THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB,
LL.D.
EDITED BY fT. E. PAGE,
fE. CAPPS,
ph.d., ll.d.
L. A.
L.n...
16 downloads
671 Views
17MB Size
Report
This content was uploaded by our users and we assume good faith they have the permission to share this book. If you own the copyright to this book and it is wrongfully on our website, we offer a simple DMCA procedure to remove your content from our site. Start by pressing the button below!
Report copyright / DMCA form
THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB,
LL.D.
EDITED BY fT. E. PAGE,
fE. CAPPS,
ph.d., ll.d.
L. A.
L.n.D.
POST,
E. H.
C.H., LITT.D.
fW. H.
D.
WARMLNGTON,
ROUSE,
PLUTARCH'S LIVES IV
litt.d.
m.a., f.r.hist.soc.
PLUTARCH'S LIVES WITH AN ENGLISH TRANSLATION BY
BERNADOTTE PERRIN IN
ELEVEN VOLUMES IV
ALCIBIADES
AND CORIOLANUS
LYSANDER AND SULLA
LONDON
WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS
HARVARD UNIVERSITY PRESS MCMLIX
-
First printed 1916 Reprinted 1932, 1948, 1959
Printed in Great Britain
CONTENTS PAGE
PREFATORY NOTE
yi
ORDER OF THE PARALLEL LIVES IN THIS EDITION TRADITIONAL ORDER OF THE PARALLEL LIVES
.
.
.
....
ALCIBIADES
LX 1
CA1US MARCIUS CORIOLANUS
COMPARISON OF ALCIBIADES AND CORIOLANUS
viH
117
....
218
LYSANDKR
233
SULLA
323
COMPARISON OF LYSANDER AND SULLA
444
DICTIONARY OF PROPER NAMES
459
PREFATORY NOTE As
in the preceding
volumes of
this series, agree-
ment between the Sintenis (Teubner, 1873-1875) and Bekker (Tauchnitz, 1855-1857) texts of the Parallel Lives has been taken as the basis for the
Any
preference of one to the other where
differ,
and any departure from both, have been
text.
they
indicated.
volume (S),
is
None
of the
presented in this
Lives
contained in the Codex Seitenstettensis
the relative value of which
Introduction to the
first
is
volume.
explained in the
A
few superior
readings have been adopted from the Codex Matritensis (M a ), on the authority of the collations of
Charles Graux, as published in Dursians Jahresbe.ncht No attempt has been made, naturally, to (1884). furnish
either a diplomatic text or a
full
critical
apparatus.
The reading which
the
critical
notes
and
also, unless otherwise stated in the note, of the
is
follows the colon in
that of the Teubner Sintenis,
Tauchnitz Bekker.
Some vi
use has been
made
of the edition of the
PREFATORY NOTE Sulla
by the Rev. Hubert A. Holden, Cambridge,
Pitt Press Series, 1886.
The appeared
translation in
my
of the
Alcibiades
has already
" Plutarch's Nicias and Alcibiades "
is reproduced here (with the generous consent of the only slight changes) by Charles Scribner's Sons. Messrs. the publishers,
(New York,
The
1912),
translations
and
of the
Coriolanus,
Lysander, and
Sulla appear here for the first time. All the standard
translations of the
pared and
Lives have
been carefully com-
utilized, including that
of the Sulla by
Professor Long. B.
New Haven,
PERRIN.
Connecticut, U.S.A.
April, 1916.
VII
ORDER OF THE PARALLEL LIVES IN THIS EDITION IN THE CHRONOLOGICAL SEQUENCE OF THE GREEK LIVES. Volume (1)
(2)
(3)
Volume (4)
Volume
I.
Theseus and Romulus. Comparison. Lycurgus and Numa. Comparison. Solon and Publicola. Comparison.
(22) (7)
Paulus.
Comparison.
Volume (20)
II.
and
Cato
the
Cimon and Lucullus. Comparison.
Volume
III.
Volume IX (21)
Comparison.
and Crassus.
(11)
Comparison.
(12)
IV.
and
Alcibiades nus.
Demetrius and Antony. Comparison. Pyrrhus and Caius Marius.
Volume
Volume (6)
and Eumenes.
Comparison. (18) Phocion and Cato the Younger.
and Fabius Max-
imus. (14) Nicias
Volume VIII (15) Sertorius
Comparison.
(5) Pericles
(19)
Coriola-
Comparison. Lysander and Sulla. Comparison.
(10)
X
Agis and Cleomenes, and Tiberius and Caius Gracchus.
Comparison. Philopoemen
and Flam-
ininus.
Comparison.
Volume
V.
and Pompey.
Pelopidas and Marcellus.
Comparison.
(26) Otho.
Comparison. (8)
Volume XI (24) Aratus. (23) Artaxerxes. (25) Galba.
(16) Agesilaus
viii
Cicero.
Caesar.
Elder. (13)
VII.
Demosthenes and
Comparison. (17) Alexander and Julius
Themistocles and Camillus.
(9) Aristides
VI.
Dion and Brutus. Comparison. Timoleon and Aemilius
THE TRADITIONAL ORDER OF THE PARALLEL LIVES. (1)
Theseus and Romulus.
(2)
Lycurgus and Numa.
(3)
Solon and Publicola.
(4)
Themistocles and Camillus.
5) Pericles
and Fabius Maximus.
(6)
Alcibiades and Coriolanus.
(7)
Timoleon and Aemilius Paulus.
(8)
Pelopidas and Marcellus.
(9)
Aristides and Cato the Elder.
(12)
Philopoemen and Flamininus. Pyrrhus and Caius Marius. Lysander and Sulla.
(13)
Cimon and Lucullus.
(10) (11)
(14) Nicias
and Crassus.
(15) Sertorius
and Eumenes.
(16) Agesilaus
and Poinpey.
(17)
Alexander and Julius Caesar.
(18)
Phocion and Cato the Younger.
(19)
Agis and Cleonienes, and Tiberius and Caius Gracchus.
(20)
(21)
(22)
Demosthenes and Cicero. Demetrius and Antony. Dion and Brutus.
(23) Artaxerxes. (24) Aratus.
(25) Galba. (26) Otho.
IX
ALCIBIADES
AAKIBIAAH2 I. To *AXfci/3idBov yevos avoid ev TLvpvaaKTjv ihv Atavros dpyjqybv %X 6iV & 0K€ h trpb? Be firjrpo^ rjv,
'AXicpLai(ovLBr)
6v6parodvr)vaei
Be
avrb
7roXXcov
ical
pLerafioXd?
ovrcov
TraOcov iv avrq> t to (ptXovei/cov
/cal
pue-
la^vporarov
ALCIBIADES,
i.
3-11.
1
As regards the beauty of Alcibiades, it is perhaps unnecessary to say aught, except that it flowered out with each successive season of his bodily growth, and made him, alike in boyhood, youth and manThe saying of Euripihood, lovely and pleasant. 1 that " beauty's autumn, too, is beautiful," is des, not always true. But it was certainly the case with Alcibiades, as with few besides, because of his excellent natural parts. Even the lisp that he had became his speech, they say, and made his talk persuasive and full of charm. Aristophanes notices this lisp of his in the verses wherein he ridicules Theorus 2 :
" (Sosias)
Then
Alcibiades said to
me
with a
—
lisp,
said he, '
Cwemahk Theocwus ? What head he has
(Xanthias)
"That
lisp of
once
'
"
a cwaven's
!
Alcibiades hit the
"
mark
for
!
And
Archippus, ridiculing the son of Alcibiades. says walks with utter wantonness, trailing his long robe behind him, that he may be thought the very picture of his father, yes, :
He
He
slants his
neck awry, and overworks the
8
lisp."
II. His character, in later life, displayed many inconsistencies and marked changes, as was natural amid his vast undertakings and varied fortunes. He was naturally a man of many strong passions, the mightiest of which were the love of rivalry and the love 1
a
into
Cf. Aelian, Var. Hist. xiii. 4.
Wasps, l's,
44ft'.
K($\a£, flatterer 3
The "lisp"
and the play
is
of Alcibiades turned his r's on the Greek words K6pa£, raven, and
or craven.
Kock, Com. Alt. Frag.
i.
p. 688.
PLUTARCH'S LIVES Kal
Y)V
TO
(f)lXo7rp(OrOV,
BffXoV
ft)?
i(TTt
TO£?
TTaihiKoZs aTro/jLVTjfiovev/jLaaiv.
*Ev
2
fiev
yap
ra> iraXaieiv me^ovfjievo^, virep
rov
dvayaycov irpos rb arofia rd dfi/xara rov metyvvros, olos rjv Btacfrayeiv t? aXXovs. ra^u yap htrjXde A-oyo? eh e^ehecpep"
toi>? iralhas &>? eu ttolcov 6
'AAva/StaS^? fiheXvTtoito tt)V av\r\TLKr)V koX yXevd^oi rot/? p,ap0dpoOev e^eneae KOpLihrj tcop eXevOepwv ovras. Siarpiftayv
teal
tt
poeTrrjXaiciadri
iravrdiraaiv
6
auXoc. '
III.
Tat
'E^ he
on
r<xi?
irai?
Ar)/j.oKpdrr]
Apt
icf)
etc
o\v,
tcjp
tipcl
(ovt os Xoihopicus
t?}?
oi/aa?
epaencdv
yeypair-
direhpa
irpos
/3ovXop,epov
8*
avrbv
aTrofcrjpvTTeiv *Api(j)popos, Uepi/cXr)? ov/c etaaep, elirdiv el p,ev reOvrjtcev, r/fiepa jiia hia to K7]pvy/j,a fyaveladai irporepov, el Be o-w? iariv,
dawGTov avrcp top
Xolttov ftiov eaecrOar koX oti
TOiv d/coXovOovvTcov tlvcl KTeipeiev ev tj) Xiftvp-
tlov iraXaiaTpa /lev
ovk
tj?
avTw
^vXw
TraTaijas.
dtjiop tcra>9 rciGTeveip, hi'
IV. "Hhrj
eyQpav 6/xoXoycov he
iroXXoiV
teal
aXXa
tovtois
d ye XoihopeiaOai elirev.
yevvalwv dOpoi^o-
p,evwv teal TrepieirovTcov, ol puep dXXoc tcaTCMpavels r)o~av teal 1
tt)v XafjbTTpoTrjTa ttjs
OepairevovTes,
6
he
eopa? €K7re7rXrjyp,€P0L
ScDtepaTovs
epax;
pueya
Athene threw away the
flute because she saw her puffed reflected in the water of a spring.
and swollen cheeks Marsyas the satyr was vanquished by Apollo contest, and was flayed alive. 8
in
a musical
193
ALCIBIADES,
n. 5 -iv.
i
But \*e Athenians, as our fathers to converse. have Athene for foundress and Apollo for patron, one of whom cast the flute away in disgust, and the " other flayed the presumptuous flute-player. 1 Thus, half in jest and half in earnest, Alcibiades emancipated himself from this discipline, and t-'ie rest of the For word soon made its way to them boys as well. that Alcibiades loathed the art of flute-playing and
how
say,
scoffed at its disciples,
and
rightly, too.
Wherefore
the flute was dropped entirely from the programme of a liberal education and was altogether despised. 2 III. Among the calumnies which Antiphon heaps him is recorded that, when he was a boy, lie it upon ran away from home to Democrates, one of his lovers, and that Ariphron was all for having him proclaimed by town crier as a castaway. But Pericles would not suffer it. "If he is dead," said he, " we shall know it only a day the sooner for the
whereas, if he is alive, he will, in consequence of it, be as good as dead for the rest of his life." Antiphon says also that with a blow of his stick he slew one of his attendants in the palaestra of Sibyrtius. But these things are perhaps unworthy of belief, coming as they do from one who admits that he hated Alcibiades, and abused him proclamation
;
accordingly. IV. It was not long before many men of high birth clustered about him and paid him their attenMost of them were plainly smitten with his tions.
beauty and fondly courted him. was the love which Socrates had for him that
brilliant youthful
But 2
it
An
abusive oration of Antiphon the Rhamnusian against cited in Athenaeus, p. 525 b, was probably a and falsely attributed to hiia. It is not extant.
Alcibiades, fabrication
PLUTARCH'S LIVES Haprvpiov tjv
r)v rrjs
€/j,(f)aLi>ojjL£vr]v
dperfjs tfal evcpvtas rod 7rcu8o?,
tw
teal
e'iSeL
BiaXafirrouaav
ivopwv,