Classic Makeup and Beauty (DK Living)

AKE-UP 3 EAUTY

CLASSIC MAKEUP & BEAUTY \ A TUl V

THI R Y O U W A N T

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DRAMATIC 4 0 s

T G I I T Z , A CLASSIC 6 0 S

M A R Y Q U A N T S H O W S H O W T O SELECT T H E PERFECT M A K E - U P T O SUET Y O U A N D H O W T O APPLY

ET FORT1EE M O S T S T U N N I N G

T H E COMPLETE BOOK OF DREAMS ] u l l * & T ».M1 lv.it. t

CONTAINER GARDENING T H R O U G H THE YEAR Malcolm MOl»-, T H E N E W GARDENER Pippa Greenwood ULTIMATE BlCVCU BOOK Richard BaJlantinr ft Richard Grant

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EFFECT, PRETTY PASTEL O R " N A T U R A E . " L O O K S ,

DEMONSTRATES EXACTLY

ALSO AVAILABLE IN T H E DK LIVING SERIES

RESULTS.

ESTABLISHING YOUR SKIN TYPE Interactive questionnaires and self-analysis charts Identify JTOUr skin type, face shape and coloring, while easy-to-follow instructions reveal how to match foundation to your skin color, brighten a dull complexion, and give a healthy glow to pale skin. A sumptuous illustrated guide highlights the sensational range of paint-box colors available, from sizzling orange lipstick to hahy pink blusher.

ULTIMATE G O L F TECHNIQUES Malcolm Campbell YAN-KIT*S CLASSIC CHINESE. COOKBOOK Yanlul So YOGA M I N D & BODY SI«*n*ndaYugaVcd«Ma Center

EXPERT MAKE-UP LESSONS Mulcting the art ol make-up has never been so easy. Step-by-step photographs show how to applv all the essentials, from foundation to nail polish, with tips on correcting common prol>lems and how to make the most of your features.

I)K PUBLISHING, I N C . 95 MarJivOfl \ \ * I I U
' blending a dab of pearly eyeshacow on top of a matte shade as a way of experimenting with more adventurous colors (see page 34).

Matte greens: Cool, sophisticated shades that loot: wonderful worn with hluck or white

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Matte oranges and yellows: Hot, bright shades work well with vibrant fashion colon

Pinks with a matte finish Can be passionately strong, scftly sweet or classically chic

Matte blues and violets; Ugfiter shades are pretty ami gentle; darker ones deep and moody

Main- browns: Soft, neutral colors are ideal for creating sculpted, wide-eyed looks

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EYELINER & MASCARA

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ike eyeshadows, eyeliner and mascara help

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., define and enhance your eyes. Eyeliner accentuates the shape of your eyes, while mascara strengthens and darkens the lashes for greater emphasis. They should be the same color, or just a

shade lighter or darker, and should mirror each other in shape. For example, eyeliner that sweeps out at the corners looks best when mascara is swept diagonally through the lashes - see the homes Glitz look on pages 20-21.

EYE PENCILS

LIQUID EYELINER

These arc used to define die lop and bottom lash lines, and some can be used inside the bottom inner rim of the eye, too. When using on the lop lash line, soften with an eyeshadow.

Normally only used along the top lash line, ihis creates a more intense color than other types of eyeliner. I lowever, it is also more difficult to apply and requires a steady hand.

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MASCARA A mascara should thicken and lengthen the lashes wilhoul causing them to clump together. Waterproof

mascaras tire more long lasting but can take longer to remove. Black and brown arc the traditional favorites, while more colorful shades can

create a bright, dramatic effect,

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wv VVs/ Vibrant red

Bright blue

i:tcsh green

EYEBROW PENCILS An eyebrow pencil helps give eyebrows greater definition. Por

a natural effect, choose the shade thai matches your hair color, or slightly darker if blonde.

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LIP COLORS

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trong reds for sophisticated glamour, barelythere pinks and beiges for natural beauty, or vibrant oranges for sporty style. The color of your lips can change your appearance immediately. Try not to restrict yourself to weanngjust one color all

the time. Instead, have several choices to suit the effect you want to achieve and for different-colored clothes. Look for lipsticks and lip colors that moisturize and protect your lips, too, and always make sure that they go with your blusher.

r LIP PENCILS Used lo outline the lips and prevent color From bleeding, Choose a shade that is not more than one lone darker than your li|> color.

PEARLY L I P C O L O R S

hese shimmering shades attract attention to the lips and can make them appear fuller. Great lo wear with shiny fabrics. Apply with a lip brush.

SHIMMER LIPSTICKS Lipsticks can be either brushed on or applied i their Slick form. For a shiny, more deliberate effect, try shimmering shades like this pearly pink, vibrant puqilc. or warm chocolate.

MATTE AND SEMI-MATTE LIPSTICKS Matte lipsticks create a warm, deep effect that suits evening makeup, while semi-mane shades give a soft look that is good for daytime wear. Colors range from classic red in rich mahogany.

Matte lipsticks

NAIL POLISHES olished nails make die perfect addition to well-cared-for hands, and these days there is a color to suit every mood and every occasion (see Effects for Nails on pages 102-103). Increase the impact of your polish by choosing a color that

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matches or complements the rest of your makeup, or matches your cloihes. Toenails, too, can look fabulous painted with a bright, dramatic color, and not only in summertime. Always remove polish on both hands and feet as soon as it begins to chip.

THE BASICS For nail polish thai lasts well, use a base coat before applying color and finish oil with a lop coat. Always lake »11 old polish with an acetonefree remover, which will not sirip vital oils [mm your nails. Base coal

Top coal

PASTELS From pale peach 10 delicate blue, pastels create a prcuy look that is suitable for day or evening.

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Sparkling silver pari) /mi

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SKIN & BODY PREPARATIONS

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oung skin is naturally firm, plump, and resilient, but to keep it that way you need to begin a good skin-care regimen as early as possible. Used regularly as a three-step program, cleansers, toners, and moisturizers work together to keep the skin

smooth and clear. Really clean skin provides a much belter base for makeup, too. The skin on your body also needs frequent attention, and there are now body shampoos, gels, Unions, and scrubs 10 help you pamper yourself on a daily basis.

CLEANSERS Cleansers should remove deepdown din and makeup without disturbing the skin's balance or stripping away natural oils, Your choice of cleanser will he determined by your skin type (sec pages 2 8 - 2 9 ) .

A gentle cleanser Joy sensitive muff iwiiiicil shin lluif cleanses unci conditions simultaneously

A clay-based cleanser Jm oily unit combination skin tluit deep-cleanses pores and sojtens dead skin c ells

An invigorating face scrub thai sfc-uglis ojj dead cells to leave shin fresh and clean

TONERS A toner helps remove any residual traces of cleanser, which could cause irritation, and also helps lo make the skin more receptive to moisturizer. After being toned, the skin should feel firm anil refreshed bin never dry and t a u t Look lor alcohol-free loners with southing ingredients, and always use the riglu toner for your skin type.

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A gentle astringent

A mild herbal loner

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normal skin types

aimlmiurlflri skin types

A fragrance-free, alcoholfree loner suits those with sensitive or dry skin

A rich nourishing cream thai will not Mock the pares is best applied at night

A specially formulated moisturizer 10 weal sensitive or dull-looking shin

MOISTURIZERS A moisturizer's mosl basic job is to preserve fluid in ibe skin's upper layers so dial it looks fresh and well hydratcd. Whether moisturizers can delay the onset of wrinkles is the subject of debate, bill lliey do help skin to look good. Use a light

moisturizer during the day (which will not disturb your makeup) and a richer cream at night when skin can absorb most moisture. If your skin feels dry, treat it lo an even richer hydrating cream.

A light gel moisturizer is goodfoi daytimeuseand sum (ifl slmi typei

BODY CLEANSERS A warm bath is one of the best places io relax and pamper yourself. Purify the skin with a body shampoo or body scrub, or soak up the soothing properties of a bath oil.

A deep-cleansing body shampoo that am be easily massaged into ihc skin

An extra-fine grained body scrub to M p fmisli off dead skin cells

A relaxing balh oil that leaves skin feeling soft ami supple

BATH CRYSTALS Make a warm balh oven more soothing by adding some fragrant balh crystals with natural ingredients such as sea-water minerals and seaweed extracts.

Rose balh crystals arc grade mid relating

Sea bath crystals feci fresh and liriiring

Mint balh crystals cue iii/l diul southing

BODY MOISTURIZERS After battling or showering, massage a non-oily moisturizer all over your body and follow, il desired, with a refreshing lotion, bul always use ,1 specially formulated cream to keep hands soil and supple. To combat cellulite, try a special treatmcnl oil or body balm wiih natural plain extracts.

A lightweight, all-over moisturizer will leave shin smooth ami supple

A refreshing body lolion to help firm and (one

A penetrating body bain to help combat cellulite

A waterproof sunblock pratette against the sun's, harmful ultraviolet rays

A gentle clay face pack In heln remnve rfffp-Wmvii iJi'f and pollutants

A heat-promoting gel ,IMJ ,,jii be massaged Into the face and bod) to reduce puffiness

SPECIAL TREATMENTS In the summer, you may wanl more protection than an ordinary sun cream can give, A waterproof face block will provide complete protection against the sun's harmful ultraviolet rays, and can also be used as a moisturizing makeup base. As ;i special addition 10 your normal cleansing, toning, and moisturizing program, try a deep-cleansing clay face pack to remove deep-down din and a hot, firming massage gel to reduce puffiness and bring a healthy glow.

SKIN-CARE REGIMENS Normal, dry, sensitive, oily, or combination - all skin types need to follow a regular three-stage daily program of cleansing, toning, and moisturizing to keep skin clean, healthy, and in the best '

condition. But there is

no need to stop there. Make the most of the range of special treatments, such as deep-cleansing face masks and gentle scrubs, and take time to enjoy the luxury of a firming facial massage. Here, visual

I sequences show how to

develop the most effective routine for your skin type.

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CLEANSING

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leansing is the first pan of your three-siage skin-care regimen and should be done in the morning and again at night to remove both daily grime and deep-down dirt in the pores. Cleansers are also an essential factor in the battle against wrinkles; they help to make skin more receptive to moisturizers and anti-aging treatments. Don't forget to cleanse your neck as well - the skin here needs just as much attention as your face and it is often the first area to show signs of aging.

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Keep your hair off your face as much as possible: lie il back or wrap a towel around your head. Make sure thai your neck is nol covered up with clothing another reason 10 cleanse firsi thing in the 1110111111)1 and lasi thine at night. To remove eye and lip makeup, see pages 62-63.

Massage cleanser gently Into shin using small clrcmar movements

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Normal sfein

(~~\-ir\r\cwf~~ A C~\ rrA\rCErn L.nUUSlNu A ULLAA'jLK Creamy liquid or cream cleansers; water-soluble cleansers or gentle facial soap.

Dry shin

Cream cleansers or very rich liquid cleansers,' moisturising. nonperjumed soap, but rinse off thoroughly.

Combination (ii oily skin

Light lotions or milh cleansers; medicated liquid cleansers are sometimes necessary to treat severe outbreaks.

Sensitive shin

Hypoallergenic cleansers; avoid soaps.

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ACenlly pat your (ace and neck dry with a clean tissue. If you notice thai a toner is beginning to "strip away" your skin, tone with water until the skin becomes rebalanced and then change the product. This often happens with loners that have a very high alcohol content; always check the list of ingredients on the bottle or ask for more information before buying. Stroke toner gently over thejacc and i neck without [V dragging the shin

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MOISTURIZING oisturizers are the final stage in a cleansing program and help restore the moisture loss caused by the drying effects of sunlight, central healing, wind, cold, and pollution. A good daytime moisturizer should contain a sunscreen and will be easily absorbed into the skin. If it leaves an oily film on the surface, it will be difficult to apply makeup on top. At night, you can use a richer, more nourishing cream since this is when your skin most readily absorbs moisture.

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Choose a moisturizer to suit your skin (see above, right). Place five small dots of moisturizer on your face and neck (one on each check, one on forehead, one on the chin, and one on die neck). Using y u r fingerti[ distribute the moisturizer

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evenly all over the face and neck. Always he careful not to use too much moisturizer — the skin can absorb only a certain amount al one time.

Pet moisturizer over the /cue rind neck to help you distribute K more evenly

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> Stroke the moisturizer gently into the skin using liglu circular movements. Avoid the eye area, which needs to be treated specially (see page 62).

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CHOOSING A MOISTURIZER Normal shin

Light cream; or Unions, with an added sunscreen.

Dry skin

Protective creamformulas,with an added sunscreen.

Combination or oily shin

Very light, non-oif.v/onnulas, with an added sunscreen; should also be noneomedogenic (will not block pores).

Sensitive shin

Hypoallergenic creams, with an added sunscreen.

NIGHT

All shin types should use a richer, more nourishing formula than their daytime moisturizer.

TREATMENT

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Wait at least five minutes before applying makeup to give the moisturizer time to be absorbed by the skin. If you put makeup on too soon after moisturizing, it will begin lo "glide" off your face.

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REMOVING EYE MAKEUP

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he more eye makeup you wear, the more important it is to use a specially formulated cleanser for the delicate eye area. This makes it much easier to remove even the most stubborn of waterproof or learproof mascaras without pulling or dragging the sensitive skin around the eyes. If you do not remove all traces of eye makeup whenever you wear it, pores will become blocked, which may lead to pimples. Always use a clean cotton ball, tissue, or cotton swab for each eye.

CARING FOR EYES • Time targets ihc skin around ilic eyes first, so ti is important to revitalize this area by using an eye cream morning and night. • Use eye creams sparingly; too much can cause pujjincss. To apply, place three or four dots below the eve and two on the

brow bone. Stroke the cream in gently using your third, or ring, jingei. Ij you use your index fingfr, you are more lihely to stretch or drag the skin. • Lookjor ultra-light eye creams with a low oil content as these penetrate the sfein more easily.

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To remove makeup from the lids and brows, use the lip of your third linger 10 stroke in remover gently using small circular movements. Alternatively, use a cotton swab soaked in makeup remover.

Gently wipe off the remover from ihe lids and brows with a cotton pad. working from the inner corner to the outer corner of the eye. Again, do not rub or drag the skin.

To remove mascara, dab a little remover onto a tissue and wrap around your index finger. Brush the tissue through the lashes irom underneath.

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For the corner of the eye and the lower lash line, use a cotton swab dipped in remover. Afterward, lightly pal the whole eye area dry with a tissue.

REMOVING LIPSTICK Always make sure that you remove lipstick l \ thoroughly to prevent the skin on your lips from becoming dry and rough. Lips need to be regularly moisturized, too: they are particularly susceptible to the drying effects of the sun and the wind because they do not have any sebaceous, or oil-producing, glands of their own. If lips are moisturized properly, it is much easier to apply lipstick smoothly and evenly (see pages 96-97), and it will also stay on much better.

CARING FOR LIPS • Use lip moisturizers or lip spend a lot of time outdoors, balms thai contain Vitamin E, choose lipsticks with a sunscreen. which h thought to make lips feel extra soft and smooth. • Combat the appearance offine wrinkles around the mouth with Otis simple facial exercise: Open • Always use a moisturizing your mouth as wide as you can lipstiek to prevent lips from and resist slightly as you close it. fining out during the day Repeal 10 times. and becoming chapped. If you

Pour a little makeup remover onto a damp cotton ball or tissue and gently wipe in an inward direction, working from each corner to the middle o( your lips. Lightly pat dry with

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After removing lipstick, use a specially formulated lip moisturizer or lip balm. Do not use anything too greasy - thai would probably make you lick your lips, which has a drying effect.

—EXFOLIATING

LIPS —

Once a week exfoliate lips by gently brushing of] dead skin with a small, fine brush or a soft toothbrush. This will stimulate cell turnover and keep lips looking smooth, soft, and healthy. For an extra-moisturizing effect, put a little moisturizer or lip balm on the brush.

FACE PACKS ace packs gently remove cells on the skin's surface and purify clogged pores to leave dull skin feeling fresh and firm. They also stimulate blood circulation to give the face a healthy glow and help skin to absorb moisture afterward. Many face packs use natural clay compounds to deep cleanse and remove impurities from the pores. These are perfect for combination and oily skin types, while drier skins should use face packs that are designed to rehydrate or reactivate.

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• Try to use a face pack about once a week, but never too frequently or the skin will become dry and flaky. • If you find it difficult io apply a face pack evenly using your fingertips, try brushing it on iviili an old makeup brush.

• When you are waitingfor the pack w dry, rest and relax us murli as ynu can (tee page 108 for some easy-to-follow relaxation techniques). • If possible, wait 24 hours before applying makeup after you have used a face pack.

COMBINATION SKIN

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E> Cleanse and dry the face thoroughly (sec pages 58-59); you should never use fac packs on top of makeup as this reduces their cleansing action. Using the fingertips, spread the pack evenly onto the oily areas of the lace only, such as the nose and forehead. Wait live to ten minutes for the pack to dry, then rinse off I thoroughly with lukewarm water, Massage gently wi.iti the fingertips while rinsing to stimulate blood circulation,

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Pal the face dry wilh a clean lowcl and moisturize well (see page 61).

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for combination shin, apply the pack smoothly omievaiH to the oily areas of the face only

OILY SKIN

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Cleanse and dry the laee thoroughly. Apply the pack evenly, using the fingertips to cover the entire face, but avoid the delicate areas around the eyes and lips. If you are using a rehydraiing face pack, follow the same procedure.

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<Wait five to ten minutes for the pack to dry completely, then rinse off thoroughly with lukewarm water Massage gently with the fingertips while rinsing to help remove dull surface cells and to Stimulate blood circulation further.

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Pal the face dry with a clean towel and moisturize well (sec page 61).

-BLEMISH TREATMENT-

htce packs tend lo draw out blemishes. One ol(lie best « Rub exfoliator in genily with ihc fingertips, focusing on any areas of acne. Do nol rub too vigorously- if dry patches begin to appear or your skin feels very sensitive, you arc probably exfoliating too bard or loo often.

CLEANSING TIPS • Never nth too hard: this not only causes the sfcin to become sore, but actually stimulates (lie oil glands to secrete more sebum than bejore.

upper cheeh area. Ij this happens. stop exfoliating until the sfcin has recovered completely.

• If you have combination sfcin, try exfoliating oily areas, such as the • The first sign oj excessive T-zone. two to three times a week, exfoliating is a red and "stripped" and limit yourself to Position your face about

12-18in (30-f5cm

away from the hot water and cover your head and the howl with a dry towel.

Tone and moisturize the lace (sec pages

60-61).

FIRMING FACIAL MASSAGE

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assage has been used throughout the centuries as a way of beautifying and treating the face and body. Although a facial massage will not remove any wrinkles that may already have developed, it can help prevent new lines appearing and make skin look smoother, firmer, and younger. This treatment uses a combination of massage and acupressure techniques to stimulate the flow of blood to the face and encourage the lymph system to drain away any excess fluid, as well as soothing

and firming specific points. While massaging, apply a little of your normal face moisturizer or a hot facial massage gel. For maximum benefit, repeat each step about three times and use the middle finger to work on each acupressure point, applying pressure for three seconds at a lime and repeating three times. Remember that the skin on the face is more delicate than the rest of your body, so you need to work gently and never use too much pressure or pull the muscles.

FOREHEAD & TEMPLES

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l> Character lines are mosi likely 10 appear on your forehead. Apply a little moisturizer or gel lo your lingers Place your middle and third lingers between your eyebrows and glide them upward and outward as if smoothing away lines and wrinkles.

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Apply gentle pressure to the temples. This has a soothing, relaxing effect and Can help relieve tension headaches. It can also make the eyes look less tired,

EYES & NOSE

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To combat the fine lines that easily form around the delicate eye area, circle the third fingers out around the eyes, starling at the inner poinl of the eyebrows and using a gentle gliding action.

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Glide your middle finger up along the nose line. Then massage the sides of the nose with the middle fingers in a circular motion to prevent the appearance of fine lines.

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Apply pressure to the acupressure points shown along the eyebrows, at the outer comer of the eyes and on the middle poinl below the eyes. This stimulates blood and lymph flow.

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Apply pressure to the acupressure points just outside the nostrils. This can help clear a blocked nose and prevent fine Hues from appearing around the nose.

CHEEKS & MOUTH

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< Using ihc middle and third fingers, massage outward in a spiral motion from the chin to below the earlobcs, from the corners of the mouth to the cars and from the sides of ihc nose to the temples.

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& Apply pressure to the acupressure points just below the cars. This stimulates blood and lymph flow to the lower jaw area.

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LONG To reduce the length of a long face, use a darker shade of foundation lo shade around die top of die forehead, blending it into the hairline. Shade along the jawline, too, and under the cheekbones. Dot a lighter shade just above the cheekbones to highlight, then apply the base foundation, blending well. Reapply the lighter and darker shades if necessary. Brush blusher along the cheekbones hut not too far down the face.

Blusher brush

SQUARE Soften a square face by using a darker foundation to shade an almost triangular shape on either side of the jaw. Shade the sides of the forehead, too, 10 help reduce the width of the top pan of the face. Dot a lighter shade above the clieekbones to highlight, then apply base Foundation, blending well. Reapply the lighter and darker shades if necessary. Brush blusher along the cheekbones.

Blusher brush

ROUND To reduce the width of a round face, use a darker foundation underneath the clieekbones lo give the face more angles, blend up into the hairline. Dol a lighter shade above the cheekbones lo highlight and on the tip of the chin 10 counteract the moon shape. Apply the base foundation and blend well. Reapply the lighter and darker shades il necessary. Brush blusher along the cheekbones.

Rluslu'r brush

HEART To even up a heartshaped face, use a darker shade of foundation on the sides of die forehead to help reduce ilie width of the lace, and also on the tip of the chin to make it look less pointed. Dot a lighter shade just above the cheekbones to highlight, then apply the base foundation, blending well. Reapply the lighter and darker shades if necessary. Brush blusher along the cheekbones 84

blending il up onto ihe temples.

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Blusher

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-ACHIEVING THE EFFECT-

-THE FINAL LOOK( ' Use blusher tiloiig the cheekbones but not loo tar down the face

Highligh above die cheekbones

Shade the sides of the forehead

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, line mi (op and botfiini lath lines

Black eyeliner on iiiji lush line Lilac OUT whole eye area

Violel of outer tamer and (in lower los/i line

Pale green over whole eye area

White c« inner comer

^ D a r h green on /id only

Black kohl along bottom rim

.'of k mascara on top anil hottom lashes

Heavy black eyeliner upper tut

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lower lash Sweep black mascara through lop lashes

Charcoal on Kiji los/i line

lllack eyeliner on top lash line

Pale /null over whole eye died

Sojl black on lid only

Drown in (in le around I'vcond smudged underneath

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Heavy black mascara on lop and bottom lashes

v White over B k whole eye area

Cray along socltel /iiii

Line (op and bottom lash lines in blue

Blue mascara on top and hottom lathes

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APPLYING LIPSTICK & LIP LINER PALETTE

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ipstick adds the finishing touch to makeup. It . should help unite the other colors you have used and really bring your face alive. However, if it is badly applied, it will look clumsy and unsubile. The answer is to use a lip liner 10 give lips a neat, defined edge and to build up color using a lip brush. To make the most of your individual lip shape, or to correct a particular problem, see Effects for Lips (pages 98-99).

OTHER EQUIPMENT

Moisturizer Foundation and sponge Tissue Translucent powder Powder brush Lip gloss

Unstick or other lip color

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Soften lips by gently rubbing on a small amount of moisturizer. This will help the Lipstick 10 glide on more easily.

Apply a very light touch ol your normal foundation to act as a base and help even out the color.

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Outline the natural edge of the lips with a lip liner that is not more than one shade darker than your chosen lip color. This keeps color from bleeding and gives a guideline for applying lipstick.

Use a lip brush to apply lipstick; this gives you more control over direction. Relax your mouth so that it falls slightly open and brush on color from the corners to the middle point of both lips.

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Press lips gently with a tissue, but be careful not to smudge the color or to remove loo much. Then brush on more color to create a deeper effect.

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For a malic effect, dust lips lighily with translucent powder using a powder brush. For a shiny finish, use a clear or colored lip gloss on top of lipstick.

TIPS

. • If you find ii hard to keep your hand Heady while applying lip liner, try placing dots at strategic points around your lips and then connecting them. Be care/ul no! to make the dots too large. • To prevent lipstick from slicking to your teeth, put a finger inside your mouth and draw out slowly to remove any excess from the inside of the lips. • Up liners are easier to sharpen if you put them in die refrigerator for about 30 minutes beforehand.

Tm; piNisimD EFFECT: Lips have been given extra definition and brought to life with a burst of color.

EFFECTS FOR LIPS THIN LIPS Make thin lips look fuller and accentuate their shape by outlining just outside their natural edge with a lip liner. Brush on a lip color inside Ihe line you have drawn. Avoid using very malic colors as these can make lips look even thinner; slightly glossy colors will make lips look fuller.

Glossy orangey brown lipstick

UNEVEN LIPS Balance an uneven top lip by outlining jusi outside the thinner half of the lip and along the natural edge of the fuller half using a lip liner. Check that the line is even, then outline the lower lip, Brush on a lip color inside the line, [flipsstill look uneven, add more color to the thinner half of the lip.

Deep pink lipstick

SHAPELESS LIPS Give lips more definition by outlining the lop lip wilh a lip liner to emphasize the "m" in the middle and so create more ol a cupid's bow. Outline jusi outside the natural edge of the lower lip to make it look fuller. Blush on a strong lip color to help give the lips even more definition.

Strong red lip eolor

PULL LIPS Make full lips appear thinner by lightly covering them with foundation 10 help blur the edges. Using a lip liner, outline lipsjusi inside their natural edge, then brush on a lip color, being careful nol lo go outside the line. Avoid pearly or glossy colors as these will make the lips look even fuller.

Matte brown lip color

Strong red lip liner

loiindjtion

UNEVEN COLOR Balance different-colored lips by covering both with a little foundation. Outline lips with a lip liner, then brush a darker shade of your chosen lip color onto the lip thai looks lighter and a lighter shade onto the one thai looks darker, Purse the lips gently together 10 even otti the color more.

Foundation

-ACHIEVING THE LOOKOutline jus! outside natural edge oj lips to emphasize their shape

Outline along natural edge offuller half of uneven Up

Brush on a slightly glossy color

Outline outside thinner half of uneven lip

Brush on color, adding more 10 thinner part of uneven Up

Outline lower Up

Outline top lip to accentuate cupld's bow

Brush on a strong, definite color

Outline outside natural edge of tower Up

Cover Uehtly with foundation

Brush on color, avoiding pearly or glossy shades

Outline inside natural edge of lips

Cover lightly with foundation

Outline around natural edge

Brush a lighter color onto darker lip

-THE FINAL LOOK-

MANICURE

F

or hands to look their best, nails need to be clean and cared for. A weekly manicure will help keep them in good condition and should only take about half an hour once you have had some practice. If you do not have time to apply nail polish properly, simply buff nails with a chamois polisher to give them a natural, healthy shine. Try to use a protective, nourishing hand cream every day (see pages 110-11) and always make sure you dry your hands thoroughly each time they get wet, gently pushing back the cuticles with a towel as you do so.

PALETTE OTHER EQUIPMENI

Nail polish remover Cotton halls Bowl of soapy water with drops of lemon Juice and olive oil Nail hardener Tissue

Orange slick

Nail file

J

Polish

3

Push hack cuiicles very- gently using an orange stick tipped With cotton. Brush on a nail hardener if your nails arc weak and prone lo splitting; allow lo drv thoroughly.

I

Filc nails into shape. Always file from one edge of llic nail 10 the center, and then from the oilier edge hack to the center, Use long, smooth strokes and never saw at the nail. Tile the tup of the nail slightly flat if it becomes too pointed. Remove all traces of old polish using an acetone-free remover and cotton halls.

2

Soak hands for a few minutes in a bowl of soapy water to which a few drops of lemon juice and olive oil have been added; this helps lo clean and soften hands at the same lime. Dry thoroughly and clean away any din underneath ihc nails with an orange slick.

Top coal

D

rn

4

Lay your hand on a flat surface and brush on a base coal lo prevent the nails from staining. This also strengthens nails and allows polish lo he applied more smoothly. Allow to dry for a few minutes.

5

> Apply polish, starling with one brushstroke in the middle of the nail and then one on each side. When dry, apply a second coat of color in the same way. Carefully clear away any blobs that might have formed at the side of the nail with an orange stick tipped with cotion soaked in remover, or a small piece of tissue with remover on it. When dry, repeal with a clear top coat.

THE FINISHED EFFECT: Nails shine with beauty and health once they have been cleaned,shaped, and colored

TIPS • Calcium is said lo keep nails strong and healthy; dairy products, legumes, leafy green vegetables, and dried Jntit arc all rich sources. However, it takes about six months jor a nail lo be renewed, so do not expect to sec changes overnight. • When removing polish, soak cotton balls with acetone-free remover and stroke down the nail, workingjwm the cuticle to the tip. Do not rub or you will cause the color to streak onto the shin. 101

EFFECTS FOR NAILS DAYTIME LOOK Daytime colors should be easy lo wear, such as soft reds and pinks, genllc beiges and dusky blues. First, file nails into a short, square style to create a practical, sporty effect. Apply a base coal, lei dry and then give nails two coats of colored polish. Finish off with a lop coal.

PARTY TIME This is your chance to try out those shades thai you mighi feel afraid of wearing during the day. First, apply a base coat, then two roais of a vihrani fluorescent polish, such as this green. Add extra shine by using a sparkling silver polish on lop of the main color when il is dry. Finish off with a lop coal.

PALETTE

PALETTE

Sparkling silver polish

Base coal

Soft red polish

Base coal

Green polish

THE FINAL LOOK

THE FINAL LOOK

A practical, natural style based on shori, square nails mid «soft. easy-to-wear po/isJi

Fluorescent colors arc great for parties as, they look so vibrant; a coal of sparkling silver polish adds the finishing touch

lop io.il

m -n m

n H GLOSSY GLAMOUR For a grown-up, glamorous effect, choose deep, dark colors thai strike a dramatic note, such as this vampish purple. First, file nails into a long, oval shape and apply a base coat. Give nails at least two coats of main polish, allowing them to dry thoroughly ill between. Finish with a lop coat.

FRENCH MANICURE This is the best choice for special occasions when you want nails to look perfectly cared for, but not too loud. Apply a base coat and, when dry, cover the tips of the nails with white polish. Let dry and apply a very pale pink or peach polish over the whole nail. When dry, apply a lop coat.

PALETTE

PALETTE

•A

0 z >

Pale pink

i

polish

\ Base coal

Purple polish

Base coac

ft

While polish

THE FINAL LOOK-

THE FINAL LOOK-

.•1 (Iwk. dramatic polish /jives lonj: nails

A clean, fresh effect that enhances the natural shine and color of the nails

(i touch oj glamorous sophistication

\

Top c

103

EFFECTS USING COLOR IDEAS FOR LIGHT HAIR

GREEN PALETTE

Fresh and natural or sleek and sophisticated, a change of color can create very different looks.

Light golden blusher

Pearly green eyeshadow

Bright green eyeshadow

Yellow eyeshadow-

WW Terra-coil a lip linrr

GREENS After applying foundation, brush on a light golden blusher. Cover the eye area with a pearly green shadow and use bright green on the lid. Apply bright green along the lower lash line and highlight the brow with a yellow shadow. Outline the lips with a lerra-cotta lip liner and brush on a pale lerra-coita lip color. PINKS Afler applying foundation, brush on a strong pink blusher, blending well. Use a pale pink pearly shadow all over die eye area and a dark rose pink shadow on the lid only. Outline die lips with a bright pink lip liner and brush on al least two coals of a strong pink lip color.

Pa Ic green nail polish Pale lerra-coita

lip color

PINK PALETTE

Strong pink blusher

Pale pink pearly Dark rose pink eyeshadow eyeshadow

A/ Bright pink

lip liner

IDEAS FOR DARK HAIR

Top polish: Glittery pink

Strong pink lip ailw

ORANGE PALETTE

From vibrant oranges to moody blues, color can dramatically alter your appearance.

Hrown blusher

WW Orange lip liner

ORANGES After applying foundation, brush on a brown blusher. Cover dsc eye area with a pearly gold shadow and blend an orange shadow omo the lid. Use a deep orange on the socket line and a burgundy shadow along both lash lines. Outline the lips with an orange lip liner and brush on an orangey bronze lip color, BLUES After applying foundation, brush on a lighl pink blusher. Cover the eye area with a pearly blue shadow anil use bright blue on the lid. Continue bright blue along the lower lash line and into the inner corner. Outline the lips with a soft brown lip liner; brush on a pale lerra-COtta lip color, then a touch of brown.

Pearly gold eyeshadow

Orange eyeshadow

4MP

Deep orange eyeshadow Burgundy nail polish

Orangey bronze lip color

BLUE PALETTE Base nail polish: Pearly lighl blue

Light pink blusher

Pearly blue eyeshadow

Bright blue eyeshadow

w w 4IS8? 4MP£ Soft brown lip liner

Pale lerra-cotia lip color

Brown lip polish: color Strong aqua

Burgundy

C y CSna dow

0

-THE FINAL LOOKS NATURAL GREENS

STYLISH PINKS

A blend of green and yellow eyeshadows creates a refreshing, natural loo), thai suits a light urn I

Based on a sleek and stylish color scheme, this smart, grown up effect focuses on the lips

Glittery pink nails add a touch of surprise Pale terracotta lips and a light golden blusher balance the strong eyeshadow shades

The strong lips are enhanced by pearlier shades of pink used around the eyes

ORANGE SIZZLERS A blend of orange eyeshadows creates a fresh, fun. and upbeat style

BOLD BLUES Bright eyeshadows are complemented by a softer orange on the. lips

A cool, moody, yet sophisticated color scheme based on a combination of soft and bright blues

Cool-toned pinkybrown lips add to the dramatic, mysterious

effect Strong attua nail polish

f,'/

,y '

'•

/

B

BODY- CARE PROGRAMS \

Your body deserves just as much attention as your face and should regularly be given a full range of pampering treatments. From a deep-cleansing bathing treatment to an all-over self-massage,

the following programs

will help you tone and revitalize your body in the comfort of your own bathroom and so shake off the stresses of everyday life. There are also hints and tips on diet, exercise, and relaxation, because the

more you know about

how your body works, the better you can take care of it.

CO

YOUR BODY

O O

n >

73

—

>

T

he more you learn about your body and how it works, the better you can take care of it and keep it looking its best. Try not to be self-conscious about your individual shape; instead, concentrate on being more body conscious, learning how

to revitalize and recharge yourself through a combination of exercise, diet, and relaxation. You may also like to expand your beauty routine so that you have time to beautify your whole body with a range ol pampering home treatments.

EXERCISE EXERCISE NOT ONLY KEEPS YOU IN SHAPE, it makes you feel more relaxed

and helps you sleep well and enables you to handle stress better - all of which will benefit the appearance of your skin and body. Exercise also reduces the body's fat reserves by converting them into energy and so helps improve body shape. Building an exercise program into your routine is probably one of the most positive steps you can take to enhance your body. Start with gentle activities such as walking, stretching, or swimming, and work up to five 30-minute sessions a week.

RELAXATION TECHNIQUES ONCE A DAY, take time to relax your body and mind, and free yourself from tension. Relaxing is a skill that needs to be learned and developed: start by practicing these simple but effective techniques.

1

< Abdominal breathing helps induce calmness. Place one hand on your chest and the oilier on your abdomen. Breathe in slowly and deeply through your nose, allowing your stomach to expand but keeping your chest still. Breathe out slowly through your nose and repeal [or five lo icn minutes,

2

Close your eyes and count backward from 20. saying each number silently as you breathe out. Repeat several times.

3

Shut your eyes and imagine a tranquil scene. Mold the picture in your mind for five minutes without allowing other thoughts to intrude.

DIETEM \ i in: MOST SOPHISTICATED skin-care and body treatments will not be effective if you do not feed your skin from within. Drink plenty of water (four glasses a day or more) and herbal leas to flush out toxins and prevent dehydration. Ensure that your diet contains the essential nutrients for healthy skin. Cenain vitamins are thought to be particularly valuable for improving the complexion and boosting the circulation. These include: Vitamin A to help maintain the shin's elasticity. Good sources arecarrots, rutabagas. yellou oi ordure VCC/MMCS, ainl dark green leaf) vegetables. Vitamin ti.i / promote healthy circulation. Good sources (ire grains, beans, green leafy vegetables, seeds anil mils, andfishand seafood.

108

Vitamin C to assist in the/ormation of collagen (the shin's supportfibers).Good sources are citrus fruit. broccoli, green leafy vegetables, cherries, and apricots.

SUN PROTECTION THE OZONE LAYER ABOVE THE EARTH no longer provides a

sufficient filler to proteet skin against the sun's harmful UV rays, which cause, at the very least, premature wrinkles and, at worst, an increased risk of skin cancer. Although a tan used to be associated with glowing good health, it is in fact the body's way of trying to protect against skin damage. Cells in the outer skin layer respond to sunlight by producing more of the protective pigment melanin. Dark-skinned people have more melanin; those with a fair complexion or a tendency to freckle have less and so burn more easily. UNDERSTANDING S U N P R O T E C T I O N FACTORS

Skin that has been repeatedly damaged by sunburn is at the greatest risk of damage and also provides a poor base for makeup. Suncarc and cosmetic products with a sunscreen will help proteci and care for your skin, particularly if you spend a lot of lime outside. The higher the SPF (sun protection factor), the longer the product will protect against sunburn. For example, as a guideline, an SPF 15 sunscreen will allow you lo stay in the sun 15 limes longer APPLYING SUNSCREEN

1

Gently rub a sunscreen with an SPF that provides the right amount of protection lor your skin coloring all over your body. Reapply when necessary and always after swimming or exercise if the sunscreen is not Water resistant.

2

> Sensitive pans of the body, such as the shoulders, are particularly vulnerable to sunburn and may need extra protection with a sunblock, so rub onto these areas evenly.

3

Alter sunbathing, moisturize skin well with after-sun products to prevent it front becoming dry and peeling.

BURNING TIMES Slim coloring Fair

Normal

Dark

Amount II/ lime before burning with no protection 10 minutes

20 minutes

30 minutes

than you could with no protection (see the chart below). while an SPF 20 will allow you to stay 20 times longer. SUNBLOCKS

If you want to make sure your skin hardly changes color in the sun or give exposed areas extra protection, you need to wear a sunblock. Sunblocks screen out damaging UV rays, but should also moisturize the skin. Always use a sunblock made especially for the face and a separate one for the body. A sunblock for the face will prevent tanning and freckles, but should also provide a smooth base for makeup if you intend lo wear it on top. For this reason, choose a natural-colored sunblock that will not affect the color of your foundation. For best results, apply in the morning, about ten minutes after moisturizing. SAFER TANNING

If you do want lo gel a tan, gradually build up ihe time you spend in the sun. Start off with ten minutes and add a few minutes each day. Do not sunbathe when the sun is at its strongest - usually between 11:00 a.m. and 4:00 p.m - and always wear a pair of good-quality sunglasses.

HAND & FOOT CARE

N

o matter how well cared for the rest of you looks, a pair of rough, wrinkled hands will quickly ruin the effect. The skin on your hands can easily become dehydrated and damaged because it is frequently exposed to the drying effects of wind, sunshine, and water. This means that your hands can show signs of aging before other parts of your

body, even your face. Their condition depends on how well you lake care of them. Feet, too, tend to be forgotten, yet when your feet are feeling comfortable and relaxed, it shows immediately in how you walk and carry your body. Like hands, feet deserve special attention in order to relieve tiredness and prevent a buildup of rough skin.

•MOISTURIZING YOUR HANDS

I

A DAILY TREATMENT with a moisturizing hand cream or lotion will help keep the skin soft and supple. It also forms a barrier against the elements and harsh cleansing agents, The best time to moisturize your hands is after an evening bath, when the skin will be most receptive. For extra protection, use a hand cream with an added SPI : (see page 109).

Wash and dry hands (for a complete cleansing treatment, see page 100).

2

Support the foot with one hand by placing your thumb on the sole and your fingers on the top. Use the other hand to massage a cooling Foot lotion or an overall body moisturizer into the fool. Start at the base of each toe and work down the Dry i he feet. Clip the toenails across foot, making small circular movements and file smooth. with your thumb and forefinger.

5

A Work the lotion between the toes and massage each loe by gently rolling it between your fingers. This helps stimulate the circulation and pressure points. Repeat steps 4 and 5 on the other foot.

6

Lie down for about five to ten minutes with your feet above your head, cither resting on a pillow or against a wall. This relieves tension in the feel and legs and can help aching veins, Sinn (it (he base of each loc and work the thumb iind forefinger down the fool using small circular movements

BATH TREATMENT

T

hink ol your bathroom as a private room where you can escape from the pressures of modern life, and as a therapy center where you can completely relax and indulge yourself at the end of the day. A long soak m a warm bath in the evening not only relieves lension, stimulates the circulation, and softens the skin, it will soothe tired, aching

joints and open the pores ready for moisturizing. If it helps you relax, read or cover your eyes with a pair of eyepads and listen to some calming music while you are soaking in the bath. Always make sure that you have a warm towel and bathrobe ready to wrap yourself in when you have finished your bath treatment.

CLEANSING THE BODY

1

FMII the bath with warm water, but do not make it too hot as this could raise your heartbeat and make it difficult for you to sleep later. Add some scented bath crystals or bath oil to the water; choosing a product that contains sea minerals or salts will add to the feeling of creating a spa in your own bathroom. Test that the temperature of the water is comfortable before stepping into the bath,

2

Lie back in the warm water, immersing as much of your body as possible. Close your eyes - or put on eyepads - and relax for at least ten minutes. If you find il hard to switch off. try practicing the relaxation techniques on page 108.

3

Knead the thigh from the knee to the lop of die leg, front and back, using deep movements lo squeeze and lifl theflesh.This stimulates blood circulation and lymphatic drainage. Repeat on the other leg.

4

Wrap both hands around die leg just above the knee and pull the flesh up toward the top of the thigh. Repeat on the other leg.

people. Localized massage is one of the best ways to treat cellulite as it helps to drain away waste, as well as making the skin look smoother and tighter. However, any exercise thai works the upper legs, such as cycling and jogging, will also help.

INDEX A accessaries: diamante 16 hair 16,24 natural I I Sixties 12 aching veins, relieving 111 Active Aqua makeup look 22-23 acupressure, techniques 68-71.112 acupressure points 112.113 alcohol-free toners 54 allergy test, for skin-care products 59 Asian skin, colors for 37 oval face 31 astringent loners 54 Autumn Glamour makeup look 16-17

B base coal, for nails 52 applying 101-3 bath crystals 55 for spa effect 112 bath mill 112 bath oil 55 bath treatment 112-13 beige-toned Asian skin, colors for 37 black skin, colors for 34 blackheads, lrcatmcnt 67 blemishes, concealing 75,77 treatment 65, 67 blusher: applying 80-81 for face shapes 84-85 types 45 blusher brushes 41 body balm 55 body brushing 113 body cleansers 55 body cleansing 55, U2-13 body lotion 55

body moisturizers 55 body scrub 55 applying 116 body shampoo 55,112 body shape, improving 108 body treatments 54-55 bridal makeup 24-25 brow brush 41 brown-toned blushers 45 brushes 40, 41

- c cake foundations 43 using 74-75 calcium 101 cellulite treatment 55, 113,117 cheek and mouth massage 70 cheekbones 82-83 highlighting 80-81.84-85 cheeks, plump 82 angling 84-85 chin and neck massage 71 circulation, boosting: body 112 face 68-71 clay face packs 55 applying 64 clay-based cleanser 54 cleansers 54, 55 choosing 28, 58 cleansing (body) 55, 112-13 cleansing (face): and exfoliation 66 method 58-59 steam treatment 67 using face packs 64 color correctors 42 using 78-79 coloring, analysis 32-33 colors: choosing makeup palettes 34-37 ideas, for light and dark hair 104-5 for nails 102-3 combination skin 28-29 exfoliation 66 using face packs 64 complexion: color analysis 32-33

correcting flaws 42, 78-79 cotton swabs 40 cotton ball 40 cream blusher, applying 81 cuticles 100, 110

D daily firming massage 114 dark hair, color effects for 104-5 dark hair/olive skin, colors for 35 daytime look, for nails 102 deep-set eyes 94-95 dermis 29 dici 108 dry skin 28-29 using face packs 64 dry skin brushing 113

E epidermis 29 equipment 40 exercise 108. 117 exfoliation: body 116 face 66 feet 110 lips 63 exfoliators 54, 55 eye cream 62 eye foundation 43 applying 86 eye makeup, removing 62 eye and nose massage 69 eye pencils 48 eyebrow brush 41 eyebrow liners 49 eyebrows: defining 92-93 and foundation 77 heavy 94-95 plucking 92. 93 eyelash curlers 40 using 90 eyelashes: false, applying 89 lash comb 41 lash separator 41

eyeliner: applying 88 types 48 eyes: care or 62 concealing undereye circles 79 effecis for 94-95 eyeshadow applying 86-87 removing 62 types 46-47 eyeshadow brushes 41

- F face, massage 68-71 face packs 55 applying 64-65 face powders, see powder face scrubs 54 using 66 face, shape of: correcting 84-85 shading and highlighting for 81.82-83 types 30-31 facial sauna 67 fair hair/pale skin, colors for 36 fair skin, colors for 36 false eyelashes, applying 89 fashion, influence of 34 fat, special toning massage for 115 features, shading and highlighting 82-83 feet: care of 110-11 exfoliating 110 massaging 110-11 firming body massage. daily 114 firming facial massage 68-71 firming gel 55 forehead and temple massage 68 Forties Glitz makeup look 20-21 foundation: matching to coloring

32-33. 34 sponge applicators for 40 types 42-43 using 74-77 French manicure 103 fresheners, see loners full lips 98-99

G gel. firming 55 gel moisturizers 54 glamorous look, for nails 103 glamorous makeup 16-17

H hair, styling ideas: bobs 12, 22 high ponytail IS natural look 14 Pre-Raphaelite curls 24 hand tare 100. 110 hand cream 100. 110 hard skin, softening 110, 116 heait-shaped face 30, 84-85 heavy brows 94-95 herbs, lor skin cleansing 67 herbal toners 54 highlighting, facial features 82-85 hypodermis 29

I Ice Maiden makeup look 10-11

J-K jawline. square 82-83 kneading. 114, 117 kohl pencil, using88

L Ixsha>mb41 lash separator 41 light hair, color effects lor 104-5

-

light brown hair/olive skin, colors for 35 lip balm 63 lip brush 41 lip colors 50-51 lip gloss 97 lip moisturizers 63 lip pencils 50 lip liner: applying 96-97 sharpening 97 types 50 lips: care of 63 exfoliation 63 types, effects for 98-99 lipstick: applying 96-97 on teeth 97 removing 63 types 50-51 liquid eyeliner 48 applying 88 liquid foundations 42 using 76-77 long eyes 94-95 long face 31,84-85 loose face powders 44 lymphatic system, stimulating 68-71.114, 115

M magnifying mirror 40,86.90 makeup sponges, for cake and liquid foundation 40 makeup styles from the past 12-13,20-21 manicure 100-1 French 103 mascara 49 applicators for 41. 91 applying 90-91 removing 62 massage: daily 114 facial 68-71 feet and toes 110-11 Shiatsu 112,113 toning 115, 117 matle eyeshadows 47 mane and scmi-matie lip colors 50 matte and semi-matte lipsticks 50,5! medicated foundations 42 moisiuriier:

powder compact 41 powder puff 41 pressed lace powders 44 Prctly Face makeup look 18-19

applying 61 choosing 29.61 for hands 110 types 54

N

R

nail hardener 100 nail polish remover 52 nail polishes: applying 101 colors 52-53 removing 52.100. 101 nails: buffing 100 effects for 102-3 tiling 100 manicures 100-1, 103 natural-look nail polish 52 Nearly Natural makeup look 14-15 normal skin 28-29 nounshing night creams 54,61

red hair/pale skin, colors for 36 red-toned complexions 33 relaxation, techniques 108 removing makeup 62-63 rosewaier: for steam towel treatment 67 for toning 29 round eyes 94-95 round face 31.84-85

s

o oily skin 28-29 using face packs 64, 65 olive skin, colors for 35 orange slicks 40 for nail manicures 100 orange-toned complexions 32-33

P

-

pale-toned Asian skin. colors for 37 party colors, for nails 53. 102 pastel nail polish 52 pastel-colored makeup 18-19 pearly eyeshadows 46 pearly lip colors 50 pedicure 110-11 pink nail polish 53 pink-toned blushers 45 powder: applicators for 41 applying 76, 77 types 44 powder brush 41

sauna, facial 67 sensitive skin 28-29 shading, facial features 82-85 shape, of face: correcting 84-85 shading and highlighting for 81,82-83 types 30-31 shapeless lips 98-99 sharpener 40 Shiatsu massage 112, 1)3 shimmer lipsticks 51 shimmering makeup 10-11 shower, treatment 116 Sixties Style makeup look 12-13 skin: damage to 28 preparations 54-55 structure 29 tone and color choice 34-37 types 28-29 skin brushing 113 small eyes 94-95 special toning body massage 115 sponges, for applying makeup 40 Spring Bride makeup look 24-25 square face 30.84-85 steam towel treatment 67 storage, of makeup equipment 40

strengthening nails 101 summer makeup 22 sun protection 109 sun protection factors (SPF) 109 sunblocks 55.109 sunglasses 109 sunscreen, applying 109

tanning 109 testing foundation 33

thin lips 9S-99 toenails: clipping and Tiling 110 painting 52 toes, massage treatment Tor 110-11 loners: choosing 29, 60 types 54 using 60 toning, method 60 toning massage for body 115. 117 topcoat, for nails

52,101-3 translucent face powder 76.77 tweezers 40 using 92

veins, aching, treatment for 111 vitamins,forhealthy skin 108

u-v-

W-Y

undereye circles, concealing 79 uneven shaped lips 98-99 uneven colored lips 98-99 unevenly applied blusher 81

water, as loner 60 waterproof makeup 22-23 waterproof mascara 22 waterproof sunblock 55 yellow-toned complexions 32

ACKNOWLEDGMENTS AUTHOR'S ACKNOWLEDGMENTS

I must thank Dorling Kindersley for the marvelously talented and professional team ihey produced to work with me on this bumper book, including Louise Elliott for her amazing ability to rationalize magic; Michele Walker for her infallible eye; Helen Diplock for her sure-fire design anticipation of the whole book; Carole Ash for pure, clear art direction; Susannah Marriott Tor ensuring beautiful, simple editing throughout; and everyone else who was involved in the production of the book. So incredibly in unison were we thai I siarted to feel deprived of a good light and to look for trouble myself. But no - the whole book lloaicd through on a tide of good fortune, sound sense, and fun, helped along by Maureen Barrymore's delicious photographic lunches. 1 would also like lo thank Maureen Barrymore for her wonderful photographs that so clearly love the stylish dash of makeup as much as naked beauty; Dave King for the clarity and punch of his step-by-step photographs; Cathy Lomax for her charmingly funky good taste that so appeals to me; Vidal Sa&soon for letting us have Billi Currie, Peter Gray, and Ben Skervin to work their spells on the hair styles; all the models for being so generous with their beauty; and manager Angela Waison and consultant Sarah Stent at the Mary Quant Colour Shop for casting their professional eye over the book and for offering the most

satisfying tips, on everything from skin-care to applying makeup. PUBLISHER'S ACKNOWLEDGMENTS

Dorling Kindersley would like to thank the following: Clare Maxwell-Hudson for checking massage sequences on pages 68-71 and 108-117; Angela and Sarah at the Mary Quant shop for their boundless patience and enthusiasm throughout the whole project; Sara Mulholland-Wright at Profile for all her help and advice in casting and booking the right models; Nasim Mawji for research and product testing. Photographers: Maureen Barrymore pages 6-15.18-27. 32 bottom left and top right, 34, 35 top, 36. 37 top, 56-57, 72-73. 98 bottom, 104-117. Dave King pages 28—31, 32 bottom right, 33, 37 bottom, 58-71, 74-93, 96-103. Martyn Thompson pages 16-17, 32 top left. 35 bottom, 94-95. DK Photographic Studio: Steve Gorton pages 10-25 palettes, 38-55 beauty-care products, 80-83 palettes, 86-101 palettes. Sarah Ashun pages 34-37 palettes, 74-79 palettes, 84-85 palettes. 102-5 palettes; as well as assisting Steve. Models: Audrey Drake. Caroline luel Brockdorff. Franceses Howie, Gitle Rosengaard, Katie Tomlinson, Mary Grimes, Rachel Clarke, Siephanie Green, Susan Lelis, and Vanessa Franco at Profile. Gillian McConnachie. Karen Elson, Mayumi Cabrera, Terri Seymour and

Wendy New at Models 1. Jo Branfoot, Michelle Mason, Oxana Popkova. and Sonia Gardner at Select. Donna Astbury, Holly Venn, Julia May and Natasha Bricc at Storm. Wcndi Anthony at IMG Models. Kanako Morishit at Oriental Casting Agency. Charlotte Saunders and Kara O'Neill al 2 Management. Sara Francis at Freddie's. Shoko Kai. Joanna Aitkens. Makeup: Cathy Lomax at Debbie Walters except: Jane Bradley al The Worx pages 58-62, 98 center, 108-117. Fay Leilh pages 63. 64-71. 78-79.82-83. as well as assisting Cathy. Special thanks to Cathy for consultancy work and editorial input on pages 10-25 and 74-105. Hair: Billi Currie, Peter Gray, and Ben Skervin, al Vidal Sassoon; Alison Johnson for booking arrangements. Clothes and makeup: from the Mary Quant Colour Shop. 3 Ives Street. London SW3 2NE. Jewelry on pages 20-21 from Butler & Wilson. Photographic retouching: Ken McMahon at Pelican Graphics. Product retouching: Tim Weare & Partners. Artwork: Karen Cochrane for arrow artworks throughout the book. as well as face-shape artworks on pages 84-85. Illustrations: Julie Carpenter for pages 29, 30-31, 94-95 and 98-99. Index: Kaic Chapman

"Sixties legend Mary j£ Qiiant has penned the > Classic Make-up Beauty

*SL

Z

hook, which

is full of ultraclear photographs illustrating how to do make-up" Harper's Bazzar

Full of dazzling ideas, lavish _ illustrations, and practical instructions, Mary Quant's CLASSIC MAKE-UP 8LBEAUTY book is

the ultimate guide to inspirational makeup and classic beauty.

ISBN 0-7894-3294-3

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