Neil McDonald
play the Dutch an opening repertoire for Black based on the Leningrad Variation
EVERYMAN CHESS Gloucester Publishers pic www.everymanchess.com
First published in 2010 by Gloucester Publishers plc (formerly Everyman Publishers plc ) , Northburgh H ouse, 10 Northburgh Street, London EC1V OAT Copyright © 2010 Neil McDonald The right of Neil McDonald to be identified as the author of thi s work h as been asserted in accordance with the Copyrights, Designs and Patents Act 1988. All rights reserved. No part of this publication m ay be reproduced, stored in a retrieval system or tran smitted in any form or by any means, electronic, electrostatic, magnetic tape, photocopying, recording or otherwise, without prior permission of the publi sher. British Libra ry Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. I S B N : 978 1 8 5 744 641 8 Distributed in North America by The Globe Pequot Press, P.D Box 480, 246 Goose Lane, Guilford, CT 06437-0480. All other sales enquiries should be directed to Everyman Chess, N orthburgh H ouse, 10 Northburgh Street, London EC1V OAT tel : 020 7 2 5 3 7887 fax: 020 7490 3 708 em ail :
[email protected] ; website: www.everymanchess.com Everyman is the regi stered trade m ark of Random H ouse Inc. and is used in thi s work under licence from Random H ouse Inc.
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Contents
Preface
5
Introduction
7
1 Gambit Lines and Early Oddities
16
2 White Plays 2 tbC3
37
3 White Plays 2 il.gs
52
4 White Avoids an early g2-g3 against a Leningrad Set-up
65
5 Sidelines in the Leningrad Variation
87
6 The Main Line Leningrad: 7 tbc3 c6
115
7 The Main Line Leningrad: 7 tbc3 tbc6
140
8 The Dutch versus 1 tbf3 and 1 c4
155
Index of Variations
172
Index of Games
174
Preface
It is an appealing feature of the Dutch that 1 .. .fS can be played again st virtually any opening move apart from 1 e4. H owever, this is slightly misleading if it suggests that you only h ave to learn one basic sequence of moves after 1 .. .fS and then you are ready for anything. In reality the Dutch l eads to a range of pawn structures, each of which requires its own special treatment. For example, thi s book is built around the Leningrad Dutch, but in many cases Bl ack will do best to set up a Stonewall centre with ... d7dS, rather than play the 'characteristic' ... d7-d6 Leningrad move. Likewise after 2 ttJC3, 2 ..tg s and other early divergences by White, the pawn structure h as little, or sometimes nothing at all, in common with the traditional Leningrad Dutch . Thus at times the centre is characteri stic of the Queen 's Gambit; at other times the King's Indi an ; and after 2 ..tg s it feel s like a strange Sicilian Hedgehog ! So more preparation is required to play the opening than is apparent at first glance, when 1 . .fS appears such a great l abour-saving device. On the plus side you are going to h ave more fun playing the Dutch - its variety mean s you aren 't going to grow bored of it any time soon . In view of the range of possibilities after l...fS, can we say that there is any one strategic theme that run s through the openin g ? I find the varied adventures of Black's f-pawn the most intriguing aspect of the opening. The pawn is cast for ward irretrievably into the world on move one, and ends up performing varied .
5
Play t h e D u tc h
roles, sometimes i n the same game: a battering ram when i t advances t o f4; a pil lar of the state in the Stonewall, perhaps supporting a knight on e4; and the de stroyer of the white centre when it is exchanged for a pawn on e4. In a less aggres sive role it sits patiently on fS, restraining the white centre. Destroyer, restrainer, pillar: the impact of the f-pawn is felt throughout the game, even if it vanishes from the board at an early stage. The Dutch i s a difficult opening for both players to h an dle, and sometimes it all goes wrong for Black. H owever, there are al so great moments when the f-pawn shows its power. Even the strongest opponents can find their position ripped up by the dynamism of this little pawn . Let me wish you good luck in your Dutch adventures. H ave fun with the f pawn ! N eil McDonal d Gravesend September 2008
6
I ntr o d ucti on Some St rate g ica l a n d Ta ctica l Themes i n t h e D utch
Before w e become immersed i n sophisticated modern theory, I thought I'd show you one of the very first Dutch games on record.
6 0-0 7 0-0 e6 ...
Ci.Wa l ker-P. De Saint Amant London 1836
1 d4 fs 2 e4 ttJf6 3 ttJe3 d6 4 ttJf3 e6?! Chess history, or at least its termi nology, would h ave to be rewritten if Bl ack had played 4 ... g 6 here, since the Leningrad Dutch wasn't invented until a hundred or so years after this g ame. Not surprisingly, Black puts his bishop on e7 in Classical Dutch style. S e3 iLe7 6 .td 3 White is al so unable to play in mod ern style by fianchettoing his king's bi shop with S g 3 and 6 .1i..g2.
s .te2?!
Nowadays we'd expect 8 e4, seizing space before Black can establish a Stonewall with his next move. S dS 9 exd s exd s 10 iLd2 ttJe6 11 'iie 2 a6 12 a3 .1i..d 6 13 b4 ttJe4! A procedure that will be much re peated throughout this book. Bl ack m akes use of the 'de facto' outpost on ..•
7
Play t h e D u tc h
e4. Its effect i n 1836 is such that White immediately blunders a pawn .
guard thing s on g7. H ere the dark squares around the black kin g are en tirely unprotected. Still, even after this positional blunder the wedge of pawn s on the light squares acts as a barrier against the white attack. 25 f4 �b8 26 l:!.b1 iLe8 27 �b6 The manoeuvre 27 iLe1 and 28 iLh4 to infiltrate the dark squares on the kingside l ooks strong . 2 7. . .�a7 28 iie7 d4 29 e 4 fxe4 30 f5? A clever attackin g idea but with a fatal flaw. H e should prefer 30 iLxe4.
14 b5? tiJxe3 15 iLxe3 axb5 16 �xb5 .l::txa 3 17 l:.xa 3 iLxa 3 18 .l::. a 1 i.. d 6 19 i.. d 3 �e7 20 iLd2 i.. d 7 21 iib3 J:tb8 22 l:te1 l:!a8 23 tiJe5 i.. x e5 24 dxe5 Now Black could keep his extra pawn with 24 ... iixe 5 25 �xb7 l:ta7 26 "iVb6 ':a1 followed by simplifying. How ever, it seem s that Saint Amant wanted to strengthen the f5 -pawn against any possible i.. xf5 sacrifice.
24 ... g6?? The Leningrad Dutch king side pawn structure is ri sky enough for Black even when there is a bishop available to
8
30 ... 'iWb8! Walker was hoping for 30 ... exd3 ? 3 1 f6 ! b 6 (to stop mate on g 7) 3 2 f7+ �g 7 3 3 iLh 6+! �xh 6 34 f8ii+ completing a brilliant career for the f-pawn . In stead he is obliged to exch ange queen s and after some further adventures was de feated in the endgame by the pretty finishing stroke 40 ... tiJf7. 3 1 'i\¥xb8 tiJxb8 3 2 i..x e4 gxf5 3 3 i.. x b7 iLxb7 34 Itxb7 :a1+ 35 �f2 tiJe6 36 iLh6 tiJxe5 37 l:tg7+ �h8 38 h3 l:[a2+ 39 �g3 f4+ 40 �xf4 tiJf7! 41 l:[xf7 .l:.f2+ 42 �e4 l:txf7 43 �xd4 J:tf6 0-1
I n t ro d u c t i o n The Dutch pawn-ra m
The position was reached in V.Sergeev-N.Firman, Alushta 2009. It looks as though Black can't do anything but suffer with 2 3 ... l:ted8. H owever, there came: 23 f41 1 A move of splendid vitality. 24 exf4 ttJe6 What h as Black achieved with his .. .fS-f4 move that serves him so well in the Dutch ? Firstly, the scope of the bishop on a7 has been increased - it attacks f2 rather than (in Nimzowitsch's memo rable phrase) 'bitin g on granite' against e3. Secondly, the rook on e8 is granted an open file. Thirdly, the pawn on dS is converted into a passed pawn th at can advance to d4 where it will be well defended. Fin ally, the knight on e6 h as been activated with a threat to f4 as 2S ':'xdS ttJxf4 intending 26 ... ttJe2+ is at least okay for Black. So a black TOok, knight, bishop and
passed pawn h ave all become impor tant dyn amic factors in the position th anks to the sacrifice of the torrent pawn . The upshot is that thanks to the ' Dutch' pawn Bl ack gains activity in what would otherwise h ave been a dour defen sive position for him. 2 5 .ie5 It is the bl ack TOok on the c-file that profits after 2 S g 3 d4 26 .id2 ':C2. 25 ...':'C4 26 ttJc3 d4 2 7 ttJa2
•••
N ow Black should have continued g enerating dynamism with his pawns with 27 ... g S ! , creating a passed pawn and active pieces after 28 fxg s ttJxg S . Still, he m an aged t o win the endgame anyhow after 22 moves. Black esta blishes a pawn wedge in the centre Sometimes the .. .fS-f4 pawn-ram oc curs in a closed or static pawn struc ture after systematic preparation. Of ten White can be accused of nothing worse than passive play in the Dutch, but ends up in great difficulties before move 20. Here is a typical positional
9
Play t h e D u t c h
squeeze by Black again st passive play, adorned with the pawn-ram . W.Buehl-L.Reifurth
Chicago 1994 1 d4 fs 2 liJf3 liJf6 3 g3 g6 4 .i.g2 .i.g7 S c4 0-0 6 0-0 d6 7 liJC3 c6 8 b3 'ii'a s 9 .i.b2 e5 10 'it'c2?
An irresolute move that allows Black to g et a grip on the centre. In stead 10 dxe s dxes 11 e4 is di scussed in Chapter Six. 10 e4 ll liJel From bad to worse. He should pl ay 1 1 liJd2 followed by 12 e3 and then try to edge forwards on the queen side. 11 d S 12 cxd 5? The fin al mi stake, giving the black knight the c6-square. 12 ... cxd 5 13 a3 liJc6 14 ,l;tdl 'it'd8! The queen has served her purpose on the queenside and i s now n eeded to support a king side attack. Black's basic aim is to advance .. .fS-f4 at the most favourable moment.
15 b4 .i.e6 16 liJa4 .i.f7 17 'it'd2 White h as no counterplay and so Bl ack h asn't hurried his attack. How ever, now he decides it is time for vio lence: 17 ...liJg4 18 h 3 .i.h6! 19 e3 Black provoked this move so th at a future .. .fS-f4 breakthrough will not only attack e3 but al so contain the threat of .. .f4-f3, smothering the bishop on g 2 . 1 9. . .liJf6 20 � c 3 a6 2 1 l:t b l b 6 22 liJc2 .i.e8 23 :fcl g5 24 .i.fl liJe7!
•..
..•
10
Nicely done. Bl ack win s time to m a noeuvre his knight to g 6 to support the .. .fS-f4 advance by a discovered attack
I n t ro d u c t i o n
on the knight on a4. 25 ttJb2 The white pieces are grouped on the queen side, but what can they do? 25 ...f4 The Dutch pawn h as the decisive word. 26 exf4 gxf4 27 gxf4 ttJg6 28 �h1 ttJxf4 29 i.g2 ttJg4! It's not too late for Black to throw it all away with 29 ... ttJxg 2 ? 30 'iVxh6 when 31 :g l gives White a strong attack.
30 ttJe3 It all caves in for White after 30 hxg4 'ifh4+ 31 �g l ttJh 3+ 32 i.xh 3 i.xd2 3 3 i.xd2 'iVxf2+. 30 ... ttJxh 3 3 1 i.xh3 'ii' h 4 0-1 Either h3 or f2 drops next move with a quick massacre Black wins through tactica l sha rpness after a tough defence In the Dutch White often strives to g ain space and/or open lines on the queen side. Black needs to be patient and keep an eye open for favourable tactics. Opportunities may appear suddenly
and h ave t o b e grasped! The following position was reached in A.lljushin-E.Berg, European Champi onship, Budva 2009.
The c6-pawn i s attacked twice. If 21 ... i.e8 then 22 ttJe6 win s the ex change, while 21 ... i.xd4 22 'ii'x d4 gives up Black's important dark-square bishop, and 21 ... c5 22 .l:tb7 'iVc8 23 ttJc6 'ii'xb7 24 ttJxd8 'ii'C 7 25 ttJxf7 �xf7 26 'iVxd6 'iVxd6 2 7 l:txd6 leaves him a pawn down in an endgame. Berg comes up with a far better solution to Black's travails: 21 ... d5! 22 cxd 5 i.xd 5 Black remains under inten se pres sure after 2 2 ... cxd5 2 3 l:tdc1. 2 3 ttJxc6! Winning a pawn . 2 3 ... i.xc6 If 23 ... i.xg 2 24 ttJxd8 ltxd8 25 'ii'b 3+ �g 7 26 �xg 2 and White wins. 24 'ii'C4+ �h8 2 5 i.xc6 .l:txd1+ 26 l:[xd1 :c8 27 ':'C1 'ii'd 6 White h as won a pawn, but the presence of opposite-coloured bishops mean s he has few winning chances.
11
Play th e D u tc h
the h8-square: for example, 40 ... 'ii'd 3+ 41 �g 2 'ii'e 2+ 42 �h 3 'ii'x C4 43 'ii'h 8+ ':h 7 44 'iVf8+ ':g7 45 'jfh 8+. 39 ':e7 40 i.. g 2 'ii'e 1+ 41 �h2 l:te3 1 42 ':c1 "XC1 43 'iVd4 'iVc3 44 'iVxa 7? Black would still h ave to prove he i s winning after 4 4 'ii'd 8 ! a s 4 4. . .':xg 3 ? would only draw after 4 5 'iVf8+. 44 'ii'e 11 0-1 ..•
•••
A typica l adva ntage for Black
28 a4 �g7 29 �g2 l:r.C7 30 ':c2 'ii'd 1 3 1 h3 h S 3 2 h4 'ii'd 6 3 3 a s 'ii'd 1 34 a6 'ii'd 6 35 'iVbs �h6 36 ':C4 i.. d 4 Now the exchanges that result from 37 i..f3 or 37 'ii'd 5 would leave White with negligible winning chances, but he has lost his sen se of danger: 37 'ii'a 4? i.. xf2 1 1
The weakness of f2 strikes again . 3 8 �xf2? White can hold on with 3 8 i..f3, for instance if 3 8 ... i.. C 5 3 9 :C2. 38 .. :iVd2+ 39 �gl? White can still draw with 39 �f1 :te7 40 'ii'a 1! stopping the mate on e1 and aiming for a perpetual check via
12
in the endga me Black does surprisingly well in the end g ame in the Dutch as White's pawn structure gets worn down . In fact White often wears it down him self, or makes it disjointed, by playing overly sh arply. Assuming that e7 remain s guarded, the Dutch Leningrad pawn structure is rather solid for Black - the pawn on e7 is a linchpin that is difficult to attack and holds together the black centre. The following position was reached in A.Karpov-H.Nakamura, Cap d' Agde (rapid) 2008.
Black has a couple of advantages:
I n t ro d u c t i o n
The white bishop is shut in on g 2 by a solid barrier on e4. If f2-f3 i s ever played to free it then the white pawn structure and pieces will be exposed to tactical blows from the black pieces that are m assed on the e-file and f files. H ere i s the paradox of the Dutch e2, f2, g 3 and h 2 pawn structure: it is incredibly solid, but it can become a tomb for the bishop on g 2 - and in some cases for the king on g l. Being behind h eavy fortification s is okay so long as you don 't want to get out. In contrast, the black bishop on c4 is active. Unlike its opposite number on g2, it h as escaped outside the pawn chain and h as a target on e2. Further more, and this is an important factor on a board that is so open, it is de fended by the pawn on dS and so is secure from attack. Whereas the pawn on dS is soundly defended by the bishop on c4, White has two pawn s that are potentially vulnerable. The first is the pawn on e2 - it cramps the white queen 's mobility to have to defend it. The second vul nerable pawn is on f2. Its defen sive alliance with the bishop on e3 is less secure than th at between the black bishop and pawn on dS, because of the possible disruptive move ... dS-d4. Whereas the white pawn structure is solid but inert, the black pawns con trol more space and are more dyn amic. To h ave pawns on dS and e4 versus pawn s on e2 and f2 gives Black a lot more potential to expand. H e can try to
arrang e ... dS-d4, whereas White can only m ake moves with his pieces and wait. But still, can we really say th at the position is anything other than a draw? For the sake of fairness I should point out this was a rapidplay g ame. On the other h an d, the fact th at Karpov couldn't defend it shows that it isn 't easy. Simple endgame position s are a forte of the great masters, even after their opening knowledge h as withered and their tactical sight declined. 2 S .. :ilt'f61
By threatening to mobilize the pawns with 26 ... d4 N akamura per suades White to exchange off his active rook. 26 l:txf7 'ili'xf7 27 �fl Intending to unwind with 28 �d4 and 29 e3. If all the bishops vanish from the board, Karpov could even try to prove that the ds-pawn is a weak ness. 27 ...'iff61 Denying Karpov his plan . 28 �gs 'iffs
13
Play t h e D u tc h
With t h e incidental tactical threat of 29 ... e 3 ! winning in stantly as bl, d2, f2 and g 5 would suddenly all be hang ing ! 29 l1b7
rook checking there, poor Karpov h as to worry too about a possible invasion on his second rank with 3 1 ...l:la2. 3 1 :e7? The calm 31 �e3 would still h ave saved the day: if 31 .. JU8 then 32 �d4 when 32 ... �xg 3 ? ? allows the killer check 33 :g7+; and 31 ... l:.a2 32 'iVb4 threatens 3 3 'iVe7 and so prevents Black from continuing his attack. 3 1 . .l::tfS With a double threat to f2 and g 3 . 3 2 �f4?! After 3 2 �e3 �xg 3 ? ? 3 3 'iVd4!, threatening m ate on g 7 and defending f2 a third time, turn s the tables. But the intermedi ate 3 2 ...'iIi'f6 ! does the trick after 3 3 lIb7 �xg 3 . 3 2 . . .�xf4 3 3 gxf4 'iVg4+! The hurried 3 3 ... 'iVxf4? allows White counterplay after 34 'ii'd4 lIf6 (34 ... 'ii'f6 i s best) 3 5 �h 3, etc. .
29 .. JlaS In principle it would be wrong to hurry the ... d5-d4 push as it deprives the bishop on c4 of its defender. And there i s also a tactical reason why: 29 ... d4 30 l:lxg 7+! 'iit x g7 3 1 �h 6+ (stronger than 31 'iVxd4+ 'iVe 5 when g 5 as well a s c4 is hanging) 3 1 ... 'iit g 8 3 2 'iWxd4 'iWf7 3 3 �Cl! intending 3 4 �b2. Then, notwith standing being an ex ch ange up, Black can never hope to win because of his dark-square holes. 30 h4 Bl ack's persi stence begins to pay off. Karpov secures his bishop but in doing so weaken s his king side pawn s. It was simpler to retreat with 30 �e3 ! and ask Black 'how can you m ake progress?' 30 ... �e5 ! N akamura straightaway homes i n o n the g 3-pawn. A s the bishop al so control s b8 and prevents the white
14
34 �g2 'iVxh4 Winning a pawn and attacking the white rook. .. 3 5 :C7 'iVxf4 ... and so winning a pawn while
I n t ro d u c t i o n
again attackin g the white rook. No chance is given to White to counterat tack. The rest is fairly straightforward. 36 'ii'xf4 :xf4 37 e3 .l:tf7 38 .l:tc8+ �g7 39 :c5 l:te7 40 :c6 i.e2 41 i.h3 %1a7 42 :d6 i.C4 43 �g2 h5 44 �g3 .:tal 45 �f4 l:thl 46 i.e6 :fl 47 �g5 .:tgl+ 48 �f4 .:tg2 49 i.xd5 l:txf2+ 50 �xe4 i.xd 5+ 51 :xd5 h4 52 :d7+ :f7 5 3
�d4 0-1 White's isolated pawn is no m atch for Black's connected passed pawn s. Karpov didn't play as well in 2008 as h e did twenty years earlier, but I 'm pretty sure if he couldn't defend White's position then it won 't be easy for your opponents either.
15
Chapter One Gambit Li nes a n d Ea rly Od d ities
1 d4 fS
In this ch apter we'll examine the moves 2 g4, 2 h 3 , 2 'iVd3 and 2 e4, as we start our journey into the theory of the Dutch Defence by con sidering those variations in which White aim s at the immediate elimination of the fs-pawn . These lines can be tricky and a careless or under-prepared pl ayer might well be caught out by them. However, posi tion ally speaking, the move 1 .. .fS can 't be refuted by allowing Black to ex16
change his fs-pawn for the white e4pawn, or, even worse, by dislocatin g the white king side pawn s with g 2 -g4. That is why the strongest players h ave shown little interest in these variation s for White. In fact only in the Staunton Gambit (2 e4) is the theory developing fairly fast. The opening period can be a rather anxious time when facing a gambit, as White m akes it clear from move two or three th at he is out for blood. It m ay feel that defeat - and an embarrass ingly quick one - is only one slight mis step away. But once the initial storm passes over, Black is left in a healthy state. As we will see in the following g ames, the bl ack pieces easily find g ood squares - even the bishop on c8. If in doubt, play moves like ... lDf6, ... d7dS and ...lDc6, and you can 't go far wrong again st any of the White g am bits.
G a m b i t L i n es a n d Ea rly O dd i t i e s
Pa rt One: 2 g4 l d4 fS 2 g4
swered by Kindermann's recommenda tion of 7 ... ii.b4! 8 eS lLle4 9 ii.xe4 dxe4 when White is loose on the light squares, and Black can build up with ... 0-0, ... b7-b6, ... ii.b7, etc. In stead 3 ii.f4 is an anti-... g4-g 3 measure, but there is nothing to stop Black developing with 3 ... lLlf6 4 h3 dS 5 lLlC3 lLlc6 etc, when we h ave to ask our selves what White h as got for his pawn . 3 dSI •••
White deflects the pawn from fS in order to build a centre with e2-e4, or to use the pawn on g4 as a hook to open lines with h 2-h 3 . As long as he plays with a little care, Black is sure to g et a good g ame as White's pawn thrust doesn't have the support of his pieces and loosen s his king side too much . In his work on the Dutch, leadin g expert Valeri Beim even goes so far as to give 2 g4 a question m ark. 2 fxg4 3 e4 After 3 h 3 , 3 ... g 3 ! i s simplest, return ing the pawn to prevent White opening lines on the kingside (you might like to compare this with the line 1 d4 fS 2 'iVd3 dS 3 g4 fxg4 4 h 3 g 3 ! given l ater in the chapter). After 4 fxg 3 lLlf6 5 ii.g 2 dS Black can develop with moves like 6 ... e6, 7 ... ii.d6, 8 ... 0-0 and 9 ... lLlc6. An attempt to throw a spanner in the works with 6 lLlc3 e6 7 e4 is well an...
Reuben Fine was right when he said th at ... d7-dS is the antidote to all g am bits ! 4 es Now after the n atural move 4 ... �fS, White can try 5 lLle2 ! ? e6 6 lLlg 3 with the idea of h 2-h 3 and lLlxfS at the right moment. I don't like this for Black, as it feels like his pawn structure is being needlessly compromised. Therefore I would recommend 4 ii.e61? If White then plays slowly, the retreat ... ii.f7 followed by ... e7-e6 would turn it into a kind of French in which the black bishop is on the good f7-square. .••
17
Play t h e D u tc h
Play could go 5 lD e 2 'ii'd 7 6 lDf4 lDc6 7 lDxe6 'ii'x e6 8 i.e2 and now 8 ... lDh 6 ! i s an efficient way t o defend g4, a s 9 i.xh 6 'ii'xh 6 10 i.xg4 e6 looks very comfortable for Black. Instead after 9 c4 0-0-0 White stood badly in A.Truskavetsky-V. Romcovici, Dniprope trovsk 200 5 .
Part Two: 2 h3
the pawn is doing on h 3 . If in stead 4 g 5 lDe4 5 i.f4 e 6 6 lDf3 c5 we h ave reached the type of set-up for Black th at is recommended in Chapter Two against 2 lDc3, but how inferior has been the play of White ! H e h as g ained little from the pawn moves on the g file and h -file, whereas Black has been steadily increasing his power in the centre. Indeed, after 7 e3 'ii'b 6 8 'ii'c 1 i.d7 ! (positionally alert, non-routine play: Black intends to exch ange off his bad bishop before pl aying ...lDc6) 9 c3 i.b5 10 lDbd2 lDc6 Black h ad an excel lent position in the g ame K. Kusnetsov M.Dzhumaev, Dubai 2001. More testing i s 4 'ii'd 3, but in the following example Bl ack got a good g am e with simple consolidating and developing moves: 4 ... e6 5 gxf5 (against slower play Black can build up with ... i.e7, ... 0-0, ... C7-c5, etc) 5 ... exf5
1 d4 f S 2 h 3 lDf6 3 84
H ere simpl e and good is 3 d S . If 4 g xf5 i.xf5 Black is ahead in develop ment and we are left wondering what •..
18
6 i.g 5 (White decides to eliminate the knight that would become strong in the future after ... lDe4) 6 ... i.e7 7 i.xf6 i.xf6 8 i.g2 c6 9 lDd2 0-0 10 C4 i.e6 1 1 cxd5 i.xd5 (the fact that Black
G a m b i t L i n es a n d Ea rly O dd i t i e s
can exchange off the light-squared bishops in a Stonewall set-up is a far from encouraging sign for White) 12 .txd5+ 'iVxd5 13 liJgf3 liJa6 14 'iVb3 'i'xb3 1 5 liJxb3 lUe8 16 l:.dl :ad8 17 l:td2 litd5 and in B.Heberla-P. Nguyen, Warsaw 2008, Black h ad achieved a full development without incurrin g any weaknesses. H e possessed the best mi nor piece in the shape of the dark squared bishop and had pressure on the white centre. White was rated Elo 248 5, Black 2 3 2 7, but Heberla still h ad to struggle to draw after his poor open ing.
.tf4 liJf6 6 liJf3 .td6 7 liJ e 5 liJh 5 8 e 3 ! and the knight h ad a strong outpost square on e5 in H .Teske-A. Berelowitsch, Miilheim 2009. So m aking it messy with 3 .. .fxg4 looks best. In the followin g illustrative g ame, we see a theme characteristic of g ambit lines in the Dutch : a white knight on gl dominated by a black pawn on e4.
Pa rt Th ree: 2 1fd3 1 d4 fS 2 'ii'd 3 A direct attack o n the f 5 pawn by Her Majesty. Now 2 dS with a Stonewall centre looks the best respon se. After 3 g4 ...
1 d4 fS 2 'i'd3 dS 3 g4 If White doesn't act quickly then Black can build up with ... liJf6, ... e7-e6, ... c7-c5, ... liJc6, etc, when White has trouble in justifying his queen move in fact she could become a target of the black pieces. 3 fxg4 4 h3 g3!
... Black can be very solid with 3 ... e6, but this to some extent justifies White's play: for example, 4 gxf5 exf5 5
An important strategical device in this type of position. Black doesn 't want to take on h 3 as 4 ... gxh 3 5 liJxh 3
•..
L.l ba rra Chami A. Rodriguez Vila
Mexico City 2007
..•
19
Play t h e D u tc h
activates the white knight a n d open s the h -file for a possible attack on h7. As White al so threaten s to open the h -file and clear h 3 him self by playing 5 hxg4, Black elects to advance the pawn to g 3 . s fxg3 In contrast to 4 ... gxh 3 5 liJxh 3 , this recapture does nothing to improve the dynamism of the white pieces. On the contrary, the white pawn s are a little bit compromised (one less pawn being in the centre). The alternative 5 'ili'xg 3 makes a lot of sense, but I don 't think White can claim any advantage. For example, 5 ... liJf6 6 liJC3 �f5 7 �f4 liJh 5 (al so pos sible is 7 ... liJa6 with ideas of ...liJb4) 8 'ili'g 5 g 6 9 �e5, as in G.Welling-1Bosch, H ertogenbosch 1999, and now 9 ... liJf6 ! ? is an interesting way t o keep the ten sion, intending 10 �g 2 (or 10 e3 liJbd7 11 0-0-0 e6) 10 ... liJbd7 11 0-0-0 (an im portant point i s that 11 liJxd5 fail s to 11...liJxe 5) 1 1...c6 12 liJf3 e6 etc. S ...liJf6 6 �g2 liJc6 Note the typical ...liJf6 and ... liJc6 re spon se to White's g ambit line. Did White really imagine that with a few flimsy pawn moves he was going to break through the enemy line when there are such powerful 'keepers' op posing him ? 7 �f4 g6 1 Planning t o gain time by attacking the queen with 8 ... �f5 . White's next m ove stops this but leaves the bishop on f4 undefended - a factor that be comes important as early as move 9.
20
8 g4 �g7 9 c3 0-0 With ideas of 10 ... liJxg4. 10 'ii'g 3 Chami defends his bishop and at tacks the a-pawn . However, he h as fallen too far behind in development and Black is able to exploit this with vigorous play. 10 ... liJe4 11 �xe4 dxe4
White tried to strike a quick blow in the opening, but h as ended up drained of dynamism himself because of the difficulty in developing his knight from g l. 12 �xC7 'iVd s 13 'iVe3 After 13 liJd2 not so clear is 1 3 ... e3
G a m b i t L i n es a n d Ea rly O dd i t i e s
1 4 ttldf3, but Black can keep o n attacking with 13 ... e 5 . 13 . . .ttlxd4! 1 4 ttla 3 Al so hopeless i s 14 cxd4 .i.xd4 1 5 Wh3 .i.f2+ 16 �fl .i.b6+ 17 �g 2 'ilixb3 18 axb3 .i.xc7 and wins. 14...ttlbs 15 ttlxbs Or 15 c4 'ilif7 ! 16 cxb 5 'ii'f 1+ 17 �d2 'ii'x a1. lS ...'ilixbs 16 0-0-0 'ilie4 17 .i.g3 .i.e6
If you are wondering why Black's at tack i s unstoppable, just l ook at the white knight on g l and the rook on h i. 18 b3 'ilie6 19 �bl bS 20 :tel a s 21 'iVd2 a4 0-1 White was by no mean s a bad player - he was rated 2 3 2 5 - but he was entirely helpless once the l ack of cohesion in his position drove him fur ther and further behind in develop ment.
Pa rt Fou r: The Sta u nton Gambit The Staunton Gambit begins 1 d4 fS 2
e4 fxe4.
It deserves respect as it is the only system for White in this ch apter th at h as the backin g of several top-class players. It h as al so collected an awful lot of sharp theory, as we shall see. The modern way to play the Staun ton for White i s 3 ttlC3 ttlf6 4 .i.g 5 . This will be analysed in Part Five. H ere we'll look at the old-fashioned method which is to stab at the e4-pawn with f2-f3 in an attempt to open lines on the kingside. In virtually all lines in which White plays f2-f3 without a preliminary d4d5, it is possible for Black to stand his ground in the centre by defending the e4-pawn with ... d7-d5, and supportin g i t again if necessary with . . ..i.f5. I t is then a thorn in White's side - or per h aps we should say it is a stone in the hoof of the knight on g l, as it is pre vented from going to f3. We have al ready seen White's problems when the knight is dominated by a black pawn on e4 in the Chami-Rodriguez game above.
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Play t h e D u tch
1 d4 fs 2 e4 fxe4 3 ttJc3 After 3 f3 the ... d7-dS recipe already applies: 3 ... dS 4 fxe4 dxe4 and now 5 ttJC3 ttJf6 6 .i.g s .i.fs transposes to our main g ame, while 5 .i.C4 ttJf6 6 ttJe2 allows Black at least equality with the freeing move 6 ... e s ! when 7 dxe S ? ! jfxd1+ 8 c;i;>xdl ttJ g 4 would b e bad for White. 3 ... ttJf6 4 f3 We sh all discuss ideas of f2-f3 after 3 ttJC3 ttJf6 4 .i.g s ttJc6 in Part Five. 4 ... d S I
Black can mobilize all his pieces. 6 .i.gs .i.fS ! In Queen's pawn openings Black's m ain strategic problem i s usually the development of his queen's bishop. The fact that it here finds a comfortable deployment to fS is enough on its own to condemn White's opening play. 7 .i.C4 ttJc6! Black's piece deployment is flowing very smoothly. 8 ttJge2 e6 9 0-0 ttJa s A familiar plan : Black hunts down the strong light-squared bishop. It feel s that the g ame i s turning in Black's fa vour, but Predojevic finds a curious drawing variation . 10 .i.d S !
Black refuses t o fall behind in de velopment and give White the initia tive after 4 ... exf3 5 ttJxf3. S fxe4 dxe4 The doubled pawn s look ugly, but the one on e4 is denying the white knight its n atural square on f3 . It will require some time and effort for White to regain his pawn, and meanwhile
A move that appears t o be a typo, as it is surely impossible that the bishop goes to a square defended three times by the black pieces. Alas for Bl ack his control over dS proves a mirage: the queen dare not take on dS, the knight on f6 is pinned and the pawn on e6 need- s to defend fS. 10 'ifd7 l1 l:txfS I exfs 12 .i.xf6 gxf6 13
B.Predojevic-N.Sedlak
Nova Gorica 2008
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.••
G a m b i t L i n es a n d E a rly O dd i t i e s
t'Llf4 h S Black's king can't run away as 13 ... 0-0-0 loses the queen to 14 .te6. It seem s that the text move permanently stops the white queen giving a check on h S, but there i s going to be another surprise ...
draw. 17 ... .:xh S 18 t'Llxf6+ �e7 19 t'Llg8+ Va-Va A very exciting g ame. I'm curious to know how much of this was the pl ay ers' opening preparation, and how much was over-the-board in spiration . I hope they didn 't both h ave the position after 17 "ii'xh S+! on their computer screen s before th e g am e !
Part Five: The Modern Stau nton Variation
14 .te6 "ii'd 6 lS g3 l:td8 16 t'Llcd s c6 It appears that White's initiative is coming to an end after 17 t'Llxf6+ �e7 when, besides the knight on f6, the d4 pawn is h anging with check. 17 'iix hS+!
Saving him self. A great move, but I can 't bring myself to give it two excla mation m arks as it only leads to a
1 d4 fS 2 e4 fxe4 3 t'LlC3 t'Llf6 4 .tgs At the time of writing this is the only move respected by very strong players. White undermines e4 by at tackin g the black knight.
White also sets a positional trap that all Dutch players should be aware of: 4 ... dS? S .txf6 exf6 6 'iih S+ g6 7 'iix ds and White has regained his pawn with an excellent g ame. That mean s of course th at we are deprived, at least temporarily, of our favourite ... d7-dS move.
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Play t h e D u tc h
But no matter: 4. . .liJc6 is a n attrac tive altern ative. J.Cha uca-L.Rodi
B ra s i l i a 2010 1 d4 fs 2 e4 fxe4 3 liJC3 liJf6 4 �gs liJc6
liJxe4?? liJxe4 1 3 .l:txe4 'iVds ! and White was unable to defend both e4 and g s . b ) 5 �bs a 6 and now Black has a good version of the 4 f3 gambit style centre after 6 �xc6 dxc6 ! ? intending 7 ... �fs etc. 50 White might retreat the bishop with 6 �a4 when 6 ... bs 7 �b3 liJas ! hunts down the important white bishop, and after, for example, 8 .i.ds liJxds 9 liJxds �b7 10 liJf4 g6 11 h4 �g8 12 hs cs 13 hxg6 hxg6 14 dxcs "fiC7 Black h ad good play in R.Cifuentes Parada-V.Malaniuk, H astings 1994/9 5 . s liJes •••
S dS The purpose o f thi s move i sn 't only to force the knight to es, where it can be attacked by the white queen . A sec ond objective is to stop Black support ing the pawn on e4 with ... d7-ds . How ever, if White avoids 5 ds, the ... d7-ds move remains a motif: a) 5 f3 ds 6 .i.bs a6. Now Black had a good g ame after 7 �a4 b s 8 �b3 liJas 9 �xf6 liJxb3 10 �xg 7 �xg 7 11 axb3 0-0 in A.Matviychuk-R.Khaetsky, Evpatoria 2007. In stead 7 .i.xc6+ bxc6 8 fxe4 dxe4 is unclear. In the g ame A.5chlosser-M.Urban, German League 1994, White decided to get rid of the pesky e4-pawn as quickly as possible, but it turned out to be a bad mistake: 9 liJge2 g 6 10 0-0 �g 7 1 1 l:tf4?! 0-0 12
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6'i1i'd4 After 6 f3 Black can't support the e4-pawn, but he can sell its life in re turn for g aining time to equalize: 6 ... liJf7 7 �e3 (naturally 7 �xf6 exf6 8 fxe4 �b4 is simply terrible for White) 7 ... e s ! (unfortunately bypassing the f3pawn with 7 ... e3 8 �xe3 just strikes me as good for White) 8 dxe6 dxe6 9 'ii'x d8+ �xd8 10 0-0-0+ (or 10 fxe4 liJg4) 10 ... �d7 1 1 liJxe4 liJxe4 1 2 fxe4 �d6 13 liJf3 rJ;e7 with equality. 6 ... liJf71
G a m b i t L i n es a n d Ea rly O dd i t i e s
The knight completes a three-move journey to the king side. Wh at I find most satisfying is that Black gets full value for 1 .. .f5 by utilizing the vacated f7-square for his knight. 7 .i.xf6 White decides to g et his pawn back, but n ow Black's dark-squared bishop will h ave no rival . The alternative 7 h4 is con sidered below, while after 7 .i.h4 g 5 ! 8 .i.g3 .i.g 7 9 ttJxe4, the fully ade quate 9 ... c6 intending 10 .. :iVb6 h as been recommended, but surely Black can trap the white queen with 9 ... ttJxe4 10 'iWxg 7 ttJf6 intending 11 .. Jlg 8 ? 7 ... exf6 8 ttJxe4 fS !
Shades of 1 .. .fS. Black's f-pawn has been reborn and drives the white knight from the centre. 9 ttJg3 g6 10 0-0-0 .i.h6+ 11 'it'b1 0-0 12 h4 .i.g7 13 'iVd2 ttJd6! The knight will support queenside action from a central post from which it cannot be dislodged. 14 f4 An ugly move is needed to restrain the Dutch pawn, for 14 ttJf3 f4 is ttJe2
.i.xb 2 ! i s ruinous for White: 16 'it'xb2? ttJC4+. 14 ... bSI
15 h S 'iWf6 Other things being equal, it is doubtful that White's attack along the h -file could compete with the diagon al and frontal pressure Black will build up again st b2. But what will really kill White here is the combination of the pressure on b2 with the entrance of a black rook along the e-file. 16 c3 .l::t b 8 17 hxg6 hxg6 18 ttJh3 b4 19 cxb4? More resistance was offered by 19 c4, but Black should win : 19 ... .i.a6 20 litcl :fe8 with the idea of 21 ... l::t e 3 ! in the style of the g ame (the rook is im mun e due to mate on b2), and then, once the knight is driven from g 3 , 2 2 . . .ttJe4 with a crushing initiative. 19 ... a S ! 20 a3 axb4 21 axb4 l::t e 8 22 ttJgs :e3 ! Once more we have t o give credit to the Dutch pawn . If White hadn't felt obliged to stop it in its tracks with 14 f4, the e3-square would never have
25
Play th e D u tc h
become available t o the black rook. And it is this which breaks the white posi tion - not only is g3 hanging but there is the threat of 23 ... l:r.b3 .
F.Cira bisi-M.Dzhumaev
Genova 2006 1 d4 f5 2 e4 fxe4 3 ttJc3 ttJf6 4 �g5 ttJc6 5 d5 ttJe5 6 'ii'd 4 ttJf7 7 h4 c6
2 3 ttJh7 "iie 7 24 .:th3 l:[xg31 2 5 :xg3 ttJe4 0-1 After 26 'ii'e 1 .:txb4 Black h as a win ning attack as b2 is collapsing, to say nothing of the hanging knight on h7. I dare say that White m ay do better with 1 d4 f5 2 e4 fxe4 3 ttJC3 ttJf6 4 �g5 ttJc6 5 d 5 ttJe5 6 'ii'd 4 ttJf7 7 h4!?
H ere Bl ack can choose between 7 ... c6 and 7 ... e5, and we will examine each move in turn .
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This is the most interesting re spon se, but it is al so rather double edged. The idea is to challenge the white queen with ... 'ifb6. 8 0-0-0 Play tran sposes after 8 �xf6 gxf6 9 0-0-0 'irb6. 8 ..."ii b 6 9 �xf6 Feeble for White is 9 'ii'd 2 ? ! 'ii'a 5, at tackin g d5 again and clearing the way for the queenside pawn s to advance: 10 �C4 ttJd6 11 �b3 c5 12 ttJxe4 'ii'x d2+ 13 ttJxd2 b 5 14 c4 �a6. Here Black en joyed a strong blockading knight on d6, the bishop-pair and active queen side pawn s in l Boguszl avszki-Hoang Thanh Trang, Budapest 2007. 9 ... gxf6 H aving studied various g ames in this line, I think I need to point out a
G a m b i t L i n es a n d Ea rly O dd i t i e s
golden rule for Black:
U nless Wh ite can reply with 'ikh5 mate, you shou ld answer i.xf 6 with ... gxf6! rather tha n ... exf 6. After ... g xf6, the way is cleared for the bishop on f8 to enter the g ame. There is often the bonus that ... i.h 6 gains time by giving check to a white king castled on cl. Moreover, the black pawn centre is increased in size and forms a hard shell around the black king . And, finally, even if the black cen tre pawns aren't n eeded to defend the king, they are a useful position al asset. In contrast, 7 ... exf6 weaken s the black king and l eaves the central light squares around it full of holes. But remember what I said about not being m ated by 'i1ihs after ... g xf6. If the king is boxed in, m ake sure you h ave a move like .. ,eDf7 available ! 10 'ikxe4 'ikxf2 Black h as not only g ained the f2pawn, he h as also opened up the e3and f4-squares for co-operation be tween his queen and dark-squared bishop.
l1 lLlf3 If White plays precisely the open e file m ay become a useful attackin g re source for him. H owever, everything went swimmingly for Black after the misguided 11 dxc6 bxc6 12 i.C4 i.h6+ 13 'it>bl 'ili'f4 14 'ili'e2 in lColeto Calderon-A. Ruiz Saiz, Parl a 2008, and now 14 ... dS, inviting an inadequate sacrifice on dS, was probably even stronger than 14 .. J�b8. 11 ... i.h6+ 12 'it>b1 'ike3 13 'ii'a 4 'ilkf4 14 'ikb3 0-0
Black decides to evacuate his king from the centre. 15 i.e2? Even worse is 15 l::t d4? ? which looks like a strong attacking move, because ... well, I'll let the reader tell me! We shall discuss the improvement 1 5 i.d3 ! be l ow. 1 5 c51 Stopping 16 l::t d4 and threatening to exchange queen s if wished with 16 ... 'ili'b4. Black went on to win in rather straightforward fashion : 1 6 d6 e 6 17 lLl b 5 b 6 1 8 i.C4 .i.b7 19 .••
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Play t h e D u tch
.::t hf1 'ifg3 20 ttJC3 �h8 21 ttJe1 ttJes 22 .tbS a6 2 3 .te2 bS 24 .tf3 ttJxf3 2 S gxf3 'ii' h 3 26 l1f2 :g8 27 ttJe2 'ifxh4 28 l:.f1 �d S 29 l:.xd S exd s 30 'ii'x d s l:.ae8 3 1 'ili'd1 c 4 3 2 f4 'ili'h2 3 3 ttJd4 :g1 0-1 Returning to the position after 14... 0-0, it seems that White was dazzled by the chance to play 16 lId4 and so blocked the e-file with his bishop. In stead 15 .td3 ! would set Black some major problems. The intention is simply 16 .l:r.del to attack e7, possibly followed by 17 l:.e4 to hound the black queen. Black could counter this with l s ... as when 16 l:.del bs! 17 ':xe7 a4 is bad for White because his queen is smothered after 18 'ii'a 3 b4. However, 16 ttJd4!...
Assuming the 7 ... c6 line i s under the weather, Black should turn his atten tion to 7 ... eSI.
J.Boguszlavszkij-S.Ferkingstad
Buda pest 2009 1 d4 fs 2 e4 fxe4 3 ttJc3 ttJf6 4 .tgs ttJc6 S ds ttJes 6 'ii'd 4 ttJf7 7 h4 eS 8 dxe6 Instead 8 'ili'a4 was played in G .Mester-F.Grafl, Budapest 2003, but it hasn't attracted any followers at the time of writing .
.. .is a powerful respon se intending 17 ttJfs to hit e7 and h6. The knight i s immune because o f 16 .. :iVxd4 17 .txh 7+. I can't find a satisfactory line for Black: for example, 16 ... �h 8 17 ttJfs bs 18 ttJe2 ! . The position leadin g up t o 1 5 .td3 i s very interesting and you might like to try to find an improvement for Black.
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It led to wild complication s after 8 ... c6 9 .txf6 g xf6 10 0-0-0 fs ! 11 g4 b s
G a m b i t L i n e s a n d Ea rly O d d i t i e s
12 'iVb3 b4 13 dxc6! bxC3 14 cxd7+ iLxd7 15 iLbs �d6 16 'iWe6+ WfS and now 17 iLxd7 might be good for White as he doesn't get m ated after 17 ... 'iWb6 is b3 'iWb4 19 ':'ds ! . Being more cowardly, I would rec ommend S ... h6 9 iLxf6 'ifxf6 10 lDxe4 "iVb6
11 lDb5 After 11 lDge 2 ? ! Black can defend the e4-pawn with all his minor pieces: 11... lDf7 12 lDg 3 lDd6 13 �e2 (he shoul d swallow his pride and g et his pawn back with 13 �xf6 g xf6 14 lDgxe4, although after 14 ... lDxe4 1 5 lDxe4 iL e 7 Black h a s the two bishops and the superior pawn centre) 13 ... iLc6 14 .l:thel iLe7 15 iLxf6 iLxf6 16 iLg4 �xC3 17 bxc3 rtie7 and it h ad all gone horribly wrong for White in D. Rensch G .Antal, Lubbock 2009. 11 iLxb5 12 iLxb5+ c6 13 iLc4 iLC5 14 lDh3 lDd 5 15 ':'he1 0-0 16 ':'xe4 iLxf2 17 lDxf2 ':xf2 18 iLxd8 ':xd8 19 ':xe6 rt;f7 Instead 19 ... .:.xg 2 looks like a draw after 20 ':e7 bs 21 iLxds+ cxds 2 2 ':'xa7 ':'cS 2 3 ':'d2 ':'g1+ 24 ':'dl ':' g 2 with a repetition . ..•
11 0-0-0 'iWb4 12 'ifxb4 iLxb4 when I don't see any advantage for White. S dxe6 9 'ii'x dS+ lDxdS 10 0-0-0 In stead 10 iLxf6 g xf6 11 lDxe4 iLe7 is pleasant for Black, while 10 lDbs iLb4+ 11 c3 iLas defends c7 and leaves White struggling . 10 iLd7 ...
•.•
20 lIe2 If 20 ':'del, threatening 21 ':'e7+, 20 ... rtifS breaking the pin on ds l ooks the most precise reply. 20 lIxe2 21 iLxe2 rtie7 Black is comfortable and somehow contrived to win the endgame. ..•
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Play t h e D u t c h
Another interesting idea for White in the Staunton Gambit is 1 d4 fS 2 e4 fxe4 3 liJc3 liJf6 4 ..tgs liJc6 5 dS liJes 6 'iie 2!?, which has to some extent su perseded 6 'iid 4.
inflict doubled and isol ated pawns on him with 9 d6. We h ave reached one of the most critical position s in the modern theory of the Staunton Gambit, so we'll take a good l ook at Black's options. If you wish you can skip straight to 8 . :�e 7 ! in Sce nario Two which is the move I think Bl ack should pl ay. .
Scena rio One: Black plays 8 .i.e7 or 8 i.. b 4+ The immediate 8 ... ..te7 i sn 't very promising for Black after 9 d6! ...
...
6 ... liJf7 Black retreats his knight to a safe square (kindly provided by 1 .. .fS ! ) and forces White to choose wh at to do with his bishop. Now we'll examine 7 h4 towards the end of this chapter, but first we must see wh at h appen s if White exchanges: 7 ..txf6 exf6 8 liJxe4 9 ... cxd6 10 0-0-0 0-0 and here White can deprive the black knight of es with 11 f4! ?, as he did in D.Ortega H ermida A.Menvielle . Lacourrelle, Las Palmas 2009: 11 .. :�a s? A poor reaction . Black should try 11 . . b6 or offer to give back the pawn for some freedom with 11 ... dS, when White would reply 12 liJC3, aiming to take on dS with the knight. 12 liJC3 It is to stop this move th at Black .
Threatening m ate in one. After Black blocks the e-file, White intends to
30
G a m b i t L i n es a n d Ea rly O dd i t i e s
plays 8 ... �b4+ in the variation that fol lows. Now White now m akes full use of Black's weak squares on C4 and dS. 12 �d8 This position is h ardly an adver tisement for the power of the bishop pair! 13 ttJf3 l:tb8 14 .l::td S I bS 15 .l::tx bS l:txbS 16 'ilixbs 'iiC 7 17 iLc4 �b7 18 ttJdS 'iic 6 19 'iib 3 iLa6 20 �xa6 'iix a6 21 ttJd4 Wh8 22 lte1 'iia s 23 c3 'iic s 24 'ilibs a6 25 'iix d7 ! A pretty combination t o put Black out of his misery. 2S .. Ji'xd s 26 :e8 1-0 If 26 ... �g8 then 27 ttJe6 and splat! ..•
Instead Beim and others h ave rec ommended the sequence 8 ... �b4+ 9 c3 �e7 10 d6 cxd6 after which White no longer h as the option of ttJC3 to g et his knight in contact with the hole on dS. If 11 0-0-0 then the white king's resi dence is slightly compromised and can be a source of counterplay for Bl ack. Thus the most dangerous move ap pears to be the quiet 11 'iid 2!?
This aim s t o develop with 1 2 �C4 when the bishop exerts strong pres sure. Black stopped thi s with 11 'iiC 7 in V. Erdos-V.5ikul a, Budapest 2009, but it still led to trouble for him : 12 ttJg3 Not allowing the ch ance for 12 .. .fS . 12 ... 0-0 13 iLe2 ::te8 14 iLf3 fS .•.
Trying to do something fast before White can play 15 ttJge2, 16 0-0 and 17 ttJf4, dominating the centre. 15 ttJxfS ! �gS+ 16 ttJe3 'ilics 17 �d S I
Black is playing without his queen side rook or bishop, so White is going to come out top in the firefight in the centre.
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Play th e D u tch
17 g6 18 tbf3 .txe3 19 fxe3 J:lxe3+ 20 'iti>dl 'iti>g7 21 ':fl l:te7 22 e4 Intending 23 tbd4 and 24 'ii'f4, with a decisive attack along the f-file. 22 'ii'e 3 2 3 'ii'x e3 ':xe3 24 'iti>d2 l:te7 2 5 tbd4 l:tb8 26 l:tael tbe5 27 tbb5 b 6 28 tbxd6 .ta6 29 b4 b5 30 e5 tbe4+ 3 1 .txe4 l:txel 3 2 l:txel bxe4 3 3 'iti>e3 .tb7 34 tbxb7 .l:txb7 35 'iti>xe4 'iti>f7 3 6 a4 l:tb8 37 b5 ':e8 38 'iti>d 5 1-0 The leading Dutch expert Vladimir Malaniuk al so came a cropper in this variation when he tried 11 :ii'a 5 12 .te4 'ii'e 5, aiming to do something fast before White can develop and castle kingside: 13 .td 5! tbg5 •..
.•.
. .
Now instead of the slow 14 f3 in 5. Drazic-V.Mal aniuk, Milan 2009, the clever 14 tbf3 ! ? l ooks stronger: a) 14 ... tbxf3+ 15 g xf3 intends 16 0-0-0 and 1711del. Black can 't respond l s .. .fs as 16 f4 traps the queen. b) 14 ... tbxe4 1 5 'ii'd 3 ! (a neat point) ls ... tbcs+ (to exchange queen s, as ls ... tbxf2+ 16 'iti>xf2 followed by 17 :ael is horrible for Black) 16 tbxe s
32
tbxd3+ 17 tbxd3 and Black h as a very poor endgame. As usual, White's idea would be to apply pressure along the e file after, say, 18 0-0-0 and 19 J:lhel perh aps followed by doubling rooks. So the conclusion i s th at Bl ack h as a hard life after both 8 ... .te7 and 8 ... .tb4+ 9 c3 .te7 . Scena rio Two: Black plays 8 'iVe7 ! •••
V E rdos P Nikolic .
-
.
Germ a n league 2010 1 d4 f5 2 e4 fxe4 3 tbe3 tbf6 4 .tg5 tbe6 s ds tbe5 6 'ii'e 2 tbf7 7 .txf6 exf6 8 tbxe4 'ii'e 71 I think this is the best remedy for Black. 9 d6 'ii'e 61
If you play through the variation s of the previous scen ario, you'll under stand why Nikolic is keen to avoid the doubled pawn s and light-square weakness that result from 9 ... tbxd6 10
G a m b i t L i n e s a n d Ea rly O dd i t i e s
tLlxd6+ cxd6. White could continue 1 1 0-0-0 o r even 1 1 g 3 ! ? planning 1 2 �g 2. 10 dxc7 �b4+ This is Nikolic's idea: Black will re capture the c7-pawn with his bishop. In stead 10 ... dS give White the chance to attack the ds-pawn with 11 liJc3 ! (better than the 1 1 liJd2 of I,Nemet A.Cherniaev, Biel 2006), such as with 11...�b4 12 'ii'x e6+ �xe6 13 liJge2 �d7 14 0-0-0. 11 c3 �a s 12 tLlcS I Forcing Black t o unwind the white king side by capturing on e2. 12 ...'ii'x e2+ 13 �xe2 �xc7 14 liJf3 b6 1S tLla61
If the knight retreats Black will h ave a comfortable g ame with lS ... �b7. In fact, the bishop-pair would allow him to pl ay for an advantage. lS .. �d8 16 0-0-0 �b7 17 tLld4 After 17 liJxC7 �xc7 Black is in no danger as the i solated pawn is soundly defended. He could even try to increase the pressure along the a8-h l diagon al. 17 ...�f4+ 18 �bl 1:te8 19 �f3 �xf3 20 tLlxf3 ':c8 2 1 tLlb4 �d6! .
Nikolic sees the chance for counter play against the f2-pawn with moves like ... �cS and ... 1:te2, so White is com pelled to go on the defen sive. 22 liJd s :te2 �3 :hfl �cS 24 liJd4 �xd4 25 1:txd4 1::[c S 26 tLlf4 l:te7 27 tLld S ':'e2 28 tLlf4 %ie7 29 tLld S Vz-Vz The active black rooks persuade White to agree to a repetition. That wasn't the most exciting g ame ever in the Dutch, but Nikolic achieved a fairly comfortable draw as Black again st one of the most promising young Hungarian Grandmasters. And if White h ad played one or two inaccu rate moves, the veteran Bosnian Grandmaster could have tried for the advantage. We now turn our attention to an other sub-variation in which White delays recouping his pawn . L.Rosko-D.Semcesen
Olomouc 2008 1 d4 fS 2 e4 fxe4 3 tLlc3 tLlf6 4 �gs tLlc6
33
Play t h e D u tc h
5 d s ttJ e s 6 �e2 ttJf7 7 h4!? Ag ain we see this bold advance. 7 ... c6!
Freein g the black queen for action on as or b6, and preparing to complete the liquidation of the white pawn cen tre which began with 2 .. .fxe4. 8 0-0-0 cxd S 9 ttJxd s After 9 i.. xf6 gxf6 10 ttJxdS Black can tran spose with 10 ... e6. I can sympathize if you find this po sition rather scary for Black, but let's not forget that White no longer h as a battering ram in the shape of a centre pawn . Unless Bl ack blunders, there's no good reason why White shoul d be able to break through his defen sive line. 9 ...e6! Here's a way for Black to blunder and lose: 9 ... b6?? 10 i.. xf6 gxf6 (or 10 ... exf6 11 'iWxe4+ 1i.e7 - 11 ... ttJes 11 f4 - 12 ttJxe7, attacking a8) 1 1 �xe4 i..h 6+ (if 11 ... i..b 7 it's m ate in one) 12 'it'b1 and Black h as no defence to the double threats of 1 3 ttJxf6+ and 13 ttJxe7, uncovering an attack on a8. In stead Black returns the extra
34
pawn to strengthen his centre.
10 i.. xf6 If 10 ttJxf6+ gxf6 and Black will build a m assive centre with ... d7-dS. 10 ... gxf6 11 'ii'xe4 i.. h 6+ 12 ttJe3 fs 13 'iVb4 'ike7 Securing the right to castle, as the endgame is poor for White after 14 �xe7+ cJ;;x e7. 14 'YWb3 0-0
Black h as a big centre and the bishop-pair, including the dark-square mon ster on h6. Realizing that his position was go ing to go gradually downhill if he didn 't do anything fast, White tried to attack
G a m b i t L i n es a n d Ea rly O d d i t i e s
along the g -file, but the bl ack king proved to be safe on h8. The remaining moves were: 15 lDf3 b6 16 .i.b5 a6 17 .i.e2 b5 18 g4 fxg4 19 lIhgl �h8 20 lIxg4 'ii'f6 21 lDg5 lDe5 22 lDe4 "ike7 2 3 "ikc3 .i.g7 24 .l:!.xg7 'ii'xg7 25 .:tfl d 5 26 lDg3 lDC4 27 'iVxg7+ �xg7 28 lDh5+ �h8 29 lDg4 e5 30 lDgf6 .i.e6 3 1 b3 lDd6 3 2 l:1dl l:tad8 33 .i.g4 .i.xg4 34 lDxg4 lDe4 35 lDxe5 l:txf2 3 6 lDd3 l:lh2 3 7 lDhf4 l:tc8 3 8 lDel lDC3 39 l:td3 lDxa2+ 40 �b2 lDb4 41 l:tg3 lDxC2 42 lDf3 l::tf2 43 lDd3 .l:!e2 44 lDf4 :e4 45 lDxd 5 lDd4 46 lDg5 11e2+ 47 �a 3 lU8 48 �b4 :e5 49 lDC7 h6 50 lDh3 lDc6+ 51 �c3 as 52 lDgl .l:!c8 5 3 lDa6 lDb4+ 0-1
Pa rt Six: The Sta unton Gambit with g2-g4 V.Gerber-A.Panchenko
Kyiv 2008 1 d4 f5 2 e4 fxe4 3 lDc3 lDf6 4 g4
A n aggressive move pl anning to drive back the knight with S g S . 4 d5!? ..•
The norm al move is 4. . .h6, securing the knight on f6, but it would be great if Bl ack could just ignore the threat. There now begins an extremely long forcing line: 5 g5 .i.g4 Not allowing White the initiative he is looking for after S ... lDg8 6 f3 ! . 6 .i.e2 .i.xe2 7 'ii'x e2 If 7 lDgxe 2 ? then Black has the reply 7 ... lDh S . 7 . . .lDg8 8 'ii' b 5+ White should prefer 8 f3 : for exam ple, 8 ... lDc6 9 fxe4 (Black is doing nicely after 11 SLe3 e6 12 fxe4 SLb4) 9 ... lDxd4 10 "iVd3 eS 11 lDf3 .i.cS with unclear play. 8 ... lDc61 The only good move. A couple of players have fallen for the tradition al Staunton "iVh S+ and "iVxds trick in a different form after 8 ... "ikd7 9 "ikxb7 'ili'c6 10 'ili'c8+ �f7 11 'i!VfS+ �e8 12 'i¥xdS.
35
Play t h e D u tch
9 ttJxd S If this is White's best move then the opening has gone wrong for him. Black al so stands well after 9 'ii'x ds "xdS 10 ttJxdS 0-0-0, but the key line is 9 "xb7 ttJxd4 10 ttJxdS ttJxC2+ 1 1 'ito>dl ttJxal 12 'ii'x a8 'ii'x a8 13 ttJxC7+ �d7 14 ttJxa8 e S . However, this al so looks ex cellent for Black as the knight on a8 is easier to trap than the one on al: for example, 1 5 �e3 ttJe7 16 ttJe2 (or 16 �xa7 �c6 planning 17 ... �b7) 16 ...ttJdS 17 ttJC3 ttJxe3+ 18 fxe3 �b4 with win ning chances for Black. 9 e6? A serious mistake. H e shoul d play 9 .. :iVd7! intending 10 ... 0-0-0 when White looks busted as 10 'ii'x b7 l:r.b8 1 1 ttJxc7+ �d8 costs h i m a piece. 10 'ii'x b7 exd s The best chance is 10 ... �d7, but simply 11 ttJc3 should be winning for White. 11 "xc6+ 'ito>f7 .•.
36
And now White has a good g am e af ter 1 2 f3, but absolutely crushing was 12 ttJh 3 ! with the threat of 13 g6+ hxg6 14 ttJg S+. If Black stops it with 12 ... g6, both 1 3 f3, to open the f-file for the attack, and 13 ttJf4 are killing. H owever, in the g ame White gradually lost his way and ended up droppin g a piece: 12 �f4 ttJe7 13 "C3 ttJg6 14 �e3 �d6 lS h4 'ifd7 16 hS ttJe7 17 0-0-0 l::t hf8 18 g6+ hxg6 19 h6 gxh6 20 �xh6 l::t h 8 21 ttJe2 "g4 2 2 f3 exf3 2 3 l:.df1 ttJfS 24 'ii'xf3 'ifxf3 2 S l::t xf3 �f8 26 ttJg3 �xh6+ 2 7 'ito>d1 �g7 28 :thf1 �xd4 29 c3 �es 30 ttJxfS gxfs 3 1 l::txfS+ 'ito>e6 0-1 So is this line playable for Black? Was 1 M Panchenko following some analysis he prepared years ago and forgot what to do after the inferior 9 ttJxdS ? Or was he feeling in spired at the board, and the in spiration ran out after eight moves? I can 't an swer those two questions, but 4 ... dS ! ? looks to be in good sh ape from what I can see !
Chapter Two W h ite Pl ays 2 l2JC 3
1 d4 fS 2 lDc3
In the Queen 's pawn opening, after 1 d4 dS, the move 2 lDC3 (The Veresov Opening) has never become particu larly popular for White. It is well known that he gain s the most profit by attack ing the black pawn centre with 2 c4 or 2 lDf3 and then 3 c4, and putting the horse on c3 gets in the way of this plan . Of course White doesn't stand worse after 2 lDc3; it merely mean s that his strategic option s are more limited. He
can't cause Black as much grief as with 2 c4. Let's now turn to 1 d4 fS 2 lDC3. Once again White has blocked in his c2pawn . On the other hand, he is threat ening to seize space with 3 e4 - if he can pl ay this unopposed then there can be no criticism of 2 lDC3. For example, after 2 lDC3 d6 ? ! 3 e4 fxe4 4 lDxe4 we h ave a kind of mirror image of the Sicil ian Defence with 1 e4 cS 2 lDf3 e6 3 d4 cxd4 lDxd4. In the Sicilian version Black's queen and bishop on f8 have open lines, and he can ch allenge the white knight on d4 with 4 ... lDc6. Things are much poorer for Black in the Dutch version due to the fragility of his king and the fact that his queen and dark squared bishop are still passive. Therefore, in contrast to the Sicilian, after 1 d4 fS 2 lDC3 it is importa nt th at B lack pu t up an obstacle to Wh ite's 3 e4 adv ance. 37
Play t h e D u t c h W h i c h va riation t o choose? One obvious method of stopping 3 e4 is 2 ....�Jf6. The knight is bound to go to f6 at some point, so why not play it there straightaway? A typical sequence is 3 .i.g 5 d5 4 .i.xf6 exf6 5 e3.
White might then engineer c2-c4 after all with .i.d3 and liJce2, or try for an attack as Bl ack often castles queen side. Black has a lot of resources in these variations, and m any strong Grandm asters have defended them with success. The bishop-pair and a solid centre are not to be sneezed at, and I g ave 2 ... liJf6 my support in Sta rt ing Out with the Du tch. H owever, in this book the emphasis i s on dynamism. I find the position s after the exch ange .i.xf6 and the recap ture ... exf6 a little static for Bl ack. The pawn break ... c7-c5 would leave the d5pawn weak after d4xC5, while advanc ing the king side pawn clump is prob lematical. We occasion ally see a g ame in which Black man ages to arrange .. .f5-f4 to get the pawn s rolling, but it requires some help from White !
38
So after 2 ... liJf6 Black has a reduced capacity to m ake effective pawn breaks. Therefore I want to recommend 2 d S in this ch apter, and after 3 .i.f4, the little pawn move 3 a61 . •••
.•.
In contrast to White's 2 liJc3, Bl ack avoids blocking in his c-pawn with ... liJc6. He intends to build up with ... liJf6, ... e7-e6, ... c7-c5 and only then ... liJc6. If he succeeds he h as a big g er centre than White. Such a strategy, with its multiple pawn moves, l ooks risky. However, Black is trustin g in the solidity of the Stonewall centre and the fact that White cannot easily arrange a pawn break. The move 3 ... a6 actually m akes the bl ack centre safer as it rules out an attack on it based on liJb5 followed by c2-c4. A word on the
Stonewa l l Formation In this book I've referred to any struc ture as a Stonewall in which Black ad vances ... d7-d5 so th at his pawns on d5 and f5 give him a grip on the central
W h i t e Plays 2 ltJ C 3
light squares. In particular, White's e2e4 space-gaining move is prevented or made difficult to arrange. White's light-squared bishop is al so reduced in scope, as on g2 it would be staring at a wall on ds, or on d3 at a wall on fs . 50 White's attacking chances are on the whole reduced. So the good news for Black is that he has equal space in the centre and is solidly entrenched on the light squares. The m ain drawback is that Black has renounced setting up a mobile pawn centre with ... d7-d6 and ... e7-e s . In stead the es-square is a hole in the black centre, a perfect post for a white knight, and h as to be carefully watched over by the black pieces. Perh aps the fundamental strategic decision Black h as to m ake in the Dutch is: shoul d I set up a Stonewall centre (with ... d7-ds) or a mobile centre (with ... d7-d6 and ... e7-es). Black doesn 't al ways h ave a choice - as in the 2 lDc3 variation, where he is virtually obliged to set up a Stonewall to prevent White gaining space with an 'easy' e2-e4. Wh ite's strategy Turning to the specific position after 2 ltJc3 ds, Black is planning to seize a large share of space in the centre and, if left alone, will complete his devel opment with a safe and active g ame. The weakness of the es-square isn't enough on its own to cause him any trouble. White therefore h as to devise a plan of action to undermine the black
centre. From a strategic point of view he has two options: play a violent e2-e4 breakthrough or else arrange c2-c4 af ter all .
The Immedia te Ciambit: 3 e4 1 d4 f5 2 lDC3 d 5 3 e4 dxe4 4 f3 e 5 !
Bl ack i s at least equal after this free ing move, which explains why highly rated players prefer to play 3 .i.f4 to rule it out and only after 3 ... a6 go 4 e4 (not that it does them much good in the g ames in this ch apter). 5 dxe5 Black has opened the centre at a bad time for White, as his knight on g l is denied the f3 -square. I n fact this has proved the downfall of White in all the g ambit games discussed here - he sac rifices a pawn to speed up his devel opment, only to find that it has made it harder, not easier, to mobilize his king side pieces. 5 ... 1i'xd1+ 6 �xd1
39
Play t h e D u tch
After 6 lLlxdl lLlc6 7 f4 lLlb4!...
... Black already h ad the initiative in S.Tikhomirov-M.Grunberg, Buch arest 2002. 6 ... lLlc61 7 .ltf4 lLlge7 8 lLlh3 .lte61 9 fxe4 0-0-0+ Bl ack has responded to White's pawn sacrifice with a double-pawn offer in order to speed up his develop ment and embarrass the white king . 1 0 .ltd3 h6! Threatening 11 ... gs when the es pawn is sure to drop. 11 exfs lLlxfS 12 :e1 lLlh4!
defend g 2 : for instance if 1 2 ':'g l .ltcs, etc. In P.Raineri de Luca-F. Peralta, Cas telldefel s 2005, White g ave up the ex ch ange but eventually lost after 13 :e2 .ltg4 14 lLlf2 .ltxe2+ 1 5 �xe2 when ls ... lLlxg 2 was simplest. A curious point: after the move or der 1 d4 fs 2 lLlC3 ds 3 e4 dxe4 4 .ltf4 should Black play 4 ... a6, or find a more 'productive' move? I think we should stick with 4 ... a6. After all, in the g ames that follow it helps Black destroy a couple of top players in the move order 3 .ltf4 a6 4 e4.
The Delayed Ciambit: 3 i.f4 a6 4 e4 V.Ma lakhatko-N.Firman
Germ a n League 2008 1 d4 fs 2 lLlC3 ds 3 .ltf4 a6 4 e4 White tries to prove that 3 ... a6 is an irrelevant, self-indulgent move by starting a fight in the centre. H owever, as we shall see, in a fast-moving battle the fact that 3 ... a6 prevents lLlbs or .ltbs proves valuable. 4 dxe4 Every Dutch player needs to know that in this type of position 4 .. .fxe4? runs into 5 "iWh s+ and 6 "ii'x ds, leaving the black centre ruined. 5 f3 lLlf6! Very sen sible. H avin g taken a liberty with 3 ... a6, we shouldn't push our luck •..
And suddenly White's position is collapsing as there i s no good way to
40
W h i t e Plays 2 tD c 3
too far. Rather than speed up White's development with s ... exf3 6 tDxf3, Black brings his own knight into the game.
6 fxe4 fxe4 The black pawn on e4 looks ugly, but just as ugly is the fact that the white knight on g l can 't go to f3. And ugliest of all from a strategic perspec tive is the fact that White h as granted an easy development to the bishop on c8, Bl ack's worst piece in 1 d4 openings for the past 500 years. 7 iLc4 tDc61 Preparing to hunt down White's ex cellent light-squared bishop. You will notice thi s plan is possible due to the service of the a6-pawn in preventin g tLlbS . 8 tDge2 The alternative 8 iLes is examined in the next g ame. 8 tDa s 9 iLb3 tDxb3 10 axb3 iLfS This bishop always seem s super charged once the obstruction on fS is removed. Perhaps it is because White has h ad to soften up his light squares
i n disposing of the fs-pawn, m aking the path more smooth for the bishop that follows in its wake.
11 'iVd2 e6 12 0-0-0 Mal akhatko h as made a lot of ag gressive moves, but it is Firman who has the more dynamic chances th anks to his steady and preci se play. 12 il.b4 13 h3 0-0 14 g4 iLg6 15 'ife3 as! Black already h as an excellent g ame thanks to his grip on the centre. Now the wonderful a-pawn is called on to lead the attack again st the white king . 1 6 'ifg3 'ifd7 17 h4 h S ! •••
•.•
A crucial move t o break u p the
41
Play t h e D u t c h
white attacking front and prevent the bishop being driven backward with 18 hS. 1 8 gxh 5 .1l.xh 5 19 11dg1 It appears at first glance that White's assault is as promising as Black's queen side play. However, he can't conquer the g7-point, whereas Bl ack can break through along the a file where the attackers far outnumber the defenders. 19 ... a4 This is not even a sacrifice as both 20 liJxa4? .1l.xe2 and 20 bxa4 .1l.xe2 2 1 liJxe2 .l:itXa4 (but not 2 1 . . .'ifxa4??) are bad for White. 20 .1l.e5 axb3 21 cxb3 .1l.xe2 22 liJxe2 liJh5!
Of course if 3 0 'iVC2, then 3 0... :a1+ 31 'iltb2 .l:ita2+ win s the white queen . 30 l:.a6 3 1 :g2 :c6+ 3 2 ':C2 liJg3 ! ..•
The entry of the knight decides mat ters. If now 33 .:tel Black can get a king and pawn endgame three pawn s up: 33 ... liJe2+ 34 liexe2 'iVxe2 3S ':xc6 'iVxb2+ 36 �xb2 bxc6. 33 lixc6 liJe2+ 34 'ifxe2 'ifxe2 35 ':xC7 'iVu 36 ':'h3 d4 37 :g3 'ii'a 1+ 0-1 I.Lysyj-M.Narciso Dublan
E u ropea n C h a m pio n s h i p, Plovd iv 2008
The knight takes over the defence of g 7 to free the bl ack queen for deci sive action on the queen side. 2 3 'ii'g 2 'iVc6+ 24 liJC3 ':f3 2 5 d 5 exd 5 26 'iltb1 .1l.xC3 27 .1l.xC3 .l:[xc3 Simultaneously destroyin g White's hope of an attack g 7 and wrecking his king's defences. 28 bxc3 'ifxc3 29 'ii' b 2 'ifd3+ 30 'iltC1
42
1 d4 f5 2 liJC3 d 5 3 .1l.f4 a6 4 e4 dxe4 5 f3 liJf6 6 fxe4 fxe4 7 .1l.C4 liJc6 8 .1l.e5 White defends his d4-pawn with his bishop as he is evidently unh appy about 8 liJge2 liJas ! as in the g ame above. If now 8 ...liJas White could al ways keep his bishop with 9 .1l.e2 ! ? not that there is anything great for him in the resulting position. In stead N ar ciso Dublan prefers to increase the pressure on the white centre:
W h i t e Plays 2 lLl c 3
8 ... lLlg4!
And why not? Bl ack h as just as much dynamism as White in this posi tion - he doesn't h ave to be awed by his opponent's attacking gestures. Now besides the double capture on e 5 White has to watch out for a fork on e3. In deed, 9 lLlge 2 ? ? lLle3 would win a piece. 9 �d 5 �f5! Black develops simply and leaves White to sort out his mess. Once again the plan of king side development with 10 lLlge2? falls apart: 10 ... lLlxe5 11 dxe 5 lLle3 12 'ifd2 lLlxg 2+ 1 3 �1 e6! and the bishop on d5 is pinned. 10 'ife2 lLlgxe5 11 dxe5 lLld4
12 'ili'C4? Black would h ave a useful initiative after 12 'ikd2 e6 ! . Therefore White tries to continue in attackin g vein, but with disastrous results. 12 ... lLlxC2+ 13 'iti>e2 e61 Al so good enough was 13 ...lLlxal, but Black didn't want to give White an attack after 14 �f7+ 'iti>d7 1 5 lLlh 3 . 1 4 �xb7 'ifg5 ! Decisive, a s 1 5 �xa8 'ikxg 2+ 16 'iti>dl lLle3+ win s the white queen . 15 �c6+ 'iti>f7 16 �xe4 lId8!
So that if 17 l:td1 'ike3+ and mate in two moves. 17 �XC2 'ii'x g2+ 18 'iti>el 'ii'x hl 19 �xf5 White is now threatening m ate in one so Black has to play with a little care. 19 :WWx gl+ 20 'iti>e2 'i!i'xh2+ 21 'iti>f3 'ikxe5 22 :fl �e7 2 3 lLle4 �f6 24 'iti>g2 l:td4 25 lLlg5+ �xg5 26 �xe6+ 'iti>e7 27 1:[f7+ 'iti>d8 28 'ifxa6 l:td2+ 29 'iti>fl l:tdl+ 30 'iti>f2 'ike3+ 0-1 .•
In these l ast two g ames we h ave seen players rated 2 6 3 3 and 2 5 9 5 lose
43
Play t h e D u tc h
with White again st players rated 2 5 2 5 and 2 509 respectively. The problem for White is that he can't develop his knight to f3, while .i.c4 and ttJge2 runs into the awkward ... ttJa5 ! exchanging off the important bishop.
White Plays ttJes We shall now consider g ames which feature a more positional approach by White. After 3 .i.f4 a6 4 e3 ttJf6 5 ttJf3 e6 he has two strategic strings to his bow: the hole on e 5 and the possibility of undermining the black pawn struc ture along the c-file.
knight m anoeuvre is decidedly suspect - he spends two moves to exchange it on c6, which merely strengthens Black's centre and open s the b-file for Bl ack's heavy pieces; still, White is al ready in an awkward situation as after say 10 1:[g l 0-0 he has to reckon with a ... d4 pawn advance) 10 ... 0-0 1 1 'ii'd 2 1:[e8 12 ttJxc6 bxc6 13 .i.e2 .i.d6 (secur ing b8 for his rook) 14 .i.xd6 'iix d6 1 5 0-0-0 ':'b8 and Black had the attack i n T. Reiss-M. Bartel, Wattenscheid 2009. 5 e6 6 ttJe5 ..•
K.Sa kaev-A.Volokitin
E u ro pea n C l u b C u p, O h rid 2009 1 d4 f5 2 ttJc3 d5 3 .i.f4 a6 4 e3 ttJf6 5 ttJf3 White can also delay developing his knight in favour of immediate king side action with 5 h 3 , whereupon after the routine 5 ... e6?! the pawn lever 6 g4! worked out well in V.Epishin V.Malaniuk, Tashkent 1987. In a later g ame Bartel struck back with the im mediate 5 ... c 5 : 6 dxc5 ttJc6 7 ttJf3 e6 8 g4 (the consistent move, though it seem s to leave White's position too loose; perh aps he should play 8 ttJa4 when 8 ... ttJd7 9 c4 ttJxC5 is bal anced) 8 ... .i.xc5 9 gxf5 exf5 10 ttJe5 (White's
44
At the first opportunity the white knight takes possession of the hole on e5. In stead White can play solidly with 6 .i.d3 c5 7 dXc5 .i.xC5 8 0-0, aiming to hit the d5-pawn with a quick c2-c4. Incidentally, this is the approach advo cated by Richard Palliser in Play 1 d4!. After 8 ... ttJc6 9 ttJe2 0-0 10 c4, Glenn Flear recommends 10 ... ttJb4 ! ? with un clear pl ay. 6 ttJbd 7 ! Immedi ately challenging i t s oppo site number. Now Volokitin intends •..
W h i t e Plays 2 ttJ C 3
... i.. d 6 and ... 0-0, which would leave White in a positional dead-end. After all, how can he improve his position, as f2-f3 can be answered by ... ttJh s, h ar assing the bishop on f4? Perhaps the best ch ance would be ttJb1, ttJd2 and ttJdf3, but this convoluted m anoeuvre is hardly a vote of confidence in 2 ttJc3. In stead Sakaev tried to force m at ters: 7 g4 ttJxe5 8 dxe5 ttJxg4 9 h 3 ttJh6 10 i.. x h6 gxh6 11 'ii' h 5+ 'iti>d7 12 0-0-0 Threatening 13 ttJxds ! . 1 2... 'ii'g 5! 13 'ii'f3 c6
pawn endgame. For the record here are the remaining moves: 15 .l:.gl 'ike7 16 'ikf4 i.. d 7 17 ttJd4 'ii'f7 18 c4 ':g8 19 l:txg8 'ii'x g8 20 cxd 5 cxd 5 21 'iti>bl 'it'g5 22 'it'h2 .l:.c8 2 3 h4 'it'g7 24 i.. d 3 'iti>b6 2 5 .:tgl 'ii'e 7 26 h 5 'ikb4 27 f4 'iti>a7 28 'ii'f2 'ii' b 6 29 'ii'd 2 i.. e 8 30 i.. e 2 i.. b 4 3 1 'iVdl i.. C 5 3 2 'iVd2 i.. a 4 33 i.. d l i..x d4 34 'ii'x d4 'ii'x d4 3 5 exd4 i..x dl 3 6 ':'xdl ':'g8 3 7 'iti>C2 :g4 38 :fl 'iti>b6 39 'iti>d3 :g3+ 40 'iti>d2 11g2+ 41 'iti>c3 'iti>b5 42 1:[cl :h2 43 'iti>b3 ':'xh 5 44 ':'C7 l:th3+ 45 'iti>c2 .l:.h4 46 .l:.xb7+ 'iti>C4 47 .l:.a7 .l:.xf4 48 .:txa6 ':f2+ 49 'iti>bl 'iti>xd4 50 ':xe6 .:te2 51 a4 .l:.xe5 52 1:[f6 'iti>e3 53 'iti>C2 d4 54 b4 d3+ 55 'iti>C3 f4 56 .l:.d6 'iti>e2 57 .l:.xd 3 l:te3 58 ':xe3+ fxe3 0-1 So the immediate 6 ttJe s got no where. But we should see what hap pens if White waits a move with 6 i.. d 3 and only after 6 . . . cs plays 7 ttJes.
Formerly speaking, White h as a huge l ead in development, but there is no good way to break through . In the Dutch we often see the resilience of the Stonewall centre and the feebleness of the white pawn s as an attacking force. 14 ttJe2 'iti>C7 Black h as m an aged to flee with his king, after which his dark-squared bishop, solid centre and fairly useful extra pawn give him the advantage. Volokitin was eventually able to ex change down into a winning rook and
Then 7 ... ttJbd7 ! ? still seem s okay: for example, 8 0-0 ttJxes 9 i.. x es i.. d 6 looks equal or critically 9 dxe s ttJd7. The black centre seem s to be holding firm as 10 i.. xfs ? doesn't work for White
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Play t h e D u tc h
after 10 ... exf5 11 liJxd5 liJb6 ! . That means that Bl ack will have time for 10 ... it.e7 and 11 ... 0-0 with a good game. Instead White can try 6 it.d3 c5 7 0-0 liJc6 8 liJe5, but 8 ... liJxe5 tran sposes to the 7 ...liJbd7 8 0-0 liJxe5 line above. White could al so play 6 it.e2 (rather th an 6 it.d3) but I don't think thi s helps him. For example, 6 ... C5 7 liJe 5 (7 0-0 will be seen in our next illustrative g ame) 7 ... liJbd7 8 it.h 5+ g 6
okay in this position. However, 7 ... liJbd7 ! ? makes me feel a lot more confident about Black's chances. Thus it appears that White can't get l asting benefit through putting his knight on e5.
White Tries for Queenside Adion F Elsness M Bartel .
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.
E u ropea n Tea m C h a m pions h i p, Novi Sad 2009 1 d4 f5 2 liJc3 d5 3 it.f4 a6 4 liJf3 liJf6 5 e3 e6 6 it.e2 c5 7 0-0 liJc6
9 it. e 2 (if 9 liJxg 6 h x g 6 10 it.xg 6+ bB 17 'iti>bl �g 7 lB a3 l:th B 19 l:txh B l:txh B 20 �xes dxe s 21 lDf3 e4 2 2 'ifxg s and White had won a pawn, although I wonder whether White h as any real advantage after, say, lB ... lDfg 4 ! ? when 19 lDf3 lDxf3 20 gxf3 lDes is nothing for White.
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This i s confirmed in a tacit way by the l ater g ame Y. Kuzubov-D.5wiercz, Polanica Zdroj 200B, in which White, rated 2 S 7B, declined to play Kasparov's 14 dS and only drew after 14 'iti>bl �g7 15 lDge2 lDg4 16 dS exds 17 exds lDces lB lDd4 a6 19 �e2 'iti>bB 20 .:the l 'iff7 2 1 .:tfl Y2-Y2 . SO it seem s there's not much to fear here for Black. Furthermore, Illescas Cordoba h as played an interesting variant on his g ame with Kasparov: 10 ... a6 ! ? (rather th an 10 ... lDc6) 11 0-0-0 lDc6 12 e4 and here, because lDbS h as been ruled out, we can play 1 2 .. .f4!.
Only after 1 3 �f2 is the bishop de veloped to d7. The g ame M.Gurevich M. lllescas Cordoba, Spanish Team Championship 2004, continued 13 ... �d7 14 eS lDdS 15 exd6 'ilxd6 16 lDe4 'iVe7 17 �C4 0-0-0 and Black went on to win in a h air-raising fight. Finally, in the g ame E .Atalik M.Muzychuk, Dagomys 2010, White tried a different way to attack in the centre: B �d3 ! ? (rather than Kasparov's B lDc3 e6 9 f3) B ... e6 9 lDC3 lDc6 10 dS ! ?
W h i te Plays 2 .i. g 5
After 10 ... liJe7 1 1 dxe6 .i.xe6 1 2 liJf3, rather th an 1 2 ... c5 as played, I would recommend the simple 12 .. .'lWd7 and if 13 liJd4 0-0-0 Black is very active - the exch ange 14 .i.xe6 'iVxe6 increases his initiative. S e6
break - see, for exampl e, the Kasparov g am e above. 11 .i.d3 .i.d7 12 liJe2 "iif7 13 f3 0-0-0
•..
Malaniuk clears the way for the queen to g alvanize the black position from the second rank. g e3 Hille's moves aren 't forceful and they allow Black to mobilize without any problems. Not that there is any thing exactly wrong with playing like this as White. In fact m any players with a pronounced positional style are happy to defer the m ain struggle to the middlegame. 9 Ji'e7 10 'ike2 liJe6 Further to the previous comment, it's something of a luxury for Black not to be in any danger of being hit over the head with d4-d5. If that threat had existed Malaniuk might have employed the move order ... .i.d7 and only then ... liJc6, to lessen the impact of a d4-d5 ..
Black h as built up his g ame in im peccable style. His pawn chain contains no weaknesses and controls a lot of squares. His queen side pieces have been developed in good order and his king is safely castled. H e h as been as tute enough to leave his bishop on f8 to deter pressure by White against d6. A crass example: put the bishop on g 7, move the white knight from d2 on c4, and already White has .i.xd6 ! winning a pawn due to a possible knight fork. Of course, this tactic could be easily avoided by Black, even if he h ad played ... .i.g 7 - the real danger to d6 comes from a c4-c5 pawn advance. In this g ame Hille h as made no effort to ar range c4-c5, but Malaniuk wasn 't to know that his opponent was going to be in a peaceful mood. Malaniuk has also been clever enough to put his queen on f7, where she supports moves like ... liJh 5 and the pawn-ram .. .f5-f4. Meanwhile White's
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Play t h e D u tch
cental pawn s moves h ave been too solid, without any bite. If he had car ried on solidly with 14 0-0-0 chances would h ave rem ained about equal . Black might then have tried a different pawn advance: 14 ... ttJdS 15 .i.f2 g 4 ! ? as 14 ... f4? is ineffective after 15 exf4 gxf4 16 .i.h4! with a much superior version of the actual game for White. 14 b4 White suddenly wants to attack the black king , but the quiet 14 0-0-0 was required. 14 ... f41 15 exf4 gxf4
the Leningrad that it is nice to see White get some of his own medicine. Or 17 b S ttJe7 18 ttJxf4 .i.h 6 and, with the white bishop denied access to the g 6-square, Bl ack h as a strong initiative. 17 ttJxf4 :g8
18 ttJg6? After 18 .i.g 6 'iVg 7 19 0-0-0 the white pieces appear rather loose on the king side, but 19 ... e S 20 dxes dxe s 2 1 ttJe4! is unclear, perh aps good for White, so Black would h ave to make do with a solid alternative such as 19 ... ttJe7. 16 .i.h4! In stead 16 .i.xf4 ':'xg 2 is just good for Black, so Hille pin s f6 and prepares to take on f4 with his knight. 16 l:txg2? And now it i s Black's turn to be in too much of a hurry. The subtle 16 ... l:te8 ! was stronger. It breaks the pin on f6 and prepares to an swer 17 ttJxf4 with 17 ... e s ! opening the centre to get at the white king . If 17 0-0-0 then 17 ... ttJdS sets up a fork on e3 - Black suffers so much with the hol e o n e6 in .•.
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18 ttJe7 ! The exch ange of knights removes ..•
W h it e Plays 2 .i g 5
the dyn ami sm that compen sated for the weaknesses in the white pawn structure. 19 ttJxf8 l:ldxf8 20 c4 White is understandably reluctant to let the black knight into the centre with 20 0-0-0 ttJeds, attacking his weak squares on e3 and f4. On the other hand, his pawn structure is becoming even flim sier. 20... ttJc6 21 "iVc3 e5 22 d5 ttJd4 23 .if2? He should h ave castled, although Black h as huge pressure on the king side after 2 3 ... ttJh S intending 24 ... ttJf4, etc.
23 ...ttJxf3+1 Black has such a huge amount of firepower on the f-file that a combina tion was always going to appear. 24 ttJxf3 ttJg4 25 .ixa 7 Losing quickly, but if 2 5 .ie2 ttJxf2 26 c 8 2 1 g4 tiJa 5 22 tiJe5 d6 23 tiJg6 1:Id8 24 'it'xh6 'iii> b 7 2 5 'ifg7 lilac8 Black's king h as reached safety and he is fully developed. White's passed pawn isn't any compen sation for the attack that Mal aniuk is about to
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unleash against the exposed king. 26 tiJe7 tiJC4+ 2 7 'iii> d 3 T o hol d onto the c3-pawn. 27 ...tiJe5+1
28 'iii> d 2 After 2 8 dxe 5 dxe 5+ 29 'iii> e 2 'iix c3 the white pieces are too far away to defend their king : e.g., 30 tiJxc8 'ilXC2+ 31 'iii> e 3 1:Id3+ 32 'iii> e 4 'iVe2 m ate. 28 tiJxf7 29 tiJxc8 tiJe5 30 tiJe7 tiJC4+ 31 'iii> d 3 d5 32 g5 'ild6 3 3 1:Ih3 'ilf4 0-1 The finish could be 34 'iii> e 2 (to stop mate on d2) 34 .. JU8 3 5 1:If3 'ild2+ 36 'iii>f1 tiJe3+ and m ate next move. •..
Chapter F o u r Wh ite Avoids a n ea rly g 2 - g 3 a g a i n st a Le n i n g ra d Set- u p
l d4 fS
If White avoids putting the bishop on g 2 versus the Leningrad Dutch set up, it might mean one of three things: 1. He doesn't know much theory and is h appy with simple, albeit pas sive, development in the opening. 2. He is a subtle position al m aster who h as spent years developing a pet system with .ie2 and b2-b4.
3. He knows a l ot of sharp theory and wants to destroy his opponent with 2 c4 and 3 ttJC3. In other words, you can 't take any thing for granted. In this ch apter we'll h ave a l ook at the mixture of system s and pawn structures th at might ari se when White avoids g 2-g 3 and .i.g2, but all ows Black a Leningrad set-up. After 1 d4 fS we'll explore: Part One - White plays e2-e3 and .ie2 or .id3; Part Two - 2 c4 ttJf6 3 ttJC3; Part Three - 2 ttJf3 ttJf6 3 .ig S; Part Four - White pl ays b2-b3.
Pa rt One: White Plays e2-e3 At club level, games with .ie2 or
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.t d 3 are common. If White wants a non-theoretical game that avoids put ting the bishop on g2 the best way is probably 1 d4 f5 2 liJf3 liJf6 3 c4 g 6 4 liJC3 .tg7 5 e3 d6 6 .te2 0-0 7 0-0 ...
Fortunately (or unfortunately) we don 't get to play Kramnik th at often ; so how can we create dynamic chances as Black from the above position ? White's premat u re 6 b4 It's worth knowing th at after 1 d4 fS 2 liJf3 liJf6 3 c4 g6 4 liJC3 .tg7 S e3 d6, the immediate 6 b4 is ineffective because of 6 ... C 5 ! as played in N .5ulava V.Malaniuk, Montecatini Terme 1995 .
... after which White plan s to de velop queenside pressure with 8 b4. Puttin g the bishop on e2 (or d3) cer tainly doesn't have the same bite as deploying it to g2, where it stares men acingly down the long diagonal and causes Black problem s in mobilizing his queen side pieces. Nor has White m ade any saving in time, as g2-g3 and �g 2 takes no longer than e2-e3 and �e2. On the other h an d, Black mustn't go thinking that .te2 is harmless, or that he should be able to seize the initiative after this 'inferior' move. White h asn't made any mistake: he h as avoided the sh arpest line, that is all . In the diagram above White has more space on the queen side, and can try to exploit this. I expect that a Kramnik would be able to grind down most top GMs as White from this position, or at least cause them some trouble.
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Th at g ame continued 7 a3 0-0 8 .tb2 liJc6 9 d5? (Beim prefers 9 b 5 ! but Black is already doing well) 9 ... cxb4! 10 liJb5 bxa3 1 1 �xf6 �xf6 12 dxc6 'iWa5+ 13 liJd2 .txal 14 cxb7 .txb7 1 5 'iVxal a2 and Black h ad good winning chances before blundering and losing. In stead White could try the 'impos sible' move 7 dXC5, based on the trick 7 ... liJe4 8 .tb2 liJxc3 9 'iVb3 when he regains his piece. H owever, the simple 7 ... 0-0 looks good for Black after 8 cxd6 ? ! liJe4. More ch allenging is 7 b 5 ! . Then 7 . 0-0 is sensible, but I'd like to play 7 ... 'illC 7 8 �b2 liJbd7 to put pressure on ..
W h i te A v o ids a n E a r ly g 2 - g 3 A g a i n s t a L e n i n g ra d S e t - u p
c4 with ... tZJb6. For example, 9 Jte2 tZJb6 and n ow White h as a choice:
a) 10 'ii'b 3 cxd4 11 exd4 Jte6 12 ds i..f7 and the c4-pawn i s a target. b) 10 ds e6 11 dxe6 Jtxe6 12 tZJg s ? (or 12 'iVb3 h 6 when Bl ack can aim for ... d6-ds, e.g. 13 a4? ! 'iff7 14 tZJd2 d s ! ) 1 2. . .JtxC4 13 JtxC4 tZJxC4 1 4 tZJ e 6 'ife7 15 tZJxg 7+ 'iVxg 7 and White's position is falling apart. c) A tricky move is 10 dxcs ! ? 'ii'x cs 11 tZJds, threatening to trap the black queen with 12 Jtd4. However, Black h as 11 ... e s ! ? and it appears that White has overreached him self. The tactical 12 i.a3 fails to 1 2 ... 'i!kxa3 13 tZJC7+ �dS 14 tLlxaS b6 and the knight will be trapped by ... Jtb7. White plays 7 0-0 and Black stops b2-b4
Jtg7 6 Jte2 0-0 7 0-0 a s
A very logical move. White's pieces and pawn s aren 't geared up for opera tions in the centre or on the kingside, so why not make it hard for him to ex pand on the queen side? 8 a3 I f S b3 tZJa6 9 ..tb2 'ii'e S when after 10 tZJd2 es in M.5efeloge-R.Huss, Bad Homburg 2006, or 10 a3 ..td7 ! 11 'ifc2 es in M.Tietze-G.Wiege, Alfeld 2005, Black h ad equalized. Note the impor tance of 10 ... ..td7 in this second varia tion : the rook on as is defended so that White can't advance on the queen side, whereas after 10 ... es, 11 b4! is possible due to the potential pin on the a-file. Meanwhile S 'ii'c 2 can be answered by S ... tZJa6 9 l:td1 'ii'e S, intending 10 ... es, but the g ame move shows a desire to expand after S ... tZJa6? 9 b4! . 8 tZJ c6J? With the idea of advancing 9 ... es and creating mobile pawn s in the cen tre. Suppose White had played S b3 rather than S a3. In that case S ...tZJc6 ...
N. Wright-D.Sharma
Ca n berra 2010 1 tLlf3 d6 2 d4 f5 3 C4 tZJf6 4 tZJ C3 g6 5 e3
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Play t h e D u tch
would be less effective as White could fight again st the ... e7-eS advance with 9 i.b2, or try to profit from it with i.a3. Likewise if White h ad played 8 'ii'c 2, he would be in a position to impede the ... e7-eS advance with 9 l:td1. That is why a6 was the preferred square for the knight in the variations given in the previous note: with C7 defended, the black queen is free to go to e8 to sup port ... e7-eS without Black being both ered by an attack on c7 by ltJbs or ltJdS. 9 d 5 ltJe5
10 ltJd4 Black has his pawn centre after 10 ltJxes dxe s. He could then attack dS with 11 ... e6, after which White would really regret h aving his bishop on e2 rather than g2. 10 ... c5 Now White is obliged to give up his pawn wedge on dS in order to keep his knight in the centre. 11 dxc6 ltJxc6 With the bishop on e2 rather than g 2 , White is far less able to exploit the weakness of the ds-square. Meanwhile
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Black h as activity not dissimilar to that which he achieves in the 7 ltJC3 ltJc6 8 dS ltJas variation of Ch apter Seven . 12 ltJdb5? A pointless decentralization . He shoul d play the consolidatin g 12 b3. 12 i.e6 13 'ii' b 3 ltJd7 14 'ii'c 2 ltJb6 15 ltJa4 ltJe5 16 ltJd4 i.f7 17 ltJxb6 'ii'x b6 18 b3 l:tfc8 So th at if 19 a4 d S ! conquers the c4pawn . 19 'ii'd 2 a4 ..•
Now White's structure on the queenside collapses and he soon loses material. 20 f4 ltJc6 21 i.b2 ltJa 5 22 bxa4 e5 2 3 ltJ b 5 ltJ b 3 24 'ii'C 3 ltJxa1 2 5 i.Xa1 ':'xa4 26 lld1 :c6 27 l:txd6 :xd6 28 c5 :c6 29 cxb6 ':'xC3 30 i.xc3 exf4 3 1 i.d2 fxe3 3 2 i.xe3 l:te4 3 3 �f2 f4 34 i.C5 l:txe2+ 35 �xe2 i.C4+ 36 �f3 i.xb5 3 7 �xf4 �f7 38 h4 h6 39 g4 �e6 0-1 White plays 7 b4
1 d4 f5 2 ltJf3 ltJf6 3 c4 g6 4 ltJc3 i.g7 5 e3 d6 6 i.e2 0-0 7 b4
W h i t e A v o ids a n Ea rly g 2 - g 3 A g a i n s t a L e n i n g r a d S e t - u p
Getting i n the b2-b4 advance before Black can play the restraining move 7 ... aS. The drawback is th at the tactics of the position permit Black to m ake his own desired pawn advance without any preparation : 7 e5! 8 dxe5 dxe5 ...
Now White h as to avoid 9 'ii'x d8 (or 9 ltJxe s ? ? ltJe4!) 9 ... l:txd8 10 ltJxe s ? ? liJe4! 1 1 ltJxe4 iLxes when he drops a piece. 9 'ii'b 3! A testing move. I only h ave five games with this position in my data base, but remarkably five GMs and a couple of other titled players were in volved in these games. 9 .e4 10 ltJd4 C511 We examine 10 ... ltJc6 ! below. The g ame move is attractive as it breaks up the white pawn s, but it seems we h ave to reject it as too risky, based on the g ame R.Kempinski F.Nijboer, European Championship, Warsaw 200 5 : 1 1 bXC5 ltJc6 12 iL b 2 ! f4 Black trusts in the celebrated .. .fS-f4 ..
pawn-ram, but after his next move the white king is whisked away. Instead Black could m ake a thematic exch ange sacrifice for a pawn with 12 ... ltJxd4 1 3 exd4 'iix d4 14 ltJds 'iix cs 1 5 iL a 3 'ii a s+ 16 iLb4 'ii'd 8 17 iLxf8 (or 17 ndl) 17 ... 'ii'xf8 18 :cl. Black h as a fine dark squared bishop, but I think he is a bit worse because getting rid of the knight on dS with 18 ... ltJxds 19 cxdS grants White a passed pawn and an open file for his rook. 13 0-0-0!
Slightly unexpected as White's queen side pawns are wrecked. But on the queenside the white king is sur rounded by defenders, whereas after 13 o-o?? he would be almost on his own, and facing the prospect of a fur ther advance of Black's Dutch pawn with .. .f4-f3. 13 ... ltJxd4 Black wants to get his king side pawns rolling, but straightening out White's queenside pawn structure is a high price to pay. On the other h and, he can't go after the cs-pawn with
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P l ay t h e D u t c h
13 . . .'ii'e 7 a s 1 4 exf4 is a simple and good reply. 14 exd4 �f5 15 f3
15 .:c8 If lS ... e3 then 16 g4! is excellent for White. The e3-pawn is going nowhere and meanwhile White can ... 16 liJb5 ... head for d6. Nijboer m an aged to save him self with some resourceful pl ay, but we h ave to conclude that White's extra pawn - in the centre the balance is 4-2 in White's favour mean s he has good winning ch ances. Returning to move 10, the most reliable move is 10 ... liJc6!. ..•
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It's understandable th at Black should h ave misgivings about taking on doubled and isolated c-pawn s, but the white b-pawn, which stands on an open file, is just as much a target. For example: a) 1 1 liJxc6 bxc6 12 0-0 �e6 (other moves such as 12 ... 'ii'e 7 are also inter esting), and Black can utilize his a pawn to attack b4: 1 3 �b2 as, or 13 �a3 liJd7 14 .l:Iadl 'ii'f6 1 5 liJa4 as 16 bxa S ? ! l:tfb8, or 13 liJa4 as 14 liJcS iL.f7 (14 ... 'ii'e 7 ! ?) 1 5 liJb7 a4! and in all cases Black h as queenside pressure to com pen sate for the fracturing of his c pawn s. b) Altern atively S.Grebennikov A.5ofieva, Leningrad 1990, went 11 cS+ 'iith 8 1 2 liJxc6 bxc6 1 3 �b2 'ii'e 7 14 0-0 a s ! 15 bS iL.e6 and White was already on the defensive due to the fragile queen side pawn s. Wh ite plays .lid 3 In the g ames with �e2 above, we saw that one of Bl ack's main ideas is to ad vance ... e7-eS and create a mobile pawn centre. By this reasonin g , the plan of �d3, which encourages Black to advance further with ... e S-e4, which might fork the bishop and a knight on f3, already feel s dubious. The g ame N.Giffard-N.Legky, Cannes 1992, is the long-established model of how Black gets maximum value out of the poor pl acement of the bishop on d3: 1 liJf3 g6 2 c4 iL.g7 3 d4 f5 4 liJC3 liJf6 5
W h i te A v o ids a n Ea rly g 2 -g 3 A g a i n s t a L e n i n g r a d S e t - u p
e3 d6 Move order! Notice that i t i s impor tant that Bl ack plays S ... d6 rather than S ... o-O as he needs to set up his next move. 6 �d 3 e5!
An excellent pawn sacrifice. 7 dxe5 dxe5 8 liJxe5 Any slower move th at stops the 8 ... e4 fork would admit the opening has gone wrong for White. 8 ..liJe4! The point. If the white knight re treats from eS then c3 drops. Now 9 liJxe4 fxe4 loses a piece, as does 9 'iia4+ though in a more sophisticated man ner: 9 ... b S ! 10 'ii'xb S+ (or 10 liJxbS c6 1 1 i.xe4 fxe4 when two white knights are hanging) 10 ... c6 11 liJxc6 liJxc3 12 liJxd8+ liJxb S 13 cxb S �xd8 and White's extra pawns are no match for a piece. 9 �xe4 'iix d1+ 10 liJxd1 fxe4 11 f4 exf3 12 liJxf3 .i.e6 Black has a splendid initiative for the pawn . First the c4-pawn is at tacked, and the rook th at comes to help .
it becomes a target of the black knight, which m akes the white king flee the centre to avoid a fork on d3. This in turn allows the black rook to infiltrate along the d-file.
13 �d2 liJd7 14 %:tC1 liJC5 15 0-0 liJe4 16 �e1 0-0-0 17 b3 l:td3 18 liJf2 l:txe3 19 liJxe4 l:txe4 20 �c3 �xc3 21 l:[xc3 �f5 Black has regained his pawn with the better chances due to his superior minor piece. He managed to convert the win on move 63. Perhaps White would have been able to survive the endgame if he had been the G M rather th an Black, but in any case this is hardly an advertise ment for 6 �d3 . It is curious that there are only two games on my database with 6 ... es. Both are win s for Black (in the other g ame White pl ayed the sorry 8 �e2), and the computer al so likes it for Black. Perhaps the plan of 6 �d3 is so rare that most pl ayers of the Dutch h ave never got around to studying it and so are un aware of 6 ... es.
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Pa rt Two: 2 c4 liJf6 3 liJC3 1 d4 f5 2 c4 lLlf6 3 lLlc3
Don 't be fooled by White's unobtru sive-lookin g move order. If you play 3 ... g6, he is ready to hit you with 4 h4! and 5 h5. This attacking line has done very well for White, so rather sadly I have to recommend the altern ative 3 ... d6. With no target on g6, White is obliged to change plans. The g ame could easily tran spose to familiar territory; e.g. if White pl ays 4 lLlf3 then 4 ... g 6 5 g 3 .tg7 6 .tg2 reaches our standard Leningrad Main Line. Here we'll look at two ways in which White can exploit the move order to carry out a specific plan. The Sam isch a pproach: 4 f3
1 d4 f5 2 c4 lLlf6 3 lLlC3 d6 4 f3 White tries to play in the style of the King's Indian Samisch, in which 1 d4
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lLlf6 2 c 4 g 6 3 lLl C 3 .tg7 4 e 4 d 6 5 f3 con structs a formidable skeleton of pawn s on the light squares. The draw backs remain the same: White is left somewhat loose on the dark squares and his knight is denied its n atural square on f3 . H ere I want to suggest 4 ... lLlbd71?
An unusual but flexible move that keeps the options of ... c7-c5, ... e7-e5 or ... g 7-g6 according to circum stances. 5 e4 H e might have tried 5 lLlh 3 as Black's e6-square is undefended. Then 5 ... e5 should be okay for Black, but 5 ... c5 is critical : a) 6 d5 lLle 5 gives us a centre famil iar from lLlh 3 lines in Chapter Five. b) 6 e3 e 5 ! stops lLlf4 and fights for the centre. Black can resist an invasion by the white knights: e.g. 7 lLlg 5 "ife7 8 lLlb 5 lLlb6, followed by ... a7-a6 as needed, when he h as the better g ame since White's centre is sh aky. c) 6 lLlg 5 cxd4 7 lLle6 "iVa5 8 "it'xd4 lLlC5 ! al so proves ineffective for White. 5 ...fxe4 6 fxe4 C5
W h i te A v o ids a n Ea rly g 2 - g 3 A g a i n s t a L e n i n g ra d S e t - u p
7 dS White sticks to his pre-game plan of seizing the light squares. Maintaining the pawn on d4 doesn 't promise much : for example, 7 �e3 'ii'a s 8 �d3 (or 8 'i'd2 �g4) 8 ... cxd4 9 .i.xd4 �cS. Alter natively, 7 �f3 cxd4 8 �xd4 (Black h as a solid centre after 8 'ii'x d4 e S 9 'ii'e 3 .te7) 8 ... �cS and then ... g 7-g6. In all these lines Black h as active play in an unclear and unusual position - exactly what we are aiming for when we play the Dutch . 7 ... g6 8 �f3 .i.g7 White has more space and can try to exploit the hole on e6. Meanwhile Black can try to utilize the es-square. And who is most likely to benefit from the open f-file? That will depend on the skill of the players. 9 .i.e2 0-0 10 0-0 How is Black to unwind his game? The knight on d7 is looking clum sy as it blocks in the bishop on c8. The es-square is a fine central post for a knight from which no white pawn can drive it away. For that reason
10 ... �es ? ? 11 �xes fxe s would be plain ridiculous for Black. H e wants a knight on the square, not a weak pawn . So a more methodical rearrangement of the black pieces is called for: first ... �g4, so that ... �de s can be pl ayed without suffering doubled pawn s; then ... .i.d7 develops the bishop; and finally ... �f7 retreats the knight so th at ... �ges can be played. Black thus con solidates his grip over the eS-square and frees his bishop on c8. And Black h as to give thanks to l .. .fS that this plan is possible, as otherwise there wouldn 't be a base for the knight on f7. 10 ... �g4!
In M.Dambacher-S.Van Blitterswijk, Leeuwarden 2004, White was worn down after a series of exchanges, some of which he carelessly arranged him self: 11 .i.gS For 11 �h 1, see the next g ame. 11 ...�des 12 �h1 .i.d7 13 'i'd2 �f7 Casting doubt on White's 11th move, as the positional threat of
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Play t h e D u tch
14 ... lbxg 5, eliminating the 'good' white bishop, mean s that Black gains time to carry out his thematic knight retreat. 14 �f4 'ii'a 5 The queen probes the queen side and makes way for the rook on a8 to be centralized. 15 a 3 l:taeS 16 lbe1 lbge5 17 lbc2 a6 lS �e3 Moving the bishop for a third time. The only move con si stent with his pre vious pl ay was the space-gaining 18 b4, an swering 18 .. :iVC7 with 19 lbe3 to bol ster the c4-pawn . The game would then be bal anced. lS .. JWc7 19 :f2 lbg4!
Bl ack has two knights, but only one brilliant central base on e5, so it's good to get rid of one of them . 20 �xg4 �xg4 21 llaf1 lbe5 The exchange on g4 h as al so left the white pawn on c4 undefended. 22 ':xfS+ If White wants to attack on the king side he shoul d speculate with 2 2 �h 6 ! lbxc4 (or 2 2 . . .l:txf2 ! ?) 2 3 'iVg 5 . 22 . . .l:txfS 2 3 IlxfS+ 'ittxfS 24 �h6?
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White completes his quartet of bishop moves on the long diagonal : �g 5 , �f4, � e 3 and now �h 6. The problem is that after the series of ex changes White no longer h as enough pieces to defend his queen side pawn s. 24 ... �xh6 But not 24 ... lbxC4? 25 'iVf4+ when White win s a piece. 25 'iVxh6+ 'it>gS 26 lbe3 The best ch ance to hold thing s to gether was 26 11Yh4! 'ii'b 6 2 7 b4. 26 :iVb6 .•
Now White is suddenly unable to defend his b2-pawn . 2 7 lbxg4 'iVxb2 2S h 3 lbxg4 29 hxg4 'ii'x C3 30 'ii'f4 'ii'x a3 31 'itt h 2 'ii'C 3 0-1 Dambacher is an 1M but he couldn 't find a plan that suited the unusual pawn structure. P.Lagowski-M. Ba rtel
Pol i s h Tea m Cha m pionsh i p 2006 1 d4 f5 2 C4 lbf6 3 lbC3 d6 4 f3 lbbd7 5
W h i t e A v o ids a n Ea rly g 2 - g 3 A g a i n s t a L e n i n g r a d S e t - u p
e4 fxe4 6 fxe4 c5 7 d 5 g 6 8 lbf3 �g7 9 �e2 0-0 10 0-0 lbg4
(In fact this g ame actually began with the 3 lbC3 g 6 move order: n amely 1 d4 f5 2 c4 lbf6 3 lbc3 g6 4 f3 c5 5 d5 d6 6 e4 fxe4 7 fxe4 .ig7 S lbf3 lbbd7 9 i.e2 0-0 10 0-0 lbg4.) 11 f8 2 2 �g l l:txf2 0-1 F. Ladron de Guevara-J . Lopez Martinez, Donostia 2008. Alternatively, 9 tiJxf6+ tiJxf6 10 dS (Black is comfortable after 10 dxcS 'iVas+ 1 1 �d2 'iVxcs 12 �d3 0-0) 10 ... 0-0 11 �d3 e6! (liquidating the strong pawn on dS) 12 dxe6 ..txe6 13 0-0, as in D.5utkovic-B. Kovacevic, Zadar 2007, and now after 13 ... Vd7 14 l:tael nae8 I can't see any advantage for White. On the contrary, Black can try to take the initiative by preparing ... d6-dS or starting some action down the f-file. g .. :i!Va s Now White has to reckon with 10 ... cxd4, when 11 tiJxd4? would drop the bishop on g S . 10 d S bS!
Undermining the ds-pawn gives Black good counterplay as 1 1 cxbS tiJxdS leaves White clearly in trouble due to his smashed pawn s.
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After 1 d 4 fS 2 e 4 tiJf6 3 tiJe3 d 6 4 �gs tiJbd7 S Ve2 g6, instead of 6 e4, White can keep things solid with 6 e3 �g7 7 tiJf3 (another move order is 4 tiJf3 g 6 S ..tg s tiJbd7 6 e3 ..tg 7 7 'iWc2).
Here I like the idea of 7 e6!? Now 8 ii.e2 0-0 9 0-0-0 'ii'a s or 9 0-0 e S looks perfectly okay for Black. Instead after 8 0-0-0 'ii'a s Bl ack gen erates queen side counterplay without h avin g loosened his centre with ... e7eS. In the g ame A.Bitalzadeh-F.Nijboer, Wijk aan Zee 2009, Black went on to outplay his opponent: 9 h4 h6 10 �xf6 tiJxf6 11 hS gs 12 ..td3 0-0 ..•
W h i t e A v o ids a n Ea rly g 2 - g 3 A g a i n s t a L e n i n g ra d S e t - u p
13 'iit b 1 Or 1 3 ttJd2 ttJg4 14 %:.hfl e s - only now! - and Black was active in L. Polugaevsky-V.Mal aniuk, USSR Championship, Moscow 1983 13 .id7 14 cS llf7 1 5 e4 Black has plenty of play for the pawn after 1 5 .ixfs .ixfS 16 'iVxfs ttJds 17 'iVc2 ttJxC3+ 18 bxc3 Itaf8 with ideas of 19 ... g4. ls fxe4 16 ttJxe4 ttJxe4 17 .ixe4 .ie6 18 a3 'ii' b s 19 ':d2 'ikb3 20 'ikxb3 .ixb3 21 l:te1 l%.f6 22 .l::[ e 3 iLf7 2 3 g4 lIf8 and White's position was wobbling due to his loose pawns. .•.
..•
Another approach for White after 1 d4 fS 2 c4 ttJf6 3 ttJC3 d6 4 .igs ttJbd7 is that of 5 e3 g6
and then 6 ttJge2. H ere White can al so castle kingside, but Black h as little to fear after 6 .id3 .ig 7 7 ttJge2 es 8 f3 0-0 9 0-0 c6. After all, Bl ack has an equal share of space in the centre, and the plan of advancin g with g 2-g4 is only appropriate if White has castled queen side. Not that this
stopped White from playing 9 0-0 c6 1 0 g 4 ? in O. Poisson-C.Philippe, Noyon 2008. He was predictably crushed: 10 .. .fxg4 11 f4 (he should at least g et the pawn back with 11 fxg4, though that m ean s he h as n eedlessly weak ened his king side) 11 ... 'iVe8 12 fxe s dxes 1 3 'iVc2 b6 1 4 ttJg 3 .ib7 1 5 .l:tf2 exd4 16 exd4 ttJh s ! (a nicely-calculated tactic allows the Dutch bishop to con quer d4) 17 ttJxh s (the l ast ch ance to hold thing s together was 17 l:txf8+) 17 ... .ixd4! 18 ttJf4 'iVes ! 19 ttJe4 llxf4 20 .ixf4 'ii'xf4 2 1 �fl .ixf2 2 2 ttJxf2 ttJes 2 3 l:tel l:tf8 0-1. Two pawn s down and facin g a big attack, White called it a day. 6 es Bl ack sets up the typical Dutch mo bile pawn centre. 7 'iVc2 .ig7 Now we'll follow the game S.Feller M.Bartel. European Team Champion ship, Novi Sad 2009: 8 0-0-0 0-0 9 h3 •••
White has taken on a rather defen sive stance in the centre. He is content
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Play t h e D u t c h
i f things remain quiet there so th at he can stab from the wing s with g 2 -g4, etc. 9 ... exd4 An interesting deci sion . Black con cedes his pawn centre in order to gen erate counterplay. Either he will get e5 for his knight or an open e-file for his rook. 10 ttJxd4 After 10 exd4 c6 11 f3 l::r. e S 12 g4 ttJfS 13 d5 (instead 13 ttJg 3 ttJe6 is awk ward for White, seeing that 14 �h4? loses to 14 ... g 5) 13 ... h 6 it is dynamically balanced. 10 ... ttJe5 11 �h4 Or 11 c5 d5 12 c6 'ii'd 6 ! ? 1 1...c 6 1 2 f3 Ve81 Breaking the pin and preparing the development of the bishop on e6. 13 �e2 �e6 14 ttJxe6 Vxe6
N ormally White would be h appy to h ave the bishop-pair and a possible target on d6, but h ere the black pieces are very compact in the centre and the c4- and e3-pawns are both vulnerable. 15 g4?!
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After 1 5 'ifb3 (with the threat of 16 Ihd6 ! 'ili'xd6? 17 c5+ winning the black queen) 15 ... l::r. a eS ! White should m ake do with 16 'irb4 ttJf7 17 �f2, with a de fen sible g ame, as 16 Vxb7 ttJfd7, plan ning 17 ... ttJC5, gives Bl ack a huge initia tive for the pawn. 15 fxg4 16 hxg4 ttJxf3 1 17 oltxf6 If 17 i.xf3 then 17 ... 'ii'x e3+ regains the piece with an extra pawn or two. 17 ...�xf6 18 ttJe4 ttJg5 Here lS ... i.e7 ! defends everything whilst keeping an extra pawn . 19 ttJxd6 'ii'xe3+ 20 �b1 l:tad8? A routine move. In stead 20 ... c 5 ! would deny White the attacking re source of i.C4+ and 'iVh 2. 21 c5 b6 2 2 cxb6 axb6 2 3 i.C4+ �g7 24 Vh2 h51 .•.
Realizing he h as misplayed things Bartel is wise enough to force simplifi cation to kill off the white attack. 25 gxh 5 Ve5 26 hxg6 'ii'x h2 27 ':xh2 i.e7 Yz-Yz After 2 S ':'hd2 ttJf3 29 ttJf5+ ':xf5 30 ':xdS �xdS 3 1 ':xdS ttJe5 Black will pick up the g6-pawn .
W h it e A v o ids a n E a rly g 2 - g 3 A g a i n s t a L e n i n g r a d S e t - u p
Even i f White establishes a winning position in the Dutch, there are often huge obstacles to be overcome.
Pa rt Three: 2 lDf3 lDf6 3 ..tgS M.Armstrong-T .Rendle
live rpool 2007
centre, as 6 .. .fxe4 7 lDxe4 i s rather pleasant for White. Correct is 6 ... 0-0! 7 �d3 (if 7 e 5 �e7 White h as m ore space, but Black h as the bishop-pair) 7 ... d5 8 exf5 exf5 9 0-0 lDc6 10 c3 'ii'd 6 11 l:[e1 a6 (to rule out �b5 and �xc6 as an option in the fight for control of the e 5 -square) 12 b4 g 5 ! and Black was active in O. Kirsanov-N.McDonald, Lon don 2001. 5 b6!? •••
1 d4 f5 2 lDf3 lDf6 3 �g5
A slightly irritating move for fan s of the Leningrad. Black was gearing up to push his g -pawn and suddenly finds that 3 ... g 6 allows 4 �xf6 exf6. Not that this is so bad for him; but White i s a bit better and, besides, putting the bishop on g7 ceases to be a good idea as the f6-pawn would shut it in. Hence 3 �g 5 has ruled out the Leningrad. And so we h ave to play a Classical Dutch style move: 3 ... e6 4 lDbd2 �e7 5 (3 After 5 �xf6 �xf6 6 e4 it's impor tant th at Black doesn't concede the
A natural but rather underesti m ated move. 6 e3 Critical is 6 �xf6 �xf6 7 e4, but Black can stand his ground in the cen tre with 7 ... 0-0 8 �d3 d5 9 exf5 exf5 . After 10 0-0 he can try to justify the ... b7-b6 move with 10 ... c5 and then ... lDc6 with pressure again st d4. Black h as the best minor piece on the board in the sh ape of the dark-squared bishop. If this seem s too sh aky for Black, he could avoid ... c7-c5 and consolidate with 10 ... 'iVd6, ... lDc6 and ... �d7. The ... b7-b6 move might not be relevant,
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Play t h e D u tc h
but Black is solid anyhow. Al so note that if White attacks f5 with 'ili'C2 at any point, ... g 7-g 6 100ks secure enough. 6 ... .i.b7 7 .i.d3 ttJe4 The exchange of bishops eases Black's game. The question is whether White will be able to claim any advan tage once he evicts the knight from e4 and advances e3-e4. 8 .i.xe7 'ii'x e7 9 0-0 0-0 10 'iVe2 ttJxd2 11 ttJxd2 'ili'gs 12 e4 f4!
influence over the dark squares. 14 a4 The old game S. Dittmann -L.Alster, Dresden 1957, saw instead 14 .l:tfdl ttJc6 1 5 'ii'a4 "fie7 16 .i.a6 .i.xa6 17 'ii'x a6 'iith B lB ttJb3 exd4 19 cxd4 d5 20 .l:tacl (or 20 exd5 ttJb4 21 'ili'C4 'ili'd6 and 22 ... ttJxd5 gets the knight on to a bril liant square) 20 ... ttJb4 2 1 'ili'b7 l:tfcB 22 a3 l:tabB 2 3 'ili'xa7 J:taB %-Y2. 14 a S 15 ttJe4 d6 16 l:tfd1 ttJd7
Bypassing the e4-pawn. A good point of this is th at it prevents White g aining space himself with 15 f4. In stead your author once tried 1 2 .. .fxe4? 13 ttJxe4 'ili'h6, thinking he could do some attacking down the f file, but it was White's TOok that did the attacking after 14 l:tae l ! ttJc6 1 5 J:.e3 g 6 16 :h 3 i n S.Conquest-N.McDonal d, British League 2000. 13 f3 A good position al move is 13 e5, but unfortunately for White it allows m ate in one. 13 ... eS Stopping 14 e5 and increasing his
17 dxes The opening has gone well for Black, but now he becomes rather careless. 17 dxes? I assume that 1 M Thomas Rendle, the stronger pl ayer, was keen to avoid the variation 17 ... ttJxe 5 lB ttJxe 5 'ii'x e5 19 .i.C4+ 'iith B 20 .i.d5 when after the exchang e of bishops he would have few winning chances. And so he retook on e5 with the pawn, to keep two mi nor pieces on the board. At first glance, thi s seem s a good idea as he h as lB ... ttJC5 next move. But White cTOssed this plan with a devastating tactic: 18 ttJxa s ! .i.e8
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.•.
•..
W h i t e A v o i ds a n Ea rly g 2 - g 3 A g a i n s t a L e n i n g ra d S e t - u p
White h a s won a clean pawn and has a rook on the seventh rank to boot after 18 .. Jlxa5 19 .i.C4+ �h 8 20 litxd7. The text at least keeps some tension . 19 .i.C4+ �hS 20 tDb3 tDf6 2 1 a s Black is utterly lost on the queen side, and the only open file in the cen tre is controlled by White. The only hope of creatin g counterplay is the Dutch pawn on f4. 21 bxa s 2 2 .l:r.xa s .i.b7 2 3 l:txaS .i.xaS 24 tDcs ii'h s 2 S tDd7 ! ...
piece down, and his rook i s h anging surely it must all end in disaster? 27 h 3 White is m ated in s i x moves after 27 tDxf8 ? 'ili'xh 2+ 28 �1 'iWh 1+ (actually Black just n eeded to see 28 ... tDe3+ when he can win the white queen with check) 29 �e2 'ili'xg 2+ 30 �e1 'iVg 1+ 3 1 �e2 (or 3 1 .i.f1 ii'g 3+ 3 2 �d2 ii'e3 mate) 3 1...ii'f2+ 3 2 'iti>d3 ii'e3 m ate. 27 tDe3 2S 'ili'e2? A n atural reply as the exch ange of queen s win s at once for White. There was a cast-iron win, but it required a bit of tactical calculation : 2 8 tDxf8 ! tDxc2 29 l:.d8 (threatening discovered checkmate) 29 ... h6 30 tDg6+ 'iti>h 7 3 1 .i.f7 ! . The killer. Black can only stop checkmate with 32 l:th 8 by giving up his queen with 3 1...ii'xg6 when 3 2 .i.xg6+ 'iti>xg 6 leaves h i m with no hope at all in the endgame. 2S f3! •••
...
In stead White could h ave played a slow move such as 2 5 b4, keepin g all his advantages, but the g ame move is objectively best. The exchange of knights would kill off all Black's counterpl ay. Therefore he tries his luck with a piece sacrifice to mobilize the Dutch pawn : 2S .i.xe4!? This should l ead to a quick defeat, but as a practical try it can 't be bet tered. 26 fxe4 tDg4 Threatening h2 as well as a fork with 27 ... tDe3. But Black is already a ...
The Dutch pawn breaks through the white defences. 29 ii'xe3?? After 29 gxf3 l:txf3 intending
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Play t h e D u tc h
30 .. J::t g 3 + Black h a s a dangerous initia tive, while if 29 l:r.f1 (pinning the pawn) 29 ... liJxf1 30 'ii'xf1 l::t d S Black al so h as enough fight for a practical game. 29 f2+ 30 'it>h2 'iVxd l 3 1 liJxf8 White had calculated this far, and saw that he remain s a piece and a pawn up after 3 1 .. .f1'if 3 2 .ltxf1 'ii'xf1 3 3 'ii'f3 . But Black had seen further: 31 ...'ifgl+ 32 'it>g3 flliJ+1 0-1 The di scovered attack win s the white queen after 3 3 .ltxf1 'ifxe3+. ••.
Two paradoxes: 1. If Black hadn't blundered with 17 ... dxes ? he probably wouldn't have won the g ame, as the correct 17 ... liJxes would h ave led to a very drawish posi tion. 2. If White h adn 't played the incisive move 2S liJd7 ! he would probably have won the g ame. Was this simply a lucky win for Black, with the opening having no bearing on the result? No: Black's ag gressive play with 11 ... 'iVg S and 1 2 .. .f4 showed his aggressive intent. H e then proved tactically the stronger.
Part Fou r: An Early b2-b3 1 d4 fS 2 b3 I think th at most players would un derestimate this odd-lookin g move, which m akes it rather dangerous. Also, there is h ardly any theory on it. It might
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surprise you that the six highest-rated Elo players on my database who h ave faced 2 b3 h ave all lost! I guess th at's not so surprising when fan s of 2 b3 include Topalov and two other players rated over 2600.
Well, Black can develop in norm al Leningrad style with 2 ...liJf6 3 .ltb2 g6 when White might tran spose to famil iar lines; the only thing that makes me anxious is 4 e3 .ltg7 5 .lte2 1? d6 6 h4 with a quick advance again st g 6 with 7 h S . But we can respond to the wing attack in classic style by seeking coun terplay in the centre: 6 ... liJe41? If n ow 7 liJd2 cS! S liJxe4 fxe4 and Black has more space as the e4-pawn stops White developing with liJf3 . Critical is 7 h S when 7 ... liJc6 ? ! S liJd2 liJxd2 9 'ifxd2 eS 10 dS liJe7 11 f4! looked good for White in A.Fier lAlonso-Moyano, Sabadell 2009, due to the awkward pin on eS. In stead 7 ... C S ! appears the best way to get counterplay. Black can increase the pressure on d4 with ... liJc6 and
W h i te A v o ids a n Ea rly g 2 - g 3 A g a i n s t a L e n i n g r a d S e t - u p
maybe try a disruptive . . :ii'as+. For ex ample, 8 ttJh 3 (or 8 ttJd2 "as, while 8 hxg6 hxg6 9 l:txh 8+ .i.xh 8 doesn 't give White anything) 8 ... ttJc6 9 ttJf4 'it'as+ 10 'itfl cxd4 1 1 exd4 e s ! and Black takes the initiative in the centre. White might al so fianchetto with 1 ttJf3 fS (more on this move order in Chapter Eight) 2 b3 d6 3 d4.
'ith8 9 'ii'e 2 ttJc6 10 l:tad1 'ii'e 7 11 l:tfe1 An exceptionally solid development by White, whose initial aim seem s to be to restrain the tactical talent of his op ponent. Only once all his pieces are centralized does he try to edge for wards slowly on the queenside. 11 ... .i.d7 12 a 3 l:tae8 13 b4 ttJhS!? Black is provoked by his opponent's restrained play into a sharp attacking bid on the king side. On the other h and, after the cen tralization 1 3 ... ttJe4! it seem s to me that Bl ack h as a good g ame with no risk: for example, 14 b S ttJd8 1 5 .i.b3 (15 .i.d3 ttJcS, exploiting the pin on b2, is a nuisance for White, due to ideas of 16 ... ttJxd3 or 16 ... ttJa4) l S ... ttJxd2 16 l:txd2 ttJf7 17 l:tddl eS, expanding in the centre. 14 .i.b3 gs 15 ttJes l
J.Kraai-H.Naka m u ra
Foxwoods 2007 1 ttJf3 fS 2 b3 d6 Nakamura aim s to set up a mobile centre with 3 ... eS, 4 ... ttJf6, S ... g 6 and 6 ... .i.g 7. So GM Jesse Kraai establishes a foothold on d4. 3 d4 g6 4 .i.b2 .i.g7 Black plays Leningrad Dutch moves, but White isn't interested in a tran spo sition to familiar lines, which could be reached after, say, s g3 ttJf6 6 .i.g 2 0-0 7 c4 c6 8 0-0 "as. 5 e3 ttJf6 6 .i.C4 e6 7 0-0 0-0 8 ttJbd2
Uncovering an attack on h S . 1 s ...ttJxes? Critical was ls ... dxe s ! 16 'ii'xh s when Black gets blown away if he tries to grab a pawn in the centre: 16 ... exd4? ! 17 exd4 ttJxd4? 18 ttJC4! (very powerful)
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Play th e D u tc h
18 . . .tt'lxb3 19 tt'les ! (the point - d 7 and 20 tt'lg6+ are threatened) 19 ... .i.xes 20 .i.xes+ �g8 21 .:txd7 ! 'iVxd7 22 'iVxg S+ Wf7 23 'iVg7 mate! However, here 16 ... g4! is much stronger, so that if 17 dxes ? l:td8 ! threaten s to trap the white queen with 18 ... .i.e8. Instead there are complica tion s after 17 h3 lU6 (again threaten ing to reap the queen, but this time with 18 ... l::th 6) 18 'iVh4 gxh 3 19 dxe s ': g 6 20 'iVxh 3 tt'lxes. In this way Naka mura might h ave justified his 1 3th . 16 dxe5 'ikf7 17 tt'lC4! A fine move. Black can't give away the e s-square to a white piece, and now that b2 i s defended, 18 exd6 is a threat. Therefore Black has to m ake a positional concession. 17 ... d5 After 17 ... bS 18 tt'las dxe s ? ! 19 .l::[ x d7 ! 'ii'x d7 20 'iVxh s White h as won two pieces for a rook. 18 tt'ld2 Back ag ain. Now th at the e s-point h as been secured by White, the black knight finds itself paralysed on h S, un able to advance to f4 or retreat to f6. 18 b5 19 .:tfl g4 20 .i.d4 11g8 21 g3 ! Not only stoppin g any pawn thrust with 2 1...f4, but al so the first step in a plan to seize the initiative with an at tack down the h -file. 2 1 ... a 5 22 c3 a4 2 3 .i.c2 'ti'g6 24 .i.d 3 ':b8 2 5 �g2 .i.f8 26 l:thl tt'lg7 Black has' evacuated his knight from the dangerous h s-square, but can't pre vent a breakthrough there by White. ..•
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2 7 h 3 gxh3+ 2 8 ':xh 3 h 5 2 9 .l:.dhl .i.e8 30 <Ml .i.e7 31 tt'lf3 'ikg4 32 .i.C5 .i.xC5 33 bXc5 lU8 34 l:Ih4 'ifg6 3 5 g4 'ifh6 36 g5 'ti'g6 37 :gl 'iti>g8 38 tt'ld4 �f7 In stead 38 ... c6 would secure the queenside, but White could always tar get h S by puttin g his queen on dl, bishop on e2 and knight (via e2) on f4. 39 c6! N akamura probably allowed this move hoping to get at least a sem blance of counterplay, rather th an waiting for White to pile up on h S . But Kraai kept his cool and eventually ground out the win :
3 9. .Jlb6 40 .i.xb5 �g8 4 1 f4 .i.f7 4 2 c4 dXc4 43 'ikxC4 l:r.d8 44 'iVxa4 .i.e8 45 <M2 'ii'f7 46 ':Cl 'iVe7 47 11c3 ':d5 48 'iVC4 'ii'd 8 49 a4 .l:lb8 50 'iVb4 �h7 51 �g3 .i.g6 52 l:th2 .i.e8 53 �h4 �g6 54 :d2 .i.f7 55 ':c4 ':a8 56 tt'lf3 .:tb8 57 ':cd4 'iVe8 58 l:r.xd5 exd5 59 tt'ld4 .i.e6 60 'ifC5 l:ta8 61 .:ta2 .i.f7 62 .i.d3 'iff8 63 'ti'xf8 ':'xf8 64 a5 ];ta8 65 a6 i..e 6 66 11b2 .i.c8 67 l:tb7 1-0 An impressive g ame by White once his opponent had fallen into a bind. H owever, Black al so h ad his chances.
Chapter F i ve Side l i nes i n t h e Le n i n g ra d Va riation
1 d 4 f S 2 g 3 tZJf6 3 .tg2 g6
0-0 0-0 6 b4
In this ch apter we look at four ways in which White avoids the main line of the Leningrad Variation, broadly speak ing by going b2-b4, b2-b3, c2-c3 or opt ing for tZJh 3 rath er than tZJf3 .
The idea of a quick b2-b4 versus the Leningrad became popul ar for White in tournaments of the early 2000s. It ini tially caused Black some problems, and in many g ames he was squashed on the queen side before he could generate any counterplay el sewhere on the board. This seem s to have got pl ayers questioning the value of trying to es tablish a d6- and eS-pawn centre against it.
Pa rt One: Wh ite plays b2-b4 1 d4 fs 2 g3 tZJf6 3 JLg2 g6 4 tZJf3 .tg7 S
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Play t h e D u tc h T h e Stonewa l l System comes to the rescue As a result of this soul searching, the strongest Dutch experts such as Naka mura and Bartel have been ch ampion ing the Stonewall-style set-up - and with con siderable success. The Stone wall, in which Bl ack puts a pawn on dS, is a clear and easy system to learn here. White is denied any space advantage in the centre, and his control of territory on the queen side i s challenged by the active black pieces. There are two distinct preludes to playing ... d7-dS as Bl ack, depending on whether White plays an early c2-c4: a) 1 d4 fS 2 g3 ttJf6 3 iLg2 g6 4 ttJf3 iLg 7 S 0-0 0-0 6 b4 ttJc6 ! ; and b) 1 d4 fS 2 g 3 ttJf6 3 iLg2 g 6 4 ttJf3 iLg7 S C4 0-0 6 b4 c6 ! . In either case Black will soon play ... d7-dS. One of the good thing s about the Stonewall for Black is that it is com paratively easy to choose the right squares for the pieces - you can't go too far wrong if you use them either to defend the hole on eS or to support the pawn on dS. Scheme One: 5 0-0 0-0 6 b4 tDc6! L.Fressinet-C.Renner
Germ a n League 2008 1 d4 fs 2 g3 ttJf6 3 iLg2 g6 4 ttJf3 iLg7 S 0-0 0-0 6 b4
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A sound space-gaining move, but it might help our understanding of Black's plan, and certainly our morale, if we frame this move as a positional mistake which leaves a g aping hole on the c4-square. After all, White h as al ready removed two potential defenders of c4 with 1 d4 and 3 iLg 2, so isn't the third 'desertion' with 6 b4 showing a l ack of respect for a key central square? 6 ... ttJc61
I like this energetic move that threaten s b4. It is the first step in get ting the knight in contact with c4. 7 bS In the next g ame we examine 7 c3. 7 ttJa s S Wd3 With the position al threat of 9 c4, getting rid of the hole on c4, to say nothing of 9 iLd2, hitting the black knight. S dSI This is a vital part of Black's strat egy. He l eaves him self with a hole on eS, but in return he gets a grip on the light squares and an equal share of space in the centre. ...
••.
S i d e l i n e s in t h e L e n i n g ra d Va ria t i o n
9 liJbd2 iLe6 Reaffirming his hold over the con tested c4-square. If Black h ad played 9 ... iLd7, the bishop could be hit by 10 liJe 5. On e6 the bishop will be attacked by liJg 5, but it retreats to d7 - and then what is the white knight doing on g 5 ? 10 iLa3 a6
Continuing to undermine White's queenside pawns. 11 liJgs iLd7 12 'iie 3 iLh6?1 Instead 12 ...liJe4 looks fine for Black.
13 f4 He should h ave tried 1 3 lLxe7 iLxg 5 14 'ii'a 3 ! : for example, 14 ... 'ii'e 8 1 5 f4 i.h 6 16 iLxf6 :xf6 17 'ii'x a5 when
White h as a loose position, but al so an extra pawn . 13 l:te8 14 bxa6 After various delaying tactics White h as to concede the a6-square to the black rook. 14 J:txa6 15 C4 •.•
•.
Fressinet plays for complications rather than risk being worn down on the light squares. lS ... dxC4 16 iLb4 liJc6 17 iLc3 liJg4 18 'ii'f3 iLg7 19 �h1 h6 20 liJh3 bSI The c4-square still m aintains its magic. White can only regain his pawn at the cost of letting the black knight into e3. 21 'ii'd S+ �h7 22 'ii'x bs l:tb6 2 3 'iic s In stead 2 3 'iix C4 liJe3 win s the exchange, or even better 2 3 ... liJxd4! 24 iLxd4 iLbS, intending 25 ... iLxd4. A similar trick occurs in the g ame. 2 3 ... liJe3 24 liJxC4 liJxg2 The exchange of a knight for White's light-squared bishop is a strategical coup for Bl ack, which is immedi ately followed by a tactical one: 2 5 �xg2 liJxd41
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Play th e D u tc h
play the Dutch . All the horrible defeats fade from memory when we can scalp one of the best players in the world. A player rated 2422 doesn't often win, especially with Bl ack, against a 2676rated opponent. V.Anand-H.Naka m u ra
Wij k a a n Zee 2010 One o f the little known rules of chess strategy is that when a player is weak on a complex of squares of one colour, the winning tactical break through often comes on a square of the other colour. 26 liJe5 Black h as a decisive attack against the white king after 26 liJxb6 cxb6 2 7 'ilVb4 i.c6+ 2 8 ..t>f2 'ilVdS . 26 ... liJxe2 Now besides all his problem s with his king, White is also a pawn down . 2 7 l:r.fd1 'ii'a 8+ 28 'iti>f2 liJxC3 29 'ii'x c3 i.e6 30 liJg1 'iWa7 31 ..t>f1 l:td6 32 liJe2 l:ted8 33 :dC1 �d2 34 �c2 �d1+ 3 5 :xd1 liIxd1+ 3 6 'iti>g2 i.d5+ 3 7 'iti>h3 'ii'f2 3 8 liJc1 i.g2+ 0-1 The final triumph of Black's light square strategy that began with 6 ... liJc6 (or was it with 1 .. .fS ?). More over, it would h ave been unjust if the bishop which h as sat at g 7 since move four got all the glory after 39 'iti>h4 i.f6 m ate ! Though to be fair it was this bishop th at supported 2 S ... liJxd4. It's for moments like this that we
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1 d4 f5 2 g3 liJf6 3 i.g2 g6 4 liJf3 i.g7 5 0-0 0-0 6 b4 liJc6 7 a 3 World Champions know a thing or two about strategy. In contrast to the 7 bs liJas of the previous game, Anand stands his ground on the queenside, rather than letting the bl ack knight come into contact with the hole on c4. 7 ... d5 8 i.b2 liJe4
Black continues his light-square strategy. Formerly, the e4-square isn't an outpost square, as White can ch ase the knight away with f2-f3. But how difficult it is for White to arrange this! If the knight leaves f3 then Black would be able to seize space with ... e7-eS.
S i d e l i n e s i n t h e L e n i n g r a d Va ria t i o n
g ltJbd2 i.e6 The fin al link in Black's light-square opening strategy. Note that rather than support his pawn centre with ... c7-c6 and ... e7-e6, as typically occurs in the Stonewall, Black h as occupied these squares with a knight and bishop. He therefore h as what might be called an ultra-dynamic Stonewal1. The draw back is that if ch allenged by c2-c4, the black pawn on d5 can't be supported by another pawn . Therefore Black will be obliged to concede the centre. But never mind: the bishop on e6 will then have a rather nice square on d5. 10 e3 An and's plan is also starting to un fold: ltJbd2, e2-e3, 'ii'e 2 and then c2-c4, when he takes apart Black's centre in a very precise m anner, without giving him the ghost of counterplay. A counterattacking plan on the king side with lo . .h 6 and 11 ... g5 would be too slow; therefore Nakamura decides to break things up on the queenside. 10 ... a s !
b4-b5 . The drawback from Black's point of view is that he can no longer reply ... ltJa5, the square being occupied by his own pawn. 11 bs ltJa7 12 'iVe2 Anand decides he needs to bring his pieces into action on the queenside as quickly as possible: hence 'ii'e 2 and .l:!.fc1. In stead he could have taken a time out for 1 2 a4, but Black h as enough counterplay with 12 ... c6 13 bxc6 bxc6 when he can pl ay or further prepare ... c6-C5 next move.
.
Finally White is obliged to advance
12 ... a4! A very useful move. White is pre vented from consolidating on the queenside with a3 -a4 and then c2-c4 therefore he can't cl aim a nice, neat positional advantage on the queen side. We sh all consider further the value of 12 ... a4 once we have seen how the bat tle unfolds. 13 :tfCl c61 So Black is able to support his pawn on d5 with another pawn after all, de spite his ... ltJc6 and ... i.e6 moves - see the comment at move nine.
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Play th e D u tch
14 bxe6 bxe6 15 e4 lUe8!
The knight is to be recentralized via d6. If White prevents it with 16 cs then he has forfeited any pressure along the c-file. 16 .i.e3 lUed6 17 exd s lUxe3! An important lesson in the art of exchanging. Black exch anges before White can play .i.b4 when he h as solid domination of the queen side. Further more, N akamura wants the as-square for his queen. 18 .l:r.xe3 .i.xd S ! The active choice. Besides, after 18 ... cxdS the reply 19 lUg s is awkward. H aving m aintained the pawn on c6, where it obstructs any action by the white rooks along the c-file, N akamura is ready to build up pressure of his own with moves like ... 'iVas and .. J:tab8, ex ploiting the b-file. 19 lUes ! Anand, however, h as other ideas. He won't give Bl ack the n ecessary tim e to build up a queenside initiative. 19 .i.xg2 20 �xg2 .i.xes 21 dxes It looks as if Black's g ame is about to ..•
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collapse, but N akamura i s ready to counterattack.
21 'ii'a s ! 22 .l:r.ae1 Or 22 l::t x c6 'ii'd S+ 23 'iVf3 lUe4 24 :c2 'ii'x es with equality. 22 'ii'x es 23 .l:r.xe6 'ii' b 2 Black's king side is slightly fragile due to the move 1 .. .fS, but on the other han d, the black pieces are active and the a3-pawn is a target. Anand is obliged to simplify to a draw. 24 'ii'd 3 .l:r.fd8 25 .l:r.1e2 'iVbs 26 'iVxbs lUxbS 27 lUb1 :d 3 28 lUe3 lUxe3 Black's knight is trapped after 28 ... lUxa3? 29 .l:r.a2. 29 :2xe3 •..
••.
S i d e l i n e s i n t h e L e n i n g r a d Va ria t i o n
29 J:tdd8! If N akamura's 17th move was a les son in the art of exch anging, thi s move is a lesson in the art of not exchanging. After 29 ....:xc3 30 ':xc3 the bl ack rook can be tied to the defence of the a4-pawn with 31 l:tC4 and then the white king can edge forwards. So N a kamura keeps a pair of rooks on the board in order to g ain counterplay with 30 .. J::t db8 an d 3 1 .. J::tb 3. Anand prevents this, but the a3-pawn then becomes a target. 30 J:[b6 �7 31 l:tb4 J:[d2 32 J:[cC4 J:[d 3 33 .l:txa4 l::txa 3 Yz-Yz ••
Well, Black got a lot of exclamation m arks in the g ame above, and he still had to play precisely to keep the bal ance. But then h an dling the black pieces again st a pl ayer such as Anand is no easy task, and N akamura achieved a draw without too much trouble. Note th at if White h ad played less accurately, Black would h ave achieved winning chances. Note too the excellence of the move 12 ... a4. It fixed the a3-pawn as a target and cleared the as-square for the queen - both vital aspects of Black's queen side counterplay. It thus pre vented White from con solidating with a3-a4, when the bishop on b2 could be activated with -ta3 . When Anand tried to bring the bishop into the g ame by the route -to and -tb4, Bl ack was able to lop it off with ... ttJxc3 . A move such as 1 2 ...a 4 easily passes
by an average player - but what an important move it i s ! Scheme Two: 5 c 4 0-0 6 b 4 c6! M.Dziuba-M.Bartel
Wa rsaw (ra pid) 2009 1 d4 fs 2 g3 ttJf6 3 -tg2 g6 4 ttJf3 -tg7 S c4 0-0 6 b4 White has already pl ayed c2-c4, so 6 ... ttJc6? fails to 7 bS ttJas 8 'ii'd 3 when White keeps his queen side pawns ship shape, because Black h asn't exerted control over c4. So a different pl an is required: 6 c6! .••
The rule is: When Wh ite h as played b2-b4, bu t delayed c2-c4 - B lack plays ... ttJc6. How ever, if Wh ite h as played c2-c4 and then b2-b4 - B lack plays ... C7-c6. But in both cases, Black is intent on a light-square strategy. His general de ployment of pieces and pawn s is al most identical .
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Play th e D u tch
7 0-0 ttJe4 The knight jumps into the centre as a prelude to setting up the Stonewall centre. 8 .i.b2 dS 9 ttJbd2 .i.e6 A familiar square for the bishop. 10 1i'C2 a s l A s i n the N akamura game, Black's a pawn is enlisted to undermine the white queen side pawn s. 11 a 3 ttJd7
A key difference with the ... ttJc6 variation is that Black can 't put pres sure on b4 to force a liquidation on the queen side. 12 e3 h6 13 cS A committal move. White now in tends 14 ttJb3 when after 14 ... axb4 15 axb4 he will profit the most from the opening of the a-file. Or 14 ... a4 1 5 ttJas and the a4-pawn is hanging. 13 ...a41 And so Bartel prevents ttJb3 and blocks the queen side, temporarily at least. Now in view of the fixed pawn structure, the plan of advancin g b4-bs suggests itself for White, and ... e7-es
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for Black. Don 't forget the ... as-a4 move in this type of pawn centre - it almost always comes in h andy. 14 ttJe1 ttJxd2 15 1i'xd2 .i.f7 16 ttJd3 1i'b8 17 .ll a b1 l:[c81
Bartel isn't attracted by 17 ... e s as it leads to exch anges that would leave him weak on the dark squares. And so he overprotects his c6-pawn in prepa ration for his next move. 18 .i.a1 bS 19 cxb6 After 19 f4 .i.e6 (but not 19 ... ttJf6 20 ttJes ttJe4 2 1 .i.xe4 fxe4 22 fs ! when White h as a breakthrough ) the g ame would probably be a draw as it's so blocked up. But Dziuba is ambitious and a very sharp struggle en sues. 19 ...ttJxb6 The black knight finally h as its sights on the c4-square. 20 ttJes iLxes In giving up the 'Indi an' bishop, Bartel is putting absolute trust in his Stonewall structure to shield his dark square weaknesses. 21 dxes ttJC4 22 'ii'd 4 .i.e61
S i d e l i n e s i n t h e L e n i n g r a d Va ria t i o n
It is essential to prevent 2 3 e6. 23 'it'h4 White temporarily wins a pawn as both e7 and h6 are h anging. 23 xh6 3 5 i. b 5 g5 3 6 �h31 White should survive without too m any difficulties after 36 hxg s+ 'iti'xg s 3 7 :g8+ �f4 3 8 i.d7, but psychologi cally it feel s like h e is losing ground in letting the black king come to f4. 36 i.d4 3 7 :g8 gxh4 38 :g2 i.f6 39 i.e8 1:f8 40 1:g6+ 'iti'h7 0-1 ..
•..
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Chapter S i x The Ma i n Li n e Le n i n g ra d : 7 CDC3 c6
Here w e sh all examine the key varia tion 1 d4 fS 2 g3 ttJf6 3 .i.g2 g6 4 ttJf3 i.g7 5 c4 0-0 6 0-0 d6 7 ttJC3 c6.
structure th at results is enormous, an d the two moves h ave unique pl an s.
Pa rt One: White Plays liJbd 2 not liJC3
This move is very flexible. As we see, it enables Black to use his queen on the as-, b6- and a-squares, which are op tion s un available to him after the popular altern ative 7 .. :�e8. It also rules out any ttJdS system s by White. Against 7 ... c6 White can either seize space with 8 dS or play the less com mittal 8 b3. The difference in the pawn
First of all, we'll take a step back wards and look at lines in which White avoids ttJC3 in favour of ttJbd2. This im plies th at White won't be advan cing d4-dS to g ain space, as the knight would be poorly placed on d2 to sup port a big centre. Therefore Black's fundamental plan is to arrange the moves ... d7-d6 and ... e7-eS to mobilize his own centre pawn s. S.Felier-H.Naka m u ra
Ca p d'Agde (ra pid) 2008 1 d4 fs 2 g3 g6 3 i.g2 lLlf6 4 b3 i.g7 5 115
P l ay t h e D u tch
�b2 0-0 6 tiJf3 d6 Against this move order a Stonewa11 approach was recommended in Chap ter Five with 6 ... tiJe4, and if 7 c4 then 7 ... c6 and 8 ... dS. However, if like N aka mura you are happy to play ... c7-c6 sys tem s, then the text is fine as we11. 7 c4 c6 8 0-0 'ii'a s !
after 1 5 'ii'x a4 tiJxa4 16 �xe s ? fxe4 White drops material, so he has to grovel with 15 'ii'd l 'ii'x dl 16 l:taxdl tiJd3 which looks exce11ent for Black. Black al so h as strong dynamic chances after 14 �xe s fxe4 15 �c3 'ii'd 8 or 14 tiJxes fxe4. 14 b4 'ii'd 8
No messing around: N akamura prepares ... e7-eS in direct fashion. 9 tiJbd2 :e8 10 'ii'c 2 eS 11 dxes dxes 12 e4 tiJa6 13 a3
15 tiJxe4 White could h ave kept the edge with 15 tiJfg s, intending lS ... 'ii'd 3 16 �xe4! , so h ere N akamura might h ave tried the fo11owin g sharp line: lS ... e3 16 tiJde4! ? exf2+ 17 'ifxf2 �fS 18 l:tadl 'it'e7 19 tiJd6 tiJg4 20 'ii'd 2 and White h as a lot of pressure for the pawn, but Black remains alive with tactical chances of his own . ls ... tiJxe4 16 'ii'xe4 �fS 17 'ili'e3 'ifd3 ! A very fi n e move. The exchange of queen s a110ws Bl ack to advance ... e S -e4 without exposing his king to tactical threats, or a110wing White to con soli date his hold on the d4-square as would be the case after 17 ... e4 18 tiJd4 'it'd7 19 %:tadl. It might sound para doxical, but the energy of the black po-
13 fxe4 Here I think Black missed a good ch ance with 13 ... tiJcS ! as the b3-b4 fork isn't to be feared: 14 b4? 'ii'a4 when •.•
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Th e M a i n L i n e L e n i n g ra d : 7 lLl C 3 c6
sition is increased by the exchange of queens - or it might be said that the exchange of queens diminishes the cohesion of the white position . 18 l:tfel White might h ave tried 18 .l:tadl 'it'xe3 (if 18 ...'it'xC4 19 lLlxes) 19 fxe3 so that after 19 ... e4 20 lLld4 his knight is well fortified on d4 - compare this with the g ame. 18 ...'it'xe3 Not 18 ... 'it'xC4 19 lLlxes when the white knight finds a stable central square where it can be further bol stered by 20 f4. 19 l:lxe3 e41 20 lLld4 %:tad8 2 1 lLlxfS i.xb2 22 l:tbl i.xa 3 23 l:txa3 gxfs 24 i.fl cSI
An important move. In the long run Black would have to give back the extra pawn, so he return s it at once to fix the white pawn on c4. This en sures that the white bishop remains shut in on fl. 25 bxcS After 2 S b S lLlb4 2 6 lIxa7 lIe7 the black knight isn't quite as well placed as in the g ame, but on the other hand
the black b-pawn can't be subjected to frontal pressure by the rook on bl. 2s lLlxcs The knight finds an ideal post on a blockade square. 26 l:txa7 l:.d6 27 %la s b6 28 .:tabs .:tee6 29 lISb2 'i£;>g7 30 lIa2 'i£;>g6 One of the advantages of the Dutch king side structure for Black is that his king usually finds it easier to amble up the board in an endgame. The carapace of pawns on f2, g3 and h2 might give the white king added protection in the middlegame, but in the endgame it becomes a straight-j acket. 3 1 l:ta8? Feller loses patience. If White h ad waited with 3 1 lIab2, Nakamura might h ave increased th e pressure: 31 ... .:f6 3 2 lIa2 f4 3 3 gxf4 'i£;>fS ! and 34 ... 'i£;>xf4. 3 1 ...l:td21 •.•
N akamura doesn't miss the chance to seize the seventh rank. 32 :g8+ 'i£;>f7 33 l%.h8 'i£;>g7 34 l:tb8 lLld71 Refuting White's try for counter play. The b6-pawn is defended and the knight is ready to leap to eS and f3 .
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P l ay th e D u tch
3 5 J::t b 7? He should slow down Black's attack with 3 S l:1.d8 ! . 3 5 ... 'it'f6 36 .:ta7 h 5 3 7 .:ta8 ttJe5 38 l:!.bal ttJf3+ 39 'it'g2 e3 40 l:1.8a2 ttJel+ 0-1 P.Harikrishna-J.Ehlvest
Merida 2008 1 d4 d6 2 c4 f5 3 ttJf3 ttJf6 4 g3 g6 5 i.g2 i.g7 6 0-0 0-0 7 ttJbd2
Ehlvest to be deprived of 7 ... ttJc6 when he has the chance to expand with a rapid ... e7-e S . 7 .'fWe8 8 b 3 Instead 8 dS c6 ! ? would give Black a pleasant variant of the 7 ... c6 m ain line - after all, White is going to h ave to reroute the knight with ttJb3 at some point, which amounts to a lost tempo as it is no better placed there than after 7 ttJc3. H owever, perhaps the best respon se to 8 dS is 8 ... e s ! 9 dxe6 ttJc6 ! (there's no need to hurry to recapture on e6, so let's block a possible attack on b7 first), and then 10 ... i.xe6 when Black h as a good version of the 7 ttJc3 ttJc6 line. 8 e5 9 dxe5 dxe5 Now Bl ack h as the typical mobile centre that is ready to spring forwards. 10 e4 ttJc6 11 i.a3 l:1f7 12 ];tel f4! .•
•..
Nimzowitsch described such moves as 'decentralizing' even though for m ally speaking the knight is moved to a central square. The point is that by avoiding its natural post on c3, the knight has lost its ch ance to exert in fluence over the crucial ds-square, or indeed support a pawn on that square. Perh aps H arikri shna wanted to avoid the 7 ttJC3 ttJc6 line, as after 7 ttJbd2 going 7 ... ttJc6 8 dS ttJas is much less attractive for Bl ack with the c4-pawn defended. However, it is hardly upsetting for
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Our characteristic move. Of course Black has to be careful now as his centre and queenside are shaky. But in how many other openings does Black get good development, a space advantage and an attack after only 12 moves?
Th e M a i n L i n e L e n i n g ra d : 7 ttJ c3 c 6
13 b4 a6 14 iLb2 fxg3 15 hxg3 In this type of centre White often faces a dilemma when recapturin g the pawn on g 3 . Capturing 'away from the centre' is in principle wrong and, in deed, 1 5 fxg 3 would weaken his dark squares along the a7-g 1 diagon al, in particular e3. On the other h an d, after the text... 1S ... ttJg41 ... the absence of an h-pawn to kick back the black knight with h 2-h 3 i s keenly felt. Even i f White achieves a great position in the centre or on the queen side, he can never feel com pletely comfortable with the enemy horse rearing itself at his king . In similar situations, Bl ack might pin the f3 -knight with ... iLg4, again profiting from the fact th at there is no h 2-h 3 to drive it away. In this in stance, however, the knight move is undoubt edly strong er. 16 bS ttJd4 17 a4 cS! A fine move that obliges White to break up his queen side pawn phalanx. 18 bxc6 Of course it's bad enough with one black knight on g4; White can't tolerate the other one permanently fixed on d4. 18 ttJxc6 Observe how the positional maestro Jaan Ehlvest h as man aged to restore his knight to the excellent c6 post from which it can never again be driven by a b4-b5 advance. 19 1:.f1 h6! The first move in Black's long-term •..
goal of getting h i s queen t o the h 5 square, where i n partnership with the knight on g4 she can create threats again st the white king .
20 cS With the positional threat of 2 1 ttJC4 followed by 22 ttJd6 when suddenly it is the white knight that is star of the show. 20 ... iLf8! Ehlvest knows there's more to Black's strategy in the Dutch than at tacking crazily in the hope th at a mate appears before the queenside caves in. Though m any other players (including, I h ave to admit, your author) some times forget this. The retreat of the bishop not only prevents the immedi ate 21 ttJC4 as 21 ... iLxC5 follows, but it al so makes the knight manoeuvre hard to arrange in the long term : even after a preparatory move like 'iVc2 or :tCl, White still can't pl ay ttJC4 as it would cut off the defence of c5. H arikri shna therefore gives up a pawn to achieve counterplay: 21 ttJC4 iLxcs 22 'iVds b6 23 ttJd6
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Play t h e D u tch
In stead 2 3 liJcxe 5 liJxe5 24 liJxe 5 �e6 ! leaves White in great trouble as f2 is attacked three times. 23 ...�xd6 24 'ifxd6 .:tf6 2 5 'ifd2 White hopes to take possession of the open d- and c-files, and then, aided by his dark-squared bishop which h as no rival, subject Black to long-term pressure. 2 5 ... g5!
At l ast everything is ready for the black queen to go to h 5 (it took the moves ... h6, ... g 5 and ... .l:.f6 to prepare the way). 26 l:[acl �b7 27 l:tfdl 'ifh 5 28 'ife2 lIaf8 29 lId3 The position is now very tense. The black pieces crowded on the kingside are wonderfully placed for an attack, but horribly misplaced when it comes to defending again st an inva sion of the white pieces along the open central files. Therefore, if Ehlvest's build-up proves merely symbolic, be cause no breakthrough is possible, he faces defeat. Power needs to be added to the
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black on slaught - how can this be done? 29 a 5 1 1 A brilliant move. Most pl ayers get myopic once they start an attack, and can't see beyond combination s in the vicinity of the king. In contrast, Ehlvest h as seen a way to get his queenside minor pieces involved in the attack. The threat i s 30 ... �a6: once the bishop is aiming at fl there will be no escape square for the white king. 30 ':b3 liJb4! 3 1 l1bc3 White flounders around for a de cent defence, but there is none avail able. 3 1 ... �a6 If now 3 2 "iVdl .l:r.xf3 when recaptur ing on f3 allows 3 3 ... 'ifh 2 mate. 3 2 ':C4 •..
3 2 ... liJh2 Quite sufficient to win as the pin on f3 costs White a piece. However, more elegant was 32 ... liJd3 ! after which all the black pieces would be directly in volved in the attack - a model of har mony. After 3 3 'ii'x d3 l:.xf3 White is
Th e M a i n L i n e L e n i n g ra d : 7 tLl C3 c 6
mated on f2 if he takes the rook, while the threat is 34 ... 'iVh 2+ then 3S ... l:.xf2+. H e can only give some del aying checks with 34 'ii'd S+ l:t8f7 3S ':c8+ �h 7. 3 3 tLld4 If 33 .i.xe s then 33 ... tLlxf3+ 34 tLlxf3 'ii'xf3 wins a piece for Black. 33 .. :ifxe2 34 tLlxe2 .i.xe4 3 5 ':xe4 :xf2 0-1
Pa rt Two: 7 �C3 c6 without 8 d S 1 d 4 f5 2 g 3 tLlf6 3 .i.g2 g6 4 tLlf3 .i.g7 5 c4 0-0 6 0-0 d6 7 tLle3 e6
H ere, before we turn our attention to White's main move, 8 dS, the alter n atives 8 Vc2, 8 :e1, 8 l:Ib1 and 8 b3 'iVas followed by 9 .i.b2 or 9 .i.d2 will be examined. As in the examples above, White's avoidance of d4-dS enables Black in many cases to prepare the freeing ... e7eS advance. The Kozul-Volokitin g ame, below, is al so a useful warning about the dangers of being too carried away
by the ch ance t o attack i n the Dutch . Z.Kozul-A.Volokitin
E u ropea n Tea m C h a m pion s h i p, Novi Sad 2009 1 d4 f5 2 g3 tLlf6 3 .i.g2 g6 4 tLlf3 .i.g7 5 0-0 0-0 6 C4 d6 7 tLle3 e6 8 Ve2 After 8 �e1 tLla6 9 e4 (or 9 b3 'iliC7 with a familiar plan after 10 .i.b2 of takin g space with 10 ... eS 11 dxe s dxe s) 9 .. .fxe4 10 tLlxe4 tLlxe4 11 l:[xe4 e S 12 dxes dxe s 13 'ili'xd8 ':xd8 14 .i.g s �e8, intending ...il.fs or ... tLlcS, Black h as more than enough dyn amic play to offset the weakness on eS. An important alternative is 8 llb1 which Kramnik used to beat Nakamura in a g ame at Wijk aan Zee 2010, that went 8 ... tLle4 9 'ii'c 2 tLlxC3 10 bXc3 ! . This game was far from clear, but I prefer a different treatment for Bl ack, namely 8 ... �h 8.
If now 9 b3 Bl ack can try 9 ... .i.e6 ! ? 1 0 .i.b2 tLlbd7, a s the bishop can i f nec essary retreat to g8. If given the chance,
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P l ay t h e D u tc h
such as by 1 1 l:[ e l o r 1 1 'ii'C 2, pl anning 12 e4, Black can switch to a Stonewall next move with 11 ... dS ! with equal space and a safe g ame. So that mean s that 11 dS i s the critical move. After 11 ... cxdS 12 liJxds (the pawn on dS could become a target after 12 cxdS .1i.g8) 12 .. liJxds 13 cxdS .i.g8 14 .1i.xg 7+ 'iit x g7 Black can play moves like ... 'ifb6 and ... liJf6 when he is solid on the dark squares. Instead 9 b4 continues in ' Kramnik' style, when 9 . .liJbd7 plan s to put pres sure on the c4-pawn with ...liJb6 and ... .1i.e6. In V.Tarasova-V.Cmilyte, Rijeka 2010, Black was soon better after 10 liJg S ? ! liJb6 11 cS (or 11 bS .1i.d7) 1 1 ... liJbdS.
the pawn with control of the ds-square as 13 .1i.f4? liJfds is bad for White. S ...liJa6 9 a 3 After 9 .1i.g s 'tie8 1 0 l:tfel Black can set up his mobile pawn centre with 10 ... e S : for example, 11 dxe s dxes 12 e4 liJcs 13 exfs .1i.xfs with great activity to compensate for the i solated queen's pawn . 9 .. :ilfeS
.
The knight was well placed on dS and giving up the light-squared bishop with 1 2 liJxds liJxds 13 .i.xds cxdS didn't help White at all . Perh aps the immediate 10 cS is best, when 10 ... e S ! ? is an intriguing reply, since after 1 1 bS e4 12 liJg s liJb8 ! the white centre i s breaking up, o r i f 1 1 cxd6 e 4 12 liJg s liJb6 and Black regains
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lo b4 In stead 10 dS i.d7 bring s us into 8 dS territory where I don 't think the queen is well placed on c2. Or if 10 e4 fxe4 1 1 liJxe4 .i.fs 12 liJxf6+ and here Beim analyses 12 ... exf6 ! ? 13 'tWb3 'tif7 14 .1i.f4 (the sim ple 14 lIel should be preferred) 14 ... l:tad8 i s l:r.fel g s 16 i.e3 h 6 with an edge to Black. 10 ... e5 11 dxe5 dxe5 White's slow play on the queen side has allowed Volokitin to seize space in the centre. H e h as achieved the ' King's Indian ' pawn centre, e S and fS, without any resistance. 12 e4 f4
Th e M a i n L i n e L e n i n g r a d : 7 tiJ c3 c 6
Everything h as gone so swimmingly for Black that he feel s justified in be ginning an onslaught on the king side with his pawn s. 13 .i.b2 .i.g4 14 c5 tiJC7 15 tiJb1!
Another slow move, but with the excellent idea of m anoeuvring the knight to c4 via d2, where it attacks e 5 and can invade o n d 6 in some cases. 15 .i.xf3 16 .i.xf3
that the correct plan was 16 . . .tiJe6 ! aiming at the outpost square on d4. Then 17 .i.xe 5 ? is a blunder as 17 ... tiJg 5 ! leaves two white bishops h anging, while after 17 tiJd2 tiJd4 18 .i.xd4 exd4 19 tiJC4 tiJd7 ! (stabilizing his control of the e 5 -square) 20 tiJd6 'iVe6 Black h as a strong position, and 2 1 tiJxb7 tiJe 5 would b e very bad for White. 17 tiJd2 g4 18 .i.e2 f3 Contrary to wh at it says in books on tactics, h aving a pawn on f3 doesn't always mean that a combination will appear. In fact the pawn might well block a favourable tactical operation by its pieces. 19 .i.C4+ �h8 20 :fe1 'iWh 5 2 1 .i.f1 tiJe6 22 tiJC4
..•
16 g51 Volokitin begin s a plan of decen tralization . If there is a m ate, it's fine: the game i s over. But if there isn't a mate, then Black has over-committed himself. With hindsight it turn s out ..•
22 ... tiJg5 The lure of the h 3 -square proves too strong for the knight. It wasn't too late to revert to a centralizing strategy with 22 ... tiJd4 23 ..txd4 exd4 24 tiJd6 ? ! (this knight is probably in too much of a hurry) 24 ... tiJe8 ! 2 5 tiJxb7 d3 26 'ii'x d3 .i.xal 27 lIxal 'ii'e 5 28 :dl tiJf6 with a
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defensible position for Black. 23 .ixe5 lDh3+ 24 'ith1 Black has a very aggressive set up but where is the mate? 24 ..J:tae8 25 .ixf6 ':xf6 26 .:tad1 ':'h6 27 lDd6
strongest players can become intoxi cated by the attacking options offered by the Dutch . The moral is: if you don 't see a mate, remember to keep your pieces centralized and flexible. Let's turn after 1 d4 f5 2 g3 lDf6 3 .ig2 g6 4 lDf3 .ig7 5 e4 0-0 6 0-0 d6 7 lDe3 e6 to 8 b3 when after 8 ...Va 5 ...
2 7 ... lDg5 He could have tried for a l ast swin dle with 2 7 ... .if6 28 lDxc8 ? ? lDf4 29 h4 .ixh4!, but 28 .ic4! l::tf8 29 lDfS would prevent a breakthrough on the king side and win easily. Equally if 2 7 ... lDf4 2 8 h4 .if6 29 lDfS win s for White.
28 h4! 1-0 After 2 8 ... gxh 3 the rook on c8 can be taken. A game th at shows that even the
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... White can reply 9 .ib2 or 9 .id2. T .Kaliszewski-T. Wa ra komski
Wa rsaw (ra pid) 2009 1 d4 g6 2 lDf3 .ig7 3 g3 d6 4 .ig2 f5 5 0-0 lDf6 6 e4 0-0 7 lDe3 e6 8 b3 Va s Our basic idea: the queen jumps to as where she attacks the white knight and win s time for ... e7-e S . We wouldn 't h ave thi s option after 7 ... 'iWe8 8 b3. 9 .ib2 e5 10 dxe5 We examined the inferior 10 'iWc2? in the Introduction - see the g ame Buehl-Reifurth . 10 ... dxe5 11 Ve2? Thi s is still a poor idea. The usual
Th e M a i n L i n e L e n i n g ra d : 7 ttJ c 3 c 6
move is 11 e4, preventing Black's n ext move, for which see the n ext g ame. 11 e41 •..
ground i n the centre with 1 1 a 3 ! , al though after 13 ... c5 14 b4 'ifd8 Black is at least equal. 13 C5 14 ttJC2 �e6 15 f3 White needs some space - he can't just wait for something like ... ttJc6, ... l:tad8 and ...ttJd4 to h appen . 15 ... exf3 16 exf3 ttJc6 17 .l::te 1 J..f7 18 a 3 �C7 •••
If there is no immediate punish ment, Black will always b e at least equal whenever he carries out this type of pawn advance. He seizes space in the centre, dislodges the white knight from f3 and shuts in the white bishop on g 2 . 12 ttJd4 Well, perh aps Kaliszewski was happy hereabouts: after all, it isn't ob vious how Black is to complete his de velopment. If 12 ... ttJbd7? then 13 ttJe6 will deprive him of the vital bishop on g7. And 1 2 ... c5 would be a position al blunder as after 13 ttJdb5 the white knight is poised to invade on d6. As a matter of fact Black has a simple move that confounds White's strategy: 12 a6! Denying the white knight the b5square and actually threatening to trap it mid-board with 13 ... C 5 1 . 13 'ii'C 1 A feeble reply. H e should stand his .•.
Black's potentially weak square on d5 is guarded by a bishop and a knight, whereas White's hole on d3 h as no pro tection - and imagine what chaos would be caused if a bl ack knight l anded there, hitting the white queen, rook on e1 and bishop on b2. Further more, the black pawn on c5 supports a possible knight invasion on d4. Kaliszewski tries to bolster the de fence of the vulnerable d3- and d4squares whil st al so solving the strate gic problem of his queen blocking in the rook on a1. Unfortunately for him, Black's f-pawn is waiting in ambush : 19 �e3 f4! 20 �xc5? In stead 20 gxf4 ttJh 5 is good for Black as getting the knight to a formi-
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dable post o n f4 is worth more than a pawn . For example, 2 1 "ilxcs b6 2 2 'iff2 ttJxf4 2 3 l:tad1 l:tad8 24 i.f1 (to stop 24 ... ttJd3) 24 ... ttJas and Black will regain his pawn with a strong initiative. Nonetheless, that is how White should have pl ayed, as his king side now disin tegrates. 20 ...fxg3 21 ttJdS After 21 hxg3 'ii'x g 3 22 �f2 Black can simply exchange queens and go after White's weak queenside pawn s with 2 2 ... 'ii'xf2+ 2 3 �xf2 ttJas ! when there is no good way to hold on to both b3 and c4. It's all too easy to become obsessed with an attack on the enemy king and try to maintain the ten sion with a move like 22 ... 'iIi'g S rather th an ex change queen s. You should remember that it's not all crash-bang -wallop in the Dutch - sometimes it is the simple positional solution th at is best. 21 ... i.xd s 22 cxd S gxh2+ 2 3 �h1 ttJd7 1
Refutin g White's bid for counter pl ay as both his queen and bishop on b2 are h anging. The rest isn't too h ard
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for Warakomski. 24 "ilC4 ttJb6 2 5 "ilcs i.xb2 26 .l:.ab1 lUS 27 ttJe3 i.d4 28 'iVc2 i.xe3 29 dxc6 i.f4 30 i.h3 l:.f6 3 1 i.e6+ �g7 3 2 'ii' b 2 bxc6 33 l:te4 l:taf8 34 l:tbe1 �h6 3 5 'iVg2 l:te8 36 a4 as 37 'ifh3+ �g7 38 i.g8 l:[xe4 39 l!txe4 �xg8 40 :e8+ �g7 0-1 DJa kovenko-M.Gurevich
Odessa (ra pid) 2010 1 d4 fs 2 g3 d6 3 ttJf3 ttJf6 4 i.g2 g6 5 0-0 i.g7 6 c4 0-0 7 ttJc3 c6 8 b3 'ifa s 9 i.b2 eS 10 dxes dxes 11 e4
Blocking the ... e S -e4 advance that proved so strong in the previous game. 11 ...f41 A critical moment. Does Black's po sition contain enough energy to sup port the pawn-ram ? After all, his queen side pieces are still asleep and the central situation isn't stable. So won't the es-square fall into White's hands? Let's see how Dutch maestro Mik h ail Gurevich answers these question s.
Th e M a i n L i n e L e n i n g ra d : 7 liJ C3 c6
12 gxf4 liJh5! Vitality at all costs. Instead after 12 ... exf4? Black's attack on the kingside is stymied, and White can conquer space with 13 e s ! liJg4 14 l:tel. If then 14 ... liJxes White's attack will arrive first thanks to the following combinative sequence: 15 liJxes i.. x es 16 i.. d S+! cxdS 17 ':xes (the exch ange of his dark-squared bishop is fatal for Black) 17 ... liJc6 18 :xdS "ikC7 (or 18 ... 'ifb4 19 .l:.d6, intending 20 'iid S+) 19 liJbS "iVe7 20 'ilid2, intending 2 1 l:tel then 2 2 'iliC3, etc, with decisive pressure. 13 liJe2 If 13 fxe s i.. g 4 14 h3 i.. xf3 15 i.. xf3 liJf4 with excellent pressure for the pawns. 13 ...i.. g4
14 h 3 Now according t o m y database Black played 14 ... liJxf4?? and White replied 15 liJxf4?? which i s a strange double blunder as 1 5 hxg4 is a safe win of a piece. So the g ame no doubt actu ally went: 14 ... i.. xf3 15 i..xf3 liJxf4?!
H ere Black missed the interesting alternative l s ... exf4!. In contrast to the situation after 1 2 ... exf4, above, White can 't do anything sharp and tactical in the centre. I think Bl ack might even have the edge after 16 i.. x g7 liJxg 7. He can exert control over the dark squares, in particular eS, which could become a strong base for a knight (contrast this with White's 13 es! breakthrough after 12 ... exf4) . 16 liJxf4 l:.xf4 17 i.. g4! The bishop finds an active post. 17 ... liJa6 18 'i¥d6 l:taf8? Here I believe Black lost his chance to equalize with 18 ... liJcs ! bringing his knight into the battle.
Then a sh arp tactical sequence leads to perpetual check: 19 i.. x es llxe4 20 f4 (Bl ack can play for the advantage after 20 i.. x g 7 �xg 7; a typical turn around in the assessment of a Dutch position) 20 ... i.. x es 21 fxe s 'ii'C 3 22 'ilixcs 'i!Vg 3+ 2 3 �h l :xg4 24 hxg4 Vh 3+ 25 �g l 'iVg 3+ with a draw. 19 l:tad1 Now White's kingside is secure and
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he went o n t o grind out a win due to his bishop-pair and pressure on the queen side. The remaining moves were: 19 ... 'ith8 20 a 3 'ife5 21 b4 'ifxd6 22 lIxd6 tDe7 23 .l:td7 l:t4f7 24 l:1fd1 h 5 2 5 l:txf7 l:txf7 26 iLe8 tDa6 27 l:td7 l:txd7 28 iLxd7 tDe7 29 e5 'itg8 30 iLe8 b6 3 1 exb6 axb6 3 2 a4 'itf7 3 3 a 5 bxa 5 34 bxa 5 'ite7 35 a6 tDb5 36 iLa3+ 'itd8 37 iLe6 'ite7 38 iLe5 g5 39 iLf7 h4 40 'itg2 tDd4 41 iLxd4 exd4 42 iLe4 iLf8 43 'itf3 iLe5 44 'itg4 d3 45 iLxd3 iLxf2 46 'itxg5 'itd6 47 'itf5 iLd4 48 e5+ 'ite7 49 iLe4 'itd7 50 'itf6 'ite7 51 'ite6 iLe3 52 'itf5 iLd4 53 'itf6 'itd7 54 iLf3 'ite7 55 'itf5 'itd7 56 'ite4 iLb6 57 iLe2 iLe5 58 iLe4 iLb6 59 'itf5 iLd4 60 'itg5 'ite7 61 e6 iLf2 62 'itf6 1-0 I don 't wish to claim that the hole on e6 th at often appears in Black's pawn structure is a virtue rather th an a defect of the l...fS move. Such m arvel lously twisted logic is beyond me. On the other h and, the Dutch is about provocation - White is cajoled into pushing his pieces and pawns for wards, and what could be better bait th an waving the e6 outpost for a knight before his eyes? Who knows, he might forget all about the dark squares, as in the followin g g ame. R.Damaso-K.Spraggett
Andorra 2007 1 g3 g6 2 iLg2 iLg7 3 e4 f5 4 d4 tDf6 5 tDf3 0-0 6 0-0 d6 7 tDe3 e6 8 b3 'ii'a 5 9
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..td2 Rather th an 9 iLb2, as in the previ ous g ames. 9 ...'ii'e 7 The bl ack queen retreats from the line of the bishop's fire and is ready to support l1...eS, but White clamps down upon the ds-square. 10 d 5 tDa6
The knight heads for the cs-square th at h as been weakened by White's l ast move. l1 l1e1 tDe5 After 1 2 iLe3 the black knight con tinues its onward journey: 12 ... tDce4 1 3 tDxe4 tDxe4 1 4 iLd4 e S (breakin g White's grip o n the centre, though compared to the games above Black doesn't get a solid structure) 15 dxe6 iLxe6 16 iLxg 7 'ifxg 7 17 tDd4 lIae8 18 tDxe6 l1xe6 19 iLxe4 fxe4 and Y2-Y2 was O.Cvitan- E.Agrest, Oberwart 1994. There's still plenty of play in the posi tion, though, and I rather like Black's space advantage. In stead Damaso was too eager to get his h ands on the e6-square:
Th e M a i n L i n e L e n i n g ra d : 7 liJ c 3 c6
12 b47! Entirely unnecessary. White i sn 't properly organized to punch through the queen side with a subsequent b4-b5 or c4-c5, nor is h e restricting the black knight - it simply hops into the e4square. (Things would be different, though, if the black knight were back on a6, and White had played ':bl and b2-b4, stopping it going to C5.) All that i s achieved by the g ame move is a loosening of White's own queenside pawn s, for which he will pay dearly. 12 ... liJce4 13 liJxe4 liJxe4
14 liJg57! He could save his bishop from ex change with 14 i.. e 3, though 14 ... c5 i s an annoying reply. However, Damaso has his attention focused on the hole on e6. 14 liJxd2! The right exchange. After 14 ... liJxg 5 1 5 i.. x g 5 White is in ch arge again as he can press forwards on the queen side. 15 'iix d2 C51 White is prevented from breaking .•.
open lines with 16 c5 or 16 dxc6 bxc6 17 b5. The situation therefore stabilizes in the centre, with Bl ack well en trenched on the dark squares, and White trying to prove something on the light squares.
16 bXc57! It was better to block lines with 16 b5. Then 16 ... a6 17 a4 axb5 18 axb 5 leaves Black in control of the a-file (see how convenient it is that the bishop on g7 controls the ai-square). Still, the white pawn on c4 wouldn 't be subject to frontal attack by the black rooks and queen, as occurs in the game. Further more, White could answer 16 ... a6 with 17 l::tb l ! ? when 17 ... axb 5 18 l::t xb5 leaves him with a weak pawn on a2, but b7 i s also weak. So it seem s that White's position could withstand the imprecisions 12 b4 and 14 liJg 5 and still be okay - they turned a slight edge into a slightly worse position. However, after the third mistake, 16 bxc 5 ? ! , thing s start to become very awkward for him. 16 ... 'ii'x c5 17 e3 b6 18 l::t c 2 i..f6 19 liJe6
1 29
Play t h e D u tch
.ltxe6 20 dxe6 :ac8 21 :b1 'ii'a 3 22 :b3 'iVa4 2 3 'iVd3 1:[c7 24 .ltd 5 :fc8 2 5 h4 'it>g7
:c2 l::t b 1+ 49 'it>e2 h 5 50 f4 :gl 51 'it>f3 .l:.d1 5 2 We4 a4 0-1
Part Three:
7 �C3 c6 8 d S 1 d 4 f5 2 g 3 lLlf6 3 .ltg2 g6 4 lLlf3 .ltg7 5 0-0 0-0 6 C4 d6 7 lLlc3 c6 8 d 5
White does his best to drum up counterplay on the king side. Nonethe less, the black mon arch is very secure. His pawn s and bishop fortify the light and dark squares respectively without getting in each other's way, whereas White's pawn on e6 shuts out his own bishop from the attack. 26 h5 ]::t c 5 27 ]::te 2 b5 28 l:txb5 �xb5 29 cxb5 :c3 30 'ifd2 'ifxb5 Threatening 31 ... 11d3 . Under pres sure Damaso now miscalcul ates: 3 1 h6+? 'it>xh6 3 2 e4+ 'it>g7 3 3 'it>g2 Perhaps when he played 31 h6+ Damaso missed that after 3 3 eS, cut tin g off the defence of the rook on c3, Black can simply pl ay 3 3 ... dxes, as if 34 'ivxc3 'iVxe2. Therefore he remain s a pawn down . 3 3 ... :d 3 34 'ii'C 2 fxe4 3 5 .ltxe4 1:[c3 36 'ii'd 1 'ifC4 3 7 .ltf3 a s 38 'ii'd 5 'ii'xd 5 39 .ltxd 5 ':d3 40 .ltf3 i.d4 41 i.e4 l:.d1 42 .ltC2 .i:1c1 43 .ltb3 .uc3 44 ]::te 4 .ltf6 45 :C4 :d3 46 'iitf1 lid2 47 We1 lIb2 48
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In the ultimate m ain line o f the 7 .. c6 Leningrad with d4-dS White es tablishes a space advantage in the cen tre. He begin s with the 'trademark' white pawn s on c4 and dS, and tries to edge up the b-pawn as well . An imposing pawn structure isn't normally a killer in itself - only rarely does it succeed in suffocating the en emy army. Paradoxically, an advanced pawn ph al anx becomes a fearsome weapon at the point of its death - it collapses and so open s up lines of power for the pieces waiting behind it. Of course, th at is the ideal for the at tacker; but if the pieces haven 't been positioned on good squares in antici pation of this dissolution, they will lack .
Th e M a i n L i n e L e n i n g ra d : 7 lLl C3 c 6
energy. In such a scenario it will be the opponent's pieces that profit from the opening of lines. The fragments of the broken centre will be weaknesses, and avenues of counterattack will emerge for the hitherto pent-up pieces of the defender. The above m ay sound abstract, but again and again in Leningrad Dutch games we see the white centre dissolv ing, whereupon the crucial question is: will the white pieces be able to batter the black centre now that it is open to attack? Or will they be able to force forwards a passed pawn on bs that h as emerged from the exploding white centre? Or are the white pieces too meek, too powerless, and will h ave to simply watch as a bl ack counterattack stream s through the open lines? H.Zoebisch-D.Semcesen
Schwa rzach 2008 1 d4 f5 2 g3 lLlf6 3 �g2 g6 4 lLlf3 SLg7 5 c4 0-0 6 0-0 d6 7 lLlC3 If 7 ds at once, 7 ... c6 should tran s pose to our m ain game after 8 lLlc3 SLd7. However, players who intend to play the 7 lLlc3 lLlc6 variation should al so examine wh at follows. 7 ... c6 8 d 5 �d7 Black develops his bishop, overpro tects the c6-square as a prelude to playing ... lLla6, and for the moment keeps the option of the queen going to a square on the d8-as diagonal.
9 l:.b1 The moves 9 lLld4, 9 e4 and some others are discussed in later g ames. 9 ... lLla6 10 b3 The alternative 10 b4 i s the subject of the next g ame. 10 1i'e8 ..•
Fin ally Black commits the queen to a king side deployment. She heads for f7 to put pressure on ds and bol ster the black defences. 11 SLb2 h6 A useful move. Black wants to play .. :iff7 without being bothered by lLlg s and al so prepares ... g 6-g s to utilize his king side pawn s - see his 14th move. 12 lLld2 White's l ast three moves have been rather passive: he has quietly devel oped his pieces without any thought of putting pressure on the black queen side. 12 ... 'iIi'f7 One of the fruits of 1 .. .fs : the bl ack queen has found an excellent niche in her pawn structure. 13 a3 .l:1.ac8 14 e3 g5 15 f4
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After 1 5 b4 the 'safe' move would be l s ... liJC7, but the aggressive l s .. .f4!
looks promising, even though it gives away the e4-square. Black can then attack with 16 ... liJg4, etc. After the game move, it appears that White has stymied any attempt by Black to attack on the kingside. But semcesen finds a way to add some dy namism to his set-up: 1S liJg41
.. .fS-f4 without the drawback of h and ing over the e4-square to the white pieces. The position remain s tense after 19 dxc6 bxc6 (19 ... �xc6 leaves fs hanging) 20 liJf3. Now 20 ....l:.ceS is the gradual build-up approach, but Bl ack can go all in with 20 ... liJh s 21 'it>h 2 f4! . 19 liJhsl ••.
•..
16 'ife2 esl Now all four of Black's king side pawn s are working. The immediate threat is 17 ... exf4 and, after either pawn recapture on f4, lS ... .:ceS will exert strong pressure along the e-file. White can't allow this rearrangement of the pawn structure. 17 h3 After 17 dxe6 'ili'xe6! the e3-pawn is a target and can be attacked further with lS ... .l:.ceS. 17 ... liJf6 is fxes dxes 19 e4? A colossal mistake that removes a vital restraining force from the f4square. Black i s now able to advance
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A key move to add vital power to the king side attack. 20 .l:.f3 f4 21 g4 Or 2 1 liJfl g4! and the pawns keep rolling. 21 ...liJg3 22 'ii'f2 h S I Relentless pressure from the king side pawn s. 2 3 l:[xg3 fxg3 24 'ii'x g3 hxg4 2 S hxg4 'ili'f4 26 'ili'xf4 ':'xf4 2 7 liJe2 ':xg4 2S liJf1 liJcs 29 liJe3 l:th4 30 liJg3 l:teS 3 1 �C3 liJd3 32 l:.d1 liJf4 33 �e1 l:.fS 34 liJgfs liJxg2 0-1 That was a very nice g ame by Black, but let's not forget that White g ave him a helping h and with his passive middlegame moves, in particular 12
Th e M a i n L i n e L e n i n g ra d : 7 It'! C3 c 6
It'!d2. Most of the time in this variation Black h as to m ake do with con solidat ing moves such as ... It'!C7. Or if he does attack, it is more of a touch and go thing as to whether he has enough power to carry it out to a finish. U.Andersson-A.Beliavsky
1 4 �b2 ! ? lIb8 - w e might even con template the ri sky-looking 14 ... lt'!xb5 as White has nothing clear in reply - 1 5 a 4 a 6 16 It'!d4 axb5 17 lt'!cxb5 It'!xb5 1 8 It'!xb 5 'iVf7, intending . . .�e6 o r . . .It'!e4, and Black has enough counterplay to offset the passed pawn) 14 ... lt'!e4 1 5 It'!xe4 fxe4 16 lt'!h4 d5 17 �e3 .
Bazna 2008 1 d4 fS 2 g3 It'!f6 3 �g2 g6 4 It'!f3 �g7 S c4 0-0 6 0-0 d6 7 It'!c3 c6 8 d S �d7 9 l:.b1 lt'!a6 10 b4 Sh arper than 10 b 3 : White pl an s an immediate pawn advance on the queenside. 10 ...'iVe8
ll a 3 White stabilizes his queen side pawn s. He could play more sharply with 11 dxc6 bxc6 12 b5 cxb5 13 cxb5 when he has a mobile queen side pawn majority. The usual respon se is 13 ... lt'!C5, but I quite like 1 3 ...lt'!C7 as played in T.Rahman-M. Dzhumaev, Dh aka 2003, which went 14 a4 (after
The g ame continued 17 . . .� e 6 when Black was struggling, but because it is the Dutch you won't be surprised to learn that he won after bamboozling White in the tactics: 18 :cl fid7 19 �xe4 lt'!xb5 20 �xd5 �xd5 2 1 axb5 e6 2 2 �d4 �h 6 2 3 l:tal l:tf7 24 'iVd3 g5 2 5 It'!g 2 ? ( 2 5 �e3 ! avoids losing a piece) 25 ... �xg 2 26 �xg 2 l:td8 ! (pinning and winning) 27 l:ta4 (altern atively, 2 8 �e2 "'7+ or 2 8 e3 e5) 2 7 ... 'iVb7+ 2 8 'iith 3 e5 29 l:txa7 g4+ (he prefers to finish in style rather th an grab a TOok with 29 ... 'ii'c 8+ and 30 ... .:xa7) 30 'iith 4 'ii'g 2 3 1 'iitx g4 .l:tf4+ 0-1. It's mate next move. H ere 17 ... 'iVd8 ! ? looks like an im provement. Then White can't do any thing fast because of the latent threat of ... g 6-g 5 winning his knight if the
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bishop leaves e3. For example, 18 b 6 (intending t o pin the knight o n C7) 18 ... axb6 19 �xb6 ':xa4 20 :cl �e5 ! 2 1 �xC7 �xC7 2 2 'ii'x d5+ e 6 2 3 'ji'd2 �a5 when Black is very dynamic and White has to watch out for ... g 6-g 5 . Al ternatively, if 18 ':Cl e6 19 b6 (or 19 'ji'd2 lLle8 20 .l:tfdl a6) 19 ... lLle8 when 20 bxa7 again allows 20 ... g 5 . 1 1... lLlc7 1 2 �b2 l1cS 13 'iVd2 Andersson discourages the idea of ... e7-e5, as after 13 lLld4 e5 14 dxe6 lLlxe6 15 lLlb3 "ife7 16 "ifd2 lIfd8 17 .:tbdl �e8 Black was solidly placed in M. Konopka-V. Beim, Asch ach 2001. Upon 18 liIfel "iff7 White decided to rule out a space-gaining ... g 6-g 5 move with 19 f4? but this left a hole on e4. Black was able to break out from his cramped position with 19 ... d 5 ! 20 cxd5 cxd5.
allows 2 3 ... lLlxf4!, winning a pawn due to a discovered attack on b3. Instead after 2 3 lLld4 the white centre soon crumbled away: 23 ... lLlxd4 24 .1Lxd4 �xd4 2 5 exd4 �a4 26 ':cl 'ilkd5 27 �fl ':'c6 2 8 'iW2 'ii'xd4+ 29 'ilkxd4 ':xd4 30 l::t x c6 bxc6 31 'iit e 3 l:.d7 32 Ji.e2 'iitf7 3 3 ': c l 'iite 6 34 ':' C 5 �b5 3 5 �xb5 cxb5 3 6 'iit e 2 a 6 3 7 g4 fxg4 3 8 'iite 3 ':' d 5 39 lIc8 l:r.h 5 40 .l:tc6+ 'iit d 5 41 l1C5+ 'iit d 6 42 .l:tc2 .l:[h 3+ 43 'iit x e4 .l:[xa3 44 :d2+ 'iit e 6 0-1. 13 ... lLlaSI
An unusual and pretty move. The knight m akes use of the corner square to reach b6, where it will attack the c4pawn . Moreover, the white queen looks misplaced on d2, as it is a knight's move away from c4. 14 dxc6! Andersson finds the best solution. 14 �xc6 He takes back with the bishop to keep up the pressure on c4. ls lLld S After 1 5 b5 there i s a long forcing variation that proves Black is okay: 1 5 ... �e4! 16 lLlxe4 lLlxe4 17 'ilkd5+ e6 18 .••
The tactical justification is that White loses two pieces for a rook and pawn after 2 1 lLlxd5 lLlxd5 2 2 �xd5 ':xd5 23 'ilxd5 �xb2. In the game White tried 2 1 h 3 , but after 2 1 ...lLle4 2 2 lLlxe4 dxe4 moving the queen t o safety
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Th e M a i n L i n e L e n i n g ra d : 7 ttJ C3 c 6
Wxb7 .i.xb2 19 ':xb2 .:tf7 20 'ii'a 6 ttJb6 2 1 l:[c2 l:[xc4 22 l:[xC4 ttJxC4. ls ... ttJe4!? Al as. there is a problem with the simple l S ... .i.xds 16 cxdS (forced) 16 ... ttJb6. as the white knight can aim at the hole on e6 with 17 ttJd4 1 . 1 6 'iVd3 .i.xb2 17 1bb2 e 6 1 8 ttJe3 bS!
Breaking up the white queen side before White can g ain control with 19 ttJd4. 19 1:[c2 bXc4 20 .l:i!.xC4 ttJb6 21 ':c2 .i.a4 The position is now about equal and ended as a draw after a h ard fight: 22 :xc8 'iVxc8 2 3 ttJd2 d S 24 ttJxe4 dxe4 2S 'ii'd 2 l:1d8 26 'ii' b 2 'i!i'd7 27 Wf6 l::t c 8 28 f3 exf3 29 i..xf3 'iVf7 30 Wes ttJd7 3 1 'tWa s ttJ b 6 3 2 'iVes "d7 3 3 g 4 .i. b 3 34 l:1b1 ttJC4 3S ttJxC4 i.. xC4 36 gxfS exfs 37 ':C1 i..f7 38 l:!xc8+ 'iVxc8 39 a4 'iVd7 40 as .i.C4 41 'ii'c s i.. b s 42 i.. d S+ �g7 Vz-Vz T.Ka nta ns-D.Semcesen
Stockhol m 2008/09 1 ttJf3 fs 2 g3 ttJf6 3 i.. g2 g6 4 0-0 .i.g7 S
c 4 0-0 6 ttJC3 d6 7 d 4 c 6 8 d s .i.d7 9 ttJd4 White is now exertin g pressure against the c6-pawn with the knight on d4. bishop on g2 and pawn on dS. This means that the move Black wants to play. the developing 9 ... ttJa6 ?? simply drops the pawn to 10 dxc6 bxc6 11 ttJxc6. A n atural way to overprotect the c6-pawn as a preliminary to ... ttJa6 is 9 ... We8 ? ! . but then 10 'iWh 3 ! is an awk ward reply. The b7-pawn has to be de fended. and after 10 ..... c8. to defend b7. White has the strong breakthrough 11 c S I .
The threat is 12 dxc6+ winning a piece by a discovered attack. Now after 11 ... �h 8 12 cxd6 exd6 13 ktd1 cS (it's better to submit to a weak pawn on d6 after 13 ... ttJa6 14 dxc6 bxc6) 14 ttJe6 Black's strategy h as clearly suffered a fiasco. Black has a much better way to de fend again st White's idea of 10 Wh 3 : 9 ...Wb6! An excellent post for the black queen . Now in some lines White has to reckon with a discovered attack on the
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Play t h e D u t c h
knight o n d 4 with . . .ltJxd5, and he can't develop the bi shop from cl without dropping the b2-pawn. Furthermore, the black queen can expand her power on the queenside by attacking the c4pawn - perhaps with the restraining ... a7-a5 combined with ...'iVa6, or the more direct ... 'ilVb4 as in the g ame.
Note that the natural reply 10 b3? would be met by 10 ...ltJe4! when the pressure along the long diagonal costs White a piece. 10 dxc6 bxc6 11 1tJb3 Now routine play would do Black no g ood at all, as White is threatening the pawn-ram 12 C 5 ! dxc5 13 �e3 followed by 14 ltJa4 if necessary to win the c5pawn, when Black is left with weak pawn s on the queen side. And 11...ltJa6 doesn 't stop the threat, as 12 C 5 ! fol lows anyway - 12 ... ltJxC5 13 �e3, and then ltJxC5 and ltJa4 will regain the pawn as above. Black must never forget about the ramming potential of the move c4-c5 in the Dutch . 11 .. :iWb41
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Note that Black's aggressive moves with his queen, 9 ... 'ilVb6 and 11 ... 'ilVb4, al so h ad a defen sive function, namely they dealt with the positional threats 10 'ifb3 and 12 c5. Th at is one of the hallmarks of the Dutch - defence through counterattack. 12 'iVd3 The pawn-ram misses the mark thanks to the tactical sequence 12 c5 d5 ( Black wants to keep his pawns compact in the centre) 13 ltJxd5? cxd5 14 �xd5+ ltJxd5 15 'iWxd5+ c;t;>h 8 16 'iWxa8 ltJc6 and the white queen is trapped. 12 ltJa6 .•.
Th e M a i n L i n e L e n i n g ra d : 7 li'l C3 c 6
Only now does Black develop his knight. 13 �d2 'ii' b 7
plan s, then the exchange d5xc6 can be adjudged a position al concession to Black. 14 ... :ad8 15 :fd1 The weakness on f2 created with thi s move will be exploited to the maxi mum . Instead 15 .l:.adl is more solid, but Bl ack already has a good g ame. 15 li'lC7 The knight heads for a fine centre post on e6 where it will attack the white bishop. 16 'ii'd 2 li'le6 17 �h6 �xh6 18 'iVxh6 'iVb4! •••
14 �f4 Semcesen h as successfu11y neutral ized the threat of c4-c5. White there fore switches to the plan of preparing an exch ange of dark-squared bishops with 'iVd2 and �h 6. This cannot hurt Black. We might conclude that if White exchanges with d5xc6, conceding a broad centre to Black, he needs one of the fo11owing as compensation : 1. A strong tactical blow available along the h l-a8 diagonal and/or a2-g8 diagonal - see the comment to his 9th move, above. 2. A pawn-ram again st the black centre with C4-c5 (or more rarely an e4e5 advance) at a moment when Black can't keep his pawns intact with ... d6d5. 3 . The opportunity to create a passed pawn on the queen side with a rapid b4-b5 advance. If White can carry out none of these
Back again, and this time the attack on c4 is awkward to meet. 19 'ii'e 3 f41 Our familiar Dutch pawn-ram . If now 20 gxf4 'ivxc4 and f4 is h anging. 20 'ii'd 3 li'lg4 21 'ii'e4 Rather desperately trying to stop the attack by pinning the f4-pawn . 21 .'ii' b 6 22 e3 li'lf6 2 3 'ii'f3 fxe3 24 'ii'x e3 'iVxe3 25 fxe3 It might seem that White has es caped the worst through exch anging .•
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Play t h e D u tc h
queens, but the black rooks and knights combine to produce a rapid attack along the undefended f-file. 2 S ... ttJg4 26 l:e1 ttJgs 27 ttJd2 l:tf2 28 l:tad1 lidf8 29 b3
29 ...l:txg2+1 0-1 A sudden finish. White doesn't wish to see 30 'iil> x g 2 .l:.f2+ 31 'iil>h l (or 31 'iil> g l ttJh 3+ and mate on h 2 ) 3 1 .. Jbh 2+ 3 2 'iil> g l ttJh 3+ 3 3 'iil>fl l:tf2 mate. Z.Koz ul-M.G run berg
Bizovac 2006 1 d4 fS 2 g3 ttJf6 3 ..tg2 g6 4 ttJf3 ..tg7 S 0-0 0-0 6 c4 c6 7 ttJC3 d6 8 d S ..td7 9 e4!? A vigorous attempt to seize the ini tiative in the centre. The opening of the e-file will expose the e6-square to fron tal attack by a white rook from e l . Other altern atives not already looked at are 9 ..te3 and 9 'iWh 3 : a ) I f 9 ..t e 3 ttJa6 1 0 1Vd2, with ideas of 11 ..th 6, then 10 ... ttJg4! 11 iLf4 ttJC5 looks comfortable for Black, while 1 1
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..td4? is a mistake after 11 ... ..th 6 ! when 12 e 3 ? c5 10ses the bishop. b) After 9 'ifb3 I wi sh that 9 ... ttJa6? were possible, but it seem s that White can get away with 10 'i/j'xb7 ttJC5 11 "ilVb4. However, shielding b7 with 9 .. :i!Vb6! is perfectly okay for Black.
For example: bl) 10 iLe3 'iVxb3 1 1 axb3 cxd5 12 ttJg 5 (or 1 2 cxd5 ttJa6) 12 ... h 6 1 3 ttJh 3 g 5 14 cxd5 ttJa6 1 5 ..td4 Ilfc8 and Bl ack had the more active pieces in B.Tiller R.Akesson, Oslo 1981, as the white knight on h3 and bishop on g2 were both out of the g ame. b2) 10 1I¥xb6 axb6 11 ..te3 cxd5 12 cxd5 b 5 1 3 a3 ttJa6 14 l:i.fdl b4 1 5 axb4 ttJxb4 and in P.5tigar-C.Niklasson, Co penhagen 1983, h aving exchanged off his doubled pawn, Black had the better of it - again the white bishop on g2 was passively placed. b3) 10 ttJg 5 (the knight is tempted by the hole on e6, but the white pawn that results on e6 is weak) 10 ... h6! 11 ttJe6 iLxe6 12 dxe6 ttJa6 13 "iVa ttJc5 14 e4 (White has to rush through this centre
Th e M a i n L i n e L e n i n g ra d : 7 ltJ C 3 c 6
advance before e6 drops) 14.. .fXe4 (in stead 14...ltJxe6 is i.. e 3 ltJd4 16 .1txd4 'iVxd4 17 exfs gxfs 18 ltJe2 'ii'e s 19 ltJf4, eyeing the e6- and g6-squares, gives White sufficient play on the light squares for the pawn) is .1te3 ltJg4 16 i.. x cs 'ii'x cs and %-% was I.Farago-S.Kindermann, Austrian League 1996. After 18 h 3 ltJf6 19 J:lael the white knight gets to e6 upon 19 .. :ii'xe6? 20 ltJcs 'iVf7 21 ltJe6, so Black would prefer a solid alternative like 19 ...:ae8, with equality. 9 fxe4 10 ltJgs ltJa6! •.•
The black knight heads for c7 in or der to cover the hole on e6 and put pressure on the ds-pawn . 11 ltJexe4 ltJxe4 12 ltJxe4 If 12 i.. x e4 the bl ack knight can go to c S : 12 ... ltJcS 13 i.. g 2 as or 13 .. .'iWb6, and Black has a queen side initiative. 12 ...ltJe7 13 .:1e1 exd s 14 exd s i..fS ! Black frees d7 for his queen . 15 'tWb3 'tWd7! 'The best an swer to a threat is to ig nore it: Bl ack refuses to be side-tracked from his methodical centralization by the attack on the b7-pawn .
16 ltJgS After 16 'tWxb7 l:ifb8 17 'tWc6 'tWxc6 18 dxc6 i.. x b2 19 l:r.bl i.. x cl 20 .l:.excl .:tb6 ! Black would try to prove that the pawn on c6 is a weakness. 16 ltJbs 17 ltJe6 ltJd4 18 ltJxd4 i.. x d4 19 i.. e 3 i..f6! It's important to avoid exchanging bishops as after 19 ... i.. x e3 20 'iVxe3 Black h as no queen side pressure to off set the structural weakness on e7. 20 i..f1 :fe8 21 i.. b s 'iVd8 22 i.. d 3 In stead the position looks fairly equal after, say, 22 J:lacl. The attempt by White to breakthrough along the b file leads to him overpressing - a com mon danger for both players in the Dutch . In his g ame above with Volo kitin, Kozul was the beneficiary, whereas here he becomes the victim of this psychological malaise. Here are the remaining moves, with the black pieces gradually taking con trol : 22 ... i..xd3 23 'ifxd3 �xb2 24 l:tab1 �e3 25 %lee1 i..f6 26 ::'xb7 ':'xe1+ 27 i..xe1 'iVe8 28 'iVb1 'iVc4 29 i..e 3 as 30 l:tbS a4 31 a3 'iW7 32 h4 hS 33 'iti>g2 Ile8 34 'iti>h2 'iVe2 3 5 l:tb4 l:tC4 36 lIb8 1:[c2 37 :ta8 i.. b2 38 l:[xa4 'ifd3 39 l:tf4+ 'iti>g7 40 'iti>h3 'iVxds 41 'tWe1 :e2 42 'iWf1 i..e 3 43 'iti>h2 l:[a2 H ere the g ame score finishes in my database with the laconic '0-1'. White is under pressure, but he can fight on with 44 a4 as 44 ... l:tal 4S 'iVg 2 is noth ing special for Black. Instead Black could keep up the pressure with, for example, 44 ... i.. e s. ..•
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Chapter Seven The Ma i n Li ne Le n i n g ra d : 7 ttJC3 ttJc6
1 d 4 f 5 2 g3 lDf6 3 .i.g2 g6 4 lDf3 .i.g7 5 0-0 0-0 6 c4 d6 7 lDC3 lDc6
advantages: more space and a badly pl aced enemy piece.
Bl ack develops his knight to its best square and intends to grab space with 8 ... es. Then he will have active pieces supporting a mobile centre - and what more can we ask from an opening ? For this reason the usual reply is 8 dS, to cripple the bl ack pawn s before 8 ... es can be played. After 8 ... lDas the bl ack knight is offside and vulnerable to attack. So White claim s to h ave two
Bl ack h as a different version of the tale. H e feel s he has provoked White into loosening his pawn centre with 8 dS, and th at after 8 ... lDaS ! the knight is by no mean s isolated and badly placed on as: it is at the forefront of Black's strategy of undermining the c4-pawn, which is a vital supporting pillar of the white centre. Both White and Bl ack are to some
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Th e M a i n L i n e L e n i n g ra d : 7 ttJ C3 ttJ c 6
extent right i n their assessment of 8 d S ttJas. I t is this ten sion between i deas that leads to a double-edged and excit ing struggle. Note that after 1 d4 f5 2 g3 ttJf6 3 i.g2 g 6 4 ttJf3 i.g7 5 0-0 0-0 6 c4 d6 the immediate 7 dS is comparatively rare. H owever, it is slightly annoying th at we can be deprived of our ... ttJc6 move in this cavalier fashion. I recommend th at you play 7 ... c6, tran sposing to the m ain line in Chapter Six after 8 ttJC3 i.d7. I 'm not sure how h appy th at makes a 7 ... ttJc6 player feel, but at least it's only one line of the 7 ... c6 variation you h ave to have ready!
and 8 b3, the move featured i n the Rad j abov-Ivanchuk g ame, below, deserve much attention . If 8 .tlbl Black can get a promising King's Indian style scenario with 8 ... e 5 9 d5 ttJe7.
Pa rt One: White Avoids 8 d S
H e will follow up with moves like ... h 7-h 6, ... g 6-g 5 and ... ttJg6, aiming for a direct attack within the pawn s. Against most other moves Black can play ... ttJe4 to put pressure on the d4pawn and clear the way for the space g aining ... e7-e5. For example: a) 8 i.f4 ttJe4, intendin g ... e7-e S . b ) 8 'iVb3 ttJe4, intending 9 . . .ttJxc3 and then 10 ... e S . c ) 8 ttJ d S ttJe4, intending t o evict the white knight with 9 ... e6. d) 8 i.g S ttJe4 9 ttJxe4 fxe4 10 ttJd2 ttJxd4 11 ttJxe4 i.f5 with equality. e) 8 liel ttJe4, blocking the e2-e4 advance. This brings us to White's trickiest al ternative, 8 'iVa !?, which prevents 8 ... ttJe4 and clears the way for .l:.dl to exploit the opening of the d-file: 8 e5 9 dxe5 dxe5 10 .l:.d1
One of the g ood things about 7 ... ttJc6 is that White is more or less compelled to play 8 d5 if he wants to try for an advantage, in contrast to 7 ... c6 and 7 ...'i!Ve8 against which White has the choice of some interesting side lines. So choosing 7 ... ttJc6 simplifies the amount of preparation you n eed to do. The lack of a decent altern ative al so makes things rather unpleasant for a player of White who dislikes in general the pawn structure after the advance d4-dS. There are various alternatives to 8 dS to con sider after 1 d4 fS 2 c4 ttJf6 3 ttJc3 d6 4 ttJf3 g 6 S g 3 i.g 7 6 i.g 2 0-0 7 0-0 ttJc6. However, only really 8 'iVc2 ! ?
...
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Play t h e D u t c h
tional queen sacrifice with i s .i.a3 ! .i.g 7 19 'ili'xfS+! .i.xfS 20 l:tdS 'it>g7 21 .1i.xfS+ �f6 2 2 .i.a3 when Black faces a very unpleasant defence indeed. So returning to 10 :dl, I think we should prefer lo .1i.d71 and then 11 .i.e3 e4. ...
Some strong pl ayers have tried 10 ... 'iIi'eS ? ! here, but after l 1 ltJds White has the edge.
Th at's because the only active move, 11 ... e4, seem s inadequate after 12 ltJxC7 'iff7 13 ltJxaS exf3 14 .i.xf3 .i.e6 15 b3 and now 15 ... l:txaS leaves White with a rook and two pawn s for two mi nor pieces. I assume this gives him the advantage after 16 .i.b2 - not th at it is an easy position to pl ay. In stead Black specul ated in V. Prokopisin- L.Seres, Hungarian League 1996, with l s ... ltJb4 16 'ii'd 2 ltJe4 17 'i!i'xb4 .i.xal and got a good g ame after is .i.h 6 ? .1i.g7 19 .i.xg 7 �xg 7, but White missed a posi-
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Now there are two interesting knight moves: a) After 12 ltJd4 ltJg4! Black has ex cellent play in the case of the queen sacrifice 13 ltJe6 ltJxe3 14 fxe3 .i.xe6! 1 5 ':xdS 1:axdS. H e h as a solid struc ture and a great bishop on g 7, whereas White's own bishop on g2 is entombed and the e3-pawn is horribly weak. So White should prefer 13 ltJxc6 ltJxe3 14 'ili'Cl (to avoid the doubled pawns) 14 ... 'ii'e S 15 'ii'x e3 .1i.xc6, although again Black h as a promising g ame due to his kingside space and powerful dark-squared bishop. b) More ch allenging is 12 ltJg s. Now in R. Kempin ski-A. Hnydiuk, Krynica 1995, Bl ack dealt with the threat of 13 ltJe6, winning the exch ange, with 12 ... 'ii'e S? only to lose the exch ange
Th e M a i n L i n e L e n i n g ra d : 7 ltJ C3 ltJ c 6
instead t o 13 i.cs ! . However, 1 2 . . .'ii'c 8 ! ? 13 ltJds lie8 looks safe enough for Black, as 14 'ii'd 2 can be met by 14 ... ltJes, defending d7 again and pl an ning l s ... c6 to oust the white knight. Fin ally there is 8 b3, which was tried in a game between two Super Grand masters. T.Radja bov-V.lva nch u k
Odessa (ra pid) 2008 1 d4 fs 2 c4 ltJf6 3 ltJc3 d6 4 ltJf3 g6 S g3 i.g7 6 .i.g2 0-0 7 0-0 ltJc6 S b3 This was a rapidp1ay g ame and, perhaps surprised by an opening varia tion he h ad never studied in detail, Radjabov decides to play solidly. This is a common -sense approach, but unfor tunately for him, it is when White tries to avoid a fight that the Dutch most often shows its teeth . S es
9 dxes dxes 10 i.a3 lieS With the plan of 11 ... e4. 11 e4 Black has no problem s after the simplifying 1 1 'ii'x d8 ':xd8 12 .l:tad1 ':xd1 13 ILxd1 e4, as in A.Mirzoev K.Movsziszian, Ba1 aguer 2005. Still, perhaps White should h ave used this as an escape route from an awkward po sition . 11 ... ltJd4 Making full use of the outpost square. 12 :e1 c6! A scenario well known to King's In dian players. White's knight won't en joy an outpost on ds to balance the black knight's possession of d4. 13 exfs i.xfs l
•••
Already Black is striving for the ini tiative by seizing space in the centre.
The correct recapture. Black's minor pieces are now excellently placed. 14 ltJh4? This is a serious mistake th at should lose at once, and failing th at is going to lose in the long term as the knight will get trapped on h4. But White was al ready in a bad way, since, for example,
143
Play t h e D u tc h
exchanging o n d 4 leads t o disaster: 14 liJxd4 exd4 l s 1:[xe8+ 'iVxe8 16 liJe2 (or 16 'ii'x d4 liJe4) 16 ... liJe4! when 17 liJxd4 loses a piece to 17 ... liJc3 18 'iVd2 �xd4 because of the fork on e2, and 17 g4 allows Black a deci sive attack with 17 ... liJxf2 ! 18 'it>xf2 'iVe3+ 19 'it>el d3 20 g xfs l:!.e8 2 1 ':'cl dxe2 when his threats include 22 ... 'iVg 1+. 14 �e2? He could win the exchange with 14 ... liJc2 15 liJxfS 'iVxd1! 16 llaxdl gxfS when White can't save both the rook on el and the bishop on a3. 15 We1 e4 16 �b2 �d3 17 .l:td1 'iVa s 18 Wd2 l:.ad8 Ivanchuk has achieved a superb centralization of his pieces. 19 ltae1 Wh S ..•
jabov. 20 ... gS Trappin g the knight. Because it is a rapidplay g ame, White permits him self to play on a long time in the hope of a swindle. 2 1 liJd s liJxd S 22 exd s gxh4 2 3 h 3 hxg3 24 fxg3 l:!.xd S 25 g4 'ii'g 6 26 l:te1 :ed8 27 'iVf2 ':f8 28 'iVd2 �h6 29 'ii' b4 �xe1 30 �xd4 �d2 31 'iVxd2 llxd4 32 'iVe3 .l:.d7 33 Wxa7 l:.df7 34 'iVe3 'ii'f6 3 5 b4 'iVf4 36 'iVes ':'g7 37 a4 Wf2 38 l:!.e3 �f1 39 ii.xe4 'it>h8 40 as �e4 41 �g2 �g8 42 'ii'e 3 'iVf6 43 We1 �d S 44 �xd S exd s 45 'it>gl l:tgf7 0-1 In how many openings would a player rated 2 7 3 5 be so summarily beaten as White because he played a bit too passively? Th at's the great thing about the Leningrad Dutch. It forces White into taking on the commitment of defendin g an extended pawn struc ture in the centre, whether this type of chess appeal s to him or not.
Part Two:
8 d s ltJa s 9 ii'd 3 It turns out th at despite the missed opportunity on move 14 Bl ack is win ning anyway because the knight on h4 can't escape. 20 'it>h1 In stead the hari-kari line 20 �h l g s 2 1 liJg 2 liJf3 m ate would b e highly amusing for everyone apart from Rad-
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1 d 4 f s 2 g 3 liJf6 3 �g2 g 6 4 liJf3 �g7 5 0-0 0-0 6 e4 d6 7 liJe3 liJe6 8 d s liJa s 9 'iVd3 (see following diagra m) White threatens to trap the black knight with 10 b4, so the usual reply is 9 ... cS, but Black might prefer to get m aximum value out of the pawn on fS with 9 ... e s ! ?
Th e M a i n L i n e L e n i n g ra d : 7 liJ C3 liJ c 6
the white queenside when w e played 8 ... liJas, with our pawns getting in volved in the battle. That h asn 't hap pened, and the black queenside pawn s are static. Furthermore, although the crampin g white pawn has gone from dS, White still has control of thi s key square, and given time he can try to establi sh a knight there.
V.Babula-M.Ba rtel
Prievidza 2009 1 d4 fS 2 g3 liJf6 3 .ig2 g6 4 liJf3 .ig7 5 0-0 0-0 6 c4 d6 7 liJC3 liJc6 8 d S liJa s 9 'it'd3 est? There is the immediate threat of a fork on e4. If now 10 e4 fxe4 1 1 liJxe4 liJxe4 12 'it'xe4 .ifs 13 'it'e2 (to defend c4) 13 ... .ig4 (threatening 14 ... 'ii'f 6) 14 'ii'e 4 .ixf3 (we could repeat with 14 ... .ifs which shows the whole line isn't ideal for White) 1 5 .ixf3 liJxC4 16 .ig4 liJb6 and White doesn 't have enough for the pawn . 10 dxe6 .ixe6 11 b3 liJc6 This is by no means an ignominious retreat. Bartel 's efforts h ave restored the knight to an excellent post from which it can't easily be driven again by a white pawn . It's no small matter to have all the black minor pieces well centralized. On the other hand, we might have wished to strike a telling blow again st
As thi s is the Dutch, Black should look to the pawn on fS to spearhead some king side counterplay. But first some patient manoeuvring is needed. 12 l:tb1 Instead 12 .ib2 liJe4! is an awkward pin : for example, 13 .l:tabl liJb4 when White has nothing better th an to agree to a repetition with 14 'it'e3 liJc2 1 5 'it'd3 liJb4, etc; o r 13 liJxe4 .ixb2 14 liJeg s .ic8 15 liadl .if6 when Black con solidates and then enjoys the bishop-pair. 12 h6 Black prevents liJg s, not only to maintain the bishop on e6 but also as preparation for putting his queen on f7. 13 .ia3 ..•
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Play t h e D u tc h
The solid move was 13 ..ib2, but Ba bula is dreaming of a crushing on slaught ag ain st the black queen side involving moves like c4-cS. 13 ...'iIi'e8 14 e3 'ikf7 15 tLld4 White continues with his plan of putting pressure on the queen side, but he has forgotten about the unique power of Black's advancing f-pawn in the Dutch . More circum spect was 1 5 .l:tbdl when the f4-square remains de fended by the e3-pawn . 1S ... tLlxd4 16 exd4 f41
black queen takes over the pin : 2 3 f3 (if 23 J:tfel fxg 3 24 fxg 3 'ilf2+ 25 'iith l :xe4 26 'ii'x e4 'ii'x a2 2 7 ..i c l 'iixb3 and Black is a pawn up) 23 .. .fxg 3 24 hxg3 l:[xe4 2 5 'iix e4 'ii'x e4 26 fxe4 ..ixd4+ 27 'iitg 2 l:txfl 2 8 'iit xfl 'iitf7, and White has a difficult endgame due to the weak e4-pawn and Black's king side pawn majority. 18 tLlh7 The knight uncovers an attack on d4 and prepares to spring forwards to g S . 19 ..ids In stead 19 l:r.adl tLlg s 20 'ifc6 ..ih 3 puts the white king in terrible danger, so Babul a return s the pawn to try to organize his pieces. 19 ..ixd4 20 'ili'e4 ..ixd s ..•
••.
Bartel seizes his chance to carry out the traditional Dutch pawn-ram . The way is cleared for ... ..ifs to skewer the white queen again st the TOok on bl, but Babula underestim ates this. 17 ..ixb7 This is the culmination of White's strategy: he win s a queenside pawn . Unfortunately for Babula, he h as mis judged the power of Black's initiative. 17 ... l:tab8 18 'ilf3 Alternatively, 18 ..ig2 ..ifs 19 tLle4 l:tbe8 20 .l:tbel tLlxe4 21 ..ixe4 ..ixe4 2 2 J:txe4 'ilfS ! is awkward for White, a s the
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2 1 'ii'x d4 He would prefer to eliminate the other bishop, but 21 tLlxds tLlg S ! 22 'ifd3 fxg 3 23 h xg 3 'ife6 ! , intending .. :iVh 3 and ... tLlf3+ is leth al . 21. . ...ic6 22 h4 'ii'fs 2 3 ..i b 2 tLlf6 24 Itbe1 'it'h3 0-1 White is m ated on g2 after 25 tLlds ..ixds 26 cxdS f3.
Th e M a i n L i n e L e n i n g ra d : 7 liJ c3 ttJ c 6
Your win s i n the Dutch won't al ways be as dramatic as that!
Pa rt Three: 8 d s ltJa s 9 'iVa4 D.lzquierdo-L. Trista n
Ma r del Plata 2009 1 d4 d6 2 liJf3 f5 3 g3 liJf6 4 ..tg2 g6 5 0-0 ..tg7 6 c4 0-0 7 liJC3 liJc6 8 d 5 liJa 5 9 'iVa4 A modern idea. By attacking the knight White wants to force Black to compromise his pawn structure. 9 c5 10 dxc6 liJxc6 ...
The best recapture. Experience has shown that Black has a h ard time of it after lo ... bxc6 11 C 5 1 . 11 l:td1 White's persists with the idea of giv ing Black a pawn weakness on d6 with 12 c5. 11 ... liJe41? This is the move Bl ack wants to play
- he responds to White's decentralizing queen move with a counterattack in the centre that gets full value out of 1 .. .f5 . However, we can't always play the moves we want, even in the Dutch - so can Black get away with it? The question is whether the result ing dynamism will compen sate for the weak pawn that appears on e4 and Black's generally reduced control of the lig ht squares. 12 liJxe4 In the next g ame the radical 1 2 liJg 5 ! ? is examined. 12 fxe4 13 liJg5 liJd4 Now the other black knight jumps into the centre. The e2-pawn is h ang ing and White really has little choice but to put his rook on d2 or el to de fend it, crucially vacating the square on dl for his queen. For example, 14 ..ttl ? i.d7 and White will lose at least the exchange after 1 5 'ifb4 or 1 5 'iVa3 to a fork on c2. 14 l:td2 ..tg4 .•.
And now the bishop joins in the at tack.
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Play t h e D u t c h
15 'ifd1 'ifb6 1 6 tiJxe4 A good time to recapture the pawn as the knight now rules out possible combination s from the black queen and rook on f8 against f2. For example, if 16 h 3 ? then 16 .. Jlxf2 ! ? is already on the cards, intending 17 �xf2 ? tiJxe2+ 18 �el Wg 1+ 19 .Jtfl Wxg 3 m ate, or 17 hxg4 tiJxe2+ 18 lIxe2 (if 18 �h 2 'ife3 , attackin g g 3 , when 19 tiJxe4? 'ii'h 6 is mate ! ) 18 .. Jlxe2+ 19 �h 2 'iWf2 and luckily for White he can bail out with 20 'ili'dS+ �h 8 21 tiJf7+ �g 8 22 tiJh 6+ �h 8, etc, with perpetual check.
16 l:.ac8 All the black pieces are superbly ac tive, and White won't be able to hol d o n t o the c4-pawn . So Black regains his pawn with a good g ame, right? Well, things aren 't th at easy. Black h as light square weaknesses along the a2-g8 diagonal, especially on dS. Moreover, the black bishop on g4 and the knight can be driven back with the moves h 2 h 3 and then e2-e3. So i f White m an ages to solve his strategic problems, the blocked-in bishop on Cl and the •..
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passive rook on al, h e may yet emerge with the better g ame. That is why accu racy is required of Black. 17 h 3
1 7 ... .Jte6! Covering dS. Instead after 17 ... .JtfS ? 18 tiJc3 ! in J.Parker-T.Rendle, British League 2008, the threat of 19 tiJds obliged Black to waste a move with 18 ... .Jte6 when 19 e3 tiJc6 20 tiJds was horrible for him. In a position where one player is trying to unravel his game, and the other to preserve the dynamism of his pieces, the loss of a single tempo often changes the assessment. 18 e3
Th e M a i n L i n e L e n i n g ra d : 7 ttJ C3 ttJ c 6
18 .lLlfS? The knight shoul d go to the queen side with lS ... ttJc6 ! when the b7-pawn is shielded. After 19 c5 (White can 't hol d on to his pawn, so he gives it up to weaken the bl ack centre) 19 ... dxC5 20 ttJg 5 �C4! 21 1i'a4 'ii'b 4! Black has rather the better of it due to his queen side pressure. 19 eS dxes 20 ttJgs h8 21 ttJxe6 1i'xe6 22 l:te2? White is understandably reluctant to grab a pawn with 22 �xb7! as it looks like Black might sacrifice a knight on e3 or g 3 . In fact both 22 ... ttJxe3 23 �xcS and 2 2 .. ttJxg 3 2 3 �xcS 'ii'x cs 24 fxg 3 1i'xh 3 2 5 l:tg 2 are entirely hopeless for Bl ack, so he would h ave to remain a pawn down after 2 2 ... l:tbS 2 3 �d5. 22 ...ttJd6 •.
Now Black is okay again and even gets some chances before a draw is eventually agreed. 23 �d2 ttJe4 24 �e1 hS 25 l:tae1 b6 26 'ii'd 3 ttJgs 27 h4 ttJf3+ 28 �xf3 lIxf3 29 b4 lIfS 30 1i'a 3 ':e7 3 1 'it'a6 'it'e4 32 a3 h7 33 'ii'e 4 1i'f3 34 l:.d2 gs 35 hxgs
];txgs 3 6 1i'd3+ 1:Ig6 3 7 1i'd s 'it'g4 3 8 l:te4 'ilfh3 39 'it'g2 'ii'e 6 40 l::t d S �h6 41 bxes bxes 42 ];texes l:txes 43 ':xes h4 44 'it'd s hxg3 45 1i'xe6 VI-VI In the following game White intro duced a sharp improvement on move 12. E.Gasanov-M.Zelic
E u ropea n Cha m pion s h i p, Rijeka 2010 1 ttJf3 fs 2 g3 ttJf6 3 �g2 d6 4 d4 g6 5 0-0 �g7 6 e4 0-0 7 ttJe3 ttJe6 8 d s ttJas 9 'it'a4 eS 10 dxe6 ttJxe6 11 l:td1 ttJe4 12 ttJgs l ?
Rather than 12 ttJxe4, White offers a g ambit ... 12 ttJxe3? ... and Black takes the bait. He win s a pawn, but ends up in an unpleasant bind. More in the spirit of the Dutch i s 12 . . .ttJC5 ! 1 3 'it'C2 (13 'iVa3 ttJd4 threat ens a fork on (2) 13 ... h6 14 �e3 (other..•
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Play t h e D u tc h
wise, 1 4 ttJh 3 g 5 ! shuts out the knight, while 14 ttJf3 ttJb4 - or even 14 ... g 5 ! ? 1 5 'iid 2 'iib 6! gives Black splendid chances; the immediate threat is 16 ... ttJe4 to exploit a potential attack on f2 by the black queen) 14 ... hxg 5 (14 ... 'iVa5 ! ? al so looks fine) 1 5 JLxC5 JLe6 and Black is at least okay th anks to his activity. 13 bxc3 JLxc3 14 .l:tbl 'iVa s is JLd S+ 'ii'g 7 16 JLxc6 bxc6 17 'iix c6 f4
The only way to defend the cornered TOok on a8 is by pl aying 17 ... JLa6, but then the white knight jumps into e6. Zelic therefore tries to mix things up with an exch ange sacrifice, but his po sition soon falls apart in any case: 18 'iVxa8 'ili'xgs 19 JLxf4 :xf4 20 'iix c8 JLd4 21 :fl Ite4 22 l::r. b 8 'ii' h 6 23 'ii h 3+ 'ii' g 7 24 'iic 8 'ii' h 6 2 S e3 ':xe3 26 'iVh3+ Refuting the desperate rook offer. If in stead 26 fxe 3 ? ? 'iix e3+ 2 7 'ii' g 2 'iie 2+ 2 8 'ii'h 3 'ii'xfl+ and only Black can win . 26. . .'ii' g 7 27 fxe3 'iix e3+ 28 'ii' h l l-0 N ovelties such as 12 ttJg 5 ! ? often do well when they are first introduced, but
1 50
the move shouldn 't trouble a well prepared Dutch player.
Pa rt Fou r: 8 d s liJa s 9 liJd2 1 d4 fS 2 g3 ttJf6 3 JLg2 g6 4 ttJf3 JLg7 S 0-0 0-0 6 c4 d6 7 ttJC3 ttJc6 8 d S ttJa s 9 ttJd2
This is the traditional way for White to counter the threat to the c4-pawn . Indeed, over the years it h as amassed a fair bit of theory which is summ arized below. Note th at the move order 9 'iic 2 c5 (in stead 9 . . ttJxC4 run s into 10 ttJb5 which is slightly awkward) 10 ttJd2 e 5 ! 11 dxe6 JLxe6 allows Bl ack t o reach the 9 ttJd2 c5 10 'iVa e 5 11 dxe6 JLxe6 lines given below, which seem favourable for him. An important altern ative is 9 b3 ! ? This looks like a blunder, but i n fact things are by no mean s easy for Bl ack after 9 ... ttJe4 10 ttJxe4 JLxal ll ttJeg 5 c5 (definitely bad is 1 1...JLg 7 ? 12 ttJd4 .
Th e M a i n L i n e L e n i n g ra d : 7 tiJ c 3 tiJ c 6
when Black has the ghastly choice of lettin g a knight into e6 or giving up his dark-squared bishop with 1 2 ... i.xd4) 1 2 e 4 i.g7 13 tiJh4 with a n enduring ini tiative for White and no counterplay for Black - the knight on as looks awful when it isn 't the centre of attention, and here a11 the action i s on the king side. In stead after 9 b3, 9 ... cS tries to take play into familiar territory, but 10 i.d2 ! ? is tricky. The slow 10 ... 'iii>h 8 turned out badly in l . Lutsko-D.Trifonov, Minsk 2005, after 11 e4 fxe4 12 tiJg S. Because the g s-square is so important for the white knight on its journey to wards the hole on e6, perh aps 10 ... h 6 ! ? should b e played t o keep i t out.
The move 10 i.d2 prevents the natural tiJd2 to support an e2-e4 break through, so the knight on f3 is quite hemmed in - a bit like the knight on as, in fact. After 10 ... h6 pl ay might con tinue 1 1 'iVc2 g s (directed against White's plan of 12 tiJh4 and 13 e4) 12 e4 fxe4 13 tiJxe4 ii.fs 14 tiJxf6+ l:txf6 1 5 'iVc3 b 6 with unclear play. The open f-
file and advanced pawns give Black some dynamic compen sation for h av ing the knight still out of play on as. 9 c5 Now we sha11 look at 10 a3 in the Quena11 ata-Rodriguez g ame th at fol lows. I think that i s a better way for White to play than 10 'iVc2 which encourages Black to begin counterplay in the cen tre with 10 ... e S ! . ...
Then : a) If White settles for 1 1 a3 then af ter 11 ... b6 1 2 b4 tiJb7 Black has a com pact pawn centre and a solid queen side. Now the g ame E. Brondum M.Gurevich, Copenhagen 2001, was highly curious: 13 :bl i.d7 14 tiJbS ? (White begins an extraordin ary ma noeuvre of the knight to a6) 14 ... 'ii'e 7 1 5 tiJC7 l'1ac8 16 tiJa6 e4 (Black seizes more space and then prepares a king side attack) 17 Vh3 tiJg4 18 e3 hS! 19 bxcS dxcS (White has no way through on the queen side; his knight is a truly pathetic piece on a6) 20 i.b2 i.xb2 2 1 'ili'xb2 h4 22 :fdl h x g 3 2 3 hxg 3 i.a4 24
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Play t h e D u tch
l:[el Vh 7 2 5 lDfl lDd6 26 'ii'a 2 �e8 0-1. The g ame ends abruptly as 26 .. :ifb7 will pick up the ridiculous knight. b) 11 dxe6 �xe6 and now: bl) 12 b3 dS ! 1 3 cxdS lDxdS 14 �b2 lDb4 15 'ii'C l :c8 gives Black a free posi tion. b2) However, 12 :dl is worse, al lowing Black to build up a decisive at tack in surprisingly quick fashion: 12 ... 'ii'e 7! (defending b7 so that c4 is now hanging)
1 3 b3 lDc6 14 �b2 (White doesn't have time for 14 e3, as then 14 ... lDb4 1 5 'ifbl f4! gives Black a tremendous ini tiative: for example, 16 gxf4 �fS 17 e4 lDh S 18 exfs �xc3 with ideas of ... �xal and ... lDxf4) 14 ...lDd4 1 5 'ii'd 3 f4! 16 g xf4 �fS 17 e4 �e6. Now the f4-pawn is going to drop and White's position soon fell apart in D.Berkovich B.Annakov, Ufa 199 3 : 18 �f3 lDd7 19 e S l:txf4 20 exd6 'iVg S+ 2 1 �g2 lD e s 22 'iVtl :taf8 2 3 lDce4 l:[xe4 24 lDxe4 lDef3+ 25 �h l Vh4 26 h3 'iVxe4 0-1. Finally, 10 :bl e S 11 dxe6 �xe6 1 2 lD d S lDxdS 1 3 cxdS � d 7 14 b 4 cxb4 1 5
1 52
':xb4 bS turned out well for Black in A.Truskavetsky-S.Kovalov, Sevastopol 2000, as he man aged to utilize his queen side pawn majority after 16 �b2 �xb2 17 l:txb2 'iff6 18 :bl l:[ac8 19 lDb3 lDxb3 20 axb3 as, etc. L.Quenal iata-A.Rodriguez Vi la
Buenos Ai res 2009 1 d4 f5 2 g3 lDf6 3 �g2 g6 4 lDf3 �g7 5 0-0 0-0 6 C4 d6 7 lDC3 lDc6 8 d 5 lDa 5 9 lDd2 c5 10 a 3 �d71
Black can afford to ignore the 'threat' of 1 1 b4? as he regains the piece with advantage after 11 ... cxb4 12 axb4 lDxC4! 13 lDxc4 'iVC7 14 'iVb3 l:[fc8 etc. On the other han d, Black has been prevented from playing a line with the pawn advance ... e7-e S : he must con centrate for the time being on the n ar row front of the queen side. 11 'ii'C 2 'ii'C 7 Once again indirectly meeting the threat of 1 2 b4, which would again per mit 12 ... cxb4 13 axb4 lDxc4.
Th e M a i n L i n e L e n i n g ra d : 7 tD c 3 tD c 6
1 2 b3 a 6 Beginning a pawn advance t o put more pressure on c4. 13 �b2 b5 14 e4 Ambitious. After the regrouping 14 tiJdl bS 15 �c3, as played by the great Botvinnik versus Matulovic at Belgrade 1970, Black gets sufficient counterplay with l S ... bxC4 16 bxc4 :tb7 ! (better th an Matulovic's 16 ... tiJg4). For exam ple, 17 ':bl l:tfb8 18 ':xb7 ':xb7 19 tiJb2 'iVb8 20 e3 tiJb3 2 1 tiJf3 tiJe4 2 2 �xg 7 �xg 7 2 3 tiJd3, as in E.Magerramov Mi.Tseitlin, Balatonbereny 1989, and here Tseitlin has recommended 2 3 ... aS. 14...':ab8 15 lIab1 bXc4 16 bXc4 tiJg4
Rodriguez plan s to advance .. .fS-f4 and turn the es-square into a strong central post for his knight. 17 tiJd1 �xb2?! In stead 17 ... �d4 ! ? was an interest ing possibility. Then 18 �xd4 cxd4 would expose the c4-pawn to attack, but otherwise Black is poised to ad vance with 18 .. .f4. 18 ':xb2 f4 19 llxb8 'iWxb8 20 'iWC3 'iWd8 2 1 f3 tiJe5 22 tiJf2 Black stands well on the king side, but the knight on as is a liability. 22 e6? Now White is able to break the blockade on f4. I would suggest 22 ... 'iWC7 2 3 l:.bl g s to reinforce the dark squares and ensure th at the knight gets to stay on e S . 23 gxf4 ':'xf4 24 tiJh3! .l:.f8 2 5 f4 ••.
The knight is driven back and the white centre starts to roll forwards. 25 ...tiJg4 26 e5 dxe5 27 fxe5 Positionally Rodriguez is busted, but let's not forget this is the Dutch . There are always going to be tactical re sources for Black, and similarly plenty
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Play t h e D u tc h
o f opportunities for White t o make a tactical oversight.
27 .. J:txf1+ 28 iLxf1 exd5 29 cxd 5 c4 30 lLlxC4? Here it is - the Dutch has done its job and confused White. Correct was 30 e6! when after 30 ... iLb S 31 lLle4 or 30 ... 'ifb6+ 31 �h 1 Black is in deep peril.
1 54
30 ... lLlxC4
31 iLxC4? He h ad to try 31 'it'xC4, though Black is better after 3 1 .. :iVb6+ and 32 ... lLlxe s . 3 1 :iVb6+ 3 2 � h 1 'ili'b1+ 3 3 �g2 'iWe4+ 34 �g3 lLle3 35 e6 'ii'g4+ 0-1 The white queen is lost to a fork on d1. .•
Chapter E i ght The D utch ve rs u s
1
tt:Jf3 a n d
1
c4
In this ch apter we'll examine a series of variation s in which White avoids an early d2-d4, or at least delays it for a long time. Chiefly we'll be looking at lines after 1 llJf3 fS and 1 c4 fS, al though 1 b3 fS also gets a mention at the end.
Pa rt One:
1
tbf3 fS
After 1 llJf3 fS White doesn't have to advance with d2-d4 or c2-c4, but might prefer a rapid e2-e4; a dangerous ad vance which Bl ack must be prepared for. The Lisitsyn G a m bit
1 llJf3 fs 2 e4 fxe4 3 llJgs This is the Lisitsyn Gambit. White hopes for an early attack again st the black king .
3 eS! The simplest reply. Interesting is 3 ... dS 4 d3 'ii'd 6, but the following variation discourages me from giving it a go: 5 llJC3 exd3 6 iLxd3 llJf6 7 llJbs 'ii'b 6 8 i.f4 llJa6 9 'ii'e 2 i.g4 10 f3 i.d7 11 0-0-0 an d White had a massive ini tiative for the pawn in M. Kazhgaleyev P.Nikolic, Kerner 2007. Black actually won this game - the final move was 43 ... 'ii'a 1 mate - but it looks too risky even for th e Dutch . •••
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Play th e D u tc h
4 d3 e3! Black gives up the pawn on e3 so th at White is unable to develop an ini tiative after 4 ... exd3 5 .i.xd3 when s ... lLlf6? 6 .i.xh 7 ! lLlxh 7 ? ! 7 'ifh s+ is al ready a decisive attack. 5 .i.xe3 1L1c6!?
to grind out the win on move 50 in O.Husser-V. Bron znik, Bad Worishofen 2008. The Delayed Lisitsyn: 2 d 3 ! ?
1 1L1f3 f 5 2 d3!7 In recent years White h as devised a two-part plan to refute the Dutch . First of all, he prepares the pawn thrust e2e4, in order to liquidate Bl ack's bastion on fs . Thereafter he will follow up with d3-d4, to free the bishop on f1 and gain the initiative in the centre. This system is surprisingly poisonous. The main line is 2 ... d6 3 e4 e s 4 lLlc3 when White will exch ange on fs and break with d3-d4, but I prefer 2 g617. ..•
Or s ....i.e7 at once, but Black doesn't need to do the knight on g s the favour of driving it back to f3 . Indeed, if now 6 lLlf3 anyway Black can come up with a more useful move like 6 ... 1L1f6, and reserve the chance to pl ay ... .i.b4 or some other active bishop move. White's op tion s don 't seem as good as after s ... .i.e7 6 lLlf3 lLlc6 7 d4. The fianchetto on g 2 he now chooses is far from in spiring. 6 g3 .i.e7 7 .i.g2 1L1f6 S lLle4 d 5 g lLlxf6+ .i.xf6 Annoyingly for White, he can't cen tralize his knight as after 10 lLlC3 d4 or 10 lLld2 d4 he loses a piece. 10 c3 d4 11 .i.d2 dXc3 12 .i.xC3 0-0 13 0-0 .i.e6 14 .i.e4 'ii'd 7 15 lLlu l:tadS 16 lLlc2 .i.h3 Black h ad a good g ame and went on
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If we can get away with this then we keep the position in the style of the Leningrad Dutch . Note th at the statistics on 2 ... g 6 on your database may well be rather mis leading. They certainly are on mine, where the players of Black have been over a hundred Elo points on average weaker. Taking th at into account,
Th e D u tc h Ve rs u s 1 ttJ/3 a n d 1 c4
Black's results h ave been pretty good. We'll look at three alternatives for White after the critical line 1 ttJf3 fS 2 d3 g 6 3 e4 d6 4 exfs �xfS S d4 �g 7 : 6 �d3, 6 c3 and 6 ttJC3. But first of all let's check out 1 ttJf3 fS 2 d3 g 6 3 h4. It would be strange if this sharp gambit line were g ood for White when his bishop is shut in by the pawn on d3. After 3 ... ttJf6 4 e4 e6 ! ? Black is solid enough, or 4 h S ttJxh S S l:r.xh S (S e4 e6) s ... g xh S 6 e4 e6 7 exfs 'ii'f6 and White doesn't have enough for the ex change. So my advice is: if White pushes the pawn to h S, take it with the knight. Onwards now to the main line!
e6-square. Of course Leningrad players are used to enduring a hole in the pawn structure on e6, but here it is pronounced as White has already opened the e-file. That m akes the e7pawn a backward pawn on an open file. On the other hand, Black achieves a freer and faster development of his pieces than in the m ain line Leningrad. In the present g ame, Bartel has every single piece centralized and ready for action by move twelve. How often are Black's rooks so easily developed?
L.Schandorff- M.Bartel
E u ropea n Tea m Cha m pion s h i p. Novi Sad 2009 1 ttJf3 f5 2 d 3 g6 3 e4 d6 This is played rather than 3 ... �g7 in order to recapture on fS with the bi shop. 4 exf5 �xf5 5 d4 To free his bishop and take some space in the centre. The position is similar to Balogh's Defence: 1 d4 d6 2 e4 fS . Th at isn't especially highly re g arded, but crucially in the Dutch ver sion Black has achieved the 2 ... g6 move 'for free' as White played d4 in two goes. 5 �g7 6 �d 3 1 The exchange of light-squared bi sh ops increases the weakness of Black's •••
And we shouldn't forget th at Black also h as the half-open f-file for poten tial counterplay. Furthermore, the black queen finds an active post on fS . 6 .. Ji'd7 1 A good move: the black queen will reach an active square and a defender is added to e6. In contrast, 6 ... �xd3 7 'ii'x d3 would activate the white queen, when already ideas of ttJg s, heading for e6, combined with 'ii'b 3 or 'ii'e 2 would be in the air. 7 0-0 ttJf6 8 �xf5 1fxf5 9 c4 If 9 ttJC3 then 9 ... ttJdS 10 ttJxdS 'ii'x ds
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Play t h e D u tc h
looks okay for Black. In stead 9 �el looks critical. After 9 ... ttJc6 10 ttJC3 the 10 ... ttJdS idea again looks fine after 11 ttJxdS �xdS 12 c3 0-0, so White should play 10 c4, when Black might block the d4-dS advance with 10 ... dS.
I think Black i s again okay here. For example: a) 1 1 ttJc3 dxc4 12 d S ? ! l:td8 is good for Black. b) 11 ttJes 0-0 12 ttJxc6 bxc6 when the greedy 13 l::tx e7? could lose in spec tacul ar style to 13 ... ttJg4 14 f3 l1ae 8 ! l S l:txe8 lhe8 16 fxg4 i.. x d4+! 17 �h l (or 17 "*"xd4 .l:!.el mate) 17 ... 'iif2 18 i.. d 2 �e2, and there's no good way to pre vent m ate on g 2 . So White shoul d make d o with 13 ttJ a 3 J:tae8 o r 1 3 ttJC3 when safe is 13 ... .l::!. a e8, but I rather like 13 ... dxC4 ! ? for Black. His pawn s are a wreck, but he has an extra one and d4 is al so a target. So the conclusion seem s to be that Black h as enough dy namic play after 9 .l::!. e l. 9 ...0-0 10 ttJC3 ttJbd7 11 i.. e 3 c6 12 "*"e2 .l:!.aeS 13 z:radl d s !
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Stoppin g White from advancing with 14 dS. As in his g ame with Gerber, below, Bartel gets a grip on the light squares in the centre by advancing ...d6-dS and then ... e7-e6. 14 h 3 dXc4 15 'iixC4+ ttJd S 16 "*"b3 ttJ7b6 17 a4 'it>hS! Black now h as a good and active po sition thanks to his well-entrenched central pieces. White's attempt to cause problem s on the queenside will backfire. lS l::tfel Black is better after 18 as ttJxC3 19 bxc3 iVxas 20 l:tal iNdS ! lS ... e6 19 as?
Th e D u tc h Ve rs u s 1 ttJj3 a n d 1 c4
H e should h ave given up on this idea. 19 ... ttJxe3 20 %:txe3 After 20 fxe3 'i!i'xas 2 1 %:tal 1i'h s 22 ':xa7 ':xf3 ! Black g ets a dangerous at tack for the exch ange. 20...'i!i'xa 5 2 1 l:txe6 :xe6 22 'i'xe6 'iWf51 White's pawn structure has deterio rated even further. H e could exch ange queens and try to defend a bad end g ame. Instead he tries for activity, comes under an attack and finally has to play an endgame after all a pawn down . The remaining moves were: 2 3 'i'e7 'i!i'f7 24 l:te1 'iii> g 8 2 5 'i'e2 ttJd 5 26 ttJg5 'i¥f5 27 ttJf3 ttJf4 28 'i¥C4+ 'iii> h 8 29 l:te3 .i.h6 30 l:te5 ttJxh3+ 3 1 'iii>f1 'i'C2 32 'iWe2 'ii'c 1+ 33 'i¥e1 'iWxe1+ 34 l:[xe1 ttJg5 35 ttJe5 .i.g7 36 d5 cxd 5 37 ttJxd 5 �U5 3 8 f4 .i.xe5 39 g4 l:txf4+ 40 ttJxf4 .i.xf4 41 l:.e7 .i.d6 42 l:[xb7 .i.C5 43 'iii> g 2 h6 44 llc7 .i.b6 45 lld7 'iii> g 8 46 :e7 'it>f8 47 l:[b7 ttJf7 48 'iii> g 3 'iii> g 7 49 'iii>f4 ..t>f6 50 .l:.d7 'it>e6 51 11d1 .i.C7+ 52 'iii> e4 ttJg5+ 5 3 'ifile3 'iii> e 5 54 .l:. h 1 .i.b6+ 5 5 'iii>e 2 ttJf7 5 6 l:[f1 'iii> e 6 57 .l:!. h 1 'iii>f6 58 l:tf1+ 'iii> g 7 5 9 ':f4 ttJe5 6 0 'it> d 2 g5 61 .ll e4 'iii>f6 62 'iii> e 2 'iii> e 6 63 l:ta4 'iii> d 5 0-1 B.Jacobsen-B.Ch ristensen
Da n i s h C h a m pion s h i p, Si l keborg 2009 1 ttJf3 f5 2 d 3 g6 3 e4 d6 4 exf5 .i.xf5 5 d4 .i.g7 6 c3 White avoids exchanging bishops with 6 .i.d3 . It leads to a sh arp fight as
Black's n atural developing moves re quire him to offer a pawn sacrifice. 6 ... ttJf6 7 ttJbd2 0-01 8 'i'b3+
Winning the b7-pawn . 8 ... 'iii> h 8 9 'i'xb7 ttJbd7 10 .i.e2 e5 Black h as plenty of compen sation the white queen is on an awkward square and the knight on f3 is going to be pushed back by ... eS-e4 . 11 0-0 Or 11 dxes ttJcS 12 'i¥b s (not 12 'i'c6? .i.d7, trapping the queen) 12 ... a6 13 'i'C4 ttJg4! 14 exd6 'i'xd6 15 0-0 litae8. White is two pawn s up, but his position is very shaky. The black queen is poised to deliver mate on h2 if the knight can be removed from f3 . If now 16 h3 ttJe5 17 ttJxes 'i'xe s, the bishop on e2 is in trouble because of 18 .i.f3 .i.d3. In fact there are so many attacking moves available to Bl ack - ... ttJe4, ... .i.e6, and even ... .i.d7 with ideas of ... .i.b 5 - that it is difficult to see how White can escape. 11 e4 12 ttJe1 ttJb6 13 'iWa6 ttJfd 5 Threatening 14 ... ttJf4. .••
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Play t h e D u tch
8 ... e6 9 'iVd2 d S I
14 tDC4 cS Alternatively Black could try for a king side attack with 14 .. :ii'h 4. But Christensen adopts a positional ap proach - increasing his pressure on the white centre. In his confusion J acobsen lets his queen be trapped. 1S tDc2 cxd4 16 tDxd4 .ixd4 17 cxd4 tDb4 18 'iib 7 g8 19 .id2? 1:Z.f7 20 'iVxf7+ xf7 21 .ixb4 tDxC4 22 .ixc4+ .ie6 23 dS .ifs 24 .id2 hS 2S .ie3 'iff6 26 b3 gs 2 7 1:Z.ac1 g6 28 1:Z.c2 a s 29 .ibs h4 30 h 3 g4 3 1 hxg4 .ixg4 0-1 R.Gerber-M.Bartel
I l les Medes 2007 1 tDf3 fs 2 d3 d6 3 e4 g6 4 exfS .ixfs S d4 .ig7 6 tDc3 tDf6 7 .igs 0-0 8 .ic4+? White h as played a lot of active looking moves, but in reality they don 't do anything to h arm the black position. On the contrary, Bartel i s delighted that with 8 .i C4+ White is positively en couraging him to tran sfer his pawn s to e6 and ds.
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H aving the pawn s o n dS and e 6 mean s th at Black h as more space be hind them for his pieces. Furthermore, his c6-knight and g7-bishop are more adept at covering the hole on eS th an a hole on e6. This mean s that the freeing move ... e6-es is more likely to occur. 10 .id3 .ixd3 11 'ii'x d3 tDc6 12 0-0-0 'ii'd 7 13 l:the1 l:[ae8 Once again it can be observed how fluent Black's development is in the 2 . . . g 6 variation. Both his rooks are al ready well centralized. 14 'ifbS? The same faulty strategy as at move eight. This time White uses his queen to cajole the black pawn s to advance which i s exactly what suits Black's strategy. 14 ...'ifc8 1S b1 a6 16 'ii'e 2 bS 17 a 3 tDd7 It seems like the knight i s headin g for a n attacking square o n c4. H owever, Bartel doesn't want a battle between wing attacks. First of all he is going to keep the knight on b6 to support the
Th e D u tch Vers u s 1 lDf3 a n d 1 c4
d5-pawn so that the central break ... e6e 5 becomes possible. Only then will the knight con sider going to the c4-square.
18 h4 lDb6 19 i.e3 e s l Finally i t i s time for the central breakthroug h . 20 lDxes lDxes 21 dxes l:txes 22 f4 .:tee8 2 3 'ii'd 2 cSI Now Black comes steamrollering through the centre, as 24 lDxdS lDc4 25 "iVf2 lDxb2 i s horrible for White. 24 i.f2 d4 2 s lDe4 'ifc6 26 lDgs lDC4
Fin ally the knight reaches c4. 27 "iVd3 "iVxg2 28 l:te2 lDxb21 0-1 Too nasty to contemplate is 29 �xb2 l:txe2 30 'ii'x e2 ? ! d3+.
Part Two:
The Anglo-Dutch 1 c4 fS If you decide to play the Dutch ag ainst everything, you will face the English quite often . If White wishes to push his d-pawn no further than d3, he usually fianchettoes on the king side and then sets up with e2-e4 and lDge2, e2-e3 and lDge2, or just lDf3 . Before we come to those sen sible approaches, we must con sider an unusual g ambit: 2 lDC3 lDf6 3 e4 Note that another route to this posi tion i s 2 e4 fxe4 3 lDc3 lDf6.
H ere White can try 4 d3, but the simpl e 4 ... e 5 seem s fine for Black. For exampl e, 5 g4 h6 (to stop the knight being driven from f6) 6 g5 hxg 5 7 i.xg 5 i.b4 8 i.g 2 0-0 9 i.xe4 "iVe8 10 i.g 2 c6 l1 lDge2 d6 12 lDg 3 i.g4 13 "iVd2 lDbd7 14 0-0 lDh 5 and Black was better due to his more compact pawn structure in A. Danilovic-V. Podinic, Belgrade 2008.
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Play t h e D u tch
However, this is only half the story. If White plays 4 g4! 7 then the move 4 ... h6 is less attractive as White can play S i.g 2.
For example, S h4 dS 6 g s lLlh S 7 cxdS iLg7 8 'ii'a4+ c6 9 i.g2 0-0 when White's g ame was something of a mess in J.Mellado Trivino-S. Del Rio Angelis, Zamora 1996. Or S d3 dS ! 6 gs d4 7 gxf6 dxc3 8 f7+ �xf7 9 bxc3 exd3 10 i.xd3 i.g7 with a clear advantage to Bl ack. The Botvin n i k System D.Laylo-F .Nijboer
Tu ri n Olym piad 2006 Here is a gamelet that shows the danger of this variation if Black is care less: S ... eS 6 h4 i.e7? (essential was 6 ... dS ! , involving the bishop on c8 in the g ame so that 7 ... hxg s 8 hxg s lLlg4 be comes a possible an swer to White's next move) 7 gS hxg s 8 hxg s ':xh l 9 i.xh l lLlg8 10 'iVh S+ �8 1 1 i.xe4 c6 12 'iVf3+ 1-0 J.Mellado Trivino-F.Vallejo Pon s, Oropesa del Mar 1996. So against 4 g4 I would recommend 4 ... g6.
1 c4 f5 2 lLlC3 lLlf6 3 g3 g6 4 i.g2 i.g7 5 d3
The features o f the Botvinnik Sys tem begin to take shape. White aim s to establish a pawn on e4. He has delayed developing the knight from gl as he wants to put it on e2 rather than f3 . Black is allowed to develop all his pieces and get a foothold on the centre himself. Nonetheless, I can't say I enjoy playing against this rock-solid opening system all that much . Probably it is be-
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Th e D u tc h Ve rs u s 1 tDf3 a n d 1 c4
cause Black needs to show more pa tience and restraint than in the usual Dutch variation s. There are no ready targets for the black pieces, although of course there are no targets for White either. 5 0-0 6 e4 fxe4 This move is considered to be pre mature, but Black also h as a particular opening scheme in mind. He wants to stabilize the centre at once so that he can put a triangle of pawns on d6, e s a n d cs. I like thi s method as it gives Black a clear guiding path against a rather confusing opening scheme. 7 dxe4 d6 8 tDge2 c5 •.•
Black has delayed developing the knight on b8 until he could m ake this pawn move. 9 0-0 tDc6 10 h 3 A restraining move typical o f the line as a whole. In stead 10 f4 .te6 1 1 b3 'it'd7 followed by 1 2 ... .i.h 3 allows Black to carry out a favourable exch ange of bishops. 10 ... e5 This creates a hole on the ds-square
- but I guess we aren't too worried, as Black usually has at least one glaring structural weakness in the Dutch . And for once there i s al so a hole in the white pawn structure. The twin pillars of Black's pawn structure create a fine outpost on d4 for the black knight. Of course, a brilliant strategic player such as World Champion Botvinnik would h ave noticed if Black could get a great position simply by plonking a knight on d4. Then the opening system would certainly never have been adopted by him and bear his n ame. 11 f4! White needs the help of his pawn s to make a dent on the bl ack position. After 1 1 .i.g s Black can develop with 1 1 ... .i.e6, 12 ... 'iVd7, and play ... tDd4 whenever he pleases. 11 ....i.e6!
A very in structive moment, which shows that the natural move is not al ways the best one. After 1 1 ...tDd4 White can make an excellent pawn sacrifice with 12 fs ! gxfS (otherwise 13 g4, etc, i s position-
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Play th e D u tc h
ally crushing) 13 exfs lLlxfS 14 'ii'd 3 ! lLld4 1 5 .i.g s .i.e6 16 lLle4 ':c8 17 lLl2C3 and Black was in a terrible bind due to the pin on f6 in B. Damljanovic S. Kindermann, H alkidiki 2002. It is White who is getting by far the most benefit from the central situation as his knight on e4 supports the action along the f-file. The black knight looks pretty on d4, but what exactly is it doing ? The f4-fS move h as al so opened up the diagonal for White's bishop on g 2 , which Black was careful to block in the opening with 6 .. .fxe4. In other words, Black's opening strategy h as ended in fiasco. That is why 11 ... .i.e6 ! should be played. The pawn on c4 is hanging, so Black win s time to take measures again st the f4-fS advance. 12 b3 'ilt'd7 1
Continuing the fight ag ain st f4-fS. The pawn on h3 i s now hanging . N ow after 13 �h 2 Black could either play 1 3 ... lLld4, as the sting h as been take out of the f4-fS advance, or spend one m ove on preparation with 13 ... 1:Iae8.
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White therefore tries another plan . 13 g4 exf41 It is essential not to allow White a pawn wedge with 14 fS. 14 .i.xf4 lLles So after all the talk about ...lLld4 the knight ends up on the es-square. But let's not forget that the e s-square only became accessible to the knight be cause White wanted to take some ac tion before ... lLld4 was played. Black's strategy has won his knight a fine cen tral post. 1 s .i.xes Alas the knight didn't enjoy itself on eS for lon g . Still, the fact that White couldn 't find anything better th an to give up the important dark-squared bishop shows that Black h as at least equalized. 1s ... dxes 16 'ii'xd7 lLlxd7 17 l:tad1 1:Ixf1+ 18 .i.xf1 11c8
The most active square for the rook, whence it m ay be able to attack the white queen side after ... 1:Ic6. It is also available for the defence of the second rank.
Th e D u t c h Ve rs u s 1 tDf3 a n d 1 c4
19 JLg2 JLf6 Next the bishop is brought around to d8, a more active post than g 7 as it can then take part in the queenside action . 20 tDd 5 JLd8 21 tDee3 a6 Keeping the white knight out of bS. White is now confronted with a prob lem that was discussed in Chapter Four - he h as two knights, but only one great square for them on dS. 22 JLfl �g7 2 3 �g2 tDf8 As the next step in improving the layout of the black pieces, the knight is brought to e6, where it is in contact with the celebrated outpost on d4. 24 a3 JLf7 25 b4 tDe6 26 .:1bl JLe8 27 �g3 h 5
Finally some aggressive action be gins. Nijboer has got exactly what he was hoping for: a strong but consid erably lower-rated player h as played a solid opening as White, and he has man aged to m ake it into a double edged fight. He eventually man ages to grind down his opponent - but the game
l asts until move 1 14! For those of you with stamina, here is the remainder: 28 gxh5 gxh5 29 b5 tDd4 30 h4 axb5 31 exb5 l:ta8 32 a4 JLa5 33 ltb2 JLg6 34 :f2 tDe6 3 5 :tf3 tDf4 36 tDe7 JLf7 37 tDf5+ �6 38 tDd6 b6 39 tDxf7 JLxe3 40 ':'xe3 �xf7 41 l:ta3 �e7 42 JLe4 �d6 43 l:ta2 �e7 44 �3 :d8 45 as bxa5 46 lIxa 5 l:td4 47 JLfl l:r.dl 48 �2 lld4 49 .l:.a6 lIxe4 50 l:te6+ �d7 51 l:txe5 �d6 52 l:te6+ �d5 53 :el :b4 54 .l:.dl+ �e6 5 5 l:td2 � 5 56 l:td8 �e4 57 l:td2 lIb3 5 8 JLe4 l:tb4 5 9 JLfl � 5 6 0 l:td8 e 4 61 l:tg8 �e5 62 ':'d8 llb2+ 63 �g3 .l:.b3+ 64 �h2 e3 65 JLe4 l:tb4 66 l:te8 e2 67 .l:.e8+ �5 68 JLxe2 lIb2 69 lIf8+ �e5 70 J:te8+ tDe6 71 �g3 l:txe2 72 b6 l:te3+ 73 �2 ':'b3 74 l:.h8 tDf4 75 lIb8 l:tb2+ 76 �g3 tDe2+ 77 �3 tDd4+ 78 �e3 lIb3+ 79 �d2 �d6 80 b7 tDe6 81 l:th8 l:tb5 82 l:th7 tDb8 83 �e3 �e6 84 �e4 lita5 85 �b4 l:tf5 86 �e3 �b6 87 �d3 ':'e5 88 �d4 tDe6+ 89 �d3 �a7 90 :e7 tDd8 91 l:tg7 tDxb7 92 l:tg6 �b8 93 'it>d4 :a5 94 �e3 �e7 95 �4 tDd8 96 .:tf6 �d7 97 l:tf5 tDe6+ 98 �e4 l:.a4+ 99 �d5 tDd8 100 �e5 �e7 101 %:tfl ':'a 5+ 102 �e4 tDf7 103 nbl tDd6+ 104 �4 l:!.f5+ 105 �e3 �6 106 ':'el %:ta5 107 ':'e6 �e5 108 �2 tDf5 109 l:tg6 l:ta4 110 lIg8 ':'f4+ 111 �e2 lIxh4 112 l:!.h8 �4 113 �2 tDe7 114 l::tf8+ �e5 0-1 After this m arathon I don 't suppose I need to remind you that the watch word for Black in the Botvinnik System is patience. White is hoping that you will become careless or reckless, when he can pick you off.
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Play t h e D u tc h Classica l English Development with lLlf3
1 c4 f5 2 tt:Jc3 tt:Jf6 3 g3 g6 4 .tg2 .tg7 5 tt:Jf3 0-0 6 0-0 d6 An alternative move order to reach this position is 1 tt:Jf3 f5 2 g3 tt:Jf6 3 .tg2 g 6 4 0-0 .tg7 5 c4 d6 6 tt:JC3 0-0.
White's hands. However, the exchange on b4 somewhat lessens the force of White's pawn-storm and avoids being left with a potential target on a7. 9 a 3 e5 Note that Black delayed ... e7-e5 un til here. H e g ave priority to ... tt:Jc6 so that he was ready to meet White's :b1 with ... a7-a5. 10 b4 axb4 11 axb4 We have reached a standard English versus Dutch opening scenario. White hopes to keep things quiet in the cen tre, ward off any attack Black tries on the king side, and gradually advance his queenside pawn s.
7 d3 Finally deciding again st 7 d4 and a main line Leningrad. 7 tt:Jc6 8 ':'b1 a s .•.
This might seem strange a s i t only temporarily prevents b2-b4 and leads to the opening of the a-file, which in Wunder-Buch al below falls into
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11... h6 A useful move. It rules out lines with 12 .tg 5 in which White plays .txf6 to increase his control over d5. It also prepares under some circum stances to expand with ... g 6-g 5, to begin a king side pawn-roller. And fin ally it means that after ... .te6 the bishop won't be hit by tt:Jg 5 . Moreover, hesitant o r passive pl ay will be punished. Indeed, in
Th e D u tc h Ve rs u s 1 tiJj3 a n d 1 c4
An.Timofeev-I.Kosov, Peterhof 2008, White invited an attack with a com mon English m anoeuvre which proved badly misguided here: 12 tiJe1? gs 13 e3?! f4!
than the knight retreat to el. 12 ...tiJe7 13 Ji.b2 The next g ame features the sharper 13 c5. 13 ... Ji.e6 14 l:tu White decides to seize control of the a-file. Black's aim is to keep body and soul together long enough on the queen side and in the centre so th at his attack on the king side can g ain pace. 14 l:tb8 lS tiJe1 gs 16 l:ta7 "iVc8 17 "iVb3 f4 18 .i.a3 tiJfS 19 tiJc2 l:tf7 20 b6 c6 21 tiJe4 cS •..
14 tiJd s Black al so has a rampant initiative after 14 exf4 g xf4 15 gxf4 exf4 16 .i.xf4 tiJg4, hitting both c3 and f4. 14 tiJxd s lS .i.xd S+ Safer was 1 5 cxd5, but Black can still attack after 15 ... tiJe7. lS ...�h8 16 exf4 exf4 17 .i.b2 .i.xb2 18 l:txb2 'iff6 19 'ifh s Stopping 19 ... .i.h 3, but losing the exchange. 19 ... .i.g4 20 "ii'xg4 'i¥xb2 and Bl ack was winning. •.•
S. Wunder-S.Buchal
Bad Wiessee 2006 1 c4 fs 2 tiJc3 tiJf6 3 g3 g6 4 Ji.g2 Ji.g7 S tiJf3 0-0 6 0-0 d6 7 d 3 tiJc6 8 .l:1.b1 a s 9 a 3 eS 10 b4 axb4 11 axb4 h6 12 bS A much more sen sible approach
A m ajor concession as now there is a hole on dS and the white bishop can attack the b7-pawn . On the other hand, the pawn blocks the attack on d6, the linchpin of the black centre. The posi tion is now very exciting - will the black king side attack be in time, or will White smash through the queen side? 22 tiJC3 tiJd4 2 3 tiJxd4 exd4 24 tiJbS tiJe8 2 S .i.c1 .i.es 26 Ji.d2 tiJf6 27 l:tfa1 White has brilliant control of the a file, but this mean s th at his rooks, knight and queen are all a long way from the defence of their king .
167
Play t h e D u tc h
27 ....1i. h 3
White is just too late with the passed pawn . 34 gxf3 3 5 ctJe8+ ctJxe8 36 'ii'g l+ �h7 3 7 l:txe8 fxe2+ 38 �xe2 'iVf3+ 39 �e1 .1i.g4 0-1 ..•
E.Ya nayt-H.Naka m u ra
La s Vegas 2006
Offering t o exchange o ff o n e o f the few pieces defending the white king and clearing f5 for the black queen. 28 ctJC7 'ili'f5 29 .:ta8 ':'xa8 30 l::txa 8+ �g7 3 1 .1i.xb7 Now White is totally winning on the queen side and totally lost on the king side. The king is the most important piece, of course. 3 1 ...fxg3
3 2 .1i.f3 There is a pretty m ate after 3 2 hxg 3 'ili'xf2+ ! 3 3 �xf2 ctJg4+ and 3 4... l:tf1 m ate. 32 gxf2+ 33 �xf2 g4 34 Wd1 ..•
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1 c4 f5 2 ctJC3 ctJf6 3 g3 g6 4 .1i.g2 .1i.g7 5 ctJf3 0-0 6 0-0 d6 7 d 3 ctJc6 8 l:tb1 a s 9 a 3 e5 10 b4 axb4 11 axb4 h6 12 b5 ctJe7 13 c5 In contrast to the previous game, White seeks an immediate tactical slugfest - not necessarily a good idea against N akamura. 13 .1i.e61 ..•
Black completes his development and prevents White playing the attack ing move 'iWb3 . 14 b6 Ramming the centre structure on both d6 and c7. It becomes fragmented, but on the other hand the black pieces become very active.
Th e D u tch Ve rs u s 1 l'fjf3 a n d 1 c4
14 ... dxc5 15 bXc7 'ii'x C7 16 l'fjb5 'ii'd 8!? After 16 ... 'ii'b 8 White has the surprising tactic 17 l'fjxe s ! with the idea that 17 ... 'ii'x es ? 18 .i..f4 win s the black queen. However, the position remains unclear after, say, 17 ... g S or 17 ... .i.. a 2. Instead N akamura decides to give up the pawn straightaway. 17 l'fjxe5 Black's centre h as crumbled, but his bishops will exert enormous pressure on the white queenside. 17 ... .i.. n I 18 1:[u l'fjfd 5 19 .i.. a 3 I also rather like Black's position af ter 19 'ii'c 2 .i..b 3 ! ? 20 'ili'xb3 1:[xa1 2 1 l'fjxg6 l'fjxg6 22 .i.. x dS+ c;j;>h 7. 19 ...:a 5 1
Black h a s t o counterattack again st bS as 19 ... .i.. x es 20 l:lxa2 is just pleasant for White. 20 1:[xa2 1:[xb5 Threatening both 21 ... .i.. x es and the fork 2 1 ... l'fjC3 . 21 d4? The unlikely move 21 'ii'a 1! would keep White alive, though Black h as the initiative after 2 1 ... l'fjb4.
21 l'fjC3 22 'ili'd3 'it'xd41 23 'ii'x d4 cxd4 24 .i.. x e7 :e8 •••
White is temporarily a piece for a pawn up, but with a knight, bishop and TOok all h anging there is no way even to escape to equality. 25 :d2 :xe5 26 .i.. d 6 .l:[5e6 27 .i.. b4 l'fjxe2+ 28 c;j;>hl .l:.b6 29 �a3 1:[b5 30 h4 g5 31 c;j;>h2 gxh4 32 :el hxg3+ 33 fxg3 :be5 34 .i.. d 6 l:te3 3 5 .i.. x b7 l'fjxg3 36 ':gl l'fje2 3 7 1:[g2 c;j;>h7 38 .i.. a 6 l'fjc3 39 .i..f4 11f3 40 .i.. g 3 l'fje4 0-1 White plays e2-e3 and ltJge2 Just like the Botvinnik System, this re quires a more distinct move order from White, as he has to avoid l'fjf3 and first clear the way for the knight to go to e2. P Brodowski H Da nielsen .
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.
Mysl i borz 2008 1 c4 f5 2 g3 g6 3 .i.. g 2 .i.. g 7 4 l'fjC3 d6 5 e3 l'fjf6 6 l'fjge2 0-0 7 0-0 Putting the knight on e2 rather th an f3 means that White is better prepared
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Play t h e D u tc h
t o meet a king side pawn-storm by Black. He has more control of the f4square and might even block thing s with f2-f4 i f i t looks like Black is threat ening .. .fs-f4. 7 a5!? •••
Bl ack begin s by restraining a possi ble b2-b4 by White. He plan s a system of development with moves like ... c6, ... e s and ... .te6, with ... liJa6 usually preferred to ...liJbd7 if the knight is in no danger of being run down by a b4-bs pawn advance. 8 11b1 After 8 d4 c6 9 b3 liJa6 Black obtain s an attractive Leningrad-style set-up: 1 0 .tb2 .td7 1 1 'iVd2 ':b8 12 lUd l liJC7 (if White now 'passes', then Black can ex pand on the queenside with 13 ... bs) 13 ds liJa6 (back again, now that the cS square h as appeared for the knight) 14 dxc6 bxc6 1 5 liJf4 liJcs and Black was at least equal in P. Degembe-A. De Santis, Saint Vincent 2001. 8 ... c6 9 d4 Slightly incon sistent after putting the rook on bl. In stead White could
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play for b2-b4, but 9 d3 e s 10 a3 .te6 11 b4 axb4 12 axb4 liJbd7 13 bs 'ikC7 looks comfortable for Black. In time he can aim to expand with ... d6-dS. In stead if White omitted d2-d3 and played the immediate 9 a3 es 10 b4 axb4 11 axb4 then Black might con tinue 11 ... .te6, but 1 1 ... e4 is interestin g t o shut in the bishop o n g 2 and target c4 with ... .te6. 9 ... e5 10 dxe5 dxe5 11 b3 .te6
Already Bl ack feel s a bit better due to his space advantage and the fact that the bishop on g 2 is passive. 12 e4 Evidently White didn't want to al low 12 ... e4, but he will pay a heavy price for weakening the d4- and f4squares. Perhaps he should have sim plified with 12 .ta3 ':e8 13 'iVxd8 l:txd8. 12 ...liJa6 13 'ikxd8 �fxd8 14 .te3 liJb4 15 .tb6 :d2 16 :fd1 White hopes to evict the rook and emerge with a good game due to the pressure on the as-pawn . 16 ':C2 17 a 3 liJa2 18 liJxa2 ':'xe2 19 liJc3 :c2 20 �dC1 �xc1+ 21 l:txc1 liJd7 ..•
Th e D u tc h Ve rs u s 1 lbf3 a n d 1 c4
22 .ie3 f4!
The Dutch pawn-ram strikes. It acti vates the bishop and wins the c5square for the knight, after which the white queen side is on the point of col l apse. 2 3 gxf4 exf4 24 .ixf4 lbcs Now both captures 24 ... lbd3 and 24 ... lbxb3 are threatened. Brodowski tries to escape with a sacrifice, but it is inadequate. 2 S lbd S cxd S 26 exd s .ifS 27 d6 lbd3 28 .ie3 lbXC1 29 .ixc1 .id4 30 ..ll. g s �b8 3 1 b4 axb4 32 axb4 'it>g7 33 cS .id7 34 ..ll.f4 h6 3 S h4 ..ll. C 3 36 bS .ixbS 3 7 d 7 .l:i. d 8 38 ..ll. x b7 .ixd7 39 c 6 .ic8 4 0 'it>g2 .:re8 41 'it>f3 .id4 0-1
Part Three:
1
b3
1 b3 The Nim zowitsch-Larsen Attack. Now 1 .. .f5 2 ..ll.b 2 lbf6 3 .ixf6 exf6 isn't very appealing for Black. 50 I 'm going to recommend a non-Dutch approach :
1 ... eS 2 .ib2 d6. Then we can fi an ch etto in King's In dian-style and think about .. .f7-f5 l ater on. For example: a) 3 C4 g 6 4 d4 ..ll. g 7 5 dxe5 lbd7 ! (a typical delayed recapture on e5) 6 'i!Vd2 dxe5 7 lbf3 c6 8 lbC3 lbgf6 9 lbg 5 (White begins a manoeuvre th at lets us play our Dutch move) 9 ... 0-0 10 lbge4 lbxe4 1 1 lbxe4 f5 12 lbd6 lbc5 13 l::t d 1 'iVe7 and Black had dynamic chances due to White's backward king side de velopment and rather vulnerable knight on d6 in 5.Cicak-Cu. H an sen, Reykjavik 1998. b) 3 e3 g 6 and now 4 d4 .ig7 5 dxe5 lbd7 6 lbf3 lbe7 7 lbbd2 dxe5 is com fortable for Black, T.A10nso Martinez A.5trikovic, Mondariz 2009.
Alternatively, 4 f4 .ig7 5 lbf3 lbd7 6 .iC4 lbh 6 7 0-0 0-0 led to a doub1e edged game in E.Bacrot-M.Adam s, Moscow (blitz) 2007. In neither of these lines will Black be hurrying to play .. .f7f5, but at least we have the 'feel ' of the Dutch mobile pawn centre.
1 71
Play t h e D u tc h
I nd ex of Var iati ons
l d4 1 ttJf3 f5 2 b3 - 8 5 2 e4 - 155 2 d3 - 156 1 c 4 f 5 2 ttJ C 3 ttJf6 3 g 3 (3 e 4 - 161) 3 ... g 6 4 .lig 2 .lig7 5 d3 0-0 6 e4 - 163 6 ttJf3 - 166 6 e3 - 169 l b3 - 17 1 1 f 5 and now: ...
A: 2 g3 B: 2 c4 c : Other 2nd Moves A) 1 d4 f5 2 g3 ttJf6 3 ii.g2 g6 4 ttJf3 4 c3 - 100 4 ttJd2 - 103 4 ttJh 3 - 108, 112 4 ii.g7 5 0-0 5 c4 0-0 • • .
1 72
6 b4 - 9 3 6 ttJh 3 - 1 1 1 5 ... 0-0 6 c4 6 b4 - 87 6 b3 - 96 6 d6 7 ttJc3 7 d5 - 141 7 b3 - 96 7 ttJbd2 - 118 7 ... c6 7 ... ttJc6 8 d5 (8 'iVc2 - 141; 8 b3 - 143) 8 ... ttJa5 9 'i!Vd3 - 144 9 'iVa4 - 147 9 ttJd2 - 150 8 d5 8 'YWC2 - 1 2 1 8 b3 'i!Va5 9 ii.b2 ( 9 .lid2 - 1 2 8 ) 9 . . . e5 10 dxe 5 (10 ikC2 - 10) 10 ... dxe 5 1 1 �C2 - 124 1 1 e4 - 126 8 . ii.d7 9 libl 9 ttJd4 - 1 3 5 •..
.
.
I n dex of Va ria tio n s
9 e4 - 1 3 8 9 tLla6 10 b3 - 1 3 1 10 b4 - 1 3 3 ••.
B ) 1 d 4 f S 2 c 4 tLlf6 3 tLlC3 d6 4 tLlf3 4 f3 - 72 4 .i.g 5 - 77 4 ... g6 5 e3 5 .i.g 5 - 78 5 g 3 - Line A S .i.g7 6 b4 - 66 6 .i.e2 - 67 6 .i.d3 - 7 1 ••.
C } 1 d4 f S 2 e4 2 tLlc3 d5 3 e4 - 3 9 3 .i.g 5 - 49 3 .i.f4 a6 4 e3 (4 e4 - 40) 4 ... tLlf6 5 tLlf3 e6 6 tLle5 - 44
6 .i.d3 - 44, 45 6 .i.e2 -46 2 .i.g 5 h 6 3 .i.h4 (3 .i.f4 - 59) 3 ... g 5 4 e3 - 5 3 4 e4 - 61 2 tLlf3 tLlf6 3 .i.g 5 - 8 1 2 g4 - 17 2 h 3 - 18 2 'iNd3 - 19 2 b3 - 84 2 tLlh 3 - 107 2 ...fxe4 3 tLlC3 tLlf6 4 .i.gS 4 f3 - 22 4 g4 - 3 5 4 ... tLlc6 5 d S tLles 6 'iVe2 6 'iVd4 tLlf7 7 .i.xf6 - 2 5 7 h4 - 2 6 6 tLlf7 7 .i.xf6 7 h4 - 34 7 ... exf6 8 tLlxe4 'iVe7 - 3 2 8 ... .i.e7 - 3 0 8 ... .i.b4+ - 3 1 •••
1 73
Play t h e D u tch
I nd ex of Ciam es
Anand.V-Nakamura.H, Wijk aan Zee 2010 Andersson.U-Beliavsky.A, Bazn a 2008 Armstrong.M-Rendle.T, Liverpool 2007 Babula.V-Bartel.M, Prievidza 2009 BerkvensJ-Reinderman.D, Dutch League 2006 Bitalzadeh.A-Nijboer.F, Wijk aan Zee 2009 BoguszlavszkijJ-Ferkingstad.S, Budapest 2009 Brodowski.P-Danielsen.H, Mysliborz 2008 Bromberger.S-Bartel.M, Warsaw (rapid) 2007 Buehl.W-Reifurth.L, Chicago 1994 Chauca.J-Rodi.L, Brasilia 2010 Cirabisi.F-Dzhumaev.M, Genova 2006 Damaso.R-Spraggett.K, Andorra 2007 Dambacher.M-Van Blitterswijk.S, Leeuwarden 2004 DeminaJ-Muzychuk.A, St Petersburg 2009 Dziuba.M-Bartel.M, Warsaw (rapid) 2009 Elsness.F-Bartel.M, European Team Champion ship, N ovi Sad 2009 Erdos.V-Nikolic.P, German League 2010 Felier.S-Bartel.M, European Team Ch ampion ship, Novi Sad 2009 Felier.S-Nakamura.H, Cap d'Agde (rapid) 2008 Fressinet.L-Renner.C, German League 2008 Gasanov.E-Zelic.M, European Champion ship, Rijeka 2010 Gerber.R-Bartel.M, Illes Medes 2007
90 133 81 145 77 78 28 1 69 1 01 10 24 26 128 73 60 93 46 32 79 115 88 149 1 60
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1 74
I n dex of G a m e s
Gerber.V-Panchenko.A, Kyiv 2008 Giffa rd.N-Legky.N, Cannes 1992 Harikrishna.P-Ehlvest.J, Merida 2008 Hille.R-Malaniuk.V, Munster 199 5 H uerta.S-Graf.A, Merida 2006 Iba rra Chami.L-Rodriguez Vila.A, Mexico City 2007 IIjushin.A-Berg.E, European Championship, Budva 2009 Izquierdo.D-Tristan.L, Mar del Plata 2009 Jacobsen.B-Christensen.B, Danish Ch ampionship, Silkeborg 2009 Jakovenko.D-Gurevich.M, Odessa (rapid) 2010 Kaliszewski.T-Warakomski.T, Warsaw (rapid) 2009 Kantans.T-Semcesen.D, Stockholm 2008/09 Karpov.A-Malaniuk.V, Tallinn (rapid) 2005 Karpov.A-Nakamura.H, Cap d 'Agde (rapid) 2008 Kasparov.G-Leigh Interest PLC, London simul ' 1993 Kempinski.R-Nijboer.F, European Championship, Warsaw 2005 Khenkin.I-Bartel.M, European Team Championship, Novi Sad 2009 Klimov.S-Berg.E, Maastricht 2009 Kozul.Z-Grunberg.M, Bizovac 2006 Kozul.Z-Volokitin.A, European Team Champion ship, Novi Sad 2009 Kraai.J-Nakamura.H, Foxwoods 2007 Lagowski.P-Bartel.M, Polish Team Champion ship 2006 Laylo.D-Nijboer.F, Turin Olympiad 2006 Lysyj.l-Narciso Dublan.M, European Championship, Plovdiv 2008 Malakhatko.V-Firman.N, German League 2008 Nechaev.A-Firman.N, Khmelnitsky 2008 Predojevic.B-Sedlak.N, Nova Gorica 2008 Quenallata.L-Rodriguez Vila.A, Buenos Aires 2009 Radjabov.T-lva nchuk.V, Odessa (rapid) 2008 Rodriguez Vargas.O-Danner.G, Dresden 2010 Rosko.L-Semcesen.D, Olomouc 2008 Sakaev.K-Volokitin.A, European Club Cup, Ohrid 2009 Schandorff. L-Bartel.M, European Team Championship, Novi Sad 2009 Sergeev.V-Firman.N, Alushta 2009 Shishkin.V-Malaniuk.V, Mielno 2007 Timofeev.An-Kosov.l, Peterhof 2008 Vaisser.A-Bartel.M, European Championship, I stanbul 2003 Walker.G-De Saint Amant.P, London 1 8 3 6
35 70 118 55 49 19 11 147 1 59 126 124 135 111 12 53 69 1 03 112 138 121 85 74 1 62 42 40 98 22 152 143 1 08 33 44 157 9 61 167 110 7
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1 75
Play t h e D u tc h
Wunder.S-Buchal.S, Bad Wiessee 2006 Wright.N-Sharma.D, Canberra 2010 Yanayt.E-Nakamura.H, las Vegas 2006 Zoebisch.H-Semcesen.D, Schwarzach 2008
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167 67 1 68 131
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