TEXTS AND INTERVIEWS 1972-1977
ix
uattari
Edited by Sylvere Lotringer Introduction by FranQois Dosse
Translated by D...
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TEXTS AND INTERVIEWS 1972-1977
ix
uattari
Edited by Sylvere Lotringer Introduction by FranQois Dosse
Translated by David L. Sweet, Jarred Becker, and Taylor Adkins
<e>
SEMIOTEXT(E) FOREIGN AGENTS SERIES
Copyright ©
2009
Felix Guattari and Semiotext(e)
All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photo copying, recording, or otherwise, without prior permission of the publisher.
Published by Semiotext(e)
2007 Wilshire Blvd.,
Suite
427,
Los Angeles, CA
90057
www.semiotexte.com
Special
thanks
to Robert Dewhurst, Emmanuelle Guattari, Benjamin Meyers,
Frorence Petri, and Danielle Sivadon.
The Index was prepared by Andrew Lopez.
Cover Art by Pauline Stella Sanchez. Gone Mad Blue/Color Vaccine Architecture or 3 state sculpture: before the event, dur ing the event, and after the event, #4. (Seen here during the event stage.)
2004.
Temperature, cartoon colour, neo-plastic memories, glue, dominant cinema notes, colour balls, wood, resin, meta-allegory of architecture as body.
9 x 29 1/4 x 18" Design by Hedi El Kholti
ISBN:
978-1-58435-060-6
Distributed by The MIT Press, Cambridge, Mass. and London, England Printed in the United States of America
ontents
Introduction by Franc;ois Dosse
7
PART I: DELEUZEIGU ATTARI ON ANTI-OEDIPUS
1. 2. 3. 4.
Capitalism: A Very Special Delirium Capitalism and Schizophrenia In Flux Balance-Sheet for "Desiring-Machines"
35 53 69 90
PART II: BEYOND AN ALYSIS
5. 6. 7. 8. 9. 10. 11.
Guerrilla in Psychiatry: Franco Basaglia Laing Divided Mary Barnes's "Trip" The Best Capitalist Drug Everybody Wants to be a Fascist La Borde: A Clinic Unlike Any Other Beyond the Psychoanalytical Unconscious
119 124 129 141 154 176 195
PART III: MINOR POLITICS
12. 13. 14. 15.
To Have Done with the Massacre of the Body Three Billion Perverts on the Stand I Have Even Met Happy Drag Queens Becoming-Woman
207 215 225 228
PART IV: CINEMACHINES
16. 17. 18. 19.
Cinema of Desire Cinema Fou The Poor Man's Couch Not So Mad
235 247 257 268
PART V: SCHIZO-CULTURE IN NEW YORK
20. Molecular Revolutions 21. Desire is Power, Power is Desire 22. Gangs in New York
297 301 311
Bibliography Notes Index
o�����:s� 111�1��I����11 KUTUPHANESI
275 282 291
0918419
f
Fran�ois Dosse
OSOPHY
INTRODUCTION
Chaosophy
gathers a senes of scattered texts by Felix Guattari
according to several themes accessible to an Anglo-Saxon reader ship: first, there are clarifications on the singularity of the writing machine assembled with Gilles Deleuze, which lasted from when they met, to the publication in Second, the texts from
1 977
1 99 1
of
1 969, What Is Philosophy?
give an idea of what the private La
Borde clinic, in which Guattari worked, was like, and of his ambivalent relationship with antipsychiatry. Third, the texts collected in subsequent volumes
( 1 977- 1 98 5
and
1 986-1 9 92)
will allow us
to better understand his important role in the Italian autonomists' movement, and his relationship with a triumphant modernity. Guattari never allowed himself to lament a world which we have lost . Rather, always displaying a critical spirit, he tried to bounce back in order to chart innovative paths leading to the most creative processes of subj ectification possible: ''I'm hyperpessimistic and hyperoptimistic at the same time."!
D&G: A Writing Machine After May
1 968,
Deleuze intended to bring a philosophical
answer to the questions raised by Lacanian psychoanalysis . His meeting with Guattari offered him a magnificent opportunity. Moreover, in
1 969
his health already was seriously impaired by the
7
operation he had the year before. More than one of his lungs had to be removed. As a result, his tuberculosis worsened and chronically weakened his respiratory system until he died. He was exhausted in the full sense of the term by which he will later characterize the work of Samuel Beckett-an exhaustion which offered an opening and allowed for a true meeting, a presence for the other and a fruitful relationship. Meeting Guattari would be crucial for reviving his vital forces. As for Guattari, he disclosed his own weaknesses to his new friend, revealing aspects of the inhibition which led to his "extremist misfiring."2 T he basis for this writing disorder, he admitted, was a lack of consistent work and theoretical readings, and a fear of diving back into what he had left fallow for too long. To these failings he added a complicated personal history with an upcoming divorce, three children, the clinic, conflicts of all kinds, militant groups, the FGERl ...3 As for the theoretical elaboration itself, Guattari considered "concepts mere utensils, gadgets."4 For example, he used the concept of "vacuolar group" as a way of bringing out something less oppressive within militant organizations, also more conducive to rethinking singular phenomena. Guattari invented his concept of "transversality" in order to unsettle so-called "democratic centralism"5 in favor of "effectiveness and a breathing."6 From their first encounter, both of them immediately identified their critical target: "the Oedipal triangle" and the familial reduction brought about by psychoanalytical discourse, the critique of which became the core of
Anti-Oedipus,
published in
1 972.
From the
beginning their relation was located at the heart of theoretical stakes, based on an immediate friendship and intellectual affinity with an equal rigor on both sides. However, this friendship would never be fusional, and the use of between them, although they
vous would always be de rigueur otherwise readily used the tu form.
Coming from two different galaxies, each respected in their difference
the other and his singular network of relations. What made the success of their joint intellectual endeavor possible was the mobi lization of everything that made their personalities different, sharpening contrasts rather looking for an artificial osmosis. Both had a very high idea of friendship. Guattari had admittedly been apprehensive of meeting with Deleuze face-to-face. He was more at ease working with groups, and would rather have involved his friends from the CERFF and integrated them in their collabora tion. Putting their first book together, especially, mostly involved an exchange of letters.8 This writing protocol upset Guattari's everyday life, and he had to immerse himself in a kind of solitary work he wasn't used to. Deleuze expected him to go to his work table as soon as he woke up, jot his ideas down on a piece of paper (he had three ideas a minute) and, without even rereading it, send him the products of his reflections in their rough state. Deleuze thus subjected Guattari to a kind of asceticism w hich he believed necessary for him to overcome his writing problems. Guattari fully went along and locked himself up into his offic e, working like a horse to the point of getting writers' cramp. Instead of spending his time directing his groups, he found himself confined to his lonely study every day until 4 p.m. He only went to La Borde in the late afternoon, always in a rush because he always had to be back to his house in Dhuizon around 6 p.m. The director of the clinic, Jean Oury, experienced this change as an intolerable desertion. Usually omnipresent in the daily life of La Borde, Guattari had to remove himself from all the activities at the clinic and devote himself to his work with Deleuze. According to the writing arrangement they adopted for Anti Oedipus, Guattari would send preparatory texts which Deleuze would rework and polish into their final versions: "Deleuze said that Felix discovered the diamonds and he was cutting them for him. Guattari only had to send him the texts as he w rote them and
/9
Deleuze would arrange them. That's how it all came about."9 Their joint task therefore involved the mediation of texts far more so than dialogue or live exchanges, even though Guattari occasionally met with Deleuze in Paris on Tuesday afternoons, after Deleuze gave his class at the Vincennes University in the morning. In the summer months, it is Deleuze who went to Guattari's in order to work with him. On several occasions, Deleuze and Guattari described their joint work and its singularity. After the publication of Anti-Oedipus, Guattari said of their writing duo: "Initially it was less a question of pooling knowledge than of accumulating our uncertainties, and even a certain distress regarding the turn of events after May '68 . "10 Deleuze also commented: "Oddly, if we tried to go beyond this traditional duality, it is precisely because we wrote in tandem. Neither one of us was the madman or the psychiatrist, it was necessary to be two to release a process . . . The process is what we call a flux." l l From this exchange, a genuine work machine was born, and from then on it was impossible to identify what belonged to one or to the other because this machine was not a simple sum of two individuals. It only seemed to reside in a "two of us" that the cosignature of the book evokes, yet it functions more profoundly in a "between-two" capable of creating of a new collective subjectivity. In their machinic bifurcation, the true sense of these notions lies in the interval of their respective personality. To try and identify the father of such and such concept, as Stephan Nadaud wrote, would be "to completely disregard an essential concept in their work: that of assemblage. " l 2 Their entire writing machine relies on positioning a collective assemblage of enunciation as the true father of the concepts invented. Does it, for all that, lead to the creation of a third man who would result from the coalescence of both, a Felix-Gilles, or a "Guattareuze" as the cartoonist Lauzier has coined?
1 0 ./
This idea of assemblage is fundamental for understanding the singularity of the Deleuze-Guattari mode of w riting. Deleuze explained this to his Japanese translator Kuniichi Uno: "What is enunciated does not refer to a subject. There is no enunciating subject, only assemblages. This means that, in any assemblage, there are "processes of subjectification" which will assign various subj ects, some as images and others as signs."13 It is with Uno, a former student turned friend, that Deleuze would open up most explicitly about the specificity of their joint work. He presents Guattari as a group "star" and offers a beautiful metaphor to express the nature of their bond, that of the sea sinking on a hill side: "Felix could be compared to a sea outwardly in constant movement, with continuous flashes of light. He jumps from one activity to another, he sleeps little, he travels, and he never stops. He never pauses. He moves at extraordinary speeds. As to me, I would be rather like a hill: I move very little, am unable to carry out two proj ects at once, my ideas are idees fixes and the few move ments which I do have are internal . . . Together, Felix and I would have made a good Sumo wrestler. "14 Deleuze and Guattari's different personalities induced two rhythms of temporality, a sort of two-stroke engine: "We never had the same rhythm. Felix reproached me for not reacting to the letters he sent to me: it's simply that I was not in step at the time. I was only capable of making something out of them later, one or two months afterwards, when Felix already had moved somewhere else. "15 On the other hand, in their wrestling-match work sessions, each challenged the other to go as far as he could until they both had totally exhausted their strength or until the debated and dis puted concept could take-off, leaving its shell behind and gaining its independence not through a work of standardization, but through proliferation, dissemination: "In my opinion, Felix had true flashes, while I was a kind of lightning conductor, I hid in the ground.
intlociuct:on
C--:haosophy / 1 1
Whatever I grounded would leap up again, transformed, and Felix would pick it up again, etc., and thus we kept going ahead. "16 Together, Deleuze and Guattari conceived of their writing enterprise: "Scrambling all the codes is not an easy task, even on the simplest level of writing and language. "I? The two authors sought ways of escaping any form of coding by exposing themselves to the forces of the outside so as to demolish the established forms. In this sense, the nomad horizon already defined as an ideal would be fully carried out in the second volume published in 1 980, with A Thousand Plateaus. As for Anti-Oedipus, in 1 972 it had been an extraordinary editorial success. The first printing of the book soon ran out and it had to be quickly reprinted and reedited with the addition of an appendix.18 On the other hand, Deleuze and Guattari's theses never were truly debated at La Borde,19 and they kept being ignored by the corporation of psychoanalysts, with the notable exception of Serge Leclaire. 1977: Molecular Revolution Prior to its association with Guatarri,20 the "molecular revolution" was Gramsci's creation, and 1 977, the publication date of Guattari's book, was a key period in Italian history during which a movement developed whose radicality and violence almost relegated France's May '68 to the rank of students' pranks. Guattari was very strongly impelled and involved with these events as they were taking place. He and his friends experienced the "Italian Spring" as a veritable fountain ofyouth. Ten years after being deeply involved with the May '68 movement, they found themselves in the streets of Bologna looking on, nonplussed, stupefied, as the molecular revolution of their desires unfurled, a movement against bureaucracies of all kinds, expressed in a completely new language and with methods unheard-of until then.
1 2/
The Italy of 1 977 underwent an unprecedented crisis. Eco nomic indicators were bleak. Each month the country was breaking down a little more. Paradoxically, it was in this country which was losing its jobs and its bearings that a broad protest movement exploded. It didn't ask for a better distribution of employment, work for all, and wages indexed to inflation, but far less traditionally strove to sap the foundations of the system by frontally attacking labor value, property, and the delegation of power and speech. If the economic and social crisis was in full force, the political situation was completely blocked. The Andreotti government was leading the country erratically. As for the very influential and powerful alternative force represented by the PCI (the Italian Communist Party) , directed by Berlinguer, it was calling for national recovery, moral order, and a politics of austerity. Invoking the necessity of a "historical compromise," the PCI was turning itself from an oppositional party to a governing party. Under Berlinguer's rule, the Italian Communists were simultaneously on the forefront in Italy and brealcing new grounds outside by talcing their distance from the Soviet Big Brother. They were the presti gious vanguard of European communism, while their alignment behind the Italian authorities and their willingness to ally them selves with a party as compromised as the Christian Democrats had the dramatic effect of cutting off any escape route, not even dreams or Utopia, for the great mass of the excluded (emarginati) hit head-on by the crisis and deprived of any hope. This blocked situation encouraged extreme reactions, sponta neous explosions, and the violence of confrontations. Whereas in May 1 968 the movement was expressed in a traditional language, a Marxism-Leninism of either the Maoist, Troskyist, or Spartakist type, ten years later the Italian protest was searching for new inspirations. A whole series of Italian currents on the extreme left
found in the Deleuzo-Guattarian theses, and particularly in Anti Oedipus a new language and new paths for hope, especially around the concept of the "desiring-machine. " The Italian translation of Anti-Oedipus was published in 1 975, and the movement of 1 977 made its honey from it. The Glorious Thirty Days of May '68 by then had become a distant memory, and the students no longer even had the slightest hope of doing something with their diplo mas . Since there w as no longer a future, the alternative, autonomous currents set out to change life in the present. They hoped to be able to invent the new here-and-now in convivial col lective spaces, self-managed places, communities conducive to the liberation from the self Compared to 1 968, what one could wit ness was a generational change. Another component of the Italian situation was contributing to the radicality of the confrontations: it was the persistence in Italy of a fascist party, the MSI, which was not only capable of mobilizing active troops, but also entertained networks of complicity at a higher level of the State apparatus ready to be used as supplementary forces and stifle the seeds of any eventual social subversion. To this already explosive situation was added the strategy of embattled Christian Democrats who relied on the manipulation of fascistic violence as a means of intimidating the social movement and justi fYing the all-out repression of protest movements on the extreme left. The division of tasks was played out like a ballet: the fascists made repeated attacks, and the police went after the militants of the extreme left designated as the culprits, delivering them to a vengeful popular justice led by a consenting PCI actually enjoying the repression which befell its rivals on the left. AB for the extreme Italian left, between 1 968 and 1 977 it had undergone a veritable mutation which had been experienced by some as a creative search and others as a relapse into the worst kind of terrorism. Organizations of the Leninist type resulting from 1 968
had essentially disappeared from the political scene.21 A whole move ment calling for worker autonomy sprouted from the debris of Leninism. This movement gathered together many collectives, some of which were particularly powerful within several large Italian com panies like Fiat, Pirelli, Alfa Romeo, and Policlinico ... What was original about them was that it challenged-on principle-the traditional forms of the delegation of power and speech. Many militants of the old organization Potere Operario could be found there. And then, in 1 977 there were the "metropolitan Indians," representing the most creative wing of the movement. They insisted more on the need for transforming the relations between individuals, and practiced as their major weapon a sort of derision or irony vis-a vis the system. They organized themselves in tribes of "Redskins" moving within big Italian cities and fought for the liberalization of drugs, for the requisition of empty buildings, for the creation of antifamilial patrols meant to remove minors from their parents' control, and to claim one square kilometer of greenery per inhabitant. Unlike 1 968, these protest movements had no reason to claim the need for a student-worker alliance; it was a de facto develop ment between the students, the young workers, the many "lump en" and unemployed workers who came to recognize them selves in this emerging movement w hich claimed its autonomy against all forms of manipulation. Leading up to 1 977, the actions of the Worker Autonomy movement had multiplied, many of which took place in an "in-between" zone, at once close to common criminality in terms of deeds and to political action in terms of intentions: these included occupations of private houses and auto-reductions of bills in public services, as w ell as the expropriation from and hold-ups of banks. 1 977 was the high point of this agitation. One aggravating factor was added to this situation, which had been spared to the France of May '68 and onwards: terrorism. It
/15
was increasingly practiced by a number of organizations on the extreme Italian left. Established in 1 970, there were the "Red Brigades," the BR, who benefited from a real implantation within the factories, particularly within the strongholds of Agnelli and the Fiat factory in Turin. In 1 972, the Red Brigades played an impor tant role in the wild strikes which disturbed the industrial group. They sowed seeds of panic among foremen and strikebreakers by launching the movement of the "red scarves. " But this was only a beginning and all through the '70s, the Red Brigades moved towards terrorism and kidnappings aimed especially at lawyers and politicians. In 1 977, not a month went by without kidnappings, explosions, and assassinations. Others chose speech and dialogue rather than the P. 3 8 . Taking advantage of the end of the monopoly of the RAp2 decided in 1 976, a profusion of free radio stations seized the airwaves, opening the medium up to the possibility of countercultural expression. Among these various poles of cultural agitation, Radio Popolare broadcast from Milan and unified the components of the Move ment with a wide audience and an impressive capacity for mobilization . In December 1 976, it directly broadcasted the riots at the time of the opening of La S cala,23 and in March 1 977 "it announced the death of a woman who had been denied a medically necessary abortion; in the minutes which followed, 5000 women went down to the streets. "24 Among all these countercultural radio stations, Radio Alice was not the least important. It was launched by a former leader of Bologna's Potere Operario, Franco Berardi, also known as "Bifo." In a city managed by the PCI, this radio station broadcasted from Bologna, showcase of the "historical compromise," to a very wide audience and impassioned public strongly committed to his dissenting voice. At 23, doing his military service, Bifo discovered Guattari's Psychanalyse et transversalite. Politically militant, Guattari's reflection
1 6 .1
on psychoanalysis and the way in which it affects politics inspired great enthusiasm in Bifo. Bologna is a medium-size city with a strong student component, and therefore very receptive to the themes that Radio Alice developed: "Radio Alice homes on the eye of the cultural storm with a subversion of language, the publication of a journal called AJTraverso, but it also directly plunges into political action with the idea of 'transversalizing' it."25 As early as 1 976, Bifo was arrested for "moral instigation to revolt." On March 1 3 , Bologna was in a state of siege. Three thou sand carabinieri, police officers, and armored tanks occupied the university zone at the behest of the Christian-Democratic prefect. Zanghari, the communist mayor of the city, encouraged the police force to use the most severe repression. Between the 1 1 th and the 1 6th of March, a sort of insurrection occured in Bologna. Bifo was wanted by the police as the instigator of these insurrec tionary events, and the police roundup led to the arrest of 300 people in Bologna. On May 1 3 , the Minister of the Interior took antiterrorist measures; from now on violators would be condemned to life in prison. A fugitive, Bifo left for Milan, then Turin, and crossed over the French border. On May 30, he arrived in Paris with the ardent desire to meet Guattari whose writings he had appreciated so much. The painter Gianmarco Montesano, a friend of Bifo and Toni Negri, introduced the two. Bifo met Guattari and instantly became his friend. On July 7, Bifo was arrested and imprisoned in La Sante prison, then at Fresnes. Guattari immediately organized a support network for his release. On this occasion, he and some of his friends created the CINEL (Collective of Initiatives for New Spaces of Liberty) ,26 whose primary goal was to ensure the defense of militants persecuted by the justice system. The collective published a journal, established a headquarters on rue de Vaugirard, and immediately mobilized itself on behalf of Bifo's release.
/ 17
On July 1 1 , Bifo was considered unsuitable for extradition and recognized in France as a political refugee. Guattari and Bifo wrote an appeal which condemned the repression of the movement in Italy. This text also openly accused and condemned both the Christian-Democratic power's and the PCI's politics of "historical compromise." The initiative first generated a veritable defense mechanism of national exasperation from the Italian side, where intellectuals and politicians violently accused the French for meddling with questions that they didn't understand and denying them the right to emit a judgment. Mter his release from prison, Bifo moved in with Guattari on the rue de Conde. To counteract the politics of repression and to regain the ini tiative, all the alternative and workers' autonomy collectives and the entire extreme Italian left decided to meet for a large gathering, a big conference in the city of Bologna from September 22-24, 1 977. The PCI in charge of the city accused them of provocation, and Enrico Berlinguer, its secretary general, publicly denounced the "plague carriers" ( Untorelli) . They were expecting predators, and instead they witnessed a three-day gathering of Dantesque dimensions for a middle-sized city like Bologna occupied by 80,000 people showing the greatest restraint, with no looting or violence. Given the tense atmosphere and the size of the crowd gathered there, it was quite a feat. Bifo spent these three days on the phone keeping appraised of what was happening in his city of Bologna where he could not go without risking imprisonment. But the entire Guattari gang was present in September 1 977, stunned, on the streets of Bologna. All the shades of the extreme Italian left were there. Guattari had become a hero in Bologna. Considered as one of the main inspirations of Italian leftism, he attended these processions with the exhilarating feeling of watching his theses take on social and political force. The following day, the daily press and weekly magazines posted his photograph on their covers,
1 8/
calling him the initiator and originator of the mobilization. Sud denly Guattari had become an international figure, the Daniel Cohn-Bendit of Italy. He had been made into not just a star, but a superstar. However, this gathering did not offer any clear outlook to a movement which fell back on its own after September, confronted anew with repression and isolation. For lack of prospects, the entire protest movement in Europe was being subjected to an increased repression, and the various governments gave themselves an ade quate legal arsenal to impose their politics of oppression more efficiently. In France, it was the "antiriot" law; in Italy, a law pro mulgated by the President of the Republic in August 1 977 carrying new "provisions in matters of law and order" reinforced the central juridical instrument of Italian repression: the Reale law, dating back to 1 975, which already allowed police custody for an unlimited duration. It became necessary to organize vigilance with respect to the violations of freedoms, and the CINEL, equipped to instantly alert the intellectuals, kept watching the situation. Close t o but Distinct from Antipsychiatry
La Borde and antipsychiatry have often been wrongly associated together, with the clinic in Loir-et-Cher (sixty miles South of Paris) presented as a landmark of this movement, French style. But listening to its director, Jean Oury, is enough to convince the most reticent that a wide gulf separated the institutional psychotherapy enforced at La Borde, inspired by the teachings of Francrois Tosquelles, from the theses of antipsychiatry. La Borde unashamedly practiced psychiatry.27 In fact, the positions taken by Guattari in this debate manifested a proximity to every current aiming at subverting psychiatry. He was much more receptive than Oury to the theses of antipsychiatry, in particular to the political questioning of the
! 19
system. This current started in Italy with Franco Basaglia who, beginning in 1 9 6 1 , gave a very different direction to his hospital in Gorizia. Basaglia challenged the principle of keeping mental patients under surveillance and decided to open all the services of his hospital. He called into question every compartmentalization and substituted for them general meetings open to all. In a climate of political radicalization favorable to the emer gence of alternative and protest movements in Italy in the 1 960s, the brand of antipsychiatry practiced by Basaglia assumed a noticeable role. Its explicit objective was to destroy the institution. Guattari did not follow Basaglia's most extreme positions and wondered in 1 970 if they were not a "headlong rush" or a "desperate sort"28 of attempt. Guattari in addition criticized as exaggerated and irresponsible some of Basaglia's positions, like his refusal to give medicines to his patients, alleging that it would inhibit himself from entering a true relation with them. Guattari wondered even if one didn't end up, with these best intentions, refusing the mad the right to be mad. Basaglia's institutional negation would prove to be a denial, in the Freudian sense, of the singularity of mental illnesses. The movement Basaglia launched later on, called "Psichiatria Democratica," would go as far as calling for the outright suppression of psychiatric hospitals. The other large branch of antipsychiatry, represented by Ronald Laing and David Cooper, is British.29 Guattari met them during a conference called "Journees de l' enfance alienee" organized in 1 967 by Maud Mannoni and featuring Jacques Lacan. The pro ceedings of these two days were published in two issues of the journal Recherches directed by Guattari.30 But he was not convinced by their antipsychiatric practice either. He considered them to be trapped in the Oedipal schema which he tried to surpass with Deleuze by publishing Anti-Oedipus. Soon after, he did his best to deconstruct the Anglo-Saxon experiment of antipsychiatry.31
20 /
The British Antipsychiatric movement all started in 1 965 with Ronald Laing in Kingsley Hall in the London suburbs. The attempt to abolish the boundaries and hierarchies between psychi atrists, nurses, and patients happened in a place well known as part of the history of the English labor movement. This project was distinct from that of La Borde's, because what was at stake was not a dismissal of the institution altogether, but rather a transformation of it from the inside. Among their group of psychiatrists responsible for the life of Kingsley Hall, besides Laing himself, were David Cooper and Maxwell Jones. This experiment provoked such strong reactions of rejection from the entourage that it occasionally turned this "free territory" into a besieged fortress. To base his criticism, Guattari examined the case of the most famous boarder of Kingsley Hall, Mary Barnes, who wrote with her psychiatrist, Joseph Becke, a book describing her experience. Guattari saw in this account the "hidden side of Anglo-Saxon antipsychiatry,"32 a mixture of neo behaviorist dogmatism, familialism, and the most traditional Puritanism. Mary Barnes, a nurse herself, undertook the "journey" of schizophrenia and began a freefall regression into childhood that took her to the threshold of death. The familialism in which Mary Barnes locked herself up led her to deny the surrounding social reality. What was the contribution of antipsychiatry in this case? Instead of framing this familialist drift within the patient-psychiatrist dual relation, it pushed it to the extreme, allowing the eventual deployment of a collective and theatrical formation exacerbating all its effects. According to Guattari, the cure was wrongly directed because what Mary Barnes needed was not more family, but more society. In 1 974-75, Mony ElkaIm, whom Guattari met in the United States, returned to Europe to practice psychiatry in a poor district of Brussels. In 1 975 he and Guattari decided to band together alternative experiments, to gather all the dissident psychiatric schools into an international network. At this time, ElkaIm occupied
! 21
important position in the field of family therapy. As for Guattari, he was very receptive to Elka'im's systemist theses, which had the merit of envisaging therapy in terms of groups and not of deso cialized individuals. As a result, in January of 1 975 they decided to create an international network together in Brussels meant to circulate information on experiments in progress. They named it '�ternative Network to psychiatry. " Through this engagement, Guattari expressed his desire to go beyond the theses of institu tional psychotherapy towards a depsychiatrization of madness, taking the most innovative currents available as his starting points. In order to create this network, in 1975 Mony Elkaim managed to gather together Robert Castel and Franco Basaglia, in spite of the latter's disagreements with Guattari. Robert Castel helped create a friendly complicity between the two despite their divergences. The initial title '�ternative to the Sector" was quickly dismissed as too limited, and Basaglia's propoed '�ternative Network to Psychiatry" was adopted instead.33 Guattari fully involved himself in this network, which actively defended Franco Basaglia as well as the German antipsychiatrists. The Alternative Network served as a junction for various dissi dent psychiatric practices. After the inaugural assembly in Brussels, it sponsored many international meetings, for example in Paris (March 1 976), Trieste (September 1 977), Cuernavaca, Mexico (September 1 978), and San Francisco (September 1 980) . . . The purpose of these gatherings was not to instill a new orthodoxy, but to be aware of what was being done elsewhere. In his interventions within the Network, Guattari insisted on this nonproselytizing attitude. In this domain, science could not set itself up as a unifying authority, because successful practices could only arise from a micropolitics whose singular nature was not limited in scale to analyzing small groups, but instead implied a permanent dialogue and a continuous process connecting it to the macro scale of the an
surrounding society. It was clearly out of the question to set up isolated cells cut off from the remainder of society in the name of some kind of alternative logic. Modernity and New Processes of Subjectification
In the 80s, Guattari would above all become involved with ecological movements, seeing in them the site for a possible restoration of the relationship between politics and the citizen. Guattari found among the ecologists a milieu simultaneously receptive to the imperative of working towards a profound change of society and critical towards current policy, including that of the left. He imme diately found himself in the left, alternative wing of the "Greens. " After the major student protest movement in France o f 1 986 and the exit of a small group of militants from an endlessly moribond PSU (Unified Socialist Party) ,34 a "call for Rainbow" was issued as a proclamation in favor of reorganizing a pole which would be alternative to the parties on the traditional left. This initiative was supported at the same time by Rene Dumont and by Daniel Cohn Bendit, and Guattari was a signatory with certain Green leaders, like Didier Anger, Yves Cochet, and Dominique Voynet, but also with non-Greens like Alain Lipietz and some militants from the PSU. Their model was the powerful movement of the German Greens, Griinen, who succeeded in creating true associative enclaves within German society and in embodying a political hope. Joint meetings were organized through Cohn-Bendit, leader of the German Greens. The signatories of the call for a "Rainbow" were hoping "to join the transformative forces of society together in the Rainbow of their diversity. " In 1 989, Guattari would be integrated into another ecologically sensitive membership group, coming out from the Group of Ten, the "Science and Culture" group, animated, among others, by
:' 23
Rene Passet, Jacques Robin, and Anne-Brigitte Kern, all intent on imagining another left. In 1 989, their first meeting took place in Guattari's apartment to debate the informational mutation. Guattari thus was part of the orientation Group for the review. He integrated this ecological dimension in its multiple interventions, emphasizing the North/South imbalance and its disastrous consequences, as well as the ethical dimension of the environmental problem. In 1 990, Brice Lalonde created a new pole of attraction called Generation Ecologie, which meant to be on the left of the French Socialist Party and allowed a dual membership. Quite a few political personalities gave their support to this initiative, even Guattari who nonetheless belonged to the "Greens. " In fact, Guattari got involved in the two concurrent organizations, being as dissatisfied with Waechter as he was with Lalonde, but eager to promote this new pole as a way of crystallizing a political alternative. In the beginning of 1 992, as the regional elections got closer, Guattari still wrote in Ie Monde, pointing out to what degree the Waechter/Lalonde quarrels were unimportant with regard to this "vague aspiration, but indicative of an opening towards 'some thing else' . . . It behooves the plural movement of political ecology to uphold this aspiration. "35 During his last year in 1 992, Guattari made an effort to bring together the Greens militants with those of Generation Ecologie and other ecological associations. Mter the success of several ecologists in the elections of March 22, 1 992, he also succeeded in making a number of these militants who belonged to rival organizations adopt a common text. Deploring the division among these groups and their sterile polemics, he called for a General Assembly of Ecologists capable of exerting a unifying and mobilizing function. The last of the many battles fought by Guattari was to be on this ecological front. In his handwritten notes, there is a text dating back to a month before his death entitled "Vers une nouvelle
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democratie ecologique"3G ("Towards a New Ecological Democracy" ) in which he noted with satisfaction that an increasing majority of public opinion now perceived the ecologists as the only ones capable of problematizing the crucial questions of the time in an innovative way. Ecologists potentially incarnated another way of doing politics, more in touch with daily realities and at the same time connected to global issues. He regretted that the two components of this current, still known for their probity, were overly patterned on the model of traditional political parties: "It appears necessary that the living components which exist within each one of these movements organize among themselves in connection with the associative movement."3? In the work Guattari published in 1 989, he defined ecosophy38 as the necessary articulation between the political and ethical dimensions of three registers: the questions of the environment, of social relations, and of the subjective dimension. All through his life can be found a concern to account for modes of subjectification in relation to their points of insertion in modernity. Acknowledging that technological advancements were making it possible to free time for humanity, he wondered how this freedom could be used. He also insisted, in the era of the worldwide market, that the scale of analysis be global. A new ethico�aesthetic paradigm would have for ambition to think through the three registers of mental ecology, social ecology, and environmental ecology. As always, his method remained transversal and bent on highlighting in each case which potential vectors of subjectification would allow the blossoming of various forms of singularization. Thanks to data processing revolutions and the rise of biotechnologies, Guattari believed that "new methods of subjectification were about to be born."39 He kept avoiding any type of Cassandra complex and predicting the worst catastrophes to come, or writing a j eremiad on this world that we leave behind; quite the contrary, he was pleased with the
construction sites to come which would increasingly call upon intel ligence and human initiative.40 This is what justified his fascination with Japan who had managed "to graft advanced technological industries onto a collective subjectivity still connected to a very remote past (going back to shinto-Buddhism for Japan) . "41 This is the kind of tension that this new discipline would have to interro gate, what Guattari wished to call into being by the name of ecosophy. It would make it possible to simultaneously support solidarity between people and the processes of singularization capable of bringing out modes of subjectification. The title of the present book, first published in the United States, of course echoes that of Guattari's last work Chaosmosis, published in 1 992.42 He borrowed this title, Chaosmosis, from his favorite literary author, James Joyce, who had invented the term "chaosmos, " already used by both Deleuze and Guattari . With this final book, his swan song, Guattari undoubtedly signed his most readable text, the most accomplished that he ever wrote alone. It is an intellectual testament that he bequeathed in what was to be his final year. Guattari's argument in Chaosmosis consisted in defining a new aesthetic paradigm at the end of a process which revisits subjectivity while passing through the machinic. He reaffirmed the plural, polyphonic character of his conception of the subject, and the importance of the subjective question which he had always encountered as a practicing psychotherapist. According to him, the transversalist method was more effective for giving an account of the often explosive cocktail of contemporary subjectivities preyed upon by a tension between technological modernity and archaizing attachment. Guattari reminded us of the criticism formulated against structuralism and its reductionism: "It was a grave error on the part of the structuralist current to pretend that everything about the psyche could be brought under the sole crook of the
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linguistic signifier. "43 He based this criticism on Daniel Stern's work on infants44 that allowed one to perceive the emergent and heterogenetic character of subjectivity. At the end of his journey, we can note the discrete return of the one who had left his imprint on Guattari from the very beginning: Jean-Paul Sartre, and his insistence on the existential dimension. Guattari didn't deny Freudianism its historical contribution, but he was eager to promote a different approach which would no longer revolve around the opposition between conscious and unconscious, but would envisage the unconscious as an overlay of diverse heterogeneous strata of subjectification, each of variable consistency and productive of flows-the thing he tried to identify in his schizoanalytic cartographies.45 This precedence given to subjectification led him to reject closed-off modelizations which denied the new and were only concerned with regularities and meaningful averages. Quite to the contrary, Guattari privileged the processual, the irreversible, and the singular. And to avoid binary oppositions, he proposed "the concept of ontological intensity. It implies an ethico-aesthetic engagement of the enunciative assemblage."46 Freudianism had taken neurosis for its model whereas, according to Guattari, schizo analysis would take psychosis for a model, because it is in psychosis that the other appears beyond personal identity, and because this fracture makes it possible to build a true heterogenesis. Following the work of Pierre Levy, Guattari showed that we cannot reduce the concept of the machine to the idea of a mechanical operation. On the one hand, all machines are crossed by "abstract machines," but today, with robotics and data processing, they increasingly involve human intelligenceY Like Levy, Guattari considered that the "ontological iron curtain," which the philo sophical tradition had built between the spirit and matter, should be dismantled. He even found in this once again the very sense of
the metaphysical other which he had constructed with Deleuze in their joint works. Guattari also proposed to rework Francisco Varela's notion of autopoiesis which designates organisms generating their own operation and their specific limits. However, by broadening this biological application to social systems, Guattari also included technical machines and the entire evolving human entity inasmuch as these elements are initially caught within singular assemblages in a process of becoming. Having reevaluated the Saussurian rupture between language and speech in a new light, and demonstrated that the two dimensions are totally intertwined, Guattari defined, in conclusion to this book which synthesizes all his reflections, what he meant by this new aesthetic paradigm he was hoping to bring about. He started from the idea that technical or social imperatives inherent to societies of the past now were perceived as so many aesthetic manifestations; they attested to the rise in power of this relation of aesthetization that our society maintains with the world. This testified to a modern civilization which could only survive through the continual creation of the new and through innovation in every domain. And yet, this process of transfor mation never ceased raising the question of subjectivity from different angles. Guattari went through the great upheaval of 1 989 and the fall of the Berlin Wall, the collapse of Communism and the end of the Cold War, with the same analytical acuity. He remained aware of the danger that the multiplication of archaizing outbursts repre sented, of the regression to sectarian and fundamentalist identity, but his optimism and his desire for better becomings, however, went unabated. Quite to the contrary, he realized that there was no better time "to reinvent politics. "48 The world that used to be bipolarized through the opposition between the Eastern and Western blocs now was on the way to becoming integrated along the lines
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of what Guattari, since 1 980, had defined as CMI (World Inte grated Capitalism) . In Liberation in 1 987, Guattari presented what he conceived as "the new worlds of capitalism" : 49 one of the main features of postindustrialist capitalism, also called CMI, was to transfer the productive structures of commodities and services onto structures productive of signs and subjectivity, though the media, surveys, and advertisements. From these reflections on a world which had been shifting momentously after the fractures of 1 989, Guattari would provide one last synthesis, written just a few weeks before his death. It was a published posthumously by Le Monde diplomatique in its October 1 992 issue.5o With this contribution, Guattari meant to shake the increasing passivity of a world busy looking at its destiny flickering on the screen as if it had no more grip on it. And yet current mutations would make it possible to set up new collective assem blages of enunciation affecting the entire social fabric, family, school, districts . . . He reasserted on this occasion a conception which he hoped to never cease elaborating on until it became an accepted truth, that of plural humanity-an expression from Bernard Lahire-of a humanity pertaining to a multiplicity of cities, to borrow the model from Luc Boltanski and Laurent Thevenot. "What I intend to stress is the fundamentally pluralist, multicentered, heterogeneous character of contemporary subjec tivity, in spite of the homogenization which objectifies through mass-mediatization. In this respect, an individual is already a 'collective' of heterogeneous components."5 l Fordist and Taylorist conceptions were increasingly being surpassed by postindustrial society, whereas new collective assemblages of labor could be thought anew based on the transversalities still accessible through the remainder of the city activities. Guattari warned us about the urgency of answering these new challenges, as otherwise the reper cussions of inertia could be cruel and destructive: "Absent the
promotion of such a subj ectivity of difference, of the atypical, of utopia, our epoch could topple into atrocious conflicts of identity, like those which the people of ex-Yugoslavia have undergone. "52 The disastrous implosion which ex-Yugoslavia experienced, as well as the dangers of generalized warlike violence on a planetary scale seen in the war against Iraq, led Guattari in the '90s to oppose such logics of vicious oppositions with the greatest rigor and to debate this topic further with Paul Virilio. Guattari was radically opposed to the first war against Iraq in the early '90s, and saw it as the manifestation of an American hegemony bent on imposing its own solutions on the international community: "The conflict against Iraq is beginning under the worst possible conditions. The United States above all defends its interest as a great power: since the beginning of the crisis, it had never stopped manipulating the United Nations. "53 Without denying the major role assumed by the Iraqi dictator in the beginning of the war, Guattari invoked the perversion of the international order which has led to this disas trous situation: the complicity among the great powers in the Iraq-Iran conflict, the nonresolution of the questions of Lebanon and the Palestinians, the politics of large oil companies, and "more generally, the relationship between the North and, the South which never stops evolving in a catastrophic way. "54 This war against Iraq was rejected by Guattari at least as violently as Deleuze, who signed with his colleague at Paris VIII, Rene Scherer, a strongly worded text: "La guerre immonde"55 ("The Abject War") . In it the two denounced the destruction of a nation, the Iraqi nation, under the pretext of the liberation of Kuwait, by a Pentagon presented as the "organ of a State terrorism busy trying out its weapons."56 They also condemned what they considered a simple alignment of the French government: "Our government never stops disavowing its own declarations and increasingly throws itself into a war which it had the power oppose. Bush congratulates us as one thanks a servant."5?
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It is on this very topic of the war that Guattari's course was brutally cut short by his death. At the instigation of his friend Sacha Goldman, in the aftermath of the Gulf War, while the ex-Yugoslavia was tearing itself apart, Guattari began a dialogue in several stages with Paul Virilio. These three sessions took place on May 4, June 22, and August 4, 1 992: "The Spanish War was a laboratory . . . The Gulf War and the war in Yugoslavia are laboratories of something to come . . . What has just happened in the '90s is the end of the weapons of mass destruction replaced by the weapon of communi cation. "58 In this dialogue, Guattari never stopped coming back to what remained for him the major question: the transformation of subjectivity, binding new military technologies and new strategies to the "conditions of the production of subjectivity to which they are adjacent."59 Sacha Goldman sent the transcription of this dialogue to both partners in August. As Virilio was correcting the text he got a telephone call from Antoine de Gaudemar: "Gaudemar told me: 'Paul, did you hear what happened to Felix?' I answered: no, is he cross? Because he was a little miffed after we had an argument and I thought that he didn't want to do this book with me any more. And Gaudemar said: 'No, he's dead. "'GO
- Translated by Taylor Adkins
/ 31
IS
Actuel:
SP
DELIRIU
When you describe capitalism, you say:
"There isn't the slightest operation, the slightest industrial or financial mechanism that does not reveal the dementia of the capitalist machine and the pathological character of its rationality {not at all a false rationality, but a true rationality ofthis pathology, of this madness, for the machine does work, be sure of it}. There is no danger ofthis machine going mad; it has been madfrom the beginning, and that's where its rationality comes from. " Does this mean that after this "abnormal" society, or outside ofit, there can be a "normal" society? Gilles Deleuze: We do not use the terms "normal" or "abnormal. '" All societies are rational and irrational at the same time. They are perforce rational in their mechanisms, their cogs and wheels, their connecting systems, and even by the place they assign to the irra tional. Yet all this presupposes codes or axioms which are not the products of chance, but which are not intrinsically rational either. It's like theology: everything about it is rational if you accept sin, immaculate conception, incarnation. Reason is always a region cut out of the irrational-not sheltered from the irrational at all, but a region traversed by the irrational and defined only by a certain type
35
of relation between irrational factors. Underneath all reason lies delirium, drift. Everything is rational in capitalism, except capital or capitalism itself The stock market is certainly rational; one can understand it, study it, the capitalists know how to use it, and yet it is completely delirious, it's mad. It is in this sense that we say: the rational is always the rationality of an irrational. Something that hasn't been adequately discussed about Marx's Capital is the extent to which he is fascinated by capitalist mechanisms, precisely because the system is demented, yet works very well at the same time. So what is rational in a society? It is-the interests being defined in the framework of this society-the way people pursue those interests, their realization. But down below, there are desires, investments of desire that cannot be confused with the investments of interest, and on which interests depend in their determination and distribution: an enormous Rux, all kinds of libidinal-unconscious Rows that make up the delirium of this society. The true history is the history of desire. A capitalist, or today's technocrat, does not desire in the same way a slave merchant or official of the ancient Chinese empire would. That people in a society desire repression, both for others and for themselves, that there are always people who want to bug others and who have the opportunity to do so, the "right" to do so, it is this that reveals the problem of a deep link between libidinal desire and the social domain. A "disinterested" love for the oppressive machine: Nietzsche said some beautiful things about this permanent triumph of slaves, on how the embittered, the depressed, and the weak, impose their mode of life upon us all.
So what is specific to capitalism in all this? Gilles Deleuze: Are delirium and interest, or rather desire and rea
son, distributed in a completely new, particularly "abnormal" way in capitalism? I believe so. Capital, or money, is at such a level of
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insanity that psychiatry has but one clinical equivalent: the terminal stage. It is too complicated to describe here, but one detail should be mentioned. In other societies, there is exploitation, there are also scandals and secrets, but that is part of the "code, " there are even explicitly secret codes. With capitalism, it is very different: nothing is secret, at least in principle and according to the code (this is why capitalism is "democratic" and can "publicize" itself, even in a juridical sense) . And yet nothing is admissible. Legality itself is inadmissible. By contrast to other societies, it is a regime both of the public and the inadmissible. A very special delirium inherent to the regime of money. Take what are called scandals today: news papers talk a lot about them, some people pretend to defend themselves, others go on the attack, yet it would be hard to find anything illegal in terms of the capitalist regime. The prime minis ter's tax returns, real estate deals, pressure groups, and more generally the economic and financial mechanisms of capital-in sum, everything is legal, except for little blunders; what is more, everything is public, yet nothing is admissible. If the left was "reasonable," it would content itself with vulgarizing economic and financial mechanisms. There's no need to publicize what is private, just make sure that what is already public is being admitted publicly. One would find oneself in a state of dementia without equivalent in the hospitals. Instead, one talks of "ideology. " But ideology has no importance whatsoever: what matters is not ideology, not even the "economico-ideological" distinction or opposition, but the organization of power. Because organization of power that is, the manner in which desire is already in the economic, in which libido invests the economic-haunts the economic and nourishes political forms of repression.
So is ideology a trompe l'oeil?
Gilles Deleuze: Not at all. To say "ideology is a trompe l'oeil," that's still the traditional thesis. One puts the infrastructure on one side the economic, the serious-and on the other, the superstructure, of which ideology is a part, thus rejecting the phenomena of desire in ideology. It's a perfect way to ignore how desire works within the infrastructure, how it invests it, how it takes part in it, how, in this respect, it organizes power and the repressive system. We do not say: ideology is a trompe l'oeil (or a concept that refers to certain illu sions) . We say: there is no ideology, it is an illusion. That's why it suits orthodox Marxism and the Communist Party so well. Marxism has put so much emphasis on the theme of ideology to better conceal what was happening in the USSR: a new organization of repressive power. There is no ideology, there are only organizations of power once it is admitted that the organization of power is the unity of desire and the economic infrastructure. Take two examples. Education: in May 1 968 the leftists lost a lot of time insisting that professors engage in public self-criticism as agents of bourgeois ideology. It's stupid, and simply fuels the masochistic impulses of academics . The struggle against the competitive examination was abandoned for the benefit of the controversy, or the great anti ideological public confession. In the meantime, the more conservative professors had no difficulty reorganizing their power. The problem of education is not an ideological problem, but a problem of the orga nization of power: it is the specificity of educational power that makes it appear to be an ideology, but it's pure illusion. Power in the primary schools, that means something, it affects all children. Second example: Christianity. The church is perfectly pleased to be treated as an ideology. This can be argued; it feeds ecumenism. But Christianity has never been an ideology; it's a very original, very spe cific organization of power that has assumed diverse forms since the Roman Empire and the Middle Ages, and which was able to invent the idea of international power. It's far more important than ideology.
38
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Felix Guattari: It's the same thing in traditional political structures. One finds the old trick being played everywhere again and again: a big ideological debate in the general assembly and questions of organization reserved for special commissions. These questions appear secondary, determined by political options. While on the contrary, the real problems are those of organization, never specified or rationalized, but projected afterwards in ideological terms. There the real divisions show up: a treatment of desire and power, of investments, of group Oedipus, of group "superegos," of perverse phenomena, etc. And then political oppositions are built up: the individual takes such a position against another one, because in the scheme of organization of power, he has already chosen and hates his adversary.
Your analysis is convincing in the case ofthe Soviet Union and ofcapi talism. But in the particulars? If all ideological oppositions mask, by definition, the conflicts ofdesire, how would you analyze, for example, the divergences ofthree Trotskyite groupuscules? Ofwhat conflict ofdesire can this be the result? Despite the political quarrels, each group seems to fulfill the samefunction vis-a-vis its militants: a reassuring hierarchy, the reconstitution of a small social milieu, a final explanation of the world . . . I don't see the difference. Felix Guattari: Because any resemblance to existing groups is merely fortuitous, one can well imagine one of these groups defining itself first by its fidelity to hardened positions of the communist left after the creation of the Third International. It's a whole axiomatics, down to the phonological level-the way of articulating certain words, the gesture that accompanies them-and then the struc tures of organization, the conception of what sort of relationships to maintain with the allies, the centrists, the adversaries . . . This may correspond to a certain figure of Oedipalization, a reassuring,
.: 39
intangible universe like that of the obsessive who loses his sense of security if one shifts the position of a single, familiar object. It's a question of reaching, through this kind of identification with recurrent figures and images, a certain type of efficiency that characterized Stalinism-except for its ideology, precisely. In other respects, one keeps the general framework of the method, but adapts oneself to it very carefully: "The enemy is the same, com rades, but the conditions have changed. " Then one has a more open groupuscule. It's a compromise: one has crossed out the first image, whilst maintaining it, and inj ected other notions. One multiplies meetings and training sessions, but also the external interventions. For the desiring will, there is-as Zazie says-a certain way of bugging students and militants, among others. In the final analysis, all these groupuscules say basically the same thing. But they are radically opposed in their style: the defin ition of the leader, of propaganda, a conception of discipline, loyalty, modesty, and the asceticism of the militant. How does one account for these polarities without rummaging in the economy of desire of the social machine? From anarchists to Maoists the spread is very wide, politically as much as analytically. Without even considering the mass of people, outside the limited range of the groupuscules, who do not quite know how to distinguish between the leftist elan, the appeal of union action, revolt, hesitation, or indifference. One must explain the role of these machines-these groupuscules and their work of stacking and sifting-in crushing desire. It's a dilemma: to be broken by the social system or to be integrated in the preestablished structure of these little churches. In a way, May 1 968 was an astonishing revelation. The desiring power became so accelerated that it broke up the groupuscules. These later pulled themselves together; they participated in the reordering business with the other repressive forces, the CGT [Communist workers' union] , the PC, the CRS [riot police] . I don't say this to
40 .I CflCltXiorhy
be provocative. Of course, the militants courageously fought the police. But if one leaves the sphere of struggle to consider the function of desire, one must recognize that certain groupuscules approached the youth in a spirit of repression: to contain liberated desire in order to rechannel it.
What is a liberated desire? I certainly see how this can be translated at the level of an individual or small group: an artistic creation, or breaking windows, burning things, or even simply an orgy or letting things go to hell through laziness or vegetating. But then what? What could a collectively liberated desire be at the level ofa social group? And what does this signifY in relation to "the totality ofsociety, " ifyou do not reject this term as Michel Foucault does. Felix Guattari: We have taken desire in one of its most critical, most acute stages: that of the schizophrenic-and the schizo that can produce something within or beyond the scope of the confined schizo, battered down with drugs and social repression. It appears to us that certain schizophrenics directly express a free deciphering of desire. But how does one conceive a collective form of the economy of desire? Certainly not at the local level. I would have a lot of diffi culty imagining a small, liberated · community maintaining itself against the flows of a repressive society, like the addition of individuals emancipated one by one. If, on the contrary, desire constitutes the very texture of society in its entirety, including in its mechanisms of reproduction, a movement of liberation can "crystallize" in the whole of society. In May 1 968, from the first sparks to local clashes, the shake-up was brutally transmitted to the whole of society, including some groups that had nothing remotely to do with the revolutionary movement-doctors, lawyers, grocers. Yet it was vested interests that carried the day, but only after a month of burning. We are moving toward explosions of this type, yet more profound.
Spi:':;cial
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Might there have already been a vigorous and durable liberation of desire in history, apart from briefperiods of celebration, carnage, war or revolutionary upheavals? Or do you really believe in an end to history: after millennia of alienation, social evolution will suddenly turn around in a final revolution that will liberate desire forever? Felix Guattari: Neither the one nor the other. Neither a final end to
history, nor provisional excess. All civilizations, all periods have known ends of history-this is not necessarily convincing and not necessarily liberating. As for excess, or moments of celebration, this is no more reassuring. There are militant revolutionaries who feel a sense of responsibility and say: Yes, excess "at the first stage of revo lution," but there is a second stage, of organization, functioning, serious things . . . For desire is not liberated in simple moments of celebration. See the discussion between Victor and Foucault in the issue of Les Temps Modernes on the Maoists. Victor consents to excess, but at the "first stage. " As for the rest, as for the real thing, Victor calls for a new apparatus of state, new norms, a popular j ustice with a tribunal, a legal process external to the masses, a third party capable of resolving contradictions among the masses. One always finds the old schema: the detachment of a pseudo-avant garde capable of bringing about syntheses, of forming a party as an embryo of state apparatus, of drawing out a well brought-up, well educated working class; and the rest is a residue, a lump en-prole tariat one should always mistrust (the same old condemnation of desire) . But these distinctions themselves are another way of trapping desire for the advantage of a bureaucratic caste. Foucault reacts by denouncing the third party, saying that if there is popular justice, it does not issue from a tribunal. He shows very well that the distinction "avant-garde-lumpen-proletariat" is first of all a distinction intro duced by the bourgeoisie to the masses, and therefore serves to crush the phenomena of desire, to marginalize desire. The whole
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question is that of state apparatus. It would be strange to rely on a party or state apparatus for the liberation of desire. To want better justice is like wanting better judges, better cops, better bosses, a cleaner France, etc. And then we are told: how would you unify isolated struggles without a party? How do you make the machine work without a state apparatus? It is evident that a revolution requires a war machine, but this is not a state apparatus. It is also certain that it requires an instance of analysis, an analysis of the desires of the masses, yet this is not an apparatus external to the synthesis. Liberated desire means that desire escapes the impasse of private fantasy: it is not a question of adapting it, socializing it, disciplining it, but of plugging it in in such a way that its process not be interrupted in the social body, and that its expression be collective. What counts is not the authoritarian unification, but rather a sort of infinite spreading: desire in the schools, the factories, the neighborhoods, the nursery schools, the prisons, etc. It is not a question of directing, of totalizing, but of plugging into the same plane of oscillation. As long as one alternates between the impotent spontaneity of anarchy and the bureaucratic and hierarchic coding of a party organization, there is no liberation of desire.
In the beginning, was capitalism able to assume the social desires? Gilles Deleuze: Of course, capitalism was and remains a formidable
desiring-machine. The monetary flux, the means of production, of manpower, of new markets, all that is the flow of desire. It's enough to consider the sum of contingencies at the origin of capitalism to see to what degree it has been a crossroads of desires, and that its infrastructure, even its economy, was inseparable from the phenomena of desire. And fascism too-one must say that it has "assumed the social desires," including the desires of repression and death. People got hard-ons for Hitler, for the beautiful fascist
S[Y.';ciai
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machine. But if your question means: was capitalism revolutionary in its beginnings, has the industrial revolution ever coincided with a social revolution? No, I don't think so. Capitalism has been tied from its birth to a savage repressiveness; it had its organization of power and its state apparatus from the start. Did capitalism imply a dissolution of the previous social codes and powers? Certainly. But it had already established its wheels of power, including its power of state, in the fissures of previous regimes. It is always like that: things are not so progressive; even before a social formation is established, its instruments of exploitation and repression are already there, still turning in the vacuum, but ready to work at full capacity. The first capitalists are like waiting birds of prey. They wait for their meeting with the worker, the one who drops through the cracks of the preceding system. It is even, in every sense, what one calls primitive accumulation.
On the contrary, 1 think that the rising bourgeoisie imagined and prepared its revolution · throughout the Enlightenment. From its point of view, it was a revolutionary class "to the bitter end, " since it had shaken up the ancien regime and swept into power. Whatever parallel movements took place among the peasantry and in the suburbs, the bourgeois revolution is a revolution made by the bourgeoisie-the terms are hardly distinguishable-and to judge it in the name of 19th or 20th century socialist utopias introduces, by anachronism, a category that did not exist. Gilles Deleuze: Here again, what you say fits a certain Marxist
schema. 'At one point in history, the bourgeoisie was revolutionary, it was even necessary-necessary to pass through a stage of capitalism, through a bourgeois revolutionary stage.' It's a Stalinist point of view, but you can't take that seriously. When a social formation exhausts itself, draining out of every gap, all sorts of things decode
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themselves, all sorts of uncontrolled flows start pouring out, like the peasant migrations in feudal Europe, the phenomena of "deterritorialization." The bourgeoisie imposes a new code, both economic and political, so that one can believe it was a revolution. Not at all. Daniel Guerin has said some profound things about the revolution of 1 789. The bourgeoisie never had any illusions about who its real enemy was. Its real enemy was not the previous system, but what escaped the previous system's control, and what the bour geoisie strove to master in its turn. It too owed its power to the ruin of the old system, but this power could only be exercised insofar as it opposed everything else that was in rebellion against the old system. The bourgeoisie has never been revolutionary. It simply made sure others pulled off the revolution for it. It manipulated, channeled, and repressed an enormous surge of popular desire. The people were finally beaten down at Valmy.
They were certainly beaten down at Verdun. Felix Guattari: Exactly. And that's what interests us. Where do these eruptions, these uprisings, these enthusiasms come from that cannot be explained by a social rationality and that are diverted, captured by the power at the moment they are born? One cannot account for a revolutionary situation by a simple analysis of the interests of the time. In 1 903 the Russian Social Democratic Party debated the alliances and organization of the proletariat, and the role of the avant-garde. While pretending to prepare for the revo lution, it was suddenly shaken up by the events of 1 905 and had to jump on board a moving train. There was a crystallization of desire on a wide social scale created by a yet incomprehensible situation. Same thing in 1 9 1 7. And there too, the politicians climbed on board a moving train, finally getting control of it. Yet no revolu tionary tendency was able or willing to assume the need for a
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Soviet-style organization that could permit the masses to take real charge of their interests and their desire. Instead, one put machines in circulation, so-called political organizations, that functioned on the model elaborated by Dimitrov at the Seventh International Congress-alternating between popular fronts and sectarian retractions-and that always led to the same repressive results. We saw it in 1 936, in 1 945 , in 1 96 8. By their very axiomatic, these mass machines refuse to liberate revolutionary energy. It is, in an underhanded way, a politics comparable to that of the President of the Republic or of the clergy, but with red flag in hand. And we think that this corresponds to a certain position vis-a.-vis desire, a profound way of envisioning the ego, the individual, the family. This raises a simple dilemma: either one finds a new type of structure that finally moves toward the fusion of collective desire and revolutionary organization, or one continues on the present path and, going from repression to repression, heads for a new fascism that makes Hitler and Mussolini look like a joke.
But then what is the nature of this profound, fundamental desire which one sees as being constitutive ofman and social man, but which is constantly betrayed? Why does it always invest itself in antinomic machines of the dominant machine, and yet remain so similar to it? Could this mean that desire is condemned to a pure explosion without consequence or to perpetual betrayal? 1 have to insist: can there ever be, one fine day in history, a collective and enduring expression ofliberated desire, and how? Gilles Deleuze: If one knew, one wouldn't talk about it, one would
do it. Anyway. Felix just said it: revolutionary organization must be that of the war machine and not of the state apparatus, of an ana lyzer of desire and not an external synthesis. In every social system, there have always been lines of flight, and then also a rigidification to
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block off escape or certainty (which is not the same thing) , embryonic apparatuses that integrate them, that deflect or arrest them in a new system in preparation. The crusades should be analyzed from this point of view. But in every respect, capitalism has a very particular character: its lines of flight are not just difficulties that arise, they are the conditions of its own operation. It is constituted by a generalized decoding of all flux, fluctuations of wealth, fluctuations of work, fluctuations of language, fluctuations of an, etc. It did not create any code, it has set up a sort of accountability, an axiomatic of decoded fluxes as the basis of its economy. It ligatures the points of escape and leaps forward. It expands its own boundaries endlessly and finds itself having to seal new leaks at every limit. It doesn't resolve any of its fundamental problems, it can't even foresee the monetary increase in a country over a single year. It never stops crossing its own limits which keep reappearing farther away. It puts itself in alarming situations with respect to its own production, its social life, its demographics, its borders with the Third World, its internal regions, etc. Its gaps are everywhere, forever giving rise to the displaced limits of capitalism. And doubtless, the revolutionary way out (the active escape of which Jackson spoke when he said: "I don't stop running, but while running, I look for weapons") is not at all the same thing as other kinds of escape, the schizo-escape, the drug escape. But it is certainly the problem of the marginalized: to plug all these lines of flight into a revolutionary plateau. In capitalism, then, these lines of flight take on a new character, a new type of revolutionary potential. You see, there is hope.
You spoke just now of the crusades. For you, this is one of the first maniftstations of collective schizophrenia in the West. Felix Guattari: This was, in fact, an extraordinary schizophrenic
movement. Basically, in an already schismatic and troubled world,
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thousands and thousands of people got fed up with the life they led, makeshift preachers rose up, people deserted entire villages. It's only later that the shocked papacy tried to give direction to the movement by leading it off to the Holy Land. A double advantage: to be rid of errant bands and to reinforce Christian outposts in the Near East threatened by the Turks. This didn't always work: the Venetian Crusade wound up in Constantinople, the Children's Crusade veered off toward the South of France and very quickly lost all sympathy: there were entire villages taken and burned by these "crossed" children, who the regular armies finally had to round up. They were killed or sold into slavery.
Can one find parallels with contemporary movements: communities and by-roads to escape the foctory and the office? And would there be any pope to co-opt them? A Jesus Revolution? Felix Guattari: A recuperation by Christianity is not inconceivable. It is, up to a certain point, a reality in the United States, but much less so in Europe or in France. But there is already a latent return to it in the form of a Naturist tendency, the idea that one can retire from production and reconstruct a little society at a remove, as if one were not branded and hemmed in by the capitalist system.
What role can still be attributed to the church in a country like ours? The church was at the center ofpower in Ulestern civilization until the 1 8th Century, the bond and structure of the social machine until the emergence of the nation-state. Today, deprived by the technocracy of this essentialfunction, it seems to have gone adrift, without a point of anchorage, and to have split up. One can only wonder if the church, pressured by the currents of Catholic progressivism, might not become less confessional than certain political organizations.
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Felix Guattari: And ecumenism? Isn't it a way of falling back on
one's feet? The church has never been stronger. There is no reason to oppose church and technocracy, there is a technocracy of the church. Historically, Christianity and positivism have always been good partners. The development of positive sciences has a Christian motor. One cannot say that the psychiatrist has replaced the priest. Nor can one say the cop has replaced the priest. There is always a use for everyone in repression. What has aged about Christianity is its ideology, not its organization of power.
Let's get to this other aspect ofyour book: the critique ofpsychiatry. Can one say that France is already covered by the psychiatry of Secteur and how for does this influence spread? Felix Guattari: The structure of psychiatric hospitals essentially
depends on the state and the psychiatrists are mere functionaries. For a long time the state was content to practice a politics of coercion and didn't do anything for almost a century. One had to wait for the Liberation for any signs of anxiety to appear: the first psychi atric revolution, the opening of the hospitals, the free services, institutional psychotherapy. All that has led to the great utopian politics of "Sectorization," which consisted in limiting the number of internments and of sending teams of psychiatrists out into the population like missionaries in the bush. Due to lack of credit and will, the reform got bogged down: a few model services for official visits, and here or there a hospital in the most underdeveloped regions. We are now moving toward a major crisis, comparable in size to the university crisis, a disaster at all levels: facilities, training of personnel, therapy, etc. The institutional charting of childhood is, on the contrary, undertal