starting out: the Trompowsky attack RICHARD PALLISER
EVERYMAN CHESS Gloucester Publishers pic www.everymanchess.com
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Contents Bibliography
4
Introduction
5
1
The Classical 2 ds
2
2 g6 and Minor Lines
3
The Positional Choice: 2 e6
54
4
The Uncompromising 2 cs
100
5
The Popular 2
142
6
The Modern Preference: 2
7
The Main Line: 2
9
...
39
...
...
...
...
Ne4
...
...
Ne4 3 Bf4
Ne4 3 Bf4 cs
163 201
Index of Variations
260
Index of Complete Games
268
Bibliography Chess Openings for Black, Explained,
Lev Alburt, Roman Dzindzichashvili & Eugene
Perelshteyn (CIRC 2005) Dealing with d4 Deviations, John El Ataque Trompowsky,
Cox (Everyman 2005)
Jesus De Ia Villa (Evajedrez 2001)
Fighting the Anti-King's Indians, Secrets of the Trompovsky,
Yelena Dembo (Everyman 2008)
Julian Hodgson (Hodgson Enterprises 1997)
The Soviet Chess Conveyor,
Mikhail Shereshevsky (Semko 1994)
The Trompowsky,
Joe Gallagher (The Chess Press 1998)
The Trompowsky
(second edition), Nigel Davies (Everyman Chess 2005)
The Trompowsky: The Easy Way, The Veresov,
Andrew Martin (ChessBase DVD 2006)
Nigel Davies (Everyman 2003)
Trends in the Torre and Trompowsky, Julian Winning with the Trompowsky,
Hodgson (Trends Publications 1995)
Peter Wells (Batsford 2003)
Other Sources Good use was made of Chess Informant, Mega Database 2008 (ChessBase), New in Tim Harding's UltraCorr 2 CD. I can also heartily recommend Eric Prie's Trompowsky coverage in his 'd-Pawn Specials' section of the ChessPub lishing website.
Chess Yearbook and
Last, but by no means least, I am most grateful to John Emms and Peter Wells for their help with this project.
4
I nt ro d u ct i o n
Introduction 1 d4 Nf6 2 Bg5 (Diagram 1)
Diagram 1 (B) The Trompowsky Few openings allow White t o stamp his authority on the game a s early a s the Trompowsky. At a stroke Black discovers that his favourite King's Indian, Nimzo lndian, Modem Benoni, Griinfeld or even Benko Gambit has been side-stepped and without his obtaining easy equality in the process. The Trompowsky is no longer quite the shock weapon it once was, but even nowadays it carries a fair amount of surprise and practical sting; opponents might have decided on a re sponse to 2 BgS, but generally they have studied that line much less than the more critical parts of their repertoire after 2 c4. Whether one is looking for an occasional weapon for surprise use or a full-time opening to be employed against 1 d4 N f6, the Trompowsky fits the bill. It is not that hard to learn and White can expect to be somewhat more familiar with the resulting complex lines and often unusual middlegames than his opponent. I hesi tate to describe the attribu tes of a typical Trompowsky player, though, as I believe 5
Sta rt i n g Out: The Trom powsky Attack that the opening appeals to a wide range of tastes. That said, in connection with the Trompowsky one tends to think first and foremost of that most creative of English Grandmasters, Julian Hodgson. Even in 2009 a number of unbalanced and fascinating lines remain far from worked out, and so the creative and original player will still find 2 BgS an enjoyable and successful opening to adopt, but so too will those looking for something a little more solid and positional. Throughout this work we will see that White has at least a couple of fully viable options against Black's main defences to 2 BgS. Which path to follow is often a matter of taste, and nowadays one can broadly see two main Trompowsky schools. One contains the aforementioned creative types; the other the more posi tional, 'systems-orientated' player. These are players who often have some experi ence of openings like the Torre and London, and like to employ simple but by no means innocuous set-ups. Many with a 1 e4 background have taken up the Trom powsky too, and even they will find some structures in which they have experi ence. After all we should not forget that an opening which arises after just two moves is likely to give rise to a wide range of middlegames and structures. I don't want to over-theorize on these two schools, though, as the lines between them can become quite blurred at times and quite a few Trompowsky players have a foot in both camps. Indeed, many players will choose to include a mixture of fairly positional and much sharper lines in their Trompowsky repertoire. Moreover, even those who revel in sharp positions sometimes have to play more quietly and posi tionally, especially in the case of 2 ...d5 and 2 ...g6. Indeed, we should never lose sight of the fact that by playing 2 BgS White prepares to double Black's pawns, and after both 2 ... d5 and 2 ...g6 he is probably best advised to carry out that threat.
The Structure of this Book Opening books often consider the more critical and theoretical lines first, moving on to the less forcing and theoretical lines towards the end. That will not, how ever, be our approach here. Rather I have begun with a discussion of two fairly simple defences, 2 .. d5 and 2 .. g6. These are especially popular at club level and there is no point taking up the Trompowsky if one isn't happy handling the re sulting middlegames. The doubled f-pawn structure (Diagram 2) might give rise to fewer complications than some would like, but even here White has a choice of set-ups, including some quite pleasant ones in my view. .
.
Our journey then continues with 2 .. e6, which is especially popular with Nimzo players. Black is happy to put up with a slightly cramped position in return for avoiding doubled f-pawns, although he usually gains the bishop-pair in any case after 3 e4 h6 4 Bxf6 Qxf6. Of course, White obtains a strong centre that way and there's always the systems-based alternative, 3 e3, for those who prefer to keep their bishop. .
6
I ntrod u ct i o n The most critical sections o f this book deal with 2 ... c5 and Black's most popular response, 2 ... Ne4. Then the play can become quite forcing and a certain body of theory has built up. However, in both cases White has a choice between some fas cinating approaches, can easily gain an early initiative and still needs much less theoretical knowledge than to play 2 c4! Moreover, in keeping with the Starting Out format, here too I have included a number of tips, notes and warnings to help the reader understand their chosen lines as well as possible.
Diagram 2
Diagram 3 (B)
An important structure
A fascinating gambit
In the case of 2 ... Ne4 3 Bf4 c5, which one can consider to be the main line of the Trompowsky, I haven't shirked on supplying theoretical detail, largely because White has a wide range of options. These include a fascinating gambit which was unknown until introduced by Konstantin Chemyshov in 2005, namely 4 f3 Qa5+ 5 c3 Nf6 6 d5 Qb6 7 e4!? Qxb2 8 Nd2 Qxc3 9 Bc7! (Diagram 3), trapping the black queen mid-board. In other sharp variations too I have aimed to supply up-to-date theoretical coverage, which should help both those new to the opening and even long-term Trompowsky practitioners. Even after 2 Bg5 theory continues to evolve; there are now more than 40,000 Trompowsky games in my various databases! Balancing plenty of explanation with supplying enough theoretical coverage for even the stronger club player to adopt 2 Bg5 doesn't come without its drawbacks. Chiefly I have had to include less new analysis than I would have liked, and much less than one finds in two of my all-time favourite opening works, De Ia Villa and Wells's respective works on the Trompowsky. Still, this work is hardly devoid of new ideas and suggestions, at least in the Trompowsky proper. Please be aware that there's no coverage whatsoever of 1 d4 d5 2 Bg5, the so-called Pseudo Trom powsky, largely because I consider it to be a much less challenging and fun rela tive: Black is fine in the complications after 2 .. .f6, and the solid and popular 2 ...h6
7
Sta rti n g Out: T h e Trom powsky Attack 3 Bh4 c 6 i s a pretty tough nut to crack. Garry Kasparov has enjoyed success with the Trompowsky in his many simulta neous exhibitions, while the creative young Azeri, Shakhriyar Mamedyarov, has made good use of the opening on occasion throughout his career, as has the lead ing English Grandmaster, Michael Adams. More regularly, while Hodgson is sadly no longer playing actively, the 2600-rated Serb Grandmaster, Igor Miladino vic, continues to play his favourite Trompowsky against all-comers, as does the former Women's World Champion, Antoaneta Stefanova. We will see plenty of inspiring games from these players and many more leading grandmasters throughout this work. I hope that their efforts will inspire both the new and exist ing Trompowsky player alike, just as they have helped to remind me why the Trompowsky has long been one of my favourite openings. Happy Tromping! Richard Palliser, York, June 2009
8
C h a pter One
Th e Cla s s i c al 2
m m m m
•••
ds
I nt rod uction The Sol i d 3
•••
exf6
The Dyn a m ic 3
••.
gxf6
Wh ite Dec l i n e s to Exc h a n ge
Sta rti ng Out: The Trom powsky Attack
I ntrod uction 1 d4 Nf6 2 Bgs dS (Diagram 1)
Diagram 1 (W)
Diagram 2 {W)
A simple and solid defence
White has the better structure
A solid approach which has been played in 20% of all the Trompowsky games in my database. 2 ... d5 is regularly employed by several solid Russian Grandmasters and is an especially popular choice at club level.
NOTE: Even in 2009 there are some without a prepared line against the Trompowsky, and such careless players often fall back on 2 ...ds followed by seemingly natural development. It must be said that if White can't reach a position he's happy with after 2 ... d5, there's not much point playing the Trompowsky! However, the resulting different types of position offer something for everyone, whether White begins by carrying out his positional threat on f6 or aims for a kind of improved Torre with 3 e3. The latter is fairly popular with the more positional school of thought, but there is ab solutely no reason for the more solid Trompowsky player to avoid exchanging on f6. Likewise those of ambitious bent might be drawn towards the less-theoretical 3 e3 - there really is something for everyone here! That also applies to Black: 2 ... d5 is only a solid choice if he recaptures on f6 with his e-pawn; one could never ac cuse 3 . . . gxf6 of being a little dull.
The Solid 3
exf6
...
1 d4 Nf6 2 Bgs ds 3 Bxf6 exf6 (Diagram 2) 10
The C l a ss i c a l 2 ... d s The obvious recapture, opening a standard path for the bishop on f8. Already we have a classic Trompowsky debate before us: will Black's bishop-pair prove useful or ineffective? As we will see, it is hard for Black to make his bishops felt for some time and patience really must be his watchword in this line. Moreover, White's knights often find good roles, putting pressure on Black's centre from such squares as c3, c4 (the c2-c4 advance is White's main pawn break) and f4. It is far from clear that White has any objective advantage here, but his game has always struck me as being the easier to play.
4 e3 Be6 Black takes steps to prevent White rushing through with c4, generating some early pressure. However, 4 ... Be6 is by no means universally played: a) 4 ... Bf5 5 Bd3 (White is happy to trade bishops and speed up his development; 5 Ne2 c6 6 Nd2 Qb6 7 Ng3 followed by b3 and c4 is a decent alternative, but Black should allow such an expansion, whereas 7 ... Bg6 8 Rb1 Bb4 9 a3 Bxd2+?! 10 Qxd2 0-0 1 1 f4! Be4 12 Nxe4 dxe4 13 c4 Nd7 14 Be2 gave White a pleasant advantage with the better prospects on both flanks in R.Palliser-G.Bak, Leeds 2007) 5 ... Bg6 (less compliant than 5 ... Bxd3 6 Qxd3 c6 when 7 Nf3 Bd6 8 Nbd2 Na6 9 0-0 0-0 1 0 c4 dxc4 1 1 Nxc4 Bc7 1 2 Rfd1 Re8 1 3 a 3 Qd5 14 b 4 Rad8 15 Rab1 f5 16 Ncd2! Bb8 1 7 Rdcl was rather depressing for Black despite his apparent solidity i n J.Hodgson E.Teodoro, Winnipeg 1 994; White's control and queenside prospects give him clearly the upper hand) 6 Ne2 Bd6 7 0-0 Nc6?! (Black has the ambitious ...Nb4 in mind, but he must have underestimated White's next) 8 Bb5! 0-0 9 Bxc6 bxc6 1 0 Nbc3 Rb8 1 1 b 3 (Diagram 3) gave the pure knight-pair the upper hand in M.Shereshevsky-E.Barkovsky, Minsk 1981; White will expand with Na4 and c4, and can always hinder the bishops with Nf4 if necessary.
Diagram 3 (B) White is in control
Diagram 4 (B) White attacks the isolated pawn
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Sta rti n g Out: T h e Trom powsky Attack TIP: Even when White begins by coordinating his minor pieces, the c4-break should remain at the front of his mind. Pawn breaks are the key to most middlegames and this variation is most certainly no exception. b) The pseudo-active 4 ... c5 appears a little at odds with Black's last, but might be tried by those with little Trompowsky experience. Here White has a pleasant choice between 5 Nc3 Nc6 6 Nge2 Be6 7 g3, as played by Smyslov and investi gated further via the move order 2 ... c5 3 Bxf6 exf6 4 Nc3 dS in Chapter Four, and the even simpler 5 dxcS Bxc5 6 Nc3! Be6 7 Bb5+ Nc6 B Nge2 0-0 9 0-0 Ne5 10 Nf4! (Diagram 4), which retained a pleasant edge in M.Gurevich-P.Wolff, Palma de Mallorca 19B9. c) 4 ... Bd6 has actually been a more popular choice in practice than our main line and introduces an important dilemma: how best to deploy White's pieces. Essen tially White has three options: a quick c4 followed by rapid and often aggressive development; an outwardly-aggressive set-up with Bd3, Nd2, Qf3 and Ne2, which may pack some punch if Black is careless; and a sensible set-up with g3, Bg2, Ne2 and often Nd2, preparing c4 while keeping the position under control. Thus we have: cl) 5 c4 dxc4 6 Bxc4 0-0 7 Nc3 is an easy-to-play approach. Game 1 will reveal why I feel Black is probably best advised to avoid this line with 4 ... Be6. c2) 5 Bd3 0-0 6 Qf3 c6 (the aggressive 6 ... c5! ? becomes a better bet with White's queen already committed; Black fears an isolated d-pawn less as he will obtain counterplay on the queenside and in the centre) 7 Nd2 ReB (theory has generally approved of 7... Na6! B a3 Nc7 when long castling would be risky to put it mildly and 9 Ne2 Ne6 1 0 c4 Ng5 1 1 Qh5 g6 1 2 Qh4 ReB 13 cxdS cxd5 14 Nc3 Be7 gave Black sufficient counterchances in J.Hodgson-M.Taimanov, Yerevan 19B6) B Ne2 Qb6 9 0-0-0!? (Diagram 5) 9 ... Na6 10 c3 Be6 1 1 g4! Nc7?! (there is no time to waste; Black has to get on with 1 l . ..c5!) 12 h4 RecB 13 gS NeB 14 Rdg1 QdB 15 Nf4 gives White strong pressure, A.Zubarev-A.Bets, Obninsk 2007. c3) 5 g3 c6 (or 5 ... 0-0 6 Bg2 c6 7 Ne2 and now Black should hinder White's break with 7...Be6, transposing to the notes to his 7th move in our main line, whereas 7... Bf5?! B 0-0 Nd7 9 b3 ReB 10 c4 dxc4 1 1 bxc4 Be4 1 2 Bxe4 Rxe4 13 Nd2 ReB 14 cS Bc7 15 Qc2 left him under unpleasant queenside pressure in R.Palliser-P.Swallow, Leeds 2004) 6 Bg2 (if White is worried about ... Qb6 ideas, he might consider 6 Nd2) 6 ... Nd7 (6 ... Qb6 has been proposed by some commentators, but after 7 b3 I have been unable to find a good way for Black to disrupt White's development, and 7...0-0 B Ne2 BfS 9 0-0 aS!? 10 c4 dxc4 1 1 bxc4 Qa6 12 cS Be7 13 Nbc3 again saw White seizing the advantage on the queenside in K.Rusev-V.Kukov, Blagoevgrad 2009) 7 Ne2 0-0 (Howell later preferred 7 .. .f5 when B b3 Nf6 9 Nd2 Be6 transposes to our main line) 8 0-0 fS 9 b3 Nf6 10 c4 (Diagram 6) sees White's aims become clear. Sometimes he can exchange on dS and attack a resulting isolani (if there's no
12
The C l a s s i c a l 2 . . . d s knight on f6 to recapture on d 5 or i f White has a knight on c3), but more often he is after a direct queenside assault with c5, b4-b5, etc.
Diagram 5 (B)
Diagram 6 (B)
Highly-aggressive play
White's key pawn advance
NOTE: Due to the omission of ...Be6, White has managed to break with c4 without resorting to the preparatory Nd2. This is definitely a gain, as White would like a knight on c3 and can now keep his king's knight flexibly placed on e2. Note too that White shouldn't fear an exchange on c4, opening up the b-file for his use. Just take a look at the game P.Wells-D.Howell, Halifax (rapid) 2004: 10 ... dxc4 1 1 bxc4 Qe7 12 Nbc3 ReB 13 Rb1 Ne4 14 c5! Bc7 1 5 Nxe4! (a well-judged trade to leave Black low on counterplay and the remaining knight with good prospects in the resulting structure) 15 .. .fxe4 16 Nc3 f5 17 Qa4 Rd8 18 Rb2 h5 (perhaps the grim 18 ... a6!? 19 Rfb1 Ra7 had to be tried) 19 Rfb1 h4 20 Rxb7! (not so hard to find, but still beautifully logical) 20... Bxb7 21 Rxb7 Qd7 22 Bh3 (Diagram 7) and White was in control with rich pickings in prospect on both flanks. d) Finally, before returning to 4 ...Be6, we should note that 4 ... Be7 is rather passive and does little to help the dark-squared bishop: for example, 5 c4 (White plays as per Game 1; again a set-up with 5 g3 0-0 6 Bg2 is very possible too, as, indeed, Hodgson later employed: 6 ... c6 7 Nd2 Be6 8 Ne2 Nd7 9 0-0 f5 10 c4 Nf6 1 1 Nf4 Qd7 1 2 Rcl gave White an edge in J.Hodgson-T.Upton, Moscow Olympiad 1994) 5 ... dxc4 6 Bxc4 0-0 7 Nc3 c6?! (ultra passive) 8 Nge2 Nd7 9 Qc2 Bd6 10 Bd3 g6 1 1 h3! (White prepares to meet Black's plan of ... f5 and ... Nf6 with an undermining g4 thrust) 1 1 ...Qe7 12 0-0-0 (Diagram 8) 1 2... a5 13 Kb1 Nb6 14 h4! saw White whip up a strong attack in J.Hodgson-J.Gokhale, British Championship, Dundee 1993.
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Sta rti n g O u t: The Trom powsky Attack
Diagram 7 (B)
Diagram 8 (B)
A strong exchange sacrifice
Black's kingside is vulnerable
5 g3
...
There's no need for 5 Nd2 just yet if White is after a g3 set-up, although 5 c6 6 g3 has also been seen.
' X
WARNING: White must not hurry with c4 once Black's bishop is on e6: 6 c4?1 dxc4 7 Bxc4? Bxc4 8 Nxc4 QdS (Diagram 9), forking c4 and g2, is most certainly one to avoid.
Diagram 9 (W) One to avoid
Diagram 10 (B) A harmonious set-up
White might, th ough, begin with 5 B d3 fS an d n ow 6 N d2 is sensible, but a lea ding
14
The C l a ssica l 2 . . . d s Trompowsky authority preferred to plough a creative furrow i n I.Miladinovic M.Krivokapic, Pancevo 2006: 6 h3 Nd7 7 g4!? (who'd have thought that h7 would be an early target?) 7 ...Qf6 8 Qe2 hS (the immediate 8 ...0-0-0! ? might be stronger) 9 gxfS BxfS 10 Nd2 Bd6 1 1 0-0-0 0-0-0! 12 BxfS QxfS 13 Qf3 Qe6 14 h4 and a complex, m anoeuvring middlegame lay ahead. I would, however, be in less of a hurry to undouble Black's pawns.
s c6 6 Bg2 Bd6 7 Ne2 (Diagram 10) 7 ... Nd7 ...
The most flexible, although there can't be too much wrong with 7 ... 0-0 - the sub ject of Game 2.
8 Nd2 White too refuses to commit his king just yet. Moreover, the knight must go to d2 either here or after 8 0-0 fS 9 b3 Nf6 to support the c4-break. s ..fs .
Common. Inexperienced Trompowsky players have been known to worry about 8 .. h5, but after 9 h4 Black's advance is likely to cause him at least as many prob lems as White: for example, 9 ... 0-0 1 0 0-0 Bg4 1 1 c4 dxc4 12 Nxc4 Bc7 13 Qc2 Re8 and now White might well elect to get his queenside play under way with 14 b4. .
9 b31? Peter Wells has done much to support this approach, which has an ambitious fol low-up in mind. More routine is 9 0-0 Nf6 10 b3 when Tiviakov's 10 ... Ne4! dem onstrates that Black is alert to the needs of the position. Now 1 1 c4 QaS!? gives Black decent counterplay and 1 1 f3 Nf6 12 c4 0-0 13 cS Bc7 14 b4 Re8 saw Black playing most aggressively to target the weakness on e3 with 15 Qb3 Bc8 16 Rfe1 aS!? 1 7 a3 Qe7 18 Kf2 gS, which was rather unclear in M.Cebalo-D.Solak, Portoroz 2004. White has also tried 9 Rcl Nf6 10 0-0 0-0 1 1 c4, but then 1 l ...dxc4! 12 Nxc4 BdS 13 Nxd6 Qxd6 14 Nc3 Bxg2 1 5 Kxg2 Rfe8 was extremely solid for Black in R.Wojtaszek-K.Landa, German League 2006. Indeed, the fS-pawn can hardly be considered a weakness here, binding down most effectively on the e4-square.
9 Nf6 10 c4 (Diagram 11) ...
White fights for the initiative with a pawn sacrifice. Despite good coverage in Winning with the Trompowsky, this position remains quite unexplored and I must confess that the premature end at this point to a game of mine with Jon Speelman (British League 2005) did not help to flesh out the theory! White really should con tinue and here we have: a) 10 ... Bb4 11 0-0!? (okay, only now do we actually have a pawn sacrifice, but 1 1 cxdS BxdS would be very solid for Black a Ia Landa) l l ...Bxd2 12 Qxd2! (12 cxdS Bxd5 1 3 Qxd2 Bxg2 14 Kxg2 QdS+ 15 Kg1 Ne4! is again fine for Black) 12 ... dxc4 13 Nf4 cxb3 14 Nxe6 fxe6 15 Rfb1 ! 0-0 16 Rxb3 gave White good pressure for his pawn in J.Hodgson-S.Tiviakov, Groningen 1994, but Black should not be worse.
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Sta rt i n g Out: The Tro m powsky Attack b) 10 ... Ne4 11 c5! ? Bc7 1 2 b4 g6 13 Qb3 Kf8 14 a4 led to a rather complex manoeu vring battle in A.Walton-M.Schaefer, Bad Worishofen 2003. c) 10 ... h5 1 1 h4 Ne4 12 c5 Bc7 13 b4 g6 14 a4 (Diagram 12) is similar and after 14 ... Kf8 1 5 Qc2 Kg7 1 6 Qb2 Bd7 1 7 Nf4! Rb8 18 Ra3 Qe7 19 Nf3 a6 20 Ne5 Be8 21 Ned3 White had manoeuvred well, but the position remained extremely rich in potential in P.Wells-J.Parker, British League 2003.
Diagram 11 (B)
Diagram 12 (B)
White will sacrifice a pawn!
Heavy manoeuvring beckons
Conclusion White's score of 55% from 2,800 games with 4 e3 suggests that his position is the more pleasant to play. Indeed, he often has a decent choice of set-up. I quite like an approach with g3, but must concede that Black's precise play in our main line should enable him to equalize. However, at sub-grandmaster level Black is some times on his own even as early as move 4, and one will often encounter the alter natives to 4... Be6.
Illustrative Games Gamel
D V.Kramnik • V.Tkachiev
Ta l Memor i a l B l itz, Moscow 2008
It's often hard to include a blitz game in a book. There are bound to be mistakes, but here White's approach is highly thematic and his overall play still of high
16
The C l a ssica l 2 . d s ..
q uality, as one would expect from such a strong player.
1 d4 d5 2 Bg5 This is often referred to as the Pseudo-Trompowsky. I must admit that I'm not a fan (White should play 2 c4 or 2 Nf3!), but Tkachiev generously returns play to standard Trompowsky waters.
2. .Nf6 3 Bxf6 exf6 4 e3 Bd6 5 c4 .
And why not with Black having made no attempt to dissuade this ideal break?
s ..dxc4 6 Bxc4 0-0 7 Nc3 (Diagram 13) .
Diagram 13 (B)
Diagram 14 (W)
White enjoys easy development
How to net a pawn ?
7 . ..c6 Solid and fairly popular, but hardly essential a t this stage. Thus practice has also seen: a) 7 .. .f5 8 Nf3 Nd7 9 Qc2 (the more solid 9 0-0 c6 10 Rei Nf6 1 1 Qc2 Qe7 12 Bd3 g6 13 a3 Be6 appears fine for Black, although both Hodgson and Miladinovic on oc casion have been happy to play this way and then manoeuvre) 9 . Nf6 10 0-0-0!? Qe7 11 h4 (11 Bd3 would be consistent with Kramnik' s approach in our main game; then Black might block things up with l l ...g6 12 h4 h5, but 13 Ng5 gives White something to play with: Rhel and e4 may follow) l l ...h5 12 Ng5 c6 13 Kbl g6 14 Bd3 (thus we reach the same sort of position after all) 14 ...a5 15 Rdel ! ? (White wants to keep his king's rook on the h-file) 1 5 ... Nd5?! (this doesn't fit i n too well with Black's 14th and further weakens his structure) 16 Nxd5 cxd5 1 7 Qa4! Bb4 18 Re2 saw White abandon his kingside lust for a positional edge in V.lotov }.Borisek, Dresden Olympiad 2008. .
.
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Sta rti ng O u t: The Trom powsky Attack TIP: Never forget that White's superior pawn structure often allows him a decent degree of flexibility, as lonov fully exploited here. b) 7... Nd7 8 Bd3 cS! ? 9 Nge2 cxd4 10 Nxd4 NeS 1 1 0-0 Bd7 12 Be4 restricted White to just a pull in I.Miladinovic-D.Ivanovic, Mataruska Banja 2007. c) However, the immediate 7... c5? is misguided for the same reason that 7...a6 8 Rei cS? (Diagram 14) 9 dxcS BxcS 10 Bxf7+! Kxf7 1 1 QhS+ Kg8 12 QxcS cost Black a pawn in J.Hodgson-K.Arkell, London 1991 .
8 Nf3 This can't be faulted, especially as White is happy to chase the bishop in the event of ...Bg4, but a decent case can also be made for 8 Qf3 followed by Nge2. s...f5
More recently 8... Nd7 9 Qc2 ReB 10 Rg1 ! ? (I'm not too sure why White rejected 1 0 0-0-0, although after 10. . . f5 h e must, o f course, avoid 1 1 QxfS? o n account of 1 l ...Ne5) 10 ... Nf8 11 g4 aS 12 h4 a4 13 a3 QaS 14 gS fS 15 hS led to a rather unbal anced middlegame in M.Bosiocic-F.Berkes, European Championship, Budva 2009.
9 Qc2 Nd7 10 Bd31 (Diagram 15)
Diagram 15 (B)
Diagram 16 (W}
Only now is fS en prise
Prising open the kingside
White avoids the aforementioned tactic and forces Black to weaken his kingside.
10 ... g6 11 h41 Kramnik wastes no time exploiting the hook on g6 to launch a strong attack.
11...Qe7 Risky. More solid would have been 1 1 ...h5, although after 12 NgS Nf6 13 0-0-0 Qe7 14 Kb1 play has actually transposed to the fairly pleasant waters (from White's point of view) of Iotov-Borisek . 18
The C l a ssica l 2 .. d s .
12 h 5 Nf6 13 hxg6 fxg6 (Diagram 16) 13 ... hxg6 isn't as risky as it looks, since Black can bring a rook to the h-file in time, although with 14 0-0-0 Be6 1 5 Qd2!? Kg7 16 Ne5 White retains the upper hand and has aggressive ideas of e4 as well as f4.
14 Bc4+ Be6?1 Bla ck trades his supposedly bad bishop, but this leaves his light squares vulner able and enables White to maintain the initiative with some vigorous play. Thus I suspect that Black should have taken his chances with the more active 14 ... Kg7 1 5 0-0-0 b5!.
15 Bxe6+ Qxe6 16 Ng5 Qc4 17 g41? Olt�! Kramnik presses on with his attack, although a decent case might be made for 17 b3 Qa6 18 0-0-0 when White remains slightly for choice due to his central (Kb1 and e4 is a plan) and kingside options.
17 ... Bb41? Critical. Black had to avoid 17 .. .fxg4?? 18 Rxh7!, but might have considered the solid 1 7... Nxg4 18 Nxh7 (18 b3 Qa6 is possibly worth flicking in, but then White must avoid 19 Rxh7? Rae8! when it's suddenly Black who has all the nasty threats) 18 ... Rfe8 19 0-0-0 Kg7 20 Ng5 Rh8, restricting White to just a pull.
18 gxf5 Nd51 Tkachiev has pinned everything on the pin, but Kramnik is up to the challenge.
19 fxg61 Nxc3 20 bxc3 (Diagram 17)
Diagram 17 (B) A critical position
Diagram 18 (B) Black's king is overwhelmed
20...Qxc3+? Too greedy. Black had to prefer 20... Bxc3+! 21 Kdl QdS when matters wouldn't
19
Sta rti ng O u t: The Trom powsky Attack have been a t all clear: 22 f3 Bxal (22 ...Qxg5!? 23 gxh7+ Kh8 24 Qxc3 Rxf3 i s a calmer defence) 23 Qh2 Qd7 24 Qe5 (this queen manoeuvre appears po werful, but White has invested a whole rook) 24 ... Rae8 25 gxh7+ Qxh7 26 Nxh7 RxeS 27 dxe5 Rd8+ 28 Ke2 Bxe5 29 f4 and White retains the initiative, but the resulting ending is far from clear.
21 Qxc3 Bxc3+ 22 Ke2 Bxa1 23 gxh7+ Kh8 24 Rxa1 Taking stock we can see that White has two good pawns for the exchange. Even more importantly, his knight is extremely well placed, guarding the fishbone on h7 and assisting the central pawns' advance.
24... Rf5? White's prospects were already quite bright, but there was no need to force him to improve his f-pawn and king. Much better would have been 24... Rae8 when 25 e4 RfS! 26 Rgl Ra5 would have given Black some counterplay with his resulting passed a-pawn.
25 f4 ReS 26 Kf3 c5? This loses, but Black was already in huge trouble. A more solid defence was 26 ...Ref8, but after 27 Kg4 Rb5 28 e4 Rb2 29 Kf3! Rd2 30 e5 White's pawns are roll ing.
27 e4 Rxgs Alternatively, 27... Rf6 28 dxc5 Ref8 29 f5 and there's no stopping those pawns.
28 fxgs cxd4 29 g6 Kg7 30 Rh11 (Diagram 18} Kramnik has everything worked out and has realized that the pa wn ending will be an easy win.
TIP: When a pawn or two ahead in an endgame, remember to con sider ways to return some or all of the extra material to simplify to a straightforward winning task. 30... Rh8 31 e5 Kxg6 32 Ke4 Rxh7 33 Rxh7 Kxh7 34 Kxd4 Kg7 35 Kd5 Kf7 36 Kd6 White wins by a tempo.
36 ... Ke8 37 Kc7 as 38 a4 Ke7 39 Kxb7 Ke6 40 Kb6 Kxes 41 Kxas Kd6 42 Kb6 Kd7 43 Kb7 1-0 Gamel
D K.Georgiev • A.Horvath
European Club Cu p, Fuegen 2006
1 d4 Nf6 2 Bg5 d5 3 Bxf6 exf6 4 e3 c6 5 g3 Bd6 6 Bg2 0-0 7 NeZ Be6 Related play to our main game occurred with 7... Re8 (there's no need to commit this rook so early) 8 b3 f5 9 0-0 Be6 10 Qd3!? in R.Palliser-S.Mannion, British 20
The C l a ss i c a l 2 ... d s Championship, Scarborough 2004, which continued 1 0... Nd7 1 1 c4 Nf6 1 2 Nbc3 a6 13 c5! Bc7 14 b4 (White presses ahead with his typical queenside expansion) 14 ... h5! (Diagram 19) 15 a4 (I wasn't so keen on 15 h4 Ne4, but this is a reasonable defensive concept so long as White continues 16 Nf4, rather than 16 Bf3? g5! when suddenly Black whips up a strong attack) 15 ... h4 16 b5 axb5 1 7 axb5 Rxa1 18 Rxa1 hxg3 19 hxg3 Ng4 and now the calm 20 Bf3 followed by Kg2 would have retained a pleasant edge.
Diagram 19 (W)
Diagram 20 (B)
Black must seize some cou nterplay
The plan is b3, c4 and Nc3
8 0-0 Georgiev castles having a specific follow-up in mind. More usually White has pre ferred 8 Nd2 Nd7 9 b3 along the lines of the main line of the theory section.
8 ... Nd7 9 Qd31? (Diagram 20) A rare but notable idea from the strong Bulgarian Grandmaster. White wants to force through c4 without needing to develop his queen's knight to d2; he has the more aggressive c3-square in mind for this piece.
9. .fs .
The only other example of 9 Qd3 which I could find continued 9 ... Re8 and now I dare say Georgiev would have played 1 0 b3, rather than follow the 10 e4 dxe4 1 1 Bxe4 Nf8 of V.Zhikharev-S.Bystrov, correspondence 2002; White does have the superior structure here, but Black is extremely solid and exploiting that extra cen tral pawn will be far from easy.
10 b3 Nf6 11 C4 Qd7 The alternative was l l ...Ne4, but I dare say that the Hungarian Grandmaster wasn't so sure how to follow up after 12 Nbc3. Then White might well roll for wards with c5 an d b4-b5, but a plan of exchanging on d5 followed by playing
21
S ta rti ng O u t: The Trom powsky Atta c k down the c-file i s also possible.
12 Nbc3 Rae& Black readies himself for an exchange on d5, but White prefers to keep the queen side closed.
13 cSI Bc7 14 b4 hSI NOTE: Black's position might appear quite solid, but it is also rather passive -just look at the prospects of that bishop on e61 He thus needs counterplay and as the ... b6-break would only help White, Horvath must turn to the kingside. 15 h4 Deciding when to block Black's kingside play in this manner is never easy, but Georgiev has seen deeply into the position and discovered a strong follow-up.
15 ... Rfe8 16 Nf41 Bxf4 17 exf4 (Diagram 21)
Diagram 21 (B)
Diagram 22 (B)
White retains a pleasant pull
White has options on both flanks
It might seem strange at first to have allowed Black to damage White's kingside structure, but just compare the remaining bishops and pawn breaks! White's bishop has clearly the better prospects and just where is Black's counterplay against White's long-term advance on the queenside?
17 ... Ne4 18 Ne2 bsl? Radical but by no means bad defence. White will now gain the better prospects down the a-file, but at least Black remains fairly solid. Note that Black couldn't prepare a counterattack with ... g5 because 18 ... f6? 19 f3 would trap and win the e4knight, and 18 ... Rb8 19 a4 Rec8 20 Rfcl looks like a pleasant pull for White, whether or not Black tries to counter on the queenside with ... b6.
22
T h e C l a ssical 2 . . d5 .
19 a4 a6 20 f3 Nf6 21 Ra3 Qb7 22 Qd2 RaB 23 Rfa1 Reba Bo th sides have deployed their major pieces along logical lines, but what now for Whi te?
TIP: It's rarely a bad idea to improve your worst-placed piece (or even pieces). Note too how Georgiev doesn't hurry here - Black hasn't any counterplay. 24 Bf1 NeB 25 Nc11 Nc7 26 Nd3 f6 27 Be2 Qc8 28 Nc1 Having provoked a small weakness ( .. .f6), the knight heads back as White remains content to slowly probe. Moreover, it's not only the queenside on which he has options, whereas Black, for his part, has the rather unenviable task of having to sit tight and suffer.
28 ... Bd7 29 Bd3 Qf8 30 Ne2 Qe8 3 1 Kf21 Continuing to improve his pieces and this will help should White later decide to open the kingside with g4.
31 ...g6 Horvath's position was rather unpleasant, but I wonder whether he would have been better off trying 31...bxa4!? 32 Rxa4 Qc8 at some point. This does leave a6 ra ther weak, but with b4 at least a little sensitive, White might not have found it as easy as in the game to retain control while opening the kingside.
32 Nc3 Kg7 33 Nd11 Be6 34 Ne3 Qd7 35 Qc2 (Diagram 22) Black is being outmanoeuvred. Too late it appears he realized White's kingside designs.
35 ... Rh8 White's play has been impressively patient thus far and only now does he invade on the queenside.
36 axb5 axb5 37 Ra7 Rxa7 38 Rxa7 RaB? Black continues to underestimate White's plans. Trading the rooks is natural, but he had to keep things solid with 38 ... Bf7! when White would have had to gradu ally probe with his queen; a2-a5-b6 being one possibility.
3 9 Rxa8 Nxa8 40 g41 Bla ck's bad bishop and fixed queenside pawns arguably constitute a weakness, but to win White would like to classically attack a second weakness. The text pre pares to do just that: Black's king now becomes exposed and his knight can but spectate from a8.
40...hxg4 41 fxg4 Qc7 42 Ng2 (Diagram 23) 42 ...fxg4?1 Not the stiffest of defences. Instead 42 ... Qd7 43 hS gxhS 44 gxhS Nc7 45 Nh4 would have left Black under heavy pressure, but at least this way he would have given White some issues to ponder: to cash in on fS or try to mate down the g-file.
23
Sta rt i n g Out: The Trom powsky Attack 43 Bxg6 Qa7 44 f51 The final blow. White's queen and knight will enter on the kingside with decisive effect.
44...Bf7 45 Qe2 Bxg6 46 Qxg4 Qa2+ 4 7 Kg3 1-0
Diagram 23 (B)
Diagram 24 (W)
Black cannot hold fS
Much more active than 3 ... exf6
The Dynamic 3
...
gxf6
1 d4 Nf6 2 Bg5 d5 3 Bxf6 gxf61? (Diagram 24) The much more dynamic recapture and quite a challenging approach. Indeed, those who like dynamic, unbalanced positions could do far worse than make 2 ... d5 and 3 ...gxf6 their defence to the Trompowsky.
4C41 A challenging response; White wants to open the position to take advantage of Black's potentially vulnerable kingside.
WARNING: Despite having been used by a number of strong players, I feel quite strongly that White should avoid 4 e3?1 as 4...c51 (Diagram 25) gives Black easy and fairly effective counterplay. White has tried a number of ideas here, but without enjoying all that much suc cess: a) 5 c3 risks leaving White a little passive and even the active attempt S ... Nc6 (S ... Qb6 is a good alternative, after which 6 Qc2 Nc6 7 Nf3 cxd4 8 exd4 Bg4 9 Be2 Rc8 10 Nbd2 e6 1 1 Qb3 Bh6 was about equal in S.Conquest-G.Jones, Hastings 2008/09, but might Black not have gone 8 ...e5?) 6 dxcS!? e6 7 b4 aS 8 Qb3 f5!? 9 Nd2
24
The Cla s s i c a l 2 .. d s .
Bg7 10 Rcl f4! failed to dent the notion that Black was having the greater share of the fun in A.Walton-R.Palliser, Crewe 2001. b) 5 dxc5 e6 6 c4 treats the position like a Queen's Gambit, but 6 ... dxc4! is an easy equ alizer; Black's bishop-pair fully compensates for his fractured kingside.
Diagram 25 (W)
Diagram 26 (B)
Black fights for the initiative
It's a Veresov!
c) 5 c4 cxd4 6 exd4 is White's most active try, but probably his least convincing one too: 6... Nc6! (stronger than both 6 ...Qb6 7 Nc3 Qxb2 8 Nxd5 Bf5 9 Qcl Qxcl+ 10 Rxcl Na6 1 1 c5 0-0-0 1 2 Ne3 Be4 13 Bxa6 bxa6, which reached a pretty unbal anced middlegame in E.Torre-S.Tiviakov, Turin Olympiad 2006, and 6 ... dxc4 7 Bxc4, which enables White to escape into our main line) 7 Nc3 dxc4 and White is yet to demonstrate anything better than 8 d5 Ne5 9 Bxc4 Nxc4 10 Qa4+ Bd7 1 1 Qxc4 ReS, but practice has shown Black to be at least equal here with his bishops. d) Taking play out of the Trompowsky and into the Veresov with 5 Nc3 (Diagram 26) is perhaps not such a bad idea. Nevertheless, I consider 1 d4 Nf6 2 Nc3 d5 3 Bg5 c5! ? to be a decent, dynamic line for Black. Those who disagree and like White's better structure and ideas of a quick Qh5 should consult Nigel Davies's The Veresov (Everyman, 2003). e) 5 Bb5+!? Bd7 (I wonder what Morozevich intended after 5 ... Nc6!?; perhaps 6
Ne2, since 6 dxc5 e6 7 c4 dxc4 8 Nc3 Qxd1+ 9 Rxd1 Bxc5 1 0 Nf3 Ke7 is comfortable for Black, Z.Rahman-H.Mas, Kuala Lumpur 2008) 6 Bxd7+ Nxd7 7 Nf3 e6 8 0-0 Bg7 9 Nc3 f5 10 Ne2! Rc8 1 1 c3 0-0 12 Nf4 wasn't entirely clear, but gave White good chances of emerging with an edge in A.Morozevich-P.Leko, Monaco (blind fo ld) 2007. Having seen why 4 e3 is probably best avoided, we tum our attention to 4 c4:
4...dxc4 25
Sta rt i n g Out: The Trom pows ky Attack Black opens the centre i n a bid to assist his bishops and saddle White with a cen tral weakness. Practice suggests that this is his best approach, but he has been known to prefer something more solid on occasion: a) 4 ... c6 5 e3 e6 (the bishop might come out first: 5 ...Bf5 6 Nc3 e6 7 Nge2 Qb6 8 Qd2 dxc4 9 Ng3 Bd3 10 Bxd3 cxd3 and now immediately going long is sensible, al though 1 1 Nh5!? Nd7 1 2 g4 0-0-0 13 0-0-0 Qa5 14 Kb1 Rg8 15 h3 f5 16 f3 left Black facing certain structural difficulties in A.Stefanova-E.Kovalevskaya, Russian Women's Team Championship 2006) 6 Nc3 f5 7 Nf3 Bg7 8 Qc2 Nd7 9 h3!? (9 cxd5 cxd5 10 Bd3 followed by playing on the queenside would be a simple route to a pleasant edge) 9 ... dxc4 10 Bxc4 Qc7?! 1 1 0-0-0 b5?! 12 Bb3 Ba6 13 g4! left Hodgson well on his way to a classic Trompowsky crush in J.Hodgson-A.Martin, British Championship, Plymouth 1992. b) 4 ... c5 5 cxd5 Qxd5 6 Nf3 cxd4 7 Nc3 Qa5! (more active than 7 ... Qd8 when Hodg son has shown the way: 8 Nxd4 e6 9 e3 a6 10 Qh5! and Black cannot be happy with the outcome) 8 Nxd4 Bg7 9 e3 0-0 10 Bd3 (10 Bc4!? with the idea of IO Rd8?! 1 1 Qb3 is another possibility) IO... Rd8 11 0-0 f5 ( 1 l ...Nc6!? 12 Nxc6 bxc6 would at least give Black the b-file for counterplay, albeit at the cost of a further structural weakness) 12 Qh5! e6 (12... Bxd4 13 exd4 Rxd4 14 Qg5+ Kf8 15 Rad1 gives White a strong initiative for the pawn) 13 Rad1 Qe5 (Diagram 27) gave White various pleasant options in P.Wells-S.Sulskis, Port Erin 2003, including the simple 14 Rd2 followed by doubling rooks and the somewhat more ambitious 14 g4!?. ...
0 26
Diagram 27 (W)
Diagram 28 ( B)
A little shaky for Black
Unexplored aggression
NOTE: Black's third move isolated and weakened his h-pawn. Thus hs is often an excellent outpost for the white queen; targeting that pawn while posing serious difficulties for the black king.
The C l a s s i c a l 2...d s 5 e3
Despite some attention from Wells, 5 e4!? (Diagram 28) hasn't really taken off. In d eed, much remains to be discovered here and those who revel in sharp, unbal anced positions could do worse than give 5 e4 a closer look. One critical line runs s .. Nc6 (5 ... f5!? is an ambitious alternative; the game S.Fowler-C.Crouch, London 2007, continued 6 Bxc4 fxe4 7 Nc3 Bg7 8 Qh5 0-0 9 0-0-0 Qd6! with a double-edged fight ahead and forcing ...e6 with Wells's 7 Qh5! ? is very possible too) 6 d5 Ne5 7 f4 and now practice has chiefly debated 7... Nd3+ 8 Bxd3 cxd3 9 Qxd3, which looks fairly attractive for White, but the untried if risky 7 ... Ng4!? might be more of a concern. Then 8 Bxc4 c6! leaves White a little vulnerable on the dark squares and even the superior 8 Qf3! can hardly be described as anything but rather murky after a continuation like 8...Qd6 9 h3 h5!?. .
s . ..cs The greedy 5 ... Rg8 has some logic, but is rather ambitious and has been rather rare in practice. With good reason I would say: 6 Nc3 c6 7 Bxc4 Rxg2 8 Nge2 Rg7 9 Qc2 gave White decent value for his pawn in J.Fries Nielsen-N.Huschenbeth, Ham burg 2005, and Wells's 7 g3! ? most certainly has its logic too- just where is Black's king going to reside? 6 Bxc4 cxd4 7 exd4 Bg7 (Diagram 29)
Diagram 29 (W)
Diagram 30 (W)
Both sides have wea knesses
Shou ld the d-pawn be advanced?
Thus the contours of the forthcoming struggle begin to take shape: Black has in flicted an isolani and will pressure it with ... f5, but White has free piece play and would like to build up a kingside attack.
8 Ne2 Considering what we said about h5 being an ideal square for the white queen, it's
27
Sta rti n g Out: The Trom powsky Attack n o surprise that Wells's idea o f 8 QhS!? has received some attention since the pub lication of his fine work. However, here the queen has perhaps been committed a touch early and Black appears to have the answer in 8 ... 0-0 9 Ne2 Nc6 10 Nbc3 QaS!, as first played in Cao Sang-Z.Gyimesi, Hungarian Championship, Budapest 2004.
8 0-o 9 Nbc3 fs (Diagram 30) ...
Both sides have developed logically: White's knight went to e2 rather than f3, for instance, to avoid being pinned and because it dreams of landing on hS with aplomb. At this point White has two main approaches: a) 10 Qd2 Nc6 1 1 Rd1 keeps the pawn on d4 for the time being and will be dis cussed in Game 3. b) 10 0-0!? Nc6 1 1 dS is a more ambitious try, after which ll ... NeS 12 Bb3 Qd6! (a more critical defence than 12 ... a6 13 Qd2 Qd6 14 Qf4! Kh8?! 15 Rfe1 Qf6 1 6 Rad1 Rg8 17 Nd4 which enabled White to take control in R.Palliser-K.McPhillips, Street 2004) 13 h3 Bd7 (Diagram 31) 14 Ba4! (White prevents ...bS and sensibly ends any hopes Black may have harboured of one day seeing his bishops operating in tan dem) 14 ... Nc4 15 Bxd7 Qxd7 16 b3 Nb6 17 Qd3 Rac8 18 Rad1 ReS 19 Qf3 Rfc8 20 Rd3 Kh8 was finely balanced and agreed drawn in a leading Trompowsky battle, I.Miladinovic-K.Georgiev, Bar 2008.
Diagram 31 (W)
Diagram 32 (W)
Dynamically ba lanced
Black attacks d 4
Conclusion The dynamic recapture on f6 i s quite a challenging idea. White should avoid 4 e3 cS when he has only scored 44%. He has done better (56%) with 4 c4, although that falls to just 51% after 4 ... dxc4. Indeed, both sides should be fairly happy to contest
28
T h e C l a s s i c a l 2 ... ds our main line here, which gives rise to a rather unbalanced middlegame and a
ty pical Trompowsky battle between White's knights and Black's bishops.
Illustrative Games Game3
0 A.Bigg • K.McPhillips
Street 2004
1 d4 Nf6 2 Bg5 d5 3 Bxf6 gxf6 4 c4 dxc4 5 e3 c5 6 Bxc4 cxd4 7 exd4 Nc6 8 Ne2 Bg7 9 Nbc3 o-o 10 Qd2 f5 11 Rd1 a6 Black usually flicks this in, although it's far from clear why he has been so keen to avoid 1 1 ...Qd6 12 NbS Qb4.
12 0-0 This might be delayed further and 12 Qf4!? Bd7 (12 ...Qd6 13 Qxd6 exd6 14 0-0 Bd7 15 NdS is perhaps a little better for White) 13 0-0 Qb8 14 Qh4 Qd6 15 Rfe1 Rad8 16 a3 Bc8 was seen in G.Van Perlo-E.D' Adamo, correspondence 1988. This unbalanced position is unclear and White might like to look into both 1 7 Rd3 and 1 7 BdS!?.
NOTE: High-level correspondence games are an excellent source of opening ideas and inspiration. Readers who like to study their open ings in some depth could do far worse than purchase a decent corre spondence database, such as Tim Harding's UltraCorr 2. 12 ...Qd6 (Diagram 32) 13 Bd51? White finds a creative way to keep the pawn on d4 and deal with Black's pressure down the d-file. Again he might also advance and 13 dS NeS 14 Bb3 Ng4 (proba bly too ambitious and 14 ... Bd7!? might well be preferred) 15 Ng3 Bd7 16 h3! Bh6!? 17 Qe2 Ne3 18 fxe3 Qxg3 19 Rf3 QeS would have favoured White in M.Galyas A.Naiditsch, Budapest 2000, had he now taken aim at the kingside with Wells's 20 Bc2 and 21 Qf2.
13 .. Rda 14 Qg5 Qg6 .
I suspect that Black feared the white knight joining the attack with 14 ... Bd7 15 Nf4 Kh8 16 NhS, but this might well be manageable for him after 16 ... Bh6.
15 Qe3 Bf6?1 B la ck's bishops probably don't supply quite enough compensation after 15 ... Bd7 16 Bxc6 Qxc6 (16 ... Bxc6 is well met by 17 d5) 17 Qxe7 Re8 18 Qb4, but he might have returned with 15 ... Qd6!? when 16 Nf4 Nxd4! is an important tactical point. Indeed, the tactics appear to hold up for Black and leave him with rough equality
29
Sta rt i n g Out: The Trom powsky Atta c k after 1 7 NhS f4 18 Nxf4 e5.
16 f41 (Diagram 33)
Diagram 33 (B)
Diagram 34 (B)
The fl-rook will be lifted
Black ca n activate his q ueen
Bigg wants to attack, although a decent case might also be made for 16 Bxc6!? bxc6 1 7 Nf4, leaving White with a pleasant edge; Na4-c5 may follow.
16 ... Qg7 17 Rf3 Kf81l Creative defence. Few people would have allowed their queen to be buried in the comer, but McPhillips wants to maintain pressure against d4 and is confident that his queen will later re-emerge. The alternative was 1 7... Kh8 18 Rg3 Qf8 when White might trade on c6 and leave Black a little tied up or prefer the more aggres sive 19 Bf3!? followed by dS.
18 Rg3 Qh8 19 Bxc6 bxc6 20 d5ll White opens the position, but this fails to trouble the black monarch and actually increases the black queen's prospects. Better was the simple approach: 20 Na4! Be6 21 b3, retaining a grip and a fairly pleasant edge.
20...cxd5 21 Rxd5 Be6 22 Rxd8+ Rxd8 23 Qb6 (Diagram 34) White may have been relying on this queen raid, but now Black is able to solve all his problems down the a1-h8 diagonal.
23 ...Bd4+ 24 Nxd4 Qxd4+ 25 Qxd4 Rxd4 26 Rf3 Bd7 27 Rf2 White's queenside majority and slightly better structure still give him a few hopes, but McPhillips moves quickly to activate his central majority.
27 ...f6 28 Kf1 e5 29 Ke1 Ke7 30 Rd2 Trading rooks is the obvious way to attempt progress, but Black doesn't need fear their exchange.
30
The C l a ssica l 2 . . . d s 3o... Rxd2l 31 Kxd2 Kd6 32 Ke3 Kc51? A sli ghtly ambitious try. Black might have drawn more simply by keeping Whi te's majority in check with either 32 ... a5 or 32 ... Be6!? 33 b4 Bc4 34 a4 Bfl 35 g3
Bc4.
3 3 h4 Whi te must have looked long and hard at 33 g4!?, and presumably concluded that 33 . exf4+ 34 Kxf4 fxg4 35 Ne4+ Kb4 is fine for Black because he is most certainly not worse in the race situation after 36 a3+ Kc4 37 Nxf6 Bb5 38 Nxh7 Kb3 39 Kxg4 Kxb2 40 h4 Kxa3. . .
33 ... Be6 (Diagram 3 5)
Diagram 35 (W)
Diagram 36 (B)
Tense if d rawish
Torre-li ke play
34g3 Once again 34 g4!? deserved attention, although 34 .. .fxg4! (34 ... Kd6 35 gxf5 Bxf5 36 Ne4+ Ke7 37 Nc5 gives White a pull) 35 Ne4+ Kb4 36 Nxf6 exf4+ 37 Kxf4 Bxa2 re veals the bishop's advantages over that of the knight. Both sides have a couple of small tricks here, but 38 Nxh7 Bf7 39 Kxg4 Kb3 40 Ng5 Bg6 should really lead to a draw.
3 4.. .Kb43 5 Kd3 Yz-Yz
Wh ite Declines to Exchange 1 d4 Nf6 2 Bg5 d5 3 e3 (Diagram 36) This is a reasonable choice for those with some experience of the Torre Attack or
31
Sta rti n g Out: The Trom powsky Attack those who like to g o their own way a s soon a s possible, not that the exchange on f6 can really be described as being especially theoretical. The text is White's main alternative to that exchange. Instead 3 Nf3 reaches a poor form of the Torre, against which 3 ... Ne4 followed by 4 ... c5 gives Black active, early and good coun terplay. A more important alternative is 3 Nd2 when 3 ...e6 is likely to lead into our main line with 3 e3. Black might well, though, prefer one of: a) 3 ... c5!? is quite a challenging riposte. Then 4 Bxf6 (not forced, but 4 dxc5 e6 5 Nb3 Nbd7 is fine for Black and I'm not overly convinced by the gambit which 4 e3 cxd4 5 exd4 Qb6 entails; moreover, Black doesn't even have to grab the pawn and 6 Ngf3 Ne4!? 7 Nxe4 dxe4 8 Ne5 Nc6 9 Nxc6 bxc6 10 Be2 g6 gave him promising counterplay in S.Fowler-M.Hebden, Halifax (rapid) 2006) 4 ... gxf6 (Diagram 37) should be compared to our last section. White has tried to avoid an early e3 here, but both 5 dxc5 Na6 6 e4 Nxc5 7 Bb5+ (7 Qh5!?) 7... Bd7 8 Qe2 dxe4 9 Nxe4 Nxe4 1 0 Bxd7+ Qxd7 1 1 Qxe4 f5 (A.Sokolov-A.Veingold, Upplands Vasby 2000) and 6 g3 Nxc5 7 Bg2 Bg7 8 Ngf3 0-0 9 0-0 f5, as in S.Dishman-A.Law, British League 2003, are fine for Black.
Diagram 37 (W)
Diagram 38 (W)
Dynamic play from Black
It's a Torre Attack proper!
b) However, 3 ... Nbd7 4 Ngf3 g6 doesn't seem as good as against 3 e3 in view of Hodgson's vigorous reaction 5 c4!? dxc4 6 e4 unless Black can make the ambitious 5 ... Bg7!? 6 cxd5 Nxd5 7 e4 h6 8 Bh4 Nf4 work.
3 e6 ...
This solid choice has been Black's most popular in practice, but it is the alterna tives which worry me more: a) 3 ... c5! is a serious challenge because 4 Bxf6 gxf6 is quite pleasant for Black as we saw in the last section. Instead White might contest a Veresov with 4 Nc3 or try 4 c3, but Black has a few good responses to that, including 4 ... Nc6 and 4 ... Ne4 5 Bf4 32
The C l a ss i c a l 2 ... d s Nc6, after which 6 Nd2 Nxd2 7 Qxd2 Bf5 8 Nf3 e6 saw Black equalize without any d i fficulty whatsoever in N.Sedlak-Y.Dembo, European Championship, Budva
2009 .
b) 3 . . Nbd7 4 Nf3 (Hodgson's more ambitious 4 c4!? Ne4 5 Bh4 is well met by the acti ve 5 ... g5! ? 6 Bg3 e6 according to Davies) 4 ...g6 (far from forced, but a tempting move because White is likely to lose a tempo with his e-pawn if he now goes in for 5 c4 ) 5 Nbd2 Bg7 6 Bd3 (6 c4 does, indeed, appear less challenging here; after 6 . . 0-0 7 Be2 c5 8 cxd5 Nxd5 9 0-0 h6 10 Bh4 b6 1 1 Nb3 Bb7 Black was fairly com fortably placed in Zhang Pengxiang-Chao Li, Jiangsu Wuxi 2008) 6... 0-0 7 0-0 tra nsposes to a solid line of the Torre Attack (1 d4 Nf6 2 Nf3 g6 3 Bg5) in which Black usually prepares ...e5 with 7...Re8 (Diagram 38). .
.
TIP: Never forget about transpositions when planning your reper toire. Not only do they occur between various Trompowsky varia tions, but sometimes it's even possible to take play into entirely different openings! c ) Indeed, one should not assume that just because he didn't move the knight last go Black won't here: 3 ... Ne4 4 Bf4 transposes to a position more usually reached via a 2 ... Ne4 3 Bf4 d5 4 e3 move order - see Chapter Six.
4Nd2 White keeps his options open and refuses to commit his king's knight just yet. In stead 4 Nf3 would take play into a normal Torre Attack and it's also possible to reach the Queen's Gambit! Indeed, 4 c4 Be7 5 Nc3 h6 6 Bh4 0-0 7 Nf3 takes play into a key tabiya of the Queen's Gambit Declined. There really are a lot of possible transpositions after 3 e3!
4 cs 5 c3 (Diagram 39) ...
Diagram 39 (B) Black still has options
Diagram 40 (B) An improved Stonewa ll 33
Sta rti n g Out: The Trom powsky Attack s . Be7 ..
Black will develop his knight to d7 in our main line, shoring up the defence of f6 and refusing to block the path of a fianchettoed bishop on b7. However, the text is far from essential and S ... Nc6 has also been seen: 6 f4! ? Be7 (6 ... Bd6!? looks like an idea to me; the point is that 7 Ngf3 h6 8 Bh4 cxd4 forces White to recapture with the c-pawn, rather than the more ideal recapture with the e-pawn, and so White might consider giving up the bishop-pair on f6) 7 Bd3 0-0 (Black castles into it; a more creative defence is 7...Qc7 8 Ngf3 Bd7 9 Ne5 h6 10 Bxf6 gxf6!?, but with the thematic manoeuvre 1 1 Nxd7 Qxd7 12 Qh5! White obtained the upper hand in Bui Vinh-Nguyen Van Hai, Hanoi 2009) 8 Ngf3 b6 and now I would attack in standard Torre fashion with 9 Ne5 followed if possible by Qf3 which appears fairly danger ous. Moreover, 9 h4! ? NeB 10 Ne5 Nxe5 1 1 fxe5 f5 12 QhS Rf7 13 Nf3 also left White for choice in J.Ehlvest-F.De Ia Paz Perdomo, Santo Domingo 2006.
6 Bd3 Nbd7 7 f41 (Diagram 40) Thus we get to see why White held back the development of his knight from gl . By first placing the pawn on f4 White essentially obtains an improved Torre At tack (in which Ne5 followed by f4 is a common theme), or a turbocharged Stone wall if one prefers - that bishop is certainly much better on g5 than cl.
7 ... b6 Related play occurred after 7...h6 8 Bh4 b6 9 Ngf3 (9 Nh3!? and Qf3 might be tried a Ia our next note) 9 ... Bb7 10 Ne5 in I.Miladinovic-O.Cvitan, Zadar 2007, in which
Black demonstrated a typical exchanging ploy: 10 ... 0-0 1 1 0-0 Ne4! (Diagram 41)
Diagram 41 (W) An equalizing attem pt
Diagram 42 (B) White has some pressure
12 Bxe7 Qxe7 1 3 Ndf3 Nxe5 14 Nxe5 Qe8 and the exchanges left him close to equality.
34
The C l a ss i c a l 2 . . d s .
TIP: When slightly cramped it's often a good idea to exchange pieces to free one's position. Be fo re returning to our main line, let's consider an interesting twist on this im p roved Torre theme which Hodgson liked to employ: 7...0-0 8 Nh3!? b6 (better the mo re active 8...b5!) 9 Nf2 Bb7 10 Qf3 cxd4 1 1 exd4 Qc7 12 0-0 aS 13 Rfe1 Ba6 14 Bc2 bS 15 Qh3 gave White a very dangerous attack in J.Hodgson-T.Hebbes, Southend 1 998; Ng4 will follow. s Ngf3 Bb7 9 Nes (Diagram 42)
Whi te sinks his knight into its favourite outpost and now Black must be a little care ful: a) 9. . .0-0 10 0-0 Ne4! can be compared with the notes to Black's 7th move, but per haps here White can consider 10 Bxf6!? Nxf6 1 1 Qf3, still hoping to attack.
b) However, ... Ne4 per se does not equalize: 9 ... a6?! 10 0-0 Ne4?! 1 1 Bxe4! dxe4 ( 1 l . . .Bxg5? runs into 12 Nxf7!) 1 2 Ndc4 Nf6 13 dxcS BxcS 14 Qxd8+ Rxd8 15 b4 Be7 16 Nxb6 netted a pawn in I.Miladinovic-A.Dragojlovic, Zlatibor 2007. c) 9. . . Nxe5 10 fxeS Nd7 is another equalizing try, as we'll consider in Game 4.
Conclusion 3 e3 will appeal to those with some experience of related system-based openings, especially the Torre. Overall, White has scored well with 57% from over 1,600 games, but that's largely because of 3 ... e6 which sees his score rise to a whopping 64%; these improved Torre lines pose definite problems. However, 3 ... c5! is much of a theoretical hurdle, albeit one which won't appeal to everyone; Black really has to be happy to then meet 4 Bxf6 with 4 ... gxf6.
Illustrative Games Game 4
0 Tu Hoang Thong • A.Vul
Ottawa 2007
1 d4 Nf6 2 BgS dS 3 e3 e6 4 Nd2 Nbd7 B lack delays ... cS and prepares to meet 5 Bd3 with 5 ... e5. Thus White must ad va nce the f-pawn without delay (or acquiesce to a normal Torre with 5 Ngf3). 5 f4 Be7 6 Bd3 cs 7 c3 b6 8 Ngf3 Bb7 9 Nes Nxes?I 10 fxes Nd7 (Diagram 43)
Th is type of exchanging method is quite common in the Torre, but here it fails to
35
Sta rti n g Out: The Trom pows ky Attack convince. However, it's easy t o see i t being popular with a panicking black player concerned about White's kingside intentions.
Diagram 43 (W)
Diagram 44 (B)
Black's kingside can be pressured
Keeping up the pressure
11 Bf41? White keeps the bishops on, thereby leaving Black a little cramped. However, ex changing them also leads to a pleasant advantage: 1 1 Bxe7 Qxe7 1 2 QhS 0-0-0 13 0-0 f6 1 4 BbS (14 Qh4!? looks quite reasonable too, causing problems with the pin as well as against h7) 14 ... Rdf8 15 a4! (Diagram 44) favoured White in V.Georgiev S.Barrientos Chavarriaga, Turin Olympiad 2006. It's worth noting how Georgiev intended to meet 15 .. .fxe5: 16 Bxd7+ Kxd7 17 QxeS Rxfl + (or 17 ... Ba6 18 Rxf8 Rxf8 19 aS with strong pressure) 18 Rxfl Rf8 19 Rxf8 Qxf8 20 Nf3 and White's classic queen-and-knight tandem are favourite against Black's queen and bishop.
11 . 0-0?1 .
.
Highly risky, but Black's king position was a serious concern for him in any case. Previously 1 1 ... c4 12 Bc2 Qc7 had been tried, but after 13 QhS g6 14 Qh6 0-0-0 (14 ... Bf8?! 15 Qh3! only assists White's cause, as shown by, for example, 15 ...Be7 16 Bh6 0-0-0 1 7 0-0 and a pawn will fall) 1 5 0-0 Rdf8 16 Nf3 Qd8 1 7 Rf2 Bc6 18 Rafl Kb7 19 BgS White was in complete control and it wasn't long before he won a pawn in A.Miles-P.Van der Sterren, Linares Zonal 1995. Observe too how 1 1 ...Qc7 12 0-0 0-0-0 13 Bg3! Rdf8 14 QhS leaves White clearly better.
0
NOTE: Once again h5 proves to be a great square for the white queen! Black's king might be safe on the queenside, but his kingside pawns can be attacked regardless.
I suspect that Black really ought to try 1 l . ..Bh4+!? 12 Bg3 (12 g3 gS! isn't so clear)
36
The C l a s s i c a l 2 . . . d s t z Qg5, although after 1 3 Qf3 White still enjoys a n edge. . . .
12 Qg4 Kh8 13 0-0 The Vietnamese Grandmaster wastes no time attacking. The text not only enables White to pressure f7, but also introduces ideas of a timely rook lift. White most certa inly has a dream Torre/London attacking situation!
13 ... Bc8?l Bla ck wants to break with .. .f5. Perhaps he already should have tried the desperate 13 f5!?, although after 14 exf6 Nxf6 1 5 Qxe6 Bc8 16 Qe5 White's queen will es ca pe, leaving him a clear pawn to the good. . . .
14 Qh31 (Diagram 45)
Diagram 45 (B)
Diagram 46 (B)
A simple and strong attack
There's no defence
Less clear would have been 14 Rf3 f5!, but the text forces a serious kingside weak ness.
14...g6 Black 's problem is that 14 ... f5? fails to the tactic 15 exf6 Nxf6 16 Bc7! Qxc7 17 Rxf6, destroying the defence of h7.
15 Bh6 f5 The only move; he couldn't let the floodgate on f7 open.
16 exf61 White is so confident in his attacking chances that he spurns winning a clear ex change and who can blame him?
16 ... Rxf6 17 Qg3 Taking control of the eS-square and now White is all set to include his remaining
37
Sta rti n g Out: The Trom powsky Attack pieces in the attack.
11 ...as11 Black wants to trade the light-squared bishops. This is far too slow a plan to save him, but even after 17 ... Kg8 18 e4! his chances of survival would have been slim indeed.
18 Nf3 Ba6 Neither would 18 ... Ra7 19 Ng5 Qe8 20 Bb5! have enabled Black to defend, and it's also almost impossible to find a reasonable move for him after 18 ... Kg8 19 Ng5.
19 Bxa6 Rxa6 20 Ne5 (Diagram 46) 20 ... Nxe5 The check on f7 had to be dealt with and Black's vulnerable back rank would have cost him after 20 ...Qe8 21 Nxd7 Qxd7 22 Rxf6 Bxf6 23 Rfl .
21 Qxes b5 22 Rf3 The pin is decisive.
22 ... Kg8 23 Raf1 1-0 Crushing stuff.
38
C h a pter Two
2
•••
g6 a n d M i n o r Li n e s
� �
I nt roduction a n d Ra re Defe nces Black Pl ays 2
•••
g6
Sta rti ng Out: The Trom powsky Attack
I ntrod uction a n d Ra re Defences 1 d4 Nf6 2 Bg5 (Diagram 1)
Diagram 1 (B)
Diagram 2 (W)
Black has severa l unusual tries
Oops!
In this chapter we continue our study of those lines in which Black doesn't fear the exchange on f6 with the notable exception of the dynamic 2 ... c5, which can be found in Chapter Four. By far Black's most common alternative to both that and 2 ... d5 is 2 ... g6, but before we look at the fianchetto we should examine some un usual but not implausible tries: a) 2 ... d6 3 Bxf6 exf6 is very similar to 2 ...g6, since Black's dark-squared bishop hardly has a better square than g7 unless he wants to lose a tempo with ... d5. In deed, here 4 c4 g6 5 Nc3 fS 6 e3 Bg7 7 Nge2 0-0 8 g3 transposes to the main line of our next section. b) 2 . . . h6?! is a clear error, albeit one not unknown at lower club level. White should be quite happy to be provoked into 3 Bxf6 exf6 (3 ... gxf6 4 e3 is also ex tremely pleasant for White; already that hS-square is calling the queen) 4 e3 when the inclusion of ... h6 is undoubtedly questionable. c) 2 ... c6 forces White to display some care if he isn't a fan of exchanging on f6 in general.
WARNING: 3 e3?? Qa5+ (Diagram 2), exploiting the loose bishop, is most certainly a trap to avoid. Thus those after a Torre-like position should prefer to begin with 3 Nd2. How ever, there's no reason whatsoever to avoid 3 Bxf6 exf6 (we saw that 3 ... gxf6 4 c4
40
2 . ..g6 a n d M i n o r Lines d 5 i s pleasant for White i n note ' a ' to Black's 4th move in the third section of the
p reviou s chapter) 4 c4, since 4 ... d5 5 cxd5 cxd5 6 Nc3 looks like an inferior version of the Slav for Black with his d-pawn a little weak. Instead 4 ...Bb4+ 5 Nd2 d5 6 e3 Be6 7 cxd5 Bxd5!? saw Black avoiding such a scenario in J.Hodgson-R.Slobodjan, Ge rm an League 1999, but 8 a3 Bd6 9 e4 Be6 10 Bc4! Bxc4 1 1 Nxc4 0-0 12 Ne2 still le ft him worse as it wasn't so easy to undouble those pawns with ... f5.
d) 2 ...b6 has its logic as we can see by exploring 3 Bxf6 exf6 when White would like to go 4 g3?, but 4 ... Bb7 beats him to the long diagonal and, rubbing salt in the wound, 5 Nf3 Qe7! actually wins a pawn. Unlike previous commentators, though, 1 am not so unhappy with 3 Nd2 when Black has two main tries: d 1 ) 3 .. e6 4 e4 h6 5 Bxf6 Qxf6 6 Ngf3 reaches a position which can come about via a .
number of move orders; the rare 2 ... e6 3 e4 h6 4 Bxf6 Qxf6 5 Nf3 b6 6 Nbd2, as per our next chapter, being one. After 6 ... Bb7 7 Bd3 (Diagram 3) I quite like the control White's centre affords him: for example, 7...Qd8 (the queen scurries out of the way; this isn't forced, but 7... a6 8 Qe2 d6 9 0-0-0 Nd7 10 Kb1 e5 1 1 c3 Be7 12 Nc4 gave White an edge too in no lesser clash than V.Korchnoi-A.Karpov, Hastings 1971/72) 8 Qe2 Be7 9 0-0-0 d6 10 h4! (discouraging Black from going short while seizing some useful space) 10 ... a6 11 Nc4 Nd7 12 Ne3 was a little more pleasant for White in K.Lerner-L.Yudasin, USSR 1 983.
Diagram 3 (B)
Diagram 4 (B)
A handy centre
White is in control
d2) 3... Bb7 4 Bxf6 exf6 (or 4 ...gxf6 5 Ngf3 f5 when White is able to get his fianchetto in with 6 g3 Bg7 so long as he then spots the threat and continues 7 e3 c5 8 c3 d6 9 Bg2 with good chances for an edge; a timely Nh4 may cause problems and White can also press with a4 ideas) 5 Ngf3 g6 (the logical try as Black doesn't want to obstruct his other bishop with ... d5) 6 e4!? (more ambitious than the far from im plausible 6 g3) 6 ... Bh6 7 Bd3 0-0 8 0-0 Re8 9 Rel d6 10 a4! (Diagram 4) left White
41
Sta rti n g Out: The Trom powsky Attack slightly for choice with his centre secure in J.Timman-E.Rozentalis, Malmo 1997.
NOTE: Timman-Rozentalis actually began with the move order 1 d4 Nf6 2 Nf3 b6 3 Bg5 to which the Trompowsky player might trans pose by meeting 2 ... b6 with 3 Nf3. This probably allows Black more options than one would like, but White should emerge with a pull in all lines, as I demonstrated in Starting Out: d-pawn Attacks. Finally after 2 ... b6, we should note Wells's preference for 3 Nc3!? Bb7 4 Nf3, again being prepared to trade the bishop-pair for the centre along the lines of our next chapter with 4...e6 5 e4 h6 6 Bxf6 Qxf6. Then 7 Bd3 Bb4 8 0-0!? Bxc3 9 bxc3 Nc6 had certain similarities to the Nimzo-Indian in R.Palliser-J.Radanovic, London (rapid) 2004, and now I should probably have freed the f-pawn without delay with 10 Nd2 . e) 2 ... Nc6?! echoes the Tango, but I'm not convinced with White not committed to c4, and 3 Nc3 e5 (or 3...e6 4 e4 Bb4 5 e5! h6 6 Bd2 Bxc3 7 bxc3 Ne4 8 Qg4 with a terrible version of the McCutcheon French for Black) 4 d5 Ne7 5 d6! (not the only good approach, but this positional gambit will leave Black badly cramped for a long time to come) 5 ... Nf5 (5 ... cxd6 6 e4 Nc6 7 Bxf6 Qxf6 8 Bc4 had previously given White excellent compensation in L.Trent-S.Gregory, British Championship, Torquay 2002) 6 dxc7 Qxc7 7 Bxf6 gxf6 8 Nd5 (8 Qd3!? Bb4 9 0-0-0 is also strong) 8 ... Qc6 9 e4 Ne7 10 Bb5! (Diagram 5) saw White making good use of some tactics to retain control in A.Walton-S.Gregory, British Championship, Scarborough 2004.
Diagram 5 (B)
Diagram 6 (W)
Punishing overly-creative play
Sol id but a touch passive for Black
Conclusion The lines covered here amazingly account for 5% of all Trompowsky games in my database, so they are not as rare as one might imagine. Nevertheless, White
42
2 . . . g6 a n d M i nor Lines should not b e unhappy to see any o f these offbeat tries and h e has a good score aga inst them.
Bla ck Plays 2
...
g6
1 d4 Nf6 2 Bg5 g6 The move which a King's Indian or Griinfeld player would like to make work, but the resulting positions tend to be a little more solid for Black than such dynamic p layers would like. 2 ...g6 was employed by a number of grandmasters when the Trompowsky still packed a certain surprise punch in the Eighties and early Nine ties, but in general such players, including even Kasparov, subsequently moved on to other defences. However, this variation remains fairly common at lower lev els and has occurred in 8% of all Trompowsky games in my database.
3 Bxf6 The consistent follow-up. White might take play into the Torre Attack with 3 Nf3 or go 3 Nc3 when 3 ... d5 is a Veresov and 3 ... Bg7 4 e4 d6 a Pirc, but to play along such lines rather begs the question: why did White select 2 BgS in the first place?
3 ...exf6 (Diagram 6) 4 e3 White's play in this variation tends to be quite strategic and largely driven by general ideas, but there are some move order issues.
NOTE: Almost everyone agrees that White's best set-up involves a combination of the moves e3, c4, Nbc3 and Nge2 allied to a fi anchetto of the king's bishop, but not over what order to make these moves. These move order options boil down to the optimum way to prevent an early ... cS causing too many difficulties. The text has been by far White's most common move order, but Wells has made a good case for the alternative 4 c4 Bg7 (it's too early for 4 ... c5 to do much damage; White continued 5 e3 Bg7 6 Nc3 in M.Navarro Cia-J.Escofet Llongueras, Pamplona 2007, and might well have recaptured with the queen had Black now exchanged on d4, rather than allow White an easy pull with 6 ... a6?! 7 dxcS!) 5 Nc3 0-0 6 e3 d6 (6 .. .f5 7 Nge2 cS!? might be Black's best at tempt, as Adam Hunt played against me at Blackpool in 2003; that game contin ued 8 dxcS Na6 9 g3 NxcS 10 Bg2 d6 1 1 0-0 Be6 12 b3 a6 13 Rb1 Rb8 14 Nd4 ReB 15 Qc2 B d 7 16 Rfd1 and a draw was agreed, but plenty of play remains in the posi tion and I slightly prefer White, who might combine NdS with an advance of the a-pawn to aS) and now not the common 7 g3, but rather 7 Nge2 (Diagram 7) when 7 . . . f5 (White might now be happy to meet 7 ... c5 with 8 dxcS!? dxcS 9 Qxd8 Rxd8 10 NdS Nc6 1 1 0-0-0 Be6 1 2 Nef4, as he did i n I .Schneider-D.Schulze, Bad Lauterberg 2005) 8 g3 Nd7 9 Bg2 N f6 takes play back into our main line.
43
Start i n g Out: The Trom pows ky Attack
Diagram 7 (B)
Diagram 8 (B)
Not hurrying with g3 and Bg2
Black remains structurally worse
4 Bg7 ...
Black's usual continuation. He can also delay developing the bishop here until after 4 ... d6 5 g3 f5 6 Bg2. Ideas involving ... Bh6 have been tried too on occasion, but White should maintain a slight edge, such as with 6 ...h5!? 7 h4 (it makes good sense to keep Black's kingside ambitions under lock and key) 7... Nd7 8 c4 Nf6 9 Nc3 Bh6 10 Nge2 0-0 1 1 Qd3 ReB 12 b4 which was followed by the standard queenside assault in Hoang Thanh Trang-Huang Qian, Beijing (rapid) 2008.
5 g3 0-0 Play will often transpose after 5 .. .f5 6 Bg2 unless Black prefers 6 ... d5, which is similar to the ...exf6 variations considered in our previous chapter. I doubt that Black's bishop is better placed on g7 than d6 and certainly 7 Ne2 0-0 (7... c5?! 8 Nbc3! takes good aim at d5) 8 0-0 c6 once again sees White playing to advance with c4. Following 9 Nd2 (not essential, although after 9 b3 Be6 10 Nf4 Nd7 I would move the knight to support c4, since the 1 1 c4?! of M.Kanep-S.Kukk, Tal linn 2006, might well have been met by 1 1 . ..dxc4! 12 Nxe6 fxe6 13 bxc4 e5 14 Nc3 exd4 15 exd4 Nc5, thereby obtaining decent counterplay) 9 ... Nd7 10 Nf4!? (a slight change of approach to exploit the bishop's absence from the h2-b8 diagonal) 10 ... Nf6 11 c4 Be6 12 Qb3! Qd7 13 cxd5 Bxd5 14 Nxd5 Nxd5 15 Racl Rfd8 Black was solidly placed in M.Bezold-H.Reitz, Wuerzburg 1995, but the instructive ma noeuvre 16 Nf3 Qe7 1 7 Ne1 ! Rac8 18 Nd3 (Diagram 8) left White with a pleasant edge.
6 Bg2 d6 Consistent with Black's dark-square approach, although he might also take play back into the waters of our last note with 6 ... d5.
44
2 ... g6 a nd M i nor Lines 7 N e2 f5 8 c4 (Diagram 9)
Diagram 9 (B)
Diagram 10 (B)
Black should try ... cs
An harmonious white set-up
This move order looks very sensible and has been used by some strong players, but I remain uncertain whether is it is more precise than beginning with 4 c4 fol lowed by prioritizing central development.
8.. Nd7 .
Black manoeuvres his knight to f6, but 8 ... c5!? might well be more critical. Play continues 9 Nbc3 cxd4 (9 ... Nc6 10 0-0! is another key line when I agree with De la Villa that even 10 ... cxd4 1 1 exd4 f4!? fails to equalize after 12 Nxf4 Nxd4 13 Re1 ) 10 exd4 (Wells's 10 Nxd4!? Nc6 11 Nde2 deserves attention when the issue is whether 1 l ...Be6 12 b3 aS! gives Black quite enough counterplay) 1 0... Nc6 11 Qd2 f4! 12 gxf4 Qh4 13 dS Ne7 and at this stage Black had decent compensation in I.Sokolov-R.Har-Zvi, Wijk aan Zee 1993.
WARNING: Don't ignore this ... cs issue just because many black players are unaware of itl As we have seen, White has a number of ways to both dissuade and meet ...cs, and it's good to find a method which you are happy with. 9 Nbc3 Nf6 Transpositions are rife at this point; Black is just as likely to begin with either 9 ...c6 or 9... Re8 before transferring his knight to f6. However, White should be a little careful after 9 ... Re8 10 0-0 c6 when 1 1 Qd3 appears best, since 1 1 b4 permits 1 1 . . . Nb6!? 12 cS Nc4 when even the positional treatment 13 cxd6 Nxd6 14 a4 Be6 15 bS Rc8 16 bxc6 bxc6 didn't seem too bad for Black in V.Akopian-L.Yurtaev, Calcutta 2000.
45
Sta rt i n g Out: The Trom powsky Attack 10 o-o (Diagram 10) White has also delayed this in favour of accelerating his queenside approach. That's an interesting idea, but White is likely to have to castle at some point and I can't see too much wrong with the text.
10 Re8 ...
Black usually flicks this in, but as ... Ne4 isn't obligatory, he might prefer 10 ... c6 1 1 b4 and then one of: a) 1 1 ...h5!? wastes no time developing counterplay, although 12 Nf4 (White rightly doesn't overly fear Black's counterplay; 12 h4 would hold up the advancing h pawn, although perhaps an ambitious black player might try his luck here with 12 ... g5!? 13 hxg5 Ng4) 12 ... h4 13 b5 Bd7 14 Rb1 Rc8 15 bxc6 bxc6 (Diagram 11) 16 Rb7 (16 Qd3 also looks logical, but quite possibly White was hoping to provoke Black into a committal ...g5 when he still had Nh5 available in response) 16 ... Rc7 1 7 Rb3 Re8 18 Qd3 Bc8 19 Ra3 Ng4 20 Rb1 left Black struggling to break through on the kingside and White slightly for choice with Rb8 next up in T.Nalbandian A.Pashikian, Yerevan 2006.
Diagram 11 (W)
Diagram 12 (B)
White seems to be ahead in the race
Holding up ... Ne4 for a move
b) 1 l ...Be6 tries to tempt d5 out of White. I feel he does better to keep the a1-h8 diagonal closed and 12 Qd3 d5 13 c5 sees him racing ahead on the queenside.
11 Qd3 (Diagram 12) White keeps the knight out of e4 for the time being, although it doesn't really make too much difference whether he starts with 1 1 b4 and only then goes 12 Qd3, such a s after 1 l . ..Ne4. After 1 1 Qd3 we will examine the typ i cal plans for both sides by studying 1 1 ...Qe7 1 2 b4 c6 1 3 b5 Ne4 in Game 5 and the more ambitious l l ... c6 1 2 b4 h5!? in Game 6.
46
2 . . . g6 a n d M i nor L i n es
co n clusion z g6 is a fairly solid line, but it's probably a little too simplistic unless Black ...
closely investigates early ... c5 ideas. Our main line appears more pleasant for White, although I was still surprised to discover that he has scored an impressive 65'Yo from the 58 games which I could find after 1 1 Qd3.
Illustrative Games Game S
o M.Galyas • G.Voiteanu Buda pest 2006
1 d4 Nf6 2 BgS g6 3 Bxf6 exf6 4 e3 fS 5 g3 Bg7 6 Bg2 0-0 7 Ne2 d6 8 0-0 ReS 9 c4 c6 10 Nbc3 Nd7 11 b4 Nf6 12 Qd3 Qe7 13 bs (Diagram 13)
Diagram 1 3 (B)
Diagram 14 (B)
Making good use of the g2-bishop
Excellent play for the excha nge
1 3 ... Ne4 Bla ck plugs the long diagonal in a bid to reduce White's queenside pressure. He has also been known to defend with 13 ... Bd7, but in both cases he lacks counter play while White can play down the b-file.
14 a41? W hite decides that he even has time to include his a-pawn in the attack. A more popular choice has been 14 Rabl, which also looks good: a) 14 ... Be6 relies on the rook's position on bl, but White can actually fal l headlong
47
Sta rt i n g Out: The Trom powsky Attack into the trap: 1S bxc6 bxc6 16 Nxe4!? (16 Nf4 is also promising, but the transforma tion generated by the text is a very tempting one) 16 ... fxe4 17 Bxe4 dS 18 cxdS cxdS 19 Bf3 BfS (this skewer is the point of Black's play) 20 Qd2 Bxb1 21 Rxb1 Rab8 22 Rxb8 Rxb8 23 BxdS (Diagram 14) gave White excellent compensation for the ex change in A.Aleksandrov-E.Janev, Sas van Ghent 1992. Perhaps Black might now have tried 23 ...Qb4! ?, but after 24 Qxb4 Rxb4 2S Bb3 aS 26 Nc3 I would still take White: he has control of the position, two good pawns for the exchange and Black faces a long defence, although he does have chances to make it a successful one.
TIP: When your opponent is reliant upon a long, forcing line to keep his position together, always try to look a little further. There's often a sting in the tail or the opponent may just, as here, have misjudged the resulting position. b) 14 ... hS is a more active try, albeit less dangerous than when played in our next game: 1S h4 (this is definitely a case where White doesn't have to block; the 1S a4!? h4 16 aS Bh6 1 7 a6 cxbS 18 NdS Qd8 19 cxbS of E.Torre-S.Safin, Aden 2002, being a tempting alternative) 1S ...Bd7 (the extremely ambitious 1S ... Bh6 16 Nf4 Kh8 17 Bf3 gS? 18 hxgS QxgS failed to convince in K.Berg-J.Ibarra Padron, Skanderborg 200S, and now White might even have gone in for 19 Nxe4!? fxe4 20 Bxe4 h4 21 bxc6 bxc6 22 Bxc6!) 16 bxc6 bxc6 1 7 Rb7 Nxc3 18 Nxc3 Rec8 19 Rfb1 left Black on the back foot in K.Rusev-D.Dochev, Pleven 200S; Ne2 and Qa3 will increase the pressure.
14... a5 Black has no desire to allow aS-a6, but this will hardly keep the queenside closed. I also like White after 14 ... Bd7 1S aS!? cxbS 16 cxbS, since his knight can come to dS, and 14 ... gS!? 1S aS hS 16 a6 h4 1 7 axb7 Bxb7 1 8 RaS cxbS 19 RxbS also leaves him in control of proceedings, M.Navarro Cia-J.Ibarra Jerez, La Algaba 2001 .
15 Rab1 h5 16 bxc6 bxc6 17 Rb6 Qc7?1 The solid 17 ... Ra6!? 18 Rb8 Qc7 19 Rfb1 Nf6 would have been a better defence, keeping the entry squares down the b-file covered for the time being.
18 Rfb1 (Diagram 15) 18 ... Ba6 By now it was too late for 18 ... Ra6?! on account of 19 cS!; that queen really can be pretty effectively placed on d3.
19 Nxe4 White might also have improved his pieces with 19 Nf4!?, but Galyas is happy to transform the structure.
19 ...fxe4 20 Qc21 Remarkably this had all been seen before in S.Martinsen-C.Hoi, Kiel 2004. There White won material with 20 Bxe4?! dS 21 Rxa6 dxe4 22 Rxa8 exd3 23 Rxe8+ Kh7 24 Nf4, but matters were actually far from clear after 24 ... c5!, activating the queen with some effect.
48
2 .. g6 a n d M i n o r Lines .
Diagram 15 (B)
Diagram 16 (W)
White has good pressure
Spot the breakthrough !
2o...f5? Too static. Black would have done better with 20 ... d5, even if 21 Nc3! would have facilitated Bfl and enabled White to meet 2l...Bxc4 with 22 Nxe4, thereby retain ing a pleasant pull.
21 Nf4 Kh7 22 c51 d5 23 Bf1 Black's dark-squared bishop might nominally be his 'good' bishop, but his struc ture is horribly static and White is in complete control.
23 ... Bc8? (Diagram 16) It's natural to want to keep b7 covered, but this allows a decisive blow. Voiteanu had to exchange even if 23 ... Bxfl 24 Kxfl Ra7 25 Qb3 Re7 26 Rb8 would have left White calling all the shots and with excellent winning chances.
24 Rxc61 Qxc6 2 5 Bb5 Now White regains his material with a crushing advantage.
NOTE: Even quiet manoeuvring positions are not completely devoid of tactics. Always try to remain alert to tactical opportunities, espe cially those which exploit loose pieces. 2S . ..Qe6 A desperate try as 25 ...Qc7 26 Bxe8 Ra6 27 Qb3 would have been curtains for B lack.
2 6 Nxe6 Rxe6 27 Qb3 Rb8 28 Qxds h4 29 Qd8 1-0
49
Sta rt i n g O ut: The Trom powsky Attack Game 6
D E.Mensch • N.Giffard
French League 2004
1 d4 Nf6 2 Bg5 d6 3 Bxf6 exf6 4 e3 f5 5 g3 Nd7 6 Bg2 Nf6 7 Ne2 g6 8 c4 Bg7 9 Nbc3 o-o 10 o-o Re8 11 b4 c6 12 Qd3 hSI (Diagram 17)
Diagram 17 (W)
Diagram 18 (B)
Black begins his counterplay
The f4-knight is a good defender
A decent attempt to acquire some counterplay and a better try than the 12 ... Qe7 of our previous game.
13 h4 Once again I wonder if this is definitely best; it all depends on the strength of the positionally risky but potentially dangerous ... gS-break. In M.Svensson-C.Holst, Swedish Team Championship 2007, White preferred 13 a4 h4 14 bS hxg3 15 hxg3 Bd7 16 aS a6 1 7 bxc6 bxc6 (17... Bxc6!? would at least enable Black to weaken White's kingside with a later trade of bishops, although 18 Bxc6 bxc6 19 Kg2 Ng4 20 Nf4 should keep matters under control there) 18 Rfb1 Ng4 19 Rb7 Bh6 20 Nf4! (Diagram 18) when his alert knight helped to keep Black at bay on the kingside and after 20 ... Rb8 perhaps 21 Rxb8 Qxb8 22 Rbl Qd8 23 Rb6 was possible, since 23 ... Bxf4 24 gxf4 Qh4 25 Qd2 Kg7 26 Rxa6 Rh8 doesn't actually threaten very much at all.
NOTE: In this variation we really get to see the power of the fi anchettoed bishop at work. Not only does White's key piece pres sure the black queenside, but it is also an excellent defender and can keep some rather powerful opposition pieces at bay. 50
2 .. g6 a n d M i n o r Lines .
13 .. N g4 14 Nf4 .
A nn otating in his excellent 'd-pawn Attacks' column for the ChessPublishing web site, E ric Prie points out that this wasn't yet necessary. Instead 14 bS! ? Bd7 15 Rfbl g5 16 hxgS QxgS 17 bxc6 bxc6 18 Rb7 Bc8 19 Rc7 h4 20 Bxc6 hxg3 21 Nxg3 Qh4 is a highly-instructive line given by the French Grandmaster. Black's attack looks strong, but White still controls the key kingside light squares and 22 Ndl Rxe3!? 23 fxe3 Qxg3+ 24 Kfl Rb8 25 Rbl, for instance, appears to defend. It's never easy not to panic when facing such an attack, but in general it does seem that Black of ten doesn't have quite enough, scary though his sacrificial possibilities may ap pear .
14 ... g51 15 hxgs Qxgs (Diagram 19)
Diagram 19 (W)
Diagram 20 (W)
Black has saved a tempo
White's defences hold tight
And so the queen is developed to g5 in one go, without having to come via e7.
1 6 Rae1 White abandons his queenside ambitions for the time being, but perhaps he might have got away with the more straightforward 16 Rfe1 ! ?, after which 16 ... h4 1 7 Nh3 Qh6 18 gxh4 Qxh4 19 Ne2 echoes the game and leaves f2 sufficiently well de fended.
l6... h4 17 Nh3 Qh6 18 gxh4 Qxh4 19 Ne21 Mensch rushes pieces over to help the defence.
19 . Re6 20 Nef4 Rh6 21 bS Bd7 22 bxc6 bxc6 .
.
Trading the bishops would only have helped White because of one downside to ... gS: 22 .. . Bxc6? 23 QxfS Bxg2 24 Kxg2 and White has won a pawn while keeping his defence together.
51
Sta rti n g Out: The Trom powsky Attack 23 Rb11 Kh8 (Diagram 20) 24 Rb7 White might have lost a tempo with his rook, but I wouldn't be surprised if he was still better here.
NOTE: Knights are often excellent defenders and here White's knight-pair are proving something of an obstacle to Black. 24...Nf6 25 Qa3?1 Active, but counter-attacking with the queen will prove rather risky. Instead a decent case might have been made for trading a pair of rooks with 25 Rfb1 !, after which 25 ... Rg8 26 Kfl Bf8 27 Rxa7 Qg4 28 Ke1 still leaves Black chasing that elu sive tactic. Moreover, we should not forget that Black's own king might eventually become weak should he never get anywhere himself on the kingside.
2S ... Rg8 26 Rxd7? White panics and I'm not sure why. Like Prie, I haven't found anything especially devastating after 26 Qxd6 Bf8 27 QeS when 27...Be6 28 Rcl Qg4 29 Kfl Bxc4+ 30 Kel BbS 31 Rb1 is extremely unclear; admittedly with his king on el White must remain pretty vigilant, but Black too has his problems.
26 ... Nxd7 27 Qxa7? Besll (Diagram 21)
Diagram 21 (W)
Diagram 22 (W)
A stunn ing blow
The attack is too strong
One can only assume that Mensch missed this amazing if logical move; Black simply wants to remove the knight on f4.
28 dxes Rxg2+? Black suffers a rush of blood to the head. He shouldn't have rejected the straight forward 28 ... dxe5 29 Qxd7 exf4 when there's no defence, as 30 Qxf5 Qxh3 31 Qxh3 Rxh3 32 exf4 Rh4 merely leads to a hopeless ending for White.
52
2 . . . g6 a n d M i nor L i n es 2 9 N xg2?
Re turning the favour. A much better defence was 29 Kxg2 dxeS!? (29 ...Qg4+ 30
J( h 2 NxeS looks very strong_ but Prie points out that those knights keep every th ing together after 31 f3 N xf3+ 32 Rxf3 Qxf3 33 Qd4+ Kh7 34 Qd2) 30 Qa8+ Kh7
( 30 . . . Kg7 31 Rgl is fine too for White) 31 Qe8! when Black has nothing better than 3 1 . . .Qg4+ 32 Kh2 exf4 33 Qxf7+ Kh8 34 Qe8+ Kh7, repeating moves. 29 Qxh3 30 f4 Ncsl (Diagram 22) ...
N ow Black is back on track and there's no hope of salvation for White's ex tremely-vulnerable king. 31 QaB+
Alternatively, 31 Qxf7 Qh1+ 32 Kf2 Nd3+ 33 Ke2 Qxg2+ 34 Kxd3 Qe4+! and the king will eventually be hunted down. 31 Kh7 32 QfB Qh2+ 33 Kf2 Nd3+ 34 Ke2 Qxg2+ 35 Kxd3 Qxf1+ ...
35 . . .Qe4+ would have been more precise, but the text is plenty good enough. 3 6 Kc3 Qc1+ 37 Kd3 Qb1+ 38 Kc3 Qb7 39 exd6 Rh2 40 Kd3 cS 41 Qe7 Qb1+ 0-1
53
C h a pter Th ree
T h e Pos it i o n a l C h o i ce : 2
m m m m
I nt rod uction W h ite Pl ays 5 Nc3 Wh ite Pl ays 5 c3 The Torre- l i ke 3 e 3
•••
e6
The Position a l Choice: 2 . e 6 .
.
1 n trod uction 1
d4 Nf6 2 Bg5 e6 (Diagram 1)
Diagram 1 (W}
Diagram 2 (B)
A respectable defence
Spot Black's little tactic!
A sensible approach and the only alternative to moving the knight if Black wishes to avoid the doubling of his pawns. This positional approach is Black's second most popular response to the Trompowsky, occurring in 23% of all the games in my database, and was recommended in John Cox's popular 2005 work Dealing with d4 Deviations.
3 e4 White takes up the challenge. This is critical and by far his most popular response, although it's also possible to again aim for a kind of improved Torre with either 3 e3 or 3 Nd2, as we'll see in the final section of this chapter.
3 ... h61 Bes t. Black obtains the long-term advantage of the bishop-pair. There are other possibilities, though, of which 'a' is pretty popular at lower levels and 'd' quite a creative defence: a) The solid 3 .. Be7 does little to combat White's spatial advantage, but does set a l ittl e trap. .
WARNING: One might be forgiven for thinking that 4 Nc3 (Diagram 2) will lead to the French Defence after 4...d5, but Black also has 4... Nxe41 5 Bxe7 Nxc3 6 Bxd8 Nxd1 7 Bxc7 Nxb2 8 Bd6 Na4 when White has decent compensation for the missing pawn, but no more than that. 55
Sta rt i n g Out: The Trom powsky Attack Thus White might prefer 4 Bd3 when 4 ... c5 (4...d5 5 e5 Nfd7 6 Bxe7 Qxe7 7 c3 c5 8 Ne2 gives White a good version of the French Tarrasch, whereas here 6 Be3 c5 7 c3 Nc6 8 Nf3 Qb6 doesn't seem so clear - compare with variation 'b') 5 dxc5! is an aggressive idea to make use of White's active set-up. Play might continue 5 ...Qa5+ 6 Qd2 (by no means forced: 6 Nc3 Nxe4!? 7 Bxe7 Nxc3 8 Qd2 Kxe7 9 Ne2 Qxc5 10 Nxc3 offers White decent value for his pawn, and 6 Nd2!? Qxc5 7 Be3! might be considered by those with some Open Sicilian experience) 6 ... Qxc5 7 Nf3 d6 (Dia gram 3) 8 c4!? Nc6 9 Nc3 a6 10 Rcl Bd7 11 0-0, which gave White a small edge thanks to his cramping bind in M.Nikolov-P.Masouros, Aghios Kirykos 2008.
Diagram 3 (W)
Diagram 4 (W)
Sicilian-like play
White should play a Ia Steinitz
NOTE: In this variation we've reached positions quite similar to both the French and the Open Sicilian. Some experience of those openings can't do any harm, but is far from essential; White has quite a pleas ant version of both openings and hasn't directly transposed to any thing horribly theoretical. Finally, we should observe that those who wish to force play into French lines should give serious consideration to the closely-related 4 Nd2!?; the point being that 4 . . . c5?! 5 e5! Nd5 6 Bxe7 Qxe7 7 Ne4 is pretty dangerous, G.Kasparov D.Doukas, Patras (simul) 2001 . b) 3... d5 4 e5 h6 5 Be3 Nfd7 6 f4 c5 7 c3 is another position which rather resembles the French, although it cannot arise from a 1 e4 move order. Here Black has had to spend a tempo on ...h6, which may make it harder for him to break with ... f6. Play might continue 7... Nc6 (7...cxd4 8 cxd4 Nc6 is similar, but enables White to develop his knight to c3 and 9 Nf3 Qb6 10 Qd2 Bb4?! 1 1 Nc3 Qa5 12 Rcl Nb6 13 a3 Bxc3 14 Rxc3 Na4 15 b4! Qd8 16 Rcl left him in control in P.Wells-R.Auschkalnis, Bad
56
T h e Posit io n a l C h o i c e : 2 ... e6 zwes ten 2005) 8 Nf3 Qb6!? (more positional is 8...Be7 9 Bd3 cxd4 10 cxd4 Nb4 1 1 Be2 N b6! ?, which restricted White to an edge after 1 2 a3 Nc6 13 Nc3 Nc4 14 Bel ! ? Bd7 15 b3 N b6 1 6 0-0 in M.Adams-V.Ivanchuk, Moscow (blitz) 2007) 9 b3!? (this weakens squares and provokes a sharpening of the struggle; 9 Qd2 might be more the dark u den t, leaving the issue of the queen's knight u ntil later) 9 ... cxd4 10 cxd4 Bb4+ r p (Diagra m 4) 1 1 Kf2 (essential by this point, but White's king often goes to f2 in the relate d variation 1 e4 e6 2 d4 d5 3 Nd2 Nf6 4 e5 Nfd7 5 f4) 1 1...0-0 12 a3 Be7 13 Nc3 (the king mustn't show too much ambition: 13 Bd3 f6 14 Kg3? fxe5 15 fxe5 Ncxe5! is on e to avoid) 13 ...Qd8 (sharper and more principled would have been 13 ... f6!? when 1 4 N a4!? Qd8 15 Bd3 fxe5 16 fxe5 Ndxe5!? 17 dxe5 Nxe5 18 Kg1 Nxf3+ 19 gxf3 gives B lack some typical compensation, but not quite enough for his piece) 14 Bd3 f6 and now in R.Palliser-l.Lewyk, York 2005, 15 Ke2! would have left White's Steinitzian king quite safe in the centre and Black fairly cramped.
c) 3 ... d6?! 4 Nc3 Be7 fails to contest the centre, but is another line far from un
know n at club level. In P.Cech-W.Uhlmann, German League 2007, White showed
littl e respect for his legendary opponent: 5 Nf3 (5 f4! ? h6 6 Bxf6 Bxf6 7 Nf3 is
rather tempting too) 5 ... h6 (White also attacked after 5 ...0-0 6 Bd3 c5 7 dxc5 dxc5 8
h 4 ! Nc6 9 e5! in V.Baklan-O.Dolzhikova, Schwaebisch Gmuend 2000; note Black's
lack of counterplay and the Greek Gift possibilities) 6 Be3 b6 7 Bb5+! (disrupting Black's development as the c8-bishop would prefer not to go to d7) 7 ... c6 8 Bd3 Ba 6 9 Bxa6 Nxa6 10 Qe2 Nc7 1 1 0-0-0 Nd7 12 h4! Qc8 13 h5 Qb7 and having seized some useful kingside space, White decided it was time to press ahead in the centre with 14 d5!?.
d) 3 ... c5!? (Diagram 5)
Diagram 5 (W) Sharpening the struggle
Diagram 6 (B) Uncompromising stuff!
is a provocative idea which I both played and explored in an article for CHESS a few years back. The critical response runs 4 e5 (4 d5 d6 5 Nc3 Be7 is possible but
57
Sta rt i ng Out: The Trom powsky Attack pretty solid for Black, who was certainly fine after 6 Bb5+ Bd7 7 Bxd7+ Nbxd7 8 dxe6 fxe6 9 Nf3 0-0 in R.Pert-A.Collinson, British League 2002, and the unchal lenging 4 c3 cxd4 5 cxd4 Bb4+! is even more pleasant for him) 4 ... h6 5 Bel! .
NOTE: It may seem strange to retreat the bishop back to base, but this does keep it away from the clutches of the black knight and also keeps b2 usefully protected in the event of any ...Qb6 ideas. Black now has two options: a) 5 ... Nd5 6 c4 (Diagram 6) refuses to let Black settle and gives White good chances of emerging with the initiative: a1) 6 ... Nc7?! 7 dxc5! (White opens the position as he enjoys smooth development and wants to target g7) 7... Bxc5 (7... Nc6 8 Nc3 Nxe5 9 Bf4 Ng6 10 Bd6 Na6 1 1 Bd3! was promising too in R.Eames-T.Abergel, British League 2003) 8 Qg4 (Diagram 7) 8 ... Kf8 9 Nf3 d5 10 Be2 Nc6 1 1 0-0 Qe7 12 Rd1 dxc4 13 Bxc4 gave White a pleasant edge in B.Macieja-R.Wojtaszek, Polish Championship, Lublin 2008.
Diagram 7 (B)
Diagram 8 (W)
It's not so easy to cover g7
Black's king is a concern
a2) 6 ... Ne7 7 dxc5 Nbc6 (G.Sargissian-M.Sorokin, Ubeda 2000) prevents such Qg4 ideas, but Wells's suggestion of 8 Nf3!? Ng6 9 Be3 Ngxe5 10 Nxe5 Nxe5 1 1 Nc3 appears to give White the edge. a3) 6... Nb4!? is the most ambitious try and quickly leads to quite sharp play, as we'll see in Game 7. a4) 6. . . Nb6 7 dxc5!? (again the most challenging approach; 7 d5 d6! breaks up White's centre with easy play for Black) 7 ... Bxc5 8 Qg4 g6!? (8 ... Bf8 avoids creating a weakness, but fails to equalize after 9 Nf3 Nc6 10 Nc3 d6 1 1 Bf4) 9 Nc3 Nc6 1 0 Nf3 d 6 (Diagram 8 ) might be Black's best try, since White's queen isn't ideally placed, although 1 1 exd6 (1 1 Be2!? dxe5 12 0-0 is another gambit which might be
58
The Positio n a l Choice: 2 . e6 . .
investigated) l l ... Bxd6 1 2 cS! BxcS 13 BbS gave White decent play for his pawn d u e to Black's kingside weaknesses in P.Wells-Z.Efimenko, Hastings 2003/04. b) s . Nh7!? is very modem, countering one strange-looking retreat with another. We now have a final divide: b 1) 6 Bd3?! is a radical way to deal with the h7-knight, but doesn't fully convince: 6. . . cx d4 7 Nf3 (7 Bxh7 QaS+ 8 Nd2 Rxh7 9 Ngf3 Nc6 is also good for Black) 7... Ng5! reveals Black's main strategic idea, after which 8 0-0 Nc6 9 Re1 d6 10 Nbd2 Bd7 1 1 a 3 Qc7 12 exd6 Bxd6 left him somewhat for choice i n T.Clarke-V.Bologan, Euro pean Club Cup, Rethymnon 2003. ..
b2) 6 dS has been White's most popular response and 6 ...exd5 (or 6 ... d6 7 Nc3 exdS
8 QxdS Nc6 9 BbS dxeS 10 QxeS+ Qe7 1 1 Bxc6+ bxc6 1 2 Bf4 with a clear edge,
M.Cebalo-G.Franchini, Reggio Emilia 2006) 7 QxdS Nc6 8 Nf3 (preferable to 8 Bc4?! Qe7 9 Nf3 Nf6!) 8 ...Qe7 9 Be3! (Diagram 9) certainly looks quite dangerous, even if 9 . .f6!? (9 ... d6 is more solid, but fails to equalize after 10 BbS Bd7 1 1 exd6 Qxd6 12 Nc3 Nf6 13 Qxd6 Bxd6 14 0-0-0 Be7 1 5 Rhe1 0-0-0 16 Na4!) 10 Nc3 (far from essential and both 10 Bd3 and 10 Nh4!? NxeS 1 1 Nc3 deserve closer scrutiny) lO . . . fxeS 1 1 Bd3 N f6 12 Bg6+ Kd8 13 Qc4 Nd4 might be okay for Black thanks to his strong centre. .
Diagram 9 {B)
Diagram 10 {B)
Overly-a rtificial play?
More French-like play
b3) 6 dxcS!? is a less-explored idea, although then 6 ... Nc6 7 Nf3 (7 Be3!? NxeS 8 N c3 is an attempt to speed up White's development) 7... Ng5 8 NxgS hxgS 9 Be3 b6 10 cxb6 axb6 1 1 Nc3 Bb4 gave Black sufficient counterplay in A.Smirnov V.Iordachescu, Russian Team Championship 2008. After that long but important digression, we return to Black's main move, 3 ...h6, ex p loiting the undefended e-pawn:
4 Bxf6 Qxf6 5 Nf3
59
Sta rti n g Out: T h e Trom pows ky Attack White's old choice, reaching a position which often comes about via the Torre: 1 d4 Nf6 2 Nf3 e6 3 Bg5 h6! 4 Bxf6 (4 Bh4 d6 followed by ...g5 is fine for Black) 4 ... Qxf6 5 e4. Nowadays White usually prefers to keep his f-pawn free and so selects either 5 Nc3 or 5 c3, the respective subjects of our next two sections. The only other move is 5 Qd2, angling to avoid the variation 5 Nc3 Bb4, but I suspect that such avoidance only makes things worse if Black responds actively with 5 ...c5! 6 e5 Qd8.
s d6 ...
By far Black's most popular choice, although with White's f-pawn blocked 5 ... d5 is far from illogical. Following 6 e5 (the less committal 6 Nbd2 is probably a better try) 6... Qd8 7 Bd3 (I have seen the position after 7 c4!? dxc4 8 Bxc4 Nd7 9 Nc3 Nb6 10 Bb3 Bd7! 1 1 0-0 Bc6, as in J.Hodgson-M.Lodhi, London 1987, assessed as fa vouring White, but Black shouldn't be more than a touch worse with his light squared bishop well placed on c6) 7 ... c5 8 c3 Nc6 9 a3 cxd4 10 cxd4 (Diagram 10) the position resembled an Advance French in K.Chernyshov-T.Abergel, Cappelle Ia Grande 2006. Exactly who this favours is not clear: Black's kingside has been slightly weakened and it's tempting for White to aim for a Bc2 and Qd3 battery, but then again White may miss his dark-squared bishop in any kingside attack.
6 Nc3 Via the Torre move order White often hasn't been so keen on this aggressive move, but quieter choices also fail to trouble Black: for example, 6 Bd3 Nd7 (hold ing up ...e5 before fianchettoing the dark-squared bishop) 7 Nbd2 g5! 8 c3 g4 9 Ng1 h5 1 0 h3 Bh6! (Diagram 11) 1 1 hxg4?! (not liking Black's initiative, White pre pares an overly-aggressive counterstrike, but he would have done better to house his king with 1 1 Qe2 a6 12 0-0-0) 1 1 ... hxg4 12 e5?! dxe5 1 3 Ne4 Qg7 was superb for Black, who enjoyed his usual dark-square pressure as well as an extra pawn in H.Temmerman-S.Vanderwaeren, Ghent 2003.
Diagram 11 (W) Wh ite has lost the i nitiative 60
Diagram 12 (W) Black is fine
The Pos i t i o n a l Cho ice: 2 ... e6 NOTE: White might have a small lead in development after 5 Nf3, but it's extremely hard to do anything with it, which is why grand master interest has rather waned in this variation. It w o uld be ideal to open the centre with d5, but that is usually well met by ...e5, or w ith e5, which in tum can often be countered by ... d5. Meanwhile it's not all th a t difficult for Black to advance and develop on one wing or the other, just as w e'll see in our main line. Bearing these problems in mind, one can see why it would be nice to make 6 e5!? w ork, but unfortunately 6 ... dxe5 7 dxe5 Qe7 8 Nc3 Nc6 appears fine for Black too: 9 Bb5, Burgess's suggestion from The Gambit Guide to the Torre Attack, can be met by just 9... Bd7 (Diagram 12) followed by ...0-0-0 and then either ... Qc5 or ... g5, and 9 Bd3 g5! 10 Qe2 Bg7 1 1 Bb5 (saving the e-pawn, but Black cannot complain about acq uiring a second bishop) 1 l ...Bd7 1 2 Bxc6 Bxc6 13 0-0-0 Qb4! gave Black the edge due to his pressure against e5 in K.Shirazi-L.Christiansen, US Champion ship, Berkeley 1984. 6 Nd7 (Diagram 13) ...
Diagram 13 (W)
Diagram 14 (W)
Black may play for ... cs
Both sides press forwards
Bl a ck's most flexible and probably best approach, keeping the e5-square closely monitored. Karpov once preferred 6... g6 against Korchnoi, but this may allow
White to better time 7 e5!?, as well as to consider the more usual 7 Qd2 Bg7 8 0-0-0. Surprisingly Karpov has also dabbled in 6 ... g5!? at this stage, which may Wel l be taking the whole provocation angle a little too far. In K.Chernyshov B. Thorfinnsson, Budapest 2005, White handled things calmly and the instructive m a noeuvre 7 eS Qe7 8 h3!? (rather than Timman's 8 BbS+) 8 . Bg7 9 Qe2 a6 1 0 0-0-0 dS 11 Qe3 bS?! 12 Ne2! Nd7 13 Ng3 cS 14 NhS saw him seizing the upper hand. ..
61
Sta rti n g Out: The Trom pows ky Attack 7 Qd2 Here too White has tried 7 Bd3, but 7...Qd8 (moving the queen away from a poten tial e5-advance while facilitating the development of the bishop to e7 is often a good plan in this variation) 8 Qd2 a6 9 0-0-0 Be7 1 0 h4 b5 1 1 g4 c5! gave Black good counterplay in A.Stefanova-M.Gurevich, Antwerp 1997.
7 ...a6 WARNING! Black should not consider this variation totally harmless: 7 ...c6 8 o-o-o es?l 9 dxesl dxes? 10 Nbsll, as in J.Kiinger-D.King, Lucerne 1989, is a trap which continues to claim vidims. 8 0-0-0 Qd8 Any reader unconvinced that White can't put his better development to good use should pause at this point and try to find an acceptable plan. It isn't so easy and in practice White has usually resorted to pushing his kingside pawns.
9 h4 bs (Diagram 14) Black too is allowed to mobilize his own potential attackers.
10 Bd3 Hodgson's choice. White later attempted to improve with 10 Rh3!? in C.Crouch M.Adams, European Club Cup, Slough 1 996, although after 10 ... Bb7 1 1 Qf4 b4 12 Ne2 c5! 13 dxc5! (White must open the position, since 13 d5?! e5! 14 Qe3 Qa5 15 Kb1 c4 would have already left Black with a pretty useful attack) 13 ... Nxc5 14 e5 Black had a number of reasonable options, including 14 ... Bd5!?. Once again 10 d5 e5 doesn't especially help White either, but 10 e5! ? might be his best chance to pose at least a few problems, as we'll see in Game 8.
10... Bb7 11 Kb1 cs 12 dxcs Nxcs We've followed the game J.Hodgson-A.Miles, Kuala Lumpur 1992; two highly creative Trompowsky users in opposition here. Unfortunately for Hodgson Black had managed to obtain a pretty comfortable version of the Sicilian, as was borne out by the further 13 Qe3 Qc7 14 Nd4 0-0-0! (Diagram 15) 15 f4 Kb8. It's notable that it didn't take Hodgson long after this encounter to switch to 5 Nc3 (and later to 5 c3).
Conclusion I've covered Black's 3rd-move alternatives to 3... h6 in fair detail because they crop up quite often at sub-international levels. Only 3 ... c5! ? should really concern White, though, when it's important to be prepared and so avoid joining the fairly large ranks of those who have been caught by surprise. Bagging the bishop-pair with 3 . .. h6 is a classical and fairly reasonable response.
62
The Posit i o n a l Cho ice: 2 . . . e 6 f-{e re too White must have some ideas and these days 5 Nf3 just looks pretty
ss. Indeed, I'm not surprised that White has scored a little under 50% here; too th le undertake more active measures to counter Black's long-term advantage st rnu he o bishops. tw of th e
Diagram 15 {W)
Diagram 16 (B)
An acceptable Sicilian for Black
Can White maintain control?
Illustrative Games Ga me 7 D R.Palliser • P.Taylor Golders G reen Rapid play 2004
1 d4 Nf6 2 Bg5 e6 3 e4 c5 4 e5 h6 5 Bel Nd5 6 c4 Nb41? 7 a3 The best move order if White plans to exchange on c5.
WARNING: I later preferred the careless 7 dxc5, only realizing during my opponent's subsequent think that 7 .. Bxc5 8 a3? is not the way to go on account of 8 .Qh41 9 Qd2 Be31? 10 Qe2 Bxf2+ when White is struggling, albeit perhaps not quite as much as he deserves to be after 11 Kd11 Bxg1 12 axb4 o-o 13 Nd2. .
..
Even more fortuitously 7 ... N8c6? appeared on the board in R.Palliser
M.Carpenter, York (rapid) 2008, and after 8 a3! Na6 9 b4 Nxe5 10 Bb2 Qc7 1 1 Nc3 N g6 12 NbS Black found himself horribly bound. Pl ay ing to hit g7 is not the only plan, though: 7 dS!? being a worthy alternative. Then 7... d6 (7 ... exd5 8 cxd5 already looks a little precarious for Black and 8 .. Qe7? .
63
Sta rt i ng Out: The Trom powsky Attack 9 f4 d6 10 a3 N4a6 11 Nf3 Bg4 1 2 Bb5+ saw his Pseudo-Benoni brutally annihilated in B.Savage-J.Bick, Las Vegas 2006) 8 a3 N4a6 9 Bf4! (Diagram 16) may well retain an edge: 9... dxe5 10 Bxe5 Nd7 1 1 Qa4!? ( 1 1 Bg3 is a simpler, respectable alterna tive) 1 1 . .. Qg5?! (Black faces some difficulties in any case, but this tempting idea is probably too ambitious) 12 f4 Qg6 13 Nf3 Be7 was quite complex in M.Karttunen O.Sepp, Finnish League 2004, but I suspect that 14 d6!? Bf6 15 Nbd2 favours White.
7 ... N4c6 8 dxcs Bxcs The critical move, but not the only approach. Black might also try his chances in the extremely murky structure which 8.. . Nxe5!? 9 Be3 Na6 10 b4 b6 gives rise to.
9 Qg41 (Diagram 17)
Diagram 17 (B)
Diagram 18 (W)
Again g7 is pinpointed
It's getting messy...
Ambitious, but also quite critical and far from easy to deal with at a fast time limit. I no longer agree with all my earlier (2005) analysis for CHESS, but do still feel that 9 Nf3 Qc7 should be comfortable for Black and that 10 b4!? Nxe5 1 1 Bb2 Bd6! 12 Nbd2 0-0 13 c5 Nxf3+ 14 Nxf3 Be7 15 Be5 Qd8 doesn't offer White quite enough for his pawn.
9 . Qb6? .
.
I'm not a huge fan of analyzing with an engine, but must admit that they can be pretty helpful at times! Previously I had quite liked Taylor's choice, but now I suspect that Black does much better with 9 .. Qa5+!, which is quite a disruptive check. Nevertheless, this is far from being all doom and gloom for White, not least because 10 Nc3! Bd4 1 1 Bd2 Qxe5+ 12 Be2 offers a decent lead in development in return for the pawn. .
64
The Posit iona l C h oice: 2 . . . e6 NOTE: It's far from uncommon for White to decide on an ambitious course of action in the Trompowsky, and when he does so he must often be prepared to sacrifice a pawn or two to mainta in the initia tive. Here an early Qg4 raid is risky with Black ahead in development, but White still obtain s decent play for his pawn thanks to his safer king and Black's slightly ja m med-up queenside.
10 Qxg7 Bxf2+ 11 Kd1 Qd4+ (Diagram 18) The alternative was 1 l ...Rf8 12 Bxh6 Qb3+, but after 13 Kcl Be3+ 14 Nd2 Bxd2+ (14. . Bxh6? 15 Qxh6 Qb6 16 Ne4! pinpoints Black's serious dark-square weak nesses) 15 Kxd2! Qxb2+ 16 Ke3 Black must lose the exchange for clearly insuffi cien t compensation. .
12 Ke21 This required some calculation and good nerves, but I was determined to avoid block ing my key bishop with 12 Nd2 unless I absolutely had to.
12 ... Bxg1? Taylor plays for the attack, but this is far too ambitious. He had to save the rook, even if the accurate sequence 12 ... Rf8 13 Nc3! (13 Bxh6?! Qxb2+ 14 Nd2 Bc5 looks more dangerous for White than Black) 13 ... Bxg1 14 Rxg1! Qxe5+! (14 ...Qxg1? 15 Bxh6 Qc5 16 Ne4 Qe7 1 7 Rd 1 i s crushing) 1 5 Qxe5 Nxe5 16 Bxh6 Rg8 1 7 Ne4 would have left White with a strong initiative. 13 Qxh8+ Ke7 14 Qf6+ Ke8 15 Rxg11
The simplest. Black had no doubt considered this, but presumably missed the sting in the tail down the h-file. 1 5 . Qxg1 16 Qh8+ Ke7 17 Qf6+ Ke8 18 Be3 Qxh2 .
.
Now the backwards pin costs Black his queen, but 18 ...Qh1 19 Qh8+ Ke7 20 Bxh6 w ould also have been completely crushing. 19 Qh8+ Ke7 20 Bg5+1 (Diagram 19) 1-0 Game B 0 M.Popovic • M.Andersen
Rey kjavi k 2009
1 d 4 Nf6 2 Bgs e6 3 e4 h6 4 Bxf6 Qxf6 5 Nf3 d6 6 Nc3 Nd7 7 Qd2 Qd8 8 h4 a6 9
O-o-o bs 10 es d5 (Diagram 20) 11 Rh31?
The sa me idea which we saw Crouch try against Adams, but here the centre is cl osed. In this French-like position transferring the rook to generate potential P ress ure against g7 make a fair amount of sense. White had previously employed another typical French manoeuvre with 1 1 Ne2 and after 1 1 . . .Nb6!? (Black hurries 65
Sta rti n g O u t : The Trom pows ky Attack his knight towards c4, but 1 1...c5 i s also quite possible, a s pointed out b y Cox, af ter which White might perhaps go 12 Rh3 anyway or occupy the d4-square with 12 dxcS BxcS 13 Ned4) 12 Nf4 Nc4 13 Bxc4 bxc4! (Black is alert to the danger; with White so far ahead in development he would like to open the position for his knight-pair and 13 ... dxc4?! 14 dS! would have given him just such an opportunity) 14 NhS Qd7 15 Qc3 Rb8 1 6 a3! (good defence against ... Qa4 and ... Bb4 ideas) 16 ...Qb5 1 7 Rh3 a complex, manoeuvring struggle was well underway in O.Annageldyev-I.Rogers, Istanbul Olympiad 2000.
Diagram 19 (B)
Diagram 20 (W)
A backwards pin!
Another French centre
11 C5 ...
Black plays in true French-style, but I suspect that the Rogersesque 1 1 ...Nb6!? would have been stronger. Then 12 Rg3 Nc4 13 Bxc4 bxc4 should probably be fol lowed up by 14 Ne2!, again aiming to apply some pressure against g7.
12 dxcs Nxcs Black might also have gone in for 1 2 ... Bxc5!? 13 Rg3 Kf8, since it's not then so easy for White to increase the kingside pressure.
13 Qf4 b4 14 Ne2 Qc7 White is happy to redeploy his queen's knight, but at least this way Black is able to develop his queenside in comfort.
15 Kb1 Bb7 16 Nfd4 Be7 17 Qe31 (Diagram 21) Thus White has made good use of the d4-square and now he introduces another typical French motif, the advance of the f-pawn.
17 0-0-0 ...
Andersen's play strikes me as being just a little too compliant in this game. One
66
T h e Posit i o n a l C h o i ce: 2 . . . e 6 can u nderstand his desire to avoid 17. . .0-0 18 g4!, but I'm b y n o means convinced th at the active 1 7... a5!? was such a bad approach: for example, 18 NbS Qb6 19 Nf4 (W hite wants to generate some kingside pressure) 19 . . a4 20 Rg3 gS! 21 NhS b3 gives Black decent-enough counterplay. .
1s Rc1! Kb8 19 C3
Now White is control and enjoys an edge thanks to his grip on d4 and slightly safer king, although Black remains pretty solid with his own knight also control li ng some key squares. 19 bxc3 20 Nxc3 Qb67 .
..
N a tural enough, but this leads to tactical problems unless Black wants to part with hi s f-pawn. Somewhat better was 20...Rc8, intending 21 Na4 (21 Qf4? is now rather well met by 2l...f6) 21...Qa5, which seems to keep everything together. 21 Qf4 Rhf8 22 Na41
It may seem strange to activate Black's bishop thus, but Popovic has realized that Bl a ck's queenside situation is more than a little shaky. 22 Qa7 23 Nxcs Bxcs (Diagram 22) 24 Nc6+7 ...
Diagram 21 (B)
Diagram 22 (W)
Thematic control of d4
How best to attack?
Flashy and it appears that White overestimated his attack. However, he wouldn't have been at all guilty of doing that had he found 24 Bxa6!, leaving Black pretty rnu ch defenceless: 24 ... Bxd4 (or 24 ... Qxa6 25 RxcS and both rooks will swing into the attack) 25 Bxb7 Kxb7 26 Ra3 and the black queen is a goner.
24 Bxc6 25 Rhc3 Bb67 ...
B l a ck preserves the wrong bishop. Correct was 25 ... Bxf2 26 Rxc6 (or 26 Rlc2!? Qd4! 27 Rxf2 Qxf4 28 Rxf4 Bb7 29 Ra3 f6 and Black should hold the endgame)
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Sta rti n g Out: The Trom powsky Attack 26... Qd4 27 Qf3 Qe4+, forcing the queens off and leaving everything still to play for.
26 Rxc6 Qb7? Completely collapsing. Black had to try 26 ... Ka8 27 Rlc3 Rb8, which Andersen may have thought failed to 28 Bxa6? Qxa6 29 Ra3?, missing the rather large counter-tactic 29 ... Qxa3! 30 bxa3 Be3+.
WARNING: It's amazing how often serious mistakes go together in pairs. Thus if you susped that you have just erred, do be extremely vigilant over the next few moves! 27 Qa4 Ka7 (Diagram 23)
Diagram 23 (W)
Diagram 24 (B)
It's a l l over
The centre vs. the bishop-pair
28 R1c3 Rather powerful too would have been 28 Rxb6 Qxb6 29 Rc6.
28 ... Rb8 29 Rc71 Bxc7 30 Rxc7 Kb6 31 Rxb7+ Kxb7 32 Qxa6+ Kc7 33 BbS 1-0
Wh ite Plays 5 Nc3 1 d 4 Nf6 2 BgS e6 3 e4 h 6 4 Bxf6 Qxf6 5 Nc3 (Diagram 24)
White refuses to obstruct his f-pawn and this aggressive approach has become his most popular choice.
s Bb4 ...
There's something very consistent to my mind about this move which has certain
68
The Pos i t i o n a l Cho ice: 2 . . e6 .
Ni rnzo-Indian echoes. Black can also play as in our last section with 5 ... d6, which portant alternative, and after 6 Qd2 we have: is an im a) 6 .. . a6 is less convincing than when played in the early Nf3 lines and 7 f4! Nd7 (fa r rn ore radical is 7 ... g5!?, but 8 fS! exfS?! 9 NdS Qd8 10 exfS BxfS 1 1 Qf2 gave W hite great play for his pawn in V.Akopian-E.Iljushkin, Novgorod 1999, and even the su perior 8... Bg7 9 0-0-0 exfS leaves White with good compensation after Wells's 10 exfS BxfS 1 1 Bd3!) 8 Nf3 Qd8 (the queen scurries out of danger; 8... g6 9 o-0-0 Bg7 is now fairly risky, since White can consider such direct ideas as 1 0 eS! Qe7 11 h4 hS 12 dS!?) 9 0-0-0 cS? (Black fails to grasp just how helpful having ad va nced the f-pawn is to White; he would have done much better to have devel oped with 9...Be7) 10 dS eS (desperately trying to keep lines closed, whereas 10 .. . Nf6? 1 1 dxe6 Bxe6 1 2 fS! Bd7 13 eS dxeS 14 NxeS Be7 15 Bc4 would have led to an early bath) 1 1 fxeS NxeS 12 NxeS dxeS 13 d6! (Diagram 25) 13 ... Be6 14 Bc4! saw the cramping d-pawn leave Black in serious trouble in R.Palliser-R.Britton, York 2004.
Diagram 25 (B)
Diagram 26 (W)
The d-pawn is rather awkward
Black prepares ...es
NOTE: White's three abreast pawn centre offers him a number of aggressive ideas, as well as keeping Black cramped. Do keep an eye out for breakthroughs with all of the e5-, f5- and d5-advances. b) Thus I suspect that 6 ... c6 (Diagram 26) is a better try and this has, indeed, been advocated by Cox. Now 7 f4 eS (7.. . g5 8 fS! exfS 9 0-0-0 again gives White a strong initiative; note how this sacrifice opens lines to the detriment of the black king) 8 dxeS dxeS 9 fS has been White's main try in practice, but while he is cramped Bl ack' s position is quite solid and 9 ...Bb4! (Diagram 27) has become established as the best way for him to regroup his forces: ... Nd7, ...Qe7, ... Nf6, ... Bd7 and ... 0-0-0
69
Sta rti ng Out: The Trom powsky Attack i s the plan. The game L.McShane-S.Gordon, E U Championship, Liverpool 2006, continued 10 Nf3 Nd7 1 1 a3 BaS 12 Bc4 (the pin is annoying and, indeed, no lesser player than Mamedyarov has tried 1 2 Bd3 Qe7 13 b4!? Bb6 14 Na4 in a rapidplay game; an approach which deserves further attention) 12 ...Qe7 13 0-0-0 Nf6 14 Rhet Bd7 and already it was clear that if anyone was better it was Black as he had a clear plan: queenside expansion.
Diagram 27 (W)
Diagram 28 (W)
It's roughly balanced
It's all a bout the dark squares!
Instead White might make a further positional concession to develop with 9 fxeS!? QxeS 10 Nf3, but once again 10 ... Qa5! 1 1 Bc4 Bb4 is quite an annoying pin. I've spent some time here over the years looking for a way to exploit White's superior development, but am yet to find it and 12 0-0 0-0 13 Kh1 Nd7 14 Rad1 led to noth ing more than a fairly complex middlegame in M.Bezold-R.Dive, Wrexham 1 994. c) Bearing in mind the problems posed by White's f-pawn, perhaps it should not come as a surprise that 6 ... g5! ? (Diagram 28) has been a popular choice in practice, at least at higher levels. White must then decide how aggressive a mood he is in: cl ) 7 Bc4 Nc6 8 Nge2 Bg7 9 Rd1 sees White developing sensibly. This does keep Black a little cramped and tends to give rise to a full-blooded battle, as it did in no lesser game than V.Anand-A.Karpov, FIDE World Championship, Lausanne 1 998: 9 ... Bd7 10 0-0 0-0-0! (Black goes this way because White is happy to prise the king side open with f4) 1 1 NbS! a6 12 Na3 g4 (more recently 12 ...Qg6!? posed some tricky central questions and after 13 f3 hS 14 Qe3 g4 15 f4 dS!? 16 fS Bh6 Black ob tained decent counterplay in N.Vitiugov-B.Savchenko, Bornholm 2008) 13 f4 gxf3 14 Rxf3 Qe7 15 c3 hS 16 Rdfl Rdf8 1 7 b4 Na7 18 Nc2 Bh6 and both sides had their chances in this unbalanced middlegame. c2) A more restrained approach is 7 g3!? Bg7 (it's notable that 7 g3 doesn't commit White to quiet play; he might just use the move as preparation for f4 and 7... Bd7 8
70
The Positiona l C h oi ce : 2 .. e6 .
o-0-0 g4 9 f4! gxf3 10 Qf2 Bg7 11 Nxf3 Nc6 12 Be2 a6 13 Rhfl gave him an edge in
E . Co rdova-L.Bruzon Bautista, Merida 2007, since even long castling wouldn't ha ve been safe for Black with dS-ideas on the agenda) 8 NbS!? Qd8 9 c3 a6 10 Na3 b6 1 1 Bg2 Bb7 12 Nc2 Nd7 13 Ne3 Qe7 14 Ne2 (Diagram 29), which saw White re tain decent-enough central control in M.Adams-P.Leko, Cap d' Agde 1996.
c3 ) White has often begun too with 7 0-0-0, but probably the best move for those
w ho want to drum up early complications is 7 h4!?, as we'll see in Game 9.
Diagram 29 (B)
Diagram 30 (B)
White manoeuvres
Avoiding being pinned
We now return to S ... Bb4:
6 Qd2 White's main approach, but in view of the problems he faces in the main line, he has also explored: a) 6 Nge2 prepares to recapture with the knight in the event of an exchange on c3, but is quite slow and 6... d6 7 Qd3 (inserting 7 a3 BaS is no panacea for White, not least because the calm 8 g3?! Nc6 9 Bg2?! actually blunders the d-pawn to 9 ... Bb6!) 7. . . cS 8 dxcS dxcS (I can't see too much wrong either with 8 ... BxcS!?) 9 a3 Bxc3+ 10 Qxc3 Qxc3+ 1 1 Nxc3 Nc6 12 0-0-0 Ke7 13 g3 b6 14 Bg2 Bb7 saw Black equalize in Z.Rahman-Li Ruofan, Kuala Lumpur 2007. b) 6 eS Qe7 (the more flexible 6 ...Qd8 is also a decent choice) 7 a3 Bxc3+ 8 bxc3 is p retty committal from White and now Black has a choice between the calm, Nimzo-like 8... b6 and 8 ... d6, which quickly led to quite an unbalanced situation a fter 9 f4!? dxeS 10 fxeS Qh4+! 1 1 g3 Qe4+ 12 Kf2 Qxh1 13 Bg2 Qxh2 14 Qg4 g6 1S Nh3 Bd7 1 6 Rh1 Qxg2+ 1 7 Kxg2 Bc6+ 18 Kgl Bxh1 19 Kxh1 i n T.Nalbandian A.Anastasian, Armenian Championship 2007; White's queen has some targets here, but I would be surprised if Black was worse with his extra kingside pawns.
71
Sta rti n g Out: The Trom pows ky Atta c k c ) I've long been o f the view that 6 Qd3!? (Diagram 30) i s a reasonable try, because 0-0-0 will completely break the pin. Black has quite a wide choice in this unforcing position, but he usually opts to challenge in the centre: cl) 6 ... c5 7 e5 Qe7 (best; Wells points out that 7... Qd8 8 dxc5! Qa5 9 Nge2 Nc6 10 £4 Bxc5 1 1 0-0-0 gives White useful ideas of Qg3 and Ne4) 8 a3 leads to a further di vide: el l) 8 ... Ba5 9 0-0-0 cxd4 10 Ne4 0-0 1 1 f4!? (an attempt to improve over 1 1 Qg3 Nc6 12 Nf3 Bc7!, which was quite awkward for the attack in A.Bigg-C.Pritchett, British League 2004) l l ...Nc6 12 Nf3 Bb6 1 3 g4 (Diagram 31) gives White decent attacking chances for his pawn and could really do with a test.
Diagram 31 (B)
Diagram 32 (W)
Decent compensation
Cleverly delaying the excha nge
c12) The solid 8 ... Bxc3+ 9 Qxc3 b6 might well be Black's best. At any rate 10 dxc5 Qxc5 11 Qxc5 bxc5 12 Nf3 (in New in Chess Yearbook 78 I proposed the more ambi tious 12 f4!? Bb7 13 b4) 12 ... Nc6 13 0-0-0 f6 14 exf6 gxf6 15 Bb5 Bb7 was pretty level in M.Taylor-J.Curtis, British League 2005. c13) However, 8... cxd4?! is less convincing, because 9 axb4 dxc3 10 bxc3! gives White a grip on the position, which soon turned into a strong attack after 10 ...0-0 1 1 Nf3 Rd8 12 Qe4 f5 13 exf6 Qxf6 14 Bd3!? in R.Palliser-P.Van Voorthuijsen, Cork 2005. c2) 6 ... d5 is a solid, French-like approach, which we'll see in Game 10. c3) 6... Nc6 7 Nf3 0-0 8 0-0-0 d6 9 Kb1 Qg6 10 h4 f5! 11 h5 Qf7 was about even in L.McShane-V.Kramnik, European Club Cup, Saint Vincent 2005, but I would pre fer the more aggressive 7 0-0-0!?, after which 7... Bxc3 (7...Qxf2? 8 Nf3 traps the queen) 8 Qxc3 d6 9 Kb1 Bd7 10 Qe3! e5 1 1 d5 Ne7 12 g3 c5 13 h4 h5 14 Bh3 slightly favoured White in N.Legky-N.Spiridonov, Sautron 2002.
72
The Positio n a l C hoice: 2 . . . e6
6 c5 The solid 6... d6 7 a3 BaS! (Diagram 32) also has quite a respectable reputation. ...
Bl ack s main point is that 8 f4 (the more restrained 8 Nf3 is probably called for, al thou gh 8... Nd7 9 Be2 c6 10 0-0 e5 is fine for Black) 8 ... Bxc3! 9 bxc3 (9 Qxc3? Qxf4 w ins a pawn) 9...e5 gives good counterplay. White is loathe to close the centre with his q ueenside damaged, but 10 g3 0-0 1 1 Nf3 Bg4 12 Bg2 Nc6 saw Black keeping up the pressure with at least equality in T.Tolnai-I.Stohl, Hungarian League 1999. '
1 a3
White tries to break the pin. Instead 7 e5 Qf5! leaves his centre vulnerable and 8 a3 (8 Bd3? Qg4 is Black's idea) 8...cxd4 9 axb4 dxc3 10 Qxc3 Nc6 1 1 Nf3 Qe4+ 12 Be2 Qx b4 13 Qxb4 Nxb4 14 0-0-0 offers no more than sufficient compensation, o.Gutsche-N.Davies, correspondence 2003. Another try has been 7 dxc5, but 7... Bxc5 (Davies points out that 7... 0-0 8 f4 Bxc3 9 b x c3 e5!? is also possible) 8 Nf3 Nc6 9 Bb5 Nd4! 10 Nxd4 Qxd4 1 1 Bd3 Bb4 equal ized without difficulty in A.Schenk-A.Schmitt, French League 2004.
7 . Bxc3 .
.
This has good pedigree, but once again I can't see too much wrong with 7... Ba5!?, maintaining the pin.
8 bxc3 d6 (Diagram 33 )
Diagram 33 (W)
Diagram 34 (W)
Ni mzo-like play
It's a bout eq ual
NOTE: The position most certainly has a fair amount in common with the Nimzo-lndian: White must try to exploit his extra central space, while Black would like to keep the centre closed with ... es and to gradually exploit White's weakened queenside. 73
Sta rti n g Out: The Trom powsky Attack 9 Nf3 Hodgson switched to this more sedate approach than White might like after no doubt discovering 9 f4 e5! (9 ... 0-0 10 Nf3 Nc6 1 1 Bb5 Na5 12 Bd3 b6 13 0-0 Bb7 1 4 Rae1 kept control of the central situation and left White well mobilized in J.Hodgson-L.Yudasin, New York (rapid) 1994). Then 10 Bb5+ Bd7 1 1 Rb1 (prefer able to 1 1 Bxd7+?! Nxd7 1 2 Ne2 Qh4+ 13 g3 Qe7 14 fxe5 dxe5 15 d5 Nb6 16 a4 0-0, which is something of a model for Black, A.Schirbel-J.Rowson, German League 2001) 1 1 ...exd4 12 cxd4 cxd4 1 3 Nf3 Nc6 14 0-0 0-0 (Wells) doesn't give White m ore than equality. g ...0-0 10 Bel Nc6 11 0-0 e5 (Diagram 34)
Black keeps up the central pressure and this position appears quite comfortable for him. Two opposing experts clashed in J.Hodgson-J.Rowson, York 2000, and after 12 dxc5 dxc5 13 Qe3 Bg4!? 14 Qxc5 Rfc8 15 Qe3 Qf4 16 Qxf4 exf4 Black en joyed promising play for his pawn.
Conclusion White has scored fairly well after 5 Nc3 d6 6 Qd2 (53% from almost 550 games). It's easy for him to whip up a strong, early initiative, but it must be said that 6 ... c6 7 f4 e5 appears to equalize. One reason for the growth in popularity of 5 c3 (see our next section) is that 5 Nc3 Bb4 gives Black decent counterplay. White is down to 50% here and try as he might, he is yet to find a way to establish a strong centre without making signifi cant concessions. I suspect that 6 Qd3!? is the best try, although objectively this leads to nothing more than an unclear middlegame.
Illustrative Games Game 9
D N.Nuesken • F.Sawatzki
Ger m a n League 2007
1 d4 Nf6 2 Bg5 e6 3 e4 h6 4 Bxf6 Qxf6 5 Nc3 d6 6 Qdl g5 7 h411 (Diagram 3 5) 7 ... Bg7 Black's most natural move. He has also tried to keep lines closed with 7... g4, but after the 8 f4 gxf3 (8 ... Be7 9 0-0-0 Qg7 was preferred in S.Grayland-J.Suto, corre spondence 2004, and now I would be tempted to transfer the king's knight to g3 before advancing with e5 and/or fS) 9 Nxf3 Nc6 10 BbS Bd7 1 1 Rfl Qe7 12 0-0-0 Bg7 of N.Eliet-V.Chuchelov, Belgian League 2002, White could have seized the
74
The Positiona l C hoice: 2 . . . e6 u p per hand with 13 Nd5! Qd8 (13 ...exd5 14 exd5 creates problems on the e-file) 14 N f4 .
s h xg 5
once again 8 0-0-0 is possible, but weakening first the defence of g5 is more con si stent with the approach begun by 7 h4. s h xg5 9 Rxh8+ Bxh8 10 Nf31 . ..
on ce again White makes the g-pawn his focus. Here 10 0-0-0 is quite sensible too, albei t a less-testing approach than the text: 10 ... Nc6 (10... Bd7 1 1 Nf3 Nc6 12 d5! levered open the position to White's advantage in S.Lputian-V.Tukmakov, Tilburg (b litz ) 1994) 1 1 Bb5 Bd7 1 2 Nge2 0-0-0 13 Qe3 Kb8 1 4 g4 was perhaps a touch bet ter for White thanks to his extra space in F .Hoffmeyer-M.Schuster, German League 2006. 10 g4 (Diagram 36) ...
Diagram 35 (B)
Diagram 36 (W)
Challenging Black head-on
How to open the centre?
Cf
TIP: This strike may still need more testing, but I've long been a fan and feel that it packs a certain punch.
The most natural reaction, but not the only possibility: a) 10 ...Qf4?! 1 1 NbS! Qxe4+ (1 1 ...Qxd2+ 12 Kxd2 either wins a pawn or leaves White clearly better in the endgame after 12 ... g4 13 Nxc7+ Kd8 14 Nxa8 gxf3 15 c3 b6 16 gxf3 Bb7 17 Nxb6 axb6 18 Bb5) 1 2 Be2 Kd7 13 Nxg5 Qg6 14 Bd3 Qg7 15 0-0-0 left White enjoying a strong initiative in J.Gather-G.Marcotulli, correspondence 2003. b) 10 ... Nc6 1 1 NbS Qe7 12 QxgS QxgS 13 NxgS Nxd4 14 Nxc7+ Kd7 15 c3! (Wells) a lso leaves White with the initiative and slightly for preference.
75
Sta rt i ng Out: The Trom powsky Attack 11 est Qg7? Black does better to keep his queen in contact with the c7-point with 1 l ...Qe7, but it seems that White can go 12 NbS!? regardless! The point being that 12 ... gxf3 (12 ... Kf8!? 13 Qh6+! Bg7 14 Qg5 Nc6 doesn't look so clear and could do with a test) 13 Qh6 regains the piece and after 13 ... Bxe5 14 dxe5 fxg2?! 15 Bxg2 d5 16 0-0-0 White's superior development far outweighs the sacrificed pawn, H.Graef S.Roemling, German League 2005.
NOTE: Black is the only side with a dark-squared bishop in this varia tion, but he can still find himself struggling on the dark squares! In deed, White should usually look to combine kingside pressure with an early attack on c7. 12 Ng5 White's knight is safe here with the enemy bishop stuck on h8 for the time being. Moreover, Black must now be careful with his queenside yet to be developed.
12 ...dxes?l 13 dSI Bd7 White's play in this game is pretty brutal, but from his point of view 13 .. .f6? 14 Bb5+?! c6 15 Nxe6 Bxe6 16 dxe6 cxb5 1 7 Nxb5 was even more aesthetic in the ear lier J.Schlenker-C.Pfrommer, Waldshut 2002. Black might have had an extra piece, but he was defenceless with White's well coordinated pieces pouring in as they did with 1 7... Nc6 18 Qd6 Rc8 19 Rd1 Nd4 20 Nxd4 exd4 21 Rxd4 in the game. Observe too how 13 ...exd5? 14 Nxd5 f5 1 5 0-0-0 gives White far too strong an ini tiative, and he is also the heavy favourite after 13 ...Qh6 14 dxe6 (the sharper 14 Nce4!? might be even more promising) 14... Bxe6 15 Nd5 (Wells).
14 o-o-o (Diagram 37)
Diagram 37 (B) Black is in trouble 76
Diagram 38 (B) The floodgates open
The Positio n a l C h o i c e : 2 . . e6 .
14 e4 perately tries to return some material to distract White. It's unlikely to a B l c k des o r k, but his position would also have been rather disgusting after 14 ... Na6 1S w .
..
d:xe6 Bxe6 1 6 Nxe6 fxe6 1 7 Ne4. 1s Bc4
pretty effective too is 1S Ngxe4 QeS 16 dxe6 fxe6 1 7 Qh6 when Black's queenside
con tinues to sleep. Indeed, it hasn't taken White long to whip up a crushing initia ti ve - 7 h4 and 10 Nf3 is an approach well worth remembering! 1s e3 16 Qxe3 Qe5 17 Qd2 Bf6 18 Nge4 Be7 ...
One can understand why Black wanted to avoid 18 ...Bg7 19 NcS, but perhaps this follo wed by 19 ... Kf8 was relatively the best defence. 1 9 f4!?
I suspect that 19 Qh6 might have been even more clinical, but by now it's clear tha t most roads lead to Rome. 19 . gxf3 20 gxf3 Na6 21 f41 Qf5 22 Bxa6 bxa6 23 d61 (Diagram 38) .
.
The final nail in Black's coffin. His king isn't going to survive the coming on slaught.
23 ... cxd6 24 Nxd6+ Bxd6 2 5 Qxd6 Rd8 26 Rh1 Qf6 27 Nd5 1 1-0 Game 10
D A.Bigg • C.Hanley
Street 2004 1 d4 Nf6 2 Bg5 e6 3 e4 h6 4 Bxf6 Qxf6 5 Nc3 Bb4 6 Qd3
It's less established after 6 Qd2 than both 6 ... cS and 6 ... d6, but here too the French approach, 6 ... dS, is by no means a bad one: for example, 7 eS Qd8 8 a3 Be7 9 f4 cS 1 0 Nf3 a6 (Black prepares swift counterplay with ... c4 and ...bS should White go long) 1 1 dxcS BxcS 12 fS! (White too would like to open lines against the opposi tion king) 12 ... Nc6 13 0-0-0 bS 14 fxe6 fxe6 1S Qf4 gS! saw both sides fighting for the initiative and was rather murky in Zhang Pengxiang-E.Aiekseev, Nizhnij Novgorod 2007. 6 d5 (Diagram 39) 7 Nge21? ...
White borrows an idea from the Winawer to keep his structure intact. He has rnore often preferred 7 eS, but 7.. .Qd8 (7 ... Qg6!? 8 Qxg6 fxg6 9 h4 cS 10 0-0-0 0-0 1 1 Nbs a6 12 Nd6 cxd4 also gives Black decent counterplay, l.Schneider D . Bunzmann, Boblingen 2008) 8 a3 (or 8 0-0-0 cS 9 dxcS 0-0 10 f4 Nd7 1 1 Nce2 aS! ? 12 Ng3 a4! 13 a3 BxcS which left Black's attack looking the more potent in R.Eames-J. Emms, British League 2004) 8 ... Be7 9 Qg3 0-0 10 Nh3 cS 1 1 dxcS BxcS 12 Bd3 Nc6 13 0-0 Bd7 (Diagram 40) gives Black a comfortable version of the French
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Sta rt i ng Out: T h e Trom powsky Attack with White missing his dark-squared bishop, S.Fowler-I.Gourlay, Coventry 2005.
NOTE: Black's queen does best to retreat to d8 rather than e7 in this line; both to enable his bishop to retreat if kicked and so that he can later increase the dark-square pressure with ...Qb6 or ...Qas.
Diagram 39 (W)
Diagram 40 (W)
The French Defence to 6 Qd3
There's no bishop to ta rget h6
As well as the text, 7 a3!? Bxc3+ 8 bxc3 deserves attention, after which 8...0-0 (8 ... Nd7 9 eS Qe7 10 f4 Nb6 1 1 Qe3 Bd7 12 Nf3 cS 13 Bd3 was similar in F.Nijboer M.De Jong, Dieren 200S) 9 eS Qe7 10 f4 cS 1 1 Nf3 b6 is unclear according to the Hungarian Grandmaster, Tibor Fogarasi, but those with some Winawer experi ence may be fairly happy on the white side.
7 ...dxe4 This whole variation remains quite unexplored and 7 ...0-0!? 8 a3 BaS can't be too bad an alternative when 9 exdS (I would probably prefer to facilitate queenside castling with 9 Qe3) 9 ... Rd8 10 dxe6 Bxe6 offers Black the freer development for his pawn.
8 Qxe4 o-o 9 a3 Bas 10 f4 Bd7 Far from bad, but 10 ... cS! must be more critical. Then 1 1 dxcS (White probably does better to take up the challenge than to go in for the fairly tame 11 0-0-0 cxd4 12 Qxd4 Qxd4 13 Nxd4) 1 1 ...Rd8 1 2 b4 Bc7 13 Rd1 Rxd1+ 14 Nxd1 aS is a pawn sacrifice which definitely deserves a test.
11 o-o-o Bc6 12 Qe3 Nd7 13 Rg11 (Diagram 41) 13 ... b51 Hanley correctly counters in kind.
14 g4 b4 15 axb4 Bxb4 16 g5 hxgs 17 Rxgsl Qh6 Strangely just a few weeks later Black preferred 17 Rfe8?! in A.Bigg-D.Tan, Brit...
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T h e Pos i t i o n a l C h o ic e : 2 ... e6 i sh C hampionship, Scarborough 2004, bu t after 18 Ng3 g6 White could have ob ta ined the advantage with 19 Nge4! Qe7 (19 ...Qh8 is met in the same manner and 19 . . . Bxe4?! 20 Nxe4 Qg7 21 BbS would only make matters worse for Black) 20 BbS BxbS 21 NxbS Nb6 22 Rdg1 when his attack looks pretty dangerous. Tan's desire to improve was, though, quite understandable: the queen is not entirely happy having to defend from an isolated spot on the rim. However, it's almost certainly earlier that Black should be looking for an improvement.
18 Ng3 (Diagram 42)
Diagram 41 ( B)
Diagram 42 (B)
White attacks
Black can hold up the attack
TIP: When both sides castle on opposite sides, he who attacks first often seizes the upper hand! That certainly seems to be the case here and White could hardly have hung around. However, now Black gets to cover some key squares, if not to equalize. Instead 18 Bh3! followed by Rdg1 would have been even more dangerous.
18... Nf61 Keeping White's knight out of gS and now the attack is slowed down.
19 Bc4 Bxc3 20 bxc3 Bigg must have been sorely tempted by 20 Bxe6!?, which would also have forced Black to tread carefully: 20...Bb4 (20 .. . fxe6 21 Qxe6+ Kh8 22 Qxc6 regains the piece) 21 N fS Qxh2 22 Rxg7+ Kh8 23 dS fxe6 24 Rg3 sees Black pick up enough material for the queen, but without helping his king to feel any more secure in the process.
2 o ..Rfe8 .
Running a second member of the royal family on to the h-file with 20 ... Kh8? looks suspect and even though it's not so easy for White to get his rook to h5, 21 d5!
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Sta rti ng Out: The Trom pows ky Attack exdS 22 NfS Qh7 23 Bd3 should do the trick.
21 Rg1 Kf8 (Diagram 43)
Diagram 43 (W)
Diagram 44 (B)
Is Black escaping?
Strengthening the centre
Prudent defence, although White will continue to press.
22 Qesl Bf31 23 Nf1 Nds Yz-Yz Hanley must have been relieved to see his draw offer accepted. Black has de fended pretty well, but even so after the long, forcing line 23 ... Nd5 24 BxdS exdS 25 Qxg7+ Qxg7 26 Rxg7 Rel + 27 Kd2 Rxfl 28 Rxfl Kxg7 29 Rxf3 aS, 30 c4! would still have given White some chances in the ensuing rook endgame.
1 d4 Nf6 2 Bgs e6 3 e4 h6 4 Bxf6 Qxf6 5 c3 (Diagram 44) Determined neither to impede his f-pawn nor to allow a pin on his queen's knight, White began to experiment with this set-up towards the end of the Nineties. In his fine 1998 survey of the Trompowsky, Joe Gallagher gave just one game reference with 5 c3, but did comment: 'perhaps we will be seeing more of this line in the future.' How right he was! I now have more than 500 examples of 5 c3 on my da tabase and it can at the least be considered a serious alternative to 5 Nc3.
s ... d6 By some margin Black's most popular response, beginning a dark-square strategy just as we saw him often employ after 5 Nf3. However, 5 c3 hardly forces the pace, so there are unsurprisingly alternatives:
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The Posit i o n a l Cho ice: 2 ... e6 a) The French-like 5 ... d5 has quite a good pedigree and was used in some impor glish Trompowsky clashes when 5 c3 was still finding its feet. White must tan t En whether or not to close the centre: then decide
a l ) 6 e5 Qd8 7 Nf3 (similar is 7 Nd2 c5 8 dxc5 Bxc5 9 Nb3 Bb6 10 Nf3 Nc6 1 1 Bd3 B d7 12 Qe2, but with 12 ... 0-0 13 0-0 f6! Black obtained sufficient counterplay in J . De la Villa Garcia-D.Garcia Ilundian, Pamplona 1992; breaking with ... f6 makes a lo t of sense with White missing his dark-squared bishop) 7... c5 8 dxcS (White has no desire to find himself tied down defending b2 and d4 after ... Nc6 and ... Qb6) 8 . . . Bxc5 9 Bd3 Nc6 (9...Qb6 has been quite a common reaction, but makes it easier fo r White to stir up trouble and 10 Qe2 Nc6 1 1 0-0 Bd7 12 b4! Be7 13 Nbd2 Rc8 14 a 3 g5!? led to a pretty complex manoeuvring struggle in J.Hodgson-J.Rowson, Southend 2001 ) 10 0-0 {Diagram 45) 10 ... Bd7 (despite John Cox's best efforts in Dealing with d4 Deviations, many black players don't seem entirely at home in this line and continue to reject the straightforward and good 10 ... 0-0 1 1 Nbd2 f6! break; here 11 Bc2!? might be White's best, but even 1 1 . ..f6 12 Qd3 f5 is hardly uncom fortable for Black) 1 1 b4! ? Bb6 12 Nbd2 Rc8 13 Qe2 a6 was about equal in M.Kanep-Y.Rantanen, Finnish League 2006; White would like to manoeuvre his queen's knight to d4 or to break with c4, but ... f6 will again give Black enough counterplay.
Diagram 45 (B)
Diagram 46 (W)
A comfortable French for Black?
Only White has a knight
\ la2) 'arious Trompowsky authorities have been happy enough to close the centre, but I suspect that 6 Nd2!? might be a better try; it certainly gives White a position With more options, as we'll see in Game 1 1 . b) S . . c!5. enables White to demonstrate one strength of 5 c3: his centre i s secure. Thus 6 Nf3 is sensible and with 6 ... Nc6 (or 6 ... cxd4 7 cxd4 Bb4+ 8 Nc3 when Black is fair ly pretty solid, but White should be a little better after 8 ... Nc6 9 e5!? or 8 ... b6 .
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Sta rti n g Out: Th e Trom pows ky Attack 9 Bd3 Bb7 1 0 0-0 Nc6 11 eSt after which 1 l ...Qf4?? 1 2 Ne2 Qg4 13 h3 won the er rant queen in M.Bosiocic-M.Cebalo, Sibenik 2006) _?_g;; (Davies's gambit sugges tion 7 BbS!? Qg6 8 0-0 Qxe4 9 Re1 is a dangerous alternative; Tzermiadianos con tinues 9 ... QdS 10 c4 QhS 1 1 dxcS! QxcS 12 Nc3 when the initiative most certainly belongs to White) 7 ... NeS 8 Be2 Nxf3+ 9 Bxf3 eS ( Diagram 46) Black keeps White's queen out of dS by closing the centre rather than exchanging there. However, White has the superior minor piece and 10 a4 g6 1 1 Na3 d6 12 Be2 hS!? 13 BbS+ Ke7 14 aS Qh4 1S Qe2 fS 16 Bd3 saw him retain the upper hand in V.Milov B.Macieja, European Championship, Batumi 2002. c) S . . . Nc6 is a little mysterious, but it has been used by some strong grandmasters. Black's point appears to be 6 Bd3 eS 7 dS BcS!, but White does much better with 6 eS! Qe7 7 Nf3 d6 8 BbS Bd7 9 exd6 cxd6 10 0-0, which gave him a pull in J.Rowson A.Chemiaev, London 1999. We now return to S ... d6:
6 Bd3 (Diagram 47)
Diagram 47 (B)
Diagram 48 ( B)
Ne2, o-o and f4 will follow
White is in control
NOTE: We can now appreciate the main reason White chose 5 c3: the d4-point is secure and so he can develop with Bd3, Ne2, 0-0 and f4; a straightforward but also quite dangerous set-up. 6 ... es Black wastes no time countering in the centre, but not everyone has been keen to play ...eS so quickly: a) 6. . . Nd7 7 Ne2 g6 8 0-0 Bg7 9 f4 reveals White's set-up in action and he will usually aim for a rapid, cramping eS-advance: 9 . .Qe7 10 Nd2 (10 fS!? is an ambitious .
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The Posit i o n a l C h oice: 2 ... e6 pressure, try to punish Black's move order: 1 0 ...0-0 11 Nf4 generates some early for e5 1 1 fxg6 fxg6 1 2 Nd2 Rf8 13 Qb3! Nb6 14 a4 was hardly the answer ... 0 1 bu t M.Kanep-A.Chuiko, do better with Moscow in 2005) 10 ... 0-0 (Black may B la ck JO . . e5, transposing to our main line) 1 1 e5! aS 12 Qe1 b6 13 Qg3 Ba6 14 Bxa6 Rxa6 1 5 h4! h5 16 Ne4 (Diagram 48) is a good illustration of how White can build up on the kingside while maintaining control, I.Rogers-K.Arakham ia Grant, Wijk aan zee 2002. .
b) 6 ... g6 will transpose to either our last variation or to our main line depending
on when Black breaks with ... eS. c) 6 . Qg5!? is a radical attempt to disrupt White's smooth development. The criti cal reaction is 7 Nf3!? (there's no compulsion to sacrifice; 7 g3 being a safe alterna tive a nd after 7... Nd7 8 f4 Qd8 9 Ne2 b6 10 Nd2 Bb7 1 1 a4 a6 12 0-0 White's weak ened kingside was hardly a problem in A.Stefanova-S.Vijayalakshmi, Kavala 2006, but 7... g6 8 Ne2 Bg7 9 Nd2 eS is more of a challenge: there are issues with ... Bh3 and the absence of the Qe1-g3 manoeuvre after f4) 7... Qxg2 8 Rg1 Qh3 9 Nbd2, but Black remains very solid here and it's not so easy to exploit White's superior de velopment despite his possible central advances: 9 ... Nc6 (9 ... Qh5 10 Nf1 ! QaS 1 1 Ne3 makes i t difficult for Black to develop smoothly, a s pointed out b y Wells) 1 0 Rg3!? QhS (Diagram 49) 1 1 Qb3 e5?! 1 2 0-0-0 g5?! 13 BbS! saw White seizing the initiative in D.Doric-H.Stevic, Djakovo 2006, but Black should be happier to react rather than challenge in the centre. .
.
Diagram 49 (W) Sufficient compensation
Diagram 50 (B) Activating the king's rook
Returning to 6 ... e5: 7 Ne2 g6 8 o-o Bg7 9 f4 (Diagram 50)
White puts his main pawn break into operation.
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Sta rti n g Out: The Trom pows ky Attack TIP: Always keep a close eye on all the possible pawn breaks in a po sition, especially should the structure change. Appreciating the strengths of your main pawn break(s) will often help you decide where the pieces should best go. 9 Qe7 ...
Black keeps things solid. He has also been known to target d4, which is a decent alternative: 9 ...exd4 10 cxd4 Bg4! (10 ... Nc6 1 1 eS Qd8 12 Nbc3 0-0 13 Rcl saw White maintain his central wedge without too much difficulty in J.Hodgson C.Ward, British Championship, Millfield 2000) 1 1 Qa4+ Nd7 12 Nbc3 0-0 13 eS dxeS 14 fxeS and now in P.Wells-G.Fish, German League 2002, 14 ... Qd8! would have prepared ... cS and left the position rather murky.
10 Nd2 Nd7 Black shores up eS before castling and we'll return to this position in Game 12. 1 0. . .0-0 is also fine, since White hasn't anything better than 11 Nf3 (11 fS!? Nd7 fails to really trouble Black) 1 1 ...Nd7 (Diagram 51), reaching a position which can also be found in the notes to that illustrative game.
Diagram 51 (W)
Diagram 52 (B)
Black strongpoints es for now
Tarrasch-like development
Practice has also seen the more provocative 1 0... Nc6, after which 1 1 Nf3 0-0 12 Qd2 Bg4 13 Bc2! exd4!? 14 cxd4 dS 1 5 eS Qb4 restricted White to just a small edge in N.Sulava-S.Fedorchuk, French League 2006; once again we can see that Black' s dark-squared bishop can find itself a little redundant on g7 should White manage to keep his central pawn-wedge well supported.
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T h e Pos ition a l Cho ice: 2 . . e6 .
c o n clusion White's easy-to-employ set-up is certainly a decent alternative to 5 Nc3. That he is then probably best advised to remain flexible in the event of 5 c3 dS is borne out bv the statistics: 6 eS having made just 43% from 56 games, as opposed to 65% for 6 -N d2, albeit from only 36 games. The main line with 5 ... d6 and ...eS leads to an unbalanced middlegame with chan ces for both sides. Indeed, White has scored 50% from the position after 10 Nd2 in our main line. He can hope to suffocate Black, but Black's position is pretty solid and the second player can aim to obtain counterplay on the dark squares.
Illustrative Games Game 1 1
o Z.Rahman • M.Carlsen Dresden Olym piad 2008
1 d4 Nf6 2 Bg5 e6 3 e4 h6 4 Bxf6 Qxf6 5 c3 d5 6 Nd217 (Diagram 52) 6 ... cs
Black's most natural and popular choice. Instead 6 ... dxe4 7 Nxe4 Qd8 8 Nf3 re sembles the Rubinstein French. Black is fairly solid and does have the bishop-pair, but is a little too passive for my liking and after 8 ... Nd7 9 Bd3 Be7 1 0 Qe2 0-0 1 1 0-0-0 c5 12 dxc5! Qa5 13 Kb1 Nxc5 1 4 Nxc5 Qxc5 1 5 Bc2! White retained a pull in J.Salimaki-P.Span, Kerner 2007; Ne5 as well as Qe4 may follow. The more creative 6 ... Nc6 7 Bd3 Bd7 8 Ne2 0-0-0 9 eS Qe7 10 b4 (10 f4!? g5 11 0-0 is also tempting) 10 .. .f6 was preferred in E.Rosenberg-G.Kacheishvili, Ledyard 2009, but with 1 1 b5 NaS 12 Nf3 White would have retained the advantage. 7 Ngf3
Aga in the most flexible approach is the most challenging. Otherwise 7 e5 Qd8 8 dxc5 Bxc5 takes play back towards lines we've already considered and 7 exdS exdS 8 Bb5+ Bd7 9 Bxd7+ Nxd7 10 Ne2 0-0-0! failed to trouble Black in P.Wells C. Ward, Southend 2002. 7 Nc6 ...
Bla ck too is happy to maintain the central tension, but again there are alternatives: a ) 7... cxd4! ? might actually be Black's best bet and it's not so easy to prove any thi ng for White here: 8 cxd4!? (an active try; otherwise 8 Nxd4 BcS 9 Qa4+ Bd7 10 Bbs shoul dn't really lead anywhere and 8 exdS exdS 9 Nxd4 Nc6 10 N2b3 Bd6 1 1 Qf3 Qxf3 12 Nxf3 Bg4 1 3 Be2 0-0-0 gave Black enough counterplay to offset his IQP in A.Bigg-D.King, British League 2004) 8 ... dxe4 9 NeS (Diagram 53) is an ag g ressi ve idea stemming from Nigel Davies, although Cox is probably right that
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Sta rti n g Out: T h e Trom powsky Att a c k 9 .. Bb4!? (9 ... Bd6 10 BbS+ Bd7 1 1 Nxd7 Nxd7 1 2 Qa4 was preferred in M.Karttunen-M.Agopov, Finnish League 2006, and now the simple 12 ... Rd8 would have been about equal) 10 BbS+ Bd7 1 1 Nxd7 Bxd2+ 12 Qxd2 Nxd7 should be okay for Black. .
Diagram 53 {B)
Diagram 54 {W)
Fighti ng for the i nitiative
The d-pawn is poisoned
�
b) 7 ... a6 rules out the check on bS, bu �_;> (8 B with the idea of 8 ... cxd4 9 cxd4 dxe4 10 Bxe4! is a good alternative, as pointed out by Tzermiadianos) 8...Bxc5 9 Bd3 Nc6 1 0 0-0 0-0 1 1 Qe2 Ba7 12 Rfe1 Bd7 13 Rad1 Rad8 14 Nfl is perhaps a little better for White, M.Karttunen-J.Hellsten, European Team Championship, Plovdiv 2003.
NOTE: These variations suggest that even 6 Nd2 may not promise White any advantage, but at least Black is forced to make some early decisions rather than just being able to develop along standard French lines. B dxc5 Those happy to accept an isolated queen's pawn (IQP) in return for chances to seize the initiative should again consider 8 BbS!? cxd4 9 cxd4.
B ... Bxc5 9 Bd3 IQPs are often a highly divisive issue, especially at club level: some players love to attack with them; others hate such a scenario and only want to play against them. A player who falls into that latter category is unlikely to contest this variation as Black, because White might continue 9 exdS exdS 10 Nb3 Bb6. However, this again looks like a fairly comfortable version of the French Tarrasch for Black after 1 1 Be2 0-0 1 2 0-0 ReB 1 3 Re1 BfS! (Diagra m 54).
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The Positi o n a l C h oice: 2 . . . e 6 9···
0.o 10 o-o Bb6 (Diagra m 55)
Diagram 5 5 (W)
Diagram 56 (W)
Roughly level
Black's king is safe enough
The position continues to have certain similarities to the French Tarrasch, albeit this time the modem 3 ... Be7 variation, as well as to the Colle. White has a pleasant central set-up and while Black has the bishop-pair, he is still to solve the problem of how to activate his light-squared bishop.
11 Qe2 Qf41? Carlsen wants to meet eS with .. .f6. There was nothing wrong with the simpler l l ...Bd7, though, when White should probably keep the tension with 12 Bc2!?, rather than go in for 12 eS Qf4 13 Bc2 f6! 14 exf6 Rxf6 15 Qd3 g6.
12 Rad1 Bd7 13 Bc21 White prepares to build a queen and bishop battery and this accurate retreat high lights Black's difficulties.
13 ... Rfd8 Carlsen will have to defend a slightly worse middlegame after this, but it was al ready too late to find a way to equalize and 13 ... dxe4 14 Nxe4 Rfd8 15 Nd6 would have been pleasant for White.
14 exd5 1 The Bangladeshi Grandmaster spots the chance to inflict an isolated pawn while d oub ling on the bl-h7 diagonal, and so seizes the upper hand.
14...exd5 15 Qd3 Be6 Fa irly essential, as 15 ... g6 16 QxdS Bf5 1 7 Qb3 NaS 18 Qa4 wouldn't have given B lack enough for his pawn.
16 Qh7+ Kf8 17 Nb3 87
Sta rt i n g Out: The Trom powsky Attack
0
NOTE: Rahman is beginning to exploit one of the main drawbacks to an IQP: the way in which the holder of that pawn often doesn't con trol the square in front of it.
17 ...Qf6 18 Nbd4 Nxd4 19 Nxd4 Rac8 20 Rd3 The aggressive 20 f4! ? was also an option. Then Black should probably defend as in the game with 20 . .. Bxd4+ 21 Rxd4 Rc4 22 Rfdl Rxd4 23 Rxd4, although White can continue to probe here, such as with 23 ... Bd7 24 h3 followed by tidying the king and Bb3.
20... Bxd41 21 Rxd4 Rc4 (Diagram 56) Good, classical defence from Carlsen. Being slightly worse Black is happy to trade pieces and knows that any endgame should be tenable as he only has the one weakness.
22 Rfd1 Rxd4 23 Rxd4 Qe5 24 Rd1?1 This allows Black to solve all his problems at a stroke, although even 24 Bd3 Qel + 25 Bfl f6 would by now have been quite tenable for the second player with ... ReS on its way.
24...d41 WARNING: Never forget that the weakness of an isolated pawn becomes more felt the more pieces that are exchanged. Thus one should often try to liquidate any such pawn unless passed when an endgame approaches, just as Carlsen does here. 25 Qd3 Bxa2 26 cxd4 Qa5? (Diagram 57)
Diagram 57 (W) A Fischer-like bishop on a2
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Diagram 58 (W) How to build up on the kingside?
The Pos i t i o n a l Choice: 2 . ..e6 u pri sing slip, but perhaps Carlsen was trying too hard to win. Correct was
As r 26 . .Qc7 when White's d-pawn cannot advance and 27 b3?! can be countered by z7 . R c8. .
. .
27 h3?
Rah man returns the favour and perhaps both players were already low on time. Be mu st surely have considered 27 b3 and I'm not sure why this was rejected: for ex a mple, 27... Rd6 (27...Qa3 is another attempt to avoid a fatal pin on the a-file, but then 28 Qc3!? renews such a possibility) 28 Ra1 Ra6 29 d5 and White's passed pa w n is extremely powerful. 27 . Be6 .
.
Now the bishop is out of danger.
28 Bb3! Before he becomes tied down defending an isolated pawn of his own, Rahman sensibly liquidates.
28 ... Bxb3 29 Qxb3 Rxd4 30 Rxd4 Qe1+ 31 Kh2 Qe5+ 32 Kg1 Qe1+ 33 Kh2 Qe5+ 34 Kg1 Qxd4 3 5 Qxb7 Of course the queen ending is a total draw.
35 ...gs 36 g3 Kg7 37 Kg2 as 38 b3 Yz-Yz Game 12 D J.Coleman • P.Skacelik
B rno 2004
1 d4 Nf6 2 Bg5 e6 3 e4 h6 4 Bxf6 Qxf6 5 c3 g6 A slightly unusual move order, but we soon transpose to familiar territory. 6 Nd2 Th ose of a highly aggressive bent might wish to consider the original positions which quickly arise after 6 e5! ? Qe7 7 f4 g5!?. Moving the knight to d2 is a more restrained approach, as is 6 Bd3 Bg7 7 Ne2 d6 8 0-0 0-0 9 f4 Qe7 and now 10 Nd2 is usually seen in any case. Following 10...e5 11 Nf3 Nd7 12 Qd2 (12 fxe5 dxe5 13 Qb3 !? is a decent, slightly more unbalanced alternative, which certainly worked out well after 13 ... exd4 14 cxd4 c5 15 Nf4 cxd4? 16 Nxg6 in V.Hiinka R.Briestensky, Slovakian League 2000) 12 ... c5 13 Rae1 a6 14 b4!? cxd4 15 cxd4 Qd8 1 6 Kh1 b5 the position was about equal in L.Vasilescu-R.Milu, Bucharest 1999, and now it was time for 17 Rcl followed by the creation of a passed d-pawn and/or arra nging the a4-break.
6 ...d6 7 Bd3 Nd7 8 Ne2 Qe7 9 0-0 Bg7 10 f4 eS (Diagram 58)
B lack counters consistently in the centre, but Coleman is ready with a small sur p rise.
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Sta rti n g Out: The Trom powsky Atta c k 11 Qe117 A very aggressive approach, but also one which I have some time for. More usual has been 1 1 Nf3, transposing after 1 1 ...0-0 to the notes to White's 6th move, above.
11 ...0-0 In view of what follows perhaps Black should consider accelerating his counter play with 1 l ...exd4!? 1 2 cxd4 c5.
12 Qg3 exd41 Black often aims to open up his extra dark-squared bishop with this sequence. A solid alternative is 12 ... Nf6, but that gives White a free hand and both 13 f5 and 13 fxe5 dxe5 14 Bc4!? are quite tempting.
13 cxd4 c5 14 f51 (Diagram 59)
Diagram 59 (B)
Diagram 60 (B)
White is determined to attack
Black must be pretty ca reful
White too remains true to his plans and now Black must take some care as his king position begins to open.
WARNING: The king is rarely happy when chunks begin to appear in its pawn shield. Indeed, White has won many a Trompowsky game by attacking such a weakened king. 14...gxf5 It looks a little ugly, but a decent case might well be made for keeping the king side closed with 14 . .. g5!?. Play might continue 15 Nf3 (trying to prevent ...cxd4 and ... Ne5 ideas with 15 Qf2!? is the alternative) 15 ... cxd4 16 Nexd4 Ne5 when Black is pretty strong on the dark squares, but White has the h4-break and is most certainly not without his chances too in this rather unclear situation.
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The Position a l C h o i ce: 2 ... e 6 ,_ 5 exf5 Kh8?1
This enables White to seize the initiative. Less clear would have been 15 ... Qg5 16 xgS hxg5 17 Ne4 dS 18 Nxg5 cxd4 19 Rad 1, although here too I would prefer to Q
take White not least because he is likely to emerge a pawn to the good. }-low ever, 16 f6 wasn't yet a threat, so Black should have claimed some central space with 15 ... d5!. Following 16 Nf4 Qg5 17 Nf3 Qxg3 1 8 hxg3 c4 19 Bc2 Nf6 the dS-p awn might be weak, but is far from easy to win and so Black is probably okay .
16 Ne4 (Diagram 60) In view of our next note, I suspect that beginning with 16 Rae1!? was a touch more accura te.
16. .cxd4? .
A further slip. Black might have thought that his dark-square control was suffi cient, but it isn't. Again Skacelik had to advance in the centre: 16 ...c4! 17 Bc2 d5 was the way to go, even though by now White would have been slightly for choice after 18 N4c3 Nf6 19 Nf4.
17 Rae11 Coleman wants to attack, not regain his material.
11 ..ds? .
A natural-enough move, but White has a strong and thematic riposte. Black might like to play 17 ...Be5?!, but then 18 Qh3 pushes the bishop back and 18 ... Bg7 19 Nf4 looks rather dangerous. Thus Black had to block the f-pawn with 1 7... Nf6, al though after 18 Nxd6 Nh5 (even 18 ... Qe3+!? 19 Qxe3 dxe3 20 Nf4 leaves Black rather cramped and likely to lose a pawn on e3 or f7) 19 Qf3 Qxd6 20 Qxh5 Qf6 21 Nf4 White would have been well in charge of the proceedings.
18 f61 TIP: White's f-pawn might have initially gone to f4 to support an es advance, but it can become a dangerous battering ram in its own right should Black be careless. 18... Nxf6 There's no defence: 18 . .. Bxf6 19 Nxf6 Nxf6 20 Qh4 Qe3+ 21 Kh1 Ne4 22 Nf4 would ha ve been completely crushing too.
1 9 Nxf6 Bxf6 (Diagram 61) 20 Nf4 Be6
In stead 20 .. . Qd8 21 Ng6+! fxg6 22 Qxg6 would have been a beautiful illustration of the superiority of White's light-square play over Black's dark-squared pieces, but the text allows White to finish with another neat sacrifice.
2 1 Rxe61 1-0
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Sta rti n g Out: T h e Trom powsky Attack
Diagram 61 (W)
Diagram 62 (B)
The knight is bound for g6
A simple, untheoretical choice
The Torre-like 3 e 3 1 d4 Nf6 2 Bgs e6 3 e 3 (Diagram 62) A more flexible choice than the immediate 3 Nf3. Those looking to take play into Torre waters often begin too with 3 Nd2 when 3 ... c5 4 e3 usually transposes to lines considered below. White also has 4 c3, which can transpose too, although 4 ...cxd4 5 cxd4 Qb6 6 Qc2 Nc6 is a possibility.
3 ...cs Black wastes no time challenging in the centre. Instead ... d5 either here or over the next couple of moves is a little inflexible and will transpose to our coverage in the final section of Chapter One. Black has also been known to begin with 3... Be7, but a slightly more thought-provoking option is 3 ... h6. Following 4 Bh4 (I'm not so keen on 4 Bxf6 Qxf6 5 f4 with the pawn back on e3 and Black pretty flexible about how he counters on the dark squares - even 5 ... d6 6 Nf3 g5!? is possible) 4 ...c5 (4 . . . d6!? echoes a line of the pure Torre Attack; here White isn't committed to Nf3, but even so 5 c4 g5 6 Bg3 Ne4 7 Nc3 Nxg3 8 hxg3 Bg7 might well give Black a suf ficient share of the play in an unbalanced manoeuvring struggle) 5 c3 the position is clearly pretty similar to our main line. Black might find the inclusion of ... h6 helpful, although it might also tempt White to align his bishop and queen on the bl -h7 diagonal.
4 c3 cxd4 Black resolves the tension, but there is certainly no compulsion to: a) 4 . . b6 5 Nd2 Bb7 (Diagram 63) is a very sensible approach and one popular with .
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The Posit i o n a l C h oice: 2 . . . e6 B l a c k in the overall world of the d-pawn systems.
Diagram 63 (W)
Diagram 64 (B)
Queen's Indian-like development
A double-edged decision
NOTE: The term 'd-pawn systems' has become fairly common in re cent years and refers to a number of openings popular at club level: the Torre, the London, the Colle and nowadays even the Trom powsky variations 2 ... d5 3 e3 and 2 . ..e6 3 e3. Here White has nothing better than to take play into the Torre proper with 6 Ngf3, which is why a 3 e3 or 3 Nd2 approach usually appeals most to those with some existing d-pawn system experience. After 6... Be7 White has tried a number of ideas, including 7 Bd3, 7 a4 and 7 h3 (to safeguard a retreat for the bishop). On his DVO The Trompowsky: The Easy Way, Andrew Martin draws attention to 7 Bxf6!? Bxf6 8 Bd3 Nc6 9 Qe2, which is not without a bit of sting and has been employed by both Miladinovic and the creative Spanish Grandmaster, Bellon Lopez. This id ea might appeal to those keen to get off the beaten Torre track, although 9 ... d5 (9. . . Rc8 10 h4!? h6 1 1 Rd1 Qc7 12 a3 d5 13 Kfl g6 14 e4 is a good example of the creativity as well as the desire to attack which is required from White in this sub vari ation, I.Miladinovic-S.Martinovic, Subotica 2008) 10 dxc5 (not ideal, but un doubtedly White would like to at least semi-stabilize the central situation before push ing anything on the kingside) 10 ... bxc5 1 1 e4 0-0 12 e5 Be7 13 h4 (Diagram 64) 1 3 . . .Qc7 14 0-0-0 Rfd8 gave Black his fair share of the play in I.Miladinovic A. Kovacevic, Sibenik 2008. b) 4 ...Qb6 5 Qc2 Ne4 fails to disturb White too much (this is chiefly why he went c3 so early), and 6 Bf4 d5 7 Bd3 cxd4 8 exd4 Nc6 9 Nf3 Bd6 10 Bxd6 Nxd6 1 1 0-0 gives him an edge. 5 exd4 b6
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Sta rt i n g Out: The Trom powsky Attack Black usually fianchettoes thus, although once again he might first flick in 5 ...h6 6 Bh4.
6 Nd2 Bb7 (Diagram 65)
Diagram 65 (W)
Diagram 66 (W)
Play will transpose to the Torre
White may play aggressively
NOTE: With Black's bishop well placed on b7, once again White has nothing better than to return to standard Torre waters. 7 Ngf3 Be7 8 Bxf61? This variation should really fall a little outside our scope, but I'll give it some cov erage as Miladinovic has often played this way and then exchanged on f6. Instead 8 Bd3 0-0 9 0-0 (here too Miladinovic has oft-preferred 9 Bxf6 Bxf6 and 10 h4! g6 1 1 Qe2 Bg7 12 h 5 has given him some useful pressure i n a couple o f games) 9 . .d 6 10 Qe2 Nbd7 is a more traditional approach, and one which usually gives rise to a long manoeuvring struggle. Black is very solid and might eventually arrange to advance with ... e5 or ... b5-b4, but White can hinder such plans while aiming to attack on one flank or the other. .
B .Bxf6 9 Bd3 d6 10 Qe2 Nd7 (Diagram 66) ..
Both sides have developed sensibly. White has slightly the freer position, but Black the long-term asset of the bishop-pair. That helps to explain why White of ten nowadays pushes his kingside pawns, as we'll see him doing in Game 13.
Conclusion Meeting the solid 2 ... e6 with the Torre-style 3 e3 was a fairly neglected approach until recently. If White wishes to play in such vein, exchanging on f6 with attack-
94
The Posit i o n a l C hoice: 2 . e6 .
.
jog d esi gns in mind is a welcome addition to the Torre stable. It's still very much ea rl Y days, bu t thus far White has scored quite well in practice and so perhaps B l a ck shouldn't be quite so keen to hurry to exchange on d4, common though that ha s been.
Illustrative Games ca me 13
o I.Miladinovic • A.Martorelli
Rome 2005 1 d4 Nf6 2 Bg5 e6 3 e3 c5 4 c3 b6 5 Nd2 Bb7 6 Ngf3 Be7 7 Bd3 cxd4 8 exd4 d6 9 Bxf6 Bxf6 10 Qe2 Nd7 (Diagram 67)
Diagram 67 (W)
Diagram 68 (B)
Should ... bs be prevented?
Black is a touch passive
11 a4!? Thi s advance is far from unknown in the Torre: White wants to restrain any ex pansion with ... bS and sometimes may even be able to attack himself on the queenside with aS. However, it is a surprise to see Miladinovic employing it, as he usually likes to push his kingside pawns in this line. Indeed, the earlier game l. Mila dinovic-E.Dervishi, Bratto 2004, had gone 1 1 h4 h6 12 g4 Qc7 13 Rg1 g6!, Which saw Black responding well on the kingside and preparing to go long. White a ttem pted to dissuade such schemes with 14 a4! ?, but after 14 ... a5 15 gS hxgS 16 hx gS Bg7 17 0-0-0 0-0-0 1 8 Ba6 Bxa6 1 9 Qxa6+ Kb8 2 0 QbS d S the position re rn a ined about equal until White arranged c4 and eventually won.
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Sta rt i ng Out: The Trom powsky Attack Miladinovic has also played without a 4 and 1 1 0-0-0!? Qc7 12 Kb1 0-0-0 13 Ba 6! Bxa6 14 Qxa6+ Qb7 15 Qd3 dS 16 h4 h6 1 7 g4 (Diagram 68) 17 ... Be7 (17 ... g6 18 Rei Kb8 19 Qe3 is also a touch better for White) 18 gS hxg5 19 hxgS Rxh1 20 Rxh1 gave him a pull in I.Miladinovic-R.Fontaine, Serbian Team Championship 2005.
TIP: White should usually seize the chance to exchange the light squared bishops on a6 in this line. Not only is Black's bishop quite active on b7, but its exchange prevents Black from later operating his two bishops in tandem (the dreaded strength of the bishop-pair in action). 11...a6 Not bad, but Black might call White's bluff with 1 l ...Qc7!? 12 Ba6 Bxa6 13 Qxa6 0-0. Perhaps Miladinovic is still happy to go long here, although there's nothing whatsoever wrong with the safer 14 0-0.
12 h41 Now that Black can no longer go long, the new Mr Trompowsky is happy to re veal his true colours.
12 ... h6 Black's position isn't so easy to handle as even a grandmaster was later to dis cover: 12 ... Be7 13 Ne4 Qc7 14 Kfl ! (White's king will be safest on the kingside, but he would also like to keep a rook there; note too that 14 0-0-0?! bS! is a sacrifice well worth avoiding) 14 ... h6 1 5 Re1 Kf8!? 16 Kg1 Bc6 1 7 Rh3! Qb7 (White retains an edge too after 1 7... Bxa4 18 Bxa6 Bc6 19 Bd3 dS 20 Ng3 Bd6 21 NeS, although this solid approach might have been a better defence) 18 c4 Nf6 19 Nc3 Bd7 20 Nd2 saw both sides engage in some heavy manoeuvring, but only White had gained some handy central options in I .Miladinovic-V.lordachescu, Serbian Team Championship 2008.
13 g4 (Diagram 69) 13 ... Be7 A decent way to sidestep the onrushing pawns, although one can also make a case for the more provocative 13 ... g6!?, intending quick counterplay after 14 0-0-0 Bc6.
14 o-o-ol? Very brave, but with the g-pawn having advanced, the king would no longer have been entirely happy on f1 either.
14...g6 Once again we see Black doing his utmost to keep the kingside closed.
15 Rde1 Nf6! The veteran Italian IM continues to play well, improving his knight while provok· ing White into closing the kingside.
16 gS Nds 17 Be4 hS 18 BxdSI 96
The Positi o n a l C h oice: 2 . . . e6 d caL but White had to prevent the position from stabilizin� thereby allowing Ra i to exploit that potential weakness on a4. ack Bl :s. s. .. BxdS 19 C4 Qc7 20 Kb1 Bxf3
little compliant. Presumably Martorelli didn't like the look of 20... Bb7 21 fhis i s a d5!?, but the pawn can be declined and 2l.. .e5! 22 Ne4 0-0 doesn't seem at all clear to me with a ...bS sacrifice high on the agenda.
2 1 Qxf3 o-o (Diagram 70)
Diagram 69 (B)
Diagram 70 (W)
Here come those pawns!
Brave but correct from Black
Risky, but a decent choice so long as Black is brave and confident in his defensive
resources.
22 Qd 3 White might have tried to exploit his central pressure with 22 dS!? eS 23 Qe4, but a fter 23 ... b5! 24 f4 Rab8 Black has enough counterplay as the position begins to open up.
22... bs 23 Rxe61 � is only leads to a draw with best play, but was undoubtedly White's best prac hcal approach: he will no longer potentially suffer as the queenside opens and Black will have to tread something of a defensive tightrope.
23 ...fxe6 24 Qxg6+ Kh8 25 Qh6+ Kg8 26 Qxe6+ Kg7 27 Qh6+ Kg8 28 Qg6+ Kh8 29 Qxhs+
White collects as many pawns as possible before deciding how best to include fur ther u nits in the attack.
29... Kg7 30 Qh6+ Kg8 31 Re1
Mi ladinovic must have looked long and hard too at 31 Qe6+ Kh8 (31 ...Kg7?! 32 h5!
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Sta rti ng Out: The Trom powsky Attack only accelerates White's attack) 3 2 Ne4, but presumably wasn't a t a l l sure what was going after 32 ... d5! 33 g6! Qf4! (33 ... dxe4? 34 g7+ Kh7 35 Rgl wins) 34 QxdS Qf5 35 Rgl Kg7. Indeed, while he might have five pawns for the piece, I would be surprised if White wasn't worse here: too many of his pawns are vulnerable.
31... Rxf21 Active and good defence, albeit only if followed up correctly.
32 Ne4 (Diagram 71)
Diagram 71 (B)
Diagram 72 (B)
Where shou ld the rook go?
White's initiative is too strong
32 ... Rf4? Making contact with the knight looks tempting, but it is actually defended hy the check on g6 and so the white rook can move away. Correct was 32 ... Rf7! when I've failed to find anything better for White than 33 Qg6+ (33 Rgl ? Rg7 34 Qe6+ Kh8 defends) 33 ... Rg7 34 Nf6+ Bxf6 35 ReS+ Rxe8 36 Qxe8+ and perpetual or some variant on that theme.
33 Qe6+ KhB 34 Qh6+ KgB 35 Rg11 Now Black must prevent the massive check on f6 by returning an exchange.
3S ... Rxe4 36 Qg6+ KhB The game score indicates 36 ... Kf8?, but I can't believe that the two players would have overlooked the strength of 37 Rfl + even in a manic time scramble.
37 Qxe4 ReB Alternatively, 37... Rf8 38 cxb5 axb5 39 aS and White is the clear favourite with three pawns and the initiative for the piece.
38 g6? There must have been something of a scramble in progress, otherwise White
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The Pos ition a l C h oice: 2 . e6 ..
\v o uld first have captured twice on bS before pushing the g-pawn. 3 s Bf6l ...
Black too overlooks the defensive resource 38 ... Qxc4 39 g7+ Kg8 40 hS BgS! when any thing might still have happened. 39 hSI {Diagram 72)
No w White is back on track. 3 9 Qxc4 40 h6 1-0 ...
The onrushing pawns are far too strong.
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C h a pte r Fou r
T h e U n co m p ro m i s i n g 2
m m m m m m
• • •
cs
I ntrod uction The Da ri ng 3 Nc3 3 d 5 a nd the Va ga n i a n G a m bit Wh ite Exch a n ges on f6 The 2 The 2
•••
•••
c 5 Ma i n Li ne: 5 Qc1 c 5 Ma i n Li ne: 5 Qc 1 f5 6 g3
The U ncom p ro m i s i ng 2 . . c s .
I n trod uction 1 d4 Nf6
2 Bgs cs (Diagram 1)
Diagram 1 (W)
Diagram 2 (W)
Striking out on the dark squares
As ever b2 is a natural ta rget
With one or two exceptions we've thus far generally considered quite solid ap p roa ches by Black; something which 2 ... c5 most certainly cannot be described as
being. Indeed, by advancing his c-pawn and freeing his queen at such an early stage, Black shows that he is keen to fight for the initiative. The resulting play tends to be quite dynamic and often revolves around whether Black's dark-square play fully compensates for whatever concessions he has made (especially in the case of 3 Bxf6 gxf6). 2 c5 might have only occurred in 1 1 % of all the Trompowsky games on my data base, but it is well worth being ready for. Not only are there some sharp and rela . . .
tively theoretical lines, but both sides can quickly drift into trouble should they be unfamiliar with the resulting complex early middlegames. While I have some sympathy for meeting 2 ... d5 and 2 ...e6 with 3 e3, here such an a pproach is frankly unchallenging at best. Indeed, 3 e3 Qb6 already forces White into either a grave dark-square weakness (4 b3) or an unpromising gambit, such as 4 dxc5 Qxb2 5 Nd2 Qc3. Neither do I recommend allowing Black plenty of early a ctiv ity with 3 c3 Ne4 4 Bf4 Qb6 (Diagram 2).
WARNING: Already White must be careful and 5 Qb3?1 cxd4 6 Qxb6 axb6 7 BxbS?I dxc3 8 Bes? Rxa211, as in D.Terentiev-J.Gallagher, Liechtenstein 1990, is most certainly a trap to avoid. Occasi onally
3 dxcS has been touted as a way to avoid theory, but this accelerates 101
Sta rti n g Out: The Trom powsky Attack Black's development and 3 ...e6 4 Nd2 (4 e4? Bxc5 5 e5 Qb6! sees the tactics backfire on White) 4 ... Bxc5 5 e3 (and not, of course, 5 Ne4?? Nxe4!) 5 ... Nc6 6 Ngf3 0-0 is hardly a particularly inspiring position to head for. Thus White usually plumps for either 3 Bxf6 or 3 d5, but first we must consider something even more radical.
The Da ring 3 Nc3 1 d4 Nf6 2 Bg5 cs 3 Nc3 (Diagram 3)
Diagram 3 (B)
Diagram 4 (B)
Active and a mbitious
Sicilian-like play beckons
White wastes no time developing and shows himself happy to bring his queen into action. This approach is quite sharp and may appeal especially to players with some Veresov and/or Open Sicilian experience. However, it's never really caught on at grandmaster level and has been played in under 10% of all the games I could find with 2 ... c5.
3 ...cxd4 A natural move, but by no means the only choice: a) One drawback to 3 Nc3 is that 3 ... d5!? takes play into a line of the Veresov which is generally considered to supply decent counterplay. I'm afraid that I must really draw the line here - those interested in further details of this reversed Chi gorin position are referred to Nigel Davies's 2003 work on the Veresov. b) 3 . . .Qb6 reveals another move order issue: White has nothing better here than 4 d5, taking play into the Vaganian Gambit and our next section. c) However, 3... Qa5 isn' t so challenging and allows White a fairly pleasant choice after 4 Bxf6 gxf6 between 5 d5 and 5 e3.
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The U n co m p ro m i s i n g 2 ... c s 4
Qxd4 Nc6 5 Qh4 (Diagram 4)
The most active square for the queen and White's main choice by some margin. s e6 ...
Bl ack prepares to neutralize the pressure down the h4-d8 diagonal with ... Be7. A sensible approach, but not the only one: a ) 5 . . d6 6 e4 e6 7 0-0-0 Be7 resembles the Richter-Rauzer Attack in the Sicilian, and is likely to transpose to our main line after 8 f4 Qa5. b) 5 . Qa5 6 0-0-0 d6 7 e4 Be6!? sees Black prioritizing counterplay over develop ment, as advocated in Chess Openings for Black, Explained. I agree with Alburt, Dzindzichashvili and Perelshteyn that 8 Bxf6?! gxf6 9 Kb1 f5 1 0 exf5 Qxf5! (Dia gram 5) is good for Black (although 10 ... Bxf5? 1 1 RdS Bxc2+ 12 Kcl ! Qb4 13 Bc4 leaves Black in serious trouble), but White doesn't have to help develop Black's kingside so. Indeed, 8 a3 looks like a better bet, after which 8 ... h6 (8...Rc8 9 f4 Nd8?! saw Black desperate to land a blow on c3 in I.Nataf-A.Houriez, Cannes 1996, but De la Villa's 10 Bxf6!? gxf6 1 1 BbS+ keeps control and leaves White com fortably better) 9 Bxf6 gxf6 10 Nd5 Bg7 1 1 Nh3 f5 12 Nhf4 was quite complex, but probably a little better for White in ].Ibarra Jerez-J.Valmana Canto, La Roda 2005. .
.
.
Diagram 5 (W)
Diagram 6 (W)
Black's bishops look good
White's king isn't all that safe
c) S . . bS?! is another active idea from Black, but one rather well met by 6 e4 a6 7 0-0-0 when he faces a strong central initiative: for example, 7... h6 (7...Qa5 8 Kb1 d6 9 Nge2 Be6 1 0 Ncl! ? Rc8 1 1 Nb3 calmly leaves Black suffering in a Rauzer-type position, A.Jackson-O.Gladyszev, Port Erin 2000) 8 NdS Bb7 9 Bxf6 gxf6 10 Ne2 QaS 1 1 Kb1 Rg8 12 f3 gave White an edge in I.Nei-B.Diesen, Helsinki 1990, and 1 2 a3!? might b e even stronger with the direct idea o f 1 2 ... b4 13 Qh3!. .
6 e4 103
Sta rti n g Out: T h e Trom powsky Attack White can also castle first, but after 6 0-0-0 Be7 7 e4 we're back in our main line.
6 ... Be7 Prie draws attention to 6... Bb4!?, which is logical enough, but has only been played twice from what I can see. Indeed, it might even be worth sidestepping with 6 0-0-0.
TIP: When planning your repertoire never forget about move-order and transpositional tricks. Indeed, swapping two moves around to avoid a certain nuance is key to a number of opening lines. 7 0-0-0 White wants to bring his f-pawn into play before developing his king's knight, but is probably best off castling first. Admittedly 7 f4 Qb6!? (7 ...b5!? is another idea) 8 0-0-0 Qe3+ 9 Kb1 Nxe4 10 Nxe4 Qxe4 is far from clear, but I'm not entirely sure that White has enough compensation after De Ia Villa's 1 1 Bd3 Qxg2!? (1 1 ...Bxg5 12 QxgS Qd4 13 Nf3 Qf6 14 QhS h6 1 5 fS! dS 16 g4 gave White enough pressure in J.Gil Gonzales-F.Arnold Perier, Spanish Team Championship 1996) 1 2 Bxe7 Nxe7 13 Ne2 Ng6 14 QhS.
7 ... Qa51 (Diagram 6) Black wastes no time activating his queen while also sidestepping potential trou ble on the d-file. The alternatives are perhaps not so bad, but do allow White to showcase his assets: a) 7...0-0 8 f4 h6?! looks rather risky, but does require some precision from White with 9 Nf3! being the way to go: 9 ... hxg5?! 10 NxgS Qc7 (or 10 ... g6 1 1 Qh6! Re8 when Prie analyses the crushing continuation 1 2 eS Bf8 13 Qh3 Nh5 14 g4 f6 15 gxhS! fxgS 16 hxg6) 1 1 eS! NxeS 1 2 NdS! exdS 13 fxeS QxeS 14 Re1 QfS! ( 14...Qd6? 15 Bd3 g6 16 Qh6 wins) 15 Rxe7 Qg4! 16 Qxg4 Nxg4 17 BbS saw Black defend well but still come out behind in M.Krasenkow-J.Degraeve, Cappelle Ia Grande 1990. b) 7... a6! ? 8 f4 bS might be met by the calm 9 a3, but in practice White has usually gone forwards with 9 eS! b4 10 exf6 gxf6 1 1 Ne4 fxgS 12 fxgS, which is hard to as sess, but probably slightly favours him, R.Vaganian-R.Knaak, Tallinn 1979.
8 f4 d6 (Diagram 7) Black contests the eS-square and has tricky ideas of ... h6 in mind.
9 Nf3 White has also retreated his queen, but Dembo is surely right that 9 Qe1 0-0 (9 . . . h6!? 10 Bh4 gS is a tempting, very Rauzer-like alternative) 10 Nf3 Rd8! cannot be bad for Black. Perhaps White's best try is thus 9 BbS!?, cutting off the black queen from eS, as we'll consider in Game 14.
9... h6 Black puts the question to the bishop without delay. Instead 9 ... Bd7 1 0 BbS trans-
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The U ncom pro m i s i n g 2 ... c s poses t o Game 14, but also allows White the option o f 10 Nd2!?.
Diagram 7 (W)
Diagram 8 (B)
It's Richter-Rauzer-like!
Sharp but okay for Black
10 Bb5 White continues to develop as quickly as possible. He has also tried to open the position with 10 e5?!, but 10 ... dxe5 1 1 fxe5 Nxe5 appears to offer insufficient com pensation: 12 Bb5+ (or 12 Nxe5 Qxe5 1 3 Bb5+ Kf8 14 Bf4 Qc5 and while Black can't castle, there doesn't appear to be a particularly promising way for White to take advantage) 12 ... Bd7! 13 Nxe5 Bxb5 14 Nxf7!? Kxf7 1 5 Bxf6 Bxf6 16 Qh5+ Kg8 1 7 Qxb5 Bxc3 18 Qxb7 Bxb2+! 19 Qxb2 Kh7 leaves White i n trouble, S.luldachev G.Serper, Tashkent 1993.
10 Bd7 ...
Black threatens to go long and so White must act, but 11 e5 dxe5 12 Bxc6 Bxc6 13 Nxe5 (Diagram 8) 13 ... Rc8 (Serper) leaves the onus on White to prove it's equal. Perhaps 14 Rhe1 !? Bxg2 (14 ... 0-0? 15 Bxh6 gxh6 16 Qxh6 prepares a fatal rook lift, but 14 ... Qc5!? is possible) 1 5 Bxf6 is best, although here Black has a pleasant choice between 15 .. . gxf6 16 Ng4 Rxc3 1 7 Nxf6+ Kf8 18 Nd7+ Ke8 19 Nf6+ (Diagram 9) when White must force perpetual and 15 ... Bxf6!? 16 Qg3 Bc6 17 Nc4 Qc5 18 Nd6+ Ke7 19 Nxc8+ Rxc8 with sufficient compensation for the exchange.
Conclusion The rare but dangerous 3 Nc3 might well catch out even quite an experienced 2 . . c5 practitioner. Indeed, White has scored 56% with it from just under 400 games. However, if Black knows his stuff, he obtains decent counterchances and W hite has made just 35% from 20 games after 9 Nf3 in our main line. I must admit .
10 5
Sta rt i n g O u t: T he Trom pows ky Attack that 3...d5 also puts me off 3 Nc3, although this has actually been quite rare in practice, possibly because most players answer the Veresov with 3 ... Nbd7 and not 3...c5.
Diagram 9 (B)
Diagram 10 (B)
White forces a d raw
White wants to enforce es
Illustrative Games Game 14 D J.Brandics • F.ott
Kecskemet 1990 1 d4 Nf6 2 Bg5 cs 3 Nc3 cxd4 4 Qxd4 Nc6 5 Qh4 e6 6 o-o-o Be7 7 e4 d6 8 f4 QaS 9 BbSI? White not only pins the knight, but may even exchange it in some lines as he aims to force through the e5-advance.
9 o-o?l ...
Either an extremely brave or a rather naive choice. Black has more usually pre ferred 9 ... Bd7 10 Nf3 (Diagram 10) and then: a) 10 ... 0-0-0?! 1 1 e5! dxe5 12 fxe5 Nd5? (De Ia Villa points out that even the varia tions 12 ... Nxe5 13 Nxe5 Bxb5 14 Nxf7 Rxd1+ 15 Rxd1 Rf8 16 Nxb5 Qxb5 1 7 Bxf6 gxf6 18 Qxh7 and 12 ...h6 13 Rxd7! Kxd7 14 exf6 hxg5 15 Qxg5! Bb4 16 Bxc6+ bxc6 1 7 Qxa5 Bxa5 18 Ne5+ leave White firmly in charge of proceedings) 13 Nxd5 exd5 14 Bxc6 Bxg5+ 15 Nxg5 Bxc6 16 Nxf7 won the exchange and the game in M.Illescas Cordoba-Rivera, Barcelona 1984. b) 10 ... a6 also fails to hinder White: 1 1 Bxc6 Bxc6 12 e5 dxe5 13 fxe5 Ng8?! 14 Qg3
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T h e Uncom p ro m i s i n g 2 ... c s was horrible for Black i n J.Johansson-I.Kanko, Helsinki 1991, and while the brave 13 ...Bxf3 improves, it does allow White the choice of two tempting sacrifices in 14 gxf3 Qxe5 15 Rhg1 and 14 exf6!? Bxd1 15 fxe7, with dangerous play in both cases. c) 10 ...h6! is again critical: 1 1 e5 dxeS 12 Bxc6! (best; note that the tempting 12 Rxd7? falls short after 12 ... Kxd7! 13 Nxe5+ Kc7) 12 ... Bxc6 13 Nxe5 Rc8 (Black wisely sidesteps 13 ... 0-0? 14 Bxh6! gxh6 15 Qxh6), and we've transposed to Ser per's analysis in the main line of our last theory section. There I suggested that Black could grab and that 14 Rhe1 Bxg2 is roughly equal.
10 Nf3 h6? (Diagram 11)
Diagram 11 (W)
Diagram 12 (B)
Can White sacrifice?
The attack is crushing
This fails to convince, but with the black queen cut off, so too does 1 0... Rd8?, which fails to the simple 1 1 e5 dxe5 12 fxe5 Rxd1+ 13 Rxd1, winning material. It looks a little ugly, but quite possibly Black had to take refuge in 10 ... e5, thereby at least holding White up in the centre.
11 Bxc6? So was White correct to reject the standard sacrifice 1 1 Bxh6! gxh6 12 Qxh6? I
rather think not! Just look at the lines 1 2 ... Nxe4 13 Bd3 Nf6 14 Ng5 (Diagram 12) followed by a lethal bishop check, 12 ...Qb6 13 NgS Qe3+ 14 Kb1 and there's no d efence to the threat of 15 e5 and 16 Nce4, and 12 ... Rd8 13 NgS when the f6-knight will be shifted, either by e5 or 13 ...e5 14 Nd5.
TIP: In this variation ... h6 might be a critical way for Black to play, but it usually only works when he hasn't castled. If he has and then goes ... h6, do immediately get to work seeing whether the standard bishop sacrifice is onl
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Sta rting Out: The Trom powsky Attack 11... bxc6 Ott correctly avoids 1 l . .. hxg5? 12 Nxg5 when 12 ...bxc6 1 3 e5 transposes to the game. 12 esl? Critical as White clearly has no desire to trade on f6 and retreat his queen to el . Again we must also consider the alternative sacrifice, but here 12 Bxh6 gxh6 1 3 e5! (13 Qxh6? Qh5 defends) 13 ... dxe5 14 fxe5 Nd5 is much less clear than before and 15 Rxd5 exd5 1 6 Qxe7 Rb8 1 7 Qh4 Qb4 gives Black enough counterplay.
12 ... hxgs? Black might have been rated 2265, but evidently all the early pressure had got to him, as the text badly underestimates White's attacking chances. Instead Ott had to find 12 ... dxe5! 13 Bxh6 gxh6 when 14 fxe5 transposes to our last note, but White also has the surprising 14 Nxe5!?. Then 14 ... Kh7 (14 ...Qb6!? might well be possible too, as it's not so easy to lift a rook after 15 Qxh6 Rd8 16 Rxd8+ Bxd8) 15 Nxc6 QcS 16 Nxe7 Qxe7 1 7 g4 Bb7 18 g5 Ng8 19 Rhg1 gives White ongoing pressure for the piece, although I would be surprised if it was objectively quite enough after 19 ... Rad8.
13 Nxgs dxes? This loses, although Black's long-term chances for survival after even 13 ... Nh5 14 Qxh5 Bxg5 15 Qxg5 dxe5 16 fxe5 f6 would hardly have been all that high.
14 Rd3 (Diagram 13)
Diagram 13 (B) A killer rook l i ft
Diagram 1 4 (B) Not such a quiet choice
The arrival of a further piece into the attack heralds the end. 14...Qb4
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The Unco m p rom i s i n g 2 ... c s Desperation, but there was n o defence a s shown by the line 14. . .g6 (to play ... Nh5) 15 Qh6 Ba3 16 Rh3 Bxb2+ 17 Kb1 and mate follows. 15 Nce4 Qxe4 16 Nxe4 Nxe4 17 Qxe7 exf4 Black might have two pieces and a pawn for the queen, but his position is far too loose and Brandies was never going to fail to convert from here:
18 Rh3 Ba6 19 Qh4 f5 20 Rd1 Nf6 21 Qxf4 Rac8 22 Ra3 Be2 23 Re1 Bh5 24 Rxa7 Bf7 2 5 a4 Ne4 26 as g5 27 Qe5 Rfd8 28 Rxe41 fxe4 29 Qxg5+ 1-0
3 dS a nd the Vaga nian Ga mbit 1 d4 Nf6 2 Bg5 cs 3 ds (Diagram 14) White pushes on and shows that he is happy to contest a Benoni structure. It might not appear so to the uninitiated, but the text is actually quite a sharp ap proach - with his next move Black can pretty much force White to gambit a pawn. 3 .Qb61? ..
And this is the critical response, hunting down White's b-pawn. Alternatively: a) 3 ... Ne4 is by some margin Black's second main choice.
NOTE: White should be happy enough to meet 3 ... Ne4 by transpos ing to the first section of Chapter Seven with 4 Bf4 . Hodgson did once wonder about 4 Bel, but this is probably best avoided as 4 ... e6! begins slightly annoying, early counterplay. b) 3 ... d6 4 Nc3 Qb6 (investing a tempo with 4 ...h6 5 Bxf6 exf6 is the independent try; Black's kingside is much safer than in the 3 Bxf6 gxf6 variation, but White has free development and 6 e4 g6 7 Bd3 Bg7 8 Nf3 0-0 9 0-0 Nd7 10 Nd2! gave him a pleasant edge in J.Gallagher-S.Knott, British Championship, Scarborough 2001) 5 e4 Qxb2 6 Bd2 transposes to our main line, but also allows White the extra option of 5 Qd2!? Qxb2 6 Rb1 Qa3 7 e4.
c) 3 .. g6 4 Nc3 (best; Black's position is just too easy to play after 4 Bxf6 exf6 5 c3 Bg7 6 e3 0-0 when ... f5 will follow and White will find it hard to restrain an even tua l ...b5) 4 ... Bg7 5 e4 (Diagram 15) takes play into an unusual type of Schmid Be noni. This isn't such a bad approach from Black, but neither do I think that White's bishop has been committed too early: for example, 5 ... d6 (Hodgson has al so shown the way against 5 ... h6: 6 Bf4! d6 7 h3 Qb6 8 Bb5+ Nfd7 9 Rb1 Qa5 10 Bd2 0-0 1 1 Nf3 a6 12 Be2 Nf6 13 0-0 Qd8 14 a4 left Black solid but typically a little too cramped in J.Hodgson-P.Cramling, Bern 1996) 6 f4 0-0 7 Nf3 a6 8 a4 Nh5?! 9 f5! Nd7 10 Be2 Rb8 1 1 0-0 Nhf6 1 2 Qel and Black was mown down by the direct at ta ck in J.Hodgson-J.Hjartarson, Bermuda 1997. .
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Sta rti n g Out: T h e T ro m pows ky Attack
Diagram 15 (B)
Diagram 16 (B)
It's a bit Pirc-like
Wisely halting Black's pawns
d) 3 ...e5 4 Nc3 d6 5 e4 might also come about via a l . ..cS move order. Here Black's knight has been developed a little early ( ... Be7-g5 will take time to arrange), and White has access to the c4-square, factors which he exploited with 5 ... Be7 6 Nf3 0-0 7 Be2 (White must be alert to tactics on dS, but as Gallagher points out, they sim ply don't seem to work) 7... Nbd7 8 0-0 Kh8 9 a4 Ng8 10 Be3 g6 11 Nd2 fS 12 exfS gxfS 13 f4 (Diagram 16) to obtain control of the position in A.Miles-C.Matamoros Franco, Ubeda 1997.
4 Nc31 (Diagram 17) Nothing else makes any sense. Indeed, White must sacrifice and with the text he introduces the Vaganian Gambit, named after the famous Armenian Grandmaster who crushed all-comers with it in the Seventies.
WARNING: Anyone who even considered 4 b3?1 must be rather inexperienced in the Trompowskyl White must always beware weakening his dark squares thus and here 4 ... Ne4 5 Bf4? Qf6 is most certainly a position to avoid. 4...Qxb2 Critical. Again an unprepared opponent might back out of the challenge, though, and 4 ... d6 5 e4 g6 has been seen. With b2 still hanging, 6 f4 a Ia Hodgson is now too ambitious, but 6 BbS+ (or just 6 Rb1) 6 ... Bd7 7 a4 Bg7 8 Nf3 a6 9 aS Qc7 10 Bd3 0-0 1 1 0-0 Bg4 1 2 h3 Bxf3 13 Qxf3 gave White a pleasant Schmid Benoni-style edge in I.Cheparinov-E.Iturrizaga Bonelli, online blitz 2009.
5 Bd2 Qb6 Fairly essentia l. The queen scurries back towards safety on c7 or d8.
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The Unco m p r o m i s i n g 2 . . . c s 6 e4 Already White's compensation is quite evident: a strong centre and the freer de velopment. Indeed, it's not unknown for him to blow Black away with a quick f4 and eS advance; an attack which has helped to attract many to the white cause. Black, on the other hand, remains quite solid and can hope to gradually unravel and exploit his extra pawn should he manage to keep the central situation under control.
6... d6
Diagram 17 (B)
Diagram 18 (W)
White must sacrifice b2
Trying to slow White u p
Black's most popular choice, but a very important alternative i s 6. . .e5 7 f4 d 6 (Dia gram 18), logically closing the centre. This approach has been recommended of late in Yelena Dembo's Fighting the Anti-King's Indians and is a fairly critical chal lenge to the Vaganian Gambit. White must now choose between: a) 8 Rb1 appears tempting, but driving the queen back seems to help Black: 8 ... Qc7 9 Nf3 (compared with our main line, 9 BbS+?! Bd7 1 0 fxeS dxeS 1 1 Nf3 a6 only helps Black to develop) 9 ... a6!? is Prie's still untested idea. His analysis continues
10 a4 exf4! 1 1 Bxf4 Nbd7 12 Nd2 Be7 13 Nc4 0-0 when Black will regroup with ... Ne8 and ... Bf6. That won't completely unravel his forces, but does leave the onus on White to demonstrate that he has enough for the pawn.
b) 8 Nf3 Nbd7 (8 ... exf4 appears risky, but certainly has its merits as shown by the solid line 9 Bxf4 Nbd7 10 Rb1 QaS 1 1 Qd2 Be7; thus I wonder if White wouldn't do better to investigate 9 eS!? dxeS 10 NxeS Be7 11 BbS+, fighting hard for the initia tive) 9 fxeS (Wells's 9 Bb5!? a6 10 Bxd7+ Nxd7 1 1 0-0 Be7 12 Rb1 has in mind the breakthrough 12 ... Qd8?! 13 fxe5 dxe5 14 d6! Bxd6 15 Bh6, but as he observes, 12 ... Qc7 is a much tougher nut to crack) gives Black a tough decision.
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sta rting Out: The Trom pows ky Att a c k NOTE: The Dutch grandmaster Friso Nijboer, a leading proponent of Black's set-up, has pointed out that the seemingly freeing exchange of knights actually only helps White: 9... Nxe5?1 10 Nxes dxes 11 Rb1 Qd8 12 Bb5+ Bd7 13 Bg5 with strong pressure. Thus Black should prefer 9 ... dxe5 10 Bc4 Bd6 (we'll see in Game 14 why 10 ... Be7 1 1 Rb1 ! QdB 12 BgS is dangerous for Black, but 10 ... a6!? 1 1 0-0 Be7 may well improve; this gives the queen the c7-square and 12 Rb1 Qc7 13 Nh4 Nb6 14 Be2 0-0 15 Qe1 NeB appears acceptable enough for the second player) 1 1 Nh4! (White must not delay: 1 1 0-0 0-0 12 Nh4 QdB! 13 NfS Nb6! 14 Be2 BxfS 15 RxfS NeB saw the then prodigy supply a model for Black in B.Soos-P.Leko, Budapest 1993) 1 1 ...0-0 1 2 NfS (Diagram 19) 12 ... NeB 13 0-0, which reaches quite a critical and amazingly still un tested position. White is better off than in Soos-Leko, but after 13 ... QdB! still needs to find a counter to Black's idea of ... Nb6 and ... BxfS. Perhaps 14 Qf3 Nb6 15 BbS might be tried, while I also wonder about the earlier idea of 13 a4!? QdB 14 aS.
Diagram 19 (B)
Diagram 20 (B)
White has decent pressure
Enough for the pawn
c) The jury is also still out on the cramping B fS!?. One critical line, as recom mended by Dembo, runs B ... hS! (an essential prophylactic inclusion: B ... Nbd7?! is just too easy for White who can expand with 9 g4 h6 10 h4 before completing his development) 9 Nf3 Nbd7 10 Bd3 a6. Black remains very solid here, but White is most certainly not without his compensation. If push comes to shove, I'd guess that the chances are roughly balanced with 1 1 a4!? (Diagram 20) probably the way to start, keeping a careful eye on the queenside situation ( ... c4 can be an issue and White would like to be in a position to win a6 should Black break with ...b6 after aS). Before we return to 6 ... d6, keeping Black's options open, it's worth noting that 6... e6 7 f4 d6 is another route into our main line. Here 7... exd5 has also been seen,
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The U ncom p ro m i s i n g 2 . . . c s bu t i s risky and 8 e5 d4?! (8. . .Ne4!? 9 Nxd5 Qd8 might be a better try, although I thi nk that Wells's 1 0 Bel !? with the ideas of 10 ... d6 1 1 Bd3 and 10 ...Qa5+ 1 1 c3 offers White challenging compensation) 9 exf6 dxc3 10 Bxc3 gxf6 (10...Qe6+?! 1 1 Kf2! only makes matters worse for Black) 1 1 Bc4 left Black with a rather ragged struc ture in D.Boros-D.Howell, Copenhagen 2006.
7 f4 (Diagram 21)
Diagram 21 (B)
Diagram 22 (B)
White th reatens 8 eS
Model play from Vaga nian
7 .e6 ..
Again Black counters in the centre, but he has also tried a number of alternatives:
a) 7...g6? 8 e5 just gives White everything he could want. It's oft-quoted but to dem onstrate the power of White's initiative I can do no better than to give the classic demolition R.Vaganian-V.Kupreichik, USSR Championship, Leningrad 1974: 8 .. dxe5 (8... Nfd7 9 Nf3 Bg7 10 Rb1 Qd8 1 1 e6! fxe6 12 Ng5 gave White too strong an initiative too in R.Vaganian-V.Jansa, Kragujevac 1974) 9 fxe5 Nfd7 10 Nf3 Bg7 1 1 Rb1 Qd8 1 2 e6! (Diagram 22) 1 2... fxe6 1 3 Ng5 Nf6 1 4 Bb5+ K£8 1 5 dxe6 a6 1 6 Be3! Qa5 1 7 0-0 h6 (17... axb5 18 Rxb5 Qc7 19 Nd5 Qe5 20 Bxc5 is crushing, as pointed out by Wells) 18 Qd3 Kg8 19 Qxg6 Bxe6 20 Nxe6 Rh7 21 Rxf6 Nd7 22 Bxd7 1-0. .
TIP: This inspirational game is well worth studying again, not least because the key blows occurred on the light squares; a far from un known scenario when Black doesn't close the centre with ...es. b) One can understand the logic behind 7 ... Bg4?, but Black doesn't have time to develop his queenside before touching his kingside pawns: 8 Be2! Bxe2 9 Qxe2 Na6 (9 ... a6 10 Rb1 Qc7 11 e5 is excellent too for White) 10 Rb1 Qc7 1 1 e5! Nd7? 12 NbS Qd8 13 exd6 Nb6 14 Nf3 NxdS 15 Ne5 was already pretty much all over in R.Palliser-M.White, York 2004.
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Sta rti n g Out: The Tro mpows ky Attack c) 7...e5 is a much better idea, transposing to the notes to Black's 6th move, above. d) 7... Nbd7?! doesn't, though, transpose there too because the straightforward 8 Nf3 e5?! 9 dxe6 fxe6 10 Ng5! is rather strong. e) 7...Qd8 8 Bc4!? cuts across any plans of ...e5 Black might have. That can now be met en passant and 8 ... Nbd7 9 a4!? Nb6 10 Bb5+ Bd7 1 1 Qe2 (Wells) gives White good compensation. f) If Black wishes to retreat his queen out of harm's way, 7 ...Qc7 is probably a bet ter method. Black's point is revealed after 8 Nf3 (the calm 8 Bb5+ Nbd7 9 Nf3 a6 1 0 Bxd7+ Nxd7 1 1 0-0 g6 1 2 e5 Bg7 appears fine for Black, a s i n J.Vilela d e Acuna Y.Gonzalez Vidal, Barcelona 2007, but De Ia Villa's 8 Bc4!? a6 9 a4 g6 1 0 Qe2 would probably be my choice when Wells suggests that Black must preface ... g6 with 10 ... Nfd7!?) 8 ... Bg4 when even the vigorous 9 e5! (White cannot afford rou tine play: 9 Bb5+ Nbd7 10 0-0 a6 1 1 Bxd7+ Nxd7 12 Qe1 Bxf3 13 Rxf3 g6 left the Trompowsky expert on the way to victory against our favourite opening in N.Povah-P.Wells, Portsmouth 2003) 9... dxe5 10 fxe5 Bxf3 11 Qxf3 Qxe5+ 12 Be2 (Diagram 23) was no more than unclear after the highly-creative defence 1 2...g5!? 13 Rb1 g4 14 Qd3 Bg7 15 Rxb7 0-0 in J.Ehlvest-S.Kudrin, Reno 2005.
Diagram 23 (B)
Diagram 24 (B)
It's stil l unclear
A well-judged decision
After that important theoretical interlude we return to 7 ... e6:
8 Rb11 (Diagram 24) NOTE: This move is well worth flicking in. It wasn't after 6...es 7 f4 d6, but here White would like to meet Bb5+ Bd7 with an exchange on e6, thereby opening the centre for his more actively-placed pieces.
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The U ncom pro m i s i n g 2 .. c s .
White has also tried the immediate 8 dxe6, but 8 ... Bxe6! is a good response: for example, 9 fS (or 9 Rbl Qc7 1 0 Nf3 Be7 and Black is already slightly for choice with White's central options failing to impress) 9... Bd7 10 Nf3 Be7 1 1 Bc4 Nc6 1 2 0-0 Ne5 13 NxeS dxeS and White's control o f d S gave him no more than some compensation in A.Fier-E.Tsuboi, Sao Paulo 2007. s . .Qc7 .
Black keeps his queen in touch with both the b7- and eS-points. He has also re treated with 8 ...Qd8, but 9 dxe6 (9 BbS+!? Bd7 1 0 dxe6 fxe6 1 1 eS is also pretty dangerous, as once played by Hodgson) 9 .. .fxe6 (quite possibly Black should re turn the pawn for some development with 9 ... Bxe6!?) 10 eS! is very dangerous: 10 ... dxe5 (or 10 ... Nd5 1 1 Bd3 Nxc3 12 Bxc3 dS 13 QhS+ Kd7 14 fS! with a strong initiative in V.Golubenko-O.Sepp, Eesti 1996) 1 1 fxeS Nd5 12 Bd3 (Girchurkin's 12 Qg4!? is yet another possibility) 1 2... Nxc3 1 3 Bxc3 QgS 14 Qf3! Nc6 15 Nh3 Qh4+ 16 Nf2 Be7? 1 7 g3 Qa4 18 Bb5 soon forced Black to resign in A.Lahiri-V.Kamble, Hyderabad 2006.
9 Bb5+ White's main choice. He has also tried 9 dxe6 when 9 .. .fxe6 10 Nf3 a6 11 a4 Nc6 12 Bc4 maintains decent compensation, but again 9 ... Bxe6! is much more of a prob lem.
9... Nbd7 Black has also blocked with 9 ... Bd7 when 10 Qe2! a6 (Prie observes that 10 ... Be7 1 1 dxe6 fxe6 1 2 e5 dxeS 1 3 fxeS Nd5 14 Bd3 once again appears dangerous for Black, and even 1 0...e5!? 1 1 fxeS dxe5 fails to wholly convince after 12 Bc4 Bd6 13 Nf3 0-0 14 0-0 when White will be quick to increase the kingside pressure) 1 1 Bxd7+ Qxd7 (11 ...Nbxd7 1 2 dxe6 fxe6 13 Nf3 leaves Black's light squares rather tender) 12 dxe6 fxe6 (Diagram 25) isn't totally clear, but White has at least decent compensation here, such as with Palos's 13 e5 (13 Nf3 Nc6 14 0-0 is a simpler alternative with the idea of 14 ... Be7 15 Na4! Qc7 16 Nb6 Rd8 17 NgS Nd4 18 Qd3) 13 ... dxe5 14 fxe5 Nd5 15 Nh3!?.
10 dxe6 White hurries to open the position and will now aim to increase the pressure against the vulnerable light-square defender on e6.
10 ...fxe6 11 Nf3 (Diagram 26) White's superior development and safer king position offer him good compensa tion, but matters remain far from clear as we'll see in Game 1 6.
Conclusion The Vaganian Gambit remains a dangerous weapon in the hands of an attacking
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Sta rti n g Out: The Trom pows ky Attack player . That said, a well-prepared opponent who is happy to undertake some de fending might accept the gambit. White has scored 55% from over 300 games a fter 6 e4; a figure which was once higher until the evolution of some decent defences for Black in the shape of 6 ...e5 and 6 ... d6 7 f4 e6/e5. They have necessitated a fair amount of coverage, but even against them White retains decent compensation.
Diagram 25 (W)
Diagram 26 (B)
White m ight target e6
A ha ndy lead in development
Il lustrative Games Game 15 D L.Bruzon Bautista • F.Nijboer
Wijk a an Zee2004 1 d4 Nf6 2 Bg5 c5 3 d5 Qb6 4 Nc3 Qxb2 5 Bd2 Qb6 6 e4 e5 7 f4 d6 8 Nf3 Nbd7 9 fxe5 dxe5 10 Bc4 Be7 11 Rb11 White might play 1 1 0-0 0-0 12 Qe1 with ideas of Nh4 and Qg3, but the text is even more powerful with the black position temporarily uncoordinated.
11 ...Qd8 The most natural retreat. Instead 1 1 ...Qd6?! 12 Nh4! is pretty strong, especially as 12 ... Nxe4?! 13 Nf5 Qg6 14 0-0 Nxd2 15 Qxd2 Bg5 16 Qe2 0-0 17 h4 leaves Black in all sorts of trouble, but even with the b5-square unguarded 1 1 ...Qc7!? may not be so bad.
12 Bg5 (Diagram 27) White wastes no time unobstructing his queen and now the d6-advance is most certainly on the agenda. 116
T h e U ncom p ro m i s i n g 2 . . . c s
12 ... h6? B lac k surprisingly underestimates the danger. He had to prefer either 12 ...Qa5 1 3 Qd2 a 6 14 0-0 0-0 (and not 14 ...b5? 15 d6!) 15 a4 when Bruzon i s surely right that White has good compensation (the d-pawn is mobile and Nh4 on the cards in any case), or Prie's sensible 12 ... Bd6!?, acquiescing to a tempo loss in order to blockade the key pawn.
Diagram 27 (B)
Diagram 28 (W)
Watch that d-pawn !
How to undermine the defences?
13 d61 hxgs 14 Nxgs This is presumably what Nijboer had missed. White will now regain the piece un der highly favourable circumstances.
14...0-0 Black's cause is far from ideal too after 14 ... Rf8 15 dxe7 Qxe7 16 NbS when he will surely lose material in short order.
15 0-01 Once again White can do better than recapture the piece.
Cf
TIP: When calculating an exchanging sequence, always keep an eye out for intermezzos or in-between moves.
15 ... Nb6 Easy to criticize, but I don't think there was a defence: 15 ... Bxd6 16 Qxd6 illus tra tes White's point and after 16 ...Qe8 (or 16 ... Nb6 17 Bxf7+ Kh8 18 QxeS) 17 NdS! Nxd5 18 BxdS Black is completely helpless against the threat of 19 Qg6, which 18 ... Nf6 19 Rxf6 merely renews. Finkel meanwhile points out that 15 ... Qe8 16 dxe7 Qxe7 1 7 Qe1 followed by Qh4 is
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Sta rt i n g O ut: The Trom pows ky Attack completely crushing too: there's no defence to Nd5 followed by removing the de fenders of h7.
16 dxe7 Qxe7 (Diagram 28} 17 Rxb61 Very aesthetic, albeit not so hard to find when one considers that White would like to remove the defensive knight from f6.
17 ... axb6 18 Nds Nxds It would have been all over too after 18 ... Qd8 19 Nxf6+ gxf6 20 Bxf7+ Kg7 21 Qh5 (Bruzon).
19 Qh5 The point of White's combination. Black can now give up his queen to avert mate, but even this isn't going to keep him in the game for long.
19 ... Qxgs 20 Qxgs Nf4 21 Qxes Be6 22 Rxf41? The Cuban wants to carry on attacking. A fair enough policy, although a pretty good case can be made for 22 Bd5. 22 ... Bxc4 23 Qhs Rxa2 24 Rh4 Ra1+ 25 Kf2 (Diagram 29)
Diagram 29 (B)
Diagram 30 (B)
The attack rages on
The a2-g8 diagonal will be key
2s ...fs? A weak defence. Much more resolute would have been 25 ... f6 26 Qh7+ Kf7 27 Rg4 Rg8, although the attack should be decisive after 28 e5!: for example, 28 ... Rfl + 29 Kg3 Be6 30 Qg6+ Ke7 31 Qd3!! Bxg4 32 Kxg4 and Black cannot save both his loose rooks, as pointed out by Bruzon.
26 Qh7+ Kf7 27 exfs 1-o
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The U ncom p rom i s i ng 2 . . . c s Game 16 0 W.Siewert • M.Noble
Correspondence2007 1 d4 Nf6 2 Bg5 cs 3 d5 Qb6 4 Nc3 Qxb2 5 Bd2 Qb6 6 e4 d6 7 f4 e6 8 Rb1 Qc7 9 Bb5+ Nbd7 10 dxe6 fxe6 11 Nf3 a6 12 Bc4 (Diagram 30) WARNING: White must retreat: 12 Ng57 axb5 13 Nxe6 Qc6 14 Nd5 leaves his knights looking pretty, but Black a piece up for insufficient compensation after 14... Ra41, V.Bondarenko-D.Scherbin, Podolsk 1993. 12... Nb6 Aroshidze suggests 12 ... d5 1 3 exd5 Nb6, but after his further 14 Rxb6! Qxb6 15 Qe2 Be7 16 dxe6 0-0 I would be pretty happy to take White with such a powerful fishbone in Black's throat on e6.
13 Rxb617 A critical sacrifice, which sees White fighting for the initiative and determined not to retreat his bishop. Hodgson did once reject this possibility, but his 13 Bd3 c4 14 e5?! (White can maintain sufficient compensation with 14 Be2 Qc5 15 Qcl) 14 ... cxd3 15 exf6 dxc2 16 Qxc2 didn't tum out well after 16 ... gxf6 1 7 f5 Bg7! 18 fxe6 0-0! with advantage to Black in J.Hodgson-H.Alber, Neu Isenburg 1992.
13 ...Qxb6 14 es The only move tried so far, but 14 Ng5!? (Diagram 31) deserves serious considera tion too: for example, 14 ... d5 (Prie's 14 ...Qb4!? is another critical response, after which he feels that 15 Qe2 b5 16 Nxb5 Qb1+ 17 Kf2 Qxh1 18 Nc7+ Ke7 is unclear and this fascinating position could really do with a test) 15 exd5 Be7! (15 ... exd5 16 Nxd5 Nxd5 1 7 Bxd5 traps Black's king in the centre) 16 0-0!? (the simple 16 dxe6 0-0 17 f5 cannot be a bad alternative) 16 ...Qd8 17 Re1 ! 0-0 (Aroshidze also notes that 17 ...exd5? 18 Nxd5 Nxd5 19 Bc3 leaves Black in some trouble, since 19 ... Nxc3? fails to 20 Bf7+ Kf8 21 Qxd8+ Bxd8 22 Re8 mate) 18 Nxe6 Bxe6 19 Rxe6 Bd6 20 a4 and White's control of the position supplies decent compensation for the ex change, as analysed by Aroshidze in Informant 87. Furthermore, 14 0-0!? is possible too, albeit likely to transpose to our last variation after 14 ... Be7 15 Ng5 d5 16 exd5.
NOTE: Even with all the analytical labours of Aroshidze, Prh! and Wells, much remains to be discovered in this critical variation. In deed, the stronger reader who delves deeply into this line will surely be rewarded over the board. 14. .dxes .
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Sta rti n g Out: The Trom pows ky Attack The amazing game S.Mamedyarov-L.Aroshidze, Baku 2002, saw Black prefer to return material with 14 ... d5!? 15 exf6 gxf6 (15 ... dxc4? 16 Ne5 is rather nasty for the black king) and then 16 BxdS? exd5 1 7 Nxd5 Qe6+ left White struggling. However, White might have tried Wells's 16 Ne5! (Diagram 32), throwing more wood on to the fire, even if 16 ... fxe5 17 Qh5+ Kd7 18 Qxe5 Rg8 19 Nxd5! exd5 20 QxdS+ Kc7! (Wells only gave 20 ...Bd6? 21 Qxg8 Qb1+ 22 Kf2 Qxh1 23 Qe6+ Kc6 24 BdS+ Kc7 25 BaS+ with a winning attack) 21 Qxg8 Qb1+ 22 Kf2 Qxc2! (Aroshidze) is no more than roughly balanced with both kings exposed.
Diagram 31 (B)
Diagram 32 (B)
Pressuring e6
White is determined to attack!
15 fxes Ng41 A recent development, although even nowadays a less brave or underprepared opponent might well prefer one of: a) 15 ... Nd7 16 0-0 Be7 (or 16 ...Qc6 1 7 Nh4 g6 18 Bg5! and one has to like White's compensation) 1 7 Bg5! Bxg5 18 Nxg5 Nxe5 19 Qh5+ g6 20 Qh6 Qd6 21 Qg7 Qd4+ 22 Kh1 Nxc4 23 Qf7+ Kd8 24 Rd1 and at the end of this impressive piece of analy sis by Peter Wells, White's active queen is superior to the inactive black rooks. b) 15 ... Nd5 16 Bxd5 exd5 1 7 Nxd5 Qd8 18 Bg5 QaS+ 19 Nd2! Be6 20 Nf4 Qb6 21 0-0 again leaves White with a strong initiative for the exchange, W.Siewert J.Simmelink, correspondence 2007.
16 0-01? A novelty. Previously White had erroneously allowed Black to demonstrate his main point: 16 h3?! Nh6 17 Bxh6 gxh6 18 0-0 Bd7 and White found himself low on compensation with the black king set to find sufficient safety on one flank or the other, E.Cordova-J.Granda Zuniga, Santiago 2006. 16 Be7 (Diagram 33) ...
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The U ncom p rom i s i n g 2 . . . c s
Diagram 33 (W)
Diagram 34 (W)
Enough for the exchange
Anything m ight still ha ppen
17 h3 Once again this is far from forced. Indeed, Prie has analysed 17 Nh4!? Qd8! (an other point behind Black's 15th) 18 Qxg4 Qd4+ 19 Qxd4 cxd4 20 Ne4 Bxh4 21 Nd6+ Kd7 22 Rf7+ Kc6 23 Rxg7 Bd7 when White retains compensation for the ex change, although assessing exactly how much is not so easy. 17 ... Nh6 18 NgSI
Siewert is determined to attack and prevent Black's king from ever castling. 18 ...Qc61 Noble too is up to the challenge. It looks like it will take Black too long to develop his queenside, but he actually has just enough time.
19 QhS+ KdS 20 Nf7+ Nxf7 21 Rxf7 bS 22 BgS White might have tried 22 Rxg7!?, hoping for the line 22... bxc4 23 Rxe7! Kxe7 24 Bg5+ Kf8 25 Bh6+ Ke7 26 Qg5+ Ke8 27 Qg7 when he regains a rook with check, but I dare say that Black would have preferred 22 ... Ra7 when 23 Bg5 transposes to our next note. 22 . Ra7 (Diagram 34) 23 Bd31? .
.
I'm not totally sure about this bold choice, but it is clear that Siewert was deter mined to avoid the repetition which would have occurred after 23 Rxg7 bxc4 24 Qdl + Ke8 (24 ... Rd7?! 25 Bxe7+ Kc7 26 Bd6+ Kb7 27 Qg4 gives White at least enough for the exchange) 25 Qh5+. 23 . Rd7 24 Be4 Qb6 25 Bxe7+ Rxe7 26 Qgs Rhe8 27 Bxh7 Bb7 28 Bg6 ..
Good defence; White must hassle Black's rooks is he is to prevent him from mov ing his king and at least one rook a file to the west.
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Sta rt i ng Out: The T ro m pows ky Attack 28 ...Qc7 29 Rf2 RgB 30 Rf7 Bc6 31 Ne2 Rge8 32 Rf1 Rh8 33 Rf7 (Diagram 35)
Diagram 35 (B)
Diagram 36 (W)
B lack remains tied down
B lack plans . . fs and ... Bg7 .
33 ... Rhe8 Black is happy to draw, but another player might have been happy to continue with 33 ... Be8!? 34 Rxg7 Bxg6 35 Rxg6 Kc8, although this would have been risky: White's knight will come to e4 and his h-pawn is a pretty useful long-term asset.
34 Rf1 Yz-Yz
White Excha nges on f6 1 d4 Nf6 2 Bg5 c5 3 Bxf6 Just as against 2 ... d5 and 2 ...g6, one can argue that this is the consistent Trom powsky move. Unsurprisingly it's again also been the most popular one, having been played in 52% of all games with 2 ... c5.
3 ...gxf6 (Diagram 36) Black's invariable choice, but about 10% of the time he prefers 3 ... exf6 and that per centage might grow after this unusual line was recommended by Alburt, Dzindzichashvili and Perelshteyn. In response White should avoid 4 dS since Black's kingside is much more solid than in our main line, preferring 4 Nc3 (4 c3 dS 5 e3 Nc6 6 Nd2 is a slower alternative) 4...d5 (4 ... cxd4 5 Qxd4 Nc6 6 Qe4+ Be7 7 e3 fails to trouble White, so Black takes play into a rare line of the Veresov) 5 e3 Nc6 6 Nge2! (the Americans only consider 6 Nf3, but Stefanova's set-up, first played by Smyslov, makes much more sense in terms of targeting d5) 6...c4 (perhaps Black should investigate the more energetic 6 ... Be6 7 g3 cxd4 8 exd4!? Qb6!?, although here 9 Bg2! Qxb2 10 Rb1 Qa3 1 1 Rxb7 Bb4 12 0-0 Bxc3 13 Rb3 Qxa2 14 Rxc3 looks
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The U n com pro m i s i n g 2 . . . c s like pretty good compensation, a s pointed out b y Wells) 7 a3 Qa5 8 g3 Bd6 9 Bg2 (Diagram 37) 9 .. Ne7 10 b4! cxb3 1 1 cxb3, which leaves the isolated d-pawn in some trouble, A.Stefanova-I.Chelushkina, Turin Women's Olympiad 2006. .
Diagram 37 (B)
Diagram 38 (W)
That backwards pawn is pretty wea k
Once again b2 is targeted
4 d5
White's invariable choice, helping himself to a spatial advantage. This isn't his only approach, but the fairly-rare alternatives appear less challenging: a) 4 dxc5 Qa5+ (4 ... Na6 also has a good reputation) 5 Nd2 Qxc5 6 c4 f5 7 e3 Bg7 8 Rb1 aS 9 Ngf3 Bf6 10 Bd3 d6 1 1 0-0 Nc6 12 Nb3 Qb6 was fine for Black in R.Slobodjan-P.Bauer, German League 2006; his unopposed bishop and useful cen tral control balance out his structural defects.
b) 4 c3 looks sensible enough, aiming to restrict Black's dark-squared bishop. It's a fav ourite of the Russian Grandmaster, Konstantin Chemyshov, but is a little pas sive and 4 ... Qb6! 5 Qd2 d5 6 e3 Nc6 (Black might also develop with 6 ... Bf5 7 Nf3 e6, but playing for the central advance is highly tempting) 7 Nf3 eS 8 Be2 Be6 9 0-0 0-0-0 10 Qc2 Kb8 was at the very least okay for Black in K.Chemyshov A.Chernobai, Moscow 2008. 4 Qb6 (Diagram 38) ...
In turn this is Black's invariable choice and a very logical one at that. 2 ... c5 pre pared to strike out on the dark squares and against b2, and so why not do so at once? There are alternatives, though, but as the best way to respond often de pends on how White handles the main line, the reader may wish to begin by s tu dying 4 ... Qb6 before returning to this juncture: a ) 4 ... d6 5 e3 (those who prefer a c4 set-up should play 5 c4 without delay) 5... Bf5 (unusual; instead 5 ... Qb6 6 Qcl takes play back into our main line, while another
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Sta rti ng Out: The Trom pows ky Attack instructive game ran 5 ... Na6 6 BbS+! Bd7 7 Bxd7+ Qxd7 8 Ne2 Qg4 9 0-0 Rg8 1 0 Ng3 Qxd1 1 1 Rxd1 e6 12 Nc3 with a pleasant edge i n P.Wells-J.Sugden, Ports mouth 2004) 6 Ne2 (in keeping with our last example, a decent case might be made too for 6 Bd3!? Bxd3 7 Qxd3 Qb6 8 Nc3) 6 ... Bg7?! (rather planless; Black should prefer to fight on the kingside and 6 ... h5! 7 Nf4 Qb6 8 Qcl Nd7 9 a4 h4 1 0 aS Qc7 was no more than a touch worse for him in M.Adams-A.Hon, London 1992) 7 Nf4 Na6 8 BbS+ Bd7 9 a4 BxbS?! 10 axbS Nc7 1 1 Qg4! 0-0 12 NhS NeB 1 3 Nc3 gave White a dream opening i n R.Palliser-R.Westra, Middlesbrough 2004.
NOTE: Black often struggles to activate his light-squared bishop early on after 3 ...gxf6, but this variation is a classic example of the usefulness of a passive bishop. If the bishop finds itself exchanged too early, Black's kingside light-square weaknesses are easy for White to target and the ... e6-break may well be much less effective. b) 4 ... f5 5 c3 (5 c4 Bg7 6 Qc2 followed by Nc3 would be the c4 approach) 5 ...Qb6 6 Qb3!? (White believes that an exchange of queens will remove some of the dyna mism from Black's set-up; it's a reasonable claim, but 6 Qc2 followed by Nd2-c4 can hardly be a bad plan either) 6... Qh6?! (too ambitious, but note how 6 ...Qxb3 7 axb3 e6 8 Nh3! exdS?! 9 Nf4 would retain control of the position; Black must al ways be very careful about exchanging on dS and usually he prefers to pressure that pawn, such as with ... Na6-c7, in a bid to force White to exchange on e6) 7 e3 f4 8 exf4 Qxf4 undoubted Black's pawns in R.Palliser-C.Lim, York 2004, but his king side weaknesses remained and White quickly gained a monstrous initiative: 9 Ne2 Qc7 10 Ng3 Bh6?! 1 1 Be2 0-0 12 NfS BgS 13 d6! exd6 14 Na3 (Diagram 39)
Diagram 39 (B) A dream position for White
Diagram 40 (B) Good handling of the knights
14 . .. a6?! 15 N c4 (a classic demonstration of the potential power of the Trom-
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The Un comp romi s i ng 2 .. . c s powsky knight-pair) 15 ...b 5 16 Ncxd6 c4 1 7 Qc2 Nc6? 18 Qe4 Qd8 19 h4 Bf6 20 Nh6+ Kg7 21 Qg4+ Bg5 22 hxg5 1 -0.
TIP: Should Black negled for too long to play ...d6 himself, do look out for a favourable chance to play d6 as White, stymieing Black's position and further wrecking his strudure. c) 4 ... Bg7 5 c3 (5 c4 followed by Nc3 is once again the alternative) 5 ... d6 (to see why ...Qb6 is best played back at move 4, we need just examine 5 ...Qb6 6 Qc2 which leaves White's queen on a better square than b3 and unable to be hassled by 6 ... d6 7 e3 Bf5?? on account of Black's vulnerable back rank) 6 e3 f5 7 Ne2 Nd7 8 Nf4 Nf6 9 Bc4 0-0 10 a4 saw White employ one of his main set-ups and after 10 ...b6 1 1 Nd2 a6 12 Nfl ! ? Bd7 13 Ng3 b5 14 Bb3 (Diagram 40) he was slightly for choice in J.Hodgson-V .Kotronias, Belgrade 1993. After that instructive interlude, we return to the main line with 4 ... Qb6:
5 QC1 White's invariable choice these days, which we will return to in our next section. I don't wholly trust Hart's old favourite 5 Nd2!? Qxb2 6 e3 (Diagram 41),
Diagram 41 (B)
Diagram 42 (B)
A bold gambit
Reasonable play for the pawn
but this gambit might well be a reasonable surprise weapon. After 6 .. .f5 Jansa has suggested 7 Nh3!? (7 Bd3 Qf6 8 Ne2 e5 9 dxe6 dxe6 10 e4 attempted to blow open the position in J.Hodgson-S.Conquest, Hastings 1986/87, but after 10 ... Nc6 1 1 exf5 exf5 12 0-0 Be6 Black was in control of the situation) 7... Bg7 8 Rb1 Qf6 9 Nf4 (Dia gram 42), which certainly looks like decent compensation and could do with a test. Here 8 ...Qxa2!? is a touch greedy, but far from refutable. After 9 Bc4 Qa5 10 0-0 d6 1 1 Bd3 White's knights have some good squares and a piece will land on h5, but whether this is worth two pawns is debatable.
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Sta rt i n g Out: The Trom powsky Atta ck
Conclusion 2 ... c5 3 Bxf6 gxf6 4 d5 is arguably the most complex variation of the Trompowsky and as such warrants a fair amount of coverage. I just hope that the reader will persist for this is undoubtedly a most enjoyable variation to contest. To avoid be ing worse in the ensuing dynamic battle Black must obtain early activity and so 4 ...Qb6 is really required. As we will see, 5 Qcl is then the critical reaction; 5 Nd2 is playable, but probably good for no more than the odd surprise outing.
The 2 cs Main Line: 5 Oc1 ...
-
1 d4 Nf6 2 Bgs cs 3 Bxf6 gxf6 4 d S Qb6 5 Qc1 (Diagram 43)
Diagram 43 (B)
Diagram 44 (W)
The prudent choice
Black wants to go .. .f4
s ...fs Black usually opens up the long diagonal thus, but he has also been known to pre fer one of: a) 5 ... Bg7 has often transposed to our next section after 6 c3 f5 7 g3, but 6 c4!? re mains an important alternative. Now if Black doesn't want to transpose to our main line, he might try 6 ... Qb4+!? and 7 Nd2 d6 (7 ... f5 8 Rb1 d6 9 a3 pushes Black back and White should play to bring a knight to f4 here) 8 a3 Qb6 9 e3 f5 1 0 Ra2!? Nd7 11 Ne2 Nf6 12 Nc3 led to a typically complex 3 ... gxf6 middlegame in R.Palliser-M.Mitchell, York 2005, but with both knights further from f4 than Whi te might like. b) 5 ... Bh6 6 e3 fS!? (Diagram 44) provokes an immediate sharpening of the strug gle. Specifically Black is hoping to enter the critical variation 7 c4 f4 8 exf4 Bxf4 9
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The Uncom p ro m i s i n g 2 . . c s .
Qxf4 Qxb2, which we will investigate in the notes to Black's 6th move. Those who don't wish to get involved in such complications should prefer to halt ... f4 with either 7 g3 or 7 Ne2!?. The latter was seen in J.Vigus-D.De Vreugt, Glenalmond 1996, which proceeded thematically with 7 ... d6 (more recently 7...e5 8 Nd2 d6 9 Nc4 Qc7 10 a4 b6 1 1 Nc3! a6 12 Qd1 Rg8 13 Qh5 Rg6 14 g4! fxg4 15 Bd3 revealed another instructive handling of the white pieces in P.Vavrak-M.Hoekstra, Internet 2005; Black should always beware closing the centre with ...e5 thus, not least be cause White is often pretty quick at bringing his pieces to good squares, such as h5) 8 c4 Nd7 9 Nbc3 Ne5 10 Nf4 Bd7 11 Qc2 a6 12 Nh5! Qa5 13 f4 Ng6 14 Bd3 e6 15 0-0 (Diagram 45) and White had taken control.
Diagram 45 (B)
Diagram 46 (B)
Thwarting Black's aims
Relative ambition from White
NOTE: Once again do observe White's use of the h5-square, as well as how his battery on the b1-h7 diagonal does such a good job of keeping the central situation under control. 6 c41? (Diagram 46) White makes no attempt to blunt the long diagonal with a pawn. Shoring up d5 like this is useful, not least in rendering an early ... e6 rather ineffective, but it does all come down to one's views on the critical note to Black's 6th move. There are two important alternatives which prevent the play from becoming so forcing: a) 6 g3 has in mind a set-up with c3, Nd2, Nh3-f4 and usually Bg2, and is impor tant enough to warrant its own section, which we'll come to after Game 1 7. b) 6 e3 Bg7 7 c3 was once quite a popular approach, but is generally now consid e red less critical than 6 g3 and 6 c4. However, developing with Nd2, Bc4 and Ne2
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Sta rti n g Out: The Trom pows ky Atta ck cannot be a bad set-up and 7...d6 (Black wants to hurry his knight to f6; practice has also seen 7...e6 8 Nh3! Na6?! 9 Nf4 0-0 10 Na3 e5 1 1 Nh5 Bh6 1 2 Be2 Qg6 1 3 Qd2! d6 14 f4, which favoured White i n L.Geffroy-A.Delorme, French League 2007, and 7... Qd6!? 8 Qd2 Na6 9 Na3 Nc7 10 Rd1 e5 1 1 Nc4 Qf6 12 d6 Ne6, which was quite unclear in M.Eiber-S.Bromberger, Bechhofen 1998) 8 Nh3 (8 Nd2 Nd7 9 a4 Qc7 10 Nc4 is the alternative, but with 10 ... Nf6 1 1 Qd1 e6!? 12 dxe6 d5 1 3 exf7+ Kxf7 14 Nd2 f4 Black obtained good play for his pawn in B.Sahl-K.Lie, Norwegian League 2008; this illustrates why White often prefers to maintain his pawn on dS by supporting it with his bishop from c4 or g2) 8 ... Nd7 9 Nf4 Nf6 10 Bc4 (Diagram 47) has led to a roughly balanced manoeuvring struggle in a number of games, as we'll see in Game 1 7.
Diagram 47 (B)
Diagram 48 (B)
A tough struggle lies ahead
Will the queen escape?
6 Bg7 Black's usual choice in practice, but 6... Bh6!? 7 e3 f4 8 exf4 (White is committed to the exchange sacrifice; otherwise Black just obtains excellent play on the dark squares) 8 ... Bxf4 9 Qxf4! Qxb2 10 Ne2 Qxa1 11 Nec3 (Diagram 48) reaches quite a controversial position. Hodgson and Wells have been happy enough on the white side, but Dembo has recently suggested that Black is better! At any rate it's clear that Black must take care at this point: a) 1 1 ...Qb2? 12 d6! throws a huge spanner in the works and after 12 ... Qc2? (12 ... Nc6 marginally improves, but 13 Bd3 exd6?! 14 0-0 Ne5 15 Qf6 0-0 16 Nd5 was also crushing in J.Hodgson-J.Van der Wiel, Amsterdam 1994) 13 Qe3 Black already gave up in P.Wells-A.Shirov, Gibraltar 2006! A perfectly understandable decision when one considers the variation 13 ... Nc6 14 Bd3 Qb2 15 0-0 e6 16 Qh6 b6 1 7 Nd5! with a decisive attack. b) Thus 1 1 ...d6! is essential, even if 12 Qd2 (Diagram 49) does cut off the black queen's retreat. Indeed, the queen will be won, but Black can hope to obtain a suf...
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The Uncom p ro m i s i n g 2 ... c s fi ciently high price after 12. . .Rg8 (best; 12. . .Bf5? 13 Be2 Rg8 14 g3 Bh3 15 f3! a S 1 6 J(f2 Ra6 1 7 Rd1 Rb6 18 Qd3 Bd7 19 Nd2 Qb2 20 Rb1 Na6 21 Rxb2 Rxb2 2 2 a3 gave Wh ite the decisive material advantage of queen and knight for the two rooks in M.Leon Hoyos-O.Piot, Cappelle Ia Grande 2009) and then:
Diagram 49 (B)
Diagram 50 (W)
What can be obtained for the queen?
The tactics work for Black
b1) 13 Be2!? (Gallagher's idea) 13 ... a6!? (Dembo's counter idea; instead 13... Rxg2 14 Bf3 Rg6 15 Ke2! Bg4? 16 Rcl Nc6! 17 dxc6 Re6+ 18 Kfl Bxf3 19 cxb7 Rb8 20 Na3 Qxcl + 21 Qxcl Rxb7 22 Nc2 turned out well for White in the only practical exam p le of 13 Be2 so far, V.Weil-G.Diez, Bad Homburg 2007) 14 0-0 (in light of what follows this may be inaccurate; instead 14 g3 bS 15 cxbS axbS 16 BxbS+ transposes to variation 'b12') 14 ... Bh3! (Diagram 50) 15 Re1 Ooe Gallagher can certainly be forgiven for failing to realize that 15 Bf3? fails to the highly-aesthetic sequence 15 ... Nd7 16 Na3?! Ne5 1 7 Be4 Bxg2! 18 Rxa1 Bxe4+ 19 Kfl Bd3+ 20 Ne2 Rg1+! 21 Kxg1 Nf3+) 15 ... Rxg2+ 16 Kh1 Rg6 1 7 Na3 Bg2+ 18 Kg1 BxdS+ 19 Kfl Bg2+ 20 Kg1 Qxe1 + 21 Qxe1 Nc6 and I have to agree with Dembo that Black is better due to his fantastic activity.
b2) A critical alternative is 13 g3 a6 14 Bd3! when Dembo has pointed out that
1 4 ... Nd7?! 15 0-0 Ne5 1 6 Be2 Bh3 1 7 Rcl is promising for White. Thus she prefers 1 4 ... b5! 15 cxbS axb5 1 6 BxbS+ Bd7 1 7 Bd3 Bh3 18 Qh6 Bg2 19 Rg1 BxdS!? 20 Qxh7 Rf8 21 Nxd5 Qe5+ 22 Qe4 Qxe4+ 23 Bxe4 Rxa2 and claims an advantage for Black, although this unbalanced position doesn't look at all clear to me.
WARNING! Few black players might have dared to grab the exchange in practice, but those who wish to venture 6 c4 most certainly need an idea here. I would not be surprised if an improvement is out there over Dembo's impressive analysis, but despite much searching I'm yet to find itl 129
Sta rti n g O ut: The Trom pows ky Attack After that excitement, we return to 6...Bg7:
7 Nc3 d6 Standard, but perhaps Black need not be deterred: 7...e6!? 8 e3 Na6 9 Bd3 d6 10 a3 Bd7 1 1 Nge2 0-0-0 12 Qd2 Kb8 13 0-0 Rdg8 wasn't clear in P.Wells-H.Nakamura, Port Erin 2004, although 9 Nh3!? d6 10 Nf4 might be a better try for the advantage.
8 e3 Nd7 I quite like White's prospects here and evidently so does Wells:
9 QC21 (Diagram 51)
Diagram 51 (B)
Diagram 52 (B)
Fairly pleasant for White
Correctly opening the position
The best set-up, although the related 9 Nge2 Nf6 1 0 Qc2 Qa5 1 1 Ng3 b5 1 2 Bd3 bxc4 13 Bxc4 Rb8 14 0-0 0-0 15 Rab1 Qb4 16 Nce2 also gave White an edge in K.Maslak-M.Kraemer, Olomouc 2006; it's quite instructive how ...b5 caused much less disruption than one might imagine.
9 Nf6 10 Bd3 e51? ...
Recent grandmaster praxis has also seen: a) 10 ... Ne4 1 1 Nge2 Nxc3 1 2 Nxc3 e6 13 0-0-0 Bd7 14 g3 Qa5 15 Rd2 0-0-0 16 Kb1 led to a tough, roughly balanced manoeuvring struggle in A.Rodriguez Vila M.Villanueva, Avellaneda 2007, but here Romero Holmes's 12 bxc3! followed by going short looks preferable. b) 10 ... e6 1 1 Nge2 Bd7 12 0-0 0-0-0 13 Rab1 Kb8 14 b4! cxb4 15 a3 gave White goo d attacking chances in K.Rusev-Z.Stanojoski, Sunny Beach 2008.
11 dxe61 Naturally White has no desire to allow 1 1 Nge2?? e4, and it's notable just how ef fective opening the position can be. Indeed, after 1 1 ...fxe6 12 Nf3 Bd7 1 3 0-0 0-0 130
The U ncom p rom i s i n g 2 ... c s
(13 .. 0-0-0!? might improve) 14 e4! (Diagram 52) 1 4.. .fxe4 15 Nxe4 Nxe4 16 Bxe4 h6 17 Radl Black's position was rather loose despite his bishop-pair in P.Wells S.Ledger, Southend 2003. .
Conclusion White has scored 51% from over 1,000 games with 5 Qcl . After S .. .fS both 6 e3 and 6 g3 Bg7 7 c3 (the subject of our next section) lead to a rich, manoeuvring struggle in which the player with the better grasp of the key motifs for both sides is likely to triumph. Specific theory is more important after 6 c4, which has been popular of late despite the fact that it entails an exchange sacrifice, and one which can best be described as risky if practically dangerous.
Illustrative Ga mes Game 17 D J.Vigus • J.Hodgson
British Cham pionship, Street2000 This is the only game I've manage to track down in which Julian Hodgson faced his favourite opening. Unsurprisingly he chose one of Black's more challenging systems, but still ran into some trouble... 1 d4 Nf6 2 Bg5 c5 3 Bxf6 gxf6 4 d5 Qb6 5 Qc1 f5 6 e3 Bg7 7 c3 d6 8 Ne2 Nd7 9 Nf4 Nf6 10 Bc4 Bd7 (Diagram 53)
Diagram 53 (W) White mustn't a l low bs ...
Diagram 54 (W) Black seizes the initiative 131
Sta rt i n g Out: The Trompo wsky Attack A popular choice and it's certainly useful for Black to be threatening ...b5 when his queen drops back.
11 a4 White prevents ... b5 without delay. He has also been known to try 11 Nd2 when Black doesn't have to move the queen, but he did in V.Laznicka-M.Parligras, European Championship, Dresden 2007, which continued 1 1 ...Qc7 12 a4 0-0 13 0-0 b6 14 Bb5 e5! 15 dxe6 fxe6 16 Qc2 Rae8 1 7 c4 Re7 18 Bxd7 Qxd7 19 Rfd1 Qc6 with comfortable play. Not hurrying with Nbd2 a Ia Vigus appears more challenging. 11 . 0-0 12 0-0 ..
WARNING: White might ideally like to bring his queen's knight across to the other flank, but there's no time for 12 Nd2 Rae8 13 Nf1? because the centre is fluid and 13 ...e5 (Diagram 54) gives Black the advantage, as pointed out by Wells. 12 ... Kh8 Black wants to give himself some options down the g-file. That makes some sense, but Wells prefers the immediate 12 ... Rae8, observing that 13 aS Qc7 14 Qd1 (White lacks the time to bring his queen to b3, unlike in our main game, as 14 Qc2 e5 15 dxe6 fxe6 is obviously very comfortable for Black) 14 ....Kh8 15 Nh5 Rg8 16 Nd2 (Diagram 55) 16 ... e6! ? (Black must always beware closing the centre too early, but here he is fully mobilized and 16 ... e5 1 7 Nxf6 Bxf6 18 f4 Rg6 19 Rf2 Qd8 20 Qb3 Bh4 21 Rf3 Reg8 22 Bfl Bc8 was also fine for him in E. Danielian-V.Saravanan, Kavala 2008) 1 7 Nxf6 Bxf6 18 g3 Rg6 19 Re1 Kg7 gave Black respectable-enough counterplay in J.Bellon Lopez-G.Hemandez, Las Palmas 1995.
Diagram 55 (B) It's a bout even
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Diagram 56 (B) How am bitious will Black be?
T h e U ncompromi s i n g 2 ... c s
1 3 Re11l Far from essential, but I quite like this semi-prophylactic move. White can always cover g2 with Bfl if needed and he might even break with e4 should Black mis ti me his own ... e6-break. 13 ... Rg8 14 Qc2 Rae& Now ... e5 is back on the agenda, but White is in time to hinder it. 15 aS Qd8 16 Qb3 1 Qc8 17 Qd1 (Diagram 56) 17 ... Bh61? Despite my admiration for White's bravery (taking on the maestro in the Trom powsky) and creativity (delaying Nbd2), I must admit that he isn't better here and 17 ... Qc7 would have left Vigus with a choice between repeating moves and allow ing Black's ideal advance with rough equality. Of course, though, such a re nowned fighter as Hodgson was never going to allow an early draw.
18 Na3 Rg4 19 g3 Reg81l A bold but by this point fairly essential sacrifice. Otherwise White would have had time for Be2-f3 followed by Nc4 with a pretty harmonious set-up.
20 Be2 Critical, although if White didn't want to take the exchange, he might have con tinued 20 f3!? R4g7 21 Qd3 followed by arranging b4 when I slightly prefer his chances; Kf2 and Rg1 will always hold the kingside if necessary.
20... Bxf41 21 Bxg4? White underestimates the problems he will face on the kingside. It was better to play 21 exf4! Rxf4 22 Bf3 (Diagram 57) when the exchange sacrifice is no longer so convincing, although Black's rook does have a4 if necessary. Play might continue 22 ...Qd8 23 Qe2 e6 24 dxe6 fxe6 25 Bxb7 Ne4 26 Qe3, which remains quite unbal anced but probably also about even.
21... Bxg3 22 hxg3 Rxg4 It' s time to take stock. Black has only one pawn for the exchange and no immedi ate threats, but White's kingside is quite airy and it will take his knight time to get back into the game. 23 f3?1 Pa nic. This isn't the best defence, but one can certainly see why Vigus didn't like the look of 23 Kg2? Nxd5 24 f3 Bc6! with some initiative as 25 e4? fails to 25 ... Nf4+ 26 Kh2 (or 26 Kf2 Nh3+ 27 Kg2 Rg6) 26... Rg6 27 gxf4? Qg8 followed by mate. Find i n g a good defence is far from easy, though. White would like to play 23 c4!?, but th en 23 ... Qg8 (23 ... Ne4 24 Qc2 Qg8 25 Kfl transposes) 24 Kfl (it looks a little ugly, but perhaps radical measures in the shape of 24 Qf3!? Ne4 25 Qh1 are required) 24 . Ne4 25 Qc2 Qg6 sees Black calmly building up and preparing to infiltrate with some effect down the h-file. 23 ... Rxg3+ .
.
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Sta rti n g Out: The Tro m p o ws ky Atta c k Tempting, but i t seems that Black missed a strong deflection at this point in 23 ... Ba4!. The point is revealed after 24 b3 (24 Qe2? Rxg3+ 25 Kf2 f4 26 Rhl Ng4+! 27 fxg4 Rxe3 definitely doesn't help White) 24 ... Rxg3+ 25 Kf2 f4 (Diagram 58) when Black's queen races into the attack, albeit at the cost of a further piece. Con tinuing this line with 26 bxa4 (I suspect that grovelling with 26 Rgl is White's best try) 26 ... Qh3 27 Ke2 Rxf3 28 Kd2 Nxd5 29 Kcl Nxe3 we find Black having picked up no fewer than five pawns for the rook while retaining the initiative. In practice White would certainly do well to survive this.
Diagram 57 (B)
Diagram 58 (W)
A solid defence
A da ngerous attack
24 Kf2 Qg8 25 Rg1 Essential defence.
25 ... Nh51? Black continues to play for the attack, rather than head for the slightly better if unbalanced endgame which would have arisen after 25 ... Rxgl 26 Qxgl Nxd5 27 Qxg8+ Kxg8.
26 b4 f4?1 Tempting, but this allows White a handy resource and it seems that Hodgson would have done better to prepare ... f4 with 26 ... Qg5! : for example, 27 bxc5 dxcS 28 Rxg3 Qxg3+ 29 Ke2 QeS 30 Kd2 Qxd5+ 31 Kcl Qe6 and Black emerges with a clear advantage.
TIP: Nimzowitsch's advice isn't always correct, but sometimes 'the threat is greater than the execution'! Attacking chess isn't all about hurrying to deliver the killer blow - one must also take the opponent's plans and resources into account.
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The U ncom p rom i s i n g 2 . .. c s 2 7 exf4 cxb4 2 8 Qd4+1 Further good defence.
28 ...f6 29 cxb4 Bh3 (Diagram 59)
Diagram 59 {W)
Diagram 60 (B)
How to defend?
A sensible, fa irly popular choice
30 Ke2? No doubt already running low on time, Vigus collapses. Instead he could have shored up f3 with 30 Nc4 Bg2!? (30 ...Rg2+ 31 Rxg2 Qxg2+ 32 Ke3 Ng3 looks rather scary, but the calm 33 Qb2 appears to keep everything defended - the resource mentioned earlier) 31 Nd2 when 31...Rxf3+ 32 Nxf3 Qg3+ 33 Ke2 Qxf3+ 34 Kd2 Nxf4 sees Black retain the initiative, but he is two exchanges in arrears here and White probably not worse after 35 Rael .
It would also have looked horribly risky over the board, but White could have gone in for 30 Rxg3 Qxg3+ 31 Ke3 Bg2 32 Qe4, as 32 .. .f5 33 Qxe7! Qxf3+ 34 Kd2 Qxf4+ 35 Kc3 sees his king running away to safety and probably Black must force a draw here. 30... Bg21 Clinical. Now f3 will fall and with it White's position.
31 a6 bxa6 32 Nc4 Rxf3 33 Ne3 Nxf4+ 34 Kd1 Rf2 35 Ke1 Qg3 36 Nf5 Re2+ 37 Kd1 Qb3+ 38 Kcl Qc2 mate (0-1)
The 2 cs Mai n Line: s Qc1 fs 6 g3 ...
1 d 4 Nf6 2 Bg5 c 5 3 Bxf6 gxf6 4 ds Qb6 5 Qc1 fs 6 g 3 (Diagram 60)
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Start i n g Out: T h e Trom pows ky Attack As the reader has probably already ascertained, the play in this variation is often quite unforcing unless 6 c4 Bh6 happens. The text has in mind a set-up with c3, Nd2, Nh3-f4 and usually Bg2; moves which can be played in a number of orders.
6... Bg7 7 C3 d6 Sensible and best. Somewhat more ambitious is 7...Qd6?! 8 Bg2 b5, but after 9 Qc2!? (targeting f5, but 9 Nf3 Bf6 1 0 0-0 is a decent alternative) 9 .. .f4 1 0 Nh3! fxg3 1 1 hxg3 Bb7 12 e4 (I also rather like White's control of the position after 12 Na3!? a6 13 Nf4; again note how Black's kingside remains vulnerable despite the un doubling of his f-pawns) 12 ... Na6 13 Nf4 c4 14 Nh5 Qg6 15 Na3 Nc7 16 Qe2 White was better in V.Bhat-C.Baginskaite, San Francisco 2005. Black does better with 7... Na6!? 8 Bg2 Nc7 (Diagram 61), and 9 Nd2 Qh6 (9...e6 10 Nc4 Qa6 11 Qf4 0-0 12 Nh3 exd5?! 13 Ne3 Ne6?! 14 Qxf5 d4?! 15 Be4 was some thing of a light-square disaster for Black in A.Fernandes-G. Djurovic, European Championship, Budva 2009; a timely reminder of the fine line for both sides of the balance between effective creativity and over-creativity in this complex variation) 10 Nc4 (10 Qc2!? d6 1 1 e3 is untested, but appears more critical, not fearing 1 1 ... b5 on account of 12 a4!) 1 0... Qxcl + 1 1 Rxcl d6 12 Nh3 Bd7 was about equal in P.Kloninger-V.Baklan, Bad Zwesten 1999.
Diagram 61 (W)
Diagram 62 (W)
Black has ideas of ...e6 and ... bs
Trying to destabilize the knights
8 Nd2 White can also begin with 8 Bg2 Nd7 and now 9 Nd2 transposes to our main line. Instead 9 Nh3 h5!? 10 Nd2 (10 Qc2 Ne5! 1 1 Nd2 Bd7 12 Nf4 h4 gave Black the ini tiative in B.Czap-A.Fernandes, European Championship, Dresden 2007) 10 ...h4 (once again 10 ... Ne5!? might be a better idea and after 1 1 Nf3 Nxf3+ 12 Bxf3 h4 13 Nf4 Bd7 both sides will probably castle long and have their trumps, with the chances about even) 1 1 Nc4 Qa6 (Diagram 62) 1 2 Ne3 Nf6 (Dembo prefers
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The U ncom p r o m i s i n g 2 . c s ..
1 2 . . hxg3 13 hxg3 Ne5 14 Qc2 Nc4!? 15 Nxf5 Bf6 16 e4 e6 when White's best try for .
the advantage is probably to return the pawn with 1 7 dxe6 fxe6 18 Nh4) 1 3 Qc2 e6 1 4 dxe6! fxe6 15 g4! saw White seizing the initiative in G.Sargissian-P.Froehlich, Lin ares 2001, but much remains to be clarified in these early ... h5 lines. There was even a time when White experimented with 8 Bh3, but nowadays it is known that Black is quick to pressure d5 and obtain decent counterplay after 8 ...e6 9 Nf3 Nd7. S . Nd7 9 Bg2 Nf6 .
.
Black's most natural move. Instead 9 .h5?! has little point when it can be met by 10 h4 or even 10 Ngf3!? Nf6 1 1 Nh4, but Czap's 9 . Ne5!? is an idea, keeping the h p awn in reserve and meeting 10 Ngf3 with 10 ... Ng6. Here I believe that probably White should counter Black's plan of ...e5 vigorously with 1 1 Qc2 e5 1 2 dxe6!? fxe6 13 e4 fxe4 14 Nxe4 d5 15 Neg5 followed by continuing in sharp vein with 0-0-0. ..
..
10 Nh3 (Diagram 63)
Diagram 63 (B)
Diagram 64 (B)
White aims to keep control
Decent play for the pawn
10...0-0 Natural enough, but now White can castle safe in the knowledge that the h-pawn won't trouble him. Thus Black might prefer one of: a) 10 ... Bd7 1 1 Qc2 Qa6 12 0-0!? (bold, but 1 2 Nf4 e5 13 dxe6 fxe6 14 0-0 is hardly a dead end for White and 14 ...h5 1 5 e4! fxe4 16 Nxe4 Nxe4 1 7 Qxe4 0-0-0 18 Qg6 saw hi m obtaining the upper hand in K.Pettersson-J.Alvarez Sabor, correspondence 2006) 12 ... 0-0 (12 ... Qxe2!? is critical, but enables White to improve his pieces to i deal squares with tempo: 13 Rfe1 Qa6 14 Bfl Qb6 15 Nc4 Qc7 16 Ne3, as indicated by Wells) 13 e4!? fxe4 14 Nxe4 NxdS 15 NhgS BfS 16 Rad1 (Diagram 64) was ex tremely unclear in V.Akopian-G.Hernandez, Merida 2000.
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Sta rti n g Out: The Trom pows ky Attack TIP: Attacking with the Trompowsky knights is always tempting, but here a decent case might be made for 13 Nf4, especially since the knight can retreat to d3 after 13 ...e5. b) Even the normally-thorough Dembo appears to have been confused by all the possible transpositions in this variation, as she doesn't deal with this specific posi tion, but perhaps she would have recommended lO ... hS!? here. Compared to the notes to White's 8th move, Black's knight can no longer come to eS and 1 1 Qc2 h4 (11 ... Bd7!? 1 2 Nf4 h4 should also be met by 13 Nc4-e3, whereas 13 0-0-0 Qa6 14 Kbl 0-0-0 15 e3 Ng4! 16 Nf3 hxg3 1 7 hxg3 Qa4 was about equal in Bui Vinh O.Mihok, Budapest 2007) 1 2 Nc4 Qa6 13 Ne3 transposes to our coverage there.
11 o-o (Diagram 65)
Diagram 65 (B)
Diagram 66 (B)
The kn ight is useful on d2 for now
White manoeuvres ca reful ly
White has obtained quite a harmonious position and is able to keep the central situation under control after 1 1 ...e6, as we'll see in Game 18.
Conclusion This most positionally-complex of variations has warranted a fair amount of cov erage. White's score remains at 51% after 5 Qcl fS 6 g3 Bg7 7 c3, but he can hope to outmanoeuvre and out-finesse Black. Knowledge of exact moves might be of less importance than after 6 c4, but there are still some important move order issues when Black delays castling.
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The U n co m p rom i s i ng 2 ... c s
Il lu strative Ga mes came 18 0 P.Wells • P.Popovic
Au strian League 2002 1 d 4 Nf6 2 Bg5 c 5 3 Bxf6 gxf6 4 d 5 Qb6 5 Qc1 f5 6 g 3 Bg7 7 c 3 d 6 8 Nd2 Nd7 9 Bg2 Nf6 10 Nh3 o-o 11 o-o e6 12 dxe6 In his groundbreaking work on the Trompowsky, Wells pointed to 12 Nf4!? as the way forwards. Once again White retains the central tension and would like to con tinue with at least some of a4, Nc4, Qc2 and a rook to d l . Such a plan certainly worked out well after 12 ...Bh6 1 3 e3 Bd7 14 Rd1 e5 15 Ne2 Rae8 1 6 Qc2 Qd8 1 7 Nc4 Qe7 18 a 4 b6 19 Re1 Kh8 2 0 Rad1 Rg8 2 1 Nel l Rg6 2 2 Nd3 RegS 23 b4 (Dia gram 66) when White was slightly for choice in M.Adams-J.Lautier, Paris (rapid) 1 995. Fine, calm manoeuvring so typical of the Englishman's style, although I would imagine that not everyone would feel so uncomfortable with Black's chances after 14 ... e5. Indeed, I'm by no means certain that Wells's own over-the board choice is actually inferior, and whether or not to open the centre, at least when it is fairly favourable to do so as here, is probably a matter of taste.
12 Bxe6?1 ...
Ugly, but Popovic had spotted the chance to get his central pawns rolling. Here I agree with Wells that 12 ... fxe6 should have been preferred, after which 13 Nf4! d5 1 4 c4 (Diagram 67) gives White useful central pressure and decent squares for his pieces in the event of 14 ... d4 15 Nd3.
Diagram 67 (B) Harmonious play
Diagram 68 (B) White will play on the queenside
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Sta rti n g Out: T h e Trom pows ky Attack NOTE: Having exchanged on e6 White would like to open up the centre with e4 to target e6 and h7, but here 13 e4 can be fairly well met by Wells's 13 ...esl, playing against that knight on the rim. 13 Nf4 d5 14 c41 White wastes no time fighting for the d5-square and forcing his powerfully-placed bishop back into play.
14...Rad8 15 Qc2 d4 16 a3 Bh6 17 Nd3 (Diagram 68) 17... Kh8?1 I quite like White's chances in any case, but suspect that Black should have pre
ferred the more solid 17 ...Qc7 18 b4 b6 19 Rab1, restricting White to just a pull.
18 Rab1 Far from terrible, but as Wells later pointed out, even better would have been the immediate 18 b4, since 18 ... cxb4 19 axb4 Bxd2?! 20 c5! is a handy intermezzo.
18 ... Bxd2?1 One can understand Black's desire to change the nature of the struggle, but this fails to wholly convince. Once again grim defence with 18 ... Qc7 would have been the lesser evil.
19 Qxd2 Bxc4 Giving up one half of the bishop-pair was a big decision, as was this. The alterna tive was 19 ... Ne4!? but in any case Black's kingside remains a long-term cause for concern, and here 20 Qc2! (20 Qf4 Qd6! 21 Qxd6 Rxd6 suddenly becomes quite unclear due to the weakness of c4) 20 ... Qc7 21 Rfcl b6 22 b4 Rb8 23 Nf4 would have retained a pleasant advantage.
20 Rfc1 Bxd3 21 exd3 (Diagram 69)
Diagram 69 (B) Black is in trou ble
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Diagram 70 (W) An offside queen
The U n com p ro m i s i ng 2 . . . c s It' s time to take stock. Black might be a pawn up, but he can't defend all his weak pawns and is clearly in some trouble. However, Black does have a queen and kni ght tandem, and so Popovic does his best to stir up some trouble with those p ieces. 21 ...Qd6 22 Bxb7 Ng4 23 Qgs Qd7 24 Bg2 f6 25 Qhsl? A little ambitious, especially when the simple 25 Qd2 ReB 26 Rc2 Rc7 27 Rbcl RfcB was available. Admittedly it's not trivial to make further progress as White here, not least because the knight must be kept under control, but I think that the ambi tious 2B b4!? might be on: 2B ... cxb4 29 h3 NeS 30 axb4 Rxc2 31 Rxc2 Rxc2 32 Qxc2 and with 33 f4 followed by 34 Qc5 next up, White appears to be doing pretty well.
z s ...RgBI Black spots that the queen can't get off the h-file so easily. 26 Rxcs?l Now White's queen falls into some trouble. Preferable was 26 h3 Rg5 (26 ...Ne5 27 RxcS Nxd3 2B RdS Qe6 29 QxfS QxfS 30 RxfS is pretty good for White despite the p assed d-pawn) 27 Qh4 NeS 2B RxcS Qg7 29 Rbcl!, relying on Black's weak back rank to keep everything together.
26 ... Rg5 (Diagram 70) 27 Qh4 I dare say that time trouble had already reared its head after such a complex posi tional struggle. The text is easy to criticize, but it would have taken a brave man to play 27 Qh3!? Qe6 2B Bf3, especially when low on time. Moreover, it's not appar ent that this is actually so clear: for instance, 2B ...Qa2 29 Qfl NeS 30 Bh1 f4 and Black retains some tricky counterplay.
27 ...Qf7 A better way to tee up ... RhS would actually have been 27 ...QeB! in view of the nasty tactic 2B RxfS! Rxf5 29 Qxg4 Rxf2!, although anything might still have hap pened here after 30 Be4 Rc2 31 Rfl Qe7.
NOTE: This tactic exploited a loose white rook and loose pieces lie behind many tactics. Indeed, it might well be useful to always keep John Nunn's mnemonic LPDO in mind - 'loose pieces drop off'.
28 Rxfsl Yz-Yz Good defence, whereas White's kingside would have been left looking a little sh aky after 2B Rbcl RhS 29 ReB Rxh4 30 RxdB+ Kg7 31 gxh4 Qe7. After the text, play might have continued 2B RxfS RxfS 29 Qxg4 ReS 30 Be4 when White has two pawns and a good bishop for the exchange. He might even be slightly for choice h ere, but after so many adventures over the past few moves, one can hardly blame W ells for offering a draw.
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Chapter Five
T h e Po p u l a r
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2
• • •
N e4
I ntrod uction The Radical 3 h4 The Creative 3 Bh4
� A/�''/� -�- � ��
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•
I
T h e Pop u l a r 2 ... Ne4
I n troduction 1 d4 Nf6 2 Bg5 Ne4 (Diagram 1)
Diagram 1 (W)
Diagram 2 (B)
An ever-popular choice
An audacious concept
We now come to Black's main response to the Trompowsky, in terms of both theoretical attention and tournament practice (2... Ne4 accounts for 32% of all the Trompowsky games in my database). Advancing the knight with tempo is clearly a logical idea, although White can hope to regain a tempo by kicking back the knight with f3. At this important juncture, White basically has a choice between three options: the highly-creative 3 h4, the old main line with 3 Bh4, and the almost universal choice these days amongst grandmasters, 3 Bf4. In this chapter we will explore both 3 h4 and 3 Bh4, before moving on to 3 Bf4 in our final two chapters.
The Radical 3 h4 1 d4 Nf6 2 Bg5 Ne4 3 h41? (Diagram 2)
An ambitious idea! White is happy to swap the bishop-pair for an open h-file and h opes to engage Black in a complex struggle right from the word go. Indeed, it is n o surprise to learn that this was Hodgson's main weapon in the early Nineties before a couple of decent responses were worked out for Black. Nowadays with 3 Bf4 all the rage, 3 h4 might once again make a good surprise weapon in the hands of a creative player. 3 cs ...
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Sta rti n g Out: The Trom pows ky Attack Black's most popular response, but this has been played in just under half of all games with 3 h4 and so we must also consider: a) 3 ... Nxg5 4 hxg5 is a little too compliant. Black must now try to distract White from the target on h7 with 4 ... c5 in any case, whereas 4 ...e6 5 f4!? d5 6 e3 Bb4+ 7 c3 Bd6 8 Nf3 Nd7 9 Qc2 g6 1 0 Bd3 left White with a strong grip on the position in A.Ihaksi-R.Reijo, Finnish League 2007.
NOTE: Should Black obtain the bishop-pair on gS, White will usually respond by targeting the black kingside at an early stage. Some times White can play to double rooks on the h-file, other times a dis ruptive g6-advance will cause chaos. b) 3...f6 pushes White back and after 4 Bf4 (4 Nd2!?) 4 ... Nc6! we reach an almost totally unexplored position. One rare reference continued 5 f3 e5 6 Bh2 f5! ? 7 Bxe5! Nxe5 8 fxe4 Ng4 9 exf5 d5?! 10 e4 h5 1 1 Bd3 and White had seized the upper hand in N.Eliet-J.Chabanon, French League 1996. c) 3...h6 isn't essential at this early stage, but is quite playable if Black follows up with 4 Bf4 d5 - compare with our next variation to which play may transpose. d) The solid 3 ... d5 is a significant drawback to 3 h4 in my view. Black shows that he doesn't have to play ball and simply develops his pieces along classical lines. After 4 Nd2 (Diagram 3) we have:
Diagram 3 (B)
Diagram 4 (W)
Black is quite solid
A small lead in development
d l ) 4 ... Nxd2 5 Qxd2 (5 Bxd2!? e5?! 6 dxe5 Nc6 7 Bg5 Be7 8 Nf3 Bg4 9 Qd2 Qd7 10 0-0-0 favoured White in J.Hodgson-M.Hebden, Candas 1992; having started sol idly, probably Black should continue in such vein) 5 ... Bf5 leaves White ahead in development, but it's far from easy to exploit that with Black yet to weaken his
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The Pop u l a r 2 . . . Ne4 positi on: 6 e3 Nd7 7 Bd3 (7 Nf3 h6 8 Bf4 e6 9 Ne5 Bd6 10 h5 Nxe5 11 Bxe5 0-0 12 B x d6 Qxd6 13 Bd3 unsurprisingly soon led to a draw in J.Hodgson-V.Tukmakov, Be rn 1995) 7... Bxd3 8 Qxd3 c6 (alternatively, 8 .. .f6!? 9 Bf4 e5 10 Bg3 c6 1 1 0-0-0 looks like the critical line with roughly balanced chances, and the solid 8 ...h6 9 Bf4 e6 transposes to a position which Rowson has been happy to defend via a 4 ... Bf5 move order) 9 Nf3 Qb6 (Diagram 4) 10 0-0-0 0-0-0?! 1 1 Bf4! e6? 12 Ng5 saw Black wishing he'd never moved his king from e8 in A.Abdulla-S.Mishra, Mumbai 2008. d2) 4 ... Nxg5 5 hxg5 c5!? (Black fights for the initiative; again he might do better to
p lay more solidly with 5 ...Bf5, although 6 e3 e6 7 g4 Bg6 8 f4 Bd6 9 Ngf3 Nd7 10 Nh4! Qe7 11 Nxg6 fxg6 12 Bd3 0-0-0 13 Qe2 gave White a pleasant long-term ad van tage in A.Miles-M.Bescos Mambrona, Andorra 1995, and the more common 8 ... c5 is fairly well met by Hodgson's 9 Qf3!? when 9 ... Bxc2 10 Bb5+ Nd7 1 1 Rcl 6e4 12 Nxe4 dxe4 13 Bxd7+ Qxd7 14 Qxe4 regains the pawn with advantage) 6 dxcS e5 (Diagram 5)
Diagram 5 (W)
Diagram 6 (W)
White can seize the initiative
A highly-respectable defence
7 e4!? (consistent with the aggressive nature of 3 h4, White fights for the initiative rather than opt for the solid 7 Nb3) 7...Bxc5?! (too ambitious, but White also has the initiative after 7... Nc6 8 Ngf3 Be6 9 Bb5) 8 Nb3! d4 9 Nxc5 Qa5+ 10 c3 Qxc5 1 1 cxd4 exd4 12 Rcl Qb4+ 13 Qd2 Qxd2+ 1 4 Kxd2 (with weaknesses on d4 and h7 to aim at, White already has a large advantage) 14 ... Nc6 15 Bb5 Bd7 16 Nf3 0-0? 1 7 Rh4 Rad8 18 Rch1 i s something o f a model for White, A.Stefanova-J.Ivanov, Salou 2000. d 3) Again a very sensible choice is best, namely 4 ... Bf5! (Diagram 6) when White h as tried two approaches: d 3 1 ) 5 e3 h6 6 Bf4 e6 (the Rawson-endorsed 6 ... Nxd2 7 Qxd2 e6 8 Bd3 Bxd3 9 Qxd3 Nd7 is a respectable alternative) 7 g4!? Bg6 (Black takes control of the gS-square;
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Sta rt i n g Out: T h e Trom pows ky Attack he also has 7... Bh7 8 Nxe4 Bxe4 9 f3 Bh7 10 Bd3 Bxd3 11 Qxd3 c5!, which gave him enough counterplay in J.Hodgson-A.Beliavsky, Groningen 1994) 8 h5 Bh7 9 Nxe4 Bxe4 10 f3 Bh7 1 1 Bd3 Bxd3 12 Qxd3 c6 looks quite pleasant for White, but it's ac tually hard to make any real progress: for example, 13 Nh3 Bd6 14 Qb3 Bxf4 15 Nxf4 Qc7 16 Rg1 Nd7 1 7 0-0-0 0-0-0 and Black was very close to full equality in A.Bigg-Jo.Hodgson, British League 2002. d32) 5 Nxe4 Bxe4 6 f3 h6! 7 fxe4 (this doesn't totally convince, but practice has shown that 7 Bf4 Bh7 followed by ... c5 is quite comfortable for Black) 7 ... hxg5 8 Qd3 e6 9 Nf3!? (9 Qb5+? Nc6 1 0 Qxb7 Nb4 1 1 Qb5+ Qd7 saw the maestro getting into trouble in J.Hodgson-V.Salov, Wijk aan Zee 1993) 9 ... Nc6!? 10 exd5 Qxd5 (Diagram 7) 1 1 e4 Qd6 12 0-0-0 gxh4 13 Qe3 0-0-0 14 Bb5 and White will regain his pawn with rough equality.
Diagram 7 (W)
Diagram 8 (B)
Another unbalanced middlega me
Keeping the centre closed
Returning to 3 ... c5:
4 dxc5 The more common choice, but I suspect that 4 d5!? (Diagram 8) might actually be a better bet, refusing to worry about the b2-pawn. Play usually continues 4 ...Qb6 (two other options worth considering are 4 ... Qc7!? with the cheeky idea of 5 Nd2 Ng3 6 Rh3 Nxfl 7 Nxfl d6, and the sensible 4 ... g6, after which 5 Nd2 Nxg5 6 hxg5 Bg7 7 c3 d6 should be fine for Black, who can aim for Benoni-like queenside coun terplay, while Hodgson's 5 Qd3!? can be met well enough by Emms's 5 ...Qa5+) 5 Nd2! (White prefers to sacrifice a pawn than cede the initiative after 5 Qcl e6) 5 ... Nxg5 (the other pawn grab is more risky: 5 ... Nxd2 6 Bxd2 Qxb2 7 e4 leaves Black unable to both retreat his queen and prevent e5; indeed, 7... g6 8 Rb1 Qe5 9 Bd3 Bg7 10 f4 Qc7 1 1 c4 e6 12 h5 gave White excellent compensation in L.Large T.Therkildsen, French League 2008) 6 hxg5 Qxb2 (declining the pawn is no longer
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The Popu l a r 2 . . . Ne4 so good: 6...g6 7 e4 d6 8 Nc4 Qc7 9 a4 gives White a pleasant grip; he will expand
further with f4 before Nf3) 7 e4 (creating a target on g6 with the immediate sacri fice 7 g6!? has been a popular alternative) 7... Qe5?! (Black hurries to move his queen; this fails to convince, but to demonstrate the dangers he faces just look at the line 7... d6? 8 Rb1 Qa3 9 Bb5+! Nd7? 10 Nc4 Qc3+ 1 1 Kfl and there's no good defence to 1 2 Ne2; probably rushing another piece into play with 7... Na6 is best) 8 Ngf3 Qc7 9 g6! fxg6 10 e5 e6 1 1 d6 (Diagram 9) left White with fantastic compensa tion in A.Bigg-M.Stierle, Lenzerheide 2006.
Diagram 9 (B)
Diagram 10 (B)
That's some pawn wedge!
Everything to play for
TIP: Whenever Black neglects to follow up 3 ...c5 with ...g6, White should keep the possibility of a sacrificial g6-advance in mind, ham pering Black's development while creating a target for es and Bd3. 4 Qa5+ ...
Bl ack often flicks this check in, but there's absolutely no compunction to. The al ternatives are: a) 4 ... Na6 is quite a solid choice. Following 5 Nd2 (the ever-creative Miladinovic h as remained true to the gambit 5 Qd4!? Naxc5 6 Nc3 Nxc3 7 Qxc5 Ne4 8 Qd5 Nxg5 9 hxg5 Qb6 10 0-0-0 Qxf2 1 1 Rh3; I have my doubts that this can be thought of as more than a reasonable surprise weapon, although 1 1 ... e6 12 Qd2 Be7 13 Nf3 Qcs 14 e4 d6 1 5 e5! dxe5 16 Rh4 0-0 17 Bd3 certainly gave White a strong attack in LM ila dinovic-B.Chatalbashev, Reggio Emilia 2005) 5 ... Naxc5 6 Ngf3 Qb6 7 Nxe4 Nxe4 8 Qd4 Qxd4 9 Nxd4 a6 10 g3 e5 1 1 Nb3 d5 12 Bg2 (Diagram 10) an unbal anced middlegame is reached. Gallagher slightly prefers White here, although I'm not sure that 12 .. .f5 13 Bxe4!? fxe4 14 c3 would have been so bad for Black in J. Hodgson-M.Hebden, Cappelle Ia Grande 1992, had he continued 14 ... a5! 15 0-0-0
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Sta rt i n g Out: The Trom pows ky Attack a4 16 Na1 Be6 1 7 Nc2 Bd6. b) 4 ... h6 5 Bf4 e6 is another sensible approach and one which just looks like rather an easy equalizer, although the 6 Nd2 Qf6!? (highly ambitious, especially as there's nothing whatsoever wrong with 6... Nxc5) 7 Nxe4! Qxf4 8 Qd3 Na6 9 Nd6+ Kd8 10 Nh3 Qb4+ 1 1 c3 Qxb2 12 Rb1 Nxc5 13 Nxf7+ Ke8 14 Nd6+ Kd8 15 Nf7+ and V2-V2 of H.Gohii-P.Svidler, Mainz (rapid) 2001, was probably not what the strong Russian Grandmaster was after. c) 4 ... d5!? is an unexplored gambit which I wondered about some years ago and recently saw being discussed on the excellent forum section of the ChessPublishing website. Black certainly did well in a rare outing in R.Hemmerling-G.Hoegerl, correspondence 2004: 5 Nd2 (Black's point is 5 cxd6 Qb6 when 6 e3 Qxb2 7 dxe7 Bxe7 8 Bxe7 Kxe7 9 Nd2 Nxd2 10 Kxd2 Qb4+ 1 1 Kcl Rd8 supplies good compensa tion with his king far the least exposed) 5 ... Nxc5 6 e4?! (too ambitious, although otherwise the value of h4 is beginning to look questionable) 6 ...h6 7 Be3 d4 8 Bb5+ Nc6 and White was already worse.
s Nd2 Nxgs 6 hxgs g6 Prudent. By now the sacrifice 6 ...Qxc5 7 g6!? (Diagram 11) shouldn't come as a surprise to the reader, and 7 .. .fxg6 8 e3 Nc6 9 Ngf3 d6 10 c3 Bg4 (10 ... Bf5?! 1 1 Nb3 Qb6 12 Ng5! Ne5 13 a4 saw White seizing the initiative with some typically pow erful play in I.Miladinovic-L.Genova, Nice 2002) 1 1 Rh4 Bxf3 (as pointed out by Prie, Black does much better with 1 l ...h5!, intending to whisk his king away to the queenside) 12 Nxf3 Qb6 13 Qc2 1eft White set to regain the pawn with interest in A.Fier-N.Mayorga, Buenos Aires 2007.
Diagram 11 (B) A thematic blow
Diagram 12 (W) Can White use the h-file?
7 C3
I suspect that White may do better with 7 Rh4!?, although it helps to have quite a
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The Pop u l a r 2 . . . Ne4 creative streak if one wishes to play thus. One of Hodgson's games continued
7 ... Nc6 (and not, of course, 7... QxcS?? 8 Rc4) 8 Rc4 Bg7 (Black has also fought for
the initiative with 8 ...dS!? 9 cxd6 Be6, but then Miladinovic's 1 0 c3! looks like a reasonable counter, intending 1 0... Bxc4?! 1 1 Nxc4 QxgS 12 d7+ Kd8 13 Nf3 with good compensation) 9 c3 NeS 10 Nb3 Qc7 1 1 Rh4 aS!? 12 a4 b6 13 cxb6 Qxb6 14 Nf3 with a highly original and unclear position, J.Hodgson-M.Pein, London 1990.
7 ...Qxcs 8 Ngf3 Bg7 9 e3 Nc6 {Diagram 12) Black has developed sensibly, and now the issue is whether White will be able to do anything with the half-open h-file: a) 10 Nb3 Qb6 1 1 a4!? d6 (Black might also pose the question with 1 1 ... hS!?; here 12 gxh6 Rxh6 13 Rxh6 Bxh6 14 Bc4 d6 1S Qe2 Bg4 16 0-0-0 Bg7 looks okay for the second player despite the issue of f7) 12 aS Qc7 13 Ra4 saw some typically creative play from White in J.Hodgson-J.Nunn, English Championship, London 1991, but 1 3 ... Bd7 14 Qa1 hS! 1S gxh6 Rxh6 16 Rxh6 Bxh6 {Diagram 13) saw Black refusing to panic and retaining a rough balance.
Diagram 13 {W)
Diagram 14 (B)
Black defends sensibly
Preparing pressure aga inst h7
b) The immediate 10 Rh4 has also been seen, after which 10 ... dS 1 1 Nb3 Qd6 12 e4 Be6 13 exdS BxdS 14 Bc4 Rd8 1S BxdS QxdS 16 QxdS RxdS led to a roughly bal anced endgame in P.Jirovsky-M.Brodsky, German League 2006. c) 10 Bd3!? d6 1 1 Qc2 aims to dissuade ... hS ideas and will be seen in Game 19.
Conclusion Ju st as it once did with Hodgson, 3 h4 is likely to appeal to creative types who are keen to escape from the beaten theoretical track. White has scored 51% from over
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Sta rt i n g Out: The Trom pows ky Attack 1,300 games with 3 h4, but nowadays it's unlikely to trouble a well-prepared op ponent. That said, its shock value against the uninitiated should not be dis counted. The solid 3 ... dS is an eminently sensible response, questioning the use fulness of the pawn on h4, and the more dynamic 3 ... cS also offers Black a fair share of the chances.
Illustrative Games Game 19 D M.Kanep • A.Holmsten
Fin n ish League2006 1 d4 Nf6 2 Bg5 Ne4 3 h4 c5 4 dxc5 Qa5+ 5 Nd2 Nxg5 6 hxg5 g6 7 c3 Qxc5 8 Ngf3 Bg7 9 e3 Nc6 10 Bd31? (Diagram 14) 10 ... d6 Standard development, but I suspect that Black might also be more ambitious at this point with lO .. dS!?, after which 11 e4 (White needs to challenge either here or immediately after ...eS) 1 l ...Be6 12 Qa4 a6 13 Nb3 Qd6 14 0-0-0 Bd7!? posed some problems for the white queen in M.Arbouche-V.Akobian, Turin Olympiad 2006, and would have been about equal after 1S exdS Nd4 16 QaS b6 1 7 Qb4 Qxb4 18 cxb4 Nxb3+ 19 axb3 aS 20 Rh4 with a messy structure; a far from atypical event after 3 h4. .
11 Qc2 b51? Black hurries to obtain counterplay. He has also developed with: a) 1 l ...Be6 12 Nb3 Qb6 13 Nfd4?! Bd7 14 Nxc6 bxc6 1S 0-0-0 aS! gave Black good counterplay in H.Teske-R.Kotter, German League 2001, but I would prefer 13 Nbd4 Bd7 14 0-0-0. b) 1 l ...Bd7 12 Rh4!? (12 0-0-0 looks like a decent alternative, with the idea of 12 ... 0-0-0 13 Ne4 Qb6 14 Bc4, probing the weaknesses fixed by that pawn on gS) 12 ... 0-0-0 13 0-0-0 hS! was fine for Black with his rooks connected in J.SanchezC.Robles Garcia, La Roda 2008.
12 Rh4 Bd7 NOTE: The point of White's queen and bishop battery is revealed after 12 ... h5? 13 Bxg61 when 13 ...fxg6? 14 Qxg6+ regains the piece with significant interest as 14 ... Kf8? can be met by 15 Rf4+. 13 Ke21 (Diagram 15) Kanep's creative play is fully in keeping with his opening choice. White doesn't want to castle into a strong attack, but would like to double on the h-file and so moves his king forward to facilitate that.
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T h e Pop u l a r 2 . . . N e4 1 3 ... b4 14 Nb3 Qb6 15 Rah11? It' s tempting to go after h7, but Black will obtain enough for the pawn with c3 weak. Thus I suspect that White does better to first close queenside lines with 15 c4! before doubling. Moreover, it's not impossible that he might also play for a central initiative with a timely c5-push and, of course, 15 ... h5? still fails to 1 6 Bxg6!. 15 ... bxc3 16 Rxh7 Rxh7 17 Rxh7 Nb4? (Diagram 16)
Diagram 15 (B)
Diagram 16 (W)
White must con nect his rooks
Too a mbitious from Black
Black is enticed by some tactics, but he should never have given up his key bishop so lightly. He had to prefer 17 ... Kf8 when 18 bxc3 Rc8 19 Rh4 would have re mained quite unbalanced, although one would be surprised if Black could be worse here with his bishops and strong centre.
18 Rxg71 The strong Estonian IM, arguably these days the leading exponent of the 3 h4 Trompowsky, has the tactics all worked out. 18 ... Kf8?1 Continuing his faulty plan. A better defence was 18 ... Bb5 based on the point that 19 Qxc3 Nxa2 20 Bxb5+ Qxb5+ 21 Qd3 Ncl +! is a handy resource. Following 22 Nxcl Qxb2+ 23 Nd2 Qxg7 24 Qb5+ Kf8 25 Qb7 ReB 26 Qxa7 White has decent ch ances to eventually co-ordinate his queen and knights, but I suspect that this radical defence would have offered Black better chances than the game. 19 Qxc3 ReS 2 0 Bc4 Rxc4
The point of Black's play. Instead 20... d5? 21 Rh7 would, of course, have been hopeless for him.
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Sta rt i n g Out: The T rom powsky Attack 21 Rxf7+1 Kxf7 22 Qxc4+ Thus White gets to capture the rook with check and so avoid having his queen skewered. 22 ... Be6 23 Qf4+ Ke8 24 Kf11 TIP: It's always good to make sure that one's own king is safe before launching an attack. Here White would like to attack with his queen and knight-pair, but first Kanep returns one of his extra pawns to avoid a potentially awkward counterattack. 24...Qa6+ 25 Kg1 Nxa2?1 A better defence was 25 ...Qxa2 26 Qxb4 Qxb3, although with 27 Qd4 White would have retained a clear advantage.
26 Nbd4 (Diagram 17)
Diagram 17 (B)
Diagram 18 (B)
The pressure mou nts
The old main li ne
26 ... Bds?l Under pressure with his pieces uncoordinated, Holmsten collapses. He had to cover g6 with 26 ... Bf7, even if 27 Qe4 followed by Nh4 would most likely have won that pawn in any case.
27 e4! Bb7 Now White's pieces pour in, but 27...Bf7 28 eS would have been crushing too.
28 Ne6 Qc4? 29 Qf8+ Kd7 30 Qd8+1 1-0 A neat finish. Black's queen falls after 30 ... Kxe6 31 Qg8+ and 30 ... Kc6 31 Nfd4+ also forces him to part with her company.
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The Pop u l a r 2 .. Ne4 .
The Creative 3 Bh4 1 d4 Nf6 2 Bg5 Ne4 3 Bh41? (Diagram 18) This was once quite a popular handling of the main line Trompowsky, but is now rarely seen, largely due to our main line, below. Nevertheless, a creative player who revels in unbalanced structures may find something to work with here and Nigel Davies was certainly of the view that 3 Bh4 was worthy of a reappraisal in his 2005 work. 3 cs ...
Black's main move, but there are important alternatives: a) 3 ... g5 4 f3 (with Black having weakened his kingside, 4 Bg3 cannot be so bad, but Black will still gain good play on the dark squares, such as with 4 ... c5 5 e3 Qb6 6 Nc3!?, as in O. Danielian-M.Hebden, Cappelle Ia Grande 1993, and then Gallagher's sensible suggestion of 6... Nxc3!? 7 bxc3 Bg7) 4 ... gxh4 5 fxe4 usually transposes to our main line after 5 ... c5 6 e3. Black can, though, also attack on the dark squares with 5 ... e5!? (Diagram 19), after which 6 Nf3! exd4 (the 6 ...Bh6!? 7 Nxe5 d6 8 Nf3 0-0 9 Nc3 f5! 10 exf5 Bxf5 1 1 e4 Bg4 of M.Illescas Cordoba-J.Gallagher, Ali cante 1985, is a decent, fun alternative) 7 Qxd4 Rg8 8 Qe5+ Qe7 9 Qxc7 Na6 10 Qc4 b5 was pretty unclear in L.Keitlinghaus-R.Knaak, German League 1991.
Diagram 19 {W)
Diagram 20 {B)
Striking out on the dark squares
Black has a l ready gone wrong
WARNING: White must appreciate just how weak his dark squares can be in this variation. That doesn't mean that 3 Bh4 is unplayable, but care is required. In our last variation, for instance, 6 e3?1 Qgsl is awkward since Black will increase the pressure further with 7 Bh6. ...
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Sta rt i n g Out: The T rom powsky Attack b) The solid 3 ...d5 cannot, of course, be such a bad choice, but it does give White much more hope of obtaining an advantage than the sharper options against 3 Bh4. Here 4 f3 forces the knight back without delay and then: bl) 4 ... Nf6 5 Nc3 Bf5 (Black tries to avoid the gambit 5 ... c5 6 e4! dxe4 7 d5 with extra space and good compensation, but he might settle for the solid, French-like 5 ...e6 6 e4 Be7 when White has various aggressive options, as well as a direct transposition to the Classical French: 7 e5 Nfd7 8 Bxe7 Qxe7 9 f4) 6 Qd2 Nbd7?! (after the superior 6 ... e6 I wonder about going long and advancing the g-pawn; White might also advance in the centre, but 7 Bxf6 Qxf6 8 e4 dxe4 9 fxe4 Bg4 10 Be2 Nc6! 1 1 Bxg4 Qh4+ 12 Qf2 Qxg4 13 Nf3 Bb4 turned out okay for Black in L.Alburt-Cu.Hansen, Reykjavik 1986) 7 g4! (Diagram 20) 7...Bg6 (7...Be6 8 Nh3 would also leave Black in a pickle) 8 g5 Nh5 9 Nxd5 netted a pawn for insufficient compensation in S.Mamedyarov-B.Ashe, online blitz 2004. b2) 4 ... Nd6 is the more usual retreat, but here the knight is not ideally placed and 5 Nc3 Nf5 (or 5 ... c6 6 e4 Qa5 7 Bd3 with a pleasant pull in A.Femandes-L.Galego, Portuguese Team Championship 2002; note that 7 ... c5?! can, as often in this variation, be well met by 8 dxc5!) 6 Bf2 (Diagram 21) 6 ... e5 (the sharper 6 ... c5!? 7 dxc5 d4 can be met by either the aggressive counter 8 e4!? or more simply by 8 Ne4! Nc6 9 g4 Qa5+ 10 c3 Ne3 1 1 Bxe3 dxe3 1 2 Qd3 g6 13 Qxe3 when, like Gallagher, I don't find Black's compensation entirely convincing, J.Hodgson-Z.Sturua, Tilburg 1993) 7 dxe5 d4 8 e4! dxc3 (practice has shown the e3-pawn to be more of a weakness than a strength after 8 ... dxe3 9 Qxd8+ Kxd8 10 0-0-0+ Bd7 1 1 Bel !) 9 Qxd8+ Kxd8 10 0-0-0+ Ke8 1 1 exf5 cxb2+ 12 Kxb2 Bxf5 13 Ne2 leaves White with a useful lead in development and the safer king, M.Carlsen-K.Lie, Norwegian League 2004. It's interesting to see the then 2550-rated Carlsen giving 3 Bh4 a go.
Diagram 2 1 (B) White prepares 7 e4
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Diagram 22 (B) Black doesn't have to retreat
The Popu l a r 2 . . Ne4 .
c) 3 ... c6 has a little tactical idea in mind: 4 f3 Qa5+ 5 Nd2 Qh5 and Black obtains the bishop-pair. White should, however, prefer 4 Nd2!, after which 4 ...Qa5 5 c3 Qh5 6 Nxe4 Qxh4 7 Ng3 d5 8 Nf3 followed by 9 e4 should suffice for a pull, as did the 4 ... Nxd2 5 Qxd2 d5 6 f3!? Bf5 7 0-0-0 of R.Vaganian-J.Moreno Camero, German League 2003. Returning to the critical 3 ... c5:
4 f3 (Diagram 22) With the bishop a little sidelined, 4 d5?! Qb6 cannot be the way to go and I also find Rausis's 4 Nd2 a little inconsistent. Admittedly the move is solid, but even 4 . Qa5 (I doubt this is quite the most accurate; instead the slightly sharper 4 ... d5!? 5 Nxe4 dxe4 6 dxc5 Qa5+ 7 c3 Qxc5 is fine for Black, as must be 4 ... Nxd2 5 Qxd2 cxd4 6 Nf3 Nc6 7 Nxd4 Qb6) 5 c3 Nxd2 6 Qxd2 cxd4 7 cxd4 Qxd2+ 8 Kxd2 e6 9 a3 Nc6 10 e3 b6 1 1 b4 Bb7 12 Bg3 Be7 13 Ne2 ReS 14 Nc3 d5 15 Bd3 Kd7 16 f3 Bd6 was hardly all that much for White to write horne about in S.Marnedyarov-A.Rornero Holmes, Benidorrn (rapid) 2003. .
.
4...gsl Black pursues his quarry. This is critical, but not the only reasonable approach. Indeed, the inclusion of 4 ... Qa5+!? 5 c3 before 5 ... g5 (or just 5 ... Nf6 6 d5 Qb6 which should be compared with lines in our final chapter; here 7 Bel isn't available, but Hodgson dabbled in 7 e4!? Qxb2 8 Nd2 in the mid-Eighties - a variation with much in common with a certain highly topical gambit after 3 Bf4) 6 fxe4 gxh4 is hard to assess. White has bolstered d4 and Nd2-c4 may come with tempo, but he is deprived of an important Nc3 resource. Indeed, 7 e3 Qb6 (best I think, although even 7...Bh6 8 Nd2 Qb6 9 Nc4 Qg6! 10 Qf3 d6 turned out okay for Black in G.Chepukaitis-A.Eliseev, St Petersburg 2003) 8 Qc2 Bh6 9 Nd2!? (not ideal, but one can understand Ward's reluctance to become involved in 9 Kf2 cxd4 10 exd4 Nc6 1 1 Nf3 e5) 9...Bxe3 10 d5 Qh6 1 1 Ngf3 d6 12 0-0-0 Bg4 failed to give White quite enough for his pawn in C.Ward-R.Palliser, British League 2005. 5 fxe4 gxh4 (Diagram 23 ) 6 e3
White shores up his centre, but might he prefer to sacrifice? Indeed, 6 Nc3!? was seen in no lesser game than S.Marnedyarov-L.Van Wely, Moscow 2004, which continued 6...cxd4 (6 ... Bg7!? 7 e3 e6 is a critical alternative) 7 Qxd4 Rg8 8 e5 Nc6 9 Qe4 Qa5 1 0 Qxh7 Rg4 1 1 0-0-0 Qxe5 with something of a mess.
NOTE: The unfashionability of 3 Bh4 might make it a decent surprise weapon. Moreover, much remains to be discovered after it and crea tive players who pursue its various unbalanced byways may find themselves well rewarded. 6 ... Bh61 Black takes immediate aim at e3. This is critical, whereas 6 ...Qb6?! 7 Nc3! e6 155
Sta rt i n g O ut: T h e Trom pows ky Attack (7...Qxb2 8 NdS! is the point and after 8 ... Kd8, Davies's 9 Rb1 Qa3 1 0 Nf3!? e6 1 1 Rb3 QaS+ 1 2 Nc3 Rg8 13 Qd2 offers White good, enduring compensation) 8 Nf3 Qxb2 (greedy, but it's not easy to suggest an improvement; 8 ... Bh6 was tried in D.Rogozenko-J.Armas, Wijk aan Zee 2007, when I would be sorely tempted to go 9 NeS!? Qxb2 1 0 NbS with some initiative) 9 NbS Qb4+ 10 c3! QaS 1 1 NeS d6? ( 1 1 ... a6! 12 Nc4! QxbS 13 Nd6+ Bxd6 14 BxbS axbS 1 S QhS is the critical line, but like Davies, I quite fancy the queen against the three pieces here) 1 2 Nc4 (Diagram 24) 12 ... Qd8 would have been a disaster for Black in A.Tugui-R.Brajovic, Bucha rest 2000, had White simply played 13 dxcS! dxcS 14 Qf3 followed by the crushing 1S Rdl .
Diagram 23 (W)
Diagram 24 (B)
A messy structure
The knights dominate
7 Kf2 This has been played in more than 60% of the games to have reached this critical tabiya, but it hardly inspires. Let me quote no less an expert than Hodgson: 'How can White hope to gain an advantage after a move such as 7 Kf2? The position looks bad, feels bad and is bad!' So what should White do? Well, let's look at the alternatives: a) 7 Bc4 is a very aggressive try, but I don' t wholly buy it: 7 ... e6 (Black is advised to avoid 7... Bxe3? 8 Bxf7+! Kf8 9 Nh3, but Davies points out that 7... dS!? is a move, after which 8 exdS Bxe3 9 dxcS QaS+ 10 Kfl QxcS already left Black for choice in A.Kharitonov-S.Novikov, Moscow 2003; indeed, White is in need of an improve ment here, which 8 BxdS e6 9 QhS Bxe3 10 Nf3!? cxd4! 1 1 Bc4 Nc6 doesn't appear to be) 8 Qf3 (8 QhS is well met by 8 ... QgS, but perhaps White might try 8 Nf3!? when 8 ... Qb6 9 0-0! Bxe3+ 10 Kh1 h3 11 g3 d6 1 2 Nc3!? cxd4 13 NbS is murky and at least gives him some compensation, M.Mihalik-M.Konopka, Slovakian Cham pionship, Topolcianky 1 994) 8 ...QgS! 9 Kf2 cxd4 10 exd4 Nc6 (Diagram 25) 1 1 Nh3?
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The Pop u l a r 2 ... Ne4 ( White had to cover both weaknesses with 1 1 Ne2, even if 1 1 ... Bg7 followed by castling and probably .. .f5 would have left Black in the driving seat) 1 1 ...Qg7 12 c3?! Nxd4! 13 cxd4 Qxd4+ 14 Ke1 Qxb2 15 Qc3 Bg7! and 0-1 was a complete disas ter in T.Gavriel-R.Palliser, Sutton 1997. Those dark squares again!
Diagram 25 (W)
Diagram 26 (W)
Strong dark-square pressure
Black has sufficient control
b) 7 Qh5?! prevents ...Qg5 defences, but does leave e3 en prise: 7 ... Bxe3 (7 ... Qb6!? 8 Nd2 cxd4 is a decent alternative) 8 Bc4 (Bellon Lopez once preferred 8 Nf3, but 8 ... cxd4 doesn't really give White anything better than 9 Bc4, transposing) 8 ... e6 9 Nf3 cxd4 10 Nbd2 Nc6 1 1 Rfl Qa5 1 2 Qxh4 Ne5 left White somewhat worse in G.Buckley- D.Gormally, British League 1998.
c) 7 d5?! was Bellon Lopez's next try. The Spanish Grandmaster is renowned for his creative, independent approach to the game, but here the 7...Qb6 (7... d6 8 Nd2 Nd7 9 Qh5 Bxe3 1 0 Nc4 Bd4 1 1 Nf3 wasn't so clear in N.Eliet-W.Van den Brande, Belgian League 2005) 8 Qcl d6 9 Nf3 Nd7 (Diagram 26) of J.Bellon Lopez J.Eriksson, Stockholm 1999, already looks quite comfortable for Black to my eye; W hite's position is a little clogged up and Black has good play on the dark squares once again. d ) More often of late Bellon Lopez has been happy to sacrifice his e-pawn with 7 Nd2!?; a course of action endorsed by Davies. One critical line runs 7... Bxe3 (the vigorous counter 7... d5!? 8 Qh5 Bxe3 looks like a decent alternative: 9 0-0-0!? cxd4 1 0 Ngf3 dxe4 1 1 Bc4? exf3 12 Qxf7+ Kd7 13 Rhe1 Rf8 14 Qg7 Kc7 15 Rxe3 dxe3 16 Nxf3 Bd7 was most spirited but didn't give White enough for the rook in }.Van Ruitenburg-A.Timman, Amsterdam 2006, and 9 exd5 cxd4 10 Nc4 Nd7 1 1 Nxe3 Qa5+ 12 c3 dxe3 13 Nf3 Nf6 has worked out well for Black in a few games, begin ning with A.Romero Holmes-E.Sutovsky, Vendrell 1996; perhaps White must in vestigate Davies's suggestion of 8 Qf3!? if he wants to keep 7 Nd2 afloat) 8 d5
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Sta rt i ng O ut: The Trom pows ky Atta c k Bxg1!? (more usual has been to maintain the bishop with 8 ...d 6 when 9 Nc4 Bd4 1 0 c3 Bf6 1 1 QhS!? Bd7 12 a4 Rf8 13 eS dxeS 14 NxeS wasn't at all clear in J.Bellon Lo pez-P.Velicka, Figueira da Foz 2007) 9 Rxg1 Qc7, as in E.Lebraud-G.Grigore, Con dom 2008, and now 10 Nf3 Qb6 1 1 eS!? Qxb2 12 Kf2 (Diagram 27) offers White a strong centre and some long-term compensation for his pawns.
Diagram 27 (B)
Diagram 28 (B)
An i nteresting double ga mbit
Both sides have serious trumps!
Returning to White's most popular choice, 7 Kf2:
7 ... cxd4 8 exd4 (Diagram 28) 8 ...Qb6 Black might very well play on the dark squares too with 8 ...e5!?. Again I find the white position a little unpalatable, but that may just be a matter of taste. Certainly some titled players have been happy enough here and 9 QhS Gust as in our main line, I suspect that 9 Nc3! is best and 9 . Nc6 10 QhS exd4 11 Qxh6 dxc3 12 bxc3 dS 13 exdS QxdS 14 Nf3 was about equal in G.Chepukaitis-I.Zakharevich, Saint Pe tersburg 2000) 9 ... Qf6+! 10 Nf3 exd4 1 1 Bc4 saw White continuing in Nineteenth Century style in the grandmaster-clash N.Sedlak-E.Vorobiov, Vrsac 2008, al though I have my doubts that his compensation was sufficient after 1 1 ...Be3+ 12 Ke1 Nc6 13 Rfl Qg6. .
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9 Nc31 NOTE: This is the only move. Once again White must leave his b pawn to its fate and attempt to seize the initiative with a rapid Nds. 9...e6 Black's usual choice, prudently preventing the aforementioned threat. 10 Nf3 Nc6 11 Bbs (Diagram 29) White has developed very logically, but remains vulnerable on the dark squares
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T h e Pop u l a r 2 ... N e4 and due to his king position. Black, on the other hand, is yet to develop his queen si de and an unbalanced, roughly level struggle lies ahead. At this stage Black has often developed with 1 l...d6, as we'll see in Game 20, but he might also try l l . . .Bg7!?. Then 12 Bxc6 bxc6 13 e5!? (tempting, but probably too ambitious; I w ould prefer 13 Na4, after which 13 ...Qb5 14 b3 Qh5 15 Re1 Rg8 was pretty un clear in E.Tatlicioglu-G.Peli, correspondence 2006) 13 ... f6! 14 exf6 Bxf6 15 Ne4 Bg7! ? 16 Nd6+ Ke7 1 7 Nc4 Qb4 18 b3 Ba6 1 9 Qe1 Qxe1+ 20 Rhxel c5 (Diagram 30) sa w Black starting to get on top with his bishops in the instructive encounter, J.Hodgson-J.Hjartarson, Moscow 1987.
Diagram 29 (B)
Diagram 30 (W)
Both sides strive for the advantage
The bishops are getting on to p
Conclusion White has scored 51% from over 2,000 games with 3 Bh4, but crucially that score falls to a rather disappointing 44% from 440-odd games after the critical line 3 ... c5 4 f3 g5 5 fxe4 gxh4 6 e3 Bh6. Then 7 Kf2 might be ugly, but is best I dare say, al though the more speculative-minded reader might try one of the Bellon Lopez endorsed alternatives for shock value.
Illustrative Games Game 20 0 G.Arzumanian • I.Brikov
Tula 2007 1 d4 Nf6 2 Bg5 Ne4 3 Bh4 g5 4 f3 gxh4 5 fxe4 c5 6 e3 Bh6 7 Kf2 cxd4 8 exd4 Qb6 9
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Sta rt i n g Out: The Trom powsky Attack NC3 e6 10 Nf3 Nc6 11 Bb5 d6 (Diagram 31)
Diagram 31 (W)
Diagram 32 (B)
Black tries to develop
Trying to close the centre
12 Bxc6+1 Best in my opinion; White swaps his second bishop for a useful grip on the posi tion. He has also delayed the exchange, but 12 Qd3 Bd7 (12 ... 0-0!? 13 Bxc6 bxc6 14 Na4 QaS is a decent alternative when it's not so clear that White's early queen de ployment helps him) 13 a4 a6 14 Bxc6 Bxc6 15 aS Qc7 16 Rhfl 0-0 1 7 Nxh4 Qe7 gave Black enough for his pawn with ... fS high on the agenda in I.Rausis A.Tzermiadianos, Athens 1 993.
12 ...bxc6 13 Na4 Qa5 14 b3 h31? Black desperadoes his sickly pawn. He preferred 14 ... 0-0 in A. Villar Nieves S.Gonzalez de Ia Torre, Ayamonte 2002, which should have been met by 15 eS!? dxe5 1 6 NxeS when the knights control some good squares and 16 .. .f6 1 7 Qg4+! Kh8 18 Nf3 leaves White for slightly choice.
15 gxh31? A decent case might also be made for 15 g3, but opening the g-file is certainly in keeping with the creative nature of 3 Bh4!
15 ...Qh5 16 e51 (Diagram 32)
C) l/
TIP: Fixing the centre will establish clear posts for White's knights, at the same time as restricting Black's light-squared bishop.
Earlier a legendary blitz player preferred 16 Rg1 Qxh3 17 Qd3 Bb7 18 Rg3 Qh5 19 Rag1, which is also quite logical, but despite some further creativity in the shape of 19 ...0-0-0 20 Rg4 Qa5 21 Rh4 Bf8 22 Rg5 Qc7 23 Rhh5 h6 24 Rg3 the position re m ai ned dynamically balanced in G.Chepukaitis-S.Sivokho, St Petersburg 2000.
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The Po p u l a r 2 . . . N e4 16 ds? J Too compliant. Black should have preferred 16 ... Bb7! when 1 7 exd6 (it seems White must capture; 17 Qe2 0-0-0 only helps Black introduce nasty ideas of ... c5) 17 ... 0-0-0 1 8 Nc5 Rxd6 19 Rg1 Qxh3 20 Rg3 Qh5 21 Qe1 is no more than a little bet ter for White. The c5-knight might be a monster, but White's king position isn't ideal and that bishop on h6 is hardly a bad piece. .. .
11 Ncs Rf8 18 Rg1 Qxh3? Black's last appeared to prepare 18 .. .f6 and this would have been somewhat pref erable to grabbing the weak pawn. Following 19 exf6 Rxf6 20 Rg8+ Kf7 21 Rg3 Bf4 22 Kg2 Ke7 White's knights are strong and he will obtain promising compensation for the exchange after either 23 Qe2 Bxg3 24 hxg3 e5 25 Qxe5+ Qxe5 26 Nxe5 or 23 Rg4!? e5 24 Nxe5 Bxg4 25 Nxg4, but at least thus way Black would have obtained some material for his suffering. 19 Qe2 fs Closing the centre is not ideal, but White had arranged to meet 19 .. .f6 with 20 Rg3 Qh5 21 exf6 Rxf6 22 Kg1 followed by making good use of the hole on e5.
2 0 Rg2 White is in complete control and so the strong Armenian IM simply improves his major pieces, preparing to penetrate down the g-file. 2 o as 21 Rag1 Qhs 22 Rg8 (Diagram 33) ...
Diagram 33 (B) White has taken control
Diagram 34 (B) There's no defence
2 2 Rb8?1 This doesn't help, but even 22 ... Ke7 23 Qel ! followed by Qc3 would have retained a very pleasant advantage indeed for White. ...
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Sta rti n g Out: The Trom powsky Attack 23 Qe11 White brings his final piece into play and he is now able to improve the queen with tempo. 23 ... Ra8 24 Qc3 Ra7? Black was already in serious trouble, but this misses the threat. He had to try 24 ...Qf7 when 25 Rxf8+ Kxf8 26 Ng5 Bxg5 27 Rxg5 Ra7 28 Qh3 would have kept up the pressure, and 25 R8g2!? Ra7 26 Ng5 Bxg5 27 Rxg5 might be even stronger, aiming to invade on g7 after Qh3-h6.
25 Nxe61 I dare say this sacrifice might not have occurred to everyone; the knight looked fantastic on c5. However, White has been thwarted down the g-file for the time being and the introduction of his queen into the attack quickly proves decisive.
2S ... Bxe6 26 Qxc6+ (Diagram 34) 26 ... Bd7 The attack would have been completely overwhelming too after 26... Kf7 27 Rxf8+ Bxf8 28 Ng5+ Kg7 29 Qxe6 Qxh2+ 30 Kfl.
27 Qb6 The point of White's sacrifice; the queen sidesteps with tempo and now the e pawn is all set to advance.
27 ... Ra8 28 e6 Now Black cannot avoid losing serious material and already he might have given up.
28 ... Ke7 29 QcS+I Kxe6 30 Re1+ Kf7 31 QxdS+ Kf6 32 Qxd7 Rae8 33 RxfB+ RxfB 34 Re6 mate (1-0)
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C h a pter Six
T h e Mod e r n P refe re n ce : N e 4 3 B f4 2 • • •
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I ntrod uction and the Sol id 3
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White Plays 4 e3 The Critica l 4 e3 cs The Blackma r-Diemeresque 4 f3
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