Alabaster Images of Medieval England (Museum of London Medieval Finds 1150 -- 1450)

ALABASTER IMAGES OF MEDIEVAL ENGLAND Francis Cheetham Alabaster Images of Medieval England Alabaster Images of Medie...

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ALABASTER IMAGES OF MEDIEVAL ENGLAND Francis Cheetham

Alabaster Images of Medieval England

Alabaster Images of Medieval England Francis Cheetham

The Association for Cultural Exchange and The Boydell Press

© Francis Cheetham 2003 All Rights Reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner First published 2003 The Boydell Press, Woodbridge In association with The Association for Cultural Exchange ISBN 1 84383 028 0 The Boydell Press is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. PO Box 41026, Rochester NY 14604–4126, USA website: www.boydell.co.uk

Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook.

A catalogue record for this title is available from the British Library Library of Congress Cataloging in Publication data Cheetham, Francis W. Alabaster images of Medieval England / Francis Cheetham. p. cm. Includes bibliographical references and index. ISBN 1–84383–028–0 (Hardback : alk. paper) 1. Alabaster sculpture, English – England – Midlands – Catalogs. 2. Sculpture, Medieval – England – Midlands – Catalogs. 3. Christian art and symbolism – Medieval, 500–1500 – England – Midlands – Catalogs. I. Title NB1210.A4C478 2003 730'.9425'209023 – dc21 2003013013

This book is printed on acid-free paper Printed in Great Britain by The Cromwell Press Ltd, Trowbridge, Wilts

contents

list of figures and colour plates

vii

acknowledgements

ix

photographic credits

xi

preface

xv

Introduction English Medieval Alabaster Carvings

 

Saints



Life of the Virgin



Life of Christ



Last Judgement



Trinity



Te Deum



Sacraments



Heads of St John the Baptist



Altarpieces



Summary of the Number of Carvings



geographical index



bibliography



Disclaimer: Images are not available for inclusion in the eBook.

figures and colour plates

Figures appear in the text; all other illustrations are grouped together at the back of the book. In the captions the numbers in brackets refer to the entries in the List of Alabaster Carvings. References in bold in the List of Carvings refer to the colour plates (roman numerals) and to the black and white plates for each section (arabic numerals) Figures 1 Detail of the alabaster tomb of Edward II, Gloucester Cathedral, c. 1330. 2 St Peter and St Bartholomew, Le Havre, France, c. 1380. 3 Adoration of the Magi, Marienkirche, Gdansk, Poland. Second half of fourteenth century. 4 Passion altarpiece formerly in church of Ecaquelon, France. Second half of fifteenth century. 5 Head of St John the Baptist in a contemporary wooden housing. Leicester City Museum. Second half of fifteenth century. 6 The Annunciation, Victoria and Albert Museum, London. Late fourteenth century. 7 The Annunciation, Nottingham Castle Museum. Late fourteenth century. 8 Altarpiece of the Life of St Catherine. Ca d’Oro, Venice. Second half of fifteenth century. 9 The Betrayal, Burrell Collection, Glasgow. Second half of fifteenth century. 10 French woodcut of the Betrayal, c. 1450. 11 Panel on side of tomb in church at Willoughby on the Wolds, Nottinghamshire. Fifteenth century. 12 Panel of the Incarnation and Parliament of Heaven. Victoria and Albert Museum, London. Late fifteenth century. 13 Agony in the Garden. Art Museum, Princeton University, USA. Fifteenth century. 14 Adoration of the Christ Child in a mandorla, with the midwives Zebel and Salome. Schnutgen Museum, Cologne. Fifteenth century. 15 The Harrowing of Hell. Musée des Antiquités, Rouen. Fifteenth century. 16 The Art of Dying. Church at Emmerich, Germany. Second half of fifteenth century.

               

17 St Anne teaching the Virgin to read. Church of St John the Evangelist, Tervuren, Belgium. Fifteenth century. 18 St Michael weighing souls with the Virgin interceding. Pembroke College, Cambridge. Fifteenth century.

 

Colour Plates I. St Ursula – with her attendant Virgins. Private collection II. St Maximin Baptising. Musée d’Orleans III. St Anne Teaching the Virgin to Read. Museu Nacional d’Art de Catalunya, Barcelona IV. Jesse Tree. Diocesan Museum, Cologne V. Virgin – the Marriage. Sotheby’s, London VI. Adoration of the Magi with Mary and Joseph. Museo Arqueológico Nacional, Madrid VII. Virgin Standing with Child on Right. Stewkley Church, Buckinghamshire VIII. Virgin Seated with Child on Right. Schnutgen Museum, Cologne IX. Assumption of the Virgin. D. Katz Ltd, London X. Assumption of the Virgin. Private Collection, Great Britain XI. Coronation by the Trinity – Type B. D. Katz Ltd, London XII. Betrayal. Private collection XIII. Flagellation. Musée des Antiquités, Rouen XIV. Crucifixion – Type C. D. Katz Ltd, London XV. Crucifixion – Type E. D. Katz Ltd, London XVI. Resurrection. Musée des Antiquités, Rouen XVII. Last Judgement with the Virgin and St John the Baptist. Private Collection, Great Britain XVIII. Fifteenth Sign of the Last Judgement. Musée des Antiquités, Rouen XIX. Trinity – Type B/C. Chapelle of Breuill Benoit, Marcilly sur Eure, France XX. Te Deum – Holy Church. Sotheby’s, London (1983) XXI. Head of St John the Baptist – Type F. Castle Museum, Norwich

acknowledgements

T

his book would not have been published if it had not been for the generosity of a number of bodies. Thanks for their much valued help are due to the Aurelius Trust and the Secretary of the British Academy, Peter Brown CBE, to the Paul Mellon Centre for Studies in British Art and to the Henry Moore Foundation. The Association for Cultural Exchange (ACE of Cambridge), and its Secretary Philip Barnes MA, have been a constant source of encouragement over a number of years. The typing, checking and retyping of the text have been accomplished with unfailing cheerfulness by Felicity Devonshire and Sylvia Massey, to whom I am deeply grateful. My thanks too to those institutions and individuals who have supplied photographs and given permission for their reproduction. The photographs have been chosen to illustrate alabaster carvings which have not been published before or which are unusual or of special iconographic interest. Francis Cheetham

photographic credits

The publishers are grateful to all the museums, institutions and individuals, who have supplied photographs for this publication. Many photographs have been in the author’s file for 30 years or more, with a large number from the bequest of Mr Clement Pitman. The numbers in parenthesis refer to the number of the plate of the appropriate section.

General Disclaimer Every effort has been made to trace the copyright holder; apologies are offered for any omission in this regard, and the publishers will be pleased to add any necessary acknowledgement in subsequent editions. Institutions Amiens, Musée de Picardie. Resurrection (74), Annunciation (33) Angers, Musées d’Angers. (Cliché © Musées d’Angers, photo Pierre David) Annunciation (27), Assumption (89) Barcelona, Museu Nacional d’Art de Catalunya. (© MNAC) (Calveras/Mérida/Sagristà). St Anne Teaching the Virgin to Read (11 and III) Barcelona, Museu Frederic Marès. Visitation (37) Barcelona, Fundación Francisco Godia. St Paul (73) Barnard Castle, The Bowes Museum. Baptism of Christ (1) Beauvais, © Musée de l’Oise – Archives départementales. Annunciation (18) Berlin, Bildarchiv Preussischer Kulturbesitz. Head of St John the Baptist (13)

Bremen, Kunstsammlungen Böttcherstrasse, Museum im Roselius-Haus. Annunciation (22), Entombment (67) Bristol, Museums & Art Gallery. Trinity (4), Ascension (90) Brussels, Château de Gaasbeek. St Catherine & the burning of the Philosophers (21), Flagellation (31) and (32) Brussels, Musées Royaux d’Art et d’Histoire. St Anthony (5), St George & the Dragon (40), St Paul (71), Annunciation (23), Assumption & Coronation (94) Coronation (113 and 107), Baptism of Christ (2) and (3), Entombment (66), Resurrection (78) Budapest, Museum of Fine Arts. Nativity of Christ (40), Coronation (104) Burton on Trent, Museum. Adoration of Mary & Joseph (43)

Birmingham, Museums & Art Gallery. Assumption (87)

Canterbury, Royal Museum & Art Gallery. (© Royal Museum & Art Gallery) St Apollonia (7)

Birmingham, The Barber Institute of Fine Arts, The University of Birmingham. Coronation (99)

Carcassonne, Musée des Beaux Arts, au musée du Château Comtal de la Cité. Flagellation (33), Harrowing of Hell (72)

Bordeaux, Musée d’Aquitaine. Birth of the Virgin (8)

Carmarthenshire, County Museum. Head of St John the Baptist (18)

Boston, Museum of Fine Arts. Trinity (6), St Etheldreda entering the Convent (36)

Claremont, Pamona College Museum. St Anne teaching the Virgin to read (10)

   Cleveland, Museum of Art. (© Cleveland Museum of Art) Christ bearing the Cross (47) Cologne, Diocesan Museum. Jesse Tree (IV), Virgin Standing with Child on Right (68) Cologne, Museum Schnütgen. Virgin seated with Child on Right (VIII), Head of St John the Baptist (3), Adoration (fig. 14) Compiègne, Musée Antoine Vivenel. Last Supper (11), Christ before Pilate (30), Mocking of Christ (42) Detroit, Cathedral Church of St Paul. Pentecost (81) (Reproduced with permission) Detroit, Institute of Arts. (City of Detroit Purchase. Photograph © 1985, Detroit Institute of Arts) Flagellation (34) Dijon, Musée des Beaux-Arts. (© Musée des Beaux-Arts, Dijon) Head of St John the Baptist (7) Dortmund, Museum für Kunst und Kulturgeschichte. Annunciation (26) Dublin, National Museum of Ireland. Resurrection (75), Head of St John the Baptist (14) Durham, North Carolina, Duke University Museum of Art. Flagellation (40) Edinburgh, National Gallery of Scotland. Trinity (12) Évreux, Musée d’Évreux. (J.-P. Godais) Saint Denis (32), Holy Matrimony (1)

Lille, Musée des Beaux-Arts. Christ in the House of Simon (7), Crucifixion (59) Lisbon, Museu Nacional de Arte Antiga. Christ before Pilate (29), St Catherine (17), St Thomas Becket (?) (85), Nativity (41), Assumption (85), St Catherine in Prison (23), St Catherine kneels in prayer (26), Lamentation (75 and 76), Coronation (112 and 111), Raising of Lazarus (5), Curing of the blind man (4), Betrayal (19), Christ the Man of Sorrows (44), Crucifixion (48, 52 and 57), Incredulity of St Thomas (87), Head of St John the Baptist (19 and 20), Christ in Majesty (96) Lisbon, Associação dos Arqueólogos Portugueses. Resurrection (81) London, Bonhams. St Jude (62) London, Christie’s. Jesse Tree (2), Joachim – Announcement and Meeting (4), Christ before Herod (28), Christ washing the feet (8), St Thomas lands at Sandwich (92) London, Gerry Clist Photography. Last Judgement (XVII) London, D. Katz Ltd. St Thomas – Consecration (89), Betrayal (26) and (XII), Assumption of Virgin (X), Coronation (XI), Crucifixion (XIV) and (XV), Trinity (XIX) London, R. A. Lee Ltd. St Ursula and her attendant Virgins (I) London, Edric Van Vredenburgh Ltd. Coronation (117), St John the Baptist (52), Adoration of the Magi with Mary & Joseph (52)

Ferrara, Museo Schifanoia. Crucifixion (58)

London, M. Dumez-Onof. St Peter receiving the Souls of the Blessed into Heaven (80) Flagellation (37), St Thomas Consecration (88)

Genoa, Museo di S. Agostino. Holy Church (1), Prophets (4), Virgin as Protectress (1)

London, Phillips, Son & Neale. Coronation (116)

Glasgow Museums: The Burrell Collection. St Roch (82), St Zita (96), Lamentation (77), Coronation (110), Betrayal (fig. 9), St Faith with St Erasmus (37), St George & the Dragon (41), Head of St John the Baptist (15, 16 and 17), St Alpheus (1)

London, Sotheby’s. St Bartholomew (13), St Fiacre (38), St James (48), Jesse Tree (1), Adoration of the Magi with Mary & Joseph (57), Virgin Standing with Child on Right (69), Three Marys at the Sepulchre (84), Christ at Emmaus (89), Virgin – the Marriage (V), Assumption (IX), Holy Church (XX)

Gothenburg, Röhsska Konstslöjdmuseet. Mass of St Gregory (43) Ipswich, Borough Council Museums & Galleries. Head of St John the Baptist (2) Kortrijk, Stedelijke Musea. St Peter (78) Leicester, City Museums Service. Head of St John the Baptist in a wooden housing (fig. 5), Appearance of Christ to Mary Magdalene (86), St Thomas – Consecration (87)

London, The British Museum. (Copyright © The British Museum) St Barbara (11), St Catherine refuses to Sacrifice (19), St Catherine in Prison (24), St Peter – Trial (79), Bishop (97 and 98), Damned led into Hell (4), Betrayal (16), Sixth Sign of the Last Judgement (1), Thirteenth Sign of the Last Judgement (2), The Last Supper (12), St John the Evangelist (57), Beheading of St Paul (74)

   London, The Museum of London. Martyrdom of St Thomas Becket (94) London, Society of Antiquaries. St Thomas Becket mets Henry II (91), Pilgrims visiting a Saint’s Shrine (102) St Catherine – Beheading (27) London, Victoria and Albert Museum. Incarnation and Parliament of Heaven (fig. 12), The Annunciation (fig. 6) London, St. Mary’s College, Strawberry Hill. Death of the Virgin (84) Ludwigshafen, Wilhelm-Hack-Museum. St Peter (77)

Oslo, University Museum. (© University Museum of Cultural Heritage – University of Oslo, Norway). (Eirik Irgens Johnsen) Trinity (3) Oxford, Ashmolean Museum. Betrayal of Christ (17), Resurrection (77), Head of St John the Baptist (1 and 11) Paris Musée du Louvre. Service Photographique de la Réunion des Musées nationaux. Birth of St John the Baptist (53), St Michael Weighing Souls (69) Paris, Musée National du Moyen Age. St Peter (75)

Madison, Elvehjem Museum of Art, Wisconsin University. Lamentation (79)

Paris, Brimo de Laroussilhe. Betrayal (21)

Madrid, Instituto de Valencia de Don Juan. Annunciation (32)

Paris, Bresset et Fils. Adoration of the Magi (61), Coronation (105)

Madrid, Museo Arqueológico Nacional. Virgin – the Betrothal (14), Adoration of the Magi with Mary and Joseph (VI)

Paris, Antiquités à la Reine Margot. Virgin standing with Child on Left (72)

Madrid, Museo Nacional de Artes Decorativas. Visitation (39) Marseilles, Musée Grobet-Labadie. Mocking of Christ (43), Joachim and Anne at the Golden Gate (6) Morlaix, Musée de Morlaix, France. Visitation (38) Nantes, Musée Dobrée, Conseil général de Loire-Atlantique. Virgin Standing with Child on Left (71), Coronation (100), Agony in the Garden (13) New York, The Metropolitan Museum of Art, Rogers Fund 1908 (08.120.1). St Anne and St Joachim with the Virgin (9) New York, Blumka II Gallery. St Roch (83) New York, E. R. Lubin. Purification of Mary (67) Norfolk, Museums & Archaeology Service. St Paul (72), St Thomas returns to Canterbury (93), Head of St John the Baptist (XXI), Mocking of Christ (41), Christ’s Appearance to Mary Magdalene (85), Male Saints (3), Prophets (5), Female Saints (6), Angels (7), Entry into Jerusalem (10), Head of St John the Baptist (4) Nottingham, City Museums & Galleries. St Eloy (33), St Thomas visiting the Pope (90) Nuremburg, Germanisches National Museum. Announcement to Joachim (3), Purification of Mary (66) Orléans, Musée des Beaux-Arts. St Maximin Baptising (II)

Philadelphia, Museum of Art. England (Nottingham) 1962–67–8. Gift of Henry P. McIlhenny, 1962. The Head of St John the Baptist on a Charger (6) Princeton University, New Jersey. Agony in the Garden (fig. 13) Reykjavik, National Museum of Iceland. Assumption (91) Richmond, Virginia Museum of Fine Arts. St Peter (76) Rotterdam, Museum Boijmans Van Beuningen. Crucifixion (51) Rouen, Musées départmentaux de Seine-Maritime. Cliché Y. Deslandes St Helen seeking the True Cross (45), St Barbara (10), Harrowing of Hell (fig. 15), Assumption of St John the Evangelist (61), Raising of Lazarus (6), Saints Peter and Bartholomew (fig. 2), Coronation (114), Flagellation (XIII), Fifteenth Sign of the Last Judgement (XVIII), Resurrection (XVI) Schleswig, Schleswig-Holsteinisches Museum. Assumption (86), Trinity (10) Stockholm, Nationalmuseum. The Virgin at Prayer (36), Resurrection (79) Stonyhurst College, Lancs. (By permission of the Trustees) St Armel (8), Adoration of the Magi (47) Swindon, English Heritage, National Monuments Record. AA80/93, Tomb of Edward II, Gloucester Cathedral (fig. 1), BB68/4713, Annunciation panel on the side of Husse’s tomb, Wells Cathedral (17)

   Toronto, Royal Ontario Museum. St Catherine (16) Toronto, University, Malcove Collection. St Matthias (66) Tours, Musée des Beaux-Arts. Coronation (103), Trinity (11) Trieste, Civici Musei di Storia ed Arte. Assumption & Coronation (97), Annunciation (15) Utrecht, Museum Catharijneconvent. Ascension (91) Vienna, Kunsthistorisches Museum. St Apollonia (6), St Margaret (64), Annunciation (20), Purification of the Virgin (66)

Viborg, Stiftsmuseum. St Catherine before Maxentius (20), St George – Resurrection & Arming (42), Mary Magdalene (65), Lamentation (78), St Catherine saved from the wheels (25) Workington, The Priory. Pentecost (82), Ascension (94), Crucifixion (54), St Michael (68) York, Museums Trust (Yorkshire Museum). Birth of St. William (95), Trinity (14)

Private Individuals Blair, C. Annunciation (35), Crucifixion (49)

Jurkowlaniec, T. Adoration of the Magi (49)

Douglas, G. St Bartholomew Martyrdom (15), St Erasmus Martyrdom (34), St Fiacre (39), Christ washing the Feet (9), Christ before Caiaphas (27), Crucifixion (61), Resurrection (76), St Philip (81)

O’Hanlon. St Catherine & the burning of the Philosophers (22), St Cuthbert (31)

Franses, D. Resurrection (80) Hardacre, J. St John the Baptist (51) Hunt, J. Head of St John the Baptist (2) Jordan, S. Flagellation (39), Trinity (5), Trinity (8)

Olszewski, A. Pentecost (83), Betrayal (18), Flagellation (36), Crucifixion (53) Pitman, C. Many photographs from the bequest to the author from Mr Clement Pitman, former director of Nottingham Castle Museum Routh, P. The Virgin – the Dedication (13), Crucifixion (55)

preface

O

ver a period of some forty years I have built up a comprehensive file on medieval English alabaster carvings. I drew extensively on this file in writing my book on the subject which was published in 1984 (Cheetham 1984), although there was still much material in the file which was not used, and much has been added since. The present publication therefore brings to a wider audience much of this information, listing the alabasters, amounting to nearly 2,500 pieces, with their location and published references. No list, however, dealing with such a large number of carvings scattered all over Western Europe and beyond, can be totally comprehensive, and the author asks to be forgiven if the reader is aware of any piece not listed. Many photographs of alabasters have been included in the book, especially those which are not well known. Only a few from the large collection in the Victoria and Albert Museum are reproduced, since they were fully illustrated in Cheetham 1984. Equally few carvings which were illustrated in recent publications by Flavigny (1998), Prigent (1998) and Franco Mata (1999) are reproduced. One of the encouraging aspects of studies in recent years of English history, art and culture of the late Middle Ages, has been the work on English alabasters by continental scholars. In Iceland, Bera Nordal’s précis of her unpublished 1977 thesis was printed in 1985, and in Poland in 1996 the short catalogue by Zbigniew Massowa, of an exhibition of English alabasters, was published by the National Museum of Gdansk. This work followed the earlier work in Poland by Andrzej Olszewski. In 1998, two important publications were produced in France, one by Laurence Flavigny, curator of the Musée des Antiquités in Rouen, being the catalogue of the exhibition entitled ‘D’Angleterre en Normandie, Sculptures d’Albâtre du Moyen Age’, the other, the catalogue of the large English alabaster collection in the Musée National du Moyen Age, Thermes de Cluny in Paris, by Christiane Prigent. Also in France, Pascale Gorguet wrote a thesis (unpublished) in 1984 for the Université de Toulouse le Mirail, entitled ‘Repertoire des Albâtres Anglais du XIVe et du XVe Siecles dans le Sud-Ouest’. In Spain, Ángela Franco Mata, of the Museo Arqueológico Nacional in Madrid, wrote the first comprehensive study of English alabasters in that country, which was published in 1999. A slim booklet by Ana Baltazar Alcoforado was published in Portugal in 1993 by the Museu Nacional de Machado de Castro, in Coimbra. Nor should one forget the pioneering work on English alabasters in Germany done immediately before and after World War II by Stefanie Jordan (née Deichmann) of Bad Godesberg, who generously made available her unpublished writings on the subject to the author. In Britain since 1910, only two exhibitions solely devoted to English

  medieval alabaster carvings have been held. The first in 1954 was the exhibition which was part of the York Festival, and in 2001, the Daniel Katz Gallery in London organised an exhibition of medieval English alabasters, and published the catalogue written by F. Cheetham. The Victoria and Albert Museum plans an important exhibition in 2003 entitled ‘Gothic: Art for England 1400–1547’, which will include alabaster sculptures. There is still room for further research to be done on English alabasters, in particular the relationship between fifteenth and early sixteenth century continental prints and the design of the carvings (Cheetham 1984, 19–20), a relationship which has been neglected by previous writers. The scientific determination of the date of the surviving original wooden frameworks and housings could also be investigated by dendrochronology, by which the varying widths of tree rings in the wood can give reliable dating (Cheetham 1984, 26). An examination too of the composition of the latten wire used to secure the alabaster panels to the wooden framework might also provide a dating tool (Cheetham 1984, 24). In addition, further detailed examination of the different styles of carving would enable more of the alabasters to be grouped into the products of one particular carver. Clement Pitman, formerly director of Nottingham Castle Museum, investigated such groupings of the fourteenth-century alabasters in 1964 (Pitman 1964, 82–9). Likewise, careful examination of the paint which has survived on the carvings may indicate different workshops, although the indications so far have not been encouraging (Cheetham 1984, 26–7, 56–7, Appendix IV). A project by the University of Bradford in 1975–6 into the trace elements of various samples of English alabaster unfortunately proved to be inconclusive (Cheetham 1984, 13). However, with improved technology a new investigation might indicate if samples of alabaster stone come from a specific locality and could throw light on where the carvings were produced. There are doubtless many church and customs records on the Continent dealing with the importation and acquisition of English alabasters still to be explored. Finally, there are alabaster carvings abroad, especially in the region of Bordeaux, which whilst of French appearance show the clear influence of the English style. A detailed examination of local records may point to a close working relationship between the English and French craftsmen in the Bordelais, which had important political and commercial connections with England in the Middle Ages. In working on the list of surviving English alabaster sculpture, one is distressed to record examples which have been stolen from churches. Remote country churches, now little used, are particularly vulnerable. To help remedy this situation, a closer partnership between churches and the nearest public museum would doubtless be useful. Museums all over Europe should be encouraged, with the active involvement and welcome of the church, to record and photograph at least the important items in churches in their area, and advise on their security, if this is not being done by the ecclesiastical authorities. The photography of items is especially important in helping to safeguard our treasures. This, of course, applies to the whole range of paintings, sculptures and so forth. In some instances, items, while remaining in the ownership of the church, could be exhibited more safely in a nearby museum. This already happens in a limited number of cases, even though

  there is often a natural reluctance, even by isolated churches, to remove their treasures when threatened with security problems. However, there is certainly room for a closer collaboration between the local museum service and the diocese. In this rather irreligious age, it still remains true that the artefacts of Christianity, as well as being of religious significance, are also an important record of our social history.

Introduction A BRIEF HISTORY OF ENGLISH ALABASTER CARVINGS

I

f we look back from the dissolution of the larger English monasteries in England in 1539, an ievent which can reasonably be taken to mark the end of the Middle Ages in England, we see, in a period of less than 500 years, a degree of religious building activity that was breathtaking. It was an outpouring of energy and religious devotion which is unparalleled in our history. We still marvel at our medieval cathedrals, built by a relatively small population. Their construction would be a challenge even to the advanced technology of our present-day society. We may remember in particular the powerful bulk of Durham, the soaring spire of Salisbury, the sheer daring of the octagon at Ely and the drama of the inverted arches of Wells. In addition, hundreds and hundreds of parish churches were built – all of them interesting, some of them distinguished. St Peter Mancroft in Norwich and Long Melford in Suffolk are remarkable examples of the so-called ‘wool churches’ of East Anglia. We continue to admire our medieval churches with love and affection and they still inspire us with their soaring arches and sense of spirituality. They are there for us to see, but let us not forget the many impressive abbeys and monasteries which now stand as hapless ruins, even though in their desolation they can still move the soul. One thinks of Tintern Abbey, remote and romantic. These buildings, both large and small, were furnished and decorated with wall paintings, stained glass, sculpture and embroideries, and enlivened with rich colour. These interior furnishings were, for the most part, destroyed at the Reformation. Included in this destruction were religious carvings in alabaster, and it is these carvings which are the subject of this book. However, the memorial tomb effigies in alabaster were not so seriously affected by the waves of iconoclasm which we call the Reformation. Alabaster tombs continued to be carved in England throughout the sixteenth and seventeenth centuries. They are not specifically dealt with in this book, although they are referred to where they have some relevance to the purely religious carvings. Alabaster is hydrous calcium sulphate, also known as gypsum. Judging from surviving contemporary records, the massive form of calcium sulphate suitable for carving was extracted during the Middle Ages principally from a comparatively small area of south Derbyshire and the adjoining corner of Staffordshire. The earliest known use of alabaster occurs on the inner moulding of the arch of about 1160, over the west door of Tutbury priory church. But this is not particularly significant since it was simply the convenient use of local stone and evidently did not mark the beginning of a commercial exploitation of the alabaster deposits. The earliest alabaster effigy was long thought to have been the figure of a knight in the nearby parish church of Hanbury, said to be of Sir John de Hanbury, of about 1300. However, a detailed examination of this tomb has led to the identification of the effigy as that of Sir Henry de Hanbury with a later dating of about 1340 (Blair 1992, 3–18, illus.). The earliest surviving alabaster tomb now appears to be that of Edward II in Gloucester Cathedral (fig. 1) dating from about 1330. Royal interest in alabaster





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Figure 1. Detail of the alabaster tomb of Edward II, Gloucester Cathedral, c. 1330.

continued and may well have been encouraged by the important London-based architect Henry Yeveley (c. 1320–1400) through his family connections with the area – the village of Yeaveley being near Tutbury. The earliest fourteenth century alabaster tombs predate the carving of images and panels, so it is clear that the alabaster deposits were first exploited by the tomb carvers. The earliest documentary reference to an alabaster altarpiece is dated 1367, over thirty years after the tomb of Edward II. This was a commission from Edward III to Peter the Mason of Nottingham for an altarpiece for the chapel of St George at Windsor. Among the earliest alabaster images are the three figures found in 1779 beneath the ruined medieval church at Flawford, near Nottingham. These figures, of about 1380, are of the Virgin and Child, St Peter and an unidentified bishop, probably St Thomas Becket, and are now in Nottingham Castle Museum. Two other fine English alabaster figures of the same date are of Saints Peter and Paul, and are to be seen in the church of Santa Croce in Jerusalemme in Rome. These may be two of the figures for which Cosmato Gentilis, Pope Urban VI’s representative in England, was given an export permit in 1382. Two other notable figures, of St Peter and St Bartholomew, of about the same date, are in the convent of the Dominicans of Le Havre, in France (fig. 2). Equally characteristic of the second half of the fourteen century are the horizontal panels of the Nativity and the Adoration of the Magi. There is a fine example in Long Melford Church, Suffolk, the rest of the surviving horizontal panels being mainly in the Baltic area and north Germany, indicating an area of continental Europe with close trade links with England

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Figure 2. St Peter and St Bartholomew, Le Havre, France, c. 1380.

at that time (fig. 3). During this earliest period the alabaster figures seem to have been placed in a stone architectural framework, constituting an altarpiece of considerable size and weight. The Neville freestone reredos in Durham Cathedral of 1379 is a surviving example, although it has now lost its alabaster figures (Wilson 1977, 90–104). Towards the end of the fourteenth century the shape of the panels changed radically, becoming vertical instead of horizontal and from this time panels came to be carved in sets. The panels and figures continue to be flat-backed; they were not carved completely in the round. They were attached to a wooden framework by latten wires set into lead plugs in the backs of the carvings. The altarpieces were usually in the form of a hinged triptych, and were meant to stand on the altar itself. This is a format which continued until the Reformation. The most important of the fifteenth and early sixteenth century altarpieces because of its precise documentary dating is in the cathedral of Santiago de Compostela in north-west

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Figure 3. Adoration of the Magi, Marienkirche, Gdansk, Poland. Second half of fourteenth century.

Spain. This was almost certainly a special order, since the altarpiece is of the life of St James – whose remains reputedly still rest beneath the high altar of the cathedral. The document recording the gift of this altarpiece to the cathedral by an English priest, named John Goodyear, still survives and is dated 1456 (Hildburgh 1926, 304–7). This is the only surviving altarpiece to be securely dated, for as a special order it must surely have been made fairly soon before it was presented to the cathedral. From the style of the Santiago altarpiece we can see that the majority of the surviving altarpieces, for example that from Ecaquelon (fig. 4), date from the mid-fifteenth century onwards – including the so-called Swansea altarpiece now in the Victoria and Albert Museum, London. However, by the early sixteenth century there are examples of two-tier altarpieces fixed to the wall behind the altar. The altarpiece now in the Hôtel de Ville in Compiègne, France, is the best and most complete surviving example. The alabaster carvings as well as the supporting wooden frameworks were painted, although areas of unpainted alabaster were almost always left to contrast with the colourful painted details. The predominant colours were red, green, black and brown. Applied gold leaf was also used, especially on the upper backgrounds of the panels. Panels were not, however, exclusively destined for altarpieces. Churchwardens’ accounts at Leverton in Lincolnshire and Bramley in Hampshire indicate that sometimes alabaster panels were used to decorate the front of the rood loft (Long 1928, 107). Panels and figures were also displayed in private houses, sometimes in ‘housings’ or small wooden cupboards. English wills occasionally include the gift of an alabaster carving to a church. This also happened abroad;

 Bera Nordal, writing about English alabasters in church inventories in Iceland, states ‘It is interesting to note how many alabasters were donated to the churches by individuals’ (Nordal 1985, 127). Especially popular were heads of St John the Baptist which were made in large numbers in Nottingham. Sometimes instead of being placed in housings, heads of St John the Baptist were veiled with a cloth which could be drawn back. Other single panels and figures, such as the Virgin and Child, the Annunciation, the Nativity, the Resurrection and individual saints, were also particularly suitable for devotional purposes, either in private houses or in churches. Apart from surviving housings containing heads of St John the Baptist in, for example, Leicester City Museum (fig. 5), there is one containing the Virgin and Child now in Worcester Cathedral and one of the Trinity now in the National Museum of Iceland in Reykjavík. As already noted, even from the early years of the carving of images in alabaster, horizontal panels and figures were being exported. The export trade continued and included complete altarpieces from the beginning of the fifteenth century and evidently reached its peak from the second half of the fifteenth century until and including the Reformation. Large numbers were exported. For example, reports to the Danish Archaeological Commission from 1817 to 1823 listed documentary references to seventy-nine retables and images of alabaster from forty-three different churches in Iceland (Nordal 1985, 127). The vast majority of surviving altarpieces on the Continent and Scandinavia date from the 1450s onwards. The Reformation brought the carving of the altarpieces and images to an end. Henry VIII may be seen as starting the Reformation with the break from Rome, the destruction of the religious houses and the removal of ‘abused’ images which were for ‘superstition or lucre’, and particularly associated with pilgrimages (Duffy 1992, 407). But the real damage came during the reign of the extreme Protestant government of his son, Edward VI, when all images were ordered to be destroyed. The Act of January 1550, against so-called superstitious books and images, was particularly severe, and the present lack of medieval sculpture in our English churches is eloquent evidence of the effectiveness of the State-directed destruction by Edward VI’s government and later. After the premature death of Edward VI in 1553, when his successor Mary Tudor returned the country to Roman Catholicism, images were made again for the denuded parish churches and cathedrals. In addition images were doubtless returned from hiding (Duffy 2001, 162–3). But there is no record of the alabastermen resuming their work. Many carvings had been hastily exported for sale to the Continent during Edward VI’s reign, and there are to this day more English medieval alabaster carvings in Normandy than anywhere else. With the premature death of Mary in 1558, Protestantism was restored as the state religion when her sister, Elizabeth I, came to the throne, and the destruction of images was renewed. The Civil War (1642–8) and the subsequent Puritan ascendancy all but completely wiped out those images that had survived the previous waves of destruction. William Dowsing, who was appointed by Edward Montagu the second Earl of Manchester to carry out the Long Parliament’s ordinance of 1643 for the destruction of images, was particularly thorough in his almost fanatical iconoclasm in the eastern counties. The waves of iconoclasm were so severe that even the English origin of the alabaster carvings was forgotten. Until towards the end of the nineteenth century they were believed to be either Flemish or north Italian. It was not until 1890 that they were unquestionably established as English in an important article by W. H. St John Hope (1890). In 1910, an exhibition of ‘English Medieval Alabaster Work’, held at the Society of Antiquaries in London, first

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Figure 4. Passion altarpiece formerly in the church of Ecaquelon, France. Second half of fifteenth century.

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Figure 5. Head of St John the Baptist in a contemporary wooden housing. Leicester City Museum. Second half of fifteenth century.

brought the carvings to a wider audience. An excellent illustrated catalogue was published in 1913. For a more detailed examination of the history of English alabaster carving, see the introduction to Cheetham (1984). The fashion for alabaster tombs had continued throughout the momentous destruction of the Reformation, and was not forbidden by law, since sepulchral effigies were not regarded as ‘images’. At the dissolution of the monasteries, family tombs were sometimes moved to a nearby church. For example, the De Roos family tombs in Bottesford church, Leicestershire, were moved there from Croxton Abbey and Belvoir Priory. Tomb carving in alabaster continued in fashion, especially in the sixteenth and seventeenth centuries, and powerful local families, for the most part, kept a watchful eye on the tombs of their ancestors which might be threatened by unofficial vandalism.

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THE PROCESS OF STANDARDISATION The earliest English alabaster panels of the second half of the fourteenth century are quite distinct from the later ones. They are horizontal in shape, measure some 45 cm high by 65 cm wide, and are all of the same subject, namely the Nativity combined with the Adoration of the Magi. In the adjoining list of alabasters there are twelve surviving examples, five in England, six in the area of the Baltic and North Germany and one in Brittany. Perhaps the best-known example is in Long Melford Church, Suffolk. The designs even at this early stage in the alabaster industry were standardised, although no two carvings are absolutely identical. Of the twelve surviving panels, ten show the Virgin on the left and the Magi and the seated St Joseph on the right. But two other examples, one in Reading and one in Kaliningrad (formerly Königsberg), are in reverse, with the Virgin and the midwife on the right. This indicates the use of standard patterns which were sometimes turned over and used in reverse. We may assume that the designs were drawn up on thin parchment, or perhaps paper by the second half of the fifteen century, and used as standard patterns or templates. How was the design transferred to the alabaster? Once an oblong slab of alabaster, the size of a panel, had been sawn from a larger block, the uppermost surface would have been carefully rubbed flat and smooth with a fine abrasive, such as sand. It would then have been given a final polish with the roughened side of a piece of leather, such as goatskin. The parchment bearing the design would then have been placed flat upon it (Porter 1983, Appendix I). We know from a number of surviving medieval drawings that sometimes the outlines were pricked for transfer. This method, called pouncing, involved pricking round the outlines of the drawing, and then rubbing fine charcoal through the holes. Indeed, a late example of this medieval practice is a surviving drawing by Holbein of Sir Thomas More which has been pricked for copying. Although no original pricked medieval designs for alabaster carvings survive, there would have been no problem in transferring a pricked parchment design onto the smooth white surface of a yet uncarved alabaster panel by means of pouncing in the fourteenth century. The carving of the horizontal Nativity/Adoration panels ceased towards the end of the fourteenth century, and then instead a systematic thematic grouping of panels to form complete altarpieces was adopted. Two main themes were illustrated: the Passion of Christ and the Joys of the Virgin (although there is an early fifteenth century English alabaster altarpiece of St John the Baptist in the Marienkirche, Gdansk, Poland). A sequence of scenes was used by placing one after the other to tell a story. The panels designed for the thematic altarpiece are all vertical – in contrast to the horizontal fourteenth-century panels – and generally measure about 40 cm high by 26 cm wide. A typical Passion altarpiece would be made up of panels illustrating the Betrayal, the Flagellation, the Entombment and the Resurrection, grouped round a taller central panel of the Trinity or the Crucifixion, and flanked by one standing saint at each end. There is a fifteenth-century Passion altarpiece of this kind (but without the flanking standing saints) in Nottingham Castle Museum. A typical Joys of the Virgin altarpiece is the Swansea altarpiece in the Victoria and Albert Museum, with panels of the Annunciation, the Adoration of the Magi, the Ascension and the Assumption/Coronation, grouped round a taller central panel of the Trinity. In the fifteenth century, as with the fourteenth-century panels, there are examples of stan-

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Figure 6. The Annunciation, Victoria and Albert Museum, London. Late fourteenth century.

dard designs being carved in reverse, and there is no doubt that the technique of copying designs, probably by pouncing, continued. However, no two surviving panels are exactly the same, even when they are clearly from the same pattern, although differences may be small. In two panels of about 1400 of the Annunciation, one now in the Victoria and Albert Museum (fig. 6), the other in Nottingham Castle Museum (fig. 7), virtually the only difference is the attitude of the head of Mary and the working of the edges of the panel. However, even with a concentration on these two themes, there was a further standardisation. Only a very limited number of scenes was generally used. The list of surviving alabaster carvings clearly demonstrates this. In the Passion of Christ theme the following are the most common scenes: Betrayal (107), Flagellation (75), Crucifixion (127), Entombment (98), Resurrection (143). Trinity panels often formed the central feature of both Virgin and Passion altarpieces and are therefore represented in large numbers (125). Other scenes which would fit into the Passion theme perfectly well were neglected, such as

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Figure 7. The Annunciation, Nottingham Castle Museum. Late fourteenth century.

the Entry into Jerusalem (5), the Last Supper (a surprisingly low 7), the Agony in the Garden (7), the Mocking of Christ (7). There was a somewhat larger number of Christ Bearing the Cross (21). The Joys of the Virgin theme is most frequently represented by the following: Annunciation (101), Adoration of the Magi (116), Ascension (usually included in the Virgin theme)(46), Assumption/Coronation (101), Coronation (120). However other appropriate subjects are far less frequently represented: the Adoration of the Shepherds (6), Visitation (7) and Pentecost (7). This standardisation of subject matter within the set themes of the Passion and the Joys of the Virgin, together with the standardisation of the design of the panels encouraged by the use of ‘patterns’, clearly reduced the variety of the alabaster carvings. We may assume that there was a strong customer demand for these two themes. Looking at this purely from the point of view of economy of effort and labour on the part of the alabaster carver, this was an advantage

 commercially, and doubtless kept down costs. It may be assumed that the alabaster workshops produced standardised panels within the two themes in large numbers which could be kept in stock until required. Those panels not falling within these restrictions, and especially those of a rather individual character like the St James altarpiece in Santiago, needed a special order. Although by the mid-fifteenth century the altarpiece themes had expanded somewhat from the original two of the Passion and the Joys of the Virgin to include the lives of saints, such as St Catherine, St John the Baptist and St James the Great, such new themes were still small in number. Only six altarpieces of St Catherine are recorded, and she was the most popular (fig. 8). Occasionally a scene from the life of one saint might be used (with slight alterations) to depict another – compare, for example, the Nativity scene of St William of York with a typical Nativity of the Virgin, or the Martyrdom of St Lawrence with a typical Martyrdom of St Erasmus. The carving of individual images of saints expanded in variety during the fifteen century, reflecting the developing cult of saints. Some were, of course, more popular than others, St James the Great with 29 images recorded doubtless underlined the popularity of the pilgrimages to Santiago; indeed St James is often depicted as a pilgrim himself. Both St Peter (28) and St Paul (23) continued to be popular. St Christopher (22), the saint who protected travellers, is deservedly well represented at a time when travelling could be hazardous, although one would expect a greater number of images of St Roch (4) when the plague was so greatly feared and its causes not understood. However, St Antony of Egypt (16), regarded as a healer of both men and animals, and often accompanied by a small pig, was more popular. Figures of St John the Baptist (44) and St John the Evangelist (37) are well represented and doubtless reflect their popular use as the flanking saints of many altarpieces – the Swansea altarpiece in the Victoria and Albert Museum being one example. A most popular saint was St Catherine of Alexandria (34). St Barbara (12) was reasonably popular, perhaps because she often balanced the figure of St Catherine on the altarpieces. Another specialisation was the carving of heads of St John the Baptist, which surviving records show was based in Nottingham. In October 1491, an imagemaker named Nicholas Hill (later described in 1495 and 1499 as an ‘alablasterman’) brought an action against his salesman William Bott for money owing on no fewer than ‘fifty-eight heads of St John the Baptist, part of them in tabernacles and in niches’ (Records of the Borough of Nottingham, vol. III, 18). Altogether 97 Heads of St John the Baptist have survived. The wooden frameworks of the fifteenth-century altarpieces are themselves of a recognisable standard design, including the colours of the paint, the use of gesso decoration and the careful description of the subject matter, in Latin, under each panel. The Swansea altarpiece also shows the use in the mid-fifteenth century of small ‘gothic’ canopies in alabaster over each panel, which became the standard norm. The standardisation of imagery in the late-medieval alabaster industry, by the use of pricked patterns, the fitting of carvings into predetermined themes and the fixing of the panels into standard-sized wooden frameworks for altarpieces, received a further development with the spread of woodcut prints during the fifteenth century. The invention of woodcuts to print multiple images is itself of enormous significance, leading as it did to the invention of the printed word. The widespread diffusion of woodcuts in Western Europe affected artistic activities in painting and sculpture, prints frequently being used as the basic design. This influence is seen on the alabaster carvers. Two examples may suffice. The grouping of

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Figure 8. Altarpiece of the Life of St Catherine. Ca d’Oro, Venice. Second half of fifteenth century.

 the figures in a typical fifteenth-century alabaster Betrayal panel from a Passion series, of St Peter, Christ and Judas, with the soldier grasping Christ’s cloak and the recumbent Malchus, now in the Burrell Collection, Glasgow (fig. 9), is similar to a French woodcut of c 1450 which is now in the Metropolitan Museum, New York (fig. 10). And the panel in the Victoria and Albert Museum of Christ before Herod is very close to a woodcut of Christ before Pilate produced in Antwerp in 1500 (Cheetham 1984, 20 (fig. 7) and 232 (cat. 159)). The similarity of the legs of the figures and the hems of their garments is striking and the unusual appearance on the panel of a complete back view of a figure may be attributed to the direct influence of this print. It is probable that the alabaster carver had the print in front of him as he drew up the design for his panel. The recognition of the use of standard designs, standard themes and standard arrangements, in alabaster and other media, is a useful counterbalance to the common concept of the medieval artist producing each piece as an individually inspired work of art. Indeed, from the craftsman’s point of view, if you have a good design at hand, it is common sense to use it more than once, although with alterations which could be slight.

THE ICONOGRAPHY OF THE ALABASTER CARVINGS Ultimately much medieval iconography was derived from literary sources: the Old Testament, the New Testament and the apocryphal gospels and legends incorporated into the Golden Legend. The transmutation of the written work into images had a long and sometimes complex development. The Old Testament

Imagery derived from the Old Testament is virtually ignored by the alabaster carvers. They did not use Old Testament ‘types’, images deemed to foretell in a symbolic way events in the New Testament, such as one finds in the Biblia Pauperum (where, for example, the Sacrifice of Isaac is coupled with the Crucifixion, or the Gathering of Manna with the Last Supper). However, the Tree of Jesse, showing the lineage of Christ from the prophet Jesse, is represented by nine surviving panels. It derives from Isaiah’s prophecies ‘There shall come forth a rod out of the stem of Jesse, and a branch shall grow out of his roots: and the Spirit of the Lord shall rest upon him’ (Isaiah 11:1–2). A Tree of Jesse panel is the central panel of an altarpiece in the National Museum of Iceland, from the church of Kirkjubær in Hróarstunga. On the side of an alabaster tomb at Willoughby on the Wolds, Nottinghamshire (fig. 11), this theme is simplified into a small bush which the Virgin holds in her right hand. On the foliage a dove representing the Holy Spirit is resting (Anderson 1955, 98). There are four surviving panels of prophets from Te Deum altarpieces showing such Old Testament prophets as Isaiah and Moses (as well as the New Testament St John the Baptist). Panels of the Trinity are very common and clearly derive from the earlier images of Abraham holding the souls of the blessed to his bosom, illustrating the text, which is from the Gospels but refers to the Old Testament Patriarch, ‘And it came to pass that the beggar died and was carried by angels into Abraham’s bosom’ (Luke 16:22). Likewise in the very popular panels of the Annunciation, the Virgin is usually shown reading a book, which is open at Isaiah’s prophesy, ‘Behold a virgin shall conceive and bear a

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Figure 9. The Betrayal, Burrell Collection, Glasgow. Second half of fifteenth century.

son’ (Isaiah 7:14); an example in the Victoria and Albert Museum where the painted inscription on the open book is still legible reads, ‘Virgo Pariet Fil [ium]’ (Cheetham 1984, cat. 100, 173, illus.). Another of Isaiah’s prophesies found its way into the alabastermen’s work; on panels of the Adoration of the infant Christ, the ox and the ass look on. They arrived as standard elements in the Adoration scenes through the Golden Legend; they are not mentioned in the New Testament, and ultimately derive from Isaiah, ‘The ox knoweth his owner, and the ass his master’s crib’ (Isaiah 1:3). A unique panel in the Victoria and Albert Museum of the Incarnation and the Parliament of Heaven (fig. 12) ultimately derives from Psalm 85 with its personification of the Virtues of Mercy, Truth, Peace and Justice, who argue for and against the damnation of mankind (Cheetham 1984, cat. 102, 175, illus.).

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Figure 10. French woodcut of the Betrayal, c. 1450.

It is clear then, that the few Old Testament references on the alabaster carvings are all connected with New Testament themes. Old Testament scenes are not illustrated. The New Testament

Virtually all the scenes representing Christ are directly inspired by the New Testament, as we find in the Passion of Christ altarpieces: the Betrayal, the Flagellation, the Crucifixion, the Entombment and the Resurrection, although some details derive from the Golden Legend and other sources. Carvings dealing with the Life/Joys of the Virgin rely more heavily on non-New Testament sources, although a typical Joys of Mary altarpiece contains panels directly inspired by the Gospels: the Annunciation, the Adoration of the Magi and the Ascension, the exceptions being

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Figure 11. Panel on side of tomb in church at Willoughby on the Wolds, Nottinghamshire. Fifteenth century.

panels of the Assumption and the Coronation of the Virgin. The Assumption, although hallowed by ancient tradition, is not described in the New Testament. However, there are also specific details which directly spring from the symbolism of the New Testament text. The symbols of the four evangelists, the eagle of St John, the winged man of St Matthew, the ox of St Luke and the lion of St Mark, are an adaptation of a passage in the book of Revelation (4:6–7), which itself was doubtless inspired by a description in the Old Testament book of Ezekiel (1:10). The symbols are to be seen on two panels of the Trinity in the Victoria and Albert Museum (Cheetham 1984, cat. 229, 303, and cat. 235, 309). The Holy Spirit is described as a dove in St Mark’s Gospel (1:10) and seen on many alabaster panels of the Trinity. In the description of Christ praying in the Garden of Gethsemane, his forthcoming ordeal is described as a cup, ‘if it be possible, let this cup pass from me’ (Matthew 26:39); the actual cup is shown on an alabaster panel in the Art Museum, Princeton University, USA (fig. 13).

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Figure 12. Panel of the Incarnation and Parliament of Heaven. Victoria and Albert Museum, London. Late fifteenth century.

The Golden Legend

Jacobus de Voragine compiled the Golden Legend about 1260; in 1292 he became archbishop of Genoa. The diverse sources of his book, which became one of the most popular in the Middle Ages, range from the second to the thirteenth century. The Legend includes the amazing lives of many saints, and fills in many of the gaps in the Gospels, especially concerning the life of Mary. The conception of Mary is described in the story of her parents Joachim and Anne. After living apart they met and kissed at the Golden Gate, and it was by this chaste kiss that Mary was conceived immaculately (Voragine 1993, vol. II, 152). The scene is shown on only five recorded alabaster carvings (one of which is probably French). Her birth is also carved in alabaster; some nine examples are recorded. The Dedication of Mary at the Temple also found its way into the alabastermen’s work, there being eight examples of her climbing the fifteen steps

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Figure 13. Agony in the Garden. Art Museum, Princeton University, USA. Fifteenth century.

up to the Temple unaided at the age of three (Voragine 1993, vol. II, 152). The rare subject in alabaster of the Marriage of the Virgin is on only two recorded panels (one of which is probably French). Details showing the presence of the ox and the ass at the Nativity have already been noted. The midwives of the Nativity/Adoration also derive from the Golden Legend (Voragine 1993, vol. I, 38). One midwife, Zebel, is to be seen on the fourteenth-century horizontal panels of the Adoration of the Magi, and together with the second midwife, Salome, is depicted on the fifteenth-century Adorations of the Magi with Mary and Joseph (fig. 14). The ‘wise men from the east’ of the Gospels are described in the Golden Legend as three kings and are given the names of Caspar, Balthasar and Melchior (Voragine 1993, vol. I, 79), and are to be seen on the very popular Adoration of the Magi panels. The Assumption of the Virgin, described in the Golden Legend (Voragine 1993, vol. II, 82), was, together with her Coronation, a very popular subject in alabaster, usually being the final panel, or panels, in the Joys of the Virgin altarpieces. The figure of St Thomas – doubting

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Figure 14. Adoration of the Christ Child in a mandorla, with the midwives Zebel and Salome. Schnutgen Museum, Cologne. Fifteenth century.

Thomas – who holds the Virgin’s belt in his hands, confirming the truth of the Assumption, features on many of the Assumption panels and is described in the Golden Legend. Many of the saints carved in alabaster are included in the Golden Legend. The increasing cult of saints led to a greater variety of iconography than is usual in the rest of the work of the alabasterers. Even here, however, there was an emphasis on a few saints who were specially popular, such as St Catherine, St Christopher, St James, St John the Baptist, St John the Evangelist and Saints Peter and Paul. Details from the Golden Legend are to be found on many of the Crucifixion panels. The Roman soldier who pierced the body of Christ with a lance and who in the account in St John’s Gospel is anonymous (John 19:34), is named Longinus in the Legend (Voragine 1993, vol. I, 184). It relates how Longinus’ eyes were cured by a drop of Christ’s blood which ran down the shaft of the lance, and he came, with the centurion, to symbolise the converted

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Figure 15. The Harrowing of Hell. Musée des Antiquités, Rouen. Fifteenth century.

gentile able to see the truth through the blood of Christ. Longinus holding his lance in his left hand and touching his eye with his right is to be seen, for example, on many typical panels. The Legend also describes the Harrowing of Hell (Voragine 1993, vol. I, 222–4), of which eight panels are recorded. They show Christ’s descent into limbo, from where he rescued Adam, the patriarchs and the prophets who had died before he redeemed mankind (fig. 15). Other Sources

Whilst it was the Golden Legend which provided many of the colourful details for the medieval artists and craftsmen which are not to be found in the Gospels, there were other sources as well. The popular devotional book Ars Moriendi (‘The Art of Dying’) appears to have inspired a unique panel now in the Catholic Church of Emmerich in Germany. It shows a female figure,

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Figure 16. The Art of Dying. Church at Emmerich, Germany. Second half of fifteenth century.

evidently dying in bed, with an attendant male figure standing at the side, beneath a representation of the Trinity (fig. 16). What might be described as straightforward doctrinal teaching is represented by panels of the sacraments. Only three such panels are recorded (two of Holy Matrimony and one of Ordination), in spite of their relatively common appearance on church fonts. The panels are presumably survivors from altarpieces illustrating the Seven Sacraments. Among the most charming of all the alabaster images are those showing St Anne teaching the Virgin to read; nineteen examples are recorded (fig. 17). This was clearly prompted by a wish to demonstrate the humanity of the Virgin, which, incidentally, perhaps encouraged the skill of literacy. Imagery inspired by a vision of St Bridget of Sweden at Bethlehem in 1370 provides a remarkable example of how the iconography of Western Christendom could be affected by the vision of one Swedish mystic, long before the invention of printing. Nativity/Adoration panels

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Figure 17. St Anne teaching the Virgin to read. Church of St John the Evangelist, Tervuren, Belgium. Fifteenth century.

influenced by this vision show the child lying in a rayed mandorla on the bare earth, or even propped up against the manger (fig. 14), in contrast to the more usual imagery of the precocious child in his mother’s arms as she reclines in bed. St Bridget described how ‘suddenly, in a moment, she [the Virgin] gave birth to her Son, from whom radiated such an ineffable light and splendour that the sun was not comparable to it, nor did the candle that St Joseph had put there give any light at all. When the Virgin felt that she had already borne her child, she immediately worshipped him, saying: “Be welcome my God, my Lord and my Son” ’ (Anderson 1955, 105–6). The developing cult of the Virgin in the later Middle Ages no doubt prompted one endearing detail in many of the panels of Christ bearing the Cross, which shows Mary helping to ease the burden on her son by placing her hands under the crossbeam and bearing some of the weight. Similarly, her compassion is shown on some carvings of St Michael weighing the souls at the Last Judgement, where the Virgin rests her rosary on the crossbeam of the balance to



Image not available

Figure 18. St Michael weighing souls with the Virgin interceding. Pembroke College, Cambridge. Fifteenth century.

help the soul being judged (fig. 18). The merciful Virgin is also portrayed as the Protectress of Humanity in the two surviving carvings showing her sheltering souls under her cloak. Another image, altogether more shocking, was the Virgin’s lamentation over the dead Christ, or ‘Our Lady of Pity’, which shows the tortured dead body of Christ being nursed by his mother. The viewer could not fail to be reminded of the earlier, more sentimental figures of the Virgin and Child. Such images were most likely to be used as individual devotional carvings, not as part of an altarpiece, and twenty-seven such alabaster images (including groups) are recorded. Many panels of the Coronation of the Virgin show the Trinity as three separate individuals, imagery which was denounced by some theologians as encouraging a belief in more than one God. Also disapproved of were those Annunciation panels where a small Christ child descends from the mouth of God the Father, giving the impression that the body of Jesus was not formed in the Virgin’s womb.





 Some of the saints portrayed in alabaster were not described in the Golden Legend, saints such as Erasmus and Dorothy. However, it should be borne in mind that when Caxton ‘Englished’ the Golden Legend and printed it in 1483, he omitted some saints, but added some sixty more (Ryan in Voragine 1993, vol. I, XIV). While most of the alabaster saints were popular, a few more obscure ones are to be found, for example the uncanonised Henry VI (two examples are recorded), who was believed to have produced miracles at his tomb at Chertsey, and later at Windsor. St Armel also has two recorded examples. His cult was encouraged by Henry VII, who believed that he was saved from shipwreck off the coast of Brittany through the saint’s intercession. Part of the skull of St John the Baptist was brought to Amiens Cathedral from the east in 1206, and this precious relic seems to have stimulated artistic interest. Judging from surviving records, English heads of St John the Baptist were a speciality of the alabaster carvers in Nottingham, and indeed ninety-seven are recorded, including five still in their wooden housings, which made them suitable for domestic use. The connection between St John the Baptist and the body of Christ is demonstrated in these panels. Some of the carvings show the Agnus Dei, emblem of St John and symbol of Christ himself, beneath the central feature of St John’s head. The Agnus Dei reminds the viewer of the words of St John recorded in the Gospels (John 1:29) and spoken by the priest during the Mass as he holds up the consecrated host for the congregation to see: ‘Ecce Agnus Dei, ecce qui tollit peccata mundi’ (‘Behold the Lamb of God, behold him who takes away the sins of the world). Other panels show, instead of the Agnus Dei, a more direct representation of Christ, namely the Jesus Pity, with Christ displaying his wounds (fig. 5). The theme is further developed with the substitution of the Jesus Pity with the Virgin and Child. This rare symbolism is to be found on only two carvings. Here the connection of the Virgin mother with the body of Christ as a young child is shown. On some of the alabaster heads a wound is shown on the brow, indicating where the mother of Salome, Herodias, according to legend stabbed the severed head (fig. 5). A hole above the left eyebrow of the relic in Amiens may have given rise to this legend and its subsequent manifestation in art. One possible important source for some of the carvings was the medieval theatre. Émile Mâle, writing generally about medieval art in 1910, suggested that the medieval drama influenced the designs of artists (Mâle 1961). In 1913, Professor Prior rather cautiously suggested the influence of the theatre on the alabaster carvers (Society of Antiquaries 1913, 21), and from 1949 onwards Dr Hildburgh enthusiastically pursued this theme (Hildburgh 1949a). M. D. Anderson in 1963 (figs. 6a, b, c, d, 7a, b, 8b, 16a, b, c, d) also wrote of the influence of the theatre on medieval imagery and gave some alabaster carvings as examples. The events in the New Testament are themselves, of course, full of drama, and such events as the Betrayal and the Crucifixion lent themselves naturally to a theatrical representation. However, one should be cautious about attributing the direct influence of the theatre on the alabaster carvings. It is of note that English medieval plays included scenes from the Old Testament, which are totally absent in the art of the alabastermen, and the influence of graphic art on the alabaster designs, especially of prints from the middle of the fifteenth century, has already been mentioned. Many of the arguments claiming to show the direct influence of the theatre, seem strained. The alabaster carvers were working in a cultural environment which expressed its ideas in many forms – wall paintings, stained glass, sculpture, manuscripts, drama, drawings and prints – and it is useful to appreciate that the craftsmen were open to all kinds of influence from many media. However, there are certain details which may well be the result of stage in-

 fluence. Examples are the blackening of the faces of villains in some of the Passion panels and the identification of exceptionally evil individuals by showing them wearing headgear from which a small dragon projects. In addition, ‘the star in the east’ (Matthew 2:2) fixed to the top of the bed in many of the Nativity/Adoration panels may well be a theatrical prop. Theatrical influences too may be seen in the feathered tights worn by St Michael as he fights the devil (Cheetham 1984, cat. 63, 134). The Designs

The designs used by the alabastermen, which ultimately derived largely from the written word, were not of the craftsmen’s creation, for they can be closely paralleled in all media on the Continent and in England. The iconography was the common currency of Western Christendom and few details are specifically English. One exception is Christ crucified on the Lily Plant of the Annunciation on an alabaster panel in the Victoria and Albert Museum (Cheetham 1984, cat. 94, 167); the same symbolism is to be found on glass in a window in Long Melford Church, Suffolk (Hildburgh 1932a, 24, 25, pl. VIII). Christ stepping directly onto a recumbent soldier is a common feature on many of the Resurrection panels, and a feature that Dr Hildburgh saw as inspired by the medieval drama (Hildburgh 1949a), and it is a detail which is rare in Continental art. The so-called ‘Despenser’ wooden painted retable of about 1400 in Norwich Cathedral also incorporates this feature in its Resurrection panel. However, these are the exceptions. The designs used by the alabaster carvers were also those of the painters, sculptors, illustrators and printmakers of all Western Christendom.



saints

English Medieval Alabaster Carvings

T

he present location of the carving is given first. Where English counties are included, they are usually those so named before the local government reorganisation of 1974, as the majority of references date from before this change. Measurements, where known, are in centimetres; first height, then width. Generally only one published reference is given, and that is the one which, if possible, includes an illustration. ‘Unpublished’ means the author does not have any information; it may have been published unknown to the author. Many of the published works referred to were written before World War II (1939–45), but most recorded alabasters appear to have survived intact. A notable exception appears to be the Passion altarpiece in the museum of Orléans, mentioned by Prior and Gardner (1912, 488), which was possibly destroyed when the ‘musée historique’ was bombed in 1940. Others have disappeared, mainly from churches in France, but these occasionally reappear in sales and private collections. Every effort has been made to avoid recording a piece twice. This is especially important with those carvings in private collections which may have been included in a number of different auction sales. The full address is given of dealers, but not of private individuals. The list is basically divided into Saints, arranged alphabetically, and the Life of the Virgin and the Life of Christ, set out chronologically. They are followed by a few other shorter sections such as the Heads of St John the Baptist. The Life of the Virgin includes the infancy of Christ and commences with the Tree of Jesse. The Life of Christ commences at his Baptism. Since the Lives of the Virgin and of Christ inevitably intertwine, a few arbitrary decisions have been taken about placing a particular event in the appropriate Life. For example, the Ascension is included in the Life of Christ, but in the alabaster altarpieces the Ascension is usually included in the Life of the Virgin series. The number of different panels and images shown here is an updated revision of the short list published in Cheetham 1984 (55, 56) which it now supersedes. Figures in bold refer to the colour plates (roman numerals) and to the black and white plates for each section (arabic numerals).



    

SAINTS St Agnes 1 Church of Burton Agnes, East Yorkshire Figure on side of tomb of Sir Walter Griffith (d. 1481)

–

Routh 1976, 29

St Alpheus 1 Burrell Collection, Glasgow With St Mary Cleophas and their four sons, James the Less, Simon, Jude and Joseph (1)

70 × 36.9

Unpublished

St Andrew 1 Victoria and Albert Museum, London

35.2 × 13.3

Cheetham 1984, 72, cat. 1, illus.

2 Victoria and Albert Museum, London One of the 12 panels in Apostles’ Creed altarpiece, q.v.

46.6 × 14.3


3 Church of San Benedetto a Settimo, Pisa, Italy End figure in Virgin altarpiece, q.v. (2)

46 × 15

Papini 1910, 4–6, fig. 2

4 Church of Flately, Breiðafjörður, Iceland

42 × 10

Nordal 1977, 51, no. 13; Nordal 1985, 101, fig. 12

5 Private collection Hopwood Formerly in the possession of S. W. Wolsey of London (1969) (3)

–

Unpublished

6 Church of La Celle, Eure, Normandy Small figure in middle of St George and Virgin altarpiece, q.v.

–

Biver 1910a, 77, pl. VIII

7 National Museum of Iceland, Reykjavík (from church of Hólar) Small figure (headless) in Passion altarpiece, q.v.

–

Nelson 1920a, 195, pl. II

8 Hôtel de Ville, Compiègne, Oise, France Small figure, in Passion altarpiece, q.v.

–

Biver 1910a, 82, pl. XIII

9 Church of Tong, Shropshire Figure on side of tomb of Sir Richard Vernon (d. 1451)

–

Nelson 1926, 37, pl. V, no. 2

10 Church of Abergavenny, Monmouth Figure on side of tomb of William ap-Thomas (c. 1450)

–

Nelson 1926, 36, pl. III

11 Church of Afferden, Limburg, Netherlands Small figure in Passion altarpiece, q.v.

–

Hildburgh 1937a, 181, pl. XLVIII

12 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Headless figure in Apostles’ Creed altarpiece, q.v.

53 × 21.3

Flavigny 1998, 83–4, 85 illus.

 St Anne (Including Teaching the Virgin to Read) – See under Life of the Virgin St Antony of Egypt 1 Burrell Collection, Glasgow

38.7 × –

York Festival Exhibition 1954, no. 73

2 Private collection De Maeyer-Buyle, Antwerp (1967) (4)

–

Derveaux Van-Ussel 1967, E/31

3 Church of Preston in Holderness, Humberside Fragment

–

Unpublished

4 Hôtel de Ville, Compiègne, Oise, France Small figure in Passion altarpiece, q.v.

–

Biver 1910a, 82, pl. XIII and pl. XV

5 Musée de St Lô, Normandy

33 × –

Rostand 1928, 293 (42)

6 Church of Auderville, Normandy

43 × –

Rostand 1928, 284 (30)

7 Oscott College, Sutton Coldfield, Birmingham

48.3 × –

Nelson 1925, 34, pl. V

8 Marc Antoine du Ry, 14 Bulstrode St, London W1 (2002) (formerly on loan to Santa Barbara Museum of Art, California) (5)

42 × 14

Sale Catalogue Two, Forms of Salvation, 50–1, no. 20, illus.

9 Private collection, Edinburgh (formerly in the Burrell Collection)

44.5 × –

Unpublished

10 Church of East Rudham, Norfolk Fragment

–

Bonner 1879, 329

11 Church of La Celle, Eure, Normandy End figure in St George and Virgin altarpiece, q.v.; now missing

–


12 Church of Genissac, Gironde, France Small figure in altarpiece of St Martin and Life of the Virgin, q.v.

–

Biver 1910a, 86–7, pls. XIX, XX, XXI; Gardelles 1976, 213, no. 199, illus.

13 Château de Castelneau Bretenoux, near St Cere, Lot, France Panel in Virgin altarpiece, q.v.

–

Cheetham 1984, 59

14 Church of St Martin, Coudray en Vexin, Eure, France End panel in Passion altarpiece, q.v.

–

Prigent 1998, 26, fig. 3

15 Church of Harewood, Yorkshire Figure on side of tomb of Edward Redman (d. 1510)

–

Routh 1976, 65, fig. 39

16 Church of Harewood, Yorkshire Figure on side of tomb of Sir John Neville

–

Routh 1976, 60

–


St Antony of Padua 1 Victoria and Albert Museum, London





     St Apollonia 1 Kunsthistorisches Museum, Vienna End panel in a St Catherine altarpiece, q.v. (6)

40 × 13.5

Nelson 1923b, 130, pl. IA; described as being in ‘the D’Este Collection in Vienna’

2 Royal Museum and Art Gallery, Canterbury (7)

–

Unpublished

3 Private collection, Madrid (1999) Small figure from an altarpiece from Castropol, Asturias

–

Franco Mata 1999, 190, figs. 14 and 114

41 × 25.5

Society of Antiquaries, 1913, no. 66, pl. XXIV

St Armel 1 Stonyhurst College Museum, Lancashire (8)

2 Church of St Mary Brookfield, Highgate, London (9)

45.7 × 30.5

Pitman 1954, 226, fig. XIII

St Augustine of Hippo 1 Church of Nôtre Dame du Voeu, Cherbourg 2 Church of Afferden, Limburg, Netherlands Small figure in Passion altarpiece, q.v.

95 × 30

Rostand 1928, 275

–


1 Victoria and Albert Museum, London

63.5 × 21



57.7 × 22.5



41.5 × 12.6



41.5 × 14.1



44.7 × 13.8


St Barbara

6 Musée des Antiquités, Rouen (10) 7 British Museum, London (11) One of three canopied saints 8 Church of Vejrum, Denmark End panel in St Catherine altarpiece, q.v. 9 Musée d’Orléans, France 10 Exhibition in Rouen (1931)

42 × 14 28.5 × 6.3 –

Cochet 1875, 88, no. 122 Hope 1907, 171, pl. III

Nelson 1920a, 197, pl. IV, no. 2

44 × 17

Unpublished

60 × –

Hildburgh 1937a, 188, no. 188


–



–

Biver 1910a, 86–7, pls. XIX, XX, and XXI; Gardelles 1976, 213, no. 199, illus.

 St Bartholomew 1 Victoria and Albert Museum, London

56.1 × 16


2 Victoria and Albert Museum, London Panel in Apostles’ Creed altarpiece, q.v.

45.2 × 14.6


3 Oscott College, Sutton Coldfield, Birmingham (12)

40.7 × –


4 Sotheby’s, London, 9 December 1976 Formerly (1925) in M. Mori Collection, Paris (13)

39.5 × –

Sale Catalogue, no. 20, illus.; Nelson 1925, 29, pl. VI, 1

5 Church of Afferden, Limburg, Netherlands Small figure in passion altarpiece, q.v.

–


6 Church of Abergavenny, Monmouth On side of tomb of Sir William ap-Thomas (c. 1450)

–


7 Church of Tong, Shropshire On side of tomb of Sir Richard Vernon (d. 1451)

–

Nelson 1926, 38, pl. V, no. 2

8 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Feet missing. Figure in Apostles’ Creed altarpiece, q.v.

57 × 23.5


9 Museo de Santa Eulalia, Paredes de Nava, Palencia, Castilla-León, Spain

–

Franco Mata 1999, 188

75 × 20

Flavigny 1998, 104, cat. 5, illus. and 18 illus.

1 Ashmolean Museum, Oxford (14)

38.1 × 24.2

Society of Antiquaries, 1913, no. 7, pl. X

2 Private collection Douglass, Connecticut, USA (1970s) (15)

40.7 × 25.4

Unpublished

–

Unpublished

10 Convent of the Dominicans of Le Havre, France Companion figure of St Peter, q.v.

St Bartholomew Martyrdom

3 Church of Lostwithiel, Cornwall Fragment

St Boniface (?) 1 Victoria and Albert Museum, London Or possibly St Thomas returns to Canterbury, q.v.

35.5 × 26.7


St Bridget 1 Church of La Celle, Eure, Normandy Small figure in middle of St George and Virgin altarpiece, q.v.

–


St Catherine of Alexandria 1 Victoria and Albert Museum, London

42.4 × 12






     2 National Museum of Iceland, Reykjavík (from church of Hólar) End panel in Passion altarpiece, q.v. 3 Basilica de Daroca, Zaragoza, Spain End Panel in Virgin altarpiece, q.v. 4 Church of Avilés, near Oviedo, Spain End panel in Virgin altarpiece, q.v.; now missing 5 Tromsø Museum, Norway

6 Catholic church, Lydiate, Lancashire

–

53 × 17 – 55 × – 73.7 × 24.5


Hildburgh 1954a, 16, pl. VIb

Hildburgh 1944, 31, pl. XI

Nicolaissen 1915–16, 166, fig. 4; Cheetham 2001, 18 illus. Nelson 1913, 133, pl. III, no. 3

7 Museu Nacional Soares dos Reis, Oporto

40 × 12.3

Cheetham 1981, 32

8 Royal Ontario Museum, University of Toronto, Canada

48.3 × –

Tavender 1959, no. 78

9 Royal Ontario Museum, University of Toronto, Canada (16)

88.9 × –

Apollo, Dec. 1968, illus.; advertised by R. Lee

10 Diocezanmuseum, Paderborn, Germany

96 × –

Pitman 1964, 89

11 Musée d’Évreux, Eure, Normandy

43 × 12

Society of Antiquaries, 1913, 28, pl. II, fig. 2; Flavigny 1998, 125, cat. 64, illus.

12 Museu Nacional de Arte Antiga, Lisbon (17)

90 × –

Feyo 1947, 79, fig. 12

13 D. Katz Ltd, 13 Old Bond Street, London (2001)

74 × 26

Cheetham 2001, 18, 19 illus.

14 Private collection, Barcelona (1999) Formerly in Naworth Castle, Cumbria; sold 1947

42 5 × –

Franco Mata 1999, 191, fig. 22; Maclagan 1932, 408, pl. LXXXVI; Sotheby’s, 13 June 1947, Sale Catalogue, no. 126; Christie’s, 16 Apr. 1991, Sale Catalogue, no. 7, illus.

61.5 × 15

Baltazar Alcoforado 1993, 13, no. 6, illus.

15

Museu Nacional de Machado de Castro, Coimbra, Portugal

16

Holy Ghost Hospital, Waterford, Ireland (18)

56 × –

MacLeod 1946, 92, pl. IX, 4

17 Musée Lapidaire, Avranches, Normandy Headless

62 × 22

Rostand 1928, 297, no. 47

18 Church of Rethoville, Normandy

86 × 30

Rostand 1928, 284, no. 31; Flavigny 1998, 124, cat. 61, illus.

19 Musée Château de la Duchesse Anne, Dinan, France Headless

–

Hildburgh 1930, 44

20 Church of St Vincent, Floirac, Gironde, France

80.5 × 21.5

Gardelles 1976, 197, no. 183, illus.

21 Church of Montgeard, Haute Garonne, France

38.5 × 11.5

Gorguet 1984, 168, no. 127

22 Private collection, Entre-Deux-Mers, France

48 × 15

Gorguet 1984, 33, no. 20

 23 Musée de Châteaubriant, Nantes, France

–

Nantes Exposition 1933, no. 339

24 Oudheidkundige Musea, Museum Van de Byloke, Ghent, Belgium

44.6 × –

Derveaux-Van Ussel 1967, E/37

25 Church of Burton Agnes, Yorkshire Figure on side of tomb of Sir Walter Griffith (d. 1481)

–

Gardner 1940, 20, pl. 55


–


27 Church of La Ferte Bernard, Sarthe, France Panel in Virgin altarpiece, q.v.

–

Bouillet 1901, 55

28 Commune de l’Eure, Normandy Panel in Virgin altarpiece, q.v.

43 × 13

Flavigny 1998, 77–80, cat. 30, illus. 79

29 Museo Arqueológico Nacional, Madrid Double panel with St Ursula

–

Franco Mata 1999, 190, fig. 5

30 Museo de Bellas Artes de Álava, País Vasco, Spain Head only

–


31 Private collection, Madrid (1999) Small figure from an altarpiece from Castropol, Asturias

–


32 Museo Provincial de Lugo, Galicia, Spain

–


33 Museo de Santa Eulalia, Paredes de Nava, Palencia, Castilla-León, Spain

–


34 Church of Ashover, Derbyshire Figure on side of tomb of Thomas and Edith Babington (1511)

–

Church Guide 1981, 9

St Catherine Refuses to Sacrifice to the Idol 41.3 × 25.7

Society of Antiquaries, 1913, no. 60, pl. XXII


30.5 × 23.2


2 Kunsthistorisches Museum, Vienna Panel in St Catherine altarpiece, q.v.

39.5 × 26.5

Nelson 1923b, 129, pl. I, 4; described as being in ‘the D’Este Collection in Vienna’

1 British Museum, London Formerly collection of E. Holmes Jewitt (19)

St Catherine before the Emperor Maxentius

3 Church of Vejrum, Denmark Panel in St Catherine altarpiece, q.v. (20) 4 Galerie Fischer, Lucerne, Sale, 23–7 November 1971 Damaged

– 37 × 26

Nelson 1920a, 197, pl. IV, no. 2

Burlington Mag. CXIII, no. 824 (Nov 1971) CXXX, illus.





     St Catherine and the Burning of the Philosophers 1 Victoria and Albert Museum, London 2 Catholic church, Lydiate, Lancashire Panel in St Catherine altarpiece, q.v. (22)

46 × 27.9 50.8 × 26.7

3 Ca d’Oro, Venice Panel in St Catherine altarpiece, q.v.

–


40 × 26.5

5 Château de Gaasbeek, near Brussels (21)

–

Cheetham 1984, 86, cat. 15, illus. Nelson 1913, 133, pl. I, no. 1

Biver 1910a, 68, pl. II

Nelson 1923b, 129, pl. II; described as being in ‘the D’Este Collection in Vienna’ Unpublished

6 Musée-Château de Dieppe, France

39 × 22

Flavigny 1998, 125, cat. 63, illus.; Nelson 1927, 116, pl. I, 3

7 Musée des Antiquités, Rouen

42 × 30

Flavigny 1998, 125, cat. 62, illus

8 Musei Civici di Storia ed Arte, Trieste, Italy Panel in St Catherine altarpiece, q.v.

41 × 24

Fiorin 1969–70, 138, fig. 24

9 Private collection, Great Britain (1968) Plaster cast of an unrecorded alabaster; see Beheading of St Catherine (12) 10 Christie’s, London, 14 December 1999

50.8 × 23.5

Johnson 1968, 194, fig. 36; described as St Ursula

40.3 × –

Sale Catalogue, 19, no. 36, illus.; wrongly described as ‘Martyrdom of St Barbara’

St Catherine in Prison 1 Victoria and Albert Museum, London

41.5 × 25.4



42.3 × 26.9


3 Church of La Asunción y del Manzano, Fuenterrabía, País Vasco, Spain Panel in St Catherine altarpiece, q.v.

–

Maclagan 1920, 62, pl. II c

4 Church of Vejrum, Denmark Panel in St Catherine altarpiece, q.v.

–

Nelson 1920a, 197, pl. VI


–



39.5 × 26.5


38.5 × 16

8 British Museum, London (24) Inv. BM 99, 6–17, 1 (M2.14)

–

9 Society of Antiquaries, London

47 × 27.9

Nelson 1923b, 129, pl. III; described as being in ‘the D’Este Collection in Vienna’ Guimarães de Andrade 1977, 31, illus.; wrongly entitled St Barbara Unpublished

Society of Antiquaries, 1913, no. 61, pl. XXII

 10 Museum of Fine Arts, Montreal, Canada 11 Musei Civici di Storia ed Arte, Trieste, Italy Panel in St Catherine altarpiece, q.v. 12 Church of Preston in Holderness, Humberside Fragment

38.1 × 25.4 41 × 24 –

Tavender 1955, no. 1, 71 Fiorin 1969–70, 138, fig. 25

Rev. J. A. Boyle, The Easter Sepulchre at Preston Church, Holderness (church guide book)

13 Musée Leveel, Cherbourg Damaged

33 × 25

Rostand 1928, 276–7 (16)

14 Naworth Castle chapel, Cumbria Fragment showing figure of Christ; sold 1947

33 × –

Maclagan 1932, 409, illus.; Sotheby’s, 13 June 1947, Sale Catalogue, no. 127

St Catherine Saved from the Wheels 1 Victoria and Albert Museum, London

40.5 × 26.2

2 Church of la Asunción y del Manzano, Fuenterrabía, País Vasco, Spain Panel in St Catherine altarpiece, q.v.

–

3 Catholic church, Lydiate, Lancashire Panel in St Catherine altarpiece, q.v.

45.7 × 29.2

Cheetham 1984, 89, cat. 18, illus. Maclagan 1920, 62, pl. IIC

Nelson 1913, 134, pl. I, no. 2

4 Church of Vejrum, Denmark Panel in St Catherine altarpiece, q.v. (25)

–

Nelson 1920a, 198, pl. VI, no. 1


–

Biver 1910a, 68–9, pl. II

6 Musée de Carcassonne, France

–

Nelson 1926, 45

57.2 × 22.9

Society of Antiquaries, 1913, no. 62, pl. XXIII

8 Church of Preston in Holderness, Humberside Fragment

–


9 D’Este Collection, Vienna Said to have been panel in St Catherine altarpiece, q.v.; now missing

–

Nelson 1923b, 130

7 Church of Elham St Mary, Canterbury

St Catherine Kneels in Prayer before Her Execution 1 Catholic church, Lydiate, Lancashire Panel in St Catherine altarpiece, q.v.

43.2 × 28

Nelson 1913, 134, pl. II, no. 1

2 Seminary of San Jose Fornos de Algodres, Beira, Portugal (26)

57 × 24.5

Cheetham 1981, 25; Dias, 286, no. 13, illus.

3 Museu Nacional Grao Vasco, Viseu, Portugal Damaged fragment; at the bottom a worn Gothic inscription. Possibly a St Catherine in Prayer panel

38.5 × 22

Cheetham 1981, 44; Dias, 287, no. 14, illus.





     St Catherine – Beheading 1 Victoria and Albert Museum, London

43.1 × 27.2



40.2 × 25.8


3 Church of La Asunción y del Manzano, Fuenterrabía, País Vasco, Spain Panel in St Catherine altarpiece, q.v.

–

Maclagan 1920, 62, pl. IIC


–

Nelson, 1920a, 198–9, pl. VI


–



40 × 26.5

7 British Museum, London 8 Society of Antiquaries, London (27)

9 Civici Musei di Storia ed Arte, Trieste, Italy Panel in St Catherine altarpiece, q.v. 10 Church of Wood Ditton, Cambridgeshire Fragment 11 Private collection, Bruges, Belgium (1976) (28) 12 Private collection, Great Britain (1968) Plaster cast of an unrecorded alabaster; see Burning of the Philosophers (9).

13 Sotheby’s, London, 29 March 1979 14 Museum of Art, Duke University, College Station, Durham, North Carolina, USA

– 64.8 × 22.9 41 × 24 – 44.5 × 27.9 50.8 × 28

42 × –

Nelson 1923b, 129, pl. IV; described as being in ‘D’Este Collection in Vienna’ Nelson 1927, 116, pl. I, no. 1 Society of Antiquaries, 1913, no. 63, pl. XXIII Fiorin 1969–70, 140, fig. 27

Burrel and Montague-Benton 1932–3, 82, pl. II, fig. 4 Unpublished Johnson 1968, 194, fig. 36; described as St Ursula

Sale Catalogue, no. 101, illus.

39.4 × 44.5

Unpublished.

35.5 × 26.1

Long 1928, III, illus.

St Catherine – Burial 1 Shaftesbury Museum, Dorset (29) 2 Catholic church, Lydiate, Lancashire Panel in St Catherine altarpiece, q.v.

45.7 × 28


–



–

Nelson 1920a, 198, pl. V, no. 1

5 Musée des Beaux Arts, Narbonne 6 D’Este Collection, Vienna Said to have been a panel in St Catherine altarpiece, q.v.; now missing

35 × 22.5 –

Nelson 1913, 134, pl. II, no. 2

Gorguet 1984, 213, no. 158 Nelson 1923b, 130

 St Christopher 1 Victoria and Albert Museum, London

42.2 × 13.4

Cheetham1984, 92, cat. 21, illus.


44.8 × 15.7



64 × 25.5



94.7 × 29.9


5 Private collection De Maeyer-Buyle, Antwerp (1967)

42 × –

Derveaux-Van Ussel, 1967, E/30


43 × 15

Flavigny 1998, 128, cat. 70, illus.; La Revue du Louvre et des Musees de France 1972, 257, illus.

7 Church of Tollevast, Normandy

85 × 26

Rostand 1928, 283 (26)

8 Dreweatt Neate, Banbury, Oxfordshire (1999) Fragment

27.2 × –

Sotheby’s, 11 Dec. 1980, Sale Catalogue, no. 67, illus.

9 Princeton University Museum, New Jersey, USA

40.7 × –

Tavender 1955, no. 18.

44.5 × –

Handbook of the Collections of the University, pl. 5

–

Ecclesistical Art 1865, 23, no. 452

10 University of Michigan, Museum of Art, USA Fragment 11 Castle Museum, Norwich Fragment 12 Church of Wood Ditton, Cambridgeshire Fragment

28 × –

Proceedings of the Cambridgeshire Society of Antiquaries, 34 (1932–3), 83

13 Church of Toft, Cambridgeshire Fragment

–

Nelson 1925, 35, pl. IV, no. 2

14 Burrell Collection, Glasgow (30)

41.3 × –

The Connoisseur CXXXVI (1955), 36, illus.

15 Museum Narodowe, Gdansk, Poland

65 × 18

Massowa 1996, 40, cat. 2, 8 fig. 2

16 Church of La Celle, Eure, Normandy End figure in altarpiece of St George and the Joys of the Virgin, q.v.; now missing

–

Biver 1910a, 77, illus.

17 Church of La Celle, Eure, Normandy Small figure in middle of St George and Virgin altarpiece, q.v.; now missing

–


18 Church of Chatelaudren, Côtes du Nord, Brittany End panel in Virgin altarpiece, q.v.

–

Nelson 1927, 123–4, pl. IX

19 Church of Minster Lovell, Oxfordshire Panel at foot of tomb of William, Lord Lovell

–

Country Life, 29 Dec. 1960, illus.

20 Church of St Martin, Coudray en Vexin, Eure, France End panel in Passion altarpiece, q.v.

–






     21 Church of Halsham, East Yorkshire Figure on side of Constable tomb

–

Routh 1976, 39, fig. 17


–

Routh 1976, 65, fig. 38

St Clement 1 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) 2 Museo de San Telmo, San Sebastián, Spain

66.5 × 23.5

–

Flavigny 1998, 87, cat. 33, illus.


St Cuthbert 1 Catholic church, Lydiate, Lancashire (31) 2 Church of Harewood, Yorkshire Figure on side of tomb of Edward Redman (d. 1510)

76.2 × 33

Nelson 1913, 134 (6), pl. III, no. 1

–

Routh 1976, 63

–


1 Musée d’Évreux, Normandy (32)

42 × 12


2 Christie’s, London, 25 March 1960

43.7 × –


St Damian (?) 1 Museo Provincial de Lugo, Galicia, Spain

St Denis

St Dominic 1 Church of Barling Magna, Essex Headless

39.4 × 22.9

Society of Antiquaries, 1913, no. 84, illus.

St Dorothy 1 Ca d’Oro, Venice End figure in St Catherine altarpiece, q.v.

–


St Dorothy – Martyrdom 1 D. Katz Ltd, 13 Old Bond Street, London (2000)

43.5 × 31

Cheetham 2001, 20, 21, illus.

St Edmund 1 Church of Harewood, Yorkshire Figure on side of tomb of Edward Redman (d. 1510)

–

Routh 1976, 65

St Edmund – Scene from His Life 1 Victoria and Albert Museum, London

38.6 × 26.5


38.6 × 26.5


St Edmund Shot with Arrows 1 Victoria and Albert Museum, London

 St Edmund’s Head Restored to his Body 39.2 × 26.7


–

Cheetham 1984, 32, illus.; Routh 1976, 65


33 × 21.3


2 Castle Museum, Nottingham (33)

45.1 × 27

Cheetham 1973, 40, illus.


St Edward the Confessor 1 Church of Harewood, Yorkshire Figure on side of tomb of Edward Redman (d. 1510) and his wife Elizabeth Huddlestone (d. 1529)

St Eloy Shoeing a Horse Possessed of the Devil

3 Church of St Andrew, Freckenham, Suffolk

39.7 × 29.9


–

5 Northampton Central Museum Fragment

8 × 10

Nelson 1917b, 108–9, pl. III Nelson 1925, 35–6, pl. IV, fig. 2

Unpublished

37.8 × 24.5


50.8 × 24.1

Hildburgh 1937a, 188, pl. LII, no. 1

1 Victoria and Albert Museum, London Panel fragment

16.5 × 22.4


2 Ashmolean Museum, Oxford

40.6 × 25.4

Society of Antiquaries, 1913, no. 18, pl. XIII

3 Private collection Douglass, Connecticut, USA (1970s) (34)

30.5 × 19.8

Nelson 1927, 117–18, pl. IV, 1

4 Society of Antiquaries, London

39.4 × 25.9

Society of Antiquaries, 1913, no. 52, pl. XX

6 Sotheby’s, New York, 22 June 1989

St Erasmus 1 Burrell Collection, Glasgow Double panel with St Faith

St Erasmus – Martyrdom

5 City Museum, Bristol Formerly in the Clifton Catholic Pro-Cathedral, Bristol

40 × 24.5

Unpublished

6 Sotheby’s, London, 4 July 1996 (now in Art Museum, Denver, USA) Panel from a Martyrdom altarpiece, q.v.

38.5 × 26.3

Cheetham 1983, 359, fig. 50; Sale Catalogue, no. 17, illus.

7 Castle Museum, Norwich Fragment

30.5 × 29.2

Society of Antiquaries, 1913, no. 23, pl. XV

8 Private collection, London (1954) (from church of East Barsham, Norfolk, 1930) Fragment

–

Martin 1892, 257–8, illus.





     9 Museo San Telmo, San Sebastián, Spain Three fragments 10 S. W. Wolsey, 71–2 Buckingham Gate, London (1950s) (35) Fragment 11 Provinzial Museum, Münster, Westfalen, Germany Fragment 12 Chapel of Breuil-Benoit, Marcilly sur Eure, France Sold in 1997 13 D. Katz Ltd, 13 Old Bond Street, London (2001)

–

Unpublished

–

Unpublished

22.5 × 23

Unpublished

–

Bouillet 1901, 53

41 × 25.5


35.6 × –

Tavender 1955, 69, no. 50, pl. VI

St Etheldreda Entering the Convent 1 Museum of Fine Arts, Boston, Massachusetts, USA (36)

St Etheldreda (?) – Entombment 40.9 × 26.8


50.8 × 24.1

Hildburgh 1937a, 188, pl. LII, no. 1


60 × 22


2 Cloisters Museum New York Evidently ‘de-accessed’

40 × 6

Hildburgh 1928, 68, pl. XVIII, fig. 4; Sotheby’s, New York, 22 June 1989, Sale Catalogue, no. 31, illus.


St Faith 1 Burrell Collection, Glasgow Double panel with St Erasmus (37)

St Fiacre

3 Chapel of Nôtre Dame sur Vire, Lower Normandy

–

4 Sotheby’s, London, 24 June 1982 (38)

42.2 × –

5 Private collection Douglass, Connecticut, USA (1970s) Fragment; sold 1996 (39)

26.7 × 17.8

Rostand 1928, 290

Sale Catalogue, no. 40, illus. Sotheby’s, New York, 12 Jan. 1996, Sale Catalogue, no. 1002, illus.

St Frideswide 1 Church of Burton Agnes, Yorkshire Panel on side of tomb of Sir Walter Griffith

–

Routh 1978, The Dalesman, Oct 1978, 580, illus. 579

–

Nelson 1920a, 196, pl. III

St Gabriel 1 Church of Þingeyrar, Iceland Panel in Passion altarpiece, q.v.

 St George 1 Nottingham Castle Museum 2 Church of Layston, Hertfordshire Fragment 3 Church of Borbjerg, Jutland, Denmark End panel in altarpiece of St George, q.v.

38.2 × – 35.6 × 22.9

Cheetham 1973, 52, illus. Unpublished

–

Nelson 1920a, 199, pl. VII, no. 1

–

Biver 1910a, 73–4, pl. X, no. 1

St George and the Dragon 1 Church of La Celle, Eure, France Panel in altarpiece of St George and the Virgin, q.v. 2 Church of Sts Pierre et Paul, Loenhout, Belgium (40) 3 Burrell Collection, Glasgow (41) 4 Private collection, New York

5 National Gallery of Art, Washington, DC, USA. Free-standing sculpture 6 Church of Harewood, Yorkshire Figure on side of tomb of Edward Redman (d. 1510)

89 × 48.3 40.7 × 26.6 40.7 × –

Derveaux-Van Ussel, 1967, E/32

York Festival Exhibition 1954, no. 89 Sotheby’s, 17 Mar. 1961, Sale Catalogue, no. 15, illus.

81.5 × 60.5 × 20.5

Kress 1976, 118, fig. 200

–

Routh 1976, 65, fig. 38

–

Nelson 1920a, 200, pl. VI, no. 2

–

Biver 1910a, 72, pl. IX, no. 1; Flavigny 1998, 89–97, cat. 53, illus. 90–1

–

Biver 1910a, 73, pl. IX, no. 2; Flavigny 1998, 89–97, cat. 53, illus. 90–1

–

Biver 1910a, 74, pl. VIII; Flavigny 1998, 89–97, cat. 53, illus. 90–1

–

Biver 1910a, 72, pl. X, no. 2; Flavigny 1998, 89–97, cat. 53, illus. 90–1

St George – Resurrection and Arming 1 Church of Borbjerg, Jutland, Denmark Panel in altarpiece of St George, q.v. (42)

St George – Resurrection 1 Church of La Celle, Eure, France Panel in altarpiece of St George and the Virgin, q.v.

St George – Arming 1 Church of La Celle, Eure, France Panel in altarpiece of St George and the Virgin, q.v.

St George Baptising 1 Church of La Celle, Eure, France Panel in altarpiece of St George and the Virgin, q.v.

St George before Dacianus 1 Church of La Celle, Eure, France Panel in altarpiece of St George and the Virgin, q.v.





     St George Preserved from the Poisoned Cup 1 Church of Borbjerg, Jutland, Denmark Panel in altarpiece of St George, q.v.

–

Nelson 1920a, 200–2, pl. VI, no. 2

–

Nelson 1920a, 200–3, pl. VI, no. 2

–

Nelson 1920a, 199–200, pl. VII, no. 2

–

Nelson 1920a, 200, pl. VII, no. 1

–

Biver 1910a, 74–5, pl. VIII

St George before the Temple of Apollo 1 Church of Borbjerg, Jutland, Denmark Panel in altarpiece of St George, q.v.

St George Fights against the Gauls 1 Church of Borbjerg, Jutland, Denmark Panel in altarpiece of St George, q.v.

St George – Martyrdom 1 Church of Borbjerg, Jutland, Denmark Panel in altarpiece of St George, q.v.

St George – Beheading 1 Church of La Celle, Eure, France Panel in altarpiece of St George and the Virgin, q.v.

St German 1 University Museum of Archaeology and Ethnology, Cambridge Headless

26 × 11.5

Society of Antiquaries, 1913, no. 69

St Giles 1 Hôtel de Ville, Compiègne, Oise, France End figure in Passion altarpiece, q.v.

–


–


St Gregory 1 Church of Afferden, Limburg, Netherlands Small figure in Passion altarpiece, q.v.

St Gregory – Mass 1 Röhsska Museum, Gothenburg, Sweden (43)

54 × –

Hildburgh 1930, 45

2 Church of Sideville, Normandy

42 × 26

Rostand 1928, 282, no. 23

3 Brooklyn Museum, New York

55 × 26.5

Tavender 1955, 68, no. 43

4 Durham Cathedral, Great Britain

50.8 × 28

The Connoisseur, Mar. 1955; advertisement by S. W. Wolsey, illus.

5 Church of Preston in Holderness, Humberside Top of panel missing

–


6 Church of Stoke Charity, Hampshire

–

Unpublished

7 Church of Montréal, Yonne, Burgundy Central panel of Virgin altarpiece, q.v. (44)

–

Biver 1910a, 67, pl. IV and pl. I

 St Helen (?) 1 Royal Museum and Art Gallery, Canterbury Fragment

25 × –

Unpublished

2 Stonyhurst College, Lancashire Headless with small cross

15 × –

Unpublished

42 × 26

Rostand 1928, 276, no. 12

St Helen Seeking the True Cross 1 Church of Nôtre Dame du Voeu, Cherbourg (45) 2 Sotheby’s, New York, 22 November 1988 Possibly St Helen

33.6 × 29.8


Henry VI 1 Rijksmuseum, Amsterdam

2 Private collection Vilhena, Lisbon (1954) Formerly in possession of S. W. Wolsey of London (46)

49 × 16

60.5 × 16.5

Cheetham 1984, 17, fig. 4; Beeldhouwkunst in het Rijksmuseum, ed. Jaap Leeuwenberg, Catalogue 1973, no. 854 Unpublished

St Hubert 44 × –

Rostand 1928, 290, no. 39

2 Church of Toft, Cambridgeshire Headless

58.5 × –

Nelson 1925, 35, pl. IV, 2

3 Commune de la Manche, Normandy

87 × 33


35.5 × 22.8

Country Life, 30 Dec 1971, 1849, illus.


42 × 13.2



25.1 × 10.2



41 × 12



45.4 × 14.2



54.2 × 19.8


1 Chapel of Nôtre Dame sur Vire, Normandy

St Hubert Hunting 1 Church of All Hallows by the Tower, Byward Street, London (47)

St James the Great

6 Musée des Augustins, Toulouse (from church of Rabastens) Figure in Passion altarpiece, q.v.

41 × 13.5

Bouillet 1901, 62

7 Sotheby’s, London, 17 July 1980 (48)

47 × –


8 Church of St Jacques, Montebourg, Normandy With small donor figures

100 × –

Rostand 1928, 288, no. 34





     75 × –

Rostand 1928, 285, no. 32

10 Musée de Picardie, Amiens, France Panel in Passion altarpiece, q.v.

41 × 13

Society of Antiquaries, 1913, 49–50

11 Santa Barbara Museum of Art, California, USA Lent by Wright Ludington

53.3 × –

Unpublished

12 Church of Yssac la Tourette, Puy de Dome, France End panel in St John the Baptist altarpiece, q.v. (49)

45 × 15

Biver 1910a, 69, pl. III, no. 1

13 Church of St Avit les Guespieres, Sarthe, France End panel in Passion altarpiece, q.v.

–

Biver 1910a, 70, pl. V, no. 1

14 Church of Santa Maria, Majori, Salerno, Italy End panel in Virgin altarpiece, q.v.

–

Hildburgh 1955c, 183, pl. XXIX


–


16 Church of Chatelus-Malvaleix, Creuse, France Headless End figure in Passion altarpiece, q.v.

–

Nelson 1925, 26


–

Hildburgh 1937a, 181, pl. LXVIII

18 National Museum of Iceland, Reykjavík (from church of Hólar) Small figure in Passion altarpiece, q.v.

–


19 Church of St Michael and all Angels, Stewkley, Buckinghamshire Upper fragment

–

Nelson 1919a, 135

9 Church of St Jacques le Majeur, Rethoville, Normandy

20 Rhode Island School of Design, Providence, USA Head only

25.4 × –

Tavender 1955, 68, no. 44, pl. IV


–

Nelson 1926, 38, pl. VI (3)

22 Church of Abergavenny, Monmouth Figure on side of tomb of Sir William ap-Thomas (c. 1450)

–

Gardner 1940, 95

23 Victoria and Albert Museum, London Double panel with St John the Evangelist

40 × 28.2


24 Church of St Michel, Bordeaux End panel in Virgin altarpiece, q.v.

–

Biver 1910a, 84, pl. XVIII; described as ‘Bearded Man with a Staff the head of which is lost’


–

Biver 1910a, 86–7, pls. XIX, XX, XXI; Gardelles 1976, 213, no. 199, illus. 217

 26 Château de Castelneau Bretenoux, near St Cere, Lot, France Panel in Virgin altarpiece, q.v.

–

Cheetham 1984, 59

27 Musée de la Benedictine, Fécamp, Normandy

–

Unpublished


–

Routh 1976, 60, fig. 30

29 Private collection, Great Britain (1945)

41.5 × –

Murray Adams-Acton, The Connoisseur, Dec. 1945, 87 illus., no. XI

41 × 27

Hildburgh 1926, 306, pl. XLIII, fig. 3, and pl. XLII

41 × 27

Hildburgh 1926, 306, pl. XLIII, fig. 1

58 × 27

Hildburgh 1926, 306, pl. XLIII, fig. 1 and pl. XLII

41 × 27


41 × 27


St James – the Calling 1 Cathedral of Santiago de Compostela, Spain Panel in St James’ altarpiece, q.v.

St James and the Apostles – Christ’s Charge 1 Cathedral of Santiago de Compostela, Spain Panel in St James’ altarpiece, q.v.

St James Preaching 1 Cathedral of Santiago de Compostela, Spain Central panel in St James’ altarpiece, q.v. (50)

St James Beheaded 1 Cathedral of Santiago de Compostela, Spain Panel in St James’ altarpiece, q.v.

St James – Translation of the Body 1 Cathedral of Santiago de Compostela, Spain Panel in St James’ altarpiece, q.v.

St James the Less 1 Victoria and Albert Museum, London

55.6 × 16.7



76 × 27.7



70.5 × 20.7



45.9 × 14.3


–


5 Church of Afferden, Limburg, Netherlands Small figure in Passion altarpiece, q.v. 6 Institute of Art, Detroit, USA Damaged; possibly St James the Less 7 Church of Tong, Shropshire Figure on side of tomb of Sir Richard Vernon (d. 1451)

57.8 × – –

Tavender 1955, 70

Nelson 1926, 38, pl. V, no. 3





     8 Church of Abergavenny, Monmouth Figure on side of tomb of William ap-Thomas (c. 1450) 9 Oscott College, Sutton Coldfield, Birmingham Double panel with St Jude 10 Art Gallery of South Australia, Adelaide Double panel with St Matthew 11 National Museum of Iceland, Reykjavík (from church of Kirkjubær in Hróarstunga) Small figure (possibly St James the Less) from Virgin altarpiece, q.v.

–


40.6 × 28

Nelson 1925, 34, 35, pl. V

40.7 × –

Nelson 1926, 45, pl. X

–

Nordal 1977, 47, no. 6, fig. V

–



33.7 × 12.5


2 Victoria and Albert Museum, London End panel in Virgin altarpiece, q.v.

41.9 × 13.2



37.8 × 12.9


St Jerome 1 Church of Afferden, Limburg, Netherlands Small figure in Passion altarpiece, q.v.

St John the Baptist

4 Church of St Michel, Bordeaux End panel of Virgin altarpiece, q.v.

–

Biver 1910a, 83–5, pl. XVIII

5 National Museum, Copenhagen (from church of Munkaþverá, Iceland) End panel of Virgin altarpiece, q.v.

–

Nelson 1918b, 313, pl. I

6 Marienkirche, Gdansk, Poland End panel of Virgin altarpiece, q.v.

–

Nelson 1919c, 140, pl. I

7 National Museum of Iceland, Reykjavík (from church of Hólar) End panel of Passion altarpiece, q.v.

–


8 Church of San Benedetto a Settimo, Pisa, Italy End panel of Virgin altarpiece, q.v.

–

Papini 1910, 4–6, fig. 2

9 Basilica de Daroca, Zaragoza, Spain End panel of Virgin altarpiece, q.v.

–

Hildburgh 1954a, 11 and 19–20, pl. VI a

10 Church of Værøy, Norway End panel of Virgin altarpiece, q.v.

–

Maclagan 1920, 61; wrongly described as being at Røst


–

Biver 1910a, 86–7, pl. XIX, XX, XXI; Gardelles 1976, 213, no. 199, illus.

12 Church of the Virgin of Carsko polje, Cara, Korcula, Dalmatia End figure of Virgin altarpiece, q.v.

–

Fisković 1977, 161, Table II, 6

 13 National Gallery of Victoria, Melbourne, Australia

71.2 × 26

Nelson 1920b, 218, pl. VII, 1

14 Church of Neville, Seine Inférieure, France

150 × –

Hildburgh 1937a, 185; Flavigny 1998, 122, cat. 55, illus.

15 Cathedral of Quimper, Brittany With kneeling donor

150 × –

Hildburgh 1937a, 189

16 Winchester Cathedral (51) 17 Museum of Fine Arts, Boston, USA 18 Musée de Douai, France

19 City Art Gallery, Manchester 20 Museum Mayer van den Bergh, Antwerp 21 Museum of Art, University of Kansas, Lawrence, USA 22 Sotheby’s, Amsterdam, 14 March 1983 Formerly in Naworth Castle, Cumbria

23 Geoffrey Van Ltd, 105–7, Portobello Rd, London W11 (1979) (52) 24 Stadtisches Suermondt Museum, Aachen 25 Musée d’Aix en Provence, France

– 43.2 × – 38 × – 34.3 × 12.7 63.7 × – 54.3 × 13.4 42 × –

–

Unpublished Tavender 1955, 69, no. 48, pl. V Society of Antiquaries, 1913, pl. II, fig. 3 Unpublished Derveaux-Van Ussel 1967, E/36 Unpublished

Maclagan 1932, 408, pl. LXXXV; Sale Catalogue, no. 107, illus.; Sotheby’s, 13 June 1947, Sale Catalogue, no. 125 Unpublished

42 × 14.5

Hildburgh 1925b, 61

–

Hildburgh 1930, 44

26 Church of St Vincent, Floirac, Gironde, France

90 × 31


27 Church of Lignan de Bordeaux, Gironde, France

71 × 24

Gardelles 1976, 197–9, no. 185, illus.

29.2 × 12


28 Fitzwilliam Museum, Cambridge Upper part of figure 29 Private collection, Great Britain (formerly in the possession of S. W. Wolsey of London (1936)) 30 University Museum of Archaeology and Ethnology, Cambridge With kneeling donor Lower fragment

– 13.4 × 7

Bagshawe 1936a, 273, fig. V


31 Church of East Rudham, Norfolk Headless

–

Norfolk Archaeology 1879, 328

32 Church of All Saints, Nyköping, near Stockholm, Sweden

–

Unpublished


–

Cochet 1875, no. 124

34 Church of Hornslet, Øster Lisbjerg, Randers, Denmark End figure in Virgin altarpiece, q.v.

–

Cheetham 1984, 58





     35 Museum of Akureyri, Iceland (from church of Möðruvellir, Eyjafjörður, Iceland) End panel in Virgin altarpiece, q.v.

–

Nordal 1977, 49–50, fig. 11

36 National Museum of Iceland, Reykjavík (from church of Hítardalur) End panel in Virgin altarpiece, q.v.

–

Nordal 1977, 44–5, no. 3, fig. IV

37 Church of La Celle, Eure, Normandy End figure in St George and Virgin altarpiece, q.v. Missing since 1910

–


38 National Museum of Iceland, Reykjavík (from church of Kirkjubær in Hróarstunga) End figure in Virgin altarpiece, q.v.

–

Nordal 1977, 46–7, no. 6, fig. V

39 Church of Lermanda, Álava, País Vasco, Spain

–


40 Basilica de San Juan de Banos, Banos de Cerrato, Palencia, Spain This may not be English.

–

Franco Mata 1999, 188, fig. 95 and fig. 26

41 Musée National du Moyen Age, Cluny, Paris

39 × 14

Prigent 1998, 95, cat. 31, illus.

42 Church of Burton Agnes, East Yorkshire Figure on side of tomb of Sir Walter Griffith (d. 1481)

–

Routh 1976, 27


–

Routh 1976, 65


–

Routh 1976, 60

–

Hildburgh 1930, 34, pl. V, 2

St John the Baptist – Birth and Naming 1 Musée du Louvre, Paris (53) 2 Bibliothèque de Versailles 3 Church of Mulbarton, Norfolk Fragment 4 Museum of London Inv. 11179; fragment 5 Sotheby’s, New York, 12 December 1993

40 × 28 35 × 39.5 –

Hildburgh 1928, 58–61, pl. XVI, 1 Nelson 1925, 36, pl. II, 2

Unpublished

26 × 10.5

Sale Catalogue, no. 18, illus.; also Sotheby’s, London, 8 Dec. 1988, no. 49, illus.

45.4 × 22.8


St John the Baptist Preaching 1 Victoria and Albert Museum, London 2 Private collection Danthorne, Great Britain (1957) (formerly in the possession of S. W. Wolsey of London) (54)

38.7 × 26

Unpublished

 3 Church of Yssac la Tourette, Puy de Dome, France Panel in altarpiece of the life of St John the Baptist, q.v.

45 × 27

4 Marienkirche, Gdansk, Poland Panel in altarpiece of the Life of St John the Baptist, q.v. (55)

–

Nelson 1918b, 328–9, pl. XVIII

5 Church of St Mary, Shrewsbury Fragment; Panel from St John the Baptist altarpiece, q.v.

–

Nelson 1925, 37, pl. XII, 1

6 Scarborough Philosophical and Archaeological Society Small fragment; possibly St John the Baptist preaching

–

Society of Antiquaries, 1913, no. 73 (5); described as Our Lord preaching

Biver 1910a, pl. III, 1

St John the Baptist Reproves Herod Antipas 1 Victoria and Albert Museum, London

39.2 × 25.6


St John the Baptist – Apprehension 1 Church of Yssac la Tourette, Puy de Dome, France Panel in altarpiece of the Life of St John the Baptist, q.v. (56)

45 × 27


2 Templar church at Ribston, Great Britain Fragment

33 × 28

Country Life, 15 Feb 1930, 245, illus.

30.5 × 26

Cochet 1875, 88, no. 121; described as ‘decollation’

3 Musée des Antiquités, Rouen Fragment

St John the Baptist – Dance of Salome 1 Church of Yssac la Tourette, Puy de Dome, France Panel in altarpiece of the Life of St John the Baptist, q.v. (56)

45 × 27


St John the Baptist – Beheading 1 Victoria and Albert Museum, London

39.5 × 25.9


2 Church of Yssac la Tourette, Puy de Dome, France Panel in altarpiece of the Life of St John the Baptist, q.v.

45 × 27

3 Marienkirche, Gdansk, Poland Panel in altarpiece of the Life of St John the Baptist, q.v.

–

Nelson 1918b, 328–9, pl. XIX

30.8 × 23.2

Nelson 1918b, 331, pl. XXIII

4 British Museum, London 5 Bowes Museum, Barnard Castle, County Durham

35 × 28

Biver 1910a, pl. III, 1; Sotheby’s, London, 14 Dec. 2001, Sale Catalogue, no. 19, illus.






     6 Castle Museum, Norwich Lower fragment 7 Scarborough Philosophical and Archaeological Society Small fragment showing Salome

14 × 26.7

Unpublished

–

Society of Antiquaries, 1913, no. 73 (2)

–

Nelson 1919a, 133, pl. I, 2

St John the Baptist’s Head Offered by Salome 1 Ripon Cathedral Library, Yorkshire Upper fragment

St John the Baptist – Burial 1 Victoria and Albert Museum, London

39.5 × 25.6


St John the Baptist’s Head Buried by Herodias 1 Marienkirche, Gdansk, Poland Panel in altarpiece of the Life of St John the Baptist, q.v.

–

Nelson 1918b, 329–30, pl. XX

–

Nelson 1918b, 330, pl. XXII

St John the Baptist’s Body – the Burning 1 Marienkirche, Gdansk, Poland Panel in altarpiece of the Life of St John the Baptist, q.v.

St John the Baptist’s Ashes Quenched 1 Victoria and Albert Museum, London

39.3 × 25.6


St John the Baptist’s Ashes Scattered 1 Marienkirche, Gdansk, Poland Panel in altarpiece in the Life of St John the Baptist, q.v.

–

Nelson 1918b, 330, pl. XXI; described as ‘the requitement of the crime’

–

Unpublished

St John the Baptist Rescuing Souls 1 Musée Archéologique, Château Borely, Marseilles Now lost; see also Last Judgement Panels.

St John the Evangelist 1 Victoria and Albert Museum, London

41.2 × 18.1


2 Victoria and Albert Museum, London End panel in Virgin altarpiece, q.v.

42 × 12.9



44.5 × 14.8


4 Marienkirche, Gdansk, Poland End panel in Virgin altarpiece, q.v.

–

Nelson 1919c, 141, pl. I

5 National Museum, Copenhagen (from church of Munkaþþverá, Iceland) End panel in Virgin altarpiece, q.v.

–


 6 Church of Yssac la Tourette, Puy de Dome, France End panel in altarpiece of the Life of St John the Baptist, q.v.

45 × 15

7 Church of St Avit les Guespieres, Sarthe, France Figure in Passion altarpiece, q.v.

–

Biver 1910a, 70, pl. VI, no. 1


–


9 National Museum of Iceland, Reykjavík (from church of Hólar) Small figure in Passion altarpiece, q.v.

–


10 Church of Hornslet, Øster Lisbjerg, Randers, Denmark End figure in Virgin altarpiece, q.v.

–

Cheetham 1984, 58

11 National Museum of Iceland, Reykjavík (from church of Staðarfell on Fellsströnd)

52 × –


–

13 Walters Gallery, Baltimore, Maryland, USA

42.8 × 14

14 Musée de Douai, France

15 British Museum, London Inv. 93, 4–26, 155 (M24 36/37) (57) 16 Musée Curtius, Liege, Belgium 17 Sotheby’s, London, 1 December 1983 With kneeling donor 18 Musée Archaeologique, Bayeux

– 42 × 12.1 – 71.7 × 25.4 35 × –

Society of Antiquaries, 1913, pl. VIII, fig. 17

Nordal 1977, 45, no. 4


Hildburgh 1954b, 28, fig. 7 Society of Antiquaries, 1913, pl. II, fig. 3 Unpublished

Cheetham 2001, 24, illus. Nelson 1927, 122–3, pl. VIII; Sale Catalogue, no. 80, illus. Rostand 1928, 301, no. 55

19 Diocesan Museum, Liege, Belgium

–

Derveaux-Van Ussel 1967, E/44; described as ‘Saint Martyr (St Laurent?)’

20 Private collection M. Bellis, Barking (1950s) (58)

–

Unpublished

21 Muzeum Miejskie, Gdansk, Poland

65 × –

Massowa 1996, 40, cat. 3, fig. 3

22 Church of the Virgin of Carsko polje, Cara, Korcula, Dalmatia, Croatia End figure in Virgin altarpiece, q.v.

–

Fisković 1977, 161, pl. II, 7

23 Yorkshire Museum, York (from Thorganby cum Cottingwith church)

–

Unpublished

24 Private collection, York (1950s) (59)

–

Unpublished


–






     26 Church of Abergavenny, Monmouth Figure on side of tomb of William ap-Thomas (c. 1450)

–


27 Church of La Celle, Eure, Normandy End figure in St George and Virgin altarpiece, q.v.; now missing

–



–


29 Museo Nazionale, Naples Small figure in middle of Passion altarpiece, q.v.; one of the four Evangelists

–

Papini 1910, 6, fig. 4; Society of Antiquaries, 1913, 47, pl. I

30 Museum of Akureyri, Iceland (from church of Möðruvellir in Eyjafjörður) End figure in Virgin altarpiece, q.v.

–

Nordal 1977, 49–50, fig. II

31 National Museum of Iceland, Reykjavík (from church of Hítardalur) End panel in Virgin altarpiece, q.v.

–

Nordal 1977, 44–5, no. 3, fig. IV

32 National Museum of Iceland, Reykjavík (from church of Kirkjubær in Hróarstunga) Panel in Virgin altarpiece, q.v.

–

Nordal 1977, 46–7, no. 6, fig. V

33 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Figure in Apostles’ Creed altarpiece, q.v.; headless, possibly St John

52 × 23.8

34 D. Katz Ltd 13 Old Bond Street, London (2001)

44 × 12




–

Routh 1976, 27, fig. 9


–

Routh 1976, 65


–

Routh 1976, 60, fig. 30

St John the Evangelist’s Torture in Boiling Oil 1 Sotheby’s, London, 16 December 2002 (from Robertson Collection) (60)

45.7 × 30.5


2 Church of St Lauds, Mabe, near Mawnan Smith, Falmouth

29 × –

Unpublished

3 Church of East Rudham, Norfolk Small fragment

20 × 20

Norfolk Archaeology, 328, vol. 8 (1879)

29 × 24


St John the Evangelist’s Assumption 1 Musée des Antiquités, Rouen (61)

 St Jude 1 Victoria and Albert Museum, London

41.2 × 15.1



56.1 × 15.9


3 Victoria and Albert Museum, London One of the twelve panels in Apostles’ Creed altarpiece, q.v.

45.4 × 14.8



–


5 Museo San Telmo, San Sebastián Headless

–

Unpublished

6 Church of Nôtre Dame, Caudebec en Caux, Seine Maritime, France

–

Unpublished

7 Oscott College, Sutton Coldfield, Birmingham Double panel with St James the Less

40.7 × 28

Nelson 1925, 34–5, pl. V

8 Metropolitan Museum, New York

21.6 × –

Tavender 1955, 66, no. 23, pl. XI

9 Art Gallery of South Australia, Adelaide Double panel with St Simon

38.8 × 24


10 Bonhams, Auctioneers, Montpelier St, London, 1 November 1984 (62)

43 × –

Antiques Trade Gazette, 27 Oct. 1984, 29, illus.

11 Church of Abervagenny, Monmouth Figure on side of tomb of William ap-Thomas (c. 1450)

–



–

Nelson 1926, 38, pl. VI, no. 2

64 × 23


13 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Figure in Apostles’ Creed altarpiece, q.v.

St Lawrence 1 Victoria and Albert Museum, London

41.6 × 12.5


2 Church of Montréal, Yonne, Burgundy Panel in Virgin altarpiece, q.v.

–

Hildburgh 1930, 40; Biver 1910a, 67–8, pl. I

3 Sotheby’s, London, 4 July 1996 (now in Art Museum, Denver, USA) End panel of Martyrdom altarpiece, q.v. 4 Musée d’Évreux, France 5 Church of Harewood, Yorkshire Figure on side of tomb of Edward Redman (d. 1510)

39 × 12.3

42 × 13 –

Cheetham 1983, 359, figs. 46, 47, 49; Sale Catalogue, no. 17, illus.

Flavigny 1998, 129, cat. 72, illus. Knowles and Routh 1983, 12, illus.; Routh 1976, 65





     6 Church of Harewood, Yorkshire Figure on side of tomb of Sir John Neville

–

Routh 1976, 58, fig. 30


–


8 Church of Lade, Trondheim, Norway Figure in Passion altarpiece, q.v.

–

Maclagan 1920, 61

St Lawrence – Martyrdom 1 Castle Museum, Nottingham 2 Church of Llanteglos by Fowey, Great Britain 3 Metropolitan Museum, New York

35.5 × 25.4

Cheetham 1973, 42–3, illus.

–

Nelson 1926, 43, pl. VII, 2

42 × –

Hildburgh 1930, 39, fig. 10

4 Private collection Great Britain (2001)

5.5 × 26.5


5 Sotheby’s, London, 4 July 1996 (now in Art Museum, Denver, USA) Panel in Martyrdom altarpiece, q.v.

38.5 × 26.3


St Lazarus – Baptism 1 Musée d’Orléans, France With St Martha, St Mary Magdalene and St Maximin

–

Nelson 1925, 31, pl. IV, 1

St Leonard (?) 1 St Kieran’s College Museum, Ireland Headless

30.5 × –

W. Carrigan, History and Antiquities of the Diocese of Ossory, 1905, 38

St Longinus 1 Hôtel de Ville, Compiègne, Oise, France Small figure in Passion altarpiece, q.v.

–


–


St Luke 1 Museo Nazionale, Naples Small figure in middle of Passion altarpiece, q.v.; one of the four Evangelists

St Margaret 1 Victoria and Albert Museum, London

41.5 × 12.9


2 Musees Royaux d’Art et d’Histoire, Brussels

26.8 × –

Destrée 1909, 458, illus.

3 Private collection Vilhena, Lisbon (1954) (63)

45 × 15.7

Unpublished

4 Christie’s, Amsterdam, 7 March 2001

40.5 × –


5 Sotheby’s, London, 8 and 9 July 1981

79.5 × –


6 Metropolitan Museum, New York Previously end figure in St Catherine altarpiece from Church of la Asunción y del Manzano, Fuenterrabía, Spain, q.v.

42 × –


 7 Church of Avilés, near Oviedo, Asturias, Spain End panel in Virgin altarpiece, q.v.; now missing

–

Hildburgh 1944, 31, pl. XI (b)

8 Church of Santa Maria, Majori, Salerno, Italy End panel in Virgin altarpiece, q.v.

–

Hildburgh 1955c, 184, pl. XXIX

9 Kunsthistorisches Museum, Vienna End panel in St Catherine altarpiece, q.v. (64)

–

Nelson 1923, 129, pl. IA, no. 1; described as being in ‘the D’Este Collection in Vienna’

–

Unpublished

10 City Museum, Gdansk, Poland Headless 11 Church of St Eulalie, Croignon, near Bordeaux, France Headless 12 Colne Priory, Essex Fragment 13 Victoria and Albert Museum, London Tomb panel (with Virgin and Child and female saint)

50 × 20

– 53 × 66.5

Gardelles 1976, 189–93, no. 178, illus.

Unpublished


14 Church of Minster Lovell, Oxfordshire Figure on side of tomb of Lord Lovell

–

Gardner 1940, fig. 49

15 Church of La Ferte Bernard, Sarthe, France Panel in Virgin altarpiece, q.v.

–

Bouillet 1901, 55

16 Commune de l’Eure, Normandy Headless. End panel in Virgin altarpiece, q.v.

43 × 13


17 Private collection, Madrid (1999) Small figure from an altarpiece, from Castropol, Asturias

–



–

Routh 1976, 29

1 Church of Berkeley, Gloucestershire Figure on side of tomb of James Lord Berkeley (d. 1463)

–



–

Papini 1910, 6, fig. 4; Society of Antiquaries1913, 47, pl. I

St Mark

St Martha 1 Church of Auderville, Normandy 2 Church of Burton Agnes, East Yorkshire Figure on side of tomb of Sir Walter Griffith (d. 1481)

41 × – –

Rostand 1928, 284, no. 29 Routh 1976, 29





     St Martha – Baptism 1 Musée d’Orléans, France With Lazarus, Mary Magdalene and St Maximin

–

Nelson 1925, 31, pl. IV, 1

–

Routh 1976, 27, fig. 10

–

Biver 1910a, 86, pl. XXI

St Martin 1 Church of Burton Agnes, East Yorkshire Figure on side of tomb of Sir Walter Griffith (d. 1481)

St Martin Dividing His Cloak 1 Church of Genissac, Gironde, France Panel from altarpiece of Life of St Martin and Life of the Virgin, q.v. 2 Château de Martinvast, Normandy

30 × 25

Rostand 1928, 282, no. 24

St Martin Cures the Sick 1 Church of Genissac, Gironde, France Panel from altarpiece of Life of St Martin and Life of the Virgin, q.v.

–

Biver 1910a, 86, pl. XIX

–

Biver 1910a, 86, pl. XX

–


–


St Martin Celebrating Mass 1 Church of Genissac, Gironde, France Panel from altarpiece of Life of St Martin and Life of the Virgin, q.v.

St Martin’s Death 1 Church of Genissac, Gironde, France Panel from altarpiece of Life of St Martin and Life of the Virgin, q.v.

St Martin’s Burial 1 Church of Genissac, Gironde, France Panel from altarpiece of Life of St Martin and Life of the Virgin, q.v.

St Mary Cleophas 1 Burrell Collection, Glasgow With St Alpheus and their four sons, James the Less, Simon, Jude and Joseph

70 × 36.9

Unpublished

70 × 23.4


St Mary Magdalene 1 Victoria and Albert Museum, London 2 Church of Vejrum, Denmark End figure in St Catherine altarpiece, q.v. (65)

–

Nelson 1920a, 198, pl. V, no. 1

3 Musée d’Orléans, France Baptism of Martha and Lazarus by St Maximin

–

Nelson 1925, 31, pl. IV, 1

 4 Victoria and Albert Museum, London Plaster cast, possibly of an English alabaster, now lost

–

Hildburgh 1931, 245, pl. X, B

5 Private collection, Madrid (1999) Small figure from altarpiece from Castropol, Asturias

–


6 Sotheby’s, London, 11 December 1980

40.5 × –

Sale Catalogue, no. 68, illus.; described as ‘St Barbara’

St Matthew 1 Victoria and Albert Museum, London Panel in Apostles’ Creed altarpiece, q.v. 2 Church of Afferden, Limburg, Netherlands Small figure in Passion altarpiece, q.v. 3 Art Gallery of South Australia, Adelaide Double panel with St James the Less

45.2 × 14.6


–


42 × 24.8



–

Nelson 1926, 38, pl. VI (4)


–



–



–

Biver 1910a, 70, pl. V, 1


–


St Matthias 1 Victoria and Albert Museum, London Panel in Apostles’ Creed altarpiece, q.v. 2 University of Toronto, Malcove Collection Formerly in Metropolitan Museum, New York (66)

45.4 × 14.6 25.5 × –

Cheetham 1984, 131, cat. 60, illus. Tavender 1955, 66, no. 22

36 × –

Sale Catalogue, no. 118 A, illus.; described as ‘St Jude’


–



–



–

Biver 1910a, 70, pl. VI, 1; described as ‘St Paul’

3 Christie’s, London, 19 December 1977





     St Maximin Baptising 1 Musée d’Orléans, France With Saints Martha, Mary Magdalene and Lazarus (II)

–

Nelson 1925, 31, pl. IV, 1

St Michael 46.5 × 17.3


2 Naworth Castle chapel, Cumbria Sold 1947 (67)

42 × –

Maclagan 1932, 408, pl. LXXXVI; Sotheby’s, 13 June 1947, Sale Catalogue, no. 125

3 City Museum, Gdansk, Poland (formerly in Marienkirche)

45 × –

Clasen 1939, 305


4 Church of Þingeyrar (otherwise called Tingore), Iceland Figure in Passion altarpiece, q.v.

–


5 Church of Borbjerg, Jutland, Denmark End figure in St George altarpiece, q.v.

–

Nelson 1920a, 203, pl. VII

6 Church of Chatelaudren, Côtes du Nord, France End figure in Virgin altarpiece, q.v.

41 × –

Nelson 1927, 123, pl. IX; Sotheby’s, 8 July 1998, Sale Catalogue, no. 1, illus.

40.6 × 12.7

Unpublished

8 Colne Priory, Essex Fragment

–

Unpublished

9 Church of Blackford, near Yeovil, Somerset Fragment

–

Unpublished

10 Church of Ross on Wye, Herefordshire Figure on side of tomb of William Rudhall (d. 1530) and his wife

–

Hildburgh 1947, 131


–


7 The Priory, Workington, Cumbria (68)

St Michael Weighing Souls 1 Victoria and Albert Museum, London

39.2 × 25.3



75.6 × 27.4


37 × 23

Hildburgh 1930, 34–5, pl. VI, fig. 3

3 Musée du Louvre, Paris (69) 4 Chapel in Pembroke College, Cambridge (collection of Sir Ronald Storrs)

30.5 × 22.9

Hildburgh 1947, 130, pl. C

5 Musée National du Moyen Age, Cluny, Paris Fragment

–

Hildburgh 1947, 130

6 Sampedor, Catalonia, Spain

–

Hildburgh 1930, 37–8, pl. VI, fig. 5

 7 Church of Harewood, Yorkshire Figure on side of Neville tomb. Now believed to be tomb of Sir William Gascoigne and Margaret Percy (1487)

–

Knowles and Routh 1983, 16–19, illus.; Routh 1976, 60, fig. 30

St Nicholas of Myra and the Marriage of the Three Girls 1 Musée des Antiquités, Rouen

41 × 24


38 × 26

Nelson 1927, 121–2, pl. 111, 2; incorrectly described as St Bavon; Flavigny 1998, 127, cat. 69, illus.

St Nicholas and the Debtor Killed by a Cart 1 Musée de Picardie, Amiens

2 Church of Whittlesford, Cambridgeshire Fragment

–

Proceedings of the Cambridgeshire Society of Antiquaries 34 (1932–3), 80; incorrectly described as St Bavon

42 × –

Maclagan 1932, 408–9, pl. LXXXVII; Sotheby’s, 13 June 1947, Sale Catalogue, no. 126

St Oswald 1 Naworth Castle chapel, Cumbria Sold 1947 (70)

St Paul 1 Victoria and Albert Museum, London

43.7 × 15.2



53.6 × 20.4



42.2 × 13.3


4 Church of Santa Croce in Gerusalemme, Rome Companion figure of St Peter, q.v.

115 × –

Hildburgh 1955c, 185–6, pl. XXX, b; Cheetham 1984, 41, illus.

5 Private collection M. Mori, Paris (1925)

40.7 × –


6 Museum Mayer van den Bergh, Antwerp (71)

62.4 × –


7 Musée du Louvre, Paris 8 Castle Museum, Norwich (72)

41 × – 42.6 × 12.8

Vitry 1922, no. 565 Cheetham 1970b, 143–4, pl. I

42 × 14.5

Gorguet 1984, 197, no. 149

10 Godia Collection, Barcelona (1970s) (73)

42 × 14.5

Unpublished

11 Leeds City Museum (from John Hunt Collection)

48.3 × –

Apollo, July 1934, illus.

9 Musée des Augustins, Toulouse (from church of Rabastens) Panel in Passion altarpiece, q.v.

12 British Museum, London

13 National Museum of Iceland, Reykjavík (from church of Reynistaður) End figure in Passion altarpiece, q.v.; head missing

28.6 × 6.4 –

Hope 1907, 170–1, pl. III; described as St Matthew Nelson 1920a, 194, pl. I





     14 Church of Yssac la Tourette, Puy de Dome, France End figure in Passion altarpiece, q.v.; altarpiece stolen in 1981

45 × 15


15 Hôtel de Ville, Compiègne, Oise, France End figure in Passion altarpiece, q.v.

–


16 Church of St Leonard, Limoges End figure in Virgin altarpiece, q.v.

–

Tavender 1949, 401, pl. VI


–



–

Nelson 1926, 38, pl. VI (4)


–



52 × –

Nordal 1977, 45, no. 4

21 National Museum of Iceland, Reykjavík (from church of Hvanneyri in Borgarfjörður) Fragmentary

–

Nordal 1977, 48, no. 7

22 National Museum of Iceland, Reykjavík (from church of Kirkjubær in Hróarstunga) Small figure from Virgin altarpiece, q.v.

–

Nordal 1977, 47, no. 6, fig. V

23 Church of Methley, Yorkshire Panel on side of tomb of Sir Robert Waterton (d. 1424)

–

Routh 1976, 77

St Paul – Beheading 59.7 × 34.3

Nelson 1917b, 113, pl. VI, 2


43.3 × 15.5



39.2 × 11.6



42.2 × 13.2



23.5 × 5.9



45.4 × 14.8


1 British Museum, London (74)

St Peter

6 Church of Santa Croce in Gerusalemme, Rome Without a beard; companion figure of St Paul, q.v. 7 Castle Museum, Nottingham Without a beard

115 × – 82.55 × –

Pitman 1964, 87–8, pl. 14; Cheetham 1984, 41, illus. Cheetham 1973, 22–4, illus. 23

 8 Musée National du Moyen Age, Cluny, Paris CL 19338; missing (75) 9 Virginia Museum of Fine Arts, USA (76)

44 × – 39.4 × 12.7

Haraucourt 1922, no. 669 Unpublished


39 × 12


11 Smithsonian Institute, National Collection of Fine Arts, Washington DC, USA

42.5 × –

Tavender 1955, no. 1, 65, no. 4

12 Church of Holcombe Burnell, near Exeter Headless

35.2 × 11.4

13 National Museum of Iceland, Reykjavík (from church of Reynistaður) End figure in Passion altarpiece, q.v.

–

14 Church of Yssac la Tourette, Puy de Dome, France End figure in Passion altarpiece, q.v.; altarpiece stolen in 1981

45 × 15

Allan 2001, 171, pl. 11 Nelson 1920a, 193, pl. 1

Biver 1910a, 69–70, pl. III, 2

15 Hôtel de Ville, Compiègne, Oise, France End figure in Passion altarpiece, q.v.

–



–


17 Church of St Leonard, Limoges End figure in Virgin altarpiece, q.v.

–

Tavender 1949, 400, pl. V


–


19 Stadtmuseum, Ludwigshaven, Germany (77)

–

Unpublished

41.5 × –

Unpublished

20 Museum van Oudheden, Kortrijk, Belgium (78) 21 Church of Tong, Shropshire Figure on side of tomb of Sir Richard Vernon (d1451)

–

Nelson 1926, 38, pl. VI (2)

22 Church of St Mary the Virgin, Beechamwell, Norfolk Apparently lost

–

Blomefield, History of Norfolk, 2nd edn 1807, VII, 297


–

Nelson 1926, 35–7, pl. III


–



–

Nordal 1977, 48, no. 7

26 National Museum of Iceland, Reykjavík (from church of Kirkjubær in Hróarstunga) Small figure, originally from middle of Virgin altarpiece, q.v.

–

Nordal 1977, 47, fig. V





     27 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Figure in Apostles’ Creed altarpiece, q.v.

64 × 24


28 Convent of the Dominicans of Le Havre, France Companion figure of St Bartholomew, q.v.

75 × 20

Flavigny 1998, 104, cat. 4, illus. and 18 illus.

St Peter Enthroned 1 Castle Museum, Nottingham

41.25 × 20.3


St Peter – Trial 1 British Museum, London (79)

61 × 34.6


St Peter – Crucifixion 1 Victoria and Albert Museum, London

53.5 × 36.7


St Peter Receiving the Souls of the Blessed into Heaven 1 Victoria and Albert Museum, London

40.2 × 26.5


2 British Museum, London Lower part

29.3 × 22.8

Hildburgh 1931, 237

3 Burrell Collection, Glasgow

43.8 × 28

Hildburgh 1949a, pl. XXb


33 × 25.4

Nelson 1925, 31–2, pl. XI

17.5 × 25.7


5 Castle Museum, Nottingham Upper fragment 6 Church of Wood Ditton, Cambridgeshire Lower fragment

–

Burrell and Montagu-Benton, 1932–3, 81 pl. II, fig. 2

7 Musée Louvain-la-Neuve, Université Catholique de Louvain, Belgium Damaged

–

Unpublished

8 Musée Robin, Libourne, Gironde, France Panel in Last Judgement altarpiece, q.v.

42 × 27

9 Michel Dumez-Onof, 109 Mount Street, London, Wl (1982) (80)

–


Unpublished

St Philip 1 Victoria and Albert Museum, London

55.6 × 16.2



45.7 × 14.2



67.3 × –

4 Private collection Douglass, Connecticut, USA (81) 77.5 × 22.8 5 Private collection L., Cherbourg, France

26 × –

Bagshawe 1936a, 272, fig. IV; described as St Stephen Unpublished Rostand 1928, 281, no.21

 6 Oscott College Museum, Birmingham Headless

29.2 × –



–



–


–


9 Church of Tong, Shropshire Figure on side of tomb of Sir Richard Vernon (d. 1451) 10 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Figure in Apostles’ Creed altarpiece, q.v.; possibly St Philip

64.5 × 23.5

Flavigny 1998, 86, 85 illus.

St Raphael 1 Church of Genissac, Gironde, France Small figure in altarpiece of St Martin and Life of the Virgin, q.v.

–


–


St Remy 1 Hôtel de Ville, Compiègne, Oise, France End figure in Passion altarpiece, q.v.

St Roch 1 Victoria and Albert Museum, London 2 Burrell Collection, Glasgow (82)

36.8 × 13.3 43.2 × –

3 Blumka II. Gallery, 23, East 67th Street, New York (83)

67.9 × 22.9

4 Museo Arqueológico, Etnográfico e Histórico Vasco, Bilbao

–

Cheetham 1984, 147, cat. 76, illus. Unpublished Apollo, Oct. 1998, illus.


St Sebastian 1 Victoria and Albert Museum, London 2 Musée des Arts Decoratifs, Paris 3 Musée des Antiquités, Rouen Fragment of head and shoulders; English?

41.1 × 14.4 – 30 × 27

Cheetham 1984, 148, cat. 77, illus. Hildburgh 1930, 40, n.3 Unpublished

St Simon 1 Victoria and Albert Museum, London Panel in Apostles’ Creed altarpiece, q.v. 2 Musée du Louvre, Paris

45 × 14.4 57 × –


P. Vitry 1933, no. 1909; described as ‘St Vincent’





     3 Church of Horwood, Devon Headless fragment. Now missing

–

Allan 2001, 168–9

4 Church of St Avit les Guespieres, Sarthe, France End figure in Passion altarpiece, q.v.

–

Biver 1910a, 70, plV, no. 2

5 Art Gallery of South Australia, Adelaide Double panel with St Jude

38.8 × 24



–



–



–


St Stephen 1 Victoria and Albert Museum, London

36.9 × 13.8



22.3 × 6


3 Church of St Laud’s, Mabe, Falmouth, Cornwall Headless

–

Unpublished

4 Church of Montréal, Yonne, Burgundy End figure of Virgin altarpiece, q.v.

–

Biver 1910a, 67–8, pl. I

5 Sotheby’s, London, 4 July 1996 (now in Art Museum, Denver, USA) End panel of Martyrdom altarpiece, q.v.

39 × 12.3

6 Museo di S. Agostino, Genoa Figure on a panel of the Holy Church, in Te Deum altarpiece, q.v.

–

Nelson 1917b, 119, pl. XII


–

Routh 1976, 63


–


9 Church of Lade, Trondheim, Norway Figure in Passion altarpiece, q.v.

–

Maclagan 1920, 61


St Stephen – Stoning 1 Sotheby’s, London, 4 July 1996 (now in Art Museum, Denver, USA) Panel in Martyrdom altarpiece, q.v.

38.5 × 26.3

2 Private collection (formerly in possession of S. W. Wolsey of London (1961)) (84)

–


Unpublished

 St Thomas 45.3 × 14.4



–



–


–


–

Biver 1910a, 70, pl. V, 2


4 Church of Tong, Shropshire Figure on side of tomb of Sir Richard Vernon (d. 1451) 5 Church of St Avit les Guespieres, Sarthe, France Figure in Passion altarpiece, q.v.

St Thomas Becket See also Heads of St John the Baptist (types E and F) where the flanking bishop is almost certainly St Thomas Becket. See also Bishops (Unidentified). Some are probably St Thomas Becket. 1 Church of Pinheiro da Bem Posta, Portugal Possibly standing figure of Becket (85) 2 Staatliche Museen, Preussischer Kulturbesitz, Skulpturengalerie, Berlin-Dahlem Final panel in Passion altarpiece, q.v., although this does not appear to be original feature; possibly seated figure of Becket with donor

52 × 14

Dias Pedro, 276, illus.; described as St Bras

–

Hildburgh 1937a, 184–5; Royal Academy of Arts, 1935, 263, pl. CCXI

St Thomas – Consecration as Archbishop 1 Victoria and Albert Museum, London 2 Staatliche Museen, Preussischer Kulturbesitz, Skulpturengalerie, Berlin-Dahlem Introductory panel in Passion altarpiece, q.v., although this does not appear to be original feature.

34.7 × 23 –

Cheetham 1984, 153, cat. 82, illus. Hildburgh 1937a, 184–5; Royal Academy of Arts, 1935, 263, pl. CCXI

3 Christie’s, London, 9 December 1980 (86)

39 × 24

4 Leicester City Museum (on loan from Mt St Bernard’s Abbey, Coalville (1963)) Said to have been found under the sand at St Peter’s Church, Penzance (87)

49 × 23.3

Unpublished

50.2 × 26.6

Unpublished

5 M. Dumez-Onof, 109 Mount Street, London (1966) (88) 6 Private collection in Cherbourg (1928)

49 × 25

7 Museo San Telmo, San Sebastián, Spain Fragment

–

8 Church of Wood Ditton, Cambridgeshire Two fragments, one of head

12.7 × –


Rostand 1928, 281, no. 22 Unpublished Proceedings of Cambridgeshire Society of Antiquaries 34 (1932–3), 81–2, pl. II, fig. 3; described as ‘St Denys’





     9 Musée d’Évreux, Eure, Normandy 10 D. Katz Ltd, 13 Old Bond Street, London (2002) (89)

51 × 26


46 × 26

Unpublished

St Thomas Meets the Pope at Sens 1 Victoria and Albert Museum, London

42.3 × 24.8

2 Church of St Mary, Nottingham (90)

–

Cheetham 1984, 154, cat. 83, illus. Nelson 1918b, 332, pl. XXIV

St Thomas Meets Henry II 1 Musée des Antiquités, Rouen

38 × 23


2 Church of St Mary, Elham, Canterbury (91)

41 × 22

Society of Antiquaries, 1913, 62, no. 39, pl. XVIII

St Thomas Lands at Sandwich 1 Victoria and Albert Museum, London 2 Christie’s, London, 9 December 1980 (92)

42.3 × 24.2 39 × 24

Cheetham 1984, 155, cat. 84, illus. Sale Catalogue, no. 34, illus.

St Thomas Returns to Canterbury 1 Castle Museum, Norwich (93)

30.5 × 21.7

Society of Antiquaries, 1913, 54, no. 11, pl. XI; described as ‘A Consecration (?) Scene’

2 Victoria and Albert Museum, London See St Boniface, which may be St Thomas Returning to Canterbury.

35.5 × 26.7



39.4 × 24.8

Cheetham 1984, illus., frontispiece

2 Sotheby’s, London, 4 July 1996 (now in Art Museum, Denver, USA) Panel in Martyrdom altarpiece, q.v.

38.5 × 26.3


St Thomas Becket – Martyrdom

43.5 × 28


4 Private collection Frank J. Gould (1925)

–

Nelson 1925, 29–31, pl. X, no. 2

5 Church of St Mary, Elham Canterbury A modern carving in the medieval style by an Italian named Tossi

–

R. H. Isaac Williams, A Short History of Elham and Its Parish Church, 1959, 29

6 Private collection Rt Hon Savile Foljambe (1913) (from a tomb believed to have come from Beauchief Abbey, near Sheffield) (94)

58.4 × 52.4

Society of Antiquaries, 1913, 72–3, no. 76, pl. XXVIII

35 × 24.2



St Ursula 1 Victoria and Albert Museum, London 2 Musée National du Moyen Age, Cluny, Paris

87 × 31

Prigent 1998, 60, cat. 2, illus. 60 and 49

 41.3 × 28

Nelson 1917b, 117, pl. XI

4 Private collection Paul Comby (1925) Figure in panel of Nine Female Saints (Te Deum), q.v.

–

Nelson 1925, 25, pl. X, 1

5 Museo Arqueológico Nacional, Madrid Double panel with St Catherine

–


3 Church of St Peter Mancroft, Norwich Figure in panel of Nine Female Saints (Te Deum), q.v.

St Ursula – with her attendant virgins 1 Ronald A. Lee, 1–9 Bruton Place, London (1989) (Now in private collection, London) Unusually wide for an altarpiece panel. An individual devotional panel? (I)

40.6 × 43

R. A. Lee catalogue (1989) illus. in colour

St Ursula – Panel from Life (Unidentified) 1 Private collection Estanislao Herran Rucabado, Madrid

–


St Victor (?) 1 Musée Lapidaire, Avranches, Normandy

97.5 × 32

Rostand 1928, 296–7, no. 45, illus.

Virgin and Child See under Life of the Virgin

St William of York – Birth 1 Yorkshire Museum, York Panel in St William altarpiece, q.v. (95)

49.5 × 39.4

Willmot 1957, 36

50.3 × 36.8

Willmot 1957, 36, fig. 12

St William’s Entry into York 1 Yorkshire Museum, York Panel in St William altarpiece, q.v.

St William Saves Edward I in His Fall 1 Yorkshire Museum, York Panel in St William altarpiece, q.v.

49 × 39.4

Willmot 1957, 36

St William’s Shrine – Visit of Edward I 1 Yorkshire Museum, York Panel in St William altarpiece, q.v. Fragmentary

–

Unpublished

St Zita 1 Nottingham Castle Museum 2 Burrell Collection, Glasgow (96) 3 Ca d’Oro, Venice (from church of Santa Caterina, Venice) End figure in St Catherine altarpiece, q.v.

43.2 × – 46.4 × 15.8 –

Cheetham 1973, 50–1, illus. Tudor-Craig 1973, no. 6 Biver 1910a, 69, pl. II; described as ‘St Mary Magdalene’





     4 Church of Whittlesford, Cambridgeshire Headless fragment

–

Society of Antiquaries, 1913, no. 71 (9), pl. XXV

5 Church of St Martin, Burton Agnes, Yorkshire Figure on side of tomb of Sir Walter Griffith (d. 1481)

–

Routh, The Dalesman, Oct. 1978, 580, illus. 579


–


1 Museo Diocesano, Oviedo, Spain (from Barcena del Monasterio)

–


2 Sotheby’s, New York, 23 September 1998 (from Manchester Cathedral tomb (?)) Apostle figure, probably English, sixteenth century, one of a pair (see 3)

128.9 × –


3 Sotheby’s, New York, 23 September 1998 (from Manchester Cathedral tomb (?)) Apostle figure, probably English, sixteenth century, one of a pair (see 2)

128.9 × –


Apostles – Unidentified

Bishops (Unidentified) There are surviving tombs of full-length recumbent effigies in alabaster of identified English bishops. For example, the tomb of William of Wykeham in Winchester Cathedral, Archbishop Courtenay in Canterbury Cathedral and Cardinal Abp Langham in Westminster Abbey (see Gardner 1940). 1 Victoria and Albert Museum, London With kneeling donor

46.6 × 16.1



75 × 25.2


3 British Museum, London With integral canopy (97)

28.1 × –

Hope 1907, 171, pl. III

4 British Museum, London (98)

41.9 × –

Unpublished

–

Unpublished

5 Museo Civico, Turin (99) 6 Castle Museum, Nottingham

95.25 × –


7 Ripon Cathedral Library, Yorkshire

36.3 × –


8 Church of Toft, Cambridgeshire

68.5 × –

Nelson 1925, 35, pl. IV, 2

9 Sotheby’s, London, 25 March 1960

43.9 × –

Sale Catalogue, no. 61

10 Santa Barbara Museum of Art, California, USA (100)

47 × –

Unpublished

11 Church of San Francesco della Vigna, Venice

135 × 48

Dellwing 1970, 451–5 pls. 1, 2 and 3


920 × 250

Unpublished

13 Ipswich Museum Seated bishop; headless

34.3 × 22.9


 14 Ipswich Museum Seated bishop; headless

23.5 × 22.9


15 Ipswich Museum Lower fragment, bishop?

19 × 14

‘Selig Suffolk’ catalogue of Religious Art, Ipswich 1984, 21, no. 117

16 Church of Wood Ditton, Cambridgeshire Headless fragment, bishop?

20.4 × –

Proceedings of Cambridgeshire Society of Antiquaries, 1932–3, 83, pl. II, fig. 7


–

Routh 1976, 63, fig. 39


–

Routh 1976, 63


–

Routh 1976, 65

20 Franciscan Monastery, Hvar, Dalmatia, Croatia (from Otok) Headless figure from Passion altarpiece, q.v.

–

Fisković 1979, 78, fig. 12

21 Franciscan Monastery, Hvar, Dalmatia, Croatia (from Otok) Figure from Passion altarpiece, q.v.; two fragments, headless

–

Fisković 1979, 78, fig. 12

22 Church of Ste Trinité, Cherbourg

45 × –

Rostand 1928, 272–3


45 × –

Rostand 1928, 272–3

24 Church of Barling Magna, Essex Seated bishop (?); headless

30.5 × 17.2

Society of Antiquaries, 1913, no. 79 pl. XXIX

25 Church of Royston, Hertfordshire Headless

84.5 × 33.6

Society of Antiquaries, 1913, no. 82, pl. XXX

26 Church of Preston in Holderness, Humberside Headless

–

Unpublished


–

Routh 1976, 27


–

Routh 1976, 27

–

Church Guide Book 1979, 35, illus.

–


Bishop – Entombment (Unidentified) 1 Church of St Louis en l’Île, chapel of Ste Marie Madeleine, Paris

Deacon (Unidentified) 1 University Museum of Archaeology and Ethnology, Cambridge Headless





     Prior (Unidentified) 1 Bedford Museum, Great Britain Headless fragment

29 × 17

Sherlock 1980, 56–8, pl. 1

Saints – Female (Unidentified) 1 Victoria and Albert Museum, London

39.2 × 13.1


2 Musée Leveel, Cherbourg Kneeling saint

23 × –

Rostand 1928, 276, no. 14

3 Musée Leveel, Cherbourg

40 × –

Rostand 1928, 276, no. 13

4 Church of Little Shelford, Cambridgeshire Lower half missing

34.3 × –

Proceedings of Cambridgeshire Society of Antiquaries, 1932–3, 79–80, pl. 1

5 Sotheby’s, New York, 29 January 1999 (from Alsdorf Collection) English (?)

84.1 × –


Saints – Male (Unidentified) 1 Yorkshire Museum, York (found at church of St Helen, Thorganby cum Cottingwith) Evangelist (?); upper fragment

–

Unpublished

2 Yorkshire Museum, York (found at church of St Helen, Thorganby cum Cottingwith) Evangelist (?); two fragments

–

Unpublished

3 Church of Little Shelford, Cambridgeshire Seated figure 4 National Museum of Iceland, Reykjavík (from cathedral of Hólar) Small figure (headless) holding rosary in Passion altarpiece, q.v.

66 × – –

Proceedings of Cambridgeshire Society of Antiquaries, 1932–3, 79–80 Nelson 1920a, 195, pl. II

Saint’s Shrine (Unidentified) with Visiting Pilgrims 1 St John’s Seminary, Wonersh, Guildford, Surrey (from Catholic cathedral of St George, Southwark, London) (102)

40.7 × 26

Society of Antiquaries, 1913, 77, no. 91, pl. XXVI

Weeper Monk 1 Sotheby’s, London, 6 May 1983 Panel from a tomb

37 × –


   

LIFE OF THE VIRGIN life of the virgin

Including the Infancy of Christ Jesse Tree 1 Victoria and Albert Museum, London

52.8 × 27.7


2 Victoria and Albert Museum, London Fragment

15.3 × 22.2


3 Philadelphia Museum of Art, USA

66 × 22.8

4 Chapel of Breuil-Benoit, Marcilly sur Eure, France Central panel from Virgin altarpiece, q.v.; sold in 1997

–

76 × –

5 Church of Vernon, Eure, France Stolen December 1972 6 Sotheby’s, London, 11 July 2001 (from chapel of All Saints, Wardour Castle, Tisbury, Wiltshire) (1)

Tavender 1955, no. 1, 66, no. 16, pl. II Bouillet 1901, 53

Biver 1910a, 71, pl. VII

41.4 × 23.5

Sale Catalogue, 20, no. 22, illus.

63 × 30


7 Christie’s, London, 21 May 1987 (2) 8 Diocesan Museum, Cologne (IV)

–

Unpublished

9 National Museum of Iceland, Reykjavík (from church of Kirkjubær in Hróarstunga) Central panel in Virgin altarpiece, q.v.

–

Nordal 1977, 46–7, no. 6, fig. V

Joachim and Anne – Reproval by the High Priest 1 Basilica of St Seurin, chapel of Nôtre Dame de la Rose, Bordeaux Panel in Virgin altarpiece, q.v.; French, carved under English influence?

50 × 27

Gorguet 1984, 75, no. 52

Joachim – The Announcement 1 Germanisches Nationalmuseum, Nuremberg (3)

43.5 × 27

2 Basilica of St Seurin, chapel of Nôtre Dame de la Rose, Bordeaux Panel in Virgin altarpiece, q.v.; French, carved under English influence?

50 × 27

3 Church of St Laud’s, Mabe, Falmouth, Cornwall Fragment

–

Hildburgh 1925b, 59, pl. XII, fig. 3; described as ‘The Notifying of the Shepherds’ Gorguet 1984, 76, no. 53

Unpublished

Joachim – The Announcement and the Meeting at the Golden Gate 1 Christie’s, London, 21 May 1987 (4) 2 Cathedral of Mondoñedo, Galicia, Spain Panel in Virgin altarpiece, q.v. (5)

45 × 26.5 –

Sale Catalogue, no. 59, illus.; Cheetham 2001, 9, illus. Hildburgh 1944, 29, pl. Xa





     Joachim and Anne – The Meeting at the Golden Gate 1 Musée Grobet-Labadie, Marseilles Inv. GL 966 (6) 2 Basilica of St Seurin, chapel of Nôtre Dame de la Rose, Bordeaux Panel in Virgin altarpiece, q.v.; French, carved under English influence? 3 Church of St Laud’s, Mabe, Falmouth, Cornwall Fragment

40 × 23 50 × 27.5

–

Unpublished

Gorguet 1984, 77, no. 54

Unpublished

Mary’s Birth 1 Museum of Toruñ, Poland (7)

42 × 28

2 Musée des Antiquités, Rouen Fragment

24 × 26.5

Massowa 1996, cat. 13, 27, pl. 16 Cochet 1875, 87, no. 119

3 Sotheby Parke Bernet, Monaco 25–6 June 1984

41 × 26


4 Cathedral of Mondoñedo, Galicia, Spain (now in private collection, Villa-Amil y Castro) Panel formerly in Virgin altarpiece, q.v.

39 × 27

Hildburgh 1944, 29; Villa-Amil y Castro 1865, 403, illus.; Franco Mata 1999, 187

5 Musée d’Aquitaine, Bordeaux (8)

50 × 28

Bordeaux 1971, 241, no. 118; described as ‘La Nativité’; Gardelles 1976, 206, no. 193, illus.

6 Museo Arqueológico Nacional, Madrid Panel in Virgin altarpiece, q.v.

39 × 27

Perera 1958, 216, illus.; Franco Mata 1999, 147–76 and 190, fig. 129

7 Church of La Celle, Eure, Normandy Panel in St George and Virgin altarpiece, q.v.

–

Biver 1910a, 75, pl. VIII; Flavigny 1998, 89–97, cat. 53, illus. 90–1


49 × 28

9 Musée des Antiquités, Rouen (from chapel of Breuil-Benoit, Marcilly sur Eure, Eure, France) Panel in Virgin altarpiece, q.v.; purchased in 1997

43 × 26.5

Bouillet 1901, 53; Flavigny, 1998, III, cat. 22, illus.

38 × 25.4

Nelson 1925, 27, pl. IX, 1

Gorguet 1984, 78, no. 55

St Anne and St Joachim with the Virgin 1 Metropolitan Museum, New York (9)

St Anne with the Virgin as a Young Girl 1 Church of Ste Trinité, Cherbourg

30 × 14

Rostand 1928, 273 (4)

St Anne Teaching the Virgin to Read, with St Joachim 1 Galleries of the Claremont Colleges, Lang Art Gallery, Scripps College, Claremont, California, USA

41.3 × 26

Kress 1976, 119, fig. 199

    2 Museo Arqueológico Nacional, Madrid Panel in Virgin altarpiece, q.v.

–

Hildburgh 1917, 78–9, fig. 3; Franco Mata 1999, 47–176 and 190, fig. 131

3 Sotheby’s, London, 16 December 1998 (Goodenough Collection)

38 × 28

Nelson 1918b, 333, pl. XXVII, 2; described as ‘The Virgin teaching our Lord’; Sale Catalogue, no. 20, illus.; described as ‘The Holy Family’

1 Museo Arqueológico Nacional, Madrid Panel in Virgin altarpiece, q.v.; includes the figure of Joachim

–

Hildburgh 1944, 34; Perera 1958, 217, illus.

2 Kress Study Collection, Pamona College, Claremont, California, USA Includes the figure of Joachim (10)

–

Nelson 1927, 117, pl. III, 1

3 Salamanca, Ayuntamiento (Town Hall), Spain

–


St Anne Teaching the Virgin to Read

4 Museu Nacional d’Arte de Catalunya, Barcelona (11) (III) 5 Fitzwilliam Museum, Cambridge Figure cut down to half length 6 Museu Nacional de Arte Antiga, Lisbon 7 Church of St Jacques, Muret, Haute Garonne, France 8 Cecil Higgins Museum, Bedford (said to be from Chicksands Priory) (12) 9 Musée des Antiquités, Rouen 10 Church of St Jean, Tervuren, Belgium 11 Church of All Saints, East Barsham, Norfolk Fragment 12 Church of Kersey, Suffolk Fragment 13 Church of Whittlesford, Cambridgeshire Fragment

94 × 30 47 × 30.5 92 × – 106 × 40 –

Hildburgh 1923, 24, pl. VI; Perera 1958, 221, illus. York Festival 1954, no. 95

Feyo 1947, 79, fig. 13 Evans 1963, 284, pl. XLVII

Unpublished

31 × 14.5


60 × 25


–

Martin 1892, 258, illus.

56 × –

Society of Antiquaries, 1913, no. 81, illus.

–

Society of Antiquaries, 1913, no. 71 (15), illus.

14 Private collection, Edinburgh (formerly in Burrell Collection, Glasgow)

44.5 × –

Unpublished

15 Church of Vasteville, Normandy

40 × 20

Rostand 1928, 284, no. 28

16 Church of Tollevast, Normandy

85 × 28

Rostand 1928, 283, no. 27

17 Church of St Martin, Montpezat de Quercy, near Montauban 18 Church of Burton Agnes, Yorkshire Figure on side of tomb of Sir Walter Griffith (d. 1481)

50.5 × 17

Evans 1957, 73, pl. XIX

–

Gardner 1940, 20, pl. 55





     19 Church of Ross on Wye, Herefordshire Figure on side of tomb of Judge William Rudall (d. 1529)

–

Gardner 1940, 20, pl. 52

–

Chatwin 1933, 184–5, pl. XXXIV, fig. 1

41 × 28

Hildburgh 1925b, 56, pl. XI, fig. 1

Virgin – The Dedication 1 Church of Kinwarton, near Alcester, Warwickshire (13) 2 Germanisches National Museum, Nuremberg 3 Museo Arqueológico Nacional, Madrid Panel in Virgin altarpiece, q.v.

–


4 Cathedral of Mondoñedo, Galicia, Spain Panel in Virgin altarpiece, q.v.

–

Hildburgh 1944, 30, pl. × (c)


50 × 28

Gorguet 1984, 79, no. 56

6 Church of La Celle, Eure, Normandy Panel in St George and Virgin altarpiece, q.v.

–

7 Church of St Laud’s, Mabe, Falmouth, Cornwall Fragment

–

Biver 1910a, 75, pl. XI, no. 1; Flavigny 1998, 88–97, cat. 53, illus. 90–1 and 88 Unpublished

8 Colne Priory, Essex Fragment

–

Unpublished

–


Virgin – The Betrothal 1 Museo Arqueológico Nacional, Madrid Panel in Virgin altarpiece, q.v. (14) 2 Musée des Antiquités, Rouen 3 Private collection L., Cherbourg (1928) Possible Betrothal panel

39 × 25.5


42 × 25

Rostand 1928, 279–80, no. 20, illus.

50 × 27

Gorguet 1984, 80, no. 57

Virgin – The Marriage 1 Basilica of St Seurin, chapel of Nôtre Dame de la Rose, Bordeaux Panel in Virgin altarpiece, q.v.; French, carved under English influence? 2 Sotheby’s, London, 9 July 2002 (V)

36.5 × 24

Sale Catalogue, no. 19, illus.; described as ‘Betrothal of Mary and Joseph’

Annunciation – Type Unknown 1 Church of la Ferte Bernard, Sarthe, France Panel in Virgin altarpiece, q.v.

–

Bouillet 1901, 55

Annunciation – Type A. Gabriel Standing on Ledge (mainly late fourteenth century) 1 Victoria and Albert Museum, London

40.5 × 28.3



41.1 × 29.9


    3 Victoria and Albert Museum, London

43.1 × 30.3


4 Castle Museum, Nottingham

42.5 × 30.15


5 British Museum, London (from church of Kettlebaston, Suffolk) Panel from Virgin altarpiece, q.v.; headless fragment

24.2 × 29.3

Nelson 1919b, 85–6, pl. I, 1

6 Church of Burton Agnes, East Yorkshire Two figures on side of tomb of Sir Walter Griffith (d. 1481)

–

Routh 1976, 27, fig. 9

Annunciation with Trinity – Type A/B 1 Victoria and Albert Museum, London Panel in wooden housing

54 × 31.5


Annunciation – Type B. Gabriel Flying (c. 1400–30) 1 Victoria and Albert Museum, London Headless fragment 2 Musei Civici di Storia ed Arte, Trieste, Italy (15) 3 Church of St Caprais de Haux, Canton de Creon, Gironde, France

27.3 × 29.9


42 × 28

Fiorin 1969–70, 158, fig.30

42.5 × 26

Gorguet 1984, 105, no. 77

4 National Museum, Copenhagen (from church of Munkaþverá, Iceland) Panel in Virgin altarpiece, q.v.

–

Nelson 1918b, 313, pl. III, 2

5 Church of Værøy, Norway Panel in Virgin altarpiece, q.v.

–

Maclagan 1920, 61 (not Røst church, but Værøy)

6 Private collection Tewin, Hertfordshire (1952) (16) 7 Church of East Rudham, Norfolk Headless fragment 8 Wells Cathedral, Somerset Panel on side of tomb of an ecclesiastic (17)

38.7 × 24 26.7 × 25.4 –

Unpublished Bonner 1879, 328–9

Stone 1955, 202, illus, 158 (B)

Annunciation – Type C. Gabriel and Virgin Standing Side by Side (early fifteenth century) 1 Ancien Palais Episcopal, Beauvais, France Badly damaged in 1940 (18)

–

Nelson 1918b, 316, pl. II, 1

Annunciation – Type D. With God the Father and Dove (mid and late fifteenth century) 1 Victoria and Albert Museum, London

42.9 × 29


2 Victoria and Albert Museum, London Panel in Virgin altarpiece, q.v.

42 × 26.4



40.3 × 25.7


4 British Museum, London 5 Museum of Nyköping, Sweden (19)

35 × 17.2 39 × 24

Gardner 1951, 309–10, fig. 607 Ugglas 1910, 86 ff.





     6 Walters Art Gallery, Baltimore, USA Panel in Virgin altarpiece, q.v.

40.3 × 26

7 Musée de Falaise, Calvados, France Virgin seated

–

8 Kunsthistorisches Museum, Vienna (20) 9 Santa Barbara Museum of Art, California, USA (21) 10 Roselius Haus Museum, Bremen (22)

11 Ashmolean Museum, Oxford (on loan 1970s)

40.1 × 24.5 54 × 32.4

Hildburgh 1954b, 19–33, fig. 3

Nelson 1925, 27, pl. VII, 2

Hildburgh 1930, 43 Unpublished

42 × 27

Hildburgh 1930, 42–3 (in collection of Dr L. Seligmann)

39.4 × 26

Nelson 1927, 120, pl. VII, 1 (in collection of Messrs Harding)


40.6 × 25.5



38.8 × 25.5

Catalogue, Sotheby’s, 30 June 1932, no. 66, pl. 5

14 Abbey of Tongerlo, Belgium (23)

39 × 24


15 Museu Nacional de Arte Antiga, Lisbon

42 × 28

Guimarães de Andrade 1977, 6–8, illus.


42 × 26

Prigent 1998, 65–6, cat. 7, illus.

17 Blackfriars church, Oxford (24)

–

Unpublished

18 Collection of Major E. Beddington Behrens (1954) (25)

36.8 × 22.9


19 Liverpool City Museum God the Father and the Dove are missing

42.6 × 26.7

Nelson 1913, 136, pl. IV, no. 2


39 × 27.5

Society of Antiquaries, 1913, pl. V, fig. 10 (a); Cheetham 2001, 28, illus.

21 Museum of Art, Philadelphia, Pennsylvania, USA

50.9 × 22.9


22 Fogg Art Museum, Harvard University, Massachusetts, USA

40.7 × 25.4

Prigent 1998, 65

23 Princeton University Museum, USA 24 Musée Archéologique, Tornai, Belgium 25 Museum für Kunst und Kulturgeschichte, Dortmund (26) 26 Musée d’Angers, France (27) 27 Sotheby’s, London, 24 June 1982 (28) 28 Abbey of St Denis, Paris 29 Private collection Douglass, Riverside, Connecticut, USA

38 × – –

Tavender 1955, 66, no. 17, pl. III Prigent 1998, 65

41 × 26.8

Unpublished

–

Unpublished

42 × 26


–

Lenoir 1800, 213, no. 43 2, pl. 38

38 × 24

Parke-Bernet, 8 Nov. 1946, Sale Catalogue, no. 345

    30 Church of St Caprais de Haux, Canton de Creon, Gironde, France

40 × 26

31 Musée Grobet-Labadie, Marseilles, France

40 × 26.5


32 Sotheby’s, London, 30 June 1932

38 × 25.5

Sale Catalogue, no. 66, pl. 5

Gorguet 1984, 104, no. 76

33 Church of Ker Maria an Isquit, Plouha, Calvados Panel in Virgin altarpiece, q.v. (29)

–

Society of Antiquaries, 1913, 47

34 Church of Genissac, Gironde, France Panel in Life of the Virgin and St Martin altarpiece, q.v.

–


35 Church of La Celle, Eure, Normandy, France Panel in Virgin and St George altarpiece, q.v.

–

Biver 1910a, 75, pl. XI, no. 2; Flavigny 1998, 89–97, cat. 53, illus. 90–1


–

Biver 1910a, 67–8, pl. I

37 Church of St Leonard, near Limoges, France Panel in Virgin altarpiece, q.v.

–

Tavender 1949, 400–1, pl. V


50 × 28

Gorguet 1984, 81, no. 58


–

Perera 1958, 216, illus.; Franco Mata 1999, 147–76, and 190, fig. 134

40 Marienkirche, Gdansk, Poland Panel in Virgin altarpiece, q.v.

–

Olszewski 1960, 48, illus.

41 Church of Drayton, Berkshire Panel in altarpiece of both Passion and Virgin themes, q.v.

–

Maclagan 1920, 62, note 6; Cheetham 1984, 53, illus.

42 Church of Nôtre Dame de Croaz Batz, Roscoff, Brittany Panel in altarpiece of both Passion and Virgin themes, q.v. (30)

–

Maclagan 1920, 56

43 Church of Santa Maria, Majori, Salerno, Campania, Italy Panel in Virgin altarpiece, q.v.

–

Hildburgh 1955c, 183–4, pl. XXIX

44 Church of Avilés,near Oviedo, Asturias, Spain Panel in Virgin altarpiece, q.v.; now missing

–

Hildburgh 1944, 31–3, pl. XI

45 Museum of Akureyri, Iceland (from church of Möðruvellir) Panel in Virgin altarpiece, q.v.

–

Nordal 1977, 49, no. 11, fig. II

46 National Museum of Iceland, Reykjavík (from church of Hítardalur) Panel in Virgin altarpiece, q.v.

43 × –

Nordal 1977, 44, no. 3, fig. IV

47 Church of the Virgin, Cara, Korcula, Dalmatia, Croatia Panel in Virgin altarpiece, q.v. (31)

–

Fisković 1977, 159, Table I, 2





     48 Church of Hornslet, Øster Lisbjerg, Randers, Denmark Panel in Virgin altarpiece, q.v.

–

Cheetham 1984, 58

49 Church of Abergavenny, Monmouth Panel on end of tomb of William ap-Thomas (?)

–

Gardner 1940, pl. 80

50 Church of Apethorpe, Northamptonshire Above head of small effigy

–

Gardner 1940, 35 and 76, pl.79; described as ‘Coronation’

51 Chapel of Breuil-Benoit, Marcilly sur Eure, Eure, France Panel in Virgin altarpiece, q.v.; sold in 1997

–

Bouillet 1901, 53


–

Cheetham 1984, 59


–

Nordal 1977, 46–7, no. 6, fig. V


43 × 27



56 × 26


56 Sotheby’s, London, 9 July 1992

43 × 27


The following fragments may be of Type D, which is the most common. 57 Yorkshire Museum, York (from church of St Helen, Thorganby cum Cottingwith) 58 Sotheby’s, London, 16 November 1972 Fragment with Virgin

– 33 × –

Unpublished


59 Church of Hadleigh, Suffolk Top missing

– × 26.7

Nelson 1917b, 107–8, pl. II

60 Thirtieth Delft Antique Dealers’ Fair, 19 October – 8 November 1978 Fragment with Virgin

31 × 23

Apollo, Oct. 1978, 122, illus.

61 Victoria and Albert Museum, London Fragment with Gabriel and lily

31.3 × 11.2


62 Victoria and Albert Museum, London Fragment with Virgin

32 2 × 16.1


63 Christie’s, London, 11 April 1990 Top missing

36 × –


64 Schleswig-Holsteinisches Landesmuseum, Schloss Gottof, Schleswig Lower fragment. Panel in Virgin altarpiece, q.v.

29 × 27

Hildburgh 1925b, 61 (then in church of St Willehad, Gross-Gronau)

65 Sotheby’s, London, 7 April 1970 (from Catholic Cathedral of St Marie, Sheffield) Lower fragment, top restored

43.2 × –


    66 Musée de la Société des Antiquaires de Normandie, Caen

–

Rostand 1928, 306, no. 63

67 Church of Ste Marie, Outre l’Eau, Normandy

52 × 26

Rostand 1928, 307, no. 65

68 Private collection, Antwerp

29 × –

Unpublished

32.5 × –


70 Private collection Marques de Valderrey, Madrid Small fragment of God the Father

–


71 Church of South Huish, Devon Two kneeling donors

–

Allan 2001, 165, pl. 3

69 Christie’s, Amsterdam, 7 March 2001 Fragment of angel

Annunciation – Type D(a). With God the Father, but No Dove and No Child (mid and late fifteenth century) 1 Instituto de Valencia de Don Juan, Madrid In pierced Gothic housing (32)

–

Perera 1958, 218, illus.; Franco Mata 1999, 190, fig. 71

Annunciation – Type E. With God the Father and Diminutive Child (1450s–1500s) 1 Victoria and Albert Museum, London 2 Musée de Picardie, Amiens, France (33) 3 Private collection L. Harris (1927) 4 Church of Chatelaudren, Côtes du Nord, France Panel in Virgin altarpiece, q.v.

42 3 × 27.2 41 × 27

Cheetham 1984, 174, cat. 101, illus. Unpublished

41.3 × 24.1

Nelson 1927, 118, pl. V, 1

–

Nelson 1927, 123–4, pl. IX

5 Sotheby’s, London, 16 June 1983 Fragment

48 × –

6 Church of St Michel, Bordeaux Panel in Virgin altarpiece, q.v. Not now in the church

–

Biver 1910a, 84, pl. XVIII

7 Church of San Benedetto a Settimo, near Pisa Panel in Virgin altarpiece, q.v. (34)

–

Papini 1910, 4, fig. 2

8 City Museum, Gdansk, Poland Panel in Virgin altarpiece, q.v.

–

Nelson 1919c, 140, pl. II, 1

9 Church of Ross on Wye, Herefordshire Panel on side of tomb of Judge Rudhall (d. 1529)

–


10 Abbaye St Wandrille, Seine Maritime, France 11 Musée-Château de Dieppe, France Fragment of God the Father and Child

40 × 27 –


Prigent 1998, fig. 1, 21, 22 Unpublished

Annunciation – Type F. Dove, but No God the Father (1500–1550) 1 Church of Chessington, Surrey (35)

40.7 × 26

Unpublished

Incarnation and Parliament of Heaven 1 Victoria and Albert Museum, London With Child descending from God the Father

49.6 × 28.1






     Virgin at Prayer 1 National Museum, Stockholm (36)

–

Unpublished

Visitation 1 Victoria and Albert Museum, London

35 × 25.7


2 Museo Marés, Barcelona (37)

103 × 41


3 Catholic church, Lydiate, Lancashire

43.2 × 25.4

Nelson 1913, 135, pl. IV, no. 1

4 Musée des Jacobins, Morlaix, Brittany Inv. 1226 (38)

–

Unpublished

5 Museo Nacional de Artes Decorativas, Madrid (39)

–


6 Church of San Benedetto a Settimo, near Pisa Panel in Virgin altarpiece, q.v.

–



50 × 27

Gorguet 1984, 82, no. 59

Nativity or Adoration – Type Unknown 1 Church of la Ferte Bernard, Sarthe, France Panel in Virgin altarpiece, q.v.

–

Bouillet 1901, 55

Nativity 1 Victoria and Albert Museum, London

43 × 28.2


2 Musée d’Aquitaine, Bordeaux, France

44 × 28

Bordeaux, 2000 Ans d’Histoire 1971, no. 118


40.6 × –

Nelson 1918b, 317

4 Museum of Fine Arts, Budapest Inv. L 4042 (40)

41.5 × 24

Verö 1993, 43, fig. 15.

5 County Museum of Art, Los Angeles, USA (from Abbey of Marolles) Panel in Virgin altarpiece, q.v.

41.9 × –

Tavender 1955, 71, no. 64, pl. X; Hildburgh 1955b, 108–10, fig. 1

6 Museu Nacional de Machado de Castro, Coimbra, Portugal (41)

43 × 29.7


7 Church of St Martin, Montpezat du Quercy, Tarn et Garonne, France

25 × 25

Gorguet 1984, 162, no. 124

8 Sotheby’s, London, 8–9 July 1981

38.7 × –


9 National Museum, Copenhagen (from church of Munkaþþverá, Iceland) Panel in Virgin altarpiece, q.v. 10 Church of Genissac, Gironde, France Panel in altarpiece of St Martin and the Life of the Virgin, q.v.; with two midwives

–

Nelson 1918b, 317, pl. IV, 2

–


    11 Church of Wittlesford, Cambridgeshire Fragment

–

Nelson 1918b, 318

12 Church of East Rudham, Norfolk Fragment

–

Norfolk Archaeology 1879, 328; described as ‘portion of an entombment’

Adoration of Mary and Joseph, with One or Two Midwives 1 Victoria and Albert Museum, London

35.3 × 25.5



38.6 × 27.7


3 Private collection (1936) (42) 4 Museum of Fine Arts, Boston, USA

– 35.5 × 21.6

Bagshawe 1936b, 347, fig. XI Tavender 1955, 69, no. 49

5 Museum of Burton on Trent, Staffordshire (43)

35.5 × 23

Unpublished

6 Christie’s, London, 20 June 1972 (from Coughton Court, Warwickshire)

42 × 35.5


7 Musée Archéologique, Château Borely, Marseilles

–

8 Museo Arqueológico de Cordoba, Spain

54.5 × 26.7

9 Christie’s, London, 11 December 1979 (formerly Marquess of Ripon Collection (1913)) (from Fountains Abbey) Panel from Virgin altarpiece, q.v. 10 Church of West Horsley, Surrey 11 Church of Chatelaudren, Côtes du Nord, France Panel in Virgin altarpiece, q.v. 12 L. P. Bresset, 5 Quai Voltaire, Paris (1962) With one shepherd and one midwife (44)

Nelson 1919a, 136, pl. V, 1

Franco Mata 1999, 188, 97, fig. 77

41.5 × 26

Society of Antiquaries, 1913, 62, no. 40, pl. XVIII; Sale Catalogue, no. 25, illus.

39.4 × 24

Nelson 1919a, 136, pl. V, 2

– 42 × 26

Nelson 1927, 123–4, pl. IX; described as ‘Nativity’ L’Oeil, May 1962, no. 99

13 Church of Burnham Deepdale, Norfolk Fragment

–

Unpublished


–


15 Church of St Michel, Bordeaux Panel in Virgin altarpiece, q.v. Not now in the church

–


16 Church of San Benedetto a Settimo, near Pisa Panel in Virgin altarpiece, q.v. (45)

–


17 Church of St Riquier, Picardie, France Panel in Virgin altarpiece, q.v. (46)

–

Durand 1907–11, 339ff, pl. XLVI

18 Church of La Celle, Eure, Normandy Panel in Virgin and St George altarpiece, q.v.

–

Biver 1910a, 75–6, pl. VIII; Flavigny 1998, 89–97, cat. 53, illus. 90–1

19 Church of the Virgin, Cara Korcula, Dalmatia, Croatia Panel in Virgin altarpiece, q.v.

–

Fisković 1977, 159, table 1 (3)





     20 Museum of Akureyi, Iceland (from church of Möðruvellir) Panel in Virgin altarpiece, q.v.

–

21 Basilica of St Seurin, chapel of Nôtre Dame de la Rose, Bordeaux Panel in Virgin altarpiece, q.v.; no midwife; French, carved under English influence?

50 × 28


Gorguet 1984, 83, no. 60

22 Church of Hornslet, Øster Lisbjerg, Randers, Denmark Panel in Virgin altarpiece, q.v.

–

Cheetham 1984, 58

23 Basilica Parroquial de Daroca, Zaragoza Panel in Virgin altarpiece, q.v.; with one midwife and three shepherds

–

Hildburgh 1954a, 11–12, pl. V, a


–

Nordal 1977, 44–5, no. 3, fig. IV

25 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Panel in Virgin altarpiece, q.v.

42.8 × 28.9


26 Private collection, Barcelona (1999) Fragment of Virgin and Child; compare with no. 2 in Victoria and Albert, cat. 106

–


27 Sotheby’s, London, 9 December 1987 Shepherds in upper section; no midwife but two angels

40.5 × –


Adoration of the Magi, with One Midwife (fourteenth-century horizontal panels) 1 Church of Long Melford, Suffolk

38.5 × 65.5

Cheetham 1984, 42, fig. 5

2 Paderborn Cathedral, Germany

46 × 65


3 Stonyhurst College, Lancashire (47)

44.5 × 67.3

Hildburgh 1950b, 4, fig. 2

4 Church of St John Evangelist, Treslothan, Cornwall (48)

39.4 × 55.9

Nelson 1919b, 89, pl. V

5 Church of Zuckau, near Gdansk, Poland St Joseph the ox and the ass are missing

38.5 × 50

6 Marienkirche in Gdansk, Poland 7 City museum, Kaliningrad, Russia (formerly Königsberg) (50)

44 × 62

Baum 1933, 387, fig. 3; Massowa 1996, cat. 6, fig. 8 Massowa 1996, cat. 5, fig. 7

–

Hildburgh 1950b, 6

8 Catholic church in Grefrath, near Cologne (from the now demolished church at Bottenbroich)

45 × 58

Hildburgh 1950b, 4

9 British Museum, London Fragment

47 × –

Hildburgh 1950b, 5, fig. 3

    10 Church of St Lawrence, Reading, Great Britain Badly damaged 11 Diocesan Museum in Pelplin, Poland (discovered in Brodnica, Toruñ, in 1970–1) (49) 12 Presbytery of Trémaouézan, Finistère, France

42 × 54.6 65 × 76 –

Hildburgh 1950b, 4, 5

Massowa 1996, 45, cat. 4, figs. 4, 4a, 5

Barrié 1978, 327–8, fig. 7

Adoration of the Magi, with Mary and Joseph (fifteenth century) 1 Victoria and Albert Museum, London

41.8 × 27.4



38.8 × 25.8



39.4 × 26.2



39.7 × 25



41.7 × 26



41.5 × 25.8



43 × 26.7


8 Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig, Germany Panel in Virgin altarpiece, q.v.

40.8 × 27.4

Baum 1933, 38, fig. 4; described as in the Thaulow Museum, Kiel

9 Walters Art Gallery, Baltimore, USA

40.5 × 25

10 Walters Art Gallery, Baltimore, USA

–


42.5 × 28

Guimarães de Andrade 1977, 11, fig. 3




–



43 × 26



40.7 × 25.5


15 Musée des Beaux Arts, Ghent

38.5 × 23.5

Derveaux-Van Ussel 1967, E/3, fig. 3

40 × 24.7

Society of Antiquaries, 1913, 57, no. 22, pl. XIII

16 Stonyhurst College, Lancashire


40.6 × 26.7

Hildburgh 1954b, 29


40 × 26


19 Sotheby’s, Amsterdam, 30 December 1997

42 × –


20 Sotheby’s, London, 22 April 1982

42.5 × –


21 Sotheby’s, London, 24 June 1982

40.5 × 27


22 Church of Ste Marie, Outre l’Eau, Normandy

52 × 26

Rostand 1928, 307, no. 64


41 × 25

Rostand 1928, 289–90, no. 37





     24 Musée-Château de Dieppe, France With one midwife and Child in mandorla

–

Nelson 1927, 121, pl. V, 2

25 Private collection, Great Britain (2000) (from D. Katz Ltd, 13 Old Bond Street, London) (51)

42 × –

Unpublished

26 Private collection Laisney (1928), Vire, Normandy

42 × 30

Rostand 1928, 292–3, no. 41

27 Castle Museum, Nottingham 28 Geoffrey Van Ltd (1978), 105–7 Portobello Road, London (52) 29 Sotheby’s, London, 7 April 1970 (from Catholic Cathedral of St Marie, Sheffield) 30 Art Institute of Chicago, USA

44.5 × 26.7 – 40.7 × – 42 5 × 29.2

Cheetham 1973, 28, illus. Unpublished



31 Church of Le Bourg de Batz, Loire Inférieure, France (53)

–

Unpublished

32 Private collection Durven (1959) (54)

–

Unpublished

38 × 24

Unpublished

33 Private collection Durven (1959) Embattled top (55) 34 Private collection Douglass, Riverside, Connecticut, USA Sold in 1989

40.6 × 24.2

Society of Antiquaries, 1913, 59, no. 28, pl. XVI; described as collection of ‘L. Hamilton McCormick, Esq’; Sotheby’s, New York, 22 June 1989, Sale Catalogue, no. 26, illus.

35 Metropolitan Museum, New York Virgin seated on throne

41.3 × –



40 × –


37 Fogg Art Museum, Harvard University, Cambridge, Massachusetts, USA

36.8 × –

38 Church of St Emilion, Gironde, France

–

39 Church of St Caprais de Haux, Gironde, France 40 Church of Lormont, Gironde, France

Tavender 1959, 438, no. 71, pl. IV

Nelson 1918b, 333, pl. XXVI

42 × 27

Gorguet 1984, 106, cat. 78

40.5 × 26.5

Gorguet 1984, 150, cat. 117

41 Chapel of St Mark, South Park, Blechingley, Surrey (56)

–

Unpublished

42 Musei Civici di Storia ed Arte, Trieste, Italy

42 × 28

Fiorin 1969–70, 158–9, fig. 31

43 Vleeshuismuseum, Antwerp

40 × 26


44 City Art Gallery and Museum, Bristol (from Catholic Pro-Cathedral, Clifton)

40 × 25.5

Museum Annual Report 1973, 29, pl. 10

45 Schnutgen Museum, Cologne With two midwives and Child in mandorla

43.5 × 28

Hildburgh 1925b, 60

    46 Diozesan Museum, Cologne

41 × –

Hildburgh 1925b, 60; Cheetham 2001, 30, illus. (described as in Archiepiscopal Museum, Cologne)

47 Church of Burnsall, Yorkshire

35.5 × 25.5

Routh 1981, 133–6, fig. 1

48 Private collection Douglass, Riverside, Connecticut, USA Panel in Virgin altarpiece, q.v.; sold in 1996

39.7 × 23.2

Sotheby’s, New York, 12 Jan. 1996, Sale Catalogue, no. 1027, illus.

49 Private collection Lionel Harris (1914)

40.6 × 24.7

Nelson 1914, 161–2, pl. I


45.5 × 27


51 Musée d’Art et d’Histoire, Lille

–

Hildburgh 1930, 44

52 Church of Preston in Holderness, Humberside Upper part damaged

–

Nelson 1918b, 318

53 British Museum, London Inv. 93, 4–26, 154; upper part missing

28 × 23

Unpublished

54 Rhode Island School of Design, Providence, USA With two midwives and Child in wicker manger

40.6 × –


55 Sotheby’s, London, 23 May 1974 With one midwife and Child in mandorla (57)

40 × 25


56 Musée Dobrée, Nantes With one midwife and Child in mandorla

40 × 26

Hildburgh 1930, 45

57 Museo del Cau Ferrat, Sitges, Barcelona With one midwife and Child in wicker manger

–

58 Ashmolean Museum, Oxford (on loan 1980s) Child in mandorla

39.4 × 27.3

59 Musée de Neufchatel en Bray, France 60 Private collection Thompson, Surrey (1950s) (58)

33 × 29 42 × 26.7

Perera 1958, 218, illus.; Franco Mata 1999, 191, fig. 79 Nelson 1927, 120, pl. VII, 2; described as ‘property of Messrs. Harding’ Rouen cat. 1931, no. 13 Unpublished

61 Private collection Sir Alfred Bossom (1954) (59)

40.6 × 26.7



42.5 × 27.5

Unpublished


–

Cheetham 1984, 59

64 L. P. Bresset et Fils, 5 Quai Voltaire, Paris (1950s) (61)

42 × 27

Unpublished


49.2 × –

Sale Catalogue, 3, no. 1.

66 Musée d’Orléans, France

–

Nelson 1918b, 318

67 Church of St Peter, Yarnton, near Oxford (62)

–

Maclagan 1920, 62, note 6


42.5 × 26.7






     69 Church of Montréal, Yonne, Burgundy Panel in Virgin altarpiece, q.v.

–

Biver 1910a, 66–8, pl. I

70 Parish church of Avilés, near Oviedo, Asturias, Spain Panel in Virgin altarpiece, q.v.; now missing

–

Hildburgh 1944, 31, pl. XI

43 × 27.5



–

Nelson 1919c, 140, pl. III, 1

73 Church of St Leonard, Limoges, Haut Vienne, France Panel in Virgin altarpiece, q.v.

–

Tavender 1949, 401, pl. VII

74 Church of La Celle, Eure, Normandy Panel in St George and Virgin altarpiece, q.v.; no St Joseph

–

Tavender 1949, 398, 400, pl. I; Flavigny 1998, 89–97, cat. 53, illus. 90–1


55 × 27

Hildburgh 1954a, 13, pl. V, b

76 Church of the Virgin, Cara, Korcula, Dalmatia, Croatia Panel in Virgin altarpiece, q.v.

–


77 Church of Santa Maria, Majori, Salerno, Italy Panel in Virgin altarpiece, q.v.; Child in mandorla, one midwife

–


78 Church of Nôtre Dame de Croaz Batz, Roscoff, France Panel in altarpiece of both Passion and Virgin themes, q.v. (63)

–

Maclagan 1920, 56

79 Cathedral of Ávila, Spain Panel in Virgin altarpiece, q.v.

–

Franco Mata 1999, 187, 93, fig. 62

80 Church of Ker Maria an Isquit, Plouha, Côtes du Nord, France Panel in Virgin altarpiece, q.v. (64)

–

Maclagan 1920, 56


–

Maclagan 1920, 61; described wrongly as in Røst church

82 Church of Drayton, Berkshire Panel in altarpiece of both Passion and Virgin themes, q.v.

–

Maclagan 1920, 62, note 6; Cheetham 1984, 53, fig. 32

75 Basilica of Daroca, Zaragoza, Spain Panel in Virgin altarpiece, q.v.

83 Victoria and Albert Museum, London Top of panel missing 84 Mere parish church, Wiltshire Top of panel missing

29.2 × 26.6 –


Unpublished

85 Collection De Maeyer-Buyle, Antwerp Top of panel missing

37 × 27


86 Sotheby’s, London, 1 July 1974 Top of panel missing

33 × –


    87 Private collection, Barcelona (1999) Fragment of Virgin and Child in rayed mandorla

33 × 17

Franco Mata 1999, 97, fig. 78; Christie’s, 7 July 1992, Sale Catalogue, 32, no. 63, illus.

88 Musée Château de la Duchesse Anne, Dinan, France Fragment of one of Magi

–

Hildburgh 1930, 44

89 Christie’s, London, 30 November 1983 Fragment of two Magi and head of Virgin

–


90 Church of Chessington, Surrey Fragment

–

Unpublished

91 Yorkshire Museum, York Fragment of St Joseph sleeping

12.7 × 9.5


92 Museum of London Inv. 18111 and inv. 11179; small fragments

–

Unpublished

93 Church of East Rudham, Norfolk Small fragments

–

Bonner 1879, 328–9 (these fragments not specifically described)

94 Salisbury and South Wiltshire Museum, Salisbury Small embattled fragment

–

Unpublished

95 Musée de Bourges, Cher, France

41 × 20



–

Nordal 1977, 46–7, no. 6, fig. V

97 Museo Arqueológico Nacional, Madrid With one midwife (VI)

–

Franco Mata 1999, 190, fig. 127 and fig. 7. Franco Mata 2001, fig. 37, 121 (now no longer thought to be from Mondonedo Cathedral)


43 × 27

Flavigny 1998, 76–80, cat. 30, illus. 76 and 79

99 Musée des Antiquités, Rouen, France (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Panel in Virgin altarpiece, q.v.

43 × 27


100 Museo Arqueológico Etnografico e Historico Vasco, Bilbao

–



–

Unpublished


38.5 × 24.5



38.5 × 23.5


104 Church of South Huish, Devon

–

Allan 2001, 165, pl. 4

Adoration of the Magi and the Shepherds, with Mary and Joseph 1 Church of Ste Trinité, Cherbourg, France One small shepherd

45 × 25

Rostand 1928, 272





     2 S. W. Wolsey, 71–2 Buckingham Gate, London (1960) Top missing, no Magi

28 × 25.4

3 Seminario de Santiago de Compostela, Spain With two midwives

–

Hildburgh 1944, 33, pl(Xd)

4 Church of St Riquier, Picardie, France Panel in Virgin altarpiece, q.v.

–

Durand 1907–11, 339 ff., pl. XLVI

5 Church of St Michel, Bordeaux Panel in Virgin altarpiece, q.v.; with two shepherds. Not now in the church

–


The Connoisseur, Mar. 1960, illus.

Adoration of the Shepherds, with Mary and Joseph 1 Basilica of Daroca, Zaragoza, Spain Panel in Virgin altarpiece, q.v.; with one midwife and Child in mandorla

40 × 25

Hildburgh 1954a, 12–13, pl. Va

43.2 × 23.8

Society of Antiquaries, 1913, 68, no. 65, pl. XXIV

Circumcision 1 Stonyhurst College, Lancashire 2 Museo Arqueológico Nacional, Madrid Panel in Virgin altarpiece, q.v.

–

Hildburgh 1917, 83, fig. 7; Franco Mata 1999, 147–76 and 190, fig. 136

3 Church of San Benedetto a Settimo, Pisa Panel in Virgin altarpiece, q.v. (65)

–



33.6 × 20



36.2 × 15.9


1 Germanisches Nationalmuseum, Nuremberg (66)

41 × 27

Hildburgh 1925b, 56–7, pl. XI, fig. 2

2 Edward R. Lubin Inc, 17 East 64th Street, New York 21 (1962) (67)

41 × 24

Rostand 1928, 294–5, no. 43, illus. (Collection Grillo, St Lô)

Purification of Mary

Jesus – Presentation in the Temple 1 Church of La Celle, Eure, Normandy Panel in St George and Virgin altarpiece, q.v.


–

50 × 28

Biver 1910a, 76, pl. VIII; described as ‘Purification of the Virgin’; Flavigny 1998, 89–97, cat. 53, illus. 90–1 and 94 Gorguet 1984, 84, no. 61

3 Cathedral of Mondoñedo, Galicia, Spain Fragment. Panel in Virgin altarpiece, q.v.

–

Hildburgh 1944, 27–8

4 Church of St Laud, Mabe, near Falmouth, Cornwall Fragments

–

Unpublished

    42.5 × 26.5



97 × 34.5


2 Victoria and Albert Museum, London Virgin’s head missing

63.9 × 25



40 × 12.5



81.3 × –


5 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Panel in Virgin altarpiece, q.v.

Virgin Standing with Child on Right

5 Collection Dr Albert Figdor, Vienna (1930) (from monastery at St Trond, Belgium)

75 × –

Hildburgh 1946, 32; Illustrated London News, Sept 1930, illus.

6 Diocesan Museum, Cologne (68)

38 × –

Hildburgh 1946, 32, pl. F

7 Sotheby’s, London, 2 July 1997 (formerly Collection Leopold Seligmann (1930)) (69)

60.5 × –

Hildburgh 1946, 32, pl. E; Sale Catalogue, no. 95, illus.

8 Church of St Didier, Catenac, Gironde, France Virgin standing on crescent moon

115 × 35

Gorguet 1984, 21, no. 8; Gardelles 1976, 189, no. 177, illus.

9 Church of St Georges, Cadillac sur Garonne, France

129 × 49

Nelson 1920b, 222–4, pl. XIII, 3

10 Basilica of St Seurin, Bordeaux

108 × 31

Gorguet 1984, 19, no. 6

11 Cathedral of St André, Bordeaux Head and right hand of Christ restored

123 × 38

Gorguet 1984, 17, no. 4; Gardelles 1976, 183–7, no. 173, illus.

12 Church of St Seurin, Saillans, Gironde, France Possibly a French ‘rural’ copy of no. 11 in cathedral of Bordeaux

139 × 46

Gorguet 1984, 23, no. 10; Gardelles 1976, 193–5, no. 180, illus.

13 Musée de la Ville d’Avranches, Normandy

90 × 32

Rostand 1928, 297, no. 46

–

Hildburgh 1946, 32, pl. C

14 Private collection (1946) 15 The Priory, Workington, Cumbria

44.4 × 14

Hildburgh 1955a, 341

16 Christie’s, London, 27 May 1999

93.3 × –

Hildburgh 1955a, 341, fig. 11; described as ‘from Louis Rothschild Collection’; Sale Catalogue, no. 398, illus.

17 Christie’s, London, 19 December 1977 18 Church of La Londe, Seine Maritime, France 19 Church of St Michael and all Angels, Stewkley, Buckinghamshire Panel with two attendant angels (VII) 20 Church of Floirac, Gironde, France

43 × – – 48 × 28

–

Sale Catalogue, no. 117A, illus. Flavigny 1998, 25 Nelson 1919a, 135, pl. III

Prigent 1998, 24





     21 Church of All Saints, Feering, Essex Heads missing but restored in wood in 1961

91 × –

Feering Church Historical Guide 1966

22 Musée d’Aquitaine, Bordeaux Inv. 11.781; headless fragment

40 × 40

Bordeaux, 2000 Ans d’Histoire 1971, no. 126; Gardelles 1976, 189, no. 176, illus.

23 Musée d’Aquitaine, Bordeaux Inv. 11.767; fragment; Child missing

25 × 16

Catalogue, Sculpture medievale de Bordeaux et du Bordelais, 1976, 195, no. 181

24 Church of St Mary, Kidwelly, Carmarthenshire Bottom of figure missing

–

Unpublished

25 Church of Youlgreave, Derbyshire Tomb panel with kneeling Robert Gylbert family (1492)

–

Gardner 1940, 14, fig. 4

26 Private collection, Madrid (1999) (from Castropol, Asturias)

–


27 Sotheby’s, London, 7 July 1988 Virgin’s left arm and shoulders reconstituted 28 Victoria and Albert Museum, London Plaster cast, possibly of English alabaster carving

56.5 × – –


Hildburgh 1946, 33

83 × 32

Flavigny 1998, cat. 20, illus. 110 and 32 illus.


33.4 × 16



57.1 × –

Hildburgh 1955a, 338, fig. 3


40 × 30.5

Hildburgh 1955a, 341, fig. 7


100 × 40

Hildburgh 1955a, 338, fig. 6; described as ‘Private collection, Paris’

29 Commune de la Seine Maritime, France

Virgin Seated with Child on Right

5 Westminster Cathedral, London

91.5 × 50.8

Pitman 1955, 9, illus. on cover

6 Worcester Cathedral In wooden housing

24 × –


7 Church of Nôtre Dame du Voeu, Cherbourg

96 × 38

Rostand 1928, 275, no. 10; Flavigny 1998, 110, cat. 19, illus.

8 Church of Teurtheville Hague, Normandy

86 × 25

Rostand 1928, 283, no. 25

9 Church of Ourville, Seine Inférieure, France

83.5 × 30

Exposition Rouen 1931, no. 178, pl. XI; Flavigny 1998, 109, cat. 18, illus.

10 Church of Arcachon, Gironde, France

57 × 22

Hildburgh 1946, 64, pl. I, A

11 Schnutgen Museum, Cologne (VIII)

47 × –

Hildburgh 1946, 65, pl. I, C

12 Museum of Fine Arts, Houston, USA

77.5 × –

The Connoisseur, Nov. 1963, 203, illus. 205

    13 Church of San Giovanni Battista, Varese Ligure, N. Italy (70)

106 × 47

14 Chapel of St Gomery de Plougrescant, Brittany

–

Ratti 1989, 53–4, fig. 28

Unpublished

15 Sotheby’s, Monaco, 24–5 June 1985

17 × –


16 Cathedral of Aveiro, Portugal

70 × –

Dias, 278, no. 5, illus.; Cheetham 1981, 27

17 Church of the Apresentacão, Aveiro, Portugal Heavily overpainted

66.5 × 28

Dias, 279, no. 6, illus.; Cheetham 1981, 26

18 Church of St Mary, Shrewsbury Panel of Trinity, Virgin and Child, and donor

49.5 × 23


76.2 × 40.6

Nelson 1925, 37–8, pl. II, 4

19 Church of Broughton in Craven, Yorkshire Virgin headless 20 Victoria and Albert Museum, London Tomb panel with St Margaret and another female saint

53 × 66.5


21 Church of Abergavenny, Monmouth Panel on side of tomb

–

Gardner 1940, 20, fig. 51

22 Church of Warrington, Lancashire Child in Pieta pose Panel on side of tomb of Sir John Butler

–


Virgin Standing with Child on Left 1 City Art Museum of St Louis, Missouri, USA

39.7 × –


2 Musée Municipal d’Évreux, France

–

Society of Antiquaries, 1913, pl. II, fig. 2

3 Musée Thomas Dobrée, Nantes (71)

–

Hildburgh 1946, 32–5; described as ‘exhibited by Dr Thoby, no. 341’


5 Antiquités à la Reine Margot, 7 Quai de Conti, Paris (1980) (72)

41.5 × 13.6 –

Sale Catalogue, no. 210, pl. 38; Hildburgh 1955a, 341, fig. 8 Unpublished

6 Church of Nôtre Dame, La Rivière, Gironde, France

95.5 × 34

Gorguet 1984, 22, no. 9

7 Basilica of St Seurin, chapel of Nôtre Dame de la Rose, Bordeaux

130 × 40

Gorguet 1984, 18, no. 5; Gardelles 1976, 187, no. 174, illus.

8 Musée Historique et Archéologique, Orléans 9 Church of Blunham, Bedfordshire Heads missing 10 S. W. Wolsey, 71–2 Buckingham Gate, London (1955) Heads missing

42 × – 39.4 × 14.6 –

Unpublished Society of Antiquaries, 1913, no. 85, pl. XXX Hildburgh 1955a, 341





     11 Carisbrooke Castle Museum, Isle of Wight Heads missing

–

Unpublished

Virgin Seated with Child on Left 1 Catharijneconvent Museum, Utrecht, Netherlands (73) 2 Church of Broughton in Craven, Yorkshire 3 Church of St Martin de Varreville, Coutances, Normandy 4 Church of Royston, Hertfordshire Headless

75 × – 68.5 × 35.5 92 × – 74.4 × 38.7

Bouvy 1967, no. 34 Hildburgh 1946, 65, pl. I E Hildburgh 1946, 65 Society of Antiquaries, 1913, no. 77, pl. XXIX

5 Church of Willoughby on the Wolds, Nottinghamshire Panel on side of tomb

–

Gardner 1940, 96


–

Unpublished

18.4 × 9.5

Unpublished

Virgin – Fragments 1 British Museum, London Inv. 93, 4–26, 156 (M24 38/9); possibly a Virgin figure; headless 2 Church of Whittlesford, Cambridgeshire Head and bust of Virgin and Child

–

Society of Antiquaries, 1913, no. 71 (2), pl. XXIV

3 Church of Puddletown, Dorset Possibly a standing Virgin figure; headless

–

Long 1928, 110

4 Musée d’Aquitaine, Bordeaux Head only

25 × 16


Virgin and Child – Type Unknown 1 Church of Boqueijon, La Coruña, Galicia, Spain

–


2 Church of the Hospital de A. Ermida, Quiroga, Lugo, Galicia, Spain

–


3 Convento de Santa Maria, Valdeflores de Vivero, Lugo, Galicia, Spain

–


4 Church of San Juan, Puntallana, La Palma, Canary Islands, Spain

–


5 Church of Halsham, East Yorkshire Figure on side of Constable tomb

–

Routh 1976, 39

St Anne Teaching the Christ Child to Read 1 Victoria and Albert Museum, London The Child is held by the Virgin.

43.5 × 25.6


St Anne Seated, Holding the Virgin and the Christ Child 1 Musée d’Aquitaine, Bordeaux Heads missing

75 × 40

Bordeaux 2000 Ans D’Histoire 1971, 249, no. 127; Gardelles 1976, 195, no. 182, illus.

    Lamentation over the Dead Christ (Virgin and Christ Only) 1 Victoria and Albert Museum, London

70.5 × 37.2

2 Church of Breadsall, Derbyshire (74)

73.7 × –


32.4 × 19.05

Cheetham 1984, 196, cat. 123, illus. Hope 1904, 228, illus. Cheetham 1973, 54, illus.


107 × 62


5 Museu Regional de Alberto Sampaio, Guimarães, Portugal (75)

66.5 × 36

Hildburgh 1956, 18; Cheetham 1981, 29


83.5 × –

Guimarães de Andrade 1977, 35–7, illus.

7 Burrell Collection, Glasgow Inv. 143 (77)

30.5 × –

Unpublished

–

Unpublished

8 Church of St Peter, Yarnton, near Oxford

109 × 45


10 Musée Dobrée, Nantes

23 × 26

Costa 1961, no. 166

11 Burleigh House, Stamford, Lincolnshire

44.5 × –

Unpublished

12 Church of Blunham, Bedfordshire Lower fragment

44.5 × 33

Society of Antiquaries, 1913, 73, no. 78, pl. XXIX

13 Church of East Barsham, Norfolk Lower fragment; stolen 1930

–

9 Church of St André de Cubzac, Gironde, France With two diminutive female saints; Virgin’s head restored

14 Church of Wood Ditton, Cambridgeshire Lower fragment

20.4 × –

Martin 1892, 257–8, illus.

Burrel and Montagu-Benton 1932–3, 81, pl. II, fig. 1

Lamentation over the Dead Christ (Groups) 1 Victoria and Albert Museum, London Panel including two Marys; top damaged

39.1 × 27.4

2 Burrell Collection, Glasgow Panel including St John, Mary Magdalene, Joseph of Arimathea, Nicodemus and one of the three Marys

33 × 19

3 Dunster Castle, Minehead, Somerset Panel including Joseph of Arimathea and one of the three Marys

33 × 29.9

4 Art Museum, Princeton University, USA Panel including St Mary Cleophas and St Mary Magdalene

47.5 × 27.5

5 Museo Arqueológico, Seville Panel including St John and the three Marys

37 × –


Hildburgh 1956, 16, pl. IV

Society of Antiquaries, 1913, 55, no. 16, pl. XII; described as collection of ‘The Late G. F. Luttrell Esq’ Nelson 1927, 124, pl. VI, 3

Perera 1958, 220, illus. 216; Franco Mata 1999, 189, fig. 59





     6 Musée des Augustins, Toulouse Panel including St John and St Mary Cleophas and St Mary Magdalene 7 Church of Thorning, near Viborg, Denmark Panel with two angels and God the Father and the body of Christ lying in the jaws of death (78)

45 × 30

–

Nelson 1918b, 326, pl. XVI, 1

Nelson 1920a, 206

8 Elvehjem Museum of Art, University of Wisconsin, Madison, USA Panel with two angels and a male and a female donor (79)

42.8 × 24.8

9 Private collection, Hertfordshire (1960s) Panel with two Marys and St John; top left of panel restored (80)

29 × 30.5

10 Church of Ker Maria an Isquit, Plouha, Côtes du Nord, France

–

Unpublished

11 Staatliche Museen, Preussischer Kulturbesitz, Skulpturengalerie, Berlin-Dahlem Central panel of Passion altarpiece, q.v.; lower part of a Crucifixion panel with St John and St Mary Magdalene

–

Hildburgh 1937a, 184; described as ‘belonging to Mr F. J. Gould’

12 Musée-Château de Dieppe, France Lower part of a Crucifixion panel with St John and Mary Magdalene

45 × 26

13 Church of St Martin, Coudray en Vexin, Eure, France Lower part of a Crucifixion panel with St John and Mary Magdalene

–

Unpublished

Hildburgh 1956, 14–15, pl. III

Flavigny 1998, 120, fig. 50


Pentecost 1 St Paul’s Cathedral, Detroit, Michigan, USA Virgin already crowned (81)

50.8 × 33

Tavender 1955, 69, no. 53; Nelson 1920b, 219, pl. IX

2 The Priory Workington, Cumbria (82)

42 × 26.7

Unpublished

3 Museo di Vicenza, Italy Virgin already crowned

–

Unpublished

4 Church of Nôtre Dame de Croaz Batz, Roscoff, Brittany Panel in altarpiece of Virgin and Passion themes, q.v.

–

Maclagan 1920, 56

5 Diocesan Museum in Przemysl, Poland Unusual design; top of panel cut away around the figure of Virgin (83)

36 × 25.5

Massowa 1996, 47, 43, cat. 17, fig. 22

6 Church of St Caprais de Haux, Gironde, France

42 × 27

Gorguet 1984, 108, no. 80

7 Basilica of St Seurin, chapel of Nôtre Dame de la Rose, Bordeaux Panel in Virgin altarpiece, q.v.; Virgin already crowned; French, carved under English influence?

50 × 28

Gorguet 1984, 85, no. 62

    Death of the Virgin 1 Victoria and Albert Museum, London

37.6 × 24.2


2 Chapel of Breuil Benoit, Marcilly sur Eure, Eure, France Panel in Virgin altarpiece, q.v.; sold in 1997

–

Bouillet 1901, 53

3 St Mary’s College of Education, Strawberry Hill, Twickenham (84)

–

Unpublished

4 Museo Diocesano, Bilbao, Spain (from church of Santa Maria Magdalena, Plencia)

–


Assumption of the Virgin 1 Victoria and Albert Museum, London

38.5 × 26.5


2 Victoria and Albert Museum, London Top of panel missing

31.4 × 24.3


3 Victoria and Albert Museum, London Fragment of supporting angel

22.6 × 10.5



42.2 × 24.8



41.9 × 26.7



63 × 25


7 Victoria and Albert Museum, London Virgin already crowned

41.2 × 26.3


–

Perera 1958, 221, illus. 219; Franco Mata 1999, 189 and 60, fig. 19, and 100, fig. 89

8 Museo de Bellas Artes, Seville


54.5 × 21

Prigent 1998, cat. 9, 68, illus.


42 × 26

Prigent 1998, cat. 10, 69, illus.


41 × 26

Flavigny 1998, cat. 26, 113, illus.


37.5 × 22


13 Naworth Castle chapel, Cumbria (1932)

40.6 × 28

Maclagan 1932, 408, pl. LXXXVI; Sotheby’s, 13 June 1947, Sale Catalogue, no. 127

14 National Museums and Galleries on Merseyside, Liverpool

42.5 × 26.7

Nelson 1913, 136, pl. V, no. 1

15 Cathedral of Ávila, Spain Panel in Virgin altarpiece, q.v.; Virgin already crowned

–

Franco Mata 1999, 187 and 93, fig. 64

16 Cathedral of Oviedo, Museo diocesano, Spain

–


17 Museu Nacional de Arte Antiga, Lisbon Virgin already crowned (85)

46 × 25

Feyo 1947, 76, fig. 2





     18 Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig Panel in Virgin altarpiece, q.v. (86)

40.7 × 27.4

Hildburgh 1925b, 61; described as ‘at Gross Gronau’; Hildburgh 1930, 43; described as ‘Now in the Thaulow Museum, Kiel’

19 Sotheby’s, London, 9 July 2002 (IX)

39.5 × 28.5

Sale Catalogue, no. 20, illus.; Derveaux-Van Ussel 1967, E/19


39.4 × 25.5

Christie’s, 5 July 1988, Sale Catalogue, no. 102, illus.

21 Musée de Picardie, Amiens, France

41 × 27

Prigent 1998, 68, 69

22 Church of Montgeard, Haute Garonne, France Virgin already crowned

37 × 26

Gorguet 1984, 169, no. 128

59.7 × 48.3

Unpublished

24 Church of Mourao, Alentejo do Leste, Portugal (1990)

–

Unpublished

25 Phillips, Son and Neale, New Bond St, London, 21 March 1972

40.7 × 26.6

23 Private collection Wiltshire (1983)

26 Museum and Art Gallery, Birmingham Virgin already crowned (87)

27 Temple Newsam House, Leeds

Sale Catalogue, no. 106 (with a Coronation)

54.7 × 31

Nelson 1925, 33, pl. II, 1. Described as ‘in the chapel at Cookhill priory, Worcestershire’

40.7 × 25.5

Society of Antiquaries, 1913, 67, no. 59, pl. XXII; described as belonging to ‘Leeds Philosophical and Literary Society’

28 Metropolitan Museum – The Cloisters, New York

53 × 26

Tavender 1959, 437, no. 69, pl. II

29 Musée d’Aquitaine, Bordeaux Virgin already crowned

43 × 23


30 Private collection London (1960s) Virgin already crowned (88) 31 Hôtel Drouot Auction House, Paris, 26 May 1965

– 38 × –

Unpublished

Sale Catalogue, no. 147, pl. V

32 Burrell Collection, Glasgow Inv. 45

–

Unpublished

33 Musée d’Angers, Maine et Loire, France (89)

–

Unpublished

34 Christie’s, London, 11 December 1979 (from Fountains Abbey) Panel from Virgin altarpiece, q.v.

42 × –

Sale Catalogue, no. 26, illus.; Society of Antiquaries, 1913, 65, no. 53, pl. XX

35 Sotheby’s, London, 15 December 1977 Virgin already crowned

40.7 × –


36 British Museum, London Inv. 93, 4–26, 152

44.5 × 24

Unpublished

    37 Yorkshire Museum, York (from church of St Helen, Thorganby cum Cottingwith) Top of panel missing

–

38 Sotheby’s, London, 7 April 1970 (from Catholic Cathedral of St Marie, Sheffield) Damaged

42 × –

39 St Mary’s College of Education, Strawberry Hill, Twickenham Badly damaged

–

40 Yorkshire Museum, York Panel from St William altarpiece, q.v.; Virgin already crowned; surface damage 41 Private collection L., Cherbourg (1928) Virgin already crowned 42 Cathedral of Santiago de Compostela, Spain

55 × 18.5

41 × 25 –

Unpublished


Unpublished

Willmot 1957, 35–6



43 Christie’s, London, 11 April 1990 Virgin already crowned; surface damage; top left and right corners missing

40 × 26


44 S. W. Wolsey, 71–2 Buckingham Gate, London (1952) Virgin already crowned

38 × 26.7

The Connoisseur, June 1952

45 Private collection London (2000) Top centre and bottom right corner missing

42 × –

Parke Bernet, 25 Oct. 1968, Sale Catalogue, no. 170

46 Church of Santa Maria, Majori, Salerno, Italy Panel in Virgin altarpiece, q.v.; Virgin already crowned

–


47 Church of St Leonard, Limoges, France Panel in Virgin altarpiece, q.v.

–

Tavender 1949, 401, pl. VII


–

Biver 1910a, 67–8, pl. I

49 Church of the Virgin, Cara, Korcula, Dalmatia, Croatia (90) Panel in Virgin altarpiece, q.v.

–


50 Church of Drayton, Berkshire Damaged. Panel in altarpiece of both Passion and Virgin themes, q.v.

–


51 Church of Avilés, near Oviedo, Asturias, Spain Panel in Virgin altarpiece, q.v.; now missing

–

Hildburgh 1944, 31, pl. XI; Franco Mata 1999, 185, fig. 61

52 National Museum of Iceland, Reykjavík (from church of Hítardalur) Panel in Virgin altarpiece, q.v. (91)

43 × –

53 Church of Chatelaudren, chapel of Nôtre Dame du Tertre, Côtes du Nord, France Panel in Virgin altarpiece, q.v.

–

Nordal 1977, 44, no. 3, fig. IV

Nelson 1927, 123–4, pl. IX





     54 Museum of Akureyri, Iceland (from church of Möðruvellir, Iceland) Panel in Virgin altarpiece, q.v.

–


55 Shaftesbury Abbey, Dorset Badly weathered, attached to cross

–

Long 1928, 110

56 Museum of London Inv. 11180; small fragment from top of panel

–

Unpublished

57 Private collection Folke, Oxfordshire (1957) Weathered fragment

–

Unpublished

58 Castle Museum, Norwich (from church of All Saints, Thurgarton, Norfolk) Fragment showing St Thomas

–

Unpublished

59 Christie’s, London, 18 June 1968 Fragments from the sides of a panel, also fragments of Magi

–


60 Colchester Museum, Essex (from Great Hallingbury, Essex) Apparently small fragment from top of panel, showing angel

–

Unpublished

61 Church of St Michel, Bordeaux Panel in Virgin altarpiece, q.v.

–


62 Chapel of Breuil Benoit, Marcilly sur Eure, Eure, France Panel in Virgin altarpiece, q.v.; sold in 1997

–

Bouillet 1901, 53

63 Church of la Ferte Bernard, Sarthe, France Panel in Virgin altarpiece, q.v.

–

Bouillet 1901, 55


–

Cheetham 1984, 59

65 Commune de l’Eure, Normandy Panel in Virgin altarpiece, q.v. 66 Cathedral of Segovia, Spain

43 × 27 –



67 Musée National du Moyen Age, Cluny, Paris Fragment with kneeling Monk

27 × 13

68 Musée Boucher de Perthes, Abbeville, France

–

Prigent 1998, 69

69 Chapel of Nôtre Dame de Quelven en Guern, Morbihan, France

–

Prigent 1998, 68, 70

70 Chapel of Nôtre Dame du Voeu, Cherbourg, France

–

Prigent 1998, 69

71 Church of Venables, Eure, France

–

Prigent 1998, 69


–

Unpublished


    73 Sotheby’s, New York, 29 February 1987 Top of panel restored 74 D. Katz Ltd, 13 Old Bond Street, London (2000) (X) 75 Sotheby’s, New York, 29 January 1999 Top of panel and bottom right corner missing

39.3 × 23.8 – 42.2 × 26.4


Unpublished Sale Catalogue, no. 13, illus.

Assumption and Coronation – Type A. Crown Being Held Above by Angels 1 Chapel of Nôtre Dame sur Vire, Lower Normandy

41 × 29

Rostand 1928, 288–9, no. 35

2 Cathedral of St André, chapel of Ste Marguerite, Bordeaux

39 × 25

Gorguet 1984, 57, no. 37

3 Private collection Vilhena, Lisbon (1954) (92) 4 Burrell Collection, Glasgow Inv. 13

38.5 × 26.5

Unpublished

39.3 × –

Unpublished

5 Walters Art Gallery, Baltimore, USA Panel in Virgin altarpiece, q.v.

40 × –


6 Sotheby’s, London, 20 November 1964

42 × –


7 Private collection Douglass, Connecticut, USA Panel in Virgin altarpiece, q.v.; sold in 1996

8 Church of Ker Maria an Isquit, Plouha, Calvados Panel in Virgin altarpiece, q.v.

39.1 × 22.2

–

Hildburgh 1954b, 27, note 30; Sotheby’s, New York, 12 Jan. 1996, Sale Catalogue, no. 1027, illus. Maclagan 1920, 56

42 × 25


10 Private collection Great Britain

39 × 25


11 Yale Institute of Arts, USA (2001) (93)

43 × 26

Unpublished

9 Christie’s, London, 11 January 1994

Assumption and Coronation – Type B. Virgin with Christ and God the Father 1 Church of St Michel, Bordeaux Panel in Virgin altarpiece, q.v.

–


Assumption and Coronation by the Trinity – Type C. Holy Spirit as a Dove 1 Victoria and Albert Museum, London Panel in Virgin altarpiece, q.v.

41.8 × 26.2



108 × 37

Prigent 1998, 70, illus. 71

3 Church of St Nicholas, Le Trait, Seine Maritime, France

55 × 30

Prigent 1998, 70, illus.; Flavigny 1998, 113, cat. 28, illus.

4 Musée Communal, Verviers, Belgium (94)

54 × 24


5 More House, Cromwell Road, London Dove damaged (95)

76.2 × –

Gillett 1956, 10

6 Private collection Per Gjerding, Portugal (1959) (96)

–

The Connoisseur, June 1957, illus.; advertised by S. W. Wolsey



      Assumption and Coronation by the Trinity – Type D. Shown as Three Separate Individuals 1 Victoria and Albert Museum, London 2 Musees Royaux d’Art et d’Histoire, Brussels (from Musée Archéologique d’Arlon)

73.8 × 35


–

Derveaux-Van Ussel 1967, E/24, fig. 10; Destrée 1909, 458, fig. 9


43 × 26


4 Musei Civici di Storia ed Arte, Trieste, Italy Central panel of St Catherine altarpiece, q.v. (97)

48 × 24

Fiorin 1969–70, 140–1, fig. 26; described as ‘S. Caterina in gloria’

5 Sotheby’s, London, 16 November 1972 (from Abbey van Hoogstaete, Belgium)

56 × 27.3


6 Church of San Benedetto a Settimo, Pisa Panel in Virgin altarpiece, q.v. (98)

–

Papini 1910, 4, fig. 2; described as ‘La Vergine in Gloria’

7 Church of La Celle, Eure, Normandy Central panel in St George and Virgin altarpiece, q.v.

–

Biver 1910a, 76–7, pl. VIII; Flavigny 1998, 89–97, cat. 53, illus. 90–1

8 Church of Abergavenny, Monmouth Central panel at back of tomb of Sir Richard Herbert (d. 1510)

96.5 × 33

Gardner 1940, 14, pl. 9

Coronation – Type Unknown 1 Church of la Ferte Bernard, Sarthe, France Panel in Virgin altarpiece, q.v.

–

Bouillet 1901, 55

Coronation by God the Father – Type A. Virgin Seated (except for 1, 2 and 5) (c. 1400) 1 Victoria and Albert Museum, London Virgin kneeling

40 × 29.2


2 Victoria and Albert Museum, London Virgin kneeling

43.3 × 30.5



43.7 × 29.9


4 Private collection, Gloucestershire (2000) Upper part missing 5 British Museum, London (from Kettlesbaston church, Suffolk) Virgin kneeling. Heads missing. Panel from Virgin altarpiece, q.v. 6 British Museum, London 7 Barber Institute of Fine Arts, University of Birmingham (99)

–

Nelson 1918b, 323. Described as ‘Gambier–Parry collection’

24.7 × 29.2

Nelson 1919b, 86, pl. I, no. 2

–

Nelson 1918b, 323, pl. XI, 2

101.6 × 58.4

Pitman 1959, 208

8 Musée Thomas Dobrée, Nantes (100)

38 × 24.8

Hildburgh 1930, 45

9 Church of Preston in Holderness, Humberside Damaged

43.2 × 28

Nelson 1918b, 323; Stevenson 1906, 3 illus.

10 Rhode Island School of Design, Providence, USA

42.5 × 28


     11 Ripon Cathedral Library, Yorkshire 12 Christie’s, London, 12 May 1970

38 × 24 39.4 × 25.4

Nelson 1918b, 323, pl. VIII, 1 Sale Catalogue, 13, no. 22, illus.

13 Church of Cernache, near Coimbra, Portugal Unique horizontal panel (101)

– × 100

14 National Museum, Copenhagen (from church of Munkaþverá, Iceland) Panel from Virgin altarpiece, q.v.

–



50 × 28

Gorguet 1984, 86, no. 63

Dos Santos 1948, 38, fig. 58

16 Church of Whittlesford, Cambridgeshire Three fragments

–

Society of Antiquaries, 1913, 70, no. 71 (3), pl. XXIV

17 Scarborough Museum, Yorkshire Two fragments

–

Society of Antiquaries, 1913, 71, no. 73 (1 and 4), pl. XXVI

18 Church of East Rudham, Norfolk Heads missing

26.6 × 26.6

Norfolk Archaeology 1879, 328

19 Church of East Rudham, Norfolk Panel from tomb (?); much weathered (102)

66 × 33

Unpublished


20.3 × –

Nelson 1925, 36, pl. IV, 2

21 University Museum of Archaeology and Ethnology, Cambridge (from Oakington, Cambridgeshire) Possible Coronation fragment

–

Unpublished

22 Museo Arqueológico Etnográfico e Histórico Vasco, Bilbao

–

Franco Mata 1999, 185, 101, fig. 93

Coronation by the Trinity – Type B. Holy Spirit as a Dove, Virgin Seated (except for 2 and 40) 1 Victoria and Albert Museum, London

40.8 × 25.9


2 Victoria and Albert Museum, London Virgin kneeling

40.1 × 25


3 Victoria and Albert Museum, London Top corners missing

41.6 × 25.8


4 Victoria and Albert Museum, London Dove mostly missing

37.4 × 23.5


5 Victoria and Albert Museum, London Holy Spirit missing, either as Dove or third individual

41 × 27.2


6 Victoria and Albert Museum, London Holy Spirit missing, either as Dove or third individual; badly weathered

33 × 23.4


      7 Victoria and Albert Museum, London Holy Spirit missing, either as Dove or third individual

40.5 × 24.6



41.2 × 25.5

Cheetham 1973, 38, illus. 39

9 Church of Le Bourg de Batz, Loire Inférieure, France 10 Musée des Beaux Arts, Tours, France (103)

–

Pitman 1959, 211, fig. 63

–

Unpublished


40 × 27

Society of Antiquaries, 1913, pl. V, fig. 10b

12 Museum of Fine Arts, Budapest (104)

39 × 26

Balogh 1975, no. 263, illus.; Verõ 1993, 46, fig. 16

13 Castillo de Peralada, Gerona, Spain

–


14 Stadtisches Suermondt Museum, Aachen

41 × 26

Hildburgh 1925b, 61

15 Roselius Haus Museum, Bremen The Dove is missing

42 × 26

Unpublished

–

Unpublished

16 Museum of Art, Philadelphia, USA The Dove is missing 17 Musée National du Moyen Age, Cluny, Paris The Dove is missing 18 Museo Civico, Turin 19 Art Museum, University of Princeton, New Jersey, USA

41 × 26


38.5 × 24

Pitman 1959, 211, fig. 60

39.5 × 29.5


20 York City Art Gallery (from Fountains Abbey) Panel from Virgin altarpiece, q.v.

42 × 26

21 Private collection Douglass, Connecticut, USA Panel in Virgin altarpiece, q.v.; sold in 1996

38.7 × 22.2

Society of Antiquaries, 1913, 61, no. 38; described as in the possession of ‘The Marquess of Ripon’, illus. pl. XVIII; Christie’s 11 Dec. 1979, no. 24 Sotheby’s, New York, 12 Jan. 1996, Sale Catalogue, no. 1027, illus.

22 Bresset et Fils, 5 Quai Voltaire, Paris (1965) (105)

39.5 × 27

Unpublished

23 Royal Ontario Museum, Toronto

38.7 × –

Tavender 1959, 439, no. 77, pl. VIII

24 D. Katz Ltd, 13 Old Bond Street, London (2000) (XI)

38.5 × 24

Unpublished

25 Private collection Oppenheimer, S. Africa (1950s) (106)

25.5 × –

Unpublished


40 × 26.7


27 Musée des Beaux Arts, Ghent, Belgium (107)

–

28 Sotheby’s, London, 16 December 2002 (from Robertson Collection)

38 × 22.5

Derveaux-Van Ussel 1967, E/23 Sale Catalogue, no. 20, illus.

     29 Musée de Normandie, Caen Inv. 438–D–438

–

Prigent 1998, 75

30 Church of St Herbot en Plonevez du Faou, Finistère, France

–

Prigent 1998, 75

31 Musée de la Chartreuse de Douai, France Inv. A 4557

–

Prigent 1998, 75

32 City Museum, St Albans, Great Britain Inv. 1956–161–15

–

Unpublished


–

Unpublished

34 Nyköping Museum, Sweden Dove holding consecrated wafer in its beak

–

Pitman 1959, 211, fig. 61

35 Kunsthandel J. Polak, Nieuwe Spielgelstraat 70, Amsterdam

42 × –

36 Church of Avilés, near Oviedo, Asturias, Spain Panel in Virgin altarpiece, q.v.; now missing

–

Hildburgh 1944, 31, pl.XI; Franco Mata 1999, 185, fig. 61


–



–

Nelson 1919c, 141, pl. II, 2

39 Basilica de Daroca, near Zaragoza, Spain Panel in Virgin altarpiece, q.v.

62 × 31

Apollo, May 1983, 81, illus.

Franco Mata 1999, 189, 83, fig. 35; Hildburgh 1954a, 14–15, pl. V, d

40 Church of the Virgin, Cara, Korcula, Dalmatia, Croatia (109) Panel in Virgin altarpiece, q.v.; Virgin kneeling

–

Fisković 1977, 159, Table II (5)

41 Church of Ker Maria an Isquit, Plouha, Calvados Panel in Virgin altarpiece, q.v.

–

Prigent 1998, 75; Maclagan 1920, 56


–

Cheetham 1984, 59

43 Musée des Augustins, Toulouse, France

40 × 25

Gorguet 1984, 200, no. 149

Coronation by the Trinity – Type C. Trinity Shown as Three Separate Individuals Virgin seated – except for 8 and 49 1 Victoria and Albert Museum, London

42.2 × 26.5



44.4 × 32.2


3 Fitzwilliam Museum, Cambridge

43.8 × 28.6

Nelson 1920b, 217–18

4 National Collection of Fine Arts, Washington, DC, USA

43.2 × –

Tavender 1955, 65, no. 5, pl. I

5 George F. Harding Museum, Chicago, USA

58.4 × –

Tavender 1955, 70, no. 60, pl. IX

      6 Art Institute of Chicago, USA

40 × 26.4

7 Stonyhurst College, Lancashire Left side of panel missing

–

8 Burrell Collection, Glasgow Virgin kneeling (110)

40.6 × 27.9

Tavender 1955, 70, no. 57 Unpublished


40.5 × 26

Feyo 1947, 78, fig. 9

10 Museu Nacional de Soares dos Reis, Oporto (111)

35.8 × 25

Cheetham 1981, 7

11 Museu Municipal Gouveia, Portugal Overpainted (112)

41 × 24.5

Dias, 282, illus.

12 Sotheby’s, Los Angeles, 2 March 1982

55 × –


13 Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig Panel in Virgin altarpiece, q.v.

41.7 × 26.8

Sale Catalogue, no. 290, illus. Hildburgh 1925b, 61; described as being at Gross-Gronau


40 × 25.5

15 Bishop’s Palace, Quimper, Finistère, France

38 × 25

Prigent 1998, 73, illus.

16 Church of Montgeard, Haute Garonne, France

40 × 26

Gorguet 1984, 170, no. 129


17 Gruuthuse Museum, Bruges The Holy Spirit is missing, as a Dove or as a third separate individual

–

Prigent 1998, 76

18 Church of St Jean, Tervuren, Belgium Panel stolen in 1976 (113)

–


41 × 27


19 Musees Royaux d’Art et d’Histoire, Brussels 20 Musée des Antiquités, Rouen Inv. T111, p 56, no. 2115 (114) 21 National Gallery of Scotland, Edinburgh

41 × 22.5 41.3 × 25.4

Unpublished

Illustrated cat., National Gallery of Scotland, Edinburgh 1930, 35, illus.

22 Metropolitan Museum, New York Top of panel missing

36.2 × –



41.5 × 28

Society of Antiquaries, 1913, pl. V, fig. 10d


44.5 × 28


25 Sotheby’s, London, 14 December 1978 Top of panel missing

43 × 28.5



42.9 × 25.6

27 Sotheby’s, London, 7 April 1970 (from Catholic Cathedral of St Marie, Sheffield) Damaged and restored

–


39.5 × 25

Unpublished Sale Catalogue, no. 51


     29 Private collection Falk, Oxfordshire (1955) (115)

45.8 × 30.5

Unpublished

30 Philips, Son and Neale, New Bond Street, London, 21 March 1972 (116)

40.6 × 26.6


31 Geoffrey Van Ltd, 105/107 Portobello Road, London, W11 (1970s) Figures surmounted by a large crown (117)

–

Unpublished

32 Private collection Norman, Oxfordshire (1952) (118)

–

Unpublished

33 Musée Archéologique, Château Borely, Marseilles

–

Unpublished

34 Church of Pringy, Seine et Marne, France

–

Prigent 1998, 73

35 Museu Nacional d’Art de Catalunya, Barcelona

–


36 Museu Nacional d’Art de Catalunya, Barcelona Left side of panel missing

–


37 Commune de la Seine Maritime, France

44 × 28


38 Chapel of Nôtre Dame du Tertre, Chatelaudren, Côtes du Nord Panel in Virgin altarpiece, q.v.

–

Prigent 1998, 73

39 Church of St Leonard, Limoges Panel in Virgin altarpiece, q.v.

–

Tavender 1949, 400, pl. V


–

Biver 1910a, 67, pl. I

41 Church of Santa Maria, Majori, Salerno Panel in Virgin altarpiece, q.v.

–


42 Burrell Collection, Glasgow Inv. 10; fragment with seated God the Son (the Holy Spirit is either a Dove or third individual)

33.5 × –

43 Christie’s, London, 11 December 1979 Fragment of head of Virgin and head of Holy Spirit above

20 × –

44 Musée National du Moyen Age, Cluny, Paris Fragment of Virgin and seated person of the Trinity

33 × 25.5

45 Musée d’Évreux, Normandy Fragment of figure of God the Son, probably from a Coronation

–

Unpublished

Sale Catalogue, no. 28, pl. 3


Unpublished

46 Musée des Augustins, Toulouse Crowned head, possibly from a figure of the Trinity, from a Coronation

75 × 55

Gorguet 1984, 38, no. 22

47 Schnutgen Museum, Cologne It is not clear from the description which type of Coronation this is

34.5 × –

Hildburgh 1930, 42–3, ‘on loan from Dr Leopold Seligmann’

      48 Chapel of Breuil-Benoit, Marcilly sur Eure, Eure, France Panel in Virgin altarpiece, q.v.; sold in 1997

–

Bouillet 1901, 53

49 Museum of Akureyri, Iceland (from church of Möðruvellir, Eyjafjörður) Panel in Virgin altarpiece, q.v.; Virgin kneeling

–

Nordal 1977, 49–50, no. 11, fig. II


–

Nordal 1977, 44–5, no. 3, fig. IV


–

Nordal 1977, 46–7, no. 6, fig. V

52 Commune de l’Eure, Normandy Small fragment of panel in Virgin altarpiece, q.v.

–


53 Sotheby’s, New York, 10 May 1985

57 × –


Coronation by God the Father and Attendant Angels – Type D 1 Church of Apethorpe, Northamptonshire Canopy over tomb of Sir Richard Dalton (d. 1442?); the tomb looks c. 1500

–

Gardner 1940, 35, 96, fig. 79

Virgin – Adoration by the Trinity and Angels 1 Burrell Collection, Glasgow

40.7 × 25.5

Nelson 1920b, 217, pl. VI

Virgin in Glory 1 Musée des Antiquités, Rouen

–

Cochet 1875, no. 101

Virgin as Protectress 1 Museo di S. Agostino, Genoa Panel in Te Deum altarpiece, q.v. (119)

45 × 15.5

Nelson 1917b, 119, pl. XII; described as ‘Our Lady of Mercy’

2 Museo Marés, Barcelona Head of Virgin and some smaller heads are an early twentieth-century restoration

106 × 55

Franco Mata 1999, 191, fig. 113; described as ‘Santa Ursula, protectora’; Perera 1958, 221, illus.; described as ‘Virgen de la Misericordia, Coleccion Herran Rucabado, Madrid’

   

LIFE OF CHRIST life of christ

Baptism of Christ 53.3 × 25.4


2 Musée des Beaux Arts, Ghent (2)

38 × 27


3 Private collection Grimbergen, Belgium (1980) (3)

46 × 26


1 Bowes Museum, Barnard Castle, County Durham (1)

4 Abbey of Fontfroide, near Carcassonne, Aude, France

–

Unpublished

5 Church of St Mary, Shrewsbury Top of panel damaged Panel from incomplete Baptist altarpiece, q.v.

39.4 × 27.3


6 Church of Castillon, Haute Pyrénées, France

39 × 25

Gorguet 1984, 202, no. 150

–

Nelson 1919a, 137, pl. VIII

Christ and the Woman of Samaria 1 Musée du Louvre, Paris

Curing of the Blind Man of Jericho 1 Museu Nacional de Arte Antiga, Lisbon This panel and that of the Raising of Lazarus appear to be from a unique altarpiece illustrating the miracles of Christ. (4)

41.5 × 27.5

Guimarães 1977, 15, no. 6, illus.

41.5 × 28

Guimarães 1977, 14, no. 5, illus.

Raising of Lazarus 1 Museu Nacional de Arte Antiga, Lisbon See Curing of the Blind Man of Jericho (5) 2 Church of Perques, Manche, France (6)

–

Prigent 1998, 32

Christ in the House of Simon 1 Musée d’Art et d’Histoire, Lille, France Compare with Last Supper panels (7)

57 × 48

Unpublished

Washing the Feet of the Apostles 1 National Museum of Warsaw, Poland (8)

64.3 × 33.2

Massowa 1996, 43, cat. 18, fig. 23

2 Private collection Douglass, Connecticut, USA (1970s). Now private collection Great Britain (2003) (9)

48.2 × 27.3

Nelson 1920b, 218, pl. VIII; described as ‘collection of Mr Grosvenor Thomas’


51 × 29

4 Hôtel de Ville, Compiègne, Oise, France Panel in Passion altarpiece, q.v.

–

Sale Catalogue, 198, no. 977, illus. Biver 1910a, 80, pl. XVI, no. 1

Entry into Jerusalem 1 Victoria and Albert Museum, London Top of panel missing

35.8 × 27.9


      2 Victoria and Albert Museum, London Fragment of Christ on donkey 3 Private collection Douglass, Connecticut, USA (1970s) Top of panel missing 4 Haddon Hall, Bakewell, Derbyshire Panel in Passion altarpiece, q.v. (10) 5 Castle Museum, Nottingham

28.3 × 24 44.5 × 25.4

– 41.9 × 26


Unpublished

Hildburgh 1937a, 182–3, pl. XLIX, 1


Last Supper 1 Victoria and Albert Museum, London Top of panel missing. Panel in Passion altarpiece, q.v. 2 Hôtel de Ville, Compiègne, Oise, France Panel in Passion altarpiece, q.v. (11) 3 British Museum, London Inv. 90, 8–9, 3 (M24.7) (12)

39.8 × 37.2

– 40.7 × –


Biver 1910a, 80–1, pl. XVI, no. 2

Unpublished

4 Jewett Art Center, Wellesley College, Wellesley, Massachusetts, USA

63.5 × 48.3

Tavender 1959, 438, no. 73

5 Church of St Leu, Boulevard Sebastopol, Paris

–

Tavender 1959, 438, no. 73

6 Museo di Vicenza, Italy

–

Unpublished

20.3 × 26.7

Unpublished

42.2 × 26.7


2 Art Museum, Princeton University, USA

40 × 19

Parke-Bernet Galleries, New York; 20–3 Apr. 1949, Sale Catalogue, no. 749; Cheetham 2001, 34, illus.

3 Musée Thomas Dobrée, Nantes Panel in Passion altarpiece,q.v. (13)

50 × 30

Hildburgh 1948, 5–6, pl. Ia

7 Dorset County Museum, Dorchester Inv. 1967.5 Fragment of lower half of panel

Agony in the Garden 1 Victoria and Albert Museum, London

4 Church of Ecaquelon, Calvados Panel in Passion altarpiece, q.v.

–

Hildburgh 1949a, 74–5; Biver 1910a, 70, pl. III, 3

5 National Museum of Iceland, Reykjavík Panel in Passion altarpiece, q.v.; Agony included in top part of a Betrayal panel

–

Nelson 1920a, 194–5, pl. II

6 Cathedral of Mondoñedo, Lugo, Galicia, Spain Panel in Passion altarpiece, q.v.

–


39 × 27.5


7 Private collection, Great Britain (2000)

    Jesus’ Charge to the Apostles 1 Cathedral of Santiago de Compostela, Spain Panel in altarpiece of Life of St James, q.v.; also listed under St James the Great

41 × 27

Hildburgh 1926, 306, pl. XLIII, fig. 1; Franco Mata 1999, 186, 50, fig. 3

Betrayal 1 Victoria and Albert Museum, London Panel in Passion altarpiece, q.v.

43.8 × 27.7


2 Victoria and Albert Museum, London (formerly in Naworth Castle, Cumbria (1947))

42.3 × 27.8



45.2 × 30.1



45 × 27.7



39.1 × 26.4


6 Victoria and Albert Museum, London Surface badly weathered

38.6 × 26.2


7 Church of Hawkley, Hampshire (14)

44.4 × 29.2

Nelson 1919b, 91–2, pl. VII, 1

8 Art Museum, Seattle, USA

42 × 27.3

Unpublished

9 Art Museum, Seattle, USA

42.5 × 29.2

Unpublished

10 National Museum of Iceland, Reykjavík (from church of Hólar) Panel in Passion altarpiece, q.v.; top part of panel shows Agony in the Garden.

–

Nelson 1920a, 194–5, pl. II

11 Museo Schifanoia, Ferrara, Italy Panel in Passion altarpiece, q.v.

40 × 22


12 Abbey of Mont St Michel, Normandy Panel in Passion altarpiece, q.v.

45 × 28

Maclagan 1920, 56

13 Museo Nazionale, Naples Panel in Passion altarpiece, q.v.

57 × 33


14 Church of Yssac la Tourette, Puy de Dome, France Panel in Passion altarpiece, q.v.; altarpiece stolen in 1981 (15)

45 × 27

Biver 1910a, 69, pl. III, 2

15 Haddon Hall, Bakewell, Derbyshire Panel in Passion altarpiece, q.v. 16 British Museum, London Inv. 1913, 12–20, 102; normal design reversed (16)

–

42.5 × –

Hildburgh 1949a, 77, pl. XV, c

Nelson 1925, 33, pl. III, 1


43 × –

Unpublished


40.7 × –

Unpublished

      19 Musée des Antiquités, Rouen (from church of Rouvray, près Forges les Eaux, Seine Maritime, France) Panel in Passion altarpiece, q.v.

43 × 26

Flavigny 1998, 120, no. 51, illus.

20 Musée des Antiquités, Rouen (from church of St Denis sur Scie, Seine Maritime) Panel in Passion altarpiece, q.v.

43 × 26


21 Musée des Antiquités, Rouen Inv. T 111, p 112, no. 2756; top right hand corner missing

40 × 27

Unpublished

22 C. Otto v Kienbusch, Private Museum, New York, USA 23 Ashmolean Museum, Oxford (loan from Pomeray (1970s)) (17)

43.2 × 28 40.7 × 26.7

Tavender 1959, 437–8, pl. III

Unpublished

24 Sotheby’s, London, 7 April 1970 (from Catholic Cathedral of St Marie, Sheffield)

38 × –


25 Musée du Louvre, Paris

42 × 26

Vitry 1933, no. 1904


39.5 × 26.5


42.5 × 27

Prigent 1998, 77–8, cat. 16, illus. Prigent 1998, 79, cat. 17, illus. 79 and 52

28 Musée Thomas Dobrée, Nantes Panel in Passion altarpiece, q.v.

50 × 30

29 Society of Antiquaries, London Surface weathered

40.7 × 26.3


30 Bowes Museum, Barnard Castle, County Durham

44.5 × 26.7


31 City Museum, Reading Top edge missing

34.3 × 30.5

Society of Antiquaries, 1913, 52, no. 5, pl. IX


41.3 × 26.1

Unpublished

33 Burrell Collection, Glasgow Inv. 40; top left corner missing

38 × 26.7

Unpublished

34 City Art Gallery, Manchester Top missing

34.3 × 27.9

Unpublished

35 Schnutgen Museum, Cologne

43.5 × 28


Hildburgh 1925b, 60

36 Musée des Beaux Arts de Dijon, France (bequest of Mme Henri Grangier, 1905)

42 × 28

Prigent 1998, 35

37 Musée de Picardie, Amiens, France (gift of M. Croisille)

40 × 26

Unpublished

38 Cracow Cathedral, Poland (from Trzemsnia) (18)

39 × 25.5

Olszewski 1960, 64, 56, fig. 19

   39 Metropolitan Museum, New York, USA

35.5 × –


40 Art Museum, Princeton University, New Jersey, USA Corners broken away

63.5 × –

Tavender 1959, 437, no. 68

41 George F. Harding Museum, Chicago, USA

48.2 × –


42 Private collection, Madrid (1958)

–

Perera 1958, 219–20, 216, illus.

43 Museu Municipal, Viana do Castelo, Portugal (19)

–

Cheetham 1981, 12

44 Cathedral Treasury, Angers, France

–

Prigent 1998, 79

45 Church of St Leu, St Gilles, Paris

–

Unpublished

46 Musée de la Société des Antiquaires de Normandie, Caen, France

42 × 25

Rostand 1928, 302, no. 58

47 Musée Diocesain, Liege, Belgium

34 × 24


48 Ronald A. Lee Ltd, 1–9 Bruton Place, London W1 (1967)

42 × 27


30.5 × 26.7


50 Hôtel Drouot, Paris 25 February 1972

40.5 × 24



42 × 26.5



46.5 × 28.5


53 Christie’s, London, 18 July 1977

46 × 31


54 Lempertz Auctions, Cologne June 1978

44 × 27

Sale Catalogue, illus.

49 Sotheby’s, London, 23 March 1971

55 S. Franses Carpets Ltd, 71–3 Knightsbridge, London (1978)

31.1 × 26

Unpublished


31.1 × –


57 Private collection Near Eindhoven, Netherlands (20)

35 × 27

Unpublished

58 Brimo de Laroussilhe, Paris (1970) (21)

42 × 27

Unpublished

59 S. W. Wolsey, 71–2 Buckingham Gate, London (1960s) With canopy (22)

–

Unpublished

60 Private collection, Great Britain (2000) (from D. Katz Ltd, 13 Old Bond Street, London) (XII)

–

Unpublished

61 S. W. Wolsey, 71–2 Buckingham Gate, London (1960s) (23)

44.5 × 28

Unpublished


–

Unpublished

63 Church of Ecaquelon, Calvados Panel from Passion altarpiece, q.v.; complete altarpiece stolen in 1975, but Betrayal and canopy recovered in 1979 (25)

–






     53.3 × 36.8

Society of Antiquaries, 1913, 77, no. 92, pl. XXVI; Country Life, 6 Oct. 1960, 737, illus.

65 Church of Drayton, Berkshire Panel in altarpiece with Passion and Virgin themes, q.v.

–


66 Church of Yarnton, Oxfordshire Panel in altarpiece with Passion and Virgin themes, q.v.

–

Nelson 1918b, 324, pl. XII, 1

67 Church of Lade, Trondheim, Norway Panel in Passion altarpiece, q.v.

–

Maclagan 1920, 61

68 National Museum of Iceland, Reykjavík (from church of Reynistaður) Panel in Passion altarpiece, q.v.

–

Nelson 1920a, 192–3, pl. I

69 Museu da Associacão de Arqueologos, Lisbon Panel in Passion altarpiece, q.v.

40 × 26.5

70 Musée des Augustins, Toulouse, France (from church of Rabastens) Panel in Passion altarpiece, q.v.

42.5 × 29.5

Gorguet 1984, 187, no. 141

71 Church of Nailloux, Haute Garonne, France Panel in Passion altarpiece, q.v.

43 × 25

Gorguet 1984, 174, no. 131

72 Sotheby Parke Bernet, Monaco 25–6 June 1984 Panel in Passion altarpiece, q.v.

41 × –

Sale Catalogue, 192–3, no. 970, illus.

64 Private collection Mrs Willett (1913) Sold in 1960

Hildburgh 1926, 307

73 Musée Vivenel, Hôtel de Ville, Compiègne, Oise, France Panel in Passion altarpiece, q.v.

–


74 Church of Pommerit le Vicomte, Côtes d’Armor, France

–

Prigent 1998, 79

75 Church of Nôtre Dame, Louviers, Eure, France Panel in Passion altarpiece, q.v.

–

Bouillet 1901, 56

76 Staatliche Museen, Preussischer Kulturbesitz, Skulpturengalerie, Berlin-Dahlem (said to be from Abbey of Cluny) Panel in Passion altarpiece, q.v.

–

Hildburgh 1937a, 184–5; described as ‘belonging to Mr F. J. Gould’; Royal Academy of Arts, 1935, 263, pl. CCXI

77 Church of Afferden, Limburg, Netherlands Panel in Passion altarpiece, q.v.

–


78 Church of Chatelus Malvaleix, Creuse, France Panel in Passion altarpiece, q.v.

–

Prigent 1998, 77

79 Church of St Martin, Coudray en Vexin, Eure, France Panel in Passion altarpiece, q.v.

–


80 Church of Nouatre, Indre et Loire, France Panel in Passion altarpiece, q.v.

–

Prigent 1998, 77

   81 Basilica of Ste Anne d’Auray, Morbihan, Brittany Panel in Passion altarpiece, q.v.

–

Prigent 1998, 77

82 Church of Santa Maria Magdalena, Plencia, Vizcaya, Spain Panel in Passion altarpiece, q.v.

–


83 Cathedral Museum, Mondoñedo, Lugo, Spain Panel in Passion altarpiece, q.v.

–


84 Abbot’s Collection, City of Korcula, Dalmatia, Croatia

–

Fisković 1977, 162, Table II, 9

85 Castello Sforzesco, Milan (from chapel of the Rocchetta di Porta Romana, Milano) Fragments

–

Unpublished

86 Musée Archéologique, Bayeux, Normandy Two fragments

–

Rostand 1928, 301, no. 56

87 Central Museum, Northampton, Great Britain Fragments set in plaster

26.5 × 24

Unpublished

88 Victoria and Albert Museum, London Fragment, top of panel

22 × 26.2


89 Victoria and Albert Museum, London Fragment of five heads

19.2 × 13.6


90 British Museum, London Inv. M24.10; fragment of three heads

–

Unpublished


32 × 26


92 Musée Fenaille, Rodez, Aveyron, France Fragment, top of panel

20 × 20

Gorguet 1984, 157, no. 121

93 University Museum of Archaeology and Ethnology, Cambridge Fragment showing Malchus

5.9 × 23.5

94 Private collection M. LeFebure, Fécamp, Seine Maritime, France (1931) Fragment of Christ, Judas and two soldiers

26 × –

95 Private collection C. Hodgson Fowler (1913) Weathered fragment with four figures and Malchus

33.6 × 19.7

Society of Antiquaries, 1913, 55, no. 15

Exposition d’Art Religieux Ancien, Rouen, 1931, cat. 7, fig. X


96 Church of Sandy, Bedfordshire Fragment of two soldiers

–

Nelson 1925, 36

97 Private collection Suffolk (found under floor of cottage in Eye (1982)) Fragment of four standing figures and head of Malchus

–

Unpublished

98 Museo de San Telmo, San Sebastián, Spain Two fragments

–




      99 Private collection London (2000)

–

Unpublished


35.5 × –


101 Castle Museum, Nottingham Panel in Passion altarpiece, q.v.

42 × –

Sotheby’s, 24 June 1982, Sale Catalogue, no. 39, illus.

102 Chapel of Château de Grandmont, France Panel in Passion altarpiece, q.v.

–

Bouillet 1901, 56

103 Church of St Laurent a Begard, Côtes d’Armor, France

–

Prigent 1998, 35

104 Musée des Augustins, Toulouse, France 105 Private collection, Great Britain (2000) (from D. Katz Ltd, 13 Old Bond Street, London)

40 × 24.5 41 × 27

Gorguet 1984, 182, no. 138 Cheetham 2001, 36, 37, illus.

106 D. Katz Ltd, 13 Old Bond Street, London (2000) (26)

–

Unpublished


–

Allan 2001, 167, pl. 5

Christ before Caiaphas 1 Musée des Antiquités, Rouen 2 Private collection Douglass, Connecticut, USA (1970s) (from church of La Asunción y del Manzano, Fuenterrabía, Spain). Now private collection, Great Britain (2003) (27)

50 × 30.5 49.5 × 29.2

Flavigny 1998, 116, cat. 39, illus. Unpublished

Christ before Herod 1 Victoria and Albert Museum, London

40 × 34.2


2 Christie’s, London, 12 May 1970 (28)

37 × 28

Sale Catalogue, no. 24, illus.; described as ‘Christ brought before Pontius Pilate’

40 × 34.2


Christ before Pilate 1 Victoria and Albert Museum, London 2 Musée des Antiquités, Rouen 3 Museu Nacional de Arte Antiga, Lisbon (29)

50 × 28 41.5 × 23

Flavigny 1998, 116, cat. 40, illus. Guimarães de Andrade 1977, 16, no. 7, illus.

4 Hôtel de Ville, Compiègne, Oise, France Panel in Passion altarpiece, q.v. (30)

–

Biver 1910a, 81, pl. XVII, no. 1


–


6 Musée des Augustins, Toulouse, France (from church of Rabastens) Panel in Passion altarpiece, q.v. 7 Musée du Louvre, Paris Top missing

41.5 × 29

–

Bouillet 1901, 62; Gorguet 1984, 189, no. 142 Nelson 1919a, 136, pl. VII, 2

   8 Musée de Vire, Normandy 9 Museum of London Inv. 11182; small fragment showing head of Christ

40 × 28 –

Rostand 1928, 308–9, illus. Unpublished

Flagellation 1 Victoria and Albert Museum, London

38.2 × 26.7



41 × 24.5



42.5 × 23.9


4 Victoria and Albert Museum, London Top missing

36.6 × 27.5



44.3 × 27.5


6 Art Museum, Denver, Colorado, USA Top right corner missing

43.2 × –



35.6 × –


8 National Museum, Copenhagen Top left corner missing

41 × 26

Nelson 1920a, 205, fig. 1, 206

9 British Museum, London Inv. 91, 5–21, 1 (M24. 42/3) 10 Musée des Beaux Arts, Narbonne, Aude, France

43.2 × 27.3 42 × 27

Unpublished

Gorguet 1984, 211, no. 156


–

Unpublished


–

Unpublished

13 Musée d’Art et d’Histoire, Lille, France Bottom left corner missing

–

Unpublished


43 × 27



41 × 27


16 Musée des Augustins, Toulouse, France (from church of Rabastens) Panel in Passion altarpiece, q.v.

42 × 29

Prigent 1998, 80, fig. 15; Gorguet 1984, 190, no. 143

17 Musée des Antiquités, Rouen Inv. t IV, p. 7, no. 4519

40 × 27

Unpublished

18 Musée des Antiquités, Rouen (from church of Rouvray, près Forges les Eaux, Seine Maritime, France) Panel in Passion altarpiece, q.v. (XIII)

42.5 × 27

Flavigny 1998, 120, cat. 51(b)

19 Musée du Château, Carcassonne, France Panel from Passion altarpiece, q.v. (33)

43.2 × 32


20 Abbey of Montivilliers, Seine Maritime, France

59.5 × 38

Flavigny 1998, 103 illus., cat. 2, and 14 illus., Prigent 1998, 80



      21 Musée d’Aquitaine, Bordeaux, France

44 × 28


22 Institute of Art, Detroit, USA (34)

40.6 × –


23 Catharijneconvent Museum, Utrecht, Netherlands

65 × 32.5

Bouvy 1962, no. 62, pl. 31

24 Private collection Bruges (1975)

39.4 × 27.3

Unpublished


43.5 × 27.5

Nelson 1918b, 325, pl. XIII, 1; Cheetham 2001, 38, illus.

26 Museu Regional, Évora, Portugal 27 Museu da Associacao de Arqueologos, Lisbon Panel in Passion altarpiece, q.v. 28 Museo Seminario di S. Maria della Salute, Venice (35)

– 41 × 26.5 36.9 × 24.1

Cheetham 1981, 13 Cheetham 1981, 14; Hildburgh 1926, 307 Hildburgh 1955c, 183

29 Private collection L., Cherbourg, France

45 × 25

Rostand 1928, 277–8, illus.

30 Church of St Pierre d’Arthéglise, Normandy

42 × 28

Rostand 1928, 292

31 Musée Breton de Quimper, Brittany

43 × 28

Unpublished

32 Church of Trzemesnia, Poland (36)

39 × 25.5

Olszewski 1960, 64, fig. 20


–

Biver 1910a, 81, pl. XIV

34 Michel Dumez-Onof, 109 Mount Street, London W1 (1967) (37)

–

Unpublished

35 Geoffrey Van Ltd, 105–7 Portobello Road, London (1973)

–

Society of Antiquaries, 1913, pl. V (c), from ‘Gisors’

36 J. and H. Harden Antiquaires, 62 Tremelobaan, 2850 Keerbergen, Belgium Background cut away

–

Apollo, July 1977, illus.

37 Sotheby’s, London, 7 April 1970 (from Catholic Cathedral of St Marie, Sheffield)

40.7 × –


38 Royal Scottish Museum, Edinburgh Inv. A.1929.296

37.5 × 26

Prigent 1998, 80

43 × 26

Prigent 1998, 80

39 Church of St Martin, Cambes, Gironde, France 40 Haddon Hall chapel, Bakewell, Derbyshire Panel in Passion altarpiece, q.v.

–

Hildburgh 1937a, 182–4, pl. L (1)


–


42 Church of Ecaquelon, Calvados Panel in Passion altarpiece, q.v.; altarpiece stolen in 1975

–

Biver 1910a, 70, pl. III, no. 3 and pl. IV, no. 2

   43 Church of Afferden, Limburg, Netherlands Panel in Passion altarpiece, q.v.

–


44 Church of Pommerit le Vicomte, Côtes d’Armor, France Panel in Passion altarpiece, q.v.

–

Prigent 1998, 81

45 Church of St Avit les Guespieres, Sarthe, France Panel in Passion altarpiece, q.v.

–

Biver 1910a, 70, pl. V, no. 1


–

Maclagan 1920, 61

47 Musée Thomas Dobrée, Nantes, France Panel in Passion altarpiece, q.v.

50 × 30

Hildburgh 1948, 6–8, pl. II, a

48 National Museum of Iceland, Reykjavík (from church of Hólar) Panel in Passion altarpiece, q.v.

–


49 Church of Þingeyrar, Iceland Panel in Passion altarpiece, q.v.

–


50 Abbot’s Collection, City of Korcula, Dalmatia, Croatia

–

Fisković 1977, 162, Table II


–



–

Maclagan 1920, 61

53 Church of Nôtre Dame de Croaz Batz, Roscoff, Brittany Panel in altarpiece of both Passion and Virgin themes, q.v.

–

Maclagan 1920, 56

45 × 28

Rostand 1928, 299

54 Abbey of Mont St Michel, Normandy Panel in Passion altarpiece, q.v. 55 Church of Nôtre Dame, Louviers, Eure, France Panel in Passion altarpiece, q.v.

–

Bouillet 1901, 59


42 × 25

Gorguet 1984, 175, no. 132

57 Church of Yssac la Tourette, Puy de Dome, France Panel in Passion altarpiece, q.v.; altarpiece stolen in 1981 (38)

45 × 27


58 Sotheby Parke Bernet, Monaco, 25–6 June 1984 Panel in Passion altarpiece, q.v.

41 × –



–






     60 Musée de Picardie, Amiens, France Panel in Passion altarpiece, q.v.; fragment showing Christ and two tormentors

37 × 17


61 Church of St Laud’s, Mabe, Falmouth, Cornwall Fragment showing Christ and two tormentors

27 × –

Unpublished

62 Musée Château de la Duchesse Anne, Dinan, France Fragments of two tormentors

–

Hildburgh 1930, 44

63 Museum of London Small fragment of top of column

–

Unpublished


42 × –


65 Private collection Bonn, Germany (2001) (39)

40 × 30

Unpublished

66 Chapel of Breuil-Benoit, Marcilly sur Eure, Eure, France Panel in Passion altarpiece, q.v.; sold in 1997

–

Bouillet 1901, 53


–

Bouillet 1901, 56


–

Nelson 1920a, 192–4, pl. I

69 Sotheby’s, London, 21 April 1988 Top of panel cut away

32.2 × –


70 Sotheby’s, London, 13 December 1991 Panel in Passion altarpiece, q.v.

40 × 26


71 Auction Sale Piasa, Paris, 3 April 1998 Panel in Passion altarpiece, q.v.

44 × 26


72 Private collection, Great Britain (2000) (from D. Katz Ltd, 59 Jermyn Street, London)

42 × 26.5


73 Church of Chatelus Malvaleix, Haute Vienne, France Panel in Passion altarpiece, q.v.

–

Unpublished

74 Duke University Museum of Art, College Station Durham, North Carolina, USA Inv. 1973.30 (40)

–

Unpublished

75 Church of St Martin, Coudray en Vexin, Eure, France

–


Mocking of Christ 1 Victoria and Albert Museum, London 2 Museum of Art, Philadelphia, USA 3 Burrell Collection, Glasgow Christ blindfolded; top of panel missing

59.6 × 28.5 38.1 × – 36.2 × 27.3

Cheetham 1984, 239, cat. 166, illus. Tavender 1955, 66, no. 14 Nelson 1925, 32

    4 Musée des Antiquités, Rouen Inv. t IV, p3, no. 4502; fragment, showing one figure and blindfolded Christ

38 × 22.5

Unpublished

5 Haddon Hall chapel, Bakewell, Derbyshire Panel in Passion altarpiece, q.v.; Christ blindfolded (41)

–

Hildburgh 1937a, pl. XLIX, 3

6 Hôtel de Ville, Compiègne Oise, France Panel in Passion altarpiece, q.v.; Christ blindfolded (42)

–

Biver 1910a, 81, pl. XVII, 2

7 Musée Grobet-Labadie, Marseilles Inv. GL 969; Christ with feet in stocks (43)

32 × 29

Unpublished

Christ the Man of Sorrows See also Heads of St John the Baptist (types D and F) with Christ the Man of Sorrows or Our Lord’s Pity. 1 Museu Nacional de Arte Antiga, Lisbon (44)

50 × 19.5

Feyo 1947, 76, fig. 4; described as ‘Ecce Homo’


–

The Connoisseur, May 1954, 220, fig. VI

3 Graignes Presbytere, Normandy

–

Rostand 1928, 291–2, illus.

4 Huelva, Museo Diocesano, Monasterio de Santa Clara, Moguer, Andalusia, Spain

–


5 Church of Whitton, Richmond, Great Britain

–

Unpublished

–


Christ Led to Judgement 1 Musée du Louvre, Paris French, carved under English influence?

Christ Bearing the Cross 1 Victoria and Albert Museum, London Panel in Passion altarpiece, q.v.

43.8 × 27.2



40.5 × 24.1



50.9 × 29.6


4 Church of Conches, Eure, Normandy Panel in Passion altarpiece, q.v. (46)

–

Destrée 1909, 460, fig. 10; Bouillet 1901, 55

5 Museum of Art, Cleveland, Ohio, USA Inv. 69.296 (47)

47 × 28.2

6 Church of Yarnton, Oxfordshire 7 City Art Gallery, York 8 Musée des Antiquités, Rouen 9 Cathedral of Mondoñedo, Museo, Lugo, Galicia, Spain Panel in Passion altarpiece, q.v.

– 29.2 × 22.9 34 × 27 –

Unpublished Maclagan 1920, 62, note 6 York (City of) Art Gallery Preview 1954, 281–2, illus. Cochet 1875, 84, no. 103 Franco Mata 1999, 187, 85, fig. 39

      10 Church of St Avit les Guespieres, Sarthe, France Panel in Passion altarpiece, q.v.

–

Biver 1910a, 70, pl. V, 1

11 Haddon Hall chapel, Bakewell, Derbyshire Panel in Passion altarpiece, q.v.

–

Hildburgh 1937a, 182, pl. L, 2


–

Nelson 1920a, 193, pl. I


–



–

Hildburgh 1948, 8, pl. II b


–



–

Maclagan 1920, 61


42 × 28.5

18 Church of Blunham, Bedfordshire, Great Britain Bottom of panel missing

26.7 × 26.7

19 Church of Cheriton Bishop, Devon Fragment showing four heads

–

20 Private collection L. Van Herck, Turnhout, Belgium Fragment showing Christ with Cross and two men

31 × 20


–

Gorguet 1984, 191, no. 144

Society of Antiquaries, 1913, 54, no. 14, pl. XII Allan 2001, 168, pl. 9


Bouillet 1901, 52

Christ Nailed to the Cross 1 Victoria and Albert Museum, London 2 Church of Afferden, Limburg, Netherlands Panel in Passion altarpiece, q.v.; Christ’s hands and feet tied with ropes 3 Musée des Augustins, Toulouse, France (from church of Rabastens) Panel in Passion altarpiece, q.v.; Christ tied with ropes on right hand and ankles

35 × 25.9 –

43 × 28.5

Cheetham 1984, 243, cat. 170, illus. Hildburgh 1937a, 181, pl. XLVIII

Gorguet 1984, 192, no. 145

Crucifixion – Type Unknown 1 Chapel of Château de Grandmont, France Panel in Passion altarpiece, q.v.

–

Bouillet 1901, 56

   2 Church of Lade, Trondheim, Norway Fragmentary Panel in Passion altarpiece, q.v.

–

Fett 1909, 119–20

3 National Museum of Iceland, Reykjavík (from church of Reynistaður) Fragmentary Panel in Passion altarpiece, q.v.

–

Nelson 1920a, 192–4, pl. I


52 × –

Nordal 1977, 45, no. 4

Crucifixion – Type A. Simply with the Virgin and St John (usually late fourteenth or early fifteenth century) 1 Victoria and Albert Museum, London Probably a tomb panel 2 Museu Grao Vasco, Viseu, Portugal (48) 3 City Art Gallery, York Fragment

43.5 × 32.9 47 × 28.5 43.2 × 16.5


Cheetham 1981, 16 York Festival Exhibition 1954, no. 31

Crucifixion – Type B. Simply with Four Angels Holding Chalices (late fourteenth century) 1 Church of Abinger, Surrey (49)

50.8 × 28

Unpublished

Crucifixion – Type C (late fourteenth and early fifteenth centuries) 1 Victoria and Albert Museum, London

42 × 29.8


2 Victoria and Albert Museum, London Panel in Passion altarpiece, q.v.

45.3 × 37.3



38.4 × 24.6



38.7 × 24.6



43.5 × 27.5


6 Society of Antiquaries, London Probably a tomb panel; unfinished fragment in two pieces

31.8 × 35.6

Nelson 1919b, 93, pl. VIII, 1

41.5 × 26


7 Sotheby’s, London, 8 December 1988 8 Musée du Perigord, Perigueux, Dordogne, France (50)

43 × 27

Nelson 1918b, 325–6, pl. XIV, 1

44.5 × 31


10 Musée de Carcassonne, France Panel in Passion altarpiece, q.v.

–


11 Museo Civico di Catania, Sicily

38.1 × 24.1

Bottari 1949, 2, fig. 1


43.2 × 22.9

Society of Antiquaries, 1913, 68, no. 64, pl. XXIII




      13 Stonyhurst College, Lancashire

35.2 × 22.2

Society of Antiquaries, 1913, 63–4, no. 46, pl. XIX

14 Gloucester Cathedral, Great Britain

48.2 × 22.8

Society of Antiquaries, 1913, 52, no. 6, pl. X


51 × 26

Gorguet 1984, 176, no. 133


45.1 × –

Nelson 1918b, 325, pl. XIV, 2

17 Private collection Dr Ferdinand Stockhausen, Berlin (1950s)

39 × 25

Unpublished

18 Church of Grandborough, Buckinghamshire

–

Nelson 1918b, 326. (Similar to pl. XIII, 2)

19 Church of Genissac, Gironde, France Panel in altarpiece of St Martin and Life of the Virgin, q.v.

–

Biver 1910a, 86, pl. XX

20 Musée d’Aquitaine, Bordeaux

44 × 28


21 Church of St Romain, Soussons, Gironde, France

60 × 30

Gorguet 1984, 151, no. 118

22 Church of Yssac la Tourette, Puy de Dome, France Panel in St John Baptist altarpiece, q.v.

–


23 Museum Boymans van Beuningen, Rotterdam Inv. Vierhouten Coll No 1102 (51)

50 × 22

Unpublished

24 Museo Federico Marés, Barcelona

53 × 40


25 Basilica of St Seurin, Bordeaux Panel in Ss Martial, Seurin and Amand altarpiece, q.v.; French, carved under English influence?

–


26 Musée Vendôme, France Upper fragment

–

Unpublished


47 × 26.5

28 National Museum of Ireland, Dublin

–

29 D. Katz Ltd, 13 Old Bond Street, London (2001) (XIV) 45 × 26

Cheetham 1984, 251, cat. 178, illus. Nelson 1918b, 326 Cheetham 2001, 40, 41, illus.

Crucifixion – Type D (fifteenth and early sixteenth century) 1 Victoria and Albert Museum, London

57.7 × 34.4



52.9 × 25.3


3 Palacio Nacional da Pena, Sintra, Portugal (52)

53 × 26.5

Cheetham 1981, 18

4 Musée des Beaux Arts, Narbonne, France

50 × 30

Gorguet 1984, 212, no. 157


53 × 27


    6 Musée des Antiquités, Rouen (from church of St Denis sur Scie, Seine Maritime) Panel in Passion altarpiece, q.v.

54 × 26.5



41 × 27.5


8 Musée des Antiquités, Rouen Inv. 11. P41. No 666

49 × 25

9 Franciscan Monastery, Hvar, Dalmatia, Croatia (from Otok) Lower fragment of panel. Panel in Passion altarpiece, q.v. 10 Cathedral of Cracow, Treasury, Poland (53)

–

50 × 27

Unpublished

Fisković 1979, 78, no. 13, illus.

Massowa 1996, 47, cat. 14, pl. 17

11 National Museum, Warsaw Left side damaged

–

Massowa 1996, 47, cat. 15, pl. 18; see Olszewski 1960, 64, pl. 22, for photo of ‘restored’ panel

12 Church of Czarnowo, Toruñ district, Poland Unusual panel with six angels and four figures

–

Massowa 1996, 47, cat. 10, pl. 13


51.4 × 26



–

Biver 1910a, 70, pl. VI (1)

15 Church of Ecaquelon, Calvados, France Panel in Passion altarpiece, q.v.; altarpiece stolen in 1975

–

Biver 1910a, 70, pl. III (3)

16 Cathedral of Carlisle, Great Britain

–

Unpublished


59.9 × 28

Unpublished

18 Royal Ontario Museum, Toronto, Canada

50.2 × 26

Tavender 1959, 439, no. 75

19 Diocezanmuseum, Cologne Christ damaged; left arm and legs missing

51 × 28

20 National Museum, Warsaw 21 Victoria and Albert Museum, London With St Christopher

– 50.5 × 27.7

Hildburgh 1925b, 60–1

Olszewski 1960, 64, pl. 22 Cheetham 1984, 250, cat. 177, illus.

22 Church of St Mary the Virgin, Coddenham, Suffolk (55)

–

Unpublished

23 Musée Vivenel, Hôtel de Ville, Compiègne, Oise, France Panel in Passion altarpiece, q.v.

–


24 Church of Moniales Montivillones, Montivilliers, Normandy

–

Presence Normande, July 1965, 21, illus.

25 National Museum of Iceland, Reykjavík Panel in Passion altarpiece, q.v.; fragmentary

–


      26 Musée Grobet Labadie, Marseilles Inv. GL 971

38 × 27

Unpublished

27 Church of Layston, East Hertfordshire

1000 × –

Hildburgh 1956, 16

28 Church of Puchay, Eure, France 29 McCormick Hall, Princeton University, Princeton, New Jersey Fragment showing swooning Virgin 30 Albright-Knox Art Gallery, Buffalo, New York Fragment showing cowled figures 31 Church of East Rudham, Norfolk Two fragments, showing head of Christ and bottom of panel

–

Prigent 1998, 82

40 × 26


38 × 15.3


–

Bonner 1879, 328

32 Sotheby’s, London, 16 December 2002 (from Robertson Collection) Fragment showing swooning Virgin and angel

20 × –

33 Private collection Ramsey (1950s) Fragment of top left of panel showing Longinus with soldiers

–

Unpublished

34 Private collection Ramsey (1954) Fragment showing swooning Virgin with two supporting figures and angel

–

Unpublished

35 Colchester Museum, Essex (from Little Hallingbury) Small fragment of standing soldier

–

Unpublished

36 Salisbury and South Wiltshire Museum, Salisbury, Great Britain (from Stratfordsub-Castle) Small fragment showing lower part of Christ’s body

–

Unpublished

37 National Museum of Ireland, Dublin Fragment showing tops of three figures

–

Unpublished

38 Christie’s, London, 13 May 1969 Fragment showing swooning Virgin with two supporting figures 39 Church of Santa Maria Magdalena, Plencia,Vizcaya Panel in Passion altarpiece, q.v.

26.7 × –

–




40 Burrell Collection, Glasgow Inv. No 46

71 × 25.5

Unpublished

41 S. W. Wolsey, 71–2 Buckingham Gate, London SW1 (1950s) (56)

57.2 × 33

Unpublished


–


    43 Private collection D’Arcy, London (1950s) Figure of Christ and the Cross cut out from background; feet of Christ missing 44 Sotheby’s, London, 7 April 1970 This is evidently a wholly eighteenth-century panel from the greatly restored panels from Catholic Cathedral of St Marie, Sheffield.

38 × –

43.2 × –

Unpublished



54 × –


46 Church of Yssac la Tourette, Puy de Dome, France Panel in St John the Baptist altarpiece, q.v.

55 × 28


47 Sotheby’s, London, 13 December 1991 Tall panel in Passion altarpiece, q.v.

55.5 × 26


48 Auction Sale Piasa, Paris 3 April 1998 Panel in Passion altarpiece, q.v.

44 × 26


Crucifixion – Type E. With Two Crucified Thieves (fifteenth and early sixteenth century) 1 Victoria and Albert Museum, London

49.3 × 26.6



55 × 27.9



51.4 × 26.8



54.8 × 30.1



57.1 × 37.6


6 Museu do Caramulo, Portugal (57)

67 × 37.5


52 × 26


–

Church Guide Book 1979, 32, illus.

8 Church of St Louis en l’Île, Paris 9 Musée Thomas Dobrée, Nantes Panel in Passion altarpiece, q.v.; very large panel 10 Ashmolean Museum, Oxford

11 Abbey of Mont St Michel, France Panel in Passion altarpiece, q.v. 12 Castle Museum, Nottingham 13 Musée des Antiquités, Rouen (from church of Rouvray, près Forges les Eaux, Seine Maritime, France) Central panel in Passion altarpiece, q.v. 14 Museum fur Kunst und Kulturgeschichte, Dortmund

Dias, 280, illus.

1135 × 46

Hildburgh 1948, 8–9, pl. III

53.4 × 26.7

Society of Antiquaries, 1913, 57, no. 24, pl. XV

60 × 28 78.75 × 34.3 46 × 26.5

–

Rostand 1928, 299, no. 50

Cheetham 1973, 32–3, illus. Cochet 1875, 79, no. 70; Flavigny 1998, 120, cat. 51 (c)

Museum Catalogue 1983, 140, illus.

      15 Museo Schifanoia, Ferrara, Italy Panel in Passion altarpiece, q.v. (58)

–

Papini 1910, 7 and 9, fig. 3


–



–


18 Church of Yssac la Tourette, Puy de Dome, France Panel in Passion altarpiece, q.v.; altarpiece stolen in 1981 19 Musée d’Art et d’Histoire, Lille (59) 20 Church of Abinger, Surrey 21 Church of the Holy Trinity, Drayton Parslow, Buckinghamshire (60) 22 Horniman Museum, London 23 Church of Afferden, Limburg, Netherlands Panel in Passion altarpiece, q.v. 24 Metropolitan Museum, New York Damaged 25 William Rockhill Nelson Gallery of Art, Kansas City, USA 26 Private collection Douglass, Connecticut, USA (61)

55 × 28

Biver 1910a, 69, pl. III (2)

–

Unpublished

50.8 × 26.7

Unpublished

– 53.3 × 25.4 – 45.8 × – 59.7 × 27.3 –

Hildburgh 1949a, 86, note 4

Unpublished Hildburgh 1937a, 181, pl. XLVIII


Tavender 1955, 70, no. 62, pl. VIII

Unpublished

27 Cloud-Massot Collection. Sold at Marseilles, 12–13 March 1929

55 × 28


28 Private collection Sunderland, Tyne and Wear (1975) (62)

51 × 23

Unpublished

29 Smith College Museum of Art, Northampton, Massachusetts, USA Whole of left side of panel missing

67.3 × –

The Connoisseur, Nov. 1955, pl. LIX; advertisement by S. W. Wolsey

30 Musée de la Société des Antiquaires de Normandie, Caen

48 × 28

Rostand 1928, 303, no. 59

31 Church of Ste Trinité, Cherbourg, France

40 × 20

Rostand 1928, 273–4, no. 6

32 Musée Historique de Lorrain, Château de Bon Court, Nancy Top right corner missing

–

Unpublished

33 Musée d’Évreux, Normandy

–

Unpublished

34 Sotheby’s, London, 27 November 2001 (former private collection Gwynn)

49.5 × 26.7

35 S. W. Wolsey, 71–2 Buckingham Gate, London, SW1 (63)

–


Unpublished

    36 Church of Nôtre Dame de Croaz Batz, Roscoff, Brittany Panel in altarpiece of both Virgin and Passion themes, q.v.

–

Maclagan 1920, 56

37 Church of Ste Foy, Conches, Eure, France Panel in Passion altarpiece, q.v.

–

Bouillet 1901, 55


–

Bouillet 1901, 53

39 D. Katz Ltd, 13 Old Bond Street, London (2000) (XV)

–

Unpublished

Crucifixion with Two Thieves on the Upper Part of the Panel and Lamentation on the Lower Part (late fifteenth and early sixteenth century) 1 Staatliche Museen, Preussischer Kulturbesitz, Skulpturengalerie, Berlin-Dahlem (said to be from Abbey of Cluny) Panel in Passion altarpiece, q.v.

–

2 Musée-Château de Dieppe, France Almost identical to the Berlin Dahlem panel

45 × 26


–


Flavigny 1998, 120, fig. 50


Deposition 1 Victoria and Albert Museum, London Panel in Passion altarpiece, q.v.

54.6 × 37.4



44.5 × 27



43.2 × 29.5



45.4 × 26.5



53.5 × 29.4



–

Bouillet 1901, 56

7 Musée Château de la Duchesse Anne, Dinan, Côtes du Nord Right side of panel missing

–

Hildburgh 1930, 44

8 City Art Gallery, York

9 City Museum, St Albans Top right hand corner missing 10 Selby Abbey, Yorkshire Top left hand corner missing

29.2 × 22.9

York (City of) Art Gallery Preview 1954, 281–2

–

Unpublished

–

Unpublished

      43.2 × 30.5


42 × 28.5

Gorguet 1984, 193, no. 146


43 × 25

Rostand 1928, 303, no. 60

14 Musée Lapidaire, Avranches, Normandy

42 × 26

Rostand 1928, 295–6, no. 44

15 Collection Rostand, Flamanville, Manche, France Lower part missing

30 × 25

Rostand 1928, 309, no. 67

16 Cathedral of Sigüenza, Guadalajara, Spain

–



–


18 Private collection (sold in Vienna, 8 April 1922, at the Dorotheum) (64)

45 × 31

11 Christie’s, London, 5 July 1994 (formerly in Brough Hall, Yorkshire) 12 Musée des Augustins, Toulouse (from church of Rabastens) Panel in Passion altarpiece, q.v.

Nelson 1927, 115–16

19 Haddon Hall, Bakewell, Derbyshire Panel in Passion altarpiece, q.v.

–

Hildburgh 1937a, 182, pl. L, 3


–



–

Nelson 1920a, 192–4, pl. I


–



–

Biver 1910a, 82, pl. XV


–


25 S. W. Wolsey, 71–2 Buckingham Gate, London SW1 (65)

–

The Connoisseur, Nov 1955, pl. LIX

26 Sotheby’s, London, 22 April 1982 Fragment of top half of panel

33 × –


27 Catharijneconvent Museum, Utrecht, Netherlands The elongated faces are unusual in English alabasters

46 × 33

Beeldhouwkunst Aaartsbisschoppelijk Museum 1962, no. 30, illus.


51 × –


29 Sotheby’s, Zurich, 1 June 1994

42 × 25.5



40 × 26.7


    31 Church of St Mary the Virgin, Beechamwell, Norfolk Apparently lost

–

Blomefield, History of Norfolk, 2nd edn, 1807, VII, 297


37.7 × 29.5



39.5 × 24.1



43 × 28.1



41.9 × 26.7



40.8 × 24.9



42.7 × 27.2



46.4 × 32


Entombment

8 Museu da Associacao de Arqueologos, Lisbon Panel in Passion altarpiece, q.v.

42.5 × 26.5

Cheetham 1981, 19; Hildburgh 1926, 307

41.5 × –


41 × 25.5

Gorguet 1984, 177, no. 134


41 × 29

Gorguet 1984, 194, no. 147

12 Musée des Augustins, Toulouse

42 × 27

Gorguet 1984, 184, no. 139

9 Sotheby’s, London, 5 July 1990 10 Church of Nailloux, Haute Garonne, France Panel in Passion altarpiece, q.v.


–

14 Musée de Picardie, Amiens, France Inv. PH-IX-28-6

42 × 25


41.5 × 26


–


Unpublished

Flavigny 1998, 119, no. 48, illus.; Prigent 1998, 84, fig. 17 (photograph reversed) Hildburgh 1937a, 183–4, pl. LI


50 × 30


–



–



–


Hildburgh 1948, 9, pl. IVa

      21 Statens Historiska Museum, Stockholm Inv. 21502

43.5 × 27.5

Unpublished

22 Burrell Collection, Glasgow Top missing

33.6 × 26.7


23 Royal Ontario Museum, Toronto, Canada

38.1 × 26

24 Canterbury Cathedral, chapel of St Mary Magdalene

–

25 Sotheby’s, London, 13 December 1979 26 Art Museum, Seattle, USA 27 Church of Llansaintffraid, Denbigh, Wales

39.5 × – 67.3 × 38.1 –

Tavender 1959, 439, no. 76, pl. VII Unpublished

Sale Catalogue, no. 46, illus. Tavender 1959, 439, no. 74, pl. VI Unpublished


42 × 27


29 Musée National du Moyen Age, Cluny, Paris Top of panel missing

35.5 × 25.5



41.5 × 27.5


31 Musée National du Moyen Age Cluny, Paris

39.5 × 26

32 Musée National du Moyen Age Cluny, Paris

45 × 28

33 Musée Granet, Aix en Provence, Bouches du Rhone, France

43 × 28.5



43.2 × –

Sale Catalogue, 39, no. 124

35 Musée des Jacobins, Morlaix Inv. 1228

25.5 × 43

Bouillet 1901, 57

Prigent 1998, 87, cat. 24, illus. 86 and 54 Prigent 1998, 88, cat. 25, illus.

36 Auction Sale Piasa, Paris 3 April 1998 Tall panel in Passion altarpiece, q.v.

55 × 26


37 Musée-Château, Dieppe, France

45 × 25


24 × 26.5


38 Musée des Antiquités, Rouen Lower part of panel missing 39 Musée des Antiquités, Rouen (from church of Rouvray, près Forges les Eaux, Seine Maritime, France) Panel in Passion altarpiece, q.v.

40 × 26

Cochet 1875, no. 70; Flavigny 1998, 120, cat. 51 (c)


42 × 27



–

Bouillet 1901, 56; Society of Antiquaries, 1913, pl. IV, fig. 9

42 Church of Ste Foy, Conches, Eure, France Panel in Passion altarpiece, q.v.

–

Bouillet 1901, 55

43 Museo Son Marroig, Deya, Mallorca

–


   44 Church of Santa Maria Magdalena, Plencia, Vizcaya, Spain Panel in Passion altarpiece, q.v.

–



–



–

Biver 1910a, 70, pl. V (2)

45 × 27

Biver 1910a, 69, pl. III (2)

–

Biver 1910a, 70, pl. III (3)

47 Church of Yssac la Tourette, Puy de Dome, France Panel in Passion altarpiece, q.v.; altarpiece stolen in 1981 48 Church of Ecaquelon, Calvados, France Panel in Passion altarpiece, q.v.; altarpiece stolen in 1975 49 Museu Nacional de Arte Antiga, Lisbon

39.5 × 27

Feyo 1947, 78, fig. 8

50 Musées Royaux d’Art et d’Histoire, Brussels (66)

41.5 × 28



–


52 National Museum of Iceland, Reykjavík (from church of Hólar) Panel in Passion altarpiece, q.v.

–


53 Church of Afferden, Limburg, Netherlands Panel in Passion altarpiece, q.v.; with donor

–



–

Maclagan 1920, 61

55 Abbey of Mont St Michel, France Panel in Passion altarpiece, q.v. 56 Franciscan Monastery, Hvar, Dalmatia, Croatia (from Otok) Panel in Passion altarpiece, q.v. 57 Bayrisches National Museum, Munich

58 Bristol City Museum, Great Britain (from Clifton Catholic Pro-Cathedral) Inv. Q 1551 59 Château de Gaasbeek, near Brussels

45 × 28 –

44 × 22.5

Rostand 1928, 299–300, no. 51

Fisković 1977, 162, Table III, no. 11

Hildburgh 1925b, 60; Cheetham 2001, 42, illus.

42 × 27

Unpublished

–

Unpublished


34.3 × –



40.6 × –



40.6 × 26


63 Roselius Haus, Bremen (67)

40 × 25

Unpublished



      64 British Museum, London

41.3 × –

Unpublished

65 Cathedral of Bayeux, Normandy

40 × 27

Rostand 1928, 302, no. 57, illus.

66 Private collection L., Cherbourg (1928)

45 × 25

Rostand 1928, 278–9, no. 19


42 × 25

Rostand 1928, 274, no. 8

68 Musée Thomas Dobrée, Nantes

40 × 26

Hildburgh 1930, 45; Costa 1961, 85, no. 163


–


70 Ripon Minster, Yorkshire Lower half of panel missing

–

Unpublished

71 Musée du Perigord, Perigueux, France Bottom of panel missing 72 Musée de Tournai, Belgium Fragments showing Christ and Mary Magdalene

30 × 27 –

Gorguet 1984, 155, no. 120

Unpublished

73 Christie’s, Amsterdam, 7 March 2001

44 × –


74 Hôtel Drouot Sale, Paris 22 November 1972 (68)

42 × 28


75 Christie’s, London, 30 November 1983 (from Brough Hall, Yorkshire)

36 × 26.5



41.6 × 26


77 Private collection Vitali, Milan (1958) Top left corner and bottom left corner missing

–

Unpublished

78 Private collection Lufton (1959) Top left corner damaged (69)

–

Unpublished

79 Private collection Felz (1954) (70)

–

Unpublished

80 Private collection Warner, Burford, Oxfordshire (1962) Top of panel missing

–

Unpublished

81 Cambridge University Museum of Archaeology and Ethnology Top and bottom of panel missing

26 × 29.2

Society of Antiquaries, 1913, 59, no. 30, pl. XVI

82 Sotheby’s, London, 8 and 9 July 1981

41.4 × –


83 Christie’s, London, 7 April 1981

45 × 24


84 Christie’s, London, 20 February 1978

40.5 × –

Sale Catalogue, no. 78, illus. pl. 8


41 × 25


86 Private collection Bagshawe, Norwich (1950s) Top of panel carved away (71)

–

Unpublished

   87 Sotheby Parke Bernet, Monaco 25 and 26 June 1984 Panel in Passion altarpiece, q.v.

41 × –



42 × –


89 Chapel of Breuil-Benoit, Marcilly sur Eure, Eure, France Sold in 1997

–

Bouillet 1901, 53


–

Bouillet 1901, 53


–

Bouillet 1901, 56


–

Nordal 1977, 48, no. 7

93 National Museum of Iceland, Reykjavík (from an unknown church) Fragment

10.7 × 17.5


–

95 Church of St Martin, Cambes, Gironde, France Two fragments

17.5 × 25 30 × 28

Gorguet 1984, 101, no. 74

15 × 10

Gorguet 1984, 158, no. 122

96 Musée Fenaille, Rodez, France Fragment 97 Musée de la Benedictine, Fécamp, Normandy Top of panel missing 98 Sotheby’s, London, 13 December 1991 Panel in Passion altarpiece, q.v.

– 40 × 26

Nordal 1977, 48–9, no. 8


Unpublished


Harrowing of Hell 1 Victoria and Albert Museum, London 2 Musée Thomas Dobrée, Nantes Panel in Passion altarpiece, q.v. 3 Church of St Avit les Guespieres, Sarthe, France Panel in Passion altarpiece, q.v. 4 Musée de Carcassonne, France Panel in Passion altarpiece, q.v. (72) 5 Musée du Louvre, Paris 6 Musée du Louvre, Paris Inv. RF 2773; fragment, figure of Christ only

58.3 × 31.5 50 × 30 – 43.2 × 32 42 × 28 –

Cheetham 1984, 271, cat. 198, illus. Hildburgh 1948, 9–10, pl. IV b

Biver 1910a, 70, pl. V, 2

Nelson 1918b, 327, pl. XV, 3; Flavigny 1998, 106, cat. 10, illus. Flavigny 1998, 118, no. 45, illus. Unpublished



      7 Musée des Antiquités, Rouen (from church of St Denis sur Scie, Seine Maritime) Panel from Passion altarpiece, q.v. 8 Hôtel Drouot Sale, Paris 22 November 1972 (73)

42.5 × 27.5

55 × 28



Resurrection 1 Victoria and Albert Museum, London

38 × 26.9



43.3 × 28.1



43.5 × 29.8



44.3 × 27.5



42.5 × 27.7



42.2 × 24


7 Victoria and Albert Museum, London Lower part of panel missing

28.6 × 26.7



43.1 × 23.7



40.4 × 24.1


10 Victoria and Albert Museum, London Upper part of panel has two scenes – the Risen Christ appearing to the Virgin, and Christ with Mary Magdalene in the garden

41.4 × 23.7


11 Church of St Martin, Coudray en Vexin, Eure, Normandy, France Panel in Passion altarpiece, q.v.

–


12 George F. Harding Museum, Chicago

48.3 × –


13 Museum of Fine Arts, Montreal The top is carved away round the head of Christ

40 × 26

Unpublished


42.5 × 26.5


40 × 27

Prigent 1998, 89–90, cat. 26, illus. 90 and 55

16 Musée St Jean, Angers, Maine et Loire, France

40 × 25




41.5 × 27

18 Musée de Picardie, Amiens, Somme, France Panel in Passion altarpiece, q.v.

41.5 × 26.5

19 Musée de Picardie, Amiens, Somme, France Inv. PH–IX–28–12 (74)

45 × 27

Unpublished


37 × 27


21 Bayrisches Nationalmuseum, Munich

47.5 × 28

Prigent 1998, 91, cat. 27, illus. Prigent 1998, 91, fig. 20

Hildburgh 1925b, 60

   22 National Museum of Ireland, Dublin Inv. 852–1894 (75) 23 Museo Arqueológico Provincial, Cordoba, Spain

– 45.7 × 26.7

Unpublished


24 Museo Arqueológico Provincial, Seville, Spain

–


25 Museo de Son Marroig, Deya, Mallorca

–


35 × 25

Franco Mata 1999, 189, fig. 68; Hildburgh 1954a, 14, pl. V, c


–


28 Church of St Martin, Montpezat du Quercy, Tarn et Garonne, France

40 × 30

Gorguet 1984, 163, no. 125

40.7 × 24

Gorguet 1984, 181, no. 137


41 × 29

Gorguet 1984, 196, no. 148

31 Musée de Picardie, Amiens, France Inv. PH–IX–29–1; panel in Passion altarpiece, q.v.

42 × 26

Unpublished

32 Cathedral of Bordeaux, France

38 × 24

Nelson 1918b, 333, pl. XXVII, 1

33 Church of St Caprais de Haux, Canton de Creon, Gironde, France

41 × 26

Gorguet 1984, 107, no. 79

26 Basilica de Daroca, Zaragoza, Spain Panel in Virgin altarpiece, q.v.

29 Musée des Augustins, Toulouse

34 Sotheby’s, London, 18 November 1955

40.2 × 19


35 Christie’s, London, 11 April 1990 Top of panel missing

36 × 29


36 Sotheby Parke Bernet, Monaco 25 and 26 June 1984 Panel in Passion altarpiece, q.v.

41 × –


37 Musée Bargoin, Clermont-Ferrand, France Inv. 861–213–11

54 × 38

Unpublished


42 × 27


39 Private collection, Great Britain (formerly De Maeyer-Buyle Collection, Antwerp)

39 × 24.5

Derveaux-Van Ussel 1967, E/17; Cheetham 2001, 44, 45, illus.


42.5 × 27.3


40.6 × –


54 × –



38.7 × –


Tavender 1955, 68, no. 39 Tavender 1955, 67–8, no. 36



      39.8 × 26.2


45 Musée des Antiquités, Rouen (from church of St Denis sur Scie, Seine Maritime) Panel in Passion altarpiece, q.v.

43 × 26.5


46 Musée des Antiquités, Rouen Inv. T11 p277, no. 1593

42.5 × 26

Unpublished

44 Musée Municipal, Bernay, France

47 Musée des Antiquités, Rouen (from church of Rouvray, près Forges les Eaux, Seine Maritime, France) Panel in Passion altarpiece, q.v. (XVI) 48 Private collection Douglass, Connecticut, USA Now Private collection, Great Britain (2003) (76)

38 × 26

45.7 × 31.7

Cochet 1875, 79, no. 70; Flavigny 1998, 120, cat. 51 (e), illus. 99

Unpublished

49 Musée d’Art et d’Histoire, Lille

–

Hildburgh 1930, 44

50 Musée d’Art et d’Histoire, Lille Christ is shown not stepping on a soldier

–

Hildburgh 1930, 44

51 Church of la Asunción y del Manzano, Fuenterrabía, País Vasco, Spain

–


52 Musée Thomas Dobrée, Nantes 53 Church of Nôtre Dame, Louviers, Eure, France Panel in Passion altarpiece, q.v.

40 × 26 –

Costa 1961, 85, no. 163, illus. 131 Bouillet 1901, 56; Society of Antiquaries, 1913, pl. IV, fig. 9

42 × 28

Unpublished

43.2 × 25.4

Unpublished

42 × 27

Unpublished

57 Church of Llansaintffraid, Denbigh, Wales

–

Unpublished

58 Church of All Saints, North Street, York

–

Nelson 1913, 136, pl. V, no. 2 ‘belongs to the Rev. P. J. Shaw’

59 Ashmolean Museum, Oxford (loan from Pomeroy) (77)

43.2 × 26.2

54 Musée de Dijon, France 55 The Priory, Workington, Cumbria 56 City Museum, Bristol (from the Catholic Pro-Cathedral, Clifton) Inv. Q1549

60 County Museum, Los Angeles, USA (from Abbey of Marolles) Panel in Virgin altarpiece, q.v. 61 Ripon Cathedral Library, Yorkshire

52 × 35.5

Unpublished

Tavender 1955, 71, no. 65, pl. X; Lenoir 1800, 210, pl. 35

–


44.45 × 29.85



43.3 × 29.2

Nelson 1919b, 87, pl. III, 2


41.9 × 27.3

Unpublished


65 Musée Gruuthuse, Bruges (78)

43 × 29


    66 Church of Preston in Holderness, Humberside Top of panel missing

–

Nelson 1918b, 319


–

Nelson 1918b, 320

68 Musei Civici de Storia ed Arte, Trieste, Italy

42 × 28

Fiorin 1969–70, 160–3, fig. 32

69 Private collection Enrique Sanz Agero, Seville (1958)

–

Perera 1958, 220, illus. 218; Franco Mata 1999, 189, fig. 18

70 Musée de Carcassonne, Aude, France

–

Gorguet 1984, 210, no. 155

71 Church of Ste Trinité, Cherbourg, France

40 × 25

Rostand 1928, 274–5, no. 9


51 × 25

Rostand 1928, 289, no. 36

73 Abbaye Mont St Michel, France Panel in Passion altarpiece, q.v.

45 × 28

Rostand 1928, 300, no. 52


38 × 29

Rostand 1928, 303–4, illus. 304

75 National Museum, Stockholm Inv. 1285 (79)

54 × 26

Unpublished


71.1 × 43.2

Unpublished


56 × 26

Unpublished


42.5 × 27.9


43.2 × 26


79 National Gallery of Scotland, Edinburgh

80 Walters Art Gallery, Baltimore, USA Panel in Virgin altarpiece, q.v.

50.1 × 27.9

Randall 1966, 436–7, fig. 14

81 Church of St Mildred’s, Tenterden, Kent Top of panel missing

–

Unpublished

82 Private collection, Great Britain (2000) (from D. Katz Ltd, 13 Old Bond Street, London)

–

Unpublished


40.8 × 25.5



40.6 × 25.5

Sale Catalogue, no. 51, illus.; York Festival Exhibition 1954, no. 40

85 Private collection Harding (1918) Top of panel missing 86 Sotheby’s, Amsterdam, 20 December 2000 (from Kolisch Collection) 87 Sotheby’s, London, 16 December 2002 (from Robertson Collection) 88 Sotheby’s, London, 27 April 1972

–

Nelson 1918b, 320–1, pl. VII, 3

49 × –


40.6 × 25.4


41.9 × 26


      89 Howard Ricketts Ltd, 180 New Bond Street, London W1, 4–14 December 1973

41.6 × –


90 Private collection Bruges (1978)

49 × 34.5

Christie’s Sale Catalogue 31 May 1977, no. 209, pl. 36

91 Statens Historiska Museum, Stockholm Inv. 21502; in poor condition

–

Unpublished

92 Musée de Beauvais, France

–

Nelson 1918b, 319

93 Wallace Collection, London

44.5 × 28

Unpublished

94 Sotheby’s, London, 28 November 2001 (formerly collection R. A. Lee)

47 × 23.5


95 Private collection in America (1963) (formerly in Germanisches Nationalmuseum, Nuremberg, until 1921)

31.5 × 24

The Connoisseur, Feb 1963, 138, illus. 139

39 × 26

Unpublished

97 Church of St Emilion, Gironde, France

–

Unpublished

98 National Museum, Copenhagen

–

Nelson 1918b, 332, pl. XXV


–


100 Museum of Akureyri, Iceland (from church of Möðruvellir) Panel in Virgin altarpiece, q.v.

–

Nordal 1977, 49–50, fig. II

101 Church of Þingeyrar, Iceland Panel in Passion altarpiece, q.v.

–

Nordal 1977, 50, fig. III; Nelson 1920a, 196–7, pl. III

102 National Museum of Iceland, Reykyavik (from cathedral of Hólar) Panel in Passion altarpiece, q.v.

–

Nordal 1977, 45–6, fig. I; Nelson 1920a, 195, pl. II

103 National Museum of Iceland, Reykyavik (from church of Reynistaður) Panel in Passion altarpiece, q.v.

–

Nordal 1977, 43, fig. VI

104 Museu da Associacão de Arqueologos, Lisbon Panel is Passion altarpiece, q.v. (81)

42.5 × 26.5

96 S. Franses Carpets Ltd, 71–3, Knightsbridge, London SW1 (1978) (80)

Cheetham 1981, 21; Hildburgh 1926, 307


–

Hildburgh 1926, 307


–

Hildburgh 1937a, pl. LI, 2

107 Church of Santa Maria, Majori, Salerno Panel in Virgin altarpiece, q.v.

–



50 × 30

Hildburgh 1948, 10, pl. Va

    109 Church of Værøy, Norway Panel in Virgin altarpiece, q.v. (82)

–

Maclagan 1920, 61; panel is in Værøy church, not Røst as described here


–


111 Church of Nôtre Dame de Croaz Batz, Roscoff, Brittany Panel in altarpiece with Passion and Virgin themes

–

Bouillet 1901, 59; Maclagan 1920, 56

112 Church of Hornslet, Øster Lisbjerg, Randers, Denmark Panel in Virgin altarpiece, q.v.

–

Cheetham 1984, 58

113 Church of Avilés, Oviedo, Asturias, Spain Panel in Virgin altarpiece, q.v.; altarpiece now missing

–

Franco Mata 1999, 185, figs. 60, 61; Hildburgh 1944, 31, pl. XI

114 Musée Vivenel, Hôtel de Ville, Compiègne, France Panel in Passion altarpiece, q.v.

–

Biver 1910a, 82, pl. XV


–


116 Church of Genissac, Gironde, France Panel in St Martin and Life of the Virgin altarpiece, q.v.

–


117 Church of Yssac la Tourette, Puy de Dome, France Panel in Passion altarpiece, q.v.; altarpiece stolen in 1981

45 × 27



–



–



–


121 Bode Museum, Berlin

50 × 24

Hildburgh 1925, 60; described as being ‘At Berlin, in the Kaiser-Friedrich Museum’

122. Marienkirche, Gdansk, Poland Central panel in Virgin altarpiece, q.v.

–

Massowa 1996, 46, fig. 12 and illus. in colour on cover


–



42.5 × 26

Gorguet 1984, 178, no. 135

      125 Private collection Cambridgeshire (2002) Fragment of central part of panel

33 × 23

Unpublished

126 Castle Museum, Norwich Fragment showing soldiers

25.4 × 19.1


127 Private collection Douglass, Connecticut, USA (1970) Fragment showing sleeping soldier

17.8 × 23.5

Unpublished

128 Sotheby’s, London, 27 November 2001 (formerly private collection Gwynn) Small fragment showing soldier

21 × –


129 University Museum of Archaeology and Ethnology, Cambridge Small fragment of soldier

12 × 17.1


19.4 × 15.3


130 University Museum of Archaeology and Ethnology, Cambridge (from Whittlesford church, Cambridgeshire?) Fragment showing upper part of Christ and soldier 131 Church of Toft, Cambridgeshire Two fragments

–

Nelson 1925, 36, nos. 4 and 8

132 Church of St Peter Tavy, Devon Small fragment of soldier discovered under floor in 1965

12.7 × –

133 National Museum, Warsaw Small fragment showing soldier resting his hands on battle axe

–

Unpublished

134 Franciscan Monastery, Hvar, Dalmatia, Croatia Lower part of panel showing two soldiers. Panel in Passion altarpiece, q.v.

–

Fisković 1977, 162, Table III, no. 10


40 × –

Unpublished


42 × –


B. Drew Wood, ‘A Nottingham Plaque in a Devon Church’, Journal of the Devonshire Association, 1971, 203–4, figs. 1 and 2.

137 Church of Chatelaudren, Côtes du Nord, France Panel in Virgin altarpiece, q.v.

–

Nelson 1927, 123–4, pl. IX

138 Ferens Art Gallery, Hull, Great Britain (formerly in chapel of Breuil-Benoit, Marcilly sur Eure (1997))

–

Bouillet 1901, 53; Cheetham 2001, 44, illus.

139 Chapel of Breuil-Benoit, Marcilly sur Eure, Eure, France Sold in 1997

–

Bouillet 1901, 53

140 Private collection London (2000) (from chapel of Breuil-Benoit, Marcilly sur Eure, Eure, France (1997)) Panel from Passion altarpiece, q.v.

–

Bouillet 1901, 53

    141 Church of La Ferte Bernard, Sarthe, France Panel in Virgin altarpiece, q.v.

–

Bouillet 1901, 55


–

Bouillet 1901, 56


–

Allan 2001, 167, pl. 8

Three Marys at the Sepulchre 1 Victoria and Albert Museum, London Top of panel missing. Panel in Passion altarpiece, q.v.

37.7 × 37.5



52.8 × 30.4


3 Sotheby’s, London, 7 April 1987 (84)

43.5 × –


–

Sale Catalogue, no. 43, illus. Durand 1907–11, 339f, pl. XLVI

Appearance of Christ to Mary Magdalene 1 Victoria and Albert Museum, London

54.3 × 28.8



40.3 × 15.8


3 Haddon Hall, Bakewell, Derbyshire Panel in Passion altarpiece, q.v. (85) 4 Musée Thomas Dobrée, Nantes Panel in Passion altarpiece, q.v.

– 50 × 30

Hildburgh 1949a, 94–5, pl. XXI b (not XXI c as stated in text) Hildburgh 1948, 10–12, pl. V b


40.7 × 19.7

Biver 1910a, 70, pl. III, no. 3 and pl. IV, no. 3; Sotheby’s, 12 Dec. 1996, Sale Catalogue, no. 34, illus.

6 Museums and Art Gallery, Leicester (86)

42.5 × 14.3


41 × 36.8



34.5 × 14.8


3 Art Museum, Princeton University, USA

39.5 × 18.5

Apollo, Aug. 1939, 87, illus.

4 Museu Nacional de Machado de Castro, Coimbra, Portugal (87)

40.5 × 27.5


Incredulity of St Thomas 1 Victoria and Albert Museum, London Top of panel missing. Panel in Passion altarpiece, q.v.

5 Private collection (1936)

–

Bagshawe 1936b, 347, fig. X

6 Church of All Saints, Hacheston, Suffolk

–

Nelson 1927, 123, illus.

7 National Museum, Gdansk (formerly in Marienkirche, Gdansk) (88)

67 × 40.5

Massowa 1996, 40, cat. 1, 44, fig. 1

39.4 × –

Sale Catalogue, no. 58, illus.; described as ‘The Last Supper’

Christ at Emmaus 1 Sotheby’s, London, 16 May 1968 (89)

      Ascension 1 Victoria and Albert Museum, London (formerly in Naworth Castle, Cumbria (1947))

40.8 × 30.2



31.1 × 27.1


49.2 × 34



47.5 × 36.7



42 × 26.6



41.6 × 24.7


7 Victoria and Albert Museum, London Christ in a mandorla

42.5 × 31.5


3 Victoria and Albert Museum, London In seventeenth-century wooden housing

8 Church of St Michel, Bordeaux Panel in Virgin altarpiece, q.v.; small complete figure of Christ. Not now in the church

–


9 Marienkirche, Gdansk, Poland Panel in Virgin altarpiece, q.v.; small complete figure of Christ

–

Massowa 1996, 42, cat. 9, 45, fig. 12

–

Nelson 1920b, 213, pl. I, 2

10 Bibliothèque de Versailles, France Complete figure of Christ 11 City Museum and Art Gallery, Bristol Seated figure of Christ; upper part probably a ‘restoration’ in plaster (cf. panel in Utrecht) (90)

50 × 26

Unpublished

12 Catharijneconvent Museum, Utrecht (91)

45 × 27

Bouvy 1962, no. 63, pl. 32

13 Stadtisches Museum, Trier, Germany (in 1938) No longer in Museum collection (92) 14 Hôtel Drouot Sale, Paris 22 November 1972 (93)

– 44 × 26

Unpublished



–

Nelson 1918b, 313, pl. I and pl. X, 1

16 National Museum, Copenhagen

–

Nelson 1918b, 333, pl. X, 2

17 Church of Genissac, Gironde, France Panel in Life of the Virgin and St Martin altarpiece, q.v.

–

Biver 1910a, 86, pl. XXI; Gardelles 1976, 213, no. 199, illus.

44 × 28


18 Musée d’Aquitaine, Bordeaux 19 Burrell Collection, Glasgow (from Abbey of Marolles) Panel in Virgin altarpiece, q.v.

41.3 × 27.3

Hildburgh 1955b, 110, fig. 4; Lenoir 1800, 210, pl. 38, fig. 37; Nelson 1918b, 321–2


40.6 × 25.4

Unpublished

    21 Church of St Martin, Montpezat du Quercy, Tarn et Garonne, France

40 × 30

Gorguet 1984, 164, no. 126


42 × 25

Rostand 1928, 274, no. 7

23 Church of Ste Trinité, Cherbourg Fragment

30 × 26

Rostand 1928, 273, no. 5

24 Church of Nôtre Dame de Croaz Batz, Roscoff, Brittany Panel in altarpiece of both Passion and Virgin themes, q.v.

–

Maclagan 1920, 56

25 Church of St Nazaire, Nantes, France

–

Ville de Nantes Exposition d’Art Religieux Ancien et Moderne, 1933, no. 337

27 × 27

Cochet 1878, 79, no. 69

27 Colegio de Madres Augustinas de Durango, Vizcaya, Spain

–


28 Museo de San Telmo, San Sebastián Top of panel missing

–


26 Musée des Antiquités, Rouen Top of panel missing

29 British Museum, London Inv. 93, 4–26, 153, M24; top of panel missing

31.7 × 25.4

Unpublished

30 British Museum, London (from church of Kettlebaston, Suffolk) Panel from Virgin altarpiece, q.v.; fragment of bottom of panel

17.8 × 28.6

Nelson 1919b, 85–6, pl. II 1

31 Fitzwilliam Museum, Cambridge

42 × 25.4



34.3 × –



37 × 23.5

Sale Catalogue, 16, no. 35, illus.; Bagshawe 1936b, 347, fig. XI


43.2 × –



38.5 × 24



–

Bouillet 1901, 53


–

Maclagan 1920, 61; panel is in Værøy church, not Røst as described here

38 Private collection Vilhena, Lisbon Top of panel missing

28.5 × 25.5

Unpublished

39 Private collection Bruges, Belgium Figure of Christ missing (95)

–

Unpublished

40 Museo di Vicenza, Italy

–

Unpublished

      41 Yorkshire Museum, York Fragment with two headless kneeling figures

19.6 × 21.6



–

Unpublished

43 Church of Whittlesford, Cambridgeshire Left side of panel fragment

–

Society of Antiquaries, 1913, 70, no. 71 (10), pl. XXV

44 Scarborough Philosophical and Archaeological Society, Great Britain Small fragment

–

Society of Antiquaries, 1913, 71, no. 73 (3), pl. XXVI

45 Colchester Museum, Essex (from Great Hallingbury, Essex) Fragment of two headless kneeling figures

–

Unpublished

46 Private collection Mr Grosvenor Thomas (1920)

42 × 25.4


Christ in Majesty 1 Victoria and Albert Museum, London with St Matthew

36.1 × 24.7


2 Saffron Walden Museum, Essex Badly damaged, but restored 1979

37.5 × 39.3

Nelson 1917b, 113–14, pl. IX


42 × 26.5

Feyo 1947, 76, fig. 3; described as Ascension of Christ

4 Stieglitz Museum, St Petersburg, Russia Seated Christ with banner of Resurrection (97)

91.5 × –

Conway 1925, 245, illus.

   last judgement

LAST JUDGEMENT Art of Dying (Ars Moriendi) 1 Church of Emmerich, Germany See the Trinity – Type C, no. 57

47 × 26

Nelson 1926, 45–6, pl. IX, 2

Fifth Sign of the Last Judgement (Trees and Herbs Give Dew of Blood) 1 Victoria and Albert Museum, London

38.5 × 23.2


Sixth Sign of the Last Judgement (Flames and Falling Houses) 1 British Museum, London (1)

37.5 × 22.9

Nelson 1918a, 69, pl. I, no. 2

Tenth Sign of the Last Judgement (Men Shall Not Speak One to Another) 1 British Museum, London

59.7 × –

Nelson 1918a, 69, pl. II; Cheetham 2001, 48, illus.


38 × 24


Thirteenth Sign of the Last Judgement (All Those Living Shall Die) 1 British Museum, London Top of panel is missing (2)

35.6 × 22.9

Nelson 1918a, 69, pl. III, no. 1

Fifteenth Sign of the Last Judgement (Resurrection of the Dead) 1 Victoria and Albert Museum, London Top of panel is missing

28.8 × 25.2


2 Victoria and Albert Museum, London Top and left side missing

26.3 × 18.4



40 × 27


4 Musée Robin, Libourne, Gironde, France Panel in Last Judgement altarpiece, q.v.

42 × 27


5 Musée des Antiquités, Rouen (XVIII)

41 × 26.5


Last Judgement 1 Private collection, Great Britain Seated Christ, two angels, Virgin and St John the Baptist, and naked figures rising from the dead (XVII) 2 Sotheby Parke Bernet, Monaco, 25–26 June 1984 Seated Christ, two angels, Virgin and St John the Baptist, and naked figures emerging from their shrouds (3)

–

Unpublished

45.5 × 28


30.5 × 23

Prior and Gardner 1912, 82, fig. 78

Damned Led into Hell 1 British Museum, London Top edge is missing (4)

      2 Musée Robin, Libourne, Gironde, France Panel in Last Judgement altarpiece, q.v.

42 × 27


St Peter Receiving the Souls of the Blessed See in the section on saints – St Peter Receiving souls of the Blessed into Heaven.

God the Father Receiving the Souls of the Blessed 1 Private collection Cerda, Palma de Mallorca Top of panel cut away behind Figure of God the Father (5)

–


  trinity

TRINITY Trinity – Type A. With God the Father, the Dove and Christ on the Cross The Dove is sometimes missing 1 Victoria and Albert Museum, London

68 .5 × 30.3



30.5 × 13



51.2 × 26.6


4 Musée des Beaux Arts, Ghent

66 × 28.5

Derveaux-Van Ussel 1967, E/27; Cheetham 2001, 46, illus.


25 × 12

Feyo 1947, 79, fig. 11

6 Church St Maria zur Wiese, Soest, Westphalia, Germany (1)

58 × 34

Kornfeld 1932, 126, pl. A

7 Museo Marés, Barcelona Head and hands of God the Father are early twentieth-century restoration

57 × 27


8 Museo San Telmo, San Sebastián, Spain

–

9 Dominican Priory, Kilkenny, Ireland (2)

87 × 43

10 Church of San Cipriano, Villanueva de Arosa, Pontevedra, Spain 11 Musée Mayer van den Bergh, Antwerp 12 Musée National du Moyen Age, Cluny, Paris

Franco Mata 1999, 184 Roe 1972, 33–6, illus.

–


61 × –


49 × 20.5


13 Church of Combrit, Finistère, France With donor

63 × 32


14 British Museum, London With donor

68.6 × –

Nelson 1914, 164, pl. III, no. 2

15 Church of the Espirito Santo, Leiria, Portugal

67 × 29

Dias, 281, no. 8, illus.

16 University Museum of National Antiquities, Oslo (3)

80 × 28

Unpublished

17 Ampleforth Abbey, Yorkshire

–

Nelson 1918c, 99–100, fig. 1

18 Cecil Higgins Museum, Bedford, Great Britain

–

Unpublished

19 Sotheby’s, Amsterdam, 14 March 1983 (formerly in Naworth Castle, Cumbria (1947))

42 × –

20 Musée du Louvre, Paris 21 City Museum, Bristol (from Catholic Pro-Cathedral, Clifton) Unusual design with no cross (4)

– 89 × –

Sale Catalogue, no. 108, illus.; Maclagan 1932, 407–8, pl. LXXXV; Sotheby’s, 13 June 1947, Sale Catalogue, no. 129 Unpublished Gentleman’s Magazine, Jan. 1788, pl. I

      22 Private collection Mr G. R. Harding (1914)

–

Nelson 1914, 164, pl. IV, no. 3

23 Church of Arques la Bataille, Seine Inférieure, France

56 × 26

Hildburgh 1937a, 188, no. 190

24 Kloster church in Dobbertin, MecklenburghSchwerin, Germany

–

Kornfeld 1932, 126

25 Church of Upton, near Slough Headless

–

Unpublished

26 Church of Ste Catherine, Hoogstraten, Belgium 27 National Museum of Iceland, Reykyavik Bottom half missing

28 Church of Kersey, Suffolk Heads missing 29 Oscott College, Sutton Coldfield, Birmingham Head of God the Father missing

98 × –


–

Nelson 1920a, 206. Described as being ‘In the National Museum, Copenhagen’; Nordal 1985, 107, pl. 3

56 × 31.8

Society of Antiquaries, 1913, 75, no. 83, pl. XXX

–

Nelson 1925, 34. Not illustrated on pl. V as stated in text

30 British Museum, London (from church of Kettlebaston, Suffolk) Panel in Virgin altarpiece, q.v.; heads missing

31.1 × 26.7

Taylor 1967, 252, pl. XXXVI

31 University Museum of Archaeology and Ethnology, Cambridge Two fragments of head of God the Father and top of crucifix

24.7 × 11.4


–

Society of Antiquaries, 1913, 70, no. 71 (11), pl. XXV

32 Church of Whittlesford, Cambridgeshire Head of God the Father missing 33 Musée Thomas Dobrée, Nantes Only the crucifix remains 34 Sotheby’s, London, 7 December 1995 Head of God the Father missing

24.7 × 13.5 –

Costa 1961, 85, no. 165


35 Commune de la Seine Maritime, Normandy

60 × –


36 Commune de la Seine Maritime, Normandy

56 × 23


37 Sotheby’s, Amsterdam, 20 December 2000 (from Kolisch Collection) Head of God the Father missing

36 × –


38 Shaftesbury Abbey, Dorset Badly weathered, placed on shaft of Cross

–

Long 1928, 110; described as ‘In the garden of St John’s cottage’

39 Wells Cathedral, Somerset Panel on side of tomb of Precentor Bullen (5)

–

Nelson 1914, 164, pl. IV, 2

40 Church of Willoughby on the Wolds, Nottinghamshire Panel on side of tomb of Sir Richard Willoughby

–


  41 Church of Methley, Yorkshire Panel on side of tomb of Sir Robert Waterton (d. 1424)

–


42 Church of Sheriff Hutton, North Yorkshire Panel on side of tomb (1436–50); with donor

–

Routh and Knowles 1981, 28, illus.

54 × 31.5


43 Victoria and Albert Museum, London Trinity placed above Annunciation; see Annunciation with Trinity, no. 1 44 National Gallery of Art, Washington DC, USA This carving is not English in spite of claims to the contrary

85.3 × 35.7


–

Cheetham 1984, 59

46 Musée de la Benedictine, Fécamp, Normand

–

Unpublished

Seymour 1949, 173 (‘English’); Tavender 1955, 65, no. 1 (‘English’); Middeldorf 1976, 120 (‘Spanish’)

Trinity – Type B. God the Father Holds the Souls of the Blessed in a Napkin 1 Victoria and Albert Museum, London

47.5 × 19.4


2 Victoria and Albert Museum, London Head of God the Father missing

71.4 × 35.6


3 Burrell Collection, Glasgow 4 Museum of Fine Arts, Boston, USA Two kneeling donors (6)

88.9 × – –

Cheetham 1984, 41, fig. 23 Tavender 1955, 69, no. 47; Hildburgh 1933, 50–6, fig. 8

5 Church of Sauxemisnil, Normandy (7)

88 × 34

Rostand 1928, 286–7, no. 33

6 Private collection Norfolk (2003) (8)

41 × 19

Unpublished

7 Musée des Antiquités, Rouen Both Christ and Dove omitted

41 × 14.5

8 Christie’s, London, 7 July 1998 Head of God the Father missing

69.9 × 30.5

9 Leira and Nascimento, 39, Rue da Emenda, Lisbon (1963) With donor (9)

–

Hildburgh 1937a, 188, pl. LII, 2; Flavigny 1998, 103, cat. 1, illus. and 10 illus. Sale Catalogue, no. 94, illus.

Unpublished

Trinity – Type B/C. God the Father Holds the Souls of the Blessed in a Napkin, with Attendant Figures 1 Victoria and Albert Museum, London

50.3 × 26.4



50.9 × 25.1


3 Schleswig-Holsteinisches Landesmuseum, Schleswig Germany Panel in Virgin altarpiece, q.v. (10)

51.5 × 26.5

Hildburgh 1925b, 61; described as being in church at Gross-Gronau

      4 Museo de Pontevedra, Galicia, Spain

5 Sotheby’s, London, 4 July 1996 (now in Art Museum, Denver, USA) Central panel of Martyrdom altarpiece, q.v. 6 Church of Montgeard, Haute Garonne, France 7 Private collection, California, USA (1979)

–

Franco Mata 1999, 187; Maclagan 1932, 410

50.8 × 26.7


52 × 27.5

Gorguet 1984, 171, no. 130

48.3 × 25.4

Unpublished

8 National Museum of Iceland, Reykjavík (from cathedral of Hólar) Central panel in Passion altarpiece, q.v.; no napkin; at the foot of the Trinity is Our Lord’s Pity.

–

Nelson 1920a, 194–6, pl. II; Cheetham 1984, 44, fig. 26

9 Chapel of Breuill-Benoit, Marcilly sur Eure, Eure, France Sold in 1997 (XIX)

–

Bouillet 1901, 53

10 D. Katz Ltd 13 Old Bond Street, London (2001)

49.5 × 27


Trinity – Type C. With God the Father, the Dove, Christ on the Cross, and Attendant Figures (the Dove is Sometimes Missing) 1 Victoria and Albert Museum, London

58.9 × 24.4


2 Victoria and Albert Museum, London Head of God the Father missing

39.8 × 26.6


3 Victoria and Albert Museum, London Central panel of Virgin altarpiece, q.v.

51.2 × 27.1


4 Victoria and Albert Museum, London Top corners of panel missing

51.4 × 30.9


56.1 × 36


71.8 × 34.5


5 Victoria and Albert Museum, London With kneeling bishop offering heart to Christ 6 Victoria and Albert Museum, London With Virgin and St John and the symbols of the four Evangelists 7 Church of Kinlet, Shropshire 8 Musée des Jacobins, Morlaix, France God the Father is missing 9 Cathedral of Mondoñedo, Lugo, Galicia, Spain God the Father is missing Central panel in Virgin altarpiece, q.v. 10 Cathedral of Ávila, Castilla-León, Spain Panel from Virgin altarpiece, q.v. 11 Musée Archéologique, Bayeux, Normandy At the foot of the Trinity is Our Lord’s Pity; the upper part of the panel is missing

66.1 × 42 30 × 42

Nelson 1917b, 110, pl. IV Unpublished

–

Franco Mata 1999, fig. 126; Hildburgh 1944, 28 and 30, pl. x (b)

–


28 × 10

Rostand 1928, 301, no. 54

 12 Castle Museum, Nottingham Panel in Passion altarpiece, q.v.

48.2 × –

Sotheby’s, 24 June 1982, Sale Catalogue, no. 39, illus.; Cheetham 1984, 8, fig. 1

13 National Museum of Iceland, Reykavik Panel in housing from Selardalur church

–

Nelson 1920a, 197, pl. IV, 1; Cheetham 1984, 29, fig. 16

14 Musée des Beaux Arts, Tours, France (11)

–

Unpublished

15 University of Toronto, Malcove Collection Head of God the Father missing

–

Unpublished


38 × 26



53 × 27


18 Church of la Trinité, Falaise, Calvados

46.5 × 29


19 Musée National du Moyen Age, Cluny, Paris Head of God the Father missing

26 × 25


20 Musée Vivenel, Hôtel de Ville, Compiègne, Oise, France Top two corners missing

47 × 28

Derveaux –Van Ussel 1967, C/29

21 Musée des Antiquités, Rouen Top of panel missing

33 × 26



48.2 × 26.6


65 × 38

24 Museum of Fine Arts, Montreal, Canada 25 Memorial Art Gallery, Rochester, New York 26 Museo di S. Agostino, Genoa, Italy Central panel of Te Deum altarpiece, q.v. 27 Church of Carlton in Lindrick, Nottinghamshire

York Festival Exhibition 1954, no. 80 Unpublished

49.5 × 28


54.6 × 29.2

Tavender 1955, 69, no. 51, pl. VII

46.5 × 27 –

Nelson 1917b, 118–19, pl. XII

Prigent 1998, 62

28 Church of St Jacques, Castelnau du Medoc, Gironde, France

51 × 27

Gorguet 1984, 110, no. 81

29 Private collection, Rodez, Gironde, France

48.5 × 27

Gorguet 1984, 159, no. 123

30 Church of St Martin, Cambes, Gironde, France

49 × 26.5

Gorguet 1984, 102, no. 75

31 Hearst San Simeon Historical Monument, San Simeon, California

–

Unpublished

32 Toledo Museum, USA With two donors

–

Unpublished

33 National Gallery of Scotland, Edinburgh (12)

50.4 × 26




      34 Church of St Leonard, Limoges, Haute Vienne, France Central panel of Virgin altarpiece, q.v.

–

Tavender 1949, 400–1, pl. VI

35 Church of Ste Foy, Conches, Eure, France

–

Bouillet 1901, 55, illus. opposite 48

36 Suermondt Museum, Aachen, Germany

57 × 29

Hildburgh 1925b, 60; described as being ‘At Munich, in the Bavarian National Museum’

37 Church of Þingeyrar, Iceland Central Panel in Passion altarpiece, q.v.

–


38 Château de Kernuz, Finistère, Brittany, France

–

Hildburgh 1930, 44

50 × 26.5

Feyo 1947, 78, fig. 10

39 Museu Nacional de Arte Antiga, Lisbon 40 Church of Cedrim, Distrito de Aveiro, Portugal Stolen, but photographed in 1955 41 Private collection Vilhena, Lisbon (1950s) Upper part of God the Father missing

50 × – 35.5 × 26

Dias, 283, no. 10, illus.

Unpublished

42 Christie’s, London, 8 December 1981 Top corners missing

46 × 26


43 Sotheby Parke Bernet, Monaco 25–6 June 1984 Panel in Passion altarpiece, q.v.; head of God the Father missing

41 × –

Sale Catalogue, no. 970, illus. in colour

44 British Museum, London Inv. 90, 8–9, 4 (M24.52/3); upper part of God the Father missing

30.5 × –

Unpublished

45 Christie’s, London, 12 December 1974 Upper part of God the Father missing

38 × –


46 Christie’s, London, 13 December 1985 Upper part of God the Father missing

34.5 × 24


47 S. W. Wolsey, 71–2 Buckingham Gate, London (1959) (from Dr Hildburgh’s collection) Upper part of God the Father missing 48 Yorkshire Museum, York (from church of St Helen, Thorganby cum Cottingwith) Fragmentary 49 Church of Chatelus Malvaleix, Creuse, France Middle panel in Passion altarpiece, q.v.

–

Unpublished

56.5 × 38

Unpublished

–

Society of Antiquaries, 1913, 48

50 Walters Art Gallery, Baltimore, USA With symbols of the four Evangelists Panel from tomb

70.1 × 52.7


51 Church of St Mary, Shrewsbury Central panel of St John Baptist altarpiece, q.v.; Virgin and Child seated with Trinity; kneeling donor below (13)

49.5 × 22.9


 52 National Museum of Iceland, Reykjavík (from church of Hitardalur) Panel from Virgin altarpiece, q.v. 53 Commune de l’Eure, Normandy Central panel in Virgin altarpiece, q.v. 54 Musée des Antiquités, Rouen (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) 55 Church of San Giovanni Battista, Varese Ligure, N. Italy 56 National Museum, Warsaw, Poland Top of panel missing 57 Church of Emmerich, Germany Trinity with angels, above a death-bed scene (see the Art of Dying – under Last Judgement)

–

53 × 28 48 × 12.9

60 × 25 40.5 × 25 47 × 26

Nordal 1977, 44–5, no. 3, fig. IV



Ratti 1989, 51–3, fig. 27

Massowa 1996, cat. 16, fig. 20

Nelson 1926, 45–6, pl. XI, 2

Trinity – Type D. With the Trinity as Three Separate Individuals 1 Victoria and Albert Museum, London Annunciation scene in top third of panel 2 Yorkshire Museum, York With two donors; found with panels of St William altarpiece, q.v. (14) 3 Musée d’Évreux, Eure, Normandy Each figure with hand on large bible; top of panel damaged

30 × 17.9


–

Willmot 1957, 35–6, fig. 13; wrongly entitled ‘Translation of the Body of St William’

45 × 32




      te deum

TE DEUM Holy Church 1 Victoria and Albert Museum, London Fragment; heads missing 2 Castle Museum, Nottingham 3 Museo di S. Agostino, Genoa, Italy Panel in Te Deum altarpiece, q.v. (1)

29 × 18.2 43 × 27 39.4 × 27


Cheetham 1973, 40, illus. 41 Nelson 1917b, 119, pl. XII

4 Burrell Collection, Glasgow (2)

–


41.3 × –


40 × –


33 × 28

Nelson 1917b, 116, pl. X, 2; described as ‘In the possession of the Rev. W. T. Moore, MA’; Flavigny 1998, 131, cat. 76, illus.

6 Sotheby’s, London, 6 May 1983 (XX)

Antique Collector June 1955, illus.

Male Saints 1 Church of St Peter Mancroft, Norwich Top of panel missing. Panel in Te Deum altarpiece, q.v. (3)

Prophets 1 Victoria and Albert Museum, London

41.2 × 27.5


35 × 18.8


3 Church of St Stephen, Norwich Panel in Te Deum altarpiece, q.v.; panel of Nine Prophets (5)

40.7 × 27.3

Nelson 1917b, 116, pl. XI, I

4 Fogg Art Museum, Harvard University, Cambridge, Massachusetts, USA

41.3 × 25.4

Tavender 1959, 438, no. 72, pl. V

2 Museo di S. Agostino, Genoa, Italy Panel in Te Deum altarpiece, q.v. (4)

Female Saints 1 Church of St Peter Mancroft, Norwich Panel in Te Deum altarpiece, q.v.; panel of Nine Female Saints (6) 2 Private collection M. Paul Comby (1925)

41 × 28

–

Nelson 1917b, 117, pl. XI, 2; Flavigny 1998, 130, cat. 75, illus.

Nelson 1925, 25, pl. X, I

Angels 1 Norwich Cathedral Panel in Te Deum altarpiece, q.v.; panel of Nine Orders of Angels (7)

49.5 × 24.8

Nelson 1917b, 115–16, pl. X, 1; described as being in Bishop’s ‘Palace at Norwich’; Flavigny 1998, 129, cat. 74, illus.

 sacraments

SACRAMENTS Holy Matrimony 1 Victoria and Albert Museum, London Top of panel missing 2 Musée d’Évreux, France Inv. 10302 (1)

33.2 × 23.1


40 × 26

Prigent 1998, 34; Flavigny 1998, 131, cat. 78, illus.

Ordination 1 Musée d’Évreux, France Inv. 10301

–

Prigent 1998, 34



      heads of st john the baptist

HEADS OF ST JOHN THE BAPTIST Head of St John the Baptist – Type Unknown 1 Capilla de los Gaytan, Jemein, Vizcaya, País Vasco, Spain

–


Head of St John the Baptist – Type A. Head Only 19 × 15.7


26.3 × 22.9

Society of Antiquaries, 1913, 53, no. 9, pl. XI

1 Victoria and Albert Museum, London 2 Ashmolean Museum, Oxford (1)

18 × –



Head of St John the Baptist – Type B. With Dish 1 Metropolitan Museum, New York 2 Ipswich Museum, Suffolk (2) 3 Schnutgen Museum, Cologne Said to have been in this Museum before 1939 (3)

19 × 15.2 15.2 × 10.5 11.8 × –

Nelson 1925, 33, pl. I, 2 Turner and Jones 1984, 21, no. 115 Unpublished

4 Castle Museum, Norwich (from the Wellcome Institute, London) With two supporting angels (4)

–

Flavigny 1998, 123, cat. 56

5 Private collection Prince Hohenzollern, Sigmaringen (1930) With two supporting angels

–

Hildburgh 1930, 43

6 Hofgalerie, Dr Wolfgang Hofstatter, Spiegelgasse 14, Vienna 1 (1973) With three supporting angels (5)

–

Unpublished

Head of St John the Baptist – Type C. With Agnus Dei and Supporting Angels 1 Victoria and Albert Museum, London

21.5 × 21.1



27.8 × 21.4


3 Private collection John Parker (1890) No supporting angel

19.8 × 13.3

Hope 1890, 682, illus.

4 Museum of Art, Philadelphia, USA (given by Henry P. McIlhenny) (6)

–

Unpublished

5 Musée de Dijon, France (7)

35 × 16

Unpublished

6 Probstei church, Dortmund, Germany (8)

50 × –

Swarzenski 1921, 170

7 Stonyhurst College, Lancashire Inv. 1794–17; no supporting angel 8 Vallanes in Fljótsdalshérað, Iceland (1842) 9 Sotheby’s, London, 8 and 9 July 1981

12.7 × 10.1 – 25.5 × –

Unpublished

Nordal 1985, 99, fig. 11 Sale Catalogue, no. 229, illus.

       10 Christie’s, New York, 28 January 1998

26 × 15


11 Cathedral Treasury, Kammin, Poland (9)

40 × 17

Massowa 1996, 41, cat. 8, fig. 10

12 Musée d’Orléans, France 13 Private collection, New York (1962) (10) 14 Private collection A. H. Cocks (1913) No supporting angel

– 21.6 × 15.2 19.9 × 13

Nelson 1925, 33, pl. I, 1 Unpublished Society of Antiquaries, 1913, 76, no. 89

Head of St John the Baptist – Type D. With Our Lord’s Pity 1 Ashmolean Museum, Oxford In wooden housing (11)

21.9 × 14.6

Hope 1890, 683, pl. XXI, fig. 1

2 Private collection Grosvenor Thomas (1920)

17.8 × 10.2



20.2 × 12.7


Head of St John the Baptist – Type E. With Agnus Dei, Flanked by Saints 1 Victoria and Albert Museum, London 2 Church of Abinger, Surrey (12)

3 Staatliche Museen, Preussischer Kulturbesitz, Skulpturengalerie, Berlin-Dahlem (13)

4 City Museums, Exeter

27 × 20.6 32.4 × 17.8

Cheetham 1984, 322, cat. 246, illus. York Festival Exhibition 1954, no. 83; described as ‘Lent by Major E. Beddington Behrens, MC’

25 × 14.5

Hildburgh 1925b, 60; described as being ‘At Berlin, in the Kaiser-Friedrich Museum’

25 × 15

Catalogue of Rougement House, Exeter (1970) illus. Allan 2001, 162–3, pl. 2

5 City Museum, Gloucester

18.7 × 14.1

Hope 1890, 689, no. 10


23.5 × 13.3

Hope 1890, 694–5, no. 17

7 Aberdeen Art Gallery, Great Britain

25.4 × 15.3

The Connoisseur, May 1954, illus. in colour on cover; Cheetham 2001, 50, illus.


26 × 19

Feyo 1947, 77, fig. 6


23 × 16


10 Clongowes Wood College, County Kildare, Ireland (14)

21.6 × 14

MacLeod 1946, 94


11.4 × 10.8

Hope 1890, 683, no. 2

12 Ashmolean Museum, Oxford Fragment with angel and Agnus Dei

13.3 × 11.4

Hope 1890, 685, no. 5, illus.

13 Private collection Thomas Penes, Adderley (1824)

–

Hope 1890, 693, no. 15

14 Private collection Rev. W. K. Chafy-Chafy (1890)

26 × 19.7

Hope 1890, 691, no. 13

      15 Musée Granet, Aix en Provence, France 16 Maidstone Museum and Art Gallery, Kent

26.1 × 18 –

Prigent 1998, 39, fig. 6 Grove 1952, Archaeologia Cantiana LXV, 187–9

17 Musees Royaux d’Art et d’Histoire, Brussels

18.5 × 12.5


18 University of Victoria, British Columbia, Canada

22.2 × 17.8

Society of Antiquaries, 1913, 59, no. 29, pl. XVI; described as belonging to ‘Mrs. Spilsbury’

19 Dominican Monastery, Dubrovnic, Croatia

–

Fisković 1977, 163, fig. 14; Fisković 1979, 88, fig. 14

20 Museo Nacional de Artes Decorativas, Madrid

–


Head of St John the Baptist – Type F. With Our Lord’s Pity Flanked by Standing Saints 1 Victoria and Albert Museum, London

25.1 × 17.5



26 × 16.4



30.6 × 17



33.5 × 20.8



25.1 × 15



28.6 × 15.4



32.9 × 20.8



33.5 × 21.2



29 × 18.7



26.4 × 19.1


11 Norwich Castle Museum (XXI) 12 Musée des Antiquities, Rouen 13 Burrell Collection, Glasgow In wooden housing (15)

30.4 × 15 31 × 18

Cheetham 2001, 50, 51, illus. Flavigny 1998, 124, cat. 59, illus.

47.8 × 25.5 Cheetham 1984, 54, fig. 33; Nelson (includes housing) 1920b, 213–14, pl. II 22.9 × 15.2

Unpublished

15 Burrell Collection, Glasgow In wooden housing (17)

33 × 16.2

Unpublished


33 × 21.6

Nelson 1914, 164–5, pl. V, 1; ‘Once in possession of Mr S. Richards’

14 Burrell Collection, Glasgow Inv. 18; in wooden housing (16)

17 Leicester City Museum, Great Britain In wooden housing

24.1 × 17.1

Hope 1890, 692, no. 14, pl. XXIV; Flavigny 1998, 124, cat. 60

18 Carmarthen Museum, Wales In wooden housing (18)

34.2 × 17.3

Hildburgh 1931, 242–3, pl. X, A

       19 Museu Nacional de Arte Antiga, Lisbon


24 × 18.5 25 × 15

Guimarães de Andrade 1977, 29–30, no. 16, illus. Feyo 1947, 77, fig. 5


26.7 × 16.5


33 × 20.3

23 British Museum, London Inv. 1904, 4–9, 1, M24 56

25.2 × 16.3

Unpublished


35.6 × 15.2

Hope 1890, 693–4, no. 16


26.65 × 17.15

Hope 1890, 698, no. 22; described as belonging to Miss Knight Nelson 1927, 119


26 St Michael’s Mount chapel, Cornwall, Great Britain

37.1 × 23.5

Hope 1890, 703, no. 26, pl. XXVI; described as belonging to Lord St Levan

27 Ratcliffe College, Leicester

24.5 × 16.5

Hope 1890, 686, no. 7, pl. XXI fig. 2

28 Ackland Art Museum, University of North Carolina at Chapel Hill, USA

32.1 × 22.3

Chatwin 1922b, 178–9, pl. XXXV; described as being at ‘Coughton Court, Warwickshire’

29 Church of Amport, Hampshire

35.5 × 24.1

Hope 1890, 701, no. 25, pl. XXV

30 Salisbury and South Wiltshire Museum, Salisbury

27 × 17.8

31 Salisbury and South Wiltshire Museum, Salisbury Fragment of ‘Our Lord’s Pity’

–

Hope 1890, 695, no. 18

Unpublished

32 St John’s Seminary, Wonersh, Guildford, Surrey (formerly in the Catholic Cathedral of St George, Southwark)

25.5 × 18.5

Hope 1890, 687, no. 8; described as belonging to ‘Bishop Butt, St George’s, Southwark’

33 Private collection David Wells, Leicestershire (1789)

23.5 × 14.9

Hope 1890, 697, no. 21

34 Private collection Rev. Edward Duke (1890)

31.8 × 20.3

Hope 1890, 700, no. 24, pl. XXIII, fig. 2 (wrongly titled); The Connoisseur, Mar. 1959; advertisement by S. W. Wolsey, illus.

35 Private collection A. Manrique de Lara, Las Palmas de Gran Canaria (1958)

–

Perera 1958, 221, illus.; Franco Mata 1999, 192

36 Ashmolean Museum, Oxford

37 Church of St John the Baptist, Bristol (1828) Present whereabouts unknown 38 Beaumont College, Old Windsor, Great Britain No standing saints

29 × 19.4

Hope 1890, 696, no. 19; Gardner 1951, 311, fig. 616, 313

–

Hope 1890, 690, no. 12

21 × 14

Hope 1890, 684, no. 4

      39 Private collection Bishop Virtue, Portsmouth (1890)

25.4 × 18.4

Hope 1890, 689, no. 11

40 Private collection Rev. W. Stukeley (1746) Whole-length seated figure of Christ

30.5 × 17.8

Hope 1890, 699, no. 23

41 National Museum of Ireland, Dublin (possibly from the Freshford area of Co Kilkenny) Fragment 42 Sotheby’s, London, 11 December 1980 Figure of Christ stepping from the tomb, holding the staff of the Resurrection 43 Church of Cavtat, Dalmatia, Croatia

–

29.2 × 21.5

41 × 21

Unpublished


Fisković 1977, 163–5, fig. 15; Fisković 1979, 88, fig. 15

44 City Museum Korcula, Abbot’s Collection, Dalmatia Croatia

–

Fisković 1977, 165, fig. 16; Fisković 1979, 88, fig. 16


–

Unpublished

Head of St John the Baptist – Type G. With Seated Virgin and Child and Agnus Dei at One Side 1 Museu Nacional de Arte Antiga, Lisbon Bottom right corner missing, presumably included small Agnus Dei (20) 2 Private collection Hunt, Baily, Co Dublin, Ireland (1970s) (21)

40 × 23.5

–

Feyo 1947, 77, fig. 7

Unpublished

Head of St John the Baptist – Incomplete Fragments 1 National Museum of Ireland, Dublin Inv. 1885. 154

–

Unpublished


–


3 Pershore Abbey, Worcestershire

–

Unpublished

altarpieces

Altarpieces

T

he list is set out as follows: Particular Saints (in alphabetical order), Holy Martyrs, Apostles’ Creed, Te Deum, Joys/Life of the Virgin, Passion of Christ, Passion/Virgin Themes, Last Judgement and French altarpieces carved under English influence. Three panels surviving from a series is taken as the minimum evidence for an altarpiece. The descriptions read from left to right. The number in brackets after each panel is the number in the Subject List of individual panels and figures. There are doubtless other panels now separated which could be grouped together on the basis of style to form an altarpiece. But the following list is a summary of the main surviving altarpieces, or fragments of altarpieces, known to the author. St Catherine 1 Catholic church, Lydiate, Lancashire, Great Britain Before 1854, the panels were preserved at Lydiate Hall Four panels; two canopies.

–

Nelson 1913, 133–6, pls. I (1 and 2), II (1 and 2), III (1 and 3), IV (1)

Burning of the Philosophers (2), St Catherine Saved from the Wheels (3), St Catherine Kneels in Prayer before Her Execution (1), Burial of St Catherine (2). In addition there are three more alabaster carvings. Figure of St Cuthbert (1) which may have come from the church of St Cuthbert at nearby Halsall; figure of St Catherine (6) which may have been a separate image; panel of the Visitation (3) which may have been part of a Virgin altarpiece now lost. The four panels of the Martyrdom of St Catherine and the figure of St Cuthbert are built into the modern pulpit in the church. 2 Ca d’Oro, Venice, Italy Formerly in Church of Santa Caterina, Venice Seven panels; four canopies.

–

Biver 1910a, 68–9, pl. II; Hildburgh 1955c, 183

St Zita (3) (described by Biver as St Mary Magdalene), Burning of the Philosophers (3), St Catherine in Prison (5), tall central panel of St Catherine Saved from the Wheels (5), Beheading of St Catherine (5), Burial of St Catherine (3), St Dorothy (1). Much of the original wooden framework survives, with the Latin inscriptions. 3 Kunsthistorisches Museum, Vienna, Austria (from the D’Este Collection, Vienna) The panels came originally from Italy Six panels; no canopies.

–

Nelson 1923b, 128–31; pls. I, Ia, II, III, IV

St Margaret (9), St Catherine before the Emperor Maxentius (2), Burning of the Philosophers (4), St Catherine in Prison (6), Beheading of St Catherine (6), St Apollonia (1). (Two panels, St Catherine Saved from the Wheels (9) and Burial of St Catherine (6), are missing.) No wooden framework. 4 Musei Civici di Storia ed Arte, Trieste, Italy Four panels; no canopies.

–

Fiorin 1969–70, 137–58, figs. 24, 25, 26, 27

      Burning of the Philosophers (8), St Catherine in Prison (11), tall central panel of the Assumption and Coronation – Type D (4), Beheading of St Catherine (9). In a modern, simple wooden framework. 5 Church of Vejrum, Hjerm, Ringkobing, Denmark Seven panels; four canopies.

–

Nelson 1920a, 197, 198, pls. IV, V, VI, 1; Cheetham 1984, 25, fig. 15

St Barbara (8), St Catherine before the Emperor Maxentius (3), St Catherine in Prison (4), tall central panel of St Catherine Saved from the Wheels (4), Beheading of St Catherine (4), Burial of St Catherine (4), St Mary Magdalene (2). The panels and canopies are not in the original wooden framework. 6 Church of la Asunción y del Manzano, Fuenterrabía, Guipuzcoa, País Vasco, Spain Three panels; no canopies.

–

Maclagan 1920, 62, pl. IIc; Franco Mata 1999, 184, 120–1, fig. 8 and figs. 109–12

St Catherine in Prison (3), St Catherine Saved from the Wheels (2), Beheading of St Catherine (3). The end figure of St Margaret (6) illustrated by Maclagan at Fuenterrabía is now in the Metropolitan Museum, New York. It is apparent from Franco Mata (1999, figs. 109–12) that the three panels have been badly damaged since they were illustrated by Maclagan (1920, pl. IIc). The original wooden framework has not survived.

St George and the Life of the Virgin 1 Church of La Celle, Eure, Normandy, France

–

Biver 1910a, 71–8, pls. VIII–XII; Flavigny 1998, 89–97, cat. 53 illus., 88, 90–1, 93, 94 A two-tiered altarpiece of thirteen panels, twelve canopies. The top row is of the Life of St George and the lower of the Life of the Virgin. Top row of seven panels – Resurrection of St George (1), Arming of St George (1), St George and the Dragon (1), tall central panel of the Assumption and Coronation of the Virgin – Type D (7), St George Baptising (1), St George before Dacianus (1), Beheading of St George (1). Bottom row of six panels – Birth of Mary (7), Dedication of the Virgin (6), Annunciation – Type D (35), Adoration of Mary and Joseph with two midwives (18), Adoration of the Magi with Mary (74), Presentation of Jesus in the Temple (1). Four standing figures of saints flanked the altarpiece which have now disappeared (although two canopies survive) – St Antony of Egypt (11), St Christopher (16), St John the Evangelist (27) and St John the Baptist (37). The latter had already disappeared when Biver was writing in 1910. On each side of the central panel were eight small figures with five surviving little canopies – St Andrew (6), St Peter (24), St Matthew (6), St Paul (19), St John the Evangelist (28), St Barbara (11), St Bridget (1), St Christopher (17). Four have now disappeared with their little canopies (Flavigny 1998, 90–1). The panels and canopies are in the original wooden framework which still has the Latin inscriptions intact.

St George 1 Church of Borbjerg, Hjerm, Ringkøbing, Denmark Seven panels; six canopies.

–

Nelson 1920a, 199–206, pls. VI (2), VII

St George (3), Resurrection and Arming of St George (1), St George Preserved from the Poisoned Cup (1), tall central panel of St George before the Temple of Apollo (1), St George Fights against the Gauls (1), Martyrdom of St George (1), St Michael (5). Most of the original wooden framework survives, although the lower horizontal section bearing the Latin inscriptions has disappeared.

St John the Baptist 1 Church of St Mary, Shrewsbury, Great Britain Three panels in the south-east chapel; no canopies.

–

Nelson 1925, 37, pl. XII (1) (2) (3)

St John the Baptist Preaching (5), central panel of Trinity – Type C (51), Baptism of Christ (5). No wooden framework.

  2 Church of Yssac la Tourette, Puy de Dome, France Seven panels; seven canopies.

–

Biver 1910a, 69, pl. III, 1; Society of Antiquaries, 1913, 49, pl. VIII, fig. 17

St James the Great (12), St John the Baptist Preaching (3), Apprehension of St John the Baptist (1), tall central panel of Crucifixion – Type D (46), Beheading of St John the Baptist (2), Dance of Salome and the Presentation of the Head of St John the Baptist (1), St John the Evangelist (6). The wooden framework is original with its Latin inscriptions intact. The whole altarpiece (and also the Passion altarpiece, q.v.) was stolen in March 1981. 3 Marienkirche, Gdansk, Poland

–

Nelson 1918b, 328–31, pls. XVIII– XXII; Hildburgh 1948, 11–12; Massowa 1996, 41, cat. 7, fig. 9; Olszewski 1960, 35–64, figs. 7, 8, 9, 10, 11.

Five embattled panels; no canopies St John the Baptist Preaching (4), Beheading of St John the Baptist (3), Herodias Buries the Head (1), Burning of the Body of St John the Baptist (1), Scattering the Ashes of St John the Baptist (1). The panels are in a modern wooden frame.

St James the Great 1 Cathedral of Santiago de Compostela, Spain Dated by document of 1456.

–

Hildburgh 1926, 304–7, pls. XLII, XLIII; Cheetham 1984, 22–3, fig. 11; Perera 1958, 220 illus.; Franco Mata 1999, 186, figs. 99–104

Five panels; five canopies Calling of St James (1), Charge to the Apostles (1), tall central panel of St James Preaching (1), St James Beheaded (1), Translation of Body of St James (1). The panels and canopies are in the original wooden framework. There were apparently no standing figures at each end, which is unusual. The Latin inscriptions survive.

St Martin and the Life of the Virgin 1 Church of Genissac, Gironde, France

–

Biver 1910a, 86–7, pls. XIX, XX, XXI; Gardelles 1976, 213, no. 199, illus. A two-tiered altarpiece with ten panels, nine canopies. The top row is the Life of the Virgin, the lower the Life of St Martin. Top row of five panels – Annunciation – Type D (34), Nativity with two midwives (10), central panel of Crucifixion – Type C (19), Resurrection (116), Ascension (17). Bottom row of five panels – St Martin Dividing his Cloak (1), St Martin Cures the Sick (1), St Martin Celebrating Mass (1), Death of St Martin (1), Burial of St Martin (1). Twenty four small figures of saints, each with a little canopy, flanked the ten panels. Biver does not describe the remaining twenty-two small figures individually, but Gardelles describes nine – St John the Baptist (11), St Antony of Egypt (12), St Michael (11), St Raphael (1), St Stephen (8), St Lawrence (7), St Catherine (26), St Barbara (12), St Zita (6). In addition he illustrates one in detail – St James the Great (25). The wooden framework has not survived. The panels and canopies are now set into a possibly nineteenthcentury stone altarpiece.

St William of York 1 Yorkshire Museum, York, Great Britain – Willmot 1957, 35–6, figs. 12, 13. Five Panels and the fragments of another discovered in 1957 on the site of the House of the Holy Priests, York; no canopies. Birth of St William (1), St William’s Entry into York (1), St William Saves Edward I in His Fall (1), Visit of Edward I to St William’s Shrine (1), Assumption of the Virgin (40). Also a panel of the Trinity – Type D (2) which may not have been part of the altarpiece. The panels were evidently deliberately buried.

      Holy Martyrs 1 Sotheby’s, London, 4 July 1996, Great Britain Probably originally from the Chartreuse de Vauvers, near the Luxemburg Palace in Paris, which was destroyed in 1798. Formerly on display in Norwich Castle Museum (1979–95) Seven panels; seven canopies.

67.5 × 162.5

Sale Catalogue, no. 17, illus.; Cheetham 1983, 356–9, figs. 45–51

Figure of St Stephen (5), Martyrdom of St Stephen (1), Martyrdom of St Lawrence (5), tall central panel of Trinity – Type B/C (5), Martyrdom of St Erasmus (6), Martyrdom of St Thomas Becket (2), Figure of St Lawrence (3). The panels and canopies are in a late nineteenth-century wooden framework (Cheetham 1984, fig. 46) but an old photograph shows it in its original medieval framework (Cheetham 1984, fig. 47). The altarpiece is now in the Art Museum, Denver, Colorado, USA.

Apostles’ Creed 1 Victoria and Albert Museum, London, Great Britain Originally from a church in the town of Zamora, Spain. Twelve panels; no canopies.

–

Hildburgh 1944, 34; Cheetham 1984, 69, illus.

St Peter (5), St Andrew (2), St James the Great (4), St John the Evangelist (3), St Thomas (1), St James the Less (4), St Philip (2), St Bartholomew (2), St Matthew (1), St Simon (1), St Jude (3), St Matthias (1). No wooden framework. 2 Church of St Avit les Guespieres, Sarthe, France See Passion altarpiece, no. 8. 3 Musée des Antiquités, Rouen, France From Eglise d’Anglesqueville, La Bras Long, Seine Maritime, Normandy Six figures. No canopies.

–

Flavigny 1998, 83–6, 84–5 illus.

St Peter (27), St Jude (13), St Bartholomew (8), St Philip (?)(10), St Andrew (12), St John the Evangelist (?)(33). Also one head of an apostle. No wooden framework.

Te Deum 1 Museo di S. Agostino, Genoa, Italy Four panels; no canopies.

–

Papini 1910, 2–4, fig. 1; Nelson 1917b, 118, 119, pl. XII; Hildburgh 1937a, 190–1; Tavender 1949, 401–2

Virgin as Protectress (1), Prophets (2), Holy Church (3), tall central panel of Trinity – Type C (26). The panels are in a simple wooden framework – not the original. 2 City of Norwich, Great Britain (a) Norwich Cathedral Panel of Nine Orders of Angels (b) St Stephen’s Church, Norwich Panel of nine Prophets (c) St Peter Mancroft Church, Norwich Panel of four Male Saints and panel of nine Female Saints

–

Bensly 1892, 352–8; Nelson 1917b, 114–17, pls. X, XI

Four panels; no canopies. Prophets (3), Male Saints (top missing)(1), Female Saints (1), Orders of Angels (1). Nelson (1917b, 114) states that ‘the various panels of this series are of varying sizes and are therefore not derived from a common original’. However, allowing for the fact that the top of the panel of Male Saints is missing, three

  of the panels are clearly almost the same size. The only exception is the panel of Nine Orders of Angels which is slightly taller and slightly narrower. Since the Te Deum subject in alabaster is so rare and since all the panels show nine figures (except for the damaged panel of Male Saints), it seems most likely that all four panels are in fact from the same dismembered altarpiece. The altarpiece may well have been in the impressive Norwich church of St Peter Mancroft before the Reformation. The panel of Nine Orders of Angels now in Norwich Cathedral may have been a flanking end panel. 3 Chapel of Loc en St Ave, Morbihan, Britanny, France Three panels. The author has no further details available.

–

Prigent 1998, 32; Flavigny, 1998, 130

4 Church of St Omer, Pas de Calais, France The author has no further details available.

–

Prigent 1998, 32

Joys/Life of theVirgin 1 Victoria and Albert Museum, London, Great Britain Bought by the Victoria and Albert in 1919 from Lord Swansea’s collection. Previously purchased by Lord Swansea’s grandfather at Munich in the 1830s. Seven panels; seven canopies.

83.2 × 215

Cheetham 1984, 70–1; Altarpiece D, illus.

St John the Baptist (2), Annunciation – Type D (2), Adoration of the Magi with Mary and Joseph (68), tall central panel of the Trinity – Type C (3), Ascension (5), Assumption/Coronation – Type C (1), St John the Evangelist (2). The panels and canopies are in the original wooden framework, which still has the Latin inscriptions intact. 2 British Museum, London, Great Britain Fragments discovered in walls of Kettlebaston church, Suffolk, in 1882 or earlier. Four panels (tops missing); no canopies.

–

Nelson 1919b, 85–6, pl. I (1) (2), pl. II (1); Hildburgh 1950b, 7–9, and 16–17, figs. 12, 14, 17; Taylor 1967, 252, 4, pls. XXXVI–XXXIX

Annunciation – Type A (5), Ascension (30), Coronation – Type A (5), Trinity – Type A (30). Simply four fragmentary panels. No trace of framework. 3 Formerly Private collection, Marquess of Ripon (1913), Great Britain Three panels found in the ruins of Fountains Abbey, Yorkshire. Three panels; no canopies.

–

Society of Antiquaries, 1913, nos. 38, 40 and 53, pls. XVIII and XX; Christie’s, London, 11 Dec. 1979. Sale Catalogue, nos. 24, 25, 26, illus.

Adoration of Mary and Joseph with two midwives (9), Assumption (34), Coronation – Type B (20). The Coronation panel is now in York City Art Gallery. 4 Church of Chatelaudren, chapel of Nôtre Dame du Tertre, Côtes du Nord, Brittany, France Seven panels; six canopies.

–

Nelson 1927, 123–4, pl. IX

St Michael (6), Annunciation – Type E (4), Adoration of Mary and Joseph with two midwives (11), central panel of Resurrection (137), Assumption (53), Coronation – Type C (38), St Christopher (18). Panels are not in original framework. 5 Church of St Michel, Bordeaux, France Nine panels; eight canopies.

–

Biver 1910a, 83–5, pl. XVIII; Society of Antiquaries, 1913, pl. VII, fig. 14

St John the Baptist (4), Annunciation – Type E (6), Adoration of Mary and Joseph with two midwives (15),

      Adoration of the Magi and the Shepherds with Mary and Joseph (5), tall central panel of Resurrection (110), Ascension (8), Assumption (61), Coronation – Type B (37), St James the Great (?)(24). The greater part of the wooden framework survives. The altarpiece is no longer in the church. 6 Church of Montréal, Yonne, Burgundy, France Seven panels; seven canopies.

–

Biver 1910a, 67–8, pl. I; Society of Antiquaries, 1913, pl. VII, fig. 15

St Stephen (4), Annunciation – Type D (36), Adoration of the Magi with Mary and Joseph (69), tall central panel of Mass of St Gregory (7), Assumption (48), Coronation – Type C (40), St Lawrence (2). The panels and canopies are in the original wooden framework, which still has the Latin inscriptions intact. 7 Chapel of Ker Maria An Isquit, Plouha, Côtes du Nord, France Four panels; four canopies.

–

Maclagan 1920, 56; Society of Antiquaries, 1913, 47

Annunciation – Type D (33), Adoration of the Magi with Mary and Joseph (80), Assumption and Coronation – Type A (8), Coronation – Type B (41). According to local tradition, before 1918 there was another alabaster panel of the Visitation. The panels and canopies are in a modern simple framework. 8 Church of St Leonard, Limoges, Haute Vienne, France Seven panels; no canopies.

–

Bouillet 1901, 61; Tavender 1949, 400–1, pls. V, VI, VII

St Peter (17), Annunciation – Type D (37), Adoration of the Magi with Mary and Joseph (73), tall central panel of Trinity – Type C (34), Assumption (47), Coronation – Type C (39), St Paul (16). The panels are not in their original wooden framework. 9 Chapel of Breuil-Benoit, Marcilly sur Eure, Eure, France Seventeen panels; no canopies.

–

Bouillet 1901, 53

It is suggested that the panels may be divided into two original altarpieces – the Life of the Virgin (six panels) and the Passion of Christ (six panels), with five spare panels Six Panels. Birth of Mary (9), Annunciation – Type D (51), tall central panel of Tree of Jesse (4), Death of the Virgin (2), Assumption (62), Coronation – Type C (48). Apart from the six panels forming a Passion of Christ altarpiece (q.v.) there are five panels: Martyrdom of St Erasmus (12), Trinity – Type B/C (9), two extra Resurrections (138) (139) and one extra Entombment (89). The panels are not in an original wooden framework. They were sold in 1997 in Paris. 10 Church of La Ferte Bernard, Sarthe, France Seven panels.

–

Bouillet 1901, 55

St Catherine (27), Annunciation – Type unknown (1), Nativity or Adoration – Type unknown (1), Resurrection (141), Assumption (63), Coronation – Type unknown (1), St Margaret (15). 11 Château de Castelneau Bretenoux, St Cere, Lot, France Seven panels. No canopies.

–

Cheetham 1984, 59

St James the Great (26), Annunciation – Type D (52), Adoration of Magi with Mary and Joseph (63), Trinity – Type A (45), Assumption (64), Coronation – Type B (42), St Antony of Egypt (13). The original wooden framework does not survive. 12 Marienkirche, Gdansk, Poland Altarpiece returned from City Museum of Gdansk to Marienkirche in 1989.

–

Nelson 1919c, 139–42; Nelson 1918b, 314, 328; Hildburgh 1925b, 62; Maclagan 1920, 61; Olszewski 1960,

  35–64, figs. 12, 13, 14, 15, 16, 17, 18a, 18b; Massowa 1996, 46, cat. 9, fig. 12. Seven panels; one canopy over tall central panel. The four ‘scenic’ panels have embattled tops. St John the Baptist (6), Annunciation – Type D (40), Adoration of the Magi with Mary and Joseph (72), tall central panel of Resurrection (122), Ascension (9), Coronation – Type B (38), St John the Evangelist (4). The wooden framework is original. The Latin inscriptions survive very faintly. 13 Schleswig Holsteinisches, Landesmuseum, Schloss Gottorf, Schleswig, Germany Five panels; four fragments of canopies.

–

Hildburgh 1925b, 61 (described as ‘at Gross-Gronau’); Hildburgh 1930, 43 (described as ‘now in the Thalow Museum Kiel’)

Annunciation fragment – Type D (?)(64), Adoration of the Magi with Mary and Joseph (8), tall central panel of Trinity – Type B/C (3), Assumption (18), Coronation – Type C (13). No wooden framework survives. 14 Church of Santa Maria, Majori, Salerno, Italy Seven panels; five canopies.

–


St Margaret (8), Annunciation – Type D (43), Adoration of the Magi with Mary and Joseph (77), tall central panel of Resurrection (107), Assumption (46), Coronation – Type C (41), St James the Great (14). The panels and canopies are in the original wooden framework, with the Latin inscriptions. 15 Church of San Benedetto a Settimo, Pisa, Italy Seven panels; six canopies

–

Papini 1910, 4–6, fig. 2; Maclagan 1920, 61

St John the Baptist (8), Annunciation – Type E (7), Visitation (6), tall central panel of Assumption and Coronation – Type D (6), Adoration of Mary and Joseph (16), Circumcision (3), St Andrew (3). The panels and canopies are now set into the front of the main altar. In addition there are four small figures – one cardinal and three bishops, which are now separated from the altarpiece and are at the west end of the church. The original wooden framework has disappeared. 16 National Museum, Copenhagen, Denmark Formerly in the church at Munkaþverá, Iceland.

70.5 × 177.5

Nelson 1918b, 313–20, pls. I, III(2), IV(2), VIII(2) (X1); Nelson 1919b, 85; Derveaux-Van Ussel 1967, E/26 illus., fig. 1; Cheetham 1984, 22, fig. 10.

Seven panels, the five ‘scenic’ panels are embattled, but the crenellations are painted on; no canopies. St John the Baptist (5), Annunciation – Type B (4), Nativity (9), Resurrection (99), Ascension (15), Coronation – Type A (14), St John the Evangelist (5). The panels are in the original wooden framework. The Latin inscriptions survive clearly. 17 Museum of Akureyri, Iceland (from church of Möðruvellir in Eyjafjörður) Seven panels; six canopies.

88 × 184

Nordal 1977, 49–50, no. 11, fig. II

St John the Baptist (35), Annunciation – Type D (45), Adoration of Mary and Joseph and two midwives (20), tall central panel of Resurrection (100), Assumption (54), Coronation – Type C (49), St John the Evangelist (30). The original wooden framework is virtually complete, with the Latin inscriptions clear. 18 National Museum of Iceland, Reykjavík, Iceland (from church of Hítardalur) Seven panels; no canopies.

51 × 150

Nordal 1977, 44–5, no. 3, fig. IV

      St John the Baptist (36), Annunciation – Type D (46), Adoration of Mary and Joseph with two midwives (24), tall central panel of the Trinity – Type C (52), Assumption (52), Coronation – Type C (50), St John the Evangelist (31). The panels are in a simple modern wooden framework. 19 Church of Værøy, Norway Five panels; no canopies. The altarpiece is in the church at Værøy, not Røst as described by Fett and Maclagan.

–

Fett 1909, 119–20, fig. 353; Brodahl 1932, 95–6, illus. 97; Maclagan 1920, 61.

St John the Baptist (10), Annunciation – Type B (5), Adoration of the Magi with Mary and Joseph (81), Resurrection (109), Ascension (37). The panels are in a simple later wooden framework. 20 Church of Hornslet, Øster Lisbjerg, Randers, Denmark Five panels/figures; seven canopies.

–

Cheetham 1984, 58

St John the Baptist (34), Annunciation – Type D (48), Adoration of Mary and Joseph with two midwives (22), tall central panel of Resurrection (112), St John the Evangelist (10). The three ‘scenic’ panels and the two end figures, with the seven canopies (four in poor condition) are now placed in a post-medieval altarpiece which also includes a later non-English Ascension panel and two later non-English figures of saints. 21 National Museum of Iceland, Reykjavík, Iceland (from church of Kirkjubær in Hróarstunga) Six panels/figures; two small canopies (damaged).

86 × 144

Nordal 1977, 46–7, no. 6, fig. V

St John the Baptist (38), Annunciation – Type D (53), Adoration of the Magi with Mary and Joseph (96), tall central panel of the Tree of Jesse (9), Coronation – Type C (51), St John the Evangelist (32). In addition there are three small figures – St Peter (26), St James the Less (?)(11) and St Paul (22). Four such small figures – two on each side – probably flanked the tall central Tree of Jesse panel. Quite a lot of the original wooden framework survives, including the Latin inscriptions, but it has been incorrectly put together in a later wooden framework. 22 Church of Avilés, near Oviedo, Asturias, Spain The altarpiece is now missing (Franco Mata 1999) Seven panels; seven canopies.

–

Hildburgh 1944, 31–3, pl. XI; Franco Mata 1999, 185, figs. 60, 61

St Catherine (4), Annunciation – Type D (44), Adoration of the Magi with Mary and Joseph (70), tall central panel of Resurrection (113), Assumption (51), Coronation – Type B (36), St Margaret (7). The panels and canopies are in the original wooden framework, with Latin inscriptions. 23 Basilica of Daroca, Zaragoza, Spain Six panels; four canopies.

–

Perera 1958, 219 illus.; Hildburgh 1954a, 11–20, pls. V, VI; Franco Mata 1999, 189, figs. 65–70 and fig. 35

St John the Baptist (9), Adoration of the Shepherds with Mary and Joseph (1), Adoration of the Magi with Mary and Joseph (75), Resurrection (26), Coronation – Type B (39), St Catherine (3). The panels and canopies have been completely rearranged and have lost their original wooden framework. 24 Museo Arqueológico Nacional, Madrid, Spain (from cathedral of Santa Maria la Vieja de Cartagena) Seven panels; no canopies.

–

Hildburgh 1917, 74–83, figs. 1–7; Hildburgh 1944, 34; Perera 1958, 216 illus.; Franco Mata 1999, 147–76 and 190 and after 160, figs. 128–31 and figs. 133–6.

Birth of Mary (6), Dedication of the Virgin (3), St Anne Teaching the Virgin to Read, with St Joachim (2),

  Betrothal of the Virgin (1), Annunciation – Type D (39), Adoration of Mary and Joseph with two midwives (14), Circumcision (2). The panels have been completely rearranged and have lost their original wooden framework. 25 Church of St Riquier, Picardie, France Five panels; no canopies.

–

Durand 1907–11, 339f, pl. XLVI

Adoration of Mary and Joseph with one midwife (17), Adoration of the Magi and Shepherds, with Mary and Joseph (4), tall central panel of the Crucifixion – Type E (16), Entombment (13), Three Marys at the Sepulchre (4). The four small standing figures are of wood. The original wooden framework has not survived. 26 Cathedral of Mondoñedo, Lugo, Galicia, Spain Altarpiece said to have been consecrated in 1462. Four panels; no canopies.

–

Villa-Amil y Castro 1865, 403, illus.; Hildburgh 1944, 27–33, pl. X; Franco Mata 1999, 187 and after 144, figs. 124, 126, 127

Announcement to Joachim and the Meeting at the Golden Gate (2), Dedication of the Virgin (4), central panel of Trinity – Type C (9), Presentation of Jesus in the Temple (3). A missing panel, illustrated by Villa-Amil y Castro in 1865, of the Birth of Mary (4) is recorded as being in the Private collection Villa-Amil y Castro, Pontevedra (Franco Mata 1999, 187). The original wooden framework has not survived. 27 Cathedral of Ávila, Castilla-León, Spain (from church of Collado de Contreras, Ávila) Three panels; no canopies.

–

Franco Mata 1999, 187, figs. 62–4

Adoration of the Magi with Mary and Joseph (79), tall central panel of Trinity – Type C (10), Assumption (15). No original wooden framework survives. 28 Church of Our Lady of Carsko polje, Cara, Korcula, Dalmatia, Croatia Seven panels/figures; one canopy.

–

Fisković 1977, 158–62, Tables I, II; Fisković 1979, 73–5, figs. 1–7

St John the Baptist (12), Annunciation – Type D (47), Adoration of Mary and Joseph, with one midwife (19), Adoration of the Magi with Mary and Joseph (76), Assumption (49), Coronation – Type B (40), St John the Evangelist (22). The order of the panels/figures and canopy has been rearranged and they have been placed in a marble altarpiece. The original wooden framework has not survived. 29 Walters Art Gallery, Baltimore, USA (from the Château de Bruniquel, Tarn et Garonne, France) Three panels; no canopies.

–

Hildburgh 1954b, 22, figs. 1, 3, 6; Tavender 1955, 65, nos. 7, 8, 9

Annunciation – Type D (6), tall central panel of Resurrection (80), Assumption and Coronation – Type A (5). No original wooden framework survives. 30 Private collection, Douglass (1970s), Connecticut, USA Sold 1996 Three panels; no canopies.

–

Hildburgh 1954b, 27, note 30, referring to the Assumption in this group; Sotheby’s, New York, 12 Jan. 1996. Sale Catalogue, no. 1027.

Adoration of the Magi with Mary and Joseph (48), Assumption and Coronation – Type A (7), Coronation – Type B (21). The three panels are in a relatively modern wooden ‘Gothic’ framework which is not original.

      31 County Museum, Los Angeles, USA and Burrell Collection, Glasgow, Great Britain Originally from the Abbey of Marolles, France Three embattled panels; no canopies.

–

Hildburgh 1955b, 108–10, figs. 1, 2, 4; Nelson 1918b, 321–2, 5c; Tavender 1955, 71, nos. 64, 65; Lenoir 1800, 210, pls. 35, 38

Nativity with one midwife (5), Resurrection (60), Ascension (19). The Nativity and Resurrection are in Los Angeles, the Ascension in Glasgow. (Ascension panels are usually part of Virgin altarpieces, not those of the Passion). No wooden framework. 32 Church of La Celle, Eure, Normandy, France See altarpiece of St George and The Life of the Virgin. 33 Church of Genissac, Gironde, France See altarpiece of St Martin and The Life of the Virgin. 34 Commune de l’Eure, Normandy, France Six panels and one fragment; five canopies and one canopy fragment.

81.5 × 210

Flavigny 1998, 76–80, cat. 30, illus. 78–9

St Margaret (16), Annunciation – Type D (54), Adoration of the Magi with Mary and Joseph (98), tall central panel of the Trinity – Type C (53), Assumption (65), Coronation fragment, listed under Type C (52), St Catherine (28). Much of the original wooden framework survives with the Latin inscriptions. 35 Musée des Antiquités, Rouen, France (from church of La Trinité, Anglesqueville, La Bras Long, Seine Maritime, Normandy) Three panels; no canopies.

–


Adoration of Mary and Joseph with one midwife (25), Adoration of the Magi with Mary and Joseph (99), Presentation of Jesus in the Temple (5). No wooden framework. 36 Metropolitan Museum, New York, USA

–

Society of Antiquaries, 1913, pl. IV, fig. 8; Tavender 1955, 67, no. 31–3

This three panel arrangement, Entombment, Crucifixion and Ascension, is now thought not to be the remains of a single altarpiece (see Tavender 1955).

37 Basilica of St Seurin, chapel of Nôtre Dame de la Rose, Bordeaux, France See under heading Altarpieces in the Bordelais – French carved under English influence (no. 2).

Passion of Christ 1 Castle Museum, Nottingham, Great Britain Purchased at Sotheby’s sale, 24 June 1982 Five panels; five canopies.

70 × 165

Christie’s, 25 June 1931, Sale Catalogue, no. 50, illus.; Sotheby’s, 24 June 1982, Sale Catalogue, no. 39, illus. in colour; Cheetham 1984, 8 illus.

Betrayal (101), Flagellation (64), tall central panel of the Trinity – Type C (12), Entombment (88), Resurrection (136). The altarpiece lacks the usual two flanking figures of saints. Part of the wooden framework appears to be contemporary in date with the carvings, but is a later addition. Moreover the bottom of the framework is uncharacteristic and there are no inscriptions. This altarpiece in a very simple wooden framework is illustrated in the Christie’s 1931 Sale Catalogue.

 2 Haddon Hall chapel, Bakewell, Derbyshire, Great Britain In 1860 the panels were the property of the Cheltenham Philosophical Society Nine panels; nine canopies.

–

Hildburgh 1937a, 181–4, pls. XLIX–LI

Entry into Jerusalem (4), Betrayal (15), Mocking of Christ (5), Flagellation (40), Christ Bearing the Cross (11), Deposition (19), Entombment (16), Resurrection (106), Appearance of Christ to Mary Magdalene (3). The framework is modern (c. 1936). 3 Victoria and Albert Museum, London, Great Britain Original location unknown Five panels; no canopies.

–

Cheetham 1984, 67, Altarpiece A, illus.

Last Supper (1), Crucifixion – Type C (2), Deposition (1), Three Marys at the Sepulchre (1), Incredulity of St Thomas (1). The tops of all the panels are missing, except for the Deposition. The wooden framework has not survived. 4 Victoria and Albert Museum, London, Great Britain Originally from the old Oratory of the church of the Holy Sepulchre, Palma de Mallorca. Five embattled panels; no canopies.

–

Cheetham 1984, 68, Altarpiece B, illus.

Betrayal (1), Christ Bearing the Cross (1), Crucifixion – Type C (5), Deposition (2), Resurrection (4). The wooden framework has not survived. 5 Musée de Picardie, Amiens, France Discovered in the foundations of the church at Conty (Somme) in 1837 Five panels; no canopies.

–

Society of Antiquaries, 1913, 49–50; Flavigny 1998, 119, cat. 48

St James the Great (10), Flagellation (60), Crucifixion – Type E (7), Entombment (15). No wooden framework. 6 Church of Nailloux, Haute Garonne, France Five panels; no canopies.

–

Gorguet 1984, 173 and 179

Betrayal (71), Flagellation (56), central panel of Crucifixion – Type C (15), Entombment (10), Resurrection (124). No wooden framework. 7 Musée des Augustins, Toulouse, France (from church of Nôtre Dame du Bourg de Rabastens, Tarn) Ten panels; no canopies.

–

Gorguet 1984, 185–97, nos. 140–9; Bouillet 1901, 62

St James the Great (6), Betrayal (70), Christ before Pilate (6), Flagellation (16), Christ Bearing the Cross (17), Christ Nailed to the Cross (3), Deposition (12), Entombment (11), Resurrection (30), St Paul (9). The original framework has not survived. 8 Church of St Avit les Guespieres, Sarthe, France Eleven panels; eight canopies.

–

Biver 1910a, 70, pls. V and VI, 1

St James the Great (13), Flagellation (45), St Matthew (7), Christ Bearing the Cross (10), St John the Evangelist (7), Crucifixion – Type D (14), St Matthias (6), Entombment (46), St Thomas (5), Harrowing of Hell (3), St Simon (4).



      Four apostle panels from St Avit les Guespieres are now in the Victoria and Albert Museum, London (St James the Less, St Philip, St Jude and St Bartholomew) which suggests there was originally a twelve-apostle altarpiece in the church in addition to a Passion altarpiece. It appears that the remaining six figures (two have evidently been lost) were then rearranged to form an altarpiece interspersing the Passion panels with apostle panels. Certainly this arrangement appears to be unique. The wooden framework does not appear to be original. 9 Church of Yssac la Tourette, Puy de Dome, France Seven panels; seven canopies.

–

Biver 1910a, 69–70, pl. III, 2; Society of Antiquaries, 1913, 48, 49, pl. VIII, fig. 19

St Peter (14), Betrayal (14), Flagellation (57), tall central panel of Crucifixion – Type E (18), Entombment (47), Resurrection (117), St Paul (14). Between each panel are two small figures of saints (twelve in all), each saint with its own little canopy. The saints were not identified either by Biver or by Prior. The wooden framework is original with its Latin inscriptions intact. The whole altarpiece (and also the St John the Baptist altarpiece q.v.) was stolen in March 1981. 10 Church of Ecaquelon, Eure, France Originally from the Abbey of Bec. Seven panels; seven canopies.

–

Hildburgh 1937a, 184; Hildburgh 1949a, 74–5; Biver 1910a, 70, pl. III, 3; Exposition d’Art Religieux Ancien, Rouen, 1931, 35–7, pl. XII

Agony in the Garden (4), Betrayal (63), Flagellation (42), tall central panel of Crucifixion – Type D (15), Entombment (48), Resurrection (115), Appearance of Christ to Mary Magdalene (5). The panels and canopies are in the original wooden framework, which still has the Latin inscriptions intact. On the wooden uprights of the framework, are painted a number of saints – two to each of the four central uprights. Complete altarpiece stolen in 1975, but Betrayal and canopy recovered in 1979. The Appearance of Christ to Mary Magdalene was offered for sale at Sotheby’s on 12 December 1996, no. 34. 11 Musée du Château, Carcassonne, France Three embattled panels of c.1400; no canopies.

–

Nelson 1918b, 323–7, pl. XV; Flavigny 1998, 106, figs. 8, 9, 10

Flagellation (19), Crucifixion – Type C (10), Harrowing of Hell (4). No wooden framework. 12 Musée Thomas Dobrée, Nantes, France Nine panels; no canopies.

–

Hildburgh 1930, 44–5; Hildburgh 1948, 1–12, pls. I, II, III, IV, V; Costa 1961, 84–5, no. 162, illus. 130

Agony in the Garden (3), Betrayal (28), Flagellation (47), Christ Bearing the Cross (14), tall central panel of Crucifixion – Type E (9), Entombment (17), Harrowing of Hell (2), Resurrection (108), Appearance of Christ to Mary Magdalene (4). The panels, which are of exceptional size, are in a simple modern wooden framework. 13 Church of Ste Foy, Conches, Eure, Normandy, France Three panels; no canopies.

–

Bouillet 1901, 55 and fig. opposite 48; Destrée 1909, 460, fig. 10

Christ Bearing the Cross (4), tall panel of Crucifixion – Type E (37), Entombment (42). There is also a panel of the Trinity – Type C (35) which does not seem to be part of the altarpiece. The panels are not in their original wooden framework. 14 Abbey of Mont St Michel, Normandy, France Probably from the nearby church of St Leger. Five panels; no canopies.

–

Bouillet 1901, 56; Maclagan 1920, 56; Rostand 1928, 298–300

Betrayal (12), Flagellation (54), tall panel of Crucifixion – Type E (11), Entombment (55), Resurrection (73). Panels in simple modern wooden framework.

  15 Sotheby Parke Bernet, Monaco, 25–6 June 1984 Five panels; no canopies.

–

Sale Catalogue, 192–3, no. 970, illus. in colour

Flagellation (58), Trinity – Type C (43), Entombment (87), Betrayal (72), Resurrection (36). Panels are in a modern wooden framework. 16 Chapel of Breuil-Benoit, Marcilly sur Eure, Eure, France Seventeen panels; no canopies.

–

Bouillet 1901, 53

It is suggested that they may be divided into two original altarpieces – Life of the Virgin (q.v.) and the Passion of Christ, with five ‘spare’ panels (Bouillet lists three Resurrections). Six panels. Flagellation (66), Christ Bearing the Cross (21), Crucifixion – Type E (38), Entombment (90), Resurrection (140), Ascension (36). The panels are not in an original wooden framework. They were sold in 1997 in Paris. 17 Church of Chatelus Malvaleix, Haute Vienne, Creuse, France Seven panels.

–

Society of Antiquaries, 1913, 48; Prigent 1998, 77

Two image panels (one of headless figure of St James the Great (16)), four panels of the Passion including a Betrayal (78) and a central panel of the Trinity – Type C (49), and a Flagellation (73). No further information available to the author. 18 Chapel of Château de Grandmont, France Formerly in Church of Pervencheres, Orne Five panels.

–

Bouillet 1901, 56

Betrayal (102), Flagellation (67), Crucifixion – Type unknown (1), Entombment (91), Resurrection (142). 19 Church of Nôtre Dame de Louviers, Eure, France Five panels; no canopies.

–

Bouillet 1901, 56; Society of Antiquaries, 1913, pl. IV, fig. 9

Betrayal (75), Flagellation (55), Deposition (6), Entombment (41), Resurrection (53). The original wooden framework has not survived. 20 Musée Vivenel, Hôtel de Ville, Compiègne, Oise, France A large fixed two-tiered reredos bequeathed to Compiègne by M. Vivenel. The reredos was formerly in the church of St Germain l’Auxerrois in Paris Ten main panels, four end figures and sixteen small figures.

–

Bouillet 1901, 54; Biver 1910a, 79–83, pls. XIII, XIV, XV, XVI, XVII; Tavender 1949, 397, pl. II; Society of Antiquaries, 1913, pl. VIII fig. 18

There are two rows, each with five panels of the Passion and two flanking end figures. In addition there are sixteen small figures (two each between the main panels). All panels and figures retain their alabaster canopies. Top row: St Peter (15), Flagellation (33), Christ Bearing the Cross (15), central tall panel of Crucifixion – Type D (23), Deposition (23), Resurrection (114), St Paul (15). Bottom row: St Giles (1), Washing the Feet of the Apostles (4), The Last Supper (2), Betrayal (73), Christ Before Pilate (4), The Mocking of Christ (6), St Remy (1). Of the sixteen small figures, Biver identifies Sts Longinus (1), James the Great (15), John the Evangelist (8), Andrew (8), Antony (4) and Peter (16). The panels and canopies are in the original wooden framework, but the inscriptions which are in French, have been repainted.

      21 Church of Pontorson, Manche, France Eighteen panels of the Passion with two donors at the ends. The author has no further details available.

–

Bouillet 1901, 58

22 Musée des Antiquités, Rouen, France (from church of Rouvray, près Forges les Eaux, Seine Maritime, France) Five panels; no canopies.

–

Bouillet 1901, 59; Flavigny 1998, 120, cat. 51 and 99–100

Betrayal (19), Flagellation (18), tall central panel of Crucifixion – Type E (13), Entombment (39), Resurrection (47). No wooden framework. – Bouillet 1901, 59; Flavigny 1998, 115, 23 Musée des Antiquités, Rouen, France (from church of St Denis sur Scie, Seine Maritime, cat. 38, 116, cat. 41, 117, cat. 44, 118, France) cat. 46 Four panels; no canopies. Betrayal (20), Crucifixion – Type D (6), Harrowing of Hell (7), Resurrection (45). No wooden framework. 24 Musée d’Orléans, France – Prior and Gardner 1912, 488 The altarpiece is no longer in the museum collections. Possibly it was destroyed in June 1940, when the ‘Musée Historique’ was bombed. 25 Staatliche Museen, Preussischer Kulturbesitz, Skulpturengalerie, Berlin-Dalhem, Germany Said to be formerly in the Abbey of Cluny Seven panels; seven canopies.

–

Exposition d’Art Religieux Ancien, Rouen, 1931, 38, pl. XIII; Royal Academy of Arts, 1935, 263, no. 1179, pl. CCXI; Hildburgh 1937a, 184–5

Consecration of St Thomas as Archbishop (2), Betrayal (76), Flagellation (51), tall central panel of Crucifixion and Lamentation combined (1), Entombment (19), Resurrection (120), St Thomas Becket (?) with donor (2). The two end panels (Consecration of St Thomas as Archbishop and St Thomas Becket (?) with donor) do not appear to be the original flanking panels of the altarpiece. The wooden framework is original and still bears most of the Latin inscriptions intact. On the outside of the wings are painted Christ on the Cross and the Martyrdom of St Sebastian. 26 Church of Afferden, Limburg, Netherlands Said to have been brought to Afferden in 1542 Seven panels; six canopies.

–

Hildburgh 1932b, 303–5; Hildburgh 1937a, 181, pl. XLVIII

Betrayal (77), Flagellation (43), Christ Nailed to the Cross (2), Crucifixion – Type E (23), Deposition (24), Entombment (53), Resurrection (123). There are also sixteen small standing figures, each with a small canopy. Hildburgh describes these small figures as ‘the Twelve Apostles and the Fathers of the Church’. The Apostles are – St Peter (18), St Andrew (11), St James the Great (17), St John the Evangelist (12), St Thomas (2), St James the Less (5), St Philip (7), St Bartholomew (5), St Matthew (2), St Simon (6), St Jude (4) and St Matthias (4). The panels are not in their original wooden framework, nor in their original arrangement. 27 Civico Museo Schifanoia, Ferrara, Italy Formerly (1865) in Church of Sant’Andrea Seven panels; no canopies.

–

Papini 1910, 6–10, fig. 3; Biver 1910a, 70; Maclagan 1920, 61

Betrayal (11), Flagellation (46), Christ Bearing the Cross (16), tall central panel of the Crucifixion – Type E (15), Deposition (22), Entombment (18), Resurrection (118). Not in the original wooden framework.

  28 Museo Nazionale, Naples, Italy The largest of the triptychs Seven panels; six canopies.

165 × 307

Bouillet 1901, 57; Papini 1910, 6, 10, fig. 4; Society of Antiquaries, 1913, 47, pl. I

Betrayal (13), Christ Before Pilate (5), Christ Bearing the Cross (13), tall central panel of Crucifixion – Type E (17), Deposition (20), Entombment (20), Resurrection (119). In addition there are four small figures, two on each side of the central panel of the Crucifixion. They are of the four Evangelists – St Matthew (8), St Mark (2), St Luke (1), St John the Evangelist (29). The canopies over the small figures are missing, except for a fragment over St Mark. The panels and canopies are in the original wooden framework. The Latin inscriptions are clear and intact. 29 Chiesa della Annunziata, Venafro, near Isernia, Italy Seven panels of the Passion. The author has no further information available. 30 National Museum of Iceland, Reykjavík, Iceland (from cathedral of Hólar) Seven panels; five canopies.

92 × 198.5

Nelson 1920a, 194–6, pl. II; Nordal 1977, 45–6, no. 5, fig. 1; Cheetham 1984, 44, fig. 26

St John the Baptist (7), Betrayal, with Agony in the Garden (10), Flagellation (48), tall central panel of Trinity – Type B/C – with Our Lord’s Pity (8), Entombment (52), Resurrection (102), St Catherine (2). In addition there are four small figures, two on each side of the central panel of the Trinity. They are St Andrew (7), St John the Evangelist (9), St James the Great (18) and an unidentified headless figure, listed as Unidentified Male Saint (4). The panels and canopies are in the original wooden framework with Latin inscriptions. 31 Church of Lade, Trondheim, Norway Six panels; no canopies.

–

Maclagan 1920, 61; Fett 1909, 119–20, fig. 354

St Stephen (9), Betrayal (67), Flagellation (52), Entombment (54), St Lawrence (8). In addition, not included in the later simple wooden framework, are two fragments of a Crucifixion – Type unknown (2). 32 National Museum of Iceland, Reykjavík, Iceland Nine panels; eight canopies (four fragmentary).

58.5 × 195.5

Nelson 1920a, 192–4, pl. I; described as ‘from Reynistaðar church’; Nordal 1977, 43, no. 1, fig. VI

St Peter (13), Betrayal (68), Flagellation (68), Christ Bearing the Cross (12), tall central panel of Crucifixion (fragmentary) – Type unknown (3), Deposition (21), Entombment (51), Resurrection (103), St Paul (13). The panels and canopies are in the original wooden framework. The Latin inscriptions are clear. 33 Church of Þingeyrar, Iceland Five panels; four canopies

89.5 × 144.5

Nordal 1977, 50–1, no. 12, fig. III; Nelson 1920a, 196–7, pl. III, here called ‘church of Tingore’.

Flagellation (49), St Michael (4), Trinity – Type C (37), St Gabriel (1), Resurrection (101). This unusual altarpiece of only three ‘scenic’ panels and two saints is in its original wooden framework with the Latin inscriptions. 34 Museu da Associacao de Arqueologos, Lisbon, – Hildburgh 1926, 307; Cheetham 1981, 11, 14, 19, 21 Portugal Said to be from Church of Val-Zebro, near Lisbon. Four panels; three canopies. Betrayal (69), Flagellation (27), Entombment (8), Resurrection (104). No original wooden framework survives.

      35 Franciscan Monastery of Hvar, near Split, Croatia Originally from the monastery on Otok, Badija, Croatia Five panels (fragmentary); no canopies.

–

Fisković 1977, 162–3, Table III figs. 10–13; Fisković 1979, 73–80, figs. 10–13

Entombment (56), Resurrection (134), Crucifixion – Type D (9) and two unidentified standing figures of bishops – both headless (20 and 21). The original wooden framework has not survived. 36 Church of Santa Maria Magdalena, Plencia, Vizcaya, País Vasco, Spain Five panels; no canopies.

–


Betrayal (82), Flagellation (59), Crucifixion – Type D (39), Entombment (44), Resurrection (27). The original wooden framework has not survived. 37 Cathedral of Mondoñedo, Lugo, Galicia, Spain (from church of Valcarria, Vivero, Lugo) Five panels; two canopies.

–

Franco Mata 1999, 187, figs. 38, 39, 40, 41, 42

Agony in the Garden (6), Christ Bearing the Cross (9), Crucifixion – type D (42), Deposition (17), Entombment (45). The original wooden framework has not survived. 38 Church of St Martin, Coudray en Vexin, Eure, France Seven panels; six canopies.

57 × 224


St Christopher (20), Betrayal (79), Flagellation (75), tall central panel of Crucifixion and Lamentation (3) and (13), Entombment (94), Resurrection (11), St Antony (14). The original wooden framework does not survive. 39 Church of Nouatre, Indre et Loire, France The author has no further information available.

–

Prigent 1998, 31

40 Basilica of Ste Anne d’Auray, Morbihan, France The author has no further information available.

–

Prigent 1998, 77

41 Sotheby’s, London, 13 December 1991 Three panels; no canopies.

–


Flagellation (70), tall panel of Crucifixion – Type D (47), Entombment (98). There is no wooden framework. 42 Auction Sale, Piasa, Paris 3 April 1998 Three panels.

–

Sale Catalogue, no. 72, illus.; described as ‘Calcaire’

One canopy as integral part of central panel of Entombment (36). Also Crucifixion – Type D (48) and Flagellation (71). There is no original wooden framework.

Both Passion and Virgin Themes (Probably the Remains of Two Separate Altarpieces) 1 Church of Drayton, Berkshire, Great Britain Six panels; no canopies.

–


Assumption (50), Annunciation – Type D (41), Adoration of the Magi with Mary and Joseph (82), Betrayal (65), Flagellation (41), Entombment (69). The panels are built into the wall of the church.

  2 Church of Nôtre Dame de Croaz Batz, Roscoff, Finistère, Brittany, France Seven panels; no canopies.

–

Maclagan 1920, 56; Bouillet 1901, 59

Annunciation – Type D (42), Adoration of the Magi with Mary and Joseph (78), Pentecost (4), Flagellation (53), Resurrection (111), Ascension (24), Crucifixion – Type E (36). The panels are in a nineteenth-century wooden framework. 3 Grandcourt, Orne, France The author has no further information available.

–

Prior and Gardner 1912, 469

–

Gardelles 1976, 207, nos. 195–7, illus.

Last Judgement 1 Musée Robin, Libourne, Gironde, France Three panels; no canopies.

Fifteenth Sign of Last Judgement (4), St Peter Receiving the Souls of the Blessed (8), The Damned led into Hell (2). 2 British Museum, London, Great Britain Three panels; no separate canopies.

–

Nelson 1918a, 67–70, pls. I, II, III

Sixth Sign of Last Judgement (1), Tenth Sign (central panel with integral canopy) (1), Thirteenth Sign (1).

Altarpieces in the Bordelais (French, Carved under English Influence) 1 Basilica of St Seurin, Bordeaux, France

–

Gardelles 1976, 201–5, no. 190, illus.; Gorguet 1984, 58, nos. 14 and 73

Fourteen panels including an Annunciation and a Crucifixion, of the lives of St Seurin, St Martial and St Fort. The panels are in a modern wooden framework. In the opinion of the author, this altarpiece is French. However, Gardelles and Gorguet believe it to be English. 2 Basilica of St Seurin, chapel of Nôtre Dame de la Rose, Bordeaux, France

–

Gardelles 1976, 211, no. 198, illus.; Gorguet 1984, 75–86

The English origin of this altarpiece is debatable. Certainly there is a very strong English influence but it is probably of French craftsmanship. In view of the strong English influence, individual panels have been included in the general subject list. Twelve panels of the Life of the Virgin. High Priest reproves Joachim and Anne (1), Announcement to Joachim (2), Meeting at the Golden Gate (2), Birth of Mary (8), Dedication of the Virgin (5), Marriage of the Virgin (1), Annunciation – Type D (38), Visitation (7), Adoration of Mary and Joseph (21), Presentation of Jesus in the Temple (2), Pentecost (7), Coronation – Type A (15). The panels are in a modern wooden framework. Gorguet is of the opinion that the panels are English. 3 Church of St Pierre, Avensan, Gironde, France

–

Gorguet 1984, 46–50

Four horizontal panels of the life of St Peter: The Calling of St Peter, St Peter Receiving the Keys, St Peter Consecrating a Bishop and the Crucifixion of St Peter. Four standing figures: St John the Baptist, St Andrew and two bishops. The panels are in a nineteenth-century (?) stone framework. In the opinion of the author the panels are French. However, Gorguet believes they are English.

Summary of Number of Carvings The most popular subjects are denoted by bold type.

SAINTS St Agnes St Alpheus St Andrew St Anne – see under Life of the Virgin St Antony of Egypt St Antony of Padua St Apollonia St Armel St Augustine of Hippo St Barbara St Bartholomew St Bartholomew – Martyrdom St Boniface (?) St Bridget St Catherine of Alexandria St Catherine Refuses to Sacrifice to the Idol St Catherine before the Emperor Maxentius St Catherine and the Burning of the Philosophers St Catherine in Prison St Catherine Saved from the Wheels St Catherine Kneels in Prayer before Her Execution St Catherine – Beheading St Catherine – Burial St Christopher St Clement St Cuthbert St Damian (?) St Denis St Dominic St Dorothy St Dorothy – Martyrdom St Edmund St Edmund – Scene from His Life St Edmund Shot with Arrows St Edmund’s Head Restored to His Body St Edward the Confessor St Eloy Shoeing a Horse Possessed of the Devil St Erasmus (with St Faith) St Erasmus Martyrdom St Etheldreda Entering the Convent St Etheldreda (?) – Entombment St Faith (with St Erasmus) St Fiacre St Frideswide St Gabriel (see also Annunciation panels)

1 1 12 16 1 3 2 2 12 10 3 1 1 34 1 4 10 14 9 3 14 6 22 2 2 1 2 1 1 1 1 1 1 1 1 6 1 13 1 1 1 5 1 1

St George St George and the Dragon St George – Resurrection and Arming St George – Resurrection St George – Arming St George Baptising St George before Dacianus St George Preserved from the Poisoned Cup St George before the Temple of Apollo St George Fights against the Gauls St George – Martyrdom St George – Beheading St German St Giles St Gregory St Gregory – Mass of St Helen (?) St Helen Seeking the True Cross Henry VI St Hubert St Hubert Hunting St James the Great St James – the Calling St James and the Apostles – Christ’s Charge St James Preaching St James Beheaded St James’ Body – the Translation St James the Less St Jerome St John the Baptist St John the Baptist – Birth and Naming St John the Baptist Preaching St John the Baptist Reproves Herod Antipas St John the Baptist – Apprehension St John the Baptist – the Dance of Salome St John the Baptist – Beheading St John the Baptist’s Head Offered by Salome St John the Baptist – Burial St John the Baptist’s Head Buried by Herodias St John the Baptist’s Body – the Burning St John the Baptist’s Ashes Quenched St John the Baptist’s Ashes Scattered St John the Baptist Rescuing Souls St John the Evangelist St John the Evangelist’s Torture in Boiling Oil St John the Evangelist’s Assumption

3 6 1 1 1 1 1 1 1 1 1 1 1 1 1 7 2 2 2 3 1 29 1 1 1 1 1 11 1 44 5 6 1 3 1 7 1 1 1 1 1 1 1 37 3 1

      St Jude 13 St Lawrence 8 St Lawrence Martyrdom 5 St Lazarus Baptism 1 St Leonard (?) 1 St Longinus (see also Crucifixion panels) 1 St Luke 1 St Margaret 18 St Mark 2 St Martha 2 St Martha Baptism 1 St Martin 1 St Martin Dividing his Cloak 2 St Martin Cures the Sick 1 St Martin Celebrating Mass 1 St Martin’s Death 1 St Martin’s Burial 1 St Mary Cleophas 1 St Mary Magdalene (see also Entombment panels) 6 St Matthew 8 St Matthias 6 St Maxim Baptising 1 St Michael 11 St Michael Weighing Souls 7 St Nicholas of Myra and the Marriage of the Three Girls 1 St Nicholas and the Debtor Killed by a Cart 2 St Oswald 1 St Paul 23 St Paul – Beheading 1 St Peter 28 St Peter Enthroned 1 St Peter – Trial 1 St Peter – Crucifixion 1 St Peter Receiving the Souls of the Blessed into Heaven 9 St Philip 10

St Raphael St Remy St Roch St Sebastian St Simon St Stephen St Stephen – Stoning St Thomas St Thomas Becket (see also Heads of St John the Baptist) St Thomas Becket’s Consecration as Archbishop St Thomas Becket Meets the Pope at Sens St Thomas Becket Meets Henry II St Thomas Becket Lands at Sandwich St Thomas Becket Returns to Canterbury St Thomas Becket – Martyrdom St Ursula St Ursula – with her attendant virgins St Ursula – Unidentified Subject St Victor (?) Virgin and Child – see under Life of the Virgin St William of York – Birth St William’s Entry into York St William Saves Edward I in His Fall St William’s Shrine – Visit of Edward I St Zita Apostles (Unidentified) Bishops (Unidentified) Bishop – Entombment (Unidentified) Deacon (Unidentified) Prior (Unidentified) Saints – Female (Unidentified) Saints – Male (Unidentified) Saint’s Shrine (Unidentified) with Visiting Pilgrims Weeper Monk

1 1 4 3 8 9 2 5 2 10 2 2 2 2 6 5 1 1 1 1 1 1 1 6 3 28 1 1 1 5 4 1 1

LIFE OF THE VIRGIN Tree of Jesse 9 Joachim and Anne – Reproval by the High Priest 1 Joachim – the Announcement 3 Joachim – the Announcement and the Meeting at the Golden Gate 2 Joachim and Anne – the Meeting at the Golden Gate 3 Mary’s Birth 9 St Anne and St Joachim with the Virgin 1 St Anne with the Virgin as a Young Girl 1 St Anne Teaching the Virgin to Read with St Joachim 3 St Anne Teaching the Virgin to Read 19 The Dedication of the Virgin 8 The Betrothal of the Virgin 3 The Marriage of the Virgin 2 Annunciation – Type Unknown 1 Annunciation – Type A 6

Annunciation with Trinity – Type A/B Annunciation – Type B Annunciation – Type C Annunciation – Type D Annunciation – Type D(a) Annunciation – Type E Annunciation – Type F Annunciation TOTAL Incarnation and Parliament of Heaven Virgin at Prayer Visitation Nativity or Adoration – Type Unknown Nativity Adoration of Mary and Joseph, with One or Two Midwives Adoration of the Magi, with One Midwife (fourteenth c. horizontal panels)

1 8 1 71 1 11 1 101 1 1 7 1 12 27 12

      Adoration of the Magi, with Mary and Joseph (fifteenth century) Adoration of the Magi and the Shepherds, with Mary and Joseph Adoration of the Shepherds, with Mary and Joseph Circumcision Purification of Mary Jesus Presentation in the Temple Virgin Standing with Child on Right Virgin Seated with Child on Right Virgin Standing with Child on Left Virgin Seated with Child on Left Virgin – Fragments Virgin and Child – Type Unknown Virgin and Child TOTAL St Anne Teaching the Christ Child to Read St Anne Seated, Holding the Virgin and the Christ Child Lamentation over the Dead Christ (Virgin and Christ Only)

104 5 1 5 2 5 29 22 11 6 4 5 77 1 1 14

Lamentation over the Dead Christ (Groups) 13 Pentecost 7 Death of the Virgin 4 Assumption of the Virgin 75 Assumption and Coronation – Type A 11 Assumption and Coronation – Type B 1 Assumption and Coronation – Type C 6 Assumption and Coronation – Type D 8 Assumption and Coronation TOTAL 101 Coronation – Type Unknown 1 Coronation by God the Father – Type A 22 Coronation by the Trinity (with Dove) – Type B 43 Coronation by the Trinity (3 Separate Individuals) – Type C 53 Coronation by God the Father (with Angels) – Type D 1 Coronation TOTAL 120 Virgin – Adoration by the Trinity and Angels 1 Virgin in Glory 1 Virgin as Protectress 2

LIFE OF CHRIST Baptism of Christ Christ and the Woman of Samaria Curing the Blind Man of Jericho Raising of Lazarus Christ in the House of Simon Washing the Feet of the Apostles Entry into Jerusalem Last Supper Agony in the Garden Jesus’ Charge to the Apostles Betrayal Christ before Caiphas Christ before Herod Christ before Pilate Flagellation Mocking of Christ Christ the Man of Sorrows Christ Led to Judgement Christ Bearing the Cross

6 1 1 2 1 4 5 7 7 1 107 2 2 9 75 7 5 1 21

Christ Nailed to the Cross Crucifixion – Type Unknown Crucifixion – Type A Crucifixion – Type B Crucifixion – Type C Crucifixion – Type D Crucifixion – Type E Crucifixion and Lamentation Crucifixion TOTAL Deposition Entombment Harrowing of Hell Resurrection Three Marys at the Sepulchre Appearance of Christ to Mary Magdalene Incredulity of St Thomas Christ at Emmaus Ascension Christ in Majesty

3 4 3 1 29 48 39 3 127 31 98 8 143 4 6 7 1 46 4

THE LAST JUDGEMENT The Art of Dying (Ars Moriendi) Fifth Sign of the Last Judgement Sixth Sign of the Last Judgement Tenth Sign of the Last Judgement Thirteenth Sign of the Last Judgement

1 1 1 2 1

Fifteenth Sign of the Last Judgement The Last Judgement The Damned Led into Hell God the Father Receiving the Souls of the Blessed

5 2 2 1



     

THE TRINITY Trinity – Type A Trinity – Type B Trinity – Type B/C

46 9 10

Trinity – Type C Trinity – Type D Trinity TOTAL

57 3 125

TE DEUM PANELS Holy Church Male Saints Prophets

6 1 4

Female Saints Angels

2 1

SACRAMENTS Holy Matrimony

2

Ordination

1

HEADS OF ST JOHN THE BAPTIST Head of St John the Baptist – Type Unknown Head of St John the Baptist – Type A Head of St John the Baptist – Type B Head of St John the Baptist – Type C Head of St John the Baptist – Type D

1 3 6 14 3

Head of St John the Baptist – Type E Head of St John the Baptist – Type F Head of St John the Baptist – Type G Head of St John the Baptist (fragments) Head of St John the Baptist TOTAL

The approximate number of carvings recorded, including fragments, is 2,400.

20 45 2 3 97

Geographical Index Australia adelaide Art Gallery of South Australia St James the Less (10); St Jude (9); St Matthew (3); St Simon (5)

melbourne National Gallery of Victoria St John the Baptist (13)

Austria vienna D’Este Collection St Catherine – Burial (6); St Catherine Saved from the Wheels (9) Hofgalerie, Spiegelgasse 14 (Dr W. Hofstatter, 1973) Head of St John the Baptist – Type B (6) Kunsthistorisches Museum Annunciation – Type D (8); St Apollonia (1); St Catherine – Beheading (6); St Catherine and the Burning of the Philosophers (4); St Catherine before the Emperor Maxentius (2); St Catherine in Prison (6) St Margaret (9) Private collections Deposition (18); Virgin Standing with Child on Right (5)

Belgium antwerp Collection De Maeyer-Buyle St Antony of Egypt (2) Museum Mayer van den Bergh St John the Baptist (20); St Paul (6); Trinity – Type A (11) Private collections Adoration of the Magi with Mary and Joseph (85); Annunciation – Type D (68); St Christopher (5) Vleeshuismuseum Adoration of the Magi with Mary and Joseph (43)

bruges Gruuthuse Museum Coronation by the Trinity – Type C (17); Resurrection (65) Private collections Ascension (39); Flagellation (24); Resurrection (90); St Catherine – Beheading (11)

brussels Château de Gaasbeek Entombment (59); Flagellation (11, 12); St Catherine and the Burning of the Philosophers (5) Musées Royaux d’Art et d’Histoire Assumption and Coronation by the Trinity – Type D (2); Coronation by the Trinity – Type C (19); Entombment (50); Head of St John the Baptist – Type E (17); St Margaret (2)

ghent Musée des Beaux Arts Adoration of the Magi with Mary and Joseph (15); Baptism of Christ (2); Coronation by the Trinity – Type B (27); Trinity – Type A (4) Oudheidkundige Musea, Museum van de Byloke St Catherine of Alexandria (24)

grimbergen Private collection Baptism of Christ (3)

hoogstraten Church of St Catherine Trinity – Type A (26)

keerbergen J. and H. Harden Antiquaires, 62 Tremelobaan Flagellation (36)

kortrijk Museum van Oudheden St Peter (20)

liège Musée Curtius St John the Evangelist (16) Musée Diocesain Betrayal (47); St John the Evangelist (19)

loenhout Church of Sts Peter and Paul St George and the Dragon (2)

louvain Université Catholique, Museum St Peter Receiving the Souls of the Blessed into Heaven (7)

tervuren Church of St John Coronation by the Trinity – Type C (18); St Anne Teaching the Virgin to Read (10)

      tongerlo Abbey Annunciation – Type D (14)

City Museum Head of St John the Baptist – Type F (44)

Denmark

tournai Museum Entombment (72) Musée Archéologique Annunciation – Type D (24)

borbjerg, jutland

Private collection Christ Bearing the Cross (20)

Church St George – Martyrdom (1); St George – Resurrection and Arming (1); St George (3); St George before the Temple of Apollo (1); St George Fights against the Gauls (1); St George Preserved from the Poisoned Cup (1); St Michael (5)

verviers

copenhagen

turnhout

Musée Communal Assumption and Coronation by the Trinity – Type C (4)

Canada british columbia University of Victoria Head of St John the Baptist – Type E (18)

montreal Museum of Fine Arts Resurrection (13); St Catherine in Prison (10); Trinity – Type C (24)

toronto Royal Ontario Museum Coronation by the Trinity – Type B (23); Entombment (23); St Catherine of Alexandria (8, 9); Crucifixion – Type D (18) University, Malcove Collection St Matthias (2); Trinity – Type C (15)

Croatia

National Museum Annunciation – Type B (4); Ascension (15, 16); Coronation by God the Father – c. 1400 – Type A (14); Flagellation (8); Nativity (9); Resurrection (98, 99); St John the Baptist (5); St John the Evangelist (5)

hornslet, øster lisbjerg, randers Church Adoration of Mary and Joseph (22); Annunciation – Type D (48); Resurrection (112); St John the Baptist (34); St John the Evangelist (10)

thorning, near viborg Church Lamentation over the Dead Christ (group) (7)

vejrum Church St Barbara (8); St Catherine – Beheading (4); St Catherine – Burial (4); St Catherine before the Emperor Maxentius (3); St Catherine in Prison (4); St Catherine Saved from the Wheels (4); St Mary Magdalene (2)

France

cavtat, dalmatia Church Head of St John the Baptist – Type F (43)

dubrovnik Dominican Monastery Head of St John the Baptist – Type E (19)

hvar Franciscan Monastery Bishops (Unidentified) (20); Bishops (Unidentified) (21); Entombment (56); Resurrection (134); Crucifixion – Type D (9)

korčula, dalmatia Abbot’s Collection Betrayal (84); Flagellation (50) Čara, Church of the Virgin Adoration of Mary and Joseph (19); Adoration of the Magi with Mary and Joseph (76); Annunciation – Type D (47); Assumption of the Virgin (49); Coronation by the Trinity – Type B (40); St John the Baptist (12); St John the Evangelist (22)

abbéville Musée Boucher de Perthes Assumption of the Virgin (68)

aix en provence Musée Granet Entombment (33); Head of St John the Baptist – Type E (15) Museum St John the Baptist (25)

amiens Musée de Picardie Annunciation – Type E (2); Assumption of the Virgin (21); Betrayal (37); Entombment (14, 15); Flagellation (60); Resurrection (18, 19); Resurrection (31); St James the Great (10); St Nicholas and the Debtor Killed by a Cart (1); Crucifixion – Type E (7)

angers, maine et loire Musée St Jean Resurrection (16)

   Museum Annunciation – Type D (26); Assumption of the Virgin (33) Treasury of the Cathedral Betrayal (44)

arcachon, gironde Church Virgin Seated with Child on Right (10)

arthéglise, normandy Church of St Pierre Flagellation (30)

auderville, normandy Church St Antony of Egypt (6); St Martha (1)

aveyron, rodez Musée Fenaille Betrayal (92); Entombment (96)

avranches, normandy Musée de la Ville Virgin Standing with Child on Right (13) Musée Lapidaire Deposition (14); St Catherine of Alexandria (17); St Victor? (1)

bayeux, normandy Cathedral Entombment (65) Musée Archéologique Betrayal (86); St John the Evangelist (18); Trinity – Type C (11)

beauvais Ancien Palais Episcopal Annunciation – Type C (1) Museum Resurrection (92)

bernay Musée Municipal Resurrection (44)

bordeaux Basilica of St Seurin Adoration of Mary and Joseph (21); Annunciation – Type D (38); Coronation by God the Father, c. 1400 – Type A (15); Jesus – Presentation in the Temple (2); Joachim – The Announcement (2); Joachim and Anne – Meeting at the Golden Gate (2); Joachim and Anne – Reproval by the High Priest (1); Mary’s Birth (8); Pentecost (7); Crucifixion – Type C (25); Virgin – The Dedication (5); Virgin – The Marriage (1); Virgin Standing with Child on Left (7); Virgin Standing with Child on Right (10); Visitation (7) Cathedral Assumption and Coronation – Type A (2); Resurrection (32); Virgin Standing with Child on Right (11)

Church of St Michel Adoration of Magi, Shepherds, with Mary and Joseph (5); Adoration of Mary and Joseph (15); Annunciation – Type E (6); Ascension (8); Assumption and Coronation – Type B (1); Assumption of the Virgin (61); Coronation by the Trinity – Type B (37); Resurrection (110); St James the Great (24); St John the Baptist (4) Musée d’Aquitaine Ascension (18); Assumption of the Virgin (29); Flagellation (21); Mary’s Birth (5); Nativity (2); St Anne Seated, Holding the Virgin and the Christ Child (1); Crucifixion – Type C (20); Virgin – Fragments (4); Virgin Standing with Child on Right (22); Virgin Standing with Child on Right (23)

bourges, cher Museum Adoration of the Magi with Mary and Joseph (95)

cadillac sur garonne Church of St Georges Virgin Standing with Child on Right (9)

caen, normandy Museum Coronation by the Trinity – Type B (29) Musée de la Société des Antiquaires de Normandie Annunciation – Type D (66); Betrayal (46); Deposition (13); Crucifixion – Type E (30); Head of St John the Baptist – Fragments (2); Resurrection (74)

cambes, gironde Church of St Martin Entombment (95); Flagellation (39); Trinity – Type C (30)

cantenac, gironde Church of St Didier Virgin Standing with Child on Right (8)

carcassonne Abbey of Fontfroide Baptism of Christ (4) Musée du Château Flagellation (19) Museum Harrowing of Hell (4); Resurrection (70); St Catherine Saved from the Wheels (6); Crucifixion – Type C (10)

castelnau du médoc, gironde Church Trinity – Type C (28)

caudebec-en-caux, seine maritime Church of Nôtre Dame St Jude (6)

châtelaudren, côtes du nord Chapel of Nôtre Dame du Tetre Coronation by the Trinity – Type C (38)

      Church Adoration of Mary and Joseph (11); Annunciation – Type E (4); Assumption of the Virgin (53); Resurrection (137); St Christopher (18); St Michael (6)

châtelus malvaleix, creuse Church Betrayal (78); Flagellation (73); St James the Great (16); Trinity – Type C (49)

cherbourg Church of Nôtre Dame du Voeu Assumption of the Virgin (70); St Augustine of Hippo (1); St Helen Seeking the True Cross (1); Virgin Seated with Child on Right (7) Church of the Holy Trinity Adoration of Magi, Shepherds, with Mary and Joseph (1); Ascension (22, 23); Bishops (Unidentified) (22, 23); Entombment (67); Resurrection (71); St Anne with the Virgin as a Young Girl (1); Crucifixion – Type E (31) Musée Leveel Female Saints (Unidentified) (2, 3); St Catherine in Prison (13) Private collections Assumption of the Virgin (41); Entombment (66); Flagellation (29); St Philip (5); St Thomas – Consecration as Archbishop (6); Virgin – the Betrothal (?)(3)

clermont-ferrand Musée Bargoin Resurrection (37)

combrit, finistere Church Trinity – Type A (13)

compiègne Hôtel de Ville Betrayal (73); Christ Bearing the Cross (15); Christ before Pilate (4); Deposition (23); Flagellation (33); Last Supper (2); Mocking of Christ (6); Resurrection (114); St Andrew (8); St Antony of Egypt (4); St Giles (1); St James the Great (15); St John the Evangelist (8); St Longinus (1); St Paul (15); St Peter (15, 16); St Remy (1); Crucifixion – Type D (23); Trinity – Type C (20); Washing the Feet of the Apostles (4)

conches, eure, normandy Church Christ Bearing the Cross (4) Church of Ste Foy Entombment (42); Crucifixion – Type E (37); Trinity – Type C (35)

côtes d’amour Church of St Laurent à Begard Betrayal (103)

coudray en vexin, eure, normandy Church of St Martin Betrayal (79); Entombment (94); Flagellation (75); Resurrection (11); St Antony of Egypt (14); St Christopher (20); Crucifixion (3) with Lamentation (13)

croaz batz, roscoff, brittany Church of Nôtre Dame Adoration of the Magi with Mary and Joseph (78); Annunciation – Type D (42); Ascension (24); Flagellation (53); Pentecost (4); Resurrection (111); Crucifixion – Type E (36)

croignon, near bordeaux Church of Ste Eulalie St Margaret (11)

cubzac, gironde Church of St André Lamentation over the Dead Christ (Virgin and Christ only)(9)

dieppe Musée-Château Adoration of the Magi with Mary and Joseph (24); Annunciation – Type E (11); Entombment (37); Lamentation over the Dead Christ (Group) (12); St Catherine and the Burning of the Philosophers (6); Crucifixion with Lamentation (2)

dijon Musée des Beaux Arts Betrayal (36) Museum Head of St John the Baptist – Type C (5); Resurrection (54)

dinan Musée Château de la Duchesse Anne Adoration of the Magi with Mary and Joseph (88); Desposition (7); Flagellation (62); St Catherine of Alexandria (19)

douai Museum Annunciation – Type D (20); Coronation by the Trinity – Type B (11); Coronation by the Trinity – Type C (23); Flagellation (25); St John the Baptist (18); St John the Evangelist (14) Musée de la Chartreuse Coronation by the Trinity – Type B (31)

ecaquelon, calvados Church Agony in the Garden (4); Appearance of Christ to Mary Magdalene (5); Betrayal (63); Entombment (48); Flagellation (42); Resurrection (115); Crucifixion – Type D (15)

entre deux mers Private collection St Catherine of Alexandria (22)

   eure, commune de Adoration of the Magi with Mary and Joseph (98); Annunciation – Type D (54); Assumption of the Virgin (65); Coronation by the Trinity – Type C (52); St Catherine of Alexandria (28); St Margaret (16); Trinity – Type C (53)

évreux, eure, normandy Museum Coronation by the Trinity – Type C (45); Sacraments – Holy Matrimony (2); Sacraments – Ordination (1); St Catherine of Alexandria (11); St Denis (1); St Lawrence (4); St Thomas – Consecration as Archbishop (9); Crucifixion – Type E (33); Trinity – Type D (3); Virgin Standing with Child on Left (2)

Church of St Emilion Resurrection (97); Adoration of the Magi with Mary and Joseph (38)

graignes, normandy Presbytery Christ the Man of Sorrows (3)

grandmont Chapel of the Château Betrayal (102); Entombment (91); Flagellation (67); Resurrection (142); Crucifixion – Type Unknown (1)

hautes-pyrénées Church of Castillon Baptism of Christ (6)

falaise, calvados

la celle, eure, normandy

Church of the Trinity Trinity – Type C (18) Museum Annunciation – Type D (7)

Church Adoration of Mary and Joseph (18); Adoration of the Magi with Mary and Joseph (74); Annunciation – Type D (35); Assumption and Coronation by the Trinity – Type D (7); Jesus – Presentation in the Temple (1); Mary’s Birth (7); St Andrew (6); St Antony of Egypt (11); St Barbara (11); St Bridget (1); St Christopher (16); St Christopher (17); St George – Arming (1); St George – Beheading (1); St George – Resurrection (1); St George and the Dragon (1); St George Baptising (1); St George before Dacianus (1); St John the Baptist (37); St John the Evangelist (27); St John the Evangelist (28); St Matthew (6); St Paul (19); St Peter (24); Virgin – The Dedication (6)

fécamp, normandy Musée de la Benedictine Adoration of the Magi with Mary and Joseph (101); Assumption of the Virgin (72); Entombment (97); Head of St John the Baptist – Type F (45); St James the Great (27); Trinity – Type A (46); Virgin Seated with Child on Left (6) Private collection Betrayal (94)

finistère Château de Kernuz Trinity – Type C (38)

flamanville, manche Collection Rostand Deposition (15)

floirac, gironde Church of St Vincent St Catherine of Alexandria (20); St John the Baptist (26); Virgin Standing with Child on Right (20)

genissac, gironde Church Annunciation – Type D (34); Ascension (17); Nativity (10); Resurrection (116); St Antony of Egypt (12); St Barbara (12); St Catherine of Alexandria (26); St James the Great (25); St John the Baptist (11); St Lawrence (7); St Martin Celebrating Mass (1); St Martin Cures the Sick (1); St Martin Dividing His Cloak (1); St Martin’s Burial (1); St Martin’s Death (1); St Michael (11); St Raphael (1); St Stephen (8); St Zita (6); Crucifixion – Type C (19)

gironde Church of Lignan de Bordeaux St John the Baptist (27)

la londe, seine maritime Church Virgin Standing with Child on Right (18)

la manche, commune de, normandy St Hubert (3)

la rivière, gironde Church of Nôtre Dame Virgin Standing with Child on Left (6)

le bourg de batz, loire inférieure Church Adoration of the Magi with Mary and Joseph (31); Coronation by the Trinity – Type B (9)

le havre Convent of the Dominicans St Bartholomew (10); St Peter (28)

le trait, seine maritime Church of St Nicholas Assumption and Coronation by the Trinity – Type C (3)

libourne, gironde Musée Robin Damned Led into Hell (2); Fifteenth Sign of the Last Judgement (4); St Peter Receiving the Souls of the Blessed into Heaven (8)

      lille

mont st michel, normandy

Musée d’Art et d’Histoire Adoration of the Magi with Mary and Joseph (51); Christ in the House of Simon (1); Flagellation (13); Resurrection (49); Resurrection (50); Crucifixion – Type E (19)

Abbey Betrayal (12); Entombment (55); Flagellation (54); Resurrection (73); Crucifixion – Type E (11)

limoges Church of St Leonard Adoration of the Magi with Mary and Joseph (73); Annunciation – Type D (37); Assumption of the Virgin (47); Coronation by the Trinity – Type C (39); St Paul (16); St Peter (17); Trinity – Type C (34)

lormont, gironde Church Adoration of the Magi with Mary and Joseph (40)

lot, near st cere Château de Castelneau Bretenoux Adoration of the Magi with Mary and Joseph (63); Annunciation – Type D (52); Assumption of the Virgin (64); Coronation by the Trinity – Type B (42); St Antony of Egypt (13); St James the Great (26); Trinity – Type A (45)

louviers, eure, normandy Church of Nôtre Dame Betrayal (75); Deposition (6); Entombment (41); Flagellation (55); Resurrection (53)

manche Church of Perques Lazarus – the Raising of (2)

marcilly sur eure, normandy Chapel of Breuil-Benoit Annunciation – Type D (51); Ascension (36); Assumption of the Virgin (62); Christ Bearing the Cross (21); Coronation by the Trinity – Type C (48); Death of the Virgin (2); Entombment (89); Entombment (90); Flagellation (66); Jesse – Tree (4); Resurrection (139); St Erasmus Martyrdom (12); Crucifixion – Type E (38); Trinity – Type B/C (9)

marseilles Musée Archeologique, Château Borely Adoration of Mary and Joseph (7); Coronation by the Trinity – Type C (33); St John the Baptist Rescuing Souls (1) Cloud-Massot Collection (1929) Crucifixion – Type E (27) Musée Grobet-Labadie Annunciation – Type D (31); Joachim and Anne – Meeting at the Golden Gate (1); Mocking of Christ (7); Crucifixion – Type D (26)

martinvast, normandy Château St Martin Dividing His Cloak (2)

montebourg, normandy Church of St Jacques St James the Great (8)

montgeard, haute garonne Church Assumption of the Virgin (22); Coronation by the Trinity – Type C (16); St Catherine of Alexandria (21); Trinity – Type B/C (6)

montivilliers, normandy Abbey Flagellation (20) Church of the Moniales Montivillones Crucifixion – Type D (24)

montpezat du quercy, montauban, tarn et garonne Church of St Martin St Anne Teaching the Virgin to Read (17) Ascension (21); Nativity (7); Resurrection (28)

montréal, yonne, burgundy Church Adoration of the Magi with Mary and Joseph (69); Annunciation – Type D (36); Assumption of the Virgin (48); Coronation by the Trinity – Type C (40); St Gregory – Mass (7); St Lawrence (2); St Stephen (4)

morbihan, brittany Basilica of Ste Anne d’Auray Betrayal (81) Chapel of Nôtre Dame Assumption of the Virgin (69)

morlaix, brittany Musée des Jacobins Entombment (35); Trinity – Type C (8); Visitation (4)

muret, haute garonne Church of St Jacques St Anne Teaching the Virgin to Read (7)

nailloux, haute garonne Church Betrayal (71); Entombment (10); Flagellation (56); Resurrection (124); Crucifixion – Type C (15)

nancy Musée Historique, Château de Bon Court Crucifixion – Type E (32)

nantes Church of St Nazaire Ascension (25) Musée de Châteaubriant St Catherine of Alexandria (23)

   Musée Thomas Dobree Adoration of the Magi with Mary and Joseph (56); Agony in the Garden (3); Appearance of Christ to Mary Magdalene (4); Betrayal (28); Christ Bearing the Cross (14); Coronation by God the Father, c. 1400 – Type A (8); Entombment (17); Entombment (68); Flagellation (47); Harrowing of Hell (2); Lamentation over the Dead Christ (Virgin and Christ only)(10); Resurrection (52, 108); Crucifixion – Type E (9); Trinity – Type A (33); Virgin Standing with Child on Left (3)

narbonne Museum St Catherine – Burial (5) Musée des Beaux Arts Flagellation (10); Crucifixion – Type D (4)

neufchatel-en-bray Museum Adoration of the Magi with Mary and Joseph (59)

neville, seine inférieure Church St John the Baptist (14)

normandy Chapel of Nôtre Dame sur Vire Adoration of the Magi with Mary and Joseph (23); Assumption and Coronation – Type A (1); Resurrection (72); St Fiacre (3); St Hubert (1) Church of Sauxemisnil Trinity – Type B (5) Church of Venables Assumption of the Virgin (71)

nouatre, indre et loire Church Betrayal (80)

orléans Musée Historique et Archeologique Adoration of the Magi with Mary and Joseph (66); Head of St John the Baptist – Type C (12); St Barbara (9); St Lazarus Baptism (1); St Martha Baptism (1); St Mary Magdalene (3); St Maximin Baptising (1); Virgin Standing with Child on Left (8)

ourville, seine inférieure Church Virgin Seated with Child on Right (9)

outre l’eau, normandy

7 Quai de Conti, Antiquites a la Reine Margot (1980) Virgin Standing with Child on Left (5) Abbey of Saint Denis Annunciation – Type D (28) Auction Sale Piasa (3.4.1998) Entombment (36); Flagellation (71); Crucifixion – Type D (48) Brimo de Laroussilhe (1970) Betrayal (58) Church of St Leu, Boulevard Sebastopol Last Supper (5) Church of St Leu, Saint Gilles Betrayal (45) Church of St Louis en l’Île Bishop – Entombment (Unidentified) (1); Crucifixion – Type E (8) Hôtel Drouot Sale (22.11.1972) Ascension (14); Entombment (74); Harrowing of Hell (8) Hôtel Drouot Sale (25.2.1972) Betrayal (50) Hôtel Drouot Sale (26.5.1965) Assumption of the Virgin (31) Musée des Arts Decoratifs St Sebastian (2) Musée du Louvre Betrayal (25); Christ and the Woman of Samaria (1); Christ before Pilate (7); Christ Led to Judgement (1); Harrowing of Hell (5); Harrowing of Hell (6); St John the Baptist – Birth and Naming (1); St Michael Weighing Souls (3); St Paul (7); St Simon (2); Trinity – Type A (20) Musée National du Moyen Age Adoration of the Magi with Mary and Joseph (50); Annunciation – Type D (16); Assumption and Coronation by the Trinity – Type C (2); Assumption of the Virgin (9, 10, 67); Betrayal (26, 27); Coronation by the Trinity – Type B (17); Coronation by the Trinity – Type C (14, 44); Entombment (28, 29, 30, 31, 32); Fifteenth Sign of the Last Judgement (3); Flagellation (14, 15); Lamentation over the Dead Christ (Virgin and Christ only)(4); Resurrection (14, 15, 17, 20); St John the Baptist (41); St Michael Weighing Souls (5); St Peter (8); St Ursula (2); Crucifixion – Type D (5); Trinity – Type A (12); Trinity – Type C (16, 17, 19) Private collection St Paul (5)

Church of Ste Marie Adoration of the Magi with Mary and Joseph (22); Annunciation – Type D (67)

perigueux, dordogne

paris

picardie

5 Quai Voltaire, Bresset et Fils (1965) Coronation by the Trinity – Type B (22) 5 Quai Voltaire, L. P. Bresset (1950s) Adoration of the Magi with Mary and Joseph (64) 5 Quai Voltaire, L. P. Bresset (1962) Adoration of Mary and Joseph (12)

Musée du Perigord Entombment (71); Crucifixion – Type C (8) Church of St Riquier Adoration of Magi, Shepherds, with Mary and Joseph (4); Adoration of Mary and Joseph (17); Entombment (13); Crucifixion – Type E (16); Three Marys at the Sepulchre (4)

      plonevez du faou, finistère Church of St Herbot Coronation by the Trinity – Type B (30)

plougrescant, brittany Chapel of St Gomery Virgin Seated with Child on Right (14)

plouha, côtes du nord Church of Ker Maria an Isquit Adoration of the Magi with Mary and Joseph (80); Annunciation – Type D (33); Assumption and Coronation – Type A (8); Coronation by the Trinity – Type B (41); Lamentation over the Dead Christ (Group) (10)

pommerit le vicomte, côtes d’amour Church Betrayal (74); Flagellation (44)

pringy, seine et marne Church Coronation by the Trinity – Type C (34)

puchay, eure, normandy Church Crucifixion – Type D (28)

quimper, brittany Bishop’s Palace Coronation by the Trinity – Type C (15) Cathedral St John the Baptist (15) Musée Breton Flagellation (31)

rethoville, normandy

St Bartholomew (8); St Catherine and the Burning of the Philosophers (7); St Christopher (6); St Clement (1); St John the Baptist – Apprehension (3); St John the Baptist (33); St John the Evangelist (33); St John the Evangelist’s Assumption (1); St Jude (13); St Nicholas of Myra and the Marriage of the Three Girls (1); St Peter (10, 27); St Philip (10); St Sebastian (3); St Thomas Becket – Martyrdom (3); St Thomas Meets Henry II (1); Crucifixion – Type D (6, 7, 8); Crucifixion – Type E (13); Trinity – Type B (7); Trinity – Type C (21, 54); Virgin – the Betrothal (2); Virgin in Glory (1)

saillans, gironde Church of St Seurin Virgin Standing with Child on Right (12)

st avit les guespieres, sarthe Church Christ Bearing the Cross (10); Entombment (46); Flagellation (45); Harrowing of Hell (3); St James the Great (13); St John the Evangelist (7); St Matthew (7); St Matthias (6); St Simon (4); St Thomas (5); Crucifixion – Type D (14)

st caprais de haux, canton de creon, gironde Church Adoration of the Magi with Mary and Joseph (39); Annunciation – Type B (3); Annunciation – Type D (30); Pentecost (6); Resurrection (33)

st lô, normandy Museum St Antony of Egypt (5)

Church St Catherine of Alexandria (18) Church of St Jacques le Majeur St James the Great (9)

st martin de varreville, coutances, normandy

rodez, gironde

st nazaire, nantes

Private collection Trinity – Type C (29)

Church Ascension (25)

rouen

sarthe

Exhibition (1931) St Barbara (10) Musée des Antiquités Adoration of Mary and Joseph (25); Adoration of the Magi with Mary and Joseph (18, 99); Ascension (26); Assumption of the Virgin (11, 12); Betrayal (19, 20, 21); Christ Bearing the Cross (8); Christ before Caiphas (1); Christ before Pilate (2); Coronation by the Trinity – Type C (20); Entombment (38, 39); Entombment (40); Fifteenth Sign of the Last Judgement (5); Flagellation (17, 18); Harrowing of Hell (7); Head of St John the Baptist – Type E (9); Head of St John the Baptist – Type F (12); Jesus – Presentation in the Temple (5); Mary’s Birth (2, 9); Mocking of Christ (4); Resurrection (45, 46, 47); St Andrew (12); St Anne Teaching the Virgin to Read (9); St Barbara (6);

Church of Ferte Bernard Annunciation – Type Unknown (1); Assumption of the Virgin (63); Coronation – Type Unknown (1); Nativity or Adoration – Type Unknown (1); Resurrection (141); St Catherine of Alexandria (27); St Margaret (15)

Church Virgin Seated with Child on Left (3)

seine inférieure Church of Arques la Bataille Trinity – Type A (23)

seine maritime Commune de Seine Maritime Coronation by the Trinity – Type C (37); Trinity – Type A (35); Trinity – Type A (36); Virgin Standing with Child on Right (29) Abbey of Saint Wandrille Annunciation – Type E (10)

   sideville, normandy Church St Gregory – Mass (2)

soussons, gironde

Salome (1); St John the Baptist Preaching (3); St John the Evangelist (6); St Paul (14); St Peter (14); Crucifixion – Type C (22); Crucifixion – Type D (46); Crucifixion – Type E (18)

Church of St Romain Crucifixion – Type C (21)

teurtheville-hague, normandy Church Virgin Seated with Child on Right (8)

tollevast, normandy Church St Anne Teaching the Virgin to Read (16); St Christopher (7)

toulouse Musée des Augustins Betrayal (104); Betrayal (70); Christ Bearing the Cross (17); Christ before Pilate (6); Christ Nailed to the Cross (3); Coronation by the Trinity – Type B (43); Coronation by the Trinity – Type C (46); Deposition (12); Entombment (11, 12); Flagellation (16); Lamentation over the Dead Christ (Group) (6); Resurrection (29, 30); St James the Great (6); St Paul (9)

Germany aachen Stadtisches Suermondt Museum Coronation by the Trinity – Type B (14); St John the Baptist (24); Trinity – Type C (36)

berlin Bode Museum Resurrection (121) Private collection Crucifixion – Type C (17)

berlin-dahlem Staatliche Museen, Preussischer Kulturbesitz Betrayal (76); Entombment (19); Flagellation (51); Head of St John the Baptist – Type E (3); Lamentation over the Dead Christ (Group) (11); Resurrection (120); St Thomas – Consecration as Archbishop (2); St Thomas Becket (2); Crucifixion with Lamentation (1)

tours

bonn

Musée des Beaux Arts Coronation by the Trinity – Type B (10); Trinity – Type C (14)

Private collection Flagellation (65)

bremen

trémaouézan, finistère Presbytery Adoration of the Magi, 14th century (12)

Roselius Hausmuseum Annunciation – Type D (10); Coronation by the Trinity – Type B (15); Entombment (63)

vasteville, normandy

cologne

Church St Anne Teaching the Virgin to Read (15)

vendôme Museum Crucifixion – Type C (26)

vernon, eure, normandy Church Jesse – Tree (5)

versailles Bibliotheque de Versailles Ascension (10); St John the Baptist – Birth and Naming (2)

vire, normandy Museum Christ before Pilate (8) Private collection Adoration of the Magi with Mary and Joseph (26)

yssac la tourette, puy de dome Church Betrayal (14); Entombment (47); Flagellation (57); Resurrection (117); St James the Great (12); St John the Baptist – Apprehension (1); St John the Baptist – Beheading (2); St John the Baptist – Dance of

Diozesanmuseum Adoration of the Magi with Mary and Joseph (46); Jesse – Tree (8); Crucifixion – Type D (19); Virgin Standing with Child on Right (6) Lempertz Auctions (June 1978) Betrayal (54) Schnutgen Museum Adoration of the Magi with Mary and Joseph (45); Betrayal (35); Coronation by the Trinity – Type C (47); Head of St John the Baptist – Type B (3); Virgin Seated with Child on Right (11)

dobbertin, mecklenburgh-schwerin Monastery Church Trinity – Type A (24)

dortmund Museum für Kunst und Kulturgeschichte Annunciation – Type D (25); Crucifixion – Type E (14) Probstei Church Head of St John the Baptist – Type C (6)

emmerich Church Art of Dying – Ars Moriendi (1); Trinity – Type C (57)

      grefrath, near cologne

adderley

Catholic Church Adoration of the Magi, 14th century (8)

Private collection Head of St John the Baptist – Type E (13)

ludwigshaven

ampleforth, yorkshire

Stadtmuseum St Peter (19)

Abbey Trinity – Type A (17)

munich

amport, hampshire

Bayrisches National Museum Entombment (57); Resurrection (21)

Church Head of St John the Baptist – Type F (29)

munster, westphalia

apethorpe, northamptonshire

Provinzialmuseum St Erasmus Martyrdom (11)

Church Annunciation – Type D (50); Coronation by God the Father and Angels – Type D (1)

nuremberg Germanisches Nationalmuseum Joachim – The Announcement (1); Mary – Purification (1); Virgin – The Dedication (2)

ashover, derbyshire

paderborn

bakewell, derbyshire

Cathedral Adoration of the Magi, 14th century (2) Diozesanmuseum St Catherine of Alexandria (10)

Haddon Hall Appearance of Christ to Mary Magdalene (3); Betrayal (15); Christ Bearing the Cross (11); Deposition (19); Entombment (16); Entry into Jerusalem (4); Flagellation (40); Mocking of Christ (5); Resurrection (106)

schleswig Schleswig-Holsteinisches Landesmuseum Adoration of the Magi with Mary and Joseph (8); Annunciation – Type D (64); Assumption of the Virgin (18); Coronation by the Trinity – Type C (13); Trinity – Type B/C (3)

sigmaringen Private collection Head of St John the Baptist – Type B (5)

soest, westphalia Church of St Maria zur Wiese Trinity – Type A (6)

trier Stadtisches Museum Ascension (13)

Great Britain aberdeen Art Gallery Head of St John the Baptist – Type E (7)

abergavenny, monmouth Church Annunciation – Type D (49); Assumption and Coronation by the Trinity – Type D (8); St Andrew (10); St Bartholomew (6); St James the Great (22); St James the Less (8); St John the Evangelist (26); St Jude (11); St Matthew (5); St Matthias (5); St Peter (23); St Philip (8); St Simon (7); St Thomas (3); Virgin Seated with Child on Right (21)

abinger, surrey Church Head of St John the Baptist – Type E (2); Crucifixion – Type B (1); Crucifixion – Type E (20)

Church St Catherine of Alexandria (34)

banbury, oxfordshire Dreweatt Neate (1999) St Christopher (8)

barking, london Private collection St John the Evangelist (20)

barling magna, essex Church Bishop (Unidentified) (24); St Dominic (1)

barnard castle, county durham Bowes Museum Baptism of Christ (1); Betrayal (30); St John the Baptist – Beheading (5)

bedford Cecil Higgins Museum Prior (Unidentified) (1); St Anne Teaching the Virgin to Read (8); Trinity – Type A (18)

beechamwell, norfolk Church of St Mary the Virgin Deposition (31); St Peter (22)

berkeley, gloucestershire Church St Mark (1)

birmingham Museum and Art Gallery Assumption of the Virgin (26) Oscott College St Antony of Egypt (7); St Bartholomew (3); St James the Less (9); St Jude (7); St Philip (6); Trinity – Type A (29)

   University, Barber Institute of Fine Arts Coronation by God the Father, c. 1400 – Type A (7)

St German (1); St John the Baptist (30); Trinity – Type A (31)

blackford, near yeovil, somerset

cambridgeshire

Church St Michael (9)

Private collection Resurrection (125)

blunham, bedfordshire

canterbury

Church Christ Bearing the Cross (18); Lamentation over the Dead Christ (Virgin and Christ only)(12); Virgin Standing with Child on Left (9)

Cathedral, Chapel of St Mary Magdalene Entombment (24) Royal Museum and Art Gallery St Apollonia (2); St Helen (?) (1)

breadsall, derbyshire

carisbrooke, isle of wight

Church Lamentation over the Dead Christ (Virgin and Christ only)(2)

Castle Museum Virgin Standing with Child on Left (11)

bristol Church of St John the Baptist Head of St John the Baptist – Type F (37) City Museum and Art Gallery Adoration of the Magi with Mary and Joseph (44); Ascension (11); Entombment (58); Resurrection (56); St Erasmus Martyrdom (5); Trinity – Type A (21)

broughton-in-craven, yorkshire

carlisle Cathedral Crucifixion – Type D (16)

carlton in lindrick, nottinghamshire Church Trinity – Type C (27)

carmarthen Museum Head of St John the Baptist – Type F (18)

Church Virgin Seated with Child on Left (2); Virgin Seated with Child on Right (19)

cheriton bishop, devon

burnham deepdale, norfolk

chessington, surrey

Church Adoration of Mary and Joseph (13)

Church Adoration of the Magi with Mary and Joseph (90); Annunciation – Type F (1)

burnsall, yorkshire Church Adoration of the Magi with Mary and Joseph (47)

burton agnes, yorkshire Church Annunciation – Type A (6); Bishops (Unidentified) (27, 28); St Agnes (1); St Anne Teaching the Virgin to Read (18); St Catherine of Alexandria (25); St Frideswide (1); St John the Baptist (42); St John the Evangelist (35); St Margaret (18); St Martha (2); St Martin (1); St Zita (5)

Church Christ Bearing the Cross (19)

coddenham, suffolk Church of St Mary the Virgin Crucifixion – Type D (22)

colchester Museum Ascension (45); Assumption of the Virgin (60); Crucifixion – Type D (35)

colne, essex

burton-on-trent

Priory St Margaret (12); St Michael (8); Virgin – The Dedication (8)

Museum Adoration of Mary and Joseph (5)

cumbria

cambridge Fitzwilliam Museum Ascension (31); Coronation by the Trinity – Type C (3); St Anne Teaching the Virgin to Read (5); St John the Baptist (28) Pembroke College, Chapel St Michael Weighing Souls (4) University Museum of Archaeology Betrayal (93); Coronation by God the Father, c. 1400 – Type A (21); Deacon (Unidentified) (1); Entombment (81); Resurrection (129, 130);

Naworth Castle, Chapel (1947) Assumption of the Virgin (13); St Catherine in Prison (14); St Michael (2); St Oswald (1)

dale, suffolk Private collection Betrayal (97)

devon Church of St Peter Tavy Resurrection (132) Church of South Huish Annunciation – Type D (71); Adoration of the Magi

      with Mary and Joseph (104); Betrayal (107); Resurrection (143)

dorchester, dorset County Museum Last Supper (7)

drayton parslow, buckinghamshire Church Crucifixion – Type E (21)

drayton, berkshire Church Adoration of the Magi with Mary and Joseph (82); Annunciation – Type D (41); Assumption of the Virgin (50); Betrayal (65); Entombment (69); Flagellation (41)

durham Cathedral St Gregory – Mass (4)

east barsham, norfolk Church of All Saints Lamentation over the Dead Christ (Virgin and Christ only)(13); St Anne Teaching the Virgin to Read (11)

east rudham, norfolk Church Adoration of the Magi with Mary and Joseph (93); Annunciation – Type B (7); Coronation by God the Father, c. 1400 – Type A (18, 19); Nativity (12); St Antony of Egypt (10); St John the Baptist (31); St John the Evangelist’s Torture in Boiling Oil (3); Crucifixion – Type D (31)

edinburgh

glasgow Burrell Collection Adoration of the Magi with Mary and Joseph (12, 13, 14); Annunciation – Type D (12, 13); Ascension (19); Assumption and Coronation – Type A (4); Assumption of the Virgin (32); Betrayal (32, 33); Coronation by the Trinity – Type C (8, 42); Entombment (22); Head of St John the Baptist – Type F (13, 14, 15, 16); Lamentation over the Dead Christ (Group) (2); Lamentation over the Dead Christ (Virgin and Christ only)(7); Mocking of Christ (3); Resurrection (76, 77, 78); St Alpheus (1); St Antony of Egypt (1); St Christopher (14); St Erasmus (with St Faith q v) (1); St Faith – with St Erasmus qv (1); St George and the Dragon (3); St Mary Cleophas (1); St Peter Receiving the Souls of the Blessed into Heaven (3); St Philip (3); St Roch (2); St Zita (2); Te Deum – Holy Church (4); Crucifixion – Type D (40); Trinity – Type B (3); Trinity – Type C (22, 23); Virgin – Adoration by the Trinity and Angels (1); Virgin Seated with Child on Right (2, 3)

gloucester Cathedral Crucifixion – Type C (14) City Museum Head of St John the Baptist – Type E (5)

gloucestershire Private collection Coronation by God the Father, c. 1400 – Type A (4)

grandborough, buckinghamshire Church Crucifixion – Type C (18)

National Gallery of Scotland Coronation by the Trinity – Type C (21); Resurrection (79); Trinity – Type C (33) Private collections St Anne Teaching the Virgin to Read (14); St Antony of Egypt (9) Royal Scottish Museum Flagellation (38)

hacheston, suffolk

elham, canterbury

Church St Christopher (21); Virgin and Child – Type Unknown (5)

Church of St Mary St Catherine Saved from the Wheels (7); St Thomas Becket – Martyrdom (5); St Thomas Meets Henry II (2)

Church of All Saints Incredulity of St Thomas (6)

hadleigh, suffolk Church Annunciation – Type D (59)

halsham, yorkshire

harewood, yorkshire

Church of All Saints Virgin Standing with Child on Right (21)

Church Bishops (Unidentified) (17, 18, 19); St Antony of Egypt (15, 16); St Christopher (22); St Cuthbert (2); St Edmund (1); St Edward the Confessor (1); St George and the Dragon (6); St James the Great (28); St John the Baptist (43, 44); St John the Evangelist (36, 37); St Lawrence (5, 6); St Michael Weighing Souls (7); St Stephen (7)

freckenham, suffolk

hawkley, hampshire

exeter City Museum Head of St John the Baptist – Type E (4)

feering, essex

Church of St Andrew St Eloy Shoeing a Horse Possessed of the Devil (3)

Church Betrayal (7)

   hertfordshire

leicestershire

Private collections Annunciation – Type B (6); Lamentation over the Dead Christ (Group) (9)

Private collection Head of St John the Baptist – Type F (33)

highgate, london Church of St Mary Brookfield St Armel (2)

Church Female Saint (Unidentified) (4); Male Saint (Unidentified) (3)

holcombe burnell, near exeter

liverpool

Church St Peter (12)

National Museums and Galleries on Merseyside Annunciation – Type D (19); Assumption of the Virgin (14)

horwood, devon Church St Simon (3)

hull Ferens Art Gallery Resurrection (138)

ipswich Museum Bishops (Unidentified) (13, 14, 15); Head of St John the Baptist – Type B (2)

kersey, suffolk Church St Anne Teaching the Virgin to Read (12); Trinity – Type A (28)

kidwelly, carmarthenshire Church of St Mary Virgin Standing with Child on Right (24)

kinlet, shropshire Church Trinity – Type C (7)

kinwarton, near alcester, warwickshire Church Virgin – The Dedication (1)

lanteglos-by-fowey, cornwall Church St Lawrence Martyrdom (2)

layston, hertfordshire Church St George (2); Crucifixion – Type D (27)

leeds City Museum St Paul (11) Temple Newsam House Assumption of the Virgin (27)

leicester Museums and Art Gallery Appearance of Christ to Mary Magdalene (6); Head of St John the Baptist – Type F (17); St Thomas – Consecration as Archbishop (4) Ratcliffe College Head of St John the Baptist – Type F (27)

little shelford, cambridgeshire

llansaintffraid, denbigh Church Entombment (27); Resurrection (57)

london All Hallows by the Tower Church, Byward Street St Hubert Hunting (1) Bonhams(1 Nov 1984) St Jude (10) British Museum Adoration of the Magi, 14th century (9); Adoration of the Magi with Mary and Joseph (17, 53); Annunciation – Type A (5); Annunciation – Type D (4); Ascension (29, 30); Assumption of the Virgin (36); Betrayal (16, 17, 18, 90); Bishops (Unidentified) (3, 4); Coronation by God the Father, c. 1400 – Type A (5, 6); Coronation by the Trinity – Type C (26); Damned Led into Hell (1); Entombment (64); Flagellation (9); Head of St John the Baptist – Type E (6); Head of St John the Baptist – Type F (21, 22, 23, 24); Last Supper (3); Nativity (3); Resurrection (63, 64); Sixth Sign of the Last Judgement (1); St Barbara (7); St Catherine – Beheading (7); St Catherine in Prison (8); St Catherine Refuses to Sacrifice to the Idol (1); St John the Baptist – Beheading (4); St John the Evangelist (15); St Paul – Beheading (1); St Paul (12); St Peter – Trial (1); St Peter Receiving the Souls of the Blessed into Heaven (2); St Thomas Becket – Martyrdom (1); Tenth Sign of the Last Judgement (1); Thirteenth Sign of the Last Judgement (1); Trinity – Type A (14, 30); Trinity – Type C (44); Virgin – Fragments (1); Virgin Seated with Child on Right (4) Christie’s (25.3.1960) St Denis (2) (18.6.1968) Assumption of the Virgin (59) (13.5.1969) Crucifixion – Type D (38) (12.5.1970) Christ before Herod (2); Coronation by God the Father, c. 1400 – Type A (12); Coronation by the Trinity – Type C (24) (20.6.1972) Adoration of Mary and Joseph (6)

      (12.12.1974) Trinity – Type C (45) (18.7.1977) Betrayal (53); Crucifixion – Type C (9) (19.12.1977) St Matthias (3); Virgin Standing with Child on Right (17) (20.2.1978) Entombment (84) (9.5.1978) Virgin Standing with Child on Left (4) (11.12.1979) Adoration of Mary and Joseph (9); Assumption of the Virgin (34); Coronation by the Trinity – Type C (43) (9.12.1980) Ascension (33); St Thomas – Consecration as Archbishop (3); St Thomas Lands at Sandwich (2) (7.4.1981) Entombment (83) (8.12.1981) Trinity – Type C (42) (30.11.1983) Adoration of the Magi with Mary and Joseph (89); Entombment (75) (13.12.1985) Betrayal (52); Betrayal (91); Trinity – Type C (46) (21.5.1987) Assumption and Coronation by the Trinity – Type D (3); Jesse – Tree (7); Joachim – The Announcement and the Golden Gate (1) (11.4.1990) Annunciation – Type D (63); Assumption of the Virgin (43); Resurrection (35) (7.7.1992) Te Deum – Holy Church (5) (8.12.1992) Crucifixion – Type D (45) (11.1.1994) Assumption and Coronation – Type A (9) (5.7.1994) Deposition (11); Entombment (76) (2.7.1996) Betrayal (100) (7.7.1998) Trinity – Type B (8) (27.5.1999) Virgin Standing with Child on Right (16) (14.12.1999) St Catherine and the Burning of the Philosophers (10) S. Franses Carpets Ltd, 71–3 Knightsbridge (1978) Betrayal (55); Resurrection (96) Geoffrey Van Ltd, 105–7 Portobello Road (1970s) Coronation by the Trinity – Type C (31) (1973) Flagellation (35) (1978) Adoration of the Magi with Mary and Joseph (28)

(1979) St John the Baptist (23) Horniman Museum Crucifixion – Type E (22) Howard Ricketts Ltd, New Bond Street (1973) Resurrection (89) D. Katz Ltd, 13 Old Bond Street (2000) Assumption of the Virgin (74); Betrayal (106); Coronation by the Trinity – Type B (24); St Dorothy – Martyrdom (1); Crucifixion – Type E (39) (2001) Adoration of the Magi with Mary and Joseph (71); Annunciation – Type D (55); Entombment (85); St Catherine of Alexandria (13); St Erasmus Martyrdom (13); St John the Evangelist (34); Tenth Sign of the Last Judgement (2); Crucifixion – Type C (29); Trinity – Type B/C (10) (2002) St Thomas – Consecration as Archbishop (10) Marc Antoine du Ry, 14 Bulstrode Street (2002) St Antony of Egypt (8) Michel Dumez-Onof, 109 Mount St, W1 (1966) St Thomas – Consecration as Archbishop (5) (1967) Flagellation (34) (1982) St Peter Receiving the Souls of the Blessed into Heaven (9) More House, Cromwell Road Assumption and Coronation by the Trinity – Type C (5) Museum of London Adoration of the Magi with Mary and Joseph (92); Assumption of the Virgin (56); Christ before Pilate (9); Flagellation (63); St John the Baptist – Birth and Naming (4) Phillips, New Bond Street (21.3.1972) Assumption of the Virgin (25); Coronation by the Trinity – Type C (30) Private collections Assumption of the Virgin (30); Assumption of the Virgin (45); Betrayal (99); Resurrection (82, 140); St Andrew (5); St Erasmus Martyrdom (8); Crucifixion – Type D (43) Ronald A. Lee Ltd, 1–9 Bruton Place (1967) Betrayal (48) (1989) St Ursula – with her attendant Virgins (1) Society of Antiquaries Betrayal (29); St Catherine – Beheading (8); St Catherine in Prison (9); St Erasmus Martyrdom (4); Crucifixion – Type C (6) Sotheby’s (30.6.1932) Annunciation – Type D (32) (8.7.1949) Adoration of the Magi with Mary and Joseph (65)

   (18.11.1955) Resurrection (34) (25.3.1960) Bishop (Unidentified) (9) (8.7.1960) Resurrection (84) (20.11.1964) Assumption and Coronation – Type A (6) (4.7.1966) Betrayal (56); Entombment (34) (16.5.1968) Christ at Emmaus (1) (7.4.1970) Adoration of the Magi with Mary and Joseph (29); Annunciation – Type D (65); Assumption of the Virgin (38); Betrayal (24); Coronation by the Trinity – Type C (27); Flagellation (37); Crucifixion – Type D (44) (23.3.1971) Betrayal (49) (27.4.1972) Resurrection (88) (16.11.1972) Annunciation – Type D (58); Assumption and Coronation by the Trinity – Type D (5) (23.5.1974) Adoration of the Magi with Mary and Joseph (55) (1.7.1974) Adoration of the Magi with Mary and Joseph (86) (9.12.1976) St Bartholomew (4) (15.12.1977) Ascension (34); Assumption of the Virgin (35) (13.4.1978) Ascension (35) (14.12.1978) Betrayal (51); Coronation by the Trinity – Type C (25) (29.3.1979) St Catherine – Beheading (13) (13.12.1979) Entombment (25) (17.7.1980) St James the Great (7) (11.12.1980) Head of St John the Baptist – Type F (42); St Mary Magdalene (6) (8 and 9.7.1981) Entombment (82); Head of St John the Baptist – Type C (9); Nativity (8); St Margaret (5) (10.12.1981) Head of St John the Baptist – Type D (3) (22.4.1982) Adoration of the Magi with Mary and Joseph (20); Deposition (26) (24.6.1982) Adoration of the Magi with Mary and Joseph (21); Annunciation – Type D (27); St Fiacre (4) (6.5.1983) Te Deum – Holy Church (6); Weeper Monk (1)

(16.6.1983) Annunciation – Type E (5) (1.12.1983) St John the Evangelist (17) (7.7.1986) Coronation by the Trinity – Type B (26); Resurrection (38); Crucifixion – Type D (13) (7.4.1987) Three Marys at the Sepulchre (3) (9.12.1987) Adoration of Mary and Joseph (27) (21.4.1988) Deposition (28); Flagellation (69) (7.7.1988) Virgin Standing with Child on Right (27) (8.12.1988) Crucifixion – Type C (7) (5.7.1990) Entombment (9) (13.12.1991) Entombment (98) ; Flagellation (70); Crucifixion – Type D (47) (9.7.1992) Annunciation – Type D (56) (9.12.1993) Resurrection (83) (7.12.1995) Trinity – Type A (34) (4.7.1996) St Erasmus Martyrdom (6); St Lawrence (3); St Lawrence Martyrdom (5); St Stephen – Stoning (1); St Stephen (5); St Thomas Becket – Martyrdom (2); Trinity – Type B/C (5) (2.7.1997) Head of St John the Baptist – Type A (3); Virgin Standing with Child on Right (7) (8.7.1998) Adoration of the Magi with Mary and Joseph (102) (16.12.1998) St Anne and St Joachim Teaching the Virgin to read (3) (11.7.2001) Jesse – Tree (6) (27.11.2001) Resurrection (128); Crucifixion – Type E (34) (28.11.2001) Resurrection (94) (14.12.2001) Deposition (30) (9.7.2002) Adoration of the Magi with Mary and Joseph (103); Assumption of the Virgin (19); Virgin – The Marriage (2) (16.12.2002) Coronation by the Trinity – Type B (28); Resurrection (87); St John the Evangelist’s Torture in Boiling Oil (1); Crucifixion – Type D (32) Victoria and Albert Museum Adoration of Mary and Joseph (1, 2); Adoration of the Magi with Mary and Joseph (1, 2, 3, 4, 5, 6, 7,

      68, 83); Agony in the Garden (1); Annunciation – Type A (1, 2, 3); Annunciation – Type B (1); Annunciation – Type D (1, 2, 3, 61, 62); Annunciation – Type E (1); Annunciation with Trinity – Type A/B (1); Appearance of Christ to Mary Magdalene (1, 2); Ascension (1, 2, 3, 4, 5, 6, 7); Assumption and Coronation by the Trinity – Type C (1); Assumption and Coronation by the Trinity – Type D (1); Assumption of the Virgin (1, 2, 3, 4, 5, 6, 7); Betrayal (1, 2, 3, 4, 5, 6, 88, 89); Bishops (Unidentified) (1, 2); Christ Bearing the Cross (1, 2, 3); Christ before Herod (1); Christ before Pilate (1); Christ in Majesty (1); Christ Nailed to the Cross (1); Circumcision (4, 5); Coronation by God the Father, c. 1400 – Type A (1, 2, 3); Coronation by the Trinity – Type B (1, 2, 3, 4, 5, 6, 7); Coronation by the Trinity – Type C (1, 2); Death of the Virgin (1); Deposition (1, 2, 3, 4, 5); Entombment (1, 2, 3, 4, 5, 6, 7); Entry into Jerusalem (1, 2); Female Saint (Unidentified) (1); Fifth Sign of the Last Judgement (1); Fifteenth Sign of the Last Judgement (1, 2); Flagellation (1, 2, 3, 4, 5); Harrowing of Hell (1); Head of St John the Baptist – Type A (1); Head of St John the Baptist – Type C (1, 2); Head of St John the Baptist – Type E (1); Head of St John the Baptist – Type F (1, 2, 3, 4, 5, 6, 7, 8, 9, 10); Incarnation and Parliament of Heaven (1); Incredulity of St Thomas (1, 2); Jesse – Tree (1, 2); Lamentation over the Dead Christ (Group) (1); Lamentation over the Dead Christ (Virgin and Christ only)(1); Last Supper (1); Mocking of Christ (1); Nativity (1); Resurrection (1, 2, 3, 4, 5, 6, 7, 8, 9, 10); Sacraments – Holy Matrimony (1); St Andrew (1, 2); St Anne Teaching the Christ Child to Read (1); St Antony of Padua (1); St Barbara (1, 2, 3, 4, 5); St Bartholomew (1, 2); St Boniface ? (1); St Catherine – Beheading (1, 2); St Catherine and the Burning of the Philosophers (1); St Catherine before the Emperor Maxentius (1); St Catherine in Prison (1, 2); St Catherine of Alexandria (1); St Catherine Saved from the Wheels (1); St Christopher (1, 2, 3, 4); St Edmund – Scene from the Life (1); St Edmund Shot with Arrows (1); St Edmund’s Head Restored to His Body (1); St Eloy Shoeing a Horse Possessed of the Devil (1); St Erasmus Martyrdom (1); St Etheldreda (?) Entombment (1); St Fiacre (1); St James the Great (1, 2, 3, 4, 5, 23); St James the Less (1); St James the Less (2); St James the Less (3); St James the Less (4); St John the Baptist – Beheading (1); St John the Baptist – Burial (1); St John the Baptist (1, 2, 3); St John the Baptist Preaching (1); St John the Baptist Reproves Herod Antipas (1); St John the Baptist’s Ashes Quenched (1); St John the Evangelist (1, 2, 3); St Jude (1, 2, 3); St Lawrence (1); St Margaret (1, 13); St Mary Magdalene (1, 4); St Matthew (1); St Matthias (1); St Michael (1); St Michael Weighing Souls (1, 2); St Paul (1, 2, 3); St Peter – Crucifixion (1); St Peter (1, 2, 3, 4, 5); St Peter Receiving the Souls of the Blessed into Heaven

(1); St Philip (1, 2); St Roch (1); St Sebastian (1); St Simon (1); St Stephen (1, 2); St Thomas – Consecration as Archbishop (1); St Thomas (1); St Thomas Lands at Sandwich (1); St Thomas Meets the Pope at Sens (1); St Thomas Returns to Canterbury (2); St Ursula (1); Te Deum – Holy Church (1); Te Deum – Prophets (1); Crucifixion – Type A (1); Crucifixion – Type C (1, 2, 3, 4, 5, 27); Crucifixion – Type D (1, 2, 21); Crucifixion – Type E (1, 2, 3, 4, 5); Three Marys at the Sepulchre (1, 2); Trinity – Type A (1, 2, 3, 43); Trinity – Type B (1, 2); Trinity – Type B/C (1, 2); Trinity – Type C (1, 2, 3, 4, 5, 6); Trinity – Type D (1); Virgin Seated with Child on Right (1, 2, 3, 20, 28); Visitation (1) Wallace Collection Resurrection (93) Westminster Cathedral Virgin Seated with Child on Right (5) S. W. Wolsey, 71–2 Buckingham Gate Deposition (25); Crucifixion – Type D (41); Crucifixion – Type E (35) (1950s) St Erasmus Martyrdom (10) (1952) Assumption of the Virgin (44) (1955) Virgin Standing with Child on Left (10) (1959) Trinity – Type C (47) (1960) Adoration of Magi, Shepherds, with Mary and Joseph (2) (1960s) Resurrection (135); Betrayal (59, 61, 62)

long melford, suffolk Church Adoration of the Magi, 14th century (1)

lostwithiel, cornwall Church St Bartholomew Martyrdom (3)

lydiate, lancashire Catholic Church St Catherine – Burial (2); St Catherine and the Burning of the Philosophers (2); St Catherine Kneels in Prayer before Her Execution (1); St Catherine of Alexandria (6); St Catherine Saved from the Wheels (3); St Cuthbert (1); Visitation (3)

mabe, cornwall, falmouth Church of St Laud Flagellation (61); Jesus – Presentation in the Temple (4); Joachim – The Announcement (3); Joachim and Anne – Meeting at the Golden Gate (3); St John the Evangelist’s Torture in Boiling Oil (2); St Stephen (3); Virgin – The Dedication (7)

maidstone, kent Museum and Art Gallery Head of St John the Baptist – Type E (16)

   manchester City Art Gallery Betrayal (34); St John the Baptist (19)

mere, wiltshire Parish Church Adoration of the Magi with Mary and Joseph (84)

methley, yorkshire Church St Paul (23); Trinity – Type A (41)

minehead, somerset Dunster Castle Lamentation over the Dead Christ (Group) (3)

minster lovell, oxfordshire Church St Christopher (19); St Margaret (14)

mulbarton, norfolk Church St John the Baptist – Birth and Naming (3)

norfolk Private collection Trinity – Type B (6)

northampton Central Museum Betrayal (87); St Eloy Shoeing a Horse Possessed of the Devil (5)

norwich Castle Museum Assumption of the Virgin (58); Head of St John the Baptist – Type B (4); Head of St John the Baptist – Type F (11); Resurrection (126); St Christopher (11); St Erasmus Martyrdom (7); St John the Baptist – Beheading (6); St Paul (8); St Thomas Returns to Canterbury (1) Cathedral Te Deum – Angels (1) Church of St Peter Mancroft St Ursula (3); Te Deum – Female Saints (1); Te Deum – Male Saints (1) Church of St Stephen Te Deum – Prophets (3) Private collection Entombment (86)

nottingham Castle Museum Adoration of the Magi with Mary and Joseph (27); Annunciation – Type A (4); Assumption of the Virgin (20); Betrayal (101); Bishop (Unidentified) (6); Coronation by the Trinity – Type B (8); Entombment (62, 88); Entry into Jerusalem (5); Flagellation (64); Head of St John the Baptist – Type F (25); Lamentation over the Dead Christ (Virgin and Christ only)(3); Resurrection (62, 136); St Eloy Shoeing a Horse Possessed of the Devil (2); St George (1); St Lawrence Martyrdom (1); St Peter (7); St Peter Enthroned (1); St Peter Receiving the

Souls of the Blessed into Heaven (5); St Zita (1); Te Deum – Holy Church (2); Crucifixion – Type E (12); Trinity – Type C (12); Virgin Standing with Child on Right (4) Church of St Mary St Thomas Meets the Pope at Sens (2)

old windsor Beaumont College Head of St John the Baptist – Type F (38)

oxford Ashmolean Museum Adoration of the Magi with Mary and Joseph (58); Annunciation – Type D (11); Betrayal (23); Head of St John the Baptist – Type A (2); Head of St John the Baptist – Type D (1); Head of St John the Baptist – Type E (12); Head of St John the Baptist – Type F (36); Resurrection (59); St Bartholomew Martyrdom (1); St Erasmus Martyrdom (2); Crucifixion – Type E (10) Blackfriars Church Annunciation – Type D (17)

oxfordshire Private collections Assumption of the Virgin (57); Coronation by the Trinity – Type C (29); Coronation by the Trinity – Type C (32); Entombment (80)

portsmouth Private collection Head of St John the Baptist – Type F (39)

preston in holderness, humberside Church Adoration of the Magi with Mary and Joseph (52); Ascension (42); Bishop (Unidentified) (26); Coronation by God the Father, c. 1400 – Type A (9); Resurrection (66, 67); St Antony of Egypt (3); St Catherine in Prison (12); St Catherine Saved from the Wheels (8); St Gregory – Mass (5)

private collections Adoration of Mary and Joseph (3); Adoration of the Magi with Mary and Joseph (25, 32, 33, 49, 61); Agony in the Garden (7); Annunciation – Type D (18); Annunciation – Type E (3); Ascension (46); Assumption and Coronation – Type A (10); Betrayal (60, 64, 95, 105); Entombment (78, 79); Flagellation (72); Head of St John the Baptist – Type C (3, 14); Head of St John the Baptist – Type D (2); Head of St John the Baptist – Type E (14); Head of St John the Baptist – Type F (34, 40); Incredulity of St Thomas (5); Resurrection (39, 85); St Catherine – Beheading (12); St Catherine and the Burning of the Philosophers (9); St James (29); St John the Baptist (29); St John the Baptist Preaching (2); St Lawrence Martyrdom (4); St Stephen – Stoning (2); St Thomas Becket – Martyrdom (4, 6); St Ursula (4); Te Deum – Female Saints (2); Crucifixion – Type D (33, 34);

      Trinity – Type A (22); Virgin Standing with Child on Right (14); Last Judgement (1)

puddletown, dorset Church Virgin – Fragments (3)

reading City Museum Betrayal (31) Church of St Lawrence Adoration of the Magi, 14th century (10)

ribston Templar Church St John the Baptist – Apprehension (2)

ripon, yorkshire Cathedral Bishop (Unidentified) (7); Coronation by God the Father, c. 1400 – Type A (11); Entombment (70); Resurrection (61); St John the Baptist’s Head Offered by Salome (1)

ross on wye, herefordshire Church Annunciation – Type E (9); St Anne Teaching the Virgin to Read (19); St Michael (10)

royston, hertfordshire Church Bishop (Unidentified) (25); Virgin Seated with Child on Left (4)

saffron walden, essex Museum Christ in Majesty (2)

st albans City Museum Coronation by the Trinity – Type B (32); Deposition (9)

st michael’s mount, cornwall Chapel Head of St John the Baptist – Type F (26)

salisbury Salisbury and South Wiltshire Museum Adoration of the Magi with Mary and Joseph (94); Head of St John the Baptist – Type F (30, 31); Crucifixion – Type D (36)

sandy, bedfordshire Church Betrayal (96)

scarborough Museum Coronation by God the Father, c. 1400 – Type A (17) Scarborough Philosophical and Archaeological Society Ascension (44); St John the Baptist – Beheading (7); St John the Baptist Preaching (6)

selby, yorkshire Abbey Deposition (10)

shaftesbury, dorset Abbey Assumption of the Virgin (55); Trinity – Type A (38) Museum St Catherine – Burial (1)

sheriff hutton, north yorkshire Church Trinity – Type A (42)

shrewsbury Church of St Mary Baptism of Christ (5); St John the Baptist Preaching (5); Trinity – Type C (51); Virgin Seated with Child on Right (18)

south park, blechingley, surrey Chapel of St Mark Adoration of the Magi with Mary and Joseph (41)

stamford, lincolnshire Burleigh House Lamentation over the Dead Christ (Virgin and Christ only)(11)

stewkley, buckinghamshire Church St James the Great (19); Virgin Standing with Child on Right (19)

stoke charity, hampshire Church St Gregory – Mass (6)

stonyhurst, lancashire Stonyhurst College Adoration of the Magi, 14th century (3); Adoration of the Magi with Mary and Joseph (16); Circumcision (1); Coronation by the Trinity – Type C (7); Head of St John the Baptist – Type C (7); Head of St John the Baptist – Type E (11); St Armel (1); St Helen (?) (2); Crucifixion – Type C (12); Crucifixion – Type C (13)

strawberry hill, twickenham St Mary’s College Assumption of the Virgin (39); Death of the Virgin (3)

sunderland Private collection Crucifixion – Type E (28)

surrey Private collection Adoration of the Magi with Mary and Joseph (60)

tenterden, kent Church of St Mildred Resurrection (81)

   toft, cambridgeshire

wood ditton, cambridgeshire

Church Bishop (Unidentified) (8); Coronation by God the Father, c. 1400 – Type A (20); Resurrection (131); St Christopher (13); St Eloy Shoeing a Horse Possessed of the Devil (4); St Hubert (2)

Church Bishop (Unidentified) (16); Lamentation over the Dead Christ (Virgin and Christ only)(14); St Catherine – Beheading (10); St Christopher (12); St Peter Receiving the Souls of the Blessed into Heaven (6); St Thomas – Consecration as Archbishop (8)

tong, shropshire Church St Andrew (9); St Bartholomew (7); St James the Great (21); St James the Less (7); St John the Evangelist (25); St Jude (12); St Matthew (4); St Paul (18); St Peter (21); St Philip (9); St Simon (8); St Thomas (4)

treslothan, cornwall Church of St John Evangelist Adoration of the Magi, 14th century (4)

upton, near slough Church Trinity – Type A (25)

warrington, lancashire Church Virgin Seated with Child on Right (22)

wells, somerset Cathedral Annunciation – Type B (8); Trinity – Type A (39)

west horsley, surrey Church Adoration of Mary and Joseph (10)

whittlesford, cambridgeshire Church Ascension (43); Coronation by God the Father, c. 1400 – Type A (16); Nativity (11); St Anne Teaching the Virgin to Read (13); St Nicholas and the Debtor Killed by a Cart (2); St Zita (4); Trinity – Type A (32); Virgin – Fragments (2)

whitton, richmond Church Christ the Man of Sorrows (5)

willoughby on the wolds, nottinghamshire Church Trinity – Type A (40); Virgin Seated with Child on Left (5)

worcester Cathedral Virgin Seated with Child on Right (6)

worcestershire Pershore Abbey Head of St John the Baptist – Fragments (3)

workington, cumbria The Priory Ascension (20); Pentecost (2); Resurrection (55); St Michael (7); Crucifixion – Type D (17); Virgin Standing with Child on Right (15)

yarnton, near oxford Church of St Peter Adoration of the Magi with Mary and Joseph (67); Betrayal (66); Christ Bearing the Cross (6); Lamentation over the Dead Christ (Virgin and Christ only)(8)

york City Art Gallery Christ Bearing the Cross (7); Coronation by the Trinity – Type B (20); Deposition (8); Crucifixion – Type A (3) North Street, Church of All Saints Resurrection (58) Private collection St John the Evangelist (24) Yorkshire Museum Adoration of the Magi with Mary and Joseph (91); Annunciation – Type D (57); Ascension (41); Assumption of the Virgin (37, 40); Male Saints (Unidentified) (1, 2); St John the Evangelist (23); St William of York, the Birth (1); St William saves Edward I in His Fall (1); St William’s Entry into York (1); St William’s Shrine – Visit of Edward I (1); Trinity – Type C (48); Trinity – Type D (2)

youlgreave, derbyshire Church Virgin Standing with Child on Right (25)

wiltshire Private collection Assumption of the Virgin (23)

winchester Cathedral St John the Baptist (16)

wonersh, guildford, surrey St John’s Seminary Head of St John the Baptist – Type F (32); Saint’s Shrine (Unidentified) with Visiting Pilgrims (1)

Hungary budapest Museum of Fine Arts Coronation by the Trinity – Type B (12); Nativity (4)

      Iceland akureyri Museum Adoration of Mary and Joseph (20); Annunciation – Type D (45); Assumption of the Virgin (54); Coronation by the Trinity – Type C (49); Resurrection (100); St John the Baptist (35); St John the Evangelist (30)

flatey, breiðafjörður Church St Andrew (4)

reykjavík National Museum of Iceland Adoration of Mary and Joseph (24); Adoration of the Magi with Mary and Joseph (96); Agony in the Garden (5); Annunciation – Type D (46, 53); Assumption of the Virgin (52); Betrayal (10, 68); Christ Bearing the Cross (12); Coronation by the Trinity – Type C (50, 51); Deposition (21); Entombment (51, 52, 92); Entombment (93); Flagellation (48, 68); Jesse – Tree (9); Male Saint (Unidentified) (4); Resurrection (102, 103);; St Andrew (7); St Catherine of Alexandria (2); St James the Great (18); St James the Less (11); St John the Baptist (7, 36, 38); St John the Evangelist (9, 11, 31, 32); St Paul (13, 20, 21, 22); St Peter (13, 25, 26); Crucifixion – Type D (25); Crucifixion – Type Unknown (3); Crucifixion – Type Unknown (4); Trinity – Type A (27); Trinity – Type B/C (8); Trinity – Type C (13, 52)

vallanes in fljótsdalshérað Head of St John the Baptist – Type C (8)

þingeyrar Church Flagellation (49); Resurrection (101); St Gabriel (1); St Michael (4); Trinity – Type C (37)

Ireland baily, county dublin Private collection Head of St John the Baptist – Type G (2)

dublin National Museum of Ireland Head of St John the Baptist – Fragments (1); Head of St John the Baptist – Type F (41); Resurrection (22); Crucifixion – Type C (28); Crucifixion – Type D (37) St Kieran’s College Museum St Leonard? (1)

kildare county Clongowes Wood College Head of St John the Baptist – Type E (10)

kilkenny Dominican Priory Trinity – Type A (9)

waterford Holy Ghost Hospital St Catherine of Alexandria (16)

Italy catania, sicily Museo Civico Crucifixion – Type C (11)

ferrara Museo Schifanoia Betrayal (11); Christ Bearing the Cross (16); Deposition (22); Entombment (18); Flagellation (46); Resurrection (118); Crucifixion – Type E (15)

genoa Museo di S. Agostino St Stephen (6); Te Deum – Holy Church (3); Te Deum – Prophets (2); Trinity – Type C (26); Virgin as Protectress (1)

majori, salerno Church of Sta Maria Adoration of the Magi with Mary and Joseph (77); Annunciation – Type D (43); Assumption of the Virgin (46); Coronation by the Trinity – Type C (41); Resurrection (107); St James the Great (14); St Margaret (8)

milan Castello Sforzesco Betrayal (85) Private collection Entombment (77)

naples National Museum Betrayal (13); Christ Bearing the Cross (13); Christ before Pilate (5); Deposition (20); Entombment (20); Resurrection (119); St John the Evangelist (29); St Luke (1); St Mark (2); St Matthew (8); Crucifixion – Type E (17)

rome Church of Sta Croce in Gerusalemme St Paul (4); St Peter (6)

san benedetto a settimo, near pisa Church Adoration of Mary and Joseph (16); Annunciation – Type E (7); Assumption and Coronation by the Trinity – Type D (6); Circumcision (3); St Andrew (3); St John the Baptist (8); Visitation (6)

trieste Musei Civici di Storia ed Arte Adoration of the Magi with Mary and Joseph (42); Annunciation – Type B (2); Assumption and Coronation by the Trinity – Type D (4); Resurrection (68); St Catherine – Beheading (9); St Catherine and the Burning of the Philosophers (8); St Catherine in Prison (11)

   turin Museo Civico Bishop (Unidentified) (5); Coronation by the Trinity – Type B (18)

(30.12.1997) Adoration of the Magi with Mary and Joseph (19) (20.12.2000) Resurrection (86); Trinity – Type A (37)

varese ligure

delft

Church of San Giovanni Battista Trinity – Type C (55); Virgin Seated with Child on Right (13)

Thirtieth Delft Antique Dealers’ Fair (19 Oct–8 Nov 1978) Annunciation – Type D (60)

venice

eindhoven (near)

Ca d’Oro St Catherine – Beheading (5); St Catherine – Burial (3); St Catherine and the Burning of the Philosophers (3); St Catherine in Prison (5); St Catherine Saved from the Wheels (5); St Dorothy (1); St Zita (3) Church of San Francesco della Vigna Bishop (Unidentified) (11) Museo Seminario di Santa Maria della Salute Flagellation (28)

Private collection Betrayal (57)

rotterdam Museum Boymans van Beuningen Crucifixion – Type C (23)

utrecht Catharijneconvent Museum Ascension (12); Deposition (27); Flagellation (23); Virgin seated with Child on Left (1)

vicenza Museo Ascension (40); Last Supper (6); Pentecost (3)

Monaco monaco Sotheby Parke Bernet (25/26.6.1984) Betrayal (72); Coronation by the Trinity – Type C (28); Entombment (87); Flagellation (58); Last Judgement (2); Mary’s Birth (3); Resurrection (36); Trinity – Type C (43); Washing the Feet of the Apostles (3) Sotheby’s (24/25.6.1985) Virgin Seated with Child on Right (15)

Norway lade, trondheim Church Betrayal (67); Entombment (54); Flagellation (52); St Lawrence (8); St Stephen (9); Crucifixion – Type Unknown (2)

oslo University Museum of National Antiquities Trinity – Type A (16)

tromsø Museum St Catherine of Alexandria (5)

værøy

Netherlands afferden, limburg Church Betrayal (77); Christ Nailed to the Cross (2); Deposition (24); Entombment (53); Flagellation (43); Resurrection (123); St Andrew (11); St Augustine of Hippo (2); St Bartholomew (5); St Gregory (1); St James the Great (17); St James the Less (5); St Jerome (1); St John the Evangelist (12); St Jude (4); St Matthew (2); St Matthias (4); St Paul (17); St Peter (18); St Philip (7); St Simon (6); St Thomas (2); Crucifixion – Type E (23)

amsterdam Christie’s (7.3.2001) Annunciation – Type D (69); Entombment (73); St Margaret (4) Nieuwe Spielgelstraat 70, Kunsthandel J. Polak Coronation by the Trinity – Type B (35) Rijksmuseum Henry VI (1) Sotheby’s (14.3.1983) St John the Baptist (22); Trinity – Type A (19)

Church Adoration of the Magi with Mary and Joseph (81); Annunciation – Type B (5); Ascension (37); Resurrection (109); St John the Baptist (10)

Poland cracow Cathedral Treasury Betrayal (38); Crucifixion – Type D (10) Čzarnowo, toruŃ

district

Church Crucifixion – Type D (12)

gdansk City Museum Annunciation – Type E (8); St Margaret (10); St Michael (3) Marienkirche Adoration of the Magi, 14th century (6); Adoration of the Magi with Mary and Joseph (72); Annunciation – Type D (40); Ascension (9); Coronation by the Trinity – Type B (38); Resurrection (122); St John the Baptist – Beheading

      (3); St John the Baptist (6); St John the Baptist Preaching (4); St John the Baptist’s Ashes Scattered (1); St John the Baptist’s Body – the Burning (1); St John the Baptist’s Head Buried by Herodias (1); St John the Evangelist (4) Museum Narodowe St Christopher (15) Muzeum Miejskie St John the Evangelist (21) National Museum Incredulity of St Thomas (7)

kammin Cathedral Treasury Head of St John the Baptist – Type C (11)

pelplin Diocesan Museum Adoration of the Magi, 14th century (11)

przemysl Diocesan Museum Pentecost (5)

coimbra Museu Nacional de Machado de Castro Incredulity of St Thomas (4); Nativity (6); St Catherine of Alexandria (15)

évora Museu Regional Flagellation (26)

fornos de algodres, beira Seminario San Jose St Catherine Kneels in Prayer before Her Execution (2)

gouveia Museu Municipal Coronation by the Trinity – Type C (11)

guimarães Museu Regional de Alberto Sampaio Lamentation over the Dead Christ (Virgin and Christ only)(5)

leiria Church of the Espirito Santo Trinity – Type A (15)

toruŃ Museum Mary’s Birth (1)

lisbon

trzemesnia Church Flagellation (32)

warsaw National Museum Resurrection (133); Crucifixion – Type D (11); Crucifixion – Type D (20); Trinity – Type C (56); Washing the Feet of the Apostles (1)

zuckau, near gdansk Church Adoration of the Magi, 14th century (5)

Portugal alentejo do leste, mourao Church Assumption of the Virgin (24)

aveiro Cathedral Virgin Seated with Child on Right (16) Church of the Apresentacão Virgin Seated with Child on Right (17)

aveiro (district) Church of Cedrim Trinity – Type C (40)

caramulo Museum Crucifixion – Type E (6)

cernache, near coimbra Church Coronation by God the Father, c. 1400 – Type A (13)

39 Rue da Emenda, Leira and Nascimento (1963) Trinity – Type B (9) Museu da Associacao de Arqueologos Betrayal (69); Entombment (8); Flagellation (27); Resurrection (104) Museu Nacional de Arte Antiga Adoration of the Magi with Mary and Joseph (11); Annunciation – Type D (15); Assumption of the Virgin (17); Christ before Pilate (3); Christ in Majesty (3); Christ the Man of Sorrows (1); Coronation by the Trinity – Type C (9); Entombment (49); Head of St John the Baptist – Type E (8); Head of St John the Baptist – Type F (19, 20); Head of St John the Baptist – Type G (1); Lamentation over the Dead Christ (Virgin and Christ only)(6); Resurrection (105); St Anne Teaching the Virgin to Read (6); St Catherine in Prison (7); St Catherine of Alexandria (12); Trinity – Type A (5); Trinity – Type C (39); Curing of the Blind Man of Jericho (1); Lazarus – the Raising of (1) Private collection Adoration of the Magi with Mary and Joseph (62); Ascension (38); Assumption and Coronation – Type A (3); Bishop (Unidentified) (12); Christ the Man of Sorrows (2); Coronation by the Trinity – Type B (33); Henry VI (2); St Margaret (3); Trinity – Type C (41)

oporto Museu Nacional de Soares dos Reis Coronation by the Trinity – Type C (10); St Catherine of Alexandria (7)

   pinheiro da bem posta Church St Thomas Becket (1)

private collection Assumption and Coronation by the Trinity – Type C (6)

sintra Palacio Nacional da Pena Crucifixion – Type D (3)

viana do castelo Museu Municipal Betrayal (43)

viseu Museu Grao Vasco St Catherine Kneels in Prayer before Her Execution (3); Crucifixion – Type A (2)

Russia kaliningrad (formerly königsberg) City Museum Adoration of the Magi, 14th century (7)

st petersburg Stieglitz Museum Christ in Majesty (4)

South Africa Private collection Coronation by the Trinity – Type B (25)

Spain álava, país vasco Church of Lermanda St John the Baptist (39) Museo de Bellas Artes St Catherine of Alexandria (30)

ávila Cathedral Adoration of the Magi with Mary and Joseph (79); Assumption of the Virgin (15); Trinity – Type C (10)

avilés, asturias Church Adoration of the Magi with Mary and Joseph (70); Annunciation – Type D (44); Assumption of the Virgin (51); Coronation by the Trinity – Type B (36); Resurrection (113); St Catherine of Alexandria (4); St Margaret (7)

barcelona Godia Collection St Paul (10) Museu Marés Crucifixion – Type C (24); Trinity – Type A (7); Virgin as Protectress (2); Visitation (2)

Museu Nacional d’Art de Catalunya Coronation by the Trinity – Type C (35); Coronation by the Trinity – Type C (36); St Anne Teaching the Virgin to Read (4) Private collections Adoration of Mary and Joseph (26); Adoration of the Magi with Mary and Joseph (87); St Catherine of Alexandria (14)

bilbao Museo Arqueológico Adoration of the Magi with Mary and Joseph (100); Coronation by God the Father, c. 1400 – Type A (22); St Roch (4) Museo Diocesano Death of the Virgin (4)

córdoba Museo Arqueológico Adoration of Mary and Joseph (8); Resurrection (23)

daroca, zaragoza Basilica Adoration of Mary and Joseph (23); Adoration of the Magi with Mary and Joseph (75); Adoration of the Shepherds, with Mary and Joseph (1); Coronation by the Trinity – Type B (39); Resurrection (26); St Catherine of Alexandria (3); St John the Baptist (9)

deya, mallorca Museo de Son Marroig Entombment (43); Resurrection (25)

fuenterrabía, país vasco Church of the Asunción Resurrection (51); St Catherine – Beheading (3); St Catherine in Prison (3); St Catherine Saved from the Wheels (2)

jemein, vizcaya, país vasco Capilla de los Gaytan Head of St John the Baptist – Type Unknown (1)

la coruña, galicia Church of Boqueijón Virgin and Child – Type Unknown (1)

las palmas, canary islands Private collection Head of St John the Baptist – Type F (35)

lugo, galicia Museo Provincial St Catherine of Alexandria (32); St Damian (?) (1)

madrid Instituto de Valencia de Don Juan Annunciation – Type D (a) (1) Museo Arqueológico Nacional Adoration of Mary and Joseph (14); Adoration of the Magi with Mary and Joseph (97); Annunciation – Type D (39); Circumcision (2); Mary’s Birth (6); St Anne and St Joachim Teaching the Virgin to

      Read (2); St Anne Teaching the Virgin to Read (1); St Catherine of Alexandria (29); St Ursula (5); Virgin – the Betrothal (1); Virgin – The Dedication (3) Museo Nacional de Artes Decorativas Head of St John the Baptist – Type E (20); Visitation (5) Private collections Annunciation – Type D (70); Betrayal (42); St Catherine of Alexandria (31); St Margaret (17); St Mary Magdalene (5); St Ursula – Panel from Life (1); Virgin Standing with Child on Right (26); St Apollonia (3)

salamanca

moguer, huelva, andalusia

Cathedral Assumption of the Virgin (42); Jesus’ Charge to the Apostles (1); St James – the Calling (1); St James – Translation of the Body (1); St James and the Apostles – Christ’s Charge (1); St James Beheaded (1); St James Preaching (1) Seminario Adoration of Magi, Shepherds, with Mary and Joseph (3)

Museo Diocesano Christ the Man of Sorrows (4)

mondoñedo, lugo, galicia Cathedral Agony in the Garden (6); Betrayal (83); Christ Bearing the Cross (9); Deposition (17); Entombment (45); Jesus – Presentation in the Temple (3); Joachim – The Announcement and the Golden Gate (2); Mary’s Birth (4); Crucifixion – Type D (42); Trinity – Type C (9); Virgin – The Dedication (4)

Ayuntamiento (Town Hall) St Anne Teaching the Virgin to Read (3)

sampedor, catalonia St Michael Weighing Souls (6)

san sebastián Museo de San Telmo Ascension (28); Betrayal (98); St Clement (2); St Erasmus Martyrdom (9); St Jude (5); St Thomas – Consecration as Archbishop (7); Trinity – Type A (8)

santiago de compostela

segovia Cathedral Assumption of the Virgin (66)

oviedo

seville

Cathedral, Museo Diocesano Apostle – Unidentified (1); Assumption of the Virgin (16)

Museo Arqueológico Lamentation over the Dead Christ (Group) (5); Resurrection (24) Museo de Bellas Artes Assumption of the Virgin (8) Private collection Resurrection (69)

palencia, castilla-león Basílica, Baños de Cerrato St John the Baptist (40) Museo, Paredes de Nava St Bartholomew (9); St Catherine of Alexandria (33)

palma de mallorca, mallorca

sigüenza, guadalajara Cathedral Deposition (16)

Private collection God the Father Receiving the Souls of the Blessed (1)

sitges, barcelona

peralada, gerona

valdeflores de vivero, lugo, galicia

Castillo Coronation by the Trinity – Type B (13)

Convent Virgin and Child – Type Unknown (3)

plencia, vizcaya

villanueva de arosa, pontevedra, galicia

Church of Santa María Magdalena Betrayal (82); Entombment (44); Flagellation (59); Resurrection (27); Crucifixion – Type D (39)

Church Trinity – Type A (10)

pontevedra, galicia

Colegio de Madres Augustinas de Durango Ascension (27)

Museo Trinity – Type B/C (4)

Museu del Cau Ferrat Adoration of the Magi with Mary and Joseph (57)

vizcaya

Sweden

puntallana, la palma, canary islands Church of San Juan Virgin and Child – Type Unknown (4)

quiroga, lugo, galicia Church of the Hospital de A. Ermida Virgin and Child – Type Unknown (2)

gothenburg Röhsska Museet St Gregory – Mass (1)

   nyköping

claremont, california

Church St John the Baptist (32) Museum Annunciation – Type D (5); Coronation by the Trinity – Type B (34)

Galleries of the Claremont Colleges St Anne and St Joachim Teaching the Virgin to read (1) Pamona College, Kress Collection St Anne Teaching the Virgin to Read (2)

stockholm

cleveland

National Museum Resurrection (75); Virgin at Prayer (1) Statens Historiska Museet Entombment (21); Resurrection (91)

Museum of Art Christ Bearing the Cross (5)

Switzerland lucerne Galerie Fischer (23/27.11.1971) St Catherine before the Emperor, Maxentius (4)

zürich Sotheby’s (1.6.1994) Deposition (29)

denver Art Museum Flagellation (6); Holy Martyrs Altarpiece (1)

detroit Institute of Art Flagellation (22); St James the Less (6) St Paul’s Cathedral Pentecost (1)

durham, north carolina

USA baltimore Walters Art Gallery Adoration of the Magi with Mary and Joseph (9, 10); Annunciation – Type D (6); Assumption and Coronation – Type A (5); Resurrection (80); St John the Evangelist (13); Trinity – Type C (50)

boston Museum of Fine Arts Adoration of Mary and Joseph (4); St Etheldreda Entering the Convent (1); St John the Baptist (17); Trinity – Type B (4)

Duke University Flagellation (74); St Catherine – Beheading (14)

houston Museum of Fine Arts Virg in Seated with Child on Right (12)

kansas city William Rockhill Nelson Gallery of Art Crucifixion – Type E (25)

lawrence, kansas University Museum of Art St John the Baptist (21)

los angeles

Albright-Knox Art Gallery Crucifixion – Type D (30)

County Museum Nativity (5); Resurrection (60) Sotheby’s (2.3.1982) Coronation by the Trinity – Type C (54)

california

madison, wisconsin

Private collection Trinity – Type B/C (7) Santa Barbara Museum of Art Annunciation – Type D (9); Bishop (Unidentified) (10); St James the Great (11)

University, Elvehjem Museum of Art Lamentation over the Dead Christ (Group) (8)

michigan

cambridge, massachusetts

new york

Fogg Art Museum Adoration of the Magi with Mary and Joseph (37); Annunciation – Type D (22); Te Deum – Prophets (4)

17 East 64th Street, Edward R. Lubin Inc. (1962) Mary – Purification (2) 23 East 67th Street, Blunka II Gallery (1998) St Roch (3) Brooklyn Museum St Gregory – Mass (3) C. Otto v. Kienbusch, Private Museum Betrayal (22) Christie’s (28.1.1998) Head of St John the Baptist – Type C (10) Metropolitan Museum Adoration of the Magi with Mary and Joseph (35, 36); Ascension (32); Betrayal (39); Coronation by

buffalo, new york

chicago Art Institute Adoration of the Magi with Mary and Joseph (30); Coronation by the Trinity – Type C (6) George F. Harding Museum Betrayal (41); Coronation by the Trinity – Type C (5); Resurrection (12)

University of Michigan, Museum of Art St Christopher (10)

      the Trinity – Type C (22); Entombment (60, 61); Flagellation (7); Head of St John the Baptist – Type B (1); Resurrection (40, 41, 42, 43); St Anne and St Joachim with the Virgin (1); St Jude (8); St Lawrence Martyrdom (3); St Margaret (6); St Peter Receiving the Souls of the Blessed into Heaven (4); Crucifixion – Type C (16); Crucifixion – Type E (24) Metropolitan Museum, The Cloisters Assumption of the Virgin (28); St Fiacre (2) Private collections Head of St John the Baptist – Type C (13); St George and the Dragon (4) Sotheby’s (10.5.1985) Coronation by the Trinity – Type C (53) (29.2.1987) Assumption of the Virgin (73) (22.11.1988) St Helen Seeking the True Cross (2) (22.6.1989) St Eloy Shoeing a Horse Possessed of the Devil (6) (12.12.1993) St John the Baptist – Birth and Naming (5) (23.9. 1998) Apostle – Unidentified (2) (23.9. 1998) Apostle – Unidentified (3) (29.1.1999) Assumption of the Virgin (75); Female Saint (Unidentified) (5)

private collection

north carolina

City Art Museum Virgin Standing with Child on Left (1)

University, Ackland Art Museum Head of St John the Baptist – Type F (28) Northampton, Massachusetts Smith College Museum of Art Crucifixion – Type E (29)

philadelphia Museum of Art Annunciation – Type D (21); Coronation by the Trinity – Type B (16); Head of St John the Baptist – Type C (4); Jesse – Tree (3); Mocking of Christ (2)

princeton, new jersey University Art Museum Agony in the Garden (2); Betrayal (40); Coronation by the Trinity – Type B (19); Incredulity of St Thomas (3); Lamentation over the Dead Christ (Group) (4) University Museum Annunciation – Type D (23); St Christopher (9) University, McCormick Hall Crucifixion – Type D (29)

Resurrection (95)

providence Rhode Island School of Design Adoration of the Magi with Mary and Joseph (54); Coronation by God the Father, c. 1400 – Type A (10); St James the Great (20)

riverside, connecticut Private collection Adoration of the Magi with Mary and Joseph (34, 48); Annunciation – Type D (29); Assumption and Coronation – Type A (7); Christ before Caiphas (2); Coronation by the Trinity – Type B (21); Entry into Jerusalem (3); Resurrection (48, 127); St Bartholomew Martyrdom (2); St Erasmus Martyrdom (3); St Fiacre (5); St Philip (4); Crucifixion – Type E (26); Washing the Feet of the Apostles (2)

rochester, new york Memorial Art Gallery Trinity – Type C (25)

san simeon, california Hearst Historical Monument Trinity – Type C (31)

seattle Art Museum Betrayal (8); Betrayal (9); Entombment (26)

st louis, missouri

toledo Museum Trinity – Type C (32)

virginia Museum of Fine Art St Peter (9)

washington National Gallery of Art Coronation by the Trinity – Type C (4); St George and the Dragon (5); St Peter (11); Trinity – Type A (44)

wellesley, massachusetts College, Jewett Art Center Last Supper (4)

yale Institute of Art Assumption and Coronation – Type A (11)

bibliography

T

he majority of entries in the bibliography are articles specifically about English medieval alabasters, and although most are written in English, there are also a number of important articles published abroad in Swedish, German, French, Italian, Spanish, Portuguese, Serbo-Croat and so on – a reflection of the present widespread scatter of the carvings in Western Europe. A large number of the articles published in this country were written by Dr Hildburgh, indicating not only his zeal for collecting alabasters but also his indefatigable enthusiasm in writing about them. As well as the specialist articles, other publications are included, most of which are referred to in the text, which help to put the medieval English alabaster industry into context. Sale catalogues are not listed in the bibliography but are given a full reference in the appropriate note.

Agghazy, M. G. 1974, ‘Nouvelles Données Relatives aux Thèmes de Quatre Sculptures’, Bulletin du Musée Hongrois des Beaux-Arts 42, 37–40 Airs, M. 1975, The Making of the English Country House 1500–1640 Alcolea, S. 1971, ‘Relieves Ingleses de Alabastro en España: Ensayo de Catalogación’, Archivo Español de Arte XLIV, 137–53 Allan, J. 2001, ‘An Angel From Pinhoe and Other Medieval English Alabasters in Devon’, Devon Archaeological Society Proceedings No. 59, 159–181 Anderson, M. D. 1935, The Medieval Carver, Cambridge —— 1955, The Imagery of British Churches, London —— 1963, Drama and Imagery in English Medieval Churches, Cambridge Andersson, A. 1980, Medieval Wooden Sculpture in Sweden, III, Museum of National Antiquities, Stockholm Arndt, H., and Kroos, R. 1969, ‘Zur Ikonographie der Johannesschüssel’, Aachener Kunstblätter XXXVIII, 243 ff. Arts Council of Great Britain 1975, Treasures from the Burrell Collection, exhibition catalogue, Haywood Gallery, London Avery, C. 1969, ‘The Rood-Loft from Hertogenbosch’, Victoria and Albert Museum Yearbook, 110–36 —— 1974, Sculpture from Troyes in the Victoria and Albert Museum, Victoria and Albert Museum Bagshawe, T. W. 1936a, ‘Loan Exhibition of Furniture of the Gothic and Early Tudor Periods’, Apollo XXIII, no. 137, May, 272–5 —— 1936b, ‘A Group of Early European Sculptures’, Apollo XXIV, no. 144, December, 343–7

Bailey, R. 1980, Viking Age Sculpture in Northern England, London Balogh, J. 1963, ‘Une Tête de Saint Jean Gothique d’Origine Anglaise’, Bulletin du Musée Hongrois des Beaux-Arts, no. 22, 33–9 —— 1975, Katalog der ausländischen Bildwerke des Museums der Bildenden Künste in Budapest, IV.–XVIII. Jahrhundert, Budapest Baltazar Alcoforado, A. 1993, Alabastros no Museu Nacional Machado de Castro, Coimbra Banning, K. 1980, ‘Biblia Pauperum and the Wall Paintings in the Church of Bellinge. The Book and the Church Wall’, Medieval Iconography and Narrative: A Symposium, Odense, 124–56 Bark, G. M. 1949, ‘A London Alabasterer in 1421’, Antiquaries Journal XXIX, 89–91 Barrié, R. 1978, ‘Monuments et Objets d’Art du Finistère’, Bulletin de la Societé Archaeologique du Finistère, CVI, 327–8 illus. Baum, J. 1933, ‘Fourteenth-Century Alabaster Reliefs of the Epiphany’, Art Bulletin XV, 384–7 Baxandall, M. 1974, South German Sculpture 1480–1530, Victoria and Albert Museum —— 1980, The Limewood Sculptors of Renaissance Germany, New Haven and London Beasley, S. M. 1978, ‘The Attribution of Alabaster Tomb Carvings to Medieval Schools, Analytical and Typographical Problems, a Further Feasibility Study’, University of Bradford, postgraduate thesis (unpublished) Beckett, F. 1905, ‘Engelske Alabastavler i Danmark’, Tidsskrift for Industri, parts I and II, January, 19–24 and 45–8

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Proceedings of the Society of Antiquaries XXIX, 92–3 Long, E. T. 1928, ‘English Alabaster Tables in Dorset’, Proceedings of the Dorset Natural History and Antiquarian Field Club XLIX, 101–13 Loo, G. H. de 1909, ‘An Authentic Work by Jacques Daret, Painted in 1434’, Burlington Magazine XV, 202–8 Macklin, H. W. 1907, The Brasses of England, London Maclagan, E. 1920, ‘An English Alabaster Altarpiece in the Victoria and Albert Museum’, Burlington Magazine XXXVI, 53–65 —— 1921, ‘An Alabaster Image of St Christopher’, Country Life, 31 December, 896–7 —— 1932, ‘Medieval Alabasters from Naworth Castle’, Antiquaries Journal XII, 407–10 MacLeod, C. 1946, Journal of the Royal Society of Antiquaries of Ireland LXXVI, 94 Mâle, E. 1961, The Gothic Image. Religious Art in France of the Thirteenth Century, London and Glasgow Markl, D. 1974, ‘Três Painéis de Alabastro de Nottingham do Museu de Arte Antiga, a Iconografia dos “St John’s Heads”’, Panorama, Revista Portuguesa de Arte e Turismo, March, 51–5 Martin, W. 1892, ‘Some Fragments of Sculptured stone Found in a Barn at East Barsham, Norfolk’, Norfolk Archaeology XI, 257–8 Massowa, Z. 1996, Angielska Rzezba Alabastrowa z XIV–XV Wieku w Zbiorach Poliskich, Muzeum Narodowe w Gdansku, Gdansk (with an English summary) Memorials of the Church of Ss. Peter and Wilfred, Ripon 1888, Surtees Society LXXXI, III Michigan University Museum of Art 1962, A Handbook of the Collections, no. 5 Middeldorf, U. 1927–8, ‘Two English Alabaster Statuettes in Rome’, Art in America XVI, 199–203 —— 1976, Sculptures from the Samuel H. Kress Collection, European Schools XIV–XIX Century, London —— 1979, ‘Two English Alabaster Statuettes in Rome’, reprinted in Ulrich Middeldorf: Raccolta di Scritti (Collected Writings), I, 1924–38, Florence, 33–6 Moodey, G. E., and Hildburgh, W. L. 1950–4, ‘A Medieval Alabaster from Layston’, Transactions of the East Herts. Archaeological Society XIII, pts 1 and 2, 152–5 Moutardier, L. 1961, ‘Le Retable en Albâtre de l’Église de la Selle’, Presence Normande, May, no. 13, 26–8 Museum of London 1982, Second and Third Reports of the Board of Governors (1979–81) Nelson, P. 1913, ‘Some Examples of Nottingham Alabaster Work of the Fifteenth Century’, Archaeological Journal LXX, 133–6 —— 1914, ‘Some Examples of English Medieval Alabaster Work’, Archaeological Journal LXXI, 161–6 —— 1915, ‘Ancient Alabasters at Lydiate’,

  Transactions of the Historic Society of Lancashire and Cheshire LXVII, 21–6 —— 1917a, ‘Some Unusual English Alabaster Panels’, Transactions of the Historic Society of Lancashire and Cheshire LXIX, 80–90 —— 1917b, ‘Some Further Examples of English Medieval Alabaster Tables’, Archaeological Journal LXXIV, 105–21 —— 1918a, ‘A Doom Reredos’, Transactions of the Historic Society of Lancashire and Cheshire LXX, 67–71 —— 1918b, ‘English Alabasters of the Embattled Type’, Archaeological Journal LXXV, 310–34 —— 1918c, ‘The Byland Trinity Preserved at Ampleforth Abbey’, The Ampleforth Journal XXIII, January, 99–102 —— 1919a, ‘Some Fifteenth Century English Alabaster Panels’, Archaeological Journal LXXVI, 133–8 —— 1919b, ‘Earliest Type of English Alabaster Panel Carvings’, Archaeological Journal LXXVI, 84–95 —— 1919c, ‘The Virgin Triptych at Danzig’, Archaeological Journal LXXVI, 139–42 —— 1920a, ‘English Medieval Alabaster Carvings in Iceland and Denmark’, Archaeological Journal LXXVII, 192–206 —— 1920b, ‘Some Unpublished English Medieval Alabaster Carvings’, Archaeological Journal LXXVII, 213–25 —— 1920c, ‘The Woodwork of English Alabaster Retables’, Transactions of the Historic Society of Lancashire and Cheshire LXXII, 50–60 —— 1921, ‘A XIVth Century English Alabaster of the Blessed Virgin’, Transactions of the Historic Society of Lancashire and Cheshire LXXIII, 149–52 —— 1923a, ‘An English Fifteenth Century Alabaster Reredos of Saint Edmund’, Transactions of the Historic Society of Lancashire and Cheshire LXXV, 208–12 —— 1923b, ‘St Catherine Panels in English Alabaster at Vienna’, Transactions of the Historic Society of Lancashire and Cheshire LXXV, 128–31 —— 1925, ‘Some Unpublished English Medieval Alabaster Carvings’, Archaeological Journal LXXXII, 25–38 —— 1926, ‘Some Undescribed English Alabaster Carvings’, Archaeological Journal LXXXIII, 33–46 —— 1927, ‘Some Additional Specimens of English Alabaster Carvings’, Archaeological Journal LXXXIV, 114–24 Newton, E. 1946, ‘Medieval Alabaster’, The Listener, 7 November Nicolaissen, O. 1902, ‘Tromsø Museums Oldsager’, Tromsø Museums Aarshefter 26, 39–40 —— 1915–16, ‘Kirker i Nord-Norge’, Tromsø Museums Aarshefter 35–6, 163–71 Nightingale, B. 1855, ‘An Alabaster Tablet Found near Salisbury’, Archaeological Journal XII, 185–6 Nisbet, et al. 1910, Victoria County History of Nottinghamshire

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—— 1935, Exhibition of British Art, commemorative catalogue, 1934 —— 1970, 1000 Years of Art in Poland, exhibition catalogue Rydbeck, M. 1964, Medieval Wooden Sculpture in Sweden, V, Museum of National Antiquities, Stockholm —— 1975, Medieval Wooden Sculpture in Sweden, IV, Museum of National Antiquities, Stockholm Rymer, T. 1704–32, Foedera VII, London Salet, F., and Souchal, G. 1972, The Cluny Museum, Paris Salzman, L. F. 1923, English Industries of the Middle Ages, Oxford —— 1950, English Life in the Middle Ages, Oxford —— 1967, Building in England Down to 1540, Oxford Scheller, R. W. 1963, A Survey of Medieval Model Books, Haarlem Scheyer, E. 1933, ‘Eine Pariser Alabaster-gruppe um 1430’, Schlesische Vorzeit, n.s. XX, 35 ff. Schiller, G. 1971, The Iconography of Christian Art, I and II, London (translated from the second German edition of 1969) Schoenberger, G. 1931, ‘Alabasterplastik’, in O. Schmitt (ed.), Real-lexikon zur deutschen Kunstgeschichte, Stuttgart, I, 293–329 Seymour, C. 1949, Masterpieces of Sculpture from the National Gallery of Art, Washington Sherlock, D. 1980, ‘A Medieval Alabaster from Bushmead Priory’, Bedfordshire Archaeological Journal XIV, 56–8 Simpson, M. L. 1975, ‘English Medieval Alabasters in Ireland’, Queen’s University of Belfast, BA thesis (unpublished) Siple, E. S. 1928, ‘Art in America – A New Wing for the Boston Museum’, Burlington Magazine LIII, 262–6 Smith, L. T. (ed.) 1907, The Itinerary of John Leland in about the Years 1535–43, London Society of Antiquaries 1847, catalogue —— 1913, Illustrated catalogue of the Exhibition of English Medieval Alabaster Work, Held in the Rooms of the Society of Antiquaries, 26th May–30th June, 1910, London Spencer, B. 1972, Chaucer’s London, exhibition catalogue, Museum of London —— 1980, Medieval Pilgrim Badges from Norfolk, Norfolk Museums Service Squilbeck, J. 1938, ‘Quelques Sculptures Anglaises d’Albâtre Conservées en Belgique’, Antiquaries Journal XVIII, 58–67 Stevenson, W. 1906, ‘Nottingham Alabaster’, Nottingham Guardian, 6 June, 3 —— 1907, ‘Art Sculpture in Alabaster Preserved in France, Considered in Its Relationship to the Nottingham School of Alabasterers’, Transactions of the Thoroton Society XI, 89–98 Stone, L. 1955, Sculpture in Britain: The Middle Ages, Harmondsworth

  Stringer, E. 1970, ‘The Composite Nativity-Adoration of Medieval English alabasters’, Bulletin of North Carolina Museum of Art IX, nos 3 and 4, March, 82–91 Swarzenski, G. 1921, ‘Deutsche Alabasterplastik des 15 Jahrhunderts’, Städeljahrbuch I, 167 ff. Szabo-Hickl, H. A. 1970, ‘St Catherine of Alexandria: Memorial to Gerard Brett’, Rotunda (Bulletin of the Royal Ontario Museum) III, no. 3, 36–7 Tanner, J. R. 1951, Tudor Constitutional Documents 1485–1603 (second edn), Cambridge Tanner, N. P. 1973, ‘Popular Religion in Norwich with Special Reference to the Evidence of Wills, 1370–1532’, University of Oxford, postgraduate thesis (unpublished) Tavender, A. S. 1949, ‘Three Medieval English Alabasters in French Churches’, Speculum XXIV July, 397–402 —— 1955, ‘Medieval English Alabasters in American Museums – Pt I’, Speculum XXX, Jan. 64–71 —— 1959, ‘Medieval English Alabasters in American Museums – Pt II’, Speculum XXXIV, 437–9 Taylor, M. R. 1967, ‘The Kettlebaston Alabasters’ Proceedings of the Suffolk Institute of Archaeology XXX, pt 3, 252–5 Thompson, F. R. n.d., pamphlet describing the Priory Church of St Mary the Virgin, Tutbury, Staffs. Thurston, H., and Attwater, D. (eds.) 1956, Butler’s Lives of the Saints, edited, revised and supplemented, I–IV, London Tudor-Craig, P. 1973, Richard III, exhibition catalogue, National Portrait Gallery, London —— 1974, ‘The Martyrdom of St Erasmus – Flagellation’, Antiquaries Journal LIV, 289–90 Turner, D. 1847, ‘A Crucifix and Alabaster Tablet’, Norfolk Archaeology I, 243–51 Turner N. H. P., and Jones, D. L. (eds.) 1984, Selig Suffolk, A Catalogue of Religious Art, Ipswich Ugglas, C. R. af 1910, ‘Ett Engelskt Alabasterarbete’, Strängnäs Utställningen, 86–91 Vallance, A. 1910, ‘English Medieval Alabaster Work’, Burlington Magazine XVII, August, 293–7 Van Nispen tot Sevenaer, E. 1934, ‘Over de Uitbeelding der H. Drievuldigheid bij de Boodschap des Engels’, Het Gildeboek XVII, no. 4/5, September 189–92 —— 1935, ‘Het Relief in Albast uit de Kerk te Roozendaal en het Retabel in Albast te Afferden’, Het Gildeboek XVIII, no. 4, December 122–3 Van Stolk 1910, Catalogue, Musée van Stolk, The Hague Verö, M. 1993, ‘Les Monuments de La Sculpture D’Albatre Anglaise’, Bulletin du Musée Hongrois des Beaux Arts, Budapest, 39–51 Victoria and Albert Museum 1922, Review of the Principal Acquisitions during the Year 1919, 3, frontispiece —— 1924, Review of the Principal Acquisitions during the Year 1920, 8, 9, pl. 2

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