜. Luxurious Bookcovers in the Biblioteca Marciana). 1580. Papamastorakis T., Pictorial Lives. Narrative in thirteenth-century vita icons, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË 7 (2007), Û. 33-65 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 65: ∑ˆÁÚ·ÊÈṲ̂Ó˜ ˙ˆ¤˜. ∞ÊËÁ‹ÛÂȘ Û ‚ÈÔÁÚ·ÊÈΤ˜ ÂÈÎfiÓ˜ ÙÔ˘ 13Ô˘ ·ÈÒÓ·). 1581. ¶··Ì·ÛÙÔÚ¿Î˘ ∆. (1961-2010), ‚Ï. ·Ú. 44, ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., ¶··Ì·ÛÙÔÚ¿Î˘ ∆. (1961-2010), ∞ÁÚ·˘ÏÔ‡ÓÙ˜ Î·È ·Ì¤ÏÁÔÓÙ˜, πÛÙÔÚ›· ÙÔ˘ ÂÏÏËÓÈÎÔ‡ Á¿Ï·ÎÙÔ˜ (2008), ¶Ú·ÎÙÈο, Û. 211-237. 1582. ¶··Ì·ÛÙÔÚ¿Î˘ ∆., √ ÏfiÁÔ˜ ÙˆÓ ·ÓÙÈÎÂÈ̤ӈÓ. ∂ÈÁÚ¿ÌÌ·Ù· Û ϷÙÚ¢ÙÈο ·ÓÙÈΛÌÂÓ·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 70-71. 1583. ¶··Ì·ÛÙÔÚ¿Î˘ ∆., Interpreting the De Signis of Niketas Choniates, Niketas Choniates (2009), Û. 209-223. 1584. ¶··Ì·ÛÙÔÚ¿Î˘ ∆., ∫›ÌÂÓ· Û ÌÓËÌÂȷΤ˜ ·Ú·ÛÙ¿ÛÂȘ Ù˘ ̤Û˘ Î·È ‡ÛÙÂÚ˘ ‚˘˙·ÓÙÈÓ‹˜ ÂÚÈfi‰Ô˘, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 98-99. 1585. ¶··Ì·ÛÙÔÚ¿Î˘ ∆., ª›· ÚÔ‚ÏËÌ·ÙÈ΋ ÂÈÁÚ·Ê‹ Î·È Ì›· ÛÙ¤„Ë Ô˘ ‰ÂÓ ¤ÁÈÓ ÔÙ¤, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 69-70. 1586. ¶··Ó·ÛÙ·ÛÔ‡ÏË °Ú.-ÃÚ., ∆Ô Ù¤ÌÏÔ ÙÔ˘ Ó·Ô‡ ÙˆÓ ∞Á›ˆÓ ∞Ó·ÚÁ‡ÚˆÓ ÛÙ· ∆ڛηϷ, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 7 (2006), ¶Ú·ÎÙÈο, Û. 401-420 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 420: The templon on the church of Agioi Anargyroi in Trikala). 1587. ¶··Ó·ÛÙ·ÛÔ‡ÏË °Ú.-ÃÚ., √ ÂÈÎÔÓÔÁÚ·ÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ Ù¤ÌÏÔ˘ ÙÔ˘ Ó·Ô‡ ÙˆÓ ∞Á›ˆÓ ∞Ó·ÚÁ‡ÚˆÓ ÛÙ· ∆ڛηϷ, ∆ÚÈηÏÈÓ¿ 27 (2007), Û. 377-418 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 410: The illustrative decoration of the templon in the church of Saints Anargyroi in Trikala).

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1588. Bakirtzi D., The craft of pottery and art of empire, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, vol. II, Û. 30. 1589. ¶··ÓÈÎfiÏ·-ª·ÎÈÚÙ˙‹ ¢., ∂Ê˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ £Ú¿Î˘ [£ÂÛÛ·ÏÔÓ›ÎË 2007], Û. 11-14 (∂Ê˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ ·fi ÙË £Ú¿ÎË: ¶ÚÒÙË ÚÔÛ¤ÁÁÈÛË), 37-38 Î·È 48-49 (™‡Ó·ÍË. ∞Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ Î·È Ï‹ÌÌ. ÎÂÚ·ÌÈÎÒÓ), 129-137 (¢È‰˘ÌfiÙÂȯÔ. ∞Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ Î·È Ï‹ÌÌ. ÎÂÚ·ÌÈÎÒÓ), 138-140 (¶Ú·ÁÁ›. ∞Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ Î·È Ï‹ÌÌ. ÎÂÚ·ÌÈÎÒÓ), 141-143 (¶‡ıÈÔ. ∞Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ Î·È Ï‹ÌÌ. ÎÂÚ·ÌÈÎÒÓ). 1590. ¶··ÓÈÎfiÏ·-ª·ÎÈÚÙ˙‹ ¢., ∆· Ù۷ӷηÏÈÒÙÈη ÎÂÚ·ÌÈο ÙÔ˘ ™›ÌÔ˘ µ·Ú‰·Í‹. ∏ Ù¯ÓÈ΋ Ù˘ Â›ıÂÙ˘ Ï·ÛÙÈ΋˜ ‰È·ÎfiÛÌËÛ˘, £ÂÛÛ·ÏÔÓ›ÎË: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 9Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, ∞Ú¯·ÈÔÏÔÁÈÎfi πÓÛÙÈÙÔ‡ÙÔ ª·Î‰ÔÓÈÎÒÓ Î·È £Ú·ÎÈÎÒÓ ™Ô˘‰ÒÓ, 2007. 1591. Papanikola-Bakirtzi D., Byzantium [London 2008], Û. 141-143 (At Home: Ceramics of Everyday Life) Î·È Ï‹ÌÌ. ·Ú. 83 (Glazed large bowl with a representation of a bird; Second half of the twelfth century), 93 (Glazed bowl with a representation of a dancer; Cyprus, Paphos area, first half of the thirteenth century), 96 (Glazed small four-lobe bowl with a representation of a bird; Constantinople, eleventh century), 97 (Glazed small bowl with a representation of a double-headed eagle; Late thirteenth or fourteenth century), 257 (Glazed bowl with a representation of a fish; Cyprus, Paphos region, first half of the thirteenth century), 258 (Glazed bowl with a representation of a falconer; Cyprus, Lapithos region, early fifteenth century). 1592. ¶··ÓÈÎfiÏ·-ª·ÎÈÚÙ˙‹ ¢., ¶ÔχÙÈÌ· ÂÚÁ·ÛÙËÚȷο ·ÔÚÚ›ÌÌ·Ù· ÂÊ˘·ÏˆÌ¤Ó˘ ÎÂÚ·ÌÈ΋˜ ·fi ÙË £ÂÛÛ·ÏÔÓ›ÎË, ∆√Àƒ∞∆™√°§√À π. (2009), Ù. µ', Û. 451-467 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 451). 1593. ¶··ÓÈÎfiÏ·-ª·ÎÈÚÙ˙‹ ¢., ∫ÂÚ·ÌÈ΋ Ù˘ ‡ÛÙÂÚ˘ ·Ú¯·ÈfiÙËÙ·˜ (3Ô˜-7Ô˜ ·È. Ì.Ã.). ™Î¤„ÂȘ ÁÈ· ÙËÓ ÔÓÔÌ·ÙÔÏÔÁ›· Î·È ÔÚÔÏÔÁ›· Ù˘ ÛÙ· ÂÏÏËÓÈο, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ', Û. 829-831. 1594. ¶··ÓÈÎÔÏ¿Ô˘ ∞., ‚Ï. ·Ú. 2251. 1595. ¶··ÓÈÎÔÏ¿Ô˘ ∞., ‚Ï. ·Ú. 2252. 1596. ¶··ÛÙ·‡ÚÔ˘ ∂., º›ÏÈÔ˘ ¢., ¡¤· ·ÔÎÙ‹Ì·Ù· ÎÔÙÈÎÒÓ ˘Ê·ÛÌ¿ÙˆÓ ÛÙË Û˘ÏÏÔÁ‹ ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ Î·È ÃÚÈÛÙÈ·ÓÈÎÔ‡ ªÔ˘Û›Ԣ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 86. 1597. Papastavrou H., Á propos d'un voile brodé vénitien du XIV siècle à Zadar, Zograf 32 (2008), 91-99 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 99). 1598. ¶··ÛÙ·‡ÚÔ˘ ∂., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 89-91 (ÃÚÈÛÙÈ·ÓÈ΋ ∞›Á˘ÙÔ˜: ∫ÔÙÈ΋ Ù¤¯ÓË). 1599. Papastavrou H., Römerreich [Bonn 2010], Teil 1, Û. 183-209 (Classical

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trends in byzantine and western art in the 13th and 14th centuries), (ÂÚÈÏ‹„ÂȘ ÛÙ· ÁÂÚÌ·ÓÈο, Û. 206-207, ·ÁÁÏÈο, Û. 207-208 Î·È Á·ÏÏÈο, Û. 208-209). 1600. Papoulidou A., ‚Ï. ·Ú. 642. 1601. ¶·¿˜ ¡., ∆Ô ¤ÚÁÔ ÙˆÓ ÃÈÔÓ·‰ÈÙÒÓ ˙ˆÁÚ¿ÊˆÓ ÛÙË µ¢ £ÂÛÛ·Ï›· Î·È Ô ·ÓÙ·ÁˆÓÈÛÌÔ˜ ÂΠ̤ÚÔ˘˜ ÙˆÓ ÔÌÔÙ¤¯ÓˆÓ ÙÔ˘˜ ·fi ÙË ™·Ì·Ú›Ó·, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 7 (2006), ¶Ú·ÎÙÈο, Û. 421-450 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 444: Work of Chionadites painters in North-Western Thessaly and unfair competition of their colleagues from Samarina against them). 1602. Parani M. G., Byzantine Material Culture and Religious Iconography, Material Culture (2007), ¶Ú·ÎÙÈο, Û. 181-192. 1603. Parani M. G., Cultural Identity and Dress: The Case of Late Byzantine Court Costume, JÖB 57 (2007), Û. 95-134. 1604. Parani M. G., Defining Personal Space: Dress and Accessories in Late Antiquity, Material Spatiality (2007), ¶Ú·ÎÙÈο, Û. 497-529. 1605. Parani M. G., On the Personal Life of Objects in Medieval Byzantium, SPIESER J.-M. (2007), Û. 157-176. 1606. Parani M. G., ‚Ï. ·Ú. 1331. 1607. Parani M. G., Fabrics and Clothing, OHBS (2008), Û. 407-420. 1608. Parani M. G., Intercultural exchange in the field of material culture in the Eastern Mediterranean: the evidence of Byzantine legal documents (11th to 15th centuries), Diplomatics in the Eastern Mediterranean (2008), ¶Ú·ÎÙÈο, Û. 349-371. 1609. Parani M. G., Byzantine Jewellery: The Evidence from Byzantine Legal Documents, Intelligible Beauty (2010), ¶Ú·ÎÙÈο, Û. 186-192. 1610. Parani M. G., Byzantine cutlery: an overview, ¢Ã∞∂ 31 (2010), Û. 139-164 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 163-164: µ˘˙·ÓÙÈÓ¿ Ì·¯·ÈÚÔ‹ÚÔ˘Ó·: Ì›· ÂÈÛÎfiËÛË). 1611. ¶·Ú·Ó‹ ª. °., ∆Ô ·Ú¯ÈÙÂÎÙÔÓÈÎfi ‚¿ıÔ˜ ÛÙÔ ¤ÚÁÔ ÙÔ˘ º›ÏÈÔ˘ °Ô˘Ï: ÌÂÚÈΤ˜ ÛΤ„ÂȘ, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 341-367 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 367: Some Thoughts on the Architectural Backgrounds in the Work of the Painter Philippos Goul). 1612. ¶·Ú¿Û¯Ô˘ ™., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ¶·ÓÙÔÎÚ¿ÙÔÚÔ˜ ÛÙÔ ∞ÁÁÂÏfiηÛÙÚÔ ∞Èوϛ·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 89-90. 1613. ¶·Ú¿Û¯Ô˘ ™., ¶··‚·ÚÓ¿‚·˜ ª., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ∑ˆÔ‰fi¯Ô˘ ¶ËÁ‹˜ °·‚·ÏÔ‡˜ ∞Èوϛ·˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 72-73. 1614. ¶·Ú¿Û¯Ô˘ ™., ‚Ï. ·Ú. 1489. 1615. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., ÕÙÛ·ÏÔ˜ µ., µÚ¤‚ÈÔ ÙÔ˘ 18Ô˘ ·ÈÒÓ· ·fi ÙËÓ πÂÚ¿ ªÔÓ‹ Ù˘ ¶·Ó·Á›·˜ Ù˘ ∞¯ÂÈÚÔÔÈ‹ÙÔ˘ ÙÔ˘ ¶·ÁÁ·›Ô˘, Ù˘ ÂÔÓÔÌ·˙Ô̤Ó˘ Ù˘ ∫ÔÛÈÓ›ÙÛ˘ ‹ ∂ÈÎÔÛÈÊÔÈÓ›ÛÛ˘, ¢Ú¿Ì· 5 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 34.

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1616. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., °È· ÙË ‰ÂÛfiÙÈÛÛ· ∂ϤÓË (ÂÚ›Ô˘ 1349-ÌÂÙ¿ ÙÔ 1405), ¢Ú¿Ì· 4 (2006), ¶Ú·ÎÙÈο, Û. 181-198. 1617. Parcharidou M., ‚Ï. ·Ú. 158. 1618. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., ¢‡Ô ÂÈÎfiÓ˜ Ì ÂÈÁڷʤ˜ ·ÊÈÂÚˆÙÒÓ ·fi ÙËÓ ÂÚÈÔ¯‹ Ù˘ ¢Ú¿Ì·˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 74. 1619. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., √ÈÎÈÛÌÔ› Ù˘ ‰˘ÙÈ΋˜ ª·Î‰ÔÓ›·˜ ηٿ ÙÔ˘˜ ÚÒÈÌÔ˘˜ ÔıˆÌ·ÓÈÎÔ‡˜ ¯ÚfiÓÔ˘˜, ¢˘ÙÈ΋ ª·Î‰ÔÓ›· (2008), Û. 143-151. 1620. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., ∆ÚÒÁÔÓÙ·˜ ÙÔ ‚È‚Ï›Ô: Ë ‚È‚ÏÈÔÊ·Á›· Î·È Ù· ÂÈÎÔÓÔÏÔÁÈο Ù˘ ·Ú¿ÏÏËÏ·, µÈ‚ÏÈÔ‰ÂÛ›· ‚˘˙·ÓÙÈÓ‹-ÌÂÙ·‚˘˙·ÓÙÈÓ‹ (2008), ¶Ú·ÎÙÈο, Û. 25-42. 1621. Parcharidou-Anagnostou M., ‚Ï. ·Ú. 160. 1622. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., XÂÈÚfiÁÚ·ÊË ÚfiıÂÛË ÙÔ˘ 18Ô˘ ·ÈÒÓ· ·fi ÙË ÌÔÓ‹ Ù˘ ∫ÔÛ›ÓÈÙÛ·˜ (‹ ∂ÈÎÔÛÈÊÔ›ÓÈÛÛ·˜), ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÒÓ ∂Ú¢ÓÒÓ, £ÂÛÛ·ÏÔÓ›ÎË 2009. 1623. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., ∂ÈÎfiÓ˜ ÙÔ˘ ·ÈÓ›ÙË ˙ˆÁÚ¿ÊÔ˘ ∫˘ÚÈ·˙‹ §·ÛηڿÎË ÛÙÔ ¶·ÁÔÓ¤ÚÈ ¢Ú¿Ì·˜, ¶ÂÚ› £Ú¿Î˘ 6 (2007-2009), Û. 163-178. 1624. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., ¶ÂÚÚ¿Î˘ π., ∞ÈÓ›Ù˜ ˙ˆÁÚ¿ÊÔÈ ÙÔÓ 19Ô ·ÈÒÓ·, ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 1 (2009), ¶Ú·ÎÙÈο, Û. 361-380. 1625. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., ∏ ÂÎ·È‰Â˘ÙÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· Ù˘ 12˘ ∂µ∞ «∆Ô ‰¤Ó‰ÚÔ Ù˘ ˙ˆ‹˜ Û ٤ÛÛÂÚȘ ÂÔ¯¤˜» ηٿ ÙÔ 2008, ¶¿Ì ªÔ˘Û›Ô; (2010), Û. 25-28. 1626. ¶·Ú¯·Ú›‰Ô˘-∞Ó·ÁÓÒÛÙÔ˘ ª., ∫·Ú·‚ÂÏ›‰Ë˜ ª., ª·ÙÛ›Ó˘ π., ∆Û¿ÏÙ·˜ ∞¯., ¶·Ï·È¿ ªËÙÚfiÔÏË ¢Ú¿Ì·˜: ÔÈ ÂÚÁ·Û›Â˜ ·ÔηٿÛÙ·Û˘ ÙÔ˘ ÌÓËÌ›Ԣ ηٿ ÙÔ 2007, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 383-390. 1627. ¶·Û·Ï‹ A., ∆Ô Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ∞Á›Ô˘ µÏ·Û›Ô˘ ÛÙËÓ ™Ù˘Ï›‰· ºıÈÒÙȉ·˜, ¡π∫√¡∞¡√™ ¡. (2006), Û. 331-344 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 344: The Katholikon of the Hagios Vlasios monastery at Stylis in Phthiotis). 1628. ¶·Û·Ï‹ ∞., √ ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ ÛÙËÓ √͇ÓÂÈ· ∫·Ï·Ì¿Î·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 69-70. 1629. ¶·Û·Ï‹ ∞., ∆Ô Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ¶ÚÔ˘ÛÔ‡ ∂˘Ú˘Ù·Ó›·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 91-92. 1630. ¶·Û·Ï‹ ∞., ∆Ô Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ÃÚ˘Û›ÓÔ˘, ∫ÏËÚÔÓÔÌ›· 36 (2007), Û. 255-281. 1631. ¶·Û·Ï‹ ∞., ∆Ô ·Ï·Èfi ηıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ∫ÔÚÌfi‚Ô˘ ∆ÚÈοψÓ, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 75-76. 1632. ¶·Û·Ï‹ ∞., √ ÕÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ ÛÙÔ ∫·ÎÔχÚÈ ∆ÚÈοψÓ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 100-101.

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1633. ¶·Û·Ï‹ ∞., √ ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ ÛÙÔ ƒÈ˙¿ÚÈÔ ∆ÚÈοψÓ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 71-72. 1634. ¶·Û¯·Ï›‰Ë˜ °., ª·ÓÙÔÔ‡ÏÔ˘-¶·Ó·ÁȈÙÔÔ‡ÏÔ˘ £., √ Ó·fi˜ ÙˆÓ ¶·ÌÌÂÁ›ÛÙˆÓ ∆·ÍÈ·Ú¯ÒÓ ÛÙ· ªÂÛÙ¿ Ù˘ Ã›Ô˘, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 73-74. 1635. Patsalu T., ‚Ï. ·Ú. 1267. 1636. ¶¤ÓÓ· µ., X·ÏÎÔ‡˜ ¤ÓÂη ·ÏÏ·Á‹˜, √ ¿ÁÓˆÛÙÔ˜ ÎfiÛÌÔ˜ ÙˆÓ ¯¿ÏÎÈÓˆÓ ÓÔÌÈÛÌ¿ÙˆÓ / Chalkous, for Everyday Dealings. The Unknown World of Bronze Coinage, ∞ı‹Ó· / Athens: ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË, ∫.π.∫.¶.∂., 2006. 1637. ¶¤ÓÓ· µ., NÔÌ›ÛÌ·Ù· ·fi ÙÔ ¯ÒÚÔ Ù˘ ‚fiÚÂÈ·˜ Â¤ÎÙ·Û˘ ÙÔ˘ AÚ¯·ÈÔÏÔÁÈÎÔ‡ MÔ˘Û›Ԣ HÚ·ÎÏ›Ԣ, HÚ¿ÎÏÂÈÔ, ÕÁÓˆÛÙË IÛÙÔÚ›· (2008), Û. 205-211. 1638. ¶¤ÓÓ· µ., §·ÌÚÔÔ‡ÏÔ˘ Õ., ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., °Ï˘Ù¿ ÌÂÙ·‚·ÙÈÎÒÓ ¯ÚfiÓˆÓ ·fi ÙË ‚·ÛÈÏÈ΋ ÙÔ˘ £Â¿ÙÚÔ˘ Ù˘ ·Ú¯·›·˜ ªÂÛÛ‹Ó˘, Sculpture Byzantine (2008), ¶Ú·ÎÙÈο, Û. 375-392 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 595: Sculptures des âges obscurs provenant de la basilique du théâtre de l’antique Messène, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 608). 1639. ¶¤ÓÓ· µ., «£ËÛ·˘Úfi˜» ¶¿ÚÔ˘/1999, Â·ÓÂͤٷÛË ÙˆÓ «ÈÛÙÒÓ ·ÔÌÈÌ‹Ûˆӻ, ∆√Àƒ∞∆™√°§√À π. (2009), Ù. ∞', Û. 507-515 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 507). 1640. ¶¤ÓÓ· µ., ∫ÔÈÓˆÓ›· Î·È √ÈÎÔÓÔÌ›· ÛÙÔ ∞ÈÁ·›Ô ηٿ ÙÔ˘˜ ‚˘˙·ÓÙÈÓÔ‡˜ ¯ÚfiÓÔ˘˜ (4Ô˜-12Ô˜ ·ÈÒÓ·˜), ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 11-42. 1641. ¶¤ÓÓ· µ., ªÂÛÛËÓ›·, πÛÙÔÚÈ΋ ‰È·‰ÚÔÌ‹: ·fi ÙÔ µ˘˙¿ÓÙÈÔ ÛÙ· ¯ÚfiÓÈ· Ù˘ ∂ıÓÈ΋˜ ·ÓÂÍ·ÚÙËÛ›·˜, ÃÚÈÛÙÈ·ÓÈ΋ ªÂÛÛËÓ›· (2010), Û. 31-77. 1642. ¶¤ÓÓ· µ., ªÈÎÚfi˜ «ıËÛ·˘Úfi˜» ÛÔÏ›‰ˆÓ £ÂÔ‰ÔÛ›Ô˘ µ’ ·fi ÙËÓ fiÏË Ù˘ Ã›Ô˘: ªÂϤÙË ÁÈ· ÙË ÓÔÌÈÛÌ·ÙÈ΋ ΢ÎÏÔÊÔÚ›· ÛÙËÓ ÂÚÈÔ¯‹ ηٿ ÙÔÓ 4Ô Î·È 5Ô ·ÈÒÓ· Ì.Ã., ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 43-59 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 59: A small hoard of solidi of Theodosius II from the city of Chios: a study on the coin circulation in the area during the 4th and 5th c.). 1643. ¶¤ÓÓ·˜ Ã., ‚Ï. ·Ú. 1137. 1644. ¶¤ÓÓ·˜ Ã., ∫·Ù·Îfî˜ Ù˘ ª‹ÏÔ˘: Ó¤· ÛÙÔȯ›·, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 93-94. 1645. ¶¤ÓÓ·˜ Ã., AÛÏ·Ó›‰Ë˜ ∫Ï., ∏ ªÔÓ‹ ÙÔ˘ ºˆÙÔ‰fiÙË ÛÙË ¡¿ÍÔ: Ó¤· ÛÙÔȯ›·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 77-78. 1646. ¶¤ÓÓ·˜ Ã., ¡¤· ÛÙÔȯ›· ·ÔηٿÛÙ·Û˘ Î·È ÂÚÌËÓ›·˜ ÙÔ˘ Ù¤ÌÏÔ˘ Ù˘ ¶·Ó·Á›·˜ ∫Ú‹Ó·˜ ÛÙËÓ Ã›Ô, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 447465 (Á·ÏÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 597: Nouveaux éléments nécessaries à la reconstitution et à la interprétation du templon de la Panagia Krina à Chios, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 610).

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1647. ¶¤ÓÓ·˜ Ã., µ˘˙·ÓÙÈÓ‹ ·Ú¿‰ÔÛË Î·È ÙÔÈ΋ ÎÔÈÓˆÓ›· ÛÙË ¤‰Ú· ÙÔ˘ ‰Ô˘Î¿ÙÔ˘ Ù˘ ¡¿ÍÔ˘ / Tradizione bizantina e società locale nella sede del ducato di Nasso: la testimonianza dei monumenti, ¢Ô˘Î¿ÙÔ ∞ÈÁ·›Ô˘ / Ducato dell' Egeo (2009), ¶Ú·ÎÙÈο, Û. 149-185. 1648. ¶¤ÓÓ·˜ Ã., ∏ ·Ú¯·ÈÔÏÔÁÈ΋ Ì·ÚÙ˘Ú›· ÙˆÓ ∫·Ù·ÎÔÌ‚ÒÓ Ù˘ ª‹ÏÔ˘, ¤Ó·˜ Â›ÏÔÁÔ˜, ∫·Ù·Îfî˜ ª‹ÏÔ˘ (2010), ¶Ú·ÎÙÈο, Û. 97-122. 1649. ¶¤ÓÓ·˜ Ã., ™·ÌfiÏ·‰Ô˘ π., µ˘˙·ÓÙÈÓ¿ Î·È ÌÂ۷ȈÓÈο ÓÔÌÈÛÌ·ÙÈο Â˘Ú‹Ì·Ù· ∫˘ÎÏ¿‰ˆÓ, ¡fiÌÈÛÌ· ÛÙ· ÓËÛÈ¿ ÙÔ˘ ∞ÈÁ·›Ô˘ (2010), ¶Ú·ÎÙÈο, Ù. ππ, Û. 135-157 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 157: Byzantine and Medieval coin finds from the Cyclades). 1650. ¶ÂÚ‰ÈοÚË ∆˙., ¶·Ó·Á›· Ë ∫·Ú‰ÈÒÙÈÛÛ·, ÌÈ· Ó¤· ÚÔÛ¤ÁÁÈÛË Ù˘ ˙ˆ‹˜ ÙÔ˘ ¤ÚÁÔ˘ / An alternative approach to the life of the icon of «The Virgin Kardiotissa», ÃÂÈÚ ∞ÁÁ¤ÏÔ˘-∆¯ÓÈ΋ / Hand of Angelos-The Painting Method (2009), Û. 163-183. 1651. ¶ÂÚ‰›ÎË √˘., √ ¯·Ì¤ÓÔ˜ ·Ú¯¿ÁÁÂÏÔ˜ ªÈ¯·‹Ï ·fi ÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ ∞ÓÙˆÓ›Ô˘ ÛÙ· ∫ÂÏÏÈ¿ Ù˘ §¿Úӷη˜ ÛÙËÓ ∫‡ÚÔ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 75-76. 1652. ¶ÂÚ‰›Î˘ ™Ù., √‰ÔÈÔÚÈÎfi ∫˘ÚËÓ›·˜ (2006), Û. 180-189, 310-315, 316-321, 322-325 [∫·ıÔÏÈÎfi ªÔÓ‹˜ ÃÚÈÛÙÔ‡ ∞ÓÙÈʈÓËÙ‹, ∫·ıÔÏÈÎfi ªÔÓ‹˜ ∞Á›Ô˘ πˆ¿ÓÓË ÃÚ˘ÛÔÛÙfiÌÔ˘ (∫Ô˘ÙÛÔ‚¤ÓÙ˘), ¶·ÚÂÎÎÏ‹ÛÈÔ ∞Á›·˜ ∆ÚÈ¿‰Ô˜ ªÔÓ‹˜ ÃÚ˘ÛÔÛÙfiÌÔ˘, √È Ó·Ô› Ù˘ ¶·Ó·Á›·˜ ∞ʤÓÙÚÈη˜ Î·È ÙÔ˘ ™ˆÙ‹ÚÔ˜, ¡·fi˜ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ (∫Ô˘ÙÛÔ‚¤ÓÙ˘)]. 1653. ¶ÂÚ‰›Î˘ ™Ù., ∆Ô ÂÈÎÔÓÔÛÙ¿ÛÈ Ù˘ ÌÔÓ‹˜ ¶·Ó·Á›·˜ ÙÔ˘ ™›ÓÙË, ¶·Ó·Á›· ÙÔ˘ ™›ÓÙË (2006), Û. 67-110. 1654. ¶ÂÚ‰›Î˘ ™Ù., ∞fiÛÙÔÏÔ˜ ∞Ó‰Ú¤·˜ [¶¿ÙÚ· 2007], Û. 36-39 (∏ ÎÏ‹ÛË ÙˆÓ ·ÔÛÙfiÏˆÓ ∞Ó‰Ú¤Ô˘ Î·È ¶¤ÙÚÔ˘). 1655. ¶ÂÚ‰›Î˘ ™Ù., √ Ó·fi˜ Ù˘ ¶·Ó·Á›·˜ ÛÙÔÓ ªÔ˘ÙÔ˘ÏÏ¿, √‰ËÁÔ› µ˘˙·ÓÙÈÓÒÓ ªÓËÌ›ˆÓ Ù˘ ∫‡ÚÔ˘, §Â˘ÎˆÛ›·: ¶ÔÏÈÙÈÛÙÈÎfi ÿ‰Ú˘Ì· ∆Ú·¤˙˘ ∫‡ÚÔ˘, πÂÚ¿ ªËÙÚfiÔÏȘ ªfiÚÊÔ˘, 2009. 1656. ¶ÂÚ‰›Î˘ ™Ù., ∞Ú¯·ÈÔÏÔÁÈ΋ ·Ó·Ûηʋ ÛÙÔÓ ¶‡ÚÁÔ ∆ËÏÏ˘Ú›·˜, ∂Ó·ÙÂÓ›ÛÂȘ 7 (2009), Û. 170-171. 1657. ¶ÂÚ‰›Î˘ ™Ù., ¢Â‡ÙÂÚË ·Ó·ÛηÊÈ΋ ÂÚ›Ô‰Ô˜ ÛÙËÓ ÙÔÔıÂÛ›· «∞˘Ï‹» ÛÙÔÓ ¶¿Óˆ ¶‡ÚÁÔ ∆ËÏÏ˘Ú›·˜, ∂Ó·ÙÂÓ›ÛÂȘ 9 (2009), Û. 118-121. 1658. ¶ÂÚ‰›Î˘ ™Ù., ∂ÈÎfiÓ· Ù˘ ¶·Ó·Á›·˜ ÙÔ˘ ∫‡ÎÎÔ˘ ÛÙÔ ·ÙÚÈ·Ú¯Â›Ô ƒÔ˘Ì·Ó›·˜, ∂Ó·ÙÂÓ›ÛÂȘ 9 (2009), Û. 116-117. 1659. ¶ÂÚ‰›Î˘ ™Ù., ∂ÓÂ›ÁÚ·Ê· ·ÚÁ˘ÚÂ›¯Ú˘Û· ·ÊÈÂÚÒÌ·Ù· ·fi ÙËÓ ∫··‰ÔΛ· ÛÙËÓ πÂÚ¿ ªÔÓ‹ ∫‡ÎÎÔ˘, ¶∞¶∞¢∞∫∏-OEKLAND ™Ù., ªÓ‹ÌË (2009), Û. 301-320.

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1660. ¶ÂÚ‰›Î˘ ™Ù., ∫ÏÂÌ̤Ó˜ ÂÈÎfiÓ˜ ·fi ÙÔ˘˜ ∆Ô‡ÚÎÔ˘˜ ·fi ÙÔÓ Ó·fi ∞Á›Ô˘ π·ÎÒ‚Ô˘ ∆ÚÈÎÒÌÔ˘, ∂Ó·ÙÂÓ›ÛÂȘ 8 (2009), Û. 52-54. 1661. ¶ÂÚ‰›Î˘ ™Ù., ¡·fi˜ ∞Á›·˜ µ·Ú‚¿Ú·˜ ÎÔÈÓfiÙËÙ·˜ ∫¿ÌÔ˘, ∂Ó·ÙÂÓ›ÛÂȘ 9 (2009), Û. 122-125. 1662. ¶ÂÚ‰›Î˘ ™Ù., ÃÂÈÚfiÁÚ·ÊÔ Â˘·ÁÁ¤ÏÈÔ ∂Ù·ÎÒÌ˘, ∂Ó·ÙÂÓ›ÛÂȘ 8 (2009), Û. 56-57. 1663. ¶ÂÚ‰›Î˘ ™Ù., ÕÁÈÔ˜ ∞ÓÙÒÓÈÔ˜ ™ËÏÈÒÓ (2010), Û. 158-172 (‚ËÌfiı˘Ú· ·Á›Ô˘ ∞ÓÙˆÓ›Ô˘ ™ËÏÈÒÓ), 173 (‰›ÛÎÔ˜ ·ÓÙȉÒÚÔ˘). 1664. ¶ÂÚ‰›Î˘ ™Ù., πÂÚ¿ ªÔÓ‹ ∫‡ÎÎÔ˘ (2010), Û. 171-185 (∞Ú¯Â›Ô πÂÚ¿˜ ªÔÓ‹˜ ∫‡ÎÎÔ˘, ∂ÏÏËÓÈο ŒÁÁÚ·Ê·), 259-263 (∂ÚÁ·ÛÙ‹ÚÈ· ™˘ÓÙËÚ‹Ûˆ˜ ªÔ˘Û›Ԣ πÂÚ¿˜ ªÔÓ‹˜ ∫‡ÎÎÔ˘), 301-489 (ªÔ˘Û›ÔÓ πÂÚ¿˜ ªÔÓ‹˜ ∫‡ÎÎÔ˘). 1665. ¶ÂÚ‰›Î˘ ™Ù., ∞Ú¯·ÈÔÏÔÁÈ΋ ·Ó·Ûηʋ ÛÙËÓ ÙÔÔıÂÛ›· «∞˘Ï‹» ÛÙÔÓ ¶‡ÚÁÔ ∆ËÏÏ˘Ú›·˜, ∆ËÏÏ˘Ú›· (2010), ¶Ú·ÎÙÈο, Û. 123-210. 1666. ¶ÂÚ‰›Î˘ ™Ù., ∂ÈÎfiÓ˜ ÙÔ˘ £ÂÔ‰fiÛÈÔ˘ ¢. £ÂÔ‰ˆÚ›‰Ë ·fi ÙÔÓ Ó·fi ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ µ·Ú›ÛÂÈ·˜, ∂Ó·ÙÂÓ›ÛÂȘ 10 (2010), Û. 154-157. 1667. ¶ÂÚ‰›Î˘ ™Ù., ∏ πÂÚ¿ ªÔÓ‹ ∫‡ÎÎÔ˘ Î·È ÔÈ Û¯¤ÛÂȘ Ù˘ Ì ÙȘ ·Ú·‰Ô˘Ó¿‚Ș ËÁÂÌÔӛ˜, EKMIMK‡ÎÎÔ˘ 9 (2010), Û. 363-386. 1668. ¶ÂÚ‰›Î˘ ™Ù., π‰ÈfiÌÔÚÊÔ˜ ÌÂÛÔ‚˘˙·ÓÙÈÓfi˜ ÛÙ·˘Úfi˜ ·fi ÙÔ ªÔ˘ÛÂ›Ô ∫‡ÎÎÔ˘, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 77-78. 1669. ¶ÂÚ‰ÈÎÔ‡ÏÈ·˜ ¶., ‚Ï. ·Ú. 574. 1670. ¶ÂÚÚ¿Î˘ π., ‚Ï. ·Ú. 1142. 1671. ¶ÂÚÚ¿Î˘ π., ‚Ï. ·Ú. 1624,. 1672. ¶ÂÚÚ¿Î˘ π. ª., ™˘ÁÎÚÈÙÈΤ˜ ÂÈÎÔÓÔÁÚ·ÊÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ ÛÙ· ¤ÚÁ· ÙÔ˘ £ÂÔÊ¿ÓË Î·È ÙÔ˘ ÂÚÁ·ÛÙËÚ›Ô˘ ÙÔ˘ ∆˙ÒÚÙ˙Ë, Û ·Ú·ÛÙ¿ÛÂȘ ÙÔ˘ ÃÚÈÛÙÔÏÔÁÈÎÔ‡ ·ÎÏÔ˘, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 369-391 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 392: Comparative Iconographic Remarks on Theophanes's Works of Giorge's Workshop, on Scenes of the Christological Cycle). 1673. ¶ÂÚÚ¿Î˘ π., ™˘ÁÎÚÈÙÈΤ˜ ÂÈÎÔÓÔÁÚ·ÊÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ ÛÙ· ¤ÚÁ· ÙÔ˘ £ÂÔÊ¿ÓË Î·È ÙÔ˘ ÂÚÁ·ÛÙËÚ›Ô˘ ÙÔ˘ ∆˙ÈÒÚÙ˙Ë Û ·Ú·ÛÙ¿ÛÂȘ ÙÔ˘ ¯ÚÈÛÙÔÏÔÁÈÎÔ‡ ·ÎÏÔ˘, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 79-80. 1674. ¶¤ÙÎÔ˜ ∞., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], Ï‹ÌÌ. ·Ú. 1 (ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, ÂÚ› ÙÔ 1370), 2 (™Ù·‡ÚˆÛË, ÂÚ› ÙÔ 1200), 4 (ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, Ù¤ÏË 14Ô˘ ·È., ÂÚ› ÙÔ 1400), 11 (¶·Ó·Á›· √‰ËÁ‹ÙÚÈ·, ‰Â‡ÙÂÚÔ ÌÈÛfi 14Ô˘ ·È. - ·Ú¯¤˜ 15Ô˘ ·È.), 17 (ÕÁÈÔ˜ ∞ı·Ó¿ÛÈÔ˜ Û ÚÔÙÔÌ‹, ÙÂÏÂ˘Ù·›Ô ٤ٷÚÙÔ 15Ô˘ ·È.), 21 (ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, ÙÂÏÂ˘Ù·›Ô ٤ٷÚÙÔ 15Ô˘ ·È. Î·È 1656), 32 (¶·Ó·Á›· √‰ËÁ‹ÙÚÈ·, ÚÒÙÔ ÌÈÛfi 17Ô˘ ·È.), 33 (πˆ¿ÓÓ˘ Ô ¶Úfi‰ÚÔÌÔ˜, ÚÒÙÔ ÌÈÛfi 17Ô˘ ·È.), 37 (ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, 17Ô˜ ·È.), 51 (√È ∆ÚÂȘ πÂڿگ˜, ÙÂÏÂ˘Ù·›Â˜ ‰ÂηÂٛ˜ 17Ô˘ ·È.).

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1675. ¶¤ÙÎÔ˜ ∞., √ ·Ú¯·ÈÔÏÔÁÈÎfi˜ ¯ÒÚÔ˜ ∞Á›Ô˘ ¶·Ù·›Ô˘ µ¤ÚÔÈ·˜, ªÂÏ∏Ì·ı›·˜ 1 (2009) [2010], Û. 81-115 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 91: The St. Patapios Archaeological Site in Veria, 4th-5th c.). 1676. ¶ÂÙÚ›‰Ë˜ ¶Ï., ∞fi ÙËÓ ¶˘ı›· ÛÙËÓ ∞ı·Ó·Û›·: ÔÈ ¢ÂÏÊÔ› Ù˘ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ ˘fi ÙÔ Êˆ˜ ÙˆÓ Ó¤ˆÓ ·Ó·ÛηÊÈÎÒÓ ‰Â‰Ô̤ӈÓ, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. ππ, Û. 1093-1103 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë Û. 1100): De la Pythie à Athanassia: Delphes de l'Antiquité Tardive à la lumière des résultats des fouilles récentes. 1677. Petridis Pl., Relations between pottery workshops in the Greek mainland during the Early Byzantine period, ¨anak (2007), ¶Ú·ÎÙÈο, Û. 43-54. 1678. ¶ÂÙÚ›‰Ë˜ ¶Ï., ¡¤Â˜ Ì·ÙȤ˜ Û ·ÏÈÔ‡˜ ·Ú¯·ÈÔÏÔÁÈÎÔ‡˜ ¯ÒÚÔ˘˜ / New Way of Looking at Old Archaeological Sites, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 86-87. 1679. Petridis Pl., Karali L., Koniavitou K., Croupis Chr., Kapsalis A., Mavridis F., Ancient DNA extraction and amplification of human bone samples from the area of Delphi: a pilot case study, Hellenic Archaeometry 4 (2008), ¶Ú·ÎÙÈο, Û. 233-239. 1680. ¶ÂÙÚ›‰Ë˜ ¶Ï., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙȘ fiÏÂȘ Î·È ÙȘ ·ÛÙÈΤ˜ ÔÈ˘ Ù˘ ‡ÛÙÂÚ˘ ·Ú¯·ÈfiÙËÙ·˜ ÛÙÔÓ ÂÏÏ·‰ÈÎfi ¯ÒÚÔ, ¢Ã∞∂ 29 (2008), Û. 247-258 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 258: Observations sur les villes et les villas urbaines de la Grèce pendant l'antiquité tardive) . 1681. Petridis Pl., A New Approach to an Old Archaeological Site: the Case of Delphi, Medieval and Post-Medieval Greece (2009), ¶Ú·ÎÙÈο, Û. 101-105. 1682. Pétridis Pl., Les productions protobyzantines de céramique peinte en Grèce continentale et dans les îles, Cerámica Medieval 8 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 39-48 (ÈÛ·ÓÈ΋ Î·È ·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 39). 1683. ¶ÂÙÚ›‰Ë˜ ¶Ï., ∞Ó·Ûηʋ ÚˆÙÔ‚˘˙·ÓÙÈÓ‹˜ ÔÈΛ·˜ ÛÙÔ §È̤ӷ £¿ÛÔ˘ / Fouille d'une maison protobyzantine à Thasos, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 7 (2009), ¶ÂÚÈÏ‹„ÂȘ, ¯ˆÚ›˜ ·Ú›ıÌËÛË ÛÂÏ›‰ˆÓ. 1684. ¶ÂÙÚ›‰Ë˜ ¶Ï., ∏ ∆·ÛԇϷ √ÈÎÔÓfiÌÔ˘ Î·È Ë ÚÔÛÊÔÚ¿ Ù˘ ÛÙË ÌÂϤÙË Ù˘ ‚˘˙·ÓÙÈÓ‹˜ ÎÂÚ·ÌÂÈ΋˜ Ù˘ ∞ÚÁÔÏ›‰·˜, ªÓ‹ÌË ∆·ÛԇϷ˜ √ÈÎÔÓfiÌÔ˘ (2009), ¶Ú·ÎÙÈο, Û. 119-128 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 128: Tassula Oikonomou et sa contribution à l'étude de la céramique byzantine d'Argolide). 1685. ¶ÂÙÚ›‰Ë˜ ¶Ï., ª¿ÚÁ·ÚÔÓ Â˜ ¯Â›Ú·˜ Ù·˜ ÂÌ¿˜ ÙË ÚÔÙÂÚ·›· ÂÌ¤ÙˆÎÂÓ: ∏ ÏÂÔ¿Ú‰·ÏË ÙˆÓ ¢ÂÏÊÒÓ Î·È Ù· ·ÓÙÈΛÌÂÓ· ÌÈÎÚÔÙ¯ӛ·˜ ·fi Ì¿ÚÁ·ÚÔ, ¶∞¶∞¢∞∫∏-OEKLAND ™Ù., ªÓ‹ÌË (2009), Û. 73-84. 1686. Pétridis Pl., La céramique protobyzantine de Delphes: une production et son contexte, (Fouilles de Delphes V), Paris: École française d’Athènes, 2010.

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1687. ¶ÂÙÚ›‰Ë˜ ¶Ï., ƒˆÌ·˚ο Î·È ÚˆÙÔ‚˘˙·ÓÙÈÓ¿ ÂÚÁ·ÛÙ‹ÚÈ· ÎÂÚ·ÌÈ΋˜ ÛÙÔÓ ÂÏÏ·‰ÈÎfi ¯ÒÚÔ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞', Û. 81-96 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 81: Roman and Early Byzantine pottery workshops in mainland Greece). 1688. ¶ÂÙÚÔÓÒÙ˘ ∞., ∞ÓÔÈÎÔ‰fiÌËÛË ÂÎÎÏËÛÈÒÓ ¶ÂÏÔÔÓÓ‹ÛÔ˘ Â› µÂÏ‹¶·Û¿, ªfiÚ·-µ·ÏÂÛ› 1807-1812, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 73-74. 1689. ¶ÂÙÚÔÓÒÙ˘ ∞., ∆˙Ô˘ÌÂÚÎÈÒÙÈη Έ‰ˆÓÔÛÙ¿ÛÈ·. ŒÓ· ‰˘ÙÈÎfiÙÚÔÔ Â›‰Ô˜ ηÌ·Ó·ÚÈÒÓ 19Ô˘-20Ô‡ ·ÈÒÓ·, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 95-96. 1690. ¶ÂÙÚÔÓÒÙ˘ ∞., ∫ÔÙ˙¿ ™ÈÓ¿Ó (Koca Sinan, ÂÚ. 1497/98-1588). √ ÌÂÁ¿ÏÔ˜ ∫··‰fi΢ √ıˆÌ·Ófi˜ ∞Ú¯ÈÙ¤ÎÙˆÓ Î·È ÙÔ Ù˙·Ì› ÙÔ˘ √ÛÌ¿Ó ™·¯ (ÎÔÈÓÒ˜ ∫Ô˘ÚÛÔ‡Ì Ù˙·Ì›) ÛÙ· ıÂÛÛ·ÏÈο ∆ڛηϷ, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 513-554 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 553-54: Koca Sinan (ca. 1497/8-1588)/ The Great Cappadocian Ottoman Architect and the Mosque of Osman Sah Bey in Trikala, Thessaly, Greece]. 1691. ¶¤ÙÚÔ˘ ¢., ∞Ó‰ÚÔ‡‰Ë˜ ¶., √È ‚˘˙·ÓÙÈÓÔ› Ó·Ô› ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ Î·È ÙˆÓ ∂ÈÛÔ‰›ˆÓ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙËÓ ÕÙÙ·ÏË ∂˘‚Ô›·˜, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. II, Û. 1165-1184 (ÁÂÚÌ·ÓÈ΋ ÂÚ›ÏË„Ë Û. 1174: Die byzantinischen Kirchen von H. Nikolaos und Panagia in Attale, Euboia). 1692. ¶¤ÙÙ·˜ ¡ÂÎÙ¿ÚÈÔ˜, ÈÂÚÔÌfiÓ·¯Ô˜, √È ÌÔÓ¤˜ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ Î·È ∞Á›·˜ ¶·Ú·Û΢‹˜ ÙÔ˘ ŸÚÔ˘˜ (∆˙ÈÒÚ·) πˆ·ÓÓ›ÓˆÓ. ¶ÚÒÙ˜ ·Ú·ÙËÚ‹ÛÂȘ, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 71-72. 1693. ¶¤ÙÙ·˜ ¡ÂÎÙ¿ÚÈÔ˜, ·Ú¯ÈÌ·Ó‰Ú›Ù˘, ™¿ÓÈ· ÂÈÎÔÓÔÁÚ·ÊÈο ı¤Ì·Ù· ÛÙË ªÔÓ‹ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÙÔ˘ fiÚÔ˘˜ (∆˙ÈÒÚ·˜) πˆ·ÓÓ›ÓˆÓ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 97-98. 1694. ¶¤ÙÙ·˜ ¡ÂÎÙ¿ÚÈÔ˜ ·Ú¯ÈÌ·Ó‰Ú›Ù˘, ∏ ªÔÓ‹ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ °Ú‚ÂÓÈÙ›Ô˘ πˆ·ÓÓ›ÓˆÓ. ¶ÚÒÙ˜ ·Ú·ÙËÚ‹ÛÂȘ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 102-103. 1695. ¶›ÎÔ˘Ï·˜ °., µ˘˙·ÓÙÈÓ¿ ÏÈıfiÛÙÚˆÙ·, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 79-87. 1696. Pinatsi Ch., New observations on the pavement of the church of Haghia Sophia in Nicaea, BZ 99 (2006), Û. 119-126. 1697. ¶ÈÓ¿ÙÛË ÃÚ., ‚Ï. ·Ú. 1145 1698. ¶ÈÓ¿ÙÛË ÃÚ., ‚Ï. ·Ú. 1146. 1699. ¶ÈÓ¿ÙÛË ÃÚ., ‚Ï. ·Ú. 673. 1700. ¶ÈÓ¿ÙÛË ÃÚ., ∆Ô ‰¿Â‰Ô ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ∫ÔÈÌ‹Ûˆ˜ Ù˘ £ÂÔÙfiÎÔ˘ §¤¯Ô‚·˜, ∫ÔÚÈÓıÈ·ÎÒÓ ™Ô˘‰ÒÓ 1 (2009), ¶Ú·ÎÙÈο, Û. 231-240. 1701. Pinatsi Chr., Regional trends and international exchange in the art of marble pavements during the Middle Byzantine period, Byzantium and Kievan Rus (2010), ¶Ú·ÎÙÈο, Û. 101-117 (ÚˆÛÈ΋ ÂÚ›ÏË„Ë, Û. 475-476).

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1702. Pitsalidis N., ‚Ï. ·Ú. 1286. 1703. Pitsalidis N., ‚Ï. ·Ú. 1287. 1704. Pliota A., ‚Ï. ·Ú. 158. 1705. ¶Ô˙ÈfiÔ˘ÏÔ˜ ∞., ∆Ô ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi ‚·ÙÈÛÙ‹ÚÈÔ «∂Ù¿ µ‹Ì·Ù·» ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ÛÙËÓ ∫ˆ. ∆˘ÔÏÔÁÈο ˙ËÙ‹Ì·Ù·, ¢Ã∞∂ 30 (2009), Û. 25-36 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 36: Le baptistère paléochrétien de Haghios Ioannis de la ville de Cos. Questions typologiques). 1706. ¶ÔÏ·Ù›‰Ô˘-ªÈ˙¤Ù· ª., ‚Ï. ·Ú. 2066 1707. ¶ÔÏ·Ù›‰Ô˘ ª., ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ∫·ÏÙ··Ó›‰Ô˘ µ., √ ÈÂÚfi˜ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙ· ¶·Ï·Ù›ÙÛÈ· ¡ÔÌÔ‡ ∏Ì·ı›·˜, ªÂÏ∏Ì·ı›·˜ 1 (2009) [2010], Û. 149-211 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 182-183). 1708. Politis K. D., Amr Nawar Al Muazzad Al-Azm, Bakirtzis Ch., The Syrian Mosaic Pavement Documentation Training Program, ICCM 9 (2008), ¶Ú·ÎÙÈο, Û. 377-379. 1709. Politis K. D., Römerreich [Bonn 2010], Teil 2,1, Û. 155-178 (The monastery of Aghios Lot at Deir 'Ain 'Abata in Jordan) (ÂÚÈÏ‹„ÂȘ ÛÙ· ÁÂÚÌ·ÓÈο, ·ÁÁÏÈο Î·È Á·ÏÏÈο, Û. 178). 1710. ¶ÔÏ˘‚›Ô˘ ª., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Ó·Ô‡ Ù˘ ∞Á›·˜ ª·Ú›Ó·˜, ∞Á›· ª·Ú›Ó· ∫ÈÛÛÔ‡ (2009), Û. 39-48. 1711. ¶ÔÏ˘¯ÚÔÓ¿ÎË ª., √ ÛÙÚ·ÙËÁfi˜ ∫·Ù·Î·ÏÒÓ ∫Âη˘Ì¤ÓÔ˜, Ì ·ÊÔÚÌ‹ Ì›· ÛÊÚ·Á›‰·-‰ˆÚ¿ ÛÙÔ ªÔ˘ÛÂ›Ô µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡, ªµ¶ 13 (2006) [2008], Û. 100-106 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 107-110: General Katakalon Kekaumenos, Á propos a seal donated to the Museum of Byzantine Culture, Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 111-115: Evocation du stratège Katakalon Kekaumenos, à l'occasion de la donation d'un sceau au Musée de la Civilisation Byzantine). 1712. ¶ÔÏ˘¯ÚÔÓ¿ÎË ª., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 19 (ªÔχ‚‰ÈÓË ÛÊÚ·Á›‰· ÙˆÓ ÚÂÛ‚˘Ù¤ÚˆÓ Î·È ÂÎÎÏËÛÂΉ›ÎˆÓ Ù˘ ∞Á›·˜ ™ÔÊ›·˜ Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘ Ì ·Ú¿ÛÙ·ÛË Ó·Ô‡, ‚’ ÌÈÛfi 12Ô˘ ·È.), 29 (À¤Ú˘ÚÔ ∞Ó‰ÚÔÓ›ÎÔ˘ µ’ ¶·Ï·ÈÔÏfiÁÔ˘ Ì ·Ú¿ÛÙ·ÛË ÙˆÓ ÙÂȯÒÓ Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘, 1282-1328). 1713. ¶ÔÙ·ÌÈ¿ÓÔ˜ π., ∏ ÁˆÌÂÙÚ›· Ù˘ ÎfiÁ¯Ë˜ ÙÔ˘ ÈÂÚÔ‡ Î·È Ô ÊˆÙÈÛÌfi˜ Ù˘ ∞Á›·˜ ∆Ú¿Â˙·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 75. 1714. ¶Ô˘ÏË̤ÓÔ˜ °Ú., ∏ Ï·ÙÈÓÈ΋ Ê¿ÛË ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ º·ÓÂڈ̤Ó˘ ÛÙË ™·Ï·Ì›Ó· Î·È Ë ·ÓÔÈÎÔ‰fiÌËÛ‹ ÙÔ˘ ηٿ ÙËÓ ∆Ô˘ÚÎÔÎÚ·Ù›·, ¢Ã∞∂ 28 (2007), Û. 131-146 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 145-146: The Latin Phase of the Katholikon of the Phaneromeni Monastery and the Rebuilding in the Ottoman Period. 1715. ¶Ô‡ÏÔ˘-¶··‰ËÌËÙÚ›Ô˘ ¡., «...ÌË· ηÛÂÏ· Ì Ë·Ù· Ì·ÁËÔÏËη

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ÂÓËÓÙ· ÎÔÌ·ÙË·...»: ÂÈÛËÁ̤ӷ ÎÂÚ·ÌÈο ÛÙÔÓ ‚ÂÓÂÙÔÎÚ·ÙÔ‡ÌÂÓÔ Ã¿Ó‰·Î·, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 99. 1716. Poulou-Papadimitriou N., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 178 (Tray with representation of the Apostles Peter and Paul flanking a cross; Carthage, around 400). 1717. ¶ÚÔÂÛÙ¿ÎË •., ™˘Ì‚ÔÏ‹ ÛÙË ÌÂϤÙË ÙÔ˘ ¤ÚÁÔ˘ ÙˆÓ ˙ˆÁÚ¿ÊˆÓ £ÂÔ‰ÔÛ›Ô˘, ª·Ú›ÓÔ˘, ¢ËÌËÙÚ›Ô˘ Î·È £ÂÔ‰Ô‡ÏÔ˘ ∫·Î·‚¿, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 121-144 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 144: A contribution to the study of the work of Theodosios, Marinos, Dimitrios and Theodoulos Kakava). 1718. ¶ÚÔÂÛÙ¿ÎË •., ∏ ·Ï·È¿ ÌÔÓ‹ ÙˆÓ ∆·ÍÈ·Ú¯ÒÓ ÛÙÔ ™ÙÂÊ¿ÓÈ ∫ÔÚÈÓı›·˜, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 393-430 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 430: The Old Monastery of Taxiarches at Stefani, Korinthia). 1719. ¶ÚÔÎÔ›‰Ô˘ Õ., ‚Ï. ·Ú. 2207. 1720. ¶ÚÔÎÔ›‰Ô˘ Õ., ‚Ï. ·Ú. 2210. 1721. Prokopiou E., Chypre [Genève 2006], Û. 106-109 [Les lampes de l’ossuaire de la tombe n. 636 du cimetière d’Amathonte (période des incursions arabes)]. 1722. ¶ÚÔÎÔ›Ô˘ ∂., §ÂÌÂÛfi˜ (2006), Û. 113-128 (∆· ÌÓËÌ›· Ù˘ fiÏ˘ Î·È ∂·Ú¯›·˜ §ÂÌÂÛÔ‡ ηٿ ÙËÓ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋, ÚˆÙÔ‚˘˙·ÓÙÈÓ‹ Î·È ÌÂÛÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô, 324-1191), 185-190 (∆Ô ∫¿ÛÙÚÔ Ù˘ §ÂÌÂÛÔ‡). 1723. ¶ÚÔÎÔ›Ô˘ ∂., √‰ÔÈÔÚÈÎfi ∫˘Ú‹ÓÂÈ·˜ (2006), Û. 231-232 (∫·Ú·‚¿˜: ¡·fi˜ ∞Á›Ô˘ ¶·‡ÏÔ˘), 443-446 (∆ÚÈÌ›ıÈ: ¡·fi˜ ¶·Ó·Á›·˜ ÃÚ˘ÛÔÙÚÈÌÈıÈÒÙÈÛÛ·˜, ÛÂ Û˘ÓÂÚÁ·Û›· Ì ÙÔÓ Ã·Ù˙˯ÚÈÛÙÔ‰Ô‡ÏÔ˘ ÃÚ.), 471 (∫·Ì˘Ï‹: ¡·fi˜ ¶·Ó·Á›·˜ ∫·Ì˘Ï‹˜). 1724. ¶ÚÔÎÔ›Ô˘ ∂., O Û˘ÓÂÙ˘Ì¤ÓÔ˜ ÛÙ·˘ÚÔÂȉ‹˜ ÂÁÁÂÁÚ·Ì̤ÓÔ˜ Ó·fi˜ ÛÙËÓ ∫‡ÚÔ (9Ô˜-12Ô˜), ªÔ˘ÛÂ›Ô πÂÚ¿˜ ªÔÓ‹˜ ∫‡ÎÎÔ˘ 2, §Â˘ÎˆÛ›· 2007. 1725. ¶ÚÔÎÔ›Ô˘ E., IÂÚfi˜ Ó·fi˜ ∞Ú¯·ÁÁ¤ÏÔ˘ ªÈ¯·‹Ï, ∫ÂÏÏ¿ÎÈ: ™˘Ì‚ÔÏ‹ ÛÙË ÌÂϤÙË ÙˆÓ Î·Ì·ÚÔÛΤ·ÛÙˆÓ ÌÂÛÔ‚˘˙·ÓÙÈÓÒÓ Ó·ÒÓ Ù˘ ∂·Ú¯›·˜ §ÂÌÂÛÔ‡, ∫˘Ú™ 70 (2006) [2008], Û. 13-17. 1726. ¶ÚÔÎÔ›Ô˘ ∂., O Û˘ÓÂÙ˘Á̤ÓÔ˜ ÛÙ·˘ÚÔÂȉ‹˜ ÂÁÁÂÁÚ·Ì̤ÓÔ˜ Ó·fi˜ ÛÙËÓ ∫‡ÚÔ (9Ô˜-12Ô˜), ∫˘Ú™ 71 (2007) [2009], Û. 31-36. 1727. ¶ÚÔÎÔ›Ô˘ ∂., ∞ÎÚˆÙ‹ÚÈ, ∫·Ù·Ï‡Ì·Ù· ÙˆÓ ¶Ï·ÎˆÙÒÓ, ÔÈÎÔ‰fiÌËÌ· ∞', 2007-2008. ŒÓ· Ó¤Ô ÚˆÙÔ‚˘˙·ÓÙÈÓfi ÌÓËÌÂ›Ô ÛÙË ÃÂÚÛfiÓËÛÔ ÙÔ˘ ∞ÎÚˆÙËÚ›Ô˘ ÙˆÓ °¿ÙˆÓ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 104-105. 1728. ¶ÚˆÙÔ„¿ÏÙË ™., ‚Ï. ·Ú. 2074. 1729. ¶‡ÚÚÔ˘ ¡., ∞Ó·ÛηÊÈΤ˜ ÂÚÁ·Û›Â˜ ÛÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙË µÈÚ¿Ó ∂ÈÛÎÔ‹ ƒÂı‡ÌÓÔ˘ – ∆· ÚÒÙ· ·ÔÙÂϤÛÌ·Ù·, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 543-555 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 550: Excavation

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in the church of Agios Demetrios in Veran Episkop, Rethimnon - The first results). 1730. ƒ¿ÏÏË ∞., ∏ ÂÊ˘·ÏˆÌ¤ÓË ÎÂÚ·ÌÈ΋ ·fi ÙË ı¤ÛË «ºÚÔ‡ÚÈÔ» ÛÙË °Ï·Ú¤ÓÙ˙·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 79-80. 1731. Ranoutsaki Chr., Byzantinische Baudenkmäler auf Kreta, Kreta (2007), Û. 34-49. 1732. Ranoutsaki Chr., Allgemeines Künstlerlexikon (AKL). Die Bildenden Künstler aller Zeiten und Völker, 50 (München/Leipzig 2006), Û. 94 (Gastreas, byzantinischer Maler), 59 (München/Leipzig 2008), Û. 325 [Goul Filippos (Philip), Maler]. 1733. Ranoutsaki Chr., Byzantine ∆reasury Objects in the West, Dopo le due cadute (2008), ¶Ú·ÎÙÈο, Û. 293-302, 326-335. 1734. ƒ·Ù¿ÎË ∞., ‚Ï. ·Ú. 294. 1735. Rapti I., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 297 (Manuscript with donor before the Madonna della Misericordia; Sis, Cilicia, 1274), 298 (Marshal Oshin’s Gospels; Sis, Cilicia, 1274). 1736. Raptis ∫., Water as power. Early Christian and Byzantine Watermills in Greece: typology and distribution, Water and Wastewater (2006), ¶Ú·ÎÙÈο, Û. 109-118. 1737. ƒ¿Ù˘ ∫., ‚Ï. ·Ú. 608. 1738. ƒ¿Ù˘ ∫., ∫Ï›‚·ÓÔÈ - οÌÈÓÔÈ ‚ÈÔÙ¯ÓÈÎÒÓ ÂÚÁ·ÛÙËÚ›ˆÓ (4Ô˜ - 14Ô˜ ·È.): ı¤Ì·Ù· ·Ú·ÁˆÁÈ΋˜ Ù¯ÓÔÏÔÁ›·˜, ∞Ú¯·›· ∂ÏÏËÓÈ΋ ∆¯ÓÔÏÔÁ›· 2 (2006), ¶Ú·ÎÙÈο, Û. 228-236. 1739. ƒ¿Ù˘ ∫., ¶·Ú·ÙËÚ‹ÛÂȘ Î·È ÛΤ„ÂȘ Û¯ÂÙÈο Ì ÙË ‰È·Ù‹ÚËÛË, ÛÙÂÚ¤ˆÛË Î·È ·ÔηٿÛÙ·ÛË ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ÌÓËÌ›ˆÓ Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘, ¢Ú·ÛÙËÚÈfiÙËÙ˜ ÂÚ› µ˘˙·ÓÙ›Ô˘ (2007), Û. 45-74. 1740. ƒ¿Ù˘ ∫., ¶ÂÚ› Ù˘ ·Ó·Ûηʋ˜ ÁÈ· ÙËÓ Î·Ù·Û΢‹ ÙÔ˘ ªÂÙÚfi ÛÙÔ Yenikapi (∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË) Î·È Ù˘ ·ÔÎ¿Ï˘„˘ ÙÔ˘ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÔ‡ ÏÈ̤ӷ Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘, ¢Ú·ÛÙËÚÈfiÙËÙ˜ ÂÚ› µ˘˙·ÓÙ›Ô˘ (2007), Û. 75-87. 1741. Raptis K., ‚Ï. ·Ú. 1208. 1742. Raptis K., Bakirtzis √.-ª., Agios Georgios, Pegeia-Cape Drepanon: Integrating an Excavation Site into an Archaeological Landscape, POCA 5 (2008), ¶Ú·ÎÙÈο, Û. 87-95. 1743. Raptis K., Vassiliadou St., Early Christian marble tables in Cyprus: typology, origin and distribution, POCA 8 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 9. 1744. ƒ¿Ù˘ ∫., µ·ÛÈÏÂÈ¿‰Ô˘ ™Ù., ª·ÚÌ¿ÚÈÓ˜ ÙÚ¿Â˙˜ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÒÓ ¯ÚfiÓˆÓ ·fi ÙÔ ·ÎÚˆÙ‹ÚÈÔ ¢Ú¤·ÓÔÓ, (ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ ¶¤ÁÂÈ·˜), ∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 130.

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1745. ƒ¿Ù˘ ∫., ∆Û›ÚÏË ™., ª·ÎÈÚÙ˙‹ Ÿ.-ª., •·Óıfi˜ µ., ™Î¤„ÂȘ Î·È ·Ú¯·ÈÔÏÔÁÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ Ì ·ÊÔÚÌ‹ ÙË ‰È·ÌfiÚʈÛË ÙÔ˘ Ù·ÊÈÎÔ‡ Û˘ÁÎÚÔÙ‹Ì·ÙÔ˜ Ù˘ ∂˘·ÁÁÂÏÈÛÙÚ›·˜, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 467-478 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 476: Thoughts and archaeological remarks with the occasion of the presentation of the Evangelistria tomb complex). 1746. ƒ¿Ù˘ ∫., √Ì‹ÚÔ˘ £., •·Óıfi˜ µ., ¶·Ú·ÙËÚ‹ÛÂȘ Û¯ÂÙÈο Ì ÙËÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Hamza Bey ∆˙·Ì› (∞Ïη˙¿Ú) Ì ·ÊÔÚÌ‹ ÙȘ ÚfiÛÊ·Ù˜ ÂÚÁ·Û›Â˜ ÚÔÛÙ·Û›·˜ ÙÔ˘ ÌÓËÌ›Ԣ (2007), ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 241-246. 1747. ƒ¿Ù˘ ∫., À·ÏÔÔÈ›· Î·È ˘·ÏÔ˘ÚÁ›· ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÒÓ Î·È ‚˘˙·ÓÙÈÓÒÓ ¯ÚfiÓˆÓ ÛÙÔÓ ÂÏÏ·‰ÈÎfi ¯ÒÚÔ. ∆˘ÔÏÔÁ›· Î·È Î·Ù·ÓÔÌ‹, ¢Ã∞∂ 31 (2010), Û. 165-176 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 176: Early Christian and Byzantine Glass-producing and Processing Workshops in Greece. Typology and Distribution). 1748. ƒÂÓÙÂÙ˙‹ ∂., ∏ ‚˘˙·ÓÙÈÓ‹ ÙÔȯÔÁÚ·Ê›· Ù˘ ¢Â˘Ù¤Ú·˜ ¶·ÚÔ˘Û›·˜ ÛÙÔ ªËÙÚÔÔÏÈÙÈÎfi Ó·fi Ù˘ °¤ÓÔ‚·˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 81-82. 1749. ƒËÁ¿ÎÔ˘ ¢., ‚Ï. ·Ú. 372. 1750. ƒËÁ¿ÎÔ˘ ¢., µ˘˙·ÓÙÈÓ‹ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË ÛÙ· πfiÓÈ· ÓËÛÈ¿, πfiÓÈÔÈ ¡‹ÛÔÈ (2007), Û. 55-65 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 289-295: Byzantine and Post-Byzantine Art in the Ionian Islands). 1751. ƒËÁ¿ÎÔ˘ ¢., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 55 (∑ˆÁÚ¿ÊÔ˜ ∞Ó‰Ú¤·˜ ¶·‚›·˜: ÕÁÈÔ˜ ∞ÓÙÒÓÈÔ˜, ‚’ ÌÈÛfi 15Ô˘ ·È.). 1752. ƒËÁfiÔ˘ÏÔ˜ °., ∂ÈÎfiÓ˜ Ù˘ ∑·Î‡ÓıÔ˘ Î·È Ù· ÚfiÙ˘¿ ÙÔ˘˜, Ù. µ’-°’, ∑¿Î˘ÓıÔ˜: πÂÚ¿ ªËÙÚfiÔÏË ∑·Î‡ÓıÔ˘ Î·È ™ÙÚÔÊ¿‰ˆÓ, 2006. 1753. ƒËÁfiÔ˘ÏÔ˜ °., ºÏ·Ì·Ó‰ÈΤ˜ ÂȉڿÛÂȘ ÛÙË ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ˙ˆÁÚ·ÊÈ΋, Ù. µ’, ∞ı‹Ó· 2006. 1754. ƒËÁfiÔ˘ÏÔ˜ °., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], Û. 119-121 [µÈÔÁÚ·ÊÈÎfi Î·È ÂÚÁÔÁÚ·ÊÈÎfi ÛËÌ›ˆÌ· ÙÔ˘ ˙ˆÁÚ¿ÊÔ˘ £ÂÔ‰ÒÚÔ˘ ¶Ô˘Ï¿ÎË (÷ÓÈ¿ ∫Ú‹Ù˘ . 1620 - ∫¤Ú΢ڷ 1692)] Î·È ÂÈÎfiÓ˜ ÙÔ˘ £Âfi‰ˆÚÔ˘ ¶Ô˘Ï¿ÎË Ì ÛÎËÓ¤˜ ·fi ÙËÓ ¶·Ï·È¿ ¢È·ı‹ÎË: Ï‹ÌÌ. ·Ú. 53 (∏ ‰ËÌÈÔ˘ÚÁ›· ÙÔ˘ Ô˘Ú·ÓÔ‡ Î·È Ù˘ Á˘, ÙˆÓ ¿ÛÙÚˆÓ, ÙÔ˘ ‹ÏÈÔ˘, Ù˘ ÛÂÏ‹Ó˘ Î·È ÙˆÓ ˙ÒˆÓ, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 54 (∏ Ï¿ÛË ÙÔ˘ ∞‰¿Ì, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 55 (∏ Ï¿ÛË Ù˘ ∂‡·˜, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 56 (∆Ô ÚÔ·ÙÔÚÈÎfi ·Ì¿ÚÙËÌ·, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 57 (∏ ÂÈÙ›ÌËÛË ÙˆÓ ¶ÚˆÙÔÏ¿ÛÙˆÓ, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 58 (∏ ÂΉ›ˆÍË ÙˆÓ ¶ÚˆÙÔÏ¿ÛÙˆÓ ·fi ÙÔÓ ¶·Ú¿‰ÂÈÛÔ Î·È Ô ∞‰¿Ì ηÏÏÈÂÚÁ› ÙË ÁË, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 59 (∏ ı˘Û›· ÙÔ˘ ∫¿ÈÓ Î·È ÙÔ˘ Õ‚ÂÏ, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 60 (√ ∫¿ÈÓ ÊÔÓ‡ÂÈ ÙÔÓ Õ‚ÂÏ, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 61 (√ ∞‰¿Ì Î·È Ë ∂‡· ıÚËÓÔ‡Ó ÁÈ· ÙÔ ı¿Ó·ÙÔ ÙÔ˘ Õ‚ÂÏ Î·È Ë Î·Ù·‰›ÎË ÙÔ˘ ∫¿ÈÓ, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 62 (∏ ∫ϛ̷η ÙÔ˘ π·ÎÒ‚, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘

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17Ô˘ ·È.), 63 (√ πÛ·¿Î ¢ÏÔÁ› ÙÔÓ π·ÎÒ‚, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 64 (∂˘¯·ÚÈÛÙ‹ÚÈ· ı˘Û›· ÙÔ˘ ¡Ò ÌÂÙ¿ ÙÔÓ ∫·Ù·ÎÏ˘ÛÌfi, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 65 (∏ ÚÒÙË ·Ú·Ï·‚‹ ÙˆÓ Ï·ÎÒÓ ÙÔ˘ ÓfiÌÔ˘ Î·È Ë Û˘ÓÙÚÈ‚‹ ÙÔ˘˜, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.), 66 (∏ ∫Ô›ÌËÛË ÙÔ˘ ªˆ˘Û‹, ‰Â‡ÙÂÚÔ ÌÈÛfi ÙÔ˘ 17Ô˘ ·È.). 1755. ƒËÁfiÔ˘ÏÔ˜ °., «¶ÂÚ› ¯ÚˆÌ¿ÙˆÓ Û‡ÓÙÔÌÔ˜ ‰È‹ÁËÛȘ ¡ÈÎÔÏ¿Ô˘ µÈÛÎfiÓÙË». ¶·ÚÔ˘Û›·ÛË ·Ó¤Î‰ÔÙÔ˘ ‰ÔÎÈÌ›Ô˘ Ô˘ ÂÚȤ¯ÂÙ·È ÛÙÔÓ ÎÒ‰Èη: «∞‰¿Ì ∫ÈÔ˘˙fiÏ, ¶ÂÚ› ÙˆÓ ÂÓÙÔÏÒÓ Ù˘ ˙ˆÁÚ·Ê›·˜, ∑¿Î˘ÓıÔ˜ 1820», ÃÀ™√™∆√ª√™ µ’ ∑·Î‡ÓıÔ˘ (2009), Û. 821-850. 1756. ƒÔ˘ÌÂÏÈÒÙ˘ ¡., ‚Ï. ·Ú. 2056 1757. ™·‚‚›‰Ô˘ ÃÚ., µ·ÛÈÏÈ΋ Ù˘ °Ï˘Ê¿‰·˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 76-77. 1758. ™·‚‚fiÔ˘ÏÔ˜ ¡., ‚Ï. ·Ú. 1902. 1759. ™·‚‚ÔÔ‡ÏÔ˘-∫·ÙÛ›ÎË •., ∏ ÈÛÙÔÚ›· Ù˘ ∫Ô˙¿Ó˘ ̤۷ ·fi Ù· ÂÎÎÏËÛÈ·ÛÙÈο Ù˘ ÌÓËÌ›·, ∂ÏÈÌÂȷο 58 (2007), Û. 3-31. 1760. ™·‚‚ÔÔ‡ÏÔ˘-∫·ÙÛ›ÎË •., ªÂÙ·‚˘˙·ÓÙÈÓ¤˜ ÂÎÎÏËۛ˜ ÛÙÔ ÕÓˆ µfiÈÔ ÓÔÌÔ‡ ∫Ô˙¿Ó˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 101-102. 1761. ™·‚‚ÔÔ‡ÏÔ˘-∫·ÙÛ›ÎË •., ÃÚÔÓÔÏÔÁË̤ӷ ÌÂÙ·‚˘˙·ÓÙÈÓ¿ Ù¤ÌÏ· ·fi ÙË ¢˘ÙÈ΋ ª·Î‰ÔÓ›· (16Ô˜-18Ô˜ ·È.), ZRVI 44 (2007) [∞ÊȤڈ̷ ÛÙÔÓ ·Î·‰ËÌ·˚Îfi Î. Gojko Subotiç], Û. 575-586. 1762. ™·‚‚ÔÔ‡ÏÔ˘-∫·ÙÛ›ÎË •., ∏ ÂÎÎÏËÛ›· Ù˘ ¶·Ó·Á›·˜ ÛÙÔ ¢È¿ÎÔ °Ú‚ÂÓÒÓ, ∂ÏÈÌÂȷο 60-61 (2008), Û. 80-97. 1763. ™·‚‚ÔÔ‡ÏÔ˘-∫·ÙÛ›ÎË •., ∏ ÂÎÎÏËÛ›· ÙÔ˘ ∞Á›Ô˘ ∞¯ÈÏÏ›Ԣ ÛÙÔÓ ¶ÂÓÙ¿ÏÔÊÔ ∫Ô˙¿Ó˘, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 81-82. 1764. ™·‚‚ÔÔ‡ÏÔ˘-∫·ÙÛ›ÎË •., ∫·ÙÛ›Î˘ ∫., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ Î·È ˙ˆÁÚ·ÊÈ΋ ÙˆÓ ÌÂÙ·‚˘˙·ÓÙÈÓÒÓ Ó·ÒÓ ÙÔ˘ ÓÔÌÔ‡ ∆ÚÈοψÓ, £ÂÛÛ·Ï›·˜ πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜ 1 (2008), ¶Ú·ÎÙÈο, Ù. ππ, Û. 541-553. 1765. ™·‚‚ÔÔ‡ÏÔ˘-∫·ÙÛ›ÎË •., ∏ ªÔÓ‹ ÙÔ˘ ∂˘·ÁÁÂÏÈÛÌÔ‡ Ù˘ £ÂÔÙfiÎÔ˘ (ªÔ˘Ó¿ÛÈ·˜) ÛÙÔ ÓÔÌfi °Ú‚ÂÓÒÓ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 106-107. 1766. ™·ÎÂÏÏ¿ÎÔ˘ ÃÚ., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 41 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ¶ÚÔÊ‹Ù˘ ∏Ï›·˜, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 1767. ™·ÎÂÏÏ¿ÎÔ˘ ÃÚ., ∆· «πznik» Ù˘ Û˘ÏÏÔÁ‹˜ ¶. πˆ·ÓÓ›‰Ë ·fi ÙË ƒfi‰Ô, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 431-452 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 452: The Ioannides Collection from Rhodes: the Iznik Plates). 1768. ™·ÌfiÏ·‰Ô˘ π., ‚Ï. ·Ú. 1649. 1769. ™·Ú¿ÓÙË ∂., µ˘˙·ÓÙÈÓÔ›, πÙ·ÏÔ› Î·È ÔÈ ·Ú¯·ÈfiÙËÙ˜ ÙÔÓ 15ÔÓ ·ÈÒÓ·: ∏ Ì·ÚÙ˘Ú›· ÙÔ˘ ∫˘ÚÈ·ÎÔ‡ ÙÔ˘ ∞ÁΈӛÙË, ¢‡ÌË (2006), ¶Ú·ÎÙÈο, Û. 171-195. 1770. ™·Ú¿ÓÙË ∂., ∏ Á˘Ó·›Î· ¯ÔÚËÁfi˜ ηٿ ÙËÓ ÚˆÙÔ‚˘˙·ÓÙÈÓ‹ ÂÔ¯‹: Ë ÚÔ‚ÔÏ‹ ÂÓfi˜ Ó¤Ô˘ ȉÂÔÏÔÁÈÎÔ‡ ÚÔÙ‡Ô˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 78-79.

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1771. Saradi H., The Christianization of Pagan Temples from the Greek Hagiographical Texts (4th-6th c.), From Temple to Church (2008), Û. 113-134. 1772. Saradi H., Towns and Cities, OHBS (2008), Û. 317-327. 1773. Saradi H., A History of the Greek Notarial System, Notarial System (2009), Û. 523-557. 1774. ™·Ú¿ÓÙË ∂., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Û. 98-131 (√ ¯ÒÚÔ˜ ÛÙË ‚˘˙·ÓÙÈÓ‹ ÛΤ„Ë). ∞ÁÁÏÈ΋ ·fi‰ÔÛË ÛÙÔ Architecture as Icon [Princeton 2010], Û. 73-111 (Space in Byzantine Thought). 1775. ™·Ú·ÓÙ›‰Ô˘ ª., ‚Ï. ·Ú. 16. 1776. ™·ÚÌ¿Ó˘ ∂˘., ∆Ô ÛÈÓ·˚ÙÈÎfi ÌÂÙfi¯È Ù˘ ¶¿ÚÁ·˜ Î·È ÔÈ Û¯¤ÛÂȘ Ù˘ ªÔÓ‹˜ ™ÈÓ¿ Ì ÙË µÂÓÂÙ›·, ∏ÂÈÚÃÚ 40 (2006), Û. 403-420 (ÈÙ·ÏÈ΋ ÂÚ›ÏË„Ë, Û. 420: Il metochio del monte Sinai a Parga e le relazioni del monastero con Venezia). 1777. ™·ÚÚ‹ ∂., ∆Ì‹Ì· ÏÔ˘ÙÚÈ΋˜ ÂÁηٿÛÙ·Û˘ ÛÙÔ ÔÈÎfiÂ‰Ô ∞. °È·ÎÔ˘Ì¿ÎË ÛÙÔ ÕÚÁÔ˜, ªÓ‹ÌË ∆·ÛԇϷ˜ √ÈÎÔÓfiÌÔ˘ (2009), ¶Ú·ÎÙÈο, Û. 75-92 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 92: Bath complex uncovered at the A. Yakoumaki plot, Argos). 1778. ™‰ÚfiÏÈ· ™Ù., ∏ ˙ˆÁÚ·ÊÈ΋ Ù˘ ÌÔÓ‹˜ °ÂÓÓ‹Ûˆ˜ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙÔ ¶ÔÏ˘‰¤Ó‰ÚÈ ∞ÁÈ¿˜ (1590). ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙÔ ÚfiÁÚ·ÌÌ· Î·È ÙËÓ ÂÈÎÔÓÔÁÚ·Ê›· ÙÔ˘ ηıÔÏÈÎÔ‡, ¢Ã∞∂ 27 (2006), Û. 221-232 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 232: The Wall-Paintings in the Monastery of the Genesis Theotokou at Polydendri, Agia (1590). Remarks on the Programme and the Iconography of the Katholikon). 1779. ™‰ÚfiÏÈ· ™Ù., ∏ ÔÚ›· ÙÔ˘ ∞ϤÍÈÔ˘ ∫ÔÌÓËÓÔ‡ ÙÔ 1083 ÛÙË £ÂÛÛ·Ï›·. ∆· Ó¤· Â˘Ú‡Ì·Ù· ÛÙÔÓ ∫›ÛÛ·‚Ô Î·È ÙÔ ª·˘ÚÔ‚Ô‡ÓÈ, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. π, Û. 403-419 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 410: The expedition of the emperor Alexios Comnenos in 1083 in Thessalia. New evidence from excavation research in Kissavos and Maurovouni mountains). 1780. ™‰ÚfiÏÈ· ™Ù., √È ‰ÂÛÔÙÈΤ˜ ÂÈÎfiÓ˜ Ù˘ ÌÔÓ‹˜ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ÛÙÔ ª·˘ÚÔÌÌ¿ÙÈ ∫·Ú‰›ÙÛ·˜, µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 241-264. 1781. ™‰ÚfiÏÈ· ™Ù., ∆Ô Í˘ÏfiÁÏ˘ÙÔ Ù¤ÌÏÔ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ¶¤ÙÚ·˜ ÛÙÔ ∫·Ù·Ê‡ÁÈ ∫·Ú‰›ÙÛ·˜ Î·È ÔÈ ÂÈÎfiÓ˜ ÙÔ˘ ˙ˆÁÚ¿ÊÔ˘ §¿ÌÔ˘ (1608), ¡π∫√¡∞¡√™ ¡. (2006), Û. 345-354 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 354: The WoodCarved Iconostasis of the Petra Monastery and the Icons of the Painter Lampros (1608)]. 1782. ™‰ÚfiÏÈ· ™Ù., ∆ÛÈÌ›‰· ∂., ∆Ô ÂÎÎÏËÛÈ·ÛÙÈÎfi ÌÔ˘ÛÂ›Ô ƒÂÓÙ›Ó·˜. ™ÙÔȯ›· ÁÈ· ÙÔ˘˜ Ó·Ô‡˜ ÙÔ˘ ÔÈÎÈÛÌÔ‡ (16Ô˜-19Ô˜ ·È.), ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. π, Û. 529-541 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë Û. 535).

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1783. ™‰ÚfiÏÈ· ™Ù., µ˘˙·ÓÙÈÓ¿ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ¿ ÌÓËÌ›· ¡ÔÌÔ‡ ∫·Ú‰›ÙÛ·˜, √‰ÔÈÔÚÈÎfi ¡ÔÌÔ‡ ∫·Ú‰›ÙÛ·˜ (2007), Û. 85-126. 1784. ™‰ÚfiÏÈ· ™Ù., ∏ ÂÎÎÏËÛÈ·ÛÙÈ΋ ˙ˆÁÚ·ÊÈ΋ Ù˘ ∞ÚÁÈı¤·˜, ∞ÚÁÈı¤·˜ ∞ÁÚ¿ÊˆÓ πÛÙÔÚÈο 1 (2007), ¶Ú·ÎÙÈο, Û. 145-166. 1785. ™‰ÚfiÏÈ· ™Ù., ∂ÈÎÔÓÔÁÚ·ÊÈÎfi˜ ·ÎÏÔ˜ Ù˘ ¶ÂÓÙËÎÔÛÙ‹˜ ·fi ÙË ÌÔÓ‹ ™˘ÎÈ¿˜ ∂Ï·ÛÛfiÓ·˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 83. 1786. ™‰ÚfiÏÈ· ™Ù., √ ÕÁÈÔ˜ ∞ı·Ó¿ÛÈÔ˜ æ˘¯ÈÎÔ‡, ÕÁÈÔ˜ ∞ı·Ó¿ÛÈÔ˜ æ˘¯ÈÎÔ‡ (2008), Û. 7-24. 1787. ™‰ÚfiÏÈ· ™Ù., ‚Ï. ·Ú. 1151. 1788. ™‰ÚfiÏÈ· ™Ù., ∞Ó·ÛηÊÈ΋ ¤Ú¢ӷ ÛÙËÓ Ï·Ù›· ¡¤·˜ ∞ÁÔÚ¿˜ ÛÙË §¿ÚÈÛ·, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 441-455 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 448: Excavation in the New Agora square in Larissa). 1789. ™‰ÚfiÏÈ· ™Ù., ‚Ï. ·Ú. 1158. 1790. ™‰ÚfiÏÈ· ™Ù., ‚Ï. ·Ú. 1159. 1791. ™‰ÚfiÏÈ· ™Ù., ∂˘Ú‹Ì·Ù· ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ÂÚÈfi‰Ô˘ ÛÙË µÂϛη, ªÂÏ›‚ÔÈ· (2010), Û. 65-86. 1792. ™‰ÚfiÏÈ· ™Ù., ªÂÙ·‚˘˙·ÓÙÈÓ¤˜ ÂÎÎÏËۛ˜ Ù˘ ∫·Ú›ÙÛ·˜, ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘ (2010), Û. 315-334 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 322: Postbyzantine churches of Karitsa, in Kissavos area). 1793. ™‰ÚfiÏÈ· ™Ù., √È ÙÔȯÔÁڷʛ˜ Ù˘ ÌÔÓ‹˜ ™ÙÔÌ›Ô˘ (1758), ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘ (2010), Û. 107-122 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 118: Paintings in the catholikon of the Stomion monastery (1758)]. 1794. ™‰ÚfiÏÈ· ™Ù., ∆Ô Ù¤ÌÏÔ Ù˘ ÌÔÓ‹˜ ¶·ÓÙÂÏ‹ÌÔÓÔ˜ ∞ÁÈ¿˜ (1579/80), Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 83-84. 1795. Semoglou Ath., Loi divine et sanction encourue dans une épigramme de la période byzantine tardive. Fonctions d'une formule juridique, ¡π∫√¡∞¡√™ N. (2006), Û. 355-361 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 361: Divine Law and Sanction in an Epigram of the Late Byzantine Period. Functions of a Juridical Formula). 1796. Semoglou Ath., Remarques sur certains archaïsmes iconographiques dans les peintures murales byzantinisantes de la Pologne au XVe siècle, Zograf 32 (2008), Û. 151-162 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 162). 1797. ™¤ÌÔÁÏÔ˘ ∞ı., ¶··‰fiÔ˘ÏÔ˜ ∞., ™˘ÌÏËÚÒÛÂȘ ÛÙËÓ ·Ó¿ÁÓˆÛË ÙÔ˘ ÂÈÎÔÓÔÁÚ·ÊÈÎÔ‡ ÚÔÁÚ¿ÌÌ·ÙÔ˜ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ÃÚÈÛÙÔ‡ µÂÚÔ›·˜ Ì ·ÊÔÚÌ‹ Ì›· ÂÈÁÚ·ÊÈ΋ ÂÈÛ‹Ì·ÓÛË, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 108-109. 1798. ™¤ÌÔÁÏÔ˘ ∞ı., ∆Ô ÔÌÔ›ˆÌ· Ù˘ ∂ÎÎÏËÛ›·˜ ÙÔ˘ ÃÚÈÛÙÔ‡ ÛÙË ™‡Ó·ÍË ÙˆÓ ∞ÔÛÙfiÏˆÓ ¶¤ÙÚÔ˘ Î·È ¶·‡ÏÔ˘ Î·È Ë ‰È·‰Èηۛ· Ù˘ «ÌÂÙÔ˘Û›ˆÛ˘», ∞πª√™ 3 (2009), ¶Ú·ÎÙÈο, 67-77.

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1799. ™ÈÁ¿Ï· ª., ∂ÈÎfiÓ· Ù˘ ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘ ÙˆÓ fi„ÈÌˆÓ ·Ï·ÈÔÏfiÁÂÈˆÓ ¯ÚfiÓˆÓ ÛÙËÓ ∞ÛÙ˘¿Ï·È·, ¢Ã∞∂ 27 (2006), Û. 259-270 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 270: A Late-Byzantine Icon of the Dormition of the Virgin in Astypalaia). 1800. ™ÈÁ¿Ï· ª., O ÂÈÎÔÓÔÁÚ·ÊÈÎfi˜ ·ÎÏÔ˜ Ù˘ ·Á›·˜ ∞Ó·ÛÙ·Û›·˜ Ù˘ ƒˆÌ·›·˜ ÛÙÔÓ ÔÌÒÓ˘ÌÔ Ó·fi ÛÙÔ °ÂÓÓ¿‰È Ù˘ ƒfi‰Ô˘, ¢ˆ‰ÃÚ 21 (2007), Û. 411-439. 1801. ™ÈÁ¿Ï· ª., ∏ ÌÂ۷ȈÓÈ΋ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ÿÏÎË Ì¤Û· ·fi Ù· ΢ÚÈfiÙÂÚ· ÌÓËÌ›· Ù˘, ¢ˆ‰ÃÚ 22 (2008), Û. 95-120. 1802. ™ÈÁ¿Ï· ª., ™˘Ì‚ÔÏ‹ ÛÙË ‚È‚ÏÈÔÁÚ·Ê›· Ù˘ ÿÏ΢, ¢ˆ‰ÂηӋÛÔ˘ 14 (2008), ¶Ú·ÎÙÈο, Û. 121-134. 1803. ™ÈÁ¿Ï· ª., ∆· ∫ÂÏÏÈ¿ Ù˘ ÿÏ΢ ¢ˆ‰ÂηӋÛÔ˘. ∏ ¯ÚÔÓÔÏfiÁËÛË ÙˆÓ ÙÔȯÔÁÚ·ÊÈÒÓ Î·È Ë ÛËÌ·Û›· ÙÔ˘˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 84-85. 1804. ™ÈÁ¿Ï· ª., ∆· ∫ÂÏÏÈ¿ Ù˘ ÿÏ΢ ¢ˆ‰ÂηӋÛÔ˘. ∏ ¯ÚÔÓÔÏfiÁËÛË ÙˆÓ ÙÔȯÔÁÚ·ÊÈÒÓ Î·È Ë ÛËÌ·Û›· ÙÔ˘˜, ¢Ã∞∂ 30 (2009), Û. 149-158 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 158: Kellia on Chalki in the Dodecanese. The Date of the Wallpaintings and their Significance). 1805. ™ÈÁ¿Ï· ª., ∆Ô ÂÎÎÏËÛ¿ÎÈ Ù˘ À··ÓÙ‹˜ ÛÙÔ˘˜ ª‡ÏÔ˘˜ Ù˘ ÿÏ΢, ¢ˆ‰ÃÚ 23 (2009), Û. 577-603. 1806. ™È‰¤Ú˘ °., ™˘ÓÙ‹ÚËÛË, ·ÔηٿÛÙ·ÛË ÙÔ˘ ÂÈÁÚ·ÊÈÎÔ‡ ÌÔ˘Û›Ԣ ∞ÛÎÏËÈ›Ԣ ∫ˆ, ¢ˆ‰ÃÚ 22 (2008), Û. 673-691. 1807. ™È‰ËÚfiÔ˘ÏÔ˜ ∫Ï., ‚Ï. ·Ú. 542. 1808. ™È‰ËÚfiÔ˘ÏÔ˜ ∫Ï., ÕÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ ÛÙÔ ªÔ˘ÚÔ‡ÓÈ, Ù· ÓÔÌ›ÛÌ·Ù·, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 233-237. 1809. ™ÈÓ¿ÎÔ˜ ∞., ‚Ï. ·Ú. 1892. 1810. Sissiou I., Two Unpublished Icons of the Kastoria School, Zograf 31 (2006-2007), Û. 187-193 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 193). 1811. ™›ÛÈÔ˘ π., ‚Ï. ·Ú. 1902. 1812. ™ÈÛÌ·Ó›‰Ë˜ ∫., ƒˆÌ·˚Îfi ÓÂÎÚÔÙ·ÊÂ›Ô ÛÙÔÓ ™Ù·˘Úfi ÓÔÌÔ‡ £ÂÛÛ·ÏÔӛ΢, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 303-310 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 310: A Roman Cemetery at Stavros, Prefecture of Thessaloniki). 1813. ™ÈÒÌÎÔ˜ ¡., ∂ÈÎfiÓ˜ ·fi ÙÔ ·Ú¯ÈÎfi Ù¤ÌÏÔ ÙÔ˘ Ó·Ô‡ Ù˘ À··ÓÙ‹˜ ÛÙË £ÂÛÛ·ÏÔÓ›ÎË. ∞Ó·Û‡ÓıÂÛË ÂÓfi˜ Û˘ÓfiÏÔ˘ ÙÔ˘ 16Ô˘ ·ÈÒÓ·, ¢Ã∞∂ 27 (2006), Û. 321-334 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 333-334: Portable Icons of the Original Iconostasis of the Hypapante Church in Thessaloniki. Reconstructing a Sixteenth-Century Set). 1814. ™ÈÒÌÎÔ˜ ¡., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙË ÏÂÈÙÔ˘ÚÁÈ΋ ¯Ú‹ÛË ÙÔ˘ Ó¿ÚıËη Î·È ÙˆÓ Î·ÙË¯Ô˘ÌÂÓ›ˆÓ, ∞πª√™ 1 (2006), ¶Ú·ÎÙÈο, Û. 63-68. 1815. ™ÈÒÌÎÔ˜ ¡., ™¯ÂÙÈο Ì ÙËÓ ÚԤϢÛË ÂÓfi˜ ȉÈfiÌÔÚÊÔ˘ ÂÈÎÔÓÈÛÙÈÎÔ‡

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Ù‡Ô˘ ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘, µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 293-318 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 305: Á propos de la provenance d'un type physionomique particulier de Saint Demetrius). 1816. ™ÈÒÌÎÔ˜ ¡., ºÔÚËÙ‹ ÂÈÎfiÓ· ÙÔ˘ ÃÚÈÛÙÔ‡ ¶·ÓÙÔ‰‡Ó·ÌÔ˘ ÛÙËÓ πÂÚ¿ ªÔÓ‹ ∫Ô˘ÙÏÔ˘ÌÔ˘Û›Ô˘ ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 8081. 1817. ™ÈÒÌÎÔ˜ ¡., ‚Ï. ·Ú. 1235, ªÂÚÙ˙È̤΢ ¡., ™ÈÒÌÎÔ˜ ¡., ¶ÂÚ› ÙÔ˘ ÁÚËÁÔÚÈ¿ÙÈÎÔ˘ ÎÂÏÈÔ‡ ÙÔ˘ ∞Á›Ô˘ ∆ڇʈӷ ÛÙȘ ∫·Ú˘¤˜ ∞Á›Ô˘ ŸÚÔ˘˜ Î·È Ù˘ ÈÛÙÔÚ‹Ûˆ˜ ÙÔ˘ Ó·Ô‡ ÙÔ˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 74-75. 1818. Siomkos N., Russkie ikony obiteli Vatoped (=ƒˆÛÈΤ˜ ÂÈÎfiÓ˜ Ù˘ ÌÔÓ‹˜ µ·ÙÔ·È‰›Ô˘), Rossia-Afon (2008), ¶Ú·ÎÙÈο, Û. 355-360. 1819. ™ÈÒÌÎÔ˜ ¡., ¢È¿ ¯ÂÈÚfi˜ ª·Î·Ú›Ô˘ ÈÂÚÔÌÔÓ¿¯Ô˘ ÙÔ˘ ÂÎ °·Ï·Ù›ÛÙ˘ Ù˘ ª·Î‰ÔÓ›·˜, ∞ÔÛÙfiÏÔ˘ ∞Ó‰Ú¤Ô˘ Ó¤Ô˜ π.¡. (2008), Û. 147-157. 1820. ™ÈÒÌÎÔ˜ ¡., ∂ÈÎfiÓ· ÙÔ˘ ÃÚÈÛÙÔ‡ ¶·ÓÙÔ‰‡Ó·ÌÔ˘ ÛÙËÓ ÌÔÓ‹ ∫Ô˘ÙÏÔ˘ÌÔ‡ÛÈÔ˘ Î·È Ë Ù¿ÛË ÂÈÛÙÚÔÊ‹˜ ÛÙ· ÚfiÙ˘· Ù˘ ˙ˆÁÚ·ÊÈ΋˜ ÙÔ˘ ¶ÚˆÙ¿ÙÔ˘ ηٿ ÙÔÓ 16Ô ·ÈÒÓ·, ¢Ã∞∂ 29 (2008), Û. 139-150 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 150: Icon of Christ Almighty in the Koutloumousiou Monastery and the Tendency to Revert to models Found in the Painting of the Protaton during the Sixteenth Century). 1821. Siomkos ¡., Athos [Paris 2009], Ï‹ÌÌ. ·Ú. 13 [Saint Athanase l’Athonite, 1447(?)], 62 (Déisis avec une icône en stéatite incérée, milieu du XIVe siècle), 75 (Déisis, fin XIIIe siècle), 76 (Croix d’iconostase, fin du XIVe siècle), 77 (Le Christ Pantocrator, saint Athanase l’Athonite, vers 1360), 86-87 (L’apôtre Marc et l’embrassement de Pierre et Paul, vers 1170-1118), 88 (Transfiguration, fin du XIIe siècle), 89 (Nativité, seconde moitié du XIIe siècle), 90 (L’apôtre Pierre, troisième quart du XIIe siècle), 96 (Annonciation, fin du XIVe siècle, début du XVe siècle), 105 (Architrave d’une iconostase, seconde moitie du XIIe siècle), 109 (L’archange Gabriel, seconde moitié du XVe siècle), 132 (Saint Jullite et saint Kerykos, fin du XIVe siècle), 180 (Le Christ Pantocrator, première moitié du XVIIIe siècle), 181 (Vierge Hodegitria, première moitié du XVIIIe siècle), 182 [Le Christ Pantocrator, première moitié du XVIe siècle, Théophane le Crétois (attribué à)]. 1822. ™ÈÒÌÎÔ˜ ¡., ŒÚÁ· ÙÔ˘ ¡ÈÎÔÏ¿Ô˘ ∆˙·ÊÔ‡ÚË Î·È ÙÔ˘ ÂÚÁ·ÛÙËÚ›Ô˘ ÙÔ˘, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 85-86. 1823. ™Î¿ÁÎÔ˜ ¡., ∆ÚÂȘ ÂÓ˘fiÁڷʘ ÂÈÎfiÓ˜ ÙÔ˘ ˙ˆÁÚ¿ÊÔ˘ ¡·Ù·Ï›Ô˘ ·fi ÙÔ ÕÚÁÔ˜, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 185-208 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 207-208: Three signed icons of painter Natalios from Argos). 1824. ™Î¿ÁÎÔ˜ ¡., √ Ó·fi˜ Ù˘ ªÂÙ·ÌfiÚʈÛ˘ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ÛÙËÓ ∫·ÛÙ¿ÓÈ· (∫·ÛÙ¿ÓÈÙÛ·) Ù˘ ŒÍˆ ª¿Ó˘, ™¿ÚÙË: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, 5Ë ∂µ∞, 2008.

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1825. ™Î¿ÁÎÔ˜ ¡., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ Ó·Ô‡ ÙˆÓ ∞Á›ˆÓ £ÂÔ‰ÒÚˆÓ ÛÙÔÓ Ã¿Ú·Î· §·ÎˆÓ›·˜, ¶ÂÏÔÔÓÓËÛȷο 29 (2007-2008), Û. 17-77 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 59: The wall paintings of the church of Saints Theodoroi in Haracas, Laconia). 1826. ™Î¿ÁÎÔ˜ ¡., ∆Ô ·Ó·ÙÔÏÈÎfi Ù›¯Ô˜ ÛÙËÓ ∫¿Ùˆ ¶fiÏË Ù˘ ªÔÓÂÌ‚·Û›·˜. ™ÙÔȯ›· ·fi ÙËÓ ÚfiÛÊ·ÙË ·Ú¯·ÈÔÏÔÁÈ΋ ¤Ú¢ӷ (2008), Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 87-88. 1827. ™Î·Ì·‚›·˜ ∫., ¶ÂÚ› ÙˆÓ „ËÊȉˆÙÒÓ ÙÔ˘ ÌÂÁ¿ÏÔ˘ ·Ó·ÙÔÏÈÎÔ‡ ÙfiÍÔ˘ Ù˘ ∞Á›·˜ ™ÔÊ›·˜ Î·È ¿ÏÈÓ, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 82. 1828. ™Î·Ì·‚›·˜ ∫., ™ËÏÈÔÔ‡ÏÔ˘ π., ¶˘ı̤ӷ˜ ·ÌÊ˘¿ÏÔ˘ ¯Ú˘ÛÔÁÚ·ÊË̤ÓÔ˘ ·ÁÁ›Ԣ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ÂÔ¯‹˜ ÛÙÔ ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘, ¢Ã∞∂ 27 (2006), Û. 411-422 (ÁÂÚÌ·ÓÈ΋ ÂÚ›ÏË„Ë, Û. 422: Boden einer Zwischengoldschale im Kanellopoulos-Museum, Athen). 1829. ™Î·Ì·‚›·˜ ∫., ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ [ª∂ 2007], Ï‹ÌÌ. ·Ú. 1 (¶˘ı̤ӷ˜ ·Ìʇ·ÏÔ˘ ¯Ú˘ÛÔÁÚ·ÊË̤ÓÔ˘ ·ÁÁ›Ԣ Ì ·Ú¿ÛÙ·ÛË Ì¿ÚÙ˘ÚÔ˜, ̤۷ 4Ô˘ ·È.), 2-4 («∂˘ÏÔÁ›Â˜» Ì ÙÔÓ ¿ÁÈÔ ªËÓ¿, ÚÒÙÔ ÌÈÛfi 7Ô˘ ·È.), 21 (¶ÔÏ˘Î¿Ó‰ËÏÔ, 6Ô˜ ·È.), 22 (∫¿Ï˘Î·˜ ı˘ÌÈ·ÙËÚ›Ô˘, 7Ô˜ ·È.), 24 (™fiÏȉԘ µÂÚ›Ó·˜, 457-474), 25 (™fiÏȉԘ πÔ˘ÛÙÈÓÈ·ÓÔ‡ ∞’, 527-565), 26 (™fiÏȉԘ πÔ˘ÛÙ›ÓÔ˘ µ’, 565-578), 27 (™fiÏȉԘ πÔ˘ÛÙ›ÓÔ˘ µ’ ÙÔ˘ ƒÈÓÔÙÌ‹ÙÔ˘, 685-692), 28 (™fiÏȉԘ §ÂÔÓÙ›Ô˘, 695-698), 29 (™fiÏȉԘ ∆È‚ÂÚ›Ô˘ µ’ ∞„ÈÌ¿ÚÔ˘, 698-705), 30 (∆ÚÂÌÌ›ÛÈÔÓ §¤ÔÓÙÔ˜ °’ ÙÔ˘ πÛ·‡ÚÔ˘, 720-741), 31 (À¤Ú˘ÚÔÓ ∞Ó‰ÚÔÓ›ÎÔ˘ ∞’, 11831185), 32 (ÕÛÚÔ ÙÚ·¯‡ ∞Ó‰ÚÔÓ›ÎÔ˘ ∞’, 1183-1185), 33 [(ºfiÏÏȘ (ÙÂÛÛ·Ú·ÎÔÓÙ·ÓÔ‡ÌÌÈÔÓ) πÔ˘ÛÙÈÓÈ·ÓÔ‡ ∞’, 543/4)], 34 (ªÔÏ˘‚‰fi‚Ô˘ÏÏÔ ÙˆÓ µ·ÛÈÏÈÎÒÓ ∫ÔÌÌÂÚΛˆÓ Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ˘fiψ˜, 821/2 ‹ 822/3), 35 (ªÔÏ˘‚‰fi‚Ô˘ÏÏÔ ÙˆÓ ∂Ή›ÎˆÓ Ù˘ ∞Á›·˜ ™ÔÊ›·˜, 11Ô˜ ·È. (‰Â‡ÙÂÚÔ ‹ÌÈÛ˘), 36 (ªÔÏ˘‚‰fi‚Ô˘ÏÏÔ ÙÔ˘ ·˘ÙÔÎÚ·ÙÔÚÈÎÔ‡ ‰ÈηÛÙËÚ›Ô˘, 1296-1328), 37 (¢·ÎÙ˘Ï›‰È Ì ÂÓÂ›ÁÚ·ÊË ÛÊÂÓ‰fiÓË, 2Ô˜-3Ô˜ ·È.), 38 (¢·ÎÙ˘Ï›‰È Ì ·Ï˘ÛˆÙfi ‰È¿ÎÔÛÌÔ, 3Ô˜ ·È.), 39 (¢·ÎÙ˘Ï›‰È Ì ·ÎfiÛÌËÙË ÛÊÂÓ‰fiÓË, 3Ô˜ ·È.), 40 (¢·ÎÙ˘Ï›‰È Ì ÚÔÙÔÌ‹ ¡›Î˘, Ù¤ÏÔ˜ 6Ô˘ ·È.), 41 (¢·ÎÙ˘Ï›‰È Ì ÙÔ ÌÔÓfiÁÚ·ÌÌ· ÙÔ˘ µ·ÛÈÏ·Î›Ô˘, ‰Â‡ÙÂÚÔ ÌÈÛfi 6Ô˘-7Ô˜ ·È.), 42 (¢·ÎÙ˘Ï›‰È Ì ˙‡ÁÔ˜ ÌÔÚÊÒÓ Û ÚÔÙÔÌ‹, 6Ô˜-7Ô˜ ·È.), 43 (¢·ÎÙ˘Ï›‰È ÙÔ˘ ª·ÓÔ˘‹Ï ∞Á·ËÙÔ‡, ‰Â‡ÙÂÚÔ ÌÈÛfi 14Ô˘ ·È.), 44 (¢·ÎÙ˘Ï›‰È Ì ÙÔÓ ¿ÁÈÔ £Âfi‰ˆÚÔ), 14Ô˜-15Ô˜ ·È.), 45 [(°·Ì‹ÏÈÔ ‰·ÎÙ˘Ï›‰È ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ Î·È £ÂÔ‰ÒÚ·˜, 1428 (;)], 46 (¶ÂÚÈοÚÈÔ, 11Ô˜ ·È.), 47 (∑‡ÁÔ˜ ÛÎÔ˘Ï·ÚÈÎÈÒÓ Ì οıÂÙÔ Û٤ϯԘ, 3Ô˜-4Ô˜ ·È.), 48 (∑‡ÁÔ˜ ÛÎÔ˘Ï·ÚÈÎÈÒÓ Ì οıÂÙÔ Û٤ϯԘ, 4Ô˜-5Ô˜ ·È.), 49 (∑‡ÁÔ˜ ‰·ÎÙ˘ÏÈfiÛ¯ËÌˆÓ ÛÎÔ˘Ï·ÚÈÎÈÒÓ, 5Ô˜-6Ô˜ ·È.), 50 (∑‡ÁÔ˜ ÛÎÔ˘Ï·ÚÈÎÈÒÓ Û ۯ‹Ì· ÛÙ·ÁfiÓ·˜, 6Ô˜-7Ô˜ ·È.), 51 (∑‡ÁÔ˜ ÎÚÈÎÔÂȉÒÓ ÛÎÔ˘Ï·ÚÈÎÈÒÓ Ì ̷ÚÁ·ÚÈÙ¿ÚÈ, 6Ô˜-7Ô˜ ·È.), 52 (ªËÓÔÂȉ¤˜ ÛÎÔ˘Ï·Ú›ÎÈ Ì ÁÏ·‡Î· (;), 6Ô˜-7Ô˜ ·È.), 53 (ªËÓÔÂȉ¤˜ ÛÎÔ˘Ï·Ú›ÎÈ Ì ÛÙ·˘Úfi Î·È ‰‡Ô ·ÁÒÓÈ·, 7Ô˜ ·È.), 54 (∑‡ÁÔ˜ ÌËÓÔÂȉÒÓ ÛÎÔ˘Ï·ÚÈÎÈÒÓ Ì ÛÙ·˘Úfi Î·È ‰‡Ô ·ÁÒÓÈ·, 6Ô˜-7Ô˜ ·È.), 55 (∑‡ÁÔ˜ ÌËÓÔÂȉÒÓ ÛÎÔ˘Ï·ÚÈÎÈÒÓ, 6Ô˜-7Ô˜ ·È.), 56 (∑‡ÁÔ˜ ÂÙ·ÏfiÛ¯ËÌˆÓ ÛÎÔ˘Ï·ÚÈÎÈÒÓ, 6Ô˜-7Ô˜ ·È.), 57 (∑‡ÁÔ˜ ÛÎÔ˘Ï·ÚÈÎÈÒÓ, 7Ô˜ ·È.),

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58 (™ÎÔ˘Ï·Ú›ÎÈ Ì ÚÔÙÔÌ‹ Ù˘ £ÂÔÙfiÎÔ˘, 10Ô˜-11Ô˜ ·È.), 59 (∑‡ÁÔ˜ ÙÔÍÔÂȉÒÓ ÛÎÔ˘Ï·ÚÈÎÈÒÓ, 10Ô˜-11Ô˜ ·È.), 60 (∑‡ÁÔ˜ ËÌÈ΢ÎÏÈÎÒÓ ÛÎÔ˘Ï·ÚÈÎÈÒÓ, 11Ô˜-12Ô˜ ·È.), 61 (∑‡ÁÔ˜ ηÓÈÛÙÚÔÂȉÒÓ ÛÎÔ˘Ï·ÚÈÎÈÒÓ, 11Ô˜-12Ô˜ ·È.), 62 (¶ÂÚȉ¤Ú·ÈÔ Ì ËÌÈÔχÙÈÌÔ˘˜ Ï›ıÔ˘˜, 5Ô˜ ·È.), 63 (¶ÂÚȉ¤Ú·ÈÔ Ì ÌÂÙ¿ÏÏÈÓ˜ Î·È Á˘¿ÏÈÓ˜ ¯¿ÓÙÚ˜ Î·È ¤Ó·Ó ·Ì¤ı˘ÛÙÔ, 5Ô˜-6Ô˜ ·È.), 64 [¶ÂÚȉ¤Ú·ÈÔ Ì ÔÚıÔÁÒÓÈÔ ÂÚ›·ÙÔ, 5Ô˜-6Ô˜ ·È.(;)], 65 (¶ÂÚȉ¤Ú·ÈÔ Ì ÛÌ·Ú·Á‰fiÚÈ˙˜, 7Ô˜ ·È.), 66 (¶ÂÚ›·ÙÔ ÂÚȉÂÚ·›Ô˘, 6Ô˜-7Ô˜ ·È.), 67 (∞ÌÊÈÚfiÛˆÔ ÂÚ›·ÙÔÊ˘Ï·ÎÙfi, 10Ô˜-11Ô˜ ·È.), 68-74 (∂ÈÛÙ‹ıÈÔÈ ÛÙ·˘ÚÔ›, 6Ô˜-7Ô˜ ·È.), 82 (∞Ó·ıËÌ·ÙÈÎfi˜ ÛÙ·˘Úfi˜ ÙÔ˘ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ ¯·ÚÙÔ˘Ï·Ú›Ô˘ ÙˆÓ µ·ÛÈÏÈÎÒÓ ∞Ṳ̷́ÓÙˆÓ, 9Ô˜ ·È.), 85 (™Ù·˘Úfi˜ ÏÈÙ·Ó›·˜, 10Ô˜ ·È.), 90 (∞ÌÊ›ÁÏ˘ÊÔ˜ η̤Ԙ Ì ÙËÓ ¶·Ó·Á›· Î·È ÙÔÓ ¿ÁÈÔ ¶·ÓÙÂÏ‹ÌÔÓ·, ·Ú¯¤˜ 13Ô˘ ·È.), 95 (√ ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, ¤ÓıÚÔÓÔ˜, 11Ô˜-12Ô˜ ·È.), 102 (∆Ô ŸÚ·Ì· ÙÔ˘ ·Á›Ô˘ ¶¤ÙÚÔ˘ ∞ÏÂÍ·Ó‰Ú›·˜, ÙÂÏÂ˘Ù·›Ô ٤ٷÚÙÔ 15Ô˘ ·È.), 105 (∏ ¢Â˘Ù¤Ú· ¶·ÚÔ˘Û›·, ̤۷ 14Ô˘ ·È.), 107 (∏ ¶·Ó·Á›· °Ï˘ÎÔÊÈÏÔ‡Û·, ·Ú¯¤˜ 15Ô˘ ·È.), 116 (∫ÂÓÙÚÈÎfi ʇÏÏÔ ÙÚÈÙ‡¯Ô˘, Ô ¿ÁÈÔ˜ ¡ÈÎfiÏ·Ô˜, 16Ô˜ ·È.), 118 (√ ¿ÁÈÔ˜ °ÂÒÚÁÈÔ˜ ‰Ú·ÎÔÓÙÔÎÙfiÓÔ˜, 15Ô˜-16Ô˜ ·È.), 120 (∏ ÎÂÊ·Ï‹ ÙÔ˘ ·Á›Ô˘ πˆ¿ÓÓÔ˘ ÙÔ˘ £ÂÔÏfiÁÔ˘ Û ÁÂÚÔÓÙÈ΋ ËÏÈΛ·, ̤۷ 15Ô˘ ·È.), 121 (∏ ÎÂÊ·Ï‹ ÙÔ˘ ·Á›Ô˘ πˆ¿ÓÓÔ˘ ÙÔ˘ £ÂÔÏfiÁÔ˘, ̤۷ 15Ô˘ ·È.), 122 (∏ Ú›˙· πÂÛÛ·›, 15Ô˜ ·È.), 129 (∑ˆÁÚ¿ÊÔ˜ ¡ÈÎfiÏ·Ô˜ ∆˙·ÊÔ‡Ú˘: ∏ ¶·Ó·Á›·, Madre della Consolazione, ÙÂÏÂ˘Ù·›Ô ٤ٷÚÙÔ 15Ô˘ ·È.), 130 (∆¤¯ÓË ¡ÈÎÔÏ¿Ô˘ ∆˙·ÊÔ‡ÚË: ∏ ÕÎÚ· ∆·›ӈÛȘ, ÙÂÏÂ˘Ù·›Ô ٤ٷÚÙÔ 15Ô˘ ·È.), 142 (∏ ∫Ô›ÌËÛȘ ÙÔ˘ ÔÛ›Ô˘ ∂ÊÚ·›Ì ÙÔ˘ ™‡ÚÔ˘, ÚÒÙÔ ÌÈÛfi 16Ô˘ ·È.), 146 (º‡ÏÏÔ ÙÚÈÙ‡¯Ô˘: √ ¿ÁÈÔ˜ ¡ÈÎfiÏ·Ô˜, Ù¤ÏÔ˜ 15Ô˘ ·È.), 153 (º‡ÏÏÔ ÙÚÈÙ‡¯Ô˘: ∏ ∞Ó¿ÛÙ·ÛȘ, ̤۷ 16Ô˘ ·È.), 160 (√È ¿ÁÈÔÈ ªËÓ¿˜, µÈΤÓÙÈÔ˜ Î·È µ›ÎÙˆÚ, Ù¤ÏÔ˜ 16Ô˘ ·È.), 162 (∑ˆÁÚ¿ÊÔ˜ ªÈ¯·‹Ï ¢·Ì·ÛÎËÓfi˜: ∆Ô ª·ÚÙ‡ÚÈÔ Ù˘ ·Á›·˜ ¶·Ú·Û΢‹˜, 1535-1592/3), 163 (∑ˆÁÚ¿ÊÔ˜ µ›ÎÙˆÚ: ∆Ô ª·ÚÙ‡ÚÈÔ Ù˘ ·Á›·˜ ¶·Ú·Û΢‹˜, 1651), 171 (√ ÃÚÈÛÙfi˜ µ·ÛÈχ˜ Î·È ª¤Á·˜ ∞Ú¯ÈÂÚ‡˜, ÚÒÙÔ ÌÈÛfi 17Ô˘ ·È.). 1830. ™Î·Ì·‚›·˜ ∫., ∞Ìʇ·ÏÔ ¯Ú˘ÛÔÁÚ·ÊË̤ÓÔ ·ÁÁÂ›Ô ÙÔ˘ ªÔ˘Û›Ԣ ∫·ÓÂÏÏÔÔ‡ÏÔ˘. ™˘Ìϋڈ̷, ¢Ã∞∂ 28 (2007), Û. 293 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 293: Fragment de vase en verre, à fond d'or, du Musée Canellopoulos. Addendum). 1831. ™Î·Ì·‚›·˜ ∫., ¶ÂÚ› ÙˆÓ „ËÊȉˆÙÒÓ ÙÔ˘ ÌÂÁ¿ÏÔ˘ ·Ó·ÙÔÏÈÎÔ‡ ÙfiÍÔ˘ Ù˘ ∞Á›·˜ ™ÔÊ›·˜ Î·È ¿ÏÈÓ, ¢Ã∞∂ 28 (2007), Û. 163-170 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 170: Sur les mosaïques du grand arc oriental de Sainte-Sophie, de nouveau). 1832. Scampavias C., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 158 (Earrings; Constantinople(?), seventh or eighth century), 243 (Icon with the Koimesis of the Virgin; Constantinople, early fifteenth centuy). 1833. ™Î·Ì·‚›·˜ ∫., ∞Ó¿ÁÏ˘Ê· ÌÂÙ·ÏÏÈο ÂÈÎÔÓ›‰È· ‚˘˙·ÓÙÈÓÒÓ ¯ÚfiÓˆÓ ÙÔ˘ ªÔ˘Û›Ԣ ¶. Î·È ∞. ∫·ÓÂÏÏÔÔ‡ÏÔ˘, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 110-111. 1834. ™Î·Ì·‚›·˜ ∫., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 7 (∏ ∫Ô›ÌËÛË

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Ù˘ £ÂÔÙfiÎÔ˘ Ì ÛÎËÓ¤˜ ÙÔ˘ ‚›Ô˘ Ù˘ Î·È ˘ÌÓˆ‰Ô‡˜ ÛÙÔ Ï·›ÛÈÔ, ·Ú¯¤˜ 15Ô˘ ·È.), 36 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: Ë ¢¤ËÛË, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.). 1835. ™Î·ÚÌÔ‡ÙÛÔ˘ ∫., ∫ÂÚ·ÌÈ΋ ·fi ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎfi ÓÂÎÚÔÙ·ÊÂ›Ô ÂÚÈÔ¯‹˜ ∫Ú·Ó›Ԣ-∞Ú¯·›·˜ ∫ÔÚ›ÓıÔ˘, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 712-742 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 712: Pottery from Early Christian cemetery Kraneio, Ancient Corinth). 1836. ™ÎÈ·‰·Ú¤Û˘ °., ‚Ï. ·Ú. 600. 1837. ™ÎÈ·‰·Ú¤Û˘ °., ∫·Ú·ÁÈ¿ÓÓË ºÏ., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 291-293 (ª·˘ÛˆÏÂ›Ô °·˙‹ ∂‚ÚÂÓfi˜). 1838. ™ÎÈ·‰·Ú¤Û˘ °., √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ÛÙÔ ÃÔ˘ÌÓÈÎfi ™ÂÚÚÒÓ, ª·Î‰ÔÓÈο 37 (2008), Û. 105-140 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 128: St. George's church in Chumnico, a village in the district of Serres). 1839. ™ÎÈ·‰·Ú¤Û˘ °., ¶ÚÔÛÎÙ›ÛÌ·Ù· ÌÂÙ·‚˘˙·ÓÙÈÓÒÓ Ó·ÒÓ, ∞πª√™ 2 (2008), ¶Ú·ÎÙÈο, Û. 86-99. 1840. ™ÎÈ·‰·Ú¤Û˘ °., ‚Ï. ·Ú. 2207. 1841. ™ÎÈ·‰·Ú¤Û˘ °., ‚Ï. ·Ú. 2210. 1842. ™ÎÏ¿‚Ô˘-ª·˘ÚÔÂȉ‹ ª., ™ÙÔȯ›· ÙÔ˘ ÁÏ˘ÙÔ‡ ‰È·ÎfiÛÌÔ˘ Ó·ÒÓ Ù˘ ∞ı‹Ó·˜ ÙÔ 10Ô ·ÈÒÓ·, Sculpture byzantine (2008), ¶Ú·ÎÙÈο, Û. 249-261 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 594: Á propos de certaines caractéristiques du décor sculpté des eglises d’Athènes au Xe siècle, ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 605). 1843. Skordara M., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 186 (Double-sided closure panel; Thebes(?), 872/73). 1844. ™ÎÚ¤ÙÙ·˜ ¡ÈÎfi‰ËÌÔ˜, ·Ù‹Ú, ∏ ÏÂÈÙÔ˘ÚÁÈ΋ ¯Ú‹ÛË ÙˆÓ ÚÔÙÂÌÂÓÈÛÌ¿ÙˆÓ, ∞πª√™ 2 (2008), ¶Ú·ÎÙÈο, Û. 27-38. 1845. ™ÎÒÙÙË ∆.-¶., µª ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ [∞ı‹Ó· 2006], ÂÈÛ·ÁˆÁÈÎfi ΛÌÂÓÔ ÛÙË Û. 390-399 (∞ÓÙÈÁÚ¿ÊÔÓÙ·˜ ÙË ‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË) Î·È Ï‹ÌÌ. ·Ú. 715-733. 1846. ™ÎÒÙÙË ∆.-¶., ∞ÓÙ›ÁÚ·Ê· ¯·Ì¤ÓˆÓ ‚˘˙·ÓÙÈÓÒÓ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓÒÓ ¤ÚÁˆÓ ÛÙË Û˘ÏÏÔÁ‹ ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ Î·È ÃÚÈÛÙÈ·ÓÈÎÔ‡ ªÔ˘Û›Ԣ, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 83-84. 1847. ™ÎÒÙÙË ∆.-¶., ∆Ô ŸÚ·Ì· ÙÔ˘ ÚÔÊ‹ÙË ∏Û·˝· ÛÙÔ „·ÏÙ‹ÚÈÔ µ·ÙÔ‰›Ô˘ 760 Î·È Ë ·ÂÈÎfiÓÈÛË ÙÔ˘ ı¤Ì·ÙÔ˜ ÙËÓ ÂÔ¯‹ ÙˆÓ ∫ÔÌÓËÓÒÓ, ¢Ã∞∂ 28 (2007), Û. 181-192 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 192: The Vision of Prophet Isaiah in the Vatopedi Psalter 760 and the Depiction of the Subject in the Komnenian Period). 1848. ™ÎÒÙÙË ∆.-¶., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 129-137 (§·ÙÚ›· Î·È Ù¤¯ÓË). 1849. ™ÎÒÙÙË ∆.-¶., µ˘˙¿ÓÙÈÔ Î·È ¡ÂÒÙÂÚË ∆¤¯ÓË [∞ı‹Ó· 2009], Ï‹ÌÌ. ·Ú. 8-11, 18.

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1850. ™ÎÒÙÙË ∆.-¶., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Ï‹ÌÌ. ·Ú. 39 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: ∏ °¤ÓÓËÛË, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 61 (∑ˆÁÚ¿ÊÔ˜ ∂ÌÌ·ÓÔ˘‹Ï §·Ì¿Ú‰Ô˜: ∆· ∂ÈÛfi‰È· Ù˘ £ÂÔÙfiÎÔ˘, Ù¤ÏË 16Ô˘-·Ú¯¤˜ 17Ô˘ ·È.). 1851. ™ÎÒÙÙË ∆.-¶., ∏ ŸÚ·ÛȘ ÙÔ˘ ÚÔÊ‹ÙÔ˘ ¢·ÓÈ‹Ï (¢Ó. ˙', 1-14) ÛÙË ‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 453-469 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 470-471: The Vision of the Prophet Daniel (Dan. VII) in Byzantine Art]. 1852. ™ÎÒÙÙË ∆.-¶., √ ¶·ÓÙÂÏ‹˜ ∑ˆÁÚ¿ÊÔ˜ Î·È Ë ·ÓÙÈÁÚ·Ê‹ ¤ÚÁˆÓ ‚˘˙·ÓÙÈÓ‹˜ Ù¤¯Ó˘ ÛÙȘ ÚÒÙ˜ ‰ÂηÂٛ˜ ÙÔ˘ 20Ô‡ ·ÈÒÓ·. ªÈ· ÚÔÛ¤ÁÁÈÛË Ù˘ Û¯¤Û˘ ÙÔ˘ ∂˘‚ÔÈÒÙË Î·ÏÏÈÙ¤¯ÓË Ì ÙË ‚˘˙·ÓÙÈÓ‹ ˙ˆÁÚ·ÊÈ΋ ̤۷ ·fi ¤ÚÁ· ÙÔ˘ ÛÙË Û˘ÏÏÔÁ‹ ·ÓÙÈÁÚ¿ÊˆÓ ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ Î·È ÃÚÈÛÙÈ·ÓÈÎÔ‡ ªÔ˘Û›Ԣ, ∞∂˘‚ª 38 (2008-2009) [2010], Û. 85-111. 1853. ™ÔÊÈ·Ófi˜ ¢., ∏ ªÔÓ‹ ¢Ô˘Û›ÎÔ˘ Î·È Ô ¯ÂÈÚfiÁÚ·ÊÔ˜ ÏÔ‡ÙÔ˜ Ù˘, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 7 (2006), ¶Ú·ÎÙÈο, Û. 15-36 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 20: Dousikou Monastery and its handwritten wealth). 1854. ™ÔÊÈ·Ófi˜ ¢., °·Ï¿‚·Ú˘ °., ∆· ÂÈÎÔÓÔÁÚ·ÊË̤ӷ ¯ÂÈÚfiÁÚ·Ê· ÙˆÓ ÌÔÓÒÓ ÙˆÓ ªÂÙÂÒÚˆÓ, ¢ËÌÔÛȇ̷ٷ ÙÔ˘ ∫¤ÓÙÚÔ˘ ∂Ú‡Ó˘ ÙÔ˘ ªÂ۷ȈÓÈÎÔ‡ Î·È ¡¤Ô˘ ∂ÏÏËÓÈÛÌÔ‡ Ù˘ ∞η‰ËÌ›·˜ ∞ıËÓÒÓ, ∞ı‹Ó· 2007. 1855. ™ÔÊÈ·Ófi˜ ¢., ‚Ï. ·Ú. 1477. 1856. ™ÔÊÈ·Ófi˜ ¢. , ‚Ï. ·Ú. 1478. 1857. ™ÔÊÈ·Ófi˜ ¢., √ ηÏÏÈÙ¯ÓÈÎfi˜ ·ÎÏÔ˜ ‰È·ÎfiÛÌËÛ˘ ¯ÂÈÚÔÁÚ¿ÊˆÓ Ù˘ Û¯ÔÏ‹˜ √˘ÁÁÚÔ‚Ï·¯›·˜ Û ÎÒ‰ÈΘ ÙˆÓ ªÔÓÒÓ ÙˆÓ ªÂÙÂÒÚˆÓ, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 17-52 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 25: The artistic cycle of illuminated manuscripts of the «Scholl of Hungary-Walachia» im manuscripts of the Meteora monasteries). 1858. ™·ı·Ú¿Î˘ π., ™ÎËÓ¤˜ ·fi ÙÔÓ ∞οıÈÛÙÔ ⁄ÌÓÔ, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 85-86. 1859. Spanos ∞., Zarras N., Representations of Emperors as Saints in Byzantine Visual and Textual Sources, Hybrid Cultures (2010), ¶Ú·ÎÙÈο, Û. 63-78. 1860. ™·ÓÔ‡ ¡., ‚Ï. ·Ú. 2056. 1861. ™·ÓÙȉ¿ÎË °., ¢‡Ô ÙÌ‹Ì·Ù· ‚˘˙·ÓÙÈÓÔ‡ ÎÂÓÙ‹Ì·ÙÔ˜ ·fi ÙÔ ªÔ˘ÛÂ›Ô ÀÊ·ÛÌ¿ÙˆÓ Ù˘ §˘ÒÓ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 100. 1862. ™ËÏÈÔÔ‡ÏÔ˘ π., ‚Ï. ·Ú. 1828. 1863. ™Ù·Ú›‰· §., ∫·Ó¿ÎË ∂., ∞Ó·Ûηʤ˜ ÛÙËÓ fiÏË ÙÔ˘ ∏Ú·ÎÏ›Ԣ ˆ˜ ÙÔ 2008, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 402-413 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 409: Archaeological work at Heraklion). 1864. Stavrakos Chr., Die Byzantinischen Bleisiegel der Sammlung Savvas Kophopoulos. Eine Siegelsammlung auf der Insel Lesbos, BYZANTIO˜-Studies in Byzantine History and Civilization, Turnhout: Brepols, 2010.

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1865. ™Ù·˘ÚÔÔ‡ÏÔ˘ ∞., ∂ÈÎfiÓ˜ Ì ÛÎËÓ¤˜ ‚›Ô˘ ÙÔ˘ ·Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙËÓ ∫¤Ú΢ڷ. ŒÚÁ· ÎÚËÙÈÎÔ‡ ˙ˆÁÚ¿ÊÔ˘ ÙÔ˘ 16Ô˘ ·È., Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 103. 1866. ™ÙÂÊ·Ó‹˜ ∞., ‚Ï. ·Ú. 1394. 1867. ™ÙÂÊ·Ó›‰Ô˘ ∞ÈÌ., ∫Ù›ÚÈ· ıÂÚÌÒÓ ÏÔ˘ÙÚÒÓ (kaplica) ÙˆÓ ¯ÚfiÓˆÓ Ù˘ ∆Ô˘ÚÎÔÎÚ·Ù›·˜ ÛÙÔÓ ‚ÔÚÂÈÔÂÏÏ·‰ÈÎfi ¯ÒÚÔ, ¡π∫√¡∞¡√™ N. (2006), Û. 429442 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 442: Buildings of Thermal Springs in Northern Greece During the Period of Turkish Rule). 1868. ™ÙfiÁÈ·˜ °., ‚Ï. ·Ú. 1381. 1869. ™ÙÔ˘ÚÓ¿Ú·˜ °Ú., ∏ ÔÏÂÔ‰ÔÌÈ΋ ÔÚÁ¿ÓˆÛË ÛÙËÓ fiÏË ÙˆÓ ∆ÚÈÎ¿ÏˆÓ Î·Ù¿ ÙËÓ ÚÒÈÌË ÔıˆÌ·ÓÈ΋ ÂÚÈÔ‰Ô (15Ô˜-`6Ô˜ ·È.): Ÿ„ÂȘ ÙÔ˘ ·ÛÙÈÎÔ‡ ÙÔ›Ô˘, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 7 (2006), ¶Ú·ÎÙÈο, Û. 451-464 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 464: The urban planning in the city of Trikala during the early ottoman period (15th16th c.): aspects of the urban landscape]. 1870. ™ÙÔ˘ÚÓ¿Ú·˜ °Ú., ∏ ‰È·¯Â›ÚÈÛË ÙˆÓ ˘‰·ÙÈÎÒÓ fiÚˆÓ ÛÙËÓ ÂÚÈÔ¯‹ ∆ÚÈÎ¿ÏˆÓ Î·Ù¿ ÙËÓ √ıˆÌ·ÓÈ΋ ÂÚ›Ô‰Ô, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 169-186 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 186: The management of water resources in the Trikala region during the Ottoman period). 1871. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., ∏ ÂÈÎÔÓÔÁÚ¿ÊËÛË ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ¶ÂÙÚ¿ÎË ·fi ÙÔÓ ∞ÚÁÂ›Ô ˙ˆÁÚ¿ÊÔ °ÂÒÚÁÈÔ ª¿ÚÎÔ˘. ŒÓ· ÂÏÔÔÓÓËÛÈ·Îfi ÂÚÁ·ÛÙ‹ÚÈÔ ÙÔ˘ 18Ô˘ ·ÈÒÓ· ÛÙËÓ ∞ı‹Ó·, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 269-288. 1872. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., √È ÂÈÎfiÓ˜ ÙÔ˘ Ù¤ÌÏÔ˘ ÛÙÔ Ó·fi ÙˆÓ ∞Á›ˆÓ £ÂÔ‰ÒÚˆÓ ÙÔ˘ ∞’ ∫ÔÈÌËÙËÚ›Ô˘ ∞ıËÓÒÓ. (¡ÂÒÙÂÚ˜ ·Ú·ÙËÚ‹ÛÂȘ), ∂∂£ÂÔÏ™¶∞ 31 (2006), Û. 443-448. 1873. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., ∞fi ÙÔ˘˜ ¡·˙·ÚËÓÔ‡˜ ÛÙÔÓ ºÒÙË ∫fiÓÙÔÁÏÔ˘. £¤Ì·Ù· ÓÂÔÂÏÏËÓÈ΋˜ ÂÎÎÏËÛÈ·ÛÙÈ΋˜ ˙ˆÁÚ·ÊÈ΋˜, ∞ı‹Ó· 2007. 1874. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., µ˘˙·ÓÙÈÓ¤˜ ÂÎÎÏËۛ˜ ÛÙÔÓ Î¿ÌÔ ÙˆÓ ªÂÁ¿ÚˆÓ, ∞ı‹Ó· 2007. 1875. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙÔ Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ∞ÛÙÂÚ›Ô˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 104. 1876. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., ∞fi ÙÔ ·ÈÛıËÙfi ÛÙÔ ÓÔËÙfi οÏÏÔ˜. ªÈ· ÚÔÛ¤ÁÁÈÛË ÛÙËÓ ·ÈÛıËÙÈ΋ ÙÔ˘ ·Á›Ô˘ °ÚËÁÔÚ›Ô˘ ¡‡ÛÛ˘, ÃÀ™√™∆√ª√™ µ’ ∫‡ÚÔ˘ (2008), Û. 677-692. 1877. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., ∏ ÂÈÎÔÓÔÁÚ¿ÊËÛË ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÙÔ˘ ¡¤Ô˘ «æ˘ÚÚ‹», ¡ÂÔÂÏÏËÓÈ΋ ∂ÎÎÏËÛÈ·ÛÙÈ΋ ∆¤¯ÓË 1 (2009), ¶Ú·ÎÙÈο, Û. 457-483. 1878. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., ªÂÙ·‚˘˙·ÓÙÈÓ¤˜ ÙÔȯÔÁڷʛ˜ ·fi ÙË ‚fiÚÂÈ· ∑¿Î˘ÓıÔ, ¶·ÓÈfiÓÈÔ 8 (2009), ¶Ú·ÎÙÈο, Ù. π, Û. 395-424.

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1879. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., √È ÂÈÎfiÓ˜ ÙÔ˘ Ù¤ÌÏÔ˘ Ù˘ ¶·Ó·Á›·˜ º·ÓÂڈ̤Ó˘ ÛÙÔ ∫·Ù·ÛÙ¿ÚÈ ∑·Î‡ÓıÔ˘, ÃÀ™√™∆√ª√™ µ’ ∑·Î‡ÓıÔ˘ (2009), Û. 919-950. 1880. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙÔ Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ ∞ÛÙÂÚ›Ô˘, ¢Ã∞∂ 30 (2009), Û. 109-118 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 118: Observations about the Katholikon of the Asteriou Monastery, on Mount Hymettos (Attica)]. 1881. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., ÃÚÈÛÙÈ·ÓÈÛÌfi˜ Î·È ·Ú¯·›· Ù¤¯ÓË. ƒ‹ÍË ‹ Û¯¤ÛË ‰È·ÏÂÎÙÈ΋;, £ÂÔÏÔÁ›· 80.3 (2009), Û. 187-216. 1882. ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ Ù˘ ¶·Ó·Á›·˜ Ù˘ ™ÎÔÈÒÙÈÛÛ·˜ ÛÙË ∑¿Î˘ÓıÔ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 8990. 1883. ™ÙÚ·Ù‹ ∞., ÕÁÓˆÛÙ˜ ÊÔÚËÙ¤˜ ÂÈÎfiÓ˜ ÙÔ˘ ¢ÈÔÓ˘Û›Ô˘ ÙÔ˘ ÂÎ ºÔ˘ÚÓ¿ ÛÙȘ ™¤ÚÚ˜ Î·È ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜, ¡π∫√¡∞¡√™ N. (2006), Û. 363-371 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 371: Unknown Portable Icons of Dionysios from Fourna in Serres and Mount Athos). 1884. ™ÙÚ·Ù‹ ∞., ∏ ÂÈÎÔÓÔÁÚ·Ê›· ÙÔ˘ ‚›Ô˘ Ù˘ ÔÛ›·˜ ª·Ú›·˜ Ù˘ ∞ÈÁ˘Ù›·˜. ™¯fiÏÈ· Î·È ·Ú·ÙËÚ‹ÛÂȘ, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 89-90. 1885. ™ÙÚ·Ù‹ ∞., ª·Ï·‰¿Î˘ µ., °˘ÌÓÔ›˜ ÙÔȘ ÛÒÌ·ÛÈ ÙÔȘ ·ÓÙ·ÁˆÓÈÛÙ·›˜ Û˘ÌÏÂÎfiÌÂÓÔÈ: ™˘˙˘Á›· ÂÚËÌÈÙÒÓ ·Á›ˆÓ Û ÌÂÙ·‚˘˙·ÓÙÈÓ¤˜ ÂÈÎfiÓ˜ ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜ (Ô ¿ÁÈÔ˜ √ÓÔ‡ÊÚÈÔ˜ Î·È Ô ¿ÁÈÔ˜ ¶¤ÙÚÔ˜ Ô ∞ıˆÓ›Ù˘), µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 319-345 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 335-336: Being Nude They Struggle against their Enemies: Two Hermits in Post-byzantine Icons of Mt Athos (St Onouphrios-St Peter the Athonite)]. 1886. ™ÙÚ·Ù‹ ∞., ∏ ˙ˆÁÚ·ÊÈ΋ ÛÙËÓ πÂÚ¿ ªÔÓ‹ ∆ÈÌ›Ô˘ ¶ÚÔ‰fiÌÔ˘ ™ÂÚÚÒÓ, 14Ô˜-19Ô˜ ·ÈÒÓ·˜. ªÂϤÙ˜ Î·È ¿ÚıÚ·, £ÂÛÛ·ÏÔÓ›ÎË: ª˘Á‰ÔÓ›·, 2007: Frescoes and Icons in the Holy Monastery of Timios Prodromos near Serres (14th-19th c.). 1887. ™ÙÚ·Ù‹ ∞., √È ÂÈÎfiÓ˜ ÙÔ˘ ˙ˆÁÚ¿ÊÔ˘ ¢·ÓÈ‹Ï ÛÙËÓ Õı˘ÙÔ Ã·ÏÎȉÈ΋˜ Î·È Û ¿ÏÏ· ¤ÚÁ· ÙÔ˘ ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜ Î·È ÛÙ· ÕÁÚ·Ê·. ™¯fiÏÈ· Î·È ·Ú·ÙËÚ‹ÛÂȘ, ¢Ã∞∂ 28 (2007), Û. 247-256 (ÈÙ·ÏÈ΋ ÂÚ›ÏË„Ë, Û. 256: Le icone del pittore Daniele ad Athytos nella Calcidica e altre sue opere sul Monte Athos e ad Agrafa. Commenti e considerazioni). 1888. ™ÙÚ·Ù‹ ∞., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 246 (Two-sided icon with the Virgin Hodegetria and the Man of Sorrows; Kastoria, last quarter of twelfth century). 1889. ™ÙÚ·Ù‹ ∞., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], Ï‹ÌÌ. ·Ú. 5 (°¤ÓÓËÛË, ÂÚ› ÙÔ 1400), 6 (ªÂÙ·ÌfiÚʈÛË, ÂÚ› ÙÔ 1400), 7 (ŒÁÂÚÛË ÙÔ˘ §·˙¿ÚÔ˘, ÂÚ› ÙÔ 1400), 8 (∫Ô›ÌËÛË Ù˘ £ÂÔÙfiÎÔ˘, ÂÚ› ÙÔ 1400), 9 (À··ÓÙ‹, ÂÚ› ÙÔ 1400), 10 (µ·˚ÔÊfiÚÔ˜, ÂÚ› ÙÔ 1400).

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1890. ™ÙÚ·Ù‹ ∞., ª·Ï·‰¿Î˘ µ., ∆Ô ÂÂÈÛfi‰ÈÔ Ù˘ ı·Ó¿ÙˆÛ˘ ÙÔ˘ ·˘ÙÔÎÚ¿ÙÔÚ· πÔ˘ÏÈ·ÓÔ‡ ·fi ÙÔÓ ¿ÁÈÔ ªÂÚÎÔ‡ÚÈÔ: £Ú‡ÏÔÈ Î·È ÂÈÎÔÓÔÁÚ·Ê›·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 86-87. 1891. ™ÙÚ·Ù‹ ∞., √È ‰ÂÛÔÙÈΤ˜ ÂÈÎfiÓ˜ ÙÔ˘ ÃÚÈÛÙÔ‡ ¶·ÓÙÔÎÚ¿ÙÔÚÔ˜ Î·È Ù˘ ¶·Ó·Á›·˜ √‰ËÁ‹ÙÚÈ·˜ ÛÙËÓ π. ªÔÓ‹ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ Î·È £ÂÔÙfiÎÔ˘ ™ÙÔÌ›Ô˘, £ÂÛÛ·Ï›·˜ πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜ 1 (2008), ¶Ú·ÎÙÈο, Ù. ππ, Û. 504-511. 1892. ™ÙÚ·Ù‹ ∞., ™ÈÓ¿ÎÔ˜ ∞., ∞Ó·Ûηʋ ˘ÛÙÂÚÔڈ̷˚ÎÔ‡-·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈÎÔ‡ ÓÂÎÚÔÙ·Ê›Ԣ ÛÙÔ ∫ÏÂȉ› ÙÔ˘ ¡. ºÏÒÚÈÓ·˜, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 931-940 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 940: The excavation of a late romanearly christian cemetery at Kleidi in Florina prefecture). 1893. ™ÙÚ·Ù‹ ∞., ∆Ô Í˘ÏfiÁÏ˘ÙÔ Ù¤ÌÏÔ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ªÔÓ‹˜ ∆ÈÌ›Ô˘ ¶ÚÔ‰ÚfiÌÔ˘ ™ÂÚÚÒÓ Î·È Ë Û¯¤ÛË ÙÔ˘ Ì ·Ú¿ÏÏËÏ· Û‡ÓÔÏ· ÙÔ˘ ÂÏÏ·‰ÈÎÔ‡ Î·È ‚·ÏηÓÈÎÔ‡ ¯ÒÚÔ˘, ™ÂÚÚ·›ˆÓ ¢È¿ÛˆÛÌ· (2008), Û. 477-504. 1894. ™ÙÚ·Ù‹ ∞., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 13 (∂ÈÎfiÓ· Ù˘ ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘ Ì ·Ú·ÛÙ¿ÛÂȘ ÎÙËÚ›ˆÓ, Á‡Úˆ ÛÙ· 1400), 66 (µ·˚ÔÊfiÚÔ˜ Ì ·Ú¿ÛÙ·ÛË Ù˘ ‡Ï˘ Ù˘ πÂÚÔ˘Û·Ï‹Ì, Á‡Úˆ ÛÙ· 1400). 1895. ™ÙÚ·Ù‹ ∞., °ÎÈÌÔ˘ÚÙ˙›Ó· ∞., ™˘ÓÙ‹ÚËÛË ÙˆÓ ÙÔȯÔÁÚ·ÊÈÒÓ ÛÙÔÓ π. ¡. ¶·Ó·Á›·˜ ∫Ô˘ÌÂÏ›‰È΢ ∫·ÛÙÔÚÈ¿˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 112-113. 1896. ™ÙÚ·Ù‹ ∞., ∏ ÂÈه̂ȷ ÂÈÁÚ·Ê‹ ÙÔ˘ ∞ı·Ó·Û›Ô˘ ª·ÛÁȉ¿ ÛÙË ªÔÓ‹ ∆ÈÌ›Ô˘ ¶ÚÔ‰ÚfiÌÔ˘ ™ÂÚÚÒÓ. ™¯fiÏÈ· Î·È ·Ú·ÙËÚ‹ÛÂȘ, ∆√Àƒ∞∆™√°§√À π. (2009), Ù. µ', Û. 144-149 (ÈÙ·ÏÈ΋ ÂÚ›ÏË„Ë, Û. 143). 1897. Strati A., ‚Ï. ·Ú. 642. 1898. ™ÙÚ·Ù‹ ∞., ∞Ó·ÛηÊÈ΋ ¤Ú¢ӷ ÛÙÔ ÌÂÙfi¯È ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ Ù˘ ªÔÓ‹˜ µ·ÙÔ‰›Ô˘, Prähistorische Olynth (2010), Û. 441-461 (ÁÂÚÌ·ÓÈ΋ ÂÚ›ÏË„Ë: Die Forschungsgrabung zur byzantinischen Metochi Agiou Georgiou des Klosters Vatopedion). 1899. ™ÙÚ·Ù‹ ∞., ∏ ÔÛ›· £ÂÔÎÙ›ÛÙË Ë §ÂÛ‚›· Î·È Ë ·ÚÔ˘Û›· Ù˘ ÛÙËÓ πηڛ·. πÛÙÔÚÈο Î·È ·Ú¯·ÈÔÏÔÁÈο ÛÙÔȯ›·, πηڛ·˜ 1 (2010), ¶Ú·ÎÙÈο, Û. 171190 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 190: The presence of Saint Theoktisti of Lesvos in the island of Ikaria. Historic and archaeological evidence). 1900. ™ÙÚ·Ù‹ ∞., √È ·ԉȉfiÌÂÓ˜ ÛÙÔÓ ˙ˆÁÚ¿ÊÔ ¢·Ì·ÛÎËÓfi ÂÈÎfiÓ˜ ÛÙËÓ πÂÚ¿ ªÔÓ‹ ∫·Ú·Î¿ÏÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 91-92. 1901. ™ÙÚ·Ù‹ ∞., √È ÂÈÎfiÓ˜ ÙÔ˘ ÃÚÈÛÙÔ‡ ¶·ÓÙÔÎÚ¿ÙÔÚÔ˜, Ù˘ £ÂÔÙfiÎÔ˘ √‰ËÁ‹ÙÚÈ·˜ Î·È ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙËÓ π. ª. ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ Î·È £ÂÔÙfiÎÔ˘ ™ÙÔÌ›Ô˘, ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘ (2010), Û. 155-164 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 160-161: Icons of Christ Pantocrator, Virgin Hodegetria and St. Demetrios in the monastery of Stomion). 1902. ™ÙÚ·Ù‹ ∞., ™›ÛÈÔ˘ π., °ÎÈÌÔ˘ÚÙ˙›Ó· ∞., ∏ÏÈÔÔ‡ÏÔ˘ √., ∑Áηʿ ∞.,

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™·‚‚fiÔ˘ÏÔ˜ ¡., ∆Ô ¤ÚÁÔ Ù˘ 16˘ ∂ÊÔÚ›·˜ µ˘˙·ÓÙÈÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ Î·Ù¿ ÙÔ 2006-2007, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 15-22. 1903. ™˘ıȷοÎË µ., ‚Ï. ·Ú. 282. 1904. ™˘ıȷοÎË-∫ÚÈÙÛÈÌ¿ÏÏË µ., ∂·ÓÂͤٷÛË ÙˆÓ ·Ú¯·ÈÔÏÔÁÈÎÒÓ ‰Â‰ÔÌ¤ÓˆÓ ·fi ÙË ‚·ÛÈÏÈ΋ Ù˘ Ô‰Ô‡ ∫‡ÚÔ˘ Î·È ÙÔ ÎÙ‹ÚÈÔ Ù˘ Ô‰Ô‡ √χÌÔ˘ ÛÙË §¿ÚÈÛ·˜, ¡π∫√¡∞¡√™ N. (2006), Û. 197-208 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 208: A Re-examination of Archaeological Evidence Concerning the Basilica in Kyprou Str. and the Building in Olympou Str. in Larissa). 1905. ™˘ıȷοÎË-∫ÚÈÙÛÈÌ¿ÏÏË µ., ∫ÈÔÓfiÎÚ·Ó· ·fi ÙË ‚·ÛÈÏÈ΋ ÙˆÓ ¢·ÊÓÔ˘Û›ˆÓ §ÔÎÚ›‰·˜: Â·ÓÂͤٷÛË Ù˘ ¿Ԅ˘ ÁÈ· ÙËÓ ÂÏÏ·‰È΋ ηٷÁˆÁ‹ ÙÔ˘ ȈÓÈÎÔ‡ ÎÈÔÓÔÎÚ¿ÓÔ˘ Ì Â›ıËÌ·, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. II, Û. 11311148 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 1142: A re-examination of the theory concerning the greek origin of the ionic impost capital, based on the examples from Daphnousa, in Lokris ). 1906. ™˘ıȷοÎË-∫ÚÈÙÛÈÌ¿ÏÏË µ., ¡ÂfiÙÂÚ˜ ·Ú·ÙËÚ‹ÛÂȘ ÁÈ· ÙÔ Ì·ÚÌ¿ÚÈÓÔ Ù¤ÌÏÔ ÙÔ˘ ∆·ÍÈ¿Ú¯Ë §ÔÎÚ›‰·˜, ¢Ã∞∂ 27 (2006), Û. 125-136 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 135-136: Recent Observations on the Marble Templon in the Church of the Taxiarches, Lokris). 1907. Sythiakakis-Kritsimallis V., Architectural Sculptures of the EarlyChristian and Early Medieval Period in Thessaly (IVth-VIIIth c. A.D.), £ÂÛÛ·Ï›·˜ πÛÙÔÚ›· Î·È ¶ÔÏÈÙÈÛÌfi˜ 1 (2008), ¶Ú·ÎÙÈο, Û. 645-659. 1908. ™˘ıȷοÎË µ., ‚Ï. ·Ú. 298. 1909. ™˘ıȷοÎË-∫ÚÈÙÛÈÌ¿ÏÏË µ., §Â›„·Ó· ÁÏ˘ÙÔ‡ ·Ú¯ÈÙÂÎÙÔÓÈÎÔ‡ ‰È·ÎfiÛÌÔ˘ ·fi ÙË ‚·ÛÈÏÈ΋ «ÙÔ˘ ∞Á›Ô˘ ∞¯ÈÏÏ›Ô˘» §¿ÚÈÛ·˜. ™˘Ì‚ÔÏ‹ ÛÙË ÌÂϤÙË Ù˘ ÔÈÎÔ‰ÔÌÈ΋˜ ÈÛÙÔÚ›·˜ ÙÔ˘ ÌÓËÌ›Ԣ, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. π, Û. 457473 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 466: Fragments of architectural decoration from the so-called «Basilica of Saint Achillios» in Larissa: A contribution to the study of its building history). 1910. ™˘ıȷοÎË µ., µ·ÛÈÏÈ΋ µ ÃÂÚÛÔÓ‹ÛÔ˘: ·fiÂÈÚ· Ó¤·˜ ·Ó¿ÁÓˆÛ˘ ÙˆÓ ·Ó·ÛηÊÈÎÒÓ ‰Â‰Ô̤ӈÓ, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 362-377 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 373-374: Attempting a new reading of the results from the excavations in Basilica B at Hersonissos). 1911. ™˘ıȷοÎË-∫ÚÈÙÛÈÌ¿ÏÏË µ., ∆· ÁÏ˘Ù¿ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ªÔÓ‹˜ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙÔ ™ÙfiÌÈÔ (∆Û¿ÁÂ˙È), ÕÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜ ™ÙÔÌ›Ô˘ (2010), Û. 123-154 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 143-144: The architectural sculptures in the catholicon of the monastery of St. Demetrius at Stomion (Tsaghezi)]. 1912. ™˘ÓÔ‰ÈÓfi˜ £ˆÌ¿˜, ÚˆÙÔÚÂÛ‚‡ÙÂÚÔ˜, √ ˙ˆÁÚ¿ÊÔ˜ π¿Îˆ‚Ô˜ πÂÚÔÌfiÓ·¯Ô˜ Ô ∞ÌfiÚÁÂÔ˜ Î·È ÙÔ ¤ÚÁÔ ÙÔ˘, ∞ı‹Ó·: ∞‰¿Ì-¶¤ÚÁ·ÌÔ˜, 2006.

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1913. ™˘ÓÔ‰ÈÓfi˜ £ˆÌ¿˜, ÚˆÙÔÚÂÛ‚‡ÙÂÚÔ˜, √ ¿ÁÈÔ˜ πˆ¿ÓÓ˘ Ô ÃÚ˘ÛfiÛÙÔÌÔ˜ ÛÙËÓ ÂÈÎÔÓÔÁÚ·Ê›·, ÃÚ˘ÛÔÛÙÔÌÈÎfi ™˘ÌfiÛÈÔ (2007), Û. 333-376. 1914. ™˘ÓÔ‰ÈÓfi˜ £ˆÌ¿˜, ÚˆÙÔÚÂÛ‚‡ÙÂÚÔ˜, ™›ÊÓÈÔÈ ·ÁÈÔÁÚ¿ÊÔÈ ÛÙËÓ ∞ÌÔÚÁfi (µ), ™ÈÊÓ·˚Îfi 3 (2009), ¶Ú·ÎÙÈο, Û. 191-220. 1915. ™˘ÓÔ‰ÈÓfi˜ £ˆÌ¿˜, ÚˆÙÔÚÂÛ‚‡ÙÂÚÔ˜, ∏ Á¤ÓÂÛȘ Î·È Ë ÂͤÏÈÍȘ ÙˆÓ Î·Ù·ÎÔÌ‚ÒÓ, ∫·Ù·Îfî˜ ª‹ÏÔ˘ (2010), ¶Ú·ÎÙÈο, Û. 53-86. 1916. ∆·‚Ï¿Î˘ π., ‚Ï. ·Ú. 1120. 1917. ∆·‚Ï¿Î˘ π., ∞ÓÙ› ÚÔÏfiÁÔ˘, ¢ÂοÙË 2 (2005-2006), Û. 8-13 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 13: Foreword). 1918. ∆·‚Ï¿Î˘ π., §È¿ÎÔ˜, √ ÛÙ·˘Úfi˜ Ô ÏÂÁfiÌÂÓÔ˜ ÙÔ˘ ªÂÁ¿ÏÔ˘ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ ÛÙË ÌÔÓ‹ µ·ÙÔ‰›Ô˘. ™˘ÓÙ‹ÚËÛË - ÙÂÎÌËÚ›ˆÛË, ¢ÂοÙË 2 (2005-2006), Û. 64-75 (·ÁÁÏÈ΋ ›ÏË„Ë, Û. 75: The so-called cross of Constantine the Great in Vatopedi Monastery: Conservation-documentation). 1919. ∆·‚Ï¿Î˘ π., ¶·ÚÚËÛ›· ÌÔÓ‹˜ ¢Ô¯ÂÈ·Ú›Ô˘ (1615), ¡π∫√¡∞¡√™ N. (2006), Û. 373-376, [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 376: A Parresia from Docheiariou Monastery (1615)]. 1920. Tavlakis I., The history of pilgrimages to Mount Athos. An Initial approach, Routes of faith (2008), ¶Ú·ÎÙÈο, Û. 166-176 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 488-491: ∏ ÚÔÛ΢ÓËÌ·ÙÈ΋ ÈÛÙÔÚ›· ÙÔ˘ Õıˆ. ªÈ· ÚÒÙË ÚÔÛ¤ÁÁÈÛË). 1921. ∆·‚Ï¿Î˘ π., ∫··Ó‰Ú›ÙË ∞., ∞ÔηٿÛÙ·ÛË-·Ó¿‰ÂÈÍË ·Ï·ÈÔ‡ ÌÂÙÔ¯›Ô˘ ¡¤ˆÓ ºÏÔÁËÙÒÓ Û ∫¤ÓÙÚÔ µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡ «πÔ˘ÛÙÈÓÈ·Ófi˜» (·’ ·ÎÏÔ˜ ÂÚÁ·ÛÈÒÓ), ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 527-538. 1922. ∆·‚Ï¿Î˘ π., §È¿ÎÔ˜ ¢., √ ÛÙ·˘Úfi˜ Ô ÏÂÁfiÌÂÓÔ˜ ÙÔ˘ ªÂÁ¿ÏÔ˘ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ ÛÙË ÌÔÓ‹ µ·ÙÔ‰›Ô˘: Û˘ÓÙ‹ÚËÛË-ÙÂÎÌËÚ›ˆÛË, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 88-89. 1923. Tavlakis I., Athos [Paris 2009], Û. 38-44 (La peinture monumentale au Mont Athos), Ï‹ÌÌ. ·Ú. 6 (Icône portative d’un chœur de saints athonites, XVIIIe-XIXe siècle), 7 (Icône portative avec saint Onuphre et saint Pierre l’ Athonite, 1838), 8 (Icône avec les saints Georges et Paul Xeropotaminos entourant le Christ, XVIe siècle), 26 (Icône de la Déisis avec des hiérarques, XVe siècle), 100 (Octateuque, XIIIe siècle), 128 (Panagiaire avec une Déisis et les évangélistes, XIIe-XIVe siècle), 147 (Géographies de Claude Ptolémée et de Strabon, XIIIe-XIVe siècle). 1924. ∆·Ì¿ÎË ™., ‚Ï. ·Ú. 1215. 1925. Tanoulas T., El Greco origins [New York 2009], Ï‹ÌÌ. ·Ú. 11 (The Dormition of St. Sabas, 15th c.) 1926. Tantsis A., The so-called «Athonite» type of church and two shrines of the Theotokos in Constantinople, Zograf 34 (2010), Û. 3-11 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 11).

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1927. ∆¿ÓÙÛ˘ ∞., √ ÏÂÁfiÌÂÓÔ˜ «·ıˆÓÈÎfi˜» Î·È ‰‡Ô ÂÎÎÏËۛ˜ Ù˘ ¶·Ó·Á›·˜ ÛÙËÓ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 93-94. 1928. Tachiaos A., Athos [Paris 2009], ÏËÌÌ. ·Ú. 20 (Commentaires de Jean Chrysostome sur les Évangiles de saint Matthieu et de saint Jean), 21 (Les Évangiles d’Opiza, 913), 22 (Ancien Testament, 978). 1929. ∆ÂÓÂÎÂÙ˙‹˜ ¢., ÷Ù˙Ë·ÓÙˆÓ›Ô˘ º., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙȘ ÔÈÎÔ‰ÔÌÈΤ˜ Ê¿ÛÂȘ Ù˘ ‰˘ÙÈ΋˜ Ù¤Ú˘Á·˜ Ù˘ ªÔÓ‹˜ ¶·ÓÙÔÎÚ¿ÙÔÚÔ˜ ∞Á›Ô˘ ŸÚÔ˘˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 91-92. 1930. ∆˙·‚¤ÏÏ· ∂., ∆· ÚÒÈÌ· ‚˘˙·ÓÙÈÓ¿ ÓÂÎÚÔÙ·Ê›· Ù˘ ∞ı‹Ó·˜ (4Ô˜9Ô˜ ·È.) Î·È ÔÈ Ì·ÚÙ˘Ú›Â˜ ÙÔ˘˜ ÁÈ· ÙËÓ ÙÔÔÁÚ·ÊÈ΋ Î·È ÈÛÙÔÚÈ΋ ÂͤÏÈÍË Ù˘ fiÏ˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 93. 1931. Tzavella E., Burial and urbanism in Athens (4th-9th c. AD), JRA 21 (2008), Û. 352-368. 1932. ∆˙·‚¤ÏÏ· ∂., ∫ÂÚ·ÌÈ΋ ·fi ·ıËÓ·ïÎÔ‡˜ Ù¿ÊÔ˘˜ ÙÔ˘ Ù¤ÏÔ˘˜ Ù˘ ·Ú¯·ÈfiÙËÙ·˜ Î·È ÔÈ Ì·ÚÙ˘Ú›Â˜ Ù˘ ÁÈ· ÙÔÓ 7Ô ·ÈÒÓ· ÛÙËÓ ∞ÙÙÈ΋, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 649-670 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û, 649: Late Antique pottery from Athenian graves and its evidence for the 7th c. in Attica) 1933. ∆˙·Ó¿‚·ÚË ∫., ºÈÏ‹˜ ∫., ∏ §ËÙ‹ ·fi ÙËÓ ÚÔ˚ÛÙÔÚ›· ̤¯ÚÈ ÙËÓ ‡ÛÙÂÚË ·Ú¯·ÈfiÙËÙ·, ∞∂ª£ ∂¤ÙÂÈÔ˜ 20 ¯ÚfiÓˆÓ (2009), ¶Ú·ÎÙÈο, Û. 369-384 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 383-384: Lete from the prehistoric period to Late Antiquity). 1934. Tzevreni St., ‚Ï. ·Ú. 1290. 1935. ∆˙›ÌÔ˘Ï·˜ ∫., ‚Ï. ·Ú. 2069. 1936. ∆˙ÈÙ˙ÈÌ¿ÛË ∞., ªÔÓfiÁÚ·ÌÌ· ¶·Ï·ÈÔÏfiÁˆÓ Û ÁÏ˘Ù¿ Ù˘ £ÂÛÛ·ÏÔӛ΢, ªµ¶ 12 (2005) [2006], Û. 81-104 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 92-97: Paleologan monograms on sculptures from Thessaloniki, Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 98-104: Monogramme des Paléologues sur des sculptures de Thessalonique). 1937. ∆˙ÈÙ˙ÈÌ¿ÛË A., §·ıÚÂÌfiÚÈÔ ÁÏ˘ÙÒÓ Î·Ù¿ ÙÔÓ 18Ô ·È. ÛÙË £ÂÛÛ·ÏÔÓ›ÎË. ∞Ú¯·ÈÔÏÔÁÈο Û¯fiÏÈ· Û ÂÈÛÙÔÏ‹ ÙÔ˘ ‚ÂÓÂÙÔ‡ ÚÔͤÓÔ˘ Ù˘ fiÏ˘, £ÂÛÛ·ÏÔÓÈΤˆÓ fiÏȘ 23 (2007), Û. 60-75. 1938. Tzitzibassi A., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 3 (Table support with figure of the Good Shepherd; Asia Minor(?), mid-fourth century). 1939. ∆˙ÈÙ˙ÈÌ¿ÛË ∞., ∂Èه̂Ș ÂÈÁڷʤ˜ ·fi ÙË Û˘ÏÏÔÁ‹ ÙÔ˘ ªÔ˘Û›Ԣ µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡, ∆ÂÎÌ‹ÚÈ· 9 (2008) Û. 169-208 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 207: Funerary inscriptions in the collection of the Museum of Byzantine Culture). 1940. ∆˙ÈÙ˙ÈÌ¿ÛË ∞., ªÂÙÚÒÓÙ·˜ ÙÔ ¯ÚfiÓÔ: ™˘ÛÙ‹Ì·Ù· ˘ÔÏÔÁÈÛÌÔ‡ ÙÔ˘ Û ÂÈÁڷʤ˜ ÙÔ˘ ªÔ˘Û›Ԣ µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡, ªµ¶ 13 (2006) [2008], Û.

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63-90 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 77-83: Counting time: systems for measuring time in the inscriptions of the Museum of Byzantine Culture, Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 84-90: Mesurant le temps: systèmes de mesure du temps sur des inscriptions au Musée de la Civilisation Byzantine). 1941. Tzitzibassi A.,Torcello [Venezia 2009], Ï‹ÌÌ. ·Ú. 37 (Rilievo con la Vergine Orante, XI secolo). 1942. ∆ÔÎ̷Λ‰Ô˘ ∞., µ˘˙·ÓÙÈÓ‹ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ∞ÍÈÔ‡ÔÏË: ÚÒÙ˜ ÏËÚÔÊÔڛ˜, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 552-566 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 563: Byzantine and Post-Byzantine Axioupolis: initial findings). 1943. ∆fiÛη §., ªÈÙ˙ÈÎfiÔ˘ÏÔ˜ ¢., ∫·ÌÂÓ›‰Ô˘ ª., ∞Ó·ÛηÊÈΤ˜ ¤Ú¢Ó˜ ÛÙÔ «‰È·Ù›¯ÈÛÌ· Ù˘ ∫·ÛÛ·Ó‰Ú›·˜». ¶ÚÔÔÙÈ΋ Î·È ÚÔ‚ÏËÌ·ÙÈÛÌÔ›, ¢ÂοÙË 2 (2005-2006), Û. 34-41 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 41: The archaeological research along the wall of Cassandreia, Chalkidiki: Perspectives and considerations). 1944. Toska L., Athos [Paris 2009], ÏËÌÌ. ·Ú. 170 (Icône du Christ de Pitié, second quart du XVIe siècle), 171 (Ordonnance du sultan Mehmet II, 25 septembre 1451), 172 (Le prophète Ezéchiel, 1535-1546), 173 (Architrave d’ une iconostase, 1535-1545), 178 (Le Christ Grand Prête, vers milieu du XVIe siècle), 179 (Icône de saint Jean-Baptiste, milieu du XVIe siècle). 1945. Touratsoglou I., Koltsida-Makri I., Nikolaou Y., New lead seals from Crete, SBS 9 (2006), Û. 49-68. 1946. Touratsoglou I., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 104 (Bowl (trulla) with Aphrodite; Constantinople, 610-25), 105 (Plate; Constantinople, 602-10), 106 (Plate; Constantinople, 610-25), 107-109 (Three spoons; Constantinople, 610-25), 112 (Seal; Constantinople, 610-25), 113.1-2 (Solidi; Constantinople, 602-10/ 610-41). 1947. ∆Ô˘Ú¿ÙÛÔÁÏÔ˘ I., ÷ÏÎÈ¿ ∂˘., √ ıËÛ·˘Úfi˜ Ù˘ ∫Ú·Ù‹ÁÔ˘ ª˘ÙÈÏ‹Ó˘. ¡ÔÌ›ÛÌ·Ù· Î·È ÙÈÌ·ÏÊ‹ ·ÓÙÈΛÌÂÓ· ÙÔ˘ 7Ô˘ Ì. Ã. ·ÈÒÓ·, ∞ı‹Ó·: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡, µ˘˙·ÓÙÈÓfi Î·È ÃÚÈÛÙÈ·ÓÈÎfi ªÔ˘Û›Ô, 2008 (en anglais aussi: The Kratigos, Mytilene Treasure. Coins and valuables of 7th century A.D.). 1948. Tourta A., Exhibitions in the Museum of Byzantine Culture: concepts and museum action, CIEB 21 (2006), ¶ÂÚÈÏ‹„ÂȘ, Ù. II, Û. 277-278. 1949. ∆Ô‡ÚÙ· ∞., ∂ÈÎfiÓ˜ ∞Ï‚·Ó›·˜ [£ÂÛÛ·ÏÔÓ›ÎË 2006], Û. 12-14 (¶ÚfiÁÚ·ÌÌ· Û˘ÓÙ‹ÚËÛ˘ Î·È ¤ÎıÂÛ˘ ÂÈÎfiÓˆÓ ∂ıÓÈÎÔ‡ ªÔ˘Û›Ԣ ªÂ۷ȈÓÈ΋˜ ∆¤¯Ó˘ ∫ÔÚ˘ÙÛ¿˜, ÙÔ ¯ÚÔÓÈÎfi ÌÈ·˜ Û˘ÓÂÚÁ·Û›·˜). 1950. ∆Ô‡ÚÙ· ∞., ¡¤Ô ¯·ÏÎÔÁÚ·ÊÈÎfi ·fiÎÙËÌ· ÙÔ˘ ªÔ˘Û›Ԣ µ˘˙·ÓÙÈÓÔ‡ ¶ÔÏÈÙÈÛÌÔ‡ Ì ÁÂÓÈ΋ ¿Ô„Ë ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜, ¡π∫√¡∞¡√™ N. (2006), Û. 377-382 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 382: A New Acquisition of the Museum of Byzantine Culture: a Copper Engraving with a General View of Mount Athos).

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1951. Tourta A., ‚Ï. ·Ú. 118. 1952. Tourta A., El Museo de la Cultura Bizantina de Tessalonica, Grecia, Museografia 2 (2007), ¶Ú·ÎÙÈο, Û. ∞5-∞12. 1953. Tourta A., Lazidou D., Vranikas N., Karadimitriou A., Katsanika E., Digital Applications and Multimedia at the Museum of Byzantine Culture, Digital Heritage (2008), ¶Ú·ÎÙÈο, Û. 29-32. 1954. Tourta A., Museum of Byzantine Culture, Thessaloniki, Greece, Innovaciones en Museos (2008), ¶Ú·ÎÙÈο, Û. 145-150. 1955. ∆Ô‡ÚÙ· ∞., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], ÂÈÛ·ÁˆÁÈÎfi ΛÌÂÓÔ ÛÙȘ Û. xxv-xxxi (∏ µ˘˙·ÓÙÈÓ‹ ∫ÏËÚÔÓÔÌÈ¿ ÛÙË ∑ˆÁÚ·ÊÈ΋ ÌÂÙ¿ ÙËÓ ÕψÛË Ù˘ ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘). 1956. Tourta A., The Re-Using of Old Icons in the Byzantine and Postbyzantine Period: The Case of the Icons of Thessaloniki, Griechische Ikonen (2010), ¶Ú·ÎÙÈο, Û. 219-230 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 230: ∏ Â·Ó·¯ÚËÛÈÌÔÔ›ËÛË ·Ï·ÈÒÓ ÂÈÎfiÓˆÓ Î·Ù¿ ÙË ‚˘˙·ÓÙÈÓ‹ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô: ∏ ÂÚ›ÙˆÛË ÙˆÓ ÂÈÎfiÓˆÓ Ù˘ £ÂÛÛ·ÏÔӛ΢). 1957. ∆Ô˘Ùfi˜ ¡., ¶·Ï·ÈÔÏfiÁÂÈÔ˜ ÎÂÓÙËÙfi˜ ÂÈÙ¿ÊÈÔ˜ Ù˘ ªÔÓ‹˜ ∫ˆÓÛÙ·ÌÔÓ›ÙÔ˘, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 105-106. 1958. ∆Ô˘Ùfi˜ ¡., ∞ÊÈÂÚˆÙ¤˜, Û˘Ó‰ÚÔÌËÙ¤˜ Î·È Ì¿ÛÙÔÚÔÈ ÂÎÎÏËÛÈ·ÛÙÈÎÒÓ ·ÚÁ˘ÚÒÓ ÌÔÓ‹˜ ¢ÈÔÓ˘Û›Ô˘ ∞Á›Ô˘ ŸÚÔ˘˜ (17Ô˜-18Ô˜ ·È.), Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 90-91. 1959. Toutos N., Athos [Paris 2009], ÏËÌÌ. ·Ú. 56 [Epitaphios-Grand Aër, milieu du XIVe siècle (vers 1354)], 113 (Epitaphios-Grand Aër, deuxième moitié du XIVe siècle), 119 (Epigonation avec la Descente aux Limbes, seconde moitié du XVe siècle), 174 (Portière des portes royales d’un bema avec la Nativité du Christ, 1627). 1960. ∆Ô˘Ùfi˜ ¡., ºÔ˘ÛÙ¤Ú˘ °., ∂˘ÚÂÙ‹ÚÈÔÓ Ù˘ ÌÓËÌÂȷ΋˜ ˙ˆÁÚ·ÊÈ΋˜ ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜, 10Ô˜-17Ô˜ ·ÈÒÓ·˜, ∞ı‹Ó·È: ∞η‰ËÌ›· ∞ıËÓÒÓ, ∫¤ÓÙÚÔ ŒÚ¢ӷ˜ Ù˘ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∆¤¯Ó˘, 2010. 1961. Triantafyllidis P., Glassmakers of Late Antiquity in Greece: Philological References and New Archaeological Evidence, Journal of Glass Studies 49 (2007), Û. 262-264. 1962. Triantaphyllopoulos D. D., Renaissances of Byzantine painting in PostByzantine and Modern Greek Art, ™‡Ó·ÍË-Synaxis (2006), Ù. II, Û. 147-154. 1963. Triantaphyllopoulos D. D., The icon: From Byzantium to Moscow, ™‡Ó·ÍË-Synaxis (2006), Ù. II, Û. 139-145. 1964. Triantaphyllopoulos D. D., San Nicola [Bari 2006], Û. 107-116 (Il culto e l’immagine di San Nicola a Cipro).

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1965. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., MÂÙ·‚˘˙·ÓÙÈÓ‹ ˙ˆÁÚ·ÊÈ΋ Î·È ∂Ù·ÓËÛȷ΋ ™¯ÔÏ‹: ∞fi ÙȘ ÂÌÌÔÓ¤˜ ÚÔ˜ ÙËÓ ÂÚÌËÓ›·, ¡π∫√¡∞¡√™ N. (2006), Û. 383-394 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 394: Post-Byzantine Painting and Heptanesian School: from Obsessions towards an Interpretation). 1966. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., T·Í›‰È ÛÙÔÓ ¯ÒÚÔ Ù˘ ÌÓ‹Ì˘, √‰ÔÈÔÚÈÎfi ∫˘ÚËÓ›·˜ (2006), Û. 21-22. 1967. Triantaphyllopoulos D. D., Christodoulou G., Early Christian and Early Byzantine Leucosia/Ledra/Ledroi/Nicosia: An essay on Historical Geography and Hagio-Topography, KODER J. (2007), Û. 671-691. 1968. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., Euboeae fragmenta archaeologica medii et infimi aevi, I, (X·ÏΛ‰·-MÔÓ‹ °·Ï·Ù¿ÎË-M·ÓÙÔ‡‰È), ª∞™∆ƒ√¢∏ª∏∆ƒ∏™ ¶. (2007), Û. 1113-1139. 1969. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., KÙ›ÛË Î·È ˘ÏÈο ·Á·ı¿. MÈ· Ì·ÙÈ¿ ·fi ÙËÓ ÏÂ˘Ú¿ ÙÔ˘ °¤ÚÔÓÙÔ˜ πˆÛ‹Ê ÙÔ˘ ∏Û˘¯·ÛÙÔ‡, °¤ÚÔÓÙ·˜ πˆÛ‹Ê (2007), ¶Ú·ÎÙÈο, Û. 741-754 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 754). 1970. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., X·ÏΛ‰·: MÓËÌ›· Î·È ÂÚÈ‚¿ÏÏÔÓ ÛÙÔÓ 20fi ·ÈÒÓ·. ∞fi ÙÔÓ ÔÏÈÙÈÛÌfi ÛÙËÓ „¢‰Ô-«ÔÏÈÙÈÛÙÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ·», ∞∂˘‚ª 36 (2005-2006) [2007], Û. 7-14. 1971. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., «¶·Ú¿‰ÔÛË/Û˘ÓÙ‹ÚËÛË» Î·È «·Ó·Ó¤ˆÛË/ÚfiÔ‰Ô˜» ÛÙÔÓ ¯ÒÚÔ Ù˘ ÔÚıfi‰Ô͢ ÂÎÎÏËÛÈ·ÛÙÈ΋˜ Ù¤¯Ó˘. √ÓÔÌ¿ÙˆÓ Â›Û΄Ș Î·È ÔÚÈÛÌÒÓ fiÚÈ·, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 107-108. 1972. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., ∏ ‚˘˙·ÓÙÈÓ‹ ·Ú¯·ÈÔÏÔÁ›· ÛÙËÓ ∫‡ÚÔ. ∞fi ÙËÓ È‰ÂÔÏÔÁÈÎÔÔ›ËÛË ÛÙËÓ ·ÓÔȯً ¤Ú¢ӷ, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 92. 1973. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., √ ¿ÁÈÔ˜ NÂfiÊ˘ÙÔ˜ ÛËÌ›ÔÓ ·ÓÙÈÏÂÁfiÌÂÓÔÓ ‹ ÂÚÌËÓ›˜ Î·È È‰ÂÔÏÔÁÈΤ˜ ·Ú·¯·Ú¿ÍÂȘ Ù˘ Ù¤¯Ó˘ Ù˘ K‡ÚÔ˘, ∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 133-136. 1974. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., ∫‡ÚÔ˜ Î·È πÙ·Ï›· / Cipro e l'Italia [Roma 2009], Û. 70-89 (√ ¿ÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ ÛÙË Ï·ÙÚ›· Î·È ÙËÓ Ù¤¯ÓË Ù˘ ∫‡ÚÔ˘ / San Nicola nel culto e nell’arte di Cipro). 1975. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., ∏ ÂÎÎÏËÛÈ·ÛÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ˆ˜ ·ÚÂÏıfiÓ, ·ÚfiÓ Î·È Ì¤ÏÏÔÓ, µ˘˙·ÓÙÈÓ‹ Ù¤¯ÓË Î·È ÔÚıfi‰ÔÍË ·Ú¿‰ÔÛË (2009), ¶Ú·ÎÙÈο, Û. 9-19. 1976. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., Ars sine nominibus ‹ Ë Ù¤¯ÓË ÛÙË Ï·ÙÈÓÔÎÚ·ÙÔ‡ÌÂÓË ∂‡‚ÔÈ·: ˙ËÙ‹Ì·Ù· ˙ˆÁÚ·ÊÈ΋˜ Î·È ÂÈÎÔÓÔÁÚ·Ê›·˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 95-96. 1977. ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., ÕÁÈÔÈ ∆fiÔÈ Î·È ∂ÁÎÏ›ÛÙÚ·. ¢ÔΛÌÈÔ Â·ÓÂÚÌËÓ›·˜ ÙÔ˘ ÂÈÎÔÓÔÁÚ·ÊÈÎÔ‡ ÚÔÁÚ¿ÌÌ·ÙÔ˜ ÙÔ˘ ·ÛÎËÙËÚ›Ô˘, ÕÁÈÔ˜ ¡ÂfiÊ˘ÙÔ˜ Ô ŒÁÎÏÂÈÛÙÔ˜ (2010), ¶Ú·ÎÙÈο, Û. 817-832 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë).

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2014. ∆Û·ÓÙ‹Ï·˜ °., ∏ Ï·ÙÚ›· ÙÔ˘ ·Á›Ô˘ ¶ÚÔÎÔ›Ô˘ ÙËÓ ÂÚ›Ô‰Ô ÙˆÓ ™Ù·˘ÚÔÊfiÚˆÓ Î·È Ë ‚ÈÔÁÚ·ÊÈ΋ ÂÈÎfiÓ· ÙÔ˘ ÛÙÔ ¶·ÙÚÈ·Ú¯Â›Ô πÂÚÔÛÔχ̈Ó, ¢Ã∞∂ 27 (2006), Û. 245-257 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 258: The Veneration of St Prokopios in the Period of the Crusades and his Vita Icon in the Patriarchate of Jerusalem). 2015. ∆ÛÂΤ˜ °., ‚Ï. ·Ú. 193. 2016. ∆ÛÂΤ˜ °., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 124-125 [¡·‡ÏÈÔ: «∆ÚÈ·ÓfiÓ» (‹ ·Ï·Èfi Ù˙·Ì› Ù˘ Ï·Ù›·˜ ™˘ÓÙ¿ÁÌ·ÙÔ˜)], 133 (ÕÚÁÔ˜: ¡·fi˜ ∞Á›ˆÓ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ Î·È ∂ϤÓ˘). 2017. ∆ÛÂΤ˜ °., ªÔ˘ÓÙÔ‡Ú˘ ∫., ∆Ô ·Ï·Èfi Ù˙·Ì› Ù˘ Ï·Ù›·˜ ™˘ÓÙ¿ÁÌ·ÙÔ˜ ÛÙÔ ¡·‡ÏÈÔ, √ıˆÌ·ÓÈο ªÓËÌ›· (2009), Û. 203-220 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 203: The old mosque in Syntagma square in Nauplion). 2018. ∆ÛÂΤ˜ °., ¡¤· ÛÙÔȯ›· ÁÈ· ÙÔ Ó·fi ªÂÙ·ÌfiÚʈÛ˘ ÙÔ˘ ™ˆÙ‹ÚÔ˜ ÛÙÔ ¶Ï·Ù·Ó›ÙÈ ∞ÚÁÔÏ›‰·˜, ªÓ‹ÌË ∆·ÛԇϷ˜ √ÈÎÔÓfiÌÔ˘ (2009), ¶Ú·ÎÙÈο, Û. 157171 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 170-171: New evidence on the church of the Transfiguration of the Saviour at Plataniti, Argolis). 2019. ∆ÛÂΤ˜ °., ÕÁÓˆÛÙ· ÁÏ˘Ù¿ ·fi ÙÔ Ó·fi Ù˘ ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙÔ ¡ÂÔ¯ÒÚÈ ∞Ú牛·˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 101. 2020. ∆Û¤ÏÈÁη ∞., √ ÂÈÎÔÓÔÁÚ·ÊÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ Ù˘ ¶·Ó·Á›·˜ ∞ÈÌ˘·ÏÒÓ, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 241-256 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 255: The paintings in the catholic of the monastery of Panagia Emialon). 2021. ∆Û¤ÏÈÁη ∞., ∆Ô Î·ıÔÏÈÎfi Ù˘ ÌÔÓ‹˜ Ù˘ £ÂÔÙfiÎÔ˘ ∞ÈÌ˘·ÏÒÓ Î·È Ë Î·ÏÏÈÙ¯ÓÈ΋ ·Ú·ÁˆÁ‹ ÙˆÓ ¡·˘ÏȤˆÓ ·‰ÂÏÊÒÓ ˙ˆÁÚ¿ÊˆÓ ¢ËÌËÙÚ›Ô˘ Î·È °ÂˆÚÁ›Ô˘ ªfiÛ¯Ô˘ / The Catholicon of the Monastery of the Virgin Aimyalon and the Artistic Production of the Painter Brothers Demetrius and Georgius Moschos, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 6 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 96-97. 2022. ∆Û¤ÏÈÁη-∞ÓÙÔ˘Ú¿ÎË ∞., √ ·ÎÏÔ˜ ÙÔ˘ ‚È‚Ï›Ô˘ Ù˘ °¤ÓÂÛ˘ ÛÙË ÌÔÓ‹ ∞Á›ˆÓ ∆ÂÛÛ·Ú¿ÎÔÓÙ· §·ÎˆÓ›·˜, ¤ÚÁÔ ÙÔ˘ °ÂˆÚÁ›Ô˘ ªfiÛ¯Ô˘, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 495-518 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 518: The Genesis Iconographic Cycle in the Katholikon of the Monastery of Agioi Tessarakonda in Lakonia, a Creation Signed by Georgios Moschos). 2023. ∆ÛÈ¿·ÏË ª., ∞ÂÈÎÔÓ›ÛÂȘ ÎÔÛÌÈÎÒÓ ÎÙÈÚ›ˆÓ Û ÊÔÚËÙ¤˜ ÂÈÎfiÓ˜ ÙÔ˘ 17Ô˘-18Ô˘ ·ÈÒÓ· ÛÙÔ ÕÁÈÔÓ ŸÚÔ˜, ª·Î‰ÔÓÈο 35 (2005-2006), Û. 141-161 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 149: The depiction of buildings in portable icons of the 17th-18th c.). 2024. ∆ÛÈ¿·ÏË ª., πÂÚ·ÙÈο ¿ÌÊÈ· Î·È ÂÎÎÏËÛÈ·ÛÙÈο ˘Ê¿ÛÌ·Ù· ÛÙËÓ ÂÓÙÔ›¯È· ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ 17Ô˘ ·ÈÒÓ· ÛÙÔ˘˜ Ó·Ô‡˜ ÙÔ˘ ÓÔÌÔ‡ Ù˘ ÕÚÙ·˜, ¡π∫√¡∞¡√™ N. (2006), Û. 395-404 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 394: Hierarchical

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Vestments and Ecclesiastical Textiles in the Monumental Painting of the 17th Century in Arta). 2025. ∆ÛÈ¿·ÏË ª., √ ·ÎÏÔ˜ ÙÔ˘ ∞οıÈÛÙÔ˘ ⁄ÌÓÔ˘ ·fi ÙÔ ∫·ıÔÏÈÎfi Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ¶·Ó·Á›·˜ ÃÚ˘ÛÔÛËÏÈÒÙÈÛÛ·˜ ÛÙÔ ÓÔÌfi ÕÚÙ·˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 116. 2026. ∆ÛÈ¿·ÏË ª., ∞Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ ÙˆÓ ·Ó·ÛηÊÒÓ ÛÙÔ µÂÏ‚ÂÓÙfi ∫Ô˙¿Ó˘- ¶ÚÔ‰ÚÔÌÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ, ¢˘ÙÈÎÔ̷ΉÔÓÈο °Ú¿ÌÌ·Ù· 20 (2008), Û. 19-36. 2027. ∆ÛÈ¿·ÏË ª., ∞Ó·ÛηÊÈ΋ ¤Ú¢ӷ ÛÙÔ˘˜ ÓÔÌÔ‡˜ °Ú‚ÂÓÒÓ Î·È ∫Ô˙¿Ó˘, ¢˘ÙÈÎÔ̷ΉÔÓÈο °Ú¿ÌÌ·Ù· 21 (2009), Û. 18-33. 2028. ∆ÛÈ¿·ÏË ª., ∞Ó‰ÚÔ‡‰Ë˜ ¶., ∂·ÓÂͤٷÛË ÙÔ˘ ‚˘˙·ÓÙÈÓÔ‡ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ∞È·Ó‹˜: ·Ú¯ÈÙÂÎÙÔÓÈ΋ Î·È ˙ˆÁÚ·ÊÈÎfi˜ ‰È¿ÎÔÛÌÔ˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 118-119. 2029. ∆ÛÈ¿·ÏË ª., ∞Ó‰ÚÔ‡‰Ë˜ ¶., √ ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ∞È·Ó‹˜ Î·È Ô ˙ˆÁÚ·ÊÈÎfi˜ ÙÔ˘ ‰È¿ÎÔÛÌÔ˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 118-119. 2030. ∆ÛÈ¿·ÏË ª., ∞Ú¯·ÈÔÏÔÁÈο ‰Â‰Ô̤ӷ ÙˆÓ ·Ó·ÛηÊÒÓ ÛÙÔ µÂÏ‚ÂÓÙfi ∫Ô˙¿Ó˘: ÚÔ‰ÚÔÌÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 47-54. 2031. ∆ÛÈ¿Ú· ∞., ‚Ï. ·Ú. 1543. 2032. ∆ÛÈ¿Ú· ∞., ‚Ï. ·Ú. 1546. 2033. ∆ÛÈ‚›Î˘ ¡., ¶ÂÚÈ̤ÓÔÓÙ·˜ ÙÔ˘˜ ™ÂÏÙ˙Ô‡ÎÔ˘˜. ∞Ó·Ûηʋ ÌÂÛÔ‚˘˙·ÓÙÈÓÒÓ ÛÙÚˆÌ¿ÙˆÓ ÛÙË µ·ÛÈÏÈ΋ ∞ ÙÔ˘ ∞ÌÔÚ›Ô˘, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 120-121. 2034. Tsigaridas ∂. ¡., Athos [Helsinki 2006], Ï‹ÌÌ. ·Ú. ∞2, ∞3, ∞5, ∞6, ∞7, ∞8, ∞9, ∞10, ∞11, ∞27, ∞28, ∞29, ∞32, ∞33, ∞39. 2035. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., Trifonova ∞., √È ı·˘Ì·ÙÔ˘ÚÁ¤˜ ÂÈÎfiÓ˜ Ù˘ ªÔÓ‹˜ ∑ˆÁÚ¿ÊÔ˘, ª·Î‰ÔÓÈο 35 (2005-2006), Û. 119-130 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 131132: The Miracle Icons of the Zograf Monastery). 2036. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., ¢‡Ô ÂÈÎfiÓ˜ Ù˘ ÚÒÈÌ˘ ÎÚËÙÈ΋˜ Û¯ÔÏ‹˜ ÛÙËÓ ªÔÓ‹ µ·ÙÔ·È‰›Ô˘, ¢Ã∞∂ 27 (2006), Û. 297-304 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 304: Two πcons of the ∂arly Cretan School in the Vatopaidi Monastery). 2037. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., §Ô‚¤Ú‰Ô˘-∆ÛÈÁ·Ú›‰· ∞ÈÎ., πÂÚ¿ ªÂÁ›ÛÙË ªÔÓ‹ µ·ÙÔ·È‰›Ô˘. µ˘˙·ÓÙÈÓ¤˜ ∂ÈÎfiÓ˜ Î·È ∂ÂÓ‰‡ÛÂȘ, ÕÁÈÔÓ ŸÚÔ˜: πÂÚ¿ ªÂÁ›ÛÙË ªÔÓ‹ µ·ÙÔ·È‰›Ô˘, 2006 (en anglais aussi: Great Monastery of Vatopaidi. Byzantine Icons and Revetements, Mount Athos: Great Monastery of Vatopaidi, 2007). 2038. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ Ó·Ô‡ Ù˘ ∞Á›·˜ ∞ÈηÙÂÚ›Ó˘ £ÂÛÛ·ÏÔӛ΢, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 94-95.

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2039. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., √ÈÎÔ‰ÔÌÈΤ˜ Ê¿ÛÂȘ Ù˘ ¶·Ï·È¿˜ ªËÙÚfiÔÏ˘ ∂‰¤ÛÛ˘, Œ‰ÂÛÛ· 2 (2006), ¶Ú·ÎÙÈο, Û. 163-176 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 177). 2040. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., ∆ÔȯÔÁÚ·Ê›· ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙÔÓ Ó·fi ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ £ÂÛÛ·ÏÔӛ΢, ¡π∫√¡∞¡√™ ¡. (2006), Û. 209-212 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 212: Une Fresque de Saint Démétrios à l'église Saint Démétrios de Thessalonique). 2041. Tsigaridas E. N., L’art au Mont Athos à l’époque Byzantine à la lumiére de nouvelles trouivailles. Le rôle de Constantinople et de Thessalonique, Athos, La Sainte Montagne (2007), Û. 41-62. 2042. Tsigaridas ∂. ¡., L’icone de la Vierge AXION ESTIN du Protaton te ses copies, ZRVI 44 (2007) [∞ÊȤڈ̷ ÛÙÔÓ ·Î·‰ËÌ·˚Îfi Î. Gojko Subotiç], Û. 341-352 (ÛÂÚ‚È΋ ÂÚ›ÏË„Ë, Û. 353). 2043. ∆ÛÈÁ·Ú›‰·˜ E. N., ¶··‰ËÌËÙÚ›Ô˘ ¶. Ã., £·˘Ì·ÙÔ˘ÚÁÈΤ˜ ÂÈÎfiÓ˜ Ù˘ ªÔÓ‹˜ µ·ÙÔ·È‰›Ô˘ Î·È Ù· ·ÓÙ›ÁÚ·Ê¿ ÙÔ˘˜, ª·Î‰ÔÓÈο 36 (2007), Û. 1-31 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 14-15: Miraculous icons of the Vatopedi Monastery and their copies). 2044. ∆ÛÈÁ·Ú›‰·˜ E. N., ¶ÚÒÈÌË ÎÚËÙÈ΋ ÂÈÎfiÓ· Ù˘ ∫ÔÈÌ‹Ûˆ˜ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙËÓ ªÔÓ‹ π‚‹ÚˆÓ, ¢Ã∞∂ 28 (2007), Û. 193-202 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 202: An early Cretan icon of the Dormition of the Virgin, in the Iviron Monastery). 2045. Tsigaridas E. N., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 242 (The Prophet Elijah; 1180-1200). 2046. Tsigaridas E. N., Vinosnaja ikona s izobraÏeniem Raspijatijatija, tretjej ãetverti XIVV., iz Velikoj Lavri na Afone, POPOVA O. (2008), Û. 621634 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 665-666). 2047. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ·ÚÂÎÎÏËÛ›Ô˘ ÙÔ˘ ∞Á›Ô˘ ∂˘ı˘Ì›Ô˘ (1302/3) ÛÙÔ Ó·fi ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘. ŒÚÁÔ ÙÔ˘ ª·ÓÔ˘‹Ï ¶·ÓÛ¤ÏËÓÔ˘ ÛÙËÓ £ÂÛÛ·ÏÔÓ›ÎË, £ÂÛÛ·ÏÔÓ›ÎË: ¶Ô˘ÚÓ·Ú¿˜ ¶. ™., 2008: The Frescoes in the Parekklesion of St. Euthymios (1302/3) in the Basilica of St. Demetrios: The Work of Manuel Panselinos in Thessaloniki. 2048. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., ™¿ÚΈÛË-£¤ˆÛË [Bucarest 2008], Ï‹ÌÌ. ·Ú. 3 (¶·Ó·Á›· °Ï˘ÎÔÊÈÏÔ‡Û·, ÂÚ› ÙÔ 1400), 12 (ÕÁÈÔ˜ ¡ÈÎfiÏ·Ô˜ Ì ÛÎËÓ¤˜ ‚›Ô˘, 14Ô˜-15Ô˜ ·È.), 19 (∞Á›· ¶·Ú·Û΢‹, 15Ô˜ ·È.), 26 (ÕÁÈÔ˜ °ÂÒÚÁÈÔ˜ Ì ÛÎËÓ¤˜ ·fi ÙÔ ‚›Ô ÙÔ˘, 16Ô˜ ·È.). 2049. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., ºÔÚËÙ‹ ÂÈÎfiÓ· Ù˘ ™Ù·˘ÚÒÛˆ˜ ÛÙË ªÔÓ‹ ªÂÁ›ÛÙ˘ §·‡Ú·˜ ∞Á›Ô˘ ŸÚÔ˘˜, ¢Ã∞∂ 29 (2008), Û. 151-158 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 158: Tsigaridas E. N., A Portable Icon of the Crucifixion in the Great Lavra Monastery on Mount Athos). 2050. Tsigaridas E. N., Athos [Paris 2009], Û. 57-62 (Les icônes du Mont

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Athos) Î·È Ï‹ÌÌ. ·Ú. 52 [Archange Gabriel (Grande Déisis), troisième quart du XIVe siècle (1350-1360)], 53 [Saint Jean-Baptiste (Grande Déisis), troisième quart du XIVe siècle (1350-1360)], 54 (Saint Jean le Théologien, Grande Déisis, troisième quart du XIVe siècle (1350-1360)], 55 (Saint Luc (Grande Déisis), troisième quart du XIVe siècle (1350-1360)], 93 (Icône de saint Démétrios, vers 1300), 94 (Icône de saint Georges, vers 1300), 95 (Icône de la Vierge Hodegetria, dernier quart du XIIIe siècle), 97 (Icône de l’ Annonciation, début du XVe siècle), 98 (Saint Georges, début du XIVe siècle), 99 (Archange Gabriel, début du XIVe siècle), 106 (Icône du Christ Pantocrator, du XIIIe et XIIIe-XIVe siècles), 107 (Icône de la Vierge Hodegetria, seconde moitié du XIIIe siècle), 108 (Icône de saint Jean Chrysostome, fin du XIIIe siècle), 111 (Icône de la Vierge Hodegetria, début du XIVe siècle), 112 (Icône de la Vierge Hodegetria, fin du XIIIe-début du XIVe siècle), 116 [(a) Vierge Hodegetria, (b) Crucifixion, fin du XIVe siècle], 117 (Vierge Blacheritissa, dernier quart du XIVe siècle), 129 (Thrène, dernier quart du XIVe siècle), 130 (Icône de saint Georges, dernier quart du XIVe siècle), 131 (Icône avec les Trois Hiérarques, deuxième moitié du XIVe siècle), 133 (Icône de la Vierge Hodegetria, XIVe XVe siècle), 153 (Icône de la Vierge Phylatoussa, vers 1383-1384). 2051. ∆ÛÈÁ·Ú›‰·˜ E. N., ∂ÈÎfiÓ· ∫ÔÈÌ‹Ûˆ˜ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙÔ µ˘˙·ÓÙÈÓfi ªÔ˘ÛÂ›Ô ∫·ÛÙÔÚÈ¿˜, ¢Ã∞∂ 30 (2009), Û. 241-248 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 248: Icon of the Dormition of the Virgin in the Byzantine Museum of Kastoria). 2052. ∆ÛÈÁ·Ú›‰·˜ E. N., ºÔÚËÙ¤˜ ÂÈÎfiÓ˜ ÙÔ˘ ¢ÈÔÓ˘Û›Ô˘ ÙÔ˘ ÂÎ ºÔ˘ÚÓ¿ ÙˆÓ ∞ÁÚ¿ÊˆÓ Î·È ÙÔ˘ ÂÚÁ·ÛÙËÚ›Ô˘ ÙÔ˘ ÛÙȘ ™¤ÚÚ˜, ª·Î‰ÔÓÈο 38 (2009), Û. 97-107 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 108: Portable icons by Dionysios of Fournas in Serres). 2053. ∆ÛÈÁ·Ú›‰·˜ ∂. ¡., ∂ÈÎfiÓ· ÙÔ˘ ∞Û·ÛÌÔ‡ ÙˆÓ ∞ÔÛÙfiÏˆÓ ¶¤ÙÚÔ˘ Î·È ¶·‡ÏÔ˘ Ù˘ ªÔÓ‹˜ ∫·Ú·Î¿ÏÏÔ˘, µ˘˙·ÓÙÈÓ¿ 29 (2009),Û. 327-336. 2054. Tsigaridas E. N., L’activité artistique du peintre thessalonicien Georges Kalliergis, ¢Ã∞∂ 31 (2010), Û. 53-70 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 69-70: ∏ ηÏÏÈÙ¯ÓÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· ÙÔ˘ ˙ˆÁÚ¿ÊÔ˘ ·fi ÙË £ÂÛÛ·ÏÔÓ›ÎË °ÂˆÚÁ›Ô˘ ∫·ÏÏȤÚÁË). 2055. ∆ÛÈÁˆÓ¿ÎË ÃÚ., ¶ÚˆÙÔ‚˘˙·ÓÙÈÓ‹ ∂χıÂÚÓ·. √È ·Ó·Ûηʤ˜ ÙÔ˘ ¶·ÓÂÈÛÙËÌ›Ô˘ ∫Ú‹Ù˘ ÛÙÔ ¶˘ÚÁ›, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 117-118. 2056. ∆ÛÈÁˆÓ¿ÎË ÃÚ., ƒÔ˘ÌÂÏÈÒÙ˘ ¡., ™·ÓÔ‡ ¡., ∫ÔÎÎÈÓ¿ÎË ª., µ·ÛÈÏÈ΋ ∞’ Ù˘ πÙ¿ÓÔ˘: ÔÈ Ó¤Â˜ Ù¯ÓÔÏÔÁ›Â˜ ÛÙËÓ ˘ËÚÂÛ›· Ù˘ ·Ú¯·ÈÔÏÔÁÈ΋˜ ¤Ú¢ӷ˜ (¶˘ı·ÁfiÚ·˜ π, ∂¶∂∞∂∫ ππ), Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 95-96. 2057. ∆ÛÈÏÈÌ›Áη˜ ÃÚ., ™ÙÂÚ¤ˆÛË - ∞ÔηٿÛÙ·ÛË ÙÔ˘ π.¡. ∫ÔÈÌ‹Ûˆ˜ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙÔ ¢.¢. ∞¯Ï·‰Ô¯ˆÚ›Ô˘ ÙÔ˘ ¢. º·Úη‰fiÓ·˜ ¡. ∆ÚÈοψÓ, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 589-602 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 595: Theme: Holy Temple «Koimisis Theotokou» Achladochori, Trikala).

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2058. ∆ÛÈÏÈ¿ÎÔ˘ ∞., √ Ó·fi˜ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ¶ÂÙÚÒÓ Î·È ÔÈ ÂÈÎfiÓ˜ ÙÔ˘, ∞̇ÓÙ·ÈÔ: ¢‹ÌÔ˜ ∞Ì˘ÓÙ·›Ô˘, 2006. 2059. ∆ÛÈÏÈ¿ÎÔ˘ ∞., √ π. ¡. ∫Ô›ÌËÛ˘ £ÂÔÙfiÎÔ˘ ÛÙÔ ¢¿ÛÎÈÔ ∏Ì·ı›·˜, ¶ÔÏÈÙÈÛÙÈο ¢ÚÒÌÂÓ· 41 (2006), Û. 11-18. 2060. ∆ÛÈÏÈ¿ÎÔ˘ ∞., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈο ÎÈÔÓfiÎÚ·Ó· ™˘ÏÏÔÁ‹˜ Œ‰ÂÛÛ·˜ Î·È Ù˘ ÂÚÈÔ¯‹˜ Ù˘, Œ‰ÂÛÛ· 2 (2006), ¶Ú·ÎÙÈο, Û. 103-119 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 119). 2061. Tsilipakou A., Bourbou Chr., Investigating the Human Past of Greece during the 6th-7th Centuries A.D., New Directions in the Skeletal Biology of Greece, Hesperia, Suppl. 43 (2007), Û. 121-136. 2062. ∆ÛÈÏÈ¿ÎÔ˘ ∞., ∏ ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ˙ˆÁÚ·ÊÈ΋ ÛÙË µ¤ÚÔÈ·. ∑ˆÁÚ¿ÊÔÈ Î·È ÂÚÁ·ÛÙ‹ÚÈ· ÛÙÔ 17Ô ·È., ¢Ã∞∂ 28 (2007), Û. 257-270 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 269-270: Post-Byzantine Painting in Veroia. Painters and Workshops in the Seventeenth Century). 2063. ∆ÛÈÏÈ¿ÎÔ˘ ∞., ™ÎËÓ¤˜ ·fi ÙÔ ıÂÔÌËÙÔÚÈÎfi ·ÎÏÔ ÛÙÔ Î·ıÔÏÈÎfi Ù˘ π. ª. ∫Ô›ÌËÛ˘ ™ËÏ·›Ô˘ °Ú‚ÂÓÒÓ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 119-120. 2064. ∆ÛÈÏÈ¿ÎÔ˘ ∞., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 297 («√ÚÙ¿ Ù˙·Ì›»). 2065. ∆ÛÈÏÈ¿ÎÔ˘ ∞., √ ÌÔÓ·ÛÙÈÎfi˜ ‚›Ô˜ Î·È ÔÏÈÙÈÛÌfi˜ ̤۷ ·fi ÙÔ ·Ú¿‰ÂÈÁÌ· Ù˘ π. ª. ∫Ô›ÌËÛ˘ £ÂÔÙfiÎÔ˘ ÛÙÔ ™‹Ï·ÈÔ °Ú‚ÂÓÒÓ. ∂ÎfiÓËÛË ÂÓfi˜ ÂÎ·È‰Â˘ÙÈÎÔ‡ ʷΤÏÔ˘ ÛÙ· Ï·›ÛÈ· ÙÔ˘ ÚÔÁÚ¿ÌÌ·ÙÔ˜ ª∂§π¡∞, πÛÙÔÚ›·˜ Î·È ¶·Ú¿‰ÔÛ˘ 1 (2008), ¶Ú·ÎÙÈο, Û. 283-307. 2066. ∆ÛÈÏÈ¿ÎÔ˘ ∞., ¶ÔÏ·Ù›‰Ô˘-ªÈ˙¤Ù· ª., ™ˆÛÙÈ΋ ·Ó·Ûηʋ ÌÂÙ·‚˘˙·ÓÙÈÓÔ‡ ÔÈÎÈÛÌÔ‡ ÛÙË ı¤ÛË «ª·˘ÚÔÌÔ˘ÚÈ¿» ∞ÛˆÌ¿ÙˆÓ ∏Ì·ı›·˜ ÛÙÔÓ ¿ÍÔÓ· Ù˘ ∂ÁÓ·Ù›·˜ √‰Ô‡, ¶ÔÏÈÙÈÛÙÈο ¢ÚÒÌÂÓ· 48 (2008), Û. 23-30. 2067. ∆ÛÈÏÈ¿ÎÔ˘ ∞., ¶ÚÒÙ˜ Âȉ‹ÛÂȘ ÁÈ· ÙÔÓ Ó·fi ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ §fi¯Ì˘ °Ú‚ÂÓÒÓ Î·È ÙȘ ÙÔȯÔÁڷʛ˜ ÙÔ˘, ª·Î‰ÔÓÈο 37 (2008), Û. 141-171 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 159-160: First informations about the church of St. Nicholas at Lochmi-Grevena and its wall paintings). 2068. ∆ÛÈÏÈ¿ÎÔ˘ ∞., ¶ÚÒÙË ÚÔÛ¤ÁÁÈÛË ÛÙÔ ¤ÚÁÔ ÙÔ˘ ÏÈÓÔÙÔ›ÙË ˙ˆÁÚ¿ÊÔ˘ ¡ÈÎÔÏ¿Ô˘ ÛÙÔ Î·ıÔÏÈÎfi Ù˘ π. ª. ∫Ô›ÌËÛ˘ ™ËÏ·›Ô˘ °Ú‚ÂÓÒÓ, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 97-98. 2069. ∆ÛÈÏÈ¿ÎÔ˘ ∞., ∆˙›ÌÔ˘Ï·˜ ∫., ™˘ÓÙ‹ÚËÛË Î·ıÔÏÈÎÔ‡ πÂÚ¿˜ ªÔÓ‹˜ ∫ÔÈÌ‹Ûˆ˜ £ÂÔÙfiÎÔ˘ ÛËÏ·›Ô˘ °Ú‚ÂÓÒÓ, µ¤ÚÔÈ·: 11Ë ∂ÊÔÚ›· µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔًوÓ, 2008: Conservation of the catholicon of the Monastery of the Dormition at Spilaio Grevena. 2070. ∆ÛÈÏÈ¿ÎÔ˘ ∞., ∏ ‰Ú¿ÛË ÙÔ˘ «ÂÚÁ·ÛÙËÚ›Ô˘ Ù˘ ∞ÁÈ¿˜» ÛÙËÓ ÎÂÓÙÚÈ΋ ª·Î‰ÔÓ›·. ∆Ô ·Ú¿‰ÂÈÁÌ· Ù˘ ∏Ì·ı›·˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 102-103.

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2071. ∆ÛÈÏÈ¿ÎÔ˘ ∞., ¶ÚÒÙ˜ Âȉ‹ÛÂȘ ÁÈ· ÙÔÓ Ó·fi ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙËÓ •Â¯·Ṳ̂ÓË ∏Ì·ı›·˜, ªÂÏ∏Ì·ı›·˜ 1 (2009) [2010], Û. 213-255 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 235-236: First Informations about the Church of St. Demetrius at Xechasmeni-Imathia). 2072. ∆ÛÈÌ›‰· ∂., ‚Ï. ·Ú. 1782. 2073. ∆ÛÈÌ›‰· ∂., ªÓËÌ›· Ù˘ ∞Ó·ÙÔÏ‹˜ ∞ÁÈ¿˜, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. I, Û. 619-640 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 628: Monuments of Eastern Agia). 2074. ∆ÛÈÌ›‰Ô˘-∞˘ÏˆÓ›ÙË ª., ∫·ÁÈÔ‡ÏË ∞., ∫·˚¿Ê· ∞., §˘Î›‰Ô˘ ∏., ª·Ó‰¿ÎË ª., ¶ÚˆÙÔ„¿ÏÙË ™., ∫·Ï·Ì·ÚÈ¿ 2005-2006: MÈ· «¿ÁÓˆÛÙË» ڈ̷ï΋ ÂÁηٿÛÙ·ÛË ÛÙËÓ ·ÎÙÔÁÚ·ÌÌ‹ ÙÔ˘ £ÂÚÌ·ïÎÔ‡ Î·È ¿ÏÏ· Â˘Ú‹Ì·Ù·, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 271-283. 2075. ∆ÛÈÌ›‰Ô˘-∞˘ÏˆÓ›ÙË ª., ∫·ÁÈÔ‡ÏË ∞., ∫·˚¿Ê· ∞., ÃÚÈÛÙÔ‰Ô˘Ï›‰Ô˘ ∂., £ÂÛÛ·ÏÔÓ›ÎË extra muros. ∞Ó·ÌÂÓfiÌÂÓ· Î·È ·Ó¤ÏÈÛÙ·, ∞∂ª£ 20, 2006 (2008), ¶Ú·ÎÙÈο, Û. 285-297. 2076. ∆ÛÈÌ›‰Ô˘-∞˘ÏˆÓ›ÙË ª., ∆Ô ·Ó·ÙÔÏÈÎfi ÓÂÎÚÔÙ·ÊÂ›Ô £ÂÛÛ·ÏÔӛ΢. ∞Ú¯·ÈfiÙËÙ˜ ÛÙÔÓ ¯ÒÚÔ ÙÔ˘ ∞.¶.£., ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 247253 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 253: The Eastern Cemetery of Thessaloniki. Antiquities in the Area around the University of Thessaloniki). 2077. ∆ÛÈÌԇ΢ °., ∞ÊÈÂÚˆÙÈΤ˜ ÂÈÁڷʤ˜ Î·È ˘ÔÁڷʤ˜ ˙ˆÁÚ¿ÊˆÓ Û ÊÔÚËÙ¤˜ ÂÈÎfiÓ˜ ÙÔ˘ 18Ô˘ Î·È 19Ô˘ ·È. ·fi ÙÔ ∂ÎÎÏËÛÈ·ÛÙÈÎfi ªÔ˘ÛÂ›Ô Ù˘ πÂÚ¿˜ ªËÙÚÔfiψ˜ §‹ÌÓÔ˘, ¢∂§∏°π∞¡¡∏-¢øƒ∏ E. (2010), Û. 519-534 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 535: Dedicatory Inscriptions and Painters' Signatures on Portable Icons of the 18th and 19th Century from the Ecclesiastical Museum of the Holy Metropolis of Lemnos). 2078. Tsiouris I., The Illustration of the Akathistos Hymnos on the Narthex Walls of the Catholicon of the Archangels Michael and Gabriel Monastery in Arbanassi, Bulgaria (1760), PRASCHKOV L. (2006), Û. 145-157 (‚Ô˘ÏÁ·ÚÈ΋ ÂÚ›ÏË„Ë, Û. 157). 2079. ∆ÛÈÔ˘Ú‹˜ π., ∆ÔȯÔÁÚ·ÊË̤ӷ ÌÓËÌ›· ÙÔ˘ 18Ô˘ ·ÈÒÓ· ÛÙËÓ ÂÚÈÔ¯‹ ÙˆÓ ∞ÁڿʈÓ, ∞∂£™∂ 1 (2006), ¶Ú·ÎÙÈο, Ù. π., Û. 509-527 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 519: Painted monuments of the 18th century in the area Agrafa). 2080. ∆ÛÈÔ˘Ú‹˜ π., √ ÙÔȯÔÁÚ·ÊÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ Ù˘ ∆Ú¿Â˙·˜ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ ¢Ô˘Û›ÎÔ˘ ∆ÚÈÎ¿ÏˆÓ (1727), ∆ÚÈηÏÈÓ¿ 27 (2007), Û. 347-376 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 364: The Fresco Decoration of the Trapeza in the Monastery of Dousikon in Trikala (1727). 2081. ∆ÛÈÔ˘Ú‹˜ π., √È ÙÔȯÔÁڷʛ˜ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ ∞Á›·˜ ∆ÚÈ¿‰Ô˜ ¢Ú·ÎfiÙÚ˘·˜ (1758) Î·È Ë ÌÓËÌÂȷ΋ ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ 18Ô˘ ·ÈÒÓ· ÛÙËÓ ÂÚÈÔ¯‹ ÙˆÓ ∞ÁڿʈÓ, ∞ı‹Ó·: ∂ÏÏËÓÈο °Ú¿ÌÌ·Ù·, 2008. 2082. ∆Û›ÚÏË ™., ‚Ï. ·Ú. 1745.

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2083. ∆ÛÈÙÈÌ¿ÎË ª., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ πÂÚ¿˜ ªÔÓ‹˜ §ÂÈÌÒÓÔ˜, §ÂÈÌÒÓÔ˜ (2009), ¶Ú·ÎÙÈο, Û. 157-185. 2084. ∆Ûfiη ∞ı., ‚Ï. ·Ú. 893. 2085. ∆Ûfiη˜ °Ú., ‚Ï. ·Ú. 1201. 2086. ∆ÛÔÏ¿Î˘ ¶., √ıˆÌ·ÓÈ΋ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÛÙËÓ ∫·ÛÙÔÚÈ¿, ¡π∫√¡∞¡√™ N. (2006), Û. 443-457 (ÁÂÚÌ·ÓÈ΋ ÂÚ›ÏË„Ë, Û. 457: Die Othomanische Architektur Kastorias). 2087. ∆ÛÔÏ¿Î˘ ¶., ∆Ô ÔıˆÌ·ÓÈÎfi ¢ÈÔÈÎËÙ‹ÚÈÔ ÙˆÓ ∆ÚÈοψÓ, ∆ÚÈηÏÈÓÒÓ ™Ô˘‰ÒÓ 8 (2009), ¶Ú·ÎÙÈο, Û. 554-562 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 562: The Ottoman Government House in Trikala). 2088. Tsolakidou A., ‚Ï. ·Ú. 378. 2089. ∆ÛfiÙÛÔ˜ °., ‚Ï. ·Ú. 517. 2090. ∆ÛÔ˘Áηڿ΢ ¢., √ ˙ˆÁÚ¿ÊÔ˜ Ù˘ ÂÎÎÏËÛ›·˜ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘ ÛÙÔ §ÂÈ‚·‰¿ ™ÂÏ›ÓÔ˘, ™√ºπ∞¡√™ ¢. (2007), Û. 295-301. 2091. ∆ÛÔ‡ÏË ª., ‚Ï. ·Ú. 629. 2092. ∆ÛÔ˘Ú‹˜ ∫., ªڛη˜ ∞., µ˘˙·ÓÙÈÓ¤˜ Ô¯˘ÚÒÛÂȘ ÛÙÔÓ Œ‚ÚÔ. π. ªÂÛËÌ‚Ú›·-¶ÔÙ·Ìfi˜-Õ‚·˜-∆Ú·˚·ÓÔ‡ÔÏȘ-º¤Ú˜, µ˘˙·ÓÙÈÓ¿ 26 (2006), Û. 153–209. 2093. ∆ÛÔ˘Ú‹˜ ∫., ‚Ï. ·Ú. 476. 2094. ∆ÛÔ˘Ú‹˜ ∫., ÀÛÙÂÚÔ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÛÙËÓ ∆Ú·˚·ÓÔ‡ÔÏË, ¢Ã∞∂ 28 (2007), Û. 67–74 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 74: A Late Byzantine Church in Trajanoupolis). 2095. ∆ÛÔ˘Ú‹˜ ∫., √È ÙÔȯÔÔț˜ ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ÌÓËÌ›ˆÓ Ù˘ £Ú¿Î˘ 4Ô˜-15Ô˜ ·ÈÒÓ·˜, ¢ÔÌÈΤ˜ ηٷÛ΢¤˜ (2009), ¶Ú·ÎÙÈο („ËÊ. ¤Î‰.) 2096. ∆ÛÔ˘Ú‹˜ ∫., ªÔÓ·ÛÙ‹ÚÈ· ™ÙÚ˘ÌfiÓ· Î·È ƒÔ‰fi˘ (2010), Ï‹ÌÌ. ·Ú. 1.7-8, 3.1-5, 4.3-14, 16-29 (ªÔÓ·ÛÙ‹ÚÈ· ÛÙÔ ™ÙÚ˘ÌfiÓ·), 1.1–5, 3.6–10, 4, 5, 1–9 (ªÔÓ·ÛÙ‹ÚÈ· ÛÙË ƒÔ‰fiË). 2097. ∆ÛÔ‡ÚÏÔ˜ ¶., ‚Ï. ·Ú. 1201. 2098. ∆ÛÔ˘ÙÛÔ˘Ì¤Ë-§ÈfiÏÈÔ˘ ™., ‚Ï. ·Ú. 1527. 2099. ∆ÛÒÙ· ∂., ∑·¯·Ú›·˜ ¡., Mommsen H., ÀÛÙÂÚÔÚڈ̷˚Îfi ÂÚÁ·ÛÙ‹ÚÈÔ ·Ú·ÁˆÁ‹˜ ‹ÏÈÓˆÓ ÚÔïfiÓÙˆÓ ÛÙËÓ ∆·Ó¿ÁÚ·. ¶ÚÔηٷÚÎÙÈ΋ ·ÚÔ˘Û›·ÛË ÛÙÔȯ›ˆÓ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 97-107 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 97: A Late Roman workshop producing ceramic goods at Tanagra. Preliminary presentation of the material). 2100. ÀÊ·ÓÙ‹ ∞., ‚Ï. ·Ú. 674 2101. ÀÊ·ÓÙ‹ ∞., ‚Ï. ·Ú. 676. 2102. º·˚Ù¿ÎË ™Ù., ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ [ª∂ 2007], Ï‹ÌÌ. ·Ú. 190 (∏

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ºÈÏÔÍÂÓ›· ÙÔ˘ ∞‚Ú·¿Ì (∞Á›· ∆ÚÈ¿˜), ÚÒÙÔ ÌÈÛfi 17Ô˘ ·È.), 191 (√ ∂˘·ÁÁÂÏÈÛÌfi˜ Ù˘ £ÂÔÙfiÎÔ˘, ÚÒÙÔ ÌÈÛfi 17Ô˘ ·È.), 192 (∏ ∂Ș Õ‰Ô˘ ∫¿ıÔ‰Ô˜, 17Ô˜ ·È.), 193 (∏ µ¿ÙÈÛË, 17Ô˜ ·È.), 194 (∏ µ¿ÙÈÛË, 17Ô˜ ·È.), 195 (∏ ™Ù·‡ÚˆÛË, ·Ú¯¤˜ 17Ô˘ ·È.), 197 (∑ˆÁÚ¿ÊÔ˜ πˆ·ÎÂ›Ì §·Ì¿Ú‰Ô˜: ∏ ŒÁÂÚÛË ÙÔ˘ §·˙¿ÚÔ˘, ·Ú¯¤˜ 18Ô˘ ·È.), 198 (∑ˆÁÚ¿ÊÔ˜ §¤Ô˜ ªfiÛ¯Ô˜: ∏ ∞Ôηı‹ÏˆÛË, 1667), 205 (∏ ªÂÙ·ÌfiÚʈÛË Î·È ÙÔ ‰ˆ‰ÂοÔÚÙÔ, ·Ú¯¤˜ 18Ô˘ ·È.), 210 (∆Ô ÚÒÙÔ ¿ÚıÚÔ ÙÔ˘ ™˘Ì‚fiÏÔ˘ Ù˘ ¶›ÛÙˆ˜, Ù¤ÏÔ˜ 17Ô˘ ·È.), 217 (∆Ô fiÓÂÈÚÔ ÙÔ˘ π·ÎÒ‚, ·Ú¯¤˜ 18Ô˘ ·È.). 2103. º·ÓÙ¿Î˘ °., ¶·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ Î·È ¶ÚˆÙÔ‚˘˙·ÓÙÈÓ‹ ∫›Û·ÌÔ˜. ™ˆÛÙÈ΋ ·Ó·Ûηʋ ÛÙÔ ÔÈÎfiÂ‰Ô µÂÚÁÂÚ¿ÎË - ª·ÏÂÊ¿ÎË - ¶··ÛÙ·Ì·Ù¿ÎË, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û.732-744 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 738: Early Christian and early Byzantine Kissamos. Rescue excavation at Vergerakis - Malefakis - Papastamatakis field). 2104. º·Ú¿ÓÙÔ˜ Ã., √ ·ÁÈÔÁÚ¿ÊÔ˜ πˆ¿ÓÓ˘ ·' ÙËÓ µ˘˙›ÙÛ· ÙÔ˘ ¶ËÏ›Ô˘ Î·È ÙÔ ¤ÚÁÔ ÙÔ˘ ÛÙË ‚fiÚÂÈ· ∂‡‚ÔÈ· (1829-1867), ∞∂˘‚ª 38 (2008-2009) [2010], Û. 69-84. 2105. º·Ú̷ηϛ‰Ô˘ ∂.-µ., °ÎÈÒÓ˘ µ., ÃÚ˘ÛÈÎfi˜ °., ∏ ÂͤٷÛË, ·Ó¿Ï˘ÛË Î·È Û˘ÓÙ‹ÚËÛË Ù˘ ÂÈÎfiÓ·˜ Ù˘ ∞ÔηıËÏÒÛˆ˜ ·fi ÙË ™˘ÏÏÔÁ‹ ∞Ó‰Ú¿‰Ë, ªÔ˘ÛÂ›Ô ªÂÓ¿ÎË 8 (2008), Û. 117-130 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 130: Examination, analysis and conservation of the icon of the Deposition in the Andreadis Collection). 2106. ºÈÏ‹˜ ∫., ‚Ï. ·Ú. 1933. 2107. º›ÏÈÔ˘ ¢., ‚Ï. ·Ú. 1596. 2108. ºÈÏ›·-Touchais Õ., √ Ó·fi˜ ÙˆÓ ∞Á›ˆÓ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ Î·È ∂ϤÓ˘ (ÚÒËÓ Ù˙·Ì›) ÛÙÔ ÕÚÁÔ˜: Û˘Ì‚ÔÏ‹ ÛÙË ÌÂϤÙË ÙÔ˘ ÌÓËÌ›Ԣ, ªÓ‹ÌË ∆·ÛԇϷ˜ √ÈÎÔÓfiÌÔ˘ (2009), ¶Ú·ÎÙÈο, Û. 177-204 [Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 203-204: L’église Saints-Constantin-et-Hélène (ex-mosquée) à Argos: contribution à l’étude du monument]. 2109. Philotheou G., The Church and tomb of Aghios Athanasios Pentaschoinitis: An significant place of pilgrimage on Cyprus, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 227-242 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 493-497: √ Ó·fi˜ Î·È Ô Ù¿ÊÔ˜ ÙÔ˘ ∞Á›Ô˘ ∞ı·Ó·Û›Ô˘ ÙÔ˘ ¶ÂÓÙ·Û¯ÔÈÓ›ÙË: ŒÓ· ÛËÌ·ÓÙÈÎfi ÚÔÛ·ÓËÌ· Ù˘ ∫‡ÚÔ˘). 2110. ºÈÔÏÈÙ¿ÎË ∞., √ ÁÏ˘Ùfi˜ ‰È¿ÎÔÛÌÔ˜ Ù˘ ÎÚ‹Ó˘ Ù˘ ªÔÓ‹˜ µÚÔÓÙËÛ›Ô˘, °Ï˘ÙÈ΋ §·ÙÈÓÈ΋˜ ∞Ó·ÙÔÏ‹˜ (2007), ¶Ú·ÎÙÈο, Û. 164-179 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 179: Ornamental sculpture on the fountain at Vrontisi monastery, Crete). 2111. ºÈÔÏÈÙ¿ÎË ∞., ∞Ó·ÛηÊÈ΋ ¤Ú¢ӷ ÛÙËÓ ı¤ÛË «∫ÂÊ·Ï¿» ÏËÛ›ÔÓ ÙÔ˘ ÔÈÎÈÛÌÔ‡ ÙˆÓ µÚ˘ÛÒÓ ÙÔ˘ ¢‹ÌÔ˘ ∫Ú˘ÔÓÂÚ›‰·˜, ¡ÔÌÔ‡ ÷ӛˆÓ, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 745-753 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 750: The

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rescue excavation at the site of Kephala near the village Vrisses, Municipality of Krionerida, Chania). 2112. Flourentzos P., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 30-32 (Silver plates with scenes from the life of David; Constantinople, 613-629/30), 40 (A pair of gold earrings; Constantinople(?), sixth or seventh century), 41 (Chain ornament and coin; Constantinople(?), sixth-seventh century), 42 (Silver plate with cross; Constantinople, 613-629/30), 43 (Silver plate with cruciform monogram; Constantinople, 602-10), 122 (Necklace; Constantinople(?), seventh century). 2113. ºÏÒÚÔ˘ ∫., ∂ÈÎfiÓ˜ ÙÔ˘ 16Ô˘ ·ÈÒÓ· ·fi Ù· µÚ·ÁÁÈ·Ó¿ Ù˘ ∂˘Ú˘Ù·Ó›·˜ – ¶ÚÒÙË ÚÔÛ¤ÁÁÈÛË ÛÙËÓ Ù¤¯ÓË ÙÔ˘ 16Ô˘ ·ÈÒÓ· ÛÙËÓ ∂˘Ú˘Ù·Ó›·, £ÂÛÛ∏Ì 53 (2008), Û. 289-314. 2114. ºÏÒÚÔ˘ ∫. ∆Ô Í˘ÏfiÁÏ˘ÙÔ Ù¤ÌÏÔ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ∆Û·ÚÈÙÛ¿Ó˘: 17Ô˜ ·ÈÒÓ·˜, ∞∂£™∂ 2 (2009), ¶Ú·ÎÙÈο, Ù. π, Û. 641-656 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 650: The wood-carved iconostasis of the church of saint Nicholas in Tsaritsani (seventeenth century)]. 2115. ºÏÒÚÔ˘ ∫., √ ‚˘˙·ÓÙÈÓfi˜ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ¶ÚÔ‰ÚfiÌÔ˘ ™ÂÚ›ÊÔ˘, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 106-107. 2116. Foukaneli G., Pilgrimage to South Sinai: Biblical traditions and the veneration of saints in the environment of the Sinai monastic community, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 341-347 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 515-517: ¶ÚÔÛ·ÓËÌ· ÛÙÔ ¡fiÙÈÔ ™ÈÓ¿: µÈ‚ÏÈΤ˜ ·Ú·‰fiÛÂȘ Î·È ÙÈÌ‹ ·Á›ˆÓ ÛÙÔ ÂÚÈ‚¿ÏÏÔÓ Ù˘ ÛÈÓ·˚ÙÈ΋˜ ÌÔÓ·ÛÙÈ΋˜ ÎÔÈÓfiÙËÙ·˜). 2117. ºÔ‡ÏÈ·˜ ∞., √‰ÔÈÔÚÈÎfi ∫˘ÚËÓ›·˜ (2006), Û. 144-147 (ÈÚÈfi ∂ÏÈ¿, Ó·fi˜ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘, ªÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜), 148-149 (ÈÚÈfi ∂ÏÈ¿, Ó·fi˜ ∞Ú¯·ÁÁ¤ÏÔ˘ ªÈ¯·‹Ï, ªÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜), 208-213 (ÈÚÈfi ∫·Ú·‚¿˜, ªÔÓ‹ ∞¯ÂÈÚÔÔÈ‹ÙÔ˘, ¶ÚˆÙÔ‚˘˙·ÓÙÈÓ‹/ªÂÛÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜), 296-299 (ÈÚÈfi ∫ÏÂ›ÓË, ¡·fi˜ ∞ÔÛÙfiÏÔ˘ §Ô˘Î¿, ªÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜), 300-302 (ÈÚÈfi ∫ÏÂ›ÓË, ¡·fi˜ ¶·Ó·Á›·˜ Ù˘ ∫ÏÂÈÓÈÒÙÈÛÛ·˜ ªÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜), 303 (ÈÚÈfi ∫ÏÂ›ÓË, ∂Ú›È· ·ÚÂÎÎÏËÛ›Ô˘ ¶·Ó·Á›·˜ Ù˘ ∫·Úο˜, ·¯ÚÔÓÔÏfiÁËÙÔ), 372-373 (ÈÚÈfi §È‚ÂÚ¿, ¡·fi˜ ∞Á›ˆÓ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ Î·È ∂ϤÓ˘, ªÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜), 374-375 (ÈÚÈfi §È‚ÂÚ¿, µ·ÛÈÏÈ΋ ÙÔ˘ °·Ï·Ï¿, ¶ÚˆÙÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜), 376-377 (ÈÚÈfi §È‚ÂÚ¿, ∆ÔÔıÂÛ›· «ÚÔÛ΢ÓËÙ¿ÚÈ», «∆Ô ÓÂÚfi ÙˆÓ ∞ÔÛÙfiψӻ, ·¯ÚÔÓÔÏfiÁËÙÔ: ÚfiÎÂÈÙ·È ÁÈ· ÙÔÔıÂÛ›· Ì ÚÔÛ΢ÓËÙ¿ÚÈ Û‡Á¯ÚÔÓÔ, fiÔ˘ Û‡Ìʈӷ Ì ÙËÓ ·Ú¿‰ÔÛË ·Ô‚È‚¿ÛÙËÎ·Ó ÔÈ ·fiÛÙÔÏÔÈ ¶·‡ÏÔ˜ Î·È µ·ÚÓ¿‚·˜, Ô˘ ·Ó·Ê¤ÚÂÙ·È fï˜ Û ÁÚ·Ù‹ ËÁ‹ ÙÔ˘ 4Ô˘-5Ô˘ ·È.), 378-379 (ÈÚÈfi §È‚ÂÚ¿, §·˚΋ ·Ú¿‰ÔÛË ÁÈ· ÙÔÓ ÕÁÈÔ ª¿Ì· ÛÙÔ ∞ÎÚˆÙ‹ÙÈÔ ∫ÔÚ̷ΛÙ˘), 430 (ÈÚÈfi ∆Ú¿Â˙·, ‰ÂÓ ÂÓÙÔ›ÛÙËΠӷfi˜), 452-455 (ÈÚÈfi ÿÚÙ˙È·, ¡·fi˜ ∞Ú¯·ÁÁ¤ÏÔ˘ ªÈ¯·‹Ï, ªÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜), 456-459 (ÈÚÈfi ÿÚÙ˙È·, ¡·fi˜ ∞Á›Ô˘ ª¿Ì·ÓÙÔ˜, ÛÙÔ ªÂÏ·Ó›Û˘ÎÔ, ÂÚ›È·, ·¯ÚÔÓÔÏfiÁËÙÔ), 492-495 (ÈÚÈfi ÿÚÙ˙È·, ¡·fi˜ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ Ù˘

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∞Ù(Ù)¿ÏÔ˘, ÀÛÙÂÚÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜), 496-499 (ÈÚÈfi ÿÚÙ˙È·, ªÔÓ‹ ∞Á›Ô˘ ª·Î·Ú›Ô˘/∞ÚÌÂÓÔÌÔÓ¿ÛÙËÚÔ, ªÂÛÔ‚˘˙·ÓÙÓ‹ ÂÚ›Ô‰Ô˜;). 2118. ºÔ‡ÏÈ·˜ ∞., °ÂÚÔÛ΋Ô˘ (2008), Û. 61-72 (√ Ó·fi˜ Ù˘ ∞Á›·˜ ¶·Ú·Û΢‹˜. ∞Ú¯ÈÙÂÎÙÔÓÈ΋ Î·È ÚÒÈÌË ‰È·ÎfiÛÌËÛË), 95-112 (¡·Ô›, ·ÛÎËÙ‹ÚÈ· Î·È ÎÔÈÌËÙ‹ÚÈ·). 2119. ºÔ‡ÏÈ·˜ ∞., ÕÁÈÔÈ ™·Ú¿ÓÙ·/Kirklar Tekke: ªÈ· Ó¤· ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋ ‚·ÛÈÏÈ΋, ∫˘Ú™ 69 (2008), Û. 3-24 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 23-24: Agioi Saranta (Forty Martyrs)/Kirklar Tekke: A New Early Christian Basilica]. 2120. ºÔ‡ÏÈ·˜ ∞., ∆Ô „ËÊȉˆÙfi Ù˘ ·„›‰·˜ ÛÙËÓ ¶·Ó·Á›· ∞ÁÁÂÏfiÎÙÈÛÙË ∫ÈÙ›Ô˘, EKMIMK‡ÎÎÔ˘ 8 (2008), Û. 269-334. 2121. ºÔ˘ÓÙ¿˜ ¶., ¶·Ú·ÓÔ‹ÛÂȘ Ô˘Û›·˜ ηٿ ÙËÓ ÁÚ·Ù‹ ÌÂÙ·‚›‚·ÛË ÚÒÈÌˆÓ Ù¯ÓÈÎÒÓ fiÚˆÓ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 96-97. 2122. ºÔ˘ÓÙ¿˜ ¶., ª›· ηٷÛÙÚÔÊÈ΋ ÛÂÈÛÌÈ΋ ·ÎÔÏÔ˘ı›· ηٿ ÙÔÓ 13Ô ·ÈÒÓ· ˆ˜ ¯ÚÔÓÔÏÔÁÈÎfi terminus ÁÈ· ÂÂÌ‚¿ÛÂȘ Û ÌÓËÌ›· ÌÈ·˜ Â˘Ú‡Ù·Ù˘ ÁˆÁÚ·ÊÈ΋˜ ¤ÎÙ·Û˘, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 99-100. 2123. ºÔ˘ÓÙ¿˜ ¶., ∞ÈÙÈÔÏÔÁÈ΋ ÚfiÙ·ÛË ÁÈ· ÙËÓ ÂÓۈ̿وÛË ‰˘ÙÈÎfiÙÚÔˆÓ ÛÙÔȯ›ˆÓ ÛÙÔ˘˜ Ó·Ô‡˜ Ù˘ ∏Ï›·˜: µÏ·¯¤ÚÓ· Î·È ∫·ıÔÏÈ΋, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 124-125. 2124. ºÔ˘ÓÙ¿˜ ¶., ∞ÁÈÔÚ›ÙÈη Έ‰ˆÓÔÛÙ¿ÛÈ·: Ë Û˘Ì‚ÔÏ‹ Ù˘ ÌÔÚÊÔÏÔÁ›·˜ Ù˘ ·Óˆ‰ÔÌ‹˜ ÛÙËÓ ÂÓ›Û¯˘ÛË Î·È «Ú‡ıÌÈÛË» ÙÔ˘ ‹¯Ô˘ Ù˘ Έ‰ˆÓÔÎÚÔ˘Û›·˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 108-109. 2125. ºÔ˘ÓÙÔ‡ÏË ª., ‚Ï. ·Ú. 577. 2126. ºÔ˘ÓÙÔ‡ÏË ª., ‚Ï. ·Ú. 1381. 2127. ºÔ˘ÛÙ¤Ú˘ °., ‚Ï. ·Ú. 739. 2128. ºÔ˘ÛÙ¤Ú˘ °., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙÔ ÂÈÎÔÓÔÁÚ·ÊÈÎfi ÚfiÁÚ·ÌÌ· ÙÔ˘ ∞Á›Ô˘ ∞ı·Ó·Û›Ô˘ §ÂÔÓÙ·Ú›Ô˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 98-99. 2129. ºÔ˘ÛÙ¤Ú˘ °., ¶·Ï·Èfi ηıÔÏÈÎfi ªÔÓ‹˜ •ÂÓÔÊÒÓÙÔ˜: Û˘Ó¿ÏÏËÏ· ÂÈÎÔÓÔÁÚ·ÊÈο ÚÔÁÚ¿ÌÌ·Ù·, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 121-122. 2130. ºÔ˘ÛÙ¤Ú˘ °., ∏ ÏÂÈ„·ÓÔı‹ÎË ÙÔ˘ ·Á›Ô˘ ¡‹ÊˆÓÔ˜ ÛÙË ÌÔÓ‹ ¢ÈÔÓ˘Û›Ô˘ ∞Á›Ô˘ ŸÚÔ˘˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 101-102. 2131. ºÔ˘ÛÙ¤Ú˘ °., ™Â ·Ó·˙‹ÙËÛË ÙˆÓ ˙ˆÁÚ¿ÊˆÓ ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ÌÔÓ‹˜ µÏ·Ù¿‰ˆÓ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 126-127. 2132. ºÔ˘ÛÙ¤Ú˘ °., ‚Ï. ·Ú. 1960. 2133. ºÚ·˚‰¿ÎË ∞., ∞Ó·Ûηʋ Ù˘ ·Ï·ÈÔ¯ÚÈÛÙÈ·ÓÈ΋˜ ‚·ÛÈÏÈ΋˜ ÛÙÔ ¶¤Ú·Ì· ¢‹ÌÔ˘ °ÂÚÔÔÙ¿ÌÔ˘ 2004-2006 (·ÁÚfi˜ ÈÓÈ·Ó¿ÎË), ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 532-542 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 538: Rescue Excavation at Palaiokklissia, Perama, Province of Milopotamos 2004-2006).

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2134. Frigerio-Zeniou St., Gravures allemandes dans les ateliers de peintres crétois, ¢Ã∞∂ 27 (2006), Û. 365-370 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 370: °ÂÚÌ·ÓÈο ¯·Ú·ÎÙÈο Û ÂÚÁ·ÛÙ‹ÚÈ· ÎÚËÙÈÎÒÓ ˙ˆÁڿʈÓ). 2135. Frigerio-Zeniou St., Lazoviç M., avec la collaboration de MartinianiReber M., Icônes de la collection du Musée d’art et d’histoire, Genève, GenèveMilan 2006. 2136. Frigerio-∑¤ÓÈÔ˘ ™Ù., «√È ¿Ó‰Ú˜ Ù˘ ˙ˆ‹˜ ÌÔ˘»: ÎfiÌ̈ÛË Î·È ÂÓ‰˘Ì·Û›· Û·Ó ÈÛÙÔÚÈÎfi ‰Â‰Ô̤ÓÔ ÛÙËÓ ∫‡ÚÔ ÙÔ˘ 16Ô˘ ·ÈÒÓ·, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 24-25. 2137. Frigerio-Zeniou St., TZENIOC ¶∞¶∞§∂√¡∆π√À ¶ƒ∂∆√ƒπ, portraitiste, ∂ÂÙËÚ›‰· ∫∂∂ XXXIII (2007), Û. 227-260. 2138. Frigerio-∑¤ÓÈÔ˘ ™Ù., TZENIOC ¶∞¶∞§∂√¡∆π√À ¶ƒ∂∆√ƒπ ∏CC∆√ƒπC∂¡ / ∞º•µ Ã(ƒπC∆√)À, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 38-39. 2139. Frigerio-Zeniou St., Circulation de modèles: la Madonna di Loreto à Chypre, ∂ÂÙËÚ›‰· ∫∂∂ XXXIV (2008), Û. 137-141. 2140. Frigerio-Zeniou St., Circulation de modèles: la Madonna di Loreto à Chypre, ∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 159-160. 2141. Frigerio-∑¤ÓÈÔ˘ ™Ù., ∏ ÂÈÎfiÓ· ÙÔ˘ ª·ÓÔ¤Ï ∆Â˙ÈϤÙ, ∫‡ÚÔ˜ 1510, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 42-43. 2142. Frigerio-∑¤ÓÈÔ˘ ™Ù., ÕÁÈÔÈ ∞Ó¿ÚÁ˘ÚÔÈ Î·È ¯ÂÈÚÔ˘ÚÁÈΤ˜ ÂÂÌ‚¿ÛÂȘ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 41-42. 2143. ºÚÈÙ˙›Ï·˜ ™Ù., ¶‹ÏÈÓ˜ ÛÊÚ·Á›‰Â˜ ¿ÚÙÔ˘ Ù˘ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. ∞’, Û. 320-332 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 320: Late Antique clay bread stamps). 2144. º‡ÛÛ·˜ ¡., ªÂÙ·‚˘˙·ÓÙÈÓ¿ ÎÂÈÌ‹ÏÈ· Ù˘ ÕÓ‰ÚÔ˘. ∫·Ù¿ÏÔÁÔÈ Û΢ÔÊ˘Ï·Î›ˆÓ ÙˆÓ ÂÓ ÏÂÈÙÔ˘ÚÁ›· ÌÔÓÒÓ, ∫·˝ÚÂÈÔ˜ µÈ‚ÏÈÔı‹ÎË, ∞Ó‰Úȷο ÃÚÔÓÈο, ∞ı‹Ó· 2007. 2145. Fyssas N., Moses honoured as patron of the monastery of Sinai, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 243-255 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 497-503: √ ªˆ˘Û‹˜ ˆ˜ ÙÈÌÒÌÂÓÔ˜ ÔÏÈÔ‡¯Ô˜ ÛÙËÓ πÂÚ¿ ªÔÓ‹ ™ÈÓ¿). 2146. º‡ÛÛ·˜ ¡., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú. 28 (∂ÈÎfiÓ· Ù˘ ÈÛÙfiÚËÛ˘ ÙÔ˘ ™ÈÓ¿, Ù¤ÏË 17Ô˘-·Ú¯¤˜ 18Ô˘ ·È.). 2147. ºˆÛÎfiÏÔ˘ ∞., ‚Ï. ·Ú. 965. 2148. Foskolou V., «In the Reing of the Emperor of Rome…»: Donor Inscriptions and Political Ideology in the Time of Michael VIII Paleologos, ¢Ã∞∂ 27 (2006), Û. 455-462 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 462: «µ·ÛÈχÔÓÙÔ˜ ÂȘ ƒÒÌËÓ ¿Ó·ÎÙÔ˜...»: ∫ÙËÙÔÚÈΤ˜ ÂÈÁڷʤ˜ Î·È ÔÏÈÙÈ΋ ȉÂÔÏÔÁ›· ÙËÓ ÂÔ¯‹ ÙÔ˘ ªÈ¯·‹Ï ∏’ ¶·Ï·ÈÔÏfiÁÔ˘).

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2149. Foskolou V., Byzantium on the Web: new technologies at the service of museums and educational institutions for the presentation of Byzantine culture, BZ 100 (2007), Û. 629-636. 2150. Foskolou V., Eine Reise zu den Wallfahrtsstätten des östlichen Mittelmeerraums: «Souvenirs», Bräuche und Mentalität des Wallfahrtswesens, Peregrinations vol. 2.2 (2007)-∏ÏÂÎÙÚÔÓÈ΋ ¤Î‰ÔÛË, http://peregrinations. kenyon.edu/vol2-2/FeaturedSection/Foskolou.pdf. 2151. ºˆÛÎfiÏÔ˘ µ., ∂˘ÏÔÁ›Â˜: ·ÚÔ˘Û›·ÛË ÙÔ˘ ÂÚ¢ÓËÙÈÎÔ‡ ÚÔÁÚ¿ÌÌ·ÙÔ˜ ÙÔ˘ ¶·ÓÂÈÛÙËÌ›Ô˘ ∫Ú‹Ù˘ ÁÈ· ÙË ÌÂϤÙË ÙˆÓ ·Ó·ÌÓËÛÙÈÎÒÓ ÚÔÛÎ˘Ó‹Ì·ÙÔ˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 123 2152. Foskolou V., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 203 (Pendant with Christ Pantokrator; Constantinople(?), eleventh or twelfth century in a sixteenth-century mount). 2153. ºˆÛÎfiÏÔ˘ µ., ∏ ‚˘˙·ÓÙÈÓ‹ ∞›ÁÈÓ·. πÛÙÔÚÈΤ˜ Î·È ·Ú¯·ÈÔÏÔÁÈΤ˜ Ì·ÚÙ˘Ú›Â˜, ∞ÚÁÔÛ·ÚˆÓÈÎfi˜ 1 (2008), ¶Ú·ÎÙÈο, Û. 73-87. 2154. ºˆÛÎfiÏÔ˘ µ., «¢˘ÙÈΤ˜ ÂȉڿÛÂȘ» ÛÙËÓ Ù¤¯ÓË Ù˘ Ï·ÙÈÓÈÓÔÎÚÙÔ‡ÌÂÓ˘ ∞Ó·ÙÔÏ‹˜: ªÈ· ÚfiÙ·ÛË ÈÛÙÔÚÈ΋˜ ·Ó¿ÁÓˆÛ˘, ¶∞¶∞¢∞∫∏OEKLAND ™Ù., ªÓ‹ÌË (2009), Û. 145-155. 2155. ºˆÙÈ¿‰Ë˜ ¶., ÃÔ˘¯Ô‡Ù·˜ °., √ ¯ÂÈÚfiÁÚ·ÊÔ˜ ÎÒ‰Èη˜ ·Ú. 4 ÙÔ˘ Û΢ÔÊ˘Ï·Î›Ô˘ Ù˘ ÌÔÓ‹˜ µ·ÙÔ‰›Ô˘. ™˘ÓÙ‹ÚËÛË-∆ÂÎÌËÚ›ˆÛË, ¢ÂοÙË 2 (20052006), Û. 19-33 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 33: Codex ms. 4 of the Vatopedi Monastery. Conservation-Documentation). 2156. Fotiadis P., Athos [Paris 2009], Ï‹ÌÌ. ·Ú. 3 (Inscription-Borne militaire, 383-392), 35 (Tétraévangile-Apocalypse, seconde moitié du XIe siècle), 37 (Tétraévangile avec notations musicales, Deuxième quart du Xe siècle), 38 [Sermons et épîtres de Georges de Nazianze (dit «le Théologien»), seconde moitié du Xe siècle), 57 (Homélies de saint Jean Chrysostome, 1335), 58 (Évangile, 1340-1341), 59 [Œuvres de saint Grégoire de Nysse, deuxième quart du XIVe siècle (vers 1340)], 60 (Psauter, 1346), 84 (Tétraévangile avec commentaires patristiques, fin XIe- première moitié du XIIe siècle), 104 (Tétraévangile, 1433), 121 (Tétraévangile, XIIIe siècle), 125 (Liturgie des Présanctifiés, 1374), 177 (Proskynetarion des Lieux Saints, 1680). 2157. Chalkia Eu., La scultura paleocristiana di Nicopoli. Alcune considerazioni, CIAC 14 (2006), ¶Ú·ÎÙÈο, Û. 281-287. 2158. ÷ÏÎÈ¿ ∂˘., µª ÃÚÈÛÙÈ·ÓÈ΋ ™˘ÏÏÔÁ‹ [∞ı‹Ó· 2006],ÂÈÛ·ÁˆÁÈο ΛÌÂÓ· ÛÙȘ Û. 53-63 («µ˘˙·ÓÙÈÓfiÓ ªÔ˘Û›ÔÓ: Ó·fi˜ Ù˘ Ù¤¯Ó˘ Î·È Ù˘ ÈÛÙÔÚ›·˜ Ù˘ ÌÂ۷ȈÓÈ΋˜ ∂ÏÏ¿‰Ô˜»), 265 (∏ ̤ÚÈÌÓ· ÁÈ· Ù· ‚˘˙·ÓÙÈÓ¿ ÌÓËÌ›·), 287 (ªÓËÌ›· Û ΛӉ˘ÓÔ. √ fiÏÂÌÔ˜), 290-291, ÛÂ Û˘ÓÂÚÁ·Û›· Ì ÙÔÓ ™Ù. °ÎfiÙÛË, (∏ ÎÚ·ÙÈ΋ ·Ú¤Ì‚·ÛË. ªÓËÌ›· ·fi ÂÚÈÔ¯¤˜ ÂÎÙfi˜ ÙˆÓ ÂÏÏËÓÈÎÒÓ Û˘Ófi-

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ÚˆÓ), 340 (√ ÂÌÏÔ˘ÙÈÛÌfi˜ ÙˆÓ Û˘ÏÏÔÁÒÓ. «∫ÂÈÌ‹ÏÈ· ¶ÚÔÛʇÁˆÓ»), 351-352 (∞fi ÙÔ §È‚fiÚÓÔ) Î·È Ï‹ÌÌ. ·Ú. 32-40, 365-367, 369-382.2, 383-387.3, 447, 450, 452-453, 455, 457, 482, 485-486, 587-590, 591.2-592.3, 603-604.1, 621.1-625, 637641, 647-648, 658, 663, 665-666, 673-675. 2159. ÷ÏÎÈ¿ ∂˘., ™˘ÌÏËڈ̷ÙÈ΋ ·Ó·Ûηʋ ÛÙË ‚·ÛÈÏÈ΋ ¢ Ù˘ ¡ÈÎfiÔÏ˘. ∆· Ó¤· Â˘Ú‹Ì·Ù·, ¡ÈÎfiÔÏȘ 2 (2007), ¶Ú·ÎÙÈο, Û. 659-666. 2160. ÷ÏÎÈ¿ ∂˘., ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ [ª∂ 2007], Ï‹ÌÌ. ·Ú. 89 (ÂÈÎÔÓ›‰ÈÔ ·fi ÔÊ›ÙË Ï›ıÔ, Ë ¶·Ó·Á›· ‰ÂÔ̤ÓË, 13Ô˜ ·È.;), 91 (η̤Ԙ Ì ÙÔÓ ¿ÁÈÔ ¡ÈÎfiÏ·Ô, 13Ô˜-14Ô˜ ·È.), 92 (ÂÈÎÔÓ›‰ÈÔ ·fi ÛÙ·ٛÙË Ì ÙÔÓ ·Ú¯¿ÁÁÂÏÔ ªÈ¯·‹Ï, 13Ô˜ ·È.;), 93 (·fiÙÌËÌ· ÂÈÎÔÓȉ›Ô˘ ·fi ÛÙ·ٛÙË Ì ÙËÓ ∫Ô›ÌËÛË Ù˘ £ÂÔÙfiÎÔ˘, 14Ô˜ ·È.), 94 (ÂÈÎÔÓ›‰ÈÔ ·fi ÛÙ·ٛÙË Ì ÙË £ÂÔÙfiÎÔ ‚ÚÂÊÔÎÚ·ÙÔ‡Û·, 15Ô˜-16Ô˜ ·È.). 2161. Chalkia ∂u., Byzantium [London 2008], Ï‹ÌÌ. ·Ú. 39 (Amulet; Sixth or seventh century), 110 (Bracelet; Sixth-seventh century), 111 (Buckle; Sixthseventh century), 130 (Chain; Sixth-seventh century), 137 (Bracelets; Sixthseventh century). 2162. ÷ÏÎÈ¿ ∂˘., ‚Ï. ·Ú. 1947. 2163. ÷ÏÎÈ¿ ∂˘., ªÔ˘ÛÂ›Ô µ&à ∞ı‹Ó·˜ [ª∂ 2008], Û. 48-49 (∞fi ÙÔÓ ·Ú¯·›Ô ÎfiÛÌÔ ÛÙÔÓ ‚˘˙·ÓÙÈÓfi), 55-58 (¶·Ï·È¤˜ ÌÔÚʤ˜-¡¤· ۇ̂ÔÏ·), 95-101 (∆fiÔ˜ ·Ó·„‡Íˆ˜: √È ¯ÚÈÛÙÈ·ÓÔ› ÌÚÔÛÙ¿ ÛÙÔ ı¿Ó·ÙÔ), 115 (√ ıËÛ·˘Úfi˜ Ù˘ ª˘ÙÈÏ‹Ó˘). 2164. Chalkia Eu., Ciclo iconografico di San Demetrio su di una icona «Karamanli» del Museo Bizantino di Atene, Griechische Ikonen (2010), ¶Ú·ÎÙÈο, Û. 47-58 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 58: ∂ÈÎÔÓÔÁÚ·ÊÈÎfi˜ ·ÎÏÔ˜ ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘ Û ηڷ̷ÓÏ›‰ÈÎË ÂÈÎfiÓ· ÙÔ˘ µ˘˙·ÓÙÈÓÔ‡ Î·È ÃÚÈÛÙÈ·ÓÈÎÔ‡ ªÔ˘Û›Ԣ). 2165. Chalkia ∂u., Geschichte der christlichen Archaeologie in Griechenland-ein Uberblick, RömQSchr 105 (2010), Û. 129-142. 2166. ÷ÌËÏ¿ÎË ∫., ∆·ÊÈο Û‡ÓÔÏ· ˘ÛÙÂÚÔڈ̷˚ÎÒÓ ¯ÚfiÓˆÓ ·fi ÓÂÎÚÔÙ·ÊÂ›Ô ÛÙÔ ¢‹ÏÈÔÓ µÔȈٛ·˜. ¶ÚÒÙ˜ ·Ú·ÙËÚ‹ÛÂȘ, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ, Û. 580-609 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 580: Late roman burials from a cemetery at Delion, Boeotia. Preliminary remarks). 2167. ÷ڷϿÌÔ˘˜ ™., ‚Ï. ·Ú. 1541. 2168. ÷ڷϿÌÔ˘˜ ™., ªÓËÌ›· ∏›ÚÔ˘ (2008), Û. 217-218 (°·Ú‰›ÎÈ. √ Ó·fi˜ Ù˘ ∞Á›·˜ ∫˘Úȷ΋˜), 235-238 (∑ÂÚ‚Ô¯ÒÚÈ. √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘), 241-244 (¶Ï·ÎˆÙ‹. ∏ ÌÔÓ‹ Ù˘ ªÂÙ·ÌfiÚʈÛ˘ ÙÔ˘ ™ˆÙ‹Ú·). 2169. ÷ڷϿÌÔ˘˜ ™., √ıˆÌ·ÓÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ (2008), Û. 182 (∫Ô‡ÏÈ· ¶·Ú·Ì˘ıÈ¿˜: Ô¯˘Ú‹ ηÙÔÈΛ·).

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2170. ÷ڷϿÌÔ˘˜ ¢., ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙȘ ÙÔȯÔÁڷʛ˜ ÙÔ˘ Ó·Ô‡ ÙÔ˘ ∞Á›Ô˘ ¡ÈÎÔÏ¿Ô˘ ÛÙ· ÃÚ‡Û·Ê· §·ÎˆÓ›·˜, ∞ÚÁÔÏÈÎÒÓ ™Ô˘‰ÒÓ 3 (2006), ¶Ú·ÎÙÈο, Û. 257-268 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 267-268). 2171. ÷ڷϿÌÔ˘˜ ¢., √ ÙÔȯÔÁÚ·ÊÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ ÙÔ˘ Ó·Ô‡ Ù˘ ∞Á›·˜ µ·Ú‚¿Ú·˜ ÛÙËÓ ŒÚËÌÔ ª¿Ó˘, ªÓ‹ÌË ¡ÈÎÔÏ¿Ô˘ µ. ¢Ú·Ó‰¿ÎË (2009), ¶Ú·ÎÙÈο, Û. 197-212. 2172. ÷ÚÈÙfiÔ˘ÏÔ˜ ∂., ∏ ÎÔÓÙÈÓ‹ ÂÓ‰Ô¯ÒÚ· ÙÔ˘ ƒÂı‡ÌÓÔ˘ ηٿ ÙÔÓ ⁄ÛÙÂÚÔ ªÂÛ·›ˆÓ·. ∆ÂÎÌËÚ›ˆÛË Î·È ¯·ÚÙÔÁÚ¿ÊËÛË ÙˆÓ ·Ú¯ÈÙÂÎÙÔÓÈÎÒÓ Î·Ù·ÏÔ›ˆÓ Û ÂÚÈ‚¿ÏÏÔÓ ÁˆÁÚ·ÊÈÎÒÓ Û˘ÛÙËÌ¿ÙˆÓ ÏËÚÔÊÔÚÈÒÓ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 128-129. 2173. ÷گ·Ú¤ ∂. £., ƒˆÛÈο ÔÏÈÙÈÛÙÈο ·Á·ı¿ ÛÙÔ ∂ÏÏËÓÈÎfi πÓÛÙÈÙÔ‡ÙÔ µÂÓÂÙ›·˜ / Russian cultural property in the Hellenic Institute of Venice / Beni culturali Russi nell’Istituto Ellenico di Venezia, ∞ı‹Ó·: ¢È·ÎÔÈÓÔ‚Ô˘Ï¢ÙÈ΋ ™˘Ó¤Ï¢ÛË √ÚıÔ‰ÔÍ›·˜, 2006. 2174. ÷گ·Ú¤ ∂. £., √ ›Ó·Î·˜ Ì ·Ú¿ÛÙ·ÛË ÙˆÓ ·Á›ˆÓ ™ÂÚÁ›Ô˘ Î·È ¡›ÎˆÓÔ˜ Î·È Ë Û˘ÏÏÔÁ‹ ÙˆÓ ÚˆÛÈÎÒÓ ÂÈÎfiÓˆÓ ÙÔ˘ ∂ÏÏËÓÈÎÔ‡ πÓÛÙÈÙÔ‡ÙÔ˘ µÂÓÂÙ›·˜, £ËÛ·˘Ú›ÛÌ·Ù· 36 (2006), Û. 479-528 (ÈÙ·ÏÈ΋ ÂÚ›ÏË„Ë, Û. 528: Il dipinto con i Santi Sergio e Nikon e la collezione di icone russe dell'Istituto Ellenico di Venezia). 2175. Charchare E. Th., Osservazioni sull’iconografia dell’Arcangelo Michele nella pittura postbizantina: un’icona ignota di Franghias Kavertzas, £ËÛ·˘Ú›ÛÌ·Ù· 38 (2008), Û. 337-348 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 348: ¶·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ÂÈÎÔÓÔÁÚ·Ê›· ÙÔ˘ ·Ú¯·ÁÁ¤ÏÔ˘ ªÈ¯·‹Ï ÛÙËÓ ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ˙ˆÁÚ·ÊÈ΋: Ì›· ¿ÁÓˆÛÙË ÂÈÎfiÓ· ÙÔ˘ ºÚ·ÁÁÈ¿ ∫·‚ÂÚÙ˙¿). 2176. ÷گ·Ú¤ ∂. £., ª›· ÎÚËÙÈ΋ ÂÈÎfiÓ· ÙÔ˘ ∞Ú¯·ÁÁ¤ÏÔ˘ ªÈ¯·‹Ï ÛÙÔ πÛÙÔÚÈÎfi ªÔ˘ÛÂ›Ô ªfiÛ¯·˜ Î·È ÙÔ ÌÂÁ¿ÏÔ Ù·Í›‰È Ù˘ / A Cretan Icon of the Archangel Michael in the Museum of History in Moscow and Its Long Journey, ∞Ó·Ûηʋ Î·È ŒÚ¢ӷ 7 (2009), ¶ÂÚÈÏ‹„ÂȘ, ¯ˆÚ›˜ ·Ú›ıÌËÛË ÛÂÏ›‰ˆÓ. 2177. ÷گ·Ú¤ ∂., ∆Ú›Ù˘¯Ô Ì ÛÎËÓ¤˜ ÙÔ˘ ¶¿ıÔ˘˜ ÙÔ˘ ÃÚÈÛÙÔ‡ Î·È ·Á›Ô˘˜ ÛÙÔ ∂ıÓÈÎfi ªÔ˘ÛÂ›Ô Ù˘ µ·ÚÛÔ‚›·˜, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 110-111. 2178. ÷Ù˙Ë·ÓÙˆÓ›Ô˘ ∫., ∆Ô Úfi‚ÏËÌ· Ù˘ ·ÓÙÈÎÂÈÌÂÓÈ΋˜ Î·È ·ÎÚÈ‚Ô‡˜ ÔÓÔÌ·Û›·˜ ÙˆÓ Ù¯ÓÈÎÒÓ ÎÂÓÙËÌ¿ÙˆÓ ÛÙ· ‚˘˙·ÓÙÈÓ¿ ˘Ê¿ÛÌ·Ù·: Ú·ÁÌ·ÙÈÎfiÙËÙ·, ·‰È¤ÍÔ‰· Î·È Èı·Ó¤˜ χÛÂȘ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 124-125. 2179. ÷Ù˙Ë·ÓÙˆÓ›Ô˘ º., ‚Ï. ·Ú. 1929. 2180. ÷Ù˙Ë·ÓÙˆÓ›Ô˘ º., ∆Ô ÎÂÏ› ÙÔ˘ ∆ÈÌ›Ô˘ ¶ÚÔ‰ÚfiÌÔ˘ (¢ÈÔÓ˘Û›Ô˘ ÙÔ˘ ÂÎ ºÔ˘ÚÓ¿) ÛÙȘ ∫·Ú˘¤˜ ∞Á›Ô˘ ŸÚÔ˘˜, ¡π∫√¡∞¡√™ N. (2006), 405-416, [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 415-416: The Timios Prodromos Hermitage (of Dionysios from Fourna) in Karyes, Mount Athos]. 2181. ÷Ù˙Ë·ÓÙˆÓ›Ô˘ º., ¡ÂÒÙÂÚ˜ ·Ú·ÙËÚ‹ÛÂȘ ÛÙȘ ÔÈÎÔ‰ÔÌÈΤ˜ Ê¿ÛÂȘ

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Ù˘ ‰˘ÙÈ΋˜ Ù¤Ú˘Á·˜ Ù˘ ªÔÓ‹˜ ¶·ÓÙÔÎÚ¿ÙÔÚÔ˜ ∞Á›Ô˘ ŸÚÔ˘˜, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 126. 2182. ÷Ù˙Ë·ÓÙˆÓ›Ô˘ º., ¡¤· ÛÙÔȯ›· ¯ÚÔÓÔÏfiÁËÛ˘ ÛÙË ‰˘ÙÈ΋ Ù¤Ú˘Á· Ù˘ ªÔÓ‹˜ ¶·ÓÙÔÎÚ¿ÙÔÚÔ˜ ∞Á›Ô˘ ŸÚÔ˘˜, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 130131. 2183. ÷Ù˙ˉ¿ÎË ¡., ∏ ¢¤ËÛË ÙÔ˘ ∞ÁÁ¤ÏÔ˘ ÛÙÔ ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ Î·È Ë ¯Ú‹ÛË ÙÔ˘ ·ÓıÈ‚fiÏÔ˘ Ù˘ ηٿ ÙÔ 15Ô ·ÈÒÓ·, ¢Ã∞∂ 27 (2006), Û. 283-295 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 296: The Deesis by the Painter Angelos in the Kanellopoulos Museum and the Use of its Anthivolon in the Fifteenth Century). 2184. ÷Ù˙ˉ¿ÎË ¡., ªÔ˘ÛÂ›Ô ∫·ÓÂÏÏÔÔ‡ÏÔ˘ [ª∂ 2007], Ï‹ÌÌ. ·Ú. 103 (√ ¿ÁÈÔ˜ πˆ¿ÓÓ˘ Ô ¶Úfi‰ÚÔÌÔ˜, Á’ ٤ٷÚÙÔ 14Ô˘ ·È.), 104 (∏ ∫Ô›ÌËÛË Ù˘ £ÂÔÙfiÎÔ˘ Ì ÛÎËÓ¤˜ Î·È ·Á›Ô˘˜ ÛÙÔ Ï·›ÛÈÔ, ·Ú¯¤˜ 15Ô˘ ·È.), 106 (∆Ô ÂÓ ÃÒӷȘ ı·‡Ì·, Ù¤ÏÔ˜ 14Ô˘ ·È.), 109 (√ ÃÚÈÛÙfi˜ ÛÙ¤ÊÂÈ ÙÔÓ ¿ÁÈÔ ¢ËÌ‹ÙÚÈÔ Î·È ÙÔÓ ¿ÁÈÔ °ÂÒÚÁÈÔ, Ù¤ÏÔ˜ 14Ô˘-·Ú¯¤˜ 15Ô˘ ·È.), 110 (√È ∆ÚÂȘ πÂڿگ˜, ·’ ÌÈÛfi 15Ô˘ ·È.), 111 (√ ¿ÁÈÔ˜ ÷ڿϷÌÔ˜, Ù¤ÏÔ˜ 15Ô˘ ·È.), 112 (∏ ·Á›· ª·ÙÚÒÓ·, 15Ô˜ ·È.), 113 (¢‡Ô ·Á¤ÓÂÈÔÈ Ì¿ÚÙ˘Ú˜, Ù¤ÏÔ˜ 15Ô˘ ·È.), 114 (√ ¿ÁÈÔ˜ ¢ËÌ‹ÙÚÈÔ˜, Ù¤ÏË 15Ô˘·Ú¯¤˜ 16Ô˘ ·È.), 115 (∏ ·Á›· ∫˘Úȷ΋, ·’ ÌÈÛfi 16Ô˘ ·È.), 123 (√ ÃÚÈÛÙfi˜ ̤Á·˜ ·Ú¯ÈÂÚ‡˜ ¤ÓıÚÔÓÔ˜ Î·È ‰‡Ô ¿ÁÁÂÏÔÈ, Ù¤ÏÔ˜ 15Ô˘ ·È.), 124 (ÕÁÁÂÏÔ˜ Û ÚÔÙÔÌ‹ ̤۷ Û ÌÂÙ¿ÏÏÈÔ, 15Ô˜ ·È.), 125 (∑ˆÁÚ¿ÊÔ˜ ÕÁÁÂÏÔ˜: ·’ ÌÈÛfi 15Ô˘ ·È.), 126 (∏ ¶·Ó·Á›· √‰ËÁ‹ÙÚÈ·, ̤۷ 15Ô˘ ·È.), 127 (√ ¿ÁÈÔ˜ °ÂÒÚÁÈÔ˜ ÎÂÊ·ÏÔÊfiÚÔ˜, ‚’ÌÈÛfi 15Ô˘ ·È.), 128 (√ ÃÚÈÛÙfi˜ ª¤Á·˜ ∞Ú¯ÈÂÚ‡˜, ‚’ ÌÈÛfi 15Ô˘ ·È.), 131 (¶ÈÂÙ¿, Ù¤ÏÔ˜ 15Ô˘ ·È.), 132 (∏ µ·˚ÔÊfiÚÔ˜, Ù¤ÏÔ˜ 15Ô˘ ·È.), 133 (√ ÃÚÈÛÙfi˜ Î·È Ë ™·Ì·Ú›ÙȘ, Ù¤ÏÔ˜ 15Ô˘ ·È.), 134 (∏ ¶·Ó·Á›· √‰ËÁ‹ÙÚÈ·, Á‡Úˆ ÛÙÔ 1500), 135 (∏ ¶·Ó·Á›· °Ï˘ÎÔÊÈÏÔ‡Û·, Ù¤ÏÔ˜ 15Ô˘ ·È.), 136 (¶·Ó·Á›· °Ï˘ÎÔÊÈÏÔ‡Û·, ·Ú¯¤˜ 16Ô˘ ·È.), 138 (√ ∂ÈÙ¿ÊÈÔ˜ £Ú‹ÓÔ˜, Á‡Úˆ ÛÙÔ 1500 Ì ÓÂÒÙÂÚ˜ ÂÈ˙ˆÁÚ·Ê‹ÛÂȘ), 139 (√ ¿ÁÈÔ˜ °ÂÒÚÁÈÔ˜, ·Ú¯¤˜ 16Ô˘ ·È.), 140 (∏ °¤ÓÓËÛË Ù˘ ¶·Ó·Á›·˜, ·Ú¯¤˜ 16Ô˘ ·È.), 141 (¶·Ó·Á›· ÙÔ˘ ¶¿ıÔ˘˜ Ì ÛÎËÓ¤˜ ÙÔ˘ ‚›Ô˘ Ù˘ Î·È ·Á›Ô˘˜, ·Ú¯¤˜ 16Ô˘ ·È.), 143 (¶ÈÂÙ¿-∞Ôηı‹ÏˆÛË, 16Ô˘ ·È.), 144 (¶ÈÂÙ¿-∞Ôηı‹ÏˆÛË, ·Ú¯¤˜ 16Ô˜ ·È.), 145 (√ ¿ÁÈÔ˜ ™ÈÛÒ˘ ÌÚÔÛÙ¿ Û ·ÓÔȯÙfi Ù¿ÊÔ, ̤۷ 16Ô˘ ·È.), 149 (√ ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ ¤ÓıÚÔÓÔ˜, ·Ú¯¤˜ 16Ô˘ ·È.), 150 (∆¤¯ÓË ºÚ¿ÁÁÔ˘ ∫·ÙÂÏ¿ÓÔ˘: √ ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, ̤۷ 16Ô˘ ·È.), 151 (∏ ∂Ș Õ‰Ô˘ ∫¿ıÔ‰Ô˜, ‚’ ÌÈÛfi 16Ô˘ ·È.), 152 (∏ ™Ù·‡ÚˆÛË, ̤۷ 16Ô˘ ·È.), 156 (∆Ú›Ù˘¯Ô: ¢¤ËÛË Î·È ¿ÁÈÔÈ, ‚’ ÌÈÛfi 16Ô˘ ·È.), 158 (√È ¿ÁÈÔÈ ¶¿ÓÙ˜, ‚’ ÌÈÛfi 16Ô˘ ·È.), 159 (√È ¿ÁÈÔÈ ∂Ï¢ı¤ÚÈÔ˜, πˆ¿ÓÓ˘ Ô £ÂÔÏfiÁÔ˜ Î·È ¶·ÓÙÂÏ‹̈Ó, ·’ ÌÈÛfi 16Ô˘ ·È.), 164 (∆¤¯ÓË ªÈ¯·‹Ï ¢·Ì·ÛÎËÓÔ‡: ¶ÚÔÙÔ̤˜ ÙˆÓ ‰Ò‰Âη ·ÔÛÙfiψÓ, ÙÂÏÂ˘Ù·›Ô ٤ٷÚÙÔ 16Ô˘ ·È.), 165 (√ ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, Ù¤ÏÔ˜ 16Ô˘ ·È.), 166 (∑ˆÁÚ¿ÊÔ˜ πÂÚÂÌ›·˜ ¶·ÏÏ·‰¿˜: ·’ ÌÈÛfi 17Ô˘ ·È.), 169 (¶·Ó·Á›· √‰ËÁ‹ÙÚÈ·, Á‡Úˆ ÛÙÔ 1600), 170 (∏ ¶·Ó·Á›· ∫·Ú‰ÈÒÙÈÛÛ·, ·’ÌÈÛfi 17Ô˘ ·È.), 172 (∑ˆÁÚ¿ÊÔ˜ ∂ÌÌ·ÓÔ˘‹Ï §·Ì¿Ú‰Ô˜: ∏ ÎÂÊ·Ï‹ ÙÔ˘ ÃÚÈÛÙÔ‡), 173 (∏ ÎÂÊ·Ï‹ Ù˘ ¶·Ó·Á›·˜, ·Ú¯¤˜ 17Ô˘ ·È.), 174 (∆¤¯ÓË ∂ÌÌ·ÓÔ˘‹Ï §·Ì¿Ú‰Ô˘: √ ¿ÁÈÔ˜ πˆ¿ÓÓ˘ Ô ¶Úfi‰ÚÔÌÔ˜, Ù¤ÏË 16Ô˘-17Ô˜ ·È.), 178 (√ ¿ÁÈÔ˜ ¡ÈÎfiÏ·Ô˜, ·Ú¯¤˜ 17Ô˘ ·È.), 180

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(∑ˆÁÚ¿ÊÔ˜ ºÚ·ÁÁÈ¿˜ ∫·‚ÂÚÙ˙¿˜: √ ¿ÁÈÔ˜ ∞ÓÙÒÓÈÔ˜ Î·È ÛÎËÓ¤˜ ÙÔ˘ ‚›Ô˘ ÙÔ˘, ·’ ÌÈÛfi 17Ô˘ ·È.), 181 (∑ˆÁÚ¿ÊÔ˜ °ÂÒÚÁÈÔ˜ °·‚·ÏÏ¿˜: √ ¿ÁÈÔ˜ ∞ÓÙÒÓÈÔ˜ Î·È ÛÎËÓ¤˜ ÙÔ˘ ‚›Ô˘ ÙÔ˘, ‚’ ٤ٷÚÙÔ 17Ô˘ ·È.), 183 (∏ ·Á›· ∞ÈηÙÂÚ›ÓË, ·’ ÌÈÛfi 17Ô˘ ·È.), 186 (∑ˆÁÚ¿ÊÔ˜ ∂ÌÌ·ÓÔ˘‹Ï ∆˙¿Ó˜: ∆Ú›Ù˘¯Ô, ∏ ¶·Ó·Á›·, ÛÎËÓ¤˜ ‰ˆ‰ÂηfiÚÙÔ˘ Î·È ·ÊÈÂÚˆÙ‹˜, 1610-1690), 200 (√ ÃÚÈÛÙfi˜ ¶·ÓÙÔÎÚ¿ÙˆÚ, ·’ ÌÈÛfi 18Ô˘ ·È.), 206 (√ ·Ú¯¿ÁÁÂÏÔ˜ ªÈ¯·‹Ï, ·’ ÌÈÛfi 17Ô˘ ·È.), 216 (∑ˆÁÚ¿ÊÔ˜ ¡ÈÎfiÏ·Ô˜ ∫·ÏϤÚÁ˘: √È ¿ÁÈÔÈ £Âfi‰ˆÚÔÈ ¤ÊÈÔÈ, 1700). 2185. ÷Ù˙ˉ¿ÎË ¡., √ ¯·Ú·ÎÙ‹Ú·˜ Ù˘ ˙ˆÁÚ·ÊÈ΋˜ ÂÈÎfiÓˆÓ ·fi Ï·ÙÈÓÔÎÚ·ÙÔ‡ÌÂÓ˜ ÂÚÈÔ¯¤˜ Ù˘ ËÂÈÚˆÙÈ΋˜ ∂ÏÏ¿‰·˜ Î·È ÙˆÓ ÓËÛÈÒÓ / The Character of the Painting of Icons from Latin-Held Areas of Mainland Greece and the Islands, ∆ÂÙ¿ÚÙË ™Ù·˘ÚÔÊÔÚ›· / Fourth Crusade (2007), ¶Ú·ÎÙÈο, Û. 113-142. 2186. Chatzidakis N., Devotional Icons, Egeria (2008), Û. 185-190. 2187. ÷Ù˙ˉ¿ÎË ¡., ∞ÁÁÂÏÈ΋ ∂. §·˝Ô˘: ∏ ÚÔÛˆÈÎfiÙËÙ¿ Ù˘, ∂Ή‹ÏˆÛȘ ÂȘ ÌÓ‹ÌËÓ Ù˘ ∞η‰ËÌ·ïÎÔ‡ ∞ÁÁÂÏÈ΋˜ §·˝Ô˘ (1941-2008), (∞η‰ËÌ›· ∞ıËÓÒÓ, 15 ¢ÂÎÂÌ‚Ú›Ô˘ 2009), ¶∞∞ 84 (2009), Ù¯. µ’, Û. 283-291. 2188. ÷Ù˙ˉ¿ÎË ¡., ÃÂÈÚ ∞ÁÁ¤ÏÔ˘ [∞ı‹Ó· 2010], Û. 124-133 (∏ Â›‰Ú·ÛË ÙˆÓ ¤ÚÁˆÓ ÙÔ˘ ∞ÁÁ¤ÏÔ˘ ÛÙÔ˘˜ Û‡Á¯ÚÔÓÔ˘˜ Î·È ÛÙÔ˘˜ ÌÂÙ·ÁÂÓ¤ÛÙÂÚÔ˘˜ ˙ˆÁÚ¿ÊÔ˘˜) Î·È Ï‹ÌÌ. ·Ú. 44 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ÕÁÁÂÏÔ: ∏ ·Á›· ÕÓÓ· Ì ÙËÓ ¶·Ó·Á›·, ‚’ ٤ٷÚÙÔ 15Ô˘ ·È.), 58 (∞Ô‰›‰ÂÙ·È ÛÙÔÓ ¡ÈÎfiÏ·Ô ƒ›Ù˙Ô: √È ¿ÁÈÔÈ ¶¤ÙÚÔ˜ Î·È ¶·‡ÏÔ˜ Ó· ÎÚ·ÙÔ‡Ó ÔÌÔ›ˆÌ· ÂÎÎÏËÛ›·˜, ‚’ ÌÈÛfi 15Ô˘ ·È.-1507). 2189. ÷Ù˙ËȈ·ÓÓ›‰Ë˜ ∞Ï., ‚Ï. ·Ú. 1433. 2190. ÷Ù˙ËÏ·˙¿ÚÔ˘ ¢., √ ÚˆÙÔ‚˘˙·ÓÙÈÓfi˜ ÔÈÎÈÛÌfi˜ Ù˘ ™¯ÔÈÓÔ‡Û·˜, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 103. 2191. ÷Ù˙ËÏ·˙¿ÚÔ˘ ¢., ¶ÚÔηٷÚÎÙÈ΋ ·ÚÔ˘Û›·ÛË Ù˘ ÛˆÛÙÈ΋˜ ·Ó·ÛηÊÈ΋˜ ¤Ú¢ӷ˜ Ù˘ 2˘ ∂ÊÔÚ›·˜ µ˘˙·ÓÙÈÓÒÓ ∞Ú¯·ÈÔÙ‹ÙˆÓ ÛÙÔÓ fiÚÌÔ §È‚¿‰È ÛÙË ™¯ÔÈÓÔ‡Û·, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 132-133. 2192. ÷Ù˙ËÏ·˙¿ÚÔ˘ ¢., ‚Ï. ·Ú. 929. 2193. Hadjitryphonos ∂., Divinity and World. Two Spatial Realms in the Byzantine Church, Hierotopy (2006), ¶Ú·ÎÙÈο, Û. 237-259. 2194. ÷Ù˙ËÙڇʈÓÔ˜ ∂˘., √ Ó·fi˜ ÙˆÓ ∞Á›ˆÓ ∞Ú¯·ÁÁ¤ÏˆÓ ‹ ∆·ÍÈ·Ú¯ÒÓ ÛÙËÓ ∫ÂÚ·ÛÈ¿ ÙÔ˘ ªÂÁ¿ÏÔ˘ ∂Ì‚fiÏÔ˘ (∫·Ú·ÌÔ˘ÚÓÔ‡), ¡π∫√¡∞¡√™ N. (2006), Û. 417-428 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 428: The Church of the Holy Archangels in Kerasia, Megalo Emvolo (Karaburnu)]. 2195. Hadjitryphonos E., The Pilgrimage monument as Space in the Eastern Mediterranean, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 31-48 (ÂÏÏËÓÈ΋ ÂÚ›ÏË„Ë, Û. 469-473: ∆Ô ÚÔÛ΢ÓËÌ·ÙÈÎfi ÌÓËÌÂ›Ô ˆ˜ ¯ÒÚÔ˜ ÛÙËÓ ·Ó·ÙÔÏÈ΋ ªÂÛfiÁÂÈÔ. ∆Ô ¤ÚÁÔ ∂ÁÂÚ›·).

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2196. ÷Ù˙ËÙڇʈÓÔ˜ ∂˘., £ÂˆÚËÙÈ΋ ÚÔÛ¤ÁÁÈÛË ÁÈ· ÙÔ˘˜ ÂÚ› ÙÔÓ ˘Ú‹Ó· ÙˆÓ Ó·ÒÓ ¯ÒÚÔ˘˜, ∞πª√™ 2 (2008), ¶Ú·ÎÙÈο, Û. 10-25. 2197. Hatzitryphonos E., Karagianni Fl., Fallia M., The Development of Monasticism around the lake of Prespa (Greek part) during the Byzantine and Postbyzantine period. The case of the hermitages, Water (2009), ¶Ú·ÎÙÈο, Û. 181-195. 2198. ÷Ù˙ËÙڇʈÓÔ˜ ∂˘., ¶·Ú·ÛÙ¿ÛÂȘ Î·È ·Ó··Ú·ÛÙ¿ÛÂȘ Ù˘ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜ ÛÙÔ µ˘˙¿ÓÙÈÔ. ∏ ÛΤ„Ë ›Ûˆ ·fi ÙËÓ ÂÈÎfiÓ·, ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Û. 132-171. ∞ÁÁÏÈ΋ ·fi‰ÔÛË ÛÙÔ Architecture as Icon [Princeton 2010], Û. 113-154 (Presentations and Representations of Architecture in Byzantium: The Thought behind the Image). 2199. ÷Ù˙˯ÚÈÛÙÔ‰Ô‡ÏÔ˘ ÃÚ., Ÿ„ÂȘ Ù˘ ∫˘Úȷ΋˜ ∂ÎÎÏËÛ›·˜ ̤۷ ·fi ÙËÓ Ù¤¯ÓË: Ë ÂÈÎÔÓÔÁÚ¿ÊËÛË ÙÔ˘ ·˘ÙÔÎÂÊ¿ÏÔ˘ Î·È ÙˆÓ ¿ÏÏˆÓ ÚÔÓÔÌ›ˆÓ Ù˘, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 100-101. 2200. ÷Ù˙˯ÚÈÛÙÔ‰Ô‡ÏÔ˘ ÃÚ., ∏ ÂÈÎfiÓ· Ù˘ ¶·Ó·Á›·˜ Ù˘ π·Ì·ÙÈ΋˜ ÛÙË §ÂÌ›ıÔ˘. ™˘Ì‚ÔÏ‹ ÛÙË ÌÂϤÙË Ù˘ ÌÂÙ·‚˘˙·ÓÙÈÓ‹˜ ˙ˆÁÚ·ÊÈ΋˜ Ù˘ ∫‡ÚÔ˘, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 112-113. 2201. ÷Ù˙Ô‡ÏË °Ï., ∂ÈÎÔÓÔÁÚ·ÊÈΤ˜ ·Ú·ÙËÚ‹ÛÂȘ ÎÙÈÙfiÚˆÓ ·fi ÙËÓ ÔÚÁ·ÓˆÌ¤ÓË ÌÔÓ·ÛÙÈ΋ ·ÚÔ˘Û›· ÙˆÓ ªÂÙÂÒÚˆÓ, ∆ÚÈηÏÈÓ¿ 27 (2007), Û. 277320 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 303-304: Pictorial representation of the founders of the organized monastic Community of Meteora). 2202. ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ‚Ï. ·Ú. 2. 2203. ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ‚Ï. ·Ú. 1186. 2204. ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ‚Ï. ·Ú. 1189. 2205. ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ∏ „ËÊȉˆÙ‹ ÁÈÚÏ¿ÓÙ· ÙÔ˘ ÙÚÔ‡ÏÔ˘ Ù˘ ∞Á›·˜ ™ÔÊ›·˜ £ÂÛÛ·ÏÔӛ΢, £ÂÛÛ·ÏÔÓÈΤˆÓ fiÏȘ 22 (πÔ‡ÓÈÔ˜ 2007), Û. 14-23. 2206. ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ¡ÔÌ›ÛÌ·Ù· Ù˘ Û˘ÏÏÔÁ‹˜ ¶·Ó·ÁȈٛ‰Ë (4Ô˜11Ô˜) ·fi ÙËÓ ·Ú¯·›· ¶‡‰Ó· (‚˘˙·ÓÙÈÓfi ∫›ÙÚÔ˜), ¶ÈÂÚ›· 3 (2008), ¶Ú·ÎÙÈο, Û. 527-543. 2207. ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ™ÎÈ·‰·Ú¤Û˘ °., ¶ÚÔÎÔ›‰Ô˘ ∞., ∞Ó·Ûηʋ ÛÙË ı¤ÛË æËÏ‹ µÚ‡ÛË Ù˘ Œ‰ÂÛÛ·˜, ∂ıÓÈ΋ Ô‰fi˜ £ÂÛÛ·ÏÔӛ΢–ºÏÒÚÈÓ·˜ (2008), Û. 124-143. 2208. ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ‚Ï. ·Ú. 1707. 2209. ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ‚Ï. ·Ú. 1200. 2210. ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., ™ÎÈ·‰·Ú¤Û˘ °., ¶ÚÔÎÔ›‰Ô˘ ∞., ∞Ó·Ûηʋ ÛÙË ı¤ÛË «æËÏ‹ ‚Ú‡ÛË» Ù˘ Œ‰ÂÛÛ·˜, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 69-76 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 76: Excavation at the Site of Psili Vrisi, Edessa).

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2211. ÃϤ· ∂.-Õ., √ ‰ÈÂıÓ‹˜ Ô›ÎÔ˜ „ËÊȉˆÙÒÓ Salviati Ù˘ µÂÓÂÙ›·˜ ÛÙÔ ¢·ÊÓ›. ∏ ÚÒÙË Û˘ÓÙ‹ÚËÛË ÙˆÓ „ËÊȉˆÙÒÓ (1890-1893) ‚¿ÛÂÈ ÙˆÓ ·Ú¯ÂÈ·ÎÒÓ ËÁÒÓ, Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 127-128. 2212. ÃϤ· ∂.-Õ., ∆· ‚˘˙·ÓÙÈÓ¿ ÌÓËÌ›· ÛÙËÓ ∂ÏÏ¿‰·: ∞ÓÙÈÚÔÛˆ¢ÙÈΤ˜ ÂÂÌ‚¿ÛÂȘ Î·È ·ÔηٷÛÙ¿ÛÂȘ (1833-1939), ·‰ËÌÔÛ›Â˘ÙË ‰È‰·ÎÙÔÚÈ΋ ‰È·ÙÚÈ‚‹, ∂ıÓÈÎfi ªÂÙÛfi‚ÈÔ ¶ÔÏ˘Ù¯Ó›Ô, ™¯ÔÏ‹ ∞Ú¯ÈÙÂÎÙfiÓˆÓ ªË¯·ÓÈÎÒÓ∆Ô̤·˜ 1. ∞Ú¯ÈÙÂÎÙÔÓÈÎÔ‡ ™¯Â‰È·ÛÌÔ‡, ∞ı‹Ó· 2008. 2213. ÃϤ· ∂.-Õ., ∏ ·Ú¯ÈÙÂÎÙÔÓÈ΋ ÙÔ˘ Ó·Ô‡ Ù˘ ∫ÔÈÌ‹Ûˆ˜ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙÔÓ √͇ÏÈıÔ, Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 114-115. 2214. Chondrogiannis St., Athos [Paris 2009], Ï‹ÌÌ. ·Ú. 72 (Calice, seconde moitié du XIVe siècle), 73 (Disque avec un asteriskos, seconde moitié du XIVe siècle), 74 (Enkolpion-le Christ Pantokrator et saint Démétrios, seconde moitié du XIVe siècle), 161 (Enkolpion avec la Vierge Hagiosoritissa, XIIe-XIIIe siècle), 166 (Enkolpion avec l’archange Michel, saint Jean le Théologien et l’apotre Paul, camée XIVe siècle, monture XVIe siècle). 2215. ÃÔÓ‰ÚÔÁÈ¿ÓÓ˘ ™Ù., ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ˆ˜ ÂÈÎfiÓ· [£ÂÛÛ·ÏÔÓ›ÎË 2009], Ï‹ÌÌ. ·Ú.34 (∂ÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ ¢ËÌËÙÚ›Ô˘ Ì ·Ó··Ú¿ÛÙ·ÛË Ù˘ £ÂÛÛ·ÏÔӛ΢, Ù¤ÏË 16Ô˘-·Ú¯¤˜ 17Ô˘ ·È.), 41 (∂ÈÎfiÓ· Ì ÙÔ Ï›„·ÓÔ ÙÔ˘ ·Á›Ô˘ ™˘Ú›‰ˆÓ· ̤۷ Û ÎÈ‚ÒÚÈÔ, 1682), 79 (∂ÈÎfiÓ· Ù˘ ¶ÔÚ›·˜ ÛÙËÓ ÕÓˆ πÂÚÔ˘Û·Ï‹Ì, Á‡Úˆ ÛÙÔ 1500). 2216. ÃÔÓ‰ÚÔÁÈ¿ÓÓ˘ ™Ù., ªÔ˘ÛÂ›Ô ∞ÓÙÈ‚Ô˘ÓÈÒÙÈÛÛ·˜, ∫¤Ú΢ڷ, £ÂÛÛ·ÏÔÓ›ÎË: ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡ Î·È ∆Ô˘ÚÈÛÌÔ‡, 2010. ∞ÁÁÏÈ΋ Î·È ÈÙ·ÏÈ΋ ¤Î‰ÔÛË: Antivouniotissa Museum, Corfu / Museo della Antivouniotissa, Corfu, Thessaloniki: Hellenic Ministry of Culture and Tourism, 2010. 2217. Chotzakoglou Ch., Athos [Helsinki 2006], Û. 38-41 [Byzantine Painting in Cyprus (4th-12th centuries)]. 2218. Chotzakoglou Ch., San Nicola [Bari 2006], Û. 208-209 (Ambito sinaita o crociato, Icona con san Nicola a mezza figura, fine XIII. sec.), 209 (Ambito crociato o sinaita, Icona con san Nicola a mezza figura, fine XIII./iniz. XIV. sec.), 209-210 (Ambito sinaita o crociato, Icona di san Nicola, fine XIII. sec.). 2219. Chotzakoglou Ch., Religious Painting in Byzantine and Postbyzantine Cyprus, Sweet land-Cyprus (2006), ¶Ú·ÎÙÈο, Û. 101-164. 2220. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., √‰ÔÈÔÚÈÎfi ∫˘ÚËÓ›·˜ (2006), Û. 94-97 (ÕÁÈÔ˜ ∂ÚÔÌfiÏ·Ô˜: Ó·fi˜ ∞Á›Ô˘ ∂ÚÌÔÏ¿Ô˘), 103-105 (∞ÁÚȉ¿ÎÈ: Ó·fi˜ ∞Á›Ô˘ ÷ڷϿÌÔ˘˜), 124-137 (∫¿Ùˆ ¢›ÎˆÌÔ: Ó·fi˜ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘, ∞Á›Ô˘ ¢ËÌËÙÚ›Ô˘, ·ÚÂÎÎÏ‹ÛÈÔ ∞Á›Ô˘ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘, Ó·fi˜ ¶·Ó·Á›·˜ ¶ÂÚ‚ÔÏÈÒÓ, Ó·fi˜ ¶ÚÔÊ‹ÙÔ˘ ∑·¯·Ú›Ô˘, ¶·ÚÂÎÎÏ‹ÛÈÔ ∞Á›Ô˘ ª¿Ì·ÓÙÔ˜, ¶·ÚÂÎÎÏ‹ÛÈÔ ∞Á›Ô˘ ∫Ô˘ÚÓÔ‡Ù·, ¶·ÚÂÎÎÏ‹ÛÈÔ ∞Á›·˜ ª·Ú›Ó˘, ¶·ÚÂÎÎÏ‹ÛÈÔ ¶ÚÔÊ‹ÙÔ˘ ∏ÏÈÔ‡), 138-143 (¢ÈfiÚÈÔ˜: Ó·fi˜ ∞Á›·˜ ª·Ú›Ó˘, Ó·fi˜ ¶ÚÔÊ‹ÙÔ˘ ∏ÏÈÔ‡), 196-229 (∫·Ú·‚¿˜:

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Ó·fi˜ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘, Ó·fi˜ ∞Á›·˜ ∂ÈÚ‹Ó˘, Ó·fi˜ ¶·Ó·Á›·˜ ∂˘·ÁÁÂÏ›ÛÙÚÈ·˜, Ó·fi˜ ∞Á›Ô˘ ∞Ó‰Ú¤Ô˘, Ó·fi˜ ∞Á›Ô˘ ∞Ó‰ÚÔÓ›ÎÔ˘, ·ÚÂÎÎÏ‹ÛÈÔ ∞ÓÙˆÓ›Ô˘, Ó·fi˜ ∞Á›Ô˘ ∂˘Ï·Ï›Ô˘, Ó·fi˜ ∞Á›Ô˘ ∂˘Ï·Ì›Ô˘, ∞Á›ˆÓ ∫˘ÚÈ·ÎÔ‡, ¶¤ÙÚÔ˘ Î·È ∞Ú¯. ªÈ¯·‹Ï, Ó·fi˜ ∞Á›·˜ ª·Ú›Ó˘, Ó·fi˜ ∞Á›Ô˘ ¶·ÓÙÂÏ‹ÌÔÓÔ˜, Ó·fi˜ ¶·Ó·Á›·˜ °·Ï·(Î)ÙÂÚÔ‡Û·˜), 244-247 (∫¿ÚÌÈ: Ó·fi˜ ∞Á›Ô˘ πÏ·Ú›ˆÓÔ˜), 420430 (™˘Á¯·Ú›: Ó·fi˜ ∞Á›Ô˘ ª¿Ì·ÓÙÔ˜, Ó·fi˜ ¶·Ó·Á›·˜ ∞„ÈÓıȈٛÛÛ˘, Ó·fi˜ ¶·Ó·Á›·˜ ¶ÂÙˆÌÂÓ›ÙÈÛÛ·˜), 438-441 (∆ÚÈÌ›ıÈ: Ó·fi˜ ∞Á›Ô˘ ÷ڷϿÌÔ˘˜). 2221. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., ∞fiÛÙÔÏÔ˜ ∞Ó‰Ú¤·˜ [¶¿ÙÚ· 2007], Û. 9-16 (∞fiÛÙÔÏÔ˜ ∞Ó‰Ú¤·˜ Ô ¶ÚˆÙfiÎÏËÙÔ˜ ∫·Ú·Û¤ˆÓ Î·È ¶·ÙÚ¤ˆÓ ˘¤ÚÌ·¯Ô˜, Î·È ¡·Ô› ÙÔ˘ ∞ÔÛÙfiÏÔ˘ ∞Ó‰Ú¤Ô˘ ÛÙËÓ Î·Ù¯fiÌÂÓË ∫‡ÚÔ). 2222. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., ºˆÙ›˙ÔÓÙ·˜ ÙË ¯ÚÈÛÙÈ·ÓÈ΋ Ù¤¯ÓË Ù˘ ∫‡ÚÔ˘: ·fi ÙËÓ ·˘Á‹ ÙˆÓ ÚÒÙˆÓ ‚·ÛÈÏÈÎÒÓ Ì¤¯ÚÈ ÙËÓ ÔıˆÌ·ÓÈ΋ ËÌÈÛ¤ÏËÓÔ, ∫‡ÚÔ˜ (2007), Û. 160-207. 2223. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., ∆· ¯ÚÈÛÙÈ·ÓÈο ÌÓËÌ›· ÛÙËÓ ∆Ô˘ÚÎÔÎÚ·ÙÔ‡ÌÂÓË ∫‡ÚÔ. Ÿ„ÂȘ Î·È Ú¿ÍÂȘ ÌÈ¿˜ Û˘Ó¯È˙fiÌÂÓ˘ ηٷÛÙÚÔÊ‹˜, (ªÂϤÙ˜ µ˘˙·ÓÙÈÓ‹˜ Î·È ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∞Ú¯·ÈÔÏÔÁ›·˜ Î·È ∆¤¯Ó˘ ·Ú. 3), §Â˘ÎˆÛ›·: ªÔ˘ÛÂ›Ô Ù˘ π. ª. ∫‡ÎÎÔ˘, 2008 (en anglais aussi: Religious monuments in Turkishoccupied Cyprus: Evidence and acts of continuous destruction). 2224. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., ∆Ô ÂÈÎÔÓÔÁÚ·ÊÈÎfi ÚfiÁÚ·ÌÌ· ÙÔ˘ ÙÚÔ‡ÏÏÔ˘ ÛÙËÓ ˘ÛÙÂÚÔ‚˘˙·ÓÙÈÓ‹ ∫‡ÚÔ, ∫˘ÚÔÏÔÁÈÎfi 4 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 144-145. 2225. Chotzakoglou Ch., The Holy Virgin of Kykkos. Exploring the transfigurations of the icon and its symbolic meaning through the centuries, Madonna delle Vittorie (2009), Û. 43-50. 2226. Chotzakoglou Ch., Unveiling the Venetian art-image: Remarks on the Painting and its religious background of Cyprus during the period of the Venetian rule (1489-1571), Venetocrazia (2009), ¶Ú·ÎÙÈο, Û. 427-439. 2227. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., ∫‡ÚÔ˜ Î·È πÙ·Ï›· / Cipro e l'Italia [Roma 2009], Û. 25-51 [πÛÙÔÚ›· Î·È Ù¤¯ÓË Ù˘ ‚˘˙·ÓÙÈÓ‹˜ ∫‡ÚÔ˘ (4Ô˜-12Ô˜ ·È.)]. 2228. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., √ ¿ÁÈÔ˜ §¿˙·ÚÔ˜ Î·È Ë ∫‡ÚÔ˜ / Saint Lazarus and Cyprus [§Â˘ÎˆÛ›· 2010], Û. 5-13 (√ ¿ÁÈÔ˜ §¿˙·ÚÔ˜ Ô ÙÂÙÚ·‹ÌÂÚÔ˜ / Lazarus of the four days), 14-21 (∂ÈÎÔÓÔÁÚ·Ê›· ÙÔ˘ ·Á›Ô˘ §·˙¿ÚÔ˘ ÛÙË µ˘˙·ÓÙÈÓ‹ ∆¤¯ÓË / Iconography of Saint Lazarus in Byzantine Art), 22-31 (√ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ §·˙¿ÚÔ˘ ÛÙË §¿Úӷη / The church of Saint Lazarus in Larnaka), 32-35 (¶·Ú·‰fiÛÂȘ, ‹ıË Î·È ¤ıÈÌ· ÙÔ˘ ∂ÏÏËÓÈÛÌÔ‡ ÙÔ ™¿‚‚·ÙÔ ÙÔ˘ §·˙¿ÚÔ˘ / Greek traditions, motals and customs on Lazarus Saturday), 36-37 (¶·Ú·‰fiÛÂȘ Á‡Úˆ ·fi ÙÔÓ ¿ÁÈÔ §¿˙·ÚÔ / Traditions of Saint Lazarus), 38-45 (∂ÈÎfiÓ˜ Î·È ÎÂÈÌ‹ÏÈ· ·fi ÙÔ ªÔ˘ÛÂ›Ô ÙÔ˘ Ó·Ô‡ ∞Á›Ô˘ §·˙¿ÚÔ˘ / Icons and relics from the Museum of the church of Saint Lazarus). 2229. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., ∏ ÂÓÙÔ›¯È· ÌÓËÌÂȷ΋ ‰È·ÎfiÛÌËÛË ÛÙÔ˘˜ Ó·Ô‡˜ Ù˘ ∫·Ú·Û›·˜ (4Ô˜-15Ô˜ ·È.), ∫·Ú·Û›· 1 (2010), ¶Ú·ÎÙÈο, Û. 421-460.

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2230. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., ™¯fiÏÈ· ÛÙËÓ ÔÈÎÔ‰fiÌËÛË Î·È ÛÙÔÓ ÙÔȯÔÁÚ·ÊÈÎfi ‰È¿ÎÔÛÌÔ ÙÔ˘ Û˘ÁÎÚÔÙ‹Ì·ÙÔ˜ Ù˘ ∂ÁÎÏ›ÛÙÚ·˜ ÙÔ˘ √Û›Ô˘ ¡ÂÔʇÙÔ˘ ÛÙËÓ ∆¿Ï· Ù˘ ¶¿ÊÔ˘, ÕÁÈÔ˜ ¡ÂfiÊ˘ÙÔ˜ Ô ŒÁÎÏÂÈÛÙÔ˜ (2010), ¶Ú·ÎÙÈο, Û. 919-958. 2231. ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., æËÏ·ÊÒÓÙ·˜ ÙË ‚˘˙·ÓÙÈÓ‹ Î·È ÌÂÙ·‚˘˙·ÓÙÈÓ‹ ∆ËÏÏ˘Ú›·, ∆ËÏÏ˘Ú›· (2010), ¶Ú·ÎÙÈο, Û. 299-324. 2232. Choulia S., Holy places used successively or simultaneously by different religions, Egeria (2008), Û. 59-64. 2233. ÃÔ˘ÏÈ·Ú¿˜ π., ª›· ÂÈÎÔÓÔÁÚ·ÊÈ΋ ȉȷÈÙÂÚfiÙËÙ· ÛÙË ÛÎËÓ‹ Ù˘ ∞Ó¿Ï˄˘: Ë £ÂÔÙfiÎÔ˜ Ô˘ ÎÚ·Ù¿ ÙÔ ÕÁÈÔ ª·Ó‰‹ÏÈÔ, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 102-103. 2234. ÃÔ˘ÏÈ·Ú¿˜ π., √ ˙ˆÁÚ·ÊÈÎfi˜ ‰È¿ÎÔÛÌÔ˜ Ù˘ ÌÔÓ‹˜ ªÂÙ·ÌfiÚʈÛ˘ ¢ÚÂÓfi‚Ô˘ §ÈÔ‡ÓÙ˙˘ ÛÙË µfiÚÂÈÔ ◊ÂÈÚÔ (1666), Ã∞∂ 27 (2007), ¶ÂÚÈÏ‹„ÂȘ, Û. 129-130. 2235. ÃÔ˘ÏÈ·Ú¿˜ π., ¶ÚÒÙ˜ ·Ú·ÙËÚ‹ÛÂȘ ÛÙËÓ ÂÓÙÔ›¯È· ıÚËÛ΢ÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ 17Ô˘ ·ÈÒÓ· ÛÙËÓ ÂÚÈÔ¯‹ ÙˆÓ ∫·ÙÛ·ÓÔ¯ˆÚ›ˆÓ Î·È ÙˆÓ ∆˙Ô˘Ì¤ÚΈÓ, ¢ˆ‰ÒÓË 36-37 (2007-2008), Û. 111-146 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 129: First observations on the religious wall painting of the 17th century in the Kastanochoria and Tzoumerka regions). 2236. ÃÔ˘ÏÈ·Ú¿˜ π., ∆ÔȯÔÁÚ·ÊË̤ӷ ÌÓËÌ›· Î·È ˙ˆÁÚ¿ÊÔÈ ÙÔ˘ 15Ô˘ Î·È 16Ô˘ ·ÈÒÓ· ÛÙËÓ ◊ÂÈÚÔ Î·È ÙË ¡fiÙÈ· ∞Ï‚·Ó›·, ¢ˆ‰ÒÓË 36-37 (2007-2008), Û. 295-332 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 316-317: Monuments with wall paintings and painters of the 15th and 16th century in Epirus and Southern Albania). 2237. ÃÔ˘ÏÈ·Ú¿˜ π., ∆ÔȯÔÁÚ·ÊË̤ӷ ÌÓËÌ›· Î·È ˙ˆÁÚ¿ÊÔÈ ÙÔ˘ 15Ô˘ Î·È 16Ô˘ ·ÈÒÓ· ÛÙËÓ ◊ÂÈÚÔ Î·È ÙË ÓfiÙÈ· ∞Ï‚·Ó›·, Ã∞∂ 28 (2008), ¶ÂÚÈÏ‹„ÂȘ, Û. 104-105. 2238. ÃÔ˘ÏÈ·Ú¿˜ π., ∏ ÂÓÙÔ›¯È· ıÚËÛ΢ÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ÙÔ˘ 16Ô˘ Î·È 17Ô˘ ·ÈÒÓ· ÛÙÔ ¢˘ÙÈÎfi ∑·ÁfiÚÈ, ∞ı‹Ó·: ƒÈ˙¿ÚÂÈÔ ÿ‰Ú˘Ì·, 2009: Religious wall painting of the 16th and 17th century in western Zagori. 2239. ÃÔ˘ÏÈ·Ú¿˜ π., ∏ £ÂÔÙfiÎÔ˜ Ô˘ ÎÚ·Ù¿ ÙÔ ¿ÁÈÔ ª·Ó‰‹ÏÈÔ ÛÙË ÛÎËÓ‹ Ù˘ ∞Ó¿Ï˄˘. ŒÓ· ̷ΉÔÓÈÎfi ı¤Ì· ÛÙËÓ Ù¤¯ÓË Ù˘ ∏›ÚÔ˘ ηٿ ÙÔÓ 16Ô Î·È 17Ô ·ÈÒÓ·, ∏ÂÈÚÃÚ 43 (2009), Û. 601-615. 2240. ÃÔ˘ÏÈ·Ú¿˜ π., ∏ ÎÙËÙÔÚÈ΋ ÂÈÁÚ·Ê‹ ÙÔ˘ Ó·Ô‡ ÙˆÓ ∞Á›ˆÓ ∞Ó·ÚÁ‡ÚˆÓ ÛÙ· ™¤Ú‚È· ∫Ô˙¿Ó˘, ª·Î‰ÔÓÈο 38 (2009), Û. 49-57 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 55: The votive inscription of the church of Saints Anargyroi in Servia (Kozani)]. 2241. ÃÔ˘ÏÈ·Ú¿˜ π., ŒÓ· ·ÓÒÓ˘ÌÔ Û˘ÓÂÚÁÂ›Ô ˙ˆÁÚ¿ÊˆÓ ÙˆÓ ·Ú¯ÒÓ ÙÔ˘ 16Ô˘ ·ÈÒÓ· ÛÙËÓ ◊ÂÈÚÔ, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 134-135. 2242. ÃÔ˘ÏÈ·Ú¿˜ π., √ ˙ˆÁÚ¿ÊÔ˜ πˆ¿ÓÓ˘ ™ÎÔ˘Ù¿Ú˘ ·fi ÙË °Ú¿ÌÌÔÛÙ· (1645-1673), Ã∞∂ 30 (2010), ¶ÂÚÈÏ‹„ÂȘ, Û. 116-117.

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2243. ÃÔ˘¯Ô‡Ù·˜ ∞ı., ‚Ï. ·Ú. 2155. 2244. Christidou A., ‚Ï. ·Ú. 392. 2245. ÃÚËÛÙ›‰Ô˘ Õ., ∂Ú¢ÓÒÓÙ·˜ ÙËÓ ÈÛÙÔÚ›· ̤۷ ·fi ¿ÁÓˆÛÙ· ‚˘˙·ÓÙÈÓ¿ ·˘ÙÔÎÚ·ÙÔÚÈο ÔÚÙÚ·›Ù· Û ÂÎÎÏËۛ˜ Ù˘ ∞Ï‚·Ó›·˜, ¢∂§∏°π∞¡¡∏¢øƒ∏ E. (2010), Û. 536-563 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 561-563: Rediscovering History through Unexplored Byzantine Imperial Portraits in South Albania). 2246. ÃÚ‹ÛÙÔ˘ ¢., ¶·Ú·ÛÙ¿ÛÂȘ ¤Ó˙ˆ‰Ô˘ ‚Ï·ÛÙÔ‡ Û ÂÛÛ›ÛÎÔ˘˜ ·fi ÙË ‚·ÛÈÏÈ΋ ÙÔ˘ «™ˆÊÚÔÓ›Ô˘» ÛÙË ¡È΋ÙË Ã·ÏÎȉÈ΋˜. ∑ËÙ‹Ì·Ù· ÂÈÎÔÓÔÁÚ·Ê›·˜ Î·È Û˘Ì‚ÔÏÈÛÌÒÓ, ¡π∫√¡∞¡√™ N. (2006), Û. 213-221 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 221: Représentations du rinceau habité aux piliers de «Sophronios» de Nikiti en Chalcidique. Sujets d'iconographie et de symbolismes). 2247. ÃÚÈÛÙÔ‰Ô˘Ï¿Î˘ ™Ù., √ ‚›Ô˜ ÙÔ˘ πËÛÔ‡: ∏ ˙ˆ‹ ÙÔ˘ πËÛÔ‡ ̤۷ ·fi ·‰ËÌÔÛ›Â˘ÙÔ ÊˆÙÔÁÚ·ÊÈÎfi ˘ÏÈÎfi ·fi ÙȘ πÂÚ¤˜ ªÔÓ¤˜ Î·È ÙȘ ™Î‹Ù˜ ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜, ∞ı‹Ó· 2009. 2248. ÃÚÈÛÙÔ‰Ô˘Ï›‰Ô˘ ∂., ‚Ï. ·Ú. 2075. 2249. Christodoulou G., ‚Ï. ·Ú. 1967. 2250. ÃÚÈÛÙfiÔ˘ÏÔ˜ ∏., ‚Ï. ·Ú. 919. 2251. ÃÚÈÛÙÔÊ›‰Ô˘ ∞., ¶··ÓÈÎÔÏ¿Ô˘ Õ., ∫·ıÔÏÈÎfi ¡¤·˜ ªÔÓ‹˜ Ã›Ô˘. ¡ÂÒÙÂÚ· ÛÙÔȯ›· ÁÈ· ÙÔÓ Â͈ӿÚıËη, Ã∞∂ 26 (2006), ¶ÂÚÈÏ‹„ÂȘ, Û. 104-105. 2252. ÃÚÈÛÙÔÊ›‰Ô˘ ∞., ¶··ÓÈÎÔÏ¿Ô˘ ∞., ™˘Ì‚ÔÏ‹ ÛÙËÓ ÔÈÎÔ‰ÔÌÈ΋ ÈÛÙÔÚ›· ÙÔ˘ ηıÔÏÈÎÔ‡ Ù˘ ¡¤·˜ ªÔÓ‹˜ Ã›Ô˘. ¡ÂfiÙÂÚ· ÛÙÔȯ›·, ¢Ã∞∂ 28 (2007), Û. 41-54 (Á·ÏÏÈ΋ ÂÚ›ÏË„Ë, Û. 53-54: Contribution à la chronique de la construction du catholicon de Nea Moni de Chios. Nouveaux éléments). 2253. Christofidou A., Nea Moni, Chios: Cultural landmark and enduring place of pilgrimage in the Northeast Aegean. The restoration of the Catholicon, Routes of Faith (2008), ¶Ú·ÎÙÈο, Û. 417-429 (ÂÏÏËÓÈ΋ ·fi‰ÔÛË, Û. 526-531: ¡¤· ªÔÓ‹ Ã›Ô˘: ¶ÔÏÈÙÈÛÙÈÎfi ÔÚfiÛËÌÔ Î·È ‰È·¯ÚÔÓÈÎfi ÚÔÛ·ÓËÌ· ÛÙÔ µÔÚÂÈÔ·Ó·ÙÔÏÈÎfi ∞ÈÁ·›Ô. ∏ ·ÔηٿÛÙ·ÛË ÙÔ˘ ∫·ıÔÏÈÎÔ‡). 2254. ÃÚÈÛÙÔÊÔÚ¿ÎË π., ∫ÚËÙÈ΋ ÂÈÎfiÓ· ÙÔ˘ ·Á›Ô˘ ª·ÚÙ›ÓÔ˘ ÛÙÔ ªÔ˘ÛÂ›Ô Petit Palais ÙÔ˘ ¶·ÚÈÛÈÔ‡, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 136-137. 2255. Chronaki D., ‚Ï. ·Ú. 494. 2256. ÃÚÔÓ¿ÎË ¢., ™ÙÔȯ›· ‰È·ÌÔÚʈÛ˘ fi„ÂˆÓ Û ÌÂÛÔ‚˘˙·ÓÙÈÓ¿ ÌÓËÌ›· ÙÔ˘ ÓÔÌÔ‡ §·ÛÈı›Ô˘, ∞Ú¯·ÈÔÏÔÁÈÎfi ŒÚÁÔ ∫Ú‹Ù˘ 1 (2010), ¶Ú·ÎÙÈο, Û. 238-250 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 245: Façade elements in middle Byzantine monuments in the prefecture of Lassithi). 2257. Chrysafi E., ‚Ï. ·Ú. 158. 2258. ÃÚ˘Û¿ÊË ª., ‚Ï. ·Ú. 704.

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2259. ÃÚ˘Û¿ÊË ª., ‚Ï. ·Ú. 705. 2260. ÃÚ˘Û¿ÊË ªÂÙ., ª›· ¿ÁÓˆÛÙË ÂÎÎÏËÛ›· ÛÙÔ Î¿ÛÙÚÔ ÙÔ˘ ∞ÎÚÔÎÔÚ›ÓıÔ˘, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 138-139. 2261. ÃÚ˘ÛÈÎfi˜ °., ‚Ï. ·Ú. 2105. 2262. ÃÚ˘ÛÔÛÙfiÌÔ˘ ∞., ∞Ú¯·ÈÔÏÔÁÈÎfi˜ ¯ÒÚÔ˜ Œ‰ÂÛÛ·˜: ÔÈ ¯ÒÚÔÈ 1-15 ÂÛˆÙÂÚÈο Ù˘ ÓfiÙÈ·˜ ‡Ï˘ Î·È ‰ÂÍÈ¿ Ù˘ ÎÂÓÙÚÈ΋˜ Ô‰Ô‡, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 55-62 [·ÁÁÏÈ΋ ÂÚ›ÏË„Ë, Û. 62: The Archaeological Site of Edessa: areas 1-15 inside the South Gate (right of the Main Road)]. 2263. ÃÚ˘ÛÔÛÙfiÌÔ˘ ∞., ∫ÂÚ·ÌÈ΋ ‡ÛÙÂÚ˘ ·Ú¯·ÈfiÙËÙ·˜ ·fi ÙËÓ Œ‰ÂÛÛ· Î·È ÙËÓ ÂÚÈÔ¯‹ Ù˘ ∞Ï̈›·˜, ∫ÂÚ·ÌÈ΋ ⁄ÛÙÂÚ˘ ∞Ú¯·ÈfiÙËÙ·˜ (2010), ¶Ú·ÎÙÈο, Ù. µ’, Û. 505-520 (·ÁÁÏÈ΋ ÂÚ›ÏË„Ë Û. 505: Late Antique pottery from Edessa and Almopia in the prefecture of Pella). 2264. ÃÚ˘ÛÔÛÙfiÌÔ˘ ¶., ∑·ÚÔÁÈ¿ÓÓ˘ Õ., °È·ÓÓÈÙÛ¿ ¶¤ÏÏ·˜: ·Ó·Ûηʋ Ù¿ÊˆÓ ˘ÛÙÂÚÔڈ̷˚ÎÔ‡ ÓÂÎÚÔÙ·Ê›Ԣ Â› Ù˘ ∂ÁÓ·Ù›·˜ Ô‰Ô‡, ∞∂ª£ 21, 2007 (2010), ¶Ú·ÎÙÈο, Û. 91-98. 2265. æ·ÚÚ‹ ¶., ∑·Ú›Ê˘ ¡., ∆Ô ÌÔÓ·ÛÙËÚÈ·Îfi Û˘ÁÎÚfiÙËÌ· ÙÔ˘ ∞Ú¯·ÁÁ¤ÏÔ˘ ªÈ¯·‹Ï ƒÔ˘ÎÔ˘ÓÈÒÙË ÛÙË ™‡ÌË, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 140-141. 2266. flÙÙ· ∫., √ Ó·fi˜ ÙÔ˘ ∞Á›Ô˘ °ÂˆÚÁ›Ô˘ ÛÙË ™È¿ÙÈÛÙ·, Ã∞∂ 29 (2009), ¶ÂÚÈÏ‹„ÂȘ, Û. 142-143.

INDEX DES AUTEURS – EYPETHPIO ™Y°°PAºEøN A

B

Acheimastou-Potamianou M. / ∞¯ÂÈÌ¿ÛÙÔ˘¶ÔÙ·ÌÈ¿ÓÔ˘ ª., 168-175 Agrevi M. / ∞ÁÚ¤‚Ë M., 13-15 Albani J. / ∞ÏÌ¿ÓË ∆˙., 28-33 Alevras G. / ∞ÏÂ˘Ú¿ °., 26-27 Alexiou A. / ∞ÏÂ͛Ԣ ∞., 24 Alexopoulou A. / ∞ÏÂÍÔÔ‡ÏÔ˘ ∞., 25 Aloupi E. / ∞ÏÔ‡Ë ∂., 34 Amprazogoula K. / ∞ÌÚ·˙ÔÁԇϷ ∫., 35-36 Anagnostakis I. / ∞Ó·ÁÓˆÛÙ¿Î˘ ∏., 37-47 Anastasiadis Eu. / ∞Ó·ÛÙ·ÛÈ¿‰Ë˜ ∂˘., 48 Anastasiadou A. / ∞Ó·ÛÙ·ÛÈ¿‰Ô˘ ∞., 49-51 Andreadou T. / ∞Ó‰Ú¿‰Ô˘ ∆., 52 Andreou A. / ∞Ó‰Ú¤Ô˘ A., 53 Andrianakis M. / ∞Ó‰ÚÈ·Ó¿Î˘ ª., 54-62 Andrikopoulos K. / ∞Ó‰ÚÈÎfiÔ˘ÏÔ˜ ∫., 63 Andronikou A. / ∞Ó‰ÚÔÓ›ÎÔ˘ ∞., 64 Androudis P. / ∞Ó‰ÚÔ‡‰Ë˜ ¶., 65-105 Androulidaki A. / ∞Ó‰ÚÔ˘Ïȉ¿ÎË A., 106 Angelaki V. / ∞ÁÁÂÏ¿ÎË B., 1 Angelkou E. / ∞ÁÁ¤ÏÎÔ˘ ∂˘., 2-10 Angelomatis-Tsougarakis E. / ∞ÁÁÂÏÔÌ¿ÙË∆ÛÔ˘ÁηڿÎË ∂., 11 Angelopoulou I. / ∞ÁÁÂÏÔÔ‡ÏÔ˘ π., 12 Antonaras A. / ∞ÓÙˆÓ¿Ú·˜ ∞., 110-138 Antoniou G. / ∞ÓÙˆÓ›Ô˘ °., 139 Antonopoulos E. / ∞ÓÙˆÓfiÔ˘ÏÔ˜ ∏., 140141 Antourakis G. / ∞ÓÙÔ˘Ú¿Î˘ °. (1936-2006), 107-109 Archontopoulos Th. / ∞Ú¯ÔÓÙfiÔ˘ÏÔ˜ £. (1959-2004), 152-154 Arvaniti Sm. / ∞Ú‚·Ó›ÙË ™Ì., 142-146 Arvanitopoulos St. / ∞Ú‚·ÓÈÙfiÔ˘ÏÔ˜ ™Ù., 147-151 Asimakopoulos D. / ∞ÛËÌ·ÎfiÔ˘ÏÔ˜ ¢., 155 Asimakopoulou-Atzaka P. / ∞ÛËÌ·ÎÔÔ‡ÏÔ˘-∞Ù˙·Î¿ ¶., 156-160 Asimakopoulou-Constadatou D. / ∞ÛËÌ·ÎÔÔ‡ÏÔ˘-∫ˆÓÛÙ·ÓÙ¿ÙÔ˘ ¢., 161 Aslani I. / ∞ÛÏ¿ÓË π., 162 Aslanidis Kl. / ∞ÛÏ·Ó›‰Ë˜ ∫Ï., 163-166 Athanasiou Ph. / ∞ı·Ó·Û›Ô˘ º., 16 Athanasoulis D. / ∞ı·Ó·ÛÔ‡Ï˘ ¢., 17-23 Atsalos V. / ÕÙÛ·ÏÔ˜ µ., 167

Bairami K. / ª·˚Ú¿ÌË ∫., 1272-1273 Bakirtzis O.-M. / ª·ÎÈÚÙ˙‹ Ÿ.-ª., 12741275 Bakirtzis Ch. / ª·ÎÈÚÙ˙‹˜ Ã., 1277-1295 Bakirtzis N. / ª·ÎÈÚÙ˙‹˜ ¡., 1276 Ballian A. / ª·ÏÏÈ¿Ó ∞., 1296-1297 Balogianni Ou. / ª·ÏÔÁÈ¿ÓÓË √˘., 1298 Baltoyanni Chr. / ª·ÏÙÔÁÈ¿ÓÓË ÃÚ., 1299 Barmparitsa E. / ª·ÚÌ·Ú›ÙÛ· ∂., 13001301 Bekiaris A. / ªÂÎÈ¿Ú˘ ∞., 1302-1304 Benatou P. / ªÂÓ¿ÙÔ˘ ¶., 1305-1306 Beteinakis M. / ªÂÙÂÈÓ¿Î˘ ª·ÓÒÏ˘, 1307 Bilis Th. / ª›Ï˘ £., 1313 Bitha I. / ª›ı· π., 1308-1312 Bitzikopoulos D. / ªÈÙ˙ÈÎfiÔ˘ÏÔ˜ ¢., 1314 Bonovas N. / ªÔÓfi‚·˜ ¡., 1315-1317 Borboudaki M. / ªÔÚÌÔ˘‰¿ÎË ª., 13181319 Borboudakis M. / ªÔÚÌÔ˘‰¿Î˘ ª. (1932-2010), 1320-1322 Boudalis G. / ªÔ˘‰·Ï‹˜ °., 1323-1328 Boudouris K. / ªÔ˘ÓÙÔ‡Ú˘ ∫., 1330 Bouras L. / ªÔ‡Ú· §. (1941-1989), 1331 Bouras Ch. / ªÔ‡Ú·˜ Ã., 1332-1340 Bourbou Chr. / ªÔ‡ÚÌÔ˘ ÃÚ., 1341-1342 Bouza N. / ªÔ‡˙· ¡., 1329 Brikas A. / ªڛη˜ ∞. (1966-2005), 1343 Brokalakis Y. / ªÚÔηϿ΢ °., 1344-1345 Brouscari E. / ªÚÔ‡ÛηÚË ∂., 1346-1349

C Cacouros M. / ∫·ÎÔ‡ÚÔ˜ ª., 679 Chadjichristodoulou Chr. / ÷Ù˙˯ÚÈÛÙÔ‰Ô‡ÏÔ˘ ÃÚ., 2199-2200 Chalkia Eu. / ÷ÏÎÈ¿ ∂˘., 2157-2165 Chamilaki K. / ÷ÌËÏ¿ÎË ∫., 2166 Charalampous D. / ÷ڷϿÌÔ˘˜ ¢., 21702171 Charalampous S. / ÷ڷϿÌÔ˘˜ ™., 21672169 Charchare E. / ÷گ·Ú¤ ∂., 2173-2177 Charitopoulos E. / ÷ÚÈÙfiÔ˘ÏÔ˜ ∂., 2172 Chatziantoniou K. / ÷Ù˙Ë·ÓÙˆÓ›Ô˘ ∫., 2178 Chatziantoniou Ph. / ÷Ù˙Ë·ÓÙˆÓ›Ô˘ º., 2179-2182

230 Chatzidakis N. / ÷Ù˙ˉ¿ÎË ¡., 2183-2188 Chatzilazarou D. / ÷Ù˙ËÏ·˙¿ÚÔ˘ ¢., 21902192 Chatzouli Gl. / ÷Ù˙Ô‡ÏË °Ï., 2201 Cheimonopoulou M. / ÃÂÈ̈ÓÔÔ‡ÏÔ˘ ª., 2202-2210 Chlepa E.-A. / ÃϤ· ∂.-Õ., 2211-2213 Chondrogiannis St. / ÃÔÓ‰ÚÔÁÈ¿ÓÓ˘ ™Ù., 2214-2216 Chotzakoglou Ch. / ÃÔÙ˙¿ÎÔÁÏÔ˘ Ã., 22172231 Chouchoutas Ath. / ÃÔ˘¯Ô‡Ù·˜ ∞ı., 2243 Choulia S. / ÃÔ‡ÏÈ· ™., 2232 Chouliaras I. / ÃÔ˘ÏÈ·Ú¿˜ π., 2233-2242 Christidou A. / ÃÚËÛÙ›‰Ô˘ Õ., 2244-2245 Christodoulakis St. / ÃÚÈÛÙÔ‰Ô˘Ï¿Î˘ ™Ù., 2247 Christodoulidou E. / ÃÚÈÛÙÔ‰Ô˘Ï›‰Ô˘ ∂., 2248 Christodoulou G. / ÃÚÈÛÙÔ‰Ô‡ÏÔ˘ °., 2249 Christofidou A. / ÃÚÈÛÙÔÊ›‰Ô˘ ∞., 2251-2253 Christoforaki I. / ÃÚÈÛÙÔÊÔÚ¿ÎË π., 2254 Christopoulos E. / ÃÚÈÛÙfiÔ˘ÏÔ˜ ∏., 2250 Christou D. / ÃÚ‹ÛÙÔ˘ ¢., 2246 Chronaki D. / ÃÚÔÓ¿ÎË ¢., 2255-2256 Chrysafi E. / ÃÚ˘Û¿ÊË ∂., 2257 Chrysafi M. / ÃÚ˘Û¿ÊË ª., 2258-2259 Chrysafi Met. / ÃÚ˘Û¿ÊË ªÂÙ., 2260 Chrysikos G. / ÃÚ˘ÛÈÎfi˜ °., 2261 Chrysostomou A. / ÃÚ˘ÛÔÛÙfiÌÔ˘ ∞., 22622263 Chrysostomou P. / ÃÚ˘ÛÔÛÙfiÌÔ˘ ¶., 2264 Constantinides C. / ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë˜ ∫., 984 Constantinidi Ch. / ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë Ã., 980983 Constantoudaki-Kitromilides M. / ∫ˆÓÛÙ·ÓÙÔ˘‰¿ÎË-∫ÈÙÚÔÌËÏ›‰Ô˘ ª., 1002-1027 Cotsonis J. / ∫ÔÙÛÒÓ˘ π., 931-935

D Dadaki St. / ¢·‰¿ÎË ™Ù., 476-482 Dafi Eu. / ¡Ù¿ÊË ∂˘., 1386-1387 Damplias Chr. / ¡Ù¿ÌÏÈ·˜ ÃÚ., 1385 Daniilia, moniale / ¢·ÓÈËÏ›·, ÌÔÓ·¯‹, 483 Dara P. / ¢¿Ú· ¶., 484 Deligiannakis G. / ¢ÂÏËÁÈ·ÓÓ¿Î˘ °., 485489 Delinikola E. / ¢ÂÏËÓÈÎfiÏ· ∂., 494 Deliyanni-Dori H. / ¢ÂÏËÁÈ¿ÓÓË-¢ˆÚ‹ ∂., 490-493 Dellas G. / ¡Ù¤ÏÏ·˜ °., 1388-1396

INDEX DES AUTEURS Demesticha St. / ¢Â̤ÛÙȯ· ™Ù., 495 Deriziotis L. / ¢ÂÚÈ˙ÈÒÙ˘ §., 496-503 Detorakis Th. / ¢ÂÙÔÚ¿Î˘ £., 504 Dhoga-Toli M. / ¢fiÁη-∆fiÏË ª., 532 Diamanti Ch. / ¢È·Ì·ÓÙ‹ Ã., 525-530 Diamanti K. / ¢È·Ì·ÓÙ‹ ∫., 521-524 Didioumi S. / ¡ÙÈÓÙÈÔ‡ÌË ™., 1401-1402 Dikas A. / ¢›Î·˜ ∞., 531 Dimitracopoulos F. / ¢ËÌËÙÚ·ÎfiÔ˘ÏÔ˜ º., 505 Dimitrakopoulou P. / ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘ ¶., 506-514 Dimitrakopoulou-Skiloyanni N. / ¢ËÌËÙÚ·ÎÔÔ‡ÏÔ˘-™Î˘ÏÔÁÈ¿ÓÓË ¡., 515-516 Dimitriadis E. / ¢ËÌËÙÚÈ¿‰Ë˜ ∂˘., 517 Dimitrokallis G. / ¢ËÌËÙÚÔοÏÏ˘ °. (19332005), 518 Dimitropoulou V. / ¢ËÌËÙÚÔÔ‡ÏÔ˘ µ., 519 Dimopoulos J. / ¢ËÌÔÔ‡ÏÔ˘ π., 520 Dina A. / ¡Ù›Ó· ∞., 1397-1400 Dogarou Chr. / ¡ÙÔÁοÚÔ˘ ÃÚ., 1403 Doukata-Demertzis S. / ¢Ô˘Î·Ù¿-¢ÂÌÂÚÙ˙‹ ™., 533-539 Doulgeri Eu. / ¢Ô˘ÏÁΤÚË ∂˘., 540-541 Drakakis M. / ¢Ú·Î¿Î˘ ª., 542 Drakopoulou E. / ¢Ú·ÎÔÔ‡ÏÔ˘ ∂˘., 543-552 Drakoulis D. / ¢Ú·ÎÔ‡Ï˘ ¢., 553-554 Drandaki A. / ¢Ú·Ó‰¿ÎË ∞., 555-560 Drandakis N. / ¢Ú·Ó‰¿Î˘ ¡. (1915-2004), 561 Drossou D. / ¢ÚfiÛÔ˘ ¢., 562

E Efthymiadis St. / ∂˘ı˘ÌÈ¿‰Ë˜ ™Ù., 580 Efthymiou A. / ∂˘ı˘Ì›Ô˘ ∞., 581 Eleftheriou E. / ∂Ï¢ıÂÚ›Ô˘ ∂˘., 563-568 Eliades I.A. / ∏ÏÈ¿‰Ë˜ π.∞., 611-625 Epitropakis P. / ∂ÈÙÚÔ¿Î˘ ¶., 569-570 Etzeoglou R. / ∂Ù˙¤ÔÁÏÔ˘ ƒ., 571-574 Eustathiou A. / ∂˘ÛÙ·ı›Ô˘ ∞., 583 Euthimiou O. / ∂˘ı˘Ì›Ô˘ √., 582 Evangelatou M. / ∂˘·ÁÁÂÏ¿ÙÔ˘ ª., 575 Evangelatou-Notara Fl. / ∂˘·ÁÁÂÏ¿ÙÔ˘¡ÔÙ·Ú¿ ºÏ., 576 Evgenidou D. / ∂˘ÁÂÓ›‰Ô˘ ¢., 577-578 Evgenikos P. / ∂˘ÁÂÓÈÎfi˜ ¶., 579

F Faitaki St. / º·˚Ù¿ÎË ™Ù., 2102 Fandakis Y. / º·ÓÙ¿Î˘ °., 2103

231

EYPETHPIO ™Y°°PAºEøN Farantos Ch. / º·Ú¿ÓÙÔ˜ Ã., 2104 Farmakalidou E.-V. / º·Ú̷ηϛ‰Ô˘ ∂.-µ., 2105 Filiou D. / º›ÏÈÔ˘ ¢., 2107 Filippa-Touchais A. / ºÈÏ›·-Touchais Õ., 2108 Filis K. / ºÈÏ‹˜ ∫., 2106 Filotheou G. / ºÈÏÔı¤Ô˘ °., 2109 Fiolitaki A. / ºÈÔÏÈÙ¿ÎË ∞., 2110-2111 Florou K. / ºÏÒÚÔ˘ ∫., 2113-2115 Flourentzos P. / ºÏÔ˘Ú¤ÓÙ˙Ô˜ ¶., 2112 Foskolou A. / ºˆÛÎfiÏÔ˘ ∞., 2147 Foskolou V. / ºˆÛÎfiÏÔ˘ µ., 2148-2154 Fotiadis P. / ºˆÙÈ¿‰Ë˜ ¶., 2155-2156 Foukaneli G. / ºÔ˘Î·Ó¤ÏË °., 2116 Foulias A. / ºÔ‡ÏÈ·˜ ∞., 2117-2120 Fountas P. / ºÔ˘ÓÙ¿˜ ¶., 2121-2124 Fountouli M. / ºÔ˘ÓÙÔ‡ÏË ª., 2125-2126 Fousteris G. / ºÔ˘ÛÙ¤Ú˘ °., 2127-2132 Fraidaki A. / ºÚ·˚‰¿ÎË ∞., 2133 Frigerio-Zeniou St. / ºÚÈÙ˙¤ÚÈÔ-∑¤ÓÈÔ˘ ™Ù., 2134-2142 Fritzilas St. / ºÚÈÙ˙›Ï·˜ ™Ù., 2143 Fyssas N. / º‡ÛÛ·˜ ¡., 2144-2146

Giatroudaki E. / °È·ÙÚÔ˘‰¿ÎË ∂., 420 Gimourtzina A. / °ÎÈÌÔ˘ÚÙ˙›Ó· ∞., 426-428 Ginalis A. / °ÈÓ¿Ï˘ ∞., 421 Gkini-Tsofopoulou H. / °Î›ÓË-∆ÛÔÊÔÔ‡ÏÔ˘ ∂., 429-430 Gkioles N. / °ÎÈÔϤ˜ ¡., 431-440 Gkionis V. / °ÎÈÒÓ˘ µ., 441 Goulaki-Voutira A. / °Ô˘Ï¿ÎË-µÔ˘Ù˘Ú¿ ∞., 452 Gouloulis St. / °Ô˘ÏÔ‡Ï˘ ™Ù., 453-458 Goumatianos A. / °Ô˘Ì·ÙÈ·Ófi˜ ∞., 459 Gounaris G. / °Ô‡Ó·Ú˘ °., 460-462 Gratsia I. / °Ú·ÙÛ›· ∂È., 470 Gratziou O. / °ÎÚ¿Ù˙ÈÔ˘ Ÿ., 442-451 Grecos I. / °Ú·ÈÎfi˜ π., 463 Grecos N. / °Ú·›ÎÔ˜ ¡., 464-469 Grigoropoulos D. / °ÚËÁÔÚfiÔ˘ÏÔ˜ ¢., 471 Grigoropoulou I. / °ÚËÁÔÚÔÔ‡ÏÔ˘ π., 472 Grillis I. / °Ú‡ÏÏ˘ π., 474 Gritsopoulos T. / °ÚÈÙÛfiÔ˘ÏÔ˜ ∆., 473

G

Hadjiioannidis Al. / ÷Ù˙ËȈ·ÓÓ›‰Ë˜ ∞Ï., 2189 Hadjitryphonos E. / ÷Ù˙ËÙڇʈÓÔ˜ ∂˘., 2193-2198

Gala-Georgila E. / °Î·Ï¿-°ÂˆÚÁÈÏ¿ ∂., 423424 Galanis St. / °·Ï¿Ó˘ ™Ù., 347 Galavaris G. / °·Ï¿‚·Ú˘ °. (1926-2003), 345-346 Galitsios A. / °Î·Ï›ÙÛÈÔ˜ ∞., 425 Georgakopoulos L. / °ÂˆÚÁ·ÎfiÔ˘ÏÔ˜ §., 367 Georgalli M.-Chr. / °ÂˆÚÁ·ÏÏ‹ ª.-ÃÚ., 368 Georganteli Eu. / °ÂˆÚÁ·ÓÙ¤ÏË ∂˘., 369 Georgiadi A. / °ÂˆÚÁÈ¿‰Ë ∞., 370 Georgopoulou V. / °ÂˆÚÁÔÔ‡ÏÔ˘ µ., 371 Georgopoulou-Verra M. / °ÂˆÚÁÔÔ‡ÏÔ˘µ¤ÚÚ· ª., 372-373 Germanidou S. / °ÂÚÌ·Ó›‰Ô˘ ™., 348-349 Gerogiorgi S. / °ÂÚÔÁÈÒÚÁË ™., 350-355 Gerolymou K. / °ÂÚfiÏ˘ÌÔ˘ ∫., 356 Gerousi Eu. / °ÂÚÔ‡ÛË ∂˘., 360-366 Giakoumis K. / °È·ÎÔ˘Ì‹˜ ∫., 390-395 Giannoulia I. / °È·ÓÓÔ‡ÏÈ· ∂È., 406 Giannoulis D. / °È·ÓÓÔ‡Ï˘ ¢., 404 Giannoulis M. / °È·ÓÓÔ‡Ï˘ ª., 405 Giapitsoglou K. / °È·ÈÙÛfiÁÏÔ˘ ∫., 407-418 Giarenis É. / °È·Ú¤Ó˘ ∏., 419

H

I Ignatiadou D. / πÁÓ·ÙÈ¿‰Ô˘ ¢., 639-641 Ikonomaki-Papadopoulou Y. / √ÈÎÔÓÔÌ¿Î˶··‰ÔÔ‡ÏÔ˘ °., 1417 Iliopoulos D. / ∏ÏÈfiÔ˘ÏÔ˜ ¢., 626 Iliopoulou O. / ∏ÏÈÔÔ‡ÏÔ˘ Ÿ., 627 Ioannou P. K. / πˆ¿ÓÓÔ˘ ¶. ∫., 643-646 Iordanidis A. / πÔÚ‰·Ó›‰Ë˜ ∞., 642

K Kagiouli A. / ∫·ÁÈÔ‡ÏË ∞., 647-648 Kaiapha A. / ∫·˚¿Ê· ∞., 662-663 Kakavas G. / ∫·Î·‚¿˜ °., 664-676 Kaklamanos D. / ∫·ÎÏ·Ì¿ÓÔ˜ ¢., 677 Kakouris I. / ∫·ÎÔ‡Ú˘ π., 678 Kalafati K.-Ph. / ∫·Ï·Ê¿ÙË ∫.-º., 684-693 Kalantzi-Smpyraki Ai. / ∫·Ï·ÓÙ˙‹-™Ì˘Ú¿ÎË ∞È., 681 Kalantzidou K. / ∫·Ï·ÓÙ˙›‰Ô˘ ∫., 682

232 Kalantzopoulou T.T. / ∫·Ï·ÓÙ˙ÔÔ‡ÏÔ˘ ∆. ∆., 683 Kalavrezou I. / ∫·Ï·‚Ú¤˙Ô˘ π., 680 Kalliga A.-E. / ∫·ÏÏÈÁ¿ ∞.-∂., 694-695 Kalligas A. G. / ∫·ÏÏÈÁ¿˜ A. °., 702 Kalligas H. / ∫·ÏÏÈÁ¿ Ã., 696-701 Kallintzi K. / ∫·ÏÏÈÓÙ˙‹ ∫., 703-705 Kalogianni π. / ∫·ÏÔÁÈ¿ÓÓË ∂È., 706 Kalomoirakis D. / ∫·ÏÔÌÔÈÚ¿Î˘ ¢., 707 Kalopissi-Verti S. / ∫·ÏÔ›ÛË-µ¤ÚÙË ™., 708725 Kaltapanidou-Pyrovetsi V. / ∫·ÏÙ··Ó›‰Ô˘¶˘ÚÔ‚¤ÙÛË µ., 726-728 Kamenidou M. / ∫·ÌÂÓ›‰Ô˘ ª., 729 Kaminari A.-A. / ∫·ÌÈÓ¿ÚË ∞.-∞., 730 Kanaki E. / ∫·Ó¿ÎË ∂., 731 Kanari Tr. / ∫·Ó¿ÚË ∆Ú., 732-734 Kapandriti A. / ∫··Ó‰Ú›ÙË ∞., 735-736 Kaplani G. / ∫·Ï¿ÓË °., 737 Kappas M. / ∫¿·˜ ª., 738-746 Kapsoudas P. / ∫·„Ô‡‰·˜ ¶., 873 Karachaliou E. / ∫·Ú·¯¿ÏÈÔ˘ ∂., 814 Karadedos G. / ∫·Ú·‰¤‰Ô˜ °., 788 Karaghianni U. / ∫·Ú·ÁÈ¿ÓÓË √˘., 750-760 Karagianni A. / ∫·Ú·ÁÈ¿ÓÓË ∞., 748-749 Karagianni Fl. / ∫·Ú·ÁÈ¿ÓÓË ºÏ., 761-777 Karagiorgou O. / ∫·Ú·ÁÈÒÚÁÔ˘ Ÿ., 778-787 Karamitrou-Mentesidi G. / ∫·Ú·Ì‹ÙÚÔ˘ªÂÓÙÂÛ›‰Ë °., 789 Karamperidi A. / ∫·Ú·ÌÂÚ›‰Ë ∞., 790-801 Karani I. / ∫·Ú¿ÓË π., 802-806 Karapanagiotis I. / ∫·Ú··Ó·ÁÈÒÙ˘ π., 807 Karatasios I. / ∫·Ú·Ù¿ÛÈÔ˜ π., 808 Karatzoglou G. / ∫·Ú·Ù˙fiÁÏÔ˘ °., 809-813 Karavelidis M. / ∫·Ú·‚ÂÏ›‰Ë˜ ª., 747 Karydas N. / ∫·Ú‡‰·˜ ¡. (†), 815 Karydis Chr. / ∫·Ú‡‰Ë˜ ÃÚ., 816 Kasdagli A.-M. / ∫¿Û‰·ÁÏË ∞.-ª., 817-823 Kaskanis V. / ∫·ÛοÓ˘ µ., 824 Kastrinakis N. / ∫·ÛÙÚÈÓ¿Î˘ ¡., 825-827 Katiphori M. / ∫·ÙËÊfiÚË ª., 828 Katopi S. / ∫·ÙfiË ™., 829 Katsalis G. / ∫·ÙÛ·Ï‹˜ °., 830 Katsanika-Stephanou E. / ∫·Ù۷ӛη-™ÙÂÊ¿ÓÔ˘ ∂., 831 Katsaros V. / ∫·ÙÛ·Úfi˜ µ., 832-833 Katselaki A. / ∫·ÙÛÂÏ¿ÎË ∞., 834-855 Katsikis K. / ∫·ÙÛ›Î˘ ∫., 856-861 Katsioti A. / ∫·ÙÛÈÒÙË ∞., 862-870 Katsou G. / ∫¿ÙÛÔ˘ °., 871

INDEX DES AUTEURS Kausokalyvitis P., moine / ∫·˘ÛÔÎ·Ï˘‚›Ù˘ ¶., ÌÔÓ·¯fi˜, 872 Kazamia-Tsernou M. / ∫·˙·Ì›·-∆Û¤ÚÓÔ˘ ª., 649-658 Kazanaki-Lappa M. / ∫·˙·Ó¿ÎË-§¿· ª., 659-661 Kepetzi V. / ∫¤ÂÙ˙Ë µ., 874-875 Kephala K. / ∫ÂÊ·Ï¿ ∫., 876-882 Kephallonitou Fr. / ∫ÂÊ·ÏψӛÙÔ˘ ºÚ. (1952-2009), 883 Kilakou Ch. / ∫ÔÈÏ¿ÎÔ˘ Ã., 887-890 Kilikoglou V. / ∫ÈÏ›ÎÔÁÏÔ˘ µ., 884 Kiourtzian G. / ∫ÈÔ˘ÚÙ˙È¿Ó °., 885 Kitsou S. / ∫›ÙÛÔ˘ ™., 886 Kokkinaki M. / ∫ÔÎÎÈÓ¿ÎË ª., 891 Kokkinos N. / ∫fiÎÎÈÓÔ˜ ¡., 892 Kokkotaki N. / ∫ÔÎÎÔÙ¿ÎË ¡., 893 Koliou A. / ∫ÔÏÈÔ‡ ∞., 894 Kollias E. / ∫fiÏÏÈ·˜ ∏. (1936-2007), 895-901 Koltsida-Makri I. / ∫ÔÏÙÛ›‰·-ª·ÎÚ‹ π., 903907 Kolyropoulou Th. / ∫ÔÏÏ˘ÚÔÔ‡ÏÔ˘ £., 902 Komatas D. / ∫ÔÌÌ¿Ù·˜ ¢., 908 Kondoleon Chr. / ∫ÔÓÙÔϤˆÓ ÃÚ., 923 Koniordos V. / ∫ÔÓÈfiÚ‰Ô˜ µ., 909 Konstantinidis L.K. / ∫ˆÓÛÙ·ÓÙÈÓ›‰Ë˜ §.K., 985-986 Konstantinidou Al. / ∫ˆÓÛÙ·ÓÙÈÓ›‰Ô˘ ∞Ï., 987 Konstantios D. / ∫ˆÓÛÙ¿ÓÙÈÔ˜ ¢. (19502010), 989-1001 Konstantios N. / ∫ˆÓÛÙ¿ÓÙÈÔ˜ N., 988 Kontogiannis N.D. / ∫ÔÓÙÔÁÈ¿ÓÓ˘ ¡.¢., 910921 Kontogiannopoulou M. / ∫ÔÓÙÔÁÈ·ÓÓÔÔ‡ÏÔ˘ ª., 922 Kontopanagou E.-K. / ∫ÔÓÙÔ·Ó¿ÁÔ˘ ∞È.-∫., 924 Kordis G. / ∫fiډ˘ °., 925-928 Kormazopoulou L. / ∫ÔÚÌ·˙ÔÔ‡ÏÔ˘ §., 929 Kostakopoulou M. / ∫ˆÛÙ·ÎÔÔ‡ÏÔ˘ M., 1028 Kosti I. / ∫ˆÛÙ‹ π., 1029 Kostopoulos D. / ∫ˆÛÙfiÔ˘ÏÔ˜ ¢., 1030 Kotoula D. / ∫ˆÙԇϷ ¢., 1031-1032 Kotzamani D. / ∫ÔÙ˙·Ì¿ÓË ¢., 930 Kougleri F. / ∫Ô˘ÁϤÚË º., 941-945 Koukiaris Silas, archimandrite / ∫Ô˘ÎÈ¿Ú˘ ™›Ï·˜, ·Ú¯ÈÌ·Ó‰Ú›Ù˘, 947-950 Kounouklas P. / ∫Ô˘ÓÔ‡ÎÏ·˜ ¶., 951

EYPETHPIO ™Y°°PAºEøN Kounoupiotou-Manolessou E. / ∫Ô˘ÓÔ˘ÈÒÙÔ˘-ª·ÓˆÏ¤ÛÛÔ˘ ∂., 952 Kouphopoulos P. / ∫Ô˘ÊfiÔ˘ÏÔ˜ ¶., 976 Kourkoutidou-Nicolaidou E. / ∫Ô˘ÚÎÔ˘Ù›‰Ô˘-¡ÈÎÔÏ·˝‰Ô˘ ∂˘., 953 Kousoulou T. / ∫Ô˘ÛÔ˘ÏÔ‡ ∆., 954 Koutchia N. / ∫ԇٯȷ ¡., 975 Koutelakis Ch. / ∫Ô˘ÙÂÏ¿Î˘ Ã., 955-969 Koutsikou Chr. / ∫Ô‡ÙÛÈÎÔ˘ ÃÚ., 970-974 Kouveli A. / ∫Ô˘‚¤ÏË ∞., 936 Kouzeli K. / ∫Ô˘˙¤ÏË ∫., 946 Kuyiumchoglu Sp. / ∫Ô˘ÁÈÔ˘ÌÙ˙fiÁÏÔ˘ ™., 937-940 Kyriakoudis E. / ∫˘ÚÈ·ÎÔ‡‰Ë˜ ∂., 977 Kyrkos N. / ∫‡ÚÎÔ˜ ¡., 978 Kyrou A. / ∫‡ÚÔ˘ A., 979

L Laiou A. / §·˝Ô˘ ∞., 1035 Lambropoulou ∞. / §·ÌÚÔÔ‡ÏÔ˘ Õ., 1039, 1040 Lamprinou M. / §·ÌÚÈÓÔ‡ M., 1036-1038 Lamprou Eu. / §¿ÌÚÔ˘ ∂˘., 1041-1042 Lavas G. / §¿‚‚·˜ °. (1935-2006), 1033 Lazaridou A. / §·˙·Ú›‰Ô˘ ∞., 1034 Legakis A. / §ÂÁ¿Î˘ ∞., 1043 Leontakianakou I. / §ÂÔÓÙ·ÎÈ·Ó¿ÎÔ˘ ∂È., 1044-1048 Leontiadis I. / §ÂÔÓÙÈ¿‰Ë˜ π., 1049 Liakopoulos G. / §È·ÎfiÔ˘ÏÔ˜ °., 1050 Liakos D. / §È¿ÎÔ˜ ¢., 1051-1069 Liali Th. / §È¿ÏË £., 1070 Lianta E. / §È¿ÓÙ· ∂., 1071-1080 Linardou K. / §ÈÓ¿Ú‰Ô˘ ∫., 1082-1085 Liveri A. / §È‚¤ÚË ∞., 1081 Lolos I. / §ÒÏÔ˜ I., 1102 Louvi-Kizi A. / §Ô‡‚Ë-∫›˙Ë ∞., 1097 Loverdou-Tsigaridas K. / §Ô‚¤Ú‰Ô˘-∆ÛÈÁ·Ú›‰· ∫., 1086-1096 Lychounas M. / §˘¯Ô‡Ó·˜ ª., 1100-1101 Lykidou H. / §˘Î›‰Ô˘ ∏., 1098 Lymberopoulou A. / §˘ÌÂÚÔÔ‡ÏÔ˘ ∞., 1099

M Machaira P. / ª·¯·›Ú· ¶., 1222 Maderakis St. / ª·‰ÂÚ¿Î˘ ™Ù., 1105-1106 Magos K. / ª¿ÁÔ˜ ∫., 1103 Magoula O. / ª·ÁÔ˘Ï¿ Ÿ., 1104 Mailis Ath. / ª·˝Ï˘ ∞ı., 1114-1117

233 Makropoulou D. / ª·ÎÚÔÔ‡ÏÔ˘ ¢., 11181119 Maladakis V. / ª·Ï·‰¿Î˘ µ., 1120-1125 Malama V. / ª¿Ï·Ì· µ., 1126 Mallouchou-Tufano M. / ª·ÏÏÔ‡¯Ô˘Tufano ª., 1127 Maltezou A. / ª·ÏÙ¤˙Ô˘ ∞., 1128 Maltezou Chr. / ª·ÏÙ¤˙Ô˘ ÃÚ., 1129-1131 Mamaloukos St. / ª·Ì·ÏÔ‡ÎÔ˜ ™Ù., 11321159 Mandaki M. / ª·Ó‰¿ÎË ª., 1160 Manoledakis M. / ª·ÓˆÏ‰¿Î˘ ª., 1177 Manolessou E. / ª·ÓˆÏ¤ÛÛÔ˘ ∂., 1178 Manoli I. / ª·ÓÒÏË ∂È., 1179 Manopoulos Gr. / ª·ÓfiÔ˘ÏÔ˜ °Ú., 1161 Manousou-Ntella K. / ª·ÓÔ‡ÛÔ˘-¡Ù¤ÏÏ· ∫., 1162-1168 Mantas Ap. / ª·ÓÙ¿˜ ∞., 1169-1170 Mantopoulou-Panagiotopoulou Th. / ª·ÓÙÔÔ‡ÏÔ˘-¶·Ó·ÁȈÙÔÔ‡ÏÔ˘ £., 1176 Mantzana Kr. / ª·ÓÙ˙·Ó¿ ∫Ú., 1171-1175 Maraki A. / ª·Ú¿ÎË ∞., 1180 Mari M. / ª·Ú‹ ª., 1181 Marinis V. / ª·Ú›Ó˘ µ., 1182 Marinou G. / ª·Ú›ÓÔ˘ °., 1183 Marki E. / ª·Ú΋ ∂˘., 1184-1202 Marnellou N. / ª·ÚÓ¤ÏÏÔ˘ ¡., 1203 Martakos D. / ª·ÚÙ¿ÎÔ˜ ¢., 1204 Mastora P. / ª¿ÛÙÔÚ· ¶., 1205-1211 Matsinis I. / ª·ÙÛ›Ó˘ π., 1212 Mavritsaki M. / ª·˘ÚÈÙÛ¿ÎË ª., 1213 Mavropoulou-Tsioumi Chr. / ª·˘ÚÔÔ‡ÏÔ˘∆ÛÈÔ‡ÌË ÃÚ., 1214-1221 Mazarakis A. / ª·˙·Ú¿Î˘ ∞., 1107-1113 Melenti M. / ªÂϤÓÙË ª., 1224 Melvani N. / ªÂÏ‚¿ÓÈ N., 1223 Menenakou S. / ªÂÓÂÓ¿ÎÔ˘ ™., 1225 Mentzos A. / ª¤ÓÙ˙Ô˜ ∞., 1226-1227 Merambeliotaki E. / ªÂÚ·Ì‚ÂÏȈٿÎË ∂., 1230 Mertzimekis N. / ªÂÚÙ˙È̤΢ ¡., 1231-1241 Messis V. / ªÂÛÛ‹˜ µ., 1242-1243 Mexia A. / ª¤ÍÈ· ∞., 1228-1229 Michaelides M. / ªÈ¯·ËÏ›‰Ë˜ ª., 1260-1261 Milanou K. / ªÈÏ¿ÓÔ˘ ∫., 1256-1257 Militsi Eu. / ªËÏ›ÙÛË ∂˘., 1244-1247 Milona Z. / ª˘ÏˆÓ¿ ∑., 1354 Missailidou A. / ªÈÛ·ËÏ›‰Ô˘ ∞., 1258 Missiou D. / ªÈÛ›Ô˘ ¢., 1259 Mitropoulos Th. / ªËÙÚfiÔ˘ÏÔ˜ £., 1248

234 Mitsani A. / ªËÙÛ¿ÓË ∞. (1959-2006), 12491254 Miza M. / ª›˙· ª., 1255 Moraitou M. / ªˆÚ·˝ÙÔ˘ ª., 1356 Moschovi G. / ªÔÛ¯fi‚Ë °., 1262 Motsianos I. / ªfiÙÛÈ·ÓÔ˜ π., 1263-1264 Mountraki E. / ªÔ˘ÓÙÚ¿ÎË ∂., 1266 Mourelatos D. / ªÔ˘ÚÂÏ¿ÙÔ˜ ¢., 1267-1269 Moutsopoulos N. / ªÔ˘ÙÛfiÔ˘ÏÔ˜ ¡., 12701271 Mouzakis St. / ªÔ˘˙¿Î˘ ™Ù., 1265 Moyseidou G. / ªˆ˘Û›‰Ô˘ °., 1357 Mylona G. / ª˘ÏˆÓ¿ °., 1353 Mylopotamitaki Ai. / ª˘ÏÔÔÙ·ÌÈÙ¿ÎË ∞È., 1350-1352 Myriantheos-Kouphopoulou M. / ª˘ÚÈ·Óı¤ˆ˜-∫Ô˘ÊÔÔ‡ÏÔ˘ ª., 1355

N Naki E. / ¡¿ÎË ∂., 1358 Nakos Ath. / ¡¿ÎÔ˜ ∞ı., 1359 Nanou M. / ¡¿ÓÔ˘ ª., 1360-1372 Naupliotis-Sarantenos I. / ¡·˘ÏÈÒÙ˘™·Ú·ÓÙËÓfi˜ π., 1373 Nigdelis P. / ¡ÈÁ‰ÂÏ‹˜ ¶., 1374 Nika A. / ¡›Î· ∞., 1375-1376 Nikolaou Y. / ¡ÈÎÔÏ¿Ô˘ °., 1377-1383 Nikonanos N. / ¡ÈÎÔÓ¿ÓÔ˜ ¡., 1384

O Oikonomou A. / √ÈÎÔÓfiÌÔ˘ A. (1959-2004), 1418 Omirou Th. / √Ì‹ÚÔ˘ £., 1419 Otta K. / flÙÙ· ∫., 2266

P Paissidou M. / ¶·˚Û›‰Ô˘ ª., 1432-1434 Palaiokrassa-Kopitsa L. / ¶·Ï·ÈÔÎÚ·ÛÛ¿∫fiÈÙÛ· §., 1435 Paliompeis St. / ¶·ÏÈfiÌ¢ ™Ù., 1436 Paliouras Ath. / ¶·ÏÈÔ‡Ú·˜ ∞ı., 1437 Pallas D. / ¶¿ÏÏ·˜ ¢. (1907-1995), 1438 Pallis G. / ¶¿ÏÏ˘ °., 1439-1454 Palyvou Kl. / ¶·Ï˘‚Ô‡ ∫Ï., 1455 Panagopoulos S. / ¶·Ó·ÁfiÔ˘ÏÔ˜ ™., 1470 Panayotidi M. / ¶·Ó·ÁȈٛ‰Ë ª., 1456-1469 Paneli E. / ¶·Ó¤ÏË ∂., 1471-1472 Panselinou N. / ¶·ÓÛÂÏ‹ÓÔ˘ ¡., 1473-1475 Pantazis G. / ¶·ÓÙ·˙‹˜ °., 1476-1478 Pantelidou-Alexiadou Ai. / ¶·ÓÙÂÏ›‰Ô˘-∞ÏÂÍÈ¿‰Ô˘ ∞È., 1479 Panti A. / ¶·ÓÙ‹ Õ., 1481

INDEX DES AUTEURS Pantou Eu. / ¶¿ÓÙÔ˘ ∂˘., 1482-1486 Pantzaridis S. / ¶·ÓÙ˙·Ú›‰Ë˜ ™., 1480 Papacostas T. / ¶··ÎÒÛÙ·˜ ∆., 1570-1577 Papadaki-Oekland St. / ¶··‰¿ÎË-Oekland ™Ù. (1937-2002), 1519-1520 Papadimitriou P. / ¶··‰ËÌËÙÚ›Ô˘ ¶., 15211525 Papadopoulos A. / ¶··‰fiÔ˘ÏÔ˜ ∞., 1526 Papadopoulos Str. / ¶··‰fiÔ˘ÏÔ˜ ™ÙÚ., 1527-1528 Papadopoulou B. / ¶··‰ÔÔ‡ÏÔ˘ µ., 15291548 Papadopoulou Em. / ¶··‰ÔÔ‡ÏÔ˘ ∂Ì., 1549 Papadopoulou P. / ¶··‰ÔÔ‡ÏÔ˘ ¶., 15501554 Papaeuthymiou V. / ¶··Â˘ı˘Ì›Ô˘ µ., 1555 Papageorgiou N. / ¶··ÁˆÚÁ›Ô˘ ¡., 15111514 Papageorgiou Tz. / ¶··ÁˆÚÁ›Ô˘ ∆˙., 1515 Papaggelos I. / ¶·¿ÁÁÂÏÔ˜ π., 1501-1510 Papagiannaki ∞. / ¶··ÁÈ·ÓÓ¿ÎË ∞., 15161518 Papakyriakou Chr. / ¶··Î˘ÚÈ·ÎÔ‡ ÃÚ., 1569 Papalazarou V. / ¶··Ï·˙¿ÚÔ˘ µ., 1578 Papamastorakis T. / ¶··Ì·ÛÙÔÚ¿Î˘ ∆. (1961-2010), 1579-1585 Papanastasouli Gr.-Chr. / ¶··Ó·ÛÙ·ÛÔ‡ÏË °Ú.-ÃÚ., 1586-1587 Papanikola-Bakirtzi D. / ¶··ÓÈÎfiÏ·-ª·ÎÈÚÙ˙‹ ¢., 1588-1593 Papanikolaou A. / ¶··ÓÈÎÔÏ¿Ô˘ ∞., 15941595 Papastavrou ∏. / ¶··ÛÙ·‡ÚÔ˘ ∂., 15961599 Papathanasiou Eu. / ¶··ı·Ó·Û›Ô˘ ∂˘., 1556-1566 Papatheophanous-Tsouri Eu. / ¶··ıÂÔÊ¿ÓÔ˘˜-∆ÛÔ˘Ú‹ ∂˘., 1567-1568 Papavarnavas M. / ¶··‚·ÚÓ¿‚·˜ ª., 14871489 Papavassiliou E. / ¶··‚·ÛÈÏ›Ԣ ∂., 14901500 Papoulidou A. / ¶·Ô˘Ï›‰Ô˘ ∞., 1600 Pappas N. / ¶·¿˜ ¡., 1601 Parani M. G. / ¶·Ú·Ó‹ ª. °., 1602-1611 Paraschou S. / ¶·Ú¿Û¯Ô˘ ™., 1612-1614 Parcharidou-Anagnostou M. / ¶·Ú¯·Ú›‰Ô˘∞Ó·ÁÓÒÛÙÔ˘ ª., 1615-1626

235

EYPETHPIO ™Y°°PAºEøN Pasali A. / ¶·Û·Ï‹ ∞., 1627-1633 Paschalidis G. / ¶·Û¯·Ï›‰Ë˜ °., 1634 Patsalu T. / ¶¿ÙÛ·ÏÔ˘ £., 1635 Pazaras N. / ¶·˙·Ú¿˜ ¡., 1426-1431 Pazaras Th.N. / ¶·˙·Ú¿˜ £.¡., 1420-1425 Penna V. / ¶¤ÓÓ· µ., 1636-1642 Pennas Ch. / ¶¤ÓÓ·˜ Ã., 1643-1649 Perdikari J. / ¶ÂÚ‰ÈοÚË ∆˙., 1650 Perdiki Ou. / ¶ÂÚ‰›ÎË √˘., 1651 Perdikis St. / ¶ÂÚ‰›Î˘ ™Ù., 1652-1668 Perdikoulias P. / ¶ÂÚ‰ÈÎÔ‡ÏÈ·˜ ¶., 1669 Perrakis I. / ¶ÂÚÚ¿Î˘ π., 1670-1673 Petkos A. / ¶¤ÙÎÔ˜ ∞., 1674-1675 Petridis Pl. / ¶ÂÙÚ›‰Ë˜ ¶Ï., 1676-1687 Petronotis A. / ¶ÂÙÚÔÓÒÙ˘ ∞., 1688-1690 Petrou D. / ¶¤ÙÚÔ˘ ¢., 1691 Pettas Nektarios, archimandrite / ¶¤ÙÙ·˜ ¡ÂÎÙ¿ÚÈÔ˜, ·Ú¯ÈÌ·Ó‰Ú›Ù˘, 1692-1694 Pikoulas G. / ¶›ÎÔ˘Ï·˜ °., 1695 Pinatsi Chr. / ¶ÈÓ¿ÙÛË ÃÚ., 1696-1701 Pitsalides N. / ¶ÈÙÛ·Ï›‰Ë˜ ¡., 1702-1703 Pliota A. / ¶ÏÈÒÙ· ∞., 1704 Polatidou-Bizeta M. / ¶ÔÏ·Ù›‰Ô˘-ªÈ˙¤Ù· ª., 1706-1707 Politis K.D. / ¶ÔÏ›Ù˘ K.¢., 1708-1709 Polychronaki M. / ¶ÔÏ˘¯ÚÔÓ¿ÎË ª., 17111712 Polyviou M. / ¶ÔÏ˘‚›Ô˘ ª., 1710 Potamianos I. / ¶ÔÙ·ÌÈ¿ÓÔ˜ π., 1713 Poulimenos Gr. / ¶Ô˘ÏË̤ÓÔ˜ °Ú., 1714 Poulou-Papadimitriou N. / ¶Ô‡ÏÔ˘-¶··‰ËÌËÙÚ›Ô˘ ¡., 1715-1716 Poziopoulos A. / ¶Ô˙ÈfiÔ˘ÏÔ˜ ∞., 1705 Proestaki X. / ¶ÚÔÂÛÙ¿ÎË •., 1717-1718 Prokopidou A. / ¶ÚÔÎÔ›‰Ô˘ Õ., 1719-1720 Prokopiou E. / ¶ÚÔÎÔ›Ô˘ ∂., 1721-1727 Protopsalti S. / ¶ÚˆÙÔ„¿ÏÙË ™., 1728 Psarri P. / æ·ÚÚ‹ ¶., 2265 Pyrrou N. / ¶‡ÚÚÔ˘ ¡., 1729

R Ralli A. / ƒ¿ÏÏË ∞., 1730 Ranoutsaki Chr. / ƒ·ÓÔ˘ÙÛ¿ÎË ÃÚ., 1731-1733 Raptaki A. / ƒ·Ù¿ÎË ∞., 1734 Rapti I. / ƒ¿ÙË π., 1735 Raptis K. / ƒ¿Ù˘ ∫., 1736-1747 Rentetzi E. / ƒÂÓÙÂÙ˙‹ ∂., 1748 Rigakou D. / ƒËÁ¿ÎÔ˘ ¢., 1749-1751 Rigopoulos G. / ƒËÁfiÔ˘ÏÔ˜ °., 1752-1755 Roumeliotis N. / ƒÔ˘ÌÂÏÈÒÙ˘ ¡., 1756

S Sakellakou Chr. / ™·ÎÂÏÏ¿ÎÔ˘ ÃÚ., 17661767 Samoladou I. / ™·ÌfiÏ·‰Ô˘ π., 1768 Saradi H. / ™·Ú¿ÓÙË ∂., 1769-1774 Sarantidou M. / ™·Ú·ÓÙ›‰Ô˘ ª., 1775 Sarmanis Eu. / ™·ÚÌ¿Ó˘ ∂˘., 1776 Sarri E. / ™·ÚÚ‹ ∂., 1777 Savvidou Chr. / ™·‚‚›‰Ô˘ ÃÚ., 1757 Savvopoulos N. / ™·‚‚fiÔ˘ÏÔ˜ ¡., 1758 Savvopoulou-Katsiki X. / ™·‚‚ÔÔ‡ÏÔ˘∫·ÙÛ›ÎË •., 1759-1765 Scampavias C. / ™Î·Ì·‚›·˜ ∫., 1827-1834 Scarmuchu K. / ™Î·ÚÌÔ‡ÙÛÔ˘ ∫. (†), 1835 Scotti T.-P. / ™ÎÒÙÙË T.-¶., 1845-1852 Sdrolia St. / ™‰ÚfiÏÈ· ™Ù., 1778-1794 Semoglou Ath. / ™¤ÌÔÁÏÔ˘ ∞ı., 1795-1798 Sideris G. / ™È‰¤Ú˘ °., 1806 Sideropoulos Kl. / ™È‰ËÚfiÔ˘ÏÔ˜ ∫Ï., 18071808 Sigala M. / ™ÈÁ¿Ï· ª., 1799-1805 Sinakos A. / ™ÈÓ¿ÎÔ˜ ∞., 1809 Siomkos N. / ™ÈÒÌÎÔ˜ ¡., 1813-1822 Sismanidis K. / ™ÈÛÌ·Ó›‰Ë˜ ∫., 1812 Skagos N. / ™Î¿ÁÎÔ˜ ¡., 1823-1826 Skiadaresis G. / ™ÎÈ·‰·Ú¤Û˘ °., 1836-1841 Sklavou-Mauroeidi M. / ™ÎÏ¿‚Ô˘-ª·˘ÚÔÂȉ‹ ª., 1842 Skordara M. / ™ÎÔÚ‰·Ú¿ ª., 1843 Skrettas Nikodème, père / ™ÎÚ¤ÙÙ·˜ ¡ÈÎfi‰ËÌÔ˜, ·Ù‹Ú, 1844 Sophianos D. / ™ÔÊÈ·Ófi˜ ¢. (1935-2008), 1853-1857 Spanos A. / ™·Ófi˜ ∞., 1859 Spanou N. / ™·ÓÔ‡ ¡., 1860 Spantidaki G. / ™·ÓÙȉ¿ÎË °., 1861 Spatharakis I. / ™·ı·Ú¿Î˘ π., 1858 Spiliopoulou I. / ™ËÏÈÔÔ‡ÏÔ˘ π., 1862 Starida L. / ™Ù·Ú›‰· §., 1863 Stavrakos Chr. / ™Ù·˘Ú¿ÎÔ˜ ÃÚ., 1864 Stavropoulou A. / ™Ù·˘ÚÔÔ‡ÏÔ˘ ∞., 1865 Stephanidou Aim. / ™ÙÂÊ·Ó›‰Ô˘ ∞ÈÌ., 1867 Stephanis A. / ™ÙÂÊ·Ó‹˜ ∞., 1866 Stogias G. / ™ÙfiÁÈ·˜ °., 1868 Stoufi-Poulimenou I. / ™ÙÔ˘Ê‹-¶Ô˘ÏË̤ÓÔ˘ π., 1871-1882 Stournaras Gr. / ™ÙÔ˘ÚÓ¿Ú·˜ °Ú., 1869-1870 Strati A. / ™ÙÚ·Ù‹ ∞., 1883-1902 Synodinos ThÔmas, protopresbytère / ™˘ÓÔ‰ÈÓfi˜ £ˆÌ¿˜, ÚˆÙÔÚÂÛ‚‡ÙÂÚÔ˜, 19121915

236 Sythiakaki V. / ™˘ıȷοÎË µ., 1903-1911

T Tachiaos A. / ∆·¯È¿Ô˜ ∞., 1928 Tambaki S. / ∆·Ì¿ÎË ™., 1924 Tanoulas T. / ∆·ÓԇϷ˜ ∆., 1925 Tantsis A. / ∆¿ÓÙÛ˘ ∞., 1926-1927 Tavlakis I. / ∆·‚Ï¿Î˘ π., 1916-1923 Teneketzis D. / ∆ÂÓÂÎÂÙ˙‹˜ ¢., 1929 Themelis P. / £¤ÌÂÏ˘ ¶., 628 Themos A. / £¤ÌÔ˜ ∞., 629 Theocharides Pl. / £ÂÔ¯·Ú›‰Ë˜ ¶Ï., 631-633 Theocharidou K. / £ÂÔ¯·Ú›‰Ô˘ ∫., 634 Theocharis Y. / £ÂÔ¯¿Ú˘ π., 630 Theocharopoulou I. / £ÂÔ¯·ÚÔÔ‡ÏÔ˘ ∂È., 635-638 Tokmakidou A. / ∆ÔÎ̷Λ‰Ô˘ ∞., 1942 Toska L. / ∆fiÛη §., 1943-1944 Touratsoglou I. / ∆Ô˘Ú¿ÙÛÔÁÏÔ˘ π., 19451947 Tourta A. / ∆Ô‡ÚÙ· ∞., 1948-1956 Toutos N. / ∆Ô˘Ùfi˜ ¡., 1957-1960 Triantafyllidis P. / ∆ÚÈ·ÓÙ·Ê˘ÏÏ›‰Ë˜ ¶., 1961 Triantaphyllopoulos D. D. / ∆ÚÈ·ÓÙ·Ê˘ÏÏfiÔ˘ÏÔ˜ ¢. ¢., 1962-1979 Tritsaroli P. / ∆ÚÈÙÛ·ÚfiÏË ¶., 1986-1995 Trivyza E.-St. / ∆ÚÈ‚˘˙¿ ∂.-™Ù., 1980-1981 Trivyzadaki A. / ∆ÚÈ‚˘˙·‰¿ÎË ∞., 1982-1984 Trivyzadakis N. / ∆ÚÈ‚˘˙·‰¿Î˘ ¡., 1985 Troullinos M. / ∆ÚÔ˘ÏÏÈÓfi˜ ª., 1996 Troupkou N. / ∆ÚÔ‡ÎÔ˘ ¡., 1997 Tsabouras Th. / ∆Û·ÌÔ˘Ú¿˜ £., 2013 Tsaka K. / ∆ۿη K., 1998-2000 Tsakalos A. / ∆ۿηÏÔ˜ ∞., 2001-2003 Tsakos A. / ∆Û¿ÎÔ˜ ∞., 2004-2005 Tsalis Em. / ∆Û¿Ï˘ ∂Ì., 2006 Tsaltas Ach. / ∆Û¿ÏÙ·˜ ∞¯., 2007 Tsamakda V. / ∆۷̷Ή¿ µ., 2008-2012 Tsantilas G. / ∆Û·ÓÙ‹Ï·˜ °., 2014 Tsekes G. / ∆ÛÂΤ˜ °., 2015-2019 Tseligka-Antouraki A. / ∆Û¤ÏÈÁη-∞ÓÙÔ˘Ú¿ÎË ∞., 2020-2022 Tsiapali M. / ∆ÛÈ¿·ÏË ª., 2023-2030 Tsiara A. / ∆ÛÈ¿Ú· ∞., 2031-2032 Tsigaridas E.N. / ∆ÛÈÁ·Ú›‰·˜ ∂.¡., 2034-2054 Tsigonaki Chr. / ∆ÛÈÁˆÓ¿ÎË ÃÚ., 2055-2056 Tsilimigas Chr. / ∆ÛÈÏÈÌ›Áη˜ ÃÚ., 2057 Tsilipakou A. / ∆ÛÈÏÈ¿ÎÔ˘ ∞., 2058-2071 Tsimpida E. / ∆ÛÈÌ›‰· ∂., 2072-2073 Tsimpidou-Avloniti M. / ∆ÛÈÌ›‰Ô˘-∞˘ÏˆÓ›ÙË ª., 2074-2076

INDEX DES AUTEURS Tsimpoukis G. / ∆ÛÈÌԇ΢ °., 2077 Tsiouris I. / ∆ÛÈÔ˘Ú‹˜ π., 2078-2081 Tsirli S. / ∆Û›ÚÏË ™., 2082 Tsitimaki M. / ∆ÛÈÙÈÌ¿ÎË ª., 2083 Tsivikis N. / ∆ÛÈ‚›Î˘ ¡., 2033 Tsoka Ath. / ∆Ûfiη ∞ı., 2084 Tsokas Gr. / ∆Ûfiη˜ °Ú., 2085 Tsolakidou A. / ∆ÛÔϷΛ‰Ô˘ ∞., 2088 Tsolakis P. / ∆ÛÔÏ¿Î˘ ¶., 2086-2087 Tsota E. / ∆ÛÒÙ· ∂., 2099 Tsotsos G. / ∆ÛfiÙÛÔ˜ °., 2089 Tsougarakis D. / ∆ÛÔ˘Áηڿ΢ ¢., 2090 Tsouli M. / ∆ÛÔ‡ÏË ª., 2091 Tsouris K. / ∆ÛÔ˘Ú‹˜ ∫., 2092-2096 Tsourlos P. / ∆ÛÔ‡ÚÏÔ˜ ¶., 2097 Tsoutsoumpei-Lioliou S. / ∆ÛÔ˘ÙÛÔ˘Ì¤Ë§ÈfiÏÈÔ˘ ™., 2098 Tzanavari K. / ∆˙·Ó¿‚·ÚË ∫., 1933 Tzavella E. / ∆˙·‚¤ÏÏ· Œ., 1930-1932 Tzevreni St. / ∆˙‚ڤÓË ™Ù., 1934 Tziboulas K. / ∆˙›ÌÔ˘Ï·˜ ∫., 1935 Tzitzibassi A. / ∆˙ÈÙ˙ÈÌ¿ÛË ∞., 1936-1941

V Vafiadis C. / µ·ÊÂÈ¿‰Ë˜ ∫., 241-251 Vagena A. / µ·ÁÂÓ¿ ∞., 177 Vakaloudi A. / µ·Î·ÏÔ‡‰Ë ∞., 178 Vakondiou M. / µ·ÎÔÓ‰›Ô˘ ª., 179 Valacou P. / µ·Ï¿ÎÔ˘ ¶., 180-181 Varalis I.D. / µ·Ú·Ï‹˜ π.¢., 183-201 Varthalitou P. / µ·Úı·Ï›ÙÔ˘ ¶., 202-204 Vasilara S. / µ·ÛÈÏ·Ú¿ ™., 219 Vassi O. / µ¿ÛÛË Ÿ., 236-240 Vassilakeris A. / µ·ÛÈϷΤÚ˘ ∞., 205-206 Vassilaki M. / µ·ÛÈÏ¿ÎË ª., 207-218 Vassiliadou St. / µ·ÛÈÏÂÈ¿‰Ô˘ ™Ù., 220-225 Vassilikou N. / µ·ÛÈÏÈÎÔ‡ ¡., 234-235 Vavatsioulas O. / µ·‚·ÙÛÈԇϷ˜ √., 176 Vaxevanis I. / µ·Í‚¿Ó˘ π., 182 Veikou M. / µ¤ÈÎÔ˘ M., 252-255 Velenis G. / µÂϤÓ˘ °., 256-271 Verikokou M. / µÂÚ‡ÎÔÎÔ˘ ª., 272 Violatzis M. / µÈÔÏ¿Ù˙˘ ª., 273 Vitaliotis I. / µÈÙ·ÏÈÒÙ˘ π., 274-281 Vlachaki M. / µÏ·¯¿ÎË ª., 282-283 Vlachopoulou-Karabina E. / µÏ·¯ÔÔ‡ÏÔ˘∫·Ú·Ì›Ó· ∂., 284-285 Vlachostergios I. / µÏ·¯ÔÛÙ¤ÚÁÈÔ˜ π., 286-287 Vlysides St. / µÏËÛ›‰Ë˜ ™Ù., 288 Vocotopoulos P.-L. / µÔÎÔÙfiÔ˘ÏÔ˜ ¶.-§., 305-333

237

EYPETHPIO ™Y°°PAºEøN Volanakis I. / µÔÏ·Ó¿Î˘ π., 334-337 Voltiraki E. / µÔÏÙ˘Ú¿ÎË ∂., 338 Voulgaropoulou M. / µÔ˘ÏÁ·ÚÔÔ‡ÏÔ˘ ª., 339 Vouros G. / µÔ‡ÚÔ˜ °., 342 Vourvopoulou Chr. / µÔ˘Ú‚ÔÔ‡ÏÔ˘ ÃÚ., 340-341 Voyadjis S. / µÔÁÈ·Ù˙‹˜ ™., 289-304 Vranopoulou L. / µÚ·ÓÔÔ‡ÏÔ˘ §., 343-344

W Wassiliou-Seibt ∞.-∫. / µ·ÛÈÏ›Ԣ-Seibt ∞.∫., 226-233

X Xanthaki Th. / •·Óı¿ÎË £., 1404-1411 Xanthopoulou M. / •·ÓıÔÔ‡ÏÔ˘ ª., 14121414 Xanthos V. / •·Óıfi˜ µ., 1415-1416

Y Yalouri A. / °È·ÏÔ‡ÚË Õ., 396-401 Yangaki A.G. / °È·ÁοÎË ∞.°., 374-389

Yannopoulou M. / °È·ÓÓÔÔ‡ÏÔ˘ ª., 402403 Àeroulanou Ai. / °ÂÚÔ˘Ï¿ÓÔ˘ ∞È., 357-359 Yota E. / °ÈÒÙ· ∂., 422 Yphanti A. / ÀÊ·ÓÙ‹ ∞., 2100-2101

Z Zachariadis St. / ∑·¯·ÚÈ¿‰Ë˜ ™Ù., 600 Zacharias N. / ∑·¯·Ú›·˜ ¡., 601 Zachos G. / ∑¿¯Ô˜ °., 602 Zafiris G. / ∑·Ê›Ú˘ °., 599 Zarifis N. / ∑·Ú›Ê˘ ¡., 586 Zarogiannis A. / ∑·ÚÔÁÈ¿ÓÓ˘ Õ., 587 Zarras N. / ∑¿ÚÚ·˜ ¡., 588-598 Zavvou E. / ∑·‚‚Ô‡ ∂., 584-585 Zgafa A. / ∑Áηʿ ∞., 603 Zias N. / ∑›·˜ ¡., 607 Zikas K. / ∑‹Î·˜ ∫., 604 Zikos N. / ∑‹ÎÔ˜ ¡., 605-606 Zirmba S. / ∑‡ÚÌ· ™., 609 Zogaki A. / ∑ˆÁ¿ÎË ∞., 610 Zombou-Asimi A. / ∑fiÌÔ˘-∞ÛËÌ‹ ∞., 608

INDEX ARTISTIQUE – KA§§ITEXNIKO EYPETHPIO Art copte / ∫ÔÙÈ΋ Ù¤¯ÓË 43, 44, 191, 557, 1094, 1296, 1346, 1598, 2004, 2107 Art occidental / ¢˘ÙÈ΋ Ù¤¯ÓË 20, 21, 22, 23, 54, 56, 57, 60, 61, 62, 87, 144, 153, 176, 181, 202, 211, 238, 339, 372, 375, 379, 411, 412, 416, 417, 418, 444, 445, 455, 470, 490, 494, 542, 552, 570, 615, 617, 623, 624, 644, 716, 754, 755, 756, 757, 758, 814, 817, 818, 819, 821, 825, 829, 876, 880, 896, 898, 899, 900, 910, 917, 918, 920, 921, 941, 942, 945, 960, 1003, 1004, 1005, 1006, 1007, 1009, 1010, 1011, 1013, 1016, 1017, 1018, 1020, 1023, 1024, 1027, 1031, 1037, 1046, 1104, 1107, 1109, 1110, 1112, 1113, 1154, 1156, 1163, 1164, 1165, 1167, 1183, 1223, 1320, 1321, 1373, 1389, 1390, 1455, 1491, 1511, 1571, 1574, 1576, 1579, 1597, 1599, 1663, 1689, 1694, 1714, 1715, 1722, 1730, 1748, 1753, 1822, 1826, 1882, 1978, 2002,

2003, 2014, 2021, 2110, 2123, 2136, 2154, 2172, 2177, 2185, 2217, 2218, 2219, 2222, 2224, 2225, 2226, 2227, 2228, 2254 Art musulman / ªÔ˘ÛÔ˘ÏÌ·ÓÈ΋ Ù¤¯ÓË 4, 8, 61, 65, 72, 73, 74, 81, 83, 90, 95, 96, 98, 296, 347, 412, 414, 415, 418, 470, 479, 510, 538, 600, 667, 706, 772, 794, 898, 900, 916, 944, 945, 1116, 1119, 1165, 1167, 1201, 1266, 1319, 1392, 1394, 1440, 1441, 1443, 1444, 1452, 1454, 1494, 1539, 1543, 1688, 1690, 1746, 1767, 1826, 1837, 1867, 1870, 1999, 2016, 2017, 2064, 2086, 2087, 2108, 2119, 2169 Art «néo-byzantin» / «¡¤Ô-‚˘˙·ÓÙÈÓ‹» Ù¤¯ÓË 24, 67, 342, 351, 452, 464, 465, 466, 467, 468, 469, 539, 604, 655, 670, 676, 683, 826, 855, 926, 964, 1489, 1496, 1497, 1634, 1831, 1845, 1849, 1852, 1872, 1873, 1877, 1942, 1950, 1962, 1971, 1975, 2002, 2104

INDEX CHRONOLOGIQUE – Xƒ√¡√§√°π∫√ EYPETHPIO Période protobyzantine / ¶ÚˆÙÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜ 4, 6, 8, 9, 16, 19, 26, 27, 31, 39, 40, 42, 43, 44, 46, 47, 49, 51, 54, 55, 61, 62, 86, 103, 108, 110, 111, 112, 113, 115, 116, 117, 118, 119, 120, 123, 124, 125, 126, 129, 131, 132, 134, 135, 136, 137, 152, 156, 157, 159, 160, 161, 183, 186, 187, 189, 190, 191, 195, 210, 214, 225, 235, 265, 270, 277, 278, 279, 282, 284, 297, 335, 338, 357, 359, 360, 361, 362, 364, 365, 366, 369, 374, 376, 377, 378, 382, 383, 384, 385, 386, 396, 403, 405, 430, 431, 435, 438, 439, 453, 458, 460, 461, 463, 471, 476, 484, 486, 487, 488, 489, 495, 497, 501, 502, 513, 515, 524, 525, 527, 530, 532, 533, 534, 536, 537, 553, 554, 557, 559, 562, 564, 565, 566, 578, 584, 589, 602, 608, 613, 621, 626, 629, 630, 641, 642, 651, 652, 653, 654, 657, 668, 681, 701, 703, 704, 705, 710, 718, 721, 723, 749, 764, 766, 770, 771, 777, 786, 787, 789, 815, 862, 864, 865, 866, 870, 883, 887, 888, 893, 897, 903, 905, 906, 923, 929, 933, 935, 936, 940, 955, 961, 976, 987, 1028, 1033, 1081, 1087, 1088, 1092, 1094, 1096, 1104, 1109, 1114, 1115, 1118, 1119, 1125, 1137, 1140, 1168, 1177, 1179, 1181, 1184, 1186, 1188, 1190, 1192, 1193, 1194, 1196, 1197, 1198, 1199, 1200, 1201, 1202, 1208, 1209, 1211, 1214, 1215, 1216, 1217, 1218, 1220, 1227, 1244, 1246, 1248, 1249, 1251, 1263, 1264, 1273, 1277, 1280, 1281, 1282, 1284, 1286, 1288, 1289, 1292, 1295, 1309, 1323, 1324, 1326, 1327, 1332, 1334, 1338, 1346, 1347, 1349, 1374, 1375, 1376, 1387, 1397, 1399, 1400, 1402, 1412, 1414, 1417, 1423, 1425, 1426, 1434, 1435, 1451, 1453, 1471, 1472, 1475, 1481, 1492, 1498, 1499, 1500, 1503, 1517, 1527, 1529, 1536, 1538, 1544, 1555, 1559, 1563, 1566, 1593, 1598, 1604, 1606, 1607, 1610, 1620, 1625, 1637, 1640, 1641, 1642, 1644, 1648, 1664, 1676, 1677, 1679, 1680, 1681, 1682, 1683, 1684, 1685, 1686, 1687, 1705,

1708, 1709, 1713, 1716, 1721, 1722, 1723, 1724, 1727, 1731, 1736, 1738, 1739, 1740, 1742, 1743, 1744, 1745, 1747, 1757, 1770, 1771, 1772, 1777, 1788, 1791, 1801, 1802, 1803, 1804, 1812, 1828, 1829, 1830, 1835, 1851, 1881, 1892, 1904, 1905, 1907, 1909, 1910, 1911, 1913, 1915, 1917, 1930, 1931, 1932, 1933, 1938, 1939, 1940, 1943, 1945, 1948, 1952, 1953, 1954, 1956, 1961, 1967, 1983, 1984, 1987, 1990, 1991, 1993, 1994, 1995, 2001, 2004, 2010, 2011, 2012, 2014, 2026, 2027, 2030, 2055, 2056, 2060, 2061, 2074, 2075, 2076, 2095, 2099, 2103, 2107, 2111, 2116, 2117, 2119, 2120, 2133, 2143, 2145, 2149, 2150, 2153, 2156, 2157, 2158, 2159, 2161, 2163, 2165, 2166, 2172, 2190, 2191, 2193, 2195, 2198, 2206, 2217, 2219, 2220, 2222, 2223, 2227, 2228, 2229, 2231, 2246, 2262, 2263, 2264 Période de transition / ªÂÙ·‚·ÙÈÎÔ› ¯ÚfiÓÔÈ 4, 31, 86, 103, 116, 126, 152, 161, 163, 239, 243, 253, 254, 255, 265, 284, 332, 355, 357, 369, 385, 439, 516, 524, 525, 533, 536, 557, 559, 578, 613, 642, 654, 659, 680, 701, 746, 766, 779, 780, 781, 785, 887, 888, 903, 905, 906, 907, 923, 961, 979, 987, 1028, 1033, 1049, 1087, 1109, 1117, 1168, 1190, 1192, 1193, 1194, 1197, 1214, 1215, 1217, 1218, 1220, 1244, 1248, 1249, 1281, 1288, 1293, 1309, 1323, 1324, 1326, 1327, 1332, 1347, 1376, 1383, 1498, 1503, 1566, 1638, 1640, 1641, 1645, 1649, 1747, 1772, 1801, 1802, 1829, 1832, 1851, 1864, 1907, 1909, 1920, 1930, 1931, 1940, 1945, 1946, 1947, 1948, 1952, 1953, 1954, 1956, 1987, 2004, 2019, 2095, 2107, 2109, 2112, 2145, 2149, 2153, 2158, 2161, 2163, 2172, 2193, 2205, 2227 Période médiobyzantine / ªÂÛÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜ 2, 7, 17, 19, 31, 32, 33, 38, 40, 41, 42, 44, 46, 47, 49, 55, 58, 59, 64, 66, 69, 70, 74, 76, 77, 79, 82, 84, 85, 86, 88, 89, 91, 97, 103, 106, 111, 114, 116, 118, 119, 120, 122, 125, 126, 128, 130, 131, 135, 139,

Xƒ√¡√§√°π∫√ EYPETHPIO 141, 152, 153, 161, 174, 183, 188, 193, 195, 199, 209, 210, 212, 214, 226, 227, 228, 229, 230, 231, 232, 233, 240, 252, 253, 254, 255, 258, 261, 263, 265, 266, 272, 274, 275, 283, 284, 289, 290, 291, 292, 294, 295, 298, 299, 300, 301, 303, 306, 309, 311, 312, 314, 322, 325, 327, 328, 329, 332, 338, 355, 361, 369, 375, 380, 381, 385, 387, 397, 399, 400, 405, 422, 432, 434, 439, 440, 448, 450, 458, 459, 462, 476, 487, 497, 509, 512, 513, 515, 516, 518, 519, 520, 521, 522, 533, 536, 547, 557, 561, 562, 564, 567, 568, 571, 575, 576, 588, 589, 598, 613, 616, 618, 622, 631, 632, 633, 642, 649, 651, 653, 659, 660, 669, 671, 672, 673, 677, 679, 680, 681, 687, 701, 705, 712, 715, 719, 722, 738, 741, 743, 744, 745, 746, 748, 749, 762, 763, 764, 766, 767, 768, 773, 774, 779, 780, 781, 782, 783, 784, 785, 804, 805, 806, 809, 823, 828, 842, 844, 875, 885, 888, 889, 890, 895, 903, 905, 906, 907, 915, 930, 931, 932, 933, 934, 935, 950, 952, 955, 961, 985, 987, 1028, 1033, 1035, 1049, 1054, 1057, 1058, 1059, 1062, 1067, 1081, 1082, 1083, 1084, 1087, 1088, 1090, 1095, 1096, 1109, 1119, 1120, 1122, 1124, 1134, 1135, 1138, 1140, 1141, 1143, 1145, 1146, 1148, 1150, 1151, 1153, 1157, 1158, 1159, 1166, 1168, 1177, 1178, 1182, 1187, 1189, 1190, 1192, 1193, 1194, 1197, 1198, 1214, 1215, 1217, 1218, 1220, 1221, 1226, 1227, 1229, 1238, 1244, 1245, 1247, 1248, 1249, 1252, 1265, 1269, 1270, 1271, 1277, 1282, 1288, 1292, 1296, 1308, 1309, 1311, 1318, 1323, 1324, 1326, 1327, 1332, 1333, 1336, 1337, 1338, 1340, 1342, 1345, 1346, 1347, 1351, 1352, 1356, 1376, 1377, 1384, 1386, 1397, 1398, 1403, 1413, 1417, 1418, 1420, 1421, 1422, 1424, 1426, 1437, 1439, 1445, 1446, 1447, 1449, 1450, 1451, 1453, 1458, 1470, 1472, 1486, 1498, 1500, 1501, 1503, 1507, 1508, 1516, 1518, 1523, 1527, 1541, 1545, 1551, 1552, 1553, 1554, 1555, 1559, 1560, 1563, 1566, 1570, 1572, 1573, 1577, 1579, 1584, 1591, 1602, 1605, 1607, 1608, 1609, 1610, 1615, 1620, 1625, 1626, 1639, 1640, 1641, 1645, 1646, 1649, 1651, 1664, 1668, 1691, 1700,

241 1701, 1711, 1712, 1722, 1723, 1725, 1726, 1729, 1731, 1733, 1736, 1738, 1739, 1740, 1747, 1750, 1772, 1779, 1801, 1802, 1808, 1814, 1815, 1821, 1829, 1833, 1842, 1843, 1847, 1851, 1854, 1859, 1861, 1864, 1888, 1890, 1895, 1906, 1911, 1913, 1917, 1920, 1923, 1926, 1928, 1940, 1941, 1943, 1945, 1948, 1952, 1953, 1954, 1956, 1960, 1967, 1973, 1977, 1982, 1985, 1986, 1987, 1989, 1994, 2000, 2001, 2003, 2004, 2012, 2018, 2019, 2029, 2030, 2033, 2034, 2035, 2037, 2040, 2041, 2043, 2045, 2050, 2095, 2107, 2109, 2117, 2118, 2123, 2145, 2149, 2151, 2152, 2153, 2155, 2156, 2158, 2163, 2168, 2172, 2186, 2193, 2196, 2197, 2198, 2206, 2212, 2214, 2220, 2227, 2230, 2251, 2252, 2253, 2256 Période tardobyzantine / ÀÛÙÂÚÔ‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜ 4, 7, 13, 17, 18, 20, 21, 22, 23, 25, 28, 29, 30, 31, 33, 42, 44, 49, 50, 55, 56, 57, 62, 64, 65, 68, 76, 78, 79, 80, 86, 87, 92, 95, 102, 103, 106, 107, 111, 116, 118, 119, 120, 125, 126, 127, 128, 131, 135, 139, 140, 142, 144, 145, 147, 148, 149, 150, 151, 152, 153, 154, 158, 161, 168, 170, 171, 172, 173, 175, 176, 179, 181, 184, 195, 196, 198, 199, 200, 201, 203, 204, 205, 206, 209, 211, 212, 213, 214, 218, 219, 220, 229, 230, 232, 233, 234, 236, 237, 238, 241, 248, 251, 256, 260, 262, 265, 267, 269, 274, 281, 283, 284, 285, 289, 293, 306, 307, 309, 311, 312, 313, 315, 317, 319, 320, 324, 326, 327, 328, 329, 331, 332, 333, 334, 337, 338, 355, 361, 369, 372, 375, 379, 380, 381, 387, 388, 390, 391, 392, 394, 395, 398, 399, 402, 404, 405, 407, 408, 416, 419, 423, 424, 444, 445, 448, 449, 451, 455, 456, 457, 462, 470, 476, 478, 482, 483, 490, 491, 493, 494, 498, 505, 508, 509, 512, 513, 515, 520, 522, 523, 533, 535, 536, 538, 543, 547, 555, 556, 557, 560, 562, 564, 567, 569, 572, 573, 574, 576, 578, 579, 581, 589, 590, 591, 592, 593, 595, 596, 597, 598, 606, 613, 615, 616, 617, 622, 623, 632, 635, 636, 637, 638, 642, 649, 651, 653, 659, 660, 661, 664, 665, 669, 671, 672, 674, 675, 677, 679, 681,

INDEX CHRONOLOGIQUE

242 687, 690, 699, 701, 709, 711, 712, 713, 714, 715, 716, 717, 719, 720, 722, 738, 739, 740, 741, 742, 746, 748, 749, 758, 762, 763, 764, 766, 767, 768, 773, 774, 793, 809, 814, 819, 821, 822, 823, 827, 832, 833, 834, 842, 844, 869, 882, 886, 888, 895, 896, 898, 899, 901, 903, 905, 906, 908, 910, 913, 914, 917, 918, 919, 920, 948, 949, 950, 953, 955, 960, 961, 966, 973, 980, 982, 985, 987, 1002, 1005, 1006, 1014, 1015, 1017, 1019, 1020, 1021, 1024, 1025, 1026, 1028, 1032, 1033, 1035, 1037, 1049, 1062, 1071, 1072, 1073, 1074, 1075, 1076, 1077, 1078, 1079, 1080, 1085, 1086, 1087, 1088, 1090, 1091, 1093, 1095, 1096, 1097, 1099, 1103, 1105, 1106, 1107, 1109, 1110, 1113, 1119, 1124, 1130, 1131, 1133, 1140, 1142, 1144, 1148, 1151, 1164, 1165, 1166, 1167, 1168, 1171, 1183, 1190, 1192, 1193, 1194, 1197, 1198, 1201, 1205, 1208, 1214, 1215, 1217, 1218, 1220, 1223, 1227, 1228, 1229, 1238, 1243, 1244, 1248, 1249, 1250, 1254, 1256, 1257, 1262, 1265, 1269, 1276, 1282, 1285, 1287, 1288, 1292, 1296, 1300, 1301, 1304, 1305, 1306, 1308, 1309, 1311, 1312, 1313, 1318, 1319, 1320, 1321, 1322, 1323, 1324, 1326, 1327, 1329, 1332, 1335, 1338, 1340, 1350, 1352, 1373, 1376, 1377, 1382, 1384, 1385, 1389, 1390, 1395, 1396, 1397, 1403, 1405, 1409, 1410, 1411, 1417, 1426, 1430, 1432, 1433, 1453, 1455, 1459, 1462, 1467, 1470, 1472, 1473, 1477, 1478, 1484, 1498, 1500, 1501, 1503, 1509, 1510, 1523, 1527, 1530, 1531, 1532, 1535, 1538, 1539, 1540, 1541, 1545, 1546, 1547, 1550, 1551, 1553, 1556, 1559, 1560, 1561, 1563, 1567, 1568, 1571, 1574, 1579, 1580, 1584, 1585, 1588, 1589, 1591, 1592, 1597, 1599, 1602, 1603, 1605, 1607, 1608, 1609, 1610, 1615, 1616, 1620, 1625, 1629, 1641, 1645, 1647, 1649, 1650, 1651, 1655, 1656, 1662, 1664, 1665, 1666, 1674, 1684, 1696, 1712, 1714, 1715, 1722, 1723, 1729, 1730, 1731, 1732, 1735, 1736, 1738, 1739, 1748, 1750, 1766, 1772, 1795, 1796, 1797, 1799, 1801, 1802, 1805, 1808, 1810, 1815, 1820, 1821, 1829, 1832, 1833, 1834, 1851, 1853, 1854, 1858, 1861, 1863, 1874, 1884, 1886, 1889, 1890, 1894, 1895, 1896, 1898,

1906, 1913, 1918, 1921, 1922, 1923, 1929, 1936, 1940, 1942, 1943, 1945, 1948, 1949, 1952, 1953, 1954, 1956, 1957, 1959, 1960, 1968, 1973, 1976, 1977, 1978, 1979, 1982, 1987, 1989, 1994, 2001, 2003, 2004, 2008, 2009, 2010, 2014, 2028, 2030, 2034, 2035, 2036, 2037, 2038, 2039, 2041, 2042, 2043, 2046, 2047, 2048, 2049, 2050, 2051, 2054, 2057, 2090, 2092, 2094, 2095, 2096, 2105, 2108, 2109, 2115, 2116, 2117, 2122, 2123, 2128, 2131, 2135, 2145, 2148, 2149, 2151, 2153, 2154, 2156, 2160, 2163, 2168, 2171, 2172, 2183, 2185, 2186, 2193, 2196, 2197, 2198, 2207, 2210, 2212, 2213, 2214, 2217, 2218, 2219, 2222, 2224, 2225, 2226, 2227, 2236, 2237, 2245, 2252 Période post-byzantine (après 1453) / ªÂÙ·‚˘˙·ÓÙÈÓ‹ ÂÚ›Ô‰Ô˜ (ÌÂÙ¿ ÙÔ 1453) 4, 8, 14, 15, 18, 19, 35, 36, 49, 54, 55, 56, 57, 60, 61, 62, 64, 67, 70, 71, 72, 73, 81, 82, 83, 86, 90, 94, 95, 96, 98, 101, 103, 104, 107, 109, 116, 121, 126, 142, 143, 146, 152, 153, 168, 169, 180, 181, 185, 194, 195, 202, 207, 210, 213, 215, 216, 217, 225, 237, 242, 244, 245, 246, 248, 250, 257, 259, 260, 264, 267, 268, 276, 280, 285, 286, 296, 302, 304, 305, 306, 309, 310, 320, 321, 330, 332, 333, 336, 337, 339, 347, 348, 350, 351, 352, 353, 354, 363, 368, 370, 373, 391, 393, 394, 395, 402, 406, 407, 410, 411, 412, 413, 414, 415, 416, 417, 418, 433, 437, 444, 452, 459, 464, 465, 466, 467, 468, 469, 470, 473, 477, 479, 480, 481, 482, 496, 498, 500, 503, 504, 507, 510, 512, 514, 521, 522, 536, 538, 542, 543, 544, 545, 546, 547, 548, 549, 550, 551, 552, 558, 559, 570, 582, 583, 599, 600, 604, 611, 613, 615, 616, 617, 622, 623, 624, 625, 631, 632, 633, 634, 642, 643, 644, 645, 646, 649, 650, 651, 655, 656, 657, 658, 661, 664, 666, 667, 669, 670, 671, 672, 675, 676, 677, 678, 681, 682, 683, 685, 688, 691, 693, 696, 698, 700, 701, 702, 706, 714, 732, 733, 734, 740, 751, 752, 753, 754, 755, 756, 757, 759, 768, 772, 791, 792, 793, 794, 795, 796, 798, 800, 802, 803, 810, 811, 812, 813, 817, 818, 819, 821, 822, 825, 826, 827, 829, 833,

Xƒ√¡√§√°π∫√ EYPETHPIO 836, 837, 838, 839, 841, 843, 846, 850, 851, 852, 854, 855, 856, 857, 858, 860, 861, 872, 873, 876, 877, 878, 879, 880, 881, 888, 894, 896, 898, 899, 900, 901, 903, 905, 906, 910, 916, 918, 921, 924, 925, 926, 941, 942, 944, 945, 947, 949, 950, 955, 956, 957, 958, 959, 961, 964, 966, 967, 968, 969, 970, 971, 972, 974, 975, 977, 984, 985, 986, 988, 1003, 1004, 1005, 1006, 1007, 1008, 1009, 1010, 1011, 1012, 1013, 1015, 1016, 1017, 1018, 1020, 1023, 1024, 1027, 1029, 1030, 1031, 1033, 1034, 1036, 1037, 1044, 1045, 1046, 1047, 1048, 1050, 1051, 1055, 1056, 1059, 1060, 1062, 1063, 1064, 1065, 1066, 1068, 1085, 1088, 1097, 1101, 1103, 1105, 1106, 1111, 1112, 1113, 1116, 1124, 1131, 1133, 1135, 1136, 1142, 1144, 1150, 1151, 1152, 1153, 1154, 1155, 1156, 1157, 1158, 1159, 1161, 1163, 1164, 1165, 1166, 1167, 1168, 1171, 1172, 1173, 1174, 1175, 1177, 1180, 1185, 1190, 1192, 1193, 1194, 1197, 1201, 1214, 1215, 1217, 1218, 1219, 1220, 1222, 1224, 1225, 1231, 1232, 1234, 1235, 1236, 1237, 1239, 1241, 1242, 1243, 1244, 1248, 1250, 1254, 1256, 1258, 1262, 1265, 1266, 1268, 1285, 1288, 1292, 1297, 1298, 1299, 1301, 1302, 1309, 1311, 1315, 1316, 1317, 1323, 1324, 1325, 1326, 1327, 1328, 1332, 1346, 1348, 1351, 1352, 1359, 1360, 1363, 1364, 1367, 1368, 1371, 1372, 1373, 1384, 1389, 1390, 1392, 1393, 1394, 1395, 1396, 1404, 1406, 1407, 1417, 1427, 1429, 1440, 1441, 1442, 1443, 1444, 1452, 1454, 1470, 1472, 1474, 1477, 1478, 1479, 1480, 1483, 1485, 1487, 1491, 1494, 1496, 1497, 1500, 1502, 1503, 1504, 1509, 1511, 1512, 1513, 1514, 1515, 1521, 1523, 1524, 1525, 1533, 1538, 1539, 1540, 1543, 1546, 1547, 1548, 1559, 1560, 1561, 1562, 1565, 1576, 1586, 1587,

243 1590, 1601, 1611, 1612, 1613, 1615, 1618, 1619, 1620, 1622, 1623, 1624, 1625, 1626, 1627, 1628, 1629, 1630, 1631, 1632, 1633, 1641, 1652, 1653, 1654, 1655, 1660, 1663, 1664, 1667, 1672, 1673, 1674, 1688, 1689, 1690, 1692, 1693, 1694, 1707, 1710, 1714, 1715, 1717, 1718, 1722, 1723, 1732, 1746, 1750, 1751, 1752, 1753, 1754, 1755, 1759, 1760, 1761, 1762, 1763, 1764, 1765, 1767, 1769, 1776, 1778, 1780, 1781, 1782, 1783, 1784, 1785, 1786, 1792, 1793, 1794, 1796, 1800, 1801, 1802, 1808, 1813, 1816, 1818, 1819, 1821, 1823, 1824, 1825, 1826, 1827, 1829, 1831, 1837, 1838, 1839, 1850, 1853, 1854, 1857, 1863, 1865, 1867, 1869, 1870, 1871, 1875, 1878, 1879, 1880, 1882, 1883, 1884, 1885, 1886, 1887, 1890, 1891, 1893, 1899, 1900, 1901, 1902, 1912, 1913, 1914, 1917, 1918, 1919, 1922, 1923, 1925, 1929, 1937, 1940, 1942, 1944, 1945, 1948, 1949, 1950, 1952, 1953, 1954, 1955, 1956, 1958, 1959, 1960, 1962, 1965, 1968, 1975, 1977, 1978, 1979, 1980, 1981, 1997, 1999, 2001, 2006, 2013, 2016, 2017, 2020, 2021, 2022, 2023, 2024, 2025, 2028, 2029, 2035, 2036, 2041, 2042, 2044, 2048, 2052, 2053, 2058, 2059, 2062, 2063, 2064, 2065, 2066, 2067, 2068, 2069, 2070, 2071, 2073, 2077, 2078, 2079, 2080, 2081, 2083, 2086, 2087, 2096, 2102, 2104, 2109, 2110, 2113, 2114, 2116, 2117, 2119, 2129, 2130, 2134, 2135, 2136, 2137, 2138, 2139, 2140, 2141, 2142, 2144, 2145, 2146, 2158, 2160, 2164, 2169, 2170, 2171, 2172, 2173, 2174, 2175, 2176, 2177, 2180, 2181, 2182, 2183, 2184, 2186, 2188, 2194, 2199, 2200, 2201, 2214, 2215, 2216, 2220, 2221, 2223, 2225, 2227, 2228, 2229, 2231, 2233, 2234, 2235, 2236, 2237, 2238, 2239, 2240, 2241, 2242, 2252, 2254, 2265, 2266

INDEX PAR MATIÈRES – £EMATO§O°IKO EYPETHPIO ART MONUMENTAL / ª¡∏ª∂π∞∫∏ ∆∂á∏ Architecture / ∞Ú¯ÈÙÂÎÙÔÓÈ΋ – Remarques générales / °ÂÓÈΤ˜ ¶·Ú·ÙËÚ‹ÛÂȘ 147, 148, 151, 197, 199, 290, 392, 810, 1140, 1292, 1338, 1340, 1571, 1572, 1574, 1576, 1577, 1713, 1771, 1774, 1814, 1839, 1927, 1970, 2121, 2124, 2172, 2195

Architecture religieuse / £ÚËÛ΢ÙÈ΋ ·Ú¯ÈÙÂÎÙÔÓÈ΋ 55, 58, 59, 107, 189, 235, 547, 570, 698, 700, 701, 710, 763, 764, 767, 770, 1242, 1243, 1329, 1389, 1486, 1573, 1652, 1764, 1881, 1915, 2198 – Baptistères / µ·ÙÈÛÙ‹ÚÈ· 1092, 1114, 1115, 1425, 1705 – Lieux de culte chrétiens (églises, monastères) / ÃÒÚÔÈ Ï·ÙÚ›·˜ ¯ÚÈÛÙÈ·ÓÒÓ (Ó·Ô›, ÌÔÓ¤˜) 4, 8, 17, 18, 19, 21, 40, 42, 46, 47, 56, 60, 61, 66, 67, 68, 70, 71, 77, 79, 80, 82, 84, 86, 88, 89, 91, 97, 103, 104, 106, 108, 139, 145, 146, 155, 163, 168, 176, 183, 186, 187, 190, 197, 199, 211, 219, 234, 240, 250, 253, 254, 255, 258, 261, 268, 274, 275, 278, 279, 282, 289, 290, 293, 295, 297, 298, 299, 303, 304, 315, 317, 320, 323, 326, 334, 335, 337, 342, 364, 365, 370, 392, 393, 397, 399, 407, 412, 413, 418, 425, 432, 434, 438, 439, 449, 451, 460, 470, 480, 482, 484, 494, 497, 501, 502, 509, 512, 513, 514, 518, 521, 522, 524, 536, 564, 565, 569, 570, 588, 598, 599, 604, 608, 613, 616, 624, 631, 632, 633, 634, 652, 654, 655, 660, 670, 673, 676, 681, 712, 716, 718, 721, 738, 739, 740, 741, 742, 743, 745, 746, 762, 766, 773, 774, 792, 793, 796, 797, 802, 803, 804, 806, 809, 810, 811, 812, 813, 814, 844, 873, 883, 887, 888, 890, 897, 899, 913, 918, 961, 976, 997, 1008, 1028, 1033, 1087, 1088, 1092, 1097, 1103, 1117, 1133,

1134, 1135, 1136, 1137, 1138, 1141, 1142, 1143, 1144, 1145, 1146, 1148, 1150, 1151, 1152, 1153, 1155, 1156, 1157, 1158, 1159, 1171, 1173, 1175, 1180, 1182, 1185, 1198, 1201, 1202, 1221, 1229, 1248, 1262, 1265, 1270, 1276, 1282, 1293, 1295, 1329, 1332, 1334, 1335, 1337, 1345, 1348, 1350, 1351, 1352, 1384, 1390, 1393, 1395, 1396, 1399, 1423, 1425, 1435, 1437, 1441, 1442, 1447, 1452, 1453, 1470, 1474, 1476, 1477, 1478, 1487, 1489, 1499, 1501, 1509, 1513, 1529, 1533, 1536, 1538, 1539, 1540, 1541, 1547, 1555, 1556, 1559, 1560, 1561, 1565, 1573, 1577, 1612, 1613, 1626, 1627, 1628, 1629, 1630, 1631, 1632, 1633, 1634, 1644, 1645, 1648, 1655, 1661, 1675, 1688, 1689, 1691, 1696, 1700, 1707, 1709, 1710, 1713, 1714, 1718, 1722, 1723, 1724, 1725, 1726, 1727, 1729, 1731, 1739, 1750, 1757, 1759, 1760, 1762, 1763, 1765, 1770, 1771, 1782, 1783, 1786, 1788, 1792, 1798, 1801, 1803, 1804, 1805, 1814, 1824, 1838, 1839, 1844, 1848, 1863, 1874, 1875, 1880, 1898, 1904, 1909, 1910, 1911, 1917, 1926, 1927, 1929, 1942, 1967, 1968, 1975, 1977, 1984, 2006, 2014, 2018, 2028, 2029, 2030, 2033, 2039, 2056, 2057, 2058, 2059, 2065, 2067, 2068, 2069, 2071, 2073, 2083, 2094, 2095, 2096, 2109, 2117, 2118, 2119, 2122, 2123, 2124, 2133, 2144, 2150, 2153, 2159, 2168, 2180, 2181, 2182, 2193, 2194, 2195, 2196, 2197, 2207, 2210, 2212, 2213, 2216, 2219, 2220, 2221, 2222, 2223, 2227, 2228, 2229, 2230, 2231, 2232, 2251, 2252, 2253, 2256, 2260, 2265, 2266 – Lieux de culte non-chrétiens (synagogues, mosquées) / ÃÒÚÔÈ Ï·ÙÚ›·˜ ¿ÏÏˆÓ ıÚËÛÎÂÈÒÓ (Û˘Ó·ÁˆÁ¤˜, Ù˙·ÌÈ¿) 4, 61, 95, 98, 296, 302, 412, 414, 415, 418, 479, 510, 538, 944, 1201, 1266, 1392, 1394, 1440, 1441, 1443, 1452, 1454, 1494, 1543, 1547, 1690, 1746, 1999, 2016, 2017, 2064, 2086, 2108, 2119, 2232

INDEX PAR MATIÈRES

246 Architecture séculière / ∫ÔÛÌÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ 4, 65, 69, 72, 73, 74, 83, 90, 96, 149, 195, 219, 253, 254, 255, 396, 416, 417, 476, 479, 512, 516, 522, 524, 626, 698, 700, 701, 702, 703, 705, 766, 770, 789, 794, 817, 829, 901, 920, 1116, 1166, 1201, 1230, 1288, 1289, 1399, 1455, 1486, 1503, 1541, 1562, 1583, 1680, 1736, 1738, 1772, 1788, 1870, 1933, 1999, 2023, 2074, 2076, 2086, 2087, 2103, 2111, 2190, 2191, 2198, 2262 – Aqueducs - Citernes - Moulins à eau Fontaines / À‰Ú·ÁˆÁ›· - À‰ÚÔÛ˘ÏϤÎÙ˜-À‰ÚfiÌ˘ÏÔÈ - ∫Ú‹Ó˜ 396, 1177, 1266, 1562, 1870 – Bains / §Ô˘ÙÚ¿ 8, 347, 453, 600, 629, 705, 772, 828, 1440, 1443, 1454, 1729, 1777, 1863, 1867, 1870, 1917, 2030, 2075, 2086 – Installations artisanales / µÈÔÙ¯ÓÈΤ˜ ÂÁηٷÛÙ¿ÛÂȘ 131, 132, 135, 136, 137, 400, 410, 477, 626, 641, 703, 1198, 1226, 1527, 1677, 1687, 1736, 1738, 1747, 1863, 1933, 1961, 1968, 2076, 2099, 2111, 2262 – Maisons / √È˘ 31, 144, 178, 253, 254, 255, 282, 364, 417, 424, 484, 536, 705, 756, 794, 815, 918, 1088, 1154, 1155, 1198, 1412, 1441, 1443, 1452, 1454, 1547, 1680, 1683, 1902, 2066, 2076 – Ports / §È̤Ó˜ 60, 416, 756, 1164, 1168, 1740, 2074

Architecture militaire / ™ÙÚ·ÙȈÙÈ΋ ∞Ú¯ÈÙÂÎÙÔÓÈ΋ 20, 23, 54, 56, 60, 61, 62, 76, 78, 87, 143, 144, 145, 147, 148, 151, 253, 254, 255, 294, 372, 398, 399, 470, 476, 490, 491, 510, 536, 564, 567, 606, 667, 669, 674, 698, 700, 701, 706, 744, 756, 766, 770, 819, 896, 910, 916, 917, 918, 920, 921, 1037, 1088, 1110, 1164, 1166, 1168, 1181, 1198, 1288, 1333, 1433, 1440, 1454, 1479, 1508, 1539, 1547, 1563, 1566, 1722, 1826, 1863, 1943, 1968, 2092, 2169

Tombeaux - Enterrements / ∆¿ÊÔÈ - ٷʤ˜ 6, 50, 95, 256, 360, 411, 461, 568, 641, 706, 818, 1117, 1184, 1188, 1216, 1342, 1344, 1375, 1420, 1721, 1745, 1812, 1835, 1837, 1892, 1896, 1915, 1932, 1939, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995 Sculpture / °Ï˘ÙÈ΋ 44, 46, 47, 79, 238, 291, 292, 300, 439, 444, 516, 547, 561, 818, 878, 900, 964, 1011, 1051, 1056, 1060, 1063, 1065, 1066, 1068, 1170, 1183, 1187, 1222, 1223, 1226, 1241, 1247, 1251, 1282, 1336, 1359, 1446, 1486, 1498, 1524, 1576, 1583, 1586, 1598, 1646, 1718, 1761, 1794, 1842, 1848, 1881, 1893, 1936, 1937, 1942, 1978, 2110, 2114, 2157, 2222, 2227 – Sculpture architecturale / ∞Ú¯ÈÙÂÎÙÔÓÈο °Ï˘Ù¿ 9, 24, 57, 85, 92, 102, 188, 193, 235, 266, 291, 292, 300, 335, 361, 506, 513, 515, 522, 524, 536, 673, 787, 829, 842, 885, 915, 952, 963, 1087, 1163, 1178, 1201, 1228, 1229, 1246, 1247, 1251, 1320, 1321, 1386, 1420, 1421, 1422, 1424, 1425, 1437, 1439, 1445, 1451, 1499, 1501, 1532, 1626, 1638, 1645, 1652, 1843, 1904, 1905, 1907, 1909, 1911, 2019, 2060, 2191, 2220 – Ambons / ÕÌ‚ˆÓ˜ 452, 670, 676, 1087 – Fontaines / ∫Ú‹Ó˜ 202, 301, 414, 417, 1052, 1440, 1443, 1444, 1452, 1454, 2110 – Iconostases / ∆¤ÌÏ· 24, 85, 452, 462, 515, 571, 673, 964, 968, 1051, 1055, 1065, 1068, 1170, 1178, 1222, 1241, 1245, 1251, 1359, 1421, 1439, 1449, 1507, 1524, 1530, 1532, 1545, 1586, 1587, 1646, 1653, 1761, 1765, 1781, 1794, 1872, 1893, 1902, 1906, 1917, 2114, 2186 – Sculpture non-architecturale / ªË ∞Ú¯ÈÙÂÎÙÔÓÈο °Ï˘Ù¿ 57, 194, 455, 579, 1938 – Images en relief / ∞Ó¿ÁÏ˘Ê˜ ÂÈÎfiÓ˜ 196, 201, 515, 1067, 1087, 1531, 1941 – Sarcophages / ™·ÚÎÔÊ¿ÁÔÈ 50, 256, 411, 568, 908, 1087, 1247, 1471

£EMATO§O°IKO EYPETHPIO – Sculpture en ronde-bosse / √ÏfiÁÏ˘Ê· ¤ÚÁ· (ÚÔÙÔ̤˜, ·Á¿ÏÌ·Ù·) 488, 1356, 1492, 1583 – Tables d'offrandes / ∆Ú¿Â˙˜ ÚÔÛÊÔÚÒÓ 1230, 1743, 1744 Peinture / ∑ˆÁÚ·ÊÈ΋ – Remarques générales / °ÂÓÈΤ˜ ¶·Ú·ÙËÚ‹ÛÂȘ 101, 205, 206, 249, 251, 321, 435, 464, 467, 468, 469, 545, 549, 552, 617, 716, 927, 928, 1005, 1020, 1106, 1268, 1307, 1462, 1599, 1753, 1755, 1955, 1962, 1963, 1965, 1966, 1971, 1972, 1975, 1978, 2154, 2226 – Peintures murales / ∆ÔȯÔÁڷʛ˜ 6, 13, 15, 29, 30, 35, 36, 38, 42, 44, 55, 61, 64, 71, 94, 109, 146, 149, 153, 154, 168, 171, 172, 174, 198, 203, 204, 209, 211, 213, 215, 234, 242, 244, 248, 249, 250, 251, 259, 268, 275, 276, 277, 278, 279, 280, 281, 306, 312, 313, 317, 318, 320, 321, 324, 332, 334, 355, 390, 391, 392, 393, 394, 395, 404, 408, 425, 437, 461, 465, 467, 468, 469, 482, 498, 500, 509, 513, 514, 521, 523, 547, 569, 572, 573, 574, 589, 590, 591, 595, 598, 623, 624, 635, 636, 637, 638, 642, 654, 665, 666, 683, 713, 717, 732, 733, 734, 739, 740, 748, 749, 774, 791, 792, 793, 796, 800, 814, 821, 834, 835, 844, 857, 858, 860, 861, 914, 924, 947, 953, 977, 982, 1008, 1014, 1015, 1025, 1026, 1048, 1087, 1093, 1137, 1171, 1172, 1173, 1174, 1175, 1184, 1188, 1196, 1215, 1216, 1221, 1225, 1227, 1229, 1235, 1249, 1250, 1269, 1282, 1298, 1307, 1308, 1311, 1312, 1350, 1360, 1403, 1405, 1408, 1409, 1410, 1411, 1425, 1426, 1450, 1458, 1459, 1463, 1467, 1472, 1480, 1483, 1485, 1500, 1502, 1512, 1513, 1515, 1533, 1535, 1539, 1540, 1541, 1546, 1561, 1565, 1568, 1584, 1599, 1601, 1611, 1626, 1627, 1628, 1629, 1647, 1651, 1652, 1664, 1692, 1694, 1707, 1718, 1748, 1750, 1763, 1764, 1778, 1783, 1784, 1785, 1786, 1792, 1793, 1796, 1797, 1800, 1803, 1804, 1805, 1824, 1846, 1848, 1871, 1873, 1874, 1877, 1878, 1882, 1886, 1895, 1896, 1898, 1899, 1902, 1917, 1923, 1942, 1960, 1968, 1973, 1976, 1977, 1980, 1981, 2004, 2008, 2009, 2021, 2022, 2024, 2025, 2028, 2029, 2038, 2040, 2041, 2047, 2054, 2058, 2059, 2062, 2063, 2065, 2067, 2068,

247 2070, 2071, 2073, 2078, 2079, 2080, 2081, 2115, 2117, 2118, 2128, 2129, 2131, 2136, 2153, 2168, 2171, 2191, 2197, 2198, 2199, 2201, 2217, 2219, 2220, 2222, 2223, 2228, 2229, 2230, 2231, 2234, 2235, 2236, 2237, 2238, 2239, 2241, 2242, 2245, 2247, 2265 – Croquis - Anthiboles - Gravures / ™¯¤‰È· ∞Óı›‚ÔÏ· - ÷ڷÎÙÈο 185, 212, 276, 683, 837, 838, 839, 843, 851, 852, 918, 984, 1332, 1363, 1364, 1368, 1372, 1511, 1827, 1831, 1979, 2134, 2183 – Manuels de peinture / ∂Á¯ÂÈÚ›‰È· ˙ˆÁÚ·ÊÈ΋˜ 245, 666, 925, 1755 Mosaïques / æËÊȉˆÙ¿ – Remarques générales / °ÂÓÈΤ˜ ¶·Ú·ÙËÚ‹ÛÂȘ 128, 1475 – Icônes en mosaïque / æËÊȉˆÙ¤˜ ∂ÈÎfiÓ˜ 158, 1848, 2186 – Mosaïques pariétales / ∂ÓÙÔ›¯È· æËÊȉˆÙ¿ 431, 440, 621, 630, 654, 749, 835, 1196, 1199, 1205, 1208, 1211, 1217, 1227, 1280, 1284, 1286, 1287, 1295, 1426, 1447, 1472, 1546, 1599, 1827, 1831, 1940, 1978, 2041, 2120, 2205, 2211, 2221, 2222, 2223, 2227, 2228, 2229, 2231 – Mosaïques de pavement - Incrustations (opus sectile) / æËÊȉˆÙ¿ ¢·¤‰Ô˘-ª·ÚÌ·ÚÔıÂÙ‹Ì·Ù· (opus sectile) 44, 47, 123, 156, 157, 159, 160, 210, 225, 270, 362, 501, 515, 536, 673, 749, 780, 797, 815, 1054, 1058, 1092, 1196, 1198, 1199, 1202, 1209, 1329, 1399, 1471, 1472, 1501, 1696, 1700, 1701, 1708, 1909, 1940, 1978, 2076, 2220, 2222, 2223, 2227, 2231, 1873, 1874, 1877, 1878, 1882, 1886, 1895, 1896, 1898, 1899, 1902, 1917, 1923, 1942, 1960, 1968, 1973, 1976, 1977, 1980, 1981, 2004, 2008, 2009, 2021, 2022, 2024, 2025, 2028, 2029, 2038, 2040, 2041, 2047, 2054, 2058, 2059, 2062, 2063, 2065, 2067, 2068, 2070, 2071, 2073, 2078, 2079, 2080, 2081, 2115, 2117, 2118, 2128, 2129, 2131, 2136, 2153, 2168, 2171, 2191, 2197, 2198, 2199, 2201, 2217, 2219, 2220, 2222, 2223, 2228, 2229, 2230, 2231, 2234, 2235, 2236, 2237, 2238, 2239, 2241, 2242, 2245, 2247, 2265

INDEX PAR MATIÈRES

248

CULTURE MATÉRIELLE - OBJETS RELATIFS AU CULTE / À§π∫√™ ¶√§π∆π™ª√™ - ∞¡∆π∫∂πª∂¡∞ ¶√À ™Ã∂∆π∑√¡∆∞π ª∂ ∆∏ §∞∆ƒ∂π∞ Classification des objets d'après l'usage / ªÂ ‚¿ÛË ÙË ¯Ú‹ÛË Objets relatifs au culte / ∞ÓÙÈΛÌÂÓ· Ô˘ Û¯ÂÙ›˙ÔÓÙ·È Ì ÙË Ï·ÙÚ›· 37, 194, 265, 439, 751, 850, 1019, 1029, 1059, 1090, 1227, 1238, 1239, 1281, 1344, 1498, 1582, 1602, 1605, 1608, 1659, 1663, 1782, 1828, 1848, 1958, 1961, 1978, 2003, 2111, 2144, 2150, 2214, 2227 – Ameublement et habillement des lieux de culte / ∂›ψÛË Î·È ¤Ó‰˘ÛË ¯ÒÚˆÓ Ï·ÙÚ›·˜ (ÂÍ·ÚÙ‹Ì·Ù· ʈÙÈÛÌÔ‡, ÏÂÈÙÔ˘ÚÁÈο ˘Ê¿ÛÌ·Ù·, ÎÏ.) 81, 127, 272, 284, 285, 737, 835, 850, 930, 1051, 1055, 1090, 1101, 1232, 1234, 1236, 1237, 1239, 1296, 1427, 1429, 1524, 1597, 1606, 1632, 1810, 1957, 1959 – Ampoules / ∂˘ÏÔÁ›Â˜ (ÌÔχ‚‰ÈÓ˜ ‹ unguentaria) 131, 243, 1087, 1829, 2151, 2158 – Ciboires / ∞ÚÙÔÊfiÚÈ· 1297 – Croix / ™Ù·˘ÚÔ› 350, 487, 536, 557, 576, 748, 1029, 1056, 1060, 1062, 1096, 1238, 1296, 1346, 1418, 1668, 1898, 1918, 1922, 2001, 2005, 2158 – Encensoirs / £˘ÌÈ·Ù‹ÚÈ· 350, 1086, 1263, 1297, 1301, 1829, 2158 – Flacons / ∫Ô˘ÙÚÔ‡‚È· (ÊÈ·Ï›‰È· ̇ÚÔ˘) 536, 1087, 1096, 1300, 1417, 1544, 2150 – Icônes / ∂ÈÎfiÓ˜ 14, 25, 28, 36, 71, 101, 169, 170, 173, 175, 180, 184, 194, 200, 207, 209, 210, 212, 213, 214, 215, 216, 217, 237, 244, 246, 248, 276, 305, 308, 309, 310, 331, 333, 334, 348, 363, 373, 406, 422, 448, 450, 464, 465, 466, 467, 469, 481, 483, 496, 500, 543, 548, 556, 557, 558, 559, 607, 611, 615, 621, 622, 625, 649, 650, 656, 657, 659, 661, 664, 666, 670, 675, 676, 678, 680, 685, 687, 688, 689, 690, 691, 693, 719, 751, 752, 753, 757, 758, 759, 792, 795, 798, 826, 836, 841, 846, 847, 849, 850, 854, 855, 868, 869, 872, 876, 877, 879, 880, 881, 882, 886, 947, 948,

970, 971, 972, 974, 977, 988, 1003, 1004, 1006, 1007, 1008, 1009, 1012, 1013, 1015, 1016, 1017, 1020, 1021, 1023, 1024, 1027, 1031, 1032, 1044, 1045, 1046, 1048, 1062, 1067, 1095, 1099, 1185, 1219, 1224, 1252, 1253, 1254, 1256, 1257, 1258, 1267, 1299, 1302, 1304, 1305, 1306, 1315, 1316, 1322, 1367, 1371, 1404, 1406, 1407, 1426, 1432, 1501, 1521, 1523, 1525, 1531, 1546, 1548, 1567, 1580, 1586, 1587, 1616, 1618, 1620, 1623, 1624, 1626, 1650, 1652, 1653, 1654, 1658, 1660, 1663, 1664, 1666, 1674, 1750, 1751, 1752, 1754, 1766, 1780, 1781, 1783, 1784, 1799, 1810, 1813, 1816, 1818, 1819, 1820, 1822, 1823, 1832, 1833, 1834, 1848, 1850, 1865, 1872, 1873, 1879, 1883, 1884, 1885, 1886, 1887, 1888, 1889, 1890, 1891, 1894, 1900, 1901, 1902, 1919, 1923, 1925, 1942, 1944, 1955, 1956, 1963, 2000, 2001, 2014, 2023, 2034, 2035, 2036, 2037, 2041, 2042, 2043, 2044, 2045, 2046, 2048, 2049, 2050, 2051, 2052, 2053, 2058, 2077, 2102, 2104, 2105, 2113, 2131, 2135, 2136, 2137, 2138, 2139, 2140, 2141, 2146, 2154, 2160, 2164, 2173, 2174, 2175, 2176, 2177, 2183, 2184, 2185, 2186, 2188, 2200, 2215, 2218, 2221, 2225, 2227, 2228, 2254 – Revêtements d'icônes / ∂ÂÓ‰‡ÛÂȘ ÂÈÎfiÓˆÓ 350, 1086, 1091, 1095, 1918, 2037 – Réliquaires / §ÂÈ„·ÓÔı‹Î˜ 680, 1062, 1095, 1417, 1664, 2130, 2173, 2214 – Sceaux à prosphores / ™ÊÚ·Á›‰Â˜ ¿ÚÙˆÓ Â˘ÏÔÁ›·˜ 144, 1349 – Vases à eau bénite / ∞ÁÁ›· ·ÁÈ¿ÛÌ·ÙÔ˜ 866, 913, 1087, 1096 Education - Loisir / ∂Î·›‰Â˘ÛË - æ˘¯·ÁˆÁ›· – Le monde du livre / √ ÎfiÛÌÔ˜ ÙÔ˘ ‚È‚Ï›Ô˘ 1276 – Enluminures / ªÈÎÚÔÁڷʛ˜ 37, 38, 42, 44, 140, 141, 197, 307, 314, 319, 322, 419, 575, 699, 985, 1084, 1085,

£EMATO§O°IKO EYPETHPIO 1124, 1214, 1218, 1471, 1472, 1520, 1599, 1620, 1847, 1857, 1890, 2000, 2010 – Manuscrits / ÃÂÈÚfiÁÚ·Ê· 140, 141, 307, 319, 322, 327, 329, 392, 419, 447, 504, 505, 575, 583, 677, 679, 682, 833, 958, 969, 984, 985, 1034, 1082, 1083, 1084, 1085, 1124, 1214, 1218, 1238, 1323, 1325, 1326, 1327, 1501, 1520, 1615, 1620, 1622, 1662, 1735, 1851, 1853, 1854, 1857, 1923, 1928, 2155, 2156 – Reliures / ™Ù·¯ÒÛÂȘ 325, 328, 350, 353, 618, 1029, 1062, 1323, 1327, 1579, 1857, 2158 – Instruments musicaux / ªÔ˘ÛÈο fiÚÁ·Ó· 759 – Jouets / ¶·È¯Ó›‰È· 43 Habillement - Embelissement / ŒÓ‰˘ÛË - ∫·ÏψÈÛÌfi˜ – Vetêments et accessoires (ceintures, agrafes, plaques-boucles, etc.) / ∂Ó‰‡Ì·Ù· Î·È Ù· ÂÍ·ÚÙ‹Ì·Ù¿ ÙÔ˘˜ (˙ÒÓ˜, ÎÔÌ‚›·, fiÚ˜, ÎÏ.) 2, 120, 121, 161, 241, 537, 557, 562, 1062, 1104, 1186, 1196, 1238, 1311, 1346, 1376, 1458, 1598, 1603, 1604, 1607, 1959, 2002, 2003, 2024, 2136, 2161, 2264 – Bijoux / ∫ÔÛÌ‹Ì·Ù· 2, 9, 32, 114, 119, 120, 122, 128, 130, 144, 357, 359, 386, 439, 532, 536, 557, 559, 759, 820, 822, 923, 1019, 1090, 1186, 1230, 1296, 1344, 1609, 1832, 1947, 2003, 2112, 2152, 2161, 2163 – Ecrins / ∫ÔÛÌËÌ·ÙÔı‹Î˜ 923, 1094 – Outils d'embellissement / ™‡ÓÂÚÁ· ηÏψÈÛÌÔ‡ 191, 1186 Objets relatifs aux activités professionnelles / ∞ÓÙÈΛÌÂÓ· Ô˘ Û¯ÂÙ›˙ÔÓÙ·È Ì Â·ÁÁÂÏÌ·ÙÈΤ˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜ – Outils (d'agriculteurs, de médecins, de maçons, de carriers, etc.) / ∂ÚÁ·Ï›· (·ÁÚÔÙÈο, È·ÙÚÈο, ÔÈÎÔ‰fïÓ, Ï·ÙfïÓ, ÎÏ.) 37, 39, 41, 42, 44, 536, 1338, 1340 – Armes / √ÏÈÛÌfi˜ 960, 2001

249 – Instruments de mesure / ŸÚÁ·Ó· ̤ÙÚËÛ˘ 536, 1940 – Matériaux de construction / √ÈÎÔ‰ÔÌÈÎfi ˘ÏÈÎfi 16, 68, 883, 1293, 1338, 1340, 1400 Équipement de maison / √ÈÎÔÛ΢‹ – Ameublement et habillement de la maison / ∂›ψÛË Î·È ¤Ó‰˘ÛË ÛÈÙÈÔ‡ 759, 1602 – Céramique / ∫ÂÚ·ÌÈ΋ 134, 142, 144, 220, 240, 375, 379, 380, 381, 385, 387, 388, 430, 520, 562, 584, 703, 910, 918, 919, 929, 956, 973, 987, 1189, 1230, 1282, 1293, 1318, 1319, 1329, 1352, 1501, 1517, 1588, 1589, 1590, 1592, 1593, 1602, 1676, 1677, 1681, 1682, 1684, 1686, 1687, 1715, 1730, 1767, 1835, 1863, 1898, 1932, 1943, 1983, 2056, 2099, 2191, 2210, 2256, 2264 – Amphores de transport / ∂ÌÔÚÈÎÔ› ·ÌÊÔÚ›˜ 37, 39, 42, 374, 376, 377, 378, 381, 385, 421, 495, 525, 527, 530, 536, 786, 893, 936, 1281, 1318, 1387, 1402, 1481, 2191 – Lampes / §‡¯ÓÔÈ Î·È Î·ÓًϘ 39, 71, 128, 131, 366, 463, 557, 562, 864, 865, 870, 893, 936, 940, 1062, 1200, 1230, 1264, 1273, 1296, 1346, 1400, 1414, 1501, 1606, 1721, 1829, 2158, 2163, 2263 – Batterie de cuisine - Vases à stocker / ∂ÈÙÚ·¤˙È·, Ì·ÁÂÈÚÈο Î·È ·ÔıË΢ÙÈο ÛÎÂ‡Ë 42, 128, 131, 237, 376, 378, 381, 382, 383, 384, 399, 402, 403, 463, 471, 478, 508, 535, 536, 557, 602, 704, 777, 889, 893, 913, 923, 936, 940, 1179, 1296, 1297, 1318, 1319, 1346, 1356, 1398, 1400, 1402, 1413, 1434, 1481, 1591, 1610, 1665, 1715, 1716, 1946, 1947, 1961, 1983, 2112, 2143, 2163, 2166, 2263 Classification des objets d'après les matériaux / ªÂ ‚¿ÛË ÙÔ ˘ÏÈÎfi ηٷÛ΢‹˜ – Bois / •‡ÏÈÓ· 28, 759, 964, 968, 1051, 1055, 1056, 1060, 1065, 1068, 1170, 1222, 1241, 1359, 1524,

250 1586, 1663, 1664, 1761, 1765, 1781, 1794, 1893, 1922, 1942, 2114 – Émaux / ™Ì¿ÏÙ· 352, 2002 – Ivoire / ∂ÏÂÊ·ÓÙÔÛÙ¤ÈÓ· 191, 534, 536, 680, 759, 885, 1095, 1516, 1518 – Métal / ªÂÙ¿ÏÏÈÓ· 32, 81, 120, 350, 353, 354, 359, 384, 386, 536, 537, 576, 618, 822, 923, 1029, 1059, 1263, 1300, 1413, 1414, 1501, 1504, 1606, 1664, 1667, 1668, 1833, 1947, 1958, 2112 – Nacre / ª¿ÚÁ·ÚÔ 1685 – Os / √ÛÙ¤ÈÓ· 1094, 1413, 1516, 1518, 1598 – Pierre / §›ıÈÓ· 759 – Pierre de serpent / √Ê›Ù˘ Ï›ıÔ˜ 2160 – Pierres précieuses et sémi-précieuses / ¶ÔχÙÈÌÔÈ Î·È ËÌÈÔχÙÈÌÔÈ Ï›ıÔÈ 32, 359, 1095, 2160 – Plâtre / °‡„ÈÓ· 1420, 1422, 1532 – Stéatite / ™Ù·ٛÙ˜ 201, 536, 1067, 1426, 1821, 2160 – Terre cuite / ¶‹ÏÈÓ· 142, 144, 374, 375, 376, 377, 378, 379, 380, 381, 382, 383, 384, 385, 387, 388, 399, 430, 507, 535, 536, 537, 786, 864, 866, 889, 910, 913, 918, 919, 1189, 1319, 1517, 1606, 1721, 1898, 1983, 2005 – Tissus / ÀÊ¿ÛÌ·Ù· 121, 682, 720, 759, 954, 1070, 1196, 1347, 1598, 1607, 1616, 1664, 1861, 2107, 2178 – Verre / À¿ÏÈÓ· 19, 110, 111, 112, 113, 114, 115, 116, 117, 118, 120, 123, 124, 125, 126, 128, 129, 131, 132, 134, 135, 136, 137, 384, 439, 536, 641, 705, 1230, 1501, 1606, 1747, 1828, 1829, 1830, 1898, 1961

INDEX PAR MATIÈRES

Iconographie / ∂ÈÎÔÓÔÁÚ·Ê›· 13, 140, 161, 240, 310, 324, 394, 405, 422, 433, 440, 455, 462, 465, 572, 575, 579, 581, 588, 590, 591, 592, 595, 597, 649, 651, 653, 657, 666, 693, 720, 832, 834, 856, 876, 914, 935, 948, 952, 980, 985, 1006, 1011, 1025, 1045, 1046, 1169, 1170, 1175, 1227, 1259, 1347, 1403, 1405, 1407, 1408, 1430, 1472, 1485, 1515, 1580, 1587, 1602, 1611, 1673, 1693, 1778, 1785, 1796, 1797, 1800, 1815, 1828, 1847, 1851, 1858, 1859, 1861, 1884, 1890, 1913, 1964, 1965, 1976, 1977, 1981, 1985, 2000, 2009, 2011, 2014, 2022, 2025, 2042, 2043, 2053, 2109, 2128, 2129, 2139, 2154, 2175, 2198, 2199, 2221, 2222, 2224, 2226, 2233, 2239, 2246, 2247 Saints / ÕÁÈÔÈ 1225 – Anargyres / ∞Ó¿ÚÁ˘ÚÔÈ 543, 950, 2142 – Anastasie la Romaine / ∞Ó·ÛÙ·Û›· Ë ƒˆÌ·›· 1800 – André / ∞Ó‰Ú¤·˜ 237, 621, 680 – Anne / ÕÓÓ· 1095, 1411, 2188 – Antoine / ∞ÓÙÒÓÈÔ˜ 237, 1315, 1751, 2184 – Archanges - Anges / ∞Ú¯¿ÁÁÂÏÔÈ - ÕÁÁÂÏÔÈ 180, 543, 579, 685, 947, 988, 1044, 1047, 1371, 1651, 1821, 2050, 2160, 2175, 2184 – Athanase l'Athonite / ∞ı·Ó¿ÛÈÔ˜ Ô ∞ıˆÓ›Ù˘ 237, 1821 – Athanase le Grand / ∞ı·Ó¿ÛÈÔ˜ Ô ª¤Á·˜ 543, 1674 – Athanase Pentaschenetes / ∞ı·Ó¿ÛÈÔ˜ ¶ÂÓÙ·Û¯ÔÈÓ›Ù˘ 2109 – Augustin / ∞˘ÁÔ˘ÛÙ›ÓÔ˜ 1032 – Barbe / µ·Ú‚¿Ú· 543 – Basse / µ¿ÛÛ· 458 – Benoît / µÂÓ¤‰ÈÎÙÔ˜ 1032

£EMATO§O°IKO EYPETHPIO – Blaise / µÏ¿ÛÈÔ˜ 543 – Catherine / ∞ÈηÙÂÚ›ÓË 635, 636, 685, 688, 835, 882, 1580, 2184 – Charalambos / ÷ڿϷÌÔ˜ 847, 2184 – Christophe / ÃÚÈÛÙfiÊÔÚÔ˜ 543, 970, 1095 – Côme l'Anargyre / ∫ÔÛÌ¿˜ Ô ∞Ó¿ÚÁ˘ÚÔ˜ 237 – Constantin / ∫ˆÓÛÙ·ÓÙ›ÓÔ˜ 237, 1258 – Constantin et Hélène / ∫ˆÓÛÙ·ÓÙ›ÓÔ˜ Î·È ∂ϤÓË 543 – Damien l'Anargyre / ¢·ÌÈ·Ófi˜ Ô ∞Ó¿ÚÁ˘ÚÔ˜ 237 – Daniel, prophète / ¢·ÓÈ‹Ï, ÚÔÊ‹Ù˘ 1095, 1851 – David, prophète / ¢·‚›‰, ÚÔÊ‹Ù˘ 688, 1316, 2012 – Démètre / ¢ËÌ‹ÙÚÈÔ˜ 543, 548, 558, 560, 657, 784, 856, 977, 988, 1095, 1096, 1220, 1227, 1258, 1284, 1285, 1426, 1430, 1815, 1901, 2040, 2050, 2164, 2184, 2215 – Denys l'Aréopagite / ¢ÈÔÓ‡ÛÈÔ˜ Ô ∞ÚÂÔ·Á›Ù˘ 237 – Dix Martyrs de Crète / ¢¤Î· 348 – Douze Apôtres / ÔÈ ¢Ò‰Âη ∞fiÛÙÔÏÔÈ 949 – Eleuthère / ∂Ï¢ı¤ÚÈÔ˜ 2184 – Élie, prophète / ∏Ï›·˜, ÚÔÊ‹Ù˘ 1766 – Ephraim le Syrien / ∂ÊÚ·›Ì Ô ™‡ÚÔ˜ 1316 – Eustathe / ∂˘ÛÙ¿ıÈÔ˜ 36, 1258 – Ézéchiel, prophète / πÂ˙ÂÎÈ‹Ï, ÚÔÊ‹Ù˘ 1944 – François / ºÚ·ÁΛÛÎÔ˜ 2177 – Georges / °ÂÒÚÁÈÔ˜ 180, 212, 237, 481, 543, 661, 688, 689, 972, 1009, 1062, 1095, 1258, 1280, 1305, 1306, 1580, 1923, 2001, 2035, 2048, 2050, 2184

251 – Gérasime du Jourdain / °ÂÚ¿ÛÈÌÔ˜ Ô πÔÚ‰·Ó›Ù˘ 180 – Géréon / °ÂÚÂÒÓ 1828 – Grégoire Palamas / °ÚËÁfiÚÈÔ˜ Ô ¶·Ï·Ì¿˜ 237, 318 – Isaie, prophète / ∏Û·˝·˜, ÚÔÊ‹Ù˘ 1847 – Jean Chrysostome / πˆ¿ÓÓ˘ Ô ÃÚ˘ÛfiÛÙÔÌÔ˜ 826, 1913, 2050 – Jean Damascène / πˆ¿ÓÓ˘ Ô ¢·Ì·ÛÎËÓfi˜ 543 – Jean l'Evangéliste (le Théologien) / πˆ¿ÓÓ˘ (Ô £ÂÔÏfiÁÔ˜), ¢·ÁÁÂÏÈÛÙ‹˜ 180, 212, 543, 661, 685, 886, 1024, 2036, 2050, 2184 – Jean Lambadistes / πˆ¿ÓÓ˘ Ô §·Ì·‰ÈÛÙ‹˜ 1253, 1580 – Jean le Précurseur (Baptiste) / πˆ¿ÓÓ˘ Ô ¶Úfi‰ÚÔÌÔ˜ 246, 305, 543, 690, 876, 877, 881, 988, 1099, 1515, 1674, 1944, 2050, 2184 – Jean Vladimir / πˆ¿ÓÓ˘ µÏ·‰›ÌËÚÔ˜ 543 – Jérôme / πÂÚÒÓ˘ÌÔ˜ 1006, 1024, 1032 – Jérusalem / πÂÚÔ˘Û·Ï‹Ì 458 – Kyriake / ∫˘Úȷ΋ 2184 – Luc l'Évangéliste / §Ô˘Î¿˜, ¢·ÁÁÂÏÈÛÙ‹˜ 644, 988, 2050 – Macaire Notaras / ª·Î¿ÚÈÔ˜ ¡ÔÙ·Ú¿˜ 658 – Marc l'Évangéliste / ª¿ÚÎÔ˜, ¢·ÁÁÂÏÈÛÙ‹˜ 558, 1821 – Marine / ª·Ú›Ó· 1580 – Martin / ª·ÚÙ›ÓÔ˜ 2254 – Martyrs non-identifiés / A‰È¿ÁÓˆÛÙÔÈ Ì¿ÚÙ˘Ú˜ 636 – Matrone / ª·ÙÚÒÓ· 2184 – Mercure / ªÂÚÎÔ‡ÚÈÔ˜ 661, 1890

252 – Moïse, prophète / ªˆ¸Û‹˜, ÚÔÊ‹Ù˘ 1580 – Naoum / ¡·Ô‡Ì 543 – Néophyte / ¡ÂfiÊ˘ÙÔ˜ 1973, 1977 – Nicolas / ¡ÈÎfiÏ·Ô˜ 109, 180, 237, 333, 425, 543, 868, 974, 1003, 1215, 1810, 1865, 1964, 1974, 2048, 2160, 2184, 2218 – Nikon / ¡›ÎˆÓ 2174 – Onuphre / √ÓÔ‡ÊÚÈÔ˜ 688, 1885, 1923 – Pantéleimon / ¶·ÓÙÂÏÂ‹ÌˆÓ 948, 1315, 1580, 2184 – Parascève / ¶·Ú·Û΢‹ 1525, 2048 – Paul, apôtre / ¶·‡ÏÔ˜, ·fiÛÙÔÏÔ˜ 237 – Phanourios / º·ÓÔ‡ÚÈÔ˜ 200, 216, 218, 1254, 1322 – Philippe, apôtre / º›ÏÈÔ˜, ·fiÛÙÔÏÔ˜ 1580 – Pierre et Paul / ¶¤ÙÚÔ˜ Î·È ¶·‡ÏÔ˜ 218, 680, 874, 882, 1224, 1322, 1798, 1821, 2053, 2188 – Pierre l'Athonite / ¶¤ÙÚÔ˜ Ô ∞ıˆÓ›Ù˘ 237, 1885, 1923 – Procope / ¶ÚÔÎfiÈÔ˜ 1580, 2014 – Quarante Martyrs / ¿ÁÈÔÈ ∆ÂÛÛ·Ú¿ÎÔÓÙ· 1315 – Sabas / ™¿‚‚·˜ 180, 237, 543, 1316, 1925 – Sept Dormants d'Éphèse / ÔÈ ∂Ù¿ ¶·›‰Â˜ ÂÓ ∂ʤۈ 180 – Serge / ™¤ÚÁÈÔ˜ 2174 – Sisoes / ™ÈÛÒ˘ 2184 – Spyridon / ™˘Ú›‰ˆÓ 826, 1044, 2215 – Stéphane / ™Ù¤Ê·ÓÔ˜ 237 – Stylites / ÛÙ˘Ï›Ù˜ 35 – Thaleleos / £·ÏϤϷÈÔ˜ 543

INDEX PAR MATIÈRES – Theoctiste / £ÂÔÎÙ›ÛÙË Ë §ÂÛ‚›· 1899 – Théodora / £ÂÔ‰ÒÚ· 1045 – Théodore de Tyr / £Âfi‰ˆÚÔ˜ Ô ∆‹ÚˆÓ 687, 1304 – Théodores / £Âfi‰ˆÚÔÈ 2184 – Thomas / £ˆÌ¿˜ 180 – Tous les Saints / ¶¿ÓÙ˜ 543, 988, 1315, 2184 – Trois saints Docteurs / ∆ÚÂȘ πÂڿگ˜ 237, 688, 971, 1674, 2050, 2184 – Zacharie, prophète / ∑·¯·Ú›·˜, ÚÔÊ‹Ù˘ 988 Nouveau Testament / ∫·ÈÓ‹ ¢È·ı‹ÎË 28, 64, 161, 175, 200, 212, 218, 386, 394, 405, 422, 487, 543, 558, 560, 579, 581, 588, 589, 591, 595, 615, 622, 625, 644, 649, 661, 680, 687, 688, 690, 699, 752, 753, 795, 798, 827, 832, 836, 868, 869, 879, 882, 980, 981, 982, 988, 1009, 1016, 1017, 1024, 1046, 1062, 1067, 1091, 1095, 1174, 1252, 1254, 1258, 1259, 1299, 1304, 1315, 1316, 1322, 1403, 1404, 1406, 1407, 1410, 1512, 1567, 1673, 1674, 1799, 1810, 1816, 1821, 1832, 1834, 1850, 1858, 1861, 1889, 1894, 1944, 1977, 2025, 2042, 2043, 2048, 2050, 2063, 2102, 2105, 2120, 2139, 2140, 2141, 2160, 2177, 2184, 2188, 2225, 2233, 2239, 2247 Sujets séculiers - Portraits / ∫ÔÛÌÈο ı¤Ì·Ù· - ÚÔÛˆÔÁڷʛ˜ 539, 755, 759, 1081, 1094, 1458, 1502, 1516, 1518, 1552, 1553, 1859, 2012, 2023, 2245 Ancien Testament / ¶·Ï·È¿ ¢È·ı‹ÎË 212, 988, 1085, 1216, 1347, 1471, 1472, 1520, 1754, 1847, 1977, 2102 Sujets symboliques / ™˘Ì‚ÔÏÈο ı¤Ì·Ù· 140, 141, 311, 431, 454, 456, 568, 581, 732, 875, 981, 982, 985, 986, 988, 1016, 1082, 1084, 1122, 1347, 1471, 1485, 1511, 1512, 1754, 1847, 1985, 2000, 2036, 2102, 2183, 2246 Donateurs / ¢ˆÚËÙ¤˜ 197, 199, 236, 262, 313, 324, 523, 630, 664, 675, 711, 714, 719, 834, 876, 1308, 1311, 1312, 1408, 1409, 1411, 1458, 1647, 1797, 2141, 2171, 2201

£EMATO§O°IKO EYPETHPIO

Artistes byzantins et postbyzantins / µ˘˙·ÓÙÈÓÔ› Î·È ÌÂÙ·‚˘˙·ÓÙÈÓÔ› ηÏÏÈÙ¤¯Ó˜ Copistes / ∞ÓÙÈÁÚ·Ê›˜ Έ‰›ÎˆÓ 419, 1085, 1857 Ateliers / ∂ÚÁ·ÛÙ‹ÚÈ· 204, 393, 473, 503, 582, 678, 894, 975, 1007, 1340, 1411, 1459, 1467, 1473, 1524, 1717, 1813, 1917, 2013, 2020, 2052, 2054, 2058, 2062, 2065, 2068, 2070, 2131, 2170, 2185, 2236, 2237, 2241 Peintres / ∑ˆÁÚ¿ÊÔÈ 169, 206, 260, 280, 390, 393, 464, 503, 544, 545, 546, 549, 550, 551, 556, 573, 670, 675, 676, 711, 715, 722, 1007, 1010, 1013, 1015, 1021, 1027, 1161, 1173, 1175, 1317, 1409, 1411, 1460, 1467, 1510, 1512, 1624, 1626, 1632, 1694, 1765, 1846, 1857, 1914, 2070, 2077, 2129, 2131, 2200, 2234, 2238, 2241, 2265 – Akotantos Angélos / ∞ÎÔÙ¿ÓÙÔ˜ ÕÁÁÂÏÔ˜ 25, 175, 200, 213, 216, 218, 333, 483, 560, 687, 690, 827, 882, 1024, 1099, 1254, 1256, 1257, 1304, 1305, 1306, 1322, 1650, 1766, 1834, 1850, 2036, 2183, 2184, 2188 – Apokaukos Alexis et Angelos / ∞fiη˘ÎÔ˜ ∞ϤÍÈÔ˜ Î·È ÕÁÁÂÏÔ˜ 1002 – Apseudès Théodore / ∞„¢‰‹˜ £Âfi‰ˆÚÔ˜ 2230 – Auxentis Syméon / ∞˘Í¤ÓÙ˘ ™˘ÌÂÒÓ 1008 – Bathas Strélitzas Théophane (Théophane le Crétois) / ª·ı¿˜ ™ÙÂÚÏ›Ù˙·˜ £ÂÔÊ¿Ó˘ (£ÂÔÊ¿Ó˘ Ô ∫Ú˘) 242, 257, 1048, 1672, 1673 – Bathas Thomas / ª·ı¿˜ £ˆÌ¿˜ 543 – Damascène (Damaskinos) Michel / ¢·Ì·ÛÎËÓfi˜ ªÈ¯·‹Ï 1004, 1016, 1023, 1024, 1865, 2184 – Damascène de Jannina / ¢·Ì·ÛÎËÓfi˜ ÂÍ πˆ·ÓÓ›ÓˆÓ 1900 – Daniel / ¢·ÓÈ‹Ï 1887 – Dénys de Fourna / ¢ÈÔÓ‡ÛÈÔ˜ Ô ÂÎ ºÔ˘ÚÓ¿ 666, 872, 925, 1317, 1975

253 – Doxaras Panajotès et Nicolas / ¢ÔÍ·Ú¿˜ ¶·Ó·ÁÈÒÙ˘ Î·È ¡ÈÎfiÏ·Ô˜ 645, 646, 1965, 1975 – Gastréas / °·ÛÙÚ¤·˜ 1732 – Gavalas Georges / °·‚·Ï¿˜ °ÂÒÚÁÈÔ˜ 180, 2184 – Goul Philippe / °Ô˘Ï º›ÏÈÔ˜ 624, 1611, 1732 – Jacques (Iakovos) d'Amorgos / π¿Îˆ‚Ô˜ ÈÂÚÔÌfiÓ·¯Ô˜ Ô ∞ÌfiÚÁÂÔ˜ 1912 – Jean de Vysitsa (Pélion) / πˆ¿ÓÓ˘ ÂÎ µ˘˙›ÙÛ˘ ¶ËÏ›Ô˘ 2104 – Kakavas Démétrios / ∫·Î·‚¿˜ ¢ËÌ‹ÙÚÈÔ˜ 473, 894, 975, 1717 – Kakavas Théodose / ∫·Î·‚¿˜ £ÂÔ‰fiÛÈÔ˜ 473, 975, 1717, 1718 – Kalbos Nicolas / ∫¿ÏÌÔ˜ ¡ÈÎfiÏ·Ô˜ 1003 – Kallergis Nicolas / ∫·ÏϤÚÁ˘ ¡ÈÎfiÏ·Ô˜ 988, 2184 – Kalliergis / ∫·ÏÏȤÚÁ˘ 269, 1797, 2054 – Katélanos Frangos / ∫·ÙÂÏ¿ÓÔ˜ ºÚ¿ÁÎÔ˜ 543, 1048, 1813, 2184, 2236, 2237 – Kavertzas Fraggias / ∫·‚ÂÚÙ˙¿˜ ºÚ·ÁÁÈ¿˜ 2175, 2184 – Klontzas Georges / ∫ÏfiÓÙ˙·˜ °ÂÒÚÁÈÔ˜ 310, 543, 1016, 1047, 1048 – Kondaris Frangos et Georges / ∫ÔÓÙ·Ú‹˜ ºÚ¿ÁÎÔ˜ Î·È °ÂÒÚÁÈÔ˜ 169, 264, 732, 733, 2236, 2237 – Kontarinis Constantin / ∫ÔÓÙ·Ú›Ó˘ ∫ˆÓÛÙ·ÓÙ›ÓÔ˜ 264, 1045 – Kontoglou Photis / ∫fiÓÙÔÁÏÔ˘ ºÒÙ˘ 926, 1873 – Kornaros Jean / ∫ÔÚÓ¿ÚÔ˜ πˆ¿ÓÓ˘ 618, 1654 – Lambardos Emmanuel / §·Ì¿Ú‰Ô˜ ∂ÌÌ·ÓÔ˘‹Ï 661, 685, 1850, 2102, 2184 – Lambos / §¿ÌÔ˜ 1781 – Laskarakis Kyriazis / §·Ûηڿ΢ ∫˘ÚÈ·˙‹˜ 1623 – Lembésis Polychronis / §ÂÌ¤Û˘ ¶ÔÏ˘¯ÚfiÓ˘ 1872

254 – Makarios hieromoine de Galatista / ª·Î¿ÚÈÔ˜ ÈÂÚÔÌfiÓ·¯Ô˜ ÂÎ °·Ï·Ù›ÛÙ˘ 1819 – Markou Georges / ª¿ÚÎÔ˘ °ÂÒÚÁÈÔ˜ 1871 – Mercure hiéromoine / ªÂÚÎÔ‡ÚÈÔ˜ ÈÂÚÔÌfiÓ·¯Ô˜ 1009 Métaras Antoine / ªËÙ·Ú¿˜ ∞ÓÙÒÓÈÔ˜ 1047 – Moschos Démétrios / ªfiÛ¯Ô˜ ¢ËÌ‹ÙÚÈÔ˜ 473, 2020, 2021, 2022 – Moschos Elias / ªfiÛÎÔ˜ ∏Ï›·˜ 688, 988 – Moskhos Georges / ªfiÛ¯Ô˜ °ÂÒÚÁÈÔ˜ 109, 473, 582, 2020, 2021, 2022, 2170 – Natalios / ¡·Ù¿ÏÈÔ˜ 1823 – Nicolas et Théodore de Jannina / ¡ÈÎfiÏ·Ô˜ Î·È £Âfi‰ˆÚÔ˜ ÂÍ’ πˆ·ÓÓ›ÓˆÓ 861 – Pagoménos Jean / ¶·ÁˆÌ¤ÓÔ˜ πˆ¿ÓÓ˘ 1409, 1411, 2090 – Palladas Jérémie / ¶·ÏÏ·‰¿˜ πÂÚÂÌ›·˜ 180, 2184 – Pansélinos Manuel / ¶·ÓÛ¤ÏËÓÔ˜ ª·ÓÔ˘‹Ï 205, 1510, 2047 – Pavias André / ¶·‚›·˜ ∞Ó‰Ú¤·˜ 661, 1751 – peintres de Chionades / ˙ˆÁÚ¿ÊÔÈ ÃÈÔÓ·‰›Ù˜ 837, 838, 839, 843, 851, 1172, 1173, 1363, 1364, 1368, 1601, 1628, 1763, 2025, 2058 – peintres de Kapésovo / ˙ˆÁÚ¿ÊÔÈ ∫·ÂÛÔ‚›Ù˜ 543, 924 – peintres de Linotopi / ˙ˆÁÚ¿ÊÔÈ §ÈÓÔÙÔ›Ù˜ 543, 795, 798, 1048, 1707, 2065, 2068, 2235, 2236 – peintres de Samarina / ˙ˆÁÚ¿ÊÔÈ ™·Ì·ÚÈÓÈÒÙ˜ 1298, 1514, 1601 – peintres Nazaréens / ˙ˆÁÚ¿ÊÔÈ ¡·˙·ÚËÓÔ› 1873 – Pitzamanos Angelos et Donatos / ¶ÈÙ˙·Ì¿ÓÔ˜ ÕÁÁÂÏÔ˜ Î·È ¢ÔÓ¿ÙÔ˜ 339

INDEX PAR MATIÈRES – Poulakis Théodore / ¶Ô˘Ï¿Î˘ £Âfi‰ˆÚÔ˜ 1754 – Ritzos André et Nicolas / ƒ›Ù˙Ô˜, ∞Ó‰Ú¤·˜ Î·È ¡ÈÎfiÏ·Ô˜ 175, 558, 560, 1299, 2036, 2044, 2053, 2188 – Scoutaris Jean / ™ÎÔ˘Ù¿Ú˘ πˆ¿ÓÓ˘ 2242 – Théodore prêtre / £Âfi‰ˆÚÔ˜ ÈÂÚ¤·˜ 1997 – Théotokopoulos Dominikos (El Greco) / £ÂÔÙÔÎfiÔ˘ÏÔ˜ ¢ÔÌ‹ÓÈÎÔ˜ (°ÎÚ¤ÎÔ) 406, 643, 644, 825, 1010, 1013, 1018, 1023, 1024, 1975 – Tzafouris Nicolas / ∆˙·ÊÔ‡Ú˘ ¡ÈÎfiÏ·Ô˜ 1012, 1016, 1024, 1548, 1822, 2177 – Tzanès Emmanuel / ∆˙¿Ó˜ ∂ÌÌ·ÓÔ˘‹Ï 14, 330, 558, 685, 827, 836, 971, 988, 1044, 1045, 1046, 1047, 2184 – Tzanfournaris Emmanuel / ∆˙·ÓÊÔ‡ÚÓ·Ú˘ ∂ÌÌ·ÓÔ˘‹Ï 543, 625 – Tzenios Papaleontiou-Prétori / ∆˙¤ÓÈÔ˜ ¶··ÏÂÔÓÙ›Ô˘ ¶ÚÂÙfiÚÈ 2137, 2138 – Tzortzis (Zorzis) / ∆˙ÒÚÙ˙˘ (∑ÒÚ˙˘) 246, 250, 259, 498, 1672, 1673 – Vénéris Michel / µÂÓ¤Ú˘ ªÈ¯·‹Ï 204 – Vidalis Georges / µÈ‰¿Ï˘ °ÂÒÚÁÈÔ˜ 988 – Viktor / µ›ÎÙˆÚ 688 – Xenos Digenis / •¤ÓÔ˜ ¢ÈÁÂÓ‹˜ 15 – Zachariou Fotis / ∑·¯·Ú›Ô˘ ºÒÙ˘ 351 Brodeurs - Brodeuses / ∫ÂÓÙËÙ¤˜ ∫ÂÓÙ‹ÛÙÚ˜ 1101, 1427, 1429 Sculpteurs sur marbre / ª·ÚÌ·ÚÔÁχÙ˜ 787, 900, 1011, 1226, 1340 Donation / ÃÔÚËÁ›· 49, 334, 392, 519, 709, 711, 719, 722, 821, 881, 1064, 1082, 1241, 1411, 1647, 1692, 1770, 1958, 2130, 2148, 2201

255

£EMATO§O°IKO EYPETHPIO

Sciences auxiliaires / µÔËıËÙÈΤ˜ ∂ÈÛً̘ Epigraphique / ∂ÈÁÚ·ÊÈ΋ – Inscriptions / ∂ÈÁڷʤ˜ 16, 49, 50, 51, 71, 160, 236, 256, 257, 260, 262, 263, 264, 265, 267, 269, 270, 324, 336, 392, 394, 395, 439, 457, 486, 489, 501, 502, 503, 536, 573, 574, 593, 596, 659, 664, 675, 715, 719, 722, 744, 768, 783, 784, 812, 813, 874, 878, 881, 885, 908, 918, 955, 966, 967, 1064, 1129, 1229, 1231, 1237, 1239, 1249, 1250, 1251, 1271, 1311, 1312, 1374, 1403, 1449, 1458, 1460, 1465, 1486, 1508, 1509, 1516, 1517, 1559, 1561, 1565, 1584, 1585, 1618, 1647, 1765, 1795, 1797, 1823, 1824, 1825, 1896, 1936, 1939, 1940, 2005, 2077, 2090, 2148, 2156, 2171, 2240 – Entailles / ÷ڿÁÌ·Ù· 203, 336, 787, 1334, 1560 Numismatique - Sigillographie / ¡ÔÌÈÛÌ·ÙÈ΋ - ™ÈÁÈÏÏÔÁÚ·Ê›· – Monnaies / ¡ÔÌ›ÛÌ·Ù· 7, 22, 144, 181, 225, 239, 240, 283, 369, 392, 524, 536, 537, 542, 562, 577, 578, 703, 823, 895, 913, 979, 1071, 1072, 1073, 1074, 1075, 1076, 1077, 1078, 1079, 1080, 1111, 1112, 1113, 1122, 1125, 1377, 1379, 1381, 1383, 1486, 1491, 1527, 1551, 1553, 1554, 1636, 1637, 1639, 1640, 1642, 1649, 1665, 1712, 1808, 1812, 1829, 1898, 1943, 1946, 1947, 2206, 2210, 2227, 2264 – Sceaux / ™ÊÚ·Á›‰Â˜ 226, 227, 228, 229, 230, 231, 232, 233, 354, 536, 778, 779, 781, 782, 783, 784, 785, 903, 905, 906, 907, 931, 932, 933, 934, 935, 980, 1049, 1120, 1377, 1382, 1501, 1504, 1552, 1570, 1711, 1712, 1829, 1864, 1945, 1946 Héraldique / ∂ڷωÈ΋ 179, 881, 1373, 1667 Archives / ªÂϤÙË ∞Ú¯ÂÈ·ÎÒÓ ¶ËÁÒÓ – Archives - Sources écrites / ∞گ›· - °Ú·Ù¤˜ ËÁ¤˜ 4, 8, 33, 350, 392, 394, 395, 423, 424, 442, 542, 555, 698, 700, 701, 751, 759, 804, 835, 878, 918, 921, 965, 1002, 1004, 1015, 1050, 1129, 1130, 1131, 1161, 1231, 1237,

1239, 1281, 1483, 1510, 1560, 1605, 1608, 1609, 1664, 1667, 1769, 1776, 1823, 1937, 1950, 1979, 2001, 2211 – Cartes / ÿÚÙ˜ 696, 698, 700, 701, 754, 921, 962, 1030, 1036, 1107, 1109

Byzance et les Autres / ∆Ô µ˘˙¿ÓÙÈÔ Î·È ÔÈ ÕÏÏÔÈ Byzance et l'Orient / µ˘˙¿ÓÙÈÔ Î·È ∞Ó·ÙÔÏ‹ 69, 1608 Byzance et l'Occident / µ˘˙¿ÓÙÈÔ Î·È ¢‡ÛË 142, 144, 387, 390, 392, 394, 395, 701, 920, 1044, 1045, 1104, 1462, 1608, 1733, 1753, 2003

Byzance dans le monde contemporain / ∆Ô µ˘˙¿ÓÙÈÔ ÛÙÔ ™‡Á¯ÚÔÓÔ ∫fiÛÌÔ 1279, 1283 Archéologie maritime / ∂Ó¿ÏÈ· ·Ú¯·ÈÔÏÔÁ›· 495, 701, 913, 1742 Fouilles / ∞Ó·Ûηʤ˜ 26, 27, 55, 61, 144, 225, 240, 337, 360, 407, 418, 438, 439, 490, 491, 493, 497, 501, 502, 602, 668, 671, 672, 673, 701, 705, 710, 718, 721, 723, 766, 789, 797, 828, 913, 918, 1109, 1119, 1194, 1197, 1198, 1199, 1201, 1290, 1292, 1345, 1352, 1397, 1423, 1527, 1529, 1536, 1555, 1656, 1657, 1665, 1676, 1678, 1679, 1683, 1684, 1729, 1740, 1742, 1779, 1788, 1791, 1812, 1892, 1898, 1917, 2001, 2026, 2027, 2055, 2061, 2066, 2075, 2103, 2111, 2133, 2157, 2159, 2190, 2207, 2210, 2262, 2264 Restauration / ∞Ó·ÛًψÛË 54, 55, 56, 61, 62, 95, 106, 219, 287, 337, 347, 407, 413, 414, 415, 416, 418, 445, 494, 599, 608, 631, 671, 673, 702, 721, 771, 805, 898, 918, 941, 942, 944, 945, 1103, 1165, 1167, 1171, 1180, 1208, 1248, 1256, 1266, 1286, 1287, 1313, 1325, 1339, 1394, 1470, 1626, 1739, 1742, 1745, 1902, 1921, 1996, 2057, 2069, 2212, 2253 Conservation / ™˘ÓÙ‹ÚËÛË 682, 930, 954, 1070, 1500, 1650, 1664, 1708, 1895, 1902, 1918, 1922, 1949, 2105, 2155, 2211

256 Musées - Expositions / ªÔ˘Û›· - ∂Îı¤ÛÂȘ 1, 52, 358, 442, 446, 515, 565, 613, 660, 778, 831, 990, 991, 992, 993, 994, 995, 996, 998, 1000, 1001, 1205, 1277, 1496, 1497, 1498, 1500, 1625, 1664, 1678, 1782, 1806, 1948, 1949, 1952, 1953, 1954, 1975, 2065, 2144, 2149, 2158, 2163 Guides / √‰ËÁÔ› 26, 27, 234, 315, 320, 323, 413, 482, 509, 512, 521, 598, 624, 792, 793, 797, 918, 1008, 1087, 1088, 1185, 1533, 1538, 1539, 1540, 1541, 1543, 1547, 1561, 1655, 1824, 2168, 2216 Moyens de recherche / ª¤Û· Ù˘ ¤Ú¢ӷ˜ – Archéométrie / ∞Ú¯·ÈÔÌÂÙÚ›· 25, 483, 527, 642, 919, 1257, 1269, 1342, 1679, 1682, 1986, 1990, 1992, 1994 – Bibliographies-Dictionnaires / µÈ‚ÏÈÔÁڷʛ˜ - §ÂÍÈο 116, 126, 551, 724, 1309, 1495, 1802

INDEX PAR MATIÈRES Informatique / ¶ÏËÚÔÊÔÚÈ΋ 1267, 1290, 1570, 1953, 2056, 2149, 2151, 2172, 2195 Topographie historique / πÛÙÔÚÈ΋ ÙÔÔÁÚ·Ê›· 46, 225, 252, 253, 254, 255, 286, 361, 364, 397, 456, 497, 501, 502, 513, 533, 553, 554, 562, 564, 566, 567, 602, 714, 776, 887, 901, 957, 959, 961, 1109, 1158, 1198, 1244, 1385, 1452, 1484, 1486, 1501, 1615, 1619, 1622, 1641, 1676, 1680, 1681, 1684, 1695, 1779, 1788, 1869, 1930, 1967, 1979, 1982, 1999, 2172 Copies d'oeuvres byzantines / ∞ÓÙ›ÁÚ·Ê· ‚˘˙·ÓÙÈÓÒÓ ¤ÚÁˆÓ 1845, 1846, 1849, 1852 Contribution de chercheurs à l'archéologie byzantine / ™˘Ì‚ÔÏ‹ ÂÚ¢ÓËÙÒÓ ÛÙË ‚˘˙·ÓÙÈÓ‹ ·Ú¯·ÈÔÏÔÁ›· 11, 316, 442, 443, 492, 989, 997, 999, 1149, 1294, 1495, 1684, 2165, 2187

INDEX GÉOGRAPHIQUE – TO¶O°PAºIKO EYPETHPIO ` CE-E§§A¢A GR E ÉPIRE / ∏¶∂πƒ√™ 35, 148, 172, 189, 227, 234, 235, 252, 253, 254, 255, 262, 268, 313, 315, 317, 320, 326, 394, 395, 404, 419, 507, 508, 509, 510, 512, 543, 554, 562, 604, 706, 791, 792, 793, 794, 795, 796, 797, 798, 800, 837, 838, 839, 843, 851, 852, 883, 924, 977, 982, 1029, 1048, 1112, 1144, 1152, 1154, 1156, 1161, 1363, 1364, 1368, 1514, 1529, 1530, 1531, 1532, 1533, 1535, 1536, 1538, 1539, 1541, 1543, 1544, 1545, 1546, 1547, 1550, 1551, 1689, 1692, 1693, 1694, 1776, 2006, 2013, 2024, 2025, 2157, 2159, 2168, 2169, 2184, 2185, 2235, 2236, 2237, 2238, 2239, 2241, 2242 D. d'Arta / ¡. ÕÚÙ·˜ 172, 253, 508, 604, 796, 1530, 1532, 1535, 1545, 1546, 1551, 1689, 2024, 2025, 2235, 2241 – Arta / ÕÚÙ· 404, 508, 835, 1535, 1546, 1550 D. de Janina (Ioannina) / ¡. πˆ·ÓÓ›ÓˆÓ 169, 234, 268, 394, 395, 419, 507, 510, 512, 706, 792, 793, 794, 795, 797, 798, 800, 837, 838, 839, 843, 851, 852, 924, 977, 982, 1029, 1112, 1161, 1363, 1364, 1368, 1531, 1532, 1533, 1543, 1547, 1692, 1693, 1694, 2006, 2235, 2238, 2241 – Jannina / πˆ¿ÓÓÈÓ· 419, 512, 977, 1029, 1048, 1531, 1543, 1547 D. de Prévéza / ¡. ¶Ú¤‚Â˙·˜ 189, 253, 262, 313, 315, 320, 324, 326, 1144, 1154, 1156, 1529, 1536, 1776, 2157, 2159 – Nicopolis / ¡ÈÎfiÔÏË 253, 883, 1536 D. de Thesprotie / ¡. £ÂÛÚˆÙ›·˜ 234, 235, 394, 395, 562, 1538, 1541, 2168, 2169

` ÎLE DE CRETE, / ∫ƒ∏∆∏ 1, 25, 28, 29, 30, 54, 55, 56, 57, 58, 59, 60, 61, 62, 101, 108, 175, 179, 202, 203, 204, 207, 211, 213, 215, 216, 217, 334, 336, 337, 339, 374, 376, 377, 378, 379, 381, 385, 388, 407, 408, 410, 411, 412, 413, 414, 415, 416, 417, 418, 444, 445, 448, 449, 450, 451, 483, 494, 504, 542, 569, 570, 618, 637, 638, 643, 644, 682, 754, 757, 758, 759, 828, 829, 834, 869, 941, 942, 944, 945, 954, 962, 970, 1002, 1003, 1005, 1006, 1007, 1009, 1010, 1011, 1013, 1014, 1015, 1016, 1017, 1019, 1023, 1024, 1025, 1026, 1027, 1046, 1047, 1048, 1070, 1105, 1106, 1114, 1115, 1180, 1181, 1254, 1257, 1262, 1266, 1268, 1320, 1321, 1342, 1345, 1350, 1351, 1352, 1405, 1406, 1408, 1409, 1410, 1411, 1412, 1413, 1470, 1637, 1650, 1682, 1715, 1729, 1731, 1808, 1850, 1863, 1910, 1945, 1996, 2008, 2009, 2036, 2055, 2056, 2090, 2103, 2110, 2111, 2133, 2134, 2151, 2172, 2183, 2184, 2188, 2254, 2256 D. d'Hérakleion / ¡. ∏Ú·ÎÏ›Ԣ 59, 60, 179, 202, 336, 337, 379, 416, 494, 569, 637, 638, 682, 829, 834, 1007, 1011, 1015, 1019, 1023, 1070, 1115, 1180, 1342, 1350, 1351, 1352, 1637, 1715, 1863, 1910, 1996, 2110 – Hérakleion / ∏Ú¿ÎÏÂÈÔ 202, 829, 1007, 1015, 1019, 1023, 1637, 1715, 1863 D. de Chania / ¡. ÷ӛˆÓ 28, 54, 56, 60, 61, 62, 204, 414, 416, 504, 1408, 1409, 1410, 1411, 2008, 2090, 2103, 2111 D. de Lassithi / ¡. §·ÛÈı›Ô˘ 60, 417, 828, 1181, 1262, 1266, 1345, 1808, 2256 D. de Rethymnon / ¡. ƒÂı‡ÌÓ˘ 1, 29, 30, 55, 56, 60, 61, 108, 203, 334, 376, 378, 381, 407, 408, 411, 412, 413, 414, 415, 418, 941, 942, 944, 945, 954, 1014, 1025, 1026, 1412, 1413, 1470, 1729, 2055, 2133, 2172

258

INDEX GÉOGRAPHIQUE

ÎLE EUBÉE / ∂Àµ√π∞ 90, 148, 364, 665, 672, 732, 733, 847, 855, 916, 952, 1145, 1146, 1479, 1845, 1852, 1968, 1970, 1976, 1979, 2104, 2213

ÎLES DE CYCLADES / ∫À∫§∞¢∂™ 139, 142, 144, 145, 148, 163, 171, 174, 176, 297, 331, 360, 363, 365, 370, 438, 470, 490, 491, 493, 549, 602, 754, 757, 758, 835, 878, 919, 956, 957, 962, 963, 969, 1028, 1135, 1137, 1249, 1251, 1300, 1373, 1387, 1404, 1406, 1407, 1435, 1446, 1451, 1455, 1639, 1640, 1644, 1645, 1647, 1648, 1649, 1766, 1899, 1912, 1914, 1915, 2115, 2144, 2188, 2190, 2191 Amorgos / ∞ÌÔÚÁfi˜ 139, 331, 835, 878, 1914 Andros / ÕÓ‰ÚÔ˜ 142, 144, 145, 174, 438, 490, 491, 493, 919, 1137, 1300, 1435, 1446, 1451, 2144 Kéa / ∫¤· 602 Kimolos / ∫›ÌˆÏÔ˜ 835, 1404, 1406, 1407 Milos / ª‹ÏÔ˜ 1644, 1648, 1915 Mykonos / ª‡ÎÔÓÔ˜ 549, 835 Naxos / ¡¿ÍÔ˜ 163, 171, 176, 470, 518, 1028, 1135, 1254, 1373, 1645, 1647, 1766 Paros / ¶¿ÚÔ˜ 297, 370, 1251, 1639, 2185 Pholegandros / ºÔϤÁ·Ó‰ÚÔ˜ 1254 Serifos / ™¤ÚÈÊÔ˜ 2115 Sifnos / ™›ÊÓÔ˜ 835, 956, 1914 Théra (Santorin) / £‹Ú· (™·ÓÙÔÚ›ÓË) 360, 363, 365, 366, 1387, 1455, 2185 Tinos / ∆‹ÓÔ˜ 956, 969

ÎLES DE LA MER ÉGÉE (N.E.) N∏™π∞ ∆√À µ.∞. ∞π°∞π√À 148, 170, 181, 236, 238, 239, 240, 290, 299, 329, 366, 452, 480, 481, 482, 544, 806, 907, 962, 1107, 1109, 1110, 1170,

1383, 1634, 1640, 1642, 1646, 1683, 1864, 1867, 1947, 2077, 2083, 2161, 2251, 2252, 2253 Chios / ÛԘ 181, 236, 238, 239, 240, 290, 299, 444, 806, 907, 1383, 1634, 1642, 1646, 2251, 2252, 2253 Icarie / πηڛ· 489, 1899 Lémnos / §‹ÌÓÔ˜ 1867, 2077 Lesvos (Mytilène) / §¤Û‚Ô˜ (ª˘ÙÈÏ‹ÓË) 170, 329, 544, 1170, 1864, 1867, 1947, 2083, 2161 Samos / ™¿ÌÔ˜ 578 Samothrace / ™·ÌÔıÚ¿ÎË 1110, 1556, 1563 Thassos / £¿ÛÔ˜ 480, 481, 482, 1527, 1683

ÎLES DE SPORADES N∏™π∞ ™¶√ƒ∞¢øN 24, 421, 505, 872, 962 Skiathos / ™ÎÈ¿ıÔ˜ 505

` ÎLES DE DODÉCANESE ¢ø¢∂∫∞N∏™√™ 26, 27, 87, 97, 103, 148, 152, 153, 154, 168, 171, 173, 219, 289, 296, 318, 335, 348, 368, 444, 452, 486, 487, 489, 525, 527, 530, 578, 723, 741, 743, 817, 818, 819, 820, 822, 823, 862, 864, 865, 866, 868, 869, 870, 876, 877, 878, 879, 880, 881, 895, 896, 897, 898, 899, 900, 901, 955, 958, 959, 960, 961, 962, 965, 966, 967, 968, 1030, 1103, 1111, 1113, 1163, 1164, 1165, 1166, 1167, 1168, 1244, 1245, 1246, 1247, 1273, 1348, 1349, 1375, 1376, 1389, 1390, 1392, 1394, 1395, 1396, 1402, 1491, 1492, 1494, 1495, 1496, 1497, 1498, 1499, 1500, 1554, 1640, 1705, 1767, 1799, 1800, 1801, 1802, 1803, 1804, 1805, 1806, 1961, 2183, 2265 Astypalaia / ∞ÛÙ˘¿Ï·È· 148, 1799 Chalki / ÿÏÎË 148, 335, 901, 965, 966, 1103, 1801, 1802, 1803, 1804, 1805

259

TO¶O°PAºIKO EYPETHPIO Cos / ∫ˆ˜ 26, 27, 87, 97, 103, 525, 527, 530, 723, 895, 1244, 1245, 1246, 1247, 1348, 1349, 1402, 1705, 1806 – Karadaména (Alassarna) / ∫·Ú‰¿Ì·ÈÓ· (·Ú¯. ∞Ï¿Û·ÚÓ·) 527, 530, 723 Kalymnos / ∫¿Ï˘ÌÓÔ˜ 743 Karpathos / ∫¿Ú·ıÔ˜ 148, 897, 955, 959, 968, 1396, 1498, 1500 Kastellorizo / ∫·ÛÙÂÏÏfiÚÈ˙Ô 148, 967, 1494, 1496, 1497 Leros / §¤ÚÔ˜ 1030 Nissyros / ¡›Û˘ÚÔ˜ 862, 865 Patmos / ¶¿ÙÌÔ˜ 33, 289, 318, 368, 869, 878, 1417, 2183, 2188 Rhodes / ƒfi‰Ô˜ 148, 152, 153, 154, 168, 171, 173, 296, 486, 487, 489, 741, 817, 818, 819, 820, 821, 822, 823, 864, 868, 870, 876, 877, 879, 880, 881, 896, 898, 899, 900, 901, 958, 960, 1111, 1113, 1163, 1164, 1165, 1166, 1167, 1168, 1252, 1273, 1312, 1375, 1376, 1389, 1390, 1392, 1394, 1395, 1492, 1554, 1767, 1800, 1961 Symi / ™‡ÌË 348, 1491, 1499, 2265 Tilos / ∆‹ÏÔ˜ 219, 961, 963

ÎLES DU GOLFE ARGOSARONIQUE N∏™π∞ ∞ƒ°√™∞ƒøNπ∫√À 668, 669, 670, 752, 753, 814, 850, 1250, 1714, 2153 Égine / ∞›ÁÈÓ· 669, 814, 1250, 2153 Hydra / ⁄‰Ú· 850 Poros / ¶fiÚÔ˜ 752, 753 Salamis / ™·Ï·Ì›Ó· 668, 670, 1714, 1845

ÎLES IONIENNES / IONIA N∏™π∞ 147, 254, 255, 294, 332, 372, 506, 513, 514, 645, 646, 754, 757, 758, 849, 1003, 1013, 1027, 1036, 1037, 1044, 1045, 1048,

1134, 1141, 1311, 1548, 1750, 1752, 1865, 1878, 1879, 1882, 1925, 1965, 2148, 2183, 2184, 2216 Céphalonie / ∫ÂÊ·ÏÔÓÈ¿ 372 Corfou / ∫¤Ú΢ڷ 147, 294, 1044, 1045, 1548, 1865, 2183, 2216 Cythères / ∫‡ıËÚ· 1308, 1311, 2148 Leucade / §Â˘Î¿‰· 254, 255, 506, 513, 514, 1036, 1037, 1925 Zante / ∑¿Î˘ÓıÔ˜ 372, 1003, 1044, 1045, 1134, 1141, 1752, 1878, 1879, 1882, 2185

MACÉDOINE / ª∞∫∂¢√¡π∞ 2, 4, 6, 7, 8, 9, 16, 52, 68, 73, 81, 82, 85, 95, 96, 102, 110, 112, 113, 115, 117, 118, 119, 120, 121, 124, 125, 127, 128, 129, 130, 134, 137, 155, 157, 159, 205, 225, 242, 244, 246, 248, 256, 266, 269, 301, 304, 312, 327, 342, 347, 423, 424, 425, 431, 433, 442, 458, 461, 463, 464, 465, 476, 477, 479, 515, 537, 539, 543, 556, 591, 600, 606, 608, 631, 632, 633, 634, 642, 649, 654, 655, 664, 666, 675, 766, 770, 771, 772, 774, 776, 777, 789, 815, 832, 856, 857, 858, 860, 861, 873, 953, 977, 986, 1009, 1048, 1051, 1052, 1054, 1055, 1056, 1058, 1059, 1060, 1063, 1065, 1067, 1068, 1080, 1086, 1087, 1088, 1090, 1091, 1092, 1093, 1095, 1096, 1101, 1118, 1120, 1124, 1125, 1148, 1155, 1177, 1184, 1185, 1187, 1188, 1189, 1194, 1195, 1196, 1198, 1200, 1201, 1211, 1214, 1215, 1216, 1217, 1218, 1219, 1220, 1221, 1226, 1234, 1237, 1241, 1270, 1271, 1276, 1280, 1281, 1285, 1286, 1287, 1289, 1290, 1292, 1293, 1295, 1317, 1359, 1374, 1403, 1418, 1420, 1421, 1422, 1423, 1424, 1425, 1427, 1430, 1432, 1433, 1434, 1458, 1480, 1481, 1501, 1502, 1503, 1504, 1505, 1507, 1508, 1509, 1510, 1512, 1513, 1514, 1521, 1525, 1550, 1551, 1559, 1561, 1567, 1568, 1590, 1592, 1616, 1618, 1619, 1622, 1624, 1625, 1626, 1672, 1673, 1675, 1677, 1682, 1687, 1707, 1745, 1746 D. d'Emathie / ¡. ∏Ì·ı›·˜ 68, 80, 269, 425, 556, 766, 772, 776, 832, 1092, 1403, 1675, 1707, 1797, 2054, 2059, 2062, 2064, 2066, 2070, 2071

260 – Veroia / µ¤ÚÔÈ· 68, 80, 137, 269, 425, 458, 556, 766, 771, 772, 776, 832, 835, 1219, 1403, 1675, 1797, 2054, 2062, 2064, 2070 D. de Chalkidiki / ¡. ÷ÏÎȉÈ΋˜ 66, 76, 78, 81, 82, 85, 347, 463, 1051, 1064, 1120, 1231, 1232, 1234, 1235, 1236, 1237, 1238, 1239, 1420, 1421, 1422, 1480, 1503, 1508, 1624, 1818, 1883, 1885, 1887, 1898, 1900, 1917, 1943, 1950, 2023, 2246 D. de Drama / ¡. ¢Ú¿Ì·˜ 476, 1560, 1616, 1618, 1622, 1623, 1624, 1626 – Drama / ¢Ú¿Ì· 1616, 1626 D. de Grévéna / ¡. °Ú‚ÂÓÒÓ 857, 1403, 1512, 1513, 1761, 1762, 1765, 2027, 2063, 2065, 2067, 2068, 2069 – Grévéna / °Ú‚ÂÓ¿ 1512 D. de Kastoria / ¡. ∫·ÛÙÔÚÈ¿˜ 642, 664, 675, 977, 986, 1215, 1430, 1458, 1761, 1810, 1888, 1889, 1894, 1895, 1902, 2045, 2051, 2086, 2242 – Kastoria / ∫·ÛÙÔÚÈ¿ 458, 642, 664, 675, 977, 1215, 1430, 1458, 1810, 1888, 1889, 1894, 1895, 2045, 2051, 2086 D. de Kavala / ¡. ∫·‚¿Ï·˜ 117, 155, 442, 477, 537, 539, 606, 1101, 1289, 1983 – Kavala / ∫·‚¿Ï· 539 – Philippoi / º›ÏÈÔÈ 117, 155, 442, 537, 1289, 1983 D. de Kozani / ¡. ∫Ô˙¿Ó˘ 789, 858, 860, 861, 1525, 1759, 1760, 1761, 1763, 2026, 2027, 2028, 2029, 2030, 2061, 2240, 2266 – Kozani / ∫Ô˙¿ÓË 860D. de Pella / ¡. ¶¤ÏÏ·˜ 95, 96, 600, 1271, 1434, 1687, 1837, 2039, 2060, 2207, 2210, 2262, 2263, 2264 – Edessa / Œ‰ÂÛÛ· 1271, 2039, 2060, 2207, 2210, 2262, 2263

INDEX GÉOGRAPHIQUE D. de Phlorina / ¡. ºÏÒÚÈÓ·˜ 774, 1270, 1892, 1902, 2058, 2197 D. de Piéria / ¡. ¶ÈÂÚ›·˜ 2, 7, 52, 84, 137, 464, 465, 466, 634, 1088, 1187, 1189, 1193, 1200, 1561, 2070, 2206 – Dion / ¢›ÔÓ 110 D. de Serres / ¡. ™ÂÚÚÒÓ 479, 1270, 1276, 1568, 1624, 1838, 1867, 1883, 1886, 1893, 1896, 1982, 2052, 2096 – Serres / ™¤ÚÚ˜ 1568, 1616, 1883 D. de Thessalonique / ¡. £ÂÛÛ·ÏÔӛ΢ 4, 6, 16, 73, 92, 98, 102, 121, 137, 157, 159, 205, 225, 256, 269, 312, 423, 424, 431, 461, 464, 515, 608, 654, 655, 815, 953, 1059, 1080, 1087, 1093, 1096, 1118, 1125, 1177, 1185, 1188, 1194, 1196, 1198, 1201, 1202, 1211, 1216, 1217, 1280, 1281, 1285, 1286, 1287, 1290, 1292, 1293, 1295, 1328, 1374, 1423, 1425, 1427, 1432, 1433, 1510, 1551, 1590, 1592, 1745, 1746, 1812, 1813, 1867, 1921, 1933, 1936, 1937, 1939, 1940, 1941, 1942, 1948, 1949, 1952, 1953, 1954, 1956, 2038, 2040, 2047, 2048, 2054, 2074, 2075, 2076, 2131, 2158, 2194 – Thessalonique / £ÂÛÛ·ÏÔÓ›ÎË 4, 6, 8, 16, 72, 73, 92, 98, 102, 110, 112, 113, 115, 118, 119, 120, 121, 124, 127, 129, 130, 132, 134, 136, 137, 157, 159, 205, 212, 225, 256, 266, 269, 312, 423, 424, 431, 461, 515, 548, 608, 654, 655, 777, 815, 953, 1059, 1080, 1087, 1093, 1096, 1118, 1184, 1188, 1190, 1192, 1194, 1196, 1197, 1198, 1199, 1201, 1208, 1211, 1216, 1217, 1220, 1221, 1226, 1279, 1280, 1281, 1283, 1284, 1285, 1286, 1287, 1290, 1292, 1293, 1295, 1374, 1423, 1427, 1432, 1433, 1481, 1550, 1551, 1590, 1592, 1745, 1746, 1813, 1845, 1846, 1921, 1939, 1942, 1948, 1949, 1952, 1953, 1954, 1956, 2001, 2038, 2040, 2047, 2054, 2074, 2075, 2076, 2131, 2158, 2205, 2232 Mont Athos (Aghion Oros) / ÕÁÈÔÓ ŸÚÔ˜ 33, 66, 76, 81, 82, 85, 205, 242, 244, 246, 248, 257, 259, 301, 304, 323, 327, 342, 433, 437, 531, 591, 631, 632, 633, 649, 666, 873, 977, 1009, 1048, 1054, 1055, 1056, 1058, 1060, 1063, 1064, 1065, 1067,

261

TO¶O°PAºIKO EYPETHPIO 1068, 1086, 1090, 1091, 1095, 1120, 1124, 1148, 1155, 1214, 1218, 1231, 1232, 1234, 1235, 1236, 1237, 1238, 1239, 1241, 1317, 1324, 1326, 1327, 1328, 1359, 1417, 1420, 1421, 1422, 1424, 1480, 1501, 1502, 1504, 1505, 1507, 1509, 1510, 1521, 1559, 1672, 1673, 1816, 1818, 1820, 1821, 1845, 1847, 1849, 1883, 1885, 1887, 1890, 1900, 1917, 1918, 1919, 1920, 1922, 1923, 1926, 1929, 1950, 1957, 1958, 1959, 1960, 1969, 1975, 2023, 2034, 2035, 2036, 2037, 2041, 2042, 2043, 2044, 2046, 2049, 2050, 2052, 2053, 2124, 2129, 2130, 2155, 2156, 2180, 2181, 2182, 2184, 2214, 2247

PÉLOPONNÈSE ¶∂§√¶√¡¡∏™√™ 13, 14, 17, 18, 19, 20, 21, 22, 23, 39, 40, 41, 46, 47, 106, 109, 123, 143, 146, 147, 148, 149, 150, 188, 193, 195, 198, 270, 291, 300, 307, 319, 361, 375, 380, 383, 386, 387, 394, 395, 402, 439, 444, 473, 488, 520, 521, 522, 523, 524, 561, 564, 566, 568, 571, 572, 573, 574, 581, 582, 584, 626, 629, 678, 696, 698, 699, 700, 701, 702, 713, 717, 722, 739, 740, 742, 744, 745, 746, 754, 757, 874, 894, 910, 913, 914, 917, 918, 920, 921, 929, 975, 979, 1017, 1019, 1050, 1097, 1130, 1157, 1183, 1225, 1228, 1229, 1313, 1329, 1439, 1459, 1467, 1483, 1484, 1485, 1486, 1515, 1571, 1585, 1638, 1641, 1677, 1684, 1687, 1688, 1695, 1700, 1717, 1718, 1730, 1732, 1777, 1819, 1823, 1824, 1825, 1826, 1835, 1849, 2016, 2017, 2018, 2019, 2020, 2021, 2022, 2108, 2123, 2128, 2143, 2170, 2171, 2260 D. d'Achaïe / ¡. ∞¯·˝·˜ 18, 19, 307, 319, 582, 1130, 1157, 1687, 1819 D. d'Arcadie / ¡. ∞Ú牛·˜ 109, 143, 146, 270, 521, 524, 564, 566, 1097, 1439, 1486, 1717, 1732, 2019, 2021, 2128, 2143 D. d'Argolide / ¡. ∞ÚÁÔÏ›‰Ô˜ 123, 193, 195, 198, 387, 473, 678, 929, 1684, 1687, 1777, 2016, 2017, 2018, 2108 – Argos / '∞ÚÁÔ˜ 123, 678, 1777, 2108

D. d'Élide / ¡. ∏Ï›·˜ 17, 20, 21, 22, 23, 372, 626, 874, 1730, 2123 D. de Corinthe / ¡. ∫ÔÚÈÓı›·˜ 147, 188, 488, 739, 975, 1687, 1717, 1718, 1835, 2260 – Acrocorinthe / ∞ÎÚÔÎfiÚÈÓıÔ˜ 147, 2260 D. de Laconie / ¡. §·ÎˆÓ›·˜ 13, 14, 147, 148, 149, 150, 394, 395, 488, 520, 522, 523, 568, 571, 572, 573, 574, 581, 584, 629, 698, 699, 700, 701, 702, 713, 1183, 1228, 1313, 1439, 1459, 1483, 1484, 1515, 1585, 1695, 1717, 1823, 1824, 1825, 1826, 1845, 1849, 1852, 2022, 2143, 2170 – Géraki / °ÂÚ¿ÎÈ 1852 – Monemvasie / ªÔÓÂÌ‚·Û›· 14, 394, 395, 571, 698, 699, 700, 701, 702, 1823, 1826 – Mystras / ª˘ÛÙÚ¿˜ 147, 149, 150, 394, 395, 572, 574, 1017, 1019, 1183, 1228, 1585, 1845, 1849, 1852 – Sparte / ™¿ÚÙË 488, 520, 629 D. de Méssénie / ¡. ªÂÛÛËÓ›·˜ 40, 46, 47, 291, 300, 361, 375, 380, 383, 386, 394, 395, 740, 742, 744, 745, 746, 910, 913, 914, 918, 1439, 1638, 1641 – Méthone / ªÂıÒÓË 361 MAGNE / ªANH 13, 106, 394, 395, 439, 523, 561, 568, 573, 722, 914, 1225, 1229, 1269, 1329, 1467, 1485, 1695, 1824, 2171

GRÈCE CENTRALE ™∆∂ƒ∂∞ ∂§§∞¢∞ 15, 156, 184, 254, 255, 272, 275, 280, 282, 292, 293, 295, 298, 303, 338, 350, 352, 353, 354, 355, 362, 397, 398, 400, 430, 432, 434, 440, 471, 488, 515, 556, 565, 583, 667, 671, 673, 674, 676, 681, 683, 716, 717, 734, 737, 802, 803, 804, 805, 809, 810, 812, 813, 836, 837, 838, 839, 841, 842, 843, 844, 846, 849, 851, 852, 854, 887, 888, 890, 894, 915, 930, 936, 964, 970, 971, 972, 973, 977, 1116, 1117,

262

INDEX GÉOGRAPHIQUE 1150, 1178, 1179, 1256, 1265, 1332, 1333, 1334, 1337, 1344, 1347, 1364, 1367, 1368, 1386, 1437, 1440, 1441, 1442, 1443, 1444, 1445, 1447, 1450, 1452, 1453, 1454, 1473, 1474, 1487, 1489, 1514, 1540, 1555, 1612, 1613, 1624, 1627, 1629, 1676, 1677, 1679, 1681, 1682, 1685, 1686, 1687, 1689, 1691, 1757, 1782, 1828, 1830, 1833, 1842, 1843, 1846, 1871, 1872, 1875, 1877, 1880, 1887, 1905, 1906, 1930, 1931, 1932, 1961, 1986, 1988, 1989, 1990, 1999, 2079, 2099, 2105, 2107, 2113, 2158, 2160, 2163, 2166, 2183, 2185, 2211

D. d'Attique - Le Pirée / ¡. ∞ÙÙÈ΋˜ - ¶ÂÈÚ·ÈÒ˜ 156, 184, 272, 293, 303, 350, 352, 353, 430, 432, 434, 471, 488, 515, 547, 556, 565, 583, 683, 716, 737, 804, 809, 836, 837, 838, 839, 841, 843, 846, 849, 851, 852, 905, 917, 930, 936, 964, 970, 971, 972, 973, 977, 1179, 1256, 1265, 1332, 1333, 1334, 1337, 1347, 1364, 1367, 1368, 1441, 1442, 1443, 1445, 1447, 1452, 1473, 1474, 1555, 1624, 1682, 1687, 1757, 1828, 1830, 1833, 1845, 1846, 1852, 1871, 1872, 1874, 1875, 1877, 1880, 1931, 1932, 1961, 1986, 1988, 2105, 2107, 2158, 2160, 2163, 2183, 2211 – Athènes / ∞ı‹Ó· 156, 184, 272, 293, 303, 350, 352, 353, 432, 434, 488, 515, 556, 565, 683, 716, 737, 804, 805, 836, 837, 838, 839, 841, 843, 846, 849, 851, 903, 906, 930, 936, 970, 971, 972, 973, 977, 1179, 1256, 1332, 1333, 1334, 1337, 1347, 1364, 1367, 1445, 1474, 1555, 1757, 1828, 1833, 1842, 1871, 1872, 1875, 1877, 1880, 1930, 1931, 1932, 2105, 2107, 2158, 2160, 2163, 2175, 2211, 2232 – Le Pirée / ¶ÂÈÚ·È¿˜ 471, 1442 D. d'Étolie et Acarnanie / ¡. ∞ÈÙˆÏԷηÚÓ·Ó›·˜ 15, 147, 254, 255, 354, 810, 1437, 1487, 1489, 1540, 1612, 1613, 1689 – Vonitsa / µfiÓÈÙÛ· 147 D. d'Eurytanie / ¡. ∂˘Ú˘Ù·Ó›·˜

280, 355, 671, 802, 803, 812, 813, 844, 1116, 1629, 1887, 2079, 2113 D. de Béotie / ¡. µÔȈٛ·˜ 275, 295, 338, 362, 440, 716, 734, 842, 854, 887, 888, 890, 915, 1150, 1178, 1386, 1843, 1986, 1989, 1990, 1999, 2099, 2166 – Thèbes / £‹‚· 362, 716, 842, 915, 1843 D. de Phocide / ¡. ºˆÎ›‰·˜ 671, 673, 1117, 1344, 1676, 1679, 1681, 1682, 1685, 1686 – Amphissa / ÕÌÊÈÛÛ· 673 – Delphes / ¢ÂÏÊÔ› 1676, 1679, 1681, 1685, 1686 D. de Phthiotide / ¡. ºıÈÒÙȉ·˜ 282, 292, 298, 398, 400, 667, 671, 674, 676, 681, 1440, 1444, 1450, 1453, 1454, 1627, 1905, 1906 – Lamia / §·Ì›· 292, 667

THESSALIE / £∂™™∞§π∞ 35, 50, 70, 79, 104, 128, 186, 196, 241, 242, 250, 259, 283, 285, 286, 287, 302, 324, 394, 395, 396, 399, 456, 457, 495, 496, 497, 498, 500, 501, 502, 503, 515, 567, 579, 583, 599, 677, 811, 940, 984, 1048, 1066, 1133, 1136, 1151, 1153, 1158, 1159, 1171, 1172, 1173, 1174, 1175, 1222, 1243, 1298, 1360, 1384, 1385, 1397, 1399, 1400, 1476, 1477, 1478, 1511, 1514, 1566, 1586, 1587, 1601, 1628, 1630, 1631, 1632, 1633, 1672, 1673, 1677, 1682, 1687, 1690, 1710, 1764, 1778, 1779, 1780, 1781, 1783, 1784, 1785, 1786, 1788, 1791, 1792, 1793, 1794, 1853, 1854, 1857, 1869, 1870, 1887, 1891, 1901, 1904, 1907, 1909, 1911, 1980, 1981, 1997, 2057, 2070, 2073, 2079, 2080, 2081, 2087, 2114, 2201 D. de Carditsa / ¡. ∫·Ú‰›ÙÛ·˜ 287, 811, 1780, 1781, 1782, 1783, 1784, 1887 – Karditsa / ∫·Ú‰›ÙÛ· 287

263

TO¶O°PAºIKO EYPETHPIO D. de Larissa / ¡. §¿ÚÈÛ·˜ 104, 283, 396, 399, 456, 497, 501, 502, 940, 1151, 1158, 1159, 1243, 1566, 1778, 1785, 1786, 1788, 1791, 1792, 1793, 1794, 1891, 1901, 1904, 1909, 1911, 1997, 2073, 2114 – Larissa / §¿ÚÈÛ· 396, 399, 456, 1788, 1904, 1909 D. de Magnésie / ¡. ª·ÁÓËÛ›·˜ 79, 515, 1397, 1399, 1400, 1682, 1687 – Phthiotides Thèbes / ºıÈÒÙȉ˜ £‹‚·È 515, 1400, 1682, 1687, 2001 – Volos / µfiÏÔ˜ 79 D. de Magnésie-Pélion / ¡. ª·ÁÓËÛ›·˜¶‹ÏÈÔ 50, 70, 579, 1133, 1360, 1710 D. de Trikala / ¡. ∆ÚÈÎ¿ÏˆÓ 94, 241, 242, 259, 285, 302, 394, 395, 456, 496, 498, 500, 503, 567, 583, 599, 1136, 1153, 1171, 1172, 1173, 1174, 1175, 1222, 1298, 1385, 1477, 1511, 1586, 1587, 1628, 1630, 1631, 1632, 1633, 1672, 1690, 1764, 1853, 1869, 1870, 1980, 1981, 2057, 2080, 2087

– Trikala / ∆ڛηϷ 456, 1586, 1587, 1690, 1869 – Météores / ªÂÙ¤ˆÚ· 33, 169, 250, 257, 259, 286, 457, 496, 500, 503, 984, 1048, 1476, 1478, 1673, 1854, 1857, 2201

THRACE / £ƒ∞∫∏ 71, 125, 220, 478, 479, 517, 533, 534, 535, 536, 538, 703, 704, 705, 893, 1119, 1138, 1142, 1282, 1323, 1556, 1560, 1562, 1565, 1589, 1623, 1624, 1990, 1993, 1994, 1995, 2092, 2094, 2095, 2096 D. d'Evros / ¡. Œ‚ÚÔ˘ 65, 479, 1110, 1119, 1567, 1589, 1624, 2092, 2094 – Didymoteichon / ¢È‰˘ÌfiÙÂÈ¯Ô 1567 D. de Rodopi / ¡. ƒÔ‰fi˘ 220, 479, 533, 534, 535, 536, 538, 1119, 1589, 1990, 1993, 1994, 1995, 2096 – Maroneia / ª·ÚÒÓÂÈ· 534, 535, 536, 893, 1990, 1993, 1994, 1995 D. de Xanthi / ¡. •¿Óı˘ 71, 220, 538, 703, 705, 1119, 1562, 1565, 1624, 2096

CHYPRE / ∫À¶ƒ√™ 44, 64, 212, 258, 261, 276, 331, 357, 444, 546, 598, 611, 613, 615, 616, 617, 618, 621, 623, 624, 749, 973, 997, 1008, 1020, 1027, 1143, 1209, 1253, 1277, 1463, 1571, 1572, 1573, 1574, 1576, 1577, 1580, 1591, 1611, 1651, 1652, 1653, 1654, 1655, 1656, 1657, 1658, 1659, 1660, 1661, 1662, 1663, 1664, 1665, 1666, 1667, 1668, 1721, 1722, 1723, 1724, 1725, 1726, 1727, 1732, 1742, 1743, 1744, 1964, 1966, 1972, 1973, 1974,

1977, 1978, 2109, 2117, 2118, 2119, 2120, 2136, 2137, 2138, 2139, 2140, 2141, 2142, 2154, 2184, 2185, 2186, 2199, 2200, 2217, 2219, 2220, 2221, 2222, 2223, 2224, 2225, 2226, 2227, 2228, 2229, 2230, 2231 – Famagusta / ∞ÌÌfi¯ˆÛÙÔ˜ 258 – Nicosie / §Â˘ÎˆÛ›· 622, 625, 1967

264

INDEX GÉOGRAPHIQUE

ALBANIE / ∞§µ∞¡π∞ 277, 278, 279, 281, 309, 390, 391, 392, 393, 394, 395, 543, 545, 554, 756, 908, 1514, 1949, 2013, 2234, 2236, 2237, 2241, 2242, 2245

ALLEMAGNE / °∂ƒª∞¡π∞ 1599, 2002

BALKANS / µ∞§∫∞¡π∞ 32, 38, 44, 136, 183, 187, 190, 194, 197, 199, 226, 227, 228, 229, 230, 231, 545, 546, 550, 576, 590, 591, 592, 595, 596, 597, 947, 1570, 1597, 1599, 1620, 1893, 2081, 2233, 2245

BULGARIE / µ√À§°∞ƒπ∞ 228, 230, 231, 545, 1071, 1072, 1077, 1079, 1241, 1514, 1550, 1551, 1552, 1553, 1624, 2013, 2078

CROATIE / ∫ƒ√∞∆π∞ 630, 756

ÉGYPTE / ∞π°À¶∆√™ 43, 44, 67, 191, 210, 217, 357, 386, 422, 546, 557, 710, 932, 987, 1094, 1296, 1319, 1356, 1715, 2002, 2004, 2005, 2107, 2218 – Sinaï / ™ÈÓ¿ 210, 212, 217, 406, 555, 659, 718, 719, 721, 948, 976, 977, 1267, 1324, 1325, 1326, 1327, 1462, 1580, 1776, 2116, 2145, 2146, 2154, 2218

EX-RÉPUBLIQUE YOUGOSLAVE DE MACÉDOINE (A.R.Y.M.) / ¶.°.¢.ª. (F.Y.R.O.M.) 201, 251, 392, 545, 590, 591, 592, 595, 596, 762, 773, 1071, 1072, 1079, 1430, 1514, 1524, 2013, 2131

FRANCE / °∞§§π∞ 140, 720, 1577, 1599, 2002

GÉORGIE / °∂øƒ°π∞ 749

IRAN / πƒ∞¡ 32, 1319

ITALIE / π∆∞§π∞ 190, 191, 339, 386, 455, 484, 546, 575, 615, 748, 749, 756, 1009, 1017, 1449, 1576, 1577, 1701, 1715, 1748, 1822, 2002, 2011, 2186, 2225, 2227 - Vénise / µÂÓÂÙ›· 751, 754, 759, 878, 977, 1004, 1013, 1020, 1021, 1023, 1031, 1036, 1044, 1045, 1112, 1129, 1551, 1579, 1599, 1715, 1776, 2173, 2174

PALESTINE – ISRAÉL – JORDANIE – SYRIE ¶∞§∞π™∆π¡∏ – π™ƒ∞∏§ – π√ƒ¢∞¡π∞ – ™Àƒπ∞ 43, 187, 190, 243, 305, 382, 384, 386, 458, 652, 748, 835, 923, 1033, 1248, 1252, 1296, 1417, 1580, 1708, 1709, 1715, 1973, 1977, 1984, 2010, 2014, 2150, 2154

POLOGNE / ¶√§ø¡π∞ 1796, 2177

PONT EUXIN / ¶√¡∆√™ 1550, 1551

ROUMANIE / ƒ√Àª∞¡π∞ 310, 545, 546, 1071, 1079, 1658, 1667, 1857

RUSSIE / ƒø™π∞ 32, 209, 546, 657, 1701, 1963, 2173, 2176

SERBIE /

™∂ƒµπ∞

545, 546, 591, 592, 593, 762, 773, 977, 1071, 1079, 1550, 1551, 1701, 2013

TUNISIE / ∆À¡∏™π∞ 1716

TURQUIE / ∆√Àƒ∫π∞ 38, 42, 43, 44, 74, 77, 86, 88, 89, 91, 226, 227, 228, 229, 230, 231, 453, 484, 517, 544, 546, 588, 656, 738, 748, 749, 932, 962, 1071, 1072, 1073, 1074, 1075, 1076, 1077, 1079, 1084, 1138, 1142, 1205, 1296, 1393, 1449, 1517, 1624, 1696, 1701, 1713, 1739, 1740, 1827, 1831

TO¶O°PAºIKO EYPETHPIO – Amorium (Amorion) / ∞ÌfiÚÈÔ 780, 787, 2033 – Asie Mineure / ªÈÎÚ¿ ∞Û›· 38, 88, 91, 183, 197, 199, 458, 460, 737, 835, 932, 1107, 1109, 1244, 1319, 1517, 1550, 1551, 1570, 1696, 1715, 1938, 2001 – Bithynie / µÈı˘Ó›· 42, 1696 –Cappadoce / ∫··‰ÔΛ· 77, 89, 748, 1659, 2164

265 – Constantinople / ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏË 31, 32, 122, 157, 178, 212, 557, 650, 680, 756, 784, 931, 934, 1002, 1015, 1017, 1083, 1182, 1205, 1335, 1382, 1516, 1518, 1550, 1551, 1577, 1583, 1591, 1739, 1740, 1832, 1847, 1926, 1927, 1946, 2112, 2152, 2184, 2185

PUBLICATIONS – ¢∏ª√™π∂Àª∞∆∞ DU CENTRE DE RECHERCHES D’ART BYZANTIN ET POSTBYZANTIN ∆√À ∫∂¡∆ƒ√À ∂ƒ∂À¡∞™ ∆∏™ µÀ∑∞¡∆π¡∏™ ∫∞π ª∂∆∞µÀ∑∞¡∆π¡∏™ ∆∂á∏™ ∂Àƒ∂∆∏ƒπ√ µÀ∑∞¡∆π¡ø¡ ∆√πÃ√°ƒ∞ºπø¡ ∂§§∞¢√™ (CORPUS DE LA PEINTURE MONUMENTALE BYZANTINE / CORPUS OF THE BYZANTINE WALL-PAINTINGS OF GREECE) 1.

ª·ÓfiÏ˘ Ã∞∆∑∏¢∞∫∏™, πˆ¿ÓÓ· ª¶π£∞, ∂˘ÚÂÙ‹ÚÈÔ µ˘˙·ÓÙÈÓÒÓ ∆ÔȯÔÁÚ·ÊÈÒÓ ∂ÏÏ¿‰Ô˜. ∫‡ıËÚ·, ∞ı‹Ó· 1997, 332 Û. / p., 342 ¤Á¯ÚˆÌ˜ Î·È ·ÛÚfiÌ·˘Ú˜ ÂÈÎfiÓ˜ / figures en noir et blanc et en couleurs, 72 ·Ú¯ÈÙÂÎÙÔÓÈο Û¯¤‰È· / plans architecturaux, 31 Û¯¤‰È· ÙÔȯÔÁÚ·ÊÈÒÓ / dessins de peintures. ISBN 960-7099-52-4

2.

64,50 €

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Manolis CHATZIDAKIS, Ioanna BITHA, Corpus of the Byzantine Wall-Paintings of Greece. The island of Kythera, Athens 2003, 332 Û. / p., 342 ¤Á¯ÚˆÌ˜ Î·È ·ÛÚfiÌ·˘Ú˜ ÂÈÎfiÓ˜ / figures en noir et blanc et en couleurs, 72 ·Ú¯ÈÙÂÎÙÔÓÈο Û¯¤‰È· / plans architecturaux, 31 Û¯¤‰È· ÙÔȯÔÁÚ·ÊÈÒÓ / dessins de peintures. ISBN 960-404-029-4

100,00 €

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BIBLIOGRAPHIE DE L’ART BYZANTIN ET POSTBYZANTIN. LA CONTRIBUTION GRECQUE / µπµ§π√°ƒ∞ºπ∞ ∆∏™ µÀ∑∞¡∆π¡∏™ ∫∞π ∆∏™ ª∂∆∞µÀ∑∞¡∆π¡∏™ ∆∂á∏™. ∏ ∂§§∏¡π∫∏ ™Àªµ√§∏ 1.

πoanna BITHA, Angeliki KATSIOTI, Eleni KATSA / πˆ¿ÓÓ· ª¶π£∞, ∞ÁÁÂÏÈ΋ ∫∞∆™πø∆∏, ∂ϤÓË ∫∞∆™∞, Bibliographie de l’art byzantin et postbyzantin. La contribution grecque 1991-1996 / µÈ‚ÏÈÔÁÚ·Ê›· Ù˘ µ˘˙·ÓÙÈÓ‹˜ Î·È Ù˘ ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∆¤¯Ó˘. ∏ ÂÏÏËÓÈ΋ Û˘Ì‚ÔÏ‹ 1991-1996, Athènes / ∞ı‹Ó· 1996, 183 Û. / p. –– ........................................................................................................................................................................................................................................................................................

2.

πoanna BITHA, Vassiliki FOSKOLOU, Margarita NELLA / πˆ¿ÓÓ· ª¶π£∞, µ·ÛÈÏÈ΋ ºø™∫√§√À, ª·ÚÁ·Ú›Ù· ¡∂§§∞, Bibliographie de l’art byzantin et postbyzantin. La contribution grecque 1996-2000 / µÈ‚ÏÈÔÁÚ·Ê›· Ù˘ µ˘˙·ÓÙÈÓ‹˜ Î·È Ù˘ ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∆¤¯Ó˘. ∏ ÂÏÏËÓÈ΋ Û˘Ì‚ÔÏ‹ 1996-2000, Athènes / ∞ı‹Ó· 2001, 219 Û. / p. ISBN 960-7099-97-4

3.

16,50 €

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πoanna BITHA, Ioannis VAXEVANIS, Ourania KARAGHIANNI / πˆ¿ÓÓ· ª¶π£∞, πˆ¿ÓÓ˘ µ∞•∂µ∞¡∏™, √˘Ú·Ó›· ∫·Ú·ÁÈ¿ÓÓË, Bibliographie de l’art byzantin et postbyzantin. La contribution grecque 2001-2005 / µÈ‚ÏÈÔÁÚ·Ê›· Ù˘ µ˘˙·ÓÙÈÓ‹˜ Î·È Ù˘ ªÂÙ·‚˘˙·ÓÙÈÓ‹˜ ∆¤¯Ó˘. ∏ ÂÏÏËÓÈ΋ Û˘Ì‚ÔÏ‹ 2001-2006, Athènes / ∞ı‹Ó· 2006, 360 Û. / p. ISBN 960-404-094-4

25,00 €

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ª¡∏ª∏ ª∞¡√§∏ Ã∞∆∑∏¢∞∫∏ (MÉMOIRE DE MANOLIS CHATZIDAKIS / IN MEMORY OF MANOLIS CHATZIDAKIS) 1.

ª˘ÚÙ¿ÏË ∞Ã∂πª∞™∆√À-¶√∆∞ªπ∞¡√À Ì ÚÔÏÂÁfiÌÂÓ· ÙˆÓ ª·ÓÔ‡ÛÔ˘ ª∞¡√À™∞∫∞, πˆ¿ÓÓ·˜ ª¶π£∞, ¶·Ó·ÁÈÒÙË §. µ√∫√∆√¶√À§√À, ∂ÈÎfiÓ˜ Ù˘ ∑·Î‡ÓıÔ˘. ªÓ‹ÌË ª·ÓfiÏË Ã·Ù˙ˉ¿ÎË, ∞η‰ËÌ›· ∞ıËÓÒÓ, 23 ºÂ‚ÚÔ˘·Ú›Ô˘ 1999, ∞ı‹Ó· 1999, 29 Û. / p., 30 ¤Á¯ÚˆÌ˜ Î·È ·ÛÚfiÌ·˘Ú˜ ÂÈÎfiÓ˜ / figures en noir et blanc et en couleurs. ISBN 960-7099-84-2

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5,00 €

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∏Ï›·˜ ∂. ∫√§§π∞™, ∏ ÌÓËÌÂȷ΋ ÂÎÏÂÎÙÈ΋ ˙ˆÁÚ·ÊÈ΋ ÛÙË ƒfi‰Ô ÛÙ· Ù¤ÏË ÙÔ˘ 15Ô˘ Î·È ÛÙȘ ·Ú¯¤˜ ÙÔ˘ 16Ô˘ ·ÈÒÓ·. ªÓ‹ÌË ª·ÓfiÏË Ã·Ù˙ˉ¿ÎË, ∞η‰ËÌ›· ∞ıËÓÒÓ, 29 ºÂ‚ÚÔ˘·Ú›Ô˘ 2000 [Elias E. KOLLIAS, Late 15th - Early 16th Century Monumental Eclectic Painting on Rhodes (summary)], ∞ı‹Ó· 2000, 62 Û. / p., 26 ¤Á¯ÚˆÌ˜ ÂÈÎfiÓ˜ / figures en couleurs. ISBN 960-7099-95-8

10,00 €

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3.

°ÂÒÚÁÈÔ˜ ª. µ∂§∂¡∏™, ªÂÛÔ‚˘˙·ÓÙÈÓ‹ Ó·Ô‰ÔÌ›· ÛÙË £ÂÛÛ·ÏÔÓ›ÎË. ªÓ‹ÌË ª·ÓfiÏË Ã·Ù˙ˉ¿ÎË, ∞η‰ËÌ›· ∞ıËÓÒÓ, 5 ª·ÚÙ›Ô˘ 2002 [Georgios M. VELENIS, Middle-Byzantine Church Building in Thessalonike (summary)], ∞ı‹Ó· 2003, 117 Û. / p., 30 ¤Á¯ÚˆÌ˜ Î·È ·ÛÚfiÌ·˘Ú˜ ÂÈÎfiÓ˜ / figures en noir et blanc et en couleurs, 15 ·Ú¯ÈÙÂÎÙÔÓÈο Û¯¤‰È· / plans architecturaux. ISBN 960-404-024-3

4.

¶·Ó·ÁÈÒÙ˘ §. µ√∫√∆√¶√À§√™, ∆Ô £Â›ÔÓ ¶¿ıÔ˜ Û ›Ó·Î· ÙÔ˘ °ÂˆÚÁ›Ô˘ ∫ÏfiÓÙ˙·. ªÓ‹ÌË ª·ÓfiÏË Ã·Ù˙ˉ¿ÎË, ∞η‰ËÌ›· ∞ıËÓÒÓ, 18 ª·ÚÙ›Ô˘ 2003 [Panayotis L. VOCOTOPOULOS, The Holy Passion on a Panel by George Klontzas (summary)], ∞ı‹Ó· 2005, 76 Û. / p., 27 ¤Á¯ÚˆÌ˜ Î·È ·ÛÚfiÌ·˘Ú˜ ÂÈÎfiÓ˜ / figures en noir et blanc et en couleurs. ISBN 960-404-075-8

5.

13,00 €

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÷ڿϷÌÔ˜ ª¶√Àƒ∞™, ∆ÚfiÔÈ ÂÚÁ·Û›·˜ ÙˆÓ ‚˘˙·ÓÙÈÓÒÓ ·Ú¯ÈÙÂÎÙfiÓˆÓ Î·È ·Ú¯ÈÌ·ÛÙfiÚˆÓ, ªÓ‹ÌË ª·ÓfiÏË Ã·Ù˙ˉ¿ÎË, ∞η‰ËÌ›· ∞ıËÓÒÓ, 4 ª·ÚÙ›Ô˘ 2008 [Charalambos BOURAS, Working Methods of the Byzantine Architects and Master Builders (summary)], ∞ı‹Ó· 2010, 48 Û. / p., 20 ·ÛÚfiÌ·˘Ú˜ ÂÈÎfiÓ˜ Î·È ·Ú¯ÈÙÂÎÙÔÓÈο Û¯¤‰È· / figures en noir et blanc et plans architecturaux. ISBN 978-960-404-164-8

6.

20,00 €

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10,00 €

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∞ÁÁÂÏÈ΋ ∫∞∆™πø∆∏, √ ÂÈÎÔÓÔÁÚ·ÊÈÎfi˜ ·ÎÏÔ˜ Ù˘ ∞ÔÎ¿Ï˘„˘ ÛÙÔ Ó·fi Ù˘ ∫Ô›ÌËÛ˘ Ù˘ £ÂÔÙfiÎÔ˘ ÛÙÔ ∞ÛÎÏËÂÈfi Ù˘ ƒfi‰Ô˘ (1676-7), ªÓ‹ÌË ª·ÓfiÏË Ã·Ù˙ˉ¿ÎË, ∞η‰ËÌ›· ∞ıËÓÒÓ, 3 ª·ÚÙ›Ô˘ 2009 [Angeliki KATSIOTI, The iconographic cycle of the Apocalypse in the church of the Dormition of the Virgin at Asklipio, Rhodes (1676-7) (summary)], ∞ı‹Ó· 2011, 128 Û. / p., 74 ¤Á¯ÚˆÌ˜ Î·È ·ÛÚfiÌ·˘Ú˜ ÂÈÎfiÓ˜ / figures en noir et blanc et en couleurs. ISBN 978-960-404-200-5

25,00 €

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¶√π∫π§∞ ¢∏ª√™π∂Àª∞∆∞ (PUBLICATIONS MISCELLANEOUS) 1.

∏ ‚˘˙·ÓÙÈÓ‹ Ù¤¯ÓË ÌÂÙ¿ ÙËÓ ∆ÂÙ¿ÚÙË ÛÙ·˘ÚÔÊÔÚ›·. ∏ ∆ÂÙ¿ÚÙË ÛÙ·˘ÚÔÊÔÚ›· Î·È ÔÈ ÂÈÙÒÛÂȘ Ù˘ (¢ÈÂıÓ¤˜ ™˘Ó¤‰ÚÈÔ, ∞η‰ËÌ›· ∞ıËÓÒÓ, 9-12 ª·ÚÙ›Ô˘ 2004), ˘fi ÙËÓ ‰È‡ı˘ÓÛË ÙÔ˘ ·Î·‰ËÌ·˚ÎÔ‡ ¶·Ó·ÁÈÒÙÔ˘ §. µ√∫√∆√¶√À§√À, ∞ı‹Ó· 2007 / Byzantine Art in the Aftermath of the Fourth Crusade. The Fourth Crusade and its Consequences (International Congress, March 9-12, 2004), under the direction of Panayotis L. VOCOTOPOULOS, member of the Academy of Athens, Athens 2007, 169 Û. / p., 79 ¤Á¯ÚˆÌ˜ Î·È ·ÛÚfiÌ·˘Ú˜ ÂÈÎfiÓ˜ Î·È ·Ú¯ÈÙÂÎÙÔÓÈο Û¯¤‰È· / figures en noir et blanc et en couleurs et plans architecturaux. ISBN 978960-404-111-4

2.

50,00 €

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¡ÈÎfiÏ·Ô˜ ∆√À∆√™, °ÂÒÚÁÈÔ˜ º√À™∆∂ƒ∏™, ∂˘ÚÂÙ‹ÚÈÔÓ Ù˘ ÌÓËÌÂȷ΋˜ ˙ˆÁÚ·ÊÈ΋˜ ÙÔ˘ ∞Á›Ô˘ ŸÚÔ˘˜, 10Ô˜-17Ô˜ ·ÈÒÓ·˜ (Nicolaos TOUTOS, George FOUSTERIS, Corpus de la peinture monumentale du Mont Athos, 10e-17e siècle), ∞ı‹Ó·È 2010, 458 Û. / p., ·ÛÚfiÌ·˘Ú˜ ÂÈÎfiÓ˜ Î·È ·Ú¯ÈÙÂÎÙÔÓÈο Û¯¤‰È· / figures en noir et blanc et plans architecturaux. ISBN 978-960-404-173-2

40,00 €

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∆√ µπµ§π√ «BIBLIOGRAPHIE DE L’ART BYZANTIN ET POSTBYZANTIN. LA CONTRIBUTION GRECQUE 2006-2010 / µπµ§π√°ƒ∞ºπ∞ ∆∏™ µÀ∑∞¡∆π¡∏™ ∫∞π ∆∏™ ª∂∆∞µÀ∑∞¡∆π¡∏™ ∆∂á∏™. ∏ ∂§§∏¡π∫∏ ™Àªµ√§∏ 2006-2010» ™À¡∆∞ã∏∫∂ ∞¶√ ∆∏¡ √§°∞ ∫∞ƒ∞°πøƒ°√À H§EKTPONIKH E¶E•EP°A™IA KEIMENOY ™E§I¢O¶OIH™H: °IøTA MHTPAKA ¢π√ƒ£ø™∂π™: √§°∞ ∫∞ƒ∞°πøƒ°√À ∆À¶ø£∏∫∂ ∆√¡ ∞À°√À™∆√ ∆√À 2011 ™∂ 500 ∞¡∆π∆À¶∞ ª∂ ™∆√πÃ∂π∞ UB TIMES, PALATINO ™∂ Ã∞ƒ∆π °ƒ∞º∏™ SATINE 100 GR °π∞ §√°∞ƒπ∞™ª√ ∆√À ∫∂¡∆ƒ√À ∂ƒ∂À¡∞™ ∆∏™ µÀ∑∞¡∆π¡∏™ ∫∞π ª∂∆∞µÀ∑∞¡∆π¡∏™ ∆∂á∏™ ∆∏™ ∞∫∞¢∏ªπ∞™ ∞£∏¡ø¡. ∏ ¶∞ƒ∞°ø°∏ ∫∞π ∏ ∂∫∆À¶ø™∏ ∂°π¡∂ ∞¶√ ∆∏¡ ºø∆√§π√ + ∆À¶π∫√¡ ∞.∂. ∏ µπµ§π√¢∂™π∞ ∂°π¡∂ ∞¶√ ∆∏¡ £. ∏§π√¶√À§√™ – ¶. ƒ√¢√¶√À§√™ √.∂.

ISBN: 978-960-404-214-2