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The publisher gratefully acknowledges the generous contribution to this book provided by the Classical Literature Endowment Fund of the University of California Press Associates, which is supported by a major gift from Joan Palevsky.
A Critical History of Early Rome
A Critical History of Early Rome From Prehistory to the First Punic War
Gary Forsythe
UNIVERSITY OF CALIFORNIA PRESS Berkeley
Los Angeles
London
University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England ©2005 by the Regents of the University of California
Library of Congress Cataloging-in-Publication Data Forsythe, Gary. A critical history of early Rome: from prehistory to the first Punic War / Gary Forsythe p. cm. Includes bibliographical references and index. ISBN 0–520–22651–8 (cloth : alk. paper) 1. Rome—History— To 510 B.C. 2. Rome—History— Republic, 510–265 B.C. I. Title. DG209.F735 2005 937—dc22 2004008505
Manufactured in the United States of America 13 12 11 10 09 08 07 06 10 9 8 7 6 5 4 3 2 1
05
Printed on Ecobook 50 containing a minimum 50% post-consumer waste, processed chlorine free. The balance contains virgin pulp, including 25% Forest Stewardship Council Certified for no old growth tree cutting, processed either TCF or ECF. The sheet is acid-free and meets the minimum requirements of ANSI/NISO Z39.48–1992 (R 1997) (Permanence of Paper).
contents
list of tables and illustrations acknowledgments / xi dedication / xiii abbreviations / xv foreword / 1
/
ix
1. Italy in Prehistory
/ 7 The Land and its Linguistic Diversity / 7 Modern Archaeology and Prehistory / 12 Prehistoric Italy / 14 The Ice Man / 18 The Bronze and Iron Ages / 20 Ancient Languages and Modern Archaeology /
26
2. Archaic Italy c. 800–500 B.C.
/ 28 Phoenicians in the West / 29 Greek Colonization in the West / 31 The Formation of Etruscan Civilization / 36 Phoenicians, Greeks, and Etruscans / 41 Growth and Decline of Etruscan Civilization / The Alphabet / 51 The Archaeology of Early Latium / 53
46
3. The Ancient Sources for Early Roman History The Annalistic Tradition / 60 The Antiquarian Tradition / 64 Livy and Dionysius of Halicarnassus / 66 Cicero and Diodorus Siculus / 68 Ancient Documentary Sources / 69 Roman Oral Tradition and Greek Myth / 74
/
59
vi
contents
4. Rome During the Regal Period
/
The Nature of the Evidence / 78 The Site of Rome / 80 The Archaeology of Early Rome / 82 The Ancient Literary Tradition / 93 Archaic Roman Institutions / 108 Rome’s Growth and Expanding Horizons
78
/
115
5. Archaic Roman Religion
/ 125 Some Important Roman Divinities / 126 The Official Religious Calendar / 129 The Religious Priesthoods / 135 Roman Religious Practices and Ideology /
143
6. The Beginning of the Roman Republic
/ How Did The Monarchy End? / 147 The Nature and Origin of the Consulship / 150 The Early Consular Fasti / 155 Patricians and Plebeians / 157 Senators, Patricians, and Priests / 167 The Plebeian Tribunate / 170 The Tribal and Other Assemblies / 177 Rome and the Latins / 183 Sp. Cassius, the Fabii, and the Cremera / 192 Clan Warfare and the Lapis Satricanus / 198
147
7. Rome of the Twelve Tables
/ 201 The Trial of K. Quinctius / 204 Appius Herdonius and Quinctius Cincinnatus / 205 Facts and Fictions of the Plebeian Tribunate / 207 The Decemviral Legislation / 209 Jurisdiction in Early Roman Law / 211 Litigation and Orality in Early Roman Law / 213 Society and Economy / 216 The Second Board of Decemvirs / 222 The Prohibition of Intermarriage / 225 The Second Secession and the Valerian Horatian Laws /
230
8. Evolution and Growth of the Roman State, 444–367 B.C. The Military Tribunes with Consular Power / 234 The Sedition of Sp. Maelius / 239 The War Against Fidenae / 241 The War Against Veii / 246 The Gallic Catastrophe and Its Aftermath / 251 The Sedition of M. Manlius Capitolinus / 259 The Licinian Sextian Laws / 262
9. Rome’s Rise to Dominance, 366–300 B.C. The Emergence of the Roman Nobility / Tibur, Gauls, Greeks, and Carthage /
268 277
/
268
/
234
contents The Samnites and the First Samnite War / 281 The Latin War and its Consequences / 289 The Second Samnite War / 292 The Philinus Treaty / 311 Other Significant Changes in the Roman State / Roman Factional Politics / 321
312
10. Rome’s Conquest and Unification of Italy, 299–264 B.C. The Third Samnite War / 324 Early Roman Coinage / 336 Military Ethos and Aristocratic Family Tradition / Domestic and Foreign Affairs during the 280s B.C. / The Pyrrhic War / 349 The Roman Organization of Italy / 358 Some Final Assessments / 366
appendix: early roman chronology works cited / 371 index / 391
/
340 344
369
/
324
vii
tables and illustrations
TABLES
1. Outline of the later centuriate organization
/
2. Total manpower for the regions of Italy 225 B.C.
112
/
365
MAPS
1. Physical map of Italy
/
8
2. Linguistic groups of Italy c. 350 B.C. 3. Map of prehistoric sites
/
4. The ancient Mediterranean
/
11
17
/
30
5. Greek colonization in Sicily and Southern Italy 6. Etruria 7. Rome 8. Latium
/ /
/
33
40 81
/
185
9. The Samnite tribes and neighboring ethnic groups 10. Roman territory and colonization c. 250 B.C.
/
/
282
/
26
364
FIGURES
1. Biconical Villanovan ash-urn covered with a helmet 2. Hut-shaped cremation urns
/
55
ix
x
tables and illustrations
3. Scene from the Fran˛cois Tomb at Vulci depicting Macstrna and Caile Vipinas / 104 4. Etruscan god of the underworld wearing a wolf ’s head 5. Bronze model of a sheep’s liver
/
/
134
140
6. Chronological distribution of new clans attaining high office 7. Terracotta cult statue of Apollo from Veii
/
247
8. Horseshoe-shaped sandstone funerary stela from Felsina 9. Ficoroni Cista from Praeneste
/
317
10. The Romano-Campanian didrachms
/
337
/
/
252
165
acknowledgments
The many debts of gratitude incurred in the course of researching and writing this book are too numerous to be easily enumerated, but common decency requires that the author at least make an attempt to acknowledge the most obvious and important ones. Thanks are due to Kurt A. Raaflaub, A. John Graham, Martin Ostwald, Michael Alexander, Brent Vine, Mark Toher, Richard Mitchell, and Ernst Badian for their comments, criticisms, and suggestions. Thanks are due also to Kate Toll, the copy editrix, whose intelligent and well-informed editing of the text has made it more readable. A great debt is owed to Scott Pathel for his computer expertise employed in the preparation of the maps and other illustrations used in this book. Thanks are due to the people at the reference desk in the Westchester Public Library in Chesterton, Indiana for their assistance in obtaining many books and articles through inter-library loan. Although the author was occupied with the research and writing of this book from the summer of 1997 to the spring of 1999, in a certain sense this book has been in the making for very many years; and as a direct consequence of the author’s blindness, he is greatly indebted to many friends and fellow college students, who over the years have given him many hours of their time in order to read books and articles to him. Out of this very long list of devoted volunteer readers the author wishes to mention by name the following persons whose voices recorded on tape have been the author’s constant companions as he wrote the present volume: Lloyd Daly, Peter Denault, Becky Harrison, Sarah Kimball, Scott Rusch, Nell Wright, Sina Dubovoj, and especially Terry Trotter (who now teaches mathematics in San Salvador), Peg Decker (who died at about the time the work on this book was begun), Kitty Reip and her sister Kandi Kaliher (the latter of whom died of cancer in November of 1994). Special thanks are also due to xi
xii
acknowledgments
the author’s dear college friend of many years ago, Bryan McMurray, and his gracious wife, Joanna, for allowing the author to enjoy the hospitality of their home in Champaign, Illinois, while he made use of the University of Illinois’s vast library resources. Unfortunately, due to her death the author’s wife, Dorothy Alice Forsythe, was not able to assist in the final proofreading of the copyedited text. This task was carried out by a very dear friend, Marnie Veghte. Yet the greatest debt of gratitude by far is owed to the author’s wife, Dorothy, for her countless hours of assistance in every conceivable capacity. Attempting to record the innumerable ways in which this book is indebted to this extraordinary woman would involve an entire chapter of its own.
Toward the end of the five-year period during which this work has gone from manuscript to published book, my most lovely, loving, and beloved wife Dorothy Alice died of cancer (March 8, 2003). Over the past thirty-one years she has assisted me in countless ways, has been the light of my life, and has been the best love-mate, life-mate, and help-mate a person could ever hope to have. To thee, my dearest love, the most perfect person whom I have known, I dedicate this book. You were my first love, my one and only love, and the great passion of my life. Words cannot express how much I love and miss you, and how grateful I am to you for having blessed and graced my life with your supreme goodness, incomparable sweetness, and infinite love. As your name suggests, you have been and continue to be a truly divine gift to all of us who knew and loved you. Dedicated to Dorothy Alice Forsythe on July 29, 2003, my darling’s seventy-fifth birthday.
abbreviations
ad Att. ad Q. Fr. Akten 1981.
Aug. Civ. Dei Caes. Bell. Gall. CAH Cat. CIL. Cic. Amic. Cic. De Re Pub. Cic. Phil. Cic. Tusc. Disp. CLP CSE Diod. Dion. Hal. Frontinus Strat. Gell. Hdt. ILLRP ILS
Cicero, Letters to Atticus Cicero, Letters to His Brother Quintus Akten des Kolloquiums zum Thema die Göttin von Pyrgi: Archäologische, Linguistische und Religionsgeschichtliche Aspekte (Tübingen, 16–7 Januar 1979). 1981. Instituto di Studi Etruschi ed Italici, Florence. Appian Bell. Civ. Appian, Bella Civilia Augustine, City of God Caesar, Bellum Gallicum Cambridge Ancient History Cicero, Against Catiline Corpus Inscriptionum Latinarum Cicero, De Amicitia Cicero, De Re Publica Cicero, Philippics Cicero, Tusculan Disputations Civiltà del Lazio Primitivo, Exhibition Catalogue Corpus Speculorum Etruscorum Diodorus Siculus, The Library Dionysius of Halicarnassus, Roman Antiquities Frontinus, Stratagems Aulus Gellius, Attic Nights Herodotus, The Histories Inscriptiones Latinae LiberaeRei Publicae Inscriptiones Latinae Selectae. H. Dessau, ed. 1892–1916. xv
xvi
abbreviations
Pliny NH Plutarch QR Plutarch Rom. Polyb. Sallust Bell. Iug. Seneca Controv. Serv. ad Aen. Serv. ad Ecl. SIG Suet. Tib. Suet. Vitellius Tacitus Ann. and Hist. Theophrastus Hist. Plant. Thuc. Ulpian Tit. Val. Max. Varro Ling. Lat. Vell. Pat. Vir. Ill.
Pliny the Elder, Natural History Plutarch, Roman Questions Plutarch, Life of Romulus Polybius, Histories Sallust, Bellum Iugurthinum Seneca the Elder, Controversiae Servius, Commentary on the Aeneid of Vergil Servius, Commentary on Vergil’s Eclogues Sylloge Inscriptionum Graecarum Suetonius, Life of Tiberius Suetonius, Life of Vitellius Tacitus, Annales and Histories Theophrastus, Historia Plantarum Thucydides, The Peloponnesian War Ulpian, Tituli Valerius Maximus, Memorable Deeds and Sayings Varro, De Lingua Latina Velleius Paterculus, History De Viris Illustribus
foreword
This book narrates the early history of Rome, one of the most successful imperial powers of world history. Although the story told here ends with the subjugation of Italy and thus does not treat the great wars of overseas conquest, during Rome’s advancement from a small town on the Tiber River to the ruling power of the Italian peninsula the Romans in large measure developed the social, political, and military institutions that formed the foundations of their later imperial greatness. Throughout human history there have been many nations or peoples who have greatly extended their power or territory by conquest, but only a small number of such states have been able to retain their conquests beyond three or four generations. Conquest requires little more than the successful application of military might, whereas the lasting success of an imperial power depends upon its ability to adapt military, political, social, economic, cultural, and religious institutions to accommodate change over time and to serve more than the narrow self-interest of a ruling oligarchy. Unlike many ancient Greek city-states, such as Athens and Sparta, which excluded foreigners and subjects from political participation, Rome from its beginning did not hesitate to incorporate conquered peoples into its social and political system. Allies and subjects who adopted Roman ways were eventually granted Roman citizenship and became fully participating members in Roman society. Rome’s early development occurred in a multi-cultural environment, and its institutions and practices were significantly affected by such diversity. Since the site of Rome, situated twelve miles inland from the sea on the Tiber River that separated Latium from Etruria, commanded a convenient river crossing and lay on a land route from the Apennines to the sea, geography brought together three distinct peoples at the site of early Rome: 1
2
foreword
Latins, Etruscans, and Sabines. Though Latin in speech and culture, the Roman population must have been somewhat diverse from earliest times, a circumstance which doubtless goes far in explaining the openness of Roman society in historical times. Given present-day interests in issues of ethnicity, multi-culturalism, and cultural diversity, Rome’s successful unification of the diverse peoples of early Italy is a subject worthy of careful and serious study. This volume is aimed at three rather different constituencies: the general educated reader interested in having a general but sophisticated account of early Roman history, the college undergraduate enrolled in survey or more advanced courses on ancient Rome, and the more specialized graduate student and professional scholar of classical studies and ancient history. Attempting to satisfy three such divergent groups is likely to be overly ambitious; and although the author has tried to keep them constantly in mind, some portions of the narrative will inevitably serve one group better than the other two. On the one hand, in order to produce a coherent narrative, much of the book necessarily sets forth many issues on which there is substantial agreement among modern scholars. This will best serve the needs of the general educated reader and college undergraduate. On the other hand, however, the study is much more than a mere general survey or statement of current orthodoxy. It contains many original interpretations by the author and bears clear signs of his particular interests, which are intended to engage the more specialized reader and instructor. The book will be best understood and appreciated when read concurrently with Livy’s first ten books, the Roman Antiquities of Dionysius of Halicarnassus, or Plutarch’s biographies of Romulus, Numa, Publicola, Coriolanus, Camillus, and Pyrrhus. In fact, the book’s organization is patterned to some degree after the arrangement of Livy’s first ten books, which are our single most important source on early Rome. The first three chapters serve as an introduction to the subject as a whole by treating the prehistoric, cultural-historical, and historiographical background. Chapter 4 corresponds to Livy’s first book in treating the period of the early kings; and following the excursus on early Roman religion in chapter 5, chapters 6 and 7 correspond to Livy’s second and third books. Chapter 8 covers the same material found in Livy Books IV–VI, and chapter 9 is parallel to Livy Books VII–IX. Modern scholarship on early Roman history in some ways resembles that of the Homeric poems and their historicity. Differences of opinion and interpretation largely hinge on individual scholars’ divergent assessments of the relative historical value or worthlessness of the data. These problems of evaluating ancient source material are complicated by the fact that both Homer and Livy were highly skilled story tellers. They constructed such vivid and compelling narratives of personalities and events that the modern scholar, interested in basic questions of historicity, may often find it difficult
foreword
3
to suspend belief and thereby be seduced by their verisimilitude. As a result, both modern Homeric scholarship and the study of early Roman history have been characterized by wide divergences of opinion, which have tended to run in cycles from one generation to the next (see Heurgon 1973, 244–50). Indeed, early Roman history can be regarded as a classic illustration of the old adage, “there are as many opinions as there are people (quot homines tot sententiae).” It is inevitable, therefore, that many other scholars will disagree sharply either with the basic approach taken or with various individual interpretations set out in this book. As indicated by the title, the overall approach adopted throughout this volume is rather critical toward the general reliability of the surviving ancient sources on early Roman history. Agreeing with M.I. Finley’s famous dictum that “the ancients’ ability to invent and their capacity to believe are persistently underestimated,” the author regards a critical approach as entirely justified and necessary. Archaeological finds have been useful in tracing Rome’s overall development during the pre-republican period, but Roman history for the fifth and first half of the fourth centuries B.C. remains extremely problematic due to the nature of the surviving ancient historical tradition. Then from the middle of the fourth century onwards this tradition gradually becomes more reliable as the events described approach the period of Rome’s earliest historians. It must always be kept in mind that the ancient Romans did not begin to write their own history until c. 200 B.C. By that time a well formulated tradition about the early kings and the early republic was already firmly established, and this historical tradition continued to be reshaped during the next 170 years until it was given final literary expression in the works of Livy and Dionysius of Halicarnassus. Herodotus’s description of the Persian Wars may offer us an instructive historiographical parallel. Although the Greek historian conducted his research and composed his historical account only one or two generations after Xerxes’ invasion of Greece, his narrative offers clear testimony to the fact that already by his day these historical events were becoming mythologized. Recent work by T.P. Wiseman in reference to Rome’s foundation legend (Wiseman 1995, 117 ff.) and by J. von Ungern-Sternberg concerning the formation of the historical tradition surrounding the early kings and early republic (Ungern-Sternberg and Reinau 1988, 237–65; Eder 1990, 91–102) has shown that when the first Roman historians composed their accounts, much of what they recorded was simply the historical tradition currently accepted by Roman society, but this tradition, as those of other peoples, had little relation to or interest in historical truth, but rather reflected contemporaneous concerns and ideology. Indeed, tradition is itself the product of the historical process, is capable of being manufactured, and can readily gain currency within a society as representing the
4
foreword
historical truth (see Hobsbawm and Ranger 1983). The more we learn about the workings of oral tradition, the more it becomes evident that it has the capacity to transform historical truth both swiftly and massively. Thus, modern historical scholarship on early Rome cannot simply base its conclusions upon the supposed unanimity of later Roman historians, but instead, critical analysis must be employed. Abandoning the safe shelter of the hallowed ancient tradition may be psychologically difficult; it is certainly quite inconvenient; and it forces us to engage in the hard work of historical reconstruction of an imperfectly documented period of the past, but the endeavor is both intellectually challenging and rewarding. In November of 1994 the University of California Press approached the author to inquire whether he would be interested in writing a book narrating the history of early Rome. The author gladly agreed to undertake this task, but in the very next year there was published T. J. Cornell’s The Beginnings of Rome, which covers the same period as the present volume. Thus, it might be reasonably asked why we need another narrative history of early Rome. The answer is that despite Cornell’s masterful synthesis of the ancient evidence and modern scholarly research, as well as his achievement in having written a very detailed but quite readable work on this subject, reputable Roman historians (e.g., Wiseman 1996; McDonnell 1997) regard his general approach to the ancient source material as too trusting and overly optimistic. Indeed, even before the publication of his book in 1995 Cornell’s general working hypothesis concerning the ancient sources, which argues against large-scale invention by distinguishing between structural facts and narrative superstructure, had come under criticism (see Wiseman 1983; Raaflaub in Raaflaub 1986, 47–51; Ungern-Sternberg in Ungern-Sternberg and Reinau 1988, 242). Consequently, since the serious study of history involves the juxtaposition and evaluation of different interpretations of the same data, another narrative history of early Rome, which adopts a more critical approach to the ancient sources, may prove to be helpful in stimulating and advancing modern research on this subject. The present book is certainly not intended as a deliberate criticism of Cornell’s fine work, but its own working hypothesis concerning the ancient sources is rather different. Finally, with the exceptions of Raaflaub 1986 and CAH VII.2 1989 (which contains three excellent chapters by Cornell) the subject of early Rome was generally ignored in the English-speaking book trade for nearly twenty years following the publication in 1973 of Jacques Heurgon’s The Rise of Rome to 264 B.C., but the decade of the 1990s has witnessed a major reawakening of interest (see Mitchell 1990, Pallottino 1991, Bietti Sestieri 1992, Ridgway 1992, Holloway 1994, Forsythe 1994, Wiseman 1995, Smith 1996, Grandazzi 1997, Oakley 1997, Oakley 1998, Stewart 1998, and Forsythe 1999). In addition to these books in English, Raaflaub’s collection of
foreword
5
scholarly essays in 1986 was soon followed by similar volumes in Italian, German, and French (Campanile 1988, Eder 1990, Crise et Transformation 1990, and Bilancio Critico 1993); and CAH VII.2 1989 even has its Italian counterpart in Momigliano and Schiavone 1988. As a result, teachers and students should now be able to juxtapose the present volume profitably with a considerable body of other recent work. It is therefore hoped that the ensuing clash of ideas, like that of flint and iron, will have the salutary effect of producing illuminating sparks and perhaps even a strong steady flame of critical historical enlightenment in the minds of readers. June 1, 1999
Chapter 1
Italy in Prehistory
THE LAND AND ITS LINGUISTIC DIVERSITY
The past two hundred years of human history have witnessed continuous and rapid technological change and progress on an unparalleled scale. Yet despite the highly advanced nature of present-day technology, geographical and climatic factors still exercise a profound influence upon the regional economies and cultures of human populations worldwide. The presence or absence of mountains, desert, rich farmland, water, forests, petroleum, coal, and other mineral resources continue to shape modern societies and nations in many fundamental ways. It therefore should come as no surprise that an inverse relationship has long existed between human technology and geographical determinism: the less control people have over their physical surroundings, the greater is the impact that their physical environment has upon their existence and way of life. Consequently, much of human prehistory and history has been a struggle to develop a material culture that mitigates the effects of climate, environment, and geography. The prehistory of Italy was no exception to this general rule. The Italian peninsula, measuring 116,372 square miles (roughly the size of Nevada), exhibits great diversity of mountains, plain, and hill country, which frequently exist together in the same locale (see map 1). Situated in the middle of the Mediterranean, Italy consists of two distinct areas determined by the Alpine and Apennine mountain ranges. One of these two regions, the Po Valley of northern Italy, is roughly triangular in shape. It is bounded on the north by the Alps, on the south by the Apennines, and by the Adriatic Sea to the east. Since during the fifth and fourth centuries B.C. Celtic tribes (termed Gauls by the Romans) from continental Europe crossed the Alps and took up residence throughout the Po Valley, the ancient Romans called this region Cisalpine Gaul, meaning “Gaul on this 7
8
italy in prehistory
AND ERL Z T I SW
FRANCE
S
P
L A Milan
YUGOSLAVIA
PO VALLEY
A
Po Rive r
P
AD
E
RI
TI
A
N
Marseilles
N
C
SE
A
I N
Corsica
E
S
Sardinia
Sicily
Map 1. Physical map of Italy.
side of the Alps.” This plain is good for agriculture and is bisected by the Po River, the largest river of Italy, which flows west to east for 418 miles, receives the runoff from both mountain ranges in numerous streams, and empties into the Adriatic. Since the land nearest the Po was often marshy, the earliest human inhabitants of northern Italy tended to settle in areas away from
italy in prehistory
9
the river. Settlement of the mountain slopes and plain promoted the exchange of commodities peculiar to each environment. The arc of the Alps separates northern Italy from continental Europe. Yet despite their height, they never constituted an insuperable barrier to early man, but several passes were routinely used for travel to and from southern France to the west and the central Danube to the east. Although the Po Valley was the last area of Italy to succumb to Roman arms, its geographical ties to continental Europe played an important role in the prehistory and early history of Italy by its reception of new cultural influences and peoples beyond the Alps and transmission of new ideas across the Apennines. The other major area of Italy is the peninsula south of the Po Valley. This region is geographically very complex and diverse. The Apennine Mountains form a compact range along the southern side of the Po Valley, but after they turn southeastward to run the length of the peninsula, they diverge into parallel ranges separated from one another by deep gorges. This terrain was well suited for pastoralism. Herders kept their cattle, sheep, pigs, and goats down in the valleys to avoid the rigors of winter, but drove them into the uplands to enjoy the cooler pastures of summer. This pattern of seasonal pastoralism is termed transhumance. It originated at some time during Italy’s prehistoric period and continued to be practiced until modern times. In addition, mountain ridges and valleys formed important paths which facilitated the movement of people, goods, and ideas. For much of their southeasterly course the Apennines are much closer to the eastern coast of Italy and often run right down to the Adriatic. As a result, the northern and central areas of western Italy open up into a complex tangle of plain and hill country, which form the three major areas of Etruria, Latium, and Campania, all possessing a rich volcanic soil, enjoying a moderate annual rainfall, and destined to play the most important roles in the history of ancient Italy. Etruria, enclosed by the Arno and Tiber Rivers, the Tyrrhenian Sea, and the Apennine Mountains, was blessed with rich metal deposits, primarily iron and copper; and because Phoenicians and Greeks from the more highly civilized eastern Mediterranean came in search of these ores, Etruria became the homeland of the first high civilization of Italy. Campania possessed the richest agricultural land of Italy and was later famous for its bountiful crops and wine. In early historical times, the northern Campanian coast was settled by Greek colonists, who thus constituted the first Greek neighbors to the Romans. Latium, bordering Etruria along the lower Tiber and separated from Campania by mountains, although initially lagging behind Etruria in economic and cultural development, was the homeland of the Latins and of Rome itself, which eventually emerged as the ruling power of all Italy. Since the Apennines swing away from the Adriatic coast in southern Italy, turn toward the Tyrrhenian Sea, and terminate in the foot and toe of Bruttium, the southeastern coast
10
italy in prehistory
of the peninsula comprises the large plain of Apulia, which was receptive to influences from across the Adriatic. Although Italy has a coastline of approximately two thousand miles, and no place south of the Po Valley is more than seventy miles from the sea, it has very few large navigable rivers, and the native peoples did not take to the sea to a significant degree until early historical times when they adopted the superior maritime technology and seafaring skills of the Greeks and Phoenicians. Many of the rivulets that flowed down from the mountains or hill country into the sea were little more than winter torrents that usually dried up during the summer, when their beds could be used as roads for pedestrian travel, wheeled transport, or the driving of livestock. Nevertheless, the country was by no means isolated. In particular, the people along the eastern coast from the Neolithic period onwards were in communication with the inhabitants of the opposite shore of the Adriatic. Thus, although surrounded by the Mediterranean on three sides and bounded on the north by the Alps, prehistoric Italy at different times and in varying degrees received new ideas and peoples from all quarters. Since language has always been a principal factor in defining a people’s cultural and ethnic identity, a region’s linguistic history can be useful in understanding major cultural patterns. Even more than in Greece, Italy’s complex geography fostered the growth of cultural and linguistic diversity, which is perhaps best illustrated by a map showing the distribution of languages in pre-Roman times (see map 2). Before Rome embarked upon its conquest of the peninsula, the land was inhabited by peoples speaking several different languages that were unintelligible to one another. It is therefore a great testimony to the political skills of the ancient Romans that they succeeded in forging unity out of such diversity. The modern study of the pre-Roman languages of ancient Italy is a very complex and difficult subject, involving many unanswered questions due to the fact that many local languages are now known only from a relatively small body of inscribed texts. Nevertheless, scholars of historical linguistics have been able to arrive at many firm conclusions about the overall character of these languages and their historical links to one another.1 Before Latin began to drive the other languages of ancient Italy into extinction during the first century B.C., a substantial portion of the country’s inhabitants spoke one of four languages: Venetic, Latin, Umbrian, and Oscan, which because of shared similarities of vocabulary and grammar have been grouped together by modern scholars into the Italic family of Indo-European. Venetic was spoken by the people of the eastern Po Valley. 1. For general surveys see Whatmough 1937; L. Palmer 1954, 3–49; Devoto 1978, 1–72; Salmon 1982, 1–39; Penney in CAH IV. 1988, 720–38; Wallace 1998; and Baldi 1999, 118–95. See n.1 of chapter 5 for references to major collections of texts.
E
TI
11
C
VEN
L E P O N TI C
RA
E TIC
italy in prehistory
GALLIC
RIAN GU
LI
EAS
T
AL
CA
N
IC
BRIAN
US
UM
ETR
IT
SA
BE LL AN C S I IA L FA N LATIN N A I V O LS C MES
O S
SA
PIC
C A
S I C E L
N
Map 2. Linguistic map of Italy c. 350 B.C.
As the result of the migration of Celtic tribes into northern Italy during the fifth and fourth centuries B.C., the inhabitants of the western and central districts of the Po Valley were Celtic in speech, although Ligurian, Lepontic, and Raetic, which are not well understood due to the paucity of surviving evidence, continued to be spoken by peoples dwelling in and along
12
italy in prehistory
the Alps. The inhabitants of Latium, including the Romans, spoke Latin. The various peoples dwelling in the Apennine Mountains of peninsular Italy spoke one of several languages belonging to the Sabellian subgroup within Italic. These dialects included the speech of the Umbrians, Sabines, Marsi, Marrucini, Vestini, Paeligni, Frentani, Aequi, Volsci, and Samnites. Umbrian, known almost entirely from seven inscribed bronze tablets from Iguvium outlining public religious rites of the community, was the language of the people dwelling in the Apennines in an area south of the Po and bordering on Etruria. The other major Sabellian dialect was Oscan, which was the speech of the Samnites, the non-Greek inhabitants of Campania, and the people of Lucania and Bruttium. The people living in the southeastern portion of the peninsula spoke an Indo-European language called Messapic, which was not Italic but might have been related to the speech of the Illyrians, who dwelled on the Balkan coast of the Adriatic. Most enigmatic of all is the language of the Etruscans. Not only is it non-Indo-European, but there is no other known language to which it can be clearly related. Exactly how this linguistic diversity arose in Italy in prehistoric and protohistorical times is still largely shrouded in mystery, but the phenomenon alone is solid proof of the complexities of cultural evolution and formation during Italy’s prehistory.2
MODERN ARCHAEOLOGY AND PREHISTORY
History and prehistory differ in that the former involves studying a past society with the benefit of written accounts, whereas in the latter no written records exist to aid the investigator. A prehistoric people of the past can be studied only by analyzing the surviving material remains of their culture, and these physical remains are recovered by archaeological excavations of inhabited sites or graves. Although modern archaeology has become extremely sophisticated and can call upon many scientific analytical methods, this has not always been the case. Consequently, since the beginning of the modern study of Italian prehistory during the mid-nineteenth century, manifold valuable archaeological data have been lost as the result of unscientific methods of excavation. In addition, two very important ideas should always be kept in mind when archaeological data are being discussed. The first one is that archaeological finds are quite often totally fortuitous, resulting from bulldozing for a new highway or digging the foundations of a new 2. For the overall problem of correlating archaeological finds and the emergence of various languages see Renfrew 1987 and Mallory in Blench and Spriggs 1997, 93–121, which treat this matter in reference to the Indo-European family of languages. See Drews 1988b for this question in reference to the prehistory of Greek. See Dench 1995, 186 ff. for this issue in reference to the early inhabitants of the central Apennines.
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office building, and they therefore may not be representative of an entire society. Sometimes graves of a past people are discovered but not their place of residence. In other instances the foundations of their huts and hearths are unearthed but not their cemetery. Thus an excavated site may offer information about only certain aspects of the people’s lives. Indeed, archaeological data for much of Italian prehistory are quite often confined to items that were buried with the dead, and the range of such items is usually of limited variety, being the product of prevailing funerary customs and religious beliefs.3 Secondly, archaeology can only recover physical manifestations of a culture that have happened to survive in the particular soil or water conditions of a site, and what has perished may be as important in understanding a culture as what has survived. In addition, the surviving physical remains of a culture can often tell us about a people’s diet, the floor plan of their dwellings, their funerary practices, and what kind of stone, ceramic, or metal utensils were in daily use, but many other aspects of their culture, such as their language, social organization, political structure, or religious beliefs, are more often than not archaeologically invisible. It should therefore be realized that while modern archaeology can often succeed in reconstructing many aspects of a past society’s material culture, there are many other important questions that excavations cannot answer. In order to assess prehistoric data judiciously, we must be well aware of what archaeology can and cannot do. These observations apply not only to the study of the earliest inhabitants of Italy treated in this chapter but also to the beginnings of Etruscan and Latin culture and Roman history described in chapters 2 and 4. Archaeologists have traditionally divided European prehistory into periods of time that take their names from the technology used in making tools. Thus, Italy’s prehistory consists of the Paleolithic (Old Stone) Age, Neolithic (New Stone) Age, Copper Age, Bronze Age, and Iron Age. These periods are often subdivided into early, middle, and late or numbered phases, as has seemed best to prehistorians for the purpose of charting the changes in material culture. Moreover, since the material remains of prehistoric peoples within the same time period exhibit major differences from region to region, archaeologists employ other terms, often taken from the names of excavated sites such as Remedello or Villanova, in order to distinguish one prehistoric culture from another. These differences can include such things as how people disposed of the dead (inhumation or cremation), or how they shaped and decorated their pottery or jewelry. In addition, changes in burial customs or pottery styles can provide important 3. For the problem of correlating funerary remains with society as a whole during historical times of classical antiquity see Morris 1992, 1–30.
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evidence for the exchange of ideas from one region to another. Unfortunately, archaeology cannot usually determine whether such exchanges were brought about through trade networks or by people migrating from one area to another and bringing their characteristic material culture with them. It should also be realized that two population groups who lived next to one another could have shared the same material culture while they spoke different languages and regarded one another as ethnically distinct. Consequently, the material remains of prehistoric peoples uncovered by archaeology can usually provide only a partial picture of past cultures. PREHISTORIC ITALY
During the past two million years, the world’s climate has undergone major warming and cooling trends as reflected in the advance and retreat of glaciers. Prolonged cold climatic conditions have fostered the growth of enormous ice sheets, whose movements have left their marks on the earth’s surface. For example, the lake beds of Maggiore, Como, and Garda below the Alps in northern Italy were carved out by glacial action. Furthermore, glaciers are composed of such massive amounts of water that their expansion and contraction have drastically affected sea levels worldwide. Thus, at the height of the Wurm glaciation periods (i.e. four intervals occurring during the past 125,000 years) the level in the Adriatic dropped so far that dry land at times extended as far south as Ancona. Conversely, in interglaciation periods the sea level rose as glaciers melted, and parts of what are now the Tyrrhenian coast and the eastern Po Valley were submerged beneath the sea. Plant and animal life throughout Europe and Asia fluctuated in accordance with these geological and climatic changes, and Paleolithic hominids (Homo erectus, Homo sapiens neanderthalensis, and Homo sapiens sapiens) adjusted to regional conditions by hunting animals and gathering edible plants, by using fire, caves, and animal skins to shelter themselves from the rigors of cold weather, and by fashioning various utensils and tools out of wood, animal bone or horn, and stone.4 Under such conditions human existence was extremely hard and precarious and differed little from that of the animals upon whom early people depended for food, clothing, and tools. The landscape was very thinly populated by small bands of our hominid ancestors, who were often obliged to change their abode frequently in their pursuit of deer, bison, mammoth, and other animal populations. Those dwelling near major bodies of water also supplemented their diet with aquatic and marine life. Human survival depended upon 4. For general but detailed treatments of the prehistoric peoples and cultures of Italy, see Trump 1966; Barfield 1971; Potter 1979, 30–51; Holloway 1981; and MacKendrick 1983, 1–27. For the prehistory of the Mediterranean as a whole, see Trump 1980.
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close cooperation within the group. As in hunting and gathering societies in different parts of the world studied by modern anthropologists, the adult males were probably responsible for hunting big game and making tools, while the women stayed close to the home site, watching the children, gathering edible plants, berries, and nuts, and performing other tasks. This general pattern of life prevailed across Europe and Asia during much of the Paleolithic Age (c. 400,000–10,000 B.C.); and although the remains of hominid culture during the Old Stone Age are rather scanty in Italy, the same must also have applied to its prehistoric hominid inhabitants. The country’s mountains furnished numerous caves suitable for human habitation, and the Lessini Mountains north of Verona in the Po Valley contained large flint deposits which were constantly worked by prehistoric miners for making tools. The glaciers of the last ice age gradually melted around 12,000–5,000 B.C., and ushered in higher sea levels and milder climatic conditions throughout the Mediterranean. In the Near East, in the area often termed the Fertile Crescent, the end of this period also witnessed one of the most important developments of human history: the so-called agricultural revolution, perhaps more accurately termed the agricultural transformation (Redman 1978, 2 and 88 ff.), during which people began to support themselves by systematic agriculture. Since despite this major transition from hunting and gathering to agriculture the earliest farming peoples continued to fashion their tools from stone, the term Neolithic or New Stone Age is used to distinguish this period of human culture from that which had gone before. Moreover, since people could quite often grow more crops than they consumed, the existence of an agricultural surplus led to significant population growth, the division and specialization of labor, and incipient trade between communities and regions as surplus commodities of one sort were exchanged for others. The concatenation of these factors brought into being the first towns of the Near East; and in the course of time human settlement along the great river valleys of the Nile and Tigris-Euphrates resulted in the rise of the two early civilizations of Egypt and Mesopotamia, as complex political and social structures developed out of the need for people to cooperate in constructing and maintaining irrigation works that exploited the agricultural potential of these river basins. The idea and practice of agriculture gradually spread westward from the Fertile Crescent and Anatolia in the eastern Mediterranean through the Balkan peninsula and thence to Italy, perhaps arriving around 5000 B.C. Exactly how this process of diffusion occurred is still unknown, but one route by which agriculture was introduced into Italy is suggested by archaeological finds in Apulia. In 1943, aerial reconnaissance of northern Apulia by the British Royal Air Force, designed to collect information about military air fields and railway traffic, disclosed peculiar dark crop circles.
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Following the conclusion of World War II, these were investigated and found to be associated with ditches surrounding Neolithic sites (Stevenson 1947; Bradford 1950; and Bradford 1957, 85–110). Agriculture therefore could have been introduced into Apulia by enterprising farmers from the opposite Balkan coast in search of new land to cultivate. From this region, agriculture may have gradually spread into other areas of Italy as the farming population grew and brought more land under cultivation, or as indigenous hunters and gatherers learned the art of agriculture from farming settlements. From aerial photography, traces of over two thousand Neolithic sites have been detected in an area of 1,650 square miles in the Tavoliere plain around Foggia. This indicates that Apulia during the fifth and fourth millennia B.C. supported a substantial farming population organized into many small villages. The latest of three successive settlements at Passo di Corvo is the largest Neolithic site discovered thus far not only in Italy but in all of Europe, measuring 500 by 800 yards. These same early farming settlements of Apulia have yielded tools made from obsidian (a black volcanic glass) originating from the Lipari Islands north of Sicily, thus demonstrating the existence of a trade network during Neolithic times. Their bones show that the raising of domesticated animals such as cattle, sheep, pigs, and goats also accompanied the cultivation of crops in Neolithic Italy; and unlike Paleolithic hunters and gatherers, Neolithic peoples augmented their material culture with handmade pottery, whose varying shapes and decorative styles are used by archaeologists to date sites and to trace the spread of new ideas. Vessels for making cheese have been found at many sites; and stone arrowheads of various shapes, perhaps used for both hunting and warfare, are first found in strata datable to the later fourth millennium B.C. Spindle whorls and loom weights, testifying to the widespread custom of spinning thread and weaving it into cloth, first appear at sites in the Po Valley also dating to the late fourth millennium. This technology probably entered northern Italy across the Alps from central Europe, and it spread southward down the peninsula. Consequently, by the close of the fourth millennium B.C. the human population in Italy had increased substantially from what it had been before the advent of agriculture, and human culture had been enriched by several major innovations. Since over time the prehistoric cultures of Europe and the Mediterranean area exhibited increasing sophistication in metallurgy, archaeologists have traditionally divided the period between the Neolithic Age and the dawn of history into three large intervals whose names reflect the most advanced metallurgical knowledge of the period: Copper Age, Bronze Age, and Iron Age. Of these three metals, copper is the simplest to smelt from ore and to fashion into objects, and it was therefore the first metal to be mined and worked by prehistoric cultures, but it is also the softest of the three metals, even softer than flint. Consequently, even after prehistoric
italy in prehistory
P
17
S
L E M SSINI TNS .
A
L
Po
Hatria Spina
A
P
Felsina
E Arno
N Ancona
N Tiber
ETRURIA
I
A DRIATIC SEA
Ficulea
N
Fidenae
Crustumerium Nomentum Tibur Tusculum Praeneste Labici
E
Tolfa Allumiere Rome Mtns. Gabii
CAM P AN IA
A P U LI A
S
Aricia Lavinium Ardea Lanuvium LATIUM
Pontecagnano
Tarentum
LUCANIA TYRRHENIAN SEA
Lipari Islands
Map 3. Prehistoric sites.
peoples learned how to refine copper from its ore, stone continued to be used as well. In Italy, the knowledge of mining and working copper first appeared in the Po Valley. Archaeologists have excavated several Copper Age sites dating to the third millennium B.C. located north and south of the Po River in the central region of the plain, and the human remains of their
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cemeteries display an admixture of both long-headed and round-headed people. Since the latter physiological trait has rarely been encountered at Neolithic sites, the presence of this genetically determined attribute strongly suggests that a new round-headed people entered northern Italy at the beginning of the Copper Age. It can be further surmised that these immigrants crossed the Alps from central Europe, whence they brought with them the copper-working technology that had gradually spread up the Danube River during the fourth millennium B.C. Copper was used primarily for making axes and knives, which were often buried with the dead. The stylistic motifs present in the material artifacts of the Italian Copper Age have been interpreted by modern archaeologists as evidence that during the third millennium B.C. Italy was affected by the contemporary cultures of southern France, central Europe, and even the Aegean. These influences doubtless reflect complex interactions associated with copper prospecting, mining, and refining, and with the distribution of manufactured objects. THE ICE MAN
In September of 1991 a German couple, while hiking through the Alps bordering western Austria and northern Italy southwest of Innsbruck, inadvertently came upon what might be considered the single most remarkable archaeological find of European prehistory: the frozen body of a man who had died some 5000 years ago. Summer melting of the Similaun Glacier had exposed the man’s head and shoulders. At first he was thought to be another hiker who had met with a fatal accident, but the artifacts accompanying the corpse soon dispelled this presupposition. Before scientists arrived on the scene to extricate the dead man, some damage was inflicted upon the body’s left hip by a jackhammer, and certain objects were removed by curiosity seekers. Nevertheless, a nearly intact corpse of a prehistoric man with all his gear was recovered, and has become the focus of intense scientific analysis.5 Carbon 14 dating indicates that this man lived around 3500–3000 B.C., which makes him approximately as old as the earliest civilizations of Mesopotamia and Egypt. Moreover, unlike the mummies from ancient Egypt who had their internal organs removed when embalmed, the body of the Ice Man is almost fully preserved, and scientists have begun to study his internal anatomy in detail. He stood about five feet two inches tall and weighed about 110 pounds. Although his age at time of death was initially 5. On this topic see Roberts 1993 and Spindler 1994. As this book was written and revised, new findings concerning the Ice Man have continued to be announced. For the current state of knowledge consult the Ice Man’s official website: www.iceman.it.
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estimated at twenty-five to forty years, subsequent analysis of bone and blood vessels has shown him to have been forty to fifty years old and beginning to suffer from degenerative arthritis. He had brownish black hair, wore a beard, and would easily blend into the local Alpine population today if put in contemporary dress. The hair on his head is only three and a half inches long, demonstrating that the people of his culture regularly cut their hair. His body also bears several marks: a cross behind the left knee, stripes on the right ankle, and three sets of short vertical parallel lines to the left of his spine on his lower back. At first these marks were thought to be tattoos, but further examination revealed them to be cauterized cuts, possibly intended to counter the pain of arthritis. But perhaps the most informative aspects of this discovery pertain to his clothing and other artifacts. Unlike the grave goods uncovered from prehistoric burials, which were placed with the dead according to the prevailing funerary customs and religious beliefs, the Ice Man was not formally buried but died with all his regular gear about him, and its remarkable state of preservation offers unique insights into the living conditions and technology of his culture. He wore leather boots bound around his legs with thongs and stuffed with straw for insulation against the cold. He was clad in a fur-lined coat composed of deer, chamois, and ibex skin stitched together, and over this he wore a cape of woven grass similar to those worn by local Tyrolean shepherds as late as the early twentieth century. A disk-shaped stone may have been worn around his neck as an amulet. He had with him a bow, fourteen arrow shafts, and what is now the world’s oldest known quiver, made of deerskin. The arrows are fitted with feathers at an angle so as to impart spin for greater stability and accuracy. His bow measures six feet in length and is made of yew, the best wood available in Europe for bow making, the same as that used to make the famous English long bow. His bow, however, had not yet been notched and fitted with a string, suggesting that the Ice Man had only recently obtained the wood from a tree. He also had a bone needle, a small flint knife fitted with a handle of ash wood, a copper axe, and a small tool of deer antler that was probably used for sharpening flint blades and arrowheads. The flint knife was carried in a delicately woven grass sheath. Pieces of charcoal contained in a grass packet were used for making a fire. Two mushrooms (Piptoporus betulinus) bound on a cord are conjectured to have constituted the Ice Man’s medicine for fighting off stomachache and pain resulting from arthritis. The discovery of parasitic worms in the lower part of the large intestine suggests that the Ice Man suffered from the former ailment. His equipment was carried in a backpack made of wood and bark. A sloe berry found at the site has been interpreted as a remnant of the Ice Man’s food; and since sloe berries are in season at the end of summer and the beginning of autumn, its presence seems to fix the time of year
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when the Ice Man died. The body and all the artifacts were located in a natural depression, which accounts for the fact that they were not destroyed by glacial action but were covered in ice and snow until the present day. The site is at an altitude of 10,530 feet, about 3000 feet above the tree line of that time. It has therefore been conjectured that the Ice Man was engaged in traveling across the mountains when the onset of a sudden snow storm forced him to seek refuge in the hollow where he froze to death and his corpse and equipment were preserved. He could have belonged to one of several local Copper Age cultures that flourished then on both sides of the Alps, and the discovery offers striking testimony to the existence of human traffic across these mountains in prehistoric times. The shape and style of his copper axe closely resemble those of the so-called Remedello Culture of northern Italy, known from a series of 124 graves and dating to the third millennium. The Ice Man also had with him a collection of unshaped pieces of flint of high quality, which might have come from flint deposits in northern Italy. THE BRONZE AND IRON AGES
The Bronze Age of Italy, roughly coinciding with the second millennium B.C., exhibits not only more advanced metallurgical technology but also more widespread use of metal and continuous contacts with the BronzeAge peoples of central Europe and the eastern Mediterranean.6 Bronze is a metal alloy formed by adding a small amount of tin to copper. The result is a harder metal, which melts at a somewhat lower temperature, is more fluid than molten copper, and is therefore superior for casting into molds. The major problem, however, is the relative scarcity of tin deposits (Maddin, Wheeler, and Muhly 1977). Although small tin deposits might have been located and mined out in various areas in ancient times, one major source of tin that was probably exploited during the Bronze Age was Cornwall in southwestern England. After being mined and cast into ingots, the tin could have been transported along the major rivers and land portages from northern to central Europe and the Mediterranean. This would have brought into being a complex interlocking network of commercial contacts; and given the considerable demand for tin among the Bronze-Age civilizations of the Aegean and Near East, the growth and prosperity of Mycenaean civilization c. 1600–1200 B.C. may have been in part the result of Mycenaean involvement in the central Mediterranean segment of this tin trade. This surmise can be further supported by the parallel trade in amber, which has 6. In addition to the works cited above in n.4, good treatments of the Bronze and Iron Ages of Italian prehistory are to be found in Hencken 1968, 27–96 and the essay by Peroni (containing further bibliography) in Ridgway and Ridgway 1979, 7–30.
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been found in the Mycenaean shaft graves and probably reached Greece from the Baltic by a sequence of overland and Adriatic travel (Harding and Hughes-Brock 1974). The distribution of Mycenaean pottery of the fourteenth and thirteenth centuries B.C. revealed thus far can serve as a rough indicator of the degree to which the more highly developed civilizations of the eastern Mediterranean during the late Bronze Age interacted with the prehistoric cultures of the central Mediterranean (Taylour 1958, Vagnetti 1970 and 1982, and Harding 1984, 244–61). The most plentiful finds of late Mycenaean pottery have been made at a number of sites on the Ionian and Adriatic coasts of Italy and in eastern Sicily (especially at Thapsus, a trading post situated on a promontory not far to the north of the Great Harbor of Syracuse), whereas the Tyrrhenian coast of Italy has so far yielded only small amounts of Mycenaean potsherds (e.g., the small island of Vivera in the Bay of Naples). This situation, however, is likely to change as more Bronze-Age sites in the latter area are carefully excavated. Some remains of Mycenaean pottery have been found at Luni sul Mignone, a site located about twenty miles upstream from the coast along the Mignone, which flows south of Tarquinii into the Tyrrhenian Sea. At this site Swedish archaeologists uncovered three building-like structures dating to the late Bronze Age, one of which measured 13 feet wide and 138 feet long. All three structures were dug down into the tufa rock surface to a varying depth of four to six feet, and the walls above ground consisted of irregularly shaped stones piled one on top of the other and not bound together by any kind of mortar (Potter 1979, 37–41 and Drews 1981, 146–47). Since Luni sul Mignone is situated on the northern edge of the Tolfa-Allumiere Mountains of southern coastal Etruria, a region rich in copper, it is possible that these curious structures and the presence of Mycenaean pottery testify to the exploitation of mineral deposits and commercial interaction with the eastern Mediterranean during the late Bronze Age. Scoglio del Tonno, a headland in the harbor of Tarentum, the finest anchorage in Italy, seems to have served as a convenient port of call for eastern merchants and prospectors on their voyages in western waters. Similarly, the presence of Mycenaean pottery in the Lipari Islands may indicate that ships put in there before sailing on to Sardinia, whose southwestern coast has also yielded the remains of Mycenaean pottery. This island’s rich deposits of copper are thought to have been exploited to supplement the metal resources of the eastern Mediterranean. In fact, the so-called Nuragic Culture of Sardinia, characterized by large stone defensive towers and chamber tombs of stone masonry whose architecture was far in advance of the contemporary cultures of Bronze-Age Italy, probably arose in response to these eastern contacts and commercial interaction. Indeed, during the late Bronze Age native Sardinians were apparently hired as mercenaries in
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the armies of Libya, Egypt, and other states of Syria and Palestine (Trump 1980, 202). As had been the case during the preceding Copper Age, the Bronze-Age sites of the Po Valley, especially during the second half of the second millennium, were heavily influenced by the Transalpine culture of central Europe. Throughout much of the Po Valley, cremation replaced inhumation as the standard way of disposing of the dead, and this practice clearly entered northern Italy from the Urnfield Culture of the Danube. This innovation has been the subject of much speculation. Was this major transition brought about by the exchange of ideas mediated through trade, or by the influx of new people, or by both these means? Besides funerary customs, the pottery and metalwork in the Po Valley of the late bronze age also exhibit new features similar to the those in the cultures of central Europe. Sites along the Apennine edge of the Po Valley, which were first investigated by L. Pigorini at the end of the nineteenth century, have been collectively termed the Terramara Culture, taking its name from a local Italian word meaning “black earth,” which refers to the fertile mounds of dark soil produced by prolonged human habitation. Like the lakeside settlements farther north, Terramara structures were erected upon wooden platforms in order to avoid the hazards of flooding in the river plain. Perhaps the single most intriguing site of the late and final Bronze Age in Italy (c. thirteenth to eleventh centuries B.C.) is that of Frattesina located in the eastern part of the Po Valley. By prehistoric standards it was quite large, 700 by 190 yards, an area of 27.5 acres, and its remains show that it was an industrial community that refined metal, fashioned deer antler into tools, and produced colored glass beads, making it the earliest known site in Italy to manufacture glass. Ivory, amber, and fragments of ostrich eggs have been uncovered there as well, testifying to external commercial contacts. Frattesina can therefore be viewed as a prehistoric forerunner of Spina and Hatria, two important commercial sites located near the mouth of the Po, to be discussed in the next chapter. The progressive and innovative character of Bronze-Age northern Italy is further demonstrated by the fact that during the thirteenth century B.C. the spring safety pin was invented, probably in the area between Lake Garda and the Austrian Alps. Termed a “fibula” by modern archaeologists from its Latin name, the pin was henceforth used throughout antiquity to fasten at the shoulder or chest a garment wrapped about the body. Fibulae are therefore often found in graves, and the changing decorative style of their catch-plates provides archaeologists with valuable information for dating and concerning possible artistic influence. During the second millennium B.C., bronze gradually drove out flint as the primary material used for making tools, utensils, and weapons. Metalworking and the exchange of manufactured metal objects are clearly
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evident from numerous bronze hoards found at various sites throughout the peninsula, sometimes revealing unworked ingots and at other times stashes of knives or axes, the latter possibly the unclaimed buried caches of traveling merchants. Buried assemblages of bronze objects discovered near or in lakes or rivers, however, are generally interpreted as representing collections of religious votive offerings to a local deity. Excavations of sites located at the edges of the lakes of the Po Valley have also yielded many wooden artifacts preserved for more than 3000 years under water, including dugout canoes and Europe’s earliest known plow and spoked wheel. The earliest Italian finds of horse bones come from these same prehistoric lakeside villages of the third millennium. While the material culture of the Po Valley developed in response to influences from central Europe and the Aegean, peninsular Italy during the late Bronze Age lagged somewhat behind for the most part. Inhumation continued to be the funerary practice of this region. Although agriculture doubtless remained the mainstay of human subsistence, other evidence (the occupation of mountainous sites not conducive to farming, the remains of cattle, sheep, pigs, and goats, and ceramic vessels used for boiling milk and making cheese) indicates that pastoralism was also very widespread. This suggests that transhumance was already a well-established pattern of human existence. In fact, since the material culture of central and southern Italy was relatively uniform at this time, it has been conjectured that this so-called Apennine Culture of c. 1600–1100 B.C. owed its uniformity in part to the migratory pattern characteristic of ancient Italian stockbreeding. During the first quarter of the twelfth century B.C. the Bronze-Age civilizations of the eastern Mediterranean came to an abrupt end. The royal palaces of Pylos, Tiryns, and Mycenae in mainland Greece were destroyed by violence, and the Hittite kingdom that had ruled over Asia Minor was likewise swept away. The causes and reasons for this major catastrophe have long been debated without much scholarly consensus (see Drews 1993, 33–96). Apart from the archaeological evidence indicating the violent destruction of many sites, the only ancient accounts relating to this phenomenon come from Egypt. The most important one is a text inscribed on the temple of Medinet Habu at Thebes, which accompanies carved scenes portraying the pharaoh’s military victory over a coalition of peoples who had attempted to enter the Nile Delta by land and sea. The text reads in part: Year 8 under the majesty of Ramses III (1179 B.C.). The foreign countries made a conspiracy in their islands. All at once the lands were removed and scattered in the fray. No land could stand before their arms, from Hatti, Kode, Carchemish, Arzawa, and Alashiya on being cut off at one time. A camp was set up in one place in Amor (Syria). They desolated its people, and its land
24
italy in prehistory was like that which has never come into being. They were coming forward toward Egypt while the flame was prepared before them. Their confederation was the Philistines, Tjeker, Shekelesh, Denyen, and Weshesh, lands united. They laid their hands upon the lands as far as the circuit of the earth, their hearts confident and trusting: “Our plans will succeed!” . . . Those who reached my frontier, their seed is not; their heart and their soul are finished forever and ever. Those who came forward together on the sea, the full flame was in front of them at the river mouths, while a stockade of lances surrounded them on the shore. They were dragged in, enclosed, and prostrated on the beach, killed and made into heaps from tail to head. Their ships and their goods were as if fallen into the water. I have made the lands turn back from even mentioning Egypt; for when they pronounce my name in their land, then they are burned up. . . . (Pritchard 1969, 262–3)
The carved Egyptian scenes of these so-called peoples of the sea show them not only in boats but also on land with wagons, women, and children, suggesting that this abortive invasion of Egypt involved some kind of migration. Much scholarly effort has been vainly expended in trying to identify the groups mentioned in this text. Suffice it to say that whatever was responsible for the collapse of the Mycenaean and Hittite civilizations, the end of the second and the beginning of the first millennia B.C. witnessed major changes in the cultural, linguistic, and political geography of the eastern Mediterranean. Archaeology reveals that in mainland Greece the destruction of the Mycenaean palace-centered states and economies was followed by a drastic decline in the material culture and the abandonment of many sites. In fact, historians have traditionally labeled the period c. 1100–800 B.C. the Greek dark age, characterized by village societies headed by local chieftains, from which the city-state eventually arose. The unsettled conditions of the late second millennium B.C. might have extended as far west as eastern Sicily. Coastal sites exposed to sea raids were abandoned, and the inhabitants occupied defensible positions of the interior, such as Pantalica near Syracuse (Holloway 1981, 107–14). It is also noteworthy that at the close of the Bronze Age the major site in the Lipari Islands met with violent destruction and was reoccupied by people from the Apennine Culture of Italy. The most important technological advance which came in the wake of the collapse of the Bronze-Age civilizations of the eastern Mediterranean was ironworking. Iron ore is much more plentiful than copper and tin and even has a lower melting point, but the methods necessary to extract iron from ore and to work it into a much stronger metal are far more complex than bronzeworking. Simple smelting produces only an unusable iron bloom, which has to be further refined by repeated hammering and controlled heating. The Hittites had already mastered this technology during the late Bronze Age, and with the collapse of the Hittite kingdom in the
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twelfth century this knowledge was dispersed among other people, thus spawning the beginning of the Iron Age. Iron metallurgy did not reach Italy until the ninth century B.C., and even then it was two or more centuries before iron displaced bronze as the most commonly used metal. Thus, archaeologists date the beginning of the Iron Age in Italy to c. 900 B.C.; and although the Italian Bronze Age is generally assigned to the period c. 1800–1100 B.C. and is subdivided into early, middle, and late phases, the 200-year interval between the late Bronze Age and early Iron Age has been labeled the Final Bronze Age. During this period the practice of cremation spread south of the Po Valley and is attested at numerous sites throughout the peninsula. Since this cultural tradition developed into the Villanovan Culture which prevailed in Etruria and much of the Po Valley c. 900–700 B.C., modern archaeologists have devised the term “Proto-Villanovan” to describe the cremating cultures of the Italian Final Bronze Age. As might be expected, the spread of cremation throughout the peninsula has been the subject of much speculation and has been variously explained:7 (a) cultural interaction between the Terramara Culture of the north and the Apennine Culture of the south to produce a composite culture of the Final Bronze Age; (b) the extension of Terramara cremating people and their culture to the south beyond the Po Valley; or (c) the migration or invasion of new people from the Danubian Urnfield Culture. The fact that some of the earliest urnfield sites of peninsular Italy are located on the coast (e.g. Pianello in Romagna and Timmari in Apulia) is interpreted by some archaeologists as an indication that cremating people had come into Italy by sea, and that their migration was part of the larger upheaval which affected the eastern Mediterranean at the end of the Bronze Age (so Hencken 1968, 78–90). On the other hand, the same data can be explained in terms of indigenous coastal settlements adopting new cultural traits as the result of commercial interaction with foreigners. In any case, by the end of the Final Bronze Age inhumation had reemerged as the dominant funerary custom of southern Italy, but cremation continued to be an integral aspect of the Villanovan Culture of northern and much of central Italy. Was the widespread practice of cremation during the Final Bronze Age a passing fad, so to speak, adopted and then abandoned by the indigenous peoples of the peninsula, or was it introduced by new peoples who were eventually absorbed into the inhuming tradition of the south? This puzzle may serve as an instructive illustration of the limitations of modern archaeology in examining prehistoric peoples solely from the surviving remains of their material culture. 7. For a general survey of this question, with further modern bibliography, see Fugazzola Delpino in Ridgway and Ridgway 1979, 31–48.
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italy in prehistory
Figure 1. Biconical Villanovan ash-urn covered with a helmet.
ANCIENT LANGUAGES AND MODERN ARCHAEOLOGY
With the advent of the early Iron Age in Italy in the ninth century B.C., regional differences begin to manifest themselves in the archaeological record, probably reflecting in some degree the linguistic and ethnic diversity which later characterized pre-Roman Italy in historical times. For example, to take funerary customs, for which archaeological data are the most plentiful, inhumation predominated in the region east and south of an imaginary line drawn between Rimini and Rome, whereas cremation was the most prevalent burial custom west and north of this line. The inhabitants of the latter area placed the ashes in a biconical urn, covered it with an inverted bowl or helmet, and deposited the vessel in a pit grave (see fig. 1). This culture, which was common throughout Etruria and much of the Po Valley, takes its name from Villanova, a hamlet near Bologna in southeastern Cisalpine Gaul, which was the first site of this type excavated by Count Gozzadini during the1850s. By the middle of the eighth century B.C. the Villanovan Culture of Etruria was evolving into what soon became the Etruscan civilization, while the Villanovan Culture of the eastern Po Valley developed into what archaeologists call the Este Culture. Linguistically, the former was characterized by a non-Indo-European language whose origin and connection with other known languages are still enigmatic. The tongue of the Este Culture, Venetic, belongs to the Italic family of Indo-European languages. This development may illustrate once again the limitations of
italy in prehistory
27
archaeological data, for if, as seems likely, the Etruscan and Venetic languages were already established in their respective areas at the beginning of the Iron Age, these two populations, though linguistically distinct, for a time shared a common material culture. Similarly, of the four major Italic languages (Venetic, Latin, Umbrian, and Oscan) the first two, though separated by considerable geographical distance, are linguistically more closely related to one another than they are to Umbrian, while Oscan and Umbrian are themselves clearly kindred and are even grouped together by historical linguists into a larger Sabellian class of Italic. A likely explanation for this circumstance is suggested by the geographical distribution of these dialects during historical times: namely, that at some time during prehistory people speaking what later became the Venetic-Latin branch of Italic split into two separate groups; and furthermore, this separation might have been caused by the interposition of a population speaking what later evolved into the Sabellian dialects. If so, we would have another instance in which major linguistic and possibly ethnic differences were brought about by movements of people in prehistoric Italy, and these movements have thus far not been clearly detectable in the archaeological record. A third such case is provided by some of the inhabitants along the eastern coast of Italy, for although the preservation in historical times of tribal names such as Iapyges in Apulia and Iapusci in Umbria, related to Illyrian Iapudes, strongly suggests migration across the Adriatic, archaeology cannot offer clear proof concerning when Illyrians might have established themselves in Italy. In conclusion, the current state of our archaeological knowledge of prehistoric Italy and of the country’s pre-Roman linguistic history testifies to the extraordinarily complex cultural processes operating before the dawn of history and to our inability to fathom them except in the broadest of terms.
Chapter 2
Archaic Italy c. 800–500 B.C.
Cultural and technological advancement in Italy from the Neolithic Age onwards was largely bound up with influences received directly or indirectly from central Europe, the Balkan peninsula, and the Near East. This pattern continued during the period covered in the present chapter, but with far more important consequences. Phoenician and Greek permanent settlement and commercial activity throughout the western Mediterranean brought about major economic, social, and political changes on a hitherto unparalleled scale that led to the rise of true civilization in Italy. Ancient historians continue to debate the nature of the ancient Mediterranean economy during Greek and Roman times, the two antithetical models being primitive and modern. There can be no doubt that agriculture occupied 80 to 90 percent of the inhabitants of classical antiquity, which suggests that the overall economy was primitive. Nevertheless, there also existed a significant amount of both long-distance and short-distance trade for various essential raw materials and manufactured goods as well as luxury commodities, which suggests a modern economic system. Both elements were integral to the ancient Mediterranean in Greek and Roman times. If the economy had been entirely agricultural, Greek and Roman town life and urban culture never would have come into being. They were made possible by the modern-looking aspects of the ancient economy, no matter that their scale appears modest in comparison to contemporary industrialized societies. These new economic conditions arose throughout much of the Mediterranean during the period treated in this chapter and were responsible for drawing Italy into this larger Mediterranean world.
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29
PHOENICIANS IN THE WEST
Ancient Phoenicia, located at the eastern end of the Mediterranean, between Syria and Palestine, was a narrow strip of land about two hundred miles in length, enclosed by the Mediterranean Sea and the mountains of Lebanon.1 Its principal towns were Beirut, Byblos, Marathos, Sidon, Tripoli, and Tyre, and the inhabitants spoke a Semitic language closely related to ancient Hebrew. The land’s limited agricultural potential, its easy access to the sea, and the timber of its cedar forests, desired for building by the Egyptians and Mesopotamians from early times, encouraged the Phoenicians to take to the sea and to become famous maritime traders of the ancient world. This seafaring tradition began as early as the Bronze Age, and their voyages do not seem to have been confined to the eastern Mediterranean. In 1956, off the southwestern coast of Sicily near the ancient site of Selinus, a fisherman’s net brought up from the sea a bronze figurine of the Semitic god Resheth, whose style resembles the art of Ugarit during the fourteenth and thirteenth centuries B.C. This find may indicate that Syrian and Phoenician traders were already active in Sicilian waters during the late Bronze Age, and they may have been in part responsible for the distribution of Mycenaean pottery found in eastern Sicily, southern Italy, and the Lipari Islands, mentioned in the preceding chapter. Passages from the Old Testament (1 Kings 10:22 and 2 Chronicles 9:21) record that during the tenth century B.C. the Phoenicians of Tyre were regularly sending out ships on trading missions lasting three years. The vessels returned with cargos of gold, silver, ivory, apes, and baboons. These voyages were probably along the coast of North Africa and perhaps reached as far west as southern Spain, which possessed rich mineral deposits, and where the Phoenicians at some relatively early date founded permanent settlements at Gades (modern Cadiz) and Sexi. Phoenician activity in the western Mediterranean during the ninth century is suggested by six cinerary urns from a cemetery near the ancient site of Sexi, for these funerary containers are adorned with cartouches of Egyptian pharaohs of the ninth century. Also dated to this same period is a stone plaque inscribed with eight lines of Phoenician writing. The stele was discovered in 1773 built into the wall of a church at Nora in southern Sardinia, hence its name, “the Nora Stone.” The text’s date is established by the style of the Phoenician letters, but its interpretation is problematic, because what now survives may not be the complete text of the inscription. Nevertheless, F.M. Cross (1972) has offered the following translation: He fought with the Sardinians at Tarshish, and he drove them out. Among the Sardinians he is now at peace, and his army is at peace: Milkaton son of Subna, general of King Pummay. 1. For modern treatments of the Phoenicians see Harden 1963; Moscati 1968; Heurgon 1973, 54–75; Herm 1975; Trump 1980, 240–50; Moscati 1988; and Aubet 1993.
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Gades
archaic italy c. 800–500 b.c.
Sexi
Francavilla Maritima Panormus Motya Soloeis Gulf of Taranto
EUBOEA
Marathos Tripoli Byblos Beirut Sidon
Tyre
Map 4. The ancient Mediterranean.
According to Cross’s interpretation, Tarshish, a Semitic word meaning “foundry,” refers neither to Tarsus in southeastern Cilicia in Asia Minor, nor to southern Spain, known as Tartessos among the Greeks, but to the mining area of Sardinia where the Nora Stone was found. The inscription was set up by a Phoenician leader to commemorate a military defeat of the local inhabitants, and the Pummay mentioned at the end of the text is none other than the famous king of Tyre known to the Greeks as Pygmalion, who ruled from 831 to 785 B.C. If this interpretation is accepted, it would demonstrate early Phoenician presence in Sardinia and exploitation of its mineral deposits. Moreover, on the basis of similarities between various Cyprio-Levantine and Sardinian artifacts, some scholars have recently argued that mining interests in Sardinia were maintained by traders from the eastern Mediterranean during the Greek dark age despite the collapse of the Mycenaean commercial network during the twelfth century (see Ridgway 1992, 26–29 and 147–48).2 Ancient historical sources indicate that from at least the sixth to the third centuries B.C. Sardinia lay within the Phoenician and Carthaginian sphere of influence, and Semitic culture continued to be prominent in the more civilized coastal areas of the island long after it had been annexed as a Roman province. 2. For detailed treatments of numerous aspects of Sardinian prehistory, see the collection of essays in Tykot and Andrews 1992. This volume (pp. 355–63) also includes an essay by D. and F.R.S. Ridgway, who carefully set forth arguments in favor of ongoing relations between Sardinia and Cyprus during the Greek dark age.
archaic italy c. 800–500 b.c.
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Although these data for Phoenician commercial involvement in the western Mediterranean are scanty and not without problems of interpretation, the physical signs of such Phoenician activity may continue to elude modern archaeology, given the transient nature of their trading practices. According to the Odyssey (14.287–313 and 15.415 ff.) and Herodotus (4.196 with 1.1) Phoenician merchants were in the habit of beaching their ships among foreign peoples and then sailing off again for another promising port of call when their business was concluded. According to the Greek historian Timaeus (Dion. Hal. 1.74.1), Carthage was founded by Tyre in 814 B.C., but the earliest archaeological finds from the site date to the middle of the eighth century, making the birth of this Phoenician colony coincide roughly with the beginning of Greek colonization in southern Italy and eastern Sicily. The Phoenicians also established settlements in northwestern Sicily at Motya, Soloeis, and Panormus (modern Palermo). Even though the location of these colonies suggests that the Phoenicians were primarily concerned with controlling the African coastal route to southern Spain as well as access to Sardinia, other data (discussed below) show that during the sixth and fifth centuries B.C. the Phoenicians and Carthaginians also enjoyed close relations with the Etruscans. Thus, given their early activity in the western Mediterranean, it may be plausibly conjectured that the Phoenicians would not have entirely bypassed Italy in earlier times. Indeed, the site of Francavilla Maritima, located near an obvious portage route across the foot of Italy between the Ionian and Tyrrhenian Seas, displays Phoenician influence in the bronze work contained in three tombs of high-ranking individuals dating to the first half of the eighth century B.C. (Zancani Montuoro 1977 and Ridgway 1992, 110–11). GREEK COLONIZATION IN THE WEST
In the modern study of Greek history, the three centuries c. 800–500 B.C., roughly corresponding to the regal period of Rome (i.e., the period of the early kings), are generally termed the archaic period. It was during this age that the rather simple society of the Greek dark age reflected in the Homeric poems evolved into the politically, economically, and culturally advanced society of classical Greece. This extraordinary transformation was intimately bound up with the rise of the city-state as the basic political unit in the Greek world. A Greek city-state (polis) was a politically sovereign entity with discrete territorial boundaries and having an urban center that served as the major political and social focal point of the state. The local kings of the Greek dark age gave way to aristocratic oligarchies, which in the course of time evolved into constitutional governments consisting of elected magistrates, advisory councils, and citizen assemblies. From the late seventh century B.C. onwards, the Greek city-states developed law codes that
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clarified the rights and duties of their citizens. This process of “state formation” also involved the introduction of hoplite military service and the levying of taxes, facilitated by the invention of coinage. During the eighth and seventh centuries B.C., increased economic activity led the Greeks to reestablish contacts with the more advanced civilizations of the Near East. This resulted in the creation of the Greek alphabet, the flowering of Greek epic and lyric poetry, and the transformation of Greek arts and crafts as Levantine and Egyptian artistic techniques and methods of representation were adopted and developed into a distinctively new Greek style. Indeed, because Greek art of the seventh century was so heavily indebted to that of the Near East, archaeologists and art historians often call it the orientalizing period. The expansion of the Assyrian Empire in the Near East during the eighth century B.C., involving the violent conquest of cities and the forcible resettling of entire communities in new areas, may have encouraged many Phoenician and Syrian artisans to leave their homelands and to seek their fortunes abroad in the Aegean and even in the western Mediterranean; and such a transfer of talent might have been a key ingredient in contributing to the orientalizing character of Greek and Etruscan arts and crafts in archaic times. One of the most important phenomena of the Greek archaic period was colonization.3 From the second half of the eighth century B.C. onwards, many Greek city-states sent out organized expeditions and established new communities along the coasts of the Black Sea, the northern Aegean, North Africa, the Adriatic, southern Italy, Sicily, and even southern France and northeastern Spain. In fact, some of the more prominent cities of modern Europe, such as Marseilles, Naples, and Istanbul, can trace their origins back to a Greek colonial foundation. Once firmly established, these new communities became fully functioning, independent city-states in their own right, although they were bound to their mother-cities by their shared culture and heritage. The social, economic, and cultural impact of Greek colonization on the history of the ancient Mediterranean can hardly be exaggerated. It greatly expanded the geographical limits of the Greek world, spread Greek institutions and culture into less civilized areas, and substantially broadened the economic basis of the ancient Mediterranean world as a whole by creating a complex network of long-distance trade in essential raw materials, basic manufactured products, and luxury goods. 3. For more detailed treatments of this subject, see Dunbabin 1948; Woodhead 1962; Heurgon 1973, 75–105; Boardman 1980, 161–229; Holloway 1981, 133–54; and Graham in CAH III.3 1982, 94–113 and 163–95. For a detailed analysis of the important archaeological data from the Greek colonial site of Pithecusa see Ridgway 1992. For the Greeks in Campania see Frederiksen 1984, 54–116.
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Elba Corsica
Sardinia
Alalia
Dicaearchia Naples Cumae Ischia Pithecusa Posidonia Bay of Naples Elea
Metapontum
Tarentum
Croton
CIN
Hipponium
IA N PRO MONTORY
Sybaris(?)
LA
Lipara Mylae Locri Zancle Rhegium Himera Naxos Catana Selinus Leontini Megara Hyblaea Acragas Gela Syracuse Casmenae (Mt. Casale) Acrae Ortygia Is. Camarina
Map 5. Greek colonization in Sicily and Southern Italy.
This Greek colonizing movement seems to have first concentrated on Sicily and southern Italy, and it was these “western Greeks” with whom the Romans of the regal period and early republic first came into close contact, and by whom they were influenced. Many Greek colonial ventures probably began with the sending out of a relatively small body of settlers in a few ships, whose duty was to scout out a site, secure it from the native inhabitants, and begin the task of constructing a new community. Once this was done, additional colonists arrived in much larger numbers from the homeland. Colonies were generally established on easily defended sites such as small offshore islands or promontories of the mainland, and usually in areas where the native population did not pose a major threat to Greek settlement. The area around the Gulf of Taranto inside the heel of Italy received several Greek colonies, perhaps because native pastoralism made it less densely populated than other regions. The geographical designation “Italy” was originally applied only to the foot of the peninsula and implied such pastoralism, for it had the meaning, “Calf-land.”
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archaic italy c. 800–500 b.c.
The primary purpose behind Greek colonization was to provide new economic opportunities for people of the Greek homeland; and since colonists received an allotment of land, and most of them probably settled down to become farmers, agriculture must often have been the leading economic motive behind a colonial enterprise. Thus Metapontum, Croton, Sybaris, and Leontini occupied fine farmland and became flourishing agricultural communities. Yet from the very beginning of the colonizing movement, the Greeks did not overlook the commercial potential of various sites. Pithecusa on the island of Ischia and Cumae on the opposite coast of Italy just north of the Bay of Naples were among the earliest Greek colonies founded in Italy, if not actually the first, and they were the northernmost foundations and the most distant from Greece. Moreover, the Chalcidians and Eretrians of Euboea who established these colonies were at the time among the most economically advanced and commercially enterprising Greek states (Ridgway 1992, 11 ff.). It has therefore been plausibly conjectured that these colonies were founded with a view to trade with the flourishing Villanovan settlements of Campania and Etruria. In addition, not long after the foundation of these two communities, the Chalcidians colonized Zancle and Rhegium which commanded the strait between Italy and Sicily. The following is a chronological listing of western Greek colonial foundations.4 As can be seen, it was not at all uncommon for a colony such as Cumae or Syracuse to found its own colonies. 750–725: Pithecusa and Cumae (Chalcis and Eretria) 750–725: Zancle and probably Rhegium (Chalcis) 734: Naxos (Chalcis) 733: Syracuse (Corinth) 729: Leontini (Sicilian Naxos) 728: Catana (Sicilian Naxos) 728: Megara Hyblaea (Megara) 725–700: Mylae (Zancle) 720: Sybaris (Achaea) 709: Croton (Achaea) 706: Tarentum (Sparta) 688: Gela (Crete and Rhodes) 4. In this list parentheses are used to enclose the name of the state or states by which the colony was founded. The dates in regular print refer to those colonies whose dates of foundation have been recorded in ancient historical accounts such as Thucydides 6.3–5, Diodorus, The Chronograph of Eusebius (which survives in Jerome’s Latin translation), etc. Those in italics refer to colonies whose foundation dates have not been recorded in surviving ancient historical accounts but can only be roughly determined from archaeological finds; and since these dates derive from pottery styles that are estimated to have lasted for about a generation, they can usually be determined only approximately within a twenty-five-year period.
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679–673: Locri (Locris) 663: Acrae (Syracuse) 650: Hipponium (Locri) 650: Naples (Cumae) 650–600: Metapontum (Achaea) 648: Himera (Zancle and Syracuse) 643: Casmenae (Syracuse) 628: Selinus (Megara Hyblaea) 600: Massilia (Phocaea) 598: Camarina (Syracuse) 580: Acragas (Gela) 580–576: Lipara (Cnidus and Rhodes) 540: Elea (Phocaea) 531: Dicaearchia (Cumae and Samian exiles) Colonies were often founded to extend and consolidate the mother-city’s political control and economic interests; and because the subsidiary colonies were often not distant from their mother-cities, they tended to be somewhat dependent or even subservient entities. This policy was pursued most successfully and aggressively in Sicily by Syracuse. By founding Acrae, Casmenae, and Camarina, the Syracusans extended their political control over the surrounding native Sicel population and made themselves the leading state in the island. Locri, Croton, and especially Sybaris, all situated on the Ionian coast of Italy, established colonies opposite themselves on the Tyrrhenian coast to serve as termini for land routes across the foot of Italy (but see Holloway 1981, 142). Sybaris in fact founded several such colonies, including Posidonia; and as can be judged from the text of a treaty concluded between Sybaris and an otherwise unknown people called the Serdaioi, inscribed on a bronze tablet discovered at Olympia, Sybaris also extended its influence into the Italian hinterland by making alliances with native peoples (Meiggs and Lewis 1975, #10). Indeed, by the sixth century B.C., Sybaris’s commercial activity and agricultural prosperity made it proverbial in the Greek world for wealth and luxury. Similarly, even though the Greek colonies began as rude settlements of single-room houses, as shown by excavations at Megara Hyblaea and the initial Syracusan settlement on the island of Ortygia, by the sixth century many of these communities had blossomed and had become quite populous and flourishing; their economic prosperity is clearly reflected in their construction of magnificent temples. Perhaps the single most interesting example of commercially oriented colonization is offered by Phocaean settlement in the western Mediterranean (see Hdt. 1.163–67). In 600 B.C. the Phocaeans, who inhabited a peninsula on the western coast of Asia Minor, and who were probably already engaged in overseas trade on a significant scale, founded the colony
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of Massilia (modern Marseilles) just east of the mouth of the Rhone River on the southern coast of France. This site controlled the flow of raw materials and manufactured goods between the Mediterranean and the less civilized Celtic tribes of the interior. It is generally supposed that the most valuable commodity the Celts had to offer Mediterranean merchants was tin from Cornwall in Britain, transported along the major rivers of France and across adjoining portage routes. In return, the ruling elite of Celtic tribes purchased manufactured luxuries such as fine pottery, metalwork, and wine, as physical manifestations of their status. A striking illustration of this commercial traffic has been discovered at Mt. Lassois on the Seine, one hundred miles southeast of Paris. The site has produced a large quantity of Greek pottery, and the nearby burial mound of a Celtic princess, replete with a gold diadem and other fine objects dating to the late sixth century B.C., has yielded a bronze krater used for mixing wine. The vessel is of Greek workmanship, beautifully crafted, and stands five and a half feet tall. The Phocaeans of Massilia further expanded their sphere of activity by establishing a settlement on the coast of northeastern Spain. Its very name, Emporiae (modern Ampurias), meaning “trading center,” clearly demonstrates its commercial character. Following the conquest of Asia Minor by Persia during the 540s B.C., a body of Phocaeans abandoned their Aegean homeland and sailed west, where they established a new community at Alalia (later known as Aleria) on the eastern coast of Corsica, but their piratical activities soon resulted in a major naval battle with the combined forces of the Carthaginians and the Etruscans of Caere. The Phocaeans were technically victorious but were themselves so badly mauled that they abandoned Alalia and allowed the Carthaginians and Etruscans to absorb Sardinia and Corsica respectively into their spheres of influence. These refugee Phocaeans then proceeded to found Elea on the southern Tyrrhenian coast of Italy. THE FORMATION OF ETRUSCAN CIVILIZATION
The Etruscan civilization5 offers the single best testimony to the extraordinary impact that Phoenician and Greek settlement and commercial activity in the western Mediterranean had upon the people of Italy, but as a consequence of the non-Indo-European nature of the Etruscan language and of 5. Modern bibliography on the Etruscans is enormous. The interested reader can begin with the following works: Bloch 1961; Heurgon 1964; Scullard 1967; Hencken 1968; Banti 1973; Pallottino 1975; De Grummond 1982; MacKendrick 1983, 29–70; Bonfante and Bonfante 1983; Bonfante 1986; Ridgway in CAH IV. 1988, 623–75; Spivey and Stoddart 1990; De Puma and Small 1994; and Brendel 1995. In addition to the long-running Italian scholarly journal Studi Etruschi, there is now the English Etruscan Studies, whose first volume was published in 1994.
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a quaint tale told by Herodotus (1.94), modern scholars have long debated whether the Etruscan people were indigenous or immigrants.6 At the end of his narrative concerning the Lydian kingdom and its conquest by Cyrus the Great, Herodotus wraps up the Lydian portion of his history by briefly noting the customs and traditions of Lydia, in which he includes the claim that they invented many of the games common among ancient peoples. Herodotus then proceeds to explain how this came about. During the reign of King Atys, which from an earlier section of Herodotus (1.7) can be regarded as corresponding roughly to the time of the Trojan War (c. 1200 B.C.), the Lydians suffered from a dreadful famine and, in order to cope with the crisis, they first decided to eat every other day and to divert themselves on days of fasting by playing various games they devised for the occasion; but when even this stratagem failed, they divided the population into two groups. One, placed under the leadership of Tyrrhenus, was sent out of the country and eventually came to northern Italy where they became the Tyrrhenians (i.e., the Etruscans). The other half of the population remained in Lydia and lived under the rule of Lydus, from whom they took their name. In later historical times the Etruscans generally accepted and promoted the notion of their kinship with the Lydians of Asia Minor, but Dionysius of Halicarnassus denied the historicity of Herodotus’s tale when, writing during the reign of Augustus, he composed his description of the myths and traditions surrounding the earliest peoples of Italy (1.25–30). In addition to observing that the languages and customs of these two peoples had nothing in common, and that the Etruscans called themselves Rasenna and not Tyrrhenians, he cited other Greek historians of the fifth century B.C. whose accounts differed from Herodotus’s. According to the Lydian historian Xanthus, Lydus and Torebus (not Tyrrhenus) were the eponymous rulers of two related peoples of Asia Minor; and according to Hellanicus of Lesbos, the Etruscans were an offshoot of the Pelasgians who had inhabited Thessaly before the coming of the Greeks, because some of them had migrated across the Adriatic to Spina and had come thence into Etruria. In fact, Herodotus himself seems to record a variant of this Pelasgian origin of the Etruscans in 1.57, when describing the Dorian invasion of Greece. Moreover, in narrating the military campaign of the Spartan general Brasidas in the northern Aegean during the year 424 B.C., Thucydides (4.109.4) characterizes a Pelasgian people of the Chalcidic Peninsula as being of the Tyrrhenian race who once inhabited Lemnos and Athens. On the basis of 6. For a detailed survey of different modern views on this subject, see Pallottino 1975, 61–84. For a detailed treatment of Herodotus 1.94 and associated modern scholarship see Drews 1992. For treatment of recent relevant archaeological finds see Moser in Hall 1997, 29–43.
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these last three data from Hellanicus, Herodotus, and Thucydides, we may surmise that the Greeks of the fifth century B.C. generally equated the terms “Pelasgian” and “Tyrrhenian,” and that they were applied to non-Greek indigenous peoples. The notion that the homeland of the Etruscans lay somewhere in the Aegean or Asia Minor has received support from an inscription found on the island of Lemnos in the northern Aegean, dating to about 600 B.C. The text is an epitaph written in a Greek script but it is clearly not Greek in language. It is in fact the only substantial surviving example of the island’s preGreek language, which began to be driven out of existence during the second half of the sixth century B.C., when the island was conquered and settled by the Athenians. Even though the Lemnian text cannot be understood, the language’s morphology resembles Etruscan, suggesting that the two tongues were somehow related.7 The “oriental thesis” of Etruscan origins has been further buttressed in modern scholarship by the archaeological record, because beginning in the late eighth century B.C. the material culture of many Etruscan sites, particularly those of southern Etruria, gradually loses the characteristics of the Villanovan Culture of the early Iron Age and takes on features typical of the eastern Mediterranean. Not only are curvilinear and animal motifs of Near Eastern origin used in place of Villanovan simple geometric designs on pottery and metalwork, but inhumation begins to replace cremation for disposing of the dead. Although this interpretation of Etruscan origins was dominant throughout much of the twentieth century, it has increasingly come under attack during the past three decades, so much so that it can now be regarded as a minority view. It has largely been replaced by the idea that Etruscan civilization resulted when the native inhabitants of Etruria came under and responded to the cultural influence of the higher civilizations of the eastern Mediterranean. In this interpretation, the oriental aspects of Etruscan material culture have the same explanation as those exhibited in Greek society at roughly the same time. Dramatic changes in artistic styles and even in burial customs need not be taken to signal the arrival of a new people. Indeed, despite the Near Eastern attributes of seventh-century Greek arts and crafts, no one today would seriously argue that this indicates a Levantine invasion of the Greek mainland during the archaic period. Furthermore, the Etruscan language could have been the only pre-IndoEuropean language that happened to survive in Italy into historical times,
7. The Lemnian inscription consists of only fifteen words written in six short lines on either side and above the carving of a human head in profile. The text can be transliterated as follows: “evistho zeronaith zivai | sialchueiz aviz | maraz mav | vanalasial zeronai morinail | aker tavarzio | holaiez naphoth ziazi.” See Pallottino 1975, 72–73; MacKendrick 1983, 30–32; and especially Best and Woudhuizen 1989, 139–51.
archaic italy c. 800–500 b.c.
39
and its similarity to Lemnian could stem from the fact that both languages were related parts of the same Mediterranean linguistic substratum, which was submerged by the infiltration and diffusion of the various Indo-European languages of Anatolia, the Balkan Peninsula, and Italy. Thus Etruscan and Lemnian, which the ancient Greeks classified as pre-Greek Pelasgian, might represent linguistic islands in an Indo-European sea, resembling the survival of Basque in the Pyrenees. Consequently, no credence should be attached to Herodotus’s tale of a Lydian migration to Etruria seven hundred years or so before the Greek historian lived and wrote. It should be accorded the same trust as the story that assigned a Trojan origin to the Latins, and which is also first attested in a Greek writer of the fifth century B.C., Hellanicus of Lesbos. Both tales should be consigned to the realm of Greek mythography and not be given serious historical consideration.8 Important as language is in defining a people’s ethnic identity, it is only one aspect of cultural formation. Thus, even if the Etruscan language was a successful holdout against the spread and evolution of the Italic languages, this fact alone tells us very little about Etruscan ethnogenesis, except perhaps in liberating us from simplistic explanations involving the migration of an Anatolian people and in compelling us to seek answers in Etruria itself during the early Iron Age. Though we are wont to speak of Etruscan civilization as if it were a monolithic entity, we should always keep in mind, as Luisa Banti demonstrated so clearly in her detailed survey of the Etruscan cities, that cultural development and change did not progress throughout Etruria at the same pace and according to the same timeline; there were major differences, the general pattern being that Near Eastern and Greek cultural influences and their concomitant social and economic changes occurred first and more rapidly in southern Etruria near the coast, but later and more slowly at northern and inland sites. In addition, the archaeological record demonstrates that despite the relative uniformity of Etruscan civilization there was, nevertheless, a degree of cultural diversity between regions and even from one locale to the next. One principal factor contributing to the rise of the Etruscan civilization was the land’s wealth in copper, iron, and, to a smaller degree, silver. The largest deposits were situated in northwestern Etruria in the so-called Colline Metallifere, “the Metal-bearing Hills,” an area roughly defined by Populonia, Vetulonia, and Volaterrae. Populonia was the only Etruscan city situated on the coast. It commanded major iron deposits, including those on the offshore island of Elba, and it was famous throughout classical antiquity 8. Despite the current scholarly trend to view Etruscan civilization as indigenous to Italy, F.C. Woudhuizen has recently been analyzing the Etruscan language with the working hypothesis that it is related to the languages current in western Anatolia during the early Iron Age. See Best and Woudhuizen 1989, 139–79 and Woudhuizen 1992.
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archaic italy c. 800–500 b.c.
R e no
Spina
Marzabotto
Novilara
Tiber
Populonia Vetulonia
Monte Argentario
Vulci San Giovenale Graviscae Pyrgi Punicum
Crustumerium Fidenae
Caere Rome Politorium Lavinium
Antemnae Gabii Praeneste Aricia Ardea Satricum
Vol tur nu
s
Capua
Cumae Pithecusa
Map 6. Etruria.
for iron smelting. Vetulonia was the only northern Etruscan city that came into being and flourished during the first two centuries of the Etruscan civilization (c. 750–550 B.C.). Its graves have yielded substantial amounts of amber jewelry, suggesting its involvement in a trade network that included central and northern Europe; and its artisans became expert in intricate
archaic italy c. 800–500 b.c.
41
gold work. The other two major concentrations of mineral deposits lay in southern Etruria, and were responsible for the growth and prosperity of the area’s three principal coastal sites: Caere, Tarquinii, and Vulci. The TolfaAllumiere Mountains lay in the hinterland of Caere and Tarquinii, and Monte Argentario lay on the Tyrrhenian coast a short distance west of Vulci. All three of these Etruscan cities lay a few miles inland from the sea, but were located on rivulets that gave them ready access to the coast. Caere and Tarquinii, like Veii farther inland, were also built on plateaus that were rendered easily defensible by surrounding deep ravines. Yet, though of great importance, mineral resources alone did not account for the formation of Etruscan civilization. The land’s thin but rich volcanic soil was good for agriculture; and by the beginning of the eighth century Etruria must have been inhabited by a population sufficiently numerous, technologically advanced, and well organized to deter Phoenicians and Greeks from establishing permanent settlements as they were doing in southern Italy, Sicily, North Africa, and southern Spain. Etruscan metal ores were responsible, however, for bringing eastern prospectors and traders into contact with the natives; and the latter were both eager consumers of the traders’ manufactured goods and, even more importantly, willing pupils of their arts and crafts. It was this complex coincidence of factors that produced the first great civilization of Italy.
PHOENICIANS, GREEKS, AND ETRUSCANS
Because of their early foundation dates and proximity to Etruria, the Euboean settlements at Pithecusa and Cumae are likely to have played a leading role in introducing the Etruscans to the products, arts, and crafts of the eastern Mediterranean.9 The Greeks first established the settlement of Pithecusa on the island of Ischia. With an area of about eighteen square miles, it is the biggest offshore island in the region of the Bay of Naples, and is only seven miles from the coast at its nearest point. The Greek colony flourished on the island during the second half of the eighth century; and during its early existence, when the colonists had become sufficiently strong and sure of their surroundings, they established a second colony at Cumae on the opposite Italian coast, just north of the Bay of Naples. Once Cumae was securely established, the initial settlement on the island went into decline. Abandonment of the site was apparently encouraged in part by volcanic activity on Ischia. Judging from the number of early graves in the
9. For more detailed treatments of the relations between Phoenicians, Greeks, and Etruscans, consult the contributions of Torelli and MacIntosh Turfa in Bonfante 1986, 47–91; Asheri in CAH IV. 1988, 739–80; and Pallottino 1991, 59–93.
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cemetery, the settlement on Ischia must have been substantial very early on. David Ridgway (1992, 101–3) has estimated its population to have been between 4,800 and 9,600 people. The graves display a mixture of burial rites: cremation for adults, and inhumation for infants and children. The finds also confirm a high infant mortality rate: of the 493 early graves thus far excavated and analyzed, 27 percent are infant burials. Moreover, since many of the adult females were interred with fibulae that were not Greek in style but characteristic of the native Italians, it has been suggested that many of these women were native to the area and were taken as wives by Greek male colonists. One large storage vessel recycled to serve as an infant’s coffin in a family burial plot was inscribed with a triangular Semitic character that was a religious symbol commonly used by the Phoenicians. This has been interpreted to mean that at least one of the dead infant’s parents was Phoenician (Ridgway 1992, 114). Excavations have also shown that pottery production and ironworking occurred at Pithecusa. The site has yielded the earliest instance of a Greek potter’s signature, and the clear remains of a shop where iron was forged (Klein 1972). Among other things that Greeks and Phoenicians introduced into central Italy were new forms of house construction and the concept of the city (Drews 1981). Since Neolithic times the inhabitants of Italy had been living in single-room huts, circular or oval in floor plan, with walls of wattle and daub, covered with a thatched roof (Brown 1976), but they now adopted the building techniques and principles of urban planning used by Greeks and Phoenicians in their western Mediterranean settlements. From the early seventh century B.C. onwards, villages of simple huts in Etruria and Latium began to be replaced by communities of houses built on stone foundations, constructed of durable mud brick, and covered with terracotta roof tiles. Excavations at sites such as San Giovenale near Tarquinii have revealed clear signs of town planning: blocks of houses and alleys arranged in a regular pattern. The construction of such a site presupposes political and social organization of a considerable degree, because it would have involved decision making by a ruling authority as well as the coordination of communal labor. In examining the impact that the Greeks and their culture had upon southern Etruria during the period 750–480 B.C., Mario Torelli (1976, 136–37) has suggested the four following phases: 1. 750–670: Villages coalescing into towns; introduction of wheel-made pottery and limited Etruscan imitation of Greek colonial styles; greater specialization of labor and crafts. 2. 670–630: The rise of urban society and social classes, including aristocratic families and the earliest attestation of the praenomen-nomen system of nomenclature (explained below, p. 160); adoption of writing; artistic reception of Greek myths and pottery shapes.
archaic italy c. 800–500 b.c.
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3. 630–580: Arrival of Greeks in Etruscan communities; beginning of sculpture, wall painting, and monumental architecture; horizontal mobility of foreigners into Etruscan society; increased Etruscan pottery production for local consumption and foreign export; aristocratic consumption of foreign imported goods. 4. 580–480: Increased self-consciousness of aristocratic status and power; decrease in social fluidity; confining of Greek artisans and merchants to controlled sites such as Graviscae and Pyrgi; rise of the Etruscan urban demos (i.e., people below the aristocratic class).
A few graffiti and artisans’ signatures on pottery offer tantalizing clues concerning the presence of highly skilled foreign workers in Etruria during the seventh century B.C. Aristonothos was a Greek potter and vase painter who flourished around the second quarter of the century and seems to have worked at Caere. He is well known to art historians for a ceramic winemixing bowl (krater) signed with his name, decorated on one side with a scene of two Etruscan ships engaged in a sea battle, and on the other with a depiction of Odysseus blinding the cyclops. His name in Greek literally means “Best Bastard.” He therefore might have been a native of Greece, the son of a noble father, whose illegitimate status obliged him to seek his fortunes abroad; alternatively, he could have been the offspring of a mixed marriage between a Greek immigrant and a native Italian. A chamber tomb near Tarquinii dating to the same period contained a wine pitcher (oinochoe) which bore the name Rutile Hipukrates (Pallottino 1968, #155). It is uncertain whether the name was that of the owner or of the vessel’s maker. In any case, the first element of this compound name is the Latin name Rutilus (meaning “red”) with the Etruscan nominative singular ending -e, and the second element is clearly Greek. It is tempting to surmise that this name belonged to a Greek who had become a member of Etruscan society. A compound Etruscan and Greek name of the same type, Larth Telicles, is found on a perfume bottle (aryballos) of the mid-seventh century (Pallottino 1968, #761–62). Excavations at Graviscae, located at the mouth of the rivulet that connected Tarquinii to the sea, have revealed the remains of a Greek trading settlement which flourished during the sixth and early fifth centuries B.C. (Torelli 1971, 1976, 1977, and Ridgway CAH IV. 1988, 669–70). Traces of post holes indicate that the earliest occupation of c. 600 B.C. consisted of simple huts around a small shrine to Aphrodite, which had received dedications from Ionian Greeks. The shrine was replaced around 580 by a more permanent rectangular structure that remained in use until about 530–520, when it was itself replaced by an even larger building. Four of the dedications to Aphrodite were inscribed, three in Ionic Greek and one in Etruscan. Later in the sixth century there were dedications to Apollo, Hera, and Demeter, including more than three thousand votive lamps to
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the last-named goddess of grain, which is likely to have been a common commodity of exchange at the site. Perhaps the most remarkable find is a stone anchor dedicated to Apollo of Aegina and bearing the Greek inscription, “I belong to Aeginetan Apollo; Sostratus, the son of —, made me (or had me made).” This man is likely to have been the same Sostratus of Aegina whom Herodotus mentions (4.152) as having been the richest Greek merchant before his own day. Other inscribed names of devotees include the Greek Alexandros, Deliades, Eudemos, Themistagoras; the Lydian Paktyes; and Ombrikos, perhaps a Hellenized native of Umbria. Thirty of the fifty or so inscribed dedications were to Hera. Like the goddess Uni-Astarte of Pyrgi discussed immediately below, Hera of Graviscae was probably viewed as a divinity who protected seafarers; and given the myth of Aphrodite’s birth from the foam of the sea, the same tutelary nature may have been associated with her as well, and may therefore account for the prominence of her worship at this site. The settlement appears to have received newcomers from the Greek cities of Asia Minor in the wake of the Persian conquest of Anatolia during the 540s B.C., and some modern scholars have connected their arrival with the tradition of wall painting in the chamber tombs of Tarquinii, which began during the second half of the sixth century. Nevertheless, the Greek character of the site abruptly ended around 475, coinciding with major military conflicts between the western Greeks and both Carthaginians and Etruscans. From that point onwards down to the founding of a Roman colony on the site in 181 B.C., Graviscae was patronized by local Etruscans. A few inscribed votive offerings dating to this later period bear the Etruscan divine names Uni and Turan, corresponding to Greek Hera and Aphrodite. A similar settlement has been uncovered at Pyrgi, located about thirty miles west-northwest of Rome (Colonna 1966 and in Akten 1981, 13–37). It lay on the coast at the mouth of the rivulet that joined the Etruscan city of Caere to the Tyrrhenian Sea. Caere lay seven miles inland, and the rivulet that flowed past the city divided into two branches before entering the sea. Pyrgi and Punicum were the ancient names of Caere’s two harbor communities. Pyrgi is a Greek name meaning “tower” or “fort,” and Punicum is simply the Latin for “Phoenician” or “Carthaginian.” Thus the two toponyms would seem to reflect both Greek and Phoenician trade with Caere. Like Graviscae, Pyrgi began as a settlement around 600 B.C. It was laid out in an orthogonal plan and had a road connecting it to Caere. Thus far archaeological excavations have not turned up clear signs of Greek occupation. Considerable remains of two temples have, however, been found. The two structures stood side by side facing the sea. Temple B measured 67 by 100 feet, and surviving terracotta decorations date it to the end of the sixth century. It was built according to Greek style: a peripteral or tetrastyle temple
archaic italy c. 800–500 b.c.
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with columns along all four sides, four along the width and seven along the length. It had a single inner chamber or cella for the statue of a divinity. Temple A was somewhat larger, 80 by 114 feet, and was built around 480–460 B.C. It was Etruscan in style, with columns only along the front and walls of unfired brick covered in stucco on the other three sides. It contained three cellae, the central one larger than the two side ones. In the area between the two temples, there was a rectangular altar with a cylindrical shaft through the center, which descended into a pit six feet deep. This was probably designed to receive libations. In addition, one corner of the altar was pierced by a circular well. Both shrines were richly decorated with terracottas depicting several enigmatic figures, such as a winged male with a rooster’s head, as well as scenes from Greek mythology, including an Amazonomachia and Hercules’ battle with the Hydra. One terracotta relief from Temple A portrayed the Seven against Thebes: Zeus striking Capaneus with lightning, and Tydeus gnawing on the head of the dying Melanippus while Athena recoils in disgust. The two temples remained in use until their destruction by violence, indicated by arrowheads and sling bullets, during the first half of the third century B.C. Their destruction presumably was at the hands of the Romans, who shortly thereafter founded a small maritime colony on the site, but the rubble from the two temples was carefully laid down and paved over, and amid these remains were discovered the most remarkable finds from the site: three inscribed gold plaques measuring about three and a half by seven inches. One contained a Phoenician text (Fitzmyer 1966), and the other two had Etruscan texts of thirty-six and fifteen words each (Pallottino 1964; Heurgon 1966; and Best and Woudhuizen 1989, 155–77). Each gold plaque was pierced with holes along the edges and had been buried with gold-headed bronze nails that had apparently been used to attach the plaques to one of the temple’s wooden columns or doors. The style of letters employed in the texts date them to the first part of the fifth century. J.A. Fitzmyer has offered the following translation of the Phoenician text: To Lady Astarte is dedicated this shrine which Thefarie Velianas, king over Kaisrie [= Caere], constructed, and which he donated in the month of Sacrifices to the Sun as a gift in the temple. And I built it because Astarte requested it from me in the third year of my reign in the month of Krr on the day of the burial of the deity (= Adonis?). And may the years of the statue of the deity in her temple be years like the stars of El (= Phoenician god of heaven)!
The two Etruscan texts have largely eluded modern interpretation, but since the longer text seems to be a paraphrase of the Phoenician, some of it can be understood. It records the name of the goddess honored by the dedication as Uni-Astre, clearly combining Etruscan Uni with Phoenician Astarte and indicating close relations between Phoenicians and Caere.
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Moreover, it gives Thefarie Velianas’s official title as zilac, not lauchume (= “king,” cf. Latin lucumo), and refers to “three years.” Etruscan zilac or zilath is generally thought to correspond to Latin praetor and can therefore either have the generic meaning of “magistrate” or specify a particular official of high rank. Since the texts indicate that Thefarie Velianas held this office at least into a third year, much modern scholarly speculation has arisen concerning the nature of Caere’s political structure at this time. Was it still a monarchy, or had the kingship given way to a republican form of government, and could Thefarie Velianas have enjoyed a position akin to a Greek tyrant’s? The Phoenician goddess Astarte, equivalent to Mesopotamian Ishtar, was usually equated with Greek Aphrodite, and was the divinity of female beauty and love. Etruscan Uni, however, is equivalent to the Roman goddess Juno, who was a divinity of youthfulness, marriage, and child bearing, and was equated with Greek Hera. On the other hand, Greek writers identified the tutelary deity of Pyrgi as either Leucothea or Eileithyia. The latter was a minor Greek goddess of childbirth, whereas in Greek myth the former was the deified Ino, one of the daughters of Cadmus and the aunt of Dionysus, whom she was thought to have tended when the god was an infant. Ino was supposed to have committed suicide by jumping into the sea with her son Melicertes, whereupon they became the deified Leucothea and Palaimon. Consequently, Ino was associated with the protection of seafarers and children (Krauskopf in Akten 1981, 137–49). Thus it seems likely that the chief goddess of Pyrgi was worshipped by seafaring merchants for safe navigation, and this religious ideology may also have been associated with the cult of Aphrodite at Graviscae. Furthermore, in both instances we should not exclude the possibility that the worship of Uni-Astarte at Pyrgi and of Aphrodite at Graviscae likewise stemmed from the sexual needs of sailors. In the course of time, the sacred precinct at Pyrgi became quite wealthy from religious offerings made by grateful merchants and sailors; according to the Greek historian Diodorus (15.14), in 384 B.C. Dionysius I of Syracuse, in search for funds to finance a war with Carthage, sent sixty triremes against Pyrgi to rob it of its riches. The sea raid upon the sacred site produced one thousand talents, and the sale into slavery of prisoners of war taken from Caere realized another five hundred talents. GROWTH AND DECLINE OF ETRUSCAN CIVILIZATION
Southern Etruria enjoyed its greatest prosperity during the seventh and sixth centuries B.C., while areas of central and northern Etruria lagged behind in their social, economic, and cultural development, and reached their zenith somewhat later. Our best source of information about Etruscan society comes not from ancient literary accounts or the remains of Etruscan
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cities, but from its cemeteries. Members of the upper class were usually buried in chamber tombs, which in southern Etruria were subterranean, cut out of the soft tufa rock of the land, whereas in other areas of a different geology the tombs were constructed of stone above ground; but in both instances they were often covered with a mound of earth. In addition to containing the bodies of the deceased, the tombs of the orientalizing period (c. 720–580 B.C.) were usually furnished with fine pottery and metalwork, whereas those dating from the mid-sixth century onwards frequently had walls painted with scenes from Etruscan daily life, religion, and myth. Taken together, this abundant funerary material provides us with an amazingly detailed look into Etruscan culture. Grave goods demonstrate that the Etruscans were consumers of imported luxuries. In fact, a very large proportion of the fine Greek pottery of the archaic and classical periods on display in museums throughout the world has come from the cemeteries and chamber tombs of Etruria. Carved ivory and silver objects of Near Eastern provenance are also well represented in the early “princely tombs” (tombe principesche) as they have come to be called. For example, silver bowls found in the famous Regolini-Galassi tomb at Caere, one of the earliest and most magnificent of Etruscan chamber tombs, were of Levantine workmanship. Since the Etruscan upper class adopted the Near Eastern and Greek institution of the symposium or formal drinking party, vessels characteristic of ancient sympotic culture such as pitchers, mixing bowls, and drinking cups abound among Etruscan funerary goods (Rathje 1990). By the sixth century B.C., however, the Etruscans had assimilated Greek and Levantine ceramic and metallurgical skills and techniques, and were producing their own distinctive pottery and metalwork. Indeed, Etruscan bronze casting and granulated gold work were unsurpassed in their skill and beauty. Art historians to this day still marvel at the latter; and the large corpus of decorated and inscribed bronze mirrors that were buried with the dead forms another important source of information on Etruscan society, religion, and mythology (see De Grummond 1982 and CSE). Furthermore, since, unlike Greece, the land of Etruria did not possess marble for architecture or sculpture, the Etruscans instead made extensive use of clay, and became expert in producing terracotta busts, statues, and reliefs for decorating buildings, and even artistically pleasing clay items of daily use. Enterprising Etruscans imitated the Greeks and Phoenicians in taking to the sea to enrich themselves through trade and piracy. As early as the Homeric Hymn to Dionysus, the Etruscans had a reputation as pirates among the Greeks. By the beginning of the sixth century B.C., the Etruscans were also exporting their own Bucchero pottery, fragments of which have been found at numerous sites throughout the entire Mediterranean. The most striking illustration of the Etruscan export trade comes from an ancient shipwreck
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off the coast of southern France near Antibes, dating to the second quarter of the sixth century. Among the ship’s cargo were 170 Etruscan transport amphorae filled with wine. Etruscan tomb paintings vividly portray many aspects of daily life, such as hunting and fishing, juggling and dancing to music, feats of horsemanship and chariot racing, and athletic contests (Steingräber 1985). In the tomb of the leopards at Tarquinii, women are shown reclining on couches together with their husbands at a banquet. Such social equality between the genders was alien to Greek and Near Eastern societies, where respectable women were not allowed to participate in drinking parties. Moreover, since Etruscan women are depicted as wearing more outer clothing, hats, and sturdier footwear than their eastern Mediterranean counterparts, it has been surmised that the well-to-do ladies of Etruria led much more public lives (Bonfante 1981). The dress and insignia of Etruscan magistrates resemble those known for the Roman republic. The tomb of the lictor at Vetulonia, dating to the seventh century B.C., takes its name from the fact that found in it was a double-headed iron axe surrounded by eight other iron rods similar to the fasces carried by lictors before Roman consuls and praetors. The curule chair employed by the same Roman officials is also encountered in several Etruscan tomb paintings. In the famous Fran˛cois Tomb at Vulci dating to c. 300 B.C., Vel Saties is depicted wearing what the Romans called a toga picta, which was worn by a Roman commander celebrating a triumph. The same tomb contains bloody scenes from Greek mythology, revealing a darker side of Etruscan culture: sanguinary fighting from the Seven against Thebes, and Achilles’ sacrifice of Trojan captives at the pyre of Patroclus. The tomb of the augurs at Tarquinii depicts a bloody combat between a man and dog. The man, naked except for a loin cloth and wearing a sack over his head as a kind of blindfold, wields a club, while another person arouses against him a fierce dog, which has already inflicted bloody wounds upon the man. This has been taken to suggest that the Etruscans regarded the shedding of human blood as fitting, if not actually religiously necessary, for the funerals of prominent people. Herodotus (1.167) says that, following the naval battle fought by the Phocaeans against the Carthaginians and Etruscans c. 540 B.C., the people of Caere stoned their Greek captives to death. Barbarous though this act may have been, it is probably to be connected with funerary rites intended to appease the spirits of the Etruscans who had lost their lives in the same sea fight. From such funerary rites there evolved the Roman tradition of public gladiatorial contests, which were first performed in Rome in 264 B.C. in conjunction with the funeral of a senator (Van Der Meer 1982). Like the Greeks, the Etruscans were bound together by a common language and culture but were not politically united into a single state or empire; rather, they inhabited independent city-states. Also like the Greeks,
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the Etruscans extended the influence of their culture beyond the borders of their homeland by establishing new towns in Campania and the Po Valley. Archaeology suggests that already by the eighth century B.C. Etruscans had settled at Capua on the Volturnus and at other sites throughout Campania. In the course of time, Capua became one of the most important and powerful cities of central Italy, and the Etruscan language and civilization continued to be a significant element in Campanian culture long after the area had been overrun in the late fifth century B.C. by Oscan-speaking Samnites from the Apennines (Frederiksen in Ridgway and Ridgway 1979, 277–311; and Frederiksen 1984, 117–33). By the close of the sixth century B.C., the Etruscans were expanding northward into the Po Valley. They took over the flourishing Villanovan site at Bologna, a collection of villages that measured more than a mile in diameter, and they organized it into the Etruscan city of Felsina. Both before and after the Etruscan phase of its history, the site enjoyed great prosperity from its considerable production of high-quality iron and bronze objects. A discovered hoard of bronze, apparently collected to be recycled, contained 14,838 objects and weighed more than 3,100 pounds. Twenty-five miles south of Bologna, where the Reno River flows down from the Apennines and meets the plain of the Po Valley, the Etruscans founded another city, whose ancient name is unknown, but which goes by the modern name of Marzabotto. This site was carefully excavated during the 1880s and has revealed much about Etruscan town planning (Mansuelli in Ridgway and Ridgway 1979, 353–60). The town was laid out according to an orthogonal plan precisely in alignment with the four points of the compass. There were four main avenues measuring fifteen meters in width, and eight other streets that were five meters wide. Three of the former ran east-west and were intersected by the fourth major avenue and the other eight streets. Thus the town was divided into orthogonal blocks. At the intersection of two of the avenues, there was a boundary stone on whose top was cut a cross marking out north-south and east-west. An elevated area in the northwestern sector served as the arx or citadel, complete with a sacred precinct. By the end of the first quarter of the fifth century B.C., the economic prosperity enjoyed by the coastal cities of Etruria sharply declined, as the profitable long-distance trade between the Mediterranean and northern Europe shifted away from the Tyrrhenian Sea and moved eastward to the Adriatic and westward to Spain. During the second half of the sixth century, two new trading communities had arisen at Spina and Hatria near the mouth of the Po, and they became flourishing commercial centers during the fifth and fourth centuries, with mixed populations of Etruscans, Greeks, and native Umbrians and Veneti. Both may have been Etruscan foundations, but uncertainty still surrounds the circumstances and nature of their
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origin. Hatria’s prominence is reflected in the fact that it gave its name to the Adriatic Sea. Spina, situated on the coast at the southernmost part of the Po delta, resembled modern-day Venice in having canals to serve as thoroughfares, which were laid out in an orthogonal pattern with a “Grand Canal” intersected by five other waterways. More than 3,500 graves in two different cemeteries at Spina have been excavated and have yielded enormous quantities of fine Attic pottery of the classical period, many pieces of which are on display in museums throughout the world. Grave goods also indicate that a flourishing trade existed between Spina on the Adriatic coast and the inland Etruscan city of Felsina. By the end of the sixth century B.C., economic interests and commercial rivalries brought the western Greeks into violent conflict with the Phoenicians and Etruscans. The Carthaginians successfully opposed the Greek attempt to colonize northwestern Sicily, which was led by the Spartan royal prince Dorieus (Hdt. 5.43–48). Conflict between the two peoples finally culminated in the battle of Himera in 480 B.C., when the Carthaginians landed a large army on the northern coast of the island and were beaten by a coalition of Greek states (Hdt. 7.165–67). Following this battle, there were no other major engagements in Sicily between the Phoenicians and Greeks until the last decade of the fifth century, when Carthage renewed hostilities and embarked upon the conquest of the island. After that, Sicily was the scene of war between Syracuse and Carthage until the seesaw struggle was ended by Rome’s military intervention in the First Punic War. Conflict between the Greeks and Etruscans during the late sixth and early fifth centuries B.C. largely centered upon Cumae, the northernmost Greek foothold on the western coast of Italy. In 524 the Cumaeans succeeded in defeating a military offensive aimed against them by the Etruscans of Capua. Twenty years later in 504, an ambitious Cumaean aristocrat named Aristodemus led a force of two thousand Cumaeans to Aricia in Latium to lend aid to the Latins against an Etruscan army led by Arruns, the son of King Porsenna of Clusium, who at the time held Rome within his power. After defeating the Etruscans at Aricia, Aristodemus returned to Cumae and succeeded in making himself tyrant. He abolished the oligarchic constitution and introduced populist reforms, but after twenty years the new generation of aristocrats, some of whom had been living in exile at Capua, banded together and began waging a guerilla war against Cumae. Aristodemus was killed, and aristocratic rule was reinstated (Dion. Hal. 7.3–11). Finally, in 474 the Etruscans mounted another major attack upon Cumae, this time from the sea. Cumae appealed to Hieron I of Syracuse for assistance, and the result was a decisive Greek defeat of the Etruscans (Diod. 11.51). The victory was celebrated by the Greek poet Pindar in his first Pythian Ode, and Hieron commemorated his success by dedicating captured Etruscan helmets at Olympia (Meiggs and Lewis 1975, #29).
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The victories at Himera and Cumae secured prosperity for the western Greeks for the remainder of the century, while coastal Etruria experienced a drastic decline in maritime commerce, which was not reversed until the fourth century. At the same time, the Etruscan communities in the Po Valley and Campania were threatened by and eventually succumbed to the migrations of Celts and Samnites respectively; and during the fourth and third centuries the Etruscan homeland itself came under Roman rule. THE ALPHABET
Perhaps the single best indication and illustration of the impact that the Phoenicians, Greeks, and Etruscans had upon the peoples and culture of early Italy can be seen from the history of the alphabet.10 Cuneiform and hieroglyphics, the two earliest systems of writing developed in the ancient Near East by the Sumerian and Egyptian civilizations, employed hundreds of pictographic symbols or ideograms and were therefore not easily mastered but required years of diligent study. Consequently, the number of people who could read and write in ancient Egypt and Mesopotamia was extremely small, and literacy was confined to a professional group of learned priests and scribes, who enjoyed considerable status and power within their societies as the result of their control of written knowledge. As the idea of civilization spread throughout the Fertile Crescent, so did the practice of writing. During the second millennium B.C. the Semitic-speaking peoples of Syria, Phoenicia, and Palestine developed their own systems of writing and created the first consonantal alphabets of twenty-two to thirty letters in which only consonants (not vowels) were represented. During the late Bronze Age, the Mycenaean palaces of Greece developed a system of writing which modern scholars call Linear B. This script consisted of eightyseven characters, each of which stood for a consonant plus a vowel (hence the term “Linear B syllabary”). Because of the relatively large number of characters involved and the requirement to spell everything syllabically in segments consisting of a consonant followed by a vowel, this form of writing and reading Mycenaean Greek was rather difficult to learn and was only used to keep palace records, the purpose for which the script was devised. The Linear B syllabary and the knowledge of writing in general died out among the Greeks with the destruction of Mycenaean civilization during 10. For the early history of the alphabet, see Healey 1990 and Powell 1991, 5–118. For a general survey of the complex relationship between memory, orality, and literacy in archaic and classical Greece, see Thomas 1992. For the origin, diffusion, and other issues of the Etruscan alphabet, see Cristofani 1972 and the same author’s essay in Ridgway and Ridgway 1979, 373–412. For the question of literacy during the early and middle Roman republic, see Harris 1989, 149–74, and for a treatment of literacy in early central Italy with particular attention to the question of the nature of the surviving evidence, see Cornell 1991.
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the early twelfth century B.C. The Phoenician consonantal alphabet of twenty-two letters, on the other hand, survived the collapse of the Bronze Age civilizations and, during the early Iron Age, formed the basis of the Hebrew and Aramaic consonantal alphabets. Similarly, when the Greeks reestablished contacts with the Near East around 800 B.C., one of the first cultural borrowings and adaptations they effected was this same Phoenician script, which they modified into the world’s first true alphabet with characters used to represent both consonants and vowels, thereby producing a simple, precise, and unambiguous script that made the skills of reading and writing easier to acquire. The concept of writing spread very quickly throughout the Greek world, and slight changes were made from region to region, thus spawning socalled local Greek scripts. This process of diffusion and differentiation seems to have been completed by the third quarter of the eighth century B.C., when the Greeks began founding colonies in Sicily and southern Italy. As might be expected, colonies employed the local script of their mothercities; and it was the alphabet of the Euboeans, probably of Pithecusa and Cumae, that the Etruscans borrowed and adapted to express their own language in writing. The earliest Etruscan writing, consisting of simple signatures and labels on ceramic and metal objects, dates to about 700 B.C. Not only were the Etruscans the first people of Italy to use a writing system, but the Etruscan alphabet was in turn adopted and adapted by the other indigenous peoples of Italy, including the Latins and Romans. In fact, the numeric symbols we now term roman numerals were devised by the Etruscans, and taken over by the Romans. Thus it is fair to say that the Phoenicians, Greeks, and Etruscans formed the successive links of a complex chain of creative cultural borrowing and adaptation that planted the seeds of literacy in the soil of ancient Italy. Although the number of surviving Oscan, Umbrian, Venetic, Latin, Picene, and Messapic inscriptions earlier than the third century B.C. is quite small, the present corpus of Etruscan inscriptions numbers about ten thousand, of which a large proportion antedates 300 B.C.11 Nevertheless, fewer than ten of these inscribed texts are of any substantial length. Virtually all are very short funerary epitaphs or labels on votive offerings, wall paintings, pottery, mirrors, and other objects of daily use. Yet the sheer ubiquity of such brief tituli conveys the impression that reading and writing were not arcane skills in Etruria. This suggests that the Etruscans were by far the most literate native people of Italy before the fourth or third centuries B.C. During the past few decades some modern scholars have argued that the Greek cultural revolution of the archaic and classical periods was in part due to the invention of the Greek alphabet, whose simplicity significantly 11. For a selection of these texts, see Pallottino 1969.
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broadened literate culture and encouraged the development of rational institutions (e.g., Havelock 1982 and Goody 1986). Even though these claims are difficult to prove conclusively due to the scanty nature of the surviving evidence, and have therefore been challenged or played down by other scholars (e.g., Harris 1989, 45–64 and Thomas in Bowman and Woolf 1994, 33–50), it seems likely that the alphabet had a significant impact upon the cultural history of ancient Greece. The same may be cautiously concluded with respect to the alphabet’s importance to the early inhabitants of Etruria, Latium, and Campania. THE ARCHAEOLOGY OF EARLY LATIUM
Before ending this overview of major social, economic, and political developments in early central Italy, it is necessary to survey the archaeological data concerning early Latium.12 Along with Greek colonization of southern Italy and the rise of Etruscan civilization, this subject forms the general background to the origin and growth of the early Roman state and society. In addition, although the data are far from complete, thanks to excavations at several sites during the past twenty-five years, our knowledge and understanding of what archaeologists now term Latial Culture have been greatly expanded. The following are the chronological phases and subdivisions of Latial Culture that have been devised in recent years by archaeologists and are now in general use (all dates, of course, being approximate and before the common era):13 1000–900: LC I 900–830: LC II.A 830–770: LC II.B 770–740: LC III.A 740–720: LC III.B 720–620: LC IV.A 620–580: LC IV.B The first and second phases of the Latial Culture correspond respectively to the Proto-Villanovan and Villanovan archaeological cultures of Italy as a whole, whereas the fourth phase is contemporary with the orientalizing 12. For more detailed treatments of this subject, see Ridgway 1973–74; Civiltà del Lazio Primitivo 1976; Cornell 1980; Ampolo 1980; Enea nel Lazio 1981; Anzidei 1985; Cornell 1986; Bietti Sestieri 1992; Holloway 1994, 103–64; and Smith 1996. Gierow 1964–66 is a comprehensive synthesis of the early archaeological data from the area of the Alban Hills. 13. For an overview of the scholarly history behind this chronological system in the larger context of modern archaeology of early Italy, see J. C. Meyer 1983, 9–29, and for a detailed analytical demonstration of the relative chronology of the different phases of the Latial Culture, see the same work, 30–60.
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period of Etruscan civilization, and the third phase is transitional between the second and fourth phases. LC I is characterized by simple undecorated pottery and cremation as the dominant funerary rite, whereas in LC II cremation is replaced by inhumation, and pottery is decorated with simple patterns. Foreign influences are detectable in the pottery of LC III, and in the fourth and final phase both foreign pottery and its local imitation are represented. Different styles of female fibulae also play an important role in this chronological scheme. Broadly speaking, developments in the material culture of Latium in many ways resembled those in Etruria. Since the land of Latium, however, did not possess the mineral resources which attracted Phoenician and Greek prospectors and traders and formed the basis of the economic growth and prosperity of the coastal cities of southern Etruria, Latium was significantly poorer and in some ways resembled inland Etruria in its agricultural orientation and slower pace of cultural change. During the first two phases of the Latial Culture people lived in very small villages whose populations probably numbered no more than a few hundred at the very most. Before the advent of the masonry house to central Italy in the seventh century B.C., the typical dwelling was the simple hut, consisting of a single room, oval in floor plan with the major axis rarely exceeding twenty feet, and constructed of wattle and daub walls and a thatched roof pierced by a smoke-hole above the hut’s hearth. All pottery was handmade with each household probably producing what they needed. Since the potter’s wheel was not introduced until the eighth century, the round shape of vessels was produced by coiling; and since pottery was heated in the open fire and not in a kiln with a diaphragm used to shield the vessel from the fire, its appearance was black. The only specialized skill in this simple society of subsistence agriculture was metalworking. In LC I the dead were cremated, and their ashes were buried in urns, accompanied by miniature replicas of everyday utensils. Ash urns of this period discovered in the Roman Forum and in the Alban Hills are miniature models of the people’s huts and were apparently designed to serve as the deceased’s dwelling for eternity (see fig. 2), but during LC II inhumation gradually replaced cremation as the usual means of disposing of the dead. Our most detailed view of Latial Culture during the second and third phases comes from the site of Osteria dell’Osa located near ancient Gabii, thanks to the careful excavation and thorough analysis of six hundred graves by Anna Maria Bietti Sestieri. The population of this settlement is estimated to have ranged between one hundred and three hundred people, and the graves of its cemetery are arranged in fourteen clusters which seem to represent family lineages over more than one generation. Grave goods accompanying the dead present the picture of a simple and poor society in which one’s age and gender largely determined one’s role and status. Moreover, although a rise in the quality of the grave goods over time reflects a
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Figure 2. Hut-shaped cremation urns.
modest improvement in the community’s economic conditions, the goods tend to be relatively uniform at any particular time and reveal only small differences in wealth. Given the high mortality rate for infants and children, it is not surprising to discover that their graves received worn and used pottery, whereas adults of vigorous years were buried with more and better-quality items. Inhumation was the general rule; but cremation, requiring a greater expenditure of energy, was used as a more honorific funerary rite and was reserved almost exclusively for adult males seventeen to forty-five years of age. These cremation graves were accompanied by fullsize or miniature weapons, clearly indicating the males’ role as warriors. Young females, on the other hand, were almost always buried with a spindle whorl used in making thread for weaving, which exemplified one of their more important roles in the society. Drinking sets were most often buried with the elderly, perhaps as a mark of honor or because their age had allowed them to accumulate a larger number of valuable objects. Women were buried with more personal ornaments than men. Adult males were usually buried with only a fibula, whereas women were often interred with
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beads and rings. In three inhumation graves (two female and one male), the body was covered or wrapped with a sheet whose edges were bordered with small bronze rings. Eventually, the community’s gradual increase in wealth and reception of outside influences are reflected in the grave goods. For example, miniature weapons alone accompanied male cremation graves of the earliest period, but full-size bronze ones were occasionally buried in later graves. The presence of amber jewelry and several vessels resembling Villanovan styles current in Etruria and Campania demonstrate the infiltration of outside influences. Similarly, the grave goods of LC III do not exhibit the same degree of consistency in terms of gender and age as those in the burials of LC II. This may reflect changes in a simple traditional society resulting from economic growth and increasing social differentiation. Most striking of all is a globular flask associated with one of the few female cremation graves. On it, scratched with a metal point, are the five Greek letters, EULIN. The graffito probably represents a personal name that may not even be Greek. The grave is dated to LC II.B and is probably no later than the first quarter of the eighth century. Consequently, the incised letters constitute the earliest example of Greek alphabetic writing thus far discovered. The bronze hoard discovered at Ardea, consisting of both unworked and worked metal, had probably been accumulated for recycling and suggests a growing demand for metal objects and the concomitant expansion of the metallurgical craft. With the introduction of the potter’s wheel in the eighth century, pottery production joined metallurgy as a skilled industry, and wheel-made ceramic ware drove out domestically produced handmade pottery. Archaeological surface survey work in the vicinity of Antemnae, Fidenae, and Crustumerium along the Tiber north of Rome indicates that the countryside began to be occupied by farmsteads during the seventh century. This points to population growth and the intensification of farming. The grape and olive must have been cultivated in Latium during the archaic period, but it cannot be known on what scale. The increased exploitation of the land resulted in an agricultural surplus that brought into being a new affluent lifestyle of local elites. Their conspicuous consumption is best illustrated by the graves of Castel di Decima and the princely tombs of Praeneste. Just as the site of Osteria dell’Osa has revolutionized modern understanding of LC II and III, the graves of Castel di Decima, located ten miles south of Rome on the Via Ostiensis and thought to be the ancient site of the early Latin community of Politorium, have done the same for LC IV. The site’s cemetery has yielded three hundred graves dating to LC III and IV. The majority are simple inhumations accompanied by no or only modest grave goods, but the richer ones clearly show a gradual increase in wealth, culminating in the richest graves of the seventh century. Several women were buried dressed in garments ornamented with amber and glass beads
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and wearing silver or gold fibulae, with their hair bound with silver wire. Bowls for mixing wine were also buried with women. This suggests that, as in contemporary Etruria, the well-to-do women of Latium participated in symposia and were even responsible for dispensing the drinks. Punic wine amphorae testify to the importation of foreign wine, which was probably served at banquets to display the host’s wealth. Weapons were commonly buried with males. The richest grave contained a lance, sword, breastplate, three shields, and a small two-wheeled chariot. Indeed, two-wheeled chariots were included in six graves, one of them that of a woman whose body was adorned with an amber and gold pectoral, gold hair rings, and a robe decorated with amber and glass beads. In 1855 and 1876, there were discovered at Praeneste the Barberini and Bernardini tombs, the two richest sepulchers of early Latium. Both in their date (second quarter of the seventh century) and in the extraordinary quantity and splendor of their precious objects, they correspond to the Regolini-Galassi tomb of Caere, and their contents are on display in Rome in the Museo Nazionale di Villa Giulia (Densmore Curtis 1919 and 1925). The Bernardini tomb was an underground chamber constructed from a pit five and a half feet deep, approximately seventeen feet long, and twelve and a half feet wide; its walls were lined with tufa blocks. The vast amount of bronze, silver, gold, amber, and ivory objects (plaques, tripods, cauldrons, bowls, cups, shields, knives, etc.) present in these two tombs testifies to the incredible wealth accumulated by the deceased. The occupant of the Bernardini tomb might have been a woman who bore the Latin name Vetusia, because one of the tomb’s silver bowls is engraved with this name. The artistic style of this material, depicting human figures, animals, and mythical creatures, derives from the Near East, but many of the objects are believed to have been manufactured in western colonial workshops by artisans operating within this artistic tradition. Nevertheless, some of the objects are likely to have been imported from the Near East itself. One such object is a silver bowl whose central decorative scene shows an Egyptian pharaoh killing his enemy. The accompanying hieroglyphic inscription is gibberish and was apparently included to add color to the Egyptian content of the artwork, but a Phoenician inscription gives the name of the artist: “Eshmunazar son of Asto.” Until recently, modern scholars had generally regarded the Barberini and Bernardini tombs as indicating that, like Rome during much of the sixth century B.C., Praeneste came under the rule of Etruscan overlords for part of the seventh century. But the rich tombs discovered at Castel di Decima have now rendered this conjecture unnecessary. Moreover, similar “princely tombs” dating to the seventh century B.C. have been found at Cumae, Pontecagnano in southern Campania (D’Agostino 1977), and even as far afield as Novilara on the Adriatic coast in Picenum (Trump 1966, 164–65).
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Thus, these rich Praenestine sepulchers can be viewed as the Latin manifestation of a larger aristocratic cultural koine that pervaded central Italy during the orientalizing period and cut across ethnic and linguistic boundaries. From the middle of the seventh century B.C. onwards, houses built on stone foundations and covered with roof tiles began to replace simple wattle and daub thatched huts. Conversely, the prodigal display of personal wealth in tombs ended with the close of the orientalizing period c. 580 B.C. This major change in funerary practice was not confined to Latium but was characteristic of central Italy as a whole, which once again suggests the existence of a larger cultural koine. This shift is likely to have stemmed from a major change in social attitude, according to which it seemed more fitting to expend resources on the living than on the dead. Indeed, the sixth century was a period characterized by considerable public building of temples, such as that of Minerva at Lavinium and the one to Mater Matuta on the acropolis of Satricum, to name just two. Thus, by the end of the sixth century, Latium had experienced many of the same social and economic changes that were responsible for transforming Greece and Etruria from societies of simple villages into ones organized into city-states: the development of skilled metallurgical and ceramic manufacturing, population growth and increased agricultural production, the replacement of villages by towns, and the rise of local elites whose wealth was converted into social status, religious authority, and political power. Nevertheless, Latium’s lack of mineral resources relative to Etruria meant that in general its communities were not as fully integrated into the commercial activities of the western Mediterranean. For example, although Lavinium and Ardea resembled Caere and Tarquinii in being settlements located a few miles inland from the coast on rivulets that joined them to the sea, the former did not experience the growth and prosperity of the latter because of the absence of mineral deposits. Nor were trading settlements such as Pyrgi and Graviscae established on the Latin coast downstream from Lavinium and Ardea. Yet the discovery at Lavinium of a bronze plaque dating to the late sixth century and recording a dedication to Castor and Pollux, the twin Greek gods who watched over seafarers (see Gordon 1983, #2), indicates that by this date Latium was certainly not impervious to foreign cultural influences.
Chapter 3
The Ancient Sources for Early Roman History
The history of Rome’s regal period and early republic is highly problematic due to the fact that ancient accounts were written during the second and first centuries B.C., long after the events that they described.1 Consequently, modern historians often disagree substantially in their interpretations and reconstructions, depending upon their presuppositions concerning the reliability of the ancient sources and the criteria by which ancient traditions should be considered accurate. Thus a serious study of early Roman history cannot be undertaken without a clear understanding and continual examination of the nature and veracity of the ancient sources that purport to record the history of Rome’s distant past. The two most important ancient accounts of early Rome that have survived from antiquity are the first ten books of Livy’s History of Rome and the Roman Antiquities of Dionysius of Halicarnassus, both of which were composed during the closing decades of the first century B.C. But since these two narratives came at the end of nearly two hundred years of a long and varied historiographical tradition, and were the authors’ own synthesized redactions of earlier histories which are now lost except in fragments,2 a survey of the ancient sources for early
1. For other treatments of this subject, see Raaflaub and Cornell in Raaflaub 1986, 47–65; Ogilvie and Drummond in CAH VII.2 1989, 1–29; Cornell 1995, 1–30; and Oakley 1997, 3–108. 2. The term “fragment” is used by modern scholars of ancient history to refer to a portion of a lost ancient historical account that now survives in another surviving ancient literary text. A fragment can be either a verbatim quotation from a lost work or a paraphrase of a portion of its content. See Brunt 1980. In some instances (e.g., Cincius Alimentus, Postumius Albinus, and C. Acilius), we possess only a few fragments from a lost work and are therefore almost entirely ignorant of the work’s nature and content, but in other cases (e.g., Cato, Calpurnius Piso, Claudius Quadrigarius, and Valerius Antias), the fragments are sufficiently numerous to
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Roman history may properly begin with an overview of Livy’s and Dionysius’s predecessors.3 THE ANNALISTIC TRADITION
As they did in many aspects of culture and literature, the Romans adopted the practice of historical writing from the Greeks, but the Greeks themselves did not begin to pay serious attention to Rome in their historical accounts until the Pyrrhic War (280–275 B.C.), when Rome was completing its subjugation of Italy and was involved in a war with the Greek city of Tarentum. Timaeus, a native of the Sicilian Greek town of Tauromenium, in his detailed history of the western Greeks from earliest times down to the eve of the First Punic War between Rome and Carthage (i.e., 264 B.C.), not only narrated the events of the Pyrrhic War but also treated Rome’s mythical origin and early history in some detail. He visited Lavinium in Latium and made inquiries concerning the nature of the Penates worshipped by the Latins. He was somewhat familiar with the Roman yearly sacrifice of the October Horse, which he explained with reference to the Romans’ descent from the Trojans. He dated the foundations of Rome and Carthage to the same year (814/3 B.C.); and he ascribed the invention of Roman bronze money to King Servius Tullius.4 Another Sicilian Greek, Philinus of Acragas, wrote a contemporary historical account of the First Punic War (264–241 B.C.), but it was the momentous nature of the Second Punic or Hannibalic War (218–201 B.C.) that apparently prompted two Roman senators, Q. Fabius Pictor and L. Cincius Alimentus, to write the first native
give us a fairly clear picture of the work’s structure, overall reliability, and historical methodology. The fragments of the lost histories of Roman republican authors are set out in their Greek and Latin texts in Peter 1914. It should be noted, however, that Peter ignored as fictitious the numerous citations of republican writers in the Origo Gentis Romanae, a short Latin treatise of late antiquity concerned with Roman mythology from primordial times down to the city’s foundation by Romulus. For the rehabilitation of this work’s citations see Momigliano 1958. The Latin text of this treatise is published in Pichlmayr 1970. In recent years, other editions of the lost histories of republican Rome have been produced, usually accompanied with a detailed introduction, notes, commentary, and/or translation into a modern language: Chassignet 1996 for Q. Fabius Pictor, L. Cincius Alimentus, A. Postumius Albinus, C. Acilius, and the Annales Maximi; Chassignet 1986 for Cato; Santini 1995 for Cassius Hemina; Forsythe 1994 for Calpurnius Piso; and Walt 1997 for Licinius Macer. 3. For other surveys of some or all of these writers, see Badian 1966; Gabba in Origines de la République Romaine 1967, 135–69; Gentili 1975; Rawson 1976; Forsythe 1994, 25–73; and Forsythe 2000. 4. For Timaeus in general see T. S. Brown 1958, Momigliano 1977, and Pearson 1987. Concerning the Penates, October Horse, foundation date, and Servius Tullius, see Dion. Hal. 1.67.4; Polyb. 12.4 b 1; Dion. Hal. 1.74.1; and Pliny NH 34.43. All Timaeus’s fragments are collected in Jacoby 1950, no. 566.
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histories of Rome.5 Their works were written in Greek, the literary language of the Hellenistic world, and they did not simply narrate the history of the Second Punic War but also recounted Roman affairs from mythical times down to their own day. Fabius Pictor’s surviving fragments suggest that the traditions of the regal period were already well developed and in large measure resembled what we find in Livy’s first book. Yet Dionysius (1.6.2) indicates that although the histories of Pictor and Alimentus were relatively detailed concerning Rome’s foundation and the period of the Punic Wars, they passed over the intervening time span in a summary fashion. Two other Roman senators, A. Postumius Albinus and C. Acilius, composed similarly all-encompassing histories of Rome, but since we possess very few fragments from these works, their scale and nature are unknown.6 The first Latin narrative of Roman history was written by the poet Q. Ennius (239–169 B.C.), who composed his Annals in dactylic hexameter verse (see Skutsch 1985). This national epic—heroic, moralizing, and patriotic in nature—was a staple for educating Roman schoolboys and thus shaped the Romans’ view of their past until its account of Rome’s Trojan origin was supplanted by Vergil’s Aeneid during the Augustan principate. The poem treated the Trojan connection and the regal period in the first three books, the early republic in the next two, and Roman affairs from the Pyrrhic War onwards in the remaining thirteen. The first Roman history composed in Latin prose was written by Cato the Elder (234–149 B.C.), and after that, with few exceptions, the Romans wrote their histories in Latin. Cornelius Nepos in his brief biography of Cato (3.3–4) describes the work as follows: He set about writing history in his old age. It consists of seven books. The first book contains the deeds of the kings of the Roman people, whereas the second and third books describe the origin of each Italian community, and for this reason it seems, all the books were called Origines. The First Punic War is in the fourth book, and the Second Punic War is in the fifth book. All these matters are described in a summary fashion. He narrated the remaining wars in the same manner down to the praetorship of Servius Galba [150 B.C.], who plundered the Lusitanians. He did not mention the commanders of these wars by name, but he recorded affairs without names. In these books he set forth the events of Italy and the two Spains as well as what seemed marvelous in these areas. He expended much energy and care upon these books but no learning.
5. In addition to the modern works cited above nn.2–3, see Timpe 1972 and Verbrugghe 1979 for two contrasting treatments of Fabius Pictor, and see Verbrugghe 1982 for Cincius Alimentus. 6. Since Fabius Pictor, Cincius Alimentus, Postumius Albinus, and C. Acilius wrote their Roman histories in Greek, their fragments were collected in Jacoby 1958 as historians nos. 809–10 and 812–13.
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The numerous fragments from this work bear out Nepos’ description. The second and third books seem to have resembled the kind of Greek ethnographic history found in Herodotus and the fragments of Timaeus. The fragments from the last four books are largely concerned with the military affairs of the middle republic, and the fragments from the first book treat the regal period. Thus there is a strong possibility that Cato ignored the traditions of the early republic altogether, or at least treated them in a very cursory fashion.7 Following Cato, L. Cassius Hemina wrote a history probably comprising no more than five books, the first of which seems to have resembled the second and third books of Cato’s Origines in recounting the mythical origins of the towns and peoples of central Italy. The work’s second book covered both the regal period and the early republic. The surviving fragments suggest that Hemina had relatively little interest in military affairs but was keenly interested in religion and cultural history.8 L. Calpurnius Piso Frugi composed a historical account in seven or eight books, which he probably published after his censorship of 120 B.C. Like Livy and Cato, Piso treated the regal period in his first book, while the events of the early republic were narrated in his second and third books. The latter, probably the most detailed account of the early republic written thus far, described events by using an annalistic framework and may have been the very first Roman historical account to employ this kind of structured narrative to depict the early republic (Forsythe 1994). All histories of Rome written thus far by Romans had been composed by senators and were relatively brief accounts of names, dates, and major events. By the close of the second century B.C., however, detailed Greek histories such as that of Polybius, comprising thirty-nine books to describe in great detail Rome’s conquest of the Mediterranean during the period 264–146 B.C., inspired Romans to write much lengthier works and to experiment with writing historical monographs on individual wars. Moreover, the writing of history was no longer a preserve of the Roman senator experienced in public affairs. It now became the occupation of men who possessed great literary skills, but who often lacked a practical knowledge of politics, diplomacy, and warfare. Thus, for example, Coelius Antipater (c. 100 B.C.), using earlier detailed histories written by Greeks, wrote a history of the Hannibalic War in seven books; and Sempronius Asellio, patterning his work after Polybius, devoted fifteen books to the period c. 150–90 B.C. Conversely, from this point onward other authors wrote greatly expanded
7. On this matter see Forsythe 1994, 46–48; 2000, 4. For a general discussion of Cato’s Origines, see Astin 1978, 211–39 with Kierdorf 1980. 8. For Hemina see Rawson 1976, 690–702; Scholz 1989; Forsythe 1990; and Santini 1995.
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histories of Rome from its foundation down to their own day. The first such was Cn. Gellius, whose work comprised at least ninety-seven books. His first book seems to have been patterned after the second and third books of Cato’s Origines and the first book of Cassius Hemina in describing the mythical origins of the various peoples and communities of Italy. Romulus’s reign was treated at the end of his second book and the beginning of his third. The expansive scale of Gellius’s history is apparent from the fact that he described events of the year 389 B.C. in his fifteenth book, whereas Livy treated the same matters in his sixth. This literary expansion was largely achieved through the inclusion of lengthy speeches and battle narratives, which—for early Rome—were entirely invented and were intended to enliven his work and make it more entertaining for his readers. Although Livy did not make direct use of Gellius’s history, Gellius was a major source for Licinius Macer and for Dionysius, who was apparently attracted to his rhetorical incontinence and meticulous attention to fictitious details.9 During the 80s and 70s B.C., Q. Claudius Quadrigarius, probably in reaction against the fictional character of Gellius’s treatment of early Rome, compiled a history whose starting point was not Rome’s mythical origin but the Gallic capture of Rome in 390 B.C. Quadrigarius chose to begin his narrative at this point because he believed that during the Gauls’ occupation of the city all written records had been destroyed, and all historical traditions concerning events prior to 390 could therefore be regarded as untrustworthy (see Plutarch’s Numa 1.2). Livy paraphrased this sentiment at the beginning of his sixth book and used Quadrigarius as a source throughout his second pentad. The fragments suggest that Quadrigarius was almost exclusively interested in military affairs. During the last generation of the Roman republic, major histories were written by C. Licinius Macer, Valerius Antias, and Q. Aelius Tubero, all of whom Livy and Dionysius used as sources for their own works (see Ogilvie 1965, 7–17). As tribune of the plebs in 73 B.C., Macer was a staunch proponent of the populist politics of the day, which sought to restore full, traditional powers to the plebeian tribunate by overturning the restrictions placed upon the office in the recent constitutional reforms of the dictator Sulla.10 Macer’s fragments clearly display his keen interest in the struggle of the orders during the early republic. In fact, three fragments (Livy 7.9.3, 9.46.3, and 10.9.7–13 with 10.11.9) demonstrate that Macer was not averse to outright fabrication in order to enliven his narrative with spurious 9. For Gellius see Rawson 1976, 713–17 and Forsythe 1994, 163–64 and 229–32. For the practice of literary embellishment in ancient historiography see Wiseman 1979a, 3–40. 10. For Sallust’s rendition of Macer’s fiery political oratory during his tribunate, see Sallust Historiae III.48.1–28 = pp. 420–31 of the Loeb Classical Library edition of Sallust. For a detailed analysis of this speech see Walt 1997, 11–28.
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conflicts between patrician and plebeian officials. But perhaps the most sensational and shameless fabricator of the Roman annalists was Valerius Antias, who probably composed his history, consisting of at least seventyfive books, during the period c. 65–45 B.C. His work is frequently cited by Livy, who complains of his unreliability and indicates that he enjoyed inventing both major occurrences and minor details.11 Thus by the time that Livy and Dionysius came to write history, Roman historiography had a complex development of nearly two hundred years behind it, and there were numerous sources at hand from which they could fashion their own works. THE ANTIQUARIAN TRADITION
In addition to this rich and varied historiographical tradition, antiquarian scholarship, a similar but separate literary tradition, likewise arose and flourished during the last two centuries B.C., and the results of its research often provide modern scholars with valuable information about early Rome. Like the ancient historical accounts just surveyed, however, the antiquarian literature of the Roman republic survives almost entirely through its use by later extant authors. Roman antiquarians were not directly concerned with reconstructing and narrating the political and military history of the Roman state. They were interested in the history of the Latin language, including the original meaning and history of words. Nonetheless, since much of their research involved investigating the language, meaning, and terminology of religious and legal documents surviving from earlier times, their writings often devoted considerable attention to the history of Roman social, political, military, religious, and legal institutions and practices. The Roman antiquarian tradition can perhaps be said to begin with the publication of a treatise on the Roman religious calendar, written by M. Fulvius Nobilior, consul in 189 B.C. and a patron of the poet Ennius. Several significant antiquarian writers flourished during the second half of the second century B.C. Besides writing histories of Rome, Fabius Maximus Servilianus (consul 142 B.C.) and Numerius Fabius Pictor (a descendant of Rome’s first native historian) both wrote treatises on pontifical law. Junius Gracchanus, who received his surname from having been a close friend of the revolutionary politician C. Sempronius Gracchus (died 121 B.C.), wrote a work entitled De Potestatibus, which concerned the history of Roman customs and institutions and the powers of 11. For example, see Livy 3.5.12–13. For Antias and Livy in general, see Howard 1906, and for a discussion of Antias’ influence upon the late annalistic tradition in his glorification of members of the Valerian family during the regal period and the early years of the republic, see Wiseman 1998, 75–89.
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the various magistrates.12 L. Aelius Stilo (c. 150–80 B.C.) published works on the archaic language of the hymn of the Salian priests and on the Law of the Twelve Tables. Atticus (110–32 B.C.), intimate friend of Rome’s greatest orator, Cicero, not only shared his antiquarian learning with the latter (whose voluminous extant writings were thus enriched), but his Book of Chronology (Liber Annalis) outlined the whole of Roman history in a single volume and set forth its chronology in such a definitive and convincing manner that the scheme was adopted by Varro, and from the Augustan age onward this so-called “Varronian” chronology was the official chronology of the Roman state (see the Appendix).13 The greatest Roman antiquarian of all was M. Terentius Varro (116–27 B.C.), who throughout his long life wrote at least fifty-five treatises on a wide range of subjects.14 According to one ancient source, Varro had completed the writing of 490 volumes by his seventy-eighth year. Unfortunately, the only one of his works that has survived to us intact is a treatise on agriculture (De Re Rustica), but substantial portions of his twenty-book examination of the Latin language (De Lingua Latina) have come down to us and contain much valuable information on early Roman institutions. In addition, a considerable amount of his scholarship, especially in the area of religion, has been preserved for us indirectly in the writings of later ancient authors such as Pliny the Elder, Aulus Gellius, Servius, Macrobius, and the Christian writers Tertullian, Lactantius, Arnobius, and Augustine. The last major Roman antiquarian important for the study of early Rome is Verrius Flaccus, who flourished during the Augustan age and was therefore a contemporary of Livy and Dionysius. A significant portion of his scholarship, like Varro’s, has been preserved indirectly in the writings of later surviving authors. One of his most important treatises, De Significatu Verborum, was a kind of antiquarian dictionary, in which archaic Latin words and phrases were arranged in alphabetical order, and their meanings were discussed and explained. Although this work has not survived, we possess a later abridgement of it by Sex. Pompeius Festus (c. 200 A.D.). A substantial portion of Festus’s text (A-L) has been lost, but this loss is partially remedied by the survival of an eighth-century A.D. summary of the work by Paulus Diaconus. Despite the unfortunate state of its preservation, Festus’s text contains much valuable information for the modern student of early Rome.15
12. For the fragments see Bremer 1896 I. 37–40. 13. For Atticus’s life and scholarly activity, see Münzer 1905 and Perlwitz 1992. 14. For an evaluation of Varro see Baier 1997. 15. Modern scholars normally cite Festus according to the pagination of the Teubner text edited by W. M. Lindsay; and in order to signify the fact that this text, rather than some other earlier edition, is being used, L is placed after the relevant page number.
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ancient sources for early roman history LIVY AND DIONYSIUS OF HALICARNASSUS
Livy (59 B.C.–A.D. 17) was born at Patavium (modern Padova or Padua) in northeastern Italy, not far from Venice. He does not appear to have held any public office or to have performed any military service, but allusions to him in the works of Seneca the Elder and Quintilian indicate that he was a rhetorician by training and profession.16 In his later years, after he had gained a reputation as a writer of Roman history, he is said to have encouraged the literary endeavors of Augustus’s grandnephew Claudius (later emperor 41–54 A.D.), who wrote two histories: one of Carthage, and another of the Etruscans. Livy seems to have begun writing his history of Rome around 30 B.C. and might have still been writing right up to his death. The history comprised 142 books, beginning with Rome’s foundation and ending with the year 9 B.C. The books of the history were clearly organized into groups of five (pentads) or of ten (decades) and were probably published in installments of five or ten books (Stadter 1972). Of the 142 books, only 1–10 and 21–45 have survived. The first ten books cover Roman affairs down to 293 B.C. and constitute our single most important source on early Roman history. This first decade may have been published around 20 B.C. (Luce 1965). Books 21–45 narrate Roman history for the years 218–167 B.C. Livy’s history was so successful that it was soon acknowledged as the standard account of the Roman republic and eventually supplanted all earlier histories. Nevertheless, the work’s huge size proved a hindrance to its complete preservation. In later centuries abridged versions abounded. Consequently, although only about one-third of the entire work has survived intact, we possess brief summaries of all the books, as well as later ancient condensations and adaptations of the history. Livy did not possess the keen analytical intellect of a Thucydides, nor was he a shameless fabricator like Valerius Antias. Livy’s real talent lay in his ability to arrange his material skillfully and economically, to construct an artistically pleasing narrative, and to depict individual episodes with great dramatic effect. Since most events covered in his history long preceded his own time, Livy did not engage in any original research into official documents, but was content to compare and synthesize the different accounts of earlier historians. Generally speaking, he adopted an agnostic attitude toward the received traditions of early Rome, and he did little more than try to reconcile discrepancies in his sources by using arguments from probability, a mainstay of ancient rhetorical training. Thus Livy was not particularly concerned with ascertaining detailed points of historical fact. Rather, he was much more interested in larger moral and patriotic themes. Like many other ancients, he believed that the value of history lay in providing 16. Seneca Controv. 9.1.14; 9.2.26; 10. praef. 2; Quintilian 1.5.56; 1.7.24; 2.5.20; 8.1.3; 8.2.18; 10.1.39; and 10.1.101.
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people with good and bad models of conduct to be emulated and to be avoided respectively. His history has a decidedly moral and patriotic tone.17 Dionysius of Halicarnassus was an exact contemporary of Livy.18 He came to Rome in 30 B.C. and began teaching Greek rhetoric to members of the Roman upper class. In addition to having written critical treatises on famous Greek orators, Dionysius wrote a stylistic critique of the Greek historian Thucydides, which he dedicated to the Roman historian and jurist Q. Aelius Tubero (Pritchett 1975). A century earlier, Polybius had published his detailed history in Greek of Rome’s conquest of the Mediterranean during the period 264–146 B.C., but since all other historical accounts written in Greek had failed to treat early Roman history in as much detail as the Latin annalists of the late republic, Dionysius undertook to write such an account for his fellow Greeks. The product was his Roman Antiquities, comprising twenty books and covering Roman affairs from earliest times down to 264 B.C. The work was completed by 7 B.C. and was Dionysius’s own synthetic redaction of the histories of Cn. Gellius, Licinius Macer, Valerius Antias, Aelius Tubero, and other native Roman writers. Only the first eleven books of this work, treating events down to 449 B.C., have survived. Portions of the remaining nine books have come down to us in excerpts made by later Byzantine writers. The work is far more lavish and rhetorical than Livy’s first decade. This often makes for tedious reading. Even the most casual comparison of Dionysius’s history with Livy’s first ten books reveals the latter’s judiciousness and discriminating restraint and the former’s unbridled verbosity. Nevertheless, since Dionysius was writing for a Greek audience whom he assumed to be not particularly well informed concerning Roman customs and institutions, his narrative is oftentimes more informative than Livy’s, because the latter tends to omit many details with which his Roman readers were familiar. Furthermore, even though Livy and Dionysius generally drew upon the same earlier historical accounts 17. Walsh 1963 and 1974 are two excellent surveys of Livy and his work. Dorey 1971 and Schuller 1993 are collections of essays written by different authors on various aspects of Livian scholarship. Ogilvie 1965 is a detailed commentary on the first pentad. Oakley 1997 is a thorough introduction to the second pentad and exhaustive commentary on Book VI. Oakley 1998 is a similarly detailed commentary on Books VII-VIII. A third volume soon to be published by the same author will treat Books IX-X. Phillips 1982 is a detailed bibliographical essay concerning modern scholarship on Livy’s first ten books. Luce 1977, 139–297 is an excellent treatment of Livy’s methods in writing his history by synthesizing earlier historical accounts. Forsythe 1999 discusses Livy’s historical methods and judgment throughout the first decade. Gutberlet 1985 attempts to detect the influence of the political violence of the late republic in Livy’s first ten books. Ridley’s study in Eder 1990, 103–38 is the single best essay on Livy’s attitude toward the struggle of the orders. 18. For a relatively recent treatment of Dionysius and his Roman Antiquities in the broader context of Augustan Rome and Greek society, see Gabba 1991. For an examination of his ideas on historical writing, see Sacks 1983. For his ideology in portraying the regal period, see Fox 1996, 49–95.
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for compiling their narratives, their treatments of individual events often diverge markedly, thus providing modern scholars with important glimpses into the heterogeneity of the Roman annalistic tradition. CICERO AND DIODORUS SICULUS
Two other ancient writers important for early Roman history and therefore deserving comment are Cicero and Diodorus. M. Tullius Cicero (106–43 B.C.) was Rome’s greatest orator, whose numerous speeches and nearly one thousand letters make the years 65–43 B.C. the best documented period of classical antiquity. Besides speeches and letters, Cicero wrote a large number of philosophical and rhetorical essays that contain valuable allusions to events in earlier Roman history. Two essays of particular interest to the modern scholar of early Rome are De Re Publica and De Legibus, which were roughly patterned after Plato’s two famous works, The Republic and The Laws. Book 2 of De Re Publica traces the political and constitutional history of the Roman state as an ideal model for the evolution of the mixed constitution. Unfortunately, the text is not complete and contains many gaps, but it is still an important narrative for the tradition of the regal period and of the early republic down to 449 B.C. Books 2–3 of De Legibus discuss the laws that an ideal state should possess; and since these laws are largely those of the Roman state, the treatise is a valuable source of information concerning Roman institutions. Diodorus Siculus was a Sicilian Greek, who wrote a universal history of the ancient world in forty books, beginning with the mythical past and coming down to the year 60 B.C. He seems to have written during the 50s, 40s, and 30s B.C. Only Books 1–5 and 11–20 have been fully preserved, and the latter narrate the events of the fifth and fourth centuries B.C.; but since Diodorus for this period is almost entirely interested in recording the events of mainland Greece, the Persian Empire, and the western Greeks, he describes Roman affairs very briefly and usually only when there is some truly momentous event to relate, such as the decemviral legislation, the Gallic capture of Rome, or major events of the Second Samnite War. Otherwise, he is content merely to record the names of Rome’s eponymous magistrates for each year along with the name of the eponymous archon of Athens. Consequently, his narrative is an additional source for the early list of Roman magistrates, even though the lists, especially of the colleges of military tribunes with consular power, often contain omissions and errors due to his carelessness or that of later copyists (Drummond 1980). Nevertheless, Diodorus’s list of Roman magistrates contains a few major differences from those of Livy, Dionysius, and the Fasti Capitolini which are of historiographical interest (Drachmann 1912). Since some of his detailed Roman material differs from Livy’s account, there has been much modern
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scholarly speculation concerning the nature and identity of his Roman source or sources (Perl 1957 and Cassola 1982, 724–58). Since Mommsen (1879) advanced the view that Diodorus’s source for Roman affairs was Fabius Pictor, modern scholars have sometimes given his account of events preference to others, but Mommsen’s hypothesis has now been generally discredited (Beloch 1926, 107–32 and Klotz 1937), and the oddities of Diodorus’s Roman material can usually be attributed to the author’s own carelessness and general indifference to the details of the annalistic tradition. ANCIENT DOCUMENTARY SOURCES
Now that Rome’s annalistic and antiquarian traditions have been briefly sketched, it may be reasonably asked upon what kind and quality of information these ancient historical and antiquarian works were ultimately based. One possible source of information that has figured prominently in modern scholarly treatments of early Roman history is the Pontifical Chronicle or Annales Maximi, whose genesis Cicero (De Oratore 2.52–53) describes as follows: From the beginning of Roman affairs to the chief pontificate of P. Mucius [130–115 B.C.], the chief pontiff [= pontifex maximus] used to write down all matters year by year, publicized (or recorded) them on a whitened board (album), and placed the tablet (tabulam) in front of his house, so that the people could learn from it. Even now they are called the Chief Annals (Annales Maximi). This form of writing has been followed by many who have left behind unembellished records of mere dates, persons, places, and deeds.
Servius Auctus, commenting in late antiquity on Vergil’s Aeneid 1.373, gives the following description of the chronicle’s content: Every year the pontifex maximus had a whitened tablet (tabulam dealbatam), upon which he first wrote the names of the consuls and of other magistrates. He then used to jot down day by day the events at home and abroad, both on land and sea, worthy of record. The ancients filled eighty books with these yearly commentaries of the pontiff’s diligence, and they called them the Chief Annals (Annales Maximi) from the chief pontiffs by whom they were composed.
The nature and history of Roman pontifical record keeping has been much discussed, and many different theories have been advanced.19 The most
19. For an overview of modern scholarly opinions, see Frier 1979 10–20, 162–72, and 179–80. See also Crake 1940; Bauman 1983, 290–98; Drews 1988a; Forsythe 1994, 53–71; Bucher 1995; and Forsythe 2000, 6–8.
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likely explanation, supported by ancient Babylonian astronomical diaries and medieval monastic Easter calendars, is that the whitened board of the chief pontiff was calendrical in nature.20 Other ancient sources indicate that during republican times, at the beginning of each month the rex sacrorum announced to the assembled Roman people the festivals to be observed that month. This announcement probably included the month’s legal calendar as well (Varro Ling. Lat. 6.27, Servius Auctus ad Aen. 8.654, and Macrobius Saturnalia 1.15.9–13). A whitened notice board must have been employed to supplement and reinforce these monthly oral proclamations, and in the course of time the chief pontiff, who was in charge of the custom, used the board to record events bearing upon his supervision of the public religion. The early Romans believed that the individual days of the year were either auspicious or inauspicious; and the pontiffs, who were responsible for regulating the calendar, were probably interested in recording the dates of major public events in order to determine empirically the favorable or unfavorable nature of each day of the year. Moreover, at the end of each year any pertinent data must have been copied from the whitened board into a more permanent and less bulky record, such as a linen scroll or wooden codex, and a new notice board was used for the next year. According to Cicero, the custom of this notice board went far back into the past and was not discontinued until P. Mucius Scaevola was chief pontiff. Many modern scholars have concluded that while Scaevola was chief pontiff, all accumulated pontifical data were compiled into the eighty books of the Annales Maximi, but Frier (1979, 27–48 and 192–200) has argued that Scaevola simply discontinued the custom of posting a notice board, and that the eighty-book edition mentioned by Servius Auctus was not compiled until early imperial times. This view, however, has been refuted in detail (Forsythe 1994, 53–71 and 2000, 7–8). Among other things, the contemporaneous works on pontifical law by N. Fabius Pictor and Fabius Maximus Servilianus constitute very strong circumstantial evidence that interest in such matters was characteristic of the late second century B.C. In fact, Pictor’s and Servilianus’s works were probably reworkings of the recently consolidated Annales Maximi, whose content they helped to disseminate and to incorporate into the developing Roman annalistic tradition. More recently, Bucher (1995) has argued that the Annales Maximi took the form of a series of inscribed bronze tablets nailed up on the outer wall of the Regia, but his thesis rests upon a flawed interpretation of Cicero’s De Oratore 2.52 quoted above (Forsythe 2000, 8–25). He regards album and tabulam as referring to two different objects, a whitened notice board and a bronze 20. For analogous ancient Babylonian record keeping, see Sachs 1948. For a discussion of the origin and nature of medieval monastic chronicles, see Thompson 1942, 158 ff.
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tablet; but the variation is more plausibly taken as Cicero’s use of two different words to describe the same thing so as to avoid verbal repetition in two adjacent phrases. Note that Servius Auctus combines tabula with an adjectival form of album to describe the pontiff’s wooden notice board. Even if we were to factor in pontifical material relevant to the civil law, which in fact was most likely preserved in its own separate archive, there never could have been enough pontifical material to fill eighty papyrus scrolls of the average size used for books of literary prose. To judge from the nature of our surviving sources, by Scaevola’s day the amount of authentic pontifical material preceding the middle of the fourth century B.C. must have been quite modest. Frier’s down-dating of the eighty-book edition to the early empire only shifts this embarrassing problem from one chronological context to another. On the other hand, when supplemented with other religious material and traditions already recorded in published histories, the pontifical material accumulated during the early and middle republic might have easily filled eighty wooden codices: for a bulky codex, even one of numerous thin wooden leaves, could not hold as many columns of writing as a papyrus scroll. Thus, eighty wooden codices comprising the Annales Maximi, suspended by hooks from rafters in a public building like other Roman official records, might have contained the equivalent of only fifteen to twenty average-sized books written on papyrus.21 The historical accounts of Livy and Dionysius contain certain kinds of information that modern scholars have generally supposed to derive ultimately from the Pontifical Chronicle: the list of annually elected consuls (fasti consulares), major military defeats and the celebration of triumphs, the deaths of priests, the dedications of new temples and the institution of new religious celebrations, plagues, food shortages, and the occurrence of unusual phenomena that the Romans regarded as divine prodigies requiring expiation (e.g., eclipses, monstrous births, and damage or death caused by lightning).22 Such material forms a very small portion of Livy’s and Dionysius’s narratives. At most the historical data preserved in the Annales Maximi would have provided their accounts with a skeletal chronological framework of major events, whose narrative had to be fleshed out by other means. The surviving fragments from the works on pontifical law written by N. Fabius Pictor and Fabius Maximus Servilianus, whose content probably resembled that of the Annales Maximi, largely contain detailed contemporary religious regulations and verbal formulae used in ceremonies (Peter 1914, 114–16 and 118). This suggests that the eighty books of the Annales 21. For the history of the ancient book form, see Kenyon 1951, and for a survey of Roman archival practices, see Posner 1972, 160–223. 22. For a skeptical view concerning the Pontifical Chronicle as the source of Roman prodigy lists, see Rawson 1971a, but for counterarguments see Ruoff-Väänänen 1972. On the names of priests preserved in Livy, see Rüpke 1993.
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Maximi comprised a relatively small amount of truly historically relevant data. It seems likely that histories such as that of Calpurnius Piso, written about the time of the compilation of the Annales Maximi, were the first works to incorporate systematically the relevant historical data gleaned from the Pontifical Chronicle, including an annalistic framework, and that subsequent historians did not need to consult the work directly but simply took the material over indirectly from other accounts. Another important source of documentary information for later ancient writers is thought to have been the texts of treaties and laws inscribed on durable materials such as stone or bronze, so that they still existed in historical times and were thus available to those interested in examining them. According to Dionysius (4.58.4), an ox-hide shield bearing the text of a treaty between Rome and Gabii, concluded during the reign of Tarquinius Superbus, was preserved in the temple of Dius Fidius on the Quirinal. Cicero (Pro Balbo 53) indicates that the Cassian Treaty with the Latins, dating to the year 493 B.C., was still to be seen during his own day engraved on a bronze column behind the Rostra in the Forum. Polybius (3.22–26) succeeded in locating the texts of three early treaties between Rome and Carthage, and used their contents to reconstruct the early diplomatic history between the two states. There can be no doubt that if such texts were properly dated and their main provisions accurately related, treaties could serve as important landmarks in charting Rome’s growing sphere of interest and influence in international affairs over the course of time. But the surviving ancient evidence suggests that Polybius’s translation and detailed explication of the early treaties between Rome and Carthage rarely, if ever, had parallels in other ancient accounts of early Rome. Dionysius (4.26) states that the sacred law attributed to King Servius Tullius, prescribing sacrificial procedures for the cult of Aventine Diana, could still be seen in his day, carved in archaic letters on a bronze tablet; and inscriptions of the early principate indicate that this so-called Aventine Canon was still serving as a model for Roman religious ceremonies.23 Dionysius (10.32.4) also says that a law passed in 456 B.C., which regulated private settlement on the Aventine Hill, was inscribed on a bronze tablet and placed in Diana’s temple. According to Livy (3.55.13), the plebeian aediles from the middle of the fifth century B.C. onwards were responsible for preserving the texts of senatorial decrees in the temple of Ceres on the Aventine. Thus it appears that at least some original documents of the early republic still existed in later historical times. The chances of a document’s survival must have been enhanced if it had been engraved on bronze or a 23. Inscriptions of the early empire from Narbo in Gaul, Salonae in Dalmatia, and Ariminum in northern Italy refer to this canon as forming the basis of cultic charters. See respectively ILS 112, 4907, and CIL XI: 361.
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durable type of stone, if it happened to be deposited in a temple where it might be left undisturbed as a religious dedication, and if its provisions did not become obsolete but continued to be somehow relevant. Only documents of particular importance, however, were likely to be engraved on stone or bronze, and many of the inscribed bronze tablets from early times were probably eventually melted down so that the metal could be reused. The great majority of laws and other official documents must have been written on much more perishable materials such as wood, parchment, and linen. Apart from the question of preservation, we may wonder how accurately ancient historians and antiquarians could read and interpret archaic Latin texts. Polybius (3.22.3) states that the language of the oldest treaty between Rome and Carthage was so archaic that even the most learned Romans of his day had difficulty in understanding it. As a general rule, legislative language tends to be convoluted and cryptic, and the actual content of laws is frequently complex, so that the brief summaries of supposed landmark statutes which we encounter in Livy and Dionysius, reported at second hand from earlier accounts at best, may not be very reliable. Furthermore, even if the text of a law survived into later times and was readily comprehensible, the document would have contained no information regarding the political and historical circumstances surrounding its passage. This could only be supplied by oral tradition or by the researcher’s own imagination, both of which might be quite unreliable. It just so happens that the chance discovery of an archaic Latin inscription furnishes us with one clear instance in which we can see how ancient historians and antiquarians dealt with such material. In 1899, the Italian archaeologist Giacomo Boni unearthed an inscribed stone from beneath a black marble pavement in the Forum near the Comitium and Rostra. The stone is oblong, measuring about two feet in length with four lateral faces; since one end is thicker than the other, it has the shape of an obelisk. It is therefore likely that before it was buried beneath the ancient pavement of the Forum in imperial times, it stood upright on its thicker end. Along the length of the four lateral faces have been inscribed sixteen lines of very early Latin, whose meaning is rendered even more problematic by the fact that a portion of the stone’s upper end was broken off, so that the text is incomplete (see Gordon 1983, #4). On the basis of the shapes of the inscribed letters, modern scholars generally agree in dating the inscription to about 500 B.C., making it one of the oldest surviving Latin texts. Although the precise meaning of the document is uncertain,24 four words are beyond 24. For two differing interpretations, see R. E. A. Palmer 1969 (a sacred law protecting a grove from pollution) and Dumézil 1979 259–93 (a sacred law regulating the procession of the rex sacrorum along the Sacra Via). Cf. Vine 1993, 31–64. Coarelli (1983, 161–99) has cogently argued that the stone belonged to the Volcanal, a precinct sacred to Vulcan, which contained an archaic altar and column.
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dispute: (1) sakros = classical Latin sacer, masculine nominative singular, meaning “sacred” or more likely “accursed,” thus alluding to the imposition of a religious sanction upon an offender of this law; (2) recei = classical Latin regi, indirect object in the dative case of rex, meaning “king,” thus referring either to the Roman king or to the rex sacrorum of the fledgling republic; (3) kalatorem = classical Latin calatorem, direct object in the accusative case, meaning “herald” or “crier,” referring to a minor official who was a kind of usher, possibly for the rex, whose duty was to clear a path for the king in public; (4) iouxmenta = classical Latin iumenta, nominative or accusative neuter plural, meaning “beasts of burden” and hence also “wagons,” “carriages,” “vehicles.” Since this so-called cippus of the lapis niger was not taken down and solemnly buried until imperial times, it must have stood near the Rostra throughout the republic and was therefore on permanent display for inspection by anyone interested in it. Ancient Roman historians and antiquarians, who probably had the benefit of examining the text in an undamaged state, thought that this inscribed stone was a tombstone, one thing which it certainly is not. At least three different views were offered concerning the identity of the alleged grave’s occupant. One was that it was the tomb of Faustulus, the herdsman who had rescued and raised Romulus and Remus, and who had been killed at this site in the Forum when the followers of Rome’s twin founders fell to quarreling over the auspices for naming the city. A second view was that it was the tombstone of Hostus Hostilius, the grandfather of King Tullus Hostilius, who had been killed during the fighting in the Forum Valley between the Romans under Romulus and the Sabines under T. Tatius, following the rape of the Sabine women. A third view was that it was the grave of Romulus himself.25 All three of these conjectures associate the inscribed stone with the reign of Romulus, thereby dating it to the second half of the eighth century B.C. ROMAN ORAL TRADITION AND GREEK MYTH
If we liken the use of the ancient literary tradition of early Roman history to modern paleontologists’ hypothetical reconstruction of a long-extinct, large, magnificent creature, the documentary data of the Pontifical Chronicle and the texts of laws, treaties, and religious dedications correspond to bones retrieved from an incomplete fossil record, whereas native oral tradition, Greek literary models, and the creative imagination of Roman writers are like the reconstructed flesh, organs, and skin. In this model we may suppose that ancient Roman writers did not possess a complete skeletal framework of early Roman history, that the skeletal remains might even have derived from more than one creature, and that their assemblage of 25. See Dion. Hal. 1.87.2; 3.1.2; and Festus 184L s.v. niger lapis.
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this basic structure might not have been free of errors. B. G. Niebuhr, a German scholar of the early nineteenth century, postulated that much of the content of the later literary tradition concerning the regal period ultimately derived from Roman bardic poems, sung at banquets during the early and middle republic. According to this “ballad theory,” the historical deeds of the kings were preserved, albeit distorted, in mythicizing heroic songs, whose content was taken over by ancient historians. An important component of Niebuhr’s thesis is Cicero’s citation of Cato’s Origines for the assertion that in earlier times banqueters were accustomed to sing the praises of famous men to the accompaniment of a flute.26 Although Niebuhr’s ballad theory has generally been dismissed by modern scholars,27 Zorzetti (1990, 289–95) has plausibly explained Cicero’s remarks as evidence that early Roman society adopted Greek sympotic culture, including the singing or recitation of lyric verse as a popular form of entertainment. Consequently, while Niebuhr’s notion of a fully developed bardic tradition in early Rome is to be rejected, aristocratic banquets could have provided a setting in which the singing of songs contributed in some degree to the formation of a national historical tradition. Yet as modern critics of Niebuhr have pointed out, Cicero’s words indicate that this tradition no longer existed in Cato’s day. From the middle of the third century onward, at major annual festivals, Roman playwrights produced for the public stage fabulae praetextae (tales in Roman formal dress) that dramatized both major contemporary events and episodes from the received historical tradition (Flower 1995 and Wiseman 1998, 1–16 and 153–64). In recent years, T.P. Wiseman has revived and further refined the notion that performances on the Roman stage were important in the development of Roman historical traditions. His basic working hypothesis is that, in a society in which literacy was not widespread, public spectacles at annual festivals or accompanying triumphs, temple dedications, and aristocratic funerals constituted an important medium for creating, adapting, and propagating popular traditions, which in many instances became part of the later literary historical tradition of the Roman state. Wiseman (1994, 1–22) argues that Roman society was open to Greek and 26. Cic. Brutus 75: “Would that there existed those poems which, as Cato has written in his Origines, used to be sung many generations before his age at banquets by individual diners concerning the praises of famous men!” Cic. Tusc. Disp. 1.3: “It is written in the Origines that diners at banquets were accustomed to sing of the virtues of famous persons to the accompaniment of a flute player.” Cic. Tusc. Disp. 4.3: “Cato, a very weighty authority, has stated in his Origines that among our ancestors there had been a custom at banquets for those who reclined on couches to take turns singing the praises and virtues of famous men to the accompaniment of a flute.” 27. For a detailed discussion of Niebuhr’s thesis and its history in modern scholarship, see Bridenthal 1972. Cf. Momigliano 1957 and Fraccaro 1957.
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Etruscan influences from very early times, and he uses archaeological finds to suggest that Greek myths and related stories were in circulation in central Italy during the archaic period. He further surmises that despite the silence of our all-too-faulty sources, public performances of some sort existed at Rome much earlier than is generally supposed; and he conjectures that the stage was the place where the Roman community in large measure created and shaped its collective identity. As will be discussed in chapters 4 and 10 , Wiseman (1995, 126–43) has used this drama hypothesis to explain the evolution of Rome’s foundation story. Even though many of his ideas are unavoidably speculative due to the scanty nature of our sources, Wiseman’s drama hypothesis offers modern scholars of ancient Rome a new paradigm with which to reexamine old and familiar issues from a fresh perspective. A less controversial source of early traditions was the well-established practice of delivering a funeral eulogy for a deceased aristocrat, an oration in which not only his own but his ancestors’ deeds, virtues, and public offices were enumerated. Polybius (6.53 with Flower 1996, 91–127) gives us a detailed description of this custom for the middle of the second century B.C., but the tradition was obviously much older. Ancient writers even indicate that written copies of such funeral orations were sometimes kept in family archives. Thus aristocratic family traditions, either written or oral, could have been incorporated into later historical accounts. For example, Livy’s narration in 8.30 of military operations in Samnium conducted by Q. Fabius Maximus Rullianus in 324 B.C. may derive ultimately from Fabian family tradition through Fabius Pictor. Nevertheless, both Cicero and Livy regarded such family traditions as a principal means by which early Roman history was contaminated with exaggerated or falsified claims. Cicero (Brutus 61–62) concluded that by his own day the early history of Roman oratory could not be documented with written texts any earlier than Cato (234–149 B.C.); and he comments on family funeral orations in the following words: We regard Cato as quite ancient. He died in the consulship of L. Marcius and M’. Manilius, eighty-six years before my consulship. Nor in fact do I think that there is anyone more ancient whose writings I think should be adduced for sure, unless perchance someone likes this same speech of Ap. Caecus concerning Pyrrhus and some funeral eulogies. By Hercules, they do indeed exist. The families themselves preserved them as their own trophies and records, to be used when someone in the family died, for remembering the praises of their house and for demonstrating their noble lineage, despite the fact that our country’s history has been made less accurate by these eulogies. Written in them are many things which did not occur: false triumphs, too many consulships, even forged genealogies, and transitions to the plebs in which people of lower station have been inserted into a clan of the same name, as if I should claim to be descended from the patrician M’. Tullius who was consul with Ser. Sulpicius in the tenth year after the expulsion of the kings.
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Livy (8.40.3–5) writes in similar disparaging terms at the very end of his eighth book, assessing conflicting accounts of Roman military operations against the Samnites in 322 B.C.: It is not easy to prefer one thing over the other or one author over another. I think that the tradition has been contaminated by funeral eulogies and by false inscriptions on busts, since various families have fraudulently arrogated to themselves the repute of deeds and offices. As a result, both individuals’ deeds and the public records of events have certainly been thrown into confusion. Nor is there any writer contemporary with those times who could serve as a reliable standard.28
As already noted, the surviving fragments of Fabius Pictor indicate that his account of the regal period was already well developed: Aeneas’s arrival from Troy, the Alban king list, the birth and exposure of Romulus and Remus, the rape of the Sabine women, the treachery of Tarpeia, Servius Tullius’s institution of the census and tribal organization, the construction of the Capitoline temple by the Tarquins, and the rape of Lucretia. This suffices to demonstrate that, from Fabius Pictor onwards, Roman historical accounts were a complex mixture of Roman traditions and adaptations of Greek tales and historical episodes.29 For example, the story of how the infant twins Romulus and Remus were exposed to die but survived is a Roman version of a popular ancient legend told in reference to numerous figures of the Near East and Greece. The tale of Tarpeia is a Roman adaptation of a common Greek folktale in which a maiden of a besieged town falls in love with the commander of the enemy army, betrays her country to her beloved, but is punished with death for her treachery. The rape of Lucretia appears to be a Roman adaptation of the popular story of the homosexual love affair which contributed to the downfall of the Peisistratid tyranny and paved the way for the Cleisthenic democracy at Athens in 510 B.C. This having been said, however, whenever we identify a story in early Roman history as having been patterned after something from Greek literature or history, the question still must be asked whether the Roman account is a mere invention, or whether it is a genuine bit of tradition that has been fleshed out and given greater vividness by the use of a Greek model. In many instances modern scholars have arrived and will continue to arrive at different conclusions, and it is this kind of discretionary interpretive process that makes the modern study of early Roman history such a problematic but exciting endeavor.
28. For an excellent discussion of how aristocratic family traditions have muddied the historical waters of the fifth and fourth centuries B.C., see Ridley 1983. 29. For detailed treatment of this subject, see the excellent essays of Ungern-Sternberg and Timpe in Ungern-Sternberg and Reinau 1988, 237–86.
Chapter 4
Rome During the Regal Period
THE NATURE OF THE EVIDENCE
Our two primary sources of information for Rome during the regal period are the ancient literary tradition and archaeological data, both of which are highly problematic for different reasons. As the surviving fragments from Fabius Pictor’s historical account show, the traditions surrounding Rome’s early kings were already well established at the time of the Hannibalic War, but this relatively early date for the existence of these traditions by no means guarantees their reliability. Comparison of Livy’s first book with the other nine books of his first decade clearly reveals that the Romans of later times knew far less about the alleged 244 years of the seven kings (753–509 B.C.) than they did about the 245 years of the early republic (509–264 B.C.). The ancient literary tradition concerning the early kings can perhaps be best likened to a contemporary Hollywood blockbuster concerning some major historical episode. Though the movie is beautifully produced and tells a story in a powerful and memorable fashion, the viewer is left wondering what parts of the film are historically accurate, and what parts are distortions or outright fabrications introduced into the plot to make the movie more appealing. In the case of Hollywood movies, the curious viewer can resolve this enigma by consulting books by reputable and well-informed scholars, but no such option is available to modern students of early Rome. The ancient tradition of the early kings, like the supposed Hollywood movie, tells the story of Rome’s foundation and early growth with much vivid detail and considerable drama. The script is a combination of Roman oral traditions and adaptations of Greek myths, all artfully woven together by generations of skillful Roman storytellers. One might suppose that modern archaeology could come to the rescue and deliver us from the same kind of epistemological enigma that confronts 78
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a moviegoer in a Hollywood film devoted to a historical subject, but the archaeology of early Rome is such that it can be of only limited use in testing the accuracy of the ancient literary tradition. First of all, since archaeological data generally pertain only to a past society’s material culture, there will always be many areas in which the literary and archaeological records do not overlap, and archaeology neither corroborates nor contradicts the written testimony. Secondly, even when there is overlap between the historical tradition and archaeology, the latter often has its own problems of interpretation; and although it is tempting to do so, we should resist the urge to use the problematic literary tradition to settle questions surrounding the archaeological data. Doing so perpetrates a grave injustice upon modern archaeology by reducing it to an obliging servant whom we ask to lie down on the Procrustean bed of the ancient literary tradition. Modern historians of early Rome should respect archaeology and grant it scholarly autonomy. Thirdly and perhaps most importantly for early Rome, we must always keep in mind that the archaeological record is far from being complete. Modern Rome has long been one of the great cities of the world, and its continued habitation and continual rebuilding have placed severe restrictions on what areas can be investigated by archaeologists. The current archaeological record for early Rome is therefore extremely scanty, so that using it to correct the ancient literary tradition is akin to trying to explicate the historicity of a Hollywood film with only a handful of pages randomly torn out of an authoritative textbook. Our archaeological knowledge for matters pertaining to early Roman history is exceptional, whereas our archaeological ignorance is the general rule. In addition, archaeological excavations themselves can sometimes lead to the formation of circular arguments, in that sites are quite often deliberately chosen for excavation in accordance with what the ancient literary tradition has deemed important. In these cases, when archaeologists come upon what they think the written record has told them to look for, many are quick to hail the discovery as confirming the ancient historical tradition. Consequently, in trying to reconstruct Rome’s early development, our analysis should operate along two parallel lines: the archaeological, and the historical-historiographical. The two should be allowed to interact only with deliberate care. Lastly, one important area in which the ancient literary tradition and modern archaeology do overlap is Roman topography. Although many of the city’s physical features have been altered since Roman times, careful modern-day study of the city’s topographical history, informed by the ancient sources, can offer valuable clues about Rome’s early growth and urban development. Much important information on Roman topography is preserved in the surviving antiquarian tradition, which is often independent of ancient historical accounts. Nevertheless, like the annalists in their tradition, later Roman antiquarians frequently associated archaic sites in
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the city with various kings and employed fanciful tales to account for their significance. THE SITE OF ROME
Like Caere, Tarquinii, and Vulci of southern Etruria, Rome was located inland on a river that flowed into the Tyrrhenian Sea, but Rome lay somewhat farther inland (twelve miles) than its Etruscan counterparts, and was also different in that the river along which it arose was the largest river of central Italy and formed the boundary between Etruria and Latium.1 The Romans were thus the northernmost inhabitants of Latium and close neighbors of southern Etruria. The hills of Rome were on the left or eastern bank of the Tiber. Other geographical factors seem to have singled out this site early as desirable for human habitation. An island in the Tiber divided the river’s current and made it easy to ford at Rome. Moreover, the salt fields at the mouth of the Tiber on the right bank are likely to have occasioned in very early times a frequently traveled route from the Apennines through Rome and down to the sea to obtain this much-used and highly prized commodity. In later times, one road leading northeast out of Rome into the Sabine interior was known as the Via Salaria, the Salt Road. The other portion of the ancient salt route lay along the other side of the Tiber and was called the Via Campana, taking its name from the fact that it terminated by the Tiber’s mouth at the Campus Salinarum (“Field of Salt Pans”). Another thoroughfare with a suggestive name is the Vicus Tuscus, the Etruscan Street. It ran across the Forum Romanum and ended at the riverbank in the Forum Boarium (“Cattle Market”). Later ancient writers explained its name by affirming that many Etruscans from King Porsenna’s army settled there at the beginning of the republic, but it is more likely that the street received its name because it ran down into the early riverside market area, which faced westward toward Etruria. In addition, since the Etruscan community of Veii lay upstream on the Cremera, which flows into the Tiber, and Caere was also not far distant along the Tyrrhenian coast, the site of Rome must have been routinely visited by Etruscan merchants and artisans, at least from the seventh century B.C. onwards. Thus the geography of Rome’s site is likely to have encouraged the coming together of Latins, Sabines, and Etruscans from a relatively early date, thereby giving early Rome an ethnically and culturally diverse population; and this early diversity may have contributed 1. Since the late nineteenth century, the topography and monuments of ancient Rome have been the subject of extensive modern study, which has become a major scholarly discipline in its own right. Much of the early scholarship is consolidated in Platner and Ashby 1929 and Nash 1968. The results of more recent work are contained in Richardson 1992 and the ongoing multi-volume project coordinated by Margareta Steinby. For a brief but thoughtful assessment of recent work specifically in reference to the Roman Forum see Purcell 1989.
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substantially to the relative openness of Roman social and political institutions so important to Rome’s success as an imperial power in later times. By the end of the republic Rome was known as the city of the seven hills, which probably stemmed from a popular reinterpretation of the Septimontium, an annual religious celebration of early origin that was observed on December 11 and involved seven areas of the city. Rome’s famous seven hills consist of two groups (see map 7). Moving from north to south, the Capitoline, Palatine, and Aventine lay close to the river, stood up from the bottomland, and were separated from one another by valleys that in early times were prone
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to flooding from the Tiber. The other group of hills comprised westward projections of a plateau that lay to the east. Again moving from north to south, they were the Quirinal, Viminal, and Esquiline. The last named terminated on the west in two spurs: the Cispius to the north, and the Oppius to the south. The Caelian lay between the Esquiline and the Aventine. North of the Capitoline and west of the Quirinal, the bend of the Tiber enclosed a large plain called the Campus Martius, “the Field of Mars,” which, like the Forum Romanum, later formed an important public and civic area of the city. THE ARCHAEOLOGY OF EARLY ROME
The earliest significant archaeological remains from Rome consist of a relatively small number of cremation and inhumation graves, most of which were discovered during the 1870s and the first decade of the twentieth century. Following the political unification of Italy in 1871 and Rome’s designation as the new nation’s capital, the city of Rome experienced its first stage of modern urban development, as new streets were laid out and large numbers of public and private buildings were erected. In the course of leveling the land for development during the 1870s, workers removed massive amounts of accumulated ancient debris in which were included five early graves from the Quirinal and 164 from the Esquiline. But since this material was removed in great haste and was not properly stored, little of it was still available for study in 1905 when Giovanni Pinza published a major monograph on the prehistory of Rome and Latium.2 Given the new light that cemeteries such as those of Osteria dell’Osa and Castel di Decima have shed upon the prehistory of Latium as the result of recent careful excavations and analysis, the loss of much of the material associated with these early Roman graves is truly unfortunate, and we can only hope that future urban development in Rome may turn up a hitherto unknown series of early tombs that can be properly excavated and examined.3
2. For more detailed accounts of this material, consult Bloch 1963, 63–84 the contributions of Ridgway, Pallottino, and Colonna in Ridgway and Ridgway 1979, 187–235; MacKendrick 1983, 71–112; J.C. Meyer 1983; Torelli in CAH VII.2 1989, 30–51; Momigliano ibid. 63–82; Holloway 1994, 1–90; and Smith 1996, 129–223. The first four volumes of Einar Gjerstad’s Early Rome 1953–1966 represent a well-organized and comprehensive synthesis of archaeological data concerning early Rome: vol. I 1953, Stratigraphical Researches in the Forum Romanum and along the Sacra Via; vol. II 1956, The Tombs; vol. III 1960, Fortifications, Domestic Architecture, Sanctuaries, Stratigraphic Excavations; vol. IV 1966, Synthesis of Archaeological Evidence. 3. A striking illustration of the fortuitous nature of archaeological finds relating to early Rome is offered by the following example. As the author was making final revisions in the text of this book, the tomb of a small girl was discovered on the Capitoline near the present-day City Hall. According to newspaper reports, her teeth indicate that she was about four years old when she was buried along with pottery and small toys. The grave seems to date to the eighth century B.C. and was located beneath the floor of the family’s dwelling.
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In sharp contrast to these discoveries were the unimpeachable excavations of Giacomo Boni from 1902 to 1905, which uncovered forty-one early cremation and inhumation graves in the Forum near the Palatine and Velia. In the latter, the bodies were placed in hollowed-out oak logs, and in the former, the ashes of the dead were stored in hut urns, which were in turn placed inside larger clay vessels. Grave goods accompanying the dead consisted of handmade pottery, bronze fibulae, amber or glass beads, grain, fish, etc. One grave even contained a clay model of a sheepdog, whose curly fur was represented by impressed arcs. Since Boni’s excavations, some additional graves have been uncovered on the Palatine and in the Forum. Until quite recently, modern scholars generally interpreted the presence of both cremation and inhumation graves at the site of early Rome as indicating that two distinct ethnic groups, Latins and Sabines, inhabited the area together. With the establishment of the new chronology for the Latial Culture, however, it has become apparent that the two funerary rites reflect a difference in chronology: cremation was characteristic of LC I, and inhumation of LC II–IV. Moreover, the excavations at Osteria dell’Osa have also revealed the presence of both rites within one homogeneous community, each ceremony having its own symbolic significance. Thus, when compared with the new funerary data from other Latin sites, the earliest Roman graves show that the people who lived at the site of Rome during the tenth and ninth centuries B.C. partook of the same Latial Culture. Excavations conducted on the Palatine during the first decade of the twentieth century and shortly after World War II revealed the remains of floors and post holes from early wattle and daub thatched huts (Gjerstad III. 48 ff.). When we combine this information with the hut-shaped cremation urns, we can visualize the structure of these dwellings in considerable detail. The one whose traces were least disturbed by later human occupation had a floor measuring thirteen feet five inches by eleven feet nine inches. The floor itself had been dug one foot eight inches below the surrounding ground level. The post holes were fifteen and three-fourths inches in diameter and went down about one and a half feet. A post in the center of the hut helped to support the ridgepole of a gabled roof. The doorway was built into one of the narrower sides and included a small covered porch. During the 1950s, the Swedish archaeologist Einar Gjerstad excavated a grid measuring sixteen by eleven feet to a depth of nineteen feet, down to virgin soil, in the middle of the Forum near the large base of the equestrian statue of Domitian. The trench revealed a series of twenty-nine successive layers (Gjerstad I, 29 ff.). Layers twenty through twenty-two were three gravel pavings of the regal period, which Gjerstad dated to about 575 B.C., and which he interpreted as marking the beginning of the Forum as a public center. Below layer twenty-two there were found six layers (twentythree through twenty-eight) containing traces of huts, which Gjerstad dated
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back to about the middle of the seventh century. Consequently, Gjerstad conjectured that the settlements on the Palatine and other hills eventually outgrew their hilltops and spread down into the Forum valley. Furthermore, careful study of the graves uncovered in the Forum suggests that they formed a cemetery which began near the Palatine and gradually spread outward away from the hill as the inhabitants of the Palatine buried their dead during LC I–III. Between 1985 and 1988, the Italian archaeologist Andrea Carandini excavated an area on the northern slope of the Palatine. Carandini’s excavations first uncovered the remains of houses of the middle republic, which had been built above four substantial atrium-style houses of the late sixth century B.C., which in turn had been erected upon an artificial platform about six feet deep. Further digging beneath this platform revealed the remains of four successive walls constructed of tufa blocks and clay. Associated pottery and other material allowed these four walls to be approximately dated 550–530, 600, 675, and 730–720 B.C. The earliest of these structures had been erected on virgin soil (Carandini 1990, Steinby 1996 III, 315–17, and Grandazzi 1997, 149–50). The evidence of graves, huts, and walls could be taken to confirm the ancient literary tradition concerning Rome’s foundation. After all, the ancients believed that the Palatine was the initial site of Romulus’s settlement, and it was thought to sustain the most venerable cults of the Roman people. Even in the time of Augustus, the Romans were still faithfully preserving on the Palatine a thatched hut believed to have been the one in which Romulus and Remus had lived (Dion. Hal. 1.79.11). Romulus was also supposed to have built a wall around the Palatine, and in imperial times its course was still marked out with stones as representing the city’s original sacred boundary, the pomerium (Tacitus Ann. 12.24). Indeed, the date for the earliest of the walls discovered by Carandini corresponds to the later years of Romulus’s reign according to the standard Varronian chronology.4 Alexandre Grandazzi (1991 = the English translation of 1997) has centered an entire book around this newest archaeological discovery, in which he dates Rome’s foundation on the Palatine to the later part of the eighth century, just as the ancient tradition maintains. Carandini himself (1997) has produced a massive volume of nearly eight hundred pages, in which he develops a similar thesis. By synthesizing archaeological, topographical, and ancient historical, antiquarian, religious, and even mythological evidence (often quite uncritically), Carandini traces Rome’s earliest growth through pre-urban, proto-urban, and urban phases. During the former two periods, separate villages arose at the site of Rome and gradually formed 4. It should be pointed out that the date of this early wall corresponds exactly to Rome’s foundation as recorded by L. Cincius Alimentus, i.e., 729/8 B.C. (see Dion. Hal. 1.74.1).
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themselves into a loose union; this development culminated c. 725 B.C. in the beginning of Rome as a unified city centered about the Palatine. Indeed, topographical arguments can be adduced in favor of an early Palatine settlement. The hill’s steep sides offered natural protection, and the area of the hilltop itself was certainly substantial enough to support a settlement typical of Latium in the early Iron Age. The nearby location and later commercial importance of the Forum Boarium may suggest that the site could also have been appealing due to its proximity to the river. Although modern archaeology, the ancient literary tradition, and considerations of topography seem to converge in indicating the Palatine’s significance to early Rome, this is still a far cry from demonstrating that the hill played the central role in the city’s genesis. The same topographical arguments can be applied in varying degrees to the other hills; and given the small size of Latin settlements during LC I and II, we should expect that some of the other hills were likewise inhabited, independently of one another. The early graves discovered fortuitously on the Quirinal suggest that this area was in fact inhabited in LC II. If modern excavations had not concentrated entirely upon the Palatine and Forum but had explored other parts of the city, such as the Aventine or Caelian, for evidence of the earliest signs of human occupation, we might have a very different view of settlement patterns for this early period. Furthermore, since excavations over the past few decades have revealed that ditches and walls were constructed during the eighth century B.C. at other Latin settlements, Ficana and Castel di Decima for instance, we may plausibly suppose that if other hills of Rome had been settled at this time, they might also have received encircling walls similar to those of the Palatine. Two aspects of archaic Roman religion point to the existence of several early settlements on the hills of Rome. The Salii, the leaping priests, formed one of the minor priesthoods, whose duties primarily concerned the performance of ceremonies at the end of February and the beginning of March to mark the end of the old year and the beginning of the new one. They were organized into two bodies: the Salii Palatini and the Salii Collini, representing the Palatine and Quirinal Hills respectively. Secondly, the festival of the Septimontium has been interpreted by many modern scholars as representing a loose religious union of several settlements at some early time before Rome was organized into a city. According to Festus (458L and 474–76L), the Septimontium included the two eminences of the Palatine (the Palatium and Cermalus), the Velia, the Caelian, and three areas of the Esquiline: the Oppius, Fagutal, and Cispius. Since this festival was observed on December 11, it would have been at the close of the autumn planting, and could therefore have been a celebration marking the close of the year’s agricultural work, before the winter months of relative inactivity. Festivals of a similar nature, such as the Saturnalia of December 17 and the Paganalia
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and Compitalia of January, were later celebrated by the entire Roman people, whereas the Septimontium was always observed only by the inhabitants of the seven areas mentioned above. As touched upon in chapter 2, from the middle of the seventh century B.C. onwards central Tyrrhenian Italy experienced a major urban transformation, as villages of huts were gradually replaced by towns exhibiting rational planning and organization, monumental public architecture, and private houses built on stone foundations with roofs of timber and terracotta tiles. These physical features were the outward manifestations of state formation, and archaeological data from the Roman Forum and its immediate environs indicate that this process began at the site of Rome during the last quarter of the seventh century. As mentioned above, Gjerstad’s excavations of one area of the Forum suggest that huts there were covered over by a gravel pavement around 575 B.C., but since Gjerstad’s pottery chronology is generally regarded as erring on the late side, most archaeologists of early Rome have adjusted his dating of the Forum’s first gravel pavement to about 625 B.C. Moreover, A. Ammerman (1990) has argued that the wattle and daub material beneath this gravel pavement, which has been interpreted as a sign of earlier human habitation in the Forum, actually represents landfill carried to the spot to raise the level of the Forum so as to reduce the danger of flooding from the Tiber. On the basis of a series of sample soundings down to virgin soil, Ammerman has attempted to reconstruct a relief map of the Forum Valley before it was altered by human activity. He maintains that at least the middle area of the Forum was originally too low and too susceptible to flooding to have made human habitation in simple huts practicable. Rather, he regards the debris revealed by the Forum excavations of Boni and Gjerstad as the product of a massive project, involving the coordination and expenditure of communal labor on a vast scale, to reclaim the marshy areas of the valley for the community’s use. The thesis is bold and exciting, and could carry with it important implications regarding the scale and nature of cooperative activity in Rome toward the end of the seventh century B.C., though its revolutionary character can be modified by assuming that this reclamation project was carried out piecemeal over many years. Excavations have revealed that the early paving of the Forum was accompanied by its organization into public space, with the erection of structures central to the community’s political and religious activities. The earliest material, found deposited in a well at the temple of Vesta, dates to c. 600 B.C. (Gjerstad III, 359–74) and suggests cultic activity in this area from that time onwards. The temple of Vesta housed Vesta’s perpetual fire, which was tended by the Vestal virgins. Their sacred precinct was close to the Regia, whose early history is well documented from archaeological excavations summarized in the next paragraph. Ongoing excavations in this part of the
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Forum may soon provide additional data concerning the early history of the temple of Vesta itself. Likewise dating to c. 600 B.C. are a gravel paving and fragments of roof tiles from a building in the northwestern area of the Forum, which have been interpreted to be the earliest paving of the Comitium and the original senate house of Rome, the Curia Hostilia (Gjerstad III, 217–23 and Coarelli 1983, 119–30). In later times, the Comitium was one of the areas where assemblies of the Roman people congregated. In the later official religious calendar, it was closely associated with the rex sacrorum, who conducted rites there on February 24, March 24, and May 24. The first of these days was the Regifugium or King’s Flight, in which the priest king performed ceremonies symbolic of the ending of the old Roman year. The early close association between the Roman king and the Comitium is further indicated by the discovery near the Rostra of the so-called cippus of the lapis niger discussed in the preceding chapter (see above p. 73–74). The cippus is inscribed with what was probably a sacred law, in which the word “king” is mentioned. Moreover, the black marble pavement (lapis niger), measuring ten by thirteen feet, which was laid down in imperial times to cover over the earlier hallowed site, had beneath it not only the famous inscribed stone but also the lower courses of an altar dating to the sixth century B.C. (Coarelli 1983, 161–99 and Holloway 1994, 81–87). During the last quarter of the seventh century B.C., an area at the eastern end of the Forum, which might previously have been occupied by small huts, was cleared away and laid out to receive the earliest version of the Regia, a sacred edifice at which the rex sacrorum supervised many important public religious rites. This oblong building was rebuilt several times during the course of the sixth century, its design changing subtly with each reconstruction (Brown in Origines de la République Romaine 1967, 47–60 and Brown 1974–75). Around 540–530 B.C., a fire destroyed everything in this general area, and the sacred building was rebuilt once again, this time remaining unchanged as the Regia of the early and middle republic. A fragment of a ceramic vessel dating to the third quarter of the sixth century B.C. has been found at the site and is inscribed with the single word “rex.” The length of the structure was oriented east to west and was divided into three areas of unequal size. The central chamber was an open-sided roofed area granting entry into the other two chambers to the east and west. A street, together with a paved sidewalk, ran along the building’s length to the south, and attached to the north side of the Regia was an irregularly shaped courtyard, probably to be identified with the Atrium Regium mentioned in literary sources, where some public rites were performed in the open air. The eastern chamber was by far the smallest of the three and was probably the sacrarium (“sacred room”) of Ops Consiva, a divinity concerned with agricultural abundance. This room was off-limits to all except certain priests. The western chamber of the building was the largest and was probably the
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sacrarium of Mars, which contained the god’s sacred spear and the special shields (ancilia) carried by the Salii in their sacred dance. In the northwestern corner of this room was discovered a circular stone structure that probably formed the foundation of a hearth. This was apparently the hearth on which was collected the blood dripping from the tail of the sacrificed October Horse of October 15, blood that was carefully preserved to be used in rites of purification on April 21 at the festival of the Parilia supervised by the rex sacrorum and the Vestal virgins. Rome’s development into a city-state during the late seventh and sixth centuries B.C. is further suggested by additional evidence for organized religion. Fragments of terracotta decorations found in or near the Forum point to the use of monumental architecture in the construction of public religious sanctuaries, whereas votive deposits found on the Capitoline and Quirinal contain material as early as the late seventh century. One terracotta relief panel associated with the Regia portrays the Minotaur of Crete, indicating that depictions of Greek mythology were already common in Rome during the sixth century. But perhaps the most intriguing find, one that has attracted considerable scholarly attention since its discovery in 1880, is the so-called Duenos Vase, probably recovered from a votive deposit on the Quirinal and dating to the sixth century. The object is quite small, consisting of three brownish-black clay vases fused together with cylindrical arms to form a kind of equilateral triangle measuring about four inches per side. The vases are less than one and a half inches high, and around the perimeter of the three vases has been cut a Latin inscription of three lines whose meaning is still debated with little agreement.5 The inscription reads as follows: Iovesat deivos qoi med mitat, nei ted endo cosmis virco sied. | As ted noisi opetoitesiaipacarivois. | Duenos med feced en mano meinom duenoi. Ne med malos tatod.6
This object takes its name from the phrase “duenos med feced en mano meinom duenoi” = “a good man [or the personal name Duenos = later Latin bonus] made me as a fine gift for a good man (duenoi).” Some kind of wordplay or antithesis seems to be involved at the end, where “good” (duenos and duenoi) is contrasted with “bad” (malos). The first part of the text seems clear enough except for the initial iovesat deivos. The first of these
5. For a detailed description and illustration of this curious object, see Gordon 1975 and 1983 #3 (= ILLRP 2). For recent discussion of the Latin inscription itself, see Vine 1999 and Baldi 1999, 197–200. For earlier modern linguistic scholarship, consult the bibliography contained in the works here cited. 6. Word divisions and punctuation have been indicated where the general sense seems to require.
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two words appears to be a verb form from later Latin iuro (“swear”), whereas deivos could be either the nominative singular or the accusative plural of later Latin deus (“god”) and thus could be either the subject or the object of the verb form. Consequently, these two words could be construed in two different ways: (1) “he swears by the gods;” (2) “the god swears.” The next nine words may be rendered, “who sends/gives me —— that the fair maiden not be against thee.” The central portion of the inscription (as ted noisi opetoitesiaipacarivois) poses the greatest difficulty and seems to be a conditional statement: “but if . . . not . . . thee. . . . “ The final four words (ne med malos tatod) are probably a negative imperative: “let not a bad man touch (?) me.” A consideration of the unusual shape of the object suggests at least two very divergent interpretations. One is to regard the three small bowls as having been intended to hold a woman’s cosmetics and perfume. The person being addressed in the inscription would then be a man who is giving this object as a gift to his fair maiden (cosmis virco). Alternatively, the object might be a kyrnos, a cluster of small vessels joined together, used in the Eleusinian mysteries of Demeter and Persephone to hold assorted offerings made to the divinities. According to this interpretation, the “fair maiden” should be none other than Persephone herself, or some Latin or Italic divinity such as Feronia who was equated with the Greek goddess. Moreover, the euphemistic adjective mano is suggestive of the Di Manes (“gentle gods”) of the Roman underworld and would thus strengthen the object’s chthonic significance. In this regard it is noteworthy that the Latin is inscribed upside down; for the inscription to be read, the object must be held with the mouths of the three bowls turned downward toward the earth. If the latter of these two interpretations be favored (which is by no means certain), this curious object with its accompanying Latin text could provide evidence for the presence of some degree of Orphic or Eleusinian religious ideology in early Rome. The two occurrences of Duenos (= “good”) could have two rather different meanings: one referring to the skilled craftsman who fashioned the object, and the other referring to its recipient and alluding to his mystic belief. Malos would then refer to anyone not conversant with the rites associated with the object. This all-too-tentative interpretation can be given additional context by a graffito found on a Corinthian vessel dating to the middle of the seventh century, which was buried in a tomb on the Esquiline. The graffito consists of a single word, a person’s name written in Greek, variously read as Ktektou or Kleiklou or the like (see Solin 1983). In any case, the genitive form of the name implies that it represents the identity of the vessel’s owner. Unless it was exchanged through aristocratic gift-giving or by trade, it could have been buried with its Greek owner on the Esquiline.
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The single best example of an archaic Roman sanctuary discovered thus far is a temple that was located in the Forum Boarium near the foot of the Capitoline. Its remains were found buried beneath two other shrines of the third century B.C., which were in turn covered by the Church of Sant’ Omobono built in the sixteenth century. Consequently, this early Roman sanctuary generally goes by the designation, “the archaic temple under Sant’ Omobono” or the like (see Enea nel Lazio 1981, 124–30; Coarelli 1988, 205–34; and Holloway 1994, 68–80). A deposit of remains from sacrifices found beneath the archaic altar indicates that the site was already sacred before the construction of the temple. Also discovered in the pretemple strata was a pottery fragment bearing the graffito “uqnus.” A similar pattern is seen at Ardea and Satricum, where huts at sacred precincts were replaced by masonry-built edifices. The archaic shrine under Sant’ Omobono was built during the second decade of the sixth century and continued to be used until the last decade of the same century, at which time it was remodelled and continued in use for some time thereafter. The temple stood on a podium and measured thirty-five feet square. Among its fragments of terracotta decorations has been found a nearly full-size statue group of Hercules and Minerva, possibly representing the former’s apotheosis upon his introduction to Olympus by the latter (Sommella Mura 1981). Floral and faunal remains indicate that the temple received offerings of assorted grains and hazelnuts and the sacrifice of young pigs, goats, sheep, cattle, dogs, and even some turtles, fish, geese, and doves. The wealth of dedications included loom weights, spindle whorls, perfume bottles, bronze fibulae, imported Greek pottery, figurines, amber, and carved bone plaques which decorated other objects. An ivory plaque carved into the shape of a crouching lion was inscribed on its smooth back with the Etruscan name, “Araz Silqetenas Spurianas,” and a fragment of pottery was inscribed with the single word, “ouduios.” These simple graffiti constitute some of the earliest samples of writing discovered at Rome. When compared with other votive deposits found in Rome and dating to the archaic period, the remains of dedications made at this shrine are rather exceptional for their variety and high quality. Although it shares with other votive remains large numbers of miniature clay vessels, models of bread loaves, and human figures cut out of sheet bronze, its other remains are rarely encountered. Modern scholars therefore regard this sixthcentury shrine as displaying a more diverse clientele, and its location in the Forum Boarium beside the Tiber has suggested parallels to the contemporary sites of Graviscae and Pyrgi. Furthermore, although the identity of the divinity worshipped at this shrine is unknown, many scholars have followed the conjecture of A.M. Colini that it was the temple of Mater Matuta, who did in fact have a shrine in the Forum Boarium; this Roman goddess of female maturation (and later of the dawn) is seen as corresponding to
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Aphrodite, Hera, and Uni-Astarte attested at Graviscae and Pyrgi. Even though the temple’s association with Mater Matuta must be considered unproven, the conjectured correspondence between it and the sanctuaries at the harbor communities of Caere and Tarquinii is attractive and plausible. Rome’s urban development also involved domestic architecture. It is likely that from the late seventh century B.C. onwards wattle and daub thatched huts were gradually replaced by masonry-built houses with roofs of timber beams and terracotta tiles. Above the earliest cremation and inhumation graves of the Forum, Giacomo Boni discovered portions of an early house, the lowest portion of whose walls was composed of square-cut tufa blocks. The house was not very large. It measured seventeen by thirty-three feet and was subdivided into three rooms arranged side by side along the building’s length (see Gjerstad I, 139 and Holloway 1994, 55), but its construction was a great improvement over that of the earlier huts. By the end of the sixth century B.C., however, well-to-do Roman families were living in spacious town houses like those known from Pompeii at a much later date. The foundations of four such structures have been recently uncovered by Andrea Carandini on the northern slope of the Palatine. They were built upon an artificial platform about six feet in depth, which had been laid down c. 530–520 B.C. The houses faced north onto the Sacra Via and remained in existence for about three hundred years until they were destroyed by fire in 210 B.C. Even from this early date, they must have been part of a fashionable section of the city inhabited by Rome’s elite families (Grande Roma dei Tarquini 1990, 97–99). These physical signs of Rome’s urban transformation have prompted scholars to ask whether this process resulted from the consolidation of several villages into one social, political, and religious community (synoecism, to use a convenient ancient Greek term) or was effected by a single village’s expanding and incorporating other neighboring areas into itself (nuclear expansion). The festival of the Septimontium points to the former, whereas the preeminence assigned to the Palatine in the ancient literary tradition suggests the latter. Yet as shown by the political history of ancient Greece, these two models need not be mutually exclusive; the process of synoecism could be greatly facilitated by a larger settlement’s taking the lead in unification. For example, J. C. Meyer (1983, 91–138) has combined both these concepts to explain the history of human habitation at Rome during the early Iron Age. He has interpreted the ancient literary evidence and the extant archaeological data to argue that the Palatine settlement first expanded to form the Latin community of the Septimontium, which later merged with a Sabine settlement on the Quirinal. In the present state of our knowledge this reconstruction is at least plausible, but we should bear in mind that the archaeological record for early Rome is so sketchy that our current conclusions are likely to be myopic, if not actually erroneous.
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Furthermore, the Palatine’s preeminence in the ancient literary tradition may simply be the product of a mythical civic tradition forged in later times. Parallel to the modern discussion of Roman synoecism vs. nuclear expansion has been a debate about whether Rome’s urban development was the product of evolution or of a punctual event of foundation, Stadtwerdung vs. Stadtgrundung to use their pithy German compound nouns (see Cornell 1995, 97–103). Historians by virtue of their training are generally inclined to view change in terms of continuous ongoing processes rather than as stemming from discontinuous quantum jumps. This inclination tends to predispose them against the ancient tradition of punctual city-foundation in favor of gradual evolution from village to city. Nevertheless, Drews (1981) has advanced compelling arguments in support of Stadtgrundung, urging that two of the most important cultural developments among the early peoples of central Tyrrhenian Italy, the masonry house and the concept of the organized city-state, were borrowings from the Phoenicians and Greeks. This thesis maintains that, contrary to the evolutionary model, there is no logical or inevitable development from a village of huts into a city-state with rational institutions and coherent physical layout. Rather, the planned city-state was a novel concept introduced into central Italy as the result of Phoenician and Greek colonization. As Cornell (1995, 102–3) has argued , adducing the example of classical Sparta, which was still a collection of unwalled villages in Thucydides’ day, state formation and urban development need not be parallel processes. Indeed, the purposeful planning required of rational urban development implies the pre-urban existence of political authority and social organization capable of carrying out such a physical transformation. Furthermore, once the ruling authority or authorities made the momentous decision to reorganize and to rebuild their community as a planned city, the transformation is likely to have been an ongoing process spanning years if not decades, as suggested by the excavations at Ficana south of Rome and at San Giovenale near Tarquinii. Yet these objections only qualify and do not undermine the case for Stadtgrundung. There is a clear qualitative difference between a collection of huts on the Palatine during the eighth century and the community of the last quarter of the seventh century represented by the Regia, the gravel paving of the Comitium, and the Curia Hostilia. The late seventh century layout (and the initial decision to build it) clearly presuppose the existence of a self-conscious ruling elite and a strong sense of community. These too, like the masonry house and concept of the citystate, can perhaps be largely attributed to the social and economic effects of Phoenician and Greek settlement and commercial activity in the western Mediterranean. Thus the impact that Greeks and Phoenicians had upon central Tyrrhenian Italy was extraordinary, comparable to critical mass in radioactive substances: before critical mass is achieved, radioactive material
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emits subatomic particles at a low-level, naturally occurring rate, but when a catalyst intervenes in the form of human scientific knowledge and engineering, the threshold of critical mass can be reached and the natural process of radioactive emission is quantitatively and qualitatively altered and immediately becomes something entirely new, a self-sustained nuclear reaction that releases tremendous amounts of energy. To be sure, Italy was a fertile field in which the cultural seeds from Greece and the Levant were unwittingly sown, but there might never have been any urban growth and city-state development in central Tyrrhenian Italy without those seeds from the eastern Mediterranean. THE ANCIENT LITERARY TRADITION
The later canonical ancient literary tradition of Rome’s foundation involving Aeneas, Lavinium, the Alban Kings, and Romulus and Remus was the product of an evolutionary process that began at least as early as the fifth century B.C. and was largely completed by the time Rome’s first two native historians, Q. Fabius Pictor and L. Cincius Alimentus, wrote their histories at the close of the third century B.C.7 The subject is a complex one, including as it does Greek mythography and foundation tales, indigenous Italian folklore, Roman oral tradition, and even Roman political and cultural ideology. It has therefore attracted much modern scholarly attention,8 but since it was totally unhistorical and is more relevant to the formation of Rome’s national identity from the middle of the fourth century B.C. onwards when Rome appropriated unto itself the religious symbols of Latin leadership, only certain aspects of the myth’s development need be noted here. Although Greek historians did not write seriously about Rome until the Pyrrhic War, they were aware of Rome’s existence long before. In accordance with their custom of explaining the origins of foreign peoples by connecting them with the wanderings of one of their own mythical heroes such as Jason and the Argonauts, Hercules, or Odysseus, Greek writers from the fifth century B.C. onwards succeeded over time in generating no less than sixty different myths to account for Rome’s foundation (see Wiseman 1995, 160–68 with Bickermann 1952). A representative cross section of 7. For other treatments of the regal period examined in the remainder of this chapter, see Ogilvie 1965, 30–232; Heurgon 1973, 106–55; Scullard 1980, 42–77; Momigliano in CAH VII.2 1989, 82–112; Forsythe 1994, 75–244; and Cornell 1995, 56–80 and 114–214. UngernSternberg’s essay in Ungern-Sternberg and Reinau 1988, 237–65 is extremely important for its assessment of the generally mythological quality of the later Roman tradition surrounding the early kings. 8. See, for example, Trieber 1888, 1894; Bickermann 1952; Classen 1963; Galinsky 1969; Cornell 1975; Horsfall 1979; Bremmer and Horsfall 1987, 12–48; Gruen 1992, 6–51; and Wiseman 1995.
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these tales is found in Plutarch’s Romulus 1–2 and in Festus 326–30L s.v. Romam. Many of these Greek tales involve an eponymous Rhomos or Rhome, whereas Romulus seems to have been the original founding hero in the native Roman tradition. Dionysius of Halicarnassus (1.45.4–48.1 and 1.72.2) indicates that a contemporary of Herodotus and Thucydides, Hellanicus of Lesbos, who wrote numerous mythological and historical treatises, in his Troica traced Aeneas’s wanderings from Troy to Aeneia in the Thermaic Gulf, to Epirus, and thence to Latium where the burning of his ships by a travel-weary woman named Rhome led to the foundation of a town named after her. For reasons that are still unclear, out of the numerous mythical foundation tales told by Greek writers concerning Rome, the Romans chose to associate themselves with the Trojans and incorporated the story of Aeneas into their own folklore about the beginning of their city. Moreover, the combination of competing Greek and Roman accounts could have contributed to the creation of a foundation tale involving twins named Romulus and Rhomos. Roman historians knew that the republic had begun c. 500 B.C. because their annual list of magistrates went back that far. Before that time, they thought, Rome had been ruled by seven kings in succession. By using Greek methods of genealogical reckoning, they estimated that seven kings would have ruled no more than 250 years, making Rome’s regal period begin somewhere around the middle of the eighth century B.C. In fact, Fabius Pictor and Cincius Alimentus dated Rome’s foundation to 748/7 and 729/8 B.C. respectively (Dion. Hal. 1.74.1). By the end of the republic, however, the chronological scheme worked out by Atticus and taken over by Varro became the officially accepted chronology of the Roman state (see the Appendix), according to which Rome had been founded in 753 B.C., and the republic had begun in 509 B.C. Since the Trojan War was supposed to have been fought four hundred or more years before Rome’s foundation, Troy’s unhistorical connection with Rome was maintained by inventing the Alban kings, whose reigns were made to span the chronological gap between Troy’s destruction (1184/3 B.C. according to Eratosthenes) and Rome’s foundation. The wording in Plutarch’s Romulus 3.1–2 suggests that the list of kings was already present in the historical account of Fabius Pictor; and this conclusion has received additional support from the remains of an ancient library discovered at Tauromenium in Sicily, for on its walls were painted various descriptive labels to accompany books stored there, including the following one for Rome’s first historian (Manganaro 1974, 394): Quintus Fabius, nicknamed Pictorinus, the Roman, son of Gaius, who recorded Hercules’ arrival in Italy, as well as the “return” [nostos] of Lanoios, his ally Aeneas, and Ascanius. Romulus and Remus were much later, and Rome’s foundation by Romulus, who was the first to rule as king.
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Three of the most striking features of the story of Romulus and Remus (their twin birth, the newborns’ survival despite having been exposed to die, and their suckling by a wild animal) are common in folklore and Greek mythology; and more than one hundred years ago Conrad Trieber (1888) pointed out striking similarities between the tale of Romulus and Remus and the plots of Greek tragedies involving similar stories. Indeed, from the time that stage performances were introduced to Rome from Etruria in 364 B.C. (Livy 7.2), this form of popular entertainment is likely to have played an important role in disseminating such tales (Wiseman 1998, 153–64). Stories of divinely begotten twins have been documented in many cultures worldwide, and they were a common feature of Greek mythology: Castor and Pollux, Hercules and Iphitus, Otys and Ephialtes, Amphion and Zethus, Calais and Zetes, Neleus and Pelias. It will be remembered that the first pair, Castor and Pollux, was worshipped at Lavinium as early as c. 500 B.C. The motif of the twins’ survival after being exposed to die is the Roman version of a widespread ancient Mediterranean folktale told of several national leaders, such as the Akkadian king Sargon (c. 2300 B.C.), the biblical Moses, the Persian king Cyrus the Great, the Theban king Oedipus, the Greek hero Telephus, and the two sets of twins, Neleus and Pelias and Amphion and Zethus of Greek mythology. In these stories, the power of the future leaders’ divine destiny is graphically demonstrated by the vulnerable infants’ success in evading the deadly designs of mortals. The element of an infant exposed in the wild being suckled by an animal is associated with Cyrus the Great, Telephus, and the twins Neleus and Pelias. Even if not actually present in native Italian folklore, these motifs are likely to have been known from Greek mythology in central Tyrrhenian Italy from relatively early times, as we can judge from numerous mythological scenes depicted on Etruscan mirrors, pottery, and tomb paintings. In fact, an Etruscan sandstone funerary monument from Felsina dating to c. 400 B.C. depicts a panther or lioness suckling a boy. A similar scene is found on a cista from Praeneste of about the same date, but most striking of all is a bronze mirror discovered at Volsinii in 1877, which was long thought to be a fake but in recent years has been vindicated as genuine. It dates to the third quarter of the fourth century B.C. and depicts a lioness suckling two infants (see Wiseman 1995, 65–71). Moreover, inclusion of the animal wetnurse in the tale of Romulus and Remus might have been suggested, at least in part, by the Etruscan rendering of Rome’s name and its meaning in Latin: since the Etruscan alphabet did not include the letter o, the Etruscans spelled Rome’s name as Ruma, which in Latin means “teat” or “nipple.” Given the importance of female lactation and nursing for the survival of infants in a pre-industrial society, we should not be surprised to discover that the Romans paid serious homage to a goddess of nursing,
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Rumina. Her open-air precinct (sacellum) was located on the Palatine near the Lupercal, the cave of the Luperci; an aged fig tree nearby was known as the Ficus Ruminalis (“Rumina’s Fig Tree”). Later historians and antiquarians associated all three monuments with the suckling of the twins by a shewolf and even derived the tree’s name from Romulus (Hadzsits 1936). Yet, this having been said, the single most curious aspect of Rome’s foundation story is the fratricide, described in different ways in the surviving accounts. In some versions Romulus is portrayed as having killed his brother with his own hand, but in other authors Remus is killed amid a general brawl between the supporters of the twins. Why have the city’s beginning coincide with such a dreadful deed? During the last two centuries B.C., as Rome conquered and consolidated its control over the Hellenistic world, this element in Rome’s foundation tale served as convenient propaganda for Rome’s enemies, who portrayed Roman rule as sanguinary and ruthless. The enigma of the primordial fratricide has recently been scrutinized by T. P. Wiseman (1995). After examining the ancient traditions concerning Romulus and Remus and after criticizing modern scholarship, Wiseman has proposed a most interesting answer to this puzzle. He plausibly maintains that when the tradition was first created, the twins must have embodied some basic duality in Roman society. Wiseman dates the tale’s formation to the later fourth century and associates the twin founders with the political ideology of the new patricioplebeian nobility. At that time the Greek eponymous Rhomos had his name changed to Remus, was characterized as slow, and was connected with the aves remores (“delaying birds”) of augury. He therefore represented the noble plebeians as political latecomers. His death, connected in one version with Romulus’s fortification of the Palatine community, was originally a human sacrifice to insure Rome’s invulnerability. In Wiseman’s view (1995, 117–25), the inclusion of this element into Rome’s foundation story came about as the result of the Romans’ resorting to human sacrifice in 296 B.C. prior to the battle fought at Sentinum in the following year against a powerful coalition of Etruscans, Gauls, and Samnites. Since both consuls were placed in command of this campaign and its victory was achieved at the cost of one of their lives, Wiseman’s thesis makes perfectly good sense. Romulus, traditionally Rome’s first king, was an unhistorical figure, created by early Greek and Roman tradition as the city’s eponymous founder. His fictitious reign was filled with deeds expected of an ancient city founder and a son of the Roman war god Mars. He was thus described as waging war against neighboring states and as establishing Rome’s early political, military, and social institutions: he was credited with creating the senate, the distinction between patricians and plebeians, the patron-client relationship, the institution of marriage and family obligations, and division of
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the populace into the three archaic tribes and thirty curiae. Romulus was also thought to have shared his royal power for a time with a Sabine named Titus Tatius. The latter name may be that of an authentic ruler of early Rome, and its priority in the list of kings might also be genuine, but given the working methods of Greek and Roman storytellers concerning the origins of peoples and cities, T. Tatius was necessarily reduced to a shadowy companion of the eponymous Romulus. The names of the other six kings are likely to be authentic recollections of real people, but it also seems probable that few reliable details were known about their reigns. The later Romans wished to have explanations for their early customs and institutions, and consequently oral tradition and later historians ascribed various innovations to these kings, using stereotypical and simpleminded reasoning. The three kings who followed Romulus are hardly more than names, but the deeds of the last three kings have often been regarded as more historical, because they seem to be confirmed by archaeology. According to ancient tradition the warlike founder, Romulus, was succeeded by the Sabine Numa Pompilius, whose reign was characterized by complete tranquility and peace. Numa was supposed to have created virtually all of Rome’s religious institutions and practices: the religious calendar, the priesthoods of the pontiffs, augurs, Vestals, Salii, and flamens, as well as all their duties and privileges. His religiosity is probably unhistorical and simply derives from the ancients’ connecting his name with the Latin word numen, meaning “divine power,” which suggested to them that his reign must have been concerned with religion. Numa was succeeded by Tullus Hostilius, whose reign was filled with warlike exploits, most notably the fabled combat between the Horatii and Curiatii triplets, which concluded with Alba’s destruction and the incorporation of its people into Rome. It is likely that Tullus’s reign was depicted as warlike because the name Hostilius was later interpreted to suggest hostility and belligerence. Tullus was followed by Ancus Marcius, who was believed to have been the grandson of Numa. Although his reign was described as having combined the watchwords of his two predecessors, involving both religious innovations and warfare, later historians clearly had difficulty in finding things with which to fill up his reign, as the brevity of their accounts shows. Finally, according to the later established tradition, Rome’s fifth and seventh kings, Tarquinius Priscus (Tarquin the Elder) and Tarquinius Superbus (Tarquin the Proud), were father and son of Etruscan origin, but since the standard chronology for the regal period placed between them the forty-four-year reign of Servius Tullius, the historian L. Calpurnius Piso Frugi pointed out the genealogical improbability of their father-son relationship and proposed instead that they must have been grandfather and grandson (see Dion. Hal. 4.6.1–7.5; 4.30.2–3; and 4.64.2–3; cf. Livy 1.46.4).
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What is perhaps most striking about the list of early Roman kings is that their names (apart from the two Tarquins) indicate the absence of a hereditary principle. This peculiarity can be explained in at least two different ways. If we assume that Rome came into being as the result of synoecism of several villages already existing on various hills, the king list could be the product of forging the remembered names of prominent rulers from more than one community into a single unified tradition. Alternatively, the ancient literary tradition could be correct in depicting the kingship in nonhereditary terms. As was the case in Homeric society and in Greece during the early archaic period, hereditary royal succession was possible, but since an early Greek community required a king of vigorous adult years who could protect it and give it his personal leadership in war, kingship tended to devolve upon the most capable aristocratic leader in the community. If we take this to be our model for early Rome, the presence of two Tarquins in the later part of the list may point to a shift away from Homeric-style kingship and toward a hereditary monarchy, as Roman political structure evolved from a simple village to a more advanced city-state. Another aspect of the early king list worth examining is its chronology. As seen from the list of dates here, the ancient literary tradition consistently assigned relatively long reigns to all seven kings. 753–716: Romulus (37 years) 716–715: One year interregnum 715–672: Numa Pompilius (43 years) 672–640: Tullus Hostilius (32 years) 640–616: Ancus Marcius (24 years) 616–578: Tarquinius Priscus (38 years) 578–534: Servius Tullius (44 years) 534–509: Tarquinius Superbus (25 years) Given the vagaries of human mortality in early central Italy, it seems very unlikely that these regnal years for seven successive kings accurately reflect the history of the regal period. Rather, their numerical values and symmetry betray the obvious fact that they were the product of later historical reconstruction. The reigns form three consecutive pairs ending with the neat twenty-five-year rule of Tarquinius Superbus, a period of time commonly used as the length of a generation in ancient genealogical estimates. Romulus and Numa reigned for a total of 80 years: Romulus for 37 (= 40 – 3) and Numa for 43 (= 40 + 3). It might have been thought appropriate to give Numa the edge in span, since his reign was characterized by continual peace and tranquility, whereas Romulus had waged numerous wars. The reigns of the next two kings, Tullus Hostilius and Ancus Marcius, are consecutive multiples of 8: 32 = 4 × 8, and 24 = 3 × 8 respectively. The reigns ascribed to Tarquinius Priscus and Servius Tullius correspond to those of
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Romulus and Numa and exceed them by exactly one year: 38 = 37 + 1 for the former, and 44 = 43 + 1 for the latter. Thus, no historical reliability should be attached to the lengths of the kings’ reigns recorded in the ancient literary tradition. They were contrived by some early writer with a penchant for numerology. One means of readjusting this fictitious ancient chronology of the kings is offered by archaeology, a procedure which many might regard as a classic case of analyzing one obscure matter by having recourse to an even more obscure one (obscurum per obscurius). Nevertheless, if nothing else, the exercise may at least serve to enhance our assessment of the ancient literary tradition. As mentioned above, there have been uncovered in the Comitium traces of a building tentatively dated to c. 600 B.C. If we associate these remains with the Curia Hostilia and accept its attribution to Rome’s third king as the name and the literary tradition suggest, we could perhaps assign the reigns of T. Tatius, Numa Pompilius, and Tullus Hostilius to the second half of the seventh century and fit the reigns of the last four kings within the sixth century. This would scale down the regal period to about 140 years, c. 650–510 B.C., giving each of the seven kings an average reign of twenty years. By this reckoning, the rule of Tullus Hostilius would be c. 610–590 B.C. If correct, this would produce a regal period considerably shorter than that given by the ancient tradition, but it would have the advantage of chronologically associating the entire list of kings more closely with the period of Rome’s formation as a city-state, from the late seventh century B.C. onwards. Far more complex problems confront the modern investigator in examining and evaluating the ancient literary tradition concerning Rome’s last three kings. Rome’s fifth king, Tarquinius Priscus, was believed to have come to Rome from the Etruscan city of Tarquinii during the reign of Ancus Marcius and to have succeeded in getting himself declared king after the latter’s death, even though Ancus left behind two sons of nearly adult years. Tarquinius’s father was not a native of Tarquinii but an immigrant named Demaratus, a Greek aristocrat who had left his native Corinth because of political unrest. During his reign Tarquin the Elder was thought to have engaged in major public works in the city: he built the Circus Maximus in the valley between the Palatine and Aventine to entertain the public with horse and chariot racing, oversaw the erection of new shops and private houses in the Forum, and directed the laying of the massive foundation for the temple of Jupiter Optimus Maximus on the Capitoline. The ancient tradition assigned similar public works to his two successors. Servius Tullius enclosed the city with a defensive stone wall, divided and organized the city and surrounding countryside into districts called tribes, introduced the census of citizens together with evaluation of their property, formulated the timocratic comitia centuriata, and built the Aventine temple to Diana to
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rival the one at the Latin town of Aricia. Tarquinius Superbus built the Capitoline temple of Jupiter and constructed the sewer system of the Cloaca Maxima. The last three kings were thus thought to have carried out what amounts to a comprehensive program of urban development; and since this portrait generally fits with the archaeological record for Rome during the sixth century B.C., many modern scholars have considered the latter as having corroborated the former. Moreover, because Rome’s fifth and seventh kings were supposed to have been of Etruscan origin, modern scholars have often viewed Rome’s transformation into a city as having been brought about by Etruscan overlords who had seized control of the site because of its location at the island crossing of the Tiber (Alföldi 1965, 176–235). Nevertheless, this opinion, like the one which attributed the splendor of the Barberini and Bernardini Tombs of Praeneste to Etruscan overlords, is based upon a notion of Etruscan cultural superiority and of Latium’s relative social and economic backwardness during the archaic period, a view that has now been called into question by the discovery of rich tombs from the seventh century B.C. at Castel di Decima. Consequently, recent researchers such as J. C. Meyer (1983, 139–69) and T. J. Cornell (1995, 127–30 and 151–72) have challenged the modern conception of la grande Roma dei Tarquinii and have preferred to see Rome’s development as occurring within a central Tyrrhenian cultural koine rather than as having been indebted to a higher Etruscan culture and overlords. These are indeed important and complex issues that require thoughtful and careful consideration and will be discussed below in the closing section of this chapter. Given the transparently simplistic way in which ancient historians formulated the reigns of Numa Pompilius and Tullus Hostilius from their names, we should perhaps regard the ancient claim that Tarquinius Priscus came from Etruscan Tarquinii in the same light. We are fortunate to have the Etruscan form of his name recorded in the famous Fran˛cois Tomb of Vulci (discussed immediately below) dating to c. 300 B.C. It is written as Cneve Tarchunies Rumach (Cn. Tarquinius the Roman). The name Tarchunies is exactly analogous to Latin Tarquinius in being a clan name derived from the toponym: Etruscan Tarchuna = Latin Tarquinii. Nevertheless, since the Fran˛cois Tomb may precede Rome’s first historians by less than a century, the Etruscan rendering of the king’s name may not have as much independent value as we would like. It should be noted that the name in the Fran˛cois Tomb has the praenomen Cneve (= Gnaeus), whereas in the Roman tradition both Tarquinius Priscus and Tarquinius Superbus were given the praenomen Lucius, doubtless because of its resemblance to the Etruscan word for king (Etruscan lauchume = Latin lucumo). In any case, the obvious derivation of both the Etruscan and Latin forms of the name from a toponym conforms
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to a larger pattern of ancient Italian nomenclature, by which a clan name could be nothing more than an adjectival form of a city’s name used to specify origin. Thus among the tombstones from the cemetery of Praeneste of republican times we encounter the clan name Fidenatius (CIL XIV. 3135), suggesting that someone from Fidenae who settled at Praeneste assumed a name reflecting his origin. Similarly, thanks to a newly discovered fragment from Livy’s lost eleventh book, we now know that the family of A. Gabinius, the consul of 58 B.C., whose hometown was the Roman colony of Cales in Campania, owed the name Gabinius to the fact that an ancestor or ancestors had left the Latin town of Gabii to be part of the original colonial foundation (R.E.A. Palmer 1990a with ILLRP 1211–16). The ancient literary tradition concerning Tarquin’s Etruscan origin receives additional support from Ampolo’s study (1976–77), which shows that horizontal social mobility between communities was characteristic of Etruscan society during the archaic period. Buried in a rich chamber tomb at the Etruscan city of Veii in the late seventh century B.C. was a man who bore the Etruscan name Tite Latine (= Titus Latinius, CLP 1976, 376 #131). The name seems to indicate the man’s origin in Latium, but his tomb shows his integration into the Etruscan society of Veii. Thus, given the nature of social conditions and nomenclature in central Tyrrhenian Italy during the seventh and sixth centuries B.C., it is certainly possible that Tarquinius Priscus or his family came from Etruscan Tarquinii. His association with Demaratus of Corinth, on the other hand, is probably not historical but is likely to have been the result of later writers conflating two totally different tales into one: (1) the story of Demaratus of Corinth coming to Tarquinii with various artisans (Pliny NH 35.152), which was used to account for Tarquinii’s “industrial” leadership in southern Etruria during the archaic period; and (2) the story of a Tarquinian noble who came to Rome and ruled as king. According to the ancient literary tradition, Tarquinius Priscus’s rule ended when he was violently assassinated. His murderers were two brothers hired by the two sons of Ancus Marcius, who resented their exclusion from royal power and hoped that one of them would gain the vacated throne. Instead, the elder Tarquin was succeeded by Servius Tullius, who was encouraged to take up the reins of government by the late king’s wife, Tanaquil.9 This man, we are told, had been given the name Servius because he had been born a slave (servus) in the Tarquin household. This item should no doubt be dismissed as a later ancient attempt to deduce biographical information from the king’s name. Servius’s name likewise
9. For more detailed treatments of the various questions surrounding the reign of Servius Tullius, consult Pais 1906, 128–51; Last 1945; Ridley 1975; and Thomsen 1980.
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prompted later historians to attribute to him the customary rights and duties of freed slaves in early Roman law and society. In any case, in order to give this supposedly slave-born monarch a suitably royal pedigree, the ancient tradition also maintained that he was of noble lineage: when Tarquin had captured the town of Corniculum, its ruler had been slain, and his wife had been brought into Tarquin’s palace, where she subsequently gave birth to Servius Tullius. According to one version, which is also told of Caeculus the founder of Praeneste (Bremmer and Horsfall 1987, 49–62), she was impregnated by a mysterious male member that had appeared in the fire of Tarquin’s hearth. Thus Servius Tullius was alleged to have been divinely begotten by the fire god Vulcan or by the Lar Familiaris, guardian spirit of the household (Dion. Hal. 4.2). After a lengthy rule in which he did much to establish the foundations for the later republican form of government, Servius Tullius also fell victim to a political assassination, this one orchestrated by his own ambitious daughter and her husband, L. Tarquinius Superbus, who then became king. Other ancient data derived from an independent Etruscan tradition seem to give a totally different picture of the death of Tarquinius Priscus and the accession of Servius Tullius, and have understandably stimulated considerable modern scholarly debate and attempted historical reconstructions.10 One important text in this matter is a portion of a speech delivered by the Emperor Claudius in the Roman senate in 48 A.D. concerning his decision to enroll nobles from the provinces of the Three Gauls into the senate for the first time. Since the speech was greatly valued by the leading citizens of Gaul, it was inscribed on a bronze tablet which was discovered at Lyons in 1528 (CIL XIII. 1668 = ILS 212). Like the plebeian tribune Canuleius in Livy 4.3–5, the Emperor Claudius justified his policy of recruiting new senators by adducing various historical innovations in the Roman state, including the nonhereditary and foreign extraction of the early kings: Kings once ruled this city. Nevertheless, it happened that they did not pass it on to members of their own house. Unrelated persons and some foreigners succeeded them, as Romulus was followed by Numa who came from the Sabines, a neighbor to be sure but a foreigner at that time. Ancus Marcius was followed by Tarquinius Priscus. The latter was prevented from holding public office in his own hometown due to his tainted blood because he was the 10. The modern bibliography concerning Servius Tullius, Mastarna, and the painted figures in the Fran˛cois Tomb is very large. Discussions can be found in most books on Etruscan civilization. Important treatments in English are Alföldi 1965, 212–31; Cristofani 1967; Ridley 1975, 162–69; L. Bonfante 1978; Thomsen 1980, 57–104; Momigliano in CAH VII.2 1989, 94–96; and Cornell 1995, 133–41. For the wall paintings themselves, consult Messerschmidt and von Gerkan 1930, Tafeln 14–26 and the exhibition catalogue = Buranelli 1987. For the question of Etruscan historical writing and historical traditions independent of Rome, see Cornell 1976, 1978.
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offspring of Demaratus the Corinthian and a woman of Tarquinii, well-born but poor, so that she had to accept such a husband by necessity; but after he migrated to Rome, he obtained the kingship. In addition, Servius Tullius came between this man and his son or grandson; for writers disagree even on the latter point. If we follow our own countrymen, he was born of a captive woman named Ocresia; but if we follow the Etruscans, he had once been the most faithful companion of Caelius Vibenna and shared in all his fortunes. After he had been driven out by changing fortune and had left Etruria with all the survivors of Caelius’s army, he occupied the Caelian Hill and named it after his leader. Then after changing his own name (for his name was Mastarna in Etruscan), he was called by the name as I have said, and he obtained the kingship, to the greatest advantage of the state.
Other ancient passages (Varro Ling. Lat. 5.46 and Tacitus Ann. 4.65) also derive the name of the Caelian Hill from Caelius Vibenna. This man and his brother, Aulus Vibenna, were well-known figures in Etruria. They were displayed on funerary urns at Clusium, and they are found engraved on an Etruscan bronze mirror from Volsinii dating to the third century B.C. But the most extraordinary information concerning these brothers comes from the wall paintings of the Fran˛cois Tomb at Vulci, in which the following five pairs of men are depicted, with labels that give their names: 1. Marce Camitlnas, naked and bearded, is drawing his sword from a sheath about his neck and is rushing upon a bearded Cneve Tarchunies Rumach. 2. Avle Vipinas (= Aulus Vibenna), naked and bearded with an empty sheath about his neck, is using his left hand to pull back the head of Venthi Caules [. . .]plsachs and is stabbing him in the side of his chest with a sword held in the right hand. 3. Rasce, naked and bearded with an empty sheath about his neck, is using his left hand to grab the hair of Pesna Arcmsnas Svetimach and is stabbing him in the chest with a sword held in the right hand. 4. Larth Ulthes, bearded and wearing a belted tunic, is stabbing in the ribs a man named Laris Papathnas Velznach. 5. Macstrna (= Mastarna), naked and bearded, with a sword and sheath about his neck to give to his comrade, is using his own sword to cut through rope that binds together the wrists of an obviously captive Caile Vipinas (= Caelius Vibenna), who is also bearded and naked. (see fig. 3). The partial clothing and postures of the four persons being attacked and killed have been interpreted to suggest a surprise attack upon sleeping men. Only these four figures have a third element in their name, which seems to specify their city of origin; Rumach = “of Rome,” Velznach = “of Volsinii,” but the cities of the other two men are in doubt. Since Macstrna,
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Figure 3. Wall painting from the Fran˛cois Tomb at Vulci: Macstrna freeing Caile Vipinas from his bonds.
Caile Vipinas, and the four attacking figures have no such element in their names, they are all thought to belong to Vulci. If so, and if the tomb painting represents some historical episode, it could pertain to a struggle between Vulci and a coalition of other states including Rome and Volsinii, but in the absence of a written narrative we cannot be sure what this wall painting portrays. Yet it seems to involve Mastarna’s liberation of his friend Caelius Vibenna from captivity, as well as the killing of Cneve Tarchunies Rumach. Since all but one of the men from Vulci are naked, Alföldi has
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plausibly suggested that the nude figures had been captured, stripped, and bound, but their ally Larth Ulthes, wearing a belted tunic, has come to their rescue with the swords they are using to kill their captors. The depicted scene appears to be entirely independent of the later Roman historical tradition, and it is still very much a mystery exactly how the two accounts are related and should be interpreted. Alföldi has combined this material with the traditions that Tarquinius Priscus came from Etruscan Tarquinii and that Porsenna seized Rome as clear evidence that during the sixth century B.C. Rome was involved in warfare with Etruscan states, which resulted in Rome’s intermittent rule by Etruscan adventurers. In any case, the historical existence of Aulus Vibenna appears guaranteed by a Bucchero vase dating to the first half of the sixth century B.C., found at the Portonaccio temple of Veii and bearing the dedicatory inscription (Pallottino 1968, #35), “mini muluvanece Avile Vipiiennas” = “Aulus Vibenna dedicated me.” It has been observed that the name Macstrna appears to be nothing more than an Etruscan rendering of the Latin magister, a title associated under the republic with the dictator (magister populi) and his subordinate, the master of the horse (magister equitum): for -na is a common Etruscan termination, and macstr is simply the Latin magister minus the vowels, in accordance with Etruscan stress placed on the first syllable. Since the Etruscan alphabet did not have the letter g, all such sounds were represented by c. Consequently, if Servius Tullius bore the title magister, the latter might have evolved into a personal name in the Etruscan tradition (Mazzarino 1945, 177 and Ogilvie 1976, 63 and 88). This ancient evidence suggesting the equation between Servius Tullius and Macstrna-Mastarna has been interpreted by many scholars to mean that Ser vius Tullius usurped power in Rome and ruled in the fashion of a Greek tyrant. In fact, Cornell (1995, 127, 132–33, and 145–50), following the highly speculative reconstruction of Coarelli (1988, 301–63), has adduced further considerations in support of this characterization. In his view, Servius Tullius’s alleged divine sonship was used to confer legitimacy upon a charismatic usurper, and both his association with the goddess Fortuna and Tanaquil’s public announcement from an upstairs window are seen as reflecting a common Near Eastern tradition concerning rulers and sacred marriages. Moreover, the currency of this latter notion in central Tyrrhenian Italy during the late archaic period may also be seen in the close association of Thefarie Velianas of Caere with Uni-Astarte in the Pyrgi texts, as well as in the statue group of Hercules and Minerva found at the archaic temple beneath the Church of Sant’ Omobono, often identified as a shrine of either Mater Matuta or of Fortuna, built by Servius Tullius. Consequently, Cornell views Rome’s last two monarchs as usurpers, whose policies and behavior are best understood in the larger context of Greek tyranny in the
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archaic period. Cornell (1995, 233–35) even further speculates that under these two rulers the monarchy itself was reduced to the religious office of the rex sacrorum, which both the ancient tradition and modern scholars have generally associated with the foundation of the republic and the consulship. Thus, according to Cornell’s hypothetical reconstruction, Rome during the late regal period was under a kind of dual monarchy: a charismatic tyrant-like political usurper, and a religious figurehead. These ideas have the advantage of offering a unified explanation for several puzzling data. The interpretation is at least plausible, but like so many aspects of early Roman history (especially of the regal period), it remains largely speculative due to the problematic nature of each of its separate ingredients. Nevertheless, if the interpretation could be further corroborated and accepted as valid, it would provide important new information about Rome’s political history during the sixth century B.C., showing that its development as a city-state was in large measure parallel to that of some contemporary Greek communities. Finally, to complicate further our attempts to unravel the truth about Servius Tullius, let us be reminded of the sobering analysis of Etore Pais (1906, 142–48) concerning the monarch’s resemblance to the slave-king at Aricia immortalized in Sir James Frazer’s Golden Bough. Even in imperial times, the sacred grove of Diana at this Latin town was still vigilantly guarded by the rex nemorensis, the king of the wood, a runaway slave who received asylum from the sacred grove, but in order to benefit from this right of sanctuary, he first had to kill the currently reigning king of the wood, whose status he then assumed, only to be deposed and replaced at some future time by yet another runaway slave. According to the Roman tradition, Servius Tullius was a slave-born king who came to power as the result of the violent murder of his predecessor, and he was likewise removed from office by violence. Given the ancient tradition that connected the king with the Aventine temple of Diana, built to rival the cult at Aricia, we are justified in wondering whether, to what extent, and in what ways the tradition of the rex nemorensis has influenced the formation of the ancient historical accounts of Servius Tullius. Archaeology can be enlisted to test in some degree the claims of the ancient literary tradition concerning two alleged public works carried out during the late regal period. Unlike Greece, central Italy did not possess good stone for building. Only various tufas, sediments formed from volcanic ash, were available for this purpose. In 1924, Tenney Frank published a monograph in which he employed the Romans’ use of tufas at different times to reach important conclusions concerning Rome’s urban development and architectural history during the republic. Before Rome’s conquest of Veii in 396 B.C., the only tufa available to the Romans for building was the local Cappellaccio. Since this was the poorest in quality of the
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various tufas they used, the Romans largely, but not entirely, discontinued its use after they had access to the quarries of Grotta Oscura near Veii. By the time of the First Punic War, the Romans began using a third kind of tufa called Peperino, obtained from the Alban Hills, the earliest datable use of which is the base of a monument of M. Fulvius Flaccus to commemorate his capture of Volsinii in 264 B.C. Thus during the regal period and early republic, the Romans generally used only two varieties of tufa for their major building projects: local Cappellaccio before the beginning of the fourth century B.C., and Grotta Oscura from Veii together with Cappellaccio from the early fourth to the first part of the third century. This basic rule of thumb can therefore be applied to the remains of the so-called Servian Wall and the Capitoline temple, structures which the ancient literary tradition attributed to Rome’s last three kings. Two areas of Rome possess significant remains of the Servian Wall: the Esquiline next to the main railroad station, and the southern slope of the Aventine. The former consists of a stretch of stone masonry about three hundred feet in length, thirty-three feet high in seventeen courses of blocks, and thirteen feet wide. The Aventine has two sections of the wall, each about 140 feet long. These surviving portions of the ancient city wall are composed of blocks of Grotta Oscura tufa, which indicates that they were not constructed before the early fourth century B.C. A few other smaller sections of the ancient wall have survived, but none of them can be dated earlier than the fourth or third centuries B.C.11 As a result, construction of the stone wall has been associated with two brief statements in Livy 6.32.1 and 7.20.9. The former records that in 378 B.C. the citizen body was taxed in the form of labor to build a wall with stone blocks provided under contract by the censors, whereas according to the latter the Roman legions in 353 finished out an uneventful campaigning season by repairing the wall and its towers. Given the scale of the project, it is likely to have taken several years to complete. Nevertheless, since archaeology has shown that other Latin communities, such as Ardea, Antemnae, and Gabii, were fortified with trenches and earthen mounds during the sixth century B.C., and since Rome’s stone wall was backed up by an earthen mound and was fronted in places by a deep, wide trench, it is possible that the stone wall of the fourth century had been preceded by defensive earthworks in the more vulnerable areas of the city. Nonetheless, the ancient literary tradition that depicts Rome as encircled by a mighty stone wall from the sixth century B.C. is clearly incorrect. 11. For detailed treatment of the so-called Servian Wall, see Frank 1924, 111–24; Säflund 1930; Roma Medio-Repubblicana 1973, 7–31; and Holloway 1994, 91–101. See Cornell 1995, 201–2 concerning fortification walls of other states during Rome’s late regal period and early republic.
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Some achievements, such as the sewer system of the Cloaca Maxima and the construction of the Capitoline temple, were attributed to both the Tarquins by the ancient tradition. This is certainly unhistorical and results either from later confusion as to which Tarquin did what, or from simple duplication by later writers who had little information about the Tarquins and thus ascribed the same deeds to both. In the case of the Capitoline temple, this duplication could have been suggested by the appearance of the podium, the only portion of the ancient structure that now survives: for of the fifteen courses of blocks, the first twelve measure about one foot in height, whereas the upper three are about sixteen inches high, suggesting that the foundation was laid down in two stages (Gjerstad III, 175 and Holloway 1994, 3). In any case, since these blocks are of Cappellaccio tufa, we may conclude that this portion of the structure was built no later than the fifth century B.C. Although this dating does not actually confirm the ancient tradition, it does not contradict it. Furthermore, since the annalistic tradition does preserve information from pontifical records concerning the vows and dedications of several temples in the fifth century, the tradition’s failure to record similar information with respect to the most magnificent temple in Rome, except for its dedication at the beginning of the republic, could be regarded as evidence that the temple was indeed constructed during the regal period. ARCHAIC ROMAN INSTITUTIONS
By the end of the sixth century B.C., Rome had become a substantial, thriving city-state and had acquired important social and political institutions that continued to exist and function during republican times. Later Roman historians and antiquarians, wishing to give precise histories of these institutions, attached their creation and subsequent alteration to the various kings. Although we need not doubt the antiquity of these institutions, their association with specific kings cannot be accepted without good reasons. We can be certain that by the end of the regal period the Roman state possessed a tripartite political organization: people, senate, and king. The earliest organization of the Roman populace (ascribed to Romulus) involved thirty units called curiae. These curiae were grouped into three sets of ten, which were termed tribes: Ramnenses, Titienses, and Luceres. The tribes were said to have taken their names from Romulus, T. Tatius, and a third person named Lucumo or Lucerus, who had given Romulus military aid in his war against the Sabines. The exact nature, origin, and history of these divisions have been the subject of considerable modern discussion and speculation with little agreement, but what does seem certain is that these tribal and curial units formed the basis of the earliest political and military structure of the Roman state. The earliest-organized Roman
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infantry and cavalry must have been recruited on the basis of these divisions. Even in later times, when the three archaic tribes and thirty curiae had long lost any meaningful significance for the functioning of the state, the cavalry units still retained a link to this structure by being organized into multiples of three: namely, the sex suffragia (six votes) and the other twelve centuries of equites equo publico (knights with a public horse) of the comitia centuriata. In fact, the sex suffragia were themselves grouped into two sets of three, and were named after the three archaic tribes. Besides providing a basis for military recruitment, the thirty curiae also served as voting units in Rome’s oldest popular assembly: the comitia curiata. Since it was almost entirely supplanted in later times by the tribal and centuriate assemblies, little is known about its original powers and functions. Even in republican times, however, it could be convoked in the Comitium to witness the making of wills and to give its assent to a special kind of adoption called adrogatio, in which the adoptee was legally independent and not under paternal authority. Indeed, the term adrogatio indicates that this form of adoption was a legislative act in which a question (rogatio) was put to the curiate assembly, which then gave or denied its approval. We are left to speculate as to whether the powers of this body during the regal period may have extended beyond such matters of private law and involved legislation in the public and constitutional spheres. The abolition of the monarchy and the establishment of the consulship imply that by the close of the sixth century B.C. there existed in the Roman state a well-established and powerful aristocracy. The rich graves discovered at sites in Latium dating to the seventh century B.C. (especially those containing chariots), as well as the traces of substantial town houses built during the late sixth century on the Palatine, corroborate and amplify this picture. We may further surmise that, like those in contemporary Greek city-states, the early Roman aristocracy was organized into an advisory or deliberative body consulted by the king. Under the republic, this body was called the senate. Although it often met in temples, its own established meetinghouse was the Curia Hostilia in the Comitium. Once again, given the nature of our evidence, we cannot know how this body was organized under the kings, or what its powers and functions were. Its membership must have comprised the adult men of considerable wealth and social status. Like other relatively flexible communities of central Tyrrhenian Italy, Roman society during the late seventh, sixth, and early fifth centuries B.C. is likely to have been open to horizontal social mobility and even to some degree of vertical social mobility. Consequently, the membership of the early senate is likely to have been characterized by a certain social fluidity. According to the ancient tradition, the Roman kings commanded the army in war, exercised judicial powers, and discharged religious duties; and when the monarchy was ended, these royal powers were divided between
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the two consuls and the rex sacrorum. This portrait has been widely accepted, but it must be stressed that even though the office of the rex sacrorum may render this view plausible, the later ancient tradition that paints the picture of complete and neat legal and constitutional continuity between the monarchy and the republic is not above suspicion. This major transition, especially in reference to the consulship, is unlikely to have been so tidy. Generally speaking, the historical process is a rather messy business and often works itself out in total defiance of neat legal or logical schemes. On the other hand, legal and constitutional theory usually follows in the wake of major historical change and then constructs post eventum systems that are unhistorical, but logically coherent, to justify the change and to demonstrate continuity. This pattern is detectable in the ancient tradition of the legal mechanisms involved in the choosing of a new king. According to the tradition recorded in Livy’s first book (1.17.5–11; 1.22.1; 1.32.1; 1.35.1–6; 1.41.6; 1.46.1; and 1.47.10), when a king died, the state reverted to the senate (res ad patres rediit), and the senate appointed a series of interim kings (interreges) until the people were summoned to a meeting of the comitia curiata, at which time a candidate proposed by the presiding interrex received the affirmative vote of the people (lex curiata) and the endorsement of the senate (patrum auctoritas). An identical procedure was employed during republican times whenever the chief curule magistrates of the state left office without successors. The only difference was that consuls and praetors were actually elected by the comitia centuriata, but they also had to have their election confirmed by a lex curiata (curiate law) of the comitia curiata.12 Given the correspondence between the later republican procedure and the alleged method of appointing a king, we are fully justified in suspecting that the ancient tradition concerning the latter is anachronistic. Nevertheless, the later republican constitutional procedure could have been the legally elaborated outgrowth of customs surrounding the inauguration of a king. In the end, however, given the unsatisfactory nature of the ancient evidence, we can say nothing certain about the kingship except that the kings are likely to have been created through some process of nomination and ratification (no doubt involving aristocratic power politics) and exercised considerable power. It must also remain an open question whether, to what extent, and in what ways a king’s authority was circumscribed by or exercised in conjunction with the will of the people and the approval of the senate. 12. For more detailed discussions of the ancient evidence concerning the interrex, patrum auctoritas, the lex curiata, and the auspices, see Lübtow 1952; Staveley 1954–55 and 1956, 84–90; Friezer 1959; Magdelain 1964a and 1964b; Nichols 1967; Develin 1977; Giovannini 1985; and Linderski in Eder 1990, 34–48 = Linderski 1995, 560–74.
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According to the ancient tradition, Servius Tullius is supposed to have laid the foundations for the republic by his creation of the comitia centuriata, a popular assembly based upon the census and the military obligations of the citizens to the state. This assembly took its name from centuria, a military unit of the legion. Each legion was composed of sixty centuries, and in theory each century contained one hundred men. The obvious military character of this assembly is indicated by its powers and place of meeting. Under the republic, this body was responsible for electing all officials who exercised any form of imperium, which involved the raising and commanding of troops or the exercise of jurisdiction: consuls, praetors, censors, and curule aediles. These were the so-called curule magistrates. Besides having the power to legislate by voting in favor of proposals placed before it by a presiding curule magistrate, the centuriate assembly voted on declarations of war, ratified treaties, and even acted as a high court in capital cases. Since it was considered to be an army sitting as an assembly, it was not permitted to convene within the sacred boundary (pomerium) of the city but always met in the Campus Martius, the Field of Mars. By the third century B.C., this organization had gone through a very long and complicated process of evolution, which we cannot reconstruct in any detail. We simply know of the final product of this evolutionary process. At that time, the assembly consisted of 193 centuries or voting units, which were organized into blocks according to property qualifications. The census assigned citizens to one of five economic classes based upon the assessed value of their property, and the members of each class were required to arm themselves for military service according to specified standards, the wealthier citizens more heavily armed and the Romans of lesser means more lightly armed. In the centuriate assembly, there were eighty units of the first class along with eighteen additional units of knights and two more of engineers for constructing siege machines. The second, third, and fourth classes were each allotted twenty units, and the fifth class was given thirty along with two additional ones for the horn blowers who issued military signals. Those whose property fell below the minimum qualification of the fifth class were lumped together into a single century of the proletariat and were exempt from military service. The voting in this assembly was sequential in the order of the classes and centuries as outlined in table 1. Accordingly, since those citizens with a property qualification for the first class were distributed among eighty units of the first class, eighteen units of knights, and two units of engineers, this segment of the citizenry commanded a majority of the votes, although they constituted a numerical minority within the citizen body as a whole. Conversely, the single century assigned to those having a property qualification below the minimum of the fifth class must have been quite numerous. The Roman upper class of the republic took great pride in this timocratic
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table 1. Outline of the Later Centuriate Organization Class Knights First Class Sex Suffragia Engineers Second Class Third Class Fourth Class Fifth Class Horn Blowers Proletarii
Qualificationa
Centuries