America’s College Museums: Handbook & Directory (2nd ed)

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Second Edition

Second Edition

America’s College Museums

America’s College Museums Handbook & Directory

Victor J. Danilov

Victor J. Danilov 4919 Route 22, PO Box 56, Amenia, NY 12501 518-789-8700 • 800-562-2139 • FAX 845-373-6360 www.greyhouse.com • email: [email protected]

museums_2nd_RE.indd 1

GREY HOUSE PUBLISHING 8/8/11 4:11 PM

America’s College Museums

America’s College Museums x Funding, Development, Exhibitions, Governance, & Future Trends x Profiles of more than 1,700 Facilities by Collection Category, with Detailed Contact & Visitor Information x Informative Photos, Appendices & Five Indices

Handbook & Directory

Second Edition

Victor J. Danilov

PUBLISHER: EDITORIAL DIRECTOR: EDITORIAL ASSISTANT: PRODUCTION MANAGER: MARKETING DIRECTOR:

Leslie Mackenzie Laura Mars Diana Delgado Kristen Thatcher Jessica Moody

AUTHOR: Victor J. Danilov COMPOSITION: NPC, Inc. Grey House Publishing, Inc. 4919 Route 22 Amenia, NY 12501 518.789.8700 FAX 845.373.6390 www.greyhouse.com e-mail: [email protected] While every effort has been made to ensure the reliability of the information presented in this publication, Grey House Publishing neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Grey House accepts no payment for listing; inclusion in the publication of any organization, agency, institution, publication, service or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions. Except by express prior written permission of the Copyright Proprietor no part of this work may be copied by any means of publication or communication now known or developed hereafter including, but not limited to, use in any directory or compilation or other print publication, in any information storage and retrieval system, in any other electronic device, or in any visual or audio-visual device or product. This publication is an original and creative work, copyrighted by Grey House Publishing, Inc. and is fully protected by all applicable copyright laws, as well as by laws covering misappropriation, trade secrets and unfair competition. Grey House has added value to the underlying factual material through one or more of the following efforts: unique and original selection; expression; arrangement; coordination; and classification. Publisher’s Cataloging-In-Publication Data (Prepared by The Donohue Group, Inc.) Danilov, Victor J. America’s college museums : survey and descriptive directory of university & college museums, galleries & related facilities / Victor J. Danilov. -- 2nd ed. p. : ill. ; cm. First ed. published as: University and college museums, galleries, and related facilities. Westport, Conn. : Greenwood Press, 1996. Includes bibliographical references and index. ISBN: 978-1-59237-674-2 1. Museums--United States--Directories. 2. College museums--United States--Directories. 3. College museums--United States--History. I. Title. II. Title: University and college museums, galleries, and related facilities. AM11 .D35 2011 061/.3 Copyright © 2011 Grey House Publishing Inc. Second Edition All rights reserved Printed in the USA

Contents Preface...........................................................................................................................

ix

Introduction..................................................................................................................

xi 1 3 7

Chapter 1: An Overview and History ..................................................................... Early Collections and Museums ...................................................................... Twentieth Century Expansion .......................................................................... Mid-Century War and Ensuing Expansion ......................................................

9 12 17 22 25 29 30 30 32 33 35

Surge of Historical and Library Museums ...................................................... Continued Science Growth .............................................................................. Changing Campus Conditions ......................................................................... A Challenging Future ....................................................................................... Chapter 2: Types of Institutions ............................................................................... Museums of Art and Sculpture .................................................................... Art Museums ................................................................................................ Sculpture Gardens ........................................................................................ Art Galleries ................................................................................................. Science Museums and Related Facilities ..................................................... Natural History Museums ............................................................................ 35 Archaeology, Anthropology, and Ethnology Museums .............................. 37 Entomology Museums .................................................................................. 39

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AMERICA’S COLLEGE MUSEUMS

Zoology Museums ........................................................................................ 40 Paleontology Museums ................................................................................ 41 Geology and Mineralogy Museums ............................................................ 42 Botanical Gardens, Arboretums, Herbariums, and Nature Centers ............ 43 Science and Technology Museums and Centers ......................................... 46 Planetariums and Observatories ................................................................... 47 Marine Sciences Museums and Aquariums ................................................ 49 Medical, Dental, and Health Museums ....................................................... 50 Historically-oriented Museums and Galleries ............................................ 52 Historical Museums, Houses, and Sites ...................................................... 52 Ethnic Museums and Galleries .................................................................... 55 Religious Museums and Galleries ............................................................... 57 Agricultural Museums .................................................................................. 58 Costume, Textile, and Fashion Museums .................................................... 59 Music Museums ........................................................................................... 60 Photography Museums and Galleries .......................................................... 61 Sports Museums ........................................................................................... 62 General Museums ......................................................................................... 63 Library and Archival Collections and Galleries .......................................... 64 Other Types of Museums ............................................................................. 66 Chapter 3: Governance, Organization, and Staffing ............................................. 67 Governance Patterns ......................................................................................... 68 Management Structures .................................................................................... Museum Groupings .......................................................................................... Informal Cooperation ....................................................................................... Organization and Staffing ................................................................................ Operating Practices .......................................................................................... Differences of Opinion .................................................................................... Chapter 4: The Mission ............................................................................................. Art Museums and Galleries ............................................................................. Science Museums and Related Facilities ........................................................ Other Fields ...................................................................................................... Chapter 5: Collections and Research ...................................................................... Art Collections ................................................................................................. Millions of Specimens and Objects .................................................................

70 72 73 74 76 77 81 82 84 87 91 91 94

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Collections in Other Fields .............................................................................. 99 Chapter 6: Exhibits and Programs .......................................................................... 105 Collection-Based Exhibits ................................................................................ 106 Historical and Contemporary ........................................................................... 110 Educational Programming ................................................................................ 111 Chapter 7: Facilities and Attendance ...................................................................... 115 The Old and the New ...................................................................................... 115 Smaller, but More Numerous .......................................................................... 118 Interpreting History .......................................................................................... 120 Hands-off and Hands-on Exhibits ................................................................... 125 Campus and Public Response .......................................................................... 131 Chapter 8: Closures and Openings .......................................................................... 137 Finances and Other Reasons ............................................................................ 138 Many New Facilities ........................................................................................ 139 Greater Cost Control ........................................................................................ 140 Index for Chapters 1-8 .............................................................................................. 141 Photographs ................................................................................................................ 167 Directory of Museums ............................................................................................... 189 Agricultural Museums ...................................................................................... 189 Archaeology, Anthropology, & Ethnology Museums ..................................... 193 Art Galleries ..................................................................................................... 209 Art Museums & Sculpture Gardens ................................................................ 301 Botanical Gardens, Arboretums, Herbariums, & Nature Centers ................... 364 Costume, Textile, & Fashion Museums .......................................................... 389 Entomology Museums ...................................................................................... 395 Ethnic Museums & Galleries ........................................................................... 398 General Museums ............................................................................................. 411 Geology & Mineralogy Museums ................................................................... 416 Historical Museums & Houses ........................................................................ 427 Library & Archival Collections & Galleries ................................................... 458 Marine Sciences Museums & Aquariums ....................................................... 468 Medical, Dental, & Health Museums .............................................................. 470 Music Museums ............................................................................................... 477

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Natural History & Cultural Museums ............................................................. 479 Paleontology Museums .................................................................................... 498 Photography Museums and Galleries .............................................................. 501 Planetariums, Observatories, & Astronomical Museums ................................ 504 Religious Museums and Galleries ................................................................... 539 Science & Technology Museums & Centers .................................................. 546 Sports Museums ............................................................................................... 552 Zoology Museums ............................................................................................ 557 Other Types of Museums ................................................................................. 560 Indices for Directory University and Museum Index .................................................................... 563 Museum and University Index .................................................................... 581 Geographic Index ......................................................................................... 595 Key Personnel Index .................................................................................... 615 Appendices 1: Founding and Opening Dates .................................................................. 635 2: Bibliography ............................................................................................. 683

Preface Museums, galleries, and related facilities at American universities and colleges play an important cultural role on academic campuses and their communities and regions. They serve as informal instruments of education with their exhibits and programs; keepers and researchers of artworks, specimens, and historical objects; and sources of enjoyment in the art, science, history, and other fields. They are invaluable resources in instruction, research, and public education. This study looks at the history, operations, and offerings of 1,736 museums, galleries, libraries, planetariums, observatories, science centers, sculpture gardens, aquariums, botanical gardens, arboretums, herbariums, nature centers, and other museum-like facilities located at 822 universities, colleges, and related organizations. This volume is an update on a similar study of more than 1,100 facilities published in 1996. They represent about 10 percent of the nation’s museum world. Some of the nation’s earliest collections and museums in the eighteenth and nineteenth centuries were at such university and college campuses at the College of William and Mary, Dartmouth College, Georgetown University, U.S. Military Academy, and Harvard University. Many of the best-known and highly regarded museums, galleries, and related facilities today are located on university and college campuses, including such places as the Harvard Art Museum; University of Pennsylvania Museum of Archaeology and Anthropology; Yale University Art Gallery; Birch Aquarium at Scripps at the University of California, San Diego; Oriental Institute Museum at the University of Chicago; Hammer Museum at the University of California, Los Angeles; and Lyndon Baines Johnson Library and Museum at the University of Texas at Austin. The number and quality of academic museum-like institutions keeps increasing, despite difficult economic conditions. But some have closed and other have made cutbacks in recent years for financial and other reasons. This study shows the diversity, strength, and importance of academic museums, galleries, and related facilities, as well as some of the problems they face in the years ahead. I wish to thank all those who helped to make this overview possible.

Introduction America’s College Museums was first published in 1996 by Greenwood Publishing Group as University and College Museums, Galleries, and Related Facilities: A Descriptive Directory. This second edition is completely revised with more educational information, more museum listings, and five indices. It is arranged in two major sections. College Museums: Remarkable & Important Cultural Resources The first section of America’s College Museums is a comprehensive overview, in eight distinct chapters, of the workings of college museums — governance, funding, programming, admissions, and collection development. The author explores how these institutions continue to thrive, and how they develop and house remarkable, valuable, and diverse collections. Many college museums are on the forefront of scientific research, and most serve not only as an important educational center for the student population, but also as a bridge to outside communities. Collections vary from a few display cases to significant buildings that house major collections and valuable works of art. This new edition begins with a comprehensive history of America’s college and university museums. You will read about how the first academic art collection was started in 1732 at the College of William and Mary when the third Earl of Burlington gave the college a portrait of physicist Robert Boyle. Other starting dates include the first military collection at the U.S. Military Academy in 1777 and, in 1784, the first geological collection at Harvard University. This section discusses more than 25 different types of institutions, including Art Museums, Archaeology Museums, Science Centers, Health Museums, Music Museums, Sports Museums, and Archival Galleries. It includes governance patterns and management structures, details on missions and objectives, and dwindling collections at many facilities. The different kinds of exhibits, almost always with a focus on education — as well as which attract the most attendance — are also included in this edition. From talks and lectures to camps and field trips, exhibits vary greatly. Some are collection-based, some focus on contemporary research, and some depend on changing student work. Finally, this section ends with commentary about the future. Despite economic challenges, the total number of academic galleries, museums and related facilities continues to increase every year — emphasizing “the importance of such art, history and science facilities in teaching, research and the cultural life on campus.” Following Chapter 8 is a list of the 26 photographs in this edition of various museums and galleries, with detailed captions.

xii


Directory of Museums Section two includes detailed profiles of 1,763 facilities. They are arranged in 24 major categories, from Archeology to Zoology, with many categories comprising several related themes, for a total of 48 distinct subjects that include Herbariums, Fashion Museums, and Aquariums. The Other Types category offers a Treasures of the Sea Exhibit, and museums of paper, culinary arts, clocks, broadcasting, and turf grass. Each profile begins with the name of the college or university, the specific museum, and its city and state. A detailed description follows, including historical facts about its origins and collections, information about its physical space, and what visitors can expect to find: works of European Masters; student and faculty artwork; enveloping, room-size works of art; tips on how to hunt for treasure; circus performances; and one of the largest button collections. Valuable contact information follows each museum description — address, phone, fax, email, web site, visitor hours, admission fees and, new to this edition, a key contact person. These current details make this edition of America’s College Museums a valuable guide for students, travelers, collectors and researchers alike. Indices In addition to the chapter index on page 141, four more indices follow the directory section, for a variety of ways to access the wealth of information in America’s College Museums: – University and Museums Index: Alphabetical by college or university, this index lists the college and each facility associated with it. The listing for Arizona State University, for example, includes its 12 related facilities. – Museum and University Index: Alphabetical by Museum or related facility, this index lists the specific name of the museum and the college it belongs to. – Geographic Index: Alphabetical by state then city, this index includes the name of the museum and its affiliated college. – Key Personnel Index: Alphabetical by last name, this index includes key contact people for each museum in this edition, their title and affiliation. Appendices 1: Founding and Opening Dates ranges from the first documented opening in 1732 to several planned openings in 2012. 2: Selected Bibliography provides nearly 100 books, articles, and reports to aid in research of this topic.

Chapter 1

An Overview and History “Museums” once had a narrow definition. They had to have collections of artworks, specimens, historical materials, or other objects; a professional staff; exhibits; and open to the public on a regular schedule. Today, museums take many different forms—and often with other names. This is especially true on the campuses of American colleges and universities where some have such unusual museum names as Idea Place, Discovery Zone, and Insect Zoo. The word “museums” now is used as an umbrella term that includes such museum-like facilities as art galleries, science centers, planetariums, observatories, aquariums, zoos, botanical gardens, arboretums, herbariums, nature centers, and library collections, archives, and exhibits with museum characteristics. Some lack collections, do not have exhibits, are not open to the public, lack professional staffs, and/or do not call themselves museums. Virtually every type of museum can be found on the collegiate campus—and sometimes at other locations operated by universities and colleges. This study includes descriptions of 1,739 museums and related facilities at 825 universities, colleges, and related organizations in the United States—nearly 10 percent of the approximately 17,500

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“museums” for the nation, as estimated by the American Association of Museums. Many institutions have more than one museum facility. And there are other museums for which information was not found for this study. The university and college facilities in this study are divided into 24 categories. The largest numbers are in the art field, with 910 sites, slightly more than half of the total. They include 668 art galleries and 242 art museums and sculpture gardens. Art galleries usually feature temporary exhibitions of contemporary art and often do not have collections, while art museums have collections, usually long-term exhibits and changing exhibitions, and frequently oversee outdoor sculpture gardens on the campus. But it sometimes it is difficult to distinguish galleries from museums because some art galleries call themselves museums and some art museums use gallery or other terms in their names, and their functions sometimes overlap. Science museums rank second in the number of listings, totaling 520. The most numerous science facilities were planetariums and observatories, with 153, followed by botanical gardens, arboretums, herbariums, and nature centers, 108; natural and cultural history museums, 71; archaeology, anthropology, and ethnology museums, 66; geology and mineralogy museums, 46; and medical, dental, and health museums, 25. Other science-oriented facilities include science and technology museums and centers, 18; entomology museums, 11; zoology museums, 8; paleontology museums, 7; and marine science museums and aquariums, 6. The totals for other categories include historical museums, houses, and sites, 110; ethnic museums and galleries, 49; library and archival collections and galleries, 32; religious museums and galleries, 28; costume, textile, and fashion museums, 21; general, 20; sports museums, 18; agricultural museums, 15; photography museums and galleries, 9; music museums, 6; and other types of museums, 78. Most universities and colleges with museums, galleries, or related sites have one or two facilities. But some have an extensive list of such resources. Arizona State University has the largest number of museums and related facilities with 39, but some sites are only small displays of art or collections outside this study. Among the other institutions with more than a dozen museums and other sites are Harvard University, University of Michigan, Pennsylvania State University, Michigan State University, and University of California, Berkeley. Most university and college museums are operated by academic departments, although a few, such as the University of Delaware and Iowa State University, are administered through a “University Museums” office. Some institutions have ways for campus museums and related facilities to work together on matters of mutual interest, such as the “Museum Committee” representing all 39 sites at Arizona State University, and the “Berkeley Natural History Museums” that provides services and organizes joint programs

Early Collections and Museums

3

for the six campus natural history museums and eight field stations at the University of California in Berkeley. Some colleges and universities also have museums at contracted government facilities or operated by historical societies, religious groups, or government agencies. In the observatory field, many colleges and universities work together in consortiums to develop, share, and manage expensive viewing facilities on mountain tops—frequently with funding from the National Science Foundation. They include such consortiums as the Association of Universities for Research Astronomy, Associated Universities, Inc., and University Corporation for Atmospheric Research. Smaller groups of institutions also have banded together to operate observatories and other research-oriented facilities. EARLY COLLECTIONS AND MUSEUMS Universities and colleges were among the first to establish collections and museums in the nation—often at or shortly after an institution was founded. The collections usually were started with gifts of artworks or historical objects, or by faculty members gathering materials for teaching and research. The first academic collections began in the eighteenth century. In 1732, the College of William and Mary started an art collection when the third Earl of Burlington gave the college a portrait of physicist Robert Boyle. It was followed in 1772 with gifts of artworks and antiquities that resulted in a collection at Dartmouth College, and an art collection initiated at Georgetown University in 1789. Several campus collections in other fields also began in the 1700s. The U.S. Military Academy started its military-oriented collection after materials were brought back from the 1777 British defeat at Saratoga during the Revolutionary War. A vast geological collection also had its beginning at Harvard University in 1784. But it was not until later that museums were established. Many college and university museums and museum-like facilities predate public museums. The Pennsylvania Academy of the Fine Arts Museum in Philadelphia is now the oldest museum in the nation. It was founded in 1805 and opened in 1807 by painter/scientist Charles Wilson Peale, sculptor William Rush, and other artists and business leaders at the time. The first exhibition was presented in 1811, featuring over 500 paintings and statuary. Among the other early academic collections, museums, and other facilities established in the early nineteenth century were the Bowdoin College Museum of Art, 1811; the medical library at Yale University that later became the Harvey Cushing/John Hay Medical Library with museum-like collections and exhibits, 1814; The Rotunda at the University of Virginia, 1819; the first University of Alabama specimens for what became the Alabama Museum of Natural History, 1831; Trumbull Gallery, which later evolved into the Yale University Art Gallery, 1832; University of Michigan cabinet of scientific specimens that was converted to the Museum of Zoology and then the University of

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The Pennsylvania Academy of the Fine Arts Museum, which was founded in 1805 and opened in 1807, is the nation’s oldest museum. Its original building was destroyed by fire in 1845, and replaced in 1876 by this structure—the Furness-Hewitt Building, now a National Historic Landmark. The building still serves as the museum’s home, with some exhibitions also being presented in an adjacent building. Courtesy of Pennsylvania Academy of the Fne Arts Museum.

Early Collections and Museums

5

Michigan Exhibit Museum of Natural History, 1837; Harvard College Observatory, 1839; The Citadel Archives and Museum, Haverford College Arboretum, and Willamette University Art Museum, 1842; U.S. Naval Academy Museum, 1845; Warren Anatomical Museum at Harvard University and Alabama Museum of Natural History, University of Alabama, 1847; Beneski Museum of Natural History, Amherst College, 1848; and University of Wisconsin-Madison Herbarium, 1849. The second half of the nineteenth century saw the acquisition of numerous collection materials that later became part of new academic museums, including a set of engravings in 1855 now in the University of Michigan Museum of Art collection and geological specimens in 1856 that developed into the Strecker Museum at Baylor University in 1883. During this period, the Laws Observatory also was founded at the University of Missouri-Columbia in 1853; West Point Museum, U.S. Military Academy, 1854; Virginia Military Institute Museum, 1856; Michigan State University Museum, 1857; University of Iowa Museum of Natural History, 1858; and two Harvard University museums—Museum of Vegetable Products (later renamed the Botanical Museum of Harvard University) in 1858 and Museum of Comparative Zoology in 1859. As the nation recovered after the Civil War, the second half of the nineteenth century saw the expansion of higher education (partly because of the Morrill Land-Grant Acts of 1862 and 1890) and the founding of many art, science, and other types of museums and related facilities. The Morrill Acts, which provided federal land grants to states for the creation of agricultural and technical colleges, resulted in more than 100 new universities and colleges and numerous museums, such as the University of Nebraska State Museum in 1871; a University of Minnesota museum in 1872 that later became the Bell Museum of Natural History; and the Geology Museum at the University of Wisconsin-Madison in 1877. The first African American museum—Hampton University Museum—also was established in 1868. Another new development was major funding of university and college museums by wealthy donors—and the naming of the facilities for contributors. The practice largely began in 1866 with the founding of the Peabody Museum of Archaeology and Ethnology at Harvard University and the Yale Peabody Museum of Natural History—both made possible by philanthropist George Peabody. In the years that followed, colleges and universities sought increasing financial assistance for museums and other educational activities from successful alumni, business leaders, and patrons of the arts and other fields. The Peabody museums were among the growing number of academic museums involved in archaeological and anthropological expeditions and research during the second half of the nineteenth century. They included such other museums as the Johns Hopkins University Archaeological Collection, 1884; University of Pennsylvania Museum

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Founded in 1887, the University of Pennsylvania Museum of Archaeology and Anthropology has become a leader in the study and understanding of human history and diversity. It has taken part in over 400 archaeological and anthropological exhibitions throughout the world and now has nearly 1 million objects in its collections. This photo shows the museum’s Chinese Rotunda, which is 90 feet high. Courtesy of University of Pennsylvania Museum of Archaeology and Anthropology and photographer Lauren Hansen-Flaschen.

Twentieth Century Expansion

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of Archaeology and Anthropology, 1887; Harvard University Semitic Museum, 1889; and Oriental Institute Museum at the University of Chicago, 1894. Other science-oriented facilities established during the nineteenth century included the Harvard University Herbarium, 1864; University of Kansas Natural History Museum, 1866; Arnold Arboretum, Harvard University, 1872; W. J. Beal Botanical Garden, Michigan State University, 1873; Colorado School of Mines Geology Museum, 1874; John Payson Williston Observatory, Mount Holyoke College, 1881; University of Wisconsin Zoological Museum, 1887; and Orton Geological Museum, Ohio State University, 1892; and Logan Museum of Anthropology, Beloit College, 1894. Art museums and galleries continued to be founded during the nineteenth century, but the emphasis was on science as the century came to a close. Among the art facilities established during the second half of the 1800s were the Vassar College Art Gallery (which became the Frances Lehman Loeb Art Center), 1864; Museum of Art, Rhode Island School of Design, 1877; Princeton University Art Museum, 1882; Stanford University Art Museum (now Iris and B. Gerald Cantor Center for Visual Arts), 1891; and Fogg Art Museum (which became part of Harvard Art Museums), 1895. TWENTIETH CENTURY EXPANSION The twentieth century brought a boom and dramatic changes to the field of academic museums. The number of museums and related facilities greatly increased with the development of non-collecting art galleries, the opening of new types of museum-like sites, and the placing of greater emphasis on serving the public in addition to teaching and research missions. More and larger academic museums were being funded and named for major donors, and an increasing number honored faculty members and museum directors who were instrumental in their development. Some universities also became the home of unaffiliated museums, managers of defense research laboratories and museums, and members of consortiums to share expensive observatory facilities. The 1900s began with the continued emphasis on natural history and other science museums. The University of California at Berkeley now has six science-oriented museums, all of which originated in the late nineteenth and early twentieth centuries. The Phoebe Apperson Hearst Museum of Anthropology was founded in 1901 and the Museum of Vertebrate Zoology, funded by Annie Montague Alexander, in 1908. They followed the establishment of the University of California Botanical Garden at Berkeley in 1890 and the University and Jepson Herbaria in 1895, as well as the start of collections in 1874 for the University of California Museum of Paleontology, founded in 1921, and the beginning of collecting in the 1880s that led to the Essig Museum of Entomology in 1939. The largest number of new collections, museums, and related facilities during the first two decades of the century were in the natural history and other science fields. They included such places as the North Museum of Natural History and Science at Franklin and

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Marshall College, 1901; University of Colorado Museum of Natural History and A. E. Seaman Mineral Museum, Michigan Technological University, 1902; Wilder Observatory, Amherst College, 1903; Matthaei Botanical Gardens, University of Michigan, 1907; Museum of Classical Archaeology and Art and Museum of European Cultures (which later became the Spurlock Museum), University of Illinois at Urbana-Champaign, 1911; Harold L. Lyon Arboretum, University of Hawaii at Manoa, 1918; and University of Arizona Mineral Museum, 1919. They were followed by such facilities as the Dittrick Museum of Medical History, Western Reserve University, 1924; Kelsey Museum of Archaeology, University of Michigan, 1928; Fryxell Geology Museum, Augustana College, 1929; Cranbrook Institute of Science, Cranbrook Educational Community, 1930; McDonald Observatory, University of Texas at Austin, 1932; L. H. Bailey Hortorium, Cornell University, 1935; and Palomar Observatory, California Institute of Technology, 1948. New art museums (including some called galleries) also were being founded at an increasing rate during the early twentieth century—many the result of private gifts. . Among those established were the Busch-Reisinger Museum (now part of the Harvard Art Museums), Harvard University, 1901; Memorial Art Gallery, University of Rochester, 1911; Allen Memorial Art Museum, Oberlin College, 1917; Mulvane Art Museum Washburn University, 1924; Henry Art Gallery, University of Washington, 1927; University of Kansas Museum of Art (became Spencer Museum of Art), 1928; Robert Hull Fleming Museum, University of Vermont, 1931; University of Oregon Museum of Art (now Jordan Schnitzer Museum of Art), 1932; and Ball State University Museum of Art, 1936. One of the first specialized art museums also was founded in 1900 at Alfred University—now known as the New York State College of Ceramics at Alfred University. An early museum that combined art and another field also was established during this period. It was a museum of art and archaeology, which was established at Emory University in 1920 and later became the Michael C. Carlos Museum. Collections of costumes, textiles, and fashion also were being founded, including the Drexel Historic Costume Collection at Drexel University in the 1920s, Mount Mary College Historic Costume Collection, 1928; and Elizabeth Sage Historic Costume Collection, Indiana University, 1935. The first collegiate art galleries that did not have collections and featured changing exhibitions began to appear during the early 1900s. They often were started by art departments primarily to exhibit the works of art students and faculty, and often were located at universities and colleges that did not have art museums. Today’s galleries, however, usually also display the art of local, regional, national, and/or international artists, schedule traveling exhibitions, have small collections, and/or show selections from the college or university’s permanent collection. Some institutions have multiple galleries.

Mid-century War and Ensuing Expansion

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Galleries now constitute more than one-third of the academic museums and related facilities. Among the early galleries in this category were the Renaissance Society at the University of Chicago, 1915; Schick Art Gallery, Skidmore College, 1926; and Norman R. Eppink Art Gallery, Emporia State University, 1939. Colleges and universities also started to become more active in developing historical museums, houses, and sites, as well as museum-like facilities at campus libraries and archives, during the early twentieth century. The Hall of Fame for Great Americans, a 630-foot open-air colonnade with bronze busts and commemorative plaques of nearly 100 honorees, was opened by New York University on its University Heights Campus (now part of the Bronx Community College) in 1900. Among the diverse other historical museums established during this period were the Ronald V. Jensen Living Historical Farm, founded in 1917, which now is part of the American West Heritage Center operated by Utah State University; Lee Chapel and Museum, honoring General Robert E. Lee, located at Washington and Lee University since 1928; Ralph Foster Museum, founded in 1930 at the College of the Ozarks, devoted to the history of the region; Ash Lawn-Highland, the 1799 home and plantation of President James Monroe, opened to the public by the College of William and Mary in 1931; Fort Belknap Museum and Archives, which tells the story of a Texas frontier fort built to protect settlers in the Red River area, was restored with WPA funds in 1936-37 and now is operated by Texas Wesleyan College and a historical society; and Kentucky Library and Museum, founded at Western Kentucky University in 1939, which traces the history of the state. Academic museums and related facilities also were being founded at the turn of the century in such other fields as musical instruments, religion, marine sciences and aquariums, and ethnicity. They included facilities like the Stearns Collection of Musical Instruments at the University of Michigan in 1899 and Yale University Collection of Musical Instruments in 1900; Texas First Ladies Historic Costume Collection, Texas Woman’s University, 1901; The Jewish Museum, Jewish Theological Seminary of America, 1904; Scripps Institution Aquarium (now Birch Aquarium at Scripps), 1905; Quayle Bible Collection, Baker University, 1925; and Lois E. Woods Museum (which later became the African Art Gallery), Norfolk State University, 1935. MID-CENTURY WAR AND ENSUING EXPANSION World War II in the early 1940s brought major changes to the nation—and especially universities and colleges and their academic museums. Campus enrollments and activities dropped dramatically as the nation responded with military enlistments, defense work, and wartime volunteering. It reduced the attendance and virtually brought a halt to the establishment of new academic museums, galleries, and related facilities. On many campuses, the institutions and their faculties became involved in wartime research and development.

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In some instances, leading universities were asked by the federal government to staff and manage new scientific research laboratories. The University of California at Berkeley, for example, operated the Lawrence Livermore National Laboratory in Livermore, California, and the Los Alamos National Laboratory in Los Alamos, New Mexico. The University of Chicago was given responsibility for the Fermi National Accelerator Laboratory in Batavia, Illinois. Other universities also became involved in government research facilities, particularly in the energy field. The Universities of California no longer operates the Livermore laboratory, but it still manages the Los Alamos laboratory and its museum, the Bradbury Science Museum. At Fermi laboratory, the University of Chicago’s management responsibilities have been assumed by the University Research Association, a consortium of 90 research universities. The Lederman Science Center, a hands-on science museum, now serves as the visitor center for the laboratory. Most other university operational activities also changed after the war. The government/university wartime experiences impacted future cooperation between the federal government and universities, as well as among the institutions themselves. Universities began to work together through consortiums, particularly in the astrophysical field, and to develop and manage observatories and other large-scale facilities largely funded by the federal government. The consortiums include such organizations as Associated Universities, Inc., founded by nine universities in 1946 to develop and manage large, complex, and costly laboratories and other science facilities; Association of Universities for Research in Astronomy, a 1957 consortium now consisting of 37 American universities and other institutions and 7 international affiliates, that operates four astronomical observatories and carries out the scientific mission of the Hubble Space Telescope through its Space Telescope Science Institute in Baltimore; and the University Corporation for Atmospheric Research, established in 1959 with National Science Foundation support, which includes over 100 university members and affiliates and operates a National Center for Atmospheric Research in Boulder, Colorado. Some colleges and universities also are members of such other groups as the University of California Observatories, California Association for Research in Astronomy, and individual observatories like MDM and WIYN on Kitt Peak in Arizona that share facilities. After difficult times during World War II, academic museums grew rapidly, especially in art, history, and science. Among the many new art museums were the Mead Art Museum, Amherst College, 1949; Lowe Art Museum, University of Miami, 1952; Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, 1961; William Benton Museum of Art, University of Connecticut, 1966; Elvehjem Museum of Art (now Chazen Museum of Art). University of Wisconsin-Madison, 1970;

Mid-century War and Ensuing Expansion

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Arthur M. Sackler Museum (now part of the Harvard Art Museums), 1985; and Marianna Kistler Beach Museum of Art, Kansas State University, 1996. Among the new facilities were the Herbert F. Johnson Museum of Art, housed in a stunning I. M.-Pei-designed building at Cornell University, 1973; Hood Museum of Art, whose collections began in 1772 at Dartmouth College, 1985; the University of Florida’s Samuel P. Harn Museum of Art, which became the largest art museum in the Southeast, 1990; Brigham Young University Museum of Art, which moved into a new building in 1993 and now serves 327,000 visitors annually; an innovative stainless steel building designed by Frank O. Gehry for the Frederick R. Weisman Art Museum at the University of Minnesota Twin Cities; 1993; the 155,000-square-foot Blanton Museum of Art, which succeeded the Arthur M; Huntington Gallery founded at the University of Texas at Austin in 1963; and Nasher Museum of Art, established as the Duke University Museum of Art in 1969 and expanded into a new facility designed by noted architect Rafael Vinoly in 2005. The period also saw the growth of museums devoted to a single area of art and museums that combined art and another fields or were in related disciplines. Among the new specialized museums were the Grunwald Center for the Graphic Arts, University of California, Los Angeles, 1956; Institute of Contemporary Art, University of Pennsylvania, 1963; Asian Arts Gallery, Towson University, 1971; Ward Museum of Wildfowl Art, Salisbury State University, 1975; Yale Center for British Art, 1977; and Kentucky Folk Art Center, Morehead State University, 1985. The new dual-purpose art museums included the Museum of Art and Culture, University of Montana, 1956; Museum of Art and Archaeology, University of Missouri-Columbia, 1957; University of California Berkeley Art Museum and Pacific Film Archive, 1963; and Gregg Museum of Art and Design, North Carolina State University, 1979. More museums and galleries of costume, textile, and fashion collections also were developed, and new photography museums emerged. They included the Museum of FIT at the Fashion Institute of Technology in 1967; Paley Design Center (now the Design Center at Philadelphia University), Philadelphia College of Textiles and Science, 1978; UCR/California Museum of Photography, University of California, Riverside, 1973; and Center for Creative Photography, University of Arizona, 1975. An increasing number of sculpture courts, museums, and gardens also were developed by colleges and universities in the second half of the 1900s. They included the Marshall M. Fredericks Sculpture Museum, with more than 1,000 works, founded in 1988 at Saginaw Valley State University, and such outdoor sculpture gardens as the Franklin D. Murphy Sculpture Garden, University of California, Los Angeles, 1967; Henry Lay Sculpture Garden, St. Louis University, 1996; and Elizabeth and Bryon Anderson Sculpture Garden, Iowa State University, 2007.

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Many of the campus sculpture gardens also are managed by art museums, including the Stanford University outdoor collection by the Iris and B. Gerald Cantor Center for Visual Arts; the Ursinus College sculpture garden by the Philip and Muriel Berman Museum of Art, and the University of Minnesota’s “Public Art on Campus” program by the Frederick R. Weisman Art Museum. The largest growth in new college and university museums and related facilities in the second half of the twentieth century was in art galleries with little or no collections that presented changing exhibitions by students, faculty, artists, traveling exhibitions, and works from college and university permanent collections. Among the new galleries were the Boston College Art Gallery, 1958; Sawhill Gallery, James Madison University, 1967; University of West Florida Art Gallery, 1970; Miriam and Ira D. Wallach Art Gallery, Columbia University, 1986; and Leore Degenstein Gallery, Susquehanna University, 1993. Some institutions have multiple art galleries, including Bowling Green State University, with 3 galleries; Ohio State University, 5 galleries; Savannah College of Art and Design, 10 galleries; Ringling College of Art and Design, 12 galleries; and Moore College of Art and Design, 15 galleries. A number of art galleries have museum-like art collections, long-term exhibits, and educational programs, including Faulconer Gallery, Grinnell College; Picker Art Gallery, Colgate University; and Ewing Gallery of Art and Architecture, University of Tennessee at Knoxville. SURGE OF HISTORICAL AND LIBRARY MUSEUMS Historical museums, houses, and sites are the largest museum category in the United States. They received their greatest impetus during the 1976 bicentennial observance when thousands of local history museums were established to celebrate the 200th anniversary of the founding of the nation. Some academic historical museums—usually institutional or regional history museums—also were founded at that time, including the Georgia College and State University Museum, Museum of Southern History at the Houston Baptist University, Mountain Heritage Center at Western Carolina University, and Sweet Briar Museum at Sweet Briar College. Among the many other academic-based historical museums are Panhandle-Plains Historical Museum, West Texas A&M University; Blue Ridge Institute and Museum, Ferrum College; Museum of the Big Bend, Sul Ross State University; and American West Heritage Center, Utah State University. Colleges and universities have many other types of history museums. Some are historic structures or honor an outstanding person, and sometimes both. Among the historic sites are the ca. 1813 Emily Dickinson Museum, The Home and The Evergreens, operated by Amherst College; 1822-26 Rotunda designed by Thomas Jefferson at the University of Virginia; 1844 Rowan Oak, Home of William Faulkner, University of Mississippi; Sam Houston Memorial Museum on the mid-1800s homestead of the Texas pioneer leader, Sam Houston State University; 1867-68 Lee Chapel and Museum honoring General

Surge of Historical and Library Museums

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Robert E. Lee, Washington and Lee University; 1889 Jane Addams Hull-House Museum on the University of Illinois at Chicago campus; and Sam Rayburn Library and Museum, the home and library of the longest serving speaker of the U.S. Senate, part of the Dolph Briscoe Center for American History at the University of Texas at Austin. Academic museums created to honor the lives and contributions of outstanding figures include the Stephen Foster Memorial Museum, featuring the life and works of the noted composer, University of Pittsburgh; Cyrus M. McCormick Memorial Museum, located at the 1830s farm of the inventor of the first successful mechanical reaper that revolutionized grain harvesting, Virginia Polytechnic Institute and State University; George C. Marshall Museum, devoted to the World War II general for whom the Marshall Plan was named, Virginia Military Institute; and Winston Churchill Museum, celebrating the contributions of the British prime minister, at Westminster College, where he gave his famous “Iron Curtain” speech in 1946. Colleges and universities also have sports museums that honor individuals, teams, and their achievements. They include such places as the Paul W. Bryant Museum, featuring the long-time coach and football history at University of Alabama; 1985; Yogi Berra Museum and Learning Center, celebrating the career of the New York Yankees catcher and baseball, Montclair State University, 1998; Jack Nicklaus Museum, devoted to the life and career of one of the greatest golfers, Ohio State University, 2002; and Eddie G. Robinson Museum, honoring the legendary football coach, Grambling State University, 2010. Other institutions—including Pennsylvania State University, University of Arizona, University of Connecticut, and U.S. Air Force Academy—opened new museums on their sports history and achievements in 2002-03. Historic campus structures also are preserved as history museums because of their age, content, or role in history. Among such sites are the 1839 Old Governor’s Mansion at Georgia College and State University; 1842-44 Old Capitol Museum, University of Iowa; 1905-08 Glensheen Historic Estate, University of Minnesota Duluth; and 1926 Meadow Brook Hall, a 110-room, 88,000-square-foot mansion, Oakland University. The University of Southern Indiana is the co-operator with the state of Historic New Harmony, a collection of 1814-27 historic structures at the site of two early utopian experiments; Bethany College in West Virginia has a “Historic Bethany” tour programs of early structures; Louisiana State University’s Rural Life Museum and Windrush Gardens features pre-industrial buildings and 25 acres of semiformal gardens; and several universities have extensive museum collections of largely pioneer buildings—National Ranching Heritage Center at Texas Tech University and Governor Bill and Vara Daniel Historic Village at Baylor University. Some universities, such as Johns Hopkins University and Clemson University, have historic properties offices to manage their multiple historic houses and related structures.

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A number of historic sites have been re-created by institutions as living history museums, including an 1801-50 pioneer village at Daniel Boone Home and Boonesfield Village by Lindenwood University; 1823 Conner Prairie Interactive Historical Park, Earlham College; and early oil towns of Spindletop-Gladys City Boomtown at Lamar University and East Texas Oil Museum at Kilgore College. Academic libraries also have become the site of history and other types of museums and galleries, usually because of their special collections, archives, and/or availability of space or desire to be of greater service. Among the varied historically oriented library museums are the Armstrong Browning Library, housing the largest collection of material related to the life and poetry of Robert Browning, at Baylor University; The Citadel Archives and Museum with collections and exhibits pertaining to the history of the college and the military; Northwest History Museum and Archives at Northwest Missouri State University; and History of Medicine Collections, Duke University. Many libraries contain art galleries, including the Harvey S. Firestone Library at Princeton University, which has four galleries. Among the other library art galleries are the University Gallery at Clarion University of Pennsylvania; Ronald Gallery, Earlham College; Mudd Gallery, Lawrence University; and Coe College Art Galleries. Some libraries are the home of art museums, such as the Oglethorpe University Art Museum, Georgetown University Art Collection, and American Museum of Asmat Art at the University of St. Thomas. Two multifaceted Washington libraries also exhibit works from their art collections—the Dumbarton Oaks Research Library and Collections, operated by Harvard University, and Folger Shakespeare Library, governed by Amherst College. An increasing number of historical presidential libraries and museums are being located at universities. They now include the Gerald E. Ford Library at the University of Michigan, Lyndon Baines Johnson Library and Museum at the University of Texas at Austin, George Bush Presidential Library and Museum at Texas A&M University, and the George W. Bush Presidential Library being built at Southern Methodist University. A number of museum/libraries at the homes of former presidents also are operated by colleges and universities, including the James Madison Museum and Memorial Library by the University of Mary Washington; Ash Lawn-Highland, the 1799 home and plantation of Madison, College of William and Mary; and President Andrew Johnson Museum and Library, Tesculum College. Many of the general, agricultural, ethnic, and religious museums also are historically oriented. They most often trace the histories of colleges, universities, and ethnic and religious groups and include historical objects, artworks, and sometimes agricultural or scientific artifacts. Among the early general museums were the John E. Conner Museum at Texas A&M University-Kingsville, 1925; Yager Museum of Art and Culture, Hartwick College, 1929; and Arkansas State University Museum, 1933. They were followed by such

This photograph shows part of the exhibit area at the George Bush Presidential Library and Museum at Texas A& M University. It is one of four federally-operated presidential libraries and museums located on university campuses. The other three honor Presidents Lyndon Baines Johnson (University of Texas at Austin), Gerald E. Ford (University of Michigan), and George W. Bush (being built at Southern Methodist University). Courtesy of Bryan-College Station Convention and Visitors Bureau and George Bush Presidential Library and Museum.

Surge of Historical and Library Museums 15

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museums as the Reuel B. Pritchett Museum at Bridgewater College, 1954; Frank H. McClung Museum, University of Tennessee at Knoxville, 1963; McKissick Museum, University of South Carolina, 1976; and McPherson Museum, McPherson College, 1984. Early agricultural museums with collections of historical equipment and other farming artifacts included the Jensen Historic Farm at American West Heritage Center, Utah State University, 1917; State Agricultural Heritage Museum, South Dakota State University, 1967; and Pasto Agricultural Museum, Pennsylvania State University, 1978. Many ethnic museums are devoted to the history and/or art of African Americans, such as the Hampton University Museum, the first African American museum founded in 1868, and historically oriented museums like the Amistad Research Center at Tulane University, 1966; National Afro-America Museum and Cultural Center, Wilberforce University, 1972; and Avery Research Center for African American History and Culture, College of Charleston, 1985. Among the university and college museums honoring African American figures are George Washington Carver Museum and the historic home of Booker T. Washington at Tuskegee University, Mary McLeod Bethune Home at Bethune-Cookman College, and Rosa Parks Library and Museum at Troy State University. The numerous art galleries and museums include the Howard University Gallery of Art, Fisk University Galleries, Spelman College Museum of Fine Art, and James E. Lewis Museum of Art at Morgan State University. Native American history and/or art can be seen at such places as the Haskell Indian Nations University Cultural Center and Museum, Museum of the Native American Resource Center at the University of North Carolina at Pembroke, Museum of Contemporary Native Arts at the Institute of American Indian Arts, and the Schingoethe Center for Native American Cultures at Aurora University. Among the other ethnic facilities are the St. Andrews Scottish Heritage Center at St. Andrews Presbyterian College, NorwegianAmerican Historical Association Archives at St. Olaf College, and Ukrainian Heritage Studies Center at Manor Junior College. Most campus religious museums are located at church-operated universities and colleges and are largely historical in nature. Some are early Spanish missions like the 1769 Mission Basilica San Diego de Alcala at the University of San Diego and the 1777 Mission Santa Clara de Asis at Santa Clara University. Others are devoted to the history and nature of specific religious, such as The Jewish Museum operated by the Jewish Theological Seminary of America and the three museums that are part of the Hebrew Union College-Jewish Institute of Religion in New York City, Cincinnati, and Los Angeles. Others are more specialized, focusing on such areas as Biblical archaeology (Badè Museum of Biblical Archaeology at the Pacific School of Religion); the Bible (Dunham Bible Museum at Houston Baptist University); church archives (Missouri United Methodist Archives at Central Methodist University); religious art (Museum of Contem-

Continued Science Growth

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porary Religious Art at St. Louis University); and institutional history and leaders (The Billy Graham Center Museum at Wheaton College and Bob Jones University Museum and Gallery). In some instances, the collections and museums located on academic campuses are independent of the colleges and universities. The Virginia Baptist Historical Society Archives housed at the University of Richmond, for example, actually is a society operation. Among the other unaffiliated facilities are the New Jersey Museum of Agriculture, operated by the state at Rutgers University; Norwegian-American Historical Association Archives at St. Olaf College; Arizona State Museum at the University of Arizona; and NASA’s Mars Space Flight Facility and Space Photography Laboratory at Arizona State University. CONTINUED SCIENCE GROWTH The number of science museums continued to climb in the second half of the twentieth century and the beginning of twenty-first century. This was especially true in such long-established fields as natural and cultural history, archaeology, anthropology, ethnology, geology, astronomy, and the botanical and medical sciences, as well as in such relatively new fields as planetariums and science and technology centers. Collections also are greatly expanded in such research-based fields as entomology, paleontology, and zoology. Natural and cultural history museums—which encompass many of the other sciences—were among the earliest university and college collections and exhibits in the 1800s. The number of museums and the size and scope of collections continued rapid expansion into the 1900s and early 2000s. Natural and cultural museums now have some of the largest collections of specimens and other objects in such fields as anthropology, archaeology, biology, botany, entomology, ethnology, geology, mineralogy, paleontology, and zoology. Among those with extensive collections are the Florida Museum of Natural History, University of Florida, more than 30 million; Peabody Museum of Natural History, Yale University, over 20 million; University of Nebraska State Museum, 15 million; Burke Museum of Natural History and Culture, University of Washington, more than 12 million; University of Kansas Natural History Museum, 8 million; and Sam Noble Oklahoma Museum of Natural History, University of Oklahoma, over 7 million. Among the new natural and cultural museums since the mid-nineteenth century were the Museum of the Rockies, Montana State University, 1956; Richard H. Schmidt Museum of Natural History, Emporia State University, 1959; Bowers Science Museum, State University of New York at Cortland, 1964; Monte L. Bean Life Science Museum, Brigham Young University, 1978; Connecticut State Museum of Natural History,

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University of Connecticut, 1982; Natural History Museum and Planetarium, Georgia College and State University, 2004; and Museum of Biodiversity, University of Notre Dame, 2006. In 1994, the Sternberg Museum of Natural History at Fort Hays State University resulted from the merging of two existing natural history museums—the Sternberg Memorial Museum and the Museum of the High Plains. At Louisiana State University, 16 natural history collections were united to form the Louisiana Museum of Natural History in 1998. The Harvard Museum of Natural History was created in 1995 as the public face of three research museums—Museum of Comparative Zoology, Minerological Museum, and Harvard University Herbaria—in a natural history complex with a single admission. At the University of Michigan, five museums in the natural history field—anthropology, paleontology, zoology, herbarium, and natural and cultural history—are housed in the same building, but operate separately. The University of California at Berkeley has six science museums and eight field stations that work together through the Berkeley Natural History Museums, an administrative consortium that provides purchasing, financial, human resource, and programming services. The research-oriented museums in entomology, paleontology, and zoology also have experienced increases in numbers. Among the new museums since mid-1900s in entomology—dealing with insects and related arthropods—are the Frost Entomological Museum, Pennsylvania State University, 1969; Louisiana State Arthropod Museum, Louisiana State University, 1971; Mississippi Entomological Museum, Mississippi State University, 1979; and two publicly oriented exhibit facilities—University of Wyoming Insect Museum, 1994, and Kansas State University Insect Zoo, 1999. The Essig Museum of Entomology at the University of California, Berkeley, founded in 1939, has a collection of 4.5 million specimens, but is closed to the public. Several paleontology museums, devoted to the study of dinosaur and other fossils of the distant past, also have been established in the second half of the twentieth century. The College of Eastern Utah Prehistoric Museum opened in 1961 and Brigham Young University of Paleontology in 1976. The University of Nebraska State Museum conducts research and displays fossils at two active excavations—Ashfall Fossil Beds State Park and nearby Fort Robinson State Park, which contains the Trailside Museum of Natural History. The University of California Museum of Paleontology, founded in 1921, has the largest paleontology collection of any university in the world, and the Museum of Paleontology at the University of Michigan contains over 2.2 million specimens. Zoology museums, which conduct research on amphibians, birds, mammals, and reptiles, range from the historic Museum of Comparative Zoology, founded in 1859 at Harvard University, to the Hefner Zoology Museum at Miami University in Ohio, which opened in 1951. Among the other early research museums are the University of Michigan


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Museum of Zoology, University of Wisconsin Zoology Museum, and Museum of Vertebrate Zoology at the University of California, Berkeley (normally open only to research scientists), which also were established in the 1800s. This category also has a public zoo—the Santa Fe Community College Teaching Zoo, initiated in 1971 as part of the college’s training program for animal professionals. In addition, zoological research and exhibits can be found at many natural history museums. Among the archaeology, anthropology, and ethnology museums established during this period were the Haffenreffer Museum of Anthropology at Brown University in 1956; Museum and Laboratories of Ethnic Arts and Technology (later renamed the Fowler Museum at UCLA), University of California, Los Angeles, 1963; Indiana University Museum (which became the Mathers Museum of World Cultures), 1963; Lois Dowdle Cobb Museum of Archaeology, Mississippi State University, 1971; and DePauw University Anthropology Museum, 1984. A number of academic museums also were opened at such archaeological sites as the Chucalissa Mounds (C. H. Nash Museum), University of Memphis, 1956; Blackwater Draw (Blackwater Draw Museum), Eastern New Mexico University, 1969; and Moundville Archaeological Park & Jones Archaeological Museum, University of Alabama. In the geology and mineralogy fields, the Miles Mineral Museum opened at Eastern New Mexico University in 1969; Fiedler Memorial Museum, Texas Lutheran University, 1973; R. S. Dietz Museum of Geology, Arizona State University, 1977; Weiss Earth Science Museum, University of Wisconsin-Fox Valley, 2002; and Oscar E. Monnig Meteorite Gallery, Texas Christian University, 2003. Botanical gardens, arboretums, herbariums, and museums were among the earliest academic collections and related facilities at American colleges and universities. Among the early academic botanical facilities were the Pavilion Gardens at the University of Virginia, 1824; Haverford College Arboretum, 1834; University of Wisconsin-Madison Herbarium, 1849; Museum of Vegetable Products (now Botanical Museum of Harvard University), 1858; W. J. Beal Botanical Garden, Michigan State University, 1873; a Cornell University arboretum that later included gardens and became the Cornell Plantations, 1875; an Ohio State University arboretum (now Chadwick Arboretum and Learning Gardens), 1888; and University of California Botanical Garden at Berkeley, 1890. The first half of the twentieth century resulted in such botanical facilities as the arboretum and botanical gardens that became the Nichols Arboretum and Matthaei Botanical Gardens, University of Michigan, 1907; Intermountain Herbarium (now with over 251,000 specimens), Utah State University, 1921; Red Butte Garden and Arboretum University of Utah, 1930; and the 1880s private Morris Arboretum that became a public facility, University of Pennsylvania, 1933.

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Many more new botanical facilities have been established since the mid-1900s. They include such diverse sites as the Glen Helen Nature Preserve, Antioch College, 1951; University of Alabama Arboretum, 1958; Hunt Institute for Botanical Documentation (now part of Carnegie Mellon University), 1961; Reynolda Gardens of Wake Forest University, 1962; University of California Irvine Arboretum, 1965; State Botanical Garden of Georgia, University of Georgia, 1968; Shaver’s Creek Environmental Center, Pennsylvania State University, 1976; Lady Bird Johnson Wildflower Center, University of Texas at Austin, 1982; Arboretum at Arizona State University, 1990; and University of Washington Botanic Gardens (which united city and university gardens and programs along Lake Washington), 2005. Numerous new medical, dental, and health museums followed such early historically oriented museums as the Warren Anatomical Museum, Harvard University, 1847; Dittrick Museum of Medical History at Case Western Reserve University, 1926; History of Medicine Collections, Duke University, 1930; and Clendening History of Medicine Library and Museum, University of Kansas Medical Center, 1945. The new medical museums—most of which place more emphasis on health science education—include the Mobile Medical Museum, University of South Alabama, 1962; Waring Historical Library, Medical University of South Carolina, 1966; Pearson Museum, Southern Illinois University School of Medicine, 1974; Alabama Museum of the Health Sciences, University of Alabama at Birmingham, 1975; University of Iowa Hospitals and Clinics Medical Museum, 1982; Kleist Health Education Center, Florida Gulf Coast University, 1994; and Michael E. DeBakey Library and Museum, Baylor University, College of Medicine, 2010. In the dentistry field, the 1938 Historical Dental Museum was replaced by The Edwin and Trudy Weaver Historical Dental Museum in 2003. Other new dental museums were the Macaulay Museum of Dental History, Medical University of South Carolina, 1975; Sindecuse Museum of Dentistry, University of Michigan, 1992; and Dr. Samuel D. Harris National Museum of Dentistry, University of Maryland at Baltimore, 2003. Among the related medical museums were the History of Pharmacy Museum at the University of Arizona in 1966 and University of Maryland School of Nursing Museum in 1999. Two major expansions took place in the astronomical field—observatories for cosmos research that generally are open for public stargazing, and planetariums, theater-style facilities that project educational and entertaining shows about astronomy and the night sky. Among the new observatories were the Sommers-Bausch Observatory, University of Colorado, 1953; Dyer Observatory, Vanderbilt University, 1953; Bassett Planetarium at Amherst College, 1960; University of Maryland Observatory, 1963; Governor Aker Observatory, Eastern Arizona College, 1995; H. S. Mendenhall Observatory, Oklahoma


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State University, 2002; and Hempshire College Observatory, 2004. It also was in 1960-63 that Cornell University’s Arecibo Observatory, the world’s largest single-dish radio telescope, was built in Puerto Rico. Astronomy consortiums, such as the Associated Universities, Inc. and Association of Universities for Research in Astronomy, were founded to design, build, and/or operate observatories at such sites as Kitt Peak in Arizona and Mauna Lea in Hawaii with National Science Foundation funding. Colleges and universities also formed other consortiums to conduct atmospheric research (through the University Corporation for Atmospheric Research) and to share the cost of building and operating facilities such as the WIYN, MDM, and W. M. Keck observatories. Even the historic Harvard Observatory joined with the Smithsonian Institution in 1973 to form the Harvard-Smithsonian Center for Astrophysics, headquartered in Cambridge, which combined their resources and research facilities. Planetariums with sky shows—and later often with laser light shows—began appearing with increasing frequency at colleges and universities from the mid-twentieth century into the early twenty-first century. Among the new facilities were UCLA Planetarium, University of California, Los Angeles, 1957; Peterson Planetarium, Emporia State University, 1959; Abrams Planetarium, Michigan State University, 1963; Hardin Planetarium, Western Kentucky University, 1967; Rollins Planetarium, Young Harris College, 1979; Berea College Weatherford Planetarium, 1985; University of Washington Planetarium, 1994; and Royden G. Derrick Planetarium, Brigham Young University, 2005. Some are used only for astronomy classes and school groups, but most also are open to the public. A large number of astronomical facilities are combined planetariums and observatories, often with stargazing taking place after planetarium sky shows. They include the William M. Observatory and Planetarium, Otterbein University, 1955; Astronaut Memorial Planetarium and Observatory, Brevard Community College, 1976; Bowling Green State University Planetarium and Observatory, 1984; and Leitner Family Observatory and Planetarium, Yale University, 2005. Planetariums also are part of science and technology centers and natural history museums, such as the Lawrence Hall of Science, University of California, Berkeley; UA Science: Flandrau, University of Arizona; Museum of the Rockies, Montana State University; and University of Nebraska State Museum. Some planetariums also have astronomical and space exhibits and have added “science center” to their names, such as the Morehead Planetarium and Science Center at University of North Carolina at Chapel Hill, Fiske Planetarium and Science Center at University of Colorado, and Fleischmann Planetarium and Science Center at University of Nevada, Reno. A planetarium actually is named the Coca-Cola Space Science Center at Columbus State University.

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A number of colleges and universities also have astronomical museums, observatory visitor centers, or exhibit programs, such as the ‘Imiloa Astronomy Center of Hawaii on the Hilo campus of the University of Hawaii; Mount Lemmon SkyCenter, a mountaintop public astronomical program operated by the University of Arizona’s Steward Observatory; and UW Space Place, a shopping center astronomical and science exhibit center established by the Department of Astronomy at the University of Wisconsin-Madison. Science and technology museums and centers basically take two forms—museums of historical scientific and technical instruments and equipment and more contemporary science and technology centers—usually featuring hands-on exhibits and activities. The largest and most historic collection is the Collection of Historical Scientific Instruments at Harvard University, founded in 1949 and containing over 20,000 objects dating back as far as 1450. Other historic science collections include the Monroe Moosnick Medical and Science Museum at Transylvania University and the Oesper Museum of Chemical Apparatus at the University of Cincinnati. Among the interactive science and technology centers are Cranbrook Institute of Science at the Cranbrook Educational Community, 1930; Lawrence Hall of Science, University of California, Berkeley, 1968; Science Discovery Center at Oneonta, State University of New York at Oneonta, 1987; Idea Place, Louisiana Tech University, 1994; East Kentucky Science Center, Big Sandy Community and Technical College, 1994; Da Vinci Science Center, Cedar Crest College, 2003; and University of Arkansas Discovery Zone, 2009. Some science centers include other fields, such as the Kalamazoo Valley Museum, which is a museum of science, technology, and history at Kalamazoo Valley Community College; and MIT Museum, a museum of science, technology, and other areas of scholarship at Massachusetts Institute of Technology. Another technology museum, the Jean Jennings Bartik Computing Museums at Northwest Missouri State University, is devoted to computer history. CHANGING CAMPUS CONDITIONS At the turn of the twenty-first century, academic museums of all types underwent widespread changes—many caused by economic conditions. Many local, state, and federal governments began reducing their support for higher education and raising private contributions became more difficult as costs increased. As a result, the budgets of many museums and related facilities were cut or not increased, forcing cutbacks or closures in many instances. The limited budgets often brought about reduced staffs, exhibitions, programs, renovations, and improvements. The need for funds also resulted in some cases of public hours being cut back and admission fees being imposed or increased. Nearly 50 collegiate museums and related facilities were closed in the 1990s and 2000s—almost always for financial reasons. They included such varied places as the Museum of Natural History; Princeton University; University of Arkansas Museum;

Changing Campus Conditions

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Horner Museum, Oregon State University; Museum of Political Life, University of Hartford; Ryther Printing Museum, University of Kansas; Villanova Planetarium, Villanova University; Fellow-Reeve Museum of History, Friends University; Drexel University Museum; and School of Dental Medicine Museum, University of Connecticut. Some museums were closed for other reasons. The Johnson Gallery at Phillips University and Teikyo Westmar Art Gallery at Teikyo Westmar University closed because the universities folded. The University of Iowa Museum of Art is closed because a 2008 flood severely damaged its building and it is occupying temporary facilities while a new building is being developed. Some are closed indefinitely while new funds or direction are being sought, including the Nicole and Eisenberg Archaeological Collection at Southern Baptist Theological Seminary, E. M. Violette Museum at Truman State University, and The Pensacola State College Planetarium and Space Theatre at Pensacola Junior College. Others, like Bowers Science Museum at the State University of New York at Cortland and the A. D. Buck Museum of History and Natural Sciences at Northern Oklahoma College, are closed temporarily for renovation. Among the curtailments were the William S. Webb Museum of Anthropology, which closed its gallery, University of Kentucky; Lentz Center for Asian Culture at University of Nebraska-Lincoln changed from scheduled hours to visits only by appointment; Ohio State University Planetarium discontinued its public shows; Smith College Museum of Art started charging admission; and University of Pennsylvania Museum of Archaeology and Anthropology terminated 18 research specialists. and closed its Museum Applied Science Center. A few closed museums, such as the University of Wyoming Geological Museum and Humboldt State University Natural History Museum, reopened after protests and new funding. Other museums, including the Appalachian Cultural Museum at Appalachian State University, continue to offer educational programming after closing. The collections and exhibits of some museums have been incorporated into other campus museums, such as the University of Kansas’s Snow Entomology Museum and Museum of Invertebrate Paleontology, now part of the KU Natural History Museum, and the Jonson Gallery, which formerly was located in a separate building and now is a gallery inside the University of New Mexico Art Museum. A number of academic museums also no longer are part of colleges and universities because they was transferred to other organizations, such as the University of Michigan’s Henry Ford Estate, Gannon College’s Watson-Curtze Museum, and Tulane University’s 1831 Hermann-Grima House and 1857 Gallier House. Fortunately, approximately the same number of new museums and related facilities have been established during the same period. Among the art museums were the Samuel P. Harn Museum of Art, University of Florida, Frederick R. Weisman Art Museum, University of

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Minnesota Twin Cities, and Brigham Young University Museum of Art, 1993; Robert V. Fullerton Art Museum, California State University, San Bernardino, 1996; St. Louis University Museum of Art, 2002; Jule Collins Smith Museum of Fine Arts, Auburn University, 2003; Paul E. Jones Collection of African American Art, University of Delaware, 2004; Loyola University Museum of Art and American University Museum, 2005; Fort Worth Contemporary Arts, Texas Christian University, 2008; CU Art Museum, University of Colorado, 2010; and Eli and Edythe Broad Art Museum, Michigan State University, 2012. Among the new sculpture gardens were the St. Louis University’s Henry Lay Sculpture Garden in 1996 and the Elizabeth and Bryon Anderson Sculpture Garden at Iowa State University in 2007. Art galleries have experienced the greatest increase in the last two decades. Some of the larger institutions have added galleries, such as the J. Wayne Stark Center Galleries at Texas A&M University and Bryan and Nakamoto galleries at Bowling Green State University in 1992; Circle Gallery at the University of Georgia, 1993; and UB Art Gallery at Buffalo State College, 1994. Most of the new galleries were established at smaller institutions, many of which do not have art museums. Others were part of new campus art centers. Among the new galleries are the Guilford College Art Gallery, 1990; Center for Visual Art, Metropolitan State College of Denver, 1991; Suzanne H. Arnold Art Gallery, Lebanon Valley College, 1994; Mandeville Gallery, Union College, 1995; Faulconer Gallery, Grinnell College, 1999; Richard F. Peeler Art Center Galleries, DePauw University, 2002; George Segal Gallery, Montclair State University, 2006; and Richmond Center for the Visual Arts Galleries, Western Michigan University, 2007. An increasing number of new museums and related facilities in other fields also are being founded at the turn of the twenty-first century. They include such diverse facilities as the Arboretum at Arizona State University, 1990; Museum of Contemporary Religious Art, St. Louis University, and Robert J. Dole Institute of Politics, University of Kansas, 1993; Idea Place, Louisiana Tech University, and Deer Valley Rock Art Center, Arizona State University, 1994; Bob Campbell Geology Museum, Clemson University, 1998; Kansas State University Insect Zoo, 1999; Penn State All-Sports Museum, 2002; Oscar E. Monnig Meteorite Gallery, Texas Christian University, 2003; Natural History Museum and Planetarium, Georgia College and State University, 2004; Leitner Family Observatory and Planetarium, Yale University, and University of Washington Botanic Gardens, 2005; Museum of Biodiversity, University of Notre Dame, 2006; Kemp Mineral Resources Museum, Lake Superior State University, 2007; and Michael E. DeBakey Library and Museum, Baylor University, 2010.

A Challenging Future

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A CHALLENGING FUTURE Academic museums and related facilities have come a long way since the 1700s and 1800s. They began as teaching and/or research collections, and many still have such emphasis. A few research-oriented museums are even closed to visitors. But most now also attempt to serve the campus and the general public—and sometimes are judged more by the quality of their exhibits and the size of attendances rather than the quality and size of their collections and their role in teaching and research. The early academic museums were basically displays of collections with relatively little interpretation or elaborate exhibitry; frequently housed in storage or working quarters in academic departments; and open to visitors at limited times and without charge. As they evolved and became more publicly oriented, campus museums frequently grew into larger facilities with expanded staffs and spaces, more elaborate exhibits, additional programming, and higher costs. These factors resulted in bigger budgets, greater emphasis on finding donors, and relying more on earned income such as admissions, store sales, and other sources. Another result was an increase in museum closings and curtailments as universities and colleges experienced financial shortfalls during difficult economic times. Despite financial problems, academic museums have become a more important part of the museum world. In addition to increasing in number, they have some of the largest and best collections, exhibits, and educational programs—and continue to increase their services in teaching, research, and furthering public understanding and appreciation of art, science, and other fields. They have some of the most extensive and valuable collections of artworks, scientific specimens, and historical and other objects; conduct leading research in artistic, scientific, and other disciplines; and present invaluable permanent exhibits and changing exhibitions in a wide assortment of subjects for the academic and public communities. Some of the largest concentrations of museums and related facilities can be found at colleges and universities. Arizona State University has 39 museum and exhibit sites; Harvard University, 22; Pennsylvania State University and University of Michigan, 17; and University of Arizona, 16. Among the Arizona State’s many facilities are art, anthropology, geology, living sciences, and nursing museums; art, design, photography, space, physics, meteorite, and library galleries; and such other facilities as an arboretum, planetarium, and rock art center. Harvard operates an anatomical, archaeology/ethnology, botanical, natural history, mineralogy, Semitic, scientific instruments, zoology, and three art museums, and a herbarium and two art galleries on campus, and an arboretum, forestry museum, observatory, and research library/collection off campus. Penn State has agriculture, anthropology, architecture, art, mineral, entomology, environmental, library, materials, sports, and other museums and galleries, while Michigan has museums of anthropology, archaeology, art, dentistry, musical instruments, natural history, paleontology, sports, and zoology, as well as art and design galleries,

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botanical gardens, herbarium, planetarium, observatories, and the Gerald R. Ford Library. At the University of Arizona, the museums and related facilities are in such fields as art, astronomy, botanical sciences, mineralogy, photography, pharmacy, and the physical sciences. Most large universities have multiple museums and related facilities including such institutions as Louisiana State University and University of California, Berkeley, 12; Michigan State University and University of Texas at Austin, 11; Clemson University, Northwest Missouri State University, University of Nebraska-Lincoln, 10; University of California, Los Angeles, and University of Wisconsin-Madison, 9; Ohio State University and Yale University, 8; and Brigham Young University, Indiana University, University of Alabama, and University of Washington, 7. Smaller universities and colleges tend to have far fewer museum and other sites, and many have only a single art gallery for temporary exhibitions of works by students, faculty, and professional artists. Academic museums and related facilities vary greatly in size. Harvard Art Museums occupies over 200,000 square feet. Among the other large facilities are the Institute of Texan Cultures, University of Texas at San Antonio, 182,000 square feet; Blanton Museum of Art, University of Texas at Austin, 155,000 square feet; and Mayborn Museum Complex, Baylor University, 143,000 square feet. The Museum of Art at the Rhode Island School of Design has five buildings and the University of Minnesota’s Minnesota Landscape Arboretum covers 1,137 acres. Most academic museums and related facilities are much smaller, including some that are under 1,000 square feet. The size of academic museum collections varies greatly. Some art galleries do not have collections, while others have some artworks or make use of a university or college’s permanent collection. Among the large art museum collections are at the Harvard Art Museums, with 250,000 objects; Yale University Art Gallery, 185,000; and Princeton University Art Museum, 72,000. Natural history museums have some of the largest collections, including the Florida Museum of Natural History, University of Florida, more than 30 million specimens and other items; Yale Peabody Museum of Natural History, Yale University, over 20 million; and University of Nebraska State Museum, 15 million. One of the largest and most diverse collections is at the Harry Ransom Center at the University of Texas at Austin, which contains over 36 million literary manuscripts, 5 million photographs, 1 million rare books, 100,000 works of art, and other culturally important documents and artifacts. Over 75 academic museums and related facilities have annual attendances of over 100,000. Among the most popular are University of Wisconsin-Madison Arboretum, 650,000; George Washington Carver Museum, Tuskegee University, over 490,000; Michigan State University Museum, 410,000; and Birch Aquarium at Scripps, University

A Challenging Future

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of California at San Diego and University of Washington Botanic Gardens, 400,000. However, at least 25 have attendances of less than 1,000 annually. Despite some difficulties, academic museums, galleries, and related facilities have made tremendous progress over the years. They have greatly increased in number and quality, and have become more than teaching and research aids. They have developed into an important part of the nation’s educational and cultural resources—on and off the campus. Like many other museums and nonprofits, they face financial obstacles and occasional critics. But they provide an invaluable service on the campus and in society in general. They have weathered recent financial and growth problems—and should continue to expand and be of even greater service in the years ahead.

Chapter 2

Types of Institutions University and college museums, galleries, and related facilities take many different forms-varying in subject matter, mission, organization, name, and many other ways. This chapter looks at campus museums and their counterparts from the standpoint of their primary fields of emphasis and how they normally are categorized. This study includes 1,739 institutions at 825 universities, colleges, and related organizations. Museums and similar facilities at universities and colleges can be grouped in at least 24 categories, with some falling into several classifications. Approximately half of the institutions are in the art field, with art galleries accounting for 38 percent and art museums and sculpture gardens nearly 14 percent. Among the other types that are well represented are planetariums and observatories, nearly 9 percent; historical museums, houses, and sites and botanical gardens, arboretums, herbariums, and nature centers, each over 6 percent; natural history museums and archaeology, anthropology, and ethnology museums, each around 4 percent. The seven museums and gallery types represent more than 81 percent of the total. Ten of the other 17 categories are historically oriented museums. They cover such fields as agriculture; costumes, textiles, and fashions; ethnicity; libraries and archives; music; photography; religion; sports; general; and other fields. The remaining seven types of

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museums are in science— entomology; geology and mineralogy; marine sciences; medicine, dentistry, and health; paleontology; science and technology; and zoology. Academic museums were among the first museums, galleries, and related fields in the United States. Their collections and exhibits began in the 1700s and early 1800s, and now represent almost 10 percent of the museums and similar facilities in the nation. The various types are described in this chapter. MUSEUMS OF ART AND SCULPTURE Art Museums

University and college art museums basically are institutions that collect, preserve, exhibit, and interpret permanent collections of art. The artworks most often consist of paintings, prints, drawings, and sculpture, but also frequently include decorative arts, photographs, ceramics, furniture, costumes, textiles, design, silver, glass, jade, metalwork, engravings, jewelry, antiquities, and/or other works. Art museums—which number 242 in this study—also usually present temporary exhibitions and public programs and often are used for teaching and research. Art museums are among the oldest, largest, and best known, attended, and supported campus museum? Many have extensive collections and exhibits, beautiful sculpture gardens or courts, and/or new buildings underwritten by private individuals, while others are relatively small, are more narrowly focused, and/or occupy some of the most historic buildings at colleges and universities. Not all have “museum” in their names; some are called galleries, collections, art centers, or other names. Art collections and museums were among the first cultural collections and facilities at American universities and colleges. The first academic collection began in 1732 at the College of William and Mary when the third Earl of Burlington gave the college a portrait of physicist Robert Boyle. It was followed in 1772 by gifts of artworks to Dartmouth College. Many began as institutional, teaching, or research collections that later evolved into museums-frequently many years after the collections began. At Dartmouth College, for example, it was not until 1974 that several collections were consolidated to form a museum that became the Hood Museum of Art in 1985. The first collections of the Bowdoin College Museum of Art originated in 1811. However, the museum was not formalized until 1894. The nation’s first art school and art museum were founded in 1805 in Philadelphia. The Museum of American Art is still at the Pennsylvania Academy of the Fine Arts, but its name now is the Pennsylvania Academy of the Fine Arts Museum. Among the other early efforts were the Trumbull Gallery (which later developed into the Yale University Art Gallery), established in 1832 at Yale University; a collection of engravings used to illustrate classical antiquity lectures in 1855 that eventually led to the establishment of the

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University of Michigan Museum of Art in 1946; and the inclusion of an art museum (now known as the Frances Lehman Loeb Art Center) for display of a teaching collection as part of the founding of Vassar College in 1861. The largest university art museum complex today is the Harvard Art Museums, which includes the Fogg Art Museum, Busch-Reisinger Museum, and Arthur M. Sackler Museum. The three facilities occupy more than 200,000 square feet and have over 250,000 objects in their collections and an annual attendance of 108,000. Among the other large art museum facilities are the Blanton Museum of Art, University of Texas at Austin, 155,000 square feet; Samuel P. Harn Museum of Art, University of Florida, 112,720 square feet; Brigham Young University of Art, 102,000 square feet; Museum of Art, Rhode Island School of Design, five buildings; and John and Mable Ringling Museum of Art, Florida State University, a multi-building complex. Art museums with some of the highest attendance include the John and Mable Ringling Museum, Florida State University, 360,00; Brigham Young University Museum of Art, 327,000; Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, 250,000; Memorial Art Gallery, University of Rochester, 245,000; and University of California Berkeley Art Museum and Pacific Film Archive, 200,000. Among the other leading art museums are the Yale University Art Gallery and Yale Center for British Art, Princeton University Art Museum, University of Michigan Museum of Art, Chazen Museum of Art at the University of Wisconsin-Madison, Spencer Museum of Art at the University of Kansas, Indiana University Art Museum, Memorial Art Gallery at the University of Rochester, Henry Art Gallery at the University of Washington, Herbert F. Johnnson Museum of Art at Cornell University, Museum of Art at the Rhode Island School of Design, and Snite Museum of Art at the University of Notre Dame. Some highly regarded art museums that have moved into new facilities in the 1990s include the Frederick R. Weisman Art Museum at the University of Minnesota Twin Cities; Frances Lehman Loeb Art Center at Vassar College; and Davis Museum and Cultural Center at Wellesley University. Another major development was the movement of the Wight Art Gallery and the Grunwald Center for the Graphic Arts into the Armand Hammer Museum of Art and Cultural Center (now the Hammer Museum), which turned over its management to the University of California, Los Angeles. A number of important art museums have their dual functions reflected in their names, such as the Sheldon Memorial Art Gallery and Sculpture Garden at the University of Nebraska-Lincoln and the University Art Museum and Pacific Film Archive at the University of California, Berkeley. Others without “art” in their names frequently have collections that span several disciplines, such as the Michael C. Carlos Museum at Emory University, which features art and archaeological antiquities.

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Specialty art museums and galleries generally are included in other categories because of their emphasis on a particular aspect of the art field. They most often are in the fields of costume, textiles, and fashion; photography; and sculpture. Other art facilities with small or no collections or permanent exhibits generally are considered art galleries, rather than museums. Many museums in other fields also have art collections and exhibitions, such as historical, ethnic, religious, cultural, and general museums. Many museums in other fields often also have art collections and exhibitions. This generally occurs among museums of archaeology, anthropology, and ethnology; general museums; historical museums, houses, and sites; and religious museums. Sculpture Gardens

Works of sculpture can be found inside and outside museums. Outdoor sculpture gardens on university and college campuses usually feature large works of contemporary sculpture, while sculpture collections inside museums generally consist of small to medium works ranging from ancient times to the present. Most sculpture gardens are part of art museums, although a few are operated by art galleries or independently. Sculpture collections also can be part of other types of museums. Among the varied indoor sculpture collections at art and other museums are works ranging from Romanesque stone pieces to twentieth-century sculpture at the Fogg Art Museum at Harvard University; Assyrian, South Asian, and Italian sculpture at the Williams College Museum of Art; medieval to modern sculpture at the Robert Hull Fleming Museum at the University of Vermont; 275 pieces of Romanesque and Gothic sculpture at the Duke’s Nasher Museum of Art; twentieth-century works at the Indiana University Art Museum; Egyptian pre-dynastic to Roman wood and stone sculpture at the Museum of Art and Archaeology at the University of Missouri-Columbia; 300 American sculptures at the Museum of American Art at the Pennsylvania Academy of the Fine Arts; sculpture of Ivan Meštrovicc at the Snite Museum of Art at the University of Notre Dame; and early Modernist, African, and other sculptures at the Yale University Art Gallery. Among the art museums that have exterior sculpture exhibits are the Sheldon Museum of Art and Sculpture Garden, which features over 30 monumental sculptures at the University of Nebraska-Lincoln; Iris and B. Gerald Cantor Center for Visual Arts, with an exterior Rodin Sculpture Garden and internal sculpture displays, Stanford University; University of Wyoming Art Museum, which has a 20,000-square-foot outdoor sculpture terrace; and Lehigh University Art Galleries/Museum, which has 13 outdoor sculptures near six gallery sites on three campuses. Many art museums also manage campus-wide sculpture collections. The Ulrich Museum of Art at Wichita State University oversees one of the largest outdoor sculpture displays, which consist of over 70 works. Ursinus College has 40 contemporary sculptures on the campus that are the responsibility of the Philip and Muriel Berman Museum of Art, and

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the University Art Museum at California State University, Long Beach, has 22 sculptures around the campus. At the University of Minnesota Twin Cities, the Frederick R. Weisman Art Museum administers a “Public Art on Campus” program that includes outdoor sculpture and indoor artworks at over three dozen campus sites. Among the other universities and colleges with large numbers of outdoor campus sculptures are Hofstra University, 75; California State University, Fullerton, 32; William Paterson University of New Jersey, 21; Western Washington University, over 20; and Montclair State University, 20 (some are managed by art galleries). Some arboretums contain sculptures on their grounds, including the Morris Arboretum of the University of Pennsylvania and the Vanderbilt University Arboretum. A few colleges and universities have independently administered outdoor sculpture displays. One of the first outdoor sculpture courts was the Hall of Fame for Great Americans, founded in 1900 by New York University to honor significant individuals who have contributed to the American experience. The Hall of Fame, which now contains busts of 97 of the 102 persons honored, has become part of the Bronx Community College of the City University of New York. One university has a sculpture museum and at least four others have self-contained outdoor sculpture gardens. The Marshall M; Fredericks Sculpture Museum at Saginaw Valley State University features more than 1,000 works relating to the career of sculptor Fredericks. The sculpture parks include the Frederick D. Murphy Sculpture Garden, with over 70 figural and abstract works on 5 acres at the University of California, Los Angeles; Elizabeth and Byron Anderson Sculpture Garden, Iowa State University; Henry Lay Sculpture Garden, St. Louis University; and Nathan Manilow Sculpture Park, Governors State University. Art Galleries

One out of three museums and galleries at American universities and colleges is an art gallery. The number of campus art galleries now exceeds 668, and the total keeps growing. Many of the largest institutions have more than one gallery. They are found most commonly at universities and colleges that do not have art museums, although they sometimes function as a showcase for a university’s or museum’s extensive collection. Art galleries differ from art museums in that they usually do not have a permanent art collection (although some do, they are generally limited). They normally also are smaller in terms of space, staff, and budget; feature changing exhibitions, frequently of contemporary art; rely heavily on outside sources for the content of exhibitions; and rarely engage in research. Many are part of art departments and schedule faculty and student shows as extensions of academic programs. Some art museums began as art galleries or collections of art used in instructional programs, including the Jane Voorhees Zimmerli Art Museum at Rutgers University;

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Frederick R. Weisman Art Museum at the University of Minnesota Twin Cities; Lowe Art Museum at the University of Miami; and Frances Lehhman Loeb Art Center at Vassar College. A number of art museums still use “gallery” in their names, such as the Grey Art Gallery at New York University; Yale University Art Gallery; Tufts University Art Gallery; Henry Art Gallery, University of Washington; Schumacher Gallery, Capital University, and Trout Gallery, Dickinson College. So do museum-like galleries like the Picker Art Gallery at Colgate University; Faulconer Gallery, Grinnell College; and UB Anderson Gallery, Buffalo State College. A few art museums use both gallery and museum in their names, such as Blaffer Gallery: The Art Museum of the University of Houston and Lehigh University Art Galleries/Museum. One of the earliest galleries opened in 1871 at what later became the San Francisco Art Institute. It evolved into the present-day Walter and McBean Galleries. It was not until the 1920s and 1930s, however, that many of today’s collegiate galleries began to appear with increasing frequency. They included the Wisconsin Union Art Galleries, University of Wisconsin-Madison, 1928; Doris Ulmann Galleries, Berea College, 1935; and Armstrong Gallery (now Luce Gallery), Cornell College, 1937. But the surge in the number of galleries did not come until the 1960s through the 1980s. Art galleries now are the fastest-growing segment of the campus museum/gallery movement. Among the many new galleries opened in the 1990s were the Center for Visual Art at Metropolitan State College of Denver, Diggs Gallery at Winston-Salem State University, Blum Art Gallery at the College of the Atlantic, and Ashby-Hodge Gallery of American Art at Central Methodist College. Others moved into new facilities, including the Harder Center Gallery at Presbyterian College, Tufts University Art Gallery, and Thorne-Sagendorph Art Gallery at Keene State College. Among the many new galleries in the 2000s were Bryant Arts Center Gallery, Denison University; St. Joseph College Art Gallery; Islander Art Gallery, Texas A&M University-Corpus Christi; Schnormeier Gallery, Mount Vernon Nazarene University; Richard F. Peeler Art Center Galleries, DePauw University; George Segal Gallery, Montclair State University; and Richmond Center for the Visual Arts Galleries, Western Michigan University. Most campus art galleries have 2,000 or less square feet, and seldom exceed 10,000 square feet. Among those with larger spaces are the Lehman College Art Gallery and J. Wayne Stark University Center Galleries at Texas A&M University-College Station, 20,000 square feet; Visual Art Center, North Carolina State University, 18,000; and Baron and Ellin Gordon Art Galleries, Old Dominion University, 15,000. Some galleries have collections and/or manage university or college collections. The SU Art Galleries at Syracuse University has the largest collection by far—45,000 fine art and ethnographic objects (formerly known as the Syracuse University Art Collection). Among

Science Museums and Related Facilities

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the other galleries with collections are Brown University’s David Winton Bell Gallery, with more than 4,000 works, and the Ewing Gallery of Art and Architecture at the University of Tennessee at Knoxville, approximately 3,000 objects. Galleries such as the Hearst Art Gallery at St. Mary’s College of California and Luther W. Brady Art Gallery at George Washington University display artworks from the college or university permanent collection. Many art galleries have several or more exhibit galleries and numerous exhibitions. Moore College of Art and Design has 15 galleries and display spaces, while the Ringling College of Art and Design contains 12 galleries and exhibition halls. Western Kentucky University, which has a two-story University Gallery and two Corridor Galleries, presents from 16 to 22 exhibitions a year, while the Sarah Moody Gallery of Art at the University of Alabama offers eight to 10 shows each year. Although art galleries generally have lower attendance than art museums, some have sizeable numbers. They include the Wexner Center for the Arts Galleries, Ohio State University, 190,000; School of the Art Institute of Chicago Sullivan Galleries, 118,400; Western Gallery, Western Washington University, 55,000; J. Wayne Stark University Center Galleries, Texas A&M University-College Station, 51,000; and Hite Art Institute Galleries, University of Louisville, 48,000. A few museums in other fields also have gallery spaces to display artworks relating to their fields. They include the Earth and Mineral Sciences Museum and Gallery at Pennsylvania State University, which has a gallery for paintings, drawings, and sculptures relating to the mineral industries, and the Museum of the Rockies at Montana State University, with a gallery for displaying western and Native American art. SCIENCE MUSEUMS AND RELATED FACILITIES Natural History Museums

Natural history museums are concerned with the natural sciences and with objects such as animals, birds, fish, rocks, minerals, fossils, insects, plants, planets, humans, and other aspects of systematic and evolutionary biology. Most university and college museums of natural history are collection, teaching, and research oriented, while nature and environmental centers are more limited in scope and more interpretive in purpose. Over 70 universities and colleges have natural history museums or centers, and more than 60 other institutions have museums in other categories with substantial collections of natural history objects. The latter include archaeology, anthropology, and ethnology museums; entomology museums; geology, mineralogy, and paleontology museums; marine science museums and aquariums; and zoology museums, as well as some general museums, historical museums, planetariums and observatories, and science and technology museums and centers.

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Many of the early natural history museums grew out of cabinets of curiosities or natural history collected by faculty members and academic departments for teaching and research. Among the first campus natural history collections were the geological and mineral collections started in 1784 at Harvard University, a teaching collection begun in 1805 at Princeton University, a natural history collection developed by the president of Amherst College in 1835, and scientific collections created with the founding of the University of Michigan in 1837. The first facilities with natural history collections and exhibits on campuses were far less extensive than today’ s museums. They included a cabinet of natural history at the University of Michigan in 1837 (which became the Museum of Zoology and then part of the University of Michigan Museums Natural History) and a museum-like facility at Amherst College in 1838 (which evolved into the present-day Pratt Museum of Natural History). It was not until 1859 that the first major natural history museum was founded by Professor Louis Agassiz at Harvard University. It was devoted to showing how animals evolved and lived and their similarities and differences. The museum—which became known as the Agassiz Museum—is now the Museum of Comparative Zoology. Another important early museum was the Yale Peabody Museum of Natural History, established in 1866 at Yale University. Three universities now have major systems of natural history museums. They include the Harvard University Museum of Natural History, comprised of three museums (Botanical Museum, Mineralogical Museum and Museum of Comparative Zoology); University of Michigan Museums of Natural History, five units (Exhibit Museum, Museum of Anthropology, Museum of Paleontology, Museum of Zoology, and University of Michigan Herbarium); —a fifth (Museum of Anthropology) recently became administratively independent; Berkeley Natural History Museums at the University of California, Berkeley, a consortium of six museums in the fields of anthropology, entomology, paleontology, vertebrate zoology, botanical gardens, and two herbariums (with over 12 million specimens in their collections). Most of these facilities are described in their specialized sections. Among the other leading university and college museums of natural history are those at Yale, Princeton, Louisiana State, and Montana State universities and the universities of Alabama, Florida, Georgia, Iowa, Minnesota, Nebraska, Oklahoma, Texas, and Utah. The Harvard Museum of Natural History and the Yale Peabody Museum of Natural History have the largest collections. The three museums that comprise the Harvard museum contain over 26 million herbarium, zoological, and mineral specimens and objects, while the Peabody museum has a collection of more than 20 million. Other natural history museums with large collections include the University of Nebraska State Museum, 15 million; Burke Museum of Natural History and Culture, University of Washington,


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over 12 million; Sam Noble Oklahoma Museum of Natural History, University of Oklahoma, more than 7 million; and Texas Natural Science Center/Texas Memorial Museum, University of Texas at Austin, 5.7 million. In addition to their comprehensive collections and extensive research activities, natural history museums are known for their spectacular dinosaur and other fossil displays and lifelike dioramas. The Yale Peabody Museum of Natural History at Yale has one of the nation’s largest collections and exhibits of dinosaurs. Among the other museums with extensive dinosaur fossil holdings are the Sam Noble Oklahoma Museum of Natural History, University of Oklahoma; University of Nebraska State Museum; Exhibit Natural History Museum, University of Michigan; Museum of the Rockies, Montana State University; Utah Museum of Natural History, University of Utah; Monte L. Bean Life Science Museum, Brigham Young University. At the University of Minnesota, the Bell Museum of Natural History has over 100 dioramas and habitat groups featuring the flora and fauna of Minnesota. Walk-through diorama-like displays are featured at the Florida Museum of Natural History, University of Florida. Other museums making effective use of dioramas include the Michigan State University Museum; Museum of Natural History, University of Iowa; and Texas Natural Science Center/Texas Memorial Museum, University of Texas at Austin. Archaeology, Anthropology, and Ethnology Museums

Archaeology, anthropology, and ethnology are among the fields frequently covered—at least partially—by natural history museums. More often they are the focus of separate museums specializing in social history and material culture, with the latter refining to artifacts made by human beings through a combination of raw material and technology. Universities and colleges have nearly 70 museums that deal primarily with archaeology, anthropology, and/or ethnology. Nearly 90 museums in other fields, such as natural history, religion, history, and ethnicity, also have such artifacts as part of their collections and exhibitions. One of the first museums in the field was the Peabody Museum of Archaeology and Ethnology, founded at Harvard University in l866 with a George Peabody trust fund grant and opened in 1877. The museum, which houses treasures of prehistoric and historic cultures from throughout the world, now is one of four museums that comprise the Harvard University Museum of Natural History. Other early collections and museums include the Johns Hopkins University Archaeological Collection, 1884; University of Pennsylvania Museum of Archaeology and Anthropology, 1887; Semitic Museum, Harvard University, 18S9; Logan Museum of Anthropology, Beloit College, 1894; and Oriental Institute Museum, University of Chicago, 1896.

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The Burke Museum of Natural History and Culture at the University of Washington has over 12 million specimens and objects in its collections. This photo shows a young visitor looking at one of the many fossils on display at the museum, which features dinosaurs, fossils, natural history, and cultural arts. The museum, which was founded in 1885, is the oldest in the state of Washington. Courtesy Burke Museum of Natural History and Culture and photographer Jack Storms.


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Most of the museums in the field—including the Peabody Museum of Archaeology and Ethnology at Harvard and the University of Pennsylvania Museum of Archaeology and Anthropology-are broad based. Others tend to specialize, such as the Oriental Institute Museum at the University of Chicago, which features the art and archaeology of the ancient Near East; Kelsey Museum of Archaeology at the University of Michigan, with classical antiquities as the core of its collections; Phoebe A. Hearst Museum of Anthropology at the University of California, Berkeley, which emphasizes its California archaeological and ethnographic materials; Maxwell Museum of Anthropology at the University of New Mexico, a major resource of Southwest archaeological and ethnological materials; and Semitic Museum at Harvard University, dedicated to Semitic languages and history. Among the other archaeology, anthropology, and ethnology museums with unusual specialties are the Eastern New Mexico University’s Blackwater Draw Museum, located at the nation’s first multicultural paleo-Indian archaeological site; Deer Valley Rock Art Center, a 47-acre petroglyph site with over 1,500 carvings or inscriptions, Arizona State University; Peary-Macmillan Arctic Museum at Bowdoin College, with collections relating to the exploration, archaeology, anthropology, and ecology of the Arctic region; and C. H. Nash Museum-Chucalissa, which is an archaeological park, museum, and partially reconstructed fifteenth-century Native American village, operated by the University of Memphis. Some museums have extensive ethnographic collections resulting from the consolidation of artifacts from various academic departments, as occurred in the founding of the World Heritage Museum (now Spurlock Museum) at the University of Illinois at UrbanaChampaign and the Fowler Museum of Cultural History (now Fowler Museum at UCLA) at the University of California, Los Angeles. Museums of archaeology, anthropology, and ethnology often have large collections. The Peabody Museum of Archaeology and Ethnology at Harvard University has a collection of more than 6 million objects. Other extensive collections include Phoebe Apperson Hearst Museum of Anthropology at the University of California, Berkeley, 3.8 million; University of Michigan Museum of Anthropology, more than 3 million; and University of Pennsylvania Museum of Archaeology and Anthropology, nearly 1 million. Two of the largest annual attendance in the field are at the Peabody Museum at Harvard University (150,000) and the University of Pennsylvania museum (145,000). Entomology Museums

Entomology is a branch of zoology that deals with insects. Such collections usually are found in natural history or zoology museums, but there are at least 11 museums that specialize in insects and are called entomology museums.

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Three campuses of the University of California have museums of entomology—Berkeley, Davis, and Riverside. The Bohart Museum of Entomology at Davis has a collection of more than 7 million arthropod specimens, the Essig Museum of Entomology at Berkeley has more than 4.5 million specimens, and the UCR Entomological Research Museum at Riverside has a collection of approximately 3 million both insects and related non-insectan arthropods on display. Other museums with large collections include the Frost Entomological Museum, Pennsylvania State University, more than 2 million; M. T. James Museum, Washington State University, 1.28 million; Mississippi Entomological Museum, Mississippi State University, over 1 million; and Louisiana State Arthropod Museum, Louisiana State University, nearly 1 million. Other entomological museums are located at Clemson University, University of Wyoming, and Kansas State University, which has both a Museum of Entomological and Prairie Arthropod Research and an “Insect Zoo” that gives visitors an opportunity to experience the sights, sounds, and smells of creepy crawlers. Many natural history museums have entomological collections. The Florida Museum of Natural History at the University of Florida has the largest collections of butterflies and moths in the Western Hemisphere. Among the others with extensive insect collections are the University of Georgia Museum of Natural History, University of Nebraska State Museum, Sam Noble Oklahoma Museum of Natural History at the University of Oklahoma, Utah Museum of Natural History at the University of Utah and University of Kansas Natural History Museum. Entomology also is one of the subjects covered at most zoology museums, including the University of Michigan Museum of Zoology and the University of North Dakota Zoology Museum. Zoology Museums

Museums of zoology—a science that deals with animals—were among the first of the specialized natural history museums on university campuses. They began to appear in the mid-nineteenth century and now number at least eight. They are relatively small in number because most zoological collections now are part of more comprehensive museums of natural history. The first American university zoology museum was the Museum of Comparative Zoology at Harvard University. It was founded in 1859 by Swiss zoologist Louis Agassiz. Its collections and exhibits range from the earliest fossil invertebrates and reptiles to present-day fish and reptiles. Among its outstanding specimens are whale skeletons, the Harvard mastodon, the largest turtle shell ever found, a lobe-finned coelacanth, a giant sea serpent, and extinct birds such as the great auk and the passenger pigeon. The museum now is one of three that comprise the Harvard Museum of Natural History.


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A zoological collection began at the University of Michigan even earlier (with the founding of the university in 1837), but did not result in a formal Museum of Zoology until 1913. In the intervening years, zoological specimens merely were exhibited. The Museum of Zoology was the first of the five natural history-oriented museums that became part of the University of Michigan Museums of Natural History complex. The Museum of Comparative Zoology at Harvard University has approximately 21 million extant and fossil invertebrates and vertebrate specimens in its collection—one of the richest and most varied resources for studying the diversity of life. Other museums with large collections are the Museum of Vertebrate Zoology, University of California, Berkeley; University of Michigan Museum of Zoology; and University of Wisconsin Zoological Museum. In Florida, the Santa Fe Community College Teaching Zoo has live animals at a 10-acre outdoor zoo used to train zoo professionals. Among the other early zoological collections that evolved into museums are the Museum of Zoology, University of Massachusetts, Amherst, 1863; University of North Dakota Zoology Museum, 1883; University of Wisconsin Zoological Museum, 1887; Museum of Vertebrate Zoology, University of California, Berkeley, 1908; and University of Montana Zoological Museum and Herbarium, 1909. Nearly all natural history have some zoological specimens, and a considerable number have extensive collections. The Natural History Collections at the University of Massachusetts Amherst formerly was known as the Museum of Zoology, and the Charles R. Conner Museum at Washington State was nearly a zoological museum at one stage of its development. The University of California, Davis, has a natural history museum known as the Museum of Wildlife and Fish Biology, and some among the other museums with considerable zoological specimens are University of Nebraska State Museum; Michigan State University Museum; and Bell Museum of Natural History, University of Minnesota Twin Cities. Paleontology Museums

Fossils are the focal point of paleontology-oriented museums. There are relatively few paleontology museums, but many natural history, geology, and other museums that have fossil collections and exhibits. They tend to be research oriented and normally closed to the public. The University of California Museum of Paleontology in Berkeley has the largest paleontological collection of any university in the world. It was founded in 1921, but is collection began in 1874 after the Geological Survey of California deposited its collection of fossils and other materials with the university. Another large fossil museum is the Museum of Paleontology the University of Michigan, which has a collection of over 2.2 million and a museum in the Ruthvens Museum Building, where four other natural history-oriented museums are housed.

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Two paleontology museums in Utah feature fossils of ancient animals found in the region. The Brigham Young University Museum of Paleontology features fossils from the Jurassic Period, as well as dinosaurs and other vertebrates from other geologic periods. The College of Eastern Utah Prehistoric Museum, located in the midst of some of the richest archaeological finds, has collections and exhibits of dinosaur and other fossils. The University of Nebraska State Museum, a natural history museum with fossil collections and exhibits in Lincoln, conducts research and operates museum-like exhibits at two still-active excavation sites at the Ashfall Fossil Beds State Historical Park and Fort Robinson State Park, where the visiting public can see fossils of ancient animals where they were found and museum paleontologists at work. Geology and Mineralogy Museums

Museums of geology, mineralogy, and paleontology either specialize in one of the disciplines or are a combination of two or all three fields. More than 45 museums contain collections and exhibits of rocks, minerals, ores, gems, meteorites, and/or fossils, and some even have historic mining equipment. Nearly the same number of natural history museums have one or more collections of such specimens as part of their offerings. The Mineralogical Museum at Harvard University grew out of an academic department’s teaching and research collections that began in 1784. Its internationally recognized systemic collection now contains over 50,000 minerals, ores, rocks, meteorites, and gems, including many rare species. The museum is one of three museums that comprise the Harvard Museum of Natural History. Among the other early collections resulting in geological museums are the Colorado School of Mines Geological Museum, 1874; South Dakota School of Mines and Technology Museum of Geology, 1885; University of Wyoming Geological Museum, 1887; Orton Geological Museum, Ohio State University, 1893; University of Cincinnati Geology Museum, 1907; and W.M. Keck Museum, University of Nevada, Reno, 1908. The Colorado School of Mines museum includes mining equipment and artifacts among its collections and exhibits; Badlands fossils and Black Hills minerals are featured at the South Dakota School of Mines and Technology; the University of Wyoming Geological Museum evolved from a small natural history museum that was part of the university’s first building; Ohio State University’s museum began with a gift of 10,000 specimens from the university’s first president, who also was a professor of geology; the University of Cincinnati Geology Museum (now Durrell Museum) now has around 800,000 catalogued fossils; and the Keck Museum contains rocks, minerals, ores, fossils, and mining artifacts, mostly from Nevada. Some museums in the field emphasize minerals. They include the-A.E. Seaman Mineral Museum at Michigan Technological University, which features crystals and lapidary


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works from 1886 to the present; Miles Mineral Museum at Eastern New Mexico University, containing calcite, gypsum, and other collections; Mineral Museum at the Montana Tech of the University of Montana, with a mineral collection that began in 1901; and University of Arizona Mineral Museum, which started in 1891 as an original part of the land grant university and now is located in the UA Science: Flandrau building. Among the other specialized museums are the Meteorite Museum at the University of New Mexico, containing one of the largest collections of meteorites in the nation; Comer Museum at West Virginia University, with coal, oil, and natural gas collections and exhibits; and Earth and Mineral Sciences Museum and Gallery at Pennsylvania State University, which has paintings, drawings, and sculptures relating to the mineral industries as well as over 20,000 mineral, gem, and fossil specimens. Among the natural history museums with important geology, mineralogy, and/or paleontology collections are the Yale Peabody Museum of Natural History, possessing one of the largest dinosaur fossil collections and exhibits; Texas Natural Science Center/Texas Memorial Museum at the University of Texas at Austin, containing over 50,000 rocks, minerals, gems, meteorites, and textiles; Utah Museum of Natural History at the University of Utah, with extensive holdings in geology, rocks, minerals, gems, and fossils; Museum of Natural Science at Louisiana State University, which has a large geoscience collection; Museum of the Rockies at Montana State University, with a geological collection and fossilized remains of dinosaurs and Ice Age mammoths; McKissick Museum at the University of South Carolina, having over 100,000 research and exhibit specimens in geology and paleontology, Sam Noble Oklahoma Museum of Natural History at the University of Oklahoma, containing invertebrate and vertebrate fossils, paleobotanical materials, and minerals; and University of Nebraska State Museum, featuring several hundred Cenozoic mammal fossils, a large vertebrate paleontology collection, and extensive geology and meteorite specimens. The closed Princeton University Museum of Natural History also had extensive collections. Botanical Gardens, Arboretums, Herbariums, and Nature Centers

Although not called “museums,” botanical gardens, arboretums, and herbariums and nature centers are museum-like in their collections and operations and normally are included as part of the museum field. A botanical garden is a garden-often with one or more greenhouses-for the culture, study, and exhibition of special plants; an arboretum is a place where trees, shrubs, and herbaceous plants are cultivated primarily for scientific and educational purposes; and a herbarium is a collection of dried plant specimens, usually mounted systematically arranged for reference purposes; and a nature center is a park-like setting with botanical facilities. These botanical facilities normally are separate, with botanical gardens and arboretums usually being located outdoors and herbariums indoors. In most instances, a university or

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college has only one of the collections, although a few institutions have two or all three. When not independently administered, botanical gardens and arboretums usually are operated by the academic departments of biology, botany, forestry, or horticulture or by the physical plant department of the university or college. Herbariums generally are in the biological sciences department or natural history museum. Universities and colleges have more than 100 botanical gardens, arboretums, herbariums, and nature centers and nearly 25 others are part of museums or other facilities. The collections range from a few hundred specimens to over 5 million (at the Harvard University Herbaria). The first campus botanical gardens were established during the latter part of the nineteenth century. The nation’s oldest continuously operating botanical garden is the W.J. Beal Botanical Garden at Michigan State University, founded in 1873. Other early gardens include the University of California Botanical Garden at Berkeley, 1890, and the Botanic Garden of Smith College, 1895. The first public arboretum in the United States was the Arnold Arboretum of Harvard University, founded in 1872. However, as early as 1834, an English gardener was hired by Haverford College to convert farmland into an attractive campus-which led to the establishment of the Haverford College Arboretum. Among the other early arboreta were the Vanderbilt University Arboretum, 1873, and the Morris Arboretum of the University of Pennsylvania, founded privately in 1887 and becoming part of the university in 1932. Herbariums are the most numerous of the museum-like facilities in the plant sciences. The Harvard University Herbaria began in 1864, followed by such facilities as the Kansas State University Herbarium, 1871; University Herbarium at the University of California, Berkeley, 1872; Greene-Nieuwland Herbarium at the University of Notre Dame, 1879; Arthur Herbarium at Purdue University, 1887; and Rocky Mountain Herbarium at the University of Wyoming, 1893. Two other types of botanical institutions—the Botanical Museum at Harvard University and the Hunt Institute for Botanical Documentation at Carnegie Melllon Universityusually are included in this category. The Botanical Museum, which started as the Museum of Vegetable Products in 1858, is commonly known as the Garden of Glass Flowers because of its 3,000 glass models of 800 plant species created by Leopold Blaschka and his son, Rudolph, between 1887 and 1936. The Hunt Institute, founded in 1961, is a botanical gallery/library/archives/bibliography, with more than 30,000 watercolors, drawings, and original prints; over 25,000 books; approximately 2,000 letters and 280 sets of botanists’ private papers; and several hundred thousand reference plant sciences books, periodicals, articles, and other publications. Harvard University has five museum-like facilities in the plant sciences, including some of the most prominent. They are the Arnold Arboretum, Harvard University Herbaria,


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Botanical Museum, Harvard Forest, and Fisher Museum of Forestry. Michigan State University also has five botanical facilities, while the University of Virginia has six garden and arboretum sites. Among the leading facilities in the field are Harvard’s 265-acre Arnold Arboretum, with over 7,000 varieties of ornamental trees and shrubs in Jamaica Plain Boston, Massachusetts (Harvard also has a 3,000-acre forest in Petersham); Morris Arboretum of the University of Pennsylvania, which has more than 13,000 labeled temperate-zone trees and shrubs on 92 acres; Harold L. Lyon Arboretum of the University of Hawaii at Manoa, with more than 5,000 tropical trees and other plants on 194 acres; Cornell Plantations of Cornell University, which has a 150-acre arboretum, 25-acre botanical garden, central campus gardens, and manages 40 natural areas with nearly 4,300 acres of diverse habitats; Boyce Thompson Arboretum of the University of Arizona, featuring approximately 12,000 plant specimens on 320 acres in Superior, about 100 miles north of the Tucson campus; Scott Arboretum, with over 4,000 kinds of plants on 300 acres at Swarthmore College; Minnesota Landscape Arboretum of the University of Minnesota, which has research and display gardens on 1,137 acres; University of Wisconsin-Madison Arboretum, containing the world’s oldest and largest collection of restored biological communities on its 1,260 acres; University of California Botanical Garden at Berkeley, consisting of over 13,000 accessions representing more than 300 plant families; and Mildred E. Mathias Botanical Garden at the University of California, Los Angeles, which has approximately 5,000 species in 225 families and an herbarium. Some arboretums include the entire campus. At Haverford College, over 1,500 campus trees are labeled, and self-guided specialty tours are featured. A two-mile walking tour that winds past 300 varieties of trees, plants, and shrubs over 300 rolling green areas is part of the Vanderbilt University Arboretum. The Chadwick Arboretum and Learning Gardens at Ohio State University has about 1,000 trees representing 120 species that grow in Ohio, 17 gardens with over 2,000 different plants, a labyrinth, greenhouse, and artworks throughout the agricultural college campus. Among the nature centers are the Whitehouse Nature Center, a 135-acre site with an arboretum, herbarium, and interpretive center, Albion College; Lytle Ranch Preserve, containing 600 acres of geological formations and overlapping ecosystems, Brigham Young University; Shaver’s Creek Environmental Center, which covers 7,000 acres and has a 72-acre lake, flower and herb gardens, raptor center, and hands-on discovery room, Pennsylvania State University; and Glen Helen Nature Preserve, a 1,000-acre center with woods, waterways, prairies, trails, and a natural history museum, Antioch College. Botanical facilities are among the most popular of the academic museum facilities. The University of Wisconsin-Madison Arboretum has the highest annual attendance with 650,000, followed by such places as the Minnesota Landscape Arboretum, University of

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Minnesota, 271,000; Arnold Arboretum of Harvard University and UC Davis Arboretum, University of California, Davis, 250,000; and Cornell Plantations, Cornell University, and State Botanic Garden of Georgia, University of Georgia, 200,000. Science and Technology Museums and Centers

Traditional science and technology museums are largely historical and collection based, while science and technology centers are primarily contemporary and rely heavily on participatory constructed exhibits instead of collections. Some institutions are a blend of the two approaches. Nine sites are primarily “hands-on” science centers; four science museums are collection oriented; and four museums have a combination of collections and interactive exhibits. The four more traditional science museums are the Collection of Historical Scientific Instruments at Harvard University; Monroe Moosnick Medical and Science Museum, Transylvania University; Oesper Museum of Chemical Apparatus, University of Cincinnati; and Jean Jennings Bartik Computing Museum, Northwest Missouri State University. The Harvard museum is one of the largest of its kind in the world, having a collection of over 20,000 objects dating from about 1400 to the present, while the Transylvania collection contains scientific instruments and equipment used in teaching science and medicine in the nineteenth century. The University of Cincinnati collection of chemical equipment is one of three parts of the Oesper Collections in the History of Chemistry at the university, and the Northwest Missouri computer museum features early computing equipment. The Lawrence Hall of Science at the University of California, Berkeley, is the largest of the contemporary hands-on science centers on campuses. It features exhibits on lasers, astronomy, computers, the body, and other aspects of science and technology. It also has a planetarium, a computer laboratory, and an extensive program of science/math curriculum and teacher development. Among the other hands-on science centers are the Science Discovery Center of Oneonta, with about 80 exhibits that focus on basic elements of science, State University of New York at Oneonta; UA Science: Flandrau, a science center built around a planetarium, University of Arizona; MIT Museum, which has collections and interactive exhibits, Massachusetts Institute of Technology; and two science centers at federal energy laboratories administered by universities—Bradbury Science Museum at Los Alamos National Laboratory (University of California, Berkeley) and Lederman Science Center, Fermi National Accelerator Laboratory (a consortium of universities). Some of the new science centers are the East Kentucky Science Center, Big Sandy Community and Technical College; Da Vinci Science Center, Cedar Crest College; Idea Place, Louisiana Tech University; and Discovery Zone, University of Arkansas.


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Science centers combined with other fields include the Cranbrook Institute of Science (natural history), Cranbrook Educational Community; Kalamazoo Valley Museum (history), Kalamazoo Valley Community College; and North Museum of Natural History and Science Natural History, Franklin and Marshall College. A number of planetariums with exhibits also have added “science center” to their names (see Planetariums and Observatories section). Other types of museums sometimes have science and technology collections and exhibits as part of their offerings. They include the University of Mississippi Museum, a general museum with approximately 500 nineteenth-century scientific instruments; Museum of Southwestern Michigan College, a history museum with exhibits on scientific principles and technological applications; College of Southern Idaho’s Herrett Museum, an archaeology, anthropology, and ethnology museum with hands-on science exhibits; and I.P. Stanback Museum and Planetarium at South Carolina State University, which is basically an art museum with planetarium shows and some science-oriented exhibits. Planetariums and Observatories

American universities and colleges have approximately 300 planetariums, where an optical device projects various celestial images and effects on a dome for the benefit of audiences. Most of the planetariums are used for instructional purposes and do not present public programs. More than 150, however, serve a dual purpose and sometimes have collections and exhibits. Planetariums also are part of natural history museums and science centers. Some of the planetariums also have observatories, used primarily by students, faculty members, and the public to view and/or study distant natural phenomena with telescopes. Larger and more powerful telescopes designed for research generally are part of astronomical observatories that stand alone and frequently are located on mountain tops many miles from campuses. Some of the latter are operated by consortiums of universities and colleges and on a contract basis for the federal government. Observatories came before planetariums. The first American university/college observatory was the Harvard College Observatory, founded in 1839. Its Great Reflector—a 15-inch telescope installed in 1847–was the nation’s largest telescope for 20 years. In 1973, the Harvard observatory joined with the Smithsonian Astrophysical Observatory to form the Harvard-Smithsonian Center for Astrophysics, based in Cambridge with a joint faculty and facilities. The center now operates two major field stations—the Oak Ridge Observatory in Harvard, Massachusetts, and the Fred Lawrence Whipple Observatory near Amado, Arizona. Another large university observatory developed in the late nineteenth century was the University of California system’s Lick Observatory on Mount Hamilton, near San Jose and Santa Cruz. A major astronomical research center since it opened in 1888, it has a

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visitor center and a public gallery overlooking its largest telescope-the 120-inch Shane reflecting telescope. A smaller facility-the Leander J. McCormick Observatory, with a 26-inch refracting telescope-was established at the University of Virginia in 1885. Most of the leading astronomical research facilities (nearly all with visitor centers and/or viewing galleries) were established by universities and colleges in the twentieth century. They include the Palomar Observatory, opened on Palomar Mountain in 1948 by the California Institute of Technology (it features the 200-inch Hale telescope); University of Texas McDonald Observatory, founded in 1932 in the Davis Mountains near Fort Davis in Texas; Mauna Kea Observatories, an astronomical complex started in 1968 by the University of Hawaii near Hilo (and now the site of many other university and government observatories); W. M. Keck Observatory, a California Association for Research in Astronomy facility, that has the world’s largest and most powerful optical and infrared telescope at Mauna Kea; and WIYN Observatory, opened in 1994 on Kitt Peak near Tucson by a consortium of three universities (Indiana, Wisconsin, and Yale) and the National Optical Astronomy Observatories. The National Optical Astronomy Observatories are one’ of two major government operations—the other being the National Radio Astronomy Observatory—managed for the National Science Foundation on a contract basis by two associations of research universities. The optical observatories, consisting of three astronomical research centers (National Solar Observatory, Kitt Peak National Observatory, and Cerro Tololo InterAmerican Observatory) are operated by the Association of Universities for Research in Astronomy, Inc. The radio astronomy observatory (located in Green Bank, West Virginia, with facilities at other locations) is administered by Associated Universities, Inc. Three of the earliest and best-known campus planetariums are the Morehead Planetarium at the University of North Carolina at Chapel Hill, opened in 1949; Fleischmann Planetarium, founded in 1963 at the University of Nevada at Reno; and Abrams Planetarium at Michigan State University, opened in 1964. The Morehead Planetarium has one of the largest star theaters (with 240 seats and a fulldome digital video projection system) and displays exhibits and artworks on astronomy and space; Fleischmann Planetarium offers sky shows, colorful 3-D images, exhibits, and observatory viewing; and Abrams Planetarium has a 50-foot titled dome, digital projector, 150 seats, telescopic observing, and exhibits on astronomy, meteorites, and space exploration. One of the newest planetarium/observatory facilities is the Leitner Family Observatory and Planetarium, which opened in 2005 in the Farnham Memorial Gardens at Yale University. It contains a digital planetarium, exhibits about astronomy, and an observatory that is used primarily for undergraduate astronomy classes and research. Some planetariums are part of broader-based planetariums/space/science centers, such as the Flandrau Planeterium at the UA Science: Flandrau Science Center and Cernan Earth


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and Space Center at Triton College. Planetariums also are found at other types of museums: natural history museums, including the Ruth and Vernon Taylor Planetarium at the Museum of the Rockies at Montana State University and the Ralph Teetor Planetarium at the Joseph Moore Museum of Natural History at Earlham College; hands-on science/technology centers, such as the William K. Holt Planetarium at the Lawrence Hall of Science at the University of California, Berkeley; and even what is primarily an art museum, the I.P. Stanback Museum and Planetarium at South Carolina State University. Laser light shows that choreograph laser images and special visual effects to music are presented by some planetariums, including the Cernan Earth and Space Center at Triton College and the Clever Planetarium and Earth Science Center at San Joaquin Delta College. One of the largest and most technologically advanced planetarium/observatory complexes was opened in 1994 at Brevard Community College in Florida. The Astronaut Memorial Planetarium and Observatory is a 51, 455-square-foot facility-a remodeled, expanded, and renamed 1976 planetarium-that contains a 70-foot-diameter planetarium with a Minolta Infinium projector, a 70mm IWerks theater, a 24-inch Cassegrain telescope, and exhibits devoted to American astronauts and the space program. Because of the addition of exhibits of astronomy and sometimes other sciences, some planetariums have added “Science Center” to their names, including the Morehead Planetarium and Science Center at the University of North Carolina at Chapel Hill; Fiske Planetarium and Science Center, University of Colorado at Boulder; and Fleischmann Planetarium and Science Center, University of Nevada, Reno. At the University of Wisconsin-Madison, the Department of Astronomy, which operates the Washburn Observatory, has opened an astronomy/science center called “UW Space Place” in a shopping center. Marine Sciences Museums and Aquariums

Universities and colleges near oceans and other large bodies of water sometimes have marine sciences museums and/or aquariums that are used for instruction, research, and public education. These facilities now number six. A few natural history museums and science/technology museums and centers also have collections and exhibits of marine life. The first university marine museum-aquarium started in 1903 as the Marine Biological Association of San Diego at the Scripps Institution of Oceanography, which became part of the University of California, San Diego in 1912. The initial public display opened in 1905, followed by expanded offerings in 1915. The aquarium-museum moved into its own building in 1951 and then into a new structure in conjunction with the renaming of the facility as the Stephen Birch Aquarium-Museum (now Birch Aquarium at Scripps) in 1992. The aquarium-museum interprets ocean sciences and the Scripps Institution’s research program. It has about 60 tanks and more than 5,000 animals representing 380

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species from the cold waters of the Pacific Northwest to the tropical waters of Mexico and the Indo-Pacific. It is the nation’s most popular campus aquarium with 400,000 visitors annually. Another early facility was the Waikiki Aquarium, which began as a commercial attraction in 1904 and became part of the University of Hawaii in 1919. It now is a major center for marine education and research in Hawaiian and Pacific Ocean tropical fauna and flora. It was the first in the United States to display chambered nautiluses, cuttlefish, and black-tip reef sharks and has one of the world’s largest collections of corals from Hawaii. Other leading marine centers with aquariums include the Hatfield Marine Science Center of Oregon State University and the museum at the Gulf Coast Research Laboratory, a state facility administered by the University of Southern Mississippi. The Hatfield aquarium has approximately 20 exhibit tanks with about 1,300 specimens of 120 species of saltwater animals native to Oregon’s shores, bays, and ocean floor. The Gulf Coast Research Laboratory Museum has 71 tanks and 355,000 specimens of fish and over 1 million invertebrates. Among the other marine facilities are the College of William and Mary’s Virginia Institute of Marine Science Fish Collection and the Marine Sciences Museum at the University of Puerto Rico. The Virginia collection contains approximately 128,000 specimens of fish in 247 families from the Chesapeake Bay and mid-Atlantic; deep-sea fish and sharks, and Appalachian freshwater fish. In Puerto Rico, the marine museum has collections of invertebrates, fish, shells, copepoda, and tropical algae. Natural history and zoological museums with marine collections include the Museum of Natural Science at Louisiana State University, Museum of Comparative Zoology at Harvard University, and University of Wisconsin Zoological Museum. Medical, Dental, and Health Museums

Medical, dental, and pharmaceutical museums typically are specialized museums with historical collections and displays of medical, dental, and/or pharmaceutical artifacts, while health museums tend to be hands-on health education centers. Most of the approximately 25 medical and other museums at universities and colleges combine science and history—and frequently are part of libraries at medical or dental centers. Collections and exhibits of old medical and dental instruments, equipment, and other artifacts also can be seen at some historical, general, and science museums. One of the first medical museums was the Dittrick Museum of Medical History, founded in 1926 by the Cleveland Medical Library Association and operated since 1967 through a partnership with Case Western Reserve University. It has more than 50,000 historical objects related to the practice of medicine, dentistry, pharmacy, and nursing. Originally used only by the medical profession and historians, it was opened to the public in 1936.


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Medical libraries also have museum-like collections at Yale University, University of Kansas, Medical University of South Carolina, Duke University, and other institutions. Founded in 1814, the Yale University School of Medicine Library became the Harvey Cushing/John Hay Whitney Medical Library after major contributions in 1941 and 1970. It has an internationally recognized historical library now has more than 411,000 volumes and over 2,600 medical journals and an adjoining History Library, which contains early medical volumes, graphics, paintings, and medical instruments and equipment. The first medical museum was the Warren Anatomical Museum, founded in 1847 at Harvard University, which has a collection of 15,000 objects in the history of medicine and health education. Approximately 25,000 books, 29,000 monographs, 1,800 bound serials, numerous manuscripts, are featured at the Clendening History of Medicine Library and Museum at the University of Kansas Medical Center, while the Waring Historical Library at the Medical University of South Carolina has over 12,000 books, journals, and manuscripts and 1,000 artifacts relating to the history of the health sciences. The Duke University Medical Center Library’s History of Medicine Collections contain medical instruments, artifacts, books, journals, manuscripts, prints, and photographs. The University of Iowa Hospitals and Clinics Medical Museum started with a gift of old surgical instruments, but has since broadened to include exhibits on the progress of medicine and patient care. The Mobile Medical Museum (formerly the Eichold-Heustis Medical Museum) at the University of South Alabama has one of the largest collections of medical artifacts in the Southeast, and the Alabama Museum of the Health Sciences at the University of Alabama at Birmingham contains a collection of health science equipment, instruments, specimens, books, and manuscripts. A collection of anatomical models and scientific equipment is at the Monroe Moosnick Medical and Science Museum at Transylvania University, while the Michael E. DeBakey Library and Museum at Baylor University College of Medicine in Houston honors the famous heart surgeon. Some medically oriented museums cover medicine, dentistry, and pharmacy. The Pearson Museum at the Southern Illinois University School of Medicine, for instance, has medical, dental, and pharmaceutical artifacts and exhibits pertaining to practices in the upper Mississippi River Basin in the nineteenth and early twentieth centuries. At the Florida Gulf Coast University, the Kleist Health Education Center offers health exhibits, multimedia presentations, and other programs to further health education. Among dental museums, the Dr. Samuel D. Harris National Museum of Dentistry at the University of Maryland at Baltimore is a continuation of the original Baltimore College of Dental Surgery Museum founded in 1840. It has more than 40,000 dental objects, including dental instruments, equipment, furniture, materials, and historic artifacts, such as George Washington’s dentures. Other dental museums include the Macaulay Museum of Dental History at the Medical University of South Carolina, with nearly 6,000 dental

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artifacts and books; The Edwin and Trudy Weaver Historical Dental Museum, containing dental artifacts and oddities; Sindecuse Museum of Dentistry at University of Michigan has over 8,000 objects pertaining to dental technology from the late 1700s to the 1960s. Other museums with dental artifacts include the University of Pittsburgh Dental Museum; School of Dental Medicine Museum; University of Connecticut Health Center; and Kottemann Gallery of Dentistry, University of Illinois at Chicago. The History of Pharmacy Museum at the University of Arizona features several large drug stores from the state’s territorial days and more than 60,000 artifacts. Other museums with pharmaceutical collections and exhibits are Marvin Samson Center for History of Pharmacy at the University of the Sciences in Philadelphia; Cook-Hayman Pharmacy Museum, West Virginia University; and Elmer H. Grimm, Sr. Pharmacy Museum, University of Pittsburgh. HISTORICALLY-ORIENTED MUSEUMS AND GALLERIES Historical Museums, Houses, and Sites

Historical museums and related facilities take many forms at universities and colleges. They include historical museums, historic houses and sites, living history farms, re-created communities, and specialized museums covering the history of universities and colleges and such diverse fields as geographic regions, agriculture, religious bodies, medicine, sports, and politics. More than 110 historical museums, houses, sites, and related facilities are located on campuses, and over 200 other facilities are at least partly historical in nature. The latter tend to be in general museums and those in such specialized fields as agriculture; costumes, textiles, and fashion; ethnicity; libraries and archives; photography; religion; sports; and other fields. Among the first campus historical museums were those at military academies, such as the U.S. Naval Academy Museum, 1845; West Point Museum, U.S. Military Academy, 1854; and VMI Museum, Virginia Military Institute, 1856. They trace the history of the services and of their institutions through military artifacts, artworks, and exhibits. Most historical museums and related facilities were not established until the last half of the twentieth century, but they frequently are dedicated to people, places, and events from the eighteenth and nineteenth centuries. One of the best known campus historic sites is The Rotunda at the University of Virginia, which was designed by Thomas Jefferson. Built in 1822-1826, it is the focal point of Jefferson’s “academical village,” which includes pavilions and formal gardens. Two historical facilities commemorate the life of James Monroe, the nation’s fifth president. His 1799 home, known as Ash Lawn-Highland, and the surrounding 535-acre

The Rotunda at the University of Virginia was an early historic site designed by Thomas Jefferson in 1822-26. It was designed as the architectural and academic heart of a community of scholars that Jefferson envisioned as an “academic village” that included pavilions, student rooms, and an expansive lawn. The Rotunda still contains the original oval rooms and hourglass shaped halls, cornices in four architectural orders, and the dome and library sites. It now is used for lectures, symposia, meetings, and dinners. Courtesy of University of Virginia Public Affairs and photographer Dan Addison.

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working farm are now part of the College of William and Mary, while the largest collection of Monroe’s possessions can be found at the James Monroe Museum and Memorial Library at the University of Mary Washington. Among the other memorial museums are the ca. 1803 John C. Calhoun House, where the eminent South Carolina statesman lived during the last 25 years of his life, at Clemson University; President Andrew Johnson Museum and Library in an 1841 building at Tusculum College; Sam Houston Memorial Museum, on the site of the pioneer Texas leader’s 1847-1857 homestead, administered by Sam Houston State University; Abraham Lincoln Museum, with one of the largest collections of Lincoln and Civil War items, at Lincoln Memorial University; Lee Chapel and Museum, which marks the life and contributions of General Robert E. Lee, at Washington and Lee University; Jackson’s Mill Museum, where Confederate General Stonewall Jackson worked as a boy, administered by West Virginia University; and Winston Churchill Museum in the United States at Westminster College in Fulton, Missouri, where the British prime minister delivered his famous speech in 1946. Numerous museums are concerned with the history of a state or region. Some representative institutions are the Panhandle-Plains Historical Museum (history of the Panhandle area as it relates to Texas and the Southwest) at West Texas A&M University, Ralph Foster Museum (history of the Ozark region) at the College of the Ozarks, Museum of the Big Bend (history of the Big Bend region in western Texas) at Sul Ross State University, and Institute of Texan Cultures (ethnic and cultural history of the state) at the University of Texas at San Antonio. Some universities and colleges have historical complexes or living history museums. They include Historic Bethany, a complex of historical buildings and collections largely from the 1840s, at Bethany College; Old Castle Museum, a historic building complex from the mid-nineteenth century, at Baker University; Pioneer Heritage Center, containing buildings and collections from the nineteenth-century Red River region, at Louisiana State University-Shreveport; Conner Prairie, a 800-acre living history museum that offered the first costumed interpreters in a historical village, which is part of Earlham College; and Historic New Harmony, located on the site of two early-nineteenth-century utopian experiments, operated by the University of Southern Indiana and a state natural resources agency. Among the museums in other fields with historical aspects are the LSU Rural Life Museum, an outdoor folk museum featuring the life styles and cultures and pre-industrial Louisianians, at Louisiana State University; National Ranching Heritage Center, a historical ranching exhibit with 38 structures, which formerly was part of the Museum of Texas Tech University, but now is administered separately; Jensen Historic Farm, a 1917 farm that is part of the American West Heritage Center that tells the story of agriculture,

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operated by Utah State University; and Spurlock Museum, an ethnologically oriented museum of world history and culture, at the University of Illinois at Urbana-Champaign. Ethnic Museums and Galleries

Nearly 60 ethnic museums and galleries can be found on American university and college campuses. The largest number by far are African American museums with 36 sites, most of which are located at institutions that predominately serve Black students. Native American and Jewish museums have seven each, and the other facilities are related to French, Scottish, Norwegian, Polish, Ukrainian, and Arctic history and cultures. Most African American museums are historical and relate to the Black experience in the United States. But an increasing number of galleries feature artworks by African American and sometimes from Africa. The first African American museum in the nation was the Hampton University Museum, founded in 1868. It has a collections and exhibits of art and artifacts of African Americans, as well as African, Native American, Asian, and Pacific cultures. The National Afro-American Museum and Cultural Center, established in 1972 at Wilberforce University, is devoted to African American history and culture from African origins to the present. The Amistad Research Center at Tulane University is the nation’s largest independent archive specializing in the history of African Americans and other ethnic groups. It has over 15 million documents and other materials that trace African American history and race relations. Among the African American history and research museums are the Avery Research Center for African American History and Culture at the College of Charleston; Southeastern Regional Black Archives Research Center and Museum, Florida A&M University; and Alabama State Black Archives Research Center and Museum, Alabama A&M University. Some museums honor outstanding African Americans for their achievements. At Tuskegee University, the George Washington Carver Museum at the Tuskegee Institute National Historic Site honors the agricultural scientist who developed crop-rotation methods and hundreds of products from peanuts and other crops, and educator Booker T. Washington at “The Oaks,” a historic house where the university’s founder lived. The Rosa Parks Library and Museum at Troy University is dedicated to the seamstress who launched the civil rights movement by refusing to give up her seat on a bus, and the Mary McLeod Bethane Home at Bethune-Cookman College is a memorial to the famous education and civil rights leader who established the college. African American art museums include such places as the James E. Lewis Museum of Art, founded in 1951 at Morgan State University; NCCU Art Museum, North Carolina Central University; Southern University Museum of Art; and Spelman College Museum of Fine Art Among the galleries with changing exhibitions are Howard University Gallery

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of Art; Diggs Gallery, Winston-Salem State University; Fisk University Galleries; and Clark Atlanta University Art Galleries. The I. P. Stanback Museum and Planetarium at South Carolina State University is one of the few campus museums with art and science offerings. The Native American museums range from the Haskell Indian Nations University Cultural Center and Museum, with collections and exhibits about Native Americans and the university, to the Museum of Contemporary Native Arts, which has 7,000 works from over 120 Native American nations in its collection at the Institute of American Indian Arts. Other Native American facilities include the Ataloa Lodge Museum, which has more than 20,000 Native American artifacts and artworks at Bacone College; Museum of the Native American Resource Center, a research center of Native American history, culture, art, and issues at the University of North Carolina at Pembroke; Indian Arts Research Center, which houses 12,000 pieces of Native American Art, School for Advanced Research; Schingoethe Center for Native American Cultures, with over 6,000 Native American arts, artifacts, and related materials, Aurora University; and Koshare Indian Museum, which has collections and exhibits of Native American art and artifacts and presents seasonal dance performances, Otero Junior College. The Jewish museums, which are historical, cultural, and religious in nature, are located mainly at seminaries. The Hebrew Union College-Jewish Institute of Religion has museums at three Reform Judaism seminaries—in New York City, Cincinnati, and Los Angeles. The Skirball Cultural Center Museum in Los Angeles is the largest and most popular of the three sites, with approximately 25,000 artifacts, artworks, and other materials related to the Jewish history, culture, religion, and experience, and a cultural center annual attendance of 500,000. The Jewish Museum, part of the Jewish Theological Seminary of America, is the oldest and one of the world’s largest institutions devoted to exploring the scope and diversity of Jewish culture. Founded in 1904, it has a collection of more than 26,000 objects that include archaeological artifacts, ethnographic materials, ceremonial objects, paintings, sculpture, works on paper, photographs, numismatics, and broadcast media items. Other Jewish museums include the Spertus Museum at the Spertus Institute of Jewish Studies and the Yeshiva University Museum. Among the other ethnic facilities are two museum-like Norwegian sites—NorwegianAmerican Historical Association Archives at St. Olaf College and Boynton Chapel, a Norwegian stave church located at a Lawrence University continuing education and conference center. Other ethnic centers include the St. Andrew Scottish Heritage Center at St. Andrews Presbyterian College; Franco-American Collection, Lewiston-Auburn College, a branch of the University of Southern Maine: Ukrainian Heritage Studies Center,


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Manor Junior College; National Polish American Sports Hall of Fame, St. Mary’s College; and Jensen Arctic Museum, Western Oregon University. Religious Museums and Galleries

Museums with a religious emphasis usually are part of seminaries, colleges, and universities operated by religious organizations, but such collections also can be found at art, history, and cultural museums at other institutions. Most religious museums and related facilities are historical and/or archaeological in nature and often are part of libraries and archives. In addition to the nearly 30 other religions-based museums, eight other museums have religious collections. Among the historically oriented religious museums are the Billy Graham Center Museum at Wheaton College in Illinois, featuring a visual history of the growth of evangelism in the United States; Center for Western Studies at Augustana College in South Dakota, which is a library, archives, and museum concerned primarily with the history and study of the Episcopal Church, United Church of Christ, and Plains Indians in the region; Missouri United Methodist Archives at Central Methodist University, containing materials related to the development of the Methodist Church in the state and area; Quayle Bible Collection at Baker University, consisting of more than 900 Bibles and other items; and two early Spanish missions in California—Mission Basilica de Alcala, a 1769 historic site affiliated with the University of San Diego, Mission Santa Clara de Asis, a 1770 mission on the campus of Santa Clara University. Archaeologically based religious museums include the Siegfried H. Horn Museum at Andrews University, which has a collection of 8,500 ancient Near Eastern artifacts; Badè Museum of Biblical Archaeology at the Pacific School of Religion, which has a collection of Bibles and religious archaeological artifacts; Gustav Jeeninga Museum of Bible and Near Eastern Studies at Anderson University, with archaeological objects and replicas of major Biblical finds; and Tandy Archaeological Museum, which has 26 collections with nearly 4,000 objects from the ancient Near East, Southwestern Baptist Theological Seminary. Some academic museums are known for their religious art. The Bob Jones University Museum and Gallery has 25 galleries that feature Italian, Spanish, French, English, Flemish, Dutch, and German sacred art from the fourteenth through nineteenth centuries. Loyola University Museum of Art in Chicago is dedicated to the exploration of the spiritual in art and has a collection of medieval, Renaissance, Baroque, modern, and contemporary art. The Museum of Contemporary Religious Art at St. Louis University features exhibitions with religious and spiritual themes and is dedicated to an ongoing dialogue between contemporary artists and the world’s faith traditions. Broad-based university and college art museums with some religious collections include the Hearst Art Gallery at St. Mary’s College of California, de Saisset Museum at Santa

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Clara University, Georgetown University Collection, Patrick and Beatrice Haggerty Museum of Art at Marquette University, Indiana University Art Museum, and University of Wisconsin-Milwaukee Art Museum. Some religious museums are ethnically oriented. The Hebrew Union College-Jewish Institute of Religion has museums at three Reform Judaism seminaries—a multi-site museum about Jewish history, culture, religion, and contemporary creativity in New York City; the Skirball Museum, with Jewish archaeological, ceremonial, and ritual objects, in Cincinnati; and Skirball Cultural Center Museum, which has a focus of Jewish cultural history, Biblical archaeology, and art, in Los Angeles. Three other Jewish campus museums with religious collections and exhibits are The Jewish Museum, which is part of the Jewish Theological Seminary of America; Spertus Museum, Spertus Institute of Jewish Studies; and Yeshiva University Museum. A number of religious museums and collections are located on campuses, but are not part of the universities and colleges. They include the Nebraska Conference United Methodist Historical Center at Nebraska Wesleyan University and the Virginia Baptist Historical Society Archives at the University of Richmond. Such facilities generally trace the history and preserve the records of a particular religious group. Agricultural Museums

Nearly all agricultural museums—which number 15—are historical museums, telling the story of life on the farm, ranch, or plantation in a particular area during a specific period. Most have collections of tools, implements, clothing, furniture, and other belongings. Some are outdoor museums that also have multiple historic and/or replicated structures and often costumed interpreters. Two agricultural museums are located on early farms. The Cyrus H. McCormick Memorial Museum, a Virginia Tech museum devoted to the inventor of the mechanical reaper in 1831, contains his manor house and seven other original buildings on a 632-acre farm. The Jensen Historic Farm, founded in 1917, now is one of four historic sections used by Utah State University’s American West Heritage Center to interpret the 1820-1920 period in the region. Three agricultural museums are living history museums with costumed interpreters reenacting farm practices of the nineteenth and early twentieth centuries. They are the Living History Farm, which features an 1889 farmhouse, at the Montana State University’s Museum of the Rockies; Blue Ridge Farm Museum, part of Ferrum College, which re-creates an 1800 Virginia-German farmstead in western Virginia; and Roth Living Farm Museum, operated by Delaware Valley College, which demonstrates early farming practices. The largest and most popular academic living history museum is the Earlham College’s Conner Prairie Interactive Historical Park, an 800-acre history museum that re-creates an 1836 rural settlement and has an annual attendance of over 315,000.


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Some agricultural and historical museums contain collections of historic farm, ranch, and/or plantation buildings. They include such places as the Rural Life Museum and Windrush Galleries, with plantation buildings and artifacts from Louisiana’s pre-industrial period, Louisiana State University, and National Ranching Heritage Center, with 38 ranch structures from the late 1700s through the early 1900s, Texas Tech University. Iowa State University has the Farm House Museum, a three-story 1860-64 farmhouse that was the first building on the campus. The Pasto Agricultural Museum, which has over 850 antique implements and other historical materials in its collection at Pennsylvania State University, seeks to further greater understanding and appreciation of early agriculture and rural life in the state and region. Among the other agricultural museums are the State Agricultural Heritage Museum at South Dakota State University; New Jersey Museum of Agriculture, Rutgers, The State University of New Jersey; Page Farm and Home Museum, University of Maine; and Northwest’s Agriculture Museum, Northwest Missouri State University. Michigan State University has the Kellogg Farm and Dairy, an experimental research site with educational programs and guided tours. Costume, Textile, and Fashion Museums

Twenty-one academic museums are devoted entirely to costumes, textiles, and/or fashion, while smaller collections of such materials can be found at a number of art, ethnographic, general, and other types of museums. The collections range from several thousand historic garments to nearly 200,000 historic and contemporary pieces. The Design Center at Philadelphia University (formerly the Paley Design Center at Philadelphia College of Textiles and Science) has the largest collection. It contains approximately 200,000 objects from nearly every country in the world. It began in 1978 in the 7,000-square-foot former home of Goldie Paley that is located on the campus. Another large collection is at the Museum of FIT at the Fashion Institute of Technology. The collection consists of more than 50,000 garments and accessories from the mid-eighteenth century to the present, over 30,000 textiles from the sixth century to today, and around 15,000 shoes, hats, bags, and other accessories. Among the other museums with extensive collections are the Goldstein Museum of Design, University of Minnesota Twin Cities, approximately 26,000; Historic Textile and Costume Collection, University of Rhode Island, almost 20,000; FIDM Museum and Galleries, Fashion Institute of Design and Merchandising, and Shippensburg University Fashion Archives and Museum, 15,000; Helen Louise Allen Textile Collection, University of Wisconsin-Madison, about 13,000; Avenir Museum of Design and Merchandising, Colorado State University, 12,000; and Historic Costume and Textiles Collection, Ohio State University, over 11,500.

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Among the other costume, textile, and fashion museums are the Mount Mary College Historic Costume Collection, Kent State University Museum, and KSU Historic Costume and Textile Museum, Kansas State University, with objects from as early as the mid-eighteenth century; LSU Textile and Costume Museum, Louisiana State University, featuring prehistoric and ethnic textiles and costumes; Cornell Costume and Textile Collection, Cornell University, with items from the eighteenth century to the present; Elizabeth Sage Historic Costume Collection, Indiana University, nineteenth- and twentieth-century American and Western European clothing, textiles, and accessories; Museum of Fashion and Textiles, Louisiana Tech University, mainly women’s fashions from the late nineteenth and twentieth centuries; and Drexel Historic Costume Collection, Drexel University, with the earliest items coming from the founding Drexel family and prominent Philadelphians. One of the most unusual collections is the Texas First Ladies Historic Costume Collection at Texas Woman’s University. It has 42 gowns worn by the wives of Texas governors, presidents of the Republic of Texas, and several of the nation’s presidents and a vice president. The University of Nebraska-Lincoln has the Robert Hillestad Textile Gallery that emphasizes changing exhibitions rather than collections. Music Museums

Six universities have museums of musical instruments. They document and exhibit the history of music through historical instrumentation and/or display antique and modern musical instruments and related materials. In several instances, the restored instruments are played in public performances and demonstrations at the museum. The 20,000-square-foot National Music Museum (formerly the Shrine to Music Museum) at the University of South Dakota has one of the world’s most comprehensive collections of musical instruments. Its collection includes more than 15,000 musical instruments, as well as sheet music, recordings, tools, books, periodicals, photographs, and related musical memorabilia. The museum has nine galleries and a concert hall where instruments of various historical periods are played in performances. Founded in 1900, the Yale University Collection of Musical Instruments has grown to nearly 1,000 instruments, with particular strength in European music from 1550 to 1850. It has two permanent exhibits and presents changing exhibitions, concerts, and demonstrations of various instruments. The Stearns Collection of Musical Instruments at the University of Michigan is a museum of antique and modern Western and non-Western musical instruments. The museum is one of the oldest and largest museums of musical instruments. It opened in 1912 and has a collection of over 2,500 period and modern Western and non-Western musical instruments, three galleries and hall of exhibits, and features European traditional and electronic instruments.


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Among the other music museums are the Sousa Archives and Center for American Museum, University of Illinois at Urbana-Champaign, which honors the “March King” and documents America’s national and local music history; Charles H. Templeton, Sr. Music Museum, Mississippi State University; and Center for American Music Museum, University of Pittsburgh. Photography Museums and Galleries

Nearly all campus museums have photographs in their collections, but the greatest concentration usually can be found in separate photography museums and galleries. Some art, archaeology, anthropology, and ethnology museums also have large photography collections. In such art and cultural museums, however, photographs are only part of much more extensive collections. Approximately 10 institutions have photography museums and galleries. One of the nation”s largest collections of documentary photographs—numbering nearly 2 million images—is located at the University of Louisville’s Photographic Archives in the Ekstrom Library. Many of the photographs show the faces, houses, streets, industry, and life of the Louisville area over the last century. Another large photography collection can be found at the UCR/California Museum of Photography at the University of California, Riverside. It is one of the largest, most comprehensive, and most diverse photographic resources in the West, interpreting photography as technology, social history, and artistic endeavor. The collection includes cameras, viewing devices, glass plates, paper prints, publications, and other materials related to photography. Among the other university and’ college photography museums are the University of Kentucky Photographic Collections, with over 100,000 photographs and manuscripts documenting the history of photography; the 55,00-square–foot Center for Creative Photography at the University of Arizona, with more than 80,000 photographs by over 2,200 photographers and a photographers’ archives, galleries, a library, and research facilities; Southeast Museum of Photography at Daytona State College, featuring contemporary and historical photography collections and exhibits; and Museum of Contemporary Photography at Columbia College Chicago, which focuses on contemporary American photography. The University of California Berkeley Art Museum and Pacific Film Archive is a combination art/film museum that has extensive holdings of classic, avant-garde, animated, and international motion pictures and presents about 450 screening each year. A number of collegiate art galleries specialize in exhibiting photographs. They include the Night Gallery at Arizona State University; Doris Ulmann Galleries at Berea College; and Baldwin Photographic Gallery at Middle Tennessee State University.

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Some museums in other fields have photography collections—many of which are specialized. One of the largest is the collection of over 500,000 images at the Peabody Museum of Archaeology and Ethnology at Harvard University. Harvard’s Fogg Art Museum also has a twentieth-century photography collection. The Yale Center for British Art contains more than 200,000 photographs of British art, while the Yale University Art Gallery has a large collection of contemporary photographs. Other photography specialties include a collection of nineteenth-century European photographs at the Snite Museum of Art at the University of Notre Dame, Native American photographs at the Mathers Museum of World Cultures, and motion picture prints at the University Art Museum and Pacific Films Archive at the University of California, Berkeley. Among the other art museums with large photography collections are the University Art Museum at the University of New Mexico, Henry Art Gallery at the University of Washington, and Museum of Art at the Rhode Island School of Design. Sports Museums

An increasing number of sports museums are being developed on university and college campuses, celebrating the history and achievements of varsity athletic teams, coaches, and players. The usually are located at institutions that have extensive athletic programs and winning records. Eighteen such museums now are located near campus athletic facilities. The first major sports museum was the University of Tennessee Football Hall of Fame, which was established in 1970. It is located in the Neyland-Thomson Sports Center and contains exhibits about the history of Tennessee Volunteers football and those who excelled The Paul W. Bryant Museum at the University of Alabama and the University of Iowa Athletics Hall of Fame were founded in the 1980s. The Bryant Museum honors its long-time football coach and some 120 years of football at the university with exhibits of trophies, uniforms, memorabilia, photographs, and interactive video displays. The Iowa museum has 30,000 square feet with similar exhibits about the university’s sports history and honors its athletic teams, coaches, and players. Among the other sports museums are Penn State All-Sports Museum; Jim Click Hall of Champions, University of Arizona; Texas A&M Sports Museum; Margaret Dow Towsley Sports Museum, University of Michigan; University of Miami Sports Hall of Fame; Athletic Hall of Excellence, U.S. Air Force Academy; Jonathan B. Lovelace Museum and Hall of Honor, Auburn University; J. Robert Donnelly Husky Heritage Sports Museum, University of Connecticut; and Heritage Hall Exhibit Area, University of Southern California. Some sports museums honor individual coaches and players, as was done at the Bryant Museum. The Jack Nicklaus Museum at Ohio State University is devoted to the life and


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accomplishments of one of the nation’s greatest golfers, while the Yogi Berra Museum and Learning Center at Montclair State University honors the celebrated New York Yankees catcher. In 2010, the Eddie G. Robinson Museum opened at Grambling State University in recognition of his record-setting football coaching career. Two national sports halls of fame also are located on campuses—the National Wrestling Hall of Fame and Museum at Oklahoma State University and the National Polish American Sports Hall of Fame at St. Mary’s College. General Museums

General museums are those institutions that cover a range of fields, rather than specializing in a single discipline or related combination of fields. They frequently have diversified art, history, science, and/or other collections and exhibits, although they may be stronger in one area than others. Among the nearly 20 museums that fall in this category are the McKissick Museum at the University of South Carolina; Museum of Texas Tech University; Frank H. McClung Museum at the University of Tennessee at Knoxville; Yager Museum of Art and Culture, Hartwick College; John E. Conner Museum, Texas A&M University-Kingsville; University of Mississippi Museum; and at Southern Illinois University Museums at Carbondale and Edwardsville. The McKissick Museum has collections and exhibits in material culture, natural science, and decorative and fine arts that largely relate to the social, cultural, and scientific development of South Carolina and the Southeast. Although the museum did not open until 1976, its collections began in 1823 when the university purchased an extensive mineral and fossil collection. The Museum of Texas Tech University is a general museum concerned largely with regional history, culture, and natural history. The museum has 5 million objects in its collections, has a main building, planetarium, natural science laboratory, research center, gallery, sculpture garden, and other facilities. The adjacent National Ranching Heritage Center, which formerly was part of the museum, now is administered as a separate department. The Frank H. McClung Museum at the University of Tennessee is a 38,500-square-foot museum with a collection and exhibits on anthropology, archaeology, decorative arts, natural history, and local history. The Yager Museum of Art and Culture at Hartwick College has a collection of 17,000 objects and five galleries the contain exhibits in such fields as art, archaeology, ethnology, and history. Historical, archaeological, cultural, natural history, agricultural, and ranching artifacts and exhibits are featured at the John H. Conner Museum at Texas A&M University-Kingsville. The University of Mississippi Museum has a collection of about 11,000 with such diverse items as surgical instruments, architectural fragments, Sumerian clay tablets, Egyptian antiquities, Southern folk art, and West Africa art. The Southern

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Illinois University at Carbondale museum has more than 50,000 objects and exhibits in the sciences, humanities, and arts, and the Edwardsville museum contains cultural objects and contemporary art that are displayed throughout the campus and at businesses and organizations in the community. Among the other general museums are the Arkansas State University Museum; Reuel B. Pritchett Museum, Bridgewater College; Henderson State University Museum; John A. Logan College Museum; McPherson Museum, McPherson College; Crisp Museum, Southeast Missouri State University; J. Houston Gordon Museum, University of Tennessee at Martin; and Museum of History, Anthropology, and Art, University of Puerto Rico. Library and Archival Collections and Galleries

Nearly every university and college has a library and/or archive, but relatively few have such facilities with museum-like collections, galleries, or exhibits. In most cases, the libraries and archives display rare books, art, and/or artifacts from their collections. Other times they have galleries that show art or other materials from other sources. More than 30 institutions have museum-like library and/or archival collections and galleries, and over 50 others have museums and galleries with such facilities. Among the campus libraries that have regular exhibitions of selections from their collections are the Chapin Library of Rare Books at Williams College, which has a collection of more than 50,000 volumes of original books and manuscripts; Firestone Library Galleries at Princeton University, containing four galleries, lobby cases, and an online exhibit program with materials from the library’s rare books and special collections; focusing on prints, drawings, illustrated books, and other aspects of the arts of the book; History of Aviation Collection at the Eugene McDermott Library at the University of Texas at Dallas, a major aeronautical research library with over 2.5 million items in more than 200 collections; and American Heritage Center at the University of Wyoming, featuring exhibitions of western history and art. The Lilly Library at Indiana University mounts three to four major exhibitions and 15 to 20 minor shows each year in the arts, humanities, and sciences. Some library galleries present changing art exhibitions, including the Magale Library Gallery at Centenary College of Louisiana, Boston College Libraries, and Middleton and Hill Memorial Libraries at Louisiana State University. Libraries also house the Oglethorpe University Museum of Art and the American Museum of Asmat Art at the University of St. Thomas. Museums in other fields sometimes also are located in libraries, including the Orton Geological Museum at Ohio State University; Center for American Music Museum, University of Pittsburgh; Winston Churchill Museum, Westminster College; Tandy Archaeological Museum, Southwestern Baptist Theological Seminary; and Valene L. Smith Museum of Anthropology, California State University, Chico. In addition to exhibits in the main


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Pattee and Patero libraries, Pennsylvania State University has exhibit areas in the specialized libraries of architecture and landscape architecture and the earth and mineral sciences. Medical libraries sometimes function like museums with collections and exhibitions. They include the Historical Library at the Harvey Cushing/John Hay Whitney Medical Library at the Yale University School of Medicine, which has early medical volumes, graphics, paintings, and medical instruments and equipment; Clendening History of Medicine Library and Museum at the University of Kansas Medical Center, with exhibits of printed volumes, early medical instruments and equipment, and other artifacts; Waring Historical Library at the Medical University of South Carolina, a combination library and museum with largely rare books and historical objects; and Dittrick Museum of Medical History at Case Western Reserve University, which has historical objects related to the practice of medicine, dentistry, pharmacy, and nursing. Some campus libraries are devoted to the works, lives, and/or times of individuals. For example, the Sam Rayburn Library and Museum at the University of Texas at Austin has collections and exhibits about the Texan who served as speaker of the United States House of Representatives longer than any other person. The Armstrong Browning Library at Baylor University has the world’s largest collection of material relating to Robert Browning and his poetry, the Abraham Lincoln Library and Museum at Lincoln Memorial University has one of the largest collections of Lincoln and Civil War materials. Most people do not know that two of the nation’s best-known libraries—the Dumbarton Oaks Research Library and Collection and the Folger Shakespeare Library in Washington, D.C.—are part of Harvard University and Amherst College, respectively. They were entrusted with the libraries’ oversight by their donors, who were alumni. Dumbarton Oaks, one of the world’s leading centers of Byzantine, pre-Columbian, and landscape architecture study, also is an architectural, botanical, and historical showcase, while the Folger Shakespeare Library is a historic book and manuscript library and museum that is a major resource on the Renaissance civilization of England and the European continent. Some academic libraries with archives also feature materials from their collections, as occurs at The Citadel Archives and Museum in the Daniel Library at The Citadel: The Citadel, The Military College of South Carolina; Meyer Library Special Collections and Archives, Missouri State University; and Mississippi University for Women Archives and Museum. A number of libraries also house collections and archives from outside sources, such as the Southeastern Architectural Archive at Tulane University; Steamship Historical Society Collection, University of Baltimore; and Archives of the Susquehanna Conference of the United Methodist Church, Lycoming College. The LaGuardia and Wagner Archives Museum at the Fiorello H. LaGuardia Community College of the City University of New

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York has special exhibits on the social and historical aspects of twentieth-century New York City and the life and times of former mayors LaGuardia and Robert F. Wagner. A number of historical centers have a combination library, archive, and museum or exhibit area. They include the Center for Western Studies at Augustana College in South Dakota, which focuses on the history and study of the Episcopal Church, United Church of Christ, and Plains Indians, Center for Southwest Studies at Fort Lewis College. Other Types of Museums

At least eight museums do not fit into standard categories of university and college museums. Most are unique or cover subjects that rarely are the subject of separate campus museums. The museums range from the Culinary Arts Museum at Johnson and Wales University to The Cable Center at the University of Denver. The Culinary Arts Museum has a collection of over 250,000 items, including more than 100,000 menus, 60,000 cookbooks, and other cookery-related materials. The Cable Television Center is devoted to the history and operation of cable television. The Robert C. Williams Paper Museum at Georgia Institute of technology is an international resource on the history of paper and paper technology. It has a collection of over 10,000 objects pertaining to the history of papermaking, including watermarks, papers, prints, manuscripts, books, photographs, and paper-making tools. Other museums include the Cullis and Gladys Wade Clock Museum, with over 400 clocks and watches dating back as early as 1700s, Mississippi State University; Mascaro-Steiniger Turfgrass Museum, featuring turf equipment, Pennsylvania State University; Warren Stucki Museum of Broadcasting, which traces the development of wired ad wireless communications, Northwest Missouri State University; Steamship Historical Society Collection, consisting of thousands of publications, photographs, models, and other materials about steamships, University of Baltimore; and Treasures of the Sea Exhibit, a long-term, museum-like display of gold, silver, vessels, and other cargo recovered from a Spanish galleon that sank in a 1622 hurricane off the coast of Florida, Delaware Technical and Community College.

Chapter 3

Governance, Organization, and Staffing Most museums, galleries, and related facilities at American universities and colleges have less independence and flexibility in their operations than do their nonacademic public and private counterparts. They are only a small part of a spectrum of concerns of their parent institutions and have restrictions on governance, organization, personnel, and many other aspects of their operations. Nearly all campus museums and similar facilities do not have a separate board of trustees or directors. Instead, they normally are responsible to a university or college governing board, with the director reporting to an academic department head, dean, provost, vice president, vice chancellor, president, or some other office. The organization and staffing usually are limited in size and scope because most facilities are closely tied to an academic department or other structure that frequently determines the mission and allocates the space, budget, and personnel. Museums, galleries, and related facilities also typically must rely upon other university/college offices to provide such services as utilities, security, marketing, fund raising, and maintenance-which can be an advantage or a drawback. There are exceptions, particularly among the larger museums and similar facilities, which often have more sizable staffs, collections, exhibits, programs, budgets, and attendance—and sometimes their own buildings, membership programs, fund-raising

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activities, and other capabilities. But even in such cases, management and operations almost always are limited by institutional and/or departmental policies and practices. Another factor is the multifaceted role of many campus museums, galleries, and similar facilities. They nearly always have collections, exhibits, and facilities that are used for instruction and research, and many directors are in charge of museum studies programs. Some also have a broader mission in serving school groups and the general public. In general, university and college museums and other museum-like facilities are underfunded, understaffed, underutilized, and under appreciated. Despite these circumstances, university and college museums, galleries, and related facilities have continued to increase in number, have grown in the size and quality of their operations, and often have made important contributions to the advancement of their fields and institutions. At one time, it was unusual for a university or college to have more than one museum or similar facility. Today many institutions have a considerable number of museums and similar facilities, covering a wide range of fields. Among those with the greatest number of museums and museum-like facilities are Arizona State University, 39; Harvard University, 22; Pennsylvania State University and University of Michigan, 17; University of Arizona, 16; Louisiana State University and University of California, Berkeley, 12; and Michigan State University and University of Texas at Austin, 11. Single facilities are likely to be found largely at the smaller universities and colleges, and they are generally art galleries. Relatively little coordination of multiple museums, galleries, and related facilities appears to exist on most campuses. Even when a university or college has a coordinating system, it rarely covers all the museums and similar facilities. Harvard, for example, has two umbrella museum complexes—Harvard Art Museums, including three art museums, and Harvard Museum of Natural History, also consisting of three museums—which cover only about a fourth of the university’s museums, galleries, and related facilities. A few institutions have tried to have greater coordination by putting their two or three museums under a single director and giving the group an all-inclusive name, such as Hartwick College’s Museums at Hartwick and the University Museums of Iowa State University. Two institutions that are part of the Claremont Colleges—Pomona College and Scripps College—combined their art galleries as the Galleries of the Claremont Colleges in 1974, but then separated the galleries again in 1993. GOVERNANCE PATTERNS The governing body for virtually every campus museum, gallery, and related facility is the board of trustees or directors of the university or college. It is the board that approves the establishment of the facility and usually its director, general policies, and budget-all upon the recommendation of the institution’s president or other administrator. Because

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museums and other such facilities at universities and colleges rarely are autonomous, they almost never have their own governing boards. Some governing structures are complex. At Harvard University, for example, the university has used two governing boards—the 7-member Corporation (consisting of the president and fellows) and the 30-member Board of Overseers. The Corporation has primary oversight responsibility for university operations and reviews and approves the Harvard University Art Museums’ mission statement, all professional appointments (administrative as well as curatorial), annual operating budgets, capital projects, fundraising campaigns, and other significant projects. The Board of Overseers appoints a Committee to Visit the Art Museums to conduct an annual review of the museum activities. The visiting committee is comprised of 30 outside experts in the field, who meet with museum staff, fine arts faculty, and students to address a variety of topics each year; review the financial condition; and submit a detailed report to the Board of Overseers, with copies to the president, the dean of the Faculty of Arts and Sciences, and the director of the art museums. The visiting committee also is involved throughout the year when issues of special importance arise. In practice, the director has considerable autonomy over museum operations, and the governing boards are involved only in the highest-level decisions. In those few cases where a campus museum has a separate board, it usually involves special circumstances that differ from normal practices. At Earlham College, for instance, Conner Prairie, a living history museum located 70 miles from the campus, is a wholly owned subsidiary that operates with its own Board of Directors, president, and administrative staff. However, the museum president reports to the president of Earlham College and meets with the university’s Board of Trustees on major issues and expenditures. Other examples of separate boards can be found at The Jewish Museum, which operates under the auspices of the Jewish Theological Seminary of America and has a board with total authority for policy, collections, programs, personnel, and budget; Danforth Museum of Art, a joint project of Framingham State College and the City of Framingham, Massachusetts, with a governing board consisting of representatives of the college and the community; and Armand Hammer Museum of Art and Cultural Center (now Hammer Museum), managed by the University of California, Los Angeles, and housing its Wight Art Gallery and Grunwald Center for the Graphic Arts, where the university has three representatives on a nine-member board. At Emory University, the Michael C. Carlos Museum has a 40-member Board of Directors, which is responsible for nearly everything except the administrative budget, which is allocated by the university’s governing board. More often museum and gallery boards are supplemental and advisory in nature, assisting with fund-raising collections, programming, and/or other areas. For example, the University of Wyoming Art Museum has a 25-member National Advisory Board that

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helped raise $20 million for a new building that houses the museum and the American Heritage Center. Among the other institutions with advisory boards or committees are the University of Pennsylvania Museum of Archaeology and Anthropology, which has a Board of Overseers appointed by the university president to look after the museum’s operations; California Museum of Photography at the University of California, Riverside, has a Chancellor’s Committee to serve as a national advisory and fund-raising group to promote the interests of the museum; Krannert Art Museum and Kinkead Pavilion at the University of Illinois at Urbana-Champaign uses a National Advisory Board for advice on fund development, acquisitions, accessions, deaccessions, exhibitions, and special events; and Marianna Kistler Beach Museum of Art recently founded at Kansas State University is administered largely with the assistance of a Museum Advisory Board. Advisory boards, committees, and councils can be of great assistance and/or a problem, as Nancy R. Axelrod points out in her booklet on advisory bodies, Creating and Renewing Advisory Boards: Strategies for Success: A successful advisory group can do much to help an organization fulfill its mission. Advisory Board members have helped enormously in raising funds, addressing political problems, handling public relations, and reviewing programs. An unsuccessful advisory group, on the other hand, can be a costly drain on precious institutional resources, image, and good will.

A number of university and college museums and similar facilities have formed partnerships with city, county, or state governments that sometimes involve joint governing and/or reporting responsibilities, such as the Hilltop Garden and Nature Center, a cooperative project of Indiana University and the City of Bloomington; W.W. Gayle Planetarium, a facility of Troy State University and the City of Montgomery, Alabama; Washington Park Arboretum, a partnership of the University of Washington and the City of Seattle; Fullerton, Arboretum, operated under a joint-powers agreement between California State University, Fullerton, and the City of Fullerton; Scurry County Museum at Western Texas College, which receives city, county, and university support; Kalamazoo Valley Museum, which is part of the county’s Kalamazoo Valley Community College district; the official visual art collection of the State of Nebraska at the University of Nebraska-Kearney; State Botanical Garden of Georgia at the University of Georgia; and Sam Noble Oklahoma Museum of Natural History, the designated state natural history museum at the University of Oklahoma. MANAGEMENT STRUCTURES The management structures and reporting systems of museums, galleries, and related facilities vary greatly. The author’s survey showed that approximately 30 percent of the directors reported to the heads of academic departments, while 22 percent were accountable to deans, 12 percent to vice presidents, 11 percent to provosts, 9 percent to presidents, 2 percent to vice chancellors, and 14 percent to others, such as the directors of

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arts centers, libraries, student unions, and coordinating offices, as well as directly to university, college, and museum governing boards. A majority of museums and similar facilities operate as independent departments within the institutional framework. However, the patterns differ considerably with the type of facility-and frequently with the size of the university or college. More than half of the art galleries, for example, are part of art, art history, and fine arts departments and report to the chairperson. Art museums, on the other hand, nearly always function independently and report to the dean, provost, vice president, or president. Most specialized science-oriented museums and such related facilities as planetariums, observatories, botanical gardens, arboretums, and herbariums follow the departmental reporting approach, but natural history, archaeology, anthropology, and ethnology museums generally are divided, often reporting instead to deans, provosts, vice presidents, or their equivalents. Historical museums, houses, and sites are more likely to report to a vice president or the president. In smaller universities and colleges with fewer departments and administrative offices, it is not uncommon for museums to be responsible directly to the president’s office. Some universities and colleges with more than one museum, gallery, or related facility seek to coordinate the activities through an administrator, committee, council, grouping, or other formal or informal method. These mechanisms range from oversight of certain similar types of facilities to across-the-board coordination in the museum or arts field. Sometimes they are created by the president or some other administrative officer, while other times they are initiated by the. directors of the museums and related facilities for the exchange of information, cooperation, and joint action. A number of institutions designate a single administrative official to be responsible for all museum, cultural, or arts activities. At the University of Arizona, campus museum directors report to and meet regularly with the vice president for academic support and international programs. Virginia Military Institute has an executive director of museum programs, while Louisiana State University relies upon an executive director for its Museum Complex. Among the broader coordinating efforts are the use of an Office of the Arts at the Massachusetts Institute of Technology, arts coordinator at the University of Puget Sound, coordinator of collateral activities at Jacksonville University, and dean of cultural affairs at the University of Maine. At some universities and colleges, the director of galleries is charged with overseeing all the art installations on the campus, as occurs at Austin Peay State University, Baruch College of City University of New York, Dickinson College, and Lehigh University. In other instances, the committee approach is utilized in arts coordination-such as the

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President’s Advisory Committee on Art Policy and the President’s Visual Arts Coordinating Committee at Texas A&M University and the Commission on the Arts at St. Anselm College. A few universities and colleges have oversight committees concerned only with museums, galleries, and related facilities. They include the Museum Governance Committee at Housatonic Community College and the Faculty Committee for Museums and Galleries at Oregon State University. MUSEUM GROUPINGS Among the more effective systems for coordinating and making effective use of resources has been the placing of museums into umbrella groups-either in broad or in specific fields. When they are organized broadly, the museums normally have the same director, which is not necessarily the case with those museums in specialized fields. Broad-based groups include the Museums of Hartwick, which has four facilities—an anthropology museum, an art gallery, an herbarium, and an archive—at Hartwick College; Museums of Beloit College, consisting of an art museum and an anthropology museum; University Museums, composed of two connecting museums with archaeological, historical, and folk art materials at the University of Mississippi; and University Museums, with an art museum, a historic building, sculpture garden, and a campus art program at Iowa State University. In the specialized fields, Harvard University has two major groupings—Harvard Art Museums, composed of three major art museums (Fogg Art Museums, Busch-Reisinger Museum, and Arthur M. Sackler Museum), and Harvard Museum of Natural History, with three science-oriented museums (Botanical Museum, Mineralogical Museum, and Museum of Comparative Zoology. The Center for Conservation and Technical Studies, a research, training, and service institution in the conservation of artistic and historical works, also is part of the complex. The Peabody Museum of Archaeology and Ethnology also is located adjacent to the natural history museums. Two other universities have organized their natural history museums into a single composite unit. They include the University of Michigan Museums of Natural History, with five components (Exhibit Museum, Museum of Anthropology, Museum of Paleontology, Museum of Zoology, and University of Michigan Herbarium) and University of California’s Berkeley Natural History Museums, an administrative consortium that provides services to six museums (Essig Museum of Entomology, Museum of Vertebrate Zoology, Phoebe Apperson Hearst Museum of Anthropology, University of California Museum of Paleontology, University and Jepson Herbaria, and University of California Botanical Garden) and eight field stations. At the University of Kansas, three

Informal Cooperation

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campus museums (Snow Entomological Museum, Museum of Invertebrate Paleontology, and McGregor Herbarium) also have been incorporated into an expanded University of Kansas Natural History Museum. These museums generally share facilities or are located nearby, work together on exhibits and programs, exchange information, avoid some duplication of staff and services, and often effect cost savings as a result of the combined structure. Whatever the type of facility or the nature of the university or college system, however, museums and similar facilities tend to reflect “the mission of their parent institutions through an emphasis on research and education, a more specialized conception of the disciplines that comprise their focus and an emphasis placed on audiences that (are) also constituents of the parent organization,” as pointed out by Paisley S. Cato in his study of natural history museums in Museum Management and Curatorship. INFORMAL COOPERATION Many forms of informal cooperation and collaboration take place among museums, galleries, and related facilities on university and college campuses. They include occasional meetings of directors to discuss issues of mutual interest, formation of joint committees in special fields, cooperative projects, and a variety of other activities. Informal meetings are the most common. Directors of all the museums and galleries on the six Claremont Colleges campuses meet and work together regularly. Harvard University has a Museums Council, consisting of directors and often involving exhibit designers. At Yale University, communication among museum directors also is informal. In addition, there are committees related to conservation and museum shops and a joint membership program between the Yale University Art Gallery and the Yale Center for British Art. The University of Utah museums of fine arts and natural history, arboretum, and performing arts theater have an informal coalition and cooperate on obtaining increased funding and other matters affecting their operations. A loose consortium of campus resources, called Cultural and Natural Outreach Programs, at the University of Northern Iowa is concerned with campus and community programs offered by the university’s museum, art gallery, greenhouse, biological preserves, and one-room school. One of the most frequent types of cooperation is in the collections area. Among the universities and colleges where directors, curators, and/or collections managers communicate, cooperate, and share mutual support are Luther College, which has a Collections Committee; Michigan State University, with a Collections Council; and University of Iowa, which works through a Collections Coalition. Other examples of informal cooperation and collaboration include a Museum Informatics Project to collect information on collections and other systems at campus museums and

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an informal group that meets to discuss issues of common interest, particularly marketing, at the University of California, Berkeley; periodic meetings of museum conservators at Indiana University, where campus museums also belong to the Alliance of Bloomington Museums; an ad hoc consortium of university and city museums and related facilities at the University of Michigan; and a five-college consortium that includes representatives of museums and galleries at Amherst College, Hampshire College, Mount Holyoke College, Smith College, and the University of Massachusetts. ORGANIZATION AND STAFFING Most museums, galleries, and related facilities at universities and colleges have relatively simple organizational structures and rather small staffs. Since few museum-like facilities have their own governing boards, nearly all the directors are appointed by and report to an academic department chairperson; the dean of the college to which the facility is attached; a campuswide senior administrator, such as the provost, vice president, vice chancellor, or president; or the director of the library, arts center, student union, or other building where the museum or gallery is located. The director frequently is the only full-time museum or gallery staff member, with other staff members often being part-time people-such as curators from the academic department or college faculty, office help, volunteers, and work/study students, interns, and other students. It is only in the larger institutions that there are more extensive organizational structures and staffs resembling those of their nonacademic counterparts. The smallest staffs—usually one to four full-time and/or part-time people—are found at art galleries, historical facilities, planetariums, and small specialized museums and related facilities. They generally include a director/curator, a secretarial/clerical assistant, and collections, exhibits, and/or other personnel. Faculty members also may be involved from a curatorial standpoint, and students may be used to assist with the research, mounting, maintenance, security, and/ or other such functions. Some facilities do not have any full-time staff members. Most art galleries do not have a need for large staffs. Since many galleries do not have collections, it is not necessary to assemble or care for collections, and the exhibition spaces usually are under several thousand square feet and can be manned by a single person, generally a student, intern, or volunteer. The full-time staff often consists only of the gallery director, and sometimes there is no full-time director, with gallery being directed by the head of the art department, as occurs at the Western Kentucky University Gallery. At Goucher College’s Silber Gallery, the gallery is directed by the college’s exhibitions and collections coordinator. The only staff member at Ray Drew Gallery at New Mexico Highlights University is the director. Some galleries have interns to assist with gallery operations, as at the Macalester

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College Art Gallery, which has 10 interns. Many galleries have other assistance, such as the 11 part-time employees, five volunteers, and one intern at the UN Gallery of Art at the University of Northern Iowa. But staffing varies considerably, usually varying with such factors as facility size, budget, mission, collections, exhibits, programs, leadership, and/or outside support. The Harvard Art Museums, which consists of three museums, has had approximately 138 full-time staff members, 21 part-time employees, 28 volunteers, and seven interns, while the John and Mable Ringling Museum of Art, a part of Florida State University, once reported as having 126 full-time employees, 115 part-time employees, 725 volunteers, and 10 interns.At the University of California, Los Angeles, the Hammer Museum has a full-time staff of 93, 100 part-timers, 40 volunteers, and 20 interns. These large staffs normally include such key personnel as the director, associate and/or assistant director, curators, collections manager, archivist, registrar, conservator, librarian, and the heads of such departments as business/finances, human resources, exhibit design, education/outreach, communications, facilities/events, security, and store. Among the other art museums with extensive staffs are the Museum of Art, Rhode Island School of Design, with normally about 60 full-time personnel, 20 part-time employees, 60 volunteers, and eight interns; University of Michigan Museum of Art, 44 full-time staff members, 30 part-time employees, 100 volunteers, and six interns, and Spencer Museum of Art, University of Kansas, 22 full-time staff, 13 part-time employees,170 volunteers, and six interns. Smaller art museums have smaller numbers, as indicated by the University of Arizona Museum of Art, with nine full-time staff, three part-time employees, 56 volunteers, and six interns, while the Mount Holyoke College Art Museum has nine full-time personnel, 21 part-time employees, 22 volunteers, and five interns. Large staff also can be found at museums in other fields. The Florida Museum of Natural History at the University of Florida has had 108 full-time staff members, 250 part-time employees, 938 volunteers, and 20 interns; University of Pennsylvania Museum of Archaeology and Anthropology, 101 full-time staff, two part-time employees, 250 volunteers, and 12 interns; Earlham College’s Conner Prairie Interactive History Park, 89 full-time staff, 238 part-time employees, and 488 volunteers; and Yale Peabody Museum of Natural History, Yale University, 63 full-time staff, 15 part-time employees, 217 volunteers, and three interns. Some specialized sites also have sizeable staffs and numbers of volunteers, such as the Birch Aquarium at Scripps, University of California, San Diego, which has had about with 54 full-time staff members and 302 volunteers. But most of the historically oriented specialized museums—which often are smaller and have limited space and attendance—do not. For example, the Stearns Collection of Musical Instruments, University of Michigan, usually has 2 full-time people and one volunteer; Elizabeth Sage Historic Costume Collection, Indiana University, one staff member, one part-time

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employee, four volunteers, and one intern; and University of Maryland School of Nursing Museum, one staff member and 24 volunteers. In the botanical sciences, the composition of the staffing varies widely—frequently depending upon the nature and size of the facility. The 5-acre W. J. Beal Botanical Garden at Michigan State University has had two full-time staff members, two part-time employees, and two interns, and the 125-acre Reynolda Gardens of Wake Forest University has six full-time staff members and 30 volunteers. The University of Alabama Arboretum has had three full-time personnel, one part-time employee, one full-time volunteer, and 25 part-time volunteers, while Harvard University’s larger 265-acre Arnold Arboretum has had a full-time staff of 51, 100 volunteers, and 14 interns. Many museums, galleries, and related facilities are involved in museum studies programs and often make use of interns and work/study students The University of Arizona Museum of Art has an internship program and opportunities for independent studies, while the Robert Hull Fleming Museum at the University of Vermont uses work/study students. As indicated earlier, interns are utilized at many museums and other facilities. OPERATING PRACTICES Operating decisions usually are made by the director of the museum, gallery, or related facility—often in consultation with the office to which he or she reports and/or after discussions with the facility’s department heads, senior staff members, and/or advisory committee. But there are many differences, particularly in such matters as collections, exhibitions, fund raising, planning, and the use of advisory and other committees. Advisory committees can be invaluable in discussing and providing guidance in matters of policy, direction, acquisitions, and exhibitions. “They can provide a salutary check and balance on the director, as well as support and protection,” Allen Rosenbaum, director of the Princeton University Art Museum, pointed out at a symposium at Vassar College. He believes the composition of such committees in the art field “should reflect the interests of the art history department, but should not be weighted in favor of the department and should certainly not be composed exclusively of members of that department.” The University of Michigan Museum of Art, which reports to the vice provost for academic affairs, has a nine-member Executive Committee composed of university faculty, administrators, and community representatives to advise the museum on acquisitions, loans, and general policy. The Museum of Art and Archaeology at the University of Missouri-Columbia makes use of an Advisory Committee in decisions regarding exhibition themes, long-range planning, and other aspects of its operations, while Bowling Green State University’s three galleries have a Gallery Advisory Board that consults on planning and programming.

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At the University of Nebraska State Museum, a Museum Advisory Board (consisting of the chairs or directors of six university departments or divisions directly related to the museum’s activities) must approve plans for any major fund-raising drives. These plans then go to the vice chancellor of research and graduate studies and the chancellor of the Lincoln Campus before being forwarded to the University of Nebraska Foundation, which works with the museum to raise the funds. The Ruth Chandler Williamson Gallery at Scripps College has a Gallery Advisory Committee consisting of administrators, trustees, faculty members, students, and staff members, while the URI Fine Arts Center Galleries at the University of Rhode Island work with a Gallery Committee comprised of studio and art history faculty. Many other art galleries also have exhibition committees, generally composed of art faculty members. They include the Davis Art Gallery at Stephens College, with a Gallery Committee that oversees acquisitions and the permanent collection and determines what works are to hang on the campus. Boston University Art Gallery, which makes use of an Exhibition Board of university and arts administrators that meets once or twice a year to approve exhibition schedules and related matters. In addition to the methods mentioned earlier, various other means are used to oversee certain museum, gallery, and related activities. At the U.S. Military Academy’s West Point Museum, coordination is organized by mission (e.g., facility requirements are under the director of engineering, security is overseen by the provost marshal, and budget issues fall under the resource management director). Museum and gallery publications and marketing are centralized at Eastern Washington University. And no campus museum can be disbanded without the approval of a committee of all museum curators at Pennsylvania State University. Peter B. Tirrell, while assistant director of the Sam Noble Oklahoma Museum of Natural History at the University of Oklahoma, pointed out the need for more strategic planning at campus museums and related facilities, saying: University museums usually face a heavily bureaucratized system of planning, dwindling support, inconsistent criteria for evaluation, constantly changing administration, and special interest pressures from inside and outside their university communities. Strategic planning enhances the ability of university museums to anticipate their environment, maintain a clearer view of what they really want to be, and effectively compete in the challenging economic, academic, administrative, and community climate.

DIFFERENCES OF OPINION Differences of opinion often are expressed about the governance, organization, and staffing of n1Useums, galleries, and related facilities at American universities and colleges. Sometimes advocates want campus museums and similar facilities to be tied

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more closely to academic teaching and research programs, while others would like to see museum-like facilities have more operational independence. Selma Holo, when director of the Fisher Gallery (now Fisher Museum of Art) and Museum Studies Program at the University of Southern California, stated: The academic mission must be incorporated into the museum mission of collecting, preserving, and interpreting objects. As long as faculties feel that their museum perceives itself as separate from the academic mission, every advance the museum makes financially will be resented, and every loss will be seen as a weakness to be exploited. As part of a university or college, the uneasy fit that we represent must be refashioned. We must become part of the teaching and research role of the institution.

Most campus museum professionals agree that their facility’s mission should match that of the university or college, but there is considerable disagreement over the reporting relationship. The Association of Art Museum Directors, for example, believes the director of a university or college art museum should report to the central administration instead of the department, division, or school head. In its Professional Practices in Art Museums, the association explained: Since the museum (like the library) is seen as one of those resources of a university/ college responding to the needs of the entire university/college community, and frequently to those of the general public, it is appropriate that the Director should report to the central administration of the university/college rather than to some section/part of the university/college such as a department, division head, or school. Placing the museum thus in the larger administrative pattern will encourage its responding to the greater needs of the university/college rather than to some part thereof.

The director of a museum should be given “authority commensurate with his or her responsibility and the complexity of the task,” according to Rosenbaum of the Princeton University Art Museum: The museum should not be subordinate to a single department, especially one with ... strong vested interests, nor should the director report to the chairperson of that department. Even if a concession is made on the issue of reporting, the department may only be willing to cede custodial responsibility but not governance.

Donald Gilbertson, former director of the Bell Museum of Natural History at the University of Minnesota Twin Cities, made a study of campus natural history museums in which he concluded that no museum in which the director or curators reported to a department head was extremely productive or rated highly in the field. In a 1992 article in Curator, Philip S. Humphrey, then director of the University of Kansas Museum of Natural History, sought to differentiate between university and non university museums, saying: University museums and collections are distinguished by their purposes, organizational contexts and reward systems-all of which enable them to provide essential benefits to their

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parent institutions’ academic programs, to the national and international scholarly communities, and to the national museum community.

Humphrey then proceeded to point out how he saw the differences: The missions of university museums are subsumed under the academic goals of their parent institutions and thus have a primary academic role different from those museums in the public sector; campus museums and collections are units or entities of their parent educational institutions rather than free standing; their administration is without direct trustee oversight, since they lack their own governing boards; the missions and needs of university museums and collections are only a small part of the broad spectrum of concerns and priorities of their parent institutions; most universities provide their campus museums and collections with various services, academic resources, and participation in graduate and undergraduate programs at no cost; most curators are full-time, tenure-track faculty members whose principal responsibilities are scholarship and teaching; because of the tenure system, university museums have the potential to address controversial issues and to be more innovative than non-university museums; and university museums and their associated graduate programs are a major—and, in some disciplines, the primary—source of Ph.D.-level scholar curators employed by both university and non-university museums. Not everyone agrees that university museums are more likely to address controversial issues and be innovative in some areas. For instance, Judy Diamond, a curator and a leader in public programs at the University of Nebraska State Museum, has said at the University of Nebraska State Museum, feels that few campus museums have realized their potential in dealing with controversies and innovations, especially in public programming. She points out that under half of the universities in Humphrey’s survey have public programs and that few “are known for their first-class public programs.” Rosenbaum of Princeton University also has reservations about faculty serving as curators, stating: Faculty curators may be of the greatest benefit to the museum or simply ciphers-but good, bad, or indifferent, they rarely have time or feel any obligation to deal with the many ongoing curatorial duties, the housekeeping, for often substantial collections. A list of faculty curators (in addition to and often outnumbering, in-house curators) may give the impression that the museum is well staffed. However, the existence of the faculty curator is often the reason for the chronic understaffing of university and college museums.

Despite these differences of opinion and other difficulties mentioned earlier, university and college museums and similar facilities have made considerable progress in improving their management, organization, and staffing in recent decades. But much still remains to be accomplished at many institutions in refining their role, structure, and operations.

Chapter 4

The Mission Academic museums, galleries, and related facilities have written or unwritten objectives known as “missions.” They usually are different from those of public, private, and government sites in the community at large, and even from other campus museums and related facilities. The objectives often are given in mission statements. The purpose sometimes is described in a single sentence, while the statements contain more objectives at other times. Regardless of the length, the intent is the same—to explain the purpose of the institution. Academic museums and related facilities generally differ from similar non-academic operations in that they basically are internally focused on the teaching, research, and enjoyment of the academic community, rather than serving the general public. However, most also invite the public to their offerings. Campus museums and related facilities also usually differ in funding, control, function, staffing, and educational role. They normally are not funded to make a profit, but rather to be subsidized by the university or college, hopefully with some support from donors. Most places are part of academic departments, usually overseen by faculty members, and containing collections and exhibits used in instruction and/or research. Some of the larger facilities have a professional staff, while others rely on student assistance. The objectives vary from collecting, preserving,

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studying, displaying, and interpreting objects of intrinsic value to merely presenting changing exhibitions for educational and/or entertainment purposes. Many of the art galleries and some of the science centers do not have collections, but feature exhibits and programs, usually of contemporary art or science. Mission statements differ for those academic museums and related facilities that are devoted largely to collecting and research, particularly in the sciences. Some of the collections contain millions of specimens and other objects kept in storage primarily for preservation and research purposes—not for exhibitry. In some cases, these museums are closed to the public, or have rare guided tours of the collections. ART MUSEUMS AND GALLERIES Art Museums and art galleries are similar in some ways, and different in other aspects. Both are devoted to artworks and education, but a difference usually exists in mission, size, and operation. Art museums usually have larger facilities, staffs, exhibits, programs, and budgets, and have more research and a more comprehensive art role. They are collectors, preservers, researchers, exhibitors, interpreters, and promoters of art. Although some art galleries have collections, they generally are not extensive—and they are used primarily for exhibition purposes. In some cases, galleries use selections from the university or college permanent collection. Some art museum mission statements are brief, such as the one at the William Benton Museum of Art at the University of Connecticut on the reason for its establishment: The William Benton Museum of Art, the University of Connecticut, has been established for the collection, preservation, research, and interpretation of works of art. The Museum exists for the University of Connecticut academic community, for citizens of the state and other programs to the greater understanding and appreciation of art.

The Yale University Art Gallery, one of a number of museums with a gallery name, focuses more on its role in furthering art appreciation and understanding: The mission of the Yale University of Art Gallery is to encourage appreciation and understanding of art and its role in society through direct engagement with original works of art. The Gallery stimulates active learning about art and the creative process through research, teaching, and dialogue among communities of Yale students, faculty, artists, scholars, alumni, and the wider public. The Gallery organizes exhibitions and education programs to offer enjoyment and encouraging inquiry, while building and maintaining its collections in trust for future generations.

At the Hammer Museum at the University of California, Los Angeles, the mission statement takes an even broader view: The Hammer Museum explores the capacity of art to impact and illuminate our lives. Through its collections, exhibitions, and programs, the Hammer examines the depth and diversity of artistic expression through the centuries with a special emphasis on art of our time. At the core of the Hammer’s mission is the recognition that artists play a crucial role

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in all aspects of human experience. The Hammer advances UCLA’s mission by contributing to the intellectual life of the University and the world beyond.

The Lowe Art Museum at the University of Miami gives a summary statement and then gives six ways in which it performs its mission: The mission of the Lowe Art Museum, the art museum of the University of Miami, is to serve the University, the Greater South Florida communities, and national and international visitors as a teaching and exhibiting resource through its permanent and borrowed collections. The Lowe Art Museum: 1. Collects original, quality works of art primarily from Asia, Africa, Europe, and the Americas. 2. Exhibits and preserves the permanent collection according to the highest professional standards. 3. Researches the permanent collection and publishes the findings in exhibition catalogues and articles. 4. Organizes traveling exhibitions and loans of individual works from the permanent collection to expand knowledge and appreciation of art both regionally and nationally. 5. Enhances the appreciation of the permanent collection through borrowed and organized traveling exhibitions and loans of individual works. 6. Supports, extends, and enriches the mission of the University of Miami for students, faculty, scholars, residents, and visitors to South Florida to appreciate and more fully comprehend art and its history.

Not all art galleries have mission statements. The galleries with stated objectives usually emphasize exhibitions instead of collections. It frequently takes the form of a brief statement about exhibiting art. The Thorne-Sagendorph Art Gallery at Keene State College stated its purpose when founded as: The purpose of the Keene State College Thorne-Sagendorph Art gallery shall be to encourage a broader and deeper appreciation of the visual arts by bringing to Keene State College and the greater Monadnock community a broad selection of paintings, graphics, sculpture, and other works of art. These must be of significant quality and educational value.

Some galleries have longer statements, especially if they have collections. The Samek Art Gallery at Bucknell University gives a five-paragraph statement on its activities, starting with this introduction: The Samek Art Gallery is an integral art of the intellectual and cultural life of Bucknell University and the region. Samek programming and collections accomplish this by providing access to art from different cultures and with diverse perspectives, with interdisciplinary programming that fosters intellectual exploration and creativity for Bucknell students and the university community, and by complementing the curricular needs of its faculty and students.

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The Western Gallery at Western Washington University has broader responsibilities than just the art gallery, including management of the campus outdoor sculpture collection: The Western Gallery provides diverse experiences in the visual arts for its constituencies, encompassing the University community and region while providing a point of reference to the national and international art scene. Through historical, contemporary, and experimental art exhibitions, through the outdoor collection of contemporary sculpture, through publications, and through interpretive interdisciplinary programs, the Western Gallery is committed to creating an environment for learning. The gallery acts as a center for discussion and exchange of ideas on critical issues in contemporary art. The Western Gallery recognizes its role in expanding its audience awareness of the visual arts as central to the dynamic and pluralistic nature of our society.

Some art galleries are interdisciplinary. The Beall Center for Art + Technology at the University of California, Irvine, for example, focuses on the relationships between the arts, sciences, and engineering, as indicated in its mission statement: The mission of the Beall Center is to support research and exhibitions that explore new relationships between the arts, sciences, and engineering, and thus promote new forms of creation and expression using digital techniques. The Beall Center aspires to redefine the museum/gallery experience, both in content and form, formulating answers to the questions of how technology can be used effectively not only to create new forms of art, but also to connect artist to artist, and artist with audience.

SCIENCE MUSEUMS AND RELATED FACILITIES Science museums and related fields have a wide range of fields—from research-oriented science museums to interactive science centers and from botanical sciences to planetariums and observatories. The same applies to their mission statements. The University of California Paleontology Museum, which has one of the largest research programs and collections of fossil remains, has a short mission statement: The mission of the University of California Museum of Paleontology is to investigate and promote the understanding of the history of life and the diversity of the Earth’s biota through research and education.

The University of Michigan Museum of Zoology has a more detailed list of “goals and objectives,” which are summarized, followed by a list of uses for physlogenies: Through the efforts of University faculty-curators and staff, the Museum of Zoology develops and maintains excellent zoological collections explicitly for use in research and education benefiting science, society, and the university. Organismal and genetic resource collections, at UM and elsewhere, are the best tangible record we have of life on Earth, providing a crucial resource for research and teaching about biodiversity, both now and in the future. Comprehensive understanding of the origins, evolution, and conservation of biodiversity is predicated on analyses and access to the tangible record. The scientific role of the UMMZ is to train students and engage in systematic biology and biodiversity studies. These broad and overlapping fields entail the scientific study of the diversity of organisms and of any and all relationships among them. Discovering life’s


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diversity and its phylogenetic relationships is, of course, just a beginning. Phylogenetic analyses are integral to the full range of biodiversity studies.

The James Ford Bell Museum of Natural History at the University of Minnesota has a single sentence mission statement and follows it with an explanation of how it is implemented: The mission of the Bell Museum is to advance the quest to discover, document, and understand life in its many forms and to insure curiosity, delight, and informed stewardship of the natural world.

At interactive science and technology centers, the emphasis is on public “hands-on” educational experiences in science, mathematics, and technology. This is reflected in the mission statement for the Lawrence Hall of Science at the University of California, Berkeley: The Lawrence Hall of Science is the public science center of the University of California, Berkeley and an innovative leader in the field of science and mathematics education. To advance interest, skills, and knowledge, we: x Engage students and their families in exciting science and mathematics at LHS as well as in their classrooms, schools, and communities; x Design and disseminate effective instructional materials and exhibits. x Create distinctive learning and leadership opportunities for educators. LHS is committed to serving all, especially those with limited access to science and mathematics

The Morehead Planetarium and Science Center’s at the University of North Carolina at Chapel Hill describes its mission somewhat differently: The UNC Morehead Planetarium and Science Center informs the public about the foundations and frontiers of scientific discovery. Through innovative educational experiences, Morehead engages the public and the University community in a forum for interpreting contemporary science.

UA Science: Flandrau, a new public science center at the University of Arizona, presents still another approach in its “Vision” statement: UA Science: Flandrau brings together the University of Arizona and regional communities to inspire the teaching and learning of science and technology, create pathways to lifelong learning, and promote the area’s social, economic, and environmental sustainability.

The mission statement of MIT Museum, a more traditional science museum at the Massachusetts Institute of Technology, points out how it differs from other campus science museums: The museum of the MIT Museum is to engage the wider community with MIT’s science, technology, and other areas of scholarship in ways that will best serve the nation and the world in the 21st century. The MIT Museum fulfills this mission by collecting and preserving artifacts that are significant in the life of MIT, creating exhibits and programs that are firmly rooted in MIT’s areas of endeavor; engaging MIT faculty, staff, and students with the wider community. The Museum is dedicated to collecting, preserving, and exhibiting materials that serve as a resource for the study and interpretation of the intellectual, educational, and social history

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of the Massachusetts Institute of Technology and its role in the development of modern science and technology. The Museum stands along among university museums in its focus on the impact on society of the research, the teaching, and the scientific innovations of its parent institution.

In the historical and cultural history field, the Museum of Peoples and Cultures at Brigham Young University explains its role as a teaching museum at a Mormon institution in its mission statement: The Museum of Peoples and Cultures exists to serve the academic mission of BYU and care for the anthropology, archaeology, and ethnographic collections in the custody of the University. The Museum of People and Cultures is BYU’s Teaching Museum, inspiring students to life-long learning and service and mentoring them in collection-focused activities that reinforce BYU ideals of education a spiritually strengthening, intellectually enlarging, and character building. These activities concurrently serve the scholarly community, the LDS community, and/or the general public and aspire to the highest standards of stewardship and public trust.

The Chadwick Arboretum and Learning Gardens at Ohio State University has a brief statement on its purpose: To provide an educational environment to advance the knowledge of students in their horticultural studies and to be a resource for learning about plants for the campus community and general public. It also is a peaceful place for respite.

The Fullerton Arboretum, a 26-acre botanical garden at the California State University, Fullerton, with over 4,000 plant species from around the world, describes its mission as: Provide our visitors the opportunity to gain knowledge and appreciation of the plant world through collections that preserve and promote stewardship of worldwide plant diversity and regional agricultural heritage. Serve faculty, students, and the broader community through education and scholarly activities.

The University of Arizona’s Steward Observatory has a Mount Lemmon SkyCenter, a public astronomical program facility in the Catalina Mountains near Tucson, with the following mission: To engage people of all ages in the process of scientific exploration by turning the local “Sky Island” environment to merge a wide variety of science and engineering disciplines, thereby fostering a deeper understanding of our Earth within the Universe.

The mission statement for the Birch Aquarium at Scripps, located at the Scripps Institute of Oceanography at the University of California, San Diego, describes its mission thus: The mission of the Birch Aquarium at Scripps is to provide ocean science education, to interpret Scripps research, and to promote ocean conservation. We provide ocean science education through creative exhibits, programs, and activities designed to help people use critical thinking, and to make science relevant to their daily lives.

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We interpret Scripps Institution of Oceanography research, emphasizing the interdisciplinary nature of the science used to study Earth, and inspiring public support for scientific endeavors. We promote conservation through education and research, believing that with increased understanding of the ocean, people will respect and protect the marine environment.

The mission of the Dr. Samuel D. Harris National Museum of Dentistry at the University of Maryland, Baltimore emphasizes oral health: The National Museum of Dentistry inspires people to make healthy choices about oral health by creating and sharing learning opportunities that celebrate the heritage and future of dentistry, the achievements of dental professionals, and the importance of oral health in a healthy life.

OTHER FIELDS Museums and galleries in other fields have similar mission statements describing their basic objectives and describing their roles on the campus. The emphasis usually is on their collections and use in teaching, research, and furthering public understanding and appreciation of the various disciplines. In the history field, the Center for Western Studies at Augustana College in South Dakota states its mission in a few words: The mission of the Center for Western Studies at Augustana College is preserving and interpreting the history and cultures of the Northern Plains.

At Pennsylvania State University, the Pasto Agricultural Museum, located at the university’s agricultural research center, describes its mission thus: The mission of the Pasto Agricultural Museum is to provide the general public with an understanding and appreciation for early agriculture and rural life especially in Pennsylvania and the northeastern United States.

The Bard Graduate Center explains the mission for its decorative arts, design history, and material culture gallery as follows: Our mission is to organize exhibitions and convey the meanings of objects—from things of the most exquisite aesthetic intentionality to the ordinary things of everyday life. We examine objects in a broad cultural context from different curatorial points of view. Our focus is on conceiving exhibitions rather than on building or maintaining a permanent collection. Instead, our curators select, specifically for each exhibition, objects that come to use as loans from public and private collections throughout the world.

The mission of the University of Rhode Island’s Historic Textile and Costume Collection, which contains almost 20,000 objects, is given as three-fold: x Teaching textile, costume design, historic costume, and historic textile classes in the TMD department as well as other departments on campus. x Research by students, faculty, and visiting scholars. x Exhibition in the Textile Gallery and loans for exhibitions in other museums.

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The University of Michigan’s Stearns Collection of Musical Instruments, which has one of the oldest and largest accumulations of such artifacts, spells out its mission as: The mission of the Stearns Collection of Musical Instruments is to preserve musical instruments, advance organizational knowledge, and to promote understanding of world cultures and music. To achieve this mission, the collection actively mounts displays of musical instruments, presents lectures-recitals from national and international performers/speakers, and provides opportunities for organizational research. These activities support the musical and intellectual research of the faculty and students at the School of Music, University of Michigan, and also complement the diverse interests at the University of Michigan, aiding its role in the creation, exploration, and understanding of culture in local, state, national, and international communities.

The University Museum at the Southern Illinois University at Carbondale has the following mission statement on its role as a regional general museum: The University Museum serves Southern Illinois University Carbondale, the greater Southern Illinois community and beyond as a steward of the past and a gateway to the future. We collect, preserve, research, display, and educate using a diverse and engaging range of artifacts and objects and educational methods. The museum illuminates the local and world connections behind the arts, humanities, and sciences. As a teaching museum, we offer hands-on opportunities in progressive museum practices and provide leadership to museums across the region.

Religious museums and galleries also explain their objectives in mission statements. The Jewish Museum, part of the Jewish Theological Seminary of America in New York City, describes its mission as: The Jewish Museum is dedicated to the enjoyment, understanding, and preservation of the artistic and cultural heritage of the Jewish people through unparalleled collections, distinguished exhibitions, and related education programs. Using art and artifacts that embody the diversity of the Jewish experience from ancient to present times, throughout the world, the Museum strives to be a source of inspiration and shared human values for people of all religions and cultural backgrounds while serving as a special touchstone of identity for Jewish people. As a vital cultural resource for New York residents and visitors of all ages. The Museum also reaches out to national and international communities as it interprets and reserves art ad Jewish culture for current and future generations.

Universities are the home of four federal-operated presidential libraries and/or museums, including the Lloyd Baines Johnson Library and Museum at the University of Texas at Austin, whose stated mission is: To preserve and protect the historical materials in the collections of the Johnson Library and make them readily accessible; to increase public awareness of the American experience through relevant exhibitions and educational programs; to advance the Lyndon Baines Johnson Library and Museum’s standing as a center for intellectual activity and community leadership while meeting the challenges of a changing world.

As indicated, the mission statements of academic museums, galleries, and related facilities take many different forms. Some missions were stated at the founding and others were adopted or changed at a later date. They also are very general or rather detailed. But they

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all have one thing in common—they help explain the purpose or objectives of a museum or similar facility, and often provide guidance in their operation and greater understanding of their function in the academic and public communities.

Chapter 5

Collections and Research Collections of artworks, scientific specimens, historical artifacts, and other objects no longer can be found at all museums and related facilities. However, collections still are the heart of most museums and their research, and are located even at some contemporary art, science, and other types of facilities that emphasize exhibits rather than objects. Collections range from a few hundred to millions of objects and specimens, varying according to the fields and the role of collections. In general, small museums have fewer items in collections than large facilities, and research-oriented science museums have more specimens in their collections than other types of museums and related facilities. But a collection may be just as important or valuable because of its age, worth, or history. Collections usually are invaluable and support the mission of a museum, as stated by the McKissick Museum at the University of South Carolina: McKissick Museum’s collections in material culture, natural science, and decorative and fine arts support its mission of documentation and education relating to the cultural heritage and natural environment of South Carolina and the Southeast.

ART COLLECTIONS Collections of artworks are essential to art museums, which depend upon them for their exhibits, research, educational programs, and other activities. The Harvard Art Museums,

The nation’s largest collegiate art collection is located at the Harvard Art Museums, which consists of three museums—Fogg Museum, Busch-Reisinger Museum, and Arthur M. Sacker Museum. The collection totals more than 250,000 objects. The three museums have their own staffs, collections, and exhibits and sometimes present joint exhibits, such as Re-view Exhibition, which features modern and contemporary works from the Fogg and Busch-Reisinger collections in the “European and American Art since 1900” gallery (depicted here). Courtesy of Harvard Art Museums. © President and Fellows of Harvard College.

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which consists of three art museums, has more than 250,000 objects in its collections—the largest college/university art collection. The three museums—Fogg Museum, BuschReisinger Museum, and Arthur M. Sacker Museum—each have their own histories, collections, and exhibits. The Fog Museum is devoted to the art of Europe and North America from the Middle Ages to the present; the Busch-Reisinger Museum specializes in the arts of the German-speaking countries of central and northern Europe; and the Arthur M. Sacker Museum houses the university’s collection of ancient, Asian, and Islamic art. Yale University Art Gallery has more than 185,000 objects in its collections, including virtually all cultures and periods from ancient times to the present, while the Yale Center for British Art contains 1,900 paintings, 20,000 drawings and watercolors, 30,000 prints, 100 sculptures, 200,000 black-and-white photographs, and 30,000 books and manuscripts from the sixteenth century onward. Another large collection is at Princeton University Art Museum, which over 72,000 works of art that range from ancient to contemporary art, with concentrations on the Mediterranean region, Western Europe, China, United States, and Latin America. Among the other art museums with extensive collections are the Florida International University’s Wolfsonian-FIU Museum, containing over 120,000 artworks and artifacts mainly form North America and Europe dating largely from 1885 to 1945; Hood Museum of Art at Dartmouth College, with nearly 65,000 works representing the diverse artistic traditions of Europe, Asia, and the United States; Spencer Museum of Art at the University of Kansas, with over 36,000 works of art that span the history of European, North American, and Eastern Asia art; and Herbert F. Johnson Museum of Art at Cornell University, with more than 30,000 works primarily in Asian art and European and American prints, drawings, and photographs. Most art galleries have little or no collections or research, and are devoted entirely to organizing temporary exhibitions and/or using loan and traveling exhibitions. But some do have their own collection, or utilize the university or college’s collection. Among those galleries with collections are the David Winton Bell Gallery, Brown University, with over 4,000 works from 1500 to the present, and University Art Gallery, New Mexico State University, containing more than 3,000 paintings, prints, graphics, and photographs. The SU Art Galleries at Syracuse University feature selections from the university’s permanent collection of 45,500 art and ethnographic objects, while the Hearst Art Gallery at St. Mary’s College of California exhibits works from the college’s collection of over 4,000 art objects that include works by such artists as Touluse Lautrec, Andy Warhol, William Saroyan, and William Keith.

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MILLIONS OF SPECIMENS AND OBJECTS The largest academic collections run into the millions at research-oriented museums in the natural sciences. The collections usually consist of specimens and objects used primarily in scientific research, as well as in teaching and exhibitions. They often are small specimens stored in hundreds of drawers and on shelves, but they sometimes also are as large as dinosaur fossils or mounted animals. Two of the largest collections in natural history are at the Florida Museum of Natural History at the University of Florida and the Yale Peabody Museum of Natural History. The Florida museum has more than 30 million specimens of amphibians, birds, butterflies, fish, mammals, mollusks, reptiles, vertebrate and invertebrate fossils, recent and fossil plants, and associated databases and libraries. The Peabody museum has over 20 million specimens and objects in such fields as anthropology, botany, entomology, mineralogy, paleontology, zoology, meteorites and planetary science, and historical scientific instruments collection. The University of Nebraska State Museum, a natural history museum, contains 15 million objects in its collections in anthropology, botany, entomology, geology, malacology, parasitology, and meteorites. Among the other natural history museums with large collections are the Burke Museum of Natural History and Culture, over 12 million specimens and artifacts in anthropology, arachnology, archaeology, ethnology, geology, herpetology, ichthyology, mammalogy, ornithology, and paleontology; University of Kansas Natural History Museum, 8 million specimens of plants and animals and 1.2 million archaeological artifacts; Texas Natural Science Center Texas Memorial Museum, University of Texas at Austin, 5.7 million specimens in biology, entomology, geology, herpetology, ichthyology, and paleontology; and Bell Museum of Natural History, University of Minnesota Twin Cities, nearly 4 million specimens relating to the state’s animal and plant life. In the field of archaeology and ethnology, the Peabody Museum of Archaeology and Ethnology at Harvard University has one of the most comprehensive records of human cultural history in the Western Hemisphere and extensive research programs. It holds a collection of over 6 million objects, 500,000 photographic images, and substantial archival records. The Phoebe Apperson Hearst Museum of Anthropology at the University of California at Berkeley houses a 3.8-million collection of objects from throughout the world, while the Arizona State Museum at the University of Arizona is the oldest and largest anthropology museum in the Southwest, with a collection of more than 150,000 catalogued archaeological and ethnographic artifacts, over 350,000 photographic negatives and original prints, and 70,000 volumes, including many rare titles. Its Southwest Indian pottery collection of 20,000 is the largest whole-vessel collection in the world. In entomology, the R. M. Bohart Museum of Entomology at the University of California, Davis, has more than 7 million curated arthropod specimens and a growing rate of about

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50,000 specimens a year, and the Essig Museum of Entomology at the University of California, Berkeley, contains 4.5 million insects and terrestrial arthropods in its research collection. The Entomology Research Museum at the University of California, Riverside, has approximately 3 million specimens, with strong holdings in native wild bees and Chalcidoid wasps, and the Frost Entomology Museum’s collection at Pennsylvania State University includes over 2 million insects and related arthropods representing at least 15,000 species. Harvard University’s Museum of Comparative Zoology, which focuses on the comparative relationships of animal life, has the largest university collection in zoology, consisting of approximately 21 million extant and fossil invertebrates and vertebrate specimens. It is one of the world’s richest and most varied resources for studying the diversity of life. Among the other museums with extensive collections are the University of Michigan Museum of Zoology, which focuses on the evolutionary origins of the planet’s animal species and has a collection of amphibians, birds, fishes, insects, mollusks, mammals, and reptiles; Museum of Vertebrate Zoology at the University of California, Berkeley, holds over 640,000 specimens, the largest in its field; and the University of Wisconsin Zoological Museum in Madison that is dedicated to the preservation, study, and understanding of vertebrate and aquatic fauna in Wisconsin, the Midwest, and other parts of the world and has a collection of about 500,000 specimens. The largest university paleontology collection in the world is located at the University of California Museum of Paleontology in Berkeley. It seeks to investigate and promote the understanding of the history of life and the diversity of the Earth’s biota. The Museum of Paleontology at the University of Michigan has a collection of over 2.5 million specimens organized into four subdivisions—invertebrate paleontology, micropaleontology, paleobotany, and vertebrate paleontology. The University of Nebraska State Museum has two paleontology museums at active excavation sites in western Nebraska—the Ashfall Fossil Beds State Park and Fort Robinson State Park, site of the Trailside Museum of Natural History. Fossils also are part of the collections at many campus geological and mineralogy museums. The Thomas A. Greene Memorial Museum at the University of WisconsinMilwaukee has about 75,000 fossil pieces, mostly from southeastern Wisconsin. Among the other geology/mineralogy museums with large collections are Pennsylvania State University’s Earth and Mineral Sciences Museum and Art Gallery, with more than 22,000 rock, mineral, and fossil specimens and the largest collection of mining-related paintings and sculpture; Stetson University’s Gillespie Museum, containing over 20,000 rocks, minerals, and fossils; University of New Mexico’s Geology Museum, which has nearly

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20,000 catalogued mineral, fossil, and rock specimens; and the University of Arizona Mineral Museum, with more than 19,000 minerals in the main collection and 7,000 in a micromount collection. Among the museums devoted only to meteorites are the Center for Meteorite Studies at Arizona State University, with over 1,600 separate meteorite falls and finds; Oscar E. Monnig Meteorite Gallery, Texas Christian University, containing 3,000 specimens from 400 different meteorites; and Meteorite Museum, University of New Mexico, which displays many meteorites from the university’s Institute of Meteorites collection of over 600 different meteorites. The natural sciences have a wide range of collections in their museums, gardens, arboretums, herbariums, and nature centers. In addition to plants and other materials, the Botanical Museum of Harvard University has a prized collection of over 4,000 “glass flowers” representing over 840 species. At Cornell University, the L. H. Bailey Hortorium, which functions as a horticultural and botanical museum, contains an 800,000-sheet herbarium, 132,000 nursery and seed catalogue collection, vascular plants, and natural history and botany objects. The Hunt Institute for Botanical Documentation at Carnegie Mellon University has a collection of approximately 29,000 books; 30,000 portraits; 30,000 watercolors, drawings, and prints; and 2,000 autograph letters and manuscripts related to botany. Among the botanical gardens with extensive collections are the North Carolina Botanical Garden at the University of North Carolina at Chapel Hill, with over 600,000 plant specimens; University of California Botanical Garden at Berkeley, 13,000 different types of plants from around the world; W. J. Beal Botanical Garden, Michigan State University, over 2,000 plant taxa from 5,000 species; Mildred E. Mathias Botanical Garden, University of California, Los Angeles, about 5,000 species in 225 families; and University of California Riverside Botanic Gardens, more than 3,500 plant species. Some institutions have specialized gardens and collections, such as the Lady Bird Johnson Wildflower Center, University of Texas at Austin, and the UCLA Hannah Carter Japanese Garden, University of California, Los Angeles. Still others are combination botanical facilities, including Michigan State University’s Hidden Lake Gardens that is a 755-acre botanical garden and arboretum with more than 2,500 species of woody plants, and the University of Minnesota’s Minnesota Landscape Arboretum, which also has 32 display and specialty gardens and 48 plant collections representing more than 5,000 plant species. Academic arboretums range from small campus collections of trees to multi-acres of trees and other plants. Harvard University’s 265-acre Arnold Arboretum has a living collection of 15,176 plants, one of the largest and best documented collections of trees, shrubs, and vines, and the University of Pennsylvania’s 92-acre Morris Arboretum contains more than 13,000 labeled plants of over 2,500 types. Among the other arboretums

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with extensive collections are the University of Utah’s 1,500-acre Red Butte Garden and Arboretum, which contains over 9,000 specimens of trees and shrubs from around the world and 25 acres of formal gardens; Fullerton Arboretum at California State University, Fullerton, over 4,000 world-wide plant species on 25 acres; Scott Arboretum of Swarthmore College, more than 4,000 kinds of ornamental plants over 300 acres; Haverford College Arboretum, with over 1,500 labeled trees on 300 acres; and Missouri State Arboretum at Northwest Missouri State University, more than 1,300 trees representing over 125 species. Cornell Plantations at Cornell University incorporates many elements of the botanical sciences. It has a 150-acre arboretum, a 25-acre botanical garden, and gardens on the campus, and protects and manages over 40 natural areas with nearly 4,300 acres of diverse habitats. Some universities have large forests, including Harvard University, which operates Harvard Forest, a 3,000-acre ecological research and education complex with a forestry museum in Petersham, Massachusetts, and Michigan State University has the Fred Russ Forest, a 970-acre experimental forest used for research, teaching, and outreach activities in Decatur, Michigan. Many colleges and universities have herbariums, but not all are open to the public. The Harvard University Herbaria, with more than 5 million specimens, is the largest university owned herbarium in the world. It is one of the three research-oriented museums that are part of Harvard Museum of Natural History. Among the others with large collections are the University and Jepson Herbarium at the University of California, Berkeley, which has approximately 2.2 million specimens; University of Wisconsin-Madison Herbarium, containing over 1 million dried and labeled plants; University of North Carolina Herbarium, with more than 750,000 labeled specimens of plants, algae, fungi, and fossils; and Michigan State University Herbarium, which has over 500,000 specimens from more than 1,800 species. Some science and technology museums and centers have collections, and others consist primarily of hands-on exhibits. The collection-oriented historical science museums include Harvard University’s Collection of Historical Scientific Instruments, which has over 20,000 objects dating from 1400 to the present; Monroe Moosnick Medical and Science Museum, with a collection of early scientific equipment, anatomical models, and botanical paintings used in teaching, Transylvania University; and Oesper Museum of Chemical Apparatus, which has a collection of early chemical laboratory equipment, University of Cincinnati. Planetariums and observatories usually do not have collections, although some have exhibits and/or small collections of telescopes, meteorites, space equipment, or astronomical photographs. The John C. Wells Planetarium at James Madison University displays meteorites in its lobby from the JMC Meteorite Collection, and the Abrams Planetarium

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The Birch Aquarium at Scripps, a part of the Scripps Institution of Oceanography at the University of California, San Diego, has extensive exhibit, education, and research programs. The aquarium, founded in 1903, contains more than 5,000 animals representing 380 species and has about 60 tanks of Pacific fishes and invertebrates. This photo shows the aquarium’s seaside site in La Jolla. Courtesy of Birch Aquarium at Scripps, University of California, San Diego.

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at Michigan State University has an exhibit hall and art gallery with objects from its collections. Astronomical and space exploration equipment collections and exhibits are more likely to be found at planetariums that have science centers or observatories with visitor centers, such as the Cernan Earth and Space Center at Triton College, which has space artifacts, and the Fred Lawrence Whipple Observatory Visitors Center, part of the Harvard-Smithsonian Center of Astrophysics, which contains a telescope collection. Few colleges and universities have marine science museums or aquariums, but where they are located they generally have large collections of fish and other marine specimens. The College of William and Mary College’s Virginia Institute of Marine Sciences at Goucester Point has a visitor center with exhibits and a fish collection of approximately 20,000 catalogued lots of fish that comprise 128,000 specimens in 247 families. At the University of California, San Diego, the Birch Aquarium at Scripps at the Scripps Institution of Oceanography contains more than 5,000 animals representing 380 species, as well as about 60 tanks of Pacific fishes and invertebrates. The University of Hawaii’s Waikiki Aquarium holds more than 3,500 marine animals and over 500 species of aquatic animals and plants. In the medical, dental, and related health fields, most of the museums have historical collections. Among the collections are the Dittrick Museum of Medical History at Case Western Reserve University, consisting of more than 50,000 medical artifacts, rare books, archives, and images; Warren Anatomical Museum at Harvard University, with 15,000 objects in the history of medicine and health education; and such library/museums as the Harvey Cushing/Jay Hay Whitney Medical Library at Yale University and the Michael E. DeBakey Library and Museum at Baylor University, which have collections of medical books, journals, papers, photographs, and other objects. COLLECTIONS IN OTHER FIELDS Every field has its collections—even presidential libraries and museums operated by the federal government, but located on academic campuses. These presidential library/museums have the largest collections among museums and related facilities at universities and colleges. The Lyndon Baines Johnson Library and Museum at the University of Texas at Austin contains 45 million pages of historical documents from the public career of President Johnson and close associates, as well as such other materials as historical documents, photographs, films, videotapes, audio recordings, books, and serials. The George Bush Presidential Library and Museum at Texas A&M University holds 43 million pages of personal papers and official documents from the presidency and vice presidency and the records of associates connected to President Bush’s career. It also has a wealth of additional materials. The Gerald R. Ford Library at the University of Michigan (the presidential museum is located in his hometown of Grand Rapids) has 25 million pages of memos, letters, meeting notes, reports, and other historical documents; 500,000

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audiotapes; and such other materials as photographs, news broadcasts, speeches, press briefings, films, and campaign commercials. Most academic museum collections do not come close to the collections of presidential libraries and museums. However, as indicated in the foregoing section, some collectionoriented science museums have large collections. The sizes of collections in all fields vary greatly. This section highlights some of the collections in fields beyond art and science. Some historical museums, houses, and sites have extensive collections and/or exhibits, while others honor historical figures and/or preserve and interpret historic places. One of the largest collections is at the Panhandle-Plains Historical Museum at West Texas A&M University, which has more than 3 million artifacts. Other historical museums with substantial collections are the Evergreen Museum and Library, an 1878 mansion with over 50,000 of the donor’s family furnishings, art, and other possessions, Johns Hopkins University; Kentucky Library and Museum, approximately 50,000 artifacts and 100.000 archaeological objects; and West Point Museum, and U.S. Military Academy, 45,000 military and other objects from ancient times to the present. The former homes of presidents, military leaders, business leaders, authors, artists, and others with distinguished careers have become academic historic house museums containing collections with many of their belongings, such as the Ash Lawn-Highland, the 1799 home and 535-acre working plantation of President James Monroe, College of William and Mary; Emily Dickinson Museum: The Homestead and The Evergreens, which celebrates the life of the famous poet in the nineteenth century at her home, Amherst College; and Lee Chapel and Museum, honoring General Robert E. Lee, the Confederate Army leader during the Civil War and university president, Washington and Lee University. Many other collection-oriented historic structures and sites also have become a academic museums, including The Rotunda, an 1822-26 university library designed by Thomas Jefferson, University of Virginia, and Historic New Harmony, the site of two early 1800s utopian communities, University of Southern Indiana. In some cases, historic structures have been brought together as collections to form outdoor museums on university campuses, such as the National Ranching Heritage Center, with 38 relocated early ranch structures, Texas Tech University, and Governor Bill and Vara Daniel Historic Village, containing 15 authentic buildings reflecting agricultural life from 1880 to 1910, Baylor University. At the Conner Prairie Interactive Historical Park, a living history pioneer village has been re-created around an 1823 home and farm, Earlham College. Some of the largest collections can be found at library museums, such as the Amherst College’s Folger Shakespeare Library and Harvard University’s Dunbarton Oaks Research Library and Collection in Washington The Folger has 256,000 books, 60,000 manuscripts, 250,000 playbills, 200 oil paintings, 50,000 drawings, watercolors, prints, and photo-

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graphs, as well as collections of musical instruments, costumes, and films. The Dunbarton has 125,000 volumes, about 10 acres of gardens, and exhibits from its art, rare books, and other collections. Baylor University has the Armstrong Browning Library, which is devoted to the lives, poetry, and books of Robert and Elizabeth Browning and has permanent exhibits and changing exhibitions largely based on its collections. Many campus libraries have special collections of artworks, historical objects, and/or other materials that they use in organizing exhibitions. Pennsylvania State University, which has 36 libraries at 24 locations in the state and nearly 5 million items in its collections, presents exhibits from its collections in many of the libraries, including the two largest facilities—Pattee and Paterno libraries—and such specialized libraries as the architecture/landscape architecture and earth/mineral sciences libraries on the main campus. Indiana University’s Lilly Library, with approximately 400,000 books, over 7.5 million manuscripts, and more than 100,000 pieces of sheet music, has three galleries that display selections from its collections. At Princeton University, the Harvey S. Firestone Library contains four galleries, lobby exhibit cases, and an online exhibit program featuring it collections. The Harry Ransom Center, a humanities research library and archive at the University of Texas at Austin, offers changing exhibitions from its collection of over 36 million literary manuscripts, 1 million rare books, 5 million photographs, and 100,000 works of art. Campus libraries also are the site of other museums and galleries. The Oglethorpe University Museum of Art is housed in the Philip Weltner Library; Louisiana Tech Museum, a general museum, in Prescott Memorial Library at Louisiana Tech University; and Museum of Anthropology in Meriam Library at California State University, Chico. Numerous art galleries also are located at libraries, including the Coe College, Guilford College, and Thomas College art galleries. Costumer, textile, and fashion museums have extensive collections of historical and/or contemporary collections. The Design Center at Philadelphia University has a collection of approximately 200,000 historical and contemporary textiles and related objects. Other collections include the Fashion Institute of Technology’s Museum of FIT, which has more than 50,000 historic and contemporary garments and accessories, over 30,000 textiles, and around 15,000 accessories, including shoes, hats, and bags; University of Minnesota’s Goldstein Museum of Design, with about 26,000 apparel, textile, graphic design, and decorative arts objects; and University of Rhode Island’s Historic Textile and Costume Collection, containing nearly 20,000 textiles, costumes, and other materials from throughout the world. Texas Woman’s College has a most unusual collection—the Texas First Ladies Historic Costume Collection—which consists of 42 gowns worn by the wives of Texas governors, presidents of the Republic of Texas, and several presidents and vice presidents.

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Music museums are mainly collections of historic instruments. The National Music Museum at the University of South Dakota has one of the largest collections of musical instruments and other materials, totaling over 15,000 American, European, and nonWestern instruments and other holdings from virtually all cultures and historical periods. The Charles H. Templeton, Sr. Music Museum at Mississippi State University has over 200 instruments, and also 22,000 pieces of sheet music and 13,000 recordings. At the University of Michigan, the Stearns Collection of Musical Instruments contains more than 2,500 period and modern Western and non-Western musical instruments. The Yale University Collection of Musical Instruments consists of nearly 1,000 instruments, most of which document the history of Western European and American art music traditions. Nearly all religious museums and galleries also have collections, usually of religious records, artifacts, Bibles, and/or art. The Mennonite Library and Archives at Bethany College has 35,000 books and many artworks and archival materials related to the Anabaptist and Mennonite movements. The Jewish Museum at Jewish Theological Seminary of America in New York City has more than 26,000 objects that include archaeological artifacts, ethnographic materials, ceremonial objects, fine art, and other materials, and the Hebrew Union College-Jewish Institute of Religion’s Skirball Cultural Center Museum in Los Angeles contains about 25,000 archaeological artifacts, art, manuscripts, photographs, and other Jewish historical and cultural objects. Among the other collections are 8,000 artworks and other objects at Glencairn Museum, Bryn Athyn College; over 900 Bibles and other materials, Baker University; and more than 300 historic Bibles and many archaeological materials, Badè Museum of Biblical Archaeology at the Pacific School of Religion. Agricultural museums also have mostly historical objects. The New Jersey Museum of Agriculture at Rutgers University contains more than 3,500 agricultural and household implements, farm equipment, trade tools, and scientific instruments, and Pennsylvania State University’s Pasto Agriculture Museum has over 1,200 historical items, including more than 850 antique implements use for farm and home work when it was performed only by human and animal power. The State Agriculture Heritage Museum at South Dakota State University has collections relating to the technology, crops, livestock, human experiences, institutions, and cultures of he state. At the Northwest Missouri State University, the Agriculture Museum has a collection that includes tools used by blacksmiths and cobblers, as well as wrenches, horseshoes, butter churns, branding irons, and other such items. In photography, 100,000 images in the University of Kentucky Photographic Collections trace the history of photography, the state, Appalachia, and surrounding areas from the late nineteenth century. The Center for Creative Photography at the University of Arizona has more than 80,000 works by over 2,200 photographers. Among the other photography

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museum with collections are the UCR/California Museum of Photography at the University of California, Riverside, which has an extensive collection consisting of five inter-linked collections of prints, negatives, and equipment; Museum of Contemporary Photography at Columbia College Chicago, 9,000 photographs and related objects; and Southeast Museum of Photography, Daytona State College, more than 3,500 photographs. Ethnic museums and galleries take many different forms of history, art, and science museums and galleries—many with sizeable collections. One of the largest collections is at the Amistad Research Center at Tulane University, which contains over 15 million documents and other materials relating to African American history and race relations. Some of the more typical collections include more than 20,000 Native American artifacts and artworks, Ataloa Lodge Museum, Bacone College; over 15,000 items relating to Jewish history, culture, and art, Spertus Museum, Spertus Institute of Jewish Studies; more than 9,000 objects representing African American and other people and cultures around the world, Hampton University Museum; over 8,000 Jewish cultural and religious artifacts and artworks, Yeshiva University Museum; and more than 7,000 works of contemporary Native American art, Museum of Contemporary Native Arts, Institute of American Indian Arts. General museums seem to have a little of everything in their collections. The multifaceted Museum of Texas Tech University has a collection of over 5 million objects in the arts, humanities, and sciences. Other representative collections include more than 70,000 objects in history, archaeology, and natural history at Arkansas State University Museum; over 50,000 objects in the sciences, humanities, and arts at the University Museum, Southern Illinois University at Carbondale; more than 30,000 archaeological, historical, art, and numismatic objects at the Museum of History, Anthropology, and Art Museum, University of Puerto Rico; 17,000 objects in art, archaeology, ethnology, and history, Yager Museum of Art and Culture, Hartwick College; and approximately 11,000 objects that include fine and decorative art, historical memorabilia, scientific instruments, Greek and Roman antiquities, and other objects, University of Mississippi Museum.

Chapter 6

Exhibits and Programs Exhibits and programs at academic museums, galleries, and related facilities vary widely. In exhibits, many simply put objects from their collections—or loan or traveling exhibitions—with explanatory labels on display. Some create interpretive exhibits with or without artifacts. A historic house or site sometimes can be an exhibit by itself. Other museums have living history-costumed interpreters who relive the past, or “hands-on” exhibits, sometimes with objects, videos, and/or films. Planetariums and observatories rely upon astronomical shows and stargazing. And still others enable visitors to experience nature outdoors or view botanical or sculpture gardens, or some combination of the foregoing approaches. Nearly every college and university museum and related facility has some form of programming, usually of an educational nature. They include such offerings as guided tours, school group programs, gallery talks, field trips, summer camps, lectures, teacher workshops, and outreach programs to schools and communities. Some also have such special events as art shows, school science fairs, open houses, and other such related programs. It usually follows that the larger the institution and/or budget, the more educational and other programs.

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COLLECTION-BASED EXHIBITS Selections from collections usually are exhibited on gallery walls at art museums and galleries, and sometimes in display cases, on pedestals or the floor, or in sculpture courts or gardens. The most common exhibit is the collection-based display featuring selections from an institution’s collections. Such exhibits generally are found at art museums and some galleries, as well as historically-oriented museums that rely upon collections. Paintings, prints, and graphics usually are mounted on gallery walls, but other collection objects may be in glass cases, mounted on pedestals, displayed on the floor, or placed in sculpture courts or outdoor gardens. Small delicate, historical, or valuable objects generally are protected in cases, while larger pieces more often are displayed on museum floors or grounds, usually with protective barriers. Research-oriented science museums with collections often have specimens behind glass, in drawers, and on shelves. In the botanical sciences, the exhibits usually are the collections in gardens, arboretums, herbariums, and nature centers. Science and technology centers, on the other hand, generally have few collections and emphasize constructed exhibits with interactive techniques. At planetariums and observatories, which rarely have collections, it is the experience of seeing projected astronomy shows or the stars in the night sky that are the main attractions. The exhibits at art museums differ widely, varying with their missions, collections, curators, and management preferences. The Hammer Museum at the University of California, Los Angeles, is known for its collections and exhibits of Impressionist and post-Impressionist art, while the Yale Center for British Art reflects the development of British art, life, and thought from the Elizabethan period to the present. At Stanford University, the Iris and B. Gerald Cantor Center for Visual Arts features an outdoor sculpture collection that includes figurative and abstract works by artists from the nineteenth century to the present, including Auguste Rodin. The Robert V. Fullerton Art Museum at the California State University, San Bernardino, emphasizes ancient Egyptian art. Spanish art from the 1550s to nearly the eighteenth century is the focus of the Meadows Museum at Southern Methodist University. The Fogg Museum at Harvard University specializes in the art of Europe and North America from the Middle Ages to the present, while the Institute of Contemporary Art at the University of Pennsylvania is dedicated to innovative contemporary art. Virtually all art museums also organize special exhibitions and sometimes show loan and traveling exhibitions. Many art museums have sculpture courts or gardens, and some have or manage collections of historical and contemporary sculptures on the university and college grounds. Tufts University Art Gallery presents three exhibitions a year in its Remis Sculpture Court; Smart Museum of Art at the University of Chicago has an adjacent outdoor sculpture garden; and Ulrich Museum of Art at Wichita State University has 70 sculptures around the campus. An entire museum devoted to sculpture—the Marshall M.

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Fredericks Sculpture Museum—is located at Saginaw Valley State University, and some colleges and universities have self-contained outdoor sculpture gardens, such as the Franklin D Murphy Sculpture Garden at the University of California, Los Angeles, and Elizabeth and Bryon Anderson Sculpture Garden at Iowa State University. Campus art galleries mainly present changing exhibitions of regional, national, and international artists, as well as the works of students, faculty, and alumni and loan and traveling exhibitions. Some galleries also have collections or use those of the art department or the university as a source of exhibitions. Among the galleries that have collections from which some exhibitions are based are SU Art Galleries, 45,000 fine art and ethnographic objects, Syracuse University; J. Wayne Stark Center Galleries, more than 9,000 works, many by Texas artists, Texas A&M University; and Samek Art Gallery, over 5,000 mostly modern and contemporary works; Bucknell University. Some of the Kent State University School of Art Galleries exhibitions come from the art school’s collection of over 3,000 pieces, ranging from African art to contemporary American masters. Grinnell College’s Faulconer Gallery has access to the college’s collection of more than 5,000 paintings, photographs, and sculpture, and the Wriston Art Center Galleries at Lawrence University sometimes produces exhibitions from the university’s collection of over 3,000 prints, drawings, paintings, and three-dimensional works. Historical museums, houses, and sites largely rely on their collections for long-term exhibits and temporary exhibitions. The Museum at Southwestern Michigan College has historical exhibits about the college and area with artifacts from its 20,000 collection; Virginia Military Institute Museum preserves and interprets the heritage of the institute with materials from its collection of 15,000 artifacts and other objects; and the Panhandle-Plains Historical Museum at West Texas A&M University uses items from its collection of over 3 million in 14 large permanent exhibits dealing with such diverse subjects as dinosaurs, modern art, saddles, and automobiles, as well as changing exhibitions. Collection artifacts also are used to tell the stories of historical figures and buildings at such museums as Sam Houston State University’s Sam Houston Memorial Museum at the pioneer leader’s restored 15-acre homestead; Tusculum College’s President Andrew Johnson Museum and Library at the nation’s seventeenth president’s 1841 home; Tuskegee University’s George Washington Carver Museum, a National Historic Site, located in the famous scientist’s laboratory building; and University of Mississippi’s Rowan Oak, Home of William Faulkner, the Nobel Prize-winning author. Some colleges and universities actually have collections of historic house museums that are managed as a group, such as five mid-nineteenth campus buildings (known as Historic Bethany) at Bethany College and four l700s and 1800s buildings at Clemson University.

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The University of Southern Indiana also works with the state in preserving and interpreting 12 historic structures from the 1814-27 utopian settlement period in Historic New Harmony. A number of historic towns and periods have been re-created with collection artifacts at universities and colleges, including Daniel Boone Home and Boonesfield Village, a re-created 1801-50 pioneer village that includes the frontiersman’s actual home, Lindenwood University; Spindletop-Gladys City Boomtown Museum, located at the site of the nation’s first major oil field, Lamar University; East Texas Oil Museum, a re-created town where oil was found and produced in the early 1930s, Kilgore College; Rural Life Museum and Windrush Gardens, a re-created nineteenth-century plantation with authentically furnished buildings that reflect life on a typical working plantation of the period, Louisiana State University; and Conner Prairie Interactive Historical Park, a living history outdoor museum that features a re-created 1836 rural settlement and costumed interpreters, Earlham College. Many other types of academic museums and galleries also have historically-based collections and exhibits. The Harvey S. Firestone Library at Princeton University has four galleries, lobby exhibit cases, and an online exhibit program featuring historical materials from the Department of Rare Books and Special Collections. At Yale University, the Harvey Cushing/John Hay Whitney Medical Library and its connecting History Library have exhibits from their collections. Among costume, textile, and fashion museums, the Cornell Costume and Textile Collection at Cornell University presents exhibits from its collection of early apparel and ethnographic textiles and costumes; the Goldstein Museum of Design at the University of Minnesota Twin Cities uses selections from a collection of apparel, textiles, graphic design, and decorative arts objects in exhibits; and The Design Center of Philadelphia University explores the design arts and their relationship to the communal past and present, with examples from its collection of approximately 200,000 textiles and costumes dating from the first century to the present from nearly every country in the world. Among religious museums, collections are the source of exhibits on history, culture, and religion at the Hebrew Union College-Jewish Institute of Religious Museum in New York City; church records at the Virginia Baptist Historical Society Archives at the University of Richmond; religious archaeology at the Tandy Archaeological Museum at Southwestern Baptist Theological Seminary; Bibles at the Quayle Bible Collection at Baker University; and art at the Museum of Contemporary Religious Art at St. Louis University. Ethnic museums like the National Afro-American Museum and Cultural Center at Wilberforce University, Haskell Indian Nations University Cultural Center and Museum, and St, Andrews Scottish Heritage Center at St. Andrews Presbyterian College also rely on their historical collections for exhibits.

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In the music field, the Stearns Collection of Musical Instruments at the University of Michigan exhibits historic instruments from its collection of over 2,500 period and modern Western and non-Western musical instruments. At Pennsylvania State University’s Pasto Agricultural Museum, many of its more than 1,200 historical items are displayed in exhibits about early agriculture and rural life in the state and northeastern region. The Southeast Museum of Photography at Daytona State College presents about 20 exhibitions each year from its collection of vintage and contemporary photographs. In sports, the Texas A&M Sports Museum uses photographs, equipment, and memorabilia from its collection in exhibits about exceptional players, and interactive computers and videos on outstanding athletes, plays, and memorable moments. The McKissick Museum, a general museum at the University of South Carolina, has an extensive collection and exhibits of material culture, natural science, and decorative and fine arts related to the social, cultural, and scientific development of the state and the Southeast. Most science museums also depend upon their collections for many if not all of their exhibits. The Beneski Museum of Natural History, Amherst College displays 1,700 specimens from its collection of more than 200,000 objects spanning a dozen different types of natural history materials, while the Monte L. Bean Life Science Museum at Brigham Young University features exhibits of animals, birds, insects, shells, fishes, reptiles, amphibians, plants, and ecosystems from its collection of over 2,685,000 specimens. At the University of Arizona Mineral Museum, 2,000 minerals are exhibited from its collection of 19,000 specimens. Some research-oriented science museums do not have extensive exhibits and others are open only to researcher scientists. The Entomology Research Museum at the University of California, Riverside, has about a dozen exhibit cases with exotic insects, and the University of Wisconsin Zoological Museum in Madison contains a small gallery with exhibits from its collection. The Essig Museum of Entomology, which has a collection of 4.5 million insects and terrestrial anthropods at the University of California, Berkeley, and the Museum of Anthropology at the University of Michigan, with over 3 million in anthropology, archaeology, and ethnology, are closed to the public. The Museum of Paleontology at the University of Michigan, with a collection of more than 2.2 million fossils and other specimens, also is open only to researchers, but it does curate paleontology exhibits at the university’s Exhibit Museum of Natural History. The Museum of Vertebrate Zoology at the University of California, Berkeley, is open to the public at an open house one day a year. However, its building has dinosaur specimens on display in the lobby and some hallways. Some science museums with collections are publicly oriented, such as the Kansas State University Insect Zoo and Santa Fe Community College Teaching Zoo. The Insect Zoo gives visitors an opportunity to experience the sights, sounds, and smells of giant

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cockroaches, beetles, giant walking and prickly sticks, praying mantises, centipedes, scorpions, tarantulas, and other insects. The Teaching Zoo, located in a 10-acre wooded area, has a diverse collection of mammals, birds, reptiles, and amphibians used in training animal professionals and public education. Excavations, collections, research, and exhibits of fossils and other specimens at two state historical parks in western Nebraska are part of the University of Nebraska State Museum, a natural history museum in Lincoln. The state museum’s satellite Trailside Museum of Natural History at Fort Robinson State Park near Crawford features the fossils of two large bull mammoths whose tucks were locked together during an Ice Age battle for dominance over 10,000 years ago. The Ashfall Fossil Beds State Historical Park near Royal has a visitor center with exhibits, a fossil preparatory laboratory, and the Hubbard Rhino Barn, all staffed by the university’s paleontologists and interpreters. The Rhino Barn displays the skeletons of rhinos and other animals who died from volcanic ash about 12 million years ago and are preserved in their death positions at what was a water hole. The plants, trees, and animals are the collections, exhibits, and subjects of research at botanical gardens, arboretums, herbariums, and nature centers. They include such places as the University of California Botanical Garden, Berkeley, with over 13,000 different types of plants from around the world; University of Minnesota’s Minnesota Landscape Arboretum in Chasta, which has 32 display and specialty gardens, 48 plant collections, more than 5,000 plant species and varieties, and 12½ miles of garden paths and hiking trails; Herbarium of the University of Michigan, containing nearly 1.6 million specimens of vascular plants, algae, bryophytes, fungi, and lichens; and Albion College’s Whitehouse Nature Center, which has an arboretum, herbarium, and interpretive center. Some botanical facilities also have museums with collections, research, and exhibits, such as the Harvard Forest and Fisher Museum of Forestry; Clemson University’s South Carolina Botanical Garden, site of the Bob Campbell Geology Museum; and Antioch College’s Glen Helen Nature Preserve and Trailside Museum. HISTORICAL AND CONTEMPORARY Science and technology museums and centers basically fall into two categories—those that emphasize historical collections and research and those that are contemporary science centers with hands-on exhibits (and sometimes with a small collection). Among those with historical collections and displays are Harvard University’s Collection of Historical Scientific Instruments, with over 20,000 objects dating from about 1400 to the present; Monroe Moosnick Medical and Science Museum at Transylvania University; and Oesper Museum of Chemical Apparatus at the University of Cincinnati. The Cranbrook Institute of Science, which started as a natural history museum at the Cranbrook Educational Community and evolved into a hands-on science center, still has some natural history collections and exhibits.

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Other science centers with interactive exhibits include the Lawrence Hall of Science, which presents an overview of the major sciences with hands-on exhibits and activities, University of California, Berkeley; UA Science: Flandrau, which began as a planetarium and now features interactive science exhibits at the University of Arizona; Da Vinci Science Center, located at Cedar Crest College, which seeks to develop young people’s curiosity, imagination, and creativity in the sciences; and Idea Place, dedicated to awakening the excitement of learning through interactive exploration of scientific phenomena, Louisiana Tech University. The MIT Museum at Massachusetts Institute of Technology combines historical objects with interactive exhibitry in inviting the public to explore invention, ideas, and innovation. Some planetariums also have astronomical science centers that combine artifacts and hands-on exhibits, such as the Cernan Earth and Space Center at Triton College, Coca-Cola Space Science Center at Columbus State University, and Fiske Planetarium and Science Center at the University of Colorado at Boulder. EDUCATIONAL PROGRAMMING Some form of educational programming is offered by almost every academic museum and related facility. Among the most common programs are school programs, guided tours, and gallery talks. Other programs include art or science classes, teacher workshops, films and videos, lectures, science demonstrations, summer camps, field trips, symposia, publications, concerts, travel tours, special events, outreach programs, and online offerings. The Yale Center for British Art has one of the most comprehensive educational programs. It includes school group tours, teacher workshops, children and family programs, adult classes and workshops, lectures by scholars and artists, classic and contemporary films and concerts, and online exhibitions and programs. The museum describes the role of its school and teacher programs as providing “opportunities to engage actively with works of art, stimulate inquiry and discussion, and foster critical looking and thinking skills.” Boston College’s McMullen Museum of Art often seeks o reach beyond traditional art history, providing political, historical, and cultural context. It offers such exhibit-related programming as musical and theatrical performances, films, gallery talks, symposia, lectures, readings, and receptions to stimulate dialogue. At the Lawrence Hall of Science at the University of California in Berkeley, more than 22,000 teachers participate in the museum’s professional development programs each year. The science center also offers classes, workshops, and science shows for students at the museum and schools. Among the other educational programs are science day camps, home school classes, and science and math classes for preschool children and parents at local libraries and the museum. In addition, Lawrence Hall of Science has science demonstrations, opportunities to interact with animals, and planetarium educational

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shows. One of the most unusual programs at a science center is a bat exhibit and live show at the Cranbrook Institute of Science, which also has a range of other educational programs. The educational program at Arizona State Museum, a state anthropology museum operated by the University of Arizona, is built around one of the world’s most significant collections for the study of cultures in southwestern United States and northern Mexico. It includes guided tours, school group classes, teacher workshops, programs at schools, summer camps, adult archaeological camps, and online exhibitions and programs. In addition to school and tour programs, the Samuel P. Harn Museum of Art at the University of Florida offers “Tot Time,” for children 2 to 5 and their parents; “Family Day,” with hands-on art activities; “Art for Life,” presentations of artworks and hands-on objects to groups of senior citizens; “MindSight,” an event where art can be experienced through senses other than sight; “Vital Visionaries,” which promotes art interaction among generations; and “Eminent Scholar Lectures,” featuring lectures by distinguished scholars and leaders in their fields. At MIT Museum, the public can explore the research, engineering, and innovations at Massachusetts Institute of Technology in a variety of exhibits, programs, and special events. They include such programs as performances, talks, demonstrations, hands-on workshops, and such special events as “Soap Box,” a series of salon-style evening conversations with scientists and engineers, and Cambridge Science Festival, a week-long program of performances, talks, lectures, demonstrations, and other science-oriented events. The Peabody Museum of Archaeology and Ethnology at Harvard University serves more than 30,000 students each year in its educational programs on biology, paleontology, geology, ancient civilizations, and social studies. They include classes, an after-school science club, summer camps, and a community outreach program in which docents come to an event with one of three interactive kits, each with over 20 specimens and artifacts that children and adults can touch and explore. The University of Michigan Museum of Art has a newly opened Education Center that features enhanced programming, open storage viewing, object study classrooms, library, and auditorium. It now is possible for visitors to see artworks in storage, students to study objects in object-study classrooms, instructors to have specific works of art viewable for instructional purposes, and present performances, dances, films, lectures, and symposia on an intimate scale in a 185-seat auditorium Harvard University’s Dunbarton Oaks Research Library and Collection and Amherst College’s Folger Shakespeare Library in Washington, District of Columbia, have varied educational programs beyond exhibitions. Dunbarton Oaks offers guided tours of its gardens, museum, and historic rooms and has an active publication program. The Folger

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Library provides Shakespeare study guides, lesson plans, and teacher kits, and presents theater productions of Shakespeare’s works, concerts of music from the twelfth through eighteenth century by an early music ensemble, poetry readings, and authors reading their latest works. Among the many other educational offerings are guided tours, gallery talks, lectures, symposia, and family days at Harvard Art Museums; school programs, guided tours, public lectures, special events, and outreach activities, Exhibit Museum of Natural History, University of Michigan; interactive tours, private Print Study Room sessions, teen workshops, gallery talks, lectures, and “Community Days” programs, Allen Memorial Museum, Oberlin College; an annual open house, Essig Museum of Entomology, University of California, Berkeley; “Family Days” programs and “ArtVentures,” interactive tours for children, Hood Museum of Art, Dartmouth College; school group tours and programs and lecture series, Evergreen Museum and Library, Johns Hopkins University; College; public programs accompanying exhibitions, Goldstein Museum of Design, University of Minnesota Twin Cities; online exhibitions and programs, Princeton University Art Museum; and presenting related special events, Ash Lawn-Highland (home of James Madison), College of William and Mary. School and public programs offer another dimension to collections and exhibits at campus museums, galleries, and related facilities, but they can be costly. Some colleges and universities seek to cover these and other expenses by charging an admission or fees for some programs, which can adversely affect attendance. But educational programs have become a popular aspect of academic museums and related facilities, especially where they are of high quality.

Chapter 7

Facilities and Attendance Academic museums, galleries, and related facilities come in all ages, sizes, and designs. Their buildings range from early 1800s to the 2000s, and their sizes run from less than 1,000 to nearly 300,000 square feet. Some occupy only a small portion of a building, while others have as many as five buildings. Outdoor botanical gardens and arboretums vary even more, from 5 to 3,000 acres, and may be located some distance from the campus. The type, size, or location of a museum or related facility can affect attendance, but the principal cause usually is the nature and quality of the collections and/or exhibitions. THE OLD AND THE NEW Art museums are housed in some of the most historic, newest, and eye-catching museum buildings at universities and colleges. Art museums were founded in some of the earliest campus buildings. Not all the buildings have survived, but some have been renovated and still serve as art museums. Other early buildings have been converted to art museums, or shared with other activities. Some of the most spectacular new campus buildings are art museums—designed by many of the world’s leading architects. The new structures often have been made possible by financial support from art patrons and wealthy donors. The 1806 original academy/museum building of the Pennsylvania Academy of the Fine Arts, the nation’s oldest art school and museum, was destroyed in an 1845 fire and replaced in 1876 with the Furness-Hewitt Building, which still serves as the museum’s

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home; Williams College Museum of Art occupies the 1846 Lawrence Hall; Princeton University Art Museum continues to be located in the 1890 McCormick Hall, which also contains the art/archaeology department and a library; and the Museum of Art at the Rhode Island School of Design, which has five buildings, is still using the Waterman Building, where its first exhibitions were presented in 1893. Among the early 1900s buildings that have become art museums are a 1904 neoclassical granite building (originally a library), University of Maine Museum of Art; the 1909 Alumni Memorial Hall, home of the University of Michigan Museum of Art (where a $41.9-million expansion added a new wing that more than doubled the museum’s size to 94,000 square feet in 2009); a 1913 Italian Renaissance building (which also has been expanded) at the University of Rochester’s Memorial Art Gallery; architect Cass Gilbert’s 1917 Italian Renaissance-style building built for the Allen Memorial Art Museum, Oberlin College; and the 1920 College Gothic building (formerly the university’s main dining hall), William Benton Museum of Art, University of Connecticut. Some art museums also are now located in former mansions, such as Wake Forest University’s Reynolda House Museum of American Art, housed in the 1917 home of the founder of the R. J. Reynolds Tobacco Company, and Florida State University’s John and Mable Ringling Museum of Art, which includes the mid-1920s Venetian Gothic mansion of one of the founder of the Ringling Bros. and Barnum & Bailey Circus in its museum complex (where a large Florentine-style building with 21 galleries was added because of the size of the collections). Among the diverse other building conversions have been an 1840 Greek Revival house and a Palladian-style pavilion for The Reeves Center, a research/exhibition center for ceramics and paintings at Washington and Lee University; a library building for the Philip and Muriel Berman Museum of Art at Ursinus College; and a six-floor office building for the Museum of Contemporary Art Jacksonville, University of North Florida. Some art museums also are located in campus art centers, including the Middlebury College Museum of Art, University of New Hampshire Museum of Art, Mills College Art Museum, and Art Museum at the University of Kentucky. Others, like the Lehigh University Galleries/Museum, have multiple exhibition sites. The Lehigh museum presents 20 exhibitions a year in six galleries, in addition to having garden displays of sculpture at six sites. Some of the leading architects have produced an array of outstanding art museum buildings on collegiate campuses in recent years. Some structures replaced older, smaller, and/or outdated buildings and others were for new museums—usually named for major donors. Among the early highly regarded new structures were a modern building designed by architect Louis I. Kahn at Yale University Art Gallery in 1953, followed by a white travertine marble building by Philip Johnson at Sheldon Museum of Art at University of

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Nebraska-Lincoln in 1963, and a 95,000-square-foot Modernist building by Mario Ciampi at the University of California Berkeley Art Museum and Pacific Film Archive in 1971. The 1980s began a major expansion of academic art museums by renowned architects. In 1982, two museums designed by I. M. Pei and his firm opened—the new Indiana University Art Museum, which does not have a single right angle except for some stairs, and the spectacular 61.000-square-foot Herbert F. Johnson Museum of Art (which was expanded by 16,000 feet in 2011) overlooking Cayoga Lake at Cornell University. During the same year, the Nora Eccles Harrison Museum of Art at Utah State University also opened a 23,000-square-foot building by Edward Larrabee Barnes. In 1993, one of the most unusual collegiate museum buildings—the Frederick R. Weisman Art Museum designed by Frank O. Gehry—opened at the University of Minnesota in Minneapolis. It is a building with two faces—a brick façade on one side and a striking stainless steel structure with curving and angular brushed steel sheets on the other side. Three new wings totaling 11,000 square-feet were added in 2011. Among the other new art museum facilities in the 1990s were Wellesley College’s Davis Museum and Cultural Center, an innovative 61,000-square-foot, four-story facility with galleries stacked vertically and a central stairway designed by Rafael Moneo, and Vassar College’s Frances Lehman Loeb Art Gallery, a 36,000-square-foot complex by Cesar Pelli that incorporates a renovated nineteenth-century art gallery building. They were followed by the 65,000-square-foot Nasher Museum of Art by Rafael Vinoly at Duke University in 2005, and the $30-million Eli and Edyte Broad Art Museum, designed by Zaha Hadid, at Michigan State University in 2012. One of the largest academic art museum complex is the Harvard Art Museums, which actually consists of three art museums—Fogg Museum, Busch-Reisinger Museum, and Arthur M. Sacker Museum—which cover more than 200,000 square feet. Each of the three museums has its own distinctive history, collections, and exhibits. Harvard Art Museums also includes the Center for Conservation and Technical Studies, which provides professional care in the conservation of artistic and historical works and trains conservators. Perhaps the largest academic museum complex is at the John and Mable Ringling Museum of Art, part of Florida State University, which has collections and exhibits in a 56-room mansion and a museum building, educational/concentration building, learning center, 70,000-volume library, and visitors’ pavilion—as well as two circus museums and a historic theater with daily performances—at its Sarasota site. Among the other large campus art museums are the Museum of Art at the Rhode Island School of Design, five buildings; Yale University Art Gallery, three buildings; Blanton Museum of Art, University of Texas at Austin, 155,000 square feet; Samuel P. Harn Museum of Art, University of Florida, 112,720 square feet; and Brigham Young

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University Art Museum, 102,000 square feet. The Southern Alleghenies Museum of Art at St. Francis University has four locations—on the campus and at branches in three cities. Not all academic art museums are as large as these exceptional developments. Most art museums on campuses are less than 10,000 square feet, such as the University Museum of Contemporary Art, University of Massachusetts Amherst, 6,533 square feet; Frank Museum of Art, Otterbein College, 1,800 square feet; Hessel Museum of Art, Bard College, 9,500 square feet; DePaul University Art Museum, 4,000 square feet; and Bellarmine Museum, Fairfield University, 450 square feet. Others with more space tend to have more galleries, including the 10,300-square-foot Museum of Art, Washington State University, four galleries; 40,000-square-foot Hood Museum of Art, Dartmouth College, 10 main galleries; 26,000-square-foot Marianne Kisler Beach Museum of Art, Kansas State University, four galleries; and 43,813-square-foot Spencer Art Museum, University of Kansas, 11 galleries. Various other facilities are located at art museums. They include such things as the Reed Collection Study Center at the Henry Art Gallery at the University of Washington, Ceramics Research Center at Arizona State University Art Museum, a 40,000-volume library at The Wolfsonian-FIU at Florida International University, and an “ArtLab” program at Lowe Art Museum at the University of Miami where art students can work with objects from the collection, conduct research, and curate a thematic exhibition that is displayed for a year. SMALLER, BUT MORE NUMEROUS Academic art galleries tend to be smaller than art museums, and rarely occupy an entire building. But colleges and universities have nearly three times as many collegiate art galleries as art museums. They usually are in the same building where the art department is located. Colleges and universities frequently have more than one gallery, and they often are housed in different buildings around the campus. Sometimes they are operated by different academic departments, or shared by two departments. Unlike art museums, they generally have few if any collections or long-term exhibits. Galleries specialize in changing exhibitions they organize and loan and traveling exhibitions, and usually include student and faculty art as well as works by professional artists. One of the earliest art galleries was the T. W. Wood Gallery and Arts Center, which opened at Vermont College in 1895. Others were the Renaissance Society (which later became a museum) at the University of Chicago, 1917; Skidmore Art Gallery, Skidmore College, 1926; Oregon State University Memorial Union Concourse Gallery, 1927; Western Gallery, Western Washington University, 1938; and University Art Gallery, Indiana State University, and Norman R. Eppink Art Gallery, Emporia State University, 1939.

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It was not until after the middle of the 1900s that the academic art gallery movement accelerated, with the most foundings taking place in the last quarter of the century. The expansion has continued into the twenty-first century, with the opening of such galleries as Miller Gallery, Carnegie Mellon University, 2000; Leonard Pearlstein Gallery, Drexel University, 2002; and Richmond Center for the Visual Arts Galleries, Western Michigan University, 2007. Some galleries are located in historic structures, such as the an 1820s-30s restored former chapel, site of the Union Grove Gallery at the University of Alabama in Huntsville. Among the other galleries in historic buildings are the Mandeville Gallery, housed in the 1879 Nott Memorial Hall, Union College; Davis Gallery at Houghton House, an 1880s Victorian mansion, Hobart and William Smith Colleges; Arthur Ross Gallery, an 1891 former library, University of Pennsylvania; Francis Colburn Gallery, 1896 Williams Hall, University of Vermont; and QCC Art Gallery, a 1920s former golf club house, Queensborough Community College. However, most college and university galleries are in more modern academic buildings where art departments are located or in arts centers. Others are in such places as libraries, student unions, other departments, and campus buildings where space is available. Many art galleries are located at colleges and universities that have art museums, including Harvard University, which has the Harvard Art Museums, consisting of three museums. Harvard’s Carpenter Center for the Visual Arts and Graduate School of Design each have two galleries. It is not unusual for an academic institution to have multiple galleries. Arizona State University, which has 39 museums, galleries, and exhibition sites (more than any American college or university) contains a dozen galleries of various types; Bob Jones University Museum and Gallery, 25 galleries; Moore College of Art and Design, 15 galleries and display spaces; Ringling College of Art and Design, 12 galleries and exhibition halls; San Jose State University, 9 galleries; Portland State University, 6 galleries; and Lafayette College, 4 exhibition sites. Academic art galleries range from the 450-square-foot Phillip J Steele Gallery at the Rocky Mountain College of Art + Design to nearly 10,000 square feet at the SU Art Galleries at Syracuse University. Most galleries tend to be under 2,000 square feet. Those institutions with multiple galleries have more space. Ohio State University, for example, has two major gallery sites, with the Wexner Center for the Arts housing four galleries covering 13,000 square feet. The objectives of art galleries vary considerably. The Jacks Olson Gallery at Northern Illinois University seeks to bring thought-provoking exhibitions to the region and to provide a venue for the latest creative efforts of the students and faculty. Marxhausen Art Gallery at Concordia University in Nebraska wants to promote visual and cultural experiences by presenting diverse and ambitious regional, national, faculty, and student

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exhibitions and programs. At Colorado State University, the objective of Clara Hutton Gallery is to enhance the cultural and intellectual life of the region and foster the creative development of art students by presenting contemporary and historical exhibitions by emerging and established artists, as well as students and faculty. The primary mission of Northern Kentucky University Art Galleries is simply to display student works. Although many art galleries do not have collections, some do and others use works from the college or university permanent collection. The Coe College Art Galleries collection has 465 works by nearly 300 artists, including Pablo Picasso, Henri de Toulouse-Lautrec, Henri Matisse, Thomas Hart Benton, Mark Rothko, and Grant Wood. Emerson Gallery at Hamilton College has over 4,000 works in its collection, with strengths in American prints and works on paper, British art of the twentieth century, ancient vases and glass, and pre-Columbian and Native American art. At Sweet Briar College, the Art Galleries display works from the college’s collection of European and American art, Japanese prints, and works by women artists. The SU Art Galleries at Syracuse University cares for and presents exhibitions from the university’s art collection, which contains 45,000 fine art and ethnographic objects. Selections from gallery collections, loan and traveling exhibitions, and exhibitions of artists, students, faculty, and alumni are displayed in galleries. Works of more than 1,000 artists have been exhibited in Gallery 400 at the University of Illinois at Chicago since founded in 1983, over 300 contemporary artists have been shown at The Art Gym at Marylhurst University since opening in 1980, and more than 200 exhibitions on modern and contemporary art in diverse media by established and emerging artists have been displayed at the Queens College Arts Center since established in 1987. Some galleries are teaching galleries, such as the Sidney Mishkin Gallery of Baruch College, which mounts five exhibitions a year that emphasize scholarly, multicultural, and out of the mainstream works. And there are a few galleries that show only student and faculty works. INTERPRETING HISTORY Museums sometimes are described as being of three types—those where the public cannot touch objects on display; museums that encourage interaction; and those that have both collections and “hands-on” exhibits. The first type, which includes art, history, and science collection-oriented museums, galleries, and related facilities, have artistic, historical, and/or scientific objects or specimens that should not be handled. The second category consists of contemporary science and other museums that emphasize interactive and other hands-on exhibit techniques. The third type is a combination of hands-off displays with treasures and hand-on exhibits created for educational purposes. A history museum can be many things—a museum mainly featuring historical artifacts, historic houses that have become museums, and museum-like historic sites. Sometimes a historical museum specializes—collecting and displaying vintage clothing, musical

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instruments, scientific equipment, or something else—or becomes a general museum with a variety of collections or a religious or ethnic museum with collections and exhibits of materials relating to a particular sect or ethnic group. The most common type of academic history museum is one devoted to the history of a university, college, community, or region. Among such museums are the Pacific University Museum, which traces the history and cultural influence of the university since founded; Museum of Southwestern Michigan College, with artifacts and exhibits about the history of the college and area; Ralph Foster Museum at the College of the Ozarks, containing objects and exhibits on the history of the Ozarks; Arkansas Tech University Museum, which interprets over 12,000 years of human experience in the Arkansas River Valley of western Arkansas, featuring objects from its 110,000 historical, archaeological, art, and archival objects; and No Man’s Land Museum at Oklahoma Panhandle State University, with period rooms, documents, photographs, and memorabilia of the region from 1880 to the present. Some history museums are outdoor re-creations of earlier days, sometimes with costumes interpreters and hands-on activities. Conner Prairie Interactive Historical Park, operated by Earlham College, is a re-created 1836 rural settlement, with a restored 1823 farmhouse and five re-constructed historical areas—a village/working farm, an Indian camp, hands-on pioneer area, and a center with historical exhibits and a film about early settler life on the Midwest prairie. Other re-creations include the Spindletop-Gladys City Boomtown Museum, Lamar University; East Texas Oil Museum, Kilgore College; LSU Rural Life Museum, Louisiana State University; and Daniel Boone Home and Boonesfield Village, Lindenwood University. Among the historic house museums are the William Holmes McGuffey Museum, restored home of the creator of the “McGuffey Readers,” used to educate five generations of Americans from the mid-nineteenth century until 1920, Miami University; Emily Dickinson Museum: the Homestead and The Evergreens, the 1813 homestead and 1856 house where the famous poet lived and wrote her works, Amherst College; Jane Adams Hull-House Museum, where the social reformer co-founded the settlement house in 1889 that helped immigrants and influenced national and international public health and education policies, University of Illinois at Chicago; and President Andrew Johnson Museum and Library, the furnished home and library of the seventeenth president of the United States, Tusculum College. The National Ranching Heritage Center at Texas Tech University and the Governor Bill and Vara Daniel Historic Village at Baylor University have collections of historic buildings. The 30-acre ranching center features 38 relocated ranch structures from the late 1700s through the early 1902, while the historic village has 15 early buildings that reflect agricultural life of central Texas from 1880 to 1910.

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Among the historic sites are Historic New Harmony, a joint museum/preservation program of the University of Southern Indiana and the state museum and historic sites agency, that has approximately 32 historic structures from the 1814-27 period where two utopian settlements were located; the Virginia Military Institute’s Hall of Valor Civil War Museum is located at the site of an 1864 battle where 257 VMI students fought with Confederate troops to defeat Union forces; and the Hall of Fame for Great Americans, which originated in 1900, honors 98 of the 102 figures in the arts, sciences, humanities, government, business, and labor with bronze busts and commemorative plaques in an outdoor colonnade at Bronx Community College. Other museums with historical collections basically present changing exhibitions from their collections. They include such costume, textiles, and fashion materials from such museums as the Historic Costume and Textiles Collections at Ohio State University, Museum of FIT at the Fashion Institute of Technology, and The Design Center at Philadelphia University; musical instruments from the National Music Museum at the University of South Dakota, Stearns Collection of Musical Instruments at University of Michigan, and Yale Collection of Musical Instruments; and agricultural artifacts from Pasto Agricultural Museum at Pennsylvania State University, Blue Ridge Farm Museum at Ferrum College, and State Agricultural Heritage Museum at South Dakota State University.

Religious museum exhibits range from church archives and objects to historical, cultural, and Biblical displays. The largest religious museum is the Bob Jones University Museum and Gallery, which has 25 galleries that feature sacred art from the fourteenth through the nineteenth centuries. The Billy Graham Center Museum at Wheaton College, contains manuscripts and other historical materials relating to missions, evangelism, church history, and general theology. The exhibits at Glencairn Museum at Bryn Athyn College depict religious life through the ages, while the Mennonite Library and Archives at Bethany College focuses on Anabaptist and Mennonite history. The Hebrew Union College-Jewish Institute of Religion has museums at seminaries in New York City, Cincinnati, and Los Angeles with exhibits relating to Reform Judaism and 4,000 years of the Jewish experience. Among the museums with collections and exhibits of Bibles and/or Biblical archaeology are the Quayle Bible Collections at Baker University, Badè Museum of Biblical Archaeology at Pacific School of Religion, and Tandy Archeological Museum at Southwestern Baptist Theological Seminary, Two early Spanish missions—the University of San Diego’s 1769 Mission Basilica San Diego de Alcala and the 1777 Mission Santa Clara de Asis at Santa Clara University—are historic site museums. Ethnic museums take many forms—history museums, historic houses and sites, art museums and galleries, and library-archive collections. Many have African American historical and/or art collections and exhibits. Amistad Research Center at Tulane

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University displays art from its collection of over 15 million documents and other materials that trace African American history and race relations. The National AfroAmerican Museum and Cultural Center at Wilberforce University contains permanent exhibits and changing exhibitions on African American history and culture. Fisk University Galleries consist of two art galleries, and the Spelman College Museum of Fine Art emphasizes works by and about women of the African Diaspora. Among the museums honoring African American figures are the George Washington Carver Museum at Tuskegee University, Rosa Parks Library and Museum at Troy University, and Eddie G. Robinson Museum at Grambling State University. The history, culture, and arts of Native Americans are featured at such museums as the Haskell Indian Nations University Cultural Center and Museum, Museum of Contemporary Native Arts at the Institute of American Indian Arts, and Schingoethe Center for Native American Cultures at Aurora University. Among the other campus ethnic museums are St. Andrew Scottish Heritage Center at St. Andrews Presbyterian College, NorwegianAmerican Historical Association Archives at St. Olaf College, and Ukrainian Heritage Studies Center at Manor Junior College. Photography museums range from the historical to the contemporary and outer space. The UCR/California Museum of Photography at the University of California, Riverside, features nineteenth- and twentieth-century photographs, cameras, equipment, and other materials, and the 55,000-square-foot Center for Creative Photography at the University of Arizona has more archives and works by twentieth-century North American photographers than any museum in the nation. The Southeast Museum of Photography at Daytona State College presents about 20 exhibitions each year from its historic and contemporary collection and elsewhere. Arizona State University has a Space Photography Laboratory in NASA’s Regional Planetary Image Facility that is open to the public, containing images and maps of planets and their satellites taken by solar system exploration spacecraft and maintains photographic and digital data, mission documentaries, and cartographic data. Sports museums celebrate outstanding players, coaches, and teams of the past. The Jonathan B. Lovelace Museum and Hall of Honor at Auburn University has 17 interactive exhibits highlighting each sport at the university, featuring artifacts, trophies, memorabilia, and photographs, as well as a theater with a 16-foot screen showing 25 brief videos about Auburn’s sports history. Texas A&M Sports Museum has a time wall with historic photographs and artifacts; a gallery with photos and memorabilia of great athletes; interactive computer units on outstanding athletes, plays, and memorable moments; and displays about different sports, the band, cheerleaders, and traditions of the university. The Paul W. Bryant Museum at the University of Alabama contains exhibits on the famous

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football coach and the history of football at the university, featuring trophies, uniforms, memorabilia, photographs, and interactive videos. General museum always have historical objects, as well as materials from other fields. The Yager Museum of Art and Culture at Hartwick College has five galleries with permanent exhibits and changing exhibitions in art, archaeology, ethnology, and history. The Frank H. McClung Museum, a general museum of anthropology, archaeology, decorative arts, natural history, and local history at the University of Tennessee at Knoxville, has exhibits that interpret ways of life, cultural trends, and technology from prehistoric times to the present. Arkansas State University Museum has 21,000 square feet of exhibits, largely featuring materials from its collection of over 70,000 historic, archaeological, and natural history objects. Many types of collections and exhibits are located at campus libraries. Libraries are homes to some college and university history museums, such as the Louisiana Tech Museum in the Prescott Memorial Library and The Citadel Archives and Museum in Daniel Library at The Citadel, the Military College of South Carolina. Many libraries also are the site of art galleries and museums, including the Aaron Douglas Gallery at Fisk University, Georgetown University Art Collection, and University Gallery at Clarion University of Pennsylvania. Other types of museums sometimes are housed in libraries, such as the Orton Geological Museum at Ohio State University, Center for American Music Museum at the University of Pittsburgh, and Valene L. Smith Museum of Anthropology at the California State University, Chico. Libraries also produce exhibitions from their own special collections and archives, including Chapin Library of Rare Books at Williams College, Armstrong Browning Library at Baylor University, Firestone Library Galleries at Princeton University, and History of Aviation Collection at the University of Texas at Dallas. Two libraries with some of the most extensive exhibits and programs are in Washington—Dunbarton Oaks Research Library and Collection, a leading center of Byzantine, pre-Columbian, and landscape and garden study that is an architectural, botanical, artistic, and historical showcase, operated by Harvard University, and Folger Shakespeare Library, which contains the world’s largest and finest collection of Shakespeare materials and major collections of rare Renaissance books, manuscripts, and artworks, administered by Amherst College. The federally-operated presidential libraries and museums of former Presidents Lyndon Baines Johnson, George Bush, and George W. Bush (under construction) are located at the University of Texas at Austin, Texas A&M University, and Southern Methodist University and the library of Gerald R. Ford at the University of Michigan. The library/museums have the largest collections and some of the most extensive exhibits and attendances on campuses.

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HANDS-OFF AND HANDS-ON EXHIBITS Science museums range from collection-based research museums closed to the public to contemporary science centers without collections. The collections of “hands-off” specimens and objects in laboratories and storage areas are the exhibits at some museums, while others offer “hands-on” interactive experiences. Among those museums that are open only to researchers are the Essig Museum of Entomology at the University of California, Berkeley, which has a collection of 4.5 million insects and terrestrial arthropods; Museum of Vertebrate Zoology at the University of California, Berkeley, with a collection of over 640,000 amphibians, birds, mammals, reptiles, and other specimens (has one open house a year); University of Michigan Museum of Anthropology, which has more than 3 million anthropological, archaeological, and ethnographic objects in its collection (but offers online exhibits); and Harvard University Herbaria, with over 5 million dried plant specimens—the most in the world. The University of California Museum of Paleontology at Berkeley, which does not have exhibits, is located in a building with lobby and hallway dinosaur exhibits, tours, and an annual open house. The Museum of Paleontology at the University of Michigan also is closed to the public, but it curates fossil exhibits at the university’s Exhibit Museum of Natural History. Most collection-oriented science museums are open to the public. The Entomology Research Museum, with about 3 million specimens, has a dozen display cases with exotic insects at the University of California, Riverside; the College of Eastern Utah Prehistoric Museum has a Hall of Dinosaurs with fossil skeletons and an archaeological hall with mammoth figurines and artifacts; and the Museum of Comparative Zoology at Harvard University displays specimens from its collection of approximately 21 million extant and fossil invertebrate and vertebrate specimens in the Harvard Museum of Natural History complex. The University of Nebraska State Museum is best known for its Elephant Hall that contains mounted skeletons of 12 elephants, mammoths, mastodons, and ancestral proboscideans, two life-size mounts of African elephants, and other exhibits. Two institutions have specific public-oriented facilities called “zoos”—Kansas State University Insect Zoo, a former dairy barn featuring giant cockroaches, beetles, praying mantises, scorpions, and other insects; and the Santa Fe Community College Teaching Zoo, a diverse outdoor collection of mammals, birds, reptiles, and amphibians. The University of Wyoming has an Insect Museum, which has a collection of over 250,000 insects and two specialized galleries—on live native and exotic insects and another on tropical plants and insects. Another popular attraction is the 6,400-square-foot walk-through Butterfly Rainforest at the Florida Museum of Natural History. Yale Peabody of Natural History, one of the oldest and largest natural history museums in the world, has over 20 million specimens and objects. It is best known for its Great Hall that contains skeletons from its renowned paleontology collection. The Peabody Museum of Archaeology and Ethnology at Harvard University, which has one of

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the most comprehensive records of human cultural history in the Western Hemisphere, has more than 6 million objects and features nearly 3,000 objects and photographs in seven exhibits. The Peabody Museum is located adjacent to the Harvard Museum of Natural History, which houses three science museums—Museum of Comparative Zoology, Mineralogical Museum of Harvard University, and Harvard University Herbaria. One of the most popular exhibits in the natural history museum is a display of 3,000 glass flowers. The Ruthven Museums Building at the University of Michigan contains five collectionoriented natural history museums—in the fields of anthropology, paleontology, zoology, dried plant specimens (herbarium), and the broad-based Exhibit Natural History Museum. Some museums feature artifacts at archaeological sites, including the Eastern New Mexico University’s Blackwater Draw Museum at the nation’s first multicultural paleo-Indian archaeological site; University of Alabama Museum of Natural History’s Moundville Archaeological Park & Jones Archaeological Museum, which was occupied by 1,000 Native Americans in A.D. 1000-1450; and University of Memphis’s C. H. Nash Museum at Chucalissa, an A.D. 1000 vibrant and sophisticated Mississippian mound complex. Fossils are the main attraction at two University of Nebraska State Museum excavation sites—Ashfall Fossil Beds State Historical Park and Fort Robinson State Park (site of its Trailside Museum of Natural History). Historic collections also are the core of museums in the geology/mineralogy, medical, and marine sciences fields. The Mineralogical Museum at Harvard University has a collection of over 50,000 minerals, including approximately 1,500 specimens of meteorites. Among the other museums with extensive meteorite collections and exhibits are the Center for Meteorite Studies Museum at Arizona State University, Meteorite Museum at the University of New Mexico, and Oscar E. Monning Meteorite Gallery at Texas Christian University. The Mineral Museum at Montana Tech of the University of Montana displays such minerals from its collection as a 27.5-troy-ounce gold nugget, a 397-pound smoky quartz crystal, and uncut rubies and sapphires from around the world. The A. E. Seaman Mineral Museum at Michigan Technological University exhibits around 8,000 minerals from its collection of over 30,000, and the New Mexico Bureau of Geology Mineral Museum at the New Mexico Institute of Mining and Technology features gold, silver, and precious gems from the Spanish conquistadors days, known as “Coronado’s Treasure Chest.” The history of medicine, pharmacy, nursing, and dentistry are featured at museums in those fields. The Dittrick Museum of Medical History at Case Western Reserve University has exhibits on such subjects as nineteenth- and twentieth-century doctor’s offices, medical instruments, medicines, and medical practice; the History of Medicine Collections at Duke University exhibits selections from its collection of 20,000 monographs,


4,000 manuscripts, medical instruments, photographs, illustrations, and other materials; and the Clendening History of Medicine Library and Museum at the University of Kansas Medical Center has displays of early surgical instruments, microscopes, X-ray tubes, and other medical artifacts. The University of Iowa Hospitals and Clinics Medical Museum is largely devoted to the progress of medicine and patient care and the role of the university’s hospitals in the advances, and the Kleist Health Education Center at Florida Gulf Coast University has health exhibits, multimedia presentations, and other programs designed to develop an appreciation for the human body, mind, and spirit. The Marvin Samson Center for the History of Pharmacy at the University of the Sciences in Philadelphia has a collection of over 10,000 pharmaceutical and medical objects and artifacts from five centuries, The History of Pharmacy Museum at the University of Arizona contains several large drug stores from Arizona’s territorial days and more than 60,000 bottles, original drug containers, and other artifacts from the 1880-1950 period, while the Elmer H. Grimm, Sr. Pharmacy Museum at the University of Pittsburgh features pharmacy equipment, drug products, and sundry materials from the early twentieth century. The University of Maryland School of Nursing Museum traces the history of the nursing profession and the nursing school. In the dental field, the 21,000-square-foot Dr. Samuel D. Harris National Museum of Dentistry at the University of Maryland, Baltimore, presents changing exhibitions from its collection of 40,000 dental objects ranging from instruments and furniture to artworks and other materials. The Sindecuse Museum of Dentistry at the University of Michigan has collections and exhibits about dentistry and dental technology from the late 1700s to the 1960s, and the Macaulay Museum of Dental History at the Medical University of South Carolina contains historical objects and information about dentistry and dental practitioners. Some science museums feature historical collections of scientific instruments and equipment. Harvard University has the Collection of Historical Scientific Instruments, a collection of over 20,000 objects from about 1400 to the present in such fields as astronomy, biology, calculating, electricity, geology, horology, medicine, navigation, physics, psychology, and surveying. The Oesper Museum of Chemical Apparatus at the University of Cincinnati contains a reproduced 1900 laboratory and display cases with antique bottles, burners, balances, ovens, and other chemical equipment. At Transylvania University, the Monroe Moosnick Medical and Science Museum has an extensive collection of early scientific equipment, anatomical models, and botanical paintings. The MIT Museum at the Massachusetts Institute of Technology also has scientific instruments and equipment among its more than 1 million artifacts, prints, rare books, technical archives, drawings, photographs, films, and holograms dating from the seventh century to today.

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The 24,246-square-foot Birch Aquarium at Scripps, the public exploration center for the Scripps Institution of Oceanography at the University of California, San Diego, is one of the oldest, largest, and most important centers for ocean and earth science research, education, and public service. It has more than 5,000 animals representing 380 species and about 60 tanks of Pacific fishes and invertebrates, and exhibits on discoveries by Scripps explorers, a 13,000-gallon shark reef tank, live coral with reef fish, three living tide pools with hands-on discovery, and three outdoor water play stations. The University of Hawaii’s Waikiki Aquarium has 3,500 marine animals and over 500 species of aquatic animals and plants, and exhibits on Pacific sea life, live corals, shoreline habitats, and such subjects as diversity and adaptation, ocean aquaculture, and fisheries and conservation. The Oregon State University’s Hatfield Marine Science Center is both an aquarium and a laboratory with displays of sea life and interactive exhibits about scientific exploration and research. In the botanical sciences, museums, gardens, arboretums, herbariums, and nature centers offer a wide variety of collections, exhibits, and programs. The museums include the Botanical Museum of Harvard University, with collections of plants and the treasured Ware Collection of Glass Models of Plants, popularly known as the “Glass Flowers”; L. H. Bailey Hortorium at Cornell University, containing an 800,000 sheet herbarium, 132,000 nursery and seed catalogue collection, vascular plants, and natural history and botany objects; and Hunt Institute for Botanical Documentation at Carnegie Mellon University, an international center for bibliographic research and service in botany and horticulture and the study of the history of plant species. Among the extensive botanical gardens are the University of California Botanical Garden at Berkeley, with over 13,000 different types of plants from around the world; University of Georgia’s State Botanical Garden of Georgia, possessing 11 botanical and horticultural collections on 313 acres and a visitor center with floral art exhibitions and a three-story conservatory; North Carolina Botanical Garden at the University of North Carolina at Chapel Hill, which has nearly 800 acres, 660,000 plant specimens, and 10 acres of display gardens; Mildred F. Mathias Botanical Garden at University of California, Los Angeles, containing approximately 5,000 species in 225 families on 8 acres; Matthael Botanical Gardens at the University of Michigan, with 300 acres and a conservatory of over 10,000 square feet, one of the nation’s largest university display greenhouses; and Reynolda Gardens of Wake Forest University, which occupies 125 acres on a 1906-23 country estate and farm with a 4-acre formal garden, 2-acre vegetable garden, 1913 greenhouse and conservatory with a display of tropical and succulent plants, and such other facilities as five teahouses, a pergola, boxwood hedges, lake, boathouse, swimming pool, golf links, tennis courts, polo grounds, and an athletic field.


Some facilities are specialty gardens and others are both an botanical gardens and arboretum. The UCLA Hannah Carter Japanese Garden at the University of California, Los Angeles, has Japanese plants, trees, teahouse, bridges, stone carvings, and shrine, and the University of Texas at Austin has the Lady Bird Johnson Wildflower Center, which features native plants of central Texas Hill country and south and west Texas. Among the combination garden/arboretum facilities are the University of Utah’s Red Butte Garden and Arboretum, which contains a 1,500-acre arboretum with over 9,000 trees, 25 acres of formal gardens, walking paths, hiking trails, amphitheater, classroom, visitor center, and floral, sculpture, and art exhibits; the 60-acre Chadwick Arboretum and Learning Gardens at Ohio State University, with 17 gardens, about 1,000 trees representing 120 species, greenhouse, labyrinth, walking path, and sculptures throughout the grounds; Cornell University’s Cornell Plantations, which has specialty gardens, arboretums, and nature enters at over 40 sites with nearly 4,300 acres of diverse habitats; and University of Minnesota’s Minnesota Landscape Arboretum in Chaska that has 32 display and specialty gardens, 48 plant collections, more than 5,000 plant species and varieties, and 12½ miles of garden paths and hiking trails. Harvard University’s Arnold Arboretum in Boston is the oldest and most popular public arboretum in the nation and a world center for the study of trees. It has 265 acres and a living collection of 15,176 trees, shrubs, and vines; herbarium, greenhouses, bonsai plant pavilion, visitor center, library, and other facilities. The university also has the Harvard Forest, a 3,000-acre ecological research and education complex in Petersham, which also contains the Fisher Museum of Forestry with 23 forest-related dioramas. Among the many other arboretums are the Fullerton Arboretum at the California State University, Fullerton, a 20-acre site with 4,000 plant species, ponds, streams, wildlife, and the location of two museums; Connecticut College Arboretum, containing 750 acres with woody plants, ornamental trees, shrubs, nature areas, and an outdoor theater with summer Shakespearean plays; Missouri State Arboretum at Northwest Missouri State University, with 1,300 trees representing over 125 species from around the world; Morris Arboretum at the University of Pennsylvania, 13,000 labeled plants of over 2,500 types; and University of WisconsinMadison Arboretum, a 1.260-acre arboretum with the oldest and most extensive collection of restored native plant and animal communities and an annual attendance of 650,000. The Harvard University Herbaria, the largest university herbarium in the world, has a collection of over 5 million dried plant specimens. But, like many research-oriented herbariums, is open only to research scientists. Among the other herbariums are the Emporia State University Herbarium, with 43,000 plant specimens of regional flora; Rocky Mountain Herbarium at the University of Wyoming, containing more than 800,000 specimens; and University of Wisconsin-Madison Herbarium, founded in 1849, which has over 1 million specimens representing most of the world’s floras.

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Nature centers take many forms. Albion College’s Whitehouse Nature Center has a herbarium, arboretum, and interpretive center at a 135-acre site with six walking trails, a tall grass prairie, habitat area with ponds, and 35 acres of farm and research projects. Among the others are Antioch College’s Glen Helen Nature Preserve, which consists of 1,000 acres of woods, waterways, prairies, fields, and a natural history museum; Pennsylvania State University’s Shaver’s Creek Environmental Center, containing 7,000 acres, herb and flower gardens, 72-acre lake, raptor center, hands-on discovery room, classrooms, trails, boardwalks over wetlands, and amphitheater with nature shows; and Brigham Young University’s Lytle Ranch Preserve, consisting of 600 acres of geological formations and ecosystems in an area of great plant and animal diversity. An increasing number of natural history and other museums are offering hands-on exhibits and activities. The University of Oregon Museum of Natural and Cultural History now has an interactive laboratory for science-based explorations by visitors. Among the museums with Discovery Rooms with hands-on exhibits of specimens and/or artifacts are the Bell Museum of Natural History at the University of Minnesota Twin Cities, Joseph Moore Museum at Earlham College, North Museum of Natural History and Science at Franklin and Marshall College, Mayborn Museum Complex at Baylor University, and the newly founded Gateway Science Center at California State University, Chico. Contemporary science centers often do not have collections, but always have some form of hands-on exhibitry—some permanent and others temporary. The oldest and largest university hands-on science center is the Lawrence Hall of Science at the University of California, Berkeley, a 134,000-square-foot facility that features interactive exhibits and programs, serves as a resource center for preschool through high school science and mathematics education, and is a major developer of innovative educational materials and programs. Other hands-on science centers include UA Science: Flandrau, which has 10,000 square feet of exhibits around a planetarium, University of Arizona; Science Discovery Center of Oneonta, with about 80 exhibits that deal with such subjects as matter properties, forces, motion, mechanisms, fluids, sound, vibration, waves, electricity, magnetisms, optics, and light, State University of New York at Oneonta; East Kentucky Science Center, which has hands-on science learning for students, professional development for teachers, and outreach van and other programs, Big Sandy Community and Technical College; Da Vinci Science Center, with such hands-on exhibits as a touch tank, a “safety car” that tests driver skills, applying forces to make tasks easier, riding a life-sized gyroscope to simulate life in space, and activating a musical sound and monitor image when passing a camera with sensors, at Cedar Crest College, Idea Place, which seeks to awake the excitement of

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learning through interactive exploration of scientific phenomena, Louisiana Tech University; and University of Arkansas Discovery Zone, which features traveling exhibition about science. Some science centers cover other fields besides science. The Kalamazoo Valley Museum at Kalamazoo Valley Community College is a museum of science, technology, and history that contains hands-on science exhibits, a planetarium, and a Challenger Learning Center. The Cranbook Institute of Science at the Cranbook Educational Community also has natural history collections and exhibits, planetarium, and observatory. Planetariums and observatories generally are not known for their exhibits, but some do have astronomical and science exhibits—often of an interactive nature and sometimes reflected in their names. The Abrams Planetarium at Michigan State University has a 3,000-square foot exhibit hall and a gallery with astronomical paintings. Among the planetariums with exhibits and “science center” attached to their names are the Morehead Planetarium and Science Center at the University of North Carolina at Chapel Hill; Fiske Planetarium and Science Center at the University of Colorado at Boulder; Fleischmann Planetarium and Science Center at the University of Nevada, Reno; Coca-Cola Space Science Center at Columbus State University; and Cernan Earth and Space Center at Triton College. A few observatories have exhibits in their buildings, but visitors centers are more common. The W. M. Keck Observatory operated by the California Association for Research in Astronomy has a gallery with exhibits on the Mauna Kea summit in Hawaii. Observatories with visitor centers include the California Institute of Technology’s Palomar Observatory on Palomar Mountain in California, University of Texas at Austin’s McDonald Observatory in the Davis Mountains, Harvard-Smithsonian Center for Astrophysics’s Fred Lawrence Whipple on Mount Hopkins in Arizona, and Cornell University’s Areciro Observatory in Puerto Rico. The Kitt Peak National Observatory Visitor Center and Museum serves as the visitor center and museum for university and other observatories on the Arizona peak. Among the off-site exhibit sites are the Mount Lemmon SkyCenter, which has a remote public program for Steward Observatory at the University of Arizona; UW Space Place, an astronomical and science exhibit site in a shopping center for the University of Wisconsin-Madison Department of Astronomy/Washburn Observatory; and University of Hawaii’s Imiloa Astronomy Center of Hawaii in Hilo with information about university and other observatories on the nearby Mauna Lea summit. CAMPUS AND PUBLIC RESPONSE Nearly all college and university museums, galleries, and related facilities are open to the academic community and the general public. But they vary greatly in attendance. The

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larger museums with extensive collections and/or exhibits in the major fields usually have much greater attendances than the smaller facilities with limited offerings. Some museums, galleries, and related facilities actively seek to increase the number of visitors as an indication of their quality and popularity, while others are content merely to have a place to keep their collections, teach, and/or conduct research. Most places are free, but an increasing number of museums and other institutions are relying upon admission income to help cover costs in difficult economic times. Attendances range from 150 visitors per year to over 600,000. More than 75 campus museums, galleries, and related facilities have attendances exceeding 100,000, with the greatest number in the art field, followed by arboretums, botanical gardens, and other science-based fields. Among the art museums and galleries with the greatest annual attendances are John and Mable Ringling Museum of Art, Florida State University, 360,000; Brigham Young University Museum of Art, 327,000; Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, 250,000; Memorial Art Gallery, University of Rochester, 245,000; and University of Michigan Art Museum and University of California Berkeley Art Museum and Pacific Film Archive, 200,000. Among the other art museums and galleries with over 100,000 in attendance are the Werner Center for the Arts, Ohio State University, 190,000; University of Wyoming Art Museum, 177,000; Blanton Museum of Art, University of Texas at Austin, 170,000; Michael C. Carlos Museum, Emory University, 160,000; Appalachian Center for Crafts, Tennessee Tech University, 150,000; Yale Gallery of Art and Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, 132,000; Frederick R. Weisman Art Museum, University of Minnesota Twin Cities, 130,000; Sullivan Galleries, School of the Art Institute of Chicago, 118,000; Utah Museum of Fine Arts, University of Utah, 114,000; Harvard Art Museums 108,000; Princeton University Art Museum, 104,000; and Nerman Museum of Contemporary Art, Johnson County Community College, 100,000. The University of Wisconsin-Madison Arboretum has the highest attendances of any academic museum, gallery, or related facility—650,000. Other popular arboretums and botanical gardens are University of Washington Botanic Gardens, 400,000; Minnesota Landscape Arboretum, University of Minnesota, 271,000; Arnold Arboretum, Harvard University, and UC Davis Arboretum, University of California, Davis, 250,000; Cornell Plantations, Cornell University, and State Botanical Garden of Georgia, University of Georgia, 200,000; and Orland E. White Arboretum, University of Virginia; South Carolina Botanical Garden, Clemson University; J. C. Raulston Arboretum, North Carolina State University; Botanic Garden of Smith College; and Lady Bird Johnson Wildflower Center, University of Texas at Austin, 100,000.


Other science-oriented museums and facilities with large attendances include the Michigan State University Museum, 410,000; Birch Aquarium at Scripps, University of California, San Diego, 400,000; Waikiki Aquarium, University of Hawaii, 310,000; Monte L. Bean Life Science Museum, Brigham Young University, 210,000; Lawrence Hall of Science, University of California, Berkeley, over 200,000; Institute of Texan Cultures, University of Texas at San Antonio, 200,000; Morehead Planetarium and Science Center, University of North Carolina at Chapel Hill, nearly 200,000; Florida Museum of Natural History, University of Florida, 188,500; Harvard Museum of Natural History, 175,000; Peabody Museum of Archaeology and Anthropology, Harvard University, 150,000; University of Pennsylvania Archaeology and Anthropology Museum, 145,000; Museum of the Rockies, Montana State University, 143,000; Hatfield Marine Science Center, Oregon State University, 141,000; Shaver’s Creek Environmental Center, Pennsylvania State University, over 100,000; and UW Space Place, University of Wisconsin-Madison, 100,000. Historically-oriented museums with the largest attendances are the Skirball Cultural Center Museum, Hebrew Union College-Jewish Institute of Religion (Los Angeles), 500,000; George Washington Carver Museum, Tuskegee University, 490,000; Conner Prairie Interactive Historical Park, Earlham College, 315,000; National Music Museum, University of South Dakota, nearly 280,000; West Point Museum, U.S. Military Academy, 215,000; The Jewish Museum, Jewish Theological Seminary of America, 192,000; Lyndon Baines Johnson Library and Museum, University of Texas at Austin, 183,000; U.S. Naval Academy Museum, 170,000; Museum of Texas Tech University, 166,000; Living History Farm, Museum of the Rockies, Montana State University, 140,000; The Rotunda, University of Virginia, 135,000; and Museum of FIT, Fashion Institute of Technology, 100,000. The museums and galleries with the smallest attendances tend to be small art galleries and historical museums, religious museums, library collections, and science museums with limited collections or rather specialized offerings. They include such places as the Mississippi Baptist Historical Collection, Mississippi College, 150; Anthropology Museum, University of San Diego, 200; Macaulay Museum of Dental History, Medical University of South Carolina, 250; Intermountain Herbarium, Utah State University, 300; Skinner Museum, Mount Holyoke College, 350; Quayle Bible Collection, Baker University, 450; Davis Art Gallery, Stephens College, 500; Gerald R. Ford Library, University of Michigan, 750; and Shippensburg University Fashion Archives and Museum, 900. Although most academic museums, galleries, and related facilities are free, a growing number of institutions charge an admission fee—either a fixed fee or a suggested donation. Admission charges are most frequently found at art museums, and least likely at art galleries and small museums. They usually range from $3 to $10 for adults and less

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for seniors and children. The most common suggested donation is $5. Among the art museums with the highest fees are the John and Mable Ringling Museum of Art, Florida State University, beginning at $25 for adults; Indian Arts Research Center, School for Advanced Research, $15; and Lowe Art Museum, University of Miami; Museum of Art, Rhode Island School of Design; Ogden Museum of Southern Art, University of New Orleans, and Danforth Museum of Art, Framingham State College, $10; Harvard Art Museums and Burchfield Penney Art Center, Buffalo State College, $9; Harwood Museum of Art of the University of New Mexico, $8; and Utah Museum of fine Arts, University of Utah; Cranbrook Art Museum, Cranbrook Educational Community; Blanton Museum of Art, University of Texas at Austin; and University of California Berkeley Art Museum and Pacific Film Archive; $7. Two historic house tours have the highest admission fees among other museums and facilities—Meadow Brook Hall at Oakland University and Glensheen Historic Estate at the University of Minnesota Duluth. Among the other more costly admissions are Morris Arboretum, University of Pennsylvania, $14; Conner Prairie Interactive History Park, Earlham College, $12; Museum of the Rockies, Montana State University; Alaska Museum of the North; Gari Melchers Home and Studio at Belmont, University of Mary Washington; Panhandle-Plains Historical Museum, West Texas A&M University; and Skirball Cultural Center Museum, Hebrew Union College-Jewish Institute of Religion, $10; Botanical Museum of Harvard University, University of California Botanical Garden, and Waikiki Aquarium, University of Hawaii, $9; Lady Bird Johnson Wildflower Garden, $8; and American West Heritage Center, Utah State University, and George Bush Presidential Library and Museum, Texas A&M University, $7. Some of the lower admission charges are Gillespie Museum, Stetson University, $2; University of Maine Art Museum and Hallie Ford Museum of Art, Willamette University; $3; Michigan State University Museum and National Afro-American Museum and Cultural Center, Wilberforce University, $4: Nasher Museum of Art, Duke University; Matthaei Botanical Gardens, University of Michigan; and University of Kansas Museum of Natural History, $5; and Red Butte Gardens and Arboretum, University of Utah; Loyola University Museum of Art; and Appleton Museum of Art, Central Florida Community College, $6. Suggested donations for admission range from $2 to $5. Among those with donation entry fees are University of California Riverside Botanic Gardens, $2; Nora Eccles Harrison Museum of Art, Utah State University; and Grey Art Gallery, New York University; $3; and Schneider Museum of Art, Southern Oregon University; University of Michigan Museum of Art; and Lee Chapel and Museum, Washington and Lee University, $5. Some museums simply state the admission is a donation of a certain amount, such as


Schingoethe Center for Native American Cultures, Aurora University, $3 donation, and North Dakota Museum of Art, University of North Dakota, $5 donation. In general, academic admission fees are less than those of other nonprofit museums and facilities because of institutional and/or other support. They also have another purpose—to supplement classroom instruction and serve as a repository for collections and site for research. In addition, college and university museums, galleries, and related facilities play an important cultural role on the campus and in the community and region.

Chapter 8

Closures and Openings The number of academic museums, galleries, and related facilities keeps changing as some places are closed and others are opened. The principal reason for closures is the lack of institutional financial support, usually because of economic conditions. Other reasons can be the lack of departmental or faculty interest, and/or adequate space, collections, or qualified personnel. The main reasons academic museums and related facilities are their relationship to instruction and/or research; the administration or department feels it is important to have such an educational and cultural facility; and/or a major donor or state legislature is prepared to fund a museum, gallery, or related facility. At least 50 museums, galleries, and related facilities have been closed in the last quarter of a century. Some have not closed, but no longer are academic facilities because their operations have been transferred to other organizations, as occurred when Tulane University gave The Woman’s Exchange ownership of two historic houses—the 1831 Hermann Grima House and 1857 Gallier House—in New Orleans; operation of the Henry Ford Estate in Dearborn, Michigan, was transferred from the University of MichiganDearborn to the independent Edsel and Eleanor Ford House; the Watson-Curtze Mansion at Gannon College became part of Erie County Historical Society in Erie, Pennsylvania; and the University of California, Berkeley, gave up management of the Lawrence Livermore National Laboratory and its Discovery Center in Livermore, California, to an

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independent contractor. One academic museum—the University of North Dakota’s art museum—become the independent North Dakota Museum of Art. FINANCES AND OTHER REASONS Most academic museums, galleries, and related facilities close for financial reasons, and sometimes for other reasons. Two galleries—the Johnson Gallery at Phillips University in Enid, Oklahoma, and Teikyo Westmar Art Gallery at Teikyo Westmar University in Le Mars, Iowa—closed when their universities shut down. Among the museums closed because of funding cutbacks were the Horner Museum at Oregon State University, Museum of Anthropology, University of Kentucky; Chester H. Wilson Geology Museum, Mott College; Fellow-Reeve Museum of History and Science, Friends University; DNA EpiCenter, Connecticut College; University of Arkansas Museum; and Diablo Valley College Museum and Planetarium.. Other closures have included such facilities as the Museum of Natural History at Princeton University; Ryther Printing Museum, University of Kansas; School of Dental Medicine Museum, University of Connecticut Health Center, and American Work Horse Museum, Virginia Polytechnic Institute and State University. Sometimes museums and other facilities are closed because the space is needed for other purposes, as occurred with the Appalachian Cultural Museum at Appalachian State University; Wallis Museum, Connors State College; and Brackbill Planetarium, Eastern Mennonite University. A number of planetariums also have closed because of the cost of operation or lack of public interest, such as Villanova Planetarium, Richman College Planetarium, University of Arkansas at Little Rock Planetarium, and The Pensacola State College Planetarium and Space Theatre, Pensacola State College. Several museums have reopened because of public support after being closed for financial reasons. The University of Wyoming Geological Museum was closed in 2009 because of state funding difficulties, but reopened later that year after a retired professor of geology and his wife made a $570,000 gift that was matched by the state legislature and followed by other contributions. At the Humboldt State University Natural History Museum, donations and grants made it possible to reopen the museum in 2010 after being closed in mid-2009 because of the state’s financial problems. The lack of adequate funding also has resulted in cutbacks at a number of colleges and universities. The University of Pennsylvania Museum of Archaeology and Anthropology was forced to drop 18 research specialist positions in archaeological and anthropological research in the Mediterranean world, the Middle East, and the Americas, and the Museum Applied Science Center for Archaeology was closed for financial reasons. The Smith College Museum of Art began charging admission for the first time to maintain its current public hours. The Lentz Center for Asian Culture at the University of Nebraska-Lincoln

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no longer has regular hours for occasional Asian exhibitions. In the planetarium field, Ohio State University and Washington State University have discontinued regular public programs for financial reasons. MANY NEW FACILITIES Despite the difficult economic times and museum and other closings, new facilities continue to be established—largely with the assistance of private funding. The biggest increase has been in art museums and galleries. Among the many new art facilities since 2000 have been the St. Louis University Museum of Art; Museum of Fine Arts, Georgia College and State University; Loyola University Museum of Art, Loyola University Chicago; Hessel Museum of Art, Bard College; William Weston Clarke Emison Museum of Art, DePauw University; Phillips Museum of Art, Franklin and Marshall College; CU Art Museum, University of Colorado at Boulder; and Devos Art Museum, Northern Michigan University. At the University of Texas at Austin, the 155,000-square-foot Blanton Museum of Art replaced the long-standing Archer M. Huntington Gallery in 2000 with the help of a $12-million grant from the Houston Endowment. The 2003 Jule Collins Smith Museum of Fine Arts, which opened in 2003 at Auburn University, was spurred by a $3-million contribution from a businessman. The 41,000-square-foot Nerman Museum of Contemporary Art, which opened at Johnson County Community College in 2007 as one of the largest art museums in a community college, is named for Jerry and Margaret Nerman, art collectors and major donors. The University of Michigan Museum of Art added a 53,000-square-foot wing costing $41.9 million to its historic 41,000-square-foot building in 2009 with major support from a family. The newest art museums are the $30-million Eli and Edythe Broad Art Museum with 40,000 square feet at Michigan State University and The Art Museum at West Virginia University, which will occupy the former alumni center and a new wing at the art center—both opening in 2012. Among the many new art galleries are the St. Joseph College Art Gallery, 2001; Richard F. Peeler Art Center Galleries, DePauw University, 2002; Islander Art Gallery, Texas A&M University-Corpus Christi, 2005; George Segal Gallery, Montclair State University, 2006; Richmond Center for the Visual Arts Galleries, Western Michigan University, 2007; Fort Worth Contemporary Arts, Texas Christian University, 2008; and Bryant Arts Center Gallery, Denison University, 2009. Among the diverse new history-oriented museums are the Mari Sandoz High Plains Heritage Center, Chadron State College, and Jack Nicklaus Museum, Ohio State University, 2002; Emily Dickinson Museum: The Homestead and The Evergreens, Amherst College, and Robert J. Dole Institute of Politics, University of Kansas, 2003; Old Governor’s Mansion, Georgia College and State University, and University Museum and

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Cultural Center, University of Arkansas at Pine Bluff, 2005; Crisp Museum, Southeast Missouri State University, 2007; and Avenir Museum of Design and Merchandising, Colorado State University, 2008. New science facilities since the turn of the century include the Sam Noble Oklahoma Museum of Natural History, University of Oklahoma, and Oesper Museum of Chemical Apparatus, University of Cincinnati, 2000; Weis Earth Science Museum, University of Wisconsin-Fox Valley, and Emory University Planetarium and Observatory, 2002; Oscar E. Monnig Meteorite Gallery, Texas Christian University, and Da Vinci Science Center, Cedar Crest College, 2003; University of Washington Botanic Gardens, 2005; Museum of Biodiversity, University of Notre Dame, and cImiloa Astronomy Center of Hawaii, University of Hawaii at Hilo, 2006; University of Arkansas Discovery Zone, 2007; and Michael E. DeBakey Library and Museum, Baylor University, 2010. GREATER COST CONTROL Museums, galleries, and related facilities continue to be closed and opened at colleges and universities, with the total number increasing each year, despite lagging economic conditions. This testifies to the importance of such art, history, and science facilities in teaching, research, and the cultural life on the campus, and their ability to find the necessary institutional resources and support funds from government, foundation, and private sources. What does the future hold? That is the question facing all academic museums, galleries, and related facilities. As funding becomes more difficult, greater cost control will became necessary. The administrators and department heads of colleges and universities—as well as state legislatures, local officials, and donors—already are seeking to get more out of less. Some closings and cutbacks already have occurred because of budget problems—and more are likely until the economy rebounds. For the larger and more popular museums, galleries, libraries, planetariums, observatories, botanic gardens, arboretums, and other facilities, this could mean such cost-cutting measures as personnel reductions, less staff travel, fewer additions to collections, more limited research, fewer or less expensive exhibitions and programs, reduced open hours, and/or the imposition or increases in admission fees. The smaller—and usually less attended museums and other facilities—it could mean many of the same cutbacks—as well as closure. All will be called upon to do a better job of justifying their existence and controlling costs. It will be more difficult to maintain or improve the quality of a museum, gallery, or related facility during economic hard times, as well as finding the funds to launch new institutions. But most universities and colleges have made such adjustments in the past, and are likely to do so again.

Index / Chapters 1-8 A A. D. Buck Museum of History and Natural Sciences, 23 A. E. Seaman Mineral Museum, 42-43, 126 Aaron Douglas Gallery, 124 Abraham Lincoln Museum, 54 Abrams Planetarium, 21, 48, 97-98, 131 Admission fees, 133-135 Advisory committees, 69-70, 76 African American Museum and Gallery, 16 African American museums and galleries, 16, 55-56, 122-123 African Art Gallery/Harrison B. Wilson Archives and Art Gallery, 9 Agassiz, Louis, 36, 40 Agricultural museums, 2, 14, 16, 29, 58-59, 102 Alabama Museum of Natural History, 3, 5, 126 Alabama Museum of the Health Sciences, 51

Alabama Museum of Natural History, 3, 5 Alabama State Black Achievers Research Center and Museum, 55 Alaska Museum of the North, 134 Albion College, 45, 110 Allen Memorial Art Museum, 8, 113, 116 American Association of Museums, 2 American Museum of Asmat Art, 14, 64 American University, 24 American Heritage Center, 64, 69-70, 134 American University Museum at the Katzen Arts Center, 24 American West Heritage Center, 9, 12, 16, 54-55. 58, 64, 69-70 American Work Horse Museum, 138 Amherst College, 5, 8, 10, 12, 14, 36, 65, 74, 100, 109, 112-113, 121, 124, 139 Amherst College Museum of Natural History, 5, 109 Amistad Research Center, 16, 55, 103, 122-123 Anderson Gallery, 34

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Anderson University, 57 Art museums and sculpture gardens, 1-2, 7-8, 10-12, 23-24, 29-34, 82-84, 91-93, Andrews University, 57 106-107, 115-118, 132 Anthropology Museum (University of San Ashby Hodge Gallery of American Art, 34 Diego), 133 Ashfall Fossil Beds State Park, 18, 42, 95, Antioch College, 20, 45, 130 110, 126 Appalachian Center for Crafts, 132 Ash Lawn-Highland, 9, 52-53, 100, 113 Appalachian Cultural Museum, 23, 138 Asian Arts Gallery, 11 Appalachian State University, 23, 138 Associated Universities, Inc., 3, 10, 21, 48 Appleton Museum of Art, 134 Association of Art Museum Directors, 78 Aquariums, 9, 15-27, 49-50, 75, 86-87, Association of Universities for Research in 98-99, 128 Astronomy, Inc., 3, 10, 21, 48 Arboretum at Arizona State University, 20 Astronaut Memorial Planetarium and Archaeology, anthropology, and ethnology Observatory, 21, 49 museums, 2, 17, 19, 29, 37-39, 94, Ataloa Lodge Museum, 56, 103 125-126 Athletic Hall of Excellence, 13, 62 Arecibo Observatory, 21, 131 Attendance, museum, 26-27, 31, 35, 45-46, Arizona State Museum, 17, 94, 112 131-133 Arizona State University, 2, 17, 20, 24-25, Auburn University, 24, 62, 123, 139 39, 61, 96, 118-119, 123, 126 Augustana College (Illinois), 8 Arizona State University Art Museum, 118 Arkansas State University, 14, 64, 103, 124 Augustana College (South Dakota), 57, 61, 87 Arkansas State University Museum, 14, 64, Aurora University, 16, 56, 123, 134-135 103, 124 Austin Peavy State University, 71 Arkansas Tech University, 121 Avenir Museum of Design and Arkansas Tech University Museum, 121 Merchandising, 59, 140 Armstrong Browning Library, 14, 65, 101, Avery Research Center for African 124 American History and Culture, 55 Arnold Arboretum of Harvard University, 7, 44-46, 76, 96, 129, 132 Art galleries, 1-2, 7-9, 12, 16, 24, 29, B 33-35, 82-84, 93, 107, 118-120 Art Gym, The, 120 Bacone College, 56, 103 Arthur Herbarium, 44 Badè Museum of Biblical Archaeology, 16, Arthur M. Huntington Gallery, 11, 139 57, 102, 122 Arthur M. Sackler Museum, 11, 31, 72, 93, Baker University, 9, 54, 57, 102, 108, 122, 117 133 Arthur Ross Gallery, 119 Baldwin Photographic Gallery, 61 ArtLab Program, 118 Ball State University, 8 Art Museum at the University of Kentucky, Ball State University Museum of Art, 8 The, 116 Baltimore College of Dental Surgery Art Museum at West Virginia University, Museum, 51 The, 139 Bard College, 87, 118, 139

Index / Chapters 1-8 143

Bard Graduate Center, 87 Baron and Ellin Gordon Art Galleries, 34 Baruch College, City University of New York, 71, 120 Bassett Planetarium, 20 Baylor University, 5, 13-14, 24, 26, 65, 100-101, 121, 124, 130 Baylor University College of Medicine, 20, 34, 51, 99, 140 Beall Center for Art + Technology, 84 Bellarmine Museum, 118 Bell Museum of Natural History, 5, 37, 41, 78, 85, 94, 130 Beloit College, 7, 37, 72 Berea College, 34, 61 Berkeley Natural History Museums, 18, 36, 72 Berra, Yogi, 13, 63 Bethany College (Kansas), 102, 122 Bethany College (West Virginia). 13, 54, 107 Bethel College, 7 Bethune-Cookman College, 13, 55 Bible collections, 16, 54, 57, 102, 108, 122 Big Sandy Community and Technical College, 22, 46, 130 Billy Graham Center Museum, 17, 57, 122 Birch Aquarium at Scripps, 9, 26-27, 49-50, 75, 86-87, 98-99, 128, 133 Blackwater Draw Museum, 19, 39, 126 Blaffer Gallery: The Art Museum of the University of Houston, 34 Blanton Museum of Art, 11, 26, 31, 117, 132, 134, 139 Blue Ridge Farm Museum, 58, 122 Blue Ridge Institute and Museum, 12 Blum Art Gallery, 34 Bob Campbell Geology Museum, 24, 110 Bob Jones University, 57, 119, 122 Bob Jones University Museum and Gallery, 57, 119, 122 Boone, Daniel, 14, 108, 121

Boston College, 12, 64, 111 Boston College Art Gallery, 12 Boston College Libraries, 54 Boston University, 77 Boston University Art Gallery, 77 Botanical gardens, arboretums, herbariums, and nature centers, 2, 17, 19-20, 29, 33 43-46, 96-97, 110, 128-130, 132 Botanical Museum of Harvard University, 5, 19, 36, 44-45, 72, 96, 128, 134 Botanic Garden of Smith College, 44, 132 Bowdoin College, 3, 30, 35 Bowdoin College Museum of Art, 3, 30 Bowers Science Museum, 17 Bowling Green State University, 21, 24, 76 Bowling Green State University Fine Arts Center Galleries, 76 Bowling Green State University Planetarium and Observatory, 21 Boyce Thompson Arboretum, 45 Brackbill Planetarium, 138 Bradbury Science Museum, 10, 46 Brevard Community College, 21, 49 Bridgewater College, 16, 64 Brigham Young University, 11, 17-18, 21, 24, 26, 31, 37, 42, 45, 86, 109, 117-118, 130, 132-133 Brigham Young University Museum of Art, 11, 24, 31, 117-118, 132 Brigham Young University Museum of Paleontology, 18, 42 Bronx Community College, City University of New York, 9, 33, 122 Browning, Robert and Elizabeth, 14, 101 Brown University, 19, 35, 93 Bryan Gallery, 24 Bryant Arts Center Gallery, 34, 139 Bryn Athyn College, 102, 122 Bucknell University, 83, 107 Burchfield Penney Art Center, 134 Burke Museum of Natural History and Culture, 17, 36, 94

144


Busch-Reisinger Museum, 8, 31, 72, 93, 117 Bush, George, 14-15 Bush, George W., 14

C C. H. Nash Museum, 19, 39 CU Art Museum, 24, 139 California Association for Research in Astronomy, 10, 48, 131 California Institute of Technology, 8, 48, 131 California State University, Chico, 64, 124, 130 California State University, Fullerton, 33, 70, 86, 97, 129 California State University, Long Beach, 33 California State University, San Bernardino, 24, 106 Capital University, 34 Carnegie Mellon University, 20, 44, 96, 119, 128 Carpenter Center for the Visual Arts Galleries, 119 Case Western Reserve University, 8, 20, 50, 65, 99, 126 Cedar Crest College, 22, 46, 111, 130, 140 Center for American Music Museum, 61, 64, 124 Center for Conservation and Technical Studies, 72, 117, 117 Center for Creative Photography, 11, 61, 102, 123 Center for Meteorite Studies Museum, 96, 126 Center for Visual Art, 24, 34 Center for Western Studies, 57, 66, 87 Center of Southwest Studies Gallery, 66 Central Florida Community College, 134 Central Methodist University, 16, 34, 57 Ceramics Research Center, 118

Cernan Earth and Space Center, 48-49, 99, 111, 131 Cerro Tololo Inter-American Observatory, 47 Chadron State College, 139 Chadwick Arboretum and Learning Gardens, 19, 129 Chapin Library of Rare Books, 64, 124 Charles H. Templeton, Sr. Music Museum, 61, 102 Charles r. Conner Museum, 41 Chazen Museum of Art, 10, 31 Chester H. Wilson Geology Museum, 138 Chucalissa Mounds, 19 Churchill, Winston, 13, 54, 64 Circle Gallery, 24 Citadel Archives and Museum, The, 5, 14, 65, 124 Citadel, The Military College of South Carolina, The, 5, 14, 65, 124 City University of New York, 9, 13, 33, 65-66, 71, 120, 122 Clara Hutton Gallery, 120 Claremont Colleges, 68, 73 Clarion University of Pennsylvania, 14, 124 Clark Atlanta University, 56 Clark Atlanta University Art Galleries, 56 Clemson University, 13, 24, 26, 40, 54, 107, 110, 132 Clemson University Arthropod Collection, 40 Clendening History of Medicine Library and Museum, 20, 51, 65, 127 Clever Planetarium and Earth Sciences Museum, 49 Closings, museum, 22-23, 137-139 Coca-Cola Space Science Center, 21, 111, 131 Coe College, 14, 101, 120 Coe College Art Galleries, 14, 101, 120 Colgate University, 12, 34


Collection of Historical Scientific Cornell Costume and Textile Collection, Instruments, 22, 46, 97, 110, 127 108 Collections, museum, 3, 17, 25-26, 32-37, Costume, textile, and fashion museums, 2, 39, 41, 43, 50, 59, 82, 91-103, 106-110, 11, 29, 59-60, 101 125-131 Cranbrook Art Museum, 134 College of Charleston, 16, 55 Cranbrook Educational Community, 22, 47, College of Eastern Utah, 18, 42, 125 110, 112, 131, 134 College of Eastern Utah Prehistoric Cranbrook Institute of Science, 22, 47, 110, Museum, 18, 42, 125 112, 131 College of Southern Idaho, 47 Crisp Museum, 64, 140 College of the Atlantic, 34 Culinary Arts Museum, 66 College of the Ozarks, 9, 54, 121 Cullis and Gladys Wade Clock Museum, 66 College of William and Mary, 3, 9, 14, 30, Cyrus M. McCormick Memorial Museum, 50, 53-54, 99-100, 113 13, 58 Colorado School of Mines, 7, 42 Colorado School of Mines Geology D Museum, 7, 42 DNA EpiCenter, 138 Colorado State University, 59, 120, 140 Danforth Museum of Art, 69, 134 Columbia College Chicago, 61, 103 Daniel Boone Home and Boonesfield Columbia University, 12 Village, 14, 108, 121 Columbus State University, 21, 111, 131 Dartmouth College, 3, 11, 93, 113, 118 Comer Museum, 43 David Winton Bell Gallery, 35, 93 Concordia University (Nebraska), 119-120 Da Vinci Science Center, 22, 46, 111, 130, Connecticut College, 138 140 Connecticut College Arboretum, 129 Davis Art Gallery, 133 Connecticut State Museum of Natural Davis Gallery at Houghton House, 119 History, 17-18 Davis Museum and Cultural Center, 31, Conner Prairie Interactive Historical Park, 117 14, 54, 58, 75, 100, 108, 121, 133-134 Daytona State College, 61, 103, 109, 123 Connors State College, 138 Deer Valley Rock Art Center, 24, 39 Conservation, 72, 117 Delaware Technical and Community Consortiums, 10, 18, 21, 36, 46-47, 73 College, 66 Contract facilities, 10, 46 Delaware Valley College, 58 Cook-Hayman Pharmacy Museum, 52 Coordination of campus museums, 2-3, 13, Denison University, 34, 139 Dental Museum (University of Pittsburgh), 18, 68, 70-74 52 Cornell College, 34 Cornell Plantations, 19, 45-46, 97, 129, 132 Dental museums, 23, 51-52, 87, 127 DePaul University, 118 Cornell University, 8-9, 11, 19, 21, 31, DePaul University Art Museum, 118 45-46, 60, 93, 96-97, 108, 117, 128-129, DePauw University, 19, 24, 34, 139 131-132

146


DePauw University Anthropology Museum, 19 de Saisset Museum, 57-58 Design Center at Philadelphia University, The, 59, 101, 108, 122 Devos Art Museum, 139 Diablo Valley College, 138 Diablo Valley College Museum and Planetarium, 138 Dickinson College, 34, 71 Diggs Gallery, 34, 56 Discovery rooms, 130 Discovery Zone, 22, 46, 131, 140 Dittrick Museum of Medical History, 8, 20, 50, 65, 99, 126 Dr. Samuel D. Harris National Museum of Dentistry, 20, 51, 87, 127 Dolf Briscoe Center for American History, 13 Doris Ulmann Galleries, 34, 61 Drexel Historic Costume Collection, 8 Drexel University, 8, 23, 60, 119 Drexel University Museum, 23 Duke University, 11, 14, 20, 32, 51, 117, 126-127, 134 Dunbarton Oaks Research Library and Collection, 14, 100-101, 112, 124 Dunham Bible Museum, 16 Durrell Museum, 42 Dyer Observatory, 20

E

Eastern Washington University, 77 East Kentucky Science Center, 22, 46, 130 East Texas Oil Museum, 14, 108, 121 Eddie G. Robinson Museum, 62, 123 Eli and Edythe Broad Art Museum, 24, 117, 139 Elizabeth and Bryon Anderson Sculpture Garden, 11, 24, 33, 107 Elizabeth Sage Historic Costume Collection, 8, 60, 75 Elmer H. Grimm, Sr. Pharmacy Museum, 52, 127 Emerson Gallery, 120 Emily Dickinson Museum: The Homestead and The Evergreens, 12, 100, 121, 139 Emory University, 8, 31, 69, 132, 140 Emory University Planetarium and Observatory, 140 Emporia State University, 9, 17, 21, 118, 129 Emporia State University Herbarium, 129 Entomology Research Museum, 95, 109, 125 Entomology museums, 2, 17-18, 39-40, 94-95 Essig Museum of Entomology, 7, 18, 40, 72, 109, 113, 125 Ethnic museums and galleries, 2, 9, 14, 16, 29, 55-57, 103, 122-123 Evergreen Museum and Library, 100, 113 Exhibits, 37, 46, 105-111, 120-131 Ewing Gallery of Art and Architecture, 12, 35

E. M. Violette Museum, 23 Earlham College, 14, 49, 54, 69, 75, 100, F 108, 121, 130, 133-134 Earth and Mineral Sciences Museum and FIDM Museum and Galleries, 59 Gallery, 35, 43, 95 Facilities, museum, 26, 34, 115-124 Eastern Arizona College, 20 Fairfield University, 118 Eastern Mennonite University, 138 Farm House Museum, 59 Eastern New Mexico University, 14, 39, 43, Fashion Institute of Design and 126 Merchandising, 59


Fashion Institute of Technology, 11, 59, Franklin and Marshall College, 7-8, 47, 101, 122, 133 130, 139 Faulconer Gallery, 12, 24, 34, 107 Franklin D. Murphy Sculpture Garden, 11, Faulkner, William, 12, 107 33, 107 Fellow-Reeve Museum of History, 23, 138 Frank Museum of Art, 118 Fermi National Laboratory, 10, 46 Frederick R. Weisman Museum of Art, Ferrum College, 12, 58, 120 11-12, 23-24, 31, 33-34, 117, 132 Fiedler Memorial Museum, 19 Fred Lawrence Whipple Observatory Financial support, museum, 22-23 Visitors Center, 47, 99, 131 Firestone Library Galleries, 64, 124 Fred Rush Forest, 97 Fiske Planetarium and Science Center, 21, Friends University, 23, 138 49, 111, 131 Frost Entomology Museum, 18, 40, 95 Fisk University, 16, 56, 123-124 Fryxell Geology Museum, 8 Fisk University Galleries, 16 Fullerton Arboretum, 70, 86, 97, 129 Fleischmann Planetarium and Science Future of museums, 25, 27, 140 Center, 21, 47, 49, 131 Florida A&M University, 55 Florida Gulf Coast University, 20, 51, 127 G Florida International University, 93, 118 Gallery 400, 120 Florida Museum of Natural History, 17, 26, Gallier House, 23, 137 37, 40, 75, 94, 133 Gannon College, 23, 137 Florida State University, 31, 75, 116-117, Gari Melchers Home and Studio at 132, 134 Belmont, 134 Fogg Art Museum, 7, 31-32, 62, 72, 93, Gateway Science Museum, 130 106, 117 General museums, 2, 14, 16, 29, 62-63, Folger Shakespeare Library, 14, 65, 103, 124 100-101, 112-113, 124 Geological Museum (University of Ford, Gerald E., 14, 26 Wyoming), 23, 42 Fort Belknap Museum and Archives, 9 Geology and mineralogy museums, 5, Fort Hays State University, 18, 42-43, 95-96 Fort Robinson State Park, 18, 42, 95, 110, Geology Museum (University of New 126 Mexico), 95-96 Fort Worth Contemporary Arts, 24, 139 Fowler Museum at UCLA, 19, 89 Geology Museum (University of Framingham State College, 69, 134 Wisconsin-Madison), 5 Frances Lehman Loeb Art Center, 7, 31, George Bush Presidential Library and 34, 117 Museum, 14-15, 99, 124, 134 Frances Loeb Library Special Collections George C. Marshall Museum, 13 Gallery, 7 George Segal Gallery, 24, 34, 139 Francis Colburn Gallery, 119 George W. Bush Presidential Library, 14, Franco-American Collection, 56 124 Frank H. McClung Museum, 16, 63, 124 Georgetown University, 14, 58

148


Georgetown University Art Collection, 14, H 58, 124 George Washington Carver Museum, 16, H. S. Mendenhall Observatory, 20-21 55, 107, 123, 133 Haffenreffer Museum of Anthropology, 19 George Washington University, 25 Hallie Ford Museum of Art, 134 Georgia College and State University, Hall of Fame for Great Americans, 9, 37, 12-13, 18 122 Georgia College and State University Hall of Valor Civil War Museum, 122 Museum, 12-13 18, 24, 139 Hamilton College, 120 Georgia Institute of Technology, 66 Hammer Museum, 31, 69, 75, 82, 106 Gerald F. Ford Library, 14, 26, 99-100, Hampton University, 5, 16, 55, 103 124, 133 Hampton University Museum, 5, 16, 55, Gillespie Museum, 95, 134 103 Glencairn Museum, 102, 122 Harder Center Gallery, 34 Glen Helen Nature Preserve and Trailside Hardin Planetarium, 21 Museum, 20, 45, 130 Harold L. Lyon Arboretum, 8, 45 Glensheen Historic Estate, 13, 134 Goldstein Museum of Design, 59, 101, 108, Harry Ranson Center, 26, 101 Hartwick College, 14, 63, 68,72, 103, 124 113 Harvard Art Museums, 7-8, 11, 26, 31, 62, Goucher College, 74 68-69, 72, 75, 91-93, 113, 117, 119, 132, Governance, museum, 67-70 134 Governor Aker Observatory, 20 Harvard College Observatory, 5, 21, 47 Governor Bill and Vara Daniel Historic Harvard Forest and Fisher Museum of Village, 13, 100, 121 Governors State University, 33 Forestry, 45, 97, 110, 128 Graduate School of Design Gund Gallery, Harvard Museum of Natural History, 18, 119 36, 40-42, 68, 72, 97, 125-126, 133 Grambling State University, 13, 62, 123 Harvard-Smithsonian Center for Greene-Nieuwland Herbarium, 44 Astrophysics, 21, 47, 99, 131 Gregg Museum of Art and Design, 11 Harvard University, 2-3, 5, 7-8, 11, 14, Grey Art Gallery, 34, 134 18-22, 25-26, 31-32, 36-37, 39-40, 42, Grinnell College, 12, 24, 34, 107 44-48, 62, 65, 68-69, 72-73, 75-76, Grunwald Center for the Graphic Arts, 11, 93-97, 99-100, 106, 110, 112-113, 117, 31, 69 119, 124-129, 131-134 Guilford College, 24, 101 Harvard University Herbaria, 7, 18, 20, 44, Guilford College Art Gallery, 24, 101 97, 125-126, 129 Gulf Coast Research Laboratory Museum, Harvey Cushing/John Hay Whitney 50 Medical Library/Historical Library, 3, 14, Gustav Jeeninga Museum of Bible and 51, 65, 99, 108 Near Eastern Studies, 57 Harvey S. Firestone Library, 14, 101, 108


Harwood Museum of Art of the University Historically-oriented museums and galleries, 52-60, 126-127, 133 of New Mexico, 134 Historical museums, houses, and sites, 2, 9, Haskell Indian Nations University, 16, 56, 12-14, 29, 52-55, 100, 107-108, 120-122 108, 123 Historic Bethany, 13, 54, 107 Haskell Indian Nations University Cultural Historic Costume and Textiles Collection Center and Museum, 16, 56, 108, 123 (Ohio State University), 58, 122 Hatfield Marine Science Center, 50, 128, Historic New Harmony, 13, 54, 100, 108, 133 122 Haverford College, 5, 19, 44-45, 97 Historic Textile and Costume Collection Haverford College Arboretum, 5, 19, 44-45, (University of Rhode Island), 59, 87, 101 97 History of Aviation Collection, 64, 124 Health care museums, 20, 51, 127 History of Medicine Collections, 14, 20, Hearst Art Gallery, 35, 57, 93 126-127 Hebrew Union College-Jewish Institute of History of Pharmacy Museum, 20, 52, 127 Religion (Cincinnati), 16, 56, 58, 122 History of university museums, galleries, Hebrew Union College-Jewish Institute of and related facilities, 1-27 Religion (Los Angeles), 16, 56, 58, 102, Hite Art Institute Galleries, 35 122, 133-134 Hobart and William Smith Colleges, 119 Hebrew Union College-Jewish Institute of Hofstra University, 33 Religion (New York), 16, 56, 58, 108, Hood Museum of Art, 11, 30, 93, 113, 118 122 Horner Museum, 23, 138 Hebrew Union College-Jewish Institute of Housatonic Community College, 72 Religion Museum, 16, 56, 58, 108, 122 Houston Baptist University, 12, 16 Hefner Zoology Museum, 18 Howard University, 16, 55-56 Helen Louise Allen Textile Collection, 59 Howard University Gallery of Art, 16, Hempshire College, 21, 74 55-56 Hempshire College Observatory, 21 Humboldt State University, 23, 138 Henderson State University, 64 Humboldt State University Natural History Henderson State University Museum, 64 Museum, 23, 138 Henry Art Gallery, 8, 31, 34, 62, 118 Hunt Institute for Botanical Documentation, Henry Ford Estate, 23, 137 20, 44, 96, 128 Henry Lay Sculpture Garden, 11, 24, 33 Herbert F. Johnson Museum of Art, 11, 31, I 93, 117 I. P. Stanback Museum and Planetarium, Heritage Hall Exhibit Area, 62 47, 49, 56 Hermann-Grima House, 23, 137 Idea Place, 22, 24, 46, 111, 130-131 Herrett Center for Arts and Science, 47 cImiloa Astronomy Center of Hawaii, 22, Hessel Museum of Art, 118, 139 131, 140 Hidden Lake Gardens, 96 Indian Arts Research Center, 56, 134 Hilltop Garden and Nature Center, 70 Indiana State University, 118 Historical Dental Museum, 20

150


Indiana University, 8, 19, 26, 31-32, 48, 58, 60, 64, 70, 74, 76, 101, 117 Indiana University Art Museum, 31-32, 58, 117 Institute of American Indian Arts, 16, 56, 103, 123 Institute of Contemporary Art, 11, 106 Institute of Meteorites, 96 Institute of Texan Cultures, 26, 54, 133 Intermountain Herbarium, 19, 133 Iowa State University, 2, 11, 24, 33, 59, 68, 72, 107 Iris and B. Gerald Cantor Center for Visual Arts (Stanford University), 7, 12, 31-32, 106, 132 Islander Art Gallery, 139

J

Jewish Museum, The, 9, 16, 57-58, 69, 88, 102, 133 Jewish Theological Seminary of America, 9, 16, 56, 58, 69, 88, 102, 133 Jim Click Hall of Champions, 13, 62 Jonathan B. Lovelace Museum and Hall of Honor, 62, 123 John and Mable Ringling Museum of Art, 31, 75, 116-117, 132, 134 John A. Logan College, 64 John A. Logan College Museum, 64 John C. Calhoun House, 54 John C. Wells Planetarium, 97 John E. Conner Museum, 14, 63 John Payson Willston Observatory, 7 Johns Hopkins University, 5, 13, 37, 100, 113 Johns Hopkins University Archaeological Collection, 5, 37 Johnson, Andrew, 14, 54 Johnson, Lyndon Baines, 14 Johnson and Wales University, 66 Johnson County Community College, 132, 139 Johnson Gallery, 138 Jones Archaeological Museum, 19, 126 Jonson Gallery, 23 Jordan Schnitzer Museum of Art, 8 Joseph Moore Museum, 49, 130 Jule Collins Smith Museum of Fine Art, 24, 139

J. C. Raulston Arboretum, 132 J. Houston Gordon Museum, 64 JMC Meteorite Collection, 97 J. Robert Donnelly Husky Heritage Sports Museum, 62 J. Wayne Stark University Center Galleries, 24, 34, 107 Jack Nicklaus Museum, 13, 62-63, 139 Jack Olson Gallery, 119 Jackson, Stonewall, 54 Jackson’s Mill, 54 Jacksonville University, 71 James E. Lewis Museum of Art, 16, 65 James Madison University, 97 K James Monroe Museum and Memorial Library, 54 KSU Historic Costume and Textile Jane Addams Hull-House Museum, 13, 121 Museum, 60 Jane Voorhees Zimmerli Art Museum, 33 Kalamazoo Institute of Art, 70 Jean Jennings Bartik Computing Museum, Kalamazoo Institute of Art Museum, 70 22, 46 Kalamazoo Valley Community College, 22, Jefferson, Thomas, 12, 52-53, 100 46, 70, 131 Jensen Historic Farm, 9, 16, 54, 58 Kalamazoo Valley Museum, 22, 46, 70, 131


Kansas State University, 11, 18, 24, 40, 44, 60, 70, 109-110, 118 Kansas State University Insect Zoo, 18, 24, 40, 109-110 Kansas State University Herbarium, 44 Keene State College, 34, 83 Kellogg Farm and Dairy, 59 Kelsey Museum of Archaeology, 8, 39 Kemp Mineral Resources Museum, 24 Kent State University, 60, 107 Kent State University Museum, 60 Kent State University School of Art Galleries, 107 Kentucky Folk Art Center, 11 Kentucky Library and Museum, 9, 100 Kilgore College, 14, 108, 121 Kitt Peak National Observatory, 48, 131 Kitt Peak National Observatory Visitor Center and Museum, 131 Kleist Health Education Center, 20, 51, 127 Koshare Indian Museum, 56 Kotteman Gallery of Dentistry, 52 Krannert Art Museum and Kinkead Pavilion, 10, 70, 132

L L. H. Bailey Hortorium, 8, 96, 128 LSU Textile and Costume Museum, 60 Ladd Observatory, 14 Lady Bird Johnson Wildflower Center, 20, 96, 128, 132, 134 Lafayette College, 119 Lafayette College Art Galleries, 119 LaGuardia and Wagner Archives Museum, 65-66 LaGuardia Community College, City University of New York, 65-66 Lake Superior State University, 24 Lamar University, 14, 108, 121 Lawrence Hall of Science, 21-22, 46, 49, 85, 110, 130, 133

Lawrence Livermore National Laboratory, 10, 137-138 Lawrence University, 14, 56, 107 Laws Observatory, 5 Leander J. McCormick Observatory, 48 Lebanon Valley College, 24 Lederman Science Center, 10, 46 Lee Chapel and Museum, 9, 12-13, 54, 100, 134 Lee, Robert E., 9, 12-13, 54, 100 Lehigh University, 32, 71, 116 Lehigh University Art Galleries/Museum, 32, 34, 116 Lehman College, 34 Lehman College Art Museum, 34 Leitner Family Observatory and Planetarium, 21, 24, 48 Lentz Cener for Asian Cultures, 23, 138-139 Leonard Pearlstein Gallery, 119 Leore Degenstein Gallery, 12 Lewiston-Auburn College, 56 Library and archival collections and galleries, 2, 14, 29, 64-66, 100-101, 124 Lick Observatory, 47 Lilly Library Galleries, 64, 101 Lincoln, Abraham, 54, 65 Lincoln Memorial University, 54, 65 Lindenwood University, 14, 108, 121 Living History Farm, 58, 133 Logan Museum of Anthropology, 7, 37 Lois Dowdle Cobb Museum of Archaeology, 19 Los Alamos National Laboratory, 10, 46 Louisiana Museum of Natural History, 18 Louisiana State Arthropod Museum, 18, 40 Louisiana State University, 13, 18, 26, 40, 43, 50, 59-60, 64, 71, 108 Louisiana State University in Shreveport, 54 Louisiana Tech Museum, 124

152


Louisiana Tech University, 22, 24, 46, 90, 101, 111, 124, 130-131 Lowe Art Museum, 10, 34, 83, 118, 134 Loyola University Chicago, 24, 57, 134, 139 Loyola University Museum of Art, 24, 57, 134, 139 Luce Gallery, 34 Luther College, 73 Luther W. Brady Art Gallery, 35 Lycoming College, 65 Lyndon Baines Johnson Library and Museum, 14, 88, 99, 124, 133 Lytle Ranch Preserve, 45, 130

M MDM Observatory Consortium, 10, 21 MIT Museum, 22, 85-86, 111-112, 127 Macalester College, 74-75 Macaulay Museum of Dental History, 20, 51-52, 127, 133 Madison, James, 14, Magale Library Gallery, 64 Marianna Kistler Beach Museum of Art, 11, 70, 118 Management structures, museum, 2-3, 70-72 Mandeville Gallery, 24, 119 Manor Junior College, 16, 56, 123 Margaret Dow Towsley Sports Museum, 62 Mari Sandoz High Plains Heritage Center, 139 Marine sciences and aquariums, 2, 9, 49-50, 98-99 Marine Sciences Museum (University of Puerto Rico), 50 Mari Sandoz and High Plains Heritage Center, 139 Marquette University, 58 Marshall M. Frederick Sculpture Museum, 11, 33, 106-107

Mars Space Flight Facility, 14 Marvin Samson Center for History of Pharmacy, 52, 127 Marxhausen Art Gallery, 119 Marylhurst University, 120 Mary McLeod Bethune Home, 16, 55 Mascaro-Steiniger Turfgrass Museum, 66 Massachusetts Institute of Technology, 22, 46, 71, 85-86, 111-112, 127 Mathers Museum of World Cultures, 19, 62 Matthaei Botanical Gardens, 8, 19, 128, 134 Mauna Kea Observatories, 48 Maxwell Museum of Anthropology, 39 Mayborn Museum Complex, 26, 130 McBean Gallery, 34 McDonald Observatory, 8, 48, 131 McGregor Herbarium, 73 McKissick Museum, 16, 43, 63, 91, 109 McMullen Museum of Art, 111 McPherson College, 16, 64 McPherson Museum, 16, 64 Mead Art Museum, 10 Meadow Brook Hall, 13, 134 Meadows Museum (Southern Methodist University), 106 Medical, dental, and health museums, 2, 17-18, 20, 50-52, 99, 126-127 Medical history collections, 7, 14, 18, 20, 22, 44, 46, 50-51, 65, 97, 110, 126-127 Medical libraries, 50 Medical University of South Carolina, 20, 51, 65, 127, 133 Memorial Art Gallery (University of Rochester), 8, 31, 116, 132 Mennonite Library and Archives, 102 Meteorite Museum (University of New Mexico), 43, 96, 126 Meteorite museums, 19, 24, 43, 96-97, 126, 140 Meteorite Studies Museum, 126


Metropolitan State College of Denver, 24, 34 Meyer Library Special Collections and Archives, 65 Miami University, 18, 121 Michael C. Carlos Museum, 8, 31, 69, 132 Michael E. DeBakey Library and Museum, 20, 24, 51, 99, 140 Michigan State University, 2, 5, 7, 19, 21, 24, 26, 37, 41, 44-45, 48, 59, 73, 76, 96, 98-99, 117, 131, 133-134, 139 Michigan State University Herbarium, 97 Michigan State University Museum, 5, 37, 41, 96-97, 133-134 Michigan Technological University, 42-43, 126 Middlebury College, 116 Middlebury College Museum of Art, 116 Middle Tennessee State University, 61 Middleton and Hill Memorial Libraries, 64 Mildred E. Mathias Botanical Garden, 45, 96, 128 Miles Mineral Museum, 19, 43 Miller Gallery at Carnegie Mellon, 119 Mills College, 116 Mills College Art Museum, 116 Mineral Museum (Montana Tech), 43, 126 Mineralogical Museum at Harvard University, 18, 36, 42, 72, 126 Minnesota Landscape Arboretum, 26, 45-46, 96, 110, 129, 132 Miriam and Ira D. Wallach Art Gallery, 12 Mission San Diego de Alcala, 16, 57, 122 Mission Santa Clara de Asis, 16, 57, 122 Mission statements, 82-89 Mississippi Baptist Historical Collection, 133 Mississippi College, 133 Mississippi Entomological Museum, 40 Mississippi State University, 40, 61, 65-66, 102 Mississippi University for Women, 65

Mississippi University for Women Archives and Museum, 65 Missouri State Arboretum, 97, 129 Missouri United Methodist Archives, 16, 57 Mobile Medical Museum, 20, 51 Monroe, James, 9, 52, 54, 100, 113 Monroe Moosnick Medical and Science Museum, 22, 46, 51, 97, 110 Montana State University, 12, 17, 21, 35-36, 43, 49, 58, 133-134 Montana Tech of the University of Montana, 43, 126 Montclair State University, 13, 24, 33-34, 62, 133, 139 Monte L. Bean Life Science Museum, 17, 37, 109, 133 Moore College of Art and Design, 12, 35, 119 Morehead Planetarium and Science Center, 21, 48, 85, 99, 131, 133 Morehead State University, 11 Morgan State University, 16, 55 Morrill Land–Grant Acts, 5 Morris Arboretum of the University of Pennsylvania, 18, 33, 44-45, 96, 129, 134 Mott Community College, 138 Moundville Archaeological Park, 19, 126 Mountain Heritage Center, 12 Mount Holyoke College, 7, 74-75, 133 Mount Holyoke College Art Museum, 75 Mount Lemmon SkyCenter, 22, 86, 131 Mount Mary College, 8, 60 Mount Mary College, Historic Costume Collection, 8, 60 Mount Vernon Nazarene University, 34 Mudd Gallery, 14, Mulvane Art Museum, 8 Museum and Laboratories of Ethnic Arts and Technology, 19 Museum of American Art, 30, 32 Museum of Anthropology (California State University, Chico), 64, 101, 124

154


Museum of Anthropology (University of Museum of Southern History, 12, Museum of Southwestern Michigan Kentucky), 138 College, 47, 107, 121 Museum of Anthropology (University of Museum of Texas Tech University, 54, 62, Michigan), 109 103, 133 Museum of Anthropology (Washington Museum of the Big Bend, 12, 54 State University), 118 Museum of the High Plains, 18 Museum of Art (Rhode Island School of Museum of the Native American Resource Design), 7, 26, 31, 62, 75, 116-117, 134 Center, 16, 56 Museum of Art and Archaeology, 11, 32, Museum of the Rockies, 17, 21, 35-36, 43, 76 49, 58, 133-134 Museum of Art and Culture, 11 Museum of Vegetable Products, 5, 44 Museum of Biodiversity, 24, 140 Museum of Classical Archaeology and Art, Museum of Vertebrate Zoology, 7, 19, 41, 72, 109, 125 8 Museum of Wildlife and Fish Biology, 41 Museum of Comparative Zoology, 5, 18, Museum of Zoology (University of 36, 40, 50, 72, 95, 125-126 Massachusetts Amherst), 41 Museum of Contemporary Art Jacksonville, Museum of Zoology (University of 116 Michigan), 19, 36, 40 Museum of Contemporary Native Arts, 16, Music museums, 2, 29, 60-61, 102, 109 56, 103, 123 Museum of Contemporary Photography, 61, 103 N Museum of Contemporary Religious Art, 16-17, 24, 57, 108 NASA Regional Planetary Image Facility, Museum of Entomological and Prairie 123 Arthropod Research, 40 NCCU Art Museum, 55 Museum of European Cultures, 8 Nakamoto Gallery, 2 Museum of Fashion and Textiles, 60 Nasher Museum of Art, 11, 32, 117, 134 Museum of Fine Arts (Georgia College and Nathan Manilow Sculpture Park, 33 State University), 139 National Afro-American Museum and Museum of FIT, 11, 59, 101, 122, 133 Cultural Center, 16, 55, 108, 123, 134 Museum of History, Anthropology, and Art, National Aeronautics and Space 64, 103 Administration, 17, 123 Museum of Invertebrate Paleontology, 23, National Cable Television Center Museum, 73 66 Museum of Natural History (Princeton National Center for Atmospheric Research, University), 23, 138 10 Museum of Natural Science, 43, 50 National Music Museum, 60, 102, 122, 133 Museum of Paleontology (University of National Optical Astronomy Observatories, Michigan), 36, 41, 72, 109, 125 48 Museum of Peoples and Cultures, 86 National Polish-American Sports Hall of Museum of Political Life, 23 Fame, 57, 62


National Radio Astronomy Observatory, 48 North Carolina Central University, 55 North Carolina State University, 34, 132 National Radio Astronomy Observatory North Dakota Museum of Art, 134-135, Science Center, 48 138 National Ranching Heritage Center, 17, 54, North Dakota State University, 11 59, 100, 121 Northern Illinois University, 119 National Science Foundation, 3, 10, 21, 48 Northern Kentucky University, 120 National Solar Observatory Visitor Center, Northern Kentucky University Art 48 Galleries, 120 National Wrestling Hall of Fame and Northern Michigan University, 139 Museum, 62 Northern Oklahoma College, 23 Native American museums and galleries, North Museum of Natural History and 16, 56, 123 Science, 7-8, 47, 130 Natural History Collection, 41 North Museum Planetarium, 47 Natural History Museum and Planetarium Northwest History Museum and Archives, (Georgia College and State University), 14 18, 24 Northwest Missouri State University, 22, Natural and cultural history museums, 2, 26, 46, 59, 66, 97, 102, 129 17-18, 29, 35-37, 94 Northwest’s Agricultural Museum, 59, 102 Nebraska Conference United Methodist Norwegian American Historical Association Historical Center, 58 Archives, 16-17, 56, 123 Nebraska Wesleyan University, 58 Number of museums, 1-2, 25, 29-30, 35, Nerman Museum of Contemporary Art, 37, 42, 44, 47, 50, 52, 55, 57-64, 66, 68 132, 139 New Jersey Museum of Agriculture, 17, 59, 102 O New Mexico Bureau of Geology Mineral Museum, 126 Oakland University, 13, 134 New Mexico Highlands University, 74 Oak Ridge Observatory, 47 New Mexico Institute of Mining and Oaks, The, 16, 55 Technology, 126 Oberlin College, 8, 113, 116 New Mexico State University, 93 Oesper Museum of Chemical Apparatus, New York University, 9, 33-34, 134 22, 46, 97, 110, 127, 140 Nichols Arboretum, 19 Ogden Museum of Southern Art, 134 Nicole and Eisenberg Archaeological Oglethorpe University, 14, 64, 101 Collection, 23, 57 Oglethorpe University Art Museum, 14, 64, Nightlight Gallery, 61 101 No Man’s Land Museum, 121 Ohio State University, 7, 12-13, 19, 23, 26, Nora Eccles Harrison Museum of Art, 117, 35, 42, 45, 59, 62-64, 86, 119, 122, 124, 134 129, 132, 139 Norfolk State University, 9 Ohio State University Planetarium, 23, 139 Norman R. Eppink Art Gallery, 9, 118 Oklahoma Panhandle State University, 121 North Carolina Botanical Garden, 96, 128 Oklahoma State University, 20-21, 57, 62

156


Old Capital Museum, 13 Old Castle Museum, 54 Old Dominion University, 34 Old Governor’s Mansion, 13, 139 Openings, museum, 139-140 Operating practices, museum, 76-77 Oregon State University, 23, 72, 118, 128, 133, 138 Oregon State University Memorial Union Concourse Gallery, 118 Organization, museum, 74-76 Oriental Institute Museum at the University of Chicago, 3, 37-38 Orland E. White Arboretum, 132 Orton Geological Museum, 7, 42, 64, 124 Oscar E. Monnig Meteorite Gallery, 19, 24, 96, 126, 140 Otero Junior College, 56 Other fields, museums in, 87-89, 99 Other types of museums, 2, 29, 66, 95 Otterbein University, 21, 118

P PJC Planetarium and Space Theatre, 23, 138 Pacific School of Religion, 57, 102, 122 Pacific University, 121 Pacific University Museum, 121 Page Farm and Home Museum, 59 Paleontology museums, 17-18, 41 Paley Design Center, 11, 59 Palomar Observatory, 48, 131 Panhandle-Plains Historical Museum, 12, 54, 100, 107, 134 Partnerships, governing, 69-70 Pasto Agricultural Museum, 16, 59, 87, 102, 109, 122 Paterno Library Collections, 65, 101 Patrick and Bernice Haggerty Museum of Art, 58 Pattee Library Collections, 64, 101

Paul E. Jones Collection of African American Art, 24 Paul W. Bryant Museum, 12, 62, 123-124 Pavilion Gardens, 19 Peary-Macmillan Arctic Museum, 39 Peabody, George, 5, 37 Peabody Museum of Archaeology and Ethnology, 5, 37, 39, 62, 72, 94, 125-126, 133 Peale, Charles Wilson, 3 Pearson Museum, 20, 51 Penn State All-Sports Museum, 13, 24, 62 Pennsylvania Academy of the Fine Arts, 3-4, 30, 32, 72, 115-116 Pennsylvania State University, 2, 13, 16, 18, 20, 24-25, 35, 40, 43, 45, 59, 62, 65-66, 77, 87, 95, 101-102, 109, 122, 130, 133 Pensacola Junior College, 23, 138 Peterson Planetarium, 23 Pharmacy museums, 20, 51-52, 127 Philadelphia University, 11, 59, 101, 108, 122 Philip and Muriel Berman Museum of Art, 12, 32, 116 Phillip J. Steele Gallery, 119 Phillips Museum of Art, 139 Phillips University, 138 Phoebe Apperson Hearst Museum of Anthropology, 7, 39, 72, 94 Photographic Archives (University of Louisville), 61 Photographic Collections (University of Kentucky), 61, 102 Photography museums and galleries, 2, 61-62, 102-103, 123 Picker Art Gallery, 12, 34 Pioneer Heritage Center, 54 Planetariums, observatories, and astronomical museums, 2, 17, 20-22, 25, 47-49, 97, 99 Portland State University, 119


Pratt Museum of Natural History, 36 Presbyterian College, 34 President Andrew Johnson Museum and Library, 14, 54, 107, 121 Presidential libraries and museums, 5, 14-15, 16, 26, 88, 99-100, 124, 133-34 Princeton University, 7, 14, 22, 31, 64, 76, 78, 101, 108, 113, 116, 124, 132, 138 Princeton University Art Museum, 7, 26, 31, 76, 78, 93, 113, 116, 132 Programs, educational and public, 25, 105, 111-113 Public Art on Campus, 12, 33 Purdue University, 44

Q QCC Art Gallery, 119 Quayle Bible Collection, 9, 54, 57, 102, 108, 122, 133 Queensborough Community College, 119 Queens College Arts Center, 120 Queens College, City University of New York, 120

R R. M. Bohart Museum of Entomology, 40, 94-95 R. S. Dietz Museum of Geology, 19 Ralph Foster Museum, 9, 54, 121 Ralph Teetor Planetarium, 49 Ray Drew Gallery, 74 Red Butte Garden and Arboretum, 19, 97, 129, 134 Reed Collection Study Center, 118 Reeves Center, The, 116 Religious museums and galleries, 2, 9, 14, 16-17, 29, 57-58, 102, 108, 122 Renaissance Society of the University of Chicago, 9, 118

Research, 5, 23, 25, 55-56, 35-46, 55, 103, 106, 109-110, 118, 125-126 Reuel H. Pritchett Museum, 16, 64 Reynolda Gardens of Wake Forest, 29, 76, 128 Reynolda House Museum of American Art, 116 Rhode Island School of Design, 7, 21, 31, 75, 116-117, 134 Richard E. Peeler Art Center Galleries, 24, 34, 139 Richard H. Schmidt Museum of Natural History, 17 Richland Center for the Visual Arts Galleries, 24, 34, 119, 139 Richmond College, 138 Richmond College Planetarium, 138 Ringling College of Art and Design, 12, 35, 119 Robert C. Williams Paper Museum, 66 Robert Hall Fleming Museum, 8, 32, 76 Robert Hillestad Textile Gallery, 60 Robert J. Dole Institute of Politics, 24, 139 Robert V. Fullerton Art Museum, 24, 106 Rocky Mountain College of Art + Design, 119 Rocky Mountain Herbarium, 44, 129 Rodin Sculpture Garden, 32 Rollins Planetarium, 21 Ronald Gallery, 14 Ronald V. Jensen Living Historical Farm, 9 Rosa Parks Library and Museum, 16, 55, 123 Roth Living History Farm, 58 Rotunda, The, 3, 12, 52-53, 100, 133 Rowan Oak, Home of William Faulkner, 12, 107 Royden G. Derrick Planetarium, 21 Rural Life Museum and Windrush Gardens, 13, 54, 59, 108 Rush, William, 3

158


Rutgers, The State University of New Jersey, 17, 53, 59, 102 Ruth and Vernon Taylor Planetarium, 49 Ruth Chandler Williamson Gallery, 77 Ruthven Museums Building, 126 Ryther Printing Museum, 23, 138

S SU Art Galleries 34, 93, 107, 119-120 Saginaw Valley State University, 11, 33 St. Andrews Presbyterian College, 16, 56, 108, 123 St. Andrews Scottish Heritage Center, 16, 56, 108, 123 St. Anselm College, 72 St. Francis University, 118 St. Joseph College, 34, 139 St. Joseph College Art Gallery, 34, 139 St. Louis University, 11, 16-17, 24, 33, 57, 108 St. Louis University Museum of Art, 24, 139 St. Mary’s College, 57 St. Mary’s College of California, 35, 57, 93 St. Olaf College, 16-17, 56, 123 Saginaw State University, 11, 33, 106-107 Samek Art Gallery, 83, 107 Sam Houston Memorial Museum, 12, 54, 107 Sam Houston State University, 12, 54, 107 Sam Noble Oklahoma Museum of Natural History, 17, 37, 40, 70, 140 Sam Rayburn Library and Museum, 13, 65 Samuel P. Harn Museum of Art, 11, 23, 31, 112, 117 San Francisco Art Institute, 34 San Joaquin Delta College, 49 San Jose State University, 119 Santa Clara University, 16, 57-58 Santa Fe Community College, 19, 41, 109-110, 125

Santa Fe Community College Teaching Zoo, 19, 41, 109-110, 125 Sarah Moody Gallery of Art, 35 Savannah College of Art and Design, 12 Sawhill Gallery, 12 Schick Art Gallery, 9 Schingoethe Center for Native American Cultures, 16, 56, 123, 134-135 Schneider Museum of Art, 134 Schnormeier Center Gallery, 34 School for Advanced Research, 134 School of Dental Medicine Museum, 23, 52, 138 School of the Art Institute of Chicago, 35, 132 School of the Art Institute of Chicago Sullivan Galleries, 35, 132 Schumacher Gallery (Capital University), 34 Science and technology museums and centers, 2, 17, 22, 46-47, 97, 110-111 Science Discovery Center of Oneonta, 22, 46, 130 Science museums, 2, 7-8, 17-22, 29-30, 35-52, 84-87, 94-99, 109-110, 125-133 Scientific instruments, historical, 22, 46, 51, 85-86, 110-112, 127 Scott Arboretum, 97 Scripps College, 68, 77 Scripps Institute of Oceanography, 49, 86-87, 128 Scurry County Museum, 70 Semitic Museum at Harvard University, 7, 37, 39 Shavers Creek Environmental Center, 20, 45, 130, 133 Sheldon Memorial Art Gallery and Sculpture Garden, 31-32, 116-117 Shippensburg University, 59, 133 Shippensburg University Fashion Archives and Museum, 59, 133


Sidney Mishkin Gallery at Baruch College, 120 Silber Art Gallery, 74 Sindecuse Museum of Dentistry, 20, 52, 127 Skidmore Art Gallery, 118 Skidmore College, 9, 118 Skinner Museum, 133 Skirball Cultural Center, Museum, 56, 58, 102, 133-134 Skirball Museum Cincinnati, 56, 58 Smart Museum of Art, 106 Smith College, 23, 44,74, 132, 138 Smith College Museum of Art, 23, 138 Snite Museum of Art, 31-32, 62 Snow Entomology Museum, 23, 73 Sommers-Bausch Observatory, 20 Sousa Archives and Center for American Music, 61 South Carolina Botanical Garden, 110, 132 South Carolina State University, 47, 56, 122 South Dakota School of Mines and Technology, 42 South Dakota School of Mines and Technology Museum of Geology, 42 South Dakota State University, 16, 59, 102 Southeast Missouri State University, 64, 140 Southeast Museum of Photography, 61, 103, 109, 123 Southeastern Architectural Archive, 65 Southeastern Regional Black Archives Research Center and Museum, 55 Southern Alleghenies Museum of Art, 118 Southern Baptist Theological Seminary, 23 Southern Illinois University at Carbondale, 62, 88, 03 Southern Illinois University at Edwardsville, 62 Southern Illinois University School of Medicine, 20, 51

Southern Methodist University, 14, 106, 124 Southern Oregon University, 134 Southern University, 55 Southern University Museum of Art, 55 Southwestern Baptist Theological Seminary, 57, 64, 108, 122 Southwestern Michigan College, 47, 107, 121 Space Photography Laboratory, 123 Space Telescope Science Institute, 10 Spelman College, 16, 55, 123 Spelman College Museum of Fine Art, 16, 55, 123 Spenser Museum of Art, 8, 31, 75, 93, 118 Spertus Institute of Jewish Studies, 56, 58, 103 Spertus Museum, 56, 68, 103 Spindletop-Gladys City Boomtown, 14, 108 Sports museums, 2, 13, 29, 62-63, 123-124 Spurlock Museum, 8, 39, 55 Staffing, museum, 74-76 Stanford University, 7, 12, 31-32, 106, 132 State Agricultural Heritage Museum, 16, 59, 102, 120 State Botanical Garden of Georgia, 20, 46, 70, 128, 132 State University of New York, 17, 22-24, 34, 40 State University of New York at Buffalo, 24, 34, 134 State University of New York at Cortland, 17, 23 State University of New York at Oneonta, 22, 46, 130 Steamship Historical Society Collection, 65-66 Stearns Collection of Musical Instruments, 9, 60, 75, 88, 102, 109, 122 Stephens College, 77, 133 Sternberg Memorial Museum, 18 Sternberg Museum of Natural History, 18

160


Stetson University, 95 Steward Observatory, 22, 86, 131 Strecker Museum, 5 Sul Ross State University, 12, 54 Susquehanna Conference of the United Methodist Church, 65 Susquehanna University, 12 Suzanne H. Arnold Art Gallery, 24 Swathmore College, 45, 97 Sweet Briar College, 12, 120 Sweet Briar College Art Galleries, 120 Sweet Briar Museum, 12 Syracuse University, 34, 93, 107, 119-120 Syracuse University Art Collection, 34

T

Texas Wesleyan College, 9 Texas Woman’s University, 9, 60, 101 Thomas A. Greene Memorial Museum, 95 Thomas College, 101 Thomas College Art Gallery, 101 Thorne-Sagendorph Art Gallery, 34, 83 Towson University, 11 Trailside Museum of Natural History, 18, 95, 110, 126 Transylvania University, 22, 46, 51, 97, 110, 127 Treasures of the Sea Exhibit, 66 Triton College, 48, 99, 111, 131 Trout Gallery, 34 Troy State University, 16, 55, 70, 123 Truman State University, 23 Trumbull Gallery, 3, 30 Trustees, boards of, 67-70 Tufts University, 34, 106 Tufts University Art Gallery, 34, 106 Tulane University, 16, 23, 35, 65, 103, 122-123 Tusculum College, 14, 54, 107, 121 Tuskegee Institute National Historic Site, 26, 55, 107, 123, 133 Tuskegee University, 16, 26, 55, 107, 123, 133 Types of museums, 29-66

T. W. Wood Gallery and Arts Center, 118 Tandy Archaeological Museum, 57, 64, 108, 122 Teaching museums, 19, 41, 109-110 Teikyo Westmar Art Gallery, 23, 138 Teikyo Westmar University, 23, 138 Temple University, 20, 52 Temple University Dental Museum, 20- 52 Tennessee Tech University, 132 Texas A&M Sports Museum, 109, 123 Texas A&M University-College Station, 14-15, 24, 34-35, 72, 99, 107, 109, 123-124, 134 U Texas A&M University-Corpus Christi, 34, 139 UA Science: Flandrau, 21, 43, 46, 48-49, Texas A&M University-Kingsville, 14, 63 85, 111, 130 Texas Christian University, 19, 24, 96, 126, UB Anderson Gallery, 34 139-140 UB Art Gallery, 24 Texas First Ladies Historic Costume UC Davis Arboretum, 46, 132 Collection, 9, 101 UCLA Hannah Carter Japanese Garden, 96, Texas Lutheran College, 19 129 Texas Natural Science Center/Texas UCR/California Museum of Photography, Memorial Museum, 37, 43, 94 11, 61, 70, 103, 123 Texas Tech University, 13, 54, 59, 63, 100, UCR Entomological Research Museum, 40 103, 121, 133 UN Gallery of Art, 75


UW Space Place, 22, 49, 131, 133 Ukrainian Heritage Studies Center, 16, 55-56, 123 Ulrich Museum of Art, 32, 106 Union College, 24, 119 Union Grove Gallery, 119 U.S. Air Force Academy, 13 U.S. Military Academy, 3, 52, 77, 100, 133 U.S. Naval Academy, 5, 52, 133 U.S. Naval Academy Museum, 5, 52, 133 University and Jepson Herbaria, 7, 44, 72, 97 University Art Gallery (Indiana State University), 118 University Art Gallery (New Mexico State University), 93 University Art Museum (California State University, Long Beach), 33 University Art Museum (University of New Mexico), 62 University Corporation for Atmospheric Research, 21 University Gallery (Clarion University of Pennsylvania), 14, 124 University Gallery (Western Kentucky University), 35 University Museum and Cultural Center (University of Arkansas at Pine Bluff), 139-140 University Museum at Southern Illinois University at Carbondale, 63, 88, 103 University Museum at Southern Illinois University at Edwardsville, 63 University Museum of Contemporary Art (University of Massachusetts Amherst), 118 University of Alabama, 3, 5, 13, 19-20, 26, 35, 62, 76, 123-124, 126 University of Alabama Arboretum, 20, 76

University of Alabama at Birmingham, 20, 51 University of Alabama at Huntsville, 119 University of Arizona, 8, 11, 13, 20-22, 25-26, 43, 45-46, 52, 61-62, 71, 75-76, 85-86, 94, 96, 102, 109, 111-112, 123, 127, 130-131 University of Arizona Mineral Museum 8, 43, 96, 109 University of Arizona Museum of Art and Archive of Visual Arts, 75-76 University of Arkansas, 22-23, 46, 131, 138, 140 University of Arkansas Museum, 22-23, 138 University of Arkansas at Little Rock, 138 University of Arkansas at Little Rock Planetarium, 138 University of Arkansas at Pine Bluff, 139-140 University of Baltimore, 65-66 University of California, Berkeley, 2-3, 7, 10-11, 18-19, 21-22, 26, 31, 39-41, 44-46, 49, 61-62, 72-74, 84-85, 94-97, 109-111, 113, 117, 125, 128, 130, 132-134, 137-138 University of California, Davis, 40-41, 46, 94-95, 132 University of California, Irvine, 20, 84 University of California, Irvine Arboretum, 20 University of California, Los Angeles, 11, 19, 21, 26, 31, 33, 39, 45, 69, 75, 82, 96, 106-107, 129 University of California, Riverside, 11, 40, 61, 70, 95-96, 103, 109, 123, 125, 134 University of California Riverside Botanic Gardens, 96, 134 University of California, San Diego, 9, 26-27, 49, 75, 86-87, 128, 133

162


University of California Berkeley Art Museum and Film Archive, 11, 31, 61-62, 117, 132, 134 University of California Botanical Garden Berkeley, 7, 19, 44-45, 72, 96, 110, 128, 134 University of California Museum of Paleontology, 7, 18, 41, 72, 84, 95, 125 University of California Observatories, 10, 47 University of Chicago, 7, 9-10, 37-38, 106, 118 University of Cincinnati, 23, 42, 46, 97, 110, 127, 140 University of Cincinnati Geology Museum, 42 University of Colorado at Boulder, 8, 20-21, 24, 49, 111, 131, 139 University of Colorado Natural History Museum, 8 University of Connecticut, Storrs, 17-18, 62, 82, 116 University of Connecticut Health Center, Farmington, 23, 52, 138 University of Delaware, 2, 24 University of Denver, 66 University of Florida, 11, 17, 23, 26, 31, 37, 40, 75, 94, 112, 117, 133 University of Georgia, 20, 24, 40, 46, 70, 128, 132 University of Hartford, 23 University of Hawaii, 50, 99, 128, 133-134 University of Hawaii at Hilo, 22, 48, 131, 140 University of Hawaii at Manoa, 8, 45 University of Illinois at Chicago, 13, 52, 120-121 University of Illinois at Urbana-Champaign, 8, 10, 39, 55, 61, 70, 132 University of Iowa, 5, 13, 23, 37, 51, 62, 75, 127

University of Iowa Athletics Hall of Fame, 62 University of Iowa Hospitals and Clinics Medical Museum, 20, 51, 127 University of Iowa Museum of Art, 23, 31 University of Iowa Museum of Natural History, 5, 37 University of Kansas, 7, 17, 23-24, 31, 40, 72-73, 93, 118, 127, 134, 138-139 University of Kansas Medical Center, 20, 51, 65, 127 University of Kansas Natural History Museum, 7, 17, 23, 40, 78, 94, 134 University of Kentucky, 23, 61, 102, 116 University of Louisville, 3, 61 University of Maine, 59, 71, 116, 134 University of Maine Museum of Art, 116, 134 University of Maryland, Baltimore, 20, 51, 76, 87, 127 University of Maryland, College Park, 20 University of Maryland Observatory, 20 University of Maryland School of Nursing Museum, 20, 76, 127 University of Mary Washington, 14, 54, 134 University of Massachusetts Amherst, 41, 74, 118 University of Memphis, 19, 39 University of Miami, 10, 34, 62, 83, 118, 134 University of Miami Sports Hall of Fame, 62 University of Michigan, 2-3, 5, 8-9, 14, 18-20, 23, 25-26, 30-31, 36, 39-41, 52, 62, 65, 84, 87, 95, 99-100, 102, 109-110, 112-113, 116, 122, 124-128, 132, 139 University of Michigan Exhibit Natural History Museum, 3, 5, 36-37, 72, 109, 113, 125-126, 133-134 University of Michigan Herbarium, 36, 110


University of Michigan Museum of Anthropology, 36, 72, 125 University of Michigan Museum of Art, 5, 31, 75-76, 112, 116, 132, 134, 139 University of Michigan Museum of Zoology, 3, 40-41, 72, 84, 95 University of Michigan Museums of Natural History, 36, 41, 72 University of Michigan-Dearborn, 137 University of Minnesota Duluth, 13, 134 University of Minnesota Twin Cities, 5, 11-12, 23-24, 26, 31, 33-34, 37, 41, 45-46, 59, 85, 94, 96, 101, 108, 110, 113, 117, 129-130, 132 University of Mississippi, 12, 47, 63, 72, 103, 107 University of Mississippi Museum, 47, 63, 103 University of Missouri-Columbia, 5, 11, 32, 76 University of Montana, 11, 41 University of Montana Zoological Museum and Herbarium, 41 University of Nebraska-Lincoln, 5, 17, 21, 23, 26, 32, 36-37, 40-42, 60, 77, 94-95, 110, 116-117, 125-126, 138-139 University of Nebraska-Kearney, 70 University of Nebraska State Museum, 5, 17-18, 21, 26, 36-37, 40-42, 77, 94-95, 110, 125-126 University of Nevada at Reno, 21, 47-49, 131 University of New Hampshire, 116 University of New Hampshire Museum of Art, 116 University of New Mexico, 23, 39, 43, 95-96, 126, 134 University of New Mexico Art Museum, 23 University of New Orleans, 134 University of North Carolina at Chapel Hill, 21, 49, 85, 96, 97, 128, 131, 133

University of North Carolina at Pembroke, 16, 56 University of North Carolina Herbarium, 97 University of North Dakota, 40-41, 134-135, 138 University of North Dakota Zoology Museum, 40-41 University of North Florida, 116 University of Northern Iowa, 73, 75 University of Notre Dame, 24, 32, 44, 62, 140 University of Oklahoma, 17, 37, 40, 70, 140 University of Oregon, 8, 130 University of Oregon Museum of Art, 8 University of Oregon Museum of Natural and Cultural History, 130 University of Pennsylvania, 5-7, 11, 19, 23, 33, 37, 39, 44-45, 70, 75, 96, 106, 119, 129, 133-134, 138 University of Pennsylvania Museum of Archaeology and Anthropology, 5-7, 23, 37, 44-45, 70, 75, 133, 138 University of Pittsburgh, 13, 52, 61, 64, 124, 127 University of Puerto Rico, 50, 64, 103 University of Puget Sound, 71 University of Rhode Island, 77, 101 University of Richmond, 58, 108 University of Rochester, 17, 31, 116, 132 University of St. Thomas, 14, 64 University of San Diego, 16, 57, 133 University of South Alabama, 20, 51 University of South Carolina, 16, 43, 51, 63, 91, 109 University of South Dakota, 60, 102, 122, 133 University of Southern California, 62, 78 University of Southern Indiana, 13, 54, 100, 108, 122 University of Southern Maine, 56 University of Southern Mississippi, 50

164


University of Tennessee at Knoxville, 12, University of Wyoming Art Museum, 32, 16, 35, 62-63, 124 69, 132 University of Tennessee Football Hall of University of Wyoming Geological Fame, 62 Museum, 23, 138 University of Tennessee at Martin, 64 University of Wyoming Insect Museum, 18, University of Texas at Austin, 8, 11, 13-14, 125 20, 26, 31, 37, 43, 48, 65, 94, 96, 99, University Research Association, 10 101, 117, 124, 128, 131-133, 134, 139 Ursinus College, 12, 32, 116 University of Texas at Dallas, 64, 124 Utah Museum of Fine Arts, 132, 134 University of Texas at San Antonio, 26, 54, Utah Museum of Natural History, 37, 40, 132 43 University of the Sciences in Philadelphia, Utah State University, 9, 12, 16, 19, 54-55, 52, 127 58, 117, 133-134 University of Utah, 19, 37, 40, 43, 73, 97, 129, 132, 134 V University of Vermont, 8, 32, 76, 119 University of Virginia, 3, 12, 19, 45, 48, Vanderbilt University, 20, 33, 44-45 52-53, 100, 132-133 Vanderbilt University Arboretum, 33, 44-45 University of Washington, 8, 17, 20, 24, Vassar College, 7, 31, 34, 76, 117 26-27, 31, 34, 36, 42, 70, 94, 118, 132, Vermont College, 118 140 University of Washington Botanic Gardens, Villanova Planetarium, 23, 138 Villanova University, 23, 138 20, 24, 27, 132, 140 Virginia Baptist Historical Society University of West Florida, 12 Archives, 17, 58, 108 University of West Florida Art Gallery, 12 Virginia Institute of Marine Science, 50, 99 University of Wisconsin, 48 University of Wisconsin-Fox Valley, 9, 140 Virginia Military Institute, 5, 52, 107, 122 Virginia Military Institute Museum, 5, 52, University of Wisconsin-Madison, 5, 10, 107 10, 22, 31, 34, 41, 45, 49-50, 59, 95, 109, Virginia Polytechnic Institute and State 129, 131-133 University, 13, 58, 138 University of Wisconsin-Madison Visual Art Center, 34 Arboretum, 26, 45, 129, 132 University of Wisconsin-Madison Herbarium, 5, 19, 26, 97, 129 W University of Wisconsin-Madison Zoological Museum, 7, 19, 41, 50, 95, WIYN Consortium, 10, 21, 48 109 W. J. Beal Botanical Garden, 7, 19, 42, 76, University of Wisconsin-Milwaukee, 58, 95 96 University of Wisconsin-Milwaukee Art W. M. Keck Observatory, 21, 48, 131 Museum, 58 W. W. Gayle Planetarium, 76 University of Wyoming, 18, 23, 32, 40, 42, Waikiki Aquarium, 50, 99, 133-134 44, 64, 69, 125, 129, 132, 138 Wake Forest University, 20, 76, 116, 128


Wallis Museum, 138 Wilberforce University, 16, 55, 108, 123, Walter Gallery, 34 134 Ward Museum of Wildfowl Art, 11, Wilder Observatory, 8 Warren Anatomical Museum, 5, 20, 51, 99 Willamette University, 5, 134 Warren Historical Library, 20, 51, 65 Willamette University Art Museum, 5 Warren Stucki Museum of Broadcasting, 66 William Benton Museum of Art, 82, 116 Washburn Observatory, 49, 131 William Holmes McGuffey Museum, 121 Washington, Booker T., 16, 55 William K. Holt Planetarium, 49 Washington and Lee University, 9, 12-13, William Paterson University of New Jersey, 54, 100, 116, 134 33 Washington Park Arboretum, 70 Williams College, 32, 64, 116, 124 Washington State University, 40-41, 118, Williams College Museum of Art, 32, 116 139 William S. Webb Museum of Anthropology, Washington State University Planetarium, 23 139 William Weston Clark Emison Museum of Washington University, 8 Art, 139 Watson-Curtze Museum, 23, 137 Winston Churchill Museum, 13, 54, 64 Weikamp Observatory and Planetarium, 21 Winston-Salem State University, 34, 56 Weiss Earth Science Museum, 19, 140 Wisconsin Union Art Galleries, 34 Wellesley College, 31, 117 Wolfson-FIU, The, 93, 118 Western Carolina University, 12 Wriston Art Center Galleries, 107 Western Gallery, 35, 84, 118 Western Kentucky University, 9, 21, 35, 74 Y Western Kentucky University Gallery, 74 Western Michigan University, 24, 34, 119, Yager Museum of Art and Culture, 14, 63, 139 103, 124 Western Oregon University, 57 Yale Center for British Art, 11, 31, 62, 73, Western Texas College, 70 93, 106, 111 Western Washington University, 33, 35, 84, Yale Collection of Musical Instruments, 9, 118 60, 102, 122 Westminster College, 13, 54, 64 West Point Museum, 5, 52, 77, 100, 133 Yale Peabody Museum of Natural History, West Texas A&M University, 12, 54, 100, 5, 17, 26, 36, 42, 75, 94, 112, 125 107, 134 Yale University, 3, 5, 9, 11, 17, 21, 24, West Virginia University, 43, 52, 54, 139 30-32, 34, 36, 48, 50-51, 60, 65, 73, 75, Wexner Center for the Arts, 35, 119, 132 82, 99, 106, 108, 112, 116-117, 125, 132 Wheaton College (Illinois), 17, 57, 122 Yale University Art Gallery, 3, 26, 30, 32, Whitehouse Nature Center, 45, 110 34, 62, 73, 82, 93, 116-117, 132 Wichita State University, 32, 106 Yeshiva University, 56, 58, 103 Wight Art Gallery, 31, 69 Yeshiva University Museum, 56, 58, 103

166


Yogi Berra Museum and Learning Center, 13, 63 Young Harris College, 21

Z Zoology museums, 2, 17-19, 40-41, 95

Photographs Pennsylvania Academy of the Fine Arts Museum ...................................................... 4 University of Pennsylvania Museum of Archaeology and Anthropology .......... 6, 169 George Bush Presidential Library and Museum at Texas A&M University ............ 15 Burke Museum of Natural History and Culture at the University of Washington .. 38 The Rotunda at the University of Virginia ................................................................ 53 Harvard Art Museums ................................................................................................ 92 Birch Aquarium at Scripps at the University of California, San Diego .......... 98, 182 Wexner Center for the Arts Galleries at Ohio State University ............................. 170 Mead Art Museum of Amherst College ................................................................... 171 Hammer Museum at the University of California, Los Angeles ............................ 172 Blanton Museum of Art at the University of Texas at Austin ................................ 173 State Botanical Garden of Georgia at the University of Georgia ........................... 174 Morris Arboretum of the University of Pennsylvania ............................................. 175 The Design Center at Philadelphia University ........................................................ 176

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Texas First Ladies Historic Costume Collection at Texas Woman’s University .... 177 National Afro-American Museum & Cultural Center at Wilberforce University .. 178 John Work Garrett Library at Johns Hopkins University ....................................... 179 Homewood Museum at Johns Hopkins University ................................................. 180 American West Heritage Center at Utah State University ...................................... 181 Harvard Museum of Natural History ....................................................................... 183 Yale Peabody Museum of Natural History .............................................................. 184 The Jewish Museum at the Jewish Theological Seminary of America .................. 185 UA Science: Flandrau Science Center at the University of Arizona ...................... 186 Penn State All-Sports Museum at the Pennsylvania State University .................... 187

The University of Pennsylvania Museum of Archaeology and Anthropology in Philadelphia has more than 30 galleries, including four on ancient Egypt and others in such areas as the ancient Greeks, Romans, and Etruscans; ancient Iraq; Islam; China; Buddhism; Africa; Mesoamerica; Polynesia; and American Southwest. One of the highlights is the 12-ton Sphinx, surrounded by architectural columns and doorways from the Palace of the Pharaoh Merenptah from the 1200 B.C. site of Memphis, Egypt, in the Egyptian Gallery. Courtesy University of Pennsylvania Museum of Archaeology and Anthropology.

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The Wexner Center for the Arts Galleries at Ohio State University consists of four adjoining galleries covering 13,000 square feet. The galleries are among the most popular campus art galleries in the nation. The center, which features changing exhibitions such as this “Six Solos” show, serves 190,000 visitors a year. Courtesy Wexner Center for the Arts, Ohio State University, and photographer Jay LaPrete.


The Mead Art Museum at Amherst College has a collection of more than 16,000 works of art, distinguished for its American and European Old Masters, English Baroque period room, and ancient Assyrian carvings. This photo shows part of one of its eight galleries that feature changing and special exhibitions on a wide range of historical periods, national schools, and artistic media. Courtesy Mead Art Museum, Amherst College.

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The Hammer Museum, founded by art collector Armand Hammer, became part of the University of California, Los Angeles, in partnership arrangement following his death after its opening in 1990. The museum is known for its extensive collections of Old Masters paintings and drawings, works on paper by Honoré Daumier and his contemporaries, and other works. The museum building, shown here, also houses the university’s Wight Art Gallery and Grunwald Center for the Graphic Arts. The museum also oversees the Franklin D. Murphy Sculpture Garden. Courtesy Hammer Museum and photographer Elon Schoenholz.

The long-standing Archer M. Huntington Art Gallery at the University of Texas at Austin was replaced in 2006 by a new art complex renamed the Blanton Museum of Art. The 155,000-square-foot museum has a collection of over 17,000 works, which features fourteenth- through twentieth-century Western European paintings, an encyclopedic collection of prints and drawings, and modern and contemporary American and Latin American art. Courtesy Blanton Museum of Art, University of Texas at Austin.

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The State Botanical Garden of Georgia at the University of Georgia contains 11 botanical and horticultural collections and 5 miles of nature trails. The Alice Hand Callaway Visitor Center and Conservatory overlooks the Physic Garden. The visitor center has art exhibitions with botanical, horticultural, and conservation themes, educational programs, and other services, while the conservatory features tropical plants from which beverages, foods, medicines, and other products are derived. The annual attendance is 200,000. Courtesy of State Botanical Garden of Georgia, University of Georgia, and photographer Carol Nourse.


The Pennock Garden is one of the attractions at the Morris Arboretum of the University of Pennsylvania, a 92-acre botanical site that began in the 1880s on the former estate of John and Lydia Morris in the Chestnut Hill section of Philadelphia. The arboretum became public in 1933 and now is the official arboretum of the Commonwealth of Pennsylvania and operated by the university. The arboretum has more than 13,000 labeled plants of over 2,500 types from 27 countries, including a world-class Rose Garden. Courtesy Morris Arboretum of the University of Pennsylvania.

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The Design Center at Philadelphia University is housed in what was the 7,000-square-foot former home of its founder, Goldie Paley, on the campus grounds. The center has a collection of approximately 200,000 objects—one of the largest collections of historical and contemporary textiles. The collection consists of nineteenth- and twentieth-century textiles, textile-related artifacts, and tools from Philadelphia’s early days as a major textile producer. Courtesy of the Design Center at Philadelphia University and photographer James Rennie.


The Texas First Ladies Historic Costume Collection at Texas Woman’s University features the gowns worn by the wives of Texas governors, presidents of the Republic of Texas, and several presidents and a vice president of the United States. Seventeen of the 42 gowns in the collection are exhibited on a rotating basis in the gallery. Courtesy of Texas Woman’s University.

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The National Afro-American Museum and Cultural Center is housed in this building on the campus of Wilberforce University. The museum, which was founded in 1972, contains permanent exhibits and changing exhibitions about African American history and the Black experience in the United States. Courtesy National Afro-American Museum and Cultural Center, Wilberforce University.

The John Work Garrett Library, one of Johns Hopkins University’s Sheridan Libraries, is part of the Evergreen Museum and Library, an 1850s Italianate mansion on the university’s campus in Baltimore. The 48-room historic house, once the home of Baltimore’ philanthropic Garrett family, contains over 50,000 belongings of the family, including a large collection of post-Impressionist paintings. The mansion also has a later wing with an art gallery and private theater. Courtesy of Evergreen Museum and Library, Johns Hopkins University, and photographer William Kirk.

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This is the drawing room at the historic Homewood Museum, an 1801 Federal Period country house on the Johns Hopkins University campus. The house, which is a National Historic Landmark, was a wedding gift from Charles Carroll, a signer of the Declaration of Independence, to his son Charles Carroll, Jr. and his bride, Harriet Chase. The drawing room and the house are furnished much as they would have been during the Carroll family years in the early nineteenth century. Courtesy Homewood Museum, Johns Hopkins University, and photographer James T. Van Rensselaer.

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Early farming practices are demonstrated at the Jensen Historic Farm, a living history part of Utah State University’s American West Heritage Center in Wellsville, Utah. The 160-acre historic center interprets western life from 1820 to 1920. In addition to the farm, the site includes a pioneer settlement, mountain man camp, and a Native American encampment and features costumed interpreters and skill and craft demonstrations. Courtesy American West Heritage Center and Utah State University.

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A young visitor to the Birch Aquarium at Scripps at the University of California, San Diego, looks at the kelp forest in a two-story, 70,000-gallon tank The tank is the largest of about 60 at the 28,246-square-foot aquarium in La Jolla. The aquarium also has feeding observations and exhibits on such topics as discoveries by Scripps researchers, a 13,000-gallon shark tank, live coral with reef residents, marine creatures that use camouflage, three living tide pools for hands-on discovery, and three outdoor waterplay stations. Courtesy of Birch Aquarium at Scripps, University of California, San Diego.

One of the most popular exhibits at the Harvard Museum of Natural History is the “Glass Flowers” exhibit that features 3,000 glass models created by Leopold Blaschka and his son, Rudolph, over five decades ago. The museum’s most historic exhibit is the “Great Mammal Hall,” constructed in 1872 and recently renovated to reflect the grand vision of the originator, Professor Louis Agassiz, the noted Swiss zoologist. The natural history museum—which has 17 galleries—was created in 1995 as the public face of three research museums in the comparative zoology, mineralogy, and herbarium fields. Courtesy Harvard University of Natural History and photographer Ming Vanderberg. Banana model photo © President and Fellows, Harvard College.

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A 70-foot Apatosaurus dinosaur skeleton is the centerpiece of the “Great Hall of Dinosaurs” at the Yale Peabody Museum of Natural History at Yale University. The museum, founded in 1866, has more than 20 million specimens and objects in its collections that include such world-class objects as dinosaur fossils, birds, marine invertebrates, and Incan artifacts from the Machu Picchu ruins in Peru. Courtesy Yale Peabody Museum of Natural History and photographer Melanie Brigockas.


A suite of sculpture and ceremonial objects from the Congregation Kneses Tifereth Israel, 1956-57, is one of the permanent exhibits at The Jewish Museum, part of the Jewish Theological Seminary of America in New York City. Founded in 1904, the museum has been housed since 1944 in the former mansion of businessman and philanthropist Felix Warburg. The museum has a collection of over 26,000 objects that include archaeological artifacts, ethnographic materials, ceremonial objects, artworks, photographs, numismatics, and broadcast media materials. Courtesy The Jewish Museum, Jewish Theological Seminary of America.

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School children watch the star projector rise in the planetarium theater at the UA Science: Flandrau science center at the University of Arizona. The center evolved from the Grace H. Flandrau Planetarium, founded in 1975, which still is one of the featured attractions. In addition to star, multimedia, and laser light shows, the center also has an observatory and 10,000 square feet of science and astronomical exhibits. The university’s Mineral Museum is located on the lower level of the building. Courtesy UA: Science: Flandrau, University of Arizona. Photo © Arizona Board of Regents.


The athletic history and accomplishments of Pennsylvania State University are featured at the Penn State All-Sports Museum. The exhibits focus on the university’s 29 varsity sports and outstanding men and women athletes and coaches, featuring trophies, uniforms, memorabilia, photographs, and other materials. This photo shows a typical section of the exhibit gallery in Beaver Stadium. Courtesy Penn State All-Sports Museum, Pennsylvania State University.

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Agricultural Museums DELAWARE VALLEY COLLEGE Roth Living Farm Museum

IOWA STATE UNIVERSITY Farm House Museum

North Wales, Pennsylvania

Ames, Iowa

The Roth Living Farm Museum, operated by the Delaware Valley College near North Wales, Pennsylvania, seeks to further public understanding of farming and appreciation for American agriculture by demonstrating nineteenth and early twentieth-century farming practices. Visitors can see farm animals, historical farm equipment; seasonal planting, milking, and sheep shearing; participate in such hands-on activities as butter and cheese making, egg collecting, corn grinding, and doing the laundry; and go for horse-drawn wagon rides. The attendance is 1,100 annually.

A circa 1860-64 farmhouse that was the first building on the campus of Iowa State University in Ames is the site of the Farm House Museum. Volunteers from neighboring communities built the three-story structure two years after the state legislature passed a measure calling for the establishment of a state agricultural college and model farm. It was the first building in the nation’s first state to accept the Morrill Act establishing land grant colleges. The college president, agricultural deans, faculty members, and farm managers lived in the house at various times during the early days before it was used for other purposes.

Roth Living Farm Museum of Delaware Valley College, Rte. 202 and Hancock Rd., North Wales, PA 19454. Phone: 215/699-3994. E-mail: [email protected]. Web site: www.delval.edu/roth. Hours: May-Oct.-1-4 on 9 Saturdays; closed remainder of year, except for groups on appointment basis. Admission: free. Russell Redding, DVC Dean of Agriculture and Environmental Sciences

FERRUM COLLEGE Blue Ridge Farm Museum Ferrum, Virginia The Blue Ridge Farm Museum, part of the Blue Ridge Institute and Museum at Ferrum College in Ferrum, Virginia, is devoted to the folk heritage of the Blue Ridge region. It is a living history farm that re-creates an 1800 Virginia-German farmstead where visitors can experience the early rural life in the region. Costumed interpreters carry out household and farm chores of the period every weekend during the summer. Other aspects of the Blue Ridge Institute and Museum, which serves as the State Center for Blue Ridge Folklore, are museum exhibits, academic programs and research, documentary television productions, school presentations, and festivals. The annual attendance is 15,000. Blue Ridge Farm Museum, Blue Ridge Institute and Museum, Ferrum College, 20 Museum Dr., PO Box 1000, Ferrum, VA 24088. Phone: 540/365-4416. Fax: 540/365-4419. E-mail: [email protected]. Web site: blueridgeinstitute.org. Hours: mid-May-mid-Aug.-10-5 Sat., 1-5 Sun.; closed major holidays and remainder of year. Admission: grounds-free; farm tours-adults, $5; seniors and children 6-15, $4; children under 6, free. Roddy Moore, Director [email protected]

The museum offers visitors a view into life in Iowa and at the university in the late 1800s and early 1900s. It contains period decorative arts, furnishings, and material culture and provides opportunities to learn about such things as soap making techniques and the lifestyle of Victorian-era farm children. The historic house has 6,000 visitors a year. Farm House Museum, Farm House Lane, Iowa State University, Ames, IA 50011-0001 (postal address: University Museums, Iowa State University, 290 Scheman Bldg., Ames, IA 50011-0001). Phone: 515/294-3342. Fax: 515/294-3342. Web site: www.museums.iastate.edu. Hours: 12-4 Mon.-Fri. by appointment; closed university holidays and breaks. Admission: free. Lynette Pohlman, Director and Chief Curator 515-294-3342 [email protected]

LOUISIANA STATE UNIVERSITY Rural Life Museum and Windrush Gardens Baton Rouge, Louisiana The lifestyles and cultures of pre-industrial Louisiana are featured at the Rural Life Museum and Windrush Gardens at Louisiana State University’s Burden Research Plantation, an agricultural research experiment station in Baton Rouge. The museum has three sections: Plantation Quarters, a complex of authentically furnished buildings that reflect life on a typical nineteenth-century working plantation; Exhibit Barn, featuring hundreds of artifacts relating to everyday rural life from prehistoric times to the early twentieth century; and Louisiana Folk Architecture, which has seven structures of divergent construction traits illustrating the various cultures of Louisiana settlers. The museum was founded in 1970 by the Burden family. It uses its historic buildings and extensive collection of tools, utensils, furniture, farming equipment, and other materials to interpret the rural heritage of Indians, Acadians, French, Spanish, English, Germans, and African Americans under the 10 flags that have flown over Louisiana. The historic

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Agricultural Museums structures include an early pioneer’s cabin, blacksmith shop, general store, slave cabins, country church, dogtrot house, grist mill, Acadian house, shotgun house, and cane grinder and sugarhouse. The site also has 25 acres of semiformal gardens, known as Windrush Gardens. Guided tours are offered; living history special events include harvest demonstrations, & rural life Christmas observance.

farmhouse-called Tinley House-and the surrounding fields and structures. The house, which originally was located in Willow Creek, was moved to its present site in 1989. Most of the interior items were donated by Tinsley family descendants. Blacksmith demonstrations, piano and hammer dulcimer musical programs, and children playing period games take place several times a we

Rural Life Museum and Windrush Gardens, Louisiana State University, 4560 Essen Lane, Baton Rouge, LA 70809-3424 (postal address: PO Box 80498, Baton Rouge, LA 70898-0498). Phone 225/765-2437. Fax: 225/765-2639. E-mail: [email protected]. Web site: www.rurallife.lsu.edu. Hours: 8:30-5 daily; closed New Year’s Day, Easter, Thanksgiving, and Christmas. Admission: adults and children over 11, $7; seniors, $6; children 5-11, $4; children under 5, free.

Living History Farm, Museum of the Rockies, Montana State University, 600 W. Kagy Blvd., Bozeman, MT 59717-2730. Phone: 406/994-6342. Fax: 406/994-2682. E-mail: [email protected]. Web site: www.museumoftherockies.org. Hours: 9-5 daily June-Labor Day; closed remainder of year. Admission (included in general museum admission): adults, $10; seniors, $9; MSU students and children 5-18, $7; children under 5, free.

David Floyd, Director [email protected]

MICHIGAN STATE UNIVERSITY Kellogg Farm and Dairy Hickory Corners, Michigan The Kellogg Farm and Dairy at the K. B. Kellogg Biological Station in Hickory Corners, Michigan, is one of 15 field research stations in the Michigan Agriculture Experimental Station network operated by Michigan State University. The research center, which was founded in 1927, focuses on sustainable practices for crop and dairy production and its place in the agricultural landscape. Much of the farm is committed to long-term research activities of the biological station, campus-based faculty, and other researchers, and to the pasture-based dairy facility. The facility has educational programs and guided tours. Kellogg Farm and Dairy, 10461 N. 40th St., Hickory Corners, MI 49060. Phone: 269/671-2507. E-mail: [email protected]. Web site: www.skeetg,kbs.msu.edu/kbs/research/pasture-dairy/dairy. Hours: Mon.-Wed. and Fri. and by appointment. Admission: free. Jim Bronson, Farm Manager 269-671-2509 [email protected]

MONTANA STATE UNIVERSITY Living History Farm Bozeman, Montana Also see Museum of the Rockies in Natural and Cultural History Museums section. The Museum of the Rockies, a museum of natural history, science, and culture at Montana State University in Bozeman, has a 10-acre Living History Farm where costumed interpreters demonstrate daily life in the Gallatin Valley in the 1890s. They are engaged in planting and maintaining a large heirloom kitchen garden, harvesting, canning, and caring for an 1889 two-story, log

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Sheldon McKamey, Dean & Director, Museum of the Rockies 406-994-6342 [email protected]

NORTHWEST MISSOURI STATE UNIVERSITY Northwest’s Agriculture Museum Maryville, Missouri More than 65 years ago, Frank Horsfall, Jr., an agricultural instructor at Northwest Missouri State University in Maryville, began collecting old farm tools to create a museum. By 1940, he established the Northwest’s Agriculture Museum, now housed in the university’s Valk Agriculture Professions Center. It contains both agricultural and American Indian artifacts, and has such collections as tools used by blacksmiths and cobblers, as well as wrenches, horseshoes, butter churns, branding irons, and other such items. Among the oldest objects on display are a corn cob discovered in a pueblo ruin dating from A.D. 1100 and a 1799 oxen yoke. Northwest’s Agriculture Museum, Northwest Missouri State University, Valk Agriculture Professions Center, Maryville, MO 64468-6015. Phone: 660/562-1155, Ext. 1155. Web site: www.nwmissouri.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Arley Larson, Chair, NMSU Dept. of Agriculture [email protected]

PENNSYLVANIA STATE UNIVERSITY Pasto Agricultural Museum Rock Springs, Pennsylvania The Pasto Agricultural Museum at Pennsylvania State University’s Russell E. Larson Agricultural Research Center in Rock Springs seeks to further greater understanding and appreciation of early agriculture and rural life in Pennsylvania and northeastern United States. The emphasis is on early technological developments in agriculture before the advent of electricity and engines. The museum of agricultural economics, founded in 1978, recently was expanded from 3,200 to 5,400 square feet and has more than 1,200 historical

RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY items in its collection, including over 850 antique implements used for work on the farm and in the home when it were performed only by human and animal power. The annual attendance ranges from 8,000 to 10,000 a year. Pasto Agricultural Museum, Pennsylvania State University, Russell E. Larson Agricultural Research Center, Rock Springs, PA (postal address: College of Agricultural Science, Pennsylvania State University, 137 Agricultural Administration Bldg., University Park, PA 16802-2600). Phone: 814/863-1383. E-mail: [email protected]. Web site: www.pasto.psu.edu. Hours: Apr. 15-Oct. 15-by appointment; closed remainder of year. Admission: free.

heritage and features such items as a restored 1915 steam tractor, an 1882 homestead shack, and a re-created 1915 farmhouse. The annual attendance is over 14,500. State Agricultural Heritage Museum, South Dakota State University, 925 11th St., PO Box 601, Brookings, SD 57007-0999. Phones: 877/688-6226 and 877/227-0015. Fax: 605/688-6303. E-mail: [email protected]. Web site: www.agmuseum.com. Hours: Apr.-Dec.-10-5 Mon.-Sat., 1-5 Sun.; Jan.-Mar.-10-5 Mon.-Sat.; closed Sun. and state holidays. Admission: free. Mac Harris, Director 605-688-4582 [email protected]

Bruce McPherson, Dean, Penn State College of Agricultural Sciences

RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY New Jersey Museum of Agriculture

UNIVERSITY OF MAINE Page Farm and Home Museum Orono, Maine

The Page Farm and Home Museum at the University of Maine in Orono traces the history and cultural heritage of North Brunswick, New Jersey farming in the state. The museum occupies three floors of an 1860s post-and-beam barn that predates the founding of the The New Jersey Museum of Agriculture is an independent university. The exhibits contain artifacts and other materials nonprofit museum located on Rutgers University’s Cook that reflect the varied aspects of early farming and farm life. College Campus adjacent to the Experiment Station’s research barns and pastures in nearby North Brunswick, New They include re-constructed farmhouse rooms and early farm equipment, vehicles, and a general store and blackJersey. The museum was founded in 1984 after a museum smith shop from the 1665-1940 period. A one-room schoolcommittee recommended that the university’s collection of over 3,500 agricultural and household implements, scientific house and the Heritage Gardens also are part of the site. instruments, trade tools, and farm equipment be combined in Page Farm and Home Museum, University of Maine, Pora museum with a collection of more than 16,000 historic tage Rd., Orono, ME 04469-5787. Phone: 207/581-4100. photographs depicting the environment and early agriculWeb site: www.umaine.edu/pagefarm. Hours: 9-4 Tues.-Fri., ture. It opened in a 30,000-square-foot building in 1990 through the merging of university, state, private, and corpo- 11-4 Sat.-Sun.; closed Mon. and major holidays. Admission: free. rate initiatives. The museum now serves 40,000 visitors annually. Patricia Henner, Director New Jersey Museum of Agriculture, Rutgers University, Rutgers Cook College Campus, College Farm Rd. and Rte. 1, PO Box 7788, North Brunswick, NJ 08902-7788. Phone: 732/249-2077. Fax: 732/247-1035. E-mail: [email protected]. Web site: www.agriculturemuseum.org. Hours: 10-3 Tues.-Sat., open Sun. only for special events; closed Mon. and major holidays. Admission: adults, $4; seniors, $3; children 4-12, $2; children under 4, free.

SOUTH DAKOTA STATE UNIVERSITY State Agricultural Heritage Museum Brookings, South Dakota The State Agricultural Heritage Museum at South Dakota State University in Brookings preserves the agricultural history and rural heritage of the state. Founded in 1967, the museum has collections and exhibits that depict the technology, crops, livestock of the state, as well as the human experiences, institutions, and cultures that were shaped by the state’s rural landscape and diverse environment. The museum’s permanent exhibit, Dreams Fulfilled and Dreams Forgotten, traces South Dakota’s rural and agricultural

UTAH STATE UNIVERSITY Jensen Historic Farm Wellsville, Utah Also see American West Heritage Center in Historical Museums, Houses, and Sites section. The 1917 Jensen Historic Farm is a living history branch of the American West Heritage Center, a western museum complex operated by Utah State University in Wellsville. The farm is one of four historic sites used by the center to interpret the 1820-1920 period in Cache Valley. The other sites are a Shoshone Encampment, Mountain Man Encampment, and Pioneer Settlement. Visitors also can ride a newly added train that interprets the impact of the railroad in the valley and tour a new Cache Valley History Museum that tells the story of the area. The American West Heritage Center grew out of the university’s eight-day Festival of the American West, which began in 1972. At about the same time, Ronald V. Jensen, a Utah State graduate, approached the university about converting his farm into a living history farm and agricultural museum.

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Agricultural Museums It resulted in the Ronald V. Jensen Living Historical Farm, an enhanced 1917 farm and museum with agricultural artifacts and demonstrations in 1980. In the mid-1990s, the site of the Jensen farm was converted to a broader-based 160-acre museum complex called the American West Heritage Center that included the farm museum, renamed the Jensen Historic Farm. The farm has historic structures, farm animals, and heritage crops. Jensen Historic Farm, Utah State University, American West Heritage Center, 4025 S. Hwy. 89-91, Wellsville, UT 84339. Phones: 435/245-6050 and 800/25-3378. Fax: 435/245-6052. E-mail: [email protected]. Web site: www.awhc.org. Historic site hours: June-Aug.-10-5 Tues.-Sat.; closed Sun.-Mon.; mid-Sept.-mid-Oct.-9-10 Mon.-Thurs., 9-11 Fri., 12-11 Sat.; closed Sun.-Mon.; Sept. 1-18 and mid-Oct.-May-open only for special events; closed New Year’s Eve and Day and Christmas Eve, Day, and week. Admission: adults, $7; seniors and students, $6; children, $5. Bill Varga, Executive Director, American West Heritage Center 435-245-6050

VIRGINIA POLYTECHNIC INSTITUTE AND STATE UNIVERSITY Cyrus H. McCormick Memorial Museum Steele’s Tavern, Virginia The Cyrus H. McCormick Memorial Museum, which honors the inventor of the first successful mechanical reaper that revolutionized grain harvesting, is located on McCormick’s farm in Steeles Tavern, Virginia, where he first demonstrated the reaper n 1831. The reaper harvested grain five times faster with much less effort than with a scythe or sickle, and led to the founding of the McCormick Harvesting Machine Company, which later became the International Harvester Company. The 632-acre farm was given to Virginia Polytechnic Institute and State University (known as Virginia Tech) by the McCormick family in 1954 and now serves primarily as an agricultural research station. The historic site still has eight of its original nine buildings, including the manor house, carriage house, grist mill, blacksmith shop, slave quarters, smoke house, school room, and housekeeper’s quarters. The museum tells the story of the invention of the reaper and the history of grain harvesting by machines. The workshop-grist mill area of the farm has been designated a National Historic Landmark. Nearly 8,000 visit the museum each year. Cyrus H. McCormick Memorial Museum, Virginia Tech, 128 McCormick Farm Circle, PO Box 100, Steeles Tavern, VA 24476-0100. Phone: 540/377-2255. Fax: 540/377-5850. E-mail: [email protected]. Web site: www.vaes.vt.edu/steeles/history.html. Hours: 8-5 daily. Admission: free. David Fiske, Superintendant, Shenandoah Valley Agricultural Research and Extension [email protected]

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Archaeology, Anthropology & Ethnology Museums ADAMS STATE COLLEGE Luther Bean Museum

ARIZONA STATE UNIVERSITY Museum of Anthropology

Alamosa, Colorado

Tempe, Arizona

The Luther Bean Museum at Adams State College in Alamosa, Colorado, seeks to further the study of the diverse culture and history of the San Luis Valley. Founded in 1921, the museum features a collection of Pueblo Indian pottery and weavings, Mexican santos and retablos; regional paintings, sculptures, and furniture; porcelain, ivory, and sandstone figurines; and a collection of memorabilia of former Colorado Governor William H. Adams, who founded the college. The annual attendance is 3,000.

The Arizona State University Museum of Anthropology in Tempe features exhibitions on issues and ideas relating to archaeology, human origins, culture, and society. The exhibits seek to encourage appreciation for different forms of human adaptation to a complex and dynamic world, and serve as a laboratory for School of Human Evolution and Social Change students to explore the production of knowledge through innovative museum theories and techniques. Anthropology students develop the exhibits and programs as part of their course of study. Founded in 1962, the museum has an annual attendance of 3,500.

Luther Bean Museum, Adams State College, 256 Richardson Hall, 208 Edgemont Blvd., Alamosa, CO 81102. Phones: 719/587-7151 and 800/824/6494. Fax: 719/587-7547. E-mail: [email protected]. Web site: www.adams.edu/lutherbean. Hours: early May-late Aug.-8-4:30 Tues.-Fri.; remainder of year-closed Sat.-Mon., major holidays, and Dec. 23-Jan. 2. Admission: free. Linda Relyea 719-587-7827 [email protected]

Arizona State University Museum of Anthropology, Arizona State University, SHESC Bldg., PO Box 872402, Tempe, AZ 85287-2402. Phone: 480/965-6224. Fax: 480/965-7671. E-mail: [email protected]. Web site: www.asuma.asu.edu. Hours: Sept.-May-11-3 Mon.-Fri.; closed Sat.-Sun.; June-Aug.-by appointment; closed university holidays. Admission: free. Judy Newland, Director 480-965-4314 [email protected]

ANDREWS UNIVERSITY Siegfried H. Horn Museum Berrien Springs, Michigan The Siegfried H. Horn Museum, part of Andrews University’s Institute of Archaeology in Berrien Springs, Michigan, displays objects from its collection of 8,500 ancient Near Eastern artifacts, including coins, pottery, sculptures, tools, weapons, figurines, jewelry, seals, and glass vessels, and over 3,000 cuneiform tablets from Sumerian through Neo-Babylonian times. The museum, founded in 1970, is named for its first curator. It has an annual attendance of 1,100. Siegfried H. Horn Museum, Andrews University, Institute of Archaeology, 9047 U.S. Hwy. 31, Berrien Springs, MI 49104-0990. Phone: 269/471-3273. Fax: 269/471-3619. E-mail: [email protected]. Web site: www.andrews.edu/archaeologly. Hours: 3-5 Sat. and by appointment; closed major holidays. Admission: free. Amanda McGuire [email protected]

ARIZONA STATE UNIVERSITY Deer Valley Rock Art Center Phoenix, Arizona The Deer Valley Rock Art Center is a 47-acre Native American petroglyph site in Phoenix that is part of Arizona State University in Tempe. It contains more than 1,500 boulders with carvings or inscriptions along a quarter-mile trail. The historic site was established in 1994 in collaboration with the U.S. Army Corps of Engineers next to the Adobe Dam flood control facility in northwest Phoenix. The center, operated by the university’s School of Human Evolution and Social Change, also has a library, art activity room, nature center, amphitheater, and heritage garden. The annual attendance is 16,000. Deer Valley Rock Art Center,, 3711 W. Deer Valley Rd., Phoenix, AZ 85308. Phone: 623/582-8007. Fax: 623/582-8831. E-mail: [email protected]. Web site: www.dvrac.asu.edu. Hours: May-Sept.-8-2 Tues.-Sun.; closed Mon.; Oct.-Apr.-9-5 Tues. Sat., 12-5 Sun.; closed Mon. and major holidays. Admission: adults, $7; seniors and students, $4; children 6-12, $3; children under 6, free. Kimberly Arth, Administration [email protected]

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Archaeology, Anthropology & Ethnology Museums BELOIT COLLEGE Logan Museum of Anthropology Beloit, Wisconsin The Logan Museum of Anthropology at Beloit College in Beloit, Wisconsin, is a teaching museum that uses hands-on interdisciplinary and international approaches to anthropological learning. The museum was founded in 1894 with Frank G. Logan’s gift of Native American materials collected by Horatio N. Rust, who served as an Indian agent in California. The contribution of nearly 3,000 artifacts was added to the college’s collection, which now contains approximately 15,000 ethnographic and over 200,000 archaeological objects from 480 cultural groups and 123 countries. Among the museum’s present collection’s strengths are European and North African Paleolithic and Neolithic artifacts and material culture of pre-Columbian and historic North and South American Indians. It also has rare aboriginal materials from Japan, Indonesia, Polynesia, Taiwan, and North Africa, and fragments of pottery and stone tools from the 20 Native American conical, linear, and animal effigy mounds on the campus grounds. The mounds are similar to some 3,000 found throughout southern Wisconsin. It is believed they were burial sites or spiritual centers built by Native Americans of the Late Woodland people between A.D. 400 and 1200. The Logan Museum has an annual attendance of 5,000. Logan Museum of Anthropology, Beloit College, 700 College St., Beloit, WI 535-5509. Phones: 608/363-2677 and 608/363-2119. Fax: 608/363-7144. Web site: www.beloit.edu/logan. Hours: 11-4 Tues.-Sun.; closed Mon. and college holidays. Admission: free. William Green, Director 608-363-2119 [email protected]

BOWDOIN COLLEGE Peary-MacMillan Arctic Museum Brunswick, Maine The Peary-MacMillan Arctic Museum at Bowdoin College in Brunswick, Maine, is named for two Arctic explorers and Bowdoin graduates who collected anthropological, historic, and natural history materials pertaining to the Inuit cultures of Labrador and Greenland in their explorations of the Arctic region at the turn of the twentieth century. Robert E. Peary, who was credited with being the first person to reach the North Pole in 1909, made numerous explorations of the Arctic region between 1886 and 1909. Donald B. MacMillan, who served briefly as a member of Peary’s North Pole team in 1908, made over 30 expeditions to the Arctic during his 46-year career as a teacher, explorer, and researcher. He also took films and thousands of photographs of Arctic scenes and put together a dictionary of the Inuktikut language. The Bowdoin museum, founded in 1967, is built largely around material donated by MacMillan, supplemented by additional Inuit artifacts and contemporary art and crafts. It

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features Inuit anthropological material and art, natural history specimens, Arctic exploration equipment, and many of MacMillan’s historic films and photographs of the polar region. The museum has three galleries and exhibit space for photographs in the foyer. The college also has an Arctic Studies Center and the Hawthorne-Longfellow Library, which contains MacMillan’s papers and archival material related to Peary. The museum’s annual attendance is over 15,000. Peary-MacMillan Arctic Museum, Bowdoin College, 9500 College Station, Brunswick, ME 04011-8495. Phones: 207/725-3416 and 207/725-3062. Fax: 207/725-3499. Web site: www.bowdoin.edu/artic-museum. Hours: 10-5 Tues.-Sat., 2-5 Sun.; closed Mon. and national holidays. Admission: free. Susan A. Kaplan, Director 207-725-3289 [email protected]

BRIGHAM YOUNG UNIVERSITY Museum of Peoples and Cultures Provo, Utah The Museum of Peoples and Cultures at Brigham Young University in Provo, Utah, is an anthropology and ethnology museum devoted largely to five main areas-Great Basin, American Southwest, Mesoamerica, South America, and Polynesia. Initiated in 1946, the museum became the Museum of Anthropology and Ethnology in 1961 and received its present name of Museum of Peoples and Cultures in 1980 when it moved into Allen Hall. The museum has more than 100,000 archaeological, anthropological, and ethnographic objects in its permanent collection. The most notable materials are from the Great Basin and Mesoamerica regions. The museum also has a strong prehistoric and ethnographic collection from the American Southwest, Casas Grandes, Peru, and Polynesia. The exhibits cover such cultures as Hohokam, Fremont, Anasazi, Mogollon, Casas Grandes, Maya, Polynesia, Egypt, and the Near East. The annual attendance is 16,000. Museum of Peoples and Cultures, Brigham Young University, 700 North 100 East, Allen Bldg., Provo, UT 84602 (postal address: 105 Allen-BYU, Provo, UT 84602). Phone: 801/422-0020. Fax: 801/422-0026. E-mail: [email protected]. Web site: www.mpc.byu.edu. Hours: 9-5 Mon., Wed, Fri., 9-7 Tues. and Thurs.; closed Sat.-Sun., major holidays, and university breaks. Admission: free. Paul Stavast, Director

BROWN UNIVERSITY Haffenreffer Museum of Anthropology Providence, Rhode Island Brown University’s Haffenreffer Museum of Anthropology has two locations in Rhode Island-its original site on the shores of Mount Hope Bay in Bristol and at Manning Hall on the university campus in Providence. The museum

CALIFORNIA STATE UNIVERSITY, CHICO originated with the private collection of Rudolf F. Haffenreffer, an industrialist and philanthropist who donated the museum and the surrounding 376 acres to the university upon his death in 1955. The site is said to be where Massasoit, sachem of the Wampanoag tribe, met with a group from Plimoth Plantation in 1621, and near where Massasoit’s son (called King Philip by the English) was killed in 1676, ending the King Philip War. It is where Haffenreffer founded the King Philip Museum that housed his anthropological collection. The Haffenreffer Museum uses anthropological research on humankind to further understanding of cultural differences and human similarities. The collection includes over 120,000 anthropological, archaeological, and ethnological objects about Native Americans and from Central and South America, Arctic, Africa, Pacific, Eastern Europe, Middle East, and Asia-half of which came from Heffenreffer. The museum has its storage facility at the Bristol site and its main gallery in Manning Hall at the Providence campus. The annual attendance is 17,000. Heffenreffer Museum of Anthropology, Brown University, 21 Prospect St., Providence, RI 02912 (postal address: 300 Tower St., Bristol, RI 02809). Phone: 401/863-2065. Fax: 401/253-1198. E-mail: [email protected]. Web site: www.brown.edu/heffemreffe. Hours: Manning Hall-10-4 Tues.-Sun; closed Mon., university holidays and breaks. Admission: free. Steven Lubar, Director [email protected]

CALIFORNIA STATE UNIVERSITY, EAST BAY C. E. Smith Museum of Anthropology Hayward, California The C. F. Smith Museum of Anthropology at California State University, East Bay, in Hayward houses an extensive collection of archaeological and ethnographic materials from North America, Africa, and Asia, and smaller collections from Central and South America. They include Native American baskets and kachinas; Southwest, California bay area, and Gold Rush artifacts; Andean textiles; and Philippine artifacts. The museum, located in Meiklejohn Hall, was founded in 1975 and is named for Professor Clarence E. Smith, an original member of the university’s anthropology faculty. It has an annual attendance of 2,000. C. E. Smith Museum of Anthropology, California State University, East Bay, Meiklejohn Hall, Hayward, CA 94542-3039. Phones: 510/885-3168 and 510/885-3104. Fax: 510/885-3353. E-mail: [email protected]. Web site: www.class.csueastbay.edu/anthropologymuseum. Hours: 10-4 Mon.-Fri. during exhibitions; closed at other times and during national holidays and university breaks. Admission: free. George Miller, Director

CALIFORNIA STATE UNIVERSITY, FULLERTON Anthropology Teaching Museum

CALIFORNIA STATE UNIVERSITY, CHICO Valene L. Smith Museum of Anthropology

Fullerton, California

Stacy Schaefer, Co-Director

Museum of Culture and Environment

As the name implies, the Anthropology Teaching Museum at California State University in Fullerton is used primarily in instruction by the Department of Anthropology. Founded Chico, California in 1970, the museum presents changing exhibitions in its The Valene L. Smith Museum of Anthropology at California 1,800-square-foot gallery. It has an extensive collection that State University in Chico has archaeological and ethnologi- includes prehistoric artifacts from southern California, the cal materials from around the world, with emphasis on Cali- Southwest, and the Midwest; ethnographic specimens from fornia prehistory and history. Selections are presented in the South Pacific, Near East, Mexico, and South America; changing exhibitions in its 1,000-square-foot gallery in and faunal, mineral, and sherd comparative materials. Meriam Library. The museum was founded in 1969. Expansion plans are being developed as a result of a recent $3 mil- Anthropology Teaching Museum, California State University, Fullerton, PO Box 6846, Fullerton, CA 92834-6846. lion gift from Valene Smith Posey, an emeritus faculty Phone: 657/278-3626. Fax: 657/278-5001. E-mail: anthromember who taught in the Departrment of Anthropology [email protected]. Web site: from 1967 to 1998. The museum receives 5,000 visitors www.anthro.fullerton.edu. Hours: Sept.-May-Mon.-Thurs.; annually. other times by appointment; closed university holidays and Valene L. Smith Museum of Anthropology, California State breaks. Admission: free. University, Chico, Meriam Library, Chico, CA 95929. John W. Jack Bedell, Chair, CSUF Dept. of Anthropology Phone: 530/898-5397. Fax: 530/898-6143. E-mail: [email protected] anthropologymuseum@[email protected]. Web site: www.csuchico.edu/anth/museum. Hours: Sept.-Oct. and Dec.-Jan.-11-3 Tues.-Sat.; closed Sun.-Mon., major holidays, and remainder of year. Admission: free. CENTRAL WASHINGTON UNIVERSITY

Ellensburg, Washington The Museum of Culture and Environment at Central Washington University in Ellensburg examines human life,

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Archaeology, Anthropology & Ethnology Museums culture, and interaction with the environment. Founded in 1972, the museum largely presents changing exhibitions from its collection of ethnographic materials from the Southwest and Northwest Coasts, Western Plateau, San Blas Islands, New Guinea, Mexico, Panama, and Africa.

EASTERN ARIZONA COLLEGE Museum of Anthropology

Museum of Culture and Environment, Central Washington University, Farrell Hall, Mail Stop 7544, 400 E. University Way, Ellensburg, WA 98926-7501. Phone: 509/961-2313. Fax: 509/963-3215. E-mail: [email protected]. Web site: www.cwu.edu/~anthro/dept. Hours: 2-6 Wed.-Fri. 10-3 Sat.; closed Sun.-Tues. and university holidays and breaks. Admission: free.

The Museum of Anthropology at Eastern Arizona College in Thatcher is devoted to the cultures of the Southwest. Founded in 1977, the museum has a collection and exhibits relating to such areas as Mogollon, Anasazi, and Hookam artifacts; Apache, Navajo, and Hopi ethnographics; botany of prehistoric peoples; the Pleistocene period; and such areas as Southwest weaponry, axes, jewelry, and pigment and pottery manufacturing.

Kathleen Barlow, Interim Director 509-963-3201 [email protected]

CORNELL UNIVERSITY McGraw Hall Museum Ithaca, New York McGraw Hall at Cornell University in Ithaca, New York, was built in 1868 and the first two floors housed a museum of natural history in 1872. Then the collection was dispersed, with the specimens going to vertebrate, insect, brain, and other campus collections. The first floor of the building now houses the McGraw Hall Museum, a collection of approximately 20,000 ethnographic and architectural objects from around the world used for teaching in the Department of Anthropology. The objects include such materials as prehistory Mississippian pottery, pre-Columbian textiles and pottery from Peru, Native American baskets, Ndembu ritual masks and costumes from Africa, Egyptian mummies, and Yir Yoront tools and weapons from Australia. Sections from the collection are displayed. McGraw Hall Museum, Cornell University, 150 McGraw Hall, Ithaca, NY14853-4601. Phone: 607/255-5137. Web site: www.falcon.arts.cornell.edu/anthro/collections.html. Hours: varies. Admission: free. Andrew Wilford, Chair, Cornell University Dept. of Anthropology [email protected]

DePAUW UNIVERSITY DePauw University Anthropology Museum Greencastle, Indiana The principal focus of the DePauw University Anthropology Museum in Greencastle, Indiana, is Africa. It has collections that concentrate on sculpture from the continent and exhibitions that usually relate to different facets of African life, such as artworks, musical instruments, and everyday life. The museum, founded in 1984, is located in Harrison Hall. DePauw University, Anthropology Museum, Harrison Hall, College St., Greencastle, IN 46135. Phone: 317/658-4889. Hours: Sept.-May-9-4 Mon.-Sat.; closed Sun., June-Aug., and university holidays and breaks. Admission: free. Krista Dahlstron, Anthropology Department Secretary [email protected]

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Thatcher, Arizona

Museum of Anthropology, Eastern Arizona College, Thatcher, AZ 85552-0769. Phone: 602/428-8310. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun., summer, and college holidays and breaks. Admission: free. JoAnn Morales, Chair, EAC Division of Social Sciences [email protected]

EASTERN NEW MEXICO UNIVERSITY Blackwater Draw Museum Portales, New Mexico The Blackwater Draw Museum is located at one of the best known and most significant archaeological sites in North America. The site, which was the nation’s first multicultural paleo-Indian archaeological site, was occupied by humans approximately 13,000 years ago. The site and the museum, which are operated by Eastern New Mexico College, are located along Highway 70 seven miles northeast of the university’s Portales campus. Initial explorations began in the 1930s at two Blackwater Draw sites in an extinct riverbed near Clovis, New Mexico. Evidence was found of human occupation, including Clovis culture spearheads, points, and other stone and bone weapons, tools, and processing implements. Associations also were uncovered of Late Pleistocene megafauna and hunts of woolly mammoth, camel, horse, bison, saber-toothed tiger, and dire wolf. The museum, founded in 1969, contains exhibits and artifacts related to the Blackwater Locality No. 1 site, which also can be visited. The annual attendance is 7,000. Blackwater Draw Museum, Eastern New Mexico University, Station 3, 42987 Hwy. 70, Portales, NM 88130. Phones: 505/562-2202 and 505/562-1011. Fax: 505/562-2291. E-mail: [email protected]. Web site: www.enmu.edu. Hours: Memorial Day-Labor Day-10-5 Mon.-Sat., 12-5 Sun.; remainder of year-10-5 Tues.-Sat., 12-5 Sun.; closed Mon. and major holidays. Admission: museum-adults, $3; seniors, $2; college students and children 6-15, $1; children under 6, free; Blackwater Locality No. 1 site-adults, $3; seniors, $2; college students and children 6-15, $1; children under 6, free. John Mongomery, Director

FORT LEWIS COLLEGE FORT LEWIS COLLEGE Center of Southwest Studies Gallery Durango, Colorado The Center of Southwest Studies, founded in 1964 at Fort Lewis College in Durango, Colorado, is devoted to the study and interpretation of the landscape and peoples of the greater Four Corners region. In addition to an interdisciplinary academic program in Southwest history, anthropology, archaeology, art, geology, and other fields, the center has an exhibition gallery, archive, and research library with Southwest materials. The 4,400-square-foot gallery is especially known for its excellent collection of Southwest weavings, featuring 800 years of Navajo, Hispanic, and Pueblo rugs, dresses, and blankets. It receives 35,000 visitors each year.

www.peabody.harvard.edu. Hours: 9-5 daily; closed New Year’s Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $9; seniors and students, $7; children 3-18, $6; children under 3, free. Pamela Gerardi, Director of External Relations 617-496-0099 [email protected]

HARVARD UNIVERSITY Semitic Museum at Harvard University Cambridge, Massachusetts

The Semitic Museum at Harvard University in Cambridge, Massachusetts, is about ancient Near East archaeology. It was founded in 1889 and moved to its present location in 1903. The museum, which is dedicated to furthering “sound Center of Southwest Studies Gallery, Fort Lewis College, knowledge of Semitic language and history,” has over 1000 Rim Dr., Durango, CO 81301-3911. Phone: 40,000 artifacts in its collection. It includes pottery, cylinder 970/247-3911. Fax: 970/247-7422. Web site: seals, sculpture, coins, and cuneiform tablets-many of which www.swcenter.fortlewis.edu. Hours: 1-4 Mon.-Wed. and came from museum excavations in Israel, Jordan, Iraq, Fri., 1-7 Thurs., 12-4 Sat.; closed Sun. and state and national Egypt, Cyprus, and Tunisia. The collection is used for teachholidays. Admission: free. ing, research, publication, and exhibits of Near Eastern arJeanne Brako, Curator of Collections & Public Programs, Center of chaeology, history, and culture. Southwest Studies 970-382-6980 [email protected]

HARVARD UNIVERSITY Peabody Museum of Archaeology and Ethnology Cambridge, Massachusetts The Peabody Museum of Archaeology and Ethnology at Harvard University in Cambridge, Massachusetts, is one of the earliest university museums in the nation. It also is one of the oldest museums in the world devoted to anthropology and houses one of the most comprehensive records of human cultural history in the Western Hemisphere. The museum has more than 6 million objects, 500,000 photographic images, and substantial archival records. The museum was founded in 1866 with a trust fund grant from financer and philanthropist George Peabody. The university presented its first exhibition in 1867 and opened the museum in 1877. The present collection is strongest in the cultures of North, Central, and South America and the Pacific Islands, and has signigicant materials from Africa, Europe, and Asia. The collection includes archaeology, ethnography, and osteology artifacts and related materials, as well as paintings, drawings, and prints. The museum engages in extensive research and presents exhibits that feature nearly 3,000 objects and photographs from its collections. It usually has seven exhibits on view, with two to three being new each year. It shares a building with the Harvard Museum of Natural History and has an annual attendance of 150,000. Peabody Museum of Archaeology and Ethnology, Harvard University, 11 Divinity Land., Cambridge, MA 02138-2096. Phone: 617/496-1027. Fax: 617/495-7535. Web site:

The Semitic Museum conducts archaeological field research into the complex societies of the Near East, with special emphasis on ancient cultures related to the world of the Bible. It has three major exhibits-The Sphinx and the Pyramids (100 years of American archaeology at Giza); Nuzi and the Hurrians: Fragments from a Forgotten Past; and The Cesnola Collections from Ancient Cyprus. The museum has 5,000 visitors a year. Semitic Museum, Harvard University, 6 Divinity Ave., Cambridge, MA 02138-2020. Phone: 617/495-4631. Fax: 617/496-8904. E-mail: [email protected]. Web site: www.fas.harvard.edu/hsm. Hours: 10-4 Mon.-Fri., 1-4 Sun.; closed Sat. and major holidays. Admission: free. Lawrence D. Stager, Director & Curator 617-495-5756 [email protected]

INDIANA UNIVERSITY Mathers Museum of World Cultures Bloomington, Indiana The Mathers Museum of World Cultures at Indiana University in Bloomington has archaeological, ethnological, and historical objects and exhibits from North America, Latin America, Europe, Africa, Asia, and Oceania. The museum originally was founded as the Indiana University Museum in 1963 and renamed for William Hammond Mathers, a son of the principal donor, in 1983. It is located adjacent to the Glenn Black Laboratory of Archaeology. The museum’s collection consists of over 20,000 objects and 10,000 photographs representing cultures from throughout the world. Among the highlights are such items as traditional musical instruments, Inupiaq and Yupik Eskimo materials, Pawnee material culture, and photographs of Native Americans. The museum presents changing exhibitions

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Archaeology, Anthropology & Ethnology Museums from its collection and elsewhere. The annual attendance is 45,000.

Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free.

Mathers Museum of World Cultures, Indiana University, 416 N. Indiana Ave., Bloomington, IN 47408-3742 (postal address: 601 E. 8th St., Bloomington, IN 47408-3742-3812). Phone: 812/855-6873. Fax: 812/855-0205. E-mail: [email protected]. Web site: www.mathers.indiana.edu. Hours: 9-4:30 Tues.-Fri. 1-4:30 Sat.-Sun.; closed Mon., major holidays, and university semester breaks. Admission: free.

Chad Landsman, Laboratory & Collections Manager, Luther College Anthropology Lab 563-387-2156 [email protected]

Geoffrey W. Conrad, Director [email protected]

The Merritt Museum of Anthropology at Merritt College (part of the Peralta Community College) in Oakland, California, contains ethnographical materials from North and South America, Africa, Pacific, and Asia and a prehistoric collection from Europe. The museum, which was founded in 1973, is located in the college library. Anthropology students organize and produce exhibits in display cases on the campus and for satellite exhibitions in surrounding communities. Annual attendance is 300.

JOHNS HOPKINS UNIVERSITY Johns Hopkins University Archaeological Collection Baltimore, Maryland The Johns Hopkins University Archaeological Collection, which began in 1884 in Baltimore, has collections of Egyptian, Mesopotamian, Greek, and Roman artifacts and art from circa 4000 b.c. to A.D. 500. In addition to permanent exhibits from its collection, it presents special exhibitions. Johns Hopkins University Archaeological Collection, 129/131 Gilman Hall, 3400 N. Charles St., Baltimore, MD 21218. Phones: 410/516-7561 and 410/516-6717. Fax: 410/516-4848. E-mail: [email protected]. Web site: www.neareast.jhu.edu/archaeo. Hours: temporarily closed for building renovations, but usually open Mon.-Fri. and closed university holidays and breaks. Admission: free. Betsy M. Bryan, Director

MERRITT COLLEGE Merritt Museum of Anthropology Oakland, California

Merritt Museum of Anthropology, Merritt College, Library Bldg., 12500 Campus Dr., Oakland, CA 94619-3107. Phone: 510/436-2607. Fax: 415/922-0905. Web site: www.merritt.edu/~anthr/museum.html. Hours: 7:45-7 Mon.-Thurs., 7:45-3 Fri.; closed Sat.-Sun. and college holidays. Admission: free. Siri Brown, Chair, MC Dept. of Social & Behavioral Sciences/Ethnic Studies [email protected]

MISSISSIPPI STATE UNIVERSITY Lois Dowdle Cobb Museum of Archaeology Mississippi State University, Mississippi

LUTHER COLLEGE Ethnographic and Archaeological Collections Decorah, Iowa Luther College in Decorah, Iowa, has more than a million artifacts and other materials in its Ethnographic and Archaeological Collections. The archaeological collection contains prehistoric and historic artifacts from nearly 400 Native American and Euro-American sites in Iowa and the Upper Midwest. The ethnographic collection, accumulated by the late Gavin Sampson of Decorah, features artifacts from living cultures around the world between the 1880s and 1920s. The majority of items represent the cultures of such Native American societies as Inuit, Sioux, Mandan, Pueblo, Ho-Chunk, Chippewa, Seminole, and Northwest Coast peoples. Other ethnographic materials are from Central and South America, Africa, Asia, Europe, Middle East, and Oceania. The collections, started in 1969, are located in the Anthropology Laboratory. Luther College Ethnographic and Archaeological Collections, Anthropology Laboratory, 700 College Dr., Decorah, IA 52101-1041. Phone: 563/387-2156. E-mail: [email protected]. Web site: www.anthropology.luther.edu.

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The Lois Dowdle Cobb Museum of Archaeology is part of the Cobb Institute of Archaeology at Mississippi State University in Starkville. The institute was founded in 1971 by a major donor to promote archaeological research and education related to the Middle East and Indians of the South, particularly in Mississippi. The museum primarily displays artifacts related to Native American cultures of Southeastern United States and the ancient Middle East and Mediterranean regions. The annual attendance is 3,000. Lois Dowdle Cobb Museum of Archaeology, Mississippi State University, College of Arts and Sciences, PO Box AR, Mississippi State University, MS 39762-5542. Phone: 662/325-3826. Fax: 662/325-8690. E-mail: [email protected]. Web site: www.cobb.misstate.edu. Hours: varies; closed university holidays and breaks. Admission: free. Kathleen Elliott, Administrative Secretary, Cobb Institute of Archaeology 662-325-3826 [email protected]

NEW MEXICO STATE UNIVERSITY of the diversity and richness of human cultures and societies. Founded in 1976, the museum focuses on the archaeology of northern Kentucky, contemporary ethnological arts of Native Americans, and contemporary ethnological Las Cruces, New Mexico and folk arts of world cultures. Its Ohio Valley collection is The history and culture of the Southwestern and border resupplemented by archaeological and contemporary materials gion are the primary focus of the New Mexico State Univer- from West Africa, New Guinea, Mexico, Latin America, and sity Museum in Las Cruces. Founded in 1959, the museum Northwest Coast, Southwestern, Southeastern, and Huichol features archaeological and ethnographic objects of the reIndians. Exhibits from the collection are located in Landrum gion, with secondary materials in history and the natural sci- Academic Center. The museum has approximately 800 visiences. The museum also has some items from Mexico, tors each year. Africa, Iran, Southeast Asia, China, Spain, and northern South America. The collection includes 170,000 archaeolog- Anthropology Museum, Northern Kentucky University, 216 ical, 10,000 historic, and 5,000 ethnographic items. The mu- Landrum Academic Center, University Dr., Highland seum’s exhibits are devoted largely to the traditions of Heights, KY 41099. Phone: 859/572-1569. Fax: on-going historic and prehistoric cultures of the region. The 850/572-5566. E-mail: [email protected]. Web site: museum has about 21,000 visitors annually. www.anthropologymuseum.nku.edu. Hours: by appointment; closed Christmas and university holidays. Admission: New Mexico State University Museum, Kent Hall, Univerfree. sity Ave. at Solano Dr., PO Box 30001, MSC 3564, Las Judy Voelker 859-572-1569 Cruces, NM 88003-8001. Phone: 575/646-5161. Fax: [email protected] 575/646-1419. E-mail: [email protected]. Web site: www.nmsu.edu/museum. Hours: 12-4 Tues.-Fri., 9-4 Sat.; closed Sun.-Mon. and major holidays and university breaks. Admission: free. PENNSYLVANIA STATE UNIVERSITY

NEW MEXICO STATE UNIVERSITY New Mexico State University Museum

Monte McCrossin

Matson Museum of Anthropology University Park, Pennsylvania

The Matson Museum of Anthropology at Pennsylvania State University in University Park (State College) displays archaeological objects from Mesopotamia and Mexico to Pennsylvania and items used by contemporary cultures from DeKalb, Illinois Latin America to Afghanistan. It also explores human evoArtifacts of human cultures are collected and exhibited at lution with replicas of ancestors’ bones and depicts what can the Anthropology Museum at Northern Illinois University in be learned from human skeletal remains found at archaeoDeKalb. The museum, founded in 1964, has an archaeologi- logical sites of crime scenes. The museum was founded in cal and ethnographic collection from various regions of 1968, moved into the Carpenter Building in 1987, and North America and ethnographic materials from Mexico, named for Anthropology Professor Frederick Matson in South America, Pacific Islands, Southeast Asia, Africa, and 1991. Greece. It also contains human and non-human primate Matson Museum of Anthropology, Pennsylvania State Uniskeletal material and pathological human skeletal material. versity, 409 Carpenter Bldg., University Park, PA Objects from the collection are used in permanent and 16802-3401. Phones: 814/865-3853 and 814/865-2033. Web changing exhibitions. The annual attendance is 2,000. site: www.anthro.psu.edu/matson_museum/index.shtml. Anthropology Museum, Northern Illinois University, Hours: 9-4 Mon.-Thurs., 9-3 Fri. (hours vary during sumStevens Bldg., DeKalb, IL 60115. Phones: 815/753-0246 mer); closed Sat.-Sun. and university holidays. Admission: and 815/753-0230. Fax: 815/753-7027. E-mail: free. [email protected]. Web site: www.niu.edu/inthro_muClaire McHale Milner seum. Hours: 9-5 Mon.-Fri. during academic year and by appointment; closed Sat.-Sun. and university holidays. Admission: free.

NORTHERN ILLINOIS UNIVERSITY Anthropology Museum

Sara Pfannkuche, Specialist [email protected]

PRINCIPIA COLLEGE Principia School of Nations Museum St. Louis, Missouri

The Principia School of Nations Museum, which has a collection and exhibits devoted to world cultures, has two locations - Principia School in St. Louis, Missouri, and Principia College in Elsah, Illinois. The museum was founded in 1930 Highland Heights, Kentucky to stimulate greater student interest in cultures around the The Anthropology Museum at Northern Kentucky Univerworld. The museum has an eclectic collection of more than sity in Highland Heights has an archaeological and ethologi- 10,000 items, including pre-Columbian and Native Americal collection and exhibits that seek to further appreciation can artifacts, Asian art objects, decorative arts, costumes,

NORTHERN KENTUCKY UNIVERSITY Anthropology Museum

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Archaeology, Anthropology & Ethnology Museums textiles, dolls, and pottery. The objects are used in exhibits and academic programs. Most of the materials were gathered by alumni and friends in their world travels. Principia School of Nations Museum, Principia College, 1320l Clayton Rd., St. Louis, MO 63121-1099. Phone: 314/514-3073. Web site: www.community.princiia.edu/museum. Hours: Sept.-June-by appointment; closed July-Aug. and college holidays and breaks. Admission: free. Principia School of Nations Museum, Principia College, 1 Maybeck Pl., Elsah, IL 62028. Phone: 828/374-2131 Web site: www.community.principia.edu/museum. Hours: varies; closed college holidays and breaks. Admission: free. Bonnie Gibbs 618-374-5259

SAN FRANCISCO STATE UNIVERSITY Ad n E. Treganza Anthropology Museum San Francisco, California A collection of archaeological and ethnographic specimens from Africa, Oceania, Asia, and North, Central, and South America is located at the Ad n T. Treganza Anthropology Museum at San Francisco State University in San Francisco, California. The museum, founded in 1968, also has a collection of photographs, tapes, and phonograph records from Africa and Europe. Ad n E. Treganza Anthropology Museum, San Francisco State University, SCI 388, 1600 Holloway Ave., San Francisco, CA 94132-1722. Phone: 415/338-1642. E-mail: [email protected]. We site: www.sfsu.edu/~treganza. Hours: 10-4 Mon.-Fri. during exhibitions; closed Sat.-Sun. and university holidays and breaks. Admission: free. Yoshiko (Miko) Yamamoto, Director 415-338-1642

SANTA ROSA JUNIOR COLLEGE Jesse Peter Museum Santa Rosa, California The Jesse Peter Museum at Santa Rosa Junior College in Santa Rosa, California, contains ethnographic artifacts and art from throughout the Americas and parts of Africa, Asia, and the Pacific. It has permanent exhibits on Pueblo pottery, Plains and Plateau basketry, Southwest jewelry, Hopi kachinas, and Pomo Roundhouse and Hopi Pueblo models, and presents rotating exhibitions that include Native American, Mesoamerican, South American, Hispanic, Asian, African, and African American art. The museum, which is the primary resource for multicultural studies at the college, was founded in 1932 and opened in 1940. It is named for Jesse Peter, a naturalist, collector, and explorer who collected many of the early artifacts and art and served as the first director of the museum. The collection later was expanded to include objects from elsewhere in the world. Annual attendance is now 17,000. Jesse Peter Museum, Santa Rosa Junior College, 1501 Mendocino Ave., Santa Rosa, CA 95401-4332. Phone:

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707/527-4479. Fax: 707/524-1861. E-mail: [email protected]. Web site: www.santarosa.edu/museum. Hours: mid-Aug.-mid-May-8-3:30 Mon.-Fri.; closed Sat.-Sun., mid-May-mid-Aug., and university holidays and breaks. Admission: free. Foley Benson, Director 707-527-4614

ST. CLOUD STATE UNIVERSITY Evelyn Payne Hatcher Museum of Anthropology St. Cloud, Minnesota The Evelyn Payne Hatcher Museum of Anthropology at St. Cloud State University in St. Cloud, Minnesota, contains collections and exhibits of Native American artifacts, local history and culture, and photographs. The small museum, located in Stewart Hall, is named for a long-time professor of anthropology. Evelyn Payne Hatcher Museum of Anthropology, St. Cloud State University, 113 Stewart Hall, St. Cloud, MN 56301. Phone: 320/308-4790. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

STANFORD UNIVERSITY Keesing Museum of Anthropology Stanford, California The Keesing Museum of Anthropology at Stanford University in Palo Alto, Califorrnia, contains a wide range of anthropological and archaeological collections and exhibis. They include such holdings as stone tools, basketry, ceramics, and other cultural materials from California, the Pacific, Mexico, the Andes, Africa, Europe, and other regions. Keesing Museum of Anthropology, Stanford University, Dept. of Anthropology, Bldg. 110, Stanford, CA 94305. Phone: 650/723-1854. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. John Rick 650-723-1854

TRINIDAD STATE JUNIOR COLLEGE Louden-Heritze Archaeology Museum Trinidad, Colorado The Louden-Heritze Archaeology Museum at Trinidad State Junior College in Trinidad, Colorado, depicts the archaeology, paleontology, and geology of the area. It has such items as the skeletal remains of a Mosasaur sea reptile, fossilized Tryrannosaurus rex and duck bill dinosaur footprints, Indian artifacts, and a replica of a Trinchera Shelter, a rock cave in which preserved pottery shads, projectile points, yucca sandals, braided ropes, and grass mats were found. The museum, founded in 1955, is named for Richard and Willard Louden and Ruth Henritz, who played important roles in

UNIVERSITY OF ALABAMA establishing and organizing the museum. The annual attendance is 2,300. Louden-Henritze Archaeology Museum, Trinidad State Junior College, 600 Prospect St., Trinidad, CO 81082-2356. Phone: 719/846-5508. Fax: 719/846-5050. Hours: Jan.-Nov.-10-3 Mon.-Thurs.; closed Fri.-Sun. and state and national holidays. Admission: free. Loretta Martin 719-846-5508 [email protected]

UNIVERSITY OF ALABAMA Moundville Archaeological Park & Jones Archaeological Museum Moundville, Alabama The Moundville Archaeological Park & Jones Archaeological Museum, a Middle Mississippian prehistoric site near Moundville, Alabama, was occupied by 1,000 Native Americans of Mississippian culture in A.D.1000-1450, with 10,000 additional in the surrounding countryside. It now is a major archaeological site with a museum containing artifacts and interpretive exhibits about archaeological excavations, history, and mounds and has a re-created Indian Village that depicts the daily life of the native people and has crafts pavilions that serve as outdoor classrooms and demonstration areas for Native American artists in residence. The residential, political, and ceremonial site, which originally covered 300 acres, was protected on three sides by a bastioned wooden palisade wall and a river bluff on the remaining side. The historic park, which was established in 1939, now encompasses 172 acres and has 32 platform mounds around a rectangular plaza. The first major excavations were conducted in 1905-06, with the initial large-scale scientific excavations being conducted by Alabama Museum of Natural History archaeologists beginning in 1929. The investigations continue today by the University of Alabama museum. In addition to artifacts and exhibits, the Jones Archaeological Museum offers a series of videos on Moundville and the history of Southeastern Indians. Moundville Archaeological Park and Jones Archaeological Museum, Hwy. 69, Mound State Pkwy., PO Box 66, Moundville, AL 35474-0066. Phone: 205/371-2234. Fax: 205/371-4180. E-mail: [email protected]. Web site: www.moundville.ua.edu. Hours: park-8-8 daily; museum-call for varying hours. Admission: park and museum-adults, $5; seniors, $4; students and children over 5, $3; children under 6 and Native Americans, free; crafts pavilions-adults, $9; children 6-16, $7; children under 6, free. Kelli Harris 205-348-9826 [email protected]

UNIVERSITY OF ARIZONA Arizona State Museum Tucson, Arizona The Arizona State Museum on the campus of the University of Arizona in Tucson is the oldest and largest anthropology museum in the Southwest. It was established in 1893 by the Arizona Territorial Legislature and its extensive collection has become one of the world’s most significant resources for the study of cultures in southwestern United States and northern Mexico. It houses more than 150,000 catalogued archaeological and ethnographic artifacts, over 350,000 photographic negatives and original prints, and 70,000 volumes, including many rare titles. The museum’s Southwest Indian pottery collection of 20,000 is the largest whole-vessel collection in the world. Other large collections include Navajo textiles, Casas Grandes pottery, Seri materials, Mexican folk masks, and comparative vertebrate skeletons. The state museum, which is operated by the university, is the primary repository for archaeological materials excavated on Arizona’s state lands. It also curates materials for federal agencies and tribal governments, including approximately 175,000 archaeological specimens, notably Hohokam, Mogollon, and ancestral Pueblo, and around 20,000 cubic feet of comparative sherds, chipped and ground stone, and environmental samples. The museum has an extensive research program and presents permanent exhibits and temporary exhibitions from its collection and other sources. Arizona State Museum, University of Arizona, 1013 E. University Blvd., PO Box 210026, Tucson, AZ 85721-0026. Phones: 520/621-6302 and 520/621-6281. Fax: 520/621-2976. Hours: 10-5 Mon.-Sat.; closed Sun. and state and federal holidays. Admission: adults, $5; children under 18, free. Beth Grindell, Director 520-621-6281

UNIVERSITY OF CALIFORNIA, BERKELEY Phoebe Apperson Hearst Museum of Anthropology Berkeley, California The Phoebe Apperson Hearst Museum of Anthropology at the University of California, Berkeley, has the oldest and largest anthropological collection in western United States. The museum was founded in 1901 by Hearst, who saw the museum as “a great educator” dedicated to giving the people of California every educational advantage. It now has 3.8 million objects from throughout the world in its collections. They include archaeological and ethnological specimens from the Americas, Oceania, Europe, Asia, and Africa; human skeletal materials; and photographic negatives, slides, and prints. The university seeks to promote the history and diversity of human cultures through research, education, exhibitions, and public programs. On-going and special exhibits are

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Archaeology, Anthropology & Ethnology Museums presented in Kroeber Hall. One on-going exhibit interprets human ingenuity with objects from its collections. Visitors see the living and historical cultures of China and Africa and archaeological examples from Egypt, Peru, North America, and the Mediterranean. Another exhibit is devoted to California’s native cultures, featuring 500 objects that illustrate the great diversity of the state’s peoples and their similarities and differences. The museum’s annual attendance is over 45,000. Phoebe Apperson Hearst Museum of Anthropology, University of California, Berkeley, Kroeber Hall, Bancroft Way and College Ave., Berkeley, CA 94720. Phone: 510/642-3682. E-mail: [email protected]. Web site: www.hearstmuseum.berkeley.edu. Hours: 10-4 Wed.-Sat.; 12-4 Sun.; closed Mon.-Tues. and university holidays. Admission: free. Mari Lyn Salvadore, Director 510-642-3681 [email protected]

UNIVERSITY OF CALIFORNIA, LOS ANGELES Fowler Museum at UCLA Los Angeles, California The Fowler Museum at UCLA was founded at the University of California, Los Angeles, in 1963 by Chancellor Franklin M. Murphy to consolidate the various collections of non-Western art and artifacts on campus and to undertake research, fieldwork, exhibitions, and publications in the field. The museum initially was called the Museum and Laboratories of Ethnic Arts and Technology, but its name was changed several times before becoming the Fowler Museum at UCLA in 2006. The name reflects the lead support of the Fowler Foundation and the family of collector and inventor Francis E. Fowler, Jr. The museum now has more than 150,000 ethnographic and art items and 600,000 archaeological objects representing ancient, traditional, and contemporary cultures of Africa, Native and Latin America, and Asia and the Pacific. They include such materials as pre-Columbian ceramic vessels of Peru, Yoruba beaded arts from southern Nigeria, batik textiles of Indonesia, and papier-mache sculptures from Mexico. The museum has such permanent exhibits as Reflecting Culture: The Francis E. Fowler, Jr. Collection of Silver, an on-going exhibit of Intersections: World Arts, Local Lives, and changing special exhibitions. The museum receives 60,000 visitors annually.

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UNIVERSITY OF CHICAGO Oriental Institute Museum Chicago, Illinois The Oriental Institute Museum at the University of Chicago in Chicago, Illinois, is one of the nation’s leading museums of the history, art, and archaeology of the ancient Near East. Founded in 1894, the museum is an integral part of the university’s Oriental Institute, which has supported research and archaeological excavation in the Near East since 1919. The institute has a major collection of antiquities from Egypt, Mesopotamia, Iran, Syria, Palestine, and Anatolia. The museum has exhibits that give visitors a glimpse of the ancient Near East. They include sculptures and relief carvings that depict the ancient people and their gods and goddesses; monumental statues of their kings; clay tablets, papyrus scrolls and inscriptions on stone that show the development of their writing systems and document many aspects of their lives; and everyday objects that show their decorative arts skills and refinement of their tastes. The annual attendance is 60,000. Oriental Institute Museum, University of Chicago, 1155 E. 58th St., Chicago, IL 60637-1569. Phone: 773/702-9520. Fax: 773/702-9853. E-mail: [email protected]. Web site: www.oi.uchicago.edu. Hours: 10-6 Tues.-Sat. (Wed. to 8:30), 12-6 Sun.; closed Mon., New Year’s Day, Independence Day, Thanksgiving, and Christmas. Admission: suggested donations-adults, $7; children under 12, $4. Geoff Emberling, Director 773-702-9863 [email protected]

UNIVERSITY OF DENVER Museum of Anthropology Denver, Colorado The Museum of Anthropology at the University of Denver in Colorado is a teaching museum founded in 1931 by archaeologist Dr. Eienne B. Renaud. It has a collection of 150,000 ethnographic and archaeological objects representing a wide range of cultures and people, mostly in the Southwest. They include textiles, period artifacts, and other objects from around the world. The exhibits usually feature materials from the collections. The museum also occasionally presents guest-curated and traveling exhibitions. Annual attendance is 1,000.

Fowler Museum at UCLA, University of California, Los Angeles, Sunset Blvd. and Westwood Plaza, PO Box 951549, Los Angeles, CA 90095-1549. Phone: 310/825-4361. Fax 310/206-7007. E-mail: [email protected]. Web site: www.fowler.ucla.edu. Hours: 12-5 Wed. and Fri.-Sun.; 12-8 Thurs.; closed Mon.-Tues. and university holidays. Admission: free.

Museum of Anthropology, University of Denver, 102 Sturm Hall, 2000 Asbury Ave., Denver, CO 80208. Phone: 303/871-2688. Fax: 303/871-2437. Web site: www.du.edu/ahss/schools/anthropology/museum/index.html. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun., major holidays, and when university is closed. Admission: free.

Stacey Abarbanel, Director of External Affairs 310-825-4288 [email protected]

Bonnie Clarke, Curator of Archaeology 303-871-2875 [email protected]

UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN Spurlock Museum Urbana, Illinois The diversity of cultures through time and across the world is celebrated at the William R. and Clarice V. Spurlock Museum, known as the Spurlock Museum, at the University of Illinois at Urbana-Champaign. The museum evolved from the Museum of Classical Archaeology and Art and the Museum of European Culture, both founded in 1911. They were joined by the Oriental Museum in 1917 and merged in 1971 to form the World Heritage Museum, which was renamed the Spurlock Museum for major donors in 2000. The museum has approximately 40,000 objects in its collection, including Parthenon frieze casts, Merovingian bronzes, Mesopotamian cuneiform tablets, and Amazonian bark cloth. The museum’s five galleries contain exhibits on the ancient Mediterranean, Egypt and Mesopotamia, Africa, East and Southeast Asia, Oceania, Europe, and the indigenous cultures of the Americas. Spurlock Museum, University of Illinois at Urbana-Champaign, 600 S. Gregory St., Urbana, IL 61801. Phone: 217/333-2360. Fax: 217/244-9419. Web site: www.spurlock.illinois.edu. Hours: 12-5 Tues., 9-5 Wed.-Fri., 10-4 Sat., 12-4 Sun.; closed Mon. and university holidays. Admission: $3 suggested donation. Wayne T. Pitard, Director 217-265-6110 [email protected]

UNIVERSITY OF MAINE Hudson Museum Orono, Maine The Hudson Museum at the University of Maine in Orono has moved into new quarters in the Collins Center for the Arts. It provides 9,000 square feet of exhibition space in three galleries, and more space for collections and other activities. The museum has over 8,000 ethnographic and archaeological objects in its collection, including Native American and Native Alaskan objects from the Northwest Coast, Arctic, Plains, Southwest, and Northeast, and such other objects as pre-Columbian ceramics, litchis, and gold work from 2000 B.C., and ethnographic materials from Mexico, Guatemala, and Panama.

Minsky Culture Lab for interactive activities. The annual attendance exceeds 67,000. Hudson Museum, University of Maine, 5476 Maine Center for the Arts, Orono, ME 04469-5746. Phone: 207/581-1901. Fax: 207/581-1950. E-mail: [email protected]. Web site: www.umaine.edu/hudsonmuseum. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun. and state and national holidays. Admission: free. Gretchen F. Faulkner, Director 207-581-1904 [email protected]

UNIVERSITY OF MEMPHIS C. H. Nash Museum at Chucalissa Memphis, Tennessee A vibrant and sophisticated Mississippian mound complex was developed in the Memphis, Tennessee area around A.D.1500 after several earlier attempts over 500 years failed to survive. The archaeological site-known as Chucalissa-was discovered in 1938 by Civilian Conservation Corps workers while preparing for a new park. The University of Tennessee initially began excavations in 1940, but World War II halted the work. It was resumed in 1955, and first public museum-which later became the C. H. Nash Museum at Chucalissa-opened in 1956. In 1962, the University of Memphis assumed administrative responsibility for Chucalissa and the site quickly became a central focus of the university’s archaeology program in the Department of Anthropology. Since then, the site has been separated from the park, partly re-created, and developed as a laboratory for training archaeologists and a place to interpret archaeology to the public. It also has become a National Historic Landmark and listed on the National Register of Historic Places The Nash Museum uses displays, dioramas, and artifacts to tell the history of Chucalissa and interpret the prehistory of the Mid-South and contemporary Southeastern Indian cultures. The site also has a reconstructed village that includes several family dwellings, a shaman’s hut, and a chief’s temple atop a mound, and visitors can walk through an archaeologist’s trench. The annual attendance is 10,000.

C. H. Nash Museum at Chucalissa, University of Memphis, 1987 Indian Village Dr., Memphis, TN 38109-3005. Phone: 901/785-3100. Fax: 901/785-0519. E-mail: [email protected]. Web site: www.chucalissa.memThe World Cultures Gallery focuses on such universal cultural themes as ritual and belief, status and power, home and phis.edu. Hours: 9-5 Tues.-Sat., 1-5 Sun.; closed Mon., Sun. in Dec.-Mar., and most major holidays. Admission: adults, family, transportation, adornment, foodways, and objects $5; seniors and children 4-11, $3; children under 4, free. made for others. The Maine Indian Gallery contains traditional art forms, such as basketry, birchbark, woodworking, Robert Connolly, Director 901-785-3160 and decorative traditions, and presents an overview of the peopling of the state, including archaeological specimens, the Ice Age in Maine, and how the changing climate will impact the state. Changing temporary exhibitions are presented in the Merritt Gallery. The exhibit area also has a

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Archaeology, Anthropology & Ethnology Museums UNIVERSITY OF MICHIGAN Kelsey Museum of Archaeology Ann Arbor, Michigan

E-mail: [email protected]. Web site: www.lsa.umich.edu/umma. Hours: not open to the public. Carla Sinopoli, Curator & Director 734-764-0484 [email protected]

The Kelsey Museum of Archaeology at the University of Michigan in Ann Arbor began in 1928. It started with artifacts acquired by its namesake, Professor of Latin Francis UNIVERSITY OF MISSOURI, COLUMBIA W. Kelsey, between the 1890s and 1920s. Starting in 1928, the collection was housed in a turreted stone building, which Museum of Anthropology Columbia, Missouri became known as the Kelsey Museum of Archaeology in 1953. The museum’s collection and exhibits now are in a The collection and exhibits at the Museum of Anthropology state-of-the-art addition to the building called the William E. at the University of Missouri in Columbia focus on Native Upjohn Exhibit Wing. American cultures from across North America and on Missouri history from 11,200 years ago to the present. The muThe museum has approximately 100,000 artifacts, ranging seum, founded in 1939, has a collection on prehistoric from prehistoric through medieval times. Most of the artifacts are from the cultures of ancient Greece and Rome, dy- Missouri archaeological artifacts and ethnographic materials nastic and Roman Egypt, and the Near East. The museum from native cultures in the Arctic, Northwest Coast, Southalso has photography and documentary archives. The exhib- west, and Basin and Great Plains. In addition, it has the its feature artifacts and have some interactive displays. The Grayson Collection of archery and related materials from annual attendance is 20,500. around the world. Murals by artist Robert Casati provide the setting for each region in the exhibits. Exhibits are presented Kelsey Museum of Archaeology, University of Michigan, at two locations-the museum and in its research center. The 434 S. State St., Ann Arbor, MI 48109-1390. Phone: annual attendance is 5,500. 734/764-9304. Fax: 734/763-8976. E-mail: [email protected]. Web site: Museum of Anthropology, University of Maryland-Columwww.lsa.umich.edu/kelsey. Hours: call for hours. Admisbia, 104 Swallow Hall, 9th St. near University Ave., Columsion: free. bia, MO 65211. Phone: 573/882-3573. Fax: 573/884-3627. Sharon Hebert, Director 734-647-0446 E-mail [email protected]. Web site: [email protected] www.antromuseum.missouri.edu. Hours: 9-4 Mon.-Fri. (and 4 Sat. in the spring); closed Sat.-Sun. and university holidays. Admission: free.

UNIVERSITY OF MICHIGAN Museum of Anthropology Ann Arbor, Michigan

Michael O’Brien, Director 573-882-3764 [email protected]

Although the University of Michigan in Ann Arbor began its anthropological, archaeological, and ethnographic collec- UNIVERSITY OF MISSOURI, COLUMBIA tion in the nineteenth century, it was not until 1922 that the Museum of Art and Archaeology Museum of Anthropology was created as a division of the Columbia, Missouri Museum of Zoology and an independent museum in 1928. Today, the University of Michigan Museum of AnthropolThe Museum of Art and Archaeology at the University of ogy is a research facility that does not have permanent exMissouri in Columbia has preserved, studied, documented, hibit space, offering only virtual exhibits. and interpreted the world’s artistic and archaeological tradiThe museum has over 3 million objects in its collection, ex- tions since founded in 1957. The museum’s collection is especially strong in Greek, Roman, and Near Eastern artworks tensive research activities, and such other facilities as ethnobotanical and archaeological zoology analytical laboand artifacts. It also has significant holdings from ancient ratories, analytical collections in geology, and a Latin Amer- Egypt and Byzantium, as well as important European and ican ethnohistory library. It also operates, with the American art from the fifteenth century to the present. The Department of Anthropology, a leading graduate program in latter includes the Samuel H. Kress Study Collection of Euanthropological archaeology. The collection is derived from ropean paintings. The museum also has materials representexcavations and surveys throughout the world. It includes ing Asian, African, Oceanic, and ancient Americas cultures. such items as pottery, flaked and groundstone tools, animal Annual attendance is over 35,000. bones, ethnobotanical and sediment samples, and accompanying field notes, site and survey maps, photographs, and reMuseum of Art and Archaeology, University of Mislated documents and records. souri-Columbia, 1 Picard Hall, University Ave. and 9th St., Columbia, MO 65211. Phone: 573/882-3591. Fax: University of Michigan Museum of Anthropology, 4013 Ruthven Museum Bldg., 1109 Geddes Ave., Ann Arbor, MI 573/884-4039. E.-mail: [email protected]. Web 48109-1079. Phone: 734/764-0485. Fax: 734/763-7783. site: www.maa.missouri.edu. Hours: 9-4 Tues.-Fri., 12-4

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UNIVERSITY OF NEW MEXICO Sat.-Sun.; closed Mon., university and national holidays, and Christmas through New Year’s Day. Admission: free. Alex Barker, Director 573-882-5075 [email protected]

UNIVERSITY OF NEW MEXICO Maxwell Museum of Anthropology Albuquerque, New Mexico The Maxwell Museum of Anthropology at the University of New Mexico in Albuquerque has one of the most extensive collections of archaeological artfacts from the Southwest, as well as collections from Latin America, Oceanic, Africa, Southeast Asia, Australia, and the Arctic. Many of the Southwest artifacts are the result of over 60 years of Chaco Canyon research by the museum and the National Park Service. The museum collection also has Navajo and other Southwestern weaving, Mimbres and Pueblo pottery, American Indian baskets and easel art, silver, musical instruments, and textiles, jewelry, and other materials from around the world. Objects from the collection are featured in two permanent exhibits in the Main Gallery-People of the Southwest and Ancestor Exhibit. It also presents changing exhibitions in the North and Bowden galleries.

such objects as clothing, textiles, jewelry, pottery, furniture, figurines, drawings, prints, scrolls, and photographs from African, Latin American, and Pacific cultures. The museum is based in the William M. Randall Library. Museum of World Cultures, University of North Carolina at Wilmington, William M. Randall Library, 601 College Rd., Wilmington, NC 28403-5649. Phone: 910/962-7233. Fax: 910/962-7439. E-mail: [email protected]. Web site: www.library.uncw.edu/museum. Hours: varies. Admission: free. Jerry Parnell, Coordinator of Special Collections, William M. Randall Library 910-962-3276 [email protected]

UNIVERSITY OF PENNSYLVANIA Museum of Archaeology and Anthropology Philadelphia, Pennsylvania

Founded in 1887, the University of Pennsylvania Museum of Archaeology and Anthropology has become one of the leading museums in the world dedicated to the study and understanding of human history and diversity. It conducted the first American expedition to ancient Babylonia to excavate the site of Nippur. Since then, the museum has engaged in more than 400 archaeological and anthropological expeditions around the world. It now has nearly 1 million objects Maxwell Museum of Anthropology, was founded in 1932 as in its collection-many of which are displayed in its the Museum of Anthropology by Edgar Lee Hewett, who es- long-term and changing exhibitions in its historic building tablished the Department of Anthropology four years earlier. complex-a Beau Arts structure originally completed in 1899 It was named for major donors Dorothy and Gilbert and supplemented with a rotunda in 1915, Coxe Memorial Maxwell in 1972. The museum now has an annual attenWing (for Egyptian collection) in 1926, Sharpe Wing (addance of 15,000. ministration) in 1929, Academic Wing (laboratories and classrooms) in 1971, and Mainwaring Wing (collections Maxwell Museum of Anthropology, University of New storage) in 2002. Mexico, MSC1 1050, Albuquerque, NM 87131. Phone: 5405/77-4405. Fax: 505/277-1547. E-mail: The museum’s collection falls into two main [email protected]. Web site: www.unm.edu/-maxwell. facts from past excavations and objects and ethnographic Hours: 10-4 Tues.-Sat.; closed Sun.-Mon. and major holiobjects collected from living peoples. They are used in redays. Admission: free. search, teaching, and exhibits. The museum has more than 30 galleries, including four devoted to ancient Egypt and E. James Dixon, Director 505-277-4210 others devoted to such subjects as ancient Greeks, Romans, [email protected] and Etruscans; ancient Iraq; Islam; China; Buddhism; Africa; Mesoamerica; Polynesia; and American Southwest. The museum also has an archive with stories behind the artiUNIVERSITY OF NORTH CAROLINA AT facts. The annual attendance is 145,000.

WILMINGTON Museum of World Cultures

University of Pennsylvania Museum of Archaeology and Anthropology, 3200 South St., Philadelphia, PA Wilmington, North Carolina 19123-6324. Phone: 215/898-4000. Fax: 215/898-0657. The Museum of World Cultures at the University of North E-mail: [email protected]. Web site: www.muCarolina at Wilmington is a “museum without walls” that seum.upenn.edu. Hours: Memorial Day-Labor Day-10-4:30 features ethnic cultural objects displayed in 16 buildings on Tues.-Sat.; closed Sun.-Mon.; remainder of year-10-4:30 the campus and a web site. The unusual museum was started Tues.-Sat.; 1-5 Sun.; closed Mon., New Year’s Day, Easter, in 1981 by Dr. Gerald H. Shinn, a professor of philosophy Memorial Day, Independence Day, Thanksgiving, and and religion who became the first director and curator. By Christmas. Admission: adults, $10; seniors, $7; students and disbursing the collection, the museum seeks to make the cul- children 6-17, $6; children under 6, free. tural objects more readily available to students in support of Richard Hodges, Williams Director of the Penn Museum anthropology, history, religion, museum studies, and other disciplines and to enriching museum-based learning and study in the greater community. The collection includes

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Archaeology, Anthropology & Ethnology Museums UNIVERSITY OF SAN DIEGO Anthropology Museum San Diego, California The principal attraction at the University of San Diego Anthropology Museum in San Diego, California, is the David W. May American Indian Collection and Gallery. The collection, bequeathed to the university in 1994, consists of over 2,000 objects, including basketry, pottery, wood carvings, jewelry, textiles, folk art, musical instruments, paintings, fetishes, ceremonial costumes, stone tools, weapons, cradleboards, and dolls. The objects are almost entirely from Native American cultures in the Southwest. The annual attendance is 200. Anthropology Museum, University of San Diego, 5998 Alcala Park, San Diego, CA 92110-2245. Phone: 619/260-4238. Fax: 619/260-2245. E-mail: [email protected]. Web site: www.sandiego.edu. Hours: 1-3 Tues. and Thurs., other times by appointment; closed university holidays. Admission: free. Alana Cordy-Collins, Anthropology Department Chair 619-260-4238 [email protected]

ranging from Native Americans to Europeans and Asian who have settled in Texas. The 182,000-square-foot complex has become the state’s primary center for multicultural education with its exhibits, programs, and special events, such as the annual Texas Folklife Festival. The institute has 65,000 square feet of exhibits that tell stories of Texans. It features an outdoor historical Texas setting called the Back 40. It is a 1800s living history area with such buildings as a one-room schoolhouse, log house, barn, adobe house, and army fort barracks. It provides hands-on learning experiences with costumed interpreters who describe the daily lives of early Texans in the nineteenth century. The institute’s annual attendance is 200,000. Institute of Texan Cultures, University of Texas at San Antonio, 801 E. Durango Blvd., San Antonio, TX 78205-3209 (postal address: 801 S. Bowie, San Antonio, TX 78205-3296). Phone: 210/458-2300. Fax: 210/458-2380. E-mail: [email protected]. Web site: www.texancultures.utsa.edu. Hours: 9-5 Mon.-Sat., 12-5 Sun.; closed New Year’s Day, Easter, Texas Folklife Festival in early June, Thanksgiving, and Christmas. Admission: adults, $8; seniors, $7; military, college students, and children 3-11, $6; children under 3, free. James Benavides, Public Affairs Specialist 210-458-2237 [email protected]

UNIVERSITY OF SOUTH CAROLINA South Carolina Institute of Archaeology and Anthropology Columbia, South Carolina The South Carolina Institute of Archaeology and Anthropology at the University of South Carolina in Columbia was established in 1963 as a research institute and a state cultural resource management agency. It is the state’s curatorial facility for the discovery, study, revelation, and repository of prehistoric and historic archaeology. It also participates in a wide range of university activities and has educational exhibits of its archaeological and anthropological collection.

Gurabo, Puerto Rico

South Carolina Institute of Archaeology and Anthropology, University of South Carolina, 1321 Pendleton St., Columbia, SC 29208, Phone; 803/777-8170. Fax: 803/254-1338. Web site: www.cas.sc.edu. Hours: 8:30-5 Mon.-Fri.; closed Sat.-Sun. and state holidays. Admission: free.

Museum and Center for Humanistic Studies, University of Turabo, Carr, 189, PO Box 3030, Gurabo, Puerto Rico 00778-3030. Phone and fax: 787/743-7979., Ext. 4135. Hours: Aug.-May-8-12 and 1-5 daily; closed June-July and major holidays. Admission: free.

Charles R. Cobb, Director 803-576-6569 [email protected]

Carmen Ruiz de Fischler, Director 787-743-7979 [email protected]

UNIVERSITY OF TEXAS AT SAN ANTONIO Institute of Texan Cultures

UNIVERSITY OF WYOMING Anthropology Museum

San Antonio, Texas

The University of Wyoming Anthropology Museum in Laramie features the archaeology and ethnology of the Northern Plains region-with emphasis on the culture of Native Americas. Founded in 1966, it has an extensive archaeological, ethnographic, and human osteological collection and offers exhibits in such related fields as archaeology, biology, linguistics, and culture. In addition to highlighting the

The Institute of Texan Cultures, which originally was the Texas Pavilion at the HemisFair ‘68 celebration, now is part of the HemisFair Park campus of the University of Texas at San Antonio. The institute has a collection and exhibits on the state’s cultures and their impact on the history and development of Texas. It features exhibits on 21 ethnic groups,

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UNIVERSITY OF TURABO Museum and Center for Humanistic Studies The University of Turabo’s Museum and Center for Humanistic Studies in Gurabo, Puerto Rico, is concerned primarily with the archaeology and ethnology of the eastern part of Puerto Rico in the nineteenth century. Founded in 1980, the museum presents changing exhibitions and has a collection of archaeological and ethnographic materials, including folkloric arts and crafts. The annual attendance is 3,500.

Laramie, Wyoming

UTAH STATE UNIVERSITY Native American heritage in the region, the museum has exhibits devoted to human migration, cultural diversity, and archaeological research. Annual attendance is 10,000. University of Wyoming Anthropology Museum, 12th and Lewis Sts., Laramie, WY 82071 (postal address; 1000 E. University Ave., Dept. 3807, Laramie, WY 82071-2000). E-mail: [email protected]. Web site: www.uwadmnweb.uwyo.edu/anthropology/museum. Hours: mid-May-Aug.-9-4 Mon.-Fri.; closed Sat.-Sun.; remainder of year-9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Charles Reher 307-766-2208 [email protected]

UTAH STATE UNIVERSITY Museum of Anthropology

changing exhibitions are devoted to topical subjects. The annual attendance is over 20,000. Museum of Anthropology, Wake Forest University, Wingate Rd., PO Box 7267, Winston-Salem, NC 27109-7267. Phone: 336/758-5282. Fax: 336/758-5116. E-mail: [email protected]. Web site: www.wfu.edu/moa. Hours: 10-4:30 Tues.-Sat.; closed Sun.-Mon. and university holidays. Admission: free, Sara Cromwell, PR, Marketing & Membership Coordinator 336-758-5282 [email protected]

WASHINGTON STATE UNIVERSITY Museum of Anthropology Pullman, Washington

A representative collection of cultural objects from Native American tribes in the inland Northwest since contact with Logan, Utah Europeans is located at the Museum of Anthropology at Washington State University in Pullman. Funded in 1966, The goal of the Utah State University of Anthropology in the museum also is the official repository for archaeological Logan, is to further campus and public education about human behavior as well as cultures. The museum originated in objects found in excavations by federal, state, and county agencies in Eastern Washington. The museum presents ex1963 when one of the anthropology professors began to hibits from its collection and changing exhibitions. It has an show some of his artifacts in the basement of the historic Old Main building. The museum, now located on the second annual attendance of 4,000. floor of Old Main, has ceramics, wood worked masks, paintMuseum of Anthropology, Washington State University, ings, photographs, and other materials and mediums in its Dept. of Anthropology, College Hall, Pullman, WA collection and strives to show visitors to how human lives change, how knowledge is shared, and how art is produced. 99164-4910. Phone: 509/335-3441. Fax: 509/335-3999. E-mail: [email protected]. Web site: www.archaeolAll the exhibits are conceived and constructed by students ogy,wsu.edu. Hours: Sept.-Apr.-10-4 Mon.-Fri.; closed under faculty supervision. The annual attendance is 7,000. Sat.-Sun., May-Aug., and university holidays. Admission: free. Utah State University Museum of Anthropology, 252 Old Main, Logan, UT 84322-0730. Phone: 435/797-7545. Fax: Mary Collins, Director 509-335-4314 435/797-1240. E-mail: [email protected]. Web site: [email protected] www.anthromuseum.usu.edu. Hours: 8-5 Mon.-Fri., 10-4 Sat.; closed Sun. and university and national holidays. Admission: free. Bonnie Pitblado, Director 435-797-1496 [email protected]

WAYNE STATE UNIVERSITY Gordon L. Grosscup Museum of Anthropology Detroit, Michigan

The Gordon L. Grosscup Museum of Anthropology at Wayne State University in Detroit, Michigan, seeks to inspire a broader understanding and appreciation of the ethnic Winston-Salem, North Carolina diversity and cultural heritage of the region by placing it The Museum of Anthropology at the Wake Forest Univerwithin a global context. The museum, located on the first sity in Winston-Salem, North Carolina, furthers awareness floor of the Old Main building, has a collection of prehisof global cultures with its collection and exhibits of archaeo- toric and historic archaeological and ethnographic objects, logical artifacts, ethnographic objects, and visual arts of past and presents exhibitions such as a recent 50th anniversary and present peoples. The museum, founded in 1963, has a exhibit based on the excavation of a historic city neighborcollection of prehistoric artifacts from North Carolina’s hood. The museum was founded in 1958. Its annual attenYadkin Valley and such items as household and ceremonial dance is 1,200. items, textiles, hunting and fishing gear, objects of personal adornment from the Americas, Africa, Asia, and the Pacific. Gordon L. Grosscup Museum of Anthropology, Wayne State Permanent exhibits display objects from the collections and University, Old Main, 4841 Cass Ave., Detroit, MI 48201-1203 (postal address: Dept. of Anthropology, Wayne State University, 3054 Faculty Administration Bldg., 656 W. Kirby, Detroit, MI 48202. Phone: 313/577-2598. Fax: 313/577-9759. E-mail: [email protected]. Web site:

WAKE FOREST UNIVERSITY Museum of Anthropology

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Archaeology, Anthropology & Ethnology Museums www.clas.wayne.edu//anthromuseum. Hours: Sept.-May-10-3:30 Mon.-Thurs.; closed Fri.-Sun., June-Aug., and university holidays and breaks. Admission: free.

WICHITA STATE UNIVERSITY Lowell D. Holmes Museum of Anthropology Wichita, Kansas

The Lowell D. Holmes Museum of Anthropology at Wichita State University in Wichita, Kansas, began as the Museum of Man in 1966. It resulted from the bequest of Dr. Lowell D. Holmes, professor of anthropology, for whom the muWESTERN NEW MEXICO UNIVERSITY seum was later named. The museum is best known for its extensive archaeological, pre-historic, historic, and contemWestern New Mexico University Museum porary ceramics, and especially Southwest Pueblo pottery Silver City, New Mexico collection. It also has Southwest jewelry; archaeological maThe Western New Mexico University in Silver City is an an- terials from the Midwest and Southwest; Asmat art from thropology museum with one of the most comprehensive New Guinea; contemporary Mayan ethnographic objects; collections of Mimbres pottery, baskets, and other artifacts. and ethnographic materials from China and other countries. The museum usually has seven changing exhibits that make They are part of the museum’s Eisele Collection of Prehisextensive use of its collection. toric Southwestern Artifacts Collection. The museum, founded in 1974, also has Anasazi and Casa Grandes potLowell D. Holmes Museum of Anthropology, Wichita State tery, stone tools, ancient jewelry, riparian fossils, historic University, Neff Hall, 1845 Fairmount, Box 52, Wichita, KS timepieces, Nigerian folk art, historic photographs, and min- 67260. Phone: 316/978-7968. Fax: 316/978-3351. E-mail: ing and military artifacts. Selections from the collections are [email protected]. Web site: www.holmes.anthrodisplayed in permanent and temporary exhibits in Fleming pology.museum/holmes.html. Hours: 10-5 Mon.-Fri.; closed Hall. It receives 14,500 visitors a year. Sat.-Sun. and university holidays. Admission: free. Tamara L. Bray, Director

Western New Mexico University Museum, Fleming Hall, 1000 W. College St., PO Box 680, Silver City, NM 88062-0680. Phone: 575/538-6386. Fax: 575/538-6385. Web site: www.wnmu.edu/museum.htm. Hours: 9-4:30 Mon.-Fri., 10-4 Sat.-Sun.; closed university holidays. Admission: free. Cynthia Ann Bettison, Director [email protected]

WESTERN OREGON UNIVERSITY Jensen Arctic Museum Monmouth, Oregon The Jensen Arctic Museum at Western Oregon University in Monmouth is dedicated to the culture of the peoples of the Arctic region. It was founded in 1985 with an Arctic collection from Paul H. Jensen as the nucleus. The collection, which was acquired over 30 years by Jensen as an education consultant to the Bureau of Indian Affairs in Alaska, includes art, tools, clothing, and information about the indigenous Arctic people. Jensen worked with teachers to develop bilingual and Yupi’k and Inupiat language materials for elementary students and later served as volunteer curator at the museum. The annual attendance is 4,500. Jensen Arctic Museum, Western Oregon University, 590 W. Church St., Monmouth, OR 97361-1395. Phone: 503/838-8468. Fax: 503/838-8289. Phone: E-mail: [email protected]. Web site: www.wou.edu/arctic. Hours: 10-4 Wed/-Sun.; closed Mon.-Tues. and national holidays. Admission: suggested donations-adults, $2; children, $1. Roben Jack Larrison, Curator 503-838-8468 [email protected]

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Jerry Martin, Director 316-978-7068 [email protected]

Art Galleries AGNES SCOTT COLLEGE Dalton Gallery

loan and traveling exhibitions. The gallery has over 10,700 visitors a year.

Decatur, Georgia

Freedman Gallery, Albright College, 13th and Bern Sts., Reading, PA 19604 (postal address: PO Box 15234, Reading, PA 19612-5234). E-mail: [email protected]. Web site: www.albright.edu/freedman. Hours: Sept.-May-12-8 Tues., 12-6 Wed.-Fri., 12-4 Sat.-Sun.; closed Mon., June-Aug., and college holidays and breaks. Admission: free.

Contemporary art by local artists is the focus of the Dalton Gallery at Ages Scott College in Decatur, Georgia. The gallery, founded in 1957, features art from the Harry L. Dalton, Steffen Thomas, Ferdinand Warren, and Clifford Clarke collections. The annual attendance is 1,500. Dalton Gallery, Agnes Scott College, Dana Fine Arts Bldg., 141 E. College Ave., Decatur, GA 30030-5361. Phone: 404/471-5361. Fax: 404/471-5369. E-mail: [email protected]. Web site: www.daltongallery.agnesscott.edu. Hours: Sept.-May-10-4:30 Mon.-Fri., 12-4 Sat.-Sun.; closed June-Aug. and college holidays. Admission: free.

Lisa Korecky, Secretary, Center for the Arts 610-921-7715 [email protected]

Lisa Alembik, Director

Meadville, Pennsylvania

ALBION COLLEGE Bobbitt Visual Arts Center

Allegheny College in Meadville, Pennsylvania, has three galleries-Bowman, Penelec, and Magahan-that show changing exhibitions, with an emphasis on contemporary prints and photographs. Started in 1970, the galleries have 4,000 square feet of exhibition space and an annual attendance of 5,000.

Albion, Michigan The Department of Art and Art History at Albion College in Albion, Michigan, presents changing exhibitions of art from collectors, artists, regional museums, and its collections in two galleries at the Bobbitt Visual Arts Center. Annual attendance is 2,000. Bobbitt Visual Arts Center, Albion College, 611 E. Porter St., Albion, MI 49224-1887 (postal address: Dept. of Art and Art History, 805 E. Cass St., Albion, MI 49224-1831). Phone: 517/629-0246. Fax: 517/629-0752. E-mail: [email protected]. Web site: www.albion.edu/art/exhibitions. Hours: 9 a.m.-9 p.m. Mon.-Thurs., 9-5 Fri., 10-2 Sat.; closed Sun. and college holidays and breaks. Admission: free. Anne McCauley, Chair, Art and Art History Department 517-629-0249 [email protected]

ALBRIGHT COLLEGE Freedman Gallery Reading, Pennsylvania The 2,800-square-foot Freedman Gallery at Albright College in Reading, Pennsylvania, presents changing exhibitions of contemporary art. Founded in 1976, the gallery displays works from its collection of paintings, drawings, prints, photographs, and sculpture by American artists and

ALLEGHENY COLLEGE Bowman Gallery, Penelec Gallery, and Megahan Gallery

Bowman, Penelec, and Megahan Galleries, Allegheny College, N. Main St., PO Box 23, Meadville, PA 16335. Phone: 814/332-4365. E-mail: [email protected]. Web site: www.allegheny.edu. Hours: 12:30-5 Tues.-Fri., 1:30-5 Sat., 2-4 Sun.; closed Mon. and college holidays and breaks. Admission: free. Darren Lee Miller, Director

ANDERSON UNIVERSITY Jessie C. Wilson Art Galleries Anderson, Indiana Some of the best-known works of artist Warner Sallman are featured at the Jessie C. Wilson Art Galleries in the Krannert Fine Arts Center at Anderson University in Anderson, Indiana. The galleries, dedicated in 1979, are home to the Sallman Collection, which includes over 140 of his oil paintings, pastels, watercolors, pen and ink drawings, and bits of typography. Jessie C. Wilson Art Galleries, Anderson University, 1100 E. 5th St., Anderson, IN 46012-3462. Phone: 800/741-7721. Web site: www.anderson.edu. Hours: 10-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Tai Lipan, Director [email protected]

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ANNA MARIA COLLEGE Art Center Gallery at Miriam Hall Paxton, Massachusetts Artworks by students and professionals are exhibited in a 2,468-square-foot gallery in the Art Center Gallery at Miriam Hall at Anna Maria College in Paxton, Massachusetts. The center, formerly the Moll Art Center, was established in 1972. Art Center Gallery at Miriam Hall, Anna Maria College, 50 Sunset Lane, Paxton, MA 01612-1106. Phone: 508/849-3300. Fax: 508/849-3408. Web site: www.annamaria.edu. Hours: 2-4 Wed.-Sat. and by appointment; closed Sun.-Tues. and college holidays and breaks. Admission: free. Ronald Shirwin, Chair, Division of Fine Arts

ARCADIA UNIVERSITY Arcadia University Art Gallery Glendale, Pennsylvania Contemporary visual art by regional artists is featured at the Arcadia University Art Gallery in Glenside, Pennsylvania. The 1,200-square-foot gallery, located in the ca. 1893 Spruance Fine Arts Center building at the university formerly known as Beaver College, has paintings, prints, and sculpture by the artists in its collection. The annual attendance is 6,500. Arcadia University Art Gallery, Church and Easton Rds., Glendale, PA 19038 (postal address: 450 S. Easton Rd., Glenside, PA 19038-3295). Phone: 215/572-2131. Fax: 215/881-8774. E-mail: [email protected]. Web site: www.arcadeia.edu/gallery. Hours: Sept.-May-10-3 Tues.-Wed. and Fri.; 10-8 Thurs., 12-4 Sat.-Sun.; closed Mon., June-Aug., Thanksgiving, and Christmas. Admission: free. Richard Torchia, Director 215-572-2131 [email protected]

ARIZONA STATE UNIVERSITY Herberger Institute for Art and Design Tempe, Arizona The Herberger Institute for Art and Design at Arizona State University in Tempe has four galleries with changing exhibitions-Harry Wood Gallery, Northlight Gallery, Step Gallery, and Gallery 100. The Harry Wood Gallery displays works by art students, faculty, and academic professionals; Northlight Gallery presents changing exhibitions of photography by students; Step Gallery has solo and group exhibitions by art students; and Gallery 100 contains group exhibitions by graduating art students.

www.herbergercollege.asu.edu/art. Hours: Harry Wood Gallery-9-5 Mon.-Thurs., 9-3 Fri.; Northlight Gallery, varies; Step Gallery, 12-5 Mon.-Thurs., 12-3 Fri.; Gallery 100, 12-5 Mon.-Fri.; all are closed Sat.-Sun. and university holidays and breaks. Admission: free. Kwang-Wu Kim, Dean and Director, Herberger Institute [email protected]

ARIZONA STATE UNIVERSITY Other Art Galleries Tempe, Arizona Arizona State University has numerous other campus art galleries-most of which are specialized. They include the Gallery of Design, featuring College of Design exhibitions of architecture, industrial design, interior design, landscape architecture, planning, and visual communication design construction by faculty and other professional designers. Hispanic Research Center Art Gallery, containing artworks by leading and emerging Hispanic artists from Arizona and around the country in the Interdisciplinary A-Wing; and Interdisciplinary Arts and Performance Art Gallery, which presents a variety of artworks ranging from visual arts to performance and installation art by students, faculty, and national and international figures at the University Center Building on the West Campus. Arizona State University also has such galleries as the Memorial Union Art Collection and Gallery, with paintings, fine art prints, photographs, sculpture, and tapestries; Union Graduate Student Center Gallery in the Center for Family Studies Building, showing exhibitions of two-dimensional artworks by graduate students; College of Law Art Collection in Armstrong Hall and Ross-Blakley Law Library, which has contemporary American works of art with a Southwestern focus; and Credit Union Art Collection on the Memorial Union lower level, featuring artworks by students, faculty, and alumni. Gallery of Design, Arizona State University College of Design, Forest Mall and University Dr., Tempe, AZ 85287. Phone: 480/965-6693. Web site: www.asu.edu/museums. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Hispanic Research Center Art Gallery, Arizona State University, Interdisciplinary A-Wing, Tempe, AZ 85287. Phone: 480/965-3990. E-mail: [email protected]. Hours: 9-12 and 1-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Interdisciplinary Arts and Performance Art Gallery, Arizona State University, University Center Bldg., 4701 W. Thunder Bird Rd., Tempe, AZ 85287. Phone: 602/543-2787. Web site: www.asu.edu/museums. Hours: 2-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

Herberger Institute for Art and Design, Arizona State University, Art Bldg., PO Box 871505, Tempe, AZ 85187-1595. Fine Arts Galleries and Collections, Arizona State UniverPhone: 480/965-3468. Web site: sity, Museums Galleries and Collections, PO Box 871006,

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ARKANSAS STATE UNIVERSITY Tempe, AZ 85287-1006. Phone: 480/565-9929. Web site: www.asu.edu/museums. Hours: varies with the gallery, but usually open Mon.-Fri. and closed Sat.-Sun. and university holidays and breaks. Admission: free. Curtis Steele, Chairman, ASU Dept. of Art 870-972-3050 [email protected]

ARKANSAS STATE UNIVERSITY Fine Arts Center Gallery and Bradbury Gallery Jonesboro, Arkansas The Fine Arts Center Gallery and Bradbury Gallery in Jonesboro (State University) offers a wide range of changing exhibitions of local and regional art. Founded in 1967, it has a collection of contemporary and historical prints and drawings, paintings, and sculpture. In addition to permanent exhibits from its collections, it schedules temporary, traveling, and loan exhibitions. Annual attendance is 3,600. The university also has Bradbury Gallery in Fowler Hall which presents student, faculty, and professional artist exhibitions. The gallery is the site of the annual Delta National Small Prints Exhibition, a competition for artists working in two-dimensional print media. Fine Arts Center Gallery, 114 S. Caraway Rd., Jonesboro, AR 72467 (postal address: PO Box 1920, State University, AR 72467). Phone: 870/972-3050. Fax: 870/972-3932. E-mail: [email protected]. Web site: www.finearts.astate.edu. Hours: 10-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Bradbury Gallery, Arkansas State University, 114 S. Caraway Rd., Jonesboro, AR 72467 (postal address: PO Box 277, State University, AR 724567-1920. Phone: 870/972-2567. Web site: www2.estate.edu/bradburygallery. Hours: 12-5 Tues.-Sat., 2-5 Sun.; closed Mon. and university holidays and breaks. Admission: free.

ART INSTITUTE OF BOSTON Main Gallery and Gallery at University Hall Boston, Massachusetts The Art Institute of Boston presents exhibitions by leading artists as well as emerging artists, students, faculty, and alumni. The art school also has three student galleries-Lounge, Gallery South, and at 601 Newbury Street-and the AIB Gallery at University Hall in Cambridge. Attendance at the Main Gallery is 8,200 annually. The art school also has the AIB Gallery at University Hall in Cambridge. The satellite gallery features exhibitions of fine arts and photography by students. Art Institute of Boston Main Gallery, 700 Beacon St., Boston, MA 02215-2598. Phones: 617/585-6600 and 617/585-6656. Fax: 617/437-1226. E-mail: [email protected]. Web site: www.airboston.edu. Hours:

9-6 Mon.-Fri., 9-5 Sat., 12-5 Sun.; closed major holidays. Admission: free. AIB Gallery at University Hall, Art Institute of Boston, 1815 Massachusetts Ave., Cambridge, MA 02138. Phone: 617/585-6656. Hours: 12-5 Tues.-Wed. and Fri.-Sat., 3-8 Thurs.; closed Sun.-Mon. and major holidays. Admission: free. Bonnie Robinson, Director of Exhibitions [email protected]

AUGUSTANA COLLEGE (South Dakota) Eide/Dalrymple Gallery Sioux Falls, South Dakota The Eide/Dalrymple Gallery at Augustana College in Sioux Falls, South Dakota, houses an important collection of European and American original prints, representing the works of such artists as Picasso, Chagall, Whistler, Matisse, Rouault, and Winslow Homer. The gallery, named for pioneering art professors Palmer Eide and Ogden Dalyrmple, presents nine exhibitions a year from its collections and professional artists, as well as a showing by graduating senior art majors, in the Augustana Center for Visual Arts. Eide/Dalrymple Gallery, Augustana College, 30th St. and S. Grange Ave., Sioux Falls, SD 57197 (postal address: 2001 S. Summit Ave., Sioux Falls, SC 57197). Phone: 605/367-7003. Fax: 605/367-8340. Web site: www.augie.edu. Hours: 10-5 Mon.-Fri., 12-5 Sat.; closed Sun. and college holidays and breaks. Admission: free. Lindsay Twa, Director 605-274-4010 [email protected]

AUSTIN PEAVY STATE UNIVERSITY Margaret Fort Trahern Gallery Clarksville, Tennessee The Margaret Fort Trahern Gallery presents a wide range of changing regional, national, and international exhibitions at Austin Peay State University in Clarksville, Tennessee. Founded in 1974 and located in the Trahern Art and Drama Complex, the gallery has a collection of contemporary prints, drawings, watercolors, and photographs. It also operates a branch gallery, Larson Gallery, in Harned Hall. In addition, the university has three other exhibition spaces-Student, Downtown, and Terminal galleries. The annual Trahern Gallery attendance is 7,000. Margaret Fort Trahern Gallery, Austin Peay State University, College and English Sts., PO Box 4677, Clarksville TN 37044. Phone: 931-221-7333. Fax: 931/221-7432. Web site: www.apsu.edu/art/gallery/index.html. Hours: 9-4 Mon.-Fri., 10-2 Sat., 1-4 Sun.; closed university holidays and breaks. Admission: free. Warren Greene, Director [email protected]

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Art Galleries AVILA UNIVERSITY Thornhill Gallery Kansas City, Missouri Collection-oriented and traveling exhibitions can be seen at the Thornhill Gallery at Avila University in Kansas City, Missouri. The gallery has a collection of works by national and international artists. The 850-square-foot gallery, founded in 1978, has an annual attendance of 2,400. Thornhill Gallery, Avila University, Dallavis Center, 11901 Wornall Rd., Kansas City, MO 64145-1007. Phone: 816/501-3659. Fax: 816/846-1726, E-mail: [email protected]. Web site: www.avila.edu. Hours: Sept.-May-10-5 Mon.-Thurs., 10-3 Fri.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Dotty Hamilton, Dean, School of Visual & Communication Arts 816-501-3646 [email protected]

BALTIMORE SCHOOL FOR THE ARTS Alcazar Gallery Baltimore, Maryland Six exhibitions of artworks by students, faculty, and alumni are shown each year at the Alcazar Gallery at the Baltimore School for the Arts. Founded in 1980, the gallery has an annual attendance of 5,000.

Gallery at the BGC, Bard Graduate Center, Decorative Arts, Design History, and Material Culture Program, 18 W.86th St., New York City, NY 10024-3602. Phones: 212/501-3000 and 212/501-013 (tours). . Fax: 212/501-3079. E-mail: [email protected]. Web site: www.bgc.bard.edu/gallery. Hours: 11-5 Tues.-Wed. and Fri.-Sun., 11-8 Thurs.; closed major holidays. Admission: adults, $7; seniors and students, $5; children under 12, free; free admission 5-8 Thurs. Tim Mulligan, Director of External Affairs, Bard Graduate Center 212-501-3072 [email protected]

BARRY UNIVERSITY Andy Gato Gallery Miami Shores, Florida The Andy Gato Gallery opened in 2008 at Barry University in Miami Shores. Florida. The gallery, operated by the Department of Fine Arts, displays a variety of changing artworks from students, faculty, and professional artists in Thompson Hall. Andy Gato Gallery, Barry University, Thompson Hall, 11300 N.E. 2nd Ave., Miami Shores, FL 33161-6695. Phones: 305/899-3100 and 800/695-2279. Hours: 10-4 Mon., Wed., and Fri., 11-4 Tues. and Thurs., 12-4 Sat.; closed Sun. and university holidays and breaks. Admission: free.

Alcazar Gallery, Baltimore School for the Arts, 712 Cathedral St., Baltimore, MD 21201. Web site: www.bsfa.org. Hours: 9-4 Mon.-Fri., Sat. by appointment; closed Sun. and major holidays. Admission: free.

Silvia Lizama, Chair, Barry University Dept of Fine Arts 305-899-3421 [email protected]

Leslie Shepard, Director, BSA

BARTON COUNTY COMMUNITY COLLEGE Shafer Gallery

BARD COLLEGE Gallery at the BGC New York, New York The Gallery at the BGC, located at Bard College’s Graduate Center in New York City, really consists of two galleries-the Main and Focus galleries. The galleries, which began in 1993, are part of the Decorative Arts, Design History, and Material Culture Program. They seek to convey the meanings of objects from the most exquisite aesthetic nternationally to the ordinary things of everyday life. The changing exhibitions examine objects in a broad cultural context from different curatorial points of view. The Main Gallery, housed in a townhouse on Manhattan’s upper west side, presents three exhibitions annually that consider issues and ideas that are largely outside the established canons of art history-often organized in collaboration with New York City museums. The Focus Gallery, opened more recently, examines new ways of exhibiting objects and developing an exhibition practice that may enrich scholarly

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discourse. Tours are available for adults and groups. Annual gallery attendance is 3,000.

Great Bend, Kansas Shafer Gallery at Barton County Community College in Great Bend, Kansas, has a 7,700-square-foot gallery that shows changing exhibitions from its collections and elsewhere. It has collections of paintings, bronzes, and sculpture. The annual attendance is 7,000. Shafer Gallery, Barton County Community College, 245 N.E. 30 Rd., Great Bend, KS 67530-9107’ Phones: 620/792-9342 and 800/722-6842. Hours: 10-5 Mon.-Fri., 1-4 Sun.; closed college holidays and breaks. Admission: free. Carl Heilman, President, Barton Community College 620-792-9301 [email protected]

BARUCH COLLEGE, CITY UNIVERSITY OF NEW YORK BARUCH COLLEGE, CITY UNIVERSITY OF NEW YORK Sidney Mishkin Gallery

10-4 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks. Admission: free. Gina Moore 803-705-4605 [email protected]

New York, New York The Sidney Mishkin Gallery at Baruch College, City University of New York, in New York City is a teaching gallery that mounts five exhibitions a year that emphasize scholarly, multicultural, and out of the mainstream works. The gallery was founded in 1981, and has a collection of 300 modern and contemporary paintings, prints, sculpture, and photographs. The centerpiece is a collection of Surrealist paintings and sculpture by such pioneers of the movement as Max Ernst, Andre Masson, and Man Ray. Sidney Mishkin Gallery of Baruch College, 135 E. 22nd St., PO Box D-0100, New York, NY 10010-5505. Phone: 646/660-6652. Fax: 212/802-2693. Web site: www.baruc.cuny.edu/mishkin/gallery.html. Hours: Feb.-June and Sept.-Dec.-2-5 Mon.-Wed. and Fri., 12-7 Thurs.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

BENNINGTON COLLEGE Suzanne Lemberg Usdan Gallery Bennington, Vermont The Suzanne Lemberg Usdan Gallery at Bennington College in Bennington, Vermont, mounts exhibitions and has a collection of works by professional artists, faculty, and students. Suzanne Lemberg Usdan Gallery, Bennington College, Visual and Performing Arts Center, 1 College Dr., Bennington, VT 05201-6003. Phone: 802/442-5401, Ext. 4549. E-mail: [email protected]. Web site: www.bennington.edu. Hours: Mar.-June and Sept.-Dec.-1-5 Tues.-Sat.; closed Sun.-Mon., July-Aug., Jan.-Feb., and college holidays and breaks. Admission: free.

Sandra Kraskin, Director 646-660-6652

BAYLOR UNIVERSITY Art Gallery Waco, Texas The University Art Gallery at Baylor University in Waco, Texas, displays artworks by students, faculty, and guest artists in the Hooper-Schaefer Fine Arts Center. University Art Gallery, Baylor University, Dept. of Art, Hooper-Schaefer Fine Arts Center, 60 Baylor Ave., Waco, TX 76706 (postal address: Dept. of Art., 1 Bear Pl., #97263, Waco, TX 76798-7263). Phone: 254/710-1867. Fax: 254/740-1566. E-mail: [email protected]. Web site: www.baylor.edu/art. Hours: 10-5 Tues.-Fri, 2-5 Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free. Mark Anderson, Chair, Baylor University Dept. of Art [email protected]

BENEDICT COLLEGE Ponder Fine Arts Gallery Columbia, South Carolina In addition to temporary exhibitions, the Ponder Fine Arts Gallery at Benedict College in Columbia, South Carolina, has permanent exhibits from its collection of paintings, photographs, and sculpture. Ponder Fine Arts Gallery, Benedict College 1600. Harden St., Columbia, SC 29204. Phone: 803/253-5000. E-mail: [email protected]. Web site: www.benedict.edu. Hours:

BETHUNE-COOKMAN COLLEGE Visual Arts Gallery Daytona Beach, Florida All forms of visual arts are exhibited in the galleries of the Mary McLeod Bethune Arts Center and Visual Arts Gallery at Bethune-Cookman College in Daytona Beach, Florida. Visual Arts Gallery, Bethune-Cookman College, Mary McLeod Bethune Performing Arts Center and Visual Arts Gallery, 698 W. International Speedway Blvd., Daytona Beach, FL 32114-3538. Phone: 386/481-2699. Web site: www.cookman.edu/mmbpac/home.shtml. Hours: varies. Admission: free. Cedric Evans Sr., Operations Manager, Mary McLeod Bethune Performing Arts Center and Vis 386-481-2774

BISMARCK STATE COLLEGE Clell and Ruth Gannon Gallery and Else Forde Gallery Bismarck, North Dakota The Clell and Ruth Gannon Gallery at Bismarck State College in Bismarck, North Dakota, has changing exhibitions every five to six weeks from local, regional, and national artists. The objective of the gallery, which opened in 1981, is to present exhibitions that are diverse in medium, genre, content, and philosophy. The college also has the Else Forde Gallery, a small glass enclosed exhibit space in Schafer Hall used to display art of students and local artists and three-dimensional works by local, regional, and national artists. Clell and Ruth Gannon Gallery, Bismarck State College, Liberty Bldg., 1500 Edwards Ave., Bismarck, ND 58501-1276. Phone: 701/391-9840. E-mail: [email protected]. Web site:

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Art Galleries www.bismarckstate.edu/faculty/art/gallery. Hours: 7 a.m.-9 p.m. Mon.-Thurs., 7-4 Fri., 4-8 Sun.; closed Sat. and college holidays and breaks. Admission: free. Else Forde Gallery, Bismarck State College, Schafer Hall, 1500 Edwards Ave., Bismarck, ND 58501-1276. Phone: 701/224-5601. E-mail: [email protected]. Web site: www.ndga.org/galleries/bscg.html. Hours: 7 a.m.-9 p.m. Mon.-Thurs., 7-4 Fri., 6-9 Sun.; closed Sat. and college holidays and breaks. Admission: free. Andrea Fagerstrom, Director 701-224-5601 [email protected]

BLOOMSBURG UNIVERSITY OF PENNSYLVANIA Haas Gallery of Art Bloomsburg, Pennsylvania Changing art exhibitions from collections and other sources are presented by the Haas Gallery of Art in the Haas Center for the Arts and Mitrani Hall at the Bloomsburg University of Pennsylvania in Bloomsburg. The Department of Art and Art History gallery has a collection of paintings, drawings, photographs, and sculpture. Haas Gallery of Art, Bloomsburg University of Pennsylvania, Haas Center for the Arts and Mitrani, Bloomsburg, PA 17815 (postal address: Dept. of Art and Art History, 400 E. 2nd St., Bloomsburg, PA 17815). Phone: 570/389-4708. E-mail: [email protected]. Web site: www.departments.bloom.edu/haasgallery/info.html. Hours: 9-4 Mon.-Fri., 12-2 Sat.; closed Sun. and university holidays and breaks. Admission: free.

Bowling Green, Ohio The Bowling Green State University Fine Arts Center Galleries in Bowling Green, Ohio, consist of three contemporary art galleries-Dorothy Uber Bryan Gallery, Hiroko Nakamoto Gallery, and Willard Wankelman Gallery. The galleries, which offer both media and concept-based exhibitions, began with the 2,400-square-foot School of Art Galleries (now Wankelman Gallery) when the arts center was constructed in 1960. The 4,681-square-foot Bryan Gallery and 821-square-foot Nakamoto Gallery were opened as part of a building addition in 1992. The galleries have an annual attendance of 9,000. Bowling Green State University Fine Arts Center Galleries, Fine Arts Center, Bowling Green State University, OH 43403. Phone: 419/372-8525. Fax: 419/372-2544. E-mail: [email protected]. Web site: www.art.bgsu.edu/galleries. Hours: 11-4 Tues.-Wed. and Fri.-Sat., 6-9 Thurs., 1-4 Sun.; closed Mon. and university holidays. Admission: free. Jacqueline Nathan, Director [email protected]

BOWLING GREEN STATE UNIVERSITY Little Gallery Huron, Ohio

Lee S. Millard, Gallery Associate 570-389-4708 [email protected]

Exhibitions by guest artists and students are presented at the Little Gallery at Bowling Green State University’s branch Firelands College in Huron, Ohio. It also is site of an annual student exhibition from the various art and design academic programs. In addition, student works can be seen in on-going displays on the second floor of the West Building.

BOSTON UNIVERSITY Art Gallery

Little Gallery, Firelands College, Bowling Green State University, 1 University Dr., Huron, OH 44839. Phone: 419/433-5560. Web site: 9-5 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks. Admission: free.

Boston, Massachusetts

D. David Sapp, Director

The Boston University Art Gallery has presented interdisciplinary interpretations of art and culture in the College of Fine Arts Building in Boston since 1958. The exhibitions focus on regional, national, and international art developments, primarily in the twentieth century. The gallery, which does not have collections, is located in the Faye G., Jo, and James Stone Gallery section of the building. Its annual attendance is nearly 7,500. Boston University also has such other galleries as the Commonwealth Gallery, Gallery 5, Sherman Gallery, Rubin-Frankel Gallery, and 208 Gallery. Boston University Art Gallery, 855 Commonwealth Ave., Boston, MA 02215-1303. Phone: 617/353-3329. Fax: 617/353-4509. E-mal: [email protected]. Web site: www.bu.edu/art. Hours: Sept.-May-10-5 Tues.-Fri., 1-5 Sat.-Sun.; closed Mon. and university holidays. Admission: free. Kate McNamara, Director & Chief Curator

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BOWLING GREEN STATE UNIVERSITY Fine Arts Center Galleries

BRENAU UNIVERSITY Art Galleries Gainesville, Georgia Brenau University Galleries in Gainesville, Georgia, feature works by local, regional, national, and international artists, as well as university students, faculty, and alumni. The galleries consist of the President’s Gallery in the Pearce Auditorium, Sellars Gallery in the Simmons Visual Arts Center, and Leo Castelli Art Gallery in the John S, Burd Center for the Performing Arts. The university has a collection of American artists, particularly women, pop artists, and his-

BREVARD COLLEGE torical styles. The galleries began in 1985 and now have an annual attendance of 26,000. Brenau University Galleries, 500 Washington St., S.E., Gainesville, GA 30501-3697-3697. Phones: 770/534-6299 and 770/534-6263. Fax: 770/538-4599. E-mail: [email protected]. Web site: www.brenau.edu. Hours: President’s and Simmons galleries-10-4 Tues.-Fri., 2-5 Sun.; closed Mon., Sat., and university holidays and breaks; Costelli Gallery-1-4 Tues.-Fri.; closed Sat.-Mon. and university holidays and breaks. Admission: free. Vanessa Grubbs, Director [email protected]

BREVARD COLLEGE Spiers Gallery Brevard, North Carolina

BROOKLYN COLLEGE, CITY UNIVERSITY OF NEW YORK Art Gallery Brooklyn, New York The Art Gallery at Brooklyn College, City University of New York, in Brooklyn has mounted national, international, and other contemporary art exhibitions in LaGuardia Hall since its opening in 1987. It also has presented exhibitions on such themes as folk art, history, and local lore. The Donald E. and Edith Peiser Fund has been its major source of support. Art Gallery at Brooklyn College, Brooklyn College, City University of New York, LaGuardia Hall, Bedford Ave. and Ave. H, Brooklyn, NY 11210. Phone: 718/951-5907. Hours: Sept.-May-12:30-4:30 Mon.-Fri.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free.

The Spiers Gallery in the Sims Art Center at Brevard College in Brevard, North Carolina, has changing exhibitions of Maria Rand, Director 718-951-5181 [email protected] two- and three-dimensional work in all types of media and a collection of American art. The annual attendance is 1,000. Spiers Gallery, Brevard College, Sims Art Center, 400 N. Broad St., Brevard, NC 28712-4283. Phone: 828/883-8292, Ext. 8188. Fax: 828/884-3790. E-mail: [email protected]. Web site: www.brevard.edu. Hours: Sept.-May-8-3 Mon.-Fri.; closed Sat.-Sun., June-Aug., and college holidays and breaks. Admission: free. Wendy E. Jones, Director of Communication & Media Relations, Brevard College 828-884-8338 [email protected]

BRISTOL COMMUNITY COLLEGE Grimshaw-Gudewicz Art Gallery

BROWARD COLLEGE Fine Arts Galleries Davie, Florida Broward College has two art galleries-Fine Arts Gallery Central on the A. Hugh Adams Campus in Davie, Florida, and the Art Gallery on the South Campus in Pembroke Pines, Florida. They explore many different types and styles of art from its collection and national and international artists. The gallery collections include paintings, drawings, photographs, and sculpture. The galleries began in 1965 on the Davie campus.

Changing exhibitions of contemporary art are displayed at the Grimshaw-Gudewicz Art Gallery in the Jackson Art Center at Bristol Community College in Fall River, Massachusetts.

Fine Arts Gallery, Central, Broward College, Central Campus, Bldg. 3, 3501 S.W. Davie Rd., Davie, FL 33314. Phone: 954/201-6894. Fax: 954/201-0518. E-mail: [email protected]. Web site: www.broward.edu/campuslife/finearts.index.jsp. Hours: 9-2 Mon., Wed.-Fri.; 10-6 Tues.; closed college holidays and breaks. Admission: free.

Grimshaw-Gudewicz Art Gallery, Bristol Community College, Jackson Art Center, 777 Elsbree St., Fall River, MA 02720-7307. Phone: 508/678-2811, Ext. 2439. Fax: 508/730-3285. E-mail: kathleen,[email protected]. Web site: www.bristol.mass.edu/gallery. Hours: 1-4 Mon., Wed., Sat., 10-1 Tues., Thurs.-Fri.; closed Sun. and college holidays and breaks. Admission: free.

Art Gallery, Broward College, South Campus, Bldg. 69, 7200 Pines Blvd., Pembroke Pines, FL 33024. Phones: 954/201-8895 and 954/201-8969. Fax: 954/201-8934. E-mail: [email protected]. Web site: www.broward.edu/locations/south/artgallery. Hours: 10-2 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks. Admission: free.

Kathleen Hancock, Director 508-678-2811 [email protected]

Harumi Abe, Director 954-201-6894 [email protected]

Fall River, Massachusetts

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Art Galleries BROWN UNIVERSITY David Winton Bell Gallery Providence, Rhode Island The David Winton Bell Gallery in List Art Center at Brown University in Providence, Rhode Island, has six to eight major exhibitions each year, with emphasis on contemporary art. They range from one-person to thematic group exhibitions, and include annual student, faculty, and New England artists’ shows. The gallery, founded in 1971, has an annual attendance of 20,000. The gallery has a collection of more than 4,000 works from 1500 to the present, largely contemporary art and works on paper. It includes drawings by Rembrandt, Renoir, Goya, Daumier, Picasso, and Matisse; major works by Jules Olitski, Frank Stella, Lee Bontecou, Diego Rivera, Alice Neel, and Richard Serra; and photographs by Walter Evans, Aaron Siskind, Harry Callahan, and Larry Clark.

BUCKS COUNTY COMMUNITY COLLEGE Hicks Art Center Gallery Newtown, Pennsylvania The Hicks Art Center Gallery at Bucks County Community College in Newtown, Pennsylvania, primarily presents works by students and county residents and has a collection of their works. Hicks Art Center Gallery, Bucks County Community College, 275 Swamp Rd., Newtown, PA 18940-4106. Phone: 215/504-8531. E-mail: [email protected]. Web site: www.bucks.edu/gallery. Hours: 9-4 Mon. and Fri., 9-8 Tues.-Thurs., 9-12 Sat.; closed Sun. and collage holidays and breaks. Admission: free. Fran Orlando, Director 215-968-8432 [email protected]

David Winton Bell Gallery, Brown University, List Art Center, 64 College St., Providence, RI 02912. Phones: BUFFALO STATE COLLEGE 401/8632932 and 401/863-2929. Fax: 401/863-9323. Web site: www.brown.edu/bellgallery. Hours: Sept.-July-11-4 Czurles-Nelson Gallery Mon.-Fri., 1-4 Sat.-Sun.; closed Aug., New Year’s Day, Me- Buffalo, New York morial Day, Independence Day, Thanksgiving, and Dec. The Design Department at Buffalo State College displays 23-mid.-Jan. Admission: free. design exhibitions at the Czurles-Nelson Gallery in Upton Hall. Four to five exhibitions mainly of student and faculty Jo-Ann Conklin, Director 401-863-3993 [email protected] art are presented annually.

BUCKNELL UNIVERSITY Samek Art Gallery Lewisburg, Pennsylvania

Czurles-Nelson Gallery, Buffalo State College, 212 Upton Hall, 1300 Elmwood Ave., Buffalo, NY 14222. Phone: 716/878-6032. Fax: 716/878-4231. E-mail: [email protected]. Web site: www.buffalostate.edu/design/gallery.xml. Hours: 9-4:30 Mon.-Fri., closed Sat.-Sun. and university holidays and breaks. Admission: free.

The Samek Art Gallery at Bucknell University in Lewisburg, Pennsylvania, focuses on current art from nationally and international recognized and emerging artists. Kathy Gaye Shiroki, Director 716-878-3549 The gallery has 4,060 square feet of gallery space in the [email protected] Elaine Langone Center and over 5,000 works in its collection, with the strengths being in modern and contemporary works on paper. The gallery, founded in 1979, also has the Samuel H. Kress Collection of Baroque and Renaissance art, CALIFORNIA COLLEGE OF THE twentieth-century photographs, Japanese decorative art, and Kent and Vicki Logan Galleries historic prints. The annual attendance is nearly 25,000. San Francisco, California Samek Art Gallery, Bucknell University, Elaine Langone Center, 701 Moore Ave., Lewisburg, PA 17837. Phones: 570/577-3792 and 570/577-3981. Fax: 570/577-3215 E-mail: [email protected]. Web site: www.bucknell.edu/samek. Hours: Aug.-May-11-5 Mon.-Wed. and Fri., 11-8 Thurs., 1-5 Sat.-Sun.; closed university holidays and breaks. Admission: free Richard Rinehart, Director [email protected]

ARTS

The California College of Arts and Crafts has changed its name to the California College of the Arts, and added a campus in San Francisco to the original site in Oakland. Both locations now have galleries-the Kent and Vicki Logan Galleries in San Francisco and Tecoah Bruce Gallery in Oakland. The 5,000-square-foot Logan Galleries feature exhibitions of the CCA Wattis Institute for Contemporary Arts, which serves as a forum for the presentation and discussion of international contemporary art and curatorial practice. Contemporary exhibitions of fine art and crafts, architecture, and design are presented at the galleries, which have an annual attendance is 28,000. Kent and Vicki Logan Galleries, California College of the Arts, 1111 8th St., San Francisco, CA 94107. Phone: 415/551-9210. Fax: 415/551-9209. E-mail: [email protected].

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CALIFORNIA COLLEGE OF THE ARTS Web site: www.watts.org. Hours: 11-7 Tues. and Thurs., 11-6 Wed. and Fri.-Sat.; closed Sun.-Mon. and major holidays. Admission: free. Brenda Tucker, CCA Director of Communications 415-703-9548 [email protected]

CALIFORNIA COLLEGE OF THE ARTS Tecoah Bruce Gallery Oakland, California The Tecoah Bruce Gallery at the California College of the Arts in Oakland presents one-person and group exhibitions of contemporary art in all media by students and professional artists. The gallery is located in the Oliver Art Center of the arts college, which was founded in Oakland in 1907 and now has a second site in San Francisco. Tecoah Bruce Gallery, California College of the Arts, Oliver Art Center, 5212 Broadway, Oakland, CA 94618. Phone: 510/594-3656. E-mail: [email protected]. Web site: www.cca.edu. Hours: 8:30-12 and 1-430 Mon.-Tues. and Thurs.-Fri., 1-4:30 Wed. and Sat.; closed Sun. and major holidays. Admission: free. Brenda Tucker, CCA Director of Communications 415-703-9548 [email protected]

CALIFORNIA POLYTECHNIC STATE UNIVERSITY Art Gallery San Luis Obispo, California Exhibitions by nationally and internationally known artists, as well as students, faculty, and alumni, are presented at the University Art Gallery at California Polytechnic State University in San Luis Obispo.

has a collection of paintings, photographs, and sculpture. Annual attendance is 10,000. University Art Gallery, California State University, Dominguez Hills, 1000 E. Victoria St., Carson, CA 90747. Phone: 310/243-3334. Fax: 310/217-6967. E-mail: [email protected]. Web site: www.cla.csudh.edu/artgallery. Hours: Sept.-May-10-4 Mon.-Thurs.; closed Fri.-Sun. and university holidays and breaks. Admission: free Kathy Zimmerer-McKelvie, Director [email protected]

CALIFORNIA STATE UNIVERSITY, FULLERTON Main Art Gallery Fullerton, California The California State University, Fullerton, presents temporary and traveling art exhibitions, usually of contemporary art, in the Main Art Gallery, housed in the Visual Art Center. The gallery, founded in 1967 by the Art Department, has a collection of contemporary prints and a prize-winning 32 outdoor sculptures around the campus. The university also has three other smaller galleries in nearby buildings-East, West, and Exit galleries. Main Art Gallery, California State University, Fullerton, Visual Arts Center, 800 N. State College Blvd., PO Box 6850, Fullerton, CA 92834-6850. Phones: 657/278-3262 and 657/278-7750. Fax: 657/278-2390. E-mail: [email protected]. Web site: www.fullerton.edu/arts/art. Hours: 12-4 Tues.-Fri, 12-2 Sat.; closed Sun.-Mon. and national holidays. Admission: free. Mike McGee, Director

University Art Gallery, California Polytechnic State Univer- CALIFORNIA STATE UNIVERSITY, LOS sity, 171 Dexter Bldg., San Luis Obispo, CA 93407. Phones: ANGELES 805/756-1571 and 805/756-1571. E-mail: Fine Arts Gallery and Luckman Gallery [email protected]. Web site: Los Angeles, California www.artgallery.calpoly.edu. Hours: Sept.-May-11-4 Tues.-Sat.; closed Sun.-Mon and university holidays and The California State University, Los Angeles, has two galbreaks. Admission: free. leries. Two professionally curated exhibitions are presented each quarter at the Fine Arts Gallery, which features works Jeff Van Kleek by well known artists who frequently are on the cutting-edge. Art by graduate students also is presented in the gallery. Luckman Gallery, which opened in 1994 in the CALIFORNIA STATE UNIVERSITY, Luckman Fine Arts Complex, is a 3,600-square-foot gallery DOMINGUEZ HILLS that presents changing exhibitions of contemporary art. The arts complex also includes two theaters and an amphitheater. Art Gallery

Carson, California Contemporary and historical works of art from many cultures can be explored at the California State University Art Gallery in Carson. Five exhibitions a year are presented in the 2,150-square-foot gallery, with the last being a multimedia show of works by graduating art students. The gallery

Fine Arts Gallery, California State University, Los Angeles, Fine Arts Bldg., 5151 State University Dr., Los Anglers, CA 90032. Phone: 323/343-4040. Fax: 323/343-4045. E-mail: [email protected]. Web site: www.calstatela.edu/academic/art/gallery. Hours: 12-5

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Art Galleries Mon.-Thurs. and Sat.; closed Fri., Sun., and university holidays and breaks. Admission: free.

closed June-Aug. and university holidays and breaks. Admission: free.

Luckman Gallery, Luckman Fine Arts Complex, California State University, Los Angeles, 5151 State University Dr., Los Angeles, CA 90032. Phone: 323/343-6604. Fax: 323/343-6670. E-mail: [email protected]. Web site: www.luckmanfineartscomplex.org. Hours: 12-5 Mon.-Thurs. and Sat.; closed Fri. and Sun. and major holidays. Admission: free.

Dean De Cocker, Director 209-667-3186 [email protected]

Abbas Daneshvari, Acting Chair, Cal State L.A. Art Department 323-343-4019 [email protected]

CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CSUN Art Galleries Northridge, California The CSUN Art Galleries at California State University, Northridge, consist of a Main Gallery and the West Gallery, operated by the Department of Art in the Mike Curb College of Arts, Media, and Communication. The collection contains primarily contemporary paintings, photographs, and sculpture, and the exhibitions feature works from the collections and professional artists. The principal exhibition space is the 3,200-square-foot Main Gallery. The art galleries began in 1972 and now have an annual attendance of 32,000. CSUN Art Galleries, California State University, Northridge, 18111 Nordhoff St., Northridge, CA 91330-8299. Phones: 818/677-2226 and 818/677-2156. Fax: 818/677-5910. Web site: jim.sweeters@csun/edu. Web site: www.csun.edu/artgalleries. Hours: Main Gallery-12-4 Mon.-Wed and Fri.-Sat., 12-8 Thurs.; closed Sun. and university holidays; West Gallery-varies weekly. Admission: free. Jim Sweeters, Director 818-677-3060 [email protected]

CALIFORNIA STATE UNIVERSITY, STANISLAUS Art Gallery Turlock, California

CALVIN COLLEGE Calvin College Center Art Gallery Grand Rapids, Michigan Exhibitions by secular and religious artists, as well as students, faculty, and alumni, can be seen at the Calvin College Center Art Gallery in Grand Rapids, Michigan. Six to nine exhibitions are presented annually at the gallery in the Spoelhof College Center. The gallery has a collection of over 1,400 works dating from 1600 to the present. They include European and American paintings, drawings, prints, photographs, and sculpture. Annual attendance is 5,000. Calvin College Center Art Gallery, 129 Spoelof College Center, 3200 Burton St., S.E., Grand Rapids, MI 49546-4388. Phone: 616/526-6326/ Fax: 616/526-8551. E-mail: [email protected]. Web site: www.calvin.edu/centerartgallery. Hours: Sept.-May-9-9 Mon.-Thurs. 9-5 Fri., 12-4 Sat.; closed Sun. and college holidays and breaks, except for special exhibitions. Admission: free. Joel Zwart, Director of Exhibitions 616-526-6271 [email protected]

CAMERON UNIVERSITY Inasmuch Foundation Art Gallery Lawton, Oklahoma Student artworks and traveling exhibitions are displayed at the Inasmuch Foundation Art Gallery in Lawton, Oklahoma. The gallery, which has a collection of paintings, photographs, and sculpture, is housed in the Art Building of the McMahon Centennial Complex. Inasmuch Foundation Art Gallery, Art Bldg., McMahon Centennial Complex, 2800 Gore Blvd., Lawton, OK 73505. Phone: 580/581-2211. Web site: www.cameron.edu/. Hours: varies. Admission: free.

The University Art Gallery at California State University, Josh Lehman, Director of Public Affairs, Cameron University Stanislaus, in Turlock has been mounting changing contem- [email protected] porary art exhibitions since 1965. It has a collection that includes sculptural objects created in various cultures, innovative prints of historical interest, other works on paper, CAPE COD COMMUNITY COLLEGE and California paintings. University Art Gallery, California State University, Stanislaus, 1 University Circle, Turlock, CA 95382. Web site: www.csustan.edu/artgallery. Hours: Sept.-May-varies;

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Higgins Art Gallery West Barnstable, Massachusetts The Higgins Art Gallery is a 600-square-foot gallery at Cape Code Community College in West Barnstable, Massachusetts, that mounts works from its collection, students, and regional artists. Founded in 1989, the gallery is located in the Tilden Art Center and has a collection of paintings,

CARLETON COLLEGE prints, drawings, graphics, sculpture, and mixed media. Annual attendance is 2,000.

Tues.-Sun.; closed Mon. and major holidays. Admission: free.

Higgins Art Gallery, Cape Cod Community College, Tilden Astria Suparak, Director [email protected] Art Gallery, 2240 Iyanough Rd., West Barnstable, MA 02668-1599. Phone: 508/362-2131., Ext. 4484. Fax: 508/375-4020. E-mail: [email protected]. Web site: www.capecod.edu. Hours: 10-4 Mon.-Fri.; closed CAZENOVIA COLLEGE Sat.-Sun. and state and national holidays. Admission: free.

Art Gallery

Michael Gross, Director of College Communications 508-375-4003 [email protected]

CARLETON COLLEGE Carleton College Art Gallery Northfield, Minnesota Exhibits from collections, traveling exhibitions, and special exhibits-and some curated by students-are presented at the Carleton College Art Gallery in Northfield, Minnesota. The galley, founded in 1971 and housed in the Music and Drama Center, has approximately 1,500 objects in its collection. The collection consists mostly of prints and photographs, but it also includes paintings, sculpture, and objects of intrinsic beauty and technical interest. The annual attendance is 5,000.

Cazenovia, New York Cazenovia College Art Gallery is an art and design gallery in Reisman Hall on the campus in Cazenovia, New York. It presents works from its collections and by students and faculty, as well as traveling exhibitions. The gallery, founded in 1978, has a collection of works by leading artists, including paintings, prints, sculpture, photographs, video, and digital. Annual attendance is 1,000. Cazenovia College Art Gallery, Reisman Hall, 22 Sullivan St., Cazenovia, NY 13035-1085. Phone: 315/655-7138. Fax: 315/655-2190. E-mail: [email protected]. Web site: www.cazenoviq.edu. Hours: Sept.-May-1-4 and 7-9 Mon.-Thurs., 1-4 Fri., 2-6 Sat.-Sun.; June-Aug.-varies; closed college holidays and breaks. Admission: free. Jen Pepper, Director [email protected]

Carleton College Art Gallery, Music and Drama Center, 1 N. College St., Northfield, MN 55057-4001. Phones: CENTENARY COLLEGE OF LOUISIANA 507/222-4469 and 507/222-4342. Fax: 507/646-7042. Turner Art Center Gallery and Magale E-mail: [email protected]. Web site: Library Gallery www.apps.carleton.edu/campus/gallery. Hours: Shreveport, Louisiana Jan.-mid-June and Sept.-Nov.-12-6 Mon.-Wed., 12-10 Thurs., 12-4 Sat.-Sun.; closed Dec., New Year’s Day, Contemporary art in all media by local, regional, and naThanksgiving, and spring break. Admission: free. tional artists, as well as student exhibitions, are featured at Laurel E. Bradley, Director of Exhibitions & Curator of the College the Turner Art Center Gallery at Centenary College of Louisiana in Shreveport. The exhibitions range from paintings Art Collection 507-222-4469 and photographs to digital installations. Art, historical, and [email protected] cultural exhibits also are shown at the Magale Library Gallery in the John F. Magale Memorial Library, which opened in 1963.

CARNEGIE MELLON UNIVERSITY Miller Gallery at Carnegie Mellon

Turner Art Center Gallery, Centenary College of Louisiana, Turner Art Center, 3000 Centenary Blvd., Shreveport, LA Pittsburgh, Pennsylvania 71104. Phone: 318/869-5260. Fax: 318/869-5184. Web site: The 9,000-square-foot Miller Gallery at Carnegie Mellon www.centenary.edu. Hours: Sept.-May-10-6 Mon.-Thurs., University in Pittsburgh, Pennsylvania, mounts a wide range 10-4 Fri., 12-6 Sat.-Sun.; closed June-Aug. and university of exhibitions, as exemplified by a recent year’s offerings of holidays and breaks. Admission: free. exhibits on works from 43 countries, a survey of Yes Men, a look at change in social movement cultures since the 1960s, Magale Library Gallery, Centenary College of Louisiana, and the annual showing of student artworks. Founded in John F. Magale Memorial Library, Woodlawn ave., Shreve2000, the gallery has a collection of paintings and is housed port, LA 71134. Phone: 318/869-5620. Web site: www.cenin the Purnell Center for the Arts. It serves 15,000 visitors tenary.edu. Hours: Sept.-May-8 a.m.-12 p.m. Mon.-Thurs., annually. 8-4:30 Fri., 9-5 Sat., 2-12 Sun.; June-Aug.-more limited hours; closed major holidays. Admission: free. Miller Gallery at Carnegie Mellon, Carnegie Mellon University, Purnell Center for the Arts, 5000 Forbes Ave,, PittsLisa Nicoletti, Chair, CC Department of Art and Visual Culture 318-869-5261 burgh, PA 15213-3890. Phone: 412/268-3618. Fax: [email protected] 412/268-4746. E-mail: [email protected]. Web site: www.cmu.edu/millergallery. Hours: 12-6

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Art Galleries CENTRAL CONNECTICUT STATE UNIVERSITY Art Galleries New Britain, Connecticut Artworks from its collection and by regional and national artists are presented in the Samuel S. T. Chen Fine Arts Building at the Central Connecticut State University Art Galleries in New Britain. In addition, at least three major exhibitions of student art are held every semester. They include works of art education majors in December, studio art majors in May, and home art students sometime during the year. The gallery, founded in 1965, has a collection of paintings, sculpture, graphics, decorative arts, folklore, industry, anthropology, and architectural drawings and models. The annual attendance is 3,000. Central Connecticut State University Art Galleries, Samuel S. T. Chen Fine Arts Bldg., Maloney Hall, 1615 Stanley St. New Britain, CT 06050-2439. Phones: 860/832-2633 and 860/832-2620. Fax: 860/832-2634. Web site: www.art.ccsu.edu/gallery. Hours: 1-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Cora Marshall, Chair, CCXU Department of Art 860-832-2620 [email protected]

CENTRAL FLORIDA COMMUNITY COLLEGE CFCC Webber Center Gallery Ocala, Florida The CFCC Webber Center Gallery at Central Florida Community College in Ocala, Florida, has a 2,000-square-foot gallery that exhibits student, special, and traveling exhibitions. Founded in 1995, the gallery has a collection of paintings, prints, drawings, graphics, photographs, and sculpture. Annual attendance is 9,000. CFCC Webber Center Gallery, Central Florida Community College, Webber Center, 3001 S.W. College Rd., Ocala, FL 34474-4415. Phone: 352/873-5809. Fax: 352/873-5886. E-mail: [email protected]. Web site: www.cf.edu. Hours: 11-5 Tues.-Fri., 10-2 Sat.; closed Sun.-Mon. and college holidays. Admission: free. Joel Wallace, Director, Marketing & Public Relations, College of Central Florida 352-854-2322 [email protected]

CENTRAL MICHIGAN UNIVERSITY Art Gallery Mount Pleasant, Michigan Works by artists, faculty, and students are presented at the University Art Gallery at Central Michigan University in Mount Pleasant, Michigan. The gallery, founded in 1970, is housed in a 1959 former chapel in the center of the campus next to the Bovee University Center. Founded in 1970, the

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gallery has two exhibition areas-Main Gallery and West Gallery. The student exhibitions include BFA shows, an annual juried exhibition, and student-curated projects. The gallery’s annual attendance is 6,300. University Art Gallery, Central Michigan University, 132 Wightman, Mount Pleasant, MI 48859. Phone: 989/774-3800. Web site: www.uag,emich.edu. Hours: Sept.-May-11-6 Tues.-Fri., 11-3 Sat.; closed Sun.-Mon. and university holidays; June-Aug.-varies. Admission: free. Anne Gochenour, Director 989-774-7457

CLARION UNIVERSITY OF PENNSYLVANIA Art Gallery Clarion, Pennsylvania The University Gallery at Clarion University of Pennsylvania in Clarion feature contemporary American art. Founded in 1982 and formerly known as the Sandford Gallery, the gallery presents participatory, temporary, and traveling exhibitions in a 1,120-square-foot gallery space in Carlson Library. A collection consists of nineteenth- and twentieth-century American art and Kuba textiles. Annual attendance is 1,500. University Gallery, Clarion University of Pennsylvania, Carlson Library A-4, Clarion, PA 16214. Phone: 814/393-2523. Fax: 814/393-2168. E-mail: [email protected]. Web site: www.clarion.edu. Hours: 10-3 Mon.-Thurs.; closed Fri.-Sun. and university holidays and breaks. Admission: free. Vicky A. Clark, Director

CLARK COLLEGE Archer Gallery Vancouver, Washington Archer Gallery at Clark College in Vancouver, Washington, began in 1978 in the lower level of Gaiser Hall. To get to the gallery, it was necessary to walk through the college bookstore. The attendance was limited. In 2005, the gallery, which features the works of contemporary Northwest artists, moved into a new 3,500-square-foot gallery in Penguin Student Union Building. The gallery, named for Jim Archer, professor of art history who became curator in 1982, now serves 5,000 visitors a year. It also has a collection of paintings, photographs, and sculpture. Archer Gallery, Clark College, Penguin Student Union Bldg., 1933 Fort Vancouver Way, Vancouver, WA 98663. Phone: 360/992-2246. Fax: 360/992-2888. E-mail: [email protected]. Web site: www.clark.edu. Hours: 10-7 Tues.-Thurs., 10-4 Fri., 1-5 Sat.; closed Sun.-Mon. and major holidays. Admission: free Blake Shell, Archer Gallery Curator/Manager 360-992- 27 [email protected]

CLEMSON UNIVERSITY CLEMSON UNIVERSITY Rudolph E. Lee Gallery Clemson, South Carolina The works of regional, national, and international artists-as well as art, architecture, and landscape architecture students-are shown at the Rudolph E. Lee Gallery at Clemson University in Clemson, South Carolina. The gallery’s mission is to further “understanding of the impact art has on people and cultures and to expand our knowledge about human development and global awareness.” Founded in 1956, the gallery has a collection of paintings, graphics, photographs, and architectural projects.

has a collection of works by traditional and contemporary artists. The annual attendance is 18,000. Cleveland State University Art Gallery, Art Bldg., 2307 Chester Ave., Cleveland, OH 44114 (postal address: 2121 Euclid Ave., AB 101, Cleveland, OH 44115-2226). Phones: 216/687-2103 and 216/687-2000. Fax: 216/687-9340. E-mail: [email protected]. Web site: www.csuohio.edu/artgallery. Hours: Sept.-May-10-5 Mon.-Fri., 12-4 Sat.; closed Sun. and university, state, and national holidays. Admission: free. Robert Thurmer, Director 216-687-2103 [email protected]

Rudolph E. Lee Gallery, Clemson University, G-5 Lee Hall, PO Box 340509, Clemson, SC 29634. Phone: 864/656-3899. CLOVIS COMMUNITY COLLEGE Fax: 864/656-7523. E-mail: woodwaw@exEula Mae Edwards Museum and Gallery change.clemson.edu. Web site: www.clemson.edu/caah/leegallery. Hours: 9-4 Mon.-Thurs., Clovis, New Mexico 2-5 Sun.; closed Fri.-Sat. and university, state, and federal Changing exhibitions by professional artists are presented at holidays. Admission: free. the Eula Mae Edwards Museum and Gallery at Clovis Community College in Clovis, New Mexico. The gallery also has Denise Woodward-Detrich, Director 864-656-3899 a collection of works by local artists. [email protected]

CLEVELAND INSTITUTE OF ART Reinberger Galleries Cleveland, Ohio

Eula Mae Edwards Museum and Gallery, Clovis Community College, 417 Schepps Blvd., Clovis, NM 88101. Phone: 505/769-4115. Web site: www.clovis.edu. Hours: 8:20-5 Mon.-Fri., 1-5 Sat.; closed Sun. and college holidays and breaks. Admission: free.

The Reinberger Galleries at the Cleveland Institute of Art in Cleveland, Ohio, serve as an educational resource that seeks to encourage artistic growth and experimentation by professional artists through changing exhibitions, events, and lectures. The art school also has a Student Work Department Gallery and an Alumni Virtual Gallery.

Sondra Forrest, Coordinator 575-763-6404 [email protected]

Reinberger Galleries, Cleveland Institute of Art, Gund Bldg., 11141 East Blvd., Cleveland, OH 44106-1710. Phones: 216/421-7000 and 800/223-4700. Web site: www.cia.edu/galleries/reinberger. Hours: 10-6 Tues.-Sat., 12-6 Sun.; closed Mon. and major holidays. Admission: free.

Cedar Rapids, Iowa

Bruce Checefsky, Director 216-421-7407 [email protected]

CLEVELAND STATE UNIVERSITY Art Gallery Cleveland, Ohio The Art Gallery at Cleveland State University in Cleveland, Ohio, actually consists of three galleries-the main gallery and two adjacent galleries. The gallery, founded in 1973, features the works of national and international artists in its 4,500 square feet of exhibit space in the Art Building. It also presents student, community-based, and other exhibitions dealing with important social and critical issues. The gallery

COE COLLEGE Art Galleries The Coe College Art Galleries in Cedar Rapids, Iowa, display works from its collection and one-person and group exhibitions in all media and styles. The collection includes approximately 465 works by nearly 300 artists spanning several centuries and five continents, including such artists as Thomas Hart Benton, Henri Matisse, Pablo Picasso, Mark Rothko, Henri de Toulouse-Lautrec, and Grant Wood. Works from the collections are shown in four galleries in Stewart Memorial Library-Winnifred M. Cone Gallery, Perrine Gallery, Conger Metcalf Gallery, and Reva and John Pashgian Gallery. The college also has two galleries for traveling exhibitions and student shows in Dows Fine Art Center, and four major outdoor sculptures. Coe College Art Galleries, Dows Fine Art Center, 1220 1st Ave., N.E., Cedar Rapids, IA 52402. Phones: 319/399-8647 and 319/399-8500. Fax: 319/399-8557. Web site: www.coe.edu/academics/art. Hours: 3-5 daily; closed major holidays. Admission: free. Jennifer Rogers, Director

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Art Galleries COKER COLLEGE Cecelia Coker Bell Gallery Hartsville, South Carolina The Cecelia Coker Bell Gallery at Coker College in Hartsville, South Carolina, is primarily a teaching museum that seeks to broaden the exposure of students to artists with regional, national, and international reputations. The 750-square-foot gallery, founded in 1983, also has exhibitions of student, faculty, and alumni art. Annual attendance is 4,000. Cecelia Coker Bell Gallery, Coker College, Art Dept., 300 E. College Ave., Hartsville, SC 29550-3742. Phones: 843/383-8156 and 843/383-8150. Fax: 843/383-8048. E-mail: [email protected]. Web site: www.coker.edu/art/gallery.html. Hours: Sept.-mid-May-10-4:30 Mon.-Fri.; closed Sat.-Sun., New Year’s Day, Easter, Labor Day, Thanksgiving, and Christmas. Admission: free. Larry Merriman, Director 843-383-8156 [email protected]

COLLEGE FOR CREATIVE STUDIES Center Galleries Detroit, Michigan The Center Galleries at the College of Creative Studies in Detroit, Michigan, consists of four galleries covering 6,000 square feet. Each year, more than 15 exhibitions by local, national, international, student, faculty, and alumni artists are presented in the Main Gallery, Alumni and Faculty Hall, U245 Student Gallery, and Permanent Collection Gallery. The exhibitions generally are accompanied by artist lectures, symposia, gallery talks, films, and literary and performance events. The galleries have an annual attendance of 12,000. Center Galleries, College of Creative Studies, 301 Frederick Douglas Ave. Detroit, MI 48202-4024. Phone: 313/664-7800. Fax: 313/664-7880. E-mail: [email protected]. Web site: www.collegeforcreativestudies.edu/center_galleries. Hours: Sept.-July-1-5 Tues.-Sat.; closed Sun.-Mon., Independence Day, Thanksgiving, and Christmas. Admission: free. Michelle Perron, Director [email protected]

COLLEGE OF CHARLESTON Halsey Institute of Contemporary Art Charleston, South Carolina Contemporary works of art in all media by emerging and mid-career artists of nation stature are the emphasis of the Halsey Institute of Contemporary Art at the College of Charleston in Charleston, South Carolina. The institute, founded in 1978, occupies the first floor of the new five-story Marion and Wayland H. Cato Jr. Center for the

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Arts. It presents from six to 10 exhibitions each year, as well as a visiting artist lecture series, film screenings, symposia, and gallery talks. Annual attendance is 7,000. Halsey Institute of Contemporary Art, College of Charleston, Marion and Wayland H. Cato Jr. Center for the Arts, 161 Calhoun St., Charleston, SC 29424-1413. Phone: 843/953-5680. Fax: 843/953-7890. E-mail: [email protected]. Web site: www.halsey.cofc.edu. Hours: Sept.-June-11-4 Mon.-Sat. during exhibitions; closed Sun. and major holidays. Admission: free. Valerie B. Morris, Dean, School of the Arts 843-953-8222 [email protected]

COLLEGE OF EASTERN UTAH Gallery East Price, Utah Gallery East at the College of Eastern Utah in Price has a program of monthly exhibitions by students, faculty, and local, regional, national, and international contemporary artists since 1977. It also has a collection of paintings, photographs, and sculpture. The annual attendance is 10,000. Gallery East, College of Eastern Utah, 451 E. 400 N., Price, UT 84501-2699. Phone: 435/613-5241. Fax: 435/613-4102. E-mail: [email protected], Web site: www.ceu.edu/departments/art/gallery. Hours: mid-Sept.-May-10-4 Mon.-Fri.; closed Sat.-Sun., June-mid-Sept., and major holidays. Admission: free. Noel Carmack, Director 435-613-5241 [email protected]

COLLEGE OF IDAHO Rosenthal Gallery of Art Caldwell, Idaho The David and Blanche Rose Gallery of Art at the College of Idaho in Caldwell hosts approximately five exhibitions a year. They include works by regional artists, faculty and staff, and graduating art majors, as well as exhibits of selections from the college’s art and ethnographic collections. Dedicated in 1984, the gallery spurred the restoration of Blatchley Hall, listed on the National Register of Historic Places. Annual attendance is 1,500. David and Blanche Rosenthal Gallery, College of Idaho, Blatchley Hall, Box 860, 2112 Cleveland Blvd., Caldwell, ID 83605-4432. Phones: 208/459-5321 and 208/459-5209. Fax: 208/459-5885. E-mal: [email protected]. Web site: www.collegeofidaho.edu/academics/art. Hours: 10-5 Mon.-Fri., Sat.-Sun. by appointment; closed college holidays and breaks. Admission: free. Garth Claassen 208-459-5321 [email protected].

COLLEGE OF MOUNT ST. JOSEPH COLLEGE OF MOUNT ST. JOSEPH Studio San Giuseppe Cincinnati, Ohio

Phones: 518/485-3902 and 518/337-2390. Fax: 518/337-4390. E-mail: [email protected]. Web site: www.strose.edu/gallery. Hours: late Sept.-early May-10-8 Mon.-Thurs., 10-4:30 Fri., 12-4 Sun.; closed Sat., late May-early Sept., and college holidays and breaks. Admission: free.

Studio San Giuseppe is an art gallery at the College of Mount St. Joseph in Cincinnati, Ohio, that displays artworks Jeanne Flanagan, Director related to the art curriculum at the college. The 1,500square-foot gallery, founded in 1963, is located in the Doro- [email protected] thy Meyer Ziv Art Building. It has a collection of arts and crafts and 1,500 visitors annually. Studio San Giuseppe, College of Mount St. Joseph, Dorothy Meyer Ziv Art Bldg., 5701 Delhi Rd., Cincinnati, OH 45233-1670. Phone: 513/244-4314. Fax 513/244-4942. E-mail: [email protected]. Web site: www.msj.edu. Hours: Sept.-May-10-5 Mon.-Fri., 1:30-4:30 Sat.-Sun.; closed June-Aug. and college holidays and breaks. Admission: free. Jerry Bellas, Director 513-244-4314 [email protected]

COLLEGE OF ST. CATHERINE Catherine G. Murphy Gallery St. Paul, Minnesota Exhibitions by visiting artists and Department of Art and Art History faculty, staff, and students are displayed at the Catherine G. Murphy Gallery in the Visual Arts Building at the College of St. Catherine in St. Paul, Minnesota, during the academic year. Catherine G. Murphy Gallery, College of St. Catherine, Visual Arts Bldg., 2004 Randolph Ave., St. Paul, MN 55105-1789. Phone: 651/690-6644. Web site: www.stkate.edu/gallery. Hours: mid-Sept.-late May-8-8 Mon.-Fri., 12-6 Sat.-Sun.; closed late-May-early Sept. and college holidays. Admission: free. Kathleen M Daniels, Director 651-690-6637 [email protected]

COLLEGE OF ST. ROSE Esther Massry Gallery Albany, New York The Esther Massry Gallery is a teaching facility that presents contemporary art and culture through its exhibitions and visiting artist programs at the College of St. Rose in Albany, New York. The gallery was founded on the campus in 1970, relocated to the downtown Picotte Hall, the Center for Art and Design for 30 years, and then moved to a 2.200-square-foot space in the new Massry Center for the Arts on the campus in 2008. In addition to exhibitions, visiting artists give lectures, participate in panel discussions, meet with students, and give individual critiques. The annual attendance is 5,000. Esther Massry Gallery, College of St. Rose, Massry Center for the Arts, 1002 Madison Ave., Albany, NY 12203.

COLLEGE OF THE ATLANTIC Ethel H. Blum Gallery Bar Harbor, Maine The Ethel H. Blum Gallery at the College of the Atlantic in Bar Harbor, Maine, seeks to provide insights and connections that make art an essential expression of human ecology. The gallery, located in the Gates Community Center, presents 10 to 12 exhibitions each year by faculty, students, alumni, and artists from around the world. The gallery was dedicated in 1993 to an accomplished watercolorist who was a summer resident in the area and known for her paintings of Maine coastal views. Ethel H. Blum Gallery, College of the Atlantic, Gates Community Center, 105 Eden St., Bar Harbor, ME 04609. Phone: 207/288-5015. Web site: www.coa.edu/flum-gallery. Hours: Oct.-June-9-5 Mon.-Fri.; closed Sat.-Sun.; July-Sept.-11-4 Tues.-Sat.; closed Sun.-Mon. and college holidays. Admission: free. Donna Gold, Director of Public Relations, College of the Atlantic 207-801-5623 [email protected]

COLLEGE OF THE HOLY CROSS Iris and B. Gerald Cantor Art Gallery Worcester, Massachusetts The Iris and B. Gerald Cantor Art Gallery at the College of the Holy Cross in Worcester, Massachusetts, was established in 1983 with a grant from the Iris and B. Gerald Cantor Foundation, which was created primarily by the couple to enhance cultural life by supporting galleries at major universities. The 2,000-square-foot gallery presents exhibitions by visiting artists and through loan and traveling exhibitions that seek to further understanding of the fundamental intellectual, cultural, spiritual, and aesthetic issues encountered through art. Annual attendance is 3,000. Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross, 1 College St., Worcester, MA 91610-2322. Phone: 508/793-3356. Fax: 508/793-3030. E-mail: [email protected]. Web site: www.holycross.edu/cantorartgallery. Hours 10-5 Mon.-Fri., 2-5 Sat.; closed Sun. and college holidays and breaks. Admission: free. . Roger Hankins, Director [email protected]

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Art Galleries COLORADO STATE UNIVERSITY Curfman Gallery and Hutton Gallery Fort Collins, Colorado Colorado State University in Fort Collins has two art galleries-Curfman Gallery and Hutton Gallery. The Curfman Gallery features exhibitions by students and local, national, and international artists and works from its collections of posters, Native American artifacts, and African tribal objects. The 1,700-square-foot gallery, founded in 1969, also is the site of the biennial International Invitational Poster Exhibition, which usually displays from 150 to 200 posters by over 100 graphic artists from more than 30 countries. Copies of the posters become part of the university library’s International Poster Collection. The gallery’s annual attendance is 35,000.

312/369-8009. E-mail: [email protected]. Web site: www.colum.edu. Hours: 11-5 Tues.-Wed. and Fri.-Sat., 11-8 Thurs.; closed Sun.-Mon. and major holidays. Admission: free. Jennifer Murray, Director 312-369-8686 [email protected]

COLUMBIA COLLEGE CHICAGO Center for Book and Paper Arts Chicago, Illinois

The Center for Book and Paper Arts at Columbia College Chicago seeks to further knowledge and appreciation of book art, including letterpress and offset printings, bookbinding, papermaking, and artists’ books. It is one of the largest and most comprehensive book art facilities in the The Clara Hutton Gallery seeks to enhance the cultural and world. In addition to displaying student and faculty work intellectual life of the region and foster the creative develop- and traveling exhibitions, the center sponsors a national ment of art students by presenting contemporary and histori- juried biennial of book and paper art. cal exhibitions by emerging and established artists, as well Center for Book and Paper Arts, Columbia College Chicago, as students and faculty. The gallery, founded in 1970 in the Ludington Bldg., 1104 S. Wabash Ave., Chicago, IL Visual Arts Building, has a collection of Japanese prints, 60605-2334. Phone: 312/369-6630. Fax: 312/369-8082. Pop movement prints, and graduate student work. E-mail: [email protected]. Web site: www.colum.edu/book_and paper. Hours: 10-6 Mon.-Fri.; Curfman Gallery, Colorado State University, Fort Collins, closed Sat.-Sun. and major holidays. Admission: free. CO 80523 (postal address: 8033 Campus Delivery, Lory Student Center, Colorado State University, Fort Collins, CO Michelle Citron, Chair, Interdisciplinary Arts Dept. 312-369-7670 80523). E-mail: [email protected]. Web [email protected] site: www.curfman.colostate.edu. Hours: mid-Jan.-May and Sept.-mid-Dec.-9 a.m.-9 p.m. Mon.-Thurs., 9 a.m.-9:30 p.m. Fri., 12-4 Sat.; closed Sun., June-Aug., and university holiCOLUMBIA UNIVERSITY days and breaks. Admission: free. Hutton Gallery, Colorado State University, Visual Arts Bldg., Fort Collins, CO 80523. Phone: 970/491-1584. Web site: www.welcome2.libarts.colostate.edu/centers/hatton. Hours: Sept.-May-9-4 Mon.-Fri., 1-4 Sat.; closed Sun., June-Aug., and university holidays and breaks. Admission: free. Brad Bohlander, Executive Director of Public Relations, Colorado State University 970-491-1545 [email protected]

COLUMBIA COLLEGE CHICAGO A + D Gallery Chicago, Illinois

Miriam and Ira D. Wallach Art Gallery New York, New York The Miriam and Ira D. Wallach Art Gallery at Columbia University in New York City is a 2,300-square-foot gallery with exhibitions and programs that contribute to the university’s tradition of historical, critical, and creative engagement in the visual arts. The gallery, founded in 1986, presents two to four exhibitions during the academic year in historic Schermerhorn Hall. Annual attendance is 5,000. Miriam and Ira D. Wallach Art Gallery, Columbia University, Schermerhorn Hall, 116th St. and Broadway, New York, NY 10027-7054 (postal address: Columbia University, 820 Shermerhorn Hall, MC 5517, 1190 Amsterdam Ave., New York, NY 10027-7054). Phone: 212/854-7288. Fax: 212/854-7800. E-mail: [email protected]. Web site: www.columbia.edu/wallach. Hours: Sept.- May-1-5 Wed.-Sat.; closed Sun.-Tues., June-Aug., and major holidays. Admission: free.

The Averill and Bernard Leviton A + D Gallery at the Columbia College Chicago presents work of emerging and established artists that reflects disciplines taught in the college’s Art and Design Department, including fine arts, in- Jeanette Silverthorne 212-854-0197 terior architecture, illustration, fashion design, advertising, [email protected] art direction, product design, graphic design, and art history. The primary focus is on the artistic process and development of ideas into art, with works in progress often shown adjacent to finished pieces. A + D Gallery, Columbia College Chicago, 619 S. Wabash Ave., Chicago, IL 60605-2334. Phone: 312/369-8687. Fax:

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CONCORDIA COLLEGE NEW YORK CONCORDIA COLLEGE NEW YORK OSilas Gallery

262/243-4552. Fax: 262/243-4351. Web site: www.cuw.edu. Hours: 12-4 Sun.-Wed. and Fri., 12-4 and 6-8 Thurs.; closed Sat. and major holidays. Admission: free.

Bronxville, New York

Cynthia Hoffman, Chair of the Art Dept. 262-243-2673

In 2006, the OSilas Gallery replaced the long-standing Concordia Gallery, which had been mounting exhibitions for 30 years at Concordia College New York in Bronxville. The CONVERSE COLLEGE new facility, located in the Donald W. Krenz Academic CenMilliken Gallery ter on the second level of Scheele Memorial Library, presSpartanburg, South Carolina ents exhibitions and programs that are diverse in content, style, and media. Exhibitions and programs by visiting artists are featured at the Milliken Gallery at Converse College in Spartanburg, OSilas Gallery, Concordia College New York, Scheele LiSouth Carolina. Founded in 1971, the gallery has an annual brary, 171 White Plains Rd., Bronxville, NY 10708. Phone: attendance of 1,700. The gallery also operates a Community 914/337-9300, Ext. 2173. Web site: www.osilasgallery.org. Outreach Gallery. Hours: 10-5 Tues.-Wed. and Fri., 10-7:30 Thurs., 1-5 Sat.-Sun.; closed Mon. and college holidays and breaks. Ad- Milliken Gallery, Converse College, 580 E. Main St., mission: free. Spartanburg, SC 29302-0006. Phone: 864/596-9606. E-mail: [email protected]. Web site: www.converse.edu. Patricia Miranda, Director Hours: Sept.-May-9-5 Mon.-Fri., 2-5 Sun.; closed Sat. and college holidays and breaks. Admission: free.

CONCORDIA UNIVERSITY (Nebraska) Marxhausen Art Gallery

Kathryn Boucher, Director [email protected]

Seward, Nebraska The objective of Marxhausen Art Gallery at Concordia University in Seward, Nebraska, is to promote visual and cultural experiences by presenting diverse and ambitious regional, national, faculty, and student exhibitions and programs. Established in 1951, the gallery is housed in Jesse Hall, where it also contains the Koenig Collection, a collection of over 300 works of art, mostly screen prints, etchings, lithographs, and other original prints by national and international artists such as Louis Nevelson, Robert Rauschenberg, Georges Rouault, Richard Serra, and Grant Wood.

CORNELL COLLEGE Luce Gallery

Marxhausen Art Gallery, Concordia University, 800 N. Columbia Ave., Seward, NE 68434-1500. Phones: 402/643-3651 and 462/643-7490. Fax: 402/643-4073. E-mail: [email protected]. Web site: www.cune.edu/finearts/art/5878. Hours: Sept.- May-11-4 Mon.-Fri., 1-4 Sat.-Sun.; closed June-Aug. and university holidays and breaks. Admission: free.

Luce Gallery, Cornell College, McWethy Hall, 600 1st St., W., Mt. Vernon, IA 52314-1098. Phone: 319/895-4491. Fax: 319/895-4519. E-mail: [email protected]. Web site: www.cornellcollege.edu/art/gallery. Hours: Sept.-May-9-4 Mon.-Fri., 2-4 Sun.; closed Sat. and college holidays and breaks; June-Aug.-by appointment. Admission: free.

James Bockelman, Director 800-535-5494 [email protected]

CONCORDIA UNIVERSITY-WISCONSIN Art Gallery Mequon, Wisconsin Concordia University-Wisconsin in Mequon has an art gallery that displays the work of area artists, faculty, and students. The Lutheran college also has a collection of religious art, Russian bronzes, and Chinese porcelain. Annual attendance is 600.

Mt. Vernon, Iowa One-person and group exhibitions of works by students, faculty, alumni, and other artists are shown at the Peter Paul Luce Gallery in McWethy Hall at Cornell College in Mt. Vernon, Iowa. The galley, formerly the Armstrong Gallery, also draws upon its collections of paintings, drawings, prints, and lithographs for special exhibitions. The annual attendance is 5,000.

Susan Coleman, Gallery Coordinator 319-895-449 [email protected]

DAVIDSON COLLEGE Van Every/Smith Galleries Davidson, North Carolina The Van Every/Smith Galleries at Davidson College in Davidson, North Carolina, consist of the William H. Van Every Gallery and Edward M. Smith Gallery in the Davidson Visual Arts Center. The galleries, founded in 1962, feature contemporary art exhibitions and lectures by visiting artists. The collection contains paintings, graphics,

Concordia University-Wisconsin Art Gallery, 12800 N. Lake Shore Dr., Mequon, WI 53097-2418. Phone:

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Art Galleries photographs, and sculpture from the fifteenth century to the twentieth-century. Annual attendance is 4,000. Van Every/Smith Galleries, Davidson College, Visual Arts Center, 315 N. Main St., Davidson, NC 28036-9404 (postal address: PO Box 7117, Davidson, NC 28035-7117). E-mail: [email protected]. Web site: www.davidson.edu. Hours: 10-5 Mon.-Fri., 12-4 Sat.-Sun.; closed college and national holidays. Admission: free.

DIABLO VALLEY COLLEGE Art Gallery Pleasant Hills, California The Diablo Valley College Art Gallery in Pleasant Hill, California, presents solo and group exhibitions of works by students and regional and international artists. The 1,000-square-foot gallery was founded in 1974.

Brad Thomas, Director and Curator [email protected]

Diablo Valley College Art Gallery, 321 Gulf Club Rd., Pleasant Hills, CA 94532. Phone: 510/685-2471. , Ext. 303. Web site: www.dvc.edu/technology/media%. Hours: 11-4 Mon.-Wed., 11-8 Thurs.; closed Frit.-

DELTA STATE UNIVERSITY Wright Art Center Gallery

Sun. and college holidays and breaks. Admission: free.

Cleveland, Mississippi The Wright Art Center Gallery at Delta State University in Cleveland, Mississippi, presents contemporary art exhibitions by regional, national, and international artists in traditional media and newer genres such as digital imagery and multimedia. The gallery, founded in 1924, is housed in the Fielding L. Wright Art Center. Its collection includes paintings, Japanese prints, wood blocks, sculpture, ca. 500 b.c. French medals, and works by Mississippi and Southern artists. It has 10,000 visitors annually. Wright Art Center Gallery, Delta State University, Fielding L. Wright Art Center, Box D 2, Cleveland, MS 38733. Phone: 662/846-4720. Fax: 662/846-4726. E-mail: [email protected]. Web site: www.deltastate.edu/academics/artsci/artdept/com. Hours: 8 a.m.-8:30 p.m. Mon.-Thurs., 8-4 Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

Arthur Scott King, Gallery Coordinator [email protected]

DICKINSON STATE UNIVERSITY DSU Art Gallery Dickinson, North Dakota The DSU Art Gallery at Dickinson State University in Dickinson, North Dakota, began as the Mind’s Eye Gallery in Stoxen Library in 1972 and its name was changed the DSU Art Gallery when it was moved to the newly remodeled Klinefelter Hall in 1997. It seeks to address the visual arts educational and cultural needs of southwestern North Dakota by presenting 10 to 11 exhibitions annually of works by emerging and guest artists, student school groups, and traveling exhibitions. The gallery has a collection of paintings, drawings, and sculpture.

Bill Lester, Chair, Delta State University Dept. of Art 662-846-4720 [email protected]

DSU Art Gallery, Dickinson State University, Klinefelter Hall, PO Box 28, Dickinson, ND 58601-4896. Phone: 701/483-4295. Fax: 701/483-2006. E-mail: [email protected]. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

DENISON UNIVERSITY Bryant Arts Center Gallery

Kenneth W. Haught, Chair of the Department of Fine and Performing Arts, DSU [email protected]

Granville, Ohio The work of studio art students at Denison University in Granville, Ohio, is featured at the Bryant Arts Center Gallery. The gallery is part of the new facilities for the studio arts program which opened in 2009 in the restored 1904 Cleveland Hall. Bryant Arts Center Gallery, Denison University, Studio Art Program, Bryant Arts Center, 210 W. College St., Granville, OH 43023. Phone: 740/587-6596. Fax: 740/587-5701. E-mail: [email protected]. Web site: www.denison.edu. Hours: varies; closed university holidays and breaks. Admission: free. Jack Hire, Administrative Director of University Communications 740-587-5698 [email protected]

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DRAKE UNIVERSITY Anderson Gallery Des Moines, Iowa The Anderson Gallery at Drake University in Des Moines, Iowa, was founded in 1996 to exhibit and support innovation in art and design. The gallery seeks to promote the growth and understanding of art through exhibitions, programs, and publications. The Department of Art and Design gallery is housed in the Harmon Fine Arts Center. Anderson Gallery, Drake University, Dept. of Art and Design, Harmon Fine Arts Center, 25th St. and Carpenter Ave., Des Moines, IA 50311. Phone: 515/271-1994. Fax: 515/271-2558. E-mail: [email protected]. Web site:

DREW UNIVERSITY www.drake.edu/andersongallery. Hours: 12-4 Tues.-Sun.; closed Mon. and major holidays. Admission: free.

have a wide range of media in their contemporary arts collections. The annual attendance is around 6,000.

Heather King, Director

Richard F. Peeler Art Center Galleries, DePauw University, 10 W. Hanna St., Greencastle, IN 46135. Phone: 765/658-4336. Fax: 765/658-6552. E-mail: [email protected]. Web site: www.depauw.edu/galleries. Hours: 10-4 Tues.-Fri., 11-5 Sat., 1-5 Sun.; closed Mon. and university holidays and breaks. Admission: free.

DREW UNIVERSITY Elizabeth P. Korn Art Gallery Madison, New Jersey The Elizabeth P. Korn Art Gallery at Drew University in Madison, New Jersey, presents exhibitions by professional artists and students. Korn Gallery, Drew University, 36 Madison Ave., Madison, NJ 07940. Phone: 973/408-3758. E-mail: [email protected]. Web site: www.depts.drew.edu/~art/gallery. Hours: Sept.-May-12:30-4 Tues.-Fri. and 10-2 on selected weekends; closed Sat.-Mon. and university holidays and breaks. Admission: free. Raymond Saa Stein, Chair, Drew University Art Dept 973-408-3199 [email protected]

Kaytie Johnson, Director/Curator [email protected]

EARLHAM COLLEGE Leeds and Ronald Galleries Richmond, Indiana Exhibitions of art and photography are presented by professional artists, photographers, and students in Leeds Gallery in Runyan Center at Earlham College in Richmond, Indiana. Works from Earlham College’s permanent collection and professional artists are featured at the Ronald Gallery in Lilly Library. The collection has more than 3,000 paintings, prints, and sculpture.

Leeds Gallery, Earlham College, Runyan Center, 801 National Rd., W., Richmond, IN 47374-4095. Phone: 765/983-1410. Web site: www.earlham.edu/leeds. Hours: Philadelphia, Pennsylvania 9-8 Mon.-Fri., 1-8 Sat.-Sun.; closed Mon. and college holiThe Leonard Pearlstein Gallery at Drexel University in Phil- days. Admission: free. adelphia, Pennsylvania, exhibits the work of local, national, Ronald Gallery, Earlham College, Lilly Library, 801 Naand international contemporary artists and designers. Opened in 2002, the gallery is located in Nesbitt Hall in the tional Rd., W., Richmond, IN 47374-4095. Phone: 765/983-1410. Web site: www.earlham.edu/ronald. Hours: 8 Antoinette Westphal College of Media Arts and Design. a.m.-12 midnight Mon.-Thurs., 8 a.m.-10 p.m. Fri., 10 Leonard Pearlstein Gallery, Drexel University, Nesbitt Hall, a.m.-10 p.m. Sat., 12 noon-12 midnight; closed college holidays. Admission: free. Antoinette Westphal College of Media Arts and Design, 33rd and Market Sts., Philadelphia, PA 19104. Phone: Karen Roeper, Earlham College Associate Vice President for Public 215/895-2548. Fax: 215/895-4917. E-mail: galAffairs 765-983-1323 [email protected]. Web site: [email protected] www.drexel.edu/westphal/about/facilities/pearlstein. Hours: 11-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

DREXEL UNIVERSITY Leonard Pearlstein Gallery

Jordan Shue 215-895-2548 [email protected]

EAST CAROLINA UNIVERSITY Wellington B. Gray Gallery Greenville, North Carolina

DePAUW UNIVERSITY Richard F. Peeler Art Center Galleries Greencastle, Indiana The Richard F. Peeler Art Center has three galleries at DePauw University in Greencastle, Indiana. Opened in 2002, the galleries host approximately 12 contemporary art exhibitions annually that feature the work of students, faculty, regional and international artists, and selections from collections. The galleries, which cover 8,000 square feet,

Six to eight exhibitions of contemporary and historical art are presented annually at the Wellington B. Gray Gallery in the Jenkins Fine Arts Center at East Carolina University in Greenville, North Carolina. The exhibitions frequently are accompanied by lectures and symposia by visiting artists and curators. Founded in 1977, the gallery has 6,000 square feet of exhibit space and a collection of western and central African art, Baltic ceramics, prints, contemporary ceramics, and the Dwight Holland Collection. Annual attendance is 20,000. Wellington B. Gray Gallery, East Carolina University, School of Art and Design, Jenkins Fine Arts Center, 5th St., Greenville, NC 27858-4353, Phone: 252-328-6336. Fax: 252/328-6441. E-mail: [email protected]. Web site:

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Art Galleries www.ecu.edu/graygallery. Hours: 10-4 Mon.-Fri., 10-2 Sat.; closed Sun. and university holidays and breaks. Admission: free. Tom Braswell, Interim Director [email protected]

EAST TENNESSEE STATE UNIVERSITY Slocumb Galleries Johnson City, Tennessee The Slocumb Galleries, founded in 1965 on the East Tennessee State University campus in Johnson City, exhibit contemporary artworks in all media by invited artists and through loan and traveling exhibitions. A graduating show by senior art students also is presented annually. The galleries have an annual attendance of 5,000.

EASTERN WASHINGTON UNIVERSITY Gallery of Art Cheney, Washington The Gallery of Art at Eastern Washington University in Cheney presents monthly exhibitions of contemporary works by professional artists, an annual faculty show, and concludes the academic year with an exhibit of senior student art. The gallery opened in 1970 in the university’s Art Building. Gallery of Art, Eastern Washington University, 140 Art Bldg., Cheney, WA 99004-2401. Phones: 509/359-7070 and 509/359-2494. Fax: 509/359-7810. E-mail: [email protected]. Web site: www.ewu.edu/x24866.xml. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

Slocumb Galleries, East Tennessee State University, Ball Hall, Dept. of Art and Design, PO Box 70267, Johnson City, Nancy Hathaway, Director 509-359-7070 TN 37614-1710. Phones: 423/439-1000 and 423/483-3179. [email protected] Fax: 423/439-4393. E-mail: [email protected]. Web site: www.etsu.edu/slocumb. Hours: 8:30- Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: EDISON STATE COLLEGE free.

Bob Raushenberg Gallery

Karlota I. Contreras-Koterbay, Director 423-483-3179 [email protected]

EASTERN ILLINOIS UNIVERSITY Tarble Arts Center Galleries Charleston, Illinois The Tarble Arts Center at Eastern Illinois University in Charleston displays exhibitions of works by visiting artists and selections from its collection in galleries with 6,400 square feet of exhibit space. The center, established in 1982, has more than 1,000 artworks in its teaching collections, including folk arts, paintings, works on paper, prints, watercolors, and contemporary art in other media. The gallery also sponsors an annual Celebration Arts and Humanities Festival. The annual gallery attendance is 16,000. Tarble Arts Center Galleries, Eastern Illinois University, S. 9th St. at Cleveland Ave., Charleston, IL 61920 (postal address: 600 Lincoln Ave., Charleston, IL 61920-3011). E-mail: [email protected]. Web site: www.eiu.edu/~table. Hours: late Aug.-mid-May-10-5 Tues.-Fri., 10-1 Sat., 1-4 Sun.; closed Mon. and major holidays; mid-May-mid-Aug.-10-4 Tues.-Sat., 1-4 Sun.; closed Mon. and major holidays. Admission: free. Michael Watts, Director [email protected]

Fort Myers, Florida The Gallery of Fine Art, founded in 1974 on the Lee County campus of Edison State College in Fort Myers, Florida, became the Bob Rauschenberg Gallery in 2004. It was renamed for the prominent artist who frequently had exhibitions at the gallery. The gallery offers exhibitions and interpretations of modern and contemporary art in all media. Annual attendance is 10,000. Bob Rauschenberg Gallery, Edison State College, Lee County Campus, Humanities Hall Bldg. 1, 8099 College Pkwy., Fort Myers, FL 33919. Phone: 239/489-9313. Fax 239/489-9482. E-mail: [email protected]. Web site: www.boibbauschenberggallery.com. Hours: 10-4 Mon.-Fri., 11-3 Sat.; closed Sun. and college holidays and breaks. Admission: free. Ronald Bishop, Director

EMPORIA STATE UNIVERSITY Norman R. Eppink Art Gallery Emporia, Kansas The Norman R. Eppink Art Gallery, founded in 1939 at Emporia State University in Emporia, has a collection and exhibitions of contemporary paintings, drawings, prints, and sculpture. The exhibits feature the works of professional artists, faculty members, and loan and traveling exhibitions. An annual exhibition of graduating senior art students is held in the Gibson Memorial Gallery. Norman R. Eppink Art Gallery, Emporia State University, 1200 Commercial St., Emporia, KS 66801-5057. Phone: 620/341-5246. Fax: 316/341-6246. E-mail: [email protected]. Web site: www.

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EVERETT COMMUNITY COLLEGE emporia.edu/m/www/art/eppink.htm. Hours: 10-3 Mon.-Fri.; during intermissions of performances in the center’s theater. closed Sat.-Sun. and university holidays and breaks. Admis- The gallery’s exhibitions include selections from a collection of pre-Columbian, African, Oceanic, Indian, and Eastsion: free. ern sculpture; Renaissance paintings; and twentieth-century Patrick Martin, Acting Chair, Emporia State University Art contemporary art. Annual attendance is 10,000. Departments [email protected]

EVERETT COMMUNITY COLLEGE Russell Day Gallery Everett, Washington

Fairfield University also has Lukacs Gallery and two other exhibition spaces devoted to student artwork in Loyola Hall. The Lucas Gallery presents solo and group shows by studio art majors, minors, and undergraduates enrolled in the Studio Art Program in the Department of Visual and Performing Arts.

Thomas J. Walsh Art Gallery, Fairfield University, Quick Center for the Arts, 1073 N. Benson Rd., Fairfield, CT 06824-5171. Phone: 203/254-4000, Ext. 2969. Fax: 203/254-4113. E-mail: [email protected]. Web site: www.quickcenter.com. Hours: 11-5 Tues.-Sat., 12-4 Sun.; closed Mon., Memorial Day, Labor Day, Thanksgiving, and Russell Day Gallery, Everett Community College, 219 Parks Christmas. Admission: free. Student Union Bldg., 2000 Tower St., Everett, WA Lukacs Gallery, Fairfield University, Loyola Hall, Fairfield, 98201-1352. Phone: 425/388-9036. Web site: CT 06824-5171. Phone: 203/254-4000. Fax: 203/254-4113. www.everettcc.edu. Hours: 8-7 Mon.-Wed., 8-4 Thurs.; Web site: www.fairfield.edu/arts/art_lukacs.html. Hours: closed Fri.-Sun. and major holidays. Admission: free. varies. Admission: free. Northlight Gallery at Everett Community College in Everett, Washington, was renamed in 2008 for Russell Day, long-time art instructor and founder of the first gallery in the 1950s. The gallery, located in the Parks Student Union Building, presents exhibitions of contemporary art.

Greg Kammer, Director 425-388-9439 [email protected]

Diana Mille, Director, Walsh Gallery

EVERGREEN STATE COLLEGE Evergreen Gallery

FERRUM COLLEGE E. Taylor Greer Gallery

Olympia, Washington

Ferrum, Virginia

Works by regional artists, loan and traveling exhibitions, and selections from the collection can be seen at the Evergreen Gallery at Evergreen State College in Olympia, Washington. The gallery, founded in 1970, has a collection of Pacific Northwest photographs and prints, functional and sculptural ceramics, and Chicano posters. Evergreen Gallery, Evergreen State College, 2700 Evergreen Pkwy., N.W., Olympia, WA 98505. Phone: 360/867-5125. Fax: 360/867-6794. E-mail: [email protected]. Web site: www.evergreen.edu/gallery. Hours: Oct.-May-12-4 Mon.-Thurs.; closed Fri.-Sun. and national holidays. Admission: free.

The E. Taylor Greer Gallery hosts three to four exhibitions a year in the Stanley Library at Ferrum College in Ferrum, Virginia. The exhibitions feature a wide range of works by local, statewide, and international artists and a juried student exhibit. Student, faculty, and alumni art shows also are presented on-line.

Anne Friedman, Director 360-867-5125 [email protected]

FAIRFIELD UNIVERSITY Thomas J. Walsh Art Gallery and Lukacs Art Gallery

E. Taylor Greer Gallery, Ferrum College, Museum Dr., PO Box 1000, Ferrum, VA 24088-9001. Phones: 540/365-2121 and 800/868-9797. Web site: www.ferrum.edu/artgallery. Hours: varies. Admission: free. Matthew LaRose 504-365-4525 [email protected]

FLORIDA ATLANTIC UNIVERSITY Art Galleries Boca Raton, Florida

Exhibitions of contemporary art and other humanities disciplines that are designed to stimulate greater understanding and appreciation of the visual arts are presented in the UniThe Thomas J. Walsh Art Gallery functions as a practical versity Galleries at Florida Atlantic University in Boca study laboratory and host to a wide range of diverse and Raton. The galleries, which began in 1970, consist of the multicultural exhibitions, lectures, and educational programSchmidt Center Gallery and the Ritter Art Gallery. Each galming at Fairfield University in Fairfield, Connecticut. The lery presents four to six exhibitions of contemporary art dur2,200-square-foot gallery, founded in 1990, enhances the acing the academic year. Plans are under way to develop ademic programs of the Department of Visual and Peradditional exhibit space in the hallway adjacent to the forming Arts and the cultural programs at the Quick Center for the Arts, where it opens one hour prior to the curtain and

Fairfield, Connecticut

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Art Galleries Schmidt Gallery and outdoor spaces next to the Ritter Gallery. The galleries now are attended by 15,000 annually. University Galleries, Florida Atlantic University, School of the Arts, 777 Glades Rd., Boca Raton, FL 33431-6496. Phone: 561/297-2966. Fax: 561/297-2166. E-mail: [email protected]. Web site: www.fau.edu/galleries. Hours: 1-4 Tues.-Fri., 1-5 Sat.; closed Sun.-Mon. and university holidays. Admission: free. Rod Faulds, Director 561-297-2966 [email protected]

FLORIDA GULF COAST UNIVERSITY Art Gallery Fort Myers, Florida

FLORIDA SOUTHERN UNIVERSITY Melvin Art Gallery Lakeland, Florida The Melvin Art Gallery at Florida Southern University in Lakeland exhibits the artworks of students and historical and contemporary exhibitions designed to inspire students in their work. Melvin Art Gallery, Florida Southern University, 111 Lake Hollingsworth Dr., Lakeland, FL 33801-5698. Phone: 863/680-4743. Fax: 863/680-4147, E-mail: [email protected]. Web site: www.flosouthern.edu. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. James G. Rogers, Jr., Director

The Florida Gulf Coast University Art Gallery, located at the university’s Arts Complex on the main campus in Fort Myers, offers changing exhibitions of professional art, as FLORIDA STATE COLLEGE AT well as a senior student art and a juried student art competi- JACKSONVILLE tion shows. The university also has an ArtLab in the univerKent Campus Museum/Gallery sity library that allows students, classes, and local artists to Jacksonville, Florida display experimental and other artworks. The University Art Kent Campus Museum/Gallery at Florida State College at Gallery has a collection of contemporary art. Jacksonville presents temporary and traveling exhibitions. Florida Gulf Coast University Art Gallery, Arts Complex Founded in 1971, the gallery has a collection of paintings 10501 FGCU Blvd., S., Fort Myers, FL 33965- 6565. and sculptures. The annual attendance is 1,200. Phone: 239/590-7199. E-mail: [email protected]. Web site: Kent Campus Museum/Gallery, Florida State College at www.fgcu.edu. Hours: 10-4 Mon.-Fri., 11-2 Sat.; other Jacksonville, 3939 Roosevelt Blvd., Jacksonville, Fl times by appointment; closed university holidays and 32205-8946. Phone: 904/381-3674. E-mail: breaks. Admission: free. [email protected]. Web site: www.fccj.org. Hours: 10-4 Anica Sturdivant, Interim Director 239-590-7199 Mon.-Thurs., 10-3 Fri.; closed Sat.-Sun. and college [email protected] days and breaks. Admission: free. Kelly Warren 904-381-3674

FLORIDA SCHOOL OF THE ARTS Florida School of the Arts Gallery Palatka, Florida Exhibitions by professional artists, faculty, and students are mounted at the Florida School of the Arts Gallery in Palatka. The state-supported arts school is located on the campus of the St. Johns River Community College, but is operated independently. The gallery opened in 1977.

FORDHAM UNIVERSITY Center Gallery and Push Pin Gallery New York, New York

Two galleries are located on the Lincoln Center Campus of Fordham University in New York City. Exhibitions created by faculty and guest curators examine issues in the visual arts at the Center Gallery in the main lobby of the Lincoln Florida School of the Arts Gallery, 5001 St. Johns Ave., Center Campus. In the spring, the galleries are devoted to Palatka, FL 32177. Phone: 386/312-4300. Fax: senior thesis exhibitions. The gallery has a collection of 386/312-4306. E-mail:[email protected]. Web site: paintings, drawings, photographs, and sculpture. The Push www.floarts.org. Hours: varies; closed major holidays. . Ad- Pin Gallery at the Visual Arts Complex on the Lincoln Cenmission: free. ter Campus features exhibitions of student works, student-curated exhibitions, and selected works by art faculty Alain Hentschel, Dean, Florida School for the Arts 386-312-4300 members. [email protected] Center Gallery, Fordham University, Lincoln Center Campus, 113 W. 60th St., New York, NY 10010-4102. Phone: 212/337-6620. Fax: 212/633-2639. Web site:

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FORT HAYS STATE UNIVERSITY www.fordham.edu/academics/programs_at_fordham_/visual_arts. Hours: varies. Admission: free. Push in Gallery, Fordham University, Visual Arts Complex, Lincoln Center Campus, New York, NY 10023-6594. Phone: 212/636-6000. Web site: www.fordham.edu/academics/programs_at_fordham/visual_arts. Hours: varies. Admission: free. Bob Howe, Director of CommunicationsNews and Media Relations Bureau, Fordham Un 212-636-6538 [email protected]

FORT HAYS STATE UNIVERSITY Moss-Thorns Gallery of Art Hays, Kansas The Moss-Thorns Gallery of Art at Fort Hays State University in Hays, Kansas, is named for two former chairmen of the Department of Art. The gallery, which was founded in 1981 as the Visual Arts Center Gallery, was renamed in 1987. It presents student, faculty, and traveling exhibitions. The university also has nearly a dozen outdoor sculptures on the campus grounds.

FRIENDS UNIVERSITY Riney Fine Arts Center Gallery Wichita, Kansas Exhibitions by local and regional artists, students, and faculty are presented at the Riney Fine Arts Center Gallery at Friends University in Wichita, Kansas. Riney Fine Arts Center Gallery, Friends University, 2100 W. University Ave., Wichita, KS 67213. Phones: 316/295-5000 and 800/794-6945. Web site: www.friends.edu/finearts. Hours: 8-6 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Gisele McMinimy, Director of Public Relations, Friends University

FULLERTON COLLEGE Art Gallery Fullerton, California

The 2,000-square-foot Fullerton College Art Gallery in Fullerton, California, has exhibitions of established artists who participate in the college’s artist-in-residence program and the works of local emerging artists and faculty and students. The Art Department maintains a collection of Moss-Thorns Gallery of Art, Fort Hays State University, artworks contributed by artists and donors, including works Dept. of Art, Barricks Hall, Hays, KS 67601. Phone: by artists in the artist-in-residence program who began giv785/628-4247. Hours: 8-$:30 Mon.-Fri.; closed Sat.-Sun and ing lectures and demonstrations of their painting techniques university holidays and breaks. Admission: free. at the college in 1972. Fullerton College also has an outdoor sculpture collection of six works. Kent Steward, Director, Fort Hays State UniversityOffice of University Relations 785-628-4208 [email protected]

FRANKLIN UNIVERSITY Bunte Gallery Columbus, Ohio The Bunte Gallery at Franklin University in Columbus, Ohio, was built to honor the university’s second president, Dr. Frederick J. Bunte. The gallery features exhibitions and has collections of local and regional artists. Bunte Gallery, Franklin University, Alumni Hall, 301 E. Rich St., Columbus, OH 43215-4960. Hours: 8-5 Mon.-Thurs.; closed Fri.-Sun. and university holidays and breaks. Admission: free. Sherry Mercurio, Director of Public Relations, Franklin University 614-947-6581 [email protected]

Fullerton College Art Gallery, Fine Arts Bldg. 1000, Room 1004, 321 E. Chapman Ave., Fullerton, CA 82832-2011. Phone: 714/992-7329. Fax: 714/992-7329. E-.mail: [email protected]. Web site: www.art.fullcoll.edu. Hours: 10-2 Mon. and Wed.-Thurs., 10-2 and 5-7 Tues.; closed Fri.-Sun. and college holidays. Admission: free. Michele Cairella, Director

GALLAUDET UNIVERSITY Linda K. Jordon Gallery Washington, District of Columbia Visiting and student expeditions are presented at the Linda K. Jordon Gallery in the Washburn Arts Center at Gallaudet University, which serves deaf and hard of hearing students, in Washington, District of Columbia. Linda K. Jordon Gallery, Gallaudet University, Washburn Arts Center, 800 Florida Ave., Washington, DC 20002. Phone: 202/651-5480. Web site: www.art.gallaudet.edu. Hours: varies. Admission: free. Denise West 202-651-5480

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Art Galleries GEORGE WASHINGTON UNIVERSITY Luther W. Brady Art Gallery and Dimock Gallery Washington, District of Columbia The Luther W. Brady Art Gallery at George Washington University in Washington, District of Columbia, mounts six to eight exhibitions each year that include university-related shows, selections from the university’s permanent collection, visiting exhibitions, and works of historical and contemporary significance. Founded in 1966, the gallery moved into the new Media and Public Affairs Building in 2002. The university has a collection of paintings, sculpture, graphic arts, ceramics, textiles, and photographs from the eighteenth to twentieth century, ranging from rare historic pieces to modern art. They include an 1800 painting of George Washington by Gilbert Stuart and a circa 1820 portrait of the first president by Rembrandt Peale. The annual attendance is 3,500. Students curate, display, and critique art exhibitions in the Dimock Gallery. Students learn about organizing and designing exhibitions with the guidance of faculty and curators. Some of the exhibitions are staged in conjunction with Lisner Auditorium performances, festivals, collaborations, and academic programs. Luther W. Brady Art Gallery, George Washington University, Media and Public Affairs Bldg., 805 21st St., N.W., Washington, DC 20052-0029. Phone: 202/994-152. Fax: 202/651-5618. E-mail: [email protected]. Web site: www.gwu.edu/~bradyart. Hours: 10-5 Tues.-Fri.; closed Sat.-Mon. and university holidays and breaks. Admission: free. Dimock Gallery, George Washington University, Lisner Auditorium, 730 21st St., N.W., Washington, DC 20052-0029. Phone: 202/994-1525. Fax: 202/994-1632. E-mail: [email protected]. Web site: www.gwu.edu/~bradyart. Hours: 11-3 Tues.-Fri.; closed Sat.-Mon. and university holidays and breaks. Admission: free. Lenore D. Miller, Director & Chief Curator 202-994-7157

GEORGETOWN UNIVERSITY Art Galleries Washington, District of Columbia The Georgetown University Art Galleries in Washington, District of Columbia, consists of four exhibition facilities-the Lucille M. and Richard F. X. Spangnuolo Gallery, Georgetown College Dean’s Art Gallery, Thomas and Barbara Napolitano Exhibition Site, and Thomas and Barbara Napolitano Virtual Art Gallery. The Sagnulo Gallery is located in the Walsh Building, Dean’s Gallery in the ICC Building, Napolitano Exhibition Site in the Gelardin New Media Center in Lauinger Library, and Virtual Gallery, which has displays in the Walsh Lobby, ICC Building, Leavy Center, and Lauinger Library. The Spangnuolo Gal-

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lery features works by professional artists, while the other three galleries exhibit student art. Georgetown University Art Galleries, Dept. of Art and Art History, Walsh Bldg., PO Box 571210, Washington, DC 20057-1210. Phone: 202/687-7010. Fax: 202/687-3048. Web site: www.art.georgetown.edu/galleries. Hours: varies. Admission: free. John D. Morrell, Chair, Georgetown University Dept. of Art and Art History 202-687-6937 [email protected]

GEORGIA COLLEGE AND STATE UNIVERSITY Blackbridge Gallery Milledgeville, Georgia Exhibitions of works by professional artists, faculty, and students are displayed at Blackbridge Gallery at the Georgia College and State University in Milledgeville. The gallery has a collection of paintings and photographs. The college also has a student-operated gallery in the Wooten-Garner House that features mixed media works. Blackbridge Gallery, Georgia College and State University, 111 S. Clarke St., Milledgeville, GA 31061 (postal address: Dept. of Art, 209 Blackbridge Hall, Campus Box 94, Milledgeville, GA 31061). Phone: 478/445-4572. Web site: www.gcsu.edu/art/blackbridgegallery.htm. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Bill Fisher, Chair, Georgia College Art Department 478-445-4572 [email protected]

GEORGIA STATE UNIVERSITY Ernest G. Welch School of Art and Design Atlanta, Georgia The Ernest G. Welch School of Art and Design at Georgia State University in Atlanta has a gallery that features the works of local, regional, national, and international artists, as well as students, faculty, and alumni. The art school/gallery collection includes American contemporary paintings, prints, photographs, and crafts. Founded in 1970, the gallery now has an annual attendance of 6,000. Ernest G. Welch School of Art and Design, 10 Peachtree Center Ave., Atlanta, GA 30303-3003 (postal address: PO Box 4107, Atlanta, GA 30302-4107). Phone: 404/413-5221. Fax: 404/651-1779. E-mail: [email protected]. Web site: www.gsu.edu. Hours: 10-6 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Cynthia Farnell, Director

GERTRUDE HERBERT INSTITUTE OF ART GERTRUDE HERBERT INSTITUTE OF ART Gertrude Herbert Institute of Art Galleries Augusta, Georgia The Gertrude Herbert Institute of Art in Augusta, Georgia, has a Main Gallery and three other galleries. At least six major exhibitions of works by local and regional artists are presented each year in the Main Gallery. The other galleries are devoted largely to artworks by school children in the area and institute students. The art institute sponsors an annual National Juried Fine Art Competition and Exhibition and has a collection of paintings and graphics. The institute and galleries were founded in 1937 and are still housed in the ca. 1818 Wade’s Folly and ca. 1907 Walker-Mackenzie Studio complex. The annual gallery attendance is 20,000. Gertrude Herbert Institute of Art Galleries, 506 Telfair St., Augusta, GA 30901-2310. Phone: 706/722-5495. Fax: 706722-3670. E-mail: [email protected]. Web site: www.ghia.org. Hours: 10-5 Tues.-Fri.; Sat. by appointment; closed Sun.-Mon. and major holidays. Admission: free. Rebekah Henry, Director

GETTYSBURG COLLEGE Schmucker Art Gallery Gettysburg, Pennsylvania

the first college gallery established in 1967 in the Good Library basement. Abner Hershberger Art Gallery, Goshen College, Music Center, 1700 S. Main St., Goshen, IN 46526. Phones: 574/535-7400 and 574/535-7581. E-mail: [email protected]. Web site: www.goshen.edu/art/gallery. Hours: 9-4:30 Mon.-Fri., 2-4 Sat.-Sun.; closed major holidays. Admission: free. Gwen Miller, Director 574-535-7581 [email protected]

GOUCHER COLLEGE Rosenberg Gallery and Silber Art Gallery Baltimore, Maryland The Rosenberg and Silber galleries are located at Goucher College in Baltimore, Maryland. The Rosenberg Art Gallery features contemporary art by regional artists and students in the lobby of the auditorium building. The exhibitions are seen by many of the people who come to performances in the auditorium and theater. The new Silber Art Gallery is home to the college’s art collection and the site of contemporary art exhibitions. It displays works from the collection and emerging and established regional artists and Goucher students in its 1,000-square-foot gallery. The college collection consists of modern and contemporary art, prints, Asian art, Mexican ceramics, and photographs.

Exhibitions of works by students and emerging contemporary artists, from the permanent collection, and on loan from other institutions are presented at Schmucker Art Gallery at Gettysburg College in Gettysburg, Pennsylvania. The gallery has a collection of local, national, and international contemporary art. The Department of Visual Art also administers a rotating exhibition of six outdoor large-scale sculptures on the campus grounds.

Rosenberg Art Gallery, Goucher College, Auditorium Bldg., 1021 Dulaney Valley Rd., Baltimore, MD 21204-2780. Phone: 410/337-6477. Fax: 410/337-6405. E-mail: laurie.amussen@goucher,edu, Web site: www.goucher.edu/rosenberg. Hours: mid-Jan.-May and Sept.-Dec. 24-9-5 Mon.-Fri., and evenings and weekend performances in the building; closed Sat.-Sun., June-Aug., Christmas to mid-Jan., and college holidays and breaks. Admission: free.

Schmucker Art Gallery, Gettysburg College, Schmucker Hall, 300 N. Washington St., PO Box 2452, Gettysburg, PA 17325-1483. Phone: 717/337-6080. Fax: 717/337-6099. E-mail: [email protected]. Web site: www.ettysburg.edu/gallery. Hours: 10-4 Tues.-Sat.; closed Sun.-Mon. and college holidays and breaks. Admission: free.

Silber Art Gallery, Goucher College, 1201 Dulaney Valley Rd., Baltimore, MD 21204-2780. Phone: 410/337-6477. Fax: 410/337-6405. E-mail: [email protected]. Web site: www.goucher.edu/x37379.xml. Hours: 11-4 Tues-Sun.; closed Mon. and college holidays and breaks. Admission: free.

Shannon Egan, Director 717-337- 61 [email protected]

Allyn Massey, Chair, Goucher College Art & Art History Department

GOSHEN COLLEGE Abner Hershberger Art Gallery

GRAND VALLEY STATE UNIVERSITY Art Gallery and George and Barbara Gordon Art Gallery

Goshen, Indiana The Abner Hershberger Art Gallery at Goshen College in Goshen, Indiana, displays the work of campus and visiting artists in monthly exhibitions. The 1,150-square-foot gallery, which opened in the Music Center in 2002, replaced

Allendale, Michigan The Grand Valley State University in Allendale, Michigan, has art galleries on two campuses that seek to further appreciation and understanding of art and its role in society through engagements with original works of art. The university operates five exhibit sites-three at the Allendale campus (Grand Valley State University Art Gallery, Red Wall

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Art Galleries Gallery, and Faculty/Staff Dining Area) and two on the Rob- an annual attendance is 10,000. The college has a collection ert C. Pew Campus in Grand Rapids (George and Barbara of more than 5,000 paintings, photographs, and sculpture, Gordon Gallery and West Wall Gallery). known for social and political commentary by artists who have used the pen and the stylus against oppression, exploiThe university art gallery in Allendale has a collection of lotation, and human folly. Four other exhibition sites also are cal and regional artists and presents changing exhibitions of located on the campus-Burling Gallery and the Print and contemporary art. The works of Mathias J. Alten, western Drawing Study Room on the lower level of Burling Library Michigan’s noted Impressionist painter, are featured at the (where selections from the collection sometimes are shown); George and Barbara Gordon Gallery in the Richard M. John Chrystal Center; and Smith Gallery, a student-centered DeVos Center on the Robert C. Pew Campus. The campus also has the West Wall Gallery in the Eberhard Center. space in Joe Rosenfield Center. Grand Valley State University Gallery, 1121 Performing Arts Center, 1 Campus Dr., Allendale, MI 49401-9403. Phone: 616/331-2563. Fax: 616/331-8565. E-mail: [email protected]. Web site: www.gvsu.edu/artgallery. Hours: Sept.-early May-10-5 Mon.-Wed, and Fri., 10-7 Thurs.; closed Fri.-Sun. and university holidays and breaks; early May-Aug.-10-4 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. George and Barbara Gordon Gallery, Grand Valley State University, Robert C. Pew Campus, Richard M. DeVos Center, 401 W. Fulton St., Grand Rapids, MI 49504. Phone: 616/331-6624. Fax: 616/331-6471. Web site: www.gvsu.edu. Hours: 1-5 Fri.-Sat.; closed Sun.-Thurs. and university holidays. Admission: free. Colleen Bausin, Gallery Secretary [email protected]

GREENBORO COLLEGE Irene Cullis Gallery Greensboro, North Carolina The Irene Cullis Gallery at Greenboro College in Greenboro, North Carolina, mounts six exhibitions annually of works by students, faculty, and regional contemporary artists in the Cowan Building. The gallery has collections of paintings, photographs, and sculpture. Irene Cullis Gallery, Greensboro College, Cowan bldg., 815 W. Market St., Greensboro, NC 27401-1875. Phone: 336/272-7102. Fax: 336/217-7245. Web site: 336/272-7102. Fax: 336/217-7245. Web site: www.gborocollege.edu. Hours: Sept.-Apr.-10:30-4 Mon.-Fri., 2-5 Sun.; closed Sat., May-Aug., and college holidays and breaks. Admission: free. James V. Langer, Curator 336-272-7102 [email protected].

Faulconer Gallery, Grinnell College, Bucksbaum Center for the Arts, 1108 Park St., Grinnell, IA 50112-1643. Phone: 641/269-4660. Fax: 641/269-4626. E-mail: [email protected]. Web site: www.grinnell.edu/faulconergallery. Hours: 12-5 Tues.-Wed. and Sat.-Sun., 12-8 Thurs.-Fri.; closed Mon., New Year’s Day, Independence Day, Thanksgiving, and Christmas. Admission: free. Leslie Wright, Director [email protected]

GROSSMONT COLLEGE Hyde Art Gallery El Cajon, California Works of painting, sculpture, ceramics, photography, and mixed media are featured in temporary and traveling exhibitions at the Grossmont College Hyde Art Gallery in El Cajon, California. The gallery was founded in 1961 and has an annual attendance of 12,000. Grossmont College Hyde Art Gallery, 200 Bldg. in Main Quad, 8800 Grossmont College Dr., El Cajon, CA 92020-1798. Phone: 619/644-7299. Fax: 619/644-7922. E-mail: [email protected]. Web site: www.grossmont.edu/artgallery. Hours: 10-6:30 Mon. and Thurs., 10-8 Tues.-Wed.; closed Fri.-Sun. and major holidays. Admission: free. Ben Aubert, Curator [email protected]

GUILFORD COLLEGE Art Gallery Greensboro, North Carolina

Artworks can be seen in the galleries and study areas in Hege Library, where the Guilford College Art Gallery is located in Greensboro, North Carolina. It is part of the galGrinnell, Iowa lery’s mission to promote interdisciplinary approaches to the The Faulconer Gallery at Grinnell College in Grinnell, Iowa, study and interpretation of art. Founded in 1990, the gallery is a 7,500-square-foot museum-like facility that presents ex- has 5,000 square feet of exhibit space, two galleries (Main and Atrium galleries), and a collection of fine art and crafts hibitions in the Bucksbaum Center for the Arts of regional, representing a variety of periods, styles, and cultures. In adnational, and international art, as well as works by the art faculty and students. The gallery, which opened in 1999, has dition to selections from the collection for themed exhibi-

GRINNELL COLLEGE Faulconer Gallery

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GULF COAST COMMUNITY COLLEGE tions, the gallery displays works from artists, collectors, and other sources. Annual attendance is 7,500. Guilford College Art Gallery, Hege Library, 5800 W. Friendly Ave., Greensboro, NC 27410-4108. Phones: 336/316-2438 and 336/316-2251. E-mail: [email protected]. Web site: www.guilford.edu/artgallery. Hours: Main Gallery-Sept.-May-9-5 Mon.-Fri., 2-5 Sun.; closed Sat., closed June-Aug. and college holidays; Atrium Gallery-open during library hours. Admission: free. Terry Hammond 336-316-2438 [email protected]

GULF COAST COMMUNITY COLLEGE Art Gallery Panama City, Florida

HAMLINE UNIVERSITY Soeffker Gallery St. Paul, Minnesota Soeffker Gallery has a 900-square-foot exhibition space in Drew Fine Arts Center at Hamline University in St. Paul, Minnesota. The gallery presents changing exhibitions from its collection and other temporary exhibitions. The gallery, which opened in 1996, houses a collection that includes paintings, sculpture, decorative arts, graphics, and archaeological objects. Soeffker Gallery, Hamline University, Drew Fine Arts Center, Hewitt and Taylor aves.,St. Paul, MN 55104-1284 (postal address: 1536 Hewitt Ave., St. Paul, MN 55104-1284). Phones: 651/523-2800, 651/523-2386, and 651/523-2296. Fax: 651/523-3057. E-mail: [email protected]. Web site: www.hamline.edu/art. Hours: 10-4 Mon.-Fri.; closed Sat.-Sun. and national holidays. Admission: free.

Exhibitions of paintings, prints, ceramics, and other works by visiting artists and students are featured at the Gulf Coast Jacqueline Getty, Director of Public Relations, Hamline College Community College Art Gallery in the Amelia Center in 651-523-2475 Panama City, Florida. The gallery has a collection of paint- [email protected] ings, photographs, and sculpture. Gulf Coast Community College Art Gallery, Amelia Center, 5230 W. Hwy. 98, Panama City, FL 32401-1058. Phone: 850/872-3887. Fax: 850/872-3836. E-mail: [email protected]. Web site: www.gulfcoast.edu. Hours: 10-4 Mon.-Fri.; closed sat.-Sun. and college holidays. Admission: free. Tammy Marinuzzi [email protected]

HAMILTON COLLEGE Emerson Gallery Clinton, New York Six to 10 exhibitions by visiting artists and works from collections are presented in three temporary exhibit spaces each year at the Emerson Gallery at Hamilton College in Clinton, New York. The gallery’s collection has grown from 400 to over 4,000 works since its opening in 1982. The collection is strong in American prints and works on paper, British art of the twentieth century, ancient vases and glass, and pre-Columbian and Native American art. The galley also develops and circulates traveling exhibitions. The gallery’s annual attendance is 8,000. Emerson Gallery, Hamilton College, 198 College Hill Rd., Clinton, NY 13323-1218. Phones: 315/859-4396 and 866/556-5116. Fax: 315/859-4060. E-mail: [email protected]. Web site: www.hamilton.edu/college/emerson_gallery. Hours: 10-5 Mon.-Fri., 1-5 Sat.-Sun.; closed New Year’s Day, Memorial Day, Independence Day, and Christmas. Admission: free. Susanna White, Associate Director & Curator 315-859-4787 [email protected]

HARRISBURG AREA COMMUNITY COLLEGE Rose Lehrman Art Gallery Harrisburg, Pennsylvania The Rose Lehrman Art Gallery at the Harrisburg Area Community College in Harrisburg, Pennsylvania, hosts visiting artists for exhibitions, workshops, and lectures. It also displays the annual student honors show and selections from the college’s art collection, which it houses. Founded in 1975, the gallery is located in the Rose Lehrman Arts Center, which contains the college’s theater, music, and art programs. Rose Lehrman Art Gallery, Harrisburg Area Community College, Rose Lehrman Arts Center, 1 HACC Dr., Harrisburg, PA 17110-2903. Phone: 717/780-2435. E-mail: [email protected]. Web site: www.hacc.edu/roselehrmanartscenter/artgallery/index.cfm. Hours: 11-3 Mon., Wed., and Fri., 11-3 and 5-7 Tues. and Thurs.; closed Sat.-Sun., winter, and major holidays. Admission: free. Kim Banister, Curator [email protected]

HARTNELL COLLEGE Art Gallery Salinas, California Exhibitions of works by artists, students, faculty, and alumni-as well as artworks and historical materials from the gallery’s collections-are presented at the Hartnell College Gallery in Salinas, California. Among the diverse items in the collections are 1930s WPA art, photographs, netsukes,

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Art Galleries and Huichol tribal artifacts. The gallery, which began in 1976, is located in the fine arts complex on the campus. Hartnell College Gallery, Arts Complex, 411 Central Ave., Salinas, CA 93901-1628. Phones: 831/755-6700 and 831/755-6791. Hours: varies. Admission: free. Gary Smith, Director 831-755-6791

HARTWICK COLLEGE Foreman Gallery Oneonta, New York Foreman Gallery at Hartwick College in Oneonta, New York, presents exhibitions of works by contemporary artists, students, and faculty. The gallery is the central exhibit space in the Anderson Center for the Arts. The college has a collection of prints, drawings, tapestries, ceramics, fibers, and sculpture. Foreman Gallery, Hartwick College, Anderson Center for the Arts, Oneonta, NY 13820. Phone: 607/431-4480. Web site: www.hartwick.edu/x962.xml. Hours: 12-8 Tues.-Fri., 12-4 Sat.; closed Sun.-Mon. and college holidays. Admission: free. Elizabeth Ayer, Co-chair, Hartwick College Dept. of Art & Art History [email protected]

HARVARD UNIVERSITY Graduate School of Design Gund Gallery and Frances Loeb Library Special Collections Gallery Cambridge, Massachusetts The Graduate School of Design at Harvard University in Cambridge, Massachusetts, has two exhibitions areas-the Gund Gallery and the Frances Loeb Library Special Collections Gallery One or more exhibitions are presented in Gund Gallery each academic year. The exhibitions, which are colorful, spatial, and multi-media, deal with current work in architecture, landscape architecture, urban design, and related fields and are used as source material in teaching in the Graduate School. Works produced by Loeb Fellows and faculty also are shown sometimes on walls in the gallery. In the Frances Loeb Library, special exhibitions are mounted of rare books, drawings, plans, manuscripts, and photographs. The Graduate School also has an online gallery featuring student work. Gund Gallery and Frances Loeb Library Special Collections Gallery, Harvard University, Graduate School of Design, 48 Quincy St., Cambridge, MA 02138. Hours: varies. Admission: free. Mohsen Mostafavi, Dean, Harvard University Graduate School of Design

HAWAII PACIFIC UNIVERSITY HARVARD UNIVERSITY Gallery Carpenter Center for the Visual Arts Galleries Art Kaneohe, Hawaii Cambridge, Massachusetts

The Carpenter Center for the Visual Arts at Harvard University in Cambridge, Massachusetts, is the home of the Department of Visual and Environmental Studies, two galleries (Main Gallery and Sert Gallery), and the Harvard Film Archive. The building, which opened in 1963, is the only North American building designed by Le Corebusier, the famous Swiss-born architect. The Main Gallery at street level hosts a variety of exhibitions supporting the department’s curriculum and the Sert Gallery on the fifth floor features the work of contemporary artists. The Harvard Film Archive, which presents a program of classic, rare, and experimental films, also is housed in the center.

The primary focus of the Hawaii Pacific University Art Gallery in Honolulu is the exhibiting of art in a variety of media by artists who live and work in Hawaii. The gallery also sponsors a spring juried show of student, faculty, and staff art. The gallery, founded in 1983, presents seven exhibitions a year in its 2,000-square-feet of exhibit space on the university’s windward Hawaii Loa Campus. The annual attendance is 7,000.

Hawaii Pacific University Gallery, 45-045 Kamehameha Hwy., Kaneohe, HI 96744 (postal address: 1164 Bishop St., Suite 1111, Honolulu, HI 96813-2882). Phones: 808/250-3112 and 808/544-0287. Fax: 808/544-0852. E-mail: [email protected]. Web site: www.hpu.edu. .Hours: Carpenter Center for the Visual Arts, Harvard University, 24 8-5 Mon.-Fri.; closed Sat.-Sun., New Year’s Eve and Day, Quincy St., Cambridge, MA 02138. Phone; 617/495-3251. Thanksgiving, and Christmas. Admission: free. Fax: 617/495-8197. Web site: www.ves.fas.harvard.edv/ccva. Hours: Main Gallery-10 a.m.-11 p.m. Teresa McCreary, Chair, Hawaii Pacific University Dept. of Arts & Humanities 808-544-0887 Mon.-Sat., 1-5 Sun.; Sert Gallery-1-5 Tues.-Sun.; closed [email protected] Mon. and major holidays. Admission: free. D. N. Rodowick, Interim Director, Carpenter Center for the Visual Arts [email protected]

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HOBART AND WILLIAM SMITH COLLEGES HOBART AND WILLIAM SMITH COLLEGES Davis Gallery at Houghton House

HUNTER COLLEGE Bertha and Karl Leubsdorf Art Gallery and Times Square Art Gallery

Geneva, New York

New York, New York

Contemporary art exhibitions by Northeast artists featured in the Davis Gallery at Houghton House, a part of the Smith Center for the Arts at the Hobart and William Smith Colleges in Geneva, New York. Student and faculty works also are exhibited in galleries. The gallery in the historic Victorian mansion built in the 1880s opened in 1969.

Exhibitions by national and international artists are featured at the Bertha and Karl Leubsdorf Art Gallery at Hunter College, City University of New York, in New York City. The gallery also presents loan exhibitions and other works. Hunter College also has a second gallery showing changing exhibitions in New York City-the Times Square Gallery in the MFA Building. The exhibitions range from solo and group artist showings to loan exhibitions. The Hunter College galleries have an annual attendance of 10,000.

Davis Gallery at Houghton House, Hobart and William Smith Colleges, 1 King Lane, Geneva, NY 14456. Phone: 315/781-3487 E-mail: [email protected]. Web site: www.thesmith.org/events/davis-gallery-houghton-house. Hours: 9-5 Mon.-Fri., 1-5 Sat.; closed Sun. and college holidays. Admission: free. Michael Tinkler, Chair, Hobart & William Smith Colleges Art Department [email protected]

HOLY NAMES UNIVERSITY Kennedy Art Center Gallery

Bertha and Karl Leubsdorf Art Gallery, Hunter College, West Gallery, 68th St. and Lexington Ave., New York, NY 10021 (postal address: Hunter College Art Galleries, 695 Park Ave., New York, NY 10065-5085). Phone: 212/772-4991. Fax: 212/772-4554. E-mail: tadler@hunter,cuny.edu. Web site: www.hunter.cuny.edu/art/galleries/index.htm. Hours: 1-6 Tues.-Sat.; closed Sun.-Mon., New Year’s Day, and Christmas. Admission: free.

Times Square Gallery, Hunter College, MFA Bldg., 450W. 41ST St., New York, NY 10036. Phone: 212/772-1991. Fax: Oakland, California 212/772-4554. E-mail: [email protected]. Web site: Changing exhibitions are presented at the Kennedy Art Cen- www.hunter.cuny.edu/art/galleries/index.htm. Hours: 1-6 ter Gallery at Holy Names University in Oakland, Tues.-Sat.; closed Sun.-Mon., New Year’s Day, and ChristCalifornia. mas. Admission: free. Kennedy Art Center Gallery, Holys Name University, 3500 Mountain Blvd., Oakland, CA 94619. Phone: 510/436-1457. Web site: www.hnu.edu. Hours: varies. Admission: free. Lesley Sims, HNU Director of Marketing and PR 510-436-1405 [email protected]

Tracy Adler, Curator [email protected]

HUNTINGTON UNIVERSITY Robert E. Wilson Gallery Huntington, Indiana

HUMBOLDT STATE UNIVERSITY Reese Bullen Gallery Arcata, California The Reese Bullen Gallery at Humboldt State University in Arcata, California, is operated by students enrolled in the Museum Gallery and Practices course. Temporary and loan exhibitions are presented in the 3,080-square-foot gallery, founded in 1970. It has an annual attendance of 5,400. Reese Bullen Gallery, Humboldt State University, 1 Harpst St., Arcata, CA 95521-8222. Phone: 707/826-5802. Fax: 707/826-3628. Web site: www.humboldt.edu. Hours: Sept.-May-11-4 Mon.-Fri.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Jennifer Slye Moore, Administrative Support Coordinator, HSUArt Department 707-826-3813 [email protected]

Exhibitions by professional artists, students, and faculty featuring a wide range of media and themes are offered at the Robert E. Wilson Gallery in the Merillat Centre for the Arts at Huntington University in Huntington, Indiana. The gallery has a collection with paintings and prints by many contemporary American and European artists, including Salvador Dali. In addition to its weekday hours, the gallery is open before and after all performances at the Merillat Centre. Annual attendance is 3,000. Robert E. Wilson Gallery, Huntington University, Merillat Centre of the Arts, 2303 College Ave., Huntington, IN 46750-1237. Phone: 260/356-6000. E-mail: [email protected]. Web site: www.huntington.edu/mca/gallery/defai;t/htm. Hours: early Feb.-mid-Dec.-9-5 Mon.-Fri. and before and during Merillat Centre performances; other times by appointment; closed mid-Dec.-early Feb. and major holidays. Admission: free. Melissa Duffer, Director [email protected]

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Art Galleries INDIAN RIVER STATE COLLEGE Art Gallery Fort Pierce, Florida A diverse schedule of exhibitions and workshops by professional artists are presented at the Indian River State College Art Gallery in Fort Pierce, Florida. In addition to four professional shows annually, the gallery presents a national-level competitive exhibit, two student exhibitions, and a faculty show.

tures, tours, and other programs. The gallery, founded in 1987, has an annual attendance of 20,000. Grunwald Gallery of Art, Indiana University, Henry Radford Hope School of Fine Arts, Room 123, 1201 E. 7th St., Bloomington, IN 47405-7509. Phone: 812/855-8490. Fax: 812/855-7498. E-mail: [email protected]. Web site: www.indiana.edu/~sofa. Hours: 12-4 Tues.-Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free. Betsy M. Stirratt, Director 812-855-8490

Indian River State College Art Gallery, Main Campus, Bldg. [email protected] L, 3209 Virginia Ave., Fort Pierce, FL 34981-5541. Phone: 772/462-7824. E-mail: [email protected]. Web site: www.irsc.edu. Hours: 9-4 Mon.-Thurs.; closed Fri.-Sun. and INDIANA UNIVERSITY OF college holidays and breaks. Admission: free. Linda Waugaman, Manager 772-462-7824 [email protected]

PENNSYLVANIA Kipp Gallery

Indiana, Pennsylvania

INDIANA STATE UNIVERSITY Art Gallery Terre Haute, Indiana The University Art Gallery at Indiana State University in Terre Haute hosts exhibitions, visiting artists, and scholars to expose the university and community to cutting-edge contemporary art. The 2,600-square-foot gallery, founded in 1939, moved into the newly constructed Center for Performing and Fine Arts in 1997. The university also has three other galleries-the Turman Art Gallery, used for short-term exhibits; Bare Montgomery Art Gallery, operated by students; and Student Gallery, which features student art. The University Art Gallery has an annual attendance of 18,000. University Art Gallery, Indiana State University, Dept. of Art, Center for Performing and Fine Arts, N. 7th and Chestnut Sts., Terre Haute, IN 47809. Phones: 812/237-3720 and 812/237-3787. Fax: 812/237-4350. E-mail: [email protected]. Web site: www.indstate.edu/argallery. Hours: 11-4 Mon.-Wed. and Fri., 11-8 Thurs.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Barbara Racker, Curator 812-237-3787 [email protected]

INDIANA UNIVERSITY The Grunwald Gallery of Art Bloomington, Indiana The Grunwald Gallery of Art-at Indiana University in Bloomington is devoted to experimental contemporary works by regional and national artists, students, and faculty. The exhibitions at the Henry Radford Hope School of Fine Arts are supplemented with educational performances, lec-

Kipp Gallery at Indiana University of Pennsylvania mounts temporary exhibitions of artists and students in Sprowls Hall. The gallery, founded in 1971, is part of the College of Fine Arts, which has collection of paintings, photographs, and sculpture. Kipp Gallery, Indiana University of Pennsylvania, College of Fine Arts, Sprowls Hall, 470 S. 11th St., Indiana, PA 15705. Phone: 724/357-2530. Fax: 724/357-7778. Web site: www.arts.iup.edu/kipp. Hours: 11-4 Tues.-Fri., 1-4 Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free. Kyle Houser, Director 724-357-7677 [email protected]

INDIANA UNIVERSITY and PURDUE UNIVERSITY IUPUI Cultural Arts Gallery Indianapolis, Indiana Indiana University and Purdue University have a partnership complex in Indianapolis that is an urban research and academic health sciences campus. It has a number of art galleries, including the IUPUI Cultural Arts Gallery, which hosts four shows each semester that highlight the work of artists typically underrepresented in the art world. The gallery also seeks to raise awareness and appreciation for cultural diversity by celebrating diverse visual art. The gallery has 18,000 visitors a year. IUPUI Cultural Arts Gallery, Indiana University-Purdue University, 240 Campus Center, 420 University Blvd., Indianapolis, IN 46202-5147. Phone: 317/278-8511. Fax: 317/278-0828. E-mail: [email protected]. Web site: www.iupui.edu/~cagcc. Hours: 10-7 Mon.-Sat., 1-7 Sun.; closed major holidays. Admission: free. Diane Brown, IUPUI Office of Communications & Marketing 317-274-2195 [email protected]

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INDIANA UNIVERSITY and PURDUE UNIVERSITY INDIANA UNIVERSITY and PURDUE UNIVERSITY Herron Galleries Indianapolis, Indiana The Herron School of Art and Design at the Indiana University-Purdue University campus in Indianapolis has four galleries-Eleanor Prest Reese, Robert B. Berkshire, Marsh, and Frank A. Katrina Basile galleries. The Reese and Berkshire galleries are the largest of the exhibition spaces and present the work of national and international artists and designers. Diverse and contemporary artworks by faculty and students are exhibited in the Marsh Gallery, while the Basile Gallery introduces students to the work of faculty members, distinguished alumni, and graduate students. Herron Galleries, Herron School of Art and Design, 735 W. New York St., Indianapolis, IN 46202. Phone: 317/278-9423. Web site: www.herron.iupui.edu/galleries. Hours: Sept.-May-10-5 Mon.-Tues. and Thurs-Fri., 10-8 Wed., 1-5 Sat.; and by appointment; closed Sun. and major holidays; June-Aug.-10-5 Mon.-Fri., 1-5 Sat.; closed Sun. Admission: free. Paula Katz 317-278-9419 [email protected]

ITHACA COLLEGE Handwerker Gallery Ithaca, New York

national, and international artists. In addition to displaying contemporary art, the gallery seeks to demonstrate the multicultural and interdisciplinary dynamics of art. Founded in 1967, the gallery is located in Duke Hall and has an annual attendance of 10,000. The university also has four other exhibit areas-artWorks Gallery, featuring student art; IVS Gallery, visual studies; New Image Gallery, contemporary photography; and Museum Art Collection, containing over 3,000 objects from cultures around the world. Sawhill Gallery, James Madison University, 101 Duke Hall, MSC 7101, Harrisonburg, VA 22807. Phone: 540/568-6407. Fax: 540/568-5862. E-mail: [email protected]. Web site: www.jmu.edu/artandarthistory/galleries/sawhillgallery.html. Hours: Sept.- May-10-5 Mon.-Fri., 12-5 Sat.; closed Sun., June-Aug., and university holidays and breaks. Admission: free. William Wightman, Interim Director, JMU School of Art and Art History

JAMESTOWN COMMUNITY COLLEGE JCC Weeks Gallery Jamestown, New York Contemporary art exhibitions are presented at the JCC Weeks Gallery at Jamestown Community College in Jamestown, New York. The 1,000-square-foot gallery was founded in 1969 and serves 8,500 visitors annually. JCC Weeks Gallery, Jamestown Community College, 525 Falconer St., Jamestown, NY 14701-1920 (postal address: PO Box 20, Jamestown, NY 14702-0020). Phone: 11-5 Mon.-Wed., 11-7 Thurs., 11-3 Fri.; closed Sat.-Sun. and college holidays and breaks. Admission: free.

Ithaca College in Ithaca, New York, had its first art gallery in 1966. The gallery in Boardman House was developed largely by Dorothy Holt Dillingham, an artist and wife of the college president, and presented 72 exhibitions before Colin Shaffer, Gallery Assistant 716-338-1302 being forced to close in 1971 because of a change in administration and an austerity budget. In 1977, Murray Handwerket, founder of the Nathan’s Famous restaurant chain and a trustee of the college, provided the funds for ex- JOHN BROWN UNIVERSITY hibitions in Gannet Center that later became the Handwerker Art Gallery Gallery, displaying the contemporary art of artists, students, Siloam Springs, Arkansas and faculty. Annual attendance now is nearly 9,000. The Department of Visual Arts’ Art Gallery at John Brown Handwerker Gallery, Ithaca College, 1170 Gannet Center, University in Siloam Springs, Arkansas, offers exhibitions Ithaca, NY 14850-7276. Phone: 607/274-3018. Fax: of national, regional, and local artists, as well as students 607/274-4774. E-mail: [email protected]. Web site: and faculty. www.ithaca.edu/handwerker. Hours: Sept.-May-10-6 Art Gallery, John Brown University, Dept. of Visual Arts, Mon.-Wed. and Fri., 10-9 Thurs. 12-5 Sat.-Sun.; closed 2000 W. University St., Siloam Springs, AR 72761. Phone: June-Aug. and university holidays and breaks. Admission: 479/238-8561. E-mail: jabbott@jbu,edu. Web site: free. www.jbu.edu/art. Hours: call for hours. Admission: free. Cheryl Kramer, Director [email protected]

David Andrus, Art Department Head, John Brown University [email protected]

JAMES MADISON UNIVERSITY Sawhill Gallery Harrisonburg, Virginia Sawhill Gallery at James Madison University in Harrisonburg, Virginia, features exhibitions of regional,

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Art Galleries JOHN C. CALHOUN STATE COMMUNITY COLLEGE Art Gallery

faculty works; and Student Art Gallery, which displays only student art.

Kean University Galleries, 1000 Morris Ave., Union, NJ 07083-7133. Phones: 908/737-4452 and 908/737-4416. Decatur, Alabama E-mail: [email protected]. Web site: www.kean.edu/~galThe Art Gallery at John C. Calhoun State Community Collery/contactus.html. Hours: varies with galleries. Admislege in Decatur, Alabama, has exhibitions of regional artists, sion: free. students, and traveling exhibitions and a collection of AmerNeil Tetkowski, Director ican and European art, student works, and photographs. [email protected] Founded in 1965, the gallery is housed in the Fine Arts Building and has an annual attendance of 3,600. Art Gallery, John C. Calhoun State Community College, KEENE STATE COLLEGE Fine Arts Bldg., Decatur, AL 35601 (postal address: PO Box Thorne-Sagendorph Art Gallery 2216, Decatur, AL 35609-2216). E-mail: Keene, New Hampshire [email protected]. Web site: www.calhoun.cc.al.us. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and college holidays Traditional New England art and works from around the and breaks. Admission: free. world are featured at the Thorne-Sagendorph Art Gallery at Keene State College in Keene, New Hampshire. The gallery, Janet Kincherlow-Martin, Director of Public Relations, Calhoun founded in 1965, also presents exhibitions by local artists, Community College 256-306-2561 [email protected] students, and faculty. The gallery’s mission is to encourage a broader and deeper appreciation of the visual arts. The original Thorne Gallery became the Thorne-Sagendorph Art Gallery in 1976 and moved into a new wing in 1993. The heart JOHNSON STATE COLLEGE of the gallery’s collection is artwork by nineteenth-century Julian Scott Memorial Gallery artists who took their inspiration from Mount Monadnock Johnson, Vermont and formed the Dublin Art Colony. Works by other contemSolo and group exhibitions by contemporary artists and de- porary artists have been added over the years. The gallery’s annual attendance is 6,000. signers from Vermont and New England are featured at the Julian Scott Memorial Gallery in the Dibden Center for the Arts at the at Johnson State College in Johnson, Vermont. Student and traveling exhibitions also are presented.

Thorne-Sagendorph Art Gallery, Keene State College, Wyman Way, Keene, NH 03435 (postal address: 229 Main St., Keene, NH 03435-3501). Phone: 603/358-2720. Fax: 603/358-2238. E-mail: [email protected]. Web site: Julian Scott Memorial Gallery, Johnson State College, www.keene.edu/tsag. Hours: Sept.- May-12-4 Sat.-Wed., Dibden Center for the Arts, 337 College Hill, Johnson, VT 12-7 Thurs.-Fri.; closed college holidays, breaks, and be06565. Phone: 800/635-2350. Web site: www.vmga.org/lamoille/dibden.htm. Hours: Sept.-May-10-3 tween exhibitions; June-Aug.-12-4 Wed.-Sun.; closed Mon.-Tues. Admission: free. Tues.-Sat.; closed Sun.-Mon. and college holidays and breaks; June-Aug.-12-6 Tues.-Fri.; closed Sat.-Mon. Admis- Maureen Ahern, Diretor 603-358-2720 sion: free. Leila Bandar, Director 802-635-1469 [email protected]

KEAN UNIVERSITY Art Galleries

KENNESAW STATE UNIVERSITY Art Galleries Kennesaw, Georgia

Kennesaw State University in Kennesaw, Georgia, presents art exhibitions in four galleries. Traveling exhibitions featurUnion, New Jersey ing the work of international artists are offered at the Art The Kean University Galleries in Union, New Jersey, conGallery of Sturgis Library, while a variety of exhibitions are sist of five galleries. The CAS Gallery (formerly James offered at the Fine Arts Gallery. The Clayton Gallery conHowe Gallery) in the Vaughn-Eames Building is the premier tains an ongoing display of the work of artist Athos teaching gallery and features exhibitions by visiting artists, Menaboni from the college’s collection and on loan from graduate students, and faculty. The Karl and Helen Burger other institutions, and a collection of marble and stone Gallery in the Maxine and Jack Lane Center for Academic sculpture can be seen in the Anna Henriquez Atrium Gallery Success Building is the largest gallery and presents four ex- at the Bailey Performance Center. hibitions a year relating to the diverse peoples of the world. Kennesaw State University Galleries, Museum and Galleries The other galleries are the Human Rights Institute Gallery, Office, 123 Wilson Bldg., Kennesaw, GA 30144-5591. which has exhibitions on issues, art, and publications perPhone: 770/499-3223. Fax: 770/499-3345. E-mail: taining to human rights violations and victories around the [email protected]. Web site: world; Nancy Dryfoos Gallery, a gallery of student and

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KENT STATE UNIVERSITY www.kennesaw.edu/arts/galleries. Hours: varies with galleries. Admission: free.

sity of Pennsylvania in Kutztown. The gallery also maintains the university’s art collection.

Will Hipps, Director 770-423-6767 [email protected]

Sharadin Art Gallery, Kutztown University of Pennsylvania, 15200 Kutztown Rd., Kutztown, PA 19530-0730. Phone: 610/683-4546. Fax: 610/683-4546. E-mail: [email protected]. Web site: www.kutztown.edu/artgallery. Hours: Sept.-May-10-4 Tues.-Fri., 12-4 Sat., 2-4 Sun.; closed Mon., June-Aug., and university holidays and breaks. Admission: free.

KENT STATE UNIVERSITY School of Art Galleries Kent, Ohio The School of Art at Kent State University in Kent, Ohio, operates six galleries. They are the School of Art Gallery, Downtown Gallery, Eells Gallery, Michener Gallery and two student galleries. The galleries, which were started in 1950, display the works of professional artists, students, and faculty and also come from collections, loans, and traveling exhibitions. The School of Art collection consists of over 3,000 pieces that reflect the history of the university, and range from African art to contemporary American masters. The annual attendance is 26,000. Kent State University School of Art Galleries, School of Art, PO Box 5190, Kent, OH 44242. Phone: 330/672-7853. Fax: 330/672-4729. E-mail: [email protected]. Web site: www.gallerieskent.edu. Hours: 11-5 Tues.-Fri.; closed Sat.-Mon. and university holidays and breaks. Admission: free. Anderson Turner, Director 330-672-1369 [email protected]

KENTUCKY STATE UNIVERSITY Jackson Hall Gallery Frankfort, Kentucky Local, regional, and national art exhibitions are presented in historic Jackson Hall Gallery at Kentucky State University in Frankfort. Jackson Hall Gallery, Kentucky State University, Dept. of Art, Jackson Hall, 400 E. Main st., Frankfort, KY 10601. Phone: 502/597-6000. Hours: 10-5 Tues.-Fri., 2-5 Sun.; closed Mon., Sat., and university holidays and breaks. Admission: free. Felicia Lewis, Director, KSU Communications/Public Relations 502-597-6286 [email protected]

KUTZTOWN UNIVERSITY OF PENNSYLVANIA Sharadin Art Gallery Kutztown, Pennsylvania Exhibitions of works by artists, students, and faculty are presented at the Sharadin Art Gallery at Kutztown Univer-

Cheryl Hochberg, Chair, KU Fine Arts Department

LAFAYETTE COLLEGE Art Galleries Easton, Pennsylvania Lafayette College in Easton, Pennsylvania, has four exhibition sites. Exhibitions of a wide variety of media, cultures, and time periods are presented in the Williams Center Gallery at the Williams Center for the Arts, and the work of visiting artists, faculty, and students is displayed in Grossman Gallery in the Williams Visual Arts Building. The David Bishop Skillman Library has two exhibit areas-Lass Gallery, which has exhibitions of photographs and works on paper, and the Simon Special Collections Room, which contains items from the library’s Special Collections and Archives Department. The arts center gallery program began in 1983. The college’s art collection includes eighteenth to early twentieth-first century American and European paintings, prints, and sculpture; vintage photographs; and contemporary American sculpture and paintings. The Williams Center Gallery’s annual attendance is 7,000. Lafayette College Art Galleries, Williams Center for Visual Arts, 317 Hamilton St., Easton, PA 18042-1768. Phone: 610/330-5642. E-mail: [email protected]. Web site: www.lafayette.edu/williamsgallery. Hours: Sept.-May-10-5 Mon.-Wed. and Fri., 10-8 Thurs., 12-5 Sat.-Sun.; closed June-Aug. and college holidays and breaks. Admission: free. Robert S. Mattison, Head of the Lafayette College Art Department 610-330-5360 [email protected]

LAKE-SUMTER COMMUNITY COLLEGE Art Gallery Leesburg, Florida Local art is featured at the Art Gallery at Lake-Sumter Community College in Leesburg, Florida. The gallery was opened in 1985 in a new multipurpose building on the campus. Art Gallery, Lake-Sumter Community College, 9501 U.S. Hwy. 441, Leesburg, FL 34788. Phone: 352/7873747.

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Art Galleries Hours: 8 a. m.-9 p.m. Mon.-Fri., 8-12 noon Sat.; closed Sun. bition, has a serpentine galleria for displays of study reproductions and temporary exhibits. and college holidays and breaks. Admission: free. Kelly Cornell, Coordinator 352-323-3653 [email protected]

LAKELAND COLLEGE Bradley Gallery of Fine Art Sheboygan, Wisconsin The Bradley Gallery of Fine Art at Lakeland College in Sheboygan, Wisconsin, mounts exhibitions of contemporary works by artists, students, and faculty and selections from its collection of traditional paintings and prints. The small gallery was founded in 1988.

Some of the exhibitions in the arts center feature works from the more than 3,000 items in the university’s collection of prints, drawings, paintings, and three-dimensional works. The university’s library also has a gallery-the Mudd Gallery-where student art is largely exhibited. The art center galleries have an annual attendance of nearly 7,500. Wriston Art Center Galleries, Lawrence University, 613 E. College Ave., PO Box 599, Appleton, WI 54912-0599. Phone: 920/832-6890. Fax: 920/832-7362. E-mail: [email protected]. Web site: www.lawrence.edu/dept/wriston. Hours: Oct.- May-10-4 Tues.-Fri., 12-4 Sat.-Sun.; closed Mon., June-Sept.-call for hours; closed Memorial Day, Independence Day, and Thanksgiving weekend. Admission: free.

Bradley Gallery of Fine Art, Lakeland College, PO Box Frank Lewis, Director/Curator 920-832-6942 359, Sheboygan, WI 53082-0359. Phone: 820/565-1280. [email protected] E-mail: [email protected]. Web site: www.lakeland.edu/academics/art/bradley.html. Hours: Sept.May-1-5 Mon.-Fri.; closed Sat.-Sun., June-Aug., and colLEBANON VALLEY COLLEGE lege holidays and breaks. Admission: free. William Weidner, Director [email protected]

Suzanne H. Arnold Art Gallery Annville, Pennsylvania

The Suzanne H. Arnold Gallery at Lebanon Valley College in Annville, Pennsylvania, presents exhibitions ranging from international artists to art movements. The gallery, founded LANE COMMUNITY COLLEGE in 1994 and located in a former church in medieval-revival Art Gallery style, hosts five to six exhibitions a year, often with loans from museums, collectors, and dealers. The gallery also has Eugene, Oregon a permanent exhibit of works from the seventeenth century Contemporary works by national and international artists, to contemporary art from the college’s collections. Gallery faculty, and students are shown at the Lane Community Col- exhibitions have included such subjects as medieval manulege Art Gallery in Eugene, Oregon. Founded in 1970, the scripts, Renaissance prints, Pop art, and drawings, paintings, 875-square-foot gallery has an annual attendance of 6,000. and installations by contemporary artists and faculty members. Annual attendance is 4,500. The college also has conLane County College Art Gallery, 4000 E. 30th Ave., Eutemporary outdoor sculpture. gene, OR 97405-0640. Phone: 541/463-5409. Fax: Suzanne H. Arnold Gallery, Lebanon Valley College, 101 N. 541/463-4185. Web site: www.lanecc.edu/artgallery/index.htm. Hours: Sept.- June-8 a.m.-9 p.m. Mon.-Thurs., 8-4 College Ave., Annville, PA 17003-1404. Phone: 717/867-6445. Fax: 717/867-6124. Web site: Fri.; closed Sat.-Sun., July-Aug., and major holidays. Adwww.lvc.edu/gallery. Hours: 5-8 Wed., 1-4:30 Thurs.-Fri., mission: free. 11-5 Sat.-Sun.; closed Mon.-Tues. and college holidays and breaks. Admission: free. Rick Williams, Dean, Lane Community College Division of the Arts 541-463-5139 [email protected]

LAWRENCE UNIVERSITY Wriston Art Center Galleries Appleton, Wisconsin Five to six major exhibitions are mounted each academic year in the Wriston Art Center at Lawrence University in Appleton, Wisconsin. The art center, established in 1989, has three galleries-Leech Gallery, Hoffmaster Gallery, and Kohler Gallery-of ascending size on the west side of the lobby, with each leading into the next. In addition, the upper level of the center, which is devoted to art history and exhi-

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Barbara McNulty, Acting Director 717-867-6016 [email protected]

LEHMAN COLLEGE, CITY UNIVERSITY OF NEW YORK Art Gallery Bronx, New York The Lehman College Art Gallery has been bringing leading and emerging contemporary artists for exhibitions and special programs to the college’s campus in the Bronx, New York, since 1984. The gallery, located in visual arts building designed by architect Marcel Breuer, presents individual and thematic shows, has a collection of contemporary works,

LONG ISLAND UNIVERSITY and has been a pioneer in the use of interactive media. The annual attendance is 22,000.

impressionist and contemporary art. Annual attendance is 10,000.

Lehman College Art Gallery, Lehman College, CUNY, 250 Bedford Park Blvd. W., Bronx, NY 10468-1589. Phone: 718/960-8731. Fax: 718/960-6991. Web site: [email protected]. Web site: www.lehman.edu/gallery. Hours: Sept.- June-10-4 Tues.-Sat.; closed Sun.-Mon. and major holidays; July-Aug.-by appointment. Admission: free.

Louisburg College Art Gallery, 501 N. Main St., Louisburg, NC 27549-2399. Phone: 919/496-2521. Fax: 919/496-1788. Web site: www.louisburg.edu/news/art.html. Hours: Aug.Apr.-9-5 Mon.-Fri.; closed Sat.-Sun., May-July, and college holidays and breaks. Admission: free.

Susan Hoeltzel, Director [email protected]

LONG ISLAND UNIVERSITY C. P. Post Campus and Brooklyn Campus Galleries Brookville, New York Long Island University has three galleries on each of its C. P. Post Campus in Brookville and Brooklyn Campus in the New York City area. On the C. P. Post Campus, the university has the Hutchins Gallery, which features paintings and sculpture by local artists, faculty, and students in the University Library; Art League Student Gallery, containing artworks by undergraduate and graduate students in the Hillwood Commons; and Interactive Multimedia Arts Gallery, a web site for works by graduate art students. The Brooklyn Campus has the Salena and Resnick galleries in the Library Learning Center and the Humanities Gallery in the Humanities Building that offer a range of changing exhibitions. C. P. Post Campus Art Galleries, Long Island University, Art Dept., 720 Northern Blvd., Brookville, NY 11548. Phone: 512/299-2464 and 516/299-2000. E-mail: [email protected]. Web site: www.liu.edu/cwpos/tabout/resources.ar-galleries.aspx. Hours: varies; closed university holidays. Admission: free. Brooklyn Campus Galleries, Long Island University, Visual Arts Dept., 1University Plaza, Brooklyn, NY 11201. Phone: 718/488-11198. Fax: 718/246-6386. E-mail: nancy.grove.liu.edu. Web site: www.www2.brooklyn.liu.edu. Hours: 9-6 Mon.-Fri., 10-5 Sat.-Sun.; closed university holidays. Admission: free. Barbara Fowles, Acting Dean, Post campus School of Visual and Performing Arts 516-299-2382

LOUISBURG COLLEGE Art Gallery

Will Hinton, Professor of Art 919-497-3238 [email protected]

LOUISIANA STATE UNIVERSITY LSU School of Art Galleries and LSU Student Union Art Gallery Baton Rouge, Louisiana The School of Art at Louisiana State University hosts exhibitions by visiting artists, faculty, and undergraduate and graduate students at a number of galleries on the campus in Baton Rogue. The Glassell and Brunner galleries present contemporary art in the Shaw Center for the Arts, which also houses the LSU Art Museum (see Art Museums section). Among the other school exhibit facilities are Gallery 229, Foster Hall Gallery, and the Printing Department exhibition space. The university also offers exhibits at such other campus sites as the LSU Student Union Art Gallery and the Middleton and Hill Memorial libraries. LSU also has a Sculpture Park created by faculty and students. More than 50,000 people see the art exhibitions by national artists and students each year at the LSU Union Art Gallery. The gallery presents seven exhibitions a year at the student union. LSU School of Art Galleries, Louisiana State University, Dept. of Art + Design, 102 Design Bldg., Baton Rouge, LA 70803. Phone: 225/578-5400. Fax: 225/578-5040. E-mail: [email protected]. Web site: www.design.lsu.edu/art/index.html. Hours: varies with galleries. Admission: free. LSU Student Union Art Gallery, Louisiana State University, Raphael Semmes Rd., PO Box 25123, Baton Rogue, LA 70894-5123. Phone: 225/578-5162. Fax: 225/578-4329. E-mail: [email protected]. Web site: www.unionweb.lsu.edu. Hours: 10-5 Mon.-Fri., 1-5 Sun., and Sat. of home football games and on evenings of major theater events; closed major holidays. Admission: free. Ken Carpenter, Interim Dean, LSU College of Art + Design 225-578-5400

Louisburg, North Carolina The Louisburg College Art Gallery is housed in a 1787 auditorium theater complex on the campus in Louisburg, North Carolina. The gallery, which was founded in 1957, presents an eclectic variety of exhibitions by professional artists and ends each semester with a showing of works by art students. It has a collection of primitive and American

LOWER COLUMBIA COLLEGE Art Gallery Longview, Washington The Lower Columbia College Art Gallery in Longview, Washington, features a variety of artists and mediums in changing exhibitions and works from a permanent collection. Founded in 1978, the gallery has a collection of paintings and prints by Pacific Northwest artists and various

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Art Galleries types of media from visiting artists, faculty, and students. The annual attendance is 5,400. Art Gallery, Lower Columbia College, 1600 Maple St., Longview, WA 98632-3907 (postal address: PO Box 3010, Longview, WA 98632-0310). E-mail: [email protected]. Web site: www.lowercolumbia.edu/community/art-and-entertainment/the-art-gallery. Hours: 10-4 Mon.-Tues. and Fri., 10-7 Wed.-Thurs.; closed Fri.-Sun. and major holidays. Admission: free. Diane Barlett, Director 360-442-2510 [email protected]

LOYOLA MARYMOUNT UNIVERSITY Laband Art Gallery Los Angeles, California

LUTHER COLLEGE Art Galleries Decorah, Iowa Works by local, regional, and national artists are displayed in the Center for the Arts and other locations on the campus by the Luther College Art Galleries in Decorah, Iowa. The college also has a collection of paintings, drawings, and works produced through print, photographic, or other techniques which produce multiple originals. The premier exhibition space on the campus is the Kristin Wigley Fleming Gallery in the Center for the Arts. Exhibitions also are presented in Preus Library and the Center for Faith and Life. Luther College Art Galleries, Center for the Arts, 700 College Dr., Decorah,, IA 52101. Phones: 563/387-1665 and 800/258-8437. Fax: 563/387-2158. E-mail: [email protected]. Web site: www.galleries.luther.edu. Hours: Fleming Gallery-Sept.-May-8-5 Mon.-Fri; closed Sat.-Sun., June-Aug. and university holidays and breaks; other galleries-varies. Admission: free.

The Laband Art Gallery at Loyola Marymount University in Los Angeles, California, features thematic exhibitions dealDavid Kamm, Coordinator 563-387-1665 ing with traditional and nontraditional spirituality, social and [email protected] political issues, and ethnological and/or anthropological subjects. The gallery, which has a 2,300-square-foot exhibit space and a 212-seat auditorium, also is the site of lectures, LYCOMING COLLEGE films, concerts, dance recitals, and arts festivals. Opened in Art Gallery 1984 in the Fritz B. Burns Arts Center, the gallery now has Williamsport, Pennsylvania an annual attendance of over 3,800. The Lycoming College Art Gallery in Williamsport, PennLaband Art Gallery, Loyola Marymount University, 1 LMU sylvania, has four or five regional and national exhibitions Dr., Los Angeles, CA 90045-8346. Phone: 310/338-2880. and a senior show annually. Fax: 310/338-6024. E-mail: [email protected]. Web site: Lycoming College Art Gallery, Art Dept., 700 College Pl., www.lmu.edu/laband. Hours: mid-Sept.-May-12-4 Williamsport, PA 17701. Phone: 570/321-4002. E-mail: Wed.-Fri., 12:30-3:30 Sat.-Sun.; closed Mon.-Tues., [email protected]. Web site: www.lycoing.edu/art. June-early Sept., and major holidays. Admission: free. Hours: call for hours; closed college holidays and breaks. Admission: free. Barbara J. Busse, Dean, Loyola Marymount University College of Communication and Fine Ar

LOYOLA UNIVERSITY NEW ORLEANS Collins C. Diboll Art Gallery New Orleans, Louisiana The Collis C. Diboll Art Gallery at Loyola University New Orleans presents local, national, and international art shows, as well as exhibits by students, in the J. Edgar and Louise S. Monroe Library. The university also has an outdoor sculpture garden of six works. Collins C. Diboll Art Gallery, Loyola University New Orleans, Monroe Library, 6363 St. Charles Ave., New Orleans, LA 70118-6143. Phone: 504/861-5456. E-mail: [email protected]. Web site: www.loyno.edu/dibollgallery. Hours: 10-4 Mon.-Sat.; closed Sun. and university holidays and breaks. Admission: free. Karoline Schleh, Director 504-861-5456 [email protected]

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Rose Dirocco, Director 570-321-4002 [email protected]

LYNCHBURG COLLEGE Daura Gallery Lynchburg, Virginia The Daura Gallery at Lynchburg College in Lynchburg, Virginia, mounts exhibitions of works by visiting artists and students and from the college collection and traveling exhibitions. The gallery, founded in 1974, is located in the Dillard Fine Arts Center and serves 6,000 visitors annually. The college art collection has over 2,000 pieces that include paintings, drawings, prints, and sculpture by Pierre Daura and other American and European artists. Daura Gallery, Lynchburg College, Dillard Fine Arts Center, 1501 Lakeside Dr., Lynchburg, VA 24501-3199. Phones: 434/544-8343 and 434/544-8349. Fax: 804/544-8277. E-mail: [email protected]. Web site: www.lynchburg.edu/daura. Hours: Aug.-May-9-4 Mon.-Fri.,

LYNDON STATE COLLEGE 1-4 on select Sun.; closed Sat., most Sun., June-July, and college holidays and breaks. Admission: free. Barbara Rothermel, Director 434-544-8595 [email protected]

LYNDON STATE COLLEGE Quimby Gallery Lyndonville, Vermont The Quimby Gallery at Lyndon State College in Lyndonville, Vermont, exhibits contemporary work by students, faculty, and regional artists. Quimby Gallery, Lyndon State College, Lyndonville, VT 05851. Phone: 802/626-05851, Ext. 231. Web site: www.vmga.org/caledonia/quimby.html. Hours: Sept.-May-8-4 Mon.-Fri.; closed Sat.-Sun., June-Aug., and college holidays and breaks. Admission: free. Keith Chamberlin, Lyndon State College Office of Communications and Marketing 802-626-6459 [email protected]

LYON COLLEGE Kresge Gallery

www.macalester.edu/gallery.Hours: Sept.-May-10-4 Mon.-Wed. and Fri.; 10-8 Thurs., 12-4 Sat.-Sun.; closed June-Aug. and college holidays and breaks. Admission: free. Gregory Fitz, Curator 651-696-6416 [email protected]

MAINE COLLEGE OF ART Institute of Contemporary Art Portland, Maine Contemporary provocative works by living artists from Maine and around the world are featured at the Institute of Contemporary Art at Maine College of Art in Portland. The exhibitions are enhanced by such public programs as talks by artists and critics, forums on current issues in art and design, and interactive workshops for young people. The 3,300-square-foot gallery, founded in 1983, receives 20,000 visitors annually. Institute of Contemporary Art, Maine College of Art, 522 Congress St., Portland, ME 04101-3378. Phone: 207/879-5742, Ext. 229. Fax: 207/780-0816. E- mail: [email protected]. Web site: www.meca.edu/ica. Hours: 11-5 Wed. and Fri.-Sun., 11-7 Thurs.; closed Mon.-Tues. and major holidays. Admission: free.

Batesville, Arkansas

Daniel Fuller, Director 207-699-5040 [email protected]

The Lyon College Kresge Gallery in Batesville, Arkansas, hosts exhibitions of professional artists, traveling exhibits, and students. The gallery, made possible by a grant from the Kresge Foundation, is located in the Alphin Humanities Building.

MARIST COLLEGE Art Gallery

Lyon College Kresge Gallery, Alphin Humanities Bldg., Highland and 22nd Sts., PO Box 2317, Batesville, AR 72503. Phone: 870/307-7242.Web site: www.lyon.edu. Hours: Sept.-May-call for hours; closed June-Aug. and college holidays and breaks. Admission: free. Margaret LeJeune, Director 870-307-7350 [email protected]

MACALESTER COLLEGE Art Gallery St. Paul, Minnesota The Macalester College Art Gallery in St. Paul, Minnesota, emphasizes contemporary art, but it also presents exhibitions on historical and sociological topics. Most of the exhibitions in the Janet Wallace Fine Arts Center feature the work of regional, national, and international artists. In addition, the 2,500-square-foot gallery has an annual student show and a graduating senior thesis exhibition toward the end of the academic year. The gallery was founded in 1964. Macalsester College Art Gallery, Janet Wallace Fine Arts Center, 1600 Grand Ave., St. Paul, MN 55105-1899. Phone: 651/696-6416. Fax: 651/696-6266. E-mail: [email protected]. Web site:

Poughkeepsie, New York The Marist College Art Gallery, which occupies 3,200 square feet in a former steel plant in Poughkeepsie, New York, focuses largely on contemporary regional artists, but also presents student and faculty shows. The gallery, founded in 1995, is housed with the Department of Art and Art History in what is now called the Steel Plant Studios. The annual gallery attendance is 2,000. Marist College Art Gallery, Steel Plant Studios, 3399 North Rd., Poughkeepsie, NY 12601-1387. Phone: 845/575-3000, Ext. 2308. Fax: 845/471-6213. E-mail: [email protected]. Web site: www.marist.edu/commarts/art/gallery.html. Hours: Sept.-May-12-5 Mon.-Sat.; closed Sun., June-Aug., and college holidays and breaks. Admission: free. Ed Smith, Director 845-575-3000 [email protected]

MARY BALDWIN COLLEGE Hunt Gallery Staunton, Virginia Five exhibitions by established and emerging regional and national artists are featured each year at the Hunt Gallery at Mary Baldwin College in Staunton, Virginia, with student

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Art Galleries work being shown towards the end of the academic year. The gallery, located in Hunt Hall, also has a collection of twentieth-century contemporary paintings, drawings, prints, and photographs by professional artists. Annual attendance is 1,200.

presented in the Shoen Library. The Art Gym has an annual attendance of 5,000. The Art Gym, Marylhurst University, 17600 Pacific Hwy. 43, PO Box 261, Marylhurst, OR 97036-0261. Phones: 503/699-6243 and 503/636-8141. Fax: 503/636-9526. E-mail: [email protected]. Web site: www.marylhurst.edu/theartgym. Hours: Jan.-June and Sept.-Nov.-12-4 Tues.-Sun.; closed Mon., July-Aug. and Dec., and university holidays and breaks. Admission: free.

Hunt Gallery, Mary Baldwin College, Hunt Hall, Market and Vine Sts., Staunton, VA 24401 (postal address: Dept. of Art and Art History, Deming Hall, Staunton, VA 24401-3610). Phone: 540/887-7196. Fax: 540/887-7139. E-mail: [email protected]. Web site: Paul Sutinen, Co-Chair, MU Art & Interior Design www.mbc.edu/arts/huntgallery.php. Hours: Sept.-May-9-5 DepartmentDirector of Arts Program 503-636-8141 Mon.-Fri.; closed Sat.-Sun., June-Aug., and college holidays and breaks. Admission: free. Paul Ryan, Director 540-887-7196 [email protected]

MARYVILLE UNIVERSITY Morton J. May Foundation Gallery St. Louis, Missouri

MARYLAND INSTITUTE COLLEGE OF ART Art Galleries

The Morton J. May Foundation Gallery presents exhibitions of art, design, and crafts by established and emerging regional artists and students in the library at Maryville University in St. Louis, Missouri. The university also has a Baltimore, Maryland multi-function gallery space in the Art and Design Building for juried student exhibitions. The annual attendance is The Maryland Institute College of Art, one of the nation’s oldest art colleges in the nation, has four principal art galler- 30,000. ies-Decker, Meyerhoff, Pinkard, and Rosenberg gallerMorton J. May Foundation Gallery, Maryville University, ies-and a number of other exhibit spaces for undergraduate Library, 650 Maryville University Dr., St. Louis, MO and graduate student works. The college, which was founded in 1826, hosts exhibitions of local, national, and in- 63141-7299. Phone: 314/529-9381. Fax: 314/529-9940. ternational artists in the Decker and Meyerhoff galleries, lo- E-mail: [email protected]. Web site: Web site: www.maryville.edu. Hours: 8 a.m.-10 p.m. Mon.-Thurs., 8-6 cated in the Fox Building; shows by faculty and visitor Fri.-Sat., 2-10 Sun.; closed university holidays and breaks. artists in the Pinkard Gallery in Bunting Center; and the Admission: free. work of artists and from the juried student program in the Rosenberg Gallery in the Brown Center. In addition to a colJohn Baltrushunas, Director 314-529-9679 lection of nineteenth-century paintings, the college has [email protected] sculpture, drawings, and prints on loan to several art institutions. Maryland Institute College of Art Galleries, 1300 Mount Royal Ave., Baltimore, MD 21217-4191. Phones: 410/669-9200 and 410/225-2280. Fax: 410/225-2396. Web site: www.mica.edu. Hours: varies; closed major holidays. Admission: free.

Cambridge, Massachusetts

Marylhurst, Oregon

The MIT List Visual Arts Center at the Massachusetts Institute of Technology in Cambridge presents five to eight changing exhibitions per year in the Wiesner Building, three exhibitions a year in the Dean’s Gallery at the MIT Sloan School of Management, and contemporary video exhibits on the Media Test Wall in the Whitaker Building. The exhibitions often explore the boundaries of contemporary culture and thought, frequently shed new light on art and society, and sometimes include post-war historical and thematic shows.

The works of more than 300 contemporary artists have been shown in The Art Gym, a 2.500-square-foot gallery at Marylhurst University in Marylhurst, Oregon, since the gallery opened in 1980. The college now also has two other exhibition sites-the Mayer Gallery, which displays art by faculty, students, and visiting artists, in the Mayer Art Building, and Streff Gallery, where art exhibitions are

The center, founded in 1950, also maintains the institute’s collection of more than 1,500 artworks primarily in paintings, sculpture, photography, and print media. It also oversees MIT’s Public Art Collection that includes works by Alexander Calder, Pablo Picasso, and other major artists around the campus and the Student Loan Art Program that enables students to borrow original artworks from the

Jessica Weglein, MICA Manager of Communications 410-225-4218 [email protected]

MARYLHURST UNIVERSITY The Art Gym, Mayer Gallery, and Streff Gallery

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MASSACHUSETTS INSTITUTE OF TECHNOLOGY MIT List Visual Arts Center

MAYWOOD UNIVERSITY collection for their private rooms and communal spaces. The Mon.-Fri., 9-4 Sat., 12-4 Sun.; closed major holidays. Admission: free. center’s annual attendance is 18,000. MIT List Visual Arts Center, Massachusetts Institute of Technology, Bldg. E15-109, 20 Ames St., Cambridge, MA 02142-1308. Phones: 617/253-4680 and 617/253-4400. Fax: 617/258-7265. Web site: www.listart.mit.edu. Hours: Oct.-July-12-6 Tues.-Wed. and Fri.-Sun., 12-8 Thurs.; closed Mon., Aug.-Sept., and institute holidays and breaks. Admission: free. Mark Linga, Public Relations Officer 617-452-3586 [email protected]

MAYWOOD UNIVERSITY Suraci Gallery, Mahady Gallery, and Maslow Collection Scranton, Pennsylvania Maywood University in Scranton, Pennsylvania, has three exhibition space covering 5,500 square feet in the Shields Center for Visual Arts. They are the Suraci Gallery, which maintains a collection of fine and decorative arts and mounts exhibitions of work by regional artists and faculty members and from the collection; Mahady Gallery, where contemporary works by visiting artists, faculty, and students and from juried regional competitions are displayed; and Maslow Study Gallery for Contemporary Arts, which functions as a learning laboratory with changing exhibitions from a contemporary art collection of over 500 works by 150 artists. The annual attendance is 17,500. Marywood University Galleries, Shields Center for Visual Arts, 2300 Adams Ave., Scranton, PA 18509-1598. Phone: 570/348-6278. Fax: 520/340-6023. E-mil: [email protected]. Web site: www.cwis.marywood.edu/galleries. Hours: Sept.-May-9-4 Mon. and Thurs.-Fri., 9-8 Tues.-Wed., 1-4 Sat.-Sun.; closed university holidays and breaks; June-Aug.-12-3 Mon.-Fir.; closed Sat.-Sun. and major holidays. Admission: free. Juneann Greco, Marywood University Public Relations Director 570-340-6004 [email protected]

MEMPHIS COLLEGE OF ART Art Galleries Memphis, Tennessee The Memphis College of Art in Memphis, Tennessee, exhibits the contemporary art of national and international artists, students, and traveling exhibitions in the Main Gallery on its Overton Park Campus and at a Downtown Gallery in the South Main Arts District. The college also has a Graduate Center Gallery that features student and other artworks. The annual attendance is 15,000. Memphis College of Art Galleries, 1930 Popular Ave., Overton Park, Memphis, TN 38104-2756. Phones: 901/726-4085 and 800/727-1088. Fax: 901/272-5104. E-mail: [email protected]. Web site: www.mca.edu. Hours: 8-5

Michelle Byrd, Director of Public Relations, Memphis College of Art 901-272-5111 [email protected]

MERCER COUNTY COMMUNITY COLLEGE The Gallery West Windsor, New Jersey The Gallery is a 1,300-square-foot exhibit space on the West Windsor, New Jersey, campus of Mercer County Community College. It features the work of well known and emerging regional artists and presents annual shows of faculty and student art in the college’s Communications Center. The gallery also occasionally has humanities presentations. The Gallery, Mercer County Community College, Communications Center, 1200 Old Trenton Rd., West Windsor, NJ 08550-3407. Phone: 609/586-4800, Ext. 3589. E-mail: [email protected]. Web site: www.mccc.edu/community_gallery.html. Hours: 9-4 Tues., 9-3 ad 6-8 Wed., 11-3 Thurs.; closed Fri.-Mon. and college holidays and breaks. Admission: free. Tricia Fagan, Director/Curator

MESSIAH COLLEGE M. Louise Aughinbaugh Gallery Grantham, Pennsylvania Exhibitions ranging from traditional studio areas and the fine crafts to conceptual art and installation are presented at the M. Louise Aughinbaugh Gallery at Messiah College in Grantham, Pennsylvania. The gallery, founded in 1979, also functions as a hands-on teaching laboratory for students in the museum studies program. M. Louise Aughinbaugh Gallery, Messiah College, 1 College Ave., PO Box 3004, Grantham, PA 17027-9800. Phone: 717/766-2511, Ext. 2486. E-mail:[email protected]. Web site: www.messiah.edu/schoiols/arts/aughinbaugh.about.html. Hours: 9-4 Mon.-Thurs., 9-9 Fri., 2-5 Sun.; closed Sat. and college holidays and breaks. Admission: free. Sherron R. Biddle, Director 717-766-2511 [email protected]

METROPOLITAN STATE COLLEGE OF DENVER Center for Visual Art Denver, Colorado The Center for Visual Art is an off-campus art gallery of the Metropolitan State College of Denver in Colorado. Founded in 1991, the gallery occupies 3,500 square feet of exhibit space in downtown Denver, but is planning to move to a

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Art Galleries new 9,000-square-foot gallery at part of a 22,000-square-foot site recently purchased in the city’s Santa Fe Art District. The gallery mounts exhibitions of contemporary art and serves as an interactive art laboratory for students and the community. Annual attendance is 15,000.

MIDLAND COLLEGE McCormick Gallery Midland, Texas

Multiple exhibitions of artworks in a wide range of media are offered by the McCormick Gallery at Midland College Center for Visual Art, Metropolitan State College of Denver, in Midland, Texas. The gallery, established in 1978, is located in the main foyer of the Allison Fine Arts Building 1734 Wazee St., Denver, CO 80202-1232. Phone: and has an annual attendance of 2,500. 303/294-5207. Fax: 303/294-5210. E-mail: [email protected]. Web site: www.metrostatercva.org. Hours: 11-6 Tues.-Fri., 12-5 Sat.; closed Sun.-Mon. and major holi- McCormick Gallery, Midland College, Allison Fine Arts Bldg., 3600 N. Garfield, Midland, TX 79705. Phone: days. Admission: free. 432/685-4770. E-mail: [email protected]. Jennifer Garner, Director Web site: www.midland.edu/mecormick. Hours: Sept.-8 [email protected] a.m.-10 p.m. Mon.-Thurs., 8-5 Fri., 10-5 Sat., 1-5 Sun., closed major holidays; June-Aug.-8-5 Mon.-Thurs.; closed Fri.-Sun. and major holidays. Admission: free.

MIAMI DADE COLLEGE Art Galleries

J. Don Wallace, Director & Curator

Miami, Florida The Miami Dade College in Miami, Florida, is the nation’s largest nonprofit institution of higher learning with over 160,000 students on eight campuses-seven of which have art galleries. The seven are the Hialeah, Homestead, InterAmerican, Kendal, North, West, and Wolfson campuses. The Kendall Campus Art Gallery, founded in 1970, is representative of the galleries. It has 3,000 square feet of exhibit space, contemporary art exhibitions, a collection of varied artworks, and an annual attendance of 9,500.

MILLIKIN UNIVERSITY Perkinson Gallery Decatur, Illinois Exhibitions by Illinois, Midwestern, and nationally known artists are featured at the Perkinson Gallery at Millikin University in Decatur, Illinois. The gallery is located in the Kirkland Fine Arts Center, which also houses two other galleries-the Lower Gallery, which focuses on photographic works, and the Studio Gallery, containing student works. Founded in 1969, the 2,000-square-foot Perkinson Gallery serves 20,000 visitors annually.

Kendall Campus Art Gallery, Miami Dade College, 11011 S.W. 104th St., Miami, FL 33176-3393. Phone: 305/237-2322. Fax: 305/237-2901. E-mail: [email protected]. Web site: www.mdc.edu/kendall/art/de- Perkinson Gallery, Millikin University, Kirkland Fine Arts fault.asp. Hours: Sept.-July-8-7:30 Mon.-Thurs. 8-4 Thurs., Center, 1184 W. Main St., Decatur, IL 62522-2039. Phone: 9:30-4:30; closed Aug. and major holidays. Admission: free. 217/424-6253. Fax: 217/424-3993. E-mail: [email protected]. Web site: Juan Mendieta, Director of Communications, Miami-Dade College www.millikin.edu/art/galleries.asp. Hours: 12-5 Mon.-Fri.; [email protected] closed Sat.-Sun. and university holidays and breaks. Admission: free.

MIDDLE TENNESSEE STATE UNIVERSITY Todd Art Gallery Murfreesboro, Tennessee Exhibitions of artworks by artists, faculty, and students and from collectors and other sources are mounted at the Todd Art Gallery in the Andrew L. Todd Hall at Middle Tennessee State University in Murfreesboro.

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Ed Walker, Chair, Milliken University Art Department [email protected]

MINNEAPOLIS COLLEGE OF ART AND DESIGN MCAD Gallery Minneapolis, Minnesota

Todd Art Gallery, Middle Tennessee State University, 227C Andrew L. Todd Hall, 1301 E. Main St., Box 25, Murfreesboro, TN 37130. Phone: 615/898-2455. E-mail: [email protected]. Web site: www.mtsu.edu/department/index.shtml. Hours: 9-4 Mon.-Thurs., 9-12 Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

The MCAD Gallery at the Minneapolis College of Art and Design in Minnesota showcases new and innovative contemporary work by local, regional, and national artists and designers. The exhibitions are presented in the main building gallery, which opened in 1972, as well as in other galleries and spaces throughout the college. The college has a collection of prints, paintings, and sculpture of the twentieth century, mostly of American contemporary art.

Eric Snyder, Gallery Secretary 615-898-5653 [email protected]

MCAD Gallery, Minneapolis College of Art and Design, 2500 Stevens Ave., Minneapolis, MN 55404-4347. Phone:

MISSISSIPPI STATE UNIVERSITY 612/874-33667. Fax: 612/874-3704. E-mail: [email protected]. Web site: www.mcad.edu/ Hours: 9-8 Mon.-Fri., 9-5 Sat., 12-5 Sun.; closed major holidays. Admission: free. Rob Davis, MCAD Director of Communications 612-874-3793 [email protected]

MISSISSIPPI STATE UNIVERSITY Art Galleries Mississippi State University, Mississippi Mississippi State University in Starkville has four galleries-the Department of Art Gallery, College of Architecture and Design Gallery, Colvard Student Union Gallery, and Cullis Wade Depot Gallery. The Department of Art Gallery presents exhibitions by regional and national artists, as well as the annual student thesis and collegiate shows, in McComas Hall, and exhibitions of architecture, art, and design are offered at the College of Architecture and Design Gallery in Giles Hall. The new Colvard Student Union Gallery and the Depot Gallery at the university’s Welcome Center mount exhibitions by artists, students, and faculty. Dept. of Art Gallery, Mississippi State University, 30 McComas Hall, Mississippi State University, MS 39762. Phones: 662/325-2970 and 662/325-0393. Web site: www.caad.msstate.edu. Hours: 10-4 Mon.-Fri., 1-4 Sun.; closed Sat. and university holidays. Admission: free. College of Architecture and Design Gallery, Mississippi State University, Giles Hall, Mississippi State University, MS 39762. Phones: 662/325-2970 and 662/325-2202. Web site: www.caad.msstate.edu. Hours: 8 a.m.-10 p.m. Mon.-Thurs., 8-5 Fri., 1-5 Sat., 2-10 Sun.; closed university holidays. Admission: free. Colvard Student Union Gallery, Mississippi State University, Mississippi State University, MS 39762. Hours: varies. Admission: free. Cullis Wade Depot Gallery, Mississippi State University, Mississippi State University, MS 39762. Phone: 662/325-5203. E-mail: [email protected]. Web site: www.visit.msstate.edu/gallery. Hours: 8-5 daily. Admission: free.

aesthetic works, the exhibitions tend to be of a divergent and cultural nature. Mercer Gallery, Monroe Community College, Brighton Campus, 1000 E. Henrietta Rd., Rochester, NY 14623-5701. Phone: 585/292-2021. Fax: 585/292-3120. E-mail: [email protected]. Web site: www.monroecc.edu./depts/vapa/mercer. Hours: 10-7 Mon.-Thurs., 10-5 Fri.; other times by appointment. Admission: free. Kathleen Farrell, Director 585-292-3121 [email protected]

MONTANA STATE UNIVERSITY Helen E. Copeland Gallery and Haynes Fine Arts Gallery Bozeman, Montana Two Department of Art galleries are located in Haynes Hall, built in 1974 as part of the Creative Arts Complex at Montana State University in Bozeman. The Helen E. Copeland Gallery mounts exhibitions by visiting and other artists and presents shows based on loans and traveling exhibitions, while the Haynes Fine Arts Gallery displays works by students, faculty, and guest artists. The Department of Art has a collection of prints, crafts, and ceramics. Annual attendance for Copeland Gallery is 5,000. Helen E. Copeland Gallery and Haynes Fine Arts Gallery, Montana State University, School of Art, Haynes Hall, Bozeman, MT 59717-3700. Phone: 406/994-2562. Fax: 406/994-3680. Web site: www.montana.edu/art. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and state and national holidays. Admission: free. Vaughan Judge, Director, Montanta State University School of Art 406-994-5401 [email protected]

MONTCLAIR STATE UNIVERSITY George Segal Gallery Montclair, New Jersey

Rochester, New York

The George Segal Gallery is the principal art gallery at Montclair State University, which also has three galleries for student art, art displays at a theater and archive, and an outdoor sculpture garden on the campus in Montclair, New Jersey. The 3,130-square-foot Segal Galley, which opened in 2006, presents six exhibitions annually of professional artists, including major American, international, and local artists. The student-oriented galleries are Gallery One, Gallery 31/2 Gallery, and MFA Gallery. The sculpture garden contains more than 20 outdoor works.

The Mercer Gallery on the Brighton Campus of Monroe Community College in Rochester, New York, seeks to provide aesthetically challenging contemporary art which embodies current developments in the visual arts. In addition to

The Segal Gallery maintains the university’s collection of modern and contemporary art that includes Segal’s Street Crossing, works by Alexander Calder, Alberto Glacometti drawings; prints, Native American pottery, African and Oce-

David C. Lewis, Associate Dean, MSU College of Architecture, Art + Design 662-325-2202 [email protected]

MONROE COMMUNITY COLLEGE Mercer Gallery

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Art Galleries anic masks and sculptures, and Italian Renaissance and sixteenth- to nineteenth-century European art. George Segal Gallery, Montclair State University Art Galleries, Normal Ave., Montclair, NJ 07043. Phone: 973/655-3382. Fax: 973/655-7665. E-mail: [email protected].

MOTT COMMUNITY COLLEGE Fine Arts Gallery Flint, Michigan The Fine Arts Gallery at Mott Community College in Flint, Michigan, presents exhibitions by artists, students, and faculty in the DeWaters Art Center.

Web site: www.montclair.edu/arts/galleries. Hours: Sept.-July-10-5 Mon.-Tues. and Fri.-Sat.; 12:30-7:30 Thurs.; Fine Arts Center, Mott Community College, 214 DeWaters closed Sun.-Mon., Aug., and major holidays. .Admission: Art Center, 1401 E. Court St., Flint, MI 48503. Phone: free. 810/762-0443. Web site: www.mcc.edu. Hours: 9-4:30 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks. M. Teresa Lapid Rodriguez, Director 973-655-3382 Admission: free. [email protected]

MOORE COLLEGE OF ART AND DESIGN The Galleries at Moore Philadelphia, Pennsylvania The Moore College of Art and Design in Philadelphia, Pennsylvania, has 15 art galleries and display spaces that present a diverse range of exhibitions by established and emerging regional, national, and international artists and designers, as well as students, faculty, and alumni. They include such sites as the 2,500-square-foot Goldie Paley Gallery, which is dedicated to experimental works by national and international artists and was Moore’s first formal exhibition space when opened in 1983; Levy Gallery for the Arts, dedicated to works by artists and arts organizations in Philadelphia; Widener Memorial Foundation Gallery, which highlights the work of academic departments and nonprofit arts and community-based organizations; and Wilson Gallery, devoted to works by Moore students, faculty, and alumni.

Kim Gregus, Secretary, Fine Arts & Social Sciences Div., Mott Community College 810-762-0443 [email protected]

MOUNT VERNON NAZARENE UNIVERSITY Schnormeier Gallery and Campus Art Gallery Mount Vernon, Ohio Mount Vernon Nazarene University in Mount Vernon, Ohio, has two galleries with exhibitions by artists, faculty, students, and alumni that seek to foster inspiration and artistic appreciation through interaction with diverse artistic traditions and media. Schnormeier Gallery, the largest of the galleries, is located in the Buchwald Center in downtown Mount Vernon, while the Campus Art Gallery is housed in the R. R. Hodges Chapel/Fine Arts Center on the main campus.

Schnormeier Gallery, Mount Vernon Nazarene University, Buchwald Center, 211 S. Main St., Mount Vernon, OH The college also has a street window display, called Window 43050. Phone: 740/397-9000, Ext. 3500. E-mail: on Race, which features changing exhibits on the working [email protected]. Web site: process and ideas of contemporary artists, and such hallway www.mvnu.edu/art/artgallery/index.asp. Hours: 11-45 exhibit areas as Graham Gallery, Philadelphia Wall, and DiMon.-Fri., 9-2 Sat.; closed Sun. and major holidays. Admisamond Widow Galleries, which largely display student art sion: free. and class projects. In addition, works by Moore students are on view in six exhibition spaces at CBS 3’s new headquarCampus Art Gallery, Mount Vernon Nazarene University, R. ters building in the Fairmont section of Philadelphia. The R. Hodges Chapel/Fine Arts Center, 800 Martinsburg Rd., Moore galleries have an annual attendance of nearly 50,000. Mount Vernon, OH 43050. E-mail: [email protected]. Web site: www.mvnu.edu/artgallery/index.asp. Hours: 9-4:30 The Galleries at Moore, Moore College of Art and Design, Mon.-Fri., other times by appointment; closed Sat.-Sun. and 20th St. and The Parkway, Philadelphia, PA 19103. Phone: major holidays. Admission: free. 215/965-4027. Fax: 215/568-5921. E-mail: [email protected]. Web site: www.thegalleriesatmoore.org. Jim Hendrickx, Chair, Art Department,MVNU 740-392-6868 Hours: early Sept.-May-11-7 Mon.-Fri., 11-5 Sat.; closed [email protected] Sun. and college and major holidays; June-early Sept.-10-5 Mon.-Fri., 11-5 Sat.; closed Sun. and major holidays. Admission: free. Gabrielle Lavin, Manager and Interim Co-Director 215-965-4027 [email protected]

MUHLENBERG COLLEGE Martin Art Gallery Allentown, Pennsylvania

Exhibitions by artists, faculty, students, and alumni-often organized by guest curators-are offered by the Martin Art Gallery in the Baker Center for the Arts at Muhlenberg College in Allentown, Pennsylvania. The university also has a permanent collection that includes works by such prominent

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MURRAY STATE UNIVERSITY artists as Rembrandt van Rijn, Mary Cassatt, Marc Chagall, Salvador Dali, Francisco Goya, Diego Rivera, James Abbott McNeill Whistler, and Norman Rockwell. The gallery, founded in 1976, has an annual attendance of 7,000. Martin Art Gallery, Muhlenberg College, Baker Center for the Arts, Allentown, PA 18104-5586. Phone: 484/664-3467. Fax: 484/664-3644. E-mail: [email protected]. Web site: www.muhlenberg.edu/cultural/gallery. Hours: 12-9 Tues.-Sat., closed Sun.-Mon. and university holidays and breaks. Admission: free. Kathy Burke, Gallery Coordinator 484-664-3467 [email protected]

MURRAY STATE UNIVERSITY Art Galleries Murray, Kentucky The Clara M. Eagle Gallery and the Curtis Center Gallery are part of the University Art Galleries at Murray State University in Murray, Kentucky. The Eagle Gallery, which opened in 1971 as part of the new Price Doyle Arts Center, features contemporary art exhibitions by professional artists in three exhibit areas. It also is the home of two national juried shows (on new media and photography), site of an annual spring student art exhibition, and a collection of 1,200 artworks ranging from photography to sculpture. The Curtis Center Gallery, located in the Curtis Student Center, and offers a range of exhibitions. The galleries, which cover 8,292 square feet of exhibition space and support areas, have an annual attendance of 12,000. University Art Galleries, Murray State University, 604 Price Doyle Fine Arts Center, 15th and Olive Sts., Murray, KY 42071-3342. Phones: 270/809-3052 and 270/809-6734. E-mail: [email protected]. Web site: www.murraystate.edu/art/gallery/index.html. Hours: Sept.-May-8-5 Mon.-Fri., 1-4 Sat.-Sun.; closed university holidays and breaks; June-Aug.-9-4 Mon.-Fri.; closed Sat.-Sun. Admission: free. Mary VanWassenhove, Director ÿ[email protected]

NASSAU COMMUNITY COLLEGE Firehouse Plaza Art Gallery

11-4 Mon., Wed.-Thurs., and Sat.; 11-7 Tues.; closed Fri., Sun., and college holidays and breaks. Admission: free. Lynn Rozzi, Director [email protected]

NEW ENGLAND COLLEGE Art Gallery Henniker, New Hampshire Contemporary art exhibitions are shown in the New England College Gallery in Henniker, New Hampshire. The 1,300-square-foot gallery was founded in 1988 and has an annual attendance of 1,500. New England College Gallery, 7 Main St., Henniker, NH 03242-6225. Phone: 603/428-2329. Fax: 603/428-2266. E-mail: [email protected]. Web site: www.nec.edu. Hours: 11-6 Tues.-Thurs., 11-3 Fri.; closed Sat.-Mon, Thanksgiving week, and Christmas break. Admission: free. Darryl Furtkamp, Director

NEW HAMPSHIRE INSTIUTE OF ART French Building Gallery and Amherst Gallery Manchester, New Hampshire The New Hampshire Institute of Art in Manchester features exhibitions and presentations by regional, national, and international artists and a wide variety of topics ranging from illustrations to performance art. Twelve to 16 exhibitions are presented annually in the two main galleries, the French Building Gallery and Amherst Gallery. The art school, which changed its name from Manchester Institute of Arts and Sciences in 1997, also has a student-run Vault Gallery and an on-line gallery containing student, faculty, and alumni work. French Building and Amherst Galleries, New Hampshire Institute of Art, 148 Concord St., Manchester, NH 031104-4858. Phone: 603/623-0313. Fax: 603/641-1832. E-mail: [email protected]. Web site: www.nhia.edu. Hour: 9-5 Mon.-Fri., 9-12 Sat.; closed Sun. and major holidays. Admission: free. Andy Lucas, Director 603-836-2573 [email protected]

Garden City, New York The Firehouse Plaza Art Gallery at Nassau Community Col- NEW MEXICO HIGHLANDS lege in Garden City, New York, mounts exhibitions of works UNIVERSITY by regional and other artists, faculty, and students, and from Ray Drew Art Gallery and Arrott History its collection of 450 paintings, prints, and sculptures from Gallery the sixteenth century to the present. Founded in 1965, the Las Vegas, New Mexico gallery has an annual attendance of 12,000. Exhibitions about art and history are presented at the Ray Firehouse Plaza Art Gallery, Nassau Community College, 1 Drew Gallery in the Thomas C. Donnelly Library at the Education Dr., Garden City, NY 11530-6793. Phone: New Mexico Highlands University in Las Vegas, and stu516/572-0619. Fax: 516/572-9673. E-mail: galdent and local art are displayed in the Arrott History [email protected]. Web site: www.firehouse.ncc.edu. Hours:

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Art Galleries lery. The Drew Gallery, founded as the Fine Arts Gallery in 1982, now has an annual attendance of 9,000.

Fargo, ND 58108-6050). Phone: 701/231-8239. Fax: 701/231-7866. Web site: www.ndsu.edu/mu/programs/gallery. Hours: Sept.-mid-May-11-5 Tues.-Wed. and Fri.-Sat., Ray Drew Gallery, New Mexico Highlands University, 11-4 Thurs., other times by appointment; closed Sun.-Mon., Thomas C. Donnelly Library, National Ave., Las Vegas, NM mid-July-Aug., and university holidays and breaks; 87701. Phones: 505/454-3338 and 505/454-3332. Fax: mid-May-mid-July-11-5 Tues.-Sat. Admission: free. 505/454-0026. E-mail: [email protected]. Web site: www.nmhu.edu. Hours: 8-5 Mo.-Fri.; closed Sat.-Sun. and Esther Hockett, Coordinator of Visual Arts & Gallery [email protected] major holidays. Admission: free. Arrott History Gallery, New Mexico Highlands University, Las Vegas, NM 87701. Phone: 505/454-3338. Fax: 505/454-0026. Web site: www.nmhu.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Sean Weaver, Director of University Relations, NMHU 505-454-3380

NEW MEXICO STATE UNIVERSITY Art Gallery Las Cruces, New Mexico The University Art Gallery in D. W. Williams Hall at New Mexico State University in Las Cruces displays works from faculty, students, traveling exhibitions, and the university’s collection of art. The gallery, founded in 1973, presents six to nine exhibitions annually that feature contemporary and historical art of regional, national, and international importance. The collection of over 3,000 works has the nation’s largest number of Mexican retablos (devotional paintings on tin), as well as paintings, prints, graphics, and photographs. Annual attendance is 21,000. University Art Gallery, New Mexico State University, D. W. Williams Hall, University Ave., MSC 3572, PO Box 30001, Las Cruces, NM 88003-8001. Phones: 575/646-2545 and 575/646-5423/ Fax: 575/646-8036. E-mail: [email protected]. Web site: www.nmsu.edu~artgal. Hours: 11-4 Tues.-Fri., 12-4 Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free. Preston Thayer, Director 575-646-6110 [email protected]

NORTH DAKOTA STATE UNIVERSITY Memorial Union Art Gallery Fargo, North Dakota

NORTH FLORIDA COMMUNITY COLLEGE Art Gallery Madison, Florida The North Florida Community College Art Gallery in Madison offers solo and group exhibitions of traditional and contemporary art. The gallery, founded in 1975, holds an annual juried exhibition of artists working in a variety of mediums. North Florida Community College Gallery, Art Dept., 325 N.W. Turner Davis Dr., Madison, FL 32340-1611. Phone: 850/973-1642. Fax: 850/973-9288. E-mail: [email protected]. Hours: 10-12 and 1-3 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks. Admission: free. Lisa Barden, Art Instructor 850-973-1642 [email protected].

NORTH SEATTLE COMMUNITY COLLEGE Art Gallery Seattle, Washington Works by local and regional artists are featured at the North Seattle Community College Art Gallery in Seattle, Washington. North Seattle Community College Art Gallery, 1322 Instructional Bldg., 9600 College Way, N., Seattle, WA 98103-3599. Phone: 528/528-4557. E-mail: [email protected]. Web site: www.northseattle.edu/services/art.htm. Hours: 11-3 Mon.-Tues. and Fri., 11-3 and 6-8 Wed-Thurs.; closed Fri.-Sun. and college holidays and breaks. Admission: free. Brenda Anderson, Gallery Coordinator and Curator of Exhibits

The Memorial Union Art Gallery at North Dakota State Uni- [email protected] versity in Fargo schedules around 10 exhibitions annually of works by students and artists and from its collection.

NORTHERN ILLINOIS UNIVERSITY

The gallery, which opened in 1975, has a collection of over 400 pieces, consisting mostly of contemporary paintings and Jack Olson Gallery prints by students and such artists as Pablo Picasso, Andy DeKalb, Illinois Warhol, Salvador Dali, Jasper Johns, Judy Chicago, Oscar The Jack Olson Gallery at Northern Illinois University in Howe, and Frank Stella. The annual attendance is 2,300. DeKalb has a two-fold mission-to bring thought-provoking Memorial Union Art Gallery, North Dakota State University, exhibitions to the region and to provide a venue for the lat258 Memorial Union, 1401 Administration Ave., Fargo, ND est creative efforts of the students and faculty. The gallery’s offerings are complemented by an extensive lecture series 58105-5476 (postal address: Dept. 5340, PO Box 6050,

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NORTHERN KENTUCKY UNIVERSITY by visiting artists and scholars. The School of Art also has a nearby Gallery 214 in the Visual Arts Building. Jack Olson Gallery, Northern Illinois University, School of Art, 200 Visual Arts Bldg., DeKalb, IL 60115. Phone: 815/753-4521. Fax: 815/753-7701. E-mail: [email protected]. Web site: Web site www.olsongallery.niu.edu. Hours: Sept.-early May-10-4 Mon.-Thurs., 10-12 Fri.; closed Sat.-Sun., early-May-Aug., and university holidays and breaks. Admission: free. Peter Van Ael, Gallery Coordinator 815-753-4521 [email protected]

NORTHERN KENTUCKY UNIVERSITY Art Galleries Highland Heights, Kentucky

NORTHWEST MISSOURI STATE UNIVERSITY Olive Deluce Art Gallery Maryville, Missouri The Olive Deluce Art Gallery at Northwest Missouri State University in Maryville has three objectives-to showcase the art of talented students, faculty, and staff; promote local, regional, national, and international artists through the visiting artists program; and help visitors better understand works of art. The gallery is located in the Olive Deluce Fine Arts Building. Olive Deluce Art Gallery, Northwest Missouri State University, Olive Deluce Fine Arts Bldg., 800 University Dr., Maryville, MO 64468. Phones: 660/562-1326 and 660/562-1212. Hours: 6-9 p.m. Mon., 1-5 Tues.-Sat., 1:30-5 Sun.; closed university holidays and breaks. Admission: free.

Northern Kentucky University in Highland Heights has two art galleries in the Fine Arts Center that present exhibitions Phil Laber, Chair, NMSU Dept of Art by artists, students, and faculty and from a collection. The [email protected] Main and Third Floor galleries, which have 2,700 square feet of exhibit space, originally were founded in 1968 by the Department of Visual Arts primarily to display student works. Many of the exhibitions still feature senior and MFA NORTHWESTERN COLLEGE student art, including an annual juried student art show. The Denler Art Gallery collection consists largely of works by regional and national St. Paul, Minnesota artists and varied media. Annual attendance is 18,000. Artworks by regional, national, and international artists are Northern Kentucky University Art Galleries, Dept. of Visual featured at the Densler Art Gallery at Northwestern College Arts, Fine Arts Center, Nunn Dr., Highland Heights, KY in St. Paul, Minnesota. The gallery, located in the Totino 41099. Phones: 859/572-5148 and 859/572-5421. Fax: Fine Arts Center, also presents senior and juried student 839/572-6501. E-mail: [email protected]. Web site: shows. www.nku.edu/~art/galleries.html. Hours: 9 a.m.-9 p.m. Densler Art Gallery, Northwestern College, Totino Fine Arts Mon.-Fri., other times by appointment; closed Sat.-Sun., mid-Dec.-mid-Jan., and university holidays and breaks. Ad- Center, 3003 Snelling Ave., N., St. Paul, MN 55113-1501. Phone: 651/285-7560. E-mail: [email protected]. Web mission: free. site: www.art.nwc.edu/denler. Hours: Sept.-May-9-4 David Knight, Director of Exhibitions and Collections Mon.-Fri.; closed Sat.-Sun., June-Aug., and college holidays 859-572-5148 and breaks. Admission: free. [email protected]

Luke Aleckson, Director [email protected]

NORTHERN STATE UNIVERSITY Northern Galleries Aberdeen, South Dakota The Northern Galleries at Northern State University in Aberdeen, South Dakota, consist of four galleries that change exhibitions of contemporary works by artists, students, and faculty from every two weeks to every 10 weeks. Northern Galleries, Northern State University, 1200 S. Jay St., Aberdeen, SD 57401-7198. Phones: 605/626-7766 and 605/626-7762. Fax: 605/626-2263. E-mail: [email protected]. Web site: www.northern.edu/galleries. Hours: Sept.-May-8 a.m.-8 p.m. Mon.-Fri., 1-7 Sat.; closed Sun., June-Aug., and university holidays and breaks. Admission: free. Greg Blair, Director 605-626-7766 [email protected]

NOTRE DAME DE NEMUR UNIVERSITY Wiegand Gallery Belmont, California The Wiegand Gallery at Notre Dame de Nemur University in Belmont, California, hosts four major exhibitions each year of work by nationally known artists and presents a student art show in the late fall. Art students also have an opportunity to work with exhibiting artists in the course on gallery techniques. Wiegand Gallery was founded in 1970 and has an annual attendance of 3,600. Wiegand Gallery, Notre Dame de Nemur University, 1500 Ralston Ave., Belmont, CA 94002-1908. Phone: 650/508-3595. Fax: 650/508-3488. E-mail: [email protected]. Web site: www.wiegandgallery.org.

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Art Galleries Hours: Sept.-May-12-4 Tues.-Sat.; closed Mon., June-Aug., and university holidays and breaks. Admission: free. Robert Poplack, Director [email protected]

OHIO STATE UNIVERSITY Hopkins Hall Gallery, Wexner Center for the Arts Galleries, and Kuhn Fine Arts Gallery Columbus, Ohio

OAKLAND UNIVERSITY Art Gallery Rochester, Michigan The Oakland University Art Gallery-formerly the Meadow Brook Art Gallery-has been presenting exhibitions in Rochester, Michigan, since 1962. It mounts six exhibitions a year, ranging from student shows to exhibitions by artists from Michigan and the nation. It also organizes exhibitions from a collection that includes pre-Columbian, African, Oceanic, and Indonesian art, as well as American and European contemporary paintings, prints, and graphics. The university also has outdoor sculptures. The gallery annual attendance is nearly 20,000. Oakland University Art Gallery, 208 Wilson Hall, 2200 N. Squirrel Rd., Rochester, MI 48309-4401. Phone: 248/370-3005. Fax: 248/370-3377. E-mail: [email protected]. Web site: www.oakland.edu/ouag. Hours: 12-5 Tues.-Sun. and through special events and first intermissions of Meadow Brook Theatre performances on Wed.-Fri. and Sat.-Sun.; closed Mon. and university holidays and breaks. Admission: free. Dick Goody, Director 248-370-3008 [email protected]

OCEAN COUNTY COLLEGE Art Gallery

Ohio State University in Columbus has two major sites of art exhibitions-Hopkins Hall Gallery and the Wexner Center for the Arts Galleries. The university’s campus in Marion, Ohio, also has the Wayne and Geraldine Kuhn Fine Arts Gallery. The Hopkins Hall Gallery, which opened in 1968 in the College of the Arts, mounts exhibitions of visiting artists, students, faculty, and departmental works. The 1989 Wexner Center for the Arts has four adjoining galleries that cover 13,000 square feet and feature the art and ideas of international contemporary artists, an intimate video exhibition space known as The Box, and a collection that includes paintings, sculpture, photographs, graphics, and Asian art. The arts center has an annual attendance of 190,000. The Kuhn Fine Arts Gallery in Marion presents a varied exhibition program in the Ohio State Morrill Hall. Hopkins Hall Gallery, Ohio State University, 152 Hopkins Hall, 128 N. Oval Mall, Columbus, OH 43210-1363. Phone: 614/292-5172. Fax: 614/292-1674. Web site: www.arts.osu.edu. Hours: 9-5 Mon., Wed., and Fri.; 9-7 Tues. and Thurs.; closed Sat.-Sun. and university holidays and breaks. Admission: free Wexner Center for the Arts Galleries, Ohio State University, Wexner Center for the Arts, 1871 N. High St., Columbus, OH 43210-1393. Phone: 614/292-0330. Faxes: 614/292-3369 and 614/292-2827. Hours: 11-6 Tues.-Wed. and Sun., 11-8 Thurs.-Sat.; closed Mon. and major holidays. Admission: center members, students, and children under 18, free; general public, $5.

Toms River, New Jersey The Ocean County College Gallery in Toms River, New Jersey, is housed in the Arts and Community Center and is open when events and performances take place in the center’s theater, as well as during regular hours. The gallery offers exhibitions by artists, students, and faculty. Ocean County College Gallery, Arts and Community Center, College Dr., PO Box 2001, Toms River, NJ 08754-2001. Phone: 732/255-0500. Web site: www.ocean.edu/campus/fine_arts_center/gallery.htm. Hours; 8 a.m.-10 p.m. Mon.-Fri. (and 9 a.m.-12 noon Sat. when classes in session, as well as when events and performances are held in the center’s theater); closed university holidays and breaks. Admission: free. Jan Kirsten, Director of College Relations 732-255-0400 [email protected]

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Wayne and Geraldine Kuhn Fine Arts Gallery, Ohio State University at Marion, Ohio State Morrill Hall, 1465 Mount Vernon Ave., Marion, OH 43302. Web site: www.osumarion.osu.edu/art_gallery. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Sherri Gelden, Director, Wexner Center for the Arts

OHIO UNIVERSITY University Gallery, Trisolini Gallery, Majestic Galleries, and Cube 4 Gallery Athens, Ohio Ohio University in Athens has four gallery sites. The 2,500-square-foot Ohio University Art Gallery in Seigfred Hall hosts three to five exhibitions annually of nationally and internationally known artists, and the Trisolini Gallery in the Baker University Center mounts invitational and juried exhibitions of national and international artists, followed by a spring showing of thesis exhibits. The Majestic Galleries, housed in a historic movie theater in Nelsonville, presents an annual national juried show, changing

OHLONE COLLEGE exhibitions, and special events, while the Cube 4 Gallery is a student-run gallery for undergraduate art in Seigfred Hall.

cated in the Bartlett Center for the Visual Arts since 1970. The gallery’s annual attendance is 10,000.

Ohio University Art Gallery, 536 Seigfred Hall, Athens, OH 45701. Phone: 740/593-0796. Fax: 740/593-1305. E-mail: [email protected]. Web site: www.finearts.ohio.edu/art/galleries/ouart.htm. Hours: 10-4 Mon.-Sat.; closed Sun. and university holidays and breaks. Admission: free.

Gardiner Art Gallery, Oklahoma State University, 108 Bartlett Center for the Visual Arts, Stillwater, OK 74078-4084. Phone: 405/744-6016. Fax: 405/744-5767. Web site: www.art.okstate.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and national holidays. Admission: free.

Trisolini Gallery, Ohio University, Baker University Center, 1 Park Pl., Athens, OH 45701. Phone: 740/593-1814. Web site: www.finearts.ohio.edu/art/galleries/tris.htm. Hours: 10-4 Mon.-Wed. and Fri.-Sat., 10-8 Thurs.; closed Sun. and university holidays and breaks. Admission: free. Majestic Galleries, Ohio University, 20 Public Sq., Nelsonville, OH 45764. Phone: 740/593-0796. Fax: 470/593-1305.Web site: www.finearts.ohio.edu/art/galleries/index.htm. Hours: 1-6 Fri.-Sun.; closed Mon.-Thurs. and major holidays. Admission: free. Cube 4 Gallery, Ohio University, Seigfred Hall, Athens, OH 45701. Phone: 740/593-0796. Fax: 470/593-1305. Web site: www.finearts.ohio,edu/art/galleries/index. htm. Hours: varies. Admission: free. Petra Kralickova, Director of Exhibitions 740-593-0796 [email protected]

OHLONE COLLEGE Louie-Meager Art Gallery Fremont, California Works by local and regional artists are featured at the Louie-Meager Art Gallery at Ohlone College in Fremont, California. The gallery is part of the Smith Center for the Fine and Performing Arts. Louie-Meager Art Gallery, Ohlone College, Room SC-143, Smith Center for the Fine and Performing Arts, 43600 Mission Blvd., PO Box 3909, Fremont, CA 94539-0390. Phone: 510/659-6176. Fax: 510/659-6188. E-mail: [email protected]. Hours: 12-3 Mon.-Tues. and Thurs.-Fri., Wed. by appointment; closed Sat.-Sun. and college holidays and breaks. Admission: free. Kenney Mencher, Director 510-979-7916 [email protected]

OKLAHOMA STATE UNIVERSITY Gardiner Art Gallery Stillwater, Oklahoma Exhibitions of works by regional, national, and emerging artists are presented at the Gardiner Art Gallery at Oklahoma State University in Stillwater. The Department of Art and the gallery, which opened in 1965, have been lo-

Chris Ramsay, Head of the OSU Dept. of Art [email protected]

OLD DOMINION UNIVERSITY Baron and Ellin Gordon Art Galleries Norfolk, Virginia The Baron and Ellin Gordon Art Galleries at Old Dominion University in Norfolk, Virginia, consists of two galleries-one that showcases self-taught art and its relation to contemporary art and another for changing exhibitions on contemporary art by regional, national, and international artists. The galleries, which originally were established in 1971, moved into a new 15,000-square-foot facility in 2007 after a gift of 375 folk artworks by Baron and Ellin Gordon. The galleries now have an annual attendance of 7,500. Baron and Ellin Gordon Art Galleries, Old Dominion University, 4509 Monarch Way, Norfolk, VA 23529 Phone: 757/683-6271. Fax: 757/683-6776. E-mail: [email protected]. Web site: www.al.odu.edu/art/gallery/about.shtml. Hours: 11-5 Tues.-Sat., 1-5 Sun.; closed Mon. and university holidays and breaks. Admission: free. Frederick S. Bayersdorfer, Director 757-683-3020 [email protected]

ORAL ROBERTS UNIVERSITY Elsing Museum Tulsa, Oklahoma The Elsing Museum at Oral Roberts University in Tulsa, Oklahoma, features a collection of gems, minerals, natural art, and Indian and oriental artifacts. The museum was founded in 1975 following the donation of the collection by William Elsing, who operated a rock and mineral shop in Joplin, Missouri. Annual attendance is 600. Elsing Museum, Oral Roberts University, 105C LRC, 7777 S. Lewis Ave., Tulsa, OK.74171. Phone: 918/495-6262. E-mail: [email protected]. Web site: www.elsing.oru.edu. Hours: 1:30-4:30 Wed.-Sat.; closed Sun.-Tues. and major holidays. Admission: free. Roger Bush, Director/Curator 918-495-6906 [email protected]

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Art Galleries OREGON STATE UNIVERSITY Memorial Union Concourse Gallery Corvallis, Oregon A wide range of contemporary art by artists, crafts people, students, and faculty are exhibited at the Oregon State University Memorial Union Concourse Gallery in Corvallis. Founded in 1927, the gallery also has a collection of paintings, prints, and sculpture. Its annual attendance is 36,000. Oregon State University Memorial Union Concourse Gallery, Memorial Union, Jefferson St., Corvallis, OR 97331-8592. Phone: 541/737-6371. Fax: 541/737-1565. E-mail: [email protected]. Web site: www.osumu.org/about_art.htm. Hours: Sept.-May-7 a.m.-11 p.m. Mon.-Thurs., 7 a.m.-12 midnight Fri., 7:30 a.m.-12 midnight, 10:30 a.m.-11 p.m.; closed national holidays; June-Aug.-8-5 Mon.-Fri.; closed Sat.-Sun. Admission: free. Susan Bourque, Exhibits Coordinator [email protected].

Communication Building during the spring quarter. Fisher Gallery is in Roush Hall. Miller Gallery, Otterbein College, Art and Communication Bldg., Westerville, OH 43081. Phone: 614/823-1792. Web site: www.otterbein.edu/art/collections-exhibits.asp. Hours: 8-4 Mon.-Fri., 1-4 Sat.-Sun.; closed major holidays and breaks. Admission: free. Fisher Gallery, Otterbein College, Roush Hall, Westerville, OH 43081. Phone: 614/823-1792. Web site: www.otterbein.edu/art/collections-exhibits.asp. Hours: 9 a.m.-9 p.m. daily; closed major holidays and breaks. Admission: free. Karen Volpe, OU Dept. of Art Administrative Assistant and Gallery & Museum Manager 614-823-1792 [email protected]

OUACHITA BAPTIST UNIVERSITY Hammons Gallery Arkadelphia, Arkansas

OTIS COLLEGE OF ART AND DESIGN Ben Maltz Gallery Los Angeles, California The Ben Maltz Gallery at Otis College of Art and Design in Los Angeles, California, offers a diverse program of solo and group exhibitions in a variety of media. Established and emerging artists and designers present a wide variety of contemporary art and ideas. The 3,500-square-foot gallery, which was founded in 1940, is located in the Bronya and Andy Galef Center for Fine Arts on the Elaine and Bram Goldsmith Campus. Annual attendance is 16,000. Ben Maltz Gallery at Otis College of Art and Design, Bronya and Andy Galef Center for Fine Arts, 9045 Lincoln Blvd., Los Angeles, CA 90045-3505. Phones: 310/665-6905 and 310/665-6800. Fax: 310/665-6908. E-mail: [email protected]. Web site: www.otis.edu/benmaltzgallery. Hours: 10-5 Tues.-Wed. and Fri.-Sat., 10-7 Thurs.; closed Sun.-Mon., major holidays, and mid-Dec.-Jan. 1. Admission: free. Meg Linton, Director of Galleries and Exhibitions 310-665-6907 [email protected]

OTTERBEIN UNIVERSITY Miller Gallery and Fisher Gallery Westerville, Ohio A broad range of approaches to art is presented at the Miller and Fisher galleries at Otterbein College in Westerville, Ohio. The diversity of the art world is exemplified by the exhibiting artists, who often give lectures and workshops in conjunction with their exhibitions. Graduating art majors also exhibit their work in Miller Gallery in the Art and

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Exhibitions of works by regional artists, students, and faculty are presented at the Ouachita Baptist University Hammons Gallery in Arkadelphia, Arkansas. The Visual Arts Department gallery is located in the Mabee Fine Arts Center. Ouachita Baptist University Hammons Gallery, Mabee Fine Arts Center, 410 Ouachita St., Arkadelphia, AR 71998. Phone: 870/245-5129. Web site: www.obu.edu/visualarts. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Scott Holsclaw, Dean, OBU Dept. of Visual Arts 870-245-5129 [email protected]

OWENS COMMUNITY COLLEGE Walter E. Tehune Gallery Perrysburg, Ohio The Walter E. Tehune Gallery at Owens Community College in Perrysburg, Ohio, exhibits contemporary and traditional visual art from local and national artists, as well as students and faculty. Founded in 2003, the 1,880-square-foot gallery is located in the Center for Fine and Performing Arts and has an annual attendance of 7,000. Walter J. Tehune Gallery, Owens Community College, Center for Fine and Performing Arts, 30335 Oregon Rd., Perrysburg, OH 43551-4593. Phone: 567/661-2721. Fax: 567/661-7687. E-mail: [email protected]. Web site: www.owens.edu/arts/gallery.html. Hours: 10-4 Mon.-Tues. and Fri., 10-8 Wed.-Thurs., 10-3 Sat.; closed Sun. and college holidays and breaks. Admission: free. Douglas Meade, Chair, Fine & Performing Arts Department 567-661-7081

PACIFIC LUTHERAN UNIVERSITY PACIFIC LUTHERAN UNIVERSITY Art Gallery Tacoma, Washington The Pacific Lutheran University Gallery in Tacoma, Washington, features contemporary artworks with a variety of media and themes by artists from the region and elsewhere. Pacific Lutheran University Gallery, Dept. of Art, Ingram Hall, Tacoma, WA 98447. Phone: 253/535-7450. E-mail: [email protected]. Web site: www.plu.edu/~artd/gallery.html. Hours: 8-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Jp Avila, Chair, Dept. of Art & Design

PALOMAR COLLEGE Boehm Gallery

PASSAIC COUNTY COMMUNITY COLLEGE Broadway Gallery, LRC Gallery, and Hamilton Club Gallery Paterson, New Jersey Exhibitions of contemporary art by regional, national, and international artists are presented in the Broadway, LRC, and Hamilton Club galleries at Passaic County Community College in Paterson, New Jersey. The Broadway and LRC galleries, which trace their founding to 1968, are located in the same building in the downtown historic district, while the Hamilton Club Gallery is in the 1897 neo-Renaissance Hamilton Club Building, a former gentlemen’s club. In addition to contemporary art, the Hamilton Club displays works from the university’s permanent collection of nineteenthand twentieth-century paintings, prints, decorative arts, and sculpture. The galleries have an annual attendance of 54,000.

San Marcos, California

Broadway and LRC Galleries, Passaic County Community College, Broadway and Memorial Dr., Paterson, NJ 07505-1179. Phone: 973/684-6555. Fax: 973/532-6085. E-mail: [email protected]. Web site: www.pcc.edu/artgallery. Hours: Sept.-May-9 a.m.-9 p.m. Mon.-Fri., 9-5 Sat.; closed Sun. and college holidays and breaks; June-Aug.-9 a.m.-9 Boehm Gallery, Palomar College, 1140 W. Mission Rd., San p.m. Mon.-Thurs.; closed Fri.-Sun. Admission: free. Marcos, CA 92069-1415. Phone: 760/744-1150. Fax: Hamilton Club Gallery, Passaic County Community Col760/744-8123. E-mail: [email protected]. Web site: lege, Hamilton Club Bldg., 32 Church St., Paterson, NJ www.palomar.edu/boehmgallery.html. Hours: 10-4 Tues., 07505. Phone: 973/684-5448. Web site: 10-7 Wed.-Thurs., 10-2 Fri.-Sat.; closed Sun.-Mon. and col- www.pccc.edu/art/gallery. Hours: 9-4:30 Mon.-Fri.; closed lege holidays and breaks. Admission: free. Sat.-Sun. and university holidays and breaks. Admission: Exhibitions of contemporary art by local and nationally known artists are mounted by Boehm Gallery at Palomar College in San Marcos, California. The gallery, founded in 1964, has a collection of artworks from the sixteenth century to the present. The annual attendance is 6,500.

Ingram Ober, Director

free. Jane Haw, Director 973-684-5448 [email protected]

PARKLAND COLLEGE Art Gallery Champaign, Illinois The Parkland College Art Gallery in Champaign, Illinois, hosts exhibitions of contemporary art by regional, national, and faculty artists and presents two juried student shows annually. The gallery, founded in 1980, also is the site of biennial national invitational watercolors and ceramic art shows. The gallery’s annual attendance is 10,000.

PENNSYLVANIA STATE UNIVERSITY HUB-Robeson Galleries University Park, Pennsylvania

The HUB-Robeson Galleries consist of a number of art galleries and spaces in the former Paul Robeson Cultural Center (now known as the HUB-Robeson Center) on the Pennsylvania State University campus in University Park (State College). The center, which honors the noted actor Parkland College Art Gallery, 2400 W. Bradley Ave., Chamand singer, has such galleries as the Robeson and HUB galpaign, IL 61821-1899. Phones: 217/351-2485 and leries, dedicated to the inclusiveness of all national and in217/351-2200. Fax: 217/373-3899. E-mail: lcostello@parkternational cultures, artists, and art forms; Art Alley, which land.edu. Web site: www.parkland.edu/gallery. Hours: features a wide variety of art forms and expressions; Exhibit Sept.-May-10-3 and 6-8 Mon. Thurs., 10-3 Fri., 12-2 Sat.; Cases, a cluster of cases with changing displays of the closed Sun. and university and national holidays; works of artists and exhibitions; and Art on the Move ProJune-Aug.-10-2 and 6-8 Mon.-Wed., 10-2 Thurs.; closed gram, which provides exhibits for such other buildings as Fri.-Sun. Admission: free. Old Main, Student Health Center, and cultural lounges of several campus halls. Lisa Costello, Director 217-351-2485 [email protected]

HUB-Robeson Galleries, Pennsylvania State University, 241 HUB-Robeson Center, University Park, PA 16802-6601. Phone: 814/865-2563. Fax: 814/863-0812, E-mail: [email protected]. Web site: www.sa.psu.edu/usa/

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Art Galleries galleries/contact_info.shtml. Hours: Sept.-May-12-6 Tues.-Thurs., 12-4 Fri.-Sun.; closed Mon.; June-Aug.-12-6 Tues.-Thurs., 11-3 Sat.; closed Sun.-Mon. Admission: free. Graeme Sullivan, PSU School of Visual Arts Director [email protected]

PENNSYLVANIA STATE UNIVERSITY Zoller and Patterson Galleries University Park, Pennsylvania The Edwin W. Zoller and Patterson galleries are student exhibition areas in the School of Visual Arts in the Patterson Building at Pennsylvania State University in University Park (State College). They serve as teaching galleries where students learn about the public presentation of their creative work and provide students with experiences similar to what they may encounter in the professional art world. Zoller and Patterson Galleries, Pennsylvania State University, School of Visual Arts, 210 Patterson Bldg., University Park, PA 16802. Phone: 814/865-0444. Web site: www.sova.psu.edu/about_penn_sova/galleries/galleries. Hours: varies. Admission: free. Graeme Sullivan, PSU School of Visual Arts Director [email protected]

PENSACOLA JUNIOR COLLEGE Visual Arts Gallery Pensacola, Florida

PFEIFFER UNIVERSITY Grace and Cameron West Art Gallery Misenheimer, North Carolina Exhibitions at Pfeiffer University in Misenheimer, North Carolina, are displayed in the Grace and Cameron West Art Gallery. Grace and Cameron West Art Gallery, Pfeiffer University, 48380 Hwy. 52, N., Misenheimer, NC 28013. Phone: 704/463-3160. E-mail: [email protected]. Web site: www.pfeiffer.edu. Hours: 10-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Joshua Cross, Director 704-463-3160 [email protected]

PLYMOUTH STATE COLLEGE Karl Drerup Art Gallery Plymouth, New Hampshire The Karl Drerup Art Gallery at Plymouth State College in Plymouth, New Hampshire, seeks to promote interdisciplinary understanding of art and visual culture. Founded in 1969, the gallery presents exhibitions by nationally and internationally known artists and has annual shows of faculty and student works. It is located in the Draper and Maynard Building and has an annual attendance of 6,000. Karl Drerup Art Gallery, Plymouth State College, Draper and Maynard Bldg., MSC 21B, 17 High St., Plymouth, NH 03264-1595. Phone: 603/535-2614. Fax: 603/515-2938. E-mail: [email protected]. Web site: www.plymuth.edu/psc/gallery. Hours: Sept.-May-10-4 Mon.-Tues. and Thurs.-Sat., 10-8 Wed.; closed Sun., June-Aug., and college holidays and breaks. Admission: free.

The Visual Arts Gallery in the Ann Lamar Switzer Center for Visual Arts at Pensacola Junior College in Pensacola, Florida, hosts five exhibitions and two invitational exhibits annually for regional and mid-career artists. The gallery, founded with the establishment of the arts center in 1970, has a collection that includes contemporary drawings, prints, Catherine Amidon, Director of Exhibitions & Gallery paintings, photographs, crafts, and sculpture. Annual atten603-535-2646 [email protected] dance is 28,000. Visual Arts Gallery, Pensacola Junior College, Anna Lamar Switzer Center for Visual Arts, 1000 College Blvd., Pensacola, FL 32504-8910. Phones: 850/484-2554 and 850/484-2550. Fax: 850/484-2564. E-mail: [email protected]. Web site: www.pjc.edu/visarts. Hours: Sept.-May-8 a.m.-9 p.m. Mon.-Thurs., 8-4 Fri., closed Sat.-Sun. and major holidays. Admission: free. Vivian Spencer, Director [email protected]

POLK STATE COLLEGE Art Gallery Winter Haven, Florida The Polk State College Art Gallery in Winter Haven, Florida, offers exhibitions of artists, faculty, and students. Polk State College Art Gallery, 999 Ave. H, N.E., Winter Haven, FL 33881-4156. Phone: 863/297-1050. Fax: 863/297-1053. Hours: Sept.-May-10-12 noon Mon.-Fri.; closed Sat.-Sun., June-Aug., and college holidays and breaks. Admission: free. David Steele, Polk State College Director of Communications [email protected]

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PORTLAND STATE UNIVERSITY PORTLAND STATE UNIVERSITY Art Galleries Portland, Oregon

Hours: 10-4 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Nicholas Battisÿ, Director of Exhibitions 212-647-7778 [email protected]

The Portland State University in Portland, Oregon, has six galleries that exhibit the works of artists, students, and faculty. The five galleries operated by the Department of Art PRESBYTERIAN COLLEGE are the Autzen and MK galleries on two floors of Neuberger Elizabeth Stone Harper Art Gallery Hall and the Art Building; Littman and White galleries on Clinton, South Carolina the second floor of the Smith Building; and Video Gallery on the first floor of the Art Building. A sixth campus gallery, Solo and group exhibitions of works by artists, students, and FTT Art Gallery, is located in the Smith Hall cafeteria. faculty are hosted by the Elizabeth Stone Harper Art Gallery in the Harper Center for the Arts at Presbyterian College in Portland State University Galleries, Dept. of Art, Art Bldg., Clinton, South Carolina. 2000 S.W. 5th Ave., Room 310, Portland, OR 97201 (postal address: PO Box 751, Portland, OR 97207-0751). Phones: Elizabeth Stone Harper Art Gallery, Presbyterian College, 503/725-3515 and 800/547-8887, Ext. 3515. E-mail: Harper Center for the Arts, 530 S. Broad St., Clinton, SC [email protected]. Web site: www.pdx.edu/art/gallery. Hours: 29325. Phone: 864/833-8655. E-mail: varies with galleries; closed university holidays and breaks. [email protected]. Web site: www.presby.edu/ce/galAdmission: free. lery.html. Hours: Sept.-June-12-5 Tues.-Sat.; closed Sun.-Mon., June-Aug., and college holidays and breaks. AdPatrick Rock, Director mission: free. [email protected] Ralph Paquin, PC Art Department Chairperson [email protected]

PRATT INSTITUTE Rubelle and Norman Schafler Gallery, President’s Office Gallery, and Pratt Manhattan Gallery

PURDUE UNIVERSITY Art Galleries

Brooklyn, New York

West Lafayette, Indiana

Pratt Institute in Brooklyn, New York has three art galleries-the Rubelle and Norman Schafler Gallery and President’s Office Gallery on the Brooklyn campus and the Pratt Manhattan Gallery at the institute’s site in New York City. The 2,300-square-foot Schafler Gallery, founded in 1967, exhibits the art and design work of students and faculty. The gallery’s annual attendance is 10,000. The 2,200-square-foot Manhattan Gallery, established in 2002, mounts thematic exhibitions and artist and graduating student shows. Its annual attendance is 30,000. The President’s Office Gallery presents exhibitions by artists and from the institute’s collection, which includes nineteenth- and twentieth-century paintings, sculpture, prints, decorative arts, and graphics by American and European artists.

The Purdue University Galleries in West Lafayette, Indiana, consist of a series of exhibition spaces managed as a unit. They provide a variety of perspectives on art and society, with the emphasis on exhibitions of regional, national and international appeal and artists with a proven commitment to artistic exploration through contemporary aesthetics. Among the galleries are the Stewart Center Gallery, which presents changing exhibitions in the Stewart Center, and the new Robert L. Ringel Gallery, which displays works from the galleries’ permanent collection, in the Purdue Memorial Union. The Purdue gallery program began in 1978 and now serves nearly 25,000 annually.

Rubelle and Norman Schafler Gallery, Pratt Institute, 200 Willoughby Ave., Brooklyn, NY 11205-3802. Phone: 718/636-3517. Fax: 718/399-4230. E-mail: [email protected]. Web site: www.pratt.edu/exhibitions. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Pratt Manhattan Gallery, Pratt Institute, 144 W. 14th St., 2nd Floor, New York, NY 10011-7301. E-mail: [email protected]. Web site: www.pratt.edu/exhibitions. Hours: Sept.-July-10:30-5:30 Mon.-Fri., 12-5 Sat.; closed Sun., Aug., and major holidays. Admission: free.

Purdue University Galleries, Yue-Kong Pao Hall of Visual and Performing Arts, 552 W. Wood St., West Lafayette, IN 47907-2002. Phones: 765/494-3061 and 765/496-7899. Fax: 765/496-2817. E-mail: [email protected]. Web site: www.purdue.edu/galleries. Hours: 10-5 Mon.-Wed. and Fri.-Sat., 10-8 Thurs., 1-5 Sun.; closed university holidays. Admission: free. Craig Martin, Director 765-494-3061 [email protected]

President’s Office Gallery, Pratt Institute, Main Bldg., 200 Willoughby Ave., Brooklyn, NY 11205-3802. E-mail: [email protected]. Web site: www.pratt.edu/exhibitions.

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Art Galleries QUEENS COLLEGE, CITY UNIVERSITY OF NEW YORK Arts Center Flushing, New York In 1987, the Queens College Arts Center succeeded the Klapper Library Art Center that was located at Queens College, City University of New York, in Flushing since 1960. It has had more than 200 exhibitions since then featuring modern and contemporary art by established and emerging artists in diverse media. Queens College Art Center, Queens College, City University of New York, 6530 Kissena Blvd., Flushing, NY 11367. Phone: 718/997-3770. E-mail: [email protected]. Web site: www.qcpages.qc.cuny.edu/art. Hours: 11-7 Mon.-Thurs., 11-5 Sat.; closed Fri., Sun., and college holidays and breaks. Admission: free. Suzanna Simore, Director 718-997-3771 [email protected]

QUEENSBOROUGH COMMUNITY COLLEGE, CITY UNIVERSITY OF NEW YORK QCC Art Gallery Bayside, New York The QCC Art Gallery at Queensborough Community College, City University of New York, in Bayside, New York, presents exhibitions that reflect the ethnic diversity of the college and community and the role of art in the cultural history of people. The gallery was founded in 1966 as part of the college’s educational program, but it was not until 1981 that it offered public programs. It now is housed in the historic 1920s Oakland Building, which once was the club house for the Oakland Country Club and has been renovated as a gallery with exhibitions open to the public. The annual attendance is 35,000. QCC Art Gallery, Queensborough Community College, 222-05 56th Ave., Bayside, NY 11364-1497. Phone: 718/631-6396. Fax: 718/631-6620. Web site: qccartgallery@qcc/cuny.edu. Web site: www.qccartgallery.org. Hours: 10-5 Tues. and Fri., 10-7 Wed.-Thurs., 12-5 Sat.-Sun.; closed Mon. and major holidays. Admission: free. Faustino Quintanilla, Director

RADFORD UNIVERSITY Satellite Galleries Radford, Virginia Two satellite galleries are located on the campus of Radford University in Radford, Virginia, as part of the downtown Radford University Museum (see Art Museums section). They are the Muse Hall Satellite Gallery, which displays local and student art, and Tyler Hall Satellite Gallery, devoted to student art. The galleries supplement two galleries in

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Powell Hall at the museum-Flossie Martin Gallery and Gallery 200. Muse Hall and Tyler Hall Satellite Galleries, Radford University, Radford University Museum, 200 Powell Hall, PO Box 6965, Radford, VA 24142-6965. Phone: 540/831-5754. Fax: 540/831-6799. E-mail: [email protected]. Web site: www.ruartmuseum.asp.radford.edu. Hours: 8 a.m.-8 p.m. daily; closed university holidays and breaks. Admission: free. Steve Arbury, Director 540-831-5475 [email protected]

RANDOLPH-MACON COLLEGE Flippo Gallery Ashland, Virginia The Flippo Gallery at Randolph-Macon College in Ashland, Virginia, features works by contemporary artists. The gallery is located in Pace-Armistead Hall, which is listed on the National Register of Historic Places. Flippo Gallery, Randolph-Macon College, Pace Armistead Hall, 211 N. Center St., Ashland, VA 23005. Phones: 804/752-3018 and 804/752-7200. Web site: www.rmc.edu. Hours: 10-4 Mon.-Fri., Sat.-Sun. by appointment; closed college holidays and breaks. Admission: free. Katie Shaw, Curator 804-752-3018 [email protected]

REED COLLEGE Douglas F. Cooley Memorial Gallery Portland, Oregon The Douglas F. Cooley Memorial Gallery at Reed College in Portland, Oregon, seeks to enhance the academic offerings of the college with a diverse range of exhibitions, lectures, and colloquia. The gallery, founded in 1989, mounts three to four exhibitions during the academic year, sometimes from a collection of twentieth-century American, nineteenth-century European, and other works on paper. Annual attendance is 5,500. Douglas F. Cooley Memorial Gallery, Reed College, 3203 S.E. Woodstock Blvd., Portland, OR 97202-8138. Phones: 503/771-1112 and 503/771-7251. Fax: 503/788-6691. E-mail: [email protected]. Web site: www.reed.edu/gallery. Hours: Sept.-June-12-6 Tues.-Sun.; closed Mon., July-Aug., and college holidays and breaks. Admission: free. Stephanie Snyder, John and Anne Hauberg Curator and Director 503-777-7251 [email protected]

RHODES COLLEGE RHODES COLLEGE Clough-Hanson Gallery Memphis, Tennessee Exhibitions of works by contemporary art are featured at the Clough-Hanson Gallery at Rhodes College in Memphis, Tennessee, from September through March, followed by student exhibitions, a juried student exhibit, and a senior thesis exhibit being presented in April and May. Selections from the college’s art collection of regional paintings and sculpture, Edward Curtis photographs, Asian wood cuts, and twentieth-century prints, fabrics, and other objects sometimes are displayed in the gallery and used in teaching. The gallery was founded in 1970 and annual attendance is 2,300. Clough-Hanson Gallery, Rhodes College, 2000 N. Parkway, Memphis, TN 38112-1690. Phone: 901/843-3442. Fax: 901/843-3727. Web site: www.rhodes.edu/academic/5264.asp. Hours: 11-5 Tues.-Sat.; closed Sun.-Mon. and college holidays and breaks. Admission: free. Hamlett Dobbins, Director 901-843-3442 [email protected]

RICE UNIVERSITY Art Gallery Houston, Texas Rice University Art Gallery in Houston, Texas, is the only university art gallery in the United States dedicated to site-specific installation art. Five times a year, the gallery invites an artist to create a room-sized work of art that transforms the gallery space in which visitors can enter and explore. The gallery has commissioned more than 40 installations since 1995. The annual attendance is nearly 40,000.

hours and breaks; June-Aug.-by appointment. Admission: free. Jenifer Dapper, Facilitator [email protected]

RINGLING COLLEGE OF ART AND DESIGN Art Galleries Sarasota, Florida The Ringing College of Art and Design in Sarasota, Florida, has 12 galleries and exhibition halls that display a wide range of artworks. In addition to Selby Gallery (see Art Museums and Sculpue Gardens section), they include the Richard and Barbara Basch Gallery and Willis A. Smith Exhibition Halls, students, faculty, alumni, and other contemporary artists; Kimbrough Library Gallery, faculty, alumni, and works from it collections; Lilla Searing Center Exhibition Hall, student work; Crossley Gallery, fine arts majors; Patricia Thompson Gallery, alumni work; Hammond Commons Gallery, juried student exhibitions; and Goldstein Gallery, digital filmmaking majors. The two off-campus gallery sites are the Englewood Art Center and Longboat Key Art Center, divisions of the college. They focus on their communities and the work of Ringling College alumni, faculty, and students. Ringling College Galleries, Ringling College Art and Design, 2700 N. Tamiami Trail, Sarasota, FL 34234-5895. Phone: 941/359-7563. Fax: 941/309-1960. Web site: www.ringling.edu. Hours: varies with galleries. Admission: free. Christine Lange, Special Assistant to the President, Community & Media Relations 941-359-7594 [email protected]

Rice University Art Gallery, Sewall Hall, 6100 Main St., Houston, TX 77005. Phone: 713/348-6069. Web site: www.ricegallery.org. Hours: Sept.-May-9-5 Mon.-Sat.; closed Sun., June-Aug., and university holidays and breaks. Admission: free.

RIVERSIDE CITY COLLEGE Art Gallery

Kimberly Davenport, Director and Chief Curator [email protected]

The Quad Gallery at Riverside City College in Riverside, California, hosts student, faculty, and artist exhibitions in the Quad Building. It has a collection of paintings.

RICHLAND COMMUNITY COLLEGE David Erlanson Art Gallery Decatur, Illinois Since opening in 2000, the David Erlanson Art Gallery at Richland Community College in Decatur, Illinois, has displayed the work of students, faculty, and regional artists. David Erlanson Art Gallery, Richland Community College, 1 College Park, Decatur, IL 62521. Phone: 217/875-7211, Ext. 344. Web site: www.richland.edu/gallery. Hours: Sept.-May-10-3 Mon.-Fri.; closed Sat.-Sun. and university

Riverside, California

Quad Gallery, Riverside City College, 140 Quad Bldg., 4800 Magnolia Ave., Riverside, CA 92506. Phones: 951-222-8358 and 951/316-1311. E-mail: [email protected]. Web site: www.academic.rcc.edu/art/exhibitions.jsp. Hours: 10-3 Mon.-Wed., 10-3 and 6-8 Thurs.; closed Fri.-Sun. and college holidays and breaks. Admission: free. Joey Smith, RCC Art Department 951-222-8793 [email protected]

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Art Galleries ROCKFORD COLLEGE Art Gallery Rockford, Illinois The Rockford College Art Gallery in Rockford, Illinois, hosts exhibitions of visiting artists and students in a 1,400-square-foot exhibit space in the Clark Arts Center. The college also has a collection of twentieth-century paintings, prints by modern and contemporary artists; ethnographic art; photographs; ceramics; drawings; and installations. Rockford College Art Gallery, Clark Arts Center, 5050 E. State St., Rockford, IL 61108-2393. Phone: 815/226-4105. Fax: 815/394-5167. E-mail: [email protected]. Web site: www.rockford.edu/?page-artgallery. Hours: Sept.-May-12-3 Tues. and Thurs., 3-6 Wed. and Fri.-Sat; closed Sun.-Mon., June-Aug., and college holidays and breaks. Admission: free. Phillip Soosloff 815-226-4034 [email protected]

ROCKY MOUNTAIN COLLEGE OF ART + DESIGN Phillip J. Steele Gallery Lakewood, Colorado

Hours: 10-5 Mon.-Fri., 12-5 Sat.; closed Sun. and university holidays and breaks. Admission: free. Mary Salvante, Gallery and Exhibitions Program Director 856-256-4521 [email protected]

RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY Paul Robeson Galleries Newark, New Jersey The Paul Robeson Galleries on the Newark Campus of Rutgers, The State University of New Jersey honors the African American athlete, singer, actor, and advocate for the civil rights around the world. The galleries, founded in 1979, have a main gallery and four other sites in the Paul Robeson Campus Center that present changing exhibitions of works by artists, faculty, and students. Annual attendance is 5,000. Paul Robeson Galleries, Rutgers University, Paul Robeson Campus Center, 350 Dr. Martin Luther King, Jr. Blvd., Newark, NJ 07102. Phone: 973/353-1610. Fax: 973/353-5912. E-mail: [email protected]. Web site: www.andromeda.rutgers.edu/artgallery. Hours: 10-5 Mon.-Wed., 12-7 Thurs.; closed Fri.-Sun. and national and university holidays. Admission: free. Anonda Bell, Director & Curator 973-353-1609 [email protected]

The Phillip J. Steele Gallery is a 450-square-foot gallery that features the work of students and visiting artists and designers at the Rocky Mountain College of Art + Design in Lakewood, Colorado. The gallery, the largest of a number of SACRED HEART UNIVERSITY galleries at the art and design school, began in 1963 when Gallery of Contemporary Art the college was founded by Steele. Fairfield, Connecticut Phillip J. Steele Gallery, Rocky Mountain College of Art and Design, 1600 Pierce Ave., Lakewood, CO 80214-1897. Phone: 800/888-2787. Fax: 303/759-4970. E-mal: [email protected]. Web site: www.rmcad.edu/exhibitions. Hours: 12-5 Mon.-Sat.; closed Sun. and major holidays. Admission: free. Cortney Lane Stell, Director 720-244-0467 [email protected]

ROWAN UNIVERSITY Art Gallery Glassboro, New Jersey The Rowan University Art Gallery in Glassboro, New Jersey, shows all forms of visual expression and new media. Contemporary art is exhibited from the region, nation, and world. The gallery, formerly the Wesby Art Gallery, is located in Wesby Hall. Rowan University Art Gallery, Wesby Hall, 201 Mullica Hill Rd., Glassboro, NJ 08028. Phone: 856/256-4521. E-mail: [email protected]. Web site: www.rowan.edu.

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Works of contemporary artists from New England and New York are featured at the Gallery of Contemporary Art at Sacred Heart University in Fairfield, Connecticut. The gallery, which opened in 1989, also presents exhibitions of artists from other countries, students, and faculty. Gallery of Contemporary Art, Sacred Heart University, 5151 Park Ave., Fairfield, CT 06825-1000. Phone: 203/365-7650. Fax: 203/396-8361. E-mail: [email protected]. Web site: www.sacredtheart.edu. Hours: mid-Sept.-May-12-5 Mon.-Thurs., 12-4 Sun.; closed Fri.-Sat., June-early Sept., and university holidays and breaks. Admission: free. Sophia Gevas, Director 203-365-7650 [email protected]

SAGE COLLEGE OF ALBANY Opalka Gallery and Little Gallery Albany, New York In 2002, the Opalka Gallery replaced the Rathbone Gallery, which had served the Sage College in Albany, New York, for 25 years. The Opalka Gallery occupies a new 7,400-square-foot facility on the Sage College of Albany

SALISBURY STATE UNIVERSITY Campus. Its primary focus is on the work of professional SAN DIEGO STATE UNIVERSITY artists from outside the region and frequently features multi-disciplinary projects. The gallery also often has poetry Art Gallery readings, recitals, and symposia in conjunction with exhibi- San Diego, California tions. The Department of Visual Arts also has the Little GalThe University Art Gallery at San Diego State University in lery in Rathbone Hall that shows student and faculty art. California presents exhibitions of contemporary art by reOpalka Gallery, Sage College of Albany, 140 New Scotland gional, national, and international artists, accompanied by such educational programs as lectures and gallery talks. The Ave., Albany, NY 12208-3491. Phone: 518/292-7742. 2,500-square-foot School of Art, Design Art, and Art HisE-mail: [email protected]. Web site: www.sage.edu/opalka. Hours: Sept.-May-10-4 Mon.-Thurs., tory gallery in the Art Building has an annual attendance of 10-4:30 Fri., 12-4 Sun.; closed Sat., Aug., and college holi- 5,000. days and breaks; June-July-10-6 Mon.-Fri.; closed Sat-Sun. University Art Gallery, San Diego State University, School and July 2-5. Admission: free. of Art, Design Art, and History, 505 Art Bldg., 5500 Campanile Dr., San Diego, CA 92182. Phone: 619/594-5171. Little Gallery, Sage College of Albany, Rathbone Hall, 140 Fax: 619/594-1217. E-mail: [email protected]. Web site: New Scotland Ave., Albany, NY 12208-3491. Phone: www.artgallery.sdsu.edu. Hours: Sept.-May-12-4 Phone: 518/292-8625. E-mail: [email protected]. Web site: www.sage.edu/academics/visualarts/galleries/little_gal- Mon.-Thurs. and Sat.; closed Fri., Sun., June-Aug., and unilery. Hours: Sept.-May-12-4 Mon.-Fri. and Sun.; closed Sat. versity holidays and breaks. Admission: free. and college holidays and breaks. Admission: free. Tina Yapelli, Director

Jim Richard Wilson, Opalka Gallery Director [email protected]

SALISBURY STATE UNIVERSITY Art Galleries Salisbury, Maryland Salisbury State University in Salisbury, Maryland, hosts eight to 10 exhibitions each academic year in two galleries-Futon Hall Gallery and Atrium Gallery. The exhibitions frequently are supplemented by interrelated cultural events such as gallery tours; slide-lectures by artists, curators, and art historians; panel discussions, gallery music; and film screenings. The galleries serve 20,000 visitors annually. The Art Department also has an Electronic Gallery, located in the Teacher Education and Technology Center, which features exhibitions of video animation, sound art, and other electronically-based media. In addition, a Student Art Center, located in a renovated house, enables students to meet informally and display their work in small group shows. Salisbury State University Galleries, 1101 Camden Ave., Salisbury, MD 21801-6837. Phones: 410/548-2547 and 410/548-6000. Fax: 410/548-3002. E-mails: [email protected] and [email protected]. Web site: www.salisbury.edu/universitygalleries. Hours: Fulton Hall-Sept.-May: 10-4 Tues.-Fri., 12-4 Sat.-Sun.; closed Mon., June-Aug., and major holidays; Atrium Gallery-Sept.-May: 10-4 Mon.-Wed.; closed Thurs.-Sun., June-Aug., and major holidays. Admission: free. Debbie Wilkins, Gallery Assistant 410-548-3972 [email protected]

SAN FRANCISCO ART INSTITUTE Walter Gallery and McBean Gallery San Francisco, California The Walter and McBean galleries, which have 3,000 square feet of gallery space at the San Francisco Art Institute in California, house exhibitions, workshops, and other alternative and experimental ways to present work by international contemporary artists. In addition to exhibiting their work, artists spend a few days to several months lecturing, presenting new projects, giving critiques, and/or leading seminars. Student work also is exhibited at several other sites, including the Diego Rivera Gallery, which features a Rivera mural. Annual attendance at the Walter and McBean galleries is 18,000. Walter and McBean Galleries, San Francisco Art Institute, 800 Chestnut St., San Francisco, CA 94133-2299. Phone: 415/749-4563. Fax: 415/351-3516. E-mail: [email protected]. Web site: www.sfai.edu. Hours: 11-6 Tues.-Sat.; closed Sun.-Mon. and major holidays. Admission: free. Hou Hanru, Director of Exhibitions and Public Programs

SAN FRANCISCO STATE UNIVERSITY Fine Arts Gallery and Martin Wong Gallery San Francisco, California The Department of Art at San Francisco State University in California has two art galleries-Fine Arts Gallery and Martin Wong Gallery. The Fine Arts Gallery presents four exhibitions annually in the Fine Arts Building. Two of the exhibitions explore international contemporary art and the history of diversity of art in the state and the West. The other two are devoted to student art, including a juried show of undergraduate art students and the annual master of fine arts graduate thesis exhibition. The Martin Wong Gallery

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Art Galleries gives emerging undergraduate students an opportunity to ex- Tues.-Wed.; closed Fri.-Mon., June-Aug. and college holihibit their work in a professional context and obtain a better days and breaks. Admission: free. understanding of installation, presentation, and handling SAC Art Gallery, Santa Ana College, Santora Bldg., 207 N. techniques and management and communication skills. Broadway, Suite Q, Santa Ana, CA 92701. Phone: Fine Arts and Martin Wong Galleries, San Francisco State 714/564-5605. Web site: www.ext.sac.edu/acaUniversity, Fine Arts Bldg., 1600 Holloway Ave., San Fran- demic_rogs/art/galleries. Hours: 12-4 Thurs.-Sat.; closed cisco, CA 94132. Phones: 415/338-6535 and 415/338-1111. Sun.-Wed. and college holidays and breaks. Admission: E-mails: [email protected] and [email protected]. Web free. sites: www.art.sfsu.edu/fine-arts-gallery and Mayde Herberg, Director www.art.sfsu.edu/martin-wong-gallery. Hours: Fine Arts Gallery-11-4 Wed.-Sat.; closed Sun.-Tues. and university holidays and breaks; Martin Wong Gallery-12-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. AdmisSANTA FE COLLEGE sion: free. Sharon Bliss, Manager 415-338-6942

Art Galleries

Gainesville, Florida

Exhibitions of works by artists, faculty, and students are presented at Santa Fe College’s two primary galleries-the SAN JOSE STATE UNIVERSITY 1,800-square-foot Santa Fe Gallery in Building M and the President’s Hall Gallery in the Robertson Administration Natalie and James Thompson Gallery Building-on the Northwest Campus in Gainesville, Florida. San Jose, California Other college exhibit sites include the Student Life Art GalThe School of Art and Design at San Jose State University in San Jose, California, has nine galleries, with the principal lery at the Center for Student Leadership and Activities, deexhibition hall being the Natalie and James Thompson Gal- voted to student art; and galleries at the Blount Center in lery. The other eight galleries are smaller and devoted to dis- downtown Gainesville, Andrews Center in Starke; and Davis Center in Archer. The annual attendance of the two main playing student art. The professionally-curated Thompson galleries is 10,000. Gallery features the work of professional artists and explores varied issues of contemporary and historical arts and Santa Fe College Galleries, Northwest Campus, 3000 N.W. design. It has an annual attendance of 15,000. 83rd St., Bldg. 7, Room 147, Gainesville, FL 32606-6210. Natalie and James Thomson Gallery, San Jose State Univer- Phone: 352/395-5621. Fax: 352/395-4432. sity, School of Art and Design, 116 Art Bldg., 1 Washington E-mai.:[email protected]. Web site: www.dept.sfcollege.edu/vpa/gallery/schedule.html. Hours: Sq., San Jose, CA 95192-0089. Phones: 408/924-4320 and 12-4 Mon.-Fri.; closed Sat.-Sun. and college holidays and 408/924-4327. Fax: 408/924-4326.E-mail: breaks. Admission: free. [email protected]. Web site: www.ad.sjsu.edu/places/thomsongallery. Hours: Jayn‚ Grant, Manager 352-395-5464 Sept.-May-11-4 and 6-7:30 Tues., 11-4 Wed.-Fri.; closed [email protected] Sat.-Mon., June-Aug., and university holidays and breaks. Admission: free. Jo Farb Hernandez, Director [email protected]

SANTA ROSA JUNIOR COLLEGE Art Gallery Santa Rosa, California

SANTA ANA COLLEGE Art Galleries Santa Ana, California The Santa Ana College in Santa Ana, California, has two galleries that display works by prominent Southern California artists, students, and faculty. The Main Art Gallery is located on the campus in Santa Ana and the SAC Art Gallery is in the downtown Santora Arts Complex. Art students also gain experience in planning, designing, and installing exhibits by working with gallery personnel. The annual attendance is 15,000.

The Santa Rosa Junior College Art Gallery, which was founded in 1973 in Santa Rosa, California, relocated to a new first-floor space in the Frank P. Doyle Library in 2007. The gallery exhibits work by artists from outside the area, as well as an annual student show and an occasional faculty exhibition. Santa Rosa Junior College Art Gallery, Frank P. Doyle Library, 1501 Mendocino Ave., Santa Rosa, CA 95401-4395. Phone: 707/527-4298. E-mail: [email protected]. Web site: www.santarosa.edu//artgallery. Hours: Sept.-May-10-4 Mon.-Thurs., 12-4 Sat; closed Fri., Sun., June-Aug., and college holidays and breaks. Admission: free.

Santa Ana College Main Gallery, 1530 W. 17th St., Santa Ana, CA 92701. Phone: 714/564-5615. Fax: 714/564-5629. Web site: www.sac.edu/academic_progs/art/galleries. Hours: Stephanie Sanchez, Director Sept.-May-10-2 Mon. and Thurs., 10-2 and 6:30-8:30 [email protected]

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SAVANNAH COLLEGE OF ART AND DESIGN SAVANNAH COLLEGE OF ART AND DESIGN Art and Design Galleries

SCHULER SCHOOL OF FINE ARTS Schuler Gallery

Savannah, Georgia

The Schuler School of Fine Arts in Baltimore, Maryland, has an art gallery that displays examples of classical realist paintings, drawings, prints, and sculptures, as well as student and staff art. The gallery was established in 1959.

The Savannah College of Art and Design in Savannah, Georgia, has 10 galleries on its four sites in Savannah, Atlanta, Hong Kong, and Lacoste, France. They include the Red Gallery, ACA Gallery of SCAD, Pei Ling Chan Gallery, Pinnacle Gallery, and La Galerie Bleue. They all show a variety of art. The Pinnacle Gallery, founded in Savannah in 1979, was the first of the galleries and now has 25,000 visitors annually. The college’s collection consists of works by prominent artists and emerging alumni. The ACA Gallery of SCAD at the Woodruff Arts Center in Atlanta began as part of the Atlanta College of Art, which merged with the Savannah College of Art and Design, and now serves 12,000 visitors a year. Pinnacle Gallery, Savannah College of Art and Design Galleries, 201 E. Broughton St., Savannah, GA 31401-3401 (postal address: PO Box 3146, Savannah, GA 31402-3146). Phone: [email protected]. Web site: www.scad.edu. Hours: Hours: 10-6 Mon.-Fri., 10-5 Sat., 1-4 Sun.; closed major holidays. Admission: free. ACA Gallery of SCAD, Savannah College of Art and Design Galleries, Woodruff Arts Center, 1280 Peachtree St., Atlanta, GA 30309 (postal address: PO Box 3146, Savannah, GA 31402-3146). Web site: www.acagallery.org. Hours: 11-5 Tues.-Thurs., 11-8 Fri., 12-5 Sat.-Sun.; closed Mon. and major holidays. Admission: free. Laurie Ann Farrell, Director of Exhibitions

SCHOOL OF THE ART INSTITUTE OF CHICAGO School of the Art Institute of Chicago Sullivan Galleries Chicago, Illinois The Sullivan Galleries of the School of the Art Institute of Chicago are one of four gallery sites at the art school. The Sullivan Galleries, founded in 1984 and formerly called Gallery 2, now are located at the Sullivan Center. They host artist and student exhibitions and an annual popular fashion show and have an annual attendance of 118,400. Other galleries are the Betty Rymer Gallery, operated like the Sullivan Galleries, but located at the Art Institute site, and the Student Union Galleries (LG Space and Gallery X), which are student-run galleries at two other nearby locations. School of the Art Institute of Chicago Sullivan Galleries, 33 S. State St., 7th Floor, Chicago, IL 60603-2809. Phone: 312/629-6635. Fax: 312/629-6636. Web site: www.saic.edu/exhibitions. Hours: 11-6 Tues.-Sat.; closed Sun.-Mon. and major holidays. Admission: free.

Baltimore, Maryland

Schuler Gallery, Schuyler School of Fine Arts, 9 E. Lafayette Ave, Baltimore, MD 21202. Phone: 410/685-3568. Fax: 410/727-5821. E-mail: [email protected] . Web site: www.schulerschool.com. Hours: 9-4 Mon.-Fri., 9-12 Sat., 1-4 Sun., and by appointment; closed major holidays. Admission: free. Francesca S. Guerin, School Director

SCRIPPS COLLEGE Ruth Chandler Williamson Gallery Claremont, California The Ruth Chandler Williamson Gallery at Scripps College in Claremont, California, features the works of artists, most often women artists, and hosts the nation’s oldest and largest annual ceramic show. The long-established Lang Gallery became the Williamson Gallery in 1993 and moved into a new facility the following year. The college collection includes American paintings, Japanese prints and ceramics; African sculpture; American, British, Korean, Mexican, and Japanese contemporary ceramics; cloisonne; prints; drawings; and photographs. The annual attendance is 5,200. Ruth Chandler Williamson Gallery, Scripps College, 1030 Columbia Ave., Claremont, CA 91711-3905. Phones: 909/607-3397 and 909/607-4690. Fax: 909/607-4691. E-mail: [email protected]. Web site: www.scrippscollege.edu/dept/gallery. Hours: 1-5 Wed.-Sun.; closed Mon.-Tues. and college holidays and breaks. Admission: free. Mary MacNaughton, Director 909-607-3517 [email protected]

SEMINOLE STATE COLLEGE Fine Arts Gallery Sanford, Florida Exhibitions of professional artists’ work and an annual juried student show are featured at the Seminole State College Fine Arts Gallery in the Fine and Performing Arts Building on the Lake Mary Campus in Sanford, Florida. Fine Arts Gallery, Seminole State College, Fine and Performing Arts Bldg., 100 Weldon Blvd., Sanford, FL 32773-6199. Phone: 407/708-2040. Web site: www.seminolestate.edu/arts/art/exhibition.htm. Hours: 9-4

Ann Wiens 312-629-6135 [email protected]

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Art Galleries Mon.-Thurs.; closed Fri.-Sun. and college holidays and breaks. Admission: free.

gallery. Hours: Sept.-May-8:-4:30 Mon.-Fri.; Sat.-Sun. by appointment; closed June-Aug. and college holidays and breaks. Admission: free.

Megan Stepe, Curator 407-708-2704 [email protected]

Justin Nostrala,, Chair, Simpson College Dept. of Art

SETON HALL UNIVERSITY Walsh Gallery

SKIDMORE COLLEGE Schick Art Gallery

South Orange, New Jersey

Saratoga Springs, New York

The Walsh Gallery is the primary exhibition space at Seton Hall University in South Orange, New Jersey. It mounts exhibitions that range from fine arts to historical topics that often emphasize interdisciplinary themes. The gallery, housed in the university library, features the work of professional artists and traveling exhibitions.

Skidmore College in Saratoga Springs, New York, has one of the oldest histories for an art gallery on a college campus. It all began in 1926 in a carriage house dating from the nineteenth century when the area was an elegant resort community. It became the Hathorn Gallery, and then was replaced by the Schick Art Gallery in the Saisselin Art Building in 1978. The Schick Gallery now features contemporary art exhibitions from artists, private collectors, and other galleries and museums. In addition, it presents an annual faculty exhibition, juried student show, and invitational alumni exhibition. Annual attendance is 25,000.

Walsh Gallery, Seton Hall University, Library, 400 S. Orange Ave., South Orange, NJ 07079-2697. Phone: 973/275-2033. Fax: 973/761-9550. E-mail: [email protected]. Web site: www.library.shu.edu/gallery. Hours: 10:30-4 Mon.-Thurs.; closed Fri.-Sun. and university holidays and breaks. Admission: free. Jeanne Brasile, Director 973-275-2033 [email protected]

Schick Art Gallery, Skidmore College, Saisselin Art Bldg., 815 N. Broadway, Saratoga Springs, NY 12866-1698. Phones: 518/580-5049 and 515/580-5000. Fax: 516/580-5029. E-mail: [email protected]. Web site: www.skidmore.edu/schick. Hours: Sept.-May-9-5 Mon.-Fri., 1-4:30 Sat.-Sun.; June-Aug.-varies; closed college holidays and breaks. Admission: free.

SIENNA HEIGHTS UNIVERSITY Klemm Gallery

Peter Stake, Director [email protected]

Adrian, Michigan Klemm Gallery at Sienna Heights University in Adrian, Michigan, presents changing monthly exhibitions of the works of professional artists, faculty, and students. Klemm Gallery, Sienna Heights University, 1247 E. Sienna Heights Dr., Adrian, MI 49221-1755. Phones: 517/264-7860 and 517/264-7863. Fax: 517/264-7738. E-mail: [email protected]. Web site: www.studioangelico.com. Hours: Sept.-May-9-4 Tues.-Fri., 12-4 Sun.; closed Mon., Sat., June-Aug., and university holidays and breaks. Admission: free.

Aliso Viejo, California

Deborah Danielson, Director [email protected]

Founders Hall Art Gallery, Soka University of America, 1 University Dr., Aliso Viejo, CA 92656-8081. Phones: 949/480-4081 and 949/480-4108. Fax: 949/480-4110. E-mail: [email protected]. Web site: www.soka.edu, Hours: 9-5 Mon.-Fri.; closed Sat-Sun. and university holidays. Admission: free.

SIMPSON COLLEGE Farnham Galleries Indianola, Iowa A wider range of artists, artistic styles, and media are presented by Farnham Galleries at Simpson College in Indianola, Iowa. The galleries, founded in 1982, are located in Mary Berry Hall and have an annual attendance of 300. Farnham Galleries, Simpson College, Mary Berry Hall, 701 N. C St., Indianola, IA 50125-1202. Phones: 515/961-1761 and 800/362-2454. Fax: 515/961-1498. E-mail: [email protected]. Web site: www.sampson.edu/art/

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SOKA UNIVERSITY OF AMERICA Founders Hall Art Gallery Works by professional artists and students are displayed in the two-story 8,000-square-foot Founders Hall Art Gallery at the Soka University of America in Aliso Viejo, California. The university’s collection features works by national and international artists, as well as other paintings, photographs, and sculptures.

Arch Asawa, Chairman, Soka University Art Gallery Committee [email protected]

SONOMA STATE UNIVERSITY Art Gallery Rohnert Park, California The University Art Gallery at Sonoma State University in Rohnert Park, California, presents exhibitions of modern

SOUTH DAKOTA SCHOOL OF MINES AND TECHNOLOGY and contemporary art by artists of regional, national, and inSOUTHERN UTAH UNIVERSITY ternational significance. The gallery, founded in 1977, also shows the work of students and faculty members. Annual at- Braithwaite Fine Arts Gallery tendance is 2,000. Cedar City, Utah University Art Gallery, Sonoma State University, 1801 E. Cotati Ave., Rohnert Park, CA 94928-3609. Phone: 707/664-2295. Fax: 707/664-2054. E-mail: [email protected]. Web site: www.sonoma.edu/artgallery. Hours: Sept.-May-11-4 Tues.-Fri., 12-4 Sat.-Sun.; closed Mon., June-Aug., and university holidays and breaks. Admission: free. Michael Schwager, Director 707-664-2720 [email protected]

SOUTH DAKOTA SCHOOL OF MINES AND TECHNOLOGY Apex Gallery Rapid City, South Dakota The Apex Gallery at the South Dakota School of Mines and Technology in Rapid City features contemporary works by artists and scientists that reflect a cross section of cultural expressions and perspectives. It also conducts collaborative programming and exhibitions with the Dahl Arts Center in Rapid City. The gallery, established in 1989, presents a new exhibit every four to six weeks. Apex Gallery, South Dakota School of Mines and Technology, Bldg. 211, 501 E. St. Joseph St., Rapid City, SD 57701. E-mail: [email protected]. Web site: www.apexgallery.sdsmt.edu. Hours: Sept.-May-10-5 Mon.-Sat., 1-5 Sun.; closed long weekends and holidays; June-Aug.-10-5 Mon.-Fri.; closed Sat.-Sun. and long weekends and holidays. Admission: free. Deborah J. Mitchell, Director 605-394-1254 [email protected]

SOUTH SEATTLE COMMUNITY COLLEGE Art Gallery

The Braithwaite Fine Arts Gallery at Southern Utah University in Cedar City presents traveling exhibitions and works by artists of Utah and the university’s art students and faculty. Founded in 1976, the gallery is located in the Braithwaite Liberal Arts Center and has an annual attendance of 10,000. Braithwaite Fine Arts Gallery, Southern Utah University, Braithwaite Liberal Arts Center, 351 W. Center St., Cedar City, UT 84720-2470. Phone: 435/586-5432. Fax: 435/865-8012. E-mail: [email protected]. Web site: www.suu.edu/pva/artgallery. Hours: Sept.-May-12-7 Tues.-Sat.; closed Sun.-Mon. and university holidays and breaks; June-Aug.-11-7 Mon.-Sat.; closed Sun. and major holidays. Admission: free. Reece Summers, Director 435-586-5433 [email protected]

SOUTHERN VERMONT COLLEGE Burghdorf Gallery Bennington, Vermont The Burghdorf Gallery at Southern Vermont College in Bennington is located on the entrance floor of the 1910-14 Everett Mansion, patterned after English/Norman castles of the fourteenth century and listed on the National Register of Historic Places. The historic structure was built by glass and bottle magnate Edward Everett and became part of the college when founded in 1926. Annual attendance is 5,000. Burghdorf Gallery, Southern Vermont College, 982 Mansion Dr., Bennington, VT 95201-9269. Phone: 802/447-6316. Fax: 802/447-4695. E-mail: [email protected]. Web site: www.svc.edu. Hours: 9-3 Mon-Fri., closed Sat.-Sun. and major holidays. Admission: free. Susan Biggs, Director of Communications, Southern Vermont College [email protected]

Seattle, Washington The South Seattle Community College in West Seattle, Washington, seeks to introduce students and the community at large to emerging and unique artists and their works. South Seattle Community College Art Gallery, Jerry Brockey Student Center, 6000 16th Ave., S.W., Seattle, WA 98106-1499. Phone: 206/764-5337. E-mail: [email protected]. Hours: 12-6:30 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks. Admission: free. Tracy Cilona 206-764-5337 [email protected]

SPOKANE FALLS COMMUNITY COLLEGE Fine Arts Gallery Spokane, Washington The Spokane Falls Community College Fine Arts Gallery in Washington has eight exhibitions a year. Five are dedicated to the traditional and non-traditional work of established and emerging artists and three to graduating fine art and graphic design students and students enrolled in an installation workshop. The exhibitions by regional, national, and international artists frequently are accompanied by lectures. In

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Art Galleries addition, the college has a visiting artist lecture series featuring well-known artists, critics, and curators. Spokane Fall Community College Fine Arts Gallery, Fine Arts Bldg., Bldg. 6, 3410 W. Fort George Wright Dr., Spokane, WA 99224-5288. Phone: 509/533-3710. Fax: 509/533-3484. E-mail: [email protected]. Web site: www.spokanefalls.edu/academic/fineart/fineartgallery.asx. Hours: Hours: Sept.-May-8:30-3:30 Mon.-Fri., 11-2 Sat.; closed Sun., June-Aug., and college holidays and breaks. Admission: free. Tom O’Day 509-533-3746 [email protected]

ST. ANDREWS PRESBYTERIAN COLLEGE Vardell Gallery Laurinburg, North Carolina Works by recognized artists as well as students, alumni, and community artists are presented in exhibitions at the Vardell Gallery at St. Andrews Presbyterian College in Laurinburg, North Carolina. Vardell Gallery, St. Andrews Presbyterian College, 1700 Dogwood Mile, Laurinburg, NC 28352-5521. Phone: 910/277-5557. Fax: 910/277-5020. E-mail: [email protected]. Web site: www.sapc.edu. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and college holidays. Admission: free. Stephanie McDavid, Director

ST. ANSELM COLLEGE Alva de Mars Megan Chapel Art Center Manchester, New Hampshire A former college chapel is the home of the Alva de Mars Megan Chapel Art Center at St. Anselm College in Lebanon, New Hampshire. The chapel, converted to a gallery in 1963, houses special exhibitions by artists, a juried student show, and a small permanent collection and often is the site of lectures, concerts, recitals, and tours. Alva de Mars Megan Chapel Art Center, St. Anselm College, 100 St. Anselm Dr. #1718, Manchester, NH 03102-1308. Phones: 603/641-7470 and 603/641-7000. Fax: 603/641-7116. E-mail: [email protected]. Web site: www.anselm;.edu/chapelart. Hours: Sept.-May-10-4 Tues.-Wed. and Fri.-Sat., 10-7 Thurs.; closed Sun.- Mon., June-Aug., and college holidays and breaks. Admission: free. Iain MacLellan, Director [email protected]

ST. JOHN’S COLLEGE Elizabeth Myers Mitchell Gallery Annapolis, Maryland The Elizabeth Myers Mitchell Gallery at St. John’s College in Annapolis, Maryland, seeks to establish connections between the visual arts and the liberal arts and to present exhibitions of unique historical and regional interest. Founded in 1989, the 1,825-square-foot gallery hosts three to four exhibitions each year featuring local and other artists and works. The college has a collection of sixteenth-century Italian art, seventeenth-century Dutch art, and twentieth-century American and Japanese art. The gallery’s annual attendance is 13,000. Elizabeth Myers Mitchell Gallery, St. John’s College, Mellon Hall, 60 College Ave., Annapolis, MD 21401-1687 (postal address: PO Box 2800, Annapolis, MD 21404-2800). Phones: 410/626-2556 and 410/263-2371. Fax: 410/26-2886. Web site: www.stjohnscollege.edu/events/an/art/main.shtml. Hours: 12-5 Tues.-Thurs and Sat.-Sun., 12-5 and 7-8 Fri.; closed Mon. and college holidays and breaks. Admission: free. Hydee Schaller, Director [email protected]

ST. JOHNS RIVER COMMUNITY COLLEGE Thrasher-Horne Center for the Arts Galleries Orange Park, Florida St. Johns River Community College has two galleries-Jack Mitchell Gallery and Lee Adams Florida Artists Gallery-in its new Thrasher-Horne Center for the Arts on the Orange Park, Florida, campus. The Mitchell Gallery is devoted to photography exhibitions, while the Adams Gallery features the work of Florida artists. In addition to the two galleries, the $21-million arts center that opened in 2004 has a 1,750-seat theater and a business/tourism center Thrasher-Horne Center for the Arts Galleries, St. Johns River Community College, 283 College Dr., Orange Park, FL 32065. Phone: 904/276-6815. Web site: www.thecenter.org/eventsgallery.html. Hours: 10-4 Mon.-Fri. and 11/2 hours before theater performances and through intermissions; closed Sat.-Sun. and major holidays. Admission: free. Kathryn Wills, Marketing Director, Thrasher-Horne Center for the Arts 904-276-6847 [email protected]

ST. JOSEPH’S UNIVERSITY Art Gallery Philadelphia, Pennsylvania Diverse exhibitions are presented at the University Gallery at St. Joseph’s University in Philadelphia, Pennsylvania.

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ST. LAWRENCE UNIVERSITY Founded in 1976, the gallery is housed in Boland Hall and has 2,000 visitors annually.

Mon.-Thurs., 9-4 Fri., 10-4 Sat.; closed Sun., May-July, and college holidays and breaks. Admission: free.

University Gallery, St. Joseph’s University, Boland Hall, 5600 City Line Ave., Philadelphia, PA 19131-1376. Phone: 610/660-1840. Fax: 610/660-2278. E-mail: [email protected]. Web site: www.sju.edu/gallery. Hours: Sept.-May-10-4 Mon.-Fri.; closed Sat.-Sun., June-Aug., and national holidays. Admission: free.

Margaret Keller 314-984-7632

Jeanne Bracy, Assistant Director 610-660-1845 [email protected]

St. Louis, Missouri

ST. LAWRENCE UNIVERSITY Richard F. Brush Art Gallery Canton, New York The Richard F. Brush Art Gallery presents exhibitions in three galleries and has stewardship of the university’s permanent collection at St. Lawrence University in Canton, New York. The gallery, founded in 1967, seeks to balance a range of disciplinary and interdisciplinary objectives through its exhibitions and programs, thereby providing a forum for the creative and critical expression of artists, historians, and curators. Some exhibitions feature selections from the collection, which has nearly 7,000 artworks and artifacts with particular strengths in twentieth-century American and European works on paper. Items from the collection also are displayed in five other campus buildings, and works by students and alumni are shown in the Dean Eaton Hall and Owen D. Young Library. The gallery’s annual attendance is 20,000. Richard F. Brush Art Gallery, St. Lawrence University, 23 Romoda Dr., Canton, NY 13617-1501. Phone: 315/229-5174. Fax: 315/229-7445. E-mail: [email protected]. Web site: www.stlawn.edu/gallery. Hours: 10-8 Mon.-Thurs., 10-5 Fri., 12-5 Sat.; closed Sun. and university holidays and breaks. Admission: free. Catherine Tedford, Director 315-229-5174 [email protected]

ST. LOUIS COMMUNITY COLLEGE Meramec Contemporary Art Gallery St. Louis, Missouri The Meramec Contemporary Art Gallery is located on the Meramec Campus of St. Louis Community College in Missouri. The 1,700-square-foot gallery hosts a wide array of painting, drawing, graphics, sculpture, and installation exhibitions by local artists, students, faculty, and traveling exhibitions. Meramec Contemporary Art Gallery, St. Louis Community Art Gallery, Humanities East Bldg., 11333 Big Bend Blvd., St. Louis, MO 63122-2810. Phone: 314/984-7832. Fax: 314/984-7920. Web site: www.users.sticc.edu/departments/mcart/htm/merartgal44.htm. Hours: Aug.-May-9-8

ST. LOUIS UNIVERSITY Pere Marquette Gallery, Samuel Cupples House, and Boileau Hall St. Louis University in St. Louis, Missouri, presents art exhibitions in galleries at three campus sites-Pere Marquette Gallery, Samuel Cupples House, and Boileau Hall. Pere Marquette Gallery, located in the 1886 DuBourg Hall, displays art with religious themes from the university’s permanent collection and features stained-glass windows designed by Rodney Winfield; the Samuel Cupples House, an 1888 Richardsonian Romanesque mansion, contains fine and decorative art before 1919 from the university’s collection; and the Boileau Hall, a conference center which opened in 2005, has art from the collection throughout the building and works of students, faculty, and visiting artists in a gallery. Pere Marquette Gallery, St. Louis University, DuBourg Hall, St. Louis, MO 63108. Phone: 314/977-2666. Web site: www.slu.edu/x20800.xml. Hours: 11-1 Mon.; closed Tues.-Sun. and major holidays. Admission: free. Samuel Cupples House, St. Louis University, 3673 West Pine Mall, St. Louis, MO 63103. Phones: 314/977-3570 and 314/977-3575. Fax: 314/977-3581. Web site: www.cupples.slu.edu. Hours: 11-4 Tues.-Sun.; closed Mon., Jan., and national holidays. Admission: $5; SLU students, faculty, and staff, free. Boileau Hall, St. Louis University, 38 N. Vandeventer Ave., St. Louis, MO 83l08. Phone: 314/977-6338. Web site: www.slu.edu/boileauhall.xmi. Hours: varies. Admission: free. Clayton Berry, Director, University Relations 314-977-7117 [email protected]

ST. MARY’S COLLEGE OF CALIFORNIA Hearst Art Gallery Moraga, California Exhibitions of works by professional artists and from the college collection-as well as a spring student exhibition-are offered by the Hearst Art Gallery at St. Mary’s College of California in Moraga. The collection consists of more than 4,000 art objects, including works by Toulouse Lautrec, Andy Warhol, William Saroyan, and William Keith, California’s foremost landscape artist at the turn of the twentieth century. The entire gallery was devoted to over 100 of Keith’s paintings during most of 2011. The annual attendance is nearly 14,500. The Department of Art and Art History also has Gallery 160 in Brother Cornelius Art Center which displays student art and student-faculty collaborations

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Art Galleries on installations that showcase a variety of visual art practices. Hearst Art Gallery, St. Mary’s College of California, 1928 St. Mary’s Rd., Moraga, CA 94556-2744 (postal address: PO Box 5110, Moraga, CA 94575-5110). Phone: 925/631-4379. Fax: 925/376-5128. E-mail: [email protected]. Web site: www.stmarys-ca.edu/arts/hearst-art-gallery. Hours: 11-4:30 Wed.-Sun.; closed Mon.-Tues. and major holidays. Admission: adults, $3; children under 13, free.

STATE COLLEGE OF FLORIDA, MANATEE-SARASOTA Fine Art Gallery Bradenton, Florida The Fine Art Gallery at the State College of Florida, Manatee-Sarasota, presents exhibitions by artists, students, and faculty on its Bradenton Campus. The gallery is located in a new wing of the Neel Performing Arts Center.

Heidi Donner, Gallery Public Information/Community Relations/Education/Tours 925-631-4069 [email protected]

Fine Art Gallery, State College of Florida, Manatee-Sarasota, Neel Performing Arts Center, 5840 26th St., W., Bldg. 11 North, Bradenton, FL 34207. Phone: 941/752-5225. Web site: www.scf.edu. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks. Admission: free.

ST. MARY’S COLLEGE OF MARYLAND Dwight Frederic Boyden Gallery

Kenneth H. Erickson Jr, Neel Performing Arts Center Manager 941-952-5586 [email protected]

St. Mary’s City, Maryland The Dwight Frederic Boyden Gallery at St. Mary’s College of Maryland in St. Mary’s City mounts exhibitions of works of artists from the Mid-Atlantic region, the nation, and other countries, as well as historical shows from the college collection of over 2,100 paintings, prints, sculptures, textiles, and photographs. In addition, the 1,600-square-foot gallery founded in 1971 is the site of annual student and art project exhibitions. The gallery, housed in Montgomery Hall, has an annual attendance of nearly 2,800. Dwight Fredric Boyden Gallery, St. Mary’s College of Maryland, Montgomery Hall, 18952 E. Fisher Rd., St. Mary’s City, MD 20686-3002. Phone: 240/895-4246. Fax: 240/ 895-4958. E-mail: [email protected]. Web site: www.smcm.edu/art/gallery. Hours: Sept.-May-11-5 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks; June-Aug.-varies. Admission: free. Mary Braun, Director [email protected]

STATE UNIVERSITY OF NEW YORK AT BROCKPORT Tower Fine Arts Gallery Brockport, New York The Tower Fine Arts Gallery at the State University of New York at Brockport hosts exhibitions and arts festivals. Founded in 1964, the 1,900-square-foot gallery has an annual attendance of 6,000. Tower Fine Arts Gallery, State University of New York at Brockport, Fine Arts Bldg., 180 Holley St., Brockport, NY 14420-2985 (postal address: 350 New Campus Dr., Brockport, NY 14420-2985). Phone: 585/395-2805. Fax: 585/395-2588. E-mail: [email protected]. Web site: www.brockport.edu/finearts. Hours: Sept.-May-10-5 Mon.-Fri., 1-4 Sun.; closed Sat., June-Aug., and university holidays and breaks. Admission: free. Phyllis Kloda, Chair, SUNY Brockport Dept. of Art

ST. MICHAEL’S COLLEGE McCarthy Arts Center Gallery Colehester, Vermont St. Michael’s College in Colehester, Vermont, has a gallery in the McCarthy Arts Center that displays contemporary art and works of Department of Art students.

STATE UNIVERSITY OF NEW YORK AT BUFFALO Art Galleries Buffalo, New York

The University of Buffalo Art Galleries consist of the UB Art Gallery, devoted to changing exhibitions, and the UB Anderson Gallery, a gallery/museum featuring permanent McCarthy Arts Center Gallery, St. Michael’s College, McCarthy Arts Center, 1 Winooski Park, Colehester, VT 05439. exhibits and an art collection. The university also has two other sites with art exhibitions-the Czurles-Nelson Gallery, Phone: 802/654-2246. Web site: www.smcvt.edu/academwhich is operated by the university’s Design Department ics/finearts. Hours: Sept.-May-9-5 Mon.-Fri.; closed (see separate listing below) and a major art museum, the Sat.-Sun., June-Aug., and college holidays and breaks. AdBurshfeld-Penney Art Center (see Art Museums and Sculpmission: free. ture Gardens section). Jane Viens, SMC Dept. of Fine Arts Administrative Assistant 802-654-2621 [email protected]

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The UB Art Gallery, which was founded in 1994, contains 5,000 square feet of exhibit space and presents six to eight

STATE UNIVERSITY OF NEW YORK AT CORTLAND exhibitions a year in the Center for the Arts. It features the work of contemporary artists, as well as exhibitions by students and faculty. The gallery seeks to show and interpret exhibitions that examine cultural and socio-political topics relating to current art practices, and initiates programs and conferences where scholars from different disciplines discuss issues that affect cultural and social policies. It also has a special gallery area-the Lightwell Gallery-where it displays commissioned site-specific works by emerging and mid-career artists. The UB Anderson Gallery and a collection of over 1,200 works of art were donated to the university in 2000 by David K. Anderson, a gallery owner. It is a museum-like gallery that is home to the university’s permanent art collection and serves as a venue for scholarly exhibitions. The collection includes modern and contemporary paintings, prints, drawings, sculpture, cultural art, and early nineteenth-century works. The gallery provides students with hands-on experiences in museum studies and arts administration and offers faculty and graduate students curatorial opportunities. The University and Anderson galleries have 10,000 square feet of exhibit space and an annual attendance of 10,000.

STATE UNIVERSITY OF NEW YORK AT FREDONIA Michael C. Rockefeller Arts Center Galleries Fredonia, New York The Michael C. Rockefeller Arts Center at the State University of New York at Fredonia has two galleries-the RAC Main Gallery and a smaller Emmitt Christian Gallery. The Main Gallery, which opened when the arts center was built in 1969, presents works by national and international touring artists and serves as a showcase for art students and faculty. The Emmett Christian Gallery is devoted exclusively to exhibitions of student works. A series of two-week-long shows feature the work of advanced students, and occasionally group exhibits from a specific course are included. The annual attendance for the Main Gallery is 2,800.

Michael C. Rockefeller Arts Center Galleries, State University of New York at Fredonia, Fredonia, NY 12070-1127. Phone: 716/673-4897. Fax: 716/673-4897. Fax: 716/673-4990. E-mail: [email protected]. Web site: www.fredonia.edu/department/art/galleries.asp. Hours: Sept.-May-RAC Main Gallery: 2-6 Tues.-Thurs., 2-8 University of Buffalo Art Galleries, State University of New Fri.-Sat., 2-6 Sun.; closed Mon., June-Aug., and university York at Buffalo, 201 Center for the Arts, Buffalo, NY holidays and breaks; Emmett Christian Gallery: 8 a.m.-11 14260-6000. Phone: 716/645-6912. Fax: 716/645-6753. p.m. daily; closed university holidays and breaks. AdmisE-mail: [email protected]. Web site: sion: free. www.ubartgalleries.org. Hours: 11-5 Tues.-Wed. and Fri.-Sat., 11-7 Thurs.; closed Sun.-Mon. and major holidays. Jefferson Westwood, Michael C. Rockefeller Arts CenterDirector 716-673-3217 Admission: free. [email protected] Sandra H. Olsen, Director, UB Art Galleries [email protected]

STATE UNIVERSITY OF NEW YORK AT CORTLAND Dowd Fine Arts Gallery Cortland, New York Contemporary and historic art exhibitions are presented at the Dowd Fine Arts Gallery at the State University of New York at Cortland. Founded in 1967, the 2,500-square-foot gallery also houses and manages the university’s permanent art collection of 500 two- and three-dimensional artworks that include paintings, prints, and sculpture. Annual attendance is over 6,000. Dowd Fine Arts Gallery, State University of New York at Cortland, 162 Dowd Fine Arts Center, PO Box 2000, Cortland, NY 13045-0900. Phone: 607/753-4216. Fax: 607/753-5728. E-mail: [email protected]. Web site: www.cortland.edu/art/html/gallery.html. Hours: 10-4 Tues.-Sat., other times by appointment; closed Sun.-Mon. and university holidays and breaks. Admission: free. Bryan Thomas, Interim Director 607-753-4216

STATE UNIVERSITY OF NEW YORK AT GENESEO Bertha V. B. Lederer Gallery, Lockhart Gallery, and Bridge Gallery Geneseo, New York Three galleries are located on the campus of the State University of New York at Geneseo. The Bertha V. B. Lederer Gallery, which opened with the Brodie Fine Arts Building in 1966, presents exhibitions of local and national contemporary artists, art faculty, juried student work, and graduating art students’ final projects. The Lockhart Gallery, located in the McClellan House, displays exhibitions ranging from contemporary to historic, frequently including regional and nationally ranked artists. The Bridge Gallery, which connects the performing arts program to the visual art and art history programs in the School of the Arts, exhibits the work of students. Bertha V. B. Lederer Gallery and Bridge Gallery, State University of New York at Geneseo, Brodie Fine Arts Bldg., and Lockhart Gallery, McClellan House, , 26 Main St., Geneseo, NY 14454-1401. Phone: 585/245-5814. E-mail: [email protected]. Web site: www.geneseo.edu/galleries. Hours: Lederer and Lockhart galleries-12:30-3:30 Mon.-Thurs., 12:30-5:30 Fri.-Sat.; closed Sun.,

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Art Galleries Thanksgiving, Christmas, and university breaks; Bridge Gallery-open during campus hours Admission: free. Cynthia Hawkins, Director 585-245-5813 [email protected]

STATE UNIVERSITY OF NEW YORK AT ONEONTA Martin-Muller Art Gallery Oneonta, New York

Roland Gibson Gallery, State University of New York at Potsdam, Brainard Hall, 44 Pierrepont Ave., Potsdam, NY 13676-2200. Phone: 315/267-3290. Fax: 315/267-4884. E-mail: [email protected]. Web site: www.potsdam.edu/gibson/gibson.html. Hours: Sept.-May-12-5 Mon. and Fri., 12-7 Tues.-Thurs., 12-4 Sat., and by appointment; closed Sun. and university holidays and breaks; June-Aug.-12-4 Wed.-Sat.; closed Sun.-Tues. Admission: free.

The Martin-Muller Art Gallery at the State University of New York at Oneonta presents exhibitions of works by artists, faculty, and students in the Fine Arts Building. In addition to the annual juried student exhibition, the gallery hosts multiple student project exhibitions in its Project Space Gallery.

April Vasher-Dean, Director [email protected]

Martin-Mullen Gallery, State University of Oneonta, 106 Fine Arts Bldg., Oneonta, NY 13820. Phone: 607/436-3456. E-mail: [email protected]. Web site: www.oneonta.edu/academics/art/gallery.html. Hours: 11-5 Mon.-Fri. and by appointment; closed Sat.-Sun. and university holidays and breaks. Admission: free.

STATE UNIVERSITY OF NEW YORK AT STONY BROOK Art Gallery

Tim Sheesley, Director [email protected]

STATE UNIVERSITY OF NEW YORK AT OSWEGO Tyler Art Gallery Oswego, New York Exhibitions of loan art, traveling shows, and student and faculty works-often of an interdisciplinary nature-are displayed at the Tyler Art Gallery at the State University of New York at Oswego. The gallery has a teaching collection of European, African, and American drawings, prints, paintings, ceramics, and sculpture from the eighteenth century to the present. The annual attendance is 18,600. Tyler Art Gallery, State University of New York College of Arts and Science, Tyler Hall, 7060 State Rte. 104, Oswego, NY 13126-3599. Phone: 315/312-2113. Fax: 315/312-5642. E-mail: [email protected]. Web site: www.oswego.edu/other_campus/tylerart/index.html. Hours: Sept.-May-11:30-3 Tues.-Sat.; closed Sun.-Mon., June-Aug. and university holidays and breaks. Admission: free. Michael Flanagan, Assistant Director, Public Information [email protected]

STATE UNIVERSITY OF NEW YORK AT POTSDAM Roland Gibson Gallery Potsdam, New York Eight to 10 exhibitions are mounted each year by the Roland Gibson Gallery at the State University of New York at Potsdam. Exhibits of works by professional artists, students,

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and collections are presented during the academic year, and exhibitions of regional art are displayed during the summer months. The college has collections of American, European, and Japanese art primarily since 1950. The gallery, founded n 1968, is located in Brainard Hall and has an annual attendance of 14,000.

Stony Brook, New York The primary gallery at State University of New York at Stony Brook is the 4,700-square-foot University Art Gallery in the Staller Center for the Arts. Established in 1975, the gallery has several curated professional exhibitions each year, as well as a graduating master of fine arts show and an undergraduate senior exhibition. Faculty exhibitions are given every two years. Annual attendance is 12,000. The university also has four other campus gallery spaces and an online art gallery that is mainly student oriented. The campus galleries are the Lawrence Alloway Memorial Art Gallery, which presents solo exhibitions by second- and third-year MFA students in Melville Library; Undergraduate Art Gallery, featuring works by undergraduate students in the Tabler Center for Arts, Culture, and Humanities; SAC Art Gallery, which hosts student and MFA alumni exhibitions in the Student Activities Center; and Wang Center Public Art Projects, where exhibitions on art projects can be displayed on three floors of the center. The online gallery shows web-based student works. University Art Gallery, State University of New York at Stony Brook, Art Dept., 2224 Staller Center for the Arts, Stony Brook, NY 11794. Phone: 516/632-7240. Fax: 516/632-1976. E-mail: [email protected],suny.edu. Web site: www.art.sunysb.edu/galleries.html. Hours: early Sept.-May-12-4 Tues.-Fri., 7-9 Sat.; closed Sun.-Mon., June-Aug., and university holidays and breaks. Admission: free. Rhonda Cooper, Director 631-632-7240 [email protected]

STEPHEN F. AUSTIN STATE UNIVERSITY STEPHEN F. AUSTIN STATE UNIVERSITY Art Galleries Nacogdoches, Texas

ceramics, photographs, and sculpture. The gallery’s annual attendance is 8,400. Duncan Gallery of Art, Stetson University, Sampson Hall, Campus Box 8252, 421 N. Woodland Blvd., De Land, FL 32723. Phone: 386/822-7262. E-mail: [email protected]. Web site: www.stetson.edu/departments/art. Hours: Sept.-Apr.-10-4 Mon.-Fri.; Sun. varies; closed Sat., May-Aug., and university and national holidays. Admission: free.

Stephen F. Austin State University in Nacogdoshes, Texas, has five art galleries-three on the campus and two downtown in the Cole Art Center at the Old Opera House. The Griffith Gallery is located in the Griffith Fine Arts Building and the School of Art Gallery, with two adjacent galleries, is Gary Bolding 386-822-7262 in the Art Studio Building. They present exhibitions of [email protected] gional, national, and international artists and students. The Cole Art Center houses the Ledbetter and Reaviey galleries, which feature works by artists and faculty. The Ledbetter Gallery also hosts the annual Texas National, a juried show STEVENSON UNIVERSITY for emerging artists. Art Gallery University Galleries, Stephen F. Austin State University, College of Fine Arts, Box 13022, SFA Station, Nacogdoches, TX 75962-3022. Phone: 936/468-2801. Fax: 936/468-1168. E-mail: [email protected]. Web site: www.art.sfasu.edu/facilities.html. Hours: Griffith Gallery-12:30-5 Tues.-Sun.; School of Art Gallery-8-5 Mon.-Fri.; Ledbetter and Reaviey galleries-12:30-5 Tues.-Sun.; closed university holidays and breaks. Admission: free.

Stevenson, Maryland

Lisa Steed, Interim Director

Stevenson University Art Gallery, 1525 Greenspring Valley Rd., Stevenson, MD 21153. Phone: 443/334-2163. Web site: www.stevenson.edu/explore/gallery/index.asp. Hours: 11-5 Mon.-Wed. and Fri.; 11-8 Thurs., 1-4 Sat.; closed Sun. and university holidays and breaks. Admission: free.

STEPHENS COLLEGE Davis Art Gallery Columbia, Missouri The Davis Art Gallery at Stephens College in Columbia, Missouri, mounts exhibitions of works from artists, faculty, students, and traveling exhibitions. It also has a collection of modern paintings and graphics and Melanesian sculpture. Founded in 1962, the gallery has an annual attendance of 500. Davis Art Gallery, Stephens College, Walnut and Ripley Sts., PO Box 2012, Columbia, MO 65215. Phone: 573/876-7175. Fax: 573/876-7248. E-mail: [email protected]. Web site: www.stephens.edu. Hours: Sept.-May-10-3 Mon.-Fri. and by appointment; closed Sat.-Sun., June-Aug., and college holidays and breaks. Admission: free. Dan Scott, Curator 573-876-7233 [email protected].

The Villa Julie University Art Gallery in Stevenson, Maryland, became the Stevenson University Art Gallery when the university changed its name in 2008. The gallery, founded in 1997, offers seven exhibitions each year that feature a variety of media by regional artists The university also displays the work of faculty and students in the Art Wing Studio Gallery, Student-Faculty Exchange, and other campus sites, and the work of local artists in the St. Paul Companies Pavilion.

Diane DiSalvo, Director, Cultural Programs, Stevenson University 443-334-2163 [email protected]

STILLMAN COLLEGE Stillman Art Gallery Tuscaloosa, Alabama The Stillman Art Gallery at Stillman College in Tuscaloosa, Alabama, presents changing exhibitions in the Cordell Wynn Humanities and Fine Arts Center. Stillman Art Gallery, Stillman College, 155B Cordell Wynn Humanities and fine Arts Center, PO Box 1430, Tuscaloosa, AL 35403-1430. Phone: 205/248-3404. Web site: stillman.edu/fine-arts.html. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun., and college holidays and breaks. Admission: free. Brock Fisher, Chair, Stillman University Dept. of Fine Arts [email protected]

STETSON UNIVERSITY Duncan Gallery of Art De Land, Florida

SUSQUEHANNA UNIVERSITY

The work of artists, students, and faculty and traveling exhi- Lore Degenstein Gallery bitions are featured at the Duncan Gallery of Art at Stetson Selinsgrove, Pennsylvania University in De Land, Florida. The 2,385-square-foot galFour to five exhibitions by professional artists and students lery was founded in 1965. The university collection includes are mounted each year at the Lore Degenstein Gallery at contemporary drawings, prints, watercolor and oil paintings,

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Art Galleries Susquehanna University in Selinsgrove, Pennsylvania. Founded in 1993, the 2,500-square-foot gallery has an annual attendance of nearly 4,000. The university collection consists of American and Pennsylvania regional art; French advertising posters from 1887-1990; and French literary magazines from 1895-1905. Lore Degenstein Gallery, Susquehanna University, Degenstein Campus Center, 514 University Ave., Selinsgrove, PA 17870-1001. Phone: 570/372-4059. Fax: 570/372-2775. E-mail: [email protected]. Web site: www.susqu.edu/art_gallery. Hours: Sept.- May-12-4 daily; closed June-Aug. and university holidays and breaks. Admission: free. Dan Olivetti, Director 570-372-4059 [email protected]

SWARTHMORE COLLEGE List Gallery Swarthmore, Pennsylvania The List Gallery at Swarthmore College in Swarthmore, Pennsylvania, mounts five to six contemporary and historical exhibitions every year by emerging and nationally known artists. In addition, it presents a series of senior thesis exhibitions by art majors in May and April and an alumni weekend exhibition in June. The gallery, which replaced a one-room gallery from the l960s in 1991, is located in the Lang Performing Arts Center. The college collection consists of paintings and drawings. List Gallery, Swarthmore College, Long Performing Arts Center, Dept. of Art, 500 College Ave., Swarthmore, PA 19081. Phones: 610/328-8488 and 610/328-7811. Web site: www.swarthmore.edu/humanities/art/gallery/about.php. Hours: varies; closed college holidays and breaks. Admission: free. Andrea Packard, Director 610-328-8488 [email protected]

SWEET BRIAR COLLEGE Sweet Briar College Art Galleries Sweet Briar, Virginia

434/381-6489. E-mail: [email protected]. Web site: www.artgallery.sbc.edu. Hours: Sept.-May 10-5, Mon.-Thurs., 10-2 Fri., 1-4 Sun.; closed Sat. and college holidays, breaks, and exam periods; June-Aug. by appointment. Admission: free. Karol A Lawson, Director, Art Collection and Galleries 434-381-6248 [email protected]

SYRACUSE UNIVERSITY SU Art Galleries Syracuse, New York The Syracuse University Art Collection has been renamed the SU Art Galleries and features exhibitions from the collections and traveling exhibitions in a nearly 10,000-square-foot exhibit space in Sims Hall in the Shaffer Art Building on the campus in Syracuse, New York. The collection, which began in 1873, contains 45,000 fine art and ethnographic objects representing styles and time from pre-history to the present. It includes twentieth-century American paintings, prints, and photographs; nineteenth-century European paintings; fifteenth- through twentieth-century Western graphic art; pre-Columbian ceramics and fibers; folk art from the subcontinent India; and Korean ceramics. The gallery, which covers nearly 10,000 square feet, is located in Sims Hall in the Shaffer Art Building. The university also has three other galleries and an outdoor sculpture program. The Warehouse Gallery, which opened in 2006 in a renovated downtown Syracuse warehouse, is an international contemporary art venue of SUArt Galleries. Another unit is the Louis and Bernard Palitz Gallery, which has two major public shows annually as part of its schedule at the university’s Lubin House in New York City. Syracuse University also has an outdoor sculpture program and the Lowe Art Gallery, formerly the Joe and Emily Lowe Art Center, which has been relocated to the art building after its original site was razed. The gallery, founded in 1952, now has an expanded School of Art exhibitions and teaching program. The SuArt Galleries have an annual attendance of 12,000. SUArt Galleries, Syracuse University, 18 Sims Hall, Shaffer Art Bldg., Syracuse, NY 13244. Phone: 315/443-4097. Fax: 315/443-9225. E-mail: [email protected]. Web site: www.suart.syr.edu. Hours: 11-4 Tues.-Sun.; other times by appointment; closed Mon. major holidays. Admission: free.

Sweet Briar College in Sweet Briar, Virginia, has a highly regarded collection of art and three galleries that display some of its treasurers. The collection consists of thirteenthto twentieth-century European and American paintings, Domenic Iacono, Director drawings, and prints; eighteenth- and nineteenth-century [email protected] Japanese prints, and works by women artists. The collection is housed in the Anne Gray Pennell Center, opened in 1984 in the renovated 1906 Refectory building on the campus. SeTEMPLE UNIVERSITY lections from the collection are featured at the main gallery-Anne Gray Pennell Center Art Gallery-and two satellite Temple Gallery galleries-Benedict and Babcock galleries-in nearby buildPhiladelphia, Pennsylvania ings. They have an annual attendance of 8,000. The Temple Gallery at Temple University’s Tyler School of Art was founded in Philadelphia in 1985 and relocated to the Sweet Briar College Art Galleries, 208 Anne Gray Pennell Center, Sweet Briar, VA 24595. Phone: 434/381-6248. Fax: North Philadelphia Campus in 2009. It seeks to explore

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TENNESSEE TECH UNIVERSITY emerging artistic practices and their interpretation, presenting innovative practices and connecting local critical debates to national and international conversations. The gallery, which has an annual attendance of 20,000, presents the work of professional artists and MFA candidates The Tyler School of Art also has a second gallery-the Stella Elkins Tyler Galleries-that displays the work of students and faculty on the lower level of the art building. In addition, an inline gallery features student works. Temple Gallery, Temple University, Tyler School of Art, 2001 N. 13th St., Philadelphia, PA 19122-6016. Phone: 215/777-9144. Fax: 215/777-9143. E-mail: [email protected]. Web site: www.temple.edu/tyler/exhibitions. Hours: Sept.-May-11-6 Wed.-Sat. (10-5 Wed.-Sat. for Stella Elkins Tyler Galleries); other times by appointment; closed Sun.-Tues., June-Aug., and university holidays and breaks. Admission: free. Robert Blackson, Director, Exhibitions and Public Programs, TU’s Tyler School of Art

TENNESSEE TECH UNIVERSITY Appalachian Center for Crafts Galleries

including selections from a collection that includes 1850-1950 American paintings, nineteenth-century cameo glass, nineteenth- and early twentieth-century American glass, twentieth-century quilts, and other objects. The annual attendance for the Stark Center Galleries is over 51,000 and the Forsyth Center Galleries is 25,000. J. Wayne Stark University Center Galleries, Texas A&M University, 193 Memorial Student Center, College Station, TX 77844 (postal address: 4229 TAMU, College Station, TX 77843). Phones: 970/845-6081 and 970/845-8501. Fax: 970/862-3381. E-mail: [email protected]. Web site: www.stark.tamu.edu. Hours: 9-8 Tues.-Fri., 12-6 Sat.-Sun.; closed Mon. and university holidays and breaks. Admission: free. MSC Forsyth Center Galleries, Texas A&M University, Joe Routi Blvd., College Station, TX 77843 (postal address: 1237 TAMU, College Station, TX 77843). E-mail: [email protected]. Web site: www.forsyth.tuma.edu. Hours: 9-8 Mon.-Fri., 12-6 Sat.-Sun.; closed major holidays. Admission: free. Nan Curtis, Forsyth Director [email protected]

Smithville, Tennessee The Appalachian Center for Crafts, a satellite campus of Tennessee Tech University near Smithville, presents more than 25 exhibitions annually of functional and sculptural fine craft. The craft center, located in nearby Cookeville, was built in 1979 with a $50-million federal grant. It receives 150,000 visitors annually. Appalachian Center for Crafts Galleries, Tennessee Tech University, 1560 Craft Center Dr., Smithville, TN 37166-7352. Phone: 615/597-6801. Fax: 615/597-6803. E-mail: [email protected]. Web site: www.tntech.edu/craftcenter. Hours: 9-5 daily; closed major holidays. Admission: free. Gail Looper, Gallery Manager [email protected]

TEXAS A&M UNIVERSITY-COLLEGE STATION J. Wayne Stark University Center Galleries and MSC Forsyth Center Galleries College Station, Texas Texas A& M University in College Station has two major exhibition sites-at the J. Wayne Stark University Center and MSC Forsyth Center. The Stark Center Galleries, which consist of three galleries, were funded in 1992 and host about 14 traveling exhibitions annually, ranging from traditional arts and crafts to anthropology, archaeology, history, and science. Visitors also can explore a permanent collection that has over 9,000 pieces, including numerous works by Texas artists. The Forsyth Center Galleries, which opened in 1989, have a 2,500-square-foot gallery that mounts changing exhibitions,

TEXAS A&M UNIVERSITY-CORPUS CHRISTI Art Galleries Corpus Christi, Texas The University Galleries at Texas A&M University in Corpus Christi consist of two galleries-one on the campus and another off campus. Weil Gallery, which opened in 1978 and presents exhibitions by local, national, and international artists, is housed in the Center for the Arts Building. The Art Department also has presented community-oriented exhibitions, workshops, and performances in the Islander Art Gallery at the Hamlin Shopping Center since 2005. University Galleries, Texas A&M University-Corpus Christi, Art Dept., Center for the Arts Bldg., 63 Ocean Dr., Corpus Christi, TX 78412. Phone: 361/825-2386. Web site: www.cla.tamucc.edu/art/galleries.html. Hours: Weil Gallery-10-3 Tues.-Fri.; closed Sat.-Mon. and university holidays and breaks; Islander Art Gallery-12-6 Wed.-Sat.; closed Sun.-Tues. and major holidays. Admission: free. Joe Pena, Director 361-825-2386 [email protected]

TEXAS A&M UNIVERSITY-KINGSVILLE Ben P. Bailey Art Building Gallery Kingsville, Texas The works of students, faculty, and traveling exhibitions are presented at the Ben P. Bailey Art Building Gallery at Texas A&M University-Kingsville. Ben P. Bailey Art Building Gallery, Texas A&M University-Kingsville, Ben P. Bailey Bldg., Kingsville, TX 78363.

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Art Galleries Hours: 9-4 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Charles Wissinger, Chair, TAMU-K Art Department

TEXAS CHRISTIAN UNIVERSITY The Art Galleries at TCU Fort Worth, Texas The Art Galleries at TCU consist of two Department of Art and Art History galleries at Texas Christian University in Fort Worth. The Moudy Gallery, located in the department’s building, is primarily a teaching gallery. It hosts exhibitions by students and professional artists and is the site of the annual “Art in the Metropolis,” an annual juried show of work by artists in the Dallas/Fort Worth area. The other gallery is the Fort Worth Contemporary Arts, established in 2008 to provide a platform for innovative contemporary art from an international context. It seeks to reflect significant developments in art and the critical reception. The Moudy Gallery annual attendance is over 4,000. The Art Galleries at TCU, Texas Christian University, Department of Art and Art History, Moudy Bldg. North, 2805 S. University Dr., PO Box 298000, Fort Worth, TX 76129. Phone: 817/257-2588. Fax: 817/257-7399.E-mail: [email protected]. Web site: www.theartgalleries.tcu.edu. Hours: Moudy Gallery-11-4 Mon.-Fri., 1-4 Sat.-Sun.; closed Easter and Christmas; Forth Worth Contemporary Arts-1-8 Thurs.-Sun.; closed Mon.-Wed. and major holidays. Admission: free. Sally Packard, Chair, TCU School of Art

TEXAS WOMAN’S UNIVERSITY Art Galleries

THOMAS COLLEGE Art Gallery Waterville, Maine Paintings, photographs, quilts, and other artworks by Maine artists are featured at the Thomas College Art Gallery in Waterville, Maine. The gallery, housed in the Thomas College Library, also displays work by students, faculty, and staff. Thomas College Art Gallery, 180 W. River Rd., Waterville, ME 04901-5097. Phone: 207/859-1111. Fax: 207/859-1114. E-mail: [email protected]. Web site: www.thomas.edu. Hours: varies; closed college holidays and breaks. Admission: free. Mikaela Ziobro, Gallery Coordinator 207-859-1211

TRINITY COLLEGE Widener Gallery Hartford, Connecticut The Widener Gallery is the principal exhibition space at Trinity College in Hartford, Connecticut. Founded in 1964, it is located in the Austin Arts Center. The college also has two other galleries-the Zion Gallery and PhotoLab Gallery. Widener Gallery, Trinity College, Austin Arts Center, 300 Summit St., Hartford, CT 06106-3100. Phones: 860/297-5232 and 860/297-2199. Fax: 860/297-5349. E-mail: [email protected]. Web site: Web site: www.trincoll.edu. Hours: 1-6 Sun.-Fri.; closed Sat. and college holidays and breaks. Admission: free. Jenny Holland, Trinity College Director of Marketing & Communications 860-297-2139 [email protected]

Denton, Texas The Department of Visual Arts at Texas Woman’s University in Denton has two galleries in the east and west wings of the Fine Arts Building. The galleries display solo and group exhibitions of regionally and nationally recognized artists, and are used as exhibition spaces for fine arts students and faculty. Texas Woman’s University Art Galleries, Fine Arts Bldg., 1200 Frame St., Box 425469, TWU Station, Denton, TX 76204-5460. Phones: 940/898-2530 and 940/898-2533. Fax: 940/898-2496. E-mail: [email protected]. Web site: www.twu.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and national holidays. Admission: free. Vance Wingate, Technical Director / Gallery Coordinator 940-898-2533 [email protected]

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TRUMAN STATE UNIVERSITY Art Gallery Kirksville, Missouri Visiting artists, students, and faculty display their works in the University Art Gallery at Truman State University in Kirkville, Missouri. The gallery is located in the old gymnasium in renovated Ophelia Parrish Fine Arts Center. University Art Gallery, Truman State University, Ophelia Parrish Fine Arts Center, Kirkville, MO 65261. Phone: 660/785-5386. E-mail: [email protected]. Web site: www.art.truman.edu/artgallery.asp. Hours: 8:30-7 Mon.-Thurs., 8:30-5 Fri., 12-4:30 Sat.; closed Sun. and university holidays and breaks. Admission: free. Aaron Fine, Director 660-785-5386 [email protected]

UNION COLLEGE UNION COLLEGE Mandeville Gallery Schenectady, New York Mandeville Gallery, located at the historic Nott Memorial Hall at Union College in Schenectady, New York, hosts art, science, and history exhibitions throughout the year. The gallery, founded in 1995, displays the work of contemporary artists and students, explores connections between the arts and science, and addresses regional, national, and international history. The college has a permanent collection of over 2,500 works of art and artifacts that include twentieth-century American and European art and works on paper, Asian art, and pre-Columbian and ancient collections, as well as furniture, antique apparatus, and biological specimens. The gallery’s annual attendance is 10,000. The Nott Memorial is a 110-foot, 16-sided building completed in 1879 as a tribute to Eliphalet Nott, who served as the first president of the college for 62 years. It now is a National Historic Landmark. The Wikoff Student Gallery also is located in the building. Mandeville Gallery, Union College, Nott Memorial Hall, Schenectady, NY 12309 (postal address: Schaffer Library, 807 Union St., Union College, Schenectady, NY 12308-3103). Phone: 518/388-6729. Fax: 518/388-8340. Web site: www.union.edu/gallery. Hours: 10-6 daily; closed major holidays. Admission: free. Marie Costello, Interim Director

UNITY COLLEGE Leonard R. Craig Gallery

History’s permanent collection. The collection includes modern and contemporary works on paper, photographs, paintings, and sculpture by regional, national, and international artists. The 3,200-square-foot Garfield Hall gallery, founded in 1967, has an annual attendance of 10,000. The University of Alabama also has a number of other galleries that mostly feature student and collection art, including the Stella-Granata Art Gallery, Woods Hall Gallery, and Ferguson Center Art Gallery. In addition, the university has an outdoor sculptures collection and the Paul R. Jones Collection, one of the largest and most comprehensive collections of twentieth-century African American art. Works from the collection are displayed in Morgan Hall and the Rose Administration Building, as well as at other institutions. Sarah Moody Gallery of Art, University of Alabama in Tuscaloosa, Dept. of Art and Art History, 103 Garfield Hall, Box 870270, Tuscaloosa, AL 35487-0270. Phone: 205/348-5967. Fax: 205/348-0287. E-mail: [email protected]. Web site: www.art.ua.edu/moody.html. Hours: Sept.-June-9-4:30 Mon.-Wed. and Fri., 9-8 Thurs.; July-Aug.-10-12 and 2-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. William T. Moody, Director 205-348-1890 [email protected]

UNIVERSITY OF ALABAMA IN HUNTSVILLE The Art Galleries at UAH Huntsville, Alabama

The University of Alabama in Huntsville has three art galleries, known collectively as The Art Galleries at UAH. The Monthly exhibitions of recognized and emerging artists are Union Grove Gallery and Meeting Hall, located in a restored presented in the Leonard R. Craig Gallery during most of 1820s-30s former Presbyterian chapel, was moved to its the academic year at Unity College in Unity, Maine. The present site, restored by an art professor and student volungallery in the South Coop also displays student work from teers, and opened as an art gallery in 1975. It now serves as photography, drawing, ceramics, and sculpture studio art an exhibition space for works by artists and students and as courses. a site for special events. The University Center Gallery, housed in the university’s student center, presents exhibiLeonard R. Craig Gallery, Unity College, South Coop, 90 tions by regional and national artists and group theme Quaker Hill Rd., Unity, ME 04988. Phone: 207/948-3131, shows. The third gallery is the Library Gallery, which feaExt. 330. E-mail: [email protected]. Web site: tures visiting artists. The galleries have an annual attendance www.unity.edu. Hours: 10-6 Mon.-Fri., 1-5 Sat.; closed Sun. of 7,000. and major holidays. Admission: free. The Art Galleries of UAH, University of Alabama in Ben Potter, Curator of Exhibitions 207-948-3131 Huntsville, Dept. of Art and Art History, 160B Wilson Hall, [email protected] Huntsville, AL 35899. Phone: 256/824-6114. Fax: 256/824-6438. E-mail: [email protected]. Web site: www.uah.edu/colleges/liberal/art/ga;;eru/gallery.html. UNIVERSITY OF ALABAMA Hours: Union Grove Gallery-12:30-4:30 Mon.-Fri., closed Sat.-Sun.; University Center Gallery-same as student center; Sarah Moody Gallery of Art Library Gallery-8-12 midnight Mon.-Thurs., 8 a.m.-8 p.m. Tuscaloosa, Alabama

Unity, Maine

The Sarah Moody Gallery of Art at the University of Alabama in Tuscaloosa offers eight to 10 exhibitions a year of works in all forms of visual art by leading regional and national artists and from the Department of Art and Art

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Art Galleries Fri., 9-6 Sat., 1-10 Sun.; closed university holidays and breaks. Admission: free. Glenn Dasher, Dean, UA Huntsville Dept. of Art & Art History 256-824-6200 [email protected]

UNIVERSITY OF ARKANSAS AT LITTLE ROCK University of Arkansas at Little Rock Art Department Galleries Little Rock, Arkansas

UNIVERSITY OF ARIZONA School of Art Galleries Tucson, Arizona The School of Art at the University of Arizona in Tucson operates three galleries that exhibit work by students, faculty, and nationally known artists working in a broad range of media and concepts. They are Joseph Gross, Lionel Rombach, and Graduate galleries. The Cross and Romback galleries are housed in the Joseph Gross Building, while the Graduate Gallery is located at 1231 N. Fremont Avenue. The university also has the Student Union Galleries, founded in 1971, which present works by artists, students, and alumni in two galleries and have an annual attendance of 11,500. University of Arizona School of Art Galleries, 1031 N. Olive Rd., Room 108, Tucson, AZ 85721. Phone: 5620/626-4215. Web site: www.cfa.arizona.edu/galleries. Hours: 9-5 Mon.-Fri., 12-4 Sat.-Sun.; closed university holidays and breaks. Admission: free. University of Arizona Student Union Galleries, Dept. of Student Programs, 106B Student Union, Tucson, AZ 85721. Phone: 520/621-6142. Fax: 529/621-6930. E-mail: [email protected]. Web site: www.union.arizona.edu./csil/gallery. Hours 10-5 Mon.-Fri., 12-3 Sat.; closed Sun. and major holidays. Admission: free. Brooke Grucella, Director [email protected]

UNIVERSITY OF ARKANSAS Fine Arts Center Gallery

The Art Department at the University of Arkansas at Little Rock has three galleries-called Galleries I, II, and III-in the Fine Arts Building that present varied works from visiting artists, faculty, students, competitions, and traveling exhibitions. The galleries, founded in 1972, have 4,300 square feet of exhibit space and an annual attendance of 6,000. University of Arkansas at Little Rock Art Dept. Galleries, 2801 S. University Ave., Little Rock, AR 72204. Phone: 501/569-3182. Fax: 501/569-8775. E-mail: [email protected]. Web site: www.ualr.edu/art/index.php/home/galleru. Hours: Sept.-mid-May-9-5 Mon.-Fri., 10-1 Sat., 2-5 Sun.; closed university holidays and breaks; mid-May-Aug.-9-5 Mon.-Fri.; closed Sat.-Sun. and holidays. Admission: free. Brad Cushman, Coordinator [email protected]

UNIVERSITY OF BRIDGEPORT Art Gallery Bridgeport, Connecticut Exhibitions of contemporary art and student works are featured in the University Gallery at the University of Bridgeport in Bridgeport, Connecticut. The gallery is located in the Arnold Bernhard Arts and Humanities Center, built on the former grounds of the P. T. Barnum estate in Connecticut in 1972. University Gallery, University of Bridgeport, Arnold Bernhard Arts and Humanities Center, Bridgeport, CT 06601. Phone: 203/576-4510. Web site: www.bridgeort.edu. Hours: varies. Admission: free. Gary Munch, Director

Fayetteville, Arkansas Exhibitions by local, regional, and international artists-and a year-end show by graduating art majors-are featured at the Fine Arts Center Gallery at the University of Arkansas in Fayetteville. Examples of student artworks also are shown in display cases in the center during the summer when the gallery is closed. The gallery has a collection that includes six etchings by Salvador Dali and seven original mobiles by Alexander Calder that are installed in the gallery. Fine Arts Center Gallery, University of Arkansas, Art Dept., 116 Fine Arts Center, Fayetteville, AR 72701. Phone: 479/575-7987. Web site: www.art.uark.edu/fineartsgallery. Hours: Sept.-May-9-5 Mon.-Fri., 2-5 Sun.; closed Sat., June-Aug., and university holidays and breaks. Admission: free. Sam King, Director 479-575-7987 [email protected]

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UNIVERSITY OF CALIFORNIA, DAVIS UC Davis Design Museum Davis, California The University of California, Davis, has two art galleries. The Richard L. Nelson Gallery, founded as part of the Department of Art in 1976, presents three exhibitions and an annual MFA student show and administers the university’s fine arts collection of over 4,000 historical and contemporary works. It also has a satellite gallery in the Walter A. Buehler Center. The other gallery is the Memorial Union Art Gallery, established in 1967 in the student union building, which features contemporary art exhibitions. The Nelson

UNIVERSITY OF CALIFORNIA, IRVINE Gallery has an annual attendance of 7,000 and the Memorial Union Gallery receives 5,500 visitors a year.

of MFA, senior and undergraduate student art, with an occasional staff show.

Robert L. Nelson Gallery, University of California, Davis, Dept. of Art, Davis, CA 95616 (postal address: 1 Shields Ave., Davis, CA 91616-5270). Phone: 530/752-8500. Fax: 530/754-9122. E-mail: [email protected]. Web site: www.nelsongallery.ucdavis.edu. Hours: Sept.-May-11-5 Mon.-Fri., 2-5 Sun., Sat. by appointment; closed major holidays; June-Aug-11-5 Mon.-Fri.; closed Sat.-Sun. Admission: free.

Wight Art Gallery, University of California, Los Angles, Dept. of Art, 2275 Broad Art Center, 240 Charles E. Young Dr., Box 951615, Los Angeles, CA 90095. Phones: 310/825-0557 and 310/825-3281. Fax: 310/206-6676. E-mail: [email protected]. Web site: www.art.ucla.edu. Hours: 9-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

Memorial Union Art Gallery, University of California, Davis, Memorial Union Bldg., Davis, CA 95616 (postal address 1 Shields Ave., Davis, CA 91616-5270). Phone: 530/752-2885. Fax: 530/754-4387. E-mail: [email protected]. Web site: www.muartgallery.ucdavis.edu. Hours: 9-5 Mon., Wed., and Fri., 11-7 Tues. and Thurs.; other times by appointment; closed Sat.-Sun. and university holidays. Admission: free. Tim McNeil, Museum Director 530-752-589

UNIVERSITY OF CALIFORNIA, IRVINE Beall Center for Art + Technology Irvine, California The Beall Center for Art + Technology is a 3,300-square-foot gallery and research center at the University of California, Irvine, that seeks to further the relationship between technology and the arts by promoting the development of new art forms and combining digital technologies, engineering, and computer science. The center, which opened in 2000, is named for Donald R. Beall, retired chairman and chief executive officer of Rockwell International Corporation, and his wife, Joan. Rockwell funded the gallery facility as an honor to the Bealls and other support covered the exhibitions and research. Annual attendance is 10,000.

Russell Ferguson, Chair, UCLA Dept. of Art [email protected]

UNIVERSITY OF CALIFORNIA, RIVERSIDE Sweeney Art Gallery Riverside, California The exhibitions and programs of the Sweeney Art Gallery at the University of California, Riverside, are committed to experimentation, innovation, and the exploration of art in today’s time. The gallery, which was established in 1963 and recently moved to the Culver Center of the Arts, presents varied contemporary art exhibitions. Another new campus development was the opening of a new gallery for student art, the Phyllis Gill Gallery, in the Arts Building. The Sweeney Art Gallery has an annual attendance of 7,500. Sweeney Art Gallery, University of California, Riverside, Culver Center of the Arts, Riverside, CA 92501-3624. Phone: 951/827-3755. Fax: 951/827-3798. E-mail: [email protected]. Web site: www.art.ucr.educ/gallery. Hours: 12-5 Tues.-Sat. and 1st Sun in month, 6-9 1st Thurs. of month; closed Sun.-Mon. and major holidays. Admission: free. Tyler Stallings, Director 951-827-1463 [email protected]

Beall Center for Art + Technology, University of California, Irvine, Trever School of the Arts, 712 Arts Plaza, Irvine, CA UNIVERSITY OF CALIFORNIA, SAN 92697-2775. Phone: 949/824-4339. Fax: 949/824-2450. DIEGO Web site: beallcenter.uci.edu. Hours: 12-5 Tues.-Wed. 12-8 Art Gallery Thurs.-Sat.; closed Sun.-Mon. and university holidays and La Jolla, California breaks. Admission: free. The University Art Gallery at the University of California, Joseph S. Lewis, Director San Diego, mounts three exhibitions and projects outside the [email protected] gallery’s walls each year. The exhibitions include two contemporary art shows and an annual MFA student exhibit. The gallery, which opened in 1974, is located in the UNIVERSITY OF CALIFORNIA, LOS Mandeville Center on the La Jolla campus.

ANGELES Wight Art Gallery Los Angeles, California The Wight Art Gallery in the Broad Art Center at the University of California, Los Angeles, is devoted to exhibitions

University Art Gallery, University of California, San Diego, Mandeville Center, La Jolla, CA 92093-0327. Hours: Sept.-May-11-4 Tues.-Sat.; closed Sun.-Mon., June-Aug., and university holidays and breaks. Admission: free. Grant Kester, Director [email protected]

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Art Galleries UNIVERSITY OF CALIFORNIA, SANTA CRUZ Eloise Pickard Smith Gallery and Mary Porter Sesnon Art Gallery Santa Cruz, California The University of California, Santa Cruz, has two art galleries-one that focuses on the local region and the other that has a broader scope. The Eloise Pickard Smith Gallery at Cowell College emphasizes the art of the Monterey Bay area and occasionally has shows on various subjects pertinent to the college. The Mary Porter Sesnon Art Gallery, founded in 1971 at Porter College, displays contemporary art that represents a broad range of methods, media, and cultures in a local, regional, and national context. Smith Gallery has an annual attendance of 3,200, while Sesnon Gallery serves 3,500 visitors. Eloise Pickard Smith Gallery, University of California, Santa Cruz, Cowell College, Santa Cruz, CA 95064. Phone: 831/459-2953. E-mail: [email protected]. Web site: www.cowell.ucsc,edu/smith.gallery/main.php. Hours: 11-5 Tues.-Sun.; closed Mon. and university holidays and breaks. Admission: free. Mary Porter Sesnon Art Gallery, University of California, Santa Cruz, Porter College, Santa Cruz, CA 95064 (postal address: Porter Faculty Services, Porter College, University of California, Santa Cruz, CA 95064). Phone: 831/450-3606. Fax: 831/459-3535. E-mail: [email protected]. Web site: www.arts.ucsc.edu/sesnon. Hours: Sept.-June-12-5 Tues.-Sat; closed Sun.-Mon., June-Aug., and university holidays and breaks. Admission: free. Linda Pope, Director/Curator, Smith Gallery 831-459-2953

UNIVERSITY OF CENTRAL FLORIDA Art Gallery Orlando, Florida Contemporary art exhibitions are mounted at the University of Central Florida Art Gallery housed in the Visual Arts Building in Orlando. University of Central Florida Art Gallery, 51 Visual Arts Bldg., PO Box 161342, Orlando, FL 32816-1342. Phones: 407/823-3161 and 407/823-2975. Fax: 407/823-6470. E-mail: [email protected]. Web site: www.art.ucf.edu. Hours: 9-5:30 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

UNIVERSITY OF CENTRAL MISSOURI UCM Gallery of Art and Design Warrensburg, Missouri The UCM Gallery of Art and Design at the University of Central Missouri in Warrensburg offers exhibitions of art and design, interdisciplinary learning experiences, and community-focused outreach. UCM Gallery of Art and Design, University of Central Missouri, 217 Clark St., AC 2158, Warrensburg, MO 64093. Phone: 660/543-4498. Fax: 660/543-8786. E-mail: [email protected]. Web site: www.ucmo.edu/gallery. Hours: 10-4 Mon.-Fri., 12-4 Sat.; closed Sun. and university holidays and breaks. Admission: free. Jeremy Mikolajczak, Director and Chief Curator [email protected]

UNIVERSITY OF CINCINNATI DAAP Galleries Cincinnati, Ohio The DAAP (Design, Architecture, Art, and Planning) Galleries at the University of Cincinnati in Ohio consist of three galleries-Dorothy W. and C. Lawson Reed, Jr. Gallery, Philip M. Meyers, Jr. Memorial Gallery, and University Galleries on Sycamore. The Reed Gallery presents exhibitions on fields of study associated with the College of Design, Architecture, Art, and Planning, with the emphasis on work in those disciplines from outside the college. The Meyers Gallery focuses on work of the faculty and students and also hosts exhibitions on the design, architecture, art, and planning fields. The newest gallery is the University Galleries on Sycamore, which exhibits works from the college collection, local and regional artists, and DAAP faculty and students. The galleries program, which began in 1993, has an annual attendance of 10,000. DAAP Galleries, University of Cincinnati, College of Design, Architecture, Art, and Planning, 5470 Aronoff Center, PO Box 210016, Cincinnati, OH 45221-0016. Phone: 513/556-2839. Fax: 513/556-3288. E-mail: [email protected]. Web site: www.daap.uc.edu/gallery/gallery.htm. Hours: Reed and Meyers galleries: 10-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks; Sycamore Gallery: 11-5 Tues.-Fri., 11-4 Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free. Probst Robert, Dean, College of Design, Architecture, Art & Planning 513-556-9808 [email protected]

Theo Lotz, Director 407-823-2975 [email protected]

UNIVERSITY OF COLORADO AT BOULDER UMC Art Gallery Boulder, Colorado The UMC Art Gallery at the University of Colorado at Boulder is located in the Student Union Center. The

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UNIVERSITY OF COLORADO AT COLORADO SPRINGS student-focused gallery presents a wide range of contemporary art, ranging from paintings and sculpture to multimedia shows by local, national, and international artists. UMC Art Gallery, University of Colorado at Boulder 204 Student Union Center, 1669 Euclid Ave., Boulder, CO 80309-0204. Phone: 303/492-7465. E-mail: [email protected]. Web site: www.umc.colorado.edu/culture/galleryinfo.html. Hours: 10:30-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Kristen Salo, Director of Student Involvement, Activities & Leadership Development 303-735-0656 [email protected]

UNIVERSITY OF COLORADO AT COLORADO SPRINGS Gallery of Contemporary Art Colorado Springs, Colorado The Gallery of Contemporary Art at the University of Colorado branch campus in Colorado Springs mounts at least five exhibitions a year of contemporary art by emerging, mid-career, and leading regional, national, and international artists, as well as faculty and students. The gallery has two locations-on the campus and at a downtown Plaza of the Rockies site. Annual attendance is 28,000. Gallery of Contemporary Art, University of Colorado at Colorado Springs, 200 Science Bldg., 1420 Austin Bluffs Pkwy, PO Box 7150, Colorado Springs, CO 80933-7150 (downtown site at 121 S. Tejon, Colorado Springs, CO 80903). Phones: 719/255-3567 and 719/255-3504. Fax: 719/262-3183. E-mail: [email protected]. Web site: www.galleryuccs.org. Hours: campus gallery-12-6 Tues.-Fri., other times by appointment; closed Sat.-Mon. and university holidays and breaks; downtown gallery-10-8 Mon.-Fri., other times by appointment; closed Sat.-Sun. and university holidays and breaks. Admission: free. Caitlin Green, Co-director

UNIVERSITY OF DELAWARE Old College Gallery Newark, Delaware The Old College Gallery, formerly the University Gallery, at the University of Delaware in Newark is housed in an 1834 National Historic Landmark building known as the “Old College.” The museum-like gallery features works from a collection of over 10,000 pieces and traveling and loan exhibitions. The collection has particular strengths in vintage and contemporary photographs, including works by Gertrude Kasebier and Clarence White; pre-Columbian and Southwest Native American ceramics; and American prints and drawings from the nineteenth century. The holdings were expanded in 2007 with the addition of significant works by Brandywine School artists Howard Pyle, Stanley Arthurs, Frank Schoonover, and N. C. Wyeth from the

University of Delaware Collection. The gallery is administered as part of the University Museums system. Old College Gallery, University of Delaware, Old College, Newark, DE 19716 (postal address: University Museums, University of Delaware, 208 Mechanical Hall, Newark, DE 19716). Phones: 302/831-8037 (office), 302/831-6589 (Old College). Fax: 302/831-8057. E-mail: [email protected]. Web site: www.udel.edu/museums. Hours: Sept.-May-12-5 Wed. and Fri.-Sun, 12-8 Thurs.; closed Mon.-Tues. and university holidays and breaks; June-Aug.-varies. Admission: free. Janis A. Tomlinson, Director of University Museums [email protected]

UNIVERSITY OF DENVER Victoria H. Myhren Gallery Denver, Colorado The Victoria H. Myhren Gallery is the principal exhibition venue of the School of Art and Art History at the University of Denver in Colorado. Founded in 1940, the 2,564-square-foot gallery features the works of established and emerging local, national, and global artists, and also displays student and faculty art. The art school also has Gallery 023, which shows art created and/or curated by students. Both galleries are in the Shwayder Art Building. Victoria H. Myhren Gallery, University of Denver, 2121 E. Asbury Ave., Denver, CO 80208. Phone: 303/871-3716. Fax: 303/871-4112. E-mail: [email protected]. Web site: www.du.edu/art. Hours: 12-4 daily; closed university holidays. Admission: free. Dan Jacobs, Director 303-871-2387

UNIVERSITY OF FLORIDA Art Galleries Gainesville, Florida The University of Florida in Gainesville has three art galleries. The oldest, largest, and chief component of the teaching, research, and service mission of the School of Art and Art History is the University Gallery, founded in 1965, in the Fine Arts Campus Complex. The gallery mounts six exhibitions each year by contemporary artists. The 850-square-foot Focus Gallery displays cutting-edge works and student and faculty art in the school’s offices, and the Grinter Gallery in Grinter Hall features art by international students and area artists and traveling exhibitions of internationally based art. The University Gallery has an annual attendance of 8,000. University Gallery, University of Florida, School of Art and Art History, Fine Arts Bldg., 400 S.W. 13th St., PO Box 115803, Gainesville, FL 32611-5803. Phone: 352/273-3041. Fax: 352/946-0266. E-mail: [email protected]. Web site: www.arts.ufl.edu/galleries. Hours: Sept.-Apr.-10-5 Tues.-Wed. and Fri., 10-7 Thurs., 12-4 Sat.; closed

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Art Galleries Sun.-Mon. and university and national holidays. Admission: free. Heather Barrett, Coordinator, University Galleries 352-273-3043 [email protected]

UNIVERSITY OF GEORGIA Lamar Dodd School of Art Galleries Athens, Georgia

crafts. Small mini-shows of items from the collection are taken to schools as visual aids for classroom talks by center staff members. The gallery annual attendance is 5,000. Isla Center for the Arts, University of Guam, 15 Dean’s Circle, Mangilao, Guam 96923 (postal address: UOG Station, Mangilao, Guam 96923). Phones: 671/735-2965 and 671/735-2966. Fax: 671/735-2967. E-mail: [email protected]. Web site: www. uog.edu/dynamicdata/classislacenterarts.aspx. Hours: 10-5 Mon.-Fri., 10-2 Sat.; closed Sun. and major holidays. Admission: free.

The Lamar Dodd School of Art at the University of Georgia in Athens has three galleries and three hallway exhibition Velma Yamashita, Director spaces. All are dedicated to understanding and promoting contemporary art as a tool and catalyst for education. The galleries present exhibitions and programs by established and emerging artists, designers, critics, and curators from UNIVERSITY OF HARTFORD off-campus and within, as well as student shows. The gallerJoseloff Gallery ies include Gallery 101, Gallery 307, and Broad Street GalWest Hartford, Connecticut lery, and the hallway exhibition spaces are the Bridge, The Joseloff Gallery in the Harry Jack Gray Center at the Plaza, and Suite areas. University of Hartford in West Hartford, Connecticut, seeks Lamar Dodd School of Art Galleries, University of Georgia, to explore concepts, issues, and directions in contemporary Fine Arts Bldg., 270 River Rd., Athens, GA 30602. Phone: art while reinforcing the visual language. The 706/542-1511. E-mail: [email protected]. Web site: 3,500-square-foot gallery, founded in 1970, presents a wide www.art.uga.edu. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. range of contemporary art in all media with exhibitions by and university holidays and breaks. Admission: free. recognized artists, as well as faculty and students. The Hartford Art School also has the Donald and Linda Silpe Gallery Jeffrey Whittle, Director 706-542-0069 in Taub Hall that serves as a showcase for student art. The [email protected] Joseloff Gallery’s annual attendance is 10,000.

UNIVERSITY OF GEORGIA Circle Gallery Athens, Georgia

Joseloff Gallery, University of Hartford, Harry Jack Gray Center, 200 Bloomfield Ave., West Hartford, CT 06117-1545. Phone: 860/768-4090. Fax: 860/768-5159. E-mail: [email protected]. Web site: www.joseloffgallery.org. Hours: 11-4 Tues.-Fri., 12-4 Sat.-Sun.; closed Mon. and university and national holidays. Admission: free.

Circle Gallery, housed in Caldwell Hall, is part of the College of Environment and Design at the University of Georgia in Athens. Founded in 1993, the gallery presents Lisa Gaumond, Managing Director 860-768-4090 exhibitions related to landscape architecture and historic [email protected] preservation by students, faculty, alumni, and others, including traveling exhibitions. Annual attendance is 2,500. Circle Gallery, University of Georgia, College of Environment and Design, G14 Caldwell Hall, Athens, GA 30602 (postal address: 609 Caldwell Hall, Athens, GA 30602). E-mail: [email protected]. Web site: www.sed.uga.edu/gallery. Hours: 8:30-6 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

Honolulu, Hawaii

Mangilao, Guam

The University of Hawaii at Manoa in Honolulu presents exhibitions in both a historical and contemporary context at the University of Hawaii Art Gallery. Founded in 1976, the 4,000-square-foot gallery has two exhibit spaces that display works by artists, faculty, students, and alumni. Exhibitions in the main art gallery-known as the Art Gallery-have resulted in 14 traveling exhibitions. A second smaller space-the Commons Gallery-is used for the work of visiting artists, student thesis exhibitions, and on-going class work. The gallery spaces have an annual attendance of 50,000.

The Isla Center for the Arts at the University of Guam in Mangilao has 1,000 square feet of exhibit space devoted to changing exhibitions by artists, students, faculty, and traveling exhibits. The center, which opened in 1980, also has a collection of folk, ceremonial, and fine art, and utilitarian

University of Hawaii Art Gallery, University of Hawaii at Manoa, 2535 McCarthy Mall,, Honolulu, HI 96822-2233. Phone: 808/950-6888. Fax: 808/956-9659. E-mail: [email protected]. Web site: www.hawaii.edu/artgallery. Hours: late Aug.-mid-May-10:30-5 Mon.-Fri., 12-5 Sun.;

Melissa Tufts 706-542-4712 [email protected]

UNIVERSITY OF GUAM Isla Center for the Arts

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UNIVERSITY OF HAWAII AT MANOA Art Gallery

UNIVERSITY OF ILLINOIS AT CHICAGO closed Sat., mid-May-late Aug., and major holidays. Admission: free. Lisa Yoshihara, Director

UNIVERSITY OF MARY WASHINGTON Art Galleries Fredericksburg, Virginia

The University of Mary Washington Galleries in UNIVERSITY OF ILLINOIS AT CHICAGO Fredericksburg, Virginia, consist of the Riderhof Martin Gallery and duPont Gallery. Founded in 1956, the galleries Gallery 400 present exhibitions of artists, students, and faculty; selecChicago, Illinois tions from the university’s collection of over 6,000 The works of more than 1,000 artists have been exhibited in artworks; and traveling and loan exhibits. The collection Gallery 400 at the University of Illinois in Chicago since the largely includes mid-twentieth-century America art and gallery was founded in 1983. The gallery, located in a reno- Asian art. Annual attendance is 7,000. vated warehouse building on campus, presents one-person University of Mary Washington Galleries, 1301 College and group showings, often of new Illinois artists. The exhiAve., Fredericksburg, VA 22401-3706. Phone: bitions and programs include a broad range of recent devel540/654-1013. Fax: 540/654-1171. E-mail: galopments and aesthetic concerns in contemporary art, [email protected]. Web site: www.galleries.umw.edu. Hours: sometimes commissioned by the gallery. Sept.-May-10-4 Mon., Wed., and Fri., 1-4 Sat.-Sun.; closed Tues., Thurs., and university holidays and breaks. AdmisGallery 400, University of Illinois at Chicago, College of sion: free. Architecture and the Arts, Art and Design Hall, 400 S. Peoria St., Chicago, IL 60607. Phone: 312/996-6114. Fax: Anne Timpano, Director 312/355-3444. E-mail: [email protected]. Web site: www.uic.edu/college/gallery400. Hours: 10-6 Tues.-Fri., 12-6 Sat., and by appointment; closed Sun.-Mon. and uniUNIVERSITY OF MARYLAND, versity holidays. Admission: free. Lorelei Stewart, Director

BALTIMORE COUNTY Albin O. Kuhn Library and Gallery Baltimore, Maryland

The Albin O. Kuhn Library and Gallery at the University of Maryland, Baltimore County, displays art and artifacts from all over the world, items from the library’s Special CollecLouisville, Kentucky tions Department, and traveling exhibitions. It also sometimes circulates some of its exhibitions throughout the state The Hite Art Institute Galleries at the University of Louisville in Kentucky consist of five galleries-Morris B. Belknap and nation. The gallery, which was established with the liGallery, Dario A. Covi Gallery, and Gallery X in Schneider brary in 1975, has 4,420 square feet of exhibit space and an Hall on the Belknap Campus and Alice and Irvin F. Etscorn annual attendance of 12,000. Gallery and John and Bonnie Roth Gallery at the Cressman Albin O. Kahn Library and Gallery, University of Maryland, Center for Visual Arts in downtown Louisville. The galleries, which began in 1946 with the establishment of the Allen Baltimore County, 1000 Hilltop Circle, Baltimore, MD R. Hite Art Institute, feature exhibitions of regional and na- 21250. Phone: 410/455-2232. Fax: 410/455-1567. E-mail: [email protected]. Web site: www.umbc.edu/library. Hours: tional artists, designers, and craftspersons, and provide a Sept.-mid-Dec and Mar.-May-12-4 Mon.-Wed. and Fri, 12-8 venue for student thesis exhibitions. The galleries have an Thurs., 1-5 Sat.-Sun.; closed mid-Dec.-Feb., June-Aug., annual attendance of 48,000. spring break, and major holidays. Admission: free. Hite Art Institute Galleries, University of Louisville, Allen Tom Beck, Chief Curator 410-455-3827 R. Hite Art Institute, Schneider Hall, Belknap Campus, Lou- [email protected] isville, KY 40292. Phone: 502/852-4483. Fax: 502/852-6791. E-mail: [email protected]. Web site: www.art.louisville.edu. Hours: Schneider Hall galleries-9-4:30 Mon.-Wed. and Fri., 9-8 Thurs., 10-2 Sat.; closed UNIVERSITY OF MARYLAND, COLLEGE PARK Sun. and national holidays; downtown galleries-11-6 Wed.-Fri., 11-3 Sat., 11-9 1st Fri. of month; closed Art Galleries Sun.-Tues. and national holidays. Admission: free. College Park, Maryland

UNIVERSITY OF LOUISVILLE Hite Art Institute Galleries

John Begley, Director

Four art galleries are located at the University of Maryland in College Park. The principal gallery is University of Maryland Art Gallery, founded in 1966 and housed in the Art-Sociology Building. It hosts exhibitions by artists from around the world, as well as MFA thesis exhibition at the end of the academic year. Its annual attendance is 8,000. The other exhibits are the Stamp Union Gallery, which

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Art Galleries exhibits the works of local and national artists and art students in the Adele H. Stamp Student Union; Herman Maril Gallery, a student-organized gallery that displays student art in the Department of Art; and David C. Driskell Center, where a number of African American art exhibitions are presented each year. University of Maryland Art Gallery, 1202 Art-Sociology Bldg., College Park, MD 20742. Phone: 301/405-2763. Fax: 301/314-7774. E-mail: [email protected]. Web site: www.artgallery.umd.edu. Hours: Aug.-May-11-4 Mon.-Tues. and Thurs.-Sat.; closed Sun., June-July, and national and university holidays. Admission: free.

[email protected]. Web site: www.uml.edu/dept/art/galleries.htm. Hours: 10-4 Mon.-Thurs., Fri. and Sat. by appointment; closed Fri.-Sun. and university holidays and breaks. Admission: free. Dugan Gallery, University of Massachusetts Lowell, Dugan Hall, 883 Broadway St., Lowell, MA 01854. Phone: 978/934-3494. Fax: 978/934-4050. E-mail: [email protected]. Web site: www.uml.edu/dept/artgalleries.htm. Hours: 10-4 Mon.-Thurs.; closed Fri.-Sun. and university holidays and breaks. Admission: free. Michele A Gagnon, Coordinator 978-934-3491 [email protected]

John Shipman, Director [email protected]

UNIVERSITY OF MASSACHUSETTS DARTMOUTH Art Gallery

UNIVERSITY OF MICHIGAN School of Art and Design Galleries Ann Arbor, Michigan

The School of Art and Design at the University of Michigan in Ann Arbor has two campus galleries and two off-campus New Bedford, Massachusetts exhibition sites. The Jean Paul Slusser Gallery, founded in 1975, and the Robbins Gallery, established in 1995 as part The University Art Gallery at the University of Massachusetts Dartmouth in New Bedford is located in a recently ren- of the Warren Robbins Graduate School, are located in the Art and Architecture Building on the campus. The other two ovated downtown store that also holds studios, lecture hall, are off-campus sites in Ann Arbor and Detroit, known as computer room, offices, and three smaller galleries-Crapo Gallery, Gallery 244, and Spring Street Gallery. The Univer- Work Ann Arbor and Work Detroit. sity Art Gallery, founded in 1987, covers 2,600 square feet The 2,700-square-foot Slusser Gallery is the primary north and features the work of local, national, and international artists and traveling and loan exhibitions. Annual attendance campus exhibition venue for the art/design school, hosting an annual major exhibition of prominent contemporary art, is 10,000. as well as the school’s annual faculty, student, and alumni shows. The 1,200-square-foot Robbins Gallery is designed University Art Gallery, University of Massachusetts Dartmouth, College of Visual and Performing Art, 715 Pur- to provide exhibition and curatorial opportunities for MFA candidates. A graduate student is selected each year to direct chase St., New Bedford, MA 02740-6341. Phone: the gallery, deciding on the exhibition calendar and often ar508/999-8555. Fax: 508/999.8912. E-mail: ranging shows by outside artists. The Ann Arbor downtown lantonsen@umassd,edu. Web site: gallery gives undergraduate students an exhibition space, www.umassd.edu/universityartgallery. Hours: Sept.-May-9-6 daily; closed major holidays; June-Aug.-9-6 while the Detroit downtown site displays the work of artists from Detroit and elsewhere, as well as art/design school Mon.-Sat., 12-5 Sun. Admission: free. students. Lasse B. Antonsen, Director 508-999-8555 [email protected]

UNIVERSITY OF MASSACHUSETTS LOWELL University and Dugan Galleries Lowell, Massachusetts

School of Art and Design Galleries, University of Michigan, Art and Architecture Bldg., 2000 Bonisteel Blvd., Ann Arbor, MI 48109-2069. Phone: 734/764-1817. Web site: www.art-design.umich.edu. Hours: varies with galleries. Admission: free. Mark Neilson, Director, Slusser Gallery 734-368-1095 [email protected]

The University of Massachusetts campus in Lowell has two galleries-one for exhibitions by professional artists and anUNIVERSITY OF MINNESOTA, TWIN other for student art. The University Gallery, housed in the CITIES McGauvran Student Center, presents six exhibitions a year of the work of regionally and nationally recognized contem- Katherine E. Nash Gallery porary artists. The Dugan Gallery displays the artwork of Minneapolis, Minnesota students, an annual juried show, and other special student art The Katherine E. Nash Gallery is the site of numerous artisprograms. tic and cultural events at the University of Minnesota in Minneapolis. Founded in 1973, the 4,900-square-foot galUniversity Gallery, University of Massachusetts Lowell, lery is located in the Regis Center for Art on the West Bank Dept. of Art, McGauvran Student Center, 71 Wilder St., Campus of the university. The gallery exhibits the works of Lowell, MA 01854. Phone: 978/934-3491. E-mail:

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UNIVERSITY OF MISSOURI, COLUMBIA regional, national, and international artists and the university’s art students and faculty. It also gives students an opportunity to gain experience in arts administration, curatorial planning, exhibit preparation, and daily operation of a professional gallery. Annual attendance is 18,000.

UNIVERSITY OF MONTANA Paxson Gallery, University Center Gallery, and Gallery of Visual Arts

Katherine E. Nash Gallery, University of Minnesota, Regis Center for Art, 405 21th Ave., S., Minneapolis, MN 55455-0420. Phone: 612/624-6518. Fax: 612/625-0152.E-mail: nash@te,umn.edu. Web site: www.nash.umn.edu. Hours: 11-7 Tues.-Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free.

Three art galleries are located on the University of Montana campus in Missoula. They are the Paxson Gallery at the School of Fine Arts, University Center Gallery at the University Center, and Gallery of Visual Arts in the Social Science Building. A variety of works by artists, students, and faculty are exhibited in the galleries.

Howard Oransky, Director

UNIVERSITY OF MISSOURI, COLUMBIA George Caleb Bingham Gallery Columbia, Missouri The George Caleb Bingham Gallery is located in the Fine Arts Center at the University of Missouri in Columbia. It mounts exhibitions by artists, students, and faculty. The Department of Art gallery usually presents two exhibitions by professional artists each academic year. George Caleb Bingham Gallery, University of Missouri-Columbia, A126 Fine Arts Center, Hitt St and University Ave., Columbia, MO 65211-6090. Phone: 573/882-3555. Fax: 573/884-6807. E-mail: [email protected]. Web site: www.binghamgallery.missouri.edu. Hours: Sept.-May-8-5 Mon.-Fri.; June-Aug.-7:30-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Daniel Farnum, Director [email protected]

UNIVERSITY OF MISSOURI, KANSAS CITY UMKC Gallery of Art Kansas City, Missouri

Missoula, Montana

University of Montana Galleries (Paxson Gallery, School of Fine Arts, University Center Gallery, University Center, and Gallery of Visual Arts, Social Science Bldg.), Campus Dr., Missoula, MT 59812. Phones: Paxson-406/243-4970; University-406/243-6661; Visual Arts-406/243-2813. Web site: www.umt.edu. Hours: varies with galleries. Admission: free. Catherine Mallory, Director, Gallery of Visual Arts 406-243-2813 [email protected]

UNIVERSITY OF MONTANA WESTERN Western Art Gallery/Museum Dillon, Montana The Western Art Gallery/Museum is housed in the 1893 main building at the University of Montana Western in Dillon. It is a combination art gallery and museum of wildlife that presents exhibitions by students, faculty, visiting artists, and traveling shows. The gallery/museum, which was founded in 1986, has a collection of works by Pacific Northwest regional artists and African, Asian, and North American animal trophies. Annual attendance is 2,000. Western Art Gallery/Museum, University of Montana Western, Main Bldg., 10 S. Atlantic, Dillon, MT 58725-3511. Phone: 406/683-7232. Fax: 406/683-7493. E-mail: [email protected]. Web site: www.umwestern.edu. Hours: 9-4 Mon.-Fri.; closed Sat-Sun. and major holidays. Admission: free. Eva Mastandrea, Chair, Dept of Art 406-683-7312 [email protected].

The UMKC Gallery of Art at the University of Missouri-Kansas City features the works of artists, students, and loan and traveling exhibitions in the Fine Arts Building on UNIVERSITY OF NEVADA, LAS the main Volker Campus. The Department of Art and Art History gallery, founded in 1975, has an annual attendance Donna Beam Fine Art Gallery of 10,000. Las Vegas, Nevada UMKC Gallery of Art, University of Missouri-Kansas City, 203 Fine Arts Building, 5100 Rockhill Rd., Kansas City, MO 64110-2499. Phone: 816/235-1501. Fax: 816/235-5507. E-mail: [email protected]. Web site: www.www.cas.umke.edu/art/gallery/cfm. Hours: 1-5 Tues., Thurs.-Sat.; closed Sun.-Mon., Wed., and university holidays and breaks. Admission: free.

VEGAS

The Donna Beam Fine Art Gallery offers a diverse schedule of changing exhibitions at the University of Nevada, Las Vegas. They include solo and group exhibitions, theme shows and competitions, and exhibitions of regionally and nationally recognized contemporary artists, as well as works of art students and faculty. Focal point of the gallery is contemporary art with emphasis on content, concept, and craft in di-

David Watne, Coordinator

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Art Galleries verse media that shows critical thinking and aesthetic sensitivity. The gallery, which was founded in 1960 and has an annual attendance of 8,000, also manages three satellite galleries on the campus-the Jessie Metcalf Gallery in the Richard Tam Alumni Center and the lobbies of the Artemus Ham Concert Hall and the Judy Bayley Theater. Each gallery presents one-person and group exhibitions by students, faculty, alumni, and/or artists. Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, 4505 Maryland Pkwy., Box 5002, Los Vegas, NV 89154-9900. Phone: 702/895-3893. Fax: 702/895-3751. E-mail: [email protected]. Web site: www.donnabeamgallery.unlv.edu. Hours: 9-5 Mon,-Fri., 10-2 Sat.; closed Sun. and major holidays. Admission: free. Jerry Schefcik, Director [email protected]

UNIVERSITY OF NEVADA, RENO Sheppard Fine Arts Gallery Reno, Nevada The Sheppard Fine Arts Gallery at the University of Nevada, Reno, is a Department of Art experimental contemporary art gallery that offers simultaneous programming and co-hosting of events with other campus departments and local organizations. Founded in 1960, the 2,000-square-foot gallery in the Church Fine Arts Building features artists of national and international stature and emerging artists. It also hosts an annual student art exhibition, biennial benefit exhibit and auction, thesis exhibitions, visiting artist lectures, poetry readings, and film screenings, and serves as a community meeting space. The gallery has a collection of over 1,000 works primarily of Nevada artists and an annual attendance of 30,000. The art department also has four student exhibition spaces-McNamara, Front Door, and Exit galleries in the Church Building and the Investment Gallery in the adjacent Student Services Building. Sheppard Fine Arts Gallery, University of Nevada, Reno, 162 Church Fine Arts Bldg., Reno, NV 89557. Phone: 775/784-6658. Fax: 775/784-6655. E-mail: [email protected]. Web site: www.unr.edu/art/site/galleriesevents/sheppard_gallery.html. Hours: 11-5 Mon.-Thurs., 11-2 Fri., closed Sat.-Sun. and state holidays. Admission: free.

The gallery, founded in 1977, houses a permanent collection of paintings, drawings, photographs, and sculpture by nationally and internationally known artists. Selections from the collection are shown on a rotating basis on the gallery’s lower level and in special exhibitions every third year. The gallery’s annual attendance is 10,000. University of New England Gallery of Art, Westbrook College Campus, 716 Stevens Ave., Portland, ME 04103-2693. Phone: 207/221-4499. Fax: 207/523-1901. E-mail: [email protected]. Web site: www.une.edu/artgallery. Hours: 1-4 Wed. and Fri.-Sun., 1-7 Thurs.; closed Mon.-Tues., Easter, Independence Day, Thanksgiving, and Christmas. Admission: free. Anne B. Zill, Director 207-221-4499 [email protected]

UNIVERSITY OF NORTH DAKOTA Hughes Fine Arts Center Galleries Grand Forks, North Dakota The Department of Art and Design at the University of North Dakota in Grand Forks has two galleries at the Hughes Fine Arts Center. They are the Hughes Fine Arts Center Gallery and the Col. Eugene E. Myers Art Gallery. They present exhibitions of artists, students, and faculty. Hughes Fine Arts Center Galleries, University of North Dakota, Dept. of Art and Design, Hughes Fine Arts Center, 3350 Campus Rd., Stop 7099, Grand Forks, ND 58202-7099. Phones: 701/777-2257 and 701/777-2906. Fax: 701/777-2903. E-mail: [email protected]. Web site: www.und.edu/dept/art/html. Hours: 11-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Arthur Jones, Chair, UND Dept. of Art & Design [email protected]

UNIVERSITY OF NORTH FLORIDA Gallery of Art Jacksonville, Florida

Marji Vecchio, Director 775-784-6658 [email protected]

The University of North Florida Gallery of Art in Jacksonville features solo and group exhibitions by regional and national artists and annual shows of faculty and student art. The gallery is located in Founders Hall.

UNIVERSITY OF NEW ENGLAND Art Gallery

University of North Florida Gallery of Art, Founders Hall, Bldg. 2, 1 UNF Dr., Jacksonville, FL 32224. Phone: 904/620-2534. E-mail: [email protected]. Web site: www.unf.edu/dept/gallery. Hours: 10-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

Portland, Maine The University of New England Art Gallery in Portland, Maine, mounts six exhibitions each year, ranging from contemporary fine art photography to artworks by women and Maine artists. In addition, an annual sculpture invitational is

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featured around the gallery’s exterior from June through October and exhibitions sometimes are arranged on both of the university’s two campuses in Portland and Biddeford.

Raymond Gaddy, Director

UNIVERSITY OF NORTH TEXAS UNIVERSITY OF NORTH TEXAS Art Galleries

UNIVERSITY OF NORTHERN IOWA UNI Gallery of Art

Denton, Texas

Cedar Rapids, Iowa

The College of Visual Art and Design operates four galleries at the University of North Texas in Denton. The oldest, largest, and principal gallery is the 3,150-square-foot University of North Texas Art Gallery, which was founded in 1972. It presents curatorial and installation projects involving vanguard contemporary art designed to further discussion of the lives and work of the artists. Annual attendance is 8,000.

The UNI Gallery of Art at the University of Northern Iowa in Cedar Falls mounts nine major art and design exhibitions and a number of smaller auxiliary shows every year. They include exhibitions of work by artists from throughout the nation, as well as a fall show of new art by faculty, an annual juried art student exhibition in the spring, and sometimes selections from the permanent collection. Founded in 1978, the Department of Art gallery also oversees the university collection, which features twentieth-century American and European contemporary artists. The gallery is located in the Kamerick Art Building and has an annual attendance of 12,000.

The other galleries are the Cora Stafford Gallery, a bi-level gallery that displays the work of faculty, students, and class projects; Lightwell Gallery, a student-run gallery that offers weekly rotating exhibitions of student work; and North Gallery, which has fashion, interior, and communication design exhibitions, as well as such other fields as sculpture, metalworking, ceramics, and studio. The University, Lightwell, and North galleries are located in the Art Building, while the Stafford Gallery is in Oak Street Hall.

UNI Gallery of Art, University of Northern Iowa, 104 Kamerick Art Bldg., 1601 W. 27th St., Cedar Rapids, IA 50614-0362. Phone: 319/273-3095. Fax: 319/273-7333. E-mail: [email protected]. Web site: www.uni.edu/artdept/gallery. Hours: Sept.-May-9 a.m.-9 p.m. Mon.-Fri., 12:30-4:30 Sat.-Sun.; closed university holidays and breaks; June-Aug.-9:30-4:30 Mon.-Fri., 12:30-4:30 Sat.-Sun.; closed major holidays. Admission: free.

University of North Texas Art Gallery, College of Visual Arts and Design, Art Bldg., 1201 W. Mulberry, Denton, TX 78203-5100 (postal address: College of Visual Arts and Design, 1155 Union Circle #305100, Denton, TX 76203-5107). Darrell Taylor, Director Phones: 940/565-4005 and 940/565-4001. Fax: 940/565-4717. E-mail: [email protected]. Web site: www.art.unt.edu. Hours: University Gallery-12-8 Tues.-Wed., 12-5 Thurs.-Sat.; closed Sun.-Mon. and univer- UNIVERSITY OF NOTRE sity holidays and breaks; other galleries-varies with gallerIsis Gallery ies. Admission: free.

DAME

South Bend, Indiana Tracee W. Robertson, Director 940-565-4316

UNIVERSITY OF NORTHERN COLORADO School of Art and Design Galleries

The Isis Gallery at the University of Notre Dame in South Bend, Indiana, primarily features student art, but also sometimes has exhibitions of works by artists. The gallery, which opened in 1952, is operated by the Department of Art, Art History, and Design in historic O’Shaughnessy Hall.

Isis Gallery, University of Notre Dame, O’Shaughnessy Hall, South Bend, IN 46556 (postal address: Dept. of Art, Art History, and Design, 306 Riley Hall of Art, Notre Dame, Six exhibitions are hosted each year by the School of Art IN 46556-5673). Phones: 574/631-7085 and 574/631-7602. and Design’s two galleries at the University of Northern Colorado in Greeley. The Mariani Gallery, founded in 1972, Fax: 574/631-7743. E-mail: [email protected]. Web Site: features works by contemporary artists in Guggenheim Hall, www.artdept.nd.edu. Hours: varies. Admission: free. while the Oak Room Gallery focuses largely on solo and Charles Barber, Chair, Notre Dame University Department of Art, group student art in Crabbe Hall. Annual attendance at Art History & Design Mariani Gallery is 10,600.

Greeley, Colorado

School of Art and Design Galleries, University of Northern Colorado, Guggenheim Hall, PO Box 30, Greeley, CO 80639. Phone 970/351-2184. Fax: 970/351-2299. E-mail: [email protected]. Web site: www.arts.unco.edu/visarts/visarts_galleries.html. Hours: Sept.-May-10-3 Mon.-Tues. and Thurs.-Fri., 1-6 Wed.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Joan Shannon Miller, Visual Arts Galleries Coordinator 970-351-2184 [email protected]

UNIVERSITY OF PENNSYLVANIA Arthur Ross Gallery and Fox Art Gallery Philadelphia, Pennsylvania The Arthur Ross Gallery and Fox Art Gallery are among the art offerings of the University of Pennsylvania in Philadelphia. The Arthur Ross Gallery opened in 1983 in a National Historic Landmark building originally designed by Frank Furness in 1891 as the university’s main library. The 1,700-square-foot gallery draws attention to the work and role of artists, art historians, and curators and presents all types of historical and contemporary exhibitions largely

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Art Galleries from private collections and historical institutions. Annual attendance is 12,000. The Fox Art Gallery, operated by the university’s Social Planning and Events Committee in Logan Hall, highlights works from within and outside the university. Arthur Ross Gallery, University of Pennsylvania, 220 S. 34th St., Philadelphia, PA 19104-3808 (postal address: Box 5, College Hall, Philadelphia, PA 19105-0005). Phones: 215/898-2083 and 215/898-1479. Fax: 215/573-2045. E-mail: [email protected]. Web site: www.upenn.edu/arg. Hours: 10-5 Tues.-Fri., 12-5 Sat.-Sun.; closed Mon., New Year’s Day, Easter, Independence Day, Thanksgiving, and Christmas. Admission: free. Fox Art Gallery, University of Pennsylvania, Logan Hall, 249 S. 38th St., Philadelphia, PA 19104. Phone: 215/898-2753. E-mail: [email protected]. Web site: www.specevents.net. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Lynne Marsden-Atlass, Director, Arthur Ross Gallery [email protected]

UNIVERSITY OF PITTSBURGH Art Gallery

the Tacoma Art Museum under a partnership arrangement since 2009. Annual attendance is 1,500. Kittredge Gallery, University of Puget Sound, Kittredge Hall, 1500 N. Warner St., CMB 1072, Tacoma, WA 98416-0005. Phone: 253/879-1701. Fax: 253/879-3500. E-mail: [email protected]. Web site: www.pugetsound.edu/kittredge. Hours: late Aug.-May-10-5 Mon.-Fri., 12-5 Sat.; closed Sun., June-late Aug., and university holidays and breaks. Admission: free. John McCuistion, Chair, Art Department, University of Puget Sound [email protected]

UNIVERSITY OF REDLANDS Peppers Art Gallery Redlands, California The Peppers Art Gallery at the University of Redlands in Redlands, California, mounts exhibitions of contemporary artists, students, and faculty. The gallery was founded as part of a new art building in 1964. The university’s new Center for the Arts that opened in 2010 includes the Ann Peppers Hall that houses the art and art history activities. Phase 2 of the arts center will include a new home for the Peppers Art Gallery.

Peppers Art Gallery, University of Redlands, 1200 E. Colton Ave., Redlands, CA 92373. Phone: 909/793-2121, Ext. The University Art Gallery at the University of Pittsburgh in 3660. Web site: www.redlands.edu. Hours: 1-5 Tues.-Fri., Pennsylvania seeks to present exhibitions on Pittsburgh col- 2-5 Sat.-Sun.; closed Mon. and university holidays and lections, works important to the history of the city and west- breaks. Admission: free. ern Pennsylvania, international and social missions of the Jo Nuno, Administrative Assistant, University of Redlands Art university, and related to the teaching mission of the depart- Department ment. Founded in 1966, the gallery is housed in the Frick Fine Arts Building. The gallery’s collection emphasizes western Pennsylvania and has paintings, prints, drawings, UNIVERSITY OF RHODE ISLAND decorative arts, and other works.

Pittsburgh, Pennsylvania

URI Fine Arts Center Galleries University Art Gallery, University of Pittsburgh, Frick Fine Arts Bldg., Pittsburgh, PA 15260-7601. Phones: 412/648-2400 and 412/648-2423. Fax: 412/648-2792. E-mail: [email protected]. Web site: www.haa.pitt.edu/frick/artgallery. Hours: 10-4 Mon.-Wed. and Fri., 10-8 Thurs.; closed Fri.-Sun. and university holidays and breaks. Admission: free.

Tacoma, Washington

The URI Fine Arts Center at the University of Rhode Island in Kingston has three art galleries-the URI Main Gallery and two other exhibition spaces, the Project Room and the Corridor Gallery. The Main Gallery presents exhibitions of professional artists, students, and faculty. The Project Room is a space for experimental and interdisciplinary art where visiting artists, faculty, and students mentoring with faculty can exhibit their work in a rough state, while the Corridor Gallery displays artworks by faculty, visiting artists, and art classes. The university also has two other campus exhibition spaces. The President’s Collection in the university president’s home features the work of alumni, students, and faculty and the Carlotti Exhibition in the Carlotti Administration Building is a new venue for student art.

Kittredge Gallery at the University of Puget Sound in Tacoma, Washington, mounts exhibitions of regional and national arts and annual junior and senior student art shows. The 2,100-square-foot gallery, founded in 1950, has two exhibition spaces in Kittredge Hall. It has been managed by

URI Fine Arts Center Galleries, University of Rhode Island, 105 Upper College Rd., Kingston, RI 02881. Phone: 401/874-5821. Fax: 401/874-2729. E-mail: [email protected]. Web site: www.uri.edu/artsci/art/galleries.html. Hours: Main Gallery-12-4 Mon.-Sat.; closed

Kirk Savage, Chair, History of Art & Architecture, University of Pittsburgh

UNIVERSITY OF PUGET SOUND Kittredge Gallery

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Kingston, Rhode Island

UNIVERSITY OF SAN DIEGO Sun. and university holidays and breaks; other galleries-varies with galleries. Admission: free.

UNIVERSITY OF SAN DIEGO Art Galleries San Diego, California The University of San Diego in California has a Visual Arts Center Gallery and five University Design Galleries that display a wide range of art and design. The other galleries are the Robert and Karen Hoehn Family Galleries and Hoehn Print Study Room, Founders Hall; Fine Arts Galleries, Joan B. Kroc Institute for Peace and Justice; David W. May American Indian Gallery, Serra Hall; and Exhibition Hall, Student Life Pavilion. University of San Diego Galleries, University of San Diego, Dept. of Art, Architecture, and Art History, 5998 Alcala Park, San Diego, CA 92110. Phone: 619/260-2280 and 619/260-4600. Web site: www.sandiego.edu. Hours: varies with galleries. Admission: free. Andrea Cutlip, Executive Assistant for University Design 619-260-4261 [email protected]

UNIVERSITY OF SOUTH DAKOTA Art Galleries Vermillion, South Dakota

Art also manages the university art collection consisting largely of two-dimensional prints from the 1970s-80s and works by students and faculty. McCutchan Art Center/Pace Galleries, University of Southern Indiana, Liberal Arts Center, 8600 University Blvd., Evansville, IN 47712-3596. Phone: 812/228-5006. Web site: www.usi.edu/libarts/artcenter-galleries. Hours: Sept.-May-10-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks; June-Aug.-10-2 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Kathryn Waters, Director

UNIVERSITY OF SOUTHERN INDIANA New Harmony Gallery of Contemporary Art New Harmony, Indiana Solo and group exhibitions of work by contemporary artists are presented by the New Harmony Gallery of Contemporary Art, in historic New Harmony, Indiana. The gallery, founded in 1975 and operated by the University of Southern Indiana in Evansville, also has lectures and workshops. The annual attendance is 40,000. New Harmony Gallery of Contemporary Art, 506 Main St., PO Box 627, New Harmony, IN 47631-0627. Phone: 812/682-3156. Fax: 812/682-3870. E-mail: [email protected]. Web site: www.usi.edu/nhgallery. Hours: Jan.-Mar.-10-5 Tues.-Sat.; closed Sun.-Mon.; Apr.-Dec.-10-5 Tues.-Sat., 12-4 Sun; closed Mon. Admission: free.

Three galleries are part of the University of South Dakota Galleries in Vermillion. They include the John A. Day Gal- Erika Myers-Bromwell, Director lery, the main gallery which presents 12 to 15 multi-faceted exhibitions annually in 2,500 square feet of exhibit space; Gallery 110, a smaller gallery in the Warren M. Lee Center for the Fine Arts that features works from the galleries’ col- UNIVERSITY OF SOUTHERN MAINE lections; and Oscar Howe Art Gallery, which displays works USM Art and Area Galleries from the American Indian artist’s collection in historic Old Gorham, Maine Main. The galleries have an annual attendance of 20,000. The University of Southern Maine in Gorham has art gallerUniversity Art Galleries, University of South Dakota, Dept. ies on its two campuses in Gorham and Portland. The Art of Art, Warner M. Lee Center, 414 E. Clark St., Vermillion, Gallery in Gorham and the Area Gallery on the Woodbury Campus Center in Portland feature the work of contempoSD 57069-2307. Phones: 605/677-3177 and 605/677-5636. rary artists and students, as well as lectures and discussions Fax: 605/677-5988. E-mail: [email protected]. Web site: involving visiting artists and/or scholars. Some exhibitions www.usd.edu/art. Hours: Day Gallery-8-5 Mon.-Fri., 1-5 Sat.-Sun.; Gallery 110-8-5 Mon.-Fri.; and Howe Gallery-1-5 also are loan or traveling shows. The Gorham gallery was founded in 1965. Mon.-Sat.; all closed on major holidays. Jeremy Menard, Director 605-677-3177 [email protected]

UNIVERSITY OF SOUTHERN INDIANA McCutchan Art Center/Pace Galleries

USM Art Gallery, University of Southern Maine, Gorham Campus, 37 College Ave., Gorham, ME 04038-1032. Phones: 207/780-5460 and 207/780-5008. Fax: 207/780-5759. E-mail: [email protected]. Web site: www.usm.maine.edu/~gallery. Hours: Sept.-May-11-4 Tues.-Fri., 1-5 Sat.-Sun.; closed Mon., June-Aug/ and university holidays and breaks. Admission: free.

Evansville, Indiana Works by visiting artists, students, and faculty are exhibited in the Kenneth P. McCutchan Art Center/Palmina F. and Stephen S. Pace Galleries at the University of Southern Indiana in Evansville. The art center and galleries are located on the lower level of the Liberal Arts Center. The Department of

USM Area Gallery, University of Southern Maine, Woodbury Campus Center, Bedford St., Portland, ME 04101. Phone: 207/780-5008. Fax: 207/780-5008. E-mail: [email protected]. Web site: www.usm.maine.edu/gallery. Hours: 7 a.m.-10 p.m. Mon.-Thurs., 7 a.m.-9:45 p.m. Fri.;

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Art Galleries closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Carolyn Eyler, Director of Exhibitions and Programs 207-780-5008

UNIVERSITY OF TENNESSEE AT KNOXVILLE Ewing Gallery of Art and Architecture, Downtown Gallery, and Gallery 1010 Knoxville, Tennessee

UNIVERSITY OF TAMPA Scarfone/Hartley Gallery Tampa, Florida The Scarfone/Hartley Gallery at the University of Tampa in Florida features exhibitions of regional, national, and international artists. In addition, it displays the work of the fine arts faculty, alumni, and students during scheduled exhibitions. Founded in 1977, the gallery is located in the R. K. Bailey Arts Studios on the campus and has an annual attendance of 12,000.

The main gallery at the University of Tennessee in Knoxville is the museum-like Ewing Gallery of Art and Architecture, which features work by regional artists, students, and faculty and presents exhibitions from its permanent collection and traveling exhibitions. Founded in 1981, the 3,000-square-foot gallery is operated jointly by the Department of Art and School of Architecture.

The collection consists of approximately 3,000 objects, including contemporary art in all media, graphic design/illustration, architectural drawings, photographs, and Asian art. The collection includes works by such artists as Pablo Picasso, Salvador Dali, Roy Lichtenstein, and Andy Warhol. Scarfone/Hartley Gallery, University of Tampa, R. K. Bailey The university also has two other galleries-Downtown GalArts Studio, 310 North Blvd., Tampa, FL 33606-1403 lery, which mounts exhibitions of artists, students, and tour(postal address: 401 W. Kennedy Blvd., Tampa, FL ing shows, and Gallery 1010, a student-run exhibition space 33606-1450). Phones: 813/253-3333 and 813/253-6217. that displays the work of artists, students, faculty, staff, and Fax: 813/258-7497. E-mail: [email protected]. Web site: alumni. www.ut.edu/scarfone-hartley-gallery. Hours: Aug.-May-10-4 Tues.-Fri., 1-4 Sat.; closed Sun.-Mon., Ewing Gallery of Art and Architecture, University of TenJune-July, and national holidays. Admission: free. nessee at Knoxville, Art and Architecture Bldg., 1715 Volunteer Blvd., Knoxville, TN 37996-2410. Phones: Dorothy Cowden, Director 865/974-3200 and 865/974-3199. Web site: [email protected]. lery.utk.edu. Hours: Sept.-early May-10-8 Mon. and Thurs., 10-5 Tues.-Wed. and Fri., 1-4 Sun.; closed Sat. and national holidays; early May-Aug.-12-4 Tues.-Fri.; closed Sat.-Mon. UNIVERSITY OF TENNESSEE AT and national holidays. Admission: free.

CHATTANOOGA Cress Gallery of Art

Downtown Gallery, University of Tennessee at Knoxville, 106 S. Gay St., Knoxville, TN 37902. Phone: 865/673-0802. Chattanooga, Tennessee Web site: www.web.utk.edu/~downtown. Hours: 11-6 Wed.-Fri., 10-3 Sat.; closed Sun.-Tues. and national holiThe Cress Gallery of Art at the University of Tennessee at Chattanooga presents seven to eight temporary and traveling days. Admission: free. exhibitions featuring historical and contemporary work by Gallery 1010, University of Tennessee at Knoxville, 113 S. local, regional, national, and international artists and design- Gay St., Knoxville, TN 37902. Web site: ers in its main gallery. The exhibiting artists and designers www.sunsite.utk.edu/gallery1010. Hours: 12-4 Thurs.-Sat.; usually give lectures, gallery talks, workshops, classroom closed Sun.-Wed. and national holidays. Admission: free. visits, and critiques as part of a visiting artists program. The gallery also has a separate exhibition space that displays the Sam Yates, Director, Ewing Gallery of Art and Architecture 865-974-3199 work of students, faculty, and alumni, including annual [email protected] juried student and senior thesis exhibitions and a biennial art faculty show. The Cress Gallery opened in 1980 with the completion of the Fine Arts Center. Cress Gallery of Art, University of Tennessee at Chattanooga, Fine Arts Center, 752 Vine St., Chattanooga, TN 37403 (postal address: 615 McClure Ave., Chattanooga, TN 37403-2504). Phones: 423/304-9789 and 423/425-4600. Fax: 423/425-2101. E-mail: [email protected]. Web site: www.utc,edu/cressgallery. Hours: Sept.-May-9:30-5 Mon., Wed., and Fri., 9:30-7 Tues. and Thurs.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Ruth Grover, Curator [email protected]

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UNIVERSITY OF TEXAS AT ARLINGTON The Gallery at UTA Arlington, Texas The Gallery at UTA mounts monthly exhibitions of professional artists, students, and faculty and loan and traveling exhibits at the University of Texas at Arlington. Founded in 1976, the gallery covers 4,000 square feet in the Fine Arts Building. It has an annual attendance of 7,000. The Gallery at UTA, University of Texas at Arlington, Fine Arts Bldg., 502 S. Cooper St., Box 19089, Arlington, TX 76019-0001. Phones: 817/272-3110 and 817/272-3143. Fax:

UNIVERSITY OF TEXAS AT DALLAS 817/272-2805. E-mail: [email protected]. Web site: www.uta.edu/gallery. Hours: 10-5 Mon.-Fri., 12-5 Sat.; closed Sun. and university holidays and breaks. Admission: free. Benito Huerta, Director 817-272-3143 [email protected]

UNIVERSITY OF TEXAS AT DALLAS School of Art and Humanities Main Gallery Richardson, Texas Exhibitions of contemporary art by artists, students, and faculty are presented in the Main Gallery of the School of Art and Humanities at the University of Texas at Dallas in Richardson. School of Art and Humanities Main Gallery, University of Texas at Dallas, School of Arts and Humanities, 800 W. Campbell Rd., Richardson, TX 75080-3021 Phones: 972/883-2787 and 972/883-2982. E-mail: [email protected]. Web site: www.utdallas.edu/dept/ah. Hours: 9 a.m.-10 p.m. Mon.-Fri., 9-6 Sat.; closed Sun. and university holidays and breaks. Admission: free. Dennis Kratz, Dean of the UT-D School of Arts and Humanities

UNIVERSITY OF TEXAS AT EL PASO Stanlee and Gerald Rubin Center for the Visual Arts Galleries

and another off-campus. Both galleries offer contemporary art exhibitions and projects with historical and cultural themes, with an emphasis on emerging artists, and provide curatorial and administrative experience for students and recent graduates in art history and studio arts. The UTSA Art Gallery, founded n 1982 and located in the Arts Building on the main campus, presents professionally curated, juried, and student and faculty exhibitions and has an annual attendance of 3,000. Gallery E, an experimental space for art students, also is housed in the Arts Building. The UTSA Satellite Space, located in the Blue Star Arts Complex, has become known for its challenging contemporary art shows. UTSA Art Gallery, University of Texas at San Antonio, Arts Bldg., 1 UTSA Circle, 6900 N. Loop 1604, W., San Antonio, TX 78249-1130. Phones: 210/458-4391 and 210/458-4352. Fax: 210/458-4356. Web site: www.art.utsa.edu/galleries/art-gallery. Hours: Sept.-May-10-4 Mon.-Fri., 1-4 Sat.-Sun.; closed June-Aug. and university holidays and breaks. Admission: free. UTSA Satellite Space, University of Texas at San Antonio, 115 Blue Star Complex, S. Alamo and Probandt St., San Antonio, TX 78204. Phone: 210/212-7146. Web site: www.art.utsa.edu/galleries/satellite-space. Hours: Sept.-May-12-6 Fri.-Sun. and by appointment; closed Mon.-Thurs. and university holidays; June-Aug.-12-6 Fri.-Sat. and by appointment; closed Sun.-Thurs. and university holidays. Admission: free. Laura Crist, Art Gallery Coordinator 210-458-4391 [email protected]

El Paso, Texas The Stanlee and Gerald Rubin Center for the Visual Arts, which opened in 2004 at the University of Texas at El Paso, has three galleries that present exhibitions of contemporary art. They are the Stanlee and Gerald Rubin Gallery, a 1,900-square-foot gallery designed for large-scale artworks and sculpture; L Gallery, which displays more intimate framed art and smaller pieces; and Project Space, reserved for local artists beginning their careers or establishing a new direction in their work. Stanlee and Gerald Rubin Center for the Visual Arts Galleries, University of Texas at El Paso, 500 W. University Ave., El Paso, TX 79968. Phone: 915/747-6067. Fax: 915/747-6067. E-mail: [email protected]. Web site: www.utep.edu/artsculpture. . Hours: 10-5 Tues.-Wed. and Fri., 10-7 Thurs., 12-5 Sat.; closed Sun.-Mon., on Sat. home football games, and major holidays. Admission: free. Kate Bonansinga, Director of the Rubin [email protected]

UNIVERSITY OF TEXAS AT SAN ANTONIO UTSA Art Gallery and UTSA Satellite Space San Antonio, Texas

UNIVERSITY OF THE ARTS Rosenwald-Wolf and Other Galleries Philadelphia, Pennsylvania The Rosenwald-Wolf Gallery is the primary exhibition facility at the University of the Arts, which also has four other galleries. The Rosenwald-Wolf Gallery, which features the work of professional artists, seeks to promote a dialogue about contemporary issues in the arts through exhibitions, speakers, and publications. Exhibitions by students, faculty, and/or artists are presented in Gallery 1401 and the Sol Mednick, Hamilton, and Arronson galleries. Annual attendance at the Rosenwald-Wolf Gallery is 30,000. Rosenwald-Wolf Gallery, University of the Arts, 333 S. Broad St., Philadelphia, PA 19107-5839 (postal address: 320 S. Broad St., Philadelphia, PA 19102-4994). Phone: 215/717-6480. Fax: 215/717-6468. E-mails: [email protected] and [email protected]. Web site: www.uarts.edu. Hours: 10-5 Mon.-Fri., 12-5 Sat.; closed Sun. and university holidays; summer-12-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Gallery 1401 and Sol Mednick Galleries, University of the Arts, 211 S. Broad St., and Hamilton and Arronson Galleries, 320 S. Broad St., Philadelphia, PA 19102. Phones: 215/717-6300 and 215/6480. Web site: www.uarts.edu.

The Department of Art and Art History at University of Texas at San Antonio has an art gallery on the main campus

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Art Galleries Hours: Gallery 1401 and Mednick Gallery-10-8 Mon.-Fri., 10-4 Sat., 12-4 Sun.; Hamilton and Arronson Galleries-10-5 Mon.-Fri., 12-4 Sat.; closed Sun. and major holidays. Admission: free. Sid Sachs, Director, Rosenwald-Wolf Gallery 215-717-6480 [email protected]

UNIVERSITY OF THE SOUTH Art Gallery Sewanee, Tennessee The University Art Gallery at the University of the South in Sewanee, Tennessee, presents five exhibitions each year. They begin with an art faculty exhibition in the fall, followed by three solo or group shows and a final exhibition of work by graduating senior art students. University Art Gallery, University of the South, 735 University Ave., Sewanee, TN 37383. Phone: 931/598-1223. Fax: 931/598-3335. E-mail: [email protected]. Web site: www.gallery.sewanee.edu. Hours; Sept.-May-10-5 Tues.-Fri., 12-4 Sat.-Sun.; closed Mon., June-Aug., and university holidays and breaks. Admission: free. Shelley MacLaren, Director [email protected]

UNIVERSITY OF VERMONT Francis Colburn Gallery Burlington, Vermont The Francis Colburn Gallery presents exhibitions of works by artists, students, and faculty during the academic year at the University of Vermont in Burlington. Founded in 1975, the Department of Art and Art History gallery is housed in the 1896 Williams Hall. Francis Colburn Gallery, University of Vermont, Dept. of Art and Art History, 72 University Pl., Burlington, VT 05405-0168. Phone: 802/656-2014. Fax: 802/656-2064. E-mail: [email protected]. Web site: www.uvm.edu/~artdept. Hours: Sept.-May-9-4:30 Mon.-Fri.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. William McDowell, Chair, UV Dept of Art & Art History 802-656-0408 [email protected]

UNIVERSITY OF WEST FLORIDA Art Gallery Pensacola, Florida The University of West Florida Art Gallery in Pensacola seeks to present innovative regional, national, and international artworks that promote contemporary critical thinking and cultural inspiration. In addition, it has an annual student art show, annual art faculty exhibition, and the several exit

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showings of graduating student art. The 1,800-square-foot gallery, founded in 1970, has an annual attendance of 14,000. University Art Gallery, University of West Florida, Dept. of Art, Bldg. 82, 11000 University Pkwy., Pensacola, FL 32514-5750. Phones: 850/474-2045 and 850/474-2696. Fax: 850/474-2043. E-mail: [email protected]. Web site: www.uwf.edu/art/art_gallery. Hours: Sept.-May-10-5 Mon.-Fri.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Amy Bowman [email protected]

UNIVERSITY OF WISCONSIN-EAU CLAIRE Foster Gallery Eau Claire, Wisconsin Works by artists, faculty, and students are mounted by the Foster Gallery in the Haas Fine Arts Center at the University of Wisconsin-Eau Claire. Annual attendance is 9,500. The university also has a permanent collection of approximately 700 works that are displayed in the McIntyre Library and other campus buildings. Foster Gallery, University of Wisconsin-Eau Claire, 121 Water St., Eau Claire, WI 54702-4004 (postal address: 105 Garfield Ave., Eau Claire, WI 54702-4004). E-mail: [email protected]. Wed site: www.uwec.edu/foster. Hours: 10-4:30 Mon.-Wed. and Fri., 10-4:30 and 6-8 Thurs., 1-4:30 Sat.-Sun.; closed university holidays and breaks. Admission: free. Tom Wagener 715-836-2328 [email protected]

UNIVERSITY OF WISCONSIN-GREEN BAY Lawton Gallery Green Bay, Wisconsin Six to eight exhibitions of works by artists, students, and faculty and traveling exhibitions are presented each year at the Lawton Gallery at the University of Wisconsin-Green Bay. The 1,700-square-foot gallery, which opened in 1982, is located in the Theater Arts Building. Lawton Gallery, University of Wisconsin-Green Bay, Dept. of Art, Theater Arts Bldg., 2420 Nicolet Dr., Green Bay, WI 54311-7001. Phone: 920/465-2916. Fax: 920/465-5752. E-mail: [email protected]. Web site: www.uwgb.edu/lawton. Hours: Sept.-May-10-3 Tues.-Sat.; closed Sun.-Mon., June-Aug., and university holidays and breaks. Admission: free. Stephen Perkins, Curator of Art 920-465-2916 [email protected]

UNIVERSITY OF WISCONSIN-RIVER FALLS UNIVERSITY OF WISCONSIN-RIVER FALLS Gallery 101

Hours: Sept.-May-10-5 and 6-8 Mon.-Thurs., 10-5 Fri., 1-4 Sat.; closed Sun., Ester, and Christmas; June-Aug.-varies. Admission: free.

River Falls, Wisconsin

Michael Flanagan, Director [email protected]

The Art Department’s Gallery 101 at the University of Wisconsin-River Falls is devoted almost entirely to exhibitions of student work, primarily senior art shows and an annual juried student exhibition. The Gallery occasionally displays the work of a professional artist or a special exhibition.

VALDOSTA STATE UNIVERSITY Fine Arts Gallery

Gallery 101, University of Wisconsin-River Falls, Fine Arts, 410 S. 3rd St., River Falls, WI 54022-5001. Phone: 715/425-3266. Fax: 715/425-0657. E-mail: [email protected]. Web site: www.uwrf.edu/art. Hours: Sept.-May-9-5 and 7-9 Mon.-Fri., 2-4 Sun.; closed Sat., June-Aug., and university holidays and breaks. Admission: free. Susan Zimmer, Academic Department Associate 715-425-3266 [email protected]

UNIVERSITY OF WISCONSIN-STOUT John Furlong Gallery

Valdosta, Georgia Diverse exhibitions by artists and students are mounted at the Valdosta State University Fine Arts Gallery in Valdosta, Georgia. The gallery has an annual attendance of 10,000. Valdosta State University Fine Arts Gallery, 107 Fine Arts Bldg., 1500 N. Patterson St., Valdosta, GA 31698. Phone: 229/333-5835. Fax: 229/259-5121. E-mail: [email protected]. Web site: www.valdosta.edu/art. Hours: 10-4 Mon.-Thurs., 10-3 Fri., open for Sat.-Sun. evening performances; closed otherwise Sat.-Sun. and university holidays and breaks. Admission: free. Judy Bowland, Director 229-333-5835 [email protected]

Menomonie, Wisconsin Exhibitions of contemporary art are mounted at the John VALENCIA COMMUNITY COLLEGE Furlong Gallery at the University of Wisconsin-Stout in Anita S. Wooten Gallery Menomonie. Founded in 1965, the Department of Art and Design gallery is located in Micheels Hall and has an annual Orlando, Florida attendance of 7,000. The Department of Art and Design also The newly renamed Anita S. Wooten Gallery is located on the East Campus of Valencia Community College in Orhas a student gallery. lando, Florida. The gallery, originally founded in 1967, John Furlong Gallery, University of Wisconsin-Stout, mounts exhibitions of works by regional and other artists Micheels Hall, 415 13th Ave., E., Menomonie, WI and hosts such annual shows as the juried student exhibi54751-3279. Phones: 715/232-1097 and 715/232-2261. Fax: tion, faculty show, and graphics faculty exhibition in its 715/232-1669. E-mail: [email protected]. Web site: 1,200-square-foot gallery. The annual attendance is 18,000. www.furlonggallery.uwstout.edu. Hours: 10-6 Mon.-Fri., 12-4 Sat., and by appointment; closed Sun. and national hol- Anita S. Wooten Gallery, Valencia Community College, East Campus, 701 E. Econlockhatchee Trail,, Orlando, FL idays. Admission: free. 32825-6404 (postal address: PO Box 3028, Orlando, FL Deb D’Souza 328-3028). Phone: 407/582-2298. Fax: 407/582-8917. Web site: www.valenciacc.edu/gallery. Hours: Sept.-May-8:30-4:30 Mon.-Fri.; closed Sat-Sun. and major holidays; June-Aug.-8:30-4:30 Mon.-Thurs., 8:30-12 Fri.; UNIVERSITY OF closed Sat.-Sun. Admission: free. WISCONSIN-WHITEWATER

Crossman Gallery

Jackie Otto-Miller, Director 407-582-2298

Whitewater, Wisconsin The Crossman Gallery at the University of Wisconsin-Whitewater features solo and group shows of artists, stu- VALLEY CITY STATE UNIVERSITY dent displays, a biennial faculty show, an annual ceramics VCSU Student Art Gallery invitational, and an annual fiber show. The gallery, founded Valley City, North Dakota in 1970, has 2,400 square feet in exhibit space. Annual atStudent artworks are exhibited in the VCSU Student Art tendance is 9,500. Gallery at the Valley City State University in Valley City, Crossman Gallery, University of Wisconsin-Whitewater, North Dakota. 980 W. Main St., Whitewater, WI 53190 (postal address: VCSU Student Art Gallery, Valley City State University 101 800 W. Main St., Whitewater, WI 53190-1705). Phones: College St., S.W., Valley City, ND 58072. Phone: 262/472-5708 and 262/472-1207.’ Fax: 262/472-2808. E-mail: [email protected]. Web site: www.uww.edu.

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Art Galleries 701/845-7598. E-mail: linda.whitney@mail,vcsu.nodak.edu. the 1920s and 1930s, a collection of WPA art, and later conHours: varies. Admission: free. temporary art have been added since then. Linda Whitney, Chair, VCSU Department of Art

VANDERBILT UNIVERSITY Fine Arts Gallery and Sarratt Gallery Nashville, Tennessee Six exhibitions are shown each year of selections from the university’s permanent collection and traveling exhibitions at the Vanderbilt University Fine Arts Gallery in Nashville, Tennessee. The gallery, founded in 1961, is housed in the 1927 Old Gym building. The collection includes such paintings, graphics, and sculptures as Renaissance paintings, Old Masters and modern prints, Asian art, ceramics, and contemporary works on paper and multiples. Annual attendance is 5,000. The university also has a gallery in the Sarratt Student Center. The Sarratt Gallery primarily displays the work of professional artists in the main lobby of the center. Vanderbilt University Fine Arts Gallery, The Old Gym, 1214 21st Ave., S., Nashville, TN 37203 (postal address: PMB 0273, 230 Appleton Pl., Nashville, TN 37203-5721). Phones: 615/322-0605 and 615/343-1704. Fax: 615/343-1382. Web site: www.vanderbilt.edu/gallery. Hours: Sept.-May-12-4 Mon.-Fri., 1-5 Sat.-Sun.; closed university holidays and breaks; June-Aug.-12-4 Tues.-Fri., 1-5 Sat.; closed Sun.-Mon. Admission: free. Sarratt Gallery, Vanderbilt University, Sarratt Student Center, Nashville, TN 37240. Phone: 615/322-2471. Fax: 615/343-8081. E-mail: [email protected]. Web site: www.vanderbilt.edu/sarrattgallery. Hours: Sept.-May-9 a.m.-9 p.m. Mon.-Fri, 10 a.m.-10 p.m. Sat-Sun.; closed at 4:30 during university holidays and breaks; June-Aug.-9-4:30 Mon.-Fri.; closed Sat.-Sun. Admission: free.

The gallery offers eight exhibitions each year, from the collection and by established and emerging artists, with one of its three gallery spaces being devoted to Vermont artists. The arts center also is the site of a summer art camp, lectures, musical performances, and other activities. The gallery’s annual attendance is 7,000. T. W. Wood Gallery and Arts Center, Vermont College, 36 College St., Montpelier, VT 05602-3145 (postal address: College Hall, 36 College St., Montpelier, VT 05602-3145). Phone: 802/828-8743. E-mail: [email protected]. Web site: www.twwoodgallery.org. Hours: 12-4 Tues.-Sun.; closed Mon. and major holidays. Admission: free. Joyce Mandeville, Director [email protected]

VIRGINIA POLYTECHNIC INSTITUTE AND STATE UNIVERSITY Perspective Gallery Blacksburg, Virginia The Perspective Gallery at Virginia Polytechnic Institute and State University (better known as Virginia Tech) in Blacksburg presents exhibitions of contemporary art by local, regional, national, and international artists in the Squires Student Center. Perspective Gallery, Virginia Tech, 225 Squires Student Center, Blacksburg, VA 24061-0138. Phone: 540/31-4053. Fax: 540/231-5430, E-mail: [email protected]. Web site: www.uusa.vt.edu/artgallery. Hours: 12-5 Tues.-Thurs., 12-7 Fri., 12-5 Sat.; closed Sun.-Mon. Admission: free. Mary Tartaro, Director 540-231-4053 [email protected].

Joseph L. Mella, Director, Vanderbilt University Fine Arts Gallery [email protected]

VERMONT COLLEGE T. W. Wood Gallery and Arts Center

WALLA WALLA UNIVERSITY Clyde and Mary Harris Gallery College Place, Washington

The Clyde and Mary Harris Gallery at Walla Walla University in Walla Walla, Washington, hosts exhibitions by visitThe T. W. Wood Gallery and Arts Center at Vermont Coling and local artists, students and faculty. The gallery is lege in Montpelier is one of the nation’s earliest art galleries. located in the Melvin K. West Fine Arts Center at the uniIt has been serving as a gallery and the home of the T. W. versity, formerly the Walla Walla Community College. Wood Collection since 1895. The gallery began with the donation of 42 works by Thomas Waterman Wood, a locally Clyde and Mary Harris Gallery, Walla Walla University, born artist known for his scenes of everyday New England Dept. of Art, 204 S. College Ave., College Place, WA rural life who became president of the National Academy of 99324. Phone: 509/527-2180. Fax: 509/527-2177. Web site: Design and American Watercolor Society. Wood later conwww.wallawalla.edu. Hours: 2-5 Tues., Thurs., and Sun.; tributed more of his work and as did many of his contempo6-8 Wed.; closed Mon. and Fri.-Sat. and university holidays raries. The collection now includes 438 oils, drawings, and and breaks. Admission: free. watercolors by Thomas Waterman Wood and such contemporaries as Frederick S. Church, Asher B. Durant, William Tom Emmerson, Chair, Walla Walla University Art Department [email protected] Beard, and J. G. Brown. The works of American artists of

Montpelier, Vermont

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WASHINGTON AND JEFFERSON COLLEGE WASHINGTON AND JEFFERSON COLLEGE Olin Art Gallery

WATKINS COLLEGE OF ART, DESIGN, AND FILM Brownlee O. Currey Jr. Gallery

Washington, Pennsylvania

Nashville, Tennessee

The Olin Art Gallery at Washington and Jefferson College in Washington, Pennsylvania, hosts exhibitions by local, regional, and national artists and concludes the academic year with an annual senior student show.

The Brownlee O. Currey Jr. Gallery is the primary exhibiting space at the Watkins College of Art, Design, and Film in Nashville, Tennessee. Two- and three-dimensional artwork, multi-media installations, and sound, video, and performance shows are presented in the gallery. It has an annual Olin Art Gallery, Washington and Jefferson College, 285 E. juried student show, departmental exhibitions, a senior theWheeling St., Washington, PA 15301. Phone: 724/223-6546. sis exhibition, and faculty and guest art shows. The college E-mail: [email protected]. Web site: also has a collection of paintings, prints, and graphics. washjeff.edu. Hours: 12-7 daily; closed university holidays Brownlee O. Currey Jr. Gallery, Watkins College of Art, and breaks. Admission: free. Design, and Film, 2298 Rosa L. Parks Blvd., Nashville, TN Doug McGlumphy, Director 37228-1306. Phone: 615/383-4848. Fax: 615/383-4849. [email protected] E-mail: [email protected]. Web site: www.watkins.edu. Hours: 9-8 Mon.-Fri., 10-4 Sat., 2-4 Sun.; closed New Year’s Day, Independence Day, Labor Day, Thanksgiving, and Christmas. Admission: free. WASHINGTON AND LEE UNIVERSITY

Staniar Gallery Lexington, Virginia The Dupont Gallery at Washington and Lee University in Lexington, Virginia, became the Staniar Gallery in 2006. The gallery mounts exhibitions of artists, students, and faculty during the academic year. Staniar Gallery, Washington and Lee University, Art Dept., Wilson Hall, 100 Glasgow St., Lexington, VA 24450-2116. Phones: 540/458-8861 and 540/458-8860. Fax: 540/458-8112. E-mail: [email protected]. Web site: www.wlu.edu. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Clover Archer Lyle, Director

WASHTENAW COMMUNITY COLLEGE Gallery One Ann Arbor, Michigan Gallery One presents exhibitions by students, faculty, and artists at the Student Activities Center at the Washtenaw Community College in Ann Arbor, Michigan. Gallery One, Washtenaw Community College, Student Activities Center, 4800 E. Huron River Rd., Ann Arbor, MI 48105-4800. Phone: 734/973-3300. Web site: www4.wccnet.edu/resources/otherresources/galleryone. Hours: 10-6 Mon.-Tues., 10-8 Wed.-Thurs., 10-12 Fri.; closed Sat.-Sun. and major holidays. Admission: free.

Terry Thacker, Chair, Fine Art Department 615-277-7445 [email protected]

WAYNE STATE UNIVERSITY Art Galleries Detroit, Michigan Wayne State University in Detroit, Michigan, presents works of art in all media in two galleries. The Art Department Gallery, founded in 1958, features art by Michigan artists and offers undergraduate student annuals and faculty sabbatical exhibitions, and the Elaine L. Jacob Gallery mounts regional, national, and international contemporary art exhibitions. Art Dept. Gallery, Wayne State University, James Pearson Duffy Dept. of Art and Art History, 150 Art Bldg., Detroit, MI 48202-3917., Phones: 313/577-2423 and 313/577-2980. Fax: 313/577-3491. E-mail: [email protected]. Web site: www.art.wayne.edu. Hours: Sept.-May-10-6 Tues.-Thurs., 10-7 Fri.; closed Sat.-Mon. and university holidays and breaks; June-Aug.-12-5 Tues.-Fri.; closed Sat.-Mon. Elaine L. Jacob Gallery, Wayne State University, 480 W. Hancock St., Detroit, MI 48202. Phones: 313/993-7813 and 313/577-2980. E-mail: [email protected]. Web site: www.art.wayne.edu/jacob_gallery.php. Hours: 12-5 Tues.-Fri.; closed Sat.-Mon. and university holidays and breaks. Admission: free. Tom Pyrzewski, Interim Director 313-993-7813 [email protected]

Anne Rubin, Director

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Art Galleries WEBER STATE UNIVERSITY Mary Elizabeth Dee Shaw Gallery Ogden, Utah The Department of Visual Arts at Weber State University in Ogden, Utah, operates two galleries in the Ethel Wattis Kimball Visual Arts Center. The 3,000-square-foot Mary Elizabeth Dee Shaw Gallery mounts exhibitions of works by local, regional, and nationally recognized artists, while the Project Gallery features exhibitions by students and artists. The university also has the 724-square-foot Shepherd Union Art Gallery, which presents exhibitions by students, faculty, and staff, and occasionally traveling shows and community-based artists. Weber State University Art Galleries, Dept. of Visual Arts, Kimball Visual Arts Center, 2001 University Circle, Ogden, UT 84408. Phone: 801/626-7689. Fax: 801/626-6976. Web site: www.departments.weber.edu;dova. Hours: 11-5 Mon.-Fri., 12-5 Sat.; closed Sun. and university holidays and breaks. Admission: free. Shepherd Union Art Gallery, Weber State University, 3848 Harrison Blvd., Ogden, UT 84408. Phone: 801/626-6000. Web site: www.weber.edu/unionartgallery. Hour: 7:30-12 Mon.-Sat., 11-10 Sun.; closed university holidays and breaks. Admission: free.

Mon.-Fri., 12-5 Sat.-Sun.; closed university holidays and breaks. Admission: free. Tom Lang, Chair, Webster University Art Department 314-968-7171 [email protected]

WENATCHEE VALLEY COLLEGE Robert Graves Gallery Wenatchee, Washington Exhibitions of works by artists, as well as loan and traveling exhibitions, are featured at the Robert Graves Gallery at Wenatchee Valley College in Wenatchee, Washington. Founded in 1976 as Gallery ‘76, the gallery’s name later was changed to honor the head of the Art Department who founded and first headed the gallery. The annual attendance is 4,500. Robert Graves Gallery, Wenatchee Valley Gallery, 1300 5th St., Wenatchee, WA 98801-1741. Phone: 509/682-6776. E-mail: [email protected]. Web site: www.wvc.edu. Hours: 8 a.m.-8 p.m. Mon., 9-1 Tues.-Thurs., and by appointment; closed Fri.-Sun. and major holidays. Admission: free. John Crew, Gallery Coordinator

Lydia Gravis 801-626-7689 [email protected].

WEBSTER UNIVERSITY Cecille R. Hunt Gallery, May Gallery, and Small Wall Gallery St. Louis, Missouri Three galleries are located at Webster University in the St. Louis, Missouri, area. Exhibitions of local, national, and international artists are shown at the Cecille R. Hunt Gallery, founded in 1983; solo and group shows by artists are mounted at the May Gallery, established in 1988; and the Small Wall Gallery, adjacent to May Gallery, is devoted to photography exhibitions Cecille R. Hunt Gallery, Webster University, 8342 Big Bend Blvd., St. Louis, MO 63119. Phone: 314/968-7171. Fax: 314/968-7139. E-mail: [email protected]. Web site: www.websterart.wordpress.com/hunt-gallery. Hours: 10-4 Mon.-Sat. and by appointment; closed Sun. and university holidays and breaks. Admission: free. May Gallery and Small Gallery, Webster University, Sverdrup Bldg., 8300 Big Bend Blvd., Webster Grove, MO 63119-3114 (postal address: 470 E. Lockwood Ave., St. Louis, MO 63119-3194). E-mail: [email protected]. Web site: www.webster.edu/maygallery and www.webster.edu/maygallery/small.htm. . Hours: 9- a.m.-9 p.m.

WESLEYAN UNIVERSITY Ezra and Cecile Zilkha Gallery and Mansfield Freeman Center for East Asian Studies Gallery Middletown, Connecticut The Ezra Cecile Zilkha Gallery in the Center for the Arts at Wesleyan University in Middletown, Connecticut, presents exhibitions ranging from student and faculty works to national and international artists. Founded in 1973, the gallery has an annul attendance of 9,500. The university also has a more specialized gallery, the Mansfield Freeman Center for East Asian Studies Gallery. It offers two to three exhibitions each year relating to East Asia at the Mansfield Freeman Center. Ezra and Cecile Zilkha Gallery, Center for the Arts, 283 Washington Terrace, Middletown, CT 06459-0442. Phone: 860/685-2695. Fax: 860/685-2061. E-mail: [email protected]. Web site: www.wesleyan.edu/cfa. Hours: 12-4 Tues.-Sun.; closed Mon. and university holidays and breaks. Admission: free. Mansfield Freeman Center for East Asian Studies Center, Wesleyan University, 343 Washington Terrace, Middletown, CT 06450-0435. Phone: 860/685-2330 Fax: 860/685-2331. E-mail: [email protected]. Web site: www.wesleyan.edu/east/mansfieldf/exhibitions/exhibitions.html. Hours: 12-4 Tues.-Sun.; closed Mon. and university holidays and breaks. Admission: free. Lee Berman, Gallery Supervisor 860-685-2962 [email protected]

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WEST CHESTER UNIVERSITY OF PENNSYLVANIA WEST CHESTER UNIVERSITY OF WESTERN KENTUCKY UNIVERSITY PENNSYLVANIA Art Gallery and Corridor Galleries McKinney Gallery, Long Gallery, and Knauer Bowling Green, Kentucky Gallery The Department of Art at Western Kentucky University in West Chester, Pennsylvania The West Chester University of Pennsylvania in West Chester has added a third art gallery-Knauer Gallery-to its visual arts offerings. The two original galleries-the McKinley and Long galleries-present exhibitions of Pennsylvania contemporary artists, students, and faculty in Mitchell Hall. Knauer Gallery, which is located in the new Swope Music Building and Performing Arts Center, displays works of artists and hosts an invitational ceramic exhibition.

Bowling Green has a two-story University Gallery and two newly developed two- and three-dimensional Corridor Galleries opened in 2006 in the Ivan Wilson Center for Fine Arts. Between 16 and 22 exhibitions of work by local, national, and international artists are presented in the galleries each year. The exhibitions range from traditional media such as painting and printmaking to the more recent fields of video and installation work. Annual attendance is 4,500.

Western Kentucky University Gallery, 441 Ivan Wilson McKinney and Long Galleries, West Chester University, Art Center for Fine Arts, Dept. of Art, 1906 College Heights Blvd., Bowling Green, KY 42101. Phone: 270/745-3944. Dept., Mitchell Hall, West Chester, PA 19383. Phone: Fax: 270/745-5932. E-mail: [email protected]. Web 610/436-1000. Web site: www.wcupa.edu/art/art_facilsite: www.wku.edu/edu. Hours: 8-4:30 Mon.-Fri.; closed ity.html. Hours: 9-4 Mon.-Fri., 12-4 Sat.; closed Sun. and Sat.-Sun. and university holidays. Admission: free. university holidays and breaks. Admission: free. Brent T. Oglesbee, Head of the WKU Dept of Art 270-745-3944 Knauer Gallery, West Chester University of Pennsylvania, [email protected] Swope Music Bldg. and Performing Arts Center, West Chester, PA, 19383. Web site: www.wcupa.edu/cva/art/art/-gallery.html. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. WESTERN MICHIGAN UNIVERSITY John Baker, Director, McKinney Gallery and Long Gallery

Richmond Center for the Visual Arts Galleries Kalamazoo, Michigan

WEST VIRGINIA UNIVERSITY Paul and Laura Mesaros Galleries Morgantown, West Virginia The Paul and Laura Mesaros Galleries at West Virginia University in Morgantown mount eight to 10 exhibitions in the Creative Arts Center each year, ranging from works of regional, national, and international artists and traveling exhibitions to selections from the university’s art collection and student senior and graduate thesis projects. Founded in 1968, the 2,200-square-feet galleries seek to show innovative experimental work, as well as historical and thematic exhibitions. Annual attendance is 20,000.

The new James W. and Lois I. Richmond Center for Visual Arts at Western Michigan University in Kalamazoo has four Gwen Frostic School of Art galleries-each with a different function. The galleries, which opened in 2007, include the Albertine Monroe-Brown Gallery, rotating exhibitions; Rose Netzorg and James Wilfried Kerr Gallery, special exhibitions and selections from the university art collection; Atrium Gallery, video and sound exhibitions; and Eleanor R. and Robert A. DeVries Student Art Gallery, student and alumni shows. Annual attendance is 18,000.

Richmond Center for Visual Arts Galleries, Western Michigan University, Gwen Frostic School of Art, 1903 W. Michigan Ave., Kalamazoo, MI 49008-5200. Phone: 269/387-2455. Fax: 269/387-2477. E-mail: donPaul and Laura Mesaros Galleries, West Virginia University, [email protected]. Web site: www.cfa.wmich.edu/art/facilities/rcva/reva.php. Hours: Evansdale Campus, Creative Arts Center, PO Box 6111, Sept.-Apr.-10-6 Mon.-Thurs., 10-9 Fri., 12-6 Sat.; closed Morgantown, WV 26506-6111. Phone: 304/293-4841, Ext. Sun., Aug., and university holidays and breaks; 3210. Fax: 304/293-5731. E-mail: May-July-10-5 Mon.-Fri.; closed Sat.-Sun. and university [email protected]. Web site: holidays and breaks. Admission: free. www.artanddesign.wvu.edu. Hours: 12-9:30 Mon.-Sat.; closed Sun. and university holidays and breaks. Admission: Don Desmett, Director of Exhibitions 269-387-2455 free. [email protected] Robert Bridges, Curator 304-293-2312 [email protected]

WESTERN NEW MEXICO UNIVERSITY Francis McCray Gallery Silver City, New Mexico The Francis McCray Gallery at Western New Mexico University in Silver City features exhibitions of contemporary works by artists, students, and traveling exhibitions. The

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Art Galleries Department of Expressive Arts gallery, founded in 1960, has 1,600 square feet of gallery space and an annual attendance of 2,400. Francis McCray Gallery, Western New Mexico University, Dept. of Expressive Arts, 1000 College Ave., PO Box 680, Silver City, NM 88062-0680. Phones: 575/538-6517 and 575/538-6616. Fax: 575/538-6619. Web site: www.wnmu.edu. Hours: Sept.-May-10-4 Mon.-Fri. and other times by appointment; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Michael Metcalf, Professor of Visual Arts [email protected]

WESTERN WASHINGTON UNIVERSITY Western Gallery and Viking Union Gallery Bellingham, Washington

WESTERN WYOMING COMMUNITY COLLEGE Art Gallery Rock Springs, Wyoming Five exhibitions in all mediums of contemporary art are mounted each year at the Western Wyoming Community College Gallery in Rock Springs, with student works being shown in December and summer. Founded in 1989, the gallery has an annual attendance of 2,000. Western Wyoming Community College Art Gallery, 2500 College Dr., Rock Springs, WY 82901-5802. (postal address: PO Box 428, Rock Springs, WY 82902-0428). Phone: 307/382-1723. Web site: www.wwcc.cc.wy.us. Hours: 8-10 daily; closed college holidays and breaks. Admission: free. Florence Alfano McEwin 307-382-1723 [email protected]

Western Washington University in Bellingham has the Western Gallery that presents historical, contemporary, and experimental art exhibitions featuring regional, national, and WESTMONT COLLEGE international artists in the Fine Arts Complex and a student-curated Viking Union Gallery that offers exhibitions by Reynolds Gallery Northwest contemporary artists, students, and faculty in the Santa Barbara, California Viking Union Building. The Reynolds Gallery at Westmont College in Santa The Western Gallery began in 1938 as the Studio Gallery in Barbara, California, features exhibitions by contemporary the College of Education and assumed its present name and artists. The gallery also has an annual juried exhibition of area artists. form in the Fine Arts Building in 1950 and moved into a new wing of the arts complex in the late 1980s. It has 4,500 square feet of exhibit space and serves 55,000 visitors annually. The gallery director also serves as curator of the university’s visual arts collection, which features nineteenthand twentieth-century American and European prints and drawings and an Outdoor Sulpture Collection (see Art Museums and Sculpture Gardens section). The Viking Union Gallery, which was founded in 1950, has an annual attendance of 10,000. Western Gallery, Western Washington University, Fine Arts Complex, Bellingham, WA 98225-9068. Phones: 360/650-3900 and 360/650-6878. Fax: 360/650-6878. E-mail: [email protected]. Web site: www.westerngallery.wwu.edu. Hours: Sept.-May-10-4 Mon.-Tues. and Thurs.-Fri., 10-8 Wed., 12-4 Sat.; closed Sun., June-Aug., and university holidays and breaks. Admission: free. Viking Union Gallery, Western Washington University, Viking Union Bldg., 516 High St., Bellingham, WA 98225-5996. Phones: 360/650-6534 and 360/650-3450. Fax: 360/650-7736. E-mail: [email protected]. Web site: www.gallery.as.wwu.edu. Hours: 10-5 Mon.-Fri.; closed Sat.-Sun. and national holidays. Admission: free. Debra Clark-Langager, Director, Western Gallery 360-650-3900

Reynolds Gallery, Westmont College, 955 La Paz Rd., Santa Barbara, CA 93108-1099. Phone: 805/565-6162. Phone: 805/565-6162. Web site: www.reynoldsgallery.org. Hours: 11-5 Mon.-Sat.; closed Sun. and college holidays and breaks. Admission: free. Lisa DeBoer, Chair of the Westmont College Art Dept. [email protected]

WHEATON COLLEGE (Massachusetts) Beard and Weil Galleries Norton, Massachusetts The Beard and Weil Galleries at Wheaton College in Norton, Massachusetts, presents exhibitions of contemporary art, thematic exhibitions based on works from the college art collection, and art from other institutions and private collections. In addition, the last show each year is devoted to the work of senior majors in studio art. The galleries, housed in Watson Fine Arts, began in 1960 with the founding of Beard Gallery. Annual attendance is 2,000. Beard and Weil Galleries, Wheaton College, Watson Fine Arts, 26 E. Main St., Norton, MA 02766-2322. Phone: 508/286-3644. Fax: 508/286-3565. Web site: www.wheatoncollege.edu/gallery. Hours: Sept.-May-12:30-4:30 Mon.-Sat.; closed Sun. June-Aug., and college holidays and breaks. Admission: free. Betsy Cronin, Manager, Arts Events and Publicity 508-286-3300 [email protected]

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WHITMAN COLLEGE WHITMAN COLLEGE Sheehan Gallery Walla Walla, Washington The Donald H. Sheehan Gallery at Whitman College in Walla Walla, Washington, mounts six exhibitions each year that feature contemporary art and shows which focus on issues in art history and human culture. The 2,400-square-foot gallery, founded in 1973 and located in Olin Hall, also manages the college’s art collection, which includes Pacific Northwest paintings and prints, Asian art, and other works. The annual attendance is 12,000. Sheehan Gallery, Whitman College, Olin Hall, 814 Isaacs, Walla Walla, WA 99362 (postal address: 345 Boyer Ave., Walla Walla, WA 99362). Phone: 509/527-5249. Fax: 509/527-5039. E-mail: [email protected]. Web site: www.whitman.edu/sheehan. Hours: Sept.-May-12-5 Tues.-Fri., 12-4 Sat.-Sun.; closed Mon., June-Aug., and college holidays and breaks. Admission: free.

housed in the university’s Studio Arts Building. The exhibits are curated by a faculty committee with student representatives, with students in the gallery workshop class designing and installing the exhibitions. Ben Shahn Galleries at William Paterson University, Ben Shahn Center for the Visual Arts, 300 Pompton Rd., Wayne, NJ 07470-2152. Phone: 973/720-2654. Fax: 973/720-3290. E-mail: [email protected]. Web site: www.upunj.edu Hours: Sept.-May-10-5 Mon.-Fri. and other times by appointment; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Power Art Gallery, William Paterson University, Studio Arts Bldg., Wayne, NJ 07470. Phone: 973/720-2654. Fax: 973/720-3290. E-mail: [email protected]. Web site: www.wpunj.edu. Hours: Sept.-May-10-5 Mon.-Fri. and other times by appointment; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Nancy Einreinhofer, Director [email protected]

Dawn Forbes, Director 509-527-5249 [email protected]

WILKES UNIVERSITY Sordoni Art Gallery

WINTHROP UNIVERSITY Art Galleries Rock Hill, South Carolina

Winthrop University in Rock Hill, South Carolina, has three galleries-Rutledge Gallery and Elizabeth Dunlap Patrick Paintings, watercolors, photographs, and sculptures by local, Gallery in the Rutledge Building and the Edmund D. regional, national, and international artists are exhibited in Lewandowski Student Gallery in McLaurin Hall. Exhibithe Sordoni Art Gallery at Wilkes University in tions by artists and faculty are shown in the Rutledge BuildWilkes-Barre, Pennsylvania. The 1,600-square-foot gallery ing and by students in McLaurin Hall. was founded in 1973. Annual attendance is 4,000. Winthrop University Galleries, 106 McLauren Hall, Rock Sordoni Art Gallery, Wilkes University, 150 S. River St., Hill, SC 29733. Phone: 803/323-2493. E-mail: Wilkes-Barre, PA 18766. Phone: 570/408-4325. Fax: [email protected]. Web site: www.wintrhrop.edu. 570/408-7733. E-mail: [email protected]. Web Hours: mid-Aug,-mid-June-9-5 Mon.-Thurs., 9-11:30 Fri.; site: www.wilkes.edu/sordoniartgallery. Hours: 12-4:30 closed Sat.-Sun., mid-June-mid-Aug., and university holidaily and other times by appointment; closed major holidays and breaks. Admission: free. days. Admission: free.

Wilkes-Barre, Pennsylvania

Catherine Link, Administrative Assistant, Dean’s Office 570-408-4600 [email protected]

WILLIAM PATERSON UNIVERSITY OF NEW JERSEY Ben Shahn Galleries and Power Art Gallery Wayne, New Jersey William Paterson University of New Jersey in Wayne has four art galleries-three of which are located in the Ben Shahn Center for the Visual Arts. The center’s galleries, which were founded in 1969, are the Court, East, and South galleries. The galleries cover 5,000 square feet and host 12 exhibitions of works by professional artists and an annual student art show. The gallery program also oversees the university’s 16 collections, which includes a collection of 21 large outdoor sculptures. Annual attendance of the three galleries is 10,000. The fourth gallery, the Power Art Gallery, is

Karen Dirksen, Director 803-323-2493 [email protected]

WRIGHT STATE UNIVERSITY Robert and Elaine Stein Galleries Dayton, Ohio Contemporary works of art in a variety of media are exhibited in the Robert and Elaine Stein Galleries in the Creative Arts Center at Wright State University in Dayton, Ohio. Annual attendance is 12,000. Robert and Elaine Stein Galleries, Wright State University, 128 Creative Arts Center, 3640 Colonel Glenn Hwy., Dayton, OH 45435-0001. Phone: 937/775-2978. Fax: 937/775-4082. E-mail: [email protected]. Web site: www.wright.edu/artgalleries. Hours: 10-4 Tues.-Fri., 12-5 Sat.-Sun. (but varies in June-Aug. and Nov.-Dec.); closed Mon. and major holidays. Admission: free. Tess Cortes, Coordinator

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Art Galleries XAVIER UNIVERSITY Art Gallery Cincinnati, Ohio The Xavier University Art Gallery in Cincinnati, Ohio, consists of two exhibit spaces totaling 1,700 square feet in the A. B. Cohen Center. The gallery hosts exhibitions of artworks by professional artists, Department of Art students and faculty, and an annual national juried competition. Annual attendance is 1,800. Xavier University Art Gallery, A. B. Cohen Center, 3800 Victory Pkwy., Cincinnati, OH 45207-1035. Phone: 513/745-3811. Fax: 513/745-1098. Web site: www.exavier.edu/art/art-gallery.cfm. Hours: Sept.-May-10-4 Mon.-Fri.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. M. Katherine Uetz, Director

YAKIMA VALLEY COMMUNITY COLLEGE Larson Gallery Yakima, Washington The Larson Gallery at Yakima Valley Community College in Yakima, Washington, features contemporary artist and student exhibitions. The gallery, founded in 1949, has an annual attendance of 15,000. Larson Gallery, Yakima Valley Community College, S. 16th Ave. and Nob Hill Blvd., Yakima, WA 98902 (postal address: PO Box 22520, Yakima, WA 98907-2520). Phone: 509/574-4875. Fax: 509/574-6826. E-,ail: [email protected]. Web site: www.larsongallery.org. Hours: Sept.-July-10-5 Tues.-Sat.; closed Sun.-Mon., Aug., and major holidays. Admission: free. Cheryl Hahn, Director

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Art Museums & Sculpture Gardens AMERICAN UNIVERSITY Museum at the Katzen Arts Center

and Sun., 9-5 Fri.-Sat.; closed Mon.; June-Aug.-9-5 Tues.-Sun.; closed Mon. Admission: free.

Washington, District of Columbia

Elizabeth E. Barker, Director and Chief Curator 413-542-2295

The American University Museum at the Katzen Arts Center in Washington, District of Columbia, is a 30,000-square-foot art museum and sculpture garden with a collection of over 4,500 artworks. The museum, which evolved from the Watkins Gallery, was founded in 2005 at the new Katzen Arts Center, named for benefactors Dr. and Mrs. Cyrus Katzen, which brought all the university’s visual and performing arts programs together at one site.

ARIZONA STATE UNIVERSITY Art Museum Tempe, Arizona

The Arizona State University Art Museum in Tempe was founded in 1950 following the gift of approximately 130 major American works of art by Oliver B. James, a Phoenix The museum’s collection features the Watkins Collection, attorney. It now has a collection of 12,500 pieces of art in its devoted largely to twentieth-century art, and the Katzen collection and at a number of campus facilities. It occupies Collection, which focuses on Pop art, glass sculpture, and 49,700 square feet with five galleries in the Nelson Fine Washington art. An active exhibition program includes Arts Center, 7,500 square feet and two galleries and an open curated shows from collections, artists, and traveling exhibi- storage stacks in the Ceramics Research Center, and such tions, as well as Art Department student exhibitions. other facilities as a library, print study room, lecture room, courtyard, and sculpture terraces. American University Museum, Katzen Arts Center, 4400 Massachusetts Ave., N.W., Washington, DC 20016-8003. The museum’s collection includes contemporary art, crafts, Phone: 202/885-1300. Fax: 202/885-1140. E-mail: prints, Southwest art, and art of the Americas, which [email protected]. Web site: www.american.edu/mu- cludes historic American and modernist and contemporary seum. Hours: 11-4 Tues.-Sun.; closed Mon. Admission: free. Latin American works. Among the artists represented in the John Rasmussen, Director of Art Gallery & Curator 202-885-2489 [email protected]

AMHERST COLLEGE Mead Art Museum Amherst, Massachusetts

collection are Georgia O’Keeffe, Edward Hopper, and John James Audubon. The changing exhibitions at the Nelson Fine Arts Center feature contemporary art in interactive formats with the emphasis on new ideas and media, while the Ceramics Research Center showcases ceramics from the museum collection. Annual attendance is 51,000. Arizona State University Art Museum, Nelson Fine Arts Center, 10th St. and Mill Ave., Box 872914, Tempe, AZ 85287-2911. Phone: 480/965-2787. Fax: 480/965-5254. E-mail: [email protected]. Web site: www.asuartmuseum.asu.edu. Hours: Sept.-May-11-8 Tues., 11-5 Wed.-Sat.; closed Mon. and state and federal holidays; June-Aug.-11-5 Tues.-Sat., 1-5 Sun.; closed Mon. and Independence Day. Admission: free.

The Mead Art Museum at Amherst College in Amherst, Massachusetts, is best known for its early American portraits, Hudson River School landscapes, and American Impressionists. They are among a permanent collection of over 16,000 works of art from many cultures and historical periods. The museum has eight galleries that feature changing installations and special exhibitions spanning a wide range Gordon Knox, Director 480-965-6993 of historical periods, national schools, and artistic media. The museum was established in 1949 with funds bequeathed [email protected] by architect William Rutherford Mead, an 1867 graduate. Among the other works in the museum’s collection are European old masters, an English Baroque room, ancient Assyrian carvings, Russian modern art, West African sculpture, Japanese prints, and Mexican ceramics. In addition to works on display, visitors can see other collection works not currently on view in the William Green Study Room. The annual attendance is 36,000. Meade Art Museum, Amherst College, Mead Art Bldg., PO Box 5000, Amherst, MA 01002-5000. Phone: 413/542-2335. Fax: 413/542-2117. E-mail: [email protected]. Web site: www.amherst.edu/museums/mead. Hours: Sept.-May-9-12 midnight Tues.-Thurs.

AUBURN UNIVERSITY Jule Collins Smith Museum of Fine Arts Auburn, Alabama The Jule Collins Smith Museum of Fine Arts opened on the campus of Auburn University in Auburn, Alabama, in 2003. The art collection began in 1948 when 36 paintings were purchased for $1,072 at a government auction, and the movement to construct an art museum building started in 1997. The efforts resulted in a $3-million gift form Houston businessman Albert Smith, a 1947 graduate, and the univer-

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Art Museums & Sculpture Gardens sity approving the construction and naming of the 44,000-square-foot art museum in 1998. The museum’s collection consists of nineteenth- to twenty-first-century American and European art, including paintings, works on paper, and sculpture. Among the artists represented in the collection are Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, Joan Miro, Salvador Dali, Marc Chagall, Georgia O’Keeffe, and Dale Chihuly. The permanent galleries are supplements by changing exhibitions. A 15-acre botanical garden with large-scale sculpture, a 3-acre lake, and walking paths also is part of the museum complex. The annual attendance is 30,000. Jule Collins Smith Museum of Fine Arts, Auburn University, 901 S. College St., Auburn, AL 36849. Phone: 334/844-1484. E-mail: [email protected]. Web site: jcsm.auburn.edu. Hours: 8:30-4:45 Mon.-Fri., 10-4:45 Sat.; closed Sun. and major holidays. Admission: adults, $5; seniors, $4; children under 18 and AU students and faculty, free.

State Normal School (which later became Ball State University). The art museum was opened in the Fine Arts Building in 1936, and the early collection became part of the museum’s permanent collection. Today, the Ball State University Art Museum has nearly 11,000 works in its permanent collection that includes Italian Renaissance art; seventeenth- to nineteenth-century European art; nineteenth- and twentieth-century American art; and Indian, African, and art of ancient cultures. Historical and contemporary works of art from the collection and external sources are displayed in permanent exhibits and temporary exhibitions in the museum’s 17,735 square feet of gallery space. Annual attendance is 25,000. Ball State University Art Gallery, Fine Arts Bldg., Riverside Ave. and Warwick Rd., Muncie, IN 47306-0001. Phones: 765/285-5242 and 765/785-5270. Fax: 765/285-4003. E-mail: [email protected]. Web site: www.bsu.edu/artmuseum. Hours: 9-4:30 Mon.-Fri., 1:30-4:30 Sat.-Sun.; closed major holidays. Admission: free.

Marilyn Laufer, Director 334-844-1486 [email protected]

Peter F. Blume, Director

AUGUSTANA COLLEGE (Illinois) Art Museum

BARD COLLEGE Hessel Museum of Art and CCS Galleries

Rock Island, Illinois

Annandale-on-Hudson, New York

The Augustana College Art Museum in Rock Island, Illinois, has a collection of nineteenth- and twentieth-century artworks, Swedish art, North American Indian art, African objects, and other works. The museum, founded in 1983, displays selections from the collection, works by artists and studio art students, and an annual juried art show for regional artists in its 3,310-square-foot gallery. Annual attendance is nearly 36,000.

The Center for Curatorial Studies at Bard College in Annandale-on-Hudson, New York, opened the Hessel Museum of Art in 2006. It is located in a new 17,000-square-foot building dedicated to the Marieluise Hessel Collection of over 1,700 contemporary works. The museum is part of a $10-million development program that has been funded primarily by Ms. Hessel, with additional support from her husband, Edward Artzi. Other funding was provided by Robert Soros, Melissa Schiff Soros, and Laura-Lee Woods for the renovation and expansion of the Center for Curatorial Studies library, archive, classroom space, and student lounge. The Hessel Museum’s annual attendance is 12,000.

Augustana College Art Museum, Art and art History Dept., 7th Ave. and 38th St., Rock Island, IL 61201-2296 (postal address: 639 38th St., Rock Island, IL 61201-2273). Phone: 309/794-7231. Fax: 309/794-7678. E-mail: [email protected]. Web site: www.augustana.edu/artmuseum. Hours: Sept.-

Exhibitions at the Hessel Museum compliment the extensive showings curated by the Center for Curatorial Studies at the May-12-4 Tues.-Sat.; closed Sun.-Mon., June-Aug., and col- CCS Galleries, founded in 1994, which cover 9,500 square feet. The galleries offer changing exhibitions of contempolege holidays and breaks. Admission: free. rary art which are designed to encourage and explore experiSherry C. Maurer, Director 309-794-7231 mental approaches to the presentation of contemporary visual arts. The galleries also are used by students in the center’s graduate program for their collaborative first-year projects and second-year thesis exhibitions. The exhibitions BALL STATE UNIVERSITY are organized by the center’s staff and visiting curators and Art Museum scholars, who are invited to discuss their projects with stuMuncie, Indiana dents and the public in walk-throughs and the center’s lecture series. The Ball State University Art Museum in Muncie was founded in 1936, but its history goes back to 1892 when a Hessel Museum of Art, Bard College, Center for Curatorial group of local women formed the Art Students’ League in the hope that it would raise interest in art in the community. Studies, 33 Garden Rd., PO Box 5000, Annandale-on-HudAfter a number of successful exhibitions, the league formed son, NY 12504-5000. Phone: 845/758-7508. Faax: the Muncie Art Association in 1905 which developed an art 845/758-2442. E-mail: [email protected]. Web site: www.bard.edu/ccs. Hours: 1-5 Wed.-Sun.; closed collection. The collection later was moved to the Indiana

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BARTON COLLEGE Mon.-Tues., New Year’s Day, Independence Day, Thanksgiving, and Christmas. Admission: free. Tom Eccles, Executive Director [email protected]

BARTON COLLEGE Barton Art Galleries Wilson, North Carolina Barton Art Gallery at Barton College in Wilson, North Carolina, began as an art gallery in 1965 and recently became an art museum. Changing exhibitions are still featured in its four galleries-Virginia Thompson Graves Gallery, Lula E. Rackley Gallery, and North and South Exhibition Corridors. The museum, housed in the Case Art Building, mounts eight exhibitions a year, featuring art from its permanent collection of various art media and works by artists, students, and traveling exhibitions. Barton Art Gallery, Barton College, Case Art Bldg., Whitehead and Gold Sts., PO Box 5000, Wilson, NC 7893. Phones: 252/399-6477 and 253/399-6300. Web site: www.barton.edu/schoolofarts&sciences/art/mus.html. Hours: mid-Aug.-mid-May-10-3 Mon.-Fri.; closed Sat.-Sun., mid-May-mid-Aug., and college holidays and breaks. Admission: free. Gerard Lange, Director of Exhibitions 252-399-6475 [email protected]

BATES COLLEGE Museum of Art Lewiston, Maine The Bates College Museum of Art in Lewiston, Maine, focuses on the collection and exhibit of works by Maine artists, but also contains has art by many other artists. The Trent Gallery, founded in 1955 in the Pettigrew Building, became the college art museum in 1986 when it moved into the new Olin Art Center. The museum has a collection that includes the original Marsden Hartley Memorial Collection of drawings and memorabilia (received at the founding of the gallery in 1955) and American and European paintings, prints, and sculpture. The museum, which has four galleries, has an annual attendance of over 19,000.

BAYLOR UNIVERSITY Martin Museum of Art Waco, Texas The Martin Museum of Art at Baylor University in Waco has served as teaching tool for over a quarter of a century, with its exhibitions, speakers, and guest artists complementing courses of art history and studio art in the Department of Art. The museum has a permanent collection of about 1,150 objects covering a wide variety of art, including works by such artists as Robert Rauschenberg, Kathe Kollwitz, Francisco de Goya, and Edouard-Leon Cortes. The museum is located in the Hooper-Schaefer Fine Arts Center. Martin Museum of Art, Baylor University, Hooper-Schaefer Fine Arts Center, 60 Baylor Ave., Waco, TX 76706. Phones: 254/210-6390 and 254/710-1867. Web site: www.baylor.edu/martinmuseum. Hours: 10-5 Tues.-Fri., 12-5 Sat., and evenings of performances and special events in the Fine Arts Center; closed Sun.-Mon and university holidays and breaks. Admission: free. Karen A. Gilliam

BELOIT COLLEGE Wright Museum of Art Beloit, Wisconsin The Wright Museum of Art at Beloit College in Beloit, Wisconsin, had its beginning in 1892 when Helen Brace Emerson donated her collection of prints, drawings, and photographs to create a program in art appreciation, and was instrumental in obtaining works from others for the college. The museum collection now also includes American and European paintings; Asian textiles, ceramics, and other arts; works on paper; and historic and contemporary photographs. Exhibitions of works from the collection, artists, students, and faculty are presented in the museum, which has an annual attendance of 20,000. Wright Museum of Art, Beloit College, 700 College St., Beloit, WI 53511-5595. Phone: 608/363-2702. Fax: 608/363-2248. E-mail: [email protected]. Web site: www.beloit.edu/wright. Hours: 11-4 Tues.-Sun.; closed Mon. and college holidays (and irregular hours during breaks). Admission: free.

Joy Elizabeth Beckman, Director 608-363-2097 Bates College Museum of Art, Olin Art Center, 75 Russell [email protected] St., Lewiston, ME 04240-6044. Phone: 207/786-6158. Fax: 207/786-8335. E-mail: [email protected]. Web site: www.bates.edu/museum.xml. Hours: 10-5 Tues.-Sat. (also open to 6 on Wed. during academic year); closed major holi- BETHANY COLLEGE days. Admission: free.

Birger Sandzen Memorial Gallery

Dan Mills, Director 207-786-6259

Lindsborg, Kansas The Birger Sandzen Memorial Gallery at Bethany College in Lindsborg, Kansas, honors the Swedish artist who came to the college to teach for two years and stayed the rest of his life. The museum, founded in 1957, features his collection of oils, watercolors, and prints. It also has such other works as paintings by Swedish-American and other artists,

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sixteenth-century tapestries, Japanese bronzes, ceramics, graphics, and sculpture. In addition to works from the collection, the gallery presents exhibitions on loan from other museums. A fountain, A Little Triton, by Carl Milles dominates the building’s courtyard. The gallery’s annual attendance is 17,000.

was formalized and found a permanent home in the newly constructed Walker Art Building in 1894. The museum still is housed in the historic Beaux Arts structure, which is listed on the National Register of Historic Places.

The Bowdoin museum now has an encyclopedic collection of 14,500 objects. The collection of decorative arts, paintBirger Sandz‚n Memorial Gallery, Bethany College, 401 N. ings, sculpture, works on paper, and other materials consists 1st St., Lindsborg. KS 67456-1813 (postal address: PO Box of Colonial and Federal portraits, including works by 348, Lindsborg, KS 67456-0348). Phone: 785/227-2220. Smibert, Feke, Copley, and Stuart; ancient Greek works; Old Fax: 785/227-4170. E-mail: [email protected]. Web site: Masters drawings and prints; Asian art; Assyrian reliefs; www.sandzen.org. Hours: 1-5 Tues.-Sun.; closed Mon., New classical antiquities; wood engravings; watercolors; drawYear’s Day, Memorial Day, Independence Day, ings; memorabilia; and works by such nineteenth- and twenThanksgiving, and Christmas. Admission: free. tieth-century artists as Thomas Eakins, Martin Johnson Heade, George Inness, Robert Henri, John Sloan, and LeonRuth Brown, President, Birger Sandzen Memorial Foundation ard Baskin. Many of these works are displayed in the galleries in permanent exhibits and changing exhibitions. The annual attendance is 45,000.

BOSTON COLLEGE McMullen Museum of Art Chestnut Hill, Massachusetts

The McMullen Museum of Art at Boston College in Chestnut Hill, Massachusetts, has a permanent collection that spans the history of art from Europe, Asia, and the Americas and an exhibition program that includes works from international collections. Among the works in the collection are Gothic and Baroque tapestries, Italian paintings of the sixteenth and seventeenth centuries, and American paintings of the nineteenth and early twentieth centuries. Two to four exhibitions are mounted each year and have featured such works as Caravaggio’s The Taking of Christ, the largest American exhibition of Edvard Munch’s work, and a retrospective of the work of Surrealist Robert Matta. The museum, founded in 1976 and located in Devlin Hall, seeks to reach beyond traditional art history, providing political, historical, and cultural context. It also offers such exhibition-related programs as musical and theatrical performances, films, gallery talks, symposia, lectures, readings, and receptions to stimulate dialogue. The museum has an annual attendance of 75,000. McMullen Museum of Art, Boston College, Devlin Hall, 140 Commonwealth Ave., Chestnut Hill, MA 02467-3800. Phone: 617/552-8587. Fax: 617/552-8577. E-mail: [email protected]. Web site: www.bc.edu/artmuseum. Hours: 11-4 Mon.-Fri., 12-5 Sat.-Sun.; closed major holidays. Admission: free. Nancy Netzer

BOWDOIN COLLEGE Museum of Art Brunswick, Maine The Bowdoin College Museum of Art in Brunswick, Maine, traces its beginning to the 70 European paintings, 142 drawings, and family portraits the college received from James Bowdoin III and his family in 1811 and 1826. The artworks, one of the nation’s earliest collegiate collections of fine arts, were moved from one building to another until the museum

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Bowdoin College Museum of Art, Walker Art Bldg., Brunswick, ME 04011 (postal address: 9400 College Station, Brunswick, ME 04011-8494). Phone: 207/725-3275. Fax: 207/725-3762. E-mail: [email protected]. Web site: www.bowdoin.edu/art-museum. Hours: 10-5 Tues.-Wed. and Fri.-Sat. 10-8:30 Thurs., 1-5 Sun.; closed Mon. and national holidays. Admission: free. Kevin Salatino, Director

BRANDEIS UNIVERSITY Rose Art Museum Waltham, Massachusetts The Rose Art Museum at Brandeis University in Waltham, Massachusetts, apparently has survived a 2009 university decision to close the highly regarded museum and sell its prized collection to raise funds to meet the university’s financial needs. The museum, founded in 1961 and named for benefactors Edward and Bertha Rose, has the leading collection of modern and contemporary art in New England, including works by Jasper Johns, Roy Lichtenstein, Andy Warhol, William de Kooning, Morris Louis, and James Rosenquist, and others. It also was the first to give such contemporary artists as Frank Stella, Kiki Smith, Nam June Paik, and Dana Schulz their first museum exhibitions. After an outpouring of protests and legal actions, the museum closing decision has been reversted by the university’s administration and trustees. The Rose Art Museum has over 8,000 contemporary artworks in its collection and around 13,000 square feet of exhibition space. An estimate in the museum closing debate placed the value of the collection at $350 million to $400 million. From nine to 12 exhibitions, mostly from the collection of modern and contemporary art, are presented each year by the museum. One of the museum’s galleries is the Electronic Media Gallery, which is dedicated to the exploration of media art in all forms, including internet, film,

BRIGHAM YOUNG UNIVERSITY was named in 1804. It is a one-story granite structure with a low hip roof, no windows, impressive bronze doors, and resembles a tomb. In some ways, it is a tomb since both Rush Rose Art Museum, Brandeis University, 415 South St., Hawkins and Annmary Brown Hawkins are buried in a crypt MS069, Waltham, MA 02453-2728 (postal address: PO Box there, and the slabs above their graves can be viewed 549110, Waltham, MA 02454-9110). E-mail: rosemail@cou- through a grate. But the building is more than a tomb today. rier.brandeis.edu. Web site: www.brandeis.edu/rose. Hours: It also functions as an art museum and home to programs in 10-6 Mon.-Wed. and Fri., 10-9 Thurs., 12-5 Sat.; closed medieval, Renaissance, and early modern studies. Sun. and major holidays. Admission: free. The memorial building, which was independent until deeded Roy Dawes, Director of Museum Operations to Brown University in 1948, was built as a library, art [email protected] lery, and mausoleum. Hawkins, a book collector and patron of the arts, included two art rooms, a rare book room, and a personal treasure room and office in addition to the memoBRIGHAM YOUNG UNIVERSITY rial to his wife in the building. It had numerous paintings, books, manuscripts, and personal mementos of its founder. Museum of Art In 1990, the books and manuscripts were moved to the John Provo, Utah Hay Library. The memorial now features exhibits of EuroThe Brigham Young University Museum of Art in Provo, pean and American paintings from the seventeenth through Utah, has one of the largest attendances among college or twentieth centuries, and also contains Hawkins personal meuniversity art museum in the nation. It serves 327,000 visimentos and the Cyril and Harris Mazansky British Sword tors annually. The museum moved into a new Collection. 102,000-square-foot building in 1993 after operating for Annmary Brown Memorial, Brown University, 21 Brown nearly three decades in the Harris Fine Arts Center. It has more than 16,500 objects in its permanent collection, with a St., Box A, Providence, RI 02912. Phone: 401/863-2942. Web site: www.dl.lib.brown.edu/libweb/about/amb. Hours: special emphasis on American and religious art. It presents exhibitions from its collection, curatorial research, and trav- Labor Day-Memorial Day-1-5 Mon.-Fri.; closed Sat.-Sun., summer, and national holidays. Admission: free. eling exhibitions from leading museums and other sources around the world. sound, and installation. The museum also has a sculpture garden. Annual attendance is 13,000.

Peter Harrington, Curator

The American art collection is comprised of paintings, prints, photographs, and sculpture from the late eighteenth century to present, and includes significant numbers of Hudson River School landscapes and works of American impressionism. It includes works by Albert Bierstadt, Thomas Moran, George Inness, J. Alden Weir, Mahonri M. Young, and Maynard Dixon. The museum also possesses a growing collection of Christian art from the fifteenth century to the present, with works by Rembrandt, Albrecht Durer, Carl Bloch, Sir Edward John Poynter, John Rogers Herbert, Minerva Teichert, Brian Kershisnik, and Ron Richmond. Brigham Young University Museum of Art, N. Campus Dr., Provo, UT 84602 (postal address: 492 MOA, N. Campus Dr., Provo, UT 84602-1400). Phone: 801/422-8287. Fax: 801/422-0527. E-mail: [email protected]. Web site: www.moa.byu.edu. Hours: 10-6 Mon.-Wed. and Fri., 10-9 Thurs., 12-5 Sat.; closed Sun., New Year’s Day, Independence Day, Thanksgiving, and Christmas. Admission: free. Stephen Jones, Dean, BYU College of Fine Arts and Communications [email protected]

BROWN UNIVERSITY Annmary Brown Memorial Providence, Rhode Island The Annmary Brown Memorial at Brown University in Providence, Rhode Island, was built in 1907 by General Rush Hawkins as a memorial to his wife, who was the granddaughter of Nicholas Brown, for whom the university

CALIFORNIA STATE UNIVERSITY, CHICO Janet Turner Print Museum Chico, California The Janet Turner Print Museum at California State University in Chico has a collection of over 3,000 fine art prints spanning six centuries from 40 countries. They include linocuts, serigraphs, etchings, lithographs, and digital prints representing Surrealism, German Expressionism, Impressionism, Abstract Expressionism, Pop, Op, and Photorealism-and the works of such artists as Dali, Durer, Goya, Hockney, Hogarth, Miro, Rembrandt, Renoir, and Tamayo. The collection was started by Janet Turner, a professor of fine art and art education in 1959-81, who began a printmaking program the resulted in the founding of the gallery/museum in 1981. It now mounts as many as seven special exhibitions a year and hosts the biennial National Print Competition. The annual attendance is 5,000. Janet Turner Print Museum, California State University, Chico, 400 W. 1st St., Chico, CA 95929. 0820. Phone: 530/898-4476. Fax: 530/898-5581. E-mail: [email protected]. Web site: www.janetturner.org. Hours: 11-4 Mon.-Fri., other times by appointment; closed spring, Thanksgiving, and Christmas breaks. Admission: free. Catherine Sullivan, Curator [email protected]

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Art Museums & Sculpture Gardens CALIFORNIA STATE UNIVERSITY, LONG BEACH Art Museum Long Beach, California The University Art Museum at California State University, Long Beach, is known for challenging ideas through wide-ranging exhibitions and provocative programs. It focuses on tension and interplay at the nexus of contemporary art, technology, and society. Its solo and group exhibitions have defined key moments in contemporary art, reflected the global nature of art today, and spanned a wide array of cultural activities and media. Founded in 1973, the museum has displayed the works of numerous artists in diverse fields, representing many of the significant artistic and cultural developments of the last half century. The museum has collections of modern and contemporary works of art on paper; the Gordon F. Hampton Collection of 85 works by 42 leading artists; and a Monumental Sculpture Collection that includes 22 sculptures throughout the 320-acre campus. The annual attendance is 60,000. University Art Museum, California State University, Long Beach, 1250 Beliflower Blvd., Long Beach, CA 90840-0004. Phone: 562/985-5761. Fax: 562/985-7602. E-mail: [email protected]. Web site: www.csulb.edu/uam. Hours: 12-5 Tues.-Sun.; closed Mon. and university holidays. Admission: adults, $4; children under 12, free. Christopher Scoats, Director

CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO Robert V. Fullerton Art Museum San Bernardino, California The Robert V. Fullerton Art Museum at the California State University, San Bernardino, has the largest collection of ancient Egyptian art west of the Mississippi River. It includes some 500 pieces covering more than 4,000 years of Egyptian history. The remainder of the museum’s collection of 1,200 objects focuses on ceramics and contemporary art. The museum, which opened in 1996, presents changing exhibitions from its collections and visiting exhibitions. Annual attendance is 10,000.

CAPITAL UNIVERSITY Schumacher Gallery Columbus, Ohio The Schumacher Gallery at Capital University in Columbus, Ohio, is an art museum with collections and permanent, temporary, and traveling exhibitions. Founded in 1964, the gallery has Contemporary, Asian, Ethnic, and Graphics galleries and a collection of 2,500 works that encompass 2,000 years of cultural history, as well as period paintings, prints, and tapestries; Inuit art; and works of Ohio artists. Among the objects displayed in the galleries are traditional and contemporary Asian art, including Ming porcelain and Tang Dynasty sculpture; contemporary paintings and sculpture by such artists as Louise Nevelson, Leonard Baskin, and John Marin; ethic works from Oceania, Haiti, Central and South America, Africa, and the American Southwest; and graphics with original works by Mary Cassatt, Marc Chagall, Salvador Dali, Jim Dine, Paul Gauguin, Francisco Goya, Pablo Picasso, Pierre-Auguste Renoir, and Andy Warhol. The gallery has 10,000 visitors a year. Schumacher Gallery, Capital University, 2199 E. Main St., Columbus, OH 43209-2394. Phone: 614/236-6319. Fax: 614/236-6490. Web site: www.schumachergallery.org. Hours: Sept.-May-1-5 Mon.-Sat.; closed Sun., June-Aug., and major holidays. Admission: free. Cassandra Tellier, Director

CENTENARY COLLEGE OF LOUISIANA Meadows Museum of Art of Centenary College Shreveport, Louisiana The Meadows Museum of Art was founded at the Centenary College of Louisiana in Shreveport in 1975 as a place to house the Jean Despujols Collection of paintings and drawings of Indochina. The museum was made possible by a gift from alumnus Algur H. Meadows, who purchased the collection for the college in 1969. The museum still has the Indochina collection and normally displays a large portion in its exhibits, however the museum now also has other collections and exhibits. Today’s museum’s collection also includes artworks representative of other world cultures and such artists as George Grosz, Emilio Amero, Mary Cassatt, and Alfred Maurer. Exhibitions of works from the collection are augmented by temporary showings representing other artists and cultures in the 8,500-square-foot gallery. The annual attendance is 15,000.

Robert V. Fullerton Art Museum, California State University, San Bernardino, 5500 University Pkwy., San Bernardino, CA 92407-2318. Phone: 909/537-7373. Fax: 909/537-7068. E-mail: [email protected]. Web site: www.museum.csusb.edu. Hours: Sept.-July-10-5 Tues.-Wed, and Fri.-Sat., 10-7 Thurs.; closed Sun.-Mon. and Meadows Museum of Art of Centenary College, Centenary College of Louisiana, 2911 Centenary Blvd., Shreveport, LA major holidays. Admission: free, but charges for special 71104-3335/ Phone: 318/869-5169. Fax: 318/869-5730. exhibitions. E-mail: [email protected]. Web site: www.centenary.edu/meadows. Hours: mid-Aug.-July-12-4 Tues.-Wed. Eva Kirsch, Director 909-537-5493 and Fri., 12-5 Thurs., 1-4 Sat.-Sun.; closed Mon., New [email protected]

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CENTRAL FLORIDA COMMUNITY COLLEGE Year’s Day, Easter, Memorial Day, Labor Day, Thanksgiving, and Christmas. Admission: free. Diane Dufilho, Director 318-869-5226 [email protected]

CENTRAL FLORIDA COMMUNITY COLLEGE Appleton Museum of Art

CHAFFEY COLLEGE Wignall Museum of Contemporary Art Rancho Cucamonga, California The Wignall Museum of Contemporary Art at Chaffey College in Rancho Cucamonga, California, presents four to five exhibitions of contemporary art each year in its 2,100 square feet of exhibit space. The museum, founded in 1972, has a collection of contemporary art. Annual attendance is 5,000.

Wignall Museum of Contemporary Art, Chaffey College, 5885 Haven Ave., Rancho Cucamonga, CA 91737-3002. The Appleton Museum of Art at Central Florida Community Phone: 909/652-6492. Fax: 909/652-6491. E-mail: College in Ocala was founded in 1986 by Arthur I. [email protected]. Web site: Appleton, a Chicago electrical supply executive who bewww.chaffey.edu/wignall. Hours: Aug.-May-10-4 came an Ocala thoroughbred horse breeder. It has a collecMon.-Thurs., 12-4 Sat.; closed Fri., Sun., June-July, and coltion of pre-Columbian, European, African, Asian, and lege holidays. Admission: free. Islamic works, as well as decorative arts, contemporary art, and Florida artists’ antiquities. Permanent exhibits and tem- Rebecca Trawick, Director/Curator 909-652-6493 porary exhibitions are featured in 39,000 square feet of gal- [email protected] leries. The annual attendance is 50,000.

Ocala, Florida

Appleton Museum of Art, Central Florida Community College, 4333 E. Silver Springs Rd., Ocala, FL 34470-5001. Phone: 352/291-4455. Fax: 352/291-4460. E-mail: ormej@cf,edu. Web site: www.appletonmuseum.org. Hours: 10-5 Tues.-Sat., 12-5 Sun.; closed Mon., early to end of Aug., New Year’s Day, Thanksgiving, and Christmas. Admission: adults, $6; seniors, educators, and university students, $4; youth 10-18, $3; military and children under 10, free. John Z. Lofgren, Director

CENTRAL METHODIST COLLEGE Ashby-Hodge Gallery of American Art Fayette, Missouri The Ashby-Hodge Gallery of American Art at Central Methodist College in Fayette, Missouri, is an art museum featuring Regionalist art of the Midwest. Opened in 1993, the gallery has a collection of oil paintings, watercolors, drawings, lithographs, acrylics, and bronzes that are shown in the museum in special exhibitions throughout the year. Among the artists represented are Thomas Hart Benton, Aaron Bohrod, Robert MacDonald Graham Jr., Emile Gruppe, Birger Sandzen, Fred Shane, Charles Banks Wilson, and Grant Wood. The annual attendance is 5,000. Ashby-Hodge Gallery of American Art, Central Methodist University, Library, Fayette, MO 65248. Phones: 660/248-6324 and 660/248-6304. Fax: 660/248-2622. E-mail: [email protected]. Web site: www.centralmethodist.edu/cmashbyhodge. Hours: 1:30-4:30 Sun., Tues.-Thurs., and by appointment; closed Mon., Fri.-Sat., and major holidays. Admission: free. Joe Geist, Curator

COLBY COLLEGE Museum of Art Waterville, Maine The Colby College Museum of Art in Waterville, Maine, specializes in American and contemporary art. Founded in 1959, the museum has more than 6,000 works in its permanent collection and over 28,000 square feet of exhibit space in four wings of the Bixler Art and Museum Center. The collection began in the early 1950s with the donation by Adeline and Caroline Wing of paintings by William Merritt Chase, Winslow Homer, and others. It was followed by the gift of 76 works by American folk artists from Mr. and Mrs. Ellerton M. Jett‚ in 1956 and the Helen Warren and Willard Howe Cummings Collection of American paintings and watercolors the next year. In the years that followed, the museum continued to expand its collections, mostly of American art from the eighteenth through twenty-first centuries. The collection now includes works by such artists as James McNeill Whistler, John Marin, Alex Katz, and Richard Serra. In addition to the American works, the museum has European prints, drawings, paintings, and special collections, such as a collection of Asian ceramics. In its exhibitions, the museum features selections from its collection and exhibitions of the works of artists, periods, and movements. Annual attendance is 19,500. Colby College Museum of Art, Bixler Art and Music Center, 5600 Mayflower Hill, Waterville, ME 04091-8856. Phone: 207/859-5600. Fax: 207/859-5606. E-mail: [email protected]. Web site: www.colby.edu/museum. Hours: 10-4:30 Tues.-Sat., 12-4:30 Sun.; closed Mon. and major holidays. Admission: free. Sharon Corwin, Carolyn Muzzy Director and Chief Curator 207-859-5601

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Art Museums & Sculpture Gardens COLGATE UNIVERSITY Picker Art Gallery Hamilton, New York The Picker Art Gallery, a museum-like gallery founded in 1966 at Colgate University in Hamilton, New York, has one of the most extensive and diverse collections of art among campus galleries. It has more than 10,000 objects representing a broad range of artistic mediums, national schools, and historical periods. They include such works as pre-Columbian art, American Expressionist works on paper, Chinese woodcuts, Australian aboriginal drawings, Soviet-era photographs, political cartoons, and twentieth-century American prints, drawings, and paintings. The gallery, which has an annual attendance of nearly 6,000, presents changing exhibitions, lectures, concerts, and special events in the Charles A. Dana Arts Center. Picker Art Gallery, Colgate University, Charles A. Dana Arts Center, 13 Oak Dr., Hamilton, NY 13346-1398. Phone: 315/228-7634. Fax: 315/228-7932. E-mail: [email protected]. Web site: www.pickerartgallery.org. Hours: 10-5 Tues.-Sat., 1-5 Sun.; closed Mon., major holidays, and Mon.-Thurs. during university breaks. Admission: free. Linn Underhill, Interim Director

COLLEGE OF WILLIAM AND MARY Muscarelle Museum of Art

adults, $5 ($5 to $10 additional for special exhibitions); WMC students, faculty, staff, and children under 12, free. Aaron H De Groft, Director 757-221-2701 [email protected]

COLLEGE OF WOOSTER Art Museum Wooster, Ohio The College of Wooster Art Museum in Wooster, Ohio, began in 1930 as a small gallery to support the college’s educational programs. In the years that followed, the museum expanded its offerings and moved into a renovated vacant library building in 1968. Today, the museum has a permanent collection of over 8,500 objects, an annual exhibition from the collection, and changing exhibitions of works by faculty, students, and regional, national, and international artists. The collection includes contemporary art, European and American prints, Persian decorative arts, Chinese bronzes, African art, and ancient Middle Eastern pottery. The annual attendance is 9,500. College of Wooster Art Museum, Ebert Art Center, 1220 Beall Ave., Wooster, OH 44691. Phone: 330/263-2000. Fax: 330/263-2633. E-mail: [email protected]. Web site: www.artmuseum.wooster.edu. Hours: 10:30-4:30 Tues.-Fri., 1-5 Sat.-Sun.; closed Mon. and college holidays and breaks. Admission: free. Kitty McManus Zurko, Director 330-263-2290 [email protected]

Williamsburg, Virginia The College of William and Mary in Williamsburg, Virginia, has been acquiring artworks since 1732 when the third Earl of Burlington gave the college a portrait of physicist Robert Boyle. But it was not until 1982 that an art museum was founded to house the works and display selections from the collection and elsewhere. In 1987, the size of the museum was doubled and it became the Joseph and Margaret Muscarelle Museum of Art.

CORNELL UNIVERSITY Herbert F. Johnson Museum of Art Ithaca, New York

The Herbert F. Johnson Museum of Art at Cornell University in Ithaca, New York, occupies a spectacular I. M. Pei-designed building that overlooks Cayuga Lake, the campus, and the downtown area. It houses the university’s art collection, which was started in the 1880s by Cornell’s first The museum’s collection now totals more than 4,000 works president, Andrew Dickson White, and has grown from and the museum offers a range of art from various ages and 9,000 to more than 30,000 works of art since moving into cultures. The collection includes such works as Old Masters the museum building, made possible by Herbert F. Johnson, by Titan and Velasquez, English portraits, abstract expresa 1922 graduate and corporate chairman. The museum was sionist works, Native American pottery, Japanese prints, founded in 1953 and was renamed for the benefactor in drawings and prints from the sixteenth through the twentieth 1973 when the new building opened. centuries, and Asian, African, and Islamic art. Annual attendance is 60,000. Plans are being developed for a new arts The exceptional permanent collection’s greatest strengths complex that will include the museum and the School of are in Asian art and European and American prints, drawings, and photographs. Among the other well represented arArts and Sciences. eas are American painting and sculpture, European art from Muscarelle Museum of Art, William and Mary College, ancient Greece to the present, African sculpture and textiles, Lamberson Hall, 603 Jamestown Rd , Williamsburg, VA and pre-Columbian sculpture and ceramics. In addition to 23185 (postal address: PO Box 8795, Williamsburg, VA long-term exhibits from the collection, the museum presents 23187-8795), E-mail: [email protected]. Web site: over 20 special exhibitions each year. Approximately 16,000 www.wm,edu/muscarelle. Hours: 10-5 Tues.-Fri., 12-4 square feet were added to the 61,000-square-foot Pei-deSat.-Sun.; closed Mon. and major holidays. Admission: signed building in 2011 to accommodate further collection

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CRANBROOK ACADEMY OF ART growth. The museum now receives over 80,000 visitors a year. Robert F. Johnson Museum of Art, Cornell University, Central and University Ave., Ithaca, NY 14853-4001. Phone: 607/255-6464. Fax: 607/255-9940. E-mail: [email protected]. Web site: www.museum,cornell.edu. Hours.10-5 Tues.-Sun.; closed Mon., Memorial Day, Independence Day, Labor Day, Thanksgiving, and Christmas to New Year’s Day. Admission: free.

CROWDER COLLEGE Longwell Museum and Camp Crowder Collection Neosho, Missouri

The Longwell Museum and Camp Crowder College at Crowder College in Neosho, Missouri, is an art/history museum. Founded in 1970, it has exhibits and a collection of Thomas Hart Benton prints and artifacts; paintings by Ozark artist Daisy Cook; original prints by such artists as Grant Franklin W. Robinson, Richard J. Schwartz Director 607-255-6464 Wood, Birger Sandzen, and John Steuart Curry; Japanese wood block prints; Chinese paper cuts; and photographs, manuscripts, and records that chronicle the history of Camp Crowder, an Army Signal Corps training camp. Annual atCRANBROOK ACADEMY OF ART tendance is 800.

Cranbrook Museum of Art Bloomfield Hills, Michigan

The Cranbrook Museum of Art, founded in 1930, at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, has just undergone a major renovation and expansion of its 1942 building designed by Eliel Saarinsen, the noted Finnish architect, whose architecture, drawings, furniture, and decorative arts are featured in the museum. The art academy and museum are part of the Cranbrook Educational Community, which also includes the Cranbrook Institute of Science, Cranbrook Schools, formal and informal gardens, sculpture, and other affiliated cultural and educational programs. The Cranbrook Educational Community was founded in 1927 by George Booth, a Detroit newspaper publisher, and his wife, Ellen Booth, a member of the Scripps newspaper family. The art museum originally consisted of the private collection of the Booths. The academy’s collection gradually was expanded to include works of the faculty, students, and noted artists and designers. It now features paintings, sculpture, furniture, ceramics, textiles, and metalwork by such artists and designers as Harry Bertoia, Ray and Charles Eames, Marshall Fredericks, Maija Grotell, Donald Lipski, Eero Saarinen, and John Torreano (all of whom were attracted to the innovative academy and museum over the years).

Longwell Museum and Camp Crowder Collection, Crowder College, 601 La Clede, Neosho, MO 64850-9165. Phone: 417/451-3223. Fax: 417/455-5539. E-mail: [email protected]. Web site: www.crowder.edu. Hours: 10-4 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks. Admission: free. Cindy Brown, Crowder College Director of Public Information [email protected]

DARTMOUTH COLLEGE Hood Museum of Art Hanover, New Hampshire

Dartmouth College in Hanover, New Hampshire, began its art collection in 1772, three years after the college was founded. In the years that followed, it received numerous gifts of paintings, works on paper, and antiquities that were stored and displayed in various buildings on the campus. In 1985, the Hood Museum of Art was opened to house the collection and display and interpret the artworks. It is housed in an award-winning postmodern building made possible by a bequest from Harvey P. Hood, a 1918 graduate and long-time trustee. The 40,000-square-foot structure includes 10 main galleries, contains nearly 65,000 works of The museum also contains eight of the 70 works left by Carl art in the museum’s permanent collection, and presents apMilles, the noted Swedish-born sculptor who came to proximately eight special exhibitions and two teaching exhiCranbrook in 1931. They form the beautiful Orpheus Foun- bitions each year. tain at the museum. The 1908 former residence of the Booths, which still has some of their original art collection, Among the most important works in the museum’s collection are six ancient Assyrian stone reliefs from the palace of and the 1930 home of Eliel and Loja Saarinen also can be seen on the Cranbrook grounds. The art museum, which also Ashurnasirpal and works representing the diverse artistic traditions of Europe, Asia, and the United States. Especially presents changing exhibitions of contemporary art, has an noteworthy are the American and European prints, drawannual attendance of 37,000. ings, and watercolors. The museum also has a collection of Cranbrook Art Museum, 39221 Woodward Ave., PO Box contemporary art that includes works from the United 801, Bloomfield Hills, MI 48303-0801. Phones: States, Africa, Europe, and South America. In addition, the 248/645-3323 and 248/645-3361. Fax: 248/645-3324. museum oversees the remarkable fresco mural cycle, The E-mil: [email protected]. Web site: Epic of American Civilization, which was painted by Mexiwww.cranbrookart.edu/museum. Hours: 10-5 Sat.-Thurs., 10 can artist Jose Clemente Orozco in Baker Library in a.m.-10 p.m. Fri.; closed major holidays. Admission: adults, 1932-34. $9; seniors and children 2-12, $7; children under 2, free. The museum presents long-term exhibits from its collection Gregory Wittkopp, Director 248-645-3315 and changing exhibitions in its galleries. It also has a senior [email protected] internship program where students choose objects from the

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Art Museums & Sculpture Gardens permanent collection, write descriptions of the objects, design a space, create a brochure, and conduct a public gallery presentation at the entrance to the museum. The museum’s annual attendance is 45,000. Hood Museum of Art, Dartmouth College, Wheelock St., Hanover, NH 03755. Phone: 603/646-2808. Fax: 603/646-1400. E-mail: [email protected]. Web site: www.hoodmuseum.dartmouth.edu. Hours: 10-5 Tues. and Thurs.-Sat., 10-9 Wed., 12-5 Sun.; closed Mon., Independence Day, and Thanksgiving. Admission: free.

temporary exhibitions are based largely on its collections. The annual attendance is nearly 8,500. Trout Gallery, Dickinson College, Weiss Center for the Arts, W. High St., PO Box 1773, Carlisle PA 17013-2896. Phone: 717/245-1344. Fax: 717/245-8929. E-mail: [email protected]. Web site: www.dickinson.edu/trout. Hours: 10-4 Tues.-Sat.; closed Sun.-Mon. and college holidays and breaks. Admission: free. Phillip J. Earenfight, Director 717-245-1709 [email protected]

Katherine Hart, Interim Director 603-646-2348 [email protected]

DENISON UNIVERSITY Denison Museum Granville, Ohio Denison Museum is an art and ethnology museum at Denison University in Granville, Ohio. The university’s collection, which began in 1943, now has nearly 8,000 art and cultural objects from around the world, primarily Asia, Europe, and North and South America. The museum was founded in 1946, moved into the new Burke Hall of Art and Music in 1973, and operated for many years as the Denison University Art Gallery before being renamed in 2006. The collection consists of Asian textiles, paintings, sculpture, lacquerware, and ceramics; European and American prints, paintings, and drawings; Burmese art; and Kuna Indian artifacts. The museum presents exhibitions from its collections, artists, and traveling exhibitions and has an annual senior student exhibition. The annual attendance is 2,800. Denison Museum, Denison University, Burke Hall of Art and Music, 240 W. Broadway, PO Box 810, Granville, OH 43023-0810. Phone: 740/587-6255. Fax: 740/587-5628. E-mail: [email protected]. Web site: www.denison.edu/museum. Hours: 12-5 Fri.-Wed., 12-7 Thurs.; closed university holidays and breaks. Admission: free. Anna Cannizzo, Interim Director 740-587-6554 [email protected]ÿ

DICKINSON COLLEGE Trout Gallery Carlisle, Pennsylvania Dickinson College in Carlisle, Pennsylvania began receiving donations of artworks before the mid-1850s, but it was not until 1983 that an art museum-the Trout Gallery-was established on the campus to care for and display the art on a continuing basis. The gallery, funded by two sisters (Ruth and Helen Trout in honor of their father) became a reality when the old gymnasium was renovated to become the Weiss Center for the Arts. The gallery now has a collection of over 6,000 artworks and objects in its collections, including African art, Oriental and decorative arts, and Old Masters and modern prints. The gallery’s permanent exhibits and

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DREXEL UNIVERSITY Anthony J. Drexel Picture Gallery Philadelphia, Pennsylvania The Anthony J. Drexel Picture Gallery at Drexel University in Philadelphia features artworks collected by the founder of the university at the turn of the twentieth century. Drexel believed that education should be both practical and cultural, and began purchasing art for what originally was called the Drexel Institute of Art, Science, and Industry, and displaying it in a museum on the first floor of the Main Building in 1892. In 1902, when the Drexel Collection received a substantial gift of nineteenth-century paintings by artists from the Barbizon School and Dusseldorf Academy, the collection was moved to the Picture Gallery on the third floor, and later historically restored to its original state. Other works now also are exhibited in the Peck Center Gallery in the alumni center (see separate listing). Anthony J. Drexel Picture Gallery, Drexel University, Main Bldg., 3rd Floor, Philadelphia, PA 19104. Phone: 215/895-0480. E-mail: [email protected]. Web site: www.drexel.edu/drexelcollection. Hours: 3:30-5:30 Mon.-Sat. and by appointment; closed Sun. and major holidays. Admission: free. Jacqueline M DeGroff, Curator of the Drexel Collection 215-895-0480 [email protected]

DREXEL UNIVERSITY Peck Center Gallery Philadelphia, Pennsylvania The Peck Center Gallery at the Paul Peck Alumni Center at Drexel University in Philadelphia, Pennsylvania, features nineteenth-century paintings and sculptures from the university’s Drexel Collection. The gallery opened in 2000 when the building Frank Furness designed for the 1876 Centennial Exposition was renovated and converted into an alumni center. Peck Center Gallery, Drexel University, Paul Peck Alumni Center, 32nd and Market Sts., Philadelphia, PA 19104. Phone: 216/895-0480. E-mail: [email protected]. Web site: www.drexel.edu/univrel/drexelcollection. Hours: 9-5

DUKE UNIVERSITY Mon-Fri.; closed Sat.-Sun. and major holidays. Admission: free.

1,470-square-foot exhibit space, and an annual attendance of 10,000.

Jacqueline M DeGroff, Curator of the Drexel Collection 215-895-0480 [email protected]

Euphrat Museum of Art, DeAnza College, 21250 Sevens Creek Blvd., Cupertino, CA 95014-5707. Phone: 408/864-8738. Fax: 408-8738. E-mail: [email protected]. Web sitre: www.deanza.edu/euphrat. Hours: late Sept.-mid-June-10-4 Mon.-Thurs.; closed Fri.-Sun., mid-June-late Sept., and college holidays and breaks. Admission: free.

DUKE UNIVERSITY Nasher Museum of Art Durham, North Carolina The Nasher Museum of Art at Duke University in Durham, North Carolina, began in 1969 as the Duke University Museum of Art with the purchase of the Brummer Collection of Medieval and Renaissance Art. It became the Nasher Museum of Art with the opening of its new 65,000-square-foot building with three galleries and a sculpture garden designed by renowned architect Rafael Vinoly in 2005. The museum is named for Raymond D. Nasher, a 1943 graduate, long-time university board member, art collector, and major donor for the new building. The museum holds a collection of more than 13,000 works of art, including early American art, modern and contemporary works, African art, medieval and Renaissance works, classical Greek and Roman antiquities, and American and European paintings, sculpture, and works on paper. Selections from the museum’s collection are featured in the galleries, which also display the works of artists and from other sources in changing exhibitions. The museum’s annual attendance is over 131,000.

Jan Rindfleisch, Executive Director

DePAUL UNIVERSITY Art Museum Chicago, Illinois The DePaul University Art Museum in Chicago, Illinois, has a permanent collection that is strong in mid-twentieth-century Midwestern artists and an exhibit program that ranges from thematic and historical exhibitions to works by contemporary artists. Founded in 1987, the museum is a 4,000-square-foot facility with two galleries that is a focal point in teaching and discussion through visual arts and material culture. Annual attendance is 15,000. DePaul University Art Museum, 2350 N. Kenmore Ave., Chicago, IL 60614-3210. Phone: 773/325-7506. Fax: 773/325-4506. E-mail: [email protected]. Web site: www.museumsdeaul.edu. Hours: 11-5 Mon.-Thurs. and Sat., 11-7 Fri., 12-5 Sun.; closed university holidays. Admission: free.

Nasher Museum of Art, Duke University, 2001 Campus Dr., Louise Lincoln, Director Durham, NC 27705-1003 (postal address: PO Box [email protected] 90732,Durham, NC 27708-0732). Phone: 919/684-5135. Fax: 919/681-8624. E-mail: [email protected]. Web site: www.nasher.duke.edu. Hours: 10-5 Tues.-Wed. and Fri.-Sat., 10-9 Thurs., 12-5 Sun.; closed Mon., IndependDePAUW UNIVERSITY ence Day, Thanksgiving, and Christmas Eve and Day. AdWilliam Weston Clarke Emison Museum of mission: adults, $5; seniors, $4; non-Duke students, $3; Duke students, faculty, staff, and childen under 16, free; free Art Greencastle, Indiana admission 5 to 9 on Thurs. The William Weston Clarke Emison Museum of Art at Kimerly Rorschach, Mary D.B.T. and James H. Semans Director DePauw University in Greencastle, Indiana, is home to the 919-684-8420 university’s permanent art collection of more than 4,000 [email protected] jects. Among the areas of strength in the collection are twentieth-century works on paper and regional art from the nineteenth and twentieth centuries, Asian art, and anthropoDE ANZA COLLEGE logical artifacts. In addition to selections from the collection, the museum offers curated exhibits and traveling Euphrat Museum of Art exhibitions. The museum was founded in 2005. The univerCupertino, California sity’s art center and the museum are named for one of the The Euphrant Museum of Art at DeAnza College in Cuper1837 founders of the university whose family has served on tino, California, seeks to further visual ideas and communithe board of trustees and has been supportive of the univercation that stimulates creativity and an interest in art by all sity over four generations. The museum’s annual attendance ages. Founded in 1971, the museum moved into a new is 3,000. building connected to the Visual and Performing Arts Center. It has a collection of contemporary art, a William Weston Clarke Emison Museum of Art, DePauw University, 204 E. Seminary St., Greencastle, IN 46135-1665. Phone: 765/658-4336. Fax: 765/658-6552. Web site: www.depauw.edu/museum. Hours: 10-4

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Art Museums & Sculpture Gardens Tues.-Fri., 11-5 Sat., 1-5 Sun.; closed Mon. and university holidays and breaks. Admission: free. Kaytie Johnson [email protected]

FLORIDA INTERNATIONAL UNIVERSITY Patricia and Phillip Frost Art Museum Miami, Florida

The Florida International University in Miami has two art museums-Patricia and Phillip Frost Art Museum and The Wolfsonian-FIU (see separate listing). The Frost Art Museum is the former Art Museum at Florida International Atlanta, Georgia University, founded in 1977. The Frost Art Museum has a The Michael C. Carlos Museum at Emory University in At- collection that includes European and North and South lanta, Georgia, is an art and archaeology museum founded in American paintings, drawings, prints, and sculpture; African, Oriental, and pre-Columbian artifacts; contemporary 1920 and later named for an Atlanta businessman and phiCuban-American art; and an outdoor sculpture park. lanthropist who donated nearly $12 million over two decades. The university’s extensive collections began in 1876 when a predecessor general museum was established on the It presents curated and traveling exhibitions in addition to university’s original campus in Oxford, Georgia. It now has long-term exhibits from the collection. The annual attendance is 112,000. the largest collection in the Southeast of objects from ancient Egypt, Greece, Rome, Near East, and the ancient Patricia and Phillip Frost Art Museum, Florida International Americas. University, 10975 S.W. 17th St., Miami, FL 33199. Phones: The original nineteenth-century acquisitions of Asian mate- 305/348-2890 and 305/348-6186. Fax: 305/348-2762. E-mail: [email protected]. Web site: www.thefrost.fiu.edu. rials were collected by Methodist missionaries. Since then, new collections have been added to support the university’s Hours: 10-5 Tues.-Sat., 12-5 Sun.; closed Mon. and major programs in Latin American, African, Classical, and Middle holidays. Admission: free.

EMORY UNIVERSITY Michael C. Carlos Museum

Eastern studies. The museum also has a major artworks collection of prints, drawings, and photographs. The museum’s exhibits range from permanent displays from the collections to special exhibitions on related subjects. The museum has an annual attendance of 160,000. Michael C. Carlos Museum, Emory University, 571 S. Kilgo St., Atlanta, GA 30322. Phones: 404/727-4282 and 404/727-0573. Fax: 404/727-4292. Web site: www.emory.edu/carlos. Hours: 10-4 Tues.-Sat., 12-4 Sun.; closed Mon. and university holidays. Admission: adults, $8; seniors, students, and children 6-17, $6; children under 6, free. Bonnie Speed, Director 404-727-0573

FAIRFIELD UNIVERSITY Bellarmine Museum

Carol Damian, Director [email protected]

FLORIDA INTERNATIONAL UNIVERSITY The Wolfsonian-FIU Miami Beach, Florida The Wolfsonian-FIU in Miami Beach, Florida, was an independent museum of art, design, decorative arts, and architecture until 1997. It now is part of the fast-growing Florida International University in Miami. Founded in 1986, the museum is housed in a restored building in the historic Art Deco District. It has a collection of over 120,000 artworks and artifacts primarily from North America and Europe, dating largely from 1885-1945; a 15,000-square foot exhibit area; a 40,000-volume library with rare books and periodicals; and an extensive educational program.

Fairfield, Connecticut

Bellarmine Museum, Fairfield University, 1073 N. Benson Rd., Fairfield, CT 06824. Phone: 203/254-4000, Ext. 2215. Fax: 203/249-5513. E-mail: [email protected]. Web site: www.fairfieldc.edu/museum. Hours: 1-4 Mon.- Fri.; closed Sat.-Sun. and national holidays. Admission: free.

The diverse international collection includes furniture, industrial design objects, ceramics, glass, ceramics, metalwork, architectural drawings, paintings, fine art prints, posters, textiles, rare books, periodicals, and medals, primarily from the United States, Great Britain, Germany, Italy, Russia, and the Netherlands. The collection, exhibits, and programs focus on how art and design shape and reflect the human experience. The museum’s permanent exhibit, Art and Design in the Modern Age, presents an overview of the museum’s holdings from the late nineteenth to the mid-twentieth century. Such topics as nationalism, political persuasion, industrialization, consumerism, advertising, and world’s fairs are addressed in the museum.

Jill J. Deupi, Director [email protected]

The Wolfsonian-FIU, Florida International University, 1001 Washington Ave., Miami Beach, FL 331-5017. Phones:

The Bellarmine Museum is a new small art museum that opened in 2010 at Fairfield University in Fairfield, Connecticut. It is the home of the university’s collection of paintings, works on paper, decorative arts, and sculpture. Exhibitions of artworks from the collection, as well as contemporary artists and other sources, are presented in the 450-square-foot gallery.

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FLORIDA STATE UNIVERSITY 305/531-1001 and 305/535-2617. Fax: 305/531-2133. E-mail: [email protected]. Web site: www.wolfsonian.org. Hours: mid-Sept.-Apr.-10-4 Tues.-Sat.; closed Sun.-Mon., New Year’s Day, and Thanksgiving; May-mid-Sept.-12-6 Thurs., 12-9 Fri., 12-6 Sat.-Sun.; closed Mon.-Wed. and Independence Day. Admission: adults, $7; seniors, students, and children 6-12, $5; children under 6, free; free admission 6-9 on Fri. Cathy Leff, Director

FLORIDA STATE UNIVERSITY Museum of Fine Arts Tallahassee, Florida The Florida State University Museum of Fine Arts in Tallahassee was founded in 1950 to expand public understanding of art today and the past and to serve as a teaching instrument in art instruction. It now has a collection of nearly 4,000 objects with works in almost every medium, ranging from pre-Columbian pottery to contemporary art. The collection contains a significant number of works on paper, including prints from such artists as Rembrandt and Pablo Picasso, and such other art as European, Asian, Peruvian, and contemporary art. Highlights of the collection are shown in long-term exhibits and changing exhibitions that include works by artists, faculty, and students and from the collection and loan and traveling exhibitions. The annual attendance exceeds 36,500.

build a Florentine-style museum with 21 galleries, which they called the John and Mable Ringling Museum of Art. When John Ringling died in 1936, he bequeathed the mansion and estate to the people of the state of Florida. For nearly 10 years after Ringling’s death, the art museum was operated irregularly and without professional maintenance by the government. In 2000, the state of Florida transferred the management of the property to Florida State University and then provided $49.5 million for new buildings with the provision that the Ringling board raise $50 million in endowment funds within five years. By 2007, the funds were raised and all the existing buildings were restored and four new structures were added, including a learning center, visitors’ pavilion, education/conservation building, and a new wing for the museum. The John and Mable Ringling Museum of Art now is one of the largest university museum complexes in the nation. In addition to the museum’s facilities, it includes the 56-room mansion filled with art and original furnishings, which the Ringlings called Ca d’Zan; two circus museums with extensive circus artifacts and memorabilia (see separate listing); the historic Asolo Theater, which has daily performances; a 70,00-volume library; and three gardens and grounds that are treated as works of art.

The museum’s collection includes nearly 14,000 objects of European, American, and Asian art, consisting of Old Masters paintings from the Renaissance through the nineteenth century, including Venetian Baroque and Rubens; American paintings, sculpture, prints, drawings, and photographs; arFlorida State University Museum of Fine Arts, 250 Fine chaeological materials from Cyprus and the ancient MediArts Bldg., Tallahassee, FL 32306-1140 (postal address: 530 terranean; Asian art; and decorative arts. Many of the W. Call St., PO Box 3061140, Tallahassee, FL 32306-1140) collection works are on display in the museum’s many galPhones: 850/644-6836 and 850/644-1254. Fax: leries, which also have special exhibitions from the collec850/644-7229. E-mail: [email protected]. Web sites: tion and elsewhere. The annual attendance is 360,000. mofa.fsu.edu. Hours: 9-4 Mon.-Fri., 1-4 Sat.-Sun.; closed major holidays and Sat.-Sun. in May-Aug. Admission: free. John and Mable Ringling Museum of Art, 5401 Bay Shore Rd., Sarasota, FL 34243-2161. Phones: 941/359-5700 and Allys Palladino-Craig, Director/Editor-in-Chief, MoFA Press 941/351-1660. Fax: 941/359-7704. Web site: 850-644-1254 www.ringling.org. Hours: museum-10-5 Mon.-Wed. and [email protected] Fri.-Sun.; 10-8 Thurs.; closed New Year’s Day, Thanksgiving, and Christmas; grounds-9:30-6 daily. Admission: adults, $25; seniors, $20; military, teachers, students, FLORIDA STATE UNIVERSITY and children 6-17, $10; free admission on Mon.

John and Mable Ringling Museum of Art Sarasota, Florida John Ringling was one of five brothers who started their first circus in Baraboo, Wisconsin, in 1884 that later became the Ringling Bros. and Barnum & Bailey Circus. In 1911, he and his wife, Mable, purchased 20 acres of waterfront property in Sarasota, Florida, which became the winter home and headquarters of the circus. The couple built a Venetian Gothic mansion as their home in the mid-1920s and began collecting an art, which developed into a significant collection with works by Peter Paul Rubens, Velazquez, Poussin, van Dyck, and other Baroque masters and rare antiques from Cyprus. The collection became so large that they decided to

Steven High, Executive Director

FRAMINGHAM STATE COLLEGE Danforth Museum of Art Framingham, Massachusetts The Danforth Museum of Art in Framingham, Massachusetts, was founded by a group of residents in l975 and now is supported by the state and Framingham State College. The museum has a permanent collection of over 3,500 paintings, drawings, graphics, sculpture, and photographs, ranging from the eighteenth century to the present. It includes works by such artists as Gilbert Stuart, James McNeill Whistler, Albert Bierstadt, and Thomas Hart Benton. It presents exhibitions of contemporary art by established and

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Art Museums & Sculpture Gardens emerging artists, as well as the School of Boston Expressionism. The annual attendance is 30,000. Danforth Museum of Art, 123 Union Ave., Framingham, MA 01702-8291. Phones: 508/620-0937 and 508/620-0050. Fax: 508/872-5542. Web site: www.danfortmuseum.org. Hours: 12-5 Wed.-Thurs. and Sun., 10-5 Fri.-Sat.; closed Mon.-Tues. and major holidays. Admission: adults, $10; seniors and students, $8; children under 12, free. Kathryn Frenche, Director 508-620-0050

FRANKLIN AND MARSHALL COLLEGE Phillips Museum of Art Lancaster, Pennsylvania The Phillips Museum of Art at Franklin and Marshall College in Lancaster, Pennsylvania, seeks to foster an understanding and appreciation of the contemporary, historical, and multicultural arts. Founded in 2000, it has three galleries in the Steinman College Center. The museum presents exhibitions of visiting artists and curated, traveling, and rotating exhibits from its permanent collection The collection includes works by such European artists as Rembrandt, Goya, Cezanne, and Dali; paintings by Benjamin West, Jacob Eichholtz, Thomas Scully, Caroline Peart, Lloyd Mifflin, and Thomas Moran; and prints and photographs by Keith Haring, Fritz Scholder, Robert Indiana, Chaim Gross, Elliot Erwitt, Manuel Bravo, and Eliot Porter. Annual attendance is 5,000.

the Healy House. A collection of over 12,000 prints are housed in the Lauinger Library, which displays prints in rotating exhibitions in the Charles Marvin Fairchild Memorial Gallery. Other works from the collection are located in administrative offices around the campus. Georgetown University Art Collection, 107 Healy Hall, 3700 O St., N.W., Washington, DC 20057-1174 (postal address: Lauinger Library Special Collections, 5th Floor, Georgetown University, 3700 0 St. N.W., Washington, DC 20057-1174). Phone: 202/687-1469. Fax: 202/687-7501. E-mail: [email protected]. Web site: www.library.georgetown.edu/special-collections/art. Hours: Hours: Healy Hall-call for hours; Lauinger Library-9-5:30 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. LuLen Walker, Curator 202-687-1469 [email protected]

GEORGIA COLLEGE AND STATE UNIVERSITY Museum of Fine Arts Milledgeville, Georgia

Paintings, prints, and mixed media cover the walls of Georgia College and State University’s new Museum of Fine Arts in Milledgeville. The works are part of a diverse collection of more than two centuries of artworks from around the world. The museum, opened in 2009, is located in the 1935 Phillips Museum of Art, Franklin and Marshall College, 700 former Napier-Underwood Greek-Revival home in the Milledgeville’s historic district. College Ave., PO Box 3003, Lancaster, PA 17604-3003. Phone: 717/91-3879. Fax: 717/358-4441. E-mail: Museum of Fine Arts, Georgia College and State University, [email protected]. Web site: 102 S. Columbia Sts., Milledgeville, GA 31061 (postal adwww.fandm.edu/phillipsmuseum. Hours: dress: Dept. of Art, Georgia College and State University, Sept.-mid-May-11:30-4:30 Tues.-Fri., 12:30-4:30 Sat.-Sun. Campus Box 94, Milledgeville, GA 31061). Phone: (and 4:30-6:30 on 1st Fri. in Sept.-Dec. and Feb.-May); 478/445-4572. Web site: www.gcsu.edu/art/mofa.htm. closed Mon., mid-May-Aug., and college holidays and Hours: by appointment; closed college holidays and breaks. breaks. Admission: free. Admission: free. Eliza J. Reilly, Director 717-358-4662 [email protected]

GEORGETOWN UNIVERSITY Georgetown University Art Collection Washington, District of Columbia Highlights of the Georgetown University Art Collection in Washington, District of Columbia, are exhibited in the 1879 Healy House, but some works are displayed in other campus buildings because of the lack of space. The diverse collection, which began in 1789, consists of paintings, prints, antique furnishings, sculpture, and objects of art, with the more than 500 paintings being strong in the Baroque period, nineteenth-century American art, portraitures, and works of religious significance. Artworks ranging from a thirteenth-century church carving of The Education of the Virgin to the monumental Call of St. Matthew by Luca Giordano are on permanent display at

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Bill Fisher, GCSU Art Department 478-445-4572 [email protected]

GLENDALE COMMUNITY COLLEGE Glendale Community College Art Collection Glendale, Arizona Glendale Community College in Glendale, Arizona, has a collection of more than 500 paintings, drawings, prints, sculpture, photographs, and ceramic artworks in the campus library. Selections are displayed in changing exhibitions. Exhibitions of works by area artists also are displayed in the Student Union and outdoor sculptures can be seen throughout the campus. Glendale Community College Art Collection, Library, 6000 W. Olive, Glendale, AZ 85302-3090. Phone: 623/845-3755. Hours: sept.-May-7 a.m.-10 p.m. Mon.-Thurs., 7-5 Fri.-Sat.; closed Sun. and major holidays; June-Aug.-7-a.m.-9 p.m.

GONZAGA UNIVERSITY Mon.-Thurs., 12-5 Sun.; closed Fri.-Sat. and Independence Day. Admission: free. Richard Merrill, Chair, GCC Art & Photography Dept. [email protected]

GONZAGA UNIVERSITY Jundt Art Museum Spokane, Washington The Jundt Art Museum, founded in 1995 at Gonzaga University in Spokane, Washington, mounts exhibitions from the university’s art collections and presents changing traveling exhibitions. It includes the Jundt Art Galleries, a 2,800-square-foot gallery; Arcade Gallery, a 1,280-square-foot lobby exhibit space; and the Chancellor’s Room, a 1,450-square-foot exhibition lounge. It also has a Print Study Room. The collections contain paintings, prints, glass art, bronze sculptures, ceramics, tapestries, and photographs, which are rotated periodically from storage to exhibition areas. The annual attendance is 25,000.

for Hillstrom until he retired in 1982. The collection includes the works of such American artists as Birger Sandzen, Robert Henri, Grant Wood, Edward Hopper, John Singer Sargent, and Winslow Homer, as well as a number of European works by artists like Albrecht Durer and Georges Rouault. The museum, which has 3,900 square feet of exhibit space, also presents exhibitions by regional, national, and international artists; faculty; and students. Annual attendance is 5,300. Hillstrom Museum of Art, Gustavus Adolphus College, C. Charles Jackson Campus Center, 800 W. College Ave., St. Peter, MN 56082-1485. Phones: 507/933-7200 and 507/933-7171. Fax: 507/933-7205. E-mail: [email protected]. Web site: www.gustavus.edu/finearts/hillstroim. Hours: 9-4 Mon.-Fri., 1-5 Sat.-Sun.; closed college holidays and breaks. Admission: free. Don Myers, Director and Senior Curator 507-933-7171 [email protected]

Jundt Art Museum, Gonzaga University, 502 E. Boone Ave., HARVARD UNIVERSITY Spokane, WA 99258. Phone: 509/313-6611. Fax: Harvard Art Museums 509/313-5525. E-mail: [email protected]. Web Cambridge, Massachusetts site: www.gonzaga.edu. Hours: Set.-May-10-4 Mon.-Fri., Harvard Art Museum at Harvard University in Cambridge, 12-4 Sat.; closed Sun. and university holidays; Massachusetts, is one of the nation’s great university art muJune-Aug.-call for hours. Admission: free. seum centers. It actually consists of three museums-Fogg J. Scott Patnode, Director/Curator 509-313-3890 Museum, Busch-Reisinger Museum, and Arthur M. Sacker [email protected] Museum-each with its own distinctive history, collections, and exhibits (see separate listings). All together, they are known as the Harvard Art Museum, have more than 200,000 GOVERNORS STATE UNIVERSITY square feet, over 250,000 objects in collections, and an annual attendance of 108,000. The Center for Conservation Nathan Manilow Sculpture Park and Technical Studies, which provides professional care in University Park, Illinois the conservation of artistic and historical works and trains The Nathan Manilow Sculpture Park at Governers State conservators, also is part of the museum. University in University Park, Illinois, features a collection Harvard Art Museum, 32 Quincy St., Cambridge, MA of 27 contemporary works set within the prairie swales of the campus. The park was founded in 1969 by Chicago real 02138-3845. Phone: 617/495-9400. Web site: estate developer and art collector for whom it is named. An- www.harvardartmuseum.org. Hours: 10-5 Mon.-Sat., 1-5 Sun. Admission: adults, $9; seniors, $7; college stuidents, nual attendance is 15,000. $6; children under 18 and Harvard students with one guest, Nathan Manilow Sculpture Park, Governors State Univerfree. sity, 1 University Pkwy., University Park, IL 60484-3165. Thomas Lentz, Elizabeth and John Moors Cabot Director of the Phone: 708/534-4486. Fax: 708/534-8399. E-mail: Harvard University Art [email protected]. Web site: www.govst.edu./sculpture. Hours: dawn-dusk daily. Admission: free. Geoff Bates, Director and Curator

GUSTAVUS ADOLPHUS COLLEGE Hillstrom Museum of Art St. Peter, Minnesota The Hillstrom Museum of Art at Gustavus Adolphus College in St. Peter, Minnesota, was founded in 2000, but the college collection that now is featured in many of the exhibitions was started in 1940 by the Rev. Richard L. Hillstrom. Collecting artworks became a life-long passion

HARVARD UNIVERSITY Fogg Art Museum Cambridge, Massachusetts Fogg Art Museum was the first of the Harvard art museums. It opened in 1895 after receiving a $220,000 bequest from Mrs. William Haynes Fogg in 1891. It originally housed mostly reproductions, but the content and mission were changed dramatically under the leadership of its first two directors, Edward Forbes and Paul Sacks. They saw the museum as a laboratory for fine arts with original works of the highest quality that could be used in training professions in

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Art Museums & Sculpture Gardens the rapidly expanding new field of art museum administration. The application of science to the study of art and art conservation also began under Forbes with the founding of the Center for Conservation and Technical Studies.

and Islamic art, and has one of the world’s most important collections of ancient Chinese jades, rare groups of Persian and Indian miniatures, Japanese prints and ceramics, Roman portrait sculpture, and Greek vases.

The Fogg Art Museum specializes in the art of Europe and North America in all media from the Middle Ages to the present. It has one of the finest collections of paintings, particularly in early Italian Renaissance, nineteenth-century French and British works, and American paintings. It includes important works by such artists as Degas, Picasso, Renoir, Monet, C‚zanne, Rembrandt, Van Gogh, Poussin, Whistler, Copley, Kandinsky, Rothko, Pollock, and Stella. Among the other collections are one of the largest and best print collections, especially Old Masters; drawings from the fourteenth century to the present; a sculpture collection with significant French and Spanish Roman terracotta pieces and more.

The museum’s greatest strength is in Chinese art. In addition to its superb collection of Chinese jade, it has such items as ritual bronze vessels, ceremonial weapons, mirrors, chariot fittings, stone and gilt bronze sculptures, clay bodhisattva, rhinoceros-horn carvings, wall paint fragments from Tun-Haung, Liang-chu culture pottery, late Ming enameled porcelains, and paintings that include 30 masterworks. The ancient art collection includes Greek, Roman, Etruscan, Egyptian, and Near Eastern works, such as vases, stone sculptures, metalwork, terra-cottas, glass, glypties, wood, ivory, and bone. The Islamic and later Indian art consists mostly of works on paper, primarily from seventeenth-century Iran, Ottoman Empire and later Turkey.

Thomas Lentz, Director 617-495-2378

HARVARD UNIVERSITY Busch-Reisinger Museum Cambridge, Massachusetts The Busch-Reisinger Museum is the only museum in North America devoted to the arts of the German-speaking countries of central and northern Europe in all media and from all periods. It was founded in 1903 as the Germanic Museum through the efforts of Kuno Francke, a professor of German literature at Harvard, and operated as a branch of the Germanic Language Department. It became part of the Harvard Art Museum in 1930, was renamed the Busch-Reisinger Museum in 1950 in honor of the St. Louis families who largely provided its support, and moved to its present location in 1991. The museum’s holdings include more than 40,000 works of art that range from the seventh century to the present. The museum developed one of the leading collections of modern art from Germany, Austria, Switzerland, and related cultures in the mid-twentieth century. Today, especially important holdings include late nineteenth-century paintings, art of the Austrian secession, German expressionism, 1920s abstraction, and material relating to the Bauhaus. The museum also has such other works as late medieval, Renaissance, and Baroque sculpture; sixteenth-century paintings; eighteenth-century porcelain; modern paintings; and postwar and contemporary art from German-speaking Europe. Thomas Lentz, Director 617-495-2378

The Sackler Museum also has a Teaching Museum, with installations that accompany undergraduate courses in the Department of History of Art and Architecture. The museum, located at 485 Broadway, also mounted an exhibition of works from all three Harvard art museums after the building at 312 Quincy Street, housing the Fogg and Busch-Reisinger museums, was closed in 2008 for major renovation. It was the first time that artworks from the three museums have been shown together. Thomas Lentz, Director 617-495-2378

HOFSTRA UNIVERSITY Hofstra University Museum Hempstead, New York Hofstra University Museum in Hempstead, New York, is a decentralized art museum with five separate facilities-two art galleries, an exhibition hall, an outdoor sculpture collection, and an arboretum. The museum began in 1963 as the Emily Lowe Gallery and became formalized as the Hofstra University Museum in the 1980s. The Lowe Gallery in Emily Lowe Hall remains the focus of the museum’s program, housing the museum’s offices and many of the exhibitions. Exhibitions also are presented in the David Filderman Gallery and Rochelle and Irwin A. Lowenfeld Exhibition Hall in the Joan and Donald E. Axinn Library on the South Campus. The other two parts of the museum are an outdoor sculpture garden with more than 75 pieces scattered over the university’s 240-acre campus, and the university’s arboretum.

The museum has a permanent collection of approximately 5,000 works of art in varied media dating from ancient times to the contemporary period. The collection includes AmeriCambridge, Massachusetts can paintings, sculpture, prints, drawings, and photographs from the nineteenth and twentieth centuries; Asian paintings The Arthur M. Sackler Museum is the newest of the Harvard University’s art museums, opening in 1985 in a modern and sculpture; and African, Oceanic, and pre-Columbian sculpture. The outdoor sculpture collection is the largest on limestone and porcelain building near the Fogg Art Museum. It houses the university’s collection of ancient, Asian, any college or university campus. The exhibitions feature

HARVARD UNIVERSITY Arthur M. Sackler Museum

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HOLLINS UNIVERSITY selections from the collection and works of artists. The annual attendance is 14,000. Hofstra University Museum, Emily Lowe Hall, 112 Hofstra University, Hempstead, NY 11549-1120. Phone: 516/463-5672. Fax: 516/463-4743. E-mai: [email protected]. Web site: www.hofstra.edu/museum. Hours: 10-5 Tues.-Fri., 1-5 Sat.-Sun.; closed Mon. and university holidays and breaks. Admission: free. Beth E Levinthal, Executive Director

www.hcc.commnet.edu/artmuseum/index.html. Hours: Sept.-May-8:30-5:30 Mon.-Wed. and Fri., 8:30-7 Thurs., 9-3 Sat., 12-4 Sun.; closed college holidays and breaks; June-Aug.-8:30-5:30 Mon.-Wed. and Fri., 8:30-7 Thurs.; closed Sat.-Sun. and Independence Day. Admission: free. Robbin Zella, Director 203-332-5052

INDIANA UNIVERSITY Art Museum Bloomington, Indiana

HOLLINS UNIVERSITY Eleanor D. Wilson Museum

Works of art from virtually every corner of the globe can be found in the permanent collection and galleries of Indiana University Art Museum in Bloomington. Established in Roanoke, Virginia 1941, the museum has grown from a small teaching collecThe Eleanor D. Wilson Museum at Hollins University in tion into one of the major university art museums in the naRoanoke, Virginia, is named for a chemistry graduate who tion. It is housed in an exceptional 1982 building designed became an accomplished Broadway actress, received a Tony by I. M. Pei & Partners without a single right angle, except Award nomination, and became a major supporter of the for some stairs. All the walls, corners, and ceilings meet museum. Founded in 1964 and renamed in 2004, the mueach other at some angle other than 90 degrees. seum has three interconnected galleries in 4,000 square feet of exhibit space in the Richard Wetherill Visual Arts Center The museum has over 40,000 objects in its collection, which and a permanent collection of modern and contemporary consists of such items as ancient Egyptian, Greek, and Ropaintings, prints, and photographs. Most of the exhibitions man sculpture, vases, jewelry, glass, and coins; fourteenthare from the collections and artists. Annual attendance is through twenty-first-century European and American paint11,500. ings, sculpture, prints, drawings, decorative arts, and photographs (including paintings by artists like Claude Monet and Eleanor D. Wilson Museum, Hollins University, Richard Pablo Picasso); and pre-Columbian, African, Oceanic, JapaWetherill Visual Arts Center, 8009 Fishburn Dr., PO Box nese, Chinese, and South East Asian paintings, sculpture, 9679, Roanoke, VA 24020-1679. Phone: 540/362-6532. Fax: prints, ceramics, and decorative arts. Works from the collec540/362-6694. E-mail: [email protected]. Web tion, artists, loans, and traveling exhibitions are displayed in site: www.hollins.edu/museum. Hours: 10-4 Tues.-Fri., 1-5 the galleries. The annual attendance is over 40,000. Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free. Indiana University Art Museum, 1133 E. 7th St., Bloomington, IN 47405-7509. Phone: 812/855-5445. Fax: Amy Moorefield, Director 812/855-1023. E-mail: [email protected]. Web site: www.artmuseum.iu.edu. Hours: 10-5 Tues.-Sat., 12-5 Sun.; closed Mon. and major holidays. Admission: free.

HOUSATONIC COMMUNITY COLLEGE Housatonic Museum of Art

Adelheid Gealt, Director 812-855-1039 [email protected]

Bridgeport, Connecticut The Housatonic Community College in Bridgeport, Connecticut, has one of the nation’s most significant art collections at a two-year college. The Housatonic Museum of Art, founded in 1967, has a collection of nineteenth- and twentieth-century European and American art; contemporary Connecticut and Latin American art; and ethnographic artifacts from Africa, Asia, and the South Pacific. The collection was accumulated by the late Burt Chemow, founder and director of the museum and for whom the Burt Galleries are named. The collection includes the works of such artists as Pablo Picasso, Henri Matisse, Auguste Rodin, Joan Miro, Marc Chagall, Mary Cassatt, Ansel Adams, Andy Warhol, Roy Lichtenstein, Jean Dubuffet, and Claes Oldenburg. Annual attendance is 7,500. Housatonic Museum of Art, Housatonic Community College, 900 Lafayette Blvd., Bridgeport, CT 06604-4704. Phone: 203/332-5052. Fax: 203/332-5123. E-mail: [email protected]. Web site:

INDIANA UNIVERSITY OF PENNSYLVANIA Art Museum Indiana, Pennsylvania The University Museum at Indiana University of Pennsylvania in the city of Indiana is an art/history museum in historic John Sutton Hall, a National Historic Landmark site. Founded in 1981, the museum has a collection of nineteenth- and twentieth-century American art, folk art, Inuit Indian sculptures, American Indian artifacts, and 185 paintings and drawings by Milton Bancroft. It mounts exhibitions by established and emerging artists, students, and from the collection. Annual attendance is 8,000. University Museum, Indiana, Indiana University of Pennsylvania, 111 Sutton Hall, 1011 South Dr., Indiana, PA 15705. Phone: 724/357-2397. Fax: 724/357-7778. E-mail:

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Art Museums & Sculpture Gardens [email protected]. Web site: www.iup.edu/museum. Hours: 2-6:30 Tues.-Wed. and Fri., 12-7:30 Thurs., 12-4 Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free.

11-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Lynette Pohlman, Director and Chief Curator 515-294-3342 [email protected]

Michael Hood, Dean, IUP College of Fine Arts

IOWA STATE UNIVERSITY Brunnier Art Museum Ames, Iowa The Brunnier Art Museum at Iowa State University in Ames emphasizes the decorative arts. Founded in 1975, the museum is named for benefactors Henry J. Brunnier and his wife, Ann, who donated an extensive collection of ceramics, glass, ivory, jade, enameled metals, and dolls. The museum’s permanent collection also contains such other objects as paintings, prints, sculpture, textiles, carpets, wood objects, lacquered pieces, silver, and furniture. Eight to 12 exhibitions are offered each year from the collection, traveling exhibitions, and other sources. The museum is one of the five facilities that are part of the University Museums program at Iowa State. It receives 15,000 visitors annually.

IOWA STATE UNIVERSITY Elizabeth and Byron Anderson Sculpture Garden Ames, Iowa The Elizabeth and Byron Anderson Sculpture Garden at Iowa State University in Ames presents changing exhibitions on a two-year cycle from the university’s permanent collection and on loan from contemporary sculptors. Selections from the collection sometimes are mounted to compliment and contrast with changing exhibitions in the adjacent Christian Petersen Art Museum. The sculpture garden was founded in 2007 by the Andersons, who developed an interest in the visual arts while students when Petersen was artist-in-residence and sculptor on the campus. Elizabeth and Byron Anderson Sculpture Garden, Iowa State University, 290 Scheman Bldg., Ames, IA 50011. Phone: 515/294-3342. Fax: 515/294-3342. E-mail: acioneQiastte.edu. Web site: www.museums.iastate.edu/asg. Hours: open 24 hours. Admission: free.

Brunnier Art Museum, Iowa State University, University Museums, 290 Scheman Bldg., Ames, IA 50011-1110. Phone and fax: 515/294-3342. E-mail: [email protected]. Lynette Pohlman, Director and Chief Curator 515-294-3342 Web site: www.museums.iastate.edu. Hours: 11-4 Tues.-Fri., [email protected] 1-4 Sat.-Sun.; closed Mon. and university holidays and breaks. Admission: free. Lynette Pohlman, Director and Chief Curator 515-294-3342 [email protected]

JACKSONVILLE UNIVERSITY Alexander Brest Museum and Gallery Jacksonville, Florida

IOWA STATE UNIVERSITY Christian Petersen Art Museum Ames, Iowa The Christian Petersen Art Museum is the newest addition to the five-part University Museums program at Iowa State University in Ames. Founded in 2007, it is named for the nation’s first permanent campus artist-in-residence, who sculpted and taught at Iowa State in 1934-55. The museum, located in historic and restored Morrill Hall, has a collection of twentieth-century and contemporary art and works by Petersen. As part of the University Museums, it also houses the Art on Campus, Virtual Literacy and Learning, and Contemporary Changing Art Exhibition programs. The Elizabeth and Byron Anderson Sculpture Garden also is located south of Morrill Hall. The Petersen Museum has 5,060 square feet of exhibit space devoted to long-term and changing exhibitions. Annual attendance is 15,000. Christian Petersen Art Museum, Iowa State University, Morrill Hall, Ames, IA 50011 (postal address: University Museums, Iowa State University, 290 Scheman Bldg., Ames, IA 50011-1110). Phone: 515/294-9500. Fax: 515/294-3342. Web site: www.museums.iastate.edu. Hours:

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The Alexander Brest Museum and Gallery, founded in 1977 at Jacksonville University in Jacksonville, Florida, features decorative arts. It has an impressive collection that includes antique carved ivory, Steuben and Tiffany glass, Boehm porcelains, Chinese porcelain and cloisonne, Persian rugs, and pre-Columbian art and artifacts. Long-term exhibits and changing exhibitions are presented in 4,250 square feet of gallery space. The museum, named for its primary benefactor, is located in the Phillips Fine Arts Building and has an annual attendance of 12,000. Alexander Brest Museum and Gallery, Jacksonville University, Phillips Fine Arts Bldg., 2800 University Blvd., Jacksonville, FL 32211-3321. Phone: 904/256-7374. Fax: 904/256-7375. Hours: 9-4:30 Mon.-Fri., 12-5 Sat.; closed Sun. and major holidays. Admission: free. Dana Chapman, Chair, JU Dept of Visual Arts

JOHNSON COUNTY COMMUNITY COLLEGE JOHNSON COUNTY COMMUNITY COLLEGE Nerman Museum of Contemporary Art

KALAMAZOO INSTITUTE OF ART Kalamazoo Institute of Art Museum

Overland Park, Kansas

The Kalamazoo Institute of Art in Kalamazoo, Michigan, is an art museum with a community art school. Founded in 1977, the museum has a permanent collection, changing exhibitions, and an interactive gallery. The collection includes American paintings, European and American prints and photographs, and pre-Columbian gold. From 10 to 15 exhibitions of many different styles and periods are presented each year in the museum’s five galleries, drawing 109,000 viewers.

The Johnson County Community College in Overland Park, Kansas, has one of the largest art museums for a community college. The Nerman Museum of Contemporary Art occupies a 41,000-square-foot building with nine galleries totaling 12,000 square feet of exhibit space for the college/museum permanent collection and temporary exhibitions. The museum, named for Jerry and Margaret Nerman, major donors and art collectors, opened in 2007, succeeding the college’s Gallery of Art, established in 1990. The museum displays works from the Oppenheimer Collection and presents 16 exhibitions each year featuring regional, national, and international artists. Annual attendance is 100,000. The college also has an outdoor sculpture collection and exhibits contemporary American Indian and Latino art in the Regnier Center (adjacent to the Nerman Museum) and other works throughout the campus. Nerman Museum of Contemporary Art, Johnson County Community College, 12345 College Blvd., Overland Park, KS 66210-1283. Phone: 913/469-3000. Fax: 913/469-2148. E-mail: [email protected]. Web site: www.nermanmuseum.org. Hours: 10-5 Tues.-Thurs. and Sat., 10-9 Fri., 12-5 Sun.; closed Mon. and major holidays. Admission: free. Bruce Hartman, Director 913-469-8500 [email protected]

Kalamazoo, Michigan

Kalamazoo Institute of Art Museum, 314 S. Park St., Kalamazoo, MI 49007-5102. Phone: 269/349-7775, Ext. 3001. Fax: 269/349-9313. E-mail: [email protected]. Web site: www.kiarts.org. Hours: 10-5 Tues.-Sat., 12-5 Sun.; closed Mon. and major holidays. Admission: free. James Bridenstone, Executive Director, KIA

KANSAS STATE UNIVERSITY Marianna Kisler Beach Museum of Art Manhattan, Kansas After collecting and displaying works of art in campus public spaces and offices since 1928, Kansas State University in Manhattan established the Marianna Kisler Beach Museum of Art in 1996 to house and exhibit the collection. The 26,000-square-foot museum, named for a leading contributor, now collects, maintains, and displays the collection, which features paintings and prints of Kansas and the Mountain Plains region.

JUNIATA COLLEGE Museum of Art

Among the collection holdings are works by such artists as Thomas Hart Benton, John Steuart Curry, Birger Sandzen, Huntington, Pennsylvania Grant Wood, John Noble, Henry Varnum Poor, and William The Juniata College Museum of Art in Huntington, Pennsyl- Dickerson, as well as photographer Gordon Parks. Selecvania, displays the works from the college collection, artists, tions from the collection, artists, loans, and traveling exhibistudents, loans, and traveling exhibitions. Founded in 1998, tions are presented in the four galleries of the museum’s the museum has 2,000 square feet of exhibit space in the 10,600 square feet of exhibit space. Annual attendance is historic 1906 former Carnegie Library building. The collec- 28,500. tion features American and European paintings, drawings, and prints from the seventeenth through twentieth centuries, Marianne Kistler Beach Museum of Art, Kansas State University, 701 Beach Lane, Manhattan, KS 66506-0601. with the emphasis on the Hudson River School and AmeriPhone: 785/532-7718. Fax: 783/532-7498. E-mail: can portrait miniatures. Annual attendance is 2,000. [email protected]. Web site: www.beach.k-state.edu. Hours: Juniata College Museum of Art, Moore and 17th Sts., Hun- 10-5 Wed.-Sat., 12-5 Sun.; closed Mon.-Tues. and major tington, PA 16652. Phone: 814/641-3505. Fax: holidays. Admission: free. 814/641-3607. E-mail: [email protected]. Web site: Lorne E. Render, Director www.juniata.edu/services/museum. Hours: Sept.-Apr.-10-4 [email protected] Mon.-Fri., 12-4 Sat.; closed Sun. and college holidays and breaks; May-Aug.-12-4 Wed.-Sat.; closed Sun.-Tues., Memorial Day weekend, and Independence Day. Admission: free. LAMAR UNIVERSITY Judith Maloney, Director 814-641-2691 [email protected]

Dishman Art Museum Beaumont, Texas The Dishman Art Museum at Lamar University in Beaumont, Texas, functions as a teaching facility that offers

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Art Museums & Sculpture Gardens diverse styles that reflect international trends and the works of students and faculty. The museum, which opened in 1983, has a collection that includes tribal art, such as masks and shields from Africa and New Guinea; nineteenth-century paintings and porcelains; and contemporary paintings and prints. Exhibitions are presented in three galleries. One gallery features paintings, porcelains, and other art objects from the collection, while changing exhibitions-such as solo and group showings by contemporary artists and showings by faculty, senior art students, and artists in residence-are displayed in the other two galleries. The museum also hosts a national competition (the Dishman Competition) and high school scholarship exhibitions. Annual attendance is 4,000.

from its permanent collection and subjects ranging from antiquity to contemporary art. The museum opened in 1988 in the student union complex that had served as an art gallery since 1973. It has a collection of American abstract paintings and contemporary prints, European prints, contemporary photography, Asian art, Persian bronze and Islamic glass, African art, Hellenistic/Etruscan/Roman objects, and pre-Columbian artifacts. The annual attendance is 15,000.

Hillwood Art Museum, Long Island University, C. W. Post Campus, Student Union, 720 Northern Blvd., Brookville, NY 11548-1300. Phone: 516/299-4073. Fax: 516/299-2787. E-mail: [email protected]. Web site: www.liu.edu/museum. Hours: Sept.-May-9:30-4:30 Dishman Art Museum, Lamar University, 1030 E. Lavaca, Beaumont, TX 77705 (postal address: PO Box 10027, Beau- Mon.-Wed. and Fri., 9:30-8 Thurs., 11-3 Sat.; closed Sun., early July-Aug., and major holidays: June-early mont, TX 77710-0027). Phone: 409/880-8959. Fax: 409/880-1799. E-mail: [email protected]. Hours: July-9:30-4:30 Mon.-Fri.; closed Sat.-Sun. and Independ8-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admis- ence Day. Admission: free. sion: free. Barbara Applegate, Director 516-299-4073

Jessica Dandona, Director [email protected]

LEHIGH UNIVERSITY Gallery/Museum

LONGWOOD COLLEGE Longwood Center for the Visual Arts Farmville, Virginia

The Longwood Center for the Visual Arts is a 20,000-square-foot exhibition center at Longwood College Lehigh University Art Galleries/Museum in Bethlehem, in Farmville, Virginia. Founded in 1971, the arts center has Pennsylvania, has 12 exhibition sites on three campuses and four galleries that feature works from its permanent collecan art collection of over 9,000 objects. Approximately 20 tion and solo and group exhibitions by nationally known artexhibitions are presented each year in six galleries in addition to on-going garden displays of sculpture at six sites.The ists. The college, which has been collecting art for more than 100 years, also exhibits portions of the collection in evgalleries include the Zoellner Arts Center Main and Lower galleries, Dubois Gallery in Maginnes Hall, and Girdler Stu- ery academic building and has an outdoor sculpture prodent Gallery at University Center on the Main Campus, and gram. The museum collection consists of nineteenth-century American art, African and Chinese art, regional crafts, and Ralph Wilson Study Gallery and Open Storage Facility on contemporary art by Virginia artists. Annual attendance is the Mountaintop Campus. The Muriel and Philip Berman Sculpture Gardens contain 13 outdoor works, displayed 35,000. along Memorial Walkway and in three courtyards on the Longwood Center for the Visual Arts, Longwood College, Main Campus and also at sites on the Mountaintop and Murray H. Goodman Campus. The galleries/museum has an 129 N. Main St., Farmville, VA 23901-1305. Phone: annual attendance of 5,400. 434/395-2206. Fax: 434/392-6441. Web site: www.longwood.edu/lcva. Hours: 11-5 Mon.-Sat; closed Sun.-Mon. Lehigh University Art Galleries/Museum, Zoellner Arts and college holidays and breaks. Admission: free. Center, 420 E. Packer Ave., Bethlehem, PA 18015-3010. Phone: 610/758-3615. Fax: 610/758-4580. E-mail: Kathy Johnson Bowles, Director 434-395-2206 [email protected] [email protected]. Web site: www.luag.org. Hours: varies with galleries; closed university and national holidays. Admission: free.

Bethlehem, Pennsylvania

Ricardo Viera, Director/Curator 610-758-3619 [email protected]

LOUISIANA STATE UNIVERSITY Louisiana State University Museum of Art Baton Rouge, Louisiana

The Louisiana Sate University Museum of Art in Baton Rogue opened in 2005 in the Shaw Center for the Arts. The museum succeeded the Anglo-American Art Museum, Brookville, New York which was founded in 1960 and opened in the Memorial Hillwood Art Museum, located on the C. W. Post Campus of Tower in 1962. The museum resulted from a 1959 generous gift from an anonymous donor who wanted to show the BritLong Island University in Brookville, New York, offers a ish and continental influences on early American art and year-round schedule of exhibitions that feature selections

LONG ISLAND UNIVERSITY Hillwood Art Museum

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LUTHER COLLEGE culture in the South. The museum collection and exhibits now are more diverse.

African sculpture; ancient Greek terra-cotta vessels; Tanagra figurines; and pre-Columbian terra-cotta vessels. In addition to changing exhibitions, the museum exhibits paintings, The collection includes eighteenth- twentieth-century Amer- drawings, and sculpture from the Renaissance to the present ican and European ceramics, drawings, and paintings, Euro- in a series of period rooms in Olney Hall on the university’s pean, American, and Asian art; American contemporary art; main campus. Annual attendance is nearly 5,400. Chinese jade; Newcomb College ceramics; regional silver; and other decorative arts, fine arts, prints, sculpture, and La Salle University Art Museum, Olney Hall, 1900 W. photographs. The museum presents long-term exhibits from Olney Ave., Philadelphia, PA 19141-1199. Phone: the collection, as well as changing temporary exhibitions. 215/951-1221. Fax: 215/951-5096. E-mail: Attendance is 32,500. [email protected]. Web site: www.lasalle.edu/museum. Hours: mid-Aug.-early June-10-4 Mon.-Fri., 2-4 Sun.; Louisiana State University Museum of Art, Shaw Center for closed Sat. and major holidays; early June-mid-Aug.-9-5 the Arts, 100 Lafayette St., Baton Rouge, LA 70801-1201. Mon.-Thurs.; closed Fri.-Sun, and Independence Day. AdPhone: 225/389-7200. Fax: 225/389-7219. E-mail: mission: free. [email protected]. Web site: www.lsu.edu/lsumoa. Hours: 10-4 Tues.-Wed. and Fri.-Sat. 10-8 Thurs., 1-5 Sun.; closed Klare Scarborough, Director and Chief Curator [email protected] Mon., New Year’s Day, Mardi Gras, Easter, Thanksgiving, and Christmas Eve and Day. Admission: adults, $8; seniors and LSU faculty, staff, and students, $6; children 5-17, $4; children under 5, free. LaGRANGE COLLEGE Tom Livesay, Director

Lamar Dodd Art Center Museum LaGrange, Georgia

LUTHER COLLEGE Fine Arts Collection Decorah, Iowa The Luther College Fine Arts Collection in Decorah, Iowa, has over 1,500 arworks dating from 500 b.c. to the present. The focus, however, is on twentieth-century art, including works by such artists as California potter Marguerite Wildenhain, German Expressionist Gerhard Marcks, New York artist Frans Wildenhain, and Norwegian-American artist Herbjorn Gausta. Among the other works in the collection are pre-Columbian pottery, Panamanian ceramics, and Inuit sculpture. The collection is housed in Preus Library, where temporary, student, and traveling exhibitions are presented in a 2,265-square-foot gallery. Annual attendance is 10,000. Luther College Fine Arts Collection, Preus Library, 700 College Dr., Decorah, IA 52101-1045. Phones: 563/387-1300 and 800/258-1195. Fax: 563/387-1657. E-mail: [email protected]. Web site: www.finearts.luther.edu. Hours: 8 a.m.-10 p.m. Mon.-Fri., 9-5 Sat., 12-10 Sun.; closed college holidays. Admission: free.

The Lamar Dodd Art Center at LaGrange College in LaGrange, Georgia, was founded in 1982 by a grant from the Callaway Foundation and named in honor of Lamar Dodd, Georgia’s celebrated artist who took his first formal art class at the college. Among the facilities in the 32,000-square-foot center is a visual arts museum, which has a collection of Dodd’s paintings and drawings, Plains and Southwest Indian art, twentieth-century photographs, and works by such artists as Rembrandt, Houdon, Picasso, Dali, Moore, DeKooning, and Rauschenberg. Varied exhibitions are presented from the collection, visiting artists, and elsewhere. In addition, the museum has an annual exhibition of work by senior art students and co-sponsors a biennial national juried art exhibition. The museum’s annual attendance is 20,000. Lamar Dodd Art Center Museum, LaGrange College, Lamar Dodd Art Center, 302 Forrest Ave., LaGrange, GA 30240 (postal address: 601 Broad St., LaGrange, GA 30240-2955). Phone: 706/880-8211. Fax: 706/880-8007. E-mail: [email protected]. Web site: www.lagrange.edu/academics/art/lamar-dodd.htm. Hours: Jan.-May and Sept.-Nov.-8:30-4:30 Mon.-Fri.; closed Sat.-Sun., June-Aug., Dec., and major holidays. Admission: free.

Kate Elliott, Curator 563-387-1300 [email protected]

Marcia Brown, Chair, LaGrange College Art & Design Dept. 706-880-8325 [email protected]

La SALLE UNIVERSITY Art Museum

MARQUETTE UNIVERSITY Patrick and Beatrice Haggerty Museum of Art

Philadelphia, Pennsylvania

Milwaukee, Wisconsin

What began as a modest study collection in 1966 developed into the La Salle University Art Museum in Philadelphia in 1976. The museum now has a collection of fifteenth- to twentieth-century European and American paintings, drawings, watercolors, prints, and sculpture; Japanese prints;

The Patrick and Beatrice Haggerty Museum of Art at Marquette University in Milwaukee, Wisconsin, opened in 1984 to house the university’s art collection, formerly located in a 1955 gallery in the library. The collection, which began 1869, now contains more than 4,500 works, many of

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Art Museums & Sculpture Gardens a religious nature. The collection includes European and American paintings from the fifteenth to twentieth centuries; Old Masters prints; works by major twentieth-century international artists; modern paintings, prints, drawings, and photographs; decorative arts; and Asian and African art. The artists represented range from Rembrandt, Durer, and Piranesi to Salvador Dali, Andy Warhol, Marc Chagall, Helen Frankenthaler, and Robert Rauschenberg.

MICHIGAN STATE UNIVERSITY Kresge Art Museum East Lansing, Michigan

Objects spanning 5,000 years of human history are featured at the Kresge Art Museum at Michigan State University in East Lansing. They are part of the university’s permanent collection of over 7,500 artworks with a diversity of style, The 20,000-square-foot museum, named for its benefactors, technique, and media, ranging from ancient Cycladic figures to contemporary mixed media installations. They include has five galleries with 8,000 square feet of exhibit space. The museum displays long-term exhibits from its collections Greek, Roman, and Egyptian artifacts, medieval and Renaissance illuminations, and European and American paintings, and special exhibitions that feature works from the univerprints, and sculptures that document the intellectual and arsity and other collections, artists, and traveling exhibitions. tistic development of Western civilization, as well as art and Among the highlights are Dali’s Madonna at Port Lligat, artifacts from African, Asian, and Islamic cultures that proChagall’s Bible Series, and Keith Haring’s construction vide insight into non-Western history, beliefs, and artistic fence mural. The museum’s annual attendance is 16,000. traditions. Patrick and Beatrice Haggerty Museum of Art, Marquette In addition to long-term exhibits from the collection, the University, 13th and Clybourn Sts., Milwaukee, WI 53233 museum curates temporary shows and schedules traveling (postal address: PO Box 1881, Milwaukee, WI exhibitions that explore historical, cultural, and contempo53201-1881). Phones: 414/288-1669 and 414/288-7290. rary themes. The museum, which was founded in 1959, also Fax: 414/288-5415. E-mail: [email protected]. presents exhibitions by bachelor and master of fine arts stuWeb site: www.marquette.edu/haggerty. Hours: 10-4:30 dents. The collection is being moved to the new Eli and Mon.-Sat., 12-5 Sun.; closed some major holidays. AdmisEdythe Broad Art Museum, which will focus on modern and sion: free. contemporary art when it opens in 2012 (see separate listWally Mason, Director

MIAMI UNIVERSITY Miami University Art Museum Oxford, Ohio

ing). But the Kresge Art Museum, which has an annual attendance of 25,000, will continue to use the collection. Kresge Art Museum, Michigan State University, Kresge Art Center, Auditorium Rd., East Lansing, MI 48824-1312. Phone: 517/353-9834. Fax: 517/355-6577. E-mail: [email protected]. Web site: www.artmuseum.msu.edu. Hours: Labor Day-May-10-5 Mon.-Wed. and Fri., 10-8 Thurs., 12-5 Sat.-Sun.; closed Easter, Memorial Day, Thanksgiving, and Christmas-New Year’s; June-July-11-5 Tues.-Fri., 12-5 Sat.-Sun.; closed Mon., Independence Day, and Aug. Admission: free.

The Miami University Art Museum in Oxford, Ohio, has an extensive permanent collection and five galleries that feature changing exhibitions. The museum, founded in 1978, has nineteenth- and twentieth-century American and European paintings, sculpture, works on paper, and decorative April Kingsley, Curator 517-353-9835 arts; contemporary American folk art and outsider art; international folk art and textiles; and ancient, Islamic, Native American, Chinese, Oceanic, and pre-Columbian works. The university also has an outdoor sculpture garden contain- MICHIGAN STATE UNIVERSITY ing nine works. Eli and Edythe Broad Art Museum Such artists as Albrecht Durer, Paul Gauguin, James Abbott McNeill Whistler, Henri de Toulouse-Lautrec, Pablo Picasso, Claes Oldenburg, Marc Chagall, Le Corbusier, and Andy Warhol are represented in the museum collection. Exhibits are mounted from the collection and special exhibitions are presented of works by artists and faculty, as well as loan and traveling exhibitions. Annual attendance is 30,000. Miami University Art Museum, 801 S. Patterson Ave., Oxford, OH 45056-3435. Phone: 513/529-2232. Fax: 513/529-1541. E-mail: [email protected]. Web site: www.muohio.edu/artmuseum. Hours: 10-5 Tues.-Fri., 12-5 Sat.; closed Sun.-Mon. and national and university holidays. Admission: free. Robert S. Wicks, Director 513-529-2238 [email protected]

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East Lansing, Michigan The Eli and Edyte Broad Art Museum is a new Michigan State University museum focusing on modern and contemporary art museum (post1945) that will be opening in 2012 on the campus in East Lansing. A 40,000-square-foot building is under construction to house the $30-million museum designed by Zaha Hadid at Grand River Avenue at the Collingwood Entrance. It is named for philanthropist and museum alumnus Eli Broad and his wife, Edyte, who made a gift of $28 million, with $21 million designated for construction and $7 million for acquisitions, exhibitions, and operations. The museum will be the new home for the university’s art collection, currently at the Kresge Art Museum, and will display selections from the collection. In addition, it will have an outdoor sculpture garden and more than 18,000

MIDDLEBURY COLLEGE square feet of gallery space for special exhibitions, modern and contemporary art, new media, photography, and works on paper.

Web site: www.millikin.edu/birks. Hours: Sept.-May-1-4 daily; closed June-Aug. and major holidays. Admission: free.

Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI 48824. Web site: www.broadmuseum.msu.edu. Hours and admission still to be determined.

Ed Walker, Chair, Milliken University Art Department [email protected]

Michael Rush, Founding Director

MILLS COLLEGE Mills College Art Museum Oakland, California

MIDDLEBURY COLLEGE Museum of Art Middlebury, Vermont The Middlebury College Museum of Art, which began as an art gallery on the campus in Middlebury, Vermont, in 1968, opened in 1992 as part of the new Mahaney Center for the Arts, which also houses music, dance, and theater facilities. The museum has a collection of several thousand objects that include Asian art, nineteenth-century European and American sculpture, contemporary art, and photography, and maintains the college’s collection of 19 works of outdoor sculpture around the campus. It mounts six to eight temporary exhibitions from its collection and loan and traveling shows, as well as long-term collection exhibits, in its 5,200 square feet of exhibit space. Annual attendance is nearly 18,500. Middlebury College Museum of Art, Mahaney Center for the Arts, Middlebury, VT 05753-6177. Phones: 802/443-5235 and 802/443-5007. Fax: 802/443-2069. E-mail: [email protected]. Web site: www.museum.middlebury.edu. Hours: Sept.-mid-Aug.-10-5 Tues.-Fri., 12-5 Sat.-Sun.; closed Mon., last 2 weeks in Aug., Christmas week, and New Year’s Eve and Day. Admission: free. Richard Saunders, Director 802-443-5235 [email protected]

The Mills College Art Museum in Oakland, California, began as an art gallery in 1925 and became an important center for visual arts on the West Coast. It is known for being a center for art that focuses on the creative work of women as artists and curators. The museum has a collection of over 8,000 works that include international prints and drawings; California regionalist paintings; twentieth-century American ceramics; Asian and Latin American textiles; Japanese ceramics; and contemporary photography and new media. The museum has 6,000 square feet of gallery space in the Aron Art Center. It exhibits selections from its collection and presents exhibitions of contemporary works by established and emerging national and international artists, as well as art of historical importance and annual senior and MFA student shows. Annual attendance is over 10,000. Mills College Art Museum, Aron Art Center, 5000 MacArthur Blvd., Oakland, CA 94613-1302. Phone: 510/430-2164. Fax: 510/430-3168. E-mail: [email protected]. Web site: www.mills.edu/campus_life/art_museum. Hours: 11-4 Tues. and Thurs.-Sun., 11-7:30 Wed.; closed Mon. and major holidays. Admission: free. Stephanie Hanor, Director [email protected]

MOREHEAD STATE UNIVERSITY Kentucky Folk Art Center Morehead, Kentucky

MILLIKIN UNIVERSITY Birks Museum

The Kentucky Folk Art Center at Morehead State University in Morehead seeks to preserve and promote a broader understanding of contemporary folk art. The center began as the Decatur, Illinois university’s folk art collection in 1985, was housed in two The Birks Museum at Millikin University in Decatur, Illion-campus locations, and then moved into its permanent nois, resulted from the love of decorative arts by two sisters, home in Morehead’s First Street Arts District in 1997. The Florence Birks, a home economics teacher, and Jenna Birks, center has a collection of over 1,300 works by regional folk a Disciples of Christ minister. The sisters, who were gradu- artists that includes visual art, traditional music, storytelling, ates of the university, donated approximately 1,300 decora- literature, dance, and crafts. Five exhibitions are presented tive arts they had collected in their travels, researched, and each year in the center’s 5,000 square feet of exhibit space, endowed for a museum. The museum collection now inranging from folk art, such as textiles and found assemcludes American and European decorative arts; seventeenth- blages, to contextually related subject matter, such as reto twentieth-century ceramics and glass from Europe, Amer- gional history and food traditions. Annual attendance is ica, and China; and university memorabilia. The museum, 8,000. which opened in 1981 in Gorin Hall, has an annual attenKentucky Folk Art Center, Morehead State University, 102 dance of 1,700. W 1st St., Morehead, KY 40351-1723’ Phone: Birks Museum, Millikin University, Gorin Hall, 1184 W. 606/283-2204. Fax: 606/783-5034. E-mail: Main St., Decatur, IL 62522-2039. Phone: 217/424-6337. [email protected]. Web site: www.kyfolkart.org. Fax: 217/424-3992. E-mail: [email protected]. Hours: 9-5 Mon.-Sat.; closed Sun. Admission: adults and

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Art Museums & Sculpture Gardens children over 11, $3; seniors, $2; MSU students and children www.nebrwesleyan.edu. Hours: 10-4 Tues.-Fri., 1-4 under 12, free. Sat.-Sun.; closed Mon. and university holidays and breaks. Admission: free. Matt Collingsworth, Director 606-783-5153 [email protected]

MOUNT HOLYOKE COLLEGE Art Museum South Hadley, Massachusetts Founded in 1876, the Mount Holyoke College Art Museum in South Hadley, Massachusetts, was one of the first collegiate art museums in the United States. The first gift to the museum at its founding was Albert Bierstadt’s Hetch Hetchy Canyon majestic painting. The museum now has over 15,000 objects, ranging from ancient Egypt, China, and Peru to contemporary America-which are used by faculty and students studying art, history, chemistry, French, anthropology, philosophy, religion, and other disciplines. The collection contains art of all periods, with concentrations in ancient, medieval, Renaissance, Asian, and American art, as well as prints, drawings, and photographs. Selected works from the collection are displayed in the museum’s 10 galleries and reception hall on a rotating basis. The museum also produces two to four special exhibitions each year, sometimes scheduling loan or traveling exhibitions from other institutions. The annual attendance is over 11,000. Mount Holyoke College Art Museum, Lower Lake Rd., South Hadley, MA 01075-1499. Phone: 413/538-2245. Fax: 413/538-2144. E-mail: [email protected]. Web site: www.mtholyoke.edu. Hours: 11-5 Tues.-Fri., 1-5 Sat.-Sun.; closed Mon. and university holidays and breaks. Admission: free. John Stomberg, Director

NEBRASKA WESLEYAN UNIVERSITY Elder Art Gallery Lincoln, Nebraska The Elder Art Gallery is a museum in the Rogers Center for the Arts at Nebraska Wesleyan University in Lincoln, Nebraska. It houses the university’s permanent collection and exhibits student, faculty, and invitational and juried selections from national and international artists. Student work also is displayed in Kepler Gallery, which lines the main entryway in Lucas Hall. Elder Art Gallery, founded in 1965, has several shows each semester. The university’s collection includes works by such artists as Matisse, Utrillo, Rouault, Chagall, Le Brun, Biddle, Baskin, and Arp. The gallery’s annual attendance is 1,500. Elder Art Gallery, Nebraska Wesleyan University, Rogers Center for the Arts, 50th St. and Huntington Ave., Lincoln, NE 68504-2230 (postal address: Art Dept., Nebraska Wesleyan University, 5000 St. Paul Ave., Lincoln, NE 68504-2760. Phones: 402/466-2371 and 402/465-2273. Fax: 402/465-2179. E-mail: [email protected]. Web site:

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Donald Paoletta, Chair, NWU Department of Art 402-465-2272 [email protected]

NEW YORK STATE COLLEGE OF CERAMICS AT ALFRED UNIVERSITY Schein-Joseph International Museum of Ceramic Art Alfred, New York The Schein-Joseph International Museum of Ceramic Art began in the early 1900s as a small study museum where the ceramic works of students and faculty members could be shown. It was started by Charles Fergus Binns, the founding director of what then was called the New York State School of Clay-Working and Ceramics (now the New York State College of Ceramics at Alfred University) in Alfred, New York. In 1991, the museum became the Museum of Ceramic Art at Alfred, celebrating American ceramics within the broader context of worldwide ceramic creativity and history. The museum’s present name, given in 1999, is in honor of board member and donor Pamela Joseph and her late husband, Jay Schein, a 1962 graduate and board member. The museum, a teaching and research facility, has nearly 8,000 ceramic and glass objects in its collections, ranging from small pottery shards from ancient civilizations and contemporary sculpture and installation pieces to advanced ceramics on the cutting edge of ceramic technology. It includes graduate thesis ceramics by Alfred-educated ceramic artists as well as works by internationally recognized ceramic artists. Exhibitions by ceramic artists and graduate students and from the collections are presented in a temporary 1,500-square-foot gallery in Binns-Merrill Hall. Annual attendance is 2,600. Schein-Joseph International Museum of Ceramic Art, New York State College of Ceramics at Alfred University, 259 Binns-Merrill Hall, Alfred, NY 14802 (postal address: 2 Pine St., Alfred, NY 14802-1214). Phone: 607/871-2421. Fax: 607/871-2615. E-mail: [email protected]. Web site: www.ceramicsmuseum.alfred.edu. Hours: 10-4 Wed.-Fri.; closed Sat.-Tues. and university holidays and breaks. Adminssion: free. Linda E. Jones, Associate Vice President for Statutory Affairs

NEW YORK UNIVERSITY Grey Art Gallery New York, New York The Grey Art Gallery is an art museum at New York University in New York City’s Greenwich Village that emphasizes art’s historical, cultural, and social contexts. It was founded in 1975 and named for its benefactor, Mrs. Abby Weed Grey. The museum is located in NYU’s Silver Center, the site where the university’s first art museum, the A. E.

NIAGARA UNIVERSITY Gallatin’s Museum of Living Art, was located from 1927 to 1942. The university was the first in the nation to exhibit the NORTH CAROLINA STATE UNIVERSITY works of such artists as Picasso, Leger, Miro, Mondrian, Gregg Museum of Art and Design Arp, and members of the American Abstract Artists group. Raleigh, North Carolina The Grey Art Gallery has a collection of approximately 6,000 objects, consisting primarily of late-nineteenth- and twentieth-century works, ranging from Pablo Picasso’s monumental public sculpture, Bust of Sylvette, to a 1952 Joseph Cornell box, Chocolat Menier. The collection’s greatest strength is American painting from the 1940s to the present, with European prints and modern Asian and Middle Eastern art also being well represented. Exhibitions organized by the museum encompass all aspects of the visual arts. The museum also produces and hosts traveling exhibitions. Annual attendance is 25,000. Grey Art Gallery, New York University, Silver Center, 100 Washington Sq. East, New York, NY 10003-6688. Phone: 212/998-6780. Fax: 212/995-4024. E-mail: [email protected]. Web site: www.nyu.edu/greyart. Hours: 11-6 Tues. and Thurs.-Fri., 11-8 Wed., 11-5 Sat.; closed Sun.-Mon. and major holidays. Admission: $3 suggested donation; NYU students, faculty, staff, free. Lynn Gumpert, Director

NIAGARA UNIVERSITY Castellani Art Museum Niagara University, New York The Castellani Art Museum was founded in 1978 at Niagara University in western New York State after Dr. Armand J. Castellani began an art collection in 1976 to encourage the study and love of art and improving cultural understanding among students and the public. The collection has been enlarged to over 5,600 artworks through continued contributions from the Castellani family and others. It now includes works of nineteenth-and twentieth-century European and American artists such as Daumier, Gullaumin, Bierstadt, Utrillo, Picasso, and Dali; mid-twentieth-century artists like Motherwell, DeKooning, Nevelson, and Rauschenberg; and more recent contemporary artists such as Basquiat, Rothenberg, and Borofsky. The museum features works from the collection and contemporary art, folk arts, and other exhibitions in its 4,200 square feet of galleries. Annual attendance is 20,000. Castellani Art Museum Niagara University, PO Box 1938, Niagara University, NY 14109-1938. Phone: 716/286-8200. Fax: 716/286-8229. E-mail: [email protected]. Web site: www.castellaniamuseum.org. Hours: 11-5 Tues.-Sat., 1-5 Sun.; closed Mon. and university holidays and breaks. Admission: free. Kate Koperski, Director [email protected]

The Gregg Museum of Art and Design at North Carolina State University in Raleigh exhibits exemplary hand- and machine-made objects to foster learning and understanding of the cultures of North Carolina and the world. The museum, founded in 1979 and located in the Talley Student Center, has a collection of over 20,000 textiles, ceramics, outsider/folk art, photographs, glass, sculpture, and modern furniture. Objects from the collection are displayed in cases in the Student Center, and a number of temporary exhibitions are developed each year by the museum staff or obtained from other institutions. Annual attendance is 36,500. The university also has a Crafts Center in Frank Thompson Hall that presents crafts exhibitions. Gregg Museum of Art and Design, North Carolina State University, Talley Student Center, 2610 Cates Ave., Box 7306, Raleigh, NC 27695. Phone: 919/515-3503. Fax: 919/515-6163. E-mail: [email protected]. Web site: www.ncsu.edu/gregg. Hours: 12-8 Wed-Fri., 2-8 Sat.-Sun.; closed Mon.-Tues. and university holidays and breaks. Admission: free. Roger Manley, Director 919-515-6162 [email protected]

NORTHERN ARIZONA UNIVERSITY NAU Art Museum Flagstaff, Arizona The diversity of voices, media, themes, and creative impulses at work in today’s art are featured at the NAU Art Museum at Arizona Northern University in Flagstaff. The museum, founded in 1961 and housed in historic Old Main, presents four to six exhibitions each year of modern and contemporary art by local, national, and international artists. It also displays works from the historic collection of the estate of the late Marguerite Hettel Weiss, an educator and collector of fine art. The Weiss Collection contains paintings and sculpture by such artists as Philip C. Curtis and Francisco Zuniga, as well as turn-of-the-twentieth-century American furniture and antiques. The museum’s permanent collection also has lithographs, paintings, etchings, ceramics, textiles, and sculpture, including works by such artists as Joan Miro, Pablo Picasso, Ben Goo, and Salvador Dali. The annual attendance is 40,000. NAU Art Museum, Northern Arizona University, Old Main, Knoles and McMullen Circle, PO Box 6021, Flagstaff, AZ 86011-6021. Phone: 928/523-3471. Fax: 928/523-1424. E-mail: [email protected]. Web site: www4.nau.edu/art_museum. Hours: 12-5 Tues.-Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free. George V. Speer, Director

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Art Museums & Sculpture Gardens NORTHERN MICHIGAN UNIVERSITY DeVos Art Museum

NORTHWESTERN UNIVERSITY Mary and Leigh Block Museum of Art

Marquette, Michigan

Evanston, Illinois

The DeVos Art Museum opened in a new building on the Northern Michigan University campus in Marquette in 2005. The museum, endowed by the DeVos Foundation of Grand Rapids, is part of the School of Art and Design and serves as a regional art museum for the Upper Peninsula of Michigan. It grew out of Lee Hall Gallery, which was established in 1975 as a department gallery for student and faculty art and became the University Art Museum by 1995. The museum now includes changing exhibitions of regional, national, and international contemporary art and has a collection of over 1,000 objects. The annual attendance has grown to 10,000.

The Mary and Leigh Block Museum of Art at Northwestern University in Evanston, Illinois, began in 1980 as a gallery funded by art collectors Mary and Leigh Block. The gallery was devoted to temporary exhibitions, but it quickly began to expand its programming and build a collection with the transfer of artworks donated by the Blocks to the university, other gifts, and purchases. As a result, the gallery became a museum of reproducible art forms in 1998 and opened in a new building in 2000.

Dennos Museum Center

David Alan Robertson, Ellen Philips Katz Director 847-491-2562 [email protected]

The museum now has a collection of approximately 4,000 artworks, primarily prints and photographs, and devotes one of its galleries to works from the collection and three galleries to such changing exhibitions to works on paper, video, DeVos Art Museum, Northern Michigan University, 1401 computer-mediated art, and film from artists and traveling Presque Isle Ave., Marquette, MI 49855-5305. Phone: exhibitions. The museum, which has an annual attendance 906/227-1481. Fax: 906/2272276. E-mail: of 35,000, also offers lectures, symposia, workshops with mmatusca@nmu,edu. Web site: www.art.nmu.edu/devosartmuseum. Hours: 10-5 Mon.-Wed. artists and scholars, and classic and contemporary films. and Fri., 12-8 Thurs., 1-4 Sat.-Sun.; closed New Year’s Eve Mary and Leigh Block Museum of Art, Northwestern Uniand Day, Memorial Day, Independence Day, and Christmas versity, 40 Arts Circle Dr., Evanston, IL 60208-2410. Phone: week. Admission: free. 847/491-4001. Fax: 847/491-2261. E-mail: [email protected]. Web site: Melissa Matuscak, Director and Curator 906-227-1481 [email protected] www.blockmuseum.northwestern.edu. Hours: late Sept.-May-10-5 Tues. and Sat.-Sun., 10-8 Wed.-Fri.; closed Mon., early to late Sept., and mid-Dec. to mid-Jan. AdmisNORTHWESTERN MICHIGAN COLLEGE sion: free.

Traverse City, Michigan The Dennos Museum Center at Northwestern Michigan College in Traverse City offers an array of exhibitions and programs in the arts, sciences, and performing arts. The museum, which opened in 1991, has three exhibition galleries covering 8,000 square feet, a sculpture court, and a permanent collection of over 2,000 works. Over half of the collection consists of Inuit prints and sculpture. Other holdings include contemporary works by Michigan artists, nineteenth- and twentieth-century American and European graphic art, eighteenth- and nineteenth-century Japanese prints, and twentieth-century Great Lakes and Canadian Indian art. The museum has an Inuit Gallery and an Interactive Discovery Gallery and presents exhibitions from the collection, artists, loans, and traveling exhibitions. Annual attendance is 60,000. Dennos Museum Center, Northwestern Michigan College, 1701 E. Front St., Traverse City, MI 49680-3016. Phone: 31/995-1055. Fax: 231/995-1597. E-mail: [email protected]. Web site: www.dennosmuseum.org. Hours: 10-5 Mon.-Wed. and Fri.-Sat., 10-8 Thurs., 1-5 Sun.; closed major holidays. Admission: adults and seniors, $6; students and children, $4; families, $20. Eugene A. Jenneman, Executive Director

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OAKTON COMMUNITY COLLEGE Koehnline Museum of Art Des Plaines, Illinois Oakton Community College’s Koehnline Museum of Art exhibits works from its collection of modern and contemporary art at the college’s campuses in Des Plaines and Skokie, Illinois. The collection features paintings and sculpture mostly by Chicago and Illinois artists and graphic art by such artists as Alexander Calder, Salvador Dali, Jean Dubuffet, Fernand Leger, Juan Miro, Robert Motherwell, Claes Oldenberg, Georges Rousault, and Antony Tapies. The college has a sculpture park at both locations. Koehnline Museum of Art, Oakton Community College, 1600 E. Golf Rd., Des Plaines, IL 60016-1234. Phone: 847/635-2633. Fax: 847/635-1764. E-mail: [email protected]. Web site: www.oakton.edu/museum. Hours: Sept.-May-10-6 Mon.-Fri., 11-4 Sat.; closed Sun. and major holidays; June-Aug.-10-7 Mon.-Thurs.; closed Fri.-Sun. Admission: free Nathan Harpaz, Manager and Curator [email protected]

OBERLIN COLLEGE OBERLIN COLLEGE Allen Memorial Art Museum Oberlin, Ohio The Allen Memorial Art Museum at Oberlin College in Oberlin, Ohio, was the first college art museum west of the Alleghenies, opening in 1917 with funding from Dr. Dudley Peter Allen, a distinguished 1875 graduate and trustee. It is located in an Italian Renaissance-style building, which has had two additions. The museum has an impressive collection of nearly 14,000 works of art, including paintings, sculpture, decorative arts, prints, drawings, and photographs. The collection is especially strong in European and American paintings and sculpture from the fifteenth century to the present. It also has important holdings of Asian paintings, scrolls, sculpture, and decorative arts and such other art as African, pre-Columbian, and ancient art. Artworks from the collection are featured in the museum’s galleries, which also display other staff-curated and loan exhibitions. Annual attendance is over 22,500. The museum still occupies the original Cass Gilbert-designed Italian Renaissance-style building, which has had two additions. In addition, it contains an 82,000-volume library, a print study room, and the Eva Hess Archives, which includes the artist’s notebooks, diaries, letters, and photographs. The museum also oversees, with the Art Department, the 1949 Welzheimer/Johnson House that is a Frank Lloyd Wright Usonian House. The restored structure is used as a guesthouse for the Art Department and the museum and is open to the public for tours and program. Allen Memorial Art Museum, Oberlin College, 87 N. Main St., Oberlin, OH 44074-1161. Phone: 440/774-8665. Fax: 440/t5-6841. E-mail: [email protected]. Web site: www.oberlin.edu/amam. Hours: 10-5 Tues.-Sat., 1-5 Sun.; closed Mon. and major holidays. Admission: free. Stephanie Wiles, John G. W. Cowles Director

OGLETHORPE UNIVERSITY Museum of Art Atlanta, Georgia The Oglethorpe University Museum of Art occupies 7,000 square feet on the third floor of the Philip Weltner Library on the campus in Atlanta, Georgia. Half of the space is devoted to exhibits, which feature selections from a permanent collection and exhibitions of nationally and internationally recognized artists. The museum, which opened in 1993, evolved out of an art gallery founded in 1984. The collection includes paintings, sculpture, prints, and photographs-many of which originated with exhibitions. Annual attendance is 10,000.

mas-New Year’s week. Admission: adults, $5; children under 12, free. Lloyd Nick, Director 404-364-8559

OHIO UNIVERSITY Kennedy Museum of Art Athens, Ohio The Kennedy Museum of Art at Ohio University is located in historic Lin Hall on the campus in Athens. It was founded in 1993 and named for benefactors Edwin I. and Ruth E. Kennedy. The museum collection contains the Kennedy Collection of Southwest Native American textiles and jewelry, American paintings and sculpture, contemporary prints, photographs, ceramics, and non-Western art. The museum presents exhibitions from the collection, artists, and traveling exhibitions. The annual attendance is 10,000. Kennedy Museum of Art, Ohio University Lin Hall, East Circle Dr., Athens, OH 45701-2979. Phone: 740/593-1304. Fax: 740/593-1305. E-mail: [email protected]. Web site: www.ohio.edu/museum. Hours: Sept.-May-10-5 Tues.-Wed. and Fri., 10-8 Thurs., 1-5 Sat.-Sun.; closed Mon.; June-Aug.-12-5 Tues.-Wed. and Fri., 12-8 Thurs., 1-5 Sat.-Sun.; closed Mon. Admission: free. Edward E. Pauley, Director 740-597-1811 [email protected]

OTTERBEIN UNIVERSITY Frank Museum of Art Westerville, Ohio The Frank Museum of Art at Otterbein College is located in a 1877 former church building in Westerville, Ohio. Lillian Frank, who taught at the college for 29 years in the areas of art, theology, and philosophy, and her husband, Paul, converted the Salem Evangelical Church into their home in 1956, and left the church house to the college for the creation of an art museum upon Lillian’s death in 1999. With contributed funds from alumni, faculty, and friends, the removed building opened as a 1,800-square-foot art museum named for Lillian Frank in 2004. The museum features the college’s collection of over 1,000 pieces of African and Asian art, mostly three-dimensional works. Frank Museum of Art, Otterbein College, Dept. of Art, 39 S. Vine St., Westerville, OH 43081. Phones: 614/818-9716 and 614/823-1792. Web site: www.otterbein.edu/art. Hours: Sept.-May-11-3 Wed.-Fri.; closed Sat.-Tues., June-Aug., and college holidays and breaks. Admission: free. Nicholas Hill, Chair, OC Department of Art 614-823-1258 [email protected]

Oglethrope University Museum of Art, Philip Weltner Library, 4484 Peachtree Rd., N.E., Atlanta, GA 30319-2797. Phone: 404/364-8555. Fax: 404/3648556. Hours: 12-5 Tues.-Sun.; closed Mon., major holidays, and Christ-

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Art Museums & Sculpture Gardens PALM BEACH COMMUNITY COLLEGE Palm Beach Community College Museum of Art Lake Worth, Florida The Palm Beach Community College Museum of Art in Lake Worth, Florida, features contemporary art. It is located in a renovated 1939 art deco building that was a movie theater and has a collection of glass, ceramics, and contemporary art. Palm Beach Community College Museum of Art, 601 Lake Ave., Lake Worth, FL 33460. Phone: 407/582-0006. Hours: 10-5 Tues.-Fri., 2-5 Sat.-Sun.; closed Mon and college holidays and breaks. Admission: free.

PENNSYLVANIA ACADEMY OF THE FINE ARTS Pennsylvania Academy of the Fine Arts Museum Philadelphia, Pennsylvania The Pennsylvania Academy of the Fine Arts in Philadelphia is the oldest art school and museum in the nation. The academy was founded in 1805 by painter/scientist Charles Wilson Peale, sculptor William Rush, and other artists and business leaders, and the museum opened in 1807. The museum had its first exhibition in 1811, consisting of over 500 paintings and statuary. The 1806 original academy/museum building was destroyed in an 1845 fire and replaced in 1876 with the Furness-Hewitt Building, now a National Historic Landmark. It still serves as the museum’s home. A special exhibition space, called the Fisher Brooks Gallery, also is located in an adjacent building-the Samuel M. V. Hamilton Building-which was acquired, renovated, and converted into an academy building in 2006. The museum has been collecting American art since its founding in 1805, and now has a permanent collection that includes one of the leading collections of American paintings, drawings, prints, and sculpture from the eighteenth to twentieth centuries. The works range from such colonial artists as Charles Wilson Peale, Robert Feke, John Singleton Copley, Benjamin West, and Gilbert Stuart to later artists like Thomas Eakins, Mary Cassatt, Winslow Homer, Edward Hopper, Robert Motherwell, and Richard Diebenkorn. The museum’s exhibitions range from historical to contemporary art, often from its collection, as well as works by contemporary regional artists and an annual display of art by American students. The annual attendance is nearly 38,000. Pennsylvania Academy of the Fine Arts Museum, Furness-Hewitt Bldg., 128 N. Broad St., Philadelphia, PA 19102-1424. Phones: 215/972-7600 and 215/972-7642. Faxes: 215/972-5564, 215/567-2429, and 215/569-0153. E-mil: [email protected]. Web site: www.pafa.org. Hours: 10-5 Tues.-Sat., 11-5 Sun.; closed Mon. and legal holidays. Ad-

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mission: adults, $10; seniors, students, and youth, 13-18, $8; children under 13, free. Harry Philbrick, Edna S. Tuttleman Director of the Museum 215-972-7606 [email protected]

PENNSYLVANIA STATE UNIVERSITY Palmer Museum of Art University Park, Pennsylvania Eight of the 11 galleries at the Palmer Museum of Art at Pennsylvania State University in University Park display art from the museum’s permanent collection of more than 6,000 works. The collection includes American and European paintings, drawings, prints, photographs, and sculpture; contemporary European and Japanese studio ceramics; Asian ceramics, jades, paintings, and prints; and objects from ancient European, African, and Near Eastern cultures. The museum, founded in 1972 and later named for donors James and Barbara Palmer, also has an outdoor sculpture court and mounts special exhibitions of works by recognized artists and from other collections. Annual attendance is 37,500. Palmer Museum of Art, Pennsylvania State University, Curtin Rd., University Park, PA 16802-2507. Phone: 814/865-7672. Fax: 814/863-8608. E-mail: [email protected]. Web site: www.palmermuseum.psu.edu. Hours: 10-4:30 Tues.-Sat., 12-4 Sun.; closed Mon., national holidays, and between Christmas and New Year’s Day. Admission: free. Jan Muhlert, Director 814-865-7673 [email protected]

PEPPERDINE UNIVERSITY Frederick R. Weisman Museum of Art Malibu, California The Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, California, is one of two art museums funded by and named for the California art collector, entrepreneur, and philanthropist in the 1990s. The Pepperdine museum was founded in 1992, while the University of Minnesota art museum established in 1934 was renamed for the Minnesota native in 1993 after funding its new stainless steel building (see separate listing). The Pepperdine University museum has a collection of twentieth-century American art and California contemporary works. It presents exhibitions from the collection, artists, and students in its 3,000 square feet of exhibit space. Annual attendance is 20,000. Frederick R. Weisman Museum of Art, Pepperdine University, Center for the Arts, 24255 Pacific Coast Hwy., Malibu, CA 90263-3999. Phone: 310/506-7257. Fax: 310/506-4556. E-mail: [email protected]. Web site: www.arts.pepperdine.edu/museum. Hours: 11-5 Tues.-Sun.; closed Mon. and major holidays. Admission: free. Michael Zakian, Director 310-506- 725 [email protected]

POMONA COLLEGE POMONA COLLEGE Museum of Art Claremont, California The Pomona College Museum of Art is housed in the Montgomery Art Center, named for the late trustee and civic leader Gladys K. Montgomery, on the campus in Claremont, California. Founded in 1958, the museum has an extensive permanent collection that includes the Kress Collection of fifteenth- and sixteenth-century Italian panel paintings; over 5,000 examples of pre-Columbian to twentieth-century American Indian art and artifacts; and a large collection of American and European prints, drawings, and photographs. The galleries feature works from the collection and exhibitions of historical and contemporary art and faculty and student shows. The annual attendance is nearly 8,500.

Fri.-Sat., 10 a.m.-10 p.m. Thurs., 1-5 Sun.; closed national holidays. Admission: free. James Christen Steward, Director

QUEENS COLLEGE, CITY UNIVERSITY OF NEW YORK Godwin-Ternbach Museum Flushing, New York

The Godwin-Ternbach Museum at Queens College, City College of New York, in Flushing was founded in 1981 by historian Frances Godwin and art restorer Joseph Ternbach. It presents long-term exhibits from the college’s permanent collection and special exhibitions of historical and contemporary significance. The collection, which began as a teachPomona College Museum of Art, Montgomery Art Gallery, ing collection in 1957, has over 3,500 objects, including 330 N. College Ave., Claremont, CA 91711-4401 (postal ad- ancient Near Eastern, Asian, Western, and contemporary art; graphics; paintings; prints; glass; and sculpture. The annual dress: 333 N. College Ave., Claremont, CA 91711-4429). attendance is 5,000. Phones: 909/621-8283 and 909/621-8000. Fax: 909/621-8989. Web site: www.pomona.edu/museum. Hours: Godwin-Terbach Museum, Queens College, City University Sept.-May-12-5 Tues.-Fri., 1-5 Sat.-Sun; closed Mon., of New York, 405 Klapper Hall, 65-30 Kissena Blvd., June-Aug., and college and national holidays. Admission: Flushing, NY 11367-1575. Phone: 718/997-4747. Fax: free. 718/997-4734. E-mail: [email protected]. Web site: Kathleen S. Howe, Sarah Rempel and Herbert S. Rempel ‘23 Director [email protected]

www.qc.cuny.edu/godwin_ternbach. Hours: 11-7 Mon.-Thurs., 11-5 Sat.; closed Fri., Sun., and university holidays and breaks. Admission: free. Amy Winter, Director & Curator

PRINCETON UNIVERSITY Art Museum Princeton, New Jersey The Princeton University Art Museum in Princeton, New Jersey, was founded in 1882 on the belief that the study of great original works of art was essential to higher education and the development of an enlightened society. The museum still occupies the original museum building erected in 1890, sharing McCormick Hall with the Department of Art and Archaeology and the Marquand Library. Its permanent collection has grown to over 72,000 works of art that range from ancient to contemporary art, including classical art; pre-Columbian, Chinese, African, European, and American paintings, prints, drawings, and sculpture; and European, American, and Japanese photographs.

RADFORD UNIVERSITY Art Museum Radford, Virginia

The Radford University Art Museum in Radford, Virginia, has two sites-in Powell Hall on the campus and the Bondurant Center for the Arts in downtown Radford. The museum, founded in 1985, has a collection of 1,200 works of art and more than 200 examples of student art. It has two galleries-the 2,000-square-foot Flossie Martin Gallery and a more intimate Gallery 205-in Powell Hall at the Covington Center, an outdoor sculpture court, and two satellite galleries in Muse and Tyler halls (see Art Galleries section) that display art of students and local artists. Works from the collection and special exhibitions of regional, national, and inHighlights of the collection are largely displayed chronolog- ternational artists are featured at both the main and ically and culturally on a rotating basis. A dozen special ex- downtown museum locations. Annual attendance is 17,400. hibitions of works from the collection, artists, and other Radford University Art Museum, 200 Powell Hall, PO Box sources are presented each year, along with lectures, art 6965, Radford, VA 24142-6965. Phone: 540/831-5754. Fax: talks, scholarly symposia, concerts, film screenings, and 540/83-6799. E-mail: [email protected]. Web site: other programs. Annual attendance exceeds 104,000. www.rumuseum.asp.radford.edu. Hours: campus Princeton University Art Museum, McCormick Hall, Prince- site-Sept.-Apr.: 10-5 Mon.-Fri., 12-4 Sat.-Sun.; closed university holidays and breaks; May-June: 10-4 Mon.-Fri., ton, NJ 08544-1018. Phones: 609/258-3788 and 12-4; closed Independence Day and July-Aug.; downtown 609/258-3760. Fax: 609/258-3610. E-mail: site (1129 E. Main St.)-10-5 Mon.-Fri, 12-4 Sat.; closed [email protected]. Web site: www.princetonartmuseum.org. Hours: 10-5 Tues.-Wed. and

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Art Museums & Sculpture Gardens Sun, late May-Aug., and university holidays and breaks. Ad- featuring contemporary art; and 2008 Chace Center, hosting mission: free. special exhibitions. Steve Arbury, Director 540-831-5475 [email protected]

RANDOLPH COLLEGE Maier Museum of Art Lynchburg, Virginia The Randolph College (formerly the Randolph-Macon Woman’s College) in Lynchburg, Virginia, began collecting art in 1920 and founded the Maier Museum of Art in 1952. The collection now includes several thousand paintings, prints, drawings, and photographs of American artists. The museum now features the works of the nineteenth and twentieth centuries in permanent exhibits and special exhibitions. Annual attendance is 7,200. Maier Museum of Art, Randolph College, 1 Quinlan St., Lynchburg, VA 24503-1519 (postal address: 2500Rivermont Ave., Lynchburg, VA 24503-1526. Phones: 434/947-8136 and 434/947-8000. Fax: 434/947-8726. E-mail: [email protected]. Web site: www.maiermuseum.org. Hours: late Aug.-late Apr.-1-5 Tues.-Sun.; closed Mon. and college holidays and breaks; late Apr.-late-Aug.-1-4 Wed.-Sun.; closed Mon.-Tues., Easter, and Independence Day. Admission: free. Martha Kjeseth Johnson, Director

RHODE ISLAND SCHOOL OF DESIGN Museum of Art Providence, Rhode Island The Rhode Island School of Design and its Museum of Art were founded in 1877 when the Rhode Island Women’s Centennial Commission voted to establish the school by allocating the $1,675 remaining from its funding for the Women’s Pavilion at the 1876 Centennial Exposition in Philadelphia. The museum was born when the school’s act of incorporation listed three objectives-instruction, career training, and the “general advancement of public art education by the collection of and exhibition of works of art.” Since then, the school has become one of the leading design schools in the nation and the museum a prominent center of fine and decorative art with a permanent collection of 84,000 objects, an extensive exhibition program, and an annual attendance of nearly 92,000. The museum, also known as the RISD Museum, now is composed of five buildings in the historic East Side of Providence. The first public galleries were created in 1893 in the Waterman Building, which today displays nineteenth-century American paintings and changing exhibitions. It was followed by the 1906 Pendleton House, the nation’s first wing devoted to exhibiting American decorative arts; 1926 Eliza G. Radeke Building, which houses the permanent collection galleries from Egyptian and ancient art to twentieth-century art and design; 1993 Daphne Farago Wing,

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The museum’s collection includes classical and medieval art; fifteenth- to twentieth-century painting, decorative arts, and sculpture; twentieth-century American art; eighteenthand nineteenth-century American furniture, silver, china, and decorative arts; modern Latin American art; eighteenth-century European porcelain; Oriental textiles and art; Japanese prints; and costumes, photographs, and contemporary art. It also has over 15,000 costumes, textiles, and related materials from antiquity to the present. Museum of Art, Rhode Island School of Design, 224 Benefit St., Providence, RI 02903-2723. Phones: 401/454-6502 and 401/454-6500. Fax: 401/454-6556. E-mail: museum.risd.edu. Web site: www.risdmuseum.org. Hours: 10-5 Tues.-Sun. (also open to 9 the 3rd Thurs. in month); closed Mon. , Aug., New Year’s Day, Independence Day, Thanksgiving, and Christmas Day. Admission: adults, $10; seniors, $7; college students and children 5-18, $3; children under 5 and RISD and Brown University students, faculty, and staff, free. John W. Smith, Director

RINGLING COLLEGE OF ART AND DESIGN Selby Gallery Sarasota, Florida Selby Gallery is the premier art gallery/museum at Ringling College of Art and Design, which also has an outdoor sculpture collection, eight other galleries and exhibition halls on the campus in Sarasota, Florida, and two galleries at off-campus sites (see Art Galleries section). Founded in 1986, the museum-like Selby Gallery has a 3,000-square-foot gallery space and presents exhibitions by nationally and internationally known artists, designers, illustrators, and photographers, as well as an annual faculty show and a juried student exhibition. The gallery, which also has a collection of twentieth-century prints, has an annual attendance of 28,000. Selby Gallery, Ringling College Art and Design, 2700 N. Tamiami Trail, Sarasota, FL 342-5895. Phone: 941/359-7563. Fax: 941/309-1969. E-mail: [email protected]. Web site: www.ringling.edu. Hours: Sept.-Apr.-10-4 Mon. and Wed.-Sat., 10-7 Tues.; closed Sun., college holidays and breaks, and Dec. 15-Jan. 4; May-Aug.-10-4 Mon.-Fri.; closed Sat.-Sun. Admission: free. Kevin Dean, Director

ROLLINS COLLEGE Cornell Fine Arts Museum Winter Park, Florida The Cornell Fine Arts Museum at Rollins College in Winter Park, Florida, was founded in 1978 after a campus fire

RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY destroyed the Baker Museum, which housed a natural history collection. The college then received some replacement artifacts from the Smithsonian Institution and contributions of paintings, prints, and other objects from alumni and others, which resulted in the founding of the Cornell Fine Arts Museum, named for benefactors George D. and Harriet W. Cornell. The collection now has over 5,000 objects from antiquity to contemporary.

RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY Stedman Art Gallery Camden, New Jersey

Stedman Art Gallery, an art museum located at Rutgers University’s Rutgers-Camden Center for the Arts on the Camden Campus in New Jersey, presents contemporary art The collection includes objects from the fourteenth to exhibitions from artists, private collections, other galleries twenty-first centuries, such as Italian Renaissance paintings, and museums, and has a collection of works on or of paper American and European paintings, Native American art, and by American and European artists and examples of other contemporary art, prints, drawings, posters, bronzes, photo- media and art. The gallery also offers such programs as lecgraphs, sculpture, decorative arts, furniture, glass, and cetures, performances, video programs, and art performances. ramics. Among the artists represented in the collection are The gallery was founded in 1975 and has an annual attenCosimo Rosselli, Pablo Picasso, Henri Matisse, Albert dance of 18,300. Bierstadt, Thomas Moran, Alex Katz, and John Frederick Kensett. The museum exhibits selections from the collection Stedman Gallery, Rutgers University-Camden, Rutgers-Camden Center for the Arts, 314 Linden St., Camand mounts exhibitions ranging from works of artists to a den, NJ 08102-4403. Phones: 856/225-6245 and senior student art show. Annual attendance is 25,000. 856/225-6597. Fax: 856/225-6597. E-mail: arts@camCornell Fine Arts Museum, Rollins College, 1000 Holt den.rutgers.edu. Web site: www.rutgerscamdenarts.org. Ave., Winter Park, FL 32789-4499. Phone: 407/646-2526. Hours: 10-4 Mon.-Sat.; closed Sun. and major holidays. AdFax: 407/646-2524. E-mail: [email protected]. Web site: mission: free. www.rollins.edu/cfam. Hours: 10-4 Tues.-Fri., 12-5 Nancy Maguire, Chief Curator, Exhibitions & Collections, Sat.-Sun.; closed Mon. and major holidays. Admission: Rutgers-Camden Center for th 856-225-6245 adults, $5; students and children, free. [email protected] Jonathan F. Walz, Curator and Interim Director 407-646-1581 [email protected]

RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY Jane Voorhees Zimmerli Art Museum

SAGINAW VALLEY STATE UNIVERSITY Marshall M. Fredericks Sculpture Museum University Center, Michigan

The Marshall M. Fredericks Sculpture Museum at Saginaw Valley State University in University Center, Michigan, foNew Brunswick, New Jersey cuses on the life and works of a Detroit sculptor known for his monumental figurative sculpture, public memorials, The Jane Voorhees Zimmerli Art Museum at Rutgers Unifountains, portraits, and medals. The museum, founded in versity in New Brunswick, New Jersey, has a permanent collection of 60,000 artworks, including the foremost collec- 1988, contains more than 1,000 works that span the 70-year tion of non-conformist art from the former Soviet Union and career of Fredericks. The permanent exhibits feature approximately 200 works by Fredericks, including plaster models, Russia. The collection also is known for it nineteenth-century French art and nineteenth- and twentieth-century Amer- sketches, site models, bronzes, portraits, and wall reliefs, as well as objects from his studios in Royal Oak and ican art, which has a concentration of early Bloomfield Hills. The museum also has an outdoor sculptwentieth-century and contemporary prints and a collection ture garden of more than 20 of his bronzes, Fredericks’ arof original art for children’s literature. Works from the colchives, and two galleries for temporary exhibitions. The lection, artists, loans, and other sources are mounted at the museum, housed in the Arbury Fine Arts Center, has 18,000 galleries. Founded in 1966, the museum is named for Jane square feet of exhibit space and an annual attendance of Voorhees Zimmerli, mother of philanthropist Alan 10,000. Voorhees. Annual attendance is 32,000. Jane Voorhees Zimmerli Art Museum, Rutgers University, 71 Hamilton St., New Brunswick, NJ 08901-1248. Phone: 732/932-7237. Fax: 732/932-8201. E-mail: [email protected], Web site: www.zimmerlimuseum.rutgers.edu. Hours: 10-4:30 Tues.Fri., 12-5 Sat/-Sun/’ closed Mon., Aug., and major holidays. Admission: adults, $3; children under 18 and Rutgers students, faculty, and staff, free; free admission 1st Sun. of month.

Marshall M. Fredericks Sculpture Museum, Saginaw Valley State University, Arbury Fine Arts Center, 7400 Bay Rd., University Center, MI 48710. Phone: 989/964-7125. Fax: 989/964-7221. E-mail: [email protected]. Web site: www.marshallfredericks.org. Hours: 1’2-5 Mon.-Sat.; closed Sun. and national and university holidays. Admission: free. Marilyn L. Wheaton, Director 989-964-7154 [email protected]

Suzanne Delahenty, Director

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Art Museums & Sculpture Gardens SALISBURY UNIVERSITY Ward Museum of Wildfowl Art Salisbury, Maryland The most comprehensive collection of decorative and antique decoys is featured at Ward Museum of Wildfowl Art, which is affiliated with Salisbury University in Salisbury, Maryland. The museum was founded in 1975 and named for the late Stephen and Lemuel Ward, whose artistry in carving decoys pioneered the transition of the decoy from a working tool to an expressive wildfowl sculpture. The museum collection contains the works of artists who have carved birds both as hunting decoys and art objects. Works from the collection are displayed in 12,000 square feet of gallery space. The museum also sponsors the annual world championship competition of bird carving. Annual attendance at the museum is 35,000.

www.scu.edu/desaisset. Hours: 11-4 Tues.-Sun.; closed Mon. and major holidays. Admission: free. Rebecca Schapp, Director [email protected]

SKIDMORE COLLEGE Frances Young Tang Teaching Museum of Art and Art Gallery Saratoga Springs, New York

The Frances Young Tang Teaching Museum of Art and Art Gallery at Skidmore College in Saratoga Springs, New York, is called a teaching museum because it seeks to play a catalytic interdisciplinary teaching role across the curriculum in the college’s undergraduate liberal arts education program. The museum, which opened in 2000, was funded by Oscar Tang, the former head of a New York investment Ward Museum of Wildfowl Art, Salisbury University, 909 S. firm, and named for his late wife, Frances Young Tang. The museum is located in a new 39,000-square-foot building deSchumaker Dr., Salisbury, MD 21804-8722. Phone: signed by architect Antoine Predock that has been praised 410/742-4988. Fax: 410/742-3107. E-mail: for its innovative design. It has two major gallery wings, [email protected]. Web site: www.wardmuseum.org. two smaller galleries, collection storage area, digiHours: 10-5 Mon.-Sat., 12-5 Sun.; closed New Year’s Day, Easter, Thanksgiving, and Christmas. Admission: adults, $7; tally-equipped classrooms, print study room, and other facilities. seniors, $5; college students and children, $3. Lora Bottinelli, Executive Director 410-742-4988

SANTA CLARA UNIVERSITY de Saisset Museum Santa Clara, California A bequest by Isabel de Saisset in memory of her brother, Ernest, a former student and accomplished painter, resulted in the founding of the de Saisset Museum, an art and history museum, at Santa Clara University in Santa Clara, California, in 1955. The museum’s permanent collection now has nearly 10,000 artworks and historical artifacts, including fifteenth-century to contemporary European paintings, sculpture, and graphics; American paintings, graphics, sculpture, photographs, and videos from the nineteenth century to the present; European and Oriental decorative arts; Native American art and artifacts; and California, mission, and university historical materials. The museum also serves as the repository for Ernest de Saisset’s paintings and the family’s decorative arts collection.

The museum has a permanent collection over 5,000 paintings, drawings, prints, sculpture, and video, audio, and installation art-including works from Africa, South Asia, China, and the Americas. Among the artists represented in the collection are Rembrandt van Rijn, Albrecht Durer, Francisco de Goya, William Hogarth, Roy Lichtenstein, and Andy Warhol. Approximately 12 exhibitions are presented each year from the collection, artists, and traveling exhibitions. The museum is known for its large-scale interdisciplinary exhibitions that combine a variety of objects, such as antique maps, archival documents, scientific artifacts, and other material culture, with new works of international contemporary art. In the smaller study exhibitions, the museum sometimes works with faculty and students in curatorial practice and writing, often in conjunction with specific classes and thesis projects. The museum also originates traveling survey exhibitions featuring leading emerging and established artists. The museum’s annual attendance is 50,000.

Frances Young Tang Teaching Museum and Art Gallery. Skidmore College, 815 N. Broadway, Saratoga Springs, NY 12866-1632. Phone: 518/580-8080. Fax: 518/580-5069. Among the artists represented in the museum’s collection E-mail: [email protected]. Web site: are Albrecht Durer, Henri Matisse, Pablo Picasso, Marc Chagall, Edward Curtis, Ansel Adams, Richard Ricbenkorn, www.skidmore.edu/tang. Hours: 10-5 Tues/-Fri., 12-5 and David Gilhooly. Art and historical artifacts from the col- Sat.-Sun.; closed Mon., New Year’s Day, Thanksgiving, and Christmas. Admission: $5 suggested donation. lection and the works of artists are mounted in the galleries of the 19,210-square-foot museum building which conforms John Weber, Dayton Director 518-580-5068 to the Mission style prevalent on the campus and is located [email protected] in front of the historic Mission Santa Clara de Asis. The museum’s annual attendance is 10,700. de Saisset Museum, Santa Clara University, 500 El Camino Real, Santa Clara, CA 95053. Phone: 408/554-4528. Fax: 408/554-7840. E-mail: [email protected]. Web site:

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SMITH COLLEGE SMITH COLLEGE Smith College Museum of Art Northampton, Massachusetts A gallery of reproductions of the great works of art for students to study was included in the first building of Smith College when it opened in 1875 in Northampton, Massachusetts. Shortly thereafter, the college began collecting original artworks from American artists. This led to the founding of the Smith College Museum of Art in 1926, featuring the various collections owned by the college. Today, the museum has nearly 25,000 paintings, sculpture, prints, drawings, photographs, and other objects. The nineteenth century is represented by Hudson River School landscapes, folk art, and paintings by such major artists as Albert Bierstadt, John Singer Sargent, Winslow Homer, and James Abbott McNeill Whistler. Among the other works now in the collection are paintings by John Singleton Copley, Thomas Eakins, and Frank Stella; sculptures by Antoine-Louis Barye and Alexander Calder; prints by Rembrandt van Rijn, Albrecht Durer, Edgar Degas, and Pablo Picasso; drawings by Mathis Grunewald, Henri Matisse, Paul Cezanne, and John James Audubon; and photographs by Edward Muybridge, Laszio Moholy-Nagy, and Robert Mapplethorpe. Smith College Museum of Art, Elm St. at Redford Terrace, Northampton, MA 01063. Phone: 413/585-2760. Fax: 413/585-2782. E-mai: [email protected]. Web site: www.smith.edu/artmuseum. Hours: 10-4 Tues.-Sat. (10-8 second Fri. of month), 12-4 Sun.; closed Mon. and major holidays. Admission: adults, $5; seniors, $4; students over 12, $3; children 6-12, $2; children under 6, free. Jessica Nicoll, Director and Louise Ines Doyle ‘34 Chief Curator

SOUTH DAKOTA STATE UNIVERSITY South Dakota Art Museum Brookings, South Dakota The works of South Dakota artists are featured at the South Dakota Art Museum at South Dakota State University in Brookings. The museum opened in 1970 as the South Dakota Memorial Art Center to house the university’s collections, exhibitions, other art activities, and the name was changed in 1989 to better reflect its activities. The collection includes paintings and drawings of pioneer life by Harvey Dunn; works by Oscar Howe, contemporary Sioux artist; embroidered linens by Vera May Marghab; Native American art; and works by such artists as Karl Bodmer, Rockwell Kent, Reginald Marsh, and Thomas Hart Benton. The museum has six galleries that present exhibitions from the collection, artists, and traveling exhibitions. The annual attendance is 100,000. South Dakota Art Museum, South Dakota State University, Medary Ave. and Harvey Dunn St., PO Box 2250, Brookings, SD 57007. Phones: 605/688-5423 and 866/805-7500. Fax: 605/688-4445. E-mail: [email protected]. Web site:

www.southdakotaartmuseum.com. Hours: 10-5 Mon.-Fri., 10-4 Sat., 12-4 Sun; closed Sun. in Jan.-Mar. and state holidays. Admission: free. Lynn Verschoor, Director [email protected]

SOUTHERN METHODIST UNIVERSITY Meadows Museum Dallas, Texas Spanish art from the golden age of Spanish art from the 1550s to nearly the eighteenth century is the focus of the Meadows Museum at Southern Methodist University in Dallas. Masterworks of such artists as Velazquez, Murillo, and Ribera are among the collection highlights. The museum also has works from the early Renaissance at the end of the fifteenth century, nineteenth-century Realist and Impressionist eras, and the modern art of Pablo Picasso and Juan Gris, as well as works by Francisco de Goya, El Greco, and Joan Miro. The museum, founded in 1965, was made possible by Algur H. Meadows, who developed an interest in Spanish art during frequent visits to the country in the 1950s. The museum has a sculpture collection that includes an interior exhibit of works by Rodin, Maillol, and Giacometti and a plaza surrounding the museum with contemporary sculpture by such artists as Henry Moore, Claes Oldenburg, and David Smith. The museum also is responsible for the university’s art collection, which began in 1920 and features Texas Regionalist and other art. Works from the collection are displayed in the museum and other buildings on the campus. Annual attendance at the Meadows Museum is 69,000. Meadows Museum, Southern Methodist University, 5900 Bishop Blvd., Dallas, TX 75205-0357. Phone: 214/766-2516. Fax: 214/768-1688. E-mail: [email protected]. Web site: www.meadowsmuseumdallas.org. Hours: 10-5 Tues.-Wed. and Fri.-Sat., 10-8 Thurs., 12-5 Sun.; closed Mon., New Year’s Day, Easter, Independence Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $8; seniors, $6; students over 11, $4; SMU students, faculty, staff, and children under 12, free; free admission after 5 on Thurs. Mark Roglan, Director [email protected]

SOUTHERN OREGON UNIVERSITY Schneider Museum of Art Ashland, Oregon The Schneider Museum of Art at Southern Oregon University in Ashland was the result of a community campaign to fill the need for a strong presence in the visual arts to complement theater and music programs already in existence in the area. A fundraising campaign was launched in the 1980s that was climaxed by a major donation from Bill and Florence Schneider. A new building was constructed on the campus, and it opened to the public in 1986. This was followed

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Art Museums & Sculpture Gardens in 1997 by the addition of two galleries and adequate office space, funded again by private contributions. The museum now has a collection of over 500 contemporary, pre-Columbian, and Native American works of and a popular program of exhibitions, workshops, family days, lectures, performances, and concerts. Annual attendance is 15,000. Schneider Museum of Art, Southern Oregon University, 1250 Siskiyou Blvd., Ashland, OR 97520-5001. Phone: 541/552-8484. Fax: 541/552-8241. E-mail: [email protected]. Web site: www.sou.edu/sma. Hours: 10-4 Mon.-Sat.; closed Sun. and state holidays. Admission: $5 suggested donation. Michael Crane, Director 541-552-8484 [email protected]

twentieth-century American art. The museums present long-term exhibits and temporary exhibitions from the collection, as well as solo and group artists’ exhibitions and loan and traveling exhibitions from other institutions and collections. The Loretto museum, located on the university’s Mall, has an annual attendance of 75,000. The Johnstown museum, founded in 1982 and housed in the Pasquerilla Performing Arts Center at the University of Pittsburgh at Johnstown (in a partnership with the university), serves more than 50,000 visitors a year. Southern Alleghenies Museum of Art-Loretta, St. Francis University, Mall, PO Box 15904, Loretto, PA 15940-0009. Phone: 814/472-392. Fax: 814/269-4131. E-mail: [email protected]. Web site: www.sama-art.org. Hours: 10-5 Tues.-1-5 Sat.; closed Sun.-Mon. and major holidays. Admission: free.

Southern Alleghenies Museum of Art-Altoona, St. Francis University, Bren Bldg., 1210 11th Ave., Altoona, PA 16601. Phone: 814/946-4464. Fax: 814/946-3131. E-mail: [email protected]. Web site: www.sama-art.org. Hours: St. Bonaventure, New York 10-5 Tues.-Fri., 1-5 Sat.; closed Sun.-Mon. and major holiThe F. Donald Kenney Museum and Art Study Wing opened days. Admission: free. in 2000 in the Regina A. Quick Center for the Arts at St. Bonaventure University in St. Bonaventure, New York. With Southern Alleghenies Museum of Art-Johnstown, St. Franthe opening, a prints and drawing study room, support facili- cis University, Pasquerilla Performing Arts Center, Univerties, and two additional galleries were added to the arts cen- sity of Pittsburgh at Johnstown, 450 Schoolhouse Rd., Johnstown, PA 15904-2912. Phone: 814/269-7234. Fax: ter’s two galleries for exhibitions from the permanent collection and other institutions and art centers. The collec- 814/260-7240. E-mail: [email protected]. Web site: www.sama-art.org. Hours: 9:30-4:30 Mon.-Fri.; closed tion consists of paintings, prints, drawings, sculpture, and Sat.-Sun. and major holidays. Admission: free. photographs; Native American and pre-Columbian pottery; and Asia art and porcelain. The new facilities were made Southern Alleghenies Museum of Art-Ligonier Valley, 1 possible through the contribution of the late F. Donald Boucher Lane and Rte. 71, S., Ligonier, PA 15658-2110. Kenney, a university trustee and arts patron. Annual attenPhone: 724/238-6015. Fax: 724/238-6281. E-mail: dance is 20,000. [email protected]. Web site: www.sama-art.org. Hours: 10-5 Tues.-Fri., 1-5 Sun.; closed Mon and major holidays. F. Donald Kenney Museum, St. Bonaventure University, Admission: free. Regina A. Quick Center for the Arts, Rte. 417, Cornelius Welch Dr., St. Bonaventure, NY 14778. Phone: G. Gary Moyer, Executive Director 814-472-3920 716/375-2494. Fax: 716/375-2690. E-mil: [email protected]. Web site: www.sbc.edu/qucikcenter.aspx?id+2056. Hours: Sept.-May-10-5 Mon.-Fri., 12-4 Sat.-Sun.; closed New ST. GREGORY’S UNIVERSITY Year’s Day, Easter, Thanksgiving, and Christmas; June-Aug.-12-5 Tues.-Sat.; closed Sun.-Mon. Admission: Mabee-Gerrer Museum of Art free. Shawnee, Oklahoma

ST. BONAVENTURE UNIVERSITY F. Donald Kenney Museum and Art Study Wing

Joseph LoSchiavo, Associate Vice President and Executive Director of the Quick Center 716-375-2471 [email protected]

ST. FRANCIS UNIVERSITY Southern Alleghenies Museum of Art Loretto, Pennsylvania The Southern Alleghenies Museum of Art at St. Francis University in Loretto, Pennsylvania, has four locations. In addition to the 1975 founding museum on the Loretto Campus, branch museums are located in Johnstown, Altoona, and Ligonier in the region. The Loretto museum serves as the headquarters for the four facilities and is the repository for the permanent collection devoted to nineteenth- and

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St. Gregory’s University in Shawnee, Oklahoma, had one of the first museums in Oklahoma. It began in 1914 with the collection of Gregory Gerrer, a Benedictine monk who had traveled to Europe, Africa, and South America and collected artistic and ethnographic objects from ancient Egypt, Mesopotania, Greece, Rome, Mesoamerica, and China. In 1919, the collection was moved to St. Gregory’s University for a museum, and in 1979 became part of the Mabee-Gerrer Museum of Art in its new building. In addition to the original collection, the museum now also has art and artifacts from North America, South Pacific, and Asia and a sculpture garden. The collection includes Egyptian, Greek, and Roman objects; European and American paintings, drawings, and watercolors from the Renaissance through the early twentieth century; and large holdings of

ST. JOSEPH COLLEGE Native American, Oceanic, and Eastern cultural artifacts. The annual attendance is 20,000. Mabee-Gerrer Museum of Art, St. Gregory’s University, 1900 W. MacArthur Dr., Shawnee, OK 74804-2403. Phone: 405/878-5300. Fax: 405/878-5133. E-mail: [email protected]. Web site: www.mgmoa.org. Hours: 1-5 Tues.-Sat., 1-4 Sun.; closed Mon. and major holidays. Admission: adults, $5; seniors, $4; students and children 6-17, $3; children under 6, free. Dane Pollei, Director and Chief Curator 405-878-5622 [email protected]

European and American art, Southeast Asian decorative arts, Japanese and Chinese art, and Western Jesuit Missions religious art and artifacts (also see the university’s Museum of Contemporary Religious Art in the Religious Museums and Galleries section). Annual attendance is 6,000. St. Louis University Museum of Art, O’Donnell Hall, 3663 Lindell Blvd., St. Louis, MO 63108. Phone: 314/977-2666. Fax: 314/977-3581. E-mail: [email protected]. Web site: www.slu.edu/sluma.xml. Hours: 11-4 Wed.-Sun.; closed Mon.-Tues. and national and university holidays. Admission: free. Petruta Lipan, Director

ST. JOSEPH COLLEGE Art Gallery West Hartford, Connecticut Although St. Joseph College in West Hartford, Connecticut, has had an art collection since 1937, it was not until 2001 that its art gallery/museum was founded in the new Carol Autorino Center for the Arts and Humanities. The St. Joseph College Art Gallery has six galleries covering 2,150 square feet, a print study room, and maintains the college’s collection of over 2,000 works of art. The gallery presents special exhibitions and changing installations from the permanent collection, and has an annual attendance of 5,000. The college collection is devoted largely on twentieth-century American art, including works by Thomas Hart Benton, Georgia O’Keeffe, and Milton Avery. It also has works n paper ranging from sixteenth-century European prints to nineteenth-century Japanese woodblock prints and contemporary American works.

ST. LOUIS UNIVERSITY Henry Lay Sculpture Garden Louisiana, Missouri The Henry Lay Sculpture Garden is a component of the St. Louis University’s Lay Center for Education and the Arts, a 350-acre natural refuge in historic Mississippi River town of Louisiana, Missouri. The site was purchased in 1996 by Henry Lee, a law alumnus, to serve as a place where literature and art can be combined with the beauty of nature to stimulate learning and imagination. The sculpture garden is set in approximately 20 acres, surrounded by natural meadows, wooded rolling hills, lakes, and streams. The center also has housing, meeting, and dining facilities. Visitors to the site are greeted by a story keeper with a collection of books upon entering the land of art, literature, and nature. The center also has a McElwee Artists Residences program, which allows six artists to live and develop their work, as well as work with students in their studios and lecturing as part of the university’s Fine and Performing Arts Department teaching program. At the end of the residences, the artists exhibit their works at the site and the St. Louis University Museum of Art.

St. Joseph College Art Gallery, Carol Autorino Center for the Arts and Humanities, 1678 Asylum Ave., West Hartford, CT 06117-2791. Phone: 860/231-5399. Fax: 860/231-5754. E-mail: [email protected]. Web site: www.sjc.edu/artgallery. Hours: 11-4 Tues.-Wed. and Fri.-Sat., 11-7 Thurs., 1-4 Sun.; closed, Mon., and university Henry Lay Sculpture Garden, St. Louis University, Lay Cenholidays and breaks. Admission: free. ter for Education and the Arts, State Rte. UU, Louisiana, Ann H. Sievers, Director and Curator MO 63353. Phone: 324/977-6338. Web site: www.slu.edu/events/layctr.html. Hours: Apr.-Dec.-10-dusk Thurs.-Sun.; closed Mon.-Wed. and Jan.-Mar. Admission: free. ST. LOUIS UNIVERSITY

ST. Louis University Museum of Art St. Louis, Missouri

Edwin F. Kidd, Associate Vice President, SLU Event Services 314-977-MEET [email protected]

The St. Louis University Museum of Art in St. Louis, Missouri, was founded in 2002, but its 1900 Beaux Arts-style building was the home of the exclusive St. Louis Club and its prized art collection until a 1925 fire. The university pur- ST. OLAF COLLEGE chased the historic restored building in 1992 and it was used Flaten Art Museum by the graduate and public health schools before being occu- Northfield, Minnesota pied by the art museum. The Flaten Art Museum at St. Olaf College in Northfield, The museum, which has 20,000 square feet of exhibit space, Minnesota, has a collection of over 3,000 historical and connow features modern and contemporary art by such artists as temporary works and mounts exhibitions of regional, national, and international artists in Dittmann Center. The Serge Poliakoff, Richard Serra, Ernest Trova, and others. It museum, formerly the Steensland Art Museum, was founded also exhibits other selections from university’s permanent collection, which includes sixteenth- to twenty-first-century in 1976. The collection consists of paintings, prints,

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Art Museums & Sculpture Gardens sculpture, photographs, ceramics, art glass, textiles, and mixed media, including eighteenth- to twentieth-centuryEuropean and American paintings, drawings, and sculpture; traditional and contemporary Japanese prints; African sculpture; post-Romanian paintings, prints, and sculpture; and Southwest Indian pottery. Annual attendance is 12,000. Flaten Art Museum, St. Olaf College, Dittmann Center, 1520 St. Olaf Ave., Northfield, MN 55057-1099. Phones: 507/786-3556 and 507/786-3703. Fax: 507/786-3776. E-mail: [email protected]. Web site: www.stolaf.ddu/depts./museum. Hours: Sept.-midApr.-10-5 Mon.-Wed. and Fri., 10-8 Thurs., 2-5 Sat.-Sun.; closed mid-May-Aug., and college holidays and breaks; mid-Apr.-mid-May-varies. Admission: free.

Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, 328 Lomita Dr., Stanford, CA 94305-5060. Phone: 650/723-4177. Fax: 850/725-0464. Web site: www.museum.stanford.edu. Hours: 11-5 Wed. and Fri.-Sun., 11-8 Thurs.; closed Mon.-Tues., Thanksgiving, Christmas Eve and Day, and Dec. 30. Admission: free. Thomas K. Seligman, John and Jill Freidenrich Director 650-725-0462 [email protected]

Jill Ewald, Director

STATE UNIVERSITY OF NEW YORK AT ALBANY Art Museum

STANFORD UNIVERSITY Iris and B. Gerald Cantor Center for Visual Arts

Albany, New York

Stanford, California The Stanford University Museum of Art was founded in Palo Alto, California, in 1891 by railroad magnate Leland Stanford and his wife, Jane, in memory of their late son, Leland Stanford, Jr. The museum opened in 1894, but more than two-thirds of the building and the museum collection were destroyed in the 1906 earthquake. The museum continued to operate but received little attention and was eventually was closed in 1945. Professor Lorenz Eitner, new chairman of the Art Department, worked to reopen the museum in 1963, and in 1985 the B. Gerald Cantor Rodin Sculpture Garden was added through the efforts of Professor Albert Elsen. But the 1989 earthquake heavily damaged the museum and it was closed again. It was restored, renamed, and reopened in 1999 following further funding by broker G. Gerald Cantor and his wife, Iris, through their foundation. The museum was renamed the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University (also known as the Cantor Art Center) in their honor. The museum has a collection that includes works from America, Europe, Asia, Africa, Oceania, as well such categories as sculpture, modern and contemporary art; works on paper, Native American, and Stanford family objects. It is best known for its outdoor sculpture collection that includes figurative and abstract works in a variety of media by artists from the 19th century to the present. The museum has 200 of Auguste Rodin’s works, which constitute the largest collection of the French sculptor’s works outside of Paris. Most of Rodin’s works are displayed inside the museum, but 20 of his bronzes are outside in the B. Gerald Cantor Rodin Sculpture Garden, including The Gates of Hell. Rodin’s The Burghers of Calais sculpture is on campus. Stanford also has a Papua New Guinea Sculpture Garden, which contains 40 wood and stone carvings of people, animals, and magical beings that illustrate creation stories and cultural traditions-created by 10 artists from the inland Sepik River area. In addition to permanent exhibits from the

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museum’s collection, the museum mounts a range of temporary exhibitions of artists’ works, art periods, and other subjects. Annual attendance is more than 250,000.

The University Art Museum at the State University of New York at Albany is a 11,000-square-foot contemporary art museum with a collection of over 2,500 late modern and contemporary works, including paintings, drawings, and photographs. Founded in 1967, the museum is located in the Fine Arts Building. It mounts four exhibitions of works by established and emerging artists and two graduate lightface in 9,000 square feet of exhibit space. Annual attendance is 37,500. University Art Museum, State University of New York at Albany, 400 Washington Ave., Albany, NY 1222 (postal address: Art Dept., 1400 Washington Ave., Albany, NY 12222). Phones: 518/442-4035 and 518/442-4807. Fax: 518/442-5075. E-mail: [email protected]. Web site: www.albany.edu/museum. Hours: Sept.-June-10-5 Tues.-Fri., 12-4 Sat.-Sun.; closed Mon. and major holidays; July-Aug.-11-4 Tues.-Sat.; closed Sun.- Mon. Admission: free. Janet Riker, Director 518-442-4035 [email protected]

STATE UNIVERSITY OF NEW YORK AT BINGHAMTON University Art Museum Binghamton, New York The University Art Museum at the State University of New York at Binghamton began as an art gallery in 1967. As a museum, it now has more than 3,000 objects from all major periods of art history and most art of the world in its collection. The collection includes paintings, sculpture, prints, drawings, photographs, glass, ceramics, metalwork, and manuscript pages from Egypt, Greece, Asia, Africa, Europe, North America, and pre-Columbian cultures. Selections from the collection are exhibited, as well as exhibitions by

STATE UNIVERSITY OF NEW YORK AT BUFFALO artists and an annual student show. Annual attendance is 25,000. University Art Museum, State University of New York at Binghamton, Fine Arts Bldg., PO Box 6000, Binghamton, NY 13902-6000. Phone: 607/777-2634. Fax: 607/777-2613. E-mail: [email protected]. Web site: www.artmuseum.binghamton.edu. Hours: Sept.-June-12-4 Tues.-Wed. and Fri.-Sat., 12-7 Thurs.; other times by appointment; closed Sun.-Mon., university holidays and breaks, and national holidays; July-Aug.-12-4 Tues.-Fri., closed Sat.-Mon. Admission: free. Jackie Hogan, Assistant Director 607-777-2634 [email protected]

STATE UNIVERSITY OF NEW YORK AT BUFFALO Burchfield Penney Art Center Buffalo, New York The Burchfield Penney Art Center at the State University of New York at Buffalo (also known as Buffalo State College) is an independent nonprofit dedicated to the art and vision of noted watercolorist Charles E. Burchfield and other artists of Buffalo, Niagara, and Western New York. It was founded in 1966 as the Charles Burchfield Center, focusing on the work of the artist. Over the years, the center broadened its scope and was renamed the Burchfield Art Center in 1983, and then the Burchfield Penny Art Center in 1994 after receiving a series of fine art and craft gifts, including the largest private collection of Burchfield’s work, from Dr, Charles Rand Penny. The center’s development continued with the opening of a new 84,000-square-foot building in 2008 that was initiated and spearheaded by William J. Magavern II, who made the lead gift. The museum now has over 7,500 works of art by more than 600 artists in its permanent collection. It includes the largest collection of works by Charles E. Burchfield (1893-1867), including his paintings, drawings, sketches, prints, wallpapers, diaries, and journals. The collection also has historical and contemporary works by other artists from the region. Selections from the collection are presented in the museum’s galleries, as well as exhibitions of works by artists and loan and traveling exhibitions. Among the other museum activities are concerts, literary readings, lectures, symposia, workshops, and special events. The annual attendance is 70,000.

STATE UNIVERSITY OF NEW YORK AT NEW PALTZ Samuel Dorsky Museum of Art New Paltz, New York The Samuel Dorsky Museum of Art, which began in 1963 as an art gallery, is located at the State University of New York at New Paltz. The museum focuses on twentieth-century prints and paintings, pre-Columbian art and artifacts, decorative arts, and photographs, and has a special commitment to collecting and exhibiting works of art created by artists who have lived and worked in the Hudson River Valley and Catskill regions. The museum’s collection has two- and three-dimensional objects from diverse cultures ranging from classical to modern times, with the areas of strength being objects from ancient Egypt and the Greek and Roman worlds, pre-Columbian artifacts, Asian prints, African sculpture and masks, Australian aboriginal bark paintings, and Pacific Island artifacts. The museum exhibits objects from the collection and has exhibitions of works of artists, including an annual exhibition of works by Hudson River Valley artists, and loan and traveling exhibitions. Annual attendance is 16,000. Samuel Dorsky Museum of Art, State University of New York at New Paltz, 1 Hawk Dr., New Paltz, NY 12561-2447. Phone: 845/257-3844. Fax: 845/257-3854. E-mail: [email protected]. Web site: www.newpaltz.edu/museum. Hours: 11-5 Wed.-Sun.; closed Mon.-Tues. and major holidays. Admission: $5 suggested donation. Sara J. Pasti, Neil C. Trager Director [email protected]

STATE UNIVERSITY OF NEW YORK AT PLATTSBURGH Plattsburgh State Art Museum Plattsburgh, New York

Unlike most museums, the Plattsburgh State Art Museum at the State University of New York at Plattsburgh does not have exhibitions in a museum building. Instead, it has an aesthetic network across the campus where the art is displayed. This open visual resource includes galleries in the Rockwell Kent Gallery in Feinberg Library, Burke and Myers Lobby galleries in the Myers Fine Arts Building and additional campus sites were special exhibitions are preBurchfield Penney Art Center, State University of New York sented. The museum also has the Winkel Sculpture Courtat Buffalo, 1300 Elmwood Sve., Buffalo, NY 14222-1004. yard and Regina Slakin Study Room in the fine arts building Phone: 716/878-6011. Fax: 716/878-6003. E-mail: and outdoor sculpture throughout the campus. [email protected]. Web site: The museum, founded in 1952, has a collection of over www.burchfieldenney.org. Hours: 10-5 Tues.-Wed. and Fri.-Sat., 10-9 Thurs., 1-5 Sun.; closed Mon. and legal holi- 4,600 works of art and artifacts, ranging from antiquities to contemporary art. It includes the most complete and baldays. Admission: adults, $9; seniors, $6; students over 10, anced collection of Rockwell Kent’s paintings, prints, draw$5; UB students, faculty, staff, and children under 11, free. ings, sketches, proofs, and designs; nineteenth-century Carolyn Morris-Hunt, Chief Operating Officer 716-878-5565 drawings, prints, and sculpture; Asian art; modern art; and other paintings, drawings, prints, and sculpture. Twenty-four exhibitions are mounted each year at the various campus

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Art Museums & Sculpture Gardens locations. The Art Department also has a visiting artist program. The annual exhibition attendance is 17,600. Plattsburgh State Art Museum, 235 Myers Fine Arts Bldg., 101 Broad St., Plattsburgh, NY 12901-2637. Phones: 518/564-2474 and 518/564-2178. Fax: 518/564-2473. E-mail: [email protected]. Web site: www.clubs.plattsburgh.edu/museum. Hours: 12-4 daily; closed legal holidays and Dec. 24-Jan. 1. Admission: free. Cecilia Esposito, Director 518-564-2178 [email protected]

STATE UNIVERSITY OF NEW YORK AT PURCHASE Neuberger Museum of Art Purchase, New York The Neuberger Museum of Art’s collection at the State University of New York at Purchase has grown from the 108 artworks donated by patron Roy R. Neuberger in 1974 to more than 6,000 works of modern, contemporary, and African art. The collection, much of which was from Neuberger, features twentieth- and twenty-first-century art in all media, and includes American art, African art, Dada and Surrealist objects, Constructionist art, and American, Mexican, and European Master works. The museum has 25,000 square feet of exhibit space. Among the artists on permanent exhibit in the galleries are Milton Avery, Edward Hopper, Willem de Kooning, Helen Frankenthaler, Nancy Graves, Jacob Lawrence, Georgia O’Keeffe, and Jackson Pollack. Twelve temporary exhibitions from the collection and the works of contemporary artists also are presented each year. The museum’s annual attendance is 56,500. Neuberger Museum of Art, State University of New York at Purchase, 735 Anderson Hill Rd., Purchase, NY 10577-1400. Phone: 914/251-6100. Fax: 914/251-6101. E-mail: [email protected]. Web site: www.neuberger.org. Hours: 12-5 Tues.-Sun.; closed Mon. and major holidays. Admission: adults, $5; seniors and students over 12, $3; Purchase students, faculty, staff, and children under 13, free. Lea Emery, Acting Director 914-251-6100

TOWSON UNIVERSITY Asian Arts Gallery

exhibitions range from historical works to contemporary masters. Special performances by Asian artists also are scheduled during the year. The gallery’s annual attendance is 10,000. Asian arts Gallery, Towson University, Asian Arts and Culture Center, 8000 York Rd., Towson, MD 21252-0001. Phone: 410/704-2807. Fax: 410/704-4032. E-mail: [email protected]. Web site: www.towson.edu/asianarts. Hours: 11-4 Mon.-Fri., 1-4 Sat.; closed Sun. and major holidays. Admission: free; performances-adults, $8-$15; discounts for seniors, students, and members. Suewhei Shieh, Director 410-704-2807 [email protected]

TUFTS UNIVERSITY Tufts University Art Gallery Medford, Massachusetts Tufts University Art Gallery in Aidekman Arts Center in Medford, Massachusetts, consists of the Tisch and Koppelman galleries, Remis Sculpture Court, Slater Concourse Gallery, and a New Media Wall for short video, film, and animation works. Founded in 1991, the art museum includes 6,700 square feet of exhibition space and has an annual attendance of 9,000. Four curated exhibitions, a summer juried show, three MFA thesis exhibitions, and a museum studies program exhibition take place in the Tisch and Koppelman galleries each year. The Remis Sculpture Court has three exhibitions a year, and four to five continuous screenings of short videos are shown on the New Media Wall each year. The Slater Concourse Gallery, a community gallery, features works by students, faculty, staff, and alumni. The university’s art collection has approximately 2,000 works, including nineteenth- and twentieth-century paintings, prints, sculpture, and photographs; Greek and Roman antiquities; pre-Columbian art; and contemporary art. Tufts University Art Gallery, Aidekman Arts Center, 40R Talbot Ave., Medford, MA 02155. Phone: 617/627-3505. Fax: 617/627-3121. E-mail: [email protected]. Web site: www.artgallery.tufts.edu. Hours: Hours: 11-5 Tues.-Wed. and Fri.-Sun., 11-8 Thurs.; closed Mon. and university and major holidays. Admission: free. Amy Ingrid Schlegel, Director of Galleries and Collections 617-627-3505 [email protected]

Towson, Maryland The Asian Arts Gallery exhibits works from the collection of the Asian Arts and Culture Center at Towson University in Towson, Maryland. The gallery/museum has permanent and changing exhibitions from the approximately 1,000 art objects from China, Korea, Japan, India, Tibet, Nepal, Cambodia, Indonesia, and Thailand in the Asian center created in 1971. The collection includes sculpture, ceramics, paintings, wood-block prints, textiles, wood, metal, and stone sculpture cloisonn‚ enamels and furniture. The changing

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TULANE UNIVERSITY Newcomb Art Gallery New Orleans, Louisiana The Newcomb Art Gallery is an art museum located in the Woldenberg Art Center at Tulane University in New Orleans, Louisiana. Founded in 1996, it presents curated exhibits from its collections and exhibitions of professional artists. The gallery’s collections are focused on crafts

UNIVERSITY OF OREGON produced at Newcomb College from the late nineteenth century through the early twentieth century, including more than 400 examples of pottery, metal work, embroidery, and bound books. It also has paintings, drawings, sculptures, and photographs by past and present faculty and students of the Art Department, as well as two Tiffany window triptychs that once adorned the Newcomb Chapel. In addition, the gallery administers the university’s diverse art collection that has been acquired since the university was established in 1834. The gallery has an annual attendance of 10,000.

UNIVERSITY OF ARIZONA University of Arizona Museum of Art and Archive of Visual Arts Tucson, Arizona

The University of Arizona Museum of Art in Tucson opened in 1955 after a gift of more than 60 European paintings, sculptures, and decorative arts from the fourteenth-nineteenth centuries from the Samuel H. Kress Foundation. Since then, the collection has grown to more than 5,000 Newcomb Art Gallery, Tulane University, Woldenberg Art paintings, prints, drawings, and sculpture with an emphasis Center, New Orleans, LA 70118-5698. Phone: on European and American fine art from the Renaissance to 504/865-5328. Fax: 504/865-5329. E-mail: the present. It also has added the Archives of Visual Arts, a [email protected]. Web site: major research arm that contains artists’ papers and other www.newcombartgallery.tulane.edu. Hours: 10-6 Tues and materials to support the study of creativity and document the Thurs.-Fri.; 10-8 Wed., 11-5 Sat.-Sun.; closed Mon. and ma- motivations that inspire individual artists to do their best jor holidays. Admission: free. work. Charles M. Lovell, Director 504-314-2224 [email protected]

The Edward J. Gallagher, Jr. Memorial Bequest has made it possible for the museum to acquire since 1980 over 1,000 works of art, including pieces by such artists as Honore Daumier, James McNeill Whistler, Jos‚ Posada, Kathe Kollwitz, Frank Stella, Richard Diebenkorn, Helen UNIVERSITY OF OREGON Frankenthaler, and Roy Lichtenstein. The museum also has Jordan Schnitzer Museum of Art an Old Masters print collection that includes works by Eugene, Oregon Albrecht Durer, Henrik Goitzius, Rambrandt van Rijn, The University of Oregon Art Museum, founded in 1932, Giovanni Basttista Piranesi, Francisco de Goya, and Eugene became the Jordan Schnitzer Museum of Art, named for its Delacroix. Works from the collection are featured in 14,000 major donor, in 2005. The museum originally was built to square feet of exhibit space that also houses exhibitions of house more than 3,000 works of Oriental and other art given works by artists and traveling exhibitions. Annual attento the university by Gertrude Bass Warner as a memorial to dance is 33,600. her late husband, Murray Warner. The historic building, University of Arizona Museum of Art and Archive of Visual which was expanded in 2005, is now listed on the National Art, 1031 N. Olive Rd., PO Box 210002, Tucson, AZ Register of Historic Places. 85721-0002. Phone: 520/621-7567. Fax: 520/621-8770. The museum collection has grown to more than 13,000 obE-mail: [email protected]. Web site: jects, including Korean, Chinese, and Japanese fine and dec- www.artmuseum.edu. Hours: 9-5 Tues.-Fri., 12-4 Sat.-Sun.; orative arts, European paintings, Pacific Northwest art, Old closed Mon. and university holidays. Admission: adult, $5; Masters prints, Russian icons, South Asian art, photographs, UAMA students, faculty, staff, and children, free. and contemporary art. Selections from the collection are shown in the museum’s galleries, as well as special and loan Charles E. Guerin, Executive Director 520-621-5676 [email protected] exhibitions. The museum also has a sculpture court. The annual attendance is 51,000. Jordan Schnitzer Museum of Art, University of Oregon, 1430 Johnson Lane, Eugene, OR 97403-1223. Phones: 541/346-3027 and 541346-0973. Fax: 541/346-0976. E-mail: [email protected]. Web site: www.jsma.uoregon.edu. Hours: 11-5 Tues. and Fri.-Sun.; 11-8 Wed.; closed Mon., Thurs. and major holidays. Admission: adults, $5; seniors, $3; UO students, faculty, staff, university students, and children under 18, free; free admission on 1st Fri. in month. Jill Hartz, Executive Director

UNIVERSITY OF CALIFORNIA, BERKELEY University of California Berkely Art Museum and Pacific Film Archive Berkeley, California Art and film share billing at the University of California Berkeley Art Museum and Pacific Film Archive. The art museum was founded in 1963 following a bequest of 45 paintings and $250,000 by abstract expressionist Hans Hofmann and a university study that identified the need for a large versatile exhibition space. In 1970, the museum moved into the 95,000-square-foot Modernist building designed by Mario Ciampi and added the film archive in 1971. It now is planning a new visual arts center. The art museum/film archive has more than 16,000 objects and 14,000 films and videos characterized by themes of

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Art Museums & Sculpture Gardens artistic innovation, intellectual exploration, and social commentary. The art collection features a diversity of global cultures and historical periods, including Ming and Qing dynasty Chinese painting, Mughal Indian miniature painting, Baroque painting, Old Masters prints and drawings, early American painting, nineteenth- and early twentieth-century photography, conceptual art, and international contemporary art. The museum offers long-term exhibits from the collection and exhibitions of established and emerging artists. The film center, has strong holdings of classic, avant-garde, animated, and international motion pictures. University of California Berkeley Art Museum and Pacific Film Archive, 2626 Bancroft Way, Berkeley, CA 94704 (postal address: 2625 Durant Ave., Berkeley, CA 94720-2250. E-mail: [email protected]. Web site: www.bamfa.berkeley.edu. Hours: 11-5 Wed.-Sun.; closed Mon.-Tues. and university holidays. Admission: adults, $8; seniors, disabled, non-UC-Berkeley students, and youth 13-17, $5; UC-Berkeley students, faculty, staff, and children under 13, free. Lawrence Rinder, Director

UNIVERSITY OF CALIFORNIA, DAVIS UC Davis Design Museum Davis, California The UC Davis Design Museum at the University of California, Davis, seeks to further understanding of design and the contribution it makes to shaping human experiences, the environment, and culture. The museum also serves as a laboratory for experimental design installation, interpretation, and practice. Founded in 1975, the museum has over 5,000 items from the sixteenth century to the present in its collection, including textiles and fashion, basketry, porcelain, glass, furniture, and architectural drawings. It mounts changing exhibitions of national and international design-related material, as in architecture, costumes, graphic design, textiles, new media, and popular culture. The annual attendance is 2,000. UC Davis Design Museum, University of California, Davis, 145 Walker Hall, 1 Shields Ave., Davis, CA 95616-5200. Phone: 530/752-6150. Fax: 530/752-1392. E-mail: [email protected]. Web site: www.designmuseum.ucdavis.edu. Hours: 12-4 Mon,-Fri., 2-4 Sun.; closed Sat. and university holidays and breaks. Admission: free. Tim McNeil, Director 530-752-2589

UNIVERSITY OF CALIFORNIA, LOS ANGELES Hammer Museum Los Angeles, California The Hammer Museum at the University of California, Los Angeles, originally was opened in 1990 by art collector

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Armand Hammer, chairman of Occidental Petroleum Corporation. The museum building was being constructed adjacent to the company’s international headquarters in the Westwood area to house his extensive collections of Old Masters paintings and drawings, works on paper by Honor‚ Daumier and his contemporaries, and other artworks when Dr. Hammer died three weeks after the opening. The building never was completed, but continued to operate. In 1995, a partnership was finalized with neighboring UCLA and the university assumed responsibility for the museum’s management and operations. The university’s Wright Art Gallery and Grunwald Center for the Graphic Arts were moved to the Hammer building, and the new director also was given responsibility for its Franklin D. Murphy Sculpture Garden (see separate listings). Today, the Hammer Museum, known for one of the premier collections of Impressionist and post-Impressionist art, has four collections-Armand Hammer Collection, Hammer Daumier Collection, Hammer Contemporary Collection, and Hammer Video Library Collection. The Grunwald Center and Murphy Sculpture Garden also have their own collections. The Hammer Museum presents contemporary and historical works in all media of the visual arts in its exhibitions, which are accompanied by extensive public programs. It seeks to interpret art of the past and present, promote cultural understanding, and introduce the work of underrepresented artists. The annual attendance is 150,000. Hammer Museum, University of California, Los Angeles, 10899 Wilshire Blvd., Los Angeles, CA 90024-4343. Phones: 310/443-7000 and 310/443-7020. Fax: 310/443-7099. E-mail: [email protected]. Web site: www.hammer.ucla.edu. Hours: 11-7 Wed. and Fri.-Sat., 11-9 Thurs., 11-5 Sun.; closed New Year’s Day, Independence Day, Thanksgiving, and Christmas. Admission: adults, $7; seniors and UCLA Alumni Assn. members, $5; UCLA students, faculty, staff, and children under 17 accompanied by an adult, free. Ann Philbin, Director

UNIVERSITY OF CALIFORNIA, LOS ANGELES Grunwald Center for the Graphic Arts Los Angeles, California The Grunwald Center for the Graphic Arts, housed in the Hammer Museum at the University of California, Los Angeles, was founded in 1956 with a gift of 5,000 prints and drawings by collector Fred Grunwald. Since then, the collection has been increased to more than 45,000 prints, drawings, photographs, and artists’ books dating from the Renaissance to the present. The collection includes over 5,000 prints and drawings from the Renaissance through the eighteenth century, works of German expressionists an French impressionists, Japanese woodblocks, Tamarind lithography workshop impressions, nearly all of Renoir’s prints, and representative prints from Matisse, Rouault, and

UNIVERSITY OF CALIFORNIA, LOS ANGELES Picasso. The center has a print study room and mounts exhibitions from the collection.

But the museum continued to present exhibitions at other locations. Normal gallery annual attendance is 30,000.

Grunwald Center for the Graphic Arts, Universityy of California, Los Angeles, Hammer Museum, 10899 Wilshire Blvd., Los Angeles, CA 90024-4343. Phone: 310/443-7076. Fax: 310/443-7099. E-mail: [email protected]. Web site: www.hammer.ucla.edu. Hours: 9-5 Mon.-Fri. by appointment only; closed Sat.-Sun. and major holidays. Admission: free.

University Art Museum, University of California, Santa Barbara, 552 University Rd.,, Santa Barbara, CA 93106-7130. Phones: 805/893-2951 and 805/893-2724. Fax: 805/893-3013. Hours: 12-5 Wed.-Sun.; closed Mon.-Tues. and major holidays. Admission: free. Bruce Robertson, Acting Director 805-893-2951 [email protected]

Ann Philbin, Director

UNIVERSITY OF CALIFORNIA, LOS ANGELES Franklin D. Murphy Sculpture Garden

UNIVERSITY OF CHICAGO Smart Museum of Art Chicago, Illinois

The Smart Museum and its adjacent Vera and A. Elden Sculpture Garden at the University of Chicago in Illinois The Franklin D. Murphy Sculpture Garden at the University were established in 1974 through a major gift from the Smart Family Foundation. The museum is named for David of California at Los Angeles is one of the nation’s most and Alfred Smart, founders of Esquire magazine and the comprehensive sculpture gardens on a collegiate campus. foundation. The museum collection includes Asian art, EuThe garden, dedicated in 1967 and named in honor of a reropean art, modern art and design, and contemporary art, tiring UCLA chancellor, consists of over 70 figural and abwith strengths in figurative art, works on paper, small-scale stract works on five acres of the campus. Among the sculptors represented are Auguste Rodin, Henri Matisse, Al- sculpture, and materials that illuminate artists’ working methods and contexts. The museum has a wide range of exander Calder, Henry Moore, Isamu Noguchi, Jacques works, including ancient Greek vases, Old Masters paintings Lipchitz, and Gaston Lachaise. and prints, contemporary art, and medieval and modern Franklin D. Murphy Sculpture Garden, University of Calisculpture. Annual attendance is 66,000. fornia, Los Angeles, Charles E. Young Dr. near Wyton Dr., Los Angeles, CA 90095 (postal address: Hammer Museum, Smart Museum of Art, University of Chicago, 5550 S. Greenwood Ave., Chicago IL 60637. Phones: 773/702-0200 10899 Wilshire Blvd., Los Angeles, CA 90024). Phone: and 773/702-1778. Fax: 773/702-3121. E-mail: smart-mu310/443-7020. Fax: 310/443-7099. E-mail: [email protected]. Web site: www.hammer.ucla.edu. Hours: open [email protected]. Web site: www.smartmuseum.uchicago.edu. Hours: 10-4 Tues.-Wed. 24 hours. Admission: free. and Fri., 10-8 Thurs., 11-5 Sat.-Sun.; closed Mon. and major Ann Philbin, Director holidays. Admission: free.

Los Angeles, California

Anthony G. Hirschel, Dana Feitler Director 773-702-0170 [email protected]

UNIVERSITY OF CALIFORNIA, SANTA BARBARA Art Museum Santa Barbara, California The University Art Museum at the University of California, Santa Barbara, has a collection of more than 8,000 works; permanent, temporary, and traveling exhibitions; and a range of educational programs. It is known for its architecture and design collection of historical materials that document the built environment of California and the Southwest. It contains the archives of more than 110 designers and architectural drawings, photographs, manuscript materials, and three-dimensional objects, models, and furniture by leading architects. The museum also has paintings and drawings by Old Masters, fifteenth- to eighteenth-century graphic arts, Renaissance medals and plaquettes, Near Eastern ceramics, pre-Columbian art, American Realist prints, contemporary art, and other paintings, drawings, prints, sculpture, photographs, and ceramics. In 2010, the museum closed its galleries temporarily for a seismic retrofit of the arts buildings.

UNIVERSITY OF CHICAGO Renaissance Society at the University of Chicago Chicago, Illinois The Renaissance Society at the University of Chicago in Illinois is one of the oldest non-collecting gallery/museums in the nation. It was founded in 1915 to encourage the growth and understanding of contemporary art through exhibitions, publications, and other activities. In the 1920s-30s, the society was among the first to present works by Picasso, Brancusi, Mondrian, Noguchi, Miro, Arp, Moholy-Nagy, Calder, and Leger. They were followed by exhibitions by Klee, Mies van der Rohe, Rivera, Chagall, Prokofieff, Moore, and such more recent artists as Nauman, Paschke, Baselitz, and Bourgeois. The society also has offered pro-

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Art Museums & Sculpture Gardens grams by such leading figures as Gertrude Stein, Leonard Bernstein, and Paul Tillich.

has been restored and expanded and now is listed on the National Register of Historic Places.

Since the 1970s, the Renaissance Society has explored nearly every avant-garde art movement. It now offers four to five exhibitions a year and offers sponsors such other activities as concerts, performances, film and video screenings, poetry and fiction readings, and lectures by leading contemporary artists, critics, and scholars. The society often presents provocative art and works seldom seen in the Midwest, and seeks to foster the development of Chicago’s artistic resources. The gallery has an annual attendance of 20,000.

The museum’s collection began in 1933 when the institution’s President Charles Lewis Beach bequeathed his collection of impressive American art and left a trust for future acquisitions. The collection now consists of more than 5,500 works, including American, European, and Asian paintings, drawings, watercolors, prints, photographs, and sculpture from the fifteenth century to the present. It includes works by such artists as Benjamin West, George Bellows, Ernest Lawson, Mary Cassatt, Kathe Kollwitz, and Reginald Marsh. The museum mounts long-term exhibits from its collections, as well as changing exhibitions, and has a sculpture garden. The annual attendance is 42,000.

Renaissance Society at the University of Chicago, 5811 S. Ellis Ave., Chicago, IL 60637-1404. Phone: 773/702-8670. Fax: 773/702-9669. E-mail: [email protected].. Web site: www.renaissancesociety.org. Hours: Sept.-June-10-5 Tues.-Fri., 12-5 Sat.-Sun.; closed Mon., July-Aug., and national holidays. Admission: free. Susanne Ghez, Director

UNIVERSITY OF COLORADO AT BOULDER CU Art Museum

William Benton Museum of Art, University of Connecticut, 245 Glenbrook Rd., U-1240, Storrs, CT 062269-. Phone: 860/486-4520. Fax: 860/486-0234. E-mail: [email protected]. Web site: www.thebenton.org. Hours: 10-4:30 Thurs.-Fri., 1-4:30 Sat.-Sun.; closed Mon.-Wed., June-Aug., and national holidays. Admission: free. Thomas P. Bruhn, Acting Director, Curator of Collections 860-486-1706 [email protected]

Boulder, Colorado The University of Colorado at Boulder has a new art museum-the CU Art Museum-that opened in 2010 in the Visual Arts Complex. It evolved from the CU Art Galleries founded in 1939. The museum has a permanent collection of 6,000 works that includes ancient Iranian pottery, Roman glass, Chinese sculpture, Japanese Ukiyo-e woodblock prints, European and American paintings, African sculpture, nineteenth- and twentieth-century photography, and contemporary art. The exhibition program includes works from the collection, major curated thematic exhibitions, faculty exhibitions, and undergraduate and graduate student thesis shows. Annual attendance is 20,000. CU Art Museum, University of Colorado at Boulder, 318 UCB, Visual Arts Complex, Boulder, CO 80309-0318. Phone: 303/492-8003. Fax: 303/492-1977. E-mail: [email protected]. Web site: www.colorado.edu/cuartmuseum. Hours: 10-5 Mon. and Wed.-Fri., 10-7 Tues., 10-4 Sat.; closed Sun. and university holidays. Admission: free. Lisa Tamiris Becker, Director

UNIVERSITY OF CONNECTICUT William Benton Museum of Art Storrs, Connecticut The William Benton Museum of Art at the University of Connecticut in Storrs was founded in 1966 and named in honor of William Burnett Benton, a former U.S, senator and university trustee, in 1972. The museum is housed in an elegant 1920 College Gothic structure that served as the university’s main dining hall until the mid-1940s. The building

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UNIVERSITY OF FLORIDA Samuel P. Harn Museum of Art Gainesville, Florida The Samuel P. Harn Museum of Art, which opened in 1990 at the University of Florida in Gainesville, has become one of the largest university art museum in the nation as a result of recent expansions. The museum, named for a local business leader and alumnus whose family gave the founding gift, was established with 64,470 square feet. It now covers 112,720 square feet, following the addition of an 18,000-square-foot pavilion for international contemporary art and other facilities in 2000; a wing dedicated to Asian art in 2008; and a 28,000-square-foot storage and conservation space for the Asian works in 2012. The museum, located in the University of Florida Cultural Plaza (with a natural history museum and a performing arts center), has a permanent collection of more than 7,000 works in seven categories-ancient American, Asian, African, Oceanic, modern, and contemporary art, as well as photography. The museum mounts exhibits from the collection and temporary and traveling exhibitions in 32,773 square feet of exhibit space. It also has a museum study room, object study room, classroom, auditorium, library, cafe, and educational programs. Annual attendance is nearly 79,000. Samuel P. Harn Museum of Art, University of Florida, S.W. 34th St. and Hull Rd., PO Box 112700, Gainesville, FL 32611-2700. Phone: 352/392-9826. Fax: 352/392-1892. E-mail: [email protected]. Web site: www.harn.ufl.edu. Hours: 11-5 Tues.-Fri., 10-5 Sat., 1-5 Sun.; closed Mon. and major holidays. Admission: free. Rebecca Martin Nagy, Director

UNIVERSITY OF GEORGIA UNIVERSITY OF GEORGIA Georgia Museum of Art

UNIVERSITY OF HOUSTON Blaffer Art Museum

Athens, Georgia

Houston, Texas

The Georgia Museum of Art at the University of Georgia in Athens is both the university’s art museum and the official art museum of the state of Georgia. It opened in the basement of an old library on the university’s North Campus in 1948 and now occupies a 52,000 square-foot contemporary building in the Performing and Visual Arts Complex on the East Campus. As the same time, the museum’s permanent collection has grown from the core of 100 paintings donated in 1945 by founder Alfred Heber Holbrook, a retired lawyer and art collector who became the first director. The museum now has a collection of more than 8,000 objects.

The Sarah Campbell Blaffer Gallery, founded in 1973 at the University of Houston in Texas, has become the Blaffer Art Museum as its space, collection, exhibitions, and programs have increased over the years. During her lifetime, Blaffer made available major artworks from her extensive collection dating from the fifteenth century to the present. In 1979, the collection was purchased by the Blaffer Foundation, which is unrelated to the university and the gallery. Investment income from the sale proceeds now provides a portion of the budget for the non-collecting gallery/museum.

The museum’s collection includes American paintings, primarily nineteenth- to twentieth-century works; American, European, and Asian drawings and prints; Kress Study Collection of Italian Renaissance paintings; contemporary American photographs; and a growing collection of Southern decorative arts and Asian art. Much of the collection of American paintings was donated by Holbrook in memory of his wife, Eva Underhill Holbrook. It includes works by such artists as Frank Weston Benson, William Merritt Chase, Stuart Davis, Arthur Dove, Georgia O’Keeffe, Childe Hassam, Winslow Homer, Jacob Lawrence, and Theodore Robinson. The museum, which closed in 2009 and reopened in expanded quarters in 2011, has an annual attendance of 100,000. Georgia Museum of Art, University of Georgia, 90 Carlton St., Athens, GA 30602-6719. Phone; 706/542-4662 Fax; 706/542-1051. E-mail: [email protected]. Web site: www.uga.edu/gamuseum. Hours: by appointment Tues., 10-5 Wed. and Fri.-Sat., 10-8 Thurs., 12-5 Sun.; closed Mon. and major holidays. Admission: free. William U. Eiland, Director 706-542-0441

Blaffer Art Museum, which was expanded in 1999 and now has 75,000 square feet of exhibit space, has presented over 250 exhibitions since its founding. It currently mounts six to eight exhibitions annually, with the focus on art of the last 100 years and its artistic, cultural, and intellectual antecedents. The exhibitions feature exhibitions of regional artists, retrospective shows of national and international artists, thematic surveys which place artists into new contexts, special projects by local artists, and major traveling exhibitions. Annual attendance is 45,000. Blaffer Art Museum, The Art Museum of the University of Houston, 120 Fine Arts Bldg., Houston, TX 77204. Phone: 713/743-9521. Fax: 713/743-9525. E-mail: [email protected]. Web site: www.blaffergallery.org. Hours: 10-5 Tues.-Sat.; closed Sun.-Mon. and university holidays. Admission: free. Claudia Schmuckli, Director and Chief Curator

UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN Krannert Art Museum and Kinkead Pavilion Champaign, Illinois

UNIVERSITY OF HAWAII AT MANOA John Young Museum of Art Honolulu, Hawaii The John Young Museum of Art at the University of Hawaii at Manoa features the arts of China, Korea, Japan, Southeast Asia, and the Pacific. The museum is named for a well-known Hawaiian artist who assembled the collection. The museum, which opened in historic Krauss Hall in 1999, has two galleries-one that contains exhibitions of Asian art and the other that focuses on tribal art. Krauss Hall originally was built in 1931 as the Pineapple Research Institute. John Young Museum of Art, University of Hawaii at Manoa, Krauss Hall, 2500 Dole St., Honolulu, HI 96822-2349. Phone: 808/956-3634. Web site: www.outreach.hawaii.edu/museum. Hours: 10-1 Tues.; 12-3 Fri., 1-4 Sun.; closed Mon., Wed.-Thurs., Sat., and major holidays. Admission: free.

The Krannert Art Museum and Kinkead Pavilion at the University of Illinois at Urbana-Champaign spans much of the history of art. It has a permanent collection of over 9,000 objects representing the cultures of Africa, Asia, Europe, and the Americas, with specializations in pre-Columbian, Asian, and twentieth-century art. In addition to permanent exhibits from the collection, the museum presents 12 to 15 exhibitions of works by professional artists, faculty, and students and from loans from other museums and traveling exhibitions. The museum opened in 1961 to house the university’s art collection after Mr. and Mrs. Herman Krannert, an Indianapolis industrialist and his wife, provided the funds for the building and $1 million to purchase artworks. The museum was expanded in 1967 and again in 1988 when the Kinkead Pavilion was added, nearly doubling the size of the museum

L.B. Nerio, Curator 808-956-3634

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Art Museums & Sculpture Gardens to 48,000 square feet. Since then, the museum’s annual attendance has grown to over 132,000. Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign. 500 E. Peabody Dr., Champaign, IL 61820-6913. Phones: 217/333-1861 and 217/244-0516. Fax: 217/333-0883. E-mail: [email protected]. Web site: www.kam.uiuc.edu. Hours: 9-5 Tues.-Wed. and Fri.-Sat., 9-9; Thurs., 2-5 Sun.; closed Mon. and national holidays. Admission: $3 suggested donation. Kathleen Harleman, Director [email protected]

UNIVERSITY OF IOWA University of Iowa Museum of Art Iowa City, Iowa The 2008 flood in Iowa severely damaged the University of Iowa Museum of Art in Iowa City, resulting in the building being permanently evacuated. The museum now operating on a limited basis in temporary facilities until its new building is constructed. The approximately 12,400 objects in its permanent collection were moved out in time and now are largely housed temporarily at the Figge Art Museum in Davenport. About 500 objects from the collection are located in a new visual classroom in the Iowa Memorial Union; and the African works have been moved to the Stanley Gallery of the Levitt Center for University Advancement. The museum offices are in the Studio Arts Building.

exhibitions of works by local, regional, and nationally recognized artists. The collection, which is partly displayed in pubic corridors, lobbies, and waiting rooms, consists of Iowa art, world cultures, modern American masters, glass art, and works by Turkish artisans. Project Art exhibitions are intended to soothe, stimulate, and educate the hospital audience. Annual attendance is 40,000. Project Art, University of Iowa Hospitals and Clinics, 200 Hawkins Dr., Iowa City, IA 52242-1009. . Phone: 319/353-6417. Fax: 319/384-8141. E-mail: [email protected]. Web site: www.uihealthcare.com/projectart. Hours: museum-8-5 Mon.-Fri.; closed Sat.-Sun.; collection displays-open 24 hours. Admission: free. Adrienne Drapkin, Project Art Director and Medical Museum Director [email protected]

UNIVERSITY OF KANSAS Spencer Museum of Art Lawrence, Kansas

The Spencer Museum of Art, established at the University of Kansas in Lawrence in 1928, resulted from the contribution of a collection of 7,500 art objects from Sallie Casey Thayer, a Kansas City art collector, in 1917. As the collections expanded, the museum outgrew its facilities in Spooner Hall and a new 95,000-square-foot neo-classical Founded in 1967, the museum has a collection that includes building was opened in 1978 to house the museum, the Department of Art History, and the Murphy Library of Art and paintings, sculpture, prints, drawings, photographs, ceramArchitecture. The expansion was made possible by a gift of ics, textiles, jade, and silver. It includes the works of such $4.6 million by another Kansas City collector and patron of artists as De Chirico Kandinsky, L‚ger, Marc, Matisse, Pithe arts, Helen Foresman Spencer, for whom the museum casso, and Viaminck; nearly 5,300 prints spanning the history of western printmaking; nearly 2,000 objects of African was renamed. art; pre-Columbian works; ancient Etruscan and Roman art; The museum, which occupies 43,813 square feet of the and Native American ledger drawings. Two of museum’s building, has a permanent collection of more than 36,000 best known works are Max Beckmann’s triptych Kameval works of art. The collection spans the history of European, and Jackson Pollock’s Mural. North American, and Eastern Asia art, with special strengths University of Iowa Museum of Art, 1840 Studio Arts Bldg., in medieval art; European and American paintings, sculp1375 Hwy. 1 West, Iowa City, IA 52242-1789, Phone: ture, and prints; Japanese Edo-period painting and prints; 319/335-1727. Fax: 319/335-3677.E-mail: twentieth-century Chinese painting; photography; and [email protected]. Web site: www.uima.uiowa.edu. Hours: ethnographic art, which include approximately 10,000 Namuseum bldg. closed; exhibition times at other sites vary. tive American, African, Latin American, and Australian Admission: free. works. The museum has 11 galleries-seven display selections from the collection and four are devoted to special exSean O’Harrow, Executive Director 319-335-1725 hibitions of works from the collection and touring [email protected] exhibitions from other museums. The library has a collection of over 170,000.

UNIVERSITY OF IOWA Hospitals and Clinics Project Art Iowa City, Iowa Project Art functions as an art gallery/museum at the University of Iowa Hospitals and Clinics in Iowa City. Founded in 1978, Project Art displays works from the hospitals/clinics collection of more 5,800 objects, including 3,900 original works of art and 2,200 framed posters, and presents

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Spenser Museum of Art, University of Kansas, 1301 Mississippi St., Lawrence, KS 66045-7500. Phone: 785/864-4710. Fax: 785/864-3112. E-mail: [email protected]. Web site: www.spencerart.ku.edu. Hours: 10-4 Tues.-Wed. and Fri.-Sat., 10-8 Thurs., 12-4 Sun.; closed Mon. and major holidays. Admission: free. Saralyn Reece Hardy, Director 785-864-4710 [email protected]

UNIVERSITY OF KENTUCKY UNIVERSITY OF KENTUCKY Art Museum

UNIVERSITY OF MAINE Museum of Art

Lexington, Kentucky

Bangor, Maine

The Art Museum at the University of Kentucky in Lexington evolved from a gallery started in 1918 as an adjunct to art instruction. In l976, it opened as the university’s art museum in 20,000 square feet in the new Singletary Center for the Arts. It now has a permanent collection of over 4,000 objects and mounts exhibits from the collection and a diverse schedule of temporary exhibitions of artists’ works and traveling exhibitions. The collection features American impressionist, abstract expressionist, and Italian Baroque paintings; Art Nouveau glass; regional art; prints; and photographs. It also has works from the Americas, Africa, and Asia. The annual attendance is more than 27,000.

For more than 30 years, Art Professor Vincent Hartgen collected works of art by Maine and other artists for the University of Maine’s art collection in Orono. In 1988, the collection that began in 1946 became part of the university’s new Museum of Art, which was housed in the 1904 neo-classical granite building originally used for the library. The museum was relocated to downtown Bangor in 2002 where it took on a new role as a regional fine arts center. It now occupies the first floor of Norumbega Hall, a historic structure that formerly housed a department store.

The Art Museum at the University of Kentucky, Singletary Center for the Arts, Rose St. and Euclid Ave., Lexington, KY 40506-0241.Phone: 859/257-5716. Fax: 859/323-1994. E-mail: [email protected]. Web site: www.uky.edu/artmuseum. Hours: 12-5 Tues.-Thurs. and Sat.-Sun., 12-8 Fri.; closed Mon. and university holidays. Admission: permanent collection exhibits, free; special exhibitions, varies but usually adults, $8; seniors, $5; UK students, faculty, staff, other students, and children, free. Kathy Johnson Walsh-Piper, Director 859-257-1152 [email protected]@edu

UNIVERSITY OF LOUISIANA AT LAFAYETTE Paul and Lulu Hilliard University Art Museum

Today, the permanent collection, which celebrates the long heritage of Maine art and artists, consists of more than 6,500 works. It is particularly strong in American mid-twentieth-century works on paper, and contains art by such artists as Berenice Abbott, Marsden Hartley, Winslow Homer, John Marin, Carl Sprinchom, and Andrew Wyeth. In addition to works from the collection, the museum hosts exhibitions featuring contemporary artists and ideas. It also continues to operate a program started by Professor Hartgen in 1946 that circulates art throughout the state in a Traveling Exhibit/Museums by Mail program. The museum’s annual attendance is 25,000. University of Maine Museum of Art, Norumbega Hall, 40 Harlow St., Bangor, ME 04401-5102. Phone: 207/563-3350. Fax: 207/561-3351. Web site: www.umma.umaine.edu. Hours: 10-5 Mon.-Sat.; closed Sun. and major holidays. Admission: adults, $3; UM students and children, free. George Kinghorn, Director and Curator [email protected]

Lafayette, Louisiana The Paul and Lulu Hilliard University Art Museum was founded in 1968 at the University of Louisiana at Lafayette. It seeks to be a tool from which students and scholars can advance knowledge, cultivate aesthetic sensibility, and improve the materials conditions of humankind. The museum has a permanent collection of eighteenth- through twenty-first-century European, Asian, and American artworks, including paintings, drawings, photographs, sculpture, and outsider and naive art. Selections from the collection are presented on a rotating basis in the 11,000-square-foot of exhibit space, where changing exhibitions of regional, national, and international art also are mounted. The museum also has a one-acre sculpture garden. Annual attendance is 30,000. Paul and Lulu Hilliard University Art Museum, University of Louisiana at Lafayette, 710 E. St. Mary Blvd., Lafayette, LA 70503-2332 (postal address: PO Drawer 42571, Lafayette, LA 70504). Phone: 337/482-2278. Fax: 337/262-1268. E-mail: [email protected]. Web site: www.museum.louisiana.edu. Hours: 10-5 Tues.-Sat.; closed Sun.-Mon. and major holidays. Admission: adults, $5; seniors, $4; students 5-17, $3; children under 5, free. Mark Tullos Jr., Director

UNIVERSITY OF MASSACHUSETTS AMHERST Museum of Contemporary Art Amherst, Massachusetts The University Museum of Contemporary at the University of Massachusetts at Amherst is a multidisciplinary teaching laboratory for the exploration and advancement of contemporary art. The 6,533-square-foot museum, which opened as the Unversity Gallery in 1975 in the Fine Arts Center, presents exhibitions of works by artists, selections from the university collection it manages, and traveling and loan exhibitions. The collection consists of approximately 2,600 objects, primarily drawings, prints, and photographs from the second half of the twentieth century. The annual attendance is 12,600. The Department of Art, Architecture, and Art History also has a gallery, Herter Art Gallery, in Herter Hall the mounts solo and group exhibitions of regional artists, students, and faculty. University Museum of Contemporary Art, University of Massachusetts Amherst, Fine Arts Center, 151 President’s Dr., Amherst, MA 01003-9331. Phone: 413/545-3670. Fax: 413/545-2018. E-mail: [email protected]. Web site:

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Art Museums & Sculpture Gardens www.umass.edu/fac/universitygallery. Hours: Feb.-mid-May and mid-Sept.-mid-Dec.-11-4:30 Tues.-Fri., 2-5 Sat.-Sun.; closed Mon., mid-May-mid-Sept., mid-Dec.- Jan., and university holidays. Admission: free.

collection of over 17,500 objects, an extensive exhibition program, and such new facilities as Myrna and Sheldon Pailey Pavilion for Contemporary Glass and Studio Arts, which opened in 2008.

Herter Art Gallery, University of Massachusetts Amherst, Herter Hall, Amherst, MA 01003. Phone: 413/545-0976. Web site: www.umass.edu/art/facilities/herter_gallery/index.html. Hours: 11-4 Mon.-Fri., 1-4 Sun.; closed Sat. and university holidays and breaks. Admission: free.

The museum’s collection includes European and American paintings, works on paper, and sculpture; Kress Collection of Renaissance and Baroque art; nineteenth and twentieth-centuries art of the Americas; Asian ceramics, paintings, and sculpture; pre-Columbian art; Greco-Roman antiquities; Native American art; Guatemalan textiles; African art; and art of the Pacific. The museum features long-term exhibits from the collection and changing historical and contemporary exhibitions on artists, movements, and other themes. It also has an “ArtLab” program in which art students have an opportunity to work with objects from the collection, produce original research, and curate a thematic exhibition that is displayed for a year. Attendance is 50,000.

Loretta Yarlow, Director [email protected]

UNIVERSITY OF MEMPHIS Art Museum Memphis, Tennessee The Art Museum of the University of Memphis in Memphis, Tennessee, opened as the University Gallery in 198l to display changing exhibitions of contemporary art. After it began collecting artworks, the name was changed to the Art Museum of the University of Memphis in 1994. It now has a collection that includes Egyptian antiquities, sub-Saharan African art, works on paper, ancient Greco-Roman glass, Japanese armor, Ethiopian spear points, Navajo textiles, and flintlock dwelling pistols. The museum has three permanent exhibits from the collection and temporary exhibitions that range from traditionally painted or printed artwork and photography to new art forms and student art. The permanent exhibits are devoted to works on paper, African art pieces and artifacts, and Egyptian antiquities and archaeological artifacts, which feature about 200 objects from the university’s Institute of Egyptian Art and Archaeology. The institute has a collection of over 1,400 objects from 100,000 B.C. through A.D. 700, including mummies, religious and funerary items, jewelry, sculpture, and objects from everyday life. The museum’s annual attendance is over 8,400. Art Museum of the University of Memphis, Communication/Fine Arts Bldg., 3750 Norriswood Ave., Memphis, TN 38152. Phone: 901/678-2224. Fax: 901/678-5118. E-mail: [email protected]. Web site: www.amum.org. Hours: 9-5 Mon.-Sat., closed Sun. and university holidays. Admission: free.

Brian Dursum, Director 305-284-5414 [email protected]

UNIVERSITY OF MICHIGAN University of Michigan Museum of Art Ann Arbor, Michigan The University of Michigan Museum of Art in Ann Arbor has undergone a major expansion and restoration of its historic 41,000-square-foot home in Alumni Memorial Hall. A new 53,000-square-foot wing-named for lead benefactors Maxine and Stuart Frankel and family-opened in 2009. The $41.9-million expansion, which increased the museum’s size to 94,000 square feet, more than doubling the space available for collection exhibits, temporary exhibitions, programs, and educational activities.

Coral Gables, Florida

The museum was founded in 1946 in the 1909 Alumni Memorial Hall, originally built as a war memorial for alumni who died in the Civil War. It now has a permanent collection of more than 18,000 artworks-the result of over 155 years of collecting since 1855 at the university. The collection contains Western paintings, prints, drawings, sculpture, and photographs from the sixth century to the present, including such areas as Arts and Crafts ceramics, glass by Louis Comfort Tiffany, and modern and contemporary art. It also has Chinese, Japanese, and Korean ceramics, Chinese paintings and decorative arts, Indian bronzes, Islamic objects, and Oceanic and African artworks.

The Lowe Art Museum at the University of Miami in Coral Gables, Florida, began in three classrooms in 1950 and opened as a free-standing museum two years later with a gift from philanthropists Joe and Emily Lowe. The museum continued to grow as it expanded its facilities, permanent collection, and exhibit and other programs. It now has a

Sixteen galleries display works from the permanent collection, including the Albertine Monroe-Brown Study-Storage Gallery that houses nearly 1,000 works exhibited in open storage cases with nearby computer kiosks where visitors can access information about individual objects and general categories of art. The museum also offers a range of

Leslie Luebbers, Director 901-678-2224 [email protected]

UNIVERSITY OF MIAMI Lowe Art Museum

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Lowe Art Museum, University of Miami, 1301 Stanford Dr., Coral Gables, FL 33146-2099. Phone: 305/284-3535. Fax: 305/284-2024. Web site: www.lowemuseum.org. Hours: 10-4 Tues.-Sat., 12-4 Sun.; closed Mon. and major holidays. Admission: adults, $10; seniors and students, $5; UM students, faculty, staff, and children under 12, free.

UNIVERSITY OF MINNESOTA, DULUTH contemporary and historical temporary and traveling exhibitions, as well as programs in education, music, dance, film, and the spoken word. Annual attendance is 200,000. University of Michigan Museum of Art, 525 S. State St., Ann Arbor, MI 48109-1395/ Phone: 734/764-0395. Fax: 734/764-3731. E-mail:[email protected]. Web site: www.umma.umich.edu. Hours: 10-5 Tues. Sat., 12-5 Sun.; closed Mon., New Year’s Day, Independence Day, Thanksgiving, and Christmas. Admission: $5 suggested donation. Joseph Rosa, Director 734-615-2827 [email protected]

UNIVERSITY OF MINNESOTA, DULUTH Tweed Museum of Art Duluth, Minnesota The Tweed Museum of Art at the University of Minnesota Duluth began in 1950 after Alice Tweed Tuohy, widow of banker and financier George P. Tweed, began donating works from their art collection to the university. Between 1950 and 1973, she gave the museum 600 European and American works of art, and later was instrumental in the fundraising for the 1958 museum building. The museum now has over 6,000 artworks, with particular strength in American paintings. The collection includes seventeenth- to nineteenth-century European and nineteenth- and twentieth-century American paintings, prints, and sculpture; American Indian art; Royal Canadian Mounted Police Force illustrations, international ceramics, and modern and contemporary works. In addition to displaying works from the collection, the museum presents temporary and traveling exhibitions. The annual attendance is 37,000. Tweed Museum of Art, University of Minnesota Duluth, 1201 Ordean Court, Duluth, MN 55812-3041. Phones: 218/726-8222 and 218/726-7823. Fax: 218/726-8503. E-mail;.d.umn.edu/tma. Web site: www.d.umn.edu/tma. Hours: 9-8 Tues., 9-4:30 Wed.-Fri.; 1-5 Sat.-Sun.; closed Mon. and university holidays. Admission: free. Ken Bloom, Director 218-726-8751 [email protected]

UNIVERSITY OF MINNESOTA, TWIN CITIES Frederick R. Weisman Art Museum Minneapolis, Minnesota The Frederick R. Weisman Art Museum at the University of Minnesota in Minneapolis has one of the most unusual collegiate museum buildings in the nation. It is a building with two faces-a brick facade on one side and a striking stainless steel structure with curving and angular brushed steel sheets on the other side. The building, designed by renowned architect Frank O. Gehry, has been called an abstraction of a waterfall and a fish. It opened on a bluff on the east side of the Mississippi River in 1993 and was expanded with three new wings in 2011. A second university art museum also

was funded by and named for Weisman at Pepperdine University in Malibu, California, in 1992 (see separate listing). The University of Minnesota museum was founded as the University Art Museum in 1934 and became the Frederick R. Weisman Art Museum in 1993 when the new building was completed and named for the benefactor, a California art collector, entrepreneur, and philanthropist born in Minnesota. The museum has a permanent collection of over 17,000 works of art that feature twentieth-century American paintings, prints, and sculpture; ancient to modern ceramics; Mimbres pottery; and Korean furniture. The museum’s galleries contain selections from the collection and temporary exhibitions that feature the works of artists, loans, and traveling shows. The museum also administers the university’s Public Art on Campus program, which began in 1988. Frederick R. Weisman Art Museum, University of Minnesota Twin Cities, 33E. River Rd., Minneapolis, MN 55455-0367. Phone: 612/625-9494. Fax: 612/625-9630. E-mail: [email protected]. Web site: www.weisman.umn.edu. Hours: 10-5 Tues.-Wed. and Fri., 10-8 Thurs., 11-5 Sat.-Sun.; closed Mon. and major holidays. Admission: free. Lyndell King, Director and Chief Curator 612-625-9494 [email protected]

UNIVERSITY OF MISSOURI, COLUMBIA State Historical Society of Missouri Art Collection Columbia, Missouri The State Historical Society of Missouri, located on the campus of the University of Missouri-Columbia, has an extensive art collection and the Main and Corridor galleries that display works from the collection. The society holds the largest collection of paintings by George Caleb Bingham, including Order No. 1, and the Thomas Hart Benton Collection includes the Year of Peril series, lithographs, and other works. The society also holds the works of many other Missouri artists and an Editorial Cartoon Collection with original drawings by such artists as Daniel Fitzpatrick, Tom Engelhardt, Don Hesse, Bill Mauldin, and S. J. Ray. Selected paintings by Bingham and Benton are on permanent display and others are shown in changing exhibitions. Annual attendance is nearly 11,000. State Historical Society of Missouri Art Collection, University of Missouri, Elmer Ellis Library, 1020 Lowry St., Columbia, MO 65201-7298. Phone: 573/882-7083. Fax: 573/884-4950. E-mail: [email protected]. Web site: www.shes.umsystem.edu. Hours: 9-4:30 Tues.-Fri., 9-3:15 Sat.; closed Mon., national holidays, and special events. Admission: free. Gary Kremer, Director, State Historical Society of Missouri 573-882-7083

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Art Museums & Sculpture Gardens UNIVERSITY OF MONTANA Montana Museum of Art and Culture Missoula, Montana The Montana Museum of Art and Culture at the University of Montana in Missoula began in 1956 as Museum of Fine Arts, with a collection that started in 1894-a year after the university was established. The collection has grown to over 10,000 objects with works by Western and European painters and printmakers; ceramic sculpture; Chinese and Japanese art; Native American art with a Montana emphasis, and historical objects. Among the artists represented in the collection are Rembrandt van Rijn, Honore Daumier, Henri de Toulouse-Lautrec, William Merritt Chase, Joseph Henry Sharp, Frederic Remington, Marc Chagall, Pablo Picasso, Kathe Kollwitz, Salvador Dali, Norman Rockwell, and Robert Motherwell. The museum mounts works from the collection in exhibits and presents exhibitions of art by visiting regional, national, and international artists and traveling exhibitions. Some artworks also are displayed in other university buildings and around the campus. The museum’s annual attendance is 9,000. Montana Museum of Art and Culture, University of Montana, Main Hall, 32 Campus Dr., Missoula, MT 59812. Phone: 406/243-2019. Fax: 406/243-2797. E-mail: [email protected]. Web site: www.umt.edu/montanamuseum. Hours: Sept.-May-11-3 Tues.-Thurs., 4-8:30 Fri.-Sat.; closed Sun.-Mon.and state and national holidays; June-Aug.-11-3 Wed.-Sat.; closed Sun.-Tues. and Independence Day. Admission: free.

Works from the collection are exhibited in the museum, as well as changing exhibitions of art by contemporary Nebraska artists. The museum also has a sculpture garden, educational activities, and an “ARTeach” outreach program that tours selections from the collection throughout the state. Museum of Nebraska Art, University of Nebraska-Kearney, 2401 Central Ave., Kearney, NE 6847-4501. Phone: 308/865-8559. Fax: 308/865-8104. E-mail: [email protected]. Web site: www.monet.unk.edu/mona. Hours: 11-5 Tues.-Sat., 1-5 Sun.; closed Mon. and major holidays. Admission: free. Audrey S. Kaunders, Director

UNIVERSITY OF NEBRASKA-LINCOLN Sheldon Museum of Art and Sculpture Garden Lincoln, Nebraska The Sheldon Museum of Art and Sculpture Garden at the University of Nebraska in Lincoln was founded in 1963 as a memorial to Mary Frances Sheldon, who bequeathed her estate to the university for the purpose of constructing an art museum on the campus. Her gift was increased by her brother, Adams Bromley Sheldon, who left 40 percent of his estate for the museum. Today, the Sheldon Museum of Art occupies a white travertine marble building designed by architect Philip Johnson and is the center of art and culture on the campus.

Barbara Koostra, Director

UNIVERSITY OF NEBRASKA-KEARNEY Museum of Nebraska Art Kearney, Nebraska Nebraska’s artistic heritage is celebrated at the Museum of Nebraska Art Museum at the University of Nebraska-Kearney. The dream of such a showcase began in 1976 with the Nebraska Art Collection board of directors and a collection of fewer than 30 pieces of art. Three years later, the Nebraska legislature passed a bill recognizing the fledgling collection as the official collection of the state. A former post office building in Kearney was purchased and renovated to serve as the museum’s first home in 1986. After successfully fulfilling the terms of a $1 million challenge grant from the Peter Kiewitt Foundation, the museum opened in 1993 in its present restored Renaissance Revival building that is listed on the National Register of Historic Places. Since that startup period, the museum has grown into an important regional art center featuring the permanent collection, which now numbers more than 5,000 artworks that reflects the history and culture of the state. The collection includes works from artist-explorers like George Catlin and the early twentieth-century artist Robert Henri, as well as later works such as Oregon Trail illustrations by Thomas Hart Benton and wildlife art by John James Audubon.

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The museum has a collection of over 12,000 works of art, mounts approximately 20 exhibitions a year, offers numerous educational offerings, and has an outdoor sculpture garden with over 30 monumental sculptures. It also is the site of numerous university activities ranging from the visual and performing arts to the human and social sciences in multidisciplinary arts programs. The museum houses both the Sheldon Art Association collection founded in 1889 and the University of Nebraska collection initiated in 1929. They represent a comprehensive collection of American art, with prominent holdings of nineteenth-century landscape and still life, American Impressionism, early Modernism, geometric abstraction, Abstract Expressionism, and Pop, Minimalism, and contemporary art, including works by such artists as Edward Hopper, Mary Cassatt, Andy Warhol, Georgia O’Keeffe, and Jackson Pollock. The sculpture garden, which began in 1970, includes works by Tom Otterness, Gaston Lachaise, William Zorash, Richard Serra, Claes Oldnberg, and Coosje van Bruggen. The museum’s annual attendance is 50,000. Sheldon Museum of Art and Sculpture Garden, University of Nebraska-Lincoln, 12th and R Sts., PO Box 880300. Lincoln, NE 68588-0300. Phone: 402/472-2461. Fax: 402/472-4258. E-mail: [email protected]. Web site: www.sheldonartmuseum.org. Hours: 10-8 Tues., 10-5 Wed.-Sat., 12-5 Sun.; closed Mon., Easter, Memorial Day,

UNIVERSITY OF NEBRASKA-LINCOLN Independence Day, Thanksgiving, and Christmas through New Year’s Day. Admission: free.

www.unl.edu/lentz. Hours: by appointment; closed university holidays and breaks. Admission: free.

Jorge Daniel Veneciano, Director

James Stubbendieck, Director, UN-Lincoln Center for Great Plains Studies

UNIVERSITY OF NEBRASKA-LINCOLN Great Plains Art Museum Lincoln, Nebraska The Great Plains Art Museum at the University of Nebraska-Lincoln is dedicated to the arts of the nation’s Great Plains region. The museum opened in 1981 after Dr. John and Elizabeth Christlieb of Bellevue, Nebraska, donated to the university’s Center for the Great Plains Studies their collection of western art, library of western Americana, and an endowment for the care of the collection. The Christlieb collection now serves as the foundation of the museum’s permanent collection of bronze sculptures, paintings, drawings; prints, and photographs. The museum contains works by such western artists as Albert Bierstadt, William de la Montagne Cary, Robert F. Gilder, William Henry Jackson, Frederic Remington, Charles M. Russell, and Olaf Wieghorst, as well as such other artists as Grant Wood, Norman Rockwell, and Jackson Pollock. Works from the collection are rotated in exhibits, and temporary guest-curated and traveling exhibitions are presented in the galleries. The center’s library also has 7,500 volumes about the West and the Great Plains. Annual attendance is over 17,000. Great Plains Art Museum, University of Nebraska-Lincoln, Hewit Place Bldg., 1155 Q St., Lincoln, NE 68588-0250. Phone: 402/472-3082. E-mail: [email protected]. Web site: www.unl.edu/plains. Hours: 10-5 Tues.-Sat., 1:30-5 Sun.; closed Mon. and major holidays. Admission: free. James Stubbendieck, Director, UN-Lincoln Center for Great Plains Studies

UNIVERSITY OF NEBRASKA-LINCOLN Lentz Center for Asian Culture Lincoln, Nebraska The Lentz Center for Asian Culture at the University of Nebraska-Lincoln seeks to further knowledge and understanding of Asian art and culture. The center was founded in 1986 with the basic collection and endowment by Professor Donald and Velma Lentz, who were inspired by their many years of work and study in Asia. Lentz was a retired music professor at the university. The collection includes Asian ceramics, ivory, jade, metal, textiles, lacquer, prints, and musical instruments; Tibetan and Bhutanese ritual and secular art; and other Asian artifacts. Annual attendance was 2,300, but the center no longer has regular hours and can be seen only by appointment because of financial restraints.

UNIVERSITY OF NEW HAMPSHIRE Museum of Art Durham, New Hampshire The Museum of Art at the University of New Hampshire in Durham began as an art gallery in 1960 and gradually developed into a museum with a historically oriented collection of 1,500 paintings, sculpture, ceramics, and works on paper. The historical art of New England is among the collection’s strengths. The museum is best known for its collection of works by the second generation of Boston Expressionist artists, featuring the figurative works of David Aronson, Marianna Pineda, Mitchell Siporin, Barbara Swan, Harold Tovish, and Elbert Weinberg. The museum has 5,350 square feet of exhibit space in the Paul Creative Arts Center that is used to display work from the collection, artists, faculty, and students. Annual attendance is over 6,200. Museum of Art, University of New Hampshire, Paul Creative Arts Center, 30 Academic Way, Durham, NH 03824-3538. Phone: 603/862-3712. Fax: 603/862-2191. E-mail: [email protected]. Web site: www.unh.edu/moa. Hours: Sept.-May-10-4 Mon.-Wed., 10-8 Thurs., 1-5 Sat.-Sun.; closed Fri., June-Aug., and university holidays. Admission: free. Wes LaFountain, Interim Director 603-862-3712

UNIVERSITY OF NEW MEXICO Art Museum Albuquerque, New Mexico The permanent collection at the University Art Museum at the University of New Mexico in Albuquerque has grown steadily since the museum’s founding in 1963. It now has more than 20,000 works of paintings, prints, sculpture, and photographs, including such works as Old Masters paintings, drawings, and sculpture; Spanish Colonial art, Transcendental paintings, and over 10,000 photographs from early daguerreotypes to contemporary digital images. The Jonson Gallery, which formerly was located in a separate building, has been relocated to the university museum building. It has four distinct collections with over 1,300 works by Raymond Jonson and the other nine members of the Transcendental painting group and 1,000 works by other mid-twentieth century and contemporary American artists. The museum also is the lithography archive for the Tamarind Institute.

Works from the permanent collection are displayed in the Lentz Center for Asian Culture, University of Nebraska-Lin- museum, as well as curated exhibitions of works of artists coln, Hewit Place Bldg., 1155 Q St., PO Box 880252, Lincoln, NE 68588-0252. Phone: 402/472-5841. Fax: 402/472-0463. E-mail: [email protected]. Web site:

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Art Museums & Sculpture Gardens and loan and traveling exhibitions. Annual attendance is nearly 44,400. University Art Museum, University of New Mexico, UNM Center for the Arts, Cornell and Central N.E., MSC04, Albuquerque, NM 87131-0001. Phone: 505/277-4001. Fax: 505/277-735. E-mail: [email protected]. Web site: www.umartmuseum.unm.edu. Hours: 10-8 Tues., 10-4 Wed.-Fri., 1-4 Sat.-Sun.; closed Mon. and major holidays. Admission: free. E. Luanne McKinnon, Director

UNIVERSITY OF NEW MEXICO Harwood Museum of the University of New Mexico Taos, New Mexico

UNIVERSITY OF NEW ORLEANS Ogden Museum of Southern Art New Orleans, Louisiana Visual art of the 15 Southern states and the District of Columbia from 1733 to the present are featured at the Ogden Museum of Southern Art at the University of New Orleans in New Orleans, Louisiana. The museum was founded in 1994 with the collection of Roger H. Ogden, who had assembled one of the first and most significant collections of art in the South. The museum collection includes paintings, prints, watercolors, photographs, ceramics, sculpture, crafts, and design of the region. The museum displays selections from the collection and temporary exhibitions of works by Southern artists. Annual attendance is 53,000. Ogden Museum of Southern Art, University of New Orleans, 925 Camp St., New Orleans, LA 70130-3907. Phone: 504/539-9600. Fax: 504/539-9602. E-mail: [email protected]. Web site: www.ogdenmuseum.org. Hours: 10-5 Wed. and Fri.-Sun., 10-5 and 6-8 Thurs., closed Mon.-Tues. and major holidays. Admission: adults, $10; seniors and college students, $8; children under 18, $5; children under 5, free; state residents free 10-5 on Thurs.

The Harwood Museum of the University of New Mexico is located in Taos, not Albuquerque. The museum, which features works of the early twentieth-century Taos Society of Artists, was founded in 1923 and has been operated by the university since 1935. The museum began in the home of artists Burt and Elizabeth Harwood, who moved from France to Taos to join a group of artists inspired by New Mexico’s landscape and light and the traditional Native American and Hispanic cultures of the region. The UniverLisa McCaffety-Scott, Chief Operating Officer/ Acting Director sity of New Mexico began using the home as a base for edu- 504-539-9611 [email protected] cational programs in the area, and in 1935 the Harwoods gave their home to the university. The university then undertook a major restoration and expansion of the property, resulting in the present Pueblo Revival-style adobe museum UNIVERSITY OF NORTH CAROLINA AT complex by well-known Southwest architect John Gaw CHAPEL HILL Meem. After World War II, the museum expanded its activiAckland Art Museum ties to include new trends in American art.

Chapel Hill, North Carolina The Harwood Museum of Art now has a collection of over 1,700 works of art and a photographic archive of 17,000 images ranging from the nineteenth century to the present. The collection includes early and later Taos artists in all media; Hispanic retablos, Santos, and sculpture; Spanish Colonial furniture of Hispanic culture; and modern and contemporary art. The museum has seven galleries that display permanent exhibits from the collection and changing exhibitions. Among the artists represented in the galleries are Ernest Blumenschen and Victor Higgins of the original Taos art colony; American modernists John Marin and Marsden Hartley; artists known as Taos Moderns; contemporary artists Agnes Martin, Larry Bell, and Ken Price. Harwood Museum of Art, University of New Mexico, 238 Ledoux St., Taos, NM 87571-7009. Phone: 505/758-9826. Fax: 505/758-1475. E-mail: [email protected]. Web site: www.harwoodmuseum.org. Hours: 10-5 Tues.-Thurs. and Sat., 10-7 Fri., 12-5 Sun.; closed Mon., New Year’s Day, Thanksgiving, and Christmas. Admission: adults, $8; seniors and students, $7; children under 13 and UNM students and faculty, free; county residents free every Sun. Susanne Longhenry, Director 575-758-9826 [email protected]

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The Ackland Art Museum at the University of North Carolina at Chapel Hill is the only museum in the nation where the donor’s remains lie within the building that his generosity made possible. William Hayes Ackland, a Tennesseean, left a will that provided for the establishment of an art museum at a major university in the South, but didn’t specify which university. After years of litigation over the site, the courts awarded the museum funds to the University of North Carolina. The museum opened in 1958 with Ackland’s remains entombed in a marble sarcophagus overlaid with his relining bronze figure. The museum has a permanent collection of more than 15,000 works of art that include European and American paintings, drawings, and sculpture from ancient times to the twentieth century; fifteenth- to twentieth-century works on paper; Asian art; Indian miniatures and sculpture; African art; North Carolina folk art; photographs; and other works. The museum library also has a 39,000-volume library and 154,000 slides available through the university art department. Selections from the collection, including works by Peter Paul Rubens, Eugene Delacroix, and Andy Warhol, are presented in long-term exhibits and more than a dozen spe-

UNIVERSITY OF NORTH CAROLINA AT GREENSBORO cial exhibitions are mounted each year, ranging from Old Masters paintings to contemporary American photographs. Ackland Art Museum, University of North Carolina at Chapel Hill, S, Columbia St. at Franklin St., Campus Box 3400, Chapel Hill, NC 27599-3400. Phone: 919/966-5736. Fax: 919/956-140. E-mail: [email protected]. Web site: www.ackland.org. Hours: 10-5 Wed. and Fri.-Sat., 10-8 Thurs., 1-5 Sun.; closed Mon-Tues., New Year’s Day, Independence Day, Thanksgiving, and Christmas Eve and Day. Admission: free.

and contemporary artworks, and aerial photography. It presents contemporary, historical, and traveling exhibitions and has an annual attendance of 50,000. North Dakota Museum of Art, University of North Dakota, 261 Centenial Dr., Stop 7305, Grand Forks, ND 58202-6003. Phone: 701/777-4195. Fax: 701/777-4425. E-mail: [email protected]. Web site: www.ndmoa.com. Hours: 9-5 Mon.-Fri., 11-5 Sat.-Sun.; closed major holidays. Admission: $5 suggested donation. Laurel Reuter, Founding Director and Chief Curator

Emily Kass, Director 919-966-5736 [email protected]

UNIVERSITY OF NORTH CAROLINA AT GREENSBORO Weatherspoon Art Museum Greensboro, North Carolina The Weatherspoon Art Gallery at the University of North Carolina at Greensboro was founded in 1941 when the institution was still the Women’s College of the University of North Carolina. The museum, housed in the Anne and Benjamin Cone Building, now has a collection of nearly 6,000 objects, including one of the leading collections of modern and contemporary art in the Southwest. The collection focuses on American art after World War II and includes paintings, works on paper, sculpture, and photographs, including works by such artists as Alexander Calder, Willem de Kooning, Thomas Hart Benton, Joseph Stella, Romare Bearden, Louise Bougeois, and Eva Hesse. The museum also has such other works as Matisse prints and bronzes and Japanese woodblock prints. Works from the collection are featured in gallery exhibits and temporary exhibitions are presented of works by artists and MFA thesis exhibitions. The museum also has a sculpture court. Annual attendance is over 30,000. Weatherspoon Art Museum, University of North Carolina at Greensboro, Spring Garden and Tate St., PO Box 26170, Greensboro, NC 27402-6170. Phone: 336/334-5770. Fax: 336/334-5907. E-mail: [email protected]. Web site: www.weatherspoon.uncg.edu. Hours: 10-5 Tues.-Wed. and Fri., 10-9 Thurs., 1-5 Sat.-Sun.; closed Mon. and university holidays. Admission: free. Nancy Doll, Director

UNIVERSITY OF NORTH DAKOTA North Dakota Museum of Art

UNIVERSITY OF NORTH FLORIDA Museum of Contemporary Art Jacksonville Jacksonville, Florida The Museum of Contemporary Art Jacksonville, a private nonprofit and cultural resource of the University of Northern Florida, in downtown Jacksonville, is one of the Southeast’s largest contemporary art institutions. It began in 1924 as the Jacksonville Fine Arts Society, incorporated as the Jacksonville Art Museum in 1948, and assumed its present name in 2006. In 1999, the museum acquired the historic Western Union Telegraph Building in downtown Jacksonville, renovated the 60,000-square-foot, six-floor building, and opened in 2003 to become a cornerstone in Jacksonville’s downtown revitalization program and affiliated with the University of Northern Florida. The museum has a collection of approximately 800 works of contemporary art, including works by such artists as Alexander Calder, Hans Hoffman, Joan Mitchell, Helen Frankenthaler, James Rosenquist, Robert Rauschenberg, and Ed Pachke. It contains five galleries that display works from the collection and changing exhibitions of contemporary artists. The museum also has an “ArtExplorium Loft,” which features interactive stations for hands-on learning about visual art techniques and has links to the permanent collection. The annual attendance is 58,000. Museum of Contemporary Art Jacksonville, 333 N. Laura St., Jacksonville, FL 32202-3505. Phone: 904/366-6911. Fax: 904/366-6901. E-mail: [email protected]. Web site: www.mocajacksonville.org. Hours: 10-4 Tues.-Wed. and Fri.-Sat., 10-8 Thurs., 12-4 Sun.; closed Mon. and major holidays. Admission: adults, $8; seniors, military, and students, $5; UNF students and children under 2; free admission for families and children under 18 and accompanying adults on Sun. Marcelle Polednik, Director [email protected]

Grand Forks, North Dakota The North Dakota Museum of Art was founded in 1970 as UNIVERSITY OF NOTRE DAME an art gallery at the University of North Dakota in Grand Forks and designated as the state’s official art museum in Snite Museum of Art 1981 by the North Dakota Legislative Assembly. The muNotre Dame, Indiana seum, which moved in 1989 into a renovated 1907 building once used as a gymnasium, has a collection of contemporary The Snite Museum of Art at the University of Notre Dame art, Northern Plains art, folk art, American Indian historical in South Bend, Indiana, has over 24,000 works representing many of the principal cultures and periods of world art

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Art Museums & Sculpture Gardens history. The museum opened in 1980 with the construction funds being provided by the Fred B. Snite family. It incorporated the studio and papers of sculptor Ivan Mestrovic, who was in residence at the university for many years, and the exhibition program of the O’Shaughnessy Art Gallery. The museum’s permanent collection includes such principal holdings as Rembrandt etchings, nineteenth-century French art, Old Masters and nineteenth-century drawings, nineteenth-century European photographs, and Mestrovic sculpture and drawings. It also has such other works as Olmec and Preclassic Mesoamerican art, twentieth-century art, Native American art, and decorative and design arts. Many of the works are displayed in permanent exhibits and temporary exhibitions. Outdoor sculpture also can be seen on the campus and in the Mary Loretto and Terrence J. Dillon Courtyard, which features two large kinetic sculptures by George Rickey. Snite Museum of Art, University of Notre Dame, Notre Dame, IN 46556-0368. Phone: 574/631-5466. Web site: www.nd.edu/~sniteart. Hours: 10-4 Tues.-Wed., 10-5 Thurs.-Sat., 1-5 Sun.; closed Mon. and major holidays. Admission: free. Charles R. Loving, Director 574-631-4711

UNIVERSITY OF OKLAHOMA Fred Jones, Jr. Museum of Art Norman, Oklahoma An art museum at the University of Oklahoma in Norman was the dream of Professor Oscar Jacobson after he became director of the School of Art in 1915. In the years that followed, he collected works of art and by 1936 he had assembled a collection of 2,500 and opened a museum after receiving a gift of 750 East Asian objects from Lew Wentz and Gordon Matzene. In the years that followed, the collection was expanded and Jacobson’s vision of a permanent facility finally was achieved in 1971 when Mr. and Mrs. Fred Jones of Oklahoma City donated a fine arts building in memory of their son, Fred Jones, Jr., who was killed in an airplane crash during his senior year at the university and for whom the museum was named. In 2005, a new wing named in honor of Mary and Howard Lester of San Francisco added more than 34,000 square feet to the original 27,000-square-foot building. The museum also continued to receive gifts of artworks, including the Weitzehoffer Collection of 33 works of French Impressionists like Degas, Gauguin, Monet, Pissarro, Renoir, Toulouse-Lautrec, Van Gogh, and Vuillard and approximately 3,300 objects from the Adkins Foundation that features such American artists as Maynard Dixon, Worthington Whittridge, Alfred Jacob Miller, Victor Higgins, Charles M. Russell, Nicolai Fechin, John Marin, William R. Leigh, and Joseph Henry Sharp. The collection now consists of more than 12,300 works with strengths in French Impressionism, twentiety-century American painting and

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sculpture, Native American and Southwest art, Asian art, ceramics, photography, and contemporary art. Fred Jones, Jr. Museum of Art, University of Oklahoma, 555 Elm Ave., Norman, OK 73019-3003. Phones: 405/325-3272 and 465/325-0843. Fax: 465/325-7696. E-mail: [email protected]. Web site: www.ou.edu/fjjma. Hours: 10-5 Mon.-Thurs. and Sat., 10-9 Fri., 1-5 Sun.; closed major holidays. Admission: adults, $5; seniors, $4; children 6-17, $3; OU students and faculty, $2; children under 6, free; free admission on Tues. Ghislain d’Humieres, Wylodean and Bill Saxon Director 405-325-0843 [email protected]

UNIVERSITY OF PENNSYLVANIA Institute of Contemporary Art Philadelphia, Pennsylvania The Institute of Contemporary Art at the University of Pennsylvania in Philadelphia is dedicated to exhibiting innovative contemporary art. Founded in 1963, the museum has a reputation for showing the works of artists of promise who later become internationally known. The institute was the first museum to exhibit the works of such artists as Andy Warhol, Laurie Anderson, Agnes Martin, and Robert Indiana. It does not have a collection, but presents 12 exhibitions a year in its 1990 building. The annual attendance is 21,000. Institute of Contemporary Art, University of Pennsylvania, 118 S. 36th St., Philadelphia, PA 19104-3289. Phones: 215/898-7108 and 215/898-5911. Fax: 215/898-5050. E-mail: [email protected]. Web site: www.ica;hila.org. Hours: 12-8 Wed.-Fri., 11-5 Sat-Sun.; closed Mon.-Tues., New Year’s Day, Easter, Thanksgiving, and Christmas. Admission: free. Claudia Gould, Daniel W. Deitrich II Director

UNIVERSITY OF RICHMOND Joel and Lila Harnett Museum of Art University of Richmond, Virginia The Marsh Art Gallery, founded in 1967 at the University of Richmond in Richmond, Virginia, was renamed the Joel and Lila Harnett Museum of Art in 2005 in honor of their long-time support of the visual arts on the campus. The name was changed after the art gallery moved to the George M. Modlin Center for the Arts in 1996 and began acquiring artworks for a permanent collection. The collection now includes historical through contemporary art in all media. Prints from the Renaissance to the present can be seen in the Print Study Center. Exhibitions from the collection and on artists and art periods and other subjects, as well as an annual student art show, are offered in the 4,000 square feet of exhibit galleries. Joel and Lila Harnett Museum of Art, University of Richmond Museums, Modlin Center for the Arts, 28

UNIVERSITY OF ROCHESTER Westhampton Way, University of Richmond, VA 23173. Phone: 804/289-8276. Fax: 804/287-1894, E-mail: [email protected]. Web site: www.museums.richmond.edu. Hours: late Aug.-late Apr.-1-5 Tues.-Sun.; closed Mon. and university holidays and breaks; late Apr.-mid-May-1-4 Wed.-Fri.; closed Sat.-Tues. and mid-May-mid-Aug. Admission: free. Richard Waller, Executive Director 804-287-6614 [email protected]

UNIVERSITY OF ROCHESTER Memorial Art Gallery

works of contemporary photography and African art. The museum presents exhibits from the collection and temporary exhibitions of contemporary art from state, nation, and around the world. The university also has an Institute for Research in Art. The museum’s annual attendance is 58,000. University of South Florida Contemporary Art Museum, 4202 E. Fowler Ave., Tampa, FL 33620-9951 (postal address: 3821 Holly Dr., Tampa, FL 33620-7360). Phone: 813/974-4133. Fax: 813/974-5130. E-mail: [email protected]. Web site: www. usfcam.usf.edu/cam. Hours: 10-5 Mon.-Fri., 1-4 Sat.; closed Sun. and university holidays and breaks. Admission: free. Margaret A. Miller, Director

Rochester, New York The Memorial Art Gallery at the University of Rochester in New York is a campus art museum that is nearly 100 years old. Founded in 1913 by Emily Sibley Watson as a memorial to her son, architect James Averell, the museum has collections and exhibits that span 5,000 years and one of the largest university museum attendances (over 245,500). It is still housed in its original Italian Renaissance building that has been expanded three times and is one of the few university art museums that also serves as a community art museum. The museum has more than 12,000 objects that range from antiquity to contemporary works. It is best known for its medieval treasures, but it also has such other strengths as seventeenth-century art, nineteenth- and twentieth-century French and American paintings, American folk art, and European and American prints and drawings. Its permanent and temporary exhibits offer a panorama of the world’s art. The museum also has a 38,000-volume library of art and art history books, gallery talks, lectures, films, guided tours, concerts, and educational programs. Memorial Art Gallery, University of Rochester, 500 University Ave., Rochester, NY 14607-1484. Phone: 585/276-8900. Fax: 585/473-6266. E-mail: [email protected]. Web site: www.mag.rochester.edu. Hours: 11-5 Wed. and Fri.-Sun., 11-9 Thurs.; closed Mon.-Tues. and major holidays. Admission: adults, $10; seniors, $6; college students and children 5-18, $5; children under 6, free. Grant Holcomb, The Mary W. and Donald R. Clark Director 585-276-8902 [email protected]

UNIVERSITY OF SOUTHERN CALIFORNIA USC Fisher Museum of Art Los Angeles, California The USC Fisher Museum of Art at the University of Southern California in Los Angeles, began in 1939 with a gift of paintings and funds from Elizabeth Holmes Fisher. It was the first museum in Los Angeles devoted exclusively to the collection and exhibition of fine art. The museum now has a collection of over 1,800 objects, including nineteenth-century American landscapes, sixteenth- and seventeenth-century Northern European paintings, eighteenth-century British portraitures, nineteenth-century French Barbizon paintings, and twentieth-century works on paper, paintings, and sculpture. Exhibitions range from Old Masters to contemporary art, including works by local, emerging, and established artists. Annual attendance is 20,000. USC Fisher Museum of Art, University of Southern California, 823 Exposition Blvd., Los Angeles, CA 90089-0172 (postal address: 126 Harris Hall, Los Angeles, CA 90080-0001). Phone: 213/740-4561. Fax: 213/740-7676. E-mail: [email protected]. Web site: www.fisher.usc.edu. Hours: 12-5 Tues.-Sat.; closed Sun.-Mon. and major holidays. Admission: free. Selma Holo, Director

UNIVERSITY OF ST. THOMAS American Museum of Asmat Art St. Paul, Minnesota

UNIVERSITY OF SOUTH FLORIDA Contemporary Art Museum Tampa, Florida The University of South Florida Contemporary Art Museum in Tampa was founded in 1968 and opened in its current facilities adjacent to the College of the Arts in 1989. The museum maintains the university’s art collection of more than 5,000 artworks, which has exceptional holdings in graphics and sculpture multiples by such artists as Roy Lichtenstein, Robert Rauschenberg, and James Rosenquist and important

The American Museum of Asmat Art at the University of St. Thomas in St. Paul, Minnesota, is an ethnological art museum devoted largely to the traditional and contemporary art of the Asmat people who live in the dense forest region of southwest Papus in Indonesia. The museum, founded in 1995, has a collection of 1,000 Asmat and other objects that include paintings, sculpture, decorative arts, stained glass, and textiles. Artworks are displayed in a gallery in the new Anderson Student Union and such other campus locations as the O’Shaughnessy Education Center, O’Shaughnessy-Frey Library, John R. Roach Center for Liberal Arts, and Brady

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Art Museums & Sculpture Gardens Education Center. The museum also mounts four annual exhibitions featuring local, emerging, national, and alumni artists. The museum’s annual attendance is 3,700. American Museum of Asmat Art, University of St. Thomas, 2115 Summit Ave., Mail 57P, St. Paul, MN 55105-1048. Phone: 651/962-5512. Fax: 651/9625861. E-mail: [email protected]. Web site: www.stthomas.edu/arthistory/asmat. Hours: 8-4 Mon.-Thurs., 8-12 Fri., varies with exhibitions on Sat.-Sun.; closed on major holidays. Admission: free. Julie Risser, Director 651-962-5512 [email protected].

UNIVERSITY OF TEXAS AT AUSTIN Blanton Museum of Art Austin, Texas The Archer M. Huntington Gallery, founded at the University of Texas at Austin in 1963, became the Jack S. Blanton Museum of Art in 2000. The original gallery resulted from the interest and support of philanthropist Arthur M. Huntington, who donated approximately 4,300 acres of land in 1927 for the use and benefit of a museum. The land was sold for $145,000, invested, and later provided $600,000 for an Art Building that included a gallery in Huntington’s name. The fund continued to grow, reaching a value of $24.6 million by 2000. After the university launched a fundraising drive for a new museum building in 1996, the Houston Endowment, Inc., made one of the lead gifts. The $12 million contribution was in honor of its chairman, Jack S. Blanton, and five other parties. In 2000, the university renamed the Archer M. Huntington Art Gallery for Blanton in recognition of his long-standing commitment to the arts at the university. The 155,000-square-foot Blanton Museum of Art, which opened in 2006, now has a permanent collection of over 17,000 works, known for its fourteenth- through twentieth-century Western European paintings, encyclopedic collection of prints and drawings, and modern and contemporary American and Latin American art. The museum also has an extensive exhibition schedule that features a broad range of artistic expression and history. Annual attendance is 170,000.

UNIVERSITY OF UTAH Utah Museum of Fine Arts Salt Lake City, Utah The Utah Museum of Fine Arts at the University of Utah in Salt Lake City is both a university and state art museum. The museum evolved from a small one-room art gallery featuring the paintings of local artists in the early 1900s. It became the Utah Museum of Fine Arts in 1951 and moved into expanded quarters in 1970 and its present new 74,000-square-foot building in 2001. In 2005, the Utah state legislature designated the museum as an official state institution. The museum’s permanent collection has grown from 800 objects in the mid-nineteenth century to more than 17,000 artworks. Among the works are fourteenth- to twentieth-century European art, including Masterworks; seventeenth- and eighteenth-century English furniture; eighteenth-century French decorative art and tapestries; nineteenth-century American art; Egyptian antiquities; Italian Renaissance furniture; Buddhist cultural objects; Chinese porcelains; Japanese screens; pre-Columbian, African, and Indonesian art; Utah art; and contemporary graphics. The museum has exhibits from the collection, a sculpture court, and curated and traveling exhibitions. The annual attendance is nearly 114,000. Utah Museum of Fine Arts, University of Utah, Marcia and John Price Museum Bldg., 410 Campus Center Dr., Salt Lake City, UT 84112-0350. Phone: 801/581-7332. Fax: 801/585-5198. E-mail: [email protected]. Web site: www.umfa.utah.edu. Hours: 10-5 Tues. and Thurs.-Fri., 10-8 Wed., 11-5 Sat.-Sun.; closed Mon. and major holidays. Admission: adults, $7; Useniors and youth, 8-18, $5; children under 6 and U of U students, faculty, and staff, free; admission free 1st Wed. and 3rd Sat. of month. Gretchen Dietrich, Director

UNIVERSITY OF VERMONT Robert Hull Fleming Museum Burlington, Vermont

The Robert Hull Fleming Museum at the University of Vermont in Burlington is an art and anthropology museum that opened in 1931 in a neo-classical building made possible Blanton Museum of Art, University of Texas at Austin, 200 largely by a gift from Katherine Wolcott, niece of Fleming, E. Martin Luther King, Austin, TX 78701 (postal address: 1 an 1862 alumnus. Fleming and Wolcott were art collectors University Station, D1301, Austin, TX 78712-0338. Phones: and world travelers whose artworks and anthropological ob512/471-7324 and 512/471-5482. Fax: 512/471-7023. jects were donated to the university and housed in the building with other university collections. E-mail: [email protected]. Web site: www.blantonmuseum.org. Hours: 10-5 Tues.-Fri. (3rd The Fleming Museum has more than 20,000 objects that Thurs. of month open to 9), 11-5 Sat., 1-5 Sun.; closed range from early Mesopotamia through contemporary Mon., New Year’s Day, Independence Day, Thanksgiving, America. They include medieval to modern prints and drawand Christmas. Admission: adults, $7; seniors, $5; youth and college students, $3; children under 12, free; free admis- ings; American and European paintings; pre-Columbian, ancient, African, Oceanic, and Asian decorative arts; Native sion 3rd Thurs. of month. American objects; archaeological and anthropological artifacts; textiles; and costumes. Exhibitions are presented of Simone J. Wicha, Director

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UNIVERSITY OF VIRGINIA contemporary and historical art from around the world. The annual attendance is 25,000. Robert Hull Fleming Museum, University of Vermont, 61 Colchester Ave., Burlington, VT 05405. Phone: 802/656-0750. Fax: 802/656-8050. E-mail: [email protected]. Web site: www.flemingmuseum.org. Hours: early Sept.-Apr.-9-4 Tues. and Thurs.-Fri.; 9-8 Wed.; closed Sat.-Mon. and major holidays; May-Labor Day-12-4 Tues.-Fri., 1-5 Sat.-Sun.; closed Mon. and major holidays. Admission: adults, $5; seniors and students, $3; UVM students, faculty, staff, and children under 7, free. Janie Cohen, Director

UNIVERSITY OF VIRGINIA Art Museum Charlottesville, Virginia The University of Virginia Art Museum in Charlottesville traces its origin to 1935 when an art museum was opened on the campus as a result of a $100,000 bequest from Evelyn Bayly Tiffany for an art museum in honor of her father, Thomas H. Bayly, an alumnus. The gift resulted in the Thomas H. Bayly Memorial Building and a 10,000-square-foot Palladian-style university museum, which became known as the Bayly Art Museum. In the 1970s, the building was refurbished and the museum space was increased, a core professional staff was hired, and a broad permanent collection was built. The name of the museum later was changed to the University of Virginia Art Museum. The museum now has a collection of approximately 12,000 objects that include fifteenth-through twentieth-century American and European paintings, sculpture, and works on paper, as well as ancient Mediterranean, pre-Columbia, Asian, African, Oceanic, American Indian, and contemporary art. The museum exhibits selections from the collection and presents exhibitions of artists’ works and related subjects. The museum also has a Print Study Gallery and displays much of its collection online. Annual attendance is 28,000. University of Virginia Art Museum, Thomas H. Bayly Bldg., 156 Rugby Rd., PO Box 400119, Charlottesville, VA 22904-4119. Phone: 434/924-3592. Fax: 434/924-6321. Web site: www.virginia.edu/museum. Hours: 12-5 Tues.-Sun.; closed Mon., Thanksgiving, and Christmas. Admission: free. Bruce Boucher, Director

UNIVERSITY OF WASHINGTON Henry Art Gallery Seattle, Washington The Henry Art Gallery opened in 1927 at the University of Washington in Seattle as a result of a gift of 172 artworks and $97,000 from railroad and timber magnate Horace C. Henry in 1926 to construct the first public art museum in the

city. The art consisted of nineteenth-century paintings from the Barbizon School, landscapes from the Hudson River School, and academic works from the Paris Salon. Since then, the museum’s permanent collection has grown to over 24,000 objects and the original 10,000-square-foot modified Tudor Gothic building has been expanded to 45,000 square feet. The museum collection now includes nineteenth- and twentieth-century American and European landscape paintings, prints, drawings, and photographs; Japanese prints, ceramics, and folk pottery; contemporary art; and photographs. The museum also has the over 18,000-piece collection of the former Costume and Textile Study Center, which focuses on costume and textile history, design, and techniques; the museum building’s spectacular Light Reign sculpture by James Turrell; the Reed Collection Study Center for increased research access to the museum collection; and a collection search kiosk that enables visitors to obtain information about nearly all of the museum collection. Works from the collection are exhibited, as well as changing exhibits. Henry Art Gallery, University of Washington, 15th Ave. N.E., and 41st St., Seattle, WA 98195. Phones 206/543-2280 and 206/543-2281. Fax: 206/685-3123. E-mail: [email protected]. Web site: www.henryart.org. Hours: 11-9 Thurs.-Fri., 11-4 Sat.-Sun.; closed Mon.-Wed., and by appointment; closed Mon.-Wed. and major holidays. Admission: adults, $10; seniors, $6; students and children, free. Sylvia Wolf, Director [email protected]

UNIVERSITY OF WISCONSIN-MADISON Chazen Museum of Art Madison, Wisconsin The Elvehjem Museum of Art at the University of Wisconsin in Madison became the Chazen Museum of Art after Jerome Chazen, an alumnus and one of the founders of Liz Clairborne clothing stores, and his wife, Simona, gave $20 million towards the expansion of the museum in 2005. The museum was founded in 1962, opened in 1970, and named for Conrad A. Elvehjem, the university president at that time who spearheaded the effort. The museum was established to collect, preserve, interpret, and exhibit artworks in support of the teaching, research, and public service mission of the university. The museum has nearly 16,000 objects in its collection, including 1300-1800 European paintings; 1800-2000 American and European paintings and other works; contemporary art, sculpture, and works on paper; Japanese prints; Indian miniatures; Russian icons and paintings; Asian art; and Egyptian, Greek, Roman, and Near Eastern objects. Among the artists represented in the collection are such European artists as John Miro, Auguste Rodin, and Thomas Gainsborough; contemporary artist Shusaku Larakawa; regionalist painter John Steuart Curry; and Russian artists Georgy Ionin and Klavdy Vasiliyevich Lebedev. The museum also has the Mayer Print Center and over 100,000

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Art Museums & Sculpture Gardens volumes in the Kohler Art Library, and offers live Sunday afternoon chamber music.

ture also is shown on a 20,000-square-foot outdoor sculpture terrace. Annual attendance is over 177,000.

Chazen Museum of Art, University of Wisconsin-Madison, 800 University Ave., Madison, WI 53706-1479. Phone: 608/263-2246. Fax: 608/263-8188. Web site: www/chazen.wise.edu. Hours: 9-5 Tues.-Fri., 11-5 Sat.-Sun.; closed Mon., New Year’s Day, Thanksgiving, and Christmas Eve and Day. Admission: free.

University of Wyoming Art Museum, Centennial Complex, 2111 Willett Dr., Laramie, wY 82071 (postal address: 1000 E. University Ave., Dept. 3807, Laramie, WY 82071-2000). Phone: 307/766-6622. Fax: 307/766-3520. E-mail: [email protected]. Web site: www.uwyo.edu/artmuseum. Hours: Feb.-Apr. and Sept.-Nov.-10-9 Mon., 10-5 Tues.-Sat.; closed Sun.; May-Aug. and Dec.-10-9 Mon.-Sat.; closed Sun and Christmas Eve and week after. Admission: free.

Russell Panczenko, Director 608-263-2842 [email protected]

Susan Moldenhauer, Director & Chief Curator

UNIVERSITY OF WISCONSIN-MILWAUKEE Institute of Visual Art Milwaukee, Wisconsin

URSINUS COLLEGE Philip and Muriel Berman Museum of Art Collegeville, Pennsylvania

The Institute of Visual Art, a part of the Peck School of the Arts at the University of Wisconsin-Milwaukee, is a museum-like gallery that also is a contemporary art research center. It seeks to engage the university and general public with contemporary art from around the world through exhibitions and programs, and to offer artists an opportunity to experiment in the creation of new work. Founded in 1982 and active in its present form since 1996, the gallery has three exhibition sites that show the work of international, national, and local artists, as well as Peck School faculty, students, and alumni. It also has a collection of contemporary art. The annual attendance is 18,000.

The Philip and Murial Berman Museum of Art at Ursinus College in Collegeville, Pennsylvania, was founded in 1987 by the college and the late philanthropists who wanted to share their large collection of art for study and enjoyment. The couple gave the college 3,000 artworks, endowed the directorship, and continued to be partners in strengthening the program. The museum, which opened in 1989 in a renovated 17,000-square-foot former library building, now has a permanent collection of more than 4,000 works and mounts eight exhibitions each year with themes ranging from historical to contemporary. Over 40 contemporary sculptures also are located on the grounds of the college. Contemporary sculpture was one of the passions of the Bermans.

Institute of Visual Art, University of Wisconsin-Milwaukee, 2155 N. Prospect Ave., Milwaukee, WI 53202 (postal address: PO Box 411, Milwaukee, WI 53201). Phone: 414/229-5070. Fax: 414/229-6785. E-mail: [email protected]. Web site: www.arts.uwm.edu/inova. Hours: 12-5 Wed. and Fri.-Sun., 12-8 Thurs.; closed Mon.-Tues. and major holidays. Admission: free.

The museum’s collection is both diverse in historical art periods and styles and concentrated in selected areas, such as nineteenth- and twentieth-century American paintings, prints, and sculpture, with emphasis on Pennsylvania Impressionist and regional schools. The collection also contains many works on paper, featuring works by Durer, Rembrandt, and Cezanne; Japanese woodcuts, scrolls, and artifacts; early twentieth-century art by New York and Philadelphia school artists; Op and Pop art; Pennsylvania German art and artifacts; and contemporary sculpture. The museum’s exhibitions range from collection works to contemporary artists, loan and traveling exhibitions, and student art. Annual attendance is 32,000.

Bruce K. Knackert, Director of Galleries

UNIVERSITY OF WYOMING University of Wyoming Art Museum

Philip and Muriel Berman Museum of Art, Ursinus College, 601 E. Main St., PO Box 1000, Collegeville, PA 19426-1000. Phone: 610/409-3500. Fax: 610/400-3664. The University of Wyoming Art Museum in Laramie is located in the Centennial Complex that also houses the Ameri- E-mail: [email protected]. Web site: www.ursinus.edu/berman. Hours: 10-4 Tues.-Fri., 12-4 can Heritage Center (see Historical Museums, Houses, and Sat.-Sun.; closed Mon. and college holidays. Admission: Sites section). Founded in 1968, the art museum has a colfree. lection of over 7,000 objects that includes European and American paintings, prints, and drawings; nineteenth-cenLisa T. Hanover, Director tury Japanese prints; eighteenth- and nineteenth-century Persian and Indian miniature paintings; twentieth-century photography; African and Native American artifacts; and decorative arts, folk arts, and crafts. The museum displays works from the collection and artists and an annual juried student show in the 12,000 square feet of galleries. Sculp-

Laramie, Wyoming

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UTAH STATE UNIVERSITY UTAH STATE UNIVERSITY Nora Eccles Harrison Museum of Art Logan, Utah The Nora Eccles Harrison Museum of Art at Utah State University in Logan emphasizes the history and breath of artistic expression in the American West in its permanent collection and exhibitions. The museum, which opened in 1982, is housed in a 23,000-square-feet, four-level building designed by architect Edward Larrabee Barnes that is part of the university’s Chase Fine Arts Center. The museum has a collection of over 4,300 objects, containing works in all media by modern and contemporary artists with an emphasis on artists who have lived or worked in the western half of the nation between 1900 and the present. The collection includes twentieth- and twenty-first-century American sculpture, ceramics, paintings, graphic arts, and photographs, as well as American Indian art, primarily of the Pueblo, Hopi, Navajo tribes. Selections from the collection are rotated in the museum’s exhibits and temporary exhibitions feature works by artists of national and international stature. The museum also shares an open sculpture garden with the surrounding academic and performing arts buildings in the fine arts complex. The annual museum attendance is 29,000. Nora Eccles Harrison Museum of Art, Utah State University, Chase Fine Arts Center, 650 North 1100 East, Logan, UT 84322-4020 (postal address: 4020 Old Main Hill, Logan, UT 84322-4020). E-mail: [email protected]. Web site: www.artmuseum.usu.edu. Hours: 11-4 Tues,-Sat.; closed Sun.-Mon. and major holidays. Admission: $3 suggested donation for adults, children, free. Victoria Rowe Berry, Executive Director/Chief Curator [email protected]

VALPARAISO UNIVERSITY Bauer Museum of Art Valparaiso, Indiana The Bauer Museum of Art at Valparaiso University in Valparaiso, Indiana, began as a small gallery with a gift of American paintings and drawings of Junius R. Sloan, a Hudson River School artist, in 1953 and moved into a 14,000-square-foot home in the university’s new Center for the Arts in 1995. It now has a collection of nineteenththrough twenty-first-century American art that includes works of such artists as Frederic Edwin Church, Asher B. Durand, Childe Hassan, Georgia O’Keefe, and Ed Paschke, as well as the paintings, drawings, sketchbooks, and archival material of Sloan, who lived and worked in the Midwest. The collection also contains world religious art and Midwestern regional art. Collection art and special exhibitions are presented in the galleries. Annual attendance is 10,000.

www.valpo.edu/artmuseum. Hours: Sept.-May-10-5 Tues. and Thurs.-Fri., 10-8:30 Wed., 12-5 Sat.-Sun.; closed Mon. and major holidays; June-Aug. and academic breaks-12-5 Tues.-Sun.; closed Mon. Admission: free. Peter C. Keller, President

VASSAR COLLEGE Frances Lehman Loeb Art Center Poughkeepsie, New York Vassar College in Poughkeepsie, New York, was the first American college or university to include an art museum in its original plan and to display its teaching collection in an art gallery. The Vassar College Art Gallery, which opened in 1864 following the purchase of the Elias Lyman Magoon Collection, became the Frances Lehman Loeb Art Center, named for an alumnus and primary donor, in 1993. The museum is housed in a 36,000-square-foot building designed by architect Cesar Pelli that incorporates the renovated nineteenth-century art gallery building. The permanent collection now consists of over 17,000 works that range from antiquity to the present and include paintings, sculpture, drawings, prints, photographs, textiles, and glass and ceramic wares. Among the notable holdings are prints by Old Masters, Hudson River School paintings, and works by major twentieth-century European and American painters. The museum also has two sculpture sites-the Hildegarde Krause Baker Sculpture Garden and the Briarcombe Sculpture Courtyard. The museum’s galleries feature works from the permanent collection and changing exhibitions. Annual attendance is 36,000. Frances Lehman Loeb Art Gallery, Vassar College, 124 Raymond Ave., Box 703, Poughkeepsie, NY 12604. Phones: 845/437-5237 and 845/437-5632. Fax: 845/437-5955. E-mail: [email protected]. Web site: www.fllac.vassar.edu. Hours: 10-5 Tues.-Wed. and Fri.-Sat., 10-9 Thurs., 1-5 Sun.; closed Mon., New Year’s Eve and Day, Thanksgiving, and Christmas Eve, Day, and week. Admission: free. James Mundy, The Anne Hendricks Bass Director 845-437-5236 [email protected]

VIRGINIA COMMONWEALTH UNIVERSITY Anderson Gallery Richmond, Virginia

The Anderson Gallery at the Virginia Commonwealth University in Richmond has had two lives. It originally was established as an art gallery in 1930 at the Richmond Professional Institute with a $10,000 gift from Colonel Abraham Archibald Anderson, a gentleman portrait artist Brauer Museum of Art, Valparaiso University, Center for the who had founded the American Art Association in 1890. The institute turned the renovated stable of the Ginter ManArts, 1709 Chapel Dr., Valparaiso, IN 46383-6340. Phone; sion into an art gallery and library, but it functioned largely 219/484-5365. Fax: 219/464-5244. E-mail: as a library. After the state legislature brought the Richmond [email protected]. Web site:

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Art Museums & Sculpture Gardens Professional Institute and the Medical College of Virginia together to create the Virginia Commonwealth University in 1968, the stable became an art gallery/museum in 1969 and gradually developed a collection and expanded exhibition program.

North Carolina, has one of the finest collections of American art from the Colonial Period to the present. It is located in the 1917 former home of R. J. Reynolds, founder of the R. J. Reynolds Tobacco Company, and his wife, Katharine Smith Reynolds. The mansion, called Reynolda, once was the center of the 1,067-acre Reynolds estate and the home of two generations of the Reynolds family for nearly 50 years. Reynolda was left to the eldest daughter, Mary Reynolds Babcock, who lived there with her husband before donating the site. The museum was started in 1962, opened as an institution dedicated to the arts and education in 1965, and became an art museum in 1967. It now is operated by the nonprofit Reynolda Gardens Committee of Wake Forest University.

The permanent collection was established in 1971 with a gift of 800 works from Dr. Henry H. Hibbs, former university president. The collection has grown to nearly 3,000 artworks. The works are primarily prints, drawings, and photographs, but also include paintings, textiles, and small sculptures. The gallery/museum mounts exhibitions of established and emerging regional, national, and international contemporary artists; hosts juried student and MFA thesis exhibitions; and develops national traveling exhibitions. The Much of the Reynolda estate has been sold off, but the core annual attendance is 30,000. still remains. The mansion’s interior rooms and furnishings Anderson Gallery, Virginia Commonwealth University, have been restored to reflect the periods when the Reynolds School of the Arts, 9071/2 W. Franklin St., Richmond, VA family lived there. Twenty-eight of the original 30 buildings 23284-2514. Phone: 804/828-1522. Fax: 804/828-8585. on the property still remain, many now occupied by shops E-mail: [email protected]. Web site: and restaurants. The formal gardens also have been restored www.vcu.edu/arts/gallery. Hours: Sept.-May-10-5 (see Reynolda Gardens of Wake Forest University in BotanTues.-Fri., 1-5 Sat.-Sun.; closed Mon. and state and national ical Gardens, Arboreta, and Herbaria section) and the holidays; June-Aug.-12-5 Tues.-Sat.; closed Sun.-Mon. and 16-acre lake behind the house has been reverted to wetlands, Independence Day. Admission: free. featuring a variety of wildlife. A short walk across the dam is the campus of Wake Forest University on land donated to Ashley Kisler, Director, Anderson Gallery 804-828-1522 the university by Mary and Charles Babcock. [email protected] The museum now is known for its permanent collection of American art that includes paintings, sculpture, prints, costumes, decorative arts, and archives covering three centuWAKE FOREST UNIVERSITY ries. Works from the collection are displayed in the historic Charlotte and Philip Hanes Art Gallery house and a new exhibit wing, providing an overview of the Winston-Salem, North Carolina major developments in American art. Among the artists repExhibitions by professional artists and students are mounted resented in the collection are Albert Bierstadt, Mary Cassatt, at the Charlotte and Philip Hanes Art Gallery in the Scales Frederic Church, John Singleton Copley, Thomas Eakins, Fine Arts Center at Wake Forest University in Winston-SaJacob Lawrence, Georgia O’Keeffe, Grant Wood, and Jasper lem, North Carolina. About five contemporary and historical Johns. Annual attendance is nearly 36,400. exhibitions in various media by artists and from collections of paintings, drawings, and sculpture, as well as two student Reynolds House Museum of American Art, 2250 Reynolda Rd., Winston-Salem, NC 27106-5117 (postal address: PO shows, are presented each year in the art museum. The gallery, founded in 1976 as the WFU Fine Arts Gallery, has an Box 7287, Winston-Salem, NC 27109-7287). Phones: 336/758-5150 and 800/663-1149. Fax: 336/758-5704. annual attendance of 6,500. E-mail: [email protected]. Web site: Charlotte and Philip Art Gallery, Wake Forest University, www.renoldahouse.org. Hours: 9:30-4:30 Tues.-Sat., Scales Fine Arts Center, Art Dept., PO Box, 7232, 1:30-4:30 Sun.; closed Mon., New Year’s Day, Winston-Salem, NC 27109. Phones: 336/758-5795 and Thanksgiving, and Christmas. Admission: adults, $10; se336/758-5585. Fax: 336/758-6014. E-mail: niors and teachers, $9; WFU students, emplyees, and [email protected]. Web site: www.wfu.edu/art/galdren under 19, free. lery/gall_index.html. Hours: Sept.-May-10-5 Mon.-Fri., 1-5 Allison C. Perkins, Executive Director 336-758-3096 Sat.-Sun.; closed June-Aug. and university holidays and [email protected] breaks. Admission: free. Victor Faccinto, Director [email protected]

WAKE FOREST UNIVERSITY Reynolda House Museum of American Art

WASHBURN UNIVERSITY OF TOPEKA Mulvane Art Museum Topeka, Kansas

The Mulvane Art Museum at Washburn University of Topeka in Kansas was founded in 1922 following the gift of Winston-Salem, North Carolina American, European, and Asian works, largely on paper, The Reynolda House Museum of American Art, which is af- from John Mulvane. The museum collection now contains filiated with Wake Forest University in Winston-Salem, almost 3,000 objects that include paintings, prints, drawings,

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WASHINGTON AND LEE UNIVERSITY ceramics, mixed media, sculpture, photographs, and decorative arts by local, regional, and international artists. The exhibitions emphasize the works of artists from Kansas and the mid-North American plains to the Continental Divide. The museum also has an “ArtLab,” a center that provides a hands-on art experience for people of all ages. The museum’s annual attendance is 30,000. Mulvane Art Museum, Washburn University of Topeka, 17th and Jewell Sts., Topeka, KS 66621-1150. Phone: 785/670-1124. Fax: 785/670-1329. E-mail: [email protected]. Web site: www.washburn.edu/Mulvane. Hours: 10-7 Tues., 10-5 Wed.-Fri., 1-4 Sat.-Sun.; closed Mon. and major holidays. Admission: free. Cindy Morrison, Director 785-670-1124 [email protected]

WASHINGTON AND LEE UNIVERSITY The Reeves Center

Holland, who donated a collection of modern art to the university 40 years before the museum was founded in 1973. The museum collection now has a collection of late nineteenth-century to contemporary American and European paintings and graphics that includes the works of such artists as Goya, Hogarth, Daumier, Innes, Chase, Stella, Hockney, Motherwell, Warhol, and Northwest regional artists like Mark Tobey, Kenneth Callahan, and Margaret Tomkins. Works from the collection are exhibited in two large galleries and special exhibitions are presented in two smaller galleries. Annual attendance is 30,000. Museum of Art, Washington State University, PO Box 647460, Pullman, WA 99164-7460. Phone: 509/335-1910. Fax: 509/335-1908. E-mail: [email protected]. Web site: www.wsu.edu/artmuse. Hours: Sept.-June-10-4 Mon.-Wed. and Fri.-Sat., 10-7 Thurs.; closed Sun. and university holidays and breaks; July-Aug.-12-4 Tues.-Sat.; closed Sun.-Mon. Admission: free. Chris Bruce, Director 509-335-6150 [email protected]

Lexington, Virginia The Reeves Center at Washington and Lee University in Lexington, Virginia, is a research and exhibition center for ceramics and paintings. Most of the museum’s extensive collection was donated to the university by Mr. and Mrs. Euchlin D. Reeves of Providence, Rhode Island, in 1967 and supplemented by friends. The center opened in 1982 and now occupies two buildings-an 1840 Greek Revival house on the front campus and in the Watson Pavilion, a Palladian-style pavilion on the university’s historic campus. The permanent collection, which spans over 4,000 years of human history, features ceramics from Asia, Europe, and America, especially Chinese export porcelain made between 1600 and 1900. It also has paintings by Louise Herreshoff Reeves and a Japanese tearoom with utensils, scrolls, and chabaria containers. Objects from the collection are exhibited in the galleries, as well as curated, loan, and traveling exhibitions. Formal education programs also are offered to university students. The center’s annual attendance is 5,000. The Reeves Center, Washington and Lee University, Lexington, VA 24450. Phones: 540/458-8744 and 540/458-8476. E-mail: [email protected]. Web site: www.elu.edu. Hours: 9-4 Mon.-Fri. and other times by appointment; closed Sat.-Sun. Memorial Day, Independence Day, Thanksgiving, and Christmas to New Year’s Day. Admission: free. Ron Fuchs II, Curator [email protected]

WASHINGTON STATE UNIVERSITY Museum of Art Pullman, Washington The Museum of Art at Washington State University in Pullman occupies 10,300 square feet in the Fine Arts Building. The core of its collection once belong to President R. O.

WASHINGTON UNIVERSITY Mildred Lane Kemper Art Museum St. Louis, Missouri Washington University in St. Louis, Missouri, has one of the oldest teaching museums in the nation. It began as the St. Louis School and Museum in 1881, and underwent several name changes before becoming the Washington University Gallery of Art in the new Steinberg Hall in 1960. In 2005, the museum was renamed the Mildred Lane Kemper Art Museum in memory of Mrs. Kemper, a life-long advocate of higher education and arts patron. It is housed in a new building, designed by Pritzker Prize-winning architect Fumihiko Maki, made possible with the support of her family. She was the wife of James M. Kemper, Jr. chairman emeritus of Commerce Bankshares, Inc., and the mother of David W. Kemper, chief executive of the firm and chairman of the university’s board of trustees. The university has an exceptional collection with strong holdings of nineteenth, twentieth, and twenty-first century European and American paintings, sculpture, prints, photographs, and installations. The collection includes Egyptian and Greek antiquities, more than 100 prints by Old Masters, and works by such artists as Rembrandt van Rijn, Albrecht Durer, William Merritt Chase, Frederick Edwin Church, William Hogarth, Thomas Eakins, Pablo Picasso, Jackson Pollack, Robert Rauschenberg, and many current contemporary artists. The museum displays works from the collection and mounts special exhibitions. Annual attendance is 48,000. Mildred Lane Kemper Art Museum, Washington University, 1 Brookings Dr., Campus Box 1214, St. Louis, MO 63130-4862. Phone: 314/935-5423. Fax: 314/935-7282. E-mail: [email protected]. Web site: www.kempermuseum.wustl.edu. Hours: 11-6 Mon. and

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Art Museums & Sculpture Gardens Wed.-Thurs., 11-8 Fri., 1-6 Sat.-Sun.; closed Tues. and university holidays. Admission: free.

changing exhibitions on related subjects. Attendance is 3,000.

Sabine Eckmann, William T. Kemper Director and Chief Curator 314-935-5490 [email protected]

Davison Art Center, Wesleyan University, 301 High St., Middletown, CT 06459-0487. Phone: 860/685-2500. Fax: 860/685-2501. Web site: www.wesleyan.edu/dac. Hours: Sept.-May-12-4 Tues.-Sun.; closed Mon., June-Aug., and university holidays and breaks. Admission: free.

WELLESLEY COLLEGE Davis Museum and Cultural Center

Clare Rogan, Curator 860-685-2966 [email protected]

Wellesley, Massachusetts The first art museum at Wellesley College in Wellesley, Massachusetts, was established in 1889 by the first president of the college. In 1993, the campus museum became the Davis Museum and Cultural Center and moved from the Jewett Art Center to a new 61,000-square-foot building designed by Spanish architect Rafael Moneo. The innovative four-story building has galleries stacked vertically with a central stairway that scissors back and forth and allows visitors to view the gallery spaces, with a sculpture garden on the top floor. Historical and contemporary outdoor sculptures also can be seen throughout the campus grounds.

WEST VIRGINIA UNIVERSITY Art Museum Morgantown, West Virginia

A new art museum will be opening at West Virginia University in Morgantown in 2012. The museum, called The Art Museum of West Virginia University, will occupy the former Erickson Alumni Center and a new wing adjacent to the Creative Art Center. The museum has a growing collection of 2,500 works of art, including paintings, prints, works on paper, historic and contemporary ceramics, and art from The Davis Museum and Cultural Center has a permanent West Virginia and the surrounding region, Asia, and Africa. collection of approximately 10,000 objects, including paint- Among the artists represented in the collection are Pablo Piings, works on paper, decorative arts, and ancient to contem- casso, Ansel Adams, Andy Warhol, Jasper Johns, Roy porary sculptures. The greatest geographic strengths are in Lichtenstein, and such West Virginia artists as Blanche European and North American art, but it also has examples Lazzell and Grace Martin Taylor. The museum also will of African, South American, and Asian art. Permanent exhave approximately 5,300 square feet in exhibition space hibits from the collection and temporary historical and con- and an outdoor sculpture garden adjacent to the building. temporary exhibitions are presented in the The Art Museum at West Virginia University, College of 17,250-square-foot galleries. The annual attendance is Creative Arts, Dept. of Art and Design, Evansdale Campus, 30,000. PO Box 6111, Morgantown, WV 26506. Phone: Davis Museum and Cultural Center, Wellesley College, 106 304/293-4841. Fax: 304/293-5761. E-mail: Central St., Wellesley, MA 02481-8203. Phone: [email protected]. Web site: 781/283-2051. Fax: 781/283-2064. E-mail: www.ccarts.wvu.edu/art-museum. Hours and admission: [email protected]. Web site: still to be determined. www.davismuseu.wellesley.edu. Hours: Sept.-May-10-5 Joyce Ice, Director Tues. and Thurs.-Sat., 11-8 Wed., 12-4 Sun., closed Mon. and major holidays; June-Aug.-12-4 Tues.-Fri.; closed Sat.-Mon. Admission: free. Lisa Fischman, Ruth Gordon Shapiro ‘37 Director 781-283-2053 [email protected]

WESTERN CAROLINA UNIVERSITY Fine Art Museum Cullowhee, North Carolina

WESLEYAN UNIVERSITY Davison Art Center Middletown, Connecticut The Davison Art Center at Wesleyan University in Middletown, Connecticut, has a collection that consists primarily of works on paper, including around 18,000 prints from the fifteenth to twenty-first centuries and 6,000 photographs from 1840 to the present. Most the prints were given to Wesleyan by Harriet B. and George W. Davison in the 1930-50s. The museum also has paintings, drawings, and three-dimensional objects. The 3,742-square-foot center, founded in 1952, is housed in a wing of the ca. 1838-40 Alsop House. It presents exhibits from the collection and

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The Fine Art Museum at Western Carolina University in Cullowhee, North Carolina, seeks to serve as a cultural catalyst by celebrating and preserving the artistic legacy of the western region of the state and by collecting, interpreting, and exhibiting innovation in contemporary art. The museum, housed in the new Fine and Performing Arts Center, has a collection of over 1,200 works of modern and contemporary art and crafts by regional, national, and international artists, and presents exhibitions of contemporary art and crafts in 10,000 square feet of exhibit space. Fine Art Museum, Western Carolina University, Fine and Performing Arts Center, Centennial Dr., Cullowhee, NC 28723. Phone: 828/227-3591. Fax: 912/233-7938. E-mail: [email protected]. Web site: www.wcu,edu/fapac/galleries.

WESTERN ILLINOIS UNIVERSITY Hours: 10-4 Tues.-Fri., 1-4 Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free. Denise Drury, Interim Director 828-227-3591 [email protected]

WICHITA STATE UNIVERSITY Ulrich Museum of Art Wichita, Kansas

The Edwin A. Ulrich Museum of Art at Wichita State University in Wichita, Kansas, focuses on modern and contemporary art and serves as a repository for the cultural heritage WESTERN ILLINOIS UNIVERSITY of the university. It has a permanent collection of 6,300 obArt Gallery jects and one of the largest collegiate collections of outdoor Macomb, Illinois sculpture. Founded in 1974, the museum has developed a collection that includes twentieth- and twenty-first-century The Western Illinois University Art Gallery in Macomb is paintings, works on paper, sculpture, photographs, elecan art museum that has three galleries of exhibits, gallery talks and presentations, a visiting artist lecture series, a pres- tronic art, and other new media. ervation laboratory, and a collection of over 1,200 contemThe collectiont includes works by such artists as Robert porary prints and drawings, paintings, Old Masters prints, Henri, Joan Miro, Alexander Calder, Robert Motherwell, JaWPA graphics and paintings, photographs, ceramics, and cob Lawrence, Claus Oldenburg, Joan Mitchell, Andy sculpture. Annual attendance is nearly 7,000. Goldsworthy, and Zhane Huan and photographers like Western Illinois University Art Gallery, 1 University Circle, Berenice Abbott, Margaret Bourke-White, and Gordon Parks. The outdoor sculptures around the campus consist of Macomb, IL 61455-1390. Phone: 309/298=1587. Fax: 70 works by such sculptors as Auguste Rodin, Joan Miro, 309/298-2400. E-mail: [email protected]. Web site: Henry Moore, Lyon Chadwick, Jo Davidson, and Louise www.wiu.edu/artgallery. Hours: Sept.-May-9-4 Mon. and Nevelson. Long-term collection exhibits and temporary exWed.-Fri., 9-4 and 6-8 Tues., and other times by appointhibitions are mounted in 10,000 square feet of galleries. The ment; closed Sat.-Sun., June-Aug., and university holidays museum annual attendance is 19,400. and breaks. Admission: free. John Graham, Curator 309-298-1587 [email protected]

WESTERN WASHINGTON UNIVERSITY Outdoor Sculpture Collection Bellingham, Washington Western Washington University in Bellingham has an Outdoor Sculpture Collection that extends from the art gallery plaza to other campus buildings, quadrangles, lawns, and playing fields. The program began as part of the university’s construction budget for new buildings. The first large-scale sculpture was installed in 1960; today the collection contains over 20 works by major international, national, and regional artists who address such issues as the relationship of nature and culture, human scale, types of narraton, personal perceptions, and spatial dynamics. Among the sculptors represented are Isamu Noguchi, Richard Serra, and Robert Morris. The director of the Western Gallery, who serves as curator of the university’s visual arts collections, also oversees the outdoor sculptures.

Ulrich Museum of Art, Wichita State University, 1845 Fairmount St., Wichita, KS 67260-0046. Phone: 316/978-3664, Fax: 316/978-3898. E-mail: [email protected]. Web site: www.ulrich.wichita.edu. Hours: 11-5 Tues.-Fri., 1-5 Sat.-Sun.; closed Mon. and university and major holidays. Admission: free. Patricia McDonnell, Director 316-978-3017 [email protected]

WIDENER UNIVERSITY Art Collection and Gallery Chester, Pennsylvania

The Widener University Art Collection and Gallery in Chester, Pennsylvania, is an art museum that displays works from its permanent collection and presents exhibitions of contemporary art by artists and a juried show open to students, faculty, and staff. The collection includes nineteenth- and twentieth-century American and European paintings, eighteenth- and nineteenth-century Asian art, American Impressionists, African and Oceanic pottery, and pre-Columbian Outdoor Sculpture Collection, Western Washingtron Univer- pottery from Peru. The gallery, founded in 1970 and housed sity, Fine Arts Complex, Bellingham, WA 98225. (postal adin the University Center, has an annual attendance of 4,000. dress: Western Gallery, Fine Arts Complex, Bellingham, WA 98225-9068). Phones: 360/650-3900 and 360/650-3963. Widener University Art Collection and Gallery, University Fax: 360/650-6878. E-mail: [email protected]. Center, 1 University Pl., 14th and Chestnut Sts., Chester, PA 19013-5792. Phones: 610/499-1189 and 610/499-4000. Fax: Web site: www.westerngallery.wwu.edu. Hours: open 24 610/499-4425. E-mail: [email protected]. Web site: hours. Admission: free. www.widener.edu/artgallery. Hours: Sept.-May-10-7 Tues., Sarah Clark-Langager, Director, Western Gallery 360-650-3900 10-4:30 Wed.-Sat.; closed Sun.-Mon. and major holidays; June-Aug.-varies. Admission: free. Rebecca M. Warda, Collections Manager 610-499-1189 [email protected]

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Art Museums & Sculpture Gardens WILLAMETTE UNIVERSITY Hallie Ford Museum of Art

Mon., New Year’s Day, Thanksgiving, and Christmas. Admission: free. Lisa Graziose Corrin, ‘56, Director

Salem, Oregon Willamette University in Salem, Oregon, was the first university in the American West to have a museum. It was founded in 1842 by Methodist missionaries, with gifts of baskets from the Clatsop and Kalapuyan Indians being among the initial collections. In 1998, the university opened a new facility, the Hallie Ford Museum of Art, to care for, exhibit, and interpret its growing collection of American, European, Asian, Native American, and historical and contemporary Pacific Northest regional art. The museum has 9,000 of exhibit space where selections from the collection and temporary, loan, and traveling exhibitions are displayed. Annual attendance is 30,000. Hallie Ford Museum of Art, Willamette University, 700 State St., Salem, OR 97301 (postal address: 900 State St., Salem, OR 97301-3922). Phone: 503/370-6855. Fax: 503/375-5458. E-mail: [email protected]. Web site: www.willamertte.edu/museum _of_art. Hours: 10-5 Tues.- Sat., 1-5 Sun.; closed Mon. and university holidays and breaks. Admission: adults, $3; seniors and students, $2; children under 13, free. John Olbrantz, Maribeth Collins Director 503-370-6854 [email protected]

WILLIAMS COLLEGE Williams College Museum of Art Williamstown, Massachusetts The Williams College Museum of Art in Williamstown, Massachusetts, was founded as the Lawrence Art Museum in 1926 by Karl Weston, the first director, who wanted Williams students to have an opportunity to see fine works of art. During his tenure as director, Weston developed an exceptional early collection. The museum now has approximately 13,000 works of art in a collection that spans the history of art. Nearly half of the collection is American art. The museum also has substantial holdings of modern and contemporary art; ancient art of Egypt, Assyria, Greece, and Rome; Asian art; and European paintings, prints, drawings, and sculpture.

YALE UNIVERSITY Yale University Art Gallery New Haven, Connecticut The Yale University Art Gallery in New Haven, Connecticut, is one of the nation’s oldest, largest, and most comprehensive university art museums. It began in 1832 after Colonel John Trumbull, the Revolutionary War patriot-artist, donated more than 100 paintings of the American Revolution in return for an annuity. The agreement also called for a separate gallery structure that became the first university art museum in the Western Hemisphere. Trumbull also designed the original Picture Gallery to display the collection. The gallery, which was located on Yale’s Old Campus, was razed in 1901. In 1864, the university gallery moved to the neoclassical Street Hall, which also housed the Yale School of Art. The growth of the gallery collection resulted in the construction of the Swartwout Building, a Tuscan Romanesque structure, in 1928, and a modern building designed by architect Louis I. Kahn that was opened in 1953. Both buildings recently were renovated. The Yale Gallery of Art, which actually is an art museum, now occupies three buildings and has an encyclopedic collection of more than 185,000 objects that includes virtually all cultures and periods, ranging from ancient times to the present. The collection contains American paintings, sculpture, and decorative arts; ancient art from the Near East, Egypt, Greece, Eutruria, and Rome; ritual objects, figurines, vessels, and other articles from the ancient Americas; Renaissasnce to nineteenth-century European paintings and sculpture; ancient to modern Chinese, Japanese, Korean, and South and Southeastern Asian art; Africa ritual figures, masks, and articles of adornment; works on paper from the fifteenth century to the present; modern and contemporary art; and coins, medals, and paper money. The collection includes works by such artists as Vincent van Gogh, Edouard Manet, Pablo Picasso, John Singleton Copley, Albert Bierstadt, Thomas Elkins, Winslow Homer, and others.

Yale Gallery of Art, 1111 Chapel St., New Haven, CT 06510-2300 (postal address: PO Box 208271, New Haven, The museum is still located in the historic 1846 Lawrence CT 06520-8271). E-mail: [email protected]. Web Hall, a two-story brick octagon structure that features a site: www.artgallery.yale.edu. Hours: Sept.-June-10-5 neo-classical rotunda and has been renovated and expanded Tues.-Wed. and Fri.-Sat., 10-8 Thurs., 1-6 Sun.; closed Mon. with two multi-story additions designed by architect Charles and major holidays; July-Aug.-10-5 Tues.-Sat., 1-6 Sun.; Moore. The museum has 14 galleries with works from the closed Mon. Admission: free. collection and changing exhibitions of modern and contemJock Reynolds, Henry J. Heinz II Director porary American, European, and non-Western art. The annual attendance is nearly 53,500. Williams College Museum of Art, 15 Lawrence Hall Dr., Williamstown, MA 01267-3248. Phone: 413/597-2429. Fax: 413/458-9017. E-nail: [email protected]. Web site: www.wcma.org. Hours: 10-5 Tues.-Sat., 1-5 Sun.; closed

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YALE UNIVERSITY YALE UNIVERSITY Yale Center for British Art

the site of the annual Northeastern Ohio Regional Scholastic Art Awards program.

McDonough Museum of Art, Youngstown State University, 525 Wick Ave., Youngstown, OH 44555. Phone: The largest and most comprehensive collection of British art 330/941-1400. Web site: www.mcdonoughmuseum.ysu.edu. outside of Great Britain is located at the Yale Center for Hours: 11-4 Tues. and Thurs.-Sat., 11-8 Wed.; closed British Art at Yale University in New Haven, Connecticut. Sun.-Mon. and universitry holidays and breaks. Admission: The art museum, which was established in l977 as a gift free. from philanthropist, art patron, and alumnus Paul Mellon, Leslie A. Brothers, Director contains paintings, sculpture, drawings, prints, rare books, [email protected] and manuscripts that reflect the development of British art, life, and thought from the Elizabethan period to the present.

New Haven, Connecticut

The center’s has approximately 1,900 paintings, 20,000 drawings and watercolors, 30,000 prints, 100 sculptures, 200,000 black-and-white photographs, and 30,000 books and manuscripts from the sixteenth century onward. Among the British artists represented in the collection are William Hogarth, Thomas Gainsborough, Joshua Reynolds, George Stubbs, Joseph Wright of Derby, John Constable, and J. M. W. Turner. The collection also contains the work of others who were Europeans and Americans who painted for British patrons or spent part of their careers in Britain, such as Peter Paul Rubens, Anthony van Dyck, Canaletto and Pompeo Batoni, Johann Zoffany, John Singleton Copley, Benjamin West, and James McNeill Whistler. The Yale Center for British Art, housed in five-story building designed by architect Louis I. Kahn, also has a reference library, photo archive, conservation laboratory, and study room, and presents such activities as films, lectures, concernts, tours, and special events. In addition, it is affiliated with the Paul Mellon Centre for Studies in British Art in London. The center sponsors a Yale-in-London undergraduate study abroad program, publishes academic titles, and awards grants and fellowships. Yale Center for British Art, 1080 Chapel St., PO Box 208280, New Haven, CT 06520-8280. Phones: 203/432-2800 and 877/274-8278. Fax: 203/432-4538.E-mail: [email protected]. Web site: www.ycba.yale.edu. Hours: 10-5 Tues.-Sat., 1-5 Sun.; closed Mon. and major holidays. Admission: free. Amy Meyers, Director

YOUNGSTOWN STATE UNIVERSITY McDonough Museum of Art Youngstown, Ohio The McDonough Museum of Art at Youngstown State University in Youngstown, Ohio, is a center for contemporary art. Opened in 1991, the museum has a collection of contemporary and student art, mounts exhibitions of works in all media by contemporary aritsts, students, and faculty, and seeks to further understanding and appreciation of contemporary art on the campus and in Mahoning Valley. It also is

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Botanical Gardens, Arboretums, Herbariums & Nature Centers ALBION COLLEGE Whitehouse Nature Center Albion, Michigan The Whitehouse Nature Center, operated by Albion College in Albion, Michigan, plays an important role in instruction and research at the college and environmental education in public schools and communities. Founded in 1972, the 135-acre nature center has a herbarium, arboretum, and interpretive center, as well as six walking trails, a tall grass prairie, habitant improvement area with ponds, and 35 acres of farm and research peojects. The nature center contains 25 acres of woodlands, 400 plant species, and 168 bird species. Annual attendance is 12,500. Whitehouse Nature Center, Albion College, Albion, MI 49224-1887. Phone: 517/629-0582. Fax: 517/629-0509. E-mail: [email protected]. Web site: www.albion.edu/naturecenter. Hours: grounds-dawn-dusk daily; interpretive center-10:30-4:30 Mon.-Fri., 12-5 Sat.-Sun.; closed national holidays and some college holidays. Admission: free. David Green, Director 517-629-0582 [email protected]

gifts expanded the preserve to 1,000 acres of woods, waterways, prairies, and fields with 25 miles of trails and the Trailside Museum, which has interpretive exhibits. The preserve also has a Raptor Center, a Summer Ecocamp, and extensive naturalist and public programs. Annual attendance is 12,000. Glen Helen Nature Preserve, Antioch College, Glen Helen Ecology Institute, 405 Corry St., Yellow Springs, OH 45387-1943 (postal address: 1075 State Rte. 343, Yellow Springs, OH 45387). Phone: 937/767-7648. Fax: 937/767-6655. E-mail: [email protected]. Web site: www.glenhelen.org. Hours: July-Oct.-3-8 Tues.-Fri., 9-8 Sat.-Sun.; closed Mon.; Nov.-June-3-7 Wed.-Fri., 9-7 Sat.-Sun.; closed Mon.-Tues. Admission: free. Nick Boutis, Executive Director, Glen Helen Ecology Institute 937-769-1902 [email protected]

ARIZONA STATE UNIVERSITY University Arboretum Tempe, Arizona

ANNE ARUNDEL COMMUNITY COLLEGE Herbarium at Anne Arundel Community College Arnold, Maryland The Herbarium at Anne Arundel Community College in Arnold, Maryland, has a varied collection of plant specimens, library, and changing exhibitions. Herbarium at Arundel Community College, 101 College Pkwy., Arnold, MD 21250. Phone: 410/541-2260. Hours: Mon.-Fri. by appointment. Admission: free. M. Stephen Ailstock, Chair, AACC Biology Department 410-777-2230 [email protected]

ANTIOCH COLLEGE Glen Helen Nature Preserve Yellow Springs, Ohio The Glen Helen Nature Preserve in Yellow Springs, Ohio, is a nature center with a natural history museum operated by the Glen Helen Ecology Institute at Antioch College. The preserve, which opened in 1951, began with the donation of the wooded glen to the college in 1929 by alumnus Hugh Taylor Birch in memory of this daughtrer, Helen. Additional

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The Arboretum at Arizona State University in Tempe has over 300 species of plants from the Sonoran Desert and diverse geographic regions, including rare fruit trees and cacti and one of the best collections of date palms and confers in the Southwest. It has three elements that include Southwestern desert gardens, aquatic habitat, and an amphitheater. Dedicated in 1990, the arboretum is spread throughout the 750-acre campus in small exhibit sites. One of the sites is the 2.5-acre Desert Arboretum Park, tucked into the side of Temple Butte, which features native plants representing the Sonoran and Chihuahan desert regions of Arizona. Arboretum of Arizona State University, ASU Visitors’ Center, 826 E. Apache Blvd., Tempe, AZ 85287-2512 (Desert Arboretum Park, 556 S. Packard Dr., Tempe, AZ 85287). Phone: 602/965-0100. Web site: azarboretum.org. Hours: arboretum-24 hours; visitor center-7-3:30 Mon.-Fri.; closed Sat.-Sun. and major holidays; Desert Arboretum Park-June-Aug.: 5 a.m.-1:30 p.m. Mon.-Fri., closed Sat.-Sun.; Sept.-May-6 a.m.-2:30 p.m. Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Polly Pinney, Executive Director, ASU Facilities Management [email protected]

BALL STATE UNIVERSITY BALL STATE UNIVERSITY Field Station and Environmental Education Center

CALIFORNIA POLYTECHNIC STATE UNIVERSITY Robert F. Hoover Herbarium

Muncie, Indiana

San Luis Obispo, California

The Field Station and Environmental Education Center at Ball State University in Muncie, Indiana, provides hands-on learning and observation of nature and encourages exploration of natural processes by students and the visiting public. Research also is directed toward understanding human impact on ecological processes and communities. The center manages six properties totaling 425 acres, including Cristy Woods, a 17-acre site on campus with a mature deciduous forest, tallgrass prairie, and other plant communities. Three greenhouses, a nature iterrelation center, and a classroom are located at Christy Woods. The other center sites are Cooper Farm, Skinner Field Area, Ginn Woods, Donald E. Miller Wildlife Area, and Juanita Hults Environmental Learning Center. Tours are offered at the various locations.

The Robert F. Hoover Herbarium at the California Polytechnic State University at San Luis Obispo houses approximately 69,000 mounted plant specimens representing the diverse flora of California’s central coast, western North America, and other regions. It also contains several thousand unmounted specimens that are part of research projects and an extensive seed collection. The herbarium, part of the Biological Sciences Department, was founded in 1946 by Dr. Hoover.

Field Station and Environmental Education Center, Ball State University, Muncie, IN 47306. Phone: 765/285-2641. Web site: www.cms.bsu.edu. Hours: varies, with tours by appointment. Admission: free. John Taylor, Land Manager 765-285-2641

BRIGHAM YOUNG UNIVERSITY Lytle Ranch Preserve

Robert F. Hoover Herbarium, California Polytechnic State University, Biological Sciences Dept., 309 Science North, San Luis Obispo, CA, 93407. Phone: 805/756-2043. Hours: by appointment; closed university holidays and breaks. Admission: free. David J. Keil, Director and Curator of Vascular Plants [email protected]

CALIFORNIA STATE UNIVERSITY, FULLERTON Fullerton Arboretum Fullerton, California

The Fullerton Arboretum on a parcel of land at the northern end of the California State University, Fullerton, campus Brigham Young University’s Lytle Ranch Preserve consists was founded in 1972 to convert a dying orange grove into a healty botanic garden. The orange trees could not be saved, of more than 600 acres where geological formations and ecosystems overlap in the southwest corner of Utah 36 miles but a group of faculty members and their spouses, students, west of St. George. It is located where the Basin and Range and community residents worked to replace them with an arProvince of the Mojave Desert is juxtaposed to the Colorado boretum. As a result, the university and the city entered into River Plateau-a land of great plant and animal diversity. The a joint powers agreement and the arboretum was established in 1979 to serve the community as a resource for ecological, preserve, situated along the Beaver Dam Wash drainage at an elevation of 2,800 feet, is an unusual combination of ge- horticultural, and historical education. ology, climate, elevation, and water supply that supports The 26-acre arboretum now has a permanent collection of many trees, shrubs, and wildlife. over 4,000 plant species from around the world with ponds, The region originally was settled by pioneer Dudley Leavitt streams, and wildlife. It also is the site of the Orange County Agricultural and Nikkei Heritage Museum, devoted to the in the 1870s. The ranch was purchased by Talmage and Elhistory, development, and impact of agriculture and the coneanor Lytle in 1952, sold to the Nature Conservatory in tributions of American Japanese and local pioneer families 1985, and acquired by the Brigham Young University in 1986. The site, which still has an early ranch house and out- to the growth of the county. In addition, the arboretum has a buildings, also has a campground. It now is managed by the restored 1894 Heritage House, former home of Dr. George Crook Clark, that was moved to the site in 1972, and an exMonte L. Bean Life Science Museum at the university in tensive visitor center is under development. The annual atProvo. tendance is 120,000. Lytle Ranch Preserve, Brigham Young University, near St. George, UT 84770 (postal address: Monte L. Bean Life Sci- Fullerton Arboretum, California State University, Fullerton, ence Center, Brigham Young University, 290 MLBM Bldg., 1900 Associated Rd., Fullerton, CA 92831-1659 (postal address: PO Box 92834-6850, Fullerton, CA92834-6850). 645 East 1430 North, Provo, UT 84602). Phone: 801/422-5052. Fax: .801/422-0093. E-mail: secretary@mu- Phones: 657/278-3407 and 657/278-33579. Fax: 657/278-7066. E-mail: [email protected]. Web site: seum.byu.edu. Web site: www.mlbeanbyu.edu. Hours: by www.arboretum.fullerton.edu. Hours: Oct.-June-8-4:30 appointment. Admission: free.

Provo, Utah

Heriberto Madrigal, Preserve Manager 801-422-5052 [email protected]

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Botanical Gardens, Arboretums, Herbariums & Nature Centers daily; July-Sept.-extended hours to 8 on Mon.-Thurs. in July, 7:30 in Aug., and 7 in Sept. Admission: free. Greg Dyment, Director 657-278-3250 [email protected]

the interests of botany and horticulture and the study of all aspects of the history of plant species. The institute has a collection of approximately 29,000 books; 30,000 portraits; 30,000 watercolors, drawings, and prints; and 2,000 autograph letters and manuscripts.

The center was founded by Roy A. and Rachel Hunt and dedicated to Mrs. Hunt as the Rachel McMasters Miller Hunt Botanical Library in 1961. Mr. Hunt was president and chairman of the Aluminum Company of America. By 1971, the library’s activities were so diversified that the name was Long Beach, California changed to the Hunt Institute for Botanical Documentation. Rachel Hunt, who had a strong affinity for plants, gardens, The Earl Burns Miller Japanese Garden at California State University, Long Beach was built in 1981 through the gener- and books in her youth, later developed an internationally recognized collection of botanical books, manuscripts, and osity of Loraine Miller Collins. The contribution was made in memory of her late husband. The garden covers 1.3 acres artworks. The center now makes its reference services and and has Japanese black pine, bamboo, ponds, and sculpture. research collections available to the scientific and scholarly communities, publishers, businesses, and the interested Annual attendance is 60,000. public. Earl Burns Miller Japanese Garden, California State University, Long Beach, Earl Warren Dr., Long Beach, CA 90840 Hunt Institute for Botanical Documentation, Carnegie (postal address: 1250 Bellflower Blvd., Long Beach, CA Mellon University, 5000 Forbes Ave., Pittsburgh, PA 90840). Phones: 562/985-5930 and 562/985-8889. E-mail: 15213-3890. Phone: 412/268-2434. Fax: 412/268-5677. jgcoordinators@ csulb.edu. Web site: E-mail: [email protected]. Web site: www.csulb.edu/~jgarden. Hours: Jan. 25-Dec. 16-8-3:30 www.huntbot.andrew.cmu.edu. Hours: 9-12 and 1-5 Tues.-Fri., 12-4 Sun.; closed Mon., Sat., Memorial Day, Mon.-Fri., 1-4 Sun. during exhibitions; closed Sat. and maIndeendence Day, Veterans Day, Thanksgiving and weekjor holidays. Admission: free. end, and Dec. 24-Jan.24. Admission: free.

CALIFORNIA STATE UNIVERSITY, LONG BEACH Earl Burns Miller Japanese Garden

Jeanette Schelin, Director 562-985-5930

Robert Kiger, Director & Principal Research Scientist 412-268-2434 [email protected]

CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Cal State Northridge Botanic Garden

CENTRAL MICHIGAN UNIVERSITY University Herbarium

Northridge, California

Mount Pleasant, Michigan

The Cal State Northridge Botanic Garden at California State University, Northridge is a 1.5-acre garden, greenhouse, nursery, and shadehouse complex with a collection of about 1,200 plant species representing many regions and climates. Originally devoted exclusively to Californian native plants, the garden developed into a diverse collection including other regions and continents. Annual attendance is 10,000.

The Central Michigan University Herbarium in Mount Pleasant serves as an archive for plant biodiversity. It has a collection of over 26,000 plant specimens that are largely from the Great Lakes region. It focuses on wetland plants and the flora of the Beaver Island Archipelago. The collection is housed in the Department of Biology in Brooks Hall and has additional specimens at the Central Michigan University Biological Station on Beaver Island.

Cal State Northridge Botanic Garden, California State University, Northridge, Biology Dept., 18111 Nordhoff St., MC 8303, Northridge, CA 91330-8303. Phone: 818/677-3496. Fax: 818/677-2034. E-mail: [email protected]. Web site: www.csun.edu/botanicgarden. Hours: 8-4:45 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Brenda Kanno, Manager [email protected]

CARNEGIE MELLON UNIVERSITY Hunt Institute for Botanical Documentation Pittsburgh, Pennsylvania The Hunt Institute for Botanical Documentation at the Carnegie Mellon University in Pittsburgh, Pennsylvania, is an international center for bibliographic research and service in

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Central Michigan University Herbarium, 125 Brooks Hall, Mount Pleasant, MI 48859. Phones: 989/774-2492 and 989/774-1947. Fax: 989/774-3462. E-mail: [email protected]. Web site: www.cmcherbarium.bio.cmich.edu. Hours: by appointment. Admission: free. Anna Monfils, Director 989-774-2492 [email protected]

CLEMSON UNIVERSITY South Carolina Botanical Garden Clemson, South Carolina The South Carolina Botanical Garden at Clemson University in Clemson has 295 acres with natural landscapes,

CONNECTICUT COLLEGE display gardens, and miles of streams and natural trails. The garden site, founded in 1961, also is the home of a 70-acre arboretum, American Hosta Society Display Garden, butterfly garden, wildflower meadow, fern and bog gardens, nature-based sculpture collection, and the Bob Campbell Geology Museum. The garden has over 400 varieties of camellias and extensive collections of hollies, hydrangeas, magnolias, and native plants, and offers education and outreach programs. Annual attendance is 100,000. The geology museum, which opened in 1998, has a collection of over 10,000 rocks, minerals, fossils, lapidary objects (carvings and gemstones), and artifacts (mining equipment and Native American tools). It has 2,700 square feet of gallery space and a 100-square-foot outdoor mining display. The museum has an annual attendance of 8,000.

CORNELL UNIVERSITY Cornell Plantations Ithaca, New York The Cornell Plantations at Cornell University in Ithaca, New York, had its beginning in 1875 when an arboretum of rare specimen trees and a conservatory for teaching botany became part of the early campus. The Plantations, founded in 1935, now consists of the 150-acre F. R. Newman Arboretum, 25-acre botanical garden, and the gardens on Cornell’s central campus. It also protects and manages over 40 natural areas with nearly 4,300 acres of rich and diverse habitats.

Newman Arboretum features a wide range of native and cultivated trees and shrubs, while the botanical garden contains 14 specialty gardens, including herbs, flowers, heritage vegSouth Carolina Botanical Garden, Clemson University, 150 etables, international crops, rock garden plants, rhododendrons, peonies, perennials, ornamental grasses, ground Discovery Lane, Clemson, SC 29634-0174. Phones: covers, and plants with winter interest. The central campus 864/656-3405 and 864/656-2458. Fax: 864/656-6230. gardens include such sites as the Deans Garden, Mary E-mail: [email protected]. Web site: www.clemson.edu/scbg. Hours: sunrise-sunset daily. Admis- Rockwell Azalea Garden, Class of ‘60 Daylily Garden, and Meunscher Poisonous Plants Garden. The managed propersion: free. ties, located in Finger Lakes Region, include Beebe Lake, Bob Campbell Geology Museum, Clemson University, Cascadilla, and Fall Creek gorges, and other wetlands, South Carolina Botanical Garden, 140 Discovery Lane, gorges, glens, meadows, bogs, fens, and old-growth forests. Clemson, SC 29634. Phone: 864/656-4600. Fax: The annual attendance is 200,000. 864/656-4600. E-mail: [email protected]. Web site: www.clemson.edu/geomuseum. Hours: 10-5 Wed.-Sat., 1-5 Cornell Plantations, Cornell University, 1 Plantations Rd., Sun.; closed Mon.-Tues., major holidays, and home football Ithaca, NY 14850-2799. Phone: 607/255-2400. Fax: games. Admission: adults, $3; children, $2; CU students and 607/255-2404. E-mail: [email protected]. Web site: www.cornellplantations.org. Hours: sunrise-sunset daily. children under 2, free. Admission: free. Patrick McMullin, Interim Director 864-656-3405 [email protected]

CONNECTICUT COLLEGE Connecticut College Arboretum New London, Connecticut The Connecticut College Arboretum in New London covers approximately 750 acres of preserved open space on and adjacent to the campus. It contains woody plants, ornamental trees, shrubs, and nature areas with trails, and offers tours and programs throughout the year. It also has an outdoor Flock Theater, which presents free Shakespearean plays in July and August. The arboretum manages four major plant collections-native plants, campus landscape, greenhouse, and Caroline Black Garden-and plants not dedicated to specific collections. Annual attendance is 12,000. Connecticut College Arboretum, 270 Mohegan Ave., Campus Box 5201, New London, CT 0620-4150. Phones: 860/439-5020 and 860/439-5060. Fax: 860/439-5482. E-mail: [email protected]. Web site: www.arboretun.conncoll.edu. Hours: sunrise-sunset daily. Admission: free. Glenn D. Dryer, Charles and Sarah P. Becker ‘27 Arboretum Director

Don Rakow, E.N. Wilds Director of Cornell Plantations 607-255-0348 [email protected]

CORNELL UNIVERSITY L. H. Bailey Hortorium Ithaca, New York The L. H. Bailey Hortorium, which functions as a horticultural and botanical museum at Cornell University in Ithaca, New York, historically has been a major center for the systematics study of cultivated plants. Founded in 1935 by Liberty Hyde Bailey, the hortorium now has an expanded mission that includes systematic studies of wild and cultivated plants, ethnobotany, molecular systematics, paleobotny, phylogenetic theory, biodiversity studies, and pharmaceutical studies of tropical plants. The hortorium, which is part of the Department of Plant Biology, has collections that include an 800,000-sheet herbarium, 132,000 nursery and seed catalogue collection, vascular plants, and natural history and botany objects. It also has a collection of approximately 30,000 botanical volumes in the Mann Library within the herbarium. Annual hortorium attendance is 1,000. L. H. Bailey Hortorium, Cornell University, 412 Mann Library, Ithaca, NY 14853-4301. Phones: 607/255-2131 and 607/255-7977. Fax: 607/255-5407. E-mail: wlci@

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Botanical Gardens, Arboretums, Herbariums & Nature Centers cornell.edu. Web site: www.plantbio.cornell.edu. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and national holidays. Admission: free. William L. Crepet, Chair, Cornell University Dept. of Plant Biology 607-255-7977 [email protected]

EASTERN KENTUCKY UNIVERSITY Eastern Kentucky Herbarium Richmond, Kentucky

from the work of H. A. Stephens, who gathered Great Plains flora specimens for over 50 years. The herbarium seeks to preserve and document specimens of regional flora for knowledgeable identification by students, scientists, and the general public. Emporia State University Herbarium, Dept. of Biological Sciences, SH159 Breukelman Hall, 1200 Commercial St., Emporia, KS 66801. Phone: 620/341-5617. E-mail: [email protected]. Web site: www.emporia.edu/smnh/herbarium. Hours: 8-5 Mon.-Fri. and by appointment; closed Sat.-Sun and university holidays. Admission: free.

Thomas P. Eddy, Director 620-341-5617 The Eastern Kentucky University Herbarium in Richmond [email protected] has almost 75,000 specimens. Most are from central and eastern Kentucky, but the collection also includes specimens from western Kentucky and southeastern United States. The herbarium was founded in 1974 by Dr. J. Stuart Lessetter. FLORIDA STATE UNIVERSITY

Eastern Kentucky University Herbarium, 170 Memorial Sci- Robert K. Godfrey Herbarium Tallahassee, Florida ence and 15 Coates Halls, Richmond, KY 40475. Phone: 859/622-6257. Web site: www.peop le.eku.edu/jonesron/her- The Robert K. Godfrey Herbarium at Florida State Univerbarium. Hours: by appointment. Admission: free. sity in Tallahassee has a collection of over 200,000 plant and microalgae specimens tht document the distribution and Ronald Jones, Curator 859-622-6257 natural variation of the 2,400 species of flowering plants, [email protected] ferns, conifers, and cycads found in northern Florida and the microalgae of the state’s Gulf and Atlantic coasts. The collection is located in the Biology Unit 1 Building and open to ELLSWORTH COLLEGE the public. In 2002, the herbarium was named in honor of Godfrey, who served as curator of the herbarium from 1954 Calkins Nature Area/Field Museum until 1973 and developed much of the collection. Iowa Falls, Iowa The old Ellsworth College Museum, founded in 1890, serves as the interpretive center at the Calkins Nature Area in Iowa Falls, Iowa. The museum, now called the Field Museum, moved to the nature center in 1995 after its old building on the campus was demolished. The museum focuses on the natural habitat and wildlife of the area. Its collection and exhibits include mounted birds and mammals, Native American artifacts, fossils, shells, insects, and eggs from 197 species of birds. Annual attendance is 4,700. Calkins Nature Area/Field Museum, 18335 135th St., Iowa Falls, IA 50126-8512. Phone: 641/648-9878. Fax: 641/648-9878. E-mail: [email protected]. Hours: 8-4 Mon.-Fri. (also 1-4 Sat.-Sun. in summer). Admission: free. Annie Kalous, Associate Dean of Students 641-648-4611 [email protected]

EMPORIA STATE UNIVERSITY University Herbarium Emporia, Kansas Established in 1911, the Emporia State University Herbarium in Emporia, Kansas, now has 43,000 plant specimens of regional flora, especially the remaining tallgrass prairie in the Flint Hills of Kansas. The collection was started by botanist Frank U. G. Agrelius. The permanent housing of the collection in Breukelman Hall was the work of Dr. James S. Wilson and a major expansion of the collection resulted

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Robert K. Godfrey Herbarium, Florida State University, 100 Biology Unit 1 Bldg., Tallahassee, FL 32306-4370. Phone: 850/644-6278. Fax: 650/644-9829. E-mail: [email protected]. Web site: www.herbarium.bio.fsu.edu. Hours: 8-4:30 Mon.-Fri. and by appointment; closed Sat.-Sun. and major holidays. Admission: free. Austin Mast, Director 850-645-1500 [email protected]

HARTWICK COLLEGE Hoysradt Herbarium Oneonta, New York The Hoysradt Herbarium at Hartwick College in Oneonta, New York, has over 20,000 specimens of flowering plants, ferns, and fern allies. The nucleus of the collection, housed in the Miller Science Hall, came from the personal herbarium of Lyman Henry Hoysradt, who began collecting plant specimens in 1870. Most of the specimens are from the Pine Plains area of the state. Other specimens were acquired in exchanges with botanists in more than 40 states and a number of foreign countries. Hoysradt Herbarium, Hartwick College, Miller Science Hall, Oneonta, NY 13820. Phone: 607/432-4200. Hours: by appointment. Admission: free. Laurent L. Jean Pierre, Curator 607-432-4200 [email protected]

HARVARD UNIVERSITY Botanical Museum of Harvard University Cambridge, Massachusetts The Botanical Museum of Harvard University in Cambridge, Massachusetts, was founded in 1858 by botanist Asa Gray, professor of natural history, who also established the Harvard University Herbaria in 1864 (see separate listing). It originally was called the Museum of Vegetable Products and focused largely on an interdisciplinary study of “useful plants” (now economic botany), with the nucleus of the materials being received from Sir William Hooker, director of the Royal Botanic Garden at Kew in England. In the years that followed, the museum’s collections and activities were enlarged to include economic products, medicinal plants, pollen, archaeological materials, artifacts, and photographs. Today, the Botanical Museum is one of three research-oriented museums that comprise the Harvard Museum of Natural History (the others being the Museum of Comparative Zoology and the Mineralogical Museum). The Botanical Museum has collections of narcotic and medicinal plants, rubber-yielding plants, pre-Columbian etnbotany, economy botany, paleobotany, fossil woods, orchids, ethnomycological materials, manuscripts, and glass models of plants. The Ware Collection of Glass Models of Plants, popularly known as the “Glass Flowers,” is considered one the university’s treasures. The collection of 4,000 models was commissioned by the museum’s first director, George Lincoln Goodale, in 1886 and completed by Leopold and Rudolf Blaschka in Germany.

in the world. The collections and libraries of the Gray Herbarium and Arnold Arboretum were brought together, and the vascular plant collections of the others were integrated in the mid-1970s. The collection of the New England Botanical Club Herbarium is in the process of being integrated. The Harvard University Herbaria now has over 5 million specimens in its collections; conducts research on evolutionay and systematic botany, population biology, bibliography, and botanical history; and has a 291,000-volume library on botany and horticulture. The building is open only to scientists to study the collections. Harvard University Herbaria, 22 Divinity Ave., Cambridge, MA 02138-2020. Phone: 617/495-2365. Fax: 617/495-9484. E-mail: [email protected]. Web site: www.huh.harvard.edu. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: not open to the public. Donald J. Pfister, Director 617-495-2368 [email protected]

HARVARD UNIVERSITY Arnold Arboretum of Harvard University Cambridge, Massachusetts

The Arnold Arboretum of Harvard University in the Jamaica Plan section of Boston, Massachusetts, is the oldest public and most popular arboretums in the nation and a world center for the study of trees. The 265-acre arboretum was founded by the university in 1872 by combining the land gifts from Benjamin Bussey, a Boston merchant and scienBotanical Museum of Harvard University, Museum of Natu- tific farmer, in 1842, and James Arnold, a New Bedford ral History, 26 Oxford St., Cambridge, MA 02138-2902. whaling merchant, in 1872. The beautiful grounds were dePhone: 617/495-3045. Fax: 617/495-5667. E-mail: signed by landscape architect Frederick Law Olmsted, [email protected]. Web site: www.hmnh.harvard.edu. working with Charles Sprague Sargent, the first director. Hours: 9-5 daily; closed New Year’s Day, Thanksgiving, The arboretum now has an annual attendance of 250,000. and Christmas Eve and Day. Admission: adults, $9; seniors The Arnold Arboretum has a living collection of 15,176 and students, $7; children 3-18, $6; children under 3, free. plants, including nursery holdings. The collection is considDavid W. Ellis, Interim Executive Director, Harvard Museum of ered one of the largest and best documented collections of Natural History woody plants (trees, shrubs, and vines) in North America and the world. Many of its accessions are of historical and botanical importance, such as the original North American introductions of Eastern Asian plants. Different sections HARVARD UNIVERSITY along the extensive road and path systems focus on such arUniversity Herbarium eas as leguminous trees, shrubs and vines, native wildCambridge, Massachusetts flowers among willows and flowering shrubs, Asa Gray, who joined the Harvard University faculty and rhododendrons, azaleas, and mountain laurels. Other notebecame director of the Harvard Botanic Garden in 1842, had worthy collections include lilacs, maples, crab apples, vibura personal collection that he gave to the university in 1864 nums, conifers, and dwarf conifers. to create the Asa Gray Herbarium. A number of other speThe arboretum has a herbarium, greenhouses, pavilion with cialized herbaria were founded later at Harvard, including the Herbarium of the Arnold Arboretum, Economic Herbar- bonsai plants, visitor center, library, and other facilities, and offers permanent and temporary exhibitions, courses, workium of Oakes Ames, Oakes Ames Orchid Herbarium, and shops, lectures, walks, special events, and seasonal guided Farlow Herbarium-each rich in the systematic treatment of such subjects as forestry, economic botany, ethnobotany, or- tours. chidology, history of botany, and travel and exploration. Arnold Arboretum of Harvard University, 125 Arborway, Boston, MA 02130-3500. Phone: 617/524-1718. Fax: With the completion of a new herbarium building on the campus in 1954, all the herbaria became part of the Harvard 617/524-1418. E-mail: arbweb@arnarb,harvard.edu. Web site: www.arboretum.harvard.edu. Hours: University Herberia, the largest university-owned herbaria

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Botanical Gardens, Arboretums, Herbariums & Nature Centers ground-sunrise-sunset daily; visitor center-9-4 Mon.-Fri., 10-4 Sat., 12-4 Sun.; closed major holidays. Admission: free. William Ned Friedman, Director 617-384-7744 [email protected]

HARVARD UNIVERSITY Harvard Forest and Fisher Museum of Forestry Petersham, Massachusetts The Harvard Forest is a 3,000-acre ecological research and education complex in Petersham, Massachusetts, that opened in 1907. It is one of the oldest and most intensively studied forests in North America. Scientists, students, and collaborators explore topics ranging from conservation and environmental change to land-use history and the ways physical, biological, and human systems interact to change the Earth. Two of its major research programs investigate New England’s natural ecosystem and the physical and biological processes in relation to climate change. The story of New England forests through time is told at the Fisher Museum of Forestry, opened in 1908 in Harvard Forest. The museum is named for Professor Richard T. Fisher, founder and director of the Harvard Forest. It features an exhibit of 23 dioramas conceived by Fisher and philanthropist Dr. Ernest G. Stillman that depicts the land-use history, ecology, and conservation of New England forests. The exhibit uses three-dimensional scenes divided into four sections-landscape history of central New England, conservation issues in the history of New England forests, forest management in central New England, and the artistry and construction of the dioramas. Other exhibits deal with forest history, ecology, and current research. Harvard Forest and Fisher Museum of Forestry, Harvard University, Athol Rd. (State Rte. 32), Petersham, MA 01366 (postal address: 324-326 N. Main St., Petersham, MA 01366. Phone: 978/724-3302. Fax: 978/724-3595. E-mail: [email protected]. Web site: www.harvardforest.fash.harvard.edu. Hours: forest-sunrise-sunset daily; museum-May.-Sept.: 9-4 Mon.-Fri., 12-4 Sat.-Sun.; and by appointment; closed university holidays; Nov.-Apr.-9-4 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Edyth Ellin, Director of Administration 978-756-6124 [email protected]

HAVERFORD COLLEGE Haverford College Arboretum Haverford, Pennsylvania

of the trees can still be seen on the campus. In 1901, a group of students and alumni formed an organization to preserve the campus landscape after the discovery of Carvill’s original plan. It now is called the Haverford College Arboretum Association, and it continues to perpetuate the original design. The 216-acre campus now has over 1,500 trees labeled with their scientific name, common name, and nativity. They include a blend of century-old oaks and maples, rare specimen trees, small flowering trees, natural woodland areas, and young plantings of diverse trees suitable for a home landscape. The site also has gardens, a duck pond, a nature trail, and a courtyard garden with the Carvill Arch, a remnant of Carvill’s original mid-nineteenth-century greenhouse. Haverford College Arboretum, 370 Lancaster Ave., Haverford, PA 19041-1392. Phone: 610/896-1101. Fax: 610/896-1095. E-mail: [email protected]. Web site: www.haverford.edu/arboretum. Hours: sunrise-sunset daily. Admission: free. William Astifan, Director

INDIANA UNIVERSITY Hilltop Garden and Nature Center Bloomington, Indiana Hilltop Garden and Nature Center sits on a 5-acre tract of land that once was an alfalfa field on the east side of the Indiana University campus in Bloomington. It was the dream of the late Barbara Shalucha, a biology faculty member, who asked then-President Herman B. Wells to provide the land for one of the country’s first early children’s gardening programs. Wells agreed, and the children’s garden/nature center was born in 1948. It still exists today, providing gardening advice to children. The facility now also provides gardening assistance to the general public and serves as an Indiana University center for studies in horticulture and science education. The garden has a greenhouse and 11 theme gardens, including herb, butterfly, tomato, pumpkin, shade, tea, cutting flower, and vegetable and annual display gardens, as well as a 180-foot gourd walk and an event pavilion. A 20-acre wooded nature preserve also has been added since the founding. The gardening/nature center now offers guided tours, classes, workshops, and special events. Annual attendance is 2,000. Hilltop Garden and Nature Center, Indiana University, 2367 E. 10th St., Bloomington, IN 47408-3900. Phones: 812/855-8808 and 812/855-2799. Fax: 812/855-2799. E-mail: [email protected]. Web site: www.hilltopgarden.org/wordpress. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. Admission: free.

The Haverford College Arboretum in Haverford, Pennsylva- Charlotte Griffin, Volunteer Coordinator 812-345-8128 nia, began in 1834-a year after the college was founded. William Carvill, an English landscape gardener, was hired to design the plan for the campus that included the placement of trees, grape arbors, and a serpentine walk, similar to the English landscape tradition of Sir Humphrey Repton. Some

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JAMES MADISON UNIVERSITY JAMES MADISON UNIVERSITY Edith J. Carrier Arboretum and Botanical Gardens Harrisonburg, Virginia The Edith J. Carrier Arboretum and Botanical Gardens at James Madison University in Harrisonburg, Virginia, has 125 acres of native woodlands, gardens, a pond supporting aquatic habitants, and walking trails. The gardens include display, herb, native plant, perennial, and rose gardens. The botanical site also offers educational programs at the Frances Plecker Education Center, a children’s nature art camp, and carriage rides in the woodland gardens. Edith J. Carrier Arboretum and Botanical Gardens, James Madison University, 780 University Blvd., MSC 3705, Harrisonburg, VA 22807. Phone: 540/568-3194. Fax: 540/568-6026. E-mail: [email protected]. Web site: www.jmu.edu/arboretum. Hours: sunrise-sunset daily. Admission: free.

the Department of Biological Sciences, is housed in the Life Sciences Annex Building. Annual attendance is 150. Herbarium of Louisiana State University, A257 Life Sciences Annex Bldg, Baton Rogue, LA 70803-1715 (postal address: Dept. of Life Sciences, 202 Life Sciences Bldg., Baton Rouge, LA 70803-1715). Phone: 225/578-8564. Fax: 225/578-2597. E-mail: [email protected]. Web site: www.herbarium.lsu.edu. Hours: 8:30-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Lowell Urbatsch, Director [email protected]

MICHIGAN STATE UNIVERSITY W. J. Beal Botanical Garden East Lansing, Michigan

The W. J. Beal Botanical Garden at Michigan State University in East Lansing is the oldest continually maintained university botanical gardens of its kind in the nation. The Jan Sievers Mahon, Director 5-acre garden was established on the campus in 1873 by Professor Beal, who opened a nursery the year before and followed with test plots of forage grasses and clovers and two rows of swamp white oaks. In 1950, Professor Milton KANSAS STATE UNIVERSITY Baron redesigned the garden to feature today’s four main University Herbarium groupings-economic, systematic, landscape, and ecological. Manhattan, Kansas This was followed by adding a collection of acidophilous The Kansas State University Herbarium in Manhattan has plants in 1961; Michigan’s endangered plants in 1986; and approximately 200,000 dried plant specimens with a renon-flowering vascular plants in 2001. The botanical garden gional focus on the Great Plains of central North America. It now has over 2,000 different plant taxa, comprising over was founded in 1877 and is known for its extensive holdings 5,000 species. Annual attendance is 20,000. from the late nineteenth century. The herbarium is located W. J. Beal Botanical Garden, Michigan State University, 412 on the top floor of Bushnell Hall. Olds Hall, Michigan State University, East Lansing, MI Kansas State University Herbarium, Bushnell Hall, 48824-1047. Phone: 517/355-9582. Fax: 517/432-1090. Manhattan, KS 66506-4901 (postal address: Herbarium Div. E-mail: [email protected]. Web site: of Biology, Ackert Hall, Kansas State University, www.cpa.msu.edu/beal/index.htm. Hours: sunrise-sunset Manhattan, KS 66506-4801). Phone: 785/532-6619. Fax: daily. Admission: free. 785/532-6653. E-mail: [email protected]. Web site: Frank Telewski, Curator www.k-state.edu/herbarium. Hours: 8-5 Mon.-Fri.; closed [email protected]. Sat.-Sun. and national holidays. Admission: free. Carolyn J. Ferguson, Curator 785-532-3166 [email protected]

LOUISIANA STATE UNIVERSITY University Herbarium

MICHIGAN STATE UNIVERSITY MSU Herbarium East Lansing, Michigan

Michigan State University Herbarium in East Lansing was founded in 1863 and formerly was called the Beal-DarlingBaton Rouge, Louisiana ton Herbarium. It has a collection of over 500,000 speciThe Herbarium of Louisiana State University in Baton mens representing more than 1,800 types of specimens. The Rouge studies biodiversity-green plants, lichens, and collection includes approximately 315,000 vascular plants, fungi-from the state and around the world. Founded in 1869, 110,000 lichenized fungi, 35,000 non-lichenized fungi, and the herbarium contains the oldest collection of preserved 20,000 bryophyte specimens. The vascular plants are from plant specimens in the Gulf South region. It specializes in all areas, with emphasis on Michigan, alpine areas of North research on native and introduced plants and fungi and their American, Mexico, South America, West Indies, and northecology and evolution. The herbarium, which is overseen by ern Borneo. The lichens and bryophytes also are from throughout the world, with the emphasis on Patagonia and Southern Hemisphere island groups, West Indies, and Canary Islands. The collection is used by researchers and

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Botanical Gardens, Arboretums, Herbariums & Nature Centers students working on systematic, evolutionary, and ecological questions. Michigan State University Herbarium, 166 Plant Biology Bldg., East Lansing, MI 48824-1312. Phone: 517/355-4696. Fax: 517/353-1926. E-mail: [email protected]. Web site: www.herbarium.msu.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and natonal holidays. Admission: free.

skiing, trout fishing, and picnicking. Public access is through a 12-acre roadside park leased to the Cass County Parks Department that his shelters, bathrooms, and picnic facilities. The Marcellus School System also leases forest property for school buildings that house students attending the Volinia Outreach School program.

L. Alan Prather, Director and Curator 517-355-4695 [email protected]

Fred Russ Forest, Michigan State University, Michigan Agricultural Experiment Station, Rte. 3, Decatur, MI 49045 (postal address: Michigan Agricultural Experiment Station, Michigan State University, 109 Agriculture Hall, East Lansing, MI 48824). Phones: campus-517/355-0123; forest-616/782-5652. Hours: 8-sunset daily. Admission: free.

MICHIGAN STATE UNIVERSITY Hidden Lake Gardens

Greg Kowalewski, Resident Forester

Tipton, Michigan Michigan State University’s Hidden Lake Gardens in Tipton, Michigan, resulted from a gift of the lake and the surrounding 200 acres from local businessman Harry Fee, who bought the site in 1926 and donated it to the university in 1945. The 755-acre botanical garden and arboretum is located about 50 miles from Toledo in the Irish Hills section of southeastern Michigan. It has over 2,500 species of woody plants arranged in systematic and use groupings. They include more than 700 cultivars of hosta on the Hosta Hillside and a 5-acre collection of 600 species of dwarf and rare conifers.

MICHIGAN STATE UNIVERSITY W. K. Kellogg Bird Sanctuary Augusta, Michigan The W. K. Kellogg Bird Sanctuary in Augusta, Michigan, was created by cereal-maker W. K. Kellogg in 1927 as a refuge for the Canada goose and other migratory birds. It also became an important part of trumpeter swan restoration efforts in the 1980s. In 1928, it was donated to Michigan State Agricultural College (now Michigan State University) for management, education, and research, and later, with the Kellogg Experimetal Farm and Farm, became part of the university’s Kellogg Biological Station.

The garden/arboretum also has a conservatory that features bamboo, banana, cocoa, coffee, sugarcane, tapioca, and vanilla, as well as a visitor center with exhibits, greenhouses, a The sanctuary, which previously was the Kellogg family’s picnic area, 5 miles of hiking trails, and 6 miles of one-way summer home, now is the university’s largest off-campus education complex. It has 180 acres of diverse wildlife habipaved drives. The annual attendance is 48,000. tat and a 40-acre lake, as well as the restored Kellegg sumHidden Lake Gardens, Michigan State University, 6214 mer house, conference center, resource center, picnic area, Monroe Rd. (State Hwy. 50), Tipton, MI 49287-9766. and walking trail featuring waterfowl, birds of prey, and upPhone: 517/431-2060. Fax: 517/431-9148. E-mail: land game birds. The sanctuary also offers adult classes, [email protected]. Web site: children’s summer camps, and historical tours. Annual atwww.hiddenlkegardens.msu.edu. Hours: Apr.-Oct.-8-dusk tendance is 12,000. daily; Nov.-Mar.-8-4 daily. Admission: $3 per person. W. K. Kellogg Bird Sanctuary, Michigan State University, Steven Courtney, Manager 12685 East C Ave., Augusta, MI 49012-9707 (contact: W. [email protected] K. Kellogg Biological Station, 3700 E. Gull Lake Dr., Hickory Corners, MI 49080). Phones: 269/671-2510 (Augusta) and 269/671-5117 (Hickory Corners). Fax: 269/671-2471. E-mail: [email protected]. Web site: MICHIGAN STATE UNIVERSITY www.kbs.msu.edu/birdsanctuary. Hours: May-Oct.-9-7 Fred Russ Forest daily; Nov.-Apr.-9-5 daily; closed major holidays. AdmisDecatur, Michigan sion: adults, $3; seniors, $2; children 2-12, $1; children under 2, free. The 970-acre Fred Russ Forest in Decatur, Michigan, is a Michigan State University experimental forest used for reKara L. Hass, Environmental Education Coordinator search, teaching, and outreach activities. The forest, established in 1942, was the result of a land gift from a Cassopolis businessman. Its primary focus is forest research MORRIS ARBORETUM OF THE directed toward sustaining the productivity, aesthetic richness, and diversity of renewable resources in the state. It has UNIVERSITY OF PENNSYLVANIA old growth hardwood and conifer stands, over 50 research Morris Arboretum plantings and plots, and a wide range of research.

Philadelphia, Pennsylvania

In addition to serving as the Fred Russ Forest Experiment Station, the forest has such visitor activities as hiking, jogging, biking, horseback riding, bow hunting, cross country

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The Morris Arboretum of the University of Pennsylvania is located on the former estate of John and Lydia Morris, who purchased and landscaped much of the arboretum’s current

NORTH CAROLINA STATE UNIVERSITY 92-acre site in the 1880s in the Chestnut Hill section of PhilNORTH CAROLINA STATE UNIVERSITY adelphia. Many of the arboretum’s specimens date to Morris’s original plantings, which have an English park style North Carolina State University Herbaria with Japanese influences. The arboretum became a public Raleigh, North Carolina arboretum in 1933 and now is the official arboretum of the The North Carolina State University in Raleigh has two herCommonwealth of Pennsylvania that is operated by the baria-the Herbarium, founded in 1898 in the Department of university. Plant Biology and the Mycological Herbarium, established in 1970, in the Department of Pathology. The former is deThe arboretum contains more than 13,000 labeled plants of voted to the study of plant diversity and has 128,000 plant over 2,500 types, including some of Philadelphia’s oldest, rarest, and largest trees and a Victorian landscape garden of specimens, while the latter contains approximately 8,000 specimens (primarily wood decay and plant pathogenic winding paths, streams, flowers, and special garden areas. fungi) from different ecological habitats in North Carolina, The plants are representative of the temperate floras of North America, Europe, and Asia, and include azaleas, rho- Georgia, South Carolina, Tennessee, and Virginia. dodendrons, conifers, hollies, magnolias, maples, roses, North Carolina State University Herbarium, Dept. of Plant dogwoods, and witch hazels. Plants from 27 countries are Biology, 2100 Gardner Hall, Campus Box 7612, Raleigh, represented in the collection, with the primary focus being NC 27695. Phone: 919/515-2700. Fax: 919/515-3436. on Asian species. The arboretum also has an eight-sided E-mail: [email protected]. Web site: glass house that is said to be the only remaining Victorian www.cals.ncsu.edu/plantbilogy/ncsu. Hours: by appointfernery in North America, and the Compton Mansion (the ment. Admission: free. 1887-88 Morris House was demolished in 1968). Morris Arboretum University of Pennsylvania, 100 E. Northwestern Ave., Philadelphia, PA 19118-2697. Phohe: 215/247-5777. Fax: 215/248-4439. E-mail: [email protected]. Web site: www.morrisarboretum.org. Hours: Apr.-Oct.-10-4 Mon.-Fri., 10-5 Sat.-Sun.; Nov.-Mar.-10-4 daily; closed New Year’s Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $14; seniors, $12; students and youth 3-18, $7; children under 3, free.

Mycological Herbarium, North Carolina State University, Dept. of Pathology, 2510 Thomas Hall, Raleigh, NC 27695-7616. E-mail: [email protected]. Web site: www.cals.ncsu.edu/plantpath. Hours: by appointment. Admission: free.

Paul W. Meyer, F. Otto Haas Director

NORTHWEST MISSOURI STATE UNIVERSITY Missouri State Arboretum

NORTH CAROLINA STATE UNIVERSITY J. C. Raulston Arboretum

Alexander Krings, Director 919-515-2700 [email protected]

Maryville, Missouri

The Missouri Arboretum at Northwest Missouri State University in Maryville became the state’s official arboretum in 1993. The arboretum was founded after groundskeeper J. R. The J. C. Raulston Arboretum is an 8-acre North Carolina State University arboretum and botanical garden in Raleigh. Brink was hired to maintain the campus grounds. He planted 300 trees a year from 1917 to 1927 and became known as The arboretum was founded in 1976 by (and later named the father of Northwest’s arboretum. The expansion of the for) Dr. Raulston, a Department of Horticultural Science faculty member who became a major force behind the horti- campus and an outbreak of Dutch elm disease drastically reduced the original forest, but groundskeepers have contincultural renaissance in the nation’s nursery industry in the ued to plant a wide variety of trees. As a result, the latter part of the twentieth century. The site has approximately 6,000 different plant varieties from 55 countries, in- arboretum now has more than 1,300 trees representing over 125 species from around the world, an assortment of shrubs cluding annuals, perennials, bulbs, vines, ground covers, and flowers, and three trails that wind across the campus. In shrubs, and trees. It is primarily a working research and 1993, the state legislature named the site the official state teaching garden that focuses on the evaluation, selection, and display of plant material from around the world. The an- arboretum. nual attendance is 100,000. Missouri State Arboretum, Northwest Missouri State Uni-

Raleigh, North Carolina

J. C. Raulston Arboretum, North Carolina State University, Dept. of Horticultural Science, 4415 Beryl Rd., Campus Box 7522, Raleigh, NC 27695-7522. Phone: 919/515-3132. Fax: 919/515-5361. Web site: www.ncsu.edu/jcraulstonarboretum. Hours: Apr.-Oct.-8 a.m.-8 p.m. daily; Nov.-Mar.-8-5 daily. Admission: free.

versity, Maryville, MO 64468. Phone: 660/562-1473. E-mail: [email protected]. Web site: www.nwmissouri.edu. Hours: sunrise-sunset daily. Admission: free. Lezlee Johnson, Arboretum Coordinator

Ted E. Bilderback, Director 919-513-7006

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Botanical Gardens, Arboretums, Herbariums & Nature Centers OHIO STATE UNIVERSITY Chadwick Arboretum and Learning Gardens Columbus, Ohio The Chadwick Arboretum is a 60-acre arboretum with a “Learning Gardens” section adjoining Mirror Lake on the Agricultural Campus of Ohio State University in Columbus. In 1980, it was named for Dr. Lewis C. Chadwick, a long-time researcher and horticulture professor at the university who is credited with bringing the field of arboriculture to professional status. But the arboretum dates back to 1888 when it was intended to be campus-wide in scope. In 1926, the Horticulture Gardens were opened west of Campbell Hall, and the new gardens were dedicated in 1981. Chadwick Arboretum has approximately 1,000 trees, representing 120 species that grow in Ohio. It contains 17 gardens with more than 2,000 different plants, including perennials, hostas, tropical plants, wildflowers, woody plants, and more than 400 cultivars of annuals. The arboretum also has a greenhouse; labyrinth, a walking path that symbolizes the cyclic journey in life; and artworks throughout the grounds, including a huge praying mantis steel sculpture that measures 15 by 11 feet located in the Phenology Gardens. Chadwick Arboretum and Learning Gardens, Ohio State University, Howlett Hall, 2001 Fyffe Rd., Columbus, OH 43210. Phone: 614/292-3136. E-mail: chadwickarboretum.osu.edu. Web site: www.chadwickarboretum.osu.edu. Hours: sunrise-sunset daily. Admission: free. Mary Maloney, Director 614-688-3479

OREGON STATE UNIVERSITY Oregon State University Herbariums Corvallis, Oregon The Oregon State University Herbariums in Corvallis houses herbia from three universities-Oregon State University, University of Oregon, and Willamette University.

personal collection of Morton E. Peck, professor of biology from 1908 to 1941. Oregon State University Herbariums, Dept. of Biology and Plant Pathology, 2082 Cordley Hall, Corvallis, OR 97331-2902. Phone: 541/737-4106. Web site: www.oregonstate.edu/dept/botany/herbarium/info.php. Hours: by appointment. Admission: free. Aaron Liston, Director 541-737-5301 [email protected]

PENNSYLVANIA STATE UNIVERSITY Shaver’s Creek Environmental Center Petersburg, Pennsylvania Shaver’s Creek Environmental Center in Petersburg, Pennsylvania, is Pennsylvania State University’s nature center. It is located about 12 miles from the main campus in State College in the Stone Valley Recreation Area of the Pennsylvania State Experimental Forest. Founded in 1976, the center operates on 7,000 acres and contains a 72-acre lake. It has such facilities as herb and flower gardens, Raptor Center and flight cage, hands-on discovery room, trails, boardwalks over wetlands and Lake Perez inflow, classrooms, picnic areas, and amphitheater where birds of prey shows are presented every weekend afternoon from April through November and other shows are offered at festivals and programs throughout the year. The center also is the site of an outdoor school, university courses, and summer day camps. Annual attendance is over 100,000. Shaver’s Creek Environmental Center, Pennsylvania State University, 3400 Discovery Rd., Petersburg, PA 16669. Phones: 814/863-2000 and 874/667-3424. Fax: 814/865-2706. Web site: www.outreach.psu.edu/shaverscreek/index-tour.html. Hours: Feb. 1-mid-Dec.-10-5 daily; closed mid-Dec.-Jan. Admission: free. Mark McLaughlin, Director [email protected]

They are housed in a 1994 herbarium facility on the campus PURDUE UNIVERSITY that contains approximately 405,000 vascular plant, Kriebel Herbarium bryophyte, algal, and fungal specimens. The specimens are West Lafayette, Indiana worldwide in scope, but focus on the state of Oregon and the The Purdue University Kriebel Herbarium in West LafayPacific Northwest. The three collections bring complemenette, Indiana, began in 1873 as the Purdue University Hertary strengths to the consolidated herbarium. barium and later was named for botanist Ralph M. Kriebel, The Oregon State University Herbariums is the oldest of the who was responsible for many of the herbarium’s important three herbariums. It was established in the 1880s at what collections. The early collections came from two pioneer was then the Oregon Agriculture College. It evolved from a botanists in Indiana-Professor Stanley Coulter, who later collection devoted primarily to student training to a modern was dean of the School of Science at Purdue, and his research facility. In recent years, the efforts have been on brother, John M. Coulter, who became president of Indiana systematically difficult taxa, floristically rich and/or poorly University and then a long-time professor at the University known regions of the state, and plants of conservation conof Chicago. Kriebel was a teacher, quarry-man, botanist, and cern. The herbarium of the University of Oregon contains conservationist who worked for the Soil Conservation Serhistorically significant collections of seven first resident bot- vice and joined the Agricultural Extension Service at Purdue anists from the late nineteenth and early twentieth centuries. in 1943. After his death, the Purdue Agricultural Experiment At Willamette University, the herbarium consists of the Station purchased his herbarium of 10,886 specimens and

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PURDUE UNIVERSITY added it to the university’s herbarium. In 1961, the combined herbarium was renamed in honor of Kriebel. The Purdue University Kriebel Herbarium now has approximately 70,000 specimens of vascular plants; about 16,000 specimens of exchange specimens of fungi called exsiccati; and around 2,000 specimens of algae, bryophytes, and fungi other than rusts (which are in Arthur Herbarium). The early collections of Indiana plants form a record of species and natural areas that have been lost to agriculture, industry, and urban development. The Kriebel and Arthur herbaria, which are part of the Department of Botany and Plant Pathology, have an annual attendance of 150.

RHODES COLLEGE Rhodes College Herbarium Memphis, Tennessee The Rhodes College Herbarium in Memphis, Tennessee, was founded in 1925. It has approximately 9,000 specimens relating to the region in its collection. The herbarium is located in the Department of Biology in the Frazier Jelke Science Center. Rhodes College Herbarium, Dept. of Biology, 2000 North Pkwy., Memphis, TN 38112-1690. Phone: 901/843-3555. Fax: 901/843-3565. Web site: www.rhodes.edu. Hours: varies. Admission: free.

Purdue University Kriebel Herbarium, Dept. of Botany and Plant Pathology, Lilly Hall of Life Sciences, West Lafayette, Gary Lindquester, Chair, RC Biology Department 901-843-3564 IN 47907-2054. Phones: 765/494-4623 and 765/494-4651. [email protected] Fax: 765/494-0363. E-mail: [email protected]. Web site: www.btny.purdue.edu/herbaria/kriebel. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and state and national holdays. RUTGERS, THE STATE UNIVERSITY OF Admission: free. Peter Goldsbrough, Department Head, Purdue University Dept of Botany and Plant Pathology 765-494-4615 [email protected]

PURDUE UNIVERSITY Arthur Herbarium West Lafayette, Indiana One of the world’s largest and most studied research, teaching, and reference collection of plant rust fungi is located at the Purdue University Arthur Herbarium in West Lafayette, Indiana. The collection was started in 1887 by Dr. James C. Arthur, first head of the Department of Botany and Plant Pathology. It now has approximately 100,000 specimens of plant rust fungi, one of the largest natural groups of plant parasitic fungi, which have 6,000 to 7,000 species. Rusts, which are among the most complicated microorganisms, are said to attack more different kinds of wild and domesticated plants than any other natural fungus order. The ultimate goal of the Arthur Herbarium is to provide research and reference specimens of all of the different kinds of rusts that will demonstrate the complete diversity of this group of plant pathogens. Purdue University Arthur Collection, Dept. of Botany and Plant Pathology, Lilly Hall of Life Sciences, 915 W. State St., West Lafayette, IN 47907-2054. Phones: 765/494-4623 and 765/494-1651. E-mail: [email protected]. Web site: www.btny.purdue.edu/herbaria/arthur. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and state and national holidays. Admission: free. Peter Goldsbrough, Department Head, Purdue University Dept of Botany and Plant Pathology 765-494-4615 [email protected]

NEW JERSEY The Rutgers Gardens New Brunswick, New Jersey The Rutgers Gardens at Rutgers, The State University of New Jersey in New Brunswick is a research garden/arboretum founded in 1927. It seeks to provide information about public horticulture, the connectivity between plants and human health and nutrition, and the roles plants provide in natural and created landscapes. The facility is comprised of a series of horticultural collections arranged in garden settings spread over 50 acres. The Rutgers Gardens features a diverse variety of landscape plants from throughout the world. The collections include a display garden featuring “All American Selections” flower and vegetable winners; the largest collection of American hollies in the world; and shrub, rhododendron/azalea, evergreen, sun/shade, ornamental tree, bamboo forest, and water conservation collections. The gardens adjoin the Frank G. Helyar Woods, a virgin forest with marked trails, a 92-acre pond, and a log cabin pavilion. The annual gardens attendance is 50,000. The Rutgers Gardens, Rutgers, The State University of New Jersey, 112 Ryders Lane, New Brunswick, NJ 08901-8519. Phone: 732/932-8451. E-mail: [email protected]. Web site: www.rutgersgardens.rutgers.edu. Hours: 8:30-sunset daily. Admission: free. Bruce Crawford, Director

SMITH COLLEGE Botanic Garden of Smith College Northampton, Massachusetts Smith College in Northampton, Massachusetts, was one of the first women’s colleges to have a science-dedicated structure (Lilly Hall of Science). It became the home for plant sciences and the college herbarium after 1886. As the college expanded, Frederick Law Olmsted’s firm was hired to

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Botanical Gardens, Arboretums, Herbariums & Nature Centers develop a comprehensive landscape plan for the campus. The Botanic Garden of Smith College formally took shape in 1895 under the direction of Botany Professor William Francis Ganong, who served as director of the garden until he retired in 1932. He was assisted by head gardener Edward J. Canning. They expanded the plant house, built a rock garden, revised Olmsted’s planting to make the entire campus an arboretum, and reworked the herbaceous beds as a systematic garden after the Engler-Pranti classification system. In the years that followed, the Botanic Garden was further enhanced as a botanic garden and arboretum that now covers 127 acres. The Botanic Garden now has a collection of 10,000 plants from New England and around the world. It is still using the greenhouse and conservatory built during the 1890s. The conservatory houses more than 2,500 species of plants, including collections of tropical, subtropical, and desert plants. The diverse collections are used primarily for instruction of Smith students, but also have provided material to researchers working on in such areas as plant evolution, medical cures, pharmaceuticals, and better gardens. The annual attendance is 100,000. Botanic Garden of Smith College, Lyman Plant House and Conservatory, 16 College Lane, Northampton, MA 01063-6352. Phones: 413/585-2740 and 413/585-2742. Fax: 413/585-2744. E-mail: [email protected]. Web site: www.smith.edu/garden. Hours: grounds-sunrise-sunset daily; conservatory-8:30-4 daily; closed Thanksgiving and Dec. 24-Jan. 3. Admission: free.

UNIVERSITY OF ALABAMA University of Alabama Arboretum Tuscaloosa, Alabama Alabama’s native flora and fauna are featured at the University of Alabama’s Arboretum in Tuscaloosa. It has 2-1/2 miles of walking trails through native piney and oak-hickory woods and ornamental plants, an open-air pavilion, and wildflower, bog, experimental, and children’s gardens. Two greenhouses have collections of orchids, cacti, and tropical plants. The arboretum, which was founded in 1958, also has a conservatory and classroom. Annual attendance is 7,000. University of Alabama Arboretum, 4801 Arboretum Way, Tuscaloosa, AL 35404-5424 (postal address: PO Box 8703444, Tuscaloosa, AL 35487). Phone: 205/553-3278. Fax: 205/553-3728. E-mail: [email protected]. Web site: www.arboretum.ua/edu. Hours: 8-sunset daily; closed New Year’s Day, Thanksgiving, and Christmas. Admission: free. Mary Jo Modica, Director [email protected]

UNIVERSITY OF ARIZONA University of Arizona Campus Arboretum Tucson, Arizona

More than 500 tree and shrub species from arid and semi-arid climates around the world are part of the University of Arizona Campus Arboretum in Tucson. When the Michael Marcotrigiano, Director university was founded as a land-grant institute in the [email protected] 1800s, many trees, shrubs, and cacti were planted to beautify the grounds and reduce the desert dust. Now, a considerable number of the arboretum’s trees are the largest specimens in the state and have been designated as “Great SWARTHMORE COLLEGE Trees of Arizona,” and in 2010 the campus arboretum was Scott Arboretum of Swarthmore College selected as a “Tree Campus USA” by the National Arbor Swarthmore, Pennsylvania Day Foundation. The arboretum office recently was located in the historic 1903 Herring Hall, next to the Taylor Family The Scott Arboretum of Swarthmore College in Swarthmore, Pennsylvania, has more than 4,000 kinds of or- Botanical Plaza. namental plants encompassing over 300 acres. Founded in University of Arizona Campus Arboretum, College of Agri1929 through a family bequest, the arboretum is a living meculture and Life Sciences, Herring Hall, PO Box 210036, morial to Arthur Hoyt Scott, an 1895 alumnus. It displays Tucson, AZ 85721-0036. Phone: 520/621-7074. E-mail: plants suited for home gardens in the area. It was Mr. Scott’s [email protected]. Web site: www.arboredream to help horticulture by visual demonstration. His famtum.arizona.edu. Hours: open 24 hours. Admission: free. ily felt this could best be realized by the planting of trees, shrubs, and flowers in a public place so that people of aver- Tanya Quist, Director age means in the Philadelphia suburban area can see plants suitable for their own conditions. The arboretum includes such plants as conifers, witch-hazels, crabapples, flowering cherries, hollies, hydrangeas, magnolias, roses, and tree peo- UNIVERSITY OF ARIZONA nies. Annual attendance is 30,000. Boyce Thompson Arboretum Scott Arboretum of Swarthmore College, 500 College Ave., Swarthmore, PA 19081. Phone: 610/328-8025. Fax: 610/328-7755. E-mail: [email protected]. Web site: www.scottarboretum.org. Hours: sunrise-sunset daily; closed Independence Day, Thanksgiving, and Christmas-New Year’s Day. Admission: free. Claire Sawyers, Director

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Superior, Arizona The Boyce Thompson Arboretum in Superior, Arizona, is managed by the University of Arizona and the Arizona State Parks. The 320-acre site was founded in 1924 by copper and mining magnate William Boyce Thompson, became a nonprofit organization in 1927, and entered into cooperative management agreements with the university in 1964 and the state parks system in 1976. The arboretum brings together

UNIVERSITY OF CALIFORNIA, BERKELEY plants from many varied deserts and dry lands and exhibits them along with examples of the native Sonora Desert vegetation. It also has such other attractions as walking trails featuring unusual shapes and forms in the Cactus Garden, towering trees in the Queen Creek Canyon, peace of the Wing Memorial Garden, low water-demanding plants at the Demonstration Gardens, and exhibits in the Smith Interpretive Center. The arboretum also has two historic structures-ca. 1915 Clevenger Homestead and ca. 1928 Pickett Post House. Annual attendance is 85,000. Boyce Thompson Arboretum, University of Arizona, 37615 U.S Hwy. 60, Superior, AZ 85273-5100. Phone: 520/689-2723. Fax: 520/689-5858. E-mail: [email protected]. Web site: www.arboretum.ag.arizona.edu. Hours: Sept.-Apr.-8-5 daily; closed Christmas; May-Aug.-6-3 daily. Admission: adults, $7.50; children 5-12, $3; children under 5, free. Mark Siegwarth, Director [email protected]

UNIVERSITY OF CALIFORNIA, BERKELEY University of California Botanical Garden at Berkeley Berkeley, California The University of California Botanical Garden at Berkeley has one of the largest and most diverse plant collections in the nation. It contains over 13,000 different types of plants from around the world arranged by regions on 34 acres in nearby Strawberry Canyon. The garden was established in 1890 by Professor E. L. Greene, first chairman of the Department of Botany, after a small garden of economic plants was started in the 1870s by Dr. Eugene W. Hilgard, the founding dean of agriculture. The garden was located on the north side of the campus around a large glass conservatory modeled after the Crystal Palace in London. In the 1920s, the garden moved to its present site and developed its current landscape approach under the direction of T. Harper Goodspeed. The garden has 19,300 accessions, with the best families being cactus, sunflower, orchid, lily, health, and fern. It features plants of documented wild origin from nearly every continent, with the emphasis on plants from California, Mediterranean Basin, Australia, South Africa, and Chile. The outdoor collections are arranged primarily geographically by continent, including Asia, Australasia, California, Eastern North America, Mediterranean, Mexico/Central America, New World Desert, South America, and Southern Asia. The annual attendance is 40,000.

$7; youth 13-17, $5; children 5-12, $2; UCB students, faculty, staff, and children under 5, free. Paul Licht, Director 510-642-8999 [email protected]

UNIVERSITY OF CALIFORNIA, BERKELEY University and Jepson Herbaria Berkeley, California The University and Jepson Herbaria at the University of California, Berkeley, have approximately 2.2 million specimens, the largest collection at a public university in the nation and one of the largest in North America. The University Herbarium, founded in 1895, holds botanical specimens from around the world, while the Jepson Herbarium specializes in vascular plants of California. The collections began in 1872, with the initial core being specimens gathered by the new state in the 1860s that came from the Geological Survey of California. The University Herbarium was established officially in 1895 by Professor William Albert Setchell, chairman of the Department of Botany, and the Jepson Herbarium was created in 1950 by a bequest from Willis Linn Jepson, the first botany doctoral graduate (1898) who later served on the faculty until 1937. All plant groups are represented in the University Herbarium collection, which has a worldwide scope and particular strengths in marine algae, bryophytes, pteridophytes, and flowering plants. The Jepson Herbarium has a collection of about 96,000 specimens of vascular plants of California. The herbaria, which are located in the Valley Life Sciences Building, now are administered by the Berkeley Natural History Museums Administrative Services. University and Jepson Herbaria, University of California, Berkeley, 2465 Valley Life Sciences Bldg., Berkeley, CA 94720. Phones: 510/642-2465 and 510/643-7008. Fax: 510/643-5390. E-mail: [email protected]. Web site: www.ucjeps.berkeley.edu. Hours: 8-5 Mon.-Fri; closed Sat.-Sun. and university holidays. Admission: free. Andrew Doran, Administrative Curator [email protected]

UNIVERSITY OF CALIFORNIA, DAVIS UC Davis Arboretum Davis, California

The UC Davis Arboretum at the University of California, Davis, has 100 acres, 22,000 trees and plants, and 3-1/2 miles of paved paths. The arboretum, established in 1936 University of California Botanical Garden at Berkeley, Uni- along the banks of the Putah Creek, features more than 4,000 varieties of plants and trees. Plants in the arboretum versity of California, Berkeley, 200 Centennial Dr., Berkeare arranged in gardens that represent different geographic ley, CA 94720-5045. Phones: 510/643-2755 and areas, plant groups, horticultural themes, and historical peri510/642-0849. Fax: 510/642-5045. E-mail: garden@berkeods. The arboretum contains gardens devoted to such geoley.edu. Web site: www.botanicalgarden.berkeley.edu. Hours: 9-5 daily; closed first Tues. of month and major holi- graphical areas as California, Mediterranean Basin, India, and Japan; plants like drought-tolerant species, flowering days. Admission: adults, $9; seniors and non-Cal. students, perennials, and cacti and succulents; trees ranging from oaks

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Botanical Gardens, Arboretums, Herbariums & Nature Centers to redwoods; and gardens in historical periods such as California’s 1840-60 rancho period. Shakespearean plays also are presented in the round in a garden setting. The annual arboretum attendance is 250,000. UC Davis Arboretum, University of California, Davis, Valley Oak Cottage, LaRue Rd., Davis, CA 95616 mail (postal address: 1 Shields Ave., Davis, CA 95616-5200). Phone: 530/752-4880. Fax: 530/752-5796. E-: [email protected]. Web site: www.arboretum.ucdavis.edu. Hours: open 24 hours. Admission: free. Kathy Johnson Socolofsky, Director

UNIVERSITY OF CALIFORNIA, IRVINE University of California Irvine Arboretum

and features plant specimens of California, Hawaii, Australia, Mediterranean, and Central America. Among the major collections are palms, cycads, myrtles, lilies, rhododendrons, melastomes, and ficus and acacia trees. The UCLA Herbarium, located in the nearby Botany Building, also is part of the botanical garden. The garden’s annual attendance is 36,000. Mildred E. Mathias Botanical Garden, University of California, Los Angeles, 777 S. Tiverton Ave., Dept. of Biology, UCLA Box 90095, Los Angeles, CA 90095-1606. Phones: 310/825-1260 and 310/825-3620. Fax: 310/206-3987. E-mail: [email protected]. Web site: www.botgard.ucla.edu. Hours: 8-5 Mon.-Fri., 8-4 Sat.; closed Sun. and university holidays. Admission: free. Arthur C. Gibson, Director

Irvine, California The University of California Irvine Arboretum is a 12-1/2-acre botanic garden and arboretum located 1 mile north of the campus in Irvine, adjacent to the 200-acre San Joaquin Freshwater Marsh Reserve. Established in 1965, the arboretum has shifted from its initial focus on South African plants to include a broad diversity of plants representative of the California Floristic Province. It now has displays from Baja California and California Channel Islands, as well as the Mojave Desert, Otay Mesa, and other sites. The collection now includes such plants as native grasslands and wildflowers, maritime succulent scrub, southern maritime chaparral, cacti, and oak woodlands. The annual attendance is 14,000. University of California Irvine Arboretum, North Campus Dr. and Jamboree Rd., Irvine, CA 92697. Phone: 949/824-5833. Fax: 949/824-6146. Web site: www.arboretum.bio.uci.edu. Hours: 9-3 Mon.-Sat.; closed Sun. and state holidays. Admission: free. Albert F. Bennett, Dean, UCI School of Biological Sciences

UNIVERSITY OF CALIFORNIA, LOS ANGELES Mildred E. Mathias Botanical Garden Los Angeles, California Approximately 5,000 species in 225 families are grown outdoors at the Mildred E. Mathias Botanical Garden at the University of California, Los Angeles. The garden began in an arroyo on the southeastern corner of the campus in 1929 shortly after the university began to offer classes on the Westwood campus. By 1947, the garden had 1,500 species and varieties of plants, and expanded to 3,500 under Dr. Mildred E. Mathis, who served as director from 1956 to 1974 and for whom the garden was named in 1979. It also was during this period that a permanent experimental garden was established, followed by the development of special collections. The Mathias Garden originally covered 31 acres, but was reduced to approximately 8 acres as the university expanded. The garden now emphasizes tropical and subtropical plants

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UNIVERSITY OF CALIFORNIA, LOS ANGELES UCLA Hannah Carter Japanese Garden Los Angeles, California The UCLA Hannah Carter Japanese Garden, a 1-acre garden located about a mile from the campus of the University of California, Los Angeles, once was the private garden of the late Edward W. and Hannah Carter, civic leaders who actively promoted the arts and education. In 1965, they donated their garden in Bel Air to the university and it later was named for Mrs. Carter. Mr. Carter was head of a department store chain and president of the University of California Board of Regents. The garden was created in 1961 by Mr. and Mrs. Gordon Guiberson in memory of his mother, Ethel Guiberson, who had organized the Beverly Hills Garden Club. The garden was designed by landscape architect Nagao Sakuai. The major structures-main gate, teahouse, bridges, and shrine-were built in Japan and reassembled here. The major rocks, antique stone carvings, and water basin also came from Japan, and nearly all the trees and plants belong to species grown in Japan. The garden was seriously damaged by floods in 1969, but reconstructed to its original appearance by Dr. Kawana Koichi. UCLA Hannah Carter Japanese Garden, University of California, Los Angeles, 10619 Bellagio Rd., Los Angeles, CA 90077 (postal address: 10920 Wilshire Blvd., Suite 1520, Los Angeles, CA 90024-6518). Phone: 310/794-0320. Fax: 310/794-8208. E-mail: [email protected]. Web site: www.japanesegarden.ucla.edu. Hours: 10-3 Tues.-Wed. and Fri.; closed Sat.-Mon. and Thurs. Admission: free. Tracy Hershey, Executive Director, UCLA Office of Special Events and Protocol 310-794-3270

UNIVERSITY OF CALIFORNIA, RIVERSIDE UNIVERSITY OF CALIFORNIA, RIVERSIDE University of California Riverside Botanic Gardens Riverside, California

founder of the F. A. Bartlett Tree Expert Company acquired 30 acres of North Stamford woodlands for his home, training school, and research laboratory for his tree-care business. Over the years, he increased his holdings to 64 acres and assembled a large number of wood plant specimens from all over the world, particularly America, Europe, and Asia.

The University of California Riverside Botanic Gardens are located at two sites-a 40-acre garden in the foothills of the Box Springs Mountains east of the university and on the campus grounds in Riverside. The principal collections are at the foothills site, which has more than 3,500 plant species from around the world, more than 4 miles of trails through many microclimates and hilly terrains, and nearly 200 types of birds and a number of mammals, reptiles, and amphibians. The campus grounds demonstrate landscape plants that grow well in Riverside’s climate.

In 1965, Bartlett moved to North Carolina and sold the property to the state and the site became the Connecticut State Arboretum. It opened to the public in 1966, with the operations being managed by the University of Connecticut’s Department of Plant Science. Subsequent development of the site, which was renamed the Bartlett Arboretum, was spearheaded by a local group of volunteers who formed the Bartlett Arboretum Association. In 1993, the land and operations were transferred to the University of Connecticut, and in 2002 the title to the land was given to the City of StamUniversity of California Riverside Botanic Gardens, Univer- ford with the association becoming responsible for the mansity of California, Riverside, Riverside, CA 92521-0124. agerial and operational oversight of the property in Phone: 951/784-6962. E-mail: [email protected]. Web site: partnership with the university. www.gardens.ucr.edu. Hours: 8-5 daily; closed New Year’s Day, Independence Day, Thanksgiving, and Christmas. Ad- Bartlett Arboretum and Gardens, 151 Brookdale Rd., Stamford, CT 06903-4199. Phone: 203/322-6971. Fax: mission: $2 suggested donation. 203/595-9168. E-mail: [email protected]. Web Giles Waines, Director site: www.bartlettarboretum.org. Hours: 9-4:30 Mon.-Fri.; closed Sat.-Sun. and national holidays. Admission: adults, $6; children under 12, free; free admission on Wed.

UNIVERSITY OF CALIFORNIA, SANTA CRUZ Arboretum at UC Santa Cruz

Peter Saverine, Director of Operations [email protected]

Santa Cruz, California The Arboretum at UC Santa Cruz is a botanical garden and arboretum with collections of more than 300 plant families on the campus of the University of California, Santa Cruz. Founded in 1964, the arboretum maintains collections of rare and threatened plants of unusual scientific interest. Among its specialties are world conifers, primitive angiosperms, and bulb-forming plant families. It has large assemblages of plants from California, Australia, New Zealand, and South Africa. The arboretum also imports, selects, and breeds choice ornamental plants. The annual attendance is 55,000. Arboretum at UC Santa Cruz, University of California, Santa Cruz, 1156 High St., Santa Cruz, CA 95064-1077. Phone: 831/427-2998. Fax: 831/427-1524. E-mail: [email protected]. Web site: www.arboretum.ucsc.edu. Hours: 9-5 daily; closed Thanksgiving and Christmas. Admission: adults, $5; children, $2. Brett Hall, Director brett @ ucsc.edu

UNIVERSITY OF CONNECTICUT Bartlett Arboretum and Gardens Stamford, Connecticut The Bartlett Arboretum and Gardens in Stamford, Connecticut was founded in 1965, but its history goes back to 1913. That is when Dr. Francis A. Bartlett, a dendrologist and

UNIVERSITY OF GEORGIA State Botanical Garden of Georgia Athens, Georgia The State Botanical Garden of Georgia is operated by the University of Georgia in Athens. Founded in 1968, the public garden encompasses 313 acres mostly along the Middle Oconee River about 3 miles south of the campus. It contains 11 botanical and horticultural collections with gardens of annuals and perennials, dahlias, azaleas, rhododendrons, groundcovers, native flora, flowers, trial shrubs and trees, and shade, heritage, and international plants. It also has 5 miles of nature trails. The botanical garden has four major facilities that support a diverse range of educational programs and special events, including the Alice Hand Callaway Visitor Center and Conservatory. The visitor center has art exhibitions with botanical, horticultural, and conservation themes, educational programs, and other services. The three-story conservatory features tropical plants from which beverages, foods, medicines, and other products are derived. Environmental education also is emphasized at the garden, and plant conservation, habitat protection, and biodiversity are central themes in the teaching, research, and outreach activities. Annual attendance is 200,000. State Botanical Garden of Georgia, University of Georgia, 2450 S. Milledge Ave., Athens, GA 30605-1674. Phone:

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Botanical Gardens, Arboretums, Herbariums & Nature Centers 706/542-1244. Fax: 706/542-3091. E-mail: [email protected]. Web site: www.uga.edu/botgarden. Hours: grounds-Apr.-Sept.: 8 a.m.-8 p.m. daily; Oct.-Mar.: 8-6 daily; closed university holidays; conservatory/visitor center-9-4:30 Tues.-Sat., 11:30-4:30 Sun.; closed Mon. and university holidays. Admission: free. Wilff Nicholls, Director

UNIVERSITY OF GUAM University of Guam Herbarium Mangilao, Guam

He became director of the university arboretum. When he died four years later, the university renamed the site the Harold L. Lyon Arboretum in recognition of his nearly four decades of dedication to the arboretum. The arboretum now is the only university botanical garden in the nation located in a tropical rainforest. It covers 194 acres of a seemingly primeval forest deep in the back of Manoa Valley with majestic trees, a lush forest floor, and the sound of birds and dripping water in the moist and fragrant air. The arboretum has more than 5,000 species of rare tropical plants. It was forced to close for five months in 2005 because its wooden cottages built in the 1920s were suffering from the humidity, insects, and age. Renovations now are under way after the university received $3 million in state funding. The annual attendance is 30,000.

The University of Guam in Mangilao on the island of Guam has a herbarium that specializes in research on the insular floras of Guam, the Northern Mariana Islands, and Micronesia, a region of over 2,000 islands in the western tropical Pa- Harold L. Lyon Arboretum, University of Hawaii at Manoa, 3860 Manoa Rd., Honolulu, HI 96822-1198. Phone: cific. The herbarium has over 57,000 specimens, including 808/988-0456. Fax: 808/988-0462. E-mail: lyonarb@ha46,000 phanerogams and pteridophytes. waii.edu. Web site: www.hawaii.edu/lyonarboretum. Hours: 8-4 Mon.-Fri., 9-3 Sat.; closed Sun. and major holidays. AdUniversity of Guam Herbarium, Div. of Natural Sciences, mission: $5 suggested donation. 105 Science Bldg., Mangilao, Guam 96923. Phones: 671/735-2791 and 671/734-6416. Faxes: 671/734-1299 and Christopher P. Dunn, Director 671/734-4582. Web site: www.uog.edu/herbarium. Hours: 9-4 Mon.-Fri. closed; Sat.-Sun. and university holidays. Admission: free. Lynn Raulerson, Curator

UNIVERSITY OF MAINE Fay Hyland Arboretum Orono, Maine

UNIVERSITY OF HAWAII AT HILO University of Hawaii at Hilo Botanical Gardens Hilo, Hawaii The University of Hawaii at Hilo Botanical Gardens has one of the state’s best cycad collections, containing nearly 100 species from Africa, China, Australia, and North and Central America. In addition, it has a collection of palms from around the world, including a nearly complete collection of endemic loul palms. University of Hawaii at Hilo Botanical Gardens, 200 W. Kawili St., Hilo, HI 96720. Phone: 808/974-7414 and 800/897-4456. Fax: 800/933-0861. Hours: sunrise-sunset daily. Admission: free.

UNIVERSITY OF HAWAII AT MANOA Harold L. Lyon Arboretum Honolulu, Hawaii The Harold L. Lyon Arboretum at the University of Hawaii at Manoa began in 1918 as a watershed restoration project by the Hawaii Sugar Planters’ Association Experiment Station on land that was denuded of vegetation by grazing cattle. The experiment station acquired 124 acres and put a young botanist, Dr. Harold L. Lyon, in charge. He brought in 2,000 trees and developed what became known as the Manoa Arboretum. In 1953, Lyon persuaded the experiment station to deed the arboretum to the University of Hawaii.

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The Fay Hyland Arboretum-formerly the Fay Hyland Botanical Plantation-is a 10-acre arboretum and botanical garden along the Stillwater River on the University of Maine campus in Orono. Founded in 1934, the arboretum features woody plants from Maine and throughout the world that are studied in courses and research relating to dendrology, horticulture, and plant taxonomy. The arboretum also has gardens and greenhouses. Fay Hyland Arboretum, University of Maine, 5751 Murray Hall, Orono, ME 04469. Phone: 207/581-2540. Fax: 207/581-2537. Web site: www.umaine.edu. Hours: sunrise-sunset dialy. Admission: free. Christopher S. Campbell, Director 207-581-2978 [email protected]

UNIVERSITY OF MAINE University of Maine Herbaria Orono, Maine The University of Maine Herbaria in Orono consists mainly of vascular plants and fungi, but also includes mosses, lichens, and algae. The university has almost 100,000 specimens of vascular plants, about half of which are from Maine. They date from the 1850s. The collections are housed in Hannibal Hamlin Hall. The University of Maine at Fort Kent also has a Lichen Herbarium in Crocker Hall. University of Maine Herbaria, Hannibal Hamlin Hall, Orono, ME 04469. Phone: 207/581-2978. E-mail:

UNIVERSITY OF MICHIGAN [email protected]. Web site: www.herbaria.umaine.edu. Hours: by appointment. Admission: free. Christopher S. Campbell, Director 207-581-2978 [email protected]

arboretum was expanded by a gift of 36 acres from Detroit Edison in 1943, 9 acres and a house by Mr. and Mrs. James Inglis in 1951, and the Burnham House in 1998 that became the James D. Reader, Jr. Urban Environmental Center.

The arboretum functions as a botanical and environmental education and research resource for the university, city, and state. It consists of glacially carved terrain, ranging from UNIVERSITY OF MICHIGAN steep ravines to rolling hills and prairie, and features sweepMatthaei Botanical Gardens ing vistas and intimate coves. Among its prized collections Ann Arbor, Michigan are antique peony cultivars dating from the 1920s and 30s, The Matthaei Botanical Gardens at the University of Michi- exotic and native trees and shrubs of northern temperate regions, and collections of rhododendrons, lilacs, and Appalagan in Ann Arbor evolved from the nineteenth-century plantings for the study of medicinal plants by Dr. Asa Gray, chian plants. The arboretum has natural areas, the university’s first botanist and professor. In 1907, the gar- environmental programs, outdoor activities, trails, exhibits, dens were organized formally under the direction of George a library, and visual and performing arts programs, including Shakespearean plays. P. Burns, a botany professor and city planning pioneer. He was instrumental in securing 55 acres adjoining the new Nichols Arboretum, University of Michigan, 1610 WashingNichols Arboretum (see separate listing) for the initial garton Heights, Ann Arbor, MI 48104-1700. Phone: dens. In 1915, the need for agricultural field plots and re734/647-7600. E-mail: [email protected]. Web site: search greenhouses prompted a move to southeast Ann www.lsa.umich.edu/mbg/see/nicholsareboretum.asp. Hours: Arbor. The final move took place after Frederick C. and Mildred H. Matthaei donated 200 acres along Dixboro Road sunrise-sunset daily. Admission: free. The gardens opened at the new site in l962 and were reRobert Grese, Director 734-763-0645 named the Matthaei Botanical Gardens five years later. [email protected] The botanical gardens now occupy 300 acres and a conservatory of over 10,000 square feet-one of the nation’s largest university display greenhouses. Among the gardens and hardy collections are perennial plants, wildflowers, ornamental plants, and native trees and shrubs, and such other gardens with Tutor period, rock, island, and restored prairie collections. The conservatory has three large distinct areas with topical, temperate, and arid collections. The natural areas include mature woodlands, wetlands, ponds, tall grass prairie, and four trails. The annual attendance for the Matthaei Botanical Gardens and the Nichols Arboretum, which are administered jointly, is 100,000. Matthaei Botanical Gardens, University of Michigan, 1800 N. Dixboro Rd., Ann Arbor, MI 48109.-9741. Phone: 734/647-7600. Fax: 734/998-6205. Web site: www.umich.edu/mbgna. Hours: grounds-sunrise- sunset daily; conservatory-10-4:30 daily; closed Thanksgiving, Christmas Eve and Day, and New Year’s Eve. Admission: grounds-free; conservatory-adults, $5; children 5-18, $2; UM students and children under 5, free; free admission 12-8 on Wed. Robert Grese, Director 734-763-0645 [email protected]

UNIVERSITY OF MICHIGAN Herbarium of the University of Michigan Ann Arbor, Michigan The Herbarium of the University of Michigan in Ann Arbor has one of the largest botanical collections in the world. It contains nearly 1.7 million specimens of vascular plants, algae, bryophytes, fungi, and lichens that are used in teaching and research in systematic biology and biodiversity studies. The herbarium was founded in 1921, but the collections began in 1838 with the establishment of the Geological Survey of Michigan. Many of the collections are irreplaceable. They have been collected from nearly every region of the world, including places and habitats that are prohibitively expensive or dangerous to visit or have been drastically altered by human activity. Herbarium of the Un iversity of Michigan, 3600 Varsity Dr., Ann Arbor, MI 48108-2228. Phone: 734/615-6200. Fax: 734/998-0038. Web site: www.herbarium.lsa.umich.edu. Hours: 8:30-4 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Paul E. Berry, Director 734-647-3689 [email protected]

UNIVERSITY OF MICHIGAN Nichols Arboretum Ann Arbor, Michigan The Nichols Arboretum at the University of Michigan in Ann Arbor is a 123-acre arboretum founded in 1907 on land donated by the Walter and Esther Nichols family, added to Woodmansee and Mummery tracts, and an arboretum plan designed by O. C. Simonds, founder of the university’s Department of Landscape Design. Originally 80 acres, the

UNIVERSITY OF MINNESOTA, TWIN CITIES Minnesota Landscape Arboretum Chaska, Minnesota The Minnesota Landscape Arboretum is a University of Minnesota horticultural garden and arboretum in Chaska. It contains 1,137 acres of public gardens designed to inspire

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Botanical Gardens, Arboretums, Herbariums & Nature Centers backyard ideas for visitors. Founded in 1958, the arboretum has 32 display and specialty gardens, 48 plant collections, more than 5,000 plant species and varieties, and 12-1/2 miles of garden paths and hiking trails. The arboretum is one of the leading horticultural field laboratories and public display facilities in the nation. The arboretum is part of the Department of Horticultural Science in the College of Food, Agricultural, and Natural Resources. Annual attendance is 271,000.

has a lilac variety named for him. Lilacs are the state flower of New Hampshire. Jesse Hepler Lilac Arboretum, University of New Hampshire, Plant Biology Dept., 38 College Rd., Durham, NH 03824-3597. Phones: 603/862-3222 and 603/862-3205. Fax: 603/862-4757. Hours: 9-4:30 Mon.-Fri.; closed Sat.-Sun. and state and national holidays. Admission: free. Christoper D. Neefus, Chair, UNH Dept. of Biological Sciences 603-862-3205 [email protected]

Minnesota Landscape Arboretum, University of Minnesota, 3675 Arboretum Dr., Chaska, MN 55318-9613. Phone: 952/443-1400. Fax: 952/443-2521. E-mail: [email protected]. Web site: www.arboretum.umn.edu. UNIVERSITY OF NORTH CAROLINA AT Hours: grounds-8 a.m.-8 p.m. or sunset; buildASHEVILLE ings-May-Oct.: 8-6 Mon.-Wed. and Thurs.-Sat. (8 a.m.-8 Botanical Gardens at Asheville p.m. Thurs. in June-Aug.), 10-6 Sun.; Nov.-Apr.: 8-4:30 Mon.-Sat., 10-4:30 Sun. Admission: adults, $9; UM students Asheville, North Carolina and children under 16, free; free admission Thurs. in The Botanical Gardens at Asheville, an independently operNov.-Mar, and every 3rd Thurs. in Apr.-Oct. ated nonprofit, is located on land adjacent to and owned by the University of North Carolina at Asheville. Established in Edward L. Schneider, Director 1960, the 10-acre botanical garden seeks to preserve and promote the native plant species and habitats of the southern Appalachian Mountains. It has over 600 species of plants UNIVERSITY OF MONTANA native to the Blue Ridge region, including trees, shrubs, wildflowers, vines, grasses, and sedges. Annual attendance University of Montana Herbarium is 65,000. Missoula, Montana The world’s largest and best representation of flora in the northern Rocky Mountains is located at the University of Montana Herbarium in Missoula. The herbarium, which began in 1909, has over 129,000 plant specimens, and is best known for its exceptional collections from the alpine and montane regions of Montana. The herbarium’s primary mission has been the collection and preservation of specimens representing the flora of the Western Cordillera and the Great Plains, but it also has collections from such other regions as the Great Basin sagebrush steppes, boreal forests, northern Rockies alpine communities, and moist conifer forests of the Pacific Northwest.

Botanical Gardens at Asheville, 151 W. T. Weaver Blvd., Asheville, NC 28804-3414. Phone: 828/252-5190. Fax: 828/252-1211. E-mail: [email protected]. Web site: www.ashevillebotnicalgardens.org. Hours: sunrise-sunset daily. Admission: free.

University of Montana Herbarium, Div. of Biological Sciences, Missoula, MT 59812. Phone: 406/243-4743. E-mail: [email protected]. Web site: www.herbarium.dbs.umt.edu. Hours: by appointment. Admission: free.

Chapel Hill, North Carolina

Dave Dyer, Collections Manager, Division of Biological Sciences, University of Mo 406-243-4743 [email protected]

UNIVERSITY OF NEW HAMPSHIRE Jesse Hepler Lilac Arboretum Durham, New Hampshire

Hepler Lilac Arboretum at the University of New Hampshire in Durham has more than 100 varieties of lilacs in seven color classes. The arboretum, founded in 1941, is named for Jesse Hepler, a horticulture professor who also

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Mariane Cote, President

UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL North Carolina Botanical Garden The North Carolina Botanical Garden of the University of North Carolina at Chapel Hill consists of nearly 800 acres, including 10 acres of display gardens and a number of other sites in the Piedmont region of the state. Founded in 1952, the garden began as a research facility and then moved into public education and service, and now has a collection of over 660,000 plant specimens. Its display gardens and Totten Center are located off Old Mason Farm Road and the U.S. 15-501 bypass, where it has habitat display gardens that interpret the state’s plants and vegetation, perennial borders, a garden of flowering plant families, Piedmont nature trails, and such other features as greenhouses, research plots, and a classroom, library, and offices at Totten Center. The botanical garden and the Botanical Garden Foundation also own and/or manage a number of natural areas in Chapel Hill and the Research Triangle Region. They include Coker Arboretum (see separate listing), Battle Park, and Forest Theatre on the campus, and such other facilities as the

UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL Mason Farm Biological Reserve. The botanical garden’s annual attendance is 85,000.

functions as a department of the North Carolina Botanical Garden.

North Carolina Botanical Garden, University of North Carolina at Chapel Hill, Old Mason Farm Rd., Chapel Hill, NC 27517 (postal address: University of North Carolina, Totten Center, CB 3375, Chapel Hill, NC 27599-3375). Phone: 919/962-0522, Fax: 919/962-3531. E-mail:[email protected]. Web site: www.ncbg.unc.edu. Hours: standard time- 8-5 Mon.-Fri., 9-5 Sat., 1-5 Sun.; closed New Year’s Day, Martin Luther King, Jr. Day, Thanksgiving, and Chritsmas; daylight savings time-8-5 Mon.-Fri., 9-6 Sat., 1-6 Sun. Admission: free.

University of North Carolina Herbarium, Coker Hall, CB 3280, Chapel Hill, NC 27599-3280. Phone: 919/962-6931. Fax: 919/962-6930. E-mail: [email protected]. Web site: www.herbarium.unc.edu. Hours: by appointment. Admission: free.

Peter S. White, Director 919-962-0522 [email protected]

UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL Coker Arboretum Chapel Hill, North Carolina The Coker Arboretum at the University of North Carolina at Chapel Hill was founded in 1903 when Dr. William Chambers Coker, the university’s first professor of botany, began developing a 5-acre boggy pasture on the campus into an outdoor classroom for the study of trees, shrubs, and vines native to North Carolina. He added many East Asian trees and shrubs beginning in the 1920s and continuing through the 1940s. The collection now consists of a wide variety of plantings, including flowering trees and shrubs and bulb and perennial displays. The arboretum is one of the oldest tracts managed by the North Carolina Botanical Garden. Annual attendance is 10,000.

Alan S. Weakley, Administrative Curator

UNIVERSITY OF OKLAHOMA Robert Bebb Herbarium Norman, Oklahoma The first herbarium at the University of Oklahoma in Norman was started by Professor Edwin C. DeBarr in 1893 after the gift of 450 mounted plants. The number of specimens in the collections increased to 10,000 by 1903. But the herbarium collections-and much of the university-were destroyed in a 1903 fire that swept the campus. A new collection was started in 1904 and continued to grow, containing 80,000 specimens by 1945 and more than 208,000 specimens by 2010. In 1942, the herbarium was named for Robert Bebb, a Muskogee floral company owner and amateur botanist, who donated his personal collection of over 30,000 specimens to the university. The herbarium’s collections now consist almost entirely of vascular plant specimens. About 75 percent are Oklahoma plants, with other concentrations from the Great Plains, southern and western United States, and Mexico. The herbarium is housed in the George Lynn Cross Hall, the botany and microbiology building.

Coker Arboretum, University of North Carolina at Chapel Hill, Raleigh St. and Cameron Ave., Chapel Hill, NC 27514 (postal address: University of North Carolina, Totten Center, CB 3375, Chapel Hill, NC 27599-3375). E-mail: [email protected]. Web site: www.ncbg.unc.edu. Hours: early Nov-mid-Mar.-8-5 Mon.-Fri., 9-6 Sat., 1-6 Sun.; mid-Mar.-early Nov.-9-5 Sat., 1-5 Sun.; closed Mon.-Fri. Admission: free.

Robert Bebb Herbarium, University of Oklahoma, Dept. of Botany and Microbiology, 206 George Lynn Cross Hall, 770 Van Vleet Oval, Norman, OK 73019-6155. Phone: 405/325-7533. Fax: 405/325-7619. E-mail: [email protected]. Web site: www.biodiversity.ou.edu/bebb/bebbhome.html. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free.

Peter S. White, Director 919-962-0522 [email protected]

Wayne Elisens, Curator

UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL University of North Carolina Herbarium Chapel Hill, North Carolina In addition to founding the university’s arboretum, Dr. William Chambers Coker established the University of North Carolina Herbarium in 1908. It now has the largest collection in the Southeast, with more than 750,000 labeled specimens of plants, algae, fungi, and fossils. The herbarium

UNIVERSITY OF SOUTH CAROLINA University of South Carolina Herbarium Columbia, South Carolina The University of South Carolina Herbarium in Columbia was founded in 1907 by Dr. Andres Charles Moore with a collection of dried plant specimens, which still are part of the herbarium’s current collection. The herbarium now has a diverse collection of over 100,000 specimens of vascular and nonvascular plant material primarily from South Carolina and the Southeastern states. It is housed in the Coker Life Sciences Building. University of South Carolina Herbarium, 208 Coker Life Sciences Bldg., 715 Sumter St., Columbia, SC 20208.

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Botanical Gardens, Arboretums, Herbariums & Nature Centers Phones: 803/777-8196 and 803/777-8175. E-mail: [email protected]. Web site: www.herbarium.org.

[email protected]. Web site: www.forestry.tennessee.edu/arboretum. Hours: 7:30-sunset daily. Admission: free.

Hours: 8:30-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free.

Richard Evans, UT Forest Research and Education Center Director 865-483-3571 [email protected]

John Nelson, Chief Curator

UNIVERSITY OF TENNESSEE AT KNOXVILLE University of Tennessee Gardens Knoxville, Tennessee

UNIVERSITY OF TEXAS AT AUSTIN Lady Bird Johnson Wildflower Center Austin, Texas The Lady Bird Johnson Wildflower Center in Austin, Texas, was founded in 1982 by an organization started by the nation’s former first lady and actress Helen Hayes to protect and preserve North America’s native plants and natural landscapes. It began as the National Wildflower Research Center and later was renamed in honor of Claudia Alta “Lady Bird” Johnson, wife of President Lyndon Baines Johnson, for her efforts to conserve native wildflowers, plants, and landscapes. In 2006, the botanical garden and nature center became a research unit under the University of Texas at Austin.

The University of Tennessee has gardens at two locations-on the campus in Knoxville and in Jackson. The gardens, which are offered by the Department of Plant Sciences, have over 1,400 varieties of herbaceous and woody landscape plants and evaluate approximately 4,000 annuals, perennials, herbs, tropicals, trees, shrubs, vegetables, and ornamental grasses each year. The mission of the gardens is to foster appreciation, education, and stewardship of plants through garden displays, collections, education programs, and research trials. They also offer classes and workshops for adults, The center’s gardens feature native plants of central Texas families, and children on such subjects as gardening, floral hill country and south and west Texas. The collection also design, and garden art. includes other plants from the Southwest and northern Mexico and has 25,000 images of North American native plants. University of Tennessee Gardens, Dept. of Plant Sciences, The center’s Plant Conservation Program protects the eco252 Ellington Plant Sciences Bldg., 7431 Joe Johnson Dr., logical heritage of Texas by conserving its rare and endanKnoxville, TN 37996. Phone: 865/974-8265. Fax: gered flora, and its Land Restoration Program applies 865/974-1947. E-mail: [email protected]. Web site: knowledge of ecological processes to restoring damaged www.utgardens.tennessee.edu. Hours: sunrise-sunset daily. landscapes. The center’s educational programming also Admission: free. teaches adults and children about their natural surroundings Susan Hamilton, Director and how to grow native plants in their own backyards. The annual attendance is 100,000.

UNIVERSITY OF TENNESSEE AT KNOXVILLE University of Tennessee Arboretum Oak Ridge, Tennessee The University of Tennessee Arboretum in Oak Ridge is a 250-acre research and education facility that has over 2,500 native and exotic woody plant specimens that represent 800 species, varieties, and cultivars. The arboretum, founded in 1964, is a project of the University of Tennessee Forest Resources Research and Education Center (formerly the University of Tennessee Agricultural Experiment Station). It serves as an outdoor classroom for students in a variety of fields and a natural laboratory for research in plant uses, genetics and adaptability, insect and disease control, and the management of associated natural resources. The arboretum has collections of azaleas, conifers, crabapples, dogwoods, hollies, junipers, magnolias, oaks, rhododendrons, and viburnums, as well as a visitor center and four nature trails. Annual attendance is 30,000.

Lady Bird Johnson Wildflower Center, University of Texas at Austin, 4801 La Crosse Ave., Austin, TX 78738-1702. Phone: 512/232-0100. Fax: 512/232/0156. Web site: www.wildflower.org. Hours: Apr.-May-9-5:30 daily; June-Mar.-9-5:30 Tues.-Sat., 12-5:30 Sun.; closed Mon., New Year’s Day, Thanksgiving, and Christmas Eve, Day, and week. Admission: adults, $8; seniors and students over 12, $7; children 5-12 $3; children under 5, free. Susan Reiff, Executive Director

UNIVERSITY OF UTAH Red Butte Garden and Arboretum Salt Lake City, Utah

The Red Butte Garden and Arboretum is a University of Utah botanical garden and arboretum at the mouth of Red Butte Canyon in the foothills of the Wasatch Range in Salt Lake City. The garden began in 1930 when Dr. Walter P. Cottam, chairman of the Botany Department and co-founder of The Nature Conservatory, started using campus land for University of Tennessee Arboretum, University of Tennessee Forest Resources Research and Education Center, 901 S. plant research. In 1961, the Utah legislature designated the Illinois Ave., Oak Ridge, TN 37830-8032. Phone: university’s campus as the state arboretum. The Red Butte 865/483-3571. Fax: 865/483-3572. E-mail: Garden and Arboretum was established in 1983 when the

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UNIVERSITY OF VERMONT university dedicated 100 acres at the Red Butte Garden as a botanical garden. The garden now has 25 acres of formal gardens, including display, natural, and a 60,000-square-foot children’s garden, as well as walking paths, natural areas with hiking trails, 3,000-seat amphitheater with summer music concerts, classroom, visitor center, and floral, sculpture, and art exhibits. It is the largest garden in the Intermountain West that tests, displays, and interprets regional horticulture. The arboretum in the foothills covers 1,500 acres and features over 9,000 specimens of trees and shrubs from around the world and 4 miles of mountain trails. The annual attendance is 160,000. Red Butte Garden and Arboretum, University of Utah, 300 Wakara Way, Salt Lake City, UT 84108. Phone: 801/585-0556. Fax: 801/585-6491. E-mail: [email protected]. Web site: www.redbuttegarden.org. Hours: Jan.-Feb.-9-5 Mon.-Sat.; closed Sun. and New Year’s Day; Mar. and Oct.-Dec.-9-5 daily; closed Thanksgiving and Dec. 24-Jan.1; May-Aug.-9 a.m.-9 p.m. daily; Sept.-9-7:30 daily. Admission: adults, $6; seniors and children 3-17, $4; U of U students and children under 3, free. Gregory Lee, Executive Director [email protected]

UNIVERSITY OF VERMONT Pringle Herbarium Burlington, Vermont The Pringle Herbarium at the University of Vermont in Burlington was established by botanist Cyrus G. Pringle, who became the first director in 1902. It resulted from his pioneering explorations and aggressive exchange program with two dozen herbaria between 1885 and 1911 that brought a large geographically and taxonomically diverse representation of world flora to the herbarium. The herbarium now has a collection of over 270,000 sheets of mounted and accessioned plants, including the largest Vermont flora collection and specimens from North America, Latin America, and other parts of the world. Pringle Herbariium, University of Vermont, Botany Dept., Torrey Hall, Burlington, VT 05405. Phone: 802/656-3131. E-mail: [email protected]. Web site: www.uvm.edu/~plantbio/pringle. Hours: by appointment. Admission: free. Dave Barrington, Director [email protected]

UNIVERSITY OF VIRGINIA Pavilion Gardens and other garden/arboretum sites Charlottesville, Virginia The six Pavilion Gardens at the University of Virginia in Charlottesville date back to the 1820s. The garden walls were completed in 1824, but Thomas Jefferson, who was instrumental in founding the university in 1819, left no record

of his intensions for the gardens. However, the gardens survived as six gardens divided into two parts divided by serpentine walls as the Pavilion Gardens (upper gardens) and Hotel Gardens (lower gardens). Both were restored between 1948 and l964 by the Garden Club of Virginia. The renovated designs by landscape architects Alden Hopkins and Donald H. Parker reflect Jefferson’s gardens at Monticello. The Pavilion Gardens include many of the flowers and shrubs at Monticello and added by gardeners that followed, such as Madonna lilies, Virginia bluebells, carnations, crown imperial lilies, dwarf Persian irises, snapdragons, double hyacinths, peonies, African and French marigolds, tulips, ageratums, and zinnias. Among the pavilion trees are such native and exotic trees as dogwoods, maples, hollies, hemlocks, ashes, fruit trees, and the native tulip and sweet gum. The University of Virginia also has four other garden/arboretum sites-Morea, Carr’s Hill, Morea Farm, and Bandy Experimental Farm. Morea Arboretum is located at the 1830 home of John Emmet, first professor of natural history. It features a collection of hollies and native plants. Carr’s Hill has a terraced landscape of lawn, trees, and plants at the home of the university’s president on the knoll northwest of the Rotunda. Moven Farm is a historic farm with trees and plants donated by businessman and philanthropist John W. Kluge. The university’s Blandy Experimental Farm is a 700-acre field station in Boyce, Virginia, that also is the home of the Orland E. White Arboretum that is the State Arboretum of Virginia (see separate listing). Pavilion Gardens, University of Virginia, Pavilion, 400 Ray C. Hunt Dr., PO Box 400229, Charlottesville, VA 22904. Phones: 434/924-4524 and 434/924-0938. Web site: www.virginia.edu/uvatourts/gardens/gardens. Hours: open 24 hours. Admission: free. Mary Hughes, University Landscape Architect [email protected]

UNIVERSITY OF VIRGINIA Orland E. White Arboretum Boyce, Virginia The Orland E. White Arboretum at the University of Virginia’s Blandy Experiment Farm in Boyce is the State Arboretum of Virginia. It is a 172-acre environmental research and education site that contains more than 8,000 trees and woody shrubs, representing over 1,000 species and cultivated varieties of plants in 50 plant families. The university received the 700-acre Blandy Farm as a donation from Graham F. Blandy in 1926, and the arboretum was established in 1927 by Orland E. White, the first director of the experiment farm. The arboretum was named for White upon his retirement in 1955, and it became the official State Arboretum in 1986. The arboretum is known for having the largest collection of boxwood cultivars in North America and its pine collection that represents over half of the world’s species. Among the

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Botanical Gardens, Arboretums, Herbariums & Nature Centers other features are an exceptional grove of more than 300 gingo trees, native plant trail, extensive meadows, herb garden, and plantings of azalea, beach, buckeye, catalpa, cedar, crabapple, holly, lilac, linden, magnolia, maple, stuartia, and viburnum. It also has a 3-mile loop drive, walking trails, and 4-mile bridle trail. The annual attendance is 100,000. Orland E. White Arboretum, University of Virginia Experiment Farm, 400 Blandy Farm Lane, Boyce, VA 22620-2117. Phone: 540/837-1758. Fax: 540/837-1523. E-mail: [email protected]. Web site: www.virginia.edu/~blandy. Hours: sunrise-sunset daily. Admission: free. David E. Carr, Director [email protected]

UNIVERSITY OF WASHINGTON University of Washington Botanic Gardens Seattle, Washington The University of Washington Botanic Gardens, located along the shoreline of Union Bay on Lake Washington in Seattle, was established in 2005 to unite the gardens and programs of the city’s Washington Park Arboretum and the university’s Center for Urban Horticulture. The 230-acre site contains trails that take visitors through gardens, natural areas, and wetlands. The arboretum, founded in 1934, features giant sequoias, a Japanese Garden, and the Graham Visitors Center, and the horticultural center, established in 1983, has the Soest Garden and other gardens, greenhouses, herbarium, Union Bay Nature Area, and a horticultural lending library. The arboretum/botanic garden is one of the best-attended such university-operated facilities, with an annual; attendance of 400,000. University of Washington Botanic Gardens, 2300 Arboretum Dr., E., Seattle, WA 98112-2300 (postal address; PO Box 354115, Seattle, WA 98195-4115). Phones: 206/543-8800 and 206/543-8616. Faxes: 206/616-2871 and 206/685-2693. E-mail: [email protected]. Web site: www.depts.washington.edu/uwbg. . Hours: grounds-sunrise-sunset daily; visitor center-10-4 Mon.-Fri., 12-4 Sat.-Sun.; closed New Year’s Day, Thanksgiving, and Christmas. Admission: site-free; Japanese Gardens (operated by city)-$5. Sarah Reichard, Interim Director 206-616-5020 [email protected]

UNIVERSITY OF WISCONSIN-MADISON University of Wisconsin-Madison Arboretum Madison, Wisconsin The University of Wisconsin-Madison Arboretum is one of the most popular university arboretum in the nation, serving 650,000 visitors a year. Founded in 1934, the 1,260-acre arboretum along the southern half of Lake Wingra was built largely with crews from the Civilian Conservation Corps between 1935 and 1941. It became a pioneer in the restoration and management of ecological communities by focusing on the re-establishment of historic landscapes, including those

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that predated large-scale human settlement. The site of the arboretum formerly was farm land that had fallen into disuse. The arboretum now has the oldest and most extensive collection of restored native plant and animal communities, as well as traditional collections of labeled plants arranged in garden-like displays. The restored ecological communities include tallgrass prairies, savannas, wetlands, and several forest types. The arboretum also contains flowering trees, shrubs, and a world-famous collection of lilacs. In addition, it has a large visitor center with a visitor reception area, orientation film, art gallery, classrooms, meeting space, auditorium, library, bookstore, offices, and passive solar energy panels on the roof to help meet the building’s energy needs. University of Wisconsin-Madison Arboretum, 1207 Seminole Hwy., Madison, WI 53711-3726. Phone: 608/263-7888. Fax: 608/262-5209. E-mail: [email protected]. Web site: www.uwarboretum.org. Hours: grounds-7 a.m.-10 p.m. daily; visitor center-9:30-4 Mon.-Fri., 12:30-4 Sat.-Sun. Admission: free. Kevin McSweeney, Director 608-262-2748

UNIVERSITY OF WISCONSIN-MADISON University of Wisconsin-Madison Herbarium Madison, Wisconsin The University of Wisconsin-Madison Herbarium is one of the oldest and largest herbarium on a university campus. Founded in 1849 and designated as the Wisconsin State Herbarium in 1995, it has a collection of over 1 million dried and labeled plants. About one-third of the collection consists of Wisconsin plants. Most of the world’s floras also are represented in the collection, including holdings from the Upper Midwest, eastern North America, and western Mexico that are considered of global significance. University of Wisconsin-Madison Herbarium, 160 Birge Hall, 430 Lincoln Dr., Madison, WI 53706-1381. Phone: 608/262-2792. Fax: 608/262-7509. E-mail: [email protected]. Web site: www.botany.wisc.edu/herbarium. Hours: by appointment. Admission: free. Kevin Cameron, Director [email protected]

UNIVERSITY OF WYOMING Rocky Mountain Herbarium Laramie, Wyoming The Rocky Mountain Herbarium at the University of Wyoming in Laramie was founded in 1893 by Aven Nelson and now includes two other herbaria-the U.S. Forest Service Herbarium and the Wilheim G. Solheim Mycological Herbarium. The herbarium has grown to over 800,000 specimens, with about 25,000 specimens being added each year.

UTAH STATE UNIVERSITY The Department of Botany collection is housed in the Aven Nelson Memorial Building. Rocky Mountain Herbarium, University of Wyoming, Dept. of Botany, 1000 E. University Ave., Laramie, WY 82071-3165. Phone: 307/766-2236/ Fax: 307/766-2851. Web site: www.rmh.uwyo.edu. Hours: Sept.-mid-May-8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays; mid-May-Aug.-7:30-4:30.Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Ron Hartmann, Curator [email protected]

UTAH STATE UNIVERSITY Intermountain Herbarium Logan, Utah The Intermountain Herbarium at Utah State University in Logan has a collection of over 25l,000 specimens primarily from western North America, but with substantial holdings from other parts of the world. Most of the specimens are vascular plants, with more than half from Utah and Nevada and smaller amounts of fungi and bryophytes. The herbarium, which was founded in 1921, is located in The Junction basement. Annual attendance is 300. Intermountain Herbarium, Utah State University, The Junction, Logan, UT 84322 (postal address: Dept. of Biology, 5305 Old Main Hill, Utah State University, Logan, UT 84322-5305). Phones: 435/797-0061 and 435/797-1584. Fax: 435/797-1575. E-mail: [email protected]. Web site: www.herbarium.usu.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and state and national holidays. Admission: free. Mary Barkworth, Director 435-797-1584

VANDERBILT UNIVERSITY Vanderbilt University Arboretum Nashville, Tennessee

WAKE FOREST UNIVERSITY Reynolda Gardens of Wake Forest University Winston-Salem, North Carolina The Reynolda Gardens of Wake Forest University occupies 125 acres on the 1906-23 country estate and farm of tobacco industrialist R. J. Reynolds, and his wife, Katharine Smith Reynolds, in Winston-Salem, North Carolina. Many of the original buildings still remain on the property, including the adjacent 1917 Reynolds mansion, called “Reynolda,” which now is an art museum (see listing in Art Museums section). Among the remaining garden buildings are the 1913 greenhouse and conservatory, as well as the 4-acre formal garden designed by landscape architect Thomas Sears starting in 1915. After Mr. Reynolds died in 1918 and Mrs. Reynolds in 1924, the 1,067-acre estate and farm eventually was sold or donated to individuals and organizations, including a 1940s gift of 300 acres to Wake Forest University for its new location in Winston-Salem. The university and Reynolds Village, which contains approximately 60 shops and other structures, now are next to the Reynolda Gardens. The 125-acre garden grounds were donated to the university by the Mary Reynolds Babcock Foundation, headed by the eldest Reynolds daughter, for the establishment of Reynolda Gardens in a series of 62 resulting in the founding of Reynolda Gardens in 1962. The 1913 greenhouse and conservatory now contain an educational display of tropical and succulent plants, featuring an extensive orchid collection. The formal, greenhouse, and vegetable gardens have been restored. The vegetable garden is a 2-acre section separated from the greenhouse gardens by five teahouses, a pergola, and boxwood hedges. The garden site also contains a lake, boathouse, swimming pool, golf links, tennis courts, polo grounds, and an athletic field. The annual attendance is 100,000. Reynolda Gardens of Wake Forest University, 100 Reynolda Village, Winston-Salem, NC 27106-5123. Phone 336/758-5593. Fax: 336/758-4132. E-mail: [email protected]. Web site: www.reynoldagardens.org.

The Vanderbilt University Arboretum in Nashville, Tennessee, has more than 300 varieties of plants, shrubs, and native Hours: grounds-sunrise-sunset daily; greenhouses-Jan.: central Tennessee trees on over 300 rolling green areas. It 10-4 Sun.-Fri., closed Sat.-Sun.; Feb.-Dec.: 10-4 Mon.-Sat.; includes more than 5,600 trees, including hedge maples, closed Sun. Admission: free. magnolias, green hawthorns, and September elms. The arboretum was founded in 1988. Preston Stockton, Manager Vanderrbilt University Arboretum, 2301 Vanderbilt Pl., Nashville, TN 37230. Phone: 615/322-2631. Web site: www.cas.vanderbilt.edu/bioimages. Hours: sunrise-sunset daily. Admission: free. Pamela J. Sevy, Director [email protected]

WELLESLEY COLLEGE Wellesley College Botanic Gardens Wellesley, Massachusetts The Wellesley College Botanic Gardens in Wellesley, Massachusetts, consists of three parts. The Alexandra Botanic Garden features specimen trees and shrubs from around the world; the H. H. Hunnewell Arboretum contains over 500 species of woody plants in 53 families and a 140-year-old topiary garden of native eastern white pine and eastern arborvitae; and the Margaret C. Ferguson Greenhouses have

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Botanical Gardens, Arboretums, Herbariums & Nature Centers 1,000 species of desert, tropical, and semi-tropical plants from such places as Mexico, Africa, Malaysia, and Brazil.

plantings of native wildflowers, grasses, and woody plants on hillsides, and perennial and annual beds near the greenhouses. The several large greenhouses contain indoor displays of plants from tropical and arid regions, including insectivorous, desert plant, and coffee, chocolate, and banana tree collections.

Wellesley College Botanic Gardens, 108 Central St., Wellesley, MA 02481. Phone: 781/283-3094. E-mail: [email protected]. Web site: www.wellesley.edu. Hours: Ferguson Greenhouses-8-4 daily; Hunnewell Arboretum and Alexandra Garden-sunrise-sunset daily. Admission: Marsh Botanical Gardens, Yale University, 277 Mansfield St., New Haven, CT 06511 (postal address: 165 Prospect St., free. PO Box 208104, New Haven, CT 06520). Phone: Kristina Jones, Director 203/432-6320. E-mail: [email protected]. Web site: www.yale.edu/marshgardens. Hours: sunrise-sunset daily. Admission: free.

WEST VIRGINIA UNIVERSITY Core Arboretum Morgantown, West Virginia West Virginia University’s Core Arboretum in Morgantown is a 91-acre arboretum on the Evansdale Campus that consists mostly of an old-growth forest on a steep hillside and Monongahela River flood plain. It was founded in 1948 after Dr. Earl Lemley Core, chairman of the Biology Department, convinced President Irvin Stewart to set aside the farm land for the study of biology and botany. The arboretum was named for Core in 1975. It is densely wooded with 3-1/2 miles of walking trails and 3 acres of lawn planted with specimen trees, and is best known for its spring ephemeral wildflowers. Annual attendance is 30,000. Core Arboretum, West Virginia University, Monongahela Blvd., Rte. 7, Evansdale Campus, Morgantown, WV 26506 (postal address: Dept. of Biology, PO Box 6057, Morgantown, WV 26506-9500). Phone: 304/293-5201, Ext. 31547. Fax: 304/293-6363. E-mail: [email protected]. Web site: www.as.wyu.edu/biology/facility/arboretum.html. Hours: sunrise-sunset daily. Admission: free. Jonathan Weems, Arboretum Specialist, WVU Dept. of Biology [email protected]

YALE UNIVERSITY Marsh Botanical Gardens New Haven, Connecticut The Marsh Botanical Gardens is an 8-acre botanical garden at the northern end of the Yale University campus in New Haven, Connecticut. The garden is located on land bequeathed to the university by paleontologist Othniel C. Marsh, professor of natural history, in 1899. Marsh also left his home, greenhouses, and plant collections to the university. The house became part of the new School of Forestry (now School of Forestry and Environmental Studies) established in 1900. The botanical garden later was named in honor of Marsh. The garden’s outdoor displays now include remnants of the original design by landscape architect Beatrix Farrand. It was part of her design of the Yale campus in the 1920s-30s. The restored Farrand gardens and the proposed wetlands development on the south side of the botanical garden now are key components in a green space development on the campus. The garden’s display areas also have naturalistic

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Eric Larson, Manager

Costume, Textile & Fashion Museums COLORADO STATE UNIVERSITY CORNELL UNIVERSITY Avenir Museum of Design and Merchandising Cornell Costume and Textile Collection Fort Collins, Colorado

Ithaca, New York

The Avenir Museum of Design and Merchandising is the new name and expanded version of the Gustafson Gallery, founded in 1986, at the Colorado State University in Fort Collins. The museum, located in the newly renovated University Center for the Arts, features costumes, textiles, and furniture and other interior artifacts of domestic and global cultures of ordinary persons. The domestic artifacts are primarily nineteenth-and twentieth-century Western costumes, textiles, and interior artifacts, while the global collection emphasizes materials from India, China, Japan, Central Asia, and Latin America. Selections from the 12,000-object historical collection and elsewhere are displayed in two galleries-Avenir and Gustafson galleries. Annual attendance is 500.

Items of apparel dating from the eighteenth century to the present, as well as a collection of ethnographic textiles and costume, are featured in the Cornell Costume and Textile Collection at Cornell University in Ithaca, New York. The collection has more than 9,000 items in the Department of Fiber Sciences and Apparel Design. Selections from the collection are displayed in the Elizabeth Schmeck Brown Gallery in Martha Van Rensselaer Hall.

Avenir Museum of Design and Merchandising, Colorado State University, Center for the Arts, 1574 Campus Delivery, Fort Collins, CO 80523-1574. Phone: 970/491-1983. Fax: 970/491-4376. E-mail: [email protected]. Web site: www.colostate.edu/depts./dm. Hours: 11-6 Mon.-Wed. and Fri., 11-8 Thurs.; closed Sat.-Sun. and university and national holidays. Admission: free. Linda Carlson, Curator [email protected]

COLUMBIA COLLEGE CHICAGO Fashion Columbia Study Collection Chicago, Illinois The Fashion Columbia Study Collection at Columbia College Chicago was established in 1989 to serve as a teaching tool for fashion design students. It is now also open to the public by appointment. The collection consists of approximately 6,000 items of dress from 1890 to the present. It includes women’s, men’s, and children’s clothing; fashions by American, European, and Japanese designers; military uniforms; ethnic costumes from around the world; and such accessories as bags, shoes, hats, and jewelry. Fashion Columbia Study Collection, Columbia College Chicago, 618 S. Michigan Ave., Chicago, IL 60605-1901. Phone: 312/369-6283. Fax: 312/369-8422. E-mail: [email protected]. Web site: www.colum.edu/fashion_collection. Hours: by appointment. Admission: free. Virginia Heaven, Curator

Cornell Costume and Textile Collection, Elizabeth Schmeck Brown Gallery, Cornell University, Dept. of Fiber Science and Apparel Design, Martha Van Rensselaer Hall, Ithaca, NY 14853. Web site: www. costume.cornell.edu. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Charlotte Jirousek, Curator [email protected]

DREXEL UNIVERSITY Drexel Historic Costume Collection Philadelphia, Pennsylvania The history of the Drexel Historic Costume Collection at Drexel University in Philadelphia goes back to the late nineteenth century. After Anthony J. Drexel founded the Drexel Institute of Art, Science, and Industry in 1891 that later became Drexel University, Howard Pyle, head of the Art Department, suggested in 1898 that a costume collection be created. But the department did not start acquiring garments until the 1920s, with the earliest donations coming from the Drexel family and their extended circle of prominent Philadelphians. In 1959, the collection was moved to a central location after a generous gift in honor of legendary retailer Nan Duskin. Today, the collection is housed in Nesbitt Hall, where the collection can be seen by appointment. Drexel Historic Costume Collection, Drexel University, Antoinette Westphal College of Media Arts and Design, 33rd and Market Sts., Philadelphia, PA 19104. Phone: 215/895-0480. E-mails: [email protected] and [email protected]. Web site: www.drexel.edu/westphal/about/facilities/dhcc. Hours: by appointment. Admission: free. Claire Sauro, Curator 215-571-3504 [email protected]

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Costume, Textile & Fashion Museums FASHION INSTITUTE OF DESIGN AND MERCHANDISING FIDM Museum and Galleries

FASHION INSTITUTE OF TECHNOLOGY Museum of FIT

Los Angeles, California

The Museum of FIT at the Fashion Institute of Technology in New York City has one of the largest collections of costumes, textiles, and accessories of dress. The museum, founded in 1967, has more than 50,000 garments and accessories dating from the mid-eighteenth century to the present, over 30,000 textiles from the sixth century to today, and some 15,000 accessories, including shoes, hats, and bags. The museum’s three galleries present fashion and textile historical and contemporary exhibitions, as well as student and faculty shows. The annual attendance is 100,000.

The FIDM Museum and Galleries serves as the exhibition arm of the Fashion Institute of Design and Merchandising in Los Angeles, California. Founded in 1977, the museum has a collection of more than 15,000 objects representing over 200 years of fashion history, including couture and ready-to-wear, non-Western dress, film costumes, textiles, jewelry, and fragrances. It also has two major archives-Rudi Gernreich and Gianni Versace Menswear. The institute has 12,500 square feet of exhibit space. The galleries present exhibitions of fashion, textiles, and design, including the annual showings of outstanding costume design in motion pictures and on television. The school also has satellite galleries on the San Francisco and Orange County campuses. Annual attendance is 40,000. FIDM Museum and Galleries, Fashion Institute of Design and Merchandising, 919 S. Grand Ave., Los Angeles, CA 90015-1421. Phone: 213/623-5821. Fax: 213/624-7617. Web site: www.fidmmuseum.org. Hours: Feb.-mid-Dec.-varies; closed mid-Dec.-Jan. and major holidays. Admission: free. Barbara Bundy, Director, FIDM Museum & Galleries

New York, New York

Museum of FIT, Fashion Institute of Technology, 7th Ave. at 27th St., New York, NY 10001-5002. Phones: 212/217-4558 and 212/217-4533. Fax: 212/217-4531. E-mail: [email protected]. Web site: www.fitnyc.edu/museum. Hours: 12-8 Tues.-Fri., 10-5 Sat.; closed Sun.-Mon. and legal holidays. Admission: free. Valerie Steele, Director

INDIANA UNIVERSITY Elizabeth Sage Historic Costume Collection Bloomington, Indiana

FASHION INSTITUTE OF DESIGN AND MERCHANDISING Annette Green Perfume Museum Los Angeles, California The nation’s only museum dedicated to to enhancing understanding of the art, culture, and science of offactory is located at the Fashion Institute of Design and Merchandising in Los Angeles, California. The Annette Green Perfume Museum, named for a leader in the fragrance industry, originally opened in New York City in 1999. It came to the institute in 2005 when the collection was donated to the FIDM Museum. The museum collection includes over 2,000 bottles, perfume presentations, and documentary ephemera dating from the 1800s to the present. About 150 objects are exhibited and rotated every six months. Annette Green Perfume Museum, Fashion Institute of Design and Merchandising, 919 S. Grand Ave., Los Angeles, CA 90015-1421. Phone: 213/623-5821. Fax: 213/624-7617. Web site: www/fidmmuseum.org.

The Elizabeth Sage Historic Costume Collection at Indiana University in Bloomington has a collection and exhibits of nineteenth and twentieth-century American and Western European clothing, textiles, and accessories. The materials were collected by Elizabeth Sage, the first professor of clothing and textiles at the university, who donated the collection upon her retirement in the 1930s. The collection, now part of the Department of Apparel Merchandising and Interior Design, was established in 1935. It is composed of two parts: the museum-quality collection intended for exhibition and research, and a hands-on study collection used in classrooms and studios. Elizabeth Sage Historic Costume Collection, Indiana University, Dept. of Apparel Merchandising and Interior Design, 232 E. Memorial Hall, 1021 E. 3rd St., Bloomington, IN 47405-7005. Phone: 812/855-4627. Fax: 812/855-0362. E-mail: [email protected]. Web site: www.indiana.edu/~sagecoll/index.htmnl. Hours: by appointment. Admission: free. Kathleen Rowland, Curator 812-855-0338 [email protected]

Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Barbara Bundy, Director, FIDM Museum & Galleries

KANSAS STATE UNIVERSITY KSU Historic Costume and Textile Museum Manhattan, Kansas The KSU Historic Costume and Textile Museum at Kansas State University in Manhattan contains clothing and textile artifacts; tools; accessories; implements and tools associated with the creation of clothing and/or textiles; and such other

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KENT STATE UNIVERSITY materials as patterns, period magazines, and photographs. The museum began at the turn of the twentieth century with articles that economics professors collected largely as teaching examples. The collection today consists of pieces dating from 1740 through the twentieth century. Among its best known objects are Chinese costumes and textiles from the Ch’ing Dynasty. It also features designs from many of the leading designers in America and Europe, including Bill Blass, Halston, Calvin Klein, Oscar de LaRenta, Christian Dior, Pucci, Valentino, and Schiaparelli. The Department of Apparel, Textiles, and Interior Design collection is housed and displayed in Justin Hall in the College of Human Ecology. KSU Historic Costume and Textile Museum, Kansas State University, Dept. of Apparel, Textiles, and Interior Design, College of Human Ecology, 225 Justin Hall, Manhattan, KS 66506-1405. Phone: 785/532-6993. Web site: www.he.k-state.edu/museum/body.html. Hours: varies; closed university holidays and breaks. Admission: free.

use, and care. They fall into four categories-items from Baton Rogue, Louisiana, Louisiana First Families, and LSU. The collection began in the 1930s and the museum was established in 1992. The museum, located in the Human Ecology Building, mounts exhibitions that interpret the research findings of the technical, aesthetic, historic, and socio-cultural significance of textiles and apparel. It functions as one of the component collections of the Louisiana Museum of Natural History (see listing in Natural History and Cultural Museums section). LSU Textile and Costume Museum, Louisiana State University, School of Human Ecology, 140 Human Ecology Bldg., Tower and S. Campus Drs., Baton Rouge, LA 70803. Phones: 225/578-578-5992 and 225/578-2281. Fax: 225/578-27697. E-mail: [email protected]. Web site: www.textilemuseum.huec.lsu.edu. Hours: 8-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Karen Overstreet, Interim Director, LSU’s School of Human Ecology 225-578-2448 [email protected]

Marla Day, Curator 785-532-1328 [email protected]

KENT STATE UNIVERSITY KSU Museum Kent, Ohio The Kent State University Museum in Kent, Ohio, is a costume and decorative arts museum with a collection of Western dress from 1750 to the present, Asian and African regional dress, seventeenth to twentieth-century furniture, eighteenth to twentieth-century ceramics, and nineteenth to twentieth-century American glass. Founded in 1981, the museum is housed in Rockwell Hall, a 1927 building that formerly was the university’s first library. Annual attendance is 8,700.

LOUISIANA TECH UNIVERSITY Museum of Fashion and Textiles Ruston, Louisiana The Museum of Fashion and Textiles at Louisiana Tech University in Ruston was established in 1983 to preserve and exhibit the fashion heritage of the northern Louisiana area. The museum was founded after the donation of 50 garments from a private collection of Virginia Laskey, and the collection was increased later to more than 3,000 pieces when the university was left a large collection from the estate of Winifred Spencer Williams. The collection now contains a comprehensive array of women’s fashions from the late nineteenth and twentieth centuries that serves as a study collection in the School of Human Ecology. The collection has three categories: fashion, costumes, and accessories; textiles; and paper, including patterns, magazines, catalogs, and photographs. Exhibitions of selections from the collection are presented in the museum, which is housed in Carson Taylor Hall.

Kent State University Museum, Rockwell Hall, E. Main and S. Lincoln Sts., PO Box 5190, Kent, OH 44242. Phone: 330/672-3450. Fax: 330/672-3218. E-mail: [email protected]. Web site: www.kent.edu/museum. Hours: 10-4:45 Wed. and Fri.-Sat., 10-8:45 Thurs., 12-4:45 Sun; closed Mon.-Tues. and university and national holidays. Ad- Museum of Fashion and Textiles, Louisiana Tech Univermission: adults, $5; seniors, $4; children over 6, $3; children sity, College of Human Ecology, Carson Taylor Hall, under 7, free. Ruston, LA 71272. Phone: 318/257-2000. Web site: www.as.latech.edu. Hours: varies. Admission: free. Jean Druesedow, Director 330-672-3450 [email protected]

LOUISIANA STATE UNIVERSITY LSU Textile and Costume Museum Baton Rouge, Louisiana The LSU Textile and Costume Museum at Louisiana State University in Baton Rogue features prehistoric and ethnic textiles and costumes, as well as contemporary high fashion and high-tech textiles. The collection includes apparel, accessories, household textiles, piece goods, patterns, books, and other items related to textile and apparel production,

Amy Yates, Director, Louisiana Tech School of Human Ecology

MOUNT MARY COLLEGE Mount Mary College Historic Costume Collection Milwaukee, Wisconsin Mount Mary College in Milwaukee, Wisconsin, has a Historic Costume Collection that preserves and exhibits historically significant garments, accessories, and such related materials as fashion art, tools, and periodicals. Founded in 1928, the collection contains more than 9,000 objects for

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Costume, Textile & Fashion Museums adults and children dating from 1750 to the present. It features the garments of such notable Wisconsin women as the chanteuse Hildegarde, designer Florence Eiseman, and actress Lynn Fontanne, and the collection of designer Charles Kleibacker that includes the works of such designers as Chanel, Patou, Adrian, Irene Charles James, Karl Lagerfeld, and Madame Gres. A major exhibition from the costume collection is mounted each year.

PHILADELPHIA UNIVERSITY The Design Center at Philadelphia University Philadelphia, Pennsylvania

The Design Center at Philadelphia University has one of the most extensive collections of historical and contemporary textile collections. The collection contains approximately 200,000 objects that constitute a major resource for the study of Western and non-Western textiles and costumes Mount Mary College Historic Costume Collection, Notre from the first century to the present. The collection, which Dame Hall in Walter and Olive Stiemke Memorial Hall, has items from nearly every country in the world, was estab2800 N. Menomonee River Pkwy., Milwaukee, WI lished in 1978 when the university was called the Philadel53222-4397. Phone: 414/258-4810. Fax: 414/56-0172. phia College of Textiles and Science. It features a collection E-mail: [email protected]. Web site: of nineteenth and twentieth-century textiles, textile-related www.mtmary.edu/fash_historicabout.htm. artifacts, and tools that document the emergence of PhiladelHours: Sept.-mid-May: 10-4 Mon.-Fri.; closed Sat.-Sun. and phia as one of the nation’s major textile producers at that Easter, Thanksgiving, and Christmas; mid-May-Aug.: vartime. ies. Admission: free. The Design Center began as the Paley Design Center in the Sandra Keiser, Chair, Mount Mary College Fashion Dept. 7,000-square-foot former home of Goldie Paley. The private [email protected] residence, which is located on the campus, was donated to the university by Mrs. Paley’s daughter after her mother’s death and converted into a design museum featuring the consolidated faculty collections of historic textiles, fabrics OHIO STATE UNIVERSITY and apparel, textile-making artifacts, and tools. The Paley Historic Costume and Textiles Collection Design Center was renamed The Design Center of PhiladelColumbus, Ohio phia University in 2001 and now is completely devoted to The Historic Costume and Textiles Collection at Ohio State exploring the design arts and their relationship to the comUniversity in Columbus consists of more than 11,500 texmunal past and present. The center’s exhibitions focus on tiles and articles of clothing and accessories from the contemporary and historic design art issues of national intermid-eighteenth to twenty-first century, as well as period est, presented at the center and sometimes at ot fashion magazines, fashion plates, swatch books, and comThe Design Center of Philadelphia University, 4200 Henry mercial patterns. The collection is administered jointly by the College of Education and Human Ecology and the OSU Ave., Philadelphia, PA 19144. Phone: 215/951-5338. Fax: 215/951-2662. E-mail: [email protected]. Web Libraries. site: www.philau.edu/designcenter. Hours: galleries-10-4 The collection’s major strengths are in objects from central Mon.-Fri.; closed Sat.-Sun. and university and major holiOhio and the American fashion industry. Among the holddays; collection-by appointment. Admission: free. ings are women’s garments by leading American fashion deGeoffrey Cromarty, Interim Dean, UP School of Design + signers; nineteen-century clothes; ethnographic dress; Engineering Western and non-Western textiles; and one of the largest [email protected] collections of buttons and button-related materials. Collection exhibitions are presented in the Gladys Snowden Galleries in the Geraldine Schottenstein Wing attached to Campbell Hall. Annual attendance is 1,000. SHIPPENSBURG UNIVERSITY Historic Costume and Textiles Collection, Ohio State University, 175 Campbell Hall, 1787 Neil Ave., Columbus, OH 43210-1220. Phone: 614/292-3090. Fax: 614/688-8133. E-mail: [email protected]. Web site: www.costume.osu. Hours: 11-6 Wed.-Thurs., 12-4 Fri.-Sat., other times by appointment; closed Sun.-Tues. and university holidays. Admission: free. Gayle Strege, Curator [email protected]

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Shippensburg University Fashion Archives and Museum Shippensburg, Pennsylvania Shippensburg University Fashion Archives and Museum The Shippensburg University Fashion Archives and Museum in Shippensburg, Pennsylvania, was founded in 1980 to preserve and exhibit the university’s collection of clothing and accessories and to make the materials available for teaching and research. The fashion archives contain approximately 15,000 items worn by men, women, and children, dating from the late eighteenth century to the twentieth cen-

TEXAS WOMAN’S UNIVERSITY tury. Selected pieces are shown in the 800-square-foot gallery. Annual attendance is 900.

aesthetic context. The museum, housed in McNeal Hall, has an annual attendance of 5,700.

Shippensburg University Fashion Archives and Museum, 1871 Old Main Dr., Shippensburg, PA 17257-2299. Phone: 717/477-1239. E-mail: [email protected]. Web site: www.webspace.ship.edu/fasharch. Hours: 12-4 Mon.-Thurs., other times by appointment; closed Fri.-Sun. and major holidays. Admission: free.

Goldstein Museum of Design, University of Minnesota Twin Cities, 364 McNeal Hall, 1985 Buford Ave., St. Paul, MN 55108-6134. Phones: 612/624-7434 and 612/624-7801. E-mail: [email protected]. Web site: www.goldstein.design.msu.edu. Hours: 10-4 Tues.-Wed. and Fri., 10-8 Thurs., 1:30-4:30 Sat.-Sun.; closed Mon. and university holidays. Admission: free.

Karen Bohleke, Director, Shippensburg Fashion Archives and Museum

Lin Nelson-Mayson, Director 612-624-3292

TEXAS WOMAN’S UNIVERSITY Texas First Ladies Historic Costume Collection

UNIVERSITY OF NEBRASKA-LINCOLN Robert Hillestad Textile Gallery

Denton, Texas

The Robert Hillestad Textile Gallery at the University of Nebraska-Lincoln mounts exhibitions of established and emerging artists and textile, clothing, and design students and faculty in the Department of Textiles, Clothing, and Design. The exhibitions range from historic to contemporary, featuring items from the department and other collections. The gallery, located in the Home Economics Building, is dedicated to Dr. Robert Hillestad, a noted fiber artist and professor emeritus of textiles, clothing, and design.

The Texas First Ladies Historic Costume Collection at the Texas Woman’s University in Denton preserves and exhibits the gowns worn by the wives of the Texas governors, presidents of the Republic of Texas, and several presidents and a vice president of the United States. The collection was started in 1901 by Dr. Marion Day Mullins, a genealogist, historian, and civil leader; assembled by the Texas Society of the Daughters of the American Revolution; and presented to the university in 1940. The collection displays 17 of the 42 gowns owned by the university, with the gowns on exhibit being changed several times a year. Information about each first lady is included with the respective gowns.

Lincoln, Nebraska

Robert Hillestad Textile Gallery, University of Nebraska-Lincoln, 234 Home Economics Bldg., 35th St., Lincoln, NE 68588-0338. Phone: 402/472-2911. Web site: www.textilegallery.unl.edu. Hours: 8:30-4 Mon.-Fri.; other Texas First Ladies Historic Costume Collection, Texas times by appointment; closed Sat.-Sun. and university holiWoman’s University, Administration Conference Tower, 304 days. Admission: free. Administration Dr., PO Box 425379, Denton, TX Wendy Weiss, Director 76204-5379. Phone: 940/898-3644. Fax: 940/898-3386. [email protected] Web site: www.twu.edu/gown-collection. Hours; 8-5 Mon.-Fri.; closed Sat.-Sun. and university and national holidays. Admission: free. Rachel Harville, Secretary, TWC Conference Services [email protected]

UNIVERSITY OF RHODE ISLAND Historic Textile and Costume Collection Kingston, Rhode Island

UNIVERSITY OF MINNESOTA, TWIN CITIES Goldstein Museum of Design St. Paul, Minnesota The Goldstein Museum of Design at the University of Minnesota Twin Cities in St. Paul has approximately 26,000 apparel, textile, graphic design, and decorative arts objects. The museum, founded in 1976 as the Goldstein Gallery, is named for two sisters, Harriet and Vetta Goldstein, who assembled the core of the collection while teaching at the university in the first half of the twentieth century. Among the significant collection pieces are late nineteenth-century and early twentieth century dress, designer fashions, and art pottery from the 1960s to the present. The exhibits interpret the art and design of everyday life, as well as presenting designed objects in their social, cultural, historical, and/or

The University of Rhode Island in Kingston has a Historic Textile and Costume Collection with almost 20,000 objects used for teaching, research, and exhibition. The collection, which includes textiles and costumes from throughout the world, has such materials as pre-Columbian Peruvian textiles; early Egyptian cloths; handwoven textiles and clothing from Rhode Island families dating from the late eighteenth century; nineteenth-century clothing and accessories for American women, men and children; ethnic textiles and costumes from many cultures; and twentieth-century objects, especially designer garments. Selections from the collection are exhibited in the Textile Gallery, which opened in 1999 in Quinn Hall, home of the Department of Textiles, Fashion Merchandising, and Design. Historic Textile and Costume Collection, Textile Gallery, University of Rhode Island, Dept. of Textiles, Fashion Merchandising, and Design, Quinn Hall, Kingston, RI 02881. Phones: 401/876-4574 and 401/874-4574. Web site: www.uri.edu/hss/tmd/collection/html. Hours: 8:30-4:30

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Costume, Textile & Fashion Museums Mon.-Fri. by appointment; closed Sat.-Sun. and university holidays. Admission: free. Margaret Ordonez, Director 401-874-5481 [email protected]

UNIVERSITY OF WISCONSIN-MADISON Helen Louise Allen Textile Collection Madison, Wisconsin The Helen Louise Allen Textile Collection in the School of Human Ecology at the University of Wisconsin in Madison was established in 1968, resulting from the extensive collection of Professor Allen, who served on the faculty from 1927 until her death in 1968. The collection, which has grown to approximately 13,000 objects, is best known for its ethnographic textiles and fiber art. Among its other holdings are archaeological textiles; fifteenth- to eighteenth-century historic textiles; and eighteenth- to twentieth-century American and European coverlets, quilts, domestic needlework, and home furnishing and apparel fabrics. The museum is getting a new home. It is closed temporarily as part of a move to new facilities in the Human Ecology Building now under construction. Helen Louise Allen Textile Collection, University of Wisconsin-Madison, 1300 Linden Dr., Madison, WI 53700-1524. Phone: 608/262-1162. Fax: 608/265-5099. E-mail: [email protected]. Web site: www.textilecollection.wisc.edu. Hours: closed temporarily for relocation. Admission: free. Diane Sheehan, Faculty Director/Chair, UW-M Department of Design Studies

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Entomology Museums CLEMSON UNIVERSITY Clemson University Arthropod Collection

opportunity to experience the sights, sounds, and smells of giant cockroaches, beetles, giant walking and prickly sticks, praying mantises, centipedes, scorpions, tarantulas, and Clemson, South Carolina other creepy crawlers. The insect zoo, which opened in Clemson University’s original collection of insects and other 1999, also offers guided tours with entomologists and arthropods began in the 1890s, but it was lost in a building trained docents providing additional information about the fire in 1925. The present Clemson University Arthropod various creatures and visitors being offered a chance to Collection in Clemson, South Carolina, was started in 1926 touch some of them. Among the exhibits are a flooded tropiby Franklin Sherman, who continued as curator until 1947. cal tree, tropical cave, giant leafcutter, ant colony, beehive, The collection now consists of approximately 102,000 mock kitchen, freshwater display, and a number of terraripinned insects identified at least to genus, another 36,000 ums with tropical insects, tarantulas, spiders, scorpions, and pinned adult insects above the genus level, 45,000 speciother arthropods. mens in ethyl alcohol vials, and over 29,000 specimens on Kansas State University Insect Zoo, 1500 Dennison Ave., microscope slides. The collection is housed in Long Hall Manhattan, KS 66506 (postal address: Dept. of Entomology, and can be visited by the public. 123 W. Waters Hall, Manhattan, KS 66506-4004). Phones: Clemson University Arthropod Collection, 312-14 Long 785/532-2847 and 785/532-6154. Fax: 785/532-6232. Hall, Clemson, SC 29634. Phone: 864/656-5049. Web site: E-mail: [email protected]. Web sites: www.entomolwww.entweb.clemson.edu. Hours: 8-4:30 Mon.-Fri.; closed ogy.ksu.edu and www.k-state.edu/butterfly/index.htm. Sat.-Sun. and university holidays. Admission: free. Hours: 12-6 Tues.-Sat. and by appointment; closed Sun.-Mon. and university holidays. Admission: adults, $2; John Morse, Director seniors, $1.50; children under 2, free; tours-$3 per person.

KANSAS STATE UNIVERSITY Kansas State University Museum of Entomological and Prairie Arthropod Research Manhattan, Kansas The Kansas State University Museum of Entomological and Prairie Arthropod Research was started in 1879 by E. A. Popenoe, the first full-time entomologist at what was then Kansas State College. It now has a collection of approximately 824,000 specimens, which include 52 holotypes and 2,214 paratypes of specimens representing 668 species. Most of the specimens are from Midwestern and Western states. Some of the rare specimens were collected from prairies between 1880 and 1920.

Dave Margolies, Interim Head, KSU Dept. of Entymology 785-532-4709 [email protected]

LOUISIANA STATE UNIVERSITY Louisiana State Arthropod Museum Baton Rouge, Louisiana

Nearly 1 million specimens of insects and related arthropods are part of the collection of the Louisiana State Arthropod Museum at Louisiana State University in Baton Rogue. They include approximately 900,000 pinned, 18,000 fluid-preserved, and 30,000 slide-mounted specimens, as well as about 50,000 to 100,000 uncurated specimens in various stages of processing. Significant strengths are Coleopteran, Hemiptera, Lepidoptera, Diptera, and Hymenoptera. Most of the specimens are from southeastern Kansas State University Museum of Entomological and United States, with the others mainly from North America, Prairie Arthropod Research, Dept. of Entomology. Mexico, Central America, and South America. The museum, Manhattan, KS 66506. Phone: 785/532-3799. Fax: which opened in 1971, occupies 4,000 square feet in the 785/532-6232. E-mail: [email protected]. Web site: www.entomology.ksu.edu. Hours: 12-6 Tues.-Sat.; closed Sun.-Mon. Life Sciences Building. and university holidays. Admission: free. Louisiana State Arthropod Museum, Louisiana State UniGregory Zolnerowich, Curator 785-532-3799 versity, Dept. of Entomology, 402 Life Sciences Bldg., [email protected] ton Rouge, LA 70803-1710. Phone: 225/578-1838. Fax: 225/578-1643. Web site: www.entomology.lsu.edu/lsam. Hours: by appointment; closed Sat.-Sun. and university holidays. Admission: free. KANSAS STATE UNIVERSITY

Kansas State University Insect Zoo Manhattan, Kansas

Chris Carleton, Director [email protected]

The Kansas State University Insect Zoo is an insect museum operated by the Department of Entomology in the old Dairy Barn on the campus in Manhattan. It gives visitors an

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Entomology Museums MISSISSIPPI STATE UNIVERSITY Mississippi Entomological Museum Mississippi State University, Mississippi The Mississippi Entomological Museum was founded at Mississippi State University in Starkville in 1979 under the leadership of Dr. William H. Cross. It combined several private and institutional collections in the state, forming a research collection of more than 1 million pinned specimens, with over 35,000 being added each year. The collection includes specimens from the region and such places as Central and South America, the Seychelles, New Caledonia, and Fiji Islands, as well as examples of wood damage and insect and natural history photographs. Mississippi Entomological Museum, Mississippi State University, Dept. of Entomology and Plant Pathology, Clay Lyle Entomology Bldg. 100 Twelve Lane, PO Box 9775, Mississippi State, MS 39762-9775. Phone: 662/325-2990. Fax: 662/325-8837. Web site: www.mississippientomologhicalmuseum.org.msstate.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Richard Brown, Director 662-325-2085 [email protected]

PENNSYLVANIA STATE UNIVERSITY Frost Entomological Museum University Park, Pennsylvania The Frost Entomological Museum at Pennsylvania State University in University Park (State College) has a research collection of more than 2 million specimens of insects and related arthropods representing at least 15,000 species. Founded in 1969, the museum was named for Professor Stewart Ward Frost, who began collecting specimens in 1937 that resulted in the establishment of the museum. The museum has three specialty collections-dragonfly and damselfly, ahid, and louse. The exhibits include insects from Pennsylvania, large tropical insects, insect nests, uses of insects, observation beehive, live tarantulas, giant roaches, and an aquarium with aquatic insects. Annual attendance is 5,000. Frost Entomological Museum, Pennsylvania State University, Headhouse 3, Curtin Rd., University Park, PA 16802-1009 (postal address: Dept. of Entomology, 501 ASI Bldg., University Park, PA 16802). Phones: 514/863-2865 and 814/865-1895. Fax: 814865-3048. E-mail: [email protected]. Web site: ento.psu.edu/facilities/frost. Hours: 9:30-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Gary Felton, Department Head, Penn State Dept of Entomology [email protected]

UNIVERSITY OF CALIFORNIA, BERKELEY Essig Museum of Entomology Berkeley, California The Essig Museum of Entomology at the University of California in Berkeley has 4.5 million insects and terrestrial arthropods in its research collection. The university began collecting specimens in the 1880s, and the museum was formalized in 1939 as a function of the California Insect Survey, a project of the Agricultural Experiment Station. The survey, which was conceived by Edward O. Essig and E. Gorton Linsley, was expanded after World War II by Paul D. Hurd and named for Essig in 1972 in recognition of his contributions. Nearly one-third of the collection specimens are Coleptera, with particularly large holdings of Cerambycidae and Tenebrionidae. The museum also has substantial numbers of Lepidotera, Hymenoptera, Hemiptera, and Diptera, and smaller holdings of other species. The museum, which is open only to researchers, recently moved to new expanded facilities in the Valley Life Sciences Building. Annual attendance is 315. Essig Museum of Entomology, University of California, Berkeley, 1101 Valley Life Sciences Bldg., Berkeley, CA 94720-3112. Phone: 510/643-0804. Fax: 510/642-7428. E-mail: [email protected]. Web site: www.essig.berkeley.edu. Hours: not open to public. Rosemary Gillespie, Director 510-642-3445 [email protected]

UNIVERSITY OF CALIFORNIA, DAVIS R. M. Bohart Museum of Entomology Davis, California The R. M. Bohart Museum of Entomology at the University of California in Davis began as a teaching and research collection in 1946. It began as a collection in 1966 and was named for Professor Emeritus Richard M. Bohart in 1983. The museum, now housed in a building funded by the university and the National Science Foundation, has more than 7 million curated arthropod specimens of 1500, primary types, with a growing rate of about 50,000 specimens a year. It has become one of the largest university entomology collections in the nation. The annual attendance is 4,000. R. M. Bohart Museum of Entomology, University of California, Davis, 1124 Academic Surge, Davis, CA 95616 (postal address: Dept. of Entomology, 1 Shields Ave., Davis, CA 95616-8584). Phone: 530/752-0493. Fax: 530/752-0493. E-mail: [email protected]. Web site: www.bohart.ucdavis.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Lynn Kimsey, Director 530-752-5373 [email protected]

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UNIVERSITY OF CALIFORNIA, RIVERSIDE UNIVERSITY OF CALIFORNIA, RIVERSIDE Entomology Research Museum

mology. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Scott Shaw, Director 307-766-5338 [email protected]

Riverside, California The Entomology Research Museum at the University of California in Riverside received its official name in 1994 when a new building for its large collection of insects and related arthropods was dedicated. However, its collection began in 1923 and it was known informally as the UCR Entomology Teaching and Research Collection after 1964. The museum, which now has approximately 3 million specimens, has developed especially strong holdings in native wild bees, several groups of Chalcidoid wasps, the Thysanoptera, and the Meloidae family.

WASHINGTON STATE UNIVERSITY M. T. James Museum Pullman, Washington

The M. T. James Museum at Washington State University in Pullman is an entomology museum with approximately 1.28 million specimens of insect and related arthropods. The museum, which is named for a prominent entomologist at the university, contains insects from throughout the world, but most are concerned with the fauna of Washington and the Nearly half of the curated collection contains Hymenoptera Pacific Northwest. The collection began in the founding and Coleoptera specimens, with sizeable amounts of Diptera days of the university in the nineteenth century and still conand Lepidoptera. The vast majority of material is from tains some of the first specimens, labeled “Washington Tersouthern California, Arizona, and Baja California, including ritory.” More than 500,000 specimens in the collection are the Sonora Desert, but there also are specimens from other Diptera. Other significant holdings are Coleoptera, regions of the United States, Mexico, and other parts of the Hymenptera, Lepidoptera, and Hemiptera. world. The museum has about a dozen display cases with M. T. James Museum, Washington Stae University, Dept. of exotic insects. Entomology, PO Box 646328. Pullman, WA 99164-6382. Entomology Research Museum, University of California, Phone: 509/335-3394. Fax: 509/336-2938. E-mail: Riverside, Dept. of Entomology, 417 Entomology Bldg., [email protected]. Web site: www.wsu.edu:8080/~zack. Riverside, CA 92521. Phone: 851/827-5294. Fax: Hours: by appointment. Admission: free. 951/827-3086. Web site: wwwentomology.ucr.edu. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Ad- Richard S. Zack, Director [email protected] mission: free. S.V. Triapitsyn, Director 951-827-7817

UNIVERSITY OF WYOMING University of Wyoming Insect Museum Laramie, Wyoming The University of Wyoming Insect Museum in Laramie has a collection of over 250,000 insects. More than half of the specimens are Hymenoptera, with significant holdings of Diptera and, Lepidoptera, and Coleoptera. The insect collection was started in 1894 by Frank Niswander, professor of zoology, but the museum did not open until 1994. It originally contained only insects from the Laramie area, and later was expanded to include grasshoppers, robber flies, fleas, mosquitoes, parasitoid wasps, butterflies, and grassland, sagebrush-associated, and other insects from other regions and countries. The museum has two specialized galleries-the Insect Gallery Room, featuring displays of live native and exotic insects, and the Tropical Forest Room, containing a variety of tropical plants and insects. University of Wyoming Insect Museum, Dept. of Renewable Resources, PO Box 3354, 100 E. University, Laramie, WY 82071-3354. Phones: 307/766-5338 and 307/766-1121. Web site: www.uwadmnweb.uwyo.edu/renewableresources/ento-

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Ethnic Museums & Galleries ALABAMA A&M UNIVERSITY Alabama State Black Archives Research Center and Museum Normal, Alabama The Alabama State Black Archives Research Center and Museum at the Alabama A&M University in Huntsville was established in 1987 by the Alabama legislature “to encourage greater awareness of the achievements and contributions of African Americans and the role they played in American society” and “to provide a better basis for understanding racial and cultural differences.” An archive contains materials on Alabama’s African American history and the museum presents permanent exhibits and temporary exhibitions on black history and culture. The exhibits cover such topics as the role of “Buffalo Soldiers” in the history of the American West, the accomplishments of African American women, and the history, culture, and contributions of African Americans. Annual attendance is 3,000.

IL 60506-4892). Phone: 630/844-7843. Fax: 630/844-6529. E-mail: [email protected]. Web site: www.aurora.edu/museum. Hours: Sept.-May-10-7 Tues., 10-4 Wed.-Fri., 1-4 Sun.; closed Mon., Sat., and university holidays; June-Aug.-10-4 Tues.-Fri.; closed Sat.-Mon. and Independence Day. Admission: suggested donations-adults, $3; seniors and students, $2; children under 12, $1. Meg Bero, Executive Director 630-844-7844 [email protected]

BACONE COLLEGE Ataloa Lodge Museum Muskogee, Oklahoma

The Ataloa Lodge Museum at Bacone College in Muskogee, Oklahoma, is named for Mary Stone McLendon, a Chickasaw whose Indian name was Ataloa (Little Song) and who taught at the college from 1927 to 1935 when Bacone was Alabama State Black Archives Research Center and Muthe only Indian college in the nation. She also served as seum, Alabama A&M University, James Hembray Wilson field secretary for the college and collected many of the Bldg., PO Box 595, Normal, AL 35762-0595, Phone: items for the museum, which was her dream. The museum, 256/372-5846. Fax: 256/372-5338. housed in a stone and log lodge with a fireplace made of rocks and stones from Indian tribes, was founded in 1932 Web site: www.aamu.edu. Hours: 9-4:30 Mon.-Fri.; closed Sat.-Sun., Martin Luther King, Jr. Day, Memorial Day, Inde- and named in Ataloa’s honor after her death in 1967. The museum has more than 20,000 objects, including such Napendence Day, Labor Day, Thanksgiving, and Christmas. tive American artifacts and materials as pottery, projectile Admission: adults and children over 11, $5; seniors, $4; points, paintings, baskets, clothing, blankets, rugs, kachinas, children under 12, $3. quillwork, moose-hair embroidery, ceremonial items, weapons, canoes, and contemporary art. It also contains prehisPatricia D. Ford, Director [email protected] toric fossils and other historical materials, including documents by President Abraham Lincoln, Chief John Ross, and others. Annual attendance is 6,000.

AURORA UNIVERSITY Schingoethe Center for Native American Cultures Aurora, Illinois The Schingoethe Center for Native American Cultures at Aurora University in Aurora, Illinois, was founded in 1989 through the generosity of Herbert and Martha Schingoethe, who donated their collection of over 6,000 Native American arts, artifacts, and related materials and provided support for the museum and its activities. The center is located in Dunham Hall, named in honor of Mrs. Schingoethe’s family, which also houses the Dunham School of Business. The largely Southwestern collection has been expanded by other gifts to include other American Indian cultural areas. The center has three galleries, a research library, and hosts an annual powwow on Memorial Day weekend that features Native American dancers from throughout the nation. The center’s annual attendance is over 9,900. Schingoethe Center for Native American Cultures, Aurora University, Dunham Hall, 1400 Marsellaise Pl., Aurora, IL 60506-4892 (postal address: 347 S. Gladstone Ave., Aurora,

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Ataloa Lodge Museum, Bacone College, 2299 Old Bacone Rd., Muskogee, OK 74403-1568. Phones: 918/684-4581, Ext.283, and 888/682-5514, Ext. 7283. Fax: 918/687-5913. Web site: www.bacone.edu/ataloa. Hours: 8-5 Mon.-Sat., 1-5 Sun.; closed national holidays. Admission: free. John Timothy, Director

BETHUNE-COOKMAN COLLEGE Mary McLeod Bethune Home Daytona Beach, Florida The former home of Mary McLeod Bethune at Bethune-Cookman College in Daytona Beach, Florida, is a memorial to the major African American education and civil rights figure who founded the college. Mrs. Bethune was one of the best known African American leaders from the 1920s through World War II. She was the fifteenth child of parents who were former slaves. She became a missionary and educator who opened a school for African American girls that merged with the Cookman Institute for Boys to

BETHUNE-COOKMAN COLLEGE form Bethune-Cookman College in 1923. Mrs. Bethune served as an adviser to five American presidents and was appointed director of Negro affairs in the National Youth Administration in 1936 by President Franklin D. Roosevelt.

American works. The galleries are located in Trevor Arnett Hall and have an annual attendance is 10,000. Clark Atlanta University Art Galleries, Trevor Arnett Hall, 223 James P. Brawley Dr., S.W., Atlanta, GA 30314-4358. Phone: 404/880-6102. Fax: 404/880-6968. E-mail: [email protected]. Web site: www.cau.edu/artgalleries. Hours: 11-4 Tues.-Fri.; closed Sat.-Mon. and university holidays. Admission: free.

The two-story frame house, built in 1914 and now is a National Historic Landmark, also serves as a memorial dedicated to research, interracial activity, and wider educational opportunities. Opened to the public in 1953, it contains her furnishings, artifacts, citations, plaques, photographs, and an attached building which serves as an archive for her papers. Tina Dunkley, Director 404-880-8671 [email protected] Mrs. Bethune’s gravesite also is on the property. Mary McLeod Bethune Home, McLeod -Cookman College, 640 Mary McLeod Bethune Blvd., Daytona Beach, FL 32114. Phone: 386/255-1401, Ext. 372. Hours: Sept.-May-9-4 Mon.-Fri.; closed Sat.-Sun. and major holidays; June-July-by appointment. Admission: free.

COLLEGE OF CHARLESTON Avery Research Center for African American History and Culture Charleston, South Carolina

Margaret Symonette, Director, Mary McLeod Bethune Foundation 386-481-2122

BETHUNE-COOKMAN COLLEGE Harvey W. Lee, Jr. Memorial Gallery Daytona Beach, Florida The Harvey W. Lee, Jr. Memorial Gallery at Bethune-Cookman College in Daytona Beach, Florida, features a gallery of African art and another with changing exhibitions of works by African American artists in the Southeast. The art gallery, named for a long-time professor of art at the college, is located in the Mary McLeod Bethune Fine Arts Center.

The historical and cultural heritage of African Americans in South Carolina is collected, preserved, and documented at the Avery Research Center for African American History and Culture at the College of Charleston in Charleston, South Carolina. The collection includes sweetgrass baskets, handwoven fish nets, and other materials showing the relationship between West Africa and the Sea Islands of Georgia, Florida, and the Carolinas. The center, founded in 1985, presents exhibits from its collections, displays of art, and temporary exhibitions in two galleries in a historic African American schoolhouse. The annual attendance is 8,500.

Avery Research Center for African American History and Culture, College of Charleston, 125 Bull St., Charleston, SC 29401 (postal address: 66 George St., Charleston, SC 29424). Phones: 843/953-7609 and 843/953-7608. Fax: Harvey W. Lee, Jr. Memorial Gallery, Bethune-Cookman 843//953-7607. E-mail: [email protected]. Web site: College, Mary McLeod Bethune Fine Arts Center, 1151 Lin- www.cofu.edu/avery/ Hours: 10-5 Mon.-Fri., 12-5 Sat.; coln St., Daytona Beach, FL 32314. Phone: 386/255-1401, closed Sun. and college holidays. Admission: free. Ext. 522. Hours: 9:30-12 and 1-4 Mon.-Fri.; closed Patricia Williams-Lessane, Executive Director 843-953-7234 Sat.-Sun. and major holidays. Admission: free. [email protected] Cedric Evans Sr, Operations Manager, Mary McLeod Bethune Performing Arts Center 386-481-2774 [email protected]

FERRIS STATE UNIVERSITY Jim Crow Museum of Racist Memorabilia CLARK ATLANTA UNIVERSITY Clark Atlanta University Art Galleries

Big Rapids, Michigan

The Jim Crow Museum of Racist Memorabilia at Ferris State University in Big Rapids, Michigan, seeks to promote racial tolerance by helping people understand the historical The works of African American artists since the middle of and contemporary expressions of intolerance. The museum, the twentieth century are featured in the Clark Atlanta Unifounded in 1996, is named for an antebellum minstrel show versity permanent collection and gallery in Atlanta, Georgia. character in the 1830s. It contains 4,000 items related to raThe Clark Atlanta University Art Galleries, which began in cial segregation, civil rights, and anti-Black caricatures col1942, serve as the home of the historical collection that doclected by the museum founder, Dr. David Pilgrim, professor uments the American experience through the eyes of Black of sociology. They include such early to mid-twentieth-cenAmerican artists. The collection contains murals, paintings, tury materials as Ku Klux Klan objects; pro-segregation prints, and sculpture by many of the nation’s leading Afrisigns, brochures, posters, magazines, and musical records; can American artists, mostly from the 1942-70 period. The Civil Rights Movement materials; and over 3,000 anti-Black collection and gallery also have African and contemporary caricature items. Annual attendance is 1,500.

Atlanta, Georgia

Jim Crow Museum of Racist Memorabilia, Ferris State University, Starr Bldg., 820 Campus Dr., ASC 2108, Big

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Ethnic Museums & Galleries Rapids, MI 49307-2225. Phone: 231/591-5873. Fax: 231/591-2541. E-mail: [email protected]. Web site: www.ferris.edu/jimcrow. Hours: 8-5 Mon.-Fri. by appointment; closed Sat.-Sun. and national holidays. Admission: free.

also circulates a traveling exhibition on the contributions of African Americans throughout Florida and adjacent states.

David Pilgrim, Curator

Southeastern Regional Black Archives Research Center and Museum, Florida A&M University, Carnegie Library, Martin Luther King, Jr. Blvd. and Gamble St., Tallahassee, FL32307. Phone: 850/590-3020/ Fax: 850/561-2604. Web site: www.famu.edu. Hours: 9-5 Mon.-Fri., closed Sat.-Sun. and major holidays. Admission: free.

FISK UNIVERSITY Fisk University Galleries

E. Murrell Dawson, Director

Nashville, Tennessee The Fisk University Galleries at Fisk University in Nashville, Tennessee, consist of two galleries-Carl Van Vechten Gallery, founded in 1949, and Aaron Douglas Gallery, opened in the 1990s. The Van Vechten Gallery began with a gift of 101 artworks by Georgia O’Keeffe from her husband, Alfred Stieglitz. The gallery now is located in an 1885 Neo-Romanesque building, and the Douglas Gallery is housed in the university’s library. The museum-like Van Vechten Gallery displays the O’Keffee art; works from the university’s extensive collection of pre-modern, modern, and contemporary works by African-American, African, and mainstream American and European artists; and temporary and traveling exhibitions. The Douglas Gallery presents changing exhibitions from the permanent collection; works by faculty and students; and traveling exhibitions. The combined annual gallery attendance is 42,000.

FLORIDA A&M UNIVERSITY Foster Tanner Fine Arts Gallery Tallahassee, Florida The Foster Tanner Fine Arts Gallery at Florida A&M University in Tallahassee seeks to serve as a collaborative student resource primarily for art classroom research, reports, and events, and dialogue for university-wide classes, organizations, and other cultural and departmental activities across the campus. The gallery has a collection of works by African American and Native American artists and presents changing exhibitions by artists, faculty, and students.

Foster Tanner Fine Arts Gallery, Florida A&M University, Foster Tanner Arts Bldg., 1630 Pinder Dr., Tallahassee, FL 32307. Phone: 850/599-3161. Fax: 850/599-8761. E-mail: [email protected]. Web site: www.famu.edu. Hours: early-Jan-mid-Dec.-11-5 Mon.-Fri.; closed Sat.-Sun. Fisk University Galleries, 1000 17th Ave., N., Nashville, TN and university holidays and breaks. Admission: free. 37208-3051. Phones: 615/329-8720 and 615/329-8500. Fax: Harris Wiltsher, Florida A&M Fine Arts Department Facilitator 615/329-8544. E-mail: [email protected]. Web site: www.fisk.edu/gallery. Hours: Sept.-June-10-5 Mon.-Fri.; closed Sat.-Sun. and university holidays; July-Aug.-10-5 Tues.-Fri.; closed Sat.-Mon. Admission: free. HAMPTON UNIVERSITY Sarah Estes, Gallery Coordinator 615-329-8544 [email protected]

Hampton University Museum Hampton, Virginia

Hampton University Museum, founded in 1868 in Hampton, Virginia, is located at the nation’s oldest African American FLORIDA A&M UNIVERSITY university, which was established in the same year as Southeastern Regional Black Archives Hampton Normal and Agricultural Institute (now Hampton University). The museum was one of the earliest university Research Center and Museum museums in the country. The galleries have permanent and Tallahassee, Florida changing exhibitions devoted to African American, African, The Southeastern Regional Archives Research Center and Native American, Asian, and Pacific art and artifacts. The Museum opened in 1978 in the former Carnegie Library museum has a permanent collection of more than 9,000 obbuilding at Florida A&M University in Tallahassee. The jects representing cultures and people from throughout the building was the first Carnegie Library built on a Black world. It includes the largest museum collection of works by land-grant college campus in 1908. The archival holdings such artists as John Biggers, Elizabeth Catlett, Jacob Lawcontain over a half million items relating to the history of Africans and African Americans, especially their institutions rence, and Samella Lewis. and organizations. The museum is located in the newly restored Huntington Building, the former library. In addition to the exhibits, the The collection includes such materials as manuscripts, rare museum has such special facilities as the Children’s Curiosbooks, journals, magazines, maps, newspapers, and photographs. Exhibits about the history of racism and discrimina- ity Room, Center for African American History and Life, and Kids Corner, which features a story time. The museum tion are on permanent display and special exhibitions are also offers programs as art workshops, lectures, symposia, presented on such topics as Black education, Blacks in the military, the Black church, and Black women. The museum summer camps, school partnerships, group travel, and publi-

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HASKELL INDIAN NATIONS UNIVERSITY cations like the International Review of African American Art. Annual attendance is 30,000. Hampton University Museum, Huntington Bldg., Hampton, VA 23668. Phone: 757/727-5308. Fax: 757/727-5170. E-mail: [email protected]. Web site: www.museum.hampton.edu. Hours: 8-5 Mon.-Fri., 12-4 Sat.; closed Sun. and major holidays. Admission: free. Vanessa D. Thaxton-Ward, Curator of Collections and Interim Director 757-727-5508 [email protected]

HASKELL INDIAN NATIONS UNIVERSITY Haskell Indian Nations University Cultural Center and Museum Lawrence, Kansas The Haskell Indian Nations University Cultural Center and Museum in Lawrence, Kansas, contains collections and interpretive exhibits about the university and Native Americans. The university was the only government boarding school that evolved into a four-year university for Native Americans. Haskell began as an Indian industrial training school in 1884, became an inter-tribal university in 1993, and now enrolls about 1,000 students from 150 tribes. The museum traces the history of Haskell and displays traditional clothing, jewelry, basketry, pottery, beadwork, and other artifacts from its collection, as well as artworks from such artists as Don Secondine, Alan Houser, Franklin Gritts, and Dick West. The exhibits are supplemented with historical materials from the university archives, which include the Frank R. Rinehart Historical Photograph collection. Haskell Indian Nations University Cultural Center and Museum, 155 Indian Ave., PO Box 5013, Lawrence, KS 66046. Phone: 785/832-6686. Fax: 785/832-6687. Web site: www.haskell.edu. Hours: 9:30-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Bobbi Rahder, Curator 785-832-6686 [email protected]

HOWARD UNIVERSITY Howard University Museum Washington, District of Columbia What began as a small collection of anti-slavery books and pamphlets in the early twentieth century now is a major center for the study of the African American experience at Howard University in Washington, District of Columbia. The Howard University Museum now is part of the Moorland-Spingard Research Center that collects, preserves, and interprets the history and culture of people of African descent. The center is named for Dr. Jesse E. Moorland, a theologian, alumnus, and trustee, who donated one of the most significant collections of Black-related materials to the university in 1914, and Arthur B. Spingarn, an attorney, social activist, and collector of books and other materials

produced by Black people, acquired by the university in 1946. It was their collections that provided the foundation for the later development of the research center and the museum. In 1973, the collections were reorganized as the Moorland-Spingarn Research Center by Dr. Michael R. Winston, its first director. It was under his direction that the museum, archives, and separate library and manuscript divisions were created. The museum now houses the artifacts, while the other collections are located in the archives and library and manuscript divisions. The museum mounts permanent exhibits and special exhibitions related to the history of the Black experience. Howard University Museum, Moorland-Spingarn Research Center, 500 Howard Pl., N.W., Washington, DC 20059. Phone: 202/806-7239. Fax: 202/806-6405. Web site: www.founders.howard.edu/moorland-spingarn/museum.htm. Hours: 9-4:30 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Thomas C. Battle, Director, Howard University’s Moreland-Springarn Research Center

HOWARD UNIVERSITY Howard University Gallery of Art Washington, District of Columbia The Howard University Gallery of Art in Washington, District of Columbia, was founded in 1928 to “make revolving exhibitions of contemporary arts and crafts available for visitation and study to students.” The museum-like gallery, which now serves as a study and research facility for the university and scholarly communities, presents exhibitions of national and international artists and selections from its collection of African art, Renaissance and Baroque paintings, European prints, and paintings, sculpture, drawings, and prints by African Americans and other twentieth-century artists. The gallery is located in Childers Hall, which houses the Fine Arts Division of the College of Arts and Sciences. Howard University Gallery of Art, Childers Hall, 2455 6th St., N.W., Washington, DC 20059. Phone: 202/806-7070. Fax: 202/806-6503. Web site: www.howard.edu/library/art@howard/goa/default.htm. Hours: 9:30-5 Mon.-Fri., 12-4 Sun.; closed Sat. and national holidays. Admission: free. Tritobia H. Benjamin, Director 202-806-7040 [email protected]

INSTITUTE OF AMERICAN INDIAN ARTS Museum of Contemporary Native Arts Santa Fe, New Mexico The Museum of Contemporary Native Arts at the Institute of American Indian Arts in Santa Fe, New Mexico, has more than 7,000 works of contemporary art from over 120

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Ethnic Museums & Galleries Native Americans nations in its permanent collection-the single largest collection of its kind in the world. The collection includes contemporary paintings, sculpture, photographs, drawings, prints, textiles, clothing, baskets, jewelry, pottery, ceramics, beadwork, and a small amount of historic materials.

MANOR JUNIOR COLLEGE Ukrainian Heritage Studies Center Jenkintown, Pennsylvania

The Ukrainian Heritage Studies Center at Manor Junior College in Jenkintown, Pennsylvania, preserves, interprets, and promotes Ukrainian culture and traditions through educaFounded in 1972, the museum is dedicated to advancing the tional and cultural programs. Founded in 1977, the center discourse, knowledge, and understanding of native art. It has an extensive folk arts collection which can be toured presents long-term and changing exhibitions of diverse art and is used in workshops and outreach programs to demonby Native American contemporary artists and traveling exstrate Ukrainian bead weaving, egg decorating, embroidery, hibitions, as well as works by the institute’s students, facand other arts. The center also has a Ukrainian library and ulty, and alumni. The artworks frequently are of a archives. cutting-edge nature. A permanent display of Allan Houser’s monumental sculpture also is on display in the museum’s art Ukrainian Heritage, Studies Center, Manor Junior College, 700 Fox Chase Rd., Jenkintown, PA 19046. Phone: park. Annual attendance is nearly 40,000. 215/885-2360. Fax: 215/576-6564. E-mail: [email protected]. Web site www.manor.edu. Hours: by apMuseum of Contemporary Native Arts, Institute of Ameripointment. Admission: free. can Indian Arts, 108 Cathedral Pl., Santa Fe, NM 87501-2027. Phone: 505/983-8900. Fax: 505/983-1222. Chrystyna Prokopovych, Coordinator/Curator E-mail: [email protected]. Web site: www.iaia.edu/museum. Hours: 10-5 Mon.-Sat., 12-5 Sun.; closed major holidays. Admission: adults, $4; seniors and students, $2.50; children MORGAN STATE UNIVERSITY under 16 and Native Americans, free. Patsy Phillips, Director

LAWRENCE UNIVERSITY Boynton Chapel Baileys Harbor, Wisconsin Boynton Chapel is a small wooden chapel built in the style of a late twelveth-century Norwegian stave church at a former estate in Baileys Harbor, Wisconsin, operated by Lawrence University of Appleton. It was constructed by Donald and Winifred Boynton of Highland Park, Illinois, between 1939 and 1947 on the grounds of their summer residence along Lake Michigan in Door County. The Boyntons bequeathed their 425-acre estate, which they called Bjorklunden vid Sjon (Birch Forest by the Water), to the university in 1963. The chapel is modled after the Garmo stave church at Maihaugn Lillehammer, Norway. It has 41 hand-painted frescoes and numerous fine carved wood furnishings. Chapel tours are given twice weekly during the summer. The university sponsors a series of continuing education seminars at the estate’s 17,190-square-foot main lodge during the summer and Lawrence students and faculty come to Bjorklunden for weekend seminars and retreats during the academic year. The lodge also is used for conferences, musical programs, and other special events. Baynton Chapel, Lawrence University, Bjorklunden, PO Box 10, Baileys Harbor, WI 54202. Phone: 920/839-2216. Fax: 920/830-2688. E-mail: [email protected]. Web site: www.lawrence.edu/dept/bjork/chapel.shtml. Hours: varies. Admission: tours-$4 per person. Kim A. Eckstein, Office Coordinator - Bjorklunden 920- 83- 221 [email protected]

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James E. Lewis Museum of Art Baltimore, Maryland African American and African art are featured at the James E. Lewis Museum of Art at Morgan State University in Baltimore, Maryland. The museum, founded in 1951, has a wide range of nineteenth- and twentieth-century American, Asian, European, and traditional African arts. The collection includes paintings, works on paper, sculpture, photographs, and artifacts. Among the artists represented in the collection are Bearden, Picasso, Albers, Erie, Constable, Sargent, Metsu, Johnson, Tanner, Dali, and Lawrence. The museum, which is housed in the Carl J. Murphy Fine Arts Center, is named for a sculptor and scholar who founded the Visual Arts Department and the collection and museum. Annual attendance is 40,000. James E. Lewis Museum of Art, Morgan State University, 242 Carl J. Murphy Fine Arts Center, 2201 Argonne Dr., Baltimore, MD 21251 Phones: 443/885-3030 and 433/885-3333. Fax: 433/885-8258. E-mail: [email protected]. Web site: www.jelma.org. Hours: 10-4 Tues.-Fri., 11-4 Sat., 12-4 Sun.; closed Mon., New Year’s Eve and Day, Easter, Thanksgiving, and Christmas break. Admission: free. Gabriel Tenabe, Director, Office of Museums

NORFOLK STATE UNIVERSITY African Art Gallery/Harrison B. Wilson Archives and Art Gallery Norfolk, Virginia The African Art Gallery at Norfolk State University in Norfolk, Virginia, seeks to supplement classroom experiences by exposing students to African art that relates to the history of the culture groups they represent. The gallery, formerly

NORTH CAROLINA A&T STATE UNIVERSITY the Lois E. Woods Museum founded in 1935, has a collection of African art and African American art and memorabilia. The African art is from 14 countries, representing 40 different cultures and groups. The gallery is part of the Harrison B. Wilson Archives and Art Gallery. Annual attendance is 1,300. African Art Gallery/Harrison B. Wilson Archives and Art Gallery, Norfolk State University, Presidential Pkwy., Norfolk, VA 23504-8050. Phone: 757/823-2002. Fax: 757/823-2005. Web site: www.nsu.edu/archive/gallery. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free.

Evans, and Richard Hunt. The museum mounts five changing exhibitions of established and emerging artists each year. NCCU Art Museum, North Carolina Central University, 1801 Fayetteville St., Durham, NC 27707 (postal address: PO Box 19555, Durham, NC 27703). Phone: 919/530-6211. Fax: 919/560-5649. E-mail: krogers@wpo,nncu.edu. Web site: www.nccu.edu/artmuseum. Hours: Sept.-May-9-5 Tues.-Fri. 2-5 Sun.; closed Mon., Sat., and major holidays; June-Aug.-8:30-4 Mon.-Fri.; closed Sat.-Sun. Admission: free. Kenneth Rodgers, Director

Tommy L. Bogger, Director

NORTH CAROLINA A&T STATE UNIVERSITY North Carolina A&T State University Galleries Greensboro, North Carolina The North Carolina A&T State University Galleries in Greensboro has three galleries in the Dudley Building-H. C. Taylor Gallery, Mattye Reed Gallery, and 2nd Floor Gallery. The Taylor Gallery features American works from the Henry Clinton Taylor Collection and student and other art, while the Reed and 2nd Floor galleries display African artifacts from the Mattye Reed African Heritage Collection. The galleries, which began in 1968, now have an annual attendance of 10,000. North Carolina A&T State University Galleries, Dudley Bldg., 1603 E. Market St., Greensboro, NC 27411-0002. Phone: 336/334-3209. Fax: 336/334-4378. E-mail: [email protected]. Web site: www.ncat.edu/~museum. Hours: 10-5 Mon.-Fri., other times by appointment; closed Sat.-Sun. and university holidays and breaks. Admission: free. Shawnya Harris, Director [email protected]

NORTH CAROLINA CENTRAL UNIVERSITY NCCU Art Museum Durham, North Carolina The NCCU Art Museum at North Carolina Central University in Durham presents works of African American artists from the nineteenth and twentieth centuries and objects from the African continent. The museum, which began in 1921, has a collection and exhibitions of both established and emerging artists, as well as works by other artists documenting the African American experience. The collection includes many of the artists who were active in the Harlem Renaissance in the 1920s. Among the noted artists with works in the collection are Henry O. Tanner, Jacob Lawrence, Robert S. Duncanson, Edward M. Bannister, Romare Bearden, Selma Burke, William H. Johnson, Minnie

NORTH CAROLINA STATE UNIVERSITY African American Cultural Center Cultural Art Gallery Raleigh, North Carolina The African American Cultural Center at North Carolina State University in Raleigh has a Cultural Art Gallery that displays artworks by African Americans. The center, located in the Witherspoon Student Center, promotes awareness of and appreciation for the African American experience through a range of programs. African American Cultural Center Cultural Art Gallery, North Carolina State University, 355 Witherspoon Student Center, Box 7318, Raleigh, NC 27695. Phone: 919/515-5210. Fax: 919/515-5173. Web site: www.nscu.edu/aacc/index.php. Hours: varies. Admission: free. Keith Powell, Associate Director 919-513-0960 [email protected]

OTERO JUNIOR COLLEGE Koshare Indian Museum La Junta, Colorado The Koshare Indian Museum at Otero Junior College in La Junta, Colorado, was founded in 1949 by the La Junta Boy Scout Troop, which also built a log kiva in which the Boy Scouts perform Native American dances. The museum and the Koshare Kiva, which is owned by the college, were built under the leadership of troop leader James Francis Burshears as a place to exhibit the troop’s collection of Indian art and artifacts and to present dance performances. The Koshare Indian Museum features exhibits of the art and artifacts of the Southwest and Plains Indians, including pottery, beadwork, instruments, quillwork, jewelry, and other materials from many tribes. The Koshare Kiva, which is a 60-foot-diameter ceremonial room, has the largest self-supported log roof in the world (with more than 620 logs). The Boy Scouts dancers interpret Plains and Pueblo Indian dances in the summer and late December and travel in the

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Ethnic Museums & Galleries spring to present school shows. The annual attendance is 24,000. Koshare Indian Museum, Otero Junior College, 115 W. 18th St., PO Box 580, La Junta, CO 81050-0580. Phone: 719/384-4411. Fax: 719/384-8836. E-mail: [email protected]. Web site: www.koshare.org. Hours: museum-June-Aug.: 10-5 daily; Sept.-May: varies; closed major holidays; kiva dance performances-mid-June-Aug.: 7:30 p.m. Sat.; 7 p.m. Dec. 27-Jan. 4. Admission: museum-adults, $5; seniors and students, $3; children under 7, free; dance performances-adults, $10; students under 18, $5 (museum admission included in show ticket). Karen Susie Sarlo, Director of Operations

SOUTH CAROLINA STATE UNIVERSITY I. P. Stanback Museum and Planetarium Orangeburg, South Carolina The I. P. Stanback Museum and Planetarium at the South Carolina State University in Orangeburg is one of the few campus museums with art and science offerings. It has African and African American artworks and a planetarium with sky shows. The art holdings include contemporary African American art and photographs, bronze statuary from Benin, and over 200 works from the Cameroons and parts of West Africa. The planetarium has a 40-foot dome and 82 seats. Founded in 1980, the facility is named for first African-American chairman of the university’s board of trustees. Annual attendance is 30,000.

I. P. Stanback Museum and Planetarium, South Carolina State University, 300 College St., PO Box 7636, Orangeburg, SC 29117. Phones: 803/536-7174 and 803/536-8711. Fax: 803/536-8309. E-mail: Santa Fe, New Mexico [email protected]. Web site: www.draco.scsu.edu. Hours: The Indian Arts Research Center in Santa Fe, New Mexico, museum-9-5 Mon.-Fri.; closed Sat.-Sun. and university holiis part of the School for Advanced Research, a center for the days; planetarium-4 Tues.-Fri.; closed Sat.-Mon. and universtudy of the archaeology and anthropology of the American sity holidays. Admission: free. Southwest founded in 1907. It houses the exceptional collection of the school, consisting of more than 12,000 pieces Ellen Zisholtz, Director of Native American art, including pottery, jewelry, textiles, clothing, paintings, basketry, and drums. Among the artists represented in the collection are Lucy Lewis, Maria MartiSOUTHERN UNIVERSITY nez, Mateo Romero, and Lonnie Vigil. The annual attendance is nearly 1,150. Southern University Museum of Art

SCHOOL FOR ADVANCED RESEARCH Indian Arts Research Center

The School for Advanced Research was founded as the School of American Archaeology by the American Committee of the Archaeological Institute of America. It accepted the plan of Alice Cunningham Fletcher, a pioneering anthropologist and ethnographer of Plains Indian groups, who wanted to establish an “Americanist” center with three aims-to train students in archaeology, engage in anthropological research, and preserve and study the unique cultural heritage of the Southwest. Fletcher became the first chairperson of the school and Edgar Lee Hewett, an innovative educator and amateur archaeologist, was named the director and served as a key architect of the discipline of Southwestern archaeology for the next 40 years. Indian Arts Research Center, School of American Research, 660 Garcia St., PO Box 2188, Santa Fe, NM 87504-2188. Phones: 505/954-7205 and 505/954-7200. Fax: 505/954-7207. E-mail: [email protected]. Web site: www.sarweb.org. Hours: 9-5 Mon.-Fri. by appointment; closed Sat.-Sun. and major holidays. Admission: $15. Cynthia Chavez Lamar, Director [email protected]

Baton Rouge, Louisiana The Southern University Museum of Art is located at two sites-the main campus in Baton Rouge, Louisiana, and at the Metro Center branch campus in Shreveport. The Baton Rouge museum in the Martin L. Harvey Auditorium building has eight galleries-four devoted to African art and four to African American art, separated by the building’s old stage that serves as an indoor sculpture garden. The Africa galleries feature art from such countries as Cameroon, Congo, Ivory Coast, Mali, and Nigeria, and the African American galleries contain changing exhibitions of works by master artists, Louisiana artists, and faculty and staff. The Shreveport branch contains more than 2,000 pieces of African and African American art from the museum’s collection and special exhibitions. Southern University Museum of Art, Martin L. Harvey Hall, Leon Netterville Dr., Baton Rouge, LA 70813. Phone: 225/771-4513. Fax: 225/771-4498. Web site: www.susla.edu. Hours: 10-5 Tues.-Fri., 10-4 Sat.; closed Sun.-Mon. and major holidays. Admission: free. Southern University Museum of Art at Shreveport, Metro Center Campus, 610 Texas St., Shreveport, LA 71101. Phone: 318/676-5520. Fax: 318/676-7734. Web site: www.susla.edu. Hours: 10-5 Tues.-Fri., 10-4 Sat.; closed Sun.-Mon. and major holidays. Admission: free. Carolyn Coatney, Coordinator [email protected]

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SPELMAN COLLEGE SPELMAN COLLEGE Spelman College Museum of Fine Art Atlanta, Georgia The Spelman College Museum of Fine Art in Atlanta, Georgia, differs from other museums in that it emphasizes the works by and about women of the African Diaspora in its exhibitions and programs. Founded in 1996, the museum is located in the Camille Olivia Hanks Cosby Academic Center built in honor of the wife of Bill Crosby, television star and comedian. The museum has a collection of nineteenthand twentieth-century African American, American, and Europe art; African sculpture; and art, textiles, and crafts by and about women, and presents a variety of temporary and traveling exhibitions. Annual attendance is 7,000. Spelman College Museum of Fine Art, Camille Olivia Hanks Crosby Academic Center, 350 Spelman Lane, S.W., Box 1526, Atlanta, GA 30314. Phone: 404/270-5607. Fax: 404/270-5980. E-mail: [email protected]. Hours: 10-4 Tues.-Fri., 12-4 Sat.; closed Sun.-Mon. and college holidays and breaks. Admission: $3 suggested donation. Andrea Barnwell, Director

SPERTUS INSTITUTE OF JEWISH STUDIES Spertus Museum Chicago, Illinois The Spertus Museum at the Spertus Institute of Jewish Studies in Chicago, Illinois focus on and reflects aspects of Jewish history and culture. It explores how objects are experienced and the roles they play in Jewish life and culture. The museum, founded in 1968, has a collection of more than 15,000 items relating to such areas as the European Jewish culture, Sephardic and Oriental world, Chicago Yiddish culture, and visual arts from the nineteenth and twentieth centuries. The objects include paintings, drawings, prints, graphics, photographs, and sculpture from before the eighteenth century to the twentieth century; ethnographic and decorative arts; archaeological elements and decorations; historical documents; manuscripts; and such other materials as books, coins, medals, seals, weights, stamps, and audiovisuals. The institute and the museum are located in a new $55-million building facing Grant Park in downtown Chicago. The museum’s annual attendance is 50,000. Spertus Museum, Spertus Institute of Jewish Studies, 610 S. Michigan Ave., Chicago, IL 60605-1901. Phones: 312/322-1747 and 312/322-1700. Fax: 312/922-3934. E-mail: [email protected]. Web site: www.spertus.edu/museum. Hours: 10-5 Sun.-Wed., 10-6 Thurs., 10-3 Fri.; closed Sat. and national and Jewish holidays. Admission: adults, $7; seniors and students, $5; children under 5, free.

ST. ANDREWS PRESBYTERIAN COLLEGE St. Andrews Scottish Heritage Center Laurinburg, North Carolina The Scottish heritage and traditions of the Upper Cape Fear and Sandhills region are celebrated at the St. Andrews Presbyterian College in Laurinburg, North Carolina. The Carolinas were home to the largest settlement of Highland Scotts in North America until well into the nineteenth century. The center, founded in 1989, contains rare books, documents, photographs, research, and music and has exhibits relating to Scottish American settlement in southeastern North Carolina. The collection also includes artifacts pertaining to heroine Flora MacDonald, who lived in the region in the late eighteenth century, and the most Celtic music in the United States. The center also hosts the annual Scottish Heritage Weekend and sponsors the St. Andrews College Pipe Band. St. Andrews Scottish Heritage Center, St. Andrews Presbyterian College, Elm Ave. and St. Andrews College Dr., Laurinburg, NC 28352 Phone: 910/277-5236. Fax: 910/277-5050. Web site: www.sapc.edu. Hours: mid-Aug.-mid-May-9-5 Mon-.Fri.; closed Sat.-Sun., mid-May-mid-Aug., and university holidays. Admission: free. Bill Cadill, Director

ST. OLAF COLLEGE Norwegian-American Historical Association Archives Northfield, Minnesota The history of Norwegian American migration, settlement, and life in the United States can be found in the Norwegian American Historical Association Archives at St. Olaf College in Northfield, Minnesota. The archives, established in 1925 and located in Rolvaag Library, contain stories, records, and illustrations of Norwegian immigration and settlement throughout the nation since 1825. The materials include letters, diaries, book manuscripts, ledgers, journals, photographs, films, newspaper clippings, and other ephemera related to Norwegians in America. Annual attendance is 300. Norwegian-American Historical Assn. Archives, St. Olaf College, Rolvaag Library, 1510 St. Olaf Ave., Northfield, MN 55057-1097. Phone: 507/786-3221. Fax: 507/4646-3734. E-mail: [email protected]. Web site: www.naha.stolaf.edu. Hours: by appointment. Admission: $15. Jackie Henry, Director

Rhoda Rosen, Director

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Ethnic Museums & Galleries TEXAS SOUTHERN UNIVERSITY Texas Southern University Museum Houston, Texas The Texas Southern University Museum in Houston originally was proposed in 1949, but it was not until 2000 that it opened in the renovated Fairchild Building. It now features historical and contemporary African American and African Art, terra cotta sculptures by students, and the huge Web of Life mural by John Biggers on the beauty and complexity of African American people that serves as an introduction to the changing exhibitions. Texas Southern University Museum, Fairchild Bldg., 3100 Cleburne St., Houston, TX 77004. Phone: 713/313-7120. Fax: 713/313-7342. E-mail: [email protected]. Web site: www.tsu.edu/about/history/museum.asp. Hours: 10-5 Tues.-Fri., 12-5 Sat.-Sun.; closed Mon. and national holidays. Admission: free.

the Montgomery bus boycott that led to the Civil Rights Movement and the banning of bus service segregation. The 7,000-square-foot museum, located where Mrs. Parks made her historic stand, occupies the first floor of the building that also houses the Troy University’s Montgomery Campus Library. The exhibits describe the work of Mrs. Parks and other early civil rights workers. The museum also includes a replica of the bus on which Mrs. Parks made her courageous stand. Annual attendance is more than 50,000. Rosa Parks Library and Museum, Troy University, 252 Montgomery St., PO Drawer 4419, Montgomery, AL 36604-4419. Phones: 334/241-8661 and 334/241-8615. Web site: www.montgomery.troy.edu/rosaparks/museum/rosaparks.html. Hours: 9-5 Mon.-Fri., 9-3 Sat.; closed Sun. and major holidays. Admission: free. Georgette Norman, Director 334-241-8615 [email protected]

Alvia Wardlaw, Director

TOUGALOO COLLEGE Tougaloo College Art Collection and Gallery Tougaloo, Mississippi The Tougaloo College Gallery in Tougaloo, Mississippi, mounts permanent exhibits and changing exhibitions from the college collection, which contains the state’s largest collection of African-American and African art, as well as international prints and twentieth-century American paintings. The museum-like gallery, housed in the Bernie Thompson Building, also has exhibitions of works by students, faculty, and guest artists. Annual attendance is 1,000. Tougaloo College Art Collection and Gallery, Humanities Div., Bernie Thomnpson Bldg., 500 W. Country Line Rd., Tougaloo, MS 39174-o578 (postal address: PO Box 578, Tougaloo, MS 39174-9799). Phones: 601/977-7741 and 601/977-4431. Faxes: 601/977-7714 and 601/977-4425. Hours: varies; closed college holidays and breaks. Admission: free. Johnnie M. Gilbert, Chair, Tougaloo College Art Department jgilbert@ tougaloo.edu

TROY UNIVERSITY Rosa Parks Library and Museum Montgomery, Alabama The Rosa Parks Library and Museum in Montgomery, Alabama, is named for the African American seamstress who launched the pivotal event in the Civil Rights Movement in 1955 by refusing to give up her seat on a public bus to a white man. The museum features materials related to the events and accomplishments of individuals associated with

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TULANE UNIVERSITY Amistad Research Center New Orleans, Louisiana Amistad Research Center at Tulane University in New Orleans, Louisiana, is the nation’s largest independent archives specializing in the history of African Americans and other ethnic groups. The center is part of the American Missionary Association, which traces its roots to the coalition of abolitionists who came to the defense of Africans who revolted while being brought to America aboard the Amistad slave ship in 1839 and won a Supreme Court fight for their freedom in 1841. The Amistad Committee evolved into the inter-racial American Missionary Association, which founded hundreds of abolitionist and anti-caste churches and schools that later resulted in the establishment of numerous colleges and universities. During World War II, the association established a Race Relations Department at Fisk University to improve human relations through research and education. The Amistad Research Center was formed there in 1966 to document race relations and America’s ethnic heritage. It was incorporated as an independent institution and official repository for the archives and institutional records of the American Missionary Association by 1969. As space needs increased, the center was moved to Dillard University in New Orleans in 1970 and then to the Tulane University in 1987. The Amistad Research Center, housed in Tulane’s Tilton Memorial Hall, now contains over 15 million documents and other materials that trace African American history and race relations. The African American holdings represent about 90 percent of the center’s total collection, while 10 percent is devoted to documenting other ethnic groups, such as Latinos, Asian Americans, and Native Americans. Among the collection strengths are education; Civil Rights Movement; Africana; cultural arts; Louisiana Creoles; medical history, particularly in the South; personal papers of African American political and community leaders in New

TUSKEGEE UNIVERSITY Orleans; and work of the American Missionary Association. The center has over 250,000 photographs dating from 1859.

New Year’s Day, Thanksgiving, and Christmas. Admission: free.

Amistad Research Center, Tulane University, Tilton Memorial Hall, 6823 St. Charles Ave., New Orleans, LA 70118-5665. Phone: 504/862-3222. Fax: 504/862-8961. Web site: www.amistadresearchcenter.org.

Sandy Taylor, Superintedent, Tuskegee Institute National Historic Site

Hours: 8:30-4:30 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Lee Hampton, Executive Director 504-862-3225 [email protected]

TUSKEGEE UNIVERSITY George Washington Carver Museum Tuskegee Institute, Alabama The George Washington Carver Museum, which honors an African American who rose from slavery to become one of most respected and productive scientists, is located at the Tuskegee Institute National Historic Site on the campus of the Tuskegee University in Alabama. He is best known for developing crop-rotation methods to conserve soil nutrients and discoveries that resulted in more than 300 products derived from peanuts, 118 from sweet potatoes, about 75 from pecans, and many others from crop rotation. Founded by the National Park Service in 1941, the museum focuses on Dr. Carver’s far-reaching career in agriculture, chemurgy, chemistry, and the development and growth of Tuskegee Institute, where he taught and conducted research for over 40 years beginning in 1896. The 13,000-square-foot museum is located in a building that was damaged by a fire in 1947 and renovated in 1951. It was the site of Dr. Carver’s last laboratory and was expanded for exhibits. The main exhibit area is divided into two sections. One section is devoted to his life and accomplishments and includes some of his laboratory equipment; samples of peanut and sweet potato products; examples of his paintings, embroidery, and needlework; and plaques and medals.

TUSKEGEE UNIVERSITY The Oaks Tuskegee Institute, Alabama The Oaks is the historic 1899 home of Booker T. Washington, who was named by the State of Alabama to establish and head the Tuskegee Normal and Industrial Institute in 1881. It was under his long direction that the school (which later changed its name to Tuskegee Institute and more recently to Tuskegee University) that the institution first received national and international recognition. Washington lived in the house, which was built of bricks made by students and faculty, until his death in 1915. The house, now part of the Tuskegee Institute National Historic Site, is furnished with the original Washington furniture and personal effects and reflects the broad interests of the family. Guided tours are given by park service interpretive staff members. The Oaks, Tuskegee Institute National Historic Site, PO Drawer 10, Tuskegee Institute, AL 36088. Phone: 334/727-3200. Fax: 334/727-3201. Web site: www.nps.gov/tuin. Hours: 9-4:30 daily; closed New Year’s Day, Thanksgiving, and Christmas. Admission: free. Sandy Taylor, Superintedent, Tuskegee Institute National Historic Site

UNIVERSITY OF ARKANSAS AT PINE BLUFF University Museum and Cultural Center Pine Bluff, Arkansas

The University Museum and Cultural Center at the University of Arkansas at Pine Bluff seeks to collect, preserve, and The Tuskegee Institute National Historic Site also is the site celebrate the history of the university and the Arkansas of the “The Oaks,” the 1899 home of Booker T. Washington, Delta. Founded in 2005, the museum/cultural center features the “Keepers of the Spirit” historical exhibit and has a colwho was chosen in 1881 to establish and head the new Tuskegee Normal and Industrial Institute for the training of lection of artifacts, photographs, letters, yearbooks, and other materials relating to the university and people who African Americans in trades and professions (see separate have helped shape the university and region. It also offers listing). The school’s name later was changed to Tuskegee changing exhibitions and educational programs to increase Institute and then Tuskegee University to better reflect its more extensive offerings and facilities. The Carver museum awareness of the accomplishments of African Americans. and the Washington house were donated to the National University Museum and Cultural Center, University of ArPark Service in 1977 for the Tuskegee Institute National kansas at Pine Bluff, 1200 N. University Dr., Pine Bluff, AR Historic Site, which now receives more than 490,000 visi71601. Phones: 870/575-8232 and 870/575-8234. Fax: tors a year. 870/575-4671. Web site: www/uapb.edu/museum/ Hours: George Washington Carver Museum, Tuskegee National Historic Site, 1212 W. Montgomery St., Tuskegee Institute, AL 36088-1923 (postal address: PO Drawer 10, Tuskegee Institute, AL 36087). Phones: 334/727-6390, 334/727-3200, and 334/727-9321. Faxes: 334/727-4597 ad 334/727-1448. Web site: www.nps.gov/tuin. Hours: 9-4:30 daily; closed

9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Tisha Arnold, UAPB Program Director, Public Information 870-575-8946 [email protected]

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Ethnic Museums & Galleries UNIVERSITY OF ARKANSAS AT PINE BLUFF Leedell Moorehead-Graham Fine Arts Gallery Pine Bluff, Arkansas Artworks by African American artists, as well as students and faculty, are presented at the Leedell Moorehead-Fine Arts Gallery at the University of Arkansas at Pine Bluff. Founded in 1967, the gallery mounts changing exhibitions in a 3,360-square-foot gallery in the art wing of the Hathaway-Howard Fine Arts Center. Annual attendance is 5,000.

contemporary issues of American Indians. The center, founded in 1979, also seeks to encourage Native American artists and craftspersons and displays prehistoric tools and weapons, nineteenth-century Lumbee tribal artifacts, and contemporary Indian art, crafts, and other materials. Many of the items come from Indian people throughout North America, but the emphasis is on Robeson County Indians and especially the Lumbee, the largest North Carolina tribe. The center and museum are located in the university’s historic Old Main building, which also houses the Department of American Indian Studies. Annual attendance is 10,000.

Museum of the Native American Resource Center, University of North Carolina at Pembroke, Old Main, PO Box Leedell Moorehead-Graham Fine Arts Gallery, University of 1510, Pembroke, NC 28372-1510. Phone: 910/521-6282. Arkansas at Pine Bluff, Hathaweay-Howard Fine Arts Cen- E-mail: [email protected]. Web site: ter, 1200 N. University, Mail Slot 4925, Pine Bluff, AR www.uncp.edu/nativemuseum. Hours: 8-5 Mon.-Sat.; closed 71601-2799. Phone: 870/575-8236. Fax: 870/575-4636. Sun. and state holidays. Admission: free. E-mai: [email protected]. Web sitte: www.uaph.edu. Hours: 8:30-4:30 Mon.-Fri.; closed Sat.-Sun. and university Stan Knick, Director/Curator 910-521-6282 [email protected] holidays. Admission: free. Tisha Arnold, UAPB Program Director, Public Information 870-575-8946 [email protected]

UNIVERSITY OF SOUTHERN MAINE African American Collection of Maine Portland, Maine

UNIVERSITY OF DELAWARE Paul R. Jones Collection of African American Art Newark, Delaware The renovated 1898 Mechanical Hall at the University of Delaware in Newark became the home of the Paul R. Jones Collection of African American Art in 2004. Since then, the collection of the Atlanta collector and donor has been supplemented by other works and faculty and student initiatives. The building also houses a print room for use of those studying objects in the collection. The museum is administered by the University Museums system at the university. Paul R. Jones Collection of African American Art, University of Delaware , Mechanical Hall, Newark, DE 19716 (postal address: University Museums, Universiy of Delaware, 209 Mechanical Hall, Newark, DE 19716). Phone: 302/831-8037. Fax: 302/831-8057. E-mail: [email protected]. Web site: www.udel.edu/museums. Hours: 12-5 Wed. and Fri.-Sun., 12-8 Thurs.; closed Mon.-Tues. and university holidays. Admission: free. Janis A. Tomlinson, Director, UD Museums [email protected]

UNIVERSITY OF NORTH CAROLINA AT PEMBROKE Museum of the Native American Resource Center Pembroke, North Carolina The Native American Resource Center at the University of North Carolina at Pembroke collects, preserves, studies, and interprets the prehistory, history, culture, art, and

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The African American Collection of Maine at the University of Southern Maine in Portland contains artifacts, manuscripts, printed works, and visual and audio materials pertaining to the African Americans experience in Maine. The collection, which is part of the Jean Byers Sampson Center for Diversity in the Glickman Family Library, began in 1995 with the donation of the initial collection of materials by Gerald E. Talbot, the first African American elected to the Maine State Legislature. The collection is administered as part of the library’s Special Collections. African American Collection of Maine, University of Southern Maine, Jean Byers Sampson Center for Diversity in Maine, Glickman Family Library, 314 Forest Ave., P) Box 9301, Portland, ME 04104-9301. Phone: 207/780-4269. Fax: 207/780-4067. E-mail: [email protected]. Web site: library.usm.maine.edu/special collections. Hours: 1-5 Mon., Wed., and Fri.; closed remainder of week and major holidays. Admission: free. Susie R. Bock, USM Director of Special Collections 207-780-4269 [email protected]

UNIVERSITY OF SOUTHERN MAINE Franco-American Collection Lewiston, Maine French Americans-who originally were largely French Canadians from Quebec and Acadians from New Brunswick-once were the largest ethnic group in Maine. A Franco-American Collection now traces their history and role in the state. The collection is located at Lewiston-Auburn College, a branch of the University of Southern Maine, in Lewiston. The collection contains artifacts, documents, and photographs on politics, religion, language, education,

UNIVERSITY OF VIRGINIA industry, business, theater, music, genealogy, civic leaders, and Lewiston-Auburn history, as well as sociological aspects of Franco-American culture. Franco-American Collection, University of Southern Maine, Lewiston-Auburn College, 51 Westminster St., Lewiston, ME 04240. Phone: 207/753-6545. E-mail: [email protected]. Web site: www.usm.maine.edu./lac/franco.html. Hours: by appointment; closed major holidays. Admission: free. James Myall, Collection Coordinator 207-753-6545 [email protected]

UNIVERSITY OF VIRGINIA Kluge-Ruhe Aboriginal Art Collection Charlottesville, Virginia The Kluge-Rube Aboriginal Art Collection at the University of Virginia in Charlottesville features Australian aboriginal art. It came into being in 1997 through a gift from American businessman John W. Kluge, who started collecting aboriginal art in 1988 and purchased the collection and archives of Professor Edwin L. Rube of the University of Kansas in 1993. Rube began collecting aboriginal art while visiting Australia as a Fulbright scholar in 1965 and conducted extensive research on the subject. His archives now comprise the core of the Kluge-Ruhe Study Center. The collection is exhibited in Newcomb Hall. Kluge-Ruhe Aboriginal Art Collection, University of Virginia, Newcomb Hall, 400 Worrell Dr., Peter Jefferson Pl., Charlottesville, VA 229118691. Phone: 434/244-0234. Fax: 434/244-0235. E-mail: [email protected]. Web site: www.virginia.edu/kluge-ruhe. Hours: 10-4 Tues.-Sat., 1-5 Sun.; closed Mon. and major holidays. Admission: free. Margo Smith, Director

display cases with clothes, jewelry, consumer products, sports equipment, and other materials of the period, and a video tracing the history of African American music from its roots in Africa to the music of the period. National Afro-American Museum and Cultural Center, Wilberforce University, 1350 Brush Row Rd., PO Box 578, Wilberforce, OH 45384-0578. Phone: 937/376-4944, Ext. 122. Fax: 937/376-2007. E-mail: [email protected]. Web site: www.blackohio.org. Hours: 9-5 Tues.-Sat.; closed Sun.-Mon. and major holidays. Admission: adults, $4; seniors, $3.60; students and children 6-12, $1.50; children under 6, free. Floyd Thomas, Curator

WINSTON-SALEM STATE UNIVERSITY Diggs Gallery Winston-Salem, North Carolina The Diggs Gallery at Winston-Salem State University in Winston-Salem, North Carolina, has one of the South’s largest exhibition spaces dedicated to African and African-American art. Founded in 1990, the gallery has 7,000 square feet devoted to African and African-American artworks. The gallery, housed in the O’Kelly Library, receives 14,700 visitors annually. Diggs Gallery, Winston-Salem State University, O’Kelly Library, 601 Martin Luther King, Jr. Dr., Winston-Salem, NC 27110-0003. Phone: 336/750-2458. Fax: 336/750-2463. E-mail: [email protected]. Web site: www.wssu.edu. Hours: 11-5 Tues.-Sat.; closed Sun.-Mon. and university holidays and breaks. Admission: free. Belinda Tate, Director [email protected]

WILBERFORCE UNIVERSITY National Afro-American Museum and Cultural Center

YESHIVA UNIVERSITY Yeshiva University Museum

Wilberforce, Ohio

The Yeshiva University Museum at the Center for Jewish History in New York City presents a multi-disciplinary exhibition program that celebrates the culturally diverse intellectual and artistic achievements of 3,000 years of Jewish experience. The museum, founded in 1973, has a collection of over 8,000 cultural and religious artifacts and artworks, four galleries, an exhibition arcade, and an outdoor sculpture garden. It usually presents two types of exhibitions-examinations of a Jewish community or historic event and works on Jewish themes by emerging or established contemporary artists. The museum also has a library with rotating displays from the Jean Sorkin Moldovan Memorial Collections of Jewish Children’s Literature and the Charles M. Stern Sacred Hebrew Letters, and an extensive art education

The National Afro-American Museum and Cultural Center on the ca. 1856 campus of Wilberforce University in Wilberforce, Ohio, is devoted to African American history and culture from African origins to the present. The museum, founded in 1972 and now operated by the Ohio Historical Society, features permanent and temporary exhibits about African American history and the Black experience. The museum’s permanent exhibition, “From Victory to Freedom: Afro-American Life in the Fifties,” chronicles the trends, struggles, and social changes from the end of World War II in 1945 to the passage of the Voting Rights Act of 1964. In addition to information, artifacts, and photographs, the exhibit displays life-sized scenes and settings depicting various lifestyles and activities of the 1950s, including a barber shop, beauty salon, and church interior with recorded speaking voices and gospel music. The exhibit also has

New York, New York

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Ethnic Museums & Galleries outreach program for New York City public school students and teachers. Annual attendance is 40,000. Yeshiva University Museum, Center for Jewish History, 15 W. 16th St., New York, NY 10011-6301. Phone: 212/294-8330. Fax: 212/294-8335. E-mail: [email protected]. Web site: www.yumuseum.org. Hours: 3:30-8 Mon., 11-8 Wed.; 11-2:30 Fri., 11-5 Sun., Tues., and Thurs.; closed Sat. and Jewish holidays. Admission: adults, 48; seniors and students, $6; YU students, faculty, administration, and children under 5, free; admission free Mon., Fri., and 5-8 Wed. Sylvia A. Herskowitz, Director

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General Museums ARKANSAS STATE UNIVERSITY Arkansas State University Museum Jonesboro, Arkansas Arkansas State University Museum in State University (Jonesboro) has historic, archaeological, and natural history collections and exhibits primarily from the state. The museum began as the Arkansas State College Historical College in 1933 and gradually developed into a multi-faceted museum with over 70,000 objects in its collection, 21,000 square feet of exhibits, and an annual attendance of 48,000 in the Dean B. Ellis Library. The museum collection covers four major areas-natural history, archaeology, history, and photographs, archives, and research library. The museum has permanent exhibits on the history of early settlement in Arkansas, decorative arts, natural history, Native Americans, earthquakes, and other subjects. It also presents temporary exhibitions featuring materials from its collections and elsewhere and hands-on exhibits for children. The museum also manages three heritage sites-Hemingway-Pfeiffer Museum in Piggott, Southern Tenant Farmers Museum in Tyronza, and Lakeport Plantation near Lake Village. Arkansas State University Museum, Dean B. Ellis Library/Museum Bldg., 110 Cooley Dr., Jonesboro, AR 72401 (postal address: PO Box 490, State University, AR 72467-0490). Phone: 870/972-2074. Fax: 870/972-2793. Hours: 9-4 Tues.-Fri., 1-5 Sat.-Sun.; closed Mon. and national holidays. Admission: free. Marti Allen, Director

BRIDGEWATER COLLEGE Reuel B. Pritchett Museum

E-mail: [email protected]. Web site: wwww.bridgewater.edu, Hours: 1-4:30 Mon.-Fri. or by appointment; closed Sat.-Sun. and major holidays. Admission: free. Ruth Greenawalt, Director, Alexander Mack Memorial Library [email protected]

HARTWICK COLLEGE Yager Museum of Art and Culture Oneonta, New York The Yager Museum of Art and Culture, founded in 1929 at Hartwick College in Oneonta, New York, is a general museum with a collection of 17,000 objects and five galleries with permanent exhibits and changing exhibitions. The collections fall into four main categories-art, archaeology, ethnology, and history. They contain such items as Renaissance, Baroque, and American nineteenth-century paintings, prints, and sculpture; pre-Columbian art; Mexican, Central American, and South American artifacts; American Indian basketry, pottery, and artifacts; Mexican masks; Russian icons; and such historical materials as textiles, housewares, furniture, and coins. The galleries display some of the more significant objects in the collections and changing art and other exhibitions. The annual attendance is over 6,000. Yager Museum of Art and Culture, Hartwick College, Yager Hall, 1 Hartwick Dr., West St., Oneonta, NY 13820-4000. Phone: 607/431-4480. Fax: 607/431-4468. E-mail: [email protected]. Web site: www.hartwick.edu/museum.xml. Hours: 12-4:40 Tues.-Sat.; closed Sun.-Mon. and college holidays and breaks. Admission: free. Donna Anderson, Museum Coordinator [email protected]

Bridgewater, Virginia The Reuel B. Pritchett Museum, a branch of the Alexander Mack Memorial Library at Bridgewater College in Bridgewater, Virginia, has a collection of nearly every description. The museum was founded in 1954 when the Rev. Pritchett, a Church of the Brethren minister and farmer from White Pine, Tennessee, bequeathed nearly 6,000 historic and other articles of antiquity, followed by other donations of items from China, Africa, India, and the Philippines, as well as the United States. The collection now has over 10,000 objects, including artifacts from pioneer life, Civil War, Native Americans, coinage and currency, weaponry, bottles and glassware, and rare books and Bibles, including the three-volume Venice Bible from 1482. Exhibitions usually relate to materials in the collection. The museum, located in Cole Hall, has an annual attendance of 500. Reuel B. Pritchett Museum, Bridgewater College, 402 E. College St., Bridgewater, VA 22812-1511. Phones: 540/828-5462 and 540/828-5457. Fax: 540/828-5482.

HENDERSON STATE UNIVERSITY Henderson State University Museum Arkadelphia, Arkansas The Henderson State University Museum in Arkadelphia, Arkansas, has a diverse collection of artifacts, specimens, and other materials in Stone House, a 1906 Victorian house. The collection includes such objects as Native American artifacts, natural history specimens, antique guns, military hardware, crafts, and local memorabilia. Henderson State University Museum, 10th and Henderson Sts., Arkadelphia, AR 71999. Phone: 870/246-7311. Hours: Sept.-May-varies; closed Sat.-Sun. and June-Aug. Admission: free. Penny Murphy, Director, HU Public Relations 870-230-5348

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General Museums JOHN A. LOGAN COLLEGE John A. Logan College Museum Carterville, Illinois The John A. Logan College Museum in Carterville, Illinois, seeks to promote understanding and appreciation of the visual arts, cultural heritage, and natural history of southern Illinois. It also examines the region’s relationship to contemporary issues and the world community. The museum, founded in 1983, has a collection of regional art and crafts, wildlife art, and memorabilia relating to the life of General John A. Logan, for whom the college is named, as well as a ca.1860 one-room schoolhouse. Annual attendance is 40,000. John A. Logan College Museum, 700 Logan College Rd., Carterville, IL 62918-2501. Phone: 618/985-2888, Ext. 8287. Fax: 618/985-2248. E-mail: [email protected]. Web site: www.jalc.edu/museum/index.html. Hours: 8 a.m.-9 p.m. Mon.-Fri., 9-5 Sat.; closed Sun. and college holidays. Admission: free. Adrienne Carter Giffin, Director of Student Activities and Cultural Events, John A. Logan Coll 618-985-3741

McPHERSON COLLEGE McPherson Museum

SOUTHEAST MISSOURI STATE UNIVERSITY Crisp Museum Cape Girardeau, Missouri The Crisp Museum replaced the long-standing University Museum at the Southeast Missouri State University in Cape Girardeau in 2007. The museum, which focuses on the archaeology, history, and arts of southeast Missouri, now is named for benefactors Rosemary Berkel and Harry L. Crisp II. The museum, which had been in Memorial Hall since 1976, has moved into a new 14,000-square-foot museum with over 5,000 square feet of exhibit space. Selections from the collection are highlighted in permanent exhibits and temporary exhibitions. The museum also features the works of local, national, and international artists; private collections; and other institutions. Annual attendance is over 6,200. Crisp Museum, Southeast Missouri State University, 1 University Plaza, MS 7875, Cape Girardeau, MO 63701-4710. Phone: 573/651-2260. E-mail: [email protected]. Web site: www.semo.edu/museum, Hours: Sept.-May-10-5 Tues.-Fri., 1-4 Sat.-Sun.; closed Mon. and major holidays; June-Aug.-10-4 Tues.-Fri., 1-4 Sat.-Sun.; closed Mon. (also open to 8 p.m. 1st Fri. of each month). Admission: free. Peter Nguyen, Director

McPherson, Kansas McPherson Museum is a local general museum that resulted from a public-private partnership between McPherson College and the City of McPherson in Kansas. Founded in 1984, the museum preserves the historical and cultural heritage of the college and city. It is housed in the historic Vaniman Mansion, a 1920s Tudor Revival home five blocks from the campus, and operated by the McPherson Museum and Arts Foundation. The museum contains the collections of the college and the city. The college collection began in 1890 as a study collection when the faculty and students began collecting geology and paleontology specimens, while the city collection started in 1967 with a gift of over 400 pioneer artifacts from the family of Jacob Strausz of Moundridge.

SOUTHERN ILLINOIS UNIVERSITY AT CARBONDALE University Museum Carbondale, Illinois

The University Museum at Southern Illinois University in Carbondale has a collection of more than 50,000 objects in the sciences, humanities, and arts. It includes over 26,000 geological specimens; more than 22,000 artifacts that reflect history, world cultures, and the archaeological past; and about 2,500 works in the fine and decorative arts. Among the many collection objects are prehistoric artifacts; scientific specimens; Native American artifacts; musical instruments; Southern Illinois historical materials; costumes; Oceanic and Asian holdings; decorative objects; thirteenthThe museum now has a collection of over 20,000 objects, to twentieth-century European and American paintings, including Pleistocene fossils, Native American artifacts, drawings, and prints; and twentieth-century photography Oriental porcelains, period furniture and clocks, pioneers farm tools ands household goods, rocks and minerals, mete- and sculpture. The museum presents changing exhibitions orites, and artworks. Many of the objects are on display. An- from the collection, special and traveling exhibitions; and annual faculty and student thesis shows. The annual attennual attendance is 4,500. dance is 15,000. McPherson Museum, McPherson Museum and Arts FoundaUniversity Museum, Southern Illinois University at Carbontion, 1130 E. Euclid, McPherson, KS 67460-4506. Phone: dale, 1000 Faner Dr., MC 4508, Carbondale, IL 62901-4328. 630/241-8464. Fax: 620/241-2676. E-mail: Phone: 618/453-5388. Fax: 618/453-749. E-mail: [email protected]. Web site: www.mcphersonmuseum.com. Hours: 1-5 Tues.-Sat.; closed [email protected]. Web site: www.museum.siu.edu. Hours: 10-4 Tues.-Fri., 10-4 Sat.-Sun.; closed Mon. and university Sun.-Mon. and legal holidays. Admission: adults, $3. and national holidays. Admission: free. Carla Barber, Director [email protected]ÿÿÿÿÿ

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Dona Bachman, Curator

SOUTHERN ILLINOIS UNIVERSITY AT EDWARDSVILLE SOUTHERN ILLINOIS UNIVERSITY AT EDWARDSVILLE University Museum Edwardsville, Illinois The University Museum at Southern Illinois University at Edwardsville makes available objects from the university’s collection for permanent exhibits and temporary exhibitions throughout the campus and at businesses and organizations in the community, rather than simply at the museum site. The collection and displays are designed to show the creative diversity of the people and cultures of the world. Founded in 1959, the museum is responsible for the care and display of the university’s extensive collection of cultural objects and contemporary art. The collection contains such objects as pottery, musical instruments, ornaments, and drawings from pre-Columbian, Native American, Central and South American, African, Oceanic, Asian, Greek, Roman, and Egyptian cultures. Annual attendance is 30,000. University Museum, Southern Illinois University at Edwardsville, Box 1150, Edwardsville, IL 62026. Phone: 618/650-2996. Fax: 618/650-2995. E-mail: [email protected]. Web site: www.siue.edu. Hours: varies at different locations. Admission: free. Eric Barnett, Director 618-650-2996

TEXAS A&M UNIVERSITY-KINGSVILLE John E. Conner Museum Kingsville, Texas The John E.Conner Museum at Texas A& M University-Kingsville is a general museum founded in 1925 with historical, archaeological, cultural, natural history, agricultural, ranching, and other artifacts and specimens primarily from south Texas. The exhibits cover such subjects as university and regional history; Indian, Mexician, Spanish, and pioneer cultures; mounted game animals; farming and ranching equipment; natural history specimens; railroad history; and dioramas of regional history and prehistory periods. The museum also mounts changing exhibitions. Annual attendance is 20,000. John E. Conner Museum, Texas A&M University-Kingsville, 905 W. Santa Gertrudis, PO Box 2172, Station 1, Kingsville, TX 78363-8321. Phone: 361/593-2810. Fax: 361/591-2112. Hours: 9-5 Mon.-Sat.; closed Sun. and university holidays. Admission: free. Hal Ham, Director [email protected]

TEXAS TECH UNIVERSITY Museum of Texas Tech University

It was founded in 1929 as the West Texas Museum four years after the university was chartered as Texas Technological College. Both the name of the institution and the museum later were changed and added new elements to their operations. The museum now includes the main museum building, Moody Planetarium, Helen Jones Auditorium and Sculpture Garden, Diamond M Gallery, Natural Science Research Laboratory, Center for Advanced Study of Museum Science and Heritage Management, and the research and educational parts of the Lubbock Lake Landmark and the Val Verde County research site. The National Ranching Heritage Center once was administered by the museum, but was reorganized as a separate department in 1998 (see separate listing in Historical Museums, Houses, and Sites section). The Museum of Texas Tech University has a collection of the arts, humanities, and sciences. It totals over 5 million objects, including materials in anthropology, ethnology, mammalogy, paleontology, ornithology, geology, and frozen tissues, as well as such other items as art, clothing, textiles, and historical furnishings and artifacts. The museum has permanent exhibits with objects from its collection, and presents temporary and traveling exhibitions. Annual attendance is over 166,000. Museum of Texas Tech University, 3301 4th St., Lubbock, TX 79403-4613 (postal address: PO Box 43191, Lubbock, TX 79409-3191). Phone: 806/742-2442. Fax: 806/742-1136. E-mail: [email protected]. Web site: www.museum.ttu.edu. Hours: 10-5 Tues.-Wed. and Fri.-Sat., 10-8:30 Thurs., 1-5 Sun.; closed Mon., New Year’s Eve and Day, Martin Luther King, Jr. Day, Memorial Day, Independence Day, Thanksgiving, and Christmas Eve and Day. Admission: main museum bldg.-free; planetarium-adult, $2; seniors and students, $1; children, $0.50; children under 6, free. Eileen Johnson, Executive Director [email protected]

UNIVERSITY OF MISSISSIPPI University of Mississippi Museum University, Mississippi The University of Mississippi Museum in Oxford began in 1939 as a small city museum-known as the Mary Bule Museum-originally consisting of fine and decorative art and historical memorabilia. In the years that followed, historic costumes, dolls, and Civil War relics were added to the collection. In 1974, the museum was deeded to the university by the City of Oxford, and it was operated as a cultural center for the town and university. The following year, a new wing was added with funds from the state legislature and the Adair Skipwith Foundation, the museum was renamed the Kate Skipwith Teaching Museum, and the university’s collections of scientific instruments, Greek and Roman antiquities, fine art, and technology were added to the museum

Lubbock, Texas The Museum of Texas Tech University in Lubbock is a multifaceted educational scientific, cultural, and research center.

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General Museums collection. In the 1998, two galleries and a storage facility were added to the museum. The museum now has approximately 11,000 objects in its collection, which also includes such other items as surgical instruments, architectural fragments, Sumerian clay tablets, Egyptian antiquities, Southern folk art, and West Africa art. Selections from the collection are displayed in exhibits, as well as temporary and traveling exhibitions. The museum also operates two historic houses-Rowan Oak, Home of William Faulkner and the Walton-Young Historic House (see Historical Museums, Houses, and Sites section). An exhibit wing is being planned at the museum to enhance the experience of visiting Rowan Oak. The museum’s annual attendance is 19,000. University of Mississippi Museum, 5th St. and University Ave., Oxford, MS 38655 (postal address: PO Box 1848, University, MS 38677-1848). Phone: 662/915-7073. Fax: 662/915-7035. E-mail: [email protected]. Web site: www.olemiss.edu/depts/u_museum. Hours: 9:30-4:30 Tues.-Sat., 1-4:30 Sun.; closed Mon. and university holidays. Admission: free. William Pittman Andrews, Director

UNIVERSITY OF PUERTO RICO Museum of History, Anthropology, and Art

material culture, natural science, and decorative and fine arts. The collection began in 1823 when the university acquired the mineral and fossil collection of Thomas Cooper, the prominent natural scientist. Since then, the university has added collections in history, art, science, and other fields that related to the social, cultural, and scientific development of South Carolina and the Southeast. The museum’s historical holdings now consist of important concentrations of Southern material/folk culture; the art and decorative collection has historic portraits, ceramics, and other works by faculty and students; and specimens in geology and paleontology, with an emphasis on regional minerals and fossils, have been added to the natural science collection. The museum’s galleries, located on the second and third floors of the university’s Visitor Center, feature exhibitions of selections from the various collections and works from other sources. The annual attendance is 35,000. McKissick Museum, University of South Carolina, Visitor Center, 816 Bull St., Columbia, SC 29208. Phone: 803/777-7251. Fax: 803/777-2829. E-mail: [email protected]. Web site: www.cas.sc.edu/mcks. Hours: 8:30-5 Mon.-Fri., 11-3 Sat.; closed Sun. and university holidays. Admission: free. Jane Przybysz, Executive Director 803-777-3712 [email protected]

San Juan, Puerto Rico The Museum of History, Anthropology, and Art at the University of Puerto Rico in San Juan collects, preserves, and interprets the historic, archaeological, and artistic legacy of Puerto Rico. Founded in 1940, the museum has more than 30,000 objects, including historical documents and numismatics; archaeological artifacts; and eighteenth- to twentieth-century Puerto Rican paintings, prints, drawings, and sculpture. It contains six galleries, including halls devoted to indigenous cultures, contemporary art, Egyptian culture, and changing thematic exhibitions. Annual attendance is 20,000. Museum of History, Anthropology, and Art, University of Puerto Rico, PO Box 21908, San Juan, Puerto Rico 00931-1908. Phones: 787/764-0000, Ext. 2452 and 787/763-3939. Fax: 787/763-4799. E-mail: [email protected]. Hours: 9-4:30 Mon.-Tues. and Fri., 9-8:30 Wed., 11-5 Sun.; closed Sat. and university holidays and breaks. Admission: free. Flavia Marichal, Director 787-763-3939 [email protected]

UNIVERSITY OF SOUTH CAROLINA McKissick Museum Columbia, South Carolina The McKissick Museum at the University of South Carolina in Columbia was founded in 1976 to bring together the many objects in collections in various departments and colleges on the campus. It now is a 53,800-square-foot general museum with an extensive collection and exhibits of

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UNIVERSITY OF TENNESSEE AT KNOXVILLE Frank H. McClung Museum Knoxville, Tennessee The Frank H. McClung Museum at the University of Tennessee at Knoxville is a 38,500-square-foot general museum with a collection and exhibits on anthropology, archaeology, decorative arts, natural history, and local history. The exhibits interpret ways of life, cultural trends, and technology from prehistoric times to the present, and feature the state’s history, geology, art, and culture. Permanent exhibits are devoted to such diverse subjects as Tennessee’s fossils and geological history, prehistoric peoples and artifacts found during the building of dams in the state, Civil War experiences in Knoxville, freshwater pearl mussels, decorative arts from many countries and periods, and Egyptian artifacts from the pre-dynastic period to the Ptolemaic. The museum, founded in 1963, resulted from funds bequeathed by Judge and Mrs. John Green of Knoxville as a memorial to Frank H. McClung, Mrs. Green’s father. Annual attendance is over 42,000. Frank H. McClung Museum, University of Tennessee, 1327 Circle Park Dr., Knoxville, TN 37996-3200. Phone: 865/974-2144. Fax: 865/974-3827. E-mail: [email protected]. Web site: www.mcclungmuseum.utk.edu. Hours: 9-5 Mon.-Sat., 1-5 Sun.; closed New closed New ear’s Day, Easter, Memorial Day, Independence Day, Labor

UNIVERSITY OF TENNESSEE AT MARTIN Day, Thanksgiving, and Christmas Eve and Day. Admission: free. Jefferson Chapman, Director [email protected]

UNIVERSITY OF TENNESSEE AT MARTIN J. Houston Gordon Museum Martin, Tennessee The University Museum at the University of Tennessee at Martin was renamed the J. Houston Gordon Museum in 2008 in honor of the alumnus, attorney, and benefactor. The general museum, founded in 1981 and located in the Corbitt Special Collections area of the Paul Meek Library, presents exhibitions from the university’s collection of regional history, books, manuscripts, and photographs, as well as special and traveling exhibitions. Annual attendance is 1,000. J, Houston Gordon Museum, University of Tennessee at Martin, Paul Meek Library, 30 Wayne Fisher Dr., Martin, TN 38238. Phone: 731/881-7094, Fax: 731/881-7074. E-mail: [email protected]. Web site: www.utm.edu/departments/library/special collections/museum.php. Hours: 8-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Richard Saunders, Director

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Geology & Mineralogy Museums APPALACHIAN STATE UNIVERSITY F. Kenneth and Marjorie J. McKinney Geology Teaching Museum Boone, North Carolina The Department of Geology at Appalachian State University in Boone, North Carolina, has indoor exhibits at the F. Kenneth and Marjorie J. McKinney Geology Teaching Museum and a rock garden outside in the Fred Webb, Jr. Outdoor Geology Laboratory. The 1,200-square-foot gallery in the Rankin Science West building features display cases with geological specimens. It also has a new exhibit that explores modern society’s reliance on earth materials. The rock garden outside the building contains 33 large rocks, with three others nearby. F. Kenneth and Marjorie J. McKinney Geology Teaching Museum, Appalachian State University, 108 Rankin Science South Bldg., 572 Rivers St., Boone, NC 18608 (postal address: Dept. of Geology, ASU Box 32067, Boone, NC 28608-2067). Phone: 828/262-3049. Fax: 826/262-6503. E-mail: [email protected]. Web site: www.geology.appstzte.edu/museum/museum.htm. Hours: Sept.-May-8-5 Mon.-Fri.; closed Sat-Sun., June-Aug., and university holidays and breaks. Admission: free. Andrew Heckert, Director 828-262-7609 [email protected]

ARIZONA STATE UNIVERSITY R. S. Dietz Museum of Geology Tempe, Arizona The R. S. Dietz Museum of Geology at Arizona State University in Tempe contains minerals, gems, and fossils from Arizona and around the world. The prehistoric fossils include the brain cavity of a Tryrannosaurus rex dinosaur and the fossils of a saber-toothed cat, a Columbian mammoth, and a giant extinct fossil shark over 7 feet tall. Among the minerals exhibited are gemstones and a 6-foot-tall amethyst geode. The museum also has such other objects as petrified wood, several large meteorites, and ore minerals and crystals from Arizona mines. The museum, named for the late Professor Robert S. Dietz, was founded in 1977. It is part of university’s School of Earth and Space Exploration and housed in the Bateman Physical Sciences Center. R. S. Dietz Museum of Geology, Arizona State University, School of Earth and Space Exploration, 686 Bateman Physical Sciences Center, Palm Walk and University Dr., PO Box 871404, Tempe, AZ 85287-1404. Phones: 480/965-7065 and 480/965-5081. Fax: 480/965-8102. E-mail: [email protected]. Web site: www.sese.asu.edu/geo_museum. Hours: late Aug.-early May-9-12:30 Mon.-Fri.; closed

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Sat.-Sun. and university holidays and breaks. Admission: free. Wendy Taylor, Assistant Director 480-965-7065 [email protected]

ARIZONA STATE UNIVERSITY Center for Meteorite Studies Museum Tempe, Arizona The world’s largest university-based meteorite collection is located at the Center for Meteorite Studies at Arizona State University in Tempe. The center contains specimens from over 1,600 separate meteorite falls and finds. The collection is actively used for geological, planetary, and space science research at the university and throughout the world. A hands-on display of some of the rare and unusual meteorites is featured at the center’s museum, including some that formed during the formation of the solar system over 4.5 billion years ago. The collection also has such historic meteorites as the Canyon Diablo, the meteorite than formed Arizona, Ensisheim, the second oldest recorded meteorite; and Valera, a meteorite that killed a cow. A video about famous meteorites includes one that was caught on film as it entered the Earth’s atmosphere. Annual attendance is 3,600. Center for Meteorite Studies Museum, Arizona State University, PO Box 872504, Tempe, AZ 85287-2504. Phone: 480/965-6511. Fax: 480/965-4907. E-mail: [email protected]. Web site: www.meteorites.asu.edu. Hours: 9:30-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Carleton B. Moore, Director 480-965-3576 [email protected]

AUGUSTANA COLLEGE (Illinois) Fryxell Geology Museum Rock Island, Illinois The Fryxell Geology Museum at Augustana College in Rock Island, Illinois, has a collection of over 1,500 rock, mineral, and fossil specimens. The collection began in the 1880s and developed into a museum in the 1920s when Dr. Fritiof M. Fryxell, for whom the museum was named in 1968, began developing a geology department and a modest natural history collection for basic geology courses. The museum’s collection now has such fossils as a complete skeleton of a Tylosaurus sea serpent; a 22-foot-long skeleton of a Crylohosaurus, a large crested carnivorous dinosaur; the skulls of Parasaurolophus, Ankylosaurus, Apatosaurus, Allosaurus, and Tyrannosaurus rex dinosaurs; and a 2 billion-year-old fossil. The museum also contains the remains of simple plants and animals and a wide range of minerals

BEREA COLLEGE and rocks from Illinois. The museum is housed in the Swenson Hall of Science.

rock-forming minerals from around the world. The annual attendance is 400.

Fryxell Geology Museum, Augustana College, Swenson Hall of Science, 820 38th St., Rock Island, IL 61201. Phone: 309/794-7318. Hours: Sept.-May-8-4:30 Mon.-Fri., 1-4 Sat.-Sun.; June-Aug.-limited hours: closed university holidays and breaks. Admission: free.

Eleanor Barbour Cook Museum of Geology, Chadron State College, Math and Science Bldg., 1000 Main St., Chadron, NE 69337-2667. Phone: 308/432-6377. Fax: 308/432-6434. E-mail: [email protected]. Web site: www.csc.edu/sci/ebcmuseum. Hours: Sept.-early May-8-4:40 Mon.-Fri., other times by appointment; closed Sat.-Sun., early May-Aug., and major holidays. Admission: free.

William R. Hammer, Director [email protected]

BEREA COLLEGE W. G. Burroughs Geology Museum Berea, Kentucky The W. G. Burroughs Geology Museum at Berea College in Berea, Kentucky has over 2,200 specimens of minerals, rocks, gemstones, fossils, and artifacts in its collection. Selections from the collection are featured in the exhibits, including agates, fluoites, calcites, dolomites, sphalerites, fossils, and rocks; a geode weighing over 200 pounds and very large calcite and quartz specimens; gemstones (including copies of the most famous diamonds in the world); and full-sized replicas of dinosaur heads. The museum also has displays on spelunking and mining. The museum’s exhibits are designed to explain the importance of oil, coal, iron, gemstones, and other such materials in the world. Annual attendance is 2,000. W. G. Burroughs Geology Museum, Berea College, Main St., Berea, KY 40404. Phones: 859/985-3351 and 859/985-7893. Fax: 859/985-3303. E-mail: [email protected]. Web site: www.berea.edu/art/dug/geologymuseum. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and college holidays and breaks. Admission: free. Larry Lipchinski, Curator 859-985-3893 [email protected]

CHADRON STATE COLLEGE Eleanor Barbour Cook Museum of Geology Chadron, Nebraska The Eleanor Barbour Cook Museum of Geology at Chadron State College in Chadron, Nebraska, in 1939 by Eleanor Barbour Cook, the college’s first geology professor, with assistance from her father, E. H. Barbour, a prominent vertebrate paleontologist at the University of Nebraska, and others. She donated specimens from throughout the world and enlisted the support of colleagues to start what was largely a natural history collection. After she retired in 1941, the museum suffered from the lack of supervision and lost much of the original collection. But succeeding faculty members gradually rebuilt the collection along geoscience lines, and it now has a collection and exhibits featuring vertebrate fossils, minerals, rocks, meteorites, agates, and

Mike Leite, Museum Coordinator 308-432-6377 [email protected]

COLORADO SCHOOL OF MINES Colorado School of Mines Geology Museum Golden, Colorado Founded in 1874, the Colorado School of Mines Geology Museum in Golden serves as state repository for Colorado’s mineral heritage. It seeks to inspire scientific curiosity through education and research and to encourage appreciation of the Earth and responsibility for its mineral, fossil, meteorite, and historic mining treasures. The museum has an introductory video on area geology and exhibits on two floors of the General Research Laboratory building. The exhibits feature specimens from many Colorado mining districts and other global sites; prominent precious metals; historic mining murals by Irwin Hoffman; and displays on radioactivity, fossils, basic geology, gemstones, meteorites, ultraviolet minerals, underground mining illumination. It also has an outdoor geologic trail with seven outcrops with various geologic and paleontological points of interest, such as fossilized dinosaur tracks, logs, and leaves. Annual attendance is 30,000. Colorado School of Mines Geology Museum, General Research Laboratory Bldg., 1310 Maple St., Golden, CO 80401. Phones: 303/273-3815 and 303/273-3823. Fax: 303/273-3244. E-mail: [email protected]. Web site: www.mines.edu/geology_museum. Hours: 9-4 Mon.-Sat., 1-4 Sun.; closed school and certain other holidays. Admission: free. Bruce Geller, Director 303-273-3823 [email protected]

EASTERN NEW MEXICO UNIVERSITY Miles Mineral Museum Portales, New Mexico The Miles Mineral Museum at Eastern New Mexico University in Portales resulted from the purchase of approximately 2,500 geological, archaeological, and anthropological specimens from Fred and Gladys Miles of Roswell in 1966. Mr. and Mrs. Miles had assembled their collection over 40 years of exploring along the Pecos River. The Miles Mineral Museum opened in Lea Hall in 1969, and the collection has

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Geology & Mineralogy Museums been enlarged and moved to Roosevelt Hall since then. The annual attendance is 3,600.

geology, dean emeritus, and one of the first faculty members at the university, serving from 1946 to 1995.

Miles Mineral Museum, Eastern New Mexico University, Roosevelt Hall, Station 33, Portales, NM 88130. Phones: 575/562-2651 and 575/562-2174. Fax: 575/562-2192. E-mail: [email protected]. Web site: www.enmu.edu/services/museums/miles-mineral. Hours: 8-5 Mon.-Fri., Sat. by appointment; closed Sat.-Sun. and university holidays. Admission: free.

Kemp Mineral Resources Museum, Lake Superior State University, Dept. of Geology, 650 W. Easterday Ave., Sault Ste. Marie, MI 49783-1656. E-mail: [email protected]. Web site: www.lssu.edu. Hours: varies. Admission: free. David M. Knowles, Curator [email protected]

Jim Constantopoulos, Director & Curator 575-562-2651

LUTHER COLLEGE Geology Collection

HARVARD UNIVERSITY Decorah, Iowa Mineralogical Museum at Harvard University The Geology Collection at Luther College in Decorah, Iowa, Cambridge, Massachusetts

The Mineralogical Museum at Harvard University in Cambridge, Massachusetts, has a vast geological collection that has been assembled since 1784. The museum, now part of the Department of Earth and Planetary Sciences, resulted from the 1977 merger of the Mineralogical Museum and the Geological Museum, which originally were separate. The collection includes over 50,000 minerals known for their broad representation, wealth of rare species, and large number of specimens described in scientific literature. The collection also has about 1,500 specimens of meteorites and thousands of rocks that fall into four categories-igneous and metamorphic (hard or crystalline) rocks, sedimentary (soft) rocks, and ores. The collection specimens are the result of research and teaching in such fields of geology as mineralogy, petrology, and mining geology. Some other types of geological specimens-such as plant and animal fossils-are now part of Harvard’s Botanical Museum and Museum of Comparative Zoology (see separate listings). The Mineralogical Museum is located on the third floor of the Harvard Museum of Natural History building. Mineralogical Museum, Harvard University, 26 Oxford St. Cambridge, MA 02138. Phone: 617/495-3045. Fax: 617/496-8206. Web site: www,fas.harvard.edu/~geomus, Hours: 9-5 daily; closed New Year’s Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $9; seniors and non-Harvard students, $7; children 3-18, $6; children under 3, free (also covers admission to Harvard Museum of Natural History and adjacent Peabody Museum of Archaeology and Ethnology). Carl Francis, Curator 617-495-4758 [email protected]

LAKE SUPERIOR STATE UNIVERSITY Kemp Mineral Resources Museum Sault Ste. Marie, Michigan The Kemp Mineral Resources Museum opened in 2007 at Lake Superior State University in Sault Ste. Marie, Michigan. The museum, which contains rock and mineral specimens, is named for the late C. Ernest Kemp, professor of

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consists of several thousand rock, mineral, and fossil specimens. The core of the collection, which originally was part of the Norwegian-American Museum, was returned to the college in 1972. Other rocks, minerals, and fossils in the museum collection were donated. Geology Collection, Luther College, 700 College Dr., Decorah, IA 52101-1045. Phone: 563/387-1781. E-mail: [email protected]. Web site: www.luther.edu/collections/geology. Hours: by appointment. Admission: free. Laura Peterson, Assistant Professor of Environmental Studies 563-387-1781

MARSHALL UNIVERSITY Geology Museum Huntington, West Virginia The Geology Museum at Marshall University in Huntington, West Virginia, contains a collection and displays of minerals, rocks, and fossils. Geology Museum, Marshall University, 1 John Marshall Dr., Huntington, WV 25755 (postal address: Dept. of Geology, 176 Science Bldg., Huntington, WV 25755). Phone 304/696-6720. Fax: 304/696-3243. Web site: www.museumsofwv.org. Hours: 8-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. William L. Neimann, Chair, Marshall University Geology Department 304-696-6721 [email protected]

MIAMI DADE COLLEGE Earth Science Museum and Demonstration Center Miami, Florida The Earth Science Museum and Demonstration Center on the Kendall Campus of Miami Dade College in Miami, Florida, has a collection of 10,000 rocks, minerals, fossils, bones, and other geological specimens from around the world. Among the exhibits are historical and pre-historical archaeological artifacts from south Florida, meteorological

MICHIGAN TECHNOLOGICAL UNIVERSITY stations, an extensive map collection, and oceanographic MISSISSIPPI STATE UNIVERSITY equipment displays. The exhibits contain such diverse objects as soil and sand samples, rocks, minerals, marine fosDunn-Seiler Museum sils, skulls, precious stones, pottery, turtle bones, and animal Mississippi State University, Mississippi jaws. The Dunn-Seiler Museum at Mississippi State University in The museum also has two 225-gallon tanks for fresh and salt Starkville contains information about rocks from Earth and outer space, plate-tectronics, dinosaurs, and geology of the water environments, and can provide hands-on demonstraSoutheast. Founded in 1947, the museum has a collection of tions for groups upon request. About 80 percent of the colMesozonic and Cenozonic paleontology, Upper Cretaceous lection came from travels by the late Loren D. Wicks, lepadomorph barnacles, mineral specimens, and geology. professor of geology who initiated the museum. Among its recent additions are a Fossil Wall sculpture and a Earth Science Museum and Demonstration Center, Miami replica of the three-horned Triceratops dinosaur. The muDade College, Kendall Campus, Chemistry/Physics/Earth seum is housed in Hilbun Hall. Annual attendance is 1,000. Science Dept., 11011 S.W. 104th St., Miami, FL 33176. Dunn-Seiler Museum, Mississippi State University, Dept. of Phone: 305/237-2770. Web site: www.mdc.edu/kendGeosciences, Hilbun Hall, PO Box 5448, Mississippi State all/chmhy/museum.asp. Hours: 9-3 Mon.-Fri.; closed University, MS 39762-5448, E-mail: Sat.-Sun. and college holidays. Admission: free. [email protected]. Web site: John Steger, Chair, Miami-Dade College Kendall Campus Dept. of www.msstate.edu/dept/geoscinces//museum.htm. Hours: 8-5 Chemistry & Physics 305-237-2609 Mon.-Fri.; closed Sat.-Sun. and university holidays and [email protected] breaks. Admission: free. Renee Clary, Director

MICHIGAN TECHNOLOGICAL UNIVERSITY A. E. Seaman Mineral Museum Houghton, Michigan The A. E. Seaman Mineral Museum at Michigan Technological University in Houghton has more than 30,000 specimens, including what is considered the best collection of crystallized native copper and native copper in crystallized calcite. The museum displays approximately 8,000 minerals. Among the exhibited specimens are celestite and native sulfur, native silver, datolite, Lake Superior agates, chlorastrolite, and minerals from around the world. The Museum’s collection began in 1886 when the university was established as the Michigan Mining School. The mineralogical museum was founded in 1902. It is named for Professor Arthur Edmund Seaman, who developed much of the early collection and served as curator of the museum in 1928-37 after his active teaching retirement. The museum moved into a new building in 2011 after 35 years in the Electrical Energy Resources Center The annual attendance 16,000. A. E. Seaman Mineral Museum, Michigan Technological University, 1404 Sharon Ave., Houghton, MI 49931-1295. Phone: 906/487-2572. Fax: 906/487-3027. E-mail: [email protected]. Web site: www.museum.mtu.edu. Hours: 10-5 Mon.-Fri., also some Sat.; closed Sun. and university and national holidays. Admission: free. Theodore J. Bornhorst, Director [email protected]

MISSOURI UNIVERSITY OF SCIENCE AND TECHNOLOGY Mineral Museum Rolla, Missouri The Mineral Museum at the Missouri University of Science and Technology has over 3,500 mineral specimens in its collection-many of which came from the 1904 St. Louis World’s Fair when the collection began. It also contains other minerals and meteorites. The collection is displayed in cases in the hallways of McNutt Hall, which also houses the Department of Geological Science and Engineering. Mineral Museum, Missouri University of Science and Technology, Dept. of Geological Science and Engineering, 129 McNutt Hall, 1400 N. Bishop Ave., Rolla, MO 65409. Phone: 573-341-4679. Hours: 8-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Robert Laudon, Chair, MUS&T Department of Geological Sciences & Engineering 573-341-4466 [email protected]

MONTANA TECH OF THE UNIVERSITY OF MONTANA Mineral Museum Butte, Montana The Mineral Museum at Montana Tech of the University of Montana in Butte, once the site of the largest cooper mining operations in the world, displays 1,300 specimens from the extensive collection of minerals of the Montana Bureau of Mines and Geology. The exhibits include the Highland Centennial Gold Nugget weighing 27.5 troy ounces, the largest gold nugget found in Montana; the Rheanna Star, a smoky

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Geology & Mineralogy Museums quartz over 2 feet in diameter; fluorescent minerals; rocks and sapphires from Montana mines; uncut rubies and sapphires from around the world; large minerals that can be touched, including a giant 397-pound smoky quartz crystal; and a seismograph instrument that makes real time data recordings of earthquake activity from the state’s seismic network. Founded in 1900, the museum now has 11,000 visitors a year.

precious gems from the Spanish conquistadors days, known as Coronado’s Treasure Chest. The museum also displays mining memorabilia, fossils, and an ultraviolet mineral exhibit. Annual attendance is over 13,000. New Mexico Bureau of Geology Mineral Museum, New Mexico Institute of Mining and Technology, 801 Leroy Pl., Socorro, NM 87801-4681. Phones: 505/835-5140 and 505/833-5420. Fax: 505/835-6333. E-mail: vwlueth@ nmt.edu. Web site: www.geoinfo.nmt.edu/museum. Hours: 8-5 Mon.-Fri., 10-3 Sat.-Sun.; other times by appointment; closed state holidays. Admission: free.

Mineral Museum, Montana Tech of the University of Montana/Montana Bureau of Mines and Geology, 1300 W. Park St., Butte, MT 59701-8932. Phones: 406/496-4414 and 406/496-4152. Fax: 406/496-4451. E-mail: [email protected]. Web site: www.mbmg.mtech.edu. Hours: Virgil W. Lueth, Curator 575-835-5140 [email protected] mid-Sept.-mid-June-9-4 Mon.-Fri.; closed Sat.-Sun. and major holidays; mid-June-mid-Sept.-9-5 daily. Admission: free. Richard B. Berg, Curator 406-496-4172

MOTT COMMUNITY COLLEGE Chester H. Wilson Geology Museum Flint, Michigan The Chester H. Wilson Geology Museum at Mott Community College in Flint, Michigan, displays mineral, rock, and fossil specimens in 64 exhibit cases in the Gorman Science Center. They include such objects as a hairy rock, a Maiasaur skeleton, and a mammoth skull and tusks from a Michigan dig. The museum began with a few hallway displays in 1959. In 1991, it was renamed for Chester H. Wilson, who became director in 1969 and greatly expanded the offerings. It now is closed with no date set for reopening. Chester H Wilson Geology Museum, Mott Community College, G12116 Gorman Science Center, 1401 E. Court St., Flint, MI 48503. Phone: 810/232-9312. Web site: www.mcc.edu/3_academics/museum. Hours: closed indefinitely. Sheila Swyrtek, Director 810-232-9312

NORTHWEST MISSOURI STATE UNIVERSITY Geoscience Museum Maryville, Missouri The Geoscience Museum at Northwest Missouri State University in Maryville features geological specimens, meteorites, and a full-scale reproductrion of a fossilized Tyrannosaurus rex skull on the first floor of the Garrett Strong Science Building. Geoscience Museum, Northwest Missouri State University, Dept. of Geology and Geography, Garrett Strong Science Bldg., 1st Floor, Maryville, MO 64468. Phone: 660/562-1723. Web site: www.nwmissouri.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Renee Roha, Chair, NMSU Department of Geology/Geography 660-562-1719 [email protected]

OHIO STATE UNIVERSITY Orton Geological Museum Columbus, Ohio

NEW MEXICO INSITUTE OF MINING AND TECHNOLOGY New Mexico Bureau of Geology Mineral Museum Socorro, New Mexico The New Mexico Bureau of Geology Mineral Museum at the New Mexico Institute of Mining and Technology (which goes by New Mexico Tech) in Socorro has had two lives. It originated as what was then the New Mexico School of Mines in 1889 to help in the education of engineers and geologists. It was one of the finest mineral museums in the world at the time, winning gold medals at two international expositions. But all was lost in a 1928 fire. The present state geology bureau museum was established through donations and purchases in 1935 and its collection has grown to over 15,000 mineral specimens from throughout the state, the Southwest, and around the world. It includes one of the greatest treasure troves in the region-gold, silver, and

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The Orton Geological Museum, founded in 1892 at Ohio State University in Columbus, has been located in historic Orton Hall on the main campus since the building was completed 1893. The museum is named for Edward Orton, Sr., a professor of geology and first president of the university. Orton Hall also houses the Orton Memorial Library of Geology, one of the largest geological libraries in the nation. The museum’s exhibits include such displays as fluorescent minerals, crystals, fossils, and a meteorite that fell in Ohio. Among the fossils are a skeleton of a giant ground sloth, teeth from a mastodon and mammoth, and a replica of a Tyrannosaurus rex dinosaur. Annual attendance is 10,000. Orton Geological Museum, Ohio State University, Orton Hall, 155 S. Oval Mall, Columbus, OH 43210-1308. Phone: 614/292-6896. Fax: 614/292-1496. E-mail: [email protected]. Web site: library.osu.edu/sites/

PENNSYLVANIA STATE UNIVERSITY geology/museum. Hours: 9-5 Mon.-Fri., other times by appointment; closed Sat.-Sun. and university holidays. Admission: free.

mankind. The museum, opened in 2006 in Curie Hall, is a component of the Department of Geology in the School of Environment and Physical Sciences.

Dale M. Gnidovec, Curator, Orton Geological Museum 614-292-6896 [email protected]

Museum of the Earth Sciences, Radford University, 143 Curie Hall, Radford, VA 24142 (postal address: Dept. of Geology, 101 Reed Hall, Campus Box 6939, Radford, VA 24142). Phone: 540/831-5257. Web site: php.radford.edu/~mes/index.php. Hours: Jan.-Apr. and Oct.-Nov.-11-2 Mon. and Wed., 2-5 Tues. and Thurs., 10-12 1st and 3rd Sat. of each month; May-Aug.-by appointment; closed Fri.-Sun., Sept., Dec., and university holidays and breaks. Admission: free.

PENNSYLVANIA STATE UNIVERSITY Earth and Mineral Sciences Museum and Art Gallery University Park, Pennsylvania The Earth and Mineral Sciences Museum and Art Gallery at Pennsylvania State University in University Park (State College) has a collection of more than 22,000 rock, mineral, and fossil specimens, as well as glasses, ceramics, metals, plastics, synthetic materials, old mining and scientific equipment, and archaeological artifacts. The museum/gallery was started in 1930 by Dean Edward Steidle, who wanted to further understanding of the mining and metallurgical fields and change the image of the School of Mines and Metallurgy. He personally collected many of the artworks related to the mining and related industries on display in an effort to make the school more of a cultural center. The museum/gallery now has the most extensive collection of mining-related paintings and sculpture and the world’s most extensive exhibits on mineral properties. The exhibits are largely push-button electro-mechanical displays that demonstrate the electrical, optical, and physical properties of minerals and materials such as fluorescence, radioactivity, magnetism, conductivity, flexibility, triboluminescence, piezoelectricity, double refraction, and resistivity. Among the other displays are more than 100 mine safety lamps and the scientific instruments and specimens belonging to Frederick Augustus Genth, the famous mineralogist. The museum, housed in the Deike Building, has an annual attendance of 8,000. Earth and Mineral Sciences Museum and Art Gallery, Pennsylvania State University, 16 Deike Bldg., 19 Deike Burrows Rd., University Park, PA 16802-5000 (postal address: 207 Deike Bldg., University Park, PA 16802-5000). Phone: 814/865-6336. Fax: 814/863-7708. E-mail: [email protected]. Web site: www.ems.psu.edu/museum. Hours: 9:30-5 Mon.-Fri.; closed Sat.-Sun., legal holidays, and between Christmas and New Year’s Day. Admission: free. Russ Graham, Director for Exhibits & Senior Research Associate of Collections [email protected]

RADFORD UNIVERSITY Museum of the Earth Sciences Radford, Virginia The Museum of the Earth Sciences at Radford University in Radford, Virginia, seeks to foster an appreciation of the Earth; its past, present, and future; and its interaction with

Stephen Lenhart, Executive Director & Curator

SOUTH DAKOTA SCHOOL OF MINES AND TECHNOLOGY Museum of Geology Rapid City, South Dakota The Museum of Geology at the South Dakota School of Mines and Technology in Rapid City has been collecting, studying, and exhibiting minerals, rocks, and fossils since 1885. The museum, located in the O’Harra Building features skeletons of dinosaurs, mammals, marine reptiles, and fish; rare fossils arranged in age specific dioramas; South Dakota minerals, meteorites, and gold; fluorescent mineral room; and specimens from as far away as Antartica. The museum’s extensive collection, formerly at the museum, is now located in the new $8 million Paleontology Research Center building, which has large windows showing paleontological and geological laboratory work and educational displays. The annual museum attendance is 23,000. Museum of Geology, South Dakota School of Mines and Technology, 501 St. Joseph St., Rapid City, SD 57701. Phone: 605/394-2467. Fax: 605/394-6131. E-mail: [email protected]. Web site: www.museum.sdsmt.edu. Hours: early Sept.-late May-9-4 Mon.-Fri., 10-4 Sat.; closed Sun. and major holidays; Memorial Day-Labor Day-9-5 Mon.-Fri., 9-6 Sat., 12-5 Sun.; open holidays. Admission: free. Sally Shelton, Interim Director/Collections Manager

STETSON UNIVERSITY Gillespie Museum De Land, Florida The Gillespie Museum at Stetson University in De Land, Florida, is an earth science museum and center for environmental education formerly called the Gillespie Museum of Minerals. It was established in 1958 with the donation of a large collection of minerals from T. B. and Nellie Gillespie. The museum now has a collection of over 20,000 mineral, rock, and fossil specimens. It covers such subjects as geology, native Florida ecosystems and plant landscapes, minerals and mining, and fluorescent rocks. The museum is located adjacent to the Rinker Environmental Learning

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Geology & Mineralogy Museums Center, which provides opportunities for community garden- exhibits, the museum features a rock garden outside the ing, environmental programming, and outdoor activities. building with rocks from many parts of the world. The museum’s annual attendance is 5,000. Fiedler Memorial Museum, Texas Lutheran University, Gillespie Museum, Stetson University, 234 E. Michigan Langner Hall, Seguin, TX 78155. Phone: 830/372-8038. Ave., De Land, FL 32724-3539 (postal address: 421 N. Fax: 830/372-8188. Web site: www.txlutheran.edu. Hours: Woodland Blvd., Unit 8403, De Land, FL 32723). Phone: 1-5 Mon.-Fri., other times by appointment; closed Sat.-Sun. 386/822-7330. Fax: 386/822-7328. E-mail: gillespie@stetand university holidays and breaks. Admission: free. son.edu. Web site: www.gillespiemuseum.stetson.edu. Hours: 10-4 Tues.-Fri.; closed Sat.-Mon. and university and Edward Thompson III, Provost, Texas Lutheran University 830-372-8002 national holidays. Admission: adults, $2; seniors and [email protected] dren under 15, $1. Bruce Bradford, Curator and SU Dept. of Geography & Environmental Science Chair

TEXAS CHRISTIAN UNIVERSITY Oscar E. Monnig Meteorite Gallery Fort Worth, Texas Businessman Oscar E. Monnig became an avid meteorite collector and amassed a large collection of approximately 3,000 specimens from 400 different meteorites that he donated to Texas Christian University in Fort Worth between 1977 and 1987. Monnig began collecting meteorites in the 1930s and when he died in 1999, he left the meteorites and funds for maintaining the collection to the university’s Department of Geology. In 2003, the Oscar F. Monnig Meteorite Gallery opened in the Sid Richardson Science Building on the TCU campus. The collection has continued to expand and now has over 1,450 meteorites. In addition to displaying many of the meteorites, the exhibits show visitors how to identify a meteorite, have a hands-on experience with different types of meteorites, and create their own terrestrial impact craters.

UNIVERSITY OF ARIZONA University of Arizona Mineral Museum Tucson, Arizona The University of Arizona Mineral Museum in Tucson officially was established in 1919, but a portion of its mineral collection goes back to 1892 when it was the core of the Territorial Museum. The museum, which occupies the lower level of the UA: Science: Flandrau complex, now has a collection of more than 19,000 mineral specimens in the main collection and over 7,000 in the micromount collection. The collection represents 1,561 different species. The museum displays over 2,000 minerals in 10 major exhibits, including minerals from Guanajuato Mexico, and such Arizona localities as Bisbee, Ajo, Morenci, Ray, and Tiger. It also has meteorites from throughout the world.

University of Arizona Mineral Museum, UA Science: llandrau, 1601 E. University Blvd., PO Box 210091, Tucson, AZ 85719-0091. Phone: 520/621-4227. Fax: 520/621-8451. E-mail: [email protected]. Web site: www.uamineralmuseum.org. Hours: 10-3 Mon.-Thurs., Oscar E. Monnig Meteorite Gallery, Texas Christian Univer- 10-9 Fri.-Sat., 12-5 Sun.; closed major holidays. Admission sity, Sid Richardson Science Bldg., 2950 W. Bowie St., Fort (includes Flandrau Planetarium show): adults, $7.50; children 4-15, $5; children under 4, free. Worth, TX 76109 (postal address: PO Box 298830, Fort Worth, TX 76129). Phone: 817/257-6277. Fax: Mark Candee, Assistant Curator 520-621-4227 817/257-7789. E-mail: [email protected]. Web site: www.monnigmuseum.tcu.edu. Hours: 1-4 Tues.-Fri., 9-4 Sat.; closed Sun.-Mon. and university holidays. Admission: UNIVERSITY OF CINCINNATI free. Theresa Moss, Director ÿ[email protected]

TEXAS LUTHERAN UNIVERSITY Fiedler Memorial Museum Seguin, Texas The Fiedler Memorial Museum at Texas Lutheran University in Seguin was founded in 1973 following a collection gift from A. M. Fiedler and his daughter, Evelyn Fiedler Streng, during the remodeling of the Langner Hall classroom building. Mrs. Streng, who is now professor emeritus, has served as director of the geology museum since the founding. The museum has a collection of rocks, minerals, and fossils; New Guinea and Native American artifacts; and geological and geographical slides. In addition to collection

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Durrell Museum Cincinnati, Ohio The Durrell Museum at the University of Cincinnati in Ohio has a collection and exhibits dating back as far as 440 million years. The museum, founded in 1907 as the University of Cincinnati Geology Museum, is best known for its fossil collection from the Ordovician strata in the region, but it also has specimens from other areas. Among the exhibit are a 20-foot skeleton of an 85-million-year-old extinct mosasaur reptile excavated in Kansas, a rare sea scorpion fossil, and a massive limestone layer embedded with fossils of extinct organisms from the sea floor that dates back 440 million years. Durrell Museum, University of Cincinnati, Dept. of Geology, 345 College Court, Cincinnati, OH 45221. Phones: 513/556-4530 and 513/556-3732. Fax: 513/556-6931. Web

UNIVERSITY OF DELAWARE site: www.artsci.uc.edu/geology. Hours: by appointment. Admission: free.

www.mines.unr.edu/museum. Hours: 9-4 Mon.-Fri.; closed sat.-Sun. and university holidays. Admission: free.

Lewis Owen, Head of the Geology Department, U of C

Rachel Dolbier, Administrator [email protected]

UNIVERSITY OF DELAWARE University of Delaware Mineralogical Museum

UNIVERSITY OF NEW MEXICO Geology Museum

Newark, New Jersey

Albuquerque, New Mexico

The University of Delaware Mineralogical Museum in Newark originated in 1964 with the collection of industrialist Irenee du Pont, Sr., who began the collection in 1919 and continued to add to the collection in the ensuing years. Upon his death, du Pont specified that the collection should go to the university as an educational aid. The collection continues to grow in size and quality with the annual support of du Pont’s niece, Mrs. David S. Craven, and others. A grant from the Crystal Trust enabled the university to move the collection from the University Library to a new facility in Penny Hall in the 1970s. The museum recently has been renovated and reinstalled with the minerals being displayed as natural works of art and as illustrations of mineralological concepts. The museum is administered as part of the University Museums system at the university. Annual attendance is 6,000.

The Geology Museum at the University of New Mexico in Albuquerque was established in the 1930s by Stuart Northrop, for whom the Department of Earth and Planetary Sciences building is named. It displays selections from the department’s collection of nearly 20,000 catalogued mineral, fossil, and rock specimens. Geology Museum, University of New Mexico, Dept. of Earth and Planetary Sciences Bldg., 124 Northrup Hall, Albuquerque, NM 87131. Phone: 505/277-4204. E-mail: [email protected]. Web site: epswww.unm.edu/museum. Hours: 7:30-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Adrian Brearley, Chair, UNM Department of Earth and Planetary Sciences [email protected]

University of Delaware Mineralogical Museum, Penny Hall, %University Museums, 209 Mechanical Hall, Newark, NJ UNIVERSITY OF NEW MEXICO 19716. Phone: 302/831-8037. Fax: 302/831-8057. E-mail: Meteorite Museum [email protected]. Web site: www.udel.edu/museums. Hours: 12-4 Tues.-Thurs., 1-4 Sat.-Sun.; closed Mon., Fri., and uni- Albuquerque, New Mexico versity holidays. Admission: free. The Meteorite Museum at the University of New Mexico in Albuquerque houses many of the meteorites from the InstiJanis A. Tomlinson, Director, UD Museums tute of Meteorites’ collection of over 600 different [email protected] ites. The institute was one the first institutions in the world to study meteorites. Theme of the exhibits is “Looking at the Solar System through a Microscope.” The displays show UNIVERSITY OF NEVADA, RENO how scientists learn about asteroids, comets, the Moon, and Mars by studying samples that have fallen from space and W. M. Keck Museum that have been collected by spacecraft missions. Among the Reno, Nevada exhibit highlights is a 1-ton piece of a stony meteorite that The W. M. Keck Museum at the University of Nevada in Reno houses a collection of minerals, ores, fossil specimens, fell in Kansas in 1948. Founded in 1944, the museum is part of the Department of Earth and Planetary Sciences in the photographs, and mining related relics. The emphasis is on Northrop Hall and has an annual attendance of 2,500. early Nevada mining history with samples from such famous mineral districts as the Comstock Lode, Tonopah, and Goldfield. The museum also houses some of the exceptional Mackay Silver Collection, created by Tiffany & Co. in 1878 for John Mackay, for whom the Mackay School of Earth Science and Mineral Engineering was named. The museum originally was founded as the Mackay School of Mines Museum in 1908 and renamed for the W. M. Keck Foundation for its support of the building’s renovation in 1988. W. M. Keck Museum, University of Nevada, Reno, Mackay School of Earth Science and Mineral Engineering,, Mail Stop 168, Reno. NV 89557. Phone: 775/784-4528. Fax: 775/784-1766. E-mail: rdolbier@unr,edu. Web site:

Meteorite Museum, University of New Mexico, Institute of Meteorites, 200 Yale Blvd., N.E., MSCO3, Albuquerque, NM 87131. Phone: 505/277-2747. Fax: 505/277-3577. Web site: epswww.unm.rdu/iom. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Carl B. Agee, Meteorite Curator

UNIVERSITY OF VERMONT Perkins Geology Museum Burlington, Vermont The Perkins Geology Museum at the University of Vermont in Burlington has geological artifacts, rocks, fossils, and

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Geology & Mineralogy Museums hands-on exhibits. Among the displays are dinosaur footprints, a Triceratops skull, and a collection of rocks and minerals from Vermont. Hands-on activities include digging for dinosaurs and identifying rock types. The museum is housed in Delehany Hall on the Trinity Campus. Perkins Geology Museum, University of Vermont, Delehanty Hall, Trinity Campus, 180 Colchester Ave., Burlington, VT 05405-1758. Phone: 802/656-8694. Web site: www.uvm.edu/perkins. Hours: Sept.-May, 9-6 Mon.-Fri., Sat.-Sun.; June-Aug. - varies; closed major holidays. Admission: free. Andrea Lini, Chair, UVM Dept. of Geology 802-656-0245 [email protected]

UNIVERSITY OF WISCONSIN-FOX VALLEY Weis Earth Science Museum Menasha, Wisconsin The Weis Earth Science Museum at the University of Wisconsin-Fox Valley in Menasha is the official state mineralogy museum. The 5,500-square-foot museum, which opened in 2002, has an extensive collection and exhibits of minerals, rocks, and fossils. The permanent exhibits include numerous mineral, dinosaur, and interactive exhibits. Visitors can see a wide range of minerals and how they are used, walk through a lead mine tunnel and a Dinosaur Den, see a complete Psittacosaurus with stones in its gizzard, and engage in such hands-on exhibits as moving continents, creating an earthquake, making it rain, and initiating a quarry blast. The museum also presents changing exhibitions in the geological and paleontological fields.

plaster plaques that still are mounted on the walls of the museum. Today, the Geology Museum has thousands of objects in its collection, including minerals, rocks, fossils, and other geological, mineralogical, and paleontologial specimens. About two-thirds of the museum is devoted to such specimens as invertebrate, vertebrate, plant, and trace fossils; jellyfish impressions; cephalopod shells; beetles from the LaBrea tar pits, and a shark found with turtle remains in its stomach. Over 1,000 items are on display, including sea creatures from the Niobrara Formation of Kansas, invertebrate soft-bodied fauna from the Burgess Shale of Canada, meteorites, fluorescent minerals, and dinosaur and Ice Age mammal skeletons. One of the most popular displays is the huge mastodon skeleton found in 1897 near Boaz, Wiscon Geology Museum, University of Wisconsin-Madison, Dept. of Geology and Geophysics, Science Hall, 1215 W. Dayton St., Madison, WI 53706. Phones: 608/262-2399 and 608/262/2399. Web site: www.geology.wisc.edu/~museum. Hours: 8:30-4:30 Mon.-Fri., 9-1 Sat.; closed Sun. and university holidays. Admission: free. Richard Slaughter, Director 608-262-1412 [email protected]

UNIVERSITY OF WISCONSIN-MILWAUKEE Thomas A. Greene Memorial Museum Milwaukee, Wisconsin

The Thomas A. Greene Memorial Museum at the University of Wisconsin-Milwaukee houses the highly regarded collection of minerals and fossils of the businessman and amateur geologist. The collection originally was donated to Downer College, now part of the state university’s Milwaukee Weis Earth Science Museum, University of Wisconsin-Fox branch, and located in a house built by Greene’s heirs in Valley, 1478 Midway Rd., Menasha, WI 54952. Phone: 1913. The house has been designted is a National Historic 920/832-2925. E-mail: [email protected]. Landmark, and the collection has been moved to Lapham Hours: 12-4 Mon.-Thurs., 12-7 Fri., 10-5 sat., 1-5 Sun.; Hall on the university campus. The collection contains closed university and national holidays. Admission: adults, nearly all of the minerals described in Dana’s Mineralogy $2; seniors and children 13-17, $1.50; children 3-12, $1; UW-Fox Valley students, faculty, staff, and children under 3, and has a paleontology collection of approximately 75,000 fossils, which are especially rich in forms found in the Niagfree. ara and Hamilton rocks of southeastern Wisconsin. Joanna Kluessendorf, Director

UNIVERSITY OF WISCONSIN-MADISON Geology Museum

Thomas A. Greene Memorial Museum, University of Wisconsin-Milwaukee, Dept. of Geosciences, 3209 N. Maryland Ave., Milwaukee, WI 53211. Phone: 414/229-6171. Hours: by appointment; closed university holidays. Admission: free.

Madison, Wisconsin

Stephen Q. Dornbos, Curator

The Geology Museum at the University of Wisconsin in Madison began in 1877 in the original Science Hall building, which was destroyed in a fire in 1884. It lost a significant portion of its collection, but then became part of the new Science Hall in 1886. It was not until 1929, however, that the first full-time curator, Gilbert Rassch, was appointed. He reorganized and modernized the museum, and greatly expanded its collection. He also erected two miniature models of mastodons, mammoths, and dinosaurs on

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UNIVERSITY OF WYOMING University of Wyoming Geological Museum Laramie, Wyoming The University of Wyoming Geological Museum in Laramie traces its founding to the opening of the museum in 1887 when a small natural history museum was part of the first

VIRGINIA POLYTECHNIC INSTITUTE AND STATE UNIVERSITY campus building. It then experienced several name and location changes and expansion of its collection and exhibits before moving into its present home in the S. H. Knight Geology Building in 1956. But the museum was closed and almost died in 2009 because of state financial difficulties. The museum reopened later that year after a retired professor of geology and his wife, Dr. Brainard and Anne Mears, made a $570,000 gift that was matched by the state legislature and other contributions followed. The museum’s exhibits feature many of the dinosaur fossils in its collection, including the skeletons of a huge Apatosaurus and a horned dinosaur, the first dinosaur found in Wyoming in 1872. Among the other exhibits are rocks, minerals, and invertebrate fossils, such as Saurolophus and Lambeosaurus duck-billed dinosaurs, a juvenile Maiasaurus skeleton, and an exhibit on dinosaur nests and eggs. University of Wyoming Geological Museum, Dept. of Geology and Geophysics, S. H. Knight Geology Bldg., Dept. 3006, 1000 E. University Ave., Laramie, WY 82071-2000. Phone: 307/766-2646. Fax: 307/766-6679. Web site: www.uwyo.edu/geomuseum. Hours: 10-4 Tues.-Fri., 10-3 Sat.-Sun.; closed Mon. and university holidays. Admission: free. Art Snoke, Head of the UW Dept of Geology and Geophysics [email protected]

VIRGINIA POLYTECHNIC INSTITUTE AND STATE UNIVERSITY Museum of Geosciences Blacksburg, Virginia The Museum of Geosciences at Virginia Polytechnic Institute and State University (known as Virginia Tech) in Blacksburg has a collection and exhibits in geology, mineralogy, paleontology, and related fields. The museum, founded in 1969, features a worldwide collection of over 13,000 specimens. The principal holdings are gemstones, minerals, pateontological specimens, and minerals from Australia and Namibia. The 2,500-square-foot gallery contains displays of gems and minerals, and has a full-scale model of an Allosaurus dinosaur found in Utah. Annual attendance is 6,000. Museum of Geosciences, Virginia Polytechnic Institute and State University, Dept. of Geosciences, 2062 Derring Hall, Blacksburg, VA 24061. Phone: 540/231-6894. Fax: 540/231-3386. E-mail: [email protected]. Web site: www.outreach.geos.vt.edu/museum. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Robert J. Tracy, Director 540-231-5980 [email protected]

WASHINGTON STATE UNIVERSITY Geology Museum Pullman, Washington The Geology Museum at Washington State University in Pullman consists of three display areas in different locations in the Webster Physical Sciences Building. They feature the Lyle and Lela Jacklin collection of petrified wood and minerals, S. Elroy McCaw display of fluorescent minerals, and Harold E. Culver Study Memorial rock and mineral specimens. The museum is part of the School of Earth and Environmental Sciences. Geology Museum, Washington State University, School of Earth and Environmental Sciences, Webster Physical Sciences Bldg., Pullman, WA 99164. Phone: 509/335-3009. Web site: www.sees.wsu.edu/museums/index/hlml. Hours: Sept.-May-5-8 Mon.-Fri., closed Sat.-Sun. and university holidays; June-Aug.-7:30-4 Mon.-Fri.; closed Sat.-Sun. and Independence Day. Admission: free. Stephen Bollins, Interim Director, UW School of Earth & Environmental Sciences 360-546-9116 [email protected]

WEST CHESTER UNIVERSITY West Chester University Geology Museum West Chester, Pennsylvania The West Chester University Geology Museum in West Chester, Pennsylvania, contains a variety of displays of minerals, rocks, and fossils in Schmucker Science Center. They include minerals from around the world from the collections of William Yocom and Ruth Bass; specimens from Chester County, other countries, and the nineteenth-century from the collection of the late local geologist Hugh McKinstry; and fluorescent specimens from the collection of John Stolar, Sr. Other exhibits include fossils, geology of the county, and labels written by noted collectors and mineralogists. West Chester University Geology Museum, 145 Schmucker Science Center, West Chester, PA 19380. Phone: 610/436-2727. Hours: by appointment. Admission: free. Marc Gagn‚, Chair, WCU Department of Geology and Astronomy

WEST VIRGINIA UNIVERSITY Royce J. and Caroline B. Watts Museum Morgantown, West Virginia The Comer Museum, a museum of coal, oil, and natural gas opened in 1986 at West Virginia University in Morgantown, is now the Royce J. and Caroline B. Watts Museum. It was renamed in 2005 for the associate dean of administration and his wife, a retired teacher, for their contributions to the university and the state. The museum has a collection of over 3,000 objects, primarily mining and drilling artifacts such as flame safety lamps, gas detection devices, canary cages, and models of oil derricks. It also contains rare minerals, petroleum products, archival documents, and historic

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Geology & Mineralogy Museums photographs. Many of the collection materials, as well as special exhibitions related to the energy field, are displayed in the museum’s gallery in the Mineral Resources Building on the university’s Evansdale Campus. Annual attendance is 2,000. Royce J. and Caroline B. Watts Museum, West Virginia University, 377 Mineral Resources Bldg., 395 Evansdale Dr., PO Box 6070, Morgantown, WV 26506-6070. Phone: 304/293-5695, Ext. 2102. Fax: 304/293-5708. Web site: www.cemr.wvu.edu/~wattsmuseum. Hours: varies and by appointment; closed Sat.-Mon. and university holidays and breaks. Admission: free. Danielle Petrak, Museum Coordinator and Curator [email protected]

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Historical Museums & Houses AMHERST COLLEGE Emily Dickinson Museum: The Homestead and The Evergreens Amherst, Massachusetts The Emily Dickinson Museum: The Homestead and The Evergreens in Amherst, Massachusetts, celebrates the life of the famous poet. Emily Dickinson was born and lived most of her life in the circa 1813 Homestead. Her brother Austin and his family lived in the 1856 Evergreens house on the 3 acres they shared in the center of Amherst. The Homestead was owned by Emily’s father from 1855 until his death in 1874. The house was inherited by Austin’s daughter, Martha Dickinson Bianchi, who sold it in 1916 and moved much of the Dickinson family’s furnishings and personal belongings to the Evergreens. The Homestead was a private residence until 1965, when Amherst bought the property. Martha Dickinson Bianchi, who created an “Emily’s Room” as a memorial with her manuscripts and belongings, lived in the Evergreens until her death in 1943. The house was left to Bianchi’s friend and literary assistant, Alfred Hampson. After the death of Hampson and his wife, the Trust was established in 1992 to develop the Evergreens and its contents as a cultural facility. Attendance is 12,000.

the North Carolina mountains, weaving and spinning, mountain music, old-time toys, and Cherokee stories and legends. Appalachian Cultural Museum, Appalachian State University, Boone, NC 28508. Phone: 704/262-3117. Web site: www.museum.appstate.edu. Hours: museum exhibit area closed; program hours vary.

ARKANSAS STATE UNIVERSITY Hemingway-Pfeiffer Museum and Educational Center Piggott, Arkansas

The Hemingway-Pfeiffer Museum and Educational Center is an Arkansas State University heritage site in Piggott. Arkansas, where author Ernest Hemingway and his second wife, Pauline Pfeiffer, visited and lived in the 1930s. The site features the home of the wife’s parents, Paul and Mary Pfeiffer, where the couple stayed, and the barn that was convered into a studio for Hemingway, who wrote portions of A Farewell to Arms, one of his most famous novels, and several short stories there. Both the home and barn-studio, which are on the National Register of Historic Places, have been renovated, focusing on the 1930s era. The museum and educational center, founded in 1999, emphasize the literaEmily Dickinson Museum: The Homestead and The Everture of the period, world events, agriculture and family lifegreens, Amherst College, 280 Main St., Amherst, MA styles, family relationships, and development of northeast 01002-2349. Phone: 413/542-8161. Fax: 413/542-2152. Arkansas during the Depression and New Deal years. Tours E-mail: [email protected]. Web site: www.emilydickinsonmuseum.org. Hours: late Mar.-May and are conducted of the site. Annual attendance is 3,100. Sept.-Dec.-11-4 Wed.-Sun.; closed Mon.-Tues., Jan.-late Hemingway-Pfeiffer Museum and Educational Center, ArMar., and major holidays; June-Aug.-10-5 Wed.-Sun.; kansas State University, 1021 W. Cherry St., Piggott, AR closed Mon.-Tues. and Independence Day. Guided tour ad72454-1419. Phone: 870/598-3487.Fax: 870/598-1037. Web missions: adults, $8-$10; seniors and college students, site: www.hemingway.astate.edu. Hours: 9-4 Mon.-Fri., 1-3 $7-$9; children 6-17, $4-$5; Five College students and chilSat.; closed Sun. and major holidays. Admission: suggested dren under 6, free; self-guided audio tours-$6 per wand. donations-adults, $5; seniors, $3. Jane Wald, Executive Director 413-542-2154 [email protected]

APPALACHIAN STATE UNIVERSITY Appalachian Cultural Museum Boone, North Carolina The Appalachian Cultural Museum at Appalachian State University in Boone, North Carolina, was forced to close in 2006 because the university converted the 10,000 square feet it occupied since 1989 in University Hall to other uses. But the museum is continuing to operate its educational programs and to serve as an electronic museum until a new campus home is found. Programs are being presented at alternate sites and some of the museum exhibits and programs are presented online. The regional historical and cultural museum now offers educational programs on such subjects as colonial frontiersmen, history and life of the Cherokees,

Ruth Hawkins, Director [email protected]

ARKANSAS TECH UNIVERSITY Arkansas Tech University Museum Russellville, Arkansas The Arkansas Tech University Museum in Russellville is a history and archaeology museum interpreting over 12,000 years of human experience in the Arkansas River Valley of western Arkansas. The museum, which began in 1989 as the Museum of Prehistory and History, has a collection of over 110,000 historical, archaeological, art, and archival objects. It presents changing exhibitions from the collection in a

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Historical Museums & Houses 2,000-square-foot gallery and has a 6,000 annual attendance. pewter items, early doctor and dentist equipment, a nineteenth-century print shop, and Midwest and Southwest Arkansas Tech University Museum, 1502 N. El Paso Native American pottery and other objects. Next to the muAve.,Techionery, Russellville, AR 72801-8816. Phone: seum are replicas of two historic structures-the 1857 Kibbee 479/964-0826. Fax: 479/964-0872. Web site: cabin where a group of Methodist ministers decided to eswww.atu.edu/museum. Hours: 9-4 Tues.-Thurs., other times tablish the university in the frontier town of Palmyra, now by appointment; closed Fri.-Mon., and university holidays Baldwin City, and the 1857-62 Palmyra post office building. and breaks. Admission: free. Annual attendance is nearly 5,500. Judith Stewart-Abernathy, Director 479-964-0831 [email protected]

AUGUSTANA COLLEGE (South Dakota) Center for Western Studies Sioux Falls, South Dakota

Old Castle Museum, Baker University, Parmenter Hall, 511 5th St., PO Box 65, Baldwin City, KS 66006-0065. Phone: 785/594-8380. Fax: 785/594-2522. E-mail: [email protected]. Web site: www.bakeru.edu/old-castle-museum. Hours: by appointment; closed university holidays. Admission: free. Jen McCollough, Archivist 785-594-8380

The Center for Western Studies at Augusta College in Sioux [email protected] Falls, South Dakota preserves and interprets the history and cultures of the Northern Plains. The center, which was founded in 1970, serves as a repository for over 500 collecBERRY COLEGE tions and has extensive artworks and artifacts; historical, cultural, and art exhibits; a library with over 36,000 volumes Oak Hill and the Martha Berry Museum on the American West; and annual events. It also is the larg- Mount Berry, Georgia est academic publisher in the state, with more than 70 Oak Hill and the Martha Berry Museum is a historic house publictions to its credit. and history museum opened in 1972 at Berry College in Mount Berry, Georgia. Oak Hill is an 1884 Greek Revival The center’s archives and manuscript collections comprise 5,000 linear feet of institutional records and personal papers, home that was Berry’s home and the museum tells the story including collections and manuscripts of the South Dakota of the college and its founder through exhibits, events, and Episcopal Church and United Church of Christ, Reuben educational programming and houses an art gallery. Guided Goetz Germans-from-Russia Collection, Augusta College tours are given of the mansion and museum, and visitors Archives, and various other organizational, ethnic, and fam- also can tour the gardens and three outbuildings. ily collections and papers. The center has three permanent exhibit rooms-Froiland Plains Indian Room, Fantle Scandi- Oak Hill and the Martha Berry Museum, Berry College, navian Room, and Jim Savage Art Studio-and changing art 2277 Martha Berry Hwy. N.W., Mount.Berry, GA 30149. exhibitions in its Madson/Nelson/Elmen galleries, as well as Phone: 706/232-5374. Web site: www.berry.edu/oakhill. six display cases. Annual attendance is 6,000. Hours: 10-5 Mon.-Sat.; closed Sun. and major holidays. Guided tours: adults, $4; students, $2. Center for Western Studies, Augustana College, 2121 S. Summit Ave., Sioux Falls, SD 57197 (postal address: 2001 Patrice Shannon, Interim Director 706-368-6775 [email protected] S. Summit Ave., Sioux Falls, SD 57197). Phones: 605/274-4007 and 800/727-2844. Fax: 605/274-4999. E-mail: [email protected]. Web site: www.augie.edu/cws. Hours: 8-5 Mon.-Fri., 10-2 Sat.; closed Sun. and major holiBETHANY COLLEGE days. Admission: free. Harry F. Thompson, Executive Director 605-274-4006 [email protected]

BAKER UNIVERSITY Old Castle Museum Baldwin City, Kansas The Old Castle Museum at Baker University in Baldwin City, Kansas, is a historical museum located in a mid-1800s building known as the Old Castle that was the first and only college building in the state at the time. The museum, founded in 1953 and housed in what is now called Parmenter Hall, features artifacts of early Kansas, Methodist, and Baker University history. It has a collection and exhibits of pioneer artifacts, ironstone chine pieces, silver and

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Alexander Campbell Mansion Bethany, West Virginia

The Alexander Campbell Mansion on the campus of Bethany College in Bethany, West Virginia, was the home of the 1840 founder and first president of the college and a leader in the creation of the Christian Churches of America. Today, the 24-room mansion is a historic house museum, and the house, adjacent buildings, and nearby cemetery are a National Historic Landmark. The ca. 1795 house was built by John Brown and deeded to his son-in-law, Alexander Campbell, in 1815. The house was built in four stages between 1956 and 1840. The museum, which contains the furnishings and household items of the Campbell family, is devoted to the life and times of Campbell in the mid-nineteenth century. The mansion, which was renovated in 1992, is part of the Historic Bethany tour program that begins at

BETHANY COLLEGE the Renner Visitors Center (see Historic Bethany). Annual attendance is 3,500.

political events and social and cultural history. Annual attendance is 35,000.

Alexander Campbell Mansion, Bethany College, State Rte. 67 East, PO Box 478, Bethany, WV 26032-0478. Phone and fax: 304/829-4258. E-mail: [email protected]. Web site: www.bethanywv.edu/about-bethany. Hours: 10-12 and 1-4 Tues.-Fri., other times, by appointment; closed Sat.-Mon. and major holidays. Admission: adults, $4; children in grades 1-12, $2; children under 6, free.

Star of the Republic Museum, Blinn College, 23200 Park Rd. 12, PO Box 317. Washington, TX 77880-0317. Phone: 936/878-2461. Fax: 936/878-2462. E-mail: [email protected]. Web site: www.starmuseum.org. Hours: 10-5 daily; closed Thanksgiving and Christmas and Dec. 23-Jan. 1. Admission: adults, $5; students, $3; family, $15. Houston McGaugh, Director

Sharon Monigold, Director of Bethany Heritage Program and Archivist

BETHANY COLLEGE Historic Bethany Bethany, West Virginia Historic Bethany is a tour program of historic buildings at Bethany College in Bethany, West Virginia. The college, founded in 1840, has five mid-nineteenth-century buildings that are listed on the National Register of Historic Places. They are the Alexander Campbell Mansion, 1840 college founder’s home; Christman Manor at Pendleton Heights, 1842 home of the college president, 1842; Old Meeting House, 1851 campus church; Old Main, 1858 original college building; and Delta Tau Delta Founders’ House, 1858 founding site of the social fraternity. The Campbell Mansion, which is now a museum (see separate listing), and Old Main also are National Historic Landmarks. The Campbell Cemetery also is part of the tour program. Five different tours are offered by Historic Bethany, starting at the Renner Visitors Center. Historic Bethany, Bethany College, Renner Visitors Center, State Rte. 67 East, PO Box 478, Bethany, WV 26032-0478. Phone: and fax: 304/829-4258. E-mail: [email protected]. Hours: 8:30-12 and 1-4 Mon.-Fri., other times by appointment; closed Sat.-Sun. and major holidays. Admission: Campbell Mansion-adults, $4; children in grades 1-12, $2; children under 6, free; four other sites-$1 per person. Sharon Monigold, Director of Bethany Heritage Program and Archivist

BLINN COLLEGE Star of the Republic Museum Washington, Texas The Star of the Republic Museum, operated by Blinn College, is located at the site of the signing of the Texas Declaration of Independence in 1836 in Washington, Texas, which became the first capital of the Republic of Texas. The 10,000-square-foot museum, established in 1970, tells the story of Texas and its heritage in exhibits, audiovisual presentations, and educational programs. The museum collects and preserves the material culture of the 1836-46 Texas Republic and interprets the history, cultures, diversity, and values of early Texans. The exhibits emphasize military and

BRONX COMMUNITY COLLEGE, CITY UNIVERSITY OF NEW YORK Hall of Fame for Great Americans Bronx, New York The Hall of Fame for Great Americans at Bronx Community College in the Bronx, New York, honors notable Americans who have had a significant impact on the nation’s history. It originated in 1900 at New York University by Chancellor Henry Mitchell MacCracken and designed as part of the university’s undergraduate college that was being constructed on the University Heights Campus. It was built in a sweeping semicircular Neo-Classical arc with wings at each side and a 630-foot open-air colonnade that houses bronze busts and commemorative plaques of 98 of the 102 honorees elected to the hall. The Hall of Fame, which opened in 1901, honors figures in the arts, sciences, humanities, government, business, and labor. It was funded by Mrs. Helen Gould Shepard and designed by celebrated architect Stanford White. The University Heights Campus now is the home of the Bronx Community College of the City University of New York. The Colonnade housing the busts and plaaues also has three adjoining buildings designed by White that have a close conceptual relationship to the Colonnade. The 1899 Gould Memorial Library is the central focus. The other two buildings are the University Heights Campus-Language Hall (1894) and Philosophy Hall (1912). The site also has related programs, exhibits, and tours. Annual attendance is 25,000. Hall of Fame for Great Americans, Bronx Community College, City University of New York, 2155 University Ave., Bronx, NY 10453-2804. Phones: 718/289-5161 and 718/289-5877. Fax: 718/289-6496. Web site: www.bcc.cuny.edu/halloffame. Hours: tours-10-5 daily. Admission: free. Wendell Joyner, Director [email protected]

CENTRAL METHODIST COLLEGE Stephens Museum Fayette, Missouri The Stephens Museum at Central Methodist College in Fayette, Missouri, is a combination history and natural history museum. It was founded in 1879 and received its first home in 1885 when the college gave Curator Lawrence V.

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Historical Museums & Houses Stephens $5,000 to purchase a brick house at the edge of the campus to house the museum. The historical component includes such items as memorabilia from the Civil War and World War I, nineteenth-century tools, Native American artifacts, original tombstones of Daniel and Rebecca Boone, folk paintings, African tribal artifacts, early photographs, and the Methodist heritage. The museum also has a natural history section with minerals, shells, fossils, primnate skulls, animal specimens, bones of Ice Age mammals, and birds, including two extinct species-passenger pigeon and Carolina parakeet. The museum is located in T. Berry Smith Hall, an 1896 Romanesque educational building. Annual attendance is 1,000. Stephens Museum, Central Methodist College, T. Berry Smith Hall, Fayette, MO 65248. Phones: 660/248-3391 and 660/248-6370. Fax: 660/248-2622. E-mail: [email protected]. Web site: www.emu.edu. Hours: Sept.-May-2-4:30 Tues.-Thurs. and by appointment; closed Fri.-Mon., June-Aug., and college holidays and breaks. Admission: free. Dana R. Elliott, Curator

CHADRON STATE COLLEGE Mari Sandoz High Plains Heritage Center

They are Fort Hill, an 1803 manse for Old Stone Church that became the family home of statesman John C. Calhoun and later of Thomas G. Clemson, founder of Clemson University; the ca. 1716 Hanover House, built by French Huguenots Paul de St. Julien and his wife; Hopewell Plantation, featuring the rural home of General Andrew Pickens and his wife that began as a ca. 1735 log structure; and Woodland Cemetery, started in 1837 and given its present name in 1924 by Clemson University President Walter Merritt Riggs (see separate listings for each site). Clemson University Historic Properties, Box 345615, Clemson, SC 29634-5615, Phone: 864/656-2475. Fax: 864/656-1026. E-mail: [email protected]. Web site: www.clemson.edu/about/history/properties. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. William Hiott Sr., Director & Curator 864-656-7920 [email protected]

CLEMSON UNIVERSITY Fort Hill Clemson, South Carolina

John C. Calhoun, South Carolina’s pre-eminent nineteenth-century political leader who served as vice president, Chadron, Nebraska senator, congressman, and secretary of war and state, lived at Fort Hill, the name he gave his plantation home, from The life and writings of Mari Sandoz and the culture of the 1825 until his death in 1850. The property later was inherHigh Plains region are featured at the Mari Sandoz High Plains Heritage Center at Chadron State College in Chadron, ited by Thomas Green Clemson, Calhoun’s son-in-law, who Nebraska. The center, established in 2002, contains exhibits bequeathed the land and funds that led to the founding of with photographs, objects, and books written by regional au- Clemson University, now located at the site in Clemson, South Carolina. Fort Hill, originally known as Clergy Hall, thor Sandoz and archival materials, records, documents, books, specimens, and artifacts of the region. In addition to was built in 1803 as the residence for the minister of Old displays about Sandoz, the center has exhibits about the fos- Stone Church. The house, which became a historic house sils found in the region, wild flowers of Nebraska, history of museum in 1889, has been restored and contains the original furniture, family and Flemish portraits, personal articles, cattle ranching on the High Plains, and life and work of and various documents. Annual attendance is over 23,500. plantsman Claude A. Barr. Adjacent to the center are the Heritage Gardens that reflect the region’s prairie, native, and Fort Hill, Clemson University, Fort Hill St., Clemson, SC ranching cultures and contain a statue of Sandoz in the 29634-5615 (postal address: Clemson University Historic Sandhills section. The center’s annual attendance is 8,000. Properties, Box 345615, Clemson, SC 29634). Phone: Mari Sandoz High Plains Heritage Center, Chadron State College, 1000 Main St., Chadron, NE 69337-2667. Phone: 308/432-6401. Fax: 308/432-6464. Web site: www.csc.edu/sandoz. Hours 8-12 and 1-4 Mon.-Fri., 9-12 and 1-4 Sat.-Sun.; closed college holidays. Admission: free. Sarah Polak, Director 308-432-6401 [email protected].

CLEMSON UNIVERSITY Clemson University Historic Properties: Fort Hill, Hanover House, Hopewell Plantation, and Woodland Cemetery

864/656-2475. Fax: 864/656-1026, E-mail: [email protected]. Web site: www.clemson.edu/about/history/properties/fort.hill.html. Hours: 10-12- and 1:4:30 Mon.-Sat., 2-4:30 Sun.; closed university holidays. Admission: suggested donations-adults, $5; seniors and students, $4; children, $2. William Hiott Sr., Director & Curator 864-656-7920 [email protected]

CLEMSON UNIVERSITY Hanover House Clemson, South Carolina

The ca. 1716 Hanover House was built by French Huguenots Paul de St. Julien and his wife, Mary Amy Ravenel, in Clemson University in Clemson, South Carolina, has four the South Carolina low country, now Berkeley County. After sites that are part of Clemson University Historic Properties. falling into ruin and being in the path of a hydroelectric

Clemson, South Carolina

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CLEMSON UNIVERSITY plant dam development, the house was moved to Clemson University, restored, and established as a historic house museum in 1941. The house, constructed of cypress timbers with brick triple-flue chimneys and French details, was named in honor of George Louis, Elector of Hanover, who ascended the English throne as George I. He had befriended French Huguenots when they fled religious and political persecution and emigrated to South Carolina by way of England in the seventeenth century. The restored house has period furniture and eighteenth- and nineteenth-century artifacts. Hanover House, Clemson University, Perimeter Rd., Clemson, SC 29634 (postal address: Clemson University Historic Properties, Box 345615, Clemson, SC 29634-5615). Phones: 864/656-2241 and 864/656-2475. Fax: 864/656-1026. E-mail: [email protected]. Web site: www.clemson.edu/about/history/properties/hanover-house.html. Hours: 10-12 and 1-5 Sat., 2-5 Sun.; closed Mon.-Fri. and university holidays. Admission: suggested donations-adults, $5; seniors, $4; children, $2. William Hiott Sr., Director & Curator 864-656-7920 [email protected]

CLEMSON UNIVERSITY Hopewell Plantation Clemson, South Carolina Hopewell Plantation began as a basic log structure built around 1785 by General Andrew Pickins and his wife, Rebecca Calhoun, a relative of John C. Calhoun. Pickens played a key role in the Revolutionary War and later was honored for his gallantry and bravery. The log house eventually grew into a 10-room manor with outbuildings and other aspects of a plantation. Pickens played an important role in the development of the state and the nation as a member of the State House of Representatives, an Indian commissioner, and a U.S. senator, and was instrumental in getting Indian leaders to sign the Treaty of Hopewell that ceased hostilities. The land eventually was sold and in the 1930s became Cherry Farm at Clemson University. The university now is researching ways that the property can be restored to its original state and honor the Pickens family. Meanwhile, it is not open to the public as a historic site. Hopewell Plantation, Clemson University, Cherry Rd., Clemson, SC 29634 (postal address: Clemson University Historic Properties, Box 345615, Clemson, SC 29634-5615). Phone: 864/656-2475. Fax: 864/656-1026. E-mil: [email protected]. Web site: www.clemson.edu/about/history/properties/hopewell-plantation. Hours: no visiting hours. William Hiott Sr., Director & Curator 864-656-7920 [email protected]

CLEMSON UNIVERSITY Woodland Cemetery Clemson, South Carolina The historic Woodland Cemetery near John C. Calhoun’s Fort Hill home and the Old Stone Church on the Clemson University campus in Clemson, South Carolina, began in 1837 when Andrew Perkins Calhoun buried his youngest child there. In the years that followed, other members of the Calhoun family, including John C. Calhoun, were interred at the cemetery. It received its present named in 1924 from the university’s president at that time, Walter Merritt Riggs, who sought to create a cemetery for university faculty and administrators. Now, internment is restricted to active and retired university employees and their spouses. Woodland Cemetery, Clemson University, Clemson, SC 29634 (postal address: Clemson University Historic Properties, Box 345615, Clemson, SC 29634-5615). Phone: 864/656-2475. Fax: 864/656-1026. E-mail: [email protected]. Web site: www.clemson.edu/about/history/properties/woodland-cemetery. Hours: sunrise-sunset daily. Admission: free. William Hiott Sr., Director & Curator 864-656-7920 [email protected]

COLLEGE OF THE OZARKS Ralph Foster Museum Point Lookout, Missouri The Ralph Foster Museum at the College of the Ozarks in Point Lookout, Missouri, is devoted to the history of the Ozark region. The 40,000-square-foot museum, founded as the Museum of the Ozarks in 1930, was renamed in 1969 for a Missouri radio and television station owner who donated his extensive collection of Western and American Indian artifacts and provided financial support for the museum. The museum now has a collection and exhibits of the prehistory and nineteenth- and twentieth-century history of the Ozarks and history of the college, as well as natural history, firearms, music, and military objects and Rose O’Neill memorabilia and drawings. Annual attendance is 60,000. Ralph Foster Museum, College of the Ozarks, 1 Cultural Court, Point Lookout, MO 65726. Phone: 417/334-611, Ext. 3407. Fax: 417/690-2606. E-mail: [email protected]. Web site: www.rfostermuseum.com. Hours: 9-4:30 Mon.-Sat., closed Sun., Thanksgiving week, and mid-Dec. through Jan. Admission: adults, $6; seniors, $5; children free. Annette Sain, Director

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Historical Museums & Houses COLLEGE OF WILLIAM AND MARY Ash Lawn-Highland Charlottesville, Virginia Ash Lawn-Highland, the 1799 home and 535-acre working plantation of President James Monroe near Charlottesville, Virginia, is a historic house museum that now is part of the College of William and Mary in Williamsburg. Monroe and his wife, Elizabeth Kortright Monroe, owned the property from 1793 to 1826 and it was their official address from 1799 to 1823. The site was obtained by philanthropist Jay Winston and Helen Lambert Johns and opened to public visitation in 1931. Upon his death in 1974, the plantation was bequeathed to the college, alma mater of James Monroe. The estate has Monroe American and French furnishings, fine art, a garden pavilion, outbuildings, and other objects of the 1790-1825 period related to the nation’s fifth president. Exhibit materials pertain to the political, social, and domestic issues of the Monroe era, The plantation also has ornamental and kitchen gardens, mountain trails, and annual wine and music festivals. The annual Ash Lawn-Highland attendance is 68,000. Ash Lawn-Highland, College of William and Mary, 1000 James Monroe Pkwy., Charlottesville, VA 22902-7505. Phone: 434/293-8000. Fax: 434/979-9181. E-mail: [email protected] Web site: www.ashlawnhighland.org. Hours: Apr.-Oct.-9-6 daily; Nov.-Mar.-11-5; closed New Year’s Day, Thanksgiving, and Christmas Day. Admission: adults, $10; seniors, $9; children 6-11 and local residents, $5; children under 6, free. Carolyn Coggin Holmes, Executive Director

CONNORS STATE COLLEGE Wallis Museum Warner, Oklahoma

CRANBROOK EDUCATIONAL COMMUNITY Cranbrook House and Gardens Bloomfield, Michigan The Cranbrook House and Gardens is the centerpiece of the Cranbook Educational Community, a complex of educational and museum facilities in Bloomfield Hills, Michigan. The 1908 English Arts and Crafts-style house designed by Albert Kahn was the home of Cranbrook founders George Gough Booth and Ellen Scripps Booth. Mr. Booth was publisher of the Detroit News and Mrs. Booth, the daugther of the founder of Scripps newspapers. The Booths became philanthropists and art patrons who resolved to use their wealth to establish educational and cultural institutions at their new suburban Cranbrook estate, named for Mr. Booth’s ancestral home in England. Cranbrook House, the oldest manor house in the Detroit area, and its gardens, cover 40 acres of the 319-acre site that is a National Historic Landmark. The Booths commissioned the finest artisans, craftsmen, and studios of the period to furnish the house with handcrafted furniture, tapestries, tiles, stained and leaded glass, and other works of fine and decorative arts. Guided tours now are given of 10 rooms on the first floor of the mansion (includes garden visit). The gardens, originally designed by Mr. Booth, feature sunken, formal, bog, herb, wildflower, and Oriental gardens, and fountains, sculpture, specimen trees, and a lake. The Cranbrook Educational Community was founded by George and Ellen Booth in 1904. It has become an innovative center of education, science, and art. In addition to the house and gardens, it consists of a graduate Academy of Art, two museums-Cranbrook Art Museum and Cranbrook Institute of Science (see separate listings)-and pre-K through 12 independent college preparatory schools. Cranbrook House and Gardens, Cranbrook Educational Community, 380 Lone Pine Rd., PO Box 801, Bloomfield, MI 48303-0801. Phone: 248/645-3180. Fax: 248/645-3151. Hours: house tours-June-Oct.: 11 and 1:15 Thurs.-Fri., 1 and 3 Sun.; group tours by appointment at other times; closed Mon.-Wed. and Sat. and Nov.-May; garden tours-May-Labor Day: 10-5 Mon.-Sat., 11-5 Sun.; Sept.: 11-3 daily; Oct.: 10-3 Sat.-Sun.; closed Mon.-Fri. and Nov.-Apr. Admission: house and gardens-adults, $10; seniors and students, $8; gardens only-adults, $6; seniors, $5; families, $15.

The Wallis Museum at Connors State College in Warner, Oklahoma, is a historically oriented museum formerly known as the Rural Farming and Agriculture Museum. Founded in 1963, the museum has historical artifacts, documents, newspapers, and other items concerning the college and region. They include such materials as frontier-era objects, American Indian artifacts, World War I materials, agri- Colleen Smith, Manager cultural equipment, and regional geological specimens. The museum formerly operated out of two locations-the Student Union and Library-but now is closed while awaiting CRANBROOK EDUCATIONAL relocation. Wallis Museum, Connors State College, 1000 College Rd., Rte. 1, Box 1000, Warner, OK 74469-9700. Phone: 918/463-6236. Fax: 918/463-6314. E-mail: [email protected]. Web site: www.connorsstate.edu. Hours: closed temporarily. Debby Golden, Chair, CSU Division of Agriculture 918-463-6251 [email protected]

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COMMUNITY Saarinen House

Bloomfield Hills, Michigan The Saarinen House at the Cranbrook Educational Community in Broomfield Hills, Michigan, features the restored 1930 home and garden of Finnish-American designers Eliel and Loja Saarinen. Mr. Saarinen was a noted architect who designed the schools, museums, and library at Cranbrook

EARLHAM COLLEGE and served as the first president and director of the Department of Architecture and Urban Design at Cranbrook Academy of Art and director of the art museum. Mrs. Saarinen was a textile designer who founded and directed the Department of Weaving and Textile Design at the art academy and operated a separate firm that did commissioned textile designs for many buildings.

milk a cow, card wool, unload a flatboat, help make a dugout canoe, attend schoolhouse classes, and play historic games. Annual attendance is over 315,000.

Saarinen House and Garden, Cranbrook Educational Community, 39221 N. Woodward Ave., Bloomfield Hills, MI 48301. Phones: 248/645-3210 and 877/462-7665. E-mail: [email protected]. Web site: www.cranbrook.edu. Hours: May-Oct.-2 Thurs.-Sun.; closed Mon.-Wed. and Nov.-Apr. Admission: adults, $10; seniors, $9; students, $6; children under 13, free.

Johnson City, Tennessee

Conner Prairie Interactive History Park, Earlham College, 13400 Allisonville Rd., Fishers, IN 46038-4499. Phones: 317/776-6000 and 800/966-1836. Fax: 317/776-6014. E-mail: [email protected]. Web site: Saarinen House exemplified Eliel Saarinen’s belief that ev- www.connerprairie.org. Hours: Apr.-10-5 Thurs.-Sat., 11-5 ery aspect of design should work in harmony in architecture Sun.; closed Mon.-Wed.; May-Sept.-10-5 Tues.-Sat., 1-5 and other fields. When the Saarinen House was built, he Sun.; closed Mon.; Oct.-10-Wed.-Sat., 11-5 Sun.; closed combined ideas from the Arts and Crafts Movement with Mon.-Tues.; Nov.-Mar.-varie; closed Easter, Thanksgiving, more modern Art Deco elements and used related colors and and Christmas Eve and Day. Admission: adults, $12; serepeated geometric shapes. The house has hand-crafted deniors, $11; children 2-12, $8; children under 2, free. cor, exquisite furnishings, and numerous wall hangings. The house, which was fully restored to its mid-1930s appearance Ellen M. Rosenthal, President & CEO [email protected] in 1988-94, has patterned brickwork and leaded glass windows with triangles, squares, and rectangles, which also were applied inside. It also contains a paved courtyard with EAST TENNESSEE STATE UNIVERSITY a statue by Finnish sculptor Waino Aaltonan and a covered walkway. Reese Museum

Gregory Wittkopp, Director, Cranbrook Art Museum 248-645-3315 [email protected]

EARLHAM COLLEGE Conner Prairie Interactive Historical Park Fishers, Indiana Conner Prairie Interactive Historical Park in Fishers, Indiana, is a living history outdoor museum that features a re-created 1836 rural settlement. Founded in 1964, the 800-acre museum was initiated by philanthropist Eli Lilly and later developed and operated by Earlham College. Lilly purchased the 1823 home and farm of William Conner in 1934 and opened the historic farmhouse to tours by historical groups. In 1963, he gave the Conner house to the college, and Earlham President Lundrum Bolling suggested developing a historical village around the house. Lilly agreed and gave the college the remainder of the Conner farmland and provided financial assistance to create the living history museum. The 1823 restored Conner home now is listed on the National Register of Historic Places. Conner Prairie enables visitors to travel back in time and learn about nineteenth-century rural life from re-enacting costumed interpreters. The outdoor museum has five re-created historical areas-a reconstructed 1816 Lenape Indian camp, 1823 homestead house, 1886 village/working farm, hands-on pioneer area, and a center with historical exhibits and a film about early settler life on the Midwest prairie. Visitors also can engage in many pioneer activities, such as grind corn,

The Reese Museum at East Tennessee State University in Johnson City is a history and art museum. A campus history project initiated in the 1920s resulted in the creation of a historical repository that emerged as the Carroll Reece Museum in 1965. The collection, which initially was housed in the university’s library, added an art collection when transferred to its present location in a renovated building that formerly housed the Art Department. The museum was named as a tribute to the district’s former congressman. The museum, now a component of the Center for Appalachian Studies and Services, has a history/art collection that includes eighteenth- and nineteenth-century historical objects, folklore, textiles, crafts, costumes, paintings, graphics, and contemporary regional art. In addition to long-term exhibits from its collections, the museum mounts temporary historical and art exhibitions of works by artists, faculty, and students and from collections, loans, traveling exhibitions, and other sources. The museum also offers an extensive program of virtual exhibitions. Annual attendance is 10,000. Reese Museum, East Tennessee State University, Gilbreath Dr., PO Box 70660, Johnson City, TN 37614-1701. Phone: 423/439-4392. Fax: 423/439-4283. E-mail: [email protected]. Web site: www.etsu.edu/reece. Hours: 9-4 Tues.-Wed. and Fri., 9-7 Thurs.; closed Sat.-Mon. and major holidays. Admission: $3 suggested donation. Theresa Burchett-Anderson, Director

EAST TENNESSEE STATE UNIVERSITY Museum at Mountain Home Johnson City, Tennessee The Museum at Mountain Home, operated by the East Tennessee State University in Johnson City, is devoted to the people, events, and activities that shaped public and military health care in south central Appalachia, with emphasis on the history of the Veterans Administration Medical Center at

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Historical Museums & Houses Mountain Home. Founded in 1994, the museum also covers restored 1820 Amos Judson House and Eagle Hotel. The such subjects as Native American herbal medicine, advances museum explains the historic role of the Indians and Euroin medical treatment, and the development of health care, peans on the western Pennsylvania frontier. education, and other institutions in the region. The site was where George Washington delivered a message to the French stating British claims to the area and demandMuseum at Mountain Home, East Tennessee State Univering withdrawal of French forces. The French refused to sity, Dept. of Learning Resources, PO Box 70693, Johnson leave, but the journey enabled Washington to observe the City, TN 37614-1710. Phone: 423/439-8069. Fax: French fort and preparations and to alert the British. The en423/439-7025. Hours: 9-11 Tues. and Thurs., 1:30-3:30 suing conflict later developed into the French and Indian Wed.; closed Fri.-Mon. and major holidays. Admission: War. A statue of Washington delivering his message to the free. French can be seen near the museum. Established in 1929, Martha Whaley, Director 423-439-8069 the historic site has been managed by Edinboro University [email protected] since 1981. The Department of History and Anthropology now has the administrative responsibility.

EASTERN NEW MEXICO UNIVERSITY Roosevelt County Museum Portales, New Mexico Eastern New Mexico University in Portales operates the only county history museum on a collegiate campus. The Roosevelt County Museum was built as a WPA project by a local historical society in 1934 and then given to the university, which now operates it. The facility is basically a community museum concerned with the history of the area and features artifacts and other materials donated by residents. The museum contains settler, ranching, and Native American artifacts, and such early materials as costumes, furniture, medical instruments, printing press, and Edison phonograph. Annual attendance is 2,000. Roosevelt County Museum, Eastern New Mexico University, 1200 W. University, Station 9, Portales, NM 88130. Phone: 575/562-2591. Fax: 575/562-2362. E-mail: [email protected]. Web site: www.enmu.edu/services/museum/roosevelt-county. Hours: Sept.-June-8-12 and 1-5 Mon.-Fri,; varies Sat.-Sun.; closed Christmas break and university and national holidays; July-Aug.-8-12 and 1-5 Mon.-Fri.; closed Sat.-Sun. and Independence Day. Admission: free. Mark Romero, Curator 575-562-2592

EDINBORO UNIVERSITY OF PENNSYLVANIA Fort Le Boeuf Waterford, Pennsylvania

Fort Le Boeuf, Edinboro University of Pennsylvania, 123 S. High St., Waterford, PA 16441 (postal address: Dept. of History and Anthropology, Edinboro University of Pennsylvania, Hendricks Hall, PO Box 622, Edinboro, PA 16444). Phones: 814/732-2575 and 814/732-2570. Fax: 814/732-2629. E-mail: [email protected]. Web site: www.fortleboeuf.edinboro.edu. Hours; 12-4 Sat.-Sun; closed Mon.-Fri. and university holidays and breaks. Admission: free.

FERRUM COLLEGE Blue Ridge Institute and Museum Ferrum, Virginia Ferrum College in Ferrum, Virginia, created the Blue Ridge Institute and Museum in 1971 to document, interpret, and present the folk heritage of the Blue Ridge region. Since then, it has it expanded its research, collections, programs, exhibitions, publications, and special events throughout Virginia and Appalachia while emphasizing the western portion of the state, The institute/museum, which serves as the State Center for Blue Ridge Folklife, has folk heritage exhibits in its galleries and includes the Blue Ridge Farm Museum, an adjacent living history outdoor museum (see Agricultural Museums section); Blue Ridge Heritage Archive, which collects folklife-related recordings, photographs, documents, and other materials; the annual Blue Ridge Folklife Festival; and online heritage exhibits, archive resources, and travel guides. Annual attendance is 15,000. Blue Ridge Institute and Museum, Ferrum College, 20 Museum Dr., PO Box 1000, Ferrum, VA 24088-9001. Phone: 540/365-4412. Fax: 540/365-4419. E-mail: [email protected]. Web site: www.blueridgeinstitute.org. Hours: 10-4 Mon.-Sat., also 1-5 Sun. mid-May-mid-Aug.; closed major holidays. Admission: galleries are free.

Fort Le Boeuf is a historic stite museum located at the site of a succession of three 1700s forts along French Creek in Waterford, Pennsylvania, that is operated by Edinboro University of Pennsylvania for the Pennsylvania Historical and Roddy Moore, Director Museum Commission. The original fort was built by the French in 1753, rebuilt by the British in 1760, and then rebuilt by the governor of Pennsylvania in 1795. The forts, which no longer exist, were built at a strategic location leading to the Allegheny and Ohio rivers. They were part of the struggle between France and Britain for control of the American wilderness in the eighteenth century. Visitors now can tour the fort sites, Fort Le Boeuf Museum, and the

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GEORGIA COLLEGE AND STATE UNIVERSITY GEORGIA COLLEGE AND STATE GONZAGA UNIVERSITY UNIVERSITY Crosby Museum Georgia College and State University Museum Spokane, Washington Milledgeville, Georgia The Museums and Archives of Georgia Education Museum at Georgia College and State University in Milledgeville has been renamed the Georgia College and State University Museum. It was founded in 1976 to house materials related to the history of education in the state and featured education artifacts, materials from prominent educators, and memorabilia from students of the college dating from 1891. It still has a wealth of education materials, but greater emphasis is being placed on the college’s historical role and related activities, such as art exhibitions. The museum also has a permanent exhibit honoring the life and work of Flannery O’Connor, the college’s most famous alumna. The museum, which occupies a ca. 1900 Victorian building on the edge of the campus, has an annual attendance is 2,500. Georgia College and State University Museum, 221 N. Clarke St., Campus Box 43, Milledgeville, GA 31061. Phone: 478/445-4391. Fax: 478/445-6847. E-mail: [email protected]. Web site: www.library.gcsu.edu/museum. Hours: 10-4 Mon.-Sat.; closed Sun. and university holidays. Admission: free. Shannon Morris, Curator 478-445-8274 [email protected]

The largest public collection of Bing Crosby memorabilia is housed in the Crosby Museum in the Crosby Student Center at Gonzaga University in Spokane, Washington. In 1957, the popular singer, movie star, and Gonzaga alumnus organized an Emmy-winning television program that raised funds for the construction of the university’s library, which was moved to the Foley Center in 1992 and the building converted to a student center. The museum, located in the Crosbyana Room, displays about 200 pieces of memorabilia from the historical collection. The remainder of the Crosby Collection is in the Foley Center. Crosby Museum, Gonzaga University, Crosby Student Center, Crosbyana Room, Spokane, WA 99258. Phone: 509/313-4097. Web site: www.gonzaga.edu. Hours: 7 a.m.-12 midnight Mon.-Fri.; 11 a.m.-12 midnight Sat.-Sun.; closed major holidays. Admission: free. Stephanie Edwards Plowman, University Archivist 509-313-3847 [email protected]

HAMPDEN-SIDNEY COLLEGE Esther Thomas Atkinson Museum Hamden-Sydney, Virginia

GEORGIA COLLEGE AND STATE UNIVERSITY Old Governor’s Mansion Milledgeville, Georgia The Old Governor’s Mansion on the campus of the Georgia College and State University in Miilledgeville is a National Historic Landmark and a historic house museum. The High Greek Revival structure was built in 1839 and served as the residence of Georgia’s chief executives for over 30 years. After the Civil War, Georgia’s seat of government was moved to Atlanta and the mansion was given to Georgia Normal and Industrial College (now Georgia College and State University) in 1889 and served as the founding building of the institution. It was restored in 2001-05 and opened to tours.

The Esther Thomas Atkinson Museum at Hampden-Sidney College in Hampden-Sidney, Virginia, traces the history of the college from the eighteenth century to the present. The museum is named for its founder, wife of the college’s treasurer, who became concerned about the gradual loss of the college’s history and began collecting and displaying memorabilia in 1968. The first exhibits were presented in Venable Hall, then moved to a larger space in Bagby Hall, and finally to its present home in Graham Hall in 1976. An addition followed, being named the Graves H. and Leila B. Thompson Conservation and Collection Center for two dedicated volunteers in 1995. Mrs. Atkinson died in 1994, two months before her 100th birthday. The museum’s attendance is now 3,100.

Old Governor’s Mansion, Georgia College and State University, Milledgeville, GA 31061. Phone: 478/445-4545. Web site: www.gesu.edu/mansion/index.htm. Hours: 10-4 Tues.-Sat., 2-4 Sun.; closed Mon. and university holidays. Admission: free.

Esther Thomas Atkinson Museum, Hampden-Sydney College, College Rd., PO Box 745, Hamden-Sydney, VA 23934-0745. Phone: 434/223-6134. Fax: 434/223-6344. E-mail: [email protected]. Web site: www.hsc.edu/museum. Hours: Sept.-May-12:30-5 Tues.-Fri., other times by appointment; closed Sat.-Mon. and college holidays; June-Aug.-12:30-4:30 Wed. and Fri.; closed remainder of week and Independence Day. Admission: free.

James C. Turner, Director 478-445-4545 [email protected]

Angela Way, Director-Curator [email protected]

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Historical Museums & Houses HILL COLLEGE Texas Heritage Museum Hillsboro, Texas The Texas Heritage Museum in Hillsboro is a military history museum formerly called the Confederate Research Center and Museum and Audie L. Murphy Gun Museum. Founded in 1963, the museum has over 16,000 objects, including Hood’s Texas Brigade artifacts; Civil War and World War I and II guns, artifacts, and manuscripts; and war hero Audie L. Murphy memorabilia. The exhibits are devoted to such subjects as the Texas Revolution and Republic, Civil War, World War I and II, and Vietnam War. The museum also has an outside state memorial that honors 56 native-born Texans who received the Medal of Honor, featuring two World War II award recipients-Murphy, the most decorated soldier, and Samuel Dealey, the most decorated sailor.

E-mail: [email protected]. Web site: www.hbu.edu/museum_of_southern_history.asp. Hours: 10-4 Mon.-Sat.; closed Sun. on university holidays and some holiday weekends. Admission: free. Erin Price, Curator

HOUSTON BAPTIST UNIVERSITY Museum of American Architecture and Decorative Arts Houston, Texas The social history and material culture of people who settled in Texas between 1830 and 1930 are the focus of the Museum of American Architecture and Decorative Arts at Houston Baptist University in Houston, Texas. The museum, founded in 1964, uses period room settings, household furnishings, and decorative arts to show the changes that occurred as Houston grew from a frontier settlement to a major city. It features several rooms with artifacts from the late 1700s and early 1800s, a furnished Victorian bedroom from the late 1800s, and antique doll, miniature furniture, and toy collections. The museum, housed in the Morris Cultural Arts Center, has an annual attendance of 3,000.

The museum’s Historical Research Center plays and important role in advancing Civil War scholarly research and education. It has an extensive collection of maps, photographs, microfilms, artworks; an archive of soldiers’ letters, diaries, and unpublished manuscripts from all Texas wars; and over 10,000 books dealing with the military operations of the United States, with an emphasis on Texas and Texans during Museum of American Architecture and Decorative Arts, wartime. Annual attendance at the museum is 6,800. Houston Baptist University, Morris Cultural Arts Center, 7502 Fondren Rd., Houston, TX 77074-3204. Phone: Texas Heritage Museum, Hill College, 112 Lamar Dr., 281/649-3311. Web site: www.hbu.edu/hbu/muHillsboro, TX 76645-2711. Phone: 254/659-7750. Fax: 243/580-9529. E-mail: [email protected]. Web site: seum_of_america_architecture_and_decorative_arts. Hours: 10-4 Mon.-Sat.; closed Sun. and university holidays. Admiswww.hillcollege.edu. Hours: Sept.-May- 8-4:30 sion: free. Mon.-Thurs., 8-4 Fri.; closed Sat.-Sun. and national holidays; June-Aug.-8-4:30 Mon.-Thurs., 8-4 Fri., 10-5 Sat.; Suzie Snoddy, Administrative Assistant, University Museums closed Sun. and Independence Day. Admission: free. 281-649-3997 John Versluis, Director [email protected]

HOUSTON BAPTIST UNIVERSITY Museum of Southern History

IOWA WESLEYAN COLLEGE Harlan-Lincoln House Mount Pleasant, Iowa

The 1876 Harlan-Lincoln House at Iowa Wesleyan College in Mount Pleasant, Iowa, was the home of James Harlan, a professor and early president of the college who became a The Museum of Southern History at Houston Baptist University in Houston Texas, chronicles the history of the South U.S. senator, was appointed Secretary of the Interior by President Abraham Lincoln, and whose daughter, Mary during the mid-1800s. Founded in 1978, the museum conEunice Harlan, married Lincoln’s son, Robert Todd Lincoln. tains clothing, furnishings, uniforms, tools, and weapons Mary and her children spent summers at the house in the displayed in room settings, dioramas, and cases. The museum now is located in the Morris Cultural Arts Center with 1870s-80s and Robert, a Chicago lawyer who later served in the Museum of American Architecture and Decorative Arts the cabinets of Presidents Garfield and Arthur, made occaand Durham Bible Museum (see separate listings-Bible mu- sional visits. After Lincoln served as minister to England, the family returned to Mount Pleasant in 1890 for several seum is in the Religious Museums and Galleries section). months. Mary continued to visit during the 1890s, but only The room settings include a Victorian dining room and rarely after her father died in 1899 and gave the house to the lady’s bedroom, blacksmith and carpenter shop, weapons room, a room depicting one family’s history, and a room de- college in 1907 as a memorial to her father. voted to the Civil War and the transitions after the war and The Harlan house served various purposes before becoming through World War I and II. Annual attendance is 7,500. a historic house museum in 1959 and listed on the National Register of Historic Places in 1973. The house contains a Museum of Southern History, Houston Baptist University, collection of Harlan and Lincoln memorabilia, Harlan famMorris Cultural Arts Center, 7502 Fondren Rd., Houston, TX 77074-3208. Phone: 281/649-3997. Fax: 281/649-3993. ily and period furnishings, a desk used by Senator Harlan, a

Houston, Texas

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JEFFERSON DAVIS COMMUNITY COLLEGE collar fragment believed to be worn when President Lincoln was assassinated, a mourning veil of Mary Todd Lincoln, and a rock collection owned by Abraham Lincoln II. Efforts now are being made to preserve and revitalize the house as a museum and dining-reception area. Annual attendance is 1,000. Harlan-Lincoln House, Iowa Wesleyan College, 101 W. Broad St., Mount Pleasant, IA 52641-1337 (postal address: Iowa Wesleyan College, 601 N. Main St., Mount Pleasant, IA 52641). Phones: 319/385-6215 and 319/385-6320. Fax: 319/385-6324. E-mail: [email protected]. Web site: www.iwc.edu. Hours: by appointment. Admission: adults, $2; children, free. Lynn Ellsworth, Executive Director [email protected]

JEFFERSON DAVIS COMMUNITY COLLEGE Thomas E. McMillan Museum Brewton, Alabama The Thomas F. McMillan Museum at Jefferson Davis Community College in Brewton, Alabama, is devoted to the history of Escambia County. The museum was founded in 1978 by the McMillan Trust near the site of the 1830 Leigh plantation. It features historical, archaeological, and cultural artifacts, including early nineteen-century carpenter, cabinet-maker, and blacksmith tools; Indian artifacts and trading wares; railroad memorabilia; 1812 and Civil War excavated military objects; mid-nineteenth-century medical, dental, and pharmaceutical instruments; period cameras and photographic accessories; and late 1800s and early 1900s household items. The museum, housed in the Fine Arts Center, has an annual attendance of 1,000.

the university in 1942. The mansion was bequeathed to the university with the stipulation that it remain open to “lovers of music, art, and beautiful things.” It became a museum in 1990. Evergreen Museum and Library’s collection reflects the late nineteenth- and early twentieth-century tastes and collecting interests of the Garrett Family. The mansion contains over 50,000 of the Garrett family belongings, including a large collection of post-Impressionist paintings by such artists as Picasso, Degas, Modigliani, Bonnard, Vuillard; Covarrubias, and Duffy; Tiffany glass; Chinese porcelain; Japanese netsuke and lacquer; stage sets by noted Russian emigre designer Leo Bakst; and over 8,000 rare books. Tours are given of the mansion, which also has a carriage house and formal gardens. Annual attendance is 11,600. Evergreen Museum and Library, Johns Hopkins University, 4545 N. Charles St., Baltimore, MD 21210-2693. Phone: 410/516-0341. Fax: 410/516-0864. E-mail: [email protected]. Web site: www.museum.jhu.edu. Hours: 11-4 Tues.-Fri., 12-4 Sat.-Sun.; closed Mon. and major holidays. Admission: adults, $6; seniors, $5; students and children, $3. James Archer Abbott, Director and Curator 410-516-0341 [email protected]

JOHNS HOPKINS UNIVERSITY Homewood Museum Baltimore, Maryland

Homewood Museum is a historical museum in an 1801 Federal Period country house on the campus of Johns Hopkins University in Baltimore, Maryland. The house, which has been designated a National Historic Landmark, is among the last surviving examples of domestic architecture of the peThomas E. McMillan Museum, Jefferson Davis Community riod. The house was a wedding gift from Charles Carroll, a signer of the Declaration of Independence, to his son, College, Fine Arts Center, 220 Alco Dr., Brewton, AL Charles Carroll, Jr. and his bride, Harriet Chase. The house 36426 (postal address: PO Box 958, Brewton, AL has been widely copied, including for buildings on the Johns 36427-0958). Phone: 251/809-1528. Fax: 251/867-1527. Hopkins University campus, which is called the Homewood E-mail: [email protected]. Web site: www.muCampus. seum.jdcc.edu. Hours: 9-3 Tues. and Thurs., other times by appointment; closed major holidays. Admission: free. The Carroll family occupied the country house until 1839 Jerry Simmons, Museum Coordinator 251-809-1528 and was the birthplace of Maryland Governor John Lee [email protected] Carroll in 1830. The house was sold to Samuel Wyman, a Baltimore merchant, whose family lived there for many years before being acquired by the university. It then served as a faculty club, graduate student housing, and administraJOHNS HOPKINS UNIVERSITY tive offices before becoming a museum in 1987. The muEvergreen Museum and Library seum now is furnished much as it would have been during Baltimore, Maryland the Carroll years in the early nineteenth century. It has eleThe Evergreen Museum and Library-also known as the Ev- gant architectural details and brightly colored room filled with furniture and fine and decorative arts objects represenergreen House-at Johns Hopkins University in Baltimore, tative of the furnishings at the time. They include Baltimore Maryland, is located in an 1850s Italianate mansion once period furniture, Carroll family objects, and silver. owned by John W. Garrett, president of the Baltimore and Ohio Railroad. Garrett bought the mansion in 1878 and his Homewood Museum, Johns Hopkins University, 3400 N. son, T. Harrison Garrett later added a wing with a billiard Charles St., Baltimore, MD 21218-2608. Phone: room, bowling alley, and gymnasium (later converted into 410/516-5589. Fax: 410/516-7859. E-mail: an art gallery and private theater). The Garrett family lived [email protected]. Web site: www. there until the 48-room house on 26 acres was donated to

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Historical Museums & Houses museum.jhu.edu. Hours: 11-4 Tues.-Fri., 12-4 Sat.-Sun.; closed Mon. and major holidays. Admission: adults, $6; seniors, $5; students and children, $3. Catherine Rogers Arthur, Director and Curator 410-516-5589 [email protected]

KILGORE COLLEGE East Texas Oil Museum Kilgore, Texas The East Texas Oil Museum on the campus of Kilgore College in Kilgore, Texas, features a re-creation of oil discovery and production in the early 1930s at the largest oil field in the United States at the time. Visitors see the people and their towns, personal habits, tools, and pastimes in dioramas, films, sound presentations, and actual antiques of the period. The museum, founded in 1980, has a re-created full-scale town with people, stores, animals, and machines depicting the lively activity of an oil boomtown. Visitors can do such things as see the contents of a general store, have a refreshment at the drug store, have their picture taken with a wildcatter, see an old-time movie on oil drilling, and take a simulated elevator ride to 3,800 feet. The museum has an annual attendance of 50,000.

Phone: 409/835-0823. Fax: 409/832-1782. E-mail: [email protected]. Web site: www.spindletop.org. Hours: 10-5 Tues.-Sat., 1-5 Sun.; closed Mon. and major holidays. Admission: adults, $3; seniors, $2; children, $1. Christy Marino, Curator [email protected]

LIMESTONE COLLEGE Winnie Davis Hall of History Gaffney, South Carolina The Winnie Davis Hall of History at Limestone College in Gaffney, South Carolina, contains college memorabilia and artifacts, manuscripts, and other materials relating to local and state history. The museum, founded in 1976, is located in the restored 1904 Winnie Davis Hall, a history academic building named for the daughter of Confederate President Jefferson Davis. Winnie Davis Hall of History, Limestone College, Winnie Davis Hall, 1115 College Dr., Gaffney, SC 29340-3778. Phone: 864/488-8399. Fax: 864/487-7151. Web site: www.limestone.edu. Hours: by appointment. Admission: free.

East Texas Oil Museum, Kilgore College, Hwy. 259 at Ross Jonathan Sarnoff, Chair, Limestone College Dept. of History St., Kilgore, TX 75662. Phone: 903/983-8295. Fax: 903/983-8600. E-mail: [email protected]. Web site: www.easttexasoilmuseum.com. Hours: Oct.-Mar.- 9-4 LINDENWOOD UNIVERSITY Tues.-Sat., 2-5 Sun.; closed Mon., Thanksdtgiving, Christmas, and New Year’s Day; Apr.-Sept.-9-5 Tues.-Sat., 2-5 Daniel Boone Home and Boonesfield Village Sun.; closed Mon. and Easter. Admission: adults, $4; chilDefiance, Missouri dren 3-11, $4; children under 3, free. The Daniel Boone Home and Boonesfield Village in DefiJoe White, Director 903-983-8295 ance, Missouri, features the 1803-10 home of frontiersman Daniel Boone and a re-created 1801-50 pioneer village operated by Lindenwood University of St. Charles. Boone came to the area with his wife and some of his children in 1799 LAMAR UNIVERSITY after losing his land in Kentucky because of defective titles. Spindletop-Gladys City Boomtown Museum He designed and oversaw the construction of the GeorBeaumont, Texas gian-style house where he lived until his death in 1820. The home contains Boone family documents, furniture, and The Spindletop-Gladys City Boomtown Museum, operated artifacts. by Lamar University, is located at the site of the nation’s first major oil field that was discovered in 1901. It is where The pioneer village consists of more than a dozen historic the Lucas gusher found the oil on a little hill, known as Spindletop, in Beaumont, Texas. The museum is an outdoor structures moved from elsewhere in the area, including an 1808 house, 1832 one-room schoolhouse, 1837 cabire-creation of an oil boomtown with various oil-field machinery and tools, household items, furniture, textiles, glass net-maker’s shop, and ca. 1840-60 chapel. The village has items, paper goods, and photographs of the period. The mu- living history activities, largely during such special events as Oregon Trail Days, Civil War Living History Festival, Piseum had its start in 1975 with the creation of two separate university museums-the Spindletop Museum, a geology/en- oneer Days, and American Music and Fiber Arts Festival. Annual attendance is 50,000. ergy museum, and the Gladys City Boomtown Museum-which were merged in 1989. It has 15 replica buildings covering 6 acres. The structures range from a gen- Daniel Boone Home and Boonesfield Village, Lindenwood University, 1868 Hwy. F, Defiance, MO 63341-1908. Phone: eral store, saloon, and dry goods store to a derrick and the 636/798-2005. Fax: 573/244-3120. E-mail: oil and gas manufacturing company. Annual attendance is [email protected]. Web site: 25,000. www.lindenwood.edu/boone. Hours: mid-Apr.-Oct.-9-6 daily; Nov.-mid-Apr.-9-5 daily; closed New Year’s Day, Spindletop-Gladys City Boomtown Museum, Lamar UniEaster, Thanksgiving, and Christmas Eve and Day. Admisversity, 5550 University Dr., Beaumont, TX 77705 (postal sion: Boone home-adults, $7; seniors, $6; children, $4; address: PO Box 10070, Beaumont, TX 77710-0070).

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LOUISIANA STATE UNIVERSITY-SHREVEPORT Boone home and village-adults, $12; seniors, $10; children, $6. Andrew Thomason, Chair, LU School of American Studies 636-949-4552

Fax: 718/482-5069. E-mail: [email protected]. Web site: www.laguardiawagnerarchive.lagcc.cuny.edu. Hours: 7 a.m.-10 p.m. Mon.-Fri., 7-5 Sat.-Sun.; closed major holidays. Admission: free Richard K. Lieberman, Director 718-482-5065

LOUISIANA STATE UNIVERSITY-SHREVEPORT Pioneer Heritage Center

MIAMI UNIVERSITY William Holmes McGuffey Museum

Shreveport, Louisiana

Oxford, Ohio

The culture and social history of northwestern Louisiana from the 1830s to the end of the nineteenth century are interpreted at the Pioneer Heritage Center at Louisiana State University-Shreveport. The center, founded in 1976, has seven plantation structures, including two houses listed on the National Register of Historic Places-the Thrasher House, a log dogtrot, and the Caspiana House, the big house from the Caspiana Plantation. Other structures include a detached kitchen, single pen blacksmith shop, doctor’s office, commissary, and riverfront mission.

The William Holmes McGuffy Museum at Miami University in Oxford, Ohio, honors the creator of the McGuffey Readers, which were used to educate five generations of Americans from the mid-nineteenth century until 1920. It also includes materials relating the history of the university and the nineteenth-century domestic life and architrecture of southwestern Ohio. The museum is located in the restored 1833 home of McGuffy, professor of ancient languages and moral philosphy at the university. The house, now a National Historic Landmark, contains McGuffey’s octagon table, lectern, traveling secretary/bookcase, copies of the The structures, exhibits, and artifacts serve as a history labo- McGuffey Eclectric Readers, and portraits of McGuffey and ratory for students, humanities teachers, and the public. his wife, Harriet, as well as other furnishings and decorative School groups receive hands-on tours of the facilities. The arts relating to nineteent-century domestic life in southwestcenter also has an outreach educational program. Annual at- ern Ohio. The museum was founded in 1960 and has an antendance is 5000. nual attendance of 2,500. Pioneer Heritage Center, Louisiana State University-Shreveport, 1 Pioneer Pl., Shreveport, LA 71115-3667. Phone: 318/797-5339. Fax: 318/797-5110. E-mail: [email protected]. Web site: www.lsus.edu/pioneer. Hours: 9-12 Tues.-Fri.; closed Sat.-Mon., Dec. 15-Feb. 1, and major holidays. Marty Young, Director

William Holmes McGuffey Museum, Miami University, 410 E. Spring St., Oxford, OH 45056-3646. Phone: 513/529-8380. Fax: 513/529-2637. E-mail: [email protected]. Web site: www.units.muohio.edu/mcguffeymuseum. Hours: 1-5 Tues.-Fri., 1-4 Sat.-Sun.; closed Mon. and university holidays. Admission: free. Steve Gordon, Administrator 513-529-8381 [email protected]

LaGUARDIA COMMUNITY COLLEGE, CITY UNIVERSITY OF NEW YORK LaGuardia and Wagner Archives Museum Long Island City, New York The LaGuardia and Wagner Archives was established in 1981 at the LaGuardia Community College of the City University of New York in Long Island City to collect, preserve, and make available primary materials documenting the social and political history of New York City. The archives holds the personal papers and official documents (on microfilm) of Mayors Fiorello H. LaGuardia, Robert F. Wagner, Abraham D. Beame, and Edward I. Koch, as well as the records of the New York City Housing Authority, Council of the City of New York, Steinway & Sons (piano maker), and a Queens local history collection. The archives has a museum with exhibits on the history of New York City and the lives of LaGuardia and Wagner, featuring documents, artifacts, photographs, films, and other materials from the archival collections.

MOUNT HOLYOKE COLLEGE Skinner Museum of Mount Holyoke College South Hadley, Massachusetts The Skinner Museum at Mount Holyoke College in South Hadley, Massachusetts, features an eclectic collection of historical materials accumlated and given to the college by Joseph Allen Skinner, a local manufacturer and philanthrophist. Skinner was interested in local history and the artifacts of other cultures, and collected objects from western Massachusetts and around the world during the late nineteenth and early twentieth centuries.

The collection includes such diverse materials as American furniture and decorative arts, lighting devices, arms and armour, American Indian artifacts, a nineteenth-century gentleman’s library, minerals and fossils, agricultural and carpentry tools, cooking utensils, dairying equipment, and cultural objects and souvenirs from his travels abroad. The LaGuardia and Wagner Archives Museum, LaGuardia Com- college received the collection following Skinner’s death in munity College, CUNY, 31-10 Thomson Ave., Room E-238, 1946 and opened the museum in 1932 in keeping with SkinLong Island City, NY 11101-3007. Phone: 718/482-5065. ner’s original vision. The museum, which is administered by

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Historical Museums & Houses the Mount Holyoke College Art Museum, is located in an early nineteenth-century Congregational Church that was moved to its current location from Prescott when the Quabbin Reservoir was created in the 1930s. Skinner Museum, Mount Holyoke College, 33 Woodridge St., South Hadley, MA 01075-1138 (postal address: Mount Holyoke College Art Museum, Lower Lake Rd., South Hadley, MA 010075). Phone: 413/538-2245. Fax: 413/538-2144. E-mail: [email protected]. Web site: www.mtholyoke.edu/artmuseum/skinner.html. Hours: May-Oct.-2-5 Wed., Sun., and by appointment; closed remainder of week, Independence Day, and Nov.-Apr. Admission: free.

warfare since ancient times. The museum’s annual attendance is over 27,500. Naval War College Museum, 686 Cushing Rd., Coasters Harbor Island, Newport, RI 02841-1207. Phones: 401/841-4052 and 401/841-2101. Fax: 401/841-7074. E-mail: [email protected]. Web site: www.nwc.navy.mil/newportlink/museum/museum.aspx. Hours: Oct.-May-10-4:30 Mon.-Fri.; closed Sat.-Sun. and federal holidays; June-Sept.-10-4:30 Mon.-Fri. 12-4:30 Sat.-Sun. Admission: free. John B. Hattendorf, Director 401-841-6020 [email protected]

John R. Stomberg, Florence Finch Abbott Director

MURRAY STATE UNIVERSITY Wrather West Kentucky Museum

NEW MEXICO MILITARY INSTITUTE McBride Museum Roswell, New Mexico

The McBride Museum at the New Mexico Institute in Roswell traces the history of the military school and emphasizes the services of New Mexicans and the institute’s gradThe Wrather West Kentucky Museum at Murray State Uniuates. Founded in 1983, the museum is located on the third versity in Murray is a regional history museum located in floor of Luna Hall, a ca. 1912 former natatorium building. the first permanent building constructed on the campus in 1924. The museum, founded in 1982, seeks to further under- Annual attendance is 4,000. standing of the social, cultural, and economic development McBride Museum, New Mexico Military Institute, Luna of West Kenucky and the Jackson Purchase. It has a collecHall, 101 W. College Blvd., Roswell, NM 88201-5100. tion of period furniture, tools, guns, university memorabilia, Phone: 505/624-8220. Fax: 505/624-8258. E-mail: and other historical objects, and presents permanent exhibits [email protected]. Web site: www.nmmi.edu/museum. and changing exhibitions. Annual attendance is over 20,000. Hours: 8-4 Mon.-Fri. and other times by appointment; Wrather West Kentucky Museum, Murray State University, closed Sat.-Sun. and national holidays. Admission: free.

Murray, Kentucky

N. 16th St. and University Dr., Murray, KY 42071-3315. Phone: 270/809-4771. Fax: 270/809-4485. Web site: www.murraystate.edu/wrather/wrather.htm. Hours: 8:30-4 Mon.-Fri., 10-1 Sat.; closed Sun. and university holidays. Admission: free. Kate Reeves, Manager

June Frosch, Deputy Director of Horgan Library and McBrideMuseum 575-624-8384 [email protected]

NORWICH UNIVERSITY Sullivan Museum and History Center Northfield, Vermont

NAVAL WAR COLLEGE Naval War College Museum

The Sullivan Museum and History Center is a new 16,000-square-foot university history museum that presents permanent exhibits and changing exhibitions at Norwich Newport, Rhode Island University in Northfield, Vermont. It replaced the The Naval War College Museum in Newport, Rhode Island, long-standing Norwich University Museum. The univeris devoted to the history of naval warfare and the naval heri- sity-oriented historical exhibit features objects from a coltage of Narragansett Bay. It was founded in 1952 and moved lection and archives that includes such subjects as to its present location on the grounds of Naval Station New- nineteenth- and twentieth-century academic materials; perport on Coasters Harbor Island in the Narragansett Bay in sonal memorabilia of founder Alden Partridge; achieve1978. The museum, operated by the Naval History and ments of such alumni as Admiral George Dewey and Herritage Command in cooperation with the Naval War Col- Generals Alonzo Jackman and Grenville Dodge; Norwich lege, is housed in the ca. 1820 Founders Hall, a National uniforms; flags; weapons; and military accoutrements. It has Historic Landmark where the college began in 1884. The an annual attendance of over 6,000. degree-granting Navy education and research institution develops and teaches naval warfare ideas. The museum has a Sullivan Museum and History Center, Norwich University, collection of historical artifacts and exhibits on the history 158 Harmon Dr., Northfield, VT 05663-1000. Phone: of the Naval War College, naval activities in the bay area 802/485-2183. Fax: 802/485-2749. E-mail: [email protected]. Web site: www.norwich.edu/musince the colonial period, and the art and science of naval

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OAKLAND UNIVERSITY seum. Hours: 9-4 Mon.-Fri., other times by appointment; closed Sat.-Sun. and university holidays. Admission: free. Marilyn C. Solvay, Director

OAKLAND UNIVERSITY Meadow Brook Hall Rochester, Michigan Meadow Brook Hall is a 110-room, 88,000-square-foot Tudor Revival-style mansion that was the home of Matilda Dodge Wilson, widow of automobile pioneer John Dodge, and her second husband, lumber broker Alfred G. Wilson, founders of Oakland University in Rochester, Michigan. The Wilsons toured the great homes of England on their honeymoon and returned to build their home at Meadow Brook Farm, the family’s country retreat in 1926-29. Much of the castle-like home was inspired by English manor houses of the sixteenth, seventeenth, and eighteenth centuries, and is now known for its beautiful furniture, paintings and decorative arts, fine craftsmanship, exquisite architrectural detailing, and grand scale. The Wilsons, who lived in the home for 38 years, donated Meadow Brook Hall, its collections, the estate’s l,500 acres, and $2 million in 1957 to found what became Oakland University. Meadow Brook Hall, which is listed on the National Register of Historic Places, became a historic house museum in 1971. The hall’s extensive collection includes paintings, prints, drawings, sculpture, furniture, glass, porcelain, pottery, silver, linen, lace, costumes, rugs, textiles, and archival materials. Appoximately 110,000 visitors now come annually to make guided tours of the mansion and to participate in educational programs and special events. Meadow Brook Hall, Oakland University, 2200 N. Squirrel Rd., Rochester, MI 483094401. Phone: 248/364-6200. Fax: 248/3646201. E-mail: [email protected]. Web site: www.meadowbrookhall.org. Tour hours: Sept.-May-1:30 Mon.-Fri., 11:30-2:30 Sat.-Sun.; June-Aug.-11:30-2:30 daily; closed major holidays. Admission: adults, $15; seniors, $10; children under 13, free. Geoff Upward, Executive Director 248-364-6240 [email protected]

OKLAHOMA PANHANDLE STATE UNIVERSITY No Man’s Land Museum Goodwell, Oklahoma The No Man’s Land Museum at Oklahoma Panhandle State University in Goodwell is a Panhandle regional history museum operated by the university in partnership with the Oklahoma Historical Society. Founded in 1934, the museum has collections and exhibits ranging from prehistoric times through the pioneer, Dust Bowl, Depression, and more recent years. It has seven rooms of permanent exhibits-four of which feature items used in the daily lives of early ranchers and homesteaders, those who beat the Dust Bowl and

Depression, and people who witnessed the emergence of the modern Panhandle region. Among the artifacts are antique quilts, horse-drawn hearse and freight wagons, and a large barbed wire collection. The other three rooms are devoted to chipped stone tools, grinding stones, pottery, and other objects used by early Native Americans; exhibits of paleontological and geological materials, including dinosaur footprints; and displays about the history, economy, and ecology of the area. Annual attendance is 4,000. No Man’s Land Museum, Oklahoma Panhandle State University, 207 W. Sewell St., PO Box 278, Goodwell, OK, 73939-0278. Phone: 580/349-2670. E-mail: [email protected]. Web site: www.nmlhs.org. Hours: Sept.-May-10-12 and 1-3 Tues.-Fri., 10-4 Sat., and by appointment; Oct.-Apr.-10-12 and 1-3 Tues.-Sat.; closed Sun.-Mon. and holidays. Admission: free. Debbie Colson, Director/Curator 580-349-2670

OKLAHOMA STATE UNIVERSITY Oklahoma Museum of Higher Education Stillwater, Oklahoma Exhibits on the history of the university and higher education in the state are presented at the Oklahma Museum of Higher Education at Oklahoma State University in Stillwater. The museum is located in historic Old Central, the first and now oldest building on the campus. The 1894 building, which has been restored and is listed on the National Register of Historic Places, contains period rooms, documents, photographs, books, and memorabilia from 1880 to the present, as well as the university’s Honors College. Oklahoma Museum of Higher Education, Oklahoma State University, Old Central, University Ave. and Knoblock St., Stillwater, OK 74078. Phone 405/624-3220. Hours: 9-5 Tues.-Fri., 10-4 Sat.; closed Sun.-Mon. and major holidays. Admission: free. Marvanna Millican, Executive Secretary [email protected]

PACIFIC UNIVERSITY Pacific University Museum Forest Grove, Oregon The collection and exhibits of Pacific University Museum in Forest Grove, Oregon, are devoted to the history and cultural influence of the university. It has a collection of artifacts and other materials related to the university’s history, Tualatin Academy, Asian cultures, and missionary activity, and two galleries with exhibits on the instituition’s history and long association with foreign lands through missionary service and educational work. The museum, founded in

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Historical Museums & Houses 1949 and housed in the 1850 Old College Hall, has an annual attendance of 1,500.

museum was established in 1927 through the efforts of the university’s faculty, students, and townspeople, who began raising funds to purchase Houston’s house and land in 1905, turned them over to the State of Texas in 1936, and obtained state funds to build the main rotunda building.

Pacific University Museum, Old College Hall, 2043 College Way, Forest Grove, OR 97116-1756. Phone: 503/352-2211. Fax: 503/352-2252. Web site: www.pacificu.edu. Hours: 1-4 on 1st Wed. of month and by appointment; closed The rotunda now houses the bulk of the museum’s collecThurs.-Tues. and university holidays and breaks. Admission: tion of artifacts and memorabilia of Houston and his family; free. Santa Anna, the Mexican general and later president who Phil Akers, Vice President, University Relations was defeated by Houston at the Battle of San Jacinto; and other figures of early Texas history. The museum complex also includes Woodland Home, built by Houston in 1848 and occupied by his family during much of his tenure as PASSAIC COUNTY COMMUNITY senator; Steamboat House, where Houston came to live after COLLEGE resigning the governorship in 1861 and where he died in Hamilton Club Building 1863; Houston’s law office; a blacksmith shop; a pottery Paterson, New Jersey shed; a period kitchen building; an exhibit hall; and the The Hamilton Club Building in Paterson, New Jersey, was main museum building. The exhibits trace Houston’s life first opened in 1897 as an exlusive gentlemen’s club. It was and times and Texas history, and include costumed called “a place where members could pursue recreational, social, and intellectual activities among congenial surround- interpreters. ings.” The building was named for Alexander Hamilton, the nation’s first Secretary of the Treasury and a founder of the city. In 1902, the original neo-Italian Renaissance building was destroyed in the Great Paterson Fire, but was rebuilt and reopened the following year.

Sam Houston Memorial Museum, Sam Houston State University, 1836 Sam Houston Ave., PO Box 2057, Huntsville, TX 77341-2057. Phones: 936/294-1832 and 936/294-1831. Fax: 936/294-3670. E-mail: [email protected]. Web site: www.samhouston.memorial.museum. Hours: 9-4:30 Tues.-Sat., 12-4:30 Sun.; closed Mon., New Year’s Day, Thanksgiving, and Christmas. Admission: adults, $4; children 6-17, $2; children under 6, free.

The historic building is known for its marble vestibule, grand staircases, solid oak wainscoting, columns, hand carved mantels, spacious rooms, and now the Passaic County Community College collection of nineteenth- and early twentieth-century paintings, prints, decorative arts, and Patrick B. Nolan, Director sculptures. The college acquired the Hamilton Club Art Col- [email protected] lection of 24 artworks with the building and received a gift of the studio collection of Paterson sculptor Gaetano Federici from the Nicholas Martini Foundationl. They are SHASTA COLLEGE on permanent exhibit throughout the building and a second floor gallery features changing exhibitions by contemporary Shasta College Museum and Research Center artists. The building also houses the college’s Poetry Center Redding, California and the Passaic County Cultural and Heritage Council. Shasta College Museum and Research Center in Redding, California, is a local history museum that is temporarily Hamilton Club Bldg., Passaic County Community College, closed. It has a collection and exhibits of artifacts, papers, 35 Church St., Paterson, NJ 07505. Phone: 973/684-5448. E-mail: [email protected]. Web site: www.pccc.edu/art/galphotographs, and other materials relating to Redding and the lery. Hours: 9-4:30 Mon.-Fri.; closed Sat.-Sun. and univernorthern Sacrmento Valley. The diverse collection consists sity holidays and breaks. Admission: free. of such objects as prehistory materials; early farming, logging, and mining equipment; 1872 separator-thresher; coroMaria Mazziotti Gillan, Executive Director, Passaic County ner’s records from 1851 to 1939; ca. 1900 buggy and Cultural & Heritage Council wagon; early grocery store records; clothing and accessories; 1920s tractor and harvester; and narrow gauge railroad car. Selecions from the collection are displayed in changing SAM HOUSTON STATE UNIVERSITY exhibitions. Annual attendance is 1,000.

Sam Houston Memorial Museum Huntsville, Texas

The Sam Houston Memorial Museum-part of Sam Houston State University-is located on the original 15-acre homestead of pioneer leader Sam Houston in Huntsville, Texas. Houston is celebrated for leading the fight for Texas independence, serving as commander of the Texas army, president of the fledgling Republic of Texas, and senator and then governor of the State of Texas. The living history

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Shasta College Museum and Research Center, 11555 Old Oregon Trail, Redding, CA 96003-7692 (postal address: PO Box 496006, Redding, CA 96040-6006). Phone: 530/242-7520. Fax: 530/225-3046. E-mail: [email protected]. Hours: temporarily closed. Admission: free. Dave Scott, Shasta Historical Society President

SOUTHWESTERN MICHIGAN COLLEGE SOUTHWESTERN MICHIGAN COLLEGE Museum at Southwestern Michigan College Dowagiac, Michigan The Museum at Southwestern Michigan College in Dowagiac has artifacts and exhibits about the history of the college and the area. The college began collecting local historical objects in 1968 and now has approximately 20,000 items in the museum collection. The museum, established in 1982, has the largest collection of artifacts from the Round Oak Stove Company, an 1871 local company that is the largest manufacturer of stoves in the world. It also contains historical materials from the college, families, orgnizations, and such other local firms as the Dowagiac Manufacutring Company, Rudy Furnace Company, and James Heddon’s Sons Fishing Tackle Company. Annual attendance is 7,000. Museum of Southwestern Michigan College, 58900 Cherry Grove Rd., Dowagiac, MI 49047-9726. Phones: 269/782-1374 and 269/782-1000. Fax: 269/782-1460. E-mail: [email protected]. Web site: www.swmich.edu/museum. Hours: 10-5 Tues.-Fri., 11-3 Sat.; closed Sun.-Mon, and college and major holidays. Admission: free. Steve Arceneau, Director

STEPHEN F. AUSTIN STATE UNIVERSITY Stone Fort Museum Nacogdoches, Texas Stone Fort Museum is a local history museum located on the Stephen F. Austin State University campus in Nacogdoches, Texas. It is housed in the 1936 reconstruction of a stone structure built sometime between 1788 and 1791 that has served many different functions, including a home, barracks, trading post, church, jail, and saloon, but never a military fort. The building, which came to be known as the Old Stone Fort, initially was built as a Spanish Colonial house by Don Antonio Gil Y’Barbo, founder of the city. It was torn down for new construction in 1902 and then rebuilt with the original stones in 1936 as part of the Texas centennial observance. The museum interprets the history of east Texas and Nacogdoches prior to 1900, placing emphasis on the Spanish and Mexican periods. It begins in 1690 with the establishment of the Spanish Mission Tejas and ends with the overthrow of the Mexican government by Texas revolutionists in 1836. In addition to the permanent exhibit, the museum presents changing exhibitions each year. Annual attendance is over 8,000. Stone Fort Museum, Stephen F. Austin State University, 1808 Alumni Dr., N., PO Box 6075, Nacogdoches, TX 75962. Phone: 936/468-2408/ Fax: 936/468-7084. E-mail: cspears@sfasu/edu. Web site: www.sfasu.edu/stonefort.

Hours: 9-5 Tues.- Sat., 1-5 Sun.; closed Mon. and university holidays. Admission: free. Carolyn Spears, Director

SUL ROSS STATE UNIVERSITY Museum of the Big Bend Alpine, Texas The Museum of the Big Bend at Sul Ross State University in Alpine, Texas, is dedicated to the prehistory and history of the Big Bend region of Texas and northern Mexico, with an awareness of the region’s cultural diversity. The West Texas Historical Society was founded in 1926 to create a museum devoted to the region, but it was not until 1937 that the museum was constructed. In 2006, the museum structure was completely renovated and new exhibits installed. The museum introduces visitors to the distinctive natural history, human history, and confluence of cultures in the Big Bend region; displays a 64 historic maps of Texas; 25 retabios (small personal devotional paintintgs on tin); and a collection of arrowheads (called Livermore points) collected by Susan James on Mount Livermore in 1906. The museum’s annual attendance is 18,000. Museum of the Big Bend, Sul Ross State University, C-101, Alpine, TX 79832. Phone: 432/837-8143. Fax: 432/837-8901. E-mail: [email protected]. Web site: www.sulross.edu/~museum. Hours: 9-5 Tues.-Sat., 1-5 Sun.; closed Mon. Admission: free. Liz Jackson, Director 432-837-8145 [email protected]

SWEET BRIAR COLLEGE Sweet Briar Museum Sweet Briar, Virginia The Sweet Briar Museum is a history museum at Sweet Briar College in Sweet Briar, Virginia, that feaures artifacts that belonged to its founders, college historical memorabilia, and a collection of eighteenth-, nineteenth-, and twentieth-century decorative arts. The museum, established in 1980, is located in the Boxwood Alumnae House, the former Tuscan Revival villa of Indiana Fletcher Williams, who founded the college in 1901 in memory of her only child who died at the age of 16. In addition to her home, Williams bequeathed the college her clothing, jewelry, furniture, tools, and 9,000-acre plantation. The plantation tool collection is housed in a restored slave cabin adjacent to the museum building. The museum also includes other college historical materials and the alumnae archives. Annual attendance is 5,000. Sweet Briar Museum, Sweet Briar College, Boxwood Alumnae House, PO Box F, Sweet Briar, VA 24595-1050. Phones: 434/381-6246 and 434/381-6207. Fax: 434/381-6132. E-mail: [email protected]. Web site: www.museum.sbc.edu. Hours: Sept.-May-10-5 Mon.-Fri.,

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Historical Museums & Houses other times by appointment; closed Sat.-Sun. and June-Aug. Admission: free.

after the Southern Plains tribes were defeated in the 1874-75 Red River War.

Christian Carr, Director [email protected]ÿ

The State of Texas began restoring the fort in 1936-37 with WPA funds. The two remaining structures, the magazine and part of the corn house, were restored and the commissary, kitchen, well, and two barracks were reconstructed. The 20-acre site now is a county park, with the museum, administered by Fort Belknap Society, in the two-story commissary building, and the archives, operated jointly by the society and Texas Wesleyan College, located in one of the barracks. A third more recently constructed barracks houses the Women’s Building, which contains clothing worn by such people as Mamie Eisenhower, Lady Bird Johnson, and Jean MacArthur. The fort collection includes Indian artifacts, household items from the 1850s-90s and early photographs.

TEXAS TECH UNIVERSITY National Ranching Heritage Center Lubbock, Texas The National Ranching Heritage Center at Texas Tech University in Lubbock is a museum and historical park that preserves the history of ranching, pioneer life, and the development of the livestock industry. The 30-acre facility, which was dedicated in 1976, features 38 authentic ranch structures that have relocated from some of the West’s best-known ranches and show the evolution of ranch life from the late 1700s through the early 1900s. The heritage center is located adjacent to the Museum of Texas Tech University, which also books visits to the historic structures. Each building has been restored, furnished, and outfitted to reflect the period of its operation and the geography of its original location. The center also has historic windmills, dugouts, barns, corrals, and pens, as well as a bunkhouse, blacksmith shop, one-room schoolhouse, ranch headquarters buildings, depot, locomotive, and stock cars. Some of the buildings can be toured. The center also presents changing exhibitions, educational programs, and special events relating to ranch history and lifestyles. National Ranching Heritage Center, Texas Tech University, 3121 4th St., PO Box 43200, Lubbock, TX 79409-3200. Phone: 806/742-0498. Fax: 806/742-0616. E-mail: [email protected]. Web site: www.depts.ttu.edu/ranchhc. Hours: 10-5 Mon.-Sat., 1-5 Sun.; closed New Year’s Day, Martin Luther King, Jr. Day, Easter, Memorial Day, Independence Day, Labor Day, Thanksgiving, and Christmas Eve and Day. Admission: donation. Jim Pfluger, Executive Director 806-742-0498 [email protected]

TEXAS WESLEYAN COLLEGE Fort Belknap Museum and Archives Newcastle, Texas The Fort Belknap Museum and Archives near Newcastle, Texas, tells the story of one of the westerly forts built to protect settlers and emigrants in the Red River area after the 1845 Texas annexation and the 1846-48 Mexican War. The fort also guarded with Fort Phantom Hill, the Fort Smith-El Paso Road, the northern anchor on the Brazos River and near dangerous Kiowa and Comanche country, which was a major link in the transcontinental route pioneered in 1849 by Captain Radolph N. Macy. The fort was abandoned in 1859 as the frontier moved west with new forts, but was used by Confederate and Union forces during the Civil War to protect the area from hostile Indians. It was closed permanently

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Fort Belknap Museum and Archives, Texas Wesleyan College, Market Rd., Rural Rte. 1, Newcastle, TX 76372 (postal address: PO Box 444, Graham, TX 76450-0444). Phone: 940/846-3222. Hours: grounds-sunrise-sunset; museum-9-12 and 1:30-5 Mon.-Tues. and Thurs.-Sat., 1-5 Sun.; closed Wed.; archives-8:30-5:30 Sat.; closed Sun.-Fri. Admission: grounds and museum-free; archives-adults, $10. Dorman Holob, Archivist, Fort Belknap Archives txarchives.me.com

TRINE UNIVERSITY General Lewis B. Hershey Museum Angola, Indiana The General Lewis B. Hershey Museum at Trine University (formerly Tri-State University) in Angola, Indiana, honors an alumnus who served as director of the nation’s Selective Service System from 1941 to 1970. Founded in 1970, the museum traces Hershey’s life and contains such items as the lottery bowl and caspsule mixer from World War II and the Korean and Vietnam conflicts and draft materials since the Civil War. General Lewis B. Hershey Museum, Trine University, Ford Hall, 318 S. Darliling St., Angola, IN 46703 (postal address: 1 University Ave., Angola, IN 46703-1764. Phones: 260/665-4162 and 260/665-4100. Fax: 260/665-4283. Hours: 8-4:30 Mon.-Fri., other times by appointment; closed Sat.-Sun. and national holidays. Admission: free. Earl D. Brooks, Trine University President

TRUMAN STATE UNIVERSITY Ruth W. Towne Museum and Visitors Center Kirksville, Missouri Truman State University (formerly Southeast Missouri State University) in Kirksville, Missouri, has a 7,400-square-foot multi-purpose facility that is a combination museum and visitor center, called the Ruth W. Towne Museum and Visitors Center. The museum is basically a history museum devoted to the heritage of the university. It covers

TRUMAN STATE UNIVERSITY approximately 3,000 square feet and features multimedia and electronic exhibits. The museum/visitor center, located in Kirksville’s former fire station, is named for Dr. Ruth W. Towne, long-time professor of history and dean emeritus of graduate studies, whose $1 million bequest in 1999 largely went to the construction and operation of the museum. Ruth W. Towne Museum and Visitors Center, Truman University, Franklin and Normal Sts., Kirksville, MO 63501. Phone: 660/785-4000. Web site: www.townemuseum.truman.edu. Hours: 8-5 Mon.-Fri. (also 10-2 during one Sat. in Sept.-Jan.); closed Sat.-Sun. and university holidays. Admission: free. Richard Coughlin, Interim Provost and Vice President for Academic Affairs

TRUMAN STATE UNIVERSITY E. M. Violette Museum

War led to impeachment proceedings, but he was acquitted and later again was elected senator. The museum/library, established in 1942, is located in an 1841 building on the campus that is listed on the National Register of Historic Places. It contains exhibits and personal artifacts of Andrew Johnson and his family and Johnson’s library. The building also houses the college’s archives. The collections include Johnson family possessions, political memorabilia, music sheets, manuscripts, maps, photographs, newspapers, and artifacts and other materials related to the history of the college. Annual attendance is 2,800. President Andrew Johnson Museum and Library, Tusculum College, PO Box 5026, Greenville, TN 37743. Phone: 423/636-7348. Fax: 423/638-7166. E-mail: [email protected]. Web site: www.ajmuseum.tusculum.edu. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. George Collins, Director

Kirksville, Missouri The E. M. Violette Museum at Truman State University in Kirksville, Missouri, specializes in Missouriana, with an emphasis on the history and development of the northeast Missouri region. It was founded in 1913 by Professor of History E. M. Violette, who collected historical materials for use in the classroom and display in an exhibit hall. The museum, which was named for Violette by the regents in 1940, contained historical and military objects, Native American artifacts, and other materials. But the museum has been closed for an indefinite period, with some of its collection being exhibited in the Pickler Memorial Library and the Ruth W. Towne Museum and Visitors Center (see separate listing). E. M. Violette Museum, Truman University, John R. Kirk Memorial, Truman University, Kirksville, MO 63501-4221. Phone: 660/785-4532. Fax: 660/785-7415. E-mail: [email protected]. Web site: www.library.truman.edu/weblinks/violette_museum/mainpage.htm. Hours: closed indefinitely. Amanda Langendoerfer, Special Collections Librarian/Archivist 660-785-4038 [email protected]

TUSCULUM COLLEGE President Andrew Johnson Museum and Library

TUSCULUM COLLEGE Doak House Museum Greenville, Tennessee The Doak House Museum in Greenville, Tennessee, is located in the 1818 home of Samuel W. Doak, founder of Tusculum College. Founded in 1980, the museum features artifacts, documents, period furniture, and printed and written materials related to Doak and the history of the college and eastern Tennessee. Annual attendance is 6,500. Doak House Museum, Tusculum College, PO Box 5026, Greenville, TN 37743. Phones: 423/636-8554 and 423/636-7348. Fax: 423/638-7166. E-mail: www.clucas.lusculum.edu. Web site: www.doakhouse.tusculum.edu. Hours: 10 Tues.-Sat., other times by appointment; closed Sun.-Mon. and major holidays. Admission: adults, $2; children, $1. Dollie Boyd, Interim Director [email protected]

U. S. AIR FORCE ACADEMY Barry Goldwater Air Force Academy Visitor Center Colorado Springs, Colorado

The Barry Goldwater Air Force Academy Visitor Center in Colorado Springs, Colorado, provides information to visiThe President Andrew Johnson Museum and Library at tors about academy history and cadet life in exhibits and a Tusculum College in Greenville, Tennessee, honors the sev- 14-minute film. The 31,600-square-foot visitor center, enteenth president of the United States. He was a local tailor which opened in 1986, is named for former Senator Barry who became a congressman, governor, senator, brigadier M. Goldwater, an avid support of the academy. It has a general, vice president, and succeeded to the presidency on 5,652-square-foot exhibit area, 250-seat theater, gift shop, the death of Abraham Lincoln and served in 1865-69. Difand snack bar. ferences with Congress over Reconstruction after the Civil Barry Goldwater Air Force Visitor Center, U.S. Air Force Academy, Academy Dr., Colorado Springs, CO 80903. Phone: 719/333-2025. E-mail: [email protected]. Web

Greenville, Tennessee

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Historical Museums & Houses site: www.usafa.edu/superintendendant/pa/visitor-center. and the U. S. Military Academy, the evolution of warfare, Hours: 9-5 daily; closed New Year’s Eve and Day, and development of America’s armed forces. The museum Thanksgiving, and Christmas Eve and Day. Admission: free. has approximately 45,000 objects in its collection, which includes weapons, uniforms, documents, paintings, sculpture, prints, photographs, and other artifacts relating to the evolution of warfare from ancient times to the present. The muU. S. COAST GUARD ACADEMY seum has six galleries with such themes as the history of American wars, American Army in peace, warfare, small U. S. Coast Guard Museum arms, and large weapons. New London, Connecticut The U. S. Coast Guard Museum in New London, Connecticut, is devoted to the history and missions of the nation’s premier maritime service since its founding in 1790. The museum, which was founded in 1967, contains a collection that has been accumulated over the last century. It has marine artifacts, paintings, prints, photographs, figureheads, flags, uniforms, medals, historic boats, and ship and aircraft models. In addition to Coast Guard materials, the collection includes artifacts from such predecessor agencies as the U. S. Lighthouse Service, U.S. Life-Saving Service, Steamwhip Insection Service, and U. S. Revenue Cutter Service. Among the exhibits are models ranging from early steamships to today’s 270-foot cutter, a display showing changes in ship design over the last 200 years, figurehead carvings, paintings, uniforms, and a rare 10-foot tall set of Fresnel lenses once used at the Cape Ann lighthouse in Massaxhusetts. While walking the grounds, visitors also sometimes have an opportunity to board the barque Eagle and review the cadets. Annual attendance is 25,000. U. S. Coast Guard Museum, U. S. Coast Guard Academy, 15 Mahegan Ave., New London, CT 06320-4195. Phone: 860/444-8511. Fax: 860/701-6700. E-mail: [email protected]. Web site: www.uscg.mil/hq/cg092/museum. Hours: 9-4:30 Mon.-Fri.; closed Sat.-Sun. and federal holidays. Admission: free. Christopher B. Havern, Commandant, US Coast Guard History Office

U. S. MILITARY ACADEMY West Point Museum West Point, New York The West Point Museum at the U. S. Military Academy in West Point, New York, opened to the public in 1854, although its collection predates the founding of the nation. The collection began with materials brought to West Point after the British defeat at Saratoga in 1777 during the Revolutionary War, and used in cadet instruction after the academy opened in 1802. By the 1820s, a teaching collection of artifacts was developed, and then the academy was designated by executive order as the permanent depository of war trophies after the 1846-48 Mexican War. Today, the West Point Museum is considered the oldest and largest diversified public collection of miltaria in the West Hemisphere.

West Point Museum, U.S. Military Academy, Orchard Hall, Bldg. 2110, West Point, NY 10996.Phones: 845/938-2203 and 845/938-3590. Fax: 845/938-7478. E-mail: [email protected]. Web site: www.usma.edu/museum. Hours: 10:30-4:15 daily; closed New Year’s Day, Thnksgiving, and Christmas. Admission: free. David Reel, Director

U. S. NAVAL ACADEMY U. S. Naval Academy Museum Annapolis, Maryland The U. S. Naval Academy Museum in Annapolis, Maryland, chronicles the history of the naval academy and shows the role of the Navy in war and peace. The museum originated in 1845 with the establishment of the Naval Academy Lyceum, a collection of historical and natural objects, scientific models and apparatus, and works of art used for study and discussion. In the years that followed, the collection grew with the addition of historic flags, ship models, war trophies, weapons, expedition and diplomatic mission items, and more artworks. The museum’s present four-story building was built in 1939 and expanded in 1962 to house the collection and exhibits. Objects from the collection also are displayed in other academy buildings and on the grounds to inspire midshipmen and visitors and further interest in naval history. The museum’s collection now includes ship models, flags, uniforms, firearms, swords, ship instruments and gear, documents, manuscripts, medals, paintings, prints, sculpture, photographs, rare books, and personal memorabilia. Among the artifacts are more than 600 historic American and captured foreign flags, 1,210 commemorative coin-medals dating from 254 b.c., and objects and documentary materials related to such naval figures as John Paul Jones, Stephen Decatur, Oliver H. Perry, David C. Farragut, Chester W. Nimitz, and William F. Halsey. Among the historic objects exhibited are artifacts from such famous ships as the USS Constitution and USS Monitor; memorabilia of early leaders like Edward Preble, ann Isaac Hull. U. S. Naval Academy Museum, 118 Maryland Ave., Annapolis, MD 21402-5034. Phone: 410/293-2108. Fax: 410/293-5220. Web site: www.usna.edu/museum. Hours; 9-5 Mon.-Sat., 11-5 Sun.; closed New Year’s Day, Thanksgiving, and Christmas Admission: free.

The museum supports cadet academic, military, and cultural instruction and gives the public an overview of the nation’s military history. The collection includes nearly all aspects of J. Scott Harmon, Director [email protected] military history and encompasses the history of West Point

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UNIVERSITY OF ALABAMA UNIVERSITY OF ALABAMA Gorgas House Tuscaloosa, Alabama The Gorgas House is an 1829 historic house museum at the University of Alabama in Tuscaloosa. The house, which originally was built as a dining hall for university students, was the home of Josiah and Amelia Gayle Gorgas from 1878 to 1953. It became a historic house museum at the university in 1954.The building was one of four that survived the burning of the campus by Union troops in 1965 during the Civil War. It now features a collection of eighteenth- and nineteenth-century Spanish silver. Annual attendance is 4,000. Gorgas House, University of Alabama, Capstone at McCorvy Dr., Tuscaloosa, AL 35487 (postal address: University of Alabama Museums, PO Box 870340, Tuscaloosa, AL 35487). Phones: 205/348-5906 and 205/348-7550. Fax: 205/348-9292. Web site: www.gorgashouse.ua.edu. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Robert Clouse, Executive Director, UA Museums

UNIVERSITY OF COLORADO CU Heritage Center Boulder, Colorado The CU Heritage Center at the University of Colorado in Boulder has nine galleries relating to different aspects of the university’s history. They cover such subjects as the university’s presidents, architecture, athletics, notable alumni, space exploration, Glenn Miller, and changing exhibitions. Founded in 1985, the museum is housed in Old Main, the first campus building opened in 1876. Annual attendance is 21,600.

changed the lives of their immigrant neighbors and influenced national and international public policies in such areas as public health and education, free speech, fair labor practices, immigrants’ rights, recreation and public space, the arts, and philanthropy. Hull-House attracted world attention with its innovative social, educational, and artistic programs, such as housing and feeding the poor and homeless and educating women and children. The museum, founded in 1967, is located in the two remaining buildings of the 13 that comprised the center by 1911 and became the model for the social movement that grew to almost 500 settlement houses nationally by 1920. Only the original Hull-House and another building survive today at the site that now is part of the Chicago campus of the Universitry of Illinois. They are the 1856 Hull-House, a National Historic Landmark mansion which Addams obtained from the estate of Charles J. Hull, and the Residents’ Dining Hall, an Arts and Crafts Movement building added later. Hull-House recently was renovated and reformatted, opening the second floor to exhibits of the center’s history and stories of residents and immigrants with artifacts. Jane Addams Hull-House Museum, University of Illinois at Chicago, 800 S. Halsted St., M/C 051, Chicago, IL 60607-7017. Phone: 312/413-5353 Fax: 312/413-2092. E-mail: [email protected]. Web site: www.uic.edu/jaddams/hull. Hours: 10-4 Tues.-Fri., 12-4 Sun.; closed Mon., Sat., and major holidays. Admission: free. Lisa Yun Lee, Director 312-413-5358 [email protected]

UNIVERSITY OF IOWA Old Capitol Museum Iowa City, Iowa

The Old Capitol in Iowa City was Iowa’s last territorial capitol in 1842-46 and the state’s first capitol when Iowa CU Heritage Center, University of Colorado, Old Main, was admitted to the Union in 1846. The Old Capitol became 1600 Pleasant St., Campus Box 456, Boulder, CO 80309. the University of Iowa’s first building when the capitol was Phone: 303/492-6329. Fax: 303/492-1244. E-mail: moved to Des Moines in 1857. It served as a library, chapel, [email protected]. Web site: www.cuheritage.org. armory, and classroom/office buiding before becoming a Hours: Sept.-May-10-5 Mon.-Fri.; closed Sat.-Sun. and uni- museum in 1976. The museum has a collection of period versity holidays; Junefurniture and furnishings and the original library collection and contains permanent exhibits and changing exhibitions Aug.-10-4:30 Mon.-Fri.; closed Sat.-Sun. and Independence on the history of the building and the university. Annual atDay. Admission: free. tendance is 30,000. Allyson Smith, Director 303-492-6329 [email protected]

UNIVERSITY OF ILLINOIS AT CHICAGO Jane Addams Hull-House Museum Chicago, Illinois The Jane Addams Hull-House Museum at the University of Illinois at Chicago is a memorial to the social reformer who was the first American woman to receive the Nobel Prize and her colleagues. Addams and Ellen Gates Starr co-founded the Hull-House settlement house in 1889 that

Old Capitol Museum, University of Iowa, 21 Old Capitol, Iowa City, IA 52242. Phone: 319/335-0548. Fax: 319/353-2982. E-mail: [email protected]. Web site: www.uiowa.edu/~oldcap. Hours: 10-3 Tues.-Wed. and Fri., 10-5 Thurs. and sat., 1-5 Sun; closed Mon., Dec. 23-mid-Jan., and national holidays. Admission: free. Shalla Wilson Ashworth, Director of Operations, Pentacrest Museums 319-384-3601 [email protected]

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Historical Museums & Houses UNIVERSITY OF KANSAS Robert J. Dole Institute of Politics Lawrence, Kansas The Robert J. Dale Institute of Politics at the University of Kansas in Lawrence seeks to promote political and civic participation and discourse in a bipartican manner by providing a forum for discussion of political and economic issues, fostering public service leadership, and encouraging participation in the political process. The institute opened in 2003 to honor the long-time Kansas senator and former student and to provide a home for one of the nation’s largest collections of Congressional papers. It has become a center for research, training, public programming, exhbitry, and special events. The 28,000-square-foot institute has an exhibit area that includes 29 displays and 6 videos that trace Dole’s life and career, serve as memorials to Kansas World War II veterans and World Trade Center victims, and explain the legislative process. Robert J. Dole Institute of Politics, University of Kansas, 2350 Petefish Dr., Lawrence, KS 66045-7555. Phone: 785/684-4900. Fax: 785/684-1414. E-mail: [email protected]. Web site: www.doleinstitute.org. Hours: 9-5 Mon.-Sat., 12-5 Sun.; closed New Year’s Day, Easter, Thanksgiving, and Christmas Eve and Day. Admission: free. William B. Bill Lacy, Director 785-864-4900 [email protected]

UNIVERSITY OF MARY WASHINGTON James Monroe Museum and Memorial Library Fredericksburg, Virginia The James Monroe Museum and Memorial Library in downtown Fredericksburg, Virginia, has the largest repository of artifacts and documents related to the fifth president of the United States. The museum/library, which was opened in 1927 by Monroe’s descendants, is now owned by the Commonwealth of Virginia and administered by the University of Mary Washington. The site is where Monroe once had a law office in a building that no longer exists. The museum/library building consists of three structures constructed at different times beginning in 1816 that eventually were combined into one. The museum houses over 1,600 personal items, decorative arts, costumes, and memorabilia, and has an archives with more than 10,000 documents and a library with over 3,000 rare and historic books. Guided tours are offered of the five galleries with exhibitions of Monroe’s life, career, and family, as well as some of the original furniture, furnishings, clothing, and artworks. Annual attendance is 10,000. James Monroe Museum and Memorial Library, University of Mary Washington, 908 Charles St., Fredericksburg, VA 22401-5801. Phone: 540/654-1043. Fax: 540/654-1106. E-mail: [email protected]. Web site: www.umw.edu/jamesmonroemuseum. Hours:

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Mar.-Nov.-10-5 Mon.-Sat., 1-5 Sun.; Dec.-Feb.-10-4 daily; closed New Year’s Eve and Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $5; students and children, $1. Cathleen A. Romine, Office Manager cromine@mwu@edu

UNIVERSITY OF MARY WASHINGTON Gari Melchers Home and Studio at Belmont Fredericksburg, Virginia The Gari Melchers Home and Studio at Belmont in Fredericksburg, Virginia, features the furnished country house and working studio of the American impressionist artist as they appeared in the 1920s. The artist’s widow, Corinne Melchers, deeded the 27-acre estate with a 1790s Georgian manor house, 1924 stone studio, seven other facilities, and Melchers’ collections to the Commonwealth of Virginia as a memorial to her husband in 1942. Administration of the property originally turned over to the Virginia Museum of Fine Arts, and then transferred to the University of Mary Washington, located 1 mile from the site, in 1960. The estate opened as a historic house museum in 1975. The manor house has a rich collection of antiques, most of which were collected by Melchers during his residence and travels abroad, and the walls contain paintings and prints by Melchers, American and European contemporaries, and earlier masters. The studio has more of Melchers’ work. Approximately 500 of his paintings and 1,200 drawings, studies, and prints are located at the Belmont estate, as well as works by Morisot, Zorn, Hassam, Snyders, and others. Exhibitions from the collection are presented in the studio’s three galleries. The grounds have formal gardens and wooded hiking trails. The Stafford County Visitor Center also is located at the site. Annual attendance is 18,000. Gari Melchers Home and Studio at Belmont, University of Mary Washington, 224 Washington St., Fredericksburg, VA 22405-2360. Phone: 549/654-1015. Fax: 540/654-1785. E-mail: belmont.umw.edu. Web site: www.unw.edu/gari_melchers. Hours: 10-5 daily; closed New Year’s Eve and Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $10; seniors, $9; children 6-18, $5; children under 6, free. David Berreth, Director 540-654-1840 [email protected]

UNIVERSITY OF MASSACHUSETTS LOWELL Patrick J. Mogan Cultural Center Lowell, Massachusetts A wide range of historical exhibitions are presented by the Center for Lowell History at the University of Massachusetts Lowell. The exhibitions in the Patrick J. Mogan Cultural Center cover such diverse subjects as historical figures,

UNIVERSITY OF MASSACHUSETTS LOWELL ethnic groups, health care, community monuments, neighborhoods, and local organganizations and businesses.

took place on July 1, 2011. It had an annual attendance of 150,000.

Patrick J. Mogan Cultural Center, University of Massachusetts Lowell, Center for Lowell History, 40 French St., Lowell, MA 01852-1113. Phone: 978/934-4997. Fax: 978/934-4997. Web site: library.umi.edu/clh/index.html. Hours: varies. Admission: free.

Henry Ford Estate-Fair Lane, University of Michigan-Dearborn, 4901 Evergreen Rd., Dearborn, MI 48128-2406. Phone: 313/593-5590. Fax: 313/593-5243. E-mail: [email protected]. Web site: www.henryfordestate.org. Hours: closed with ownership and operation transferred to the Edsel and Eleanor Ford House in Grosse Pointe Shores, MI.

Martha Mayo, Director,Center for Lowell History 978-934-4998 [email protected]

UNIVERSITY OF MASSACHUSETTS LOWELL Middlesex Canal Collection Lowell, Massachusetts The Center for Lowell History at the University of Massachsetts at Lowell offers exhibitions from its Middlesex Canal Collection about a 27-mile canal from Merrimack River to the Medford River that operated between 1803 and 1860. The canal was the first major canal built in the United States. It wasconstructed in 1793-1803, had 20 locks and eight aqueducts, and initially was quite successful. However, it later closed because of construction cost overruns, lower than expected usage, and competiton from railroads. Annual attendance is 15,000.

UNIVERSITY OF MINNESOTA, DULUTH Glensheen Historic Estate Duluth, Minnesota The Glensheen Historic Estate is a historic house site along Lake Superior in Duluth, Minnesota, that features a 1905-08 manor house with 39 rooms on a 6.7-acre estate operated by the University of Minnesota. The neo-Jacobean mansion was the home of Chester A. Congdon, a lawyer who became a leading mining, banking, and agricultural figure in the region. The estate was given to the university in 1968 by Elisabeth Congdon, the youngest daughter of Chester and Clara Congdon, and opened to the public in 1979. It now is listed on the National Register of Historic Places. The mansion, which resembles an early seventeenth-century English country estate, contains its original furniture and furnishings, Oriental rugs, stained glass windows, silk embroidery dome, and works by American and European artists. The estate also has formal gardens, carriages and sleighs, carriage house, gardener’s cottage, and boathouse. Annual attendance is 58,000.

Middlesex Canal Collection, University of Massachuysetts at Lowell, Center for Lowell History, 40 French St., Lowell, MA 01852-1113, Phone: 978/934-4997. Fax: 978/934-4995. E-mail: [email protected]. Web site: www.library.uml.edu/clh. Hours: 9 a.m.-9 p.m. Tues., 9-5 Thurs., 10-3 Sat.; closed remainder of week and university holidays. Admission: free. Glensheen Historic Estate, University of Minnesota, 33 London Rd., Duluth, MN 55804-2010. Phones: Martha Mayo, Director,Center for Lowell History 978-934-4998 218/726-8910 and 888/454-4536. E-mail: [email protected] [email protected]. Web site: www.glensheen.org. Hours: mid-May - Mid-Oct.-9-5:30 daily; mid-Oct. mid-May-9:30-3:30 Sat.-Sun. by appointment; closed UNIVERSITY OF Mon.-Fri., New Year’s Day, Thanksgiving, and Christmas. MICHIGAN-DEARBORN Admission: grounds, $5; house-adults, $15; seniors, $14’ children 6-12, $9; children under 6, free; families, $45. Henry Ford Estate-Fair Lane

Dearborn, Michigan The Henry Ford Estate, which the automobile pioneer called Fair Lane, was donated to the University of Michigan for the creation of its Dearborn branch campus in 1957. The founder of the Ford Motor Company and his wife, Clara, lived in the 1914 mansion for over 30 years before it became a historic house site operated by the university. However, ownership of the property was transferred to the Edsel and Eleanor Ford House, the former home and museum of one of the Fords’ sons, in Grosse Pointe Shores, Michigan, in 2011 for restoration and more professional preservation care. It will reopen in stages, beginning in 2013 and continuting to 2017. Fair Lane was owned and operated by the University of Michigan for 53 years before the transfer

Dennis Lamkin, President, Glensheen Advisory Council

UNIVERSITY OF MISSISSIPPI Rowan Oak, Home of William Faulkner Oxford, Mississippi Rowan Oak was home of author William Faulkner in Oxford, Mississippi, from 1930 to 1962. It now is a University of Mississippi historic house that has been designated a National Historic Landmark and National Literary Landmark. The 1844 Greek Revival house was built by a Colonel Robert Sheegog of Tennessee who settled in Oxford when it was a small frontier settlement. Faulkner purchased the house when it was in disrepair and did much of the renovations

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Historical Museums & Houses himself. It was Faulker’s family home for 42 years until his death in 1962. Faulkner gave the historic house its Rowan Oak name. It is where his imagination was stimulated by local stories of the early days and his memories of coming of age in a changing South, resulting in many of his works and the Nobel Prize in Literature in 1949 and Pulitzer Prize in 1954 and 1962. The house is located on 4 landscaped acres and has over 29 acres of largely wooded grounds. The University of Mississippi bought the home from Faulkner’s daughter in 1972, and it now is operated as a historic house as part of the university museum. Annual attendance is 27,000.

UNIVERSITY OF PITTSBURGH Stephen Foster Memorial Pittsburgh, Pennsylvania

The Stephen Foster Memorial at the University of Pittsburgh in Pennsylvania is a multi-purpose building honoring the Pittsburgh native and composer known for such songs as My Old Kentucky Home, Oh Susanna, Camptown Races, and Jeanie with Light Brown Hair. It contains two museums (Stephen Foster Memorial Museum and Center for American Music Museum), the Foster Hall Collection (containing matertials pertaining to the composer), two theaters, and other music-related facilities. The memorial, a project of the Rowan Oak, Home of William Faulkner, University of Mis- Tuesday Musical Club, was opened in 1937 following a sissippi, 916 Old Taylor Ave., Oxford, MS 38655 (postal adlarge gift of Foster and materials from collector Josiah dress: University of Mississippi Museum, PO Box 1848, Kirby Lilly of the Indianapolis pharmaceutical family. Oxford, MS 8677-1848). E-mail: [email protected]. Web site: www.olemiss.edu. Hours: house-10-4 Tues.-Sat., Deane L. Root, Director, Center for American Music 1-4 Sun.; closed Mon., New Year’s Eve and Day, Independence Day, Thanksgiving, and Christmas Eve and Day; grounds-sunrise-sunset daily. Admission: house-adults, $5; UNIVERSITY OF PITTSBURGH children, free; grounds-free. William Pittman Andrews, Director, University of Mississippi Museum

UNIVERSITY OF MISSISSIPPI Walton-Young Historic House Oxford, Mississippi The Walton-Young Historic House is a typical middle class home of the Victorian era that now is a historic house at the University of Mississippi in Oxford. It was built in 1880 by Horace H. Walton, who owned a hardware store; operated as a student boarding by his widow, Lydia, after his death in 1891; and the home of her new family when she married Dr. Alfred Alexander Young, a country physician and widower with two children, in 1895. One of the children was Stark Young, who lived there while attending the university and later became a well-known novelist and playwright. After the death of Dr. and Mrs. Young in 1925, the First Presbyterian Church used the house for a parsonage until purchased by the university in 1974 and housed the Center for the Study of Southern Culture and the Honors College. The house has been operated as a historic house since 1997 by the University of Mississippi Museum, which is located adjacent to the house. Walton-Young Historic House, University of Mississippi, 5th St. and University Ave., Oxford, MS 38655 (postal address: University of Mississippi Museum, PO Box 1848, Oxford, MS 38677-1848). Phone: 662/915-7073. E-mail: [email protected]. Web site: museums.oldemiss.edu/historic-homes/walton-young-historic-house. Hours: Sept.-May-10-12 and 1-4 Fri. and by appointment; closed Sat.-Thurs. and June-Aug. Admission: free. William Pittman Andrews, Director, University of Mississippi Museum

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Stephen Foster Memorial Museum Pittsburgh, Pennsylvania The Stephen Foster Memorial Museum in the University of Pittsburgh’s Stephen Foster Memorial building contains exhibits about the life and works of the noted composer. Among the exhibits are displays of one of Foster’s pianos and other musical instruments; copies of many of his over 200 compositions; memorabilia related to Foster’s life; examples of recordings, songsters, broadsides, and programs; and materials from the memorial’s Foster Hall Collection relating to the composer’s life. Stephen Foster Memorial Museum, University of Pittsburgh, 4301 Forbes Ave., Pittsburgh, PA 15260. Phone: 412/624-4100. Web site: www.pitt.edu. Hours; 9-4 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Deane L. Root, Director, Center for American Music [email protected]

UNIVERSITY OF SOUTHERN INDIANA Historic New Harmony New Harmony, Indiana Historic New Harmony is a joint museum/preservation program of the University of Southern Indiana and the Indiana State Museum and Historic Sites agency in downstate New Harmony. Founded in 1974, the outdoor museum is located at the site of two early utopian experiments-George Rapp’s 1814-25 Harmony Society and Robert Owen’s New Harmony settlement in 1824-27. It also was the early headquarters for the U. S. Geological Service. Historic New Harmony now has approximately 12 historic structures from the 1814-24 period and 20 from the 1830-1920 period, and the collection includes such items as geological and natural science specimens from the early geological surveys, his-

UNIVERSITY OF TAMPA toric theater materials, manuscripts, and 81 hand-colored Maximilian-Bodmer lithographs.

in the Arno Nowotny Building on the campus, has five additional divisions located in four regions of the state.

Guided walking tours are offered daily of the historic district from March 15 through December 30. They begin at the Athenbeum/Visitor Center, which has an orientation film and exhibits about New Harmony and is open year around (except for major holidays). The tour takes visitors into many of the historic sites. Among the special programs offered are gallery talks, educational programs, workshops, concerts, dance recitals, dramas, and arts festivals. Annual attendance is over 21,000.

The Research and Collections Division is located in Sid Richardson Hall Unit 2 on the campus. It is the main research facility and the repository for most of the center’s book, manuscript, map, newspaper, photographic, sound, and ehemera collections. It also presents exhibitions drawn from the research collections. The Institute for Studies in American Military History is an archival and educational outreach program with research projects and publications, conferences ad symposia, and international study trips related to World War II. The three other divisions are the Sam Rayburn Library and Museum in Bonham; John Nance Garner Museum in Uvalde; and Windale, a complex of historical structures, in Round Top (see separate listing).

Historic New Harmony, 603 West St., PO Box 579, New Harmony, IN 47631-0579. Phones: 812/682-4488 and 800/231-2168. Fax: 812/682-4313. E-mail: [email protected]. Web site: www.newharmony.org. Hours: Atheneum/Visitor Center-9:30-5 daily; closed New Years Eve and Day, Easter, Thanksgiving, and Christmas Eve and Day; tours-Mar. 15-Dec. 30: times vary with tours; tours remainder of year.by appointment. Tour tickets: Antheneum tour-$3 per person; village tours-adults, $10; children 7-17, $5; children under 7, free; families, $25.

Dolph Briscoe Center for American History Resarch and Collections Div., University of Texas at Austin, 1 University Station D110, Austin, TX 78712-0335. Phone: 512/495-4515. Fax: 512/495-4542. Web site: www.cah.utexas.edu. Hours: 10-5 Mon.-Fri., 9-2 some Sat.; closed Sun. , Martin Luther King Day, Thanksgiving and weekend,, Dec. 24-Jan. 1, and some university breaks. AdBruce McConachie, Chair, University of Pittsburgh Dept. of Theatre mission: free. Arts 412-624-6156 [email protected]

UNIVERSITY OF TAMPA Henry B. Plant Museum Tampa, Florida The Henry B. Plant Museum is a history and decorative arts museum operated by the University of Tampa in the 1891 former Tampa Bay Hotel of Moorish architecture in the Florida city. It features the original furnishings and objects of the Gilded Age from the hotel; the Plant System’s railroad, steammship, and hotel artifacts; and a Spanish-American War collection. The museum, established in 1933, has an annual attedance of 55,000. Henry B. Plant Museum, University of Tampa, 401 WE. Kennedy Blvd., Tampa, FL 33606-1450. Phone: 813/258-7301. Fax: 83/258-7272. E-mail: [email protected]. Web site: www.plantmuseum.com. Hours: 10-4 Tues.- Sat., 12-4 Sun.; closed Mon., Thanksgiving, and Christmas.Admission: suggested donations-adults, $5; children, $3. Cynthia Gandee, Executive Director [email protected]

UNIVERSITY OF TEXAS AT AUSTIN Dolph Briscoe Center for American History Austin, Texas The Dolph Briscoe Center for American History at the University of Texas at Austin is a major history research center that collects, preserves, and makes available documentary and mataerial culture evidence encompassing key themes in Texas and United States history. The center, headquartered

Dr. Don E. Carleton, Executive Director 512-495-4684 [email protected]

UNIVERSITY OF TEXAS AT AUSTIN Sam Rayburn Library and Museum Bonham, Texas The Sam Rayburn Library and Museum in Bonham, Texas, documents the life and career of the former Texas congressman and the longest-serving speaker of the U. S. House of Representatives. He served during the administrations of eight presidents, held the position of speaker for 16 years, and was instrumental in the passage of much of the significant legislation in the first half of the twentieth century. Rayburn established the library and museum in his hometown of Bonham in 1957 as a tribute to the people of Fannin County. It was operated by the Rayburn Foundation until it became a division of the Center for American History at the University of Texas at Austin in 1991. It contains Rayburn’s personal library, a replica of his office as speaker, and exhibits about his life and career. Annual attendance is 10,000. Sam Rayburn Library and Museum, University of Texas at Austin, Dolf Briscoe Center for American History, 800 W. Sam Rayburn Dr., Bonham, TX 75418-4103 (postal address: PO Box 309, Bonham, TX 75418-0309). Phone: 903/583-2455. Fax: 903/583-7394. Web site: www.cab.utexus.edu/divisions/rayburn/html. Hours: 9-5 Mon.-Fri., 1-5 Sat.; closed Sun. and major holidays. Admission: free. Dr. Don E. Carleton, Executive Director 512-495-4684

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Historical Museums & Houses UNIVERSITY OF TEXAS AT AUSTIN John Nance Garner Museum

UNIVERSITY OF VIRGINIA The Rotunda

Uvalde, Texas

Charlottesville, Virginia

The John Nance Garner Museum in Uvalde, Texas, honors the life and career of John Lance “Cactus Jack” Garner, one of the most powerful vice presidents in American history, serving with President Franklin D. Roosevelt. The museum, which is a division of the Briscoe Center for American History at the University of Texas at Austin, was founded in 1952. It is located in the 1920 home of the vice president during the New Deal years of President Franklin D. Roosevelt. It has a collection of political material, photographs, furniture, clothing, and other items pertaining to Garner’s life and career. The museum, now closed temporarily for renovation, has an exhibit displayed in the main branch of First State Bank. Annual attendance is normally 3,500.

The Rotunda at the University of Virginia in Charlottesville is the crowning achievement of the campus designed by Thomas Jefferson. It was built in 1822-26 as what Jefferson envisioned as the architectural and academic heart of a community of scholars in an academical villege that included pavilions, student rooms, and an expansive lawn. The Rotunda was modeled after the Pantheon in Rome, but about one-half its size. It was gutted in an 1895 fire caused by faulty electrical wiring, and twice restored. In 1895-98, the Rotunda was rebuilt with a Beaux Arts interpretation in a Roman style, and again in 1973-76 to restore it to Jerfferson’s original design, which influenced having the campus being designated a World Heritage Site by UNESCO in 1987.

John Nance Garner Museum, University of Texas at Austin, Dolf Briscoe Center for American History, 333 N. Park St., Uvalde, TX 78801-4658. Phone: 830/278-5018. Fax: 830/279-0512. E-mail: [email protected]. Web site: www.cab.utexas.edu/museums/garner. Hours: 9-3 Mon.-Sat.; closed Sun. and major holidays. Admission: free. Beverly Hadley, Senior Administrative Associate 830-278-5018 [email protected]

UNIVERSITY OF TEXAS AT AUSTIN Winedale Round Top, Texas Winedale, a division of the Dolf Briscoe Center for American History at the University of Texas at Austin, is a complex of historical structures and modern facilities on 225 acres near Round Top, Texas. It seeks to further understanding of Texas history and culture through research, teaching, and public service. Winedale preserves and makes accessible its collection of historic buildings and period furnishings, as well as public programs and events. It has 1850s houses with period furnishings; an interpretive center with exhibits; and such other facilities as a conference center, outdoor pavilion, dormitory, and dining hall for meetings and retreats. Annual attendance is 5,600. Winedale, University of Texas at Austin, Dolf Briscoe Center for American History, 3738 FM Rd. 1714, Round Top, TX 78954-4901 (postal address: PO Box 11, Round Top, TX 78954-0011). E-mail: winedale.austin.utexas.edu. Web site: www.cah.utexas.edu/museums/winedale. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Dr. Don E. Carleton, Executive Director 512-495-4684

The Rotunda, which is used for lectures, symposia, meetings, and dinners, once again contains the original oval rooms and hourglass shaped halls, cornices in four architedtural orders (Tuscan, Doric, Ionic, and Carinthian), and the dome and library sites as Jefferson designed. An exhibit about the Rotunda and university history is located in the Lower East Oval Room, and the 1861 life-size statue of Jefferson by Alexander Gilt can be seen in the Upper Entrance Hall and his portrait by Bass Otis in the East Oval Room. Guided tours of the Rotunda are offered without charge. Annual attendance is 135,000. The Rotunda, University of Virginia, 1826 University Ave., PO Box 400305, Charlottesville, VA 22904-4305. Phones: 434/924-7969 and 434/924-1019. Fax: 434/924-3817. E-mail: rotunda.virginia.edu. Web site: www.virginia.edu/~unrelat/tours/rotunda/rotunda.htlm. Hours: mid-Jan.-mid-Dec.-9-4:45 daily; closed mid-Dec.-mid-Jan.; historical tours-10, 11, 2, 3, 4 daily. Admission: free. Leslie Comstock, Administrator 434-924-1019

UNIVERSITY OF WEST FLORIDA Historic Pensacola Village Pensacola, Florida Historic Pensacola Village consists of 27 properties in the Pensacola National Register Historic District in the Florida city. It is managed by West Florida Historic Preservation Inc., with the direct support of the University of West Florida. Eleven of the buildings are interpreted facilities open to the public, including the T. T. Wentworth, Jr. Florida State Museum, which originally was the 1908 City Hall building (see separate listing). The village, founded in 1967, has collections, permanent exhibits and temporary exhibitions, and a living history program. Annual attendance is nearly 20,500. Historic Pensacola Village, 120 church st., Pensacola, FL 32502-5941 (postal address: PO Box 12866, Pensacola, FL 32502-2866). Phone: 850/595-5985, Ext. 100. Fas: 850/595-5989. E-mail: [email protected]. Web site:

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UNIVERSITY OF WEST FLORIDA www.historicpensacola.org. Hours: 10-4 Tues.-Sat.; closed Sun.-Mon. and major holidays. Admission: adults, $6; children, $3. Richard Brosnaham, Executive Director, West Florida Historic Preservation, Inc. 850-595-5985 [email protected]

UNIVERSITY OF WEST FLORIDA T. T. Wentworth, Jr. Florida State Museum Pensacola, Florida The T. T. Wentworth, Jr. Florida State Museum, a history museum that is part of the Historic Pensacola Village museum complex in Pensacola, is housed in a 1907 building that served as the Pensacola City Hall until 1985. The museum originally was started in 1957 in the suburb of Ensley by Wentworth and moved to the renovated Renaissance Revival city hall and became a state museum in 1988. The museum has collections of period artifacts, photographs, and other materials. The first floor contains Wentworth’s eccentric collections and two floors illustrate life in the Florida Panhandle over centuries, including experiences with hurricanes in recent years Discovery Center, a hands-on museum primarily for children, is located on other floors. Annual attendance is 27,500. T. T. Wentworth, Jr. Florida State Museum, 330 S. Jefferwon St. Pensacola, FL 32502-5943 (postal address: PO Box 12866, Pensacola, FL 32591-2866). Phone: 850/595-5985, Ext. 100. Fax: 850/595-5989. E-mail: [email protected]. Web site: www.historic pensacola.org. Hours: 10-4 Tues.-Sat.; closed Sun.-Mon. and major holidays. Admission: free. Richard Brosnaham, Executive Director, West Florida Historic Preservation, Inc. 850-595-5985 [email protected]

offers opportunities for visitors to engage in overnight adventures, such as sleeping in a tepee along a mountain stream (and doing Indian dances, beading a necklace, using a bow and arrow, and listening to Indian bedtime stories), or going on a one- to five-day trek with a handcart like some pioneers did. Over 15 special events are held each year, including the Festival of the American West with arts and crafts demonstrations and western re-enactments. American West Heritage Center, Utah State University, 4025 S. Hwy. 89-91, Wellsville, UT 84339. Phons: 435/245-6050 and 800/225-3378. Fax: 435/245-6052. E-mail: [email protected]. Web site: www.americanwestcenter.org. Hours: Memorial Day-Labor Day-9-5 Mon.-Sat.; closed Sun.; mid-Sept.-Oct.-9 a.m.-10 p.m. Mon.-Thurs., 9 a.m.-11 p.m. Fri., 12-11 Sat.; closed Sun.; Nov.-late May and early Sept.-9-5 Mon.-Fri.; closed Sat.-Sun., New Year’s Eve and Day, and Christmas Eve, Day, and week. Admission: adults, $7; seniors and students, $6; children, $5. Bill Varga, Executive Director

VIRGINIA MILITARY INSTITUTE Virginia Military Institute Museum Lexington, Virginia The Virginia Military Institute Museum in Lexington began with the gift of a musket in 1856. Today, the museum collects, preserves, interprets, and exhibits the heritage of the institute with a collection of 15,000 artifacts and other objects. They range from the mounted hide of Stonewall Jackson’s favorite horse, Little Sorrel, and seven Medals of Honor awarded to alumni to military uniforms and equipment, memorabilita of faculty and alumni, and a wide range of artifacts, paintings, drawings, and photographs related to the history of VMI, the nation’s first state sponsored military college. The museum is housed in Jackson Memorial Hall and has an annual attendance of 40,000.

Virginia Military Institute Museum, Jackson Memorial Hall, Lexington, VA 24450-2194. Phone: 540/464-7334. Fax: 540/464-7112, E-mail: [email protected]. Web site: www.vmi.edu/museum. Hours: 9-5 daily; closed New Year’s Wellsville, Utah Eve and Day, Jan. 2, Thanksgiving, and Christmas Eve, The American West Heritage Center in Wellsville, Utah, is a Day, and week. Admission: free. living history museum operated by Utah State University. Keith Gibson, Director of VMI Museum Programs 540-464-7334 The museum, established in 1980, grew out of the university’s annual Festival of the American West and the Ronald [email protected] V. Jensen Living Historical Farm, founded in 1917. In the mid-1990s, the university created a foundation to operate the festival, farm, and museum, which became the 160-acre VIRGINIA MILITARY INSTITUTE American West Heritage Center that interprets western life from 1820 to 1920. It now includes the renamed Jensen His- Hall of Valor Civil War Museum New Market, Virginia toric Farm, as well as a pioneer settlement, mountain man camp, and Native American encampment featuring cosThe 300-acre New Market State Battlefield Historical Park tumed interpreters and skill and craft demonstrations. in New Market, Virginia, was the site of the 1864 battle where 257 Virginia Military Institute cadets fought with Visitors can learn about the Northwestern Band of the Sho- Confederate troops to defeat the Union forces. The park now shone Nation, the indigenous tribe of the area; how trappers contains the Hall of Valor Civil War Museum operated by and traders influenced the settlement of the American West; VMI that describes the battle and the role of the cadets, and the founding of frontier communities; and early farming contains Civil War artifacts and personal items of General with old-time equipment and live animals. The center also Stonewall Jackson. The restored 1825 farmhouse of Jacob

UTAH STATE UNIVERSITY American West Heritage Center

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Historical Museums & Houses and Sarah Bushong that served as a field hospital during the battle also can be visited in the historical park. The park was opened in 1967 and the museum in 1970. Admission covers the park and the museum. Annual attendance is over 41,000. Hall of Valor Civil War Museum, Virginia Military Institute, New Market Battlefield State Park, 8895 George Collins Rd., PO Box 1864, New Market, VA 22844-1864. Phones: 540/740-3101 and 866/515-1864. Fax: 540/740-3033. E-mail: [email protected]. Web site: www.vmi.edu/newmarket. Hours: 9-5 daily; closed New Year’s Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $10; seniors, $9; children 6-12, $6; VMI cadets, parents, alumni, and children under 6, free. Keith Gibson, Director of VMI Museum Programs 540-464-7334 [email protected]

VIRGINIA MILITARY INSTITUTE George C. Marshall Museum

VIRGINIA POLYTECHNIC INSTITUTE AND STATE UNIVERSITY Reynolds Homestead Critz, Virginia The birthplace and 1843 boyhood home of Richard Joshua Reynolds, founder of the R. J. Reynolds Tobacco Company, has been restored and opened to the public on the Commonwealth Campus of Virginia Tech in Critz, Virtginia. The house contains many of the Reynolds family heirlooms that originally furnished the house and property. They tell the story of a nineteenth-century tobacco farmer who became a successful manufactuer. The homestead, a historic house museum since 1970, also is used as a continuing education center and part of a forest resources research center. It offers guided tours and classes and hosts concerts, plays, lectures, and arts festivals. Annual attendance of 1,500.

Reynolds Homestead, Virginia Tech, 463 Homestead Lane, Critz, VA 24082-3044. Phone: 276/694-7181. Fax: Lexington, Virginia 276/694-7183. E-mail: [email protected]. Web site: The George C. Marshall Museum, located along the parade grounds of the Virginia Military Institute in Lexington, hon- www.reynoldshomestead.vt.edu. Hours: Apr.-Oct.-9-4 ors the American general who served as chief of staff, secre- Tues.-Fri., 1-4 Sat.-Sun.; closed Mon.; Nov.-Mar.-9-4 tary of state, secretary of defense, and was the originator of Tues.-Fri.; closed Sat.-Mon., New Year’s Day, the Marshall Plan for European recovery in World War II. It Thanksgiving, and Christmas. Admssion: adults, $3; chilalso shows the changing role of the United States in military dren, $2. and diplomatic affairs during the twentieth century. The muKay Dunkley, Director 276-694-7181 seum, operated independently by the George C. Marshall [email protected] Foundation, was founded in 1953 and opened in 1964 in conjunction with the Marshall Research Library, both housed in the foundation’s building. Marshall studied at VMI and the military academy at Fort Leavenworth. WASHINGTON AND LEE UNIVERSITY The museum traces the life and times of General Marshall and shows how he became a five-star Army general and influenced the outcome of World War II and the relief efforts in war-torn Europe. The museum has an interactive map of World War II in Europe, a Marshall Plan exhibit room, the Nobel Prize he received in 1957 for his European recovery works, a video of his life, and many of his papers, medals, and memorabilia. The research library holds the bulk of Marshall’s papers and 300 other collections. The museum’s annual attendance is 18,000. George C. Marshall Museum, George C. Marshall Foundtion, Virginia Military Institute Parade Grounds, PO Box 1600, Lexington, VA 24450-1600. Phone: 540/463-7103, Ext. 125. Fax 540/464-5229. [email protected]. Web site: www.marshallfoundation.org. Hours: 9-5 Tues.-Sat., 1-5 Sun.; closed Mon., New Year’s Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $5; senors, $3; students, $2; and children under 13 and military, free. Brian D. Shaw, President, George C. Marshall Foundation [email protected]

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Lee Chapel and Museum Lexington, Virginia The Lee Chapel and Museum at Washington and Lee University in Lexington honors General Robert E. Lee, who served as president of the university during the last five years of his life. The chapel, a National Historic Landmark, was built under Lee’s direction in 1867-68. He died in 1870 and was buried in the chapel museum until 1883. Upon completion of an addition to the chapel, his remains were moved to the family crypt where his wife, mother, father, children, and other relatives are buried. Lee’s beloved horse, Traveler, also was reinterred in a plot outside the chapel in 1971. The lower level of the chapel became a museum in 1928. It contains an exhibit on the history of the university, changing exhibitions, and many items belonging to Lee and his family and other materials associated with them Lee used a room on the lower level as his office and attended daily worship services with students in the chapel. His office is preserved much as he left it. Among the museum’s prized possessions is a collection of eighteenth- and nineteenth-century portraits of members of the Washington, Custis, and Lee families. Among the paintings are Charles Wilson Peale’s famous portrait of George Washington wearing a British col-

WAYLAND BAPTIST UNIVERSITY onel’s uniform and Theodore Pine’s portrait of Lee in a Confedrate uniform. Lee Chapel and Museum, Washington and Lee University, Lexington, VA 24450. (postal address 11 University Pl., Lexington, VA 24450-2116). Phone: 540/458-8768. Fax: 540/458-5804. E-mail: [email protected]. Web site: www.leechapel.wlu.edu. Hours: Apr.-Oct.-9-5 Mon.-Sat., 1-5 Sun.; closed New Year’s Eve and Day, Easter, and Independence Day; Nov.-Mar.-9-4 Mon.-Sat., 1-4 Sun.; closed Thanksgiving Day and weekend, Christmas Eve, Day, and week to Jan. 2. Admission: suggested donations-adults, $5; children under 12, $3. Linda Donald, Manager 540-458-8768 [email protected]

WAYLAND BAPTIST UNIVERSITY Museum of the Llano Estacado Plainview, Texas The Museum of the Llano Estacado at Wayland Baptist University in Plainview, Texas, gives a historical overview of Hale County and the region from prehistoric times to the present. It addition to tracing the history and recognizing outstanding individuals, the museum has archaeological, geological, and natural history collections and exhibits of the Llano Estacado region. The museum, established in 1976 as a joint university and community effort, emphasizes the historical, cultural, and economic development of the area. Annual attendance is 6,200.

sports, and paleontology and geology. Among the many displays are dinosaurs, modern art, saddles, and automobiles, as well as changing exhibitions. The original T-Anchor Ranch House, built in the late 1870s, also has been reconstructed with its outbuildings and windmill on the museum grounds. Panhandle-Plains Historical Museum, West Texas A&M University, 2503 4th Ave., Box 60967, Canyon, TX 79015. Phone: 806/651-2244. Fax: 806/651-2250. E-mail: [email protected]. Web site: www.panhndleplains.org. Hours: Sept.-May-9-5 Mon.-Sat., 1-6 Sun.; closed New Year’s Day, Thanksgiving, and Christmas Eve and Day; June-Aug.-9-6 Mon.-Sat., 1-6 Sun. Admission: adults, $10; seniors, $9; children 4-12, $5; children under 4, free. Guy C. Vanderpool, Executive Director 806-651-2245 [email protected]

WEST TEXAS COLLEGE Scurry County Museum Snyder, Texas

The Scurry County Museum is located on the campus of West Texas College in Snyder. Founded in 1970, it was designed by a local committee and built during the second phase of the college’s development. The museum’s main gallery features a permanent exhibit on the history of the region and displays such items as farming and ranching equipment, frontier furnishings, Victorian lamps, costumes, county records, memorabilia, contemporary prints, and oil Museum of the Llano Estacado, Wayland Baptist University, producing tools and equipment. Another gallery is the site J. E. and L. E. Mabee Regional Heritage Center, Plainview, of changing exhibitions, art shows, and special events. AnTX 79072 (postal address: 1900 W. 7th St., #299, Plainview, nual attendance is nearly 4,500. TX 79072-6900). Phone: 806/291-3660. Fax: 806/291-1982. E-mail: [email protected]. Web site: www.wbu.edu. Hours: Scurry County Museum, West Texas College, 6200 College Ave., Snyder, TX 79549-6105. Phone: 325/573-6107, Fax: Apr.-Nov.-9-5 Mon.-Thurs., 9-4 Fri., 1-5 Sat.-Sun.; 325/573-9321. E-mail: [email protected]. Web site: Dec.-Mar.-9-5 Mon.-Thurs., 9-4 Fri.; closed Sat.-Sun. and www.scurrycountymuseum.org. Hours: 9-6 Mon. and university holidays. Admission: free. Thurs., 9-5 Tues.-Wed. and Fri.; other times by appointEddie Guffee, Director/Archaeologist ment; closed Sat.-Sun. and major holidays. Admission: free. Daniel Schlegel Jr., Director

WEST TEXAS A&M UNIVERSITY Panhandle-Plains Historical Museum Canyon, Texas The Panhandle-Plains Historical Museum at West Texas A&M University in Canyon is one of the largest and most popular historical museums in Texas and the Southwest. It has 280,000 square feet, more than 3 million artifacts, 14 large permanent exhibits, and an annual attdendance of 75,000. The museum was founded in 1921 by the Panhandle-Plains Historical Society and became part of the university in 1932. It focuses on the history of the Panhandle region as it relates to Texas and the Southwest. The permanent exhibits include a storefront pioneer town and cover such subjects as history, archaeology, petroleum, transportation, fine art, firearms, American Indian art, textiles, people of the plains, natural history, decorative arts,

WEST VIRGINIA NORTHERN COMMUNITY COLLEGE West Virginia Northern Community College Alumni Association Museum Wheeling, West Virginia The West Virginia Northern Community College Alumni Association Museum in Wheeling has collections and exhibits of historical materials pertaining to the university and local area. The museum, founded in 1984, is named for the alumni association because it serves as the historian for the college. It has three principal collections-Baltimore & Ohio Railroad memorabilia, consisting of 5,000 catalogued items (exhibited in the former B&O station and in the college auditorium lobby); Hazel Atlas Glass, with 1,000 pieces of

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Historical Museums & Houses glassware; and Viking Glass, containing examples of the company’s glass products (in the firm’s former headquarters and on the New Martinsville Campus). The museum also has materials related to the college and its buildings, former inhabitants of community landmarks, history of the African American community before desegregation, and other local historical subjects. Annual attendance is 92,000. West Virginia Northern Community College, 1704 Market St., Wheeling, WV 26003-3643. Phone: 304/233-5900, Ext. 8817. Fax: 304/232-0965. E-mai: [email protected]. Web site: www.wvnorthern.edu. Hours: Sept.-May-9-8 Mon.-Fri.; closed Sat.-Sun. and major holidays; June-Aug.-9-4 Mon.-Fri.; closed Sat.-Sun. and Independence Day. Admission: free. Darryl Ruth, President, NWVCC Alumni Association

WEST VIRGINIA UNIVERSITY Jackson’s Mill Historic Area Weston, West Virginia

WESTERN CAROLINA UNIVERSITY Mountain Heritage Center Cullowhee, North Carolina The Mountain Heritage Center at Western Carolina University in Cullowhee, North Carolina, interprets the history, culture, and natural heritage of the southern Appalachian region. Founded in 1975, the center has over 10,000 regional artifacts that are especially rich in agricultural implements, logging and woodworking tools, textiles, and transportation equipment. In addition to historical and natural history exhibits of Appalachia, the center offers programs of traditional music and crafts. The center is housed in the H. F. Robinson Building. Annual attendance is 30,000. Mountain Heritage Center, Western Carolina University, 150 H. F. Robiunson Bldg., Cullowhee, NC 28723. Phones: 828/227-2479 and 828/227-3591. Fax: 828/227-7632. Web site: www.wcu.edu/mhc. Hours: June-Oct.-8-5 Mon.-Wed. and Fri., 8 a.m.-8 p.m. Thurs., 10-5 Sat.; closed Sun.; Nov.-May-8-5 Mon.-Wed. and Fri., 8 a.m.-8 p.m. Thurs.; closed Sat.-Sun. and university holidays. Admission: free.

Jackson’s Mill Historic Area near Weston, West Virginia, is Scott Philyaw, Director the site of an 1801 grist mill where Confederate General [email protected] Thomas J. “Stonewall” Jackson lived and worked as a boy. The mill was built by Colonel Edward Jackson, a Revolutionary War figure, and later operated by his son, Cummins Jackson, a paternal uncle of Stonewall Jackson. The Confed- WESTERN KENTUCKY UNIVERSITY erate hero, and his sister, Laura, lived with the family after Kentucky Library and Museum the death of their parents and until he left for the West Point Bowling Green, Kentucky Military Academy in 1842. The long-standing Kentucky Museum at Western Kentucky The property was given to West Virginia University in 1921 University in Bowling Green has been renamed the Kento establish a youth facility. It became the site of the nation’s tucky Library and Museum to include the Kentucky Library and Manuscripts and Folklife Archives, which share the first statewide 4-H camp. In 1968, it became a special misbuilding. The museum, founded in 1939, is devoted to the sion campus of the university’s Extension Service and is history of the state and has a collection of approximately used for camping, training, and conferences. All that re50,000 artifacts and 100,000 archaeological objects. The mains of the original Jackson’s Mill settlement are the recollection and exhibits include such items as early furniture, stored grist mill, now a museum with exhibits, and the family cemetery. The historic area also contains a number of quilts, clothing, textiles, glassware, ceramics, toys, musical instruments, tools, art, photographs, political memorabilia, other early buildings-the ca. 1700 McWhorter cabin, 1796 Blake mill (for grinding wheat and corn), and ca. 1800 Mary Shaker material culture, archaeological materils, and a historic log cabin. The museum has 50,000 square feet of exConrad cabin. Annual attendance is 60,000. hibit space. Annual attendance is 70,000. Jackson’s Mill Historic Area, West Virginia University ExKentucky Library and Museum, Western Kentucky Univertension Service, State 4-H Conference Center, 160 Jackson sity, 1906 College Heights Blvd., #11092, Bowling Green, Mill Rd., Weston, WV 26452-8011. Phone: 800/287-8206. KY 42101-1092. Phone: 270/745-2592. Fax: 270/745-6264. Fax: 304/269-3409. Hours: Apr.-May and Sept.-Oct.-10-5 E-mail: [email protected]. Web site: Thurs.-Sun.; closed Mon.-Wed.; Memorial Day-Labor www.wku.edu/library/kylm. Hours: 9-4 Mon.-Sat., 1-4 Sun.; Day-10-5 Tues.-Sun.; closed Mon. and only the grounds open Nov.-Mar. Admission: adults, $5; seniors, $4; children closed major holidays. Admission: adults, $5; seniors, stu6-12, $3; children under 6, free; grounds are free during off dents, and children 6-16, $2.50; WKU students, faculty, staff, and children under 6, free; families, $10; half price on season. Sun. Terry Patterson, Program Director [email protected]

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Timothy Mullin, Head, Department of Library Special Collections

WESTMINSTER COLLEGE WESTMINSTER COLLEGE Winston Churchill Museum Fulton, Missouri The Winston Churchill Museum-formerly the Winston Churchill Memorial and Library-was founded in Fulton, Missouri, in 1969 to honor the life and legacy of the wartime British prime minister who gave his famous Iron Curtain speech at the college in 1946. The museum is housed in the Church of St. Mary the Virgin, Aldemanbury, a twelveth-century London church redesigned by Sir Christopher Wren in 1677, that was relocated to Fulton. The museum, located in the undercroft of the church, is filled with artifacts and information related to the life and times of Sir Winston Churchill. It tells the story of Churchhill’s role in World War II and other accomplishments, including receiving the Nobel Prize for Literaure in 1953 for his historical books. The museum also houses the Clementine Spencer Churchill Reading Room, composed of works about Churchill’s life; the Harris Research Library of Microfilm, with an extensive collection of microfilm from the British National Archives; and special historical and artistic exhibitions. Annual attendance is 25,000. Winston Churchill Museum, Westminster College, 501 Westminster Ave., Fulton, MO 65251-1230. Phone: 573/592-5234. Fax: 573/592-5222. E-mail: [email protected]. Web site: www.churchiullmemorial.org. Hours: 10-4:30 daily; closed New Year’s Day, Thanksgiving, and Christmas. Admission: adults, $6; seniors, $5; college students and youth 12-18, $4; children 6-11, $3; children under 6, free. Rob Havers, Executive Director 573-592-5233 [email protected]

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Library & Archival Collections & Galleries AMHERST COLLEGE Folger Shakespeare Library Washington, District of Columbia The Folger Shakespeare Library in Washington, District of Columbia, is home to the world’s largest and finest collection of Shakespeare materials and major collections of rare Renaissance books, manuscripts, and artworks. It opened in 1932 as a gift to the American people from Henry Clay Folger and his wife, Emily Jordan Folger, who placed the governance of the library under the Board of Trustees at Amherst College, of which Folger was an alumnus. It now is administered by a Board of Governors under the auspices of the college.

and Ralph Waldo Emerson, as well as significant cultural materials from the Victorian Age. The library resulted from the efforts of Dr. A. J. Armstrong, chairman of the English Department, who donated his personal Browning collection to the university in 1918 and was instrumental in raising the funds and other materials for the library building over the next 40 years. The building also is known for its secular stained glass windows, the largest collection of its type in the world. The library has a 26,000-volume library and presents permanent exhibits and special exhibitions. Annual attendance is more than 25,000. Armstrong Browning Library, Baylor University, 8th and Speight Sts., Waco, TX 76706 (postal address: 1 Bear Pl., #97152, Waco, TX 76798-7152). Phone: 254/710-3566. Fax: 254/710-3552. E-mail: [email protected]. Web site: www.browinglibrary.org. Hours: 9-5 Mon.-Fri., 9-12 Sat.; closed Sun. and university holidays. Admission: free.

The library houses more than 256,000 books; 60,000 manuscripts; 250,000 playbills; 200 oil paintings; 50,000 drawings, watercolors, prints, and photographs; and such other materials as musical instruments, costumes, and films. The greatest strengths of the collection are materials from about 1450 to the mid-1700s and materials related to William Rita S. Patteson, Director 254-710-4967 Shakespeare and the theater up to the present. The library [email protected] has added substantially to its holdings since the Folger gift to become a world-class research center on the early modern age, as well as on Shakespeare. The library presents exhibiBOSTON COLLEGE tions from its collection, performances of works by ShakeBoston College Libraries speare and contemporaries in an Elizabethan Theatre, Chestnut Hill, Massachusetts concerts of twelfth through eithteenth centuries. Folger Shakeseare Library, 201 E. Capitol St., S.E., Washington, DC 20003-1094. Phone: 202/544-4600. Fax: 202/544-4623. E-mail: [email protected]. Web site: www.folger.edu. Hours: library-8:45-4:45 Mon.-Fri., 9-12 and 1-4:30 Sat.; closed Sun. and federal holidays; exhibit gallery-10-5 Mon.-Sat.; closed Sun. and federal holidays. Admission: free. Gail Kern Paster, Director

BAYLOR UNIVERSITY Armstrong Browning Library Waco, Texas The world’s largest collection of material related to Robert Browning and his poetry is housed in the Armstrong Browing Library at Baylor University in Waco, Texas. Opened in 1951, the library has a collection of materials perrtaining to Robert and Elizabeth Barrett Browning and the Victorian Age, including letters and manuscripts written by and to Browning; all of the first and many successive editions of his poetry; secondary works and materials; his poetry set to music; portraits; and memorabilia. The library also has become a nineteenth-century research center, with major manuscript and book collections of Elizabeth Barrett Browning, John Ruskin, Charles Dickens, Matthew Arnold,

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Boston College has three libraries on its Chestnut Hill, Massachusetts, campus and another at the Law School in Newton Center that present changing exhibitions. On the Chestnut Hill campus, the O’Neill Library, which has a permanent exhibit honoring the late Senator Tip O’Neill for whom the library is named, mounts exhibitions from its collections; Burns Library offers varied temporary exhibitions; and the Bapst Library has exhibitions of local artists and several juried student shows annually. The Law Library in Newton Center presents rotating exhibitions from its permanent collection in the Daniel R. Coquillette Rare Book Room. Boston College Libraries, 140 Commonwealth Ave., Chestnut Hill, MA02467. Phone: 617/5523-8038. Web site: www.bc.edu/libraries. Hours: Bapst Library-8 a,m-12 midnight Mon.-Thurs., 8-5 Fri., 10-6 Sat., 11 a.m.-12 midnight; Burns Library-9 a.m.-10 p.m. Mon.-Thurs; 9-5 Fri., 12-5 Sat.; closed Sun: Law Library-7:45 a.m.-11:45 p.m. Mon.-Thurs., 7:45 a.m.-10 p.m. Fri., 9 a.m.-10 p.m. Sat., 10 a.m.-11:45 p.m. Sun.; O’Neill Library-7:30 a.m.-3 a.m. Mon.-Thurs., 7:30 a.m.-10 p.m. Fri., 9 a.m.-10 p.m. Sat., 10 a.m.-11:45 p.m. Sun.; closings vary, but usually major holidays. Admission: free. Thomas B. Wall, University Librarian [email protected]

CAPE COD COMMUNITY COLLEGE CAPE COD COMMUNITY COLLEGE William Brewster Nickerson Cape Cod History Archives West Barnstable, Massachusetts The history of the Cape Cod area is the focus of the William Brewster Nickerson Cape Code History Archives at the Wilkins Library at Cape Cod Community College in West Barnstable, Massachusetts. The archives are named in memory of a Navy pilot who was killed in Vietnam in 1966. He was the son of the college’s former president, E. Carleton Nickerson. William Brewster Nickerson Cape Cod History Archives, Cape Cod Community College, Wilkins Library, 2240 Iyannough Rd., West Barnstable, MA 02668. Phone: 508/369-2131, Ext. 4445. Web site: www.capecod.edu/web/library/nickerson. Hours: 8:30-4 Mon., Wed., Fri.; closed Tues., Thurs., Sat.-Sun. and major holidays. Admission: free. Mary Sicchio, Special Collections Librarian 508-362-2131 [email protected]

Carolina, serves as an archive for the Thurmond Collection and the university’s Special Collections. The institute was founded in 1981 when Senator Thurmond announced plans to place his papers and memorabilia spanning more than 65 years of public service at Clemson University, his alma mater. The institute conducts applied research and service in public policy areas at local, regional, state, and national levels, and sponsors programs to enhance public awareness of public policy issues and to improve the quality of government. Storm Thurmond Institute of Government and Public Affairs, Clemson University, Silas Pearman Blvd., Clemson, SC 29634-0125. Phone: 861/656-4700. Fax: 864/656-4780. E-mail: [email protected]. Web site: www.strom.clemson.edu. Hours: 8-4:30 Mon.-Fri.; closed Sat.-Sun. and university holidays and breraks. Admission: free. Robert H. Becker, Director [email protected]

HARVARD UNIVERSITY Dumbarton Oaks Research Library and Collection

CENTRAL MISSOURI STATE Washington, District of Columbia UNIVERSITY Arthur F. McClure II Archives and University Dumbarton Oaks Research Library and Collection in Washington, District of Columbia, is one of the leading centers of Museum Byzantine, pre-Columbian, and landscape, and garden study, Warrensburg, Missouri

The Arthur F. McClure II Archives and University Museum has collections and exhibitions in many different fields in the James C. Kirkpatrick Library at Central Missouri State University in Warrensburg. The museum, founded in 1968, recently was renamed for a benefactor. The collections range from university historical materials to Hispanic American, Meso-American, and Middle East cultural objects. They also include materials from such fields as archaeology, ethnology, and biology. Artifacts and other materials from the collections are featured in the exhibit program. Arthur F. McClure II Archives and University Museum, Central Missouri State University, James C. Kirkpatrick Library, Room 1470, 601 S. Missouri St., Warrensburg, MO 64093-5040. Phones: 660/543-4649 and 660/543-4404. E-mail: [email protected]. Web site: www.ucmo.edu/hist-anth/archives. Hours: 9-12 and 1-4 Mon.-Fri., other times by appointment; closed Sat.-Sun. and university holidays. Admission: free. Vivian Richardson, Assistant Director 660-543-4649

CLEMSON UNIVERSITY Strom Thurmond Institute of Government and Public Affairs

as well as an architectural, botanical, artistic, and historical showcase. It was established in 1940 after Robert Woods Bliss and his wife, Mildred, bequeathed the mansion, gardens, and collections to Harvard University. Dunbarton Oaks now is primarily a residential research institute where scholars can consult its books, images, and objects, but its museum, gardens, lectures, and concerts are open to the public. Mr. Bliss, an alumus of Harvard, was a retired Foreign Service officer and former ambassador to Argentina, while Mrs. Bliss was heiress to the Fletcher’s Castoria fortune. Their Federal-style home was built for William Hammond Dorsey in 1801 and later was the Washington residence of Senator and Vice President John C. Calhoun. Over the years, the mansion underwent many changes. Nineteenth-century additions were replaced with new wings, and the interior was remodeled and enlarged to accommodate the library and collections. Scholars from throughout the world now come on fellowships to use many Dumbarton Oaks resources basically accumulated by Mr. and Mrs. Bliss. The historic estate has a library of over 125,000 volumes, about 10 acres of gardens, and numerous exhibits that feature materials from its collections, including Byzantine and pre-Columbian art, European masterpieces, rare books and prints relating to the gardens, and special exhibitions. Annual attendance is 38,000.

Clemson, South Carolina The Strom Thurmond Institute of Government and Public Affairs at Clemenson University in Clemson, South

Dumbarton Oaks Research Library and Collections, Harvard University, 1703 32nd St., N.W., Washington, DC 20007-2961. Phone: 202/330-6414. Fax: 202/339-6419.

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Library & Archival Collections & Galleries E-mails: [email protected] and [email protected]. Web site: www.doaks.org. Hours: museum-2-5 Tues.-Sun.; closed Mon. and national holidays; gardens-mid-Mar.-Oct.: 2-6 Tues.-Sun.; closed Mon.; Nov.-mid-Mar.: 2-5 Tues.-Sun.; closed Mon. and national holidays. Admission: museum-free; gardens-mid-Mar.-Oct.: adults, $8; seniors, students, and children 2-12, $5; children under 2, free; Nov.-mid-Mar.: free. Yota Batsaki, Executive Director

Bentley, who were instrumental in founding and supporting the facility. Bentley Rare Book Gallery, Kennesaw State University, Horace W. Sturgis Library, Bldg. 17, Room G37, 1000 Chastain Rd., Kennesaw, GA 30144. Phones: 770/423-6535 and 770/423-6186. E-mail [email protected]. Web site: www.kennesaw.edu/library/bentley/brbg.htm. Hours: by appointment. Admission: free. Robert B. Williams, Curator

INDIANA UNIVERSITY Lilly Library Galleries Bloomington, Indiana The Lilly Library Galleries at Indiana University in Bloomington is one of the largest university libraries with approximately 400,000 books, more than 7.5 million manuscripts, and over 100,000 pieces of sheet music. It was founded in 1960 with the donation of the collection of Josiah K. Lilly, Jr., owner of Lilly Pharmaceuticals and a collector most of his life. He gave the university over 20,000 books and 17,000 manuscripts, as well as more than 50 oil paintings and 300 prints, that now form the foundation of the library’s rare book and manuscript collections. The library’s extensive collections include British and American history and literature; medieval amd Renaissance manuscripts; materials related to voyages, exploration, and the Spanish, Dutch, and Portuguese colonial empires; rare books; historical children’s literature; and such other subjects as medicine, science, printing, music, and food. Among the notable holdings are the New Testament of the Gutenberg Bible, first printed collection of Shakespeare’s works, Audubon’s Birds of America, one of 25 extant copies of the first printing of the Declaration of Independence, George Washington’s letter accepting the presidency of the United States, and the papers of famous poets, authors, and other public figures. Lilly Library Gall, Indiana University, 1200 E. 7th St., Bloomington, IN 47405-5500. Phone: 812/855-2452. Fax: 812/855-3143. Web site: www.indiana.edu/~liblilly. Hours: 9-6 Mon.-Fri., 9-1 Sat.; closed Sun. and university holidays. Admission: free. Breon Mitchell, Director [email protected]

LINCOLN MEMORIAL UNIVERSITY Abraham Lincoln Library and Museum Harrogate, Tennessee The Abraham Lincoln Library and Museum at Lincoln Memorial University in Harrogate, Tennessee, has one of the largest collections of Lincoln and Civil War materials. It has more than 30,000 Lincoln and Civil War artifacts and other materials that include books, manuscripts, statuary, engravings, pamphlets, and sheet music. The university began its collection in 1897, the year it was founded, and opened a Lincoln Room in Duke Hall of Citizenship in 1929 to house and display the growing collection. In 1977, the collection was moved to the new 20,000-square-foot Abraham Lincoln Library and Museum building. In addition to permanent exhibits, the museum presents changing exhibitions. The annual attendance is now 13,500. Abraham Lincoln Library and Museum, Lincoln Memorial University, 6965 Cumberland Gap Pkwy., PO Box 2006, Harrogate, TN 37752). Phone: 423/869-6235. Fax: 423/869-6350. E-mail: [email protected]. Web site: www.lmunet.edu/museum. Hours: museum-10-5 Mon.-Fri., 12-5 Sat., 1-5 Sun.; library and archives-9-4 Mon.-Fri.; closed Sat.-Sun., New Year’s Day, Thanksgiving, and Christmas. Museum admission: adults, $5; seniors, $3.50; children 6-12, $3; children under 6, free. Thomas Mackie, Director 423-869-7100 [email protected]

LOUISIANA TECH UNIVERSITY Louisiana Tech Museum Ruston, Louisiana

Louisiana Tech Museum is a general university museum that shares a gallery with the Department of Special Collections KENNESAW STATE UNIVERSITY in the Prescott Memorial Library in Wyly Tower at LouisiBentley Rare Book Gallery ana Tech University in Ruston. The museum has collections Kennesaw, Georgia ranging from paleontological and geological objects and RoThe Bentley Rare Book Gallery in the Horace W. Sturgis Li- man and Egyptian archaeology to Indian artifacts and World War II weapons. The Department of Special Collections has brary at Kennesaw State University in Kennesaw, Georgia, features a collection of rare books, newspapers, and artifacts over 500 manuscript collections and serves as a repository and sometimes serves as a classroom and a rare book exhibi- of rare books and periodicals related to the literature, history, and culture of Louisiana and the South. The museum tion gallery.The gallery is named for Fred and Sarah

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MISSISSIPPI UNIVERSITY FOR WOMEN and the library department both have exhibits in a 500-square-foot gallery. The annual attendance is 400.

Hours: 8-5 Mon. and Wed.-Fri., 8 a.m.-9 p.m. Tues.; closed Sat.-Sun. and major holidays. Admission: free.

Louisiana Tech Museum, Louisiana Tech University, Prescott Memorial Library, Dept. of Special Collections, Wyly Tower, 700 W. California Ave., Ruston, LA 71272. Phone: 318/257-2935. E-mail: [email protected]. Web site: www.latech.edu/special collections/exhibits.shtml. Hours: 8-4:30 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free.

David Richards, Head of the Department, Missouri State University Libraries

Wade Meade, Director 318-257-2264

Maryville, Missouri

MISSISSIPPI UNIVERSITY FOR WOMEN Mississippi University for Women Archives and Museum Columbus, Mississippi The Missississippi University for Women Archives and Museum in Columbus is devoted to the history of the university. Founded in 1978, it contains collections of university documents, memorabilia, photographs, manuscripts, books, artifacts, and other materials pertaining to the institution’s history, and mounts historical exhibitions largely based on the collections. The archives/museum is housed in the historic 1885 Orr Building. Mississippi University for Women Archives and Museum, Orr Bldg., 1100 College St., W-1625, Columbus, MS 39701-5831. Phone: 662/329-7332. Fax: 662/329-7348. Web site: www.muw.edu. Hours: 2-10 Sun.-Thurs. 7:30-5 Fri., 9-5 Sun.; closed major holidays. Admission: free. Anika Mitchell Perkins, Director, MUW Office of Public Affairs [email protected]

MISSOURI STATE UNIVERSITY Meyer Library Special Collections and Archives Springfield, Missouri The Special Collections and Archives Department of the Duane G. Meyer Library at Missouri State University in Springfield presents historical exhibitions. It has collections and mounts changing exhibitions in four broad categories-history and development of the university; materials related to the social, cultural, political, and economic history of the Ozarks and region; records of over 100 labor unions in the Ozarks and Missouri; and rare books, literature, and archival materials that complement the institutional and regional holdings. Meyer Library Special Collections and Archives, Missouri State University, Duane G. Meyer Library, Room 306, 850 S. John Q. Hammons Pkwy., Springfield, MO 6897. Phone: 417/836-5428. E-mail: [email protected]. Web site: www.library.missouristate.edu/archives/index.htm.

NORTHWEST MISSOURI STATE UNIVERSITY Northwest History Museum and Archives The Northwest History Museum and Archives at Northwest Missouri State University in Maryville is located in Owens Library. The archives collect and preserve historical materials about the university and region, while museum display cases feature changing historical exhibitions throughout the library. Northwest History Museum and Archives, Northwest Missouri State University, Owens Library, Maryville, MO 64468. Phone: 660/562-1974. Web site: www.nwmissouri.edu/library. Hours: 8-5 Mon.-Fri. and by appointment; closed Sat.-Sun. and university holidays and breaks. Admission: free. Cathy Palmer, Owens Library Archivist [email protected]

PENNSYLVANIA STATE UNIVERSITY Pennsylvania State University Libraries Collections University Park, Pennsylvania Pennsylvania State University in University Park (State College) has a library system that consists of 36 libraries at 24 locations in the state. Fourteen of the libraries are on the main University Park campus. They have nearly 5 million items and an assortment of exhibit spaces featuring collections. Most of the displays are at the two largest libraries-Pattee Library and Paterno Library-but exhibits also are presented at some of the specialized libraries, such as the Architecture and Landscape Architercture Library and Fletcher L. Byron Earth and Mineral Sciences Library. Sally Kalin, Associate Dean, University Park Libraries [email protected]

PENNSYLVANIA STATE UNIVERSITY Pattee Library Collections University Park, Pennsylvania Pattee Library, the oldest and largest of the Pennsylvania State University libraries on the University Park campus, presents a variety of collection-related exhibitions. The university’s first library collection was a donation of 14 books in 1857. The collection initially was located in Old Main, and then moved to the Carnegie Library in 1904 and the Pattee Library in 1940. The Pattee Library, named for Fred Lewis Pattee, the first professor of American literature, has

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Library & Archival Collections & Galleries been expanded three times, including a wing that includes part of the Paterno Library in 2000. The two connecting librariess are administered together. One of the exhibit areas in the Pattee Library building is “Fred Waring’s America,” which features materials from an archive of the famous band leader who was a Penn State alumnus and trustee. The collection actually is part of Special Collections in the Paterno Library. Among the other exhibit areas is the Arts and Humanities Library section. Patte Library Collections, Pennsylvania State University, University Park, PA 16802. Phone: 814/865-6368. Web site: www.libraries.psu.edu. Hours: 7:30 a.m.-12 midnight Mon.-Thurs., 7:45-7 Fri., 10-7 Sat., 10 a.m.-12 midnight Sun.; closed major holidays. Admission: free. Sally Kalin, Associate Dean, University Park Libraries [email protected]

PENNSYLVANIA STATE UNIVERSITY Paterno Library Collections/Eberly Family Special Collections Library Exhibit Hall University Park, Pennsylvania The Paterno Library at Pennsylvania State University is named for football coach Joe Paterno, who gave a speech in 1983 after winning his first national championship that challenged the university’s Board of Trustees to make Penn State No. 1 in academics as well as athletics and specifically mentioned the need for a top-quality library. In 1993, he and his wife, Sue, started a campaign that raised $13.75 million, including several million Paterno donated, for the construction of a new library. The library, which was named in Paterno’s honor and opened in 2000, is connected to the Pattee Library and administrated as a single library. It has several exhibit spaces. The principal exhibit area is the Eberly Family Special Collections Library Exhibit Hall, which displays permanent exhibits and changing exhibitions from the three special collection units-Historical Collections and Labor Archives, Rare Books and Manuscripts, and University Archives. One of the principal historical collections-on the life and career of band leader Fred Waring, who headed “Fred Waring and the Pennsylvanians,” is housed in the adjoining Pattee Library. Paterno Library Collections, Pennsylvania State University, University Park, PA 16802. Phone: 814/865-6368. Web site: www.libraries.psu.edu. Hours: 7:45 a.m.-12 midnight Mon.-Thurs., 7:45-7 Fri., 10-7 Sat., 10-12 midnight Sun.; closed major holidays. Admission: free. Eberly Family Special Collections Library Exhibit Hall, Pennsylvania State University, 104 Paterno Library, University Park, PA 16802. Phone: 814/865-1793/ Web site: www.libraries.psu.edu/psul/speccolls.html. Hours: 8-6:30 Mon.-Thurs., 8-5 Fri.; closed Sat.-Sun. Admission: free. Sally Kalin, Associate Dean, University Park Libraries [email protected]

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PENNSYLVANIA STATE UNIVERSITY Architecture and Landscape Architecture Library University Park, Pennsylvania The Architecture and Landscape Architecture Library on the University Park campus of Pennsylvania State University has a collection of approximately 20,000 videotapes,, periodicals, and CDs of contemporary architecture (1850-present), landscape architecture, and such related topics as urban planning, historic preservation, drawing, design, and architectural technology. Materials from the collection are exhibited in the library, but the majority of the pre-1850 period architecture materials are displayed in the Arts and Humanities Library section in Pattee Library. Architecture and Landscape Architecture Library, Pennsylvania State University, 111 Stuckeman Family Bldg., University Park, PA 16802-1921. Phone: 814/865-3614. Fax: 814/865-5073. E-mail: [email protected]. Web site: www.libraries.psu.edu/psul/architecture.html. Hours: 7:45 a.m.-11 p.m. Mon.-Thurs., 7:45-6 Fri., 12-5 Sat., 12-11 p.m. Sun.; closed major holidays. Admission: free. Henry Pisciotta, Arts and Architecture Librarian and Assistant Head [email protected]

PENNSYLVANIA STATE UNIVERSITY Fletcher L. Byrom Earth and Mineral Sciences Library University Park, Pennsylvania The Fletcher L. Byrom Earth and Mineral Sciences Library in the Deike Building on the University Park campus of Pennstylvania State University has exhibits about earth and mineral sciences throughout the library. The library was created in 1930 from a collection of approximately 1,000 books from Dean Edward Steidle’s office and supplemented with relevant materials from the university library. The library moved from the Mineral Industries Building to the Deike Building and became the Earth and Mineral Sciences Library in 1966, and was renamed for Fletcher L. Bryom after an endowment gift from George Middlemas in 2001. Fletcher L. Byrom Earth and Mineral Sciences Library Exhibits, Pennsylvania State University, 105 Deike Bldg., University Park, PA 16802. Phone: 814/865-9517. E-mail: [email protected]. Web site: www.libraries.psu.edu/psul/ems. Hours: 7:45 a.m.-11 p.m. Mon.-Thurs., 7:45 a.m.-6 Fri., 12-5 Sat., 12-11 Sun.; closed major holidays. Admission: free. Linda Musser, Head, Earth and Mineral Sciences Library [email protected]

PRINCETON UNIVERSITY PRINCETON UNIVERSITY Firestone Library Galleries Princeton, New Jersey The Harvey S. Firestone Library at Princeton University in Princeton, New Jersey, has four galleries, lobby exhibit cases, and an online exhibit program. The Department of Rare Books and Special Collections presents four major exhibitions each year-two in the Main Gallery on the first floor and two in the Milberg Gallery on the second floor. Manuscripts are featured in a gallery in the Seeley G. Mudd Manuscript Library and an interactive exhibit on book illustrations and themes of interest to young readers is located in the Cotsen Children’s Library’s gallery. Materials from the library’s various collections also can be seen in exhibit cases throughout the library and in online exhibits. Firestone Library Galleries, Princeton University, Dept. of Rare Books and Special Collections, 1 Washington Rd., Princeton, NJ 08544. Phone: 609/258-3184. Fax: 609/258-2324. E-mail: [email protected]. Web site: www.princeton.edu/~rbsc. Hours: Sept.-May-9-5 Mon.-Fri., 12-5 Sat.-Sun.; closed major holidays; June-Aug.-8:45-4:30 Mon., 12-5 Sat.-Sun.; closed Tues.-Fri. Admission: free. Lisbeth Dennis, Manager, Rare Books & Special Collections Department [email protected]

SOUTHERN METHODIST UNIVERSITY George W. Bush Presidential Library Lewisville, Texas Ground was broken in late 2010 for the George W. Bush Presidential Library at Southern Methodist University in Dallas, Texas. The library/museum, which is being built by the George W. Bush Foundation, is scheduled to open in 2013 and be turned over to the National Archives and Records Adminstration, which operates the nation’s presidential libraries upon completion.The federal agency currently is operating out of temporary facilities in Lewisville, Texas. The library holds millions of pages of official records documenting the two terms of the forty-third president, and will be receiving the considerable electronic records from the agency’s Electronic Record Archives. The library also has an extensive collection of photographs, videotapes, and presidential domestic and foreign gifts, and is working on permanent exhibits and temporary exhibitions for the facility. George W. Bush Presidential Library, 1725 Lakepointe Dr., Lewisville, TX 75057. Phone: 972/353-0599. E-mail: [email protected]. Web site: www.georgewbushlibrary.gov. George W. Bush Foundation, PO Box 600610, Dallas, TX 75206. E-mail: [email protected]. Web site: www.georgewbushcenter.com. Alan C. Lowe, Director

TEXAS A&M UNIVERSITY George Bush Presidential Library and Museum College Station, Texas The George Bush Presidential Library and Museum at Texas A&M University in College Station is the presidential library/museum honoring George H. W. Bush, the forty-first president of the United States. It opened in 1997 on a plaza adjoining the Presidential Conference Center and George Bush School of Government and Public Service on the university’s West Campus. The library/museum is operated by the National Archives and Records Administration, the federal agency which has responsibility for administering the nation’s presidential libraries. The library has over 43 million pages of personal papers and official documents from the presidency and vice presidency and the records of associates connected with Bush’s public career. In addition to the textual collection, it has about 2 million photographs and thousands of hours of audio and video recordings. The museum, which has more than 100,000 artifacts and 3,000 gifts received from foreign heads of state, contains 17,000 square feet of permanent exhibits and 3,000 square feet of temporary exhibitions. The permanent exhibits describe Bush’s life and public service and historical events in American history during the period. The changing exhibitions are related to such topics as the Bush administration, and American history. George Bush Presidental Library and Museum, Texas A&M University, 1000 George Bush Dr., West College Station, College Station, TX 77845-3900. Phone: 979/691-4000. Fax: 979/691-4050. Web site: www.bushlibrary.tamu.edu. Hours: 9:30-5 Mon.-Sat., 12-5 Sun.; closed New Year’s Day, Thanksgiving, and Christmas. Admission: adults, $7; seniors and military, $6; children 6-17, $3; A&M and Blinn students and children under 6, free. Roman Popadiuk, Executive Director, George Bush Presidential Library Foundation

THE CITADEL, MILITARY COLLEGE OF SOUTH CAROLINA The Citadel Archives and Museum Charleston, South Carolina The Citadel Archives and Museum in the Daniel Library building at the military college in Charleston, South Carolina, serves as the home of historical materials about the institution from its 1842 founding to the present. The archives have 300 collections that pertain to the college’s history or that have military significance. They include personal papers, letters, diaries, reports, minutes, speeches, publications, and visual images. The museum, founded in 1956, has exhibits that feature the history of the college and the military, academic, athletic, and social aspects of cadet life. Among the displays are cadet uniforms and arms, biographical sketches of the college presidents, memorabilia from special events, and photograph albums of Citadel men

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Library & Archival Collections & Galleries who have lost their lives in wars since World War II. Annual attendance is over 7,700. The Citadel Archives and Museum, Daniel Library Bldg., 171 Moultrie St., Charleston, SC 29400-6141. Phone: 843/953-6846. Fax: 843/953-6956. E-mail: [email protected]. Web site: www.citadel.edu/museum. Hours: archives-8:30-5 Mon.-Fri., closed Sat.-Sun.; museum-2-5 Sun.-Fri., 12-5 Sat.; both closed for college, religious, and national holidays. Admission: free. Dwight Walsh, Archives and Museum Supervisor

TULANE UNIVERSITY Southeastern Architectural Archive New Orleans, Louisiana

UNIVERSITY OF LOUISVILLE University of Louisville Library Special Collections Louisville, Kentucky The University of Louisville Library’s Special Collections Division in Louisville presents exhibitions from its photographic archives, rare books, manuscripts, and other special materials. Special Collections, which began in 1967, include nearly 2 million photographs and associated records and manuscripts, rare books, literary manuscripts, and rare posters and maps (also see Photographic Archives in Photography Museums section). The collections are housed in Ekstrom Library. University of Louisville Library Special Collections, Ekstrom Library, 2301 S. 3rd St., Louisville, KY 40292. Phone: 502/852-6752. Fax: 502/852-8734. E-mail: [email protected]. Web site: www.louisville.edu/library/ekstrom/special. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free.

The Southeastern Architectural Archive at Tulane University in New Orleans, Louisiana, is the largest repository of architectural records in southern United States. Established in 1980, the archive is a part of the Tulane University Libraries’ Special Collections Division. The collection includes historic fire insurance atlases, city directories, Hannalore B. Rader, University Librarian 502-852-6745 building trade catalogs, and records of architects and firms [email protected] from 1819 to the 1980s. It also houses the Garden Library of the New Orleans Town Gardeners. As part of its educational and outreach programming, the archive opens a new exhibiUNIVERSITY OF MICHIGAN tion annually that highlights selections from the collection and offers lectures and other community activities. Gerald R. Ford Library Southeastern Architectural Archive, Tulane University Libraries, Special Collections Div., 300 Jones Hall, 6801 Freret St., New Orleans, LA 70118. Phone: 504/865-5699. Fax: 504/865-5671. Web site: www.seaa.tulane.edu. Hours: 9-12 and 1-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Keli Rylance, Head of the Southeastern Architectural Archive

UNIVERSITY OF KENTUCKY Special Collections Library

Ann Arbor, Michigan The Gerald R. Ford Library at the University of Michigan in Ann Arbor is the archival portion of the Gerald R. Ford Presidential Library and Museum, the only presidential library administered by the National Archives and Records Administration that has its library and museum at two different locations (a decision by President Ford). The museum is located in Grand Rapids, Michigan (his hometown), although they are are a single institution under the same director. The federal policty has been changed and now requires that both the presidential library and museum to be at the same geographical location.

Lexington, Kentucky The 50,000-square-foot Gerald R. Ford Library was founded in 1977 on the campus of Ford’s alma mater. It collects, preserves, and makes accessible archival materials on United States domestic issues, foreign relations, and political affairs during the Cold War era. The library has 25 million pages of memos, letters, meeting notes, reports, and other historical documents, as well as 500,000 audiovisual items, including photographs, videotapes of news broadcasts, audiotapes of speeches and press briefings, films of public events, and televised campaign commercials. Changing exhibitions are Special Collections Library, University of Kentucky, Marga- presented in a 1,000-square-foot gallery. Annual attendance ret I. King Library, Lexington, KY 40506-0039. Phone: is 750. 859/257-8611. Web site: www.uky.edu/libraries. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admis- Gerald R. Ford Library, University of Michigan, 1000 Beal sion: free. Ave., Ann Arbor, MI 48100-2114. Phone: 734/205-0555. The Special Collections Library in the Margaret I. King Building at the University of Kentucky in Lexington mounts exhibitions from materials that documentr the social, cultural, economic, and political history of the Commonwealth of Kentrucky. Exhibitions also are presented by the University Archives, a part of Special Collections which contains permanent and historic records of the university, and Photographic Collections, a historical photographic archive (see Photographic Museums section).

Gordon Hogg, Director 859-257-1949 [email protected]

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Fax: 734/205-0571. Web site: www.fordlibrarymuseum.gov/library. Hours: 8:45-4:45

Mon.-Fri.; closed Sat.-Sun. and federal holidays. Admission: free. Elaine Didier, Director 734-205-0566

UNIVERSITY OF TEXAS AT AUSTIN Harry Ransom Center

thirteen presidential libraries administered by the National Archives and lRecords Administration, a federal agency. The library/museum, opened in 1971, houses over 45 million pages of historical documents from the public career of President Johnson and those of close associates. It also has such other materials as historical documents, photographs, films, videotapes, audio recordings, books, and serials.

The presidential library/museum contains American political memorabilia from George Washington’s time to the presThe Harry Ransom Center at the University of Texas at Aus- ent, including the nineteenth-century desk on which Johnson tin is a humanities research library and archive specializing signed the voting Rights Act, letters relating to the Vietnam in the collection of literary and cultural documents and arti- War, and gifts from other heads of state. In addition to historical and cultural permanents, the museum presents changfacts from the United States, Great Britain, and France. It was founded as the Humanities Research Center in 1957 by ing and traveling exhibitions and special activities related to Johnson’s career and American history. Annual attendance Vice President and Provost Harry Ransom, for whom the is 183,000. center later was renamed. The center now has over 36 million literary manuscripts, 1 million rare books, 5 million Lyndon Baines Johnson Library and Museum, University of photographs, and 100,000 works of art. It houses numerous Texas at Austin, 2313 Red River St., Austin, TX culturally important documents and artifacts in such areas as 78705-5737. Phone: 512/721-0200. Fax: 512/721-0171 and modern literature, performing arts, and photography. 512/721-0170. E-mail: [email protected]. Web site: www.lbjlib.utexas.edu. Hours: 9-5 daily; closed Christmas. Among the many collections of the center are the Cardigan Admission: free. manuscript of Chaucer’s Canterbury Tales; three copies of the First Folio of William Shakespeare;manuscript collecMark K. Updegrove, Director 512-721-0158 tions of such authors as James Joyce, Norman Mailer, and [email protected] Graham Greene; personal libraries of writers like Ezra Pound, Evelyn Waugh, Alice Corbin Henderson, and the Coleridge family; Edgar Allan Poe’s writing desk; a sixtheenth-century globe designed by Gerardus Mercator; an UNIVERSITY OF TEXAS AT DALLAS official declaration by Napoleon Bonaparte; and the papers History of Aviation Collection of George Bernard Shaw, Arthur Miller, Gloria Swanson, Richardson, Texas and other prominent figures; and costumes, script drafts, The History of Aviation Collection in McDermott Library at storyboards, and audition tapes from Gone with the Wind, the University of Texas at Dallas is one of the nation’s largpart of the David O. Selznick Collection. est and most significant aviation collections of historical papers, records, photographs, and other materials. It consists The center displays changing exhibitions of materials from of approximately 2.5 million items and over 200 private dothe collections in its galleries. Two of its most prominent nated collections in the Special Collections Department. possessions-a ca. 1455 Gutenberg Bible and Nic‚phore They include such materials as the personal papers of GenNi‚pce’s ca. 1826 View from the Window at Le Gras (the first successful permament photograph from nature)-also are eral James H. Doolittle; World War I squadon lists, combat reports, and photographs; detailed historical information exhibited in the main lobby. Annual attendance is 80,000. about lighter-and-air blimps and zeppelins; an arvchive of Harry Ransom Center, University of Texas at Austin, 21th two airlines (Civil Air Transport and Air America); history and Guadalupe Sts., Austin, TX 78705 (postal address: PO of airplane manufacuter LTV/Chance Vought; and a major Box 7219, Austin, TX 78713-7219). Phone: 512/471-8944. collection of general aviation. The materials can be viewed Fax: 512/471-9646. E-mail: [email protected]. Web at the library and many aspects are displayed at the affiliated site: www.hrc.utexas.edu. Hours: reading room-9-5 Frontiers of Flight Museum, which has an annual attendance Mon.-Fri.; 9-12 Sat.; closed Sun. and university holidays; 100,000 at Love Field in Dallas. exhibits-10-5 Tues.-Wed. and Fri., 10-7 Thurs., 12-5 Sat.-Sun.; closed Mon. and university holidays, Admission: McDermott Library History of Aviation Collection, University of Texas at Dallas, Special Collections Dept., PO Box free. 830643, Richardson, TX.75083-0643. Phone: Thomas F. Staley, Director 972/883-2570. Web site: www.utdallas.edu/library/uniquecoll/speccoll/hac/hacc/hac.htm. Hours: 9-6 Mon.-Thurs., 9-5 Fri.; closed Sat.-Sun. and major holidays. Admission: free. UNIVERSITY OF TEXAS AT AUSTIN

Austin, Texas

Lyndon Baines Johnson Library and Museum Austin, Texas The Lyndon Baines Johnson Library and Museum at the University of Texas at Austin features the life and career of the thirty-sixth president of the United States. It is one of the

Frontiers of Flight Museum, 6911 Lemmon Ave., Dallas, TX 75209-3603. Phone: 214/350-3600. Fax: 214/351-0101. E-mail: [email protected]. Web site: www.flightmuseum.com. Hours: 10-5 Mon.-Sat., 1-5 Sun.;

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Library & Archival Collections & Galleries closed major holidays. Admission: adults, $8; seniors, $6; children 3-17, $5; children under 3, free.

broadsides, prints, and reference books. He collected over 9,000 volumes and deeded them to the colleg

Paul Oelkrug, Coordinator for Special Collections 972-883-2570 [email protected]

Chapin Library of Rare Books, Williams College, 96 School St., PO Box 426. Williamstown, MA 012670426. Phone: 413/597-2462. Fax: 413/597-2929. E-mail: [email protected]. Web site: www. chapin.williams.edu. Hours: 10-12 and 1-4:30 Mon.-Fri.; closed Sat.-Sun. and national holidays, except for Independence Day. Admission: free.

UNIVERSITY OF WYOMING American Heritage Center Laramie, Wyoming The American Heritage Center at the University of Wyoming in Laramie has one of largest repositories of manuscripts, rare books, and university archives in the American West. The center, established in 1945, contains materials related to settlement, western trails, politics, and other subjects in Wyoming and the Rocky Mountain West, as well as on such national topics as environment, conservation, mining, petroleum, transporation, military history, media, and popular entertainment. It has approximately 75,000 cubic feet (roughly 15 miles) of historically important documents and artifacts and 55,000 rare books (housed in the Toppan Library). The center is located in the Centennial Complex, opened in 1993, which also contains the university’s art museum. American Heritage Center, University of Wyoming, Centennial Complex, 2111Willett Dr., Laramie, WY 82071 (postal address: Dept. of 3924, 1000 E. University Ave., Laramie, WY 82071). E-mail: [email protected]. Web site: www.ahc.uweyo.edu. Hours: bldg.-8 a.m.-9 p.m. Mon., 8-5 Tues.-Fri.; closed Sat.-Sun.; reference services-10-9 Mon., 8-5 Tues.-Fri.; closed Sat.-Sun. Admission: free. Mark A. Greene, Director 307-766-2474 [email protected]

WILLIAMS COLLEGE Chapin Library of Rare Books Williamstown, Massachusetts The Chapin Library of Rare Books at Williams College in Williamstown, Massachusetts, has more than 50,000 volumes and over 100,000 other such materials as manuscripts, prints, drawings, paintings, maps, photographs, bookplates, ephemera, and memorabilia. The library, founded in 1923, was an outgrowth of Alfred Clark Chapin’s interest in historically important books. Chapin, an 1869 alumnus, successful lawyer, and trustee of the college, became interested in such books in 1915 while visiting an antiquarian bookseller and saw a book that was the first Bible (1661, 1663 Eliot Indian Bible) printed in what became the United States. It led him to believe that a well-rounded collection of important books in original or early editions could be of great value to students of Williams College. He then created a special library at the college of fifteenth-century books; English, American, and European literature; Bibles and liturgical works; illustrated books; science books; and a selection of early manuscripts,

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Robert L. Volz, Custodian of the Chapin Library

WOFFORD COLLEGE Sandor Teszler Library Gallery Spartanburg, South Carolina The Sandor Teszler Library at Wofford College in Spartanburg, South Carolina, has a gallery that presents temporary and traveling exhibitions of art and other subjects. Sandor Tezler Library Gallery, Wofford College, 429 N. Church St., Spartanburg, SC 29302-0006. Phone: 864/597-4300. Fax: 864/597-4329. E-mail: [email protected]. Web site: www.wofford.edu/library. Hours: Sept.-May-8-12 midnight Mon.-Thurs., 8-7 Fri., 10-5 Sat., 1-12 midnight Sun.; hours vary during college holidays; June-Aug.-8 a.m.-9 p.m. Mon.-Thurs., 8-5 Fri.; closed Sat.-Sun. Admission: free. Oakley Coburn, Dean of the Library

YALE UNIVERSITY Harvey Cushing/John Hay Whitney Medical Library and Historical Library New Haven, Connecticut The Harvey Cushing/John Hay Whitney Medical Library at Yale University in New Haven, Connecticut, opened in 1941, but the university’s first medical library dates back to 1814. The library’s initial collection, however, was integrated with what was then the College Library in 1865. It was not until 1917 that another separate medical library was begun by the Medical School faculty. It operated until the current building was constructed with two wings-one for the Historical Library reading room and the other for the periodical room and stacks for books and journals-and connected to the Sterling Hall of Medicine. The Historical Library was conceived in 1935 when three prominent physicians-Drs. Harvey Cushing, John F. Fulton, and Arnold C. Kiebs-agreed to donate their major collections of early texts on the history of science and medicine to Yale. The library received its present name in 1990 after a major renovation and expansion was made possible by a gift from Betsey Cushing Whitney, daughter of Dr. Harvey Cushing, and her family in 1985. The library was renamed for her father, one of the nation’s first neurosurgeons, and husband,

YALE UNIVERSITY John Jay Whitney, a Yale graduate who was a leading newspaper editor and patron of the arts. The library now contains more than 411,000 volumes and over 2,600 medical journals.The collections cover such fields as clinical medicine and its specialties, pre-clinical sciences, public health, nursing, and related fields, while the Historical Library’s holdings include early medical volumes, graphics, patintings, and medical instruments and equipment. Among the historical collections are medieval, Renaissance, Persian, Arabic, and modern manuscripts, as well as one of the most comprehensive collections of weights and measures and a wide assortment of medical instruments and other artifacts, such as surgical insruments, obstetric forceps, dissection kits, microscopes, diagnostic tools, medicine chests, pharmacy jars, and Chinese medical Cushing/Whitney Medical Library/Historical Library, Yale University, Sterling Hall of Medicine, 333 Cedar St., PO Box 208014, New Haven, CT 06520-8014. Phone: 203/785-5352. Fax: 203/785-5636. E-mail: [email protected]. Web site: www.med.yale.edu/library/historical. Hours: Medical Library-8 a.m.-12 midnight Mon. Thurs., 8 a.m.-10 p.m. Fri., 10 a.m.-10 p.m. Sat., 9:30 a.m.-12 midnight Sun.; Historical Library-1-4:30 Mon.-Fri.; closed Sat.-Sun. and New Year’s Eve and Day, Independence Day, Thanksgiving and day after, and Christmas Eve and Day. Admission: free. Janene Batten, Interim Librarian for Medical History 203-785-4354 [email protected]

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Marine Sciences Museums & Aquariums COLLEGE OF WILLIAM AND MARY Virginia Institute of Marine Sciences Gloucester Point, Virginia The Virginia Institute of Marine Sciences in Gloucester Point is one of the oldest and largest schools of oceanography. The institute, which focuses on coastal ocean and estuarine science, is part of the College of William and Mary and funded by the Commonwealth of Virginia. It was founded as the Virginia Fisheries Laboratory in 1940 though the efforts of Dr. Donald W. Davis, then chair of the Biology Department at the college. The institute originally was located in Yorktown, but was moved to its present site in 1950 to make way for the Coleman Bridge. The institute also has an Eastern Shore Laboratory in Wachapreague, where a fire destroyed its research building in 2010.

the world and manage its coastal and marine resources. The center, which is both an aquarium and a laboratory, features interactive exhibits that facilitate scientific exploration and explain patterns in nature and how scientists use them to create models to explain, understand, and predict the complex and changing environment. The center also has feedings of a Pacific octopus and wolf eel, over 100 natural science videos, and more. Hatfield Marine Science Center, Oregon State University, 2030 Marine Science Dr., Newport, OR 97365-5229 Phone: 541/867-0226. E-mail:lynne,[email protected]. Web site: www.hmsc.oregonstate.edu. Hours: Memorial Day weekend-Labor Day-10-5 daily; day after Labor Day to Memoral Day weekend-10-4 Thurs.-Mon.; closed Tues.-Wed., New Year’s Day, Thanksgiving, and Christmas Eve and Day. Admission: suggested donations-$5 per person; $20 for families.

The institute has a visitor center with exhibits about the facility and its programs, as well as an Ichthyology Collection and a restored marsh that can be toured by appointment. The fish collection has approximately 20,000 catalogued lots of George Boehlert, Director fishes that comprise 128,000 speciments in 247 families. [email protected] The collection is used in research, education, and training. The holdings are particularly strong in marine estuary and freshwater fishes from the Chesapeake Bay and its tributarUNIVERSITY OF CALIFORNIA, ies, Virginia coastal waters, deep waters of the western DIEGO North Atlantic, upper reaches of the Chesapeake and Delaware bays, and rivers, streams, and lakes of Virginia. Birch Aquarium at Scripps Virginia Institute of Marine Science, College of William and Mary, Rte. 128, Greate Rd., PO Box 1346, Gloucester Point, VA 23062-1346. Phone: 804/684-7000. Fax: 804/684-7097. E-mail: [email protected]. Web site: www.vims.edu. Hours: 9-4:30 Mon.-Fri., closed Sat.-Sun. and major holidays. Admission: free. Eric J. Hilton, Curator, Ichthyology Collection [email protected]

OREGON STATE UNIVERSITY Hatfield Marine Science Center Newport, Oregon The Hatfield Science Center of Oregon State University is a major marine laboratory on Yaquina Bay in Newport. The 49-acre site originally was established in 1965 as a marine laboratory for the university, but now serves over 10 departments from five universities and works a variety of government agencies involved in research and management of the marine environment. The center was named for former Governor Mark O. Hatfield. The visitor center is one of a handful of Coastal Ecosystem Learning Centers that teach, share research, and inform the public about the nation’s coastal and marine habitats. Its exhibits and programs explain how scientific research enhances the ability to interpret the natural patterns that shape

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SAN

La Jolla, California The Birch Aquarium at Scripps in LaJolla, California, is the public exploration center for the Scripps Institution of Oceanography at the University of California at San Diego. It The Scripps Institution is one of the oldest, largest, and most important centers for ocean and earth science research, education, and public service. It was founded in 1903 as the Marine Biological Association of San Diego and has had an aquarium since 1905 when the aquarium and a museum were opened in the institution’s first building. The aquarium obtained its present name in 1992 when the new 28,246-square-foot aquarium opened following a gift of $6 million from the Stephen and Mary Birch Foundation to a fundraising drive for the new complex. It now has an annual attendance of 400,000. The exhibits and programs at the aquarium are based on the scientific expertise at the research institution. It has more than 5,000 animals representing 380 species and about 60 tanks of Pacific fish and invertebrates, with the largest being the 70,000-gallon kelp forest. It contains exhibits on such topics as the cutting-edge discoveries of Scripps explorers in climate, earth, and ocean sciences; a 13,000-gallon shark reef tank; live coral with such reef residents as lionfish, chambered nautilus, & giant clams; marine creatures that can use camouflage to escape detection or sneak up on prey; three living tide pools for hands-on discovery; and three out-

UNIVERSITY OF HAWAII door waterplay stations. The aquarium also has feeding observations, & traveling exhibit. Birch Aquarium at Scrips, Scripps Institution of Oceanography, University of California, San Diego, 2300 Expedition Way, La Jolla, CA 92037 (postal address: 9500 Gilman Dr., #0207, La Jolla, CA 92093-0207). Phone: 951/781-8241. Fax: 951/341-6574. E-mail: [email protected], Web site: www.acquarium.ucsd.edu. Hours: 9-5 daily; closed New Yerar’s Day, Thanksgiving, and Christmas. Admission: adults, $12; seniors and college students, $9; youth 3-17 and UCSD students and staff, $8.50; children under 3, free. Nigella Hilgarth, Executive Director

UNIVERSITY OF HAWAII Waikiki Aquarium Honolulu, Hawaii The Waikiki Aquarium, operated by the University of Hawaii in Honolulu, is the third oldest public aquarium in the United States, It opened in 1904 as the Honolulu Aquarium, a commercial venture established by the Honolulu Rapid Transit and Land Company, which sought “to show the the riches of Hawaii’s reefs” and to entice visitors to ride the new trolley line to Kapiolani Park, where the aquarium was located. In 1912, the C. M Cooke Estate funded a marine biology laboratory to begin the aquarium’s research tradition. When the aquarium’s lease expired in 1919, the Cooke Estate ceded the site to the Territority of Hawaii, which turned the administration of the aquarium over to the newly established University of Hawaii. It now seeks to increase public awareness of the ecology and conservation of marine life and reef habitats through exhibitry, research, and education. The aquarium, located near a living coral reef along the Waikiki shoreline, is devoted to the aquatic life of Hawaii and the tropical Pacific. It has more than 3,500 marine animals and over 500 species of aquatic animals and plants. It was the first aquarium to successfully develop exhibits of living corals in 1978 and the first to breed and maintain chambered nautilus. Among its exhibits are a re-creation of habitats that might be found along a Hawaiian rocky shoreline and contains yellow tangs, parrortfish, and a tidal pool area; marine life on coral reefs of the tropical West and South Pacific Ocean; marine communities that show the diversity of sea life in the Hawaiian Islands; an exhibit on how corals are living animals that can grow. Waikiki Aquarium, Univeristy of Hawaii, 2777 Kalakaua Ave., Honolulu, HIU 96815-4027. Phone: 808/923-9741. Fax: 808/923-1771. E-mail: [email protected]. Web site: www.waquarium.org. Hours: 9-4:30 daily; closed Christmas Day and Honolulu Marathan Day. Admission: adults, $9; seniors, military, and Hawaii residents, $6; youth 13-17 and disabled, $4; children 5-12, $2; children under 5, free.

UNIVERSITY OF PUERTO RICO Marine Sciences Museum Mayaguez, Puerto Rico The Department of Marine Sciences at the University of Puerto Rico has a Marine Sciences Museum on the Mayaquez Campus. Founded in 1954, it contains a collection of invertebrates, fishes, shells, and tropical algae. The department and museum also have a field research station and offer expeditions to neighboring islands. Marine Sciences Museum, University of Puerto Rico, Dept. of Marine Sciences, PO Box 9000, Mayaguez, Puerto Rico 00681. Phones: 787/832-4040, Exts. 3443, 3447, and 3838. Faxes: 787/899-5500, 787/265-5408, and 787/832-3432. E-mail: [email protected]. Web site: cima.uprm.edu. Hours: by appointment. Admission: free. Nilda E. Aponte, Director of the UPRM Marine Sciences Department 787-265-3838 [email protected]

UNIVERSITY OF SOUTHERN MISSISSIPPI Gulf Coast Research Laboratory Museum Ocean Springs, Mississippi The University of Southern Mississippi’s Gulf Coast Research Laboratory Museum in Ocean Springs features specimens obtained during research programs conducted at the laboratory and other regional institutions. Founded in 1972, the museum provides essential information for use in research in biodiversity, systematics, morphology, ecology, distribution, and life history of species. It has a fish collection of more than 355,000 specimens in nearly 36,000 lots, representing nearly 270 families and 3,400 species. It also has a collection of over 1 million invertebrates and small collections of local amphibians and reptiles. Museum exhibits include 71 aquariums, a touch tank, mounted fish specimens, vivarium with reptiles and amphibians, marine artifacts, and interactive displays. Annual attendance is 75,000. Gulf Coast Research Laboratory Museum, University of Southern Mississippi, 703 E. Beach Dr., Ocean Springs, MS 39564-6326. Phone: 228/818-8890. Fax: 228/818-8894. E-mail: [email protected]. Web site: www.aquarium.usm.edu. Hours: 9-4 Mon.-Sat.; closed Sun. and major holidays. Admission: adults, $4; seniors, $3.50; children 3-17, $2.50; children under 3, free. Sara E. LeCroy, Curator 228-872-4238 [email protected]

Andrew Rossiter, Director

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Medical, Dental & Health Museums A. T. STILL UNIVERSITY Museum of Osteopathic Medicine Kirksville, Missouri The Museum of Osteopathic Medicine at the A. T. Still University in Kirksville, Missouri, seeks to preserve and promote the history and tenants of osteopathy through collections, exhibits, and programs. The museum, founded in 1978, has a collection of 20,000 objects, documents, photographs, and books and exhibits that trace the history of osteopathy. Among the displays are osteopathic treatment tables and tools, specimens, photographs, and a room devoted to Dr. Andrew Taylor Still, an osteopathic pioneer and founder of the university, and his family in a turn-of-the-century setting. Adjacent to the museum in a two-story atrium are two historic buildings-Dt. Still’s log cabin birthplace and the original two-room classroom of the American School of Osteopathy he founded in 1892. Annual attendce is nearly 9,000. Museum of Osteopathic Medicine, A. T. Still University, 800 W.Jefferson St., Kirksville, MO 63501-1443. Phone: 660/626-2359. Fax: 660/626-2984. E-mail: [email protected]. Web site: www.atsu.edu/museum. Hours: 10-4 Mon.-Wed. and Fri., 10-7 Thurs., 12-4 Sat.; closed Sun. and major holidays. Admission: free.

77030-3411. Phones: 713/798-4951 and 712/798-6194. Web site: www.bcm.edu/debackeymuseum. Hours 9-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. JoAnn Pospisil, Archives Director

CASE WESTERN RESERVE UNIVERSITY Dittrick Museum of Medical History Cleveland, Ohio The Dittrick Museum of Medical History at Case Western Reserve University in Cleveland, Ohio, is part of the Dittrick Medical History Center, a study center of the history of medicine through a collection of artifacts, rare books, archives, and images. Founded in 1926, the museum was an outgrowth of an 1898 museum established by the Cleveland Medical Library Association. The museum originally was intended only for use by the medical profession and historians, but was opened to the public in 1936 and became affiliated with the uniuversity in 1967. It now is located in the university’s Allen Memorial Medical Library on the campus.

The museum and study center core collection came from Dr. Dudley Peter Allen, who donated medical instruments, papers, and other materials of early Western Reserve Territory Jason Haxton, Director 660-626-2359 physicians to the medical library association. The museum [email protected] and study center are named for Dr. Howard Dittrick, who served as museum director from 1926 to 1967. The collection consists of more than 50,000 objects with a regional focus, including the nation’s largest collection of surgical BAYLOR UNIVERSITY instruments (ca. 1852-1930) and one of the major microMichael E. DeBakey Library and Museum scope collections. The museum has exhibits on such subHouston, Texas jects as nineteenth- and twentieth-century doctor’s offices, The Michael E. DeBakey Library and Museum at the Baylor medical instruments, medicines, and practices. University College of Medicine in Houston, Texas, chroniDittrick Museum of Medical History, Case Western Reserve cles the life of the pioneering heart surgeon and the history University, Allen Memorial Medical Library, 11000 Euclid of the medical college.The library/museum, which opened in 2010, has a collection of DeBakey’s papers and memora- Ave., Cleveland, OH 44106-1714. Phone: 216/368-3648 Fax: 216/368-0165. E-mail: [email protected]. bilia and exhibits that feature a re-creation of his operating room, his conference table, a replica of the sewing machine Web site: www.cwn.edu/artsci/dittrick/museum. Hours: 10-5 he used to make the first Dacron heart graft, numerous pho- Mon.-Fri.; closed Sat.-Sun., New Year’s Day, Memorial Day tographs, many of his awards and honors, and videotapes of weekend, Independence Day, Labor Day weekend, DeBakey’s surgeries, speeches, and other events that can be Thanksgivig, and Christmas Eve and Day. Admission: free. accessed on large screen monitors. James M. Edmonson, Chief Curator 216-368-6391 Dr. DeBakey, who was regarded at the father of modern cardiovascular surgery, was a world-renowed heart surgeon who also was an innovator, scientist, medical educator, and international medical statesman. He was the chairman of surgery at Baylor from 1948 to 1993 and served as the first president, chancellor, and chancellor emeritus of Baylor’s College of Medicine. He was nearly 100 years old when he died in 2008. Michael E. DeBackey Library and Museum, Baylor University College of Medicine, 1 Baylor Plaza, Houston, TX

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[email protected]ÿ

DUKE UNIVERSITY History of Medicine Collections Durham, North Carolina The History of Medicine Collections at Duke University in Durham, North Carolina, include over 20,000 monographs, 4,000 manuscripts, and such other materials as medical instruments, photographs, illustrations, medals, stamps, and a

FLORIDA GULF COAST UNIVERSITY variety of artifacts. Selections from the collections are exhibited. Founded in 1930, the collections are located in the university’s Medical Center Library. Annual attendance is 2,000.

surgery. The center also offers access to the personal and professional papers of prominent American physicians and is the institutional repository of Harvard’s medical, dental, and public health schools.

History of Medicine Collections, Duke University, 102 Medical Center Library, DUMC 3702, Durham, NC 27710. Phones: 919/660-1144 and 919/660-1143. Fax: 919/681-7599. E-mail: [email protected]. Web site: www.mclibrary.duke.edu/hom. Hours: 10-4 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free.

Warren Anatomical Museum, Harvard University, Countway Library of Medicine, Center for the History of Medicine, 10 Shattuck St., Boston, MA 02115. Phones: 617/432-6196 and 627/432-2170. Fax: 617/432-4737. E-mail: [email protected]. Web site: www.countway.harvard.edu/menu.navigation/chom/warren. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and certain university holidays. Admission: free

Rachel Ingold, Curator 919-660-1143 [email protected]

Dominic Hall, Curator 617-432-6196

FLORIDA GULF COAST UNIVERSITY Kleist Health Education Center Fort Myers, Florida The Kleist Health Education Center, which opened in 1994, at Florida Gulf Coast University in Fort Myers seeks to build an appreciation for the human body, mind, and spirit among children and adults with its health exhibits, multimedia presentations, and other programs. The center, made possible by a $1 million contribution by developer Peter Kleist and his wife, Eleanore, uses highly interactive and animated techniques in health education programs that promote healthy lifestyles, usually for school groups. Dynamic models, hands-on exhibits, and multimedia shows are presented in three teaching theaters. Kleist Health Education Center, Florida Gulf Coast University, 10501 FGCU Blvd., S., Fort Myers. FL 33965. Phone: 239/590-7459. Fax: 239/590-7464. E-mail: [email protected]. Web site: www.fgcu.edu/khec. Hours: 10:15 and 11:30 Mon.-Fri., but programs can be scheduled for other times; generally closed Sat.-Sun. and major holidays. Admission: $3 per person, with a program minimum of $72. Renee McFarland, Executive Director [email protected]

HARVARD UNIVERSITY Warren Anatomical Museum Boston, Massachusetts The Warren Anatomical Museum, a part of the Center for the History of Medicine at the Countway Library of Medicine at Harvard University’s Medical School in Boston, Massachusetts, presents changing exhibitions from the center’s collection of 15,000 objects-one of the world’s leading collections in the history of medicine and health education. The museum has 300 cases and artifacts from the collection. The museum was founded in 1847 by Professor John Collins Warren, whose personal collection of anatomical and pathological specimens are the nucleus of the collection. The collection contains rare books and journals, archives, manuscrips, photographs, prints, art, and artifacts, and has strong holdings in anatomy, anesthesiology, cardiology, dentistry, neurology, obstetrics and gynecology, psychiatry, and

MEDICAL UNIVERSITY OF SOUTH CAROLINA Waring Historical Library Charleston, South Carolina The Waring Historical Library at the Medical University of South Carolina in Charleston is a combination library and museum of medical history. Founded in 1966, the library is located in an 1894 octagonal building that has a fortress appearance. The structure originally was built as a library for a military preparatory school. It now houses 12,000 books, journals, and manuscripts and 1,000 artifacts relating to the history of the health sciences. Most of the books date from the eighteenth and nineteenth centuries. The artifacts include such materials as doctors’ saddle bags, medicine chests, amputation kits, electro-therapeutic machines, bleeding instruments, obstetrical specula and forceps, and pharmaceutical items. Waring Historical Library, Medical University of South Carolina, 175 Ashley Ave., PO Box 250403, Charleston, SC 29425. Phone: 843/792-2288. Fax: 843/792-8619. Web site: waring.library.musc.edu. Hours: 8:30-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. W. Curtis Worthington Jr, Director 843-792-2290

MEDICAL UNIVERSITY OF SOUTH CAROLINA Macaulay Museum of Dental History Charleston, South Carolina The Macaulay Museum of Dental History at the Medical University of South Carolina in Charleston contains historical objects and information about dentistry and dental practitioners. The museum, founded in 1975, has approximately 6,000 dental artifacts and books, largely donated by Dr. Neill Macaulay, a Columbia dentist and university trustee, in 1975. They include a ca. 1900 dental office, antique dental chairs, foot-powered drills, early X-ray units, wooden dental cabinets, medical cases of itinerant dentists, and books and manuscripts related to denistry and medicine. One of the oldest artifacts is an instrument made by Paul Revere for Dr. Josiah Flagg, the first American-born

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Medical, Dental & Health Museums full-time dentist. Entrance to the museum is through the Warning Historical Library. Annual attendance is 250.

Springfield, IL 62702-4910 (postal address: School of Medicine, PO Box 19635, Springfield, IL 62794-9635). Phones: 217/545-8017 and 217/545-4261. Fax: 217/545-7903. Mccaulay Museum of Dental History, Medical University of E-mail: [email protected]. Web site: South Carolina, 175 Ashley Ave., MSC 403, Charleston, SC www.siumed.edu/medhum/pearson. Hours: 8:30-4:30 Tues. 29425. Phone: 843/792-2288. Fax: 843/792-8619. E-mail: and by appointment; closed Wed.-Mon. and major holidays. [email protected]. Web site: waring.library.musc.edu. Admission: free. Hours: 8:30-5 Mon.-Fri., closed Sat.-Sun. and major holiPhillip V. Davis, Director days. Admission: free. [email protected]

E. Brooke Fox, University Archivist

ROSALIND FRANKLIN UNIVERSITY OF MEDICINE AND SCIENCE Feet First Exhibit

TEMPLE UNIVERSITY The Edwin and Trudy Weaver Historical Dental Museum Philadelphia, Pennsylvania

North Chicago, Illinois

The Edwin and Trudy Weaver Historical Dental Museum in Philadelphia opened in 2003, succeeding the Historical Dental Museum that was founded in 1938. It tells the story of the School of Dentistry with artifacts and interactive exhibits. The earlier historical museum, founded by Dr. Harold L. Faggart, the school historian, had assembled an extensive collection of dential artifacts and oddities. including the nation’s oldest surviving dental chair (ca. 1790), foot-powered dental drills, ivory-handled eighteenth-century “extraction keys,” early X-ray machines, Civil War-era dental kits, eighteenth- and nineteenth-century newspaper ads of dentists, and materials related to America’s most flamboyant dentist, Edgar “Painless” Parker. The dental school, founded in 1863 as the Philadelphia Dental College, became part of Temple Feet First: The Scholl Story Exhibit, Rosalind Franklin Uni- University in 1907 and became the Maurice H. Kornberg versity of Medicine and Science, Scholl College of Podiatric School of Dentistry in 2006. Medicine, 3333 Green Bay Rd., North Chicago, IL 60064-3037. Phones: 847/578-8417 and 847/578-3000. Fax: Edwin and Trudy Weaver Historical Dental Museum, 847/775-6521. E-mail: [email protected]. Maurice H. Kornberg School of Dentistry, 3223 N. Broad Web site: www.rosalindfranklin.edu. Hours: 9-4 daily; St., Philadelphia, PA 19140. Phones: 215/707-2816 and closed major holidays. Admission: free. 215/707-2900. Web site: www.temple.edu/dentistry. Hours: varies. Admission: free. The Scholl College of Podiatric Medicine’s “Feet First: The Scholl Story” Exhibit now is located at the Rosalind Franklin University of Medicine and Science in North Chicago, Illinois. The college and the exhibit formerly were in Chicago. The podiatry exhibit, founded in 1993, is devoted to the anatomy, function, and care of feet; historical treatment and educational training in the foot-care field; and the life and contributions of Dr. William Mathis Scholl, founder of the Scholl foot-care company. The museum has two galleries-the first is dedicated to the foot itself and the second in a re-created 1930s Scholl Foot Comfort Shop storefront tells the Dr. Scholl story. Annual attendance is 11,000.

Nancy Parsley, Dean, Dr. William M. Scholl College of Podiatric Medicine 847-578-8401 [email protected]

SOUTHERN ILLINOIS UNIVERSITY SCHOOL OF MEDICINE Pearson Museum Springfield, Illinois The Pearson Museum at the Southern Illinois University School of Medicine in Springfield is devoted to the history of medicine, health care, nursing, dentistry, and pharmacy, with the emphasis on the Midwest and the Mississippi River basin. The teaching museum, founded in 1974 and named for Dr. Emmet F. Pearson, a Springfield physician and benefactor, in 1980. It has a collection of medical, dental, and pharmaceutical artifacts from the nineteenth and early twentieth centuries, and exhibits that include a nineteenth-century doctor’s office, an early drug store, a rural health care exhibit, and other displays. Annual attendance is 6,000. Pearson Museum, Southern Illinois University School of Medicine, Dept. of Medical Humanities, 801 N. Rutledge,

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Amid I. Ismail, Dean, The Maurice H. Kornberg School of Dentistry 215-707-2799 [email protected]

UNIVERSITY OF ALABAMA AT BIRMINGHAM Alabama Museum of the Health Sciences Birmingham, Alabama The Alabama Museum of the Health Sciences was opened in 1975 at the University of Alabama at Birmingham. The museum has a collection of health science equipment, instruments, specimens, and books and manuscripts, including some dating to the Middle Ages. Temporary and traveling exhibitions are presented on health science education, research, and practice, with the emphasis on contributions by Alabama educators, researchers, and practicioners. Annual attendance is 3,000. Alabama Museum of the Health Sciences, University of Alabama at Birmingham, 1700 University Blvd., Birmingham, AL 35294 (postal address: 300 LHL, 1530 3rd Ave., S.,

UNIVERSITY OF ARIZONA Birmingham, AL 35294). Phone: 205/934-4475. Fax: 205/975-8476. Web site: www,uab.edu/historical/museum.htm. Hours: 9-6 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Stefanie Rookis, Curator/Archivist [email protected]

UNIVERSITY OF ARIZONA History of Pharmacy Museum Tucson, Arizona The History of Pharmacy Museum at the University of Arizona in Tucson has several large drug stores from Arizona’s territorial days and more than 60,000 bottles, original drug containers, books, store fixtures, and artfacts from the 1880-1950 period. The museum, which was founded in 1966, grew out of the work of Jesse Hurlbut, a former Tucson pharmacist and state pharmacy board inspector, who collected pharmaceutical materials from Arizona and throughout the West. The museum is located on four floors of the College of Pharmacy building on the Arizona Health Sciences Campus. History of Pharmacy Museum, University of Arizona, College of Pharmacy, 1703 E. Mabel, PO Box 210202, Tucson, AZ 85721-0202. Phone: 520/626-1427. Fax: 520/626-4063. Web site: www.pharmacy.arizona.edu. Hours; 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Richard M. Wiedhopf, Curator 520-626-4429 [email protected]

UNIVERSITY OF CONNECTICUIT HEALTH CENTER School of Dental Medicine Museum Farmington, Connecticut The School of Dental Medicine at the University of Connecticut Health Center in Farmington has a dental museum sponsored by the school’s Society of Alumni and Friends. It basically is a collection of dental artifacts. School of Dental Medicine Museum, University of Connecticut Health Center, 263 Farmington Ave., Farmington, CT 06030. Phone: 860/579-3211. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. R. Lamont MacNeil, Dean, School of Dental Medicine

on the fifth floor of the college building, is named for an alumnus, Dr. George Kottemann, and his wife, Norma, major donors of the gallery. Kottemann Gallery of Dentistry, College of Dentistry, University of Illinois at Chicago, 801 S. Paulina St., Chicago, IL 60612-7211. Phone: 312/996-8495. Web site: www.uic.edu. Hours: by appointment. Admission: free. Bruce Graham, Dean, School of Dentistry

UNIVERSITY OF IOWA Hospitals and Clinics Medical Museum Iowa City, Iowa The University of Iowa Hospitals and Clinics Medical Museum in Iowa City is largely devoted to the progress of medicine and patient care and the university hospitals’ role in the advances. The stimulus for the museum was a donation of a case of surgical instruments by Phoebe Wilcox of Newton in 1982. The instruments belong to her grandfather, Dr. Winton S. Wilcox, an 1874 alumnus who was a general practioner in Malcom. It was with these instruments and other exhibits that the museum opened in 1989. The museum has exhibits on the structure and functions of the human body, most common diseases and injuries, major advances in medicine and medical care, changing notions of health and health care, and the role of the university’s hospitals in the advances. The museum presents rotating and traveling exhibitions, artifacts, and hands-on activities than show the advances in patient care from ancient times to the present. Annual attendance is 50,000. University of Iowa Hospitals and Clinics Medical Museum, 200 Hawkins Dr., 8014 RCP, Iowa City, IA 52242-1009. Phones: 319/353-6417 and 319/356-7106. Fax: 319/384-8141. E-mail: [email protected]. Web site: www.uihealhcare.com/medmuseum. Hours: 8-5 Mon.-Fri., 1-4 Sat.-Sun.; closed New Year’s Day, Thanksgiving, and Christmas. Admission: free. Adrienne Drapkin, Director

UNIVERSITY OF KANSAS MEDICAL CENTER Clendening History of Medicine Library and Museum Kansas City, Kansas

UNIVERSITY OF ILLINOIS AT CHICAGO Kottemann Gallery of Denistry Chicago, Illinois The innovative research and accomplishments of College of Dentistry faculty and students at the University of Illinois at Chicago are featured in the Kottemann Gallery of Dentistry. The gallery also has approximately 200 artfacts of dental equipment and instruments on display. The gallery, located

The Clendening History of Medicine Library and Museum at the University of Kansas Medical Center in Kansas City, Kansas, has a collection of approximately 25,000 books, 29,000 monographs, 1,800 bound serials, numerous manuscripts, and medical artifacts related to medical history, biomedical ethics, and medical humanities. The library/museum was founded in 1945 after receiving rare books and other items from the estate of Dr. Logan Clendening, a long-time faculty member, rare book collector, and founder of the medical center’s history of medicine

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Medical, Dental & Health Museums program. The exhibits display early surgical instruments, microscopes, X-ray tubes, and other artifacts. Annual attendance is 1,000. Clendening History of Medicine Library and Museum, University of Kansas Medical Center, 1020-1030 Robinson Bldg., 3901 Rainbow Blvd., Kansas City, KS 66160. Phone: 913/588-7243. Fax: 913/588-7060. E-mail: [email protected] Web site: www.clendening.kumc.edu/ Hours: library-9 a.m.-11 p.m. Mon. and Wed., 12-4 Tues. and Thurs.; other times by appointment; closed Fri.-Sun. and state holidays; museum-8-4:30 daily; closed state holidays. Admission: free. Christopher Crenning, Director 913-588-7040 [email protected]

UNIVERSITY OF MARYLAND, BALTIMORE Dr. Samuel D. Harris National Museum of Dentistry Baltimore, Maryland The Dr. Samuel D. Harris National Museum of Dentistry at the University of Maryland, Baltimore, was designated as the nation’s official dental museum by Congress in 2003. It is best known for its extensive collection of dental treasures from the lengendary to the whimsical. The 21,000-square-foot museum has a collection of over 40,000 dental objects that include instruments, furniture, artwork, and other materials. The museum was founded in 1996 and named for benefactor Dr. Samuel D. Harris, a children’s dentist. But a substantial portion of the collection dates back to Baltimore College of Dental Surgery, the world’s first college of denistry, founded in 1840.

UNIVERSITY OF MARYLAND, BALTIMORE University of Maryland School of Nursing Living History Museum Baltimore, Maryland The University of Maryland School of Nursing Living History Museum in Baltimore is dedicated to informing the public about the history and accomplishments of the school and the nursing profession. Founded in 1999, the museum traces the development of the School of Nursing’s mission in nursing education, research, and practice from a hospital training school to a professional school. It has a collection of nursing artifacts, historical photographs, documents and letters, and audio and video prersentations. Annual attendance is 1,000. University of Maryland School of Nursing Living History Museum, 655 W. Lombard St., Room 733B, Baltimore, MD 21201-1512. Phone: 410/706-2822. Web site: www.nursing.umaryland.edu/offices/development/museum.index.htm. Hours: Sept.-May-10-2 Mon.-Tues.; closed Wed.-Sun. and major holidays; June-Aug.-by appointment. Admission: free. Dan Caughey, Curator 410-706-2822 [email protected]

UNIVERSITY OF MICHIGAN Sindecuse Museum of Dentistry Ann Arbor, Michigan

The Sindecuse Museum of Dentistry at the University of Michigan in Ann Arbor is devoted to the history of dentistry. It has a collection of over 8,000 objects representing dental technology from the late 1700s to the 1960s. The museum, founded in 1992, is located in the School of Dentistry Among the historic items in the collection are George WashBuilding and presents permanent exhibits and changing exington’s ivory lower denture, Queen Victoria’s personal oral hibitions in 2,700 square feet of gallery space. It is named hygiene instruments, a entifrice container dating to the court for benefactor Gordon H. Sindecuse, a 1921 alumnus. Anof French King Louis XVI, a fifteenth-century stained glass nual attendance is 2,000. image of Apollonia (patron saint of dentistry), extraction instruments from the seventeenth century, dental furniture Sinderuse Museum of Dentistry, Univiersity of Michigan, from the early 1800s, the first dental diploma (1841), and G565 School of Denistry Bldg., 1011 N. University Ave., toothbrushes from the 1800s to the present. The museum Ann Arbor, MI 48109-1078. Phones: 734/763-0767 and 734/764-2293. Fax: 734/936-3065. E-mail: also has the world’s largest collection of dental advertising [email protected]. Web site: poster art. Changing exhibitions are presented of selectons www.dent.umich.edu/museum. Hours: 8-6 Mon.-Fri.; closed from the collection and on other dental subjects in its 1904 Sat.-Sun. and major holidays. Admission: free. Roman Renaissance-style building. Shannon O’Dell, Director/Curator 734-763-0767 Dr. Samuel D. Harris National Museum of Dentistry, [email protected] versity of Maryland, Baltimore, 31 S. Greene St., Baltimore, MD 21201-1504. Phone: 410/706-0600. Fax: 410/706-8313. E-mail: [email protected]. Web site: UNIVERSITY OF PITTSBURGH www.dentalmuseum.org. Hours: 10-4 Wed.-Sat., 1-4 Sun.; closed Mon.-Tues. and major holidays. Admission: aduls, Dental Museum $7; seniors and students, $5; children 3-12, $3; children un- Pittsburgh, Pennsylvania der 3, free. The School of Dental Medicine at the University of Pittsburgh in Pittsburgh, Pennsylvania, has a Dental Museum Jonathan Landers, Executive Director 410-706-6177 that looks like something from the Victorian era. It features [email protected]

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such artifacts as a ca. 1910 dental chair, X-ray machine and practices, scarficator curved blades, polio iron lung, paper instrument cabinet from the 1920s, and other early twentieth mƒche medical models, and a larger than life anatomical model. They are supplemented by changing exhibitions. Ancentury objects. The museum is located in Salk Hall. nual attendance is 5,000. Dental Museum, University of Pittsburgh, School of Dental Medicine, Salk Hall, 3501 Terrace St., Pittsburgh, PA 15261. Mobile Medical Museum, University of South Alabama, 1664 Springhill Ave., Mobile, AL 36604-1405. Phone; Phone: 412/648-8880. Web site: www.dental.pitt.edu. 251/415-1109. Fax: 251/415-1110. Web site: Hours: 8-4:30 Mon.-Fri.; closed Sat.-Sun. and major holiwww.mobilemedicalmuseum.com. Hours: 10-4 Tues.-Fri.; days. Admission: free. closed Sat.-Mon. and federal holidays. Admission: adults, Thomas W. Braun, Dean, University of Pittsburgh School of Dental $5; seniors, $4; children under 13, $3. Medicine

Sally Green, Director 251-415-1109

UNIVERSITY OF PITTSBURGH Elmer H. Grimm, Sr. Pharmacy Museum Pittsburgh, Pennsylvania The Elmer H. Grimm, Sr. Pharmacy Museum at the University of Pittsburgh in Piittsburgh, Pennsylvania, holds historic pharmaceutical materials dating from the early twentieth century. Among the holdings are pharmacy equipment, drug products, and sundry products. They include such items as an old-fashinoned powder mill, konseal machine, and hand-carved finials. The museum, which opened in Salk Hall in 1996, is named for pharmacist Elmer H. Grimm, Sr., and founded by relatives. Elmer H. Grimm, Sr. Pharmacy Museum, University of Pittsburgh, School of Pharmacy, Salk Hall, 3501 Terrace St., Pittsburgh, PA 15261. Phone: 412/624-2400. Web site: www.pharmacy.pitt.edu. Hours: by appointment. Admission: free. Stan Jonas, Curator 412-648-3304 [email protected]

UNIVERSITY OF THE SCIENCES IN PHILADELPHIA Marvin Samson Center for the History of Pharmacy Philadelphia, Pennsylvania The Marvin Samson Center for the History of Pharmacy at the University of the Sciences in Philadelphia has a collection of more than 10,000 pharmaceutical and medical objects and artifacts covering over five centuries. The 1,000-square-foot museum, founded in 1995, re-creates the feel of a late nineteenth- early twentieth-century pharmacy. Annual attendance is 5,000. Marvin Samson Center for the History of Pharmacy, University of the Sciences in Philadelphia, 600 S. 43rd St., Philadelphia, PA 19107-2520. Phones: 215/988-1909 and 215/988-1900. Fax: 215/895-1113. E-mail: [email protected]. Web site: www.usciences.edu/museum. Hours: varies. Admission: free. Michael J. Brody, Director and Curator 215-596-8721 [email protected]

UNIVERSITY OF SOUTH ALABAMA Mobile Medical Museum Mobile, Alabama The Mobile Medical Museum at the University of South Alabama in Mobile has one of the largest collections of medical artifacts in the Southeast. Nearly 200 years of medical history are reflected in the collection that began in 1962 with the gift of 100 objects from Patricia Heustis Paterson as a memorial to her father, Dr. James F. Heustis. Dr. Samuel Eichold suggested that she start a museum in his name. This resulted in the founding of the Eichold-Heustis Medical Museum of the South, which later became the Mobile Medical Museum. In 2003, the museum moved into the restored 1827 Vincent/Doan House.

WEST VIRGINIA UNIVERSITY Cook-Hayman Pharmacy Museum Morgantown, West Virginia

The Cook-Hayman Pharmacy Museum in the School of Pharmacy at West Virginia University in Morgantown features a drug store re-created from fixtures and artifacts of early pharmacies from the 1800s. Among the many artifacts are a rare matched set of hand-painted apothecary jars, bulk drug and chemical drawers, apothecary shelf bottles, apparatus for rolling and cutting pills, so-called “patent medicines,” and such other artifacts as an old mill, pill coater, brass balance, seroon, gourd, and a 1648 bell mortar. The The museum now has an archive of manuscripts, books, and museum, founded in 1962, is named for two people who artifacts from the early 1800s to the 1980s, with the bulk re- were instrumental in its establishment, Dr. Roy Bird Cook, lated to Mobile and Alabama medical history. The collection secretary of the West Virginia State Board of Pharmacy, and includes such diverse materials as medical books, letters, di- Dean J. Lester Hyman of the School of Pharmacy. aries, notebooks, minute books, photographs, prescriptions, Coo-Hayman Pharmacy Museum, West Virginia University, scrapbooks, government and organizarional records, medical School of Pharmacy, 1132 Health Sciences North, PO Box instruments, and materials used in teaching medicine. 9500, Morgantown, WV 26506-9500. Phone: 304/293-7806. Among the permanent exhibit subjects are an early Alabama medical history, Civil War medical instruments, bleeding

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Medical, Dental & Health Museums Web site: www.hsc.wvu.edu/sop/museum/history.html. Hours: by appointment. Admission: free. W. Clarke Ridgway, Dean of Student Services 304-293-7806 [email protected]

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Music Museums MISSISSIPPI STATE UNIVERSITY Charles H. Templeton, Sr. Music Museum Mississippi State University, Mississippi The Charles H. Templeton, Sr. Music Museum at Mississippi State University has a collection of more than 200 musical instruments, 22,000 pieces of sheet music, and 13,000 recordings. The collection, located in Mitchell Memorial Library, was amassed over four decades by Templeton and donated to the university in 1987. The museum, formerly housed in another university building, opened in the library in 2006 after space was renovated with funds from the Templeton family. The museum displays 96 of the instruments and allows visitors to view and listen to early phonographs created by Thomas Edison; gramophones produced by Columbia and Eldridge Johnson; cylinder and disc-type music boxes; organs; organettes of paper roll and cob varieties, and self-playing accordions. Charles H. Templeton, Sr. Music Museum, Mississippi State University, Mitchell Memorial Library, 395 Hardy Rd., PO Box 5408, Mississippi State University, MS 39762. Phone: 662/325-7668. Web site: www.library.msstate.edu. Hours: 12 noon-12 mdnight Mon.-Thurs.; 12-7:45 Fri., 10-5:45 Sat., 10-7 Sun.; closed major holidays. Admission: free. Frances Coleman, Dean of MSU Libraries 662-325-7661 [email protected]

UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN Sousa Archives and Center for American Music Champaign, Illinois The Sousa Archives and Center for American Music at the University of Illinois at Urbana-Chamaign documents America’s national and local music history and its diverse cultures with archival records and artifacts in multiple media formats. John Phiulip Sousa, who was the U.S. Marine Band bandmaster in 1880-92 and gave popular concerts throughout the world, composed about 140 military marches and became known as the March King. The Illinois center began in 1994 as the Sousa Archives for Band Research and the Center for American Music became part of the name in 2004. In the process, the personal papers of Philip Sousa and Herbert L. Clarke, a university bandmaster, and related materials from the University Bands were transferred to the University Library. Since then, many other collections have been added, including over 50 record series documenting the history of American music, as well as the music and performing arts at the University of Illinois. Among the collection additions have been materials about Albert Austin Harding, the university’s first bandmaster; papers and music by and about Elbern H. Alkire, Paul Bierley, Pietro A. Cipollone, Kenneth Gaburo, Harry Partch,

Virginia Root, and Paul Martin Zonn; and instrument collections from Alkire and Carl Busch and the Jack Linker Sound Recording Collection. The center, housed in the Harding Band Building, functions as a museum and presents changing exhibitions and events on a variety of musical themes. Sousa Archives and Center for American Music, University of Illinois at Urbana-Champaign, 236 Harding Band Bldg., 1103 S. 6th St., Champaign, IL 61820. Phone: 217/244-9309. Fax: 217/244-8695. E-mail: [email protected]. Web site: www.library.illinois.edu/sousa. Hours: 8:30-12 and 1-5 Mon.-Tues. and Thurs.-Fri.; 10-12 and 1-5 Wed.; closed Sat.-Sun. and federal holidays. Admission: free. Scott Schwartz, Director and Archivist for Music and Fine Arts

UNIVERSITY OF MICHIGAN Stearns Collection of Musical Instruments Ann Arbor, Michigan The Stearns Collection of Musical Instruments at the Universzity of Michigan in Ann Arbor is one of the oldest and largest such collectrions on a North American university campus. It began in 1899 when Frederick Stearns, a Detroit businessman, donated his collection to the university. The musical instruments were on display from 1914 to 1974, during which time the collection was expanded significantly. Many of the historic instruments then were restored before the displays were reopened. The collection now consists of over 2,500 period and modern Western and non-Western musical instruments. Permanent exhibits and occasional exhibitions are presented in the Vesta Mills Gallery and in various areas throughout the Earl V. Moore Building of the School of Music, Theatre, and Dance. Annual attendance is approximately 660. Stearns Collection of Musical Instruments, University of Michigan, School of Music, Theatre, and Dance, Earl V. Moore Bldg., 1100 Baits Dr., Ann Arbor, MI 48109-2085. Phone: 234/936-2891. Fax: 734/647-1897. E-mail: [email protected]. Web site: www.music.umich.edu/stearns. Hours: 10-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Steven Ball, Director [email protected]

UNIVERSITY OF PITTSBURGH Center for Americam Music Museum Pittsburgh, Pennsylvania The Center for American Music, located in the Stephen Foster Memorial at the University of Pittsburgh, is a library, archive, and museum dedicated to documenting and furthering knowledge of American music and its role in American life.

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Music Museums The centerpiece of the library is the Foster Hall Collection, the principal repository for materials pertaining to composer YALE UNIVERSITY Stephen Foster. The museum features materials from the Yale University Collection of Musical collection. The center also engages in such projects as a curInstruments riculum support package for schools and a digitral version New Haven, Connecticut of American music history resources for online access. The Yale University Collection of Musical Instruments in Center for American Music Museum/Foster Hall Collection, New Haven, Connecticut, was founded in 1900 when Morris Stephen Foster Memorial, University of Pittsburgh, 4301 Steinert gave the university his collection, consisting mainly Forbes Ave., Pittsburgh, PA 15260. Phone: 412/624-4100. of keyboard instruments. It was increased by the acquisition Web site: www.pitt.edu/~amerimus/caml.htm. Hours; of the Belle Skinner Collection in 1960, Emil Hermann Col9-4onl.-Fri.; closed Sat.-Sun. and university holidays. Adlection in 1962, and the nearly trebling of the collection mission: free. since 1970. Today, the university’s collection has nearly 1,000 instruments, most of which document the history of Deane L. Root, Director, Center for American Music Western European and American art music. 412-624-7775 The collection includes an outstanding group of keyboard instruments from three centuries; a strong woodwinds collection; exceptional examples of the luthier’s art with UNIVERSITY OF SOUTH DAKOTA stringed instruments by Stradivari, Guarneri, and Stainer; National Music Museum and a small group of non-Western and other instruments. Vermillion, South Dakota The collection originally was housed in Woolsey Hall and The National Music Museum at the University of South Da- later moved to an l895 Romanesque house on Hillhouse Avkota in Vermillion has one of the largest collections of musi- enue that it still occupies. cal instruments and other materials in the world. The museum, originally founded as the Shrine to Music Museum Yale University Collection of Musical Instruments, 15 Hillhouse Ave., New Haven, CT 06511-6823 (postal adin 1973, has more than 15,000 American, European, and non-Western instruments from virtually all cultures and his- dress: PO Box 208278, New Haven, CT 06520-8278). Phone: 203/432-0822. Fax: 203/432-8342. E-mail: torical periods and rich holdings of related objects and [email protected]. Web site: chival materials. The museum is housed in a 20,000-square-foot building where 1,100 of the instruments www.yale.edu/musicalinstruments. Hours: Sept.-June-10-4 Tues.-Fri., 1-5 Sun.; closed Mon., Sat., July-Aug., national are exhibited in nine galleries. Annual attendandance is holidays, and spring, Thanksgiving, and Christmas univernearly 280,000. sity recesses. Admission: adults, $3. The museum is the only place that has two eighteenth-century grand pianos with the specific type of action conceived William Purvis, Interim Director [email protected] by the piano’s inventor, Bartolomeo Cristofori. Among the other collections are brass, woodwind, and stringed instruments by seventeenth- and eighteenth-century Nurnberg craftsmen; seventeenth- and eighteenth-century Dutch woodwind instruments; early Italian stringed instruments crafted by Andrea Guarneri, Antonio Stradivari, and three generations of the Amai family; and more than 500 instruments made in the late nineteenth and early twentieth centuries by the C. G. Conn Company. National Music Museum, University of South Dakota, Clark and Yale Sts., Vermillion, SD 57069-2390 (postal address: 414 E. Clark St., Vermillion, SD 57069-2307). Phone: 605/677-5306. Fax: 605/677-6995. E-mail: [email protected]. Web site: www.nmmusd.org. Hours: 9-5 Mon.-Sat., 2-5 Sun.; closed New Year’s Day, Thanksgiving, and Christmas. Admission: free. Margaret Downie Banks, Interim Director [email protected]

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AMHERST COLLEGE

Natural History & Cultural Museums AMHERST COLLEGE Beneski Museum of Natural History, Amherst College Amherst, Massachusetts The Beneski Museum of Natural History, Amherst College in Amherst, Massachusetts, is the fifth generation of natural history museums at the college. The first collections began in the 1830s, with the Octagon, built in 1848, being the first museum. It was followed in 1855 by the Appleton Cabinet, which was built with a donation from Samuel Appleton to house the Hitchcock Ichnological Collection, Gilbert Museum of Indian Relics, and Adams Zoological Museum. The Hitchcock collection, which still has the largest collection of dinosaur fossil tracks in the world, was named after Edward Hitchcock, a professor of natural history and chemistry and president of Amherst College who spearheaded campus scientific investigations in the mid-nineteenth century. The museum now has more than 200,000 objects spanning a dozen different types of natural history collections and three floors of exhibits with over 1,700 specimens on display. The museum moved into a new building in 2006 from the former Pratt Gynasium, which it occupied since 1947, and changed its name from Pratt Museum of Natural History. The museum now houses collections and exhibits that include vertebrate and invertebrate paleontology, minerals, and other geologic specimens and anthropological materials. Among the exhibits are large Ice Age mammals, including a mastodon discovered in 1869 and a mammoth found in 1913; the ichnology collection with dinosaur skeletons; mounted and drawers of specimens that chronicle evolution and ecology; and a variety of invertebrates, trace fossils, minerals, and exhibits of local geology. Annual attendance is 25,000. Beneski Museum of Natural History, Amherst College 11 Barrett Hill Rd., Amherst, MA 01002-5000. Phone: 413/542-2165. Fax: 413/542-2713. E-mail: [email protected]. Web site: www.amherst.edu/museum/natural history. Hours: Sept.-May-11-4 Tues.-Wed. and Fri.-Sun., 11-4 and 6-10 Thurs.; closed Mon. and university holidays; June-Aug.-10-4 Sat., 12-5 Sun.; closed Mon.-Fri. and Independence Day. Admission: free. Peter Crowley, Director

BAYLOR UNIVERSITY Mayborn Museum Complex Waco, Texas The Mayborn Museum Complex at Baylor University in Waco, Texas, is primarily a natural history museum that has undergone recent changes. In 2004, the 143,000-square-foot complex opened, unifying three separate museum facilities-the Strecker Museum, a natural history museum founded in 1893; Ollie Mae Moen Discovery Center, a

children’s museum which has been replaced by the Harry and Anna Jeanes Discovery Center; and the Governor Bill and Vara Daniel Historic Village, a collection of 15 early buildings that reflect agricultural life in Texas from 1880 to 1910. The former Strecker Museum was named for John K. Strecker, who served as curator from 1903 to 1933 and was responsible for much of the museum’s early natural history collections and expansion. The Mayborn Museum Complex now features the natural and cultural history of central Texas, with many walk-in dioramas and hands-on stations. Among the exhibits are a limestone cave, a Texas forest, and a mammoth room where visitors walk on a see-through floor over a re-created pit to see mammoth bones found in the area. Among the other exhibits are a 28-foot-long model of a Pliosaur dinosaur; such early structures as a Waco Indian grass hut, a Norwegian rock house, a Comanche tepee, and an early log cabin; and varied collections patterned after early Mayborn Museum Complex, Bayor University, 1300 S. University Parks Dr., Waco, TX 76706-1221 (postal address: 1 Bear Pl., #97154, Baylor University, Waco, TX 76798-7154). Phone: 254/710-1110. Fax: 254/710-1171. Web site: www.baylor.edu/mayborn. Hours: 10-5 Mon.-Wed. and Fri.-Sun., 10-8 Thurs.; closed New Year’s Day, Easter weekend, Thanksgiving, and Christmas. Admission: adults, $6; seniors, $5; children 18 months to 12 years, $4: children under 18 months, free. Ellie Caston, Director [email protected]

BENEDICTINE UNIVERSITY Jurica-Suchy Nature Museum Lisle, Illinois The Jurica-Suchy Nature Museum at Benedictine University in Lisle, Illinois, is a small natural history museum with over 100 different species, ranging from Illinois coal and native birds to polar bears, lions, and prehistoric fossils. The museum, founded in 1970, is named for the Jurica brothers, who taught science and collected the coal and fossil specimens featured at the museum. The museum is located in the Michael and Kay Birck Hall of Science and has an annual attendance of 6,000. Jurica-Suchy Nature Museum, Benedictine University, Michael and Kay Birck Hall of Science, 5700 College Rd., Lisle, IL 60532-2851. Phone: 630/829-6546. Fax: 630/829-6547. Web site: www.alt.ben.edu/resources/j_museumindex.htm. Hours: Sept.-mid-May-1-5 Mon.-Fri., 2-4 Sun.; closed Sat.and university holidays;

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Natural History & Cultural Museums mid-May-July-1-4 Tues.-Thurs.; closed Fri.-Mon., Aug., and university holidays. Admission: free.

Arboreta, and Herbaria section). The Bean museum has an annual attendance of 210,000.

Theodore B. Suchy, Curator

Monte L. Bean Life Science Museum, Brigham Young University, 290 MLBM Bldg., 645 East 1430 North, Provo, UT 84602. Phones: 801/422-5051 and 801/422-5052. Fax: 801/422-0093. E-mail: [email protected]. Web site: www.mlbean.byu.edu. Hours: 10-9 Mon.-Fri., 10-5 Sat.; closed Sun., New Year’s Day, Thanksgiving, and Christmas. Admission: free.

BETHEL COLLEGE Kauffman Museum North Newton, Kansas

The Kauffman Museum at Bethel College in North Newton, Larry St. Clair, Director 801-422-6211 Kansas, is a natural history and cultural museum that also [email protected] tells the story of the Mennonites who came to the Central Plains from Europe in the 1870s and their encounters with the prairie environment and its people. Founded in 1941, the CALIFORNIA STATE UNIVERSITY, 16,000-square-foot museum is named for Charles CHICO Kauffman, who founded and served as curator of the origiGateway Science Museum nal museum. It has a collection of 40,000 items, with the Chico, California emphasis on the natural and cultural history of the region. The permanent exhibits describe the settlement of the Mennonites and their life, service, and encounters across cultures; tallgrass prairie reconstruction; Mennonite immigrant furniture, and the bison. The museum also has changing exhibitions and a historic farmstead with heritage flower and vegetable gardens around the 1875 Voth-Unruh-Fast farmhouse and the 1886 Ratzlaff barn. Annual attendance is 7,000. Kauffman Museum, Bethel College, 2801 N. Main St., North Newton, KS 67117-1700. Phone: 316/283-1612. E-mail: kauffman/bethelks.edu. Web site: www.bethelks.edu/kauffman. Hours: 9:30-4:30 Tues.-Fri., 1:30-4:30 Sat.-Sun.; closed Mon. and major holidays. Admission: adults, $4; children 6-16, $2; children under 6, free. Rachel Pannabecker, Director 316-283-1612

BRIGHAM YOUNG UNIVERSITY Monte L. Bean Life Science Museum Provo, Utah The Monte L. Bean Life Science Museum at Brigham Young University in Provo, Utah, was founded in 1978 following a major gift of natural history specimens and funds by Bean, a Seattle-based entrereneur. Since then, the collection has been expanded to over 2,685,000 specimens-of which more than 2 million are insects and arachinids. The museum also has two herbaria of vascular plants and non-vascular cryptogams, mollusks, mammals, fishes, birds, and reptiles and amphibians.

Gateway Science Museum on the campus of California State University, Chico, has one of the newest natural history museum buildings. The former museum-without-walls, established in 1996, opened in its new home in 2010 in a partnership between the museum community board and the university. The museum previously had hosted programs in conjunction with the university. The $4.2-million facility has 9,000 square feet, with 4.400 square feet of interior exhibits. It also has 15,000 square feet of outdoor space that includes a landscape area separated into local ecological regions, such as riparian, montane, and delta, and an amphitheater whose seats represent three local geological formations. The museum has skeletons of pre-historic species native to northern California, a hands-on discovery room, and space for traveling exhibitions. Gateway Science Museum, California State University, 625 Esplanade. Chico, CA 95929-0545 (postal address: College of Natural Sciences, California State University, Chico, CA 95929-0545). Phone: 530/898-4121. E-mail: [email protected]. Web site: www.gatewayscience.org. Hours: 12-5 Wed.-Fri., 10-5 Sat.-Sun.; closed Mon.-Tues., New Year’s Eve and Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $5; children 3-17, $3; children under 3, free. Rachel Teasdale, Acting Executive Director

CENTRAL MICHIGAN UNIVERSITY Museum of Cultural and Natural History Mount Pleasant, Michigan

The Museum of Cultural and Natural History at Central Michigan University in Mount Pleasant seeks to further a The museum’s permanent exhibits feature hunting methods broader understanding of science and the humanities. The of North American predators, peasants and waterfowl of the museum, founded in 1970, has a collection of ethnographic world, African animals, Utah vertebrates, rare and unusual and archaeological artifacts; mammals, birds, amphibians, animals, Shasta the Liger, whooping cranes, insects, shells, reptiles, fish, and insects; minerals, rocks, and fossil plants and ecosystems. The museum also presents changing exhibi- and animals; and approximnately 13,000 artifacts on retions and manages the Lytle Nature Preserve near St. gional history from the 1800s and 1900s. The permanent exGeorge, Utah (see separate listing in the Botanical Gardens, hibits are on Michigan’s natural history, North American

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COLLEGE OF IDAHO animals, and regional history. The changing exhibitions have been on such varied subjects as evolution, emacipation, birds, fashions, dolls, and the magnetic field. The annual attendance is 25,000.

used in night astronomival observations. The Olive and Miles Browning Gallery in the observatory displays changing space images and data. Showings of works by artists and students and programs on contemporary art and issues are offered in cooperation with the Fine Arts Department at the Jean B. King Gallery of Contemporary Art. The center’s annual attendance is 40,500.

Museum of Cultural and Natural History, Central Michigan University, 103 Rowe Hall, Mount Pleasant, MI 48859. Phone: 989/774-1829. Fax: 989/774-2612. E-mail: [email protected]. Web site: www.museum.cmich.edu. Herrett Center for Arts and Science, College of Southern Hours: 8-5 Mon.-Fri., 1-5 Sat.-Sun.; closed national and uni- Idaho, 315 Falls Ave., PO Box 1238, Twin Falls, ID 83301-1238. Phone: 208/232-6655. Fax: 208/736-4712. versity holidays. Admission: free. E-mail: [email protected]. Web site: www.herrett.csi.edu. Jay Martin, Director and Curator of History 989-774-7165 Hours: museum-9:30-9 Tues. and Fri., 9:30-4:30 [email protected] Wed.-Thurs., 1-9 Sat.; closed Sun.-Mon. and fedral holidays; planetarium, observatory, and art gallery-varies. Admission: adults, $4.50; seniors, $3.50; students, $2.50; children under 2, free. COLLEGE OF IDAHO

Orma J. Smith Museum of Natural History Caldwell, Idaho The Orma J. Smith Museum of Natural History was opened in 1976 at the College of Idaho, formerly the Albertson College of Idaho, in Caldwell. It has anthropology, entomology, natural history, and other collections that include Native American artifacts, fossils, mammals, mollusca, birds, reptiles, amphibians, and fish. The museum began in a small room in 1930 that displayed the collection of Professor Smith, who taught zoology and geology. The collection evolved into a larger natural history museum named for Smith. Annual attendance is 3,000. Omar J. Smith Museum of Natural History, College of Idaho, Boone Hall, 2112 Cleveland Blvd., Caldwell, ID 83605-4432, Phone: 208/450-5507. E-mail: [email protected]. Web site: www.collegeofidaho.edu/campus/community/museum. Hours: by appointment. Admission: free. William H. Clark, Director 208-375-8605 [email protected]

COLLEGE OF SOUTHERN IDAHO Herrett Center for Arts and Science Twin Falls, Idaho The Herrett Center for Arts and Science at the College of Southern Idaho in Twin Falls is a multifaceted educational facility with a natural history and cultural museum, planetarium, observatory, art gallery, and other programs primarily serving elementary and secondary school students. The center, founded in 1952, has a natural history collection of over 18,500 artifacts and specimens with emphasis on the anthropology of the native peoples of the Americas, Europe, and Africa and the geology of North and Central America. Changing exhibitions on natural history from the collection and elsewhere are presented in five galleries. The Earl and Hazel Faulkner Planetrium, which opened in 1995, is a 144-seat planetarium under a 50-foot dome with a Digistar II digital graphics projection system that presents sky shows. The Centennial Observatory features a Norman Herrett telescope with a 24-inch Ritchey-Chretien reflector

Carolyn Browning, Coordinator 208-732-6656 [email protected]

COLLEGE OF THE ATLANTIC George B. Dorr Museum Bar Harbor, Maine The natural world of Maine is the focus of the George B. Dorr Museum of Natural History at the College of the Atlantic in Bar Harbor. Founded in 1982, the museum is housed in the original headquarters of the Acadia National Park that was renovated and expanded to provide space for the collection, exhibits, and programs. The museum has a collection that includes whale skeletons, taxidermy specimens, and other natural history materials. The exhibits, which are designed and produced by students, contain mammals, birds, and plants of Maine and show relationships between people and the environment. The museum also presents related temporary and traveling exhibitions. Annual attendance is 10,000. George B. Dorr Museum, College of the Atlantic, 105 Eden St., Bar Harbor, ME 04609-1136. Phone: 207/288-5395. Fax: 207/288-2917. E-mail: [email protected]. Web site: www.coa.edu/dorr-museum-microsite.htm. Hours: 10-5 Tues.-Sat.; closed Sun.-Mon. and major holidays. Admission: donation. Carrie Graham, Museum Supervisor 207-801-5638 [email protected]

EARLHAM COLLEGE Joseph Moore Museum Richmond, Indiana The Joseph Moore Museum, a natural history museum at Earlham College in Richmond, Indiana, began as a teaching collection in 1847, became a museum in 1887, and in 1905 was named for the geology professor and college president who originated it. The museum, which now is staffed almost entirely by students, has exhibits of invertebrate fossils and geology, Indiana birds of prey, arthropods, Indiana mammals, marsh birds, African mammals, an Egyptian mummy,

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Natural History & Cultural Museums live snakes, and a paleontology area with skeletons of a mastodon, giant beaver, dire wolf, giant ground sloth, and Allosaurus dinosaur. The museum also has the Ralph Teetor Planetarium and a Discovery Room with hands-on exhibits. Annual attendance is 4,500.

Department of Biological Sciences, is located in Breukelman Science Hall.

Joseph Moore Museum, Earlham College, 801 N. A St. (U.S. 40 W.), Richmond, IN 47374-3119 (postal address: PO Box 1035.Richmond, IN 47375-1035). E-mail: [email protected]. Web site: www.earlham.edu. Hours: mid-Sept.-early May-1-5 Sun.-Mon., Wed., and Fri.; closed Tues., Thurs., Sat., and college holidays; June-Aug.-1-5 Sun.; closed Mon.-Sat. and major holidays. Admission: free.

43 Breukeoman Science Hall, 1200 Commerical St., Box 4050, Emporia, KS 66801-5057. Phone: 620/341-5311. Fax: 620/341-5607. E-mail: [email protected]. Web site: www.emporia.edu/smnh. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free.

Richard H. Schmidt Museum of Natural History, Emporia State University, Dept. of Biological Sciences,

Bill Jensen, Director 620-341-5339 [email protected]

John Iverson, Director 765-983-1405 [email protected]

EASTERN NEW MEXICO UNIVERSITY Natural History Museum

FORT HAYS STATE UNIVERSITY Sternberg Museum of Natural History Hays, Kansas

The Sternberg Museum of Natural History at Fort Hays State Uniersity in Hays, Kansas, has a collection of more The Natural History Museum at Eastern New Mexico Unithan 3 million specimens of fossil animals and plants, geoversity in Portales seeks to further understading of the diverlogical objects, historical and archaeological materials, and sity of life and the natural heritage of eastern New Mexico educational resources, as well as modern preserved plants, and the greater Southwest. The museum, which opened in insects, fishes, amphibians, reptiles, birds, and mammals. 1968, features native wildlife and other natural aspects of the southern High Plains region in its exhibits. The museum Most of the holdings are from the Great Plains region and adjacent areas. The museum is especially known for its colcollection includes 10,500 specimens of mammals, 10,000 lection of Ptermadon material, Cretaceous fossils, modern fish, 6,000 birds, 5,000 reptiles and amphibians, and inverebrates. The museum is housed in Roosevelt Hall, biological specimens, and having the largest collection of which originally was a dormitory. fossil seeds. The museum has permanent exhibits that feature a realistic Cretaceous diorama and other specimens and Natural History Museum, Eastern New Mexico University, materials from its collection, and an active changing exhibiRoosevelt Hall, Station 13, Portales, NM 88130. Phones: tions program. 575/562-2862 and 575-562-2706. Fax: 575/562-2192. E-mail: [email protected]. Web site: The museum was the result of combining two natural hiswww.enmu.edu//services/museum/natural-history. Hours: tory museums-the Sternberg Memorial Museum and the Mu8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. seum of the High Plains. The Sternberg Memorial Museum Admision: free. started as a collection of taxidermy mounts in 1902 and became an organized museum in 1926 when paleontological Marv Lutnesky, Chair, ENMU Dept of Biology 575-562-2478 [email protected] Sharon Potter collector George Sternberg was hired to develop and expand the collection. The Museum of the High Plains began as an herbarium in 1929 and added plant fossils, arthropods, fish, amphibians, reptiles, birds, and mammals in the 1960s. The EMPORIA STATE UNIVERSITY two campus museums, which were separate but shared the Richard H. Schmidt Museum of Natural same director, became the Sternberg Museum of Natural History History in 1994. The museum now occupies 80,000 square Emporia, Kansas feet, with 30,000 being devoted to exhibits, in the renovated The Richard H. Schmidt Museum of Natural History at Em- former metrop poria State University in Emporia, Kansas, has approximately 600 mounts of birds, mammals, reptiles, and fish Sternberg Museum of Natural History, Fort Hays State Unifrom Kansas and a research collection of over 2,500 bird versity, 3000 Sternberg Dr., Hays, KS 67601-2006. Phones: and mammal skins from across the country. The museum 785/628-5516 and 877/332-1165. Fax: 785/628-4518. mounts were made by Schmidt, who served as taxidermist at E-mail: [email protected]. Web site: www.fhsu.edu/sternthe university in the twentieth century and for whom the berg. Hours: 9-6 Mon.-Sat., 1-6 Sun.; closed legal holidays. museum is named. Founded in 1959, the museum also has Admission: adults, $8; seniors, $6; children 4-12, $5; FHSU exhibits of rare specimens collected in Kansas, invertestudents, $4; children under 4, free. brates, an egg collection, unusual color patterns of certain species, techniques for preparing museum mounts, and a Reese Barrick, Director 785-628-5664 [email protected] tallgrass prairie diorama. The museum, part of the

Portales, New Mexico

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FRANKLIN AND MARSHALL COLLEGE FRANKLIN AND MARSHALL COLLEGE North Museum of Natural History and Science

the department of Biological and Environmental Sciences, is housed in Herty Hall.

Natural History Museum and Planetarium, Georgia College and State University, Dept. of Biological and Environmental The collection of the North Museum of Natural History and Sciences, Herty Hall, Montgomery St., Campus Box 081, Science at Franklin and Marshall College in Lancaster, Milledgeville, GA 31061. Phone: 478/445-2395. Web site: Pennsylvania, grew out of the collecting of the Linnaean So- www.gcsu.edu/biology/museum.htm. Hours: 8-4 Mon.-Fri. ciety, an active naturalist-collectors group in the late nineand 10-4 on 1st Sat. every month; closed Sat.-Sun. and uniteenth century. The early collection, which consisted of versity holidays. Admission: museum and planetarium-free. everything from archaeology to zoology, was left to the colAshley Quinn, Manager lege. In 1953, the college with the assistance of funds from the estate of Hugh North, a local banker, built a three-story museum to house the Linnaean and other natural history collections. The museum, named for North, became independ- GEORGIA SOUTHERN UNIVERSITY ent in 1992 and is planning to construct a new facility Georgia Southern University Museum nearby.

Lancaster, Pennsylvania

Stateboro, Georgia

The museum has an extensive collection of birds, mammals, fossils, minerals, Native American artifacts, and other natural history materials. It has permanent exhibits on such subjects as dinosaurs, Native American anthropological history, electromagnetic spectrum, solar system, live animals, and a natural history collection of birds, rocks, bugs, and other specimens. The museum also has a Discovery Room with hands-on specimens and artifacts in natural history and science, and the North Museum Planetarium, the largest and most advanced planetariums in the south-central section of the state. It has a 41-foot dome, Spitz A-4RPY star projector, East Coast Control System automated consolel, and 84 seats. .

The Georgia Southern University Museum in Statesboro focuses on the natural, cultural, and geological history of Georgia’s coastal plain. Founded in 1980 and opened two years later, the museum has a collection and exhibits that include skeletons of a 26-foot Mosasaur oceanic predator, 20-foot Middle-eocene archaeocete whale, 11-foot Vogtie whale, Bryde’s whale, and dolphin, as well as such other holdings as fossil oysters, fish, butterflies, moths, invertebrates, and southeastern Indian artifacts. The museum, housed in the Rosenwald Bldg., has an annual attendance of 35,000.

Georgia Southern University Museum, 0104 Rosenwald Bldg., 2142 Southern Dr., PO Box 8061, Stateboro, GA North Museum of Natural History and Science, Franklin and 30460-8061. Phone: 912/478-5444. Fax: 912/478-0729. Marshall College, 400 College Ave., Lancaster, PA E-mail: [email protected]. Web site: 17603-3393. Phone: 717/291-3941. E-mail: www.ceps.georgiasouthern.edu/museum. Hours: [email protected]. Web site: www.northmuseum.org. Sept.-May-9-5 Tues.-Fri., 2-5 Sat.-Sun.; closed Mon. and Hours: 10-5 Tues.-Sat., 12-5 Sun.; closed Mon. and major university holidays; June-Aug.-10-5 Mon.-Fri.; closed holidays. Admission: museum-adults, $8.50; seniors and Sat.-Sun. and Independence Day. Admission: $2 per person; students, $7.50; children under 3, free; planetarium-$3.50 children under 4, free; free admission last Sat. of month. additional. Margaret M. Marino, Executive Director

Brent Tharp, Director [email protected]

GEORGIA COLLEGE AND STATE UNIVERSITY Natural History Museum and Planetarium

HARVARD UNIVERSITY Harvard Museum of Natural History

Milledgeville, Georgia

The Harvard Museum of Natural History in Cambridge, Massachusetts, was created in 1995 as the public face of three research museums-Museum of Comparative Zoology, Mineralogical Museum of Harvard University, and Harvard University Herbaria (see separate listings). All three of the museums are located in the natural history complex, which is physically connected to the university’s Peabody Museum of Archaeology and Ethnology. Each has its own collections and the exhibits are presented as part of the natural history museum. One admission fee covers admission to the natural history and Peabody museums.The natural history museum

The Natural History Museum and Planetarium at the Georgia College and State University in Milledgeville features biological and paleontological specimens collected over 130 years and a planetarium with an emersion dome that shows the evolution of the Earth and the cosmos. The museum, which opened in 2004, has developed a collection of fossil and modern vertebrates and plants, fossil invertebrates, insects, and other natural history specimens. It also has one of the largest displays of fossils in the Southeast. Some of the fossils are up to 500 million years old. The museum, part of

Cambridge, Massachusetts

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Natural History & Cultural Museums is the most-visited museum on the Harvard campus, with an annual attendance of 175,000.

Thanksgiving, and Christmas. Admission: adults, $3; children under 3, $2, families, $10.

The Harvard Museum of Natural History seeks to enhance public understanding and appreciation of the natural world and the human place in it. One of the museum’s most famous exhibits is Glass Flowers, the acclaimed Ware Collection of Blaschka Glass Models of Plants created by Leopold Blaschka and his son, Rudolph, over five decades. Approximately 3,000 of the over 4,000 glass models in the collection are displayed. The museum’s most historic exhibit is the Great Mammal Hall, originally constructed in 1872 and recently renovated to reflect the grand vision of Swiss zoologist and Harvard Professor Louis Agassiz. Other exhibits are devoted to such subjects as evolution, anthropods, animnals, and minerals and geology.

Jeffrey White, Director, Humboldt Science and Mathematics Center/Redwood Science Proj

Harvard Museum of Natural History, 26 Oxford St., Cambridge, MA 02138-2932 Phone: 617/495-3045. Fax: 617/496-8206. E-mail: [email protected]. Web site: www.hmnh.harvard.edu. Hours: 9-5 daily; closed New Year’s Day, Thanksgivig, and Christmas Eve and Day. Admission: adults, $9; seniors and non-Harvard students, $7; children 3-18, $6; children under 3, free. David W. Ellis, Interim Executive Director

HUMBOLDT STATE UNIVERSITY Natural History Museum Arcata, California The Humboldt State University Natural History Museum in Arcata, California, reopened in late 2010 after being closed to the public in mid-2009 because of state budget cuts. The university, which is part of the California State University system, obtained donations and grants to resume full operations after more than a year of serving only school groups because of financial cutbacks. Founded in 1989 and located in Wells Fargo Hall, the museum now is managed by the Humboldt Science and Mathematics Center/Redwood Science Project, a grant-funded campus organization focused primarily on science and mathematics education and teacher training programs. The museum’s collection and exhibits have “the Earth and its biota through time” theme, with an emphasis on northern California and Pacific Northwest natural history. The collection includes mollusks, sponges, corals, butterflies, crabs, birds, insects, minerals, mammals, and fossils, while the exhibits feature selections from the collection and a tidewater tank, live honey bee hive, and live native animals. Annual attendance is 18,500. Humboldt State University Natural History Museum, Wells Fargo Hall, 1315 G St., Arcata, CA 95521-5820, Phone: 707/826-4479. Fax: 707/826-4477. E-mail: [email protected]. Web site: www.humboldt.edu~natmus. Hours: 10-5 Tues.-Sat.; closed Sun.-Mon., New Year’s Day, Memorial Day, Independence Day, Labor Day,

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IDAHO STATE UNIVERSITY Idaho Museum of Natural History Pocatello, Idaho The Idaho Museum of Natural History in Pocatello is the official state museum of natural history. It was founded as the Historical Museum in 1934 by a group of professors interested in the region’s heritage at the Southern Branch of the University of Idaho, as Idaho State University was then called. The museum found a permanent home in the old library building in 1976, and its mission and collection were changed from history to natural history in 1977 It was designated the state natural history museum by the legislature in 1986. The 20,000-square-foot museum now has over 500,000 natural and cultural objects in such fields as anthropology, vertebrate paleontology, earth sciences, and life sciences. It also has an archive of documents and ethnographic photographs. The permanent exhibits and special exhibitions are related to the collection and mission. Annual attendance is 8,800. Idaho Museum of Natural History, Idaho State University, Bldg. 12, 5th Ave.and Dillon St., Pocatello, ID 83209-0001 (postal address: 921 S. 8th Ave., Stop 2096, Pocatello, ID 83209-0002)/ Phone: 208/282-3317. Fax: 208/282-5893. E-mail: [email protected]. Web site: www.imnh.isu.edu. Hours: 12:30-5 Wed.-Fri., 10-5 Sat.; closed Sun.-Tues. and university holidays. Admission: adults, $5; seniors, $4; students, $3; children 4-11, $2; children under 4, free. Herbert Maschner, Director 208-282-5417 [email protected]ÿ

LA SIERRA UNIVERSITY World Museum of Natural History Riverside, California The World Museum of Natural History at La Sierra University in Riverside, California, has systematic displays of amphibians, birds, mammals, and reptiles and exhibits of mineral spheres, gems and minerals, fluorescent minerals, meteorites and tektites, petrified wood, shells, contemplative stones, and American Indian artifacts. The museum was founded by Dr. Billy Hankins. World Museum of Natural History, La Sierra University, 4500 Riverwalk Pkwy., Riverside, CA 92515. Phone: 800/874-5587. E-mail: [email protected]. Web sitre: www.lasierra.edu. Hours: 2-5 Sat. and by apointment; closed Sun.-Fri. and university holidays. Admission: free. Leland Wilson, Director, Educational Programs

LOUISIANA STATE UNIVERSITY LOUISIANA STATE UNIVERSITY Louisiana Museum of Natural History and Museum of Natural Science

MICHIGAN STATE UNIVERSITY Michigan State University Museum

Baton Rouge, Louisiana

Founded in 1857, the Michigan State University Museum in East Lansing was the first collection-holding museum on the campus and one of the earliest in the Midwest. It now is the largest natural and cultural museum in Michigan, interpreting natural and cultural diversity through education, collections, exhibitions, and research. It has collections and exhibits in archaeology, anthropology, vertebrate paleontology, folklife and folk arts, modern vertebrate, agriculture, popular cultures, and decorative arts that focus on Michigan and its relationship to the Great Lakes and beyond.

Sixteen natural history collections at the Louisiana State University in Baton Rouge were united by the state legislature in 1999 to form a non-administrative consortium called the Louisiana Muserum of Natural History, now the official state natural history museum. The collections hold more than 2.8 million specimens, objects, and artifacts that document the natural history of the state. The 16 collections are dispersed among six independently administered units on the campus, with the two principal exhibit sites being the Museum of Natural Science in Foster Hall and the Textile and Costume Museum in the Human Ecology Building.

East Lansing, Michigan

The museum, which occupies a 36,000-square-foot building in the center of the campus, has an annual attendance of 410,000, one of the largest among university museums. The collections that are part of the consortium are the MuAmong its highlights are complete skeletons of Allosaurus seum of Natural Science’s eight collections of amphibians and reptiles, birds, fishes, genetic resources, mammals, ver- and Stegosaurus dinosaurs and a 6-ton African elephant; the skull of a Tyrannosaurus rex; a femur from a Brontosaurus; tebrate paleontology, microfossils and invertebrates, and anthropologyl and ethnology; and the collections of the Tex- some of the largest collections of mammal, fish, amphibian, and reptile skeletons; Great Lakes archaeological materials; tile and Costume Museum; Louisiana State Arthropod Muand agricultural artifacts. Other exhibits include a a wide seum; Polynology Collection; Mineralogy and Petrology range of mounted animals, life from early marine organisms, Collections; Louisiana Geological Survey Log Library and a 1774 trader’s cabin, an 1880 farm scene, a turn-of-the cenCore Repository; Vascular Plant Herbarium; Mycological tury general store, traditions and skills of early artisans, hisHerbarium; and Lichen Herbarium. tory and culture of Great Lakes Indians, Louisiana Museum of Natural History, Louisiana State University, % Museum of Natural Science, 119 Foster Hall, Ba- Michigan State University Museum, W. Circle Dr., East Lansing, MI 48824. Phones: 517/355-7474 and ton Rouge, LA 70803. Phone: 225/578-2855. Fax: 517/355-2370. Fax: 517/432-2846. E-mail: [email protected]. 225/578-3075. E-mail: [email protected]. Web site: Web site: www.museum.msu.edu. Hours: 9-5 Mon.-Fri., www.app1003.lsu.edu/lmnh.nsf/index. Hours: 8-4 Mon.-Fri.; closed Sat.- Sun. and university holidays. Admis- 10-5 Sat., 1-5 Sun.; closed on university holidays and holiday weekends. Admission: adults, $4 suggested donation; sion: free. children, free. Fred Sheldon, Director Gary Morgan, Director

LUTHER COLLEGE Hoslett Museum of Natural History Decorah, Iowa The Hoslett Museum of Natural History at Luther College in Decorah, Iowa, has over 6,000 invertebrate specimens, 5,000 vertebrate specimens, and 1,000 plant specimens in its collections. Among the featured collections are the Alois F. Kovarik Memorial Plant Collection and the P. B. Peabody-Frances C. Bordner Memorial Bird Egg and Nest Collection. The Department of Biology museum is housed in the renovated Valders Hall of Science. Hoslett Museum of Natural History, Luther College, Dept. of Biology, Valders Hall of Science, Decorah, IA 52101 Phone: 563/387-1553. E-mail: [email protected]. Web site: www.luther.edu/collections/museum. Hours: by appointment; closed university holidays. Admission: free. Tex Sordahl, Director [email protected]

MONTANA STATE UNIVERSITY Museum of the Rockies Bozeman, Montana The Museum of the Rockies at Montana State University in Bozeman is a multifaceted natural and cultural history museum. It has permanent exhibits on dinosaurs, geology, and Montana history and Native American cultures, as well as a planetarium and a living history farm. The museum is espectially known for its paleontology program. It has one of the largest dinosaur collections in the world and its Siebel Dinosaur Complex features giant skeletons, fossil dinosaur eggs, nests, and interactive exhibits. The museum is home to 12 Tyrannosaurus rex speciments, including a complete Tyrannosaurus rex, the largest skull ever discovered, and a thigh bone that contains soft-tissue remains. The museum was founded in 1956 with the assistance of a gift from Caroline McGill. It now has a collection of more than 500,000 objects that cover over 500 million years of history. It seeks to preserve and interpret the natural and cultural history of Montana and the Northern Rockies. In

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Natural History & Cultural Museums addtion to its paleontoloogical exhibits, the museum has permanent exhibits on the life of American Indians on the Northern Plains and Rocky Mountains; history of the region from frontier days through World War II; and a living history 10-arce farm where costumed interpreters demonstrate homestead life in Gallatin Valley in the late 1800s, centered around historic Tinsley House, a log home relocated from Willow Creek in 1989.

renamed in honor of A. D. Buck, who was director from the 1930s to 1960. The museum, housed in the Crowder Science Hall, has a collection and exhibits that include mammals, birds, minerals, American Indian artifacts, and history of the college and region. The museum now is closed for renovation. Annual attendance is 117.

A. D. Buck Museum of History and Natural Sciences, Northern Oklahoma College, 1220 E. Grand, PO Box 310, Museum of the Rockies, Montana State University, 600 W. Tonkawa, OK 74653-0310. Phones: 580/628-3308 and Kagy Blvd., Bozeman, MT 59717-2730 Phone: 580/628-6200. Fax: 405/628-6209. E-mail: 406/994-6342. Fax: 406/994-2682. E-mail: [email protected]. Web site: www.museumoftherockies.org. [email protected]. Hours: by appointment; closed Sat.-Sun., June-Aug., and college holidays and breaks. AdHours: early Sept.-late May-9-5 Mon.-Sat., 12:30-5 Sun.; mission: free. Memorial Day-Labor Day-8 a.m.-8 p.m. daily; closed New Year’s Day, Thanksgiving, and Christmas. Admission (inRex Ackerson, Director cludes all attractions except laser shows): adults, $10; seniors, $9; MSU students and children 5-18, $7; children under 5, free Sheldon McCamey, Director 406-994-6342 [email protected]

NORTHWEST MISSOURI STATE UNIVERSITY Darwin Museum of Life Sciences Maryville, Missouri

MONTANA STATE UNIVERSITY-NORTHERN Hagener Collection Havre, Montana The Hagener Science Center, the math-science building at the Montana State University-Northern in Havre has a natural history museum called the Hagener Collection. The collection began in a museum room in Pershing Hall in 1951 and was moved to the new Hagener Science Center in 1968. In 1987, the center and collection were named for L. W. Hagener, a long-time faculty member and curator of the collection. The collection contains fossils, Native American artifacts, and other natural history materials.in hallway cases in the science center. Hagener Collection, Montana State University-Northern, Hagener Science Center, Dept. of Science-Mathematics, Havre, MT 59501. Phones: 406/265-3757 and 800/662-6132. Hours: 7 a.m.-9 p.m. Mon.-Thurs., 7-6 Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Reno Parker, Chair, MSUN Department of Science and Mathematics [email protected]

NORTHERN OKLAHOMA COLLEGE A. D. Buck Museum of History and Natural Sciences Tonkawa, Oklahoma The A. D Buck Museum of History and Natural Sciences at Northern Oklahoma College in Tonkawa was founded in 1913 by C. E., Johnson, a biology instructor whose taxidermy course led to many of the early specimens in the museum. The museum originally was called the Yellow Bull Museum, named for a Nez Perce chief. In l966, it was

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The Darwin Museum of Life Sciences at the Northwest Missouri State University in Maryville has the most complete mastodon skull found and displayed in Missouri, as well as numerous fossils, a mollusk collection, a history of microscopy, and other collections and exhibits. The 10,000-year-old mastodon skull was found in Nodaway County. The museum is located in the Garrett-Strong Science Building. Darwin Museum of Life Sciences, Northwest Missouri State University, Dept. of Biological Sciences, Garrett-Strong Science Bldg., Maryvlle, MO 64468. Phone: 660/562-1388, Ext. 1388. Web site: www.nwmissouri.edu. Hours: 9-4 Mon.-Fri.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Gregg Dieringer, Chair, NMSU Biological Sciences Department

NORTHWEST MISSOURI STATE UNIVERSITY Walter M. and Velma C. Troutman Collection Maryville, Missouri An extensive exhibit of North American mammals is featured at the Walter M. and Velma C. Troutman Collection at Northwest Missouri State University in Maryville. The collection, housed on the second floor of the Garrett-Strong Science Building, includes such animals as gray wolf, elk, pronghorn, Kodiak brown bear, and four types of bighorn sheep. The animals were collected by the Troutmans during big-game hunting trips between 1966 ad 1982. Walter M. and Velma C. Troutman Collection, Northwest Missouri Sate University, Garrett-Strong Science Bldg., 2nd floor, Maryville, MO 64468. Phone: 660/562-1723. Web site: www.nwmissouri.edu. Hours: 8-5 Mon.-Fri.; closed

NORTHWESTERN OKLAHOMA STATE UNIVERSITY Sat.-Sun. and university holidays and breaks. Admission: free. Renee Rohs, Chair, NMSU Department of Geology/Geography [email protected]

SOUTHWEST MINNESOTA STATE UNIVERSITY Museum of Natural History Marshall, Minnesota

NORTHWESTERN OKLAHOMA STATE UNIVERSITY Museum of Natural History Alva, Oklahoma The Museum of Natural History at Northwestern Oklahoma State University in Alva was founded in 1902 by Biology Professor G. W. Stevens and its collection of biological specimens from the Oklahoma area was expanded with mammals, birds, and other specimens from Alaska and elsewhere over the years. The museum, however, was used only for research and special tours from 1975 to 1997. Since then, it also has been open to the public.

The animals and flora of southwestern Minnesota are the focus of the Museum of Natural History at the Southwest Minnesota State University in Marshall. The museum, founded in 1972, also has a nature and conservation center and a planetarium. Annual attendance is 800. Museum of Natural History, Southwest Minnesota State University, 1501 State St., Marshall, MN 56258-3306. Phone: 507/537-6178. Fax: 507/537-6218. E-mail: [email protected]. Web site: www.southwestmsu.edu. Hours: Sept.-May-8-5 Mon.-Fri.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: free. Betsy Desy, Director, Museum of Natural History and Wildlife Area 507-537-7315 [email protected]

The museum, housed in the Jesse Dunn Building, now has more than 6,000 specimens and artifacts, including a mounted collection that includes two whooping cranes, 20 eagles, a rare black ferret, a shovel-tusked mastodon, and STATE UNIVERSITY OF NEW YORK AT other birds and mammals. Many of the mounted specimens are exhibited, as well as Pieistocene fossils; geological, an- CORTLAND thropological, archaeological, and other natural history ma- Bowers Science Museum terials; and historical photographs and articles relating to the Cortland, New York university and northwestern Oklahoma. The Bowers Science Museum at the State University of New York at Cortland is a natural history museum with a planeMuseum of Natural History, Northwestern Oklahoma State tarium, nature/conservation center, and field research staUniversity, Jesse Dunn Bldg., Alva, OK 73717. Phone: tion. It has a collection of birds, mammals, fish, plants, 580/327-8513. Web site: www.nwosu.edu/museum. Hours: fossils, gems, and mollusks, as well as other materials in varies; closed university holidays and breaks. Admission: anatomy, biology, ecology, ethnology, geology, and physics. free. The exhibits feature specimens and artifacts from the collecSteven Thompson, Associate Professor of Biology 580-327-8566 tion, including mounted fish and heads of mammals. [email protected] Founded in 1964, the museum is located in Bowers Hall, which currently is closed for renovation and expansion. Annual attendance is 4,000.

SOUTHERN OREGON UNIVERSITY Southern Oregon University Museum of Vertebrate Natural History

Bowers Science Museum, State University of New York at Cortland, Bowers Hall, Cortland, NY 13045. Phone: 607/753-2900. Fax: 607/753-2927. Hours: Sept.-May-9-6 Ashland, Oregon Mon.-Fri.; closed Sat.-Sun. and university holidays; The Southern Oregon University Museum of Vertebrate Nat- June-Aug.-8-4 Mon.-Fri.; closed Sat.-Sun. and Independence Day. Admission: free. ural History in Ashland contains a collection of vertebrate specimens that include bird and mammal skins, reptiles, am- Peter Ducey, Chair, SUNY-Cortland Biological Sciences phibians, and fish. The museum was founded by the Depart- Department 607-753-2715 ment of Biology in 1969. Southern Oregon University Museum of Vertebrate Natural History, Dept. of Biology, 1250 Siskiyou Blvd., Ashland, OR 97520-5001. Phones: 541/552-6749 and 541/552-6341 Fax: 541/552-6415. E-mail: [email protected]. Hours by appointment. Admission: free. Karen Stone, Chair, SOU Department of Biology 541-552-6749 [email protected]

STATE UNIVERSITY OF NEW YORK AT STONY BROOK Museum of Long Island Natural Sciences Stony Brook, New York The Museum of Long Island Natural Sciences at the State University of New York at Stony Brook (also known as Stony Brook University) seeks to promote science literacy and further continued exploration in the natural sciences. It has hundreds of geological specimens, preserved Long

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Natural History & Cultural Museums Island sea and wildlife specimens, and Native American artifacts. The exhibits include live fish, snails, and other species from Long Island Sound; native and invasive reptiles and amphibians; and displays on the geological history of New York, ecology of local marine habitats, and major topics of the Long Island pine barrens. Established in 1973, the museum is part of the Department of Geosciences and housed in the Earth and Space Sciences Building. Annual attendance is 20,000. Museum of Long Island Natural Sciences, State University of New York at Stony Brook, Earth and Space Sciences Bldg., Stony Brook, NY 11794. Phone: 631/632-8230. Fax: 631/632-8240. E-mail: [email protected]. Web site: www.geosciences.stonybrook.edu/museum. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and most state holidays. Admission: free.

specimens weighing up to 700 pounds. Annual attendance is 32,000. Alabama Museum of Natural History, University of Alabama, Smith Hall, 427 6th Ave., PO Box 870340, Tuscaloosa, AL 35487-0340. Phones: 205/348-7550 and 205/348-7551. Fax: 205/348-9292. E-mail: [email protected]. Web site: www.museums.ua.edu. Hours: 10-4:30 Mon.-Sat.; closed Sun. and university holidays. Admission: adults, $2; children, $1. Randy Mecredy, Director 205-348-7550

UNIVERSITY OF ALASKA, FAIRBANKS University of Alaska Museum of the North Fairbanks, Alaska

Salema Mahajan, Curator 631-632-8230 [email protected]

The University of Alaska Museum of the North in Fairbanks is primarily a natural history museum, but also has artworks. Founded in 1929, the museum has a research collection of 1.4 million artifacts and specimens covering millions of years of biological diversity and thousands of years of culUNIVERSITY OF ALABAMA tural traditions in the North. The collection is organized into Alabama Museum of Natural History 10 categories-archaeology, birds, earth sciences, ethnolTuscaloosa, Alabama ogy/history, fishes/marine invertebrates, insects, mammals, The University of Alabama in Tuscaloosa has had a natural and plants, as well as art and documentary films. The museum’s herbarium contains over 220,000 specimens of vashistory collection almost since its founding. The university cular and non-vascular plants from Alaska and other states hired William McMillan as a collector of natural history specimens in 1831, and by the end of the year he had a col- and countries. The museum, which serves as the primary relection that consisted of 113 mounted specimens of birds, 35 pository for artifacts and specimens found on public lands in Alaska, is a leader in northern natural and cultural research. species of insects, 16 fishes, 13 quadrupeds, and five reptiles, as well as a large collection of fossils, minerals, and The museum features objects from its collection in exhibits shells. The museum was founded in 1847 and the most imand programs. Among the exhibit highlights are the state’s portant antebellum collections, including those in largest public display of gold, a 36,000-year-old mummified palentology, were amassed by Michael Tuomey, professor of steppe bison, a sound and light installation driven by the mineraloty and geology, in the 1840s-50s. But most were of real-time positions of the Sun and Moon, seismic activity the collections were lost when Union troops destroyed the and the aurora, and a 2,500-year spectrum of Alaskan art, university campus in 1865 during the Civil War. ranging from ancient ivory carvings to contemporary paintThe university was rebuilt and the museum’s current collection began in 1873 with the hiring of Dr. Eugene Allen Smith as state geologist, who spent 40 years surveying, mapping, and collecting scientific specimens throughout the state. He also sprearheaded the redevelopment of the natural history museum. In 1910, Smith Hall, named in his honor, was opened as the new home of the museum and science classrooms and laboratories. Since then, the Beaux-Arts building has been restored and expanded. The museum has extensive exhibits of geology, zoology, mineralogy, paleontology, ethnology, history, and photograhy. It is best known for its mineral and rock collection. Other exhibits include fossils from the Ice, Coal, and Dinosaur ages; early Alabama stoneware, tools, insulators, weapons, and other materials; and nineteenth-centruy field notes of the Geological Survey of Georgia. Among the highlights are the Hodges meteorite that landed in Alabama in 1954, struck a house, and injured a woman (the only human known to have survived being hit by a meteorite); amphibian tracks from 300 million years ago; a fierce prehistoric swimming lizar called monasaur; and large mineral

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ings and sculpture. The museum also offers special exhibitions and programs throughout the year. Annual attendance is 96,000. University of Alaska Museum of the North, 907 Yukon Dr., PO Box 756960, Fairbanks, AK 99775-6960. Phone: 907/474-7505. Fax: 907/474-5469. E-mail: [email protected]. Web site: www.uaf.edu/museum. Hours: mid-Sept.-mid-May-9-5 Mon.-Fri., 12-5 Sat.-Sun.; closed New Year’s Day, Thanksgiving, and Christmas; mid-May-mid-Sept.-9 a. m.-9 p.m. daily. Admission: adults, $10; seniors, $9; youth 7-17, $5; children under 7, free. Carol Deibel, Director [email protected]

UNIVERSITY OF ARKANSAS University Museum Collections Fayetteville, Arkansas The University of Arkansas Museum in Fayetteville has been closed, but its collections have re-emerged as the

UNIVERSITY OF CALIFORNIA, BERKELEY Universdity Museum Collections, housed in the Biomass Buiding, an off-campus collection storage facility. The extentsive collections, which are primarily in natural and cultural history, total over 7 million. They cover such fields as archaeology, ethnology, geology, history, and zoology, and include diverse items like prehistoric Indian artifacts, quartz crystals, bird eggs and nests, and early pressed glass and textrile equipment. The objects are used in teaching and research by university faculty, qualified students, and visiting scholars; loaned to other institutions for exhibits; used in talks; and toured by classes and visiting groups. Annual attendance is 200. University Museum Collections, University of Arkansas, Biomass Bldg., Room 125, Fayetteville, AR 72701-1201. Phone: 479/575-3450. Fax: 479/575-7464. Web site: www.uark.edu/~museinfo. Hours: by appointment; closed Sat.-Sun. and university holidays. Admission: free. Jeannine Durdik, Associate Dean for Research, UA Fulbright College of Arts and Sciences 470-575-3684 [email protected]

of mammals, birds, and fish, primarily from California, Alaska, Baja California, Pacific Rim, and the Southwest, as well as representative specimens from around the world. Founded in 1972, the museum collection is used for teaching and research, and is open to the public only for school and other organizerd groups. It is located in the Academic Surge Building. Museum of Wildlife and Fish Biology, University of California, Davis, 1394 Academic Surge Bldg., 1 Shields Ave., Davis, CA 95616. Phone; 530/754-8813. Fax: 530/752-4154. E-mail: [email protected]. Web site: www.mwfb.ucdavis.edu. Hours: Tues.-Thurs. by appointment by organized groups; Thurs.; closed Fri.-Mon. and university holidays. Admission: $3 per person in groups. Andrew Engilis Jr, Curator 530-752-0364

UNIVERSITY OF COLORADO AT BOULDER Museum of Natural History Boulder, Colorado

UNIVERSITY OF CALIFORNIA, BERKELEY Berkeley Natural History Museums Berkeley, California The Berkeley Natural History Museums is an administrative consortium at the University of California in Berkeley that provides services to six campus museums and eight field stations and sponsors lectures, workshops, and reseasrch projects. Among the services are purchasing, finances, and human resources. The six natural history museums are the Essig Museum of Entomology, Museum of Vertebrate Zoology, Phoebe Hearst Museum of Anthropology, University of California Museum of Paleontology, University and Jepson Herbaria, and University of California Botanical Garden (see separate listings in the various disciplines). As a consortium, the museums work together to enhance public education programs, informatics, and research. Together, the museums have over 12 million specimens in their collections and the most complete holdings of living and extinct California flora and fauna. Berkeley Natural History Museums, University of California, Berkeley, 3’101 Valley Life Sciences Bldg., Berkeley, CA 94720-3070. Phone: 510/642-6968. Web site: bnhm.berkeley.edu. Hours: 8-12 and 1-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Rosemary Gillespie, Chair, Berkeley Natural History Museums 510-642-3445 [email protected]

UNIVERSITY OF CALIFORNIA, DAVIS Museum of Wildlife and Fish Biology Davis, California The Museum of Wildlife and Fish Biology at the University of California in Davis hs a collection of 35,000 specimens

The University of Colorado Museum of Natural History in Boulder has a collection of over 4 million objects in anthropology, botany, entomology, paleontology, and zoology-the largest in the Rocky Mountains region. The collection includes Native American textiles; Southwest archaeological materials; vertebrate and invertebrate fossils; Colorado mammals, butterflies, bees, and insects; birds; and Artic, Alpine, Colorado, and Western plants. The museum, which was founded in 1902, has five galleries in the Henderson Building. Three permanent exhibits are devoted to fossils, birds, and anthropology, and changing exhibitions are presented on such subjects as evolution, Navajo weaving, diamonds, and landscapes. Annual attendance is 25,600. University of Colorado Museum of Natural History, Henderson Bldg., 1030 Broadway, Campus Box 218, Boulder, CO 80309-5002. Phones: 303/492-6892 and 303/492-6297. Fax: 303/492-4195. Hours: 9-5 Mon.-Fri., 9-4 Sat., 10-4 Sun.; closed university holidays, including New Year’s Day, Easter, Independence Day, Thanksgiving and Christmas. Admission: free. Patrick B. Kociolek, Director 303-492-6297 [email protected]

UNIVERSITY OF CONNECTICUT Connecticut State Museum of Natural History Storrs, Connecticut The Connecticut State Museum of Natural History, which began as a separate state agency in 1982, now is operated as part of the University of Connecticut in Storrs. The museum features scientific and archaeological objects pertaining to the natural and cultural history of southern New England. The collection includes specimens of mammals, birds, insects, invertebrates, fossils, plants, fishes, and parasites. Since 2004, the museum also houses the Connecticut

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Natural History & Cultural Museums Archaeology Center, which has a large repository of Connecticut, Native American, colonial, and industrial artifacts. The museum serves 90,000 visitors annually. Connecticut State Museum of Natural History, University of Connecticut, Unit 1023, 2019 Hillside Rd., Storrs, CT 06269. Phone: 860/486-4460. Fax: 860/486-0827. E-mail: [email protected]. Web site: www.cac.uconn.edu. Hours: 10-4 Wed.-Fri.; closed Sat.-Tues. and university holidays. Admission: free. Leanne Kennedy Harty, Director 860-486-5856 [email protected]

UNIVERSITY OF FLORIDA Florida Museum of Natural History Gainesville, Florida The Florida Museum of Natural History at the University of Florida in Gainesville is the largest natural history museum in the Southeast. It was founded by the state in 1891, relocated to the campus in 1906, and became the official state’s natural history museum in 1917. It occupies three principal buildings and has more than 30 million specimens of amphibians, birds, butterflies, fish, mammals, mollusks, reptiles, vertebrate and invertebrate fossils, recent and fossil plants, and associated databases and libraries. Permanent exhibits focus on the flora, fauna, fossils, and historic peoples of Florida exhibits. Dickinson Hall, home to the museum since the early 1970s, houses most of the collections and research activities, as well as the herbarium.The principal education and exhibition center is Powell Hall, opened in 1998. The museum presents permanent exhibits on the flora, fauna, fossils, and historic peoples of Florida and temporary and traveling exhibitions on many aspects of natural history. The latest building addition is the 35,000-square-foot McGuire Hall, which houses the McGuire Center for Lepidoptera and Biodiversity (formerly stored at the Allyn Museum of Entomology in Sarasota) and features the 6,400-square-foot Butterfly Rainforest (made possible by a gift of over 2 million butterfly and moth specimens from Dr. William and Nadine Mc Guire). The museum also manages the 60-acre Randell Research Center, and archaeological site on Pine Island near Fort Myers. The museum’s annual attendance is 181,000. University of Florida Museum of Natural History, Cultural Plaza, S.W. 34th St. and Hull Rd., PO Box 117800. Gainesville, FL 32611-7800. Phones: 352/846-2000 and 352/392-1721. Faxes: 352/392-8783 and 357/846-0253. E-mail: [email protected]. Web site: www.flmnh.ufl.edu. Hours: 10-5 Mon.-Sat., 1-5 Sun.; closed Thanksgiving and Christmas. Admission: museum-free; Butterfly Rainforest and special exhibitions-adults, $10.50; Florida residents, $9; seniors and college students, $8; children 3-17, $6; children under 3, free. Douglas Jones, Director [email protected]

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UNIVERSITY OF GEORGIA Georgia Museum of Natural History Athens, Georgia The Georgia Museum of Natural History at the University of Georgia in Athens functions as a consortium of 14 natural history collections from six academic departments-anthropology, botany, entomology, geography, geology, and plant pathology. The museum, founded in 1977, presents permanent exhibits and changing exhibitions in the related fields in the Natural History Building. Annual attendance is 10,000 Georgia Museum of Natural History, University of Georgia, Natural History Bldg., Athens, GA 30602-1882, Phone: 706/542-1663. Fax: 706/542-3920. E-mail: [email protected]. Web site: www.museum.nhm. uga.edu. Hours: by appointment; closed university holidays and breaks. Admission: free. Byron J. Freeman, Director [email protected]

UNIVERSITY OF IOWA Museum of Natural History Iowa City, Iowa The University of Iowa Museum of Natural History in Iowa City is the second oldest American natural history museum west of the Mississippi River. It was established in 1858 when the state legislature directed the university to house specimens from the State Natural History and Geological Survey in a cabinet of natural history in the Old Capitol building. The museum, now housed in Macbride Hall, has an expanded collection that includes agricultural, geological, mineralogical, botanical, paleontological, and zoological specimens, and four galleries that feature geological, cultural, and ecological history; animals from nearly every continent; birds, interactive exhibits, and the Lsyson Island Cyclorama; and a biosphere discovery exhibit. Annual attendance is 30,000. University of Iowa Museum of Natural History,10 Macbride Hall, Iowa City, IA 52242-1322. Phone: 319/335-0480. Fax: 319/335-0653. E-mail: [email protected]. Hours: Aug.-May-10-3 Mon.-Wed. and Fri., 10-5 Thurs. and Sat., 1-5 Sun.; closed national holidays; June- July-10-5 Tues.-Sat., 1-5 Sun.; closed Mon. and Independence Day. Admission: free. John Logsdon, Director, University of Iowa Pentacrest Museums

UNIVERSITY OF KANSAS Natural History Museum Lawrence, Kansas The University of Kansas Natural History Museum, founded in 1866 at the University of Kansas in Lawrence, has undergone several organizational changes in recent years. In 1994, the directors and staffs of four campus science

UNIVERSITY OF LOUISIANA AT MONROE museums were organized into a single administrative unit under the University of Kansas Natural History. More recently, the natural museum was made part of the newly created KU Biodiversity Institute, which now holds all the collections. At the same time, the museum’s name has been changed to University of Kansas Natural History Museum. The collections now include 8 million specimens of plants and animals and 1.2 million archaeological artifacts. Some 130 scientists and graduate students in the institute study the Earth’s species, ecosystems, and past cultures. The research is devoted largely to understanding the diversity of life and predicting the future by studying changes in population, threatened species, the spread of disease, and the influence of pest species.

Hours: 9-2 Fri.; closed Sat.-Thurs. and university holidays and breaks. Admission: free. Gary Stringer, Director

UNIVERSITY OF MAINE AT PRESQUE ISLE Northern Maine Museum of Science Presque Isle, Maine

The Northern Maine Museum of Science is a natural history museum at the University of Maine at Presque Isle. Founded in 1996, the museum has a collection of fresh-water seashells, local forestry specimens, and materials in biology, geology, chemistry, physics, and agriculture. Exhibits relatThe former Snow Entomological Museum, Museum of Ining to those fields, as well as mathematics and other areas, vertebrate Paleonotology, and McGregor Herbarium are now are displayed on three floors in Folsom Hall. part of the natural history museum. University of Kansas Natural History Museum’s 50,000-square-feet of exhibits in Northern Maine Museum of Science, University of Maine at Dyche Hall focus on the past and present biological diverPresque Isle, Folsom Hall, 181 Main St., Presque Isle, ME sity of Kansas and the Great Plains. The exhibits include di- 04769-2844. Phone: 207/768-9482. Fax: 207/768-9553. nosaurs and fossils, birds, mammals, plants, live snakes, a Web site: www.umpi.maine.edu/info/nmms/about/htm. working bee hive, live insects, evolutionary research, the Hours: 7 a.m.-10 p. world’s largest diorama, and Comanche, a horse that survived the Battle of the Little Bighorn. Among the dinosaurs Kevin McCartney, Director 207-768-9482 [email protected] are a 45-foot mosasaur, plesiosaurs, Xiphactinus, and other Cretaceous period fossils, and the invertebrate fossils include ammonities, tribobites, and giant squid. University of Kansas Natural History Museum, University of Kansas, Dyche Hall, 1345 Jayhawk Blvd., Lawrence, KS 66045-7505. Phone: 785/864-4450. Fax: 785/864-5335. E-mail: [email protected]. Web site: www.nhm.ku.edu. Hours: 9-5 Tues.-Sat., 12-5 Sun.; closed Mon., New Year’s Day, Martin Luther King Day, Memorial Day, Independence Day, Labor Day, Thanksgiving and day after, and Christmas Eve and Day. Admission: suggested donations-adults, $5; seniors and children 6-18, $3; KU students, faculty, staff, and children under 6, free. Leonard Krishtalka, Director of Administration 785-864-4540 [email protected]

UNIVERSITY OF LOUISIANA AT MONROE Museum of Natural History Monroe, Louisiana The University of Louisiana at Monroe Museum of Natural History emphasizes the biodiversity, paleontology, geology, and archaeology of the area as it relates to the global environment. The museum, located at Sandel Hall, is operated jointly by the Divisions of Botany, Geosciences, and Zoology. University of Louisiana at Monroe Museum of Natural History, 7oo University Ave., Monroe, LA 71209. Phone: 318/342-1868. Web site: www.ulm.edu/mnh/museum.

UNIVERSITY OF MASSACHUSETTS AMHERST Natural History Collections Amherst, Massachusetts The Natural History Collections at the University of Massachusetts Amherst began in 1866 when the Massachusetts Boards of Agriculture transferred its natural history collections from the Statehouse in Boston to the newly created State Agriculture College (now University of Massachsetts) in Amherst. Since then, the collections have grown to more than 300,000 specimens of mammals, birds, plants, fishes, reptiles, and amphibians. The museum, which formerly was known as the Museum of Zoology, is housed in Morrill Hall 2. It is not open to the public. Natural History Collections, University of Massachusetts Amherst, 146 Morriill 2, 622 N. Pleasant St., Amherst, MA 01002 (postal address: 611 N. Pleasant St., Amhest, MA 01003). Phone: 413/577-2303. Fax: 413/545-3243. E-mail: [email protected]. Web site: bcrc.bio.umas.edu/ummnh. Hours; by appointment; closed state znd national holidays. Not open to public. Betsy Dumont, Director [email protected]

UNIVERSITY OF MICHIGAN Exhibit Natural History Museum Ann Arbor, Michigan The University of Michigan in Ann Arbor has five natural history museums-four of which are collection oriented in the

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Natural History & Cultural Museums fields of anthropology, paleontology, zoology, and a herbarium (see separate listings in their sections). The fifth museum is the Exhibit Natural History Museum, founded in 1881, which features 22,261 square feet of exhibits in a wide range of natural and cultural history subjects. The exhibit, anthropology, paleontology, and zoology museums are all located in the Ruthven Museums Building named for Alexander G. Ruthven, a former university president and museum curator. The Exhibit Natural History Museum has four permanent exhibit halls. The Hall of Evolution contains Michigan’s largest display of prehistoric life, featuring such fossils as dinosaurs, mastodons, and ancient whales. A large collection of native Great Lakes birds, mammals, reptiles, and amphibians; taxidermy mounts, habitat scenes, and the largest mastodon trackway in the world; and displays about some of today’s environmental problems can be seen in the Michigan Wildlife Gallery. The Hall of Anthropology exhibits artifacts from human cultures around the world, and the Hall of Geology contains a large selection of rocks and minerals. The museum also has the Exhibit Museum Planetarium that presents sky shows. Exhibit Natural History Museum, University of Michigan, 1109 Geddes Ave., Ann Arbor, MI 48109-1079. Phones: 734/764-0480. Fax: 734/647-2767. E-mail: [email protected]. Web site: www.lsa.umich.edu/exhibitmuseum. Hours: museum- 9-5 Mon.-Sat., 12-5 Sun.; planetarium-1:30 and 2:30 Sat.-Sun.; closed New Year’s Eve and Day, Memorial Day, Independence Day, Labor Day, Thanksgiving, and Christmas Eve and Day. Admission: museum-$6 suggested donation; planetarium-$5 per person. Amy Harris, Director 734-763-4191 [email protected]

UNIVERSITY OF MINNESOTA, TWIN CITIES Bell Museum of Natural History Minneapolis, Minnesota The James Ford Bell Museum of Natural History at the University of Minnesota in Minneapolis was founded by the state legislature in 1872 to collect, preserve, display, and interpret the state’s animal and plant life for research, teaching, and public enrichment. The museum now has nearly 4 million specimens in its collections, four exhibit areas, and an annual attendance of nearly 98,000. A $36-million larger facility is being developed on the university’s nearby St. Paul Campus to provide more space for its collections, exhibits, research, and programs. The museum, known simply as the Bell Museum of Natural History, features two floors of dioramas displaying Minnesota’s habitats, animals, birds, plants, and insects, and a Rainforest Exhibit that offers a view of the rainforest canopy from two aerial walkways. The stuffed and mounted animals and birds include deer, moose, beavers, hares, swans, cranes, loons, and ducks. The museum also has a Touch and See Room, one of the nation’s earliest children’s hands-on

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science discovery exhibits; a herbarium; and a gallery for temporary and traveling exhibitions. Bell Museum of Natural History, University of Minnesota, Twin Cities, 10 Church St., S.E., Minneapolis, MN 55455-0145. Phones: 612/624-4112 and 612/624-7083. Fax: 612/626-7704. E-mail: [email protected]. Web site: www.bellmuseum.org. Hours: 9-5 Tues.-Fri., 10-5 Sat., 12-5 Sun.; closed Mon. and national holidys. Admission: adults, $5; seniors and children 3-16, $3; UM students, faculty, staff, and children under 3, free; free admission on Sun. Susan Weller, Director 612-625-6253 [email protected]

UNIVERSITY OF NEBRASKA-LINCOLN University of Nebraska State Museum Lincoln, Nebraska The University of Nebraska State Museum in Lincoln serves as the university and state depository for specimens and related materials documenting the natural history and cultural heritage of Nebraska, the Great Plains, and other areas. Founded in 1871, the museum occupies 180,000 square feet in Morrill and Nebraska halls and has 15 million objects in its collections in vertebrate paleontology, entomology, parasitology, botany, vertebrate zoology, anthropology, malacoogy, geology, and meteorites. Its collections of Cenozoic fossil mammals and veterbrate paleontology specimens are among the leaders in their fields. The museum is best known for its Elephant Hall that features mounted skeletons of 12 elephants, mammoths, mastodons, and ancestral proboscideans, two life-szed mounts of African elephants; a reconstruction of a baluchithere; and paleontological exhibits on fossil mannals, invertebrates, and lower invertebrates. Among the other exhibits are dioramas of Nebraska wildlife, geological and mineralogy specimens, Native American artifacts, Charles Darwin’s contributions to evolution, and a hands-on discovery center. The museum also has a herbarium and the Mueller Planetarium, an 80-seat, 34-foot domed theater with a 360-degree projected virtual environment. The full dome digital planetarium presents shows on astronomy and space science. University of Nebraska State Museum, 307 Morrill Hall, 14th and Vine Sts., Lincoln, NE 68588-0338. Phones: 402/472-2642 and 402/472-3770. Fax: 402/472-8899. E-mail: [email protected] and [email protected]. Web sites: www.museum.unl.edu and www.spacelaser.com. Hours: 9-4:30 Mon.-Wed. and Fri.-Sat., 9:30-8 Thurs., 1:30-4:30 Sun.; closed New Year’s Day, Easter, Independence Day, Thanksgiving, and Christmas Eve and Day. Admission: museum-adults, $5; children 5-18, $3; children under 5, free; families, $10; planetarium-adults, $5; children 5-18. $3; children under 5, free; families, $10; museum and planetarium-adults, $8; children 5-18, $5.50; children under 5, $2.50; families, add $3 per adult and $2.50 per child; UNL students, faculty, and s Priscilla C. Grew, Director 402-472-3779

UNIVERSITY OF NEVADA, LAS VEGAS UNIVERSITY OF NEVADA, LAS VEGAS Marjorie Barrick Museum Las Vegas, Nevada The UNLV Marjorie Barrick Museum at the University of Nevada in Las Vegas is dedicated to promoting a better understanding of life-past and present-in the American Southwest and Mesoamerica. Founded in 1969 and named for a local philantropist, the museum seeks to further an appreciation of the rich heritage and diverse cultures of the regions and an awareness of their cultural exchange and environmental adaptation historically. The museum collection contains materials in the fields of archaeology, ethnology, anthroplogy, ornithology, entomology, and invertebrate and vertebrate zoology, with emphasis on the Southwest and Latin America. The exhibits feature natural and cultural objects from those regions. Annual attendance is 30,000.

[email protected]. Web site: www.msb.unm.edu. Hours: by appointment; closed Sat.-Sun. and university holidays. Admission: free. Thomas P. Turner, Director [email protected]

UNIVERSITY OF NORTHERN IOWA Museum and Collections Cedar Falls, Iowa

The University of Northern Iowa Museum and Collections in Cedar Falls is a natural and cultural history museum founded in 1892 with a collection of over 100,000 biology, geology, and anthropology materials. They include minerals, rocks, fossils, mammals, birds, reptiles, and fish; marine invertebrates; erhnographic pieces from Africa, Asia, and the Americas; and university and education items. The exhibits The Donald H. Baepler Xeric Garden also is located outside are devoted to such subjects as animal adaptations, geologic the museum. Opened in 1988, the garden demonstrates how periods, fossilization, birds, shells, university artifacts, and drought tolerant plants and their irrigation systems combine Iowa’s rural schools. The museum also has the historic Marto save water and create an attractive landscape. The garden, shall Center School, a restored one-room schoolhouse that which is named for its donor, was designed as an extension can be toured. The museum’s annual attrendance is 57,000. of the museum, creating an outdoor exhibit of plants indigenous to the North American deserts, as well as plants from University of Northern Iowa Museum and Collections, 3219 Australia, South America, Mexico, and the Mediterranean. Hudson Rd., Cedar Falls, IA 50614-0199. Phone: It was the first large-sale demonstration garden of its kind in 319/273-2188. Fax; 319/273-6924. E-mail: doris.mitchLas Vegas Valley. [email protected]. Web site www.uni.edu/museum. Hours: 9-4:30 Mon.-Fr., 1-4 Sat.; closed Sun. and major holidays; Marshall UNLV Marjorie Barrick Museum, University of Nevada, Center School-2-4 Fri.-Sat.; closed Sun.-Thurs. Admission: Las V egas, 4505 Maryland Pkwy., PO Box 4009, Las Vefree. gas, NV 89154-4009. Phone: 702/895-3381. Fax: Sue Grosboll, Director 319-273-6922 702/895-5737. E-mail: [email protected]. Web [email protected] site: www.barrickmuseum.unlv.edu. Hours: 8-4:45 Mon.-Fri., 10-2 Sat.; closed Sun. and state and national holidays. Admission: free. Dustin Wax, Museum Collections and Facility Manager [email protected]

UNIVERSITY OF NOTRE DAME Museum of Biodiversity South Bend, Indiana

The Museum of Biodiversity was founded in 2006 at the University of Notre Dame in South Bend, Indiana, to consolidate and care for the university’s natural history collections. The university’s scientific collecting and displaying Albuquerque, New Mexico goes back to 1844, the year it was founded. The first collecThe Museum of Southwestern Biology is research and tion was destroyed when the building burned in 1879, but teaching oriented museum founded in 1930 at the University gradually was rebuilt and displayed around campus until the of New Mexico in Albuquerque. Its collection began with Museum of Biodiversity opened in the new Jordan Hall of the collecting efforts of Edward F. Castetter in 1928, and Science. The museum now has a collection of 600,000 specformal management and maintenance of the collections beimens, including amphibians, fishes, birds, mammals, ingan in 1938 under William J. Koster. It now has collections sects, and 280,000 dried and pressed plants of the in 10 divisions-amphibians and reptiles, arthropods, birds, Greene-Nieuwland Herbarium, founded in 1904 by the Rev. fishes, genomic resources, herbarium, mammals, natural Julius A. Nieuwland, a prominent chemist and botanist at heritage, parasites, and U.S. Geological Survey collections. the turn of the century. The museum primarily serves Notre The museum recently moved into a new 26,000-square-foot Dame students, faculty, and staff, but the public can visit by space in the Center for Environmental Research, Informaappointment. tics, and Arts building. Annual attendance is 1,500. Museum of Biodiversity, University of Notre Dame, 102 Museum of Southwestern Biology, University of New Mex- Jordan Hall of Science, South Bend, IN 46556. Phone: ico, Center for Environmental Research, Informatics, and 574/631-2331. E-mail: [email protected]. Web site: www.sciArts Bldg., MSCO 2020, Albuquerque, NM 87131. Phone: 505/277-1360. Fax: 505/277-1351. E-mail:

UNIVERSITY OF NEW MEXICO Museum of Southwestern Biology

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Natural History & Cultural Museums ence.nd.edu/jordan/about/museum-of-biodiversity.shtml. Hours: by appointment. Admission: free. Gregory Crawford, Dean, UND College of Science

UNIVERSITY OF OKLAHOMA Sam Noble Oklahoma Museum of Natural History Norman, Oklahoma The Sam Noble Oklahoma Museum of Natural History at the University of Oklahoma in Norman is one of the largest university museums with among the largest collections, exhibit spaces, and attendance. It occupies a 198,000-square-foot building and has more than 7 million objects, 50,000 square feet of gallery space, and an attendance of over 170,000. The museum, which opened in 2000, but it traces its history to 1899 when the territorial legislature mandated the establishment of a natural history museum on the campus. Over the years, the museum’s name has been changed several times, including University of Oklahoma Museum and Stovall Museum of Science and History, before being named for the father of the late oil and gas developer Lloyd Nobel, who founded the supportive Samuel Roberts Noble Foundation, which made a $10-million grant to the university for the museum.

ethnographic and archaeological objects and almost 100,000 fossils and biological specimens from Oregon, the Pacific Northwest, and around the world. It presents permanent exhibits from its collections and changing exhibitions on natural and cultural history, and has an interactive laboratory for science-based explorations by visitors. Annual attendance is 22,000. University of Oregon Museum of Natural and Cultural History, 1680 E. 15th Ave., Eugene, OR 97403-1224. Phones: 541/346-3024 and 541/346-1671. Fax: 541/346-5334. E-mail: [email protected]. Web site: www.natural-history.uoregon.edu. Hours; 11-5 Wed.-Sun.; closed Mon.-Tues., New Year’s Day, Independence Day, Thanksgiving, and Christmas. Admission: adults, $3; seniors and children 3-18, $2; children under 3, free; families, $8; admission is free on Wed. Jon Erlandson, Executive Director 541-346-5115 [email protected]

UNIVERSITY OF PUGET SOUND James R. Slater Museum of Natural History Tacoma, Washington

The James R. Slater Museum of Natural History was founded in 1926 at the University of Puget Sound in Tacoma, Washington, but it was not until 1952 that the muThe museum has specimens and materials in 12 fields-arseum was formalized. The museum has a collection of chaeology, ethnology, geonomic resources, herpetology, ich78,000 birds, mammals, reptiles, amphibians, and plants thyology, invertebrates, invertebrate paleontology, from the Pacific Northwest. Selections from the collection mammalogy, Native American languages, ornithology, are featured in exhibits. paleobotany and micropaleontology, and vertebrate paleontology. Its six permanent galleries are devoted to orientation, James R. Slater Museum of Natural History, University of ancient life, natural wonders, people of Oklahoma, world Puget Sound, Cmb-1088, Tacoma, WA 98416. Phone: cultures, and Paleozonic period. It also has a hands-on Dis- 253/879-2798. E-mail: [email protected]. Web site: covery Room, Conoco Oil Pioneers Plaza, and temporary www.ups.edu/slatermuseum.xml. Hours: 9-5 Mon.-Fri.; and online exhibitions. closed Sat.-Sun. and university holidays. Admission: free. Sam Noble Oklahoma Museum of Natural History, University of Oklahoma, 2401 Chautauqua Ave., Norman, OK 73072-7029. Phone: 405/325-8978. Fax: 405/325-7699. E-mail: [email protected]. Web site: www.snomnh.ou.edu. Hours: 10-5 Mon.-Sat., 1-5 Sun; closed New Year’s Day, Thanksgiving, and Christmas. Admission: adults, $5; seniors and military, $4; children 6-17, $3; OU students and children under 6, free. Michael Mares, Director

UNIVERSITY OF OREGON Museum of Natural and Cultural History Eugene, Oregon The University of Oregon Museum of Natural and Cultural History in Eugene is the state’s primary repository for anthropological objects and paleontological specimens. The museum was founded in 1935, but its collections began 1876 when Thomas Condon joined the university as one its first three professors and brought along his extensive fossil collection. The museum now has nearly 1 million

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Peter Wimberger, Director

UNIVERSITY OF RICHMOND Lora Robins Gallery of Design from Nature Richmond, Virginia The Lora Robins Gallery of Design from Nature at the University of Richmond in Virginia is a museum of natural sciences and decorative arts. Founded in 1977, the gallery presents exhibitions from a collection of over 100,000 objects that include Jurassic dinosaur fossils, pre-Columbian vessels, rare gems and minerals, prehistoric shells, florescent rocks, ancient coins, ceramics, contemporary glass art, and Hindu, Oceanic, Asian, and other art and artifacts. The original museum, which housed minerals, decorative arts, and shell specimens, was expanded and relocated in 1989 to a wing of the Boatwright Memorial Library. Lora Robins Gallery of Design from Nature, University of Richmond, Boatwright Memorial Library, Richmond Way, Richmond, VA 23173 (postal address: University of Richmond Museums, 28 Westhampton Way, University of

UNIVERSITY OF SOUTH DAKOTA Richmond, VA 23173). Phone: 804/289-8276. Fax: 804/287-1894. E-mail: [email protected]. Web site: www.museums.richmond.edu. Hours: mid-Aug.-mid-May-11-5 Tues.-Fri., 1-5 Sat.-Sun.; closed Mon. and graduation weekend; mid-May-mid-Aug.-11-5 Mon.-Fri., 1-5 Sat.; closed Sun. and Independence Day. Admission: free. Richard Waller, Executive Director, UR Museums 804-287-6614 [email protected]

UNIVERSITY OF SOUTH DAKOTA W. H. Over State Museum Vermillion, South Dakota The W. H. Over State Museum at the University of South Dakota in Vermillion is named for a South Dakota homesteader with an eighth grade education who became a productive scientist and the director of what originally was called the University of South Dakota Museum. William Henry Over began collecting insects, plants, and artifacts as a boy, and extended the collecting to fossils, shells, and Indian artifacts as a homestead farmer. He also began studying and writing about natural history. In 1912, he wrote an article about how difficult it was to break rocks to obtain specimens of Spenodiscus lenticularis that caught the attention of the university’s Dean E. C. Perisho, who also was the state geologist. It resulted in William Over becoming assistant curator of the University of South Dakota Museum. At the museum, Over expanded his study and findings of the Arikara Indians, mammals, birds, fish, trees and shrubs, wild flowers, archaeology, and other fields. He became director of the museum and made other contributions to the study of natural and cultural history of South Dakota and the region, resulting in the university awarding him an honorary doctor of science degree in 1936 and naming the museum for him after his death in 1948. The museum now has extensive collections in archaeology, geology, ethnology, natural history, regional history, photography, and contemporary Sioux paintings. The exhibits feature materials from the collections, including Native American artifacts and animal mounts. Annual attendance is 19,000. W. H. Over Museum, University of South Dakota, 1110 Ratingen St., Vermillion, SD 57069 (postal address: 414 E. Clark St., Vermillion, SD 57069-2307). Phone: 605/677-5228. E-mail: [email protected]. Web site: www.usd.edu/whover. Hours: 10-4 Mon.-Sat.; closed Sun. and major holidays. Admission: free. Maxine Johnson, President, Board of Directors

Science Center-with the old name being used only for the exhibit hall and educational programs. The science center also includes the Vertebrate Paleontology Laboratory, Non-vertebrate Paleontology Laboraory, and Texas Natural History Collections, which house all the collections at the Pickle Research Campus and are not open to the public. The Texas Memorial Museum was chartered in 1936 and opened in 1939 as a memorial of the Texas Centennial celebration. The center has a collection of 5.7 million specimens in paleontology, geology, biology, herpetology, ichthyology, and entomology. The exhibits focus on dinosauts and fossils, Texas wildlife, gems and minerals, and a working paleontology lab where visitors can interact with scientists as they work on fossils. Among the highlights are a Texas pterosaur, an extinct flying reptile with a wingspan of nearly 40 feet, and a 30-foot mosasaur, a marine lizard that preyed on fish in the shallow sea that once covered most of the state. The annual attendance is 80,000. Texas Natural Science Center/Texas Memorial Museum, University of Texas at Austin, 2400Trinity St., Austin, TX 78705-5730. Phone: 512/471-1604. Fax: 512/471-4794. E-mail: [email protected]. Web site: www.utexas.edu/tmm. Hours: 9-5 Mon.-Thurs., 9-4:45 Fri., 10-4:45 Sat., 1-4:45 Sun.; closed New Years Eve and Day, Easter, Independence Day, Thanksgiving, and Christmas Eve and Day. Admission: free. Edward C. Theriot, Director 512-232-2379 [email protected]

UNIVERSITY OF TEXAS AT EL PASO Centennial Museum and Gardens El Paso, Texas The Centennial Museum and Gardens at the University of Texas at El Paso began as a natural and cultural history museum in 1936 and the Chihuahaun Desert gardens were added in 1999. The museum focuses on the natural history and indigenous, colonial, and pre-urban and folk cultures of the 140,000-square-mile border region of southwestern United States and northern Mexico. The gardens feature over 600 species of native plants from the Chihuahaun Desert, the second largest desert in North America. The museum collection includes archaeology, botany, geology, paleontology, mineralogy, ethnology, anthropology, natural and human history, and fauna of the region. The museum has four galleries-devoted to geology, paleontology, mammals and birds, and cultural history. Annual attendance is 15,000.

Austin, Texas

Centennial Museum and Gardens, University of Texas at El Paso, University Ave. and Wiggins Rd., El Paso, TX 79968 (postal address: 500 W. University Ave., El Paso, TX 79968-8900). Phone: 915/747-5565. Fax: 915/747-5411. E-mail: [email protected]. Web site: www.utep.edu/museum. Hours: museum-10-4 Tues.-Sat.; closed Mon. and university holidays; gardens-sunrise-sunset daily. Admission: free.

The long-established Texas Memorial Museum at the University of Texas at Austin now is part of the Texas Natural

W. Warner Bill Wood, Director 915-747-6669 [email protected]

UNIVERSITY OF TEXAS AT AUSTIN Texas Natural Science Center/Texas Memorial Museum

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Natural History & Cultural Museums UNIVERSITY OF UTAH Utah Museum of Natural History

grant resulted in the construction of the museum’s present building.

The museum has long-term exhibits on the geological history of the state and the animals that once lived there; the cultures of native peoples in the region; and the Erna GunThe Utah Museum of Natural History at the University of Utah in Salt Lake City is the state natural history museum. It ther Ethnobotanical Garden, with more than 100 species of plant life from both sides of the Cascades. The Burke Muwas established in 1963 by the state legislature and opened seum also the home of the University of Washington Herin 1969 in the George Thomas Library nd later moved into barium, which has over 600,000 specimens of Pacific the Cooper Hall of Anthropology. In 2011, the Rio Tinto Northwest vascular plants, non-vascular plants, fungi, liCenter opened as the museum’s new home. The museum has chen, and algae. In addition, the museum has active changa collection of 1.2 million objects in the fields of earth sciing exhibition, education, and research programs. The ences, biology, and anthropology that include Jurassic and annual attendance is 109,000. Cretaceous dinosaurs, Great Basin and Colorado Plateau archaeology and ethnology, and materials from throughout the Burke Museum of Natural History and Culture, University world. Approximately three-fourths of the collection are in of Washington, 17th Ave. N.E. and N.E. 45th St., Box 353010, Seattle, WA 98195. Phones: 206/543-5590 and anthropology, which document the cultural diversity and 206/543-7907. Fax: 206/685-3039. E-mail: temporal breath of human prehistory in western North [email protected]. Web site: www.washingAmerica. Permanent exhibits are presented in halls of anthropoloy, geology, mineralogy, paleontology, vertebrate, ton.edu/burkemuseum. Hours: 10-5 daily; closed New Year’s Day, Independence Day, Thanksgiving, and Christand discovery. Changing exhibitions in natural and cultural mas. Admission: adults, $9.50; seniors, $7.50; students and history also are mounted. Annual attendance is 75,500. children above 4, $6; UW students, faculty, staff, and children under 5, free; admission is free 1st t Thurs. of month Utah Museum of Natural History, University of Utah, Rio when museum is open to 8 p.m. Tinto Center, Salt Lake City, UT 84112. Phone: 801/581-6927. Fax: 801/585-3684. E-mail: Julie K. Stein, Executive Director 206-543-2784 [email protected]. Web sie: www.umnh.utah.edu. [email protected] Hours: 9:30-5:30 Mon.-Sat., 12-5 Sun.; closed New Year’s Day, Easter, Independence Day, Pioneer Day, Thanksgiving, and Christmas. Admission: adults, $7; seniors, students UNIVERSITY OF WISCONSIN-STEVENS from other colleges, and children 3-17, $3.50; alumni assn. POINT members, $3; U of U students and children under 3, free.

Salt Lake City, Utah

Museum of Natural History

Sarah George, Executive Director 801-581-4889 [email protected]

UNIVERSITY OF WASHINGTON Burke Museum of Natural History and Culture Seattle, Washington

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Stevens Point, Wisconsin The UWSP Museum of Natural History at the University of Wisconsin-Stevens Point focuses on diversity and relationships in nature and among cultures.The College of Letters and Science museum, founded in 1966, has exhibits on such subjects as Native American cultures, rocks and minerals, and wildlife and ecosystem dioramas. Annual attendance is 12,000.

The Burke Museum of Natural History and Culture at the University of Washington in Seattle has one of the largest collections among American university museums, It contains more than 12 million specimens and artifacts in such fields as anthropology, arachnology, archaeology, ethnology, geology, herpetology, ichthyology, mammalogy, ornithology, and paleontology.

UWSP Museum of Natural History, University of Wisconsin-Stevens Point, 900 Reserve St., Stevens Point, WI 54481-4962. Phone: 715/346-2858 and 715/346-4888. Fax: 715/346-4213. E-mail: [email protected]. Web site: www.uws.edu/museum. Hours: Sept.-May-7:45 a.m.-midnight Mon.-Thurs., 7:45 a.m.-9 p.m. Fri., 9 a.m. 9 p.m. Sat., 11 a.m.-1 a.m. Sun.; closed June-Aug. and university holidays. Admission: free.

The museum is the oldest in the state of Washington. It was founded in 1885 by the Young Naturalists’ Society, an amateur natural history club, while collaborating with Natural Science Professor Orson Bennett Johnson at the Washington Territorial University, which later became the University of Washington. In 1899, the Washington state legislature gave the museum the name of Washington State Museum. The museum was renamed for the late Judge Thomas Burke in 1962 after a large bequest from the estate of his widow, Caroline McGilvra Burke, and a National Science Foundtion

Ray Reser, Director

WASHINGTON STATE UNIVERSITY Charles R. Conner Museum Pullman, Washington The Charles R. Conner Museum at Washington State University in Pullman was founded in 1894 after Conner, president of the Washington Agricultural College Board of

WAYNE STATE UNIVERSITY Regents, persuaded the State of Washington to donate its exhibits from the l893 Clolumbian Exposition in Chicago to the fledgling college that later became Washington State University. The original exhibits were largely natural history in content, including anthropology, geology, and biology, as well as agriculture. Over time, the museum, named for Connor, was transformed into being largely a zoology museum through the influence of successive curators. It now has a collection of 65,000 specimens primarily in ornithology, mammalogy, and herpetology and exhibits with over 700 mounted birds and mammals in Abelson Hall. Annual attendance is 23,000. Charles R. Conner Museum, Washington State University, School of Biological Sciences, Abelson Hall, Pullman, WA 99164. Phone; 509/335-3515. Fax: 509/335-3184. E-mail: [email protected]. Web site: www.sbs.wsu.edu/connermuseum. Hours: 8-5 daily; closed major holidays. Admission: free. Larry Hufford, Interim Director and WSU School of Biological Sciences Director [email protected]

WAYNE STATE UNIVERSITY Museum of Natural History Detroit, Michigan The Wayne State University Museum of Natural History in Detroit has a collection and exhibits of birds, mammals, plants, insects, and other natural history specimens. Founded in 1972, the museum is part of the School of Biological Sciences. Wayne State University Museum of Natural History,1155 Biological Sciences Bldg., 5047 Gullen Mall, Detroit, MI 48202-3917. Phone: 313/577-2872. Fax: 313/577-6891. E-mail: [email protected]. Web site: www.bio.wayne.edu/outreach/natural_history.html. Hours: by appointment; closed university holidays and breaks. Admission: free. James D. Tucker, Chair, WSU Department of Biological Sciences 313-577-2783 [email protected]

YALE UNIVERSITY Yale Peabody Museum of Natural History

animal trackways, and archaeological and ethnological artrifacts. The museum opened to the public in 1876, but its building was demolished for a dormitory in 1917. It wasn’t until 1925 that it was replaced by its current building, which later was expanded for the museum and the attached Bingham and Kline Laboratories. The museum also occupies parts of three other buildings, has a field station at Long Island Sound, and owns Horse Island in the Thimble Islands that is used for experiments. About half of the museum’s collections are housed in the Environmental Science Facility, which is connected to the museum and the adjacent Kline Geology Laboratory. The Peabody Museum now has more than 20 million specimens and objects in its collections in 11 divisions-anthropology, botany, entomology, historical scientific instruments, invertebrate paleontology, invertebrate zoology, meteorites and planetary science, mineralogy, paleontology, vertebrate paleontology, and vertebrate zoology. They include such world-class collections as its dinosaur fossils, birds, marine invertebrates, and Incan artifacts from the Machu Picchu ruins in Peru. The museum’s best known exhibit is The Great Hall, which features skeletons from its world renowned paleontology collections. It first opened in 1926 and still contains some of the extensive fossils collected by Marsh, Among the fossils on display are a juvenile Apatosaurus dinosaur, the largest mounted skeleton, and the reconstructed skeletons of a Carmarasaurus, Stegosaurus, and Camptosaurus. The hall also contains one of the two huge museum murals created by Rudolph F. Zallinger-The Age of Reptiles, which measures 110 by 16 feet and was done in the Renaissance fresco al secco technique in the 1940s. Zallinger’s The Age of Mammals, which he produced in the 1960s and is 60 by 51/2 feet, is in the Hall of Mannmalian Evolution. Peabody Museum of Natural History, Yale University, 170 Whitney Ave., New Haven, CT 06511 (postal address: PO Box 208118, New Haven, CT 06520-8118). E-mail: peabody.webmasteryale.edu. Web site: www.peabody.yale.edu. Hours: 10-5 Mon.-Sat., 12-5 Sun.; closed New Year’s Day, Easter, Independence Day, Thanksgiving, and Christmas Eve and Day. Admission: adults, $7; seniors, $6; college students and children 3-18. $5; children under 3, free; free admission 2-5 Thurs. from Sept. to June. Derek E.G. Briggs, Director

New Haven, Connecticut The Peabody Museum of Natural History in New Haven, Connecticut, is one of the oldest and largest natural history museums in the world. It was founded in 1866 by philanthropist George Peabody with a gift of $l50,000 at the urging of his nephew, Othniel Charles Marsh, an early paleontologist who later became a highly regarded professor at Yale known for his dinosaur findings. When Peabody died in 1869, Marsh used his inheritance to fund expeditions and increase the museum’s collections, particularly in dinosaur fossils. He discovered 56 new species of dinosaurs, as well as fossils of vertebrates and invertebrates, prehistoric

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Paleontology Museums BRIGHAM YOUNG UNIVERSITY Museum of Paleontology Provo, Utah The Brigham Young University Museum of Paleontology in Provo, Utah, has one of th five top collections of fossils from the Jurassic Period, as well as dinosaurs and other vertebrates from other geologic periods. The museum, which began as rhe Earth Science Museum in 1976, was built to house and display the rocks and dinosauer fossils found by Dr. James A. Jensen and his crews in Utah, Colorado, Montana, and Wyoming. The museum, located under the university’s football stadium for years, now also occupies a 5,000-square-foot addition. Fossils and other specimens and objects from the collection are featured in 3,600 square feet of exhibition space. Annual attendance is 25,000. Brigham Young University of Paleontology, 1683 N. Canyon Rd., Provo, UT 84602-3300 (postal address: PO Box 23300, Provo, UT 84602-3300). Phone: 801/422-3680. Fax: 801/422-7010. E-mail: [email protected]. Web site: www.cpms.byu.edu/esm. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free.

animals as an alligator, a soft-shelled turtle, and two monitor lizards. Annual attendance is 40,000. College of Eastern Utah Prehistoric Museum, 155 E. Main St., Price, UT 84501-3033 (postal address: 451 East 400 North, Price, UT 84501-2699). Phones: 435/613-5060 and 800/817-9949. Fax: 435/637-2514. E-mail: [email protected]. Web site: www.museum.ceu.edu. Hours: Apr.-Sept.-9-6 daily; Oct.-Mar.-9-5 Mon.-Sat., closed Sun. Admission: adults, $5; seniors, $4; children 2-12, $2; children under 2, free; families, $15. Ken Carpenter, Director 435-613-5752 [email protected]

UNIVERSITY OF CALIFORNIA, BERKELEY University of California Museum of Paleontology Berkeley, California

The University of California Museum of Paleontology in Berkeley has the largest paleontological collection of any university in the world. The museum, one of six natural history museums at the university, was founded in 1921 through the support of Annie Montague Alexander, who had COLLEGE OF EASTERN UTAH a lifelong fascination with paleontology and participated in Prehistoric Museum many fossil collecting expeditions in the early 1900s.The Price, Utah university’s paleontology collection actually began in 1874 The College of Eastern Utah Prehistoric Museum, located in after the state legislature directed the Geological Survey of Price in the midst of some of the richest archaeological finds California to deposit the fossils and other materials it had in North America, has an extensive collection of dinosaurs, collected with the university. This was followed by the appointment of such early faculty members as Joseph other fossils, minerals, and American Indian artifacts discovered in the immediate area. The museum resulted from a LeConte, John C. Merriam, Charles Camp, Sam Welles, and challenge by Geology Professor Don Burge, who told a Rueben Stirton, who greatly expanded the paleontology night class in 1960 that the area had the greatest dinosaurs, collection. but no place to show them. The students decided to meet with professionals to determine what it took to create a mu- The Museum of Paleontology’s mission is to investigate and seum, and a local physician, Dr. J. Eldon Dorman, who stud- promote the understanding of the history of life and the diied rock art in the area, was selected as the first curator. The versity of the Earth’s biota through research and education. museum almost immediately began receiving prehistoric ar- The collections includes fossil and modern organisms repretifacts from the Fremont and Anasazi cultures and other ma- senting prokaryotes to vertebrates collected from all contiterials from many sources in the area. The museum opened nents. They are used for research purposes and support for on the upper floor of City Hall in 1961, moved to the old instruction and are not open to the public, except during an city gymnasium in the 1970s, added a new wing in 1990, annual open house on Cal Day. and then remodeled the old gymnasium to house the archaeological exhibits in 1991. Although the museum does not have exhibit galleries, it Rodney D. Scheetz, Curator/Manager 801-422-3939 [email protected]

The museum now has two exhibit galleries-the Hall of Dinosaurs, featuring Allosaurus and Utahrapto skeletons, fossil trackways, and othe interpretive exhibits, and the Hall of Archaeology, which contains the Huntington Mammoth, Pilling Figurines, Fremont Flute, and Indian baskets, pottery, and other artifacts. The museum also has an art gallery and the Mesozoic Gardens, a living fossil exhibit with such

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does contain a number of fossil displays outside the collection on the first and second floors of the Valley Life Sciences Building, where the museum is housed. They include a mounted Tyrannosaurus rex; the skulls of a Edmontosaurus annectans, Triceratops horridus, and Parasaurolophus; a Peranodon Ingens with a wingspan close to 22 feet; and other exhibits. The museum also has short

UNIVERSITY OF MICHIGAN (the skull of a juvenile rhino-was found in 1971. Since then, the skeletons of 12 species of Clarendonian Land Mammal Age have been found-including five species of one and University of California Museum of Paleontology, 1101 Val- three-toed horses; three species of camels, dogs; and birds; ley Life Sciences Bldg., MC 4780, Berkeley, CA two species of turtles; and a species of rhino and sa94720-4780. Phone: 510/642-1821. Fax: 510/642-1822. bre-toothed deer. The most numerous skeletons are rhinos. E-mail: [email protected]. Web site: www.ucm.berkeley.edu. Hours: 8 a.m.-10 p.m. Mon.-Thurs., Some of the skeletons now can be seen as found at an active 8-5 Fri., 10-5 Sat., 1-10 Sun.; closed national holidays. Ad- excavation site housed in a building known as the Hubbard Rhino Barn. Visitors also can see a fossil preparation laboramission: free. tory where University of Nebraska State Museum paleontolCharles Marshall, Director 510-642-1821 ogists and others work on the specimens, and displays in a [email protected] visitor center. Nature trails also help to interpret the geology, flora, and fauna of the area. The Ashfall Fssil beds site became a state historicl park in 1991 and a National Nature Landmark in 2006. UNIVERSITY OF MICHIGAN courses, special events, and tours for the public. Annual attendance is 15,000.

Museum of Paleontology Ann Arbor, Michigan The Museum of Paleontology at the University of Michigan in Ann Arbor is a research museum devoted to the study of the history of life, interpretation of its meaning, and sharing these experiences with students. It is one of four research museums at the university in the fields of anthropology, geology, paleontology, and zoology. The museum is organized in four subdisciplines-invertebrate paleontology, micropaleontology, paleobotany, and vertebrate paleontology. It has a collection of over 2,215,000 specimens, of which 155,000 have been cataloged. The collection is not open to the public, and the museum does not have its own exhibits, but curates paleontology exhibits at the University of Michigan Exhibit Museum of Natural History (see separate listing) in the Ruthven Museums Building. Museum of Paleontology, University of Michigan, 1109 Geddes Ave., Ann Arbor, MI 48109-1079. Phone: 734/764-0489. Fax: 734/936-1380. Web site: www.paleontology.lsa.umich.edu. Hours: collection closed to public and paleontology exhibits at the Exhibit Museum of Natural History: 9-5 Mon.-Sat., 12-5 Sun.; closed major holidays. Admission: free. Philip D. Gingerich, Director 734-764-0490 [email protected]

UNIVERSITY OF NEBRASKA-LINCOLN Ashfall Fossil Beds State Historical Park

Ashfall Fossil Beds State Historical Park, 3 miles soth of Hwys.14 and 59, Royal, NE 68773. Phone: 402/893-2000. E-mail: [email protected]. Web site: www.ashfall.unl.edu. Hours: early May to Memorial day weekend-10-4 Tues-Sat.; closed Sun.-Mon.; Memorial Day weekend-Labor Day-9-5 Mon.-Sat., 11-5 Sun.; early Sept.-early Oct.-10-4 Tues.-Sat., 10-4 Sun.; closed Mon. and until early May. Admission: adults, $5; chldren over 5, $3; children under 6, free (Nebraska Park Entry Permit also required). Rick Otto, Superintendent 402-893-2000 [email protected]

UNIVERSITY OF NEBRASKA-LINCOLN Trailside Museum of Natural History Crawford, Nebraska For over 100 years scientists from all over the world have collected fossil verterbrakes and geological data in western Nebraska. One of these sites is the area around the Fort Robinson State Park near Crawford, where the University of Nebraska State Museum operates the Trailside Museum of Natural History. Fort Robinson was an active military post from 1874 to 1948. It now is the state’s largest and most historic park, containing 50 original and reconstructed buildings and over 22,000 acres. The old Army Theater building has become the home of the natural history museum that the University of Nebraska State Museum opened as a branch in 1961.

In 1891, Dr. E. H. Barbour, director of the Lincoln-based state museum, led the first University of Nebraska fossil The University of Nebraska State Museum conducts excava- collecting expedition to the Fort Robinson area. Since then, many university expeditions have collected fossils and other tions and has exhibits at fossil sites at two Nebraska State specimens from the rich Tertiary deposits near the old fort. parks-Ashfall Fossil Beds State Historical Park near Royal and the Fort Robinson State Park near Crawford. The fossil Exhibits in the Trailside Museum are devoted largely to geology and paleontology and arranged in chronological order beds were created some 12 million years ago when a volrelative to fossil-bearing deposits of the Pine Ridge area. cano spread ash over the grasslands of northeastern Nebraska that resulted in the death and burial of large and The museum, which also contains specimens from nearby small animals. states, is known for its extensive collection of mammoths and Oligocene fossils. It has two interlocked mammoths that The Ashfall Fossil Beds State Historical Park is located on were fighting-the only known specimens demonstrating ag300 acres of rangeland in the Verdigre Creek valley. More gression among Columbian mammoths. Among the other than 200 fossil skeletons-mostly articulated with bones joined together-have been recovered since the first skeleton fossils are the remains of a mosasaur, a giant sea lizard;

Royal, Nebraska

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Paleontology Museums Triceratops, a three-horned dinosaur; Piesiosaur, an aquatic reptile; Diceratherium cooki, a rhinoceros; Stenomylus, a small camel; and mastodon, which differs from related mammoths in molar teeth. The museum also has artifacts of late Ice Age people, skulls of bighorn sheep and bison from more recent deposits, and 18 full-color panels by Mark Marcuson featuring scientific reconstructions of ancient animals. Trailside Museum of Natural History, University of Nebraska State Museum, Fort Robinson State Park, 3200 W. U.S. Hwy.20, Crawford, NE 69339-3112. Phone: 308/665-2929. Web site: www.www.trailside.unl.edu. Hours: Apr.-May-10-5 Mon.-Fri.; closed Sat.-Sun.; Memorial Day-Labor Day-9-6 daily; Sept.-Oct.-10-5 Thurs.-Sun.; closed Mon-Wed; Nov.-Mar.-closed except by appointment. Admission: adults, $3; children 5-18, $1; children under 5, free; families, $6. Susan Veskerna, Museum Specialist 308-665-2929 [email protected]

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Photography Museums & Galleries ARIZONA STATE UNIVERSITY Night Gallery

BEREA COLLEGE Doris Ulmann Galleries

Tempe, Arizona

Berea, Kentucky

The Herberger Institute School of Art’s Night Gallery at Arizona State University in Tempe features photographs by emerging, under represented, and recognized artists, as well as graduate students in photography. National and international photograhers also give gallery lectures and have sessions with students working on photography degrees. Students enrolled in the Photo Exhibition Course assist in every aspect of the gallery, ranging from installing artwork to curating shows.

The Doris Ulmann Galleries at Berea College in Berea, Kentucky, feature Ulmann’s photographs of Appalachian people and craftsmen and other selections from a collection of C. C. Coyle, Frank Long, and Kress paintings; African art; Chinese robes; and European, Asian, and American prints. The gallery, founded in 1975, also has loan and traveling exhibitions. Doris Ulmann Galleries, Berea College, Chestnut and Elipse Sts., Berea, KY 40403 (postal address: CPO 2162, Berea, KY 40404). Phone: 859/985-3530. E-mail: [email protected]. Web site: www.berea.edu/dug/default.asp. Hours: 8 a.m.-9 p.m. Mon.-Thurs., 8-5 Fri., 1-5 Sun.; closed Sat. and college holidays and breaks. Admission: free.

Night Gallery, Arizona State University, Herberger Institute School of Art, Matthews Hall, Tyler and Forest Malls, PO Box 871505, Tempe, AZ 85287-1505. Phone: 480/965-6517. E-mail: [email protected]. Web site: www.art.asu.edu/gallery/northlight. Hours: Sept.-May-12:30-8:30 Tues., 12:30-4:30 Wed.-Sat.; closed Sun.-Mon., June-Aug., and major holidays. Admission: free. Lisa L. Kriner, Chair, Berea College Dept of Art [email protected]

Simon Dove, Director, ASU Herberger College School of Art

ARIZONA STATE UNIVERSITY Space Photography Laboratory Temple, Arizona The Space Photography Laboratory at Arizona State University in Tempe is a NASA Regional Planetary Image Facility, part of an international system of planetary image libraries established in 1977. The laboratory contains images and maps of planets and their satellites taken by solar system exploration spacecraft and maintains photographic and digital data, mission documentaries, and cartographic data. Sets of terrestrial maps, charts, and aerial photographs used in previous and on-going planetary geology analog field studies also are contained by the laboratory in addition to the planetary collections. The facility is located in the Bateman Physical Sciences Center F-Wing. Personnel are available to assist in the use of the collection and equipment. Space Photography Laboratory, NASA Regional Planetary Image Facility, Arizona State University, School of Earth and Space Exploration, PSF-513A Bateman Physical Sciences Cener F-Wing, 550 E. Tyler Mall, PO Box 871404, Temple, AZ 85287-1404. Phone; 480/965-7029. Fax: 480/905-8102. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Ronald Greeley, Director [email protected]

COLUMBIA COLLEGE CHICAGO Museum of Contemporary Photography Chicago, Illinois The Museum of Contemporary Photography at Columbia College Chicago presents a wide range of projects and exhibitions that embrace contemporary aesthetics and technologies. In doing so, the museum seeks to communicate the value and significance of photographic images as expressions of human thought, imagination, and creativity. Founded in 1976, the museum has a collection of over 9,000 photographs and photographically related objects produced since 1936. It presents exhibitions from its collections and photographers. Annual attendance is 72,500. Museum of Contemporary Photography, Columbia College Chicago, 600 S. Michigan Ave., Chicago, IL 60605-1900. Phone: 312/663-5554. Fax: 312/369-8067. E-mail: [email protected]. Web site: www.moc.org. Hours: 10-5 Mon.-Wed. and Fri.-Sat., 10-8 Thurs., 12-5 Sun.; closed college holidays and breaks. Admission: free. Rod Slemmons, Director [email protected]

DAYTONA STATE COLLEGE Southeast Museum of Photography Daytona Beach, Florida Southeast Museum of Photography at Daytona State College in Daytona Beach, Florida, is the largest museum of its kind in the Southeast. Established in 1992, it seeks to further understanding and appreciation of the history and art of

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Photography Museums & Galleries photography. The museum, located in the Mori Hosseini Center, has a collection of more than 3,500 photographs, including works by most of the major photographic artists of the past and present. They include contemporary and vintage fine art, photojournalism, fashion, and new media. Approximately 20 exhibitions are presented each year from the collection and elsewhere in its 8,000 square feet of gallery space. The museum offers, lectures, film and video programs, summer camp, and formal educational programs. Annual attendance is 60,000. Southeast Museum of Photography, Daytona State College, 1200 W. International Speedway Blvd., Daytona Beach, FL 32114 (postal address: PO Box 2811, Daytona Beach, FL 32120-2811). Phone: 386/506-3350. Fax: 386/506-4487. E-mail: [email protected]. Web site: www.smponline.org. Hours: Jan.-May and Aug.-Nov.-11-4Tues. and Thurs.-Fri., 11-7 Wed., 1-5 Sat.-Sun.; closed Mon. and New Year’s Day and Thanksgiving Day and weekend; June-July and Dec.-12-4 Tues.-Sun.; closed Mon., Independence Day, Christmas Eve, Day, and week, and New Year’s Eve. Admission: adults, $3; children, free.

Sommer. These and later archives focused on twentieth-century photographs, and led to the expansion of the print collection to represent the larger history of photography as well as international practice. The center now has more archives and works by twentieth-century North American photographers than any museum in the nation. The 55,000-square-foot center’s archives include photographs, negatives, albums, work prints, manuscripts, audiovisual material, contact sheets, correspondence, and memorabilia. Its art collection consists of more than 80,000 works by over 2,200 photographers. Photographs and archival materials are used in research and displayed in exhibitions at the center and featured in traveling exhibitions organized by the center. Annual attendance is 50,000. Center for Creative Photography, University of Arizona, 1030 N. Olive Rd., PO Box 210103, Tucson, AZ 85721-0103. Phone: 520/621-7968. Fax: 520/621-9444. E-mail: [email protected]. Web site: www.creativephotography.org. Hours: Sept.-May-9-5 Mon.-Fri., 1-4 Sat.-Sun.; closed major holidays; June-Aug.-2-4 Mon., Wed., and Fri.; closed Tues., Thurs., and Sat.-Sun. Admission: free.

Kevin Miller, Director [email protected]

Katherine Martinez, Director

MIDDLE TENNESSEE STATE UNIVERSITY Baldwin Photographic Gallery

UNIVERSITY OF CALIFORNIA, RIVERSIDE UCR/California Museum of Photography

Murfreesboro, Tennessee

Riverside, California

Contemporary photography is featured at the Baldwin Photographic Gallery at Middle Tennerssee State University in Murfreesboro. The gallery, founded in 1961, has a collection of contemporary photography of the last 20 years and presents changing exhibitions from the collection, photographers, and traveling exhibitions. Annual attendance is 30,000.

The UCR/California Museum of Photography at the University of California, Riverside, has is the largest and most comprehensive photographic collection in the American West. Founded in 1973, the museum now has five inter-linked collections-Bingham Technology Collection, Keystone-Mast Collection, University Print Collection, UCR/CMP Study Center Library Collection, and Digital Baldwin Photographic Gallery, Middle Tennessee State Uni- Virtual Collection. They include nineteenth- and twentieth-century photographs, cameras, and apparatus; versity, 221 Learning Resources Center, Box 305, stereoview negatives and prints; and twentieth-century masMurfreesboro, TN 37132. Phones: 615/898-2085 and ter prints and contemporary works. 615/898-5628. Fax: 615/898-5682. E-mail: [email protected]. Hours: mid-Jan-June and Sept.-mid-Dec.-8-4:30 Mon.-Fri. 12-4 Sat.; closed Sun. and The collection provides a foundation for the exhibitions and university holidays; July-Aug.-by appointment. Admission: programs that examine broad associations between photographic works, instruments of photography, and society’s free. evolving relationship with the photograph. The museum has Thomas Jimison, Manager 615-898-2085 12,000 square feet of exhibit space which feature [email protected] tions that explore photograph’s and video’s relationship to art, society, and politics. In addition to permanent exhibits, the museum mounts exhibitions from its collection, loans, and traveling exhibitions, and has an online gallery. The anUNIVERSITY OF ARIZONA nual attendance is 35,000.

Center for Creative Photography Tucson, Arizona

The Center for Creative Photography at the University of Arizona in Tucson is a museum, archive, and research center in photography. The center began in 1975 with the purchase of the archives of five photographers-Ansel Adams, Wynn Bullock, Harry Callahan, Aaron Siskind, and Frederick

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UCR/California Museum of Photography, University of California, Riverside, 3824 Main St., Riverside, CA 92501-3624. Phone: 951/827-4787. Fax: 951/827-4797. E-mail: colin@[email protected]. Web site: www.cmp.ucr.edu. Hours: 12-5 Tues.-Sat.; closed Sun.-Mon., New Year’s Day, Independence Day,

UNIVERSITY OF KENTUCKY Thanksgiving, and Christmas. Admission: adults, $3; seniors, students, and children, free. Colin Westerbeck, Director

UNIVERSITY OF KENTUCKY Photographic Collections Lexington, Kentucky The history of photography and Kentucky, Appalachia, and surrounding areas from the late nineteenth century are documented in 100,000 photographs in Photographic Collections, part of Special Collections and Archives in the Margaret I. King Library at the University of Kentucky in Lexington. The collections, established in 1978, contain such materials as antique photographic processes, well-known Kentucky photographers, family albums, art prints, and studio collections. Lectures, concerts, and exhibitions are presented. Annual attendance is 2,000. Photographic Collections, University of Kentucky, Margaret I. King Library, Special Collections and Archives, 104A King Bldg., Lexington, KY 40506. Phone: 850/257-2654. Fax: 859/257-6311. [email protected]. Web site; www.uky.edu./libraries/special/av. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and legal and university holidays. Admission: free. Jason Flahardy, Photographic Archives, Audio Visual Archives, UK Libraries Special Col 859-257-2654 [email protected]

UNIVERSITY OF LOUISVILLE Photographic Archives Louisville, Kentucky Nearly 2 million photographs and related records and manuscripts are housed in the Photographic Archives, part of the University of Louisville Library Special Collections in Louisville, Kentucky. The collection, which began in 1967, contains Appalachian local history, and fine art photographs and the Roy Stryker collection of vintage prints, manuscripts, and correspondence. Changing exhibitions are presented in Ekstrom Library of prints from the collection and from contemporary American photographers. Photographic Archives, University of Louisville, Ekstrom Library, 2301 S. 3rd St., Louisville, KY 40292. Phone: 502/852-6752. Fax: 502/852-8734. E-mail: [email protected]. Web site: www.special.library.louisville.edu. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Elizabeth Reilly, Curator 502-852-8730

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Planetariums, Observatories & Astronomical Museums ADAMS STATE COLLEGE Zacheis Planetarium and Observatory Alamosa, Colorado The Zacheis Planetarium and Observatory at Adams State College in Alamosa, Colorado, presents free community sky shows and telescope viewing. The facility, which opened in 1964, is named for Harry Zacheis, a local banker and first president of the college’s foundation who was instrumental in obtaining a large bequest from the Leon sisters for the Leon Memorial. The planetarium has a Spitz A3P projector and 65 concentric seats and the observatory contains several telescopes. Zacheis Planetarium and Observatory, Adams State College, Science Dept., Alamosa, CO 81102. Phone: 719/589-7616. E-mail: [email protected]. Web site: www.adams.edu. Hours: varies. Admission: free. Randy Emmons, Director [email protected].

AGNES SCOTT COLLEGE Bradley Observatory and Delafield Planetarium

president of the Sperry Gyroscope Company and an Amherst alumni trustee. Bassett, a 1913 graduate, also funded the Bassett Physics Prize, the Bassett Room, and early American furniture at the Mead Art Gallery at Amherst. The planetarium, which has a Spitz A3P optical projector that was installed in 1960, has 60 seats under a 9.1-meter dome. The presentations, made only to school and other groups, show how to identify and explain evening constellations and the origin of their names, or the mechanics and structure of the solar system and the universe. Bassett Planetarium, Amherst College, 201 Morgan Hall, 165 S. Pleasant, Amherst, MA 01002-5000 (postal address: Earth Sciences Bldg., Amherst, MA 01002-5000). Phone: 413/542-2138. Web site: www.amherst.edu/museums/bassett. Hours: groups by appointment; closed to public and on college holidays. Admission: free. George S. Greenstein, Chair of Amherst College Astronomy 413-542-2075

AMHERST COLLEGE Wilder Observatory Amherst, Massachusetts

The Wilder Observatory at Amherst College in Amherst, Massachusetts, was built in 1903 wih one of the largest teleThe Bradley Observatory at Agnes Scott College in Decatur, scopes in the world-an 18-inch refractor from Alvan Clark Georgia, is an astronomical teaching and research facility & Sons. It still is one of the largest refractors. The observathat contains the 70-seat Delafield Planetarium. The obsertory is housed in a 5,300-square-foot building. The public is vatory, which opened in 1950, is named for benefactors Wil- invited for free observing every Saturday from April liam C. and Sarah Hall Bradley. The observatory features a through October on nights with clear skies. 30-inch Beck reflector telescope and 18 other telescopes of Wilder Observatory, Amherst College, Snell St., Amherst, various types and sizes. A series of open house lectures on MA 01002. Phone: 413/256-6234. Web site: asxtroomy, followed by a planetarium show and observawww.amherst.edu. Hours: Apr.-Oct.-9 p.m. Sat.; closed tions with observatory telescopes, are given each year. The Sun.-Fri., Nov.-Mar., and university holidays. Admission: planetarium has a Zeiss Skymaseter ZKP3 projector. free. Bradley Observatory/Delafield Planetarium, Agnes Scott George S. Greenstein, Chair of Amherst College Astronomy College, Dept. of Physics and Astronomy, 141 E. College 413-542-2075 Ave., Decatur, GA 30030. Phone: 404471-5800. Web site: www.agnesscott.edu/academics/bradleyobvservatory. Hours: varies. Admission: free.

Decatur, Georgia

Christopher G. De Pree, Director 404-471-6266 [email protected]

ANGELO STATE UNIVERSITY Global Immersion Center San Angelo, Texas

AMHERST COLLEGE Bassett Planetarium Amherst, Massachusetts The Bassett Planetarium at Amherest College in Amherst, Massachusetts, was founded with a generous gift from Preston R. Bassett, an innovative engineer who became

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The name of the Angelo State University Planetarium in San Angelo, Texas, was changed to the Global Immersion Center in 2010. It has a Spitz 512 projector that can project over 5,000 stars, celestial fireworks, and a three-dimentional view of the universe. The recently renovated planetarium contains a combination of a Sci-Dome HD digital projector and a tilted 50-foot dome theater in the Vincent Nursing-Physical Science Building. In addition to serving as

ARIZONA STATE UNIVERSITY a multimedia classroom for university astronomy, physical science, and geology courses, the planetarium also serves school groups and the public. About 9,700 students of all ages attend viewings each year. Global Immersion Center, Angelo State University, Vincent Nursing-Physical Science Bldg., 2601 W. Ave., N., San Angelo, TX 76909. Phones: 325/942-2188 and 325/942-2136. Web site: www.angelo.edu/dept/physics/planetarium.html. Hours: 7 and 8 Thurs.-Fri., 2 and 3 Sat.; closed Sun.-Wed., and university holidays. Admission: adults, $3; seniors, military, and children, $2; ASU students, faculty, and staff, free. Robert S. Ehlers Jr, Director, Angelo State UniversityCenter forSecurity Studies

provides workshops, field trips, and other opportunities for teachers and students to participate in its explorations. Mars Space Flight Facility, Arizona State University, Moeur Bldg., Orange and Forest Malls, PO Box 87635, Tempe, AZ 85287-6305. Phone: 480/965-1790. E-mail: [email protected]. Web site: www.mars.asu.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Kip Hodges, Director, ASU School of Earth and Space Exploration

ASSOCIATED UNIVERSITIES, INC. National Radio Astronomy Observatory and other observatories Washington, District of Columbia

ARIZONA STATE UNIVERSITY Arizona State University Planetarium

Associated Universities, Inc. was established in 1946 by nine northeastern universities to develop and manage laboratories and other science facilities that were too large, comTempe, Arizona plex, and costly for a single institution to The Arizona State University Planetarium in Tempe offers manage.Associated Universities combines the resources of daytime programs for school and other groups and evening the nine universities, other research orgnizations, and the shows for the public. The 50-seat planetarium, operated by federal government. The founding universities were Columthe School of Earth and Space Exploration and located in bia University, Cornell University, Harvard University, the Bateman Physical Sciences B-Wing, offers daytime Johns Hopkins University, Massachuseets Institute of Techgroup shows on Monday through Friday with advance reser- nology, University of Pennsylvania, Princeton University, vations, and public shows on Thursday evening. Weather University of Rochester, and Yale University. They still are permitting, viewing with telescopes follows each evening involved, as well as other institutions. show. The organization, now headquarted in Washington, DC, has Arizona State University Planetarium, School of Earth and become a major research management corporation that Space Exploration, Bateman Physical Sciences B-Wing, builds and operates facilities for the research community. It Tempe, AZ 85287. Phone: 480/965-6891. Fax: was responsible from 1947 until 1998 for building and man480/965-8102. Web site: www.sese.asu.edu/planetarium. aging the Brookhaven National Laboratory in Upton, New Hours: group shows-10, 11, and 12 Mon.-Fri.; public York, for the Department of Energy. In 1955, AUI proposed shows-6:30 Tues. and Thurs.; closed Wed. and Fri.-Mon. the establishment of a national radio observatory and has and university holidays. Admission: $2 per person. managed its facilities since it was created the following year. The National Science Foundation funded observatory, Robert Alling, Coordinator headquartered in Charlottesville, Virginia, now designs, [email protected] builds, and operates high sensitivity radio telescopes for use by scientists from around the world.

ARIZONA STATE UNIVERSITY Mars Space Flight Facility

The AUI also is involved in other projects, such as being the North American representative for the Atacama Large Millimeter/Sublimeter Array, an international facility being conTempe, Arizona structed in the Chilen Andes near San Pedro; Virtual The Mars Space Flight Facility is a research center at AriAstronomical Observatory, an NSF and NASA enabling and zona State University in Tempe that specializes in develop- coordinating data structure being developed; and Cornell ing and using remote sensing instruments on spacecrafts on Caltech Atacama Telescope, a university-based 25-meter Mars to explore primarily the geology and mineralogy of the sumillimeter telescope being planned for the Cerro planet. Among the instruments are the Thermal Emission Chajnantor Peak in Chile. Imaging System on NASA’s Mars Odyssey orbiter and two Miniature Thermal Emission Spectrometers on the Mars ex- Associated Universities, Inc., 1400 16th St., N.W., Washingploration Rovers, Spirit, and Opportunity. A full-size Rover ton, DC 20036. Phone: 202/462-1676. model is displayed in the building lobby. The facility also Web site: www.nrao.edu. Principal domestic sites: National operated the Thermal Emission Spectrometer on NASA’s Mars Global Surveyor before it was lost in 2006. The center Radio Astronomy Observatory Headquarters, 520 Edgemont Rd., Charlottesville, VA 22903-2475. Phone: 434/296-0211. also houses the NASA/ASU Mars Education Program that Fax: 434/296-0324; NRAO Technology Center, 1180 Boxwood Estate Rd., Charlottesville, VA 22903-4608. Phone: 434/296-0358. Fax: 434/296-0324; NRAO Array Operations

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Planetariums, Observatories & Astronomical Museums Center, 1003 Lopezville Rd., PO Box 0, Socorro, NM 87801-0387. Phone: 575/835-7000. Fax: 575/835-7027; Robert C. Bryd Green Bank Telescope, Rte. 28/92, PO Box 2, Green Bank, WV 24944-0002. Phone: 304/450-2011. Fax: 304/456-2229. Fred K.Y. Lo, Director 434-296-0241

ASSOCIATION OF UNIVERSITIES FOR RESEARCH IN ASTRONOMY National Optical Astronomy Observatory and other observatories

AUGUSTANA COLLEGE John Deere Planetarium Rock Island, Illinois The John Deere Planetarium at Augustana College in Rock Island, Illinois, presents sky shows and has exhibits that contain meteorites, space materials, and astronomical equipment. The planetarium, which opened in 1969, has a Spitz A3P projector and 92 undirectional seats. A free illustrated program about the night sky d the solar system is provided by appointment during the academic year for school classes (beginning with Grade 3) and other groups of up to 100 persons. The Carl Gamble Observatory also is located at the same site. The planetarium’s annual attendance is 6,000.

Washington, District of Columbia The Association of Universities for Research in Astronomy is a consortium of 37 American universities and other institutions and seven international affilates that operates four astronomical observatories and carries out the scientific mission of the Hubble Space Telescope through the Space Telescope Science Institute in Baltimore, Maryland. The stated mission of AURA, founded in 1957, is “to promote excellence in astronomical research by providing access to state-of-the-art facilities.” The research centers include the National Optical Astronomy Observatory, which AURA operates for nighttime astronomy on Kitt Peak in Arizona (see separate listing for Kitt Peak National Observatory) and Cerro Tololo in Chile for the National Science Foundation under a cooperative agreement; National Solar Observatory, which conducts research on Sacramento Peak in New Mexico and at Kitt Peak in Arizona to advance understanding of the Sun in its astrophysical context as a star, as the driver of conditions in interplanetary space, in its influence on the terrestrial atmosphere, and in its role in long-term climate change; Gemini Observatory, an international partnership that operates twin 8.1-meter telescopes. Association of Universities for Research in Astronomy, 1212 New York Ave., N.W., Suite 450, Washington, DC 20005. Phone: 202/483-2101. Fax: 202/483-2106. Principal domestic sites: National Optical Astronomy Observatory, 950 N. Cherry Ave., Tucson, AZ 85719. Phone: 520/318-8000. Fax: 520/318-8360. Web site: www.noao.edu. Kitt Peak National Observatory, 950 N. Cherry Ave, Tuscon. AZ 85719/ Phone: 520/318-8726. E-mail: [email protected]. Web site: www.noao.edu/outreach/kpvc. Gemini Observatory, Northern Operations Center, 670 N. A’ohoku Pl., Hilo, HI 96720. Phone: 808/974-2500. Fax: 808/974-2589. Web site www.gemini.edu. NOAO Gemini Science Center, 950 N. Cherry Ave., Tucson, AZ 85719. Phone: 520/318-8421. E-mail: [email protected]. Web site: www. David Silva, Director 520-318-8281

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John Deere Planetarium, Augustana College, 820 38th St., Rock Island, IL 61201-2210. Phones: 309/794-7327 and 309/794-3405. Fax: 309/794-7564. E-mails: [email protected] and [email protected]. Web site: www.helios.augustana.edu/astronomy. Hours: Sept.-May-8-4 Mon.-Fri. by reservation only; closed Sat.-Sun., June-Aug., and college holidays. Admission: free. Lee Carkner, Director

AUGUSTANA COLLEGE Carl Gamble Observatory Rock Island, Illinois The Carl Gamble Observatory at Augustana College in Rock Island, Illinois, features a Celestrpm C14 computer-driven 14-inch reflector telescope. It is used primarily for class instruction and open to the public only for special occasions, such as a fall open house, Astronomy Day, and viewing comets and lunar eclipses. The viewings are free. The observatory is located at the site of John Deere Planetarium. Both are part of the Department of Physics and Astronomy. Carl Gamble Observatory, Augustanta College, 820 38th St., Rock Island, IL 61201-2210. Phones: 309/794-7327 and 309/794-3405. Fax: 309/794-7564. E-mails: [email protected] and [email protected]. Web site: www.helios.augustana.edu/astronomy. Hours: varies with events. Admission: free. Lee Carkner, Director, John Deere Planetarium

BALL STATE UNIVERSITY Ball State Planetarium and Observatory Muncie, Indiana Ball State University in Muncie, Indiana, has a planetarium that is used for campus instruction, school groups, and public sky shows and an observatory devoted to instruction, scientific research, and limited public viewing. The planetarium, which opened in 1967 as part of a new science building, has a Spitz A3P projector and 70 seats. It presents free shows from September through April. A $2.5-million

BEREA COLLEGE campaign is now underway to upgrade the facility by replacing the dome and star projector and increasing the seat capacity. The observatory is open to the public only several nights during each semester and the summer. The planetarium is housed in the Cooper Physical Science Building and the observatory is located on the roof of the building. Ball State Planetarium and Observatory, Ball State University, Dept. of Physics and Astronomy, Cooper Physical Science Bldg., Muncie, IN 47306. Phone: 765/285-8860. Fax: 765/285-5674. E-mail: [email protected]. Web site: www.cms.bsu.edu. Hours: planetarium-Sept.-Apr.: school groups, 10 and 12:30 Mon.-Fri.; public shows, varies; closed May-Aug. and university holidays; observatory-varies. Admission: free. Thomas Robertson, Chair, BSU Department of Physics and Astronomy 765-285-8869

BEREA COLLEGE Berea College Weatherford Planetarium Berea, Kentucky

E-mail: [email protected]. Web site: www.berea.edu. Hours: varies. Admission: free. Smith Powell, Physics Professor 859-985-3301 [email protected]

BIRMINGHAM-SOUTHERN COLLEGE Robert R. Meyer Planetarium Birmingham, Alabama The Robert R. Meyer Planetarium at Birmingham-Southern College in Birmingham, Alabama, is the oldest planaterium in the state. It opened in 1964 as a result of a gift from the Robert R. Meyer Foundation and dedicated to the late Birmingham entrepreneur and philanthropist. The 87-seat theater was created to enhance the teaching of undergraduate astronomy and elevate public interest in the space sciences. It is currently closed while the college explores renovation possibilities to modernize the facility and its equipment. Robert R. Meyer Planetarium, Birmingham-Southern College, 900 Arkadelphia Rd., Birmingham, AL 35254. Phones: 205/226-4771 and 205/326-4770. E-mail: [email protected]. Web site: www.bsc.edu/campus/planetarium. Hours: public shows-2 Sat. or Sun. once a month; group shows-by appointment; closed college holidays and breaks. Admission: adults, $2; children under 13, $1.

The Berea College Weatherford Planetarium in Berea, Kentucky, is now offering Sunday afternoon sky shows for the general public. The 40-seat planetarium, established in 1985, previously was used primarily by students and schedule groups.The planetarium is located in the Charles M. Hall Kathleen Greer Rossman, Interim Provost Science Building. [email protected]

Berea College Weatherford Planetarium, Charles M. Hall Science Bldg., CPO 1872, Berea, KY 40404. Phones: 859/985-3277 and 859/985-3301. Fax: 859/985-3303. E-mail: [email protected]. Web site:www.berea.physics.berea/planetarium.php. Hours: public shows-3 Sun.; students and groups-remainder of week. Admission: $1.50 per person; $10 for scheduled groups. Amer Lahamer, Chair, BC Department of Physics

BEREA COLLEGE Roberts Observatory Berea, Kentucky The telescope and dome at the Roberts Observatory at Berea College in Berea, Kentucky, have beern updated. They now are controlled by a computer, improving tracking and pointing the telescope quicker and better. The observatory has a 16-inch Boller & Chivens Cassegrain telescope, which was outfitted with a Goto mode.in 2006. Founded in 1972, the observatory operates on an open house schedule, serving students, faculty, staff, and townspeople. It is located in the Charles M. Hall Science Building.

BOB JONES UNIVERSITY Howell Memorial Planetarium Greenville, South Carolina The Howell Memorial Planetarium at Bob Jones University in Greenville, South Carolina, is named for a woman who never visited the campus. Lilliam R. Howell heard a radio broadcast by Dr. Bob Jones, Sr., the university founder, and began corresponding with him. She then started contributing to the tuition for students, and left her estate to the university, which provided the funds for the science building that bears her name. The planetarium, which opened in 1960, has a Spitz A2 star projector and 50 seats. In addition to typical sky shows, the planetarium offers three shows from a Biblical, young-Earth creation perspective. Howell Memorial Planetarium, Bob Jones University, Howell Memorial Science Bldg., 1700 Wade Hampton Blvd., Greenville, SC 29614. Phone: 864/242-5100, Ext. 2269. E-mail: [email protected]. Web site: www.bju.edu. Hours: Sept.-Apr.-2 Sun., other times by appointment; closed Mon.-Sat., May-Aug., and university holidays. Admission: free. George Matzko, Chair, BJU Division of Natural Science

Roberts Observatory, Berea College, Charles M. Hall Science Bldg., Berea, KY 40404. Phone: 859/985-3301.

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Planetariums, Observatories & Astronomical Museums BOSTON COLLEGE Weston Observatory

Fri.-Sun. and university holidays; early May-Aug.-10 p.m. Sun.; closed Mon.-Sat. Admission: planetarium $1 donation; observatory free.

Weston, Massachusetts

Dale Smith, Director 419-372-8666

Boston College’s Weston Observatory in Weston, Massachu- [email protected] setts, is a geographical research laboratory of the Department of Earth and Environmental Sciences. It houses seismic instruments that monitor the Northeast region for BREVARD COMMUNITY COLLEGE seismic activity and disseminates information recorded of Astronaut Memorial Planetarium and any events. Guided and self-guided tours of the facility are Observatory available during the acadmic year.

Cocoa, Florida

Weston Observatory, Boston College, Dept. of Earth and Environmental Sciences, 381 Concord Rd., Weston, MA 02493-1340. Phone: 617/552-8300/ Fax: 617/552-8388. E-mail: [email protected]. Web site: www.bc.edu/research/westonobservatory. Hours: Sept.-May-9-5 Mon.-Fri.; closed Sat.-Sun. and major holidays; Memorial Day-Labor Day-9-5 Mon.-Thurs., 9-3 Fri.; closed Sat.-Sun. and Independence Day. Admission: free. Marilyn Bibeau, Administrator, Finance and Administration [email protected]

BOWLING GREEN STATE UNIVERSITY Bowling Green State University Planetarium and Observatory

The Astronaut Memorial Planetarium and Observatory at Brevard Community College in Cocoa, Florida, has one of the largest and most technological advanced planetarium facilities on college campuses. The planetarium, also known as the BCC Planetarium and Observatory, opened in 1976 and has been updated several times. It has a 70-foot planetarium dome, 210 seats, Minolta Alpha Infinium projector for sky shows, and Evans and Sutherland Digistar for 3D effects. The observatory features a 24-inch Cassegrain telescope. It is part of a 51,455-square-foot complex that includes a 70-mm IWerks large-format theater for science films; Science Quest Exhibit Hall, containing space and other science exhibits; and the International Hall of Space Explorers, which honors those who have flown in space and remembers those who perished in the pursuit.

The planetarium presents sky and laser light shows, the observatory offers free stargazing, the exhibit hall provides a The Bowling Green State University in Bowling Green, continuously updated visual display of current astronomy Ohio, is a 118-seat science theater with a 40-foot dome and and science exhibits, and the international space hall cona Minolta star projector, as well as 50 slide projectors, video tains memorabilia from American, Russian, and Chinese projection system, special visual effects projectors, manned space flights; lunar training mockups; a German V2 multi-channel sound system, and Omni-O automation concombustion chamber; scale models of the Saturn V rocket trols to create multimedia programs. The planetarium, which and Space Shuttle; and a history of the American space proopened in 1984 in the Physical Sciences Laboratory Buildgram. Annual attendance is 40,000. ing, has more than 50 different programs available to serve Astronaut Memorial Planetarum and Observatory, Brevard Bowling Green students, school groups, and the public in Community College, 1519 Clearlake Rd., Cocoa, FL northwest Ohio. 32922-6598. Phone: 321/433-7373. Fax: 321/433-7646. Weekend public programs are followed by stargazing in the E-mail: [email protected]. Web site: observatory on the roof of the Physical Sciences Laboratory brevardcc.edu/planet. Hours: planetarium-2 and 3 Wed., 7, Building, weather permitting. The observatory, which also is 8, 9 p.m. Fri.-Sat.; closed Sun.-Tues., Thurs., and major holopen to stargazing during the year, houses a computer-oper- idays; observatory-dusk-10 p.m. Fri.-Sat.; closed Sun.-Thurs. and major holidays; exhibit halls-1:30-430 ated DEM reflecting telescope with a 20-inch primary mirWed., 6:30-10:30 p.m. Fri.-Sat.; closed Sun.-Tues. and ror. The telescope is equipped with a highly sensitive First Thurs. and major holidays. Admission: planetarium show, Magnitude CCD camera for photographing and measuring laser show, or movie-adults, $7; seniors, military, students, the brightness and color of stars and other astronomical $5; children under 13, $4; planetarium and movie-adults, objects. $11; seniors, military, and students, $9; children under 13, Bowing Green State University Planetarium and Observa$7; planetarium, movie, and laser show tory, Dept. of Physics and Astronomy, Physical Sciences Laboratory Bldg., 504 S. College Ave., Bowling Green, OH Mark Howard, Director 321-433-7292 [email protected] 43402. Phones: planetarium-410/372-8066; observatory-410/372-8653. E-mail: [email protected]; observatory-layden@baade,bgsu.edu. Web site: www.hysics.bgsu.edu/lanetariu/observatory.php. Hours: planetarium-Sept.-early May: 8 p.m. Tues. and Fri., 2 p.m. Sat., 7:30 p.m. Sun.; closed Mon., Wed.-Thurs., early May-Aug., and university holidays; observatory-Sept.-early May-9:30 p.m. and 10:30 p.m. Mon.-Thurs.; closed

Bowling Green, Ohio

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BRIGHAM YOUNG UNIVERSITY BRIGHAM YOUNG UNIVERSITY Royden G. Derrick Planetarium

has been renovated and upgraded with a computerized program and a new video projector. It is located in the Romney Science Building and offers Thursday evening public shows.

Provo, Utah

BYU-Idaho Planetarium, Brigham Young University-Idaho, The Royden G. Derrick Planetarium replaced the smaller Romney Science Bldg., Rexburg, ID 83440. Phone: and outdated Sarah Berrett Summerhays Planetarium at 208/356-1910. Hours: public shows-7 p.m. Thurs.; closed Brigham Young University in Provo, Utah, in 2005. The Fri.-Wed. and university holidays and breaks; school 119-seat facility with a 39-foot dome is located in the shows-Mon.-Fri., closed Sat.-Sun. and university holidays Eyring Science Center, which also houses the Orson Pratt and breaks. Admission: public shows-adults and children Observatory and the Departments of Physics and Astronover 4 with adult, $2; children under 5, free; school omy, Geology, and Food Science and Nutrition. The planeshows-50› per student. tarium is used primarily for university classes, but it has Stephen Turcotte, Chair, BYU-Idaho Department of Physics Friday evening shows for the general public and outreach 208-496-7746 shows for school and community groups. The observatory is [email protected] open for public visits after the Friday evening planetarium shows. Royden G. Derrick Planetarium, Brigham Young University, 465 Eyring Science Center, Provo, UT 84602. Phones: 801/422-5396 and 801/422-4361. Fax: 801/422-0553. E-mail: [email protected]. Web site: www.planetarium.byu.edu. Public hours: 7 and 8 p.m. Fri.; used for classes and outreach programs Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: $2 per person. Jeanette Lawler, Supervisor 801-422-3849

BRIGHAM YOUNG UNIVERSITY Orson Pratt Observatory Provo, Utah The Orson Pratt Observatory is among the facilities in the Eyring Science Center at Brigham Young University in Provo, Utah. The observatory has a 16-inch ASKO telescope, as well as 8-inch, 5-inch, and 4-inch refractor telescopes on the observation deck. The Department of Physics and Astronomy observatory is used principally for instruction, but it is open to the public after the Friday evening planetarium shows. Orson Pratt Observatory, Brigham Young University, Dept. of Physics and Astronomy, Eyring Science Center, Provo, UT 84602. Phone: 801/422-4361. Fax: 801/422-0553. E-mail: [email protected]. Public hours: 9 p.m. Fri. after the planetarium show; used for classes and outreach programs Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Ross Spencer, Chair, BYU Department of Physics and Astronomy 801-422-2341

BROWARD COLLEGE Buehler Planetarium and Observatory Davie, Florida The Buehler Planetarium and Observatory at Broward College in Davie, Florida, presents free star shows, astronomical programs, and stargazing for students, faculty, staff, as well as planetarium presentations at a nominal cost and free observatory viewing for the general public. The facility was built in 1965 through a bequest from aviation pioneer Emil Buehler, and renovated in 1988 with funds from the Emil Buehler Trust. The planetarium has a 40-foot dome, Zeiss M1015 star projector, and modern audiovisual equipment. Buehler Planetarium and Observatory, Broward College, 3501 Davie Rd., Davie, FL 33314-1604. Phone: 954/201-6681. Fax: 954/475-2858. Web site: www.broward.edu/iloveplanets.com. Hours: planetarium-1:30, 3, 7 Wed., 7 Fri., 3 and 7 Sat., 3 Sun. (children’s program: 1:30 Sun.); closed Mon.-Tues. and Thurs.; observatory-solar observing: 1-3 Wed.; telescope observing-8-10 p.m. Wed., Fri., and Sat.; closed Sun.-Tues. and Thurs. Admission: planetarium-feature presentations: $4 and $5; children’s programs: $4; Broward students, faculty, and staff, free.; observatory-free. Susan Barnett, Associate Dean, Bailey Concert Hall Buehler Planetarium & Observatory 954-201-6308 [email protected]

BROWN UNIVERSITY Ladd Observatory Providence, Rhode Island

BRIGHAM YOUNG UNIVERSITY-IDAHO BYU-Idaho Planetarium Rexburg, Idaho The Ricks College Planetarium in Rexburg, Idaho, is now the BYU-Idaho Planetarium. The name change came in 2000 after the junior college became a four-year university with the new name of Brigham Young University-Idaho. The 40-seat planetarium, which originally opened in 1972,

The historic Ladd Observatory opened in 1891 at Brown University in Providence, Rhode Island. It houses a 12-inch refracting telescope made by John W. Brashear of Pittsburgh based on the design of Professor Charles S. Hastings of Yale University. The equatorial mounting and mechanical clock drive was produced by George N. Saeguller of Washington. The telescope is equipped with a filar micrometer, spectroscope, and other attachments, and the observatory also has transit telescopes, precision pendulum clocks, chronometers, and other instruments. The Department of Physics

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Planetariums, Observatories & Astronomical Museums observatory is open to the public without charge on Tuesday evenings, weather permitting.

made possible by two grants from the W. M. Keck Foundation-$70 million for the Keck I telescope and $80 million for Keck II. The first telescope began scientific observations Ladd Observatory, Brown University, 210 Doyle Ave., Prov- in 1993 and the second in 1996. The observatory now is idence, RI 02912 (postal address: Dept. of Physics, Box supported by both public funding and private philanthropy. 1843, Brown University, Providence, RI 02912). Phones: 401/863-2323 and 401/863-2760. Web site: The observatory initially was managed by the University of www.brown.edu/departments/physics/ladd. Hours: public California and California Institute of Technology.and now is evenings-7-9 p.m. Tues.; groups-by reservation. Admission: governed by the California Association for Research in Asfree. tronomy, which also includes such participants as the National Aeronautics and Space Administration, National James Valles, Jr., Chair, Brown University Department of Physics Optical Astronomy Observatory, and University of Hawaii. 401-863-2644 [email protected] Each has observing time on the 33-foot telescopes. The Mauna Kea Observatories complex, which contains 12 observatories from different countries at or around the summit, is administered as an outstation of the Institute of AstronBUTLER UNIVERSITY omy at the University of Hawaii.

Holcomb Observatory and Planetarium Indianapolis, Indiana

The Holcomb Observatory and Planetarium at Butler University in Indianapolis, Indiana, resulted from a $325,000 gift from James Irving Holcomb and his wife in 1953. Holcomb was an Indianapolis industrialist and vice president of the university’s board of trustees. The observatory opened in 1954 with a 38-inch Cassegrain reflecting telescope, the largest in Indiana. The building also contains a planetarium with 60 seats and a Spitz A3P projector installed in 1981; zodiac and planet signs in iron; and 20 lighted cases with images from telescopes and spacecraft. The observatory/planetarium is used principally for class instruction, but it is open to the public most Friday and Saturday evenings. After public planetarium shows, attendees can visit the observatory and engage in telescope viewing. Holcomb Observatory and Planetarium, Butler University, 4600 Sunset Ave., Indianapolis, IN 46208. Phone: 317/940-8333. Web site: www.butler.edu/holcomb-observatory. Hours: planetarium-7:30 p.m. most Fri.-Sat.; observatory-8:30 p.m. most Fri-Sat.; both closed Sun.-Thurs. and university holidays. Admission: planetarium-adults, $3; seniors, students, and children, $2; families, $7; observatory, free. Richard Brown, Director 317-940-8319 [email protected]

CALIFORNIA ASSOCIATION FOR RESEARCH IN ASTRONOMY W. M. Keck Observatory

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Visitors to the Keck Observatory can see exhibits in a gallery and get partial views of the Keck I telescope and its dome. In addition, it is possible to visit the Keck Observatory’s headquarters in Kamuela. Mauna Kea also has a visitor center-known as the Ellisopn Onizuka Center for International Astronomy Visitor Information Station-at the 9,300-foot level that provides information about the observation site and conducts nightly stargazing.programs. W. M. Keck Observatory, California Assn. for Research in Astronomy, Mauna Kea Summit, near Hilo, HI (postal address: 65-1120 Mamalahoa Hwy., Kamuela, HI 96743). Phone: 808/885-7887. Fax: 808/885-4464. E-mail: [email protected]. Web site: www.keckobservatory.org. Hours: observatory-10-4 Mon.-Fril.; closed Sat.-Sun. and major holidays; headquarters-10-2 Tues.-Fri.; closed Sat.-Mon. and major holidays. Admission: free. Ellison Onizuka Visitor Information Station at Mauna Kea, 9,200-ft. altitude, near Hilo, HI (postal address: 177 Maka’ala St., Hilo, HI 96720-5108). Phones: 808/961-2180 and 808/935-6268 (for weather and road conditions). Web site: www.ifa.hawaii.edu. Hours: 9 a.m.-10 p.m. daily. Admission: free. Taft Armandroff, Director

Hilo, Hawaii

CALIFORNIA INSTITUTE OF TECHNOLOGY Palomar Observatory

The W. M. Keck Observatory on the 13,796-foot Mauna Kea summit near Hilo on the big island of Hawaii has two telescopes that are among the world’s largest optical and infrared telescopes. Each is eight stories tall, weighs 300 tons, and operates with nanometer precision. The two telescopes’ primary mirrors are 33 feet in diameter and composed of 36 hexagonal segments that work together as a single piece of reflective glass. Because of the large size of the primary mirror, the Keck telescopes offer the greatest potential sensitivity and clarity available to astronomy. They initially were

The Palomar Observatory, located on Palomar Mountain in San Diego County and operated by the California Institute of Technology, is home to one of the world’s largest telescopes-the 200-inch Hale telescope. The telescope resulted from studies by astronomer George Ellery Hale and others in the 1920s that a larger telescope was needed for advancement in astronomical research. In 1928, the International Education Board awarded Caltech a grant for the construction of a 200-inch telescope. After numerous tests were con-

Palomar Mountain, California

CENTRAL CONNECTICUT STATE UNIVERSITY ducted to find the optimal atmospheric conditions, the 5,570-foot Palomar Mountain was chosen for the site. The observatory, which opened in 1948, also has a 60-inch reflecting telescope, 48-inch Oschin telescope, 18-inch Schmidt telescope, and JPL Palomar testbed interferometer. In their research at the observatory, astronomers from Caltech and its research partners, Jet Propulsion Laboratory and Cornell University, study asteroids, comets, stars in and beyond our Milky Way Galaxy, and quasars.

volunteer basis. It gives sky and related astronomical shows for groups on weekdays and weekends (with reservations made through the university’s Visitors Center), and public shows, lectures, and observing sessions at various times during the year. Clemson University Planetarium, Dept. of Physics and Astronomy, 118 Kinard Laboratory, Clemson, SC 29634-0978. Phones: 864/656-3416 and 864/656-4789 (Visitors Center). Fax: 864/656-0805. Web site: www.poton.phys.clemson.edu/wwwpages/planetarium. Hours: varies. Admission: free.

The Palomar Observatory is open to the public daily. The observatory has a visitor center with exhibits of astronomical photographs made at Palomar and the public can see the Mark Leising, Interim Chair, Clemson University Department of Physics and Astronomy 864-656-3419 200-inch Hale telescope in a self-guided gallery tour (guided tours are given on Saturdays). The observatory also [email protected] has a gift shop and a picnic area, but most of the grounds are closed to the public. Palomar Observatory, California Institute of Technology, 15889 Canfield Rd., Palomar Mountain, CA 92060-0200. Phone: 760/742-2119. E-mail: [email protected]. Web site: www.astro.caltech.edu. Hours: 9-4 daily; closed Christmas Eve and Day. Admission: free. Shri Kulkarni, Director [email protected]

CENTRAL CONNECTICUT STATE UNIVERSITY Copernican Observatory and Planetarium

COLUMBUS STATE UNIVERSITY Coca-Cola Space Science Center Columbus, Georgia The Coca-Cola Space Science Center at Columbus State University in Columbus, Georgia, seeks to further public education in the space sciences, physics, and astronomy. The $5.5-million center, named for a major donor, opened in 1996 in downtown Columbus along the Chattahoochee Riverwalk and the adjacent historic district. The center has four principal components-interactive lobby exhibits, Challenger Learning Center, Omnisphere Theater Planetarium, and Mead Observatory.

The exhibits feature seven flight simulators, four of which have motion bases and are network connected. At the ChalNew Britain, Connecticut lenger Learning Center, groups of 20 to 30 students and visiThe Coperican Observatory and Planetarium at Central Con- tors can fly in simulated space missions and complete necticut State University in New Britain provides free plane- scientific tasks in replicated mission control and space statarium shows, observing sessions, lectures, and hands-on tion facilities. The Omnisphere Theater Planetarium, which activities. Opened in 1973, the planetarium has a Spitz 512 combines a high-resolution full-dome video projection sysprojector and 108 unidirectional seats for its instructional tem with laser effects and concert-quality sound, presents and public sky shows, and the observatory offers viewing of science and nature films, sky shows, and laser light shows. the night sky when weather permits. The planetarium is loThe Mead Observatory provides public viewing opportunicated in Copernicus Hall, and the observatory on the roof of ties at the center and on an outreach basis. It has several the building. telescopes at the center, including a 16-inch Mead LX-200 Schmidt-Cassegrain telescope. Copernican Observatory and Planetarium, Central Connecticut State University, Copernicus Hall, 1615 Stanley St., New Coca-Cola Space Science Center, Columbus State UniverBritain, CT 06050. Phones: 860/832-3399 and sity, 701 Front Ave., Columbus, GA 31901-2925. Phones: 860/832-2950. Fax: 860/832-2946. E-mail: planetar706/649-1470 and 706/649-1486. Fax: 706-649-1478. [email protected]. Web site: www.ccsu.edu/asE-mail: [email protected]. Web site: www.ccssc.org. Hours: tronomy. Hours: varies. Admission: free. 10-4 Mon.-Thurs., 10-8 Fri., 10:30-8 Sat.; closed Sun. and major holidays. Admission: adults, $6; seniors and military, Kristine Larsen, Assistant professor of physics and astronomy $5; children 4-12, $3; children under 4, free. [email protected] Shawn T. Cruzen, Executive Director

CLEMSON UNIVERSITY Clemson University Planetarium Clemson, South Carolina The Clemson University Planetarium in Clemson, South Carolina, has a 24-foot dome, Spitz A3P projector, and 45 seats. Opened in 1961, the planetarium now is operated on a

CORNELL UNIVERSITY Arecibo Observatory Arecibo, Puerto Rico The Arecibo Observatory in Puerto Rico is the home of the world’s largest single-dish radio telescope. It is part of the

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Planetariums, Observatories & Astronomical Museums National Astronomy and Ionosphere Center operated by Cornell University under a cooperative agreement with the National Science Foundation. The observatory, constructed in 1960-63, resulted from the study of the ionosphere in the 1950s by Professor William E. Gordon, then of Cornell University. The observatory assists researchers in astronomy, planetary studies, and space and atmospheric sciences by providing facilities, instrumentation for data collection and analysis, and logistical support. In addition to the 305-meter reflector telescope, the observatory has an optical laboratory with a variety of instrumentation used for the passive study of terrestrial airglow. It has been upgraded with a new high precision surface, a perimeter shield to prevent ground radiation, a Gregorian dome with subreflectors, more powerful radar transmitter, and new electronics. Basic astronomy, atmospheric science, and operation and achievements of the observatory are described at the 10,000-square-foot Angel Ramos Foundation Visitor Center, named for the foundation of an early Puerto Rican media owner and philanthropist. The center has bilingual exhibits, many of which are internative. Arecibo Observatory, Cornell University, Angel Ramos Foundation Visitor Center, HC03, Arecibo, Puerto Rico 00612. Phone: 787/878-2612. Fax: 787/878-1861. Web site: www.naic.edu. Hours: June-July and Dec. 15-Jan. 15: 9-4 daily; remainder of year: 9-4 Wed.-Sun.; closed Mon.-Tues. and major holidays. Admission: adults, $6; seniors and children, $4. Don Campbell, National Astronomy and Ionosphere Director [email protected]

DARTMOUTH COLLEGE Shattuck Observatory Hanover, New Hampshire The Shattuck Observatory is the oldest scientific building in the campus of Dartmouth College in Hanover, New Hampshire. It was built in 1854 for Ira Young, professor of natural philosphy, based on designs by his brother, Ammi B. Young, then supervising architect at the U.S. Treasury Department. The observtory’s construction and equipment were covered by a gift of $7,000 by Dr. George C. Shattuck, an 1803 alumnus, and $4,000 additional from the college trustees. It is a small brick building with three wings that has been renovated and its dome replaced, but is substantially the same as originally constructed. The observatory is used primarily for instruction, but it offers free student and public viewing during the academic year. For research, Dartmouth College owns a share of the 11-meter Southern African Large Telescope, the largest telescope in the Southern Hemisphere, and the MDM Observatory that has 1.3- and 2.4-meter telescopes at Kitt Peak in Arizona. Shattuck Observatory, Dartmouth College, Observatory Rd., Hanover, NH 03755 (postal address: Dept. of Physics and Astronomy, 6127 Wilder Laboratory, Hanover, NH 03755-3528). Phones: 603/636-2854 and 503/646-9100.

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Fax: 603/646-1446. E-mail: [email protected]. Web site: www.dartmouth.edu/~physics. Hours: 8-10 p.m. Fri.; closed Sat.-Thurs., June-Aug., and college holidays and breaks. Admission: free. Miles Blencowe, Chair, Dartmouth College Department of Physics and Astronomy [email protected]

DE ANZA COLLEGE Fujitsu Planetarium Cupertino, California The Fujitsu Planetarium at De Anza College in Cupertino, California, recently was updated and now features a Konica-Minolta Infinium S opto-mechanical star projector to display the night sky, Sony 4k digital projectors to present images, Sky-Skan Definiti system to navigate the audience through the universe, and a 6.1 12,000-watt surround sound to fill the dome with sound. The 60-seat planetarium presents star and laser light shows and serves classes, school groups, and the public. The school group showings are on weekdays and public astronomy and light shows are offered on Saturday nights. The public shows are from late September to mid-March. Fujitsu Planetarium, De Anza College, 21259 Stevens Creek Blvd., Cupertino, CA 95014. Phones: 408/864-8814 and 408/864-5791. E-mail: [email protected]. Web site: www.planetarium.deanza.edu. Hours: public astronomy shows-5, 6, and 7:30 p.m. Sat.; public laser light shows-9 and 10 p.m. Sat.; school group shows-range from 10 to 3:50 Mon.-Fri.; closed Sun. and college holidays. Admission: public astronomy shows-$7 per person; light shows-$9 per person; school group shows-$4.50 per person. Karl von Ahnen, Technical Director [email protected]

EASTERN ARIZONA COLLEGE Governor Aker Observatory Safford, Arizona The Governor Aker Observatory is located at Eastern Arizona College’s Discovery Park Campus in Safford, the site of the visitor center and tour starting point for tours of the University of Arizona’s Mount Graham International Observatory (see separate listing). The observatory is known as Gov Aker Observatory and Discovery Park is an education and entertainment center that emphasizes the science and culture of Gila Valley. The campus and observatory opened in 1995 and now have 7,000 visitors annually. The observatory features a dome and research-grade 20-inch Cassegrain reflector donated by the University of Arizona and a radio telescope from the Vatican Observatory on Mount Graham, as well as such exhibits as a 1608 astrolabe, 1870 telescope, camera obscura, and full-motion simulator that takes visitors on a voyage through the solar system. The park also contains Nature’s Hideaway, a riparian habitat just

EASTERN KENTUCKY UNIVERSITY east of the observatory, and a replica of an 1860s steam locomotive that once took guests to the Circle D ranch past the wildlife habitat. Governor Aker Observatory, Eastern Arizona College, Discovery Park Campus, 1851 W. Discovery Park Blvd., Safford, AZ 85546. Phone: 928/428-6260/ E-mail: [email protected]. Web site: www.eac.edu/discoverypark. Hours: 8-4 Mon.-Fri., 4-9:30 Sat.; closed Sun. and major holidays. Admission: free. Harry Swanson, Dean, EAC Discovery Park Campus

including the observatory. This time, the building was restored in 1991 and the observatory reopened with a 10-inch apochromatic refractor and German equatorial mount under a 6-meter dome. A classroom/computer laboratory, 8-inch and 14-inch telescopes, CCD cameras, and other equipment were added for student use-followed in 2008 by a secondary observatory with an automated 8-inch SCT for CCD imaging on the rooftop. The observatory, which has open houses and group and general public showings, is operated by the Department of Physics and Astronomy and student volunteers from the Eastern Michigan University Astronomy Club.

The newest development at the university is a $90-million expansion of the Science Complex. It includes a 80,000-square-foot addition and renovation of the Mark Jefferson Science Building. The addition, which opened in Richmond, Kentucky 2011, features a spherical planetarium, viewable five floors The Hummel Planetarium at Eastern Kentucky University in above an atrium area that will complement the offerings of Richmond is one of the largest and most sophisticated on a the Sherzer Observatory. The Department of Physics and university campus. Opened in 1988, it has a Spitz Space Astronomy, which has moved to the addition, plans to use Voyager projection system, 67.5-foot tilted dome, and 164 the new facility as an astronomy classroom Monday through seats. Other equipment includes five plant projectors, a sun Thursday and for school groups on Friday and public sky projector, and two image projectors that can show the moon shows on weekends. and other objects both natural and man-made. The system is Sherzer Observatory, Eastern Michigan University, Sherzer capable of projecting 10,164 stars and creating a sky from Hall, Ypsilanti, MI 48197. Phones: 734/487-4146 and any point on Earth anytime during the day or night, up to 100,000 years in the past or future. The planetarium also has 734/487-3033. Web site: www.physics.emich.edu/sherzer. special effects projectors to simulate such things as comets, Hours: varies. Admission: free. meteors, asteroids, and eclipses. The planetarium, which James Carroll, Head, EMU Department of Physics and Astronomy gives school programs on weekdays and public programs on Friday and Saturday, is named for Dr. Arnim D. Hummel, long-time head of the Department of Physics and chair of EMORY UNIVERSITY the Science Division.

EASTERN KENTUCKY UNIVERSITY Hummel Planetarium

Hummel Planetarium, Eastern Kentucky University, Kit Carson Dr., Richmond, KY 40475. Phone: 850/622-1547. Web site: www.planetarium,eku. Hours: school programs-8:15-1 Mon.-Fri.; public programs-6 Fri., 2 Sat.; closed for major holidays. Admission: school programs-$2 per child; public programs-adults, $4; seniors and students, $3.50; children under 13, $3. James Hughes, Interim Manager [email protected]

EASTERN MICHIGAN UNIVERSITY Sherzer Observatory Ypsilanti, Michigan The Sherzer Observatory at Eastern Michigan University in Ypsilanti got its start in 1878 when town residents gave the university (then Michigan State Normal School) $600 for a 4-inch Alvan Clark refractor telescope. The observatory was located in Pierce Hall, which was hit by a tornado and destroyed in 1893. It then was moved to the roof of the new Natural Science Building in 1903, and later named for William Sherzer, a science professor, who designed the building after seeing similar facilities in Germany. The observatory, however, suffered a second major disaster in 1989. Half of Sherzer Hall was destroyed by fire,

Emory University Planetarium and Observatory Atlanta, Georgia The Emory University Planetarium and Observatory is one of the features of the new Mathematics and Science Center on the university’s campus in Atolanta, Georgia. The planetarium has a 35-foot dome, 500 Zeiss Skymaster ZKP3 projector, 56 seats, and a direct video feed from the 24-inch DFM Cassegrain telescope on the roof of the building. The projector, installed in 2002, is the only one built on its own rising platform. When not in use, the projector descends below the floor level and the planetarium becomes a normal classroom. The planetarium is used to enhance teaching astronomy and as a resource for other cross-disciplinary classes, In addition, it presents group and public sky shows and serves as a site for special events and seasonal programs. In addition to the 24-inch telescope, the observatory has a CCD camera for computer monitoring and recording and 10 smaller telescopes for student use. Emory University Planetarium and Observatory, N 201 Mathematics and Science Center, Dept. of Physics, 400 Dowman Dr., Atlanta, GA 30322. Phone: 404/727-6584. Fax: 404/727-0873. Web site: www.physcs.emory.edu. Hours and admission: varies. Kurt Warncke, Chair, Emory University Department of Physics [email protected]

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Planetariums, Observatories & Astronomical Museums EMPORIA STATE UNIVERSITY Peterson Planetarium

FRANCIS MARION UNIVERSITY Francis Marion University Observatory

Emporia, Kansas

Florence, South Carolina

The programs at the Peterson Planetarium at Emporia State University in Emporia, Kansas, since its opening in 1959 have been split about equally between university and community audiences. Approximately half of the programs are for direct support of instruction in several courses in the physical sciences, and the others are presented for the interest and enjoyment of school and community groups and the general public. The planetarium and its instruments, including the original Spitz A-2 star projector, were severely damaged when the main water line in the Cram Science Hall complex ruptured and flooded the chamber in 1994. The planetarium was restored and the equipment replaced with a Spitz 512 projection, Spitz ATM-4 automation, video projection, and sterophonic sound systems.

The Francis Marion University Observatory was built in 1981 on the far south side of the campus in Florence, South Casrolina. The founding director was Professor Ed Dooley, who also was the first director of the university’s planetarium. The observatory, which is used in astronomy courses, has monthly open houses for the public. It has four telescopes with focal plane equipment-14-inch and 8-inch Celestron, 3.5-inch Questar, and 70-mm Meade telescopes, as well as 10 other telescopes.

Peterson Planetarium, Emporia State University, Dept. of Physical Sciences, 133 Cram Science Hall, 1200 Commercial St., Campus Box 4030, Emporia, KS 66801-5087. Phones: 620/341-5330 and 620/341-5971. Fax: 620/341-6055. E-mail [email protected]. Web site: www.emporia.edu/physics. Hours and admission: varies. DeWayne Backhus, Chair, ESU Department of Physical Sciences [email protected]

FRANCIS MARION UNIVERSITY Dooley Planetarium Florence, South Carolina The Dooley Planetarium at Francis Marion University in Florence, South Carolina, presents free sky shows for the public on the second and fourth Sundays of the month (except December when it is second and third Sundays), as well as programs for school groups on weekday mornings. The Department of Physics and Astronomy planetarium opened as the Francis Marion University Planetarium in 1978, and was renamed in honor of Professor Ed Dooley, the first director, in 2000. The planetarium has a 33-foot dome, Spitz 512 star projector, and 73 seats.

Francis Marion University Observatory, Dept. of Physics and Astronomy, Florence, SC 29506. Phone: 841/661-1381 and 800/368-7551. Fax: 843/661-4616. Web site: www.astro.fmarion.edu/observe. Hours: evening open house each month; closed major holidays. Admission: free. Jeannette M. Myers, Director 843-661-1441

GARDNER-WEBB UNIVERSITY Craven E. Williams Observatory Boiling Springs, North Carolina The Craven F. Williams Observatory serves as the regional focal point for astronomy education at Gardener-Webb University in Boiling Springs, North Carolina. Founded in 1990, the observatory is named for a former president of the university. It has a 16-inch Schmidt-Cassegrain telescope and other instruments. In addition to serving astronomy classes, the observatory hosts school and community groups and monthly public nights and special programs, and serves as the home observatory for the Cleveland County Astronomical Society. Craven F. Williams Observatory, Gardner-Webb University, 110 S. Main St., PO Box 7324, Boiling Springs, NC 28017. Phone: 704/406-3804/ E-mail: [email protected]. Hours: varies. Admission: free. Don Olive, Associate Professor of Physics 704-406-3804 [email protected]

Dooley Planetarium, Francis Marion University, 235 Cauthen Education Media Center, 4822 E. Palmetto St., Florence, SC 29506. Phones: 843/661-1381 and GEORGIA STATE UNIVERSITY 800/368-7551. Fax: 843/661-4616. Web site: www.astro.fmarion.edu/planet. Hours: public shows-3 p.m. Hard Labor Creek Observatory 2nd and 4th Sun. of month (except 2nd ad 3rd Sun. in Dec.); Rutledge, Georgia school programs-Mon.-Fri. mornings; closed Sat. and major Georgia State University’s Hard Labor Creek Observatory is holidays. Admission: free. located in the middle of Hard Labor Creek State Park in Ruthledge, Georgia, about 50 miles away from the light polJeannette M. Myers, Director 843-661-1441 lution of its Atlanta campus. The observatory has three research telescopes-16-inch Boller and Chiven reflector, 16-inch Meade reflector, and 1-meter Multiple-Telescope spectrograph. The observatory is open to the public one Saturday a month from March until October. Hard Labor Creek Observatory, Georgia State University, Hard Labor Creek State Park, 5 Hard Labor Creek Rd.,

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GLENDALE COMMUNITY COLLEGE Rutledge, GA 30663. Phone: 404/413-6033. Web site: www.chara.gsu/hlco. Hours: varies, open house one Sat. a month. Admission: free. Dick Miller, Chair, GSU Department of Physics and Astronomy [email protected]

GLENDALE COMMUNITY COLLEGE Glendale Community College Planetarium Glendale, California

named for a noted planetary scientist and director emeritus of the Smithsonian Astrophysical Observatory. Whipple Observatory has a wide array of astronomical facilities, including the 256-inch MMT telescope operated with the University of Arizona; 60-inch and 48-inch Tillinghast telescopes; 51-inch PAIRITEL (Peters Automated IR Imaging Telescope); and various other specialiszed telescopes. The observatory also has a Visitors Center that traces the history of optical telescope development, displays models of telescopes, describes many Smithsonian projects in Arizona, and describes current investigations in gamma-ray astronomy. The center also has two spotting devices-a 20-power telescope and wide-field binoculars-outside to enable visitors to view the facilities and natural features of the observatory and surrounding area.

The Glendale Community College Planetarium in Glendale, California, presents 2-D and 3-D digital star fields with DigitalSky 2 and Digital Universe 2 projectors, as well as full-dome video or movies via SkyVision. The $4.5-million planetarium, which opened in 2003 in the new Cimmarusti Science Center, has a 30-foot dome and 48 seats. In addition Harvard-Smithsonian Center for Astrophysics, 600 Garden St., Cambridge, MA 02138. Phone: 617/495-7463. Web site: to student and group programs, the planetarium presents www.cfa.harvard.edu. Hours: not open to public. public showings on many Friday and Saturday evenings. Glendale Community College Planetarium, Cimmarusti Science Center, 1500 N. Verdugo Rd., Glendale, CA 91208. Phone: 818/551-5275. E-mail: [email protected]. Web site: www.glendale.edu/planetarium. Hours: public shows-varies from 5:30 to 8:30 Fri.-Sat.; other programs-Mon.-Fri. Admission: adults, $10; children under 13, $5.

Fred Lawrence Whipple Observatory Visitor Center, Harvard-Smithsonian Center for Astrophysics, 670 Mt. Hopkins Rd., PO Box 6369, Amado, AZ 85645. Phone: 520/670-5707. Web site: www.cfa.harvard.edu/facilities/flwo/visit_center.html. Hours: 8:30-4:30 Mon.-Fri.; closed Sat.-Sun. and federal holidays. Admission: visitor center-free; guided bus tours-adults, $7; children 6-12, $2.50; children under 6, free.

Jennifer Krestow, GCC Astronomy Department Head and Planetarium Administrator [email protected]

Charles Alcock, Director 617-495-7100 [email protected]

HEMPSHIRE COLLEGE HARVARD UNIVERSITY Harvard-Smithsonian Center for Astrophysics Hempshire College Observatory Amherst, Massachusetts and Fred Lawrence Whipple Observatory Cambridge, Massachusetts

Hempshire College Observatory in Amherst, Massachusetts, The Harvard-Smithsonian Center for Astrophysics is a joint was founded in 2004 with funding from the college’s School of Natural Science, Howard Hughes Medical Instritute, and venture between Harvard University and the Smithsonian Institution. The center combines the resources and research Lemelson Assistive Technology Development Center. It facilities of the Harvard College Observatory and the Smith- serves students of Hempshire College and the four other institutions that comprise the Five College Radio Astronomy sonian Astrophysics Observatory to form one of the largest Observatory program as a resource for astronomical reand most diverse astrophysical institutions in the world ensearch and artistic astrophotography projects. The gaged in research in astronomy, astrophysics, earth and space sciences, and science education. The Harvard College Hempshire Observatory has a 12-inch Meade LX-200 GPS SCT telescope, 14.5-inch Singer truss-mounted telescope, Observatory was founded in 1839 and has a collection of 8-inch Classical Dobsonian telescope, SBIG STV Inteabout 500,000 astronomical plates taken between the grating Video CCD camera, and Sivo Scientific Fiber Optics mid-1880s and 1989. Its relationship with the Smithsonian spectrometer. The observatory, which is used for instruction began when the Smithsonian Astrophysical Observatory and research, has public observing nights. moved its headquarters to Cambridge in 1955, resulting in the establishment of the joint center in 1973. Approximately Hampshire College Observatory, West St., Amherst, MA 300 Harvard and Smithsonian scientists now cooperate in a 01002. Phone: 413/549-4600. Web site: www.hampbroad program of astrophysical research. shire.edu. Public hours: varies. Admission: free. In addition to its headquarters in Cambridge, the Center for Astrophysics operates the Fred Lawrence Whipple Observatory at the base of Mount Hopkins in the Santa Rita Mountains near Amado, Arizona; the Multiple Mirror Telescope Observatory on the grounds of the Whipple Observatory, and the Submillimeter Array, an 8-element interferometer, atop Mauna Kea near Hilo, Hawaii. Whipple Observatory is

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Planetariums, Observatories & Astronomical Museums about 125 seats, normally presents more than 100 shows per year to over 10,000 people, including four annual public shows. The planetarium shows normally cover such topics as an introduction to astronomy, a look at the constellations Normal, Illinois and other objects in the night sky, several Native American The Illinois State University Planetarium in Normal presents legends about the night sky, and the astrophysical evolution 175 public shows a year-and has the capability to do so in of the universe. Annual attendance is 10,000. six foreign languages. Established in 1964, it seeks to provide educational entertainment and to further univerKent State University Planetarium, Dept. of Physics, Smith sity-community relations. The planetarium, operated by the Hall, Kent, OH 44242. Phones: 330/672-2246 and Physics Department, has a 30-foot dome, modified Spitz 330/672-9575. Fax: 330/672-2959. E-mail: A3P projector, East Coast Control Systems automation, and physgradprogram.kent.edu. Web site: www.planetar110 concentric seats. It presents shows for instruction, ium.kent.edu. Hours: public shows-varies. Admission: free. school and other groups, and the general public. Annual attendance ranges from 15,000 to 25,000. Brett Ellman, Director 330-672-9575

ILLINOIS STATE UNIVERSITY Illinois State University Planetarium

[email protected]

Illinois State University Planetarium, College Ave. and School St., Mail Stop 4560, Normal, IL 61790-4560. Phones: 309/438-8756 and 309/438-5007. E-mail: [email protected]. Web site: www.phy.ilstu.edu/~trw/planet.html. Hours: public shows-7:30 Fri. and 2 Sat.; school/group shows-Mon.-Fri.; closed major holidays. Admission: adults, $4; seniors, students, faculty, staff, and children 5-12, $3; children under 5, free. Richard Martin, Chair, ISU Department of Physics 309-438-8756 [email protected]

JAMES MADISON UNIVERSITY John C. Wells Planetarium Harrisonburg, Virginia The John C. Wells Plantarium at James Madison University in Harrrisburg, Virginia, had a $1.3 million renovation in 2007. It now can produce full-dome videos and eye-catching special effects-in addition to standard sky shows-with a hybrid system that includes an Goto Chronas instrument and a Digistar 3 projection system. The planetarium, founded in 1975 and later named for its founder and chair of the Physics Department, offers free public shows on occasional Saturday afternoons. It also has specimens in its lobby from the JMU Meteorite Collection, including the 644-pound Nantan meteorite that landed in China. Annual attendance is 3,000. John C. Wells Planetarium, James Madison Uniuersity, Physics Dept., Miller Hall, E. Grace St., MSC-4502, Harrisonburg, VA 22807. Phone: 540/568-2312. Fax: 540/568-2800. E-mail: [email protected]. Web site: www.jmu.edu/planetarium. Hours: varies. Admission: free. William Alexander, Director

KENT STATE UNIVERSITY KSU-NASA Observatory Kent, Ohio Public astronomical observing at Kent State University in Kent, Ohio began in 1938 when Professor R. Emmons installed a 13-inch telescope between Rockwell and Franklin Halls on campus. It was succeeded by a 12-inch telescope that later was dismantled to make way for a water tower. In 1997, the KSU-NASA Observatory with a 12-inch robotic telescope was opened. The observatory is jointly sponsored and operated for public viewing by the Department of Physics and a NASA-funded project in the College of Education. The observatory usually is open for free public viewing on Friday evenings, with the programs presented by university students. KSU-NASA Observatory, Kent State University, Dept. of Physics, Kent, OH 44242. Phone: 330/672-9747 and 330/672-2246. Fax: 330/672-2959. Web site: www.planetarium.kent.edu/cas/physics/outreach/observatory.cfm. Hours: public shows-Fri. evenings. Admission: free. Jim Gleeson, Chair, KSU Physics Department 330-672-2246 [email protected]

KITT PEAK NATIONAL OBSERVATORY Kitt Peak National Observatory Visitor Center and Museum Tucson, Arizona

The Kitt Peak National Observatory, part of the National Optical Astronomy Observatory operated by the Association of Universities for Research in Astronomy for the National Science Foundation, is located on a 6,800-foot mountain 55 KENT STATE UNIVERSITY southwest of Tucson, Arizona. Kitt Peak, which also has Kent State University Planetarium other telescopes for nighttime optical and infrared astronKent, Ohio omy and daytime study of the Sun, has the largest collection of optical telescopes in the world. It is home to 24 optical The Kent State University Planetarium in Kent, Ohio, is and two radio telescopes, including such facilities as the Naused primarily for astronomy courses, but it also offers shows to school and community groups and the general pub- tional Solar Laboratory, WIYN Observatory, and MDM Observtory. Kitt Peak is located on Tohono O’odham Nation lic. The Department of Physics planetarium, which has

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MDM OBSERVATORY CONSORTIUM land and the observatories are under lease from the Native American tribe. Public access to the research-oriented observatories is limited. The principal public facility on the peak is the Kitt Peak National Observatory Visitor Center and Museum, founded in 1958. It has exhibits about the site, observatories, and astronomy; guided tours; nightly observing programs; advanced observing programs; and special programs such as a tour, viewing, and dinner at the WIYN Obervatory during two weeks in mid-January. Visitors can observe the skies with three telescopes-20- and 16-inch Ritchey-Chretien and 16-inch Meade Schmidt-Cassegrain telescopes. The visitor center/museum has an annual attendance iof 60,000, with 7,000 participating in the nightly observing program.

MICHIGAN STATE UNIVERSITY Abrams Planetarium East Lansing, Michigan The Abrams Planetarium, which opened in 1963 at Michigan State University in East Lansing, has becme a regional astronomy and space science education resource center in the center of the state. The Department of Physics and Astronomy planetarium, named for benefactors Talbert Abrams, a leader in aerial photography, and his wife, Leonta, supports astronomy teaching on the campus and provides a variety of planetarium shows for the public and school and community groups.

The planetarium has three primary sections-Sky Theater, Exhibit Hall, and Blacklight Gallery. The Sky Theater has a Kitt Peak National Observatory Visitor Center and Museum, 50-foot tilted dome, 150 seats, Digistar II star projector, and State Rte. 86 and Rte. 386, Tucson, AZ 85726-6732 (postal various video and slide projectors for sky shows.The Exhibit Hall at the entrance is a 3,000 square-foot space with disaddress: 950 N. Cherry Ave., Tucson, AZ 85719-4933. plays designed to supplement the demonstrations given in Phone: 520/318-8726. Fax: 520/318-8451. E-mail: [email protected]. Web site: www.noao.edu/outreach/kpvc. the Sky Theater. Astronomical paintings are featured in the Blacklight Gallery in a curving gallery that surrounds the Hours: 9-4 daily; closed New Year’s Day, Thanksgiving, Sky Theater. Group showings are given Tuesdays through and Christmas. Admission: free; guided tours-adults, $4; Fridays, and public shows are presented on Fridays, Saturchildren 6-12, $2.50; children under 6, free. days, and Sundays. After evening shows, attendees have an Richard Fedele, Manager Public Outreach Dept. 520-318-8163 opportunity for observe the outdoor sky with telescopes [email protected] cated in front of the planetarium building. Abrams Planetarium, Michigan State University, Dept. of Physics and Astronomy, East Lansing, MI 48824. Phones: MDM OBSERVATORY CONSORTIUM 517/355-4672 and 517/355-4676. Fax: 517/432-3838. Web MDM Observatory site: www.pa.msu.edu/Abrams. Hours: group shows-9:30, Tucson, Arizona 11, 1:30 Tues.-Fri.; public shows-8 p.m. Fri.-Sat., 2:30 Sun. (family show), 4 Sun.; closed Mon. and national holidays. The MDM Observatory is an optical astronomical observaAdmission: school groups-$2 per student; other groups-vartory located on the southwest ridge of Kitt Peak about 55 miles southwest of Tucson, Arizona, that is owned and oper- ies; public shows-adults, $3; seniors and students, $2.50; ated by a consortium of five universities: Columbia Univer- children under 13, $2. sity, Dartmouth College, Ohio State University, Ohio David Batch, Director University, and University of Michigan. MDM is an [email protected] nym for Michigan-Dartmouth-MIT, representing the three founding institutions. The observatory has two reflecting telescopes-a 2.4-meter Hiltner telescope, named after astronMICHIGAN STATE UNIVERSITY omer W. Albert Hiltner, and a 1.3-meter McGraw Hill telescope, which originally was operated by the University of Michigan State University Observatory Michigan in Ann Arbor. Each is equipped with East Lansing, Michigan state-of-the-art optical and infrared instruments. The obserMichigan State University’s first observatory in East Lanvatory is not open to the public, but is part of the exhibits and programs offered by the Kitt Peak National Observatory sing was founded in 1880 by Professor Rolla C. Carpenter. He built an observatory to house a 5.5-inch Alvan Clark and Visitor Center and Museum (separate listing). Sons refracing telescope at what was then the State AgriculMDM Observatory, Kitt Peak, c/o NOAO, Mailstop MDM, tural College. That original telescope now is on display at the Abrams Planetarium. The first planetarium was located 950 N. Cherry Ave., Tucson, AZ 85719. Phone: behind Carpenter’s faculty residence near where the Sarah 520/318-8661. Fax: 520/318-8664. Web site: www.astro.lsa.umich.edu/obs/mdm. See Kitt Peak National Langdon Williams Hall stands today. The present observatory, which opened in 1970, is located south of the campus Observatory Visitor Center and Museum for exhibits and and has a 24-inch Cassegrain telescope made by Boller and programs. Chivens. It was closed in 1981-86 when the university was Robert Barr, Site Manager having financial difficulties, but reopened on the occasion of the return of Halley’s Comet in 1986. The observatory now is open to public viewing twice a month, weather permitting. Smaller telescopes also are set up in the observatory

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Planetariums, Observatories & Astronomical Museums parking lot, with university and local astronomers to answer questions.

www.mtsac.edu/instruction/planetarium. Hours: temporarily closed for renovation.

Julie Bray-Ali, Faculty Coordinator 909-594-5611 Michigan State University Observatory, Dept. of Physics [email protected] and Astronomy, Forest and College Rds., East Lansing, MI 48824. Phones: 517/355-4672 and 517/355-4627. Fax: 517/432-3838. Web site: www.a.msu.edu/astro/obser. Hours: MUSKEGON COMMUNITY COLLEGE Apr.-Oct.-9-11 p.m. on one Fri.-Sat. each month; closed Nov.-Mar. and national holidays. Admission: free. Carr-Fles Planetarium Wolfgang Bauer, Chair, MSU Department of Physics and Astronomy [email protected]

MOUNT HOLYOKE COLLEGE John Payson Williston Observatory South Hadley, Massachusetts The John Payson Williston Observatory at Mount Holyoke College in South Hadley, Massachusetts, still occupies its 1881 building and uses the original 8-inch Alvan Clark equatorial refractor telescope-but now supplemented by its main 24-inch Richey-Chr‚tien reflector equipped with a cooled CDD camera and spectrograph and a Sun workstation for analysis of digital images. It also has seven 8-inch Meade LX-200 Schmidt-Cassegrain telescopes used by students. The observatory, which is the oldest academic building on the campus, was given to the college in memory of Williston’s eldest son. Mount Holyoke is one of the five colleges located in the Connecticut River valley of western Masachusetts that are part of the Five College Radio Astronomy Observatory cooperative program. John Payson Williston Observatory, Mount Holyoke College, Dept. of Physics and Astronomy, 50 College St., South Hadley, MA 01075. Phones: 413/538-2114 and 413/538-2238. Fax: 413/538-2357. Web site: www.mtholyoke.edu/facilities/observatory.html. Hours: temporarily closed to public. Admission: free. M. Darby Dyar, Chair, Mount Holyoke Astronomy Department 413-538-3073

MOUNT SAN ANTONIO COLLEGE Mount San Antonio College Planetarium

Muskegon, Michigan Four different planetarium programs are shown free on Tuesday and Thursday evenings from September through June at the Carr-Fles Planetarium at Muskegon Community College in Muskegon, Michigan. The shows are a combination of Spitz A3P star projections and and slide presentations. The planetarium, which has 45 seats, was founded in 1972. Carr-Fles Planetarium, Muskegon Community College, 221 S. Quarterline Rd., Muskegon, MI 49442. Phones: 231/773-9131 and 866/711-4622. Web site: www.muskegoncc.edu. Hours: Sept.-June-7 p.m. Tues. and Thurs.; closed Fri.-Mon., Wed., July-Aug., and major holidays. Admission: free. Jon Truax, Director

MUSKEGON COMMUNITY COLLEGE Muskegon Community College Observatory Muskegon, Michigan Muskegon Community College in Muskegon, Michigan, has an observatory open to the public at the Muskegon County Wastewater System property about 2 miles from the campus.The observatory is used primarily for astronomy and cosmology students, but free public open houses are held at various times during the year. Muskegon Community College Observatory, 8301 White Rd., Muskegon, MI 49442. Phones: 231/773-9131 and 866/711-4622. Web site: www.muskegoncc.eduk. Hours: varies. Admission: free. John Bartley, Chair, MCC Department of Mathematics and Physical Sciences [email protected]

Walnut, California The Mount San Antonio College Planetarium, which was founded in Walnut, California, in 1968, is currently undergoing a major renovation, including the installation of a new star projector, a Zeiss Skymaster ZKP 3/B projector. The planetarium has a 35-foot dome, 100 seats, and serves the public as well as astronomy students and school groups. Tickets are sold through the Performing Arts Center Box Office, rather than at the planetarium. Mount San Antono College Planetarium, 11100 N. Grand Ave., Walnut, CA 91789. Phone: 809/594-5611, Ext. 4794, and 909/468-4050 (for tickets). Web site:

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NORTH GEORGIA COLLEGE AND STATE UNIVERSITY George E. Coleman, Sr. Planetarium Dahlonega, Georgia The George E. Coleman, Sr. Planetarium at the North Georgia College and State University in Dahlonega provides sky shows for students, school groups, and the public. The star theater, housed in the Health and Natural Sciences Building, has a 30-foot dome, Spitz 512 projector, and 46 seats. School and other group programs are presented Monday through Friday and free public shows are every Friday

NORTH GEORGIA COLLEGE AND STATE UNIVERSITY [email protected]. Web site: www.ocean.edu/campus/planetarium. Hours: pubic shows-7 and 8:15 p.m. Fri.; 11:30 a.m. and 1, 2, 7, and 8:15 p.m.; Sat.; 11:30 a.m. and 1 George E. Coleman, Sr. Planetarium, North Georgia College and 2:30 Sun.; school and other groups-Mon.-Fri. Admisand State University, 234 Health and Natural Sciences sion: adults, $10; seniors, $8; OCC students and children Bldg., 82 College Circle, Dahlonega, GA 30597. Phone: under 13, $7; families, $35. 706/864-1471. E-mail: [email protected]. Web site: Gloria A. Villalobos, Director www.northgeorgia.edu/planetarium. Hours: public [email protected] shows-Sept.-May: 8 p.m. Fri.; group shows-Sept.-May: Mon.-Fri.; closed Sat.-Sun., June-Aug., and university holidays and breaks. Admission: public shows-free; group programs-$85. OHIO STATE UNIVERSITY evening (called Public Education Nights) during the academic year.

Joe Jones, Associate Professor of Physics [email protected]

NORTH GEORGIA COLLEGE AND STATE UNIVERSITY North Georgia Astronomical Observatory Dahlonega, Georgia The public is invited to view the night sky through the 16-inch Boller and Chiven telescope at the North Georgia Astronomical Observatory at the North Georgia College and State University in Dahlonega after the planetarium shows on the Friday Public Education Nights. University’s students also can visit the observatory any clear night Monday through Friday, and it is possible to arrange school and other group visits. The observatory is located approximately 4 miles west of Dahlonega off Highway 9. North Georgia Astronomical Observatory, North Georgia College and State University, Hwy.9, Dahlonega, GA 30597 (postal addrerss; Health and Natural Sciences Bldg., 82 College Circle, Dahlonega, GA 30597). Phones: 706/864-1471 and 706/864-1472. E-mail: [email protected]. Web site: www.cms.northgeorgia.edu/observatory. Hours: Public Education Nights-9:30 p.m. Fri.; student visits-7:30 p.m. (EST) and 9:30 (EDT) Mon.-Thurs.; closed Sat.-Sun. and university holidays and breaks. Admission: free. Joe Jones, Associate Professor of Physics [email protected]

OCEAN COUNTY COLLEGE Robert J. Novins Planetarium Toms River, New Jersey The Robert J. Novins Planetarium at Ocean County College in Toms River, New Jersey, has undergone a major renovation recently and now features a new Zeiss star projector, a dome that is a virtual 3-D video space, and a wide range of programs. It is one of the largest and most active planetariums in New Jersey. It has a 40-foot dome and over 100 seats. Opened in 1974, the planetarium is named for the founding president of the college. Robert J. Novins Planetarium, Ocean County College, College Dr., PO Box 2001, Toms River, NJ 08754-2001. Phones: 732/255-0342 and 732/255-0343. E-mail:

Ohio State University Planetarium Columbus, Ohio The Department of Astronomy at Ohio State University in Columbus has an 80-seat planetarium on the fifth floor of Smith Laboratory and a 12-inch Meade telescope in a dome atop the building. Both are designed primarily for teaching, but a number of special planetarium and telescope observing programs are offered during the year, with night shows sometimes being followed by viewing with the rooftop telescope. However, because of budget and personnel constraints, the public planetarium shows have been discontinued temporarily. The planetarum opened in 1968. Ohio State University Planetarium, Smith Laboratory, Columbus, OH 43210 (postal address: Dept. of Astronomy, Ohio State University, McPherson Laboratory, 140 W. 18th Ave., Columus, OH 43210-1173). Phone: 614/292-1773. Fax: 614/292-2928. E-mail: [email protected]. Web site: www.astronomy.ohio-state.edu/planetarium. Hours: closed to public temporarily. Bradley Peterson, Chair, OSU Department of Astronomy [email protected]

OKLAHOMA STATE UNIVERSITY H. S. Mendenhall Observatory Stillwater, Oklahoma The H. S. Mendenhall Observatory at Oklahoma State University is located in new facilities on a 1,100-foot hill southwest of Stillwater. It features a 24-inch telescope, the state’s largest and most modern research telescope, and a smaller telescope. The observatory’s present structures were completed in 2002, and funds are being raised for a control center. The observatory, which is used for instruction and research, with limited public viewing, is named for Dr. Harrison Shepler Mendenhall, a professor of mathematics and astronomy who was the university’s first astronomer. H. S. Mendenhall Observatory, Oklahoma State University, Physics Dept., Stillwater, OK 74078-3072. Phone: 405/744-5796. Fax: 405/744-6811. E-mail: [email protected]. Web site: www.physics.okstate.edu/observatory. Hours: by appointment. Admission: free. Peter Shull, Associate Professor of Physics 405-744-5796 [email protected]

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Planetariums, Observatories & Astronomical Museums OTTERBEIN UNIVERSITY Weitkamp Observatory and Planetarium Westerville, Ohio The Weitkamp Observatory and Planetarium at Otterbein University in Westerville, Ohio, was founded in 1955 as a result of a donation by a 1904 alumnus in honor of his wife, a 1909 alumnae. Alfred Henry Weitkamp made the donation in memory of Mary Geeding Weitkamp. Another later significant contribution was the Archer B. Tripler, Jr. Solar Observing Facility in 1990. The observatory has 14-inch and 8-inch Celestron Schmidt-Cassegrain telescopes, Meade CCD camera and guidance system, and a Spitz planetarium projector. The observatory and planetarium are located in the McFadden-Schear Science Building. It is possible to observe the night sky after astronomy lectures the first Monday of each month and throughout the academic year. Annual attendance is 200. Weitkamp Observatory and Planetarium, Otterbein University, McFadden-Schear Science Bldg., 155 W. Main St., Westerville, OH 43081-3612. Phone: 614/823-1316. Fax: 614/823-1968. E-mail: [email protected]. Web site: www.otterbein.edu/physics/weitkamp-observatory.asp. Hours: by appointment. Admission: free. Uwe Trittmann, Director

PARKLAND COLLEGE William N. Staerkel Planetarium Champaign, Illinois

40-foot dome. However, the planetarium has been closed indefinitely. PJC Planetarium and Theatre, Pensacola Junior College, 1000 College Blvd., Pensacola, FL 32504. Phone: 850/484-1238. Web site: www.pjcplanetarium.org. Hours: closed indefinitely. Admission: adults, $5; seniors, PJC students, faculty, staff, and children through high school, $4. Billy Jackson, Distance Learning Specialist [email protected]

PITTSBURG STATE UNIVERSITY L. Russell Kelce Planetarium Pittsburg, Kansas The L. Russell Kelce Planetarium at Pittsburg State University in Pittsburg, Kansas, provides sky shows for university students, school and other groups, and the general public. It was founded in 1963 when Gladys Kelce provided funds for a planetarium as a memoial to her husband, L. Russell Kalce. The planetarium, housed in Gates Hall, uses a Spitz A3P projector, slides, and music for shows in a 60-seat theater. L. Russell Kelce Planetarium, Pittsburg State University, Physics Dept., Gates Hall, 1701 S. Broadway, Pittsburg, KS 66762, Phone: 620/235-4391. Web site: www.pittstate.edu.info/science-education-outreach/astronomy. Hours: public shows-7 p.m. Thurs.; group shows-Mon.-Fri.; closed Sat.-Sun. and major holidys. Admission: public shows-$3 per person; group shows-$80.

Tim Flood, Acting Chair, PSU Physics Department Sky shows with a Carl Zeiss M1010 star projector are [email protected] sented to school groups during weekdays and to the public on weekends at the William N. Staerkel Planetarium at Parkland College in Champaign, Illinois. The Zeiss projector disPOMONA COLLEGE plays 7,600 stars and the Sun, Moon, and five planets on a 50-foot alumnum dome. The planetarium opened in 1987. Frank P. Brackett Observatory

William N. Staerkerl Planetarium, Parkland College, 2400 Bradley Ave., Champaign, IL 61821-1806. Phone: 217/354-2568. Hours: Aug.-May-8-5 Mon.-Fri. (school groups). 7 and 8 p.m. Sat.-Sun. (public shows); June-July-limited showings; closed major holidays. Admission: adults, $5; seniors, students, and children, $4. David Leake, Director [email protected]

PENSACOLA STATE COLLEGE PJC Planetarium and Theatre Pensacola, Florida The PJC Planetarium and Theatre at Pensacola Junior College in Pensacola, Florida, projects outer space with a three-dimentional Digistar computer graphic system on a

Claremont, California The Frank P. Brackett Observatory, which opened in 1908 at Pomona College in Claremont, California, honors the founder who taught astronomy, mathematics, and Latin at the college from 1892 to 1932. The observatory has been expanded and renovated since then and now includes two computer controlled 14-inch telescopes, electronic CCD cameras, a horizontal solar telescope, and a multimedia classroom. It is used principally for teaching and research, and is open to the public only several times a year. The college also operates a 1-meter telescope dedicated to student coursework and research at the high-altitude Table Mountain Observatory in nearby Wrightwood. Frank P. Brackett Observatory, Pomona College, Dept. of Physics and Astronomy, 610 N. College Ave., Claremont, CA 91711. Phone: 909/624-8724. E-mail: [email protected]. Web site: www.astropomona.edu. Hours: varies. Admission: free. Bryan Penprase, Director of the Frank P. Brackett Observatory and Astronomy Program Co [email protected]

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POMONA COLLEGE POMONA COLLEGE Millikan Planetarium Claremont, California The Millikan Planetarium at Pomona College in Claremont, California, presents sky shows that project the position of over 2,000 stars and simulate the rising and settling of the Sun, motions of the planets, effects of latitude, and time on the celestial sphere. The planetarium is in Millikan Laboratory and open to the general public and school and community groupsonly occasionally during the year.

EST and 9 p.m. DST usually 1st Fri. of month. Admission: free. David Spergel, Chair, PU Department of Astrophysics

RENSSELAER POLYTECHNIC INSTITUTE Hirsch Observatory Troy, New York

An observatory at Rensselaer Polytechnic Institute in Troy, New York, was built in 1934 to house a 12-inch equartorial Millikan Planetarium, Pomona College, Dept. of Physics and Astronomy, Millikan Laboratory, Claremont, CA 91711. reflector designed and constructed at the institute. In 1980, when the General Electric Company donated a Boller and Phone: 909/621-8724. E-mail: [email protected]. Chivesn 16-inch Cassegrain telescope, the observatory was Web site: www.astro.pomona.edu. Hours: varies. Admisexpanded and rededicated, only to be moved in 1983 (resion: free. duced in size and scope) to the roof of the institute’s Bryan Penprase, Director of the Frank P. Brackett Observatory and Johnsson-Rowland Science Center to make room for the Astronomy Program Co Low Center for Industrial Innovation. [email protected]

With the move, the Physics Department observatory was renamed the Hirsch Observatory in honor of David Hirsh, a 1965 alumnus and institute trustee who funded the renovaPRINCETON UNIVERSITY tion. In 2006, the observatory was refurbished. The original FitzRandolph Observatory 12-inch telescope now is on display in the observatory’s Princeton, New Jersey lobby, and the 16-inch Cassegrain reflector has a CCD camThe FitzRandolph Observatory replaced the historic Halsted era and fully computerized controls. The Rensselaer AstroObvservatory on the Princeton University campus in Prince- physical Society, an institute union-funded organization, ton, New Jersey, in 1934. The Halsted Observatory had been allows students to pursue their interest in astronomy, and the observatory is open to the public every Saturday night from in use for 60 years. A 36-inch Cassegrain reflecting teleearly February to mid-November. scope was installed in 1966 for the old 23-inch reflacting telescope that had been in use since 1882. The Department Hirsch Observatory, Rensselaer Polytechnic Institute, of Astrophysical Sciences and the Friends of FitzRandolph Johsson-Rowland Science Center, Troy, NY 12180. Observatory now host open houses several times a year at the research-oriented observatory. Phone: 518/423-3510. E-mail: [email protected]. Web site: www.rpi.edu/dept/phys/observatory. Hours: 8-10 p.m. FitzRandolph Observatory, Princeton University, Sat. from early Feb. to mid-Nov.; closed Sun.-Fri., Fitz-Randolph Rd., Princeton, NJ 08544 (postal address: mid-Nov.-early Feb. and major holidays. Admission: free. Dept. of Astrophysical Sciences, Princeton University, Jon Cassidy, Public Observing Manager 518-423-3510 Peyton Hall, 4 Ivy Lane, Princeton, NJ 08544). Phone: [email protected] 609/258-3801. Fax: 609/258-8226. Web site: www.princeton.edu/astro. Hours: public open houses-varies for several open houses a year. Admission: free.

PRINCETON UNIVERSITY Peyton Observatory Princeton, New Jersey Peyton Observatory at Princeton University in Princeton, New Jersey, is used for teaching and public education, and has monthly informal open houses to observe the night sky. The Department of Physical Sciences observatory is located on the roof of Peyton Hall and houses a 12-inch Meade Schmidt-Cassegrin telescope. The free open houses usually are the first Tuesday of each month. Peyton Observatory, Princeton University, Dept. of Physical Sciences, Peyton Hall, 4 Ivy Lane, Princeton, NJ 08544. Phone: 609/258-3801. Fax: 609/258-8226. Web site: www.princeton.edu/asto. Hours: public open houses-8 p.m.

RIVERSIDE CITY COLLEGE Robert T. Dixon Planetarium Riverside, California The Robert T. Dixon Planetarium at Riverside City College in Riverside, California, presents public sky shows on Friday evenings. Founded in 1968, the planetarium has a 7.3-meter dome, Spitz A4 projector, and 50 seats. Robert T. Dixon Planetarium, Riverside City College, 4800 Magnolia Ave., Riverside, CA 92506-1299. Phone: 909/222-8515. Fax: 909/222-8036. E-mail: [email protected]. Web site: www.rcc.edu. Hours: 7 p.m. most Fri.; closed Sat.-Thurs. Admission: adults, $5; students, $4; children under 12, $2.50. Cyndi Pardee, Community Education Supervisor 951-222-8909

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Planetariums, Observatories & Astronomical Museums SAN BERNARDINO VALLEY COLLEGE George F. Beattie Planetarium San Bernardino, California Public shows are offered Friday evenings at the George F. Beattie Planeterium at the San Bernardino Valley College in San Bernardino, California. The planeterian has 62 seats. George F. Beattie Planetarium, San Bernardino Valley College, 701 S. Mt. Vernon Ave., San Bernardino, CA 92410. Phones: 909/888-6511, Ext. 1458, and 909/384-8539. Web site: www.valleycollege.edu/facilities/planetarium/index.php. Hours: 7 p.m. Fri.; closed Sat.-Thurs. and major holidays. Admission: adults, $3; seniors, students, and alumni, $2; children under 11, $1. Chris Clarke, Planetarium Specialist

Fri.; closed Sat.-Sun., finals week, and university holidays. Admission: free. Susan Lea, Chair, SFSU Department of Physics and Astronomy 415-338-1655

SAN JOAQUIN DELTA COLLEGE Clever Planeterium Stockton, California The Clever Planetarium opened in 1983 in the new Earth Science Center building at San Joaquin Delta College in Stockton, California. It began with a Spitx 512 projector and now has a Scidome HD digital projector as part of a major refurbishment. The 52-seat planetarium offers public shows one weekend a month, and school shows on weekdays. After the Friday shows, it also is possible to view to the night sky with telescopes in a nearby parking lot as part of the star parties hosted by the Stockton Astronomical Society.

SAN FRANCISCO STATE UNIVERSITY Charles F. Hagar Planetarium

Clever Planetarium, San Joaquin Delta College, 5151 Pacific Ave., Stockton, CA 95207. Phone: 209/954-5110. Web San Francisco, California site: www.deltacollege.edu/dept/planetarium. Hours: public shows-7:30 p.m. Fri.-Sat. one weekend a month; school In addition to serving astronomy classes, the Charles F. Hagar Planaterium at San Francisco State University in San shows-9:30, 11, 12:30 Mon.-Fri.; closed Sun. and major holFrancisco, California, presents free progrms for the general idays. Admission: public shows-adults, $8; seniors, stupublic and school groups. Showings also can be arranged for dents, and children, $6; school groups-$120. other community groups, but a donation is required. The Kyle Wilson, Planetarium Technician 209-954-5313 Department of Physics and Astronomy planetarium, which [email protected] was built on the fourth foor of a new 10-floor science building in 1973, has a 26.5-foot dome, Spitz 512 projector, and 50 concentric seats. Charles F. Hagar Planetarium, San Francisco State University, Dept. of Physics and Astronomy, Thornton Hall, San Francisco, CA 94132.Phones: 415/338-1852 and 415/338-1659. Fax: 415/338-2178. Web site: www.physics.sfsu.edu/astronomy/planetarium/index.html. Hours: varies. Admission: free. James Gibson, Curator 415-338-6164 [email protected]

SAN FRANCISCO STATE UNIVERSITY San Francisco State University Observatory San Francisco, California The San Francsco State University Observatory has four telescopes on the roof of the 10-story Thornton Hall science building.on the campus in San Francisco, California.They include a 16-inch Meade Schmidt-Cassegrain LX-200 GPS, two 12-inch Meade LX-200, and a 10-inch Optical Craftsman. The observatory is free to students, faculty, staff, and the public. It is open to the public two nights per week during the fall and spring semesters. San Francisco State University Observatory, Dept. of Physics and Asronomy, Thornton Hall, San Francisco, CA 94132. Phones: 415/338-7707 and 415/338-1659. Fax: 415/338-2178. Web site: www.physics.sfsu.edu/astronomy/observatory.index.html. Hours: 7:30-9:30 Mon., Wed.,

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SAN JUAN COLLEGE SJC Planetarium Farmington, New Mexico

The SJC Planetarium at San Juan College in Farmington, New Mexico, has a 24-foot dome, 60 seats, and a new digital star projector. The planetarium, which opened in 1977, offers free shows for school groups on Tuesday, Wednesday, and Thursday from Septembe to late May; after-school groups on Tuesday afternoon; and public shows and star-gazing opportunities on Friday evening once a month throughout the year. Summer group shows also are offered on Tuesday and Thursday in June and July. SJC Planetarium, San Juan College, 4601 College Blvd., Farmington, NM 87402. Phones: 505/566-3361 and 505/326-3311. Web site: www.sanjuancollege.edu/planetarium. Hours: public shows-6:30 and 7:30 p.m. Fri. once a month; school group shows-9:30, 11, and 1:30 Tues.-Thurs.; after-school groups-4 Tues.; summer group shows-10-11 Tues. and Thurs. in June and July. Admission: free. David Mayeux, Director 505-566-3361

SANTA ANA COLLEGE SANTA ANA COLLEGE Tessmann Planetarium Santa Ana, California The Tessmann Planetarium at Santa Ana College in Santa Ana, California, has interactive public and school group astronomy shows. It has a 35-foot dome, Goto Chronus star projector, and 120 seats. The school programs are presented weekdays and public shows only twice a month (on a Tuesday and a Saturday). Approximately 20,000 children attend the school shows each year. Tessmann Planetarium, Santa Ana College, 1530 W. 17th St., Bldg. M-100, Santa Ana, CA 92706-3398. Phone: 714/564-6356. Web site: www.sac.edu/faculty_staff/academic_progs/math/planetarium. Hours: public shows-7 p.m. Tues. and 11 a.m. Sat. once a month; school group shows-9:30 and 11 Mon.-Fri. Admission: $5 person weekdays; $6 per person on Sat. Stephen Eastmond, Director

SANTA MONICA COLLEGE John Drescher Planetarium Santa Monica, California The John Drescher Planetarium at Santa Monica College in Santa Monica, California, features an Evans and Sutherland Digistar II digital projector. The planetarium, which opened in 1971, has a 28-foot-diameter dome and seats 50 people in Drescher Hall (formerly the Technology Building). It gives public shows every Friday evening and school group programs on weekdays.

operated by the Community Education Department and has a 40-foot dome, Goto GX-10 star projector, and 90 seats. SRJC Planetarium, Santa Rosa Junior College, Community Educstion Dept., 2001 Lark Hall, 1501 Mendocino Ave., .Santa Rosa, CA 95401-4395. Phone: 707/527-4640. Web site: www.santarosa.edu/planetarium. Hours: Sept.-Maypublic shows: 7 p.m. Fri/-Sat., 3 Sun.; school group shows: varies Mon.-Fri.; closed June-Aug. Admission: public shows-sdults, $5; seniors and students, $3; school group shows-$1.25 per person. Ed Megill, Director

SHAWNEE STATE UNIVERSITY Clark Planetarium Portsmouth, Ohio The Clark Planetarium at Shawnee State University in Portsmouth, Ohio, provides free public and school group shows. The planetarium was made possible by $900,000 from the university’s second capital campaign, with funds largely donated by Mrs Maycel Clark in memory of her late husband, Clyde Clark, chief financial officer of a major stove company. She also funded the university’s Clark Memorial Library. The planetarium, housed in the Advanced Technology Center, has a Konica-Minolta Mediaglobe I/II digital projection system, 10-meter dome, and 66 seats.

Clark Planetarium, Shawnee State University, Advanced Technology Center, 940 2nd St., Portsmouth, OH 45662. Phones: 740/351-3147 and 740/351-3122. Web site: www.planetarium.shawnee.edu. Hours: public shows-7 p.m. Mon. and Thurs.; school and community group shows-varies Mon.-Fri.; closed Sat.-Sun., June-Aug., and major holiJohn Drescher Planetarium, Santa Monica College, Drescher days. Admission: public and school group shows-free; Hall, 1900 Pico Blvd., Santa Monica, CA 90405. Phone: community group shows-$100. 310/434-4767. E-mail: [email protected]. Web site: Tim Hamilton, Director www.smc.edu/planetarium. Hours: public shows-7 and 8 [email protected] p.m. Fri.; school group shows-Mon.-Fri.; closed Sat.-Sun. and college holidays. Admission: public shows-adults, $5; seniors and children under 13, $4; school group shows-$80. Vicki Drake, Chair, SMC Department of Earth Science 310-434-8652 [email protected]

STATE UNIVERSITY OF NEW YORK AT BUFFALO Whitworth Ferguson Planetarium Buffalo, New York

SANTA ROSA JUNIOR COLLEGE SRJC Planetarium Santa Rosa, California The SRJC Planetarium at Santa Rosa Junior College in Santa Rosa, California, seeks to present programs that stimulate interest and curiosity in the universe by combining education and entertainment. Opened in Lark Hall in 1981, the planeteriam serves as an astronomy instructional facility for the college’s students and offers programs for school groups and the general public from September through May. It is

The Whitworth Ferguson Planetarium, operated by the Earth Sciences and Science Education Department at the State University of New York at Buffalo (known as the Buffalo State College), is looking forward to a larger and more technologically advanced facility in the new Math and Science Complex in 2015. Sky shows now are presented on Wednesday, Friday, and Sunday evenings during most of the year in the basement of the Science Building. The planetarium currently has a 24-foot dome, Spitz A3P projector, and 60 seats. Whitworth Ferguson Planetarium, State University of New York at Buffalo, Dept. of Earth Sciences and Science Education, 115 Science Bldg., 1300 Elmwood Ave., Buffalo, NY 14222. Phone: 716/878-4911. Web site: www.fergusonlanetariu.net. Hours: 7:30 p.m. Wed., 8 p.m.

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Planetariums, Observatories & Astronomical Museums Fri., 2 p.m. Sun.; closed Mon.-Tues., Thurs., Sat., university holidays, and some other periods. Admission: adults, $6; seniors, college students, and children under 19, $4; BSC students, free. Gary S. Solar, Chair, BSC Department of Earth Sciences [email protected]

SWARTHMORE COLLEGE Sproul Observatory Swarthmore, Pennsylvania The Sproul Observatory at Swarthmore College in Swarthmore, Pennsylvania, has an open house the second Tuesday of every month, except for August. The observatory was established as the Cunningham Observatory in 1888 by Susan Cunningham, professor of mathematics and the college’s first astronomer. In 1906, she got William Cameron Sproul to fund a 24-inch research telescope and other equipment and a photographic telescope in 1908, and the Cunningham Observatory was replaced with a new observatory named for Sproul. The early 24-inch telescope is still used at the observatory, but not for research. It has been replaced for research by a new 24-inch reflecting telescope in the recently completed Peter van de Kamp Observatory, which was funded by an anonymous donor in honor of Peter van de Kamp, professor of astronomy and director of the Sproul Observatory from 1937 to 1972. The observatory, which is not open to the public, is located in the college’s new Science Center.

effects projectors; laser and large format video projection systems; and a powerful stereo sound system. The center also has an extensive exhibit area in the lobby of the planetarium and several outdoor exhibits. Many of the indoor exhibits relate to the space program, includig an Apollo/Mars landscape diorama, Apollo 10 space suit and other objects, spacecraft models, Earth view, space exploration, and Hubble Space Telescope and other images from space. Among the other lobby exhibits are telescopes, Doppler weather radar, Moon shadows, fossils, dinosaur footprint, and Coopernicus manuscript. A Nike Tomahawk missile and an Apollo practice capsule are located ouside. Annual attendance is nearly 19,000. Cernan Earth and Space Center, Triton College, 2000 N. 5th Ave., River Grove, IL 60171-1907.Phone: 708/456-0300, Ext. 3372. Fax: 708/583-3153. E-mail: [email protected]. Web site: www.triton.edu/cernan. Hours: Earth and sky shows-7:30 p.m. Fri.-Sat.; laser shows-9 p.m. Fri.-Sat.; children’s and family shows-2 and 3 Sun; closed Mon.-Thurs.; exhibit hall-9-4 Mon.-Thurs., 9-4 and 6:30-9 p.m. Fri., 6:30-9 p.m. Sat., 1:30-4 Sun.;closed major holidays. Admission: all shows other than laser shows-adults, $8; seniors and children 2-12, $4; children under 2, free; laser shows-adults, $10; seniors and children 2-12, $5; TC students and children under 2, free. Bart Benjamin, Director [email protected]

Sproul Observatory, Swarthmore College, 500 College Ave., TROY UNIVERSITY Swarthmore College, Swarthmore, PA 19081. Phones: W. A. Gayle Planetarium 610/957-6335 and 610/328-8402. Fax: 610/328-7796. Montgomery, Alabama E-mail: [email protected]. Hours: 8-9 p.m. EST and 9-10 p.m. DST 2nd Tues. of month, except Aug. Admission: The W. A. Gayle Planetarium in Montgomery, Alabama, is operated by Troy University for the city. Build in 1968, it is free. one of the largest planetaria in the region with more than Eric L.N. Jensen, Chair, Swarthmore College Dept. of Physics and 200 seats. The planetarium, which has a Spitz Nova III proAstronomy jector, for star shows, recently underwent a major [email protected] tion that added 21 slide projectors, laser disk video projectors, new sound system, and laser light shows. It presents five public shows and can give 23 school group star shows Monday through Friday. TRITON COLLEGE

Cernan Earth and Space Center River Grove, Illinois The Cernan Earth and Space Center is a planetarium with exhibits related to astronomy, space, science, and earth science at Triton College in River Grove, Illinois. The center is named for Eugene A. Cernan, an astronaut from the area who flew aboard Gemni 9, Apollo 10, and Apollo 17 space missions. The center was founded in 1974 and moved into a new building in 1984. The planetarium presents star and laser light shows on Friday and Saturday evenings and children’s and family shows on Sunday afternoon. It has a 44-foot dome; star, C-360 motion picture, slide, and special

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W. A. Gayle Planetarium, Troy University, 1010 Forest Ave., Montgomery, AL 36196. Phone: 334/241-4799/ E-mail: [email protected]. Web site: www.montgomery.troy.edu/planetarium. Hours: public shows-3 Mon.-Thurs., 2 Fri.; school group shows-9:30, 10:30, 11:30, 1, 2 Mon.-Thurs., 9:30, 10:30, 11:30 Fri.; closed Sat.-Sun. and major holidays. Admission: $4 per person. Rick Evans, Director

UNIVERSITY CORPORATION FOR ATMOSPHERIC RESEARCH UNIVERSITY CORPORATION FOR ATMOSPHERIC RESEARCH National Center for Atmospheric Research Boulder, Colorado The National Center for Atmospheric Research in Boulder, Colorado, is managed by the University Corporation for Atmospheric Research, a nonprofit consortium of over 100 North American university members and affiliates in the atmospheric and related sciences, and sponsored by the National Science Foundation. UCAR was established in 1959 and the research center in 1960 upon the recommendation of a committee of distinguished scientists appointed by the National Academy of Sciences.to investigate the state of meteorology, which lost ground in the postwar years. The committee recommended an exponential increase in support for basic research and the establishment of a national institute for atmospheric research operated by a university consortium with support from NSF. Boulder was selected as the site for the National Center for Atmospheric Research because of its altitude, clear skies, and the University of Colorado’s work in atmospheric research. The center seeks to better understand the Earth’s atmosphere and how weather and climate affect the Earth by engaging in research and providing a wide range of equipment and technologies to the scientific community for the study of the Earth’s atmosphere. The center has five buildings, including Mesa Laboratory, designed by architect I. M. Pei, where a visitor center with exhibits is located. The exhibits describe the work of the laboratories and give visitors a comprehensive view of the Earth’s past and present climate. National Center for Atmospheric Research Visitor Center, Mesa Laboratory, 1850 Table Mesa Dr., Boulder, CO 80305 (postal address: PO Box 3000, Boulder, CO 80307-3000). Phones: 303/497-1174 and 303/497-1000. Web site: www.ucar.edu. Hours: 8-5 Mon.-Fri., 9-4 Sat.-Sun.; closed major holidays. Admission: free. Roger Wakimoto, Director

UNIVERSITY OF ARIZONA Steward Observatory Tucson, Arizona Steward Observatory at University of Arizona in Tucson is a campus landmark and listed on the National Register of Historic Places. It was established in 1916 under the leadership of its first director, Andrew Ellicott Douglass, who joined the faculty in 1906 after helping to build the astronomical observatory that became the Lowell Observatory in Flagstaff. The Steward Observatory was made possible by a bequest from Mrs. Lavinia Steward in memory of her late husband, Henry B. Steward. The observatory, which was delayed by World War I, was not dedicated until 1923. It featured a 36-inch Newtonian telescope, which was relocated to a darker site on Kitt Peak in 1936 because the once solitary setting was encroached upon by lights from the expanding Tucson. The telescope was replaced with a smaller

21-inch Cassegrain telescope-known as the Raymond E. White, Jr. Reflector-still used by students and public outreach. The observatory dome also is open for frequent Monday evening public lectures and viewing the night sky. The public also can tour the Steward Observatory Mirror Laboratory located under Arizona Stadium. Steward Observatory, University of Arizona, Dept. of Astronomy/Steward Observatory, 933 N. Cherry Ave., Room N204, Tucson, AZ 85721-0065. Phone: 520/621-2288. Fax: 520/621-1532. Web site: www.as.arizona.edu. Hours: 7:30 p.m. most Mon.; closed Tues.-Sun. and major holidays. Admission: free. Peter A. Strittmatter, Director [email protected]

UNIVERSITY OF ARIZONA Mount Lemmon SkyCenter Summerhaven, Arizona Mount Lemmon SkyCenter is a new public astronomical program in the Catalina Mountains initiated by the University of Arizona’s Steward Observatory on a mountain just north of Tucson and near Summerhaven. The 9,157-foot mountain site is a science learning facility that offers such programs as SkyNights, a night-time observing with a 24-inch telescope, binoculars, and star charts; Discovery Days, where the public explores the scientific, historical, and natural wonders of Mount Lemmon and the Catalina Mountains with university scientists in a hands-on program; Astronomical Nights, which provide nearly exclusive extended access to a 24-inch telescope and a new 32-inch Schulman telescope (American’s largest public telescope) like a professional astronomer; workshops that immerse participants in several days and nights in the focused study of a topic in the sciences or arts; and camps that involve a four-night stay at SkyCenter to explore the science and culture of the center’s environment. Mount Lemmon SkyCenter, University of Arizona, Dept. of Astronomy/Steward Observatory, Catalina Hwy., Summerhaven, AZ (postal address: Dept. of Astronomy/Steward Observatory, 933 Cherry St., Room N204, Tucson, AR 85721-0065. Phone: 520/621-2288. Fax: 521/621-1532. Web site: www.skycenter.arizona.edu. Hours and admission: varies with program. Cathi Duncan, Outreach and Business Coordinator [email protected]

UNIVERSITY OF ARIZONA Mount Graham International Observatory Safford, Arizona The Mount Graham International Observatory near Safford, Arizona, is operated by Stewart Observatory, the research arm of the Department of Astronomy at the University of Arizona in Tucson. The observatory near the summit of Mount Graham consists of three telescopes-Vatican Advanced Technology Telescope, Heinrich Hert Submillimeter

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Planetariums, Observatories & Astronomical Museums (Radio) Telescope of the Arizona Radio Observatory, and Large Binocular Telescope, the world’s most powerful telescope. The official visitation agent for the observatory on the 10,500-foot mountain is the Discovery Park Campus of Eastern Arizona College, 40 miles from the observatory. Tours are conducted every Friday and Saturday from mid-May to mid-Novemberr when the U.S. Forest Service states the mountain road is open to travel. Visits must be booked in advance and van tours up the mountain require a minimum of six people.

ticipating in the 30-meter telescope and other large-scale multi-institutional projects. The Lick Observat Lick Observatory, University of California Observatories, Visitor Center, PO Box 85, Mount Hamilton, CA 95140 (headquarters: University of California Observatories/Lick Observatory, University of California, Santa Cruz, Santa Cruz, CA 95064). Phone: 408/274-5061. Hours: 12:30-5 Mon.-Fri., 10-5 Sat.-Sun.; closed Thanksgiving and Christmas Eve and Day. Admission: free. Mike Bolte, Director

Mount Graham International Observatory, University of Ari- [email protected] zona, Safford, AZ 85546 (contact: Eastern Arizona College, Discovery Park Campus, 1651 W. Discovery Park Blvd., Safford, AZ 85546). Phone: 928/428-6260. E-mail: UNIVERSITY OF CALIFORNIA, LOS [email protected]. Web site: ANGELES www.eac.edu/discoverypark/mgio.shtm. Hours: UCLA Planetarium mid-May-mid-Nov. tours-9:30-4:30 Fri.-Sat.; closed Los Angeles, California Sun.-Thurs.and Nov.-Apr. Admission: tours (including van The UCLA Planetarium at the University of California, Los and lunch)-$40 per person. Angeles has had three differenbt projectors for its star shows Buddy E. Powell, Director since opening in 1957 as part of the Mathematics and Science Building. The original projector was a Spitz Model A. It was upgraded to a Goto Mercury projector in 1965 and then then the Viewlex Mark IIA (also known as the Goto UNIVERSITY OF CALIFORNIA GX-10) in 1973. The planetarium, operated by the DepartOBSERVATORIES ment of Physics and Astronomy, has a 24-foot dome, seating Lick Observatory for 49 people, and a 24-in Cassegrain telescope equipped Mount Hamilton, California with an SBIG ST-7CCD camera, a 16-inch reflector, and three smaller telescopes for viewing. Free public shows are The Lick Observatory on 4,200-foot Mount Hamilton in the given every Wednesday evening during the fall, winter, and Diablo Range east of San Jose, California, has been a part of spring quarters, and attendees are invited to look through the University of California since its founding in 1888. It is one the department’s telerscopes on clear nights. The planeone of the oldest permanently occupied mountain observatotarium also has free private shows for educational groups. ries. It bears the name of James Lick, an eccentric millionThe planetarium is on the eighth floor and the sky viewing aire who donated $3 million for such a facility in 1874 and on the ninth floor of the Mathematical Sciences Building. is buried at the base of the 90-centimeter telescope (which UCLA Planetarium, University of California, Los Angeles, was the world’s largest telescope at the time it was built). The observatory now has nine research telescopes. The larg- Dept. of Physics and Astronomy, 8224 Mathematical Sciest is the 120-inch Shane reflector and Coude auxiliary tele- ences Bldg., Los Angeles, CA 90095. Phone: 310/825-4434. E-mail: [email protected]. Web site: scope, which is used every clear night by many different www.astro.ucla.edu/planetarium. Hours: public astronomers within the University of California system for shows-Sept.-May: 7 p.m Wed.; closed Thurs.-Tues., projects ranging from the solar system to distant galaxies. Among the other telescopes and instruentsare are the 1-me- June-Aug., and major holidays. Admission: free. ter Nickel reflector, the Great 36-inch refractor, Lick Suzanne Pierce, UCLA Dept. of Astronomy Manager Adapive Optics instrument, Hamilon Echelle spectrograph, [email protected] and Keck Dual Channel spectrograph. The observatory has contributed to virtually every area of optical and infrared astronomy. The Lick Observatory now is part of the University of California Observatories, a multi-campus research unit of the University of California system. It operates on behalf of the astronomers at all 10 University of California campuses and has its headquarters and technical laboratories for the development of astronomical instrumentation at the University of California, Santa Cruz. It also cooperates on other observatory activities, including serving as a managing partner of the W. M. Keck Observatory on Mauna Kea in Hawaii; supporting the Center for Adaptive Optics at UC Santa Cruz and Infared Imaging Detector Laboratory at UCLA; and par-

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UNIVERSITY OF COLORADO AT BOULDER Fiske Planetarium and Science Center Boulder, Colorado

The Fiske Planetarium and Science Center at the University of Colorado in Boulder serves more than 4,000 undergraduates, nearly 30,000 school children, and the general public every year. The Department of Astrophysical and Planetary Sciences operates the 8,000-square-foot planetarium, which opened in 1975 with funds left to the university by Wallace Fiske, and the adjacent Sommers Bausch Observatory (see separate listing). The planetarium has a Zeiss Mark VI

UNIVERSITY OF COLORADO AT BOULDER optical star projector and one of the largest domes in the West. It presents star and laser shows, live concerts, lobby exhibits, science labs, lectures, teacher workshops, and outreach programs with telescopes, sunspotters, meteorites, and a portable planetarium. After planetarium shows, attendees also can stargaze at the observatory. The planetarium exhibits are on telescopes, optics, and the solar system-many of which are interactive. A free open house is held at the planetarium on Friday evenings.

provided. The observatory, located atop the Physics Building, acquired its 24-inch reflecting telerscope in 1961.

Fiske Planetarium and Science Center, University of Colorado at Boulder, Dept. of Astrophysical and Planetary Sciences, Regent Dr., Campus Box 408. Boulder, CO 80309. Phones: 303/492-5001 and 303/492-5002. Web site: www.fiske.colorado.edu. Hours: varies during academic year and summer, with free public open house Fri. evening. Admission: star shows-adults, $7; students, $5; seniors and children, $3.50; family shows-adults, $6; seniors and children, $3.50; laser shows-$7 per person; lobby exhibits during day-free.

William M. Dennis, Head of the UGA Department of Physics and Astronomy

Doug Duncan, Director [email protected]

UNIVERSITY OF COLORADO AT BOULDER Sommers-Bausch Observatory Boulder, Colorado The Sommers-Bausch Observatory at the University of Colorado at Boulder opened in 1953. It was named for Mayme Sommers, who gave nearly $50,000 in memory of her husband, Elmer E. Sommers, a Denver oilman, and the Bausch and Lomb Co. , which donated a 10.5-inch refractring telescope. Since then, the observatory has been expanded and modernized. It now has a 24-ich Boller and Chivens telescope, 18- and 16-inch DFM telescopes, a heliostat solar telescope, and smaller telescopes from 3.5 to 8 inches, as well as cameras, binoculars, starwheel, and photometer. The observatory serves night class observing sessions during the week and is open for public for special events and open houses with Fiske Planetarium on Friday nights. Sommers-Bausch Observatory, University of Colorado at Boulder, Dept.of Astrophysical and Planetary Sciences, Regent Dr., Campus Box 408, Boulder, CO 80309. Phone: 303/492-6732. Fax: 303/492-2051. Hours: public open houses-8:30 p.m. Fri.; closed to public Sat.-Thurs. Admission: free. Keith Gleason, Manager 303-492-6732 [email protected]

UNIVERSITY OF GEORGIA University of Georgia Observatory Athens, Georgia

University of Georgia Observatory, Dept. of Physics and Astronomy, Physics Bldg., 1003 Cedar St., Athens, GA 30602-2451. Phone: 706/542-2485. Fax: 706/542-2492. E-mail: [email protected]. Web site: www.physast.uga.edu. Hours: public open houses-7:30, 8, or 9 Fri. once a month. Admission: free.

UNIVERSITY OF HAWAII ‘Imiloa Astronomy Center of Hawaii Hilo, Hawaii The ‘Imiloa Astronomy Center of Hawaii is a 40,000-square-foot astronlmy science complex in the University of Hawaii’s Science and Technology Park above the Hilo branch campus on the island of Hawaii. The complex, originally called the Maunakea Astronomy Education Center, was developed in the mid-1990s by a team of educators, scientists, and community leaders who saw the need for a comprehensive educational facility to show the connection between the traditions of Hawaii and the astronomical research conducted at the nearby 13,796-foot Maunakea (also known as Mauna Lea) summit. The design of the building celebrates Hawaiian culture’s connection to the sea asnd sky, featuring a rooftop with three titanium-covered cones, representing the volcanoes of three of the largest mountains on the island-Maunakea, Maunaloa, and Hualalai. The center has a planetarium, exhibits, and a Hawaiian landscape garden. The exhibits are divided into two major areas-Origins and Explorations-which tell about Hawaiian and scientific beliefs, theories and practices related to Maunakera, the stars, and the world around us. Mauna Lea is the world’s premier site for ground-based astronomical observatories and.has the largest collection of telescopes, operated by astronomers from 11 countries. They include the W. M. Keck Observatory, largest optical/infrared telescope; United Kingdom Infrared Telerscope, largest dedicated infrared telescope; and James Clark Maxwell Telescope, largest submillimeter telescope. The site is managed as an outstation of the University of Hawaii’s Institute of Astronomy. It also has a visitor information station at the Onizuke Center for International Astronomy at the 9,300-foot level which contains exhibits about the mountain and its observatories, star gazing programs, and summit tours. ‘Imiloa Astronomy Center of Hawaii, University of Hawaii at Hilo, 600 ‘Imiloa Place, Hilo, HI 96720. Phone: 808/969-9700. Fax: 808/974-7622. Web site: www.imiloahawaii.org. Hours: 9-4 Tues.-Sun.; closed Mon., New Year’s Day, Thanksgiving, and Christmas. Admission (includes exhibits, planetarium, and garden): adults, $17.50;

The University of Georgia Observatory on the South Campus in Athens is open to the public on Friday once a month. If it is cloudy, a short talk on an astronomical topic is

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Planetariums, Observatories & Astronomical Museums seniors and military, $15.50; children 4-12, $9.50; children under 4, free.

showings are arranged separately. Annual attendance is over 8,000.

Ha’ouli Motta, Business Manager 808-969-9707 [email protected]

Maynard F. Jordan Observatory, University of Maine, Dept. of Physics and Astronomy, Orono, ME 04469- 5781. Phones: 207/581-1341 and 207/581-1348. Web site: www.galaxymaine.com/ob/ob.htm. Hours: 8-10 p.m. on clear Fri. and Sat. nights; closed university holdays and breaks. Admission: free.

UNIVERSITY OF LOUISVILLE Rauch Planetarium Louisville, Kentucky The Rauch Memorial Planetarium at the University of Louisville in Kentucky opened in 1962. It was named in honor of Rabbi Joseph Rauch, a long-time community religious and civic leader. After the original building was razed in 1998, the planetarium became part of the new Gheens Science Hall and Rauch Planetarium. Instructional and group shows now are presented on weekdays and public star and laser shows are on Friday evenings and Saturday afternoon. Rauch Planetarium, University of Louisville, Gheens Science Hall and Rauch Planetarium, Belknap Campus, Louisville, KY 40292. Phone: 502/852-6664. Fax: 502/852-0831. E-mail: [email protected]. Web site: www.louisville.edu/planetarium. Hours; public shows-star shows: 8 and 10 p.m. Fri., 1 and 3 Sat.; laser shows: 9 and 11 p.m. Fri., 2 Sat.; group shows- varues Mon.-Fri. Admission: public star or laser shows-adults. $7; UL students, seniors, and children under 13, $5; school groups-$4 per student. Rachel Connolly, Director

UNIVERSITY OF MAINE Maynard F. Jordan Planetarium and Observatory Orono, Maine The planetarium and the observatrory at the University of Maine in Orono are named for the same person, but they were founded 53 years apart and are located in separate buildings. The Maynard F. Jordan Observatory and the Maynard F. Jordon Planetarium were named in 1993 for a long-time university professor who taught mathematics and astronomy following a major family contribution. The observatory dates from 1901 and occupies one of the oldest buildings on the campus next to the Memorial Union, and the planetarium opened in 1954 and is housed in Wingate Hall. Both are operated by the Department of Physics and Astronomy. The observatory is used for instruction and research and is open to school groups and the general public, and the planetarium presents star shows for students, groups, and the public. The observatory has the original 8-inch Alvan Clark refractor telescope, a Mogey refractor, and a third smaller telescope, and the planetarium contains a Spitz 353 projector and has 45 seats. Public viewing at the observatory takes place on most clear Friday and Saturday nights, while public planetarium shows are offered on Friday and Saturday evenings and Sunday afternoons during the academic year and occasionally in the summer. Group

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Maynard F. Jordan Planetarium, University of Maine, Dept. of Physics and Astronomy, 5781 Wingate Hall, Orono, ME 04469-5781. Phone: 207/581-1341. E-mail: [email protected]. Web site: www.galaxymaine.com. Hours: Sept.-May-7 p.m. Fri.-Sat, 2 Sun.; closed Mon.-Thurs. and university holidays and breaks; June-Aug.-occasional shows. Admission: public shows-$3 per person; group shows-$75. Alan Davenport, Director 207-581-1341

UNIVERSITY OF MARYLAND University of Maryland Observatory College Park, Maryland The University of Maryland Observatory in Baltimore was built primarily in 1963 to serve as an important component of the Department of Astronomy’s teaching and research program. But the growing lights of the metropolitan area later made the observatory virtually ineffective for research. However, the observatory continues to be used for education and outreach activities, serving more than 2,000 students and ive 2,500 visitors annually. The observatory has public open houses twice a month, featuring a guest speaker, tour of the observatory, and stargazing. It also offers weekday programs for school and camp groups. The observatory has four mounted telescopes and 12 portable telescopes for use on and off the site. The mounted telescopes include a 20-inch Eichner Bent Cassegrain reflector, 14-inch Schmidt-Cassegrain reflector, 8-inch NASA astrographic refractor, and 7-inch Astro-Physics refractor. University of Maryland Observatory, Dept. of Astronomy, College Park, MD 20742. Phones: 301/405-6555 and 301/405-3001. E-mail: [email protected]. Web site: www.astro.umd.edu. Hours: public shows on 5th and 20th days of the month-Nov.-Apr.: 8 p.m.; May-Oct.: 9 p.m.; group shows-10-2 Mon.-Fri. and sometimes an hour before the evening public shows. Admission: free. Elizabeth Warner, Manager 301-405-6555 [email protected]

UNIVERSITY OF MICHIGAN Angell Hall Observatory and Planetarium Ann Arbor, Michigan The history of astronomy at the University of Michigan in Ann Arbor goes back to 1852 when the first president, Dr. Henry Philip Tappan, was inaugurated and believed that the classical course should be complemented with a scientific

UNIVERSITY OF MINNESOTA, DULUTH course, followed by the founding of an observatory (the Detroit Planetarium) in 1853 and the astronomy department in 1855. The Detroit Observatory, named in honor of the major donors from Detroit, was the centerpiece of President Tappan’s efforts to make the university one of the nation’s first research universities. The restored observatory still exists and its original 6-inch Pistor and Martins meridian circle and 12 5/8-inch Henry Fitz reflecting telescopes still function, but it no longer is used operationally. It functions like a museum as a division of the Bentley Historical Library and has public tours twice a month.

public shows-7 p.m. Wed. and Fri.; group shows-by appointment. Admission: free. Howard Mooers, Director

UNIVERSITY OF MISSOURI, COLUMBIA Laws Observatory Columbia, Missouri

The Laws Observatory at the University of Missouri in Columbia was the first observatory in western United States. It The Detroit Observatory has been replaced as an astronomy has had three homes. It originally was built in 1853 near Acteaching site by the Angell Hall Observatory and such reademic Hall, moved to a new building close to the Quadransearch facilities as the Peach Mountain Radio Observatory, gle in 1880, and moved to its present location on the roof of Angell Hall Radio Telescope, and the MDM Observatory the Physics Building in 1920. It is named for former Univerconsortium at Kitt Peak and Las Campanas Observatory col- sity President Samuel S. Laws, who provided $2,000 of his laboration in Chile. The Angell Hall Observatory, located on own money to transport a telescope and start construction on the roof of the academic building, has a 16-inch the observatory’s second home in 1879. The Department of Ritchey-Chr‚tien reflector telescope in the main dome and Physics and Astronomy observatory has a 16-inch telescope six 8-inch Schmidt-Cassegrain telescopes and a small radio and is open to the public for viewing on clear Wednesday telescope used for undergraduate classes, training graduate nights. students, in-reach and outreach events, and public open Laws Observatory, University of Missouri-Columbia, Physhouses. The building also houses the Angell Hall Planetarics Bldg., Columbia, MO 65211. Phone: 573/882-3335. Web ium that replaced a 1957 manual planetarium in 2004. site: [email protected]. Hours: 8-10 p.m. Wed. AdmisAngell Hall Observatory, University of Michigan, Dept. of sion: free. Astronomy, Angell Hall, Ann Arbor, MI 48109 (postal address: Dept. of Astronomy, 830 Dennison Bldg., 500 Church Angela Speck, Director of Astronomy, UM Dept. of Physics and Astronomy 573-882-8371 St., Ann Arbor, MI 48109-1042). Phone: 734/764-3440. [email protected] Fax: 734/763-6317. E-mail: [email protected]. Web site: www.astro.lsa.umich.edu/sas. Hours: public open houses-8-10 p.m. Fri. twice a month. Admission: free. Angell Hall Planetarium, University of Michigan, Dept. of Astronomy, 3118 Angell Hall, Ann Arbor, MI 48109 (postal address: Dept. of Astronomy 830 Dennison Bldg., 500 Church St., Ann Arbor, MI 48109-1042). Phone; 734/764-3440. Fax: 734/763-6317. E-mail: [email protected]. Web site: www.astro.lsa.umich.edu/outreach/planetarium.php. Hours: public open houses-8-10 Fri. twice a month. Admission: free. Detroit Observatory, University of Michigan, Bentley Historical Library, 1398 E. Ann St., Ann Arbor, MI 48109. Phone: 734/764-9304. Web site: www.bentley.umich/observatory. Hours: open houses-1-4 Fri. twice a month. Admission: free. Ted Bergin, Chair, UM Dept. of Astronomy Undergraduate Program Chair [email protected]

UNIVERSITY OF MINNESOTA, DULUTH Marshall W. Alworth Planetarium Duluth, Minnesota The Marshall W. Alworth Planetarium at University of Minnesota Duluth offers free public shows every Wednesday and Friday evenings and group showings by appointment.

UNIVERSITY OF NEBRASKA-OMAHA Mallory-Kountze Planetarium Omaha, Nebraska The Mallory-Kountze Planetarium on the University of Nebraska-Omaha campus offers public multimedia star shows at the Durham Science Center on the first Friday and Saturday evenings of the month and sometimes on Saturday or Sunday afternoons. Rooftop viewing of the night sky also is available after some evening shows. Group shows are by appointment. The planetarium is part of the Department of Physics. Mallory-Kountze Planetarium, University of Nebraska-Omaha, 135 Durham Science Center, 6601 Dodge St., Omaha, NE 68182-0266. Phones: 402/554-2219 and 402/554-3722. E-mail: [email protected]. Web site: www.physics.unomaha.edu/planet. Hours: public shows-6:30 and 8 p.m. first Fri. of month and 2 p.m. on some Sat. or Sun.; group shows-by appointment; closed university holidays and breaks. Admission: public shows-$3 per person; group shows-weekdays: $1.50 per person; evenings and weekends: $3 per person. Daniel Wilkins, Chair, UN-O Department of Physics [email protected]

Marshall W. Alworth Planetarium, University of Minnesota Duluth, Duluth, MN 55812. Phone: 218/726-7129. E-mail: [email protected]. Web site: www.umn.edu/planet. Hours:

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Planetariums, Observatories & Astronomical Museums UNIVERSITY OF NEVADA, RENO Fleischmann Planetarium and Science Center Reno, Nevada The Fleischmann Planetarium at the University of Nevada in Reno presents daily public star shows and large-format films, as well as public stargazing courtesy of the Astronomiucal Society of Nevada. The planetarium, founded in 1963 by the Max C. Fleishmann Foundation of Nevada, is housed in a uniquely shaped building, described as a hyperbolic parabloid, designed by Ray Heliman that now is listed on the National Register of Historic Places. It has a 30-foot dome, 60 seats, a high-resolution Sptiz SciDome digital projector that produces colorful 3-D images, and an exhibit hall with astronomy/space permanent and temporary hands-on displays. The exhibits include a Foucault pendulum, 6-foot geophysical relief globe, 6-foot rotating Moon, solar system model, views from space, collection of meteorites, and black hole demonstration; Annual attendance is nearly 50,000. Fleischmann Planetarium and Science Center, University of Nevada, Reno, 1650 N. Virginia St., Mail Stop 272. Reno, NV 89557. Phones: 775/784-4812 and 775/784-4811. Fax: 775/784-4822. E-mail: [email protected]. Web site: www.planetarium.unr.edu. Hours: 12-5 Mon.-Tues., 12-9 Fri., 10-9 Sat., 10-5 Sun.; closed Wed.-Thurs., Thanksgiving, and Christmas. Admission: planetarium shows-adults, $6; seniors and children under 13, $4; exhibit hall-free. Dee Henderson, Director [email protected]

UNIVERSITY OF NEW HAMPSHIRE University of New Hampshire Observatory Durham, New Hampshire The University of New Hampshire Observatory is located on the western edge of the Durham campus, near the Woodland Horticultural Farm. It is open to the public on the first and third Saturday nights of every month. During the academic year, school groups can make appointments for visits any day except Monday through Thursday when the observatory is used by astronomy classes. University of New Hampshire Observatory, Spinney Lane, Durham, NH 03824 (postal address: Physics Dept., University of New Hampshire, Durham, NH 03824). Phone: 603/862-3996. Web site: www.physics.unh.edu/observatory. Hours-public observing sessions: 8-10 or 9-11 every 1st and 3rd Sat. of month; private school group sessions-by reservation. Admission: free. Ian Cohen, Manager 617-955-3704

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UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL Morehead Planetarium and Science Center Chapel Hill, North Carolina The Morehead Planetarium and Science Center at the University of North Carolina at Chapel Hill was the first planetarium located on a university campus in the United States. The planetarium, which opened in 1949, resulted from the wish of John Motley Morehead III, a prominent businessman, chemist, and alumnus, to do something special for the university and the children of North Carolina. Harlow Shapley, the eminent Harvard astronomer, advised him that a planetarium could be a great cultural enrichment for citizens of all ages-and Morehead agreed. During the 1960s and 1970s, the planetarium staff also provided training for more than 60 astronauts in the Mercury, Gemini, and Apollo space flight programs, including 12 who walked on the Moon. The planetarium is one of the largest in the nation. It has a 68-foot dome, Zeiss Mark VI star projector, and 240 seats. The star theater has been renamed the GlaxoSmithKline Fulldome Theater since the 2010 installation of a fulldome digital video projection system that results in an immersive planetarium experience. It also has science exhibits, educator-led programs in the Science Stage (formerly NASA Digital Theater), a Department of Physics and Astronomy observatory deck with a 24-inch Schmitt-Cassegrain telescope, the university’s visitor center, a school portable planetarium program, and two mobile science laboratories that travel throughout the state. The annual attendance is nearly 200,000. Morehead Planetarium and Science Center, University of North Carolina at Chapel Hill, 250 E. Franklin St., Campus Box 3480, Chapel Hill, NC 27599. Phones: 919/962-1236 and 919/843-7997. Fax: 919/962-1238. E-mail: [email protected]. Web site: www.moreheadplanetarium.org. Hours: 10-3:30 Tues.-Thurs., 10-3:30 and 6:30-9 p.m. Fri.-Sat., 1-4:30 Sun.; closed Mon., Thanksgiving, and Christmas Eve and Day. Admission: planetarium-adults, $7.25; seniors, students, and children, $6; Sience Stage and exhibits-free. Todd Boyette, Manager 919-843-2085 [email protected]

UNIVERSITY OF SOUTHERN MAINE Southworth Planetarium Portland, Maine Southworth Planetarium at the University of Southern Maine on the Portland campus was built in 1969 when the new Science Building was constructed. Originally called the Portland Planetarium, it began with only a star projector, one slide projector, and theater seating. The 30-foot-dome plantarium now has over 50 slide and special effects projectors, three video projectors, all-sky system, laser system, digital sound system, new seating, and a new star projector, a Zeiss/Jena ZKP-2. The planetarium usually has public

UNIVERSITY OF TEXAS AT AUSTIN shows on Friday and Saturday evenings and Saturday afternoons, but currently is offering only Friday programs. Group showings are by appointment. Annual attendance is 18,000. Southworth Planetarium, University of Southern Maine, Science Bldg., 96 Falmouth St., PO Box 9300. Portland, ME 04104. Phone: 207/780-4249. E-mail: [email protected]. Web site: www.usm.maine.edu/planet. Hours: star shows-7 p.m. Fri.; laser shows-8:30 p.m. Fri.; group shows-by appointment. Admission: star shows-adults, $6; seniors and children, $5; military, free; star-laser comination shows-adults, $9; seniors and children, $8; military, $4. Jerry LaSala, Director 207-780-4557 [email protected]

UNIVERSITY OF TEXAS AT AUSTIN McDonald Observatory Mount Observatory, Texas The University of Texas at Austin operates the McDonald Observatory on Mount Locke in the Davis Mountains near Fort Davis. The observatory, founded in 1932, has a wide range of state-of-the-art instrumentation for imaging and spectroscopy in the optical and infrared and one of the first and most productive lunar ranging stations. It also hosts one of the four globally networked Robotic Optical Transient Search Experiment telescopes and is a Monitoring Network of Telescopes site. It has four research telescopes at the West Texas facility-9.2-meter Hobby-Eberly, 2.7-meter Harland J. Smith, 2.1 Otto Struve, and 0.8-meter telescopes. The Frank N. Bash Visitors Center offers astronomical exhibits, daily tours of the reseach facilities and solar viewing programs, evening stargazing parties, and viewing the sky through telescopes at the Public Observatory at the base of Mount Locke. The Public Observatory contains a 22-inch Classical Cassegrain, 22-inch Newtonian, 16-inch Meade LX-200, and 8-inch Celestron and Meade LX-90 telescopes. McDonald Observatory has an annual attendance of approximately 60,000 visitors. McDonald Observatory, University of Texas at Austin, 82 Mt. Locke Rd., Frank N. Bash Visitors Center, 3640 Dark Sky Dr., Mount Observatory, TX 79734 (Austin address-McDonald Observatory, University of Texas, 1 University Station, C1402, Austin, TX 78712-0259). Phones: 432/426-3263 amd 432/426-3640 (visitor center). Fax: 432/426-3641. Web sites: www.as.utexas.edu/mcdonald/mcdonald.html and www.mconaldobservatory.org/visitors. Visitor center hours-10-5:30 daily; closed New Year’s Day, Thanksgiving, and Christmas. Admission: free. Thomas G. Barnes, Superintendant 432-426-3633 [email protected]

UNIVERSITY OF VIRGINIA Leander McCormick Observatory Charlottesville, Virginia The Leander McCormick Observatory at the University of Virginia in Charlottesville was constructed in 1885 after McCormick provided the funds for a telescope and the observatory. The observatory featured a 28-inch refractor telescope, the second largest in the world at the time. The telescope served as the Department of Astronomy’s primary research instrument until the 1960s and was used for astrometry into the 1990s. It has been replaced by three new telescopes-26-inch Alvan Clark refractor, 10-inch Mead LX-200 refractor, and 6-inch Alvan Clark refractor. Hardwar upgrades and new instrumentation have transformed the observatory into a modern facility capable of optical CCD imaging and spectroscopy in conjunction with teaching and public outreach programs. However, much of the department’s local research has been moved to the Fan Mountain Observatory (see separate listing) because of light pollution caused by the growing city. The university also engages in astronomical research at such other observatories as the Apache Point Observatory, Mount Graham International Observatory, and Steward Observatory. The McCormick Observatory now is open to the public on the first and third Friday nights of the month, and to educational groups on the second and fourth Fridays with advance reservation or for daytime tours when they cannot arrange a night visit. The sky can be viewed on clear nights with the original McCormick telescope and two smaller telescopes. Visitors also can see faculty presentations and exhibits. In addition, the Department of Astronomy offers an introductory astronomy class for the community on Tuesday evenings. The observatory’s annual attendance is 4,000. Leander McCormick Observatory, University of Virginia, Dept. of Astronomy, 530 McCormick Rd., PO Box 400325, Charlottesville, VA 22904-4325. Phone: 434/924-7494. Fax: 434/924-3104. E-mail: [email protected]. Web site: www.astro.virginia.edu. Hours: public viewing-9-11 p.m. in Apr.-Oct. and 7- 9 p.m. in Nov.-Mar. the 1st and 3rd Fri. of month; group programs-2nd and 4th Fri. nights of month and daytime tours upon reservation. Admission: free. Edward M. Murphy, Associate Professor, UVA Dept. of Astronomy 434-924-4890 [email protected]

UNIVERSITY OF VIRGINIA Fan Mountain Observatory Covesville, Virginia The Fan Mountain Observatory in Covesville, Virginia, was opened in 1966 as a research site for the University of Virginia after light pollution caused by the growth of Charlottesville affected observations at the Leander McCormick Observatory on the campus. The observatory, about 15 miles south of Charlottesville, has a 40-inch Baker-Schmidt astrometric reflector, 31-inch Tinsley infrared reflector, and 10-inch Cooke astrograph outfitted with state-of-the-art

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Planetariums, Observatories & Astronomical Museums instruments operated nightly by faculty and students. A pub- tion); closed Sat.-Thurs., June-Aug., and university holidays. Admission: free. lic night is held in April and October at the observatory. Fan Mountain Observatory, University of Virginia, Dept. of Astronomy, Covesville, VA 22931 (postal address: Dept. of Astronomy, PO Box 400325, Charlottesville, VA 22904-4325). Phone: 434/924-7494. Fax: 434/924-3104. E-mail: [email protected]. Web site: www.astro.virginia.edu/research/observatories/fanmt.php. Hours: public nights-varies, but in April and October. Admission: free. Nick Nichols, Caretaker 434-979-0684 [email protected]

UNIVERSITY OF WASHINGTON Theodor Jacobsen Observatory Seattle, Washington The Theodor Jacobsen Observatory, built in 1895 on the University of Washington campus in Seattle, now is used primarily for public outreach operated jointly by the Department of Astronomy and the Seattle Astronaumical Society. It is still using the original 6-inch Brashear objective lens on a Warner and Swasey equatorial mount in the second oldest building on the campus. Public viewing is offered the first and third Wednesdays of the month. Exhibits and other activities also are found in the Transit and Pier rooms and outside, where various small telescopes are available on the grounds. Theodor Jacobsen Observatory, University of Washington, Dept. of Astronomy, Seattle, WA 98195. Phone: 206/685-7856. E-mail: [email protected]. Web site: www.astro.washington.edu/groups/outreach/tjo. Hours: 1st and 3rd Wed. of month-7-9 p.m. Mar. and Oct.-1st Wed. of Nov.; 9-11 Apr.-Sept.; closed mid-Nov.-Feb. Admission: free. Ana Larson, Director

UNIVERSITY OF WASHINGTON University of Washington Planetarium Seattle, Washington The University of Washington Planetarium in Seattle does not have public shows, but it does serve school groups, on-campus groups, and community groups such as astronomy clubs and scout troops on Fridays during the academic year. The planetarium was built in 1994 and recently was upgraded with a permanently mounted digital projection system (in addition to the starball), new sound system, and a library of digital visualizations. University of Washington Planetrium, Dept. of Astronomy, Seattle, Wa 98195. Phone: 206/543-5447. Web site: www.astro.washington.edu/groups/outreach/planetarium. Hours: Sept.-May-10-2 Fri. (only for groups and on reserva-

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Suzanne Hawley, Chair, UW Department of Astronomy Leadership Committee 206-685-2236 [email protected]

UNIVERSITY OF WEST GEORGIA University of West Georgia Observatory Carrollton, Georgia The University of West Georgia Observatory in Carrollton offers monthly public observations between August and May. Groups also can arrange viewing by reservation. The Department of Physics observatory has been using a 14-inch Cassegrain reflecting telescope in an observing room with a 16-foot dome since 1979. It also has a variety of portable telescopes and accessories. University of West Georgian University, Dept.of Physics, Plant Op Dr., Carrollton, GA 30118. Phone; 678/830-4095. Web site: www.westga.edu/~physics/observatpry.html. Hours: Aug.-May-hours vary from 7 to 9:30 p.m. once a month; closed June-July and major holidays. Admission: free. Bob Powell, Director [email protected].

UNIVERSITY OF WISCONSIN-FOX VALLEY Barlow Planetrium Menasha, Wisconsin The Barlow Planetarium at the University of Wisconsin-Fox Valley in Menasha presents star and laser shows with 3-dimensional excitement, full-color special effects, 10,000-watt surround sound, and interactive keypads for the audience to get involved in performances. Founded in 1998, the planetarium has a 48-foot dome, 98 seats, Evans and Sutherland Digistar II projector that re-creates a realistic night sky and 3-D effects, and Sky-Scan video projection system. The facility also has telescope viewings, summer camps, and special demonstation outreach programs. Barlow Planetarium, University of Wisconsin-Fox Valley, 1478 Midway Rd., Menasha, WI 54952, Phone: 920/832-2848. E-mail: [email protected]. Web site: www.uwfox.uwc.edu/barlow. Hours: star shows-3:30 Tues.-Fri., 1:30, 2:30, 3:30 Sat.-Sun.; closed Mon.; laser shows-varies. Admission: adults, $7; college students and youth 13-18, $6; seniors and children 3-12, $5; children under 3, free. Alan Peche, Director [email protected]

UNIVERSITY OF WISCONSIN-LA CROSSE UNIVERSITY OF WISCONSIN-LA CROSSE University of Wisconsin-La Crosse Planetarium

UNIVERSITY OF WISCONSIN-MADISON UW Space Place Madison, Wisconsin

The UW Space Place is an astronomical and science education and public outreach center of the University of Wisconson-Madison’s Department of Astronomy at The VilThe University of Wisconsin-La Crosse Planetarium prolager Mall in Madison. The museum-like center, which vides instruction and astronomical shows to school and other groups, but does not have public shows. It was opened opened in 1990, seeks to encourage students, teachers, and the public to learn, think, and talk about space science and in 1967 as part of a new science building, and is located in research. It has hands-on exhibits, Saturday science workthe basement of Cowley Hall of Science. It has a 24-foot shops, guest presentations, rooftop deck sky viewing, and hemispherical dome, Spitz A3P star projector, and can seat special events. The exhibits include displays that focus on up to 55 adults or 70 children. such areas as the electromagnetic spectrum of the solar sysUniversity of Wisconsin-La Crosse Planetarium, East Ave. tem; instruments and objects that highlight the university’s and Badger St., La Crosse, WI 54601. Phone: 608/785-8485. work in astronomy and space sciences (including some that E-mail: [email protected]. Web site: have flown in space); and the research of the university’s www.uwlax.edu/planetarium. Hours: 9:30 or 11:30 scientists. Annual attendance is 100,000. Mon.-Wed. Admission: ranges from $20 to $120 depending UW Space Place, University of Wisconsin-Madison, The on size of group. Villager Mall, 2300 S. Park St., Madison, WI 53713. Phone: Steven C. Verrall, Director 608/262-4779. E-mail: [email protected]. Web site: [email protected] www.spaceplace.wisc.edu. Hours: open only during scheduled events and by appointment. Admission: free.

La Crosse, Wisconsin

UNIVERSITY OF WISCONSIN-MADISON Washburn Observatory

Jim Lattis, Director 608-262-4779 [email protected]

Madison, Wisconsin The Washburn Observatory, named for early Governor Cadwallader C. Washburn, was compled in 1881 and was a major research facility at the University of Wisconsin at Madison for a half century. Its 15-inch achromatic reflecting telescope still provides great views of the sky, despite considerable light pollution. But the observatory now is used primarily for introductory astronomy courses and public open houses, rather than research. The viewing is preceeded by a 30-minute PowerPoint presentation. Free open houses are offered every Wednesday in the summer and the first and third Wednesdays the remainder of the year. University astronomers now also conduct research studies at the Pine Bluff, WTYN, and SALT observatories. Washburn Observatory, University of Wisconsin-Madison, 1401 Observation Dr., Madison, WI 53706 (postal address: Dept. of Astronomy, 2535 Sterling Hall, 475 N. Charter St., Madison, WI 53706-1582. Phones: 608/262-3071 and 608/890-3775. Fax: 608/263-6386. Web sites: www.astro.wisc.edu. and www.astro.wisc.edu/washburn/washburn_home.html . Hours: public open houses-June-Aug.: 9-11 p.m. every Wed.; Apr.-May and Sept.-Oct.: 7:30-9:30 p.m. 1st and 3rd Wed. of month; Jan.-Mar. and Nov.-Dec.: 7:30-9:30 p.m. 1st and 3rd Wed. of month; group viewings-by reservation; closed New Year’s Eve and Day, Independence Day, and Christmas Eve and Day. Admission: free.

UNIVERSITY OF WISCONSIN-MILWAUKEE Manfred Olson Planetarium Milwaukee, Wisconsin The programs at the Manfred Olson Planetarium at the University of Wisconsin-Milwaukee range from Friday night and occasional Wednesday afternoon shows to outdoor stargazing with telescopes and special events. The planetarium has a 30-foot dome, Spitz A3P star projector, and digital and special effects projectors. Astronomical items also are displayed in hallway cases. The observatory desk on the roof of the Physics/Planetarium Building is used for observing sessions. The telescopes include a 12-inch Meade reflector, 10-inch Meade LX-200, Meade 226, Celestron-8, Unitron D102, and Astroscan telescopes. The planetarium is named for a long-time physics professor who served as director of the planetarium after retirement. Manford Olson Planetarium, University of Wisconsin-Milwaukee, Physics/Planetarium Bldg., 1900 E. Kenwood Blvd., Milwaukee, WI 53211. Phones: 414/229-4961 and 414/229-4961. Fax: 414/229-5589. E-mail: [email protected]. Web site: www4.uwm.edu/planetarium. Hours: planetarium shows-7-7:45 p.m. Fri., 12:15-12:45 p.m. on some Wed.; stargazing-on some clear weeknights throughout the year. Admission: Fri. planetarium shows-$2 per person; Wed. planetarium shows-free; stargazing-free. Jean Creighton, Director

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Planetariums, Observatories & Astronomical Museums UNIVERSITY OF WISCONSIN-STEVENS POINT Allen F. Blocher Planeterium Stevens Point, Wisconsin The Allen F. Blocher Planetarium at the University of Wisconsin-Stevens Point presents free public shows and group showings for a nominal amount during the academic year and most summers. The planetarium, operated by the Department of Physics and Astronomy, is located on the second floor of the Science Building. It has a 7.3-meter dome and a Spitz 1024 star projector. Allen F. Blocher Planetarium, University of Wisconsin-Stevens Point, Dept. of Physics and Astronomy, Science Bldg., 2nd Floor, 1848 Maria Dr., Stevens Point, WI 54481-1957. Phones: 715/346-2139 and 715/346-2208. Fax: 715/346-2944. E-mail: [email protected]. Web site: www.uwsp.edu/physastr. Hours: varies; closed university holidays and breaks. Admission: free. Randy W. Olson, Director 715-346-3360 [email protected]

UNIVERSITY OF WISCONSIN-STEVENS POINT UWSP Observatory

Bridge Company. It has a 24-foot dome and a 24-inch reflecting telescope named for Seyfert. Many of the university’s original astronomical instruments and artifacts also are housed at the observatory. The observatory is used primarily for teaching, but it also seeks to interest children and the public in astronomy and science through open house nights, daylight tours, lectures, summer camps, teacher workshops, and taking physical experiments and solar telescopes into classrooms and to community events. Free public Telescope Nights are offered the second Friday of every month betweem March and November, and Stellar Nights also include a featured speaker at nominal cost. It also is possible to tour the observatory during the day Tuesday through Friday in the nine-month period. In addition, the building is open for school field trips and community tours with reservations. Dyer Observatory, Vanderbilt University, 1000 Oman Dr., Brentwood, TN 37027. Phone: 615/373-4897. Fax: 613/371-3904. E-mail: [email protected]. Web site: www.dyer.vanderbilt.edu. Hours: night open houses-Mar.-Nov.: 2nd Fri. evening of the month; closed Dec.-Feb.; daytime self-tours-9-4 Tues.-Fri.; school and community groups: by reservation. Admission: free, except for Stellar Nights when $5 per person and $10 for family. Lynn McDonald, Program Coordinator 615-373-4897 [email protected]

Stevens Point, Wisconsin The UWSP Observatory at the University of Wisconsin-Stevens Point is open on Monday through Wednesday clear nights during the academic year. It houses a 16-inch Meade computer-controlled telescope. The Department of Physics and Astronomy observatory is located fourth floor of the Science Building. UWSP Observatory, University of Wisconsin-Stevens Point, Dept. of Physics and Astronomy, 4th Floor, Science Bldg., 1848 Maria Dr., Stevens Point, WI 54481. Phones: 715/346-2139 and 715/346-2208. Fax: 715/345-2944. E-mail: [email protected]. Web site: www.uwsp.edu/physastr. Hours: mid-Sept.-mid-Dec. and late Jan.-mid-May-8:30-10 p.m. Mon.-Wed.; closed mid-Dec.-late Jan., mid-May-mid-Sept., and university holidays and breaks. Admission: public nights-free; group reservations-$15.

VICTOR VALLEY COLLEGE Victor Valley College Planetarium Victorville, California The Victor Valley College Plantarium in Victorville, California, is used for astronomy instruction and evening public shows. The public shows are presented twice a month on the firstr and third Fridays of the month in the Science Building. Victor Valley College Planetarium, Astronomy Dept., Science Bldg., 18422 Bear Valley Rd., Victorville, CA 92392-5849. Phone: 619/245-4271, Ext. 324. E-mail: [email protected]. Web site: www.vvc.edu/offices/planetarium. Hours: public shows-7 p.m. 1st and 3rd Fri. of month. Admission: adults, $4; seniors and students, $2.50. Michael Butros, Chair, VVC Dept. of Physical Sciences

Randy W. Olson, Director 715-346-3360 [email protected]

VANDERBILT UNIVERSITY Dyer Observatory

VILLANOVA UNIVERSITY Villanova Observatory Villanova, Pennsylvania

The Villanova Observatory at Villanova University in Villanova, Pennsylvania, is operated by the Villanova Astronomical Society, a Department of Astronomy and AstroVanderbilt University in Nashville, Tennessee, had its first physics student organization for those interested in observatory in 1876, but it was not until 1953 that the curastronomical and related sciences. The observatory, located rent Dyer Planetarium on one of the state’s highest peaks was opened at nearby Brentwood. The planetarum, initiated on the fourth floor of the Mendel Science Center, is open by astronomer and first director Carl Seyfert, was made pos- free to students and the public Monday through Thursday sible by contributions from Arthur J. Dyer and his Nashville evenings during the academic year. The society also has

Brentwood, Tennessee

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VIRGINIA MILITARY INSTITUTE special events in conjunction with astronomical occurrences and other events.

Tues.and Thurs. mornings and afternoons by reservation. Admission: free.

Villanova Observatory, Villanova University, Villanova Astronomical Society, Dept. of Astronomy and Astrophysics, Mendel Science Center, 4th Floor, 800 Lancaster Ave., Villanova, PA 19085. Phone: 610/519-7485. E-mail: [email protected]. Web site: www.astronomy.villanova.edu/vas. Hours: Aug.-Apr.-7-9 p.m. EST or 8-10 p.m. DST Mon.-Thurs.; closed Fri.-Sun., Christmas-mid-Jan., and major holidays. Admission: free.

Stephen Black, Chair, Washburn Department of Physics 785-670-2143 [email protected]

Laurence DeWarf, Director 610-519-4824 [email protected]

The James Richard Jewett Obsaervatory at Washington State University in Pullman is named for a Harvard professor of ancient languages and an amateur astronomer. It was made possible by a gift from his son and wife, Mr. and Mrs. George F. Jewett of Spokane. The observatory, dedicated in 1953, has a historic 12-inch Alvin and Clark refracting telescope with the orginal lens that was polished in 1887-89 and 10 portable telescopes for hands-on education. The observatory is used primarily as a student laboratory, but it also is the site of seven monthly public star parties (open houses) during the year when anyone can view the cosmos through the historic telescope.

VIRGINIA MILITARY INSTITUTE Astronomical Obervatory Lexington, Virginia The Klink Observtory at Virginia Military Institute in Lexington, Virginia, has been replaced by the Astronomical Observatory off the campus. The new observatory is used for instruction and research by Department of Physics and Astronomy faculty and students, with only several public open houses during the year. It has a 20-inch computer-controlled telescope and astrograhic refractor. The latest electronic imaging (astronomical CCDs) for quantitative measurements and astrophotography. The institute’s Sale Planetarium has been discontinued.

WASHINGTON STATE UNIVERSITY James Richard Jewett Observatory Pullman, Washington

James Richard Jewett Observatory, Washington State University, Grimes Way and Olympia Ave., Pullman, WA 99164 (postal address: Dept. of Physics and Astronomy, Washington State University, 1245 Webster Hall, Pullman, WA 99164-2814). Phone: 509/335-4994. E-mail: [email protected]. Web site: www.astro.wsu.edu/observaAstronomical Observatory, Virginia Military Institute, Dept. tory.html. Hours: public open houses-Apr.-Aug. and of Physics and Astronomy, 320 Mallory Hall, Lexington, VA Sept.-Oct.-varies seasonally from 8:30 to 9:30 p.m. Sat. Ad24450. Phone: 540/464-7225. Fax: 540/464-7767. E-mail: mission: free. [email protected]. Web site: www.academSukanta Bose, Interim Chair, WSU Department of Physics and ics.vmi.edu/show.aspx. Hours: varies. Admission: free. Astronomy

John R. Thompson, Head of the VMI Physics and Astronomy Department [email protected]

WASHBURN UNIVERSITY Crane Observatory

WEST CHESTER UNIVERSITY OF PENNSYLVANIA West Chester University Planetarium West Chester, Pennsylvania

The West Chester University Planetarium in West Chester, Pennsylvania, presents free publis shows on Friday evenings Public open houses and school and other group programs once a month during the academic year, and weekday proare held at the Crane Observatory at Washburn University in grams for school groups. Opened in 1969, the planetarium Topeka, Kansas, during the academic year. The public is in- has a 9.8-meter dome, Spitz A4 star projector, and 73 seats. vited to visit the observatory for viewing once or twice a month from September to May, and school and other groups West Chester University Planetarium, West Chester Univercan schedule sessions on Tuesday and Thursday mornings sity of Pennsylvania, 207 Boucher Hall, 750 S. Church St., and afternoons. The Department of Physics and Astronomy West Chester, PA 19383. Phone: 610/436-2727. Fax: observatory is housed in Stoffer Science Hall. 610/436-3036.

Topeka, Kansas

Crane Observatory, Washburn University, Dept. of Physics and Astronomy, 210 Stoffer Science Hall, 17th and Washburn, Topeka, KS 66621. Phones: 785/670-2264 and 785/670-2141. E-mail: [email protected]. Web site: www.washburn.edu/cas/physics. Hours: public open houses-Sept.-May: varies from 6:30 to 8:30 p.m. lst and sometimes 3nd Thurs. of month; group sessions-Sept.-May:

Web site: www.geology.wcupa.edu/planetarium. Hours: Sept.-May-public shows: 7-8 p.m. Fri. once a month; closed June-Aug.; school group shows: Mon.-Fri. by reservation; closed June.-Aug. Admission: free. Karen Vanlandingham, Planetarium Director

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Planetariums, Observatories & Astronomical Museums WEST CHESTER UNIVERSITY OF PENNSYLVANIA West Chester University Observatory West Chester, Pennsylvania The West Chester University Observatory in West Chester, Pennsylvania, recently underwent an upgrade, with an old Newtonian reflector being replaced by a computer-controlled telescope and other new facilities. The Department of Physics observatory, located atop the roof of the Schmucker Science Center, houses a pier-mounted 10-inch Meade LX-200, which allows the viewing of celestial objects through the telescope eyepiece or with an ST-8XME CCD camera. For daytime viewing, it has a new DayStar tunable hydrogen-alpha solar filter. Public observing takes place on Monday through Thursday evenings. West Chester University Observatory, Schmucker Science Center, Dept. of Physics, 127 Merion Hall, West Chester, PA 19383. Phone: 610/436-2497. E-mail: [email protected]. Web site: www.wcupa.edu/_academics/sch_cas.phy/observatory. Hours: public observing-7-9 EST and 8-10 DST Mon.-Thurs. Admission: free. Karen Vanlandingham, Planetarium Director

WESTERN KENTUCKY UNIVERSITY Hardin Planetarium Bowling Green, Kentucky The Hardin Planetarium at Western Kentucky University in Bowling Green offers free campus and public sky shows, stargazing, and exhibits. Founded in 1967, the planetarium is named in memory of Hardin Thompson, son of Kelly and Sarah Thompson, who died in 1963. It has a Spitz A3P star projector and 150 concentric seats. Annual attendance is 15,000. Hardin Planetarium, Western Kentucky University, Dept. of Physics and Astronomy, 1906 College Heights Blvd., #11077, Bowling Green, KY 42101-1077. Phone: 270/745-4044. Fax: 270/745-2014. Web site: www.wku.edu/planetarium. Hours: Sept.-May-varies; closed June-Aug. and major holidays. Admission: free. Roger Scott, Director 270-745-4044

donated by George Carroll that is equipped for spectroscopic and micrometrc work. The observatory is open to the college community and the general public every third Friday of the month. Carroll Observatory, Westmont College, 955 La Paz Rd., Santa Barbara, CA 93108. Phones: 805/565-6094 and 800/565-6051. Web site: www.physics.westmont.edu/observatory/index.html. Hours: 7:30 p.m. of 3rd Fri. of every month. Admission: free. Michael Sommermann, Professor of Physics 805-565-6094 [email protected]

WIDENER UNIVERSITY Widener University Observatory Chester, Pennsylvania Monday night twilight and Friday evening telescope viewing sessions are offered to the public several times a month by the Widener University Observatory in Chester, Pennsylvania. The Department of Physics and Astronomy observatory, located on the fifth floor of the new addition to Kirkbridge Hall, has a 16-inch computer-driven Meade Cassegrain reflecting telescope and several smaller 12-inch telescopes. In addition to regularly scheduled public sessions, viewings by school groups can be arranged. Widener University Observatory, Dept. of Physics and Astronomy, 502 Kirkbridge Hall, 1 University Pl., Chester, PA 19013.Phone: 610/499-4003. Fax: 610/499-4496. Web site: www.widener.edu/observatory/index.html. Hours: public viewing-6-7 p.m. Mon. and 8-9 p.m. Fri. several times a month; school groups-by reservation. Admission: free. Lawrence Panek, Chair, Widener University’ Department of Physics and Astronomy 610-499-4007 [email protected]

WIYN CONSORTIUM WIYN Observatory Tucson, Arizona

The WIYN Observatory on Kitt Peak near Tucson, Arizona, is owned and operated by the WIYN Consortium, which consists of the University of Wisconsin, Indiana University, WESTMONT COLLEGE Yale University, and the National Optical Astronomy Observatories managed by the Association of Universities for ReCarroll Observatory search in Astronomy for the National Science Foundation. Santa Barbara, California The partnership between public and private universities and The Carroll Observatory at Westmont College in Santa NOAO, which began in 1973, was the first of its kind. Most Barbara, California, has been been renovated and a new the capital costs of the $14-million observatory were pro24-inch reflecting telescope built has replaced the original 16-inch telescope with the aid of foundation grants and indi- vided by the universities, and NOAO, which operates the other telescopes on Kitt Peak, covers most of the operating vidual donations. The new telescope, built by DEM Engineering, has an 8-inch refractor with a single-crystal fluoride costs. The WIYN’s principal telescope is a 3.5-meter instrulens, made by Telescope Engineering Company, mounted on ment that is the newest and second largest on Kitt Peak. Public access is limited. The observatory and its 36-inch the main instrument. The observatory, which opened in 1957, has a main dome with a 16.5-inch reflector made and telescope, however, are open to the public for viewing for a

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YALE UNIVERSITY week in mid-January. The stargazing night also includes van transportation and dinner. WIYN Observatory, Kitt Peak, State Rte. 86 and Rte. 386, Tucson, AZ 83726 (postal address: 950 N. Cherry Ave., Tucson, AZ 85719). Phone: 520/318-8460. E-mail: [email protected]. Web site: www.wiyn.org. Hours: closed to pubic except for a tour during two weeks in mid-Jan. (available through Kitt Peak National Observatory Visitor Center and Museum for $120 (520/318-8726). Patricia Knezek, Acting Director 520-318-8442 [email protected]

YALE UNIVERSITY Leitner Family Observatory and Planetarium New Haven, Connecticut

YOUNG HARRIS COLLEGE Rollins Planetarium Young Harris, Georgia The Rollins Planetarium at Young Harris College in Young Harris, Georgia, has a Sky-Skan definiti fulldome digital projection system and a database of over 118,000 stars. The system produces full-color, high-resolution video in 3-D. The plentarium, which opened in 1979, has a 40-foot dome, Goto Chronos Space Simulator star projector, and 109 seats. It was made possible through generosity of Wayne and Grace Rollins. The planetarium presents at least 30 Friday evening public shows each year, as well as weekday educational programs for school classes and other groups. Rollins Planetarium, Young Harris College., Dept. of Astronomy, Maxwell Center, 1 College St., Young Harris, GA 30582-0068. Phones: 706/379-51595 and 706/379-5130. Web site: www/m-georgia.com/rollins-planetarium.html. Hours: public shows: Aug.-Apr-8 p.m. Fri.; May-July-8:30 Fri.; group shows-Mon.-Fri. by reservation. Admission: public shows-adults, $3; children $2; YHC students, faculty, and staff, free; school group shows-$35.

Yale University in New Haven, Connecticut, had one of the first university observatories and the largest refractor telescope in the nation in 1830. It was with this telescope that Olmsted and Elias Loomis made the first American sighting of the return of Halley’s Comet in 1835. That observatory-and others that followed at Yale-have been largely reSteve Morgan, Director placed by Yale astronomers doing research at distant [email protected] consortium observatories. The campus now has the Leitner Family Observatory and Planetarium, which is known as the student observatory because it is used primarily for underYOUNG HARRIS graduate astronomy classes and research. The Leitner facility, which opened in 2005 in Farnham Memorial Gardens, was made possible by James and Sandra Leitner. The observatory has two permanently mounted telescopes in domes-a 16-inch Meade LX-200 reflecting telescope and the refurbished historic 8-inch Grubb refractor originally purchased by the Department of Astronomy in 1882. An observation deck also has piers for mounting four 8-inch telescopes and a 3-meter radio telescope. The complex’s main building also has a digital planetarium, exhibits about astronomy, and a lecture hall. The planetarium uses a Spitz SciDomeHD system to simulate the universe at any time from any place or to play back high-definition videos. It is used to teach astronomy concepts in undergraduate classes, support astronomy programs at the Peaboy Museum of Natural History, and present star shows to school groups and the general public. The observatory is open to the public every clear Tuesday evening after planetarium shows. Leitner Family Observatory and Planetarium, Yale University, Farnham Memorial Gardens, 355Prospect St., New Haven, CT 06511. Phone: 203/285-8840. Web site: www.lfop.astro.yale.edu. Hours: planetarium shows-6 and 7 p.m. every Tues.; observatory viewing-following the planetarium shows. Admission: free. Michael Faison, Director michael.faison @ yale.edu

COLLEGE Young Harris College Observatory Young Harris, Georgia Young Harris College in Young Harris, Georgia, has an observatory on the nearby flanks of the 2,000-foot Brasstown Bald, the tallest peak in the state. It has a Schmidt Cassegrain telescope that can be equipped with a CCD camera to take digital images in a 15-foot dome and a number of outdoor telescopes. It is open to the public on clear Friday evenings immediately following the planetarium shows, and is closed when the planetarium is not open. Young Harris College Observatory, near Brasstown Bald, Dept. of Astronomy, 1 College St., Young Harris, GA 30582-0068. Phones: 706/379-5195 and 706/379-5130. Web site: www.yhe.edu. Hours: Aug.-Apr.-between 9:30 and 9:45 p.m. Fri.; May-July-between 10 and 10:15 p.m. Fri.; closed Sat.-Thurs. and college holidays. Admission: free. Paul Arnold, Dean, YHC Dept. of Mathematics and Science 706-379-5131 [email protected]

YOUNGSTOWN STATE UNIVERSITY Ward Beecher Planetarium Youngstown, Ohio The Ward Beecher Planetarium at Yongstown State University in Youngstown, Ohio, presents free shows on astronomy, space exploration, space sciences, and related topics. It opened in 1967 as part of an expansion to the Science Building largely funded by industrialist and philanthropist Ward

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Planetariums, Observatories & Astronomical Museums Beecher, and was upgraded in 2006 by the Ward and Florence Beecher Foundations. The Department of Physics and Astronomy planetarium has a 40-foot dome, 145 seats, a new star projector, and a Spitz SciDome projection system that allows the showing of videos on the full dome. Public shows are on Fridays and Saturdays and school group programs on weekdays. Ward Beecher Planetarium, Youngstown State University, Ward Beacher Hall, 1 University Pl., Youngstown, OH 44555-2001. Phones: 330/941-1370 and 330/941-3616. Fax: 330/941-3121. E-mail: [email protected]. Web site: www.wbplanetarium.org. Hours: public shows-Fri. and Sat.; school group shows-weekdays. Admission: free. Patrick Durrell, Director 330-941-7107 [email protected]

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Religious Museums & Galleries ANDERSON UNIVERSITY Gustav Jeeninga Museum of Bible and Near Eastern Studies

library. Hours: 1-4 Sat.-Sun. and by appointment; closed Mon.-Fri. and university holidays and breaks. Admission: free.

Anderson, Indiana

Kay Bradt, Director of Library Services 785-594-8390 [email protected]

The Gusdav Jeeninga Museum of Bible and Near Eastern Studies at Anderson University in Anderson, Indiana, contains artifacts from many periods of the Ancient Near East and replicas of major Biblical archaeological discoveries. The artifacts are from the Egyptian, Roman, Greek, Babylonian, Assyrian, and Israelite periods, and the replicas include Siloam Inscription, Hammurabi Law Code and Mesha Stele, Shalmaneser’s Obelisk, Sennacherib’s Prism, and the Rosetta Stone. Established in 1963, the museum was renamed for Dr. Gustav Jeeninga, founding director, in 1992 for his nearly 30 years of teaching and work in the areas of religious studies and archaeology. The museum is located on the ground level of the School of Theology and has an annual attendance of 2,000. Gustav Jeeninga Museum of Bible and Near Eastern Studies, Anderson University, School of Theology, 1123 Anderson University Blvd., Anderson, IN 46012-3495 (postal address: 1100 E. 5th St., Anderson, IN 46012). Phones: 765/641-4526 and 800/428-6411. Fax: 765/641-3005. E-mail: [email protected]. Web site: www.anderson.edu/campus/museum. Hours: 8-5 Mon.-Fri., Sat.-Sun. by appointment; closed major holidays. Admission: free. David Neidert, Director

BETHAL COLLEGE Mennonite Library and Archives North Newton, Kansas The Mennonite Library and Archives at Bethal College in North Newton, Kansas, contains a collection of Anabaptist and Mennonite manuscripts, prints, paintings, lithographs, and archival materials. Founded in 1938, the library/archves has 35,000 books related to Anabaptist and Mennonite history. It has an annual attendance of over 900. Mennonite Library and Archives, Bethal College, 300 E. 27th St., North Newton, KS 7117-0531. Phones: 316/283-2500 and 316/284/5304. Fax: 316/284-5843. E-mail: [email protected]. Web site: www.bethelks.edu/mla. Hours: 10-12 and 1-5 Mon.-Thurs.; closed Fri.-Sun. and national holidays. Admission: free. John Thiesen, Archivist 316-284-5360

BOB JONES UNIVERSITY Bob Jones University Museum and Gallery Greenville, South Carolina

The Bob Jones University Museum and Gallery in Greenville, South Carolina, an art museum that has some of the nation’s finest Italian paintings, shows the development of Western culture through paintings of Old Masters, and Baldwin City, Kansas contains one of the most extensive collections of religious The Quayle Bible Collection at Baker University in Baldwin art in America. The museum, founded in 1951, has a collecCity, Kansas, consists of a collection of rare Bibles and tion that includes more than 1,000 ancient Biblical artifacts, other materials, such as handwritten scrolls, and Bible trans- over 400 paintings of the Old Masters, nearly 200 pieces of lations from 2000 B.C. to the present. The collection began Gothic to nineteenth-century furniture, about 100 works of in 1925 with a gift of 250 Bibles from Bishop William A. sculpture, and such other works as drawings, prints, icons, Quayle, who later became president of Baker University. It and stained glass windows. now consists of over 900 Bibles and other items, including The religiously-oriented museum has over 25 galleries that two copies of the 1611 King James Bible, more than 300 Bibles from before 1880, and Bibles signed by every Ameri- feature Italian, Spanish, French, English, Flemish, Dutch, can president since Harry S. Truman. Permanent and tempo- and German sacred art from the fourteenth through the nineteenth centuries. Works by such artists as Rubens, van Dyck, rary exhibits of Bibles can be seen in the Collins Library’s Remi, Tintoretto, Le Brun, Cranach, Ribera, and Murillo are Spencer Quayle Wing, made possible by Kenneth A. and exhibited with period furniture, sculpture, tapestries, and Helen F. Spencer. The collection is complemented by the porcelains to give the galleries a period ambience. The anUrishay Castle Room, an interior living area from Wales nual attendance is nearly 20,000. that is about 350 years old. Annual attendance is 450.

BAKER UNIVERSITY Quayle Bible Collection

Quayle Bible Collection, Baker University, Collins Library-Spencer Quayle Wing, 518 8th St., Baldwin City, KS 66006-0065. Phone: 785/594-8393. Fax 785/594-6721. E-mail: [email protected]. Web site: www.bakeru.edu/

Bob Jones University Museum and Gallery, 1700 Wade Hampton Blvd., Greenville, SC 29614. Phone: 864/770-1306. Fax: 864/770-1306. E-mail: [email protected]. Web site: www.bjumg.org. Hours: 2-5

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Religious Museums & Galleries Tues.-Sun.; closed Mon., New Year’s Day, Commencement Day, Independence Day, Thanksgiving weekend, and mid-Dec. to mid-Jan. Admission: adults, $5; seniors, $4; students, $3; children 6-12, free. Erin R. Jones, Director

BRYN ATHYN COLLEGE Glencairn Museum Bryn Athyn, Pennsylvania The Glencairn Museum, affiliated with the Academy of the New Church and Bryn Athyn College in Bryn Athyn, Pennsylvania, is a religious art and history museum housed in a 11-story, castle-like building in Romanesque style in 1928-39. The building was constructed as the home for businessman Raymond Pitcairn and his wife, Mildred Glenn, and left in 1980-with their collection and archives-to the Academy of the New Church, whose educational section was renamed the Bryn Athyn College in 1997. The New Church (or Swedenborgianism) is the name of a religious movement developed from the writings of Emanuel Swedenborg, a Swedish scientist and theologian in the 1700s. The museum collection depicts religious life though the ages. It consists of approximately 8,000 objects, mostly artworks, from many different cultures, including ancient Egyptian, Greek, and Roman; medieval Christian; Islamic; Asian; and Native American cultures. It also presents changing exhibitions relating to religious history and art and guided tours of the museum. The museum, located on the Bryn Athyn College campus and an active participant in college instruction and activities, is part of the Bryn Athyn Historic District, which also includes the college, Bryn Athyn Cathedral, and the Cairnwood Estate. The museum’s annual attendance is over 21,000. Glencairn Museum, 1001 Cathedral Rd., PO Box 757, Bryn Athyn, PA 19009-0757. Phones: 267/502-2600 and 267/502-2990. Fax: 267/502-2986. E-mail: [email protected]. Web site: www.glencairnmuseum.org. Hours: 9-5 Mon.-Fri. only by appointment; guided tours are offered at 2:30 Mon., Wed., and Fri. and 1, 1:30, 2:30, and 3 Sat.; closed Sun. and national holidays. Admission: free; guided tours-adults, $8; seniors, $6; students, $4; BAC students, alumni, and children under 5, free. Stephen Morley, Director 267-502-2980 [email protected]

CENTRAL METHODIST UNIVERSITY Missouri United Methodist Archives Fayette, Missouri Central Methodist University in Fayette, Missouri, houses the Missouri United Methodist Archives in the Smiley Memorial Library. The archives, established in 1972, include minutes of annual conferences, disciplines, hymnals dating back to the eighteenth century, and books on Methodist

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history. Methodism in Missouri began with a sermon by John Clark in 1798 and the assignment of John Travis to the Missouri circuit in 1806. The archives contain many of the hand-written annual conference minutes dating from the first meetings of the Missouri Conference of the Methodist Episcopal Church, which was formed in 1816. The Methodist Episcopal Church separated into two churches in 1844, but reunited in 1939. Missouri United Methodist Archives, Central Methodist University, Smiley Memorial Library, 411 Central Methodist Sq., Fayette, MO 65248. Phone: 877/268-1854. Web site: www.centralmethodist.edu/cmlibrary/archive.html. Hours: 7:30 a.m.-11 p.m. Mon.-Thurs., 7:30-5 Fri., 11-4 Sat., 4-11 Sun. Summer and holiday hours may vary. Admission: free. Robert Gail Woods, Chair, Missouri Conference Commission on Archives and History

CINCINNATI CHRISTIAN UNIVERSITY Cincinnati Christian University Museum Cincinnati, Ohio The Cincinnati Christian University Museum is a small religious museum in Cincinnati, Ohio. It has a 100-square-foot gallery and a collection of Near Eastern, Greek, and Roman artifacts and other objects in the Worship Ministry Chapel Building. Annual attendance is 300. Cincinnati Christian University Museum, Worship Ministry Chapel Bldg., 2700 Glenway Ave., Cincinnati, OH 45204-1738. Phones: 513/244-8100 and 513/244-8445. Fax: 513/244-8140. E-mail: [email protected]. Hours: 8-4:30 Mon.-Fri.; closed Sat.-Sun., Memorial Day, Labor Day, Thanksgiving, Christmas, and the week after. Admission: free.

HEBREW UNION COLLEGE-JEWISH INSTITUTE OF RELIGION Hebrew Union College-Jewish Institute of Religion Museum (New York) New York, New York The Hebrew Union College-Jewish Institute of Religion Museum in New York City is a multi-site museum with a collection and exhibitions on Jewish history, culture, religion, and contemporary creativity. It is the visual extension of the spiritual, cultural, and educational life of the seminary for Reform Judaism. The Hebrew Union College is the oldest institution of Jewish higher education in the nation, and the New York seminary is the second oldest of its three sites in the nation, the others being in Cincinnati and Los Angeles (see separate listings). The New York museum includes the university’s Joseph Backman and Rivka Heller Archives galleries; Petrie Great Hall; and Rare Book Room. Many of the museum’s exhibits illuminate the 4,000 years of Jewish experience; show the creativity of contemporary artists exploring Jewish identity, history, and culture; interpret core Jewish values, texts, and

HEBREW UNION COLLEGE-JEWISH INSTITUTE OF RELIGION beliefs; display the creativity of contemporary Israeli artists; and/or strengthen cultural ties with Israel.

film events, and comedy, family, literary, and cultural programs.

Hebrew Union College-Jewish Institute of Religion Museum, 1 W. 4th St., New York, NY 10012. Phones: 212/824-2218 and 212/824-2205. E-mail: [email protected]. Web site: www.huc.edu/museums/ny. Hours: 9-6 Mon.-Thurs., 9-3 Fri.; closed Sat.-Sun. and major and Jewish holidays. Admission: free.

Jewish cultural history, Biblical archaeology, and art are the focus of the museum. The museum has approximately 25,000 archaeological artifacts, paintings, sculpture, photographs, manuscripts, decorative arts, prints, drawings, and folk art pertaining to 4,000 years of Jewish history and culture. The core exhibit, “Visions and Values: Jewish Life from Antiquity to America,” traces the experiences and accomplishments of Jewish people over the centuries. Other exhibits cover such topics as Jewish practices, history, ethnographic culture, and arts. Annual attendance at the cultural center is 500,000.

Jean Bloch-Rosensaft, Director 212-824-2209 [email protected]

HEBREW UNION COLLEGE-JEWISH INSTITUTE OF RELIGION Skirball Museum (Cincinnati) Cincinnati, Ohio The Skirball Museum at the Hebrew Union College-Jewish Institute of Religion branch in Cincinnati, Ohio, was the first of the three Hebrew Union College museums in the United States (a fourth is in Jerusalem, Israel). It was founded in 1913 and houses Jewish ceremonial and ritual objects and a permanent collection of Jewish archaeological artifacts from the Nelson Glueck School of Biblical Archaeology in Jerusalem. It also has exhibits that depict Torah study, aspects of the Holocaust and modern Israel, and American Judaism with the emphasis on Cincinnati and the Hebrew Union College. The permanent exhibit, An Eternal People: The Jewish Experience, is devoted to the cultural heritage of the Jewish people as conveyed through seven thematic galleries. The museum also presents related temporary exhibitions. The annual attendance is 4,000.

Skirball Cultural Center Museum, 2701 N. Sepulveda Blvd., Los Angeles, CA 90049-6833. Phones: 310/440-4500 and 310/440-4642. Fax: 310/440-4728. E-mail: [email protected]. Web site: www.skirball.org. Hours: 12-5 Tues.-Wed. and Fri., 12-9 Thurs., 10-5 Sat.-Sun.; closed Mon. and national and Jewish holidays. Admission: adults, $10; seniors and students, $8; children 2-12, $5; children under 2, free. Adele Lander Burke, Director of Museum and Education

HOUSTON BAPTIST UNIVERSITY Dunham Bible Museum Houston, Texas

The Dunham Bible Museum at the Houston Baptist University in Houston, Texas, tells the story of the Bible. It had its beginnings in 1997 when the university acquired a collection of rare American Bibles and Christian books from JonaSkirball Museum, Hebrew Union College-Jewish Institute than Byrd of Indiana. The collection included first editions of Religion, 3101 Clifton Ave., Cincinnati, OH 45220-2488. of significant eighteenth- and nineteenth-century American Phone: 513/487-3053. Fax: 513/221-0321. E-mail: outprintings of scriptures. Among the works were the only [email protected]. Web site: www.huc.edu/museums/cn. isting copy of the Francis Bailey New Testament, printed in Hours: by appointment; closed national and Jewish holidays. 1780; the 1782 Aitken Bible, the first English Bible printed Admission: donation. in America; and rare first American editions of other books. The collection became the foundation for the university’s Stacy Frishman Delcau, Director 513-487-3054 Bible in America Museum in the Moody Library. [email protected]

HEBREW UNION COLLEGE-JEWISH INSTITUTE OF RELIGION Skirball Cultural Center Museum (Los Angeles) Los Angeles, California The museum at the Skirball Cultural Center in Los Angeles, California, is the newest of the three Hebrew Union College-Jewish Institute of Religion museums in the nation. The museum, originally part of the college’s Cincinnati branch museum, opened as part of the new Jewish cultural center in 1996 on top of Spulveda Pass in the Santa Monica Mountains of Los Angeles as an affiliate of the college located across the city. In addition to the museum, the cultural center, named for philanthropists Jack Skirball and Audrey Skirball-Kenis, features music and theater performances,

In 2005, the museum was renamed the Dunham Family Bible in America Museum in honor of major donor Archie Dunham-and changed to Dunham Bible Museum as the museum expanded its collection beyond America and moved into new quarters in the Morris Cultural Arts Center in 2008. The museum’s exhibits, educational programs, and publications show the Bible’s influence and importance in history, government, education, literature, law, and culture. In addition to early printed Bibles, the exhibits contain such items as papyrus pieces, scrolls, and illuminated manuscripts, and a working Gutenberg-style press like those once used to print Bibles. Dunham Bible Museum, Houston Baptist University, Morris Cultural Arts Center, 7502 Fondren Road., Houston, TX 77074. Phone: 281/649-3274. E-mail: dseverance@hbu,edu. Web site: www.hbu.edu/hbu/dbm. Hours: 10-4 Mon.-Sat.;

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Religious Museums & Galleries closed Sun., Sat. before Mon. holidays, and university holidays and breaks. Admission: free. Diana Severance, Director 281-649-3287 [email protected]

JEWISH THEOLOGICAL SEMINARY OF AMERICA The Jewish Museum New York, New York The Jewish Museum, part of the Jewish Theological Seminary of America in New York City, is one of the world’s largest institutions devoted to exploring the scope and diversity of Jewish culture. Founded in 1904, the museum has been housed since 1944 in the former mansion of businessman and philanthropist Felix Warburg and his wife, Freda Schiff Warburg. The French Gothic chateau-style home on Fifth Avenue was donated by the widow to the seminary for use as the museum, which had been located in the seminary library for over four decades. The museum opened in the former residence in 1947, added a sculpture court in 1959 and the Albert A. List Building in 1963, and completed a major expansion and renovation in 1993. The museum began after Judge Mayer Sulzberger gave 26 objects of fine and ceremonial art to the seminary’s library and suggested that a museum be formed. Today, the museum has a collection of more than 26,000 objects that include archaeological artifacts, ethnographic materials, ceremonial objects, paintings, sculpture, works on paper, photographs, numismatics, and broadcast media materials-one of the largest collections of its type in the world. The museum has illuminated the Jewish experience-both secular and religious-for nearly a century. It presents large temporary exhibitions of an interdisciplinary nature, often of art and artifacts interpreted through social history. The annual attendance is 192,000. The Jewish Museum, Jewish Theological Seminary of America, 1109 5th Ave., New York, NY 10128-0118. Phone: 212/423-3200. Fax: 212/423-3232. E-mail: [email protected]. Web site: www.thejewishmuseum.org. Hours: 11-5:45 Sat.-Tues., 11-8 Thurs., 11-4 Fri.; closed Wed., New Year’s Day, Martin Luther King, Jr. Day, Thanksgiving, and Jewish holidays. Admission: adults, $12; seniors, $10; students, $7.50; children under 12, free; free admission on Sat.

Fernando Stahl, who were trained as nurses at the Battle Creek Sanitarium in Michigan, worked among the indigenous people of the Peruvian highlands, using the gospel and founding chapels, clinics, schools, and other facilities to impact the spiritual, social, economic, and political life of the poor. The goal of the museum is to share the vision of the Stahls and other missionaries and to assist visitors in appreciating and understanding the cultures of the world. The featured exhibit is devoted to global cultures and issues of social justice, containing artifacts of war, change, and peace from different cultures. Other exhibits deal with various aspects of world cultures. Stahl Center Museum of Culture, La Sierra University, 4500 Rivewalk Pkwy., Riverside, CA 92515. Phones: 951/785-2041 and 951/785-2999. Fax: 951/785-2199. E-mail: [email protected]. Web site: www.lasierra.edu. Hours: 2-4 Sat. and by appointment; closed Sun.-Fri. and major holidays. Admission: free. Charles Teel, Director [email protected]

LIBERTY UNIVERSITY Museum of Earth and Life History Lynchburg, Virginia The Museum of Earth and Life History at Liberty University in Lynchburg, Virginia, presents natural history from a creationist viewpoint. It uses the traditional natural history museum format to show that the Earth and life on the planet was created 6,000 to 10,000 years ago. The museum, founded in 1985, has 3,000 square feet of exhibits on such subjects as fossils and minerals.as well as creationism. Liberty University, which teaches “Young Earth” creationism is a Baptist evangetical university founded by Jerry Falwell in 1971. The university also has a Jerry Falwell Museum, devoted to his life and achievements. Museum of Earth and Life History, Liberty University, 1971 University Blvd., Lynchburg, VA 24502. Phone: 434/582-2228. Web site: www.liberty.edu. Hours: 8 a.m.-8 p.m. Mon.-Tues. and Thurs.-Fri., 8-4 Wed., 9-6 Sat., 1-4 Sun.; closed major holidays. Admission: free.

LOYOLA UNIVERSITY CHICAGO Loyola University Museum of Art Joan Rosenbaum, Helen Goldsmith Menschel Director

Chicago, Illinois

The Loyola University Museum of Art, located on Water Tower Campus of Loyola University Chicago, is dedicated to the exploration of the spiritual in art. Founded in 2005, LA SIERRA UNIVERSITY the 25,000-square-foot museum has a collection of mediStahl Center Museum of Culture eval, Renaissance, Baroque, modern, and contemporary art Riverside, California and changing exhibitions that often highlight world faiths and other forms of spirituality. The museum has eight main The Shahl Center Museum of Culture at La Sierra University in Riverside, California, honors an Adventist missionary galleries that display works from its collections, artists, couple who spent three decades working among the peoples loans, and traveling exhibitions. Three to four major exhibitions are mounted each year. It also occasionally displays of the Andes and the Amazon in the early 1900s. Ana and

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LYCOMING COLLEGE the work of student interns and local school children. Annual attendance is 27,000.

library.mc.edu. Hours: 8-12 and 1-4:30 Mon.-Fri.; closed Sat.-Sun. and some college holidays. Admission: free.

Heather Weeden, Special Collections Librarian 601-925-3434 Loyola University Museum of Art, Loyola University [email protected] cago, Water Tower Campus, 820 N. Michigan Ave., Chicago, IL 60611-2147. Phone: 312/915-7600. Fax: 312/915-6388. Web site: www.luc.edu/luma. Hours: 11-8 Tues., 11-6 Wed.-Sun.; closed Mon. and major holidays. Ad- NEBRASKA WESLEYAN UNIVERSITY mission: adults, 46; seniors, $5; Loyola faculty and staff, all Nebraska Conference United Methodist students under 25, clergy, military and families, employees Historical Center of other museums, free; also free admission on Tues.

Lincoln, Nebraska Pamela Ambrose, Director of Cultural Affairs, Loyola University Chicago 312-915-7630

LYCOMING COLLEGE Archives of the Susquehanna Conference of the United Methodist Church Williamsport, Pennsylvania Lycoming College Library in Williamsort, Pennsylvania, is home for the Archives of the Susquehanna Conference of the United Methodist Church, which covers the the central and northeast sections of the state. The United Mehodist Church includes three predecessor denominations-Evangelical Church, Methodist Church, and United Brethern Church. The archives include artifacts, disciplines, yearbooks, histories, hymnals, books, periodicals, and other publications-some of which are displayed in three large exhibit cases. The archives are open every Monday, except when the library is closed during college holidays and breaks. Archives of the Susquehanna Conference of the United Methodist Church, Lycoming College, Library, 700 College Pl., Williamsort, PA 17701. Phones: 570/321-4088 and 717/766-0977. E-mail: [email protected]. Web site: www.lycoming.edu/umarch. Hours: 9-8 Mon.; closed Tues.-Sun. and college holidays and breaks. Admission: free.

The Nebraska Conference United Methodist Historical Center at Nebraska Wesleyan University in Lincoln contains documents, legal papers, Bibles, hymnals, memorabilia, and other materials relating to the United Methodist churches and other organizations of Nebraska. The center, established in 1968, is located in Cochrane-Woods Library on the campus. Annual attendance is 200. Nebraska Conference United Methodist Historical Center, Nebraska Wesleyan University, Cochrane-Woods Library, 5000 St. Paul Ave., Lincoln, NE 68504 (postal address: 3333Landmark Circle, Lincoln, NE 68504-0553). Phones: 402/464-5994 and 402/465-2175. Fax: 402/464-6203. E-mails: [email protected] and [email protected]. Web sites: www.gcah.org and www.nebwesleyan.edu/cochrane-woods-library/united-method. Hours: 10:30-4 Tues., 8-4 Wed.-Thurs. by appointment; closed Fri.-Mon. and major holidays. Admission: free. Terri Rayburn, UMC Archivist 402-465-2175

PACIFIC SCHOOL OF RELIGION Bade Museum of Biblical Archaeology Berkeley, California

The Bade Museum of Biblical Archaeology at the Pacific School of Religion in Berkeley, California, seeks to further Milton Loyer, Archivist understanding and teaching of religious history, especially [email protected] Biblical history and the history of the Biblical text. Founded in 1925, the archaeological museum has a collection tht spans 3,000 years. It has an array of everday artifacts such MISSISSIPPI COLLEGE as cooking pots, grindig stones, and agricultural implements from ancient Palestine, as well as Greek and Cypriot ceramMississippi Baptist Historical Collection ics, scarabs from Egypt, cuneiform tablets from MesopotaClinton, Mississippi mia, and over 300 historic Bibles from around the world The Mississippi Baptist Historical Collection at Mississippi (Howell Bible Collection). The museum has a permanent College in Clinton contains the Mississippi Baptist Histori- exhibit on the findings of excavations at Tell en-Nasbeh in cal Commission’s collection of primary and secondary Palestine and changing exhibitions. The objects in the Tell sources relating to Baptist history in the state-largely Baptist en-Nasbeh exhibit range from the Early Bronze Age churches and associations. The collection, housed in the (3100-2200 B.C.) through the Iron Age (1200-586 B.C.) and Leland Speed Library, includes church minutes and docuinto the Roman and Hellenistic periods. Free guided tours ments dating from the early 1800s and annuals from the are available by appointment. Mississippi Baptist Convention and Southern Baptist Convention from 1836 to 1859. Annual attendance is 150. Bade Museum of Biblical Archaeology, Pacific School of Religion, 1798 Scenic Ave., Berkeley, CA 94709-1323. Mississippi Baptist Historical Collection, Mississippi ColPhone: 510/849-8286. Fax: 510/845-8948. E-mail: lege, Leland Speed Library, PO Box 4024, Clinton, MS [email protected]. Web site: www.bade.psr.edu. Hours: 10-3 39058. E-mail: [email protected]. Web site: www.

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Religious Museums & Galleries Tues. and Thurs. and other days by appointment. Admission: free.

museum-11-4 Tues.-Sun.; closed Mon. and major holidays. Admission: free.

Aaron Brody, Director [email protected]

Frank Treacy, Director of Campus Ministry 408-554-4372 [email protected]

PRINCETON THEOLOGICAL SEMINARY SOUTHERN BAPTIST THEOLOGICAL SEMINARY Erdman Art Gallery Nicol and Eisenberg Archaeological Collection Princeton, New Jersey Princeton Theological Seminary’s Erdman Art Gallery in Princeton, New Jersey, mounts a range of exhibitions by local and national artists at its Erdman Center of Continuing Education. The seminary, a part of the Presbyterian Church (USA), opened the gallery in 2001.

Louisville, Kentucky

The Nicol and Eisenberg Archaeological Collection at the Southern Baptist Theological Seminary in Louisville, Kentucky, is a Biblical archaeology collection and museum. Founded in 1963, it formerly was the Joseph A. Callaway Archaeological Museum. It features rare Bibles and has a replica of the Rosetta Stone, a 2,700-year-old Egyptian Erdman Art Gallery, Princeton Theological Seminary, mummy; archaeological materials from Jericho, Ai, Erdman Center of Continuing Education, 20 Library Pl., Raddana, and Macherus excavations; and collections of Princeton, NJ 08542. Phone: 609/497-7990. E-mail: glass, textiles, pottery, papyri, and numismatics. The annual [email protected]. Web site: www3.ptsem.edu. Hours: 8:30-4:30 Mon.-Fri., 8:30-6:30 Sat., 1:30-9 Sun.; closed ma- attendance was 7,000 before it closed indefinitely recently. jor holidays. Admission: free. Nicol and Eisenberg Archaeological Collection, Southern Baptist Theological Seminary, 2825 Lexington Rd., LouisJody Erdman, Director ville, KY 40280. Phone: 502/897-4079. Fax: 502/897-4036. E-mail: [email protected]. Web site: www.sbts.edu. Hours: closed indefinitely. Admission: free.

SANTA CLARA UNIVERSITY Mission Santa Clara de Asis Santa Clara, California

The Mission Santa Clara de Asis, a historic Spanish mission founded by Father Junipero Serra in 1777, is located on the campus of Santa Clara University in Santa Clara, California. The mission was the first of the 21 California missions to be built to honor a woman. It was named for Clare of Assisi, the founder of the Order of the Poor Clares. The mission, originally located at an Indian village, was ruined and rebuilt six times, including being destroyed in a 1925 fire. The mission was restored, but its parochial functions were transferred to the St. Clare Parish Church west of campus and the mission assumed its present role as a chapel and the centerpiece of the university campus. The Santa Clara mission was the eighth of the early Spanish missions in California. It was located at an Indian village and at its peak served the greatest number of Indians among the missions. After the Jesuit order of priests assumed control of the mission, Father John Nobili began a college on the mission site in 1851 that grew into Santa Clara University. It was the only mission to become part of a university, which now is the oldest university in the state. The public can visit the historic mission, which has bells that are rung every evening, keeping a promise to King Charles IV of Spain when he sent the bells to the mission in 1777. The mission also has a small historic museum with religious artifacts. Mission Santa Clara de Asis, Santa Clara University, 500 El Camino Real, Santa Clara, CA 95953. Phone: 408/554-4023. Fax: 408/551-7166. Web site: www.scu.edu/missionchurch. Hours: mission-8-6 daily;

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Dan DeWitt, SBTS Vice President for Communications 502-897-4000

SOUTHWESTERN BAPTIST THEOLOGICAL SEMINARY Tandy Archaeological Museum Fort Worth, Texas The Tandy Archaeological Museum at Southwestern Baptist Theological Seminary in Fort Worth, Texas, has a tradition of Biblical archaeology. It began with Leslie Carlson, professor of Biblical archaeology and Semite languages from 1921 to 1964, who amassed a collection of Biblical manuscrips, followed by excavations at the Moabite royal city of Dibon in the 1950s, excavations at Et-Tel/Al, and then at the Biblical city of Timnah (Tel Batash in Israel) in the 1970s. The museum, founded in 1983 with a donation from the Tandy Corporation, now has collections, exhibits, and lectures that highlight the history and various cultures of the Ancient Near East. The museum, which is part of the Tandy Institute for Archaeology, is located on the first floor of the A Webb Roberts Library. It has 26 collections, 782 objects, and 3,965 total holdings. They include such objects as pottery from each major period in Near East antiquity, epigraphic materials from Qumran, coins from the Hellenistic to Byzantine periods, clay tablets from Ur of the Chaldeans, and rare Coptic textiles. The museum has a main changing exhibit at the library and three others throughout the campus. Tandy Archaeological Museum, Southwestern Baptist Theological Seminary, A. Webb Roberts Library, 1st Floor, Fort

ST. LOUIS UNIVERSITY Worth, TX 76115. Phone: 817/923-1921, Ext. 4600. Web site: www.tandyinstitute.org/museum.cfm. Hours: by appointment. Admission: free. Steve Ortiz, Director 817-923-1921 [email protected]

ST. LOUIS UNIVERSITY Museum of Contemporary Religious Art St. Louis, Missouri The world’s first interfaith museum of contemporary art that engages religious and spiritual themes is the Museum of Contemporary Religious Art, founded in 1993 at St. Louis University in St. Louis, Missouri. It is dedicated to an ongoing dialogue between contemporary artists and the world’s faith traditions, and to serving as a forum for interfaith understanding. The museum is located in the renovated Fusz Memorial Chapel, where over 35 exhibitions have been mounted involving more than 160 regional, national, and international artists since the founding, including such artists as Georges Rouault, Arshile Gorky, and Andy Warhol. The media used have ranged from traditional materials like oil, acrylic, and ink to such non-traditional materials as blood, earth, Mylar, and helium. The museum also has a collection of contemporary art from various religious traditions. The museum’s annual attendance is 4,200. Museum of Contemporary Religious Art, St. Louis University, Fusz Memorial Chapel, 3700 W. Pine Mall Blvd., St. Louis, MO 63108-3306 (postal address: 221 N. Grand Blvd., St. Lopuis, MO 63103-2006). E-mail: [email protected]. Web site: www.slu.edu/mocra.slu.edu. Hours: Sept.-May-11-4 Tues.-Sun.; closed Mon., June-Aug., and major holidays. Admission: free. Terrence E. Dempsey, Founding Director

UNIVERSITY OF RICHMOND Virginia Baptist Historical Society Archives

UNIVERSITY OF SAN DIEGO Mission Basilica San Diego de Alcala San Diego, California The Mission Basilica San Diego de Alcala was the first of 21 Spanish missions founded in California. It was established in 1769 by Junipero Serra and made a minor basilica in the Catholic Church in 1976 by Pope Paul VI. The mission, known as the “Mother of the Alta California Missions,” is still an active Catholic parish. The historic site has become part of the University of San Diego and is open to visitors. It has a visitor center, exhibits, archivea, and a collection of Spanish Colonial Period and ecclesiastical artifacts, Native American baskets, and archaeological findings. Annual attendance is 75,000. Mission Basilica San Diego de Alcala, University of San Diego, 10818 San Diego Mission Rd., San Diego, CA 92108-2429. Phone: 619/283-7319. Fax: 619/281-7762. E-mail: [email protected]. Web site: www.missionsandiego.com. Hours; 9-4:45 daily; closed Thanksgiving and Christmas. Admission: suggested donations-adults, $3; seniors, $2; children, $1. Richard F. Duncanson, Pastor [email protected]

WHEATON COLLEGE (Illinois) Billy Graham Center Museum Wheaton, Illinois The Billy Graham Center Museum at Wheaton College in Wheaton, Illinois, traces the history of evangelism in the United States from colonial church leaders through the ministry of recent evangelists, including the Rev. Billy Graham. Founded in 1975, the museum has a collection of historical materials and manuscripts relating to missions, evangelism, church history, and general theology. The exhibits include nine tapestries depicting great witnesses for the gospel, a presentation on the basic Christian message, the life and ministry of Billy Graham, and changing exhibitions.

Richmond, Virginia The Virginia Baptist Historical Society Archives at the University of Richmond in Virginia contains approximately 7,000 manuscripts and 25,000 books and monographs from the eighteenth through twentieth centuries, as well as numerous periodicals, newspapers, and microforms, relating to Baptist history in Virginia. The collection is housed in the university’s Boatwright Library and has exhibits from the collection. Annual attendance is 5,000.

Billy Graham Center Museum, Wheaton College, 500 E. College Ave., Wheaton, IL 60187-5534. Phone: 630/752-5909. Fax: 630/752-5916. E-mail: [email protected]. Web site: www.billygrahamcenter.com/museum. Hours: 9:30-5:30 Mon.-Sat., 1-5 Sun.; closed Thanksgiving, between Christmas and New Year’s Day, and most other major holidays. Admission: suggested donations-adults, $4; seniors and students, $3; children under 13, $1; families, $10.

Virginia Baptist Historical Society Archives, University of Eric Durbin, Coordinator Richmond, Boatwright Library, PO Box 34, Richmond, VA 23173. Phone: 804/289-8434. Fax: 804/289-8953. Web site: www.baptistheritage.org. Hours: 9-12 and 1-4:30 Mon.-Fri. by appointment; closed Sat.-Sun. and legal holidays. Admission: free. Fred Anderson, Director, VBHS 804-289-8434

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Science & Technology Museums & Centers BIG SANDY COMMUNITY AND TECHNICAL COLLEGE East Kentucky Science Center

cover such subjects as the history and workings of the planet Earth, living organisms, nature of matter and nanotechnology, harnessing and using energy, motor vehicle safety and emergency health care, forces and machines that Prestonsburg, Kentucky make work easier, electronic images from space, bugs from The East Kentucky Science Center at the Big Sandy Comfive continents, and science for preschoolers. Among the munity and Technical College in Prestonsburg was the result hands-on units are a touch tank, a safety car that tests driver of concern about the need to improve math and science skills and distractions, applying forces to make tasks easier, achievement in regional schools in 1994. Public school, uni- riding a life-sized gyroscope to simulate life in space, and versity, and business leaders got behind the idea, a consoractivating a musical sound and monitor image when passing tium was formed to start a science center, and the state a camera with sensors. legislature appropriated $3.6 million to construct a Da Vinci Science Center, 3145 Hamilton Blvd. Bypass, Al12,000-square-foot building and provide the equipment for lentown, PA 18103-3686. Phone: 484/664-1002. Fax: hands-on science learning for students, professional devel484/664-1022. Web site: www.davinci-center.org. Hours: opment for teachers, and an outreach van and other 9:30-5 Mon.-Sat., 12-5 Sun.; closed New Year’s Day, programs. Thanksgiving, and Christmas. Admission: adults, $11.95; seniors, military, and children 4-12, $8.95; children under 4, The center opened in 2004 and became a member of the free. Kenktucky Community and Technical College System in 2008. It contains a 3,000-square-foot area with hands-on exhibits and traveling exhibitions; a laboratory for science ex- Troy A. Thrash, Executive Director and CEO [email protected] periments; an 85-seat planetarium with star, laser light, and video shows; and such educational activities as classes, films, lectures, mobile van program, school loan services, and teacher programs. Annual attrendance is 15,000. CRANBROOK EDUCATIONAL East Kentucky Science Center, Big Sandy Community and Technical College, 1Bert T. Combs Dr., Prestonsburg, KY 41653. Phone: 606/886-3863. Web site: www.bigsandy.kctcs.edu/eksc. Hours: 7-9 p.m. Thurs., 7 p.m.-12 midnight, Fri., 10-5:30 and 7 p.m.-12 midnight Sat., 12-5 Sun.; closed Mon.-Wed and major holidays. Admission: adults, $3.50; children over 4, $2.50; children under 5, free.

COMMUNITY Cranbrook Institute of Science Bloomfield Hills, Michigan

The Cranbrook Institute of Science in Bloomfield Hills, Michigan, was founded as a natural history museum with a planetarium and observatory in 1930, and developed into a hands-on science center later in the century. It now serves more than 176,000 visitors annually with exhibits and programs in natural and cultural history and the physical sciThomas L. Vierheller, Director ences. The museum, is part of the Cranbrook Educational [email protected] Community, which is composed of an art school, museums, historical houses, gardens, and other facilities. It has collections in mineralogy, anthropology, zoology, botany, geology, CEDAR CREST COLLEGE ethnology, natural history, and the physical sciences, and contains 11 exhibit galleries with displays on such subjects Da Vinci Science Center as the Earth, mastodons, anthropology, woodlands, Native Allentown, Pennsylvania Americans, rocks and minerals, astronomy, motion, light, The Da Vinci Scicnce Center in Allentown, Pennsylvania, water and bats (for which there is a separate building and resulted from the merger of the Discovery Center of Science live show). The overall theme is the interconnectedness in and Technology, a hands-on science center, and Leonardo da nature, which is introduced to visitors in a multimedia show. Vinci’s Horse, a nonprofit organization devoted to developing young people’s curiosity, imagination, and creativity. The Museum also has planetarium shows, an observatory The Discovery Center began as part of Lehigh University in with a 6-inch telescope, physics participation hall herbarBethlehem in 1992, merged wih Da Vinci’s Horse in 2003, ium, Discovery Center with science experiences for children and opened as an independent science center in a new build- 3 to 8, and a range of other educational programs. ing on the campus of Cedar Crest College in Allentown in Cranbrook Institute of Science, 39221 Woodward Ave., 2005. Its exhibits and programs stress the inquiry process Bloomfield Hills, MI 48304-5162 (postal address: PO Box practiced by scientists and personified by Leonardo da 801, Boomfield Hills, MI 48303-0801). E-mail: Vinci. [email protected]. Web site: www.sciThe Da Vinci Science Center now has a 29,000-square-foot ence.cranbrook.edu. Hours: 10-5 Tues.-Thurs. and Sat., 10 a.m.-10 p.m. Fri., 12-4 Sun.; closed Mon., New Year’s Day, building with nearly 10,000 square feet of exhibits that

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HARVARD UNIVERSITY Independence Day, Thanksgiving, and Christmas. Admission: adults and children over 13, $9; seniors and children 2-12, $7; children under 2, free. Michael D. Stafford, Director [email protected]

HARVARD UNIVERSITY Collection of Historical Scientific Instruments Cambridge, Massachusetts The Collection of Historical Scientific Instruments at Harvard University in Cambridge, Massachusetts, is a repository of important scientific apparatus for teaching and research. The collection, established in 1949, includes a broad range of scientific equipment purchased by Harvard since 1750 and instruments dating back as far as 1450 that have been donated by private collectors. It is one of the three largest university collerctions of its kind in the world. The collection, which is under the stewardship of the Department of History of Science, is displayed in two galleries-Putnum and Special Exhibitions galleries-in the university’s Science Center. The collection contains over 20,000 objects dating from about 1400 to the present. They represent such disciplines as astronomy, biology, calculating, electricity, geology, horology, medicine, navigation, physics, psychology, and surveying. Many of the documents pertaining to the purchase and use of the instruments also have been preserved. Collection of Historical Scientific Instruments, Harvard University, Dept. of History of Science, 136 and 251 Science Center, 1 Oxford St., Cambridge, MA 02138. Phone: 617/495-2779. Web site: www.fas.harvad.edu/~hsdept/chsi-collection.html. Hours: 10-4 Mon.-Thurs., 11-3 Fri., closed Sat.-Sun. and university holidays. Admission: free. Judith Lajoie, Director of Administration for the Collection of Historical Scientific 617-495-9964 [email protected]

KALAMAZOO VALLEY COMMUNITY COLLEGE Kalamazoo Valley Museum Kalamazoo, Michigan Kalamazoo Valley Museum is a museum of science, technology, and history operated by Kalamazoo Valley Community College in Kalamazoo, Michigan. It began in 1927 as a local school district museum with natural history specimens, ethnographic materials, and antiquities. The museum’s collection consisted largely of corals, shells, and rocks donated by a local resident in 1881 to the school board. In 1991, the museum was transferred to the Kalamazoo Valley Community College with the passage of a countywide property tax to cover the museum’s operations, followed by a fundraising campaign for a new building that opened in 1996. In the process, the museum space doubled to 60,000 square feet, the collection increased to 50,000 objects (mostly historical,

anthropological, and archaeological materials), and greater emphasis on contemporary science and technology. Today, the museum offers a wide range of exhibits, but is best known for its extensive and popular hands-on science and technology exhibits, planetarium, and Challenger Learning Center. Visitors have been able to enjoy such experiences as touching a tornado, turning physical energy into electrical energy, learning about the human body, finding out the secrets of mathematics, making a simulated mission to the moon, and seeing the celestial wonders in the planetarium. The museum’s other exhibits include the history of Southwest Michigan, a 2,300-year-old Egyptian mummy, the Civil War, and natural history displays. Annual attendance is 130,000. Kalamazoo Valley Museum, Kalamazoo Valley Community College, 230 N. Rose St., Kalamazoo, MI 49007-5803 (postal address: PO Box 4070, Kalamazoo, MI 49003-4070). E-mail: [email protected]. Web site: www.kalamazoomuseum.org. Hours: 9-5 Mon.-Sat., 1-5 Sun. and holidays; closed Easter, Thanksgiving, and Christmas Eve and Day. Admission: free. Bill McElhone, Director 269-373-7988 [email protected]

LOUISIANA STATE UNIVERSITY Louisiana Art and Science Museum Baton Rouge, Louisiana The Louisiana Art and Science Museum, part of the Louisiana State University, presents exhibitions of art and science in a renovated and expanded former Illinois Central Railroad depot on the banks of the Mississippi River in Baton Rouge. Founded in 1960, the museum has a growing collection of more than 3,000 artworks and artifacts. Works from the collection are displayed in two small galleries; the SoupCon and Colonnade galleries. Two items that are on view year around are works by sculptor Ivan Mestrovic in the Bert S. Turner Family Atrium and a ca. 300 B.C. mummy in the Ancient Egypt Gallery. In the science field, the museum has a number of galleries and the Irene W. Pennington Planetarium and ExxonMobil Space Theater. The Science Station contains interactive exhibits and educational games about sound, light, logic, and motion primarily for children 7 to 12 years old, and the Science Depot with a playhouse, train set, role playing activities, and other educational toys and activities for young children beginning at 4 years of age. One of the museum’s main attractions is the Irene W. Pennigton Planetarium and ExxonMobil Space Theater, which opened in 2003. The 60-foot tilted domed planetarium/theater with 150 seats presents sky, multimedia, large-format films, and visual music shows using a 70-mm fulldome digital video projection system and 15,000-watt digital Surround Sound system. It also has 5,000 square feet of exhibits, including the hands-on Solar System Gallery, where visitors can see how much they weigh on the Moon and planets, meet life-sized models of famous astronomers,

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Science & Technology Museums & Centers see the relative orbital motion of planets, and discover comets, asteroids, and other bodies in the solar system. Large prints from the Hubble Space Telescope are on display. Louisiana Art and Science Museum, Louisiana State University, 100 River Rd. South, Baton Rouge, LA 70802. Phones: 225/344-5272 and 225/344-9478. Fax: 225/344-9477. E-mail: [email protected]. Web site: www.lasm.org. Hours: mueum galleries-10-3 Tues.-Fri., 10-5 Sat., 1-4 Sun.; closed Mon. and major holidays; planetarium/space theater-10-4 Tues.-Fri., 10-8 Sat., 1-4 Sun.; closed Mon. and major holidays. Admission: museum galleries-adults, $7; seniors and children 2-12, $6; groups, $5; planetarium/space theater-adults, $9; seniors and children 2-12, $8; groups, $7 per person. Carol S. Gikas, President and Executive Director

MASSACHUSETTS INSTITUTE OF TECHNOLOGY MIT Museum Cambridge, Massachusetts The MIT Museum at the Massachusetts Institute of Technology in Cambridge seeks to engage the wider community with MIT science, technology, and other areas of scholarship that best serve the nation and the world in the twenty-first century. It invites the public to explore invention, ideas, and innovation through interactive exhibitions, public programs, experimental projects, and its collections. The museum was founded in 1971 as the MIT Historical Collections to collect and preserve historical artifacts scattered around the campus, and renamed the MIT Museum in 1980 with a new mandate-to serve the MIT community and society at large by developing exhibits and educational programs based on the institue’s focused collections.

LOUISIANA TECH UNIVERSITY Idea Place

The museum houses over 1 million artifacts, prints, rare books, technical archives, drawings, photographs, films, and holograms drating from the seventh century to the present. It Ruston, Louisiana has fiver broad-based collections-Architecture and Design The Idea Place at Louisiana Tech University in Ruston seeks Collection, Frank Russell Hart Nautical Collection, Hologto awake the excitement of learning through interactive exraphy Collection, MIT General Collection. and Science and ploration of scientific phenomena. The science center, which Technology Collection. The museum’s recently expanded opened in 1994, has exhibits where visitors can mimic the galleries present ongoing and changing exhibitions on sciaction of wind-blown waves, create simulated tornadoes, ence and technology, current research, architecture and deproduce fog, activate a dust storm, form convection cells, sign, and oceanography, underwater robotics, and ship create wave motion, cause chain wave reactions, swing pen- design. They include high-tech artifacts, prototypes, sciendulums for snake-like motions, witness the stress of beams, tific instruments, historic photographs, holograms, kinetic and explore condensation and evaporation. Among the other sculptures, and a scientific aquarium. exhibits are a seasons lab, ac/dc bench, Orrey table, earthMIT Museum, Massachusetts Institute of Technology, Bldg. quake simulator, Bernoulli blower, and light generator. It N51, 265 Massachusetts Ave., Cambridge, MA 02139-4307. also offers a children’s Summer Science Institute with Phone: 617/253-5927. Fax: 617/253-8994. E-mail: week-long day camp programs in aeronautics, agriculture, [email protected]. Web site: www.mit.edu/museum. weather, and small-scale science. Hours: 10-5 daily; closed major holidays. Admission: adults, $7.50; seniors, students, and children under 18, $3. The Idea Place is home to the Louisiana Tech Planetarium, which was built in 1967 and updated and has a 40-foot John Durant, Director 617-253-5653 dome, Spitz A-4 star projector, and 120 seats; NASA [email protected] source Center, a source of space learning materials for teachers; and Sci-TEC Center, which offers professional development and learning opportunities for teachers and NORTHWEST MISSOURI STATE teacher candidates. Idea Place, Louisiana Tech University, College of Education, Wisteria St., Ruston, LA 71272. Phone: 318/257-2866 and 318/257-5000. Web site: www.latech.edu/ideaplace/cms. Hous: 8-5 Mon.-Thurs., 8-12:30 Fri., by appointment Sat.-Sun.; closed university holidays. Admission: $4 per person.

UNIVERSITY Jean Jennings Bartik Computing Museum Maryville, Missouri

The Jean Jennings Bartik Computing Museum at Northwest Missouri State University in Maryville has a dual mission to document and display the university’s technological development and to honor the computing accomplishments of a Louisiana Tech University Planetarium, Idea Place, PO Box 1945 alumnus who helped shape the digital age. Jean Jennings Bartik, for whom the museum is named, made his3163, Ruston, LA 71272. Phone: 318/257-2866. E-mail: tory by programming the UNIVAC, the world’s first [email protected]. Web site: www.latech.edu/planetarium. Hours: public shows-varies, usually 6:30 Mon.-Fri. and Sun. cessful electronic computer, as well as the BINAC and UNIVAC computers. The museum, housed in the Owens Liand 1 and 6:30 Sat.; group shows-varies, but can be scheduled 8-5 Mon.-Sun.; closed university holidays. Admission: brary, has a collection of early computing equipment and memorabilia, including an ENIAC decade ring counter, an public shows-$4 per person; group shows-$1 per person. original Remington-Rand miniature model of the UNIVAC 1, and such university computing hardware as an Altair Glenn Beer, SciTech Director for LTU

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STATE UNIVERSITY OF NEW YORK AT ONEONTA 8800 computer, considered the first personal computer, and an Osborne portale computer, predecessor to the modern laptop computer. Jean Jenninxs Bartik Computing Museum, Northwest Missouri State University, Owens Library, Maryville, MO 64468. Phone: 660/562-1634. Web site: www.nwmissouri.edu. Hours: by appointment; closed university holidays. Admission: free. Jon Rickman, Director 660-562-1134 [email protected]

STATE UNIVERSITY OF NEW YORK AT ONEONTA Science Discovery Center of Oneonta Oneonta, New York The Science Center of Oneonta is a hands-on science center at the State University of New York at Oneonta. Founded in 1987 largely by the efforts of Professor of Physics Albert Read, the center has 3,000 square feet of exhibits in the basement of the Physical Science Building. The exhibits, which are aimed primarily at children, are designed to relate to some significant aspect of science, easy to use, and involve an element of surprise or humor. The center has approximately 80 exhibits made with simple materials that deal with properties of matter; forces, motion, and mechanisms; fluids at rest and in motion; sound, vibration, and waves; electricity and magnetism; and optics and light. Annual attendance is 5,700.

seum is located in Old Morrison, an 1833 Greek Revival building. Annual attendance is 150. Monroe Moosnick Medical and Science Museum, Transylvania University, Old Morrison, 300 N. Broadway, Lexington, KY 40508-1797.Phone: 859/233-8229. Fax: 859/233-8171. E-mail: [email protected]. Web site: www.transy.edu/homepages/museum. Hours: by appointment; closed national holidays. Admission: free. Jamie Day, Curator

UNIVERSITY OF ARIZONA UA Science: Flandrau Tucson, Arizona The UA Science: Flandrau is a science center at the University of Arizona in Tucson that includes a planetarium and observatory, science and astronomical exhibits, and a mineral museum. It began in 1975 as the Grace H. Flandrau Planetarium following a 1972 bequest of over $1 million from the estate of the noted author and frequent winter visitor to Tucson. The university used the donation to build the planetarium to increase public understanding and appreciation of science. It later became the Flandrau Science Center and Planetarium as additional elements were added, and it now is known as UA Science: Flandrau and is under the guidance of the College of Science.

The science center includes the Flandrau Planetarium, which has a Minnolta/Viewlex Series IV star projector, a Cinema 360 film projector, 147 seats, and a 16-inch telescope obserScience Discovery Center of Oneonta, State University of vatory for star, multimedia, and laser light shows and sky New York at Oneonta, Physical Science Bldg., Oneonta, NY observations; about 10,000 square feet of science and astro13820-4015. Phone: 607/436-2011. Fax: 607/436-2654. nomical exhibits around the planetarium; and the University E-mail: [email protected]. Web site: oneonta.,edu/acaof Arizona Mineral Museum (see separate listing in Geology demics/sdc. Hours: Sept.-June-12-4 Thurs.-Sat.; closed and Mineralogy Museums section) with a collection of Sun.-Wed., Thanksgiving, and Christmas; July-Aug.-12-4 gems, minerals, and meteorites on the center’s lower level. Mon.-Sat.; closed Sun. Admission: free. Annual attendance is 50,000. Hugh Gallagher, Director 607-436-2011

TRANSYLVANIA UNIVERSITY Monroe Moosnick Medical and Science Museum Lexington, Kentucky

UA Science: Flandrau, University of Arizona, 1601 E. University Blvd., Tucson, AZ 85719 (postal address: PO Box 210091, Tucson, AZ 85721). Phone: 520/621-7827. Fax: 520/621-8451. E-mail: [email protected]. Web site: www.flandrau.org. Hours: planetarium/exhibits/mineral museum-10-2 Mon.-Wed., 10-3 and 6-9 Thurs.-Fri.,.10-9 Sat., 1-4 Sun.; observatory-7 p.m. Fri.-Sat.; laser light shows-7:30 p.m. Thurs., 8 p.m. Fri., 5:30 and 8 p.m. Fri.-Sat., 2:30 Sun. Admission: planetarium/exhibits/mineral museum-adults, $7.50; children 4-15, $5; Arizona college students, $2; laser light shows-adults, $10; children 4-15 and Arizona college students, $7.50; observatory-free.

The Transylvania University Museum in Lexington, Kentucky, has been been renamed the Monroe Moosnick Medical and Science Museum in honor of the late chemistry professor. The museum originally opened in 1948 as the Museum of Early Philosophical Apparatus with an extensive Michael McGee, Technical Director collection of early scientific equipment, anatomical models, and botanical paintings used in teaching medicine, physics, chemistry, and biology in the nineteenth century. The nineUNIVERSITY OF ARKANSAS teenth-century instruments were purchased in Europe in 1820 and brought to Transylvania in about 1850. The muUniversity of Arkansas Discovery Zone

Fayetteville, Arkansas The University of Arkansas Discovery Zone is a new science center that provides learning experiences for students

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Science & Technology Museums & Centers and teachers that opened in 2009 in Fayetteville. It features traveling exhibitions from the Arkansas Discovery Network, a statewide collaborative of 12 math and science centers established in 2006 with a $7.3 million grant from the Donald W. Reynolds Foundation. The exhibitioN, which run for six months, are devoted to such subjects as backyard science, illusions, astronomy, and exploring the frontier. Discovery Zone is sponsored by the university’s Center for Math and Science Education and the College of Education and Health Professions and located in a formerly vacant building near the campus. University of Arkansas Discovery Zone, 1564 Martin Luther King, Jr. Blvd., Fayetteville, AR 72703. Phone: 479/575-3875. E-mail: [email protected]. Web site: www.cmase.uark.edu; uadz/uadz.htm. Hours: 10-4 Tues.-Sat., closed Sun.-Mon. and major holidays. Admission: free. Lynn Hehr, Director, University of Arkansas Center for Math and Science Education [email protected]

UNIVERSITY OF CALIFORNIA, BERKELEY Lawrence Hall of Science Berkeley, California The Lawrence Hall of Science at the University of California in Berkeley is a 134,000-square-foot science center that presents an overview of the major sciences, shows how they are related, and points out why they are important to the present and future. It features hands-on exhibits and programs, serves as a resource center for preschool through high school science and mathmatics education, and is a major developer of innovative educational materials and programs. The center was established in 1968 as a tribute to Ernest O. Lawrence, the university’s first Nobel laureate, inventor of the cyclotron, and founder and director of the university-operated Radiation Laboratory. It now has an annual attendance of over 200,000. The science center has exhibits that display the Earth’s weather, climate, and oceanic data; examine the field of nanotechnology, register seismographic earthquakes; explore the seismological forces that created and still affect the San Francisco Bay area; and tell about the life and research of Ernest O. Lawrence. Other exhibits include an Animal Discovery Room, KidsLab multi-sensory play area for young children, and Idea Lab with guided discovery activities; a life-sized model of a fin whale; contain math games from around the world; and two discipline-oriented sculptures. Lawrence Hall of Science, which has pioneered in interactive astronomy shows, has the 45-seat William Knox Holt Planetarium, which was built in 1973 and now has a state-of-the-art projection system. The 45-minute sky shows are followed by hands-on philosophy of science education. Three different planetarium shows are presented on weekends and most holidays during the academic year and daily during the summer. Stargazing also is offered every first and

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third Saturday nights throughout the year, weather permitting. Lawrence Hall of Science, University of California, Berkeley, Box 5200, Berkeley, CA 94720-5200. Phone: 510/642-5132. Fax: 510/642-1055. E-mail: [email protected]. Web site: www.lawrencehallofscience.org. Hours: science center-10-5 daily; planetarium-Sept.-May-1, 2, 3 Sat., Sun., and some holidays; June-Aug.-1, 2, 3 daily; closed Labor Day, Thanksgiving, and Christmas. Admission: science center-adults, $11; seniors, students, disabled, and children 7-18, $9; children 3-6, $6; children under 3, free; planetarium-$4 per person. Elizabeth K. Stage, Director

UNIVERSITY OF CALIFORNIA, BERKELEY Bradbury Science Museum Los Alamos, New Mexico The Bradbury Science Museum at the Los Alamos National Laboratory in Los Alamos, New Mexico, is an energy science center at the Department of Energy facility operated on a contract basis by the University of California, Berkeley. Founded in 1963, it was one of the first hands-on museums at a federal laboratory. It uses interactive and interpretive techniques, computers, videos, and science demonstrations in exhibits and programs about the nuclear physics laboratory and its research and related scientific and technological fields. The museum has three exhibit galleries relating to the laboratory’s history and its defense, and research activities. The History Gallery shows the world events leading to the Manhattan Project and the atomic bomb and describes Los Alamos before and after the project; using photographs, documents, and objects relating to life in Los Alamos when scientists were working to develop the bomb. The Defense Gallery describes the national security role of the laboratory and displays such artifacts as an early warhead, an air-lanched cruise missile, and a bomb casing identical to the Fat Man bomb dropped on Nagasaki during World War II. Exhibits on the varied basic and applied research conducted at the laboratory include as earth and environment. Bradbury Science Museum, Los Alamos National Laboratory, 1360 Central Ave., Los Alamos, NM 87544 (postal address: MSC 330, Los Alamos National Laboratory, Los Alamos, NM 87545). Phone: 505/667-4444. Fax: 505/665-6932. E-mail: [email protected]. Hous: 10-5 Tues.-Sat., 1-5 Sat.-Sun.; closed Mon., New Year’s Day, Thanksgiving, and Christmas. Admission: free. Kurt Steinhaus, Executive Office Director, Los Alamos National Laboratory

UNIVERSITY OF CINCINNATI UNIVERSITY OF CINCINNATI Oesper Museum of Chemical Apparatus Cincinnati, Ohio The Oesper Museum of Chemical Apparatus in Rieveschl Hall is one of three parts of the Oesper Collections in the History of Chemistry at the University of Cincinnati in Ohio. The other sections are an Oesper collection of portraits and prints and a collection of rare books and journals, located adjacent to the apparatus museum. The apparatus museum contains a reproduced 1900 laboratory and floor-to-ceiling display cases with antique bottles, burners, balances, ovens, and a wooden fume hood from the Ohio Mechanics Institute and other donated chemical equipment.

flora and fauna. It also is possible to see buffalo roaming on the laboratory grounds. Lederman Science Center, Fermi National Accelerator Laboratory, Kirk Rd. and Pine St., Box 500, Batavia, IL 60510. Phone: 630/840-8258. Fax: 630/840-2500. Web site: www.ed.fnal.gov/lsc. Hours: 8:30-4:30 Mon.-Fri., 9-3 Sat.; closed Sun. and major holidays. Admission: free. Marge Bardeen, Manager, Education Office

The museum, which was started by Dr. William B. Jensen after his appointment as Oesper Professor of Chemical Education and History of Chemistry in the 1980s. The museum, which opened in 2000, is named for Dr. Ralph E. Oesper, an early chemistry professor who left many of his chemical artifacts, publications, and portraits, as well as a substantial endowment for the support of activities in the history of chemistry. Oesper Museum of Chemical Apparatus, University of Cincinnati, Dept. of Chemistry, Rieveschl Hall, Cincinnati, OH 45221. Phone: 513/556-9326. Web site: www.digitalprojects.libraries.uc.edu/oesper/history/index.asp. Hours: by appointment. Admission: free. William Jensen, UC Professor of Chemistry [email protected]

UNIVERSITY RESEARCH ASSOCIATION Lederman Science Center Batavia, Illinois The Lederman Science Center is located at the Fermi National Accelerator Laboratory, a Departmernt of Energy research facility in Batavia, Illinois, operated by the University Research Association, a consortium of 90 research universities. The science center is named for Dr. Leon M. Lederman, Nobel laureate and former director of the federal laboratory. The hands-on center functions as a visitor center for the laboratory, which seeks to learn more about the universe and how it works. The laboratory is named for Enrico Fermi, the Nobel laureate who directed the first controlled nuclear chain reaction at the University of Chicago, which previously managed Fermilab. The science center has interactive exhibits about science and the instruments, research, and accomplishments of the high-energy physics laboratory. The principal research instrument at the laboratory is the accelerator, also known as the collider, in which counter-rotating beams of particles collide to produce new insights. Visitors to the science center also can walk the Margaret Pearson Interpretive Trail through the laboratory’s restored prairie with signage about

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Sports Museums AUBURN UNIVERSITY Jonathan B. Lovelace Museum and Hall of Honor

MONTCLAIR STATE UNIVERSITY Yogi Berra Museum and Learning Center

Auburn, Alabama

One of the most celebrated New York Yankees players is honored at the Yogi Berra Museum and Learning Center on the Montclair State University campus in Little Falls, New Jersey. Founded in 1998, it seeks to educate and inspire young people with culturally diverse sports-oriented programming. The collection focuses on baseball history, with emphasis on Yankees’ history and Berra’s career. Baseball equipment, memorabilia, and photographs pertaining to Berra’s life and career and baseball history are featured in 4,500 square feet of exhibits. The museum also has educational programs that offer 10 building blocks of learning to further literacy, character, and a better understanding of social justice, mathematical and scientific principles, and the history and contemporary role of sports in society.

The Jonathan B. Lovelace Athletic Museum at Auburn University in Auburn, Alabama, has a new name and home. Founded in the Auburn Athletics Complex in 1996, it became the Jonathan B. Lovelace Museum and Hall of Honor in the new Auburn Arena in 2010. The museum now presents a walk through Auburn’s athletic history; honors its great teams, players, and coaches; and features 17 interactive exhibits highlighting each sport at Auburn. It contains artifacts, trophies, memorabilia, photographs, and a theater with a 16-foot screen that shows 25 brief videos about Auburn’s sports history. Jonathan B. Lovelace Museum and Hall of Honor, Auburn University, Auburn Arena, 250 Beard Eaves Ct., PO Box 351, Auburn, AL 36831-0351. Phone: 334/844-9750. E-mail: [email protected]. Web site: www.auburntigers.cstv.com/facilities/aub-10-lovelace.html. Hours: non-game days-9-5 Mon.-Sat.; closed Sun; basketball and gymnastics game days-8-1 Mon.-Fri. and reopens 90 minutes before game time; on Sat.-Sun. it opens 90 minues before game time. Admission: free. Randy Byars, Director of Facility Planning, Auburn Athletics [email protected]

GRAMBLING STATE UNIVERSITY Eddie G. Robinson Museum

Little Falls, New Jersey

Yogi Berra Museum and Learning Center, Montclair State University, 8 Quarry Rd., Little Falls, NJ 07424-3161. Phone: 973/655-2378. Fax: 973/655-6894. Web site: www.yogiberramuseum.org. Hours: 12-5 Wed.-Sun.; closed Mon.-Tues. and major holidays. Admission: adults, $6; students under 18, $4. Dave Kaplan, Director

NORTHWEST MISSOURI STATE UNIVERSITY Bearcat Sports Museum Maryville, Missouri

The Bearcat Sports Museum at Northwest Missouri State University in Maryville consists of a series of display cases The Eddie G. Robinson Museum at Grambling State Univer- containing awards and memorabilia of the university’s athletic teams. Included among the exhibits is the Old Hickory sity in Grambling, Louisiana, honors the legendary football Stick, symbol of one of the most intense college rivalries.in coach who set a Division 1 record for college football victofootball. The museum is located in the Lampkin Activity ries. He served as coach at Grambling from 1941 to 1997 Center. and amassed 408 victories and had an .844 winning percentage. The 18,000-square-foot museum, which opened in Bearcat Sports Museum, Northwest Missouri State Univer2010, traces his career and houses his awards, letters, and sity, Lampkin Activity Center, Maryville, MO 64468. playbooks and game plans. It also includes a life-sized Phone: 660/562-1581. Web site: statue of Robinson, a time-line of his life, an interactive area www.nwmissouri.edu/onlinemuseum/athletics.htm. Hours: where children can throw a pass to a mock receiver and hear 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Robinson’s recorded voice giving advice and encouragement, and a National Football League Room devoted to the Wren Baker, Director of Athletics 660-562-1977 more than 200 players that Robinson coached who went on to become professional players.

Grambling, Louisiana

Eddie Robinson Museum, Grambling State University, Grambling, LA 71245. Phone: 318/274-2210. Hours: 9-4:30 Tues.-Sat.; closed Sun.-Mon. and major holidays. Admission: free. John Belton, Chair, Eddie G. Robinson Museum Commission

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OHIO STATE UNIVERSITY Jack Nicklaus Museum Columbus, Ohio The Jack Nicklaus Museum, located in the center of Ohio State Unioversity’s sports complex in Columbus, is devoted

OKLAHOMA STATE UNIVERSITY to the life and career of one of the nation’s greatest golfers and the history of golf and its outstanding practitioners. Nicklaus was named the “Golfer of the Century” by Golf magazine in 1988. The 24,000-square-foot museum, which opened in 2002, traces the Ohio State alumnus’s career and displays his trophies, photographs, and memorabilia from 20 major championships and 100 worldwide professional victories. It also has numerous interactive exhibits, three theater presentations, and a life-size bronze statue of Nicklaus. Jack Nicklaus Museum, Ohio State University, 2355 Olentangy River Rd., Columbus, OH 43210-1074. Phone: 614/247-5959. Fax: 614/247-5906. E-mail: [email protected]. Web site: www.nicklausmuseum.org. Hours: 9-5 Tues.-Sat.; closed Sun.-Mon. Admission: adults, $10; students, $5. Steve Auch, Curator [email protected]

museum, which opened in 2002 in the enlarged Beaver Stadium, replaced the former Penn State Football Hall of Fame in the Greenberg Indoor Sports Complex. It features the photographs, memorabilia, trophies, and other materials relating to the university’s 29 varsity sports teams, 3 former varsity teams, and outstanding men and women athletes and coaches. Penn State All-Sports Museum, Pennsylvania State University, 1Beaver Stadium, University Park, PA 16802. Phone: 814/865-0044. Fax: 814/865-6677. Web site: ww.gopsusports.com/museum. Hours: mid-Mar-mid-Jan-10-4 Tues.-Sat., 12-4 Sun.; closed Mon., Easter, Thanksgiving, and Christmas-New Year’s Day; mid-Jan.-mid-Mar.-10-4 Fri.-Sat., 12-4 Sun; closed Mon.-Thurs.; home football weekends-10-8 Fri.; closed Sat. if kickoff before 3:30 and open 9 to 31/2 before the game if kickoff is 3:30 or later. Admission: suggested donations-$5 for adults; $3 for seniors and students. Ken Hickman, Director 814-865-5577

OKLAHOMA STATE UNIVERSITY National Wrestling Hall of Fame and Museum Stillwater, Oklahoma The National Wrestling Hall of Fame and Museum, an independent nonprofit, is located on the Oklahoma State University campus in Stillwater. The 10,000-square-foot hall of fame/museum was founded in 1972 and opened on the campus in 1976. A three-quarter-ton green marble replica of the Greek classic sculpture The Wrestlers by Cephisodotus greets visitors at the entrance. The exhibits trace the history of wrestling and honor wrestlers who have won national championships or have represented the United States on Olympic, Pan American, or World teams; legendary wrestlers; coaches; and contributors to the sport; persons who have wrestled and later achieved success in other fields; and outstanding high school wrestling figures. Among the displayed objects are plaques, photographs, memorabilia, banners, trophies, medals, uniforms, films, videotapes, and other materials pertaining to wrestling and its prime movers. Annual attendance is 10,000. National Wrestling Hall of Fame and Museum, Oklahoma State Univrsity, 405 W. Hall of Fame Ave., Stillwater, OK 74075-5025. Phone: 405/377-5243. Fax: 405/377-5244. E-mail: [email protected]. Web site: www.wrestlinghalloffame.org. Hours: 9-4:30 Mon.-Fri., by appointment Sat.-Sun. Admission: adults, $5; students, $2; children under 2, free; families, $10. Lee Roy Smith, Hall of Fame Director [email protected]

PENNSYLVANIA STATE UNIVERSITY Penn State All-Sports Museum University Park, Pennsylvania The athletic history and heritage of Pennsylvania State University in University Park (State College) is presented at the Penn State All-Sports Museum. The 10,000-square-foot

ST. MARY’S COLLEGE National Polish American Sports Hall of Fame Orchard Lake, Michigan Outstanding athletes, coaches, and sports journalists of Polish descent are honored in the National Polish American Sports Hall of Fame located in the Dombrowski Fieldhouse at St. Mary’s College in Orchard Lake, Michigan. Founded in 1973, the hall contains plaques, information, and memorabilia about more than 100 inductees, including such figures as San Musial in baseball, Mike Ditka in football, Tony Zale in boxing, Janet Lynn in figure skating, and Coach Mike Krzyzewski in basketball. National Polish American Sports Hall of Fame, St. Mary’s College, Dombrowski Fieldhouse, Orchard Lake, MI 48324 (postal address: 11727 Gallagher, Hamtramck, MI 48212). Phones: 313/407-3300 and 248/683-0401. Fax: 313/876-7724. E-mail: [email protected]. Web site: www.olishsportshof.com. Hours: by appointment; closed major holidays. Admission: free. Bryan Rizzo, Athletic Director, Madonna University

TEXAS A&M UNIVERSITY Texas A&M Sports Museum College Station, Texas Men’s and women’s varsity sports and outstanding teams and athletes are honored at the Texas A&M Sports Museum in College Station. The museum, founded in 2001 and located in the Bernard C. Richardson Zone at Kyle Field, is the only campus all-sports museum funded primarily by former athletes (through the Lettermen’s Association in cooperation with the 12th Man Foundation). It has such exhibits as the “Timewall,” which traces the history of A&M sports with historic photographs and artifacts; “Legends Gallery,” with photographs and memorabilia featuring the

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Sports Museums achievements of great athletes; “Perimeter Displays,” containing exhibits on the different sports, Aggie band, cheerleaders, and traditions of the university; and “Computer Interactives,” with database terminals and video interactives on outstanding athletes and plays and memorable moments. The museum also presents changing exhibitions in the lobby.

displays on the history of football at “Bama.” Annual attendance is 40,000.

Texas A&M Sports Museum, Bernard C. Richardson at Kyle Field, PO Box 5346, College Station, TX 77844-5346. Phone: 979/846-3024. Fax: 979/846-6270. E-mail: [email protected]. Web site: www.lettermen.tamu.edu/museum.php. Hours: 9-5 Mon.-Fri., 9 to kickoff on Sat. on home football games only; closed Sun., other Sat., Thanksgiving, and Christmas. Admission: free.

E-mail: bryant-info@ ua.edu. Web site: www.bryantmuseum.ua.edu. Hours: 9-4 daily closed major holidays. Admission: adults, $2; seniors, students, and children 6-17, $1; children under 6, free

Cathy Capps, Director 979-846-3024 [email protected]

Paul W. Bryant Museum, University of Alabama, 300 Paul W. Bryant Dr., PO Box 870385, Tuscaloosa AL 35487. Phones: 205/348-4668 and 866/772-2327. Fax: 205/348-8883.

Ken Gaddy, Director

UNIVERSITY OF ARIZONA Jim Click Hall of Champions Tucson, Arizona

U.S. AIR FORCE ACADEMY Athletic Hall of Excellence Colorado Springs, Colorado The Athletic Hall of Excellence at the U.S. Air Force Academy in Colorado Springs, Colorado, showcases the accomplishments of the academy’s teams and athletes. The hall, which opened in 2003, covers more than 4,500 square feet between the Cadet Field House and the Cadet Gym. Athletic Hall of Excellence, U.S. Air Force Academy, 2169 Field House Dr., Colorado Springs, CO 89840. Phone: 719/333-9022. E-mail: [email protected]. Web site: www.goairforcefalcons.com/ot/hall-of-excellence.htm. Hours: 8:30-4:30 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Dave Kellogg, Director

UNIVERSITY OF ALABAMA Paul W. Bryant Museum

The Jim Click Hall of Champions at the University of Arizona in Tucson is a 9,000-square-foot exhibition hall devoted to the university’s more than 100 years of athletic history. The facility, which opened in 2002 and is named for its donor, has exhibits on the universitry’s 18 intercollegiate sports and other displays on outstanding student athletes, performances, events, traditions, and spirit-related topics. It also contains a Hall of Fame Mezzanine for special events. The Click Hall is attached to the McKale Memorial Center, which had plaques honoring 283 individuals and 39 teams in 2011 in the University of Arizona Sports Hall of Fame. Jim Click Hall of Chaions, University of Arizona, 1 National Champions Dr., Tucson, AZ 85721-0096. Phone: 520/621-0887. Fax: 520/621-8109. Web site: www.arizonawildcats.com. Hours: 8-5 Mon.-Fri. 12-5 Sat. (it opens 5 hours before home football games and closes 2 hours before basketball games and opens for the first half of the games); closed Sun. and major holidays. Admission: free. Greg Byrne, Athletic Director, UA

Tuscaloosa, Alabama The Paul W. Bryant Museum at the University of Alabama in Tuscloosa honors its long-time football coach and celebrates nearly 120 years of football at the university. The museum, founded in 1985 and opened in 1988, tells about the life, career, and accomplishments of the man known as Coach “Bear” Bryant, who had 323 football victories, coached six national championship teams, and was national coach of the year three times and Southeastern Conference coach of the year eight times. It also traces the history of football at the university since its first football club in 1892 and includes the contributions of other coaches, accomplishments of outstanding players, and the highlights of great games. The 7,500-square-foot exhibit area contains trophies, uniforms, memorablia, photographs, and interactive video

UNIVERSITY OF CONNECTICUT J. Robert Donnelly Husky Heritage Sports Museum Storrs, Connecticut The J. Robert Donnelly Husky Heritage Sports Museum at the University of Connecticut is located in the newly expanded Alumni Center on the campus in Storrs. The 2,700-square-foot museum traces the history and achieveents of the Huskies intercollegiate athletic program since its inception more than 100 years ago. It features memorabilia, uniforms, equipment, photographs, and other materials, with the emphasis on 12 national championship teams in four sports. The museum, which opened is 2004, is named for its benefactor, who was captain of the 1940 Connecticut basketball and football teams. J. Robert Donnelly Husky Heritage Sports Museum, University of Connecticut, Alumni Center, 2384 Alumni Dr., Unit

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UNIVERSITY OF IOWA 3053, Storrs, CT 06269. Phone: 888/822-5861. E-mail: [email protected]. Web site: www.uconnhuskies.com/trads/museum.html. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Tim Tolokan, Associate Director of Athletics/Licensing & Athletic Traditions 860-486-9097 [email protected]

UNIVERSITY OF IOWA Athletics Hall of Fame Iowa City, Iowa The University of Iowa Athletics Hall of Fame in Iowa City has interactive displays, biographics, memorabibilia, trophies, photographs, and other items about the university’s sports teams, players, and coaches. Founded in 1989, the museum moved into the Roy G. Karro Building in 2002 and now covers 30,000 square feet on three floors. Among the objects on display is the Heisman Trophy won by quarterback Nile Kinnick. The museum also tells about the history and nature of sports at the university. University of Iowa Athletics Hall of Fame, 446 KHF Bldg., 2425 Prairie Meadows Dr., Iowa City, IA 52242. Phones: 319/384-1031 and 866/4692-3263.Fax: 319/384-1032. E-mail: [email protected]. Web site: www.hawkeyesports.com. Hours: 11-6 Mon.-Fri., 10-6 Sat., 12-5 Sun.; closed major holidays. Admission: adults, $4; seniors and students, $3; children under 12, free; all students are free on Sat. Dale Arens, Director [email protected]

UNIVERSITY OF MIAMI University of Miami Sports Hall of Fame Coral Gables, Florida Exhibits about student athletes, coaches, and administrators who have contributed the most to Hurricane athletics over the years are featured at the University of Miami Sports Hall of Fame on the Coral Gables campus in Florida. The museum contains plaques, memorabilia, and photographs of inductees, as well as exhibits on the history of the university’s sports and championship teams.The museum is located in the Tom Kearns Sports Hall of Fame Building, named for a businessman and football and boxing hall of famer who was its major donor. University of Miami Sports Hall of Fame, Tom Kearns Sports Hall of Fame Bldg., 5821 San Amaro Dr., Coral Gables, FL 33146. Phone: 305/710-2803. E-mail: [email protected]. Web site: www.umsportshalloffame.com. Hours: Mon.-Tues. and Thurs.-Fri.; closed Wed., Sat.-Sun., and major holidays. Admission: free. Walter DiMarko, President [email protected]

UNIVERSITY OF MICHIGAN Margaret Dow Towsley Sports Museum Ann Arbor, Michigan The Margaret Dow Towsley Sports Museum at the University of Michigan in Ann Arbor is devoted to the history of the university’s varsity sports and its outstanding men’s and women’s teams, athletes, coaches, and games. The 4,000-square-foot museum, located on the first floor of Schembechler Hall, opened in 1991 and is named for its benefactor, a civic leader and philanthropist. It contains trophies, memorabilia, photographs, murals, films, and touch-screen computers. Margaret Dow Towsley Sorts Museum, University of Michigan, Schembechler Hall, 1200 S. State St., Ann Arbor, MI 48109-2201. Phone: 734/763-4422. Hours: 11-4 Mon.-Fri., 10-2 Sat. (hours vary for home hockey matches and football games); closed Sun., major holidays, and Dec. 31-Jan. 9. Admission: free.

UNIVERSITY OF SOUTHERN CALIFORNIA Heritage Hall Exhibit Area Los Angeles, California Heritage Hall, which houses the Department of Athletics at the University of Southern California in Los Angeles, honors the university’s outstanding sports teams, players, and coaches in three exhibit areas. It celebrates the Trojans’ athletic heritage with an extensive exhibit of trophies, busts, uniforms, and memorabilia on the ground level between the north and south wings. The Honors Rail on the upper level contains bronze medallions for every USC athelete who has won an Olympic gold medal or NCAA championship or been named a first-team All American in an NCAA sport. The USC Athletic Hall of Fame displays plaques honoring inductees. By 2010, the university has produced 392 Olympic champions and won 113 national team championships. Heritage Hall Exhibit Areas, University of Southern California, 3501 Watt Way, Los Angeles, CA 90089. Phone: 213/740-3843. Fax: 213/740-7584. Web site: www.usctrojans.com. Hours: 9-5 Mon.-Fri. and during football games; closed Sat.-Sun. and major holidays. Admission: free. Pat Haden, USC Charles Griffin Cale Director of Athletics’ Chair [email protected]

UNIVERSITY OF TENNESSEE University of Tennessee Football Hall of Fame Knoxville, Tennessee The University of Tennessee Football Hall of Fame in Knoxville honors the university’s outstanding football teams, players, and coaches. Established in 1970, the hall of fame is located in the Neyland-Thompson Sports Center, named for the late head football coach and athletic director

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Sports Museums and a leading Knoxville businessman. The museum, which was renovated in 2009, contains exhibits about the history of Tennessee Volunteers football and those who excelled in its success on the gridiron. University of Tennessee Football Hall of Fame, Neyland-Thompson Sports Center, 1704 Johnny Majors Dr., Knoxville, TN 37916. Phone: 865/974-8437. Web site: www.utsports.com/facilities. Hours: 9-4 Mon.-Fri. and during atheletic events (also 9 a.m. to 1 hour before Sat. home football games); closed Sat.-Sun. and major holidays. Admission: free. Joan Cronin, Interim Vice Chancellor/Director of Athletics [email protected]

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Zoology Museums HARVARD UNIVERSITY Museum of Comparative Zoology Cambridge, Massachusetts

45056. Phone: 513/529-4617. Fax: 513/529-6900. E-mail: [email protected]. Web site: www.environmentaleducationohio.org. Hours: 9-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free.

The Museum of Comparativce Zoology at Harvard University in Cambridge, Massachusetts, is devoted to research Donald Kaufman, Director 513-529-4617 and education focusing on the comparative relationships of animal life. It was founded in 1859 primarily through the ef- [email protected] forts of Louis Agassiz, the noted Harvard scholar and professor of natural history. The museum served as a training ground for zoologists and influenced many of the early natu- SANTA FE COMMUNITY COLLEGE ral history museums. The museum now has approximately Santa Fe Community College Teaching Zoo 21 million extant and fossil invertebrates and vertebrate Gainesville, Florida specimens. The Santa Fe Community College in Gainesville, Florida, The museum has one of the world’s richest and most varied has a Zoo Animal Technology Program with its own zoo, resources for studying the diversity of life and one of the called the Santa Fe Community College Teaching Zoo, to largest collections at a university museum. The insect colfacilitate the training of animal professionals. The zoo, lolection is one of the most historically significant in North cated on 10 acres in a naturally wooded environment on the America, containing over 7 million specimens and the pricollege’s Northwest Camppus, was founded in 1971 and is mary types of over 33,000 species. The ant collection, with open to the public. The zoo contains a diverse collection of nearly 1 million specimens, is the largest and most impormammals, birds, reptiles, and amphibians. Program stutant in the world. The museum has 12 departments, includdents, who get hands-on experience in every aspects of wild ing biological oceanography, entomology, herpeteology, animal care, also give guided tours. The site also has a planichthyology, invertebrate paleontology, invertebrate zooletarium. The zoo’s annual attendance is over 30,000. ogy, malacology, mammalogy, marine invetebrates, ornitholSanta Fe Community College Teaching Zoo, Northwest ogy, population genetics, and vertebrate paleontology. Campus, 3000 N.W. 83rd St., Gainesville, FL 32606-6200. Museum of Comparative Zoology, Harvard University, 26 Phones: 352/395-5601 and 352/395-5633. Fax: Oxford St., Cambridge, MA 02138-2902. Phone: 352/395-7365. E-mail: [email protected]. Web 617/495-2460. Fax: 617/495-5667. Web sites: site: www.sfcollege.edu/zoo. Hours: 9-2 Mon.-Fri. by apwww.mcz.harvard.edu and www.hmnh.harvard.edu. Hours: pointment; 9-2 Sat.-Sun. no appointment necessary; closed 9-5 daily; closed New Year’s Day, Thanksgiving, and New Year’s Day, Thanksgiving, Christmas Eve and Day, Christmas Eve and Day. Admission: adults, $9; seniors and and Boo-at-the Zoo Event preparations at end of Oct. Adnon-Harvard students, $7; children 3-18, $6; children under mission: zoo and planetarium-adults, $5; seniors and chil3, free. dren 4-12, $4; SF students, staff, and children under 4, free; tours-free. James Hankin, Director 617-495-2496 [email protected]

MIAMI UNIVERSITY Hefner Zoology Museum Oxford, Ohio The Hefner Zoology Museum at Miami University in Oxford, Ohio, seeks to further understanding of animal natural history by emphasizing the fauna of southwest Ohio. Founded in 1951, the museum underwent an extensive renovation in 2001 and now has the feel of an earlier era with its antique display cases, wooden cabinetry, earth-toned interiors, and subtle lighting. Selections from the museum’s collection are displayed in a 1,800-square-foot gallery. The museum, a part of the Center for Environmental Education, has an annual attendance of 5,000.

Jonathan Miot, Director 352-395-5602 [email protected]

UNIVERSITY OF CALIFORNIA, BERKELEY Museum of Vertebrate Zoology Berkeley, California The Museum of Vertebrate Zoology at the University of California in Berkeley seeks to document and increase understanding of the diversity of terrestrial vertebrates, with emphasis on western North America. It is a center for research and education in the biology of amphibians, birds, mammals, and reptiles. The museum was founded in 1908 by Annie Montague Alexander and initially developed by

Hefner Zoology Museum, Miami University, Center for Environmental Education, 100 Upham Hall, Oxford, OH

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Zoology Museums zoologist Joseph Grinnell, the first director who served until his death in 1939. The museum, now located in the new Valley Life Sciences Building, has a collection of over 640,000 specimens-the largest of any university museum in its field. In addition, it has archived field notes and photographs, historical annotated maps and correspondence, avian sound recordings, chromosome and histology preparations, artweork related to terrestrial vertebrate natural history, and anatomical and film collections. The museum, which is closed to the public, is open each year only on Cal Day, when visitors can see specimens not normally displayed and handle some of the live animals. The museum also is part of the Berkeley Natural History Museums. Museum of Vertebrate Zoology, University of California, Berkeley, 3101 Valley Life Sciences Bldg., Berkeley, CA 94720. Phone: 510/642-3567. Fax: 510/643-8238. Web site: www.mvz.berkeley.edu. Hours: closed to public except on Cal Day. Admission: free. Craig Moritz, Director

UNIVERSITY OF MICHIGAN University of Michigan Museum of Zoology Ann Arbor, Michigan In 1837, the legislature of the new State of Michigan authorized a “Cabinet of Natural History” at the University of Michigan. It was the first such authorization at an American public university. The collection grew rapidly and became a museum in 1882. The collection consisted largely of geological and mineralogical specimens from the State Geological Survey until it was supplemented by gifts of other types of collections. A director and curator were appointed in 1895, but it was not until 1922 that Professor Alexander G. Ruthven, who later was university presidentr, became director and the name was changed to Museum of Zoology. In 1928, the zoology museum became part of the Museums of Natural History in what was later named the Ruthven Building.

UNIVERSITY OF MONTANA Philip L. Wright Zoology Museum Missoula, Montana The Philip L. Wright Zoology Museum at the University of Montana in Missoula began collecting specimens in the 1890s, became formalized as a museum in 1947, and was renamed for Philip L. Wright in 1997. Wright assumed responsibility for the museum collection in 1939 and continued to add to it until his death 58 years later. The museum now has more than 24,000 specimens of vertebrates, primarily mammals, birds, and fish. It is one of the major zoological collections representing the Northern Rocky Mountains region. The Montana Comparative Skeletal Collection also is housed in the museum, located on the second floor of the Health Sciences Building. The museum is part of the Division of Biological Sciences. Philip L. Wright Zoology Museum, University of Montana, Div. of Biological Sciences, 212 Health Sciences Bldg., 32 Campus Dr., #4824, Missoula, MT 59812. Phone: 406/243-5222. Fax: 406/243-4184. E-mail: [email protected]. Web site: www.zoologicalmuseum.dbs.umt.edu. Hours: collection generally not open to the public. Dave Dyer, Curator 406-243-4743 [email protected]

UNIVERSITY OF NORTH DAKOTA University of North Dakota Zoology Museum Grand Forks, North Dakota The University of North Dakota Zoology Museum in Grand Forks began its collection of birds, fish, mammals, reptiles, amphibians, insects, and parasites of aquatic invertebrates in 1883. The museum, part of the Department of Biology, has permanent exhibits from the collection and temporary exhibitions. Annual attendance is 200. University of North Dakota Zoology Museum, Dept. of Biology, Grand Forks, ND 58202. Phone: 701/777-2621. Fax: 701/777-2623. E-mail: [email protected]. Web site: www.und.edu/dept/biology/undergrad. Hours: 8-4:30 Mon.-Fri. by appointment; closed Sat.-Sun. and national holidays. Admission: free.

The Museum of Zoology now serves as the nucleus for the study of animal diversity at the Ann Arbor University. It has a collection of amphibians, birds, fishes, insects, mollusks, mammals, and reptiles, and focuses on the evolutionary origins of the planet’s animal species, the genetic information Katherine Mehl, Curator they contain, and the ecosystems they form. The museum, [email protected] which features specimens from its collection, is one of five natural history-oriented museums in what is called the Ruthven Museums Building.(See separate listing for University of Michigan Exhibit Museum of Natural History in Natural UNIVERSITY OF WISCONSIN-MADISON and Cultural History Museums section.) University of Wisconsin Zoological Museum

Madison, Wisconsin University of Michigan Museum of Zoology, 1109 Geddes Ave., Ann Arbor, MI 48109. Phone: 734/764-0476. Web site: www.ummz.lsa.umich.edu. Hours: 9-5 Mon.-Sat., 12-5 Sun.; closed major holidays. Admission: free. William L. Fink, Director 734-764-0476 [email protected]

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The University of Wisconsin Zoological Museum on the Madison campus is dedicated to the preservation, study, and understanding of the vertebrate and aquatic fauna of Wisconsin, the Midwest, and other parts of the world. It was founded in 1887, but as early as 1848, prior to the construction of the first university building, the University of

UNIVERSITY OF WISCONSIN-MADISON Wisconsin regents requested that specimen collecting be initiated for a “Natural History Cabinet.” Today, the Department of Zoology has a collection of approximately 500,000 specimens. The museum, housed in the Lowell E. Noland Zoology Building, consists of a 10,000-square-foot research and storage facility and a small gallery that exhibits selections from the collection. Annual attendance is 3,500. University of Wisconsin Zoological Museum, Lowell E. Noland Zoology Bldg., 250 N. Mills St, Madison, WI 53706-1708. Phone: 608/262-3766. Fax: 608/262-5395. E-mail: [email protected]. Web site: www.zoology.wisc.edu/uwzm. Hours: Sept.-June-8:30-12 and 1-4:30 Mon.-Fri. by appointment; closed Sat.-Sun., July-Aug., and national holidays. Admission: free. E. Elizabeth Pillaert, Director [email protected]

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Other Types of Museums DELAWARE TECHNICAL AND COMMUNITY COLLEGE Treasures of the Sea Exhibit Georgetown, Delaware Treasures of the Sea Exhibit is a permanent martime historical exhibit at the Delaware Technical and Community College in Georgetown. Opened in 1988, the exhibit tells the story of the Spanish galleon Neuestra Senora de Atocha and its sister ship, Santa Margarita, which sank off the coast of Florida in a hurricane-force storm in 1622, taking a cargo of gold, silver ingots, emeralds, and jewelry to the bottom of the Atlantic. Signs of the galleon eluded treasure seekers for nearly 360 years until treasure hunter Mel Fisher, research Dr. Eugene Lyons, and investor Melvin Joseph, Sr. located the ship and over 1,000 silver bars, 180,000 silver coins, gold coins, and a number of bronze cannons. The exhibit in the college library now displays over $4 million in artifacts, including silver ingots and coins, gold coins and chains, bronze cannons, deep green emeralds, and early religious articles. A video also tells about the search for the treasure, and exhibit tours by a costumed guide are available. Annual attendance is 2,300. Treasures of the Sea Exhibit, Delaware Technical and Community College, Stephen J. Betze Library, Rte. 18/404 Seashore Hwy., PO Box 610, Georgetown, DE 19974-0610. Phones: 302/856-5700 and 302/856-5482. Fax: 302/858-5462. E-mail: [email protected]/ Web site: www.treasures ofthesea.org. Hours: Jan.-by appointment; Feb.-mid-Dec.-10-4 Mon.-Tues., 12-4 Fri., 9-1 Sat.; closed Wed.-Thurs., Sun., last 2 weeks of Dec., and major holidays. Admission: adults, $3; seniors, $3; students, $1; children under 5, free. Shirin Jamasb, Director, Stephen J. Betze Library

404/894-7840. Fax: 404/894-4778. E- mail: [email protected]. Web site: www.ipst.gatech.edu/amp. Hours; 9-5 Mon.-Fri.; closed Sat.-Sun.and university holidays. Admission: free. Teri Williams, Interim Director 404-894-6663 [email protected]

JOHNSON AND WALES UNIVERSITY Culinary Arts Museum Providence, Rhode Island The Culinary Arts Museum at Johnson and Wales University in Providence, Rhode Island, interprets the evolution of food preparation and presentation, the development of culinary equipment and technology, the diverse menus offered, and the places where people partake of food. The museum, founded in 1989, also is a showcase for the work of students, faculty, alumni, and distinguished visiting chefs. It has a collection of over 250,000 items, including more than 100,000 menus, 60,000 cookbooks, and such other objects as culinary-related postcards, pamphlets, fashion and food prints, and silver pieces. The museum, which has an annual attendance of 20,000, presents culinary and gastronomical permanent exhibits and temporary exhibitions in 25,000 square feet of gallery space. Culinary Arts Museum, Johnson and Wales University, 315 Harborside Blvd., Providence, RI 02905-5202. Phone: 401/598-2805. Fax: 401/598-2807. E-mail: [email protected]. Web site: www.culinary.org. Hours: 10-5 Tues.-Sun.; closed Mon. and major holidays. Admission: adults, $7; seniors, $6; college students, $4; children 5-18, $2; children under 5, free. Richard Gutman, Curator 401-598-2805

GEORGIA INSTITUTE OF TECHNOLOGY Robert C. Williams Paper Museum Atlanta, Georgia The Robert C. Williams Paper Museum at Georgia Institute of Technology in Atlanta is an international resource on the history of paper and paper technology. Established in 1936, the museum is part of the Institute of Paper Science and Technology. It has artifacts pertaining to the evolution of papermaking from 200 B.C. to modern times. The collection includes over 10,000 watermarks, papers, prints, manuscripts, books, photographs, and such tools and machines as paper molds, wood blocks, and early papermaking machines-many of which are displayed. Annual attendance is 25,000.

MISSISSIPPI STATE UNIVERSITY Cullis and Gladys Wade Clock Museum Mississippi State University, Mississippi The Cullis and Gladys Wade Clock Museum at Mississippi State University in Mississippi State has a collection of over 400 clocks and watches dating as far back as the early 1700s. Nearly every American manufacturer of clocks is represented, as well as a number of English, French, and German pieces. The collection was received from busiessman, antique clock collector, and alumnus Charles Cullis Wade and his wife, Gladys. The museum is located in the lobby of the Mississippi State University Welcome Center.

Cullis and Gladys Wade Clock Museum, Mississippi State Robrt C. Williams aper Museum, Georgia Institute of Tech- University, Welcome Center, Mail Stop 9556, PO Box DS, nology, Institute of aper Science and kTechnology, 500 10th Mississippi State, MS 39767. Phone: 662/325-5198. Fax: St., N.W., Mail Code 0620, Atlanta, GA 30318-0620. Phone: 662/325-2330. E-mail: [email protected]. Web site:

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NORTHWEST MISSOURI STATE UNIVERSITY www.visit.msstate.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Meredith Pittman, University Welcome Center Coordinator 662-325-2320 [email protected]

Orchard Rd., University Park, PA 16802. Phone: 814/865-6541. Web site: www.turf.psu.edu/facilities/museum. Hours: by appointment. Admission: free. Peter J. Landschoot, Director, Penn State Center for Turfgrass Science 814-863-1017 [email protected]

NORTHWEST MISSOURI STATE UNIVERSITY Warren Stucki Museum of Broadcasting

UNIVERSITY OF BALTIMORE Steamship Historical Society Collection

Maryville, Missouri

Baltimore, Maryland

The Warren Stucki Museum of Broadcasting at Northwest Missouri State University in Maryville traces the development of wired and wireless communication from the telegraph through radio and television to the digital age. The museum was created from the personal collection of Warren Stucki, a retired radio engineer from Savannah, Missouri, and expanded with artifacts and other materials donated by radio buffs from the region. The museum collection includes such things as approximately 30 vintage radio sets, a working hand-cranked Edison phonograph, early television gear, and recording equipment used to create video tape. It also has displays where visitors can tap out the Morse Code, hear old-time radio dramas and commercials, and listen to President Franklin Roosevelt deliver his first Fireside Chat over a 1930s living room console.

The University of Baltimore Library in Baltimore, Maryland, houses the Steamship Historical Society Collection of powered shipping and navigation materials. The collection, which began in 1940, has approximately 300,000 photographs and negative, 25,000 postcards, 7,500 books, and various models, periodicals, booklets, and other objects relating to steamships and navigation. The collection is owned by the society and the university library is responsible for its maintenance and availability.

Warren Stucki Museum of Broadcasting, Northwest Missouri State University, Wells Hall, Maryville, MO 61468. Phone: 660/562-1163. Web site: www.nwmissouri.edu. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and university holidays. Admission: free. Cathy Palmer, Archivist, Northwest Archives - Northwest History, Owens Library [email protected]

PENNSYLVANIA STATE UNIVERSITY Mascaro-Steiniger Turfgrass Museum University Park, Pennsylvania The Mascaro-Steiniger Turfgrass Museum at Pennsylvania State University in University Park (State College) contains turf equipment dating back to the early 1900s. The collection also has such equipment as turf tractors from the 1920s and 1930s, the first triplex greens mower, several turf rollers, a wheelbarrow seeder, and a horse-drawn soil scoop used to construct the historic Pine Valley Golf Club in New Jersey. The collection, which opened in 1994, was started in the 1970s by Agronomy Professor Joseph Duich, who has added to it for almost almost 30 years. The museum is located at the university’s Landscape Management Research Center and named for two leaders in the turfgrass industry-Thomas Mascaro, who was presidentt of West Point Products, a turfgrass equipment company, and Eberhard Steiniger, who established the world-renowned Pine Valley Golf Club and served as its superintendent for 57 years.

Steamship Historical Society Collection, University of Baltimore Library, 1420 Maryland Ave., Baltimore, MD 21201-5779. Phone: 410/837-4334. Fax: 410/873-4330. Web sites: www.ubalt.edu/archives/ship/ship.htm and www.sshsa.org. Hours: by appointment. Admission: free. Thomas Hollowack, Associate Director for Special Collections, UB’s Langsdale Library [email protected]

UNIVERSITY OF DENVER The Cable Center Denver, Colorado The Cable Center, located on the campus of the University of Denver in Colorado, has collections and exhibits pertaining to the history, equipment, programming, and operations of the cable television industry. The Cable Center, as the center/museum is called, also has the Barco Library, containing the world’s largest collection of printed resources and equipment pertaining to the cable industry, and presents education, training, and customer care programs. Its Daniels Great Hall features a 32-foot video tower tht displays a 98-screen mosaic of images and sound. The Cable Center was founded in 1985 and formerly was located at Pennsylvania State University. The Cable Center, University of Denver, 2000 Buchtel Blvd., Denver, CO.80210. Phone: 303/871-4885. Fax: 303/871-4514. Web site: www.cablecenter.org. Hours: 8-5 Mon.-Fri.; closed Sat.-Sun. and major holidays. Admission: free. Larry Satkowiak, President and CEO [email protected]

Mascaro-Steiniger Turfgrass Museum, Pennsylvania State University, Landscape Management Research Center,

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University and Museum Index A A. T. Still University Museum of Osteopathic Medicine, 470 Adams State College Luther Bean Museum, 193 Zacheis Planetarium and Observatory, 504 Agnes Scott College Bradley Observatory and Delafield Planetarium, 504 Dalton Gallery, 209 Alabama A&M University Alabama State Black Archives Research Center and Museum, 398 Albion College Bobbitt Visual Arts Center, 209 Whitehouse Nature Center, 364 Albright College Freedman Gallery, 209 Allegheny College Bowman Gallery, Penelec Gallery, and Megahan Gallery, 209 American University Museum at the Katzen Arts Center, 301 Amherst College Bassett Planetarium, 504 Beneski Museum of Natural History, Amherst College, 479 Emily Dickinson Museum: The Homestead and The Evergreens, 427 Folger Shakespeare Library, 458 Mead Art Museum, 301 Wilder Observatory, 504

Associated Universities, Inc. National Radio Astronomy Observatory and other observatories, 505 Association of Universities For Research In Astronomy National Optical Astronomy Observatory and other observatories, 506 Auburn University Jonathan B. Lovelace Museum and Hall of Honor, 552 Jule Collins Smith Museum of Fine Arts, 301 Augustana College Carl Gamble Observatory, 506 John Deere Planetarium, 506 Augustana College (Illinois) Art Museum, 302 Fryxell Geology Museum, 416 Augustana College (South Dakota) Center for Western Studies, 428 Eide/Dalrymple Gallery, 211 Aurora University Schingoethe Center for Native American Cultures, 398 Austin Peavy State University Margaret Fort Trahern Gallery, 211 Avila University Thornhill Gallery, 212

B Bacone College Ataloa Lodge Museum, 398

Anderson University Gustav Jeeninga Museum of Bible and Near Eastern Studies, 539 Jessie C. Wilson Art Galleries, 209

Baker University Old Castle Museum, 428 Quayle Bible Collection, 539

Andrews University Siegfried H. Horn Museum, 193

Ball State University Art Museum, 302 Ball State Planetarium and Observatory, 506 Field Station and Environmental Education Center, 365

Angelo State University Global Immersion Center, 504 Anna Maria College Art Center Gallery at Miriam Hall, 210

Baltimore School For the Arts Alcazar Gallery, 212

Anne Arundel Community College Herbarium at Anne Arundel Community College, 364

Bard College Gallery at the BGC, 212 Hessel Museum of Art and CCS Galleries, 302

Antioch College Glen Helen Nature Preserve, 364

Barry University Andy Gato Gallery, 212

Appalachian State University Appalachian Cultural Museum, 427 F. Kenneth and Marjorie J. McKinney Geology Teaching Museum, 416

Barton College Barton Art Galleries, 303

Arcadia University Arcadia University Art Gallery, 210 Arizona State University Arizona State University Planetarium, 505 Art Museum, 301 Center for Meteorite Studies Museum, 416 Deer Valley Rock Art Center, 193 Herberger Institute for Art and Design, 210 Mars Space Flight Facility, 505 Museum of Anthropology, 193 Night Gallery, 501 Other Art Galleries, 210 R. S. Dietz Museum of Geology, 416 Space Photography Laboratory, 501 University Arboretum, 364 Arkansas State University Arkansas State University Museum, 411 Fine Arts Center Gallery and Bradbury Gallery, 211 Hemingway-Pfeiffer Museum and Educational Center, 427 Arkansas Tech University Arkansas Tech University Museum, 427 Art Institute of Boston Main Gallery and Gallery at University Hall, 211

Barton County Community College Shafer Gallery, 212 Baruch College, City University of New York Sidney Mishkin Gallery, 213 Bates College Museum of Art, 303 Baylor University Armstrong Browning Library, 458 Art Gallery, 213 Martin Museum of Art, 303 Mayborn Museum Complex, 479 Michael E. DeBakey Library and Museum, 470 Beloit College Logan Museum of Anthropology, 194 Wright Museum of Art, 303 Benedict College Ponder Fine Arts Gallery, 213 Benedictine University Jurica-Suchy Nature Museum, 479 Bennington College Suzanne Lemberg Usdan Gallery, 213

563

University and Museum Index Berea College Berea College Weatherford Planetarium, 507 Doris Ulmann Galleries, 501 Roberts Observatory, 507 W. G. Burroughs Geology Museum, 417 Berry Colege Oak Hill and the Martha Berry Museum, 428 Bethal College Mennonite Library and Archives, 539 Bethany College Alexander Campbell Mansion, 428 Birger Sandzen Memorial Gallery, 303 Historic Bethany, 429 Bethel College Kauffman Museum, 480 Bethune-Cookman College Harvey W. Lee, Jr. Memorial Gallery, 399 Mary McLeod Bethune Home, 398 Visual Arts Gallery, 213 Big Sandy Community and Technical College East Kentucky Science Center, 546 Birmingham-Southern College Robert R. Meyer Planetarium, 507 Bismarck State College Clell and Ruth Gannon Gallery and Else Forde Gallery, 213

Bristol Community College Grimshaw-Gudewicz Art Gallery, 215 Bronx Community College, City University of New York Hall of Fame for Great Americans, 429 Brooklyn College, City University of New York Art Gallery, 215 Broward College Buehler Planetarium and Observatory, 509 Fine Arts Galleries, 215 Brown University Annmary Brown Memorial, 305 David Winton Bell Gallery, 216 Haffenreffer Museum of Anthropology, 194 Ladd Observatory, 509 Bryn Athyn College Glencairn Museum, 540 Bucknell University Samek Art Gallery, 216 Bucks County Community College Hicks Art Center Gallery, 216 Buffalo State College Czurles-Nelson Gallery, 216 Butler University Holcomb Observatory and Planetarium, 510

Blinn College Star of the Republic Museum, 429 Bloomsburg University of Pennsylvania Haas Gallery of Art, 214

California Association For Research In Astronomy W. M. Keck Observatory, 510

Bob Jones University Bob Jones University Museum and Gallery, 539 Howell Memorial Planetarium, 507

California College of the Arts Kent and Vicki Logan Galleries, 216 Tecoah Bruce Gallery, 217

Boston College Boston College Libraries, 458 McMullen Museum of Art, 304 Weston Observatory, 508

California Institute of Technology Palomar Observatory, 510

Boston University Art Gallery, 214 Bowdoin College Museum of Art, 304 Peary-MacMillan Arctic Museum, 194 Bowling Green State University Bowling Green State University Planetarium and Observatory, 508 Fine Arts Center Galleries, 214 Little Gallery, 214 Brandeis University Rose Art Museum, 304 Brenau University Art Galleries, 214 Brevard College Spiers Gallery, 215 Brevard Community College Astronaut Memorial Planetarium and Observatory, 508 Bridgewater College Reuel B. Pritchett Museum, 411 Brigham Young University Lytle Ranch Preserve, 365 Monte L. Bean Life Science Museum, 480 Museum of Art, 305 Museum of Paleontology, 498 Museum of Peoples and Cultures, 194 Orson Pratt Observatory, 509 Royden G. Derrick Planetarium, 509 Brigham Young University-Idaho BYU-Idaho Planetarium, 509

564

C

California Polytechnic State University Art Gallery, 217 Robert F. Hoover Herbarium, 365 California State University, Chico Gateway Science Museum, 480 Janet Turner Print Museum, 305 Valene L. Smith Museum of Anthropology, 195 California State University, Dominguez Hills Art Gallery, 217 California State University, East Bay C. E. Smith Museum of Anthropology, 195 California State University, Fullerton Anthropology Teaching Museum, 195 Fullerton Arboretum, 365 Main Art Gallery, 217 California State University, Long Beach Art Museum, 306 Earl Burns Miller Japanese Garden, 366 California State University, Los Angeles Fine Arts Gallery and Luckman Gallery, 217 California State University, Northridge Cal State Northridge Botanic Garden, 366 CSUN Art Galleries, 218 California State University, San Bernardino Robert V. Fullerton Art Museum, 306 California State University, Stanislaus Art Gallery, 218 Calvin College Calvin College Center Art Gallery, 218 Cameron University Inasmuch Foundation Art Gallery, 218

University and Museum Index Cape Cod Community College Higgins Art Gallery, 218 William Brewster Nickerson Cape Cod History Archives, 459 Capital University Schumacher Gallery, 306 Carleton College Carleton College Art Gallery, 219 Carnegie Mellon University Hunt Institute for Botanical Documentation, 366 Miller Gallery at Carnegie Mellon, 219

Cleveland State University Art Gallery, 221 Clovis Community College Eula Mae Edwards Museum and Gallery, 221 Coe College Art Galleries, 221 Coker College Cecelia Coker Bell Gallery, 222 Colby College Museum of Art, 307

Case Western Reserve University Dittrick Museum of Medical History, 470

Colgate University Picker Art Gallery, 308

Cazenovia College Art Gallery, 219

College For Creative Studies Center Galleries, 222

Cedar Crest College Da Vinci Science Center, 546

College of Charleston Avery Research Center for African American History and Culture, 399 Halsey Institute of Contemporary Art, 222

Centenary College of Louisiana Meadows Museum of Art of Centenary College, 306 Turner Art Center Gallery and Magale Library Gallery, 219 Central Connecticut State University Art Galleries, 220 Copernican Observatory and Planetarium, 511 Central Florida Community College Appleton Museum of Art, 307 CFCC Webber Center Gallery, 220 Central Methodist College Ashby-Hodge Gallery of American Art, 307 Stephens Museum, 429 Central Methodist University Missouri United Methodist Archives, 540 Central Michigan University Art Gallery, 220 Museum of Cultural and Natural History, 480 University Herbarium, 366 Central Missouri State University Arthur F. McClure II Archives and University Museum, 459 Central Washington University Museum of Culture and Environment, 195 Chadron State College Eleanor Barbour Cook Museum of Geology, 417 Mari Sandoz High Plains Heritage Center, 430 Chaffey College Wignall Museum of Contemporary Art, 307 Cincinnati Christian University Cincinnati Christian University Museum, 540 Clarion University of Pennsylvania Art Gallery, 220 Clark Atlanta University Clark Atlanta University Art Galleries, 399 Clark College Archer Gallery, 220 Clemson University Clemson University Arthropod Collection, 395 Clemson University Historic Properties: Fort Hill, Hanover House, Hopewell Plantation, and Woodland, 430 Clemson University Planetarium, 511 Fort Hill, 430 Hanover House, 430 Hopewell Plantation, 431 Rudolph E. Lee Gallery, 221 South Carolina Botanical Garden, 366 Strom Thurmond Institute of Government and Public Affairs, 459 Woodland Cemetery, 431 Cleveland Institute of Art Reinberger Galleries, 221

College of Eastern Utah Gallery East, 222 Prehistoric Museum, 498 College of Idaho Orma J. Smith Museum of Natural History, 481 Rosenthal Gallery of Art, 222 College of Mount St. Joseph Studio San Giuseppe, 223 College of Southern Idaho Herrett Center for Arts and Science, 481 College of St. Catherine Catherine G. Murphy Gallery, 223 College of St. Rose Esther Massry Gallery, 223 College of the Atlantic Ethel H. Blum Gallery, 223 George B. Dorr Museum, 481 College of the Holy Cross Iris and B. Gerald Cantor Art Gallery, 223 College of the Ozarks Ralph Foster Museum, 431 College of William and Mary Ash Lawn-Highland, 432 Muscarelle Museum of Art, 308 Virginia Institute of Marine Sciences, 468 College of Wooster Art Museum, 308 Colorado School of Mines Colorado School of Mines Geology Museum, 417 Colorado State University Avenir Museum of Design and Merchandising, 389 Curfman Gallery and Hutton Gallery, 224 Columbia College Chicago A + D Gallery, 224 Center for Book and Paper Arts, 224 Fashion Columbia Study Collection, 389 Museum of Contemporary Photography, 501 Columbia University Miriam and Ira D. Wallach Art Gallery, 224 Columbus State University Coca-Cola Space Science Center, 511 Concordia College New York OSilas Gallery, 225 Concordia University (Nebraska) Marxhausen Art Gallery, 225 Concordia University-Wisconsin Art Gallery, 225

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University and Museum Index Connecticut College Connecticut College Arboretum, 367 Connors State College Wallis Museum, 432 Converse College Milliken Gallery, 225

E

Cornell College Luce Gallery, 225 Cornell University Arecibo Observatory, 511 Cornell Costume and Textile Collection, 389 Cornell Plantations, 367 Herbert F. Johnson Museum of Art, 308 L. H. Bailey Hortorium, 367 McGraw Hall Museum, 196 Cranbrook Academy of Art Cranbrook Museum of Art, 309 Cranbrook Educational Community Cranbrook House and Gardens, 432 Cranbrook Institute of Science, 546 Saarinen House, 432 Crowder College Longwell Museum and Camp Crowder Collection, 309

D Dartmouth College Hood Museum of Art, 309 Shattuck Observatory, 512 Davidson College Van Every/Smith Galleries, 225 Daytona State College Southeast Museum of Photography, 501 De Anza College Euphrat Museum of Art, 311 Fujitsu Planetarium, 512

Earlham College Conner Prairie Interactive Historical Park, 433 Joseph Moore Museum, 481 Leeds and Ronald Galleries, 227 East Carolina University Wellington B. Gray Gallery, 227 East Tennessee State University Museum at Mountain Home, 433 Reese Museum, 433 Slocumb Galleries, 228 Eastern Arizona College Governor Aker Observatory, 512 Museum of Anthropology, 196 Eastern Illinois University Tarble Arts Center Galleries, 228 Eastern Kentucky University Eastern Kentucky Herbarium, 368 Hummel Planetarium, 513 Eastern Michigan University Sherzer Observatory, 513 Eastern New Mexico University Blackwater Draw Museum, 196 Miles Mineral Museum, 417 Natural History Museum, 482 Roosevelt County Museum, 434 Eastern Washington University Gallery of Art, 228 Edinboro University of Pennsylvania Fort Le Boeuf, 434

Delaware Technical and Community College Treasures of the Sea Exhibit, 560

Edison State College Bob Raushenberg Gallery, 228

Delaware Valley College Roth Living Farm Museum, 189

Ellsworth College Calkins Nature Area/Field Museum, 368

Delta State University Wright Art Center Gallery, 226

Emory University Emory University Planetarium and Observatory, 513 Michael C. Carlos Museum, 312

Denison University Bryant Arts Center Gallery, 226 Denison Museum, 310 Depaul University Art Museum, 311 DePauw University DePauw University Anthropology Museum, 196 Richard F. Peeler Art Center Galleries, 227 William Weston Clarke Emison Museum of Art, 311 Diablo Valley College Art Gallery, 226 Dickinson College Trout Gallery, 310 Dickinson State University DSU Art Gallery, 226 Drake University Anderson Gallery, 226 Drew University Elizabeth P. Korn Art Gallery, 227 Drexel University Anthony J. Drexel Picture Gallery, 310 Drexel Historic Costume Collection, 389 Leonard Pearlstein Gallery, 227

566

Peck Center Gallery, 310 Duke University History of Medicine Collections, 470 Nasher Museum of Art, 311

Emporia State University Norman R. Eppink Art Gallery, 228 Peterson Planetarium, 514 Richard H. Schmidt Museum of Natural History, 482 University Herbarium, 368 Everett Community College Russell Day Gallery, 229 Evergreen State College Evergreen Gallery, 229

F Fairfield University Bellarmine Museum, 312 Thomas J. Walsh Art Gallery and Lukacs Art Gallery, 229 Fashion Institute of Design and Merchandising Annette Green Perfume Museum, 390 FIDM Museum and Galleries, 390 Fashion Institute of Technology Museum of FIT, 390 Ferris State University Jim Crow Museum of Racist Memorabilia, 399

University and Museum Index Natural History Museum and Planetarium, 483 Old Governor’s Mansion, 435

Ferrum College Blue Ridge Farm Museum, 189 Blue Ridge Institute and Museum, 434 E. Taylor Greer Gallery, 229

Georgia Institute of Technology Robert C. Williams Paper Museum, 560

Fisk University Fisk University Galleries, 400

Georgia Southern University Georgia Southern University Museum, 483

Florida A&M University Foster Tanner Fine Arts Gallery, 400 Southeastern Regional Black Archives Research Center and Museum, 400

Georgia State University Ernest G. Welch School of Art and Design, 232 Hard Labor Creek Observatory, 514 Gertrude Herbert Institute of Art Gertrude Herbert Institute of Art Galleries, 233

Florida Atlantic University Art Galleries, 229 Florida Gulf Coast University Art Gallery, 230 Kleist Health Education Center, 471 Florida International University Patricia and Phillip Frost Art Museum, 312 The Wolfsonian-FIU, 312 Florida School of the Arts Florida School of the Arts Gallery, 230

Gettysburg College Schmucker Art Gallery, 233 Glendale Community College Glendale Community College Art Collection, 314 Glendale Community College Planetarium, 515 Gonzaga University Crosby Museum, 435 Jundt Art Museum, 315 Goshen College Abner Hershberger Art Gallery, 233

Florida Southern University Melvin Art Gallery, 230 Florida State College At Jacksonville Kent Campus Museum/Gallery, 230 Florida State University John and Mable Ringling Museum of Art, 313 Museum of Fine Arts, 313 Robert K. Godfrey Herbarium, 368

Goucher College Rosenberg Gallery and Silber Art Gallery, 233 Governors State University Nathan Manilow Sculpture Park, 315 Grambling State University Eddie G. Robinson Museum, 552

Fordham University Center Gallery and Push Pin Gallery, 230

Grand Valley State University Art Gallery and George and Barbara Gordon Art Gallery, 233

Fort Hays State University Moss-Thorns Gallery of Art, 231 Sternberg Museum of Natural History, 482

Greenboro College Irene Cullis Gallery, 234

Fort Lewis College Center of Southwest Studies Gallery, 197 Framingham State College Danforth Museum of Art, 313 Francis Marion University Dooley Planetarium, 514 Francis Marion University Observatory, 514 Franklin and Marshall College North Museum of Natural History and Science, 483 Phillips Museum of Art, 314

Grinnell College Faulconer Gallery, 234 Grossmont College Hyde Art Gallery, 234 Guilford College Art Gallery, 234 Gulf Coast Community College Art Gallery, 235 Gustavus Adolphus College Hillstrom Museum of Art, 315

Franklin University Bunte Gallery, 231

H

Friends University Riney Fine Arts Center Gallery, 231

Hamilton College Emerson Gallery, 235

Fullerton College Art Gallery, 231

Hamline University Soeffker Gallery, 235

G Gallaudet University Linda K. Jordon Gallery, 231 Gardner-Webb University Craven E. Williams Observatory, 514 George Washington University Luther W. Brady Art Gallery and Dimock Gallery, 232

Hampden-Sidney College Esther Thomas Atkinson Museum, 435 Hampton University Hampton University Museum, 400 Harrisburg Area Community College Rose Lehrman Art Gallery, 235 Hartnell College Art Gallery, 235

Georgetown University Art Galleries, 232 Georgetown University Art Collection, 314

Hartwick College Foreman Gallery, 236 Hoysradt Herbarium, 368 Yager Museum of Art and Culture, 411

Georgia College and State University Blackbridge Gallery, 232 Georgia College and State University Museum, 435 Museum of Fine Arts, 314

Harvard University Arnold Arboretum of Harvard University, 369 Arthur M. Sackler Museum, 316 Botanical Museum of Harvard University, 369

567

University and Museum Index Busch-Reisinger Museum, 316 Carpenter Center for the Visual Arts Galleries, 236 Collection of Historical Scientific Instruments, 547 Dumbarton Oaks Research Library and Collection, 459 Fogg Art Museum, 316 Graduate School of Design Gund Gallery and Frances Loeb Library Special Collections Gallery, 236 Harvard Art Museums, 315 Harvard Forest and Fisher Museum of Forestry, 370 Harvard Museum of Natural History, 483 Harvard-Smithsonian Center for Astrophysics and Fred Lawrence Whipple Observatory, 515 Mineralogical Museum at Harvard University, 418 Museum of Comparative Zoology, 557 Peabody Museum of Archaeology and Ethnology, 197 Semitic Museum at Harvard University, 197 University Herbarium, 369 Warren Anatomical Museum, 471 Haskell Indian Nations University Haskell Indian Nations University Cultural Center and Museum, 401 Haverford College Haverford College Arboretum, 370 Hawaii Pacific University Art Gallery, 236 Hebrew Union College-Jewish Institute of Religion Hebrew Union College-Jewish Institute of Religion Museum (New York), 540 Skirball Cultural Center Museum (Los Angeles), 541 Skirball Museum (Cincinnati), 541 Hempshire College Hempshire College Observatory, 515 Henderson State University Henderson State University Museum, 411 Hill College Texas Heritage Museum, 436 Hobart and William Smith Colleges Davis Gallery at Houghton House, 237 Hofstra University Hofstra University Museum, 316

Indiana State University Art Gallery, 238 Indiana University Art Museum, 317 Elizabeth Sage Historic Costume Collection, 390 Hilltop Garden and Nature Center, 370 Lilly Library Galleries, 460 Mathers Museum of World Cultures, 197 The Grunwald Gallery of Art, 238 Indiana University and Purdue University Herron Galleries, 239 IUPUI Cultural Arts Gallery, 238 Indiana University of Pennsylvania Art Museum, 318 Kipp Gallery, 238 Institute of American Indian Arts Museum of Contemporary Native Arts, 401 Iowa State University Brunnier Art Museum, 318 Christian Petersen Art Museum, 318 Elizabeth and Byron Anderson Sculpture Garden, 318 Farm House Museum, 189 Iowa Wesleyan College Harlan-Lincoln House, 436 Ithaca College Handwerker Gallery, 239

J Jacksonville University Alexander Brest Museum and Gallery, 318 James Madison University Edith J. Carrier Arboretum and Botanical Gardens, 371 John C. Wells Planetarium, 516 Sawhill Gallery, 239 Jamestown Community College JCC Weeks Gallery, 239

Hollins University Eleanor D. Wilson Museum, 317

Jefferson Davis Community College Thomas E. McMillan Museum, 437

Holy Names University Kennedy Art Center Gallery, 237

Jewish Theological Seminary of America The Jewish Museum, 542

Housatonic Community College Housatonic Museum of Art, 317 Houston Baptist University Dunham Bible Museum, 541 Museum of American Architecture and Decorative Arts, 436 Museum of Southern History, 436 Howard University Howard University Gallery of Art, 401 Howard University Museum, 401 Humboldt State University Natural History Museum, 484 Reese Bullen Gallery, 237 Hunter College Bertha and Karl Leubsdorf Art Gallery and Times Square Art Gallery, 237 Huntington University Robert E. Wilson Gallery, 237

John A. Logan College John A. Logan College Museum, 412 John Brown University Art Gallery, 239 John C. Calhoun State Community College Art Gallery, 240 Johns Hopkins University Evergreen Museum and Library, 437 Homewood Museum, 437 Johns Hopkins University Archaeological Collection, 198 Johnson and Wales University Culinary Arts Museum, 560 Johnson County Community College Nerman Museum of Contemporary Art, 319 Johnson State College Julian Scott Memorial Gallery, 240

I Idaho State University Idaho Museum of Natural History, 484 Illinois State University Illinois State University Planetarium, 516

568

Indian River State College Art Gallery, 238

Juniata College Museum of Art, 319

K Kalamazoo Institute of Art Kalamazoo Institute of Art Museum, 319

University and Museum Index Kalamazoo Valley Community College Kalamazoo Valley Museum, 547

Limestone College Winnie Davis Hall of History, 438

Kansas State University Kansas State University Insect Zoo, 395 Kansas State University Museum of Entomological and Prairie Arthropod Research, 395 KSU Historic Costume and Textile Museum, 390 Marianna Kisler Beach Museum of Art, 319 University Herbarium, 371

Lincoln Memorial University Abraham Lincoln Library and Museum, 460

Kean University Art Galleries, 240 Keene State College Thorne-Sagendorph Art Gallery, 240 Kennesaw State University Art Galleries, 240 Bentley Rare Book Gallery, 460

Lindenwood University Daniel Boone Home and Boonesfield Village, 438 Long Island University C. P. Post Campus and Brooklyn Campus Galleries, 243 Hillwood Art Museum, 320 Longwood College Longwood Center for the Visual Arts, 320 Louisburg College Art Gallery, 243

Kentucky State University Jackson Hall Gallery, 241

Louisiana State University Louisiana Art and Science Museum, 547 Louisiana Museum of Natural History and Museum of Natural Science, 485 Louisiana State Arthropod Museum, 395 Louisiana State University Museum of Art, 321 LSU School of Art Galleries and LSU Student Union Art Gallery, 243 LSU Textile and Costume Museum, 391 Rural Life Museum and Windrush Gardens, 189 University Herbarium, 371

Kilgore College East Texas Oil Museum, 438

Louisiana State University-Shreveport Pioneer Heritage Center, 439

Kitt Peak National Observatory Kitt Peak National Observatory Visitor Center and Museum, 516

Louisiana Tech University Idea Place, 548 Louisiana Tech Museum, 460 Museum of Fashion and Textiles, 391

Kent State University Kent State University Planetarium, 516 KSU Museum, 391 KSU-NASA Observatory, 516 School of Art Galleries, 241

Kutztown University of Pennsylvania Sharadin Art Gallery, 241

L La Salle University Art Museum, 321 La Sierra University Stahl Center Museum of Culture, 542 World Museum of Natural History, 484 Lafayette College Art Galleries, 241 Lagrange College Lamar Dodd Art Center Museum, 321 Laguardia Community College, City University of New York LaGuardia and Wagner Archives Museum, 439 Lake Superior State University Kemp Mineral Resources Museum, 418 Lake-Sumter Community College Art Gallery, 241 Lakeland College Bradley Gallery of Fine Art, 242 Lamar University Dishman Art Museum, 320 Spindletop-Gladys City Boomtown Museum, 438

Lower Columbia College Art Gallery, 243 Loyola Marymount University Laband Art Gallery, 244 Loyola University Chicago Loyola University Museum of Art, 542 Loyola University New Orleans Collins C. Diboll Art Gallery, 244 Luther College Art Galleries, 244 Ethnographic and Archaeological Collections, 198 Fine Arts Collection, 321 Geology Collection, 418 Hoslett Museum of Natural History, 485 Lycoming College Archives of the Susquehanna Conference of the United Methodist Church, 543 Art Gallery, 244 Lynchburg College Daura Gallery, 244 Lyndon State College Quimby Gallery, 245 Lyon College Kresge Gallery, 245

Lane Community College Art Gallery, 242

M

Lawrence University Boynton Chapel, 402 Wriston Art Center Galleries, 242

Macalester College Art Gallery, 245

Lebanon Valley College Suzanne H. Arnold Art Gallery, 242

Maine College of Art Institute of Contemporary Art, 245

Lehigh University Gallery/Museum, 320

Manor Junior College Ukrainian Heritage Studies Center, 402

Lehman College, City University of New York Art Gallery, 242

Marist College Art Gallery, 245

Liberty University Museum of Earth and Life History, 542

Marquette University Patrick and Beatrice Haggerty Museum of Art, 322

569

University and Museum Index Marshall University Geology Museum, 418

Minneapolis College of Art and Design MCAD Gallery, 248

Mary Baldwin College Hunt Gallery, 245

Mississippi College Mississippi Baptist Historical Collection, 543

Maryland Institute College of Art Art Galleries, 246

Mississippi State University Art Galleries, 249 Charles H. Templeton, Sr. Music Museum, 477 Cullis and Gladys Wade Clock Museum, 560 Dunn-Seiler Museum, 419 Lois Dowdle Cobb Museum of Archaeology, 198 Mississippi Entomological Museum, 396

Marylhurst University The Art Gym, Mayer Gallery, and Streff Gallery, 246 Maryville University Morton J. May Foundation Gallery, 246 Massachusetts Institute of Technology MIT List Visual Arts Center, 246 MIT Museum, 548 Maywood University Suraci Gallery, Mahady Gallery, and Maslow Collection, 247 McPherson College McPherson Museum, 412 Mdm Observatory Consortium MDM Observatory, 517

Missouri State University Meyer Library Special Collections and Archives, 461 Missouri University of Science and Technology Mineral Museum, 419 Monroe Community College Mercer Gallery, 249

Medical University of South Carolina Macaulay Museum of Dental History, 471 Waring Historical Library, 471

Montana State University Helen E. Copeland Gallery and Haynes Fine Arts Gallery, 249 Living History Farm, 190 Museum of the Rockies, 485

Memphis College of Art Art Galleries, 247

Montana State University-Northern Hagener Collection, 486

Mercer County Community College The Gallery, 247

Montana Tech of the University of Montana Mineral Museum, 419

Merritt College Merritt Museum of Anthropology, 198

Montclair State University George Segal Gallery, 249 Yogi Berra Museum and Learning Center, 552

Messiah College M. Louise Aughinbaugh Gallery, 247 Metropolitan State College of Denver Center for Visual Art, 247 Miami Dade College Art Galleries, 248 Earth Science Museum and Demonstration Center, 418 Miami University Hefner Zoology Museum, 557 Miami University Art Museum, 322 William Holmes McGuffey Museum, 439 Michigan State University Abrams Planetarium, 517 Eli and Edythe Broad Art Museum, 323 Fred Russ Forest, 372 Hidden Lake Gardens, 372 Kellogg Farm and Dairy, 190 Kresge Art Museum, 322 Michigan State University Museum, 485 Michigan State University Observatory, 517 MSU Herbarium, 371 W. J. Beal Botanical Garden, 371 W. K. Kellogg Bird Sanctuary, 372 Michigan Technological University A. E. Seaman Mineral Museum, 419 Middle Tennessee State University Baldwin Photographic Gallery, 502 Todd Art Gallery, 248 Middlebury College Museum of Art, 323 Midland College McCormick Gallery, 248 Millikin University Birks Museum, 323 Perkinson Gallery, 248 Mills College Mills College Art Museum, 323

570

Mississippi University For Women Mississippi University for Women Archives and Museum, 461

Moore College of Art and Design The Galleries at Moore, 250 Morehead State University Kentucky Folk Art Center, 324 Morgan State University James E. Lewis Museum of Art, 402 Morris Arboretum of the University of Pennsylvania Morris Arboretum, 372 Mott Community College Chester H. Wilson Geology Museum, 420 Fine Arts Gallery, 250 Mount Holyoke College Art Museum, 324 John Payson Williston Observatory, 518 Skinner Museum of Mount Holyoke College, 439 Mount Mary College Mount Mary College Historic Costume Collection, 391 Mount San Antonio College Mount San Antonio College Planetarium, 518 Mount Vernon Nazarene University Schnormeier Gallery and Campus Art Gallery, 250 Muhlenberg College Martin Art Gallery, 250 Murray State University Art Galleries, 251 Wrather West Kentucky Museum, 440 Muskegon Community College Carr-Fles Planetarium, 518 Muskegon Community College Observatory, 518

N Nassau Community College Firehouse Plaza Art Gallery, 251

University and Museum Index Naval War College Naval War College Museum, 440 Nebraska Wesleyan University Elder Art Gallery, 324 Nebraska Conference United Methodist Historical Center, 543 New England College Art Gallery, 251 New Hampshire Instiute of Art French Building Gallery and Amherst Gallery, 251 New Mexico Highlands University Ray Drew Art Gallery and Arrott History Gallery, 251 New Mexico Insitute of Mining and Technology New Mexico Bureau of Geology Mineral Museum, 420 New Mexico Military Institute McBride Museum, 440 New Mexico State University Art Gallery, 252 New Mexico State University Museum, 199 New York State College of Ceramics At Alfred University Schein-Joseph International Museum of Ceramic Art, 324

Northwest History Museum and Archives, 461 Northwest’s Agriculture Museum, 190 Olive Deluce Art Gallery, 253 Walter M. and Velma C. Troutman Collection, 486 Warren Stucki Museum of Broadcasting, 561 Northwestern College Denler Art Gallery, 253 Northwestern Michigan College Dennos Museum Center, 326 Northwestern Oklahoma State University Museum of Natural History, 487 Northwestern University Mary and Leigh Block Museum of Art, 326 Norwich University Sullivan Museum and History Center, 440 Notre Dame De Nemur University Wiegand Gallery, 253

O

New York University Grey Art Gallery, 325

Oakland University Art Gallery, 254 Meadow Brook Hall, 441

Niagara University Castellani Art Museum, 325

Oakton Community College Koehnline Museum of Art, 327

Norfolk State University African Art Gallery/Harrison B. Wilson Archives and Art Gallery, 402

Oberlin College Allen Memorial Art Museum, 327

North Carolina A&T State University North Carolina A&T State University Galleries, 403

Ocean County College Art Gallery, 254 Robert J. Novins Planetarium, 519

North Carolina Central University NCCU Art Museum, 403 North Carolina State University African American Cultural Center Cultural Art Gallery, 403 Gregg Museum of Art and Design, 325 J. C. Raulston Arboretum, 373 North Carolina State University Herbaria, 373 North Dakota State University Memorial Union Art Gallery, 252 North Florida Community College Art Gallery, 252

Oglethorpe University Museum of Art, 327 Ohio State University Chadwick Arboretum and Learning Gardens, 374 Historic Costume and Textiles Collection, 392 Hopkins Hall Gallery, Wexner Center for the Arts Galleries, and Kuhn Fine Arts Gallery, 254 Jack Nicklaus Museum, 552 Ohio State University Planetarium, 519 Orton Geological Museum, 420

North Georgia College and State University George E. Coleman, Sr. Planetarium, 518 North Georgia Astronomical Observatory, 519

Ohio University Kennedy Museum of Art, 327 University Gallery, Trisolini Gallery, Majestic Galleries, and Cube 4 Gallery, 254

North Seattle Community College Art Gallery, 252

Ohlone College Louie-Meager Art Gallery, 255

Northern Arizona University NAU Art Museum, 325

Oklahoma Panhandle State University No Man’s Land Museum, 441

Northern Illinois University Anthropology Museum, 199 Jack Olson Gallery, 252

Oklahoma State University Gardiner Art Gallery, 255 H. S. Mendenhall Observatory, 519 National Wrestling Hall of Fame and Museum, 553 Oklahoma Museum of Higher Education, 441

Northern Kentucky University Anthropology Museum, 199 Art Galleries, 253 Northern Michigan University DeVos Art Museum, 326 Northern Oklahoma College A. D. Buck Museum of History and Natural Sciences, 486 Northern State University Northern Galleries, 253 Northwest Missouri State University Bearcat Sports Museum, 552 Darwin Museum of Life Sciences, 486 Geoscience Museum, 420 Jean Jennings Bartik Computing Museum, 548 Missouri State Arboretum, 373

Old Dominion University Baron and Ellin Gordon Art Galleries, 255 Oral Roberts University Elsing Museum, 255 Oregon State University Hatfield Marine Science Center, 468 Memorial Union Concourse Gallery, 256 Oregon State University Herbariums, 374 Otero Junior College Koshare Indian Museum, 403 Otis College of Art and Design Ben Maltz Gallery, 256

571

University and Museum Index Otterbein University Frank Museum of Art, 327 Miller Gallery and Fisher Gallery, 256 Weitkamp Observatory and Planetarium, 520 Ouachita Baptist University Hammons Gallery, 256

Portland State University Art Galleries, 259 Pratt Institute Rubelle and Norman Schafler Gallery, President’s Office Gallery, and Pratt Manhattan Gallery, 259 Presbyterian College Elizabeth Stone Harper Art Gallery, 259

Owens Community College Walter E. Tehune Gallery, 256

Princeton Theological Seminary Erdman Art Gallery, 544

P Pacific Lutheran University Art Gallery, 257 Pacific School of Religion Bade Museum of Biblical Archaeology, 543 Pacific University Pacific University Museum, 441 Palm Beach Community College Palm Beach Community College Museum of Art, 328 Palomar College Boehm Gallery, 257 Parkland College Art Gallery, 257 William N. Staerkel Planetarium, 520 Passaic County Community College Broadway Gallery, LRC Gallery, and Hamilton Club Gallery, 257 Hamilton Club Building, 442

Princeton University Art Museum, 329 Firestone Library Galleries, 463 FitzRandolph Observatory, 521 Peyton Observatory, 521 Principia College Principia School of Nations Museum, 199 Purdue University Art Galleries, 259 Arthur Herbarium, 375 Kriebel Herbarium, 374

Q Queens College, City University of New York Arts Center, 260 Godwin-Ternbach Museum, 329 Queensborough Community College, City University of New York QCC Art Gallery, 260

Pennsylvania Academy of the Fine Arts Pennsylvania Academy of the Fine Arts Museum, 328 Pennsylvania State University Architecture and Landscape Architecture Library, 462 Earth and Mineral Sciences Museum and Art Gallery, 421 Fletcher L. Byrom Earth and Mineral Sciences Library, 462 Frost Entomological Museum, 396 HUB-Robeson Galleries, 257 Mascaro-Steiniger Turfgrass Museum, 561 Matson Museum of Anthropology, 199 Palmer Museum of Art, 328 Pasto Agricultural Museum, 190 Paterno Library Collections/Eberly Family Special Collections Library Exhibit Hall, 462 Pattee Library Collections, 461 Penn State All-Sports Museum, 553 Pennsylvania State University Libraries Collections, 461 Shaver’s Creek Environmental Center, 374 Zoller and Patterson Galleries, 258 Pensacola Junior College Visual Arts Gallery, 258 Pensacola State College PJC Planetarium and Theatre, 520 Pepperdine University Frederick R. Weisman Museum of Art, 328 Pfeiffer University Grace and Cameron West Art Gallery, 258 Philadelphia University The Design Center at Philadelphia University, 392 Pittsburg State University L. Russell Kelce Planetarium, 520 Plymouth State College Karl Drerup Art Gallery, 258 Polk State College Art Gallery, 258 Pomona College Frank P. Brackett Observatory, 520 Millikan Planetarium, 521 Museum of Art, 329

572

R Radford University Art Museum, 329 Museum of the Earth Sciences, 421 Satellite Galleries, 260 Randolph College Maier Museum of Art, 330 Randolph-Macon College Flippo Gallery, 260 Reed College Douglas F. Cooley Memorial Gallery, 260 Rensselaer Polytechnic Institute Hirsch Observatory, 521 Rhode Island School of Design Museum of Art, 330 Rhodes College Clough-Hanson Gallery, 261 Rhodes College Herbarium, 375 Rice University Art Gallery, 261 Richland Community College David Erlanson Art Gallery, 261 Ringling College of Art and Design Art Galleries, 261 Selby Gallery, 330 Riverside City College Art Gallery, 261 Robert T. Dixon Planetarium, 521 Rockford College Art Gallery, 262 Rocky Mountain College of Art + Design Phillip J. Steele Gallery, 262 Rollins College Cornell Fine Arts Museum, 331

University and Museum Index Rosalind Franklin University of Medicine and Science Feet First Exhibit, 472

Schuler School of Fine Arts Schuler Gallery, 265

Rowan University Art Gallery, 262

Scripps College Ruth Chandler Williamson Gallery, 265

Rutgers, the State University of New Jersey Jane Voorhees Zimmerli Art Museum, 331 New Jersey Museum of Agriculture, 191 Paul Robeson Galleries, 262 Stedman Art Gallery, 331 The Rutgers Gardens, 375

Seminole State College Fine Arts Gallery, 265

S

Seton Hall University Walsh Gallery, 266 Shasta College Shasta College Museum and Research Center, 442 Shawnee State University Clark Planetarium, 523

Sacred Heart University Gallery of Contemporary Art, 262

Shippensburg University Shippensburg University Fashion Archives and Museum, 392

Sage College of Albany Opalka Gallery and Little Gallery, 262

Sienna Heights University Klemm Gallery, 266

Saginaw Valley State University Marshall M. Fredericks Sculpture Museum, 331

Simpson College Farnham Galleries, 266

Salisbury State University Art Galleries, 263

Skidmore College Frances Young Tang Teaching Museum of Art and Art Gallery, 332 Schick Art Gallery, 266

Salisbury University Ward Museum of Wildfowl Art, 332 Sam Houston State University Sam Houston Memorial Museum, 442

Smith College Botanic Garden of Smith College, 375 Smith College Museum of Art, 333

San Bernardino Valley College George F. Beattie Planetarium, 522

Soka University of America Founders Hall Art Gallery, 266

San Diego State University Art Gallery, 263

Sonoma State University Art Gallery, 266

San Francisco Art Institute Walter Gallery and McBean Gallery, 263

South Carolina State University I. P. Stanback Museum and Planetarium, 404

San Francisco State University Ad n E. Treganza Anthropology Museum, 200 Charles F. Hagar Planetarium, 522 Fine Arts Gallery and Martin Wong Gallery, 263 San Francisco State University Observatory, 522

South Dakota School of Mines and Technology Apex Gallery, 267 Museum of Geology, 421

San Joaquin Delta College Clever Planeterium, 522 San Jose State University Natalie and James Thompson Gallery, 264 San Juan College SJC Planetarium, 522 Santa Ana College Art Galleries, 264 Tessmann Planetarium, 523 Santa Clara University de Saisset Museum, 332 Mission Santa Clara de Asis, 544 Santa Fe College Art Galleries, 264 Santa Fe Community College Santa Fe Community College Teaching Zoo, 557 Santa Monica College John Drescher Planetarium, 523 Santa Rosa Junior College Art Gallery, 264 Jesse Peter Museum, 200 SRJC Planetarium, 523 Savannah College of Art and Design Art and Design Galleries, 265 School For Advanced Research Indian Arts Research Center, 404 School of the Art Institute of Chicago School of the Art Institute of Chicago Sullivan Galleries, 265

South Dakota State University South Dakota Art Museum, 333 State Agricultural Heritage Museum, 191 South Seattle Community College Art Gallery, 267 Southeast Missouri State University Crisp Museum, 412 Southern Baptist Theological Seminary Nicol and Eisenberg Archaeological Collection, 544 Southern Illinois University At Carbondale University Museum, 412 Southern Illinois University At Edwardsville University Museum, 413 Southern Illinois University School of Medicine Pearson Museum, 472 Southern Methodist University George W. Bush Presidential Library, 463 Meadows Museum, 333 Southern Oregon University Schneider Museum of Art, 334 Southern Oregon University Museum of Vertebrate Natural History, 487 Southern University Southern University Museum of Art, 404 Southern Utah University Braithwaite Fine Arts Gallery, 267 Southern Vermont College Burghdorf Gallery, 267 Southwest Minnesota State University Museum of Natural History, 487

573

University and Museum Index Southwestern Baptist Theological Seminary Tandy Archaeological Museum, 544 Southwestern Michigan College Museum at Southwestern Michigan College, 443 Spelman College Spelman College Museum of Fine Art, 405 Spertus Institute of Jewish Studies Spertus Museum, 405 Spokane Falls Community College Fine Arts Gallery, 267

State University of New York At Cortland Bowers Science Museum, 487 Dowd Fine Arts Gallery, 271 State University of New York At Fredonia Michael C. Rockefeller Arts Center Galleries, 271 State University of New York At Geneseo Bertha V. B. Lederer Gallery, Lockhart Gallery, and Bridge Gallery, 271

St. Andrews Presbyterian College St. Andrews Scottish Heritage Center, 405 Vardell Gallery, 268

State University of New York At New Paltz Samuel Dorsky Museum of Art, 337

St. Anselm College Alva de Mars Megan Chapel Art Center, 268

State University of New York At Oneonta Martin-Muller Art Gallery, 272 Science Discovery Center of Oneonta, 549

St. Bonaventure University F. Donald Kenney Museum and Art Study Wing, 334 St. Cloud State University Evelyn Payne Hatcher Museum of Anthropology, 200 St. Francis University Southern Alleghenies Museum of Art, 334 St. Gregory’s University Mabee-Gerrer Museum of Art, 335 St. John’s College Elizabeth Myers Mitchell Gallery, 268 St. Johns River Community College Thrasher-Horne Center for the Arts Galleries, 268

State University of New York At Oswego Tyler Art Gallery, 272 State University of New York At Plattsburgh Plattsburgh State Art Museum, 338 State University of New York At Potsdam Roland Gibson Gallery, 272 State University of New York At Purchase Neuberger Museum of Art, 338 State University of New York At Stony Brook Art Gallery, 272 Museum of Long Island Natural Sciences, 487

St. Joseph College Art Gallery, 335

Stephen F. Austin State University Art Galleries, 273 Stone Fort Museum, 443

St. Joseph’s University Art Gallery, 268

Stephens College Davis Art Gallery, 273

St. Lawrence University Richard F. Brush Art Gallery, 269

Stetson University Duncan Gallery of Art, 273 Gillespie Museum, 421

St. Louis Community College Meramec Contemporary Art Gallery, 269 St. Louis University Henry Lay Sculpture Garden, 335 Museum of Contemporary Religious Art, 545 Pere Marquette Gallery, Samuel Cupples House, and Boileau Hall, 269 ST. Louis University Museum of Art, 335 St. Mary’s College National Polish American Sports Hall of Fame, 553 St. Mary’s College of California Hearst Art Gallery, 269 St. Mary’s College of Maryland Dwight Frederic Boyden Gallery, 270 St. Michael’s College McCarthy Arts Center Gallery, 270 St. Olaf College Flaten Art Museum, 336 Norwegian-American Historical Association Archives, 405 Stanford University Iris and B. Gerald Cantor Center for Visual Arts, 336 Keesing Museum of Anthropology, 200 State College of Florida, Manatee-Sarasota Fine Art Gallery, 270 State University of New York At Albany Art Museum, 336 State University of New York At Binghamton University Art Museum, 337 State University of New York At Brockport Tower Fine Arts Gallery, 270

574

State University of New York At Buffalo Art Galleries, 270 Burchfield Penney Art Center, 337 Whitworth Ferguson Planetarium, 523

Stevenson University Art Gallery, 273 Stillman College Stillman Art Gallery, 273 Sul Ross State University Museum of the Big Bend, 443 Susquehanna University Lore Degenstein Gallery, 273 Swarthmore College List Gallery, 274 Scott Arboretum of Swarthmore College, 376 Sproul Observatory, 524 Sweet Briar College Sweet Briar College Art Galleries, 274 Sweet Briar Museum, 443 Syracuse University SU Art Galleries, 274

T Temple University Temple Gallery, 274 The Edwin and Trudy Weaver Historical Dental Museum, 472 Tennessee Tech University Appalachian Center for Crafts Galleries, 275 Texas A&M University George Bush Presidential Library and Museum, 463 Texas A&M Sports Museum, 553

University and Museum Index Athletic Hall of Excellence, 554

Texas A&M University-College Station J. Wayne Stark University Center Galleries and MSC Forsyth Center Galleries, 275

U. S. Coast Guard Academy U. S. Coast Guard Museum, 446

Texas A&M University-Corpus Christi Art Galleries, 275

U. S. Military Academy West Point Museum, 446

Texas A&M University-Kingsville Ben P. Bailey Art Building Gallery, 275 John E. Conner Museum, 413

U. S. Naval Academy U. S. Naval Academy Museum, 446

Texas Christian University Oscar E. Monnig Meteorite Gallery, 422 The Art Galleries at TCU, 276 Texas Lutheran University Fiedler Memorial Museum, 422 Texas Southern University Texas Southern University Museum, 406 Texas Tech University Museum of Texas Tech University, 413 National Ranching Heritage Center, 444 Texas Wesleyan College Fort Belknap Museum and Archives, 444 Texas Woman’s University Art Galleries, 276 Texas First Ladies Historic Costume Collection, 393 The Citadel, Military College of South Carolina The Citadel Archives and Museum, 463 Thomas College Art Gallery, 276 Tougaloo College Tougaloo College Art Collection and Gallery, 406 Towson University Asian Arts Gallery, 338 Transylvania University Monroe Moosnick Medical and Science Museum, 549 Trine University General Lewis B. Hershey Museum, 444 Trinidad State Junior College Louden-Heritze Archaeology Museum, 200 Trinity College Widener Gallery, 276 Triton College Cernan Earth and Space Center, 524 Troy University Rosa Parks Library and Museum, 406 W. A. Gayle Planetarium, 524 Truman State University Art Gallery, 276 E. M. Violette Museum, 445 Ruth W. Towne Museum and Visitors Center, 444 Tufts University Tufts University Art Gallery, 338 Tulane University Amistad Research Center, 406 Newcomb Art Gallery, 339 Southeastern Architectural Archive, 464 Tusculum College Doak House Museum, 445 President Andrew Johnson Museum and Library, 445 Tuskegee University George Washington Carver Museum, 407 The Oaks, 407

U U. S. Air Force Academy Barry Goldwater Air Force Academy Visitor Center, 445

Union College Mandeville Gallery, 277 Unity College Leonard R. Craig Gallery, 277 University of Oregon Jordan Schnitzer Museum of Art, 339 University Corporation For Atmospheric Research National Center for Atmospheric Research, 525 University of Alabama Alabama Museum of Natural History, 488 Gorgas House, 447 Moundville Archaeological Park & Jones Archaeological Museum, 201 Paul W. Bryant Museum, 554 Sarah Moody Gallery of Art, 277 University of Alabama Arboretum, 376 University of Alabama At Birmingham Alabama Museum of the Health Sciences, 472 University of Alabama In Huntsville The Art Galleries at UAH, 277 University of Alaska, Fairbanks University of Alaska Museum of the North, 488 University of Arizona Arizona State Museum, 201 Boyce Thompson Arboretum, 376 Center for Creative Photography, 502 History of Pharmacy Museum, 473 Jim Click Hall of Champions, 554 Mount Graham International Observatory, 525 Mount Lemmon SkyCenter, 525 School of Art Galleries, 278 Steward Observatory, 525 UA Science: Flandrau, 549 University of Arizona Campus Arboretum, 376 University of Arizona Mineral Museum, 422 University of Arizona Museum of Art and Archive of Visual Arts, 339 University of Arkansas Fine Arts Center Gallery, 278 University Museum Collections, 488 University of Arkansas Discovery Zone, 549 University of Arkansas At Little Rock University of Arkansas at Little Rock Art Department Galleries, 278 University of Arkansas At Pine Bluff Leedell Moorehead-Graham Fine Arts Gallery, 408 University Museum and Cultural Center, 407 University of Baltimore Steamship Historical Society Collection, 561 University of Bridgeport Art Gallery, 278 University of California Observatories Lick Observatory, 526 University of California, Berkeley Berkeley Natural History Museums, 489 Bradbury Science Museum, 550 Essig Museum of Entomology, 396 Lawrence Hall of Science, 550 Museum of Vertebrate Zoology, 557 Phoebe Apperson Hearst Museum of Anthropology, 201 University and Jepson Herbaria, 377 University of California Berkely Art Museum and Pacific Film Archive, 340

575

University and Museum Index University of California Botanical Garden at Berkeley, 377 University of California Museum of Paleontology, 498 University of California, Davis Museum of Wildlife and Fish Biology, 489 R. M. Bohart Museum of Entomology, 396 UC Davis Arboretum, 377 University of California, Irvine Beall Center for Art + Technology, 279 University of California Irvine Arboretum, 378 University of California, Los Angeles Fowler Museum at UCLA, 202 Franklin D. Murphy Sculpture Garden, 341 Grunwald Center for the Graphic Arts, 341 Hammer Museum, 340 Mildred E. Mathias Botanical Garden, 378 UCLA Hannah Carter Japanese Garden, 378 UCLA Planetarium, 526 Wight Art Gallery, 279 University of California, Riverside Entomology Research Museum, 397 Sweeney Art Gallery, 279 UCR/California Museum of Photography, 502 University of California Riverside Botanic Gardens, 379 University of California, San Diego Art Gallery, 279 Birch Aquarium at Scripps, 468 University of California, Santa Barbara Art Museum, 341 University of California, Santa Cruz Arboretum at UC Santa Cruz, 379 Eloise Pickard Smith Gallery and Mary Porter Sesnon Art Gallery, 280 University of Central Florida Art Gallery, 280 University of Central Missouri UCM Gallery of Art and Design, 280 University of Chicago Oriental Institute Museum, 202 Renaissance Society at the University of Chicago, 342 Smart Museum of Art, 341 University of Cincinnati DAAP Galleries, 280 Durrell Museum, 422 Oesper Museum of Chemical Apparatus, 551 University of Colorado CU Heritage Center, 447 University of Colorado At Boulder CU Art Museum, 342 Fiske Planetarium and Science Center, 526 Museum of Natural History, 489 Sommers-Bausch Observatory, 527 UMC Art Gallery, 280 University of Colorado At Colorado Springs Gallery of Contemporary Art, 281 University of Connecticuit Health Center School of Dental Medicine Museum, 473 University of Connecticut Bartlett Arboretum and Gardens, 379 Connecticut State Museum of Natural History, 489 J. Robert Donnelly Husky Heritage Sports Museum, 554 William Benton Museum of Art, 342 University of Delaware Old College Gallery, 281 Paul R. Jones Collection of African American Art, 408 University of Delaware Mineralogical Museum, 423 University of Denver Museum of Anthropology, 202 The Cable Center, 561 Victoria H. Myhren Gallery, 281

576

University of Florida Art Galleries, 281 Florida Museum of Natural History, 490 Samuel P. Harn Museum of Art, 342 University of Georgia Circle Gallery, 282 Georgia Museum of Art, 343 Georgia Museum of Natural History, 490 Lamar Dodd School of Art Galleries, 282 State Botanical Garden of Georgia, 379 University of Georgia Observatory, 527 University of Guam Isla Center for the Arts, 282 University of Guam Herbarium, 380 University of Hartford Joseloff Gallery, 282 University of Hawaii ‘Imiloa Astronomy Center of Hawaii, 527 Waikiki Aquarium, 469 University of Hawaii at Hilo Botanical Gardens, 380 University of Hawaii at Manoa Art Gallery, 282 Harold L. Lyon Arboretum, 380 John Young Museum of Art, 343 University of Houston Blaffer Art Museum, 343 University of Illinois At Chicago Gallery 400, 283 Jane Addams Hull-House Museum, 447 Kottemann Gallery of Denistry, 473 University of Illinois At Urbana-Champaign Krannert Art Museum and Kinkead Pavilion, 344 Sousa Archives and Center for American Music, 477 Spurlock Museum, 203 University of Iowa Athletics Hall of Fame, 555 Hospitals and Clinics Medical Museum, 473 Hospitals and Clinics Project Art, 344 Museum of Natural History, 490 Old Capitol Museum, 447 University of Iowa Museum of Art, 344 University of Kansas Natural History Museum, 490 Robert J. Dole Institute of Politics, 448 Spencer Museum of Art, 344 University of Kansas Medical Center Clendening History of Medicine Library and Museum, 473 University of Kentucky Art Museum, 345 Photographic Collections, 503 Special Collections Library, 464 University of Louisiana At Lafayette Paul and Lulu Hilliard University Art Museum, 345 University of Louisiana At Monroe Museum of Natural History, 491 University of Louisville Hite Art Institute Galleries, 283 Photographic Archives, 503 Rauch Planetarium, 528 University of Louisville Library Special Collections, 464 University of Maine Fay Hyland Arboretum, 380 Hudson Museum, 203 Maynard F. Jordan Planetarium and Observatory, 528 Museum of Art, 345 Page Farm and Home Museum, 191 University of Maine Herbaria, 380

University and Museum Index University of Maine At Presque Isle Northern Maine Museum of Science, 491

University of Missouri, Kansas City UMKC Gallery of Art, 285

University of Mary Washington Art Galleries, 283 Gari Melchers Home and Studio at Belmont, 448 James Monroe Museum and Memorial Library, 448

University of Montana Montana Museum of Art and Culture, 348 Paxson Gallery, University Center Gallery, and Gallery of Visual Arts, 285 Philip L. Wright Zoology Museum, 558 University of Montana Herbarium, 382

University of Maryland University of Maryland Observatory, 528 University of Maryland, Baltimore Dr. Samuel D. Harris National Museum of Dentistry, 474 University of Maryland School of Nursing Living History Museum, 474 University of Maryland, Baltimore County Albin O. Kuhn Library and Gallery, 283 University of Maryland, College Park Art Galleries, 283 University of Massachusetts Amherst Museum of Contemporary Art, 346 Natural History Collections, 491 University of Massachusetts Dartmouth Art Gallery, 284 University of Massachusetts Lowell Middlesex Canal Collection, 449 Patrick J. Mogan Cultural Center, 449 University and Dugan Galleries, 284 University of Memphis Art Museum, 346 C. H. Nash Museum at Chucalissa, 203 University of Miami Lowe Art Museum, 346 University of Miami Sports Hall of Fame, 555

University of Montana Western Western Art Gallery/Museum, 285 University of Nebraska-Kearney Museum of Nebraska Art, 348 University of Nebraska-Lincoln Ashfall Fossil Beds State Historical Park, 499 Great Plains Art Museum, 349 Lentz Center for Asian Culture, 349 Robert Hillestad Textile Gallery, 393 Sheldon Museum of Art and Sculpture Garden, 349 Trailside Museum of Natural History, 499 University of Nebraska State Museum, 492 University of Nebraska-Omaha Mallory-Kountze Planetarium, 529 University of Nevada, Las Vegas Donna Beam Fine Art Gallery, 285 Marjorie Barrick Museum, 493 University of Nevada, Reno Fleischmann Planetarium and Science Center, 530 Sheppard Fine Arts Gallery, 286 W. M. Keck Museum, 423 University of New England Art Gallery, 286

University of Michigan Angell Hall Observatory and Planetarium, 528 Exhibit Natural History Museum, 491 Gerald R. Ford Library, 464 Herbarium of the University of Michigan, 381 Kelsey Museum of Archaeology, 204 Margaret Dow Towsley Sports Museum, 555 Matthaei Botanical Gardens, 381 Museum of Anthropology, 204 Museum of Paleontology, 499 Nichols Arboretum, 381 School of Art and Design Galleries, 284 Sindecuse Museum of Dentistry, 474 Stearns Collection of Musical Instruments, 477 University of Michigan Museum of Art, 347 University of Michigan Museum of Zoology, 558

University of New Hampshire Jesse Hepler Lilac Arboretum, 382 Museum of Art, 349 University of New Hampshire Observatory, 530

University of Michigan-Dearborn Henry Ford Estate-Fair Lane, 449

University of North Carolina At Chapel Hill Ackland Art Museum, 351 Coker Arboretum, 383 Morehead Planetarium and Science Center, 530 North Carolina Botanical Garden, 382 University of North Carolina Herbarium, 383

University of Minnesota, Duluth Glensheen Historic Estate, 449 Marshall W. Alworth Planetarium, 529 Tweed Museum of Art, 347 University of Minnesota, Twin Cities Bell Museum of Natural History, 492 Frederick R. Weisman Art Museum, 347 Goldstein Museum of Design, 393 Katherine E. Nash Gallery, 284 Minnesota Landscape Arboretum, 381 University of Mississippi Rowan Oak, Home of William Faulkner, 449 University of Mississippi Museum, 413 Walton-Young Historic House, 450 University of Missouri, Columbia George Caleb Bingham Gallery, 285 Laws Observatory, 529 Museum of Anthropology, 204 Museum of Art and Archaeology, 204 State Historical Society of Missouri Art Collection, 348

University of New Mexico Art Museum, 350 Geology Museum, 423 Harwood Museum of the University of New Mexico, 350 Maxwell Museum of Anthropology, 205 Meteorite Museum, 423 Museum of Southwestern Biology, 493 University of New Orleans Ogden Museum of Southern Art, 350 University of North Carolina At Asheville Botanical Gardens at Asheville, 382

University of North Carolina At Greensboro Weatherspoon Art Museum, 351 University of North Carolina At Pembroke Museum of the Native American Resource Center, 408 University of North Carolina At Wilmington Museum of World Cultures, 205 University of North Dakota Hughes Fine Arts Center Galleries, 286 North Dakota Museum of Art, 351 University of North Dakota Zoology Museum, 558 University of North Florida Gallery of Art, 286 Museum of Contemporary Art Jacksonville, 351 University of North Texas Art Galleries, 287

577

University and Museum Index University of Northern Colorado School of Art and Design Galleries, 287 University of Northern Iowa Museum and Collections, 493 UNI Gallery of Art, 287 University of Notre Dame Isis Gallery, 287 Museum of Biodiversity, 493 Snite Museum of Art, 352 University of Oklahoma Fred Jones, Jr. Museum of Art, 352 Robert Bebb Herbarium, 383 Sam Noble Oklahoma Museum of Natural History, 494 University of Oregon Museum of Natural and Cultural History, 494 University of Pennsylvania Arthur Ross Gallery and Fox Art Gallery, 287 Institute of Contemporary Art, 352 Museum of Archaeology and Anthropology, 205 University of Pittsburgh Art Gallery, 288 Center for Americam Music Museum, 477 Dental Museum, 474 Elmer H. Grimm, Sr. Pharmacy Museum, 475 Stephen Foster Memorial, 450 Stephen Foster Memorial Museum, 450 University of Puerto Rico Marine Sciences Museum, 469 Museum of History, Anthropology, and Art, 414 University of Puget Sound James R. Slater Museum of Natural History, 494 Kittredge Gallery, 288 University of Redlands Peppers Art Gallery, 288 University of Rhode Island Historic Textile and Costume Collection, 393 URI Fine Arts Center Galleries, 288 University of Richmond Joel and Lila Harnett Museum of Art, 353 Lora Robins Gallery of Design from Nature, 494 Virginia Baptist Historical Society Archives, 545 University of Rochester Memorial Art Gallery, 353 University of San Diego Anthropology Museum, 206 Art Galleries, 289 Mission Basilica San Diego de Alcala, 545 University of South Alabama Mobile Medical Museum, 475 University of South Carolina McKissick Museum, 414 South Carolina Institute of Archaeology and Anthropology, 206 University of South Carolina Herbarium, 383 University of South Dakota Art Galleries, 289 National Music Museum, 478 W. H. Over State Museum, 495 University of South Florida Contemporary Art Museum, 353 University of Southern California Heritage Hall Exhibit Area, 555 USC Fisher Museum of Art, 353 University of Southern Indiana Historic New Harmony, 450 McCutchan Art Center/Pace Galleries, 289 New Harmony Gallery of Contemporary Art, 289

578

University of Southern Maine African American Collection of Maine, 408 Franco-American Collection, 408 Southworth Planetarium, 530 USM Art and Area Galleries, 289 University of Southern Mississippi Gulf Coast Research Laboratory Museum, 469 University of St. Thomas American Museum of Asmat Art, 354 University of Tampa Henry B. Plant Museum, 451 Scarfone/Hartley Gallery, 290 University of Tennessee University of Tennessee Football Hall of Fame, 555 University of Tennessee At Chattanooga Cress Gallery of Art, 290 University of Tennessee At Knoxville Ewing Gallery of Art and Architecture, Downtown Gallery, and Gallery 1010, 290 Frank H. McClung Museum, 414 University of Tennessee Arboretum, 384 University of Tennessee Gardens, 384 University of Tennessee At Martin J. Houston Gordon Museum, 415 University of Texas At Arlington The Gallery at UTA, 290 University of Texas At Austin Blanton Museum of Art, 354 Dolph Briscoe Center for American History, 451 Harry Ransom Center, 465 John Nance Garner Museum, 452 Lady Bird Johnson Wildflower Center, 384 Lyndon Baines Johnson Library and Museum, 465 McDonald Observatory, 531 Sam Rayburn Library and Museum, 451 Texas Natural Science Center/Texas Memorial Museum, 495 Winedale, 452 University of Texas At Dallas History of Aviation Collection, 465 School of Art and Humanities Main Gallery, 291 University of Texas At El Paso Centennial Museum and Gardens, 495 Stanlee and Gerald Rubin Center for the Visual Arts Galleries, 291 University of Texas At San Antonio Institute of Texan Cultures, 206 UTSA Art Gallery and UTSA Satellite Space, 291 University of the Arts Rosenwald-Wolf and Other Galleries, 291 University of the Sciences In Philadelphia Marvin Samson Center for the History of Pharmacy, 475 University of the South Art Gallery, 292 University of Turabo Museum and Center for Humanistic Studies, 206 University of Utah Red Butte Garden and Arboretum, 384 Utah Museum of Fine Arts, 354 Utah Museum of Natural History, 496 University of Vermont Francis Colburn Gallery, 292 Perkins Geology Museum, 423 Pringle Herbarium, 385 Robert Hull Fleming Museum, 355 University of Virginia Art Museum, 355 Fan Mountain Observatory, 531 Kluge-Ruhe Aboriginal Art Collection, 409

University and Museum Index Leander McCormick Observatory, 531 Orland E. White Arboretum, 385 Pavilion Gardens and other garden/arboretum sites, 385 The Rotunda, 452 University of Washington Burke Museum of Natural History and Culture, 496 Henry Art Gallery, 355 Theodor Jacobsen Observatory, 532 University of Washington Botanic Gardens, 386 University of Washington Planetarium, 532 University of West Florida Art Gallery, 292 Historic Pensacola Village, 452 T. T. Wentworth, Jr. Florida State Museum, 453 University of West Georgia University of West Georgia Observatory, 532 University of Wisconsin-Eau Claire Foster Gallery, 292 University of Wisconsin-Fox Valley Barlow Planetrium, 532 Weis Earth Science Museum, 424

V Valdosta State University Fine Arts Gallery, 293 Valencia Community College Anita S. Wooten Gallery, 293 Valley City State University VCSU Student Art Gallery, 293 Valparaiso University Bauer Museum of Art, 357 Vanderbilt University Dyer Observatory, 534 Fine Arts Gallery and Sarratt Gallery, 294 Vanderbilt University Arboretum, 387 Vassar College Frances Lehman Loeb Art Center, 357 Vermont College T. W. Wood Gallery and Arts Center, 294 Victor Valley College Victor Valley College Planetarium, 534

University of Wisconsin-Green Bay Lawton Gallery, 292

Villanova University Villanova Observatory, 534

University of Wisconsin-La Crosse University of Wisconsin-La Crosse Planetarium, 533

Virginia Commonwealth University Anderson Gallery, 358

University of Wisconsin-Madison Chazen Museum of Art, 356 Geology Museum, 424 Helen Louise Allen Textile Collection, 394 University of Wisconsin-Madison Arboretum, 386 University of Wisconsin-Madison Herbarium, 386 UW Space Place, 533 Washburn Observatory, 533

Virginia Military Institute Astronomical Obervatory, 535 George C. Marshall Museum, 454 Hall of Valor Civil War Museum, 453 Virginia Military Institute Museum, 453

University of Wisconsin-Milwaukee Institute of Visual Art, 356 Manfred Olson Planetarium, 533 Thomas A. Greene Memorial Museum, 424 University of Wisconsin-River Falls Gallery 101, 293

Virginia Polytechnic Institute and State University Cyrus H. McCormick Memorial Museum, 192 Museum of Geosciences, 425 Perspective Gallery, 294 Reynolds Homestead, 454

W

University of Wisconsin-Stevens Point Allen F. Blocher Planeterium, 534 Museum of Natural History, 496 UWSP Observatory, 534

Wake Forest University Charlotte and Philip Hanes Art Gallery, 358 Museum of Anthropology, 207 Reynolda Gardens of Wake Forest University, 387 Reynolda House Museum of American Art, 358

University of Wisconsin-Stout John Furlong Gallery, 293

Walla Walla University Clyde and Mary Harris Gallery, 294

University of Wisconsin-Whitewater Crossman Gallery, 293

Washburn University Crane Observatory, 535

University of Wyoming American Heritage Center, 466 Anthropology Museum, 206 Rocky Mountain Herbarium, 386 University of Wyoming Art Museum, 356 University of Wyoming Geological Museum, 424 University of Wyoming Insect Museum, 397

Washburn University of Topeka Mulvane Art Museum, 359

University Research Association Lederman Science Center, 551 Ursinus College Philip and Muriel Berman Museum of Art, 356 Utah State University American West Heritage Center, 453 Intermountain Herbarium, 387 Jensen Historic Farm, 191 Museum of Anthropology, 207 Nora Eccles Harrison Museum of Art, 357

Washington and Jefferson College Olin Art Gallery, 295 Washington and Lee University Lee Chapel and Museum, 454 Staniar Gallery, 295 The Reeves Center, 359 Washington State University Charles R. Conner Museum, 496 Geology Museum, 425 James Richard Jewett Observatory, 535 M. T. James Museum, 397 Museum of Anthropology, 207 Museum of Art, 359 Washington University Mildred Lane Kemper Art Museum, 360 Washtenaw Community College Gallery One, 295

579

University and Museum Index Watkins College of Art, Design, and Film Brownlee O. Currey Jr. Gallery, 295

Westminster College Winston Churchill Museum, 457

Wayland Baptist University Museum of the Llano Estacado, 455

Westmont College Carroll Observatory, 536 Reynolds Gallery, 298

Wayne State University Art Galleries, 295 Gordon L. Grosscup Museum of Anthropology, 207 Museum of Natural History, 497 Weber State University Mary Elizabeth Dee Shaw Gallery, 296 Webster University Cecille R. Hunt Gallery, May Gallery, and Small Wall Gallery, 296 Wellesley College Davis Museum and Cultural Center, 360 Wellesley College Botanic Gardens, 387 Wenatchee Valley College Robert Graves Gallery, 296

Wheaton College (Illinois) Billy Graham Center Museum, 545 Wheaton College (Massachusetts) Beard and Weil Galleries, 298 Whitman College Sheehan Gallery, 299 Wichita State University Lowell D. Holmes Museum of Anthropology, 208 Ulrich Museum of Art, 361 Widener University Art Collection and Gallery, 362 Widener University Observatory, 536

Wesleyan University Davison Art Center, 360 Ezra and Cecile Zilkha Gallery and Mansfield Freeman Center for East Asian Studies Gallery, 296

Wilberforce University National Afro-American Museum and Cultural Center, 409

West Chester University West Chester University Geology Museum, 425

Willamette University Hallie Ford Museum of Art, 362

West Chester University of Pennsylvania McKinney Gallery, Long Gallery, and Knauer Gallery, 297 West Chester University Observatory, 536 West Chester University Planetarium, 535

William Paterson University of New Jersey Ben Shahn Galleries and Power Art Gallery, 299

West Texas A&M University Panhandle-Plains Historical Museum, 455 West Texas College Scurry County Museum, 455 West Virginia Northern Community College West Virginia Northern Community College Alumni Association Museum, 455 West Virginia University Art Museum, 360 Cook-Hayman Pharmacy Museum, 475 Core Arboretum, 388 Jackson’s Mill Historic Area, 456 Paul and Laura Mesaros Galleries, 297 Royce J. and Caroline B. Watts Museum, 425 Western Carolina University Fine Art Museum, 361 Mountain Heritage Center, 456

Wilkes University Sordoni Art Gallery, 299

Williams College Chapin Library of Rare Books, 466 Williams College Museum of Art, 362 Winston-Salem State University Diggs Gallery, 409 Winthrop University Art Galleries, 299 Wiyn Consortium WIYN Observatory, 536 Wofford College Sandor Teszler Library Gallery, 466 Wright State University Robert and Elaine Stein Galleries, 299

X Xavier University Art Gallery, 300

Western Illinois University Art Gallery, 361 Western Kentucky University Art Gallery and Corridor Galleries, 297 Hardin Planetarium, 536 Kentucky Library and Museum, 456 Western Michigan University Richmond Center for the Visual Arts Galleries, 297 Western New Mexico University Francis McCray Gallery, 297 Western New Mexico University Museum, 208 Western Oregon University Jensen Arctic Museum, 208 Western Washington University Outdoor Sculpture Collection, 361 Western Gallery and Viking Union Gallery, 298 Western Wyoming Community College Art Gallery, 298

580

Y Yakima Valley Community College Larson Gallery, 300 Yale University Leitner Family Observatory and Planetarium, 537 Marsh Botanical Gardens, 388 Yale Center for British Art, 363 Yale Peabody Museum of Natural History, 497 Yale University Art Gallery, 362 Yale University Collection of Musical Instruments, 478 Yeshiva University Yeshiva University Museum, 409 Young Harris College Rollins Planetarium, 537 Young Harris College Observatory, 537 Youngstown State University McDonough Museum of Art, 363 Ward Beecher Planetarium, 537

Museum and University Index A A + D Gallery Columbia College Chicago, 224 A. D. Buck Museum of History and Natural Sciences Northern Oklahoma College, 486 A. E. Seaman Mineral Museum Michigan Technological University, 419 Abner Hershberger Art Gallery Goshen College, 233 Abraham Lincoln Library and Museum Lincoln Memorial University, 460 Abrams Planetarium Michigan State University, 517 Ackland Art Museum University of North Carolina At Chapel Hill, 351 Ad n E. Treganza Anthropology Museum San Francisco State University, 200 African American Collection of Maine University of Southern Maine, 408 African American Cultural Center Cultural Art Gallery North Carolina State University, 403 African Art Gallery Norfolk State University, 402 Alabama Museum of Natural History University of Alabama, 488 Alabama Museum of the Health Sciences University of Alabama At Birmingham, 472 Alabama State Black Archives Research Center and Museum Alabama A&M University, 398 Albin O. Kuhn Library and Gallery University of Maryland, Baltimore County, 283 Alcazar Gallery Baltimore School For the Arts, 212 Alexander Brest Museum and Gallery Jacksonville University, 318 Alexander Campbell Mansion Bethany College, 428 Allen F. Blocher Planeterium University of Wisconsin-Stevens Point, 534 Allen Memorial Art Museum Oberlin College, 327 Alva de Mars Megan Chapel Art Center St. Anselm College, 268 American Heritage Center University of Wyoming, 466 American Museum of Asmat Art University of St. Thomas, 354 American West Heritage Center Utah State University, 453 Amherst Gallery New Hampshire Instiute of Art, 251 Amistad Research Center Tulane University, 406 Anderson Gallery Drake University, 226 Anderson Gallery Virginia Commonwealth University, 358 Andy Gato Gallery Barry University, 212 Angell Hall Observatory and Planetarium University of Michigan, 528 Anita S. Wooten Gallery Valencia Community College, 293 Annette Green Perfume Museum Fashion Institute of Design and Merchandising, 390 Annmary Brown Memorial Brown University, 305 Anthony J. Drexel Picture Gallery Drexel University, 310 Anthropology Museum Northern Illinois University, 199 Anthropology Museum Northern Kentucky University, 199 Anthropology Museum University of San Diego, 206 Anthropology Museum University of Wyoming, 206 Anthropology Teaching Museum California State University, Fullerton, 195 Apex Gallery South Dakota School of Mines and Technology, 267 Appalachian Center for Crafts Galleries Tennessee Tech University, 275 Appalachian Cultural Museum Appalachian State University, 427 Appleton Museum of Art Central Florida Community College, 307 Arboretum at UC Santa Cruz University of California, Santa Cruz, 379 Arcadia University Art Gallery Arcadia University, 210 Archer Gallery Clark College, 220 Architecture and Landscape Architecture Library Pennsylvania State University, 462 Archives of the Susquehanna Conference of the United Methodist Church Lycoming College, 543 Arecibo Observatory Cornell University, 511 Arizona State Museum University of Arizona, 201 Arizona State University Planetarium Arizona State University, 505 Arkansas State University Museum Arkansas State University, 411 Arkansas Tech University Museum Arkansas Tech University, 427 Armstrong Browning Library Baylor University, 458 Arnold Arboretum of Harvard University Harvard University, 369 Art and Design Galleries Savannah College of Art and Design, 265 Art Center Gallery at Miriam Hall Anna Maria College, 210 Art Collection and Gallery Widener University, 362 Art Galleries Brenau University, 214 Art Galleries Central Connecticut State University, 220 Art Galleries Coe College, 221 Art Galleries Florida Atlantic University, 229

Art Galleries Georgetown University, 232 Art Galleries Kean University, 240 Art Galleries Kennesaw State University, 240 Art Galleries Lafayette College, 241 Art Galleries Luther College, 244 Art Galleries Maryland Institute College of Art, 246 Art Galleries Memphis College of Art, 247 Art Galleries Miami Dade College, 248 Art Galleries Mississippi State University, 249 Art Galleries Murray State University, 251 Art Galleries Northern Kentucky University, 253 Art Galleries Portland State University, 259 Art Galleries Purdue University, 259 Art Galleries Ringling College of Art and Design, 261 Art Galleries Salisbury State University, 263 Art Galleries Santa Ana College, 264 Art Galleries Santa Fe College, 264 Art Galleries State University of New York At Buffalo, 270 Art Galleries Stephen F. Austin State University, 273 Art Galleries Texas A&M University-Corpus Christi, 275 Art Galleries Texas Woman’s University, 276 Art Galleries University of Florida, 281 Art Galleries University of Mary Washington, 283 Art Galleries University of Maryland, College Park, 283 Art Galleries University of North Texas, 287 Art Galleries University of San Diego, 289 Art Galleries University of South Dakota, 289 Art Galleries Wayne State University, 295 Art Galleries Winthrop University, 299 Art Gallery Baylor University, 213 Art Gallery Boston University, 214 Art Gallery Brooklyn College, City University of New York, 215 Art Gallery California Polytechnic State University, 217 Art Gallery California State University, Dominguez Hills, 217 Art Gallery California State University, Stanislaus, 218 Art Gallery Cazenovia College, 219 Art Gallery Central Michigan University, 220 Art Gallery Clarion University of Pennsylvania, 220 Art Gallery Cleveland State University, 221 Art Gallery Concordia University-Wisconsin, 225 Art Gallery Diablo Valley College, 226 Art Gallery Florida Gulf Coast University, 230 Art Gallery Fullerton College, 231 Art Gallery Guilford College, 234 Art Gallery Gulf Coast Community College, 235 Art Gallery Hartnell College, 235 Art Gallery Hawaii Pacific University, 236 Art Gallery Indian River State College, 238 Art Gallery Indiana State University, 238 Art Gallery John Brown University, 239 Art Gallery John C. Calhoun State Community College, 240 Art Gallery Lake-Sumter Community College, 241 Art Gallery Lane Community College, 242 Art Gallery Lehman College, City University of New York, 242 Art Gallery Louisburg College, 243 Art Gallery Lower Columbia College, 243 Art Gallery Lycoming College, 244 Art Gallery Macalester College, 245 Art Gallery Marist College, 245 Art Gallery New England College, 251 Art Gallery New Mexico State University, 252 Art Gallery North Florida Community College, 252 Art Gallery North Seattle Community College, 252 Art Gallery Oakland University, 254 Art Gallery Ocean County College, 254 Art Gallery Pacific Lutheran University, 257 Art Gallery Parkland College, 257 Art Gallery Polk State College, 258 Art Gallery Rice University, 261 Art Gallery Riverside City College, 261 Art Gallery Rockford College, 262 Art Gallery Rowan University, 262 Art Gallery San Diego State University, 263 Art Gallery Santa Rosa Junior College, 264 Art Gallery Sonoma State University, 266 Art Gallery South Seattle Community College, 267

581

Museum and University Index Art Gallery St. Joseph College, 335 Art Gallery St. Joseph’s University, 268 Art Gallery State University of New York At Stony Brook, 272 Art Gallery Stevenson University, 273 Art Gallery Thomas College, 276 Art Gallery Truman State University, 276 Art Gallery University of Bridgeport, 278 Art Gallery University of California, San Diego, 279 Art Gallery University of Central Florida, 280 Art Gallery University of Hawaii At Manoa, 282 Art Gallery University of Massachusetts Dartmouth, 284 Art Gallery University of New England, 286 Art Gallery University of Pittsburgh, 288 Art Gallery University of the South, 292 Art Gallery University of West Florida, 292 Art Gallery Western Illinois University, 361 Art Gallery Western Wyoming Community College, 298 Art Gallery Xavier University, 300 Art Gallery Western Kentucky University, 297 Art Gallery Grand Valley State University, 233 Art Museum Arizona State University, 301 Art Museum Augustana College (Illinois), 302 Art Museum Ball State University, 302 Art Museum California State University, Long Beach, 306 Art Museum College of Wooster, 308 Art Museum Depaul University, 311 Art Museum Indiana University, 317 Art Museum Indiana University of Pennsylvania, 318 Art Museum La Salle University, 321 Art Museum Mount Holyoke College, 324 Art Museum Princeton University, 329 Art Museum Radford University, 329 Art Museum State University of New York At Albany, 336 Art Museum University of California, Santa Barbara, 341 Art Museum University of Kentucky, 345 Art Museum University of Memphis, 346 Art Museum University of New Mexico, 350 Art Museum University of Virginia, 355 Art Museum West Virginia University, 360 Arthur F. McClure II Archives and University Museum Central Missouri State University, 459 Arthur Herbarium Purdue University, 375 Arthur M. Sackler Museum Harvard University, 316 Arthur Ross Gallery University of Pennsylvania, 287 Arts Center Queens College, City University of New York, 260 Ash Lawn-Highland College of William and Mary, 432 Ashby-Hodge Gallery of American Art Central Methodist College, 307 Ashfall Fossil Beds State Historical Park University of Nebraska-Lincoln, 499 Asian Arts Gallery Towson University, 338 Astronaut Memorial Planetarium and Observatory Brevard Community College, 508 Astronomical Obervatory Virginia Military Institute, 535 Ataloa Lodge Museum Bacone College, 398 Athletic Hall of Excellence U.S. Air Force Academy, 554 Athletics Hall of Fame University of Iowa, 555 Avenir Museum of Design and Merchandising Colorado State University, 389 Avery Research Center for African American History and Culture College of Charleston, 399

B Bade Museum of Biblical Archaeology Pacific School of Religion, 543 Baldwin Photographic Gallery Middle Tennessee State University, 502 Ball State Planetarium and Observatory Ball State University, 506 Barlow Planetrium University of Wisconsin-Fox Valley, 532 Baron and Ellin Gordon Art Galleries Old Dominion University, 255 Barry Goldwater Air Force Academy Visitor Center U. S. Air Force Academy, 445 Bartlett Arboretum and Gardens University of Connecticut, 379 Barton Art Galleries Barton College, 303 Bassett Planetarium Amherst College, 504 Bauer Museum of Art Valparaiso University, 357 Beall Center for Art + Technology University of California, Irvine, 279

582

Bearcat Sports Museum Northwest Missouri State University, 552 Beard and Weil Galleries Wheaton College (Massachusetts), 298 Bell Museum of Natural History University of Minnesota, Twin Cities, 492 Bellarmine Museum Fairfield University, 312 Ben Maltz Gallery Otis College of Art and Design, 256 Ben P. Bailey Art Building Gallery Texas A&M University-Kingsville, 275 Ben Shahn Galleries William Paterson University of New Jersey, 299 Beneski Museum of Natural History, Amherst College Amherst College, 479 Bentley Rare Book Gallery Kennesaw State University, 460 Berea College Weatherford Planetarium Berea College, 507 Berkeley Natural History Museums University of California, Berkeley, 489 Bertha and Karl Leubsdorf Art Gallery Hunter College, 237 Bertha V. B. Lederer Gallery State University of New York At Geneseo, 271 Billy Graham Center Museum Wheaton College (Illinois), 545 Birch Aquarium at Scripps University of California, San Diego, 468 Birger Sandzen Memorial Gallery Bethany College, 303 Birks Museum Millikin University, 323 Blackbridge Gallery Georgia College and State University, 232 Blackwater Draw Museum Eastern New Mexico University, 196 Blaffer Art Museum University of Houston, 343 Blanton Museum of Art University of Texas At Austin, 354 Blue Ridge Farm Museum Ferrum College, 189 Blue Ridge Institute and Museum Ferrum College, 434 Bob Jones University Museum and Gallery Bob Jones University, 539 Bob Raushenberg Gallery Edison State College, 228 Bobbitt Visual Arts Center Albion College, 209 Boehm Gallery Palomar College, 257 Boileau Hall St. Louis University, 269 Boston College Libraries Boston College, 458 Botanic Garden of Smith College Smith College, 375 Botanical Gardens at Asheville University of North Carolina At Asheville, 382 Botanical Museum of Harvard University Harvard University, 369 Bowers Science Museum State University of New York At Cortland, 487 Bowling Green State University Planetarium and Observatory Bowling Green State University, 508 Bowman Gallery Allegheny College, 209 Boyce Thompson Arboretum University of Arizona, 376 Boynton Chapel Lawrence University, 402 Bradbury Gallery Arkansas State University, 211 Bradbury Science Museum University of California, Berkeley, 550 Bradley Gallery of Fine Art Lakeland College, 242 Bradley Observatory Agnes Scott College, 504 Braithwaite Fine Arts Gallery Southern Utah University, 267 Bridge Gallery State University of New York At Geneseo, 271 Broadway Gallery Passaic County Community College, 257 Brownlee O. Currey Jr. Gallery Watkins College of Art, Design, and Film, 295 Brunnier Art Museum Iowa State University, 318 Bryant Arts Center Gallery Denison University, 226 Buehler Planetarium and Observatory Broward College, 509 Bunte Gallery Franklin University, 231 Burchfield Penney Art Center State University of New York At Buffalo, 337 Burghdorf Gallery Southern Vermont College, 267 Burke Museum of Natural History and Culture University of Washington, 496 Busch-Reisinger Museum Harvard University, 316 BYU-Idaho Planetarium Brigham Young University-Idaho, 509

C CCS Galleries Bard College, 302 C. E. Smith Museum of Anthropology California State University, East Bay, 195 C. H. Nash Museum at Chucalissa University of Memphis, 203 C. P. Post Campus and Brooklyn Campus Galleries Long Island University, 243 Cal State Northridge Botanic Garden California State University, Northridge, 366

Museum and University Index Calkins Nature Area/Field Museum Ellsworth College, 368 Calvin College Center Art Gallery Calvin College, 218 Carl Gamble Observatory Augustana College, 506 Carleton College Art Gallery Carleton College, 219 Carpenter Center for the Visual Arts Galleries Harvard University, 236 Carr-Fles Planetarium Muskegon Community College, 518 Carroll Observatory Westmont College, 536 Castellani Art Museum Niagara University, 325 Catherine G. Murphy Gallery College of St. Catherine, 223 Cecelia Coker Bell Gallery Coker College, 222 Cecille R. Hunt Gallery Webster University, 296 Centennial Museum and Gardens University of Texas At El Paso, 495 Center for Americam Music Museum University of Pittsburgh, 477 Center for Book and Paper Arts Columbia College Chicago, 224 Center for Creative Photography University of Arizona, 502 Center for Meteorite Studies Museum Arizona State University, 416 Center for Visual Art Metropolitan State College of Denver, 247 Center for Western Studies Augustana College (South Dakota), 428 Center Galleries College For Creative Studies, 222 Center Gallery Fordham University, 230 Center of Southwest Studies Gallery Fort Lewis College, 197 Cernan Earth and Space Center Triton College, 524 CFCC Webber Center Gallery Central Florida Community College, 220 Chadwick Arboretum and Learning Gardens Ohio State University, 374 Chapin Library of Rare Books Williams College, 466 Charles F. Hagar Planetarium San Francisco State University, 522 Charles H. Templeton, Sr. Music Museum Mississippi State University, 477 Charles R. Conner Museum Washington State University, 496 Charlotte and Philip Hanes Art Gallery Wake Forest University, 358 Chazen Museum of Art University of Wisconsin-Madison, 356 Chester H. Wilson Geology Museum Mott Community College, 420 Christian Petersen Art Museum Iowa State University, 318 Cincinnati Christian University Museum Cincinnati Christian University, 540 Circle Gallery University of Georgia, 282 Clark Atlanta University Art Galleries Clark Atlanta University, 399 Clark Planetarium Shawnee State University, 523 Clell and Ruth Gannon Gallery Bismarck State College, 213 Clemson University Arthropod Collection Clemson University, 395 Clemson University Historic Properties: Fort Hill, Hanover House, Hopewell Plantation, and Woodland Clemson University, 430 Clemson University Planetarium Clemson University, 511 Clendening History of Medicine Library and Museum University of Kansas Medical Center, 473 Clever Planeterium San Joaquin Delta College, 522 Clough-Hanson Gallery Rhodes College, 261 Clyde and Mary Harris Gallery Walla Walla University, 294 Coca-Cola Space Science Center Columbus State University, 511 Coker Arboretum University of North Carolina At Chapel Hill, 383 Collection of Historical Scientific Instruments Harvard University, 547 Collins C. Diboll Art Gallery Loyola University New Orleans, 244 Colorado School of Mines Geology Museum Colorado School of Mines, 417 Connecticut College Arboretum Connecticut College, 367 Connecticut State Museum of Natural History University of Connecticut, 489 Conner Prairie Interactive Historical Park Earlham College, 433 Contemporary Art Museum University of South Florida, 353 Cook-Hayman Pharmacy Museum West Virginia University, 475 Copernican Observatory and Planetarium Central Connecticut State University, 511 Core Arboretum West Virginia University, 388 Cornell Costume and Textile Collection Cornell University, 389 Cornell Fine Arts Museum Rollins College, 331 Cornell Plantations Cornell University, 367 Corridor Galleries Western Kentucky University, 297 Cranbrook House and Gardens Cranbrook Educational Community, 432 Cranbrook Institute of Science Cranbrook Educational Community, 546 Cranbrook Museum of Art Cranbrook Academy of Art, 309 Crane Observatory Washburn University, 535 Craven E. Williams Observatory Gardner-Webb University, 514 Cress Gallery of Art University of Tennessee At Chattanooga, 290 Crisp Museum Southeast Missouri State University, 412 Crosby Museum Gonzaga University, 435 Crossman Gallery University of Wisconsin-Whitewater, 293

CSUN Art Galleries California State University, Northridge, 218 CU Art Museum University of Colorado At Boulder, 342 CU Heritage Center University of Colorado, 447 Cube 4 Gallery Ohio University, 254 Culinary Arts Museum Johnson and Wales University, 560 Cullis and Gladys Wade Clock Museum Mississippi State University, 560 Curfman Gallery Colorado State University, 224 Cyrus H. McCormick Memorial Museum Virginia Polytechnic Institute and State University, 192 Czurles-Nelson Gallery Buffalo State College, 216

D Da Vinci Science Center Cedar Crest College, 546 DAAP Galleries University of Cincinnati, 280 Dalton Gallery Agnes Scott College, 209 Danforth Museum of Art Framingham State College, 313 Daniel Boone Home and Boonesfield Village Lindenwood University, 438 Darwin Museum of Life Sciences Northwest Missouri State University, 486 Daura Gallery Lynchburg College, 244 David Erlanson Art Gallery Richland Community College, 261 David Winton Bell Gallery Brown University, 216 Davis Art Gallery Stephens College, 273 Davis Gallery at Houghton House Hobart and William Smith Colleges, 237 Davis Museum and Cultural Center Wellesley College, 360 Davison Art Center Wesleyan University, 360 de Saisset Museum Santa Clara University, 332 Deer Valley Rock Art Center Arizona State University, 193 Delafield Planetarium Agnes Scott College, 504 Denison Museum Denison University, 310 Denler Art Gallery Northwestern College, 253 Dennos Museum Center Northwestern Michigan College, 326 Dental Museum University of Pittsburgh, 474 DePauw University Anthropology Museum DePauw University, 196 DeVos Art Museum Northern Michigan University, 326 Diggs Gallery Winston-Salem State University, 409 Dimock Gallery George Washington University, 232 Dishman Art Museum Lamar University, 320 Dittrick Museum of Medical History Case Western Reserve University, 470 Doak House Museum Tusculum College, 445 Dolph Briscoe Center for American History University of Texas At Austin, 451 Donna Beam Fine Art Gallery University of Nevada, Las Vegas, 285 Dooley Planetarium Francis Marion University, 514 Doris Ulmann Galleries Berea College, 501 Douglas F. Cooley Memorial Gallery Reed College, 260 Dowd Fine Arts Gallery State University of New York At Cortland, 271 Downtown Gallery University of Tennessee At Knoxville, 290 Dr. Samuel D. Harris National Museum of Dentistry University of Maryland, Baltimore, 474 Drexel Historic Costume Collection Drexel University, 389 DSU Art Gallery Dickinson State University, 226 Dumbarton Oaks Research Library and Collection Harvard University, 459 Duncan Gallery of Art Stetson University, 273 Dunham Bible Museum Houston Baptist University, 541 Dunn-Seiler Museum Mississippi State University, 419 Durrell Museum University of Cincinnati, 422 Dwight Frederic Boyden Gallery St. Mary’s College of Maryland, 270 Dyer Observatory Vanderbilt University, 534

E E. M. Violette Museum Truman State University, 445 E. Taylor Greer Gallery Ferrum College, 229 Earl Burns Miller Japanese Garden California State University, Long Beach, 366 Earth and Mineral Sciences Museum and Art Gallery Pennsylvania State University, 421

583

Museum and University Index Earth Science Museum and Demonstration Center Miami Dade College, 418 East Kentucky Science Center Big Sandy Community and Technical College, 546 East Texas Oil Museum Kilgore College, 438 Eastern Kentucky Herbarium Eastern Kentucky University, 368 Eberly Family Special Collections Library Exhibit Hall Pennsylvania State University, 462 Eddie G. Robinson Museum Grambling State University, 552 Edith J. Carrier Arboretum and Botanical Gardens James Madison University, 371 Eide/Dalrymple Gallery Augustana College (South Dakota), 211 Elder Art Gallery Nebraska Wesleyan University, 324 Eleanor Barbour Cook Museum of Geology Chadron State College, 417 Eleanor D. Wilson Museum Hollins University, 317 Eli and Edythe Broad Art Museum Michigan State University, 323 Elizabeth and Byron Anderson Sculpture Garden Iowa State University, 318 Elizabeth Myers Mitchell Gallery St. John’s College, 268 Elizabeth P. Korn Art Gallery Drew University, 227 Elizabeth Sage Historic Costume Collection Indiana University, 390 Elizabeth Stone Harper Art Gallery Presbyterian College, 259 Elmer H. Grimm, Sr. Pharmacy Museum University of Pittsburgh, 475 Eloise Pickard Smith Gallery University of California, Santa Cruz, 280 Else Forde Gallery Bismarck State College, 213 Elsing Museum Oral Roberts University, 255 Emerson Gallery Hamilton College, 235 Emily Dickinson Museum: The Homestead and The Evergreens Amherst College, 427 Emory University Planetarium and Observatory Emory University, 513 Entomology Research Museum University of California, Riverside, 397 Erdman Art Gallery Princeton Theological Seminary, 544 Ernest G. Welch School of Art and Design Georgia State University, 232 Essig Museum of Entomology University of California, Berkeley, 396 Esther Massry Gallery College of St. Rose, 223 Esther Thomas Atkinson Museum Hampden-Sidney College, 435 Ethel H. Blum Gallery College of the Atlantic, 223 Ethnographic and Archaeological Collections Luther College, 198 Eula Mae Edwards Museum and Gallery Clovis Community College, 221 Euphrat Museum of Art De Anza College, 311 Evelyn Payne Hatcher Museum of Anthropology St. Cloud State University, 200 Evergreen Gallery Evergreen State College, 229 Evergreen Museum and Library Johns Hopkins University, 437 Ewing Gallery of Art and Architecture University of Tennessee At Knoxville, 290 Exhibit Natural History Museum University of Michigan, 491 Ezra and Cecile Zilkha Gallery Wesleyan University, 296

F F. Donald Kenney Museum and Art Study Wing St. Bonaventure University, 334 F. Kenneth and Marjorie J. McKinney Geology Teaching Museum Appalachian State University, 416 Fan Mountain Observatory University of Virginia, 531 Farm House Museum Iowa State University, 189 Farnham Galleries Simpson College, 266 Fashion Columbia Study Collection Columbia College Chicago, 389 Faulconer Gallery Grinnell College, 234 Fay Hyland Arboretum University of Maine, 380 Feet First Exhibit Rosalind Franklin University of Medicine and Science, 472 FIDM Museum and Galleries Fashion Institute of Design and Merchandising, 390 Fiedler Memorial Museum Texas Lutheran University, 422 Field Station and Environmental Education Center Ball State University, 365 Fine Art Gallery State College of Florida, Manatee-Sarasota, 270 Fine Art Museum Western Carolina University, 361 Fine Arts Center Galleries Bowling Green State University, 214 Fine Arts Center Gallery University of Arkansas, 278 Fine Arts Center Gallery Arkansas State University, 211 Fine Arts Collection Luther College, 321

584

Fine Arts Galleries Broward College, 215 Fine Arts Gallery Mott Community College, 250 Fine Arts Gallery Seminole State College, 265 Fine Arts Gallery Spokane Falls Community College, 267 Fine Arts Gallery Valdosta State University, 293 Fine Arts Gallery California State University, Los Angeles, 217 Fine Arts Gallery San Francisco State University, 263 Fine Arts Gallery Vanderbilt University, 294 Firehouse Plaza Art Gallery Nassau Community College, 251 Firestone Library Galleries Princeton University, 463 Fisk University Galleries Fisk University, 400 Fiske Planetarium and Science Center University of Colorado At Boulder, 526 FitzRandolph Observatory Princeton University, 521 Flaten Art Museum St. Olaf College, 336 Fleischmann Planetarium and Science Center University of Nevada, Reno, 530 Fletcher L. Byrom Earth and Mineral Sciences Library Pennsylvania State University, 462 Flippo Gallery Randolph-Macon College, 260 Florida Museum of Natural History University of Florida, 490 Florida School of the Arts Gallery Florida School of the Arts, 230 Fogg Art Museum Harvard University, 316 Folger Shakespeare Library Amherst College, 458 Foreman Gallery Hartwick College, 236 Fort Belknap Museum and Archives Texas Wesleyan College, 444 Fort Hill Clemson University, 430 Fort Le Boeuf Edinboro University of Pennsylvania, 434 Foster Gallery University of Wisconsin-Eau Claire, 292 Foster Tanner Fine Arts Gallery Florida A&M University, 400 Fox Art Gallery University of Pennsylvania, 287 Founders Hall Art Gallery Soka University of America, 266 Fowler Museum at UCLA University of California, Los Angeles, 202 Frances Lehman Loeb Art Center Vassar College, 357 Frances Loeb Library Special Collections Gallery Harvard University, 236 Frances Young Tang Teaching Museum of Art and Art Gallery Skidmore College, 332 Francis Colburn Gallery University of Vermont, 292 Francis Marion University Observatory Francis Marion University, 514 Francis McCray Gallery Western New Mexico University, 297 Franco-American Collection University of Southern Maine, 408 Frank H. McClung Museum University of Tennessee At Knoxville, 414 Frank Museum of Art Otterbein University, 327 Frank P. Brackett Observatory Pomona College, 520 Franklin D. Murphy Sculpture Garden University of California, Los Angeles, 341 Fred Jones, Jr. Museum of Art University of Oklahoma, 352 Fred Russ Forest Michigan State University, 372 Frederick R. Weisman Art Museum University of Minnesota, Twin Cities, 347 Frederick R. Weisman Museum of Art Pepperdine University, 328 Freedman Gallery Albright College, 209 French Building Gallery New Hampshire Instiute of Art, 251 Frost Entomological Museum Pennsylvania State University, 396 Fryxell Geology Museum Augustana College (Illinois), 416 Fujitsu Planetarium De Anza College, 512 Fullerton Arboretum California State University, Fullerton, 365

G Gallery 101 University of Wisconsin-River Falls, 293 Gallery 1010 University of Tennessee At Knoxville, 290 Gallery 400 University of Illinois At Chicago, 283 Gallery at the BGC Bard College, 212 Gallery East College of Eastern Utah, 222 Gallery of Art Eastern Washington University, 228 Gallery of Art University of North Florida, 286 Gallery of Contemporary Art Sacred Heart University, 262 Gallery of Contemporary Art University of Colorado At Colorado Springs, 281 Gallery One Washtenaw Community College, 295 Gallery/Museum Lehigh University, 320 Gardiner Art Gallery Oklahoma State University, 255

Museum and University Index Gari Melchers Home and Studio at Belmont University of Mary Washington, 448 Gateway Science Museum California State University, Chico, 480 General Lewis B. Hershey Museum Trine University, 444 Geology Collection Luther College, 418 Geology Museum Marshall University, 418 Geology Museum University of New Mexico, 423 Geology Museum University of Wisconsin-Madison, 424 Geology Museum Washington State University, 425 George and Barbara Gordon Art Gallery Grand Valley State University, 233 George B. Dorr Museum College of the Atlantic, 481 George Bush Presidential Library and Museum Texas A&M University, 463 George C. Marshall Museum Virginia Military Institute, 454 George Caleb Bingham Gallery University of Missouri, Columbia, 285 George E. Coleman, Sr. Planetarium North Georgia College and State University, 518 George F. Beattie Planetarium San Bernardino Valley College, 522 George Segal Gallery Montclair State University, 249 George W. Bush Presidential Library Southern Methodist University, 463 George Washington Carver Museum Tuskegee University, 407 Georgetown University Art Collection Georgetown University, 314 Georgia College and State University Museum Georgia College and State University, 435 Georgia Museum of Art University of Georgia, 343 Georgia Museum of Natural History University of Georgia, 490 Georgia Southern University Museum Georgia Southern University, 483 Geoscience Museum Northwest Missouri State University, 420 Gerald R. Ford Library University of Michigan, 464 Gertrude Herbert Institute of Art Galleries Gertrude Herbert Institute of Art, 233 Gillespie Museum Stetson University, 421 Glen Helen Nature Preserve Antioch College, 364 Glencairn Museum Bryn Athyn College, 540 Glendale Community College Art Collection Glendale Community College, 314 Glendale Community College Planetarium Glendale Community College, 515 Glensheen Historic Estate University of Minnesota, Duluth, 449 Global Immersion Center Angelo State University, 504 Godwin-Ternbach Museum Queens College, City University of New York, 329 Goldstein Museum of Design University of Minnesota, Twin Cities, 393 Gordon L. Grosscup Museum of Anthropology Wayne State University, 207 Gorgas House University of Alabama, 447 Governor Aker Observatory Eastern Arizona College, 512 Grace and Cameron West Art Gallery Pfeiffer University, 258 Graduate School of Design Gund Gallery Harvard University, 236 Great Plains Art Museum University of Nebraska-Lincoln, 349 Gregg Museum of Art and Design North Carolina State University, 325 Grey Art Gallery New York University, 325 Grimshaw-Gudewicz Art Gallery Bristol Community College, 215 Grunwald Center for the Graphic Arts University of California, Los Angeles, 341 Gulf Coast Research Laboratory Museum University of Southern Mississippi, 469 Gustav Jeeninga Museum of Bible and Near Eastern Studies Anderson University, 539

H H. S. Mendenhall Observatory Oklahoma State University, 519 Haas Gallery of Art Bloomsburg University of Pennsylvania, 214 Haffenreffer Museum of Anthropology Brown University, 194 Hagener Collection Montana State University-Northern, 486 Hall of Fame for Great Americans Bronx Community College, City University of New York, 429 Hall of Valor Civil War Museum Virginia Military Institute, 453 Hallie Ford Museum of Art Willamette University, 362 Halsey Institute of Contemporary Art College of Charleston, 222 Hamilton Club Building Passaic County Community College, 442 Hamilton Club Gallery Passaic County Community College, 257

Hammer Museum University of California, Los Angeles, 340 Hammons Gallery Ouachita Baptist University, 256 Hampton University Museum Hampton University, 400 Handwerker Gallery Ithaca College, 239 Hanover House Clemson University, 430 Hard Labor Creek Observatory Georgia State University, 514 Hardin Planetarium Western Kentucky University, 536 Harlan-Lincoln House Iowa Wesleyan College, 436 Harold L. Lyon Arboretum University of Hawaii At Manoa, 380 Harrison B. Wilson Archives and Art Gallery Norfolk State University, 402 Harry Ransom Center University of Texas At Austin, 465 Harvard Art Museums Harvard University, 315 Harvard Forest and Fisher Museum of Forestry Harvard University, 370 Harvard Museum of Natural History Harvard University, 483 Harvard-Smithsonian Center for Astrophysics and Fred Lawrence Whipple Observatory Harvard University, 515 Harvey W. Lee, Jr. Memorial Gallery Bethune-Cookman College, 399 Harwood Museum of the University of New Mexico University of New Mexico, 350 Haskell Indian Nations University Cultural Center and Museum Haskell Indian Nations University, 401 Hatfield Marine Science Center Oregon State University, 468 Haverford College Arboretum Haverford College, 370 Haynes Fine Arts Gallery Montana State University, 249 Hearst Art Gallery St. Mary’s College of California, 269 Hebrew Union College-Jewish Institute of Religion Museum (New York) Hebrew Union College-Jewish Institute of Religion, 540 Hefner Zoology Museum Miami University, 557 Helen E. Copeland Gallery Montana State University, 249 Helen Louise Allen Textile Collection University of Wisconsin-Madison, 394 Hemingway-Pfeiffer Museum and Educational Center Arkansas State University, 427 Hempshire College Observatory Hempshire College, 515 Henderson State University Museum Henderson State University, 411 Henry Art Gallery University of Washington, 355 Henry B. Plant Museum University of Tampa, 451 Henry Ford Estate-Fair Lane University of Michigan-Dearborn, 449 Henry Lay Sculpture Garden St. Louis University, 335 Herbarium at Anne Arundel Community College Anne Arundel Community College, 364 Herbarium of the University of Michigan University of Michigan, 381 Herberger Institute for Art and Design Arizona State University, 210 Herbert F. Johnson Museum of Art Cornell University, 308 Heritage Hall Exhibit Area University of Southern California, 555 Herrett Center for Arts and Science College of Southern Idaho, 481 Herron Galleries Indiana University and Purdue University, 239 Hessel Museum of Art Bard College, 302 Hicks Art Center Gallery Bucks County Community College, 216 Hidden Lake Gardens Michigan State University, 372 Higgins Art Gallery Cape Cod Community College, 218 Hillstrom Museum of Art Gustavus Adolphus College, 315 Hilltop Garden and Nature Center Indiana University, 370 Hillwood Art Museum Long Island University, 320 Hirsch Observatory Rensselaer Polytechnic Institute, 521 Historic Bethany Bethany College, 429 Historic Costume and Textiles Collection Ohio State University, 392 Historic New Harmony University of Southern Indiana, 450 Historic Pensacola Village University of West Florida, 452 Historic Textile and Costume Collection University of Rhode Island, 393 History of Aviation Collection University of Texas At Dallas, 465 History of Medicine Collections Duke University, 470 History of Pharmacy Museum University of Arizona, 473 Hite Art Institute Galleries University of Louisville, 283 Hofstra University Museum Hofstra University, 316 Holcomb Observatory and Planetarium Butler University, 510 Homewood Museum Johns Hopkins University, 437 Hood Museum of Art Dartmouth College, 309 Hopewell Plantation Clemson University, 431 Hopkins Hall Gallery Ohio State University, 254 Hoslett Museum of Natural History Luther College, 485 Hospitals and Clinics Medical Museum University of Iowa, 473 Hospitals and Clinics Project Art University of Iowa, 344 Housatonic Museum of Art Housatonic Community College, 317

585

Museum and University Index Howard University Gallery of Art Howard University, 401 Howard University Museum Howard University, 401 Howell Memorial Planetarium Bob Jones University, 507 Hoysradt Herbarium Hartwick College, 368 HUB-Robeson Galleries Pennsylvania State University, 257 Hudson Museum University of Maine, 203 Hughes Fine Arts Center Galleries University of North Dakota, 286 Hummel Planetarium Eastern Kentucky University, 513 Hunt Gallery Mary Baldwin College, 245 Hunt Institute for Botanical Documentation Carnegie Mellon University, 366 Hutton Gallery Colorado State University, 224 Hyde Art Gallery Grossmont College, 234

I I. P. Stanback Museum and Planetarium South Carolina State University, 404 Idaho Museum of Natural History Idaho State University, 484 Idea Place Louisiana Tech University, 548 Illinois State University Planetarium Illinois State University, 516 ‘Imiloa Astronomy Center of Hawaii University of Hawaii, 527 Inasmuch Foundation Art Gallery Cameron University, 218 Indian Arts Research Center School For Advanced Research, 404 Institute of Contemporary Art Maine College of Art, 245 Institute of Contemporary Art University of Pennsylvania, 352 Institute of Texan Cultures University of Texas At San Antonio, 206 Institute of Visual Art University of Wisconsin-Milwaukee, 356 Intermountain Herbarium Utah State University, 387 Irene Cullis Gallery Greenboro College, 234 Iris and B. Gerald Cantor Art Gallery College of the Holy Cross, 223 Iris and B. Gerald Cantor Center for Visual Arts Stanford University, 336 Isis Gallery University of Notre Dame, 287 Isla Center for the Arts University of Guam, 282 IUPUI Cultural Arts Gallery Indiana University and Purdue University, 238

J J. C. Raulston Arboretum North Carolina State University, 373 J. Houston Gordon Museum University of Tennessee At Martin, 415 J. Robert Donnelly Husky Heritage Sports Museum University of Connecticut, 554 J. Wayne Stark University Center Galleries Texas A&M University-College Station, 275 Jack Nicklaus Museum Ohio State University, 552 Jack Olson Gallery Northern Illinois University, 252 Jackson Hall Gallery Kentucky State University, 241 Jackson’s Mill Historic Area West Virginia University, 456 James E. Lewis Museum of Art Morgan State University, 402 James Monroe Museum and Memorial Library University of Mary Washington, 448 James R. Slater Museum of Natural History University of Puget Sound, 494 James Richard Jewett Observatory Washington State University, 535 Jane Addams Hull-House Museum University of Illinois At Chicago, 447 Jane Voorhees Zimmerli Art Museum Rutgers, the State University of New Jersey, 331 Janet Turner Print Museum California State University, Chico, 305 JCC Weeks Gallery Jamestown Community College, 239 Jean Jennings Bartik Computing Museum Northwest Missouri State University, 548 Jensen Arctic Museum Western Oregon University, 208 Jensen Historic Farm Utah State University, 191 Jesse Hepler Lilac Arboretum University of New Hampshire, 382 Jesse Peter Museum Santa Rosa Junior College, 200 Jessie C. Wilson Art Galleries Anderson University, 209 Jim Click Hall of Champions University of Arizona, 554 Jim Crow Museum of Racist Memorabilia Ferris State University, 399 Joel and Lila Harnett Museum of Art University of Richmond, 353 John A. Logan College Museum John A. Logan College, 412 John and Mable Ringling Museum of Art Florida State University, 313

586

John C. Wells Planetarium James Madison University, 516 John Deere Planetarium Augustana College, 506 John Drescher Planetarium Santa Monica College, 523 John E. Conner Museum Texas A&M University-Kingsville, 413 John Furlong Gallery University of Wisconsin-Stout, 293 John Nance Garner Museum University of Texas At Austin, 452 John Payson Williston Observatory Mount Holyoke College, 518 John Young Museum of Art University of Hawaii At Manoa, 343 Johns Hopkins University Archaeological Collection Johns Hopkins University, 198 Jonathan B. Lovelace Museum and Hall of Honor Auburn University, 552 Jordan Schnitzer Museum of Art University of Oregon, 339 Joseloff Gallery University of Hartford, 282 Joseph Moore Museum Earlham College, 481 Jule Collins Smith Museum of Fine Arts Auburn University, 301 Julian Scott Memorial Gallery Johnson State College, 240 Jundt Art Museum Gonzaga University, 315 Jurica-Suchy Nature Museum Benedictine University, 479

K Kalamazoo Institute of Art Museum Kalamazoo Institute of Art, 319 Kalamazoo Valley Museum Kalamazoo Valley Community College, 547 Kansas State University Insect Zoo Kansas State University, 395 Kansas State University Museum of Entomological and Prairie Arthropod Research Kansas State University, 395 Karl Drerup Art Gallery Plymouth State College, 258 Katherine E. Nash Gallery University of Minnesota, Twin Cities, 284 Kauffman Museum Bethel College, 480 Keesing Museum of Anthropology Stanford University, 200 Kellogg Farm and Dairy Michigan State University, 190 Kelsey Museum of Archaeology University of Michigan, 204 Kemp Mineral Resources Museum Lake Superior State University, 418 Kennedy Art Center Gallery Holy Names University, 237 Kennedy Museum of Art Ohio University, 327 Kent and Vicki Logan Galleries California College of the Arts, 216 Kent Campus Museum/Gallery Florida State College At Jacksonville, 230 Kent State University Planetarium Kent State University, 516 Kentucky Folk Art Center Morehead State University, 324 Kentucky Library and Museum Western Kentucky University, 456 Kipp Gallery Indiana University of Pennsylvania, 238 Kitt Peak National Observatory Visitor Center and Museum Kitt Peak National Observatory, 516 Kittredge Gallery University of Puget Sound, 288 Kleist Health Education Center Florida Gulf Coast University, 471 Klemm Gallery Sienna Heights University, 266 Kluge-Ruhe Aboriginal Art Collection University of Virginia, 409 Knauer Gallery West Chester University of Pennsylvania, 297 Koehnline Museum of Art Oakton Community College, 327 Koshare Indian Museum Otero Junior College, 403 Kottemann Gallery of Denistry University of Illinois At Chicago, 473 Krannert Art Museum and Kinkead Pavilion University of Illinois At Urbana-Champaign, 344 Kresge Art Museum Michigan State University, 322 Kresge Gallery Lyon College, 245 Kriebel Herbarium Purdue University, 374 KSU Historic Costume and Textile Museum Kansas State University, 390 KSU Museum Kent State University, 391 KSU-NASA Observatory Kent State University, 516 Kuhn Fine Arts Gallery Ohio State University, 254

L L. H. Bailey Hortorium Cornell University, 367 L. Russell Kelce Planetarium Pittsburg State University, 520 LRC Gallery Passaic County Community College, 257 Laband Art Gallery Loyola Marymount University, 244 Ladd Observatory Brown University, 509 Lady Bird Johnson Wildflower Center University of Texas At Austin, 384

Museum and University Index LaGuardia and Wagner Archives Museum Laguardia Community College, City University of New York, 439 Lamar Dodd Art Center Museum Lagrange College, 321 Lamar Dodd School of Art Galleries University of Georgia, 282 Larson Gallery Yakima Valley Community College, 300 Lawrence Hall of Science University of California, Berkeley, 550 Laws Observatory University of Missouri, Columbia, 529 Lawton Gallery University of Wisconsin-Green Bay, 292 Leander McCormick Observatory University of Virginia, 531 Lederman Science Center University Research Association, 551 Lee Chapel and Museum Washington and Lee University, 454 Leedell Moorehead-Graham Fine Arts Gallery University of Arkansas At Pine Bluff, 408 Leeds and Ronald Galleries Earlham College, 227 Leitner Family Observatory and Planetarium Yale University, 537 Lentz Center for Asian Culture University of Nebraska-Lincoln, 349 Leonard Pearlstein Gallery Drexel University, 227 Leonard R. Craig Gallery Unity College, 277 Lick Observatory University of California Observatories, 526 Lilly Library Galleries Indiana University, 460 Linda K. Jordon Gallery Gallaudet University, 231 List Gallery Swarthmore College, 274 Little Gallery Bowling Green State University, 214 Living History Farm Montana State University, 190 Lockhart Gallery State University of New York At Geneseo, 271 Logan Museum of Anthropology Beloit College, 194 Lois Dowdle Cobb Museum of Archaeology Mississippi State University, 198 Long Gallery West Chester University of Pennsylvania, 297 Longwell Museum and Camp Crowder Collection Crowder College, 309 Longwood Center for the Visual Arts Longwood College, 320 Lora Robins Gallery of Design from Nature University of Richmond, 494 Lore Degenstein Gallery Susquehanna University, 273 Louden-Heritze Archaeology Museum Trinidad State Junior College, 200 Louie-Meager Art Gallery Ohlone College, 255 Louisiana Art and Science Museum Louisiana State University, 547 Louisiana Museum of Natural History and Museum of Natural Science Louisiana State University, 485 Louisiana State Arthropod Museum Louisiana State University, 395 Louisiana State University Museum of Art Louisiana State University, 321 Louisiana Tech Museum Louisiana Tech University, 460 Lowe Art Museum University of Miami, 346 Lowell D. Holmes Museum of Anthropology Wichita State University, 208 Loyola University Museum of Art Loyola University Chicago, 542 LSU School of Art Galleries and LSU Student Union Art Gallery Louisiana State University, 243 LSU Textile and Costume Museum Louisiana State University, 391 Luce Gallery Cornell College, 225 Luckman Gallery California State University, Los Angeles, 217 Lukacs Art Gallery Fairfield University, 229 Luther Bean Museum Adams State College, 193 Luther W. Brady Art Gallery George Washington University, 232 Lyndon Baines Johnson Library and Museum University of Texas At Austin, 465 Lytle Ranch Preserve Brigham Young University, 365

M MSC Forsyth Center Galleries Texas A&M University-College Station, 275 M. Louise Aughinbaugh Gallery Messiah College, 247 M. T. James Museum Washington State University, 397 Mabee-Gerrer Museum of Art St. Gregory’s University, 335 Macaulay Museum of Dental History Medical University of South Carolina, 471 Magale Library Gallery Centenary College of Louisiana, 219 Mahady Gallery Maywood University, 247 Maier Museum of Art Randolph College, 330 Main Art Gallery California State University, Fullerton, 217 Main Gallery and Gallery at University Hall Art Institute of Boston, 211

Majestic Galleries Ohio University, 254 Mallory-Kountze Planetarium University of Nebraska-Omaha, 529 Mandeville Gallery Union College, 277 Manfred Olson Planetarium University of Wisconsin-Milwaukee, 533 Mansfield Freeman Center for East Asian Studies Gallery Wesleyan University, 296 Margaret Dow Towsley Sports Museum University of Michigan, 555 Margaret Fort Trahern Gallery Austin Peavy State University, 211 Mari Sandoz High Plains Heritage Center Chadron State College, 430 Marianna Kisler Beach Museum of Art Kansas State University, 319 Marine Sciences Museum University of Puerto Rico, 469 Marjorie Barrick Museum University of Nevada, Las Vegas, 493 Mars Space Flight Facility Arizona State University, 505 Marsh Botanical Gardens Yale University, 388 Marshall M. Fredericks Sculpture Museum Saginaw Valley State University, 331 Marshall W. Alworth Planetarium University of Minnesota, Duluth, 529 Martin Art Gallery Muhlenberg College, 250 Martin Museum of Art Baylor University, 303 Martin-Muller Art Gallery State University of New York At Oneonta, 272 Martin Wong Gallery San Francisco State University, 263 Marvin Samson Center for the History of Pharmacy University of the Sciences In Philadelphia, 475 Marxhausen Art Gallery Concordia University (Nebraska), 225 Mary and Leigh Block Museum of Art Northwestern University, 326 Mary Elizabeth Dee Shaw Gallery Weber State University, 296 Mary McLeod Bethune Home Bethune-Cookman College, 398 Mary Porter Sesnon Art Gallery University of California, Santa Cruz, 280 Mascaro-Steiniger Turfgrass Museum Pennsylvania State University, 561 Maslow Collection Maywood University, 247 Mathers Museum of World Cultures Indiana University, 197 Matson Museum of Anthropology Pennsylvania State University, 199 Matthaei Botanical Gardens University of Michigan, 381 Maxwell Museum of Anthropology University of New Mexico, 205 May Gallery Webster University, 296 Mayborn Museum Complex Baylor University, 479 Mayer Gallery Marylhurst University, 246 Maynard F. Jordan Planetarium and Observatory University of Maine, 528 MCAD Gallery Minneapolis College of Art and Design, 248 McBride Museum New Mexico Military Institute, 440 McCarthy Arts Center Gallery St. Michael’s College, 270 McCormick Gallery Midland College, 248 McCutchan Art Center/Pace Galleries University of Southern Indiana, 289 McDonald Observatory University of Texas At Austin, 531 McDonough Museum of Art Youngstown State University, 363 McGraw Hall Museum Cornell University, 196 McKinney Gallery West Chester University of Pennsylvania, 297 McKissick Museum University of South Carolina, 414 McMullen Museum of Art Boston College, 304 McPherson Museum McPherson College, 412 MDM Observatory Mdm Observatory Consortium, 517 Mead Art Museum Amherst College, 301 Meadow Brook Hall Oakland University, 441 Meadows Museum Southern Methodist University, 333 Meadows Museum of Art of Centenary College Centenary College of Louisiana, 306 Megahan Gallery Allegheny College, 209 Melvin Art Gallery Florida Southern University, 230 Memorial Art Gallery University of Rochester, 353 Memorial Union Art Gallery North Dakota State University, 252 Memorial Union Concourse Gallery Oregon State University, 256 Mennonite Library and Archives Bethal College, 539 Meramec Contemporary Art Gallery St. Louis Community College, 269 Mercer Gallery Monroe Community College, 249 Merritt Museum of Anthropology Merritt College, 198 Meteorite Museum University of New Mexico, 423 Meyer Library Special Collections and Archives Missouri State University, 461 Miami University Art Museum Miami University, 322 Michael C. Carlos Museum Emory University, 312

587

Museum and University Index Michael C. Rockefeller Arts Center Galleries State University of New York At Fredonia, 271 Michael E. DeBakey Library and Museum Baylor University, 470 Michigan State University Museum Michigan State University, 485 Michigan State University Observatory Michigan State University, 517 Middlesex Canal Collection University of Massachusetts Lowell, 449 Mildred E. Mathias Botanical Garden University of California, Los Angeles, 378 Mildred Lane Kemper Art Museum Washington University, 360 Miles Mineral Museum Eastern New Mexico University, 417 Miller Gallery and Fisher Gallery Otterbein University, 256 Miller Gallery at Carnegie Mellon Carnegie Mellon University, 219 Millikan Planetarium Pomona College, 521 Milliken Gallery Converse College, 225 Mills College Art Museum Mills College, 323 Mineral Museum Missouri University of Science and Technology, 419 Mineral Museum Montana Tech of the University of Montana, 419 Mineralogical Museum at Harvard University Harvard University, 418 Minnesota Landscape Arboretum University of Minnesota, Twin Cities, 381 Miriam and Ira D. Wallach Art Gallery Columbia University, 224 Mission Basilica San Diego de Alcala University of San Diego, 545 Mission Santa Clara de Asis Santa Clara University, 544 Mississippi Baptist Historical Collection Mississippi College, 543 Mississippi Entomological Museum Mississippi State University, 396 Mississippi University for Women Archives and Museum Mississippi University For Women, 461 Missouri State Arboretum Northwest Missouri State University, 373 Missouri United Methodist Archives Central Methodist University, 540 MIT List Visual Arts Center Massachusetts Institute of Technology, 246 MIT Museum Massachusetts Institute of Technology, 548 Mobile Medical Museum University of South Alabama, 475 Monroe Moosnick Medical and Science Museum Transylvania University, 549 Montana Museum of Art and Culture University of Montana, 348 Monte L. Bean Life Science Museum Brigham Young University, 480 Morehead Planetarium and Science Center University of North Carolina At Chapel Hill, 530 Morris Arboretum Morris Arboretum of the University of Pennsylvania, 372 Morton J. May Foundation Gallery Maryville University, 246 Moss-Thorns Gallery of Art Fort Hays State University, 231 Moundville Archaeological Park & Jones Archaeological Museum University of Alabama, 201 Mount Graham International Observatory University of Arizona, 525 Mount Lemmon SkyCenter University of Arizona, 525 Mount Mary College Historic Costume Collection Mount Mary College, 391 Mount San Antonio College Planetarium Mount San Antonio College, 518 Mountain Heritage Center Western Carolina University, 456 MSU Herbarium Michigan State University, 371 Mulvane Art Museum Washburn University of Topeka, 359 Muscarelle Museum of Art College of William and Mary, 308 Museum and Center for Humanistic Studies University of Turabo, 206 Museum and Collections University of Northern Iowa, 493 Museum at Mountain Home East Tennessee State University, 433 Museum at Southwestern Michigan College Southwestern Michigan College, 443 Museum at the Katzen Arts Center American University, 301 Museum of American Architecture and Decorative Arts Houston Baptist University, 436 Museum of Anthropology Arizona State University, 193 Museum of Anthropology Eastern Arizona College, 196 Museum of Anthropology University of Denver, 202 Museum of Anthropology University of Michigan, 204 Museum of Anthropology University of Missouri, Columbia, 204 Museum of Anthropology Utah State University, 207 Museum of Anthropology Wake Forest University, 207 Museum of Anthropology Washington State University, 207 Museum of Archaeology and Anthropology University of Pennsylvania, 205 Museum of Art Bates College, 303 Museum of Art Bowdoin College, 304 Museum of Art Brigham Young University, 305 Museum of Art Colby College, 307

588

Museum of Art Juniata College, 319 Museum of Art Middlebury College, 323 Museum of Art Oglethorpe University, 327 Museum of Art Pomona College, 329 Museum of Art Rhode Island School of Design, 330 Museum of Art University of Maine, 345 Museum of Art University of New Hampshire, 349 Museum of Art Washington State University, 359 Museum of Art and Archaeology University of Missouri, Columbia, 204 Museum of Biodiversity University of Notre Dame, 493 Museum of Comparative Zoology Harvard University, 557 Museum of Contemporary Art University of Massachusetts Amherst, 346 Museum of Contemporary Art Jacksonville University of North Florida, 351 Museum of Contemporary Native Arts Institute of American Indian Arts, 401 Museum of Contemporary Photography Columbia College Chicago, 501 Museum of Contemporary Religious Art St. Louis University, 545 Museum of Cultural and Natural History Central Michigan University, 480 Museum of Culture and Environment Central Washington University, 195 Museum of Earth and Life History Liberty University, 542 Museum of Fashion and Textiles Louisiana Tech University, 391 Museum of Fine Arts Florida State University, 313 Museum of Fine Arts Georgia College and State University, 314 Museum of FIT Fashion Institute of Technology, 390 Museum of Geology South Dakota School of Mines and Technology, 421 Museum of Geosciences Virginia Polytechnic Institute and State University, 425 Museum of History, Anthropology, and Art University of Puerto Rico, 414 Museum of Long Island Natural Sciences State University of New York At Stony Brook, 487 Museum of Natural and Cultural History University of Oregon, 494 Museum of Natural History Northwestern Oklahoma State University, 487 Museum of Natural History Southwest Minnesota State University, 487 Museum of Natural History University of Colorado At Boulder, 489 Museum of Natural History University of Iowa, 490 Museum of Natural History University of Louisiana At Monroe, 491 Museum of Natural History University of Wisconsin-Stevens Point, 496 Museum of Natural History Wayne State University, 497 Museum of Nebraska Art University of Nebraska-Kearney, 348 Museum of Osteopathic Medicine A. T. Still University, 470 Museum of Paleontology Brigham Young University, 498 Museum of Paleontology University of Michigan, 499 Museum of Peoples and Cultures Brigham Young University, 194 Museum of Southern History Houston Baptist University, 436 Museum of Southwestern Biology University of New Mexico, 493 Museum of Texas Tech University Texas Tech University, 413 Museum of the Big Bend Sul Ross State University, 443 Museum of the Earth Sciences Radford University, 421 Museum of the Llano Estacado Wayland Baptist University, 455 Museum of the Native American Resource Center University of North Carolina At Pembroke, 408 Museum of the Rockies Montana State University, 485 Museum of Vertebrate Zoology University of California, Berkeley, 557 Museum of Wildlife and Fish Biology University of California, Davis, 489 Museum of World Cultures University of North Carolina At Wilmington, 205 Muskegon Community College Observatory Muskegon Community College, 518

N Nasher Museum of Art Duke University, 311 Natalie and James Thompson Gallery San Jose State University, 264 Nathan Manilow Sculpture Park Governors State University, 315 National Afro-American Museum and Cultural Center Wilberforce University, 409

Museum and University Index National Center for Atmospheric Research University Corporation For Atmospheric Research, 525 National Music Museum University of South Dakota, 478 National Optical Astronomy Observatory and other observatories Association of Universities For Research In Astronomy, 506 National Polish American Sports Hall of Fame St. Mary’s College, 553 National Radio Astronomy Observatory and other observatories Associated Universities, Inc., 505 National Ranching Heritage Center Texas Tech University, 444 National Wrestling Hall of Fame and Museum Oklahoma State University, 553 Natural History Collections University of Massachusetts Amherst, 491 Natural History Museum Eastern New Mexico University, 482 Natural History Museum Humboldt State University, 484 Natural History Museum University of Kansas, 490 Natural History Museum and Planetarium Georgia College and State University, 483 NAU Art Museum Northern Arizona University, 325 Naval War College Museum Naval War College, 440 NCCU Art Museum North Carolina Central University, 403 Nebraska Conference United Methodist Historical Center Nebraska Wesleyan University, 543 Nerman Museum of Contemporary Art Johnson County Community College, 319 Neuberger Museum of Art State University of New York At Purchase, 338 New Harmony Gallery of Contemporary Art University of Southern Indiana, 289 New Jersey Museum of Agriculture Rutgers, the State University of New Jersey, 191 New Mexico Bureau of Geology Mineral Museum New Mexico Insitute of Mining and Technology, 420 New Mexico State University Museum New Mexico State University, 199 Newcomb Art Gallery Tulane University, 339 Nichols Arboretum University of Michigan, 381 Nicol and Eisenberg Archaeological Collection Southern Baptist Theological Seminary, 544 Night Gallery Arizona State University, 501 No Man’s Land Museum Oklahoma Panhandle State University, 441 Nora Eccles Harrison Museum of Art Utah State University, 357 Norman R. Eppink Art Gallery Emporia State University, 228 North Carolina A&T State University Galleries North Carolina A&T State University, 403 North Carolina Botanical Garden University of North Carolina At Chapel Hill, 382 North Carolina State University Herbaria North Carolina State University, 373 North Dakota Museum of Art University of North Dakota, 351 North Georgia Astronomical Observatory North Georgia College and State University, 519 North Museum of Natural History and Science Franklin and Marshall College, 483 Northern Galleries Northern State University, 253 Northern Maine Museum of Science University of Maine At Presque Isle, 491 Northwest History Museum and Archives Northwest Missouri State University, 461 Northwest’s Agriculture Museum Northwest Missouri State University, 190 Norwegian-American Historical Association Archives St. Olaf College, 405

O Oak Hill and the Martha Berry Museum Berry Colege, 428 Oesper Museum of Chemical Apparatus University of Cincinnati, 551 Ogden Museum of Southern Art University of New Orleans, 350 Ohio State University Planetarium Ohio State University, 519 Oklahoma Museum of Higher Education Oklahoma State University, 441 Old Capitol Museum University of Iowa, 447 Old Castle Museum Baker University, 428 Old College Gallery University of Delaware, 281 Old Governor’s Mansion Georgia College and State University, 435

Olin Art Gallery Washington and Jefferson College, 295 Olive Deluce Art Gallery Northwest Missouri State University, 253 Opalka Gallery and Little Gallery Sage College of Albany, 262 Oregon State University Herbariums Oregon State University, 374 Oriental Institute Museum University of Chicago, 202 Orland E. White Arboretum University of Virginia, 385 Orma J. Smith Museum of Natural History College of Idaho, 481 Orson Pratt Observatory Brigham Young University, 509 Orton Geological Museum Ohio State University, 420 Oscar E. Monnig Meteorite Gallery Texas Christian University, 422 OSilas Gallery Concordia College New York, 225 Other Art Galleries Arizona State University, 210 Outdoor Sculpture Collection Western Washington University, 361

P Pacific University Museum Pacific University, 441 Page Farm and Home Museum University of Maine, 191 Palm Beach Community College Museum of Art Palm Beach Community College, 328 Palmer Museum of Art Pennsylvania State University, 328 Palomar Observatory California Institute of Technology, 510 Panhandle-Plains Historical Museum West Texas A&M University, 455 Pasto Agricultural Museum Pennsylvania State University, 190 Paterno Library Collections Pennsylvania State University, 462 Patricia and Phillip Frost Art Museum Florida International University, 312 Patrick and Beatrice Haggerty Museum of Art Marquette University, 322 Patrick J. Mogan Cultural Center University of Massachusetts Lowell, 449 Pattee Library Collections Pennsylvania State University, 461 Paul and Laura Mesaros Galleries West Virginia University, 297 Paul and Lulu Hilliard University Art Museum University of Louisiana At Lafayette, 345 Paul R. Jones Collection of African American Art University of Delaware, 408 Paul Robeson Galleries Rutgers, the State University of New Jersey, 262 Paul W. Bryant Museum University of Alabama, 554 Pavilion Gardens and other garden/arboretum sites University of Virginia, 385 Paxson Gallery, University Center Gallery, and Gallery of Visual Arts University of Montana, 285 Peabody Museum of Archaeology and Ethnology Harvard University, 197 Pearson Museum Southern Illinois University School of Medicine, 472 Peary-MacMillan Arctic Museum Bowdoin College, 194 Peck Center Gallery Drexel University, 310 Penelec Gallery Allegheny College, 209 Penn State All-Sports Museum Pennsylvania State University, 553 Pennsylvania Academy of the Fine Arts Museum Pennsylvania Academy of the Fine Arts, 328 Pennsylvania State University Libraries Collections Pennsylvania State University, 461 Peppers Art Gallery University of Redlands, 288 Pere Marquette Gallery St. Louis University, 269 Perkins Geology Museum University of Vermont, 423 Perkinson Gallery Millikin University, 248 Perspective Gallery Virginia Polytechnic Institute and State University, 294 Peterson Planetarium Emporia State University, 514 Peyton Observatory Princeton University, 521 Philip and Muriel Berman Museum of Art Ursinus College, 356 Philip L. Wright Zoology Museum University of Montana, 558 Phillip J. Steele Gallery Rocky Mountain College of Art + Design, 262 Phillips Museum of Art Franklin and Marshall College, 314 Phoebe Apperson Hearst Museum of Anthropology University of California, Berkeley, 201 Photographic Archives University of Louisville, 503 Photographic Collections University of Kentucky, 503 Picker Art Gallery Colgate University, 308 Pioneer Heritage Center Louisiana State University-Shreveport, 439 PJC Planetarium and Theatre Pensacola State College, 520 Plattsburgh State Art Museum State University of New York At Plattsburgh, 338

589

Museum and University Index Ponder Fine Arts Gallery Benedict College, 213 Power Art Gallery William Paterson University of New Jersey, 299 Pratt Manhattan Gallery Pratt Institute, 259 Prehistoric Museum College of Eastern Utah, 498 President Andrew Johnson Museum and Library Tusculum College, 445 President’s Office Gallery Pratt Institute, 259 Principia School of Nations Museum Principia College, 199 Pringle Herbarium University of Vermont, 385 Push Pin Gallery Fordham University, 230

Q QCC Art Gallery Queensborough Community College, City University of New York, 260 Quayle Bible Collection Baker University, 539 Quimby Gallery Lyndon State College, 245

R R. M. Bohart Museum of Entomology University of California, Davis, 396 R. S. Dietz Museum of Geology Arizona State University, 416 Ralph Foster Museum College of the Ozarks, 431 Rauch Planetarium University of Louisville, 528 Ray Drew Art Gallery and Arrott History Gallery New Mexico Highlands University, 251 Red Butte Garden and Arboretum University of Utah, 384 Reese Bullen Gallery Humboldt State University, 237 Reese Museum East Tennessee State University, 433 Reinberger Galleries Cleveland Institute of Art, 221 Renaissance Society at the University of Chicago University of Chicago, 342 Reuel B. Pritchett Museum Bridgewater College, 411 Reynolda Gardens of Wake Forest University Wake Forest University, 387 Reynolda House Museum of American Art Wake Forest University, 358 Reynolds Gallery Westmont College, 298 Reynolds Homestead Virginia Polytechnic Institute and State University, 454 Rhodes College Herbarium Rhodes College, 375 Richard F. Brush Art Gallery St. Lawrence University, 269 Richard F. Peeler Art Center Galleries Depauw University, 227 Richard H. Schmidt Museum of Natural History Emporia State University, 482 Richmond Center for the Visual Arts Galleries Western Michigan University, 297 Riney Fine Arts Center Gallery Friends University, 231 Robert and Elaine Stein Galleries Wright State University, 299 Robert Bebb Herbarium University of Oklahoma, 383 Robert C. Williams Paper Museum Georgia Institute of Technology, 560 Robert E. Wilson Gallery Huntington University, 237 Robert F. Hoover Herbarium California Polytechnic State University, 365 Robert Graves Gallery Wenatchee Valley College, 296 Robert Hillestad Textile Gallery University of Nebraska-Lincoln, 393 Robert Hull Fleming Museum University of Vermont, 355 Robert J. Dole Institute of Politics University of Kansas, 448 Robert J. Novins Planetarium Ocean County College, 519 Robert K. Godfrey Herbarium Florida State University, 368 Robert R. Meyer Planetarium Birmingham-Southern College, 507 Robert T. Dixon Planetarium Riverside City College, 521 Robert V. Fullerton Art Museum California State University, San Bernardino, 306 Roberts Observatory Berea College, 507 Rocky Mountain Herbarium University of Wyoming, 386 Roland Gibson Gallery State University of New York At Potsdam, 272 Rollins Planetarium Young Harris College, 537 Roosevelt County Museum Eastern New Mexico University, 434 Rosa Parks Library and Museum Troy University, 406 Rose Art Museum Brandeis University, 304 Rose Lehrman Art Gallery Harrisburg Area Community College, 235 Rosenberg Gallery and Silber Art Gallery Goucher College, 233 Rosenthal Gallery of Art College of Idaho, 222

590

Rosenwald-Wolf and Other Galleries University of the Arts, 291 Roth Living Farm Museum Delaware Valley College, 189 Rowan Oak, Home of William Faulkner University of Mississippi, 449 Royce J. and Caroline B. Watts Museum West Virginia University, 425 Royden G. Derrick Planetarium Brigham Young University, 509 Rubelle and Norman Schafler Gallery Pratt Institute, 259 Rudolph E. Lee Gallery Clemson University, 221 Rural Life Museum and Windrush Gardens Louisiana State University, 189 Russell Day Gallery Everett Community College, 229 Ruth Chandler Williamson Gallery Scripps College, 265 Ruth W. Towne Museum and Visitors Center Truman State University, 444

S Saarinen House Cranbrook Educational Community, 432 Sam Houston Memorial Museum Sam Houston State University, 442 Sam Noble Oklahoma Museum of Natural History University of Oklahoma, 494 Sam Rayburn Library and Museum University of Texas At Austin, 451 Samek Art Gallery Bucknell University, 216 Samuel Cupples House St. Louis University, 269 Samuel Dorsky Museum of Art State University of New York At New Paltz, 337 Samuel P. Harn Museum of Art University of Florida, 342 San Francisco State University Observatory San Francisco State University, 522 Sandor Teszler Library Gallery Wofford College, 466 Santa Fe Community College Teaching Zoo Santa Fe Community College, 557 Sarah Moody Gallery of Art University of Alabama, 277 Sarratt Gallery Vanderbilt University, 294 Satellite Galleries Radford University, 260 Sawhill Gallery James Madison University, 239 Scarfone/Hartley Gallery University of Tampa, 290 Schein-Joseph International Museum of Ceramic Art New York State College of Ceramics At Alfred University, 324 Schick Art Gallery Skidmore College, 266 Schingoethe Center for Native American Cultures Aurora University, 398 Schmucker Art Gallery Gettysburg College, 233 Schneider Museum of Art Southern Oregon University, 334 Schnormeier Gallery and Campus Art Gallery Mount Vernon Nazarene University, 250 School of Art and Design Galleries University of Michigan, 284 School of Art and Design Galleries University of Northern Colorado, 287 School of Art and Humanities Main Gallery University of Texas At Dallas, 291 School of Art Galleries Kent State University, 241 School of Art Galleries University of Arizona, 278 School of Dental Medicine Museum University of Connecticuit Health Center, 473 School of the Art Institute of Chicago Sullivan Galleries School of the Art Institute of Chicago, 265 Schuler Gallery Schuler School of Fine Arts, 265 Schumacher Gallery Capital University, 306 Science Discovery Center of Oneonta State University of New York At Oneonta, 549 Scott Arboretum of Swarthmore College Swarthmore College, 376 Scurry County Museum West Texas College, 455 Selby Gallery Ringling College of Art and Design, 330 Semitic Museum at Harvard University Harvard University, 197 Shafer Gallery Barton County Community College, 212 Sharadin Art Gallery Kutztown University of Pennsylvania, 241 Shasta College Museum and Research Center Shasta College, 442 Shattuck Observatory Dartmouth College, 512 Shaver’s Creek Environmental Center Pennsylvania State University, 374 Sheehan Gallery Whitman College, 299 Sheldon Museum of Art and Sculpture Garden University of Nebraska-Lincoln, 349 Sheppard Fine Arts Gallery University of Nevada, Reno, 286 Sherzer Observatory Eastern Michigan University, 513

Museum and University Index Shippensburg University Fashion Archives and Museum Shippensburg University, 392 Sidney Mishkin Gallery Baruch College, City University of New York, 213 Siegfried H. Horn Museum Andrews University, 193 Sindecuse Museum of Dentistry University of Michigan, 474 SJC Planetarium San Juan College, 522 Skinner Museum of Mount Holyoke College Mount Holyoke College, 439 Skirball Cultural Center Museum (Los Angeles) Hebrew Union College-Jewish Institute of Religion, 541 Skirball Museum (Cincinnati) Hebrew Union College-Jewish Institute of Religion, 541 Slocumb Galleries East Tennessee State University, 228 Small Wall Gallery Webster University, 296 Smart Museum of Art University of Chicago, 341 Smith College Museum of Art Smith College, 333 Snite Museum of Art University of Notre Dame, 352 Soeffker Gallery Hamline University, 235 Sommers-Bausch Observatory University of Colorado At Boulder, 527 Sordoni Art Gallery Wilkes University, 299 Sousa Archives and Center for American Music University of Illinois At Urbana-Champaign, 477 South Carolina Botanical Garden Clemson University, 366 South Carolina Institute of Archaeology and Anthropology University of South Carolina, 206 South Dakota Art Museum South Dakota State University, 333 Southeast Museum of Photography Daytona State College, 501 Southeastern Architectural Archive Tulane University, 464 Southeastern Regional Black Archives Research Center and Museum Florida A&M University, 400 Southern Alleghenies Museum of Art St. Francis University, 334 Southern Oregon University Museum of Vertebrate Natural History Southern Oregon University, 487 Southern University Museum of Art Southern University, 404 Southworth Planetarium University of Southern Maine, 530 Space Photography Laboratory Arizona State University, 501 Special Collections Library University of Kentucky, 464 Spelman College Museum of Fine Art Spelman College, 405 Spencer Museum of Art University of Kansas, 344 Spertus Museum Spertus Institute of Jewish Studies, 405 Spiers Gallery Brevard College, 215 Spindletop-Gladys City Boomtown Museum Lamar University, 438 Sproul Observatory Swarthmore College, 524 Spurlock Museum University of Illinois At Urbana-Champaign, 203 SRJC Planetarium Santa Rosa Junior College, 523 St. Andrews Scottish Heritage Center St. Andrews Presbyterian College, 405 St. Louis University Museum of Art St. Louis University, 335 Stahl Center Museum of Culture La Sierra University, 542 Staniar Gallery Washington and Lee University, 295 Stanlee and Gerald Rubin Center for the Visual Arts Galleries University of Texas At El Paso, 291 Star of the Republic Museum Blinn College, 429 State Agricultural Heritage Museum South Dakota State University, 191 State Botanical Garden of Georgia University of Georgia, 379 State Historical Society of Missouri Art Collection University of Missouri, Columbia, 348 Steamship Historical Society Collection University of Baltimore, 561 Stearns Collection of Musical Instruments University of Michigan, 477 Stedman Art Gallery Rutgers, the State University of New Jersey, 331 Stephen Foster Memorial University of Pittsburgh, 450 Stephen Foster Memorial Museum University of Pittsburgh, 450 Stephens Museum Central Methodist College, 429 Sternberg Museum of Natural History Fort Hays State University, 482 Steward Observatory University of Arizona, 525 Stillman Art Gallery Stillman College, 273 Stone Fort Museum Stephen F. Austin State University, 443 Streff Gallery Marylhurst University, 246 Strom Thurmond Institute of Government and Public Affairs Clemson University, 459 Studio San Giuseppe College of Mount St. Joseph, 223 SU Art Galleries Syracuse University, 274 Sullivan Museum and History Center Norwich University, 440 Suraci Gallery Maywood University, 247 Suzanne H. Arnold Art Gallery Lebanon Valley College, 242

Suzanne Lemberg Usdan Gallery Bennington College, 213 Sweeney Art Gallery University of California, Riverside, 279 Sweet Briar College Art Galleries Sweet Briar College, 274 Sweet Briar Museum Sweet Briar College, 443

T T. T. Wentworth, Jr. Florida State Museum University of West Florida, 453 T. W. Wood Gallery and Arts Center Vermont College, 294 Tandy Archaeological Museum Southwestern Baptist Theological Seminary, 544 Tarble Arts Center Galleries Eastern Illinois University, 228 Tecoah Bruce Gallery California College of the Arts, 217 Temple Gallery Temple University, 274 Tessmann Planetarium Santa Ana College, 523 Texas A&M Sports Museum Texas A&M University, 553 Texas First Ladies Historic Costume Collection Texas Woman’s University, 393 Texas Heritage Museum Hill College, 436 Texas Natural Science Center/Texas Memorial Museum University of Texas At Austin, 495 Texas Southern University Museum Texas Southern University, 406 The Art Galleries at TCU Texas Christian University, 276 The Art Galleries at UAH University of Alabama In Huntsville, 277 The Art Gym Marylhurst University, 246 The Cable Center University of Denver, 561 The Citadel Archives and Museum The Citadel, Military College of South Carolina, 463 The Design Center at Philadelphia University Philadelphia University, 392 The Edwin and Trudy Weaver Historical Dental Museum Temple University, 472 The Galleries at Moore Moore College of Art and Design, 250 The Gallery Mercer County Community College, 247 The Gallery at UTA University of Texas At Arlington, 290 The Grunwald Gallery of Art Indiana University, 238 The Jewish Museum Jewish Theological Seminary of America, 542 The Oaks Tuskegee University, 407 The Reeves Center Washington and Lee University, 359 The Rotunda University of Virginia, 452 The Rutgers Gardens Rutgers, the State University of New Jersey, 375 The Wolfsonian-FIU Florida International University, 312 Theodor Jacobsen Observatory University of Washington, 532 Thomas A. Greene Memorial Museum University of Wisconsin-Milwaukee, 424 Thomas E. McMillan Museum Jefferson Davis Community College, 437 Thomas J. Walsh Art Gallery Fairfield University, 229 Thorne-Sagendorph Art Gallery Keene State College, 240 Thornhill Gallery Avila University, 212 Thrasher-Horne Center for the Arts Galleries St. Johns River Community College, 268 Times Square Art Gallery Hunter College, 237 Todd Art Gallery Middle Tennessee State University, 248 Tougaloo College Art Collection and Gallery Tougaloo College, 406 Tower Fine Arts Gallery State University of New York At Brockport, 270 Trailside Museum of Natural History University of Nebraska-Lincoln, 499 Treasures of the Sea Exhibit Delaware Technical and Community College, 560 Trisolini Gallery Ohio University, 254 Trout Gallery Dickinson College, 310 Tufts University Art Gallery Tufts University, 338 Turner Art Center Gallery Centenary College of Louisiana, 219 Tweed Museum of Art University of Minnesota, Duluth, 347 Tyler Art Gallery State University of New York At Oswego, 272

U U. S. Coast Guard Museum U. S. Coast Guard Academy, 446 U. S. Naval Academy Museum U. S. Naval Academy, 446 UA Science: Flandrau University of Arizona, 549 UC Davis Arboretum University of California, Davis, 377

591

Museum and University Index UCLA Hannah Carter Japanese Garden University of California, Los Angeles, 378 UCLA Planetarium University of California, Los Angeles, 526 UCM Gallery of Art and Design University of Central Missouri, 280 UCR/California Museum of Photography University of California, Riverside, 502 Ukrainian Heritage Studies Center Manor Junior College, 402 Ulrich Museum of Art Wichita State University, 361 UMC Art Gallery University of Colorado At Boulder, 280 UMKC Gallery of Art University of Missouri, Kansas City, 285 UNI Gallery of Art University of Northern Iowa, 287 University and Dugan Galleries University of Massachusetts Lowell, 284 University and Jepson Herbaria University of California, Berkeley, 377 University Arboretum Arizona State University, 364 University Art Museum State University of New York At Binghamton, 337 University Gallery Ohio University, 254 University Herbarium Central Michigan University, 366 University Herbarium Emporia State University, 368 University Herbarium Harvard University, 369 University Herbarium Kansas State University, 371 University Herbarium Louisiana State University, 371 University Museum Southern Illinois University At Carbondale, 412 University Museum Southern Illinois University At Edwardsville, 413 University Museum and Cultural Center University of Arkansas At Pine Bluff, 407 University Museum Collections University of Arkansas, 488 University of Alabama Arboretum University of Alabama, 376 University of Alaska Museum of the North University of Alaska, Fairbanks, 488 University of Arizona Campus Arboretum University of Arizona, 376 University of Arizona Mineral Museum University of Arizona, 422 University of Arizona Museum of Art and Archive of Visual Arts University of Arizona, 339 University of Arkansas at Little Rock Art Department Galleries University of Arkansas At Little Rock, 278 University of Arkansas Discovery Zone University of Arkansas, 549 University of California Berkely Art Museum and Pacific Film Archive University of California, Berkeley, 340 University of California Botanical Garden at Berkeley University of California, Berkeley, 377 University of California Irvine Arboretum University of California, Irvine, 378 University of California Museum of Paleontology University of California, Berkeley, 498 University of California Riverside Botanic Gardens University of California, Riverside, 379 University of Delaware Mineralogical Museum University of Delaware, 423 University of Georgia Observatory University of Georgia, 527 University of Guam Herbarium University of Guam, 380 University of Hawaii at Hilo Botanical Gardens, 380 University of Iowa Museum of Art University of Iowa, 344 University of Louisville Library Special Collections University of Louisville, 464 University of Maine Herbaria University of Maine, 380 University of Maryland Observatory University of Maryland, 528 University of Maryland School of Nursing Living History Museum University of Maryland, Baltimore, 474 University of Miami Sports Hall of Fame University of Miami, 555 University of Michigan Museum of Art University of Michigan, 347 University of Michigan Museum of Zoology University of Michigan, 558 University of Mississippi Museum University of Mississippi, 413 University of Montana Herbarium University of Montana, 382 University of Nebraska State Museum University of Nebraska-Lincoln, 492 University of New Hampshire Observatory University of New Hampshire, 530 University of North Carolina Herbarium University of North Carolina At Chapel Hill, 383 University of North Dakota Zoology Museum University of North Dakota, 558 University of South Carolina Herbarium University of South Carolina, 383 University of Tennessee Arboretum University of Tennessee At Knoxville, 384

592

University of Tennessee Football Hall of Fame University of Tennessee, 555 University of Tennessee Gardens University of Tennessee At Knoxville, 384 University of Washington Botanic Gardens University of Washington, 386 University of Washington Planetarium University of Washington, 532 University of West Georgia Observatory University of West Georgia, 532 University of Wisconsin-La Crosse Planetarium University of Wisconsin-La Crosse, 533 University of Wisconsin-Madison Arboretum University of Wisconsin-Madison, 386 University of Wisconsin-Madison Herbarium University of Wisconsin-Madison, 386 University of Wyoming Art Museum University of Wyoming, 356 University of Wyoming Geological Museum University of Wyoming, 424 University of Wyoming Insect Museum University of Wyoming, 397 URI Fine Arts Center Galleries University of Rhode Island, 288 USC Fisher Museum of Art University of Southern California, 353 USM Art and Area Galleries University of Southern Maine, 289 Utah Museum of Fine Arts University of Utah, 354 Utah Museum of Natural History University of Utah, 496 UTSA Art Gallery and UTSA Satellite Space University of Texas At San Antonio, 291 UW Space Place University of Wisconsin-Madison, 533 UWSP Observatory University of Wisconsin-Stevens Point, 534

V Valene L. Smith Museum of Anthropology California State University, Chico, 195 Van Every/Smith Galleries Davidson College, 225 Vanderbilt University Arboretum Vanderbilt University, 387 Vardell Gallery St. Andrews Presbyterian College, 268 VCSU Student Art Gallery Valley City State University, 293 Victor Valley College Planetarium Victor Valley College, 534 Victoria H. Myhren Gallery University of Denver, 281 Villanova Observatory Villanova University, 534 Virginia Baptist Historical Society Archives University of Richmond, 545 Virginia Institute of Marine Sciences College of William and Mary, 468 Virginia Military Institute Museum Virginia Military Institute, 453 Visual Arts Gallery Bethune-Cookman College, 213 Visual Arts Gallery Pensacola Junior College, 258

W W. A. Gayle Planetarium Troy University, 524 W. G. Burroughs Geology Museum Berea College, 417 W. H. Over State Museum University of South Dakota, 495 W. J. Beal Botanical Garden Michigan State University, 371 W. K. Kellogg Bird Sanctuary Michigan State University, 372 W. M. Keck Museum University of Nevada, Reno, 423 W. M. Keck Observatory California Association For Research In Astronomy, 510 Waikiki Aquarium University of Hawaii, 469 Wallis Museum Connors State College, 432 Walsh Gallery Seton Hall University, 266 Walter E. Tehune Gallery Owens Community College, 256 Walter Gallery and McBean Gallery San Francisco Art Institute, 263 Walter M. and Velma C. Troutman Collection Northwest Missouri State University, 486 Walton-Young Historic House University of Mississippi, 450 Ward Beecher Planetarium Youngstown State University, 537 Ward Museum of Wildfowl Art Salisbury University, 332 Waring Historical Library Medical University of South Carolina, 471 Warren Anatomical Museum Harvard University, 471 Warren Stucki Museum of Broadcasting Northwest Missouri State University, 561 Washburn Observatory University of Wisconsin-Madison, 533 Weatherspoon Art Museum University of North Carolina At Greensboro, 351

Museum and University Index Weis Earth Science Museum University of Wisconsin-Fox Valley, 424 Weitkamp Observatory and Planetarium Otterbein University, 520 Wellesley College Botanic Gardens Wellesley College, 387 Wellington B. Gray Gallery East Carolina University, 227 West Chester University Geology Museum West Chester University, 425 West Chester University Observatory West Chester University of Pennsylvania, 536 West Chester University Planetarium West Chester University of Pennsylvania, 535 West Point Museum U. S. Military Academy, 446 West Virginia Northern Community College Alumni Association Museum West Virginia Northern Community College, 455 Western Art Gallery/Museum University of Montana Western, 285 Western Gallery and Viking Union Gallery Western Washington University, 298 Western New Mexico University Museum Western New Mexico University, 208 Weston Observatory Boston College, 508 Wexner Center for the Arts Galleries Ohio State University, 254 Whitehouse Nature Center Albion College, 364 Whitworth Ferguson Planetarium State University of New York At Buffalo, 523 Widener Gallery Trinity College, 276 Widener University Observatory Widener University, 536 Wiegand Gallery Notre Dame De Nemur University, 253 Wight Art Gallery University of California, Los Angeles, 279 Wignall Museum of Contemporary Art Chaffey College, 307 Wilder Observatory Amherst College, 504 William Benton Museum of Art University of Connecticut, 342 William Brewster Nickerson Cape Cod History Archives Cape Cod Community College, 459 William Holmes McGuffey Museum Miami University, 439

William N. Staerkel Planetarium Parkland College, 520 William Weston Clarke Emison Museum of Art Depauw University, 311 Williams College Museum of Art Williams College, 362 Winedale University of Texas At Austin, 452 Winnie Davis Hall of History Limestone College, 438 Winston Churchill Museum Westminster College, 457 WIYN Observatory Wiyn Consortium, 536 Woodland Cemetery Clemson University, 431 World Museum of Natural History La Sierra University, 484 Wrather West Kentucky Museum Murray State University, 440 Wright Art Center Gallery Delta State University, 226 Wright Museum of Art Beloit College, 303 Wriston Art Center Galleries Lawrence University, 242

Y Yager Museum of Art and Culture Hartwick College, 411 Yale Center for British Art Yale University, 363 Yale Peabody Museum of Natural History Yale University, 497 Yale University Art Gallery Yale University, 362 Yale University Collection of Musical Instruments Yale University, 478 Yeshiva University Museum Yeshiva University, 409 Yogi Berra Museum and Learning Center Montclair State University, 552 Young Harris College Observatory Young Harris College, 537

Z Zacheis Planetarium and Observatory Adams State College, 504 Zoller and Patterson Galleries Pennsylvania State University, 258

593

Geographic Index Alabama Auburn Jonathan B. Lovelace Museum and Hall of Honor, Auburn University, 552 Jule Collins Smith Museum of Fine Arts, Auburn University, 301 Birmingham Alabama Museum of the Health Sciences, University of Alabama At Birmingham, 472 Robert R. Meyer Planetarium, Birmingham-Southern College, 507 Brewton Thomas E. McMillan Museum, Jefferson Davis Community College, 437 Decatur Art Gallery, John C. Calhoun State Community College, 240 Huntsville The Art Galleries at UAH, University of Alabama In Huntsville, 277 Mobile Mobile Medical Museum, University of South Alabama, 475 Montgomery Rosa Parks Library and Museum, Troy University, 406 W. A. Gayle Planetarium, Troy University, 524 Moundville Moundville Archaeological Park & Jones Archaeological Museum, University of Alabama, 201 Normal Alabama State Black Archives Research Center and Museum, Alabama A&M University, 398 Tuscaloosa Alabama Museum of Natural History, University of Alabama, 488 Gorgas House, University of Alabama, 447 Paul W. Bryant Museum, University of Alabama, 554 Sarah Moody Gallery of Art, University of Alabama, 277 Stillman Art Gallery, Stillman College, 273 University of Alabama Arboretum, University of Alabama, 376 Tuskegee Institute George Washington Carver Museum, Tuskegee University, 407 The Oaks, Tuskegee University, 407

Alaska Fairbanks University of Alaska Museum of the North, University of Alaska, Fairbanks, 488

Arizona Flagstaff NAU Art Museum, Northern Arizona University, 325 Glendale Glendale Community College Art Collection, Glendale Community College, 314 Phoenix Deer Valley Rock Art Center, Arizona State University, 193 Safford Governor Aker Observatory, Eastern Arizona College, 512 Mount Graham International Observatory, University of Arizona, 525

Night Gallery, Arizona State University, 501 Other Art Galleries, Arizona State University, 210 R. S. Dietz Museum of Geology, Arizona State University, 416 University Arboretum, Arizona State University, 364 Temple Space Photography Laboratory, Arizona State University, 501 Thatcher Museum of Anthropology, Eastern Arizona College, 196 Tucson Arizona State Museum, University of Arizona, 201 Center for Creative Photography, University of Arizona, 502 History of Pharmacy Museum, University of Arizona, 473 Jim Click Hall of Champions, University of Arizona, 554 Kitt Peak National Observatory Visitor Center and Museum, Kitt Peak National Observatory, 516 MDM Observatory, Mdm Observatory Consortium, 517 School of Art Galleries, University of Arizona, 278 Steward Observatory, University of Arizona, 525 UA Science: Flandrau, University of Arizona, 549 University of Arizona Campus Arboretum, University of Arizona, 376 University of Arizona Mineral Museum, University of Arizona, 422 University of Arizona Museum of Art and Archive of Visual Arts, University of Arizona, 339 WIYN Observatory, Wiyn Consortium, 536

Arkansas Arkadelphia Hammons Gallery, Ouachita Baptist University, 256 Henderson State University Museum, Henderson State University, 411 Batesville Kresge Gallery, Lyon College, 245 Fayetteville Fine Arts Center Gallery, University of Arkansas, 278 University Museum Collections, University of Arkansas, 488 University of Arkansas Discovery Zone, University of Arkansas, 549 Jonesboro Arkansas State University Museum, Arkansas State University, 411 Fine Arts Center Gallery and Bradbury Gallery, Arkansas State University, 211 Little Rock University of Arkansas at Little Rock Art Department Galleries, University of Arkansas At Little Rock, 278 Piggott Hemingway-Pfeiffer Museum and Educational Center, Arkansas State University, 427 Pine Bluff Leedell Moorehead-Graham Fine Arts Gallery, University of Arkansas At Pine Bluff, 408 University Museum and Cultural Center, University of Arkansas At Pine Bluff, 407 Russellville Arkansas Tech University Museum, Arkansas Tech University, 427 Siloam Springs Art Gallery, John Brown University, 239

California

Summerhaven Mount Lemmon SkyCenter, University of Arizona, 525

Aliso Viejo Founders Hall Art Gallery, Soka University of America, 266

Superior Boyce Thompson Arboretum, University of Arizona, 376

Arcata Natural History Museum, Humboldt State University, 484 Reese Bullen Gallery, Humboldt State University, 237

Tempe Arizona State University Planetarium, Arizona State University, 505 Art Museum, Arizona State University, 301 Center for Meteorite Studies Museum, Arizona State University, 416 Herberger Institute for Art and Design, Arizona State University, 210 Mars Space Flight Facility, Arizona State University, 505 Museum of Anthropology, Arizona State University, 193

Belmont Wiegand Gallery, Notre Dame De Nemur University, 253 Berkeley Bade Museum of Biblical Archaeology, Pacific School of Religion, 543

595

Geographic Index Berkeley Natural History Museums, University of California, Berkeley, 489 Essig Museum of Entomology, University of California, Berkeley, 396 Lawrence Hall of Science, University of California, Berkeley, 550 Museum of Vertebrate Zoology, University of California, Berkeley, 557 Phoebe Apperson Hearst Museum of Anthropology, University of California, Berkeley, 201 University and Jepson Herbaria, University of California, Berkeley, 377 University of California Berkely Art Museum and Pacific Film Archive, University of California, Berkeley, 340 University of California Botanical Garden at Berkeley, University of California, Berkeley, 377 University of California Museum of Paleontology, University of California, Berkeley, 498 Carson Art Gallery, California State University, Dominguez Hills, 217 Chico Gateway Science Museum, California State University, Chico, 480 Janet Turner Print Museum, California State University, Chico, 305 Valene L. Smith Museum of Anthropology, California State University, Chico, 195 Claremont Frank P. Brackett Observatory, Pomona College, 520 Millikan Planetarium, Pomona College, 521 Museum of Art, Pomona College, 329 Ruth Chandler Williamson Gallery, Scripps College, 265 Cupertino Euphrat Museum of Art, Deanza College, 311 Fujitsu Planetarium, De Anza College, 512 Davis Museum of Wildlife and Fish Biology, University of California, Davis, 489 R. M. Bohart Museum of Entomology, University of California, Davis, 396 UC Davis Arboretum, University of California, Davis, 377 El Cajon Hyde Art Gallery, Grossmont College, 234 Fremont Louie-Meager Art Gallery, Ohlone College, 255 Fullerton Anthropology Teaching Museum, California State University, Fullerton, 195 Art Gallery, Fullerton College, 231 Fullerton Arboretum, California State University, Fullerton, 365 Main Art Gallery, California State University, Fullerton, 217 Glendale Glendale Community College Planetarium, Glendale Community College, 515 Hayward C. E. Smith Museum of Anthropology, California State University, East Bay, 195 Irvine Beall Center for Art + Technology, University of California, Irvine, 279 University of California Irvine Arboretum, University of California, Irvine, 378 La Jolla Art Gallery, University of California, San Diego, 279 Birch Aquarium at Scripps, University of California, San Diego, 468 Long Beach Art Museum, California State University, Long Beach, 306 Earl Burns Miller Japanese Garden, California State University, Long Beach, 366 Los Angeles Annette Green Perfume Museum, Fashion Institute of Design and Merchandising, 390 Ben Maltz Gallery, Otis College of Art and Design, 256 FIDM Museum and Galleries, Fashion Institute of Design and Merchandising, 390

596

Fine Arts Gallery and Luckman Gallery, California State University, Los Angeles, 217 Fowler Museum at UCLA, University of California, Los Angeles, 202 Franklin D. Murphy Sculpture Garden, University of California, Los Angeles, 341 Grunwald Center for the Graphic Arts, University of California, Los Angeles, 341 Hammer Museum, University of California, Los Angeles, 340 Heritage Hall Exhibit Area, University of Southern California, 555 Laband Art Gallery, Loyola Marymount University, 244 Mildred E. Mathias Botanical Garden, University of California, Los Angeles, 378 Skirball Cultural Center Museum (Los Angeles), Hebrew Union College-Jewish Institute of Religion, 541 UCLA Hannah Carter Japanese Garden, University of California, Los Angeles, 378 UCLA Planetarium, University of California, Los Angeles, 526 USC Fisher Museum of Art, University of Southern California, 353 Wight Art Gallery, University of California, Los Angeles, 279 Malibu Frederick R. Weisman Museum of Art, Pepperdine University, 328 Moraga Hearst Art Gallery, St. Mary’s College of California, 269 Mount Hamilton Lick Observatory, University of California Observatories, 526 Northridge Cal State Northridge Botanic Garden, California State University, Northridge, 366 CSUN Art Galleries, California State University, Northridge, 218 Oakland Kennedy Art Center Gallery, Holy Names University, 237 Merritt Museum of Anthropology, Merritt College, 198 Mills College Art Museum, Mills College, 323 Tecoah Bruce Gallery, California College of the Arts, 217 Palomar Mountain Palomar Observatory, California Institute of Technology, 510 Pleasant Hills Art Gallery, Diablo Valley College, 226 Rancho Cucamonga Wignall Museum of Contemporary Art, Chaffey College, 307 Redding Shasta College Museum and Research Center, Shasta College, 442 Redlands Peppers Art Gallery, University of Redlands, 288 Riverside Art Gallery, Riverside City College, 261 Entomology Research Museum, University of California, Riverside, 397 Robert T. Dixon Planetarium, Riverside City College, 521 Stahl Center Museum of Culture, La Sierra University, 542 Sweeney Art Gallery, University of California, Riverside, 279 UCR/California Museum of Photography, University of California, Riverside, 502 University of California Riverside Botanic Gardens, University of California, Riverside, 379 World Museum of Natural History, La Sierra University, 484 Rohnert Park Art Gallery, Sonoma State University, 266 Salinas Art Gallery, Hartnell College, 235 San Bernardino George F. Beattie Planetarium, San Bernardino Valley College, 522 Robert V. Fullerton Art Museum, California State University, San Bernardino, 306 San Diego Anthropology Museum, University of San Diego, 206 Art Galleries, University of San Diego, 289 Art Gallery, San Diego State University, 263 Mission Basilica San Diego de Alcala, University of San Diego, 545

Geographic Index San Francisco Ad n E. Treganza Anthropology Museum, San Francisco State University, 200 Charles F. Hagar Planetarium, San Francisco State University, 522 Fine Arts Gallery and Martin Wong Gallery, San Francisco State University, 263 Kent and Vicki Logan Galleries, California College of the Arts, 216 San Francisco State University Observatory, San Francisco State University, 522 Walter Gallery and McBean Gallery, San Francisco Art Institute, 263 San Jose Natalie and James Thompson Gallery, San Jose State University, 264 San Luis Obispo Art Gallery, California Polytechnic State University, 217 Robert F. Hoover Herbarium, California Polytechnic State University, 365 San Marcos Boehm Gallery, Palomar College, 257 Santa Ana Art Galleries, Santa Ana College, 264 Tessmann Planetarium, Santa Ana College, 523 Santa Barbara Art Museum, University of California, Santa Barbara, 341 Carroll Observatory, Westmont College, 536 Reynolds Gallery, Westmont College, 298 Santa Clara de Saisset Museum, Santa Clara University, 332 Mission Santa Clara de Asis, Santa Clara University, 544 Santa Cruz Arboretum at UC Santa Cruz, University of California, Santa Cruz, 379 Eloise Pickard Smith Gallery and Mary Porter Sesnon Art Gallery, University of California, Santa Cruz, 280 Santa Monica John Drescher Planetarium, Santa Monica College, 523 Santa Rosa Art Gallery, Santa Rosa Junior College, 264 Jesse Peter Museum, Santa Rosa Junior College, 200 SRJC Planetarium, Santa Rosa Junior College, 523 Stanford Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, 336 Keesing Museum of Anthropology, Stanford University, 200

Colorado Springs Athletic Hall of Excellence, U.S. Air Force Academy, 554 Barry Goldwater Air Force Academy Visitor Center, U. S. Air Force Academy, 445 Gallery of Contemporary Art, University of Colorado At Colorado Springs, 281 Denver Center for Visual Art, Metropolitan State College of Denver, 247 Museum of Anthropology, University of Denver, 202 The Cable Center, University of Denver, 561 Victoria H. Myhren Gallery, University of Denver, 281 Durango Center of Southwest Studies Gallery, Fort Lewis College, 197 Fort Collins Avenir Museum of Design and Merchandising, Colorado State University, 389 Curfman Gallery and Hutton Gallery, Colorado State University, 224 Golden Colorado School of Mines Geology Museum, Colorado School of Mines, 417 Greeley School of Art and Design Galleries, University of Northern Colorado, 287 La Junta Koshare Indian Museum, Otero Junior College, 403 Lakewood Phillip J. Steele Gallery, Rocky Mountain College of Art + Design, 262 Trinidad Louden-Heritze Archaeology Museum, Trinidad State Junior College, 200

Connecticut Bridgeport Art Gallery, University of Bridgeport, 278 Housatonic Museum of Art, Housatonic Community College, 317 Fairfield Bellarmine Museum, Fairfield University, 312 Gallery of Contemporary Art, Sacred Heart University, 262 Thomas J. Walsh Art Gallery and Lukacs Art Gallery, Fairfield University, 229

Stockton Clever Planeterium, San Joaquin Delta College, 522

Farmington School of Dental Medicine Museum, University of Connecticuit Health Center, 473

Turlock Art Gallery, California State University, Stanislaus, 218

Hartford Widener Gallery, Trinity College, 276

Victorville Victor Valley College Planetarium, Victor Valley College, 534

Middletown Davison Art Center, Wesleyan University, 360 Ezra and Cecile Zilkha Gallery and Mansfield Freeman Center for East Asian Studies Gallery, Wesleyan University, 296

Walnut Mount San Antonio College Planetarium, Mount San Antonio College, 518

Colorado Alamosa Luther Bean Museum, Adams State College, 193 Zacheis Planetarium and Observatory, Adams State College, 504 Boulder CU Art Museum, University of Colorado At Boulder, 342 CU Heritage Center, University of Colorado, 447 Fiske Planetarium and Science Center, University of Colorado At Boulder, 526 Museum of Natural History, University of Colorado At Boulder, 489 National Center for Atmospheric Research, University Corporation For Atmospheric Research, 525 Sommers-Bausch Observatory, University of Colorado At Boulder, 527 UMC Art Gallery, University of Colorado At Boulder, 280

New Britain Art Galleries, Central Connecticut State University, 220 Copernican Observatory and Planetarium, Central Connecticut State University, 511 New Haven Leitner Family Observatory and Planetarium, Yale University, 537 Marsh Botanical Gardens, Yale University, 388 Yale Center for British Art, Yale University, 363 Yale Peabody Museum of Natural History, Yale University, 497 Yale University Art Gallery, Yale University, 362 Yale University Collection of Musical Instruments, Yale University, 478 New London Connecticut College Arboretum, Connecticut College, 367 U. S. Coast Guard Museum, U. S. Coast Guard Academy, 446 Stamford Bartlett Arboretum and Gardens, University of Connecticut, 379

597

Geographic Index Storrs Connecticut State Museum of Natural History, University of Connecticut, 489 J. Robert Donnelly Husky Heritage Sports Museum, University of Connecticut, 554 William Benton Museum of Art, University of Connecticut, 342 West Hartford Art Gallery, St. Joseph College, 335 Joseloff Gallery, University of Hartford, 282

Delaware Georgetown Treasures of the Sea Exhibit, Delaware Technical and Community College, 560 Newark Old College Gallery, University of Delaware, 281 Paul R. Jones Collection of African American Art, University of Delaware, 408

District of Columbia Washington Art Galleries, Georgetown University, 232 Dumbarton Oaks Research Library and Collection, Harvard University, 459 Folger Shakespeare Library, Amherst College, 458 Georgetown University Art Collection, Georgetown University, 314 Howard University Gallery of Art, Howard University, 401 Howard University Museum, Howard University, 401 Linda K. Jordon Gallery, Gallaudet University, 231 Luther W. Brady Art Gallery and Dimock Gallery, George Washington University, 232 Museum at the Katzen Arts Center, American University, 301 National Optical Astronomy Observatory and other observatories, Association of Universities For Research In Astronomy, 506 National Radio Astronomy Observatory and other observatories, Associated Universities, Inc., 505

Florida Boca Raton Art Galleries, Florida Atlantic University, 229 Bradenton Fine Art Gallery, State College of Florida, Manatee-Sarasota, 270 Cocoa Astronaut Memorial Planetarium and Observatory, Brevard Community College, 508 Coral Gables Lowe Art Museum, University of Miami, 346 University of Miami Sports Hall of Fame, University of Miami, 555 Davie Buehler Planetarium and Observatory, Broward College, 509 Fine Arts Galleries, Broward College, 215 Daytona Beach Harvey W. Lee, Jr. Memorial Gallery, Bethune-Cookman College, 399 Mary McLeod Bethune Home, Bethune-Cookman College, 398 Southeast Museum of Photography, Daytona State College, 501 Visual Arts Gallery, Bethune-Cookman College, 213 De Land Duncan Gallery of Art, Stetson University, 273 Gillespie Museum, Stetson University, 421 Fort Myers Art Gallery, Florida Gulf Coast University, 230 Bob Raushenberg Gallery, Edison State College, 228 Kleist Health Education Center, Florida Gulf Coast University, 471 Fort Pierce Art Gallery, Indian River State College, 238

598

Gainesville Art Galleries, Santa Fe College, 264 Art Galleries, University of Florida, 281 Florida Museum of Natural History, University of Florida, 490 Samuel P. Harn Museum of Art, University of Florida, 342 Santa Fe Community College Teaching Zoo, Santa Fe Community College, 557 Jacksonville Alexander Brest Museum and Gallery, Jacksonville University, 318 Gallery of Art, University of North Florida, 286 Kent Campus Museum/Gallery, Florida State College At Jacksonville, 230 Museum of Contemporary Art Jacksonville, University of North Florida, 351 Lake Worth Palm Beach Community College Museum of Art, Palm Beach Community College, 328 Lakeland Melvin Art Gallery, Florida Southern University, 230 Leesburg Art Gallery, Lake-Sumter Community College, 241 Madison Art Gallery, North Florida Community College, 252 Miami Art Galleries, Miami Dade College, 248 Earth Science Museum and Demonstration Center, Miami Dade College, 418 Patricia and Phillip Frost Art Museum, Florida International University, 312 Miami Beach The Wolfsonian-FIU, Florida International University, 312 Miami Shores Andy Gato Gallery, Barry University, 212 Ocala Appleton Museum of Art, Central Florida Community College, 307 CFCC Webber Center Gallery, Central Florida Community College, 220 Orange Park Thrasher-Horne Center for the Arts Galleries, St. Johns River Community College, 268 Orlando Anita S. Wooten Gallery, Valencia Community College, 293 Art Gallery, University of Central Florida, 280 Palatka Florida School of the Arts Gallery, Florida School of the Arts, 230 Panama City Art Gallery, Gulf Coast Community College, 235 Pensacola Art Gallery, University of West Florida, 292 Historic Pensacola Village, University of West Florida, 452 PJC Planetarium and Theatre, Pensacola State College, 520 T. T. Wentworth, Jr. Florida State Museum, University of West Florida, 453 Visual Arts Gallery, Pensacola Junior College, 258 Sanford Fine Arts Gallery, Seminole State College, 265 Sarasota Art Galleries, Ringling College of Art and Design, 261 John and Mable Ringling Museum of Art, Florida State University, 313 Selby Gallery, Ringling College of Art and Design, 330 Tallahassee Foster Tanner Fine Arts Gallery, Florida A&M University, 400 Museum of Fine Arts, Florida State University, 313 Robert K. Godfrey Herbarium, Florida State University, 368 Southeastern Regional Black Archives Research Center and Museum, Florida A&M University, 400 Tampa Contemporary Art Museum, University of South Florida, 353 Henry B. Plant Museum, University of Tampa, 451

Geographic Index Scarfone/Hartley Gallery, University of Tampa, 290 Winter Haven Art Gallery, Polk State College, 258 Winter Park Cornell Fine Arts Museum, Rollins College, 331

Young Harris College Observatory, Young Harris College, 537

Guam Mangilao Isla Center for the Arts, University of Guam, 282 University of Guam Herbarium, University of Guam, 380

Georgia Athens Circle Gallery, University of Georgia, 282 Georgia Museum of Art, University of Georgia, 343 Georgia Museum of Natural History, University of Georgia, 490 Lamar Dodd School of Art Galleries, University of Georgia, 282 State Botanical Garden of Georgia, University of Georgia, 379 University of Georgia Observatory, University of Georgia, 527 Atlanta Clark Atlanta University Art Galleries, Clark Atlanta University, 399 Emory University Planetarium and Observatory, Emory University, 513 Ernest G. Welch School of Art and Design, Georgia State University, 232 Michael C. Carlos Museum, Emory University, 312 Museum of Art, Oglethorpe University, 327 Robert C. Williams Paper Museum, Georgia Institute of Technology, 560 Spelman College Museum of Fine Art, Spelman College, 405 Augusta Gertrude Herbert Institute of Art Galleries, Gertrude Herbert Institute of Art, 233 Carrollton University of West Georgia Observatory, University of West Georgia, 532 Columbus Coca-Cola Space Science Center, Columbus State University, 511 Dahlonega George E. Coleman, Sr. Planetarium, North Georgia College and State University, 518 North Georgia Astronomical Observatory, North Georgia College and State University, 519

Hawaii Hilo ‘Imiloa Astronomy Center of Hawaii, University of Hawaii, 527 W. M. Keck Observatory, California Association For Research In Astronomy, 510 Botanical Gardens, University of Hawaii at Manoa, 380 Honolulu Art Gallery, University of Hawaii at Manoa, 282 Harold L. Lyon Arboretum, University of Hawaii at Manoa, 380 John Young Museum of Art, University of Hawaii at Manoa, 343 Waikiki Aquarium, University of Hawaii, 469 Kaneohe Art Gallery, Hawaii Pacific University, 236

Idaho Caldwell Orma J. Smith Museum of Natural History, College of Idaho, 481 Rosenthal Gallery of Art, College of Idaho, 222 Pocatello Idaho Museum of Natural History, Idaho State University, 484 Rexburg BYU-Idaho Planetarium, Brigham Young University-Idaho, 509 Twin Falls Herrett Center for Arts and Science, College of Southern Idaho, 481

Illinois

Decatur Bradley Observatory and Delafield Planetarium, Agnes Scott College, 504 Dalton Gallery, Agnes Scott College, 209

Aurora Schingoethe Center for Native American Cultures, Aurora University, 398

Gainesville Art Galleries, Brenau University, 214

Batavia Lederman Science Center, University Research Association, 551

Kennesaw Art Galleries, Kennesaw State University, 240 Bentley Rare Book Gallery, Kennesaw State University, 460

Carbondale University Museum, Southern Illinois University At Carbondale, 412

LaGrange Lamar Dodd Art Center Museum, Lagrange College, 321 Milledgeville Blackbridge Gallery, Georgia College and State University, 232 Georgia College and State University Museum, Georgia College and State University, 435 Museum of Fine Arts, Georgia College and State University, 314 Natural History Museum and Planetarium, Georgia College and State University, 483 Old Governor’s Mansion, Georgia College and State University, 435 Mount Berry Oak Hill and the Martha Berry Museum, Berry Colege, 428 Rutledge Hard Labor Creek Observatory, Georgia State University, 514 Savannah Art and Design Galleries, Savannah College of Art and Design, 265 Stateboro Georgia Southern University Museum, Georgia Southern University, 483 Valdosta Fine Arts Gallery, Valdosta State University, 293 Young Harris Rollins Planetarium, Young Harris College, 537

Carterville John A. Logan College Museum, John A. Logan College, 412 Champaign Art Gallery, Parkland College, 257 Krannert Art Museum and Kinkead Pavilion, University of Illinois At Urbana-Champaign, 344 Sousa Archives and Center for American Music, University of Illinois At Urbana-Champaign, 477 William N. Staerkel Planetarium, Parkland College, 520 Charleston Tarble Arts Center Galleries, Eastern Illinois University, 228 Chicago A + D Gallery, Columbia College Chicago, 224 Art Museum, Depaul University, 311 Center for Book and Paper Arts, Columbia College Chicago, 224 Fashion Columbia Study Collection, Columbia College Chicago, 389 Gallery 400, University of Illinois At Chicago, 283 Jane Addams Hull-House Museum, University of Illinois At Chicago, 447 Kottemann Gallery of Denistry, University of Illinois At Chicago, 473 Loyola University Museum of Art, Loyola University Chicago, 542 Museum of Contemporary Photography, Columbia College Chicago, 501 Oriental Institute Museum, University of Chicago, 202

599

Geographic Index Renaissance Society at the University of Chicago, University of Chicago, 342 School of the Art Institute of Chicago Sullivan Galleries, School of the Art Institute of Chicago, 265 Smart Museum of Art, University of Chicago, 341 Spertus Museum, Spertus Institute of Jewish Studies, 405 Decatur Birks Museum, Millikin University, 323 David Erlanson Art Gallery, Richland Community College, 261 Perkinson Gallery, Millikin University, 248 DeKalb Anthropology Museum, Northern Illinois University, 199 Jack Olson Gallery, Northern Illinois University, 252 Des Plaines Koehnline Museum of Art, Oakton Community College, 327 Edwardsville University Museum, Southern Illinois University At Edwardsville, 413 Evanston Mary and Leigh Block Museum of Art, Northwestern University, 326 Lisle Jurica-Suchy Nature Museum, Benedictine University, 479 Macomb Art Gallery, Western Illinois University, 361 Normal Illinois State University Planetarium, Illinois State University, 516 North Chicago Feet First Exhibit, Rosalind Franklin University of Medicine and Science, 472 River Grove Cernan Earth and Space Center, Triton College, 524 Rock Island Art Museum, Augustana College (Illinois), 302 Carl Gamble Observatory, Augustana College, 506 Fryxell Geology Museum, Augustana College (Illinois), 416 John Deere Planetarium, Augustana College, 506 Rockford Art Gallery, Rockford College, 262

Goshen Abner Hershberger Art Gallery, Goshen College, 233 Greencastle DePauw University Anthropology Museum, DePauw University, 196 Richard F. Peeler Art Center Galleries, Depauw University, 227 William Weston Clarke Emison Museum of Art, Depauw University, 311 Huntington Robert E. Wilson Gallery, Huntington University, 237 Indianapolis Herron Galleries, Indiana University and Purdue University, 239 Holcomb Observatory and Planetarium, Butler University, 510 IUPUI Cultural Arts Gallery, Indiana University and Purdue University, 238 Muncie Art Museum, Ball State University, 302 Ball State Planetarium and Observatory, Ball State University, 506 Field Station and Environmental Education Center, Ball State University, 365 New Harmony Historic New Harmony, University of Southern Indiana, 450 New Harmony Gallery of Contemporary Art, University of Southern Indiana, 289 Notre Dame Snite Museum of Art, University of Notre Dame, 352 Richmond Joseph Moore Museum, Earlham College, 481 Leeds and Ronald Galleries, Earlham College, 227 South Bend Isis Gallery, University of Notre Dame, 287 Museum of Biodiversity, University of Notre Dame, 493 Terre Haute Art Gallery, Indiana State University, 238 Valparaiso Bauer Museum of Art, Valparaiso University, 357 West Lafayette Art Galleries, Purdue University, 259 Arthur Herbarium, Purdue University, 375 Kriebel Herbarium, Purdue University, 374

Springfield Pearson Museum, Southern Illinois University School of Medicine, 472 University Park Nathan Manilow Sculpture Park, Governors State University, 315 Urbana Spurlock Museum, University of Illinois At Urbana-Champaign, 203 Wheaton Billy Graham Center Museum, Wheaton College (Illinois), 545

Indiana Anderson Gustav Jeeninga Museum of Bible and Near Eastern Studies, Anderson University, 539 Jessie C. Wilson Art Galleries, Anderson University, 209 Angola General Lewis B. Hershey Museum, Trine University, 444 Bloomington Art Museum, Indiana University, 317 Elizabeth Sage Historic Costume Collection, Indiana University, 390 Hilltop Garden and Nature Center, Indiana University, 370 Lilly Library Galleries, Indiana University, 460 Mathers Museum of World Cultures, Indiana University, 197 The Grunwald Gallery of Art, Indiana University, 238 Evansville McCutchan Art Center/Pace Galleries, University of Southern Indiana, 289 Fishers Conner Prairie Interactive Historical Park, Earlham College, 433

600

Iowa Ames Brunnier Art Museum, Iowa State University, 318 Christian Petersen Art Museum, Iowa State University, 318 Elizabeth and Byron Anderson Sculpture Garden, Iowa State University, 318 Farm House Museum, Iowa State University, 189 Cedar Falls Museum and Collections, University of Northern Iowa, 493 Cedar Rapids Art Galleries, Coe College, 221 UNI Gallery of Art, University of Northern Iowa, 287 Decorah Art Galleries, Luther College, 244 Ethnographic and Archaeological Collections, Luther College, 198 Fine Arts Collection, Luther College, 321 Geology Collection, Luther College, 418 Hoslett Museum of Natural History, Luther College, 485 Des Moines Anderson Gallery, Drake University, 226 Grinnell Faulconer Gallery, Grinnell College, 234 Indianola Farnham Galleries, Simpson College, 266 Iowa City Athletics Hall of Fame, University of Iowa, 555 Hospitals and Clinics Medical Museum, University of Iowa, 473

Geographic Index Hospitals and Clinics Project Art, University of Iowa, 344 Museum of Natural History, University of Iowa, 490 Old Capitol Museum, University of Iowa, 447 University of Iowa Museum of Art, University of Iowa, 344 Iowa Falls Calkins Nature Area/Field Museum, Ellsworth College, 368 Mount Pleasant Harlan-Lincoln House, Iowa Wesleyan College, 436 Mt. Vernon Luce Gallery, Cornell College, 225

Kansas Baldwin City Old Castle Museum, Baker University, 428 Quayle Bible Collection, Baker University, 539 Emporia Norman R. Eppink Art Gallery, Emporia State University, 228 Peterson Planetarium, Emporia State University, 514 Richard H. Schmidt Museum of Natural History, Emporia State University, 482 University Herbarium, Emporia State University, 368 Great Bend Shafer Gallery, Barton County Community College, 212 Hays Moss-Thorns Gallery of Art, Fort Hays State University, 231 Sternberg Museum of Natural History, Fort Hays State University, 482 Kansas City Clendening History of Medicine Library and Museum, University of Kansas Medical Center, 473 Lawrence Haskell Indian Nations University Cultural Center and Museum, Haskell Indian Nations University, 401 Natural History Museum, University of Kansas, 490 Robert J. Dole Institute of Politics, University of Kansas, 448 Spencer Museum of Art, University of Kansas, 344 Lindsborg Birger Sandzen Memorial Gallery, Bethany College, 303 Manhattan Kansas State University Insect Zoo, Kansas State University, 395 Kansas State University Museum of Entomological and Prairie Arthropod Research, Kansas State University, 395 KSU Historic Costume and Textile Museum, Kansas State University, 390 Marianna Kisler Beach Museum of Art, Kansas State University, 319 University Herbarium, Kansas State University, 371 McPherson McPherson Museum, McPherson College, 412 North Newton Kauffman Museum, Bethel College, 480 Mennonite Library and Archives, Bethal College, 539 Overland Park Nerman Museum of Contemporary Art, Johnson County Community College, 319 Pittsburg L. Russell Kelce Planetarium, Pittsburg State University, 520 Topeka Crane Observatory, Washburn University, 535 Mulvane Art Museum, Washburn University of Topeka, 359 Wichita Lowell D. Holmes Museum of Anthropology, Wichita State University, 208 Riney Fine Arts Center Gallery, Friends University, 231 Ulrich Museum of Art, Wichita State University, 361

Kentucky Berea Berea College Weatherford Planetarium, Berea College, 507 Doris Ulmann Galleries, Berea College, 501 Roberts Observatory, Berea College, 507 W. G. Burroughs Geology Museum, Berea College, 417 Bowling Green Art Gallery and Corridor Galleries, Western Kentucky University, 297 Hardin Planetarium, Western Kentucky University, 536 Kentucky Library and Museum, Western Kentucky University, 456 Frankfort Jackson Hall Gallery, Kentucky State University, 241 Highland Heights Anthropology Museum, Northern Kentucky University, 199 Art Galleries, Northern Kentucky University, 253 Lexington Art Museum, University of Kentucky, 345 Monroe Moosnick Medical and Science Museum, Transylvania University, 549 Photographic Collections, University of Kentucky, 503 Special Collections Library, University of Kentucky, 464 Louisville Hite Art Institute Galleries, University of Louisville, 283 Nicol and Eisenberg Archaeological Collection, Southern Baptist Theological Seminary, 544 Photographic Archives, University of Louisville, 503 Rauch Planetarium, University of Louisville, 528 University of Louisville Library Special Collections, University of Louisville, 464 Morehead Kentucky Folk Art Center, Morehead State University, 324 Murray Art Galleries, Murray State University, 251 Wrather West Kentucky Museum, Murray State University, 440 Prestonsburg East Kentucky Science Center, Big Sandy Community and Technical College, 546 Richmond Eastern Kentucky Herbarium, Eastern Kentucky University, 368 Hummel Planetarium, Eastern Kentucky University, 513

Louisiana Baton Rouge Louisiana Art and Science Museum, Louisiana State University, 547 Louisiana Museum of Natural History and Museum of Natural Science, Louisiana State University, 485 Louisiana State Arthropod Museum, Louisiana State University, 395 Louisiana State University Museum of Art, Louisiana State University, 321 LSU School of Art Galleries and LSU Student Union Art Gallery, Louisiana State University, 243 LSU Textile and Costume Museum, Louisiana State University, 391 Rural Life Museum and Windrush Gardens, Louisiana State University, 189 Southern University Museum of Art, Southern University, 404 University Herbarium, Louisiana State University, 371 Grambling Eddie G. Robinson Museum, Grambling State University, 552 Lafayette Paul and Lulu Hilliard University Art Museum, University of Louisiana At Lafayette, 345 Monroe Museum of Natural History, University of Louisiana At Monroe, 491 New Orleans Amistad Research Center, Tulane University, 406 Collins C. Diboll Art Gallery, Loyola University New Orleans, 244 Newcomb Art Gallery, Tulane University, 339

601

Geographic Index Ogden Museum of Southern Art, University of New Orleans, 350 Southeastern Architectural Archive, Tulane University, 464 Ruston Idea Place, Louisiana Tech University, 548 Louisiana Tech Museum, Louisiana Tech University, 460 Museum of Fashion and Textiles, Louisiana Tech University, 391 Shreveport Meadows Museum of Art of Centenary College, Centenary College of Louisiana, 306 Pioneer Heritage Center, Louisiana State University-Shreveport, 439 Turner Art Center Gallery and Magale Library Gallery, Centenary College of Louisiana, 219

Maine

College Park Art Galleries, University of Maryland, College Park, 283 University of Maryland Observatory, University of Maryland, 528 Salisbury Art Galleries, Salisbury State University, 263 Ward Museum of Wildfowl Art, Salisbury University, 332 St. Mary’s City Dwight Frederic Boyden Gallery, St. Mary’s College of Maryland, 270

Bangor Museum of Art, University of Maine, 345

Stevenson Art Gallery, Stevenson University, 273

Bar Harbor Ethel H. Blum Gallery, College of the Atlantic, 223 George B. Dorr Museum, College of the Atlantic, 481

Towson Asian Arts Gallery, Towson University, 338

Brunswick Museum of Art, Bowdoin College, 304 Peary-MacMillan Arctic Museum, Bowdoin College, 194 Gorham USM Art and Area Galleries, University of Southern Maine, 289 Lewiston Franco-American Collection, University of Southern Maine, 408 Museum of Art, Bates College, 303 Orono Fay Hyland Arboretum, University of Maine, 380 Hudson Museum, University of Maine, 203 Maynard F. Jordan Planetarium and Observatory, University of Maine, 528 Page Farm and Home Museum, University of Maine, 191 University of Maine Herbaria, University of Maine, 380 Portland African American Collection of Maine, University of Southern Maine, 408 Art Gallery, University of New England, 286 Institute of Contemporary Art, Maine College of Art, 245 Southworth Planetarium, University of Southern Maine, 530 Presque Isle Northern Maine Museum of Science, University of Maine At Presque Isle, 491 Unity Leonard R. Craig Gallery, Unity College, 277 Waterville Art Gallery, Thomas College, 276 Museum of Art, Colby College, 307

Maryland Annapolis Elizabeth Myers Mitchell Gallery, St. John’s College, 268 U. S. Naval Academy Museum, U. S. Naval Academy, 446 Arnold Herbarium at Anne Arundel Community College, Anne Arundel Community College, 364 Baltimore Albin O. Kuhn Library and Gallery, University of Maryland, Baltimore County, 283 Alcazar Gallery, Baltimore School For the Arts, 212 Art Galleries, Maryland Institute College of Art, 246 Dr. Samuel D. Harris National Museum of Dentistry, University of Maryland, Baltimore, 474 Evergreen Museum and Library, Johns Hopkins University, 437 Homewood Museum, Johns Hopkins University, 437 James E. Lewis Museum of Art, Morgan State University, 402

602

Johns Hopkins University Archaeological Collection, Johns Hopkins University, 198 Rosenberg Gallery and Silber Art Gallery, Goucher College, 233 Schuler Gallery, Schuler School of Fine Arts, 265 Steamship Historical Society Collection, University of Baltimore, 561 University of Maryland School of Nursing Living History Museum, University of Maryland, Baltimore, 474

Massachusetts Amherst Bassett Planetarium, Amherst College, 504 Beneski Museum of Natural History, Amherst College, Amherst College, 479 Emily Dickinson Museum: The Homestead and The Evergreens, Amherst College, 427 Hempshire College Observatory, Hempshire College, 515 Mead Art Museum, Amherst College, 301 Museum of Contemporary Art, University of Massachusetts Amherst, 346 Natural History Collections, University of Massachusetts Amherst, 491 Wilder Observatory, Amherst College, 504 Boston Art Gallery, Boston University, 214 Main Gallery and Gallery at University Hall, Art Institute of Boston, 211 Warren Anatomical Museum, Harvard University, 471 Cambridge Arnold Arboretum of Harvard University, Harvard University, 369 Arthur M. Sackler Museum, Harvard University, 316 Botanical Museum of Harvard University, Harvard University, 369 Busch-Reisinger Museum, Harvard University, 316 Carpenter Center for the Visual Arts Galleries, Harvard University, 236 Collection of Historical Scientific Instruments, Harvard University, 547 Fogg Art Museum, Harvard University, 316 Graduate School of Design Gund Gallery and Frances Loeb Library Special Collections Gallery, Harvard University, 236 Harvard Art Museums, Harvard University, 315 Harvard Museum of Natural History, Harvard University, 483 Harvard-Smithsonian Center for Astrophysics and Fred Lawrence Whipple Observatory, Harvard University, 515 Mineralogical Museum at Harvard University, Harvard University, 418 MIT List Visual Arts Center, Massachusetts Institute of Technology, 246 MIT Museum, Massachusetts Institute of Technology, 548 Museum of Comparative Zoology, Harvard University, 557 Peabody Museum of Archaeology and Ethnology, Harvard University, 197 Semitic Museum at Harvard University, Harvard University, 197 University Herbarium, Harvard University, 369 Chestnut Hill Boston College Libraries, Boston College, 458 McMullen Museum of Art, Boston College, 304 Fall River Grimshaw-Gudewicz Art Gallery, Bristol Community College, 215 Framingham Danforth Museum of Art, Framingham State College, 313 Lowell Middlesex Canal Collection, University of Massachusetts Lowell, 449

Geographic Index Patrick J. Mogan Cultural Center, University of Massachusetts Lowell, 449 University and Dugan Galleries, University of Massachusetts Lowell, 284

Augusta W. K. Kellogg Bird Sanctuary, Michigan State University, 372 Berrien Springs Siegfried H. Horn Museum, Andrews University, 193

Medford Tufts University Art Gallery, Tufts University, 338

Big Rapids Jim Crow Museum of Racist Memorabilia, Ferris State University, 399

New Bedford Art Gallery, University of Massachusetts Dartmouth, 284

Bloomfield Cranbrook House and Gardens, Cranbrook Educational Community, 432

Northampton Botanic Garden of Smith College, Smith College, 375 Smith College Museum of Art, Smith College, 333

Bloomfield Hills Cranbrook Institute of Science, Cranbrook Educational Community, 546 Cranbrook Museum of Art, Cranbrook Academy of Art, 309 Saarinen House, Cranbrook Educational Community, 432

Norton Beard and Weil Galleries, Wheaton College (Massachusetts), 298 Paxton Art Center Gallery at Miriam Hall, Anna Maria College, 210 Petersham Harvard Forest and Fisher Museum of Forestry, Harvard University, 370 South Hadley Art Museum, Mount Holyoke College, 324 John Payson Williston Observatory, Mount Holyoke College, 518 Skinner Museum of Mount Holyoke College, Mount Holyoke College, 439 Waltham Rose Art Museum, Brandeis University, 304 Wellesley Davis Museum and Cultural Center, Wellesley College, 360 Wellesley College Botanic Gardens, Wellesley College, 387 West Barnstable Higgins Art Gallery, Cape Cod Community College, 218 William Brewster Nickerson Cape Cod History Archives, Cape Cod Community College, 459 Weston Weston Observatory, Boston College, 508 Williamstown Chapin Library of Rare Books, Williams College, 466 Williams College Museum of Art, Williams College, 362 Worcester Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross, 223

Michigan Adrian Klemm Gallery, Sienna Heights University, 266 Albion Bobbitt Visual Arts Center, Albion College, 209 Whitehouse Nature Center, Albion College, 364 Allendale Art Gallery and George and Barbara Gordon Art Gallery, Grand Valley State University, 233 Ann Arbor Angell Hall Observatory and Planetarium, University of Michigan, 528 Exhibit Natural History Museum, University of Michigan, 491 Gallery One, Washtenaw Community College, 295 Gerald R. Ford Library, University of Michigan, 464 Herbarium of the University of Michigan, University of Michigan, 381 Kelsey Museum of Archaeology, University of Michigan, 204 Margaret Dow Towsley Sports Museum, University of Michigan, 555 Matthaei Botanical Gardens, University of Michigan, 381 Museum of Anthropology, University of Michigan, 204 Museum of Paleontology, University of Michigan, 499 Nichols Arboretum, University of Michigan, 381 School of Art and Design Galleries, University of Michigan, 284 Sindecuse Museum of Dentistry, University of Michigan, 474 Stearns Collection of Musical Instruments, University of Michigan, 477 University of Michigan Museum of Art, University of Michigan, 347 University of Michigan Museum of Zoology, University of Michigan, 558

Dearborn Henry Ford Estate-Fair Lane, University of Michigan-Dearborn, 449 Decatur Fred Russ Forest, Michigan State University, 372 Detroit Art Galleries, Wayne State University, 295 Center Galleries, College For Creative Studies, 222 Gordon L. Grosscup Museum of Anthropology, Wayne State University, 207 Museum of Natural History, Wayne State University, 497 Dowagiac Museum at Southwestern Michigan College, Southwestern Michigan College, 443 East Lansing Abrams Planetarium, Michigan State University, 517 Eli and Edythe Broad Art Museum, Michigan State University, 323 Kresge Art Museum, Michigan State University, 322 Michigan State University Museum, Michigan State University, 485 Michigan State University Observatory, Michigan State University, 517 MSU Herbarium, Michigan State University, 371 W. J. Beal Botanical Garden, Michigan State University, 371 Flint Chester H. Wilson Geology Museum, Mott Community College, 420 Fine Arts Gallery, Mott Community College, 250 Grand Rapids Calvin College Center Art Gallery, Calvin College, 218 Hickory Corners Kellogg Farm and Dairy, Michigan State University, 190 Houghton A. E. Seaman Mineral Museum, Michigan Technological University, 419 Kalamazoo Kalamazoo Institute of Art Museum, Kalamazoo Institute of Art, 319 Kalamazoo Valley Museum, Kalamazoo Valley Community College, 547 Richmond Center for the Visual Arts Galleries, Western Michigan University, 297 Marquette DeVos Art Museum, Northern Michigan University, 326 Mount Pleasant Art Gallery, Central Michigan University, 220 Museum of Cultural and Natural History, Central Michigan University, 480 University Herbarium, Central Michigan University, 366 Muskegon Carr-Fles Planetarium, Muskegon Community College, 518 Muskegon Community College Observatory, Muskegon Community College, 518 Orchard Lake National Polish American Sports Hall of Fame, St. Mary’s College, 553 Rochester Art Gallery, Oakland University, 254 Meadow Brook Hall, Oakland University, 441 Sault Ste. Marie Kemp Mineral Resources Museum, Lake Superior State University, 418

603

Geographic Index Tipton Hidden Lake Gardens, Michigan State University, 372 Traverse City Dennos Museum Center, Northwestern Michigan College, 326 University Center Marshall M. Fredericks Sculpture Museum, Saginaw Valley State University, 331 Ypsilanti Sherzer Observatory, Eastern Michigan University, 513

Minnesota Chaska Minnesota Landscape Arboretum, University of Minnesota, Twin Cities, 381 Duluth Glensheen Historic Estate, University of Minnesota, Duluth, 449 Marshall W. Alworth Planetarium, University of Minnesota, Duluth, 529 Tweed Museum of Art, University of Minnesota, Duluth, 347 Marshall Museum of Natural History, Southwest Minnesota State University, 487 Minneapolis Bell Museum of Natural History, University of Minnesota, Twin Cities, 492 Frederick R. Weisman Art Museum, University of Minnesota, Twin Cities, 347 Katherine E. Nash Gallery, University of Minnesota, Twin Cities, 284 MCAD Gallery, Minneapolis College of Art and Design, 248 Northfield Carleton College Art Gallery, Carleton College, 219 Flaten Art Museum, St. Olaf College, 336 Norwegian-American Historical Association Archives, St. Olaf College, 405 St. Cloud Evelyn Payne Hatcher Museum of Anthropology, St. Cloud State University, 200 St. Paul American Museum of Asmat Art, University of St. Thomas, 354 Art Gallery, Macalester College, 245 Catherine G. Murphy Gallery, College of St. Catherine, 223 Denler Art Gallery, Northwestern College, 253 Goldstein Museum of Design, University of Minnesota, Twin Cities, 393 Soeffker Gallery, Hamline University, 235 St. Peter Hillstrom Museum of Art, Gustavus Adolphus College, 315

Mississippi Cleveland Wright Art Center Gallery, Delta State University, 226 Clinton Mississippi Baptist Historical Collection, Mississippi College, 543 Columbus Mississippi University for Women Archives and Museum, Mississippi University For Women, 461 Mississippi State University Art Galleries, Mississippi State University, 249 Charles H. Templeton, Sr. Music Museum, Mississippi State University, 477 Cullis and Gladys Wade Clock Museum, Mississippi State University, 560 Dunn-Seiler Museum, Mississippi State University, 419 Lois Dowdle Cobb Museum of Archaeology, Mississippi State University, 198 Mississippi Entomological Museum, Mississippi State University, 396 Ocean Springs Gulf Coast Research Laboratory Museum, University of Southern Mississippi, 469

604

Oxford Rowan Oak, Home of William Faulkner, University of Mississippi, 449 Walton-Young Historic House, University of Mississippi, 450 Tougaloo Tougaloo College Art Collection and Gallery, Tougaloo College, 406 University University of Mississippi Museum, University of Mississippi, 413

Missouri Cape Girardeau Crisp Museum, Southeast Missouri State University, 412 Columbia Davis Art Gallery, Stephens College, 273 George Caleb Bingham Gallery, University of Missouri, Columbia, 285 Laws Observatory, University of Missouri, Columbia, 529 Museum of Anthropology, University of Missouri, Columbia, 204 Museum of Art and Archaeology, University of Missouri, Columbia, 204 State Historical Society of Missouri Art Collection, University of Missouri, Columbia, 348 Defiance Daniel Boone Home and Boonesfield Village, Lindenwood University, 438 Fayette Ashby-Hodge Gallery of American Art, Central Methodist College, 307 Missouri United Methodist Archives, Central Methodist University, 540 Stephens Museum, Central Methodist College, 429 Fulton Winston Churchill Museum, Westminster College, 457 Kansas City Thornhill Gallery, Avila University, 212 UMKC Gallery of Art, University of Missouri, Kansas City, 285 Kirksville Art Gallery, Truman State University, 276 E. M. Violette Museum, Truman State University, 445 Museum of Osteopathic Medicine, A. T. Still University, 470 Ruth W. Towne Museum and Visitors Center, Truman State University, 444 Louisiana Henry Lay Sculpture Garden, St. Louis University, 335 Maryville Bearcat Sports Museum, Northwest Missouri State University, 552 Darwin Museum of Life Sciences, Northwest Missouri State University, 486 Geoscience Museum, Northwest Missouri State University, 420 Jean Jennings Bartik Computing Museum, Northwest Missouri State University, 548 Missouri State Arboretum, Northwest Missouri State University, 373 Northwest History Museum and Archives, Northwest Missouri State University, 461 Northwest’s Agriculture Museum, Northwest Missouri State University, 190 Olive Deluce Art Gallery, Northwest Missouri State University, 253 Walter M. and Velma C. Troutman Collection, Northwest Missouri State University, 486 Warren Stucki Museum of Broadcasting, Northwest Missouri State University, 561 Neosho Longwell Museum and Camp Crowder Collection, Crowder College, 309 Point Lookout Ralph Foster Museum, College of the Ozarks, 431 Rolla Mineral Museum, Missouri University of Science and Technology, 419 Springfield Meyer Library Special Collections and Archives, Missouri State University, 461

Geographic Index St. Louis Cecille R. Hunt Gallery, May Gallery, and Small Wall Gallery, Webster University, 296 Meramec Contemporary Art Gallery, St. Louis Community College, 269 Mildred Lane Kemper Art Museum, Washington University, 360 Morton J. May Foundation Gallery, Maryville University, 246 Museum of Contemporary Religious Art, St. Louis University, 545 Pere Marquette Gallery, Samuel Cupples House, and Boileau Hall, St. Louis University, 269 Principia School of Nations Museum, Principia College, 199 ST. Louis University Museum of Art, St. Louis University, 335 Warrensburg Arthur F. McClure II Archives and University Museum, Central Missouri State University, 459 UCM Gallery of Art and Design, University of Central Missouri, 280

Montana Bozeman Helen E. Copeland Gallery and Haynes Fine Arts Gallery, Montana State University, 249 Living History Farm, Montana State University, 190 Museum of the Rockies, Montana State University, 485 Butte Mineral Museum, Montana Tech of the University of Montana, 419 Dillon Western Art Gallery/Museum, University of Montana Western, 285 Havre Hagener Collection, Montana State University-Northern, 486 Missoula Montana Museum of Art and Culture, University of Montana, 348 Paxson Gallery, University Center Gallery, and Gallery of Visual Arts, University of Montana, 285 Philip L. Wright Zoology Museum, University of Montana, 558 University of Montana Herbarium, University of Montana, 382

Nebraska Chadron Eleanor Barbour Cook Museum of Geology, Chadron State College, 417 Mari Sandoz High Plains Heritage Center, Chadron State College, 430 Crawford Trailside Museum of Natural History, University of Nebraska-Lincoln, 499 Kearney Museum of Nebraska Art, University of Nebraska-Kearney, 348 Lincoln Elder Art Gallery, Nebraska Wesleyan University, 324 Great Plains Art Museum, University of Nebraska-Lincoln, 349 Lentz Center for Asian Culture, University of Nebraska-Lincoln, 349 Nebraska Conference United Methodist Historical Center, Nebraska Wesleyan University, 543 Robert Hillestad Textile Gallery, University of Nebraska-Lincoln, 393 Sheldon Museum of Art and Sculpture Garden, University of Nebraska-Lincoln, 349 University of Nebraska State Museum, University of Nebraska-Lincoln, 492 Omaha Mallory-Kountze Planetarium, University of Nebraska-Omaha, 529 Royal Ashfall Fossil Beds State Historical Park, University of Nebraska-Lincoln, 499 Seward Marxhausen Art Gallery, Concordia University (Nebraska), 225

Nevada Las Vegas Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, 285

Marjorie Barrick Museum, University of Nevada, Las Vegas, 493 Reno Fleischmann Planetarium and Science Center, University of Nevada, Reno, 530 Sheppard Fine Arts Gallery, University of Nevada, Reno, 286 W. M. Keck Museum, University of Nevada, Reno, 423

New Hampshire Durham Jesse Hepler Lilac Arboretum, University of New Hampshire, 382 Museum of Art, University of New Hampshire, 349 University of New Hampshire Observatory, University of New Hampshire, 530 Hanover Hood Museum of Art, Dartmouth College, 309 Shattuck Observatory, Dartmouth College, 512 Henniker Art Gallery, New England College, 251 Keene Thorne-Sagendorph Art Gallery, Keene State College, 240 Manchester Alva de Mars Megan Chapel Art Center, St. Anselm College, 268 French Building Gallery and Amherst Gallery, New Hampshire Instiute of Art, 251 Plymouth Karl Drerup Art Gallery, Plymouth State College, 258

New Jersey Camden Stedman Art Gallery, Rutgers, the State University of New Jersey, 331 Glassboro Art Gallery, Rowan University, 262 Little Falls Yogi Berra Museum and Learning Center, Montclair State University, 552 Madison Elizabeth P. Korn Art Gallery, Drew University, 227 Montclair George Segal Gallery, Montclair State University, 249 New Brunswick Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, 331 The Rutgers Gardens, Rutgers, the State University of New Jersey, 375 Newark Paul Robeson Galleries, Rutgers, the State University of New Jersey, 262 University of Delaware Mineralogical Museum, University of Delaware, 423 North Brunswick New Jersey Museum of Agriculture, Rutgers, the State University of New Jersey, 191 Paterson Broadway Gallery, LRC Gallery, and Hamilton Club Gallery, Passaic County Community College, 257 Hamilton Club Building, Passaic County Community College, 442 Princeton Art Museum, Princeton University, 329 Erdman Art Gallery, Princeton Theological Seminary, 544 Firestone Library Galleries, Princeton University, 463 FitzRandolph Observatory, Princeton University, 521 Peyton Observatory, Princeton University, 521 South Orange Walsh Gallery, Seton Hall University, 266 Toms River Art Gallery, Ocean County College, 254 Robert J. Novins Planetarium, Ocean County College, 519

605

Geographic Index Union Art Galleries, Kean University, 240 Wayne Ben Shahn Galleries and Power Art Gallery, William Paterson University of New Jersey, 299 West Windsor The Gallery, Mercer County Community College, 247

New Mexico

Brockport Tower Fine Arts Gallery, State University of New York At Brockport, 270 Bronx Art Gallery, Lehman College, City University of New York, 242 Hall of Fame for Great Americans, Bronx Community College, City University of New York, 429

Albuquerque Art Museum, University of New Mexico, 350 Geology Museum, University of New Mexico, 423 Maxwell Museum of Anthropology, University of New Mexico, 205 Meteorite Museum, University of New Mexico, 423 Museum of Southwestern Biology, University of New Mexico, 493

Bronxville OSilas Gallery, Concordia College New York, 225

Clovis Eula Mae Edwards Museum and Gallery, Clovis Community College, 221

Brookville C. P. Post Campus and Brooklyn Campus Galleries, Long Island University, 243 Hillwood Art Museum, Long Island University, 320

Farmington SJC Planetarium, San Juan College, 522 Las Cruces Art Gallery, New Mexico State University, 252 New Mexico State University Museum, New Mexico State University, 199 Las Vegas Ray Drew Art Gallery and Arrott History Gallery, New Mexico Highlands University, 251 Los Alamos Bradbury Science Museum, University of California, Berkeley, 550 Portales Blackwater Draw Museum, Eastern New Mexico University, 196 Miles Mineral Museum, Eastern New Mexico University, 417 Natural History Museum, Eastern New Mexico University, 482 Roosevelt County Museum, Eastern New Mexico University, 434

Brooklyn Art Gallery, Brooklyn College, City University of New York, 215 Rubelle and Norman Schafler Gallery, President’s Office Gallery, and Pratt Manhattan Gallery, Pratt Institute, 259

Buffalo Art Galleries, State University of New York At Buffalo, 270 Burchfield Penney Art Center, State University of New York At Buffalo, 337 Czurles-Nelson Gallery, Buffalo State College, 216 Whitworth Ferguson Planetarium, State University of New York At Buffalo, 523 Canton Richard F. Brush Art Gallery, St. Lawrence University, 269 Cazenovia Art Gallery, Cazenovia College, 219 Clinton Emerson Gallery, Hamilton College, 235

Roswell McBride Museum, New Mexico Military Institute, 440

Cortland Bowers Science Museum, State University of New York At Cortland, 487 Dowd Fine Arts Gallery, State University of New York At Cortland, 271

Santa Fe Indian Arts Research Center, School For Advanced Research, 404 Museum of Contemporary Native Arts, Institute of American Indian Arts, 401

Flushing Arts Center, Queens College, City University of New York, 260 Godwin-Ternbach Museum, Queens College, City College of New York, 329

Silver City Francis McCray Gallery, Western New Mexico University, 297 Western New Mexico University Museum, Western New Mexico University, 208

Fredonia Michael C. Rockefeller Arts Center Galleries, State University of New York At Fredonia, 271

Socorro New Mexico Bureau of Geology Mineral Museum, New Mexico Insitute of Mining and Technology, 420 Taos Harwood Museum of the University of New Mexico, University of New Mexico, 350

New York Albany Art Museum, State University of New York At Albany, 336 Esther Massry Gallery, College of St. Rose, 223 Opalka Gallery and Little Gallery, Sage College of Albany, 262 Alfred Schein-Joseph International Museum of Ceramic Art, New York State College of Ceramics At Alfred University, 324 Annandale-on-Hudson Hessel Museum of Art and CCS Galleries, Bard College, 302 Bayside QCC Art Gallery, Queensborough Community College, City University of New York, 260

606

Binghamton University Art Museum, State University of New York At Binghamton, 337

Garden City Firehouse Plaza Art Gallery, Nassau Community College, 251 Geneseo Bertha V. B. Lederer Gallery, Lockhart Gallery, and Bridge Gallery, State University of New York At Geneseo, 271 Geneva Davis Gallery at Houghton House, Hobart and William Smith Colleges, 237 Hamilton Picker Art Gallery, Colgate University, 308 Hempstead Hofstra University Museum, Hofstra University, 316 Ithaca Cornell Costume and Textile Collection, Cornell University, 389 Cornell Plantations, Cornell University, 367 Handwerker Gallery, Ithaca College, 239 Herbert F. Johnson Museum of Art, Cornell University, 308 L. H. Bailey Hortorium, Cornell University, 367 McGraw Hall Museum, Cornell University, 196 Jamestown JCC Weeks Gallery, Jamestown Community College, 239

Geographic Index Long Island City LaGuardia and Wagner Archives Museum, Laguardia Community College, City University of New York, 439 New Paltz Samuel Dorsky Museum of Art, State University of New York At New Paltz, 337 New York Bertha and Karl Leubsdorf Art Gallery and Times Square Art Gallery, Hunter College, 237 Center Gallery and Push Pin Gallery, Fordham University, 230 Gallery at the BGC, Bard College, 212 Grey Art Gallery, New York University, 325 Hebrew Union College-Jewish Institute of Religion Museum (New York), Hebrew Union College-Jewish Institute of Religion, 540 Miriam and Ira D. Wallach Art Gallery, Columbia University, 224 Museum of FIT, Fashion Institute of Technology, 390 Sidney Mishkin Gallery, Baruch College, City University of New York, 213 The Jewish Museum, Jewish Theological Seminary of America, 542 Yeshiva University Museum, Yeshiva University, 409 Niagara University Castellani Art Museum, Niagara University, 325 Oneonta Foreman Gallery, Hartwick College, 236 Hoysradt Herbarium, Hartwick College, 368 Martin-Muller Art Gallery, State University of New York At Oneonta, 272 Science Discovery Center of Oneonta, State University of New York At Oneonta, 549 Yager Museum of Art and Culture, Hartwick College, 411 Oswego Tyler Art Gallery, State University of New York At Oswego, 272 Plattsburgh Plattsburgh State Art Museum, State University of New York At Plattsburgh, 338 Potsdam Roland Gibson Gallery, State University of New York At Potsdam, 272 Poughkeepsie Art Gallery, Marist College, 245 Frances Lehman Loeb Art Center, Vassar College, 357 Purchase Neuberger Museum of Art, State University of New York At Purchase, 338 Rochester Memorial Art Gallery, University of Rochester, 353 Mercer Gallery, Monroe Community College, 249 Saratoga Springs Frances Young Tang Teaching Museum of Art and Art Gallery, Skidmore College, 332 Schick Art Gallery, Skidmore College, 266 Schenectady Mandeville Gallery, Union College, 277 St. Bonaventure F. Donald Kenney Museum and Art Study Wing, St. Bonaventure University, 334 Stony Brook Art Gallery, State University of New York At Stony Brook, 272 Museum of Long Island Natural Sciences, State University of New York At Stony Brook, 487

North Carolina Asheville Botanical Gardens at Asheville, University of North Carolina At Asheville, 382 Boiling Springs Craven E. Williams Observatory, Gardner-Webb University, 514 Boone Appalachian Cultural Museum, Appalachian State University, 427 F. Kenneth and Marjorie J. McKinney Geology Teaching Museum, Appalachian State University, 416 Brevard Spiers Gallery, Brevard College, 215 Chapel Hill Ackland Art Museum, University of North Carolina At Chapel Hill, 351 Coker Arboretum, University of North Carolina At Chapel Hill, 383 Morehead Planetarium and Science Center, University of North Carolina At Chapel Hill, 530 North Carolina Botanical Garden, University of North Carolina At Chapel Hill, 382 University of North Carolina Herbarium, University of North Carolina At Chapel Hill, 383 Cullowhee Fine Art Museum, Western Carolina University, 361 Mountain Heritage Center, Western Carolina University, 456 Davidson Van Every/Smith Galleries, Davidson College, 225 Durham History of Medicine Collections, Duke University, 470 Nasher Museum of Art, Duke University, 311 NCCU Art Museum, North Carolina Central University, 403 Greensboro Art Gallery, Guilford College, 234 Irene Cullis Gallery, Greenboro College, 234 North Carolina A&T State University Galleries, North Carolina A&T State University, 403 Weatherspoon Art Museum, University of North Carolina At Greensboro, 351 Greenville Wellington B. Gray Gallery, East Carolina University, 227 Laurinburg St. Andrews Scottish Heritage Center, St. Andrews Presbyterian College, 405 Vardell Gallery, St. Andrews Presbyterian College, 268 Louisburg Art Gallery, Louisburg College, 243 Misenheimer Grace and Cameron West Art Gallery, Pfeiffer University, 258 Pembroke Museum of the Native American Resource Center, University of North Carolina At Pembroke, 408 Raleigh African American Cultural Center Cultural Art Gallery, North Carolina State University, 403 Gregg Museum of Art and Design, North Carolina State University, 325 J. C. Raulston Arboretum, North Carolina State University, 373 North Carolina State University Herbaria, North Carolina State University, 373

Syracuse SU Art Galleries, Syracuse University, 274

Wilmington Museum of World Cultures, University of North Carolina At Wilmington, 205

Troy Hirsch Observatory, Rensselaer Polytechnic Institute, 521

Wilson Barton Art Galleries, Barton College, 303

West Point West Point Museum, U. S. Military Academy, 446

Winston-Salem Charlotte and Philip Hanes Art Gallery, Wake Forest University, 358 Diggs Gallery, Winston-Salem State University, 409 Museum of Anthropology, Wake Forest University, 207

607

Geographic Index Reynolda Gardens of Wake Forest University, Wake Forest University, 387 Reynolda House Museum of American Art, Wake Forest University, 358

North Dakota

Oberlin Allen Memorial Art Museum, Oberlin College, 327

Bismarck Clell and Ruth Gannon Gallery and Else Forde Gallery, Bismarck State College, 213

Oxford Hefner Zoology Museum, Miami University, 557 Miami University Art Museum, Miami University, 322 William Holmes McGuffey Museum, Miami University, 439

Dickinson DSU Art Gallery, Dickinson State University, 226

Perrysburg Walter E. Tehune Gallery, Owens Community College, 256

Fargo Memorial Union Art Gallery, North Dakota State University, 252

Portsmouth Clark Planetarium, Shawnee State University, 523

Grand Forks Hughes Fine Arts Center Galleries, University of North Dakota, 286 North Dakota Museum of Art, University of North Dakota, 351 University of North Dakota Zoology Museum, University of North Dakota, 558

Westerville Frank Museum of Art, Otterbein University, 327 Miller Gallery and Fisher Gallery, Otterbein University, 256 Weitkamp Observatory and Planetarium, Otterbein University, 520

Valley City VCSU Student Art Gallery, Valley City State University, 293

Ohio Athens Kennedy Museum of Art, Ohio University, 327 University Gallery, Trisolini Gallery, Majestic Galleries, and Cube 4 Gallery, Ohio University, 254 Bowling Green Bowling Green State University Planetarium and Observatory, Bowling Green State University, 508 Fine Arts Center Galleries, Bowling Green State University, 214

608

Mount Vernon Schnormeier Gallery and Campus Art Gallery, Mount Vernon Nazarene University, 250

Wilberforce National Afro-American Museum and Cultural Center, Wilberforce University, 409 Wooster Art Museum, College of Wooster, 308 Yellow Springs Glen Helen Nature Preserve, Antioch College, 364 Youngstown McDonough Museum of Art, Youngstown State University, 363 Ward Beecher Planetarium, Youngstown State University, 537

Oklahoma

Cincinnati Art Gallery, Xavier University, 300 Cincinnati Christian University Museum, Cincinnati Christian University, 540 DAAP Galleries, University of Cincinnati, 280 Durrell Museum, University of Cincinnati, 422 Oesper Museum of Chemical Apparatus, University of Cincinnati, 551 Skirball Museum (Cincinnati), Hebrew Union College-Jewish Institute of Religion, 541 Studio San Giuseppe, College of Mount St. Joseph, 223

Alva Museum of Natural History, Northwestern Oklahoma State University, 487

Cleveland Art Gallery, Cleveland State University, 221 Dittrick Museum of Medical History, Case Western Reserve University, 470 Reinberger Galleries, Cleveland Institute of Art, 221

Norman Fred Jones, Jr. Museum of Art, University of Oklahoma, 352 Robert Bebb Herbarium, University of Oklahoma, 383 Sam Noble Oklahoma Museum of Natural History, University of Oklahoma, 494

Columbus Bunte Gallery, Franklin University, 231 Chadwick Arboretum and Learning Gardens, Ohio State University, 374 Historic Costume and Textiles Collection, Ohio State University, 392 Hopkins Hall Gallery, Wexner Center for the Arts Galleries, and Kuhn Fine Arts Gallery, Ohio State University, 254 Jack Nicklaus Museum, Ohio State University, 552 Ohio State University Planetarium, Ohio State University, 519 Orton Geological Museum, Ohio State University, 420 Schumacher Gallery, Capital University, 306

Shawnee Mabee-Gerrer Museum of Art, St. Gregory’s University, 335

Dayton Robert and Elaine Stein Galleries, Wright State University, 299

Tonkawa A. D. Buck Museum of History and Natural Sciences, Northern Oklahoma College, 486

Granville Bryant Arts Center Gallery, Denison University, 226 Denison Museum, Denison University, 310

Tulsa Elsing Museum, Oral Roberts University, 255

Huron Little Gallery, Bowling Green State University, 214

Warner Wallis Museum, Connors State College, 432

Kent Kent State University Planetarium, Kent State University, 516 KSU Museum, Kent State University, 391 KSU-NASA Observatory, Kent State University, 516 School of Art Galleries, Kent State University, 241

Ashland Schneider Museum of Art, Southern Oregon University, 334

Goodwell No Man’s Land Museum, Oklahoma Panhandle State University, 441 Lawton Inasmuch Foundation Art Gallery, Cameron University, 218 Muskogee Ataloa Lodge Museum, Bacone College, 398

Stillwater Gardiner Art Gallery, Oklahoma State University, 255 H. S. Mendenhall Observatory, Oklahoma State University, 519 National Wrestling Hall of Fame and Museum, Oklahoma State University, 553 Oklahoma Museum of Higher Education, Oklahoma State University, 441

Oregon

Geographic Index Southern Oregon University Museum of Vertebrate Natural History, Southern Oregon University, 487 Corvallis Memorial Union Concourse Gallery, Oregon State University, 256 Oregon State University Herbariums, Oregon State University, 374 Eugene Art Gallery, Lane Community College, 242 Jordan Schnitzer Museum of Art, Universitgy of Oregon, 339 Museum of Natural and Cultural History, University of Oregon, 494 Forest Grove Pacific University Museum, Pacific University, 441 Marylhurst The Art Gym, Mayer Gallery, and Streff Gallery, Marylhurst University, 246 Monmouth Jensen Arctic Museum, Western Oregon University, 208 Newport Hatfield Marine Science Center, Oregon State University, 468 Portland Art Galleries, Portland State University, 259 Douglas F. Cooley Memorial Gallery, Reed College, 260 Salem Hallie Ford Museum of Art, Willamette University, 362

Pennsylvania Allentown Da Vinci Science Center, Cedar Crest College, 546 Martin Art Gallery, Muhlenberg College, 250 Annville Suzanne H. Arnold Art Gallery, Lebanon Valley College, 242 Bethlehem Gallery/Museum, Lehigh University, 320 Bloomsburg Haas Gallery of Art, Bloomsburg Uiversity of Pennsylvania, 214 Bryn Athyn Glencairn Museum, Bryn Athyn College, 540 Carlisle Trout Gallery, Dickinson College, 310 Chester Art Collection and Gallery, Widener University, 362 Widener University Observatory, Widener University, 536 Clarion Art Gallery, Clarion University of Pennsylvania, 220

Jenkintown Ukrainian Heritage Studies Center, Manor Junior College, 402 Kutztown Sharadin Art Gallery, Kutztown University of Pennsylvania, 241 Lancaster North Museum of Natural History and Science, Franklin and Marshall College, 483 Phillips Museum of Art, Franklin and Marshall College, 314 Lewisburg Samek Art Gallery, Bucknell University, 216 Loretto Southern Alleghenies Museum of Art, St. Francis University, 334 Meadville Bowman Gallery, Penelec Gallery, and Megahan Gallery, Allegheny College, 209 Newtown Hicks Art Center Gallery, Bucks County Community College, 216 North Wales Roth Living Farm Museum, Delaware Valley College, 189 Petersburg Shaver’s Creek Environmental Center, Pennsylvania State University, 374 Philadelphia Anthony J. Drexel Picture Gallery, Drexel University, 310 Art Gallery, St. Joseph’s University, 268 Art Museum, La Salle University, 321 Arthur Ross Gallery and Fox Art Gallery, University of Pennsylvania, 287 Drexel Historic Costume Collection, Drexel University, 389 Institute of Contemporary Art, University of Pennsylvania, 352 Leonard Pearlstein Gallery, Drexel University, 227 Marvin Samson Center for the History of Pharmacy, University of the Sciences In Philadelphia, 475 Morris Arboretum, Morris Arboretum of the University of Pennsylvania, 372 Museum of Archaeology and Anthropology, University of Pennsylvania, 205 Peck Center Gallery, Drexel University, 310 Pennsylvania Academy of the Fine Arts Museum, Pennsylvania Academy of the Fine Arts, 328 Rosenwald-Wolf and Other Galleries, University of the Arts, 291 Temple Gallery, Temple University, 274 The Design Center at Philadelphia University, Philadelphia University, 392 The Edwin and Trudy Weaver Historical Dental Museum, Temple University, 472 The Galleries at Moore, Moore College of Art and Design, 250

Glendale Arcadia University Art Gallery, Arcadia University, 210

Pittsburgh Art Gallery, University of Pittsburgh, 288 Center for Americam Music Museum, University of Pittsburgh, 477 Dental Museum, University of Pittsburgh, 474 Elmer H. Grimm, Sr. Pharmacy Museum, University of Pittsburgh, 475 Hunt Institute for Botanical Documentation, Carnegie Mellon University, 366 Miller Gallery at Carnegie Mellon, Carnegie Mellon University, 219 Stephen Foster Memorial, University of Pittsburgh, 450 Stephen Foster Memorial Museum, University of Pittsburgh, 450

Grantham M. Louise Aughinbaugh Gallery, Messiah College, 247

Reading Freedman Gallery, Albright College, 209

Harrisburg Rose Lehrman Art Gallery, Harrisburg Area Community College, 235

Rock Springs Pasto Agricultural Museum, Pennsylvania State University, 190

Haverford Haverford College Arboretum, Haverford College, 370

Scranton Suraci Gallery, Mahady Gallery, and Maslow Collection, Maywood University, 247

Collegeville Philip and Muriel Berman Museum of Art, Ursinus College, 356 Easton Art Galleries, Lafayette College, 241 Gettysburg Schmucker Art Gallery, Gettysburg College, 233

Huntington Museum of Art, Juniata College, 319 Indiana Art Museum, Indiana University of Pennsylvania, 318 Kipp Gallery, Indiana University of Pennsylvania, 238

Selinsgrove Lore Degenstein Gallery, Susquehanna University, 273 Shippensburg Shippensburg University Fashion Archives and Museum, Shippensburg University, 392

609

Geographic Index Swarthmore List Gallery, Swarthmore College, 274 Scott Arboretum of Swarthmore College, Swarthmore College, 376 Sproul Observatory, Swarthmore College, 524 University Park Architecture and Landscape Architecture Library, Pennsylvania State University, 462 Earth and Mineral Sciences Museum and Art Gallery, Pennsylvania State University, 421 Fletcher L. Byrom Earth and Mineral Sciences Library, Pennsylvania State University, 462 Frost Entomological Museum, Pennsylvania State University, 396 HUB-Robeson Galleries, Pennsylvania State University, 257 Mascaro-Steiniger Turfgrass Museum, Pennsylvania State University, 561 Matson Museum of Anthropology, Pennsylvania State University, 199 Palmer Museum of Art, Pennsylvania State University, 328 Paterno Library Collections/Eberly Family Special Collections Library Exhibit Hall, Pennsylvania State University, 462 Pattee Library Collections, Pennsylvania State University, 461 Penn State All-Sports Museum, Pennsylvania State University, 553 Pennsylvania State University Libraries Collections, Pennsylvania State University, 461 Zoller and Patterson Galleries, Pennsylvania State University, 258

Haffenreffer Museum of Anthropology, Brown University, 194 Ladd Observatory, Brown University, 509 Museum of Art, Rhode Island School of Design, 330

South Carolina Charleston Avery Research Center for African American History and Culture, College of Charleston, 399 Halsey Institute of Contemporary Art, College of Charleston, 222 Macaulay Museum of Dental History, Medical University of South Carolina, 471 The Citadel Archives and Museum, The Citadel, Military College of South Carolina, 463 Waring Historical Library, Medical University of South Carolina, 471

Washington Olin Art Gallery, Washington and Jefferson College, 295

Clemson Clemson University Arthropod Collection, Clemson University, 395 Clemson University Historic Properties: Fort Hill, Hanover House, Hopewell Plantation, and Woodland, Clemson University, 430 Clemson University Planetarium, Clemson University, 511 Fort Hill, Clemson University, 430 Hanover House, Clemson University, 430 Hopewell Plantation, Clemson University, 431 Rudolph E. Lee Gallery, Clemson University, 221 South Carolina Botanical Garden, Clemson University, 366 Strom Thurmond Institute of Government and Public Affairs, Clemson University, 459 Woodland Cemetery, Clemson University, 431

Waterford Fort Le Boeuf, Edinboro University of Pennsylvania, 434

Clinton Elizabeth Stone Harper Art Gallery, Presbyterian College, 259

West Chester McKinney Gallery, Long Gallery, and Knauer Gallery, West Chester University of Pennsylvania, 297 West Chester University Geology Museum, West Chester University, 425 West Chester University Observatory, West Chester University of Pennsylvania, 536 West Chester University Planetarium, West Chester University of Pennsylvania, 535

Columbia McKissick Museum, University of South Carolina, 414 Ponder Fine Arts Gallery, Benedict College, 213 South Carolina Institute of Archaeology and Anthropology, University of South Carolina, 206 University of South Carolina Herbarium, University of South Carolina, 383

Villanova Villanova Observatory, Villanova University, 534

Wilkes-Barre Sordoni Art Gallery, Wilkes University, 299 Williamsport Archives of the Susquehanna Conference of the United Methodist Church, Lycoming College, 543 Art Gallery, Lycoming College, 244

Puerto Rico Arecibo Arecibo Observatory, Cornell University, 511 Gurabo Museum and Center for Humanistic Studies, University of Turabo, 206 Mayaguez Marine Sciences Museum, University of Puerto Rico, 469 San Juan Museum of History, Anthropology, and Art, University of Puerto Rico, 414

Florence Dooley Planetarium, Francis Marion University, 514 Francis Marion University Observatory, Francis Marion University, 514 Gaffney Winnie Davis Hall of History, Limestone College, 438 Greenville Bob Jones University Museum and Gallery, Bob Jones University, 539 Howell Memorial Planetarium, Bob Jones University, 507 Hartsville Cecelia Coker Bell Gallery, Coker College, 222 Orangeburg I. P. Stanback Museum and Planetarium, South Carolina State University, 404 Rock Hill Art Galleries, Winthrop University, 299 Spartanburg Milliken Gallery, Converse College, 225 Sandor Teszler Library Gallery, Wofford College, 466

South Dakota Rhode Island Kingston Historic Textile and Costume Collection, University of Rhode Island, 393 URI Fine Arts Center Galleries, University of Rhode Island, 288 Newport Naval War College Museum, Naval War College, 440 Providence Annmary Brown Memorial, Brown University, 305 Culinary Arts Museum, Johnson and Wales University, 560 David Winton Bell Gallery, Brown University, 216

610

Aberdeen Northern Galleries, Northern State University, 253 Brookings South Dakota Art Museum, South Dakota State University, 333 State Agricultural Heritage Museum, South Dakota State University, 191 Rapid City Apex Gallery, South Dakota School of Mines and Technology, 267 Museum of Geology, South Dakota School of Mines and Technology, 421 Sioux Falls Center for Western Studies, Augustana College (South Dakota), 428

Geographic Index Eide/Dalrymple Gallery, Augustana College (South Dakota), 211 Vermillion Art Galleries, University of South Dakota, 289 National Music Museum, University of South Dakota, 478 W. H. Over State Museum, University of South Dakota, 495

Tennessee Brentwood Dyer Observatory, Vanderbilt University, 534 Chattanooga Cress Gallery of Art, University of Tennessee At Chattanooga, 290 Clarksville Margaret Fort Trahern Gallery, Austin Peavy State University, 211 Greenville Doak House Museum, Tusculum College, 445 President Andrew Johnson Museum and Library, Tusculum College, 445 Harrogate Abraham Lincoln Library and Museum, Lincoln Memorial University, 460 Johnson City Museum at Mountain Home, East Tennessee State University, 433 Reese Museum, East Tennessee State University, 433 Slocumb Galleries, East Tennessee State University, 228 Knoxville Ewing Gallery of Art and Architecture, Downtown Gallery, and Gallery 1010, University of Tennessee At Knoxville, 290 Frank H. McClung Museum, University of Tennessee At Knoxville, 414 University of Tennessee Football Hall of Fame, University of Tennessee, 555 University of Tennessee Gardens, University of Tennessee At Knoxville, 384 Martin J. Houston Gordon Museum, University of Tennessee At Martin, 415 Memphis Art Galleries, Memphis College of Art, 247 Art Museum, University of Memphis, 346 C. H. Nash Museum at Chucalissa, University of Memphis, 203 Clough-Hanson Gallery, Rhodes College, 261 Rhodes College Herbarium, Rhodes College, 375 Murfreesboro Baldwin Photographic Gallery, Middle Tennessee State University, 502 Todd Art Gallery, Middle Tennessee State University, 248 Nashville Brownlee O. Currey Jr. Gallery, Watkins College of Art, Design, and Film, 295 Fine Arts Gallery and Sarratt Gallery, Vanderbilt University, 294 Fisk University Galleries, Fisk University, 400 Vanderbilt University Arboretum, Vanderbilt University, 387 Oak Ridge University of Tennessee Arboretum, University of Tennessee At Knoxville, 384 Sewanee Art Gallery, University of the South, 292 Smithville Appalachian Center for Crafts Galleries, Tennessee Tech University, 275

Texas Alpine Museum of the Big Bend, Sul Ross State University, 443 Arlington The Gallery at UTA, University of Texas At Arlington, 290 Austin Blanton Museum of Art, University of Texas At Austin, 354 Dolph Briscoe Center for American History, University of Texas At Austin, 451

Harry Ransom Center, University of Texas At Austin, 465 Lady Bird Johnson Wildflower Center, University of Texas At Austin, 384 Lyndon Baines Johnson Library and Museum, University of Texas At Austin, 465 Texas Natural Science Center/Texas Memorial Museum, University of Texas At Austin, 495 Beaumont Dishman Art Museum, Lamar University, 320 Spindletop-Gladys City Boomtown Museum, Lamar University, 438 Bonham Sam Rayburn Library and Museum, University of Texas At Austin, 451 Canyon Panhandle-Plains Historical Museum, West Texas A&M University, 455 College Station George Bush Presidential Library and Museum, Texas A&M University, 463 J. Wayne Stark University Center Galleries and MSC Forsyth Center Galleries, Texas A&M University-College Station, 275 Texas A&M Sports Museum, Texas A&M University, 553 Corpus Christi Art Galleries, Texas A&M University-Corpus Christi, 275 Dallas Meadows Museum, Southern Methodist University, 333 Denton Art Galleries, Texas Woman’s University, 276 Art Galleries, University of North Texas, 287 Texas First Ladies Historic Costume Collection, Texas Woman’s University, 393 El Paso Centennial Museum and Gardens, University of Texas At El Paso, 495 Stanlee and Gerald Rubin Center for the Visual Arts Galleries, University of Texas At El Paso, 291 Fort Worth Oscar E. Monnig Meteorite Gallery, Texas Christian University, 422 Tandy Archaeological Museum, Southwestern Baptist Theological Seminary, 544 The Art Galleries at TCU, Texas Christian University, 276 Hillsboro Texas Heritage Museum, Hill College, 436 Houston Art Gallery, Rice University, 261 Blaffer Art Museum, University of Houston, 343 Dunham Bible Museum, Houston Baptist University, 541 Michael E. DeBakey Library and Museum, Baylor University, 470 Museum of American Architecture and Decorative Arts, Houston Baptist University, 436 Museum of Southern History, Houston Baptist University, 436 Texas Southern University Museum, Texas Southern University, 406 Huntsville Sam Houston Memorial Museum, Sam Houston State University, 442 Kilgore East Texas Oil Museum, Kilgore College, 438 Kingsville Ben P. Bailey Art Building Gallery, Texas A&M University-Kingsville, 275 John E. Conner Museum, Texas A&M University-Kingsville, 413 Lewisville George W. Bush Presidential Library, Southern Methodist University, 463 Lubbock Museum of Texas Tech University, Texas Tech University, 413 National Ranching Heritage Center, Texas Tech University, 444 Midland McCormick Gallery, Midland College, 248 Mount Observatory McDonald Observatory, University of Texas At Austin, 531

611

Geographic Index Nacogdoches Art Galleries, Stephen F. Austin State University, 273 Stone Fort Museum, Stephen F. Austin State University, 443 Newcastle Fort Belknap Museum and Archives, Texas Wesleyan College, 444

Burlington Francis Colburn Gallery, University of Vermont, 292 Perkins Geology Museum, University of Vermont, 423 Pringle Herbarium, University of Vermont, 385 Robert Hull Fleming Museum, University of Vermont, 355

Plainview Museum of the Llano Estacado, Wayland Baptist University, 455

Colehester McCarthy Arts Center Gallery, St. Michael’s College, 270

Richardson History of Aviation Collection, University of Texas At Dallas, 465 School of Art and Humanities Main Gallery, University of Texas At Dallas, 291

Johnson Julian Scott Memorial Gallery, Johnson State College, 240

Round Top Winedale, University of Texas At Austin, 452

Middlebury Museum of Art, Middlebury College, 323

San Angelo Global Immersion Center, Angelo State University, 504

Montpelier T. W. Wood Gallery and Arts Center, Vermont College, 294

San Antonio Institute of Texan Cultures, University of Texas At San Antonio, 206 UTSA Art Gallery and UTSA Satellite Space, University of Texas At San Antonio, 291

Northfield Sullivan Museum and History Center, Norwich University, 440

Seguin Fiedler Memorial Museum, Texas Lutheran University, 422 Snyder Scurry County Museum, West Texas College, 455 Uvalde John Nance Garner Museum, University of Texas At Austin, 452 Waco Armstrong Browning Library, Baylor University, 458 Art Gallery, Baylor University, 213 Martin Museum of Art, Baylor University, 303 Mayborn Museum Complex, Baylor University, 479 Washington Star of the Republic Museum, Blinn College, 429

Utah Cedar City Braithwaite Fine Arts Gallery, Southern Utah University, 267 Logan Intermountain Herbarium, Utah State University, 387 Museum of Anthropology, Utah State University, 207 Nora Eccles Harrison Museum of Art, Utah State University, 357

Virginia Ashland Flippo Gallery, Randolph-Macon College, 260 Blacksburg Museum of Geosciences, Virginia Polytechnic Institute and State University, 425 Perspective Gallery, Virginia Polytechnic Institute and State University, 294 Boyce Orland E. White Arboretum, University of Virginia, 385 Bridgewater Reuel B. Pritchett Museum, Bridgewater College, 411 Charlottesville Art Museum, University of Virginia, 355 Ash Lawn-Highland, College of William and Mary, 432 Kluge-Ruhe Aboriginal Art Collection, University of Virginia, 409 Leander McCormick Observatory, University of Virginia, 531 Pavilion Gardens and other garden/arboretum sites, University of Virginia, 385 The Rotunda, University of Virginia, 452 Covesville Fan Mountain Observatory, University of Virginia, 531

Ogden Mary Elizabeth Dee Shaw Gallery, Weber State University, 296

Critz Reynolds Homestead, Virginia Polytechnic Institute and State University, 454

Price Gallery East, College of Eastern Utah, 222 Prehistoric Museum, College of Eastern Utah, 498

Farmville Longwood Center for the Visual Arts, Longwood College, 320

Provo Lytle Ranch Preserve, Brigham Young University, 365 Monte L. Bean Life Science Museum, Brigham Young University, 480 Museum of Art, Brigham Young University, 305 Museum of Paleontology, Brigham Young University, 498 Museum of Peoples and Cultures, Brigham Young University, 194 Orson Pratt Observatory, Brigham Young University, 509 Royden G. Derrick Planetarium, Brigham Young University, 509 Salt Lake City Red Butte Garden and Arboretum, University of Utah, 384 Utah Museum of Fine Arts, University of Utah, 354 Utah Museum of Natural History, University of Utah, 496 Wellsville American West Heritage Center, Utah State University, 453 Jensen Historic Farm, Utah State University, 191

Vermont Bennington Burghdorf Gallery, Southern Vermont College, 267 Suzanne Lemberg Usdan Gallery, Bennington College, 213

612

Lyndonville Quimby Gallery, Lyndon State College, 245

Ferrum Blue Ridge Farm Museum, Ferrum College, 189 Blue Ridge Institute and Museum, Ferrum College, 434 E. Taylor Greer Gallery, Ferrum College, 229 Fredericksburg Art Galleries, University of Mary Washington, 283 Gari Melchers Home and Studio at Belmont, University of Mary Washington, 448 James Monroe Museum and Memorial Library, University of Mary Washington, 448 Gloucester Point Virginia Institute of Marine Sciences, College of William and Mary, 468 Hamden-Sydney Esther Thomas Atkinson Museum, Hampden-Sidney College, 435 Hampton Hampton University Museum, Hampton University, 400 Harrisonburg Edith J. Carrier Arboretum and Botanical Gardens, James Madison University, 371 John C. Wells Planetarium, James Madison University, 516 Sawhill Gallery, James Madison University, 239

Geographic Index Lexington Astronomical Obervatory, Virginia Military Institute, 535 George C. Marshall Museum, Virginia Military Institute, 454 Lee Chapel and Museum, Washington and Lee University, 454 Staniar Gallery, Washington and Lee University, 295 The Reeves Center, Washington and Lee University, 359 Virginia Military Institute Museum, Virginia Military Institute, 453 Lynchburg Daura Gallery, Lynchburg College, 244 Maier Museum of Art, Randolph College, 330 Museum of Earth and Life History, Liberty University, 542 New Market Hall of Valor Civil War Museum, Virginia Military Institute, 453 Norfolk African Art Gallery/Harrison B. Wilson Archives and Art Gallery, Norfolk State University, 402 Baron and Ellin Gordon Art Galleries, Old Dominion University, 255 Radford Art Museum, Radford University, 329 Museum of the Earth Sciences, Radford University, 421 Satellite Galleries, Radford University, 260 Richmond Anderson Gallery, Virginia Commonwealth University, 358 Lora Robins Gallery of Design from Nature, University of Richmond, 494 Virginia Baptist Historical Society Archives, University of Richmond, 545 Roanoke Eleanor D. Wilson Museum, Hollins University, 317 Staunton Hunt Gallery, Mary Baldwin College, 245

Museum of Art, Washington State University, 359 Seattle Art Gallery, North Seattle Community College, 252 Art Gallery, South Seattle Community College, 267 Burke Museum of Natural History and Culture, University of Washington, 496 Henry Art Gallery, University of Washington, 355 Theodor Jacobsen Observatory, University of Washington, 532 University of Washington Botanic Gardens, University of Washington, 386 University of Washington Planetarium, University of Washington, 532 Spokane Crosby Museum, Gonzaga University, 435 Fine Arts Gallery, Spokane Falls Community College, 267 Jundt Art Museum, Gonzaga University, 315 Tacoma Art Gallery, Pacific Lutheran University, 257 James R. Slater Museum of Natural History, University of Puget Sound, 494 Kittredge Gallery, University of Puget Sound, 288 Vancouver Archer Gallery, Clark College, 220 Walla Walla Sheehan Gallery, Whitman College, 299 Wenatchee Robert Graves Gallery, Wenatchee Valley College, 296 Yakima Larson Gallery, Yakima Valley Community College, 300

West Virginia

Steele’s Tavern Cyrus H. McCormick Memorial Museum, Virginia Polytechnic Institute and State University, 192

Bethany Alexander Campbell Mansion, Bethany College, 428 Historic Bethany, Bethany College, 429

Sweet Briar Sweet Briar College Art Galleries, Sweet Briar College, 274 Sweet Briar Museum, Sweet Briar College, 443

Huntington Geology Museum, Marshall University, 418

University of Richmond Joel and Lila Harnett Museum of Art, University of Richmond, 353 Williamsburg Muscarelle Museum of Art, College of William and Mary, 308

Washington Bellingham Outdoor Sculpture Collection, Western Washington University, 361 Western Gallery and Viking Union Gallery, Western Washington University, 298 Cheney Gallery of Art, Eastern Washington University, 228

Morgantown Art Museum, West Virginia University, 360 Cook-Hayman Pharmacy Museum, West Virginia University, 475 Core Arboretum, West Virginia University, 388 Paul and Laura Mesaros Galleries, West Virginia University, 297 Royce J. and Caroline B. Watts Museum, West Virginia University, 425 Weston Jackson’s Mill Historic Area, West Virginia University, 456 Wheeling West Virginia Northern Community College Alumni Association Museum, West Virginia Northern Community College, 455

Wisconsin

College Place Clyde and Mary Harris Gallery, Walla Walla University, 294

Appleton Wriston Art Center Galleries, Lawrence University, 242

Ellensburg Museum of Culture and Environment, Central Washington University, 195

Baileys Harbor Boynton Chapel, Lawrence University, 402

Everett Russell Day Gallery, Everett Community College, 229

Beloit Logan Museum of Anthropology, Beloit College, 194 Wright Museum of Art, Beloit College, 303

Longview Art Gallery, Lower Columbia College, 243

Eau Claire Foster Gallery, University of Wisconsin-Eau Claire, 292

Olympia Evergreen Gallery, Evergreen State College, 229

Green Bay Lawton Gallery, University of Wisconsin-Green Bay, 292

Pullman Charles R. Conner Museum, Washington State University, 496 Geology Museum, Washington State University, 425 James Richard Jewett Observatory, Washington State University, 535 M. T. James Museum, Washington State University, 397 Museum of Anthropology, Washington State University, 207

La Crosse University of Wisconsin-La Crosse Planetarium, University of Wisconsin-La Crosse, 533 Madison Chazen Museum of Art, University of Wisconsin-Madison, 356 Geology Museum, University of Wisconsin-Madison, 424

613

Geographic Index Helen Louise Allen Textile Collection, University of Wisconsin-Madison, 394 University of Wisconsin-Madison Arboretum, University of Wisconsin-Madison, 386 University of Wisconsin-Madison Herbarium, University of Wisconsin-Madison, 386 UW Space Place, University of Wisconsin-Madison, 533 Washburn Observatory, University of Wisconsin-Madison, 533 Menasha Barlow Planetrium, University of Wisconsin-Fox Valley, 532 Weis Earth Science Museum, University of Wisconsin-Fox Valley, 424 Menomonie John Furlong Gallery, University of Wisconsin-Stout, 293 Mequon Art Gallery, Concordia University-Wisconsin, 225 Milwaukee Institute of Visual Art, University of Wisconsin-Milwaukee, 356 Manfred Olson Planetarium, University of Wisconsin-Milwaukee, 533 Mount Mary College Historic Costume Collection, Mount Mary College, 391 Patrick and Beatrice Haggerty Museum of Art, Marquette University, 322 Thomas A. Greene Memorial Museum, University of Wisconsin-Milwaukee, 424

614

River Falls Gallery 101, University of Wisconsin-River Falls, 293 Sheboygan Bradley Gallery of Fine Art, Lakeland College, 242 Stevens Point Allen F. Blocher Planeterium, University of Wisconsin-Stevens Point, 534 Museum of Natural History, University of Wisconsin-Stevens Point, 496 UWSP Observatory, University of Wisconsin-Stevens Point, 534 Whitewater Crossman Gallery, University of Wisconsin-Whitewater, 293

Wyoming Laramie American Heritage Center, University of Wyoming, 466 Anthropology Museum, University of Wyoming, 206 Rocky Mountain Herbarium, University of Wyoming, 386 University of Wyoming Art Museum, University of Wyoming, 356 University of Wyoming Geological Museum, University of Wyoming, 424 University of Wyoming Insect Museum, University of Wyoming, 397 Rock Springs Art Gallery, Western Wyoming Community College, 298

Key Personnel Index A Abarbanel, Stacey, Director of External Affairs Fowler Museum at UCLA, University of California, Los Angeles, 202 Abbott, James Archer, Director and Curator Evergreen Museum and Library, Johns Hopkins University, 437 Abe, Harumi, Director Fine Arts Galleries, Broward College, 215 Ackerson, Rex, Director A. D. Buck Museum of History and Natural Sciences, Northern Oklahoma College, 486 Adler, Tracy, Curator Bertha and Karl Leubsdorf Art Gallery and Times Square Art Gallery, Hunter College, 237 Agee, Carl B., Meteorite Curator Meteorite Museum, University of New Mexico, 423 Ahern, Maureen, Diretor Thorne-Sagendorph Art Gallery, Keene State College, 240 Ailstock, M. Stephen, Chair, AACC Biology Department Herbarium at Anne Arundel Community College, Anne Arundel Community College, 364 Akers, Phil, Vice President, University Relations Pacific University Museum, Pacific University, 442 Alcock, Charles, Director Harvard-Smithsonian Center for Astrophysics and Fred Lawrence Whipple Observatory, Harvard University, 515 Aleckson, Luke, Director Denler Art Gallery, Northwestern College, 253 Alembik, Lisa, Director Dalton Gallery, Agnes Scott College, 209 Alexander, William, Director John C. Wells Planetarium, James Madison University, 516 Allen, Marti, Director Arkansas State University Museum, Arkansas State University, 411 Alling, Robert, Coordinator Arizona State University Planetarium, Arizona State University, 505 Ambrose, Pamela, Director of Cultural Affairs, Loyola University Chicago Loyola University Museum of Art, Loyola University Chicago, 543 Amidon, Catherine, Director of Exhibitions & Gallery Karl Drerup Art Gallery, Plymouth State College, 258 Anderson, Brenda, Gallery Coordinator and Curator of Exhibits Art Gallery, North Seattle Community College, 252 Anderson, Donna, Museum Coordinator Yager Museum of Art and Culture, Hartwick College, 411 Anderson, Fred, Director, VBHS Virginia Baptist Historical Society Archives, University of Richmond, 545 Anderson, Mark, Chair, Baylor University Dept. of Art Art Gallery, Baylor University, 213 Andrews, William Pittman, Director University of Mississippi Museum, University of Mississippi, 414 Andrews, William Pittman, Director, University of Mississippi Museum Rowan Oak, Home of William Faulkner, University of Mississippi, 450 Andrus, David, Art Department Head, John Brown University Art Gallery, John Brown University, 239 Antonsen, Lasse B., Director Art Gallery, University of Massachusetts Dartmouth, 284 Aponte, Nilda E., Director of the UPRM Marine Sciences Department Marine Sciences Museum, University of Puerto Rico, 469 Applegate, Barbara, Director Hillwood Art Museum, Long Island University, 320 Arbury, Steve, Director Art Museum, Radford University, 330, 260 Arceneau, Steve, Director Museum at Southwestern Michigan College, Southwestern Michigan College, 443 Archer Lyle, Clover, Director Staniar Gallery, Washington and Lee University, 295 Arens, Dale, Director Athletics Hall of Fame, University of Iowa, 555 Armandroff, Taft, Director W. M. Keck Observatory, California Association For Research In Astronomy, 510 Arnold, Paul, Dean, YHC Dept. of Mathematics and Science Young Harris College Observatory, Young Harris College, 537 Arnold, Tisha, UAPB Program Director, Public Information Leedell Moorehead-Graham Fine Arts Gallery, University of Arkansas At Pine Bluff, 408, 407 Arth, Kimberly, Administration Deer Valley Rock Art Center, Arizona State University, 193 Arthur, Catherine Rogers, Director and Curator Homewood Museum, Johns Hopkins University, 438 Asawa, Arch, Chairman, Soka University Art Gallery Committee Founders Hall Art Gallery, Soka University of America, 266

Ashworth, Shalla Wilson, Director of Operations, Pentacrest Museums Old Capitol Museum, University of Iowa, 448 Astifan, William, Director Haverford College Arboretum, Haverford College, 370 Aubert, Ben, Curator Hyde Art Gallery, Grossmont College, 234 Auch, Steve, Curator Jack Nicklaus Museum, Ohio State University, 553 Avila, Jp, Chair, Dept. of Art & Design Art Gallery, Pacific Lutheran University, 257 Ayer, Elizabeth, Co-chair, Hartwick College Dept. of Art & Art History Foreman Gallery, Hartwick College, 236

B Bachman, Dona, Curator University Museum, Southern Illinois University At Carbondale, 412 Backhus, DeWayne, Chair, ESU Department of Physical Sciences Peterson Planetarium, Emporia State University, 514 Baker, John, Director, McKinney Gallery and Long Gallery McKinney Gallery, Long Gallery, and Knauer Gallery, West Chester University of Pennsylvania, 297 Baker, Wren, Director of Athletics Bearcat Sports Museum, Northwest Missouri State University, 552 Ball, Steven, Director Stearns Collection of Musical Instruments, University of Michigan, 477 Baltrushunas, John, Director Morton J. May Foundation Gallery, Maryville University, 246 Bandar, Leila, Director Julian Scott Memorial Gallery, Johnson State College, 240 Banister, Kim, Curator Rose Lehrman Art Gallery, Harrisburg Area Community College, 235 Banks, Margaret Downie, Interim Director National Music Museum, University of South Dakota, 478 Barber, Carla, Director McPherson Museum, McPherson College, 412 Barber, Charles, Chair, Notre Dame University Department of Art, Art History & Design Isis Gallery, University of Notre Dame, 287 Bardeen, Marge, Manager, Education Office Lederman Science Center, University Research Association, 551 Barden, Lisa, Art Instructor Art Gallery, North Florida Community College, 252 Barker, Alex, Director Museum of Art and Archaeology, University of Missouri, Columbia, 205 Barker, Elizabeth E., Director and Chief Curator Mead Art Museum, Amherst College, 301 Barkworth, Mary, Director Intermountain Herbarium, Utah State University, 387 Barlett, Diane, Director Art Gallery, Lower Columbia College, 244 Barlow, Kathleen, Interim Director Museum of Culture and Environment, Central Washington University, 196 Barnes, Thomas G., Superintendant McDonald Observatory, University of Texas At Austin, 531 Barnett, Eric, Director University Museum, Southern Illinois University At Edwardsville, 413 Barnett, Susan, Associate Dean, Bailey Concert Hall Buehler Planetarium & Observatory Buehler Planetarium and Observatory, Broward College, 509 Barnwell, Andrea, Director Spelman College Museum of Fine Art, Spelman College, 405 Barr, Robert, Site Manager MDM Observatory, Mdm Observatory Consortium, 517 Barrett, Heather, Coordinator, University Galleries Art Galleries, University of Florida, 282 Barrick, Reese, Director Sternberg Museum of Natural History, Fort Hays State University, 482 Barrington, Dave, Director Pringle Herbarium, University of Vermont, 385 Bartley, John, Chair, MCC Department of Mathematics and Physical Sciences Muskegon Community College Observatory, Muskegon Community College, 518 Batch, David, Director Abrams Planetarium, Michigan State University, 517 Bates, Geoff, Director and Curator Nathan Manilow Sculpture Park, Governors State University, 315 Batsaki, Yota, Executive Director Dumbarton Oaks Research Library and Collection, Harvard University, 460

615

Key Personnel Index Batten, Janene, Interim Librarian for Medical History Harvey Cushing/John Hay Whitney Medical Library and Historical Library, Yale University, 467 Battisÿ, Nicholas, Director of Exhibitions Rubelle and Norman Schafler Gallery, President’s Office Gallery, and Pratt Manhattan Gallery, Pratt Institute, 259 Battle, Thomas C., Director, Howard University’s Moreland-Springarn Research Center Howard University Museum, Howard University, 401 Bauer, Wolfgang, Chair, MSU Department of Physics and Astronomy Michigan State University Observatory, Michigan State University, 518 Bausin, Colleen, Gallery Secretary Art Gallery and George and Barbara Gordon Art Gallery, Grand Valley State University, 234 Bayersdorfer, Frederick S., Director Baron and Ellin Gordon Art Galleries, Old Dominion University, 255 Beck, Tom, Chief Curator Albin O. Kuhn Library and Gallery, University of Maryland, Baltimore County, 283 Becker, Lisa Tamiris, Director CU Art Museum, University of Colorado At Boulder, 342 Becker, Robert H., Director Strom Thurmond Institute of Government and Public Affairs, Clemson University, 459 Beckman, Joy Elizabeth, Director Wright Museum of Art, Beloit College, 303 Bedell, John W. Jack, Chair, CSUF Dept. of Anthropology Anthropology Teaching Museum, California State University, Fullerton, 195 Beer, Glenn, SciTech Director for LTU Idea Place, Louisiana Tech University, 548 Begley, John, Director Hite Art Institute Galleries, University of Louisville, 283 Bell, Anonda, Director & Curator Paul Robeson Galleries, Rutgers, the State University of New Jersey, 262 Bellas, Jerry, Director Studio San Giuseppe, College of Mount St. Joseph, 223 Belton, John, Chair, Eddie G. Robinson Museum Commission Eddie G. Robinson Museum, Grambling State University, 552 Benavides, James, Public Affairs Specialist Institute of Texan Cultures, University of Texas At San Antonio, 206 Benjamin, Bart, Director Cernan Earth and Space Center, Triton College, 524 Benjamin, Tritobia H., Director Howard University Gallery of Art, Howard University, 401 Bennett, Albert F., Dean, UCI School of Biological Sciences University of California Irvine Arboretum, University of California, Irvine, 378 Benson, Foley, Director Jesse Peter Museum, Santa Rosa Junior College, 200 Berg, Richard B., Curator Mineral Museum, Montana Tech of the University of Montana, 420 Bergin, Ted, Chair, UM Dept. of Astronomy Undergraduate Program Chair Angell Hall Observatory and Planetarium, University of Michigan, 529 Berman, Lee, Gallery Supervisor Ezra and Cecile Zilkha Gallery and Mansfield Freeman Center for East Asian Studies Gallery, Wesleyan University, 296 Bero, Meg, Executive Director Schingoethe Center for Native American Cultures, Aurora University, 398 Berreth, David, Director Gari Melchers Home and Studio at Belmont, University of Mary Washington, 448 Berry, Clayton, Director, University Relations Pere Marquette Gallery, Samuel Cupples House, and Boileau Hall, St. Louis University, 269 Berry, Paul E., Director Herbarium of the University of Michigan, University of Michigan, 381 Berry, Victoria Rowe, Executive Director/Chief Curator Nora Eccles Harrison Museum of Art, Utah State University, 357 Bettison, Cynthia Ann, Director Western New Mexico University Museum, Western New Mexico University, 208 Bibeau, Marilyn, Administrator, Finance and Administration Weston Observatory, Boston College, 508 Biddle, Sherron R., Director M. Louise Aughinbaugh Gallery, Messiah College, 247 Biggs, Susan, Director of Communications, Southern Vermont College Burghdorf Gallery, Southern Vermont College, 267 Bilderback, Ted E., Director J. C. Raulston Arboretum, North Carolina State University, 373 Bishop, Ronald, Director Bob Raushenberg Gallery, Edison State College, 228

616

Black, Stephen, Chair, Washburn Department of Physics Crane Observatory, Washburn University, 535 Blackson, Robert, Director, Exhibitions and Public Programs, TU’s Tyler School of Art Temple Gallery, Temple University, 275 Blair, Greg, Director Northern Galleries, Northern State University, 253 Blencowe, Miles, Chair, Dartmouth College Department of Physics and Astronomy Shattuck Observatory, Dartmouth College, 512 Bliss, Sharon, Manager Fine Arts Gallery and Martin Wong Gallery, San Francisco State University, 264 Bloch-Rosensaft, Jean, Director Hebrew Union College-Jewish Institute of Religion Museum (New York), Hebrew Union College-Jewish Institute of Religion, 541 Bloom, Ken, Director Tweed Museum of Art, University of Minnesota, Duluth, 347 Blume, Peter F., Director Art Museum, Ball State University, 302 Bock, Susie R., USM Director of Special Collections African American Collection of Maine, University of Southern Maine, 408 Bockelman, James, Director Marxhausen Art Gallery, Concordia University (Nebraska), 225 Boehlert, George, Director Hatfield Marine Science Center, Oregon State University, 468 Bogger, Tommy L., Director African Art Gallery/Harrison B. Wilson Archives and Art Gallery, Norfolk State University, 403 Bohlander, Brad, Executive Director of Public Relations, Colorado State University Curfman Gallery and Hutton Gallery, Colorado State University, 224 Bohleke, Karen, Director, Shippensburg Fashion Archives and Museum Shippensburg University Fashion Archives and Museum, Shippensburg University, 393 Bolding, Gary Duncan Gallery of Art, Stetson University, 273 Bollins, Stephen, Interim Director, UW School of Earth & Environmental Sciences Geology Museum, Washington State University, 425 Bolte, Mike, Director Lick Observatory, University of California Observatories, 526 Bonansinga, Kate, Director of the Rubin Stanlee and Gerald Rubin Center for the Visual Arts Galleries, University of Texas At El Paso, 291 Bornhorst, Theodore J., Director A. E. Seaman Mineral Museum, Michigan Technological University, 419 Bose, Sukanta, Interim Chair, WSU Department of Physics and Astronomy James Richard Jewett Observatory, Washington State University, 535 Bottinelli, Lora, Executive Director Ward Museum of Wildfowl Art, Salisbury University, 332 Boucher, Bruce, Director Art Museum, University of Virginia, 355 Boucher, Kathryn, Director Milliken Gallery, Converse College, 225 Bourque, Susan, Exhibits Coordinator Memorial Union Concourse Gallery, Oregon State University, 256 Boutis, Nick, Executive Director, Glen Helen Ecology Institute Glen Helen Nature Preserve, Antioch College, 364 Bowland, Judy, Director Fine Arts Gallery, Valdosta State University, 293 Bowles, Kathy Johnson, Director Longwood Center for the Visual Arts, Longwood College, 320 Bowman, Amy Art Gallery, University of West Florida, 292 Boyd, Dollie, Interim Director Doak House Museum, Tusculum College, 445 Boyette, Todd, Manager Morehead Planetarium and Science Center, University of North Carolina At Chapel Hill, 530 Bracy, Jeanne, Assistant Director Art Gallery, St. Joseph’s University, 269 Bradford, Bruce, Curator and SU Dept. of Geography & Environmental Science Chair Gillespie Museum, Stetson University, 422 Bradley, Laurel E., Director of Exhibitions & Curator of the College Art Collection Carleton College Art Gallery, Carleton College, 219 Bradt, Kay, Director of Library Services Quayle Bible Collection, Baker University, 539 Brako, Jeanne, Curator of Collections & Public Programs, Center of Southwest Studies Center of Southwest Studies Gallery, Fort Lewis College, 197 Brasile, Jeanne, Director Walsh Gallery, Seton Hall University, 266 Braswell, Tom, Interim Director Wellington B. Gray Gallery, East Carolina University, 228 Braun, Mary, Director Dwight Frederic Boyden Gallery, St. Mary’s College of Maryland, 270

Key Personnel Index Braun, Thomas W., Dean, University of Pittsburgh School of Dental Medicine Dental Museum, University of Pittsburgh, 475 Bray, Tamara L., Director Gordon L. Grosscup Museum of Anthropology, Wayne State University, 208 Bray-Ali, Julie, Faculty Coordinator Mount San Antonio College Planetarium, Mount San Antonio College, 518 Brearley, Adrian, Chair, UNM Department of Earth and Planetary Sciences Geology Museum, University of New Mexico, 423 Bridenstone, James, Executive Director, KIA Kalamazoo Institute of Art Museum, Kalamazoo Institute of Art, 319 Bridges, Robert, Curator Paul and Laura Mesaros Galleries, West Virginia University, 297 Briggs, Derek E.G., Director Yale Peabody Museum of Natural History, Yale University, 497 Brody, Aaron, Director Bade Museum of Biblical Archaeology, Pacific School of Religion, 544 Brody, Michael J., Director and Curator Marvin Samson Center for the History of Pharmacy, University of the Sciences In Philadelphia, 475 Bronson, Jim, Farm Manager Kellogg Farm and Dairy, Michigan State University, 190 Brooks, Earl D., Trine University President General Lewis B. Hershey Museum, Trine University, 444 Brosnaham, Richard, Executive Director, West Florida Historic Preservation, Inc. Historic Pensacola Village, University of West Florida, 453 Brothers, Leslie A., Director McDonough Museum of Art, Youngstown State University, 363 Brown, Cindy, Crowder College Director of Public Information Longwell Museum and Camp Crowder Collection, Crowder College, 309 Brown, Diane, IUPUI Office of Communications & Marketing IUPUI Cultural Arts Gallery, Indiana University and Purdue University, 238 Brown, Marcia, Chair, LaGrange College Art & Design Dept. Lamar Dodd Art Center Museum, Lagrange College, 322 Brown, Richard, Director Holcomb Observatory and Planetarium, Butler University, 510, 396 Brown, Ruth, President, Birger Sandzen Memorial Foundation Birger Sandzen Memorial Gallery, Bethany College, 304 Brown, Siri, Chair, MC Dept. of Social & Behavioral Sciences/Ethnic Studies Merritt Museum of Anthropology, Merritt College, 198 Browning, Carolyn, Coordinator Herrett Center for Arts and Science, College of Southern Idaho, 481 Bruce, Chris, Director Museum of Art, Washington State University, 360 Bruhn, Thomas P., Acting Director, Curator of Collections William Benton Museum of Art, University of Connecticut, 342 Bryan, Betsy M., Director Johns Hopkins University Archaeological Collection, Johns Hopkins University, 198 Bundy, Barbara, Director, FIDM Museum & Galleries Annette Green Perfume Museum, Fashion Institute of Design and Merchandising, 390 Burchett-Anderson, Theresa, Director Reese Museum, East Tennessee State University, 433 Burke, Adele Lander, Director of Museum and Education Skirball Cultural Center Museum (Los Angeles), Hebrew Union College-Jewish Institute of Religion, 541 Burke, Kathy, Gallery Coordinator Martin Art Gallery, Muhlenberg College, 251 Bush, Roger, Director/Curator Elsing Museum, Oral Roberts University, 255 Busse, Barbara J., Dean, Loyola Marymount University College of Communication and Fine Ar Laband Art Gallery, Loyola Marymount University, 244 Butros, Michael, Chair, VVC Dept. of Physical Sciences Victor Valley College Planetarium, Victor Valley College, 534 Byars, Randy, Director of Facility Planning, Auburn Athletics Jonathan B. Lovelace Museum and Hall of Honor, Auburn University, 552 Byrd, Michelle, Director of Public Relations, Memphis College of Art Art Galleries, Memphis College of Art, 247 Byrne, Greg, Athletic Director, UA Jim Click Hall of Champions, University of Arizona, 554

C Cadill, Bill, Director St. Andrews Scottish Heritage Center, St. Andrews Presbyterian College, 405 Cairella, Michele, Director Art Gallery, Fullerton College, 231

Cameron, Kevin, Director University of Wisconsin-Madison Herbarium, University of Wisconsin-Madison, 386 Campbell, Christopher S., Director Fay Hyland Arboretum, University of Maine, 380, 381 Campbell, Don, National Astronomy and Ionosphere Director Arecibo Observatory, Cornell University, 512 Candee, Mark, Assistant Curator University of Arizona Mineral Museum, University of Arizona, 422 Cannizzo, Anna, Interim Director Denison Museum, Denison University, 310 Capps, Cathy, Director Texas A&M Sports Museum, Texas A&M University, 554 Carkner, Lee, Director John Deere Planetarium, Augustana College, 506 Carkner, Lee, Director, John Deere Planetarium Carl Gamble Observatory, Augustana College, 506 Carleton, Chris, Director Louisiana State Arthropod Museum, Louisiana State University, 395 Carleton, Dr. Don E., Executive Director Dolph Briscoe Center for American History, University of Texas At Austin, 451, 452 Carlson, Linda, Curator Avenir Museum of Design and Merchandising, Colorado State University, 389 Carmack, Noel, Director Gallery East, College of Eastern Utah, 222 Carpenter, Ken, Director Prehistoric Museum, College of Eastern Utah, 498 Carpenter, Ken, Interim Dean, LSU College of Art + Design LSU School of Art Galleries and LSU Student Union Art Gallery, Louisiana State University, 243 Carr, Christian, Director Sweet Briar Museum, Sweet Briar College, 444 Carr, David E., Director Orland E. White Arboretum, University of Virginia, 386 Carroll, James, Head, EMU Department of Physics and Astronomy Sherzer Observatory, Eastern Michigan University, 513 Cassidy, Jon, Public Observing Manager Hirsch Observatory, Rensselaer Polytechnic Institute, 521 Caston, Ellie, Director Mayborn Museum Complex, Baylor University, 479 Caughey, Dan, Curator University of Maryland School of Nursing Living History Museum, University of Maryland, Baltimore, 474 Chamberlin, Keith, Lyndon State College Office of Communications and Marketing Quimby Gallery, Lyndon State College, 245 Chapman, Dana, Chair, JU Dept of Visual Arts Alexander Brest Museum and Gallery, Jacksonville University, 319 Chapman, Jefferson, Director Frank H. McClung Museum, University of Tennessee At Knoxville, 415 Chavez Lamar, Cynthia, Director Indian Arts Research Center, School For Advanced Research, 404 Checefsky, Bruce, Director Reinberger Galleries, Cleveland Institute of Art, 221 Cilona, Tracy Art Gallery, South Seattle Community College, 267 Citron, Michelle, Chair, Interdisciplinary Arts Dept. Center for Book and Paper Arts, Columbia College Chicago, 224 Claassen, Garth Rosenthal Gallery of Art, College of Idaho, 222 Clark, Vicky A., Director Art Gallery, Clarion University of Pennsylvania, 220 Clark, William H., Director Orma J. Smith Museum of Natural History, College of Idaho, 481 Clark-Langager, Debra, Director, Western Gallery Western Gallery and Viking Union Gallery, Western Washington University, 298 Clark-Langager, Sarah, Director, Western Gallery Outdoor Sculpture Collection, Western Washington University, 361 Clarke, Bonnie, Curator of Archaeology Museum of Anthropology, University of Denver, 202 Clarke, Chris, Planetarium Specialist George F. Beattie Planetarium, San Bernardino Valley College, 522 Clary, Renee, Director Dunn-Seiler Museum, Mississippi State University, 419 Clouse, Robert, Executive Director, UA Museums Gorgas House, University of Alabama, 447 Coatney, Carolyn, Coordinator Southern University Museum of Art, Southern University, 404 Cobb, Charles R., Director South Carolina Institute of Archaeology and Anthropology, University of South Carolina, 206 Coburn, Oakley, Dean of the Library Sandor Teszler Library Gallery, Wofford College, 466 Cohen, Ian, Manager University of New Hampshire Observatory, University of New Hampshire, 530

617

Key Personnel Index Cohen, Janie, Director Robert Hull Fleming Museum, University of Vermont, 355 Coleman, Frances, Dean of MSU Libraries Charles H. Templeton, Sr. Music Museum, Mississippi State University, 477 Coleman, Susan, Gallery Coordinator Luce Gallery, Cornell College, 225 Collingsworth, Matt, Director Kentucky Folk Art Center, Morehead State University, 324 Collins, George, Director President Andrew Johnson Museum and Library, Tusculum College, 445 Collins, Mary, Director Museum of Anthropology, Washington State University, 207 Colson, Debbie, Director/Curator No Man’s Land Museum, Oklahoma Panhandle State University, 441 Comstock, Leslie, Administrator The Rotunda, University of Virginia, 452 Conklin, Jo-Ann, Director David Winton Bell Gallery, Brown University, 216 Connolly, Rachel, Director Rauch Planetarium, University of Louisville, 528 Connolly, Robert, Director C. H. Nash Museum at Chucalissa, University of Memphis, 203 Conrad, Geoffrey W., Director Mathers Museum of World Cultures, Indiana University, 198 Constantopoulos, Jim, Director & Curator Miles Mineral Museum, Eastern New Mexico University, 418 Contreras-Koterbay, Karlota I., Director Slocumb Galleries, East Tennessee State University, 228 Cooper, Rhonda, Director Art Gallery, State University of New York At Stony Brook, 272 Cordy-Collins, Alana, Anthropology Department Chair Anthropology Museum, University of San Diego, 206 Cornell, Kelly, Coordinator Art Gallery, Lake-Sumter Community College, 242 Corrin, Lisa Graziose, ‘56, Director Williams College Museum of Art, Williams College, 362 Cortes, Tess, Coordinator Robert and Elaine Stein Galleries, Wright State University, 299 Corwin, Sharon, Carolyn Muzzy Director and Chief Curator Museum of Art, Colby College, 308 Costello, Lisa, Director Art Gallery, Parkland College, 257 Costello, Marie, Interim Director Mandeville Gallery, Union College, 277 Cote, Mariane, President Botanical Gardens at Asheville, University of North Carolina At Asheville, 382 Coughlin, Richard, Interim Provost and Vice President for Academic Affairs Ruth W. Towne Museum and Visitors Center, Truman State University, 445 Courtney, Steven, Manager Hidden Lake Gardens, Michigan State University, 372 Cowden, Dorothy, Director Scarfone/Hartley Gallery, University of Tampa, 290 Crane, Michael, Director Schneider Museum of Art, Southern Oregon University, 334 Crawford, Bruce, Director The Rutgers Gardens, Rutgers, the State University of New Jersey, 375 Crawford, Gregory, Dean, UND College of Science Museum of Biodiversity, University of Notre Dame, 494 Creighton, Jean, Director Manfred Olson Planetarium, University of Wisconsin-Milwaukee, 533 Crenning, Christopher, Director Clendening History of Medicine Library and Museum, University of Kansas Medical Center, 474 Crepet, William L., Chair, Cornell University Dept. of Plant Biology L. H. Bailey Hortorium, Cornell University, 368 Crew, John, Gallery Coordinator Robert Graves Gallery, Wenatchee Valley College, 296 Crist, Laura, Art Gallery Coordinator UTSA Art Gallery and UTSA Satellite Space, University of Texas At San Antonio, 291 Cromarty, Geoffrey, Interim Dean, UP School of Design + Engineering The Design Center at Philadelphia University, Philadelphia University, 392 Cromwell, Sara, PR, Marketing & Membership Coordinator Museum of Anthropology, Wake Forest University, 207 Cronin, Betsy, Manager, Arts Events and Publicity Beard and Weil Galleries, Wheaton College (Massachusetts), 298

618

Cronin, Joan, Interim Vice Chancellor/Director of Athletics University of Tennessee Football Hall of Fame, University of Tennessee, 556 Cross, Joshua, Director Grace and Cameron West Art Gallery, Pfeiffer University, 258 Crowley, Peter, Director Beneski Museum of Natural History, Amherst College, Amherst College, 479 Cruzen, Shawn T., Executive Director Coca-Cola Space Science Center, Columbus State University, 511 Curtis, Nan, Forsyth Director J. Wayne Stark University Center Galleries and MSC Forsyth Center Galleries, Texas A&M University-College Station, 275 Cushman, Brad, Coordinator University of Arkansas at Little Rock Art Department Galleries, University of Arkansas At Little Rock, 278 Cutlip, Andrea, Executive Assistant for University Design Art Galleries, University of San Diego, 289

D d’Humieres, Ghislain, Wylodean and Bill Saxon Director Fred Jones, Jr. Museum of Art, University of Oklahoma, 352 D’Souza, Deb John Furlong Gallery, University of Wisconsin-Stout, 293 Dahlstron, Krista, Anthropology Department Secretary DePauw University Anthropology Museum, DePauw University, 196 Damian, Carol, Director Patricia and Phillip Frost Art Museum, Florida International University, 312 Dandona, Jessica, Director Dishman Art Museum, Lamar University, 320 Daneshvari, Abbas, Acting Chair, Cal State L.A. Art Department Fine Arts Gallery and Luckman Gallery, California State University, Los Angeles, 218 Daniels, Kathleen M, Director Catherine G. Murphy Gallery, College of St. Catherine, 223 Danielson, Deborah, Director Klemm Gallery, Sienna Heights University, 266 Dapper, Jenifer, Facilitator David Erlanson Art Gallery, Richland Community College, 261 Dasher, Glenn, Dean, UA Huntsville Dept. of Art & Art History The Art Galleries at UAH, University of Alabama In Huntsville, 278 Davenport, Alan, Director Maynard F. Jordan Planetarium and Observatory, University of Maine, 528 Davenport, Kimberly, Director and Chief Curator Art Gallery, Rice University, 261 Davis, Phillip V., Director Pearson Museum, Southern Illinois University School of Medicine, 472 Davis, Rob, MCAD Director of Communications MCAD Gallery, Minneapolis College of Art and Design, 249 Dawes, Roy, Director of Museum Operations Rose Art Museum, Brandeis University, 305 Dawson, E. Murrell, Director Southeastern Regional Black Archives Research Center and Museum, Florida A&M University, 400 Day, Jamie, Curator Monroe Moosnick Medical and Science Museum, Transylvania University, 549 Day, Marla, Curator KSU Historic Costume and Textile Museum, Kansas State University, 391 De Cocker, Dean, Director Art Gallery, California State University, Stanislaus, 218 De Groft, Aaron H, Director Muscarelle Museum of Art, College of William and Mary, 308 De Pree, Christopher G., Director Bradley Observatory and Delafield Planetarium, Agnes Scott College, 504 Dean, Kevin, Director Selby Gallery, Ringling College of Art and Design, 331 DeBoer, Lisa, Chair of the Westmont College Art Dept. Reynolds Gallery, Westmont College, 298 DeGroff, Jacqueline M, Curator of the Drexel Collection Anthony J. Drexel Picture Gallery, Drexel University, 310, 311 Deibel, Carol, Director University of Alaska Museum of the North, University of Alaska, Fairbanks, 488 Delahenty, Suzanne, Director Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, 331 Delcau, Stacy Frishman, Director Skirball Museum (Cincinnati), Hebrew Union College-Jewish Institute of Religion, 541 Dempsey, Terrence E., Founding Director Museum of Contemporary Religious Art, St. Louis University, 545 Dennis, Lisbeth, Manager, Rare Books & Special Collections Department Firestone Library Galleries, Princeton University, 463

Key Personnel Index Dennis, William M., Head of the UGA Department of Physics and Astronomy University of Georgia Observatory, University of Georgia, 527 Desmett, Don, Director of Exhibitions Richmond Center for the Visual Arts Galleries, Western Michigan University, 297 Desy, Betsy, Director, Museum of Natural History and Wildlife Area Museum of Natural History, Southwest Minnesota State University, 487 Deupi, Jill J., Director Bellarmine Museum, Fairfield University, 312 DeWarf, Laurence, Director Villanova Observatory, Villanova University, 535 DeWitt, Dan, SBTS Vice President for Communications Nicol and Eisenberg Archaeological Collection, Southern Baptist Theological Seminary, 544 Didier, Elaine, Director Gerald R. Ford Library, University of Michigan, 465 Dieringer, Gregg, Chair, NMSU Biological Sciences Department Darwin Museum of Life Sciences, Northwest Missouri State University, 486 Dietrich, Gretchen, Director Utah Museum of Fine Arts, University of Utah, 355 DiMarko, Walter, President University of Miami Sports Hall of Fame, University of Miami, 555 Dirksen, Karen, Director Art Galleries, Winthrop University, 299 Dirocco, Rose, Director Art Gallery, Lycoming College, 244 DiSalvo, Diane, Director, Cultural Programs, Stevenson University Art Gallery, Stevenson University, 273 Dixon, E. James, Director Maxwell Museum of Anthropology, University of New Mexico, 205 Dobbins, Hamlett, Director Clough-Hanson Gallery, Rhodes College, 261 Dolbier, Rachel, Administrator W. M. Keck Museum, University of Nevada, Reno, 423 Doll, Nancy, Director Weatherspoon Art Museum, University of North Carolina At Greensboro, 351 Donald, Linda, Manager Lee Chapel and Museum, Washington and Lee University, 455 Donner, Heidi, Gallery Public Information/Community Relations/Education/Tours Hearst Art Gallery, St. Mary’s College of California, 270 Doran, Andrew, Administrative Curator University and Jepson Herbaria, University of California, Berkeley, 377 Dornbos, Stephen Q., Curator Thomas A. Greene Memorial Museum, University of Wisconsin-Milwaukee, 424 Dove, Simon, Director, ASU Herberger College School of Art Night Gallery, Arizona State University, 501 Drake, Vicki, Chair, SMC Department of Earth Science John Drescher Planetarium, Santa Monica College, 523 Drapkin, Adrienne, Director Hospitals and Clinics Medical Museum, University of Iowa, 473 Drapkin, Adrienne, Project Art Director and Medical Museum Director Hospitals and Clinics Project Art, University of Iowa, 344 Druesedow, Jean, Director KSU Museum, Kent State University, 391 Drury, Denise, Interim Director Fine Art Museum, Western Carolina University, 361 Dryer, Glenn D., Charles and Sarah P. Becker ‘27 Arboretum Director Connecticut College Arboretum, Connecticut College, 367 Ducey, Peter, Chair, SUNY-Cortland Biological Sciences Department Bowers Science Museum, State University of New York At Cortland, 487 Duffer, Melissa, Director Robert E. Wilson Gallery, Huntington University, 237 Dufilho, Diane, Director Meadows Museum of Art of Centenary College, Centenary College of Louisiana, 307 Dumont, Betsy, Director Natural History Collections, University of Massachusetts Amherst, 491 Duncan, Cathi, Outreach and Business Coordinator Mount Lemmon SkyCenter, University of Arizona, 525 Duncan, Doug, Director Fiske Planetarium and Science Center, University of Colorado At Boulder, 527 Duncanson, Richard F., Pastor Mission Basilica San Diego de Alcala, University of San Diego, 545 Dunkley, Kay, Director Reynolds Homestead, Virginia Polytechnic Institute and State University, 454 Dunkley, Tina, Director Clark Atlanta University Art Galleries, Clark Atlanta University, 399 Dunn, Christopher P., Director Harold L. Lyon Arboretum, University of Hawaii At Manoa, 380

Durant, John, Director MIT Museum, Massachusetts Institute of Technology, 548 Durbin, Eric, Coordinator Billy Graham Center Museum, Wheaton College (Illinois), 545 Durdik, Jeannine, Associate Dean for Research, UA Fulbright College of Arts and Sciences University Museum Collections, University of Arkansas, 489 Durrell, Patrick, Director Ward Beecher Planetarium, Youngstown State University, 538 Dursum, Brian, Director Lowe Art Museum, University of Miami, 347 Dyar, M. Darby, Chair, Mount Holyoke Astronomy Department John Payson Williston Observatory, Mount Holyoke College, 518 Dyer, Dave, Collections Manager, Division of Biological Sciences, University of Mo University of Montana Herbarium, University of Montana, 382 Dyer, Dave, Curator Philip L. Wright Zoology Museum, University of Montana, 558 Dyment, Greg, Director Fullerton Arboretum, California State University, Fullerton, 366

E Earenfight, Phillip J., Director Trout Gallery, Dickinson College, 310 Eastmond, Stephen, Director Tessmann Planetarium, Santa Ana College, 523 Eccles, Tom, Executive Director Hessel Museum of Art and CCS Galleries, Bard College, 303 Eckmann, Sabine, William T. Kemper Director and Chief Curator Mildred Lane Kemper Art Museum, Washington University, 360 Eckstein, Kim A., Office Coordinator - Bjorklunden Boynton Chapel, Lawrence University, 402 Eddy, Thomas P., Director University Herbarium, Emporia State University, 368 Edmonson, James M., Chief Curator Dittrick Museum of Medical History, Case Western Reserve University, 470 Egan, Shannon, Director Schmucker Art Gallery, Gettysburg College, 233 Ehlers Jr, Robert S., Director, Angelo State UniversityCenter forSecurity Studies Global Immersion Center, Angelo State University, 505 Eiland, William U., Director Georgia Museum of Art, University of Georgia, 343 Einreinhofer, Nancy, Director Ben Shahn Galleries and Power Art Gallery, William Paterson University of New Jersey, 299 Elisens, Wayne, Curator Robert Bebb Herbarium, University of Oklahoma, 383 Ellin, Edyth, Director of Administration Harvard Forest and Fisher Museum of Forestry, Harvard University, 370 Elliott, Dana R., Curator Stephens Museum, Central Methodist College, 430 Elliott, Kate, Curator Fine Arts Collection, Luther College, 321 Elliott, Kathleen, Administrative Secretary, Cobb Institute of Archaeology Lois Dowdle Cobb Museum of Archaeology, Mississippi State University, 198 Ellis, David W., Interim Executive Director Harvard Museum of Natural History, Harvard University, 484 Ellis, David W., Interim Executive Director, Harvard Museum of Natural History Botanical Museum of Harvard University, Harvard University, 369 Ellman, Brett, Director Kent State University Planetarium, Kent State University, 516 Ellsworth, Lynn, Executive Director Harlan-Lincoln House, Iowa Wesleyan College, 437 Emberling, Geoff, Director Oriental Institute Museum, University of Chicago, 202 Emery, Lea, Acting Director Neuberger Museum of Art, State University of New York At Purchase, 338 Emmerson, Tom, Chair, Walla Walla University Art Department Clyde and Mary Harris Gallery, Walla Walla University, 294 Emmons, Randy, Director Zacheis Planetarium and Observatory, Adams State College, 504 Engilis Jr, Andrew, Curator Museum of Wildlife and Fish Biology, University of California, Davis, 489 Erdman, Jody, Director Erdman Art Gallery, Princeton Theological Seminary, 544

619

Key Personnel Index Erickson Jr, Kenneth H., Neel Performing Arts Center Manager Fine Art Gallery, State College of Florida, Manatee-Sarasota, 270 Erlandson, Jon, Executive Director Museum of Natural and Cultural History, University of Oregon, 494 Esposito, Cecilia, Director Plattsburgh State Art Museum, State University of New York At Plattsburgh, 338 Estes, Sarah, Gallery Coordinator Fisk University Galleries, Fisk University, 400 Evans, Richard, UT Forest Research and Education Center Director University of Tennessee Arboretum, University of Tennessee At Knoxville, 384 Evans, Rick, Director W. A. Gayle Planetarium, Troy University, 524 Evans Sr, Cedric, Operations Manager, Mary McLeod Bethune Performing Arts Center Harvey W. Lee, Jr. Memorial Gallery, Bethune-Cookman College, 399 Evans Sr., Cedric, Operations Manager, Mary McLeod Bethune Performing Arts Center and Vis Visual Arts Gallery, Bethune-Cookman College, 213 Ewald, Jill, Director Flaten Art Museum, St. Olaf College, 336 Eyler, Carolyn, Director of Exhibitions and Programs USM Art and Area Galleries, University of Southern Maine, 290

F Faccinto, Victor, Director Charlotte and Philip Hanes Art Gallery, Wake Forest University, 358 Fagan, Tricia, Director/Curator The Gallery, Mercer County Community College, 247 Fagerstrom, Andrea, Director Clell and Ruth Gannon Gallery and Else Forde Gallery, Bismarck State College, 214 Faison, Michael, Director Leitner Family Observatory and Planetarium, Yale University, 537 Farnell, Cynthia, Director Ernest G. Welch School of Art and Design, Georgia State University, 232 Farnum, Daniel, Director George Caleb Bingham Gallery, University of Missouri, Columbia, 285 Farrell, Kathleen, Director Mercer Gallery, Monroe Community College, 249 Farrell, Laurie Ann, Director of Exhibitions Art and Design Galleries, Savannah College of Art and Design, 265 Faulds, Rod, Director Art Galleries, Florida Atlantic University, 230 Faulkner, Gretchen F., Director Hudson Museum, University of Maine, 203 Fedele, Richard, Manager Public Outreach Dept. Kitt Peak National Observatory Visitor Center and Museum, Kitt Peak National Observatory, 517 Felton, Gary, Department Head, Penn State Dept of Entomology Frost Entomological Museum, Pennsylvania State University, 396 Ferguson, Carolyn J., Curator University Herbarium, Kansas State University, 371 Ferguson, Russell, Chair, UCLA Dept. of Art Wight Art Gallery, University of California, Los Angeles, 279 Fine, Aaron, Director Art Gallery, Truman State University, 276 Fink, William L., Director University of Michigan Museum of Zoology, University of Michigan, 558 Fischman, Lisa, Ruth Gordon Shapiro ‘37 Director Davis Museum and Cultural Center, Wellesley College, 360 Fisher, Bill, Chair, Georgia College Art Department Blackbridge Gallery, Georgia College and State University, 232 Fisher, Bill, GCSU Art Department Museum of Fine Arts, Georgia College and State University, 314 Fisher, Brock, Chair, Stillman University Dept. of Fine Arts Stillman Art Gallery, Stillman College, 273 Fiske, David, Superintendant, Shenandoah Valley Agricultural Research and Extension Cyrus H. McCormick Memorial Museum, Virginia Polytechnic Institute and State University, 192 Fitz, Gregory, Curator Art Gallery, Macalester College, 245 Flahardy, Jason, Photographic Archives, Audio Visual Archives, UK Libraries Special Col Photographic Collections, University of Kentucky, 503 Flanagan, Jeanne, Director Esther Massry Gallery, College of St. Rose, 223 Flanagan, Michael, Assistant Director, Public Information Tyler Art Gallery, State University of New York At Oswego, 272

620

Flanagan, Michael, Director Crossman Gallery, University of Wisconsin-Whitewater, 293 Flood, Tim, Acting Chair, PSU Physics Department L. Russell Kelce Planetarium, Pittsburg State University, 520 Floyd, David, Director Rural Life Museum and Windrush Gardens, Louisiana State University, 190 Forbes, Dawn, Director Sheehan Gallery, Whitman College, 299 Ford, Patricia D., Director Alabama State Black Archives Research Center and Museum, Alabama A&M University, 398 Forrest, Sondra, Coordinator Eula Mae Edwards Museum and Gallery, Clovis Community College, 221 Fowles, Barbara, Acting Dean, Post campus School of Visual and Performing Arts C. P. Post Campus and Brooklyn Campus Galleries, Long Island University, 243 Fox, E. Brooke, University Archivist Macaulay Museum of Dental History, Medical University of South Carolina, 472 Francis, Carl, Curator Mineralogical Museum at Harvard University, Harvard University, 418 Freeman, Byron J., Director Georgia Museum of Natural History, University of Georgia, 490 Frenche, Kathryn, Director Danforth Museum of Art, Framingham State College, 314 Friedman, Anne, Director Evergreen Gallery, Evergreen State College, 229 Friedman, William Ned, Director Arnold Arboretum of Harvard University, Harvard University, 370 Frosch, June, Deputy Director of Horgan Library and McBrideMuseum McBride Museum, New Mexico Military Institute, 440 Fuchs II, Ron, Curator The Reeves Center, Washington and Lee University, 359 Fuller, Daniel, Director Institute of Contemporary Art, Maine College of Art, 245 Furtkamp, Darryl, Director Art Gallery, New England College, 251

G Gaddy, Ken, Director Paul W. Bryant Museum, University of Alabama, 554 Gaddy, Raymond, Director Gallery of Art, University of North Florida, 286 Gagnon, Michele A, Coordinator University and Dugan Galleries, University of Massachusetts Lowell, 284 Gagn‚, Marc, Chair, WCU Department of Geology and Astronomy West Chester University Geology Museum, West Chester University, 425 Gallagher, Hugh, Director Science Discovery Center of Oneonta, State University of New York At Oneonta, 549 Gandee, Cynthia, Executive Director Henry B. Plant Museum, University of Tampa, 451 Garner, Jennifer, Director Center for Visual Art, Metropolitan State College of Denver, 248 Gaumond, Lisa, Managing Director Joseloff Gallery, University of Hartford, 282 Gealt, Adelheid, Director Art Museum, Indiana University, 317 Geist, Joe, Curator Ashby-Hodge Gallery of American Art, Central Methodist College, 307 Gelden, Sherri, Director, Wexner Center for the Arts Hopkins Hall Gallery, Wexner Center for the Arts Galleries, and Kuhn Fine Arts Gallery, Ohio State University, 254 Geller, Bruce, Director Colorado School of Mines Geology Museum, Colorado School of Mines, 417 George, Sarah, Executive Director Utah Museum of Natural History, University of Utah, 496 Gerardi, Pamela, Director of External Relations Peabody Museum of Archaeology and Ethnology, Harvard University, 197 Getty, Jacqueline, Director of Public Relations, Hamline College Soeffker Gallery, Hamline University, 235 Gevas, Sophia, Director Gallery of Contemporary Art, Sacred Heart University, 262 Ghez, Susanne, Director Renaissance Society at the University of Chicago, University of Chicago, 342 Gibbs, Bonnie Principia School of Nations Museum, Principia College, 200 Gibson, Arthur C., Director Mildred E. Mathias Botanical Garden, University of California, Los Angeles, 378

Key Personnel Index Gibson, James, Curator Charles F. Hagar Planetarium, San Francisco State University, 522 Gibson, Keith, Director of VMI Museum Programs Hall of Valor Civil War Museum, Virginia Military Institute, 454, 453 Giffin, Adrienne Carter, Director of Student Activities and Cultural Events, John A. Logan Coll John A. Logan College Museum, John A. Logan College, 412 Gikas, Carol S., President and Executive Director Louisiana Art and Science Museum, Louisiana State University, 548 Gilbert, Johnnie M., Chair, Tougaloo College Art Department Tougaloo College Art Collection and Gallery, Tougaloo College, 406 Gillan, Maria Mazziotti, Executive Director, Passaic County Cultural & Heritage Council Hamilton Club Building, Passaic County Community College, 442 Gillespie, Rosemary, Chair, Berkeley Natural History Museums Berkeley Natural History Museums, University of California, Berkeley, 489 Gillespie, Rosemary, Director Essig Museum of Entomology, University of California, Berkeley, 396 Gilliam, Karen A. Martin Museum of Art, Baylor University, 303 Gingerich, Philip D., Director Museum of Paleontology, University of Michigan, 499 Gleason, Keith, Manager Sommers-Bausch Observatory, University of Colorado At Boulder, 527 Gleeson, Jim, Chair, KSU Physics Department KSU-NASA Observatory, Kent State University, 516 Gnidovec, Dale M., Curator, Orton Geological Museum Orton Geological Museum, Ohio State University, 421 Gochenour, Anne, Director Art Gallery, Central Michigan University, 220 Gold, Donna, Director of Public Relations, College of the Atlantic Ethel H. Blum Gallery, College of the Atlantic, 223 Golden, Debby, Chair, CSU Division of Agriculture Wallis Museum, Connors State College, 432 Goldsbrough, Peter, Department Head, Purdue University Dept of Botany and Plant Pathology Arthur Herbarium, Purdue University, 375 Goody, Dick, Director Art Gallery, Oakland University, 254 Gordon, Steve, Administrator William Holmes McGuffey Museum, Miami University, 439 Gould, Claudia, Daniel W. Deitrich II Director Institute of Contemporary Art, University of Pennsylvania, 353 Graham, Bruce, Dean, School of Dentistry Kottemann Gallery of Denistry, University of Illinois At Chicago, 473 Graham, Carrie, Museum Supervisor George B. Dorr Museum, College of the Atlantic, 481 Graham, John, Curator Art Gallery, Western Illinois University, 361 Graham, Russ, Director for Exhibits & Senior Research Associate of Collections Earth and Mineral Sciences Museum and Art Gallery, Pennsylvania State University, 421 Grant, Jayn‚, Manager Art Galleries, Santa Fe College, 264 Gravis, Lydia Mary Elizabeth Dee Shaw Gallery, Weber State University, 296 Greco, Juneann, Marywood University Public Relations Director Suraci Gallery, Mahady Gallery, and Maslow Collection, Maywood University, 247 Greeley, Ronald, Director Space Photography Laboratory, Arizona State University, 501 Green, Caitlin, Co-director Gallery of Contemporary Art, University of Colorado At Colorado Springs, 281 Green, David, Director Whitehouse Nature Center, Albion College, 364 Green, Sally, Director Mobile Medical Museum, University of South Alabama, 475 Green, William, Director Logan Museum of Anthropology, Beloit College, 194 Greenawalt, Ruth, Director, Alexander Mack Memorial Library Reuel B. Pritchett Museum, Bridgewater College, 411 Greene, Mark A., Director American Heritage Center, University of Wyoming, 466 Greene, Warren, Director Margaret Fort Trahern Gallery, Austin Peavy State University, 211 Greenstein, George S., Chair of Amherst College Astronomy Bassett Planetarium, Amherst College, 504 Gregus, Kim, Secretary, Fine Arts & Social Sciences Div., Mott Community College Fine Arts Gallery, Mott Community College, 250 Grese, Robert, Director Matthaei Botanical Gardens, University of Michigan, 381

Grew, Priscilla C., Director University of Nebraska State Museum, University of Nebraska-Lincoln, 492 Griffin, Charlotte, Volunteer Coordinator Hilltop Garden and Nature Center, Indiana University, 370 Grindell, Beth, Director Arizona State Museum, University of Arizona, 201 Grosboll, Sue, Director Museum and Collections, University of Northern Iowa, 493 Gross, Michael, Director of College Communications Higgins Art Gallery, Cape Cod Community College, 219 Grover, Ruth, Curator Cress Gallery of Art, University of Tennessee At Chattanooga, 290 Grubbs, Vanessa, Director Art Galleries, Brenau University, 215 Grucella, Brooke, Director School of Art Galleries, University of Arizona, 278 Guerin, Charles E., Executive Director University of Arizona Museum of Art and Archive of Visual Arts, University of Arizona, 340 Guerin, Francesca S., School Director Schuler Gallery, Schuler School of Fine Arts, 265 Guffee, Eddie, Director/Archaeologist Museum of the Llano Estacado, Wayland Baptist University, 455 Gumpert, Lynn, Director Grey Art Gallery, New York University, 325 Gutman, Richard, Curator Culinary Arts Museum, Johnson and Wales University, 560

H Haden, Pat, USC Charles Griffin Cale Director of Athletics’ Chair Heritage Hall Exhibit Area, University of Southern California, 555 Hadley, Beverly, Senior Administrative Associate John Nance Garner Museum, University of Texas At Austin, 452 Hahn, Cheryl, Director Larson Gallery, Yakima Valley Community College, 300 Hall, Brett, Director Arboretum at UC Santa Cruz, University of California, Santa Cruz, 379 Hall, Dominic, Curator Warren Anatomical Museum, Harvard University, 471 Ham, Hal, Director John E. Conner Museum, Texas A&M University-Kingsville, 413 Hamilton, Dotty, Dean, School of Visual & Communication Arts Thornhill Gallery, Avila University, 212 Hamilton, Susan, Director University of Tennessee Gardens, University of Tennessee At Knoxville, 384 Hamilton, Tim, Director Clark Planetarium, Shawnee State University, 523 Hammer, William R., Director Fryxell Geology Museum, Augustana College (Illinois), 417 Hammond, Terry Art Gallery, Guilford College, 235 Hampton, Lee, Executive Director Amistad Research Center, Tulane University, 407 Hancock, Kathleen, Director Grimshaw-Gudewicz Art Gallery, Bristol Community College, 215 Hankin, James, Director Museum of Comparative Zoology, Harvard University, 557 Hankins, Roger, Director Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross, 223 Hanor, Stephanie, Director Mills College Art Museum, Mills College, 323 Hanover, Lisa T., Director Philip and Muriel Berman Museum of Art, Ursinus College, 357 Hanru, Hou, Director of Exhibitions and Public Programs Walter Gallery and McBean Gallery, San Francisco Art Institute, 263 Hardy, Saralyn Reece, Director Spencer Museum of Art, University of Kansas, 345 Harleman, Kathleen, Director Krannert Art Museum and Kinkead Pavilion, University of Illinois At Urbana-Champaign, 344 Harmon, J. Scott, Director U. S. Naval Academy Museum, U. S. Naval Academy, 447 Harpaz, Nathan, Manager and Curator Koehnline Museum of Art, Oakton Community College, 327 Harrington, Peter, Curator Annmary Brown Memorial, Brown University, 305 Harris, Amy, Director Exhibit Natural History Museum, University of Michigan, 492

621

Key Personnel Index Harris, Kelli Moundville Archaeological Park & Jones Archaeological Museum, University of Alabama, 201 Harris, Mac, Director State Agricultural Heritage Museum, South Dakota State University, 191 Harris, Shawnya, Director North Carolina A&T State University Galleries, North Carolina A&T State University, 403 Hart, Katherine, Interim Director Hood Museum of Art, Dartmouth College, 310 Hartman, Bruce, Director Nerman Museum of Contemporary Art, Johnson County Community College, 319 Hartmann, Ron, Curator Rocky Mountain Herbarium, University of Wyoming, 387 Harty, Leanne Kennedy, Director Connecticut State Museum of Natural History, University of Connecticut, 490 Hartz, Jill, Executive Director Jordan Schnitzer Museum of Art, Universitgy of Oregon, 339 Harville, Rachel, Secretary, TWC Conference Services Texas First Ladies Historic Costume Collection, Texas Woman’s University, 393 Hass, Kara L., Environmental Education Coordinator W. K. Kellogg Bird Sanctuary, Michigan State University, 372 Hathaway, Nancy, Director Gallery of Art, Eastern Washington University, 228 Hattendorf, John B., Director Naval War College Museum, Naval War College, 440 Haught, Kenneth W., Chair of the Department of Fine and Performing Arts, DSU DSU Art Gallery, Dickinson State University, 226 Havern, Christopher B., Commandant, US Coast Guard History Office U. S. Coast Guard Museum, U. S. Coast Guard Academy, 446 Havers, Rob, Executive Director Winston Churchill Museum, Westminster College, 457 Haw, Jane, Director Broadway Gallery, LRC Gallery, and Hamilton Club Gallery, Passaic County Community College, 257 Hawkins, Cynthia, Director Bertha V. B. Lederer Gallery, Lockhart Gallery, and Bridge Gallery, State University of New York At Geneseo, 272 Hawkins, Ruth, Director Hemingway-Pfeiffer Museum and Educational Center, Arkansas State University, 427 Hawley, Suzanne, Chair, UW Department of Astronomy Leadership Committee University of Washington Planetarium, University of Washington, 532 Haxton, Jason, Director Museum of Osteopathic Medicine, A. T. Still University, 470 Heaven, Virginia, Curator Fashion Columbia Study Collection, Columbia College Chicago, 389 Hebert, Sharon, Director Kelsey Museum of Archaeology, University of Michigan, 204 Heckert, Andrew, Director F. Kenneth and Marjorie J. McKinney Geology Teaching Museum, Appalachian State University, 416 Hehr, Lynn, Director, University of Arkansas Center for Math and Science Education University of Arkansas Discovery Zone, University of Arkansas, 550 Heilman, Carl, President, Barton Community College Shafer Gallery, Barton County Community College, 212 Henderson, Dee, Director Fleischmann Planetarium and Science Center, University of Nevada, Reno, 530 Hendrickx, Jim, Chair, Art Department,MVNU Schnormeier Gallery and Campus Art Gallery, Mount Vernon Nazarene University, 250 Henner, Patricia, Director Page Farm and Home Museum, University of Maine, 191 Henry, Jackie, Director Norwegian-American Historical Association Archives, St. Olaf College, 405 Henry, Rebekah, Director Gertrude Herbert Institute of Art Galleries, Gertrude Herbert Institute of Art, 233 Hentschel, Alain, Dean, Florida School for the Arts Florida School of the Arts Gallery, Florida School of the Arts, 230 Herberg, Mayde, Director Art Galleries, Santa Ana College, 264 Hernandez, Jo Farb, Director Natalie and James Thompson Gallery, San Jose State University, 264 Hershey, Tracy, Executive Director, UCLA Office of Special Events and Protocol UCLA Hannah Carter Japanese Garden, University of California, Los Angeles, 378 Herskowitz, Sylvia A., Director Yeshiva University Museum, Yeshiva University, 410 Hickman, Ken, Director Penn State All-Sports Museum, Pennsylvania State University, 553

622

High, Steven, Executive Director John and Mable Ringling Museum of Art, Florida State University, 313 Hilgarth, Nigella, Executive Director Birch Aquarium at Scripps, University of California, San Diego, 469 Hill, Nicholas, Chair, OC Department of Art Frank Museum of Art, Otterbein University, 328 Hilton, Eric J., Curator, Ichthyology Collection Virginia Institute of Marine Sciences, College of William and Mary, 468 Hinton, Will, Professor of Art Art Gallery, Louisburg College, 243 Hiott Sr., William, Director & Curator Clemson University Historic Properties: Fort Hill, Hanover House, Hopewell Plantation, and Woodland, Clemson University, 430, 431 Hipps, Will, Director Art Galleries, Kennesaw State University, 241 Hire, Jack, Administrative Director of University Communications Bryant Arts Center Gallery, Denison University, 226 Hirschel, Anthony G., Dana Feitler Director Smart Museum of Art, University of Chicago, 342 Hochberg, Cheryl, Chair, KU Fine Arts Department Sharadin Art Gallery, Kutztown University of Pennsylvania, 241 Hockett, Esther, Coordinator of Visual Arts & Gallery Memorial Union Art Gallery, North Dakota State University, 252 Hodges, Kip, Director, ASU School of Earth and Space Exploration Mars Space Flight Facility, Arizona State University, 505 Hodges, Richard, Williams Director of the Penn Museum Museum of Archaeology and Anthropology, University of Pennsylvania, 205 Hoeltzel, Susan, Director Art Gallery, Lehman College, City University of New York, 243 Hoffman, Cynthia, Chair of the Art Dept. Art Gallery, Concordia University-Wisconsin, 225 Hogan, Jackie, Assistant Director University Art Museum, State University of New York At Binghamton, 337 Hogg, Gordon, Director Special Collections Library, University of Kentucky, 464 Holcomb, Grant, The Mary W. and Donald R. Clark Director Memorial Art Gallery, University of Rochester, 353 Holland, Jenny, Trinity College Director of Marketing & Communications Widener Gallery, Trinity College, 276 Hollowack, Thomas, Associate Director for Special Collections, UB’s Langsdale Library Steamship Historical Society Collection, University of Baltimore, 561 Holmes, Carolyn Coggin, Executive Director Ash Lawn-Highland, College of William and Mary, 432 Holo, Selma, Director USC Fisher Museum of Art, University of Southern California, 354 Holob, Dorman, Archivist, Fort Belknap Archives Fort Belknap Museum and Archives, Texas Wesleyan College, 444 Holsclaw, Scott, Dean, OBU Dept. of Visual Arts Hammons Gallery, Ouachita Baptist University, 256 Hood, Michael, Dean, IUP College of Fine Arts Art Museum, Indiana University of Pennsylvania, 318 Houser, Kyle, Director Kipp Gallery, Indiana University of Pennsylvania, 238 Howard, Mark, Director Astronaut Memorial Planetarium and Observatory, Brevard Community College, 508 Howe, Bob, Director of CommunicationsNews and Media Relations Bureau, Fordham Un Center Gallery and Push Pin Gallery, Fordham University, 231 Howe, Kathleen S., Sarah Rempel and Herbert S. Rempel ‘23 Director Museum of Art, Pomona College, 329 Huerta, Benito, Director The Gallery at UTA, University of Texas At Arlington, 291 Hufford, Larry, Interim Director and WSU School of Biological Sciences Director Charles R. Conner Museum, Washington State University, 497 Hughes, James, Interim Manager Hummel Planetarium, Eastern Kentucky University, 513 Hughes, Mary, University Landscape Architect Pavilion Gardens and other garden/arboretum sites, University of Virginia, 385

I Iacono, Domenic, Director SU Art Galleries, Syracuse University, 274 Ice, Joyce, Director Art Museum, West Virginia University, 361 Ingold, Rachel, Curator History of Medicine Collections, Duke University, 471

Key Personnel Index Ismail, Amid I., Dean, The Maurice H. Kornberg School of Dentistry The Edwin and Trudy Weaver Historical Dental Museum, Temple University, 472 Iverson, John, Director Joseph Moore Museum, Earlham College, 482

J Jackson, Billy, Distance Learning Specialist PJC Planetarium and Theatre, Pensacola State College, 520 Jackson, Liz, Director Museum of the Big Bend, Sul Ross State University, 443 Jacobs, Dan, Director Victoria H. Myhren Gallery, University of Denver, 281 Jamasb, Shirin, Director, Stephen J. Betze Library Treasures of the Sea Exhibit, Delaware Technical and Community College, 560 Jean Pierre, Laurent L., Curator Hoysradt Herbarium, Hartwick College, 368 Jenneman, Eugene A., Executive Director Dennos Museum Center, Northwestern Michigan College, 326 Jensen, Bill, Director Richard H. Schmidt Museum of Natural History, Emporia State University, 482 Jensen, Eric L.N., Chair, Swarthmore College Dept. of Physics and Astronomy Sproul Observatory, Swarthmore College, 524 Jensen, William, UC Professor of Chemistry Oesper Museum of Chemical Apparatus, University of Cincinnati, 551 Jimison, Thomas, Manager Baldwin Photographic Gallery, Middle Tennessee State University, 502 Jirousek, Charlotte, Curator Cornell Costume and Textile Collection, Cornell University, 389 Johnson, Eileen, Executive Director Museum of Texas Tech University, Texas Tech University, 413 Johnson, Kaytie William Weston Clarke Emison Museum of Art, Depauw University, 312 Johnson, Kaytie, Director/Curator Richard F. Peeler Art Center Galleries, Depauw University, 227 Johnson, Lezlee, Arboretum Coordinator Missouri State Arboretum, Northwest Missouri State University, 373 Johnson, Martha Kjeseth, Director Maier Museum of Art, Randolph College, 330 Johnson, Maxine, President, Board of Directors W. H. Over State Museum, University of South Dakota, 495 Jonas, Stan, Curator Elmer H. Grimm, Sr. Pharmacy Museum, University of Pittsburgh, 475 Jones, Arthur, Chair, UND Dept. of Art & Design Hughes Fine Arts Center Galleries, University of North Dakota, 286 Jones, Douglas, Director Florida Museum of Natural History, University of Florida, 490 Jones, Erin R., Director Bob Jones University Museum and Gallery, Bob Jones University, 540 Jones, Joe, Associate Professor of Physics George E. Coleman, Sr. Planetarium, North Georgia College and State University, 519 Jones, Kristina, Director Wellesley College Botanic Gardens, Wellesley College, 388 Jones, Linda E., Associate Vice President for Statutory Affairs Schein-Joseph International Museum of Ceramic Art, New York State College of Ceramics At Alfred University, 325 Jones, Ronald, Curator Eastern Kentucky Herbarium, Eastern Kentucky University, 368 Jones, Stephen, Dean, BYU College of Fine Arts and Communications Museum of Art, Brigham Young University, 305 Jones, Wendy E., Director of Communication & Media Relations, Brevard College Spiers Gallery, Brevard College, 215 Joyner, Wendell, Director Hall of Fame for Great Americans, Bronx Community College, City University of New York, 429 Judge, Vaughan, Director, Montanta State University School of Art Helen E. Copeland Gallery and Haynes Fine Arts Gallery, Montana State University, 249

K Kalin, Sally, Associate Dean, University Park Libraries Paterno Library Collections/Eberly Family Special Collections Library Exhibit Hall, Pennsylvania State University, 462, 461

Kalous, Annie, Associate Dean of Students Calkins Nature Area/Field Museum, Ellsworth College, 368 Kamm, David, Coordinator Art Galleries, Luther College, 244 Kammer, Greg, Director Russell Day Gallery, Everett Community College, 229 Kanno, Brenda, Manager Cal State Northridge Botanic Garden, California State University, Northridge, 366 Kaplan, Dave, Director Yogi Berra Museum and Learning Center, Montclair State University, 552 Kaplan, Susan A., Director Peary-MacMillan Arctic Museum, Bowdoin College, 194 Kass, Emily, Director Ackland Art Museum, University of North Carolina At Chapel Hill, 351 Katz, Paula Herron Galleries, Indiana University and Purdue University, 239 Kaufman, Donald, Director Hefner Zoology Museum, Miami University, 557 Kaunders, Audrey S., Director Museum of Nebraska Art, University of Nebraska-Kearney, 348 Keil, David J., Director and Curator of Vascular Plants Robert F. Hoover Herbarium, California Polytechnic State University, 365 Keiser, Sandra, Chair, Mount Mary College Fashion Dept. Mount Mary College Historic Costume Collection, Mount Mary College, 392 Keller, Margaret Meramec Contemporary Art Gallery, St. Louis Community College, 269 Keller, Peter C., President Bauer Museum of Art, Valparaiso University, 357 Kellogg, Dave, Director Athletic Hall of Excellence, U.S. Air Force Academy, 554 Kester, Grant, Director Art Gallery, University of California, San Diego, 279 Kidd, Edwin F., Associate Vice President, SLU Event Services Henry Lay Sculpture Garden, St. Louis University, 336 Kiger, Robert, Director & Principal Research Scientist Hunt Institute for Botanical Documentation, Carnegie Mellon University, 366 Kim, Kwang-Wu, Dean and Director, Herberger Institute Herberger Institute for Art and Design, Arizona State University, 210 Kimsey, Lynn, Director R. M. Bohart Museum of Entomology, University of California, Davis, 396 Kincherlow-Martin, Janet, Director of Public Relations, Calhoun Community College Art Gallery, John C. Calhoun State Community College, 240 King, Arthur Scott, Gallery Coordinator Art Gallery, Diablo Valley College, 226 King, Heather, Director Anderson Gallery, Drake University, 227 King, Lyndell, Director and Chief Curator Frederick R. Weisman Art Museum, University of Minnesota, Twin Cities, 348 King, Sam, Director Fine Arts Center Gallery, University of Arkansas, 278 Kinghorn, George, Director and Curator Museum of Art, University of Maine, 346 Kingsley, April, Curator Kresge Art Museum, Michigan State University, 322 Kirsch, Eva, Director Robert V. Fullerton Art Museum, California State University, San Bernardino, 306 Kirsten, Jan, Director of College Relations Art Gallery, Ocean County College, 254 Kisler, Ashley, Director, Anderson Gallery Anderson Gallery, Virginia Commonwealth University, 358 Kloda, Phyllis, Chair, SUNY Brockport Dept. of Art Tower Fine Arts Gallery, State University of New York At Brockport, 270 Kluessendorf, Joanna, Director Weis Earth Science Museum, University of Wisconsin-Fox Valley, 424 Knackert, Bruce K., Director of Galleries Institute of Visual Art, University of Wisconsin-Milwaukee, 356 Knezek, Patricia, Acting Director WIYN Observatory, Wiyn Consortium, 537 Knick, Stan, Director/Curator Museum of the Native American Resource Center, University of North Carolina At Pembroke, 408 Knight, David, Director of Exhibitions and Collections Art Galleries, Northern Kentucky University, 253 Knowles, David M., Curator Kemp Mineral Resources Museum, Lake Superior State University, 418 Knox, Gordon, Director Art Museum, Arizona State University, 301 Kociolek, Patrick B., Director Museum of Natural History, University of Colorado At Boulder, 489

623

Key Personnel Index Koostra, Barbara, Director Montana Museum of Art and Culture, University of Montana, 348 Koperski, Kate, Director Castellani Art Museum, Niagara University, 325 Korecky, Lisa, Secretary, Center for the Arts Freedman Gallery, Albright College, 209 Kowalewski, Greg, Resident Forester Fred Russ Forest, Michigan State University, 372 Kralickova, Petra, Director of Exhibitions University Gallery, Trisolini Gallery, Majestic Galleries, and Cube 4 Gallery, Ohio University, 255 Kramer, Cheryl, Director Handwerker Gallery, Ithaca College, 239 Kraskin, Sandra, Director Sidney Mishkin Gallery, Baruch College, City University of New York, 213 Kratz, Dennis, Dean of the UT-D School of Arts and Humanities School of Art and Humanities Main Gallery, University of Texas At Dallas, 291 Kremer, Gary, Director, State Historical Society of Missouri State Historical Society of Missouri Art Collection, University of Missouri, Columbia, 348 Krestow, Jennifer, GCC Astronomy Department Head and Planetarium Administrator Glendale Community College Planetarium, Glendale Community College, 515 Kriner, Lisa L., Chair, Berea College Dept of Art Doris Ulmann Galleries, Berea College, 501 Krings, Alexander, Director North Carolina State University Herbaria, North Carolina State University, 373 Krishtalka, Leonard, Director of Administration Natural History Museum, University of Kansas, 491 Kulkarni, Shri, Director Palomar Observatory, California Institute of Technology, 511

L Laber, Phil, Chair, NMSU Dept of Art Olive Deluce Art Gallery, Northwest Missouri State University, 253 Lacy, William B. Bill, Director Robert J. Dole Institute of Politics, University of Kansas, 448 LaFountain, Wes, Interim Director Museum of Art, University of New Hampshire, 350 Lahamer, Amer, Chair, BC Department of Physics Berea College Weatherford Planetarium, Berea College, 507 Lajoie, Judith, Director of Administration for the Collection of Historical Scientific Collection of Historical Scientific Instruments, Harvard University, 547 Lamkin, Dennis, President, Glensheen Advisory Council Glensheen Historic Estate, University of Minnesota, Duluth, 449 Landers, Jonathan, Executive Director Dr. Samuel D. Harris National Museum of Dentistry, University of Maryland, Baltimore, 474 Landschoot, Peter J., Director, Penn State Center for Turfgrass Science Mascaro-Steiniger Turfgrass Museum, Pennsylvania State University, 561 Landsman, Chad, Laboratory & Collections Manager, Luther College Anthropology Lab Ethnographic and Archaeological Collections, Luther College, 198 Lang, Tom, Chair, Webster University Art Department Cecille R. Hunt Gallery, May Gallery, and Small Wall Gallery, Webster University, 296 Lange, Christine, Special Assistant to the President, Community & Media Relations Art Galleries, Ringling College of Art and Design, 261 Lange, Gerard, Director of Exhibitions Barton Art Galleries, Barton College, 303 Langendoerfer, Amanda, Special Collections Librarian/Archivist E. M. Violette Museum, Truman State University, 445 Langer, James V., Curator Irene Cullis Gallery, Greenboro College, 234 LaRose, Matthew E. Taylor Greer Gallery, Ferrum College, 229 Larrison, Roben Jack, Curator Jensen Arctic Museum, Western Oregon University, 208 Larsen, Kristine, Assistant professor of physics and astronomy Copernican Observatory and Planetarium, Central Connecticut State University, 511 Larson, Ana, Director Theodor Jacobsen Observatory, University of Washington, 532 Larson, Arley, Chair, NMSU Dept. of Agriculture Northwest’s Agriculture Museum, Northwest Missouri State University, 190 Larson, Eric, Manager Marsh Botanical Gardens, Yale University, 388 LaSala, Jerry, Director Southworth Planetarium, University of Southern Maine, 531

624

Lattis, Jim, Director UW Space Place, University of Wisconsin-Madison, 533 Laudon, Robert, Chair, MUS&T Department of Geological Sciences & Engineering Mineral Museum, Missouri University of Science and Technology, 419 Laufer, Marilyn, Director Jule Collins Smith Museum of Fine Arts, Auburn University, 302 Lavin, Gabrielle, Manager and Interim Co-Director The Galleries at Moore, Moore College of Art and Design, 250 Lawler, Jeanette, Supervisor Royden G. Derrick Planetarium, Brigham Young University, 509 Lawson, Karol A, Director, Art Collection and Galleries Sweet Briar College Art Galleries, Sweet Briar College, 274 Lea, Susan, Chair, SFSU Department of Physics and Astronomy San Francisco State University Observatory, San Francisco State University, 522 Leake, David, Director William N. Staerkel Planetarium, Parkland College, 520 LeCroy, Sara E., Curator Gulf Coast Research Laboratory Museum, University of Southern Mississippi, 469 Lee, Gregory, Executive Director Red Butte Garden and Arboretum, University of Utah, 385 Lee, Lisa Yun, Director Jane Addams Hull-House Museum, University of Illinois At Chicago, 447 Leff, Cathy, Director The Wolfsonian-FIU, Florida International University, 313 Lehman, Josh, Director of Public Affairs, Cameron University Inasmuch Foundation Art Gallery, Cameron University, 218 Leising, Mark, Interim Chair, Clemson University Department of Physics and Astronomy Clemson University Planetarium, Clemson University, 511 Leite, Mike, Museum Coordinator Eleanor Barbour Cook Museum of Geology, Chadron State College, 417 LeJeune, Margaret, Director Kresge Gallery, Lyon College, 245 Lenhart, Stephen, Executive Director & Curator Museum of the Earth Sciences, Radford University, 421 Lentz, Thomas, Director Arthur M. Sackler Museum, Harvard University, 316 Lentz, Thomas, Elizabeth and John Moors Cabot Director of the Harvard University Art Harvard Art Museums, Harvard University, 315 Lester, Bill, Chair, Delta State University Dept. of Art Wright Art Center Gallery, Delta State University, 226 Levinthal, Beth E, Executive Director Hofstra University Museum, Hofstra University, 317 Lewis, David C., Associate Dean, MSU College of Architecture, Art + Design Art Galleries, Mississippi State University, 249 Lewis, Felicia, Director, KSU Communications/Public Relations Jackson Hall Gallery, Kentucky State University, 241 Lewis, Frank, Director/Curator Wriston Art Center Galleries, Lawrence University, 242 Lewis, Joseph S., Director Beall Center for Art + Technology, University of California, Irvine, 279 Licht, Paul, Director University of California Botanical Garden at Berkeley, University of California, Berkeley, 377 Lieberman, Richard K., Director LaGuardia and Wagner Archives Museum, Laguardia Community College, City University of New York, 439 Lincoln, Louise, Director Art Museum, Depaul University, 311 Lindquester, Gary, Chair, RC Biology Department Rhodes College Herbarium, Rhodes College, 375 Linga, Mark, Public Relations Officer MIT List Visual Arts Center, Massachusetts Institute of Technology, 247 Lini, Andrea, Chair, UVM Dept. of Geology Perkins Geology Museum, University of Vermont, 424 Link, Catherine, Administrative Assistant, Dean’s Office Sordoni Art Gallery, Wilkes University, 299 Linton, Meg, Director of Galleries and Exhibitions Ben Maltz Gallery, Otis College of Art and Design, 256 Lipan, Petruta, Director ST. Louis University Museum of Art, St. Louis University, 335 Lipan, Tai, Director Jessie C. Wilson Art Galleries, Anderson University, 209 Lipchinski, Larry, Curator W. G. Burroughs Geology Museum, Berea College, 417

Key Personnel Index Liston, Aaron, Director Oregon State University Herbariums, Oregon State University, 374 Livesay, Tom, Director Louisiana State University Museum of Art, Louisiana State University, 321 Lizama, Silvia, Chair, Barry University Dept of Fine Arts Andy Gato Gallery, Barry University, 212 Lo, Fred K.Y., Director National Radio Astronomy Observatory and other observatories, Associated Universities, Inc., 506 Lofgren, John Z., Director Appleton Museum of Art, Central Florida Community College, 307 Logsdon, John, Director, University of Iowa Pentacrest Museums Museum of Natural History, University of Iowa, 490 Longhenry, Susanne, Director Harwood Museum of the University of New Mexico, University of New Mexico, 350 Looper, Gail, Gallery Manager Appalachian Center for Crafts Galleries, Tennessee Tech University, 275 LoSchiavo, Joseph, Associate Vice President and Executive Director of the Quick Center F. Donald Kenney Museum and Art Study Wing, St. Bonaventure University, 334 Lotz, Theo, Director Art Gallery, University of Central Florida, 280 Lovell, Charles M., Director Newcomb Art Gallery, Tulane University, 339 Loving, Charles R., Director Snite Museum of Art, University of Notre Dame, 352 Lowe, Alan C., Director George W. Bush Presidential Library, Southern Methodist University, 463 Loyer, Milton, Archivist Archives of the Susquehanna Conference of the United Methodist Church, Lycoming College, 543 Lubar, Steven, Director Haffenreffer Museum of Anthropology, Brown University, 195 Lucas, Andy, Director French Building Gallery and Amherst Gallery, New Hampshire Instiute of Art, 251 Luebbers, Leslie, Director Art Museum, University of Memphis, 346 Lueth, Virgil W., Curator New Mexico Bureau of Geology Mineral Museum, New Mexico Insitute of Mining and Technology, 420 Lutnesky, Marv, Chair, ENMU Dept of Biology Natural History Museum, Eastern New Mexico University, 482

M Mackie, Thomas, Director Abraham Lincoln Library and Museum, Lincoln Memorial University, 460 MacLaren, Shelley, Director Art Gallery, University of the South, 292 MacLellan, Iain, Director Alva de Mars Megan Chapel Art Center, St. Anselm College, 268 MacNaughton, Mary, Director Ruth Chandler Williamson Gallery, Scripps College, 265 MacNeil, R. Lamont, Dean, School of Dental Medicine School of Dental Medicine Museum, University of Connecticuit Health Center, 473 Madrigal, Heriberto, Preserve Manager Lytle Ranch Preserve, Brigham Young University, 365 Maguire, Nancy, Chief Curator, Exhibitions & Collections, Rutgers-Camden Center for th Stedman Art Gallery, Rutgers, the State University of New Jersey, 331 Mahajan, Salema, Curator Museum of Long Island Natural Sciences, State University of New York At Stony Brook, 488 Mahon, Jan Sievers, Director Edith J. Carrier Arboretum and Botanical Gardens, James Madison University, 371 Mallory, Catherine, Director, Gallery of Visual Arts Paxson Gallery, University Center Gallery, and Gallery of Visual Arts, University of Montana, 285 Maloney, Judith, Director Museum of Art, Juniata College, 319 Maloney, Mary, Director Chadwick Arboretum and Learning Gardens, Ohio State University, 374 Mandeville, Joyce, Director T. W. Wood Gallery and Arts Center, Vermont College, 294 Manley, Roger, Director Gregg Museum of Art and Design, North Carolina State University, 325 Marcotrigiano, Michael, Director Botanic Garden of Smith College, Smith College, 376 Mares, Michael, Director Sam Noble Oklahoma Museum of Natural History, University of Oklahoma, 494 Margolies, Dave, Interim Head, KSU Dept. of Entymology Kansas State University Insect Zoo, Kansas State University, 395

Marichal, Flavia, Director Museum of History, Anthropology, and Art, University of Puerto Rico, 414 Marino, Christy, Curator Spindletop-Gladys City Boomtown Museum, Lamar University, 438 Marino, Margaret M., Executive Director North Museum of Natural History and Science, Franklin and Marshall College, 483 Marinuzzi, Tammy Art Gallery, Gulf Coast Community College, 235 Marsden-Atlass, Lynne, Director, Arthur Ross Gallery Arthur Ross Gallery and Fox Art Gallery, University of Pennsylvania, 288 Marshall, Charles, Director University of California Museum of Paleontology, University of California, Berkeley, 499 Marshall, Cora, Chair, CCXU Department of Art Art Galleries, Central Connecticut State University, 220 Martin, Craig, Director Art Galleries, Purdue University, 259 Martin, Jay, Director and Curator of History Museum of Cultural and Natural History, Central Michigan University, 481 Martin, Jerry, Director Lowell D. Holmes Museum of Anthropology, Wichita State University, 208 Martin, Loretta Louden-Heritze Archaeology Museum, Trinidad State Junior College, 201 Martin, Patrick, Acting Chair, Emporia State University Art Departments Norman R. Eppink Art Gallery, Emporia State University, 229 Martin, Richard, Chair, ISU Department of Physics Illinois State University Planetarium, Illinois State University, 516 Martinez, Katherine, Director Center for Creative Photography, University of Arizona, 502 Maschner, Herbert, Director Idaho Museum of Natural History, Idaho State University, 484 Mason, Wally, Director Patrick and Beatrice Haggerty Museum of Art, Marquette University, 322 Massey, Allyn, Chair, Goucher College Art & Art History Department Rosenberg Gallery and Silber Art Gallery, Goucher College, 233 Mast, Austin, Director Robert K. Godfrey Herbarium, Florida State University, 368 Mastandrea, Eva, Chair, Dept of Art Western Art Gallery/Museum, University of Montana Western, 285 Mattison, Robert S., Head of the Lafayette College Art Department Art Galleries, Lafayette College, 241 Matuscak, Melissa, Director and Curator DeVos Art Museum, Northern Michigan University, 326 Matzko, George, Chair, BJU Division of Natural Science Howell Memorial Planetarium, Bob Jones University, 507 Maurer, Sherry C., Director Art Museum, Augustana College (Illinois), 302 Mayeux, David, Director SJC Planetarium, San Juan College, 522 Mayo, Martha, Director,Center for Lowell History Middlesex Canal Collection, University of Massachusetts Lowell, 449 McCaffety-Scott, Lisa, Chief Operating Officer/ Acting Director Ogden Museum of Southern Art, University of New Orleans, 351 McCamey, Sheldon, Director Museum of the Rockies, Montana State University, 486 McCartney, Kevin, Director Northern Maine Museum of Science, University of Maine At Presque Isle, 491 McCauley, Anne, Chair, Art and Art History Department Bobbitt Visual Arts Center, Albion College, 209 McCollough, Jen, Archivist Old Castle Museum, Baker University, 428 McConachie, Bruce, Chair, University of Pittsburgh Dept. of Theatre Arts Historic New Harmony, University of Southern Indiana, 451 McCreary, Teresa, Chair, Hawaii Pacific University Dept. of Arts & Humanities Art Gallery, Hawaii Pacific University, 236 McCrossin, Monte New Mexico State University Museum, New Mexico State University, 199 McCuistion, John, Chair, Art Department, University of Puget Sound Kittredge Gallery, University of Puget Sound, 288 McDavid, Stephanie, Director Vardell Gallery, St. Andrews Presbyterian College, 268 McDonald, Lynn, Program Coordinator Dyer Observatory, Vanderbilt University, 534 McDonnell, Patricia, Director Ulrich Museum of Art, Wichita State University, 362 McDowell, William, Chair, UV Dept of Art & Art History Francis Colburn Gallery, University of Vermont, 292 McElhone, Bill, Director Kalamazoo Valley Museum, Kalamazoo Valley Community College, 547

625

Key Personnel Index McEwin, Florence Alfano Art Gallery, Western Wyoming Community College, 298 McFarland, Renee, Executive Director Kleist Health Education Center, Florida Gulf Coast University, 471 McGaugh, Houston, Director Star of the Republic Museum, Blinn College, 429 McGee, Michael, Technical Director UA Science: Flandrau, University of Arizona, 549 McGee, Mike, Director Main Art Gallery, California State University, Fullerton, 217 McGlumphy, Doug, Director Olin Art Gallery, Washington and Jefferson College, 295 McGuire, Amanda Siegfried H. Horn Museum, Andrews University, 193 McHale Milner, Claire Matson Museum of Anthropology, Pennsylvania State University, 199 McKamey, Sheldon, Dean & Director, Museum of the Rockies Living History Farm, Montana State University, 190 McKinnon, E. Luanne, Director Art Museum, University of New Mexico, 350 McLaughlin, Mark, Director Shaver’s Creek Environmental Center, Pennsylvania State University, 374 McMinimy, Gisele, Director of Public Relations, Friends University Riney Fine Arts Center Gallery, Friends University, 231 McMullin, Patrick, Interim Director South Carolina Botanical Garden, Clemson University, 367 McNamara, Kate, Director & Chief Curator Art Gallery, Boston University, 214 McNeil, Tim, Director UC Davis Design Museum, University of California, Davis, 340 McNeil, Tim, Museum Director UC Davis Design Museum, University of California, Davis, 279 McNulty, Barbara, Acting Director Suzanne H. Arnold Art Gallery, Lebanon Valley College, 242 McPherson, Bruce, Dean, Penn State College of Agricultural Sciences Pasto Agricultural Museum, Pennsylvania State University, 191 McSweeney, Kevin, Director University of Wisconsin-Madison Arboretum, University of Wisconsin-Madison, 386 Meade, Douglas, Chair, Fine & Performing Arts Department Walter E. Tehune Gallery, Owens Community College, 256 Meade, Wade, Director Louisiana Tech Museum, Louisiana Tech University, 461 Mecredy, Randy, Director Alabama Museum of Natural History, University of Alabama, 488 Megill, Ed, Director SRJC Planetarium, Santa Rosa Junior College, 523 Mehl, Katherine, Curator University of North Dakota Zoology Museum, University of North Dakota, 558 Mella, Joseph L., Director, Vanderbilt University Fine Arts Gallery Fine Arts Gallery and Sarratt Gallery, Vanderbilt University, 294 Menard, Jeremy, Director Art Galleries, University of South Dakota, 289 Mencher, Kenney, Director Louie-Meager Art Gallery, Ohlone College, 255 Mendieta, Juan, Director of Communications, Miami-Dade College Art Galleries, Miami Dade College, 248 Mercurio, Sherry, Director of Public Relations, Franklin University Bunte Gallery, Franklin University, 231 Merrill, Richard, Chair, GCC Art & Photography Dept. Glendale Community College Art Collection, Glendale Community College, 315 Merriman, Larry, Director Cecelia Coker Bell Gallery, Coker College, 222 Metcalf, Michael, Professor of Visual Arts Francis McCray Gallery, Western New Mexico University, 298 Meyer, Paul W., F. Otto Haas Director Morris Arboretum, Morris Arboretum of the University of Pennsylvania, 373 Meyers, Amy, Director Yale Center for British Art, Yale University, 363 Mikolajczak, Jeremy, Director and Chief Curator UCM Gallery of Art and Design, University of Central Missouri, 280 Millard, Lee S., Gallery Associate Haas Gallery of Art, Bloomsburg Uiversity of Pennsylvania, 214 Mille, Diana, Director, Walsh Gallery Thomas J. Walsh Art Gallery and Lukacs Art Gallery, Fairfield University, 229 Miller, Darren Lee, Director Bowman Gallery, Penelec Gallery, and Megahan Gallery, Allegheny College, 209 Miller, Dick, Chair, GSU Department of Physics and Astronomy Hard Labor Creek Observatory, Georgia State University, 515 Miller, George, Director C. E. Smith Museum of Anthropology, California State University, East Bay, 195

626

Miller, Gwen, Director Abner Hershberger Art Gallery, Goshen College, 233 Miller, Joan Shannon, Visual Arts Galleries Coordinator School of Art and Design Galleries, University of Northern Colorado, 287 Miller, Kevin, Director Southeast Museum of Photography, Daytona State College, 502 Miller, Lenore D., Director & Chief Curator Luther W. Brady Art Gallery and Dimock Gallery, George Washington University, 232 Miller, Margaret A., Director Contemporary Art Museum, University of South Florida, 353 Millican, Marvanna, Executive Secretary Oklahoma Museum of Higher Education, Oklahoma State University, 441 Mills, Dan, Director Museum of Art, Bates College, 303 Miot, Jonathan, Director Santa Fe Community College Teaching Zoo, Santa Fe Community College, 557 Miranda, Patricia, Director OSilas Gallery, Concordia College New York, 225 Mitchell, Breon, Director Lilly Library Galleries, Indiana University, 460 Mitchell, Deborah J., Director Apex Gallery, South Dakota School of Mines and Technology, 267 Modica, Mary Jo, Director University of Alabama Arboretum, University of Alabama, 376 Moldenhauer, Susan, Director & Chief Curator University of Wyoming Art Museum, University of Wyoming, 356 Monfils, Anna, Director University Herbarium, Central Michigan University, 366 Mongomery, John, Director Blackwater Draw Museum, Eastern New Mexico University, 196 Monigold, Sharon, Director of Bethany Heritage Program and Archivist Alexander Campbell Mansion, Bethany College, 429 Moody, William T., Director Sarah Moody Gallery of Art, University of Alabama, 277 Mooers, Howard, Director Marshall W. Alworth Planetarium, University of Minnesota, Duluth, 529 Moore, Carleton B., Director Center for Meteorite Studies Museum, Arizona State University, 416 Moore, Gina Ponder Fine Arts Gallery, Benedict College, 213 Moore, Jennifer Slye, Administrative Support Coordinator, HSUArt Department Reese Bullen Gallery, Humboldt State University, 237 Moore, Roddy, Director Blue Ridge Farm Museum, Ferrum College, 189, 434 Moorefield, Amy, Director Eleanor D. Wilson Museum, Hollins University, 317 Morales, JoAnn, Chair, EAC Division of Social Sciences Museum of Anthropology, Eastern Arizona College, 196 Morgan, Gary, Director Michigan State University Museum, Michigan State University, 485 Morgan, Steve, Director Rollins Planetarium, Young Harris College, 537 Moritz, Craig, Director Museum of Vertebrate Zoology, University of California, Berkeley, 558 Morley, Stephen, Director Glencairn Museum, Bryn Athyn College, 540 Morrell, John D., Chair, Georgetown University Dept. of Art and Art History Art Galleries, Georgetown University, 232 Morris, Shannon, Curator Georgia College and State University Museum, Georgia College and State University, 435 Morris, Valerie B., Dean, School of the Arts Halsey Institute of Contemporary Art, College of Charleston, 222 Morris-Hunt, Carolyn, Chief Operating Officer Burchfield Penney Art Center, State University of New York At Buffalo, 337 Morrison, Cindy, Director Mulvane Art Museum, Washburn University of Topeka, 359 Morse, John, Director Clemson University Arthropod Collection, Clemson University, 395 Moss, Theresa, Director Oscar E. Monnig Meteorite Gallery, Texas Christian University, 422 Mostafavi, Mohsen, Dean, Harvard University Graduate School of Design Graduate School of Design Gund Gallery and Frances Loeb Library Special Collections Gallery, Harvard University, 236 Motta, Ha’ouli, Business Manager ‘Imiloa Astronomy Center of Hawaii, University of Hawaii, 528 Moyer, G. Gary, Executive Director Southern Alleghenies Museum of Art, St. Francis University, 334 Muhlert, Jan, Director Palmer Museum of Art, Pennsylvania State University, 328 Mulligan, Tim, Director of External Affairs, Bard Graduate Center Gallery at the BGC, Bard College, 212

Key Personnel Index Mullin, Timothy, Head, Department of Library Special Collections Kentucky Library and Museum, Western Kentucky University, 456 Munch, Gary, Director Art Gallery, University of Bridgeport, 278 Mundy, James, The Anne Hendricks Bass Director Frances Lehman Loeb Art Center, Vassar College, 358 Murphy, Edward M., Associate Professor, UVA Dept. of Astronomy Leander McCormick Observatory, University of Virginia, 531 Murphy, Penny, Director, HU Public Relations Henderson State University Museum, Henderson State University, 411 Murray, Jennifer, Director A + D Gallery, Columbia College Chicago, 224 Musser, Linda, Head, Earth and Mineral Sciences Library Fletcher L. Byrom Earth and Mineral Sciences Library, Pennsylvania State University, 462 Myall, James, Collection Coordinator Franco-American Collection, University of Southern Maine, 409 Myers, Don, Director and Senior Curator Hillstrom Museum of Art, Gustavus Adolphus College, 315 Myers, Jeannette M., Director Dooley Planetarium, Francis Marion University, 514 Myers-Bromwell, Erika, Director New Harmony Gallery of Contemporary Art, University of Southern Indiana, 289

N Nagy, Rebecca Martin, Director Samuel P. Harn Museum of Art, University of Florida, 343 Nathan, Jacqueline, Director Fine Arts Center Galleries, Bowling Green State University, 214 Neefus, Christoper D., Chair, UNH Dept. of Biological Sciences Jesse Hepler Lilac Arboretum, University of New Hampshire, 382 Neidert, David, Director Gustav Jeeninga Museum of Bible and Near Eastern Studies, Anderson University, 539 Neilson, Mark, Director, Slusser Gallery School of Art and Design Galleries, University of Michigan, 284 Neimann, William L., Chair, Marshall University Geology Department Geology Museum, Marshall University, 418 Nelson, John, Chief Curator University of South Carolina Herbarium, University of South Carolina, 384 Nelson-Mayson, Lin, Director Goldstein Museum of Design, University of Minnesota, Twin Cities, 393 Nerio, L.B., Curator John Young Museum of Art, University of Hawaii At Manoa, 343 Netzer, Nancy McMullen Museum of Art, Boston College, 304 Newland, Judy, Director Museum of Anthropology, Arizona State University, 193 Nguyen, Peter, Director Crisp Museum, Southeast Missouri State University, 412 Nicholls, Wilff, Director State Botanical Garden of Georgia, University of Georgia, 380 Nichols, Nick, Caretaker Fan Mountain Observatory, University of Virginia, 532 Nick, Lloyd, Director Museum of Art, Oglethorpe University, 327 Nicoletti, Lisa, Chair, CC Department of Art and Visual Culture Turner Art Center Gallery and Magale Library Gallery, Centenary College of Louisiana, 219 Nicoll, Jessica, Director and Louise Ines Doyle ‘34 Chief Curator Smith College Museum of Art, Smith College, 333 Nolan, Patrick B., Director Sam Houston Memorial Museum, Sam Houston State University, 442 Norman, Georgette, Director Rosa Parks Library and Museum, Troy University, 406 Nostrala,, Justin, Chair, Simpson College Dept. of Art Farnham Galleries, Simpson College, 266 Nuno, Jo, Administrative Assistant, University of Redlands Art Department Peppers Art Gallery, University of Redlands, 288

O O’Brien, Michael, Director Museum of Anthropology, University of Missouri, Columbia, 204 O’Day, Tom Fine Arts Gallery, Spokane Falls Community College, 268 O’Dell, Shannon, Director/Curator Sindecuse Museum of Dentistry, University of Michigan, 474

O’Harrow, Sean, Executive Director University of Iowa Museum of Art, University of Iowa, 344 Ober, Ingram, Director Boehm Gallery, Palomar College, 257 Oelkrug, Paul, Coordinator for Special Collections History of Aviation Collection, University of Texas At Dallas, 466 Oglesbee, Brent T., Head of the WKU Dept of Art Art Gallery and Corridor Galleries, Western Kentucky University, 297 Olbrantz, John, Maribeth Collins Director Hallie Ford Museum of Art, Willamette University, 362 Olive, Don, Associate Professor of Physics Craven E. Williams Observatory, Gardner-Webb University, 514 Olivetti, Dan, Director Lore Degenstein Gallery, Susquehanna University, 274 Olsen, Sandra H., Director, UB Art Galleries Art Galleries, State University of New York At Buffalo, 271 Olson, Randy W., Director Allen F. Blocher Planeterium, University of Wisconsin-Stevens Point, 534 Oransky, Howard, Director Katherine E. Nash Gallery, University of Minnesota, Twin Cities, 285 Ordonez, Margaret, Director Historic Textile and Costume Collection, University of Rhode Island, 394 Orlando, Fran, Director Hicks Art Center Gallery, Bucks County Community College, 216 Ortiz, Steve, Director Tandy Archaeological Museum, Southwestern Baptist Theological Seminary, 545 Otto, Rick, Superintendent Ashfall Fossil Beds State Historical Park, University of Nebraska-Lincoln, 499 Otto-Miller, Jackie, Director Anita S. Wooten Gallery, Valencia Community College, 293 Overstreet, Karen, Interim Director, LSU’s School of Human Ecology LSU Textile and Costume Museum, Louisiana State University, 391 Owen, Lewis, Head of the Geology Department, U of C Durrell Museum, University of Cincinnati, 423

P Packard, Andrea, Director List Gallery, Swarthmore College, 274 Packard, Sally, Chair, TCU School of Art The Art Galleries at TCU, Texas Christian University, 276 Palladino-Craig, Allys, Director/Editor-in-Chief, MoFA Press Museum of Fine Arts, Florida State University, 313 Palmer, Cathy, Archivist, Northwest Archives - Northwest History, Owens Library Warren Stucki Museum of Broadcasting, Northwest Missouri State University, 561 Palmer, Cathy, Owens Library Archivist Northwest History Museum and Archives, Northwest Missouri State University, 461 Panczenko, Russell, Director Chazen Museum of Art, University of Wisconsin-Madison, 356 Panek, Lawrence, Chair, Widener University’ Department of Physics and Astronomy Widener University Observatory, Widener University, 536 Pannabecker, Rachel, Director Kauffman Museum, Bethel College, 480 Paoletta, Donald, Chair, NWU Department of Art Elder Art Gallery, Nebraska Wesleyan University, 324 Paquin, Ralph, PC Art Department Chairperson Elizabeth Stone Harper Art Gallery, Presbyterian College, 259 Pardee, Cyndi, Community Education Supervisor Robert T. Dixon Planetarium, Riverside City College, 521 Parker, Reno, Chair, MSUN Department of Science and Mathematics Hagener Collection, Montana State University-Northern, 486 Parnell, Jerry, Coordinator of Special Collections, William M. Randall Library Museum of World Cultures, University of North Carolina At Wilmington, 205 Parsley, Nancy, Dean, Dr. William M. Scholl College of Podiatric Medicine Feet First Exhibit, Rosalind Franklin University of Medicine and Science, 472 Paster, Gail Kern, Director Folger Shakespeare Library, Amherst College, 458 Pasti, Sara J., Neil C. Trager Director Samuel Dorsky Museum of Art, State University of New York At New Paltz, 337 Patnode, J. Scott, Director/Curator Jundt Art Museum, Gonzaga University, 315 Patterson, Terry, Program Director Jackson’s Mill Historic Area, West Virginia University, 456

627

Key Personnel Index Patteson, Rita S., Director Armstrong Browning Library, Baylor University, 458 Pauley, Edward E., Director Kennedy Museum of Art, Ohio University, 327 Peche, Alan, Director Barlow Planetrium, University of Wisconsin-Fox Valley, 532 Pena, Joe, Director Art Galleries, Texas A&M University-Corpus Christi, 275 Penprase, Bryan, Director of the Frank P. Brackett Observatory and Astronomy Program Co Frank P. Brackett Observatory, Pomona College, 520, 521 Pepper, Jen, Director Art Gallery, Cazenovia College, 219 Perkins, Allison C., Executive Director Reynolda House Museum of American Art, Wake Forest University, 359 Perkins, Anika Mitchell, Director, MUW Office of Public Affairs Mississippi University for Women Archives and Museum, Mississippi University For Women, 461 Perkins, Stephen, Curator of Art Lawton Gallery, University of Wisconsin-Green Bay, 292 Perron, Michelle, Director Center Galleries, College For Creative Studies, 222 Peterson, Bradley, Chair, OSU Department of Astronomy Ohio State University Planetarium, Ohio State University, 519 Peterson, Laura, Assistant Professor of Environmental Studies Geology Collection, Luther College, 418 Petrak, Danielle, Museum Coordinator and Curator Royce J. and Caroline B. Watts Museum, West Virginia University, 426 Pfannkuche, Sara, Specialist Anthropology Museum, Northern Illinois University, 199 Pfister, Donald J., Director University Herbarium, Harvard University, 369 Pfluger, Jim, Executive Director National Ranching Heritage Center, Texas Tech University, 444 Philbin, Ann, Director Franklin D. Murphy Sculpture Garden, University of California, Los Angeles, 341 Philbrick, Harry, Edna S. Tuttleman Director of the Museum Pennsylvania Academy of the Fine Arts Museum, Pennsylvania Academy of the Fine Arts, 328 Phillips, Patsy, Director Museum of Contemporary Native Arts, Institute of American Indian Arts, 402 Philyaw, Scott, Director Mountain Heritage Center, Western Carolina University, 456 Pierce, Suzanne, UCLA Dept. of Astronomy Manager UCLA Planetarium, University of California, Los Angeles, 526 Pilgrim, David, Curator Jim Crow Museum of Racist Memorabilia, Ferris State University, 400 Pillaert, E. Elizabeth, Director University of Wisconsin Zoological Museum, University of Wisconsin-Madison, 559 Pinney, Polly, Executive Director, ASU Facilities Management University Arboretum, Arizona State University, 364 Pisciotta, Henry, Arts and Architecture Librarian and Assistant Head Architecture and Landscape Architecture Library, Pennsylvania State University, 462 Pitard, Wayne T., Director Spurlock Museum, University of Illinois At Urbana-Champaign, 203 Pitblado, Bonnie, Director Museum of Anthropology, Utah State University, 207 Pittman, Meredith, University Welcome Center Coordinator Cullis and Gladys Wade Clock Museum, Mississippi State University, 561 Plowman, Stephanie Edwards, University Archivist Crosby Museum, Gonzaga University, 435 Pohlman, Lynette, Director and Chief Curator Brunnier Art Museum, Iowa State University, 318, 189 Polak, Sarah, Director Mari Sandoz High Plains Heritage Center, Chadron State College, 430 Polednik, Marcelle, Director Museum of Contemporary Art Jacksonville, University of North Florida, 352 Pollei, Dane, Director and Chief Curator Mabee-Gerrer Museum of Art, St. Gregory’s University, 335 Popadiuk, Roman, Executive Director, George Bush Presidential Library Foundation George Bush Presidential Library and Museum, Texas A&M University, 463 Pope, Linda, Director/Curator, Smith Gallery Eloise Pickard Smith Gallery and Mary Porter Sesnon Art Gallery, University of California, Santa Cruz, 280

628

Poplack, Robert, Director Wiegand Gallery, Notre Dame De Nemur University, 254 Pospisil, JoAnn, Archives Director Michael E. DeBakey Library and Museum, Baylor University, 470 Potter, Ben, Curator of Exhibitions Leonard R. Craig Gallery, Unity College, 277 Powell, Bob, Director University of West Georgia Observatory, University of West Georgia, 532 Powell, Buddy E., Director Mount Graham International Observatory, University of Arizona, 526 Powell, Keith, Associate Director African American Cultural Center Cultural Art Gallery, North Carolina State University, 403 Powell, Smith, Physics Professor Roberts Observatory, Berea College, 507 Prather, L. Alan, Director and Curator MSU Herbarium, Michigan State University, 372 Price, Erin, Curator Museum of Southern History, Houston Baptist University, 436 Prokopovych, Chrystyna, Coordinator/Curator Ukrainian Heritage Studies Center, Manor Junior College, 402 Przybysz, Jane, Executive Director McKissick Museum, University of South Carolina, 414 Purvis, William, Interim Director Yale University Collection of Musical Instruments, Yale University, 478 Pyrzewski, Tom, Interim Director Art Galleries, Wayne State University, 295

Q Quinn, Ashley, Manager Natural History Museum and Planetarium, Georgia College and State University, 483 Quintanilla, Faustino, Director QCC Art Gallery, Queensborough Community College, City University of New York, 260 Quist, Tanya, Director University of Arizona Campus Arboretum, University of Arizona, 376

R Racker, Barbara, Curator Art Gallery, Indiana State University, 238 Rader, Hannalore B., University Librarian University of Louisville Library Special Collections, University of Louisville, 464 Rahder, Bobbi, Curator Haskell Indian Nations University Cultural Center and Museum, Haskell Indian Nations University, 401 Rakow, Don, E.N. Wilds Director of Cornell Plantations Cornell Plantations, Cornell University, 367 Ramsay, Chris, Head of the OSU Dept. of Art Gardiner Art Gallery, Oklahoma State University, 255 Rand, Maria, Director Art Gallery, Brooklyn College, City University of New York, 215 Rasmussen, John, Director of Art Gallery & Curator Museum at the Katzen Arts Center, American University, 301 Rayburn, Terri, UMC Archivist Nebraska Conference United Methodist Historical Center, Nebraska Wesleyan University, 543 Redding, Russell, DVC Dean of Agriculture and Environmental Sciences Roth Living Farm Museum, Delaware Valley College, 189 Reel, David, Director West Point Museum, U. S. Military Academy, 446 Reeves, Kate, Manager Wrather West Kentucky Museum, Murray State University, 440 Reher, Charles Anthropology Museum, University of Wyoming, 207 Reichard, Sarah, Interim Director University of Washington Botanic Gardens, University of Washington, 386 Reiff, Susan, Executive Director Lady Bird Johnson Wildflower Center, University of Texas At Austin, 384 Reilly, Eliza J., Director Phillips Museum of Art, Franklin and Marshall College, 314 Reilly, Elizabeth, Curator Photographic Archives, University of Louisville, 503 Relyea, Linda Luther Bean Museum, Adams State College, 193 Render, Lorne E., Director Marianna Kisler Beach Museum of Art, Kansas State University, 320 Reser, Ray, Director Museum of Natural History, University of Wisconsin-Stevens Point, 496 Reuter, Laurel, Founding Director and Chief Curator North Dakota Museum of Art, University of North Dakota, 351

Key Personnel Index Reynolds, Jock, Henry J. Heinz II Director Yale University Art Gallery, Yale University, 363 Richards, David, Head of the Department, Missouri State University Libraries Meyer Library Special Collections and Archives, Missouri State University, 461 Richardson, Vivian, Assistant Director Arthur F. McClure II Archives and University Museum, Central Missouri State University, 459 Rick, John Keesing Museum of Anthropology, Stanford University, 200 Rickman, Jon, Director Jean Jennings Bartik Computing Museum, Northwest Missouri State University, 549 Ridgway, W. Clarke, Dean of Student Services Cook-Hayman Pharmacy Museum, West Virginia University, 476 Riker, Janet, Director Art Museum, State University of New York At Albany, 337 Rinder, Lawrence, Director University of California Berkely Art Museum and Pacific Film Archive, University of California, Berkeley, 340 Rindfleisch, Jan, Executive Director Euphrat Museum of Art, Deanza College, 311 Rinehart, Richard, Director Samek Art Gallery, Bucknell University, 216 Risser, Julie, Director American Museum of Asmat Art, University of St. Thomas, 354 Rizzo, Bryan, Athletic Director, Madonna University National Polish American Sports Hall of Fame, St. Mary’s College, 553 Robert, Probst, Dean, College of Design, Architecture, Art & Planning DAAP Galleries, University of Cincinnati, 280 Robertson, Bruce, Acting Director Art Museum, University of California, Santa Barbara, 341 Robertson, David Alan, Ellen Philips Katz Director Mary and Leigh Block Museum of Art, Northwestern University, 326 Robertson, Thomas, Chair, BSU Department of Physics and Astronomy Ball State Planetarium and Observatory, Ball State University, 507 Robertson, Tracee W., Director Art Galleries, University of North Texas, 287 Robinson, Bonnie, Director of Exhibitions Main Gallery and Gallery at University Hall, Art Institute of Boston, 211 Robinson, Franklin W., Richard J. Schwartz Director Herbert F. Johnson Museum of Art, Cornell University, 309 Rock, Patrick, Director Art Galleries, Portland State University, 259 Rodgers, Kenneth, Director NCCU Art Museum, North Carolina Central University, 403 Rodowick, D. N., Interim Director, Carpenter Center for the Visual Arts Carpenter Center for the Visual Arts Galleries, Harvard University, 236 Rodriguez, M. Teresa Lapid, Director George Segal Gallery, Montclair State University, 250 Roeper, Karen, Earlham College Associate Vice President for Public Affairs Leeds and Ronald Galleries, Earlham College, 227 Rogan, Clare, Curator Davison Art Center, Wesleyan University, 360 Rogers, Jennifer, Director Art Galleries, Coe College, 221 Rogers, Jr., James G., Director Melvin Art Gallery, Florida Southern University, 230 Roglan, Mark, Director Meadows Museum, Southern Methodist University, 333 Roha, Renee, Chair, NMSU Department of Geology/Geography Geoscience Museum, Northwest Missouri State University, 420 Rohs, Renee, Chair, NMSU Department of Geology/Geography Walter M. and Velma C. Troutman Collection, Northwest Missouri State University, 487 Romero, Mark, Curator Roosevelt County Museum, Eastern New Mexico University, 434 Romine, Cathleen A., Office Manager James Monroe Museum and Memorial Library, University of Mary Washington, 448 Rookis, Stefanie, Curator/Archivist Alabama Museum of the Health Sciences, University of Alabama At Birmingham, 473 Root, Deane L., Director, Center for American Music Center for Americam Music Museum, University of Pittsburgh, 478, 450 Rorschach, Kimerly, Mary D.B.T. and James H. Semans Director Nasher Museum of Art, Duke University, 311 Rosa, Joseph, Director University of Michigan Museum of Art, University of Michigan, 347 Rosen, Rhoda, Director Spertus Museum, Spertus Institute of Jewish Studies, 405 Rosenbaum, Joan, Helen Goldsmith Menschel Director The Jewish Museum, Jewish Theological Seminary of America, 542

Rosenthal, Ellen M., President & CEO Conner Prairie Interactive Historical Park, Earlham College, 433 Rossiter, Andrew, Director Waikiki Aquarium, University of Hawaii, 469 Rossman, Kathleen Greer, Interim Provost Robert R. Meyer Planetarium, Birmingham-Southern College, 507 Rothermel, Barbara, Director Daura Gallery, Lynchburg College, 245 Rowland, Kathleen, Curator Elizabeth Sage Historic Costume Collection, Indiana University, 390 Rozzi, Lynn, Director Firehouse Plaza Art Gallery, Nassau Community College, 251 Rubin, Anne, Director Gallery One, Washtenaw Community College, 295 Ruiz de Fischler, Carmen, Director Museum and Center for Humanistic Studies, University of Turabo, 206 Rush, Michael, Founding Director Eli and Edythe Broad Art Museum, Michigan State University, 323 Ruth, Darryl, President, NWVCC Alumni Association West Virginia Northern Community College Alumni Association Museum, West Virginia Northern Community College, 456 Ryan, Paul, Director Hunt Gallery, Mary Baldwin College, 246 Rylance, Keli, Head of the Southeastern Architectural Archive Southeastern Architectural Archive, Tulane University, 464

S Sachs, Sid, Director, Rosenwald-Wolf Gallery Rosenwald-Wolf and Other Galleries, University of the Arts, 292 Sain, Annette, Director Ralph Foster Museum, College of the Ozarks, 431 Salatino, Kevin, Director Museum of Art, Bowdoin College, 304 Salo, Kristen, Director of Student Involvement, Activities & Leadership Development UMC Art Gallery, University of Colorado At Boulder, 281 Salvadore, Mari Lyn, Director Phoebe Apperson Hearst Museum of Anthropology, University of California, Berkeley, 202 Salvante, Mary, Gallery and Exhibitions Program Director Art Gallery, Rowan University, 262 Sanchez, Stephanie, Director Art Gallery, Santa Rosa Junior College, 264 Sapp, D. David, Director Little Gallery, Bowling Green State University, 214 Sarlo, Karen Susie, Director of Operations Koshare Indian Museum, Otero Junior College, 404 Sarnoff, Jonathan, Chair, Limestone College Dept. of History Winnie Davis Hall of History, Limestone College, 438 Satkowiak, Larry, President and CEO The Cable Center, University of Denver, 561 Saunders, Richard, Director Museum of Art, Middlebury College, 323, 415 Sauro, Claire, Curator Drexel Historic Costume Collection, Drexel University, 389 Savage, Kirk, Chair, History of Art & Architecture, University of Pittsburgh Art Gallery, University of Pittsburgh, 288 Saverine, Peter, Director of Operations Bartlett Arboretum and Gardens, University of Connecticut, 379 Sawyers, Claire, Director Scott Arboretum of Swarthmore College, Swarthmore College, 376 Scarborough, Klare, Director and Chief Curator Art Museum, La Salle University, 321 Schaefer, Stacy, Co-Director Valene L. Smith Museum of Anthropology, California State University, Chico, 195 Schaller, Hydee, Director Elizabeth Myers Mitchell Gallery, St. John’s College, 268 Schapp, Rebecca, Director de Saisset Museum, Santa Clara University, 332 Scheetz, Rodney D., Curator/Manager Museum of Paleontology, Brigham Young University, 498 Schefcik, Jerry, Director Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, 286 Schelin, Jeanette, Director Earl Burns Miller Japanese Garden, California State University, Long Beach, 366 Schlegel, Amy Ingrid, Director of Galleries and Collections Tufts University Art Gallery, Tufts University, 339 Schlegel Jr., Daniel, Director Scurry County Museum, West Texas College, 455 Schleh, Karoline, Director Collins C. Diboll Art Gallery, Loyola University New Orleans, 244

629

Key Personnel Index Schmuckli, Claudia, Director and Chief Curator Blaffer Art Museum, University of Houston, 343 Schneider, Edward L., Director Minnesota Landscape Arboretum, University of Minnesota, Twin Cities, 382 Schwager, Michael, Director Art Gallery, Sonoma State University, 267 Schwartz, Scott, Director and Archivist for Music and Fine Arts Sousa Archives and Center for American Music, University of Illinois At Urbana-Champaign, 477 Scoats, Christopher, Director Art Museum, California State University, Long Beach, 306 Scott, Dan, Curator Davis Art Gallery, Stephens College, 273 Scott, Dave, Shasta Historical Society President Shasta College Museum and Research Center, Shasta College, 442 Scott, Roger, Director Hardin Planetarium, Western Kentucky University, 536 Seligman, Thomas K., John and Jill Freidenrich Director Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, 336 Severance, Diana, Director Dunham Bible Museum, Houston Baptist University, 542 Sevy, Pamela J., Director Vanderbilt University Arboretum, Vanderbilt University, 387 Shaffer, Colin, Gallery Assistant JCC Weeks Gallery, Jamestown Community College, 239 Shannon, Patrice, Interim Director Oak Hill and the Martha Berry Museum, Berry Colege, 428 Shaw, Brian D., President, George C. Marshall Foundation George C. Marshall Museum, Virginia Military Institute, 454 Shaw, Katie, Curator Flippo Gallery, Randolph-Macon College, 260 Shaw, Scott, Director University of Wyoming Insect Museum, University of Wyoming, 397 Sheehan, Diane, Faculty Director/Chair, UW-M Department of Design Studies Helen Louise Allen Textile Collection, University of Wisconsin-Madison, 394 Sheesley, Tim, Director Martin-Muller Art Gallery, State University of New York At Oneonta, 272 Sheldon, Fred, Director Louisiana Museum of Natural History and Museum of Natural Science, Louisiana State University, 485 Shell, Blake, Archer Gallery Curator/Manager Archer Gallery, Clark College, 220 Shelton, Sally, Interim Director/Collections Manager Museum of Geology, South Dakota School of Mines and Technology, 421 Shepard, Leslie, Director, BSA Alcazar Gallery, Baltimore School For the Arts, 212 Shieh, Suewhei, Director Asian Arts Gallery, Towson University, 338 Shipman, John, Director Art Galleries, University of Maryland, College Park, 284 Shiroki, Kathy Gaye, Director Czurles-Nelson Gallery, Buffalo State College, 216 Shirwin, Ronald, Chair, Division of Fine Arts Art Center Gallery at Miriam Hall, Anna Maria College, 210 Shue, Jordan Leonard Pearlstein Gallery, Drexel University, 227 Shull, Peter, Associate Professor of Physics H. S. Mendenhall Observatory, Oklahoma State University, 519 Sicchio, Mary, Special Collections Librarian William Brewster Nickerson Cape Cod History Archives, Cape Cod Community College, 459 Siegwarth, Mark, Director Boyce Thompson Arboretum, University of Arizona, 377 Sievers, Ann H., Director and Curator Art Gallery, St. Joseph College, 335 Silva, David, Director National Optical Astronomy Observatory and other observatories, Association of Universities For Research In Astronomy, 506 Silverthorne, Jeanette Miriam and Ira D. Wallach Art Gallery, Columbia University, 224 Simmons, Jerry, Museum Coordinator Thomas E. McMillan Museum, Jefferson Davis Community College, 437 Simore, Suzanna, Director Arts Center, Queens College, City University of New York, 260 Sims, Lesley, HNU Director of Marketing and PR Kennedy Art Center Gallery, Holy Names University, 237 Sinopoli, Carla, Curator & Director Museum of Anthropology, University of Michigan, 204 Slaughter, Richard, Director Geology Museum, University of Wisconsin-Madison, 424

630

Slemmons, Rod, Director Museum of Contemporary Photography, Columbia College Chicago, 501 Smith, Allyson, Director CU Heritage Center, University of Colorado, 447 Smith, Colleen, Manager Cranbrook House and Gardens, Cranbrook Educational Community, 432 Smith, Dale, Director Bowling Green State University Planetarium and Observatory, Bowling Green State University, 508 Smith, Ed, Director Art Gallery, Marist College, 245 Smith, Gary, Director Art Gallery, Hartnell College, 236 Smith, Joey, RCC Art Department Art Gallery, Riverside City College, 261 Smith, John W., Director Museum of Art, Rhode Island School of Design, 330 Smith, Lee Roy, Hall of Fame Director National Wrestling Hall of Fame and Museum, Oklahoma State University, 553 Smith, Margo, Director Kluge-Ruhe Aboriginal Art Collection, University of Virginia, 409 Snoddy, Suzie, Administrative Assistant, University Museums Museum of American Architecture and Decorative Arts, Houston Baptist University, 436 Snoke, Art, Head of the UW Dept of Geology and Geophysics University of Wyoming Geological Museum, University of Wyoming, 425 Snyder, Eric, Gallery Secretary Todd Art Gallery, Middle Tennessee State University, 248 Snyder, Stephanie, John and Anne Hauberg Curator and Director Douglas F. Cooley Memorial Gallery, Reed College, 260 Socolofsky, Kathy Johnson, Director UC Davis Arboretum, University of California, Davis, 378 Solar, Gary S., Chair, BSC Department of Earth Sciences Whitworth Ferguson Planetarium, State University of New York At Buffalo, 524 Solvay, Marilyn C., Director Sullivan Museum and History Center, Norwich University, 441 Sommermann, Michael, Professor of Physics Carroll Observatory, Westmont College, 536 Soosloff, Phillip Art Gallery, Rockford College, 262 Sordahl, Tex, Director Hoslett Museum of Natural History, Luther College, 485 Spears, Carolyn, Director Stone Fort Museum, Stephen F. Austin State University, 443 Speck, Angela, Director of Astronomy, UM Dept. of Physics and Astronomy Laws Observatory, University of Missouri, Columbia, 529 Speed, Bonnie, Director Michael C. Carlos Museum, Emory University, 312 Speer, George V., Director NAU Art Museum, Northern Arizona University, 326 Spencer, Ross, Chair, BYU Department of Physics and Astronomy Orson Pratt Observatory, Brigham Young University, 509 Spencer, Vivian, Director Visual Arts Gallery, Pensacola Junior College, 258 Spergel, David, Chair, PU Department of Astrophysics Peyton Observatory, Princeton University, 521 St. Clair, Larry, Director Monte L. Bean Life Science Museum, Brigham Young University, 480 Stafford, Michael D., Director Cranbrook Institute of Science, Cranbrook Educational Community, 547 Stage, Elizabeth K., Director Lawrence Hall of Science, University of California, Berkeley, 550 Stager, Lawrence D., Director & Curator Semitic Museum at Harvard University, Harvard University, 197 Stake, Peter, Director Schick Art Gallery, Skidmore College, 266 Staley, Thomas F., Director Harry Ransom Center, University of Texas At Austin, 465 Stallings, Tyler, Director Sweeney Art Gallery, University of California, Riverside, 279 Stavast, Paul, Director Museum of Peoples and Cultures, Brigham Young University, 194 Steed, Lisa, Interim Director Art Galleries, Stephen F. Austin State University, 273 Steele, Curtis, Chairman, ASU Dept. of Art Other Art Galleries, Arizona State University, 211 Steele, David, Polk State College Director of Communications Art Gallery, Polk State College, 258 Steele, Valerie, Director Museum of FIT, Fashion Institute of Technology, 390

Key Personnel Index Steger, John, Chair, Miami-Dade College Kendall Campus Dept. of Chemistry & Physics Earth Science Museum and Demonstration Center, Miami Dade College, 419 Stein, Julie K., Executive Director Burke Museum of Natural History and Culture, University of Washington, 496 Stein, Raymond Saa, Chair, Drew University Art Dept Elizabeth P. Korn Art Gallery, Drew University, 227 Steinhaus, Kurt, Executive Office Director, Los Alamos National Laboratory Bradbury Science Museum, University of California, Berkeley, 550 Stell, Cortney Lane, Director Phillip J. Steele Gallery, Rocky Mountain College of Art + Design, 262 Stepe, Megan, Curator Fine Arts Gallery, Seminole State College, 266 Steward, James Christen, Director Art Museum, Princeton University, 329 Steward, Kent, Director, Fort Hays State UniversityOffice of University Relations Moss-Thorns Gallery of Art, Fort Hays State University, 231 Stewart, Lorelei, Director Gallery 400, University of Illinois At Chicago, 283 Stewart-Abernathy, Judith, Director Arkansas Tech University Museum, Arkansas Tech University, 428 Stirratt, Betsy M., Director The Grunwald Gallery of Art, Indiana University, 238 Stockton, Preston, Manager Reynolda Gardens of Wake Forest University, Wake Forest University, 387 Stomberg, John, Director Art Museum, Mount Holyoke College, 324 Stomberg, John R., Florence Finch Abbott Director Skinner Museum of Mount Holyoke College, Mount Holyoke College, 440 Stone, Karen, Chair, SOU Department of Biology Southern Oregon University Museum of Vertebrate Natural History, Southern Oregon University, 487 Strege, Gayle, Curator Historic Costume and Textiles Collection, Ohio State University, 392 Stringer, Gary, Director Museum of Natural History, University of Louisiana At Monroe, 491 Strittmatter, Peter A., Director Steward Observatory, University of Arizona, 525 Stubbendieck, James, Director, UN-Lincoln Center for Great Plains Studies Great Plains Art Museum, University of Nebraska-Lincoln, 349 Sturdivant, Anica, Interim Director Art Gallery, Florida Gulf Coast University, 230 Suchy, Theodore B., Curator Jurica-Suchy Nature Museum, Benedictine University, 480 Sullivan, Catherine, Curator Janet Turner Print Museum, California State University, Chico, 306 Sullivan, Graeme, PSU School of Visual Arts Director HUB-Robeson Galleries, Pennsylvania State University, 258 Summers, Reece, Director Braithwaite Fine Arts Gallery, Southern Utah University, 267 Suparak, Astria, Director Miller Gallery at Carnegie Mellon, Carnegie Mellon University, 219 Sutinen, Paul, Co-Chair, MU Art & Interior Design DepartmentDirector of Arts Program The Art Gym, Mayer Gallery, and Streff Gallery, Marylhurst University, 246 Swanson, Harry, Dean, EAC Discovery Park Campus Governor Aker Observatory, Eastern Arizona College, 513 Sweeters, Jim, Director CSUN Art Galleries, California State University, Northridge, 218 Swyrtek, Sheila, Director Chester H. Wilson Geology Museum, Mott Community College, 420 Symonette, Margaret, Director, Mary McLeod Bethune Foundation Mary McLeod Bethune Home, Bethune-Cookman College, 399

T Tartaro, Mary, Director Perspective Gallery, Virginia Polytechnic Institute and State University, 294 Tate, Belinda, Director Diggs Gallery, Winston-Salem State University, 409 Taylor, Darrell, Director UNI Gallery of Art, University of Northern Iowa, 287 Taylor, John, Land Manager Field Station and Environmental Education Center, Ball State University, 365

Taylor, Sandy, Superintedent, Tuskegee Institute National Historic Site George Washington Carver Museum, Tuskegee University, 407 Taylor, Wendy, Assistant Director R. S. Dietz Museum of Geology, Arizona State University, 416 Teasdale, Rachel, Acting Executive Director Gateway Science Museum, California State University, Chico, 480 Tedford, Catherine, Director Richard F. Brush Art Gallery, St. Lawrence University, 269 Teel, Charles, Director Stahl Center Museum of Culture, La Sierra University, 542 Telewski, Frank, Curator W. J. Beal Botanical Garden, Michigan State University, 371 Tellier, Cassandra, Director Schumacher Gallery, Capital University, 306 Tenabe, Gabriel, Director, Office of Museums James E. Lewis Museum of Art, Morgan State University, 402 Tetkowski, Neil, Director Art Galleries, Kean University, 240 Thacker, Terry, Chair, Fine Art Department Brownlee O. Currey Jr. Gallery, Watkins College of Art, Design, and Film, 295 Tharp, Brent, Director Georgia Southern University Museum, Georgia Southern University, 483 Thaxton-Ward, Vanessa D., Curator of Collections and Interim Director Hampton University Museum, Hampton University, 401 Thayer, Preston, Director Art Gallery, New Mexico State University, 252 Theriot, Edward C., Director Texas Natural Science Center/Texas Memorial Museum, University of Texas At Austin, 495 Thiesen, John, Archivist Mennonite Library and Archives, Bethal College, 539 Thomas, Brad, Director and Curator Van Every/Smith Galleries, Davidson College, 226 Thomas, Bryan, Interim Director Dowd Fine Arts Gallery, State University of New York At Cortland, 271 Thomas, Floyd, Curator National Afro-American Museum and Cultural Center, Wilberforce University, 409 Thomason, Andrew, Chair, LU School of American Studies Daniel Boone Home and Boonesfield Village, Lindenwood University, 439 Thompson, Harry F., Executive Director Center for Western Studies, Augustana College (South Dakota), 428 Thompson, John R., Head of the VMI Physics and Astronomy Department Astronomical Obervatory, Virginia Military Institute, 535 Thompson, Steven, Associate Professor of Biology Museum of Natural History, Northwestern Oklahoma State University, 487 Thompson III, Edward, Provost, Texas Lutheran University Fiedler Memorial Museum, Texas Lutheran University, 422 Thrash, Troy A., Executive Director and CEO Da Vinci Science Center, Cedar Crest College, 546 Thurmer, Robert, Director Art Gallery, Cleveland State University, 221 Timothy, John, Director Ataloa Lodge Museum, Bacone College, 398 Timpano, Anne, Director Art Galleries, University of Mary Washington, 283 Tinkler, Michael, Chair, Hobart & William Smith Colleges Art Department Davis Gallery at Houghton House, Hobart and William Smith Colleges, 237 Tolokan, Tim, Associate Director of Athletics/Licensing & Athletic Traditions J. Robert Donnelly Husky Heritage Sports Museum, University of Connecticut, 555 Tomlinson, Janis A., Director of University Museums Old College Gallery, University of Delaware, 281 Tomlinson, Janis A., Director, UD Museums Paul R. Jones Collection of African American Art, University of Delaware, 408, 423 Torchia, Richard, Director Arcadia University Art Gallery, Arcadia University, 210 Tracy, Robert J., Director Museum of Geosciences, Virginia Polytechnic Institute and State University, 425 Trawick, Rebecca, Director/Curator Wignall Museum of Contemporary Art, Chaffey College, 307 Treacy, Frank, Director of Campus Ministry Mission Santa Clara de Asis, Santa Clara University, 544 Triapitsyn, S.V., Director Entomology Research Museum, University of California, Riverside, 397 Trittmann, Uwe, Director Weitkamp Observatory and Planetarium, Otterbein University, 520 Truax, Jon, Director Carr-Fles Planetarium, Muskegon Community College, 518 Tucker, Brenda, CCA Director of Communications Kent and Vicki Logan Galleries, California College of the Arts, 217

631

Key Personnel Index Tucker, James D., Chair, WSU Department of Biological Sciences Museum of Natural History, Wayne State University, 497 Tufts, Melissa Circle Gallery, University of Georgia, 282 Tullos Jr., Mark, Director Paul and Lulu Hilliard University Art Museum, University of Louisiana At Lafayette, 345 Turcotte, Stephen, Chair, BYU-Idaho Department of Physics BYU-Idaho Planetarium, Brigham Young University-Idaho, 509 Turner, Anderson, Director School of Art Galleries, Kent State University, 241 Turner, James C., Director Old Governor’s Mansion, Georgia College and State University, 435 Turner, Thomas P., Director Museum of Southwestern Biology, University of New Mexico, 493 Twa, Lindsay, Director Eide/Dalrymple Gallery, Augustana College (South Dakota), 211

U Uetz, M. Katherine, Director Art Gallery, Xavier University, 300 Underhill, Linn, Interim Director Picker Art Gallery, Colgate University, 308 University of California, Davis, UC Davis Design Museum, Davis 278, CA, 340 University of Wisconsin-Madison, University of Wisconsin Zoological Museum, Madison 558, WI, 559 Updegrove, Mark K., Director Lyndon Baines Johnson Library and Museum, University of Texas At Austin, 465 Upward, Geoff, Executive Director Meadow Brook Hall, Oakland University, 441 Urbatsch, Lowell, Director University Herbarium, Louisiana State University, 371

V Valles, Jr., James, Chair, Brown University Department of Physics Ladd Observatory, Brown University, 510 Van Ael, Peter, Gallery Coordinator Jack Olson Gallery, Northern Illinois University, 253 Van Kleek, Jeff Art Gallery, California Polytechnic State University, 217 Vanderpool, Guy C., Executive Director Panhandle-Plains Historical Museum, West Texas A&M University, 455 Vanlandingham, Karen, Planetarium Director West Chester University Observatory, West Chester University of Pennsylvania, 536, 535 VanWassenhove, Mary, Director Art Galleries, Murray State University, 251 Varga, Bill, Executive Director American West Heritage Center, Utah State University, 453 Varga, Bill, Executive Director, American West Heritage Center Jensen Historic Farm, Utah State University, 192 Vasher-Dean, April, Director Roland Gibson Gallery, State University of New York At Potsdam, 272 Vecchio, Marji, Director Sheppard Fine Arts Gallery, University of Nevada, Reno, 286 Veneciano, Jorge Daniel, Director Sheldon Museum of Art and Sculpture Garden, University of Nebraska-Lincoln, 349 Verrall, Steven C., Director University of Wisconsin-La Crosse Planetarium, University of Wisconsin-La Crosse, 533 Verschoor, Lynn, Director South Dakota Art Museum, South Dakota State University, 333 Versluis, John, Director Texas Heritage Museum, Hill College, 436 Veskerna, Susan, Museum Specialist Trailside Museum of Natural History, University of Nebraska-Lincoln, 500 Viens, Jane, SMC Dept. of Fine Arts Administrative Assistant McCarthy Arts Center Gallery, St. Michael’s College, 270 Viera, Ricardo, Director/Curator Gallery/Museum, Lehigh University, 320 Vierheller, Thomas L., Director East Kentucky Science Center, Big Sandy Community and Technical College, 546 Villalobos, Gloria A., Director Robert J. Novins Planetarium, Ocean County College, 519 Voelker, Judy Anthropology Museum, Northern Kentucky University, 199 Volpe, Karen, OU Dept. of Art Administrative Assistant and Gallery & Museum Manager Miller Gallery and Fisher Gallery, Otterbein University, 256

632

Volz, Robert L., Custodian of the Chapin Library Chapin Library of Rare Books, Williams College, 466 von Ahnen, Karl, Technical Director Fujitsu Planetarium, De Anza College, 512

W Wagener, Tom Foster Gallery, University of Wisconsin-Eau Claire, 292 Waines, Giles, Director University of California Riverside Botanic Gardens, University of California, Riverside, 379 Wakimoto, Roger, Director National Center for Atmospheric Research, University Corporation For Atmospheric Research, 525 Wald, Jane, Executive Director Emily Dickinson Museum: The Homestead and The Evergreens, Amherst College, 427 Walker, Ed, Chair, Milliken University Art Department Birks Museum, Millikin University, 323, 248 Walker, LuLen, Curator Georgetown University Art Collection, Georgetown University, 314 Wall, Thomas B., University Librarian Boston College Libraries, Boston College, 458 Wallace, J. Don, Director & Curator McCormick Gallery, Midland College, 248 Wallace, Joel, Director, Marketing & Public Relations, College of Central Florida CFCC Webber Center Gallery, Central Florida Community College, 220 Waller, Richard, Executive Director Joel and Lila Harnett Museum of Art, University of Richmond, 353 Waller, Richard, Executive Director, UR Museums Lora Robins Gallery of Design from Nature, University of Richmond, 495 Walsh, Dwight, Archives and Museum Supervisor The Citadel Archives and Museum, The Citadel, Military College of South Carolina, 464 Walsh-Piper, Kathy Johnson, Director Art Museum, University of Kentucky, 345 Walz, Jonathan F., Curator and Interim Director Cornell Fine Arts Museum, Rollins College, 331 Warda, Rebecca M., Collections Manager Art Collection and Gallery, Widener University, 362 Wardlaw, Alvia, Director Texas Southern University Museum, Texas Southern University, 406 Warncke, Kurt, Chair, Emory University Department of Physics Emory University Planetarium and Observatory, Emory University, 513 Warner, Elizabeth, Manager University of Maryland Observatory, University of Maryland, 528 Warren, Kelly Kent Campus Museum/Gallery, Florida State College At Jacksonville, 230 Waters, Kathryn, Director McCutchan Art Center/Pace Galleries, University of Southern Indiana, 289 Watne, David, Coordinator UMKC Gallery of Art, University of Missouri, Kansas City, 285 Watts, Michael, Director Tarble Arts Center Galleries, Eastern Illinois University, 228 Waugaman, Linda, Manager Art Gallery, Indian River State College, 238 Wax, Dustin, Museum Collections and Facility Manager Marjorie Barrick Museum, University of Nevada, Las Vegas, 493 Way, Angela, Director-Curator Esther Thomas Atkinson Museum, Hampden-Sidney College, 435 Weakley, Alan S., Administrative Curator University of North Carolina Herbarium, University of North Carolina At Chapel Hill, 383 Weaver, Sean, Director of University Relations, NMHU Ray Drew Art Gallery and Arrott History Gallery, New Mexico Highlands University, 252 Weber, John, Dayton Director Frances Young Tang Teaching Museum of Art and Art Gallery, Skidmore College, 333 Weeden, Heather, Special Collections Librarian Mississippi Baptist Historical Collection, Mississippi College, 543 Weems, Jonathan, Arboretum Specialist, WVU Dept. of Biology Core Arboretum, West Virginia University, 388 Weglein, Jessica, MICA Manager of Communications Art Galleries, Maryland Institute College of Art, 246 Weidner, William, Director Bradley Gallery of Fine Art, Lakeland College, 242 Weiss, Wendy, Director Robert Hillestad Textile Gallery, University of Nebraska-Lincoln, 393 Weller, Susan, Director Bell Museum of Natural History, University of Minnesota, Twin Cities, 492

Key Personnel Index West, Denise Linda K. Jordon Gallery, Gallaudet University, 231 Westerbeck, Colin, Director UCR/California Museum of Photography, University of California, Riverside, 503 Westwood, Jefferson, Michael C. Rockefeller Arts CenterDirector Michael C. Rockefeller Arts Center Galleries, State University of New York At Fredonia, 271 Whaley, Martha, Director Museum at Mountain Home, East Tennessee State University, 434 Wheaton, Marilyn L., Director Marshall M. Fredericks Sculpture Museum, Saginaw Valley State University, 332 White, Jeffrey, Director, Humboldt Science and Mathematics Center/Redwood Science Proj Natural History Museum, Humboldt State University, 484 White, Joe, Director East Texas Oil Museum, Kilgore College, 438 White, Peter S., Director Coker Arboretum, University of North Carolina At Chapel Hill, 383 White, Susanna, Associate Director & Curator Emerson Gallery, Hamilton College, 235 Whitney, Linda, Chair, VCSU Department of Art VCSU Student Art Gallery, Valley City State University, 294 Whittle, Jeffrey, Director Lamar Dodd School of Art Galleries, University of Georgia, 282 Wicha, Simone J., Director Blanton Museum of Art, University of Texas At Austin, 354 Wicks, Robert S., Director Miami University Art Museum, Miami University, 322 Wiedhopf, Richard M., Curator History of Pharmacy Museum, University of Arizona, 473 Wiens, Ann School of the Art Institute of Chicago Sullivan Galleries, School of the Art Institute of Chicago, 265 Wightman, William, Interim Director, JMU School of Art and Art History Sawhill Gallery, James Madison University, 239 Wiles, Stephanie, John G. W. Cowles Director Allen Memorial Art Museum, Oberlin College, 327 Wilford, Andrew, Chair, Cornell University Dept. of Anthropology McGraw Hall Museum, Cornell University, 196 Wilkins, Daniel, Chair, UN-O Department of Physics Mallory-Kountze Planetarium, University of Nebraska-Omaha, 529 Wilkins, Debbie, Gallery Assistant Art Galleries, Salisbury State University, 263 Williams, Rick, Dean, Lane Community College Division of the Arts Art Gallery, Lane Community College, 242 Williams, Robert B., Curator Bentley Rare Book Gallery, Kennesaw State University, 460 Williams, Teri, Interim Director Robert C. Williams Paper Museum, Georgia Institute of Technology, 560 Williams-Lessane, Patricia, Executive Director Avery Research Center for African American History and Culture, College of Charleston, 399 Wills, Kathryn, Marketing Director, Thrasher-Horne Center for the Arts Thrasher-Horne Center for the Arts Galleries, St. Johns River Community College, 268 Wilson, Jim Richard, Opalka Gallery Director Opalka Gallery and Little Gallery, Sage College of Albany, 263 Wilson, Kyle, Planetarium Technician Clever Planeterium, San Joaquin Delta College, 522 Wilson, Leland, Director, Educational Programs World Museum of Natural History, La Sierra University, 484 Wiltsher, Harris, Florida A&M Fine Arts Department Facilitator Foster Tanner Fine Arts Gallery, Florida A&M University, 400 Wimberger, Peter, Director James R. Slater Museum of Natural History, University of Puget Sound, 494 Wingate, Vance, Technical Director / Gallery Coordinator Art Galleries, Texas Woman’s University, 276 Winter, Amy, Director & Curator Godwin-Ternbach Museum, Queens College, City College of New York, 329

Wissinger, Charles, Chair, TAMU-K Art Department Ben P. Bailey Art Building Gallery, Texas A&M University-Kingsville, 276 Wittkopp, Gregory, Director Cranbrook Museum of Art, Cranbrook Academy of Art, 309 Wittkopp, Gregory, Director, Cranbrook Art Museum Saarinen House, Cranbrook Educational Community, 433 Wolf, Sylvia, Director Henry Art Gallery, University of Washington, 356 Wood, W. Warner Bill, Director Centennial Museum and Gardens, University of Texas At El Paso, 495 Woods, Robert Gail, Chair, Missouri Conference Commission on Archives and History Missouri United Methodist Archives, Central Methodist University, 540 Woodward-Detrich, Denise, Director Rudolph E. Lee Gallery, Clemson University, 221 Worthington Jr, W. Curtis, Director Waring Historical Library, Medical University of South Carolina, 471 Wright, Leslie, Director Faulconer Gallery, Grinnell College, 234

Y Yale University, Harvey Cushing/John Hay Whitney Medical Library and Historical Library, New Haven 466, CT, 467 Yamamoto, Yoshiko (Miko), Director Ad n E. Treganza Anthropology Museum, San Francisco State University, 200 Yamashita, Velma, Director Isla Center for the Arts, University of Guam, 282 Yapelli, Tina, Director Art Gallery, San Diego State University, 263 Yarlow, Loretta, Director Museum of Contemporary Art, University of Massachusetts Amherst, 346 Yates, Amy, Director, Louisiana Tech School of Human Ecology Museum of Fashion and Textiles, Louisiana Tech University, 391 Yates, Sam, Director, Ewing Gallery of Art and Architecture Ewing Gallery of Art and Architecture, Downtown Gallery, and Gallery 1010, University of Tennessee At Knoxville, 290 Yoshihara, Lisa, Director Art Gallery, University of Hawaii At Manoa, 283 Young, Marty, Director Pioneer Heritage Center, Louisiana State University-Shreveport, 439

Z Zack, Richard S., Director M. T. James Museum, Washington State University, 397 Zakian, Michael, Director Frederick R. Weisman Museum of Art, Pepperdine University, 329 Zella, Robbin, Director Housatonic Museum of Art, Housatonic Community College, 317 Zill, Anne B., Director Art Gallery, University of New England, 286 Zimmer, Susan, Academic Department Associate Gallery 101, University of Wisconsin-River Falls, 293 Zimmerer-McKelvie, Kathy, Director Art Gallery, California State University, Dominguez Hills, 217 Ziobro, Mikaela, Gallery Coordinator Art Gallery, Thomas College, 276 Zisholtz, Ellen, Director I. P. Stanback Museum and Planetarium, South Carolina State University, 404 Zolnerowich, Gregory, Curator Kansas State University Museum of Entomological and Prairie Arthropod Research, Kansas State University, 395 Zurko, Kitty McManus, Director Art Museum, College of Wooster, 308 Zwart, Joel, Director of Exhibitions Calvin College Center Art Gallery, Calvin College, 218

633

Appendix 1

Founding and Opening Dates 1732

College of William and Mary, Williamsburg, VA (collection started)

1772

Hood Museum of Art, Dartmouth College, Hanover, NH (collection started)

1789

Georgetown University Art Collection, Washington, DC (collection started)

1807

Pennsylvania Academy of the Arts Museum, Philadelphia, PA

1819

The Rotunda, University of Virginia, Charlottesville, VA

1832

Yale University Art Gallery, New Haven, CT

1834

Haverford College Arboretum, Haverford, PA

1839

Harvard College Observatory, Harvard University, Cambridge, MA

1842

The Citadel Archives and Museum, The Citadel, The Military College of South Carolina, Charleston, SC

1845

U.S. Naval Academy Museum, Annapolis, MD

1847

Alabama Museum of Natural History, University of Alabama, Tuscaloosa, AL Warren Anatomical Museum, Harvard University, Cambridge, MA

1848

Amherst College Museum of Natural History, Amherst, MA

636


1849

University of Wisconsin-Madison Herbarium, Madison, WI

1853

Detroit Observatory, University of Michigan, Ann Arbor, MI Laws Observatory, University of Missouri-Columbia, Columbia, MO

1854

Shattuck Observatory, Dartmouth College, Hanover, NH West Point Museum, U.S. Military Academy, West Point, NY

1856

Virginia Military Institute Museum, Lexington, VA Virginia Museum of Natural History, Virginia Polytechnic Institute and State University, Blacksburg, VA

1857

Michigan State University Museum, East Lansing, MI

1858

Botanical Museum of Harvard University, Cambridge, MA University of Iowa Museum of Natural History, Iowa City, IA

1859

Museum of Comparative Zoology, Harvard University, Cambridge, MA

1863

Michigan State University Herbarium, East Lansing, MI

1864

Frances Lehman Loeb Art Center Vassar College, Poughkeepsie, NY Harvard University Herbaria, Cambridge, MA

1866

Natural History Collections, University of Massachusetts Amherst, Amherst, MA Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA University of Kansas Natural History Museum, Lawrence, KS Yale Peabody Museum of Natural History, Yale University, New Haven, CT

1868

Hampton University Museum, Hampton, VA

1869

Herbarium of Louisiana State University, Baton Rogue, LA

1871

SU Art Galleries, Syracuse University, Syracuse, NY University of Nebraska State Museum, Lincoln, NE

1872

Arnold Arboretum of Harvard University, Boston, MA Bell Museum of Natural History, University of Minnesota Twin Cities, Minneapolis, MN University and Jepson Herbaria, University of California, Berkeley, Berkeley, CA

1873

Purdue University Kriebel Herbarium, West Lafayette, IN University Museum Collections, University of Arkansas, Fayetteville, AR


W. J. Beal Botanical Garden, Michigan State University, East Lansing, MI 1874

Colorado School of Mines Geology Museum, Golden, CO

1876

Dyer Planetarium, Vanderbilt University, Brentwood, TN Mount Holyoke Art Museum, Mount Holyoke College, South Hadley, MA

1877

Geology Museum, University of Wisconsin-Madison, Madison, WI Kansas State University Herbarium, Manhattan, KS Museum of Art, Rhode Island School of Design, Providence, RI

1879

Stephens Museum, Central Methodist University, Fayette, MO Kansas State University Museum of Entomological and Prairie Arthropod Research, Manhattan, KS

1880

Michigan State University Observatory, East Lansing, MI

1881

John Payson Willston Observatory, Mount Holyoke College, South Hadley, MA University of Michigan Exhibit Natural History Museum, Ann Arbor, MI

1882

Mildred Lane Kemper Art Museum, Washington University, St. Louis, MO Princeton University Art Museum, Princeton, NJ University of Michigan Museum of Zoology, Ann Arbor, MI University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, PA Washburn Observatory, University of Wisconsin-Madison, Madison, WI

1883

Oregon State University Herbarium, Corvallis, OR University of North Dakota Zoology Museum, Grand Forks, ND W. H. Over Museum, University of South Dakota, Vermilion, SD

1884

Hallie Ford Museum of Art, Willamette University, Salem, OR Johns Hopkins University Archaeological Collection, Baltimore, MD

1885

Burke Museum of Natural History and Culture, University of Washington, Seattle, WA Leander McCormick Observatory, University of Virginia, Charlottesville, VA Museum of Geology, South Dakota School of Mines and Technology, Rapid City, SD

1887

Joseph Moore Museum, Earlham College, Richmond, IN Purdue University Arthur Herbarium, West Lafayette, IN

638


University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, PA University of Wisconsin Zoological Museum, Madison, WI University of Wyoming Geological Museum, Laramie, WY 1888

Chadwick Arboretum and Learning Gardens, Ohio State University, Columbus, OH Lick Observatory, University of California Observatories, Mount Hamilton, CA

1889

Davis Museum and Cultural Center, Wellesley College, Wellesley, MA Semitic Museum at Harvard University, Cambridge, MA

1890

Calkis Nature Area/Field Museum, Ellsworth College, Iowa Falls, IA University of California Botanical Garden at Berkeley, Berkeley, CA

1891

Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CA Ladd Observatory, Brown University, Providence, RI Steward Observatory, University of Arizona, Tuscon, AZ

1892

Anthony J. Drexel Picture Gallery, Drexel University, Philadelphia, PA Orton Geological Museum, Ohio State University, Columbus, OH

1893

Arizona State Museum, University of Arizona, Tucson, AZ Mayborn Museum Complex, Baylor University, Waco, TX Robert Bebb Herbarium, University of Oklahoma, Norman, OK Rocky Mountain Herbarium, University of Wyoming, Laramie, WY Wright Museum of Art, Beloit College, Beloit, WI

1894

Bowdoin College Museum of Art, Brunswick, ME Charles R. Conner Museum, Washington State University, Pullman, WA Logan Museum of Anthropology, Beloit College, Beloit, WI Oriental Institute Museum, University of Chicago, Chicago, IL University of Wyoming Insect Museum, Laramie, WY

1895

Botanic Garden of Smith College, Northampton, MA Fogg Art Museum, Harvard University, Cambridge, MA Harvard Art Museums, Harvard University, Cambridge, MA T. W. Wood Gallery and Arts Center, Vermont College, Montpelier, VT


Theodor Jacobsen Observatory, University of Washington, Seattle, WA 1897

Hamilton Club Building, Passaic County Community College, Paterson, NJ

1898

North Carolina State University Herbaria, Raleigh, NC State Historical Society of Missouri Art Collection, University of Missouri-Columbia, Columbia, MO

1899

Marsh Botanical Gardens, Yale University, New Haven, CT Sam Noble Oklahoma Museum of Natural History, University of Oklahoma, Norman, OK Stearns Collection of Musical Instruments, University of Michigan, Ann Arbor, MI Western Illinois University Art Gallery, Macomb, IL

1900

Hall of Fame for Great Americans, Bronx Community College, City University of New York, Bronx, NY Mineral Museum, Montana Tech of the University of Montana, Butte, MT Schein-Joseph International Museum of Ceramic Art, New York State College of Ceramics at Alfred University, Alfred, NY

1901

Phoebe Apperson Hearst Museum of Anthropology, University of CaliforniaBerkeley, Berkeley, CA

1902

A. E. Seaman Mineral Museum, Michigan Technological University, Houghton, MI Museum of Natural History, Northwestern Oklahoma State University, Alva, OK Pringle Herbarium, University of Vermont, Burlington, VT University of Colorado Museum of Natural History, Boulder, CO

1903

Busch-Reisinger Museum, Harvard University, Cambridge, MA Coker Arboretum, University of North Carolina at Chapel Hill, Chapel Hill, NC Wilder Observatory, Amherst College, Amherst, MA

1904

Greene-Nieuwland Herbarium, University of Notre Dame, Notre Dame, IN The Jewish Museum, Jewish Theological Seminary of America, New York, NY

1907

Annmary Brown Memorial, Brown University, Providence, RI Durrell Museum, University of Cincinnati, Cincinnati, OH

640


Harvard Forest and Fisher Museum of Forestry, Harvard University, Petersham, MA Indian Art Research Center, School for Advanced Research, Santa Fe, NM Matthaei Botanical Gardens, University of Michigan, Ann Arbor, MI Nichols Arboretum, University of Michigan, Ann Arbor, MI University of South Carolina Herbarium, Columbia, SC 1908

Frank P. Brackett Observatory, Pomona College, Claremont, CA Museum of Vertebrate Zoology, University of California, Berkeley, Berkeley, CA Sproul Observatory, Swathmore College, Swathmore, PA University of North Carolina Arboretum, Chapel Hill, NC W. M. Keck Museum, University of Nevada at Reno, Reno, NV

1909

Art Institute of Boston Main Gallery, Boston, MA University of Montana Herbarium, Missoula, MT

1911

Emporia State University Herbarium, Emporia, KS

1913

A. D. Buck Museum of History and Natural Sciences, Northern Oklahoma College, Tonkawa, OK E. M. Violette Museum, Truman State University, Kirksville, MO Memorial Art Gallery, University of Rochester, Rochester, NY Skirball Museum Cincinnati, Hebrew Union College-Jewish Institute of Religion, Cincinnati, OH

1914

Howard University Museum, Washington, DC

1915

Renaissance Society at the University of Chicago, Chicago, IL

1917

Florida Museum of Natural History, University of Florida, Gainesville, FL Jensen Historic Farm, American West Heritage Center, Utah State University, Wellsville, UT Missouri State Arboretum, Northwest Missouri State University, Maryville, MO

1918

Armstrong Browning Library, Baylor University, Waco, TX Harold L. Lyon Arboretum, University of Hawaii at Manoa, Honolulu, HI

1919

Klemm Gallery, Siena Heights University, Adrian, MI

1920

Emory University Planetarium and Observatory, Atlanta, GA


Michael C. Carlos Museum, Emory University, Atlanta, GA 1921

Adams State College Luther Bean Museum, Alamosa, CO Herbarium of the University of Michigan, Ann Arbor, MI Intermountain Herbarium, Utah State University, Logan, UT NCCU Art Museum, North Carolina Central University, Durham, NC University of California Museum of Paleontology, University of CaliforniaBerkeley, Berkeley, CA

1922

Mulvane Art Museum, Washburn University of Topeka, Topeka, KS University of Michigan Museum of Anthropology, Ann Arbor, MI

1923

Chapin Library of Rare Books, Williams College, Williamstown, MA Harwood Museum of the University of New Mexico, Taos, NM

1924

Boyce Thompson Arboretum, University of Arizona, Superior, AZ Pavilion Gardens, University of Virginia, Charlottesville, VA Rhodes College Herbarium, Memphis, TN Wright Art Center Gallery, Delta State University, Cleveland, MS

1925

Badè Museum of Biblical Archaeology, Pacific School of Religion, Berkeley, CA Fryxell Geology Museum, Augustana College, Rock Island, IL John E. Conner Museum, Texas A&M University-Kingsville, Kingsville, TX Mills College Art Museum, Oakland, CA Norwegian-American Historical Association Archives, St. Olaf College, Northfield, MN Quayle Bible Collection, Baker University, Baldwin City, KS

1926

Clemson University Arthropod Collection, Clemson, SC Dittrick Museum of Medical History, Case Western Reserve University, Cleveland, OH James R. Slater Museum of Natural History, University of Puget Sound, Tacoma, WA Museum of the Big Bend, Sul Ross State University, Alpine, TX Schick Art Gallery, Skidmore College, Saratoga Springs, NY Smith College Museum of Art, Smith College, Northampton, MA

642


Sternberg Museum of Natural History, Fort Hays State University, Hays, KS Williams College Museum of Art, Williamstown, MA 1927

Cranbrook Art Museum, Cranbrook Educational Community, Bloomfield Hills, MI Henry Art Gallery, University of Washington, Seattle, WA James Madison Museum and Memorial Library, University of Mary Washington, Fredericksburg, VA John and Mable Ringling Museum of Art, Florida State University, Sarasota, FL Kalamazoo Valley Museum, Kalamazoo Valley Community College, Kalamazoo, MI Kellogg Farm and Dairy, Michigan State University, East Lansing, MI Oregon State University Memorial Union Concourse Gallery, Corvallis, OR Orland E. White Arboretum, University of Virginia, Boyce, VA Sam Houston Memorial Museum, Sam Houston State University, Huntsville, TX The Rutgers Gardens, Rutgers, The State University of New Jersey, New Brunswick, NJ W. K. Kellogg Bird Sanctuary, Michigan State University, Augusta, MI

1928

Howard University Gallery of Art, Washington, DC Kelsey Museum of Archaeology, University of Michigan, Ann Arbor, MI Lee Chapel and Museum, Washington and Lee University, Lexington, VA Mount Mary College Historic Costume Collection, Milwaukee, WI

1929

Abraham Lincoln Library and Museum, Lincoln Memorial University, Harrogate, TN Fort Leboeuf, Edinboro University of Pennsylvania, Waterford, PA Mildred F. Mathias Botanical Garden, University of California, Los Angeles, CA Museum of Texas Tech University, Lubbock, TX Scott Arboretum of Swathmore College, Swathmore, PA University of Alaska Museum of the North, Fairbanks, AK Yager Museum of Art and Culture, Hartwick College, Oneonta, NY


1930

College of Wooster Art Museum, Wooster, OH Cranbrook Institute of Science, Cranbrook Educational Community, Bloomfield Hills, MI Earth and Mineral Sciences Museum and Art Gallery, Pennsylvania State University, University Park, PA Fletcher L. Byrom Earth and Mineral Sciences Library, Pennsylvania State University, University Park, PA History of Medicine Collections, Duke University, Durham, NC Museum of Southwestern Biology, University of New Mexico, Albuquerque, NM Principia School of Nations Museum, Principia College, Elsah, IL Ralph Foster Museum, College of the Ozarks, Point Lockout, MO Saarinen House, Cranbrook Educational Community, Bloomfield Hills, MI

1931

Ash Lawn-Highland, College of William and Mary, Williamsburg, VA Center for American Music Museum, University of Pittsburgh, Pittsburgh, PA Connecticut College Arboretum, New London, CT Museum of Anthropology, University of Denver, Denver, CO Robert Hull Fleming Museum, University of Vermont, Burlington, VT

1932

Ataloa Lodge Museum, Bacone College, Muskogee, OK Dunbarton Oaks Research Library and Collection, Harvard University, Washington, DC Folger Shakespeare Library, Amherst College, Washington, DC Jesse Peter Museum, Santa Rosa Junior College, Santa Rosa, CA Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR Maxwell Museum of Anthropology, University of New Mexico, Albuquerque, NM McDonald Observatory, University of Texas at Austin, Mount Observatory, TX Skinner Museum of Mount Holyoke College, South Hadley, MA

1933

Arkansas State University Museum, State University, AR Arkansas Tech University Museum, Russellville, AR Henry B. Plant Museum, University of Tampa, Tampa, Fl

1934

Fay Hyland Arboretum, University of Maine, Orono, ME

644


FitzRandolph Observatory, Princeton University, Princeton, NJ Hirsh Observatory, Rensselaer Polytechnic Institute, Troy, NY Idaho Museum of Natural History, Idaho State University, Pocatello, ID No Man’s Land Historical Museum, Oklahoma Panhandle State University, Goodwell, OK University of Wisconsin-Madison Arboretum, Madison, WI 1935

African Art Gallery/Harrison B. Wilson Archives and Art Gallery, Norfolk State University, Norfolk, VA Cornell Plantations, Cornell University, Ithaca, NY Elizabeth Sage Historic Costume Collection, Indiana University, Bloomington, IN L. H. Bailey Hortorium, Cornell University, Ithaca, NY New Mexico Bureau of Geology Mineral Museum, New Mexico Institute of Mining and Technology, Socorro, NM University of Oregon Museum of Natural and Cultural History, Eugene, OR University of Virginia Art Museum, Charlottesville, VA

1936

Ball State University Museum of Art, Muncie, IN Centennial Museum and Gardens, University of Texas at El Paso, El Paso, TX Fort Belknap Museum and Archives, Texas Wesleyan College, Newcastle, TX Fred Jones, Jr. Museum of Art, University of Oklahoma, Norman, OK Memphis College of Art Galleries, Memphis, TN Robert C. Williams Paper Museum, Georgia Institute of Technology, Atlanta, GA Stone Fort Museum, Stephen F. Austin State University, Nacogdoches, TX Texas Natural Science Center/Texas Memorial Museum, University of Texas at Austin UC Davis Arboretum, University of California, Davis, Davis, CA

1937

Sam Rayburn Library and Museum, University of Texas at Austin, Bonham, TX Stephen Foster Memorial, University of Pittsburgh, Pittsburgh, PA Stephen Foster Memorial Museum, University of Pittsburgh, Pittsburgh, PA

1938

KSU/NASA Observatory, Kent State University, Kent, OH Mennonite Library and Archives, Bethel College, North Newton, KS


Temple University Dental Museum, Temple University, Philadelphia, PA Western Gallery, Western Washington University, Bellingham, WA 1939

Essig Museum of Entomology, University of California, Berkeley, Berkeley, CA Kentucky Library and Museum, Western Kentucky University, Bowling Green, KY Moundville Archaeological Park, University of Alabama, Moundville, AL Museum of Anthropology, University of Missouri-Columbia, Columbia, MO Norman R. Eppink Art Gallery, Emporia State University, Emporia, KS University Art Gallery, Indiana State University, Terre Haute, IN USC Fisher Museum of Art, University of Southern California, Los Angeles, CA

1940

Ben Maltz Gallery, Otis College of Art and Design, Los Angles, CA Julie Collins Smith Museum of Fine Art, Auburn University, Auburn, AL Northwest’s Agriculture Museum, Northwest Missouri State University, Maryville, MO, Roosevelt County Museum, Eastern New Mexico University, Portales, NM Texas First Ladies Historic Costume Collection, Texas Woman’s University, Denton, TX Victoria H. Myhren Gallery, University of Denver, Denver, CO

1941

George Washington Carver Museum, Tuskegee University, Tuskegee, AL Indiana University Art Museum, Bloomington, IN Jesse Hepler Lilac Arboretum, University of New Hampshire, Durham, NH Kauffman Museum, Bethel College, North Newton, KS Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro, NC

1942

Clark Atlanta University Art Galleries, Atlanta, GA Fred Russ Forest, Michigan State University, Decatur, MI President Andrew Johnson Museum and Library, Tusculum College, Greeneville, TN

1944

Meteorite Museum, University of New Mexico, Albuquerque, NM

1945

Clendening History of Medicine Library and Museum, University of Kansas Medical Center, Kansas City, KS

646


Georgia Museum of Art, University of Georgia, Athens, GA Hidden Lake Gardens, Michigan State University, Tipton, MI 1946

Associated Universities, Inc., Washington, DC Hite Art Institute Galleries, University of Louisville, Louisville, KY Museum of Peoples and Cultures, Brigham Young University, Provo, UT R. M. Bohart Museum of Entomology, University of California, Davis, Davis, CA Robert E. Hoover Herbarium, California Polytechnic State University, San Luis Obispo, CA University of Michigan Museum of Art, Ann Arbor, MI

1947

Dunn-Seiler Museum, Mississippi State University, Mississippi State, MS Philip L. Wright Zoological Museum, University of Montana, Missoula, MT

1948

Monroe Moosnick Medical and Science Museum, Transylvania University, Lexington, KY Museum of Contemporary Art Jacksonville, University of North Florida, Jacksonville, FL Palomar Observatory, California Institute of Technology, Palomar Mountain, CA

1949

Collection of Historical Scientific Instruments, Harvard University, Cambridge, MA Fisk University Galleries, Nashville, TN Koshare Indian Museum, Otero Junior College, La Junta, CO Meade Art Museum, Amherst College, Amherst, MA Morehead Planetarium and Science Center, University of North Carolina at Chapel Hill, Chapel Hill, NC University Art Museum, California State University, Long Beach, Long Beach, CA

1950

Arizona State University Art Museum, Tempe, AZ Birch Aquarium at Scripps, University of California, San Diego, La Jolla, CA Bradley Observatory and Delafield Planetarium, Agnes Scott College, Decatur, GA Florida State University Museum of Fine Arts, Florida State University, Tallahassee, FL


Kent State University School of Art Galleries, Kent, OH Kittredge Gallery, University of Puget Sound, Tacoma, WA MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, MA Tweed Museum of Art, University of Minnesota Duluth, Duluth, MN Viking Union Gallery, Western Washington University, Bellingham, WA 1951

Bob Jones University Museum and Gallery, Greenville, SC Fine Arts Center Gallery, University of Arkansas, Fayetteville, AK Glen Helen Nature Preserve and Trailside Museum, Antioch College, Yellow Springs, OH Hagener Collection, Montana State University-Northern, Havre, MT Hefner Zoological Museum, Miami University, Oxford, OH James E. Lewis Museum of Art, Morgan State University, Baltimore, MD Marxhausen Art Gallery, Concordia University, Seward, NE Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT

1952

Davison Art Center, Wesleyan University, Middletown, CT Dolf Briscoe Center for American History, University of Texas at Austin, Austin, TX Herrett Center for Arts and Science, College of Southern Idaho, Twin Falls, ID John Lance Garner Museum, University of Texas at Austin, Uvalde, TX Isis Gallery, University of Notre Dame, Notre Dame, IN Lowe Art Gallery, Syracuse University, Syracuse, NY Maier Museum of Art, Randolph College, Lynchburg, VA Naval War College Museum, Naval War College, Newport, RI North Carolina Botanical Garden, University of North Carolina at Chapel Hill, Chapel Hill, NC Plattsburgh State Art Museum, State University of New York at Plattsburgh, Plattsburgh, NY

1953

George C. Marshall Museum, Virginia Military Institute, Lexington, VA James Richard Jewett Observatory, Washington State University, Pullman, WA Mary McLeod Bethune Home, Bethune-Cookman College, Dayton Beach, FL

648


North Museum of Natural History and Science, Franklin and Marshall College, Lancaster, PA Old Castle Museum, Baker University, Baldwin City, KS Sommers-Bausch Observatory, University of Colorado at Boulder, Boulder, CO 1954

Cyrus H. McCormick Memorial Museum, Virginia Polytechnic Institute and State University, Steele’s Tavern, VA Gorgas House, University of Alabama, Tuscaloosa, AL Holcomb Observatory and Planetarium, Butler University, Indianapolis, IN Marine Sciences Museum, University of Puerto Rico, Mayaguez, PR Reuel B. Pritchett Museum, Bridgewater College, Bridgewater, VA

1955

Bates College Museum of Art, Bates College, Lewiston, ME de Saisset Museum, Santa Clara University, Santa Clara, CA Louden-Henritze Archaeology Museum, Trinidad State Junior College, Trinidad, CO University of Arizona Museum of Art and Archive of Visual Arts, Tucson, AZ Weitkamp Observatory and Planetarium, Otterbein College, Westerville, OH

1956

C. H. Nash Museum at Chucalissa, University of Memphis, Memphis, TN Grunwald Center for the Graphic Arts, University of California, Los Angeles, Los Angeles, CA Haffenreffer Museum of Anthropology, Brown University, Providence, RI Montana Museum of Art and Culture, University of Montana, Missoula, MT Museum of the Rockies, Montana State University, Bozeman, MT Rudolph E. Lee Gallery, Clemson University, Clemson, SC Taylor Planetarium, Montana State University, Bozeman, MT University of Mary Washington Galleries, Fredericksburg, VA

1957

Association of Universities for Research in Astronomy, Inc., Washington, DC Birger Sandzén Memorial Gallery, Bethany College, Lindsborg, KS Carroll Observatory, Westmont College, Santa Barbara, CA Dalton Galleries, Agnes Scott College, Decatur, GA Harry Ransom Center, University of Texas at Austin, Austin, TX Louisburg College Art Gallery, Louisburg, NC


Museum of Art and Archaeology, University of Missouri-Columbia, Columbia, MO UCLA Planetarium, University of California, Los Angeles, Los Angeles, CA 1958

Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, NC Boston University Art Gallery, Boston, MA Gordon L. Grosscup Museum of Anthropology, Wayne State University, Detroit, MI Kitt Peak National Observatory Visitor Center and Museum, Association of Universities for Research in Astronomy, Inc., Kitt Peak, AZ Kluge-Ruhe Aboriginal Art Collection, University of Virginia, Charlottesville, VA Minnesota Landscape Arboretum, University of Minnesota, Chaska, MN Pomona College Museum of Art, Claremont, CA University of Alabama Arboretum, Tuscaloosa, AL Wayne State University Art Galleries, Detroit, MI

1959

Chester H. Wilson Geology Museum, Mott Community College, Flint, MI Colby College Museum of Art, Waterville, ME Harlan-Lincoln Home, Iowa Wesleyan University, Mount Pleasant, IA Kresge Art Museum, Michigan State University, East Lansing, MI Louisiana State University Museum of Art, Baton Rogue, LA Natalie and James Thompson Art Gallery, San Jose State University, San Jose, CA New Mexico State University Museum, Las Cruces, NM Peterson Planetarium, Emporia State University, Emporia, KS Richard H. Schmidt Museum of Natural History, Emporia State University, Emporia, KS Schuler Gallery, Schuler School of Fine Arts, Baltimore, MD University Art Museum, University of California, Santa Barbara, Santa Barbara, CA University Museum, Southern Illinois University at Edwardsville, Edwardsville, IL

650


1960

Bassett Planetarium, Amherst College, Amherst, MA Beard Gallery, Wheaton College, Norton, MA Botanical Gardens at Asheville, University of North Carolina at Asheville, Asheville, NC Bowling Green State University Fine Arts Center Galleries, Bowling Green, OH Donna Beam Fine Art Gallery, University of Nevada at Las Vegas, Las Vegas, NV Francis McCray Galleries, Western New Mexico University, Silver City, NM Howell Memorial Planetarium, Bob Jones University, Greenville, SC Lilly Library Galleries, Indiana University, Bloomington, IN Museum of Art, University of New Hampshire, Durham, NH National Center for Atmospheric Research Visitor Center, University Corporation for Atmospheric Research, Boulder, CO Outdoor Sculpture Garden, Western Washington University, Bellingham, WA Sheppard Fine Arts Gallery, University of Nevada at Reno, Reno, NV Weber State University Art Galleries, Ogden, UT William Holmes McGuffey Museum, Miami University, Oxford, OH

1961

Arizona State University Museum of Anthropology, Tempe, AZ Baldwin Photographic Gallery, Middle Tennessee State University, Murfreesboro, TN Center for Meteorite Studies Museum, Arizona State University, Tempe, AZ Clemson University Planetarium, Clemson University, Clemson, SC College of Eastern Utah Prehistoric Museum, Price, UT Frank H. McClung Museum, University of Tennessee at Knoxville, Knoxville, TN Grossmont College Hyde Art Gallery, El Cajon, CA Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, PA Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, Champaign, IL, NAU Art Museum, Northern Arizona University, Flagstaff, AZ Red Butte Garden and Arboretum, University of Utah, Salt Lake City, UT


Rose Art Museum of Brandeis University, Waltham, MA South Carolina Botanical Garden, Clemson University, Clemson, SC Trailside Museum of Natural History, University of Nebraska-Lincoln, Crawford, NE Vanderbilt University Fine Arts Gallery, Nashville, TN 1962

Chazen Museum of Art, University of Wisconsin-Madison, Madison, WI Cook-Hayman Pharmacy Museum, West Virginia University, Morgantown, WV Davis Art Gallery, Stephens College, Columbia, MO Middlesex Canal Collections, University of Massachusetts Lowell, Lowell, MA Mobile Medical Museum, University of South Alabama, Mobile, AL Oakland University Art Gallery, Rochester, MI Rauch Planetarium, University of Louisville, Louisville, KY Reynolda Gardens of Wake Forest University, Winston-Salem, NC Salisbury State University Galleries, Salisbury, MD Van Every/Smith Galleries, Davidson College, Davidson, NC

1963

Alva deMars Megan Chapel Art Center, St. Anselm College, Manchester, NH Blanton Museum of Art, University of Texas at Austin, Austin, TX Boynton Chapel, Lawrence University, Baileys Harbor, WI Bradbury Science Museum, University of California, Berkeley, Los Alamos, NM Emily Lowe Gallery, Hofstra University, Hempstead, NY Fleisehmann Planetarium and Science Center, University of Nevada at Reno, Reno, NV Fowler Museum at UCLA, University of California, Los Angeles, Los Angeles, CA Gustav Jeeninga Museum of Bible and Near Easter Studies, Anderson University, Anderson, IN Hardin Planetarium, Western Kentucky University, Bowling Green, KY Hofstra University Museum, Hempstead, NY Institute of Contemporary Art at the University of Pennsylvania, Philadelphia, PA L. Russell Kelce Planetarium, Pittsburg State University, Pittsburg, KS

652


Magale Library Gallery, Centenary College of Louisiana, Shreveport, LA Mathers Museum of World Cultures, Indiana University, Bloomington, IN Museum of Anthropology, Wake Forest University, Winston-Salem, NC Nicol and Eisenberg Archaeological Collection, Southern Baptist Theological Seminary, Louisville, KY Phillip J. Steele Gallery, Rocky Mountain College of Art + Design, Lakewood, CO Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY Sheldon Museum of Art and Sculpture Garden, University of Nebraska-Lincoln, Lincoln, NE South Carolina Institute of Archaeology and Anthropology, University of South Carolina, Columbia, SC Studio San Giuseppe, College of Mount St. Joseph, Cincinnati, OH Sweeney Art Gallery, University of California, Riverside, Riverside, CA Texas Heritage Museum, Hill College, Hillsboro, TX University of California Berkeley Art Museum and Pacific Film Archive, Berkeley, CA University of Maryland Observatory, College Park, MD University of New Mexico Art Museum, Albuquerque, NM Utah Museum of Natural History, University of Utah, Salt Lake City, UT Utah State University Museum of Anthropology, Logan, UT Wallis Museum, Connors State College, Warner, OK 1964

Abrams Planetarium, Michigan State University, East Lansing, MI Anthropology Museum, Northern Illinois University, DeKalb, IL Arboretum at UC Santa Cruz, University of California, Santa Cruz, Santa Cruz, CA Boehm Gallery, Palomar College, San Marcos, CA Bowers Science Museum, State University of New York at Cortland, Cortland, NY Center of Southwest Studies Gallery, Fort Lewis College, Durango, CO Conner Prairie Interactive Historical Park, Earlham College, Fishers, IN


Eleanor D. Wilson Museum, Hollins University, Roanoke, VA Entomology Research Museum, University of California, Riverside, Riverside, CA Illinois State University Planetarium, Illinois State University, Normal, IL Macalester College Art Gallery, St. Paul, MN Museum of American Architecture and Decorative Arts, Houston Baptist University, Houston, TX Peppers Art Gallery, University of Redlands, Redlands, CA Robert R. Meyer Planetarium, Birmingham-Southern College, Birmingham, AL Schumacher Gallery, Capital University, Columbus, OH Tower Fine Arts Gallery, State University of New York at Brockport, Brockport, NY University of Delaware Mineralogical Museum, Newark, DE University of Tennessee Arboretum, Oak Ridge, TN Waikiki Aquarium, University of Hawaii at Manoa, Honolulu, HI Widener Gallery, Trinity College, Hartford, CT Zacheis Planetarium and Observatory, Adams State College, Alamosa, CO 1965

Art Gallery, John C. Calhoun State Community College, Decatur, AL Art Gallery, South Campus, Broward College, Davie, FL Bartlett Arboretum and Gardens, University of Connecticut, Stamford, CT Barton Art Galleries, Barton College, Wilson, NC Buehler Planetarium and Observatory, Broward College, Davie, FL Carroll Reece Museum, East Tennessee State University, Johnson City, TN Central Connecticut State University Art Galleries, New Britain, CT Duncan Gallery of Art, Stetson University, De Land, FL Elder Art Gallery, Nebraska Wesleyan University, Lincoln, NE Fine Arts Galleries at Broward College, Davie, FL Firehouse Art Gallery, Nassau Community College, Garden City, NY Gardiner Art Gallery, Oklahoma State University, Stillwater, OK Hatfield Marine Science Center, Oregon State University, Newport, OR John Furlong Gallery, University of Wisconsin-Stout, Menominie, WI

654


Meadows Museum, Southern Methodist University, Dallas, TX Slocumb Galleries, East Tennessee State University, Johnson City, TN Thorne-Sagendorph Art Gallery, Keene State College, Keene, NH UCLA Hannah carter Japanese garden, University of California, Los Angeles, University Art Gallery, California State University, Stanislaus, Turlock, CA University of California Irvine Arboretum, Irvine, CA University of Florida Galleries, Gainesville, FL USM Art Gallery, University of Southern Maine, Gorham, ME 1966

Amistad Research Center, Tulane University, New Orleans, LA Bertha V. B. Lederer Fine Arts Gallery, State University of New York at Geneseo, Geneseo, NY Burchfield-Penney Art Center, State University of New York at Buffalo, Buffalo, NY Fan Mountain Observatory, University of Virginia, Covesville, VA History of Pharmacy Museum, University of Arizona, Tucson, AZ Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, NJ Lowell D. Holmes Museum of Anthropology, Wichita State University, Wichita, KS Luther W. Brady Art Gallery, George Washington University, Washington, DC Museum of Anthropology, Washington State University, Pullman, WA Picker Art Gallery, Colgate University, Hamilton, NY QCC Art Gallery/CUNY, Queensborough Community College, City University of New York , Bayside, NY University Art Gallery, University of Pittsburgh, Pittsburgh, PA University of Maryland Galleries, College Park, MD University of Wyoming Anthropology Museum, Laramie, WY UWSP Museum of Natural History, University of Wisconsin-Stevens Point, Stevens Point, WI Waring Historical Library, Medical University of South Carolina, Charleston, SC William Benton Museum of Art, University of Connecticut, Storrs, CT


1967

Anita S. Wooten Gallery, Valencia Community College, Orlando, FL Arkansas State University Fine Art Gallery, State University, AR Ball State Planetarium and Observatory, Ball State University, Muncie, IN Dowd Fine Arts Gallery, State University of New York at Cortland, Cortland, NY Franklin D. Murphy Sculpture Garden, University of California, Los Angeles, Los Angeles, CA Historic Pensacola Village, University of West Florida, Pensacola, FL Housatonic Museum of Art, Housatonic Community College, Bridgeport, CT Jane Addams Hull-House Museum, University of Illinois at Chicago, Chicago, IL Joel and Lila Harnett Museum of Art, University of Richmond, Richmond, VA Main Art Gallery, California State University, Fullerton, Fullerton, CA Memorial Union Art Gallery, University of California, Davis, Davis, CA Museum of FIT, Fashion Institute of Technology, New York, NY Peary-Macmillan Arctic Museum, Bowdoin College, Brunswick, ME Photographic Archives, University of Louisville, Louisville, KY Reynolds House Museum of American Art, Wake Forest University, Winston-Salem, NC Richard F. Brush Art Gallery, St. Lawrence University, Canton, NY Rubelle and Norman Schafler Gallery, Pratt Institute, Brooklyn, NY Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL Sawhill Gallery, James Madison University, Harrisonburg, VA Special Collections Library, University of Kentucky, Lexington, KY State Agricultural Heritage Museum, South Dakota State University, Brookings, SD U.S. Coast Guard Museum, U.S. Coast Guard Academy, New London, CT University Art Museum, State University of New York at Albany, Albany, NY University Art Museum, State University of New York at Binghamton, Binghamton, NY University of Iowa Museum of Art, Iowa City, IA University of Wisconsin-La Crosse Planetarium, La Crosse, WI

656


Ward Beecher Planetarium, Youngstown State University, Youngstown, OH 1968

Adám E. Treganza Anthropology Museum, San Francisco State University, San Francisco, CA Arthur F. McClure II Archives ad University Museum, Central Missouri State University, Warrensburg, MO Broadway Gallery, Passaic County Community College, Paterson, NJ Edith J. Carrier Arboretum and Botanical Gardens, James Madison University, Harrisonburg, VA Esther Thomas Atkinson Museum, Hampden-Sydney College, Hampden-Sydney, VA Helen Louise Allen Textile Collection, University of Wisconsin-Madison, Madison, WI Hopkins Hall Gallery, Ohio State University, Columbus, OH Hoysradt Herbarium, Hartwick College, Oneonta, NY Institute of Texan Cultures, University of Texas at San Antonio, San Antonio, TX Jackson’s Mill Historic Area, West Virginia University, Weston, WV Lawrence Hall of Science, University of California, Berkeley, Berkeley, CA Liberty Hall Museum at Kean University, Union, NJ LRC Gallery, Passaic County Community College, Paterson, NJ Matson Museum of Anthropology, Pennsylvania State University, University Park, PA Middlebury College Museum of Art, Middlebury, VT Mount San Antonio College Planetarium, Walnut, CA Natural History Museum, Eastern New Mexico University, Portales, NM Nebraska Conference United Methodist Historical Center, Nebraska Wesleyan University, Lincoln, NE North Carolina A&T State University Galleries, Greensboro, NC Northern Kentucky University Art Galleries, Highland Heights, KY Ohio State University Planetarium, Columbus, OH Paul and Laura Mesaros Galleries, West Virginia University, Morgantown, WV


Paul and Lulu Hilliard University Art Museum, University of Louisiana at Lafayette, Lafayette, LA Robert T. Dixon Planetarium, Riverside City College, Riverside, CA Roland Gibson Gallery, State University of New York at Potsdam, Potsdam, NY Spertus Museum, Spertus Institute of Jewish Studies, Chicago, IL State Botanical Garden of Georgia, University of Georgia, Athens, GA University of South Florida Contemporary Art Museum, Tampa, FL University of Wyoming Art Museum, Laramie, WY W. A. Gayle Planetarium, Troy State University, Montgomery, AL William Knox Holt Planetarium, University of California, Berkeley, CA Winedale, University of Texas at Austin, Round Top, TX 1969

Anderson Gallery, Virginia Commonwealth University, Richmond, VA Ben Shahn Galleries, William Paterson University of New Jersey, Wayne, NJ Blackwater Draw Museum, Eastern New Mexico University, Portales, NM CCC Weeks Gallery, Jamestown Community College, Jamestown, NY Curfman Gallery, Colorado State University, Fort Collins, CO Davis Gallery at Houghton House, Hobart and William Smith Colleges, Geneva, NY Frost Entomological Museum, Pennsylvania State University, University Park, PA John Deere Planetarium, Augustana College, Rock Island, IL Karl Drerup Art Gallery, Plymouth State College, Plymouth, NH McCrory Gardens at South Dakota State University, Brookings, SD Luther College Ethnographic and Archaeological Collections, Decorah, IA Michael C. Rockefeller Arts Center Gallery, State University of New York at Fredonia, Fredonia, NY Miles Mineral Museum, Eastern New Mexico University, Portales, NM Museum of Anthropology, California State University, Chico, Chico, CA Nasher Museum of Art, Duke University, Durham, NC Nathan Manilow Sculpture Park, Governors State University, University Park, IL

658


Nerman Museum of Contemporary Art, Johnson County Community College, Overland Park, KS Perkinson Gallery, Millikin University, Decatur, IL Southern Oregon University Museum of Vertebrate Natural History, Ashland, OR Southworth Planetarium, University of Southern Maine, Portland, ME UNLV Marjorie Barrick Museum, University of Nevada at Las Vegas, Las Vegas, NV Virginia Institute of Marine Science, College of William and Mary, Gloucester Point, VA West Chester University Planetarium, West Chester, PA Winston Churchill Museum, Westminster College, Fulton, MO 1970

Allegheny College Art Galleries, Meadville, PA Anthropology Teaching Museum, California State University, Fullerton, Fullerton, CA Center for Western Studies, Augustana College, Sioux Falls, SD Central Michigan University Herbarium, Mount Pleasant, MI Clara Hutton Gallery, Colorado State University, Fort Collins, CO Clough-Hanson Gallery, Rhodes College, Memphis, TN Crossman Gallery, University of Wisconsin-Whitewater, Whitewater, WI Esther Massry Gallery, College of St. Rose, Albany, NY Evergreen Gallery, Evergreen State College, Olympia, WA Fujitus Planetarium, De Anza College, Cupertino, CA Gallery of Art, Eastern Washington University, Cheney, WA General Lewis B. Hershey Museum, Trine University, Angola, IN Georgia State University School of Art and Design Gallery, Atlanta, GA Hall of Valor Civil War Museum, Virginia Military Institute, New Market, VA Joseloff Gallery, University of Hartford, West Hartford, CT Jurica-Suchy Nature Museum, Benedictine University, Lisle, IL Kendall Campus Art Gallery, Miami Dade College, Miami, FL Lane Community College Art Gallery, Eugene, OR


Longwell Museum and Camp Crowder Collection, Crowder College, Neosho, MO Museum of Cultural and Natural History, Central Michigan University, Mount Pleasant, MI NIU Art Museum, Northern Illinois University, DeKalb, IL North Dakota Museum of Art, University of North Dakota, Grand Forks, ND Old Capitol Museum, University of Iowa, Iowa City, IA Reese Bulen Gallery, Humboldt State University, Arcata, CA Reynolds Homestead, Virginia Polytechnic Institute and State University, Critz, VA Ritter Gallery, Florida Atlantic University, Boca Raton, FL Rural Life Museum and Windrush Gardens, Louisiana State University, Baton Rouge, LA Santa Ana College Galleries, Santa Ana, CA Schmidt Gallery, Florida Atlantic University, Boca Raton, FL Scurry County Museum, West Texas College, Snyder, TX Shasta College Museum and Research Center, Redding, CA Siegfried H. Horn Museum, Andrews University, Berrien Springs, MI South Dakota Art Museum, South Dakota State University, Brookings, SD Star of the Republic Museum, Blinn College, Washington, TX University Art Gallery, Central Michigan University, Mount Pleasant, MI University Galleries, Florida Atlantic University, Boca Raton, FL University of Tennessee Football Hall of Fame, University of Tennessee at Knoxville, Knoxville, TN University of West Florida Art Gallery, Pensacola, FL Visual Arts Gallery, Pensacola Junior College, Pensacola, FL Widener University Art Collection and Gallery, Chester, PA Wiegand Gallery, Notre Dame de Nemur University, Belmont, CA 1971

Asian Arts Gallery, Towson University, Towson, MD Baron and Ellin Gordon Art Galleries, Old Dominion University, Norfolk, VA Blue Ridge Institute and Museum, Ferrum College, Ferrum, VA

660


Carleton College Art Gallery, Northfield, MN Cranbrook House and Gardens, Cranbrook Educational Community, Bloomfield, Hills, MI David Winton Bell Gallery, Brown University, Providence, RI Dwight Frederick Boyden Gallery, St. Mary’s College of Maryland, St. Mary’s City, MD Euphrat Museum of Art, De Anza College, Cupertino, CA Harry Wood Art Gallery, Arizona State University, Tempe, AZ John Drescher Planetarium, Santa Monica College, Santa Monica, CA Kean University Galleries, Union, NJ Kipp Gallery, Indiana University of Pennsylvania, Indiana, PA Longwood Center for the Visual Arts, Longwood College, Farmville, VA Lois Dowdle Cobb Museum of Archaeology, Mississippi State University, Mississippi State University, MS Louisiana State Anthropod Museum, Louisiana State University, Baton Rogue, LA Lynden Baines Johnson Library and Museum, University of Texas at Austin, Austin, TX Mary Porter Sesnon Art Gallery, University of California, Santa Cruz, Santa Cruz, CA Meadow Brook Hall, Oakland University, Rochester, MI Milliken Gallery, Converse College, Spartanburg, SC Rice University Art Gallery, Houston, TX Santa Fe Community College Teaching Zoo, Gainesville, FL Spurlock Museum, University of Illinois at Urbana-Champaign, Urbana, IL University Art Galleries, Murray State University, Murray, KY World Museum of Natural History, La Sierra University, Riverside, CA 1972

BYU-Idaho Planetarium, Brigham Young University-Idaho, Rexburg, ID Carr-Fles Planetarium, Muskegon Community College, Muskegon, MI Copernican Observatory and Planetarium, Central Connecticut State University, New Britain, CT CSUN Art Galleries, California State University, Northridge, Northridge, CA


DSU Art Gallery, Dickinson State University, Dickinson, ND Fine Arts Center at Miriam Hall, Anna Maria College, Paxton, MA Fullerton Arboretum, California State University, Fullerton, Fullerton, CA Gulf Coast Research Laboratory Museum, University of Southern Mississippi, Biloxi, MS Mariani Gallery, University of Northern Colorado, Greeley, CO MCAD Gallery, Minneapolis College of Art and Design, Minneapolis, MN Missouri United Methodist Archives, Central Methodist University, Fayette, MO Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, NM Museum of Culture and Environment, Central Washington University, Ellensburg, WA Museum of Natural History, Southwest Minnesota State University, Marshall, MN Museum of Wildlife and Fish Biology, University of California, Davis, Davis, CA National Afro-American Museum and Cultural Center, Wilberforce University, Wilberforce, OH National Wrestling Hall of Fame and Museum, Oklahoma State University, Stillwater, OK Oak Hill and the Martha Berry Museum, Berry College, Berry, KY Orange County Agricultural and Nikkei Heritage Museum, California State University, Fullerton, Fullerton, CA Palmer Museum of Art, Pennsylvania State University, University Park, PA Roberts Observatory, Berea College, Berea, KY Rowan Oak, Home of William Faulkner, University of Mississippi, Oxford, MS Scarfone/Hartley Gallery, University of Tampa, Tampa, FL: University of North Texas Art Gallery, Denton, TX University Gallery, University of Bridgeport, Bridgeport, CT Wayne State University Museum of Natural History, Detroit, MI Whitehouse Nature Center, Albion College, Albion, MI

662


Wignail Museum of Contemporary Art, Chaffey College, Rancho Cucamonga, CA 1973

Blaffer Gallery, The Art Museum of the University of Houston, Houston, TX Charles F. Hagar Planetarium, San Francisco State University, San Francisco, CA Cleveland State University Art Gallery, Cleveland, OH Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT Fiedler Memorial Museum, Texas Lutheran College, Seguin, TX George F. Beattie Planetarium, San Bernardino Valley College, San Bernardino, CA Harvard-Smithsonian Center for Astrophysics, Harvard University Cambridge, MA Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Katherine E. Nash Gallery, University of Minnesota Twin Cities, Minneapolis, MN Merritt Museum of Anthropology, Merritt College, Oakland, CA MIT Museum, Massachusetts Institute of Technology, Cambridge, MA Museum of Art, Washington State University, Pullman, WA Museum of Long Island Natural Sciences, State University of New York at Stony Brook, Stony Brook, NY National Music Museum, University of South Dakota, Vermilion, SD National Polish American Sports Hall of Fame, St. Mary’s College, Orchard Lake, MI Santa Rosa Junior College Art Gallery, Santa Rosa, CA Sordoni Art Gallery, Wilkes University, Wilkes-Barre, PA Thomas E. McMillan Museum, Jefferson Davis Community College, Brewton, AL Sheehan Galley, Whitman College, Walla Walla, WA UCR/California Museum of Photography, University of California, Riverside, Riverside, CA WIYN Consortium, Kitt Peak, AZ Yeshiva University Museum, New York, NY


1974

Bob Rauschenberg Gallery at Edison State College, Fort Myers, FL Calvin College Center Art Gallery, Grand Rapids, MI Cernan Earth and Space Center, Triton College, River Grove, IL Daura Gallery, Lynchburg College, Lynchburg, VA Diablo Valley College Art Gallery, Pleasant Hill, CA Farm House Museum, Iowa State University, Ames, IA Fiske Planetarium and Science Center, University of Colorado at Boulder, Boulder, CO Glencairn Museum, Bryn Athyn College, Bryn Athyn, PA Haynes Fine Arts Gallery, Montana State University, Bozeman, MT Helen E. Copeland Gallery, Montana State University, Bozeman, MT Historic New Harmony, University of Southern Indiana, New Harmony, IN Margaret Fort Trahern Gallery, Austin Peavy State University, Clarksville, TN Neuberger Museum of Art, State University of New York at Purchase, Purchase, NY Pearson Museum, Southern Illinois University School of Medicine, Springfield, IL Robert J. Novins Planetarium, Ocean County College, Toms River, NJ Smart Museum of Art,. University of Chicago, Chicago, IL Ulrich Museum of Art, Wichita State University, Wichita, KS University Art Gallery, University of California, San Diego, San Diego, CA University of Mississippi Museum, Oxford, MI Western New Mexico University Museum, Silver City, NM

1975

Alabama Museum of the Health Sciences, University of Alabama at Birmingham, Birmingham, AL Albin O Kuhn Library and Gallery, University of Maryland, Baltimore County, Baltimore, MD Billy Graham Center Museum, Wheaton College, Wheaton, IL Brunnier Art Museum, Iowa State University, Ames, IA Center for Creative Photography, University of Arizona, Tucson, AZ C. E. Smith Museum of Anthropology, California State University, East Bay, Hayward, CA

664


Danforth Museum of Art, Framingham State College, Framingham, MA Doris Ulmann Galleries, Berea College, Berea, KY Elsing Museum, Oral Roberts University, Tulsa, OK Flandrau Planetarium, University of Arizona, Tucson, AZ Francis Colburn Gallery, University of Vermont, Burlington, VT Gari Melchers Home and Studio at Belmont, University of Mary Washington, Fredericksburg, VA Grey Art Gallery, New York University, New York, NY John C. Wells Planetarium, James Madison University, Harrisonburg, VA Mabee-Gerrer Museum of Art, St. Gregory University, Shawnee, OK Macaulay Museum of Dental History, Medical University of South Carolina, Charleston, SC Memorial Union Art Gallery, North Dakota State University, Fargo, ND Mountain Heritage Center, Western Carolina University, Cullowhee, NC New Harmony Gallery of Contemporary Art, University of Southern Indiana, New Harmony, IN Northern Galleries, Northern State University, Aberdeen, SD North Florida Community College Art Gallery, Madison, FL Ross Lehrman Art Gallery, Harrisburg Area Community College, Harrisburg, PA Southern Alleghenies Museum of Art-Loretto, St. Francis University, Loretto, PA Spindletop/Gladys City Boomtown Museum, Lamar University, Beaumont, TX Stedman Art Gallery, Rutgers, The State University of New Jersey, Camden, NJ UA Science: Flandrau, University of Arizona, Tucson, AZ UC Davis Design Museum, University of California, Davis, Davis, CA Union Grove Gallery and Meeting Hall, University of Alabama in Huntsville, Huntsville, AL UMKC Gallery of Art, University of Missouri-Kansas city, Kansas City, MO University Art Gallery, State University of New York at Stony Brook, Stony Brook, NY


University Museum of Contemporary Art, University of Massachusetts Amherst, Amherst, MA Ward Museum of Wildfowl Art, Salisbury State University, Salisbury, MD 1976

Anthropology Museum, Northern Kentucky University, Highland Heights, KY Astronaut Memorial Planetarium and Observatory, Brevard Community College, Cocoa, FL Braithwaite Fine Arts Gallery, Southern Utah University, Cedar City, UT Charlotte and Philip Hanes Art Gallery, Wake Forest University, Winston-Salem, NC Flaten Art Museum, St. Olaf College, Northfield, MN Freedman Gallery, Albright College, Reading, PA Gallery at UTA, University of Texas at Arlington, Arlington, TX Goldstein Museum of Design, University of Minnesota Twin Cities, St. Paul, MN Hartnell College Gallery, Salinas, CA J. C. Raulston Arboretum, North Carolina State University, Raleigh, NC La Salle University Art Museum, Philadelphia, PA Martin Art Gallery, Muhlenberg College, Allentown, PA McKissick Museum, University of South Carolina, Columbia, SC McMullen Museum of Art, Boston University, Chestnut Hill, MA Meadows Museum of Art of Centenary College, Centenary College of Louisiana, Shreveport, LA Museum of Contemporary Photography, Columbia College Chicago, Chicago, IL Museum of Nebraska Art, University of Nebraska-Kearney, Kearney, NE Museum of the Llano Estacado, Wayland University, Plainview, TX National Ranching Heritage Center, Texas Tech University, Lubbock, TX Omar J. Smith Museum of Natural History, College of Idaho, Caldwell, ID Pioneer Heritage Center, Louisiana State University in Shreveport, Shreveport, LA Richard L. Nelson Gallery, University of California, Davis, Davis, CA Robert Graves Gallery, Wenatchee Valley College, Wenatchee, WA

666


Rosemary Berkel and Harry L. Cris II Museum, Southeast Missouri State University, Cape Girardeau, MO Shaver’s Creek Environmental Center, Pennsylvania State University, Petersburg, PA The Art Museum of the University of Kentucky, Lexington, KY University Gallery, St. Joseph University, Philadelphia, PA University of Hawaii Art Gallery, University of Hawaii at Manoa, Honolulu, HI Winnie Davis Museum of History, Limestone College, Gaffney, SC 1977

Alexander Brest Museum and Gallery, Jacksonville University, Jacksonville, FL Burghdorf Gallery, Southern Vermont College, Bennington, VT College of Eastern Utah Gallery East, Price, UT Florida School of the Arts Gallery, Palatka, FL Geology Museum, University of Wisconsin-Madison, Madison, WI Georgia Museum of Natural History, University of Georgia, Athens, GA Gerald R. Ford Library, University of Michigan, Ann Arbor, MI Handwerker Gallery, Ithaca College, Ithaca, NY Hearst Art Gallery, St. Mary’s College of California, Moraga, CA Kalamazoo Institute of Arts Museum, Kalamazoo, MI Lora Robins Gallery of Design from Nature, University of Richmond, Richmond, VA Mineralogical Museum of Harvard University, Cambridge, MA Museum of Anthropology, Eastern Arizona College, Thatcher, AZ Patricia and Phillip Frost Art Museum, Florida International University, Miami, FL R. S. Dietz Museum of Geology, Arizona State University, Tempe, AZ Samuel Cupples House, St. Louis University, St. Louis, MO SJC Planetarium, San Juan College, Farmington, NM Space Photography Laboratory, Arizona State University, Tempe, AZ Wellington B. Gray Gallery, East Carolina University, Greenville, NC Ukrainian Heritage Studies Center, Manor Junior College, Jenkintown, PA University Art Gallery, Sonoma State University, Rohnert Park, CA


Yale Center for British Art, Yale University, New Haven, CT 1978

Archer Gallery, Clark College, Vancouver, WA Art Gallery, Lower Columbia College, Longview, WA Castellani Art Museum of Niagara University, Niagara University, NY Cazenovia College Art Gallery, Cazenovia, NY Cornell Fne Arts Museum, Rollins College, Winter Park, FL Dooley Planetarium, Francis Marion College, Florence, SC FIDM Museum and Galleries, Fashion Institute of Design and Merchandising, Los Angeles, CA Halsey Institute of Contemporary Art of the College of Charleston, Charleston, SC McCormick Gallery, Midland College, Midland, TX Miami University Art Museum, Oxford, OH Mississippi University for Women Archives and Museum, Columbus, MS Monte L. Bean Life Science Museum, Brigham Young University, Provo, UT Museum of Osteopathic Medicine, A. T. Still University, Kirksville, MO Museum of Southern History, Houston Baptist University, Houston, TX Pasto Agricultural Museum, Pennsylvania State University, Rock Springs, PA Photographic Collections, University of Kentucky, Lexington, KY Purdue University Galleries, West Lafayette, IN Santa Fe College Galleries, Gainesville, FL The Design Center at Philadelphia University, Philadelphia, PA Thornhill Gallery at Avila University, Kansas City, MO UNI Gallery of Art, University of Northern Iowa, Cedar Falls, IA University Art Galleries, California State University, Dominguez Hills, Carson, CA Weil Gallery, Texas A&M University-Corpus Christi, Corpus Christi, TX

1979

American West Heritage Center, Utah State University, Wellsville, UT Appalachian Center Crafts Galleries, Tennessee Tech University, Smithville, TN Eastern Kentucky Herbarium, Eastern Kentucky University, Richmond, KY

668


Eleanor Barbour Cook Museum of Geology, Chadron State College, Chadron, NE Glensheen Historic Site, University of Minnesota Duluth, Duluth, MN Gregg Museum of Art and Design, North Carolina State University, Raleigh, NC Jessie C. Wilson Galleries, Anderson University, Anderson, IN Mississippi Entomological Museum, Mississippi State University, Mississippi State University, MS M. Louise Aughinbaugh Gallery, Messiah College, Grantham, PA Native American Resource Center, University of North Carolina at Pembroke, Pembroke, NC Paul Robeson Galleries, Rutgers, The State University of New Jersey, Newark, NJ Pratt Manhattan Gallery, Pratt Institute, New York, New York, NY Rollins Planetarium, Young Harris College, Young Harris, GA Samek Art Gallery, Bucknell University, Lewisburg, PA Savannah College of Art and Design Galleries, Savannah, GA University of West Georgia Observatory, Carrollton, GA 1980

Alcazar Gallery, Baltimore School of the Arts, Baltimore, MD Cress Gallery of Art, University of Tennessee at Chattanooga, Chattanooga, TN Doak House Museum, Tusculum College, Greeneville, TN East Texas Oil Museum, Kilgore College, Kilgore, TX Georgia Southern University Museum, Statesboro, GA Great Plains Art Museum, University of Nebraska-Lincoln, Lincoln, NE I. P. Stanback Museum and Planetarium, South Carolina State University, Orangeburg, SC Isla Center for the Arts, University of Guam, Mangilao. Guam Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL Museum and Center for Humanistic Studies, University Turabo, Gurabo, PR Parkland College Art Gallery, Champaign, IL Shippensburg University Fashion Archives and Museum, Shippensburg, PA Southwestern Architectural Archive, Tulane University, New Orleans, LA


Sweet Briar Museum, Sweet Briar College, Sweet Briar, VA 1981

Avenir Museum of Design and Merchandising, Colorado State University, Fort Collins, CO Birks Museum, Millikin University, Decatur, IL Clell and Ruth Gannon Gallery, Bismark State College, Bismark, ND Earl Burns Miller Japanese Garden, California State University, Long Beach, Long Beach, CA Ewing Gallery of Art and Architecture, University of Tennessee at Knoxville, Knoxville, TN Francis Marion University Observatory, Francis Marion University, Florence, SC Gallery of Contemporary Art, University of Colorado at Colorado Springs, Colorado Springs, CO Godwin-Ternbach Museum, Queens College, City University of New York, Flushing, NY Janet Turner Print Gallery, California State University, Chico, Chico, CA J. Houston Gordon Museum, University of Tennessee at Martin, Martin, TN Kent State University Museum, Kent, OH LaGuardia and Wagner Archives Museum, LaGuardia Community College, City University of New York, Long Island City, NY Maynard E. Jordan Planetarium and Observatory, University of Maine, Orono, ME Moss-Thorns Gallery of Art, Fort Hays State University, Hays, KS Museum of World Cultures, University of North Carolina at Wilmington, Wilmington, NC Sidney Mishkin Gallery of Baruch College, New York, NY SRJC Planetarium, Santa Rosa Junior College, Santa Rosa, CA Strom Thurmond Institute of Government and Public Affairs, Clemson University, Clemson, SC University Museum, Indiana University of Pennsylvania, Indiana, PA

1982

Charles B. Dorr Museum of Natural History, College of the Atlantic, Bar Harbor, ME

670


Connecticut State Museum of Natural History, University of Connecticut, Storrs, CT Emerson Gallery, Hamilton College, Clinton, NY Farnham Galleries, Simpson College, Indianola, IA Institute of Visual Arts, University of Wisconsin-Milwaukee, Milwaukee, WI Lady Bird Johnson Wildflower Center, University of Texas at Austin, Austin, TX Lamar Dodd Arts Center Museum, LaGrange College, LaGrange, GA Louisiana Tech Museum, Louisiana Tech University, Ruston, LA Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA Museum at Southwestern Michigan College, Dowagiac, MI Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT Olin Fine Arts Gallery, Washington and Jefferson College, Washington, PA Ray Dew Gallery, New Mexico Highlands University, Las Vegas, NM Southern Alleghenies Museum of Art-Johnstown, St. Francis University, Johnstown, PA Tarble Arts Center Galleries, Eastern Illinois University, Charleston, IL The Reeves Center, Washington and Lee University, Lexington, VA University Gallery, Clarion University of Pennsylvania, Clarion, PA University of Northern Iowa Museum and Collections, Cedar Falls, IA UTSA Art Gallery, University of Texas at San Antonio, San Antonio, TX Wrather West Kentucky Museum, Murray State University, Murray, KY 1983

Arthur Ross Gallery, University of Pennsylvania, Philadelphia, PA Augustana College Art Museum, Rock Island, IL Cecelia Coker Bell Gallery, Coker College, Hartsville, SC Cecille R. Hunt Gallery, Webster University, St. Louis, MO Dishman Art Museum, Lamar University, Beaumont, TX Gallery 400, University of Illinois at Chicago, Chicago, IL Hawaii Pacific University Art Gallery, Honolulu, HI Institute of Contemporary Art, Maine College of Art, Portland, ME


Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross, Worcester, MA John A. Logan College Museum, Cartersville, IL Lafayette College Art Galleries, Easton, PA McBride Museum, New Mexico Military Institute, Roswell, NM Museum of Fashion and Textiles, Louisiana Tech University, Ruston, LA Tandy Archaeological Museum, Southwestern Baptist Theological University, Fort Worth, TX The Galleries at Moore, Moore College of Art and Design, Philadelphia, PA Trout Gallery, Dickinson College, Carlisle, PA 1984

Anne Gray Pennell Center Art Gallery, Sweet Briar College, Sweet Briar, VA Bowling Green State University Planetarium and Observatory, Bowling Green, OH DePauw University Anthropology Museum, Greencastle, IN Laband Art Gallery, Loyola Marymount University, Los Angeles, CA McPherson Museum, McPherson College, McPherson, KS New Jersey Museum of Agriculture, Rutgers, The State University of New Jersey, New Brunswick, NJ Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, WI Paxson Gallery, University of Montana, Missoula, MT Rosenthal Gallery of Art, College of Idaho, Caldwell, ID School of the Art Institute of Chicago Sullivan Galleries, Chicago, IL West Virginia Northern Community College Aumni Association Museum, Wheeling, WV

1985

Art Gallery, Lake-Sumter Community College, Leesburg, FL Berea College Weatherford Planetarium, Berea, KY Brenan University Galleries, Gainesville, FL CU Heritage Center, University of Colorado at Boulder, Boulder, CO Jensen Arctic Museum, Western Oregon State College, Monmouth, OR Museum of Earth and Life History, Liberty University, Lynchburg, VA Paul W. Bryant Museum, University of Alabama, Tuscaloosa, AL

672


Radford University Art Museum, Radford, VA Temple Gallery, Temple University, Philadelphia, PA 1986

Appleton Museum of Art, College of Central Florida, Ocala, FL Barry Goldwater Air Force Academy Visitor Center, Colorado Springs, CO Hudson Museum, University of Maine, Orono, ME Lentz Center for Asian Cultures, University of Nebraska-Lincoln, Lincoln, NE Lytle Ranch Preserve, Brigham Young University, St. George, UT Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY Schneider Museum of Art, Southern Oregon State University, Ashland, OR Selby Gallery, Ringling College of Art and Design, Sarasota, FL The Wolfsonian-FIU, Florida International University, Miami Beach, FL Western Art Gallery/Museum, University of Montana Western Montana College, Dillon, MT

1987

Alabama State Black Achivers Research Center and Museum, Alabama A&M University, Huntsville, AL Art Gallery of Brooklyn College, Brooklyn College, City University of New York, Brooklyn, NY Brigham Young University Museum of Paleontology, Provo, UT DePaul University Art Museum, Chicago, IL Philip and Muriel Berman Museum of Art, Ursinus College, Collegeville, PA Queens College Art Center, Queens College, City University of New York, Flushing, NY School of Fine Arts Gallery, Indiana University, Bloomington, IN Science Discovery Center of Oneonta, State University of New York at Oneonta, Oneonta, NY University Art Gallery, University of Massachusetts Dartmouth, New Bedford, MA William N. Staerkel Planetarum, Parkland College, Champaign, IL

1988

Bradley Gallery of Fine Art, Lakeland College, Sheboygan, WI Donald H. Baepler Xeric Garden, University of Nevada at Las Vegas, Las Vegas, NV Hillwood Art Museum, Long Island University, Brookville, NY


Hummel Planetarium, Eastern Kentucky University, Richmond, KY Marshall M. Frederick Sculpture Museum, Saginaw Valley State University, University Center, MI May Gallery, Webster University, Webster Grove, MO National Cable Television Center and Museum, University of Denver, Denver, CO New England College Gallery, Henniker, NH Treasures of the Sea Exhibit, Delaware Technical and Community College, Georgetown, DE University of Maine Museum of Art, Orono, ME Vanderbilt University Arboretum, Nashville, TN 1989

Apex Gallery, South Dakota School of Mines and Technology, Rapid City, SD Avery Research Center for African American History and Culture, College of Charleston, Charleston, SC Center Galleries, College for Creative Studies, Detroit, MI Culinary Arts Museum, Johnson and Wales University, Providence, RI Douglas F. Cooley Memorial Gallery, Reed College, Portland, OR Elizabeth Myers Mitchell Gallery, St. John’s College, Annapolis, MD Fashion Columbia Study Collection, Columbia College Chicago, Chicago, IL Gallery of Contemporary Art, Sacred Heart University, Fairfield, CT Higgins Art Gallery, Cape Cod Community College, West Barnstable, MA Humboldt State University Natural History Museum, Arcata, CA Living History Farm, Montana State University, Bozeman, MT MSC Forsyth Center Galleries, Texas A&M University-College Station, College Station, TX St. Andrews Scottish Heritage Center, St. Andrews Presbyterian College, Laurinburg, NC Schingoethe Center for Native American Cultures, Aurora University, Aurora, IL University of Iowa Athletics Hall of Fame, Iowa City, IA University of Iowa Hospitals and Clinics Medical Museum, Iowa City, IA University of Miami Sports Hall of Fame, Coral Gables, FL

674


Western Wyoming Community College Art Gallery, Rock Springs, WY Wexner Center for the Arts Galleries, Ohio State University, Columbus, OH Wriston Art Center Galleries, Lawrence University, Appleton, WI 1990

Arboretum of Arizona State University, Tempe, AZ Center for Visual Art, Metropolitan State College of Denver, Denver, CO Craven F. Williams Observatory, Gardner-Webb University, Boiling Springs, NC Diggs Gallery, Winston-Salem State University, Winston-Salem, NC Evergreen Museum and Library, Johns Hopkins University, Baltimore, MD Guilford College Art Gallery, Greensboro, NC Hammer Museum, University of California, Los Angeles, Los Angeles, CA Royce J. and Caroline B. Watts Museum, West Virginia University, Morgantown, WV Thomas J. Walsh Art Gallery, Fairfield University, Fairfield, CT UW Space Place, University of Wisconsin-Madison, Madison, WI

1991

Dennos Museum Center, Northwestern Michigan College, Traverse City, MI Faulconer Gallery, Grinnell College, Grinnell, IA List Gallery, Swathmore College, Swathmore, PA Margaret Dow Towsley Sports Museum, University of Michigan, Ann Arbor, MI McDonough Museum of Art, Youngstown State University, Youngstown, OH Tufts University Art Gallery, Medford, MA

1992

Crosby Museum, Gonzaga University, Spokane, WA Da Vinci Science Center, Cedar Crest College, Allentown, PA Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA J. Wayne Stark University Center Galleries, Texas A&M University-College Station, College Station, TX LSU Textile and Costume Museum, Louisiana State University, Baton Rogue, LA Pennsylvania German Cultural Research Center at Kutztown University, Kutztown, PA Southeast Museum of Photography, Daytona State College, Daytona Beach, FL


Sindecuse Museum of Dentistry, University of Michigan, Ann Arbor, MI 1993

Ashby-Hodge Gallery of American Art, Central Methodist University, Fayette, MO Brigham Young University Museum of Art, Provo, UT Circle Gallery, University of Georgia, Athens, GA Ethel H. Blum Art Gallery, College of the Atlantic, Bar Harbor, ME Frederick R. Weisman Art Museum, University of Minnesota Twin Cities, Minneapolis, MN DAAP Galleries, University of Cincinnati, Cincinnati, OH Feet First Exhibition, Rosalind Franklin University of Medicine and Science, North Chicago, IL Fine Arts Gallery, San Francisco State University, San Francisco, CA Gallery at the BGC, Bard College, New York, NY Kennedy Museum of Art, Ohio University, Athens, OH Lore Degenstein Gallery, Susquehanna University, Selinsgrove, PA Museum of Contemporary Religious Art, St. Louis University, St. Louis, MO Oglethorpe University Museum of Art, Atlanta, GA Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA UTSA Satellite Space, University of Texas at San Antonio, San Antonio, TX W. M. Keck Observatory, California Association for Research in Astronomy, Kamuela, HI

1994

Anthropology Museum, University of San Diego, San Diego, CA Deer Valley Rock Art Center, Arizona State University, Phoenix, AZ East Kentucky Science Center, Big Sandy Community and Technical College, Prestonsburg, KY Idea Place, Louisiana Tech University, Ruston, LA Kleist Health Education Center, Florida Gulf Coast University, Fort Myers, FL Louisiana Tech University Planetarium, Ruston, LA Luckman Gallery, California State University Los Angeles, Los Angeles, CA Mascaro-Steinger Turfgrass Museum, Pennsylvania State University, University Park, PA Museum of Mountain Home, East Tennessee State University, Johnson City, TN

676


Sousa Archives and Center for American Music, University of Illinois at Urbana- Champaign, Champaign, IL Suzanne H. Arnold Art Gallery, Lebanon Valley College, Annville, PA University at Buffalo Art Galleries, State University of New York at Buffalo, Buffalo, NY University of Washington Planetarium, Seattle, WA Walsh Gallery, Seton Hall University, South Orange, NJ 1995

African American Collection of Maine, University of Southern Maine, Portland, ME American Museum of Asmat Art, University of St. Thomas, St. Thomas, MN CFCC Webber Center Gallery, College of Central Florida, Ocala, FL Faulkner Planetarium, College of Southern Idaho, Twin Falls, ID Governor Aker Observatory, Eastern Arizona College, Safford, AZ Harvard Museum of Natural History, Harvard University, Cambridge, MA Jundt Art Museum, Gonzaga University, Spokane, WA Mandeville Gallery, Union College, Schenectady, NY Marist College Art Gallery, Poughkeepsie, NY Marvin Samson Center for the History of Pharmacy, University of the Sciences in Philadelphia, Philadelphia, PA Robbins Gallery, University of Michigan, Ann Arbor, MI University of Central Florida Art Gallery, Orlando, FL

1996

Anderson Gallery, Drake University, Des Moines, IA Coca-Cola Space Science Center, Columbus State University, Columbus, GA Dr. Samuel D. Harris National Museum of Dentistry, University of Maryland, Baltimore, Baltimore, MD Elmer H. Grimm, Sr. Pharmacy Museum, University of Pittsburgh, Pittsburgh, PA Gateway Science Museum, California State University, Chico, Chico, CA Jim Crow Museum, Ferris State University, Big Rapids, MI Jonathan B. Lovelace Museum and Hall of Honor, Auburn University, Auburn, AL


Marianna Kistler Beach Museum of Art, Kansas State University, Manhattan, KS Newcomb Art Gallery, Tulane University, New Orleans, LA Robert V. Fullerton Art Museum, California State University, San Bernardino, San Bernardino, CA Skirball Cultural Center, Hebrew Union College-Jewish Institute of Religion, Los Angeles, CA Soeffker Gallery, Hamline University, St. Paul, MN Spellman College Museum of Fine Art, Atlanta, GA 1997

Dunham Bible Museum, Houston Baptist University, Houston, TX George Bush Presidential Library and Museum, Texas A&M University-College Station, College Station, TX Stevenson University Art Gallery, Stevenson, MD Walton-Young Historic House, University of Mississippi, Oxford, MS

1998

Barlow Planetarium, University of Wisconsin-Fox Valley, Menasha, WI Bob Campbell Geology Museum, Clemson University, Clemson, SC Hilltop Garden and Nature Center, Indiana University, Bloomington, IN Juniata College Museum of Art, Huntington, PA Kent and Vickie Logan Galleries, California College of the Arts, San Francisco, CA Yogi Berra Museum and Learning Center, Montclair State University, Little Falls, NJ

1999

Annette Green Perfune Museum, Fashion Institute of Design and Merchandising, Los Angeles, CA Hemingway-Pfeiffer Museum and Educational Center, Arkansas State University, Piggott, AR Historic Textile and Costume Collection, University of Rhode Island, Kingston, RI John Young Museum of Art, University of Hawaii at Manoa, Honolulu, HI Kansas State University Insect Zoo, Manhattan KS Louisiana Museum of Natural History, Louisiana State University, Baton Rogue, LA

678


Ruth W. Towne Museum and Visitors Center, Truman State University, Kirksville, MO University of Maryland School of Nursing Museum, Baltimore, MD 2000

Beall Center for Art + Technology, University of California, Irvine, Irvine, CA David Erlanson Art Gallery, Richland Community College, Decatur, IL F. Donald Kenney Museum and Art Study Wing, St. Bonaventure University, St. Bonaventure, NY Frances Young Tang Teaching Museum of Art and Art Gallery, Skidmore College, Saratoga Springs, NY Hillstrom Museum of Art, Gustavus Adolphus College, St. Peter, MN Miller Gallery at Carnegie Mellon, Carnegie Mellon University, Pittsburgh, PA Oesper Museum of Chemical Apparatus, University of Cincinnati, Cincinnati, OH Paterno Library Collections, Pennsylvania State University, University Park, PA Phillips Museum of Art, Franklin and Marshall College, Lancaster, PA Texas Southern University Museum, Houston, TX

2001

David C. Driskell Center Gallery, University of Maryland, College Park, MD Erdman Art Gallery, Princeton Theological Seminary, Princeton, NJ St. Joseph College Art Gallery, West Hartford, CT Texas A&M Sports Museum, Texas A&M University-College Station, College Station, TX

2002

Abner Hershberger Art Gallery, Goshen College, Goshen, IN H. S. Mendenhall Observatory, Oklahoma State University, Stillwater, OK Jack Nicklaus Museum, Ohio State University, Columbus, OH Jim Click Hall of Champions, University of Arizona, Tucson, AZ Leonard Pearlstein Gallery, Drexel University, Philadelphia, PA Mari Sandoz and High Plains Heritage Center, Chadron State College, Chadron, NE Old Governor’s Mansion, Georgia College and State University, Milledgeville, GA Opalka Gallery, Sage College of Albany, Albany, NY


Penn State All-Sport Museum, Pennsylvania State University, University Park, PA Richard E. Peeler Art Center Galleries, DePauw University, Greencastle, IN St. Louis University Museum of Art, St. Louis, MO University of Arizona Campus Arboretum, Tucson, AZ Weis Earth Science Museum, University of Wisconsin-Fox Valley, Menasha, WI 2003

Athletic Hall of Excellence, U.S. Air Force Academy, Colorado Springs, CO Emily Dickinson Museum: The Homestead and the Evergreens, Amherst College, Amherst, MA Glendale Community College Art Collection, Glendale, AZ Glendale Community College Planetarium, Glendale, AZ Oscar E. Monning Meteorite Gallery, Texas Christian University, Fort Worth, TX Robert J. Dole Institute of Politics, University of Kansas, Lawrence, KS Walter E. Terhune Gallery, Owen Community College, Perrysburg, OH

2004

Angell Hall Observatory and Planetarium, University of Michigan, Ann Arbor, MI Frank Museum of Art, Otterbein College, Westerville, OH Hempshire College Observatory, Amherst, MA J. Robert Donnelly Husky Heritage Sports Museum, University of Connecticut, Storrs, CT Natural History Museum and Planetarium, Georgia College and State University, Milledgeville, GA Thrasher-Horne Center for the Arts Collection, St. Johns River Community College, Orange Park, FL

2005

American University Museum at the Katzen Arts Center, Washington, DC Boileau Hall, St. Louis University, St. Louis, MO DeVos Art Museum, Northern Michigan University, Marquette, MI Islander Gallery, Texas A&M University-Corpus Christi, Corpus Christi, TX Leitner Family Observatory and Planetarium, Yale University, New Haven, CT Loyola University Museum of Art, Loyola University Chicago, Chicago, IL Royden G. Derrick Planetarium, Brigham Young University, Provo, UT

680


University of Washington Botanical Gardens, Seattle, WA University Museum and Cultural Center, University of Arkansas at Pine Bluff, Pine Bluff, AR William Weston Clarke Emison Museum of Art, DePauw University, Greencastle, IN 2006

Corridor Galleries, Western Kentucky University, Bowling Green, KY George Segal Gallery, Montclair State University, Montclair, NJ Hessel Museum of Art, Bard College, Annandale-on-the-Hudson, NY cImiloa Astronomy Center of Hawaii, University of Hawaii at Hilo, Hilo, HI Linda K. Jordan Gallery, Gallaudet University, Washington, DC Museum of Biodiversity, University of Notre Dame, Notre Dame, IN Museum of Earth Sciences, Radford University, Radford, VA OSilas Gallery, Concordia College of New York, Bronxville, NY Staniar Gallery, Washington and Lee University, Lexington, VA Warehouse Gallery, Syracuse University, Syracuse, NY

2007

Christian Petersen Art Museum, Iowa State University, Ames, IA Elizabeth and Bryon Anderson Sculpture Garden, Iowa State University, Ames, IA Kemp Mineral Resources Museum, Lake Superior State University, Sault Ste Marie, MI Richmond Center for the Visual Arts Galleries, Western Michigan University, Kalamazoo, MI

2008

Andy Gato Gallery, Barry University, Miami Shores, FL Russell Day Gallery, Everett Community College, Everett, WA

2009

Bryant Arts Center Gallery, Denison University, Granville, OH Museum of Fine Arts, Georgia College and State University, Milledgeville, GA Schnormeier Gallery, Mount Vernon Nazarene University, Mount Vernon, OH University of Arkansas Discovery Zone, Fayetteville, AR

2010

Bellarmine Museum, Fairfield University, Fairfield, CT CU Art Museum, University of Colorado at Boulder, Boulder, CO Michael E. DeBakey Library and Museum, Baylor College of Medicine, Houston, TX


George W. Bush Presidential Library, Southern Methodist University, Dallas, TX Global Immerson Center, Angelo State University, San Angelo, TX 2012

Eli and Edyth Broad Art Museum, Michigan State University, East Lansing, MI

2012

The Art Museum at West Virginia University, Morgantown, WV

Appendix 2

Selected Bibliography Adlmann, Jan Ernest. “Museums in Academic Garb” (report on two symposia held at Vassar College). Museum News, Vol. 67, No. 2, 1988, p. 46. Alexander, Edward P., and Mary Alexander. Museums in Motion: An Introduction to the History and Functions of Museums. 2nd ed. Lanham, MD: AltaMira Press/American Association for State and Local History, 2007. American Association of Museums. “Toward Working with University Natural History Museums.” Curator, Vol. 15, No. 2, 1992, pp. 93-94. _______. Museum Job Descriptions and Organizational Charts. Washington: American Association of Museums, 1999. Ames, Kenneth L., Barbara Franco, and L. Thomas Frye. Ideas and Images: Developing History Exhibits. Lanham, MD: AltaMira Press/American Association for State and Local History, 1992. Association of Art Museum Directors. 2010 AAMD Salary Survey New York: Association of Art Museum Directors, 2011.

684


Auer, H. “The Curator Professor.” In Museums and Research (papers from the Eighth General Conference of ICOM), pp. 104-110. Munich: Deutches Museum, 1970. Barter, J. A. American Drawings and Watercolors from Amherst College. New York: Art Museum Association of America, 1985. Birney, Elmer C. “Collegiate Priorities and Natural History Museums.” Curator, Vol. 37, No. 2, 1994, pp. 99-107. Black, C. C. “Dilemma for Campus Museums: Open Door or Ivory Tower?” Museum Studies Journal, Vol. 4, 1984, pp. 20-23. Brewer, Francesca G. A Laboratory for Harvard’s Fogg Museum and the Emergence of Conservation in America, 1900-1950. Cambridge: Harvard Art Museums, 2010 Bryant, Edward. “The Boom in U.S. University Museums.” Artnews, September 1967, pp. 30-47, 73-75. Bureaw, G. Ellis. “Museum Training: The Responsibility of College and University Museums.” Museum News, Vol. 47, No. 4, 1969, pp. 15-16. Carr, David. The Promise of Cultural Institutions. Lanham, MD: AltaMira Press/American Association for State and Local History, 2003. Coolidge, John. “The University Art Museum in America.” Art Journal, Vol. 26, No. 3, p. 11. Craig, Tracey Linton. “Off-Campus Audiences Benefit from Museums in Academe.” Museum News, Vol. 67, No. 2, 1988, pp. 52-55. Crosbie, Michael J. Designing the World’s Best Museums and Art Galleries. Mulgrave, Victoria, Australia: Images Publishing Group, 2003. Cuno, James. Assets? Yes—of a Kind. Harvard University Art Museums Occasional Papers, Cambridge: Vol. 1, 1992. Danilov, Victor J. “Museum Systems and How They Work.” Curator, Vol. 33, No. 4, 1990, pp. 306-311. _______. Museum Careers and Training: A Professional Guide. Westport. :CT: Green-wood Press, 1994. _______. University and College Museums, Galleries, and Related Facilities: A Descriptive Directory. Westport, CT: Greenwood Press, 1996.

Selected Bibliography 685

Davis, Gordon. “Financial Problems Facing College and University Museums.” Curator. Vol. 19, No. 1, 1976, pp. 116-122. Diamond, Judy. “University Natural History Museums and Public Service.” Curator, Vol. 35, No. 2, 1992, pp. 89-93. Din, Herminia, and Phyllis Hecht, eds. The Digital Museum: A Think Guide. Washington: American Association of Museums, 2007. Donnelly, Jessica Foy, ed. Interpreting Historic House Museums. Lanham, MD: AltaMira Press, 2002. Feldstein, Martin, ed. The Economics of Art Museums. Chicago: University of Chicago Presss, 1991. Freedman-Harvey, G. “University Museums and Accreditation.” ACUMG Newsletter, Vol. 6, No. 1, 1989, pp. 5-7. Freundich, August T. “Is There Something the Matter with College Museums?” Art Journal, Vol. 24, Winter 1965, pp, 150-151. Gaines, Thomas A. The Campus as a Work of Art. Westport, CT: Praeger Publishers, 1991. Gardner, James H., and Elizabeth E. Merritt. The AAM Guide to Collections Planning. Washington: American Association of Museums, 2004. Harvard University Art Museums. Harvard’s Art Museums: 100 Years of Collecting. New York: Harry N. Abrams, 1996. Harvard University, Museum of Comparative Zoology. Memoirs of the Museum of Comparative Zoology at Harvard College, Cambridge, Mass. East Sussex, UK: BiblioLife, LLC, 2009. Heffernan, Hdiko. “The Campus Art Museum Today.” Museum News, Vol. 65, No. 5, 1987, pp. 26-35. Hein, George E., and Mary Alexander. Museums: Places of Learning. Washington: American Association of Museums/AAM Education Committee, 1998. Hill, May Davis. “The University Art Museum,” Curator, Vol. 10, No. 1, 1966, p. 16. Holo, Selma. “The University Museum: Creating a Better Fit.” ACUMG Newsletter, Vol. 1, No. 1, 1993/1994. pp. 1-3. Hood Museum of Art. American Art at Dartmouth: Highlights from the Hood Museum of Art. Hanover, NH: Dartmouth College Press, 2007.

686


Humphrey, Philip S. “The Nature of University Natural History Museums.” In Natural History Museums: Directions for Growth, edited by Paisley S. Cato and Clyde Jones, pp. 5-11. Lubbock: Texas Tech University Press, 1991. _______. “University Natural History Museum Systems.” Curator, Vol. 35, No. 1, 1992, pp. 49-70. Huntley, David, Lyndel King, and Tom Toperzer. Current Issues in University Museums 1986. Edwardsville, IL: Southern Illinois University at Edwardsville; University of Minnesota Twin Cities; and University of Oklahoma, 1986. King, Mary Elizabeth. “University Museum Staffs: Whom Do They Serve?” Museum News, Vol. 58, No. 1, 1979, p. 27. Lord, Gail Dexter, and Barry Lord. The Manual of Museum Planning. Lanham, MD: AltaMira Press/Stationery Office, 2000. Merritt, Elizabeth, ed. 2006 Museum Fnancial Information. Washington: American Association of Museums, 2006. Muehlig, Linda. Masterworks of American Paintings and Sculpture from the Smith College Museum of Art. Manchester, NH: Hudson Hills Press, 1999. Newsom, Barbara Y., and Adele Z. Silver, eds. The Art Museum as Educator. Berkeley: University of California Press, 1978. Odegaard, Charles E. “The University and the Museum.” Museum News, Vol. 42, September 1963, p. 34. Ogden, Sherelyn, ed. Preservation of Library and Archival Materials: a Manuel. Washington: American Association of Museums/Northeast Document Conservation Center, 1996. Rodeck, Hugo G. “The University Museum.” In Museums and Research (papers from the eighth General Conference of ICOM), pp. 39-44. Munich: Deutches Museumj, 1970. Rosenbaum, Allen. “Where Authority Resides.” Museum News, Vol. 67. No. 2, 1988, pp. 47-48. Russell, John J., and Thomas S. Spenser, eds. Art on Campus. Monkton, MD: Friar’s Lantern, Inc., 2000. Schmidt, Karl P. “The Function of the University Museum.” Museum News, Vol. 30, No. 5, 1987, pp. 5-8. Schwarzer, Marjorie. Riches, Rivals and Radicals: 100 Years of Museums in America. Washington: American Association of Museums, 2006.

Selected Bibliography 687

Sloan, Blanche Carlton, and Bruce R. Swinburne. Campus Art Museums and Galleries. Carbondale: Southern Illinois University Press, 1981. Solinger, Janet W., ed. Museums ad Universities: New Paths for Continuing Education. New York: American Council on Education and Macmillian Publishing Co., 1990. Spencer, John r. “The University Museum: Accidental Past, Purposeful Future?” In Museums in Crisis, edited by Brian O’Doherty, pp. 131-143. New York: George Braziller, Inc., 1972. The Official Museum Directory 2011. New Providence, NJ: National Register Publishing, 2011. Vassar College Art Gallery. Museums in Academe II (proceedings of a symposium). Poughkeepsie, NY: Vassar College Art Gallery, 1988. Waller, Bret. “Museums in the Groves of Academe.” Museum News, Vol. 58, No. 1, 1980, pp. 77-23. Warhurst, Alan. “University Museums.” In Manual of Curatorship: A Guide to Museum Practice, edited by John M. A. Thompson, pp. 93-100. 2nd ed. Oxford, UK: Butterworth-Heinemann Ltd., 1992. Williams, Stephen. “A University Museum today.” Curator, Vol. 12, No. 4, 1969, pp. 293-306. Williams, Stephen L., and Catharine A. Hawks. Museum Studies: Perspectives and Innovations. New York: Society for the Preservation of Natural History Collections, 2006.. Wilson, Ronald C., “Obscured by Ivory Towers.” Museum News, Vol. 67, No. 2, 1988, pp. 48-50. Wittkowever, Rudolf. “The Significance of the University Museum in the Second Half of the Twentieth Century.” Art Journal, Vol. 27, No. 4, p. 178. Zeller, Terry. “The Role of the Campus Art Museum.” Curator, Vol. 28, No. 2, l985, pp. 87-95.

About the Author Dr. Victor J. Danilov is a leading figure in the museum world. He was the director and/or president of the Museum of Science and Industry in Chicago for 15 years, and the founder and director of the Museum Management Program at the University of Colorado from 1988 to 2003. He is the author of 27 books, including 17 in the museum field, from museum career and planning guides to overviews of science, historic site, living history, ethnic, hall of fame, sports, corporate, and hands-on museums. He holds degrees from Pennsylvania State University, Northwestern University, and University of Colorado, and has been an officer in national and international museum organizations.

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