Guitar Album volume 1

3

CONTENTS 1. Caboclinho (choro) •.••..••••••.••••.••••.•••••••••••••• .4

2. 3. 4. S. 6. 7. 8. 9. 10.

Conversa De Baiana (choro) ••.•••••••••••••••••.••• 6 Dois Destinos (waltz) .........•.•••••••••••••••••.•••••• 9 Dr. Sabe-Tudo (choro) ............•••••••••••••••••... 12 Promessa (waltz) •.••••..•••••••••••••••••••••••••••••••• 14 Se Ela Perguntar (waltz) ••••••••••••••.•.•••••••••••• 17 Suplica (waltz) .••••.•••...•••••..•......•••...••.•••••.••• 20 Ternura (waltz) ••••.••...••••••••••.•...................•• 24 Vrna Valsa e Dois Amores (waltz) .............. 26 Xod6 Da Baiana (batuque) ..•••..•••••••........... 28 NOTES ABOUT THE TRANSCRIPTIONS

These pieces were transcribed as acurately as possible from Dilermando Reis recordings. However, due to his personal way of playing, and the existenl.-e of two or more recordings of the same piece, I adopted the following criteria: a) I've written a "standard notation" according to the style of the piece. Dilermando Reis' style was full of Iubatos and bass anticipations. To transcribe the recordings with absolute fidelity would result in a very complicated score - even to those who are fami1iar with this style of music. What was natural in Dilermando's playing could sound artificial in other hands.

b) When there were more than one recording of the same piece, I chose a so]o version. ]n the case of two or more solo recordings, I took that which] considered the best. The exception is "Dr. Sabe-Tudo", adapted from the one existing recording of two guitars. c) S]ight alterations in repeated sections were not considered since they do not change the musical idea. This work is dedicated to Mr. Ronoel Simoes, to wham Brazilian guitar and guitarists owe so much.

Special thanks to friends: Ranoel Simoes~ Helia Cunha, Edmar Fenicio and William Akira Kobata who gave me recordings, information and suggestions. IVAN PASCHOITO JuneS, 1990

4

DILERMANDO REIS (1916-1977) Dilermando Reis, probably the most famous Brazilian popular guitarist, was born in Sao Paulo State but Jived most of his life in Rio de Janeiro, where he worked actively in radio and recordings. From 1941 to 1975 he recorded about 20-78rpm and 23-LPs. He played all kinds of music and recorded the compositions of Bach, Barrios, Tarrega, GnatalIi and Pixinguinha among many others. However, his preference was the traditional Brazilian guitar style: doleful waltzes and choros full of modulations to "confuse accompanists", played with his unique style and sound. He was a great composer also. He recorded about 100 of his own compositions, many of which became real standards of Brazilian popular guitar - like "Oois Oestinos" and "Se Ela Perguntar". In 1975 he recorded theLP, "The Brazilian Guitar of Oilermando Reis", containing his last compositions: choros and waltzes, of course.

IVAN PASCHOITO Ivan was born in Sao Paulo, Brazil in 1953. Fascinated with the sound of Dilermando Reis, he began teaching himself the guitar atthe age of12. In 1973, Ivan began transcribing and arranging the music of Baden Powell, Toquinho, Milton Nascimento, Vinicius de Moraes and others. His first arrangements were published in 1984. Ivan's favorite guitarists include: Carlos Barbosa-Lima, Paulinho Nogueira, Dilermando Reis, Garoto (Anibal Augusto Sardinha) and John Williams.

GUITAR SOLO PUBLICATIONS 230 Townsend Street

www.gspguitar.com San Francisco California

94107-1720

USA

5

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