مرثیه های خاک : مجموعه شعر

‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬ ‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ )ﺍﻟﻒ‪-‬ﺑﺎﻣﺪﺍﺩ(‬

‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺷﻌﺮ‪ ،‬ﺭﻫﺎﺋﻲﺳﺖ ‪...‬‬ ‫ﺷﻌﺮ‬ ‫ﺭﻫﺎﺋﻲﺳﺖ‬ ‫ﻧﺠﺎﺕ ﺍﺳﺖ ﻭ ﺁﺯﺍﺩﻱ‪.‬‬ ‫ﺗﺮﺩﻳﺪﻱﺳﺖ‬ ‫ﮐﻪ ﺳﺮﺍﻧﺠﺎﻡ‬ ‫ﺑﻪ ﻳﻘﻴﻦ ﻣﻲﮔﺮﺍﻳﺪ‬ ‫ﻭ ﮔﻠﻮﻟﻪﺋﻲ‬ ‫ﮐﻪ ﺑﻪ ﺍﻧﺠﺎﻡ ِ ﮐﺎﺭ‬ ‫ﺷﻠﻴﮏ‬ ‫ﻣﻲﺷﻮﺩ‪.‬‬ ‫ﺁﻫﻲ ﺑﻪ ﺭﺿﺎﻱ ِ ﺧﺎﻃﺮ ﺍﺳﺖ‬ ‫ﺍﺯ ﺳﺮ ِ ﺁﺳﻮﺩﻩﮔﻲ‪.‬‬ ‫ﻭ ﻗﺎﻃﻌﻴﺖ ِ ﭼﺎﺭﭘﺎﻳﻪ ﺍﺳﺖ‬ ‫ﺑﻪ ﻫﻨﮕﺎﻣﻲ ﮐﻪ ﺳﺮﺍﻧﺠﺎﻡ‬ ‫ﺍﺯ ﺯﻳﺮ ِ ﭘﺎ‬ ‫ﺑﻪ ﮐﻨﺎﺭ ﺍﻓﺘﺪ‬ ‫ﺗﺎ ﺑﺎﺭ ِ ﺟﺴﻢ‬ ‫ﺯﻳﺮ ِ ﻓﺸﺎﺭ ِ ﺗﻤﺎﻣﻲﻱ ِ ﺣﺠﻢ ِ ﺧﻮﻳﺶ‬ ‫ﺩﺭﻫﻢ ﺷﮑﻨﺪ‪،‬‬ ‫ﺍﮔﺮ ﺁﺯﺍﺩﻱ ِ ﺟﺎﻥ ﺭﺍ‬ ‫ﺍﻳﻦ‬ ‫ﺭﺍﻩ ِ ﺁﺧﺮﻳﻦ ﺍﺳﺖ‪.‬‬ ‫□‬ ‫ﻣﺮﺍ ﭘﺮﻧﺪﻩﺋﻲ ﺑﺪﻳﻦ ﺩﻳﺎﺭ ﻫﺪﺍﻳﺖ ﻧﮑﺮﺩﻩ ﺑﻮﺩ‪:‬‬ ‫‪2‬‬

‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﻣﻦ ﺧﻮﺩ ﺍﺯ ﺍﻳﻦ ﺗﻴﺮﻩ ﺧﺎﮎ‬ ‫ﺭُﺳﺘﻪ ﺑﻮﺩﻡ‬ ‫ﭼﻮﻥ ﭘﻮﻧﻪﻱ ِ ﺧﻮﺩﺭﻭﺋﻲ‬ ‫ﮐﻪ ﺑﻲﺩﺧﺎﻟﺖ ِ ﺟﺎﻟﻴﺰﺑﺎﻥ‬ ‫ﺍﺯ ﺭﻃﻮﺑﺖ ِ ﺟﻮﺑﺎﺭﻩﺋﻲ‪.‬‬ ‫ﺍﻳﻦﭼﻨﻴﻦ ﺍﺳﺖ ﮐﻪ ﮐﺴﺎﻥ‬ ‫ﻣﺮﺍ ﺍﺯ ﺁﻥﮔﻮﻧﻪ ﻣﻲﻧﮕﺮﻧﺪ‬ ‫ﮐﻪ ﻧﺎﻥ ﺍﺯ ﺩﺳﺖﺭﻧﺞ ِ ﺍﻳﺸﺎﻥ ﻣﻲﺧﻮﺭﻡ‬ ‫ﻭ ﺁﻥﭼﻪ ﺑﻪ ﮔﻨﺪ ِ ﻧﻔﺲ ِ ﺧﻮﻳﺶ ﺁﻟﻮﺩﻩ ﻣﻲﮐﻨﻢ‬ ‫ﻫﻮﺍﻱ ِ ﮐﻠﺒﻪﻱ ِ ﺍﻳﺸﺎﻥ ﺍﺳﺖ;‬ ‫ﺣﺎﻝ ﺁﻥﮐﻪ‬ ‫ﭼﻮﻥ ﺍﻳﺸﺎﻥ ﺑﺪﻳﻦ ﺩﻳﺎﺭ ﻓﺮﺍﺯ ﺁﻣﺪﻧﺪ‬ ‫ﺁﻥ‬ ‫ﮐﻪ ﭼﻬﺮﻩ ﻭ ﺩﺭﻭﺍﺯﻩ ﺑﺮ ﺍﻳﺸﺎﻥ ﮔﺸﻮﺩ‬ ‫ﻣﻦ ﺑﻮﺩﻡ!‬ ‫‪١٣۴٨‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﻣﺮﺛﻴﻪ‬ ‫ﺩﺭ ﺧﺎﻣﻮﺷﻲﻱ ِ ﻓﺮﻭﻍ ﻓﺮﺥﺯﺍﺩ‬

‫ﺑﻪ ﺟُﺴﺖﻭﺟﻮﻱ ِ ﺗﻮ‬ ‫ﺑﺮ ﺩﺭﮔﺎﻩ ِ ﮐﻮﻩ ﻣﻲﮔﺮﻳﻢ‪،‬‬ ‫ﺩﺭ ﺁﺳﺘﺎﻧﻪﻱ ِ ﺩﺭﻳﺎ ﻭ ﻋﻠﻒ‪.‬‬ ‫ﺑﻪ ﺟُﺴﺖﻭﺟﻮﻱ ِ ﺗﻮ‬ ‫ﺩﺭ ﻣﻌﺒﺮ ِ ﺑﺎﺩﻫﺎ ﻣﻲﮔﺮﻳﻢ‬ ‫ﺩﺭ ﭼﺎﺭﺭﺍﻩ ِ ﻓﺼﻮﻝ‪،‬‬ ‫ﺩﺭ ﭼﺎﺭﭼﻮﺏ ِ ﺷﮑﺴﺘﻪﻱ ِ ﭘﻨﺠﺮﻩﺋﻲ‬ ‫ﮐﻪ ﺁﺳﻤﺎﻥ ِ ﺍﺑﺮﺁﻟﻮﺩﻩ ﺭﺍ‬ ‫ﻗﺎﺑﻲ ﮐﻬﻨﻪ ﻣﻲﮔﻴﺮﺩ‪.‬‬ ‫‪..........‬‬ ‫ﺑﻪ ﺍﻧﺘﻈﺎﺭ ِ ﺗﺼﻮﻳﺮ ِ ﺗﻮ‬ ‫ﺍﻳﻦ ﺩﻓﺘﺮ ِ ﺧﺎﻟﻲ‬ ‫ﺗﺎ ﭼﻨﺪ‬ ‫ﺗﺎ ﭼﻨﺪ‬ ‫ﻭﺭﻕ ﺧﻮﺍﻫﺪ ﺧﻮﺭﺩ؟‬ ‫□‬ ‫ﺟﺮﻳﺎﻥ ِ ﺑﺎﺩ ﺭﺍ ﭘﺬﻳﺮﻓﺘﻦ‬ ‫ﻭ ﻋﺸﻖ ﺭﺍ‬ ‫ﮐﻪ ﺧﻮﺍﻫﺮ ِ ﻣﺮﮒ ﺍﺳﺖ ‪-.‬‬ ‫ﻭ ﺟﺎﻭﺩﺍﻧﻪﮔﻲ‬ ‫ﺭﺍﺯﺵ ﺭﺍ‬ ‫ﺑﺎ ﺗﻮ ﺩﺭ ﻣﻴﺎﻥ ﻧﻬﺎﺩ‪.‬‬ ‫ﭘﺲ ﺑﻪ ﻫﻴﺌﺖ ِ ﮔﻨﺠﻲ ﺩﺭﺁﻣﺪﻱ‪:‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺑﺎﻳﺴﺘﻪ ﻭ ﺁﺯﺍﻧﮕﻴﺰ‬ ‫ﮔﻨﺠﻲ ﺍﺯ ﺁﻥﺩﺳﺖ‬ ‫ﮐﻪ ﺗﻤﻠﮏ ِ ﺧﺎﮎ ﺭﺍ ﻭ ﺩﻳﺎﺭﺍﻥ ﺭﺍ‬ ‫ﺍﺯ ﺍﻳﻦﺳﺎﻥ‬ ‫ﺩﻝﭘﺬﻳﺮ ﮐﺮﺩﻩ ﺍﺳﺖ!‬ ‫□‬ ‫ﻧﺎﻡﺍﺕ ﺳﭙﻴﺪﻩﺩﻣﻲﺳﺖ ﮐﻪ ﺑﺮ ﭘﻴﺸﺎﻧﻲﻱ ِ ﺁﺳﻤﺎﻥ ﻣﻲﮔﺬﺭﺩ‬ ‫ ﻣﺘﺒﺮﮎ ﺑﺎﺩ ﻧﺎﻡ ِ ﺗﻮ !‪-‬‬‫ﻭ ﻣﺎ ﻫﻢﭼﻨﺎﻥ‬ ‫ﺩﻭﺭﻩ ﻣﻲﮐﻨﻴﻢ‬ ‫ﺷﺐ ﺭﺍ ﻭ ﺭﻭﺯ ﺭﺍ‬ ‫ﻫﻨﻮﺯ ﺭﺍ‪...‬‬ ‫‪ ٢٩‬ﺑﻬﻤﻦ ِ ‪١٣۴۵‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺷﺒﺎﻧﻪ‬ ‫ﭘﭽﭙﭽﻪ ﺭﺍ‬ ‫ﺍﺯ ﺁﻥﮔﻮﻧﻪ‬ ‫ﺳﺮ ﺑﻪﻫﻢﺍﻧﺪﺭﺁﻭﺭﺩﻩ ﺳﭙﻴﺪﺍﺭ ﻭ ﺻﻨﻮﺑﺮ‬ ‫ﺑﺎﺭﻱ‬ ‫ﮐﻪ ﻣﮕﺮْﺷﺎﻥ‬ ‫ﺑﻪﺩﺳﻴﺴﻪ ﺳﻮﺩﺍﺋﻲ ﺩﺭ ﺳﺮ ﺍﺳﺖ‬ ‫ﭘﻨﺪﺍﺭﻱ‬ ‫ﮐﻪ ﺍﺳﺒﺎﺏ ﭼﻴﺪﻥ ﺭﺍ ﺑﻪ ﻧﺠﻮﺍﻳﻨﺪ‬ ‫ﺧﻮﺩ ﺍﺯ ﺍﻳﻦﺩﺳﺖ‬ ‫ﺑﻪ ﻫﻨﮕﺎﻣﻪﺋﻲ‬ ‫ﮐﻪ ﺟﻠﻮﻩﻱ ِ ﻫﺮ ﭼﻴﺰ ﻭ ﻫﻤﻪ ﭼﻴﺰ ﭼﻨﺎﻥ ﺍﺳﺖ‬ ‫ﮐﻪ ﺩﺷﻤﻦ ِ ﺩﮊﺧﻮﺋﻲ‬ ‫ﺩﺭ ﮐﻤﻴﻦ‪.‬‬ ‫ﻭ ﭼﻨﺎﻥ ﺑﺎﺯﻣﻲﻧﻤﺎﻳﺪ ﮐﻪ ﺳﮑﻮﺕ‬ ‫ﺑﻪ ﺟﺰ ﺑﺎﻳﺴﺘﻪﻱ ِ ﻇﻠﻤﺖ ﻧﻴﺴﺖ‪،‬‬ ‫ﻭ ﺑﻪ ﺍﻗﺘﻀﺎﻱ ِ ﺷﺐ ﺍﺳﺖ ﻭ ﺳﻴﺎﻫﻲﺳﺖ ﺗﻨﻬﺎ‬ ‫ﮐﻪ ﺻﺪﺍﻫﺎ ﻫﻤﻪ ﺧﺎﻣﻮﺵ ﻣﻲﺷﻮﺩ‬ ‫ﻣﮕﺮ ﺷﺐﮔﻴﺮ‬ ‫ ﺍﺯ ﺁﻥ ﭘﻴﺶﺗﺮ ﮐﻪ ﻭﺍﭘﺴﻴﻦ ﻓﻐﺎﻥ ِ »ﺣﻖ»‬‫ﺑﺎ ﻗﻄﺮﻩﻱ ِ ﺧﻮﻧﻲ ﺑﻪ ﻧﺎﻱﺍﺵ ﺍﻧﺪﺭﭘﻴﭽﺪ ‪،-‬‬ ‫ﻣﮕﺮ ﻣﺎ‬ ‫ﻣﻦ ﻭ ﺗﻮ‪.‬‬ ‫□‬ ‫ﻭ ﺑﺪﻳﻦ ﻧﻤﻂ‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺷﺐ ﺭﺍ ﻏﺎﻳﺘﻲ ﻧﻴﺴﺖ‬ ‫ﻧﻬﺎﻳﺘﻲ ﻧﻴﺴﺖ‬ ‫ﻭ ﺑﺪﻳﻦ ﻧﻤﻂ‬ ‫ﺳﺘﻢ ﺭﺍ‬ ‫ﻭﺍﮔﻮﻳﻨﺪﻩﺗﺮ ﺍﺯ ﺷﺐ‬ ‫ﺁﻳﺘﻲ ﻧﻴﺴﺖ‪.‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺷﺎﻡﮔﺎﻫﻲ‬ ‫ ﻧﻈﺮ ﺩﺭ ﺗﻮ ﻣﻲﮐﻨﻢ ﺍﻱ ﺑﺎﻣﺪﺍﺩ‬‫ﮐﻪ ﺑﺎ ﻫﻤﻪﻱ ِ ﺟﻤﻊ ﭼﻪ ﺗﻨﻬﺎ ﻧﺸﺴﺘﻪﺍﻱ!‬ ‫ ﺗﻨﻬﺎ ﻧﺸﺴﺘﻪﺍﻡ؟‬‫ﻧﻪ‬ ‫ﮐﻪ ﺗﻨﻬﺎ ﻓﺎﺭﻍ ﺍﺯ ﻣﻦ ﻭ ﺍﺯ ﻣﺎ ﻧﺸﺴﺘﻪﺍﻡ‪.‬‬ ‫□‬ ‫ ﻧﻈﺮ ﺩﺭ ﺗﻮ ﻣﻲﮐﻨﻢ ﺍﻱ ﺑﺎﻣﺪﺍﺩ‬‫ﮐﻪ ﭼﻪ ﻭﻳﺮﺍﻥ ﻧﺸﺴﺘﻪﺍﻱ!‬ ‫ ﻭﻳﺮﺍﻥ؟‬‫ﻭﻳﺮﺍﻥ ﻧﺸﺴﺘﻪﺍﻡ؟‬ ‫ﺁﺭﻱ‪،‬‬ ‫ﻭ ﺑﻪ ﭼﺸﻢﺍﻧﺪﺍﺯ ِ ﺍﻣﻴﺪﺁﺑﺎﺩ ِ ﺧﻮﻳﺶ ﻣﻲﻧﮕﺮﻡ‪.‬‬ ‫□‬ ‫ ﻧﻈﺮ ﺩﺭ ﺗﻮ ﻣﻲﮐﻨﻢ ﺍﻱ ﺑﺎﻣﺪﺍﺩ‪ ،‬ﮐﻪ ﺗﻨﻬﺎ ﻧﺸﺴﺘﻪﺍﻱ‬‫ﮐﻨﺎﺭ ِ ﺩﺭﻳﭽﻪﻱ ِ ﺧُﺮﺩﺕ‪.‬‬ ‫ ﺁﺳﻤﺎﻥ ِ ﻣﻦ‬‫ﺁﺭﻱ‬ ‫ﺳﺨﺖ ﺗﻨﮓﭼﺸﻤﺎﻧﻪ ﺑﻪ ﻗﺎﻟﺐ ﺁﻣﺪ‪.‬‬ ‫□‬ ‫ ﻧﻈﺮ ﺩﺭ ﺗﻮ ﻣﻲﮐﻨﻢ ﺍﻱ ﺑﺎﻣﺪﺍﺩ‪ ،‬ﮐﻪ ﺍﻧﺪُﻩﮔﻨﺎﻧﻪ ﻧﺸﺴﺘﻪﺍﻱ‬‫ﮐﻨﺎﺭ ِ ﺩﺭﻳﭽﻪﻱ ِ ﺧُﺮﺩﻱ ﮐﻪ ﺑﺮ ﺁﻓﺎﻕ ِ ﻣﻐﺮﺑﻲ ﻣﻲﮔﺸﺎﻳﺪ‪.‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ ﻣﻦ ﻭ ﺧﻮﺭﺷﻴﺪ ﺭﺍ ﻫﻨﻮﺯ‬‫ﺍﻣﻴﺪ ِ ﺩﻳﺪﺍﺭﻱ ﻫﺴﺖ‪،‬‬ ‫ﻫﺮ ﭼﻨﺪ ﺭﻭﺯ ِ ﻣﻦ‬ ‫ﺁﺭﻱ‬ ‫ﺑﻪ ﭘﺎﻳﺎﻥ ِ ﺧﻮﻳﺶ ﻧﺰﺩﻳﮏ ﻣﻲﺷﻮﺩ‪.‬‬ ‫□‬ ‫ ﻧﻈﺮ ﺩﺭ ﺗﻮ ﻣﻲﮐﻨﻢ ﺍﻱ ﺑﺎﻣﺪﺍﺩ‪...‬‬‫‪١٣۴٨‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﻫﻤﻠﺖ‬ ‫ﺑﻮﺩﻥ‬ ‫ﻳﺎ ﻧﺒﻮﺩﻥ‪...‬‬ ‫ﺑﺤﺚ ﺩﺭ ﺍﻳﻦ ﻧﻴﺴﺖ‬ ‫ﻭﺳﻮﺳﻪ ﺍﻳﻦ ﺍﺳﺖ‪.‬‬ ‫□‬ ‫ﺷﺮﺍﺏ ِﺯﻫﺮﺁﻟﻮﺩﻩ ﺑﻪ ﺟﺎﻡ ﻭ‬ ‫ﺷﻤﺸﻴﺮ ِ ﺑﻪﺯﻫﺮﺁﺏﺩﻳﺪﻩ‬ ‫ﺩﺭ ﮐﻒ ِ ﺩﺷﻤﻦ‪- .‬‬ ‫ﻫﻤﻪ ﭼﻴﺰﻱ‬ ‫ﺍﺯ ﭘﻴﺶ‬ ‫ﺭﻭﺷﻦ ﺍﺳﺖ ﻭ ﺣﺴﺎﺏﺷﺪﻩ‬ ‫ﻭ ﭘﺮﺩﻩ‬ ‫ﺩﺭ ﻟﺤﻈﻪﻱ ِ ﻣﻌﻠﻮﻡ‬ ‫ﻓﺮﻭ ﺧﻮﺍﻫﺪ ﺍﻓﺘﺎﺩ‪.‬‬ ‫ﭘﺪﺭﻡ ﻣﮕﺮ ﺑﻪ ﺑﺎﻍ ِ ﺟﺘﺴﻤﺎﻧﻲ ﺧﻔﺘﻪ ﺑﻮﺩ‬ ‫ﮐﻪ ﻧﻘﺶ ِ ﻣﻦ ﻣﻴﺮﺍﺙ ِ ﺍﻋﺘﻤﺎﺩ ِ ﻓﺮﻳﺐﮐﺎﺭ ِ ﺍﻭﺳﺖ‬ ‫ﻭ ﺑﺴﺘﺮ ِ ﻓﺮﻳﺐ ِ ﺍﻭ‬ ‫ﮐﺎﻡﮔﺎﻩ ِ ﻋﻤﻮﻱﺍﻡ!‬ ‫]ﻣﻦ ﺍﻳﻦ ﻫﻤﻪ ﺭﺍ‬ ‫ﺑﻪﻧﺎﮔﻬﺎﻥ ﺩﺭﻳﺎﻓﺘﻢ‪،‬‬ ‫ﺑﺎ ﻧﻴﻢﻧﮕﺎﻫﻲ‬ ‫ﺍﺯ ﺳﺮ ِ ﺍﺗﻔﺎﻕ‬ ‫ﺑﻪ ﻧﻈّﺎﺭﻩﮔﺎﻥ ِ ﺗﻤﺎﺷﺎ [‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺍﮔﺮ ﺍﻋﺘﻤﺎﺩ‬ ‫ﭼﻮﻥ ﺷﻴﻄﺎﻧﻲ ﺩﻳﮕﺮ‬ ‫ﺍﻳﻦ ﻫﺎﺑﻴﻞ ِ ﺩﻳﮕﺮ ﺭﺍ‬ ‫ﺑﻪ ﺟﺘﺴﻤﺎﻧﻲ ﺩﻳﮕﺮ‬ ‫ﺑﻪ ﺑﻲﺧﺒﺮﻱ ﻻﻻ ﻧﮕﻔﺘﻪ ﺑﻮﺩ‪- ،‬‬ ‫ﺧﺪﺍ ﺭﺍ‬ ‫ﺧﺪﺍ ﺭﺍ!‬ ‫□‬ ‫ﭼﻪ ﻓﺮﻳﺒﻲ ﺍﻣﺎ‪،‬‬ ‫ﭼﻪ ﻓﺮﻳﺒﻲ!‬ ‫ﮐﻪ ﺁﻥ ﮐﻪ ﺍﺯ ﭘﺲ ِ ﭘﺮﺩﻩﻱ ِ ﻧﻴﻢﺭﻧﮓ ِ ﻇﻠﻤﺖ ﺑﻪ ﺗﻤﺎﺷﺎ ﻧﺸﺴﺘﻪ‬ ‫ﺍﺯ ﺗﻤﺎﻣﻲﻱ ِ ﻓﺎﺟﻌﻪ‬ ‫ﺁﮔﺎﻩ ﺍﺳﺖ‬ ‫ﻭ ﻏﻢﻧﺎﻣﻪﻱ ِ ﻣﺮﺍ‬ ‫ﭘﻴﺸﺎﭘﻴﺶ‬ ‫ﺣﺮﻑ ﺑﻪ ﺣﺮﻑ‬ ‫ﺑﺎﺯﻣﻲﺷﻨﺎﺳﺪ‪.‬‬ ‫□‬ ‫ﺩﺭ ﭘﺲ ِ ﭘﺮﺩﻩﻱ ِ ﻧﻴﻢﺭﻧﮓ ِ ﺗﺎﺭﻳﮑﻲ‬ ‫ﭼﺸﻢﻫﺎ‬ ‫ﻧﻈﺎﺭﻩﻱ ِ ﺩﺭﺩ ِ ﻣﺮﺍ‬ ‫ﺳﮑﻪﻫﺎ ﺍﺯ ﺳﻴﻢ ﻭ ﺯﺭ ﭘﺮﺩﺍﺧﺘﻪﺍﻧﺪ‬ ‫ﺗﺎ ﺍﺯ ﻃﺮﺡ ِ ﺁﺯﺍﺩ ِ ﮔﺮﻳﺴﺘﻦ‬ ‫ﺩﺭ ﺍﺧﺘﻼﻝ ِ ﺻﺪﺍ ﻭ ﺗﻨﻔﺲ ِ ﺁﻥ ﮐﺲ‬ ‫ﮐﻪ ﻣﺘﻈﺎﻫﺮﺍﻧﻪ‬ ‫ﺩﺭ ﺣﻘﻴﻘﺖ ﺑﻪﺗﺮﺩﻳﺪ ﻣﻲﻧﮕﺮﺩ‬ ‫ﻟﺬﺗﻲ ﺑﻪ ﮐﻒ ﺁﺭﻧﺪ‪.‬‬ ‫‪11‬‬

‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺍﺯ ﺍﻳﻨﺎﻥ ﻣﺪﺩ ﺍﺯ ﭼﻪ ﺧﻮﺍﻫﻢ‪ ،‬ﮐﻪ ﺳﺮﺍﻧﺠﺎﻡ‬ ‫ﻣﺮﺍ ﻭ ﻋﻤﻮﻱ ِ ﻣﺮﺍ‬ ‫ﺑﻪ ﺗﺴﺎﻭﻱ‬ ‫ﺩﺭ ﺑﺮﺍﺑﺮ ِ ﺧﻮﻳﺶ ﺑﻪ ﮐُﺮﻧﺶ ﻣﻲﺧﻮﺍﻧﻨﺪ‪،‬‬ ‫ﻫﺮﭼﻨﺪ ﺭﻧﺞ ِ ﻣﻦ ﺍﻳﺸﺎﻥ ﺭﺍ ﻧﺪﺍ ﺩﺭﺩﺍﺩﻩﺑﺎﺷﺪ ﮐﻪ ﺩﻳﮕﺮ‬ ‫ﮐﻼﺩﻳﻮﺱ‬ ‫ﻧﻪ ﻧﺎﻡ ِ ﻋﻢّ‬ ‫ﮐﻪ ﻣﻔﻬﻮﻣﻲﺳﺖ ﻋﺎﻡ‪.‬‬ ‫ﻭ ﭘﺮﺩﻩ‪...‬‬ ‫ﺩﺭ ﻟﺤﻈﻪﻱ ِ ﻣﺤﺘﻮﻡ‪...‬‬ ‫□‬ ‫ﺑﺎ ﺍﻳﻦ ﻫﻤﻪ‬ ‫ﺍﺯ ﺁﻥ ﺯﻣﺎﻥ ﮐﻪ ﺣﻘﻴﻘﺖ‬ ‫ﭼﻮﻥ ﺭﻭﺡ ِ ﺳﺮﮔﺮﺩﺍﻥِ ﺑﻲﺁﺭﺍﻣﻲ ﺑﺮ ﻣﻦ ﺁﺷﮑﺎﺭﻩ ﺷﺪ‬ ‫ﻭ ﮔﻨﺪ ِ ﺟﻬﺎﻥ‬ ‫ﭼﻮﻥ ﺩﻭﺩ ِ ﻣﺸﻌﻠﻲ ﺩﺭ ﺻﺤﻨﻪﻫﺎﻱ ِ ﺩﺭﻭﻏﻴﻦ‬ ‫ﻣﻨﺨﺮﻳﻦ ِ ﻣﺮﺍ ﺁﺯﺭﺩ‪،‬‬ ‫ﺑﺤﺜﻲ ﻧﻪ‬ ‫ﮐﻪ ﻭﺳﻮﺳﻪﺋﻲﺳﺖ ﺍﻳﻦ‪:‬‬ ‫ﺑﻮﺩﻥ‬ ‫ﻳﺎ‬ ‫ﻧﺒﻮﺩﻥ‪.‬‬ ‫‪١٣۴٨‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﻭ ﺣﺴﺮﺗﻲ‬ ‫)ﺑﻪ ﭘﺎﺳﺦ ِ ﺍﺳﺘﻘﺒﺎﻟﻴﻪﺋﻲ(‬

‫‪١‬‬ ‫ﻧﻪ‬ ‫ﺍﻳﻦ ﺑﺮﻑ ﺭﺍ‬ ‫ﺩﻳﮕﺮ‬ ‫ﺳﺮ ِ ﺑﺎﺯﺍﻳﺴﺘﺎﺩﻥ ﻧﻴﺴﺖ‪،‬‬ ‫ﺑﺮﻓﻲ ﮐﻪ ﺑﺮ ﺍﺑﺮﻭﻱ ﻭ ﺑﻪ ﻣﻮﻱ ِ ﻣﺎ ﻣﻲﻧﺸﻴﻨﺪ‬ ‫ﺗﺎ ﺩﺭ ﺁﺳﺘﺎﻧﻪﻱ ِ ﺁﺋﻴﻨﻪ ﭼﻨﺎﻥ ﺩﺭ ﺧﻮﻳﺸﺘﻦ ﻧﻈﺮ ﮐﻨﻴﻢ‬ ‫ﮐﻪ ﺑﻪ ﻭﺣﺸﺖ‬ ‫ﺍﺯ ﺑﻠﻨﺪ ِ ﻓﺮﻳﺎﺩﻭﺍﺭ ِ ﮔُﺪﺍﺭﻱ‬ ‫ﺑﻪ ﺍﻋﻤﺎﻕ ِ ﻣﻐﺎﮎ‬ ‫ﻧﻈﺮ ﺑﺮﺩﻭﺯﻱ‪.‬‬ ‫ﺑﺎﺭﻱ‬ ‫ﻣﮕﺮ ﺁﺗﺶ ِ ﻗﻄﺒﻲ ﺭﺍ‬ ‫ﺑﺮﺍﻓﺮﻭﺯﻱ‪.‬‬ ‫ﮐﻪ ﺑﺮﻕ ِ ﻣﻬﺮﺑﺎﻥ ِ ﻧﮕﺎﻩﺍﺕ‬ ‫ﺁﻓﺘﺎﺏ ﺭﺍ‬ ‫ﺑﺮ ﭘﻮﻻﺩ ِ ﺧﻨﺠﺮﻱ ﻣﻲﮔﺸﺎﻳﺪ‬ ‫ﮐﻪ ﻣﻲﺑﺎﻳﺪ‬ ‫ﺑﻪ ﺩﻟﻴﺮﻱ‬ ‫ﺑﺎ ﺩﺭﺩ ِ ﺑﻠﻨﺪ ِ ﺷﺒﭽﺮﺍﻏﻲﺍﺵ‬ ‫ﺗﺎﺏ ﺁﺭﻡ‬ ‫ﺑﻪ ﻫﻨﮕﺎﻣﻲ ﮐﻪ ﺍﻧﻌﻄﺎﻑ ِ ﻗﻠﺐ ِ ﻣﺮﺍ‬ ‫ﺑﺎ ﺳﺨﺘﻲﻱ ِ ﺗﻴﻐﻪﻱ ِ ﺧﻮﻳﺶ‬ ‫ﺁﺯﻣﻮﻧﻲ ﻣﻲﮐﻨﺪ‪.‬‬ ‫‪13‬‬

‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﻧﻪ‬ ‫ﺗﺮﺩﻳﺪﻱ ﺑﺮ ﺟﺎﻱ ﺑِﻨﻤﺎﻧﺪﻩ ﺍﺳﺖ‬ ‫ﻣﮕﺮ ﻗﺎﻃﻌﻴﺖ ِ ﻭﺟﻮﺩ ِ‬ ‫ﺗﻮ‬ ‫ﮐﺰ ﺳﺮﺍﻧﺠﺎﻡ ِ ﺧﻮﻳﺶ‬ ‫ﺑﻪ ﺗﺮﺩﻳﺪﻡ ﻣﻲﺍﻓﮑﻨﺪ‪،‬‬ ‫ﮐﻪ ﺗﻮ ﺁﻥ ﺟُﺮﻋﻪﻱ ِ ﺁﺑﻲ‬ ‫ﮐﻪ ﻏﻼﻣﺎﻥ‬ ‫ﺑﻪ ﮐﺒﻮﺗﺮﺍﻥ ﻣﻲﻧﻮﺷﺎﻧﻨﺪ‬ ‫ﺍﺯ ﺁﻥ ﭘﻴﺶﺗﺮ‬ ‫ﮐﻪ ﺧﻨﺠﺮ‬ ‫ﺑﻪ ﮔﻠﻮﮔﺎﻩ ِﺷﺎﻥ ﻧﻬﻨﺪ‪.‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫‪٢‬‬ ‫ﮐﺠﺎﺋﻲ؟ ﺑﺸﻨﻮ! ﺑﺸﻨﻮ!‬ ‫ﻣﻦ ﺍﺯ ﺁﻥﮔﻮﻧﻪ ﺑﺎ ﺧﻮﻳﺶ ﺑﻪ ﻣﻬﺮﻡ‬ ‫ﮐﻪ ﺑﺴﻤﻞ ﺷﺪﻥ ﺭﺍ ﺑﻪ ﺟﺎﻥ ﻣﻲﭘﺬﻳﺮﻡ‬ ‫ﺑﺲ ﮐﻪ ﭘﺎﮎ ﻣﻲﺧﻮﺍﻧﺪ ﺍﻳﻦ ﺁﺏ ِ ﭘﺎﮐﻴﺰﻩ ﮐﻪ ﻋﻄﺸﺎﻥﺍﺵ ﻣﺎﻧﺪﻩﺍﻡ!‬ ‫ﺑﺲ ﮐﻪ ﺁﺯﺍﺩ ﺧﻮﺍﻫﻢ ﺷﺪ‬ ‫ﺍﺯ ﺗﮑﺮﺍﺭ ِ ﻫﺠﺎﻫﺎﻱ ِ ﻫﻤﻬﻤﻪ‬ ‫ﺩﺭ ﮐﺸﺎﮐﺶ ِ ﺍﻳﻦ ﺟﻨﮓ ِ ﺑﻲﺷﮑﻮﻩ!‬ ‫ﻭ ﭘﺎﮐﻴﺰﻩﮔﻲﻱ ِ ﺍﻳﻦ ﺁﺏ‬ ‫ﺑﺎ ﺟﺎﻥ ِ ﭘُﺮﻋﻄﺶﺍﻡ‬ ‫ﮐﻮﭺ ﺭﺍ‬ ‫ﻫﻢﺳﻔﺮ ﺧﻮﺍﻫﺪ ﺷﺪ‪.‬‬ ‫ﻭ ﻭﺟﺪﺍﻥﻫﺎﻱ ِ ﺑﻲﺭﻭﻧﻖ ﻭ ﺧﺎﻣﻮﺵ ِ ﻗﺎﺿﻴﺎﻥ‬ ‫ﮐﻪ ﺗﻨﻬﺎ ﺗﺼﻮﻳﺮﻱ ﺍﺯ ﺩﻏﺪﻏﻪﻱ ِ ﻋﺪﺍﻟﺖ ﺑﺮ ﺁﻥ ﮐﺸﻴﺪﻩﺍﻧﺪ‬ ‫ﺑﻪ ﺧﻮﺩ ﺑﺎﺯﻡ ﻣﻲﻧﻬﻨﺪ‪.‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫‪٣‬‬ ‫ﻣﻦﺍﻡ ﺁﺭﻱ ﻣﻦﺍﻡ‬ ‫ﮐﻪ ﺍﺯ ﺍﻳﻦﮔﻮﻧﻪ ﺗﻠﺦ ﻣﻲﮔﺮﻳﻢ‬ ‫ﮐﻪ ﺍﻳﻨﮏ‬ ‫ﺯﺍﻳﺶ ِ ﻣﻦ‬ ‫ﺍﺯ ﭘﺲ ِ ﺩﺭﺩﻱ ﭼﻬﻞﺳﺎﻟﻪ‬ ‫ﺩﺭ ﻧﮕﺮﺍﻧﻲﻱ ِ ﺍﻳﻦ ﻧﻴﻢﺭﻭﺯ ِ ﺗﻔﺘﻪ‬ ‫ﺩﺭ ﺩﺍﻣﺎﻥ ِ ﺗﻮ ﮐﻪ ﺍﻃﻤﻴﻨﺎﻥ ﺍﺳﺖ ﻭ ﭘﺬﻳﺮﺵ ﺍﺳﺖ‬ ‫ﮐﻪ ﻧﻮﺍﺯﺵ ﻭ ﺑﺨﺸﺶ ﺍﺳﺖ‪- .‬‬ ‫ﺩﺭ ﻧﮕﺮﺍﻧﻲﻱ ِ ﺍﻳﻦ ﻟﺤﻈﻪﻱ ِ ﻳﺎﺀﺱ‪،‬‬ ‫ﮐﻪ ﺳﺎﻳﻪﻫﺎ ﺩﺭﺍﺯ ﻣﻲﺷﻮﻧﺪ‬ ‫ﻭ ﺷﺐ ﺑﺎ ﻗﺪﻡﻫﺎﻱ ِ ﮐﻮﺗﺎﻩ‬ ‫ﺩﺭﻩ ﺭﺍ ﻣﻲﺍﻧﺒﺎﺭﺩ‪.‬‬ ‫ﺍﻱ ﮐﺎﺵ ﮐﻪ ﺩﺳﺖ ِ ﺗﻮ ﭘﺬﻳﺮﺵ ﻧﺒﻮﺩ‬ ‫ﻧﻮﺍﺯﺵ ﻧﺒﻮﺩ ﻭ‬ ‫ﺑﺨﺸﺶ ﻧﺒﻮﺩ‬ ‫ﮐﻪ ﺍﻳﻦ‬ ‫ﻫﻤﻪ‬ ‫ﭘﻴﺮﻭﺯﻱﻱ ِ ﺣﺴﺮﺕ ﺍﺳﺖ‪،‬‬ ‫ﺑﺎﺯﺁﻣﺪﻥ ِ ﻫﻤﻪ ﺑﻴﻨﺎﺋﻲﻫﺎﺳﺖ‬ ‫ﺑﻪ ﻫﻨﮕﺎﻣﻲ ﮐﻪ‬ ‫ﺁﻓﺘﺎﺏ‬ ‫ﺳﻔﺮ ﺭﺍ‬ ‫ﺟﺎﻭﺩﺍﻧﻪ‬ ‫ﺑﺎﺭ ﺑﺴﺘﻪ ﺍﺳﺖ‬ ‫ﻭ ﺩﻳﺮﻱ ﻧﺨﻮﺍﻫﺪ ﮔﺬﺷﺖ‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﮐﻪ ﭼﺸﻢﺍﻧﺪﺍﺯ‬ ‫ﺧﺎﻃﺮﻩﺋﻲ ﺧﻮﺍﻫﺪ ﺷﺪ‬ ‫ﻭ ﺣﺴﺮﺗﻲ‬ ‫ﻭ ﺩﺭﻳﻐﻲ‪.‬‬ ‫ﮐﻪ ﺩﺭ ﺍﻳﻦ ﻗﻔﺲ ﺟﺎﻧﻮﺭﻱ ﻫﺴﺖ‬ ‫ﺍﺯ ﻧﻮﺍﺯﺵ ِ ﺩﺳﺘﺎﻥﺍﺕ ﺑﺮﺍﻧﮕﻴﺨﺘﻪ‪،‬‬ ‫ﮐﻪ ﺍﺯ ﺣﺮﮐﺖ ِ ﺁﺭﺍﻡ ِ ﺍﻳﻦ ﺳﻴﺎﻩﺟﺎﻣﻪ ﻣﺴﺎﻓﺮ‬ ‫ﺑﻪ ﺧﺸﻤﻲ ﺣﻴﻮﺍﻧﻲ ﻣﻲﺧﺮﻭﺷﺪ‪.‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫‪۴‬‬ ‫ﺑﺎ ﺧﺸﻢ ﻭ ﺟﺪﻝ ﺯﻳﺴﺘﻢ‪.‬‬ ‫ﻭ ﺑﻪ ﻫﻨﮕﺎﻣﻲ ﮐﻪ ﻗﺎﺿﻴﺎﻥ‬ ‫ﺍﺛﺒﺎﺕ ِ ﺁﻥ ﺭﺍ ﮐﻪ ﺩﺭ ﻋﺪﺍﻟﺖ ِ ﺍﻳﺸﺎﻥ ﺷﺎﻳﺒﻪﻱ ِ ﺍﺷﺘﺒﺎﻩ ﻧﻴﺴﺖ‬ ‫ﺍﻧﺴﺎﻧﻴﺖ ﺭﺍ ﻣﺤﮑﻮﻡ ﻣﻲﮐﺮﺩﻧﺪ‬ ‫ﻭ ﺍﻣﻴﺮﺍﻥ‬ ‫ﻧﻤﺎﻳﺶ ِ ﻗﺪﺭﺕ ﺭﺍ‬ ‫ﺷﻤﺸﻴﺮ ﺑﺮ ﮔﺮﺩﻥ ِ ﻣﺤﮑﻮﻡ ﻣﻲﺯﺩﻧﺪ‪،‬‬ ‫ﻣﺤﺘﻀﺮ ﺭﺍ‬ ‫ﺳﺮ ﺑﺮ ﺯﺍﻧﻮﻱ ِ ﺧﻮﻳﺶ ﻧﻬﺎﺩﻡ‪.‬‬ ‫ﻭ ﺑﻪ ﻫﻨﮕﺎﻣﻲ ﮐﻪ ﻫﻢﮔﻨﺎﻥ ِ ﻣﻦ‬ ‫ﻋﺸﻖ ﺭﺍ‬ ‫ﺩﺭ ﺭﻭﻳﺎﻱ ِ ﺯﻳﺴﺘﻦ‬ ‫ﺍﺻﺮﺍﺭ ﻣﻲﮐﺮﺩﻧﺪ‬ ‫ﻣﻦ ﺍﻳﺴﺘﺎﺩﻩ ﺑﻮﺩﻡ‬ ‫ﺗﺎ ﺯﻣﺎﻥ‬ ‫ﻟﻨﮓﻟﻨﮕﺎﻥ‬ ‫ﺍﺯ ﺑﺮﺍﺑﺮﻡ ﺑﮕﺬﺭﺩ‪،‬‬ ‫ﻭ ﺍﮐﻨﻮﻥ‬ ‫ﺩﺭ ﺁﺳﺘﺎﻧﻪﻱ ِ ﻇﻠﻤﺖ‬ ‫ﺯﻣﺎﻥ ﺑﻪﺭﻳﺶﺧﻨﺪ ﺍﻳﺴﺘﺎﺩﻩ ﺍﺳﺖ‬ ‫ﺗﺎ ﻣﻦﺍﺵ ﺍﺯ ﺑﺮﺍﺑﺮ ﺑﮕﺬﺭﻡ‬ ‫ﻭ ﺩﺭ ﺳﻴﺎﻫﻲ ﻓﺮﻭﺷﻮﻡ‬ ‫ﺑﻪ ﺩﺭﻳﻎ ﻭ ﺣﺴﺮﺕ ﭼﺸﻢ ﺑﺮ ﻗﻔﺎ ﺩﻭﺧﺘﻪ‬ ‫ﺁﻥﺟﺎ ﮐﻪ ﺗﻮ ﺍﻳﺴﺘﺎﺩﻩﺍﻱ‪.‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫‪۵‬‬ ‫ﻣﻦ ﺩﺭﺩ ﺑﻮﺩﻩﺍﻡ ﻫﻤﻪ‬ ‫ﻣﻦ ﺩﺭﺩ ﺑﻮﺩﻩﺍﻡ‪.‬‬ ‫ﮔﻔﺘﻲ ﭘﻮﺳﺖﻭﺍﺭﻩﺋﻲ‬ ‫ﺍﺳﺘﻮﺍﺭ ﺑﻪ ﺩﺭﺩﻱ‪،‬‬ ‫ﭼﻮﻧﺎﻥ ﻃﺒﻞ‬ ‫ﺧﺎﻟﻲ ﻭ ﻓﺮﻳﺎﺩﮔﺮ‬ ‫]ﺩﺭﻭﻥ ِ ﻣﺮﺍ‬ ‫ﮐﻪ ﺧﺮﺍﺷﻴﺪ‬ ‫ﺗﺎﻡ‬ ‫ﺗﺎﻡ ﺍﺯ ﺩﺭﺩ‬ ‫ﺑﻴﻨﺒﺎﺭﺩ؟ [‬ ‫ﻭ ﻫﺮ ﺍﻧﺪﺍﻡﺍﻡ ﺍﺯ ﺷﮑﻨﺠﻪﻱ ِ ﻓﺴﻔﺮﻳﻦ ِ ﺩﺭﺩ‬ ‫ﻣﺸﺨﺺ ﺑﻮﺩ‪.‬‬ ‫ﺩﺭ ﺗﻤﺎﻣﺖ ِ ﺑﻴﺪﺍﺭﻱﻱ ِ ﺧﻮﻳﺶ‬ ‫ﻫﺮ ﻧﻤﺎﺩ ﻭ ﻧﻤﻮﺩ ﺭﺍ‬ ‫ﺑﺎ ﺍﺣﺴﺎﺱ ِ ﻋﻤﻴﻖ ِ ﺩﺭﺩ‬ ‫ﺩﺭﻳﺎﻓﺘﻢ‪.‬‬ ‫ﻋﺸﻖ ﺁﻣﺪ ﻭ ﺩﺭﺩﻡ ﺍﺯ ﺟﺎﻥ ﮔﺮﻳﺨﺖ‬ ‫ﺧﻮﺩ ﺩﺭ ﺁﻥ ﺩَﻡ ﮐﻪ ﺑﻪ ﺧﻮﺍﺏ ﻣﻲﺭﻓﺘﻢ‪.‬‬ ‫ﺁﻏﺎﺯ ﺍﺯ ﭘﺎﻳﺎﻥ ﺁﻏﺎﺯ ﺷﺪ‪.‬‬ ‫ﺗﻘﺪﻳﺮ ِ ﻣﻦ ﺍﺳﺖ ﺍﻳﻦ ﻫﻤﻪ‪ ،‬ﻳﺎ ﺳﺮﻧﻮﺷﺖ ِ ﺗﻮﺳﺖ‬ ‫ﻳﺎ ﻟﻌﻨﺘﻲﺳﺖ ﺟﺎﻭﺩﺍﻧﻪ؟‬ ‫ﮐﻪ ﺍﻳﻦ ﻓﺮﻭﮐﺶ ِ ﺩﺭﺩ‬ ‫ﺧﻮﺩ ﺍﻧﮕﻴﺰﻩﻱ ِ ﺩﺭﺩﻱ ﺩﻳﮕﺮ ﺑﻮﺩ;‬ ‫ﮐﻪ ﻫﻨﮕﺎﻣﻲ ﺑﻪ ﺁﺯﺍﺩﻱ ِ ﻋﺸﻖ ﺍﻋﺘﺮﺍﻑ ﻣﻲﮐﺮﺩﻱ‬ ‫‪19‬‬

‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﮐﻪ ﺟﻨﺎﺯﻩﻱ ِ ﻣﺤﺒﻮﺱ ﺭﺍ‬ ‫ﺍﺯ ﺯﻧﺪﺍﻥ ﻣﻲﺑﺮﺩﻧﺪ‪.‬‬ ‫ﻧﮕﺎﻩ ﮐﻦ‪ ،‬ﺍﻱ!‬ ‫ﻧﮕﺎﻩ ﮐﻦ‬ ‫ﮐﻪ ﭼﻪﮔﻮﻧﻪ‬ ‫ﻓﺮﻳﺎﺩ ِ ﺧﺸﻢ ِ ﻣﻦ ﺍﺯ ﻧﮕﺎﻩﺍﻡ ﺷﻌﻠﻪ ﻣﻲﮐﺸﺪ‬ ‫ﭼﻨﺎﻥ ﮐﻪ ﭘﻨﺪﺍﺭﻱ‬ ‫ﺗﻦﺩﻳﺴﻲ ﻋﻈﻴﻢ‬ ‫ﺑﺎ ﺭﻳﻪﻫﺎﻱ ِ ﭘﻮﻻﺩﻳﻦ ِ ﺧﻮﻳﺶ‬ ‫ﻧﻔﺲ ﻣﻲﮐﺸﺪ‪.‬‬ ‫ﺍﺯ ﮐﺠﺎ ﺁﻣﺪﻩﺍﻱ‬ ‫ﺍﻱ ﮐﻪ ﻣﻲﺑﺎﻳﺪ‬ ‫ﺍﮐﻨﻮﻥﺍﺕ ﺭﺍ‬ ‫ﺍﻳﻦﭼﻨﻴﻦ‬ ‫ﺑﻪ ﺩﺭﺩﻱ ﺗﺎﺭﻳﮏ ﮐﻨﻨﺪﻩ‬ ‫ﻏﺮﻗﻪ ﮐﻨﻲ! ‪-‬‬ ‫ﺍﺯ ﮐﺠﺎ ﺁﻣﺪﻩﺍﻱ؟‬ ‫ﻭ ﻣﻼﻝ ﺩﺭ ﻣﻦ ﺟﻤﻊ ﻣﻲﺁﻳﺪ‬ ‫ﻭ ﮐﻴﻨﻪﺋﻲ ﺩَﻡﺍﻓﺰﻭﻥ‬ ‫ﺑﻪ ﺷﻤﺎﺭ ِ ﺣﻠﻘﻪﻫﺎﻱ ِ ﺯﻧﺠﻴﺮﻡ‪،‬‬ ‫ﭼﻮﻥ ﺁﺏﻫﺎ‬ ‫ﺭﺍﮐﺪ ﻭ ﺗﻴﺮﻩ‬ ‫ﮐﻪ ﺩﺭ ﻣﺎﻧﺪﺍﺑﻲ‪.‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫‪۶‬‬ ‫ﻧﻔﺲ ِ ﺧﺸﻢﺁﮔﻴﻦ ِ ﻣﺮﺍ‬ ‫ﺗُﻨﺪ ﻭ ﺑﺮﻳﺪﻩ‬ ‫ﺩﺭ ﺁﻏﻮﺵ ﻣﻲﻓﺸﺎﺭﻱ‬ ‫ﻭ ﻣﻦ ﺍﺣﺴﺎﺱ ﻣﻲﮐﻨﻢ ﮐﻪ ﺭﻫﺎ ﻣﻲﺷﻮﻡ‬ ‫ﻭ ﻋﺸﻖ‬ ‫ﻣﺮﮒ ِ ﺭﻫﺎﺋﻲﺑﺨﺶ ِ ﻣﺮﺍ‬ ‫ﺍﺯ ﺗﻤﺎﻣﻲﻱ ِ ﺗﻠﺨﻲﻫﺎ‬ ‫ﻣﻲﺁﮐﻨﺪ‪.‬‬ ‫ﺑﻬﺸﺖ ِ ﻣﻦ ﺟﻨﮕﻞ ِ ﺷﻮﮐﺮﺍﻥﻫﺎﺳﺖ‬ ‫ﻭ ﺷﻬﺎﺩﺕ ِ ﻣﺮﺍ ﭘﺎﻳﺎﻧﻲ ﻧﻴﺴﺖ‪.‬‬ ‫‪١٣۴٨‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺗﻤﺜﻴﻞ‬ ‫ﺑﻪ ﭘﻮﺭﺍﻥ ﺻﻠﺢﮐﻞ ﻭ ﺳﻴﺮﻭﺱ ﻃﺎﻫﺒﺎﺯ‬

‫ﺩﺭ ﻳﮑﻲ ﻓﺮﻳﺎﺩ‬ ‫ﺯﻳﺴﺘﻦ ‪-‬‬ ‫]ﭘﺮﻭﺍﺯ ِ ﻋﺼﻴﺎﻧﻲﻱ ِ ﻓﻮّﺍﺭﻩﺋﻲ‬ ‫ﮐﻪ ﺧﻼﺻﻲﺍﺵ ﺍﺯ ﺧﺎﮎ‬ ‫ﻧﻴﺴﺖ‬ ‫ﻭ ﺭﻫﺎﺋﻲ ﺭﺍ‬ ‫ﺗﺠﺮﺑﻪﺋﻲ ﻣﻲﮐﻨﺪ [‪.‬‬ ‫ﻭ ﺷُﮑﻮﻩ ِ ﻣﺮﺩﻥ‬ ‫ﺩﺭ ﻓﻮﺍﺭﻩﻱ ِ ﻓﺮﻳﺎﺩﻱ ‪-‬‬ ‫]ﺯﻣﻴﻦﺍﺕ‬ ‫ﺩﻳﻮﺍﻧﻪﺁﺳﺎ‬ ‫ﺑﺎ ﺧﻮﻳﺶ ﻣﻲﮐﺸﺪ‬ ‫ﺗﺎ ﺑﺎﺭﻭﺭﻱ ﺭﺍ‬ ‫ﺩﺳﺖﻣﺎﻳﻪﺋﻲ ﮐﻨﺪ;‬ ‫ﮐﻪ ﺷﻬﻴﺪﺍﻥ ﻭ ﻋﺎﺻﻴﺎﻥ‬ ‫ﻳﺎﺭﺍﻥﺍﻧﺪ‬ ‫ﮐﻪ ﺑﺎﺭﺁﻭﺭﻱ ﺭﺍ‬ ‫ﺑﺎﺭﺍﻥﺍﻧﺪ‬ ‫ﺑﺎﺭﺁﻭﺭﺍﻥﺍﻧﺪ [‪.‬‬ ‫ﺯﻣﻴﻦ ﺭﺍ‬ ‫ﺑﺎﺭﺍﻥ ِ ﺑﺮﮐﺖﻫﺎ ﺷﺪﻥ ‪-‬‬ ‫]ﻣﺮﮒ ِ ﻓﻮّﺍﺭﻩ‬ ‫ﺍﺯ ﺍﻳﻦﺩﺳﺖ ﺍﺳﺖ [‪.‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﻭﺭﻧﻪ ﺧﺎﮎ‬ ‫ﺍﺯ ﺗﻮ‬ ‫ﺑﺎﺗﻼﻗﻲ ﺧﻮﺍﻫﺪ ﺷﺪ‬ ‫ﭼﻮﻥ ﺑﻪ ﮔﻮﻧﻪﻱ ِ ﺟﻮﺑﺎﺭﺍﻥ ِ ﺣﻘﻴﺮ ﻣُﺮﺩﻩ ﺑﺎﺷﻲ‪.‬‬ ‫□‬ ‫ﻓﺮﻳﺎﺩﻱ ﺷﻮ ﺗﺎ ﺑﺎﺭﺍﻥ‬ ‫ﻭﮔﺮﻧﻪ‬ ‫ﻣُﺮﺩﺍﺭﺍﻥ!‬ ‫‪١٣۴٨‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺣﮑﺎﻳﺖ‬ ‫ﺍﻳﻨﮏ ﺁﻫﻮﺑﺮﻩﺋﻲ‬ ‫ﮐﻪ ﻣﺠﺎﻝ ِ ﺧﻮﺩ ﺭﺍ‬ ‫ﺑﻪ ﺗﻤﺎﻣﻲ‬ ‫ﺯﻣﺎﻥﻣﺎﻳﻪﻱ ِ ﺟُﺴﺖﻭﺟﻮﻱﺍﺵ ﮐﺮﺩﻡ‪.‬‬ ‫□‬ ‫ﺧﺴﺘﻪ ﺧﺴﺘﻪ ﻭ‬ ‫ﭘﺎﻱﺁﺑﻠﻪ‬ ‫ﺗَﻨﮓﺧُﻠﻖ ﻭ‬ ‫ﺗﻬﻲﺩﺳﺖ‬ ‫َﺴﺖﭘُﺸﺘﻪﻫﺎﻱ ِ ﺳﻨﮓ‬ ‫ﺍﺯ ﭘ ْ‬ ‫ﻓﺮﻭﺩ ﻣﻲﺁﻳﻢ‬ ‫ﻭ ﺁﻓﺘﺎﺏ ﺑﺮ ﺧﻂﺍﻟﺮﺍﺀﺱ ِ ﺑﺮﺗﺮﻳﻦ ﭘﺸﺘﻪ ﻧﺸﺴﺘﻪ ﺍﺳﺖ‬ ‫ﺗﺎ ﺷﺐ‬ ‫ﭼﺎﻻﮎﺗَﺮَﮎ‬ ‫ﺑﺮ ﺩﺍﻣﻨﻪ ﺩﺍﻣﻦ ﮔُﺴﺘَﺮَﺩ‪.‬‬ ‫□‬ ‫ﺍﮐﻨﻮﻥ ﮐﻤﻨﺪ ِ ﺑﺎﻃﻞ ﺭﺍ ﺭﻫﺎ ﻣﻲﮐﻨﻢ‬ ‫ﮐﻪ ﺍﺣﺴﺎﺱ ِ ﺑﻄﻼﻥﺍﺵ‬ ‫ﺧِﻔﺖ‬ ‫ﭘﻨﺪﺍﺭﻱ ﺑﺮ ﮔﺮﺩﻥ ِ ﻣﻦ ﺧﻮﺩ ﻣﻲﻓﺸﺎﺭﺩ‪،‬‬ ‫ﮐﻪ ﺁﻧﮏ ﺁﻫﻮﺑﺮﻩ‬ ‫ﺁﻧﮏ!‬ ‫ﺯﻳﺮ ِ ﺳﺎﻳﺒﺎﻥ ِ ﻣﻦ ﺍﻳﺴﺘﺎﺩﻩ ﺍﺳﺖ‬ ‫ﮐﻨﺎﺭ ِ ﺳﺒﻮﻱ ِ ﺁﺏ‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﻭ ﺑﺎ ﺯﺑﺎﻥ ِ ﺧﺸﮏﺍﺵ‬ ‫ﺑﺮ ﺟﺪﺍﺭ ِ ﻧﻤﻮﺭ ِ‬ ‫ﺳﺒﻮ‬ ‫ﻟﻴﺴﻪ ﻣﻲﮐﺸﺪ;‬ ‫ﺁﻫﻮﺑﺮﻩﺋﻲ‬ ‫ﮐﻪ ﻣﺠﺎﻝ ِ ﺧﻮﺩ ﺭﺍ ﺑﻪﺗﻤﺎﻣﻲ‬ ‫ﺯﻳﺎﻥﻣﺎﻳﻪﻱ ِ ﺟُﺴﺖﻭﺟﻮﻱﺍﺵ ﮐﺮﺩﻡ‬ ‫ﻭ ﺯﻻﻟﻲﻱ ِ ﻣﺤﺒﺖﺍﺵ‬ ‫ﺩﺭ ﺧﻄﻮﻁ ِ ﻣﻬﺮﺑﺎﻧﻲ‬ ‫ﮐﻪ ﭼﺸﻤﺎﻥﺍﺵ ﺭﺍ ﺗﺼﻮﻳﺮ ﻣﻲﮐﻨﺪ‬ ‫ﺁﺷﮑﺎﺭ ﺍﺳﺖ‪.‬‬ ‫□‬ ‫ﺁﻓﺘﺎﺏ ﺩﺭ ﺁﻥ ﺳﻮﻱ ِ ﺗﭙﻪ‬ ‫ﻓﺮﻭﺗﺮ ﻣﻲﻧﺸﻴﻨﺪ‪.‬‬ ‫ﻣﺮﺍ ﺯﻣﺎﻥﻣﺎﻳﻪ ﺑﻪ ﺁﺧﺮ ﺭﺳﻴﺪﻩ‬ ‫ﮐﻪ ﺷﺐ ﺑﺮ ﺳﺮ ِ ﺩﺳﺖ ﺁﻣﺪﻩ ﺍﺳﺖ‬ ‫ﻭ ﺩﺭ ﺳﺒﻮ‬ ‫ﺟﺰ ﺑﻪ ﻣﻴﺰﺍﻥ ِ ﺳﻴﺮﺍﺑﻲﻱ ِ ﻳﮏ ﺗﻦ‬ ‫ﺁﺏ ﻧﻴﺴﺖ‪.‬‬ ‫‪١٣۴٨‬‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺩﺭ ﺁﺳﺘﺎﻧﻪ‬ ‫ﺑﺮﺍﻱ ِ ﻡ ‪.‬ﺍﻣﻴﺪ‬

‫ﻧﮕﺮ‬ ‫ﺗﺎ ﺑﻪ ﭼﺸﻢﺯﺭﺩ ِ ﺧﻮﺭﺷﻴﺪ ﺍﻧﺪﺭ‬ ‫ﻧﻈﺮ‬ ‫ﻧﮑﻨﻲ‬ ‫ﮐﻪﺕ ﺍﻓﺴﻮﻥ‬ ‫ﻧﮑﻨﺪ‪.‬‬ ‫ﺑﺮ ﭼﺸﻢﻫﺎﻱ ِ ﺧﻮﺩ‬ ‫ﺍﺯ ﺩﺳﺖ ِ ﺧﻮﻳﺶ‬ ‫ﺳﺎﻳﺒﺎﻧﻲ ﮐﻦ‬ ‫ﻧﻈﺎﺭﻩﻱ ِ ﺁﺳﻤﺎﻥ ﺭﺍ‬ ‫ﺗﺎ ﮐﻠﻨﮕﺎﻥ ِ ﻣﻬﺎﺟﺮ ﺭﺍ‬ ‫ﺑﺒﻴﻨﻲ‬ ‫ﮐﻪ ﺑﻠﻨﺪ‬ ‫ﺍﺯ ﭼﺎﺭﺭﺍﻩ ِ ﻓﺼﻮﻝ‬ ‫ﺩﺭ ﻣﻌﺒﺮ ِ ﺑﺎﺩﻫﺎ‬ ‫ﺭﻭ ﺩﺭ ﺟﻨﻮﺏ‬ ‫ﻫﻤﻮﺍﺭﻩ‬ ‫ﺩﺭ ﺳﻔﺮﻧﺪ‪.‬‬ ‫□‬ ‫ﺩﻳﺪﻩﮔﺎﻥ ﺭﺍ ﺑﻪ ﺩﺳﺖ‬ ‫ﻧﻘﺎﺑﻲ ﮐﻦ‬ ‫ﺗﺎ ﺁﻓﺘﺎﺏ ِ ﻧﺎﺭﻧﺠﻲ‬ ‫ﺑﻪ ﻧﮕﺎﻫﻲﺕ‬ ‫ﺍﻓﺴﻮﻥ‬ ‫‪26‬‬

‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﻧﮑﻨﺪ‪،‬‬ ‫ﺗﺎ ﮐﻠﻨﮕﺎﻥ ِ ﻣﻬﺎﺟﺮ ﺭﺍ‬ ‫ﺑﺒﻴﻨﻲ‬ ‫ﺑﺎﻝﺩﺭﺑﺎﻝ‬ ‫ﮐﻪ ﺍﺯ ﺩﺭﻳﺎﻫﺎ ﻫﻤﻲ ﮔﺬﺭﻧﺪ‪- .‬‬ ‫ﺍﺯ ﺩﺭﻳﺎﻫﺎ ﻭ‬ ‫ﺑﻪ ﮐﻮﻩ‬ ‫ﮐﻪ ﺧﻮﺵ ﺑﻪﻏﺮﻭﺭ ﺍﻳﺴﺘﺎﺩﻩ ﺍﺳﺖ;‬ ‫ﻭ ﺑﻪ ﺗﻮﺩﻩﻱ ِ ﻧﻢﻧﺎﮎ ِ ﮐﺎﻩ‬ ‫ﺑﺮ ﺳﻔﺮﻩﻱ ِ ﺑﻲﺭﻭﻧﻖ ِ ﻣﺰﺭﻋﻪ;‬ ‫ﻭ ﺑﻪ ﻗﻴﻞ ﻭ ﻗﺎﻝ ِ ﮐﻼﻏﺎﻥ‬ ‫ﺩﺭ ﺧﺮﻣﻦﺟﺎﻱ ِ ﻣﺘﺮﻭﮎ;‬ ‫ﻭ ﺑﻪ ﺭﺳﻢﻫﺎ ﻭ‬ ‫ﺑﺮ ﺁﺋﻴﻦﻫﺎ‪،‬‬ ‫ﺑﺮ ﺳﺮﺯﻣﻴﻦﻫﺎ‪.‬‬ ‫ﻭ ﺑﺮ ﺑﺎﻡ ِ ﺧﺎﻣﻮﺵ ِ ﺗﻮ‬ ‫ﺑﺮ ﺳﺮﺕ;‬ ‫ﻭ ﺑﺮ ﺟﺎﻥ ِ ﺍﻧﺪُﻩﮔﻴﻦ ِ ﺗﻮ‬ ‫ﮐﻪ ﻏﻤﻴﻦ ﻧﺸﺴﺘﻪﺍﻱ‬ ‫ﻫﻢ ﺍﺯ ﺁﻥﮔﻮﻧﻪ‬ ‫ﺑﻪ ﺯﻧﺪﺍﻥ ِ ﺳﺎﻝﻫﺎﻱ ِ ﺧﻮﻳﺶ‪.‬‬ ‫ﻭ ﭼﻨﺪﺍﻥ ﮐﻪ ﺑﺎﺯﭘﺴﻴﻦ ﺷﻌﻠﻪﻱ ِ ﺷﻪﭘﺮﻫﺎﺷﺎﻥ‬ ‫ﺩﺭ ﺁﺗﺶ ِ ﺁﻓﺘﺎﺏ ِ ﻣﻐﺮﺑﻲ‬ ‫ﺧﺎﮐﺴﺘﺮ ﺷﻮﺩ‪،‬‬ ‫ﺍﻧﺪﻭﻩ ﺭﺍ ﺑﺒﻴﻨﻲ‬

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‫ﻣﺮﺛﻴﻪ ﻫﺎﻱ ﺧﺎﻙ‬

‫ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ‬

‫ﺑﺎ ﺳﺎﻳﻪﻱ ِ ﺩﺭﺍﺯﺵ‬ ‫ﮐﻪ ﭘﺎﻫﻢﭘﺎﻱ ِ ﻏﺮﻭﺏ‬ ‫ﻟﻐﺰﺍﻥ‬ ‫ﻟﻐﺰﺍﻥ‬ ‫ﺑﻪ ﺧﺎﻧﻪ ﺩﺭﺁﻳﺪ‬ ‫ﻭ ﮐﻨﺎﺭ ِ ﺗﻮ‬ ‫ﺩﺭ ﭘﺲ ِ ﭘﻨﺠﺮﻩ ﺑﻨﺸﻴﻨﺪ‪.‬‬ ‫ﺍﻭ ﺑﻪ ﺩﺳﺖ ِ ﺳﭙﻴﺪ ِ ﺑﻴﻤﺎﺭﮔﻮﻧﻪ‬ ‫ﺩﺳﺖ ِ ﭘﻴﺮ ِ ﺗﻮ ﺭﺍ‪...‬‬ ‫ﻭ ﻏﺮﻭﺏ‬ ‫ﺑﺎﻝ ِ ﺳﻴﺎﻩﺍﺵ ﺭﺍ‪...‬‬ ‫‪١٣۴٨‬‬

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