Ernst Kurth As Theorist and Analyst (Studies in the Criticism and Theory of Music)

Ernst Kurth: Selected Writings (Cambridge Studies in Music Theory and Analysis)

This book provides a selection of annotated translations from Ernst Kurth's three best-known publications: Grundlagen de...

Ernst Kurth: Selected Writings (Cambridge Studies in Music Theory and Analysis)

Postcolonial Theory and Criticism (Essays and Studies)

Closure and Mahler's Music: The Role of Secondary Parameters (Studies in the Criticism and Theory of Music)

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Schenker's Argument and the Claims of Music Theory (Cambridge Studies in Music Theory and Analysis)

Schenker's Argument and the Claims of Music Theory (Cambridge Studies in Music Theory and Analysis)

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Music as Discourse: Semiotic Adventures in Romantic Music (Oxford Studies in Music Theory)

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Ernst Kurth As Theorist and Analyst (Studies in the Criticism and Theory of Music)

Ernst Kurth: Selected Writings (Cambridge Studies in Music Theory and Analysis)

Ernst Kurth: Selected Writings (Cambridge Studies in Music Theory and Analysis)

Postcolonial Theory and Criticism (Essays and Studies)

Closure and Mahler's Music: The Role of Secondary Parameters (Studies in the Criticism and Theory of Music)

Schenker's Argument and the Claims of Music Theory (Cambridge Studies in Music Theory and Analysis)

Schenker's Argument and the Claims of Music Theory (Cambridge Studies in Music Theory and Analysis)

Music as Discourse: Semiotic Adventures in Romantic Music (Oxford Studies in Music Theory)

Studies in the Theory and Method of New Testament Textual Criticism (Studies and Documents 45)

The Norton Anthology of Theory and Criticism

The New Economic Criticism: Studies at the Intersection of Literature and Economics (Economics As Social Theory)

Absolute Music and the Construction of Meaning (New Perspectives in Music History and Criticism)

Sir Harold Nicolson and International Relations: The Practitioner As Theorist

Genre Matters: Essays in Theory and Criticism

The Theory and Technique of Electronic Music

Tonality and Transformation (Oxford Studies in Music Theory)

The Culture of Criticism and the Criticism of Culture

Music Theory in Concept and Practice

The Analyst Application

The Meme Theorist

Linguistics and Semiotics in Music (Contemporary Music Studies)

Chromatic Transformations in Nineteenth-Century Music (Cambridge Studies in Music Theory and Analysis)

The Analyst

Music and the Origins of Language: Theories from the French Enlightenment (New Perspectives in Music History and Criticism)

Theory and Techniques of Electronic Music

Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism)

The Analyst

The Motet in the Age of Du Fay (New Perspectives in Music History and Criticism)

Early Musical Borrowing (Criticism and Analysis of Early Music)

The Music of Luigi Dallapiccola (Eastman Studies in Music)

Ernst Kurth As Theorist and Analyst (Studies in the Criticism and Theory of Music)

Ernst Kurth: Selected Writings (Cambridge Studies in Music Theory and Analysis)

Ernst Kurth: Selected Writings (Cambridge Studies in Music Theory and Analysis)

Postcolonial Theory and Criticism (Essays and Studies)

Closure and Mahler's Music: The Role of Secondary Parameters (Studies in the Criticism and Theory of Music)

Schenker's Argument and the Claims of Music Theory (Cambridge Studies in Music Theory and Analysis)

Schenker's Argument and the Claims of Music Theory (Cambridge Studies in Music Theory and Analysis)

Music as Discourse: Semiotic Adventures in Romantic Music (Oxford Studies in Music Theory)

Studies in the Theory and Method of New Testament Textual Criticism (Studies and Documents 45)

The Norton Anthology of Theory and Criticism

The New Economic Criticism: Studies at the Intersection of Literature and Economics (Economics As Social Theory)

Absolute Music and the Construction of Meaning (New Perspectives in Music History and Criticism)

Sir Harold Nicolson and International Relations: The Practitioner As Theorist

Genre Matters: Essays in Theory and Criticism

The Theory and Technique of Electronic Music

Tonality and Transformation (Oxford Studies in Music Theory)

The Culture of Criticism and the Criticism of Culture

Music Theory in Concept and Practice

The Analyst Application

The Meme Theorist

Linguistics and Semiotics in Music (Contemporary Music Studies)

Chromatic Transformations in Nineteenth-Century Music (Cambridge Studies in Music Theory and Analysis)

The Analyst

Music and the Origins of Language: Theories from the French Enlightenment (New Perspectives in Music History and Criticism)

Theory and Techniques of Electronic Music

Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism)

The Analyst

The Motet in the Age of Du Fay (New Perspectives in Music History and Criticism)

Early Musical Borrowing (Criticism and Analysis of Early Music)

The Music of Luigi Dallapiccola (Eastman Studies in Music)

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