Traditional and ... contemporary designs
.(
•
•
Annick Perret
Painting on Porcelain
•
c1trtYCCD 14m • Cleo -
e,...
246 downloads
925 Views
12MB Size
Report
This content was uploaded by our users and we assume good faith they have the permission to share this book. If you own the copyright to this book and it is wrongfully on our website, we offer a simple DMCA procedure to remove your content from our site. Start by pressing the button below!
Report copyright / DMCA form
Traditional and ... contemporary designs
.(
•
•
Annick Perret
Painting on Porcelain
•
c1trtYCCD 14m • Cleo -
e,o"',4i6t
_~_)
(.NnIo .. Butgo Cen\tc II) 1M Roz-. {MMIrIdJ T..... ; " ,.061 G2
Annick Perret
traditional and contemporary designs 1lunslated by Malcdm Wilh£U
\ f"
I
SEARCH PRESS
Contents Introduction
6
People
63
Materials, equipment and techniques
7
Religious themes
73
Flowers and leaves
13
Stylised designs
81
Birds and beasts
41
Glossary and index
94
Introduction
Painting on porcelain is an art fonn which has always fascinated me. There really are so many possibilities, from plates and teapots to trinket-boxes and 8weetdishes, and over the twenty-five yean I have been painting on porcelain I have proba bly tried most of them! I also decided to make a special study ofpon:elain plaques, 10 as not to be tied to the shape of an object..
These plaques are geueraJ.ly smaU and modem, lletoff by II earefuUy ehosen border in a compl ementary colour. The bird, and floral paintings an! inspired byantique porcelain and earthenware. These pattel'llll hllve been interpreted and painted in watercolourt after studies made when visiting variou.s European museums. They will help painters - beginners or advanced - to getacquainted with thetechniqueof relief and sh:.. ding
of birds and !lowerB. Although many of my patterns have been iru pired by antique pieees in museums and private ooUed.ions, others are entirely the prod uct of my imagination. Inspiration comes from all quarters: people, nature. letters ort.he alphabet, early artists . .. and simply ou t of myown head. So mydesigns range from the strictJy traditional to the contemporary and abstract IOmething for eve!), taste. I hope the ideas in this book inspire you: the deaigna can be painted n ot only on porcelain but also en earthenware, wood, silk, fabric, or whatever $un!lce your imagination may suggest.. AnniGk Punt
•
Publishers' note Ready ·prepared pai nt, In this book the author has ronu-l>Iw; "P""Il bWf; '~ blw: dtJri: g"y; bladt.
Lighl ¥Olden uloJd; Parma vlokl: rzoUUn vlokl; er,.,. .
•
Vild 0(;"""; _IVlium red: nd bnlwn;
m...-.nd..
9
The darker the colour you wish to paint, the more you have torepeatthe process oranother roat orcolourand an intennediate firing .
blue, otter brown, or chestnut brown, and apply them in vertical banda with a broad brush without pressi ng hard. Fire at 7400c (1364°F ).
Colo ur ltUperimpoilitioD using IIiI: coloun Fir" /iring ; divid e up the earthenware tile into six vertical banda. Takeyellow, iron red or nasturtium red , rose pink, olive if"een or· ivy gr~n , turqu oise
&oond firing; now apply the l ame colours, in the I18me order, this time paintinC them in horiwntal
-
--- -- -
,-, ,
,
,
,- , -_. ~
~~
, , , ,
.. .....
-
---
- -
~ --
"rom ,.,(1 10
'Yt~:
Gn, . ""d.,. tOoIn •
1Oi,u ~
-.-
. . ......
15'" , ..., .. IOM."
"""'" • 5IJ'I. ,..., ..
,oW\. •
+"*
...
•
..,. *" •
•
~ •
*'
•
l'"
l\'
-.F•
•
-*- . iI'
'*'4•
•
"""
•
~
•
•
•
k
•
•
•
.~
•
'I AlmOGpheric Landscapes in Wawroolo\.lr: Traditional & Folk De!!ign!!
f"ur w.lI·known "lilU interpret \he ...a..,nl J l n".rt, PIIillipa, Pond. Even l The fou r c:onlribulinllll1i11U diICu" how Ihey interpret \he .... oonl ming the medium at w.t.a ....Iou .. 1O ....1.1 delightfully .tm",pheric: pili n Ii n 11". SubjecU in.lu~ .n Al., h n mountain '" winter •• Cornillh "'l(.Ipo in . umme..the Malvern Hil la m .ulumn. and blueball wood. in . pring.
Gill & Alan Bridgewate. With 300 motif•. thil book off..... 11.1.1. calligraphers. embroi~",,,,, knil~ ". duignn • • nd ell craftapeopl. quick Bnd '"MY ",fe ",n""to d&H .nd a ud,... ia.n idu l introduction 10 th,. f....i ... l inl medium. . ,ye a n ill.l